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+The Project Gutenberg EBook of Illustrated Catalogue Of The Collections
+Obtained From The Indians Of New Mexico , by James Stevenson
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Illustrated Catalogue Of The Collections Obtained From The Indians Of New Mexico And Arizona In 1879
+       Second Annual Report of the Bureau of Ethnology to the
+       Secretary of the Smithsonian Institution, 1880-81,
+       Government Printing Office, Washington, 1883, pages 307-428
+
+Author: James Stevenson
+
+Release Date: July 2, 2006 [EBook #18736]
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK ILLUSTRATED CATALOGUE ***
+
+
+
+
+Produced by Louise Hope, Carlo Traverso and the Online
+Distributed Proofreading Team at http://www.pgdp.net (This
+file was produced from images generously made available
+by the Bibliothèque nationale de France (BnF/Gallica) at
+http://gallica.bnf.fr)
+
+
+
+
+
+
+[Transcriber’s Note:
+Punctuation in catalog entries has been silently regularized. Other
+errors are noted at the end of the text.
+Figures with captions in CAPITALS were printed in color.]
+
+
+       *       *       *       *       *
+
+
+ SMITHSONIAN INSTITUTION--BUREAU OF ETHNOLOGY.
+
+             ILLUSTRATED CATALOGUE
+                     OF THE
+     COLLECTIONS OBTAINED FROM THE INDIANS
+                       OF
+        NEW MEXICO AND ARIZONA IN 1879.
+
+                       BY
+
+                JAMES STEVENSON.
+
+
+       *       *       *       *       *
+
+
+NOTE.
+
+
+The following catalogue of the collections made during 1879 was prepared
+for the First Annual Report of the Bureau of Ethnology, but owing to
+want of space was not included in that volume. Before the necessity of
+this action was made apparent the matter had been stereotyped and it was
+impossible to change the figure numbers, etc. This will explain the
+seeming irregularity in the numbering of the figures--the first one of
+this paper following the last one of the above-mentioned report. The
+second catalogue, that of the collection of 1880, also included in this
+volume, has been made to correspond with the first, the figure numbers
+following in regular order.
+
+
+LETTER OF TRANSMITTAL
+
+  WASHINGTON, _January 3, 1881_.
+
+SIR: I have the honor to submit herewith an illustrated catalogue
+exhibiting in part the results of the ethnologic and archaeologic
+explorations made under your direction in New Mexico and Arizona during
+the summer of 1879.
+
+As you are already familiar with the mode of travel and the labor
+necessary in making such investigations and explorations, as well as the
+incidents common to such undertakings, and as I do not consider them of
+any special interest or value to the catalogue, I have omitted such
+details.
+
+I beg, however, in this connection, to refer to the services of Messrs.
+F. H. Cushing, ethnologist of the Smithsonian Institution, and J. K.
+Hillers, photographic artist of the Bureau of Ethnology, both of whom
+accompanied me on the expedition.
+
+Mr. Cushing’s duties were performed with intelligence and zeal
+throughout. After the field-work of the season was completed he remained
+with the Indians for the purpose of studying the habits, customs,
+manners, political and religious organizations, and language of the
+people; also to explore the ancient caves of that region. His inquiries
+will prove of the utmost interest and importance to science. Mr. Hillers
+labored with equal zeal and energy. His work is of the greatest value in
+illustrating some of the most interesting features of our
+investigations. He made a large series of negatives depicting nearly
+every feature of the Pueblo villages and their inhabitants. The beauty
+and perfection of the photographs themselves fully attest the value and
+importance of his work.
+
+I would extend most cordial thanks to General Sherman for the special
+interest he manifested in our work, and for directions given by him to
+the officers of the Army serving in the West to assist us in carrying
+out the objects of the expedition; and to the officers who so cordially
+rendered such aid.
+
+To General Edward Hatch, commanding the district of New Mexico, we are
+indebted for valuable information and material assistance, which were
+liberally granted, and to which in great part our success was due. The
+party also received valuable aid from Gen. George P. Buell, U.S.A., who
+was in command at Fort Wingate during our work at Zuñi, for which I am
+pleased to extend thanks. The large number and variety of objects
+collected by the members of the expedition, and the many difficulties
+incident to such undertakings, as well as the limited time devoted to
+the preparation of the catalogue, will account for any imperfections it
+may contain.
+
+Hoping, however, that, notwithstanding these, it may serve useful ends
+in the continuation of such work,
+
+I am, very respectfully, your obedient servant,
+
+      JAMES STEVENSON.
+
+Prof. J. W. POWELL,
+
+  _Director Bureau of Ethnology_.
+
+
+
+
+CONTENTS.
+
+
+LETTER OF TRANSMITTAL                          311
+INTRODUCTION                                   319
+  Articles of stone                            320
+  Articles of clay                             322
+  Vegetal substances                           334
+Collection from Zuñi                           337
+  Articles of stone                            337
+    Axes, hammers, and mauls                   337
+    Metates, or grain-grinders, and pestles    340
+    Mortars, pestles, etc                      340
+    Miscellaneous objects                      342
+  Articles of clay                             343
+    Water vases                                343
+    Water jugs and jars                        347
+    Jugs of fanciful forms                     349
+    Pitchers                                   349
+    Cups or cup-shaped vessels                 350
+    Eating bowls                               350
+    Cooking vessels                            358
+    Ladles                                     360
+    Baskets                                    360
+    Paint cups                                 362
+    Condiment cups                             363
+    Effigies                                   364
+    Statuettes                                 366
+    Clays and pigments                         367
+  Vegetal substances                           368
+    Basketry                                   368
+    Pads                                       369
+    Domestic implements, toys, etc             370
+    Foods                                      372
+    Medicines and dyes                         372
+  Animal substances                            373
+    Horn and bone                              373
+    Skin                                       373
+    Woven fabrics                              373
+Collection from Wolpi                          375
+  Articles of stone                            375
+    Axes, hammers, etc                         375
+    Metates, or grain-grinders, and pestles    376
+    Mortars, pestles, etc                      377
+    Miscellaneous objects                      377
+  Articles of clay                             378
+    Water vases                                378
+    Water jugs and jars                        379
+    Toy-like water vessels                     381
+    Cups                                       382
+    Eating bowls                               382
+    Cooking vessels                            385
+    Toy-like vessels                           385
+    Ladles                                     385
+    Miscellaneous                              387
+    Statuettes                                 387
+  Vegetal substances                           389
+    Basketry                                   389
+    Domestic implements, toys, etc             391
+    Ornamental objects                         393
+    Statuettes                                 395
+  Animal substances                            396
+    Horn and bone                              396
+    Skin                                       397
+    Woven fabrics                              398
+Collection from Laguna                         399
+  Articles of clay                             399
+    Water vases                                399
+    Water jugs and jars                        401
+    Pitchers                                   401
+    Effigies                                   402
+    Eating bowls                               403
+Collection from Acoma                          404
+  Articles of clay                             404
+    Water vases                                404
+    Pitchers                                   405
+    Eating bowls                               405
+Collection from Cochiti                        405
+  Articles of clay                             405
+    Water vessels                              405
+    Eating bowls                               408
+    Ornaments, effigies, and toys              408
+Collection from Santo Domingo                  409
+  Articles of Clay                             409
+    Water vessels                              409
+Collection from Tesuke                         410
+  Articles of stone                            410
+    Metates, mortars, etc                      410
+  Articles of clay                             410
+    Water vases                                410
+    Water jugs and jars                        413
+    Pitchers                                   413
+    Eating bowls                               413
+    Cooking vessels                            414
+    Toys                                       414
+  Vegetal substances                           414
+    Medicines                                  414
+Collection from Santa Clara                    415
+  Articles of clay                             415
+    Water vases                                415
+    Eating bowls                               415
+    Cooking vessels                            416
+    Effigies                                   416
+Collection from San Juan                       416
+  Articles of clay                             416
+    Eating bowls                               416
+Collection from Jemez                          417
+  Articles of clay                             417
+Collection from the Jicarilla Apaches          417
+  Articles of clay                             417
+Collection from Old Pecos                      418
+  Articles of stone                            418
+  Articles of clay                             418
+  Articles of wood                             419
+Collection from the Cañon de Chelly            419
+  Articles of clay                             419
+    Water vessels                              419
+    Bowls                                      420
+    Cooking vessels                            420
+Collection from Pictograph Rocks               420
+  Articles of clay                             420
+Collection from other localities               421
+  Articles of clay                             421
+    Miscellaneous                              421
+    Statuettes                                 421
+
+
+LIST OF ILLUSTRATIONS.
+
+
+Figs. 347-352. Zuñi grooved axes                         338
+Fig. 353. Zuñi mortar and pestle                         340
+Fig. 354. Zuñi crucible                                  340
+Fig. 355. Zuñi skinning-knife                            340
+Fig. 356. Zuñi sandstone mold                            340
+Fig. 357. Zuñi spear-head                                340
+Fig. 358. Zuñi mortar and pestle                         340
+Figs. 359-360. Zuñi water vases                          342
+Figs. 361-362. Zuñi water vases                          343
+Figs. 363-364. Zuñi water vases                          344
+Figs. 365-366. Zuñi water vases                          344
+Figs. 367-368. Zuñi water vases                          344
+Figs. 369-370. Zuñi water vases                          344
+Figs. 371-372. Zuñi water vases                          345
+Figs. 373-374. Zuñi water vases                          345
+Figs. 375-378. Zuñi water vases                          346
+Fig. 379. Zuñi canteen                                   347
+Fig. 380. Zuñi eating bowl                               347
+Fig. 381. Zuñi water vase                                347
+Fig. 382. Zuñi eating bowl                               347
+Figs. 383-384. Zuñi water vases                          347
+Figs. 385-387. Zuñi canteens                             348
+Figs. 388-391. Zuñi canteens                             348
+Figs. 392-394. Zuñi canteens                             349
+Figs. 395-397. Zuñi canteens                             349
+Fig. 398. Zuñi canteen                                   350
+Fig. 399. Zuñi water vase                                350
+Fig. 400. Zuñi canteen                                   350
+Fig. 401. Zuñi eating bowl                               350
+Fig. 402. Zuñi canteen                                   350
+Figs. 403-406. Zuñi water pitchers                       350
+Fig. 407. Zuñi water pitcher                             350
+Figs. 408-409. Zuñi cups                                 350
+Figs. 410-412. Zuñi eating bowls                         350
+Figs. 413-415. Zuñi eating bowls                         352
+Figs. 416-418. Zuñi eating bowls                         354
+Figs. 419-421. Zuñi eating bowls                         356
+Figs. 422-424. Zuñi eating bowls                         356
+Figs. 425-427. Zuñi eating bowls                         357
+Figs. 428-430. Zuñi eating bowls                         358
+Figs. 431-436. Zuñi cooking vessels                      359
+Figs. 437-441. Zuñi ladles                               360
+Figs. 442-447. Zuñi clay baskets                         361
+Figs. 448-453. Zuñi clay baskets                         361
+Figs. 454-457. Zuñi paint cups                           364
+Figs. 458-459. Zuñi condiment cups                       364
+Figs. 460-461. Zuñi effigies                             365
+Figs. 462-463. Zuñi effigies                             365
+Figs. 464-467. Zuñi effigies                             365
+Figs. 468-469. Zuñi effigies                             365
+Figs. 470-471. Zuñi effigies                             365
+Figs. 472-476. Zuñi effigies                             366
+Figs. 477-480. Zuñi effigies                             366
+Figs. 481-483. Zuñi moccasins                            367
+Figs. 484-485. Zuñi basketry                             370
+Fig. 486. Zuñi pad                                       370
+Fig. 487. Zuñi toy cradle                                370
+Fig. 488. Zuñi basketry                                  370
+Fig. 489. Zuñi toy cradle                                370
+Fig. 490. Zuñi ladle                                     370
+Fig. 491. Zuñi war-club                                  372
+Figs. 492-493. Zuñi dance ornaments                      372
+Fig. 494. Zuñi rotary drill                              372
+Fig. 495. Zuñi wooden, spade                             372
+Fig. 496. Zuñi wooden digger                             372
+Fig. 497. Zuñi rattle                                    371
+Fig. 498. Zuñi rattle                                    373
+Fig. 499. Zuñi hopple                                    373
+Figs. 500-502. Zuñi woven sashes                         373
+Fig. 503. Zuñi head dress                                374
+Figs. 504-507. Wolpi axes                                375
+Fig. 508. Wolpi metate                                   375
+Fig. 509. Wolpi ancient pipe                             378
+Fig. 510. Wolpi stone effigy                             378
+Fig. 511. Wolpi neck ornament                            378
+Figs. 512-513. Wolpi effigies                            378
+Fig. 514. Wolpi water vase                               379
+Figs. 515-516. Wolpi pots                                379
+Figs. 517-519. Wolpi vessels                             381
+Figs. 520-522. Wolpi water jars                          382
+Fig. 523. Wolpi eating bowl                              385
+Fig. 524. Wolpi cooking vessel                           385
+Fig. 525. Wolpi ladle                                    385
+Figs. 526-529. Wolpi ladles                              386
+Fig. 530. Wolpi basket                                   386
+Fig. 531. Wolpi basin                                    388
+Fig. 532. Wolpi vase and bowl attached                   388
+Figs. 533-534. Wolpi clay statuettes                     388
+Figs. 535-536. Wolpi baskets                             389
+Figs. 537-538. Wolpi baskets                             390
+Fig. 539. Wolpi basket                                   390
+Fig. 540. Wolpi floor mat                                390
+Figs. 541-542. Wolpi baskets                             390
+Figs. 543-545. Wolpi baskets                             391
+Fig. 546. Wolpi weaving stick                            392
+Fig. 547. Wolpi spindle whorl                            392
+Fig. 548-549. Wolpi rabbit sticks                        392
+Fig. 550. Wolpi rake                                     393
+Fig. 551. Wolpi drumstick                                393
+Fig. 552. Wolpi treasure-box                             393
+Fig. 553. Wolpi dance gourd                              393
+Fig. 554. Wolpi treasure-box                             393
+Figs. 555-558. Wolpi dance ornaments                     393
+Fig. 559. Wolpi head-dress                               394
+Fig. 560. Wolpi gourd rattle                             394
+Fig. 561. Wolpi musical instrument                       394
+Fig. 562. Wolpi gourd rattle                             394
+Figs. 563-565. Wolpi ornaments                           394
+Figs. 566-569. Wolpi effigies                            395
+Figs. 570-572. Wolpi effigies                            396
+Fig. 573. Wolpi horn ladle                               397
+Fig. 574. Wolpi horn rattle                              397
+Fig. 575. Wolpi perforator                               397
+Fig. 576. Wolpi arrow straightener                       397
+Fig. 577. Wolpi wristlet                                 398
+Fig. 578. Wolpi moccasin                                 398
+Fig. 579. Wolpi wristlet                                 398
+Fig. 580. Wolpi riding whip                              398
+Fig. 581. Wolpi drum                                     399
+Figs. 582-583. Wolpi blanket                             399
+Fig. 584. Wolpi anklets                                  399
+Figs. 585-587. Laguna water vases                        400
+Figs. 588-591. Laguna water vases                        400
+Fig. 592. Laguna water pitcher                           400
+Figs. 593-596. Laguna water jars                         401
+Figs. 597-600. Laguna effigies                           402
+Figs. 601-604. Laguna effigies                           402
+Figs. 605-609. Laguna effigies                           402
+Figs. 610-612. Laguna water vases                        403
+Figs. 613-615. Laguna eating bowls                       403
+Figs. 616-617. Laguna eating bowls                       403
+Figs. 618-619. Acoma water vases                         404
+Figs. 620-622. Acoma water vases                         404
+Figs. 623-624. Cochiti water vessels                     406
+Figs. 625-626. Cochiti water vessels                     406
+Figs. 627-628. Cochiti water vessels                     406
+Figs. 629-630. Cochiti water vessels                     407
+Figs. 631-632. Cochiti water vessels                     407
+Figs. 633-634. Cochiti water vessels                     407
+Figs. 635-636. Cochiti water vessels                     407
+Figs. 637-638. Cochiti water vessels                     408
+Figs. 639-640. Cochiti water vessels                     408
+Figs. 641-642. Cochiti water vessels                     408
+Figs. 643-644. Cochiti water vessels                     408
+Figs. 645-647. Cochiti effigies                          409
+Figs. 648-649. Santo Domingo drinking vessels            410
+Fig. 650. Tesuke mortar and pestle                       410
+Figs. 651-652. Tesuke water vases                        412
+Figs. 653-654. Tesuke water vases                        412
+Fig. 655. Tesuke water jar                               414
+Fig. 656. Tesuke effigy                                  414
+Fig. 657. Tesuke cooking vessel                          414
+Fig. 658. Tesuke effigy                                  414
+Fig. 659. Tesuke cooking vessel                          414
+Figs. 660-662. Santa Clara water vases                   416
+Figs. 663-664. Santa Clara eating bowls                  416
+Figs. 665-666. Santa Clara effigies                      416
+Fig. 667. Santa Clara eating bowl                        416
+Fig. 668. Santa Clara platter                            416
+Fig. 669. Santa Clara eating bowl                        416
+Figs. 670-672. Santa Clara water jars                    416
+Figs. 673-675. San Juan eating bowls                     416
+Fig. 676. Jemez water vessel                             417
+Figs. 677-680. Water vessels from Cañon De Chelly        418
+Figs. 681-683. Water vessels from Cañon De Chelly        420
+Figs. 684-686. Bowls from Cañon De Chelly                420
+Figs. 687-692. Pitchers from Cañon De Chelly             420
+Figs. 693-696. Cooking vessels from Cañon De Chelly      420
+Fig. 697. Corrugated vessel from Pictograph rocks        420
+Map showing location of the pueblos of Arizona
+    and New Mexico                                       319
+
+
+[Illustration:
+
+SMITHSONIAN INSTITUTION. BUREAU OF ETHNOLOGY.
+J. W. POWELL, DIRECTOR.
+
+MAP
+
+SHOWING LOCATION OF THE PUEBLOS
+OF ARIZONA AND NEW MEXICO]
+
+
+       *       *       *       *       *
+
+
+    ILLUSTRATED CATALOGUE OF THE COLLECTIONS
+           OBTAINED FROM THE INDIANS
+       OF NEW MEXICO AND ARIZONA IN 1879.
+
+              By JAMES STEVENSON.
+
+
+       *       *       *       *       *
+
+
+INTRODUCTION
+
+
+It is not my intention in the present paper--which is simply what it
+purports to be, a _catalogue_--to attempt any discussion of the habits,
+customs, or domestic life of the Indian tribes from whom the articles
+were obtained; nor to enter upon a general comparison of the pottery and
+other objects with articles of a like character of other, nations or
+tribes. Occasionally attention may be called to striking resemblances
+between certain articles and those of other countries, where such
+comparison will aid in illustrating form or character.
+
+The collection contains two thousand eight hundred and fifty-eight
+specimens. Although it consists very largely of vessels and other
+articles of pottery, yet it embraces almost every object necessary to
+illustrate the domestic life and art of the tribes from whom the largest
+number of the specimens were obtained. It includes, in addition to
+pottery, implements of war and hunting, articles used in domestic
+manufactures, articles of clothing and personal adornment, basketry,
+trappings for horses, images, toys, stone implements, musical
+instruments, and those used in games and religious ceremonies, woven
+fabrics, foods prepared and unprepared, paints for decorating pottery
+and other objects, earths of which their pottery is manufactured,
+mineral pigments, medicines, vegetable dyestuffs, &c. But the chief
+value of the collection is undoubtedly the great variety of vessels and
+other articles of pottery which it contains. In this respect it is
+perhaps the most complete that has been made from the pueblos. Quite a
+number of articles of this group may perhaps be properly classed as
+“ancient,” and were obtained more or less uninjured; but by far the
+larger portion are of modern manufacture.
+
+
+ARTICLES OF STONE.
+
+These consist of pestles and mortars for grinding pigments; circular
+mortars, in which certain articles of food are bruised or ground;
+_metates_, or stones used for grinding wheat and corn; axes, hatchets,
+celts, mauls, scrapers &c.
+
+The cutting, splitting, pounding, perforating, and scraping implements
+are generally derived from schists, basaltic, trachytic, and porphyritic
+rocks, and those for grinding and crushing foods are more or less
+composed of coarse lava and compact sandstones. Quite a number of the
+metate rubbing stones and a large number of the axes are composed of a
+very hard, heavy, and curiously mottled rock, a specimen of which was
+submitted to Dr. George W. Hawes, Curator of Mineralogy to the National
+Museum, for examination, and of which he says:
+
+“This rock, which was so extensively employed by the Pueblo Indians for
+the manufacture of various utensils, has proved to be composed largely
+of quartz, intermingled with which is a fine, fibrous, radiated
+substance, the optical properties of which demonstrate it to be
+fibrolite. In addition, the rock is filled with minute crystals of
+octahedral form which are composed of magnetite, and scattered through
+the rock are minute yellow crystals of rutile. The red coloration which
+these specimens possess is due to thin films of hematite. The rock is
+therefore fibrolite schist, and from a lithological standpoint it is
+very interesting. The fibrolite imparts the toughness to the rock,
+which, I should judge, would increase its value for the purposes to
+which the Indians applied it.”
+
+The axes, hatchets, mauls, and other implements used for cutting,
+splitting, or piercing are generally more or less imperfect, worn,
+chipped, or otherwise injured. This condition is to be accounted for by
+the fact that they are all of ancient manufacture; an implement of this
+kind being rarely, if ever, made by the Indians at the present day. They
+are usually of a hard volcanic rock, not employed by the present
+inhabitants in the manufacture of implements. They have in most cases
+been collected from the ruins of the Mesa and Cliff dwellers, by whose
+ancestors they were probably made. I was unable to learn of a single
+instance in which one of these had been made by the modern Indians. In
+nearly all cases the edges, once sharp and used for cutting, splitting,
+or piercing, are much worn and blunt from use in pounding or other
+purposes than that for which they were originally intended. On more than
+one occasion I have observed a woman using the edge of a handsome stone
+axe in pulverizing volcanic rock to mix with clay for making pottery.
+Nearly all the edged stone implements are thus injured. Those showing
+the greatest perfection were either too small to utilize in this manner
+or had but recently been discovered when we obtained them.
+
+The grinders and mortars are frequently found composed of softer rock,
+either ferruginous sandstone or gritty clays. For a more complete
+knowledge of these stone implements we must depend on a comparative
+study of large collections from different localities, and such
+information as the circumstances attending their discovery may impart,
+rather than upon their present condition or the uses for which they are
+now employed.
+
+Metates or grain-grinders, pestles and rubbing stones belong to the
+milling industry among the Indians. The metates are generally quite
+large and heavy, and could not well be transported with the limited
+means at the command of Indians. They are therefore well adapted to the
+uses of village Indians, who remain permanently in a place and prosecute
+agricultural pursuits. They are generally of rectangular shape, and from
+10 to 20 inches in length by 6 to 12 in width, and are composed of
+various kinds of rock, the harder, coarse-grained kinds being
+preferable, though in some instances sandstone is employed; the most
+desirable stone is porous lava. These stones are sometimes carried with
+families of the Pueblos moving short distances to the valleys of streams
+in which they have farms in cultivation. In the permanent villages they
+are arranged in small rectangular bins (see Fig. 508), each about 20
+inches wide and deep, the whole series ranging from 5 to 10 feet in
+length, according to the number of bins or divisions. The walls are
+usually of sandstone. In each compartment one of these metates or
+grinding stones is firmly set at a proper angle to make it convenient to
+the kneeling female grinder. In this arrangement of the slabs those of
+different degrees of texture are so placed as to produce an increased
+degree of fineness to the meal or flour as it is passed from one to the
+other. But a small number of these slabs were collected on account of
+their great weight. Accompanying these metates are long, slim, flat
+stones, which are rubbed up and down the slabs, thus crushing the grain.
+These hand-stones are worn longitudinally into various shapes; some have
+two flat sides, while the third side remains oval. The same variety
+exists in regard to the texture of these rubbing-stones, as in the
+concave grinders.
+
+The pueblo of Zuñi, from which the most important portion of the
+collection was obtained, is situated in New Mexico, near the western
+border, about two hundred miles southwest from Santa Fé.
+
+At the time of Coronado’s visit to this country the pueblo was located
+at what is now known as “Old Zuñi,” on the summit of a high _mesa_. The
+modern Zuñi is situated upon a knoll in the valley of the Zuñi River,
+about two miles from the site of the old town. Certain writers have
+regarded Zuñi, or rather “Old Zuñi,” as one of the “Seven Cities of
+Cibola.” The evidences found at and around both the old and present Zuñi
+are certainly not sufficient to warrant this view, and further and more
+careful investigations are necessary.
+
+Zuñi, although lying on the line of travel of military expeditions,
+emigrant trains, and trade between the Pacific coast and the Rio Grande,
+the foreigners visiting them have seldom remained long in their village;
+nor has the advancing wave of Caucasian settlement approached
+sufficiently near to exert any marked influence on their manners and
+customs; at least the form and decoration of their pottery bear no
+marked evidence of the influence of the more highly civilized races.
+
+The collection made here by the expedition was more extensive than that
+from any other place, and numbers about fifteen hundred objects, of
+which by far the larger part is composed of earthenware articles. These
+include large and small water vases, canteens of various sizes and
+shapes, cooking cups, and pottery baskets used in their dances,
+paint-pots, ladles, water jugs, eating bowls, spoons, pepper and salt
+boxes, pitchers, bread-bowls, Navajo water jugs, treasure boxes, water
+vases, cups, cooking pots, skillets, ancient pottery, animals, and
+grotesque images. It belongs mostly to the variety of cream-white
+pottery, decorated in black and brown colors; a portion is red ware,
+with color decorations in black. There are also several pieces without
+ornamentation, and one or two pieces of black ware, but the latter were
+most probably obtained from other tribes, and possibly the same is true
+in reference to a few pieces of other kinds which present unusual
+figures or forms.
+
+A slight glance at the figures depicted on the _tinajas_, or water
+vases, will suffice to show any one who has examined the older pottery
+of this region, specimens and fragments of which are found among the
+ruins, that a marked change has taken place in their ideas of beauty.
+Although the rigid, angular, zigzag, and geometric figures are yet found
+in their decorations, they have largely given way to carved lines,
+rounded figures, and attempts to represent natural objects.
+
+A few apparently conventional figures are still generally retained, as
+around the outside of the necks of the vases and on the outer surface of
+the bowls, probably suggested originally by the rigid outlines of their
+arid country, and in fact by their buildings. The figure of the elk or
+deer is a very marked feature in the ornamentation of their white ware,
+and is often found under an arch. Another very common figure is that of
+a grotesquely-shaped bird, found also on the necks of water vases and
+the outer surface of bowls.
+
+
+ARTICLES OF CLAY.
+
+Tinajas, or water vases, are called in the Zuñi tongue
+_tkāh-wi-nā-kā-tēhl-le_. They are usually from 8 to 12 inches in height,
+and from 12 to 15 in diameter. A smaller size of the same form of
+vessels, which are from 5 to 7 inches in height and from 8 to 10 in
+diameter, are called _det-tsān-nā_. They are of three colors, cream
+white, polished red, and black: there are in the collection
+comparatively few of the second, and but one of the last variety. The
+decorations are chiefly in black and brown, but four or five pieces
+being in black. The decorations of the cream-white group present some
+four general types--those represented by Figs. 359, 363, 364, and ----,
+in which the uncolored circular space forms the distinguishing
+characteristic; those of which Fig. 360 may be considered a
+representative, of which type there are but two specimens in the
+collection; those represented by Fig. 361, and those distinguished by
+the rosette (see Figs. 366, 367, 368, and 370).
+
+The following appear to be unique: (39935) Fig. 371, (40785) Fig. 375,
+(41149) Fig. 372, and (41167) Fig. 374.
+
+By a careful study of these decorations we find that they consist
+chiefly of the following figures, which are combined in various ways:
+triangular figures, usually on the neck; large open circles, frequently
+in a diamond figure, as in Fig. 359 (39871); scrolls; or arches as in
+Figs. 361, 362, &c.
+
+In no instance do we find the meander or Greek fret on these, or in fact
+any other Zuñi vessels. A marked characteristic of the decorations on
+the pottery of this pueblo is the absence of vines and floral figures so
+common on those of some of the other pueblos. The nearest approach to
+the vine is the double line of scrolls seen in (40785) Fig. 375.
+Although the checkered figure is common on bowls, the Zuñi artists have
+appreciated the fact that it would be out of place on the convex surface
+of the water vase. The elks or deer--for it is difficult to tell which
+are intended--are usually marked with a circular or crescent-shaped
+spot, in white, on the rump, and a red diamond placed over the region of
+the heart, with a line of the same color extending from it to the mouth,
+both margined with white; the head of the animal is always toward the
+right.
+
+As will be observed by examining the decorated pieces, the surface is
+divided into zones by lines--sometimes single, sometimes double, but
+generally slender--one near the base, one or two around the middle, one
+at the shoulder, and one at the rim; thus forming one zone embracing the
+neck, and two or three on the body, exclusive of the undecorated base.
+Sometimes there is but one zone on the body as seen in Figs. 364 (40322)
+and 359 (39871); sometimes two, as shown in Figs. 367 (40317) and 370
+(41146); but often three, the middle one quite narrow, as seen in Figs.
+361 (39934) and 362 (41150). Although not always shown in the figures,
+the lines at the rim, shoulder, and bottom are seldom wanting in Zuñi
+vases. The zones are often interrupted by broad perpendicular stripes or
+inclosed spaces in which circles, scroll figures, or rosettes are
+inserted.
+
+Measurements of these vessels show considerable uniformity of
+proportion, the widely exceptional specimens being also exceptional in
+decorations. As indicating size and proportion I give here the
+measurements of some typical as well as some abnormal specimens.
+
+The figures show the height, the diameter of the body at the widest
+part, and the diameter of the mouth in inches.
+
+  +-----------------------------------+--------+-----------+----------+
+  |                                   | Height.| Diameter  | Diameter |
+  |              Number.              |        |  of body. | of mouth.|
+  +-----------------------------------+--------+-----------+----------+
+  | 1                                 |   8.25 |   12.00   |  6.75    |
+  | 2                                 |  10.25 |   13.75   |  7.50    |
+  | 3                                 |  11.00 |   13.25   |  7.15    |
+  | 4                                 |  12.00 |   14.50   |  8.50    |
+  | 5                                 |  10.75 |   14.50   |  8.25    |
+  | 6                                 |  11.00 |   13.00   |  8.00    |
+  | 7                                 |   7.25 |   10.00   |  5.00    |
+  | 8                                 |   7.00 |    9.25   |  5.40    |
+  | 9                                 |   4.25 |    6.75   |  4.60    |
+  | 10                                |   4.40 |    5.50   |  3.75    |
+  | 11                                |   3.50 |    4.50   |  3.25    |
+  | 12                                |   3.50 |    4.25   |  2.90    |
+  | 13                                |   7.75 |    8.00   |  5.75    |
+  | 14                                |   9.00 |    9.75   |  6.50    |
+  +-----------------------------------+--------+-----------+----------+
+
+If we reduce these to proportion, using the diameter of body as the unit
+of measurement, the result is as follows:
+
+  +--------+--------+-----------++--------+--------+-----------+
+  | Number.| Height.| Diameter  || Number.| Height.| Diameter  |
+  |        |        | of mouth. ||        |        | of mouth. |
+  +--------+--------+-----------++--------+--------+-----------+
+  |  1     |    .69 |      .56  ||   8    |    .81 |      .59  |
+  |  2     |    .75 |      .54  ||   9    |    .63 |      .68  |
+  |  3     |    .83 |      .54  ||  10    |    .80 |      .68  |
+  |  4     |    .81 |      .58  ||  11    |    .78 |      .72  |
+  |  5     |    .74 |      .57  ||  12    |    .82 |      .68  |
+  |  6     |    .84 |      .61  ||  13    |    .97 |      .72  |
+  |  7     |    .72 |      .50  ||  14    |    .91 |      .67  |
+  +--------+--------+-----------++--------+--------+-----------+
+
+From this it will be seen that No. 148, which is represented by Fig. 373
+(39774), is unusually broad in proportion to the height. Nos. 152 and
+153 vary to the extreme in the other direction; No. 153 is shown in
+Fig. 364 (40322). Excluding these and taking the means of the large and
+small kinds separately we find the average ratios to be as follows:
+
+          Height.  Diameter
+                   of mouth.
+  Large     .78       .57
+  Small     .78       .61
+
+Most of the water jugs of both the Shinumos and Zuñians are in the form
+of canteens, usually more or less spherical, and varying in capacity
+from a pint to four gallons. On each side there is a small handle in the
+form of a loop or knob, through or around which is placed a small shawl
+or strip of cloth, or a cord long enough to pass over the forehead so as
+to suspend the vessel against the back just below the shoulders. The
+other jugs are of various fanciful shapes, which will be noted in the
+catalogue. A large portion are of plain brown ware, a few plain white,
+and others white with colored decorations. Various names are used
+apparently to designate the different kinds rather than the uses for
+which they are intended.
+
+The decorations, when present, are always on the upper side, which is
+more convex than the lower, or side on which it is intended the vessel
+shall lie when not in use. In the ornamented white ware the lower
+portion is usually red or brown.
+
+As all these clay fabrics are the work of North American Indians, it is
+scarcely necessary for me to say that they are unglazed, a
+characteristic, so far as I am aware, of all aboriginal pottery.
+
+Some of the specimens, especially of the black ware, show a smooth
+finish, and may perhaps, without violence to the term, be classed as
+lustrous. This is not the effect of a varnish or partial glazing, but is
+a polish, produced generally, if not always, by rubbing with a polishing
+stone.
+
+Although, as a rule, the paste of which the ware is made is
+comparatively free from foreign matter, yet many pieces, especially of
+the decorated ware, when broken, show little whitish or ash-colored
+specks. These, when found in aboriginal pottery east of the Mississippi,
+have, I believe, been without question considered as fragments or
+particles of shell broken up and mixed with the paste. This may be
+correct in reference to the pottery found east of and in the Mississippi
+Valley, but this whitish and grayish matter in the pottery of the
+Indians of New Mexico and Arizona is in most cases pulverized pottery,
+which is crushed and mixed with the paste. Black lava is sometimes
+crushed and used in the same manner.
+
+The principal material used is a clay, apparently in its natural state,
+varying in color according to locality. Although comparatively free from
+pebbles or lumps of foreign matter, we detect in some of the coarser
+specimens small particles of mica and grains of other materials, and in
+one broken specimen the elytron of a small coleopterous insect. But as a
+general rule, the paste appears to have been free from foreign matter.
+
+A slight glance at this large collection is sufficient to show that the
+potters worked by no specific rule, and that they did not use patterns.
+While it is apparent that only a few general forms were adopted, and
+that, with few exceptions, the entire collection may be grouped by
+these, yet no two specimens are exactly alike; they differ in size, or
+vary more or less in form. The same thing is also true in reference to
+the ornamentation: while there is a striking similarity in general
+characteristics, there is an endless variety in details. No two similar
+pieces can be found bearing precisely the same ornamental pattern.
+
+Much the larger portion of the collection consists of vessels of various
+kinds, such as bowls, cooking utensils, canteens, bottles, jars,
+pitchers, cups, ladles, jugs, water vases, ornamental vessels,
+paint-pots, &c. These vary in size from the large vase, capable of
+holding ten gallons, to the little cup and canteen, which will contain
+less than half a pint. The other and much smaller portion includes all
+those articles which cannot be classed as vessels, such as images, toys,
+toilet articles, representations of animals, &c. The collection can
+perhaps be most satisfactorily classified by reference to the coloring,
+ornamentation, and quality, thus:
+
+1. _The red or uncolored pottery_, which is without ornamentation of any
+kind. Some of this is coarse and rough, and in this case always more
+than ordinarily thick; but the larger portion has the surface smooth and
+often polished. The color varies from the natural dull leaden hue of the
+clay, to a bright brick red, the latter largely predominating.
+
+2. _The brown ware_, or that which shows an admixture of mica. This,
+although uniformly without color decorations, is occasionally marked
+with impressed figures and lines. Although inferior in quality, being
+coarse and fragile, it presents more symmetrical though less varied
+forms than are usually found in the preceding group. The influence of
+contact with the European races is here very apparent, as, for example,
+in the true pitcher and other common utensils and an apparent attempt at
+glazing.
+
+3. _The black ware_ which is without ornamentation. This variety in
+quality and character is precisely like the polished red of the first
+group; but is slightly in advance of that in regard to finish, and
+perhaps, as heretofore remarked, may be classed as lustrous, while the
+red may be classed as semi-lustrous. The paste of which this black ware
+is formed appears to have been better prepared than that of the
+preceding varieties, and is the hardest and firmest in the collection.
+
+4. _The cream-white pottery decorated in colors_. This extensive group,
+which includes fully two-thirds of the entire collection, embraces
+almost every known form of earthenware manufactured by the tribes from
+whom it was obtained. The paste of which it is formed is similar in
+character to that of the black ware. When broken the fracture shows very
+distinctly the effect of burning, the interior being of the natural
+leaden color, shading off to a dull grayish white as it approaches the
+outer surface. The opaque or creamy-white color of the surface is
+produced by a coating of opaque whitewash. Upon this white surface the
+figures are afterwards drawn.
+
+The only colors used in decorating pottery are black, red, and some
+shade of brown. But of this we will speak more fully when we come to
+describe the peculiar methods practiced by the different tribes in
+making and adorning pottery.
+
+Although there is a strong general similarity in this colored
+ornamentation, the great variety of details renders it difficult to
+classify the figures so as to convey a correct idea of them to the
+reader. We shall therefore have to refer him to the numerous cuts and
+the colored plates which have been introduced for the purpose of
+illustrating the catalogue.
+
+The following general statement is about all that can be said in
+reference to them before descending to specific details.
+
+So far as the coloring is concerned they are of two kinds, those having
+the figures wholly black, and those which are partly black and partly
+brown or red. The differences in the decorated pottery appear to be
+always accompanied by certain other variations sufficient to warrant
+speaking of them as different varieties or groups. The former (those
+having the figures wholly black), which are made of the ordinary plastic
+blue clay, have only the upper half or two-thirds of the body of the
+vessel overlaid with the white coating for receiving the decorations,
+the lower part being uncoated, and of the natural pale red or salmon
+color produced by burning, but usually well polished. As additional
+distinguishing features of this group we notice that the shape is more
+generally globular, the workmanship rather superior, and the pottery
+somewhat harder and less friable than that of the other group; the
+angular and geometrical figures formed by straight lines are more common
+in this group; here we also find the meander or Greek fret correctly
+drawn, the vine, and several other designs rarely or never found in the
+other group. The figures of animals, which are common to both varieties,
+are in the former more usually distributed in zones or groups, while in
+the latter they are generally placed singly in inclosed spaces. The
+latter variety, in which we see the curve freely used, shows an evident
+advance over the ornamentation of the older pottery of this region; and
+while the figures must be classed as rude, and the outlines are less
+sharp, and not so well defined as in the older specimens, yet they
+indicate clearly a mental advance in the greater variety of conception.
+
+The figures of this entire class, as regards forms, may be grouped under
+three general headings: first, the geometrical, which is the most
+common; second, the figures of animals; and, third, rude attempts at
+floral decorations, which forms are rather rare. Strange to say, in but
+few instances can any attempt at representing the human form or any part
+of it be discovered in these color decorations.
+
+The geometric figures present an endless variety; but we notice, as is
+shown by the cuts and plates, that triangles with an elongate acuminate
+apex and the zigzag are very common in the black-brown decorations. The
+checkered figure also is not uncommon. The animals most frequently
+represented are the elk or deer and birds. The floral decorations are
+chiefly vines well drawn, and rude attempts at representing trees, and
+the flowers of various species of _Helianthus_.
+
+5. _Red ware with color decorations_. This ware is represented by but
+few vessels, which are in every respect similar to the best variety of
+the red pottery heretofore mentioned, except that it is marked with
+figures in black, many of which are decorated only on the upper portions
+around the neck or rim.
+
+6. _The ancient pottery_, of which Figs. 680 (40816) and 693 (40817) are
+good examples.
+
+The Pueblo tribes of New Mexico and Arizona, with rare exceptions,
+manufacture earthenware vessels for domestic use. The Pueblo of Taos may
+be mentioned as one of these exceptions; although the manner of living,
+the general habits, and characteristics of the tribe are similar to
+those of the other Pueblo Indians, and although they make use of pottery
+for domestic purposes, they do not manufacture it. Some pieces, such as
+water jars and vessels used for cooking, are made in the village, but
+this occurs only in such families as have intermarried with other tribes
+where the manufacture of the native ware is carried on.
+
+The Pueblos among whom the manufacture of pottery or earthenware
+utensils may be classed as a conspicuous feature of their peculiar
+civilization at the present time, are situated geographically as
+follows: San Juan, Santa Clara, San Ildefonso, Cochiti, Santo Domingo,
+San Felipe, Sandia, and Isleta, located on the Rio Grande; Pojake,
+Tesuke, Nambe, Jamez, Zia or Silla, Santa Ana, Laguna, and Acoma,
+situated on the tributaries of the Rio Grande; Zuñi, and some small
+pueblos of the same tribe all within the borders of New Mexico. Zuñi
+however is located on the Rio Zuñi, which flows into the Little Colorado
+River.
+
+The Moki pueblos, numbering seven in all, are embraced in what is called
+the Province of Tusyan, and are located within the Territory of Arizona,
+near its northeastern corner.
+
+The Zuñians and Shinumos, although situated farther from civilized
+people and less influenced by their usages than any of the other Indians
+mentioned, surpass all the other tribes in the manufacture of all kinds
+of earthenware. The collections made from these tribes, as will be seen
+by reference to the catalogue, exceed, both in number and variety, those
+from all the others combined. The collection as enumerated in the
+catalogue includes specimens from all the pueblos referred to.
+
+Although the uses of these articles are to a great extent the same among
+all the Pueblo tribes, and the shapes and forms are apparently similar,
+yet to the experienced eye there is no difficulty in detecting the
+peculiarities which distinguish one from the other, or at least in
+assigning them to the tribes with which they originated.
+
+It will be observed by reference both to the colored and wood-cut
+illustrations that there are special distinctions between the
+ornamentation of the pottery of the pueblos of the Rio Grande Valley and
+of those situated on the tributaries of the Rio Colorado. In the
+decorations of the former the birds and vine are conspicuous and
+constantly recurring features, while in the Zuñi and Shinumo pottery the
+elk, domestic animals, and birds peculiar to these arid regions are the
+figures most frequently used. The difference is easily accounted for
+when we are informed of the fact that the former tribes reside in the
+valley of the Rio Grande, which is well adapted to the culture of the
+grape as well as other crops. The ever-present vine and the numerous
+birds which flock to this fertile valley will naturally suggest figures
+for decoration. On the other hand, the Zuñians and Shinumos reside in
+regions almost destitute of water, and hence without any attractive
+vegetation; therefore their designs are drawn chiefly from the sharp
+outlines of their dwellings, their domestic animals, birds, and the elk
+and antelope that graze in the little grassy oases. None of these are
+actually drawn from nature, but from imagination and memory, as they
+never have an object before them in molding or painting.
+
+In none of the cases referred to do we observe any attempts to imitate
+the exact forms or ceramic designs of the so-called ancient pottery,
+fragments and sometimes entire vessels of which are found throughout
+this southwestern region. This seems strange from the fact that in the
+use of stone implements we find but few which are the result of their
+own handiwork. The old ruins are searched, and from them, and the debris
+about them, stone pestles, mortars, hammers, hatchets, rubbing stones,
+scrapers, picks, spear and arrow heads, and polishing stones are
+collected by the inhabitants of nearly all the pueblos, and are kept and
+used by them.
+
+The clay mostly used by the Zuñians in the manufacture of pottery is a
+dark, bluish, carbonaceous, clayey shale found in layers usually near
+the tops of the mesas. Several of these elevated mesas are situated near
+Zuñi, from which the natives obtain this material. This carbonaceous
+clay is first mixed with water and then kneaded as a baker kneads dough
+until it reaches the proper consistency; with this, crushed volcanic
+lava is sometimes mixed; but the Zuñians more frequently pulverize
+fragments of broken pottery, which have been preserved for this purpose.
+This seems to prevent explosion, cracking, or fracture by rendering the
+paste sufficiently porous to allow the heat to pass through without
+injurious effect. When the clayey dough is ready to be used a sufficient
+quantity is rolled into a ball. The dough, if worked by a careful
+artist, is first tested as to its fitness for molding by putting a piece
+of the paste to the tongue, the sensitiveness of which is such as to
+detect any gritty substance or particles, when the fingers fail to do
+so. The ball is hollowed out with the fingers into the shape of a bowl
+(this form constituting the foundation for all varieties of earthenware)
+and assumes the desired form by the addition of strips of the clay; all
+traces of the addition of each strip are removed before another is
+added, by the use of a small trowel fashioned from a piece of gourd or
+fragment of pottery, the only tool employed in the manufacture of
+pottery.
+
+The bottoms of old water jars and bowls form stands for the articles
+while being worked by the potter. The bowls are filled with sand when
+objects of a globular form are to be made. Although I have often watched
+the process, yet in no instance have I ever observed the use of a
+potter’s wheel, measuring instrument, or model of any kind. The makers,
+who are always females, depend entirely on memory and skill derived from
+practice to accomplish their work. The vessels when completely formed
+are laid in some convenient place to sun-dry. A paint or solution is
+then made, either of a fine white calcareous earth, consisting mainly of
+carbonate of lime, or of a milk-white indurated clay, almost wholly
+insoluble in acids, and apparently derived from decomposed feldspar with
+a small proportion of mica. This solution is applied to the surface of
+the vessel and allowed to dry; it is then ready for the decorations.
+
+The pigments from which the paints are derived for decorative purposes
+are also found in the vicinity of the mesas, and are employed by the
+Indians in the production of two colors, each of which varies slightly
+according to the intensity of heat in the process of baking, or the
+manner in which it is applied. One varies from a black to a
+blackish-brown, the other from a light brick red to a dark dull red
+color. The material which produces these colors is generally found in a
+hard, stony condition, and is ground in a small stone mortar, just as we
+reduce India ink for use. When the pigment is properly reduced, and
+mixed with water so as to form a thin solution, it is applied with
+brushes made of the leaves of the yucca. These brushes are made of flat
+pieces of the leaf, which are stripped off and bruised at one end, and
+are of different sizes adapted to the coarse or fine lines the artist
+may wish to draw. In this manner all the decorations on the pottery are
+produced.
+
+The substance used in producing the black ware is a clayey brown
+hematite, or ferruginous indurated clay, quite hard. The material used
+to produce the red or brown colors is a yellowish impure clay, colored
+from oxide of iron; indeed it is mainly clay, but contains some sand and
+a very small amount of carbonate of lime. These are the principal
+ingredients and methods involved in the manufacture of Zuñi pottery.
+
+The method practiced by the Zuñians in baking pottery differs somewhat
+from that employed by the tribes who make quantities of black and red
+ware. It seems to be a necessity on the part of the Zuñians to observe
+the greatest care in this operation. Their pottery is nearly all
+decorated and must be baked free from contact with the peculiar fuel
+used for that purpose. During the baking process it sometimes happens
+that a piece of the fuel, which is composed of dried manure carefully
+built up oven-shaped around the vessels to be baked, falls against the
+vessel. In every such instance a carbonized or smoky spot is left on the
+jar or bowl, which is regarded by the Indians as a blemish. The kiln is
+carefully watched until the fuel is thoroughly burnt to a white ash,
+when the vessels can be removed without danger of such blemishes.
+
+The mode of manufacturing pottery adopted at the pueblos of the Rio
+Grande Valley is quite similar to that described as practiced by the
+Zuñi, Shinumo, Acoma, and Laguna Indians, but there is considerable
+difference in the method of decorating and polishing. Polishing is
+practiced chiefly by the Indians of the eastern pueblos, and but little
+by those of the more western region.
+
+The pueblos of Santa Clara, Cochiti, San Juan, Tesuke, &c., manufacture
+large quantities of pottery for sale in addition to that made for their
+own use. It is in these eastern pueblos that the black polished ware is
+chiefly found, and it is in the production of this class of ware that
+the chief difference in the ceramic art between the two sections exists.
+The clays used in the manufacture of this ware are of the same character
+as those of which the other is made; the paste is prepared in the same
+way, so that when the vessels are formed and ready for the kiln they are
+of the color of the original clay. In other words, the change to the
+black color is not produced in making the paste or in moulding or
+forming the vessel, but during the process of baking. The manner of
+forming the vessel is the same as with the western tribes; and when,
+formed it is dried in the sun in the same way; after this a solution of
+very fine ochre-colored clay is applied to the outside and inside near
+the top, or to such parts of the surface as are to be polished. While
+this solution thus applied is still moist, the process of polishing
+begins by rubbing the parts thus washed with smooth, fine-grained stones
+until quite dry and glossy. The parts thus rubbed still retain the
+original red color of the clay. The vessels are again placed in the sun
+and allowed to become thoroughly dry, when they are ready for baking. It
+is in this part of the process that the great differences in color are
+produced. The vessels are placed together in a heap on a level spot of
+ground and carefully covered over with coarsely broken dried manure
+obtained from the corrals. The kiln thus formed is then ignited at
+several points.
+
+It is proper to add here that the clays used by the Santa Clara Indians
+are of a brick-red color, containing an admixture of very fine sand,
+which, no doubt, prevents cracking in burning, and hence dispenses with
+the necessity of using lava or pottery fragments, as is the custom of
+the Indians of the western pueblos. The burning is carried on until a
+sufficient degree of heat is obtained properly to bake the vessels,
+which still retain their original red brick color. At this juncture such
+of the vessels as it is desired have remain in that condition are
+removed from the fire and allowed to cool, when they are ready for use.
+Those which the artists intend to color black are allowed to remain and
+another application of fuel, finely pulverized, is made, completely
+covering and smothering the fire. This produces a dense, dark smoke, a
+portion of which is absorbed by the baking vessels and gives them the
+desired black color. It is in this manner that the black ware of these
+eastern pueblos is produced.
+
+It is said that among the Cochiti, Santa Clara, and some other Pueblos a
+vegetable matter is employed to produce some of their decorative
+designs; this, however, I was unable to verify, though some of the
+Indians assured me of the fact, and furnished me a bunch of the plant,
+which Dr. Vasey, of the Agricultural Department, found to be _Cleome
+integrifolia_, a plant common throughout the Western Territories. A few
+specimens of the ware, some burnt and some unburnt, said to be decorated
+with the oil or juice of this plant were secured.
+
+As heretofore remarked, notwithstanding the variety in ornamentation,
+there are really but few different figures, and these are mostly quite
+simple. Any one interested in the study of Indian art can find in the
+figures and plates of this catalogue all the original conceptions of the
+artists of the Pueblo Indians as depicted by them.
+
+While it is of value in the study of ethnology, and as affording a means
+of comparison in the study of archaeology, there is nothing in the
+composition or ornamentation, or in the form of the vessels, that
+ceramic artists of the civilized races would desire to copy.
+
+As a means of reference in the study of ancient American pottery, I
+consider the collection invaluable, as it can scarcely be possible that
+the forms and decorations contain nothing that has been handed down from
+a former age. Although the figures used have no symbolic characters
+connected with them in the mind of the modern artist, yet it is more
+than probable that at least some of them did have such a meaning to the
+ancient artists. For example, the little tadpole-shaped figure on the
+clay baskets used in their dances and sacred ceremonies by the Zuñians
+is understood by them to represent a little water articulate, which, as
+heretofore stated, is probably the larva of some insect or crustacean,
+very common in the pools and sluggish streams of the country inhabited
+by these Indians. Now, it is possible that this figure has been used
+with the same meaning from time immemorial, but I find, as pointed out
+to me by Prof. Cyrus Thomas, that almost exactly the same figure is on a
+vessel pictured on Plate VII of the manuscript Troano, where a religious
+ceremony of some kind is evidently represented. The same figure is also
+found in Landa’s character for the Maya day _Cib_, a word signifying
+copal, a gum or resin formerly used in religious ceremonies as incense.
+I find also on Plate XXXV of the same manuscript the figures of bowls or
+pots with legs similar to those of the Zuñi. I do not point out these
+resemblances as proof of any relation between the two races, but as mere
+illustrations of what possibly may be learned by a careful study of the
+forms and decorations of this pottery. It may also be well to add here
+another fact to which Professor Thomas calls my attention, viz., the
+similarity between the manner of wearing the hair by the Shinumo women,
+_i.e._, in knots at the side, as represented by the female images, and
+that of the ancient Maya women, as shown in numerous figures on the
+manuscript Troano. Any one familiar with General Cesnola’s collection
+from Cyprus cannot fail to be reminded of it when he examines this
+collection of Indian pottery; especially the colors used and the general
+character of the specimens; but an inspection of the two collections is
+necessary in order to have this general resemblance brought to mind, as
+it does not appear so distinctly on a comparison of the published
+figures only. The figures on Plate XLIV of his “Cyprus” bear quite a
+striking resemblance to those on some specimens of Cochiti ware. The
+quadruple cup, Fig. 25, page 406, is almost exactly like the Zuñi
+quadruple cups, and was probably used for the same purpose. The same
+type of multiple cups is also shown in Plate IX of the same work. The
+two tea-pot-like vessels represented on Plate VIII, as well as the two
+bird-shaped pieces on the same plate, are much, like the similar vessels
+of Cochiti pottery, several of which are figured in this catalogue.
+
+The resemblance of this Indian ware, in the form of the vessels, to that
+found in the ancient mounds of this country is so marked that it is
+scarcely necessary to remind the reader of the fact, but it may be well
+to call attention to the much, larger proportion of water vessels among
+the Indian pottery than is seen in collections from the mounds. This,
+however, may perhaps be accounted for by the scarcity of water in the
+western region.
+
+The custom of the Zuñi artists of making a diamond or triangle over the
+region of the heart of the elk and deer figures with a line running to
+the mouth, although somewhat singular, is quite consistent with the
+Indian practice of symbolic writing. I was informed by the Zuñi Indians
+that it was intended to denote that “the mouth speaks from the heart.” A
+similar mark occurs in the decoration of the vase figured in Cesnola’s
+“Cyprus,” page 268.
+
+Contemporaneous and somewhat closely related tribes may use widely
+different figures in the decoration of their ware, and hence it is
+unsafe, in studying ancient specimens, to draw hasty conclusions from
+slight differences in this respect; and I think I may also safely add
+that a comparatively short period of time, a century or so at most, may
+suffice to bring about a great change in the same tribe in the form and
+manner of decorating their pottery. It also shows us that the ware of a
+given tribe, which does not bear the impress of civilized influence,
+can, by a careful study, be distinguished in nearly all cases from that
+of any other tribe. I feel so confident of the truth of this statement,
+that I would not hesitate to undertake to pick out all pieces of Zuñi
+ornamented ware from a collection of thousands of specimens of modern
+Pueblo Indian pottery if indiscriminately mixed together.
+
+The Shinumo pottery in general appearance and form bears a strong
+resemblance to that of Zuñi; in fact it is almost impossible to separate
+the ornamented bowls and water vases of the two if mingled together.
+There are certain figures found in the one which never occur in the
+other, but there are a number of designs, especially of those most
+generally seen, that are quite common to the pottery of both tribes.
+
+The different varieties of ware, the red or brown without decorations,
+the white with decorations, and the black are in general use with the
+tribe, and specimens of each are contained in the collection. But few
+specimens of the purely micaceous ware are found, either in Zuñi or
+Wolpi.
+
+The preponderance of the large round water jugs in the Shinumo
+collection over that of Zuñi is noticeable. This form of vessel seems
+to be more in use by tribes whose villages are quite remote from water
+or which are situated on high mesas difficult of access. The kinds of
+vessels, however, which are common with the Zuñians are also common with
+the Shinumos, and those intended for the same use are generally of the
+same shape or similar in form. But, as with the decorations, there are
+also vessels so markedly distinct and variant from those we find at Zuñi
+as to show very readily at least tribal distinctions between the ceramic
+artists and manufacturers.
+
+The proximity of Laguna to Acoma led us to anticipate what we afterward
+found, viz., a great similarity in the forms of their vessels, and
+also in their manner of ornamentation. The principal differences consist
+in the more profuse use of the forms of birds and flowers, the first
+evidently representing prairie grouse and the last some form of
+sunflower. There is an absence of the geometrical forms, of lines
+and angles commonly observed on the works of more distant pueblos.
+
+Quite a number of animal representations, made hollow for use as
+drinking vessels, were obtained, displaying grotesquely imitative forms
+of deer, elk, sheep, big-horn, antelope, and other animals with which
+they are familiar. All of these objects have more color laid on them
+than is to be found on the pottery of their neighbors of Acoma, the
+birds and animals being painted in a light rufous fawn color not in use
+elsewhere, and the only instance of the employment of green is on a
+tinaja of this pueblo used in coloring some foliage.
+
+
+VEGETAL SUBSTANCES.
+
+This class of ware comprises a very diversified group of objects;
+indeed, so great is the variety that I will not attempt a general
+description of them. Specific reference will be made to the objects
+as they occur in their places in the catalogue.
+
+The objects of basketry or wicker-work are quite varied in form,
+construction, and decoration. Those made by the Zuñi Indians are so rude
+and coarse as not to entitle them to any merit. The larger baskets made
+by this tribe are used for carrying corn, melons, peppers, &c. The
+smaller are used for holding beans, shelled corn, and other coarse
+small materials.
+
+The basketry of the Shinumos is of a finer and more finished quality.
+Among these are many jug or canteen shaped baskets, from which, no
+doubt, many of the forms of their pottery water vessels have been
+copied. These are sometimes globular, with large round bodies and small
+necks. They are generally very closely woven and are then coated over
+with a resin or gum which renders them capable of holding water. Like
+some of their water jugs, in pottery, they have small horsehair ears
+or loops attached to the sides through which strings are passed for
+carrying them either over the head or shoulder. This class of water jug
+basketry all show evidences of age, and it is possible that they were
+manufactured by the Apaches or other tribes skilled in the art. The flat
+kinds are designed to hold fine grain and meal, and are also frequently
+used for winnowing. This is done by placing a small quantity of grain in
+the basket, and by a skillful motion throwing the grain up into the wind
+and again catching it as it comes down. This motion is kept up until the
+wind has separated the chaff from, the grain. Many of the flat baskets
+are decorated in colors, as will be seen by the accompanying
+illustrations.
+
+It is quite probable that most of the finer ware of this class is
+manufactured by the Apache Indians, who are celebrated for this work,
+and finds its way among the Pueblos through the medium of barter.
+
+The basketry of the Zuñians is usually made of small round willows and
+the stem of the yucca, the leaves of which attain a long slender growth
+in that region. It is quite certain that the basketry used for holding
+water is not manufactured by the Zuñians, and probably not by the
+Shinumos, though many are found with them.
+
+As previously stated, the basketry manufactured by the Shinumo Indians
+is of a more finished class and of a greater variety than that made and
+used by any of the other Pueblos, as will be seen by reference to the
+accompanying illustrations. Among the examples of this ware, obtained at
+Wolpi, is a large number of the flat or saucer-shaped kind; these vary
+both in size and character of construction as well as decoration. The
+manner of making one form of this class is quite interesting as well as
+curious. A rope-like withe of the fiber of the yucca, made quite fine,
+is wrapped with flat strips of the same plant. In forming the basket
+with this rope the workman commences at the center, or bottom, and
+coils the rope round, attaching it by a method of weaving, until, by
+successive layers of the rope, it attains the desired dimensions. These
+are quite highly and prettily ornamented in black, white, and yellow,
+and are compact and strong. Another variety of baskets of similar shape
+and size, and also fancifully ornamented, was obtained from the same
+Indians. These are made from small round willows. They exhibit less
+skill in construction, but are handsomely ornamented. Another kind was
+also obtained from the Shinumos, which, however, are attributed to the
+Apaches and probably found their way into the Moki villages through
+trade. These are large bowl-shaped baskets, almost watertight, but
+generally used as flour and meal baskets. They are also ornamented
+black and yellow, produced by weaving the material of different colors
+together while making the basket.
+
+There are many other forms and varieties, which will be referred to at
+the proper time, as they occur in the catalogue.
+
+The Pueblos employ a variety of plants and herbs for medicinal and
+dyeing purposes, some of which were collected. Their botanical names
+were not determined, but they are indigenous to the regions inhabited
+by the Indians using them.
+
+Ornaments and musical instruments employed in dances and religious
+ceremonies do not differ much among the Pueblo Indians; the principal
+ones being the drum, rattle, notched sticks, a kind of fife, and a
+turtle-shell rattle. The latter instrument is the shell of a turtle,
+around the edges of which the toes of goats and calves are attached;
+this produces a very peculiar rattling sound. The shell is usually
+attached to the leg near the knee.
+
+
+
+
+COLLECTIONS FROM ZUÑI.
+
+
+ARTICLES OF STONE.
+
+_AXES, HAMMERS, AND MAULS._
+
+1. (40139). Flat rubbing or grinding stone of silicified wood.
+
+2. (40551). Stone axe, _ō´-lā-ki-le_, with groove near the larger end.
+
+3. (40552). Imperfectly-made stone axe, _ō´-lā-ki-le_, grooved at each
+  edge; basalt.
+
+4. (40553). Large axe, with groove around the middle; sandstone.
+
+5. (40554). Axe, grooved at the middle, square and flat on top; basalt.
+
+6. (40555). Small centrally-grooved axe; schistose rock.
+
+7. (40556). Axe, grooved in the middle.
+
+8. (40557). Axe, grooved near the blunt end, which is shaped similarly
+  to the edge.
+
+9. (40558). Axe, grooved near the end.
+
+10. (40559). Small hatchet, _ō´-lā-ki-le_, of basalt doubly grooved,
+  edge beveled from both sides, hammer end about one and a half inches
+  in diameter.
+
+11. (40560). Grooved axe, _ō´-lā-ki-le_, of fine black basalt, well
+  polished; groove well worn. The face or side is intended to be near
+  the holder when in use. Fig. 352. This specimen was found in Arizona,
+  near Camp Apache, and was presented by Mrs. George P. Buell. It is one
+  of the largest in the collection with such perfect finish.
+
+12. (40561). Grooved in the center; of porous basalt.
+
+13. (40562). Hammer grooved in the center, rounded off at each end.
+
+14. (40563). Small hatchet-shaped instrument, square at the back, and
+  rounded at the front edge.
+
+15. (40563a). Rudely-made axe, grooved near the blunt end.
+
+16. (40564). Small axe, with a groove round the body quite near the
+  blunt end; basalt.
+
+17. (40565). Axe, three and a half inches long.
+
+18. (40566). Quite small, probably a hatchet, of firm basalt, grooved
+  near the hammer end.
+
+19. (40567). Much larger than the last, basaltic; groove quite deep and
+  smooth, hammer end circular, large, and blunt.
+
+20. (40568). Grooved axe of quartzitic rock.
+
+21. (40569). Pick-shaped axe, grooved entirely around, with imperfect
+  depressions which were in the water-worn boulder from which it was
+  made; about six inches in length.
+
+22. (40570). Boulder of sandstone with groove near the middle.
+
+23. (40571). Flat basaltic boulder, grooved near the center, straight on
+  the back, and tapering above and below the groove.
+
+24. (40572). Small basaltic hammer and axe with groove near the large
+  end.
+
+25. (40573). Small grooved axe composed of hard sandstone; hammer end
+  large, edge quite perfect.
+
+26. (40574). Small boulder of basalt, ground to an edge at one end and
+  rounded off at the other; doubly grooved.
+
+27. (40575). Large basaltic stone considerably chipped off from pounding
+  hard substances, grooved near the center, both ends quite blunt;
+  probably used as a pounding stone.
+
+28. (40576). Flat basaltic boulder, used as a pounder.
+
+29. (40577). Basaltic hatchet grooved in the middle; quite rough.
+
+30. (40578). Grooved axe of a very heavy, solid character, apparently
+  designed more for mauling than cutting.
+
+31. (40579). Large, heavy basaltic hammer and axe with groove around the
+  body near the hammer end; about seven inches long.
+
+32. (40580). Axe, grooved in the middle, upper or hammer end unusually
+  long in proportion to the size.
+
+33. (40581). Flat axe made from a water-worn boulder, oval in outline,
+  both edges designed for cutting or splitting. Deep groove encircling
+  the body, with protrusions above and below it to prevent the handle
+  from slipping out; greenstone.
+
+34. (40582). Hard, fine-grained sandstone axe wedge-shaped, without a
+  groove.
+
+35. (40583). Grooved axe with round body.
+
+36. (40584). Fig. 349. Axe with a broad, shallow groove near the upper
+  end, which is much narrower and smaller than the lower; of mottled
+  volcanic rock, white, green, and black.
+
+37. (40585). Axe grooved in the middle, irregular in shape, and much
+  chipped off at the lower edge and rounded off at the top.
+
+38. (40806). Made from a very fine, hard metamorphic rock, small enough
+  to be classed as a hatchet; crescent-shaped at the top.
+
+39. (40703). Fig. 348. A very dark brown axe, speckled with reddish
+  spots. This axe bears a much finer polish than most of those in the
+  collection.
+
+40. (40704). Axe, grooved near the upper end, which is cone-shaped.
+
+41. (40705). An almost square axe of basaltic rock, grooved on the
+  sides, flat on top.
+
+42. (40706). Axe of quartzitic rock, flat and thin; grooved.
+
+43. (40900). Long, narrow axe, grooved near the upper end.
+
+44. (40901). Axe, made from a water-worn boulder, almost to its present
+  shape.
+
+45. (40902). Small, round axe of basalt, having a shallow groove near
+  the larger end.
+
+46. (40903). Grooved basaltic axe.
+
+47. (40904). Maul, with rough surface, one side flat, the other convex,
+  with a groove.
+
+  [Illustration:
+  Fig. 347 (42229) (⅓)
+  Fig. 348 (40703) (⅓)
+  Fig. 349 (40584) (⅓)
+  Fig. 350 (39903) (⅓)
+  Fig. 351 (42205) (⅓)
+  Fig. 352 (40560) (⅓)
+  Figs. 347-352.--Zuñi Grooved Axes.]
+
+48. (40258). Double-grooved axe of porphyry, well polished and quite
+  perfect.
+
+49. (41260). Grooved axe of compact sandstone; wedge-shaped.
+
+50. (42204). Stone maul of basalt, with groove; very rough.
+
+51. (42205). Grooved axe of basalt. Fig. 351. This specimen was obtained
+  at Fort Wingate, in New Mexico, but was probably found in or around
+  some of the ruins.
+
+52. (42229). This is one of the finest specimens in the collection, and,
+  as shown by the cut, Fig. 347, has the handle attached, ready for use.
+  This is formed of a willow withe bent round the axe and doubled,
+  extending out far enough to form a handle and wrapped with a buckskin
+  string; of compact basalt.
+
+53. (42230). Shallow-grooved axe of basalt.
+
+54. (42231). Axe, with a shallow groove near the larger end.
+
+55. (42232). Axe of basalt, grooved on the sides.
+
+56. (42233). Grooved axe, in size and shape the same as (42226).
+
+57. (42234). Grooved axe of a peculiar black mottled rock, with white,
+  marble-like streaks through it; groove surrounding it in the center.
+
+58. (42235). Irregularly-shaped axe with a wide and deep groove
+  surrounding it, curiously mottled with reddish and green streaks.
+  Specimens of this kind are quite rare.
+
+59. (42236). Grooved axe; sides well polished and exhibiting peculiar
+  reddish spots.
+
+60. (42237). Small grooved axe of metamorphic rock.
+
+61. (42238). Grooved axe.
+
+62. (42239). Small grooved axe of schistose rock, much flaked off at
+  each end.
+
+63. (42240). Axe, grooved on three sides; similar in size and shape to
+  (42223).
+
+64. (42241). Grooved axe with flattened top.
+
+65. (42242). Same as the preceding.
+
+66. (42242). Grooved axe with two edges.
+
+67. (42244). Celt-shaped axe of basalt; it appears to have been used as
+  a rubbing stone.
+
+68. (39869). Zuñi maul with circular groove around the centre, used
+  generally for grinding or pounding soft foods, such as red-pepper
+  pods; of porous lava.
+
+69. (39903). Double-edged axe, _ō´-lā-ki-le_, with groove around the
+  middle; volcanic rock, from Zuñi. See Fig. 350.
+
+70. (42349). Rounded end of a sandstone metate grinder converted into a
+  flat hammer by grooving it at the opposite edges.
+
+71. (41291). Pounder of sandstone. It was originally a common axe. Thumb
+  and finger depression on the sides.
+
+72. (40871). Lava Chili pounder with cap-shaped ends; grooved.
+
+73. (40906). Lava rock pounder; small.
+
+_METATES, OR GRAIN-GRINDERS, AND PESTLES._
+
+74. (40870). Square red sandstone metate.
+
+75. (42280). Flat sandstone grinding slab.
+
+76-82. The following numbers represent the rubbers accompanying the
+  metates. The Indian name is _yä´-lĭn-ne_: 76, (40909); 77, (40910);
+  78, (40911); 79, (40912); 80, (40913); 81, (40914); 82, (41259);
+  sandstone rubber.
+
+_MORTARS, PESTLES, ETC._
+
+These are found in use at all the pueblos, but are more common in Zuñi
+and the Moki villages than elsewhere, as these Indians use mineral
+pigments more extensively and in greater variety than any of the others.
+
+The pestles and mortars obtained from these tribes are all too small to
+be used for any other purpose than grinding pigments. Many of them
+appear to be quite old, and were probably handed down from distant
+ancestors, or obtained from the ruins. Some of them are evidently of
+modern manufacture.
+
+83. (40707). Mortar; a round, flat, quartzitic boulder with round cavity
+  on one side about one inch in diameter and half an inch deep, and a
+  square depression on the other about an inch deep and two inches in
+  width; indigo still clinging to the surface of the depression.
+
+84. (40708). Mortar of quartzite, the body nearly square and flat;
+  depression round and about four inches in diameter, quite shallow.
+
+85. (40709). Mortar of coarse-grained sandstone, almost perfectly round,
+  the cavity quite deep, and lined with red ochre or vermilion.
+
+86. (40710). Mortar of a flat sandstone with irregular rim about four
+  inches in diameter.
+
+87. (40711). Paint mortar of a small round quartz boulder.
+
+88. (40712). Mortar of fine-grained sandstone about six inches long by
+  three wide; sides square. This mortar was in use by the Zuñians for
+  the purpose of grinding a pigment of yellowish impure clay, colored by
+  the oxide of iron, with which they decorate their pottery, and which
+  produces the brown and reddish-brown colors.
+
+89. (40713). Small mortar of sandstone.
+
+90. (40714). Mortar made from a flat water-worn quartz boulder with a
+  circular depression about half an inch deep. The bottom of this mortar
+  shows evidence of its having been used as a grinding stone previous to
+  being converted into a mortar, or it may have been used for both
+  purposes, as both the paint cavity and the rubbing side show recent
+  use.
+
+91. (40715). Paint mortar of basalt, used for grinding the yellow
+  pigment for ornamenting pottery; about four inches in diameter, cavity
+  about one inch deep, bottom ground flat.
+
+92. (40716). Flat paint mortar, of quartz rock, almost round, about an
+  inch thick, depression quite shallow; used for grinding a pigment of
+  azurite or carbonate of copper, small nodules of which they collect
+  at copper mines. This pigment is used in painting and decorating
+  wooden images and gods.
+
+  [Illustration:
+  Fig. 353 (40731) (⅓)
+  Fig. 355 (42245) (⅓)
+  Fig. 354 (42266) (⅓)
+  Fig. 357 (40808) (¼)
+  Fig. 356 (41289)
+  Fig. 358 (42272) (½)
+  Figs. 353-358.--Stone Implements from Zuñi.]
+
+93. (40717). Mortar similar to the above, and used for the same purpose.
+
+94. (40718). Paint mortar made from a large irregularly round
+  ferruginous sandstone. Used in pulverizing a reddish pigment for
+  decorating pottery.
+
+95. (40719). Mortar of a globular shape, made from a coarse-grained
+  sandstone, used for grinding or mixing vermilion.
+
+96. (40720). Paint mortar of sandstone. The whole mortar is only about
+  an inch thick; made from a section of an old metate rubber.
+
+97. (40722). Paint mortar of quartzite; blue pigment grinder. Size about
+  four by three inches. This, like many of the flat mortars, has been
+  first used as a rubbing stone and subsequently converted into a paint
+  mortar.
+
+98. (40723). Mortar made from a quartz boulder.
+
+99. (40724). Sandstone mortar.
+
+100. (40725). Paint mortar of sandstone, very flat.
+
+101. (40726). Paint mortar, with oblong shallow depression; sandstone.
+
+102. (40728). Square paint mortar; cavity about half an inch deep;
+  sandstone impregnated with iron. Quartzitic pestle accompanying it.
+
+103. (40729). Paint mortar of quartzite; almost square; depression
+  almost worn through by use; quartz pebble pestle accompanying it.
+
+104. (40730). Small round paint mortar of basalt, with white quartz
+  pebble pestle.
+
+105. (40731). Fig. 353. Paint mortar and pestle of quartz, with a knob
+  on the end, which serves as a handle. This mortar was used in grinding
+  an azurite pigment.
+
+106. (40732). Mortar shaped somewhat like a ladle; the projecting end is
+  provided with a small groove out of which the paint is poured.
+
+107. (40733). Small sandstone mortar.
+
+108. (40864). Paint mortar of sandstone.
+
+109. (40868). Paint mortar of basalt, almost square.
+
+110. (40869). Flat, square sandstone paint mortar; black water-worn
+  pebble for pestle.
+
+111. (40907). Chili or red pepper mortar of very porous lava rock; oval
+  bottom, shallow cavity, about four inches thick and eight in diameter.
+  These lava mortars may have been used for other purposes, but at the
+  present time the Indians use them in crushing the pods and seeds of
+  red pepper, and occasionally for crushing parched corn. They are quite
+  common.
+
+112. (40908). Food mortar of lava rock; square with flat bottom.
+  Mortars of this kind are used in crushing grain and seeds.
+
+113. (42272). Fig. 358. Paint mortar of very hard, fine-grained
+  sandstone. The specimen is a very fair type of all the square paint
+  mortars and pestles. The depression is often square instead of round.
+  In grinding pigments the Indians generally move the pestle backward
+  and forward instead of around as is done by our druggists.
+
+114. (41273). Small sandstone paint mortar, much like the preceding.
+
+115. (40227). Small egg-shaped paint pestle of white quartz. The general
+  name of these in Zuñi is _äh-shŏc-tōn-ne_.
+
+116. (42276). Flat sandstone, circular and about five inches in
+  diameter; used as a quoit; originally a rubbing stone.
+
+_MISCELLANEOUS OBJECTS._
+
+117. (39755). Eight specimens not very well defined. They are flint
+  flakes, showing, by their shape, that they were designed for scrapers
+  and groovers, being flat or slightly concave on one side and oval on
+  the other.
+
+118. (41289). Fig. 356. This is a sandstone mould for shaping metal
+  into such forms as suit the fancy of the Indians for bridle and other
+  ornaments; one cavity is rectangular, about four inches long by one in
+  width; the other about two inches in diameter. Silver, which has long
+  been a metal of traffic among these tribes, is the one which is
+  usually melted down for ornamental purposes. After it is taken from
+  the mould it is beaten thin, then polished.
+
+119. (41290). Is a portion of the same mould, with one cavity square and
+  the other in the shape of a spear-head.
+
+120, 121. (42266), Fig. 354, and (42267), are crucibles, which were used
+  in connection with the moulds for melting silver and other metals.
+  Many other ornaments are made in the same manner.
+
+122. (40808). Fig. 357. This is a large, rudely chipped spear-head of
+  mica schist, obtained at Zuñi, which was carried in the hand of one of
+  the performers in a dance. It does not show any evidences of having
+  been used in any other way. They called it _äh´-chi-än-tēh-ä-hla_.
+
+123. (42245). Fig. 355. Handsomely-shaped and well-polished skinning
+  knife of a remarkably fine-grained silicious slate. Above the
+  shoulders on one side it is worn off to an oval surface, and is flat
+  on the other.
+
+124. (40915). Round sandstone, which is called a gaming stone; it is
+  quite round, and bears the same name in Zuñi as the pestle,
+  _āh-kä-mon-ne_.
+
+125. (40916). Quartz stone, flat and rounded at the ends as a sort of
+  last to keep moccasins in shape while being sewed; called
+  _yä´-lĭn-ne_.
+
+126. (41239). String of alabaster beads, _tem-thla_.
+
+127. (41240). Charm, representing the upper part of the body and head of
+  a bird.
+
+128. (41241). Charm; representing a horse; quartz.
+
+129. (41242). Charm; bird’s head and upper part of body.
+
+  [Illustration:
+  Fig. 359 (39871) (⅕)
+  Fig. 360 (39916) (¼)
+  Figs. 359, 360.--Zuñi Water Vases.]
+
+  [Illustration:
+  Fig. 361 (39834) (⅕)
+  Fig. 362 (41150) (¼)
+  Figs. 361, 362.--Zuñi Water Vases.]
+
+130. (41243). Charm; horse and saddle.
+
+131. (41244). Charm; representing entire bird; quartz.
+
+132. (41245). Charm; head and upper part of body of a bird.
+
+133. (41246). Charm; the same.
+
+134. (41247). Agate arrow-head.
+
+135. (40870). Disk of sandstone, slightly convex in the centre; used in
+  games.
+
+136. (42325). Flat sandstone slab, with the horns of male and female
+  deer engraved on one side.
+
+137, 138. (40721) and (41249). Flat sandstones, used for baking
+_wi-a-vi_, a thin, wafer-like bread, by heating the rocks and then
+spreading a gruel-like mixture of corn meal over them. The largest one
+of these stones is about three feet in length by two in width. They are
+used by the Zuñi and Moki pueblos quite extensively.
+
+139. (42324). Eighty chip flints and flakes of agate, quartz,
+  chalcedony, &c.
+
+
+ARTICLES OF CLAY.
+
+_WATER VASES._
+
+140. (39871). Form and decorations shown in Fig. 359. The slender
+  shading lines only are brown, the rest of the figuring black; the base
+  in this as in most Zuñi pottery is reddish or slate colored. This may
+  be considered as the type of one variety of decorations, readily
+  distinguished by the unadorned circular spaces, the large scrolls, and
+  the absence of animal forms. The larger forms of these vases are
+  called by the Zuñians _kāh´-wi-nā-kä-tēhl-le_; the smaller forms,
+  _det-tsan-na_.
+
+141. (39916). The ornamentation is well shown in Fig. 360. The
+  combinations on this piece are rare on Zuñi pottery, and the chief
+  figure on the body is more symmetrical than is usual in this group of
+  ware. This may also be considered as representing a second type of
+  decorations of which there is but one other example in the collection.
+
+142. (39920). This belongs to the variety represented by Fig. 360, and
+  varies chiefly in having the neck decorated with leaf-like figures,
+  and in having the scrolls replaced by triangles with inner serratures.
+
+143. (39934). The largest size; Fig. 361. The decorations of this piece
+  belong to a third variety, distinguished chiefly by the presence of
+  the elk or deer. Attention is called to the three figured zones or
+  belts on the body, the upper with the arch inclosing an elk; the
+  middle and narrow belt adorned with figures of birds with a long crest
+  feather. The helix or scroll is freely introduced in this variety. The
+  one here figured is typical of quite a large group. The animals are
+  usually black, as are the lines separating the spaces.
+
+144. (41150). This is similar in size and decorations to Fig. 361, and
+  is shown in Fig. 362. The difference in the form of the bird in this
+  from that in the preceding is worthy of notice.
+
+145. (39933). Similar to No. 143 (Fig. 361); bird scrolls as in No. 144.
+
+146. (40322). Medium size, represented in Fig. 364. It may be grouped in
+  the variety of which Fig. 359 is given as the type.
+
+147. (39936). Large size; decorations resembling those in Fig. 364, but
+  with two belts of scrolls on the body.
+
+148. (41154). Medium size; figures as in No. 147.
+
+149. (41155). 150. (41162). Medium size; decorations similar to the
+  preceding, except that No. 150 (41162) has figures of sheep on the
+  neck.
+
+151. (41158). Large size; the ornamentation of this piece, as will be
+  seen by reference to Fig. 363, belongs to the variety represented by
+  Fig. 359 and 364, but differs in having on the body a middle zone of
+  bird-like figures.
+
+152. (41161). Large size; similar to Fig. 363.
+
+153. (39943). Decorations very similar to those shown in Fig. 359.
+
+154. (39937). Medium size; ornamentation similar to that seen in Fig.
+  361.
+
+155. (40312). Large size; shown in Fig. 365. As will be seen by
+  comparison the decorations are the same as those in Fig. 361, except
+  that the elk is omitted and a figure of scrolls introduced in its
+  place.
+
+156. (40310). Fig. 366. Large size. In the decorations of this piece we
+  observe a new feature, a rosette or flower, showing a decided
+  appreciation of the beautiful, either suggested by the flowers of the
+  Helianthus or by something introduced by Europeans, but most probably
+  the former. The different forms of this figure found on this ware
+  furnish, perhaps the best evidence of taste exhibited by the Zuñian
+  artists.
+
+157. (40313). Fig. 368. Large size. In this we see the same figures as
+  in Figs. 363 and 366 brought into combination with the rosette, the
+  birds being replaced by sheep.
+
+158. (40318). Large size; similar to No. 149, except that the rosette is
+  introduced in place of the circle.
+
+159. (40314). }
+160. (40316). }
+  Decorations belong to the variety shown in Fig. 361.
+
+161. (40317). Fig. 367. A little study of these figures will satisfy any
+  one that although there is an apparently endless variety in details,
+  there are, in fact, but comparatively few different figures.
+
+162. (41146). Fig. 370. This belongs to the same variety as Fig. 368.
+
+163. (40315). Large size, similar to that represented in Fig. 370, but
+  varying in form, having the expansion at the shoulder more prominent
+  and tapering more rapidly from thence to the base. The figures remind
+  us of the trappings often seen in Japanese cuts.
+
+  [Illustration:
+  Fig. 363 (41158) (⅕)
+  Fig. 364 (40322) (⅓)
+  Figs. 363, 364.--Zuñi Water Vases.]
+
+  [Illustration:
+  Fig. 365 (40312) (⅕)
+  Fig. 366 (40310) (⅕)
+  Figs. 365, 366.--Zuñi Water Vases.]
+
+  [Illustration:
+  Fig. 367 (40317) (⅕)
+  Fig. 368 (40313) (⅕)
+  Figs. 367, 368.--Zuñi Water Vases.]
+
+  [Illustration:
+  Fig. 369 (40701) (¼)
+  Fig. 370 (41146) (¼)
+  Figs. 369, 370.--Zuñi Water Vases.]
+
+  [Illustration:
+  Fig. 371 (39935) (¼)
+  Fig. 372 (41149) (¼)
+  Figs. 371, 372.--Zuñi Water Vases.]
+
+  [Illustration:
+  Fig. 373 (39774) (¼)
+  Fig. 374 (41167) (¼)
+  Figs. 373, 374.--Zuñi Water Vases.]
+
+164. (40319). Medium size; decorations similar to those in Fig. 361,
+  except that here the elk or deer stands on a broad black band in which
+  there is a row of white diamonds.
+
+165. (40321). Medium size; of the variety represented in Fig. 361, but
+  in these smaller pieces the bird zone is omitted, and there is but one
+  figured zone on the body. In this example a small elk is represented
+  as standing on the back of a larger one.
+
+166. (40700). Medium size, belonging to the same type as the preceding.
+  On the neck are figures of grotesque kite-shaped birds.
+
+167. (40701). Medium size; Fig. 369. This and the preceding one are not
+  designated as vases in the original Smithsonian Catalogue, nor in my
+  field list, but according to the form should be classed in this group.
+
+168. (41165). Medium size; decorations similar to those of Fig. 367, but
+  varying in having the figure of a bird introduced in the middle belt
+  with a small double scroll arising out of the back. The lower belt has
+  the same bird reversed.
+
+169. (39935). Medium size. The unusual decorations of this piece are
+  shown in Fig. 371. It differs, as does also Fig. 369, from the usual
+  form; the body is more nearly spherical, the neck more gracefully
+  curved, and the rim slightly flaring. The proportions are also
+  different; height, 8.75 inches; diameter of body, 10; of mouth, 6.5.
+
+170. (41144). }
+171. (41147). }
+  Decorations similar to those in Fig. 364; (41144) varies in having the
+  figures of elk or deer on the neck and in the coarser or ruder
+  scrolls.
+
+172. (41149). This somewhat abnormal form is well shown in Fig. 372. It
+  is of medium size.
+
+173. (41152). This belongs to the same type, both as to form and
+  decorations.
+
+174. (41153). Large size; of the usual form, but the decorations on the
+  body peculiar, the design being crudely architectural.
+
+175. (41156). Medium size, belonging to the type represented by Fig.
+  361.
+
+176. (41163). Medium size. This pretty vase has a somewhat peculiar
+  decoration, which can be best described as a kind of patch-work
+  representing small fragments of pottery.
+
+177. (41166). Medium size, with the usual elk and scroll figures.
+
+178. (41167). This specimen, which is rather above medium size, presents
+  one of the most chaste designs in the entire group. It is represented
+  in Fig. 374. Attention is called especially to the leaves and to the
+  simple meander in the stripes.
+
+179. (41168). Marked with the usual elk and scroll figures. Medium size.
+
+180. (39774). The decorations of this piece, shown in Fig. 373, may be
+  classed with the peculiar type with oblique and vertical bands
+  represented in Fig. 374.
+
+181. (39917). Figures similar to those in Fig. 363.
+
+182. (40768). The decorations on this piece consist entirely of
+  representations of pyramids or possibly of pueblos, and are arranged
+  in bands, one on the neck and two on the body; the two upper bands
+  show the figures inverted.
+
+183. (40770). }
+184. (40771). }
+  No. 183 is decorated with scrolls and bird scrolls and a scalloped
+  line around the shoulder; No. 184 with elks and scrolls on the body.
+
+185-188. 185, (40800). Fig. 378. The grotesque or kite-like bird seen on
+  the neck, though rarely seen on the large water vase, is common on the
+  small ones. To this type belong the following Nos. 186, (40769); 187,
+  (40772); 188, (40791).
+
+189. (40773). }
+190. (40776). }
+  These have the usual triangular and scroll designs without animal
+  figures, as in Fig. 364.
+
+191. (40777). Fig. 377. The decorations on this evidently belong to the
+  same type as those represented in Fig. 359, the bird on the neck being
+  the only variation. To this type also belong the following numbers:
+  192, (40778); 193, (40792); 194, (40794).
+
+195. (40779). }
+196. (40781). }
+197. (40788). }
+198. (40787). }
+199. (40788). }
+200. (40801). }
+  These belong to the type represented by Fig. 361, distinguished
+  chiefly by the elk, triangular figures, and scrolls.
+
+201. (40780). }
+202. (40784). }
+203. (40786). }
+204. (40790). }
+  The decorations on these are similar to those shown in Figs. 366, 367,
+  368, and 370, in which the rosette is a distinguishing characteristic.
+  Nos. 201, 202, and 203 are without figures of animals; No. 204 has a
+  double belt of elk figures between the rosettes.
+
+205. (40782). The designs on this remain unfinished; except that the
+  triangles on the neck and the arches in which it was evidently the
+  intention to place the figures of animals, are shown.
+
+206. (40785). Fig. 375. This pretty vase, as will be seen by reference
+  to the figure, has the diameter greater in proportion to the height
+  than usual. Although the design is tasteful the hues are coarse and
+  not so well drawn as the figure indicates.
+
+207. (40789). On this there is an evident attempt to represent a pueblo
+  or communal dwelling and the ladders.
+
+208. (40793). Shown in Fig. 376.
+
+209. (40795). Neck and lower belt of the body marked with vertical lines
+  and oblique diamonds; upper belt with inverted pyramidal figures.
+
+210. (40849). Very small; marked with oblique scalloped lines.
+
+211. (40850). Very small; elk and grotesque bird on the body.
+
+212. (40851). Very small; decorations similar to those on the middle
+  belt of Fig. 373.
+
+  [Illustration:
+  Fig. 375 (40785) (⅓)
+  Fig. 376 (40793) (⅓)
+  Fig. 377 (40777)
+  Fig. 378 (40800) (¼)
+  Figs. 375-378.--Zuñi Water Vases.]
+
+  [Illustration:
+  Fig. 379 (39659)
+  Fig. 380 (39618)
+  Fig. 381 (40798)
+  Fig. 382 (39592)
+  Fig. 383 (41145)
+  Fig. 384 (41052)
+  Figs. 379-384.--ZUÑI POTTERY.]
+
+213. (41105). Similar to that shown in Fig. 361.
+
+214. (40774). Marked with transverse lines and scrolls; design simple
+  and unique.
+
+The following specimens are red ware:
+
+215. (40311). Large size; without ornamentation.
+
+216. (40775). Small; form peculiar, diameter of the body greatest at the
+  base, mouth flaring; decorations in black, consisting of triangles
+  pointing downwards, and lines.
+
+217. (40798). Medium size. See Fig. 381.
+
+218. (40799). }
+219. (40802). }
+  Small; without ornamentation.
+
+220. (41145). Large. See Fig. 383.
+
+221. (41052). Medium size. See Fig. 384.
+
+222. (41151). }
+223. (41157). }
+224. (41159). }
+  Medium size; without ornamentation.
+
+225. (41160). Medium size; with a scalloped band in black around the rim
+  and shoulder.
+
+Black ware:
+
+226. (39930). Large size; without ornamentation.
+
+The only black water vase obtained at Zuñi; it was doubtless procured
+from some other tribe. The black ware obtained from, this tribe is in
+nearly all cases used for cooking, or holding liquids or moist foods. As
+remarked in another place, the Zuñi black ware is generally small except
+in cases where large quantities of food are to be cooked, which occurs
+at feast tunes, when very large vessels are employed.
+
+_WATER JUGS AND JARS._
+
+These vary so greatly in form that it is impossible to give any general
+description that would convey a correct idea.
+
+227. (39885). Somewhat mug-shaped, with handle; the top is rounded to
+  the small mouth, no neck. White ware with scalloped bands and a
+  Maltese cross.
+
+228. (39886). Similar in form, but smaller, without handle or
+  decorations.
+
+229. (39899). Somewhat similar in form to the preceding, except that it
+  is lower and more depressed, and instead of a mouth, at the top there
+  is an orifice at the side as in the canteens, with which this should
+  probably be classed.
+
+230. (39940). Similar to No. 228.
+
+231. (40062). Similar in form to No. 227, but without handle; with a
+  double scalloped band around the constricted portion, and a single one
+  around the mouth; figure of an insect on the upper half; apparently
+  intended to represent a butterfly or large moth.
+
+232. (40608). Small unhandled jug in the form of a smelling bottle.
+  Unadorned.
+
+233. (40611). Similar to No. 232.
+
+234. (40697). }
+235. (40608). }
+  Like No. 228, with slight decorations.
+
+236. (41140). An amphora or slender jug with two handles.
+
+237. (39928). A jar shown in Fig. 399.
+
+238. (39922). _Mē-hē-tō_, canteen of large size. Plain brown, as are
+  also the following specimens:
+
+239-242. 239, (40079); 240, (40081); 241, (40082), this has a small
+  flower on one side; 242, (40083).
+
+243-245. 243, (40088); 244, (40090); 245, (40091).
+
+246-248. 246, (40085); 247, (40086), and 248, (40676), plain, white.
+
+249. (40077). White with color decorations. Fig. 387.
+
+The following eight specimens are also white with colors:
+
+250. (40078). Decorated profusely with scrolls, leaves, and other
+  figures. See Fig. 400.
+
+251. (40080). Figure of a coiled snake or worm, without head or other
+  character to indicate what it was intended to represent.
+
+252. (40084). Usual scroll figures.
+
+253. (40087). Decorated with simple loops and bands.
+
+254. (40089). Radiating serrate lines.
+
+255. (40092). Vase-shaped, with three colored bands.
+
+256. (40093). Shown in Fig. 385.
+
+257. (40886). Handsome piece, with floweret at the apex, scrolls on the
+  side, and a scalloped band around the middle. The bands are always
+  horizontal, the vessel being on its side. See Fig. 398.
+
+258. (39914). _Mē-hē-tō-tsān-nā_, canteens of small size. Red. Double,
+  with two sets of handles and two chambers, but with only one orifice.
+  Decorations in white, those on the larger piece consisting of meanders
+  of the simplest form, a figure very unusual on Zuñi pottery.
+
+259. (39659). Brown, with handle and decorations in black. See Fig. 379.
+
+260. (39923). Plain brown.
+
+The following are also plain brown, red, or yellow:
+
+261-271. 261, (40094); 262, (40095); 263, (40096); 264, (40097), Fig.
+  390; 265, (40099); 266, (40100); 267, (40101); 268, (40687), Fig. 386;
+  269, (40688); 270, (40689); 271, (40690).
+
+272. (40102). White, with an oblique scalloped band.
+
+273. (39872). White, shown in Fig. 389.
+
+274. (40686). White, decorations as in Fig. 389.
+
+275. (40685). White, with a single flower.
+
+276. (40691). White, egg-shaped, with a single handle; decorated with a
+  figure of the horned toad.
+
+277. (40692). White, form and decorations like those shown in Fig. 385.
+
+278. (40098). With outline figures of birds.
+
+279. (40695). White, shown in Fig. 388. Although obtained at Zuñi, this
+  piece may have been manufactured at one of the other pueblos.
+
+  [Illustration:
+  Fig. 385 (40093) (⅓)
+  Fig. 386 (40687) (⅓)
+  Fig. 387 (40077) (⅙)
+  Figs. 385-387.--Zuñi Canteens]
+
+  [Illustration:
+  Fig. 388 (40695) (⅓)
+  Fig. 389 (39872) (⅓)
+  Fig. 390 (40097) (⅓)
+  Fig. 391 (40106) (⅓)
+  Figs. 388-391.--Zuñi Canteens.]
+
+  [Illustration:
+  Fig. 392 (39889) (⅕)
+  Fig. 393 (40104) (⅓)
+  Fig. 394 (39915) (⅓)
+  Fig. 392-394.--Zuñi Canteens.]
+
+  [Illustration:
+  Fig. 395 (39913) (⅓)
+  Fig. 396 (39837) (⅓)
+  Fig. 397 (39914) (⅙)
+  Figs. 395-397.--Zuñi Canteens.]
+
+_JUGS OF FANCIFUL FORMS._
+
+280. (39913). Fig. 395. Zuñi name _Mē´-wi-i-pä-chin_.
+
+281. (39887). Similar to No. 280.
+
+282. (39889). Fig. 392. _Mē´-wi-kē-lik-tōn-ne_. Plain red.
+
+283. (39915). Fig. 394.
+
+284. (40103). White, bottle-shaped, with constriction below the middle;
+  scalloped bands and bird figures around the upper third. See Fig. 402.
+
+285. (40104). Shown in Fig. 393.
+
+286. (40105). Similar to No. 285. Marked with the figure of a bird
+  having the wings spread. Navajo. _Kō´-sē-tŏm-me._
+
+287. (40106). Fig. 391.
+
+288. (39887). Fig. 396. A double-globed canteen; triangular, with
+  orifice at upper convexity.
+
+289. (39914). Fig. 397. Red ware, with white lines on the lower globe
+  and decorations in black on the upper, with orifice in each globe.
+
+_PITCHERS._
+
+These are of the usual form, of such vessels, except that they are
+generally without the lip. It is possible that to a certain extent they
+have been patterned after those observed in use among the Europeans or
+white races with whom these Indians have come in contact. But we shall
+presently find specimens similar in form among the ancient pottery found
+in the ruins of the cliff houses. We are inclined to believe that the
+form is original and not borrowed. The figures introduced will suffice
+to illustrate the form and usual decorations. The specimens obtained are
+generally small, varying in capacity from a pint to half a gallon. These
+are known in Zuñi by the name _Ē´-mūsch-tōn-ne_.
+
+290. (39918). Shown in Fig. 403.
+
+291. (40668). With scalloped margin and decorations similar to those on
+  Fig. 403.
+
+292. (40669). Without handle and should be classed with the cups.
+  Figures of plants.
+
+293. (40671). Triangles on the upper portion; simple meander on the
+  bowl.
+
+294. (40672). Similar to the following.
+
+295. (40673). With scalloped margin and zigzag lines on white ground;
+  small right-angle handle.
+
+296. (40674). With scalloped marginal and middle bands. The following
+  are brown ware with but slight decorations:
+
+297-310. 297, (40838); 298, (40839); 299, (40841); 300, (40843), outline
+  figures similar to those on No. 293; 301, (40844); 302, (40887); 303,
+  (40888); 304, (40889); 305, (40890), is really black but not polished;
+  306, (40891); 307, (40893); 308, (40894); 309, (40897); 310, (40898).
+
+311. (40842). Scalloped rim and similar in size and shape to 298,
+  (40839).
+
+312. (40845). Small, white, with decorations and of unusual form, in
+  fact in the original field list is classed among the canteens. The
+  mouth is prolonged obliquely in the form of a large tube. It should
+  perhaps be classed with the water jugs.
+
+313. (40892). Form and decorations shown in Fig. 405.
+
+314. (40895). Scalloped margin; decorated with scrolls.
+
+315. (40896). Scalloped margin. Figures of the little water animal so
+  often represented on the earthenware baskets.
+
+316. (40899). Without handle; diamond figures on the neck.
+
+317. (41005). Fig. 406.
+
+318. (41013). Slender neck and small mouth; jug-shaped, marked with
+  twigs and leaves. This does not appear to be of Zuñi manufacture.
+
+319. (41136). Fig. 407.
+
+320. (40840). Shown in Fig. 404.
+
+_CUPS OR CUP-SHAPED VESSELS._
+
+Under this general head are included two forms: one, closely resembling
+the true cup, as shown in the figures and to which the Zuñis apply the
+name _sāt-tsān-nā-mū-yā_, and those in the form of ollas or bowls, and
+without handles. The decorations of the true cup-shaped vessels,
+especially on the inner surface, follow somewhat closely the patterns
+found on the bowls. Here we see the zigzag marginal line, the scalloped
+bands, the interlaced or tessellated bands with star points, triangles,
+scrolls, &c.; but the elongate triangle or lance point is seldom
+present. As no new figure is introduced it is unnecessary for me to
+describe the decorations. A few are of red or brown ware.
+
+The following numbers refer to true cups:
+
+321-345. 321, (40058); 322, (40615); 323, (40616), Fig. 408; 324,
+  (40617); 325, (40618); 326, (40619); 327, (40620); 328, (40621), Fig.
+  409; 329, (40622); 330, (40623); 331, (40624); 332, (40625); 333,
+  (40627); 334, (40638); 335, (40639); 336, (40640); 337, (40641); 338,
+  (40643); 339, (40644); 340, (40837); 341, (40847); 342, (40848); 343,
+  (40880)--this is an unusually large cup and although having a handle
+  may have been used as a bowl; 344, (40998); 345, (41148), an unburnt
+  specimen.
+
+The following are without handles and are either small bowls or paint
+cups:
+
+346-355. 346, (40426); 347, (40436); 348, (40458); 349, (40642); 350,
+  (40853), a small bowl-shaped cup, _sūt-tsān-nā_; 351, (40994); 352,
+  (40995); 353, (40996); 354, (40997); 355, (41000).
+
+  [Illustration:
+  Fig. 398 (40886)
+  Fig. 399 (39928)
+  Fig. 400 (40078)
+  Fig. 401 (40486)
+  Fig. 402 (40103)
+  Figs. 398-402.--ZUÑI POTTERY.]
+
+  [Illustration:
+  Fig. 403 (39918) (¼)
+  Fig. 404 (40840) (¼)
+  Fig. 405 (40892) (⅓)
+  Fig. 406 (41005) (¼)
+  Figs. 403-406.--Zuñi Water Pitchers.]
+
+  [Illustration:
+  Fig. 407 (41136) (⅓)
+  Fig. 408 (40616) (⅓)
+  Fig. 409 (40621) (⅓)
+  Fig. 410 (39962) (¼)
+  Fig. 411 (40266) (¼)
+  Fig. 412 (40285) (¼)
+  Figs. 407-412.--Zuñi Water Pitcher, Cups, and Eating Bowls.]
+
+_EATING BOWLS._
+
+The smaller forms are called _sāt-tsān-nā_.
+
+356. (39962). Fig. 410. The ornamentation is typical of a variety very
+  common on Zuñi bowls. The design on the outer surface is more constant
+  than that on the inner, in which the figures of animals, especially
+  the elk, are sometimes introduced. The distinguishing feature of this
+  type is the zigzag line on the inner margin.
+
+The following numbers belong to the same type:
+
+357-378. 357, (39746); 358, (39973); 359, (39975); 360, (39981); 361,
+  (39984); 362, (39988); 363, (39989); 364, (39991); 365, (39993); 366,
+  (39994); 367, (39997); 368, (39999); 369, (40004), duplicate of Fig.
+  411; 370, (40005); 371, (40231); 372, (40234); 373, (40236); 374,
+  (40239); 375, (40246); 376, (40249); 377, (40250); 378, (40259).
+
+379-396. 379, (40260); 380, (40266), shown in Fig. 411; 381, (40274);
+  382, (40285), shown in Fig. 412; 383, (40504); 384, (40512); 385,
+  (40513); 386, (40516); 387, (40517); 388, (40519); 389, (40522); 390,
+  (40527); 391, (40530); 392, (40541); 393, (40546); 394, (40528); 395,
+  (40203); 396, (40211).
+
+397. (39951). Decorated, on the inner margin only, with triangles.
+
+398. (39952). Similar to that shown in Fig. 411, except that the inner
+  marginal line is scalloped.
+
+The following numbers may be classed in the same group:
+
+399, 400. 399, (40205); 400, (40210).
+
+401. (40521). Similar to No. 397, except that it has the interior below
+  the marginal line decorated with scrolls.
+
+402. (39902). Decorated on the inner surface only, with the usual
+  scrolls; marginal band simply a narrow line or entirely wanting.
+
+The following belong to the same type:
+
+403-417. 403, (39960); 404, (40002); 405, (40006); 406, (40232); 407,
+  (40233); 408, (40237); 409, (40263); 410, (40268); 411, (40284), in
+  this small specimen there are but few figures; 412, (40503); 413,
+  (40505); 414, (40520); 415, (40524); 416, (40981); 417, (40987).
+
+418. (40906). The decorations of this piece belong to a variety which is
+  readily distinguished by the broad checkered band on the inner margin.
+
+There are two sub-varieties, one with and one without figures on the
+external surface. This and the following specimens belong to the latter
+group:
+
+419, 420. 419, (40533); 420, (39890).
+
+421. (40001). This belongs to the former group, as represented by Fig.
+  412.
+
+422. (39898). External decorations as in Fig. 410, except that the lower
+  margin of the oblique line is furnished with scrolls as in Fig. 375,
+  inner surface with leaves, and a zigzag marginal line.
+
+423. (39908). This and the following thirty-one specimens have the
+  external surface ornamented as in Fig. 410, the decorations of the
+  inner surface varying and differing from those already enumerated. In
+  this the marginal line is simple.
+
+424. (39909). Marginal line scalloped; central rosette of simple lines.
+
+425. (39963). Zigzags in irregular lines, no marginal band; form
+  semi-globular.
+
+426. (39963). Triangles and scrolls; somewhat mug-shaped.
+
+427. (39972). Usual form; decorations as in the preceding.
+
+428. (39975). Ornamentation as represented in Fig. 422.
+
+429. (39976). Double scrolls; no marginal bands.
+
+430. (40000). Margin as in Fig. 422; no other inner decorations.
+
+431. (40204). Scroll figures; no marginal band; form hemispherical.
+
+432. (40216). Similar to Fig. 423, as are also the following specimens:
+
+433-443. 433, (40218); 434, (40223); 435, (40238); 436, (40240); 437,
+  (40284); 438, (40286); 439, (40501); 440, (40506); 441, (40507); 442,
+  (40510); 443, (40514); the inner decorations of this piece vary in
+  having the figures of the elk below the marginal band.
+
+444-447. 444, (40515); 445, (40547); 446, (40985); 447, (40217). Zigzag
+  marginal band; no other inner decorations.
+
+448. (40241). Marginal band double, upper line undulate, lower, straight
+  with star points.
+
+449. (40245). Marginal band composed of rows of stars, as in Fig. 414.
+
+450. (40251). Only the inner decorations consist of radiating serrate
+  lines.
+
+451. (40258). Similar to that shown in Fig. 424.
+
+452. (40273). Inner decorations apparently intended as floral; marginal
+  line very slender.
+
+453. (40275). Inner figures; radiating scrolls.
+
+454. (40287). Similar to No. 453.
+
+455. (40558). Inner figures in the form of blocks or tiles; marginal
+  band undulating.
+
+456. (40549). Inner decorations consist of two narrow crenate bands, one
+  marginal and the other just below it.
+
+457. (39891). This and the following thirty-nine specimens are without
+  external ornamentation. In this one the inner figures are radiating
+  scrolls, and birds.
+
+458. (39892). Slender marginal scalloped band only.
+
+459. (39893). Serrate marginal band only.
+
+460. (39953). Similar to Fig. 424.
+
+461. (39954). Birds with wings spread, and scrolls.
+
+462. (39958). Differs from the usual form in having the margin
+  undulating. The inner decorations consist chiefly of combinations of
+  triangles. Similar to
+
+463. (39971). Similar to the preceding.
+
+464. (39959). Scrolls and triangles.
+
+465. (39960). Scrolls and leaves.
+
+466. (39961). Oblique serrate lines.
+
+467. (39986). Broad net-work, marginal band, as seen in Fig. 414; form
+  unusual, being constricted near the base.
+
+468. (39992). Marginal band composed of sigmoid figures.
+
+469. (39996). Very small; central diameter with rays from the points;
+  the marginal band is simply a narrow line.
+
+  [Illustration:
+  Fig. 413 (40041) (¼)
+  Fig. 414 (40033) [illegible fraction]
+  Fig. 415 (40164) (¼)
+  Figs. 413-415.--Zuñi Eating Bowls.]
+
+470. (40209). Ornamental marginal band only.
+
+471. (40212). Scalloped marginal band, and central rosette or flower.
+
+472. (40224). Scalloped marginal band, and figures of deer.
+
+473. (40225). Zigzag band and the usual scroll figures.
+
+474. (40229). Two slender bands, and central radiating scrolls.
+
+475. (40242). Zigzag marginal line only.
+
+476. (40248). Narrow scalloped marginal band; no other figures.
+
+477. (40252). Zigzag band and floral decorations.
+
+478. (40253). No marginal band; oblique triple and dotted lines.
+
+479. (40265). Serrate marginal band and central rosette.
+
+480. (40270). No band except a simple line bounding the central figure
+  of radiating leaves.
+
+481. (40272). Three plain bands.
+
+482. (40481). Broad marginal band in figures arranged in square blocks.
+
+483. (40485). Very small; marginal net-work band, central floral figure.
+
+484. (40490). Similar to the preceding.
+
+485. (40489). Plain marginal band; central floral figures.
+
+486. (40492). Zigzag marginal band as in Fig. 425.
+
+487. (40498). Marginal band as in Fig. 414.
+
+488. (40499). Scalloped marginal band.
+
+489. (40508). Zigzag band and floral decorations.
+
+490. (40511). Marginal band composed of lines of stars.
+
+491. (40530). Similar to No. 486, having also a central figure.
+
+492. (40536). Marginal band of scrolls and triangles.
+
+493. (40537). Net-work marginal band.
+
+494. (40539). Scalloped band and central figure of twigs and leaves;
+  unusually chaste design.
+
+495. (40542). Like No. 467.
+
+496. (40545). Scalloped marginal band.
+
+497. (39967). Do.
+
+498. (39965). Zigzag inner marginal band; figures of the elk externally
+  and internally.
+
+499. (39966). External and internal zigzag marginal band.
+
+500. (39969). No external decorations; marked internally with oblique
+  lines, no band.
+
+501. (39970). Scroll figures on the inner surface; on the outer,
+  triangles pointing in opposite directions; no bands.
+
+502. (39977). Dish-like, undulate, external and internal marginal band.
+
+503. (39978). Inner band of crosses, and central figure, outer serrate
+  marginal band.
+
+504. (39982). }
+505. (39983). }
+  Decorations same as those represented in Fig. 414, with a wide,
+  latticed, marginal band on the inner side of the bowl.
+
+506. (39985). Both surfaces decorated with scroll figures.
+
+507. (39987). Inner surface with scroll figures, outer with but a
+  marginal scalloped band.
+
+508. (39990). Both surfaces marked with oblique serrate Hues; unusually
+  flaring.
+
+509. (39998). Inner surface with reversed elks; outer with oblique
+  lines, with each side serrate.
+
+510. (40007). Inner surface with serrate band and birds; outer with
+  serrate band.
+
+511. (40213). Elk and scrolls internally; an outer scalloped band.
+
+512. (40215). Resembles No. 501.
+
+513. (40219). The decorations on this bowl are unusual; those of the
+  inner surface consist of a slender crenate marginal band, and below
+  this a woman holding a child and apparently closely wrapped in a robe
+  of some kind and placed transversely; the outer margin is marked with
+  a broad band of crosses regularly spaced by perpendicular lines.
+
+The following numbers belong to the type represented in Figs. 356, 411,
+and 412:
+
+514-520. 514, (39979); 515, (40220); 516, (40221); 517, (40243); 518,
+  (40274); 519, (40493); 520, (40523), inner marginal band consists of
+  scrolls and triangles.
+
+521. (40227). Inner marginal band broad and divided into diamond spaces;
+  outer surface ornamented with figures similar to those on vase
+  represented by Fig. 372.
+
+522. (40230). Although classed with the bowls this is shaped somewhat
+  like the paint pots; outer and inner bands.
+
+523. (40247). Resembles No. 504.
+
+524. (40254). Two broad undulate lines on the external surface; inner
+  surface with blocks and scrolls.
+
+525. (40256). Inside with crenate marginal lines, and circular space and
+  triangles as in Fig. 359. External surface with a simple scalloped
+  band.
+
+526. (40264). External surface as in the preceding; internal scrolls and
+  triangles.
+
+527-533. 527, (40267); 528, (40269); 529, (40487); 530, (40495); 531,
+  (40509); 532, (40529); 533, (40531). The decorations on these
+  specimens belong to the same general type as those of No. 526.
+
+534. (40271). Mug-shaped with flat bottom; outer surface marked with
+  five scalloped bands; inner with scrolls.
+
+535. (40279). Outer surface with triangular figures; inner with a
+  scalloped marginal band and a similar band below.
+
+536. (40482). Similar in form to No. 534. Outer and inner decorations
+  consist almost entirely of triangles.
+
+537. (40483). Without bands; interior, scrolls; exterior, geometrical
+  figures.
+
+538. (40488). This belongs to the type represented by Fig. 411; rosette
+  on the inner surface.
+
+539. (40491). Similar in form and decorations to No. 534.
+
+  [Illustration:
+  Fig. 416 (40296) (¼)
+  Fig. 417 (40493) (¼)
+  Fig. 418 (40176) (¼)
+  Figs. 416-418.--Zuñi Eating Bowl.]
+
+540. (40496). Form like the preceding; inner face decorated with stars;
+  outer with the usual triangular figures.
+
+541. (40497). Flat, finger-bowl shaped, single scalloped band
+  externally; scrolls and circular figures internally.
+
+542. (40502). Double band of triangles externally; internally zigzag
+  lines precisely like those in Fig. 371.
+
+543. (40538). Inner serrate marginal band and radiating scrolls; no
+  external decorations.
+
+544. (40540). Central flower internally; a single serrate band
+  externally.
+
+545. (40980). Pan-shaped; inner surface marked with geometrical figures;
+  outer without decorations.
+
+546, 547. 546, (40988); 547, (40993). Without external ornamentation,
+marked with zigzag inner marginal line, central scroll, and triangular
+devices.
+
+548. (40991). Oblique serrate lines externally; zigzag inner marginal
+  line.
+
+549. (40992). No external decorations; inner marginal line crenate;
+  central flower.
+
+Brown, red, or yellow ware. Usually without ornamentation.
+
+550. (39907). Small rosettes or flowers on inner surface.
+
+The following numbers are without ornamentation of any kind:
+
+551-572. 551, (39968); 552, (40003); 553, (40207); 554, (40214); 555,
+  (40226); 556, (40235); 557, (40244); 558, (40257); 559, (40276); 560,
+  (40277); 561, (40278); 562, (40280); 563, (40281); 564, (40494); 565,
+  (40526); 566, (40528); 567, (40534); 568, (40543); 569, (40544); 570,
+  (40982); 571, (40984); 572, (40989).
+
+The following have slight decorations; wherever the band is mentioned it
+is to be understood as marginal unless otherwise specified:
+
+573. (39974). Narrow external band.
+
+574. (39981). Floral figure on inner surface.
+
+575. (39995). Triangles externally; narrow sub-marginal band internally.
+
+576. (40206). Outline leaf-like figures on inner face.
+
+577. (40222). Inner crenate band and cross lines.
+
+578. (40229). Slender bands and scrolls.
+
+579. (40288). Inner band of geometrical figures.
+
+580. (40550). With slender outer band.
+
+581. (40980). Inner zigzag band and triangular figures.
+
+582. (40983). Inner central white flower.
+
+583. (40990). Inner band of scrolls.
+
+The larger forms, following, are called _Ī´-tŏn-ä-ka-sah-le_.
+
+584. (40041). Represented in Fig. 413. The broad checkered band on the
+  inner margin forms the distinguishing characteristic. The following
+  are similarly decorated:
+
+585, 586. 585, (40010); 586, (40167).
+
+587. (40033). As closely resembling the preceding, I introduce here a
+  variety with a latticed marginal band shown in Fig. 414.
+
+The following specimens belong to the same variety, the chief
+differences, being the inner central figures:
+
+588. (40164). Fig. 415.
+
+589. (40177). Do.
+
+590. (40181). This specimen has no ornamentation except the band.
+
+591. (40296). Fig. 416. This varies in having the figures of birds with
+  wings spread and of elks on the inner surface below the marginal line.
+  These are but partially shown in the figure.
+
+592, 593. 592, (40965) and 593 (40955) belong to the same variety, but
+  their inner decorations resemble more closely those represented in
+  Fig. 415.
+
+594. (40493). Fig. 417. The decorations on this piece belong to the very
+  common variety shown in Figs. 356, 411, and 412.
+
+595-600. To this type belong the following numbers: 595, (40008); 596,
+  (40009); 597, (40012); 598, (40013); 599, (40020); 600, (40021), this
+  varies in having no ornamentation on the outer surface.
+
+601-608. 601, (40176), shown in Fig. 418; 602, (40031); 603, (40038);
+  604, (40043); 605, (40046); 606, (40047); 607, (40050); 608, (40052)
+
+609-628. 609, (40151); 610, (40152); 611, (40163); 612, (40168); 613,
+  (40170); 614, (40171); 615, (40175); 616, (40185); 617, (40186); 618,
+  (40188); 619, (40189), Fig. 419; 620, (40191); 621, (40193); 622,
+  (40194); 623, (40195); 624, (40196); 625, (40197); 626, (40199); 627,
+  (40200); 628, (40293), this piece is properly a bread bowl,
+  _Mō´-tsin-i-kā-sä-le_.
+
+629-638. 629, (40295); 630, (40297); 631, (40298); 632, (40310); 633,
+  (40305); 634, (40306); 635, (40308); 636, (40309); 637, (40930); 638,
+  (40931), shown in Fig. 420. I would call attention here to the strong
+  similarity of the inner decorations of this bowl with those on the
+  body of the vase represented in Fig. 359. This is properly a bread
+  bowl.
+
+639-646. 639, (40938); 640, (40957); 641, (40958); 642, (40967); 643,
+  (40971); 644, (40974); 645, (40975); 646, (41171), Fig. 421.
+
+The following specimens have the same external decorations as those
+represented in Figs. 413-421, but differ in regard to the figures on the
+inner surface.
+
+647. (40014). Fig. 422. The cut fails to show the figures of the elk
+  placed among the scroll ornaments.
+
+648, 649. 648, (40023); 649, (40026).
+
+650-658. 650, (40028), shown in Fig. 423; 651, (40035); 652, (40042);
+  653, (40045); 654, (40049); 655, (40051), these two are bread bowls;
+  656, (40153); 657, (40156); 658, (40178).
+
+659-663. 659, (40183); 660, (40198); 661, (40202); 662, (40927), Fig.
+  424; and 663, (40932), Fig. 425.
+
+  [Illustration:
+  Fig. 419 (40189) (¼)
+  Fig. 420 (40931) (⅕)
+  Fig. 421 (41171) (⅕)
+  Figs. 419-421.--Zuñi Eating Bowls.]
+
+  [Illustration:
+  Fig. 422 (40014) (¼)
+  Fig. 423 (40028) (¼)
+  Fig. 424 (40927) (⅕)
+  Figs. 422-424.--Zuñi Eating Bowls.]
+
+  [Illustration:
+  Fig. 425 (40932) (¼)
+  Fig. 426 (40179) (¼)
+  Fig. 427 (40290) (¼)
+  Figs. 425-427.--Zuñi Eating Bowls.]
+
+664-669. 664, (40951); 665, (40952); 666, (40960); 667, (40976); 668,
+  (40977); and 669, (40016), may be grouped together, as strongly
+  resembling each other in regard to their inner decorations.
+
+670. (40027). Inner marginal band with diamond spaces and colored
+  triangles, scrolls, and small rosettes or flowers below.
+
+671. (40030). No inner band; geometrical figures.
+
+672. (40035). Narrow simple marginal band; elk and scrolls.
+
+673. (40179), Fig. 426. Each of the following specimens has a similar
+  marginal band, but the inner central figures differ.
+
+674-682. 674, (40037); 675, (40044); 676, (40187); 677, (40300); 678,
+  (40937); 679, (40966); 680, (40969); 681, (40973); 682, (40040).
+  Patch-work figures, resembling pieces of broken pottery.
+
+683. (40157). Somewhat like Fig. 424, the perpendicular lines of the
+  band being doubly scalloped.
+
+684. (40169). Marginal band a vine with leaves and flowers; central
+  figures similar to those on vase shown in Fig. 371.
+
+685. (40182). No inner band; scroll figures.
+
+686. (40190). No inner band; elks and geometrical figures.
+
+687. (40201). Marginal band with triple lines similar to those in Fig.
+  424.
+
+688. (40290). Shown in Fig. 427.
+
+689. (40292). Marginal band similar to that on Fig. 427; scroll figures
+  in central portion.
+
+690. (40294). Fig. 430. In this the outer decoration varies in having
+  the elongate triangle or lance point double, and the inner in having
+  the figure of a mule or donkey.
+
+691. (40304). No marginal band; scroll figures.
+
+692. (40302). Fig. 429.
+
+693. (40486). A broad bowl; inner marginal band, the upper portion of
+  which has a line of diamond spaces. The under side of the oblique line
+  on the outer surface is bordered with scrolls as in Fig. 375. This is
+  a very large specimen, being eighteen inches in diameter. See Fig.
+  401.
+
+694. (40928). Inner surface marked with geometrical figures.
+
+695. (40970). No figures on the inner surface.
+
+696. (40972). Inner decorations as in Fig. 419.
+
+697. (40017). No outer decorations; inner surface with marginal band and
+  large white cross; remainder brown.
+
+698. (40015). Outer and inner faces marked with triangles and slender
+  leaves.
+
+699. (40024). Outer scalloped band, scroll figures internally.
+
+700. (40022). Outer surface with scalloped band and large oblique
+  diamonds; inner with double scalloped band and scrolls.
+
+701, 702. 701, (40158); 702, (40159). Outer face without decorations;
+inner with large vermiform figures.
+
+703. (40166). Both faces with oblique lines of scrolls.
+
+704. (40192). Stems and leaves externally and internally.
+
+705. (40195), Interior decorations profuse; scrolls, and diamond-shaped
+  figures.
+
+706. (40934). Four scalloped bands on outer face; scroll figures on
+  inner surface.
+
+707. (40935). No outer decorations; inside marked with a marginal band
+  of dots and lines; central scrolls.
+
+708. (40939). Both surfaces with geometrical figures.
+
+709. (40950). Marked externally with double lance points; internally
+  with scrolls.
+
+710. (39954). Shown in Fig. 428. Here we see the head of the grotesque
+  bird reduced to a simple scroll.
+
+Brown or yellow ware. Decorations in black or red, without external
+ornamentation unless otherwise stated.
+
+711-713. 711, (40011); 712. (40936); 713, (40962). Four large leaves
+  forming a cross.
+
+714. (40018). Broad external band of horizontal and oblique dotted
+  lines. No figures on the inner surface.
+
+715. (40032). External scalloped band; reversed pyramids or pueblos
+  internally.
+
+716. (40039). Broad marginal band of half pyramids, alternately
+  reversed.
+
+717. (40048). White vermiform figures.
+
+718, 719. 718, (40154); 719, (40184). These are similarly marked, the
+margin in both being also white.
+
+The following specimens are without decorations of any kind:
+
+720-733. 720, (40019); 721, (40036); 722, (40160); 723, (40162); 724,
+  (40165); 725, (40180); 726, (40307); 727, (40929); 728, (40953); 729,
+  (40954); 730, (40959); 731, (40962); 732, (40963); 733, (40968).
+
+734. (40155). Patch-work.
+
+735. (40172). Four serrate or scalloped bands on outer face. Similar
+  inner marginal band in outline; and outline pyramidal figures.
+
+736. (40174). Outline pyramidal figures.
+
+737-739. 737, (40173); 738, (40289); 739, (40964). Marginal band of
+  double outline scrolls.
+
+740. (39618). Brown ware with decorations in black. Colored Fig. 380.
+
+741. (39592). Brown ware with decorations in black. Colored Fig. 382.
+
+  [Illustration:
+  Fig. 428 (39954) (⅓)
+  Fig. 429 (40302) (¼)
+  Fig. 430 (40294) (⅕)
+  Figs. 428-430.--Zuñi Eating Bowls.]
+
+  [Illustration:
+  Fig. 431 (41135) (⅓)
+  Fig. 432 (41053) (¼)
+  Fig. 433 (41114) (⅙)
+  Fig. 434 (41092) (⅓)
+  Fig. 435 (40865) (⅓)
+  Fig. 436 (41113) (1/7)
+  Figs. 431-436.--Zuñi Cooking Vessels.]
+
+_COOKING VESSELS._
+
+These vessels are generally of medium size, though in some instances the
+dimensions vary exceedingly. Those used in cooking for feasts are quite
+large, sometimes with a capacity of about ten gallons; the smallest,
+designed only for family use, are less than four inches in diameter and
+not quite three inches high. They are of two general forms, one similar
+to the ordinary pots used on cooking stoves, the other bowl-shaped. Two
+specimens in the collection are provided with legs; to these the Zuñians
+apply the name _sä-mū yĕn-sä-qui-pä_. See Fig. 432. As a general
+rule, the rims of these vessels are flared, and on some of them, close
+to the rim on the outside, are ear-like projections, which are probably
+intended as catches by which, with pokers or sticks, they can be removed
+from or arranged in position on the fire. They are never ornamented, and
+have no coloring other than that which is acquired in baking. These
+vessels are used in cooking such foods as contain liquids. Three names
+are applied to cooking pots, having reference to size, viz.:
+_päh-tēh-le_ is the large cylindrical pot; the smaller pot of the same
+form is _päh-tēhl-tsān-nā_; and _wāh-li-äh-kä-tēhl-le_ is the common
+cooking pot. The Olla or bowl-shaped pot, Fig. 433, is called
+_sä-mū-yēn_.
+
+The following numbers belong to the _päh-tēhl-tsān-nā_ group and present
+no variations worthy of special notice.
+
+742, 743. 742, (41113). Fig. 436; 743, (41114), Fig. 433. These
+illustrations represent a form and have the appearance of the so-called
+ancient ware; the latter specimen bears the impress of the grass which
+was produced in the baking process.
+
+744. (40865). Fig. 435. Cooking pot.
+
+The following numbers represent specimens of cooking pots of varying
+sizes, though generally small and of the form of No. 744, though some
+few present the appearance of bowls:
+
+745-766. 745, (41115); 746, (41116); 747, (41117); 748, (41118); 749,
+  (41119); 750, (41120); 751, (41121); 752, (41122); 753, (41123); 754,
+  (41124); 755, (41125); 756, (41126); 757, (41127); 758, (41128); 759,
+  (41129); 760, (41130); 761, (41131); 762, (41132); 763, (41137); 764,
+  (41138); 765, (41140); 766, (41141).
+
+The following belong to the _sä-mū-yĕn_ bowls:
+
+767-804. 767, (41055); 768, (41056); 769, (41057); 770, (41058); 771,
+  (41059); 772, (41060); 773, (41061); 774, (41062); 775, (41063); 776,
+  (41064); 777, (41065); 778, (41066); 779, (41067); 780, (41068); 781,
+  (41069); 782, (41070); 783, (41071); 784, (41072); 785, (41073); 786,
+  (41074); 787, (41075); 788, (41076); 789, (41077); 790, (41078); 791,
+  (41079); 792, (41080); 793, (41081); 794, (41082); 795, (41083); 796,
+  (41084); 797, (41085); 798, (41086); 799, (41087); 800, (41088); 801,
+  (41089); 802, (41090); 803, (41091); 804, (41092), shown in Fig. 434.
+
+805-826. 805, (41093); 806, (41094); 807, (41095); 808, (41096); 809,
+  (41097); 810, (41098); 811, (41099); 812, (41100); 813, (41101); 814,
+  (41102); 815, (41103); 816, (41104); 817, (41106); 818, (41107); 819,
+  (41108); 820, (41109); 821, (41110); 822, (41111); 823, (41112); 824,
+  (41133); 825, (41139); 826, (41143). This is an unburnt specimen of
+  unusual form, resembling in this respect a sugar bowl, its margin and
+  sides undulated.
+
+827, 828. 827, (40853), bowl-shaped with conical bottom; 828, (41053),
+Fig. 432, pot-shaped, but with four legs.
+
+829, 830. 829, (41134); 830, (41135), are really pitchers, as will be
+seen by reference to Fig. 431, which represents the latter, but they
+appear to be made for cooking purposes, as they are designated by the
+name _sä-mū-yĕn_.
+
+_LADLES._
+
+Called by the Zuñians _sa-sho-kŏn-ne_. These are of two forms, one
+resembling somewhat an oyster-shell, the other with a handle resembling
+a spoon. The forms and decorations are shown in the figures. They are of
+white ware usually with figures on the inner surface, and of red ware
+without ornamentation. They vary in size from eight inches in length and
+five inches across the bowl to four and a half and two and a half
+inches.
+
+831-839. 831, (39884); 832, (39894), Fig. 438; 833, (40430); 834,
+  (40431); 835, (40432), flower in the bowl; 836, (40433); 837, (40460);
+  838, (40461); 839, (41254). With handles.
+
+840-841. 840, (39895); 841, (39896), figures of elks in the bowl.
+  Without handles.
+
+842. (39929).
+
+843, 844. 843, (40408) scrolls; 844, (40417), Fig. 440.
+
+845, 846. 845, (40418); 846, (40419), this has a pretty marginal band,
+and the figure of a slender bird in the bowl.
+
+847-851. 847, (40420); 848, (40421); 849, (40422), Fig. 439; 450,
+  (40423); 451, (40424), resembles Fig. 440.
+
+852-868. 852, (40425); 853, (40427); 854, (40428); 855, (40429); 856,
+  (40434); 857, (40435); 858, (40437); 859, (40438); 860, (40439); 861,
+  (40441); 862, (40442); 863, (40459); 864, (40462); 865, (40463); 866,
+  (40675); 867, (40677); 868, (40678), Fig. 441.
+
+869, 870. 869, (40679); 870, (40875), Fig. 437.
+
+  [Illustration:
+  Fig. 437 (40875) (½)
+  Fig. 438 (39894) (⅓)
+  Fig. 439 (40422) (⅓)
+  Fig. 440 (40417) (⅓)
+  Fig. 441 (40678) (⅓)
+  Figs. 437-441.--Zuñi Ladles.]
+
+  [Illustration:
+  Fig. 442 (39971) (¼)
+  Fig. 443 (40075) (⅓)
+  Fig. 444 (40400) (⅓)
+  Fig. 445 (40371) (⅓)
+  Fig. 446 (40377) (⅓)
+  Fig. 447 (40372) (⅓)
+  Figs. 442-447.--Zuñi Clay Baskets.]
+
+  [Illustration:
+  Fig. 448 (40359) (⅓)
+  Fig. 449 (41019) (⅓)
+  Fig. 450 (40356) (¼)
+  Fig. 451 (40355) (⅓)
+  Fig. 452 (40354) (⅓)
+  Fig. 453 (40379) (⅓)
+  Figs. 448-453.--Zuñi Clay Baskets.]
+
+_BASKETS._
+
+Called by the Zuñians, _āh-wēhl-wi-āh-pä-sāhl_. These vessels, which
+vary in size from four to eight inches in diameter and from two to five
+in depth, are in the form of bowls, sometimes with a handle over the top
+like a basket handle, sometimes without. The margin is either scalloped,
+as in Fig. 452, or terraced so as to resemble the section of a pyramid
+or pueblo, being cut in this form with a horse-hair while soft. They are
+always of white ware decorated with black. The margin is uniformly
+black, and there is often an inner and outer submarginal narrow band
+following the undulations or terraces. The figures most common, and in
+fact almost exclusively used, are those resembling tadpoles, but which,
+as I learned, are intended to represent a small crustacean or the larva
+of an insect common in the water-pools and streams of the Zuñi country;
+and the somewhat grotesque figures of the horned toad (_Phrynosoma_).
+These figures are placed both on the outer and inner surfaces, though
+the figure of the reptile is generally found on the outer.
+
+These singular vessels are used by the Indians only in their sacred and
+ceremonial dances. In them is placed a small quantity of meal; they are
+then borne in the hands of the women, who, during the dance, take a
+small quantity of the meal, just as much as they can hold between the
+tips of the fingers, and sprinkle it on the sacred objects and on the
+heads of the persons leading in the ceremonies.
+
+As the forms and decorations are correctly shown in the figures, I shall
+only notice those which are unusual.
+
+Without handles; margin scalloped:
+
+871-873. 871, (40074); 872, (40075), Fig. 443; 873, (40400), Fig. 444.
+
+Without handles; margin terraced:
+
+874. (40337). Figures of insects on outer surface.
+
+875-881. 875, (40344); 876, (40364); 877, (40367); 878, (40368); 879,
+  (40369); 880, (40370); 881, (40371), Fig. 445.
+
+882-899. 882, (40372), Fig. 447; 883, (40373); 884, (40374); 885,
+  (40375); 886, (40376); 887, (40377), Fig. 446; 888, (40378); 889,
+  (40380); 890, (40381); 891, (40382); 892, (40383); 893, (40384); 894,
+  (40385); 895, (40392); 896, (40393); 897, (40394); 898, (40396); 899,
+  (40803), this specimen, which is but slightly burnt, is more globular
+  in form than usual, and has mounted on each pyramid a small image, one
+  human, one of a dog or fox, one of a chicken, and the other probably
+  intended for a bird. This is really not a meal basket, but is carried
+  in the dance for rain, and bears the name _tkhä-pō-kā-tēhl-le_.
+
+900-902. 900, (41014); 901, (41015), this has in the place of the
+  reptile the figure of a bird; 902, (41018).
+
+903. (39971). Fig. 442. A Zuñi clay basket without handles; the form of
+  the margin and inner decorations are unusual, and on this account and
+  the fact that the little water animal does not appear on it, it is
+  probably from some other tribe, though obtained at Zuñi.
+
+904. (40354). Fig. 452. With handles; margin scalloped. The decorations
+  on this basket are unusual. The chief figure and the most interesting
+  one on this entire group of pottery is that of a snake encircling the
+  body of the basket; on the head of which is a feather crest.
+
+905. (41019). Fig. 449. A Zuñi dance basket, one of the most complete in
+  form and decoration in the collection.
+
+906-909. 906, (40356), Fig. 450; 907, (40390); 908, (40391); 909,
+  (40806). This is more cup shaped than usual, and is ornamented with
+  the geometrical figures common on bowls. It belongs to a distinct
+  class of sacred vessels to which the name _tkhä-pō-kā-tēhl-le_ is
+  applied.
+
+910-913. 910, (40336); 911, (40353); 912, (40355), Fig. 451; 913,
+  (40357), varies in having the head of a bird. With handles; margins
+  terraced.
+
+914-922. 914, (40358); 915, (40360); 916, (40361); 917, (40362); 918,
+  (40365); 919, (40366); 920, (40359), Fig. 448; 921, (40379), Fig. 453;
+  922, (40386). This and the three following specimens are small baskets
+  called by the Zuñians _āh´-wēhl-wi-āh-pä-sāhl-tsān-nā_.
+
+923-928. 923, (40387); 924, (40388); 925, (40389); 926, (40395). This
+  and the two following bear the same figures as observed on Fig. 452.
+  927, (40397); 928, (40398).
+
+929. (40399). This basket is ornamented with the conventional little
+  water animal, inside and out; it also presents the head and tail of a
+  snake, the body of which encircles the base of the basket. The head of
+  the snake is decorated with a crest and a horn-like projection
+  immediately before the eyes. The tongue and teeth are also represented
+  in colors on the specimen. The rim is serrated and painted black with
+  a small line conforming to the black band immediately under it.
+
+930. (41016). Is without a handle, but noticeable for the representation
+  of a bird, on each side of which are two of the little water animals.
+
+931. (41017). Basket without handle and four pyramids with serrated
+  edges, and representation of horned toad on sides.
+
+932. (41019). Basket with handle, large toad on each side, and a
+  dragonfly on each side of the toad.
+
+_PAINT CUPS._
+
+These are always small, but vary in size from one and a half to three
+inches in height. They are usually in the form of water vases or
+globular jars, though sometimes of a true cup shape, and occasionally
+cubical. They are generally single, but quite often double, and
+occasionally triple and quadruple. To the large-sized single ones the
+Zuñians apply the name of _hĕl-i-pō-kā-tēhl-le_; and to those of smaller
+sizes, _hĕl-i-pō-kā-tēhl-tsān-nā_. They are usually without handles, but
+sometimes these are present. The double ones are connected only by a bar
+extending from the body of one to that of the other; and the triple and
+quadruple ones in a similar manner. They are of red and white ware like
+the other pottery; the decorations on the white are similar to those
+already described, so far as they can be adapted to these small
+articles.
+
+We shall give the numbers without remarks, except to note unusual forms
+and figures.
+
+Single cups:
+
+933-938. 933, (39881); 934, (39888); 935, (39938); 936, (39939); 937,
+  (39944); 938, (39945); with figures of the little aquatic animal so
+  frequently represented on the earthenware baskets used in rain dances.
+
+939-942. 939, (39949); 940, (40036); 941, (40111); 942, (40112); square,
+  box-shaped, of brown ware and very rude.
+
+943-946. 943, (40323); 944, (40324); 945, (40325); 946, (40326); with
+  terraced margin like that so common in baskets used in the sacred
+  dances.
+
+947-952. 947, (40327); 948, (40328); 949, (40329); 950, (40330); 951,
+  (40331); 952, (40332). With meander band of simplest form.
+
+953-961. 953, (40333), terraced margin; 954, (40334); 955, (40335); 956,
+  (40338); 957, (40339); 958, (40340); 959, (40341), true cup with
+  looped handles; 960, (40342); 961, (40343), with straight cylindrical
+  handle.
+
+962-968. 962, (40345); 863, (40346); 964, (40347); 965, (40348), form of
+  the ordinary glass tumbler; 966, (40349); 967, (40352); 968, (40587).
+  Mug-shaped, with broad, horizontal rim.
+
+969-974. 969, (40588); 970, (40589); 971, (40590); 972, (40591); 973,
+  (40592); 974, (40593). With simple meander band.
+
+975. (40594). The artist has evidently attempted to figure on this the
+  true meander (Greek fret), but has failed.
+
+976. (40595). Marked with the grotesque horned toad so common on the
+  earthenware baskets.
+
+977-979. 977, (40596); 978, (40597); 979, (40598). Spherical in form,
+  decorated with figures of the grotesque bird heretofore mentioned.
+
+980-983. 980, (40599), bowl-shaped; 981, (40645); 982, (40647); 983,
+  (40648). Bird with a scroll arising out of its back.
+
+984-994. 984, (40649); 985, (40650); 986, (40651); 987, (40684); 988,
+  (40826); 989, (40828), Fig. 455; 990, (40829); 991, (40830); 992,
+  (39768); 993, (39982); 994, (39983).
+
+Double cups (_hĕl-i-pō-kā-tēhl-i-pä-chin_). The little water animal is a
+common figure on these.
+
+995-998. 995, (39931); 996, (39932), Fig. 454; 997, (39948); 998,
+  (40350). This has the connecting bar arched so as to form a handle.
+
+999-1004. 999, (40351); 1000, (40433); 1001, (40444); 1002, (40445);
+  1003, (40447); 1004, (40349). The last five are plain.
+
+1005-1007. 1005, (40448); 1006, (40449); 1007, (40450). With scalloped
+  margin, double bars, the upper one arched; grotesque figures of horned
+  toad.
+
+1008-1017. 1008, (40451); 1009, (40452); 1010, (40454); 1011, (40455);
+  1012, (40456); 1013, (40457); 1014, (40610), double bar or bar and
+  handle; 1015, (40681), Fig. 456; 1016, (40682); 1017, (40854), square,
+  without bar.
+
+Triple cups:
+
+1018-1023. 1018, (40605); 1019, (40606); 1020, (40609); 1021, (40680);
+  1022, (40693); 1023, (40856).
+
+Quadruple cups, to which is applied the same Zuñi name as that given to
+those provided with triple and quadruple cups.
+
+1024, 1025. 1024, (40612), Fig. 457; 1025, (40613). Brown, square,
+united directly at the sides without bars.
+
+1026-1029. 1026, (40652); 1027, (40855); 1028, (40856), square; 1029,
+  (40859), square.
+
+_CONDIMENT CUPS._
+
+These are similar in form and decorations to the paint cups, and are
+also round and square, single, double, and quadruple. They are usually
+small, holding from less than half a pint to a pint. The different names
+applied to them will be given as they are reached in the list. The
+double and quadruple ones are connected together in the same manner as
+the multiple paint-pots,
+
+Single cups:
+
+1030. (39878). Square with figures of chickens on the sides.
+
+_Mā-pō-kā-tēhl-le_ is the name by which the round or vase-shaped vessels
+are designated. They are numbered as follows:
+
+1031. (39905). Fig. 459. The figures on this specimen appear to be
+  intended as representations of some neuropterous insect, but possibly
+  they represent birds.
+
+1032-1037. 1032, (40653); 1033, (40654); 1034, (40655); 1035, (40656);
+  1036, (40657); 1037, (40658). Some of these appear, from the fragments
+  of bars attached to them, to have belonged to double specimens.
+
+1038, 1039. 1038, (40633); 1039, (40832). These two are red ware.
+
+1040-1049. 1040, (40833); 1041, (40834); 1042, (40835); 1043, (41006);
+  1044, (41007); 1045, (41008), Fig. 458; 1046, (41170); 1047, (40603);
+  1048, (40606); and 1049, (40664), are square.
+
+Double cups:
+
+The round form has the same name as the single salt cup, but the square
+pattern is named _Mā´-pō-kā-thlē-lō-ne_. The following specimens belong
+to the latter class:
+
+1050-1057. 1050, (39900); 1051, (39901); 1052, (40416); 1053, (40604);
+  1054, (40662); brown 1055, (40683); 1056, (40831); 1057, (40661).
+
+1058-1068. The following are round: 1058, (40410); 1059, (40411); 1060,
+  (40412); 1061, (40413); 1062, (40414); 1063, (40415); 1064, (40440);
+  1065, (40659); 1066, (40660); 1067, (40666); 1068, (40667).
+
+1069. (40836). Quadruple. This and the last three preceding specimens
+  are ornamented like Fig. 458.
+
+  [Illustration:
+  Fig. 454 (39932) (⅓)
+  Fig. 455 (40828) (⅓)
+  Fig. 456 (40681) (½)
+  Fig. 457 (40612) (½)
+  Fig. 458 (41008) (⅓)
+  Fig. 459 (39905) (⅓)
+  Figs. 454-459.--Zuñi Paint and Condiment Cups.]
+
+  [Illustration:
+  Fig. 460 (40059) (⅓)
+  Fig. 461 (40140) (⅓)
+  Figs. 460, 461.--Zuñi Effigies.]
+
+  [Illustration:
+  Fig. 462 (40740) (¼)
+  Fig. 463 (40738) (¼)
+  Figs. 462, 463.--Zuñi Effigies.]
+
+  [Illustration:
+  Fig. 464 (40739) (¼)
+  Fig. 465 (40066) (⅓)
+  Fig. 466 (40743) (⅓)
+  Fig. 467 (40754) (¼)
+  Figs. 464-467.--Zuñi Effigies.]
+
+  [Illustration:
+  Fig. 468 (40748) (¼)
+  Fig. 469 (40767) (½)
+  Figs. 468, 469.--Zuñi Effigies.]
+
+  [Illustration:
+  Fig. 470 (41026) (⅓)
+  Fig. 471 (39910) (⅓)
+  Figs. 470, 471.--Zuñi Effigies.]
+
+_EFFIGIES._
+
+These figures, which are of small size, the largest not exceeding one
+foot in length, are quite rude, rendering it difficult in some cases to
+tell what animal is intended, the only exceptions to this rule being
+some figures of owls, in which the Zuñians appear to have made the
+nearest approach to the true form. They are generally of white ware,
+decorated with colors. Often these decorations are arbitrary, but as a
+general rule there has been an evident attempt to imitate nature so far
+as it could be done with the various shades of brown and black.
+
+Some of the larger pieces, especially the owls, have an opening at the
+top or on the back, as though designed for water vessels.
+
+The objects most commonly represented are owls (which largely
+predominate), antelope, elk, ducks, and chickens. The human form, the
+pig, sheep, horse, &c., are occasionally represented.
+
+Owls, _mū-hū-que_ and _mū-hū-que-tsān-nā_. These are nearly always
+represented with feet, and in most cases with legs. The body is usually
+disproportionately large, as are also the legs; the bill is small, and
+the wings are represented by small lateral projections; the tail is
+short. The eyes are generally well represented. The feathers, as will be
+seen, by reference to the figures, are quite well shown. The figures
+nave an opening on the top of the head.
+
+As there is a strong similarity in form, and the mode of decorating them
+is shown in the figures, no special remarks on the different specimens
+are necessary.
+
+1070-1077. 1070, (39875); 1071, (39876); 1072, (39877); 1073, (39921);
+  1074, (39942); 1075, (39957); 1076, (40054); 1077, (40059), shown in
+  Fig. 460; this is one of the very few without feet.
+
+1078-1096. 1078, (40064); 1079, (40065); 1080, (40068); 1081, (40138);
+  1082, (40140), Fig. 461; 1083, (40261); 1084, (40142), small; 1085,
+  (40262); 1086, (40141); 1087, (40142); 1088, (40409); 1089, (40734);
+  1090, (40735), without feet; 1091, (40736); 1092, (40737); 1093,
+  (40738), Fig. 463, very large; 1094, (40740), Fig. 462; 1095, (40741);
+  1096, (40742).
+
+1097-1112. 1097, (40743), Fig. 466; 1098, (40744); 1099, (40745); 1100,
+  (40746), without feet; 1101, (40747); 1102, (40748), Fig. 468; 1103,
+  (40749); 1104, (40750); 1105, (40751); 1106, (40752); 1107, (40753);
+  1108, (40754), Fig. 467; 1109, (40755); 1110, (40756); 1111, (40757);
+  1112, (40758), without decorations.
+
+1113-1120. 1113, (40759); 1114, (40760); 1115, (40761); 1116, (40762);
+  1117, (40763); 1118, (40764); 1119, (40765); 1120, (40766), bearing a
+  single young owl on its back.
+
+1121. (40767). Shown in Fig. 469, bearing three young owls on its back.
+
+1122. (41043).
+
+1123, 1124. 1123, (40066), Fig. 465, and 1124, (40739), Fig. 464. Two
+owl-shaped water vessels from Zuñi.
+
+Duck-shaped canteens, _ē-yāh-mē-hē-to_, are usually represented in a
+swimming posture, without feet, though occasionally the standing posture
+is adopted. The feather decorations are not so generally used as on the
+owls; several specimens bear on the back or sides the figure of the
+grotesque bird with spread wings. These specimens, like the owl images,
+have an orifice on the top of the head as though intended for water
+vessels, but are seldom used as such at the present time.
+
+1125. (39910). Shown in Fig. 471.
+
+The following are similar:
+
+1126, 1127. 1126, (39879); 1127, (39889).
+
+1128. (36911). With feet, in standing posture.
+
+1129. (40063). With wings, without feet.
+
+1130. (41023). This and the three following specimens have feather
+  decorations and are small. _Ē-yāh-mē-hē-tō-tsān-nā_ of the Zuñians.
+
+1131-1133. 1131, (41024); 1132, (41025); 1133, (41027).
+
+1134. (41026), Fig. 470. Chickens. The cock, _tō-kōk-ke_; the hen,
+  _tō-kōk-kā_. The general term applied to the young, without reference
+  to sex, is _sä-pi-pe_.
+
+1135. (39919). Represented in Fig. 472.
+
+1136, 1137. 1136, (41028); 1137, (41029).
+
+1138. (41030). Shown in Fig. 476.
+
+1139, 1140. 1139, (41031); 1140. (41032).
+
+1141, 1142. 1141, (41033); 1142, (41034).
+
+1148-1147. 1143, (41035); 1144, (41036); 1145, (41037), Fig. 475; 1146,
+  (41038); 1147, (41039).
+
+1148-1151. 1148, (41040); 1149, (41041), Fig. 474; 1150, (41042); 1151,
+  (41216), this piece represents a hen with three young chickens on her
+  back, as in Fig. 473.
+
+1152-1155. 1152, (39897); 1153, (41044); 1154, (41045); 1155, (41046),
+  Fig. 477. Antelope. (_māh-ā-wi._) The form and decorations are shown
+  in Figs. 477 and 478.
+
+1156-1161. 1156, (41047); 1157, (41048); 1158, (41050), Fig. 478; 1159,
+  (41219); 1160, (41210); 1161, (41211).
+
+1162. (41049). Elk, _shō-hi-ta_.
+
+1163-1166. 1163, (41212), Fig. 480; 1164, (41213); 1165, (41214); 1166,
+  (41217). Pigs, _pits-ō-te_. The figures show the forms and decorations
+  with sufficient accuracy to make further description unnecessary.
+
+1167. (41218). Ox, _wē-ä-si_. But a single example in the collection.
+  Shown in Fig. 479.
+
+1168-1170. 1168, (41219); 1169, (41220); 1170, (41221). Sheep,
+  _Kān-ē-lū_. These, like the pigs, are usually marked with spots. One
+  specimen has these spots in the form of an S, or sigmoid figure.
+
+1171. (41222). The Big Horn (_Ovis montana_), _Hä-li-tkū_. This is the
+  only specimen obtained and is a very rude figure, not easily
+  recognizable.
+
+1172. (41224). The Lynx, _Tē-pi_. Orifice in the top of the head.
+  Decorated with spots.
+
+1173. (41225). The Horse, _Tūsch_. Decorations, spots, and lines
+  representing hair. A very poor figure; without the name would be
+  unrecognizable.
+
+1174. (41226). Man on horseback, _I-mäl-tō-yi_. The figure of the man is
+  evidently intended to represent a Mexican, as shown by the ordinary
+  hat and clothing. The saddle is represented, but there is no bridle or
+  other trappings.
+
+_STATUETTES._
+
+1175. (40071). Indian boy without clothing and wearing moccasins.
+
+1176. (40076). _Wi-hā_. Baby.
+
+1177. (40860). _Klem-chi-ka_. Man with hat and clothing.
+
+1178. (40861). Nude female figure.
+
+1179. (40862). Man with hat and clothing.
+
+1180. (40863). Nude female figure.
+
+  [Illustration:
+  Fig. 472 (39919) (⅓)
+  Fig. 473 (41216) (⅕)
+  Fig. 474 (41041) (⅓)
+  Fig. 475 (41037) (¼)
+  Fig. 476 (41030) (⅓)
+  Figs. 472-476.--Zuñi Effigies.]
+
+  [Illustration:
+  Fig. 477 (41046) (⅕)
+  Fig. 478 (41050) (⅓)
+  Fig. 479 (41218) (⅕)
+  Fig. 480 (41212) (⅕)
+  Figs. 477-480.--Zuñi Effigies.]
+
+  [Illustration:
+  Fig. 481 (39927) (⅓)
+  Fig. 482 (40061) (⅓)
+  Fig. 483 (40631) (⅓)
+  Figs. 481-483.--Zuñi Clay Moccasins.]
+
+1181. (41223). Human hand, _ah-sin-ne_. Represents the hand and wrist.
+  Rather good figure. The wrist is surrounded by a colored scalloped
+  band, as a bracelet.
+
+Moccasins. _Mō-quā-we_. These are usually very correct in form, the
+differences between the right and left being always properly
+represented. Sometimes they are made singly, but usually in pairs,
+united directly or by a little straight bar or curved handle at the
+posterior end. White with color decorations, or brown or lead-colored
+without decorations, diminutive in size. The following specimens are
+without decorations:
+
+1182-1190. 1182, (39924); 1183, (39925); 1184, (39946); 1185, (39947);
+  1186, (40055); 1187, (40626); 1188, (40629); 1189, (40634); 1190,
+  (40635). The last two have loops at the heel and were used as paint
+  cups.
+
+Decorated with colors:
+
+1191. (40637). Pair still united.
+
+1192. (39927). Shown in Fig. 481.
+
+1193. (40060). With lines; handle at the heel.
+
+1194, 1195. 1194, (40061), Fig. 482; 1195, (40628), decorated with
+grotesque bird.
+
+1196. (40630). With same figure.
+
+1197. (40631). Represented in Fig. 483.
+
+1198. (40633). This pretty pair is profusely ornamented with serrate
+  lines from the tip to the ankles.
+
+1199, 1200. 1199, (40634) and 1200, (40636). Single, decorations, same
+as in the preceding; probably belong to one pair, as part of the
+connecting band remains on them.
+
+1201. (40804). Anomalous. _Tkhä-pō-kā-tēhl-le_. In the form of a low or
+  depressed vase, with two handles, decorated with scroll figures;
+  margin straight.
+
+1202. (40805). Vase-shaped, with single handle; a scalloped and an
+  undulate band around the body. Margin straight.
+
+1203. (42375). Toy house. Composed of clay and willow sticks. Made by
+  children.
+
+_CLAYS AND PIGMENTS._
+
+The following specimens are employed in the manufacture of pottery and
+for decorative purposes:
+
+1204, 1205. 1204, (41230) and 1205, (41231). Are specimens of a whitish
+clay or kaolin, of which a solution is made and applied to the outer
+surfaces of earthenware. This whiting in a coarser state is used for
+white-washing their chimneys and rooms.
+
+1206. (41265). Is a dark carbonaceous clay which the Zuñi Indians obtain
+  from near the summit of a mesa on which stand the ruins of their
+  ancient village--or, at least, where they claim to have resided during
+  the Spanish invasion of their country. As this clay is one of the
+  principal elements in the manufacture of Zuñi pottery, a quantity of
+  it was procured and numbered as one of the specimens of the
+  collection.
+
+1207. (41901). Small nodules of azurite used by the Indians in
+  decorating their altars, &c.
+
+1208. (41902). White clay or kaolin, same as Nos. 1204 and 1205.
+
+1209. (41903). Finer quality of white clay.
+
+1210, 1211. 1210, (41904) and 1211, (41905). Are specimens of the above
+of a coarser quality.
+
+1212. (41906). Tierra amarilla, or yellow micaceous clay, of which the
+  Rio Grande Indians make many varieties of vessels.
+
+1213. (42342). A yellowish sandy clay, which is used as one of the
+  coloring pigments in decorating pottery. This clay burns to a reddish
+  hue and gives to the pottery those lines of a brick-red color.
+
+1214. (42343). Very dark colored ore, resembling magnetic iron ore; this
+  stone is reduced in a small mortar, and a paint made of it for
+  decorating their ware black, which result is obtained by baking.
+
+
+VEGETAL SUBSTANCES.
+
+_BASKETRY._
+
+1215. (40108). A globular-shaped water basket, with a small neck, about
+  two inches long and three in diameter.
+
+1216. (40109). Double-lobed, canteen-shaped water basket, with both
+  outer and inner surfaces coated with gum. The neck is about the size
+  of that of the preceding basket. The centre is compressed to about the
+  size of the neck; the bottom flat.
+
+1217. (40110). Similar to the preceding.
+
+1218. (40115). This specimen is a good representation of the basketry
+  manufactured by the Zuñians, used for carrying peaches. It is well
+  shown in Fig. 484.
+
+1219-1235. 1219, (40116); 1220, (40117); 1221, (40118); 1222, (40119);
+  1223, (40120); 1224, (40121); 1225, (40122); 1226, (40123); 1227,
+  (40124); 1228, (40125); 1229, (40126), Fig. 488; 1230, (40127); 1231,
+  (40128); 1232, (40129); 1233, (40130); 1234, (40131); 1235, (40132),
+  are Zuñi baskets of the same character, of coarse willow ware. Sizes
+  and shapes somewhat similar.
+
+1236. (40133). This specimen is an illustration of one form quite
+  common. We found them in general use for bringing ripe peaches from
+  the field. Fig. 484 shows very clearly the manner of weaving them.
+
+1237-1240. 1237, (40134); 1238, (41135); 1239, (41136); 1240, (41137),
+  are all samples of the same basketry. These baskets are called by the
+  Zuñians _hu-chi-pŏn-nē_.
+
+1241. (40143). A small platter-shaped corn, basket of the same coarse
+  structure. They are called _tsi-i-lē_.
+
+1242-1247. 1242, (40144); 1243, (40145); 1244, (40146); 1245, (40147);
+  1246, (40148); and 1247, (40149) are similar examples of corn baskets.
+
+1248-1257. 1248, (40401); 1249, (40402); 1250, (40403); 1251, (40404);
+  1252, (40405); 1253, (40406); 1254, (40407); 1255, (40478); 1256,
+  (40479); and 1257, (40480) are a variety of examples of the corn
+  basket or _hu-chi-pŏn-ne_.
+
+1258. (40881). Toy basket of Navajo manufacture, of closely-woven fibre,
+  about three inches in diameter. A string is attached to it for wearing
+  it on the breast as an ornament, called _hō-in-hlän-tsān-nā_.
+
+1259, 1260. 1259, (40882), and 1260, (40883). Small cup or rather
+saucer-shaped baskets similar in construction to the preceding two
+numbers.
+
+1261. (40884). Is a corn basket of the same manufacture as the
+  preceding, of much larger size, and called _hō-in-hlän-nā_.
+
+1262-1264. 1262, (40917); 1263, (40918); 1264, (40919) _Tsi´-i-lē_;
+  large-sized, coarsely woven, tray-like baskets.
+
+1265. (40920). Toy basket; coarse, _tsi-i-lā-tsān-nā_.
+
+1266-1268. 1266, (40921); 1267, (40922); 1268, (40923). Navajo water
+  baskets, jug-shaped, _kō-sē-tŏm-mē_.
+
+1269. (41208). Large flaring or bowl-shaped basket of Apache
+  manufacture; water-tight; used for holding flour and meal; very
+  compactly woven; called by the Zuñis _hō-in_.
+
+1270. (41209). Very large specimen of the same ware woven with different
+  colored fibres, so as to present a decorated inner surface.
+
+1271. (41227). _Tklā-lim-ne_ or basket with abrupt sides. Navajo
+  manufacture.
+
+1272-1275. 1272, (41228), Fig. 485; 1273, (41229); 1274, (41230); and
+  1275, (41231) are examples of the coarsely-woven flat basketry used
+  frequently for winnowing small grain. The illustration shows the
+  details sufficiently without further description.
+
+1276. (41248). Basket tray for bread, of the closely-woven class, called
+  _mi-tū-li-hō-in_.
+
+1277. (41256). Toy basket, _tsi-li-tsān-nā_.
+
+_PADS._
+
+The following are ring-shaped pads made of yucca leaves interwoven in
+such a manner as to leave the centre open sufficiently to fit the top of
+the head. These pads are used in carrying water, by placing the pad on
+the head into which the base of the vase fits. They are used also to
+hold water jars and vases on the ground, thus protecting the bottom of
+the vessels from wearing away. They are called in Zuñi _hā-kin-ne_.
+
+1278-1287. 1278, (40464); 1279, (40465); 1280, (40466); 1281, (40467);
+  1282, (40468); 1283, (40469); 1284, (40470); 1285, (40471); 1286,
+  (40472) are examples of this pad, of which Fig. 486, 1287r. (40473),
+  is an illustration.
+
+The following are objects of the same kind:
+
+1288-1292. 1288, (40474); 1289, (40475); 1290, (40924); 1291, (40925);
+  1292, (40926).
+
+_DOMESTIC IMPLEMENTS, TOYS, &c._
+
+In the collection are a number of wooden spoons or ladles of various,
+sizes. These utensils were not frequently met with. The readiness with
+which the Indians can make pottery or earthern ladles, a large number of
+which are in the collection, has caused these to supersede the former.
+The wooden spoons are always chiseled from a single piece of wood. See
+Fig. 490.
+
+  [Illustration:
+  Fig. 490 (40876) (¼)]
+
+1293-1297. 1293, (40876); 1294, (40877); 1295, (40878); 1296, (41020);
+  1297, (41022) are specimens of spoons and ladles of wood. The large
+  ones are called _täm-shŏ-kŏn-nā-tsān_, the smaller, _täm-shŏ-kŏn tsān
+  nā_.
+
+1298. (41276). A wooden chair, made entirely of wood and in imitation,
+  of a common chair, ornamented with carvings.
+
+1299. (42292). Meat-block in the form of a stool, one side of which is
+  used for chopping, the other to sit upon.
+
+1300. (40827). Rotary drill, with stone disk and flint point, usually
+  employed in perforating turquoise and other hard substances for
+  ornaments. See Figure 494. Called by the Zuñis _klā-tŏ-ne_.
+
+1301. (40809). A small rectangular wooden box with a lid, used as a
+  treasure-box, for holding choice trinkets and ornaments such as
+  feathers, &c., called _la-pŏ-ka kle-tŏn-tsān-nā_.
+
+1302. (41279). Wooden gun rack, made of pieces of flat wood, of a
+  rectangular form, with notches in the upright sides for holding guns
+  and bows. It is common in Zuñi.
+
+1303. (41192). A wooden comb used in connection with the loom. It is
+  provided with teeth about one inch long; these teeth are placed
+  between the perpendicular threads and with the hand brought down
+  firmly on the cross-threads or yarn until it is perfectly compact. The
+  blankets woven in this manner are water-tight. This comb is called
+  _o-hā-nā-pā-ne_.
+
+1304-1307. 1304, (42043); 1305, (42044); 1306, (42045); and 1307,
+  (42046); are combs above described, used with looms.
+
+1308. (40810). A wooden comb of the same character.
+
+  [Illustration:
+  Fig. 484 (40133) (¼)
+  Fig. 485 (41228) (¼)
+  Fig. 486 (40473) (⅓)
+  Fig. 487 (41725) (¼)
+  Fig. 488 (40126) (⅓)
+  Fig. 489 (41184) (¼)
+  Figs. 484-489.--Zuñi Basketry, and Toy Cradles.]
+
+1309. (41700). Bundle of fine grass stems for a comb.
+
+1310. (41282). Comb and brush, combined, made from dried grass stems;
+  one end is used as a comb, the other as a brush.
+
+1311. (41277). Wooden spade or shovel quite like an ordinary spade, used
+  by the Indians for shoveling snow from the roofs of their houses, and
+  for taking bread from their bakeovens. See Fig. 495.
+
+1312. (40879). Wooden digger and corn-planter, called _tā-sā-quin-ne_.
+  This is the only specimen of the kind in the collection. The foot is
+  used in digging as we use a spade. In making holes in the ground for
+  planting grain, one foot is placed on the short projection, and the
+  individual using it walks along, each alternate step making a hole in
+  the ground into which to drop the grain. See Fig. 496.
+
+1313. (41262). Medicine sticks to influence rain. These little sticks
+  are found hidden beneath the rafters of nearly every house in Zuñi.
+
+1314. (41275). Wooden war-club, which the Zuñis claim was one of their
+  original weapons of war. See Fig. 491.
+
+1315. (41856). A peculiar warty squash or gourd hollowed out and filled
+  with pebbles to make a rattling sound, used in most of the dances. See
+  Fig. 497.
+
+  [Illustration:
+  Fig. 497 (41856) (⅓)]
+
+1316. (41281). Gourd dance rattle.
+
+1317. (41196). Squash or gourd for making rattles.
+
+1318. (41197). Smooth-surfaced squash for rattle.
+
+1319. (41189). Gourd painted red, yellow, and black, which is suspended
+  to a pole held in the dance called by the Zuñis _tŏm-tschūl-tŏn-ne_.
+
+1320. (41190). Yellow gourd, with black band, and having alternate
+  squares of white and black around the centre, through which a stick is
+  passed for holding it in the hand during a dance. The gourd is placed
+  on the stick in an inverted position. On the top of the stick a bunch
+  of feathers is attached. This ornament is generally used in their
+  social dances, in which the young men and women mingle. See Fig. 492.
+
+1321. (41193). Water gourds.
+
+1322. (41194). Gourd with opening in the end of the handle.
+
+1323-1334. 1323, (41198); 1324, (41199); 1325, (41200); 1326, (41201);
+  1327, (41202); 1328, (41203); 1329, (41204); 1330, (41205); 1331,
+  (41206); 1332, (41207); 1333, (41234); 1334, (41235), are wooden birds
+  carved and painted to represent such as they are accustomed to seeing
+  daily. Those represented are the magpie, prairie lark, oriole, humming
+  bird, and swallow. The latter is shown in Fig. 493. The object is
+  attached to a stick in such a manner that the wings can be made to
+  move up and down by pulling a string, in imitation of the bird in
+  flight.
+
+1335. (41184). Toy or baby cradle, called _wi-hā-klem-tsān-nā_, (see
+  Fig. 489), with a wooden doll arranged to show the manner of securing
+  children in cradles.
+
+1336. (41725). Cradle with wooden doll, Fig. 487, composed of woven
+  willows.
+
+1337. (41724). Toy drum, _tō´-sō-än-än-tōm-me_.
+
+1338. (41285). Spinning top.
+
+_FOODS._
+
+1339. (40905). _Wia-vi_, or wafer bread.
+
+1340. (41261). Meal from Indian maize.
+
+1341. (41263). Chili, or ground-red pepper.
+
+1342. (41264). Dried peaches; Indian style.
+
+1343. (41266). Dried squash; Indian style.
+
+1344. (41267). Indian beans.
+
+1345. (41271). Corn parched by the Indians.
+
+1346. (41272). Native salt of Zuñi.
+
+1347. (41273). Zuñi bread.
+
+1348. (41274). Zuñi bread used in the dance.
+
+1349. (41280). Zuñi bread.
+
+1350. (41283). Zuñi sprouted wheat, from which a juice or wine is
+  obtained.
+
+1351. (42050). Horse beans cultivated by the Indians.
+
+_MEDICINES AND DYES._
+
+1352. (41172). Root used as medicine.
+
+1353. (41173). Root used as medicine.
+
+1354. (41175). Root used as medicine, called by the Zuñians
+  _āh-quā-ā-we_.
+
+1355. (41174). Bark for coloring buckskin red.
+
+1356. (41907). Plant for coloring black.
+
+1357. (41908). Plant used for decorating pottery black, the oil or juice
+  of which is used.
+
+  [Illustration:
+  Fig. 491 (41275) (1/7)
+  Fig. 492 (41190) (⅛)
+  Fig. 493 (41235) (⅙)
+  Fig. 494 (40827) (⅕)
+  Fig. 495 (41277) (1/10)
+  Fig. 496 (40879) (1/10)
+  Figs. 491-496.--Zuñi War Club, Dance Ornaments, etc.]
+
+  [Illustration:
+  Fig. 500 (41713)
+  Fig. 501 (41808)
+  Fig. 502 (41838)
+  Figs. 500-502.--ZUÑI SASHES.]
+
+ANIMAL SUBSTANCES.
+
+_HORN AND BONE._
+
+1358. (41284). Bone awl, with iron shaft.
+
+1359-1361. 1359, (41851); 1360, (41852); and 1361, (41853), Fig. 498,
+  are specimens of a rattle or musical instrument made from the shell of
+  a turtle which is highly esteemed by the Pueblo tribes. The flesh of
+  the turtle is carefully removed from the shell, leaving it hollow. To
+  the edges of the breast plate are attached the toes of goats or sheep.
+  These toes coming in contact with the hollow shell produce a peculiar
+  sound, in keeping with the sound caused by the gourd rattles used in
+  the same ceremony. The rattle is fastened to the rear of the right leg
+  near the knee when employed in the dances.
+
+  [Illustration:
+  Fig. 498 (41853) (⅓)]
+
+_SKIN._
+
+1362. (41287). Lasso or lariat of plaited leather.
+
+1363. (41219). Hopple strap; ends locked by small blocks of wood. See
+  Fig. 499.
+
+  [Illustration:
+  Fig. 499 (41219) (⅕)]
+
+_WOVEN FABRICS._
+
+1364. (41251). Moki scarf, from Zuñi.
+
+1365. (41552). Child’s shirt of calico, _ō-chū-ōtsn-nā_.
+
+1366. (41253). Squaw’s knit leggings.
+
+1367, 1368. 1367, (41801) and 1368, (41807). Are sashes of Moki
+manufacture, handsomely embroidered at each end in colors.
+
+1369, 1370. 1369, (41712) and 1370, (14713). Are worsted woven belts for
+the waist, called _eh-ni-ne_. See Fig. 500.
+
+1371. (41714). Worsted garter, called _eh-ni-ne tsān-nā_.
+
+1372. (41801). Finely-woven white cotton with embroidered edge, of which
+  the following are examples:
+
+1373-1375. 1373, (41802); 1374, (41803), and 1375, (41804).
+
+1376. (41805). Blue woolen scarf.
+
+1377. (41806). Scarf.
+
+1378. (41807). Sash. See Fig. 501.
+
+1379. (41808). Sash. See Fig. 502.
+
+1380. (41809). Navajo blanket, used as a squaw’s dress, with red border.
+
+1381. (41810). Similar blanket.
+
+1382. (41811). Navajo blanket with blue border. The following are
+  similar to the preceding:
+
+1383-1388. 1383, (41812); 1384, (41813); 1385, (41814); 1386, (41815);
+  1387, (41816); and 1388, (41817).
+
+1389. (41818). Saddle-blanket, in colors.
+
+1390-1395. 1390, (41819); 1391, (41820); 1392, (41821); 1393, (41822);
+  1394, (41823); and 1395, (41824), are also saddle-blankets.
+
+1396. (41825). Imperfect large robe of wool.
+
+1397. (42223). Sample of green yarn used by the Zuñians in making belts
+  and blankets.
+
+1398. (42201). War trophy, worn as shoulder belt; the band which passes
+  over the shoulder is ornamented with arrow-points which are fastened
+  in the plaiting. The plaited portion is made of the skin dress of a
+  slain Navajo. So highly did the Zuñians prize this trophy that I was
+  obliged to promise its return before I was allowed to take it away. A
+  sketch was made of it, after which it was returned to the Indians.
+
+1399. (42268). A Zuñi charm, made from a piece of shell rounded and
+  pierced near one end to-receive a string.
+
+  [Illustration:
+  Fig. 503 (41726) (⅙)]
+
+1400. (41726). Head-dress worn by maidens in dances. Fig. 503 shows the
+  form. The flower is sometimes red and yellow; this is attached to one
+  side of the band which goes over the head; to the other side is
+  attached a horn-shaped ornament. The flower is called _ātē än-ne_. The
+  horn on the left is called _sai´änne_. The band that encircles the
+  head is called _gĕm-me_. The following are articles of the same kind,
+  differing only in ornamentation:
+
+1401-1408. 1401, (41727); 1402, (41728); 1403, (41729); 1404, (41730);
+  1405, (41731); 1406, (41732); 1407, (41733); and 1408, (41734).
+
+1409. (41698). Wool rosette; part of head-dress.
+
+1410. (41699). Cotton rosette; part of head-dress.
+
+1411. (41697). Charm of wild turkey feathers.
+
+  [Illustration:
+  Fig. 504 (42207) (⅓)
+  Fig. 505 (42208) (⅓)
+  Fig. 506 (42337) (⅓)
+  Fig. 507 (42213) (⅓)
+  Fig. 508 (42311)
+  Figs. 504-508.--Wolpi Axes and Metate.]
+
+1412. (42206). Grooved axe of black fine-grained sandstone, about eight
+  inches long; water-worn to its present shape, afterward grooved to
+  render it suitable for use.
+
+1413. (42207). Fig. 504. Grooved axe, of basalt. The only specimen of
+  this particular form in the collection.
+
+1414. (42208). Fig. 505. Large stone celt of coarse sandstone, light
+  gray color. It is shaped more like a wedge than the cut indicates. It
+  is difficult to conjecture what this implement could have been used
+  for. The sandstone of which it is made is too soft for either
+  splitting or hammering. As it is about ten inches long and has four
+  flat sides it may have been a grinder, as many of those implements are
+  not unlike it in length and appearance. Its surface is quite rough and
+  pitted.
+
+1415. (42209). Sandstone maul, grooved, surface rough.
+
+1416. (42210). Triangular-shaped maul, grooved in the middle; of coarse
+  basalt. This and similar mauls evidently at one time had handles fixed
+  to them, but at the present day it is not uncommon to see the modern
+  Pueblo Indians holding them in the hand to crush their grain, chili or
+  red-pepper pods in round mortars.
+
+1417. (42211). Grooved axe of basalt.
+
+1418. (42212). Small grooved axe of metamorphic rock.
+
+1419. (42213). Fig. 507. Water-worn boulder of quartzite, grooved around
+  the centre.
+
+1420. (42214). Basaltic maul, grooved in the middle like the preceding.
+  Used by the Indians at the present day for pounding chili or red
+  pepper.
+
+1421. (42216). Grooved axe of greenstone, quite long, well shaped, and
+  nicely polished.
+
+1422. (42217). Grooved axe of greenstone, similar to the preceding.
+
+1423. (42218). Grooved axe of sandstone; top square.
+
+1424. (42219). Axe of basalt, grooved on three sides.
+
+1425. (42220). Grooved axe of greenstone.
+
+1426. (42221). Grooved axe of quartz.
+
+1427. (42222). Grooved axe of sandstone. Groove very near the top.
+
+1428. (42223). Grooved axe of greenstone, well polished.
+
+1429. (42224). Grooved axe of schistose rock, much flattened, with a
+  small second groove below the larger one. 1430. (42225). Small grooved
+  axe of greenstone, body rather square, top quite small, with the
+  groove very near it.
+
+1431. (42226). Axe of basalt, grooved on three sides near its top, which
+  is flat.
+
+1432. (42227). Grooved on three sides.
+
+1433. (42228). Grooved axe.
+
+1434. (42319). Grooved axe made from a fragment of a grinder.
+
+1435. (42320). Same as preceding.
+
+1436. (42321). Rough chipping or stone hammer.
+
+1437. (42322). Large grooved maul of a ferruginous substance.
+
+1438. (42323). Large egg-shaped grooved maul of coarse sandstone.
+
+1439. (42326). Large grooved maul of irregular shape and surface;
+  finegrained sandstone.
+
+1440-1447. 1440, (42327); 1441, (42328); 1442, (42329); 1443, (42330);
+  1444, (42331); 1445, (42332); 1446, (42333); 1447, (42334), are all
+  quite similar to the two preceding mauls, and are all of sandstone.
+
+1448. (42335). A very large grooved maul, almost square, and weighing
+  about fifteen pounds.
+
+1449. (42336). Grooved maul of very coarse-grained sandstone; short and
+  thick.
+
+1450. (42337). Fig. 506. Grooved maul of compact sandstone. The body of
+  the maul is almost round, though the cut makes it appear flat. Several
+  such specimens were collected, and in all instances they show that
+  they have been better preserved than the axes. This is probably due to
+  the fact that their shape adapts them to grinding foods and grain, and
+  hence they are not used for splitting or cutting.
+
+1451. (42339). Rough stone maul of sandstone, grooved in the middle.
+
+1452. (42350). Small grooved axe of sandstone from the ruins of Pecos.
+
+1453. (42246). Celt of a very black slate stone.
+
+1454. (42247). Celt. This is a very fine specimen, of yellow polished
+  slate of about the same texture as the preceding one. It is about
+  twelve inches long, and tapers gradually from the broad edge to the
+  top.
+
+_METATES, OR GRAIN-GRINDERS, AND PESTLES._
+
+1455-1460. 1455, (42279); 1456, (42287); 1457, (42289); 1458, (42309);
+  1459, (42310); 1460, (42311), are ordinary specimens of the metate
+  placed together in the shape of a mill. See Fig. 508.
+
+1461, 1462. 1461, (42313), and 1462, (42314), are rubbing stones.
+
+1463. (42338). Broken metate rubber.
+
+1464. (42249). Rubbing stone.
+
+1465. (40139). Rude rubber of silicified wood.
+
+1466. (42274). Small quartz rubber.
+
+1467. (42275). Small greenstone rubber.
+
+1468-1473. 1468, (42276); 1469, (42277); 1470, (42278); 1471, (42316);
+  1472, (42317); 1473, (42318), are all fragrants of rubbers.
+
+1474. (42290). Bound sandstone pestle, each end ovate.
+
+1475. (42294). Square sandstone pestle.
+
+1476. (42295). Small round pestle, with rounded ends.
+
+_MORTARS, PESTLES, ETC._
+
+Nearly all the pestles and mortars from Wolpi present evidences of age.
+They are nearly all of coarse sandstone, and were used for bruising food
+and grain. They are usually quite large, heavy, and round. As they are
+generally of soft yielding rocks, the cavities are worn very deep in
+most of them.
+
+1477. (42281). Large flat food mortar.
+
+1478. (42282). Paint mortar, made from a round sandstone boulder about
+  five inches in diameter.
+
+1479. (42283). Grain mortar.
+
+1480. (42284). Mortar made from a round somewhat flattened sandstone
+  boulder.
+
+1481. (42285). Food mortar of indurated sandstone, about four inches
+  thick and eight inches in diameter, irregularly round, the depression
+  being about three inches deep.
+
+1482. (42286). Mortar for crushing grain; this is an unusually fine
+  specimen. It is about seven inches high, and an almost round body,
+  about an inch and a half thick at the top of the rim; the cavity is
+  quite a perfect oval in shape, about five inches deep; bottom flat.
+
+1483. (42288). Mortar similar to the above, but having a projection on
+  one side like the ear of a kettle.
+
+1484. (42291). Mortar and pestle. The mortar is nearly square; cavity
+  about five inches deep and seven in diameter. The pestle has a groove
+  round the middle.
+
+1485. (42292). Paint mortar about one inch thick and nearly square.
+
+1486. (42293). Round quartzitic boulder; one side flat, the other with a
+  small cavity.
+
+1487. (42307). Bowl-shaped food mortar, about ten inches in diameter and
+  five inches high.
+
+_MISCELLANEOUS OBJECTS._
+
+1488. (42270). Stone knife with two notches or grooves near the large
+  end.
+
+1489. (42271). Forty specimens of arrow-heads and small perforators,
+  flint and agate; most of them very well shaped.
+
+1490. (42253). Sandstone gaming ball, painted.
+
+1491-1493. 1491, (42254); 1492, (42255); and 1493, (42256), are all
+  sandstone gaming balls.
+
+1494. (42257). Fig. 509. Hollow tube. The figure represents one made
+  from potters’ clay, the other is of siliceous material. These pipes
+  are not in use at the present time, but are frequently found around
+  the ruins and in possession of the Indians.
+
+1495. (42261). Stone image, probably intended to represent a rabbit. It
+  is of fine-grained stone. Shown in Fig. 513. There are quite a number
+  of these little images from Wolpi and Zuñi; as they appear to
+  represent rabbits, it is presumed that they are quite old, and
+  possibly antedate the introduction of domestic animals among the
+  tribes.
+
+1496. (42296). Small paint muller of jasper.
+
+1497. (42297). Square quartzitic paint muller.
+
+1498. (42298). Triangular paint rubber of quartz.
+
+1499-1503. 1499, (42299), quartz; 1500, (42300); 1501, (42301); 1502,
+  (42303); and 1503, (42304), are all quartz paint pestles made from
+  half sections of small semi spherical boulders; the large end, which
+  is flat, being used for the grinding part.
+
+1504. (42305). Part of a grooved axe.
+
+1505. (42306). Rubbing stone with four rubbing surfaces.
+
+1506. (42262). Fig. 512. This undoubtedly represents some animal.
+
+1507. (42263). Fig. 510. This evidently represents some animal other
+  than the rabbit. The body is long and slender, and is provided with a
+  tail.
+
+1508. (42264). Small sandstone image, which is a good representation of
+  a bear; grooved around the neck, with mouth and eyes and short tail.
+  None of these little images are provided with anything more than short
+  stubs for limbs.
+
+1509. (42265). Very small sandstone image, quite similar to No. 1507.
+
+1510. (40114). Wolpi neck ornament, Fig. 511, _hu-wat-he-qua-ve_, of red
+  slate stone notched at each end, as shown in the cut, and perforated
+  at the upper edge to receive a cord, with which it is suspended to the
+  neck. Though a rare ornament, it possesses no particular known
+  significance.
+
+
+ARTICLES OF CLAY.
+
+_WATER VASES._
+
+These are of the usual form, and for the most part of the usual size
+found at Zuñi; but there are also a number of very large specimens of
+the white ornamented, black, and red ware, having a capacity of ten or
+twelve gallons.
+
+White decorated ware:
+
+1511. (41356). Decorations exactly the same type as that shown in Fig.
+  359, except that there is a regular meander around the shoulder. The
+  type is shown in Fig. 514.
+
+  [Illustration:
+  Fig. 509 (42257) (½)
+  Fig. 510 (42263) (½)
+  Fig. 511 (40114) (½)
+  Fig. 512 (42262) (⅓)
+  Fig. 513 (42261) (⅓)
+  Figs. 509-513.--Wolpi Pipe, Effigies, and Ornament.]
+
+  [Illustration:
+  Fig. 514 (41602) (¼)
+  Fig. 514.--Wolpi Water Vase]
+
+  [Illustration:
+  Fig. 515 (40646) (1/7)
+  Fig. 516 (42374) (1/7)
+  Figs. 515, 516.--Wolpi Cooking Pots.]
+
+The following belong to the same type as the above, the variations being
+but slight, the large circular space with scroll being the chief
+characteristic:
+
+1512. (41601). Figure on the neck as on the body of Fig. 372.
+
+1513. (41602). Shown in Fig. 514.
+
+1514. (41603). The block containing the smaller circle is here solid and
+  square; there is a zig-zag band around the neck as on the margins of
+  some Zuñi bowls.
+
+1515. (41604). This varies in having in place of the block with the
+  small circle, a regularly checkered block.
+
+1516. (41606). This has only the large diamond figures on the body, and
+  a band of s’s round the shoulder.
+
+1517. (41607). Like No. 1514.
+
+1518. (41454). With handles on sides; fringe-like band around the
+  shoulder.
+
+1519. (41455). Simple linear band around the body.
+
+1520. (41456). Figures of a trident or three-pronged fork; and ladle on
+  the body.
+
+The following are plain brown and red ware, some of them very large. The
+neck is but slight, and they are often more pot-shaped than olla form.
+Without ornamentation.
+
+Brown or red.
+
+1521-1533. 1521, (41632); 1522, (41633); 1523, (41635); 1524, (41636);
+  1525, (41637); 1526, (41638); 1527, (41639); 1528, (41640); 1529,
+  (41641); 1530, (41642); 1531, (41643); 1532, (41649); 1533, (41650).
+
+1534. (41644).
+
+1535. (40646). Fig. 515.
+
+1536. (41647).
+
+1537. (41648).
+
+1538. (42374). Very large pot, used for cooking. Name, _nu-a-mash-pe_.
+  Represented in Fig. 516.
+
+_WATER JUGS AND JARS._
+
+These are similar to those obtained at Zuñi; sub-globular in form, one
+side more distinctly flattened on which to lie, the other very convex.
+Usually with two handles, sometimes loops, and sometimes studs or knobs.
+Occasionally ornamented white ware, but most generally unadorned brown
+or red ware. The latter showing, on some pieces, at least, a slight,
+perhaps accidental, glazing. They vary in size from six or seven gallons
+down to less than a pint.
+
+As the various figures used in decorations have been described, only
+those which are unusual will be noticed here.
+
+White decorated ware:
+
+1539. (41320). Underside as usual, blown. Scalloped band in direction of
+  mouth and handle, transverse double scalloped band across the upper
+  half.
+
+1540. (41362). Similar to the last.
+
+1541. (41342). Simple bands and scrolls.
+
+1542, 1543. 1542, (41401) and 1543, (41447). Similar.
+
+Brown ware without ornamentation:
+
+1544-1567. 1544, (41321); 1545, (41322); 1546, (41323); 1547, (41324);
+  1548, (41325); 1549, (41326); 1550, (41327); 1551, (41328); 1552
+  (41329); 1553, (41330); 1554, (41331); 1555, (41332); 1556, (41333);
+  1557, (41334); 1558, (41335); 1559, (41336); 1560, (41337); 1561,
+  (41338); 1562, (41339); 1563, (41340); 1564, (41341); 1565, (41343);
+  1566, (41344); 1567, (41345).
+
+1568-1569. 1568, (41609) and 1569, (41611). These have only the large
+  diamond figures on the body, and a zig-zag line around the neck.
+
+1570. (41610). The large diamonds serrate on the outer margin; neck with
+  doubly oblique serrate lines.
+
+1571. (41613). As in Fig. 514, except that the neck, instead of the
+  zigzag, has oblique diamonds.
+
+1572. (41614). This varies from the preceding in having only a narrow
+  scalloped band around the neck.
+
+1573. (41620). Only the large scrolls, nothing on the neck.
+
+1574. (41622). Similar to the preceding, except that each alternate
+  scroll is replaced by a rosette in a circle.
+
+1575. (41615). Like No. 1515, except that the neck has a scalloped band
+  with birds’ heads.
+
+1576. (41618). Large diamonds on the body alternately with rosettes, by
+  the side of which is a bird.
+
+1577. (41621). Similar to Fig. 514, except that the black has no circle
+  in it.
+
+1578. (41358). Small with a broad checkered band around the body.
+
+1579. (41605). With narrow scalloped band around the neck; triangular
+  figures pointing to right and left on the body with cross lines
+  between the bases.
+
+1580. (41608). Outline figures of terraced hills with cactus growing
+  from them, and curved scalloped lines above.
+
+1581. (41612). Scalloped band around the neck; oblique, heavy, double
+  diamond figures with scrolls on the body.
+
+1582. (41617). No decorations on the neck; body with the spear points or
+  long triangles, and serrate oblique lines as on Zuñi bowls.
+
+1583. (41616). Line of little circles on the neck; triangles of lines,
+  pointing to the left on the body.
+
+1584. (41619). Similar in form and decorations to Fig. 371 (Zuñi),
+  except that the upper side of the band is formed of triangles instead
+  of scrolls.
+
+1585. (41629). This is really a double-handled jar.
+
+1586. (41630). Scalloped band around bottom, serrated squares near rim.
+
+  [Illustration:
+  Fig. 517 (41364) (¼)
+  Fig. 518 (41363) (⅓)
+  Fig. 519 (41366) (⅓)
+  Figs. 517-519.--Wolpi Vessels.]
+
+1587. (41631). Scrolls on the neck; birds with crest feathers, and
+  flowers on the body.
+
+1588. (41634). Very small, with numerous scalloped lines arranged in
+  diamond form.
+
+1589. (41644). Series of double perpendicular scallops.
+
+1590. (41468). Similar to No. 1586.
+
+_TOY-LIKE WATER VESSELS._
+
+The following are very small water vessels, probably intended for
+children:
+
+1591. (41449). Figures of birds on body.
+
+1592. (41450). The usual diamond and scroll on body.
+
+1593-1603. 1593, (41346); 1594, (41347); 1595, (41348); 1596, (41349);
+  1597, (41350); 1598, (41351); 1599, (41352); 1600, (41353); 1601,
+  (41354); 1602, (41355); 1603, (41448).
+
+Small toy canteens:
+
+1604-1607. 1604, (41439); 1605, (41440); 1606, (41442); 1607, (41443).
+
+The following three are cup-shaped, with an ear on each side to which to
+attach a string, the top is closed, with a round orifice in the middle,
+and they are either medicine or little paint vessels and not canteens,
+as given in the original field catalogue:
+
+1608-1610. 1608, (41444); 1609, (41445); 1610, (41446).
+
+Water jugs and bottles are of various forms, which will be described
+under their respective numbers. They are usually of the white decorated
+ware. The brown ware is always undecorated.
+
+1611. (41363). See Fig. 518.
+
+1612. (41364). Brown ware shown in Fig. 517.
+
+1613. (41365). Brown ware, cylindrical, constricted in the middle and
+  with small orifice.
+
+1614. (41393). Without handle.
+
+1615. (41366). Fig. 519. A water jar made in imitation of a common gourd
+  cultivated by many of the Pueblo tribes. The body is ornamented on
+  both sides with a curved line and birds, as seen in the figure. A
+  small circular orifice is left at the base of the handle.
+
+1616. (41367). As in Fig. 520.
+
+1617. (41368). Shown in Fig. 522.
+
+1618-1619. 1618, (41369), and 1619, (41370). Similar to the preceding.
+
+1620. (41407). Regularly shaped jug with handle decorated with
+  geometrical figures.
+
+1621. (41433). Brown ware, regular jug with two handles.
+
+1622. (41434). Similar to preceding, but without handles.
+
+1623. (41469). Bottle shaped. Brown ware. Represented in Fig. 521.
+
+The following are similar:
+
+1624-1628. 1624, (41373); 1625, (41374); 1626, (41375); 1627, (41376);
+  1630, (41377).
+
+1629. (41393). Brown ware, with single constriction, without handle.
+
+1630. (41394). Similar.
+
+_CUPS._
+
+Those obtained were chiefly very small. As will be seen, the ladle to a
+very large extent supplies with this people the place of the cup.
+
+1631. (41409). Regular handled cup; white ware, with a broad band in
+  which are white crescents.
+
+1632. (41461). Shaped as preceding. White ware, all except a marginal
+  uncolored band marked with cross or checkered lines.
+
+1633. (41526). Small white ware, outside without decorations; scalloped
+  marginal band inside; with handle.
+
+1634. (41527). Sides straight; with handle, decorated on the outside
+  with triangular figures so common on bowls.
+
+1635. (41430). With similar decorations.
+
+Toy cups. Usually brown ware without ornamentation:
+
+1636. (41415). White ware with a band of scrolls.
+
+1637-1641. 1637, (41417); 1638, (41426); 1639, (41427); 1640, (41428);
+  1641, (41429). These five are brown ware.
+
+1642. (41435). A pretty pitcher-shaped vessel ornamented with interlaced
+  or cross lines forming a regular net-work.
+
+_EATING-BOWLS._
+
+The bowls vary in size, as do those from Zuñi, but as a general rule
+they are small, or of but medium size; quite a number of those obtained
+are very small. In form they are generally like those from Zuñi, but
+some are biscuit-shaped, as those from Tesuke; others are true basins;
+and a few are square, and perhaps should not be classed as bowls, though
+we have included them under that general term. The decorations on the
+larger ones of regular form are very similar to those seen on Zuñi
+bowls. The colors black and red or brown are usually lighter and
+brighter than on the Zuñi pottery:
+
+1643. (41357). Regular Form. Decorations on the inner face only;
+  marginal zigzag line, with diamond and scroll below.
+
+1644. (41359). Outer and inner surface decorations as in Fig. 412.
+
+1645. (41361). Decorations only a double-scalloped inner marginal band.
+
+1646. (41400). Very small; a simple inner band.
+
+1647. (41463). Small. This and the following small specimens are
+  decorated on the inside with what appears to be intended for an Indian
+  head, with a tuft of hair.
+
+1648-1653. 1648, (41464); 1649, (41465); 1650, (41467); 1651, (41529);
+  1652, (41530); 1653, (41534).
+
+1654-1657. 1654, (41538); 1655, (41539); 1656, (41589); 1657, (41565).
+
+1658. (41466). No outer decorations; inner surface with the usual
+  diamond and scroll figure.
+
+  [Illustration:
+  Fig. 520 (41367) (⅓)
+  Fig. 521 (41469) (⅓)
+  Fig. 522 (41368) (⅓)
+  Figs. 520-522.--Wolpi Water Jars.]
+
+1659-1660. 1659, (41528); 1660, (41531).
+
+1661. (41540). Shown in Fig. 523.
+
+1662-1663. 1662, (41541), and 1663, (41599), are marked only with a
+  broad inner marginal band of geometrical figures.
+
+1664. (41532). No outer decorations; inner with diamond and scroll and
+  triangular figures.
+
+The following have the outer surface decorated as in the Zuñi pattern,
+shown in Figs. 416 and 417. The inner decorations vary slightly.
+
+With crenate or zigzag line on inner margin, and scroll diamond, or
+scrolls only:
+
+1665-1671. 1665, (41544); 1666, (41547); 1667, (41562); 1668, (41568);
+  1669, (41576); 1670, (41590); 1671, (41577).
+
+With similar marginal band and pentagonal scrolls and bird:
+
+1672-1673. 1672, (41548), and 1673, (41549).
+
+1674. (41550). With inner marginal band of geometrical figures; no other
+  inner decorations.
+
+1675. (41561). Broad marginal band only.
+
+1676. (41574). Inside with crenate marginal band; geometrical figures
+  below.
+
+1677. (41584). Heavy, scalloped inner band with T-shaped spaces in the
+  scallops. Scrolls below.
+
+1678. (41581). Broad checkered inner band only.
+
+1679. (41592). Similar checkered band with scroll figures below.
+
+1680. (41596). With terraced marginal band, and terraced or pyramidal
+  figures below.
+
+1681. (41627). Marginal band of geometrical figures only.
+
+1682. (41543). Biscuit-shaped. Outside with three rows or bands of large
+  serratures.
+
+1683. (41545). No outer decorations; inner crenate marginal line;
+  scrolls and diamond below. The following are similar:
+
+1684-1697. 1684, (41554); 1685, (41558), marginal band of lance points;
+  1686, (41564); 1687, (41567); 1688, (41569); 1689, (41573); 1690,
+  (41575); 1691, (41578); 1692, (41579); 1693, (41582); 1694, (41585);
+  1695, (41588); 1696, (41591), this has also the triangular bird; 1697,
+  (41623).
+
+1698. (41551). No outer decorations; zigzag marginal line; flowers and
+  lines below.
+
+1699. (41552). This has a very pretty design on the outside, a band of
+  diamonds, a little cross in each, and a dotted line above and below.
+  The inner decorations of this and the following consist of a broad
+  band only, of geometrical or architectural figures. Outer decorations
+  various, which alone are mentioned.
+
+1700-1701. 1700, (41553), bird in a wreath; 1701, (51555), lines of
+  crescent.
+
+1702-1703. 1702, (41556), and 1703, (41563). Same as the preceding.
+
+1704. (41570). Similar to the preceding, with scroll band below.
+
+1705. (41572). Triangular figures.
+
+1706. (41597). Scalloped lines arranged in large diamonds, with a flower
+  in the center of the diamond.
+
+1707. (41626). Scrolls and crescents.
+
+1708. (41628). Same as No. 1706.
+
+1709. (41559). Checkered band and scrolls inside, band of crescents
+  outside.
+
+1710. (41566). Inner marginal band as in outer decorations found on Zuñi
+  bowls.
+
+1711. (41571). No outer decorations; inner geometrical figures but no
+  band.
+
+1712. (41593). Checkered band, and scrolls inside; broad marginal band
+  with lower side scalloped.
+
+1713. (41594). With no outer figures; radiating simple and serrate lines
+  inside.
+
+1714. (41595). No outer decorations; scalloped or crenate band, and
+  geometrical figures on inner surface.
+
+1715. (41600). No outer decorations; birds and flowers or rosettes.
+
+1716. (41625). No outer decorations; inside with successive scallops,
+  and the conventional bird form between squares, one above the other.
+
+1717-1718. 1717, (41560), and 1718, (41624). Brown ware without
+  ornamentation.
+
+Minute bowls, usually without decoration, but sometimes figured,
+especially on the outside, with simple outline figures.
+
+1719-1727. 1719, (41418); 1720, (41419); 1721, (41421); 1722, (41422);
+  1723, (41423); 1724, (41424); 1725, (41457); 1726, (41458); 1727,
+  (41459), with short handle; the decoration in this is true
+  herring-bone pattern.
+
+1728. (41460). Square basins. These are comparatively small and resemble
+  in shape a common knife-basket or tray, but without handle or
+  division.
+
+1729. (41533). Outside with figures of birds, flowers and diamonds.
+
+1730. (41535). Outer band with scrolls along the under edge or margin;
+  diamond with scroll on inside.
+
+1731. (41537). Inside similar to No. 1730; outside usual triangular
+  figures.
+
+1732. (41536). Outside similar, inside with four faces in outline.
+
+1733. (41542). Plain brown.
+
+1734. (41546). Outside the usual triangular figures; inside bird figures
+  and slender leaf-stalks.
+
+1735. (41557). Outside triangular figures; inside double scroll.
+
+1736. (41586). Outside oblique, double serrate bands; inside broad
+  marginal checkered band; bottom four faces.
+
+  [Illustration:
+  Fig. 523 (41540) (⅓)
+  Fig. 524 (41385) (½)
+  Fig. 525 (41518) (½)
+  Figs. 523-525.--Wolpi Eating Bowl, Cooking Vessel and Ladle.]
+
+_COOKING VESSELS._
+
+These are usually unadorned and of brown or black ware. The number
+obtained was not large, and they vary greatly in character. They are
+generally of medium size or small, and some which appear to be used as
+cooking vessels have a handle on the side and resemble pitchers and
+cups. Some have two handles and are shaped like an urn or olla; others
+appear to be true pots. The want of uniformity among this tribe in the
+use of vessels of this kind renders its difficult to class them
+according to use. I will, therefore, group them according to form.
+Except one or two of the little pots none of them are ornamented.
+
+Pot-shaped vessels:
+
+1737-1739. 1737, (41360); 1738, (41379); 1739, (41385); two handles as
+  in Fig. 524.
+
+1740-1741. 1740, (41380), and 1741, (41405). Without handle, the latter
+  possibly used as a drinking vessel.
+
+1742-1746. 1742, (41381); 1743, (41382); 1744, (41383); 1745, (41384);
+  1746, (41386); each with a handle on one side; they resemble pitchers
+  or cups.
+
+_TOY-LIKE VESSELS._
+
+1747. (41416). Like a small water-vessel.
+
+1748. (41442). Olla-shaped, with handles; decorated with a band of loops
+  around the middle.
+
+1749. (41451). Olla.
+
+1750-1751. 1750, (41452), and 1751, (41453). Cylindrical jars without
+  handles.
+
+1752-1753. 1752, (41293), and 1753, (41294). Large black Cooking pots of
+  the usual shape.
+
+1754. (42367). Flat jar-shaped vessel, red ware, with regular ears on
+  the sides with holes through them. Cooking vessel; new.
+
+1755. (42369). Small globular red bowl, half burned.
+
+1756. (42370). Part of a corrugated vessel. It is yellow, but partly
+  burned; it looks fresh and new, but is really old, having been out of
+  the ground of old ruins near Wolpi.
+
+_LADLES._
+
+Of these vessels, which are extensively used by the Shinumos, there are
+various forms with an almost endless variation in decoration, being
+generally of ornamented white ware. Some of them bear a strong
+resemblance to the skillets used on cooking stoves, the handle being
+looped, but the bowl is more saucer-shaped. Others, as shown in Figs.
+527 and 529, are evidently fashioned after gourds. Some are somewhat of
+the form shown in Figs. 439 and 440, but the handle is more distinct.
+Others are true cup-shaped vessels, with the handles projecting from the
+middle of the side. A few are double with a single handle.
+
+Skillet-shaped vessels. Usually decorated in the bowl. As these figures
+are generally similar to those already described, special notice will be
+taken only of such forms as vary from the normal shape and figures.
+
+1757-1758. 1757, (41396), and 1758, (41395). Gourd shaped; similar to
+  those shown in Figs. 527 and 529.
+
+1759-1760. 1759, (41378), and 1760, (41397). Outside covered with
+  checkers.
+
+1761. (41398). Outside covered with scrolls.
+
+1762. (40408). Outside decorated with oblique serrate lines.
+
+1763. (41411). Ladles with two bowls. Handle with the head of an animal,
+  probably a wild-cat, at the tip; figures of birds in the bowls.
+
+1764. (41412). Shown in Fig. 528.
+
+1765. (41413). Handle broken; bowls with only a scalloped marginal band.
+
+1766-1767. 1706, (41470); 1767, (41476). Cup-shaped, with short handles;
+  shaped like a small olla.
+
+1768. (41477). Handle with animal head on the tip; outside covered with
+  checkered figures.
+
+1769. (41479). Handle as in the preceding; oblique, doubly serrate lines
+  on outside of bowl.
+
+1770-1772. 1770, (41480); 1771, (41481); 1772, (41482); face in the bowl
+  of the last.
+
+1773-1774. 1773, (41483), and 1774, (41484); the handle of the latter
+  represents an animal’s head, with face turned toward the bowl.
+
+1775-1777. 1775, (41388); 1776, (41389); 1777, (41425). The handle of
+  this represents, in shape, the head of a woman and child, and the bowl
+  contains the figures of two faces.
+
+1778-1783. 1778, (41462); 1779, (41471); 1780, (41472); 1781, (41473);
+  1782, (41474); 1783, (41475). The last of these has a minute head of a
+  woman on the end of the handle, which is solid.
+
+1784-1785. 1784, (41485), and 1785, (41486). Bowls elaborately
+  ornamented with geometrical figures and a circle of serratures, in
+  which is a figure resembling a duck with spread wings seen from above.
+
+1786-1788. 1786, (41487); 1787, (41488); 1788, (41489); the last with a
+  woman’s head on the tip of the solid handle.
+
+1789-1793. 1789, (41498); 1790, (41499); 1791, (41508); 1792, (41514);
+  1793, (41490). The last of these as also the following seven pieces
+  have bent, gourd-like handles, slightly curved or hooked at the end,
+  solid and somewhat rounded.
+
+1794-1800. 1794, (41491); 1795, (41492); 1796, (41493); 1797, (41494);
+  1798, (41496); 1799, (41497); 1800, (41500).
+
+1801. (41495). Like No. 1788, as are also the following ten specimens:
+
+1802-1811. 1802, (41502); 1803, (41504); 1804, (41505); 1805, (41507);
+  1806, (41515) 1807, (41518), Fig. 525; 1808, (41519); 1809, (41522);
+  1810, (41523); 1811, (41525).
+
+1812. (41506). This is square; an unusual form.
+
+  [Illustration:
+  Fig. 526 (41410) (½)
+  Fig. 527 (41396) (½)
+  Fig. 528 (41412) (⅓)
+  Fig. 529 (41395) (⅓)
+  Fig. 530 (41392) (⅓)
+  Figs. 526-530.--Wolpi Ladles and Basket.]
+
+1813-1822. 1813, (41509); 1814, (41510); 1815, (41511); 1816, (41512);
+  1817, (41513); 1818, (41516); 1819, (41517); 1820, (41520); 1821,
+  (41521); 1822, (41503).
+
+1823-1824. 1823, (41524), and 1824, (41501). Shaped somewhat like an
+  oyster-shell.
+
+1825. (41399). Water vessel in the shape of a bird, with tail and wings
+  represented.
+
+1826. (41406). Cup with bird’s head on one side, tail opposite, and
+  slight projections to represent wings on the side. Brown ware.
+
+1827. (41410). A double cup or ladle shown in Fig. 526.
+
+1828. (41414). Like Fig. 531, ornamented with oblique scalloped stripes
+  on outside; geometrical figures inside.
+
+1829-1830. 1829, (41431), and 1830, (41432). Square salt-boxes; the
+  former of white ware, with square figures on the outside; the latter
+  brown, unornamented.
+
+1831. (41436). Cup-shaped basket, brown ware; woman’s head on top of
+  handle.
+
+1832. (41437). Similar basket, white ornamented ware, handle plain.
+
+1833. (41437). Similar small, brown, cup-shaped basket.
+
+1834. (41478). Biscuit-shaped bowl, with ornamental diamonds on outside.
+
+_MISCELLANEOUS._
+
+1835. (41371). Basket similar to those used by the Zuñians in sacred
+  dances, with terraced margin, plain band inside, and comb-like figures
+  outside.
+
+1836. (41372). Similar basket, bottom flat, and sides straighter than
+  the preceding, decorated on the outside with oblique double serrate
+  stripes.
+
+1837-1838. 1837, (41387), and 1838, (41392). Baskets with straight
+  margins, both with geometrical figures on the outside. The latter is
+  shown in Fig. 530.
+
+1839. (41390). Fig. 532, water-vase with bowl-shaped base.
+
+1840. (41391). Fig. 531 Basin with looped handle arising from the center
+  of the inside; ornamented white ware.
+
+_STATUETTES._
+
+The clay images or statuettes obtained from the Shinumo pueblos are not
+objects of worship as supposed by many persons, but appear to be used to
+adorn their dwellings just as similar articles are used by civilized
+races. This is evident from their form and ornamentation which rudely
+represent the ordinary clothing worn by these Indians, and in the female
+figures the usual mode of wearing the hair either in a bunch at the back
+of the head or in two wheel-shaped knots at the sides. In a few
+instances ear ornaments, made of pieces of shells or beads, are found
+attached to the ears.
+
+I am not aware that these images are used in their dances or religious
+ceremonies. If they are objects of worship it must be in the family
+only, or a secret worship of which I obtained no information.
+
+Images are introduced, however, in their dances and religious rites, but
+these are made of wood and highly ornamented, some of which were
+obtained and are hereafter described.
+
+1841. (42026). Composed of the same clays of which the general pottery
+  is made, with small lines of a brick-red color up and down the body;
+  black lines over the shoulder and around the body, terminating so as
+  to represent hands; small earlets, made of blue beads, suspended from
+  the ears; face in white, with black spots to represent month and eyes;
+  horn-shaped cap, extending obliquely back from the head. Represents a
+  male figure.
+
+1842. (42027). Same as above, except the head, which has a square bunch
+  at its back, representing the one method of wearing the hair by the
+  Shinumos. Male figure.
+
+1843. (42028). Same as No. 1841, especially in regard to the horn-shaped
+  protrusion from the back of the head.
+
+1844. (42029). Plain flat image, probably intended to represent a
+  female.
+
+1845. (42030). This image is quite characteristic of this class of
+  objects. The cut shows all but the colors, which are the same as
+  described above, the form only differing from No. 1841 in having two
+  horns curving back from the head. Seen in Fig. 533.
+
+1846. (42031). Differs only from the rest in having a small hat on the
+  head.
+
+1847. (42032). Female figure, but with a black band around under the
+  chin, apparently representing whiskers; dark brown body.
+
+1848. (42033). Female figure with wheel-shaped knot on each side of the
+  head representing the manner of wearing the hair by the Shinumo women,
+  the body of the figure cream colored, face red, eyes and mouth black;
+  black necklace. Special parts of the body represented in red.
+
+1849. (42034). Male figure ornamented with red vertical lines.
+
+1850. (42035). Fig. 534. The cut presents all the lines on the image as
+  well as the form. The small wheels on each side of the head referred
+  to under No. 1848 show the style of wearing the hair; the black
+  markings shown on the cut are red on the figure. Female.
+
+1851. (42036). Body red, marked with black and dark red lines; red and
+  black spots on back of head to represent the hair.
+
+1852-1853. 1852, (42037); 1853, (42038); dark red bodies with black and
+  red lines.
+
+1854-1856. 1854, (42039); 1855, (42040); 1856, (42041); similar to the
+  preceding; the last with the wheel-shaped knots representing the hair.
+
+  [Illustration:
+  Fig. 531 (41391) (⅓)
+  Fig. 532 (41390) (⅓)
+  Fig. 533 (42030) (½)
+  Fig. 534 (42035) (½)
+  Figs. 531-534.--Wolpi Basin, Vase, and Clay Statuettes.]
+
+  [Illustration:
+  Fig. 535 (42085) (¼)
+  Fig. 536 (42058) (⅕)
+  Figs. 535, 536.--Wolpi Meal Baskets.]
+
+
+VEGETAL SUBSTANCES.
+
+_BASKETRY._
+
+The following specimens are examples of the tray-like baskets made from
+round willows:
+
+1857. (42085). Fig. 535 shows the mode of its construction.
+
+1858-1871. 1858, (42076); 1859, (42077); 1860, (42078); 1861, (42079);
+  1862, (42080); 1863, (42081); 1864, (42082); 1865, (42083); 1866,
+  (42084); 1867, (42086); 1868, (42087); 1869, (42088); 1870, (42089);
+  1871, (42090).
+
+The following numbers refer to specimens of the spiral or coiled
+basketry, all the features of which are shown in Fig. 536, except the
+color decoration:
+
+1872-1907. 1872, (42058); 1873, (42051); 1874, (42052); 1875, (42053);
+  1876, (42054); 1877, (42055); 1878, (42056); 1879, (42057); 1880,
+  (42059); 1881, (42060); 1882, (42061); 1883, (42062); 1884, (42063);
+  1885, (42064); 1886, (42065); 1887, (42066); 1888, (42067); 1889,
+  (42068); 1890, (42069); 1891, (42070); 1892, (42071); 1893, (42072);
+  1894, (42090); 1895, (42073); 1896, (42074); 1897, (42075); 1898,
+  (42091); 1899, (42092); 1900, (42093); 1901, (42094); 1902, (42095);
+  1903, (42096); 1904, (42097); 1905, (42098); 1906, (42099); 1907,
+  (42100).
+
+The following are canteen or water baskets, previously described, as to
+method of making and using them:
+
+1908-1912. 1908, (42101); 1909, (42102); 1910, (42103); 1911, (42104);
+  1912, (42105); are vase-shaped baskets, of which Fig. 537 is a
+  representative example.
+
+The following are specimens of the same ware, differing only in form and
+size:
+
+1913-1920. 1913, (42106); 1914, (42107); 1915, (42108); 1916, (42109);
+  1917, (42110); 1918, (42111); 1919, (42112); 1920, (42113).
+
+1921-1925. 1921, (42114); 1922, (42115); 1923, (42116); 1924, (42117);
+  1925, (42118), are only noticeable on account of their peculiar form.
+  They are almost top-shaped, with an acute apex at the bottom. The
+  mouth is small, like that of a jug. In one instance (42114) the body
+  slopes from top and bottom to the center, almost forming a ridge. Very
+  few of this form were obtained.
+
+1926. (42119). A double-lobed canteen basket. Many of the clay
+  water-vessels in the collection are made in imitation of this
+  double-lobed basket.
+
+1927-1931. 1927, (42120); 1928, (42121); 1929, (42122); 1930, (42123);
+  1931, (42124). Ordinary forms of the water-basket.
+
+1932. (42125). A fine, large, and quite perfect specimen, of the jug or
+  water-basket, with ears of horse-hair and string attached for use.
+  Quite a number of the ancient water-jars are of this form, and both
+  bear evidence of antiquity.
+
+1933. (42149). Fig. 538 is a good illustration of this form.
+
+1934-1937. 1934, (42146); 1935, (42147); 1936, (42148); 1937, (42150),
+  are of the same class of cemented basket-ware. The small
+  fruit-baskets, made of round willows and with much less care, are also
+  of many forms. Some are square, others round, and some with a peculiar
+  flattened body; of the latter there are but few in the collection.
+  They belong to the older class of basketry.
+
+The following specimens belong to that class:
+
+1938-1941. 1938, (42126); 1939, (42127); 1940, (42128); 1941, (42129).
+
+1942. (42130). A specimen of a much finer quality than the preceding. It
+  is long and vase-shaped, with a wide mouth and flaring rim, and woven
+  up from the bottom in oblique ridges.
+
+1943. (42131). A coarsely constructed bowl-shaped basket, of which type
+  the following are also specimens:
+
+1944-1951. 1944, (42132); 1945, (42133); 1946, (42134); 1947, (42135);
+  1948, (42136); 1949, (42137); 1950, (42138); 1951, (42139).
+
+1952. (42140). Specimen of the older basketry, with large depressed
+  body, flat bottom, and jar-like mouth.
+
+1953-1956. 1953, (42141); 1954, (42142); 1955, (42143); 1956, (42144),
+  are also different forms of the peach-basket.
+
+1957. (42145). Fig. 540. A large floor or hearth mat frequently found in
+  use among the Pueblos. The specimen in the collection exhibits some
+  skill and taste in weaving it. The material of which it is made is a
+  small round willow.
+
+1958. (42151). A large deep basket, constructed by weaving coarse willow
+  twigs around four upright posts or large sticks. It has a capacity of
+  about two bushels.
+
+1959. (42152). This is a small square basket of the same character.
+
+1960. (42153). A specimen of this ware. It is shown in Fig. 539,
+  exhibits a coarse, loose manner of construction. These are used as
+  fruit-baskets.
+
+1961-1962. 1961, (42154), and 1962, (42155). These are examples of the
+  same kind.
+
+1963. (42156). This specimen represents the finest quality of baskets in
+  the collection. They are all more or less tastefully ornamented during
+  the process of plaiting them. They are skillfully and closely woven,
+  and are used for holding the finest of their flour and meal. These are
+  undoubtedly of Apache manufacture. Fig. 541.
+
+1964. (42157). Has been selected as an illustration of this class of
+  baskets, of which the following are examples, differing but little in
+  form:
+
+  [Illustration:
+  Fig. 537 (42105) (¼)
+  Fig. 538 (42149) (¼)
+  Figs. 537, 538.--Wolpi Baskets.]
+
+  [Illustration:
+  Fig. 539 (42153) (⅓)
+  Fig. 540 (42145) (⅛)
+  Figs. 539, 540.--Wolpi Fruit Basket and Floor Mat.]
+
+  [Illustration:
+  Fig. 541 (42157) (⅕)
+  Fig. 542 (42160) (⅕)
+  Figs. 541, 542.--Wolpi Baskets.]
+
+  [Illustration:
+  Fig. 543 (42183) (⅙)
+  Fig. 544 (42199) (¼)
+  Fig. 545 (42171) (⅓)
+  Figs. 543-545.--Wolpi Baskets.]
+
+1965-1971. 1965, (42158); 1966, (42159); 1967, (42160), Fig. 542; 1968,
+  (42162); 1969, (42163); 1970, (42164); 1971, (42165). The two last are
+  almost flat; the rest saucer or bowl shaped and quite deep.
+
+1972. (42166). Basket of coarse willow ware; platter-shaped.
+
+1973. (42167). Conical-shaped basket of closely woven variety.
+
+1974. (42168). Hemispherical-shaped basket of the same class; small.
+
+1975. (42169). Cylindrical basket; small.
+
+1976-1981. 1976, (42170); 1977, (42171); 1978, (42172); 1979, (42173);
+  1980, (42174); 1981, (42175). Small cylindrical-shaped peach-baskets
+  made of flat yucca leaves. Fig. 545 is an illustration of that class.
+
+1982-1987. 1982, (42195); 1983, (42196); 1984, (42197); 1985, (42198);
+  1986, (42199), Fig. 544; 1987, (42200). Examples of the same class.
+
+The following baskets are made from the broad leaves of the yucca, woven
+or plaited crosswise in a very simple manner, and wrapped at the rims
+with leaves of the same plant. The texture of the weaving is quite
+coarse, not sufficiently close to hold any material smaller than corn or
+fruit:
+
+1988-2006. 1988, (42176); 1989, (42177); 1990, (42178); 1991, (42179);
+  1992, (42180); 1993, (42181); 1994, (42182); 1995, (42183); 1996,
+  (42184); 1997, (42185); 1998, (42186); 1999, (42187); 2000, (42188);
+  2001, (42189); 2002, (42190); 2003, (42191); 2004, (42192); 2005,
+  (42193); 2006, (42194), are all specimens of this class well shown in
+  Fig. 543.
+
+_DOMESTIC IMPLEMENTS, TOYS, ETC._
+
+2007. (41706). A Shinumo blanket loom, with a blanket partly completed,
+  with all the fixtures and implements employed in the art of blanket
+  weaving. This art, however, attains its highest degree amongst the
+  Navajos.
+
+2008-2009. 2008, (41707), and 2009, (41708), are looms exhibiting
+  different modes of weaving.
+
+2010. (41709). A loom with a partly finished garment.
+
+2011. (41683). Fig. 546. Blanket-stick for tightening strands of
+  blankets during the process of weaving. After the thread is passed
+  through from one side to the other this stick is placed over the
+  thread and then firmly beaten down. The following numbers are
+  implements of the same kind. They are called _soo-qua_.
+
+2012-2020. 2012, (41684); 2013, (41685); 2014, (41686); 2015, (41687);
+  2016, (41688); 2017, (41689); 2018, (41690); 2019, (41691); 2020,
+  (41692).
+
+2021. (41888). Blanket stretcher, _tu-he-que-hey_.
+
+2022. (41166). Reed frames, used in weaving belts and garters, called
+  _quey-hu-wuk-ta_.
+
+The following are objects of the same kind:
+
+2023-2027. 2023, (41667); 2024, (41668a); 2025, (41668b); 2026, (41669);
+  2027, (41670). Implement to show the process of making belts.
+
+2028. (42372). Small notched stick used in weaving belts.
+
+2029-2030. 2029, (41998), and 2030, (41999). Short pointed sticks for
+  stretching and drying skins.
+
+2031. (41676). Spindle whorl, _pa-tu-he-kah_. This is a common object of
+  use amongst all the Pueblos. Fig. 547 is an illustration of one of
+  these implements, showing the shaft with spun yarn below the disk. As
+  previously mentioned, this spindle whorl is almost identical with the
+  drill used for perforating stone and shell charms and ornaments. The
+  addition of a cross stick and strings, with the flint tip, are only
+  necessary to convert it into a drill. In both the drills and whorls
+  the disks are made of horn, stone, bone, and wood. For the drill see
+  Fig. 494.
+
+2032-2037. 2032, (41677); 2033, (41678); 2034, (41679); 2035, (41680);
+  2036, (41681); 2037, (41682). All spindle whorls.
+
+2038. (41658). Bow and three arrow-shafts.
+
+2039. (41659). Bow.
+
+2040. (41660). Bundle of four arrow-shafts.
+
+2041-2044. 2041, (41661); 2042, (41662); 2043, (41663); 2044, (41664),
+  are bundles of thirty-five arrow-shafts.
+
+2045. (41651). Bow and six iron-pointed arrows.
+
+2046. (41652), (41653). Bows.
+
+2047. (41654). Bow and quiver.
+
+2048. (41655). Quiver and twenty-six iron-pointed arrows.
+
+2049. (41656). Child’s bow and two arrows.
+
+2050. (41720). Boy’s bow with two arrows.
+
+2051. (41976), Fig. 548. Stick used for hunting rabbits; it is in the
+  form of a boomerang.
+
+2052-2055. 2052, (41977); 2053, (41978); 2054, (41979), Fig. 549; 2055,
+  (41980). Same objects as the last. In the Zuñi tongue this stick is
+  called _kle-ān-ne_, and in Shinumo _pu-wich-he-cu-he_.
+
+2056. (41924). Saddle-tree.
+
+2057. (41925). Stirrups, _pu-tut-hum-pee_.
+
+2058. (41119). Sinch hooks, _cu-rah-bat-tow_.
+
+2059. (42000). Wooden hoe, made in imitation of European hoe.
+
+2060. (41693). Wooden forceps, _wat-cha_.
+
+2061. (41909). Pronged stick for rake, called _ta-wish-wy-lah_. See Fig.
+  550.
+
+2062-2063. 2062, (41916), and 2063, (41917). Small yoke-shaped
+  implements for drying the skins of small animals by stretching the
+  skin over them.
+
+2064. (41863). Wooden treasure-box, of which the following numbers refer
+  to specimens, and which are well shown in Figs. 552 and 554:
+
+  [Illustration:
+  Fig. 546 (41683) (1/10)
+  Fig. 547 (41676) (1/7)
+  Fig. 548 (41976) (⅕)
+  Fig. 549 (41979) (⅕)
+  Figs. 546-549.--Wolpi Wooden Implements.]
+
+  [Illustration:
+  Fig. 550 (41909) (1/10)
+  Fig. 551 (41178) (⅕)
+  Fig. 552 (41866) (⅕)
+  Fig. 553 (41191) (⅓)
+  Fig. 554 (41865) (⅙)
+  Figs. 550-554.--Wolpi Implements.]
+
+  [Illustration:
+  Fig. 555 (41931) (⅙)
+  Fig. 556 (41926) (⅙)
+  Fig. 557 (41932) (⅕)
+  Fig. 558 (41940) (⅕)
+  Figs. 555-558.--Wolpi Dance Ornaments.]
+
+2065-2069. 2065, (41864); 2066, (41865); 2067, (41866); 2068, (41867);
+  2069, (41868).
+
+2070. (41985). Baby cradle, with hoops over the head for net work; made
+  of slats, _mu-hu-tah_.
+
+2071. (41986). Baby cradle made of willow work.
+
+2072. (41987). Cradle without top.
+
+2073. (41988). Toy cradle, of basket work.
+
+2074. (41989). Toy cradle of boards.
+
+2075. (41710). Toy whirligig, made of a disk with two holes through
+  which strings are passed.
+
+2076. (41711). Specimen of Indian corn.
+
+2077-2078. 2077, (41715), and 2078, (41716).
+
+2079. (41694). Paint toy, of wood, _tat-chi_.
+
+2080. (41695). Bird snares, made of small sticks like the ramrod of a
+  gun, arranged with horse hairs, _wa-wa-shi_.
+
+2081. (42371). Bunch of very small reed-like grass, called
+  _nen-a-wash-pi_ or rain broom.
+
+2082-2083. 2082, (41889), and 2083, (41890). Whirling sticks.
+
+2084-2886. 2084, (41177); 2085, (41178); 2086, (41179). Specimens of a
+  peculiar drum-stick in general use by the Shinumo, Zuñi, and other
+  Pueblo Indians. It is made from a stick, one end of which is shaved
+  off sufficiently to admit of bending the end thus shaved round in the
+  form of a hoop, and then tightly securing it. The hoop portion is used
+  in beating the drum. Fig. 551 is an illustration of one of these
+  drum-sticks.
+
+2087. (41180). Calabash, or gourd, for holding food or water.
+
+2088-2090. 2088, (41181); 2089, (41182); 2090, (41183). Ordinary forms
+  of the same vessel.
+
+2091. (41191). Gourd, perforated, with a staff through the center,
+  painted in many colors; held on a pole in dances. See Fig. 553.
+
+_ORNAMENTAL OBJECTS._
+
+2092. (41926). Is a flat piece of wood about twenty inches long and five
+  in width, with a notched handle at the lower end. Two bunches of
+  feathers are attached to each edge of it, and a bunch at the top. The
+  form of the ornamentations is shown in Fig. 556; the colors employed
+  in these ornamentations are brilliant red, yellow, blue, and black.
+  The entire design is intended to represent the body of a human being.
+  These objects are carried in the hand in their dances.
+
+2093-2097. 2093, (41927); 2094, (41928); 2095, (41929); 2096, (41930);
+  2097, (41931). These are other examples which are well represented in
+  Fig. 555.
+
+2098-2100. 2098, (41932), Fig. 557; 2099, (41933); and 2100, (41934),
+  are sticks, carried in the main dance. They represent lightning.
+
+2101-2102. 2101, (41935), and 2102, (41936). Small notched sticks,
+  ornamented with blades of grass and wild-turkey feathers; carried in
+  the dance.
+
+2103-2106. 2103, (41937); 2104, (41938); 2105, (41939); 2006, (41940).
+  Wooden objects highly colored with various devices depicted on them.
+  These are worn on the head in dances. Mowers are represented on some;
+  on others, the human face, &c. Fig. 558, an illustration made from one
+  of them.
+
+2107-2108. 2107, (41941), and 2108, (41942). Small frames, over which
+  canvas is stretched, to the edges of which are attached various small
+  ornaments; used in dances.
+
+2109. (41943). Small hoop with canvas stretched over it, on which are
+  painted five small objects like stars, used in dances.
+
+2110. (41944). Leather dance-mask, painted.
+
+2111. (41945). Dance-mask.
+
+2112. (41946). Pair of split horns worn in dances.
+
+2113. (41947). Head-dress made in the form of scallops.
+
+2114. (41948). Head-dress of painted sheep-horns.
+
+2115. (41949). Head-dress crown made of basket-ware, to which are
+  attached three projections intended for horns, Fig. 559.
+
+2116. (41950). Corn-husk ornament for the dance.
+
+2117-2118. 2117, (41671), and 2118, (41972). Wooden objects made in
+  imitation of a sun-flower, with zigzag or snake-like sticks attached
+  to them, which are used as ornaments in the corn dance, called
+  _pah-wah_.
+
+2119-2120. 2119, (41673), and 2120, (41674). Shuttle-cocks, made by
+  inserting the ends of two hawk-feathers in a small block. They are
+  carried in dances.
+
+2121. (42042). Dance-rattle made from a small gourd, embellished in
+  colors of black, red, and white. The gourd is perforated at each side,
+  through which a stick is passed for a handle, cross S’s on each side.
+  See Fig. 562.
+
+2122. (41982). Notched stick, with shoulder blade of sheep or deer, for
+  musical instrument. See Fig. 561.
+
+2123-2124. 2123, (41983), and 2124, (41984). Notched sticks without the
+  bone.
+
+2125. (41701). Dance ornaments, called _tau-ah-qu-la_, made by attaching
+  semi-circular sticks or hoops to a small pole; ornamented with colors.
+
+2126-2129. 2126, (41702); 2127, (41703); 2128, (41704); 2129, (41705),
+  are ornaments of the same character as the preceding.
+
+2130. (41857). Painted gourd-rattle for dances, of which the following
+  numbers are specimens variously ornamented:
+
+2131-2135. 2131, (41858); 2132, (41859); 2133, (41860); 2134, (41861);
+  2135, (41862), of which the illustration of the latter is an example.
+  See Fig. 560.
+
+  [Illustration:
+  Fig. 559 (41949) (⅙)
+  Fig. 560 (41862) (⅓)
+  Fig. 561 (41982) (⅙)
+  Fig. 562 (42042) (½)
+  Fig. 563 (41752) (¼)
+  Fig. 564 (41877) (¼)
+  Fig. 565 (41922) (¼))
+  Figs. 559-565.--Wolpi Head-dress, Ornaments, &c.]
+
+  [Illustration:
+  Fig. 566 (41959) (⅕)
+  Fig. 567 (41953) (⅕)
+  Fig. 568 (41967) (¼)
+  Fig. 569 (41956) (⅕)
+  Figs. 566-569.--Wolpi Effigies.]
+
+2136. (41883). Flat wooden block, painted, for head ornament.
+
+2137. (41884). Cylindrical blocks, with a cup-shaped cavity in one end,
+  used as gaming blocks.
+
+2138-2139. 2138, (41885), and 2139, (41886), are specimens of this block
+  called _sosh-he-wey_.
+
+2140. (41887). Spherical grooved block, painted to represent a melon,
+  used in the melon dance.
+
+2141. (41918). Wooden top, _ree-am-pee_.
+
+2142. (41920). Wooden balls, probably to represent eyes.
+
+2143. (41921). Ball attached to the end of a painted stick, the use of
+  which is not known; probably used in connection with dancing
+  ceremonies.
+
+2144. (41900). Small implement of wood used as a dance ornament.
+
+2145. (41752). Wooden ornament for the head, worn in dancing ceremonies.
+  Two little leather balls are attached to the dotted end; shown in Fig.
+  563.
+
+2146. (41754). Two small wooden balls with black ends and a white band
+  around the middle; a dance ornament.
+
+2147. (41756). Ornaments for the wrist; made of wooden rings.
+
+2148. (41753). A similar object, painted in various bright colors.
+
+2149-2150. 2149, (41881), and 2150, (41882), are slatted wooden
+  cylinders with conical blocks attached to them. Ornaments for dancing
+  ceremonies.
+
+2151. (41876). Wooden ball attached to slatted gourd-neck, used as an
+  ornament in the dance.
+
+2152. (41877). See Fig. 564.
+
+2153-2154. 2153, (41878), and 2154, (41879). Specimens varying from the
+  preceding only in colors.
+
+2155. (41922). Necklace of acorn hulls, _tuck-we-tah-qua-we_. Fig. 565.
+
+2156. (41923). The same kind of an ornament.
+
+_STATUETTES._
+
+These objects vary in form, size, and decoration, the largest being
+about thirty inches high, the smallest not more than five. They are
+objects of worship in one form or another. The illustrations in the
+woodcuts and colored plates will convey a better idea of them than could
+be given in a description. They are entirely composed of wood, with
+feathers and other small ornaments attached to them occasionally.
+
+2157. (41951). This is the largest one of these images in the
+  collection, very highly ornamented with bright variegated colors. See
+  Fig. 571.
+
+2158. (41952). One of these objects, differing only in size and manner
+  of decoration.
+
+2159. (41953). This is a specimen of one of these images exhibited in
+  Fig. 567. The form is common to many of them, showing the pyramidal
+  projections attached to the head, with feathered tips.
+
+2160-2161. 2160, (41954), and 2161, (41955). Similar objects.
+
+2162. (41956). Fig. 569. This exhibits a female figure with variegated
+  colors, and in addition to the pyramidal projections from the head has
+  two round sticks with a ball and crown.
+
+2163-2164. 2163, (41957), and 2164, (41958). Similar to Fig. 569.
+
+2165. (41959). Fig. 566. The general characteristics of this specimen
+  are the same as those already referred to, but it differs in the
+  arrangement of the head attachments; two rows of pyramids are shown;
+  the lower one is inverted; the two rows are separated by three arches;
+  the upper pyramids are ornamented at the tips with feathers. A
+  necklace of acorn hulls is around the neck, with a shell ornament
+  attached to it. Garters are represented at the knees. In this
+  specimen, as in many others, the feet are only represented by stubs.
+  The body is decorated to represent fancifully colored clothing.
+
+2166-2168. 2166, (41960); 2167, (41961); 2168, (41962). Similar to the
+  preceding.
+
+2169. (41963). This is well shown in Fig. 570.
+
+2270-2172. 2170, (41964); 2171, (41965); 2172, (41966). Objects of the
+  same character.
+
+2173. (41967). This specimen (Fig. 568) differs considerably in form
+  from those previously mentioned. As will be observed by reference to
+  the figure, it has a conical projection from the top of the head,
+  representing a hat with a feather at the top, with two short, round
+  blocks at the base of the hat, and two round balls to represent ears.
+  The skirt is of cloth. The specimen is brilliantly decorated with
+  paint.
+
+2174. (41968). Shows the form and details of carving, highly colored.
+
+2175. (41969). A brilliantly colored image, which is well shown in
+  colors in Fig. 572.
+
+2176-2180. 2176, (21970); 2177, (41971); 2178, (21972); 2179, (21973);
+  2180, (41974), are similar objects.
+
+
+ANIMAL SUBSTANCES.
+
+_HORN AND BONE._
+
+2181. (40113). Large ladle from horn of mountain sheep, called
+  _ál-ly-ku_. See Fig. 573.
+
+2182-2188. 2182, (41891); 2183, (41892); 2184, (41893); 2185 (41894);
+  2186 (41895); 2187 (41897); and 2188 (41898). No. 2182 is a bone awl
+  or perforator, of which the others are examples, as shown in Fig. 575.
+
+2189-2192. 2189, (41990); 2190, (41991); 2191, (41992); 2192, (41193).
+  Goats’ horns perforated with small round holes, through which arrow
+  shafts are passed to smooth and straighten them. Fig. 576 is an
+  illustration of one of them, called _hoth-quen_.
+
+  [Illustration:
+  Fig. 570 (41963)
+  Fig. 571 (41951)
+  Fig. 572 (41969)
+  Figs. 570-572.--SHINUMO STATUETTES. ¼ NATURE]
+
+  [Illustration:
+  Fig. 573 (40113) (¼)
+  Fig. 574 (41855) (⅓)
+  Fig. 575 (41891) (⅓)
+  Fig. 576 (41992) (¼)
+  Figs. 573-576.--Wolpi Ladle, Rattle, &c.]
+
+2193-2196. 2193, (41994); 2194, (41995); 2195, (41996); 2196, (41997).
+  Bundles of arrow shafts.
+
+2197. (41855). Bunch of ox hoofs or toes used as a rattle in dances.
+  These same objects are frequently attached to the edges of turtle
+  shells for the same purpose. See Fig. 574 in Zuñi collection.
+
+2198-2199. 2198, (41763), and 2199, (41764). Small hoops with painted
+  net-work stretched across them; dance ornaments.
+
+2200-2201. 2200, (42346), and 2201, (42347). Shell ornaments,
+  _ya-wag-sha-na._
+
+2202. (41854). Medicine shells.
+
+_SKIN._
+
+2203. (41737). Cap made from the skin of a panther’s head, with feathers
+  attached to the top of it, called _pow-how-wi-ta-nah-chi_.
+
+2204. (41738). Head-dress made of the skin of a panther’s head, so as to
+  preserve the natural appearance of the animal, with feather ornaments
+  attached.
+
+2205. (41740). Fur cap, ornamented with feathers.
+
+2206. (41743). Boy’s sling, _tow-wow-kin-pi_.
+
+2207. (41842). Large rabbit-skin robe, made by twisting strands of
+  rabbit-skins with the fur attached, and then sewing the strands
+  together, _tah-ru-pe_.
+
+2208. (41843). Small robe of the same character.
+
+2209. (42354). Buckskin wrist-guards, faced with metal, Fig. 579. These
+  guards are common with nearly all tribes of Indians, and are designed
+  to protect the wrist from the string of bows used in war and in
+  hunting.
+
+2210. (41869). Women’s buckskin leggings.
+
+2211. (41870). Women’s buckskin leggings.
+
+2212. (41739). Anklet of buckskin, _pi-la-wak-chi_.
+
+2213. (41741). Anklet of buckskin.
+
+2214. (41828). A pair of men’s moccasins, which the accompanying
+  illustration shows well. They are made of buckskin, but differ from
+  the usual manner of making moccasins, called _pow-chi_. See Fig. 578.
+
+2215. (41721). Baby’s moccasins, _tow-tow-chi-we-ha_.
+
+2216. (41722). Pair child’s moccasins, _tow-tow-chi-we-ha_.
+
+2217. (41723). Woman’s moccasins, _tow-chi_.
+
+2218. (41829). Pair of child’s moccasins, _pow-tow-chi-u-wez-ha_. The
+  following are specimens of children’s moccasins:
+
+2219-2222. 2219, (41830); 2220, (41831); 2221, (41832); 2222, (41833).
+
+2223. (41755). Small gaming ball covered with goat skin.
+
+2224. (41745). Buckskin paint bag, beaded.
+
+2225. (41746). Buckskin paint bag, beaded.
+
+2226. (41747). Buckskin paint bag, ornamented with fringe.
+
+2227. (41748). Buckskin paint bag, ornamented with fringe.
+
+2228. (41827). Deer-skin pouch, _la-hab-ush-i-wa_.
+
+2229. (41657). Small deer-skin quiver and one arrow.
+
+2230. (41841). Buckskin embroidered with beads.
+
+2231. (41871). Buckskin dyed black.
+
+2232. (41872). Buckskin dyed black.
+
+2233. (41873). Buckskin dyed black.
+
+2234-2235. 2234, (41717), and 2235, (41719), are riding whips made of
+  plaited leather or raw-hide, called _wi-wa-pi_. See Fig. 580.
+
+2236. (41176). A flat drum, made by stretching goat-hide over a wide
+  hoop, and tightened by lacing crosswise around the edge with a cord of
+  the same hide. One side is plain, the other is decorated with a
+  figure, which is not interpreted. This specimen is from Shinumo, but
+  it does not differ from those used by many of the other Pueblo tribes.
+  Fig. 581.
+
+2237. (42351). Fig. 577. Leather wristlets, ornamented with wild turkey
+  feathers.
+
+2238-2239. 2238, (42352), and 2239, (42353), are objects of the same
+  kind, differing somewhat in ornamentation.
+
+2240. (42354). Ornamental wristlets with metal facing.
+
+2241. (42355). Buckskin wrist-guard, to protect the wrist from the
+  bowstring when shooting arrows.
+
+2242-2243. 2242, (42356), and 2243, (42357), are similar objects, made
+  of leather.
+
+2244. (42358). Anklets of leather or rawhide strips.
+
+2245. (42359). Anklets.
+
+2246-2247. 2246, (41749), and 2247, (41750). Leather bags for fire
+  stones.
+
+2248. (41850). Leather attachments for moccasins.
+
+2249. (41765). Leather gaming ball, _tat-chi_.
+
+2250. (41758). Leather or rawhide lash rope with rings, called
+  _pe-qui-sha_.
+
+2251. (41874). Specimen of undressed rawhide.
+
+2252. (41875). Rawhide bag, painted, _cah-he-ne-si-vah_.
+
+2253. (41844). Narrow strip of canvas, painted to represent some
+  fanciful feature. The following are specimens of the same:
+
+2254-2258. 2254, (41845); 2255, (41846); 2256, (41847); 2257, (41848);
+  2258, (41849).
+
+_WOVEN FABRICS._
+
+2259. (41834). Woven belts or sashes, of which the following are
+  examples, and which are well shown in colors by Figs. 582 and 583:
+
+2260-2269. 2260, (41713); 2261, (41803); 2262, (41255); 2263, (41823);
+  2264, (41835); 2265, (41836); 2266, (41837); 2267, (41838); 2268,
+  (41839); 2269, (41840).
+
+2270. (41718). Woven waist belt, ornamented with sheep and goats’ toes,
+  attached to the lower edge of the belt.
+
+2271. (41751). Head ornament of braided hair.
+
+  [Illustration:
+  Fig. 577 (42351)
+  Fig. 578 (41828) (⅕)
+  Fig. 579 (42354) (⅓)
+  Fig. 580 (41719) (⅙)
+  Fig. 581 (41176) (⅙)
+  Figs. 577-581.--Wolpi Wristlets, Moccasins, etc.]
+
+  [Illustration:
+  Fig. 582 (41255)
+  Fig. 583 (41823)
+  Figs. 582-583.--SHINUMO BLANKETS. ¼ NATURE]
+
+2272. (42361). Flat circular pad, composed of hair, over which the
+  Shinumo women wear their hair, which appears like two wheels over the
+  ears.
+
+2273. (41767). Head ornament for flower dance, called _tah-chi_.
+
+2274. (41769). Ornament similar to the preceding.
+
+2275. (41766). Maiden’s hair strings for head-dress, called
+  _chi-ca-ha-pi_.
+
+2276. (41735). Rosette for head-dress in dance.
+
+2277. (41736) Rosette with hair tufts attached; dance ornament for the
+  head.
+
+2278. (41744). Woolen tassel, ornament for dress.
+
+2279. (41762). Neck ornament, with feathers attached, called
+  _how-wah-he-qua-wi_.
+
+2280. (41759). Feather charms.
+
+2281. (41761). Woven band for the head, called _mong-at-a_.
+
+  [Illustration:
+  Fig. 584 (42365) (¼)]
+
+2282. (42365). Fig. 584. Anklets, ornamented with porcupine quills; some
+  are beaded.
+
+The following are specimens of the anklets, variously ornamented:
+
+2283-2286. 2283, (42362); 2284, (42363); 2285, (42364); 2286, (42366).
+
+2287. (41742). Woman’s knit leggings.
+
+2288. (41826). Woven hair sinch or saddle-girt, _ah-chis-clah_.
+
+2289. (41757). Braided lasso or lariat.
+
+
+
+
+COLLECTIONS FROM LAGUNA.
+
+
+ARTICLES OF CLAY.
+
+_WATER VASES._
+
+These are mostly of the usual form, though some should, probably on
+account of their shape, be designated as jars. A few have the margin
+undulate, and some are without any distinct neck.
+
+They are generally well made and very symmetrical, of white ware, with
+decorations in black, brown, or red colors.
+
+2290. (41295). Small, with opposite handles or ears, resembling rats
+  peeping into the vessel; body decorated with broad oblique stripes and
+  figures resembling corn blades. Shown in Fig. 585.
+
+2291. (42382). Small, decorated with birds fighting, their feathers
+  ruffled. Fig. 612.
+
+2292. (42384). Small, with a single broad undulate band around the body,
+  having a white stripe in the middle marked with a row of dots.
+
+2293. (42385). Fig. 586. Scalloped and straight band around the neck;
+  body with two interlaced undulate bands, with triangles alternately in
+  the inclosed and upper spaces.
+
+2294. (42380). Red base, upright black bands in the center, with brown
+  band below neck, and oblique bars extending from rim downward. See
+  Fig. 610.
+
+2295. (42381a). Fig. 587. The leaves in the decorations of this piece
+  are probably designed to represent corn blades. There is something
+  about the figures here used which leads one to believe they are, in
+  part, at least, symbolical.
+
+2296. (42386). Fig. 588. Large. Large flower ornaments surrounding large
+  birds with crests and ruffled feathers, one in each space. The
+  large-billed bird may be intended for a raven; the other the
+  California quail.
+
+2297. (42387). Small margin, with images of three birds with spread
+  wings on it; figures of two birds, with a few small flowers covering
+  the body. See Fig. 611.
+
+2298. (42388). Small. Zigzag band around the neck; figures on the body
+  as in Fig. 585.
+
+2299. (42389). Jar-shaped; zigzag band extending on neck and shoulder; a
+  straight and scalloped band just below the shoulder.
+
+2300. (42390). No neck, broadest near the top; birds, and flowers with
+  stem. Small.
+
+2301. (41391). Without neck; birds only, small.
+
+2302. (42392). Without neck. Birds picking grass. Small flowers.
+
+2303. (42393). Scalloped margin; birds only, small.
+
+2304. (42394), Fig. 589. Scalloped margin. Deer, which seems to be
+  biting the leaves of a plant.
+
+2305. (42395). Fig. 590.
+
+2306. (42396). Jug-shaped, scalloped margin, with four bands of
+  crescents on the body.
+
+2307. (42397). Jug-shaped, with square month; zigzag line around the
+  neck. Scrolls and oblique diamond figures on the body; small.
+
+2308. (42398). Fig. 591. Ears in the form of animals peeping into the
+  vessel.
+
+2309. (42399). Small, with crude images of animals on the margin; birds
+  alone on the body.
+
+2310. (42400). Small; no neck, square mouth; image of a rabbit at each
+  corner on the rim; birds and checkered square on the body.
+
+2311. (42401). Small and similar to preceding, except that there are
+  only corn leaves and a little square on the body.
+
+2312. (41402). Similar in form to the preceding; image of an animal at
+  one corner only; zigzag line around the neck; double undulate line
+  around the body, with dots above and below.
+
+2313. (41403). Similar to No. 2310, except that it is more slender and
+  jar-shaped; image of a dog or coyote at each corner; figure of a ladle
+  and a diamond on the body.
+
+  [Illustration:
+  Fig. 585 (41295) (⅓)
+  Fig. 586 (42385) (⅓)
+  Fig. 587 (42381) (¼)
+  Figs. 585-587.--Laguna Water Vases.]
+
+  [Illustration:
+  Fig. 588 (42386) (¼)
+  Fig. 589 (42394) (⅓)
+  Fig. 590 (42395) (⅓)
+  Fig. 591 (42398) (⅓)
+  Fig. 592 (41298) (⅓)
+  Figs. 588-592.--Laguna Water Vessels.]
+
+  [Illustration:
+  Fig. 593 (41299) (½)
+  Fig. 594 (42412) (⅓)
+  Fig. 595 (42413) (⅓)
+  Fig. 596 (42409) (⅓)
+  Figs. 593-596.--Laguna Water Jars.]
+
+2314. (41404). Jar-shaped, with a round mouth, one animal on the margin;
+  triangular lines on the body.
+
+2315. (42406). Regular shaped olla of medium size; large figure of leaf
+  twigs arranged in the form of a Maltese cross, surrounded on the side
+  by broad curved lines or stripes.
+
+The following are but slightly decorated:
+
+2316-2317. 2316, (42376), and 2317, (42378). With one or two simple
+  narrow bands or lines.
+
+2318. (42780). With slight oblique lines on the neck, and a few broad
+  upright lines in two groups on the body.
+
+2319-2320. 2319, (42379), and 2320, (42381b). Without decorations of any
+  kind.
+
+_WATER JUGS AND JARS._
+
+2321. (41299). Fig. 593, Canteen with the images of four dogs or coyotes
+  on it. Leaf decorations.
+
+2322. (41300). Canteens, regular form. Irregular figures.
+
+2323. (42412). Fig. 594. Canteen of regular form, scalloped band, leaves
+  and geometrical figures.
+
+2324. (42413). Fig. 595. Olla-shaped canteen. The top is depressed and
+  ornamented with a scalloped band; immediately below this is a broad
+  band consisting of two plain, narrow stripes, between which is a row
+  of oblong figures arranged in a zigzag pattern; around the middle of
+  the vessel there is a sparsely serrate band, interrupted at intervals
+  by small circles, in each of which there is the form of a cross.
+
+2325. (42409). Fig. 596. The ornamentation on this piece is rather
+  peculiar and worthy of attention, especially the bands around the
+  columns.
+
+2326. (42411). Double pepper and salt box, square form, with two handles
+  side by side; birds mounted on the handles; figures of elk on the
+  sides and ends in procession.
+
+2327. (42475). Moccasin; rude.
+
+_PITCHERS._
+
+These are well formed, evidently in imitation of those introduced by the
+white population. All similar in form, with handles. White ware with
+decorations; of medium size.
+
+2328. (41298). Shown in Fig. 592.
+
+2329. (42405). Diamond scroll in the upper zone; a band of triangles
+  with points directed upward in lower zone.
+
+2330. (42406). Flower or rosette in upper zone, one on each side; no
+  other figures.
+
+2331. (42407). Broad band around the neck, from which two long-pointed
+  triangles or acuminate figures point downwards; then another simple
+  straight band, and below this a zigzag band.
+
+2332. (42408). Scroll band around the neck; a band of hour-glass figures
+  around the shoulder.
+
+2333. (42410). With an undulate band around the bowl.
+
+_EFFIGIES._
+
+These are of white decorated ware, and in the form of birds and
+quadrupeds; the orifice being usually in the top of the head, but in
+birds it is occasionally at the tail, and in the quadruped forms
+sometimes in the breast.
+
+Birds.
+
+These are frequently without feet, &c.; one or two double ones are on
+pedestals.
+
+2334-2347. 2334, (41301); 2335, (41302), Fig. 597; 2336, (41303), Fig.
+  598; 2337, (41304); 2338, (41305); 2339, (42414), Fig. 608; 2340,
+  (42415), Fig. 599; 2341, (42418), Fig. 609; 2342, (42419); 2343,
+  (42423); 2344, (42426); 2345, (42427); 2346, (42428); 2347, (42429),
+  are all similar to that represented in the Figures; some of them are
+  intended to represent other birds than ducks.
+
+2348. (42417). Fig. 600. With two heads on a pedestal.
+
+2349. (42420). Two heads, but not on a pedestal; a handle on the back in
+  the form of a fox or dog. See Fig. 605.
+
+2350-2352. 2350, (42421); 2351, (42422); 2352, (42424). Similar to those
+  shown in Fig. 598, but the decorations are scrolls and triangular
+  figures. The first has a flower or rosette on the breast.
+
+2353. (42425). Two-headed; not on pedestal; lines, triangles, &c.
+
+2354. (42435). With a crest and long tail; apparently a rooster.
+
+Quadrupeds.
+
+2355. (41306). Fig. 601. This represents a sheep. The orifice is in
+  front of the head.
+
+2356-2357. 2356, (41307), Fig. 609, and 2357, (41309). These are
+  probably intended for sheep, but they are so rude that it is not
+  possible to determine with any certainty. Bark colored.
+
+2358. (41308). A cow; although rude, the characteristics are well given,
+  even to the hoofs and udder; spotted on the back and breast. Coloring
+  on the sides intended to represent hair.
+
+2359. (42430). Shown in Fig. 606.
+
+2360. (42431). Fig. 602. This and the preceding figure are evidently
+  intended to represent rabbits.
+
+2361-2362. 2361, (42432), and 2362, (42433). Similar to the last;
+  apparently intended for a figure of the ass (_Burro_), though the
+  spots on the former are inappropriate. The latter is decorated on the
+  side with the figure of another quadruped.
+
+2363. (42434). Animal unknown.
+
+2364-2365. 2364, (42436), and 2365, (42437). Animal not determinable;
+  decorated with spots.
+
+  [Illustration:
+  Fig. 597 (41302) (⅓)
+  Fig. 598 (41303) (⅓)
+  Fig. 599 (42415) (½)
+  Fig. 600 (42417) (⅓)
+  Figs. 597-600.--Laguna Effigies.]
+
+  [Illustration:
+  Fig. 601 (41306) (⅓)
+  Fig. 602 (42431) (⅓)
+  Fig. 603 (42438) (⅓)
+  Fig. 604 (42444) (⅓)
+  Figs. 601-604.--Laguna Effigies.]
+
+  [Illustration:
+  Fig. 605 (42420)
+  Fig. 606 (42430)
+  Fig. 607 (41307)
+  Fig. 608 (42414)
+  Fig. 609 (42418)
+  Figs. 605-609--LAGUNA POTTERY. ⅓ NATURE.
+
+  [Illustration:
+  Fig. 610 (42380)
+  Fig. 611 (42387)
+  Fig. 612 (42382)
+  Fig. 613 (42473)
+  Fig. 614 (42469)
+  Fig. 615 (42471)
+  Figs. 610-615.--LAGUNA POTTERY. (1/[illegible]) NATURE.]
+
+  [Illustration:
+  Fig. 616 (41297) (½)
+  Fig. 617 (42452) (⅓)
+  Figs. 616, 617.--Laguna Eating Bowls.]
+
+2366-2371. 2366, (42438), Fig. 603; 2367, (42439); 2368, (42440); 2369,
+  (42441); 2370, (42442); 2371, (42443). Antelope and elk. The first is
+  evidently an antelope, and possibly the third and fifth. The rest are
+  certainly elk. Decorations simple.
+
+2372. (42444). Probably a dog or coyote, with scrolls and diamond
+  figures. See Fig. 604.
+
+2373. (42445). Probably a horse.
+
+Human figures--dolls.
+
+2374-2377. 2374, (42447); 2375, (42448); 2376, (42449); 2377, (42450).
+  Females; simple.
+
+2378. (42446). Is a pretty fair representation of a chair.
+
+_EATING BOWLS._
+
+The Laguna bowls are mostly of two sizes, either large or small. The
+former are eating bowls and are of the general form, or perhaps more
+hemispherical than usual. The small ones vary in shape from the
+preceding form to that of a flat-bottomed basin. The decorations present
+but little similarity to those we have previously described from other
+tribes; white ware with colored decorations.
+
+Small bowls. Decorations all external:
+
+2379. (41296). Square mouth, with two sides somewhat flattened. Scrolls
+  and leaf-like figures on the outside.
+
+2380. (41297). Fig. 616. Shown in the figure.
+
+2381. (42451). Basin-shaped, with a handle on one side and a lip on the
+  other; simple marginal and basal band with oblique lines.
+
+2382. (42452). Fig. 617. Same form, with handle on which is seated some
+  animal, apparently a dog, no lip. Band of diamond figures with central
+  spaces. These two are the only specimens which have handles.
+
+The following are quite small, basin-shaped, decorated with leaflike
+figures:
+
+2383-2388. 2383, (42453); 2384, (42454); 2385, (42457); 2386, (42458);
+  2387, (42459); 2388, (42460).
+
+The two following are small, of regular form:
+
+2389. (42455). With two zigzag lines around the body.
+
+2390. (42456). With geometrical figures.
+
+Large bowls.
+
+2391. (41265). No external decorations; radiating lines and large spaces
+  inside.
+
+2392. (42474). Inner zigzag marginal line as on Zuñi bowls; outer
+  decorations also somewhat like the usual triangular figures on the
+  Zuñi bowls.
+
+The following are without inner decorations:
+
+2393-2395. 2393, (42466); 2394, (42468); 2395, (42472). With broad band
+  of geometrical figures; the first with a narrow scalloped band
+  bordering the large band below.
+
+2396-2397. 2396, (42461), and 2397, (42473), Fig. 613. With irregular
+  geometrical figures; no band.
+
+2398. (42469). With diamond marginal band; irregular figures below. Fig.
+  614.
+
+2399. (42470). The large circular scroll with irregular figures; no
+  band.
+
+2400. (42471). Scalloped circle with a square in it, and leaf-like
+  figures. Fig. 615.
+
+
+
+
+COLLECTIONS FROM ACOMA.
+
+
+ARTICLES OF CLAY.
+
+_WATER VASES._
+
+There are but few pieces of this pottery, yet a careful examination of
+these since my return increases my desire to procure more. The Acoma
+bears a strong resemblance, especially in the ornamentation, to that
+from Laguna. All that was obtained was of white ware with decorations in
+color. In this pottery, in most cases where animals are figured, they
+have a base or ground on which to stand.
+
+2401. (39578). Medium size, figures of birds, ant-hills, and cactus. No
+  band on the neck.
+
+2402. (39581). Fig. 618.
+
+2403. (39582). Very pretty specimen, quite symmetrical, broad
+  jar-shaped, a scalloped band on the neck with little tassels suspended
+  from it, possibly intended to imitate fringe. Large triangles on the
+  body pointing to the right, each tipped with a flower.
+
+2404. (39730). Small scalloped band around the neck similar to Fig. 624.
+
+2405. (41310). Large double band of triangles on the neck; body with a
+  band of large diamonds, or squares placed as diamonds, with checkered
+  centers and crescents.
+
+2406. (41313). No band on the neck; birds and ant hills.
+
+2407. (41314). No band on neck; large elk and some irregular figures.
+
+2408. (41315). No band on neck; bird on the ground amid leaves and
+  flowers.
+
+2409. (41316). Fig. 619. The ornamentation on this is more than usually
+  spirited.
+
+2410. (41318). Scalloped margin, no neck-band; belt of large open
+  diamonds around the body, each upper corner capped with three leaves.
+  See Fig. 621.
+
+2411. (41317). Large size; a double band of crescents around the neck;
+  then on the shoulder an arched band with a central stripe of diamonds;
+  below this a double line of inverted crescents, and below this a large
+  three-leafed plant. See Fig. 620.
+
+  [Illustration:
+  Fig. 618 (39581) (¼)
+  Fig. 619 (41316) (¼)
+  Figs. 618, 619.--Acoma Water Vases.]
+
+  [Illustration:
+  Fig. 620 (41317)
+  Fig. 621 (41318)
+  Fig. 622 (42377)
+  Figs. 620-622.--ACOMA POTTERY. ⅕ NATURE.]
+
+2412. (42378). Plain.
+
+2413. (42383). Small, with lines of outline crescents around the body.
+
+2414. (42377). See Fig. 622.
+
+_PITCHERS._
+
+White decorated ware with handles:
+
+2415. (41311). Regular form, of medium size, with a broad zigzag band
+  around the neck and another around the body. The latter has in each
+  large fold something like an arrow-head with point broken off.
+
+2416. (41312). Olla-shaped neck with snort oblique bands; body with
+  large and small triangles.
+
+_EATING BOWLS._
+
+The following specimens are small:
+
+2417. (42461). Shaped exactly like the small soup bowl in use at the
+  present day among the whites; with foot encircled by a vine with
+  well-formed leaves. A pretty piece.
+
+2418. (42462). Regular form, with an outline zigzag band.
+
+2419. (42463) and (42464). Very small, conical in shape, the former
+  marked with slender lines running around it, the latter with dots.
+
+
+
+
+COLLECTION FROM COCHITI.
+
+
+ARTICLES OF CLAY.
+
+_WATER VESSELS._
+
+Size: height 6 to 9 inches, diameter 6 to 15 inches.
+
+These are of the same form as those of Zuñi, but the curves and outlines
+are much more graceful, and there is a delicacy in the finish which
+places them above the Zuñi pottery and indicates a greater freedom and
+confidence in the ceramic artist. The rim is often slightly flared, the
+neck more distinct and regularly formed.
+
+The only figure given of this interesting group is not one of the
+regularly formed specimens. They are all white ware with decorations in
+black.
+
+2420. (39501). Scalloped band around the neck; body divided into three
+  compartments by upright double lines with rosette in one and twigs in
+  the others.
+
+2421. (39502), Pueblo or terraced figures around the body bordered by an
+  undulate line below. This is of special interest.
+
+2422. (39503). Decorated with sunflower, the stem and leaves on the
+  body; straight and undulate lines around the neck.
+
+2423. (39504). Decorated with straight and undulate bands.
+
+2424. (39505). With figures of birds on the neck; and a tolerably well
+  executed true meander or Greek fret around the body. Evident imitation
+  of European pattern.
+
+2425. (39506). Straight and undulate lines on the neck, triangle
+  pointing downwards, leaves and insects on the body.
+
+2426. (39509). Depressed; with rosettes and geometrical figures on the
+  upper half of the body.
+
+2427. (39634). Globular in form, without neck; scalloped marginal band;
+  figures of chickens on the body.
+
+2428. (39731). Fig. 624. Small size.
+
+2429. (39733). Small size, similar in form to the preceding, with
+  scalloped band around the neck, and scalloped arches on the body.
+  Shown in Fig. 623.
+
+Globular vessels with handles, used for holding water. These are of two
+forms: those which are almost or quite spherical, with wide month at the
+top; and those which resemble tea-pots, and open through a spout in the
+form of the head of a bird or other animal. These are sometimes
+globular, with opening at the top. Size shown in the illustrations.
+
+2430. (39557). Undulate band around the margin; figures of fish on the
+  body.
+
+2431. (39558). Undulate line round the margin; figures of deer, bird,
+  and fruit.
+
+2432. (39559). With figures of triangles and leaves on the body.
+
+2433. (39560). With head of a bird projecting from one side; marked with
+  outline triangular and lunar figures on the body.
+
+2434. (39561). Head of an animal projecting from one side.
+
+Canteen-shaped vessels, with openings through a spout in the form of the
+head of some animal. In some instances, where these are in the form of a
+bird with the head for a spout, at the opposite end or side is the
+representation of a tail, but often the latter is wanting. Handle
+single, and usually on the top, unless otherwise specially mentioned.
+
+2435-2436. 2435, (39563), and 2436, (39567). These are bird-shaped, with
+  simple meander bands round the neck, and procession or herd of sheep
+  or goats on the body. Head and tail shown. The former is seen in Fig.
+  625.
+
+2437. (39564). Form of a bird without tail; decorations simple.
+
+2438. (39565). Shown in Fig. 626.
+
+2439. (39568). Bird without tail; figure of an Indian with a gun in his
+  hand, leading a calf followed by a cow.
+
+2440. (39569). Bird with rude tail; figures of fishes and bird and a
+  scalloped band below.
+
+2441. (39570). Bird without tail; feather figures on breast; oblique
+  checkered band to represent wing.
+
+  [Illustration:
+  Fig. 623 (39733) (⅓)
+  Fig. 624 (39731) (⅓)
+  Figs. 623, 624.--Cochiti Water Vessels.]
+
+  [Illustration:
+  Fig. 625 (39563) (⅓)
+  Fig. 626 (39565) (⅓)
+  Figs. 625, 626.--Cochiti Water Vessels.]
+
+  [Illustration:
+  Fig. 627 (39573) (⅓)
+  Fig. 628 (39720) (⅓)
+  Figs. 627, 628.--Cochiti Water Vessels.]
+
+  [Illustration:
+  Fig. 629 (39725) (⅓)
+  Fig. 630 (39511) (⅓)
+  Figs. 629, 630.--Cochiti Water Vessels.]
+
+  [Illustration:
+  Fig. 631 (39717) (⅓)
+  Fig. 632 (39721) (⅓)
+  Figs. 631, 632.--Cochiti Water Vessels.]
+
+  [Illustration:
+  Fig. 633 (39718) (⅓)
+  Fig. 634 (39714) (⅓)
+  Figs. 633, 634.--Cochiti Water Vessels.]
+
+2442. (39571). With two heads opposite, handle crosswise between them;
+  serrate bands around the necks; figures of birds on the body.
+
+2443. (39572). Representing a double-headed duck, with a single tail at
+  opposite end; square handle; outline flower or rosette on the body.
+
+2444. (39573). Form and decorations shown in Fig. 627. Probably intended
+  for a dog.
+
+2445. (39574). Form like preceding; decorations, fish, and grass; latter
+  well shown.
+
+2446. (39575). Similar in form to preceding, but with the fore-legs
+  added. Decorations, collar or band around the neck and fish, on the
+  body.
+
+2447. (39579). Without handle, canteen-shaped, with dark head on one
+  side; decorated with flowers and birds.
+
+2448. (39696). Bird’s head on top, tail present, no handle; jug-shape;
+  feather on back, scrolls and flower on the side.
+
+2449. (39697). Animal’s head; no tail; open on top as well as through a
+  spout; scalloped margin; birds and twigs on the body.
+
+2450. (39698). Similar in form to the preceding, and with similar
+  decorations.
+
+2451. (39699). Similar in form, but not open on top. Man, boy, and
+  birds, with lines or shading to represent the ground.
+
+2452-2458. 2452, (39701); 2453, (39713); 2454, (39715); 2455, (39720);
+  Fig. 628; 2456, (39725), Fig. 629; 2457, (39727); 2458, (39730). These
+  are somewhat of bird form, with globular body and without tail. Nos.
+  2455, 2456, and 2457 are open on top, the others are not. Decorated
+  with figures of birds, and sometimes flowers or twigs. The bird
+  figures on No. 2453 (39713) are evidently intended for turkeys. This
+  is without handle, and open at the top.
+
+2459. (39700). Bird without tail; figures of deer and some other animal,
+  also trees.
+
+2460. (39703). Duck-shaped, without tail; rude figures of animals and
+  birds.
+
+2461. (39511). Fig. 630.
+
+2462. (39704). Bird-shape, no tail; outline figures of Indians.
+
+2463-2465. 2463, (39706); 2464, (39712); 2465, (39721), Fig. 632. Usual
+  bird form as shown, and with similar animal figures.
+
+2466. (39705). Resembles specimen shown in Fig. 629.
+
+2467-2468. 2467, (39707), and 2468, (39708). Same form; decorations in
+  outline, former of plants, latter of animals; rude.
+
+2469. (39709). Same form; figure of an Indian chasing a deer.
+
+2470-2471. 2470, (39710), and 2471, (39717). Fig. 631. Decorated with
+  figures of fish.
+
+2472. (39711). Usual form; oblique; double serrate band and figures of
+  fish.
+
+2473. (39714). Fig. 634.
+
+2474. (39718). Fig. 633.
+
+2475. (39719). Fig. 635.
+
+2476. (39722). Fig. 636. This belongs to the globular group above
+  described.
+
+2477. (39723). Similar to the preceding and belongs to the same group;
+  with figures of sheep and fish.
+
+2478. (39724). Fig. 637.
+
+2479. (39726). Fig. 638. A true canteen.
+
+2480. (39728).
+
+2481. (39729). Fig. 639.
+
+2482. (39508). Bird with tail more elongate in form than usual. Oblique
+  checkered band on the side.
+
+2483. (39514). Similar to water jars in the form of birds, and without
+  handles.
+
+2484. (39562). Fig. 640.
+
+2485. (39515). Rosette of leaves on the back; tail well formed, probably
+  represents the dove.
+
+2486. (39516). No head, merely a spout; decorations simple.
+
+2487. (39517). Evidently intended for a hen.
+
+2488. (39518). Fig. 642.
+
+2489. (39584). Simulates a hen; feathers on the back, deer on the sides.
+
+2490. (39585). With handle, wings rudely figured. Shown in Fig. 641.
+
+2491. (39586). Similar in form to No. 2480; wings represented by figure,
+  behind them the figures of a bird, evidently a duck, resembling the
+  head of the vessel. Of the usual tea-pot shape.
+
+2492. (39583). Without handle, canteen-shaped; open on top, with head
+  apparently of turtle on one side: decorations, bird and rosette.
+
+2493. (39580). Fig. 643. Simple jar.
+
+2494. (39576). Fig. 644. Figure of a priest.
+
+2495-2496. 2495, (39777), and 2496, (39778). Simple water jars of black
+  ware, pitcher-shaped, with slight projection on the body for handle.
+  These were evidently obtained from some other tribe.
+
+_EATING BOWLS._
+
+There is but one specimen of Cochiti manufacture in the collection.
+
+2497. (39512). Of ordinary shape; white ware, decorated with black on
+  the inside only; a central ring with radiating corn-leaf figures.
+
+_ORNAMENTS, EFFIGIES, AND TOYS._
+
+All small. White ware, slightly decorated unless otherwise specified.
+
+2498. (39520). Head of some animal too rude to identify.
+
+2499. (39521). Double-headed bird figure on a pedestal.
+
+2500. (39526). Black ware. Sitting annual; very rude.
+
+2501. (39527). Black ware. Probably jack-rabbit; handle at the back.
+
+  [Illustration:
+  Fig. 635 (39719) (⅓)
+  Fig. 636 (39722) (⅓)
+  Figs. 635, 636.--Cochiti Water Vessels.]
+
+  [Illustration:
+  Fig. 637 (39724) (⅓)
+  Fig. 638 (39726) (⅓)
+  Figs. 637, 638.--Cochiti Water Vessels.]
+
+  [Illustration:
+  Fig. 639 (39729) (⅓)
+  Fig. 640 (39562) (⅓)
+  Figs. 639-640.--Cochiti Water Vessels.]
+
+  [Illustration:
+  Fig. 641 (39585) (⅓)
+  Fig. 642 (39518) (¼)
+  Figs. 641, 642.--Cochiti Water Vessels.]
+
+  [Illustration:
+  Fig. 643 (39580) (⅓)
+  Fig. 644 (39576) (⅓)
+  Figs. 643, 644.--Cochiti Water Vessels.]
+
+  [Illustration:
+  Fig. 645 (39857) (½)
+  Fig. 646 (39825) (⅓)
+  Fig. 647 (39824) (⅓)
+  Figs. 645-647.--Cochiti Effigies.]
+
+2502. (39528). Black ware. Young birds. The three last mentioned are
+  most likely from some other pueblo.
+
+2503. (39824). Fig. 647. Black ware.
+
+2504. (39825). Fig. 646. Black ware.
+
+2505-2506. 2505, (39826), and 2506, (39827). Similar grotesque figures
+  of black ware.
+
+2507. (39854). Double-headed figure of a bird on pedestal.
+
+2508. (39855). Bird on pedestal; ruffled back.
+
+2509-2518. 2509, (39856); 2510, (39857), Fig. 645; 2511, (39858); 2512;
+  (39859); 2513, (39860); 2514, (39861); 2515, (39769); 2516, (39775);
+  2517, (39883); 2518, (39862), are figures of birds on pedestals,
+  except No. 2514, which is the figure of a little duck, and probably is
+  a toy water vessel.
+
+2519. (39524). A toy cup or basket in the shape of an olla, with handle,
+  the figure of the little water insect or worm appears on this, the
+  only instance in the Cochiti pottery.
+
+
+
+
+COLLECTION FROM SANTO DOMINGO.
+
+
+ARTICLES OF CLAY.
+
+_WATER VESSELS._
+
+There are but nine pieces of this pottery, and all but two of these are
+small images or drinking vessels in the form of birds.
+
+2520. (39510). A double globe jar or canteen. White ground, with
+  ornamentations in black, as seen in Fig. 649. Depression in the center
+  is probably designed to receive a band or cord to carry it with.
+
+2521. (39513). Large black bowl; no ornamentation.
+
+Images of black ware; two pieces; a bird on pedestal and a quadruped.
+
+2522-2523. 2522, (39652a); 2523, (39652b).
+
+2524-2525. 2524, (39653), and 2525, (39654). Human images, very rude.
+
+2526. (39658). Bird on pedestal.
+
+Small drinking vessels in the form of birds. White ornamented ware.
+
+2527. (39655). With four rows of dots on the side; no tail.
+
+2528. (39656). With handle; tail and neck ornamented.
+
+2529. (39657). No ornamentation except a line or two and some dots on
+  the head. Fig. 648.
+
+
+
+
+COLLECTIONS FROM TESUKE.
+
+
+ARTICLES OF STONE.
+
+_METATES, MORTARS, ETC._
+
+2530. (39809). Stone metate for grinding grain, brown sandstone.
+
+2531. (39810). Quartzitic stone mortar for grinding mineral pigment.
+
+2532. (39811). Quite small mineral pigment mortar of quartz rock.
+
+2533. (39821). Gaming ball of fine-grained sandstone.
+
+2534. (42215). Discoidal quartz pounder.
+
+2535. (42341). Fig. 650. Paint mortar. This mortar was made from a
+  somewhat rounded sandstone boulder by grinding out a cavity. In the
+  cut, which was drawn for another purpose, the pestle is represented
+  with a small cup-shaped cavity on one side of it, in which the fluid
+  pigment from the mortar was poured and used with the brush of the
+  artist for decorative purposes. This is the only specimen of the kind
+  in the collection, and the only one found where the pestle combines
+  the cup with it.
+
+  [Illustration:
+  Fig. 650 (42341) (⅓)
+  Fig. 648 (39657) (½)
+  Fig. 649 (39510) (⅓)
+  Figs. 646-649.--Santo Domingo Canteen and Effigy.]
+
+
+ARTICLES OF CLAY.
+
+_WATER VASES._
+
+This group, though comparatively small, contains some of the largest and
+grandest pieces in the entire collection, some of the vases being twenty
+inches in height and twenty-two in diameter, having a capacity of ten
+gallons. It consists of white ware with decorations in black, bearing a
+strong resemblance to that of Cochiti, brown micaceous, and polished
+brown ware without ornamentation, and black ware without ornamentation.
+
+Tinajas or vases. Well formed and similar in shape to those from
+Cochiti.
+
+2536. (39507). With oblique diamond figures on the neck, and geometrical
+  figures on the body.
+
+2537. (39520). Upper half only decorated with rude figures of leaves and
+  twigs.
+
+2538. (39523). Similar to the preceding.
+
+2539. (39525). Without neck; a broad and true meander band around the
+  middle, with three-leaved flower above and below on each coil.
+
+2540. (39530). Neck ornamented with a straight and an undulate line;
+  body as in No. 2539.
+
+2541. (39531). With rosette and triangular figures somewhat similar to
+  those on Zuñi ollas.
+
+2542. (39532). Decorations similar to those on Cochiti olla, No. 2421.
+
+2543. (39801). Covered; a beautiful specimen, probably the most chaste
+  and artistic of the entire collection.
+
+2544. (39533). Fig. 651. Similar to the preceding.
+
+2545. (39534). Serrate band around the neck; body with broad band and
+  large circular spaces, each having four dark indentations.
+
+2546. (39542). Neck with straight and undulate lines and short sigmoid
+  figures; body with figures of a plant.
+
+2547. (39549). Neck similar to the preceding; body with a zigzag line
+  dotted along the upper side, and small ovoid spots above and below it,
+  one in each indentation.
+
+2548. (39635). Plain black, polished, large.
+
+2549. (39639). Like the last.
+
+2550. (39660). Large size; dotted line around the neck; heavy band
+  around the shoulder, with sharp and long serrations pointing downward;
+  body with alternate ornamental ovals and four-pointed stars.
+
+2551. (39661). Straight and undulate lines around the neck; body divided
+  into spaces by broad, double-scalloped, perpendicular stripes, having
+  the middle white with an undulate line in the white portion; the
+  intermediate spaces have a sun-shaped figure in the upper corner, from
+  which a double serrate stripe descends obliquely.
+
+2552. (39664). Birds and undulate line on the neck; a straight line with
+  ring dots on the shoulder, broad meander band, with triple leaf
+  ornament around the body.
+
+2553. (39665). Neck with meander as in the preceding; a slender vine,
+  well made, around the body.
+
+2554. (39682). Rather slender; undulate margin; vine around the neck;
+  body with broad band of three-leaved flowers.
+
+2555. (39683). Neck with straight and undulate lines; body with undulate
+  line terraced above as heretofore described, but above this is a row
+  or band of small distinct ovals.
+
+2556. (39685). Black, without ornamentation.
+
+2557. (39686). Large bowl-shaped olla, without neck, decorated with
+  vine, cross, scrolls, &c.
+
+2558. (39687).
+
+2559. (39740). Upper half with marginal scalloped band, from which hang,
+  obliquely, leaves with bent spines on their margin; below this a
+  serrate and then a double straight line.
+
+2560. (39741). Squatted in shape. Vine with leaves around the middle of
+  the body.
+
+2561. (39772). Small; slender vine around the neck, dotted line around
+  the shoulder, and three-leafed vine around the body.
+
+2562. (39773). With flaring rim; scalloped band around the margin;
+  regular zigzag line around the shoulder, from each lower point of
+  which descend plants.
+
+2563. (39789). Same decorations as No. 2539, but of the regular form.
+
+2564. (39800). Small scalloped lines around the body.
+
+2565. (39802). Brown, without ornamentation.
+
+2566. (39803).
+
+2567. (39805).
+
+2568. (39806). Fig. 652.
+
+2569. (39813). Fig. 654.
+
+2570. (39814).
+
+2571. (39815). Neck colored, with a white zigzag line running through
+  it; body with curious, large leaf-like ornaments of an angular shape.
+
+2572. (39817). With similar leaf-like figures, but narrower and
+  differently arranged. Shown in Fig. 653. The piece is injured, and the
+  cords seen in the figure were tied about it by the natives to keep it
+  from, going to pieces.
+
+2573. (39816). With a large zigzag band around the upper half of the
+  body, terraced above and below.
+
+2574. (39818). Very large and beautiful specimen, decorated on the body
+  somewhat like some of the Zuñi pottery. The large circular scrolls are
+  formed of a vine with leaves on the outer side. There are but few of
+  the triangular figures seen in the Zuñi piece; there is a regular and
+  true serrate marginal band; below this on the neck a broad band with
+  diamond spaces.
+
+2575. (39819). With a broad band around the neck composed of squares
+  placed obliquely, with an oblong white space in each; body with a
+  simple, narrow, straight band or double line.
+
+2576. (39822). Large scalloped band around the neck, a little leaf
+  pendant from each point; the body with alternate large stars and
+  ornamental diamonds.
+
+2577. (39823). This has the rim slightly flaring, a scalloped band and
+  leaves around the neck; the body profusely decorated with geometrical
+  figures. This belt is divided into four spaces, in each of which there
+  is a checkered, terraced pyramid pointing downward; the lower part and
+  sides of each space is occupied with triangular and sagittate figures.
+
+2578. (39868). Small; neck with a row of ovals; the shoulder with a true
+  herring-bone band; a vine with spiny leaves around the body.
+
+2579. (39865).
+
+  [Illustration:
+  Fig. 651 (39533) (¼)
+  Fig. 652 (39806) (⅕)
+  Figs. 651, 652.--Tesuke Water Vases.]
+
+  [Illustration:
+  Fig. 653 (39817) (⅓)
+  Fig. 654 (39813) (⅓)
+  Figs. 653, 654.--Tesuke Water Vases.]
+
+_WATER JUGS AND JARS._
+
+2580. (39812). Plain double-bellied water bottle of micaceous ware. See
+  Fig. 655.
+
+2581. (39834).
+
+2582. (41366). Water jug. Fig. 519.
+
+2583. (39790). Jar or urn of white ware, with two handles ornamented
+  with the usual meander.
+
+_PITCHERS._
+
+2584. (39745). A regular well-formed pitcher, with proper lip and
+  handle. White ware ornamented with serrate lines, triangles, and
+  circle. The only one from this tribe.
+
+_EATING BOWLS._
+
+The Tesuke bowls vary considerably in form, some having the slope
+straight, others flaring and of the usual form, others biscuit-shaped.
+No large specimens were obtained.
+
+2585. (39613). Usual bowl-shape, with flaring margin; no external
+  decorations; inner surface with circular scrolls.
+
+2586. (39647). Biscuit-shaped, with broad meander band externally; no
+  decoration internally.
+
+The following are similar in form and decoration:
+
+2587-2590. 2587, (39666); 2588, (39669); 2589, (39788); 2590, (39648).
+  Outside plain; inner marginal band a slender vine.
+
+The following numbers are plain, of brown micaceous ware,
+biscuit-shaped, small:
+
+2591-2593. 2591, (39667); 2592, (39668); 2593, (39835).
+
+The following are of the same ware, platter-shaped:
+
+2594-2599. 2594, (39672); 2595, (39678); 2596, (39679); 2597, (39680);
+  2598, (39681); 2599, (39792).
+
+2600. (39793). Square.
+
+2601. (39797). Regular bowl-shaped, with foot.
+
+2602. (39673). Biscuit-shaped, with band of straight and undulate lines.
+
+2603. (39674). No outer decorations; inside with radiating serrate
+  lines, and leaves.
+
+2604. (39675). No inner decorations; on outside a marginal serrate band,
+  and a band of leaves around the body.
+
+2605. (39676). Biscuit-shaped; vine, with leaves, around the middle.
+
+2606. (39677). Uo outer ornaments; on inner surface a center leaf-cross,
+  and above this, radiating lines.
+
+2607. (39688). Decorated on inner surface only. A central flower and
+  submarginal band of oval leaves.
+
+2608. (39742). Biscuit-shaped; zigzag line, with two leaves at each
+  point on the outside.
+
+2609. (39743), Plain red, flower-pot shaped.
+
+2610. (39744). Flower-pot shaped, with zigzag lines or vines running up
+  and down, a leaf at each point.
+
+2611. (39776). Largest bowl of the group.
+
+2612. (39787). Regular shape; zigzag band on the outside.
+
+2613. (39798). Small, regular shape, with vines on the inside.
+
+2614. (39799). Small figures and birds on the inside.
+
+_COOKING VESSELS._
+
+These are always plain black ware, and are of several forms.
+
+Pots. Shaped like the Zuñi vessels.
+
+2615-2632. 2615, (39601); 2616, (39602); 2617, (39605); 2618, (39606);
+  2619, (39607); 2620, (39608); 2621, (39611); 2622, (39670); 2623,
+  (39671); 2624, (39689); 2625, (39735); 2626, (39736); 2627, (39737);
+  2628, (39738); 2629, (39794); 2630, (39795), with handle; 2631,
+  (39828); 2632, (39874).
+
+Bowel-shaped:
+
+2633-2635. 2633, (39603); 2634, (39604); 3635, (39615), with handle. See
+  Fig. 657.
+
+Platter-shaped:
+
+2636-2646. 2636, (39609); 2637, (39610); 2638, (39612); 2639, (39614);
+  2640, (39690); 2641, (39691); 2642, (39692); 2643, (39693); 2644,
+  (39694); 2645, (39695), shown in Fig. 659; 2646, (39739).
+
+_TOYS._
+
+2647. (39791). Ornamented bird on pedestal.
+
+Blackbirds on pedestals:
+
+2648-2657. 2648, (39804); 2649, (39807); 2650, (39808); 2651, (39820);
+  2652, (39829); 2653, (39830); 2654, (39831), Fig. 656; 2655, (39832),
+  Fig. 658; 2656, (39833); 2657, (39836).
+
+
+VEGETAL SUBSTANCES.
+
+_MEDICINES._
+
+2658. (39751). _O-sha_. Root used as medicine for rheumatism, internally
+  and externally.
+
+2659. (39752). _Zerba-lobo_. Wolf root, for pulmonary complaints.
+
+2660. (39753). _O-cha_. Root used for rheumatism.
+
+2661. (39754). _Ka-cha-na_. Root, semi-medicinal and magic. To prevent
+  breach or wounds, and for sore eyes; external use.
+
+  [Illustration:
+  Fig. 655 (39812) (⅓)
+  Fig. 656 (39831) (½)
+  Fig. 657 (39615) (½)
+  Fig. 658 (39832) (½)
+  Fig. 659 (39695) (½)
+  Figs. 655-659.--Tesuke Vessels.]
+
+
+
+
+COLLECTIONS FROM SANTA CLARA.
+
+
+ARTICLES OF CLAY.
+
+_WATER VASES._
+
+This is all black and frequently polished ware without ornamentation.
+The method of producing the black polish is explained in another part of
+the catalogue.
+
+Bowls and ollas. Black, without ornamentation. Some of these are of
+comparatively large size.
+
+2662-2670. 2662, (39645); 2663, (39748), Fig. 662; 2664, (39749); 2665,
+  (39750); 2666, (39779); 2667, (39780), Fig. 660; 2668, (39781); 2669,
+  (39782); 2670, (39786). A very pretty covered jar; cover with a
+  handle. Fig. 672.
+
+2671. (39838). Small with scalloped margin.
+
+2672. (39866).
+
+2673. (39629). Fig. 661. Vase with depressed band around the center; rim
+  forming a band; base small.
+
+2674. (39834). Double lobed bottle or canteen. See Fig. 671.
+
+_EATING-BOWLS._
+
+These are of black polished ware without decoration of any kind, and of
+various forms, globular, bowl-shaped, and platter-shaped or true
+platters.
+
+Globular and small:
+
+2675-2676. 2675, (39556), and 2676, (39616).
+
+Bowl-shaped:
+
+2677-2678. 2677, (39617), and 2678, (39618). With flared and notched
+  rim.
+
+2679-2680. 2679, (39619), Fig. 667, and 2680, (39620). These two with
+  flared and scalloped rim.
+
+2681. (39621). A cooking vessel.
+
+2682-2689. 2682, (39628), Fig. 669; 2683, (39632), Fig. 663; 2684,
+  (39646), Fig. 664; 2685, (39633); 2686, (39636); 2687, (39637); 2688,
+  (39638); 2689, (39643).
+
+Platter-shaped:
+
+2690-2691. 2690, (39630), and 2691, (39640). Scalloped rim.
+
+2692-2698. 2692, (39641); 2693, (39642); 2694, (39646), see Fig. 664;
+  2695, (39649), scalloped rim; 2696, (39784); 2697, (39785); 2698,
+  (39796).
+
+2699. (39793). Fig. 668. Small platter-shaped dish of black polished
+  ware.
+
+_COOKING VESSELS._
+
+2700. (39794). Small pot, no handle.
+
+2701. (39795). Small pot with handle.
+
+2702-2705. 2702, (39623); 2703, (39626), Fig. 670; 2704, (39627); 2705,
+  (39629). Small pots without handles, with a constriction or
+  indentation around the middle.
+
+2706-2707. 2706, (39837), and 2707, (39840). Small pitchers with handles
+  and lips.
+
+2708. (39839). Canteen with spout and mouth above.
+
+_EFFIGIES._
+
+Bird figures, polished, on pedestals. All similar to those shown in the
+figures.
+
+2709-2720. 2709, (39841); 2710, (39842); 2711, (39843); 2712, (39844);
+  2713, (39845); 2714, (39846); 2715, (39847); 2716, (39848), Fig. 666;
+  2717, (39849), Fig. 665; 2718, (39850); 2719, (39554); 2720, (39555).
+  The last two are hollow, with an orifice in the back; no pedestal.
+
+2721. (39553). Canteen in shape of a bird; no pedestal.
+
+
+
+
+COLLECTIONS FROM SAN JUAN.
+
+
+ARTICLES OF CLAY.
+
+_EATING BOWLS._
+
+2722-2723. 2722, (39587) and 2723, (39588). These two with handles on
+  each sides. Sides straight.
+
+2724-2725. 2724, (39589), and 2725, (39590). Biscuit-shaped, as shown in
+  Fig. 675.
+
+2726. (39591). Platter-shaped, with scalloped margin.
+
+2727. (39592). Red ware, of medium size, with outer broad marginal band
+  of triangular figures.
+
+Pots. Plain, black:
+
+2728-2731. 2728, (39593); 2729, (39594); 2730, (39747); 2731, (39625).
+  Canteen-shaped, with handles or ears at or near the top; small
+  circular orifice. See Fig. 673.
+
+2732. (39650). A similar vessel of black ware, with larger orifice, the
+  margin of which is scalloped. Large ears or handles near the top on
+  each side. Bottom oval, and an impressed band around middle of body.
+  In some of the canteen-shaped vessels this depression is for holding
+  the cord with which the vessel is transported. See Fig. 674.
+
+  [Illustration:
+  Fig. 660 (39780) (⅓)
+  Fig. 661 (39629) (½)
+  Fig. 662 (39748) (⅓)
+  Fig. 663 (39632) (½)
+  Fig. 664 (39646) (⅓)
+  Fig. 665 (39849) (½)
+  Fig. 666 (39848) (½)
+  Figs. 660-666.--Santa Clara Pottery.]
+
+  [Illustration:
+  Fig. 667 (39619) (⅕)
+  Fig. 668 (39793) (¼)
+  Fig. 669 (39628) (¼)
+  Fig. 670 (39626) (¼)
+  Fig. 671 (39834) (¼)
+  Fig. 672 (39786) (¼)
+  Figs. 667-672.--SANTA CLARA POTTERY.]
+
+  [Illustration:
+  Fig. 673 (39625) (½)
+  Fig. 674 (39650) (⅓)
+  Fig. 675 (39590) (⅓)
+  Figs. 673-675.--San Juan Pottery.]
+
+2733. (39659). A jug-shaped pitcher of decorated red ware, with regular
+  handle neatly formed. Ornamented with a looped vine and twigs, with
+  leaves well drawn; neck slender and orifice with lip, but less in
+  proportion than in ordinary pitcher.
+
+
+
+
+COLLECTION FROM JEMEZ.
+
+
+ARTICLES OF CLAY.
+
+2734. (39926). Fig. 676. A very singular and pretty water vessel,
+  obtained at the Jemez pueblo. White ware decorated in black and brown.
+  It is probable that the peculiar form is given from mere fancy, and
+  not for the purpose of adapting it to any particular use, as it
+  appears to be simply a water vessel.
+
+  [Illustration:
+  Fig. 676 (39926) (⅓)]
+
+
+
+
+COLLECTION FROM THE JICARILLA APACHES.
+
+
+ARTICLES OF CLAY.
+
+This is a light brown micaceous ware, and the pieces are all small, or
+comparatively so. They consist of pots, pitchers, and cups.
+
+This small collection, though not obtained directly from the Jicarilla
+Apaches, is attributed to them, for the reason that wherever found among
+other tribes it is by them accredited to the Apaches. It is
+manufactured, however, by some of the Pueblos along the Rio Grande, and
+occasionally by the more western Pueblos. The party did not visit the
+Apaches mentioned, and are not positively certain that they manufacture
+pottery. These facts are mentioned in this connection to show that there
+is some question as to the origin of this small collection.
+
+Vase-shaped pots:
+
+2735-2741. 2735, (39535); 2736, (39536); 2737, (39537); 2738, (39538);
+  2739, (39539); 2740, (39540); 2741, (39544). This and the next two
+  have the rims scalloped.
+
+2742-2744. 2742, (39545); 2743, (39546); 2744, (39547).
+
+Pot-shaped:
+
+2745-2751. 2745, (39595); 2746, (39596); 2747, (39597); 2748, (39598);
+  2749, (39599); 2750, (39600); 2751, (39851).
+
+Pitchers and cups, with handles of regular form:
+
+2752. (39543). Finger impressions around the middle.
+
+2753-2754. 2753, (39540), and 2754, (39548). Scalloped margin.
+
+2755. (39770). With an undulate impressed line around the middle.
+
+Miscellaneous:
+
+2756. (39852). Incense-burner, somewhat in the shape of a beaver hat,
+  with a rim in the form of a bird; a small orifice in the middle.
+
+2757. (39853). Bird image.
+
+
+
+
+COLLECTIONS FROM OLD PECOS.
+
+
+ARTICLES OF STONE.
+
+2758. (39756). Flint scraper. Rudely shaped, of hard cherty rock, flat
+  on the inner face, convex on the back.
+
+2759. (39757). An irregular square flat piece of sand-stone, on one side
+  of which is a small circular cup-shaped depression.
+
+2760. (39758a). A small mortar composed of fine-grained sand-stone,
+  half broken away; being of quite soft stone, it was probably used for
+  pulverizing food of some kind.
+
+2761. (39758b). Quartz mortar made from, a round water-worn boulder.
+  The cavity is symmetrical; diameter five inches.
+
+2762. (39759). Half of a cherty water-worn boulder from which flakes for
+  flints have been chipped.
+
+2763. (39760). Small round cherty boulders, frequently used in chipping
+  for flints, but in this instance they seem to have been used as
+  hammers.
+
+2764. (39761). Hammer made from a section of a broken rubbing or
+  grinding stone of calcareous rock.
+
+2765. (39762). Maul from broken rubbing stone or grinder, grooved at
+  each end; rhyolite.
+
+2766. (39763). Rudely shaped sinker (or what is called a sinker),
+  rounded at each end and grooved in center; schistose rock.
+
+2767. (39764). Rudely shaped chisel or celt of metamorphic schist.
+
+2768. (39759). Rough chipping stone; agate.
+
+2769. (39760). Three irregular round balls of flint-stone, flaked by
+  hammering.
+
+
+ARTICLES OF CLAY.
+
+2770. (41771). Fragments of pottery from the old and new court,
+  exhibiting Spanish glaze.
+
+2771. (41772). Pottery fragments, decorated in colors. Old and new
+  court.
+
+2772. (41773). Ancient fragments, glazed.
+
+  [Illustration:
+  Fig. 677 (40814). (⅓)
+  Fig. 678 (40813). (⅓)
+  Fig. 679 (40815). (¼)
+  Fig. 680 (40816). (¼)
+  Figs. 677-680.--Water Vessels from Cañon de Chelly.]
+
+2773. (41774). Fragments of pottery from the old court, showing glaze
+  with white ground.
+
+2774. (41775). Miscellaneous fragments of pottery from various parts of
+  the ruins.
+
+2775. (41794). Fragments of pottery, showing white coating, from new
+  court.
+
+2776. (41796). Pottery fragments, showing Spanish glaze inside; new
+  court.
+
+2777. (41797). Fragments with edges chipped.
+
+2778. (41798). Rim pieces of black pottery were from the old court.
+
+2779. (41799). Fragments of red pottery from new court.
+
+2780. (41800). Fragments of plain pottery from both old and new courts.
+
+2781. (42344). Specimens of adobe mortar from the walls of the Pecos
+  ruins.
+
+2782. (42345). Specimen of same.
+
+2783. (42373). Chimney pots from Casa Blanca, Old Pecos.
+
+2784. (42374). Very large cooking pot in fragments from Casa Blanca, Old
+  Pecos.
+
+
+ARTICLES OF WOOD.
+
+2785. (41276). Beam of wood from the old court.
+
+
+
+
+COLLECTIONS FROM THE CAÑON DE CHELLY.
+
+
+ARTICLES OF CLAY.
+
+_WATER VESSELS._
+
+2786-2789. 2786, (40813), Fig. 678; 2787, (40814), Fig. 677; 2788,
+  (40815), Fig. 679; 2789, (40816), Fig. 680. These pieces are white
+  ware, decorated with black. The colors in great part still remain,
+  showing that they are comparatively modern. The lines represent colors
+  and not indentations.
+
+2790. (40796). Fig. 681. Upper part broken; supposed to have been a
+  pitcher, as part of the handle remains. From Cliff House ruins, Cañon
+  de Chelly. Red ware. Comparatively modern.
+
+The following articles are ancient ware, from the same place as the
+preceding:
+
+2791. (40600). Small vase of white ware, probably comparatively modern.
+  The design, though simple, is somewhat peculiar and different from
+  what is usually found on pottery of the present day. See Fig. 683.
+
+2792. (42202). Fig. 682. Similar in form, size, and color to the
+  preceding; the design, as will be seen by reference to the figure, is
+  a common one.
+
+2793. (40812). Pitcher. White ware, with black decorations. See Fig.
+  690.
+
+2794-2795. 2794, (40819), Fig. 691, and 2795, (40820), Fig. 688.
+  Pitchers, white; ware figured.
+
+2796. (40824). Very small pitcher with handle; of uncolored ware.
+
+2797. (42203). A very pretty pitcher of white ware, with decorations in
+  black, much faded, showing age, although so well and truly formed it
+  is evidently not modern. Fig. 692.
+
+2798. (40601). A round-bottomed pitcher-shaped vessel, white ware with
+  black lines; the colors are much faded, showing age. Fig. 689. The
+  design is evidently of a previous age, and we will be justified,
+  perhaps, in saying that it belongs to the period of transition from
+  the rigid lines and angles to the curves.
+
+2799. (40811). Fig. 687, Small pitcher, _e-musch-ton-tsān-nā_,
+  originally of white ware; bowl uncolored.
+
+_BOWLS._
+
+2800. (40823). Small bowl, with handle each side, white, with black
+  colors. Fig. 684.
+
+2801. (40825). A small paint-pot shown in Fig. 685.
+
+2802. (40857). Fig. 686. A small pot, apparently blackened by fire,
+  unadorned except with the spine-like projections around the lower
+  half; probably used for a paint-pot.
+
+_COOKING VESSELS._
+
+2803-2806. 2803, (40817), Fig. 693; 2804, (40818), Fig. 696; 2805,
+  (40821), Fig. 695; 2806, (40822), Fig. 694. These are the old
+  corrugated ware, but with the exception of the third they do not show
+  the action of fire, but were probably used for cooking vessels.
+
+
+
+
+COLLECTIONS FROM PICTOGRAPH ROCKS.
+
+
+ARTICLES OF CLAY.
+
+  [Illustration:
+  Fig. 697 (39873) (¼)]
+
+2807. (39873). Fig. 697. A corrugated pot 11 inches high and 10 inches
+  in diameter at the widest point. Evidently coil-made; the different
+  coils slightly overlap each other tile-fashion. On the inside it is
+  smooth and does not show the coils. It has been blackened by the fire,
+  the original color having been a dark slate, the natural color of
+  the clay. It was evidently but slightly burned at first; very ancient.
+
+  [Illustration:
+  Fig. 681 (40796) (⅕)
+  Fig. 682 (42202) (⅓)
+  Fig. 683 (40600) (½)
+  Fig. 684 (40823) (½)
+  Fig. 685 (40825) (½)
+  Fig. 686 (40857) (½)
+  Figs. 681-686.--Ancient Pottery from Cañon de Chelly.]
+
+  [Illustration:
+  Fig. 687 (40811) (⅓)
+  Fig. 688 (40820) (½)
+  Fig. 689 (40601) (½)
+  Fig. 690 (40812) (¼)
+  Fig. 691 (40819) (⅓)
+  Fig. 692 (42203) (⅓)
+  Figs. 687-692.--Ancient Pottery from Cañon de Chelly.]
+
+  [Illustration:
+  Fig. 693 (40817) (¼)
+  Fig. 694 (40822) (⅓)
+  Fig. 695 (40821) (¼)
+  Fig. 696 (40818) (⅓)
+  Figs. 693-696.--Cooking Vessels from Cañon de Chelly.]
+
+
+
+
+COLLECTIONS FROM OTHER LOCALITIES.
+
+
+ARTICLES OF CLAY.
+
+_MISCELLANEOUS._
+
+2808. (39529). Black, polished olla, rather large; from Ponake Pueblo.
+
+2809. (39551). Unadorned moccasin from Pueblo of New Mexico.
+
+2810. (41770). Fragments of pottery, ornamented, colored, and plain,
+  from ruins near Pueblo of Nutria.
+
+2811. (41776). Fragments of plain pottery from Agricultural Camp, six
+  miles east of San Antonio Springs.
+
+The following specimens are from the same locality:
+
+2812-2818. 2812, (41777), painted; 2813, (41778), corrugated; 2814,
+  (41779), ribbed; 2815, (41780), bird’s head painted on it; 2816,
+  (41781), painted; 2817, (41782), corrugated; 2818, (41783), ribbed.
+
+2819. (41784). Fragments of pottery from Old Zuñi Mesa, three miles
+  southeast of Zuñi.
+
+2820-2822. 2820, (41785); 2821, (41786); 2822, (41787), are fragments of
+  the corrugated, ribbed, indented, and decorated ware, from the Zuñi
+  Mesa.
+
+2823-2825. 2823, (41791); 2824, (41792); 2825, (41793), are also
+  fragments of pottery from the Zuñi Mesa.
+
+2826. (41795). Fragments of pottery from top of Zuñi Church.
+
+2827-2829. 2827, (41788); 2828, (41789); 2829, (41790). Fragments of
+  ancient pottery from the environs of Wolpi. The specimens are of the
+  corrugated and laminated forms and are decorated in color.
+
+2830. (41981). Notched stick, with bone, used as musical instrument. See
+  description of similar objects from Wolpi.
+
+2831. (42224). Small wooden ladle; locality not known.
+
+2832. (42049). Fragment of pottery with the edges ground off, probably a
+  pottery trowel, from Pictograph Rocks, about sixty miles east of Fort
+  Wingate, N. Mex.
+
+2833. (42252). Fragment of pottery from Wolpi may be a charm, but likely
+  a pottery smoother or trowel.
+
+2834. (42348). Chips of jasper and fragments of pottery from mound in
+  Missouri, opposite St. Louis.
+
+2835. (42368). Handle of pottery ladle from Wolpi.
+
+2836. (42370). Portion of large yellow corrugated vessel from near
+  Wolpi.
+
+_STATUETTES._
+
+The following numbers are specimens of statuettes, of micaceous clay,
+representing human beings in various attitudes, both male and female.
+They are attributed to the Cochiti Pueblos, but as they were obtained in
+Santa Fé from traders, the correctness of their origin may be doubted.
+They were made, however, by some of the Rio Grande Pueblos not very
+remote from Santa Fé:
+
+2837-2858. 2837, (42001); 2838, (42002); 2839, (42003); 2840, (42004);
+  2841, (42005); 2842, (42006); 2843, (42007); 2844, (42008); 2845,
+  (42009); 2846, (42010); 2847, (42011); 2848, (42012); 2849, (42013);
+  2850, (42014); 2851, (42015); 2852, (42016); 2853, (42017); 2854,
+  (42018); 2855, (42019); 2856, (42020); 2857, (42021); 2858, (42022).
+
+
+       *       *       *       *       *
+           *       *       *       *
+       *       *       *       *       *
+
+Errata:
+
+Problems in Figure numbering and identification are listed separately.
+
+[List of Illustrations]
+Figs. 460-461. Zuñi effigies
+  _text reads “469-461”_
+Figs. 681-683. Water vessels from Cañon De Chelly        420
+Figs. 684-686. Bowls from Cañon De Chelly                420
+  _text reads “620” for both page numbers_
+
+those represented by Figs. 359, 363, 364, and ----
+  _dash of omission in original_
+is impossible to give any general / description
+  _text reads “genera”_
+485. (40489). Plain marginal band
+  _text reads “maginal”_
+having reference to size, viz.:
+  _period missing in original_
+913, / (40357), varies in having the head of a bird.
+  _text reads “abird”_
+1008-1017. 1008, (40451); 1009, (40452);
+  _text reads “10009”_
+pottery or earthern ladles
+  _form “earthern” in original_
+1468-1473 ... are all fragrants of rubbers.
+  _so in original: “fragments”?_
+2058. (41119). Sinch hooks, _cu-rah-bat-tow_.
+2288. (41826). Woven hair sinch or saddle-girt, _ah-chis-clah_.
+  _forms “sinch” and “girt” in original_
+2359. (42430). Shown in Fig. 606.
+  _text reads “Shown on”_
+2413. (42383). Small, with lines of outline crescents around the body.
+  _text reads “cresents”_
+Bowl-shaped: // 2633-2635.
+  _text reads “Bowel-shaped”_
+adapting it to any particular use
+  _text reads “paruticular”_
+2753-2754. 2753, (39540), and 2754, (39548). Scalloped margin.
+  _text reads “Scollaped”_
+
+[Irregularities in Figure Identification]
+Some corrections are conjectural. Numbers were only changed when there
+was a discrepancy between a catalog entry and its associated Figure.
+
+123. (42245). Fig. 355.
+  _text reads “Fig. 335”_
+Fig. 370 (41146)
+  _text reads “40146”_
+191. (40777) ... Fig. 377.
+Fig. 377 (40777)
+  _main text reads “40792”; figure caption reads “40797”_
+237. (39928). A jar shown in Fig. 399.
+  _text reads “39528”_
+288. (39887). Fig. 396.
+Fig. 396 (39837)
+  _numbers “39887” and “39837” both appear to be wrong_
+463. (39971)
+  _so in original, but see no. 903 and fig. 442 below_
+The following numbers belong to the type represented in Figs. 356, 411,
+    and 412 .... 514[39979] - 520[40523]:
+  _“356” in original is wrong: “410”?_
+Fig. 419 (40189)
+  _text reads “40139”_
+804, (41092), shown in Fig. 434.
+  _text reads “Fig. 34”_
+903. (39971). Fig. 442.
+Fig. 442 (39971)
+  _so in original, but see no. 463 above_
+Fig. 475 (41037)
+  _text reads “41097”_
+1167. (41218) ... Shown in Fig. 479.
+  _text reads “Fig. 429”_
+1336. (41725) ... Fig. 487
+  _text reads “41275”_
+1378. (41807). Sash. See Fig. 501.
+1379. (41808). Sash. See Fig. 502.
+Fig. 501 (41808)
+Fig. 502 (41838)
+  _correct labeling could not be deduced_
+1513. (41602). Shown in Fig. 514.
+  _so in original, but may be “41609”_
+Fig. 514 (41602)
+  _text reads “41609”; may be correct_
+1611. (41363). See Fig. 518.
+  _text reads “41353”_
+1615. (41366). Fig. 519. A water jar
+  _also listed as item 2582, with same Figure reference_
+Fig. 538 (42149)
+  _text reads “42129”_
+1963. (42156) ... Fig. 541.
+1964. (42157)
+Fig. 541 (42157)
+  _correct labeling could not be deduced_
+Fig. 542 (42160)
+  _text reads “40160”_
+2234-2235. 2234, (41717), and 2235, (41719) ... See Fig. 580.
+  _text reads “Fig. 550”_
+Fig. 566 (41958)
+  _text reads “41959”_
+2356-2357. 2356, (41307), Fig. 607
+  _text reads “Fig. 609”_
+2396-2397 ... 2397, (42473), Fig. 613
+  _figure reference missing in text_
+2400. (42471) ... Fig. 615.
+  _text reads “42473”_
+2414. (42377). See Fig. 622.
+  _text reads “42317”_
+2582. (41366). Water jug. Fig. 519.
+  _also listed as item 1615, with same Figure reference_
+2682-2689 ... 2684, (39646), Fig. 664
+2692-2698 ... 2694, (39646), see Fig. 664
+  _duplicate reference as in original_
+
+
+
+
+
+End of the Project Gutenberg EBook of Illustrated Catalogue Of The
+Collections Obtained From Th, by James Stevenson
+
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+The Project Gutenberg EBook of Illustrated Catalogue Of The Collections
+Obtained From The Indians Of New Mexico And Arizona In 1879, by James Stevenson
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Illustrated Catalogue Of The Collections Obtained From The Indians Of New Mexico And Arizona In 1879
+       Second Annual Report of the Bureau of Ethnology to the
+       Secretary of the Smithsonian Institution, 1880-81,
+       Government Printing Office, Washington, 1883, pages 307-428
+
+Author: James Stevenson
+
+Release Date: July 2, 2006 [EBook #18736]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK ILLUSTRATED CATALOGUE ***
+
+
+
+
+Produced by Louise Hope, Carlo Traverso and the Online
+Distributed Proofreading Team at http://www.pgdp.net (This
+file was produced from images generously made available
+by the Biblioth�que nationale de France (BnF/Gallica) at
+http://gallica.bnf.fr)
+
+
+
+
+
+
+[Transcriber's Note:
+Punctuation in catalog entries has been silently regularized. Other
+errors are noted at the end of the text.
+Letters that could not be displayed have been "unpacked" and shown
+between brackets:
+  [-a] [-E] [-e] [-I] [-o] [-u] vowel with macron
+  [)e] [)i] [)o] vowel with breve
+Figures with captions in CAPITALS were printed in color.]
+
+       *       *       *       *       *
+
+
+ SMITHSONIAN INSTITUTION--BUREAU OF ETHNOLOGY.
+
+             ILLUSTRATED CATALOGUE
+                     OF THE
+     COLLECTIONS OBTAINED FROM THE INDIANS
+                       OF
+        NEW MEXICO AND ARIZONA IN 1879.
+
+                       BY
+
+                JAMES STEVENSON.
+
+
+       *       *       *       *       *
+
+
+NOTE.
+
+
+The following catalogue of the collections made during 1879 was prepared
+for the First Annual Report of the Bureau of Ethnology, but owing to
+want of space was not included in that volume. Before the necessity of
+this action was made apparent the matter had been stereotyped and it was
+impossible to change the figure numbers, etc. This will explain the
+seeming irregularity in the numbering of the figures--the first one of
+this paper following the last one of the above-mentioned report. The
+second catalogue, that of the collection of 1880, also included in this
+volume, has been made to correspond with the first, the figure numbers
+following in regular order.
+
+
+LETTER OF TRANSMITTAL
+
+  WASHINGTON, _January 3, 1881_.
+
+SIR: I have the honor to submit herewith an illustrated catalogue
+exhibiting in part the results of the ethnologic and archaeologic
+explorations made under your direction in New Mexico and Arizona during
+the summer of 1879.
+
+As you are already familiar with the mode of travel and the labor
+necessary in making such investigations and explorations, as well as the
+incidents common to such undertakings, and as I do not consider them of
+any special interest or value to the catalogue, I have omitted such
+details.
+
+I beg, however, in this connection, to refer to the services of Messrs.
+F. H. Cushing, ethnologist of the Smithsonian Institution, and J. K.
+Hillers, photographic artist of the Bureau of Ethnology, both of whom
+accompanied me on the expedition.
+
+Mr. Cushing's duties were performed with intelligence and zeal
+throughout. After the field-work of the season was completed he remained
+with the Indians for the purpose of studying the habits, customs,
+manners, political and religious organizations, and language of the
+people; also to explore the ancient caves of that region. His inquiries
+will prove of the utmost interest and importance to science. Mr. Hillers
+labored with equal zeal and energy. His work is of the greatest value in
+illustrating some of the most interesting features of our
+investigations. He made a large series of negatives depicting nearly
+every feature of the Pueblo villages and their inhabitants. The beauty
+and perfection of the photographs themselves fully attest the value and
+importance of his work.
+
+I would extend most cordial thanks to General Sherman for the special
+interest he manifested in our work, and for directions given by him to
+the officers of the Army serving in the West to assist us in carrying
+out the objects of the expedition; and to the officers who so cordially
+rendered such aid.
+
+To General Edward Hatch, commanding the district of New Mexico, we are
+indebted for valuable information and material assistance, which were
+liberally granted, and to which in great part our success was due. The
+party also received valuable aid from Gen. George P. Buell, U.S.A., who
+was in command at Fort Wingate during our work at Zu�i, for which I am
+pleased to extend thanks. The large number and variety of objects
+collected by the members of the expedition, and the many difficulties
+incident to such undertakings, as well as the limited time devoted to
+the preparation of the catalogue, will account for any imperfections it
+may contain.
+
+Hoping, however, that, notwithstanding these, it may serve useful ends
+in the continuation of such work,
+
+I am, very respectfully, your obedient servant,
+
+      JAMES STEVENSON.
+
+Prof. J. W. POWELL,
+
+  _Director Bureau of Ethnology_.
+
+
+
+
+CONTENTS.
+
+
+LETTER OF TRANSMITTAL                          311
+INTRODUCTION                                   319
+  Articles of stone                            320
+  Articles of clay                             322
+  Vegetal substances                           334
+Collection from Zu�i                           337
+  Articles of stone                            337
+    Axes, hammers, and mauls                   337
+    Metates, or grain-grinders, and pestles    340
+    Mortars, pestles, etc                      340
+    Miscellaneous objects                      342
+  Articles of clay                             343
+    Water vases                                343
+    Water jugs and jars                        347
+    Jugs of fanciful forms                     349
+    Pitchers                                   349
+    Cups or cup-shaped vessels                 350
+    Eating bowls                               350
+    Cooking vessels                            358
+    Ladles                                     360
+    Baskets                                    360
+    Paint cups                                 362
+    Condiment cups                             363
+    Effigies                                   364
+    Statuettes                                 366
+    Clays and pigments                         367
+  Vegetal substances                           368
+    Basketry                                   368
+    Pads                                       369
+    Domestic implements, toys, etc             370
+    Foods                                      372
+    Medicines and dyes                         372
+  Animal substances                            373
+    Horn and bone                              373
+    Skin                                       373
+    Woven fabrics                              373
+Collection from Wolpi                          375
+  Articles of stone                            375
+    Axes, hammers, etc                         375
+    Metates, or grain-grinders, and pestles    376
+    Mortars, pestles, etc                      377
+    Miscellaneous objects                      377
+  Articles of clay                             378
+    Water vases                                378
+    Water jugs and jars                        379
+    Toy-like water vessels                     381
+    Cups                                       382
+    Eating bowls                               382
+    Cooking vessels                            385
+    Toy-like vessels                           385
+    Ladles                                     385
+    Miscellaneous                              387
+    Statuettes                                 387
+  Vegetal substances                           389
+    Basketry                                   389
+    Domestic implements, toys, etc             391
+    Ornamental objects                         393
+    Statuettes                                 395
+  Animal substances                            396
+    Horn and bone                              396
+    Skin                                       397
+    Woven fabrics                              398
+Collection from Laguna                         399
+  Articles of clay                             399
+    Water vases                                399
+    Water jugs and jars                        401
+    Pitchers                                   401
+    Effigies                                   402
+    Eating bowls                               403
+Collection from Acoma                          404
+  Articles of clay                             404
+    Water vases                                404
+    Pitchers                                   405
+    Eating bowls                               405
+Collection from Cochiti                        405
+  Articles of clay                             405
+    Water vessels                              405
+    Eating bowls                               408
+    Ornaments, effigies, and toys              408
+Collection from Santo Domingo                  409
+  Articles of Clay                             409
+    Water vessels                              409
+Collection from Tesuke                         410
+  Articles of stone                            410
+    Metates, mortars, etc                      410
+  Articles of clay                             410
+    Water vases                                410
+    Water jugs and jars                        413
+    Pitchers                                   413
+    Eating bowls                               413
+    Cooking vessels                            414
+    Toys                                       414
+  Vegetal substances                           414
+    Medicines                                  414
+Collection from Santa Clara                    415
+  Articles of clay                             415
+    Water vases                                415
+    Eating bowls                               415
+    Cooking vessels                            416
+    Effigies                                   416
+Collection from San Juan                       416
+  Articles of clay                             416
+    Eating bowls                               416
+Collection from Jemez                          417
+  Articles of clay                             417
+Collection from the Jicarilla Apaches          417
+  Articles of clay                             417
+Collection from Old Pecos                      418
+  Articles of stone                            418
+  Articles of clay                             418
+  Articles of wood                             419
+Collection from the Ca�on de Chelly            419
+  Articles of clay                             419
+    Water vessels                              419
+    Bowls                                      420
+    Cooking vessels                            420
+Collection from Pictograph Rocks               420
+  Articles of clay                             420
+Collection from other localities               421
+  Articles of clay                             421
+    Miscellaneous                              421
+    Statuettes                                 421
+
+
+LIST OF ILLUSTRATIONS.
+
+
+Figs. 347-352. Zu�i grooved axes                         338
+Fig. 353. Zu�i mortar and pestle                         340
+Fig. 354. Zu�i crucible                                  340
+Fig. 355. Zu�i skinning-knife                            340
+Fig. 356. Zu�i sandstone mold                            340
+Fig. 357. Zu�i spear-head                                340
+Fig. 358. Zu�i mortar and pestle                         340
+Figs. 359-360. Zu�i water vases                          342
+Figs. 361-362. Zu�i water vases                          343
+Figs. 363-364. Zu�i water vases                          344
+Figs. 365-366. Zu�i water vases                          344
+Figs. 367-368. Zu�i water vases                          344
+Figs. 369-370. Zu�i water vases                          344
+Figs. 371-372. Zu�i water vases                          345
+Figs. 373-374. Zu�i water vases                          345
+Figs. 375-378. Zu�i water vases                          346
+Fig. 379. Zu�i canteen                                   347
+Fig. 380. Zu�i eating bowl                               347
+Fig. 381. Zu�i water vase                                347
+Fig. 382. Zu�i eating bowl                               347
+Figs. 383-384. Zu�i water vases                          347
+Figs. 385-387. Zu�i canteens                             348
+Figs. 388-391. Zu�i canteens                             348
+Figs. 392-394. Zu�i canteens                             349
+Figs. 395-397. Zu�i canteens                             349
+Fig. 398. Zu�i canteen                                   350
+Fig. 399. Zu�i water vase                                350
+Fig. 400. Zu�i canteen                                   350
+Fig. 401. Zu�i eating bowl                               350
+Fig. 402. Zu�i canteen                                   350
+Figs. 403-406. Zu�i water pitchers                       350
+Fig. 407. Zu�i water pitcher                             350
+Figs. 408-409. Zu�i cups                                 350
+Figs. 410-412. Zu�i eating bowls                         350
+Figs. 413-415. Zu�i eating bowls                         352
+Figs. 416-418. Zu�i eating bowls                         354
+Figs. 419-421. Zu�i eating bowls                         356
+Figs. 422-424. Zu�i eating bowls                         356
+Figs. 425-427. Zu�i eating bowls                         357
+Figs. 428-430. Zu�i eating bowls                         358
+Figs. 431-436. Zu�i cooking vessels                      359
+Figs. 437-441. Zu�i ladles                               360
+Figs. 442-447. Zu�i clay baskets                         361
+Figs. 448-453. Zu�i clay baskets                         361
+Figs. 454-457. Zu�i paint cups                           364
+Figs. 458-459. Zu�i condiment cups                       364
+Figs. 460-461. Zu�i effigies                             365
+Figs. 462-463. Zu�i effigies                             365
+Figs. 464-467. Zu�i effigies                             365
+Figs. 468-469. Zu�i effigies                             365
+Figs. 470-471. Zu�i effigies                             365
+Figs. 472-476. Zu�i effigies                             366
+Figs. 477-480. Zu�i effigies                             366
+Figs. 481-483. Zu�i moccasins                            367
+Figs. 484-485. Zu�i basketry                             370
+Fig. 486. Zu�i pad                                       370
+Fig. 487. Zu�i toy cradle                                370
+Fig. 488. Zu�i basketry                                  370
+Fig. 489. Zu�i toy cradle                                370
+Fig. 490. Zu�i ladle                                     370
+Fig. 491. Zu�i war-club                                  372
+Figs. 492-493. Zu�i dance ornaments                      372
+Fig. 494. Zu�i rotary drill                              372
+Fig. 495. Zu�i wooden, spade                             372
+Fig. 496. Zu�i wooden digger                             372
+Fig. 497. Zu�i rattle                                    371
+Fig. 498. Zu�i rattle                                    373
+Fig. 499. Zu�i hopple                                    373
+Figs. 500-502. Zu�i woven sashes                         373
+Fig. 503. Zu�i head dress                                374
+Figs. 504-507. Wolpi axes                                375
+Fig. 508. Wolpi metate                                   375
+Fig. 509. Wolpi ancient pipe                             378
+Fig. 510. Wolpi stone effigy                             378
+Fig. 511. Wolpi neck ornament                            378
+Figs. 512-513. Wolpi effigies                            378
+Fig. 514. Wolpi water vase                               379
+Figs. 515-516. Wolpi pots                                379
+Figs. 517-519. Wolpi vessels                             381
+Figs. 520-522. Wolpi water jars                          382
+Fig. 523. Wolpi eating bowl                              385
+Fig. 524. Wolpi cooking vessel                           385
+Fig. 525. Wolpi ladle                                    385
+Figs. 526-529. Wolpi ladles                              386
+Fig. 530. Wolpi basket                                   386
+Fig. 531. Wolpi basin                                    388
+Fig. 532. Wolpi vase and bowl attached                   388
+Figs. 533-534. Wolpi clay statuettes                     388
+Figs. 535-536. Wolpi baskets                             389
+Figs. 537-538. Wolpi baskets                             390
+Fig. 539. Wolpi basket                                   390
+Fig. 540. Wolpi floor mat                                390
+Figs. 541-542. Wolpi baskets                             390
+Figs. 543-545. Wolpi baskets                             391
+Fig. 546. Wolpi weaving stick                            392
+Fig. 547. Wolpi spindle whorl                            392
+Fig. 548-549. Wolpi rabbit sticks                        392
+Fig. 550. Wolpi rake                                     393
+Fig. 551. Wolpi drumstick                                393
+Fig. 552. Wolpi treasure-box                             393
+Fig. 553. Wolpi dance gourd                              393
+Fig. 554. Wolpi treasure-box                             393
+Figs. 555-558. Wolpi dance ornaments                     393
+Fig. 559. Wolpi head-dress                               394
+Fig. 560. Wolpi gourd rattle                             394
+Fig. 561. Wolpi musical instrument                       394
+Fig. 562. Wolpi gourd rattle                             394
+Figs. 563-565. Wolpi ornaments                           394
+Figs. 566-569. Wolpi effigies                            395
+Figs. 570-572. Wolpi effigies                            396
+Fig. 573. Wolpi horn ladle                               397
+Fig. 574. Wolpi horn rattle                              397
+Fig. 575. Wolpi perforator                               397
+Fig. 576. Wolpi arrow straightener                       397
+Fig. 577. Wolpi wristlet                                 398
+Fig. 578. Wolpi moccasin                                 398
+Fig. 579. Wolpi wristlet                                 398
+Fig. 580. Wolpi riding whip                              398
+Fig. 581. Wolpi drum                                     399
+Figs. 582-583. Wolpi blanket                             399
+Fig. 584. Wolpi anklets                                  399
+Figs. 585-587. Laguna water vases                        400
+Figs. 588-591. Laguna water vases                        400
+Fig. 592. Laguna water pitcher                           400
+Figs. 593-596. Laguna water jars                         401
+Figs. 597-600. Laguna effigies                           402
+Figs. 601-604. Laguna effigies                           402
+Figs. 605-609. Laguna effigies                           402
+Figs. 610-612. Laguna water vases                        403
+Figs. 613-615. Laguna eating bowls                       403
+Figs. 616-617. Laguna eating bowls                       403
+Figs. 618-619. Acoma water vases                         404
+Figs. 620-622. Acoma water vases                         404
+Figs. 623-624. Cochiti water vessels                     406
+Figs. 625-626. Cochiti water vessels                     406
+Figs. 627-628. Cochiti water vessels                     406
+Figs. 629-630. Cochiti water vessels                     407
+Figs. 631-632. Cochiti water vessels                     407
+Figs. 633-634. Cochiti water vessels                     407
+Figs. 635-636. Cochiti water vessels                     407
+Figs. 637-638. Cochiti water vessels                     408
+Figs. 639-640. Cochiti water vessels                     408
+Figs. 641-642. Cochiti water vessels                     408
+Figs. 643-644. Cochiti water vessels                     408
+Figs. 645-647. Cochiti effigies                          409
+Figs. 648-649. Santo Domingo drinking vessels            410
+Fig. 650. Tesuke mortar and pestle                       410
+Figs. 651-652. Tesuke water vases                        412
+Figs. 653-654. Tesuke water vases                        412
+Fig. 655. Tesuke water jar                               414
+Fig. 656. Tesuke effigy                                  414
+Fig. 657. Tesuke cooking vessel                          414
+Fig. 658. Tesuke effigy                                  414
+Fig. 659. Tesuke cooking vessel                          414
+Figs. 660-662. Santa Clara water vases                   416
+Figs. 663-664. Santa Clara eating bowls                  416
+Figs. 665-666. Santa Clara effigies                      416
+Fig. 667. Santa Clara eating bowl                        416
+Fig. 668. Santa Clara platter                            416
+Fig. 669. Santa Clara eating bowl                        416
+Figs. 670-672. Santa Clara water jars                    416
+Figs. 673-675. San Juan eating bowls                     416
+Fig. 676. Jemez water vessel                             417
+Figs. 677-680. Water vessels from Ca�on De Chelly        418
+Figs. 681-683. Water vessels from Ca�on De Chelly        420
+Figs. 684-686. Bowls from Ca�on De Chelly                420
+Figs. 687-692. Pitchers from Ca�on De Chelly             420
+Figs. 693-696. Cooking vessels from Ca�on De Chelly      420
+Fig. 697. Corrugated vessel from Pictograph rocks        420
+Map showing location of the pueblos of Arizona
+    and New Mexico                                       319
+
+
+[Illustration:
+
+SMITHSONIAN INSTITUTION. BUREAU OF ETHNOLOGY.
+J. W. POWELL, DIRECTOR.
+
+MAP
+
+SHOWING LOCATION OF THE PUEBLOS
+OF ARIZONA AND NEW MEXICO]
+
+
+       *       *       *       *       *
+
+
+    ILLUSTRATED CATALOGUE OF THE COLLECTIONS
+           OBTAINED FROM THE INDIANS
+       OF NEW MEXICO AND ARIZONA IN 1879.
+
+              By JAMES STEVENSON.
+
+
+       *       *       *       *       *
+
+
+INTRODUCTION
+
+
+It is not my intention in the present paper--which is simply what it
+purports to be, a _catalogue_--to attempt any discussion of the habits,
+customs, or domestic life of the Indian tribes from whom the articles
+were obtained; nor to enter upon a general comparison of the pottery and
+other objects with articles of a like character of other, nations or
+tribes. Occasionally attention may be called to striking resemblances
+between certain articles and those of other countries, where such
+comparison will aid in illustrating form or character.
+
+The collection contains two thousand eight hundred and fifty-eight
+specimens. Although it consists very largely of vessels and other
+articles of pottery, yet it embraces almost every object necessary to
+illustrate the domestic life and art of the tribes from whom the largest
+number of the specimens were obtained. It includes, in addition to
+pottery, implements of war and hunting, articles used in domestic
+manufactures, articles of clothing and personal adornment, basketry,
+trappings for horses, images, toys, stone implements, musical
+instruments, and those used in games and religious ceremonies, woven
+fabrics, foods prepared and unprepared, paints for decorating pottery
+and other objects, earths of which their pottery is manufactured,
+mineral pigments, medicines, vegetable dyestuffs, &c. But the chief
+value of the collection is undoubtedly the great variety of vessels and
+other articles of pottery which it contains. In this respect it is
+perhaps the most complete that has been made from the pueblos. Quite a
+number of articles of this group may perhaps be properly classed as
+"ancient," and were obtained more or less uninjured; but by far the
+larger portion are of modern manufacture.
+
+
+ARTICLES OF STONE.
+
+These consist of pestles and mortars for grinding pigments; circular
+mortars, in which certain articles of food are bruised or ground;
+_metates_, or stones used for grinding wheat and corn; axes, hatchets,
+celts, mauls, scrapers &c.
+
+The cutting, splitting, pounding, perforating, and scraping implements
+are generally derived from schists, basaltic, trachytic, and porphyritic
+rocks, and those for grinding and crushing foods are more or less
+composed of coarse lava and compact sandstones. Quite a number of the
+metate rubbing stones and a large number of the axes are composed of a
+very hard, heavy, and curiously mottled rock, a specimen of which was
+submitted to Dr. George W. Hawes, Curator of Mineralogy to the National
+Museum, for examination, and of which he says:
+
+"This rock, which was so extensively employed by the Pueblo Indians for
+the manufacture of various utensils, has proved to be composed largely
+of quartz, intermingled with which is a fine, fibrous, radiated
+substance, the optical properties of which demonstrate it to be
+fibrolite. In addition, the rock is filled with minute crystals of
+octahedral form which are composed of magnetite, and scattered through
+the rock are minute yellow crystals of rutile. The red coloration which
+these specimens possess is due to thin films of hematite. The rock is
+therefore fibrolite schist, and from a lithological standpoint it is
+very interesting. The fibrolite imparts the toughness to the rock,
+which, I should judge, would increase its value for the purposes to
+which the Indians applied it."
+
+The axes, hatchets, mauls, and other implements used for cutting,
+splitting, or piercing are generally more or less imperfect, worn,
+chipped, or otherwise injured. This condition is to be accounted for by
+the fact that they are all of ancient manufacture; an implement of this
+kind being rarely, if ever, made by the Indians at the present day. They
+are usually of a hard volcanic rock, not employed by the present
+inhabitants in the manufacture of implements. They have in most cases
+been collected from the ruins of the Mesa and Cliff dwellers, by whose
+ancestors they were probably made. I was unable to learn of a single
+instance in which one of these had been made by the modern Indians. In
+nearly all cases the edges, once sharp and used for cutting, splitting,
+or piercing, are much worn and blunt from use in pounding or other
+purposes than that for which they were originally intended. On more than
+one occasion I have observed a woman using the edge of a handsome stone
+axe in pulverizing volcanic rock to mix with clay for making pottery.
+Nearly all the edged stone implements are thus injured. Those showing
+the greatest perfection were either too small to utilize in this manner
+or had but recently been discovered when we obtained them.
+
+The grinders and mortars are frequently found composed of softer rock,
+either ferruginous sandstone or gritty clays. For a more complete
+knowledge of these stone implements we must depend on a comparative
+study of large collections from different localities, and such
+information as the circumstances attending their discovery may impart,
+rather than upon their present condition or the uses for which they are
+now employed.
+
+Metates or grain-grinders, pestles and rubbing stones belong to the
+milling industry among the Indians. The metates are generally quite
+large and heavy, and could not well be transported with the limited
+means at the command of Indians. They are therefore well adapted to the
+uses of village Indians, who remain permanently in a place and prosecute
+agricultural pursuits. They are generally of rectangular shape, and from
+10 to 20 inches in length by 6 to 12 in width, and are composed of
+various kinds of rock, the harder, coarse-grained kinds being
+preferable, though in some instances sandstone is employed; the most
+desirable stone is porous lava. These stones are sometimes carried with
+families of the Pueblos moving short distances to the valleys of streams
+in which they have farms in cultivation. In the permanent villages they
+are arranged in small rectangular bins (see Fig. 508), each about 20
+inches wide and deep, the whole series ranging from 5 to 10 feet in
+length, according to the number of bins or divisions. The walls are
+usually of sandstone. In each compartment one of these metates or
+grinding stones is firmly set at a proper angle to make it convenient to
+the kneeling female grinder. In this arrangement of the slabs those of
+different degrees of texture are so placed as to produce an increased
+degree of fineness to the meal or flour as it is passed from one to the
+other. But a small number of these slabs were collected on account of
+their great weight. Accompanying these metates are long, slim, flat
+stones, which are rubbed up and down the slabs, thus crushing the grain.
+These hand-stones are worn longitudinally into various shapes; some have
+two flat sides, while the third side remains oval. The same variety
+exists in regard to the texture of these rubbing-stones, as in the
+concave grinders.
+
+The pueblo of Zu�i, from which the most important portion of the
+collection was obtained, is situated in New Mexico, near the western
+border, about two hundred miles southwest from Santa F�.
+
+At the time of Coronado's visit to this country the pueblo was located
+at what is now known as "Old Zu�i," on the summit of a high _mesa_. The
+modern Zu�i is situated upon a knoll in the valley of the Zu�i River,
+about two miles from the site of the old town. Certain writers have
+regarded Zu�i, or rather "Old Zu�i," as one of the "Seven Cities of
+Cibola." The evidences found at and around both the old and present Zu�i
+are certainly not sufficient to warrant this view, and further and more
+careful investigations are necessary.
+
+Zu�i, although lying on the line of travel of military expeditions,
+emigrant trains, and trade between the Pacific coast and the Rio Grande,
+the foreigners visiting them have seldom remained long in their village;
+nor has the advancing wave of Caucasian settlement approached
+sufficiently near to exert any marked influence on their manners and
+customs; at least the form and decoration of their pottery bear no
+marked evidence of the influence of the more highly civilized races.
+
+The collection made here by the expedition was more extensive than that
+from any other place, and numbers about fifteen hundred objects, of
+which by far the larger part is composed of earthenware articles. These
+include large and small water vases, canteens of various sizes and
+shapes, cooking cups, and pottery baskets used in their dances,
+paint-pots, ladles, water jugs, eating bowls, spoons, pepper and salt
+boxes, pitchers, bread-bowls, Navajo water jugs, treasure boxes, water
+vases, cups, cooking pots, skillets, ancient pottery, animals, and
+grotesque images. It belongs mostly to the variety of cream-white
+pottery, decorated in black and brown colors; a portion is red ware,
+with color decorations in black. There are also several pieces without
+ornamentation, and one or two pieces of black ware, but the latter were
+most probably obtained from other tribes, and possibly the same is true
+in reference to a few pieces of other kinds which present unusual
+figures or forms.
+
+A slight glance at the figures depicted on the _tinajas_, or water
+vases, will suffice to show any one who has examined the older pottery
+of this region, specimens and fragments of which are found among the
+ruins, that a marked change has taken place in their ideas of beauty.
+Although the rigid, angular, zigzag, and geometric figures are yet found
+in their decorations, they have largely given way to carved lines,
+rounded figures, and attempts to represent natural objects.
+
+A few apparently conventional figures are still generally retained, as
+around the outside of the necks of the vases and on the outer surface of
+the bowls, probably suggested originally by the rigid outlines of their
+arid country, and in fact by their buildings. The figure of the elk or
+deer is a very marked feature in the ornamentation of their white ware,
+and is often found under an arch. Another very common figure is that of
+a grotesquely-shaped bird, found also on the necks of water vases and
+the outer surface of bowls.
+
+
+ARTICLES OF CLAY.
+
+Tinajas, or water vases, are called in the Zu�i tongue
+_tk[-a]h-wi-n[-a]-k[-a]-t[-e]hl-le_. They are usually from 8 to 12
+inches in height, and from 12 to 15 in diameter. A smaller size of the
+same form of vessels, which are from 5 to 7 inches in height and from
+8 to 10 in diameter, are called _det-ts[-a]n-n[-a]_. They are of three
+colors, cream white, polished red, and black: there are in the
+collection comparatively few of the second, and but one of the last
+variety. The decorations are chiefly in black and brown, but four or
+five pieces being in black. The decorations of the cream-white group
+present some four general types--those represented by Figs. 359, 363,
+364, and ----, in which the uncolored circular space forms the
+distinguishing characteristic; those of which Fig. 360 may be considered
+a representative, of which type there are but two specimens in the
+collection; those represented by Fig. 361, and those distinguished by
+the rosette (see Figs. 366, 367, 368, and 370).
+
+The following appear to be unique: (39935) Fig. 371, (40785) Fig. 375,
+(41149) Fig. 372, and (41167) Fig. 374.
+
+By a careful study of these decorations we find that they consist
+chiefly of the following figures, which are combined in various ways:
+triangular figures, usually on the neck; large open circles, frequently
+in a diamond figure, as in Fig. 359 (39871); scrolls; or arches as in
+Figs. 361, 362, &c.
+
+In no instance do we find the meander or Greek fret on these, or in fact
+any other Zu�i vessels. A marked characteristic of the decorations on
+the pottery of this pueblo is the absence of vines and floral figures so
+common on those of some of the other pueblos. The nearest approach to
+the vine is the double line of scrolls seen in (40785) Fig. 375.
+Although the checkered figure is common on bowls, the Zu�i artists have
+appreciated the fact that it would be out of place on the convex surface
+of the water vase. The elks or deer--for it is difficult to tell which
+are intended--are usually marked with a circular or crescent-shaped
+spot, in white, on the rump, and a red diamond placed over the region of
+the heart, with a line of the same color extending from it to the mouth,
+both margined with white; the head of the animal is always toward the
+right.
+
+As will be observed by examining the decorated pieces, the surface is
+divided into zones by lines--sometimes single, sometimes double, but
+generally slender--one near the base, one or two around the middle, one
+at the shoulder, and one at the rim; thus forming one zone embracing the
+neck, and two or three on the body, exclusive of the undecorated base.
+Sometimes there is but one zone on the body as seen in Figs. 364 (40322)
+and 359 (39871); sometimes two, as shown in Figs. 367 (40317) and 370
+(41146); but often three, the middle one quite narrow, as seen in Figs.
+361 (39934) and 362 (41150). Although not always shown in the figures,
+the lines at the rim, shoulder, and bottom are seldom wanting in Zu�i
+vases. The zones are often interrupted by broad perpendicular stripes or
+inclosed spaces in which circles, scroll figures, or rosettes are
+inserted.
+
+Measurements of these vessels show considerable uniformity of
+proportion, the widely exceptional specimens being also exceptional in
+decorations. As indicating size and proportion I give here the
+measurements of some typical as well as some abnormal specimens.
+
+The figures show the height, the diameter of the body at the widest
+part, and the diameter of the mouth in inches.
+
+  +-----------------------------------+--------+-----------+----------+
+  |                                   | Height.| Diameter  | Diameter |
+  |              Number.              |        |  of body. | of mouth.|
+  +-----------------------------------+--------+-----------+----------+
+  | 1                                 |   8.25 |   12.00   |  6.75    |
+  | 2                                 |  10.25 |   13.75   |  7.50    |
+  | 3                                 |  11.00 |   13.25   |  7.15    |
+  | 4                                 |  12.00 |   14.50   |  8.50    |
+  | 5                                 |  10.75 |   14.50   |  8.25    |
+  | 6                                 |  11.00 |   13.00   |  8.00    |
+  | 7                                 |   7.25 |   10.00   |  5.00    |
+  | 8                                 |   7.00 |    9.25   |  5.40    |
+  | 9                                 |   4.25 |    6.75   |  4.60    |
+  | 10                                |   4.40 |    5.50   |  3.75    |
+  | 11                                |   3.50 |    4.50   |  3.25    |
+  | 12                                |   3.50 |    4.25   |  2.90    |
+  | 13                                |   7.75 |    8.00   |  5.75    |
+  | 14                                |   9.00 |    9.75   |  6.50    |
+  +-----------------------------------+--------+-----------+----------+
+
+If we reduce these to proportion, using the diameter of body as the unit
+of measurement, the result is as follows:
+
+  +--------+--------+-----------++--------+--------+-----------+
+  | Number.| Height.| Diameter  || Number.| Height.| Diameter  |
+  |        |        | of mouth. ||        |        | of mouth. |
+  +--------+--------+-----------++--------+--------+-----------+
+  |  1     |    .69 |      .56  ||   8    |    .81 |      .59  |
+  |  2     |    .75 |      .54  ||   9    |    .63 |      .68  |
+  |  3     |    .83 |      .54  ||  10    |    .80 |      .68  |
+  |  4     |    .81 |      .58  ||  11    |    .78 |      .72  |
+  |  5     |    .74 |      .57  ||  12    |    .82 |      .68  |
+  |  6     |    .84 |      .61  ||  13    |    .97 |      .72  |
+  |  7     |    .72 |      .50  ||  14    |    .91 |      .67  |
+  +--------+--------+-----------++--------+--------+-----------+
+
+From this it will be seen that No. 148, which is represented by Fig. 373
+(39774), is unusually broad in proportion to the height. Nos. 152 and
+153 vary to the extreme in the other direction; No. 153 is shown in
+Fig. 364 (40322). Excluding these and taking the means of the large and
+small kinds separately we find the average ratios to be as follows:
+
+          Height.  Diameter
+                   of mouth.
+  Large     .78       .57
+  Small     .78       .61
+
+Most of the water jugs of both the Shinumos and Zu�ians are in the form
+of canteens, usually more or less spherical, and varying in capacity
+from a pint to four gallons. On each side there is a small handle in the
+form of a loop or knob, through or around which is placed a small shawl
+or strip of cloth, or a cord long enough to pass over the forehead so as
+to suspend the vessel against the back just below the shoulders. The
+other jugs are of various fanciful shapes, which will be noted in the
+catalogue. A large portion are of plain brown ware, a few plain white,
+and others white with colored decorations. Various names are used
+apparently to designate the different kinds rather than the uses for
+which they are intended.
+
+The decorations, when present, are always on the upper side, which is
+more convex than the lower, or side on which it is intended the vessel
+shall lie when not in use. In the ornamented white ware the lower
+portion is usually red or brown.
+
+As all these clay fabrics are the work of North American Indians, it is
+scarcely necessary for me to say that they are unglazed, a
+characteristic, so far as I am aware, of all aboriginal pottery.
+
+Some of the specimens, especially of the black ware, show a smooth
+finish, and may perhaps, without violence to the term, be classed as
+lustrous. This is not the effect of a varnish or partial glazing, but is
+a polish, produced generally, if not always, by rubbing with a polishing
+stone.
+
+Although, as a rule, the paste of which the ware is made is
+comparatively free from foreign matter, yet many pieces, especially of
+the decorated ware, when broken, show little whitish or ash-colored
+specks. These, when found in aboriginal pottery east of the Mississippi,
+have, I believe, been without question considered as fragments or
+particles of shell broken up and mixed with the paste. This may be
+correct in reference to the pottery found east of and in the Mississippi
+Valley, but this whitish and grayish matter in the pottery of the
+Indians of New Mexico and Arizona is in most cases pulverized pottery,
+which is crushed and mixed with the paste. Black lava is sometimes
+crushed and used in the same manner.
+
+The principal material used is a clay, apparently in its natural state,
+varying in color according to locality. Although comparatively free from
+pebbles or lumps of foreign matter, we detect in some of the coarser
+specimens small particles of mica and grains of other materials, and in
+one broken specimen the elytron of a small coleopterous insect. But as a
+general rule, the paste appears to have been free from foreign matter.
+
+A slight glance at this large collection is sufficient to show that the
+potters worked by no specific rule, and that they did not use patterns.
+While it is apparent that only a few general forms were adopted, and
+that, with few exceptions, the entire collection may be grouped by
+these, yet no two specimens are exactly alike; they differ in size, or
+vary more or less in form. The same thing is also true in reference to
+the ornamentation: while there is a striking similarity in general
+characteristics, there is an endless variety in details. No two similar
+pieces can be found bearing precisely the same ornamental pattern.
+
+Much the larger portion of the collection consists of vessels of various
+kinds, such as bowls, cooking utensils, canteens, bottles, jars,
+pitchers, cups, ladles, jugs, water vases, ornamental vessels,
+paint-pots, &c. These vary in size from the large vase, capable of
+holding ten gallons, to the little cup and canteen, which will contain
+less than half a pint. The other and much smaller portion includes all
+those articles which cannot be classed as vessels, such as images, toys,
+toilet articles, representations of animals, &c. The collection can
+perhaps be most satisfactorily classified by reference to the coloring,
+ornamentation, and quality, thus:
+
+1. _The red or uncolored pottery_, which is without ornamentation of any
+kind. Some of this is coarse and rough, and in this case always more
+than ordinarily thick; but the larger portion has the surface smooth and
+often polished. The color varies from the natural dull leaden hue of the
+clay, to a bright brick red, the latter largely predominating.
+
+2. _The brown ware_, or that which shows an admixture of mica. This,
+although uniformly without color decorations, is occasionally marked
+with impressed figures and lines. Although inferior in quality, being
+coarse and fragile, it presents more symmetrical though less varied
+forms than are usually found in the preceding group. The influence of
+contact with the European races is here very apparent, as, for example,
+in the true pitcher and other common utensils and an apparent attempt at
+glazing.
+
+3. _The black ware_ which is without ornamentation. This variety in
+quality and character is precisely like the polished red of the first
+group; but is slightly in advance of that in regard to finish, and
+perhaps, as heretofore remarked, may be classed as lustrous, while the
+red may be classed as semi-lustrous. The paste of which this black ware
+is formed appears to have been better prepared than that of the
+preceding varieties, and is the hardest and firmest in the collection.
+
+4. _The cream-white pottery decorated in colors_. This extensive group,
+which includes fully two-thirds of the entire collection, embraces
+almost every known form of earthenware manufactured by the tribes from
+whom it was obtained. The paste of which it is formed is similar in
+character to that of the black ware. When broken the fracture shows very
+distinctly the effect of burning, the interior being of the natural
+leaden color, shading off to a dull grayish white as it approaches the
+outer surface. The opaque or creamy-white color of the surface is
+produced by a coating of opaque whitewash. Upon this white surface the
+figures are afterwards drawn.
+
+The only colors used in decorating pottery are black, red, and some
+shade of brown. But of this we will speak more fully when we come to
+describe the peculiar methods practiced by the different tribes in
+making and adorning pottery.
+
+Although there is a strong general similarity in this colored
+ornamentation, the great variety of details renders it difficult to
+classify the figures so as to convey a correct idea of them to the
+reader. We shall therefore have to refer him to the numerous cuts and
+the colored plates which have been introduced for the purpose of
+illustrating the catalogue.
+
+The following general statement is about all that can be said in
+reference to them before descending to specific details.
+
+So far as the coloring is concerned they are of two kinds, those having
+the figures wholly black, and those which are partly black and partly
+brown or red. The differences in the decorated pottery appear to be
+always accompanied by certain other variations sufficient to warrant
+speaking of them as different varieties or groups. The former (those
+having the figures wholly black), which are made of the ordinary plastic
+blue clay, have only the upper half or two-thirds of the body of the
+vessel overlaid with the white coating for receiving the decorations,
+the lower part being uncoated, and of the natural pale red or salmon
+color produced by burning, but usually well polished. As additional
+distinguishing features of this group we notice that the shape is more
+generally globular, the workmanship rather superior, and the pottery
+somewhat harder and less friable than that of the other group; the
+angular and geometrical figures formed by straight lines are more common
+in this group; here we also find the meander or Greek fret correctly
+drawn, the vine, and several other designs rarely or never found in the
+other group. The figures of animals, which are common to both varieties,
+are in the former more usually distributed in zones or groups, while in
+the latter they are generally placed singly in inclosed spaces. The
+latter variety, in which we see the curve freely used, shows an evident
+advance over the ornamentation of the older pottery of this region; and
+while the figures must be classed as rude, and the outlines are less
+sharp, and not so well defined as in the older specimens, yet they
+indicate clearly a mental advance in the greater variety of conception.
+
+The figures of this entire class, as regards forms, may be grouped under
+three general headings: first, the geometrical, which is the most
+common; second, the figures of animals; and, third, rude attempts at
+floral decorations, which forms are rather rare. Strange to say, in but
+few instances can any attempt at representing the human form or any part
+of it be discovered in these color decorations.
+
+The geometric figures present an endless variety; but we notice, as is
+shown by the cuts and plates, that triangles with an elongate acuminate
+apex and the zigzag are very common in the black-brown decorations. The
+checkered figure also is not uncommon. The animals most frequently
+represented are the elk or deer and birds. The floral decorations are
+chiefly vines well drawn, and rude attempts at representing trees, and
+the flowers of various species of _Helianthus_.
+
+5. _Red ware with color decorations_. This ware is represented by but
+few vessels, which are in every respect similar to the best variety of
+the red pottery heretofore mentioned, except that it is marked with
+figures in black, many of which are decorated only on the upper portions
+around the neck or rim.
+
+6. _The ancient pottery_, of which Figs. 680 (40816) and 693 (40817) are
+good examples.
+
+The Pueblo tribes of New Mexico and Arizona, with rare exceptions,
+manufacture earthenware vessels for domestic use. The Pueblo of Taos may
+be mentioned as one of these exceptions; although the manner of living,
+the general habits, and characteristics of the tribe are similar to
+those of the other Pueblo Indians, and although they make use of pottery
+for domestic purposes, they do not manufacture it. Some pieces, such as
+water jars and vessels used for cooking, are made in the village, but
+this occurs only in such families as have intermarried with other tribes
+where the manufacture of the native ware is carried on.
+
+The Pueblos among whom the manufacture of pottery or earthenware
+utensils may be classed as a conspicuous feature of their peculiar
+civilization at the present time, are situated geographically as
+follows: San Juan, Santa Clara, San Ildefonso, Cochiti, Santo Domingo,
+San Felipe, Sandia, and Isleta, located on the Rio Grande; Pojake,
+Tesuke, Nambe, Jamez, Zia or Silla, Santa Ana, Laguna, and Acoma,
+situated on the tributaries of the Rio Grande; Zu�i, and some small
+pueblos of the same tribe all within the borders of New Mexico. Zu�i
+however is located on the Rio Zu�i, which flows into the Little Colorado
+River.
+
+The Moki pueblos, numbering seven in all, are embraced in what is called
+the Province of Tusyan, and are located within the Territory of Arizona,
+near its northeastern corner.
+
+The Zu�ians and Shinumos, although situated farther from civilized
+people and less influenced by their usages than any of the other Indians
+mentioned, surpass all the other tribes in the manufacture of all kinds
+of earthenware. The collections made from these tribes, as will be seen
+by reference to the catalogue, exceed, both in number and variety, those
+from all the others combined. The collection as enumerated in the
+catalogue includes specimens from all the pueblos referred to.
+
+Although the uses of these articles are to a great extent the same among
+all the Pueblo tribes, and the shapes and forms are apparently similar,
+yet to the experienced eye there is no difficulty in detecting the
+peculiarities which distinguish one from the other, or at least in
+assigning them to the tribes with which they originated.
+
+It will be observed by reference both to the colored and wood-cut
+illustrations that there are special distinctions between the
+ornamentation of the pottery of the pueblos of the Rio Grande Valley and
+of those situated on the tributaries of the Rio Colorado. In the
+decorations of the former the birds and vine are conspicuous and
+constantly recurring features, while in the Zu�i and Shinumo pottery the
+elk, domestic animals, and birds peculiar to these arid regions are the
+figures most frequently used. The difference is easily accounted for
+when we are informed of the fact that the former tribes reside in the
+valley of the Rio Grande, which is well adapted to the culture of the
+grape as well as other crops. The ever-present vine and the numerous
+birds which flock to this fertile valley will naturally suggest figures
+for decoration. On the other hand, the Zu�ians and Shinumos reside in
+regions almost destitute of water, and hence without any attractive
+vegetation; therefore their designs are drawn chiefly from the sharp
+outlines of their dwellings, their domestic animals, birds, and the elk
+and antelope that graze in the little grassy oases. None of these are
+actually drawn from nature, but from imagination and memory, as they
+never have an object before them in molding or painting.
+
+In none of the cases referred to do we observe any attempts to imitate
+the exact forms or ceramic designs of the so-called ancient pottery,
+fragments and sometimes entire vessels of which are found throughout
+this southwestern region. This seems strange from the fact that in the
+use of stone implements we find but few which are the result of their
+own handiwork. The old ruins are searched, and from them, and the debris
+about them, stone pestles, mortars, hammers, hatchets, rubbing stones,
+scrapers, picks, spear and arrow heads, and polishing stones are
+collected by the inhabitants of nearly all the pueblos, and are kept and
+used by them.
+
+The clay mostly used by the Zu�ians in the manufacture of pottery is a
+dark, bluish, carbonaceous, clayey shale found in layers usually near
+the tops of the mesas. Several of these elevated mesas are situated near
+Zu�i, from which the natives obtain this material. This carbonaceous
+clay is first mixed with water and then kneaded as a baker kneads dough
+until it reaches the proper consistency; with this, crushed volcanic
+lava is sometimes mixed; but the Zu�ians more frequently pulverize
+fragments of broken pottery, which have been preserved for this purpose.
+This seems to prevent explosion, cracking, or fracture by rendering the
+paste sufficiently porous to allow the heat to pass through without
+injurious effect. When the clayey dough is ready to be used a sufficient
+quantity is rolled into a ball. The dough, if worked by a careful
+artist, is first tested as to its fitness for molding by putting a piece
+of the paste to the tongue, the sensitiveness of which is such as to
+detect any gritty substance or particles, when the fingers fail to do
+so. The ball is hollowed out with the fingers into the shape of a bowl
+(this form constituting the foundation for all varieties of earthenware)
+and assumes the desired form by the addition of strips of the clay; all
+traces of the addition of each strip are removed before another is
+added, by the use of a small trowel fashioned from a piece of gourd or
+fragment of pottery, the only tool employed in the manufacture of
+pottery.
+
+The bottoms of old water jars and bowls form stands for the articles
+while being worked by the potter. The bowls are filled with sand when
+objects of a globular form are to be made. Although I have often watched
+the process, yet in no instance have I ever observed the use of a
+potter's wheel, measuring instrument, or model of any kind. The makers,
+who are always females, depend entirely on memory and skill derived from
+practice to accomplish their work. The vessels when completely formed
+are laid in some convenient place to sun-dry. A paint or solution is
+then made, either of a fine white calcareous earth, consisting mainly of
+carbonate of lime, or of a milk-white indurated clay, almost wholly
+insoluble in acids, and apparently derived from decomposed feldspar with
+a small proportion of mica. This solution is applied to the surface of
+the vessel and allowed to dry; it is then ready for the decorations.
+
+The pigments from which the paints are derived for decorative purposes
+are also found in the vicinity of the mesas, and are employed by the
+Indians in the production of two colors, each of which varies slightly
+according to the intensity of heat in the process of baking, or the
+manner in which it is applied. One varies from a black to a
+blackish-brown, the other from a light brick red to a dark dull red
+color. The material which produces these colors is generally found in a
+hard, stony condition, and is ground in a small stone mortar, just as we
+reduce India ink for use. When the pigment is properly reduced, and
+mixed with water so as to form a thin solution, it is applied with
+brushes made of the leaves of the yucca. These brushes are made of flat
+pieces of the leaf, which are stripped off and bruised at one end, and
+are of different sizes adapted to the coarse or fine lines the artist
+may wish to draw. In this manner all the decorations on the pottery are
+produced.
+
+The substance used in producing the black ware is a clayey brown
+hematite, or ferruginous indurated clay, quite hard. The material used
+to produce the red or brown colors is a yellowish impure clay, colored
+from oxide of iron; indeed it is mainly clay, but contains some sand and
+a very small amount of carbonate of lime. These are the principal
+ingredients and methods involved in the manufacture of Zu�i pottery.
+
+The method practiced by the Zu�ians in baking pottery differs somewhat
+from that employed by the tribes who make quantities of black and red
+ware. It seems to be a necessity on the part of the Zu�ians to observe
+the greatest care in this operation. Their pottery is nearly all
+decorated and must be baked free from contact with the peculiar fuel
+used for that purpose. During the baking process it sometimes happens
+that a piece of the fuel, which is composed of dried manure carefully
+built up oven-shaped around the vessels to be baked, falls against the
+vessel. In every such instance a carbonized or smoky spot is left on the
+jar or bowl, which is regarded by the Indians as a blemish. The kiln is
+carefully watched until the fuel is thoroughly burnt to a white ash,
+when the vessels can be removed without danger of such blemishes.
+
+The mode of manufacturing pottery adopted at the pueblos of the Rio
+Grande Valley is quite similar to that described as practiced by the
+Zu�i, Shinumo, Acoma, and Laguna Indians, but there is considerable
+difference in the method of decorating and polishing. Polishing is
+practiced chiefly by the Indians of the eastern pueblos, and but little
+by those of the more western region.
+
+The pueblos of Santa Clara, Cochiti, San Juan, Tesuke, &c., manufacture
+large quantities of pottery for sale in addition to that made for their
+own use. It is in these eastern pueblos that the black polished ware is
+chiefly found, and it is in the production of this class of ware that
+the chief difference in the ceramic art between the two sections exists.
+The clays used in the manufacture of this ware are of the same character
+as those of which the other is made; the paste is prepared in the same
+way, so that when the vessels are formed and ready for the kiln they are
+of the color of the original clay. In other words, the change to the
+black color is not produced in making the paste or in moulding or
+forming the vessel, but during the process of baking. The manner of
+forming the vessel is the same as with the western tribes; and when,
+formed it is dried in the sun in the same way; after this a solution of
+very fine ochre-colored clay is applied to the outside and inside near
+the top, or to such parts of the surface as are to be polished. While
+this solution thus applied is still moist, the process of polishing
+begins by rubbing the parts thus washed with smooth, fine-grained stones
+until quite dry and glossy. The parts thus rubbed still retain the
+original red color of the clay. The vessels are again placed in the sun
+and allowed to become thoroughly dry, when they are ready for baking. It
+is in this part of the process that the great differences in color are
+produced. The vessels are placed together in a heap on a level spot of
+ground and carefully covered over with coarsely broken dried manure
+obtained from the corrals. The kiln thus formed is then ignited at
+several points.
+
+It is proper to add here that the clays used by the Santa Clara Indians
+are of a brick-red color, containing an admixture of very fine sand,
+which, no doubt, prevents cracking in burning, and hence dispenses with
+the necessity of using lava or pottery fragments, as is the custom of
+the Indians of the western pueblos. The burning is carried on until a
+sufficient degree of heat is obtained properly to bake the vessels,
+which still retain their original red brick color. At this juncture such
+of the vessels as it is desired have remain in that condition are
+removed from the fire and allowed to cool, when they are ready for use.
+Those which the artists intend to color black are allowed to remain and
+another application of fuel, finely pulverized, is made, completely
+covering and smothering the fire. This produces a dense, dark smoke, a
+portion of which is absorbed by the baking vessels and gives them the
+desired black color. It is in this manner that the black ware of these
+eastern pueblos is produced.
+
+It is said that among the Cochiti, Santa Clara, and some other Pueblos a
+vegetable matter is employed to produce some of their decorative
+designs; this, however, I was unable to verify, though some of the
+Indians assured me of the fact, and furnished me a bunch of the plant,
+which Dr. Vasey, of the Agricultural Department, found to be _Cleome
+integrifolia_, a plant common throughout the Western Territories. A few
+specimens of the ware, some burnt and some unburnt, said to be decorated
+with the oil or juice of this plant were secured.
+
+As heretofore remarked, notwithstanding the variety in ornamentation,
+there are really but few different figures, and these are mostly quite
+simple. Any one interested in the study of Indian art can find in the
+figures and plates of this catalogue all the original conceptions of the
+artists of the Pueblo Indians as depicted by them.
+
+While it is of value in the study of ethnology, and as affording a means
+of comparison in the study of archaeology, there is nothing in the
+composition or ornamentation, or in the form of the vessels, that
+ceramic artists of the civilized races would desire to copy.
+
+As a means of reference in the study of ancient American pottery, I
+consider the collection invaluable, as it can scarcely be possible that
+the forms and decorations contain nothing that has been handed down from
+a former age. Although the figures used have no symbolic characters
+connected with them in the mind of the modern artist, yet it is more
+than probable that at least some of them did have such a meaning to the
+ancient artists. For example, the little tadpole-shaped figure on the
+clay baskets used in their dances and sacred ceremonies by the Zu�ians
+is understood by them to represent a little water articulate, which, as
+heretofore stated, is probably the larva of some insect or crustacean,
+very common in the pools and sluggish streams of the country inhabited
+by these Indians. Now, it is possible that this figure has been used
+with the same meaning from time immemorial, but I find, as pointed out
+to me by Prof. Cyrus Thomas, that almost exactly the same figure is on a
+vessel pictured on Plate VII of the manuscript Troano, where a religious
+ceremony of some kind is evidently represented. The same figure is also
+found in Landa's character for the Maya day _Cib_, a word signifying
+copal, a gum or resin formerly used in religious ceremonies as incense.
+I find also on Plate XXXV of the same manuscript the figures of bowls or
+pots with legs similar to those of the Zu�i. I do not point out these
+resemblances as proof of any relation between the two races, but as mere
+illustrations of what possibly may be learned by a careful study of the
+forms and decorations of this pottery. It may also be well to add here
+another fact to which Professor Thomas calls my attention, viz., the
+similarity between the manner of wearing the hair by the Shinumo women,
+_i.e._, in knots at the side, as represented by the female images, and
+that of the ancient Maya women, as shown in numerous figures on the
+manuscript Troano. Any one familiar with General Cesnola's collection
+from Cyprus cannot fail to be reminded of it when he examines this
+collection of Indian pottery; especially the colors used and the general
+character of the specimens; but an inspection of the two collections is
+necessary in order to have this general resemblance brought to mind, as
+it does not appear so distinctly on a comparison of the published
+figures only. The figures on Plate XLIV of his "Cyprus" bear quite a
+striking resemblance to those on some specimens of Cochiti ware. The
+quadruple cup, Fig. 25, page 406, is almost exactly like the Zu�i
+quadruple cups, and was probably used for the same purpose. The same
+type of multiple cups is also shown in Plate IX of the same work. The
+two tea-pot-like vessels represented on Plate VIII, as well as the two
+bird-shaped pieces on the same plate, are much, like the similar vessels
+of Cochiti pottery, several of which are figured in this catalogue.
+
+The resemblance of this Indian ware, in the form of the vessels, to that
+found in the ancient mounds of this country is so marked that it is
+scarcely necessary to remind the reader of the fact, but it may be well
+to call attention to the much, larger proportion of water vessels among
+the Indian pottery than is seen in collections from the mounds. This,
+however, may perhaps be accounted for by the scarcity of water in the
+western region.
+
+The custom of the Zu�i artists of making a diamond or triangle over the
+region of the heart of the elk and deer figures with a line running to
+the mouth, although somewhat singular, is quite consistent with the
+Indian practice of symbolic writing. I was informed by the Zu�i Indians
+that it was intended to denote that "the mouth speaks from the heart." A
+similar mark occurs in the decoration of the vase figured in Cesnola's
+"Cyprus," page 268.
+
+Contemporaneous and somewhat closely related tribes may use widely
+different figures in the decoration of their ware, and hence it is
+unsafe, in studying ancient specimens, to draw hasty conclusions from
+slight differences in this respect; and I think I may also safely add
+that a comparatively short period of time, a century or so at most, may
+suffice to bring about a great change in the same tribe in the form and
+manner of decorating their pottery. It also shows us that the ware of a
+given tribe, which does not bear the impress of civilized influence,
+can, by a careful study, be distinguished in nearly all cases from that
+of any other tribe. I feel so confident of the truth of this statement,
+that I would not hesitate to undertake to pick out all pieces of Zu�i
+ornamented ware from a collection of thousands of specimens of modern
+Pueblo Indian pottery if indiscriminately mixed together.
+
+The Shinumo pottery in general appearance and form bears a strong
+resemblance to that of Zu�i; in fact it is almost impossible to separate
+the ornamented bowls and water vases of the two if mingled together.
+There are certain figures found in the one which never occur in the
+other, but there are a number of designs, especially of those most
+generally seen, that are quite common to the pottery of both tribes.
+
+The different varieties of ware, the red or brown without decorations,
+the white with decorations, and the black are in general use with the
+tribe, and specimens of each are contained in the collection. But few
+specimens of the purely micaceous ware are found, either in Zu�i or
+Wolpi.
+
+The preponderance of the large round water jugs in the Shinumo
+collection over that of Zu�i is noticeable. This form of vessel seems
+to be more in use by tribes whose villages are quite remote from water
+or which are situated on high mesas difficult of access. The kinds of
+vessels, however, which are common with the Zu�ians are also common with
+the Shinumos, and those intended for the same use are generally of the
+same shape or similar in form. But, as with the decorations, there are
+also vessels so markedly distinct and variant from those we find at Zu�i
+as to show very readily at least tribal distinctions between the ceramic
+artists and manufacturers.
+
+The proximity of Laguna to Acoma led us to anticipate what we afterward
+found, viz., a great similarity in the forms of their vessels, and
+also in their manner of ornamentation. The principal differences consist
+in the more profuse use of the forms of birds and flowers, the first
+evidently representing prairie grouse and the last some form of
+sunflower. There is an absence of the geometrical forms, of lines
+and angles commonly observed on the works of more distant pueblos.
+
+Quite a number of animal representations, made hollow for use as
+drinking vessels, were obtained, displaying grotesquely imitative forms
+of deer, elk, sheep, big-horn, antelope, and other animals with which
+they are familiar. All of these objects have more color laid on them
+than is to be found on the pottery of their neighbors of Acoma, the
+birds and animals being painted in a light rufous fawn color not in use
+elsewhere, and the only instance of the employment of green is on a
+tinaja of this pueblo used in coloring some foliage.
+
+
+VEGETAL SUBSTANCES.
+
+This class of ware comprises a very diversified group of objects;
+indeed, so great is the variety that I will not attempt a general
+description of them. Specific reference will be made to the objects
+as they occur in their places in the catalogue.
+
+The objects of basketry or wicker-work are quite varied in form,
+construction, and decoration. Those made by the Zu�i Indians are so rude
+and coarse as not to entitle them to any merit. The larger baskets made
+by this tribe are used for carrying corn, melons, peppers, &c. The
+smaller are used for holding beans, shelled corn, and other coarse
+small materials.
+
+The basketry of the Shinumos is of a finer and more finished quality.
+Among these are many jug or canteen shaped baskets, from which, no
+doubt, many of the forms of their pottery water vessels have been
+copied. These are sometimes globular, with large round bodies and small
+necks. They are generally very closely woven and are then coated over
+with a resin or gum which renders them capable of holding water. Like
+some of their water jugs, in pottery, they have small horsehair ears
+or loops attached to the sides through which strings are passed for
+carrying them either over the head or shoulder. This class of water jug
+basketry all show evidences of age, and it is possible that they were
+manufactured by the Apaches or other tribes skilled in the art. The flat
+kinds are designed to hold fine grain and meal, and are also frequently
+used for winnowing. This is done by placing a small quantity of grain in
+the basket, and by a skillful motion throwing the grain up into the wind
+and again catching it as it comes down. This motion is kept up until the
+wind has separated the chaff from, the grain. Many of the flat baskets
+are decorated in colors, as will be seen by the accompanying
+illustrations.
+
+It is quite probable that most of the finer ware of this class is
+manufactured by the Apache Indians, who are celebrated for this work,
+and finds its way among the Pueblos through the medium of barter.
+
+The basketry of the Zu�ians is usually made of small round willows and
+the stem of the yucca, the leaves of which attain a long slender growth
+in that region. It is quite certain that the basketry used for holding
+water is not manufactured by the Zu�ians, and probably not by the
+Shinumos, though many are found with them.
+
+As previously stated, the basketry manufactured by the Shinumo Indians
+is of a more finished class and of a greater variety than that made and
+used by any of the other Pueblos, as will be seen by reference to the
+accompanying illustrations. Among the examples of this ware, obtained at
+Wolpi, is a large number of the flat or saucer-shaped kind; these vary
+both in size and character of construction as well as decoration. The
+manner of making one form of this class is quite interesting as well as
+curious. A rope-like withe of the fiber of the yucca, made quite fine,
+is wrapped with flat strips of the same plant. In forming the basket
+with this rope the workman commences at the center, or bottom, and
+coils the rope round, attaching it by a method of weaving, until, by
+successive layers of the rope, it attains the desired dimensions. These
+are quite highly and prettily ornamented in black, white, and yellow,
+and are compact and strong. Another variety of baskets of similar shape
+and size, and also fancifully ornamented, was obtained from the same
+Indians. These are made from small round willows. They exhibit less
+skill in construction, but are handsomely ornamented. Another kind was
+also obtained from the Shinumos, which, however, are attributed to the
+Apaches and probably found their way into the Moki villages through
+trade. These are large bowl-shaped baskets, almost watertight, but
+generally used as flour and meal baskets. They are also ornamented
+black and yellow, produced by weaving the material of different colors
+together while making the basket.
+
+There are many other forms and varieties, which will be referred to at
+the proper time, as they occur in the catalogue.
+
+The Pueblos employ a variety of plants and herbs for medicinal and
+dyeing purposes, some of which were collected. Their botanical names
+were not determined, but they are indigenous to the regions inhabited
+by the Indians using them.
+
+Ornaments and musical instruments employed in dances and religious
+ceremonies do not differ much among the Pueblo Indians; the principal
+ones being the drum, rattle, notched sticks, a kind of fife, and a
+turtle-shell rattle. The latter instrument is the shell of a turtle,
+around the edges of which the toes of goats and calves are attached;
+this produces a very peculiar rattling sound. The shell is usually
+attached to the leg near the knee.
+
+
+
+
+COLLECTIONS FROM ZU�I.
+
+
+ARTICLES OF STONE.
+
+_AXES, HAMMERS, AND MAULS._
+
+1. (40139). Flat rubbing or grinding stone of silicified wood.
+
+2. (40551). Stone axe, _[-o]�-l[-a]-ki-le_, with groove near the larger
+  end.
+
+3. (40552). Imperfectly-made stone axe, _[-o]�-l[-a]-ki-le_, grooved at
+  each edge; basalt.
+
+4. (40553). Large axe, with groove around the middle; sandstone.
+
+5. (40554). Axe, grooved at the middle, square and flat on top; basalt.
+
+6. (40555). Small centrally-grooved axe; schistose rock.
+
+7. (40556). Axe, grooved in the middle.
+
+8. (40557). Axe, grooved near the blunt end, which is shaped similarly
+  to the edge.
+
+9. (40558). Axe, grooved near the end.
+
+10. (40559). Small hatchet, _[-o]�-l[-a]-ki-le_, of basalt doubly
+  grooved, edge beveled from both sides, hammer end about one and a half
+  inches in diameter.
+
+11. (40560). Grooved axe, _[-o]�-l[-a]-ki-le_, of fine black basalt,
+  well polished; groove well worn. The face or side is intended to be
+  near the holder when in use. Fig. 352. This specimen was found in
+  Arizona, near Camp Apache, and was presented by Mrs. George P. Buell.
+  It is one of the largest in the collection with such perfect finish.
+
+12. (40561). Grooved in the center; of porous basalt.
+
+13. (40562). Hammer grooved in the center, rounded off at each end.
+
+14. (40563). Small hatchet-shaped instrument, square at the back, and
+  rounded at the front edge.
+
+15. (40563a). Rudely-made axe, grooved near the blunt end.
+
+16. (40564). Small axe, with a groove round the body quite near the
+  blunt end; basalt.
+
+17. (40565). Axe, three and a half inches long.
+
+18. (40566). Quite small, probably a hatchet, of firm basalt, grooved
+  near the hammer end.
+
+19. (40567). Much larger than the last, basaltic; groove quite deep and
+  smooth, hammer end circular, large, and blunt.
+
+20. (40568). Grooved axe of quartzitic rock.
+
+21. (40569). Pick-shaped axe, grooved entirely around, with imperfect
+  depressions which were in the water-worn boulder from which it was
+  made; about six inches in length.
+
+22. (40570). Boulder of sandstone with groove near the middle.
+
+23. (40571). Flat basaltic boulder, grooved near the center, straight on
+  the back, and tapering above and below the groove.
+
+24. (40572). Small basaltic hammer and axe with groove near the large
+  end.
+
+25. (40573). Small grooved axe composed of hard sandstone; hammer end
+  large, edge quite perfect.
+
+26. (40574). Small boulder of basalt, ground to an edge at one end and
+  rounded off at the other; doubly grooved.
+
+27. (40575). Large basaltic stone considerably chipped off from pounding
+  hard substances, grooved near the center, both ends quite blunt;
+  probably used as a pounding stone.
+
+28. (40576). Flat basaltic boulder, used as a pounder.
+
+29. (40577). Basaltic hatchet grooved in the middle; quite rough.
+
+30. (40578). Grooved axe of a very heavy, solid character, apparently
+  designed more for mauling than cutting.
+
+31. (40579). Large, heavy basaltic hammer and axe with groove around the
+  body near the hammer end; about seven inches long.
+
+32. (40580). Axe, grooved in the middle, upper or hammer end unusually
+  long in proportion to the size.
+
+33. (40581). Flat axe made from a water-worn boulder, oval in outline,
+  both edges designed for cutting or splitting. Deep groove encircling
+  the body, with protrusions above and below it to prevent the handle
+  from slipping out; greenstone.
+
+34. (40582). Hard, fine-grained sandstone axe wedge-shaped, without a
+  groove.
+
+35. (40583). Grooved axe with round body.
+
+36. (40584). Fig. 349. Axe with a broad, shallow groove near the upper
+  end, which is much narrower and smaller than the lower; of mottled
+  volcanic rock, white, green, and black.
+
+37. (40585). Axe grooved in the middle, irregular in shape, and much
+  chipped off at the lower edge and rounded off at the top.
+
+38. (40806). Made from a very fine, hard metamorphic rock, small enough
+  to be classed as a hatchet; crescent-shaped at the top.
+
+39. (40703). Fig. 348. A very dark brown axe, speckled with reddish
+  spots. This axe bears a much finer polish than most of those in the
+  collection.
+
+40. (40704). Axe, grooved near the upper end, which is cone-shaped.
+
+41. (40705). An almost square axe of basaltic rock, grooved on the
+  sides, flat on top.
+
+42. (40706). Axe of quartzitic rock, flat and thin; grooved.
+
+43. (40900). Long, narrow axe, grooved near the upper end.
+
+44. (40901). Axe, made from a water-worn boulder, almost to its present
+  shape.
+
+45. (40902). Small, round axe of basalt, having a shallow groove near
+  the larger end.
+
+46. (40903). Grooved basaltic axe.
+
+47. (40904). Maul, with rough surface, one side flat, the other convex,
+  with a groove.
+
+  [Illustration:
+  Fig. 347 (42229) (1/3)
+  Fig. 348 (40703) (1/3)
+  Fig. 349 (40584) (1/3)
+  Fig. 350 (39903) (1/3)
+  Fig. 351 (42205) (1/3)
+  Fig. 352 (40560) (1/3)
+  Figs. 347-352.--Zu�i Grooved Axes.]
+
+48. (40258). Double-grooved axe of porphyry, well polished and quite
+  perfect.
+
+49. (41260). Grooved axe of compact sandstone; wedge-shaped.
+
+50. (42204). Stone maul of basalt, with groove; very rough.
+
+51. (42205). Grooved axe of basalt. Fig. 351. This specimen was obtained
+  at Fort Wingate, in New Mexico, but was probably found in or around
+  some of the ruins.
+
+52. (42229). This is one of the finest specimens in the collection, and,
+  as shown by the cut, Fig. 347, has the handle attached, ready for use.
+  This is formed of a willow withe bent round the axe and doubled,
+  extending out far enough to form a handle and wrapped with a buckskin
+  string; of compact basalt.
+
+53. (42230). Shallow-grooved axe of basalt.
+
+54. (42231). Axe, with a shallow groove near the larger end.
+
+55. (42232). Axe of basalt, grooved on the sides.
+
+56. (42233). Grooved axe, in size and shape the same as (42226).
+
+57. (42234). Grooved axe of a peculiar black mottled rock, with white,
+  marble-like streaks through it; groove surrounding it in the center.
+
+58. (42235). Irregularly-shaped axe with a wide and deep groove
+  surrounding it, curiously mottled with reddish and green streaks.
+  Specimens of this kind are quite rare.
+
+59. (42236). Grooved axe; sides well polished and exhibiting peculiar
+  reddish spots.
+
+60. (42237). Small grooved axe of metamorphic rock.
+
+61. (42238). Grooved axe.
+
+62. (42239). Small grooved axe of schistose rock, much flaked off at
+  each end.
+
+63. (42240). Axe, grooved on three sides; similar in size and shape to
+  (42223).
+
+64. (42241). Grooved axe with flattened top.
+
+65. (42242). Same as the preceding.
+
+66. (42242). Grooved axe with two edges.
+
+67. (42244). Celt-shaped axe of basalt; it appears to have been used as
+  a rubbing stone.
+
+68. (39869). Zu�i maul with circular groove around the centre, used
+  generally for grinding or pounding soft foods, such as red-pepper
+  pods; of porous lava.
+
+69. (39903). Double-edged axe, _[-o]�-l[-a]-ki-le_, with groove around
+  the middle; volcanic rock, from Zu�i. See Fig. 350.
+
+70. (42349). Rounded end of a sandstone metate grinder converted into a
+  flat hammer by grooving it at the opposite edges.
+
+71. (41291). Pounder of sandstone. It was originally a common axe. Thumb
+  and finger depression on the sides.
+
+72. (40871). Lava Chili pounder with cap-shaped ends; grooved.
+
+73. (40906). Lava rock pounder; small.
+
+_METATES, OR GRAIN-GRINDERS, AND PESTLES._
+
+74. (40870). Square red sandstone metate.
+
+75. (42280). Flat sandstone grinding slab.
+
+76-82. The following numbers represent the rubbers accompanying the
+  metates. The Indian name is _y�-l[)i]n-ne_: 76, (40909); 77, (40910);
+  78, (40911); 79, (40912); 80, (40913); 81, (40914); 82, (41259);
+  sandstone rubber.
+
+_MORTARS, PESTLES, ETC._
+
+These are found in use at all the pueblos, but are more common in Zu�i
+and the Moki villages than elsewhere, as these Indians use mineral
+pigments more extensively and in greater variety than any of the others.
+
+The pestles and mortars obtained from these tribes are all too small to
+be used for any other purpose than grinding pigments. Many of them
+appear to be quite old, and were probably handed down from distant
+ancestors, or obtained from the ruins. Some of them are evidently of
+modern manufacture.
+
+83. (40707). Mortar; a round, flat, quartzitic boulder with round cavity
+  on one side about one inch in diameter and half an inch deep, and a
+  square depression on the other about an inch deep and two inches in
+  width; indigo still clinging to the surface of the depression.
+
+84. (40708). Mortar of quartzite, the body nearly square and flat;
+  depression round and about four inches in diameter, quite shallow.
+
+85. (40709). Mortar of coarse-grained sandstone, almost perfectly round,
+  the cavity quite deep, and lined with red ochre or vermilion.
+
+86. (40710). Mortar of a flat sandstone with irregular rim about four
+  inches in diameter.
+
+87. (40711). Paint mortar of a small round quartz boulder.
+
+88. (40712). Mortar of fine-grained sandstone about six inches long by
+  three wide; sides square. This mortar was in use by the Zu�ians for
+  the purpose of grinding a pigment of yellowish impure clay, colored by
+  the oxide of iron, with which they decorate their pottery, and which
+  produces the brown and reddish-brown colors.
+
+89. (40713). Small mortar of sandstone.
+
+90. (40714). Mortar made from a flat water-worn quartz boulder with a
+  circular depression about half an inch deep. The bottom of this mortar
+  shows evidence of its having been used as a grinding stone previous to
+  being converted into a mortar, or it may have been used for both
+  purposes, as both the paint cavity and the rubbing side show recent
+  use.
+
+91. (40715). Paint mortar of basalt, used for grinding the yellow
+  pigment for ornamenting pottery; about four inches in diameter, cavity
+  about one inch deep, bottom ground flat.
+
+92. (40716). Flat paint mortar, of quartz rock, almost round, about an
+  inch thick, depression quite shallow; used for grinding a pigment of
+  azurite or carbonate of copper, small nodules of which they collect
+  at copper mines. This pigment is used in painting and decorating
+  wooden images and gods.
+
+  [Illustration:
+  Fig. 353 (40731) (1/3)
+  Fig. 355 (42245) (1/3)
+  Fig. 354 (42266) (1/3)
+  Fig. 357 (40808) (�)
+  Fig. 356 (41289)
+  Fig. 358 (42272) (�)
+  Figs. 353-358.--Stone Implements from Zu�i.]
+
+93. (40717). Mortar similar to the above, and used for the same purpose.
+
+94. (40718). Paint mortar made from a large irregularly round
+  ferruginous sandstone. Used in pulverizing a reddish pigment for
+  decorating pottery.
+
+95. (40719). Mortar of a globular shape, made from a coarse-grained
+  sandstone, used for grinding or mixing vermilion.
+
+96. (40720). Paint mortar of sandstone. The whole mortar is only about
+  an inch thick; made from a section of an old metate rubber.
+
+97. (40722). Paint mortar of quartzite; blue pigment grinder. Size about
+  four by three inches. This, like many of the flat mortars, has been
+  first used as a rubbing stone and subsequently converted into a paint
+  mortar.
+
+98. (40723). Mortar made from a quartz boulder.
+
+99. (40724). Sandstone mortar.
+
+100. (40725). Paint mortar of sandstone, very flat.
+
+101. (40726). Paint mortar, with oblong shallow depression; sandstone.
+
+102. (40728). Square paint mortar; cavity about half an inch deep;
+  sandstone impregnated with iron. Quartzitic pestle accompanying it.
+
+103. (40729). Paint mortar of quartzite; almost square; depression
+  almost worn through by use; quartz pebble pestle accompanying it.
+
+104. (40730). Small round paint mortar of basalt, with white quartz
+  pebble pestle.
+
+105. (40731). Fig. 353. Paint mortar and pestle of quartz, with a knob
+  on the end, which serves as a handle. This mortar was used in grinding
+  an azurite pigment.
+
+106. (40732). Mortar shaped somewhat like a ladle; the projecting end is
+  provided with a small groove out of which the paint is poured.
+
+107. (40733). Small sandstone mortar.
+
+108. (40864). Paint mortar of sandstone.
+
+109. (40868). Paint mortar of basalt, almost square.
+
+110. (40869). Flat, square sandstone paint mortar; black water-worn
+  pebble for pestle.
+
+111. (40907). Chili or red pepper mortar of very porous lava rock; oval
+  bottom, shallow cavity, about four inches thick and eight in diameter.
+  These lava mortars may have been used for other purposes, but at the
+  present time the Indians use them in crushing the pods and seeds of
+  red pepper, and occasionally for crushing parched corn. They are quite
+  common.
+
+112. (40908). Food mortar of lava rock; square with flat bottom.
+  Mortars of this kind are used in crushing grain and seeds.
+
+113. (42272). Fig. 358. Paint mortar of very hard, fine-grained
+  sandstone. The specimen is a very fair type of all the square paint
+  mortars and pestles. The depression is often square instead of round.
+  In grinding pigments the Indians generally move the pestle backward
+  and forward instead of around as is done by our druggists.
+
+114. (41273). Small sandstone paint mortar, much like the preceding.
+
+115. (40227). Small egg-shaped paint pestle of white quartz. The general
+  name of these in Zu�i is _�h-sh[)o]c-t[-o]n-ne_.
+
+116. (42276). Flat sandstone, circular and about five inches in
+  diameter; used as a quoit; originally a rubbing stone.
+
+_MISCELLANEOUS OBJECTS._
+
+117. (39755). Eight specimens not very well defined. They are flint
+  flakes, showing, by their shape, that they were designed for scrapers
+  and groovers, being flat or slightly concave on one side and oval on
+  the other.
+
+118. (41289). Fig. 356. This is a sandstone mould for shaping metal
+  into such forms as suit the fancy of the Indians for bridle and other
+  ornaments; one cavity is rectangular, about four inches long by one in
+  width; the other about two inches in diameter. Silver, which has long
+  been a metal of traffic among these tribes, is the one which is
+  usually melted down for ornamental purposes. After it is taken from
+  the mould it is beaten thin, then polished.
+
+119. (41290). Is a portion of the same mould, with one cavity square and
+  the other in the shape of a spear-head.
+
+120, 121. (42266), Fig. 354, and (42267), are crucibles, which were used
+  in connection with the moulds for melting silver and other metals.
+  Many other ornaments are made in the same manner.
+
+122. (40808). Fig. 357. This is a large, rudely chipped spear-head of
+  mica schist, obtained at Zu�i, which was carried in the hand of one of
+  the performers in a dance. It does not show any evidences of having
+  been used in any other way. They called it _�h�-chi-�n-t[-e]h-�-hla_.
+
+123. (42245). Fig. 355. Handsomely-shaped and well-polished skinning
+  knife of a remarkably fine-grained silicious slate. Above the
+  shoulders on one side it is worn off to an oval surface, and is flat
+  on the other.
+
+124. (40915). Round sandstone, which is called a gaming stone; it is
+  quite round, and bears the same name in Zu�i as the pestle,
+  _[-a]h-k�-mon-ne_.
+
+125. (40916). Quartz stone, flat and rounded at the ends as a sort of
+  last to keep moccasins in shape while being sewed; called
+  _y�-l[)i]n-ne_.
+
+126. (41239). String of alabaster beads, _tem-thla_.
+
+127. (41240). Charm, representing the upper part of the body and head of
+  a bird.
+
+128. (41241). Charm; representing a horse; quartz.
+
+129. (41242). Charm; bird's head and upper part of body.
+
+  [Illustration:
+  Fig. 359 (39871) (1/5)
+  Fig. 360 (39916) (�)
+  Figs. 359, 360.--Zu�i Water Vases.]
+
+  [Illustration:
+  Fig. 361 (39834) (1/5)
+  Fig. 362 (41150) (�)
+  Figs. 361, 362.--Zu�i Water Vases.]
+
+130. (41243). Charm; horse and saddle.
+
+131. (41244). Charm; representing entire bird; quartz.
+
+132. (41245). Charm; head and upper part of body of a bird.
+
+133. (41246). Charm; the same.
+
+134. (41247). Agate arrow-head.
+
+135. (40870). Disk of sandstone, slightly convex in the centre; used in
+  games.
+
+136. (42325). Flat sandstone slab, with the horns of male and female
+  deer engraved on one side.
+
+137, 138. (40721) and (41249). Flat sandstones, used for baking
+_wi-a-vi_, a thin, wafer-like bread, by heating the rocks and then
+spreading a gruel-like mixture of corn meal over them. The largest one
+of these stones is about three feet in length by two in width. They are
+used by the Zu�i and Moki pueblos quite extensively.
+
+139. (42324). Eighty chip flints and flakes of agate, quartz,
+  chalcedony, &c.
+
+
+ARTICLES OF CLAY.
+
+_WATER VASES._
+
+140. (39871). Form and decorations shown in Fig. 359. The slender
+  shading lines only are brown, the rest of the figuring black; the base
+  in this as in most Zu�i pottery is reddish or slate colored. This may
+  be considered as the type of one variety of decorations, readily
+  distinguished by the unadorned circular spaces, the large scrolls, and
+  the absence of animal forms. The larger forms of these vases are
+  called by the Zu�ians _k[-a]h�-wi-n[-a]-k�-t[-e]hl-le_; the smaller
+  forms, _det-tsan-na_.
+
+141. (39916). The ornamentation is well shown in Fig. 360. The
+  combinations on this piece are rare on Zu�i pottery, and the chief
+  figure on the body is more symmetrical than is usual in this group of
+  ware. This may also be considered as representing a second type of
+  decorations of which there is but one other example in the collection.
+
+142. (39920). This belongs to the variety represented by Fig. 360, and
+  varies chiefly in having the neck decorated with leaf-like figures,
+  and in having the scrolls replaced by triangles with inner serratures.
+
+143. (39934). The largest size; Fig. 361. The decorations of this piece
+  belong to a third variety, distinguished chiefly by the presence of
+  the elk or deer. Attention is called to the three figured zones or
+  belts on the body, the upper with the arch inclosing an elk; the
+  middle and narrow belt adorned with figures of birds with a long crest
+  feather. The helix or scroll is freely introduced in this variety. The
+  one here figured is typical of quite a large group. The animals are
+  usually black, as are the lines separating the spaces.
+
+144. (41150). This is similar in size and decorations to Fig. 361, and
+  is shown in Fig. 362. The difference in the form of the bird in this
+  from that in the preceding is worthy of notice.
+
+145. (39933). Similar to No. 143 (Fig. 361); bird scrolls as in No. 144.
+
+146. (40322). Medium size, represented in Fig. 364. It may be grouped in
+  the variety of which Fig. 359 is given as the type.
+
+147. (39936). Large size; decorations resembling those in Fig. 364, but
+  with two belts of scrolls on the body.
+
+148. (41154). Medium size; figures as in No. 147.
+
+149. (41155). 150. (41162). Medium size; decorations similar to the
+  preceding, except that No. 150 (41162) has figures of sheep on the
+  neck.
+
+151. (41158). Large size; the ornamentation of this piece, as will be
+  seen by reference to Fig. 363, belongs to the variety represented by
+  Fig. 359 and 364, but differs in having on the body a middle zone of
+  bird-like figures.
+
+152. (41161). Large size; similar to Fig. 363.
+
+153. (39943). Decorations very similar to those shown in Fig. 359.
+
+154. (39937). Medium size; ornamentation similar to that seen in Fig.
+  361.
+
+155. (40312). Large size; shown in Fig. 365. As will be seen by
+  comparison the decorations are the same as those in Fig. 361, except
+  that the elk is omitted and a figure of scrolls introduced in its
+  place.
+
+156. (40310). Fig. 366. Large size. In the decorations of this piece we
+  observe a new feature, a rosette or flower, showing a decided
+  appreciation of the beautiful, either suggested by the flowers of the
+  Helianthus or by something introduced by Europeans, but most probably
+  the former. The different forms of this figure found on this ware
+  furnish, perhaps the best evidence of taste exhibited by the Zu�ian
+  artists.
+
+157. (40313). Fig. 368. Large size. In this we see the same figures as
+  in Figs. 363 and 366 brought into combination with the rosette, the
+  birds being replaced by sheep.
+
+158. (40318). Large size; similar to No. 149, except that the rosette is
+  introduced in place of the circle.
+
+159. (40314). }
+160. (40316). }
+  Decorations belong to the variety shown in Fig. 361.
+
+161. (40317). Fig. 367. A little study of these figures will satisfy any
+  one that although there is an apparently endless variety in details,
+  there are, in fact, but comparatively few different figures.
+
+162. (41146). Fig. 370. This belongs to the same variety as Fig. 368.
+
+163. (40315). Large size, similar to that represented in Fig. 370, but
+  varying in form, having the expansion at the shoulder more prominent
+  and tapering more rapidly from thence to the base. The figures remind
+  us of the trappings often seen in Japanese cuts.
+
+  [Illustration:
+  Fig. 363 (41158) (1/5)
+  Fig. 364 (40322) (1/3)
+  Figs. 363, 364.--Zu�i Water Vases.]
+
+  [Illustration:
+  Fig. 365 (40312) (1/5)
+  Fig. 366 (40310) (1/5)
+  Figs. 365, 366.--Zu�i Water Vases.]
+
+  [Illustration:
+  Fig. 367 (40317) (1/5)
+  Fig. 368 (40313) (1/5)
+  Figs. 367, 368.--Zu�i Water Vases.]
+
+  [Illustration:
+  Fig. 369 (40701) (�)
+  Fig. 370 (41146) (�)
+  Figs. 369, 370.--Zu�i Water Vases.]
+
+  [Illustration:
+  Fig. 371 (39935) (�)
+  Fig. 372 (41149) (�)
+  Figs. 371, 372.--Zu�i Water Vases.]
+
+  [Illustration:
+  Fig. 373 (39774) (�)
+  Fig. 374 (41167) (�)
+  Figs. 373, 374.--Zu�i Water Vases.]
+
+164. (40319). Medium size; decorations similar to those in Fig. 361,
+  except that here the elk or deer stands on a broad black band in which
+  there is a row of white diamonds.
+
+165. (40321). Medium size; of the variety represented in Fig. 361, but
+  in these smaller pieces the bird zone is omitted, and there is but one
+  figured zone on the body. In this example a small elk is represented
+  as standing on the back of a larger one.
+
+166. (40700). Medium size, belonging to the same type as the preceding.
+  On the neck are figures of grotesque kite-shaped birds.
+
+167. (40701). Medium size; Fig. 369. This and the preceding one are not
+  designated as vases in the original Smithsonian Catalogue, nor in my
+  field list, but according to the form should be classed in this group.
+
+168. (41165). Medium size; decorations similar to those of Fig. 367, but
+  varying in having the figure of a bird introduced in the middle belt
+  with a small double scroll arising out of the back. The lower belt has
+  the same bird reversed.
+
+169. (39935). Medium size. The unusual decorations of this piece are
+  shown in Fig. 371. It differs, as does also Fig. 369, from the usual
+  form; the body is more nearly spherical, the neck more gracefully
+  curved, and the rim slightly flaring. The proportions are also
+  different; height, 8.75 inches; diameter of body, 10; of mouth, 6.5.
+
+170. (41144). }
+171. (41147). }
+  Decorations similar to those in Fig. 364; (41144) varies in having the
+  figures of elk or deer on the neck and in the coarser or ruder
+  scrolls.
+
+172. (41149). This somewhat abnormal form is well shown in Fig. 372. It
+  is of medium size.
+
+173. (41152). This belongs to the same type, both as to form and
+  decorations.
+
+174. (41153). Large size; of the usual form, but the decorations on the
+  body peculiar, the design being crudely architectural.
+
+175. (41156). Medium size, belonging to the type represented by Fig.
+  361.
+
+176. (41163). Medium size. This pretty vase has a somewhat peculiar
+  decoration, which can be best described as a kind of patch-work
+  representing small fragments of pottery.
+
+177. (41166). Medium size, with the usual elk and scroll figures.
+
+178. (41167). This specimen, which is rather above medium size, presents
+  one of the most chaste designs in the entire group. It is represented
+  in Fig. 374. Attention is called especially to the leaves and to the
+  simple meander in the stripes.
+
+179. (41168). Marked with the usual elk and scroll figures. Medium size.
+
+180. (39774). The decorations of this piece, shown in Fig. 373, may be
+  classed with the peculiar type with oblique and vertical bands
+  represented in Fig. 374.
+
+181. (39917). Figures similar to those in Fig. 363.
+
+182. (40768). The decorations on this piece consist entirely of
+  representations of pyramids or possibly of pueblos, and are arranged
+  in bands, one on the neck and two on the body; the two upper bands
+  show the figures inverted.
+
+183. (40770). }
+184. (40771). }
+  No. 183 is decorated with scrolls and bird scrolls and a scalloped
+  line around the shoulder; No. 184 with elks and scrolls on the body.
+
+185-188. 185, (40800). Fig. 378. The grotesque or kite-like bird seen on
+  the neck, though rarely seen on the large water vase, is common on the
+  small ones. To this type belong the following Nos. 186, (40769); 187,
+  (40772); 188, (40791).
+
+189. (40773). }
+190. (40776). }
+  These have the usual triangular and scroll designs without animal
+  figures, as in Fig. 364.
+
+191. (40777). Fig. 377. The decorations on this evidently belong to the
+  same type as those represented in Fig. 359, the bird on the neck being
+  the only variation. To this type also belong the following numbers:
+  192, (40778); 193, (40792); 194, (40794).
+
+195. (40779). }
+196. (40781). }
+197. (40788). }
+198. (40787). }
+199. (40788). }
+200. (40801). }
+  These belong to the type represented by Fig. 361, distinguished
+  chiefly by the elk, triangular figures, and scrolls.
+
+201. (40780). }
+202. (40784). }
+203. (40786). }
+204. (40790). }
+  The decorations on these are similar to those shown in Figs. 366, 367,
+  368, and 370, in which the rosette is a distinguishing characteristic.
+  Nos. 201, 202, and 203 are without figures of animals; No. 204 has a
+  double belt of elk figures between the rosettes.
+
+205. (40782). The designs on this remain unfinished; except that the
+  triangles on the neck and the arches in which it was evidently the
+  intention to place the figures of animals, are shown.
+
+206. (40785). Fig. 375. This pretty vase, as will be seen by reference
+  to the figure, has the diameter greater in proportion to the height
+  than usual. Although the design is tasteful the hues are coarse and
+  not so well drawn as the figure indicates.
+
+207. (40789). On this there is an evident attempt to represent a pueblo
+  or communal dwelling and the ladders.
+
+208. (40793). Shown in Fig. 376.
+
+209. (40795). Neck and lower belt of the body marked with vertical lines
+  and oblique diamonds; upper belt with inverted pyramidal figures.
+
+210. (40849). Very small; marked with oblique scalloped lines.
+
+211. (40850). Very small; elk and grotesque bird on the body.
+
+212. (40851). Very small; decorations similar to those on the middle
+  belt of Fig. 373.
+
+  [Illustration:
+  Fig. 375 (40785) (1/3)
+  Fig. 376 (40793) (1/3)
+  Fig. 377 (40777)
+  Fig. 378 (40800) (�)
+  Figs. 375-378.--Zu�i Water Vases.]
+
+  [Illustration:
+  Fig. 379 (39659)
+  Fig. 380 (39618)
+  Fig. 381 (40798)
+  Fig. 382 (39592)
+  Fig. 383 (41145)
+  Fig. 384 (41052)
+  Figs. 379-384.--ZU�I POTTERY.]
+
+213. (41105). Similar to that shown in Fig. 361.
+
+214. (40774). Marked with transverse lines and scrolls; design simple
+  and unique.
+
+The following specimens are red ware:
+
+215. (40311). Large size; without ornamentation.
+
+216. (40775). Small; form peculiar, diameter of the body greatest at the
+  base, mouth flaring; decorations in black, consisting of triangles
+  pointing downwards, and lines.
+
+217. (40798). Medium size. See Fig. 381.
+
+218. (40799). }
+219. (40802). }
+  Small; without ornamentation.
+
+220. (41145). Large. See Fig. 383.
+
+221. (41052). Medium size. See Fig. 384.
+
+222. (41151). }
+223. (41157). }
+224. (41159). }
+  Medium size; without ornamentation.
+
+225. (41160). Medium size; with a scalloped band in black around the rim
+  and shoulder.
+
+Black ware:
+
+226. (39930). Large size; without ornamentation.
+
+The only black water vase obtained at Zu�i; it was doubtless procured
+from some other tribe. The black ware obtained from, this tribe is in
+nearly all cases used for cooking, or holding liquids or moist foods. As
+remarked in another place, the Zu�i black ware is generally small except
+in cases where large quantities of food are to be cooked, which occurs
+at feast tunes, when very large vessels are employed.
+
+_WATER JUGS AND JARS._
+
+These vary so greatly in form that it is impossible to give any general
+description that would convey a correct idea.
+
+227. (39885). Somewhat mug-shaped, with handle; the top is rounded to
+  the small mouth, no neck. White ware with scalloped bands and a
+  Maltese cross.
+
+228. (39886). Similar in form, but smaller, without handle or
+  decorations.
+
+229. (39899). Somewhat similar in form to the preceding, except that it
+  is lower and more depressed, and instead of a mouth, at the top there
+  is an orifice at the side as in the canteens, with which this should
+  probably be classed.
+
+230. (39940). Similar to No. 228.
+
+231. (40062). Similar in form to No. 227, but without handle; with a
+  double scalloped band around the constricted portion, and a single one
+  around the mouth; figure of an insect on the upper half; apparently
+  intended to represent a butterfly or large moth.
+
+232. (40608). Small unhandled jug in the form of a smelling bottle.
+  Unadorned.
+
+233. (40611). Similar to No. 232.
+
+234. (40697). }
+235. (40608). }
+  Like No. 228, with slight decorations.
+
+236. (41140). An amphora or slender jug with two handles.
+
+237. (39928). A jar shown in Fig. 399.
+
+238. (39922). _M[-e]-h[-e]-t[-o]_, canteen of large size. Plain brown,
+  as are also the following specimens:
+
+239-242. 239, (40079); 240, (40081); 241, (40082), this has a small
+  flower on one side; 242, (40083).
+
+243-245. 243, (40088); 244, (40090); 245, (40091).
+
+246-248. 246, (40085); 247, (40086), and 248, (40676), plain, white.
+
+249. (40077). White with color decorations. Fig. 387.
+
+The following eight specimens are also white with colors:
+
+250. (40078). Decorated profusely with scrolls, leaves, and other
+  figures. See Fig. 400.
+
+251. (40080). Figure of a coiled snake or worm, without head or other
+  character to indicate what it was intended to represent.
+
+252. (40084). Usual scroll figures.
+
+253. (40087). Decorated with simple loops and bands.
+
+254. (40089). Radiating serrate lines.
+
+255. (40092). Vase-shaped, with three colored bands.
+
+256. (40093). Shown in Fig. 385.
+
+257. (40886). Handsome piece, with floweret at the apex, scrolls on the
+  side, and a scalloped band around the middle. The bands are always
+  horizontal, the vessel being on its side. See Fig. 398.
+
+258. (39914). _M[-e]-h[-e]-t[-o]-ts[-a]n-n[-a]_, canteens of small size.
+  Red. Double, with two sets of handles and two chambers, but with
+  only one orifice. Decorations in white, those on the larger piece
+  consisting of meanders of the simplest form, a figure very unusual on
+  Zu�i pottery.
+
+259. (39659). Brown, with handle and decorations in black. See Fig. 379.
+
+260. (39923). Plain brown.
+
+The following are also plain brown, red, or yellow:
+
+261-271. 261, (40094); 262, (40095); 263, (40096); 264, (40097), Fig.
+  390; 265, (40099); 266, (40100); 267, (40101); 268, (40687), Fig. 386;
+  269, (40688); 270, (40689); 271, (40690).
+
+272. (40102). White, with an oblique scalloped band.
+
+273. (39872). White, shown in Fig. 389.
+
+274. (40686). White, decorations as in Fig. 389.
+
+275. (40685). White, with a single flower.
+
+276. (40691). White, egg-shaped, with a single handle; decorated with a
+  figure of the horned toad.
+
+277. (40692). White, form and decorations like those shown in Fig. 385.
+
+278. (40098). With outline figures of birds.
+
+279. (40695). White, shown in Fig. 388. Although obtained at Zu�i, this
+  piece may have been manufactured at one of the other pueblos.
+
+  [Illustration:
+  Fig. 385 (40093) (1/3)
+  Fig. 386 (40687) (1/3)
+  Fig. 387 (40077) (1/6)
+  Figs. 385-387.--Zu�i Canteens]
+
+  [Illustration:
+  Fig. 388 (40695) (1/3)
+  Fig. 389 (39872) (1/3)
+  Fig. 390 (40097) (1/3)
+  Fig. 391 (40106) (1/3)
+  Figs. 388-391.--Zu�i Canteens.]
+
+  [Illustration:
+  Fig. 392 (39889) (1/5)
+  Fig. 393 (40104) (1/3)
+  Fig. 394 (39915) (1/3)
+  Fig. 392-394.--Zu�i Canteens.]
+
+  [Illustration:
+  Fig. 395 (39913) (1/3)
+  Fig. 396 (39837) (1/3)
+  Fig. 397 (39914) (1/6)
+  Figs. 395-397.--Zu�i Canteens.]
+
+_JUGS OF FANCIFUL FORMS._
+
+280. (39913). Fig. 395. Zu�i name _M[-e]�-wi-i-p�-chin_.
+
+281. (39887). Similar to No. 280.
+
+282. (39889). Fig. 392. _M[-e]�-wi-k[-e]-lik-t[-o]n-ne_. Plain red.
+
+283. (39915). Fig. 394.
+
+284. (40103). White, bottle-shaped, with constriction below the middle;
+  scalloped bands and bird figures around the upper third. See Fig. 402.
+
+285. (40104). Shown in Fig. 393.
+
+286. (40105). Similar to No. 285. Marked with the figure of a bird
+  having the wings spread. Navajo. _K[-o]�-s[-e]-t[)o]m-me._
+
+287. (40106). Fig. 391.
+
+288. (39887). Fig. 396. A double-globed canteen; triangular, with
+  orifice at upper convexity.
+
+289. (39914). Fig. 397. Red ware, with white lines on the lower globe
+  and decorations in black on the upper, with orifice in each globe.
+
+_PITCHERS._
+
+These are of the usual form, of such vessels, except that they are
+generally without the lip. It is possible that to a certain extent they
+have been patterned after those observed in use among the Europeans or
+white races with whom these Indians have come in contact. But we shall
+presently find specimens similar in form among the ancient pottery found
+in the ruins of the cliff houses. We are inclined to believe that the
+form is original and not borrowed. The figures introduced will suffice
+to illustrate the form and usual decorations. The specimens obtained are
+generally small, varying in capacity from a pint to half a gallon. These
+are known in Zu�i by the name _[-E]�-m[-u]sch-t[-o]n-ne_.
+
+290. (39918). Shown in Fig. 403.
+
+291. (40668). With scalloped margin and decorations similar to those on
+  Fig. 403.
+
+292. (40669). Without handle and should be classed with the cups.
+  Figures of plants.
+
+293. (40671). Triangles on the upper portion; simple meander on the
+  bowl.
+
+294. (40672). Similar to the following.
+
+295. (40673). With scalloped margin and zigzag lines on white ground;
+  small right-angle handle.
+
+296. (40674). With scalloped marginal and middle bands. The following
+  are brown ware with but slight decorations:
+
+297-310. 297, (40838); 298, (40839); 299, (40841); 300, (40843), outline
+  figures similar to those on No. 293; 301, (40844); 302, (40887); 303,
+  (40888); 304, (40889); 305, (40890), is really black but not polished;
+  306, (40891); 307, (40893); 308, (40894); 309, (40897); 310, (40898).
+
+311. (40842). Scalloped rim and similar in size and shape to 298,
+  (40839).
+
+312. (40845). Small, white, with decorations and of unusual form, in
+  fact in the original field list is classed among the canteens. The
+  mouth is prolonged obliquely in the form of a large tube. It should
+  perhaps be classed with the water jugs.
+
+313. (40892). Form and decorations shown in Fig. 405.
+
+314. (40895). Scalloped margin; decorated with scrolls.
+
+315. (40896). Scalloped margin. Figures of the little water animal so
+  often represented on the earthenware baskets.
+
+316. (40899). Without handle; diamond figures on the neck.
+
+317. (41005). Fig. 406.
+
+318. (41013). Slender neck and small mouth; jug-shaped, marked with
+  twigs and leaves. This does not appear to be of Zu�i manufacture.
+
+319. (41136). Fig. 407.
+
+320. (40840). Shown in Fig. 404.
+
+_CUPS OR CUP-SHAPED VESSELS._
+
+Under this general head are included two forms: one, closely resembling
+the true cup, as shown in the figures and to which the Zu�is apply the
+name _s[-a]t-ts[-a]n-n[-a]-m[-u]-y[-a]_, and those in the form of ollas
+or bowls, and without handles. The decorations of the true cup-shaped
+vessels, especially on the inner surface, follow somewhat closely the
+patterns found on the bowls. Here we see the zigzag marginal line, the
+scalloped bands, the interlaced or tessellated bands with star points,
+triangles, scrolls, &c.; but the elongate triangle or lance point is
+seldom present. As no new figure is introduced it is unnecessary for me
+to describe the decorations. A few are of red or brown ware.
+
+The following numbers refer to true cups:
+
+321-345. 321, (40058); 322, (40615); 323, (40616), Fig. 408; 324,
+  (40617); 325, (40618); 326, (40619); 327, (40620); 328, (40621), Fig.
+  409; 329, (40622); 330, (40623); 331, (40624); 332, (40625); 333,
+  (40627); 334, (40638); 335, (40639); 336, (40640); 337, (40641); 338,
+  (40643); 339, (40644); 340, (40837); 341, (40847); 342, (40848); 343,
+  (40880)--this is an unusually large cup and although having a handle
+  may have been used as a bowl; 344, (40998); 345, (41148), an unburnt
+  specimen.
+
+The following are without handles and are either small bowls or paint
+cups:
+
+346-355. 346, (40426); 347, (40436); 348, (40458); 349, (40642); 350,
+  (40853), a small bowl-shaped cup, _s[-u]t-ts[-a]n-n[-a]_; 351,
+  (40994); 352, (40995); 353, (40996); 354, (40997); 355, (41000).
+
+  [Illustration:
+  Fig. 398 (40886)
+  Fig. 399 (39928)
+  Fig. 400 (40078)
+  Fig. 401 (40486)
+  Fig. 402 (40103)
+  Figs. 398-402.--ZU�I POTTERY.]
+
+  [Illustration:
+  Fig. 403 (39918) (�)
+  Fig. 404 (40840) (�)
+  Fig. 405 (40892) (1/3)
+  Fig. 406 (41005) (�)
+  Figs. 403-406.--Zu�i Water Pitchers.]
+
+  [Illustration:
+  Fig. 407 (41136) (1/3)
+  Fig. 408 (40616) (1/3)
+  Fig. 409 (40621) (1/3)
+  Fig. 410 (39962) (�)
+  Fig. 411 (40266) (�)
+  Fig. 412 (40285) (�)
+  Figs. 407-412.--Zu�i Water Pitcher, Cups, and Eating Bowls.]
+
+_EATING BOWLS._
+
+The smaller forms are called _s[-a]t-ts[-a]n-n[-a]_.
+
+356. (39962). Fig. 410. The ornamentation is typical of a variety very
+  common on Zu�i bowls. The design on the outer surface is more constant
+  than that on the inner, in which the figures of animals, especially
+  the elk, are sometimes introduced. The distinguishing feature of this
+  type is the zigzag line on the inner margin.
+
+The following numbers belong to the same type:
+
+357-378. 357, (39746); 358, (39973); 359, (39975); 360, (39981); 361,
+  (39984); 362, (39988); 363, (39989); 364, (39991); 365, (39993); 366,
+  (39994); 367, (39997); 368, (39999); 369, (40004), duplicate of Fig.
+  411; 370, (40005); 371, (40231); 372, (40234); 373, (40236); 374,
+  (40239); 375, (40246); 376, (40249); 377, (40250); 378, (40259).
+
+379-396. 379, (40260); 380, (40266), shown in Fig. 411; 381, (40274);
+  382, (40285), shown in Fig. 412; 383, (40504); 384, (40512); 385,
+  (40513); 386, (40516); 387, (40517); 388, (40519); 389, (40522); 390,
+  (40527); 391, (40530); 392, (40541); 393, (40546); 394, (40528); 395,
+  (40203); 396, (40211).
+
+397. (39951). Decorated, on the inner margin only, with triangles.
+
+398. (39952). Similar to that shown in Fig. 411, except that the inner
+  marginal line is scalloped.
+
+The following numbers may be classed in the same group:
+
+399, 400. 399, (40205); 400, (40210).
+
+401. (40521). Similar to No. 397, except that it has the interior below
+  the marginal line decorated with scrolls.
+
+402. (39902). Decorated on the inner surface only, with the usual
+  scrolls; marginal band simply a narrow line or entirely wanting.
+
+The following belong to the same type:
+
+403-417. 403, (39960); 404, (40002); 405, (40006); 406, (40232); 407,
+  (40233); 408, (40237); 409, (40263); 410, (40268); 411, (40284), in
+  this small specimen there are but few figures; 412, (40503); 413,
+  (40505); 414, (40520); 415, (40524); 416, (40981); 417, (40987).
+
+418. (40906). The decorations of this piece belong to a variety which is
+  readily distinguished by the broad checkered band on the inner margin.
+
+There are two sub-varieties, one with and one without figures on the
+external surface. This and the following specimens belong to the latter
+group:
+
+419, 420. 419, (40533); 420, (39890).
+
+421. (40001). This belongs to the former group, as represented by Fig.
+  412.
+
+422. (39898). External decorations as in Fig. 410, except that the lower
+  margin of the oblique line is furnished with scrolls as in Fig. 375,
+  inner surface with leaves, and a zigzag marginal line.
+
+423. (39908). This and the following thirty-one specimens have the
+  external surface ornamented as in Fig. 410, the decorations of the
+  inner surface varying and differing from those already enumerated. In
+  this the marginal line is simple.
+
+424. (39909). Marginal line scalloped; central rosette of simple lines.
+
+425. (39963). Zigzags in irregular lines, no marginal band; form
+  semi-globular.
+
+426. (39963). Triangles and scrolls; somewhat mug-shaped.
+
+427. (39972). Usual form; decorations as in the preceding.
+
+428. (39975). Ornamentation as represented in Fig. 422.
+
+429. (39976). Double scrolls; no marginal bands.
+
+430. (40000). Margin as in Fig. 422; no other inner decorations.
+
+431. (40204). Scroll figures; no marginal band; form hemispherical.
+
+432. (40216). Similar to Fig. 423, as are also the following specimens:
+
+433-443. 433, (40218); 434, (40223); 435, (40238); 436, (40240); 437,
+  (40284); 438, (40286); 439, (40501); 440, (40506); 441, (40507); 442,
+  (40510); 443, (40514); the inner decorations of this piece vary in
+  having the figures of the elk below the marginal band.
+
+444-447. 444, (40515); 445, (40547); 446, (40985); 447, (40217). Zigzag
+  marginal band; no other inner decorations.
+
+448. (40241). Marginal band double, upper line undulate, lower, straight
+  with star points.
+
+449. (40245). Marginal band composed of rows of stars, as in Fig. 414.
+
+450. (40251). Only the inner decorations consist of radiating serrate
+  lines.
+
+451. (40258). Similar to that shown in Fig. 424.
+
+452. (40273). Inner decorations apparently intended as floral; marginal
+  line very slender.
+
+453. (40275). Inner figures; radiating scrolls.
+
+454. (40287). Similar to No. 453.
+
+455. (40558). Inner figures in the form of blocks or tiles; marginal
+  band undulating.
+
+456. (40549). Inner decorations consist of two narrow crenate bands, one
+  marginal and the other just below it.
+
+457. (39891). This and the following thirty-nine specimens are without
+  external ornamentation. In this one the inner figures are radiating
+  scrolls, and birds.
+
+458. (39892). Slender marginal scalloped band only.
+
+459. (39893). Serrate marginal band only.
+
+460. (39953). Similar to Fig. 424.
+
+461. (39954). Birds with wings spread, and scrolls.
+
+462. (39958). Differs from the usual form in having the margin
+  undulating. The inner decorations consist chiefly of combinations of
+  triangles. Similar to
+
+463. (39971). Similar to the preceding.
+
+464. (39959). Scrolls and triangles.
+
+465. (39960). Scrolls and leaves.
+
+466. (39961). Oblique serrate lines.
+
+467. (39986). Broad net-work, marginal band, as seen in Fig. 414; form
+  unusual, being constricted near the base.
+
+468. (39992). Marginal band composed of sigmoid figures.
+
+469. (39996). Very small; central diameter with rays from the points;
+  the marginal band is simply a narrow line.
+
+  [Illustration:
+  Fig. 413 (40041) (�)
+  Fig. 414 (40033) [illegible fraction]
+  Fig. 415 (40164) (�)
+  Figs. 413-415.--Zu�i Eating Bowls.]
+
+470. (40209). Ornamental marginal band only.
+
+471. (40212). Scalloped marginal band, and central rosette or flower.
+
+472. (40224). Scalloped marginal band, and figures of deer.
+
+473. (40225). Zigzag band and the usual scroll figures.
+
+474. (40229). Two slender bands, and central radiating scrolls.
+
+475. (40242). Zigzag marginal line only.
+
+476. (40248). Narrow scalloped marginal band; no other figures.
+
+477. (40252). Zigzag band and floral decorations.
+
+478. (40253). No marginal band; oblique triple and dotted lines.
+
+479. (40265). Serrate marginal band and central rosette.
+
+480. (40270). No band except a simple line bounding the central figure
+  of radiating leaves.
+
+481. (40272). Three plain bands.
+
+482. (40481). Broad marginal band in figures arranged in square blocks.
+
+483. (40485). Very small; marginal net-work band, central floral figure.
+
+484. (40490). Similar to the preceding.
+
+485. (40489). Plain marginal band; central floral figures.
+
+486. (40492). Zigzag marginal band as in Fig. 425.
+
+487. (40498). Marginal band as in Fig. 414.
+
+488. (40499). Scalloped marginal band.
+
+489. (40508). Zigzag band and floral decorations.
+
+490. (40511). Marginal band composed of lines of stars.
+
+491. (40530). Similar to No. 486, having also a central figure.
+
+492. (40536). Marginal band of scrolls and triangles.
+
+493. (40537). Net-work marginal band.
+
+494. (40539). Scalloped band and central figure of twigs and leaves;
+  unusually chaste design.
+
+495. (40542). Like No. 467.
+
+496. (40545). Scalloped marginal band.
+
+497. (39967). Do.
+
+498. (39965). Zigzag inner marginal band; figures of the elk externally
+  and internally.
+
+499. (39966). External and internal zigzag marginal band.
+
+500. (39969). No external decorations; marked internally with oblique
+  lines, no band.
+
+501. (39970). Scroll figures on the inner surface; on the outer,
+  triangles pointing in opposite directions; no bands.
+
+502. (39977). Dish-like, undulate, external and internal marginal band.
+
+503. (39978). Inner band of crosses, and central figure, outer serrate
+  marginal band.
+
+504. (39982). }
+505. (39983). }
+  Decorations same as those represented in Fig. 414, with a wide,
+  latticed, marginal band on the inner side of the bowl.
+
+506. (39985). Both surfaces decorated with scroll figures.
+
+507. (39987). Inner surface with scroll figures, outer with but a
+  marginal scalloped band.
+
+508. (39990). Both surfaces marked with oblique serrate Hues; unusually
+  flaring.
+
+509. (39998). Inner surface with reversed elks; outer with oblique
+  lines, with each side serrate.
+
+510. (40007). Inner surface with serrate band and birds; outer with
+  serrate band.
+
+511. (40213). Elk and scrolls internally; an outer scalloped band.
+
+512. (40215). Resembles No. 501.
+
+513. (40219). The decorations on this bowl are unusual; those of the
+  inner surface consist of a slender crenate marginal band, and below
+  this a woman holding a child and apparently closely wrapped in a robe
+  of some kind and placed transversely; the outer margin is marked with
+  a broad band of crosses regularly spaced by perpendicular lines.
+
+The following numbers belong to the type represented in Figs. 356, 411,
+and 412:
+
+514-520. 514, (39979); 515, (40220); 516, (40221); 517, (40243); 518,
+  (40274); 519, (40493); 520, (40523), inner marginal band consists of
+  scrolls and triangles.
+
+521. (40227). Inner marginal band broad and divided into diamond spaces;
+  outer surface ornamented with figures similar to those on vase
+  represented by Fig. 372.
+
+522. (40230). Although classed with the bowls this is shaped somewhat
+  like the paint pots; outer and inner bands.
+
+523. (40247). Resembles No. 504.
+
+524. (40254). Two broad undulate lines on the external surface; inner
+  surface with blocks and scrolls.
+
+525. (40256). Inside with crenate marginal lines, and circular space and
+  triangles as in Fig. 359. External surface with a simple scalloped
+  band.
+
+526. (40264). External surface as in the preceding; internal scrolls and
+  triangles.
+
+527-533. 527, (40267); 528, (40269); 529, (40487); 530, (40495); 531,
+  (40509); 532, (40529); 533, (40531). The decorations on these
+  specimens belong to the same general type as those of No. 526.
+
+534. (40271). Mug-shaped with flat bottom; outer surface marked with
+  five scalloped bands; inner with scrolls.
+
+535. (40279). Outer surface with triangular figures; inner with a
+  scalloped marginal band and a similar band below.
+
+536. (40482). Similar in form to No. 534. Outer and inner decorations
+  consist almost entirely of triangles.
+
+537. (40483). Without bands; interior, scrolls; exterior, geometrical
+  figures.
+
+538. (40488). This belongs to the type represented by Fig. 411; rosette
+  on the inner surface.
+
+539. (40491). Similar in form and decorations to No. 534.
+
+  [Illustration:
+  Fig. 416 (40296) (�)
+  Fig. 417 (40493) (�)
+  Fig. 418 (40176) (�)
+  Figs. 416-418.--Zu�i Eating Bowl.]
+
+540. (40496). Form like the preceding; inner face decorated with stars;
+  outer with the usual triangular figures.
+
+541. (40497). Flat, finger-bowl shaped, single scalloped band
+  externally; scrolls and circular figures internally.
+
+542. (40502). Double band of triangles externally; internally zigzag
+  lines precisely like those in Fig. 371.
+
+543. (40538). Inner serrate marginal band and radiating scrolls; no
+  external decorations.
+
+544. (40540). Central flower internally; a single serrate band
+  externally.
+
+545. (40980). Pan-shaped; inner surface marked with geometrical figures;
+  outer without decorations.
+
+546, 547. 546, (40988); 547, (40993). Without external ornamentation,
+marked with zigzag inner marginal line, central scroll, and triangular
+devices.
+
+548. (40991). Oblique serrate lines externally; zigzag inner marginal
+  line.
+
+549. (40992). No external decorations; inner marginal line crenate;
+  central flower.
+
+Brown, red, or yellow ware. Usually without ornamentation.
+
+550. (39907). Small rosettes or flowers on inner surface.
+
+The following numbers are without ornamentation of any kind:
+
+551-572. 551, (39968); 552, (40003); 553, (40207); 554, (40214); 555,
+  (40226); 556, (40235); 557, (40244); 558, (40257); 559, (40276); 560,
+  (40277); 561, (40278); 562, (40280); 563, (40281); 564, (40494); 565,
+  (40526); 566, (40528); 567, (40534); 568, (40543); 569, (40544); 570,
+  (40982); 571, (40984); 572, (40989).
+
+The following have slight decorations; wherever the band is mentioned it
+is to be understood as marginal unless otherwise specified:
+
+573. (39974). Narrow external band.
+
+574. (39981). Floral figure on inner surface.
+
+575. (39995). Triangles externally; narrow sub-marginal band internally.
+
+576. (40206). Outline leaf-like figures on inner face.
+
+577. (40222). Inner crenate band and cross lines.
+
+578. (40229). Slender bands and scrolls.
+
+579. (40288). Inner band of geometrical figures.
+
+580. (40550). With slender outer band.
+
+581. (40980). Inner zigzag band and triangular figures.
+
+582. (40983). Inner central white flower.
+
+583. (40990). Inner band of scrolls.
+
+The larger forms, following, are called _[-I]�-t[)o]n-�-ka-sah-le_.
+
+584. (40041). Represented in Fig. 413. The broad checkered band on the
+  inner margin forms the distinguishing characteristic. The following
+  are similarly decorated:
+
+585, 586. 585, (40010); 586, (40167).
+
+587. (40033). As closely resembling the preceding, I introduce here a
+  variety with a latticed marginal band shown in Fig. 414.
+
+The following specimens belong to the same variety, the chief
+differences, being the inner central figures:
+
+588. (40164). Fig. 415.
+
+589. (40177). Do.
+
+590. (40181). This specimen has no ornamentation except the band.
+
+591. (40296). Fig. 416. This varies in having the figures of birds with
+  wings spread and of elks on the inner surface below the marginal line.
+  These are but partially shown in the figure.
+
+592, 593. 592, (40965) and 593 (40955) belong to the same variety, but
+  their inner decorations resemble more closely those represented in
+  Fig. 415.
+
+594. (40493). Fig. 417. The decorations on this piece belong to the very
+  common variety shown in Figs. 356, 411, and 412.
+
+595-600. To this type belong the following numbers: 595, (40008); 596,
+  (40009); 597, (40012); 598, (40013); 599, (40020); 600, (40021), this
+  varies in having no ornamentation on the outer surface.
+
+601-608. 601, (40176), shown in Fig. 418; 602, (40031); 603, (40038);
+  604, (40043); 605, (40046); 606, (40047); 607, (40050); 608, (40052)
+
+609-628. 609, (40151); 610, (40152); 611, (40163); 612, (40168); 613,
+  (40170); 614, (40171); 615, (40175); 616, (40185); 617, (40186); 618,
+  (40188); 619, (40189), Fig. 419; 620, (40191); 621, (40193); 622,
+  (40194); 623, (40195); 624, (40196); 625, (40197); 626, (40199); 627,
+  (40200); 628, (40293), this piece is properly a bread bowl,
+  _M[-o]�-tsin-i-k[-a]-s�-le_.
+
+629-638. 629, (40295); 630, (40297); 631, (40298); 632, (40310); 633,
+  (40305); 634, (40306); 635, (40308); 636, (40309); 637, (40930); 638,
+  (40931), shown in Fig. 420. I would call attention here to the strong
+  similarity of the inner decorations of this bowl with those on the
+  body of the vase represented in Fig. 359. This is properly a bread
+  bowl.
+
+639-646. 639, (40938); 640, (40957); 641, (40958); 642, (40967); 643,
+  (40971); 644, (40974); 645, (40975); 646, (41171), Fig. 421.
+
+The following specimens have the same external decorations as those
+represented in Figs. 413-421, but differ in regard to the figures on the
+inner surface.
+
+647. (40014). Fig. 422. The cut fails to show the figures of the elk
+  placed among the scroll ornaments.
+
+648, 649. 648, (40023); 649, (40026).
+
+650-658. 650, (40028), shown in Fig. 423; 651, (40035); 652, (40042);
+  653, (40045); 654, (40049); 655, (40051), these two are bread bowls;
+  656, (40153); 657, (40156); 658, (40178).
+
+659-663. 659, (40183); 660, (40198); 661, (40202); 662, (40927), Fig.
+  424; and 663, (40932), Fig. 425.
+
+  [Illustration:
+  Fig. 419 (40189) (�)
+  Fig. 420 (40931) (1/5)
+  Fig. 421 (41171) (1/5)
+  Figs. 419-421.--Zu�i Eating Bowls.]
+
+  [Illustration:
+  Fig. 422 (40014) (�)
+  Fig. 423 (40028) (�)
+  Fig. 424 (40927) (1/5)
+  Figs. 422-424.--Zu�i Eating Bowls.]
+
+  [Illustration:
+  Fig. 425 (40932) (�)
+  Fig. 426 (40179) (�)
+  Fig. 427 (40290) (�)
+  Figs. 425-427.--Zu�i Eating Bowls.]
+
+664-669. 664, (40951); 665, (40952); 666, (40960); 667, (40976); 668,
+  (40977); and 669, (40016), may be grouped together, as strongly
+  resembling each other in regard to their inner decorations.
+
+670. (40027). Inner marginal band with diamond spaces and colored
+  triangles, scrolls, and small rosettes or flowers below.
+
+671. (40030). No inner band; geometrical figures.
+
+672. (40035). Narrow simple marginal band; elk and scrolls.
+
+673. (40179), Fig. 426. Each of the following specimens has a similar
+  marginal band, but the inner central figures differ.
+
+674-682. 674, (40037); 675, (40044); 676, (40187); 677, (40300); 678,
+  (40937); 679, (40966); 680, (40969); 681, (40973); 682, (40040).
+  Patch-work figures, resembling pieces of broken pottery.
+
+683. (40157). Somewhat like Fig. 424, the perpendicular lines of the
+  band being doubly scalloped.
+
+684. (40169). Marginal band a vine with leaves and flowers; central
+  figures similar to those on vase shown in Fig. 371.
+
+685. (40182). No inner band; scroll figures.
+
+686. (40190). No inner band; elks and geometrical figures.
+
+687. (40201). Marginal band with triple lines similar to those in Fig.
+  424.
+
+688. (40290). Shown in Fig. 427.
+
+689. (40292). Marginal band similar to that on Fig. 427; scroll figures
+  in central portion.
+
+690. (40294). Fig. 430. In this the outer decoration varies in having
+  the elongate triangle or lance point double, and the inner in having
+  the figure of a mule or donkey.
+
+691. (40304). No marginal band; scroll figures.
+
+692. (40302). Fig. 429.
+
+693. (40486). A broad bowl; inner marginal band, the upper portion of
+  which has a line of diamond spaces. The under side of the oblique line
+  on the outer surface is bordered with scrolls as in Fig. 375. This is
+  a very large specimen, being eighteen inches in diameter. See Fig.
+  401.
+
+694. (40928). Inner surface marked with geometrical figures.
+
+695. (40970). No figures on the inner surface.
+
+696. (40972). Inner decorations as in Fig. 419.
+
+697. (40017). No outer decorations; inner surface with marginal band and
+  large white cross; remainder brown.
+
+698. (40015). Outer and inner faces marked with triangles and slender
+  leaves.
+
+699. (40024). Outer scalloped band, scroll figures internally.
+
+700. (40022). Outer surface with scalloped band and large oblique
+  diamonds; inner with double scalloped band and scrolls.
+
+701, 702. 701, (40158); 702, (40159). Outer face without decorations;
+inner with large vermiform figures.
+
+703. (40166). Both faces with oblique lines of scrolls.
+
+704. (40192). Stems and leaves externally and internally.
+
+705. (40195), Interior decorations profuse; scrolls, and diamond-shaped
+  figures.
+
+706. (40934). Four scalloped bands on outer face; scroll figures on
+  inner surface.
+
+707. (40935). No outer decorations; inside marked with a marginal band
+  of dots and lines; central scrolls.
+
+708. (40939). Both surfaces with geometrical figures.
+
+709. (40950). Marked externally with double lance points; internally
+  with scrolls.
+
+710. (39954). Shown in Fig. 428. Here we see the head of the grotesque
+  bird reduced to a simple scroll.
+
+Brown or yellow ware. Decorations in black or red, without external
+ornamentation unless otherwise stated.
+
+711-713. 711, (40011); 712. (40936); 713, (40962). Four large leaves
+  forming a cross.
+
+714. (40018). Broad external band of horizontal and oblique dotted
+  lines. No figures on the inner surface.
+
+715. (40032). External scalloped band; reversed pyramids or pueblos
+  internally.
+
+716. (40039). Broad marginal band of half pyramids, alternately
+  reversed.
+
+717. (40048). White vermiform figures.
+
+718, 719. 718, (40154); 719, (40184). These are similarly marked, the
+margin in both being also white.
+
+The following specimens are without decorations of any kind:
+
+720-733. 720, (40019); 721, (40036); 722, (40160); 723, (40162); 724,
+  (40165); 725, (40180); 726, (40307); 727, (40929); 728, (40953); 729,
+  (40954); 730, (40959); 731, (40962); 732, (40963); 733, (40968).
+
+734. (40155). Patch-work.
+
+735. (40172). Four serrate or scalloped bands on outer face. Similar
+  inner marginal band in outline; and outline pyramidal figures.
+
+736. (40174). Outline pyramidal figures.
+
+737-739. 737, (40173); 738, (40289); 739, (40964). Marginal band of
+  double outline scrolls.
+
+740. (39618). Brown ware with decorations in black. Colored Fig. 380.
+
+741. (39592). Brown ware with decorations in black. Colored Fig. 382.
+
+  [Illustration:
+  Fig. 428 (39954) (1/3)
+  Fig. 429 (40302) (�)
+  Fig. 430 (40294) (1/5)
+  Figs. 428-430.--Zu�i Eating Bowls.]
+
+  [Illustration:
+  Fig. 431 (41135) (1/3)
+  Fig. 432 (41053) (�)
+  Fig. 433 (41114) (1/6)
+  Fig. 434 (41092) (1/3)
+  Fig. 435 (40865) (1/3)
+  Fig. 436 (41113) (1/7)
+  Figs. 431-436.--Zu�i Cooking Vessels.]
+
+_COOKING VESSELS._
+
+These vessels are generally of medium size, though in some instances the
+dimensions vary exceedingly. Those used in cooking for feasts are quite
+large, sometimes with a capacity of about ten gallons; the smallest,
+designed only for family use, are less than four inches in diameter and
+not quite three inches high. They are of two general forms, one similar
+to the ordinary pots used on cooking stoves, the other bowl-shaped. Two
+specimens in the collection are provided with legs; to these the Zu�ians
+apply the name _s�-m[-u] y[)e]n-s�-qui-p�_. See Fig. 432. As a general
+rule, the rims of these vessels are flared, and on some of them, close
+to the rim on the outside, are ear-like projections, which are probably
+intended as catches by which, with pokers or sticks, they can be removed
+from or arranged in position on the fire. They are never ornamented, and
+have no coloring other than that which is acquired in baking. These
+vessels are used in cooking such foods as contain liquids. Three
+names are applied to cooking pots, having reference to size, viz.:
+_p�h-t[-e]h-le_ is the large cylindrical pot; the smaller pot
+of the same form is _p�h-t[-e]hl-ts[-a]n-n[-a]_; and
+_w[-a]h-li-�h-k�-t[-e]hl-le_ is the common cooking pot. The Olla
+or bowl-shaped pot, Fig. 433, is called _s�-m[-u]-y[-e]n_.
+
+The following numbers belong to the _p�h-t[-e]hl-ts[-a]n-n[-a]_ group
+and present no variations worthy of special notice.
+
+742, 743. 742, (41113). Fig. 436; 743, (41114), Fig. 433. These
+illustrations represent a form and have the appearance of the so-called
+ancient ware; the latter specimen bears the impress of the grass which
+was produced in the baking process.
+
+744. (40865). Fig. 435. Cooking pot.
+
+The following numbers represent specimens of cooking pots of varying
+sizes, though generally small and of the form of No. 744, though some
+few present the appearance of bowls:
+
+745-766. 745, (41115); 746, (41116); 747, (41117); 748, (41118); 749,
+  (41119); 750, (41120); 751, (41121); 752, (41122); 753, (41123); 754,
+  (41124); 755, (41125); 756, (41126); 757, (41127); 758, (41128); 759,
+  (41129); 760, (41130); 761, (41131); 762, (41132); 763, (41137); 764,
+  (41138); 765, (41140); 766, (41141).
+
+The following belong to the _s�-m[-u]-y[)e]n_ bowls:
+
+767-804. 767, (41055); 768, (41056); 769, (41057); 770, (41058); 771,
+  (41059); 772, (41060); 773, (41061); 774, (41062); 775, (41063); 776,
+  (41064); 777, (41065); 778, (41066); 779, (41067); 780, (41068); 781,
+  (41069); 782, (41070); 783, (41071); 784, (41072); 785, (41073); 786,
+  (41074); 787, (41075); 788, (41076); 789, (41077); 790, (41078); 791,
+  (41079); 792, (41080); 793, (41081); 794, (41082); 795, (41083); 796,
+  (41084); 797, (41085); 798, (41086); 799, (41087); 800, (41088); 801,
+  (41089); 802, (41090); 803, (41091); 804, (41092), shown in Fig. 434.
+
+805-826. 805, (41093); 806, (41094); 807, (41095); 808, (41096); 809,
+  (41097); 810, (41098); 811, (41099); 812, (41100); 813, (41101); 814,
+  (41102); 815, (41103); 816, (41104); 817, (41106); 818, (41107); 819,
+  (41108); 820, (41109); 821, (41110); 822, (41111); 823, (41112); 824,
+  (41133); 825, (41139); 826, (41143). This is an unburnt specimen of
+  unusual form, resembling in this respect a sugar bowl, its margin and
+  sides undulated.
+
+827, 828. 827, (40853), bowl-shaped with conical bottom; 828, (41053),
+Fig. 432, pot-shaped, but with four legs.
+
+829, 830. 829, (41134); 830, (41135), are really pitchers, as will be
+seen by reference to Fig. 431, which represents the latter, but they
+appear to be made for cooking purposes, as they are designated by the
+name _s�-m[-u]-y[)e]n_.
+
+_LADLES._
+
+Called by the Zu�ians _sa-sho-k[)o]n-ne_. These are of two forms, one
+resembling somewhat an oyster-shell, the other with a handle resembling
+a spoon. The forms and decorations are shown in the figures. They are of
+white ware usually with figures on the inner surface, and of red ware
+without ornamentation. They vary in size from eight inches in length and
+five inches across the bowl to four and a half and two and a half
+inches.
+
+831-839. 831, (39884); 832, (39894), Fig. 438; 833, (40430); 834,
+  (40431); 835, (40432), flower in the bowl; 836, (40433); 837, (40460);
+  838, (40461); 839, (41254). With handles.
+
+840-841. 840, (39895); 841, (39896), figures of elks in the bowl.
+  Without handles.
+
+842. (39929).
+
+843, 844. 843, (40408) scrolls; 844, (40417), Fig. 440.
+
+845, 846. 845, (40418); 846, (40419), this has a pretty marginal band,
+and the figure of a slender bird in the bowl.
+
+847-851. 847, (40420); 848, (40421); 849, (40422), Fig. 439; 450,
+  (40423); 451, (40424), resembles Fig. 440.
+
+852-868. 852, (40425); 853, (40427); 854, (40428); 855, (40429); 856,
+  (40434); 857, (40435); 858, (40437); 859, (40438); 860, (40439); 861,
+  (40441); 862, (40442); 863, (40459); 864, (40462); 865, (40463); 866,
+  (40675); 867, (40677); 868, (40678), Fig. 441.
+
+869, 870. 869, (40679); 870, (40875), Fig. 437.
+
+  [Illustration:
+  Fig. 437 (40875) (�)
+  Fig. 438 (39894) (1/3)
+  Fig. 439 (40422) (1/3)
+  Fig. 440 (40417) (1/3)
+  Fig. 441 (40678) (1/3)
+  Figs. 437-441.--Zu�i Ladles.]
+
+  [Illustration:
+  Fig. 442 (39971) (�)
+  Fig. 443 (40075) (1/3)
+  Fig. 444 (40400) (1/3)
+  Fig. 445 (40371) (1/3)
+  Fig. 446 (40377) (1/3)
+  Fig. 447 (40372) (1/3)
+  Figs. 442-447.--Zu�i Clay Baskets.]
+
+  [Illustration:
+  Fig. 448 (40359) (1/3)
+  Fig. 449 (41019) (1/3)
+  Fig. 450 (40356) (�)
+  Fig. 451 (40355) (1/3)
+  Fig. 452 (40354) (1/3)
+  Fig. 453 (40379) (1/3)
+  Figs. 448-453.--Zu�i Clay Baskets.]
+
+_BASKETS._
+
+Called by the Zu�ians, _[-a]h-w[-e]hl-wi-[-a]h-p�-s[-a]hl_. These
+vessels, which vary in size from four to eight inches in diameter and
+from two to five in depth, are in the form of bowls, sometimes with a
+handle over the top like a basket handle, sometimes without. The margin
+is either scalloped, as in Fig. 452, or terraced so as to resemble the
+section of a pyramid or pueblo, being cut in this form with a horse-hair
+while soft. They are always of white ware decorated with black. The
+margin is uniformly black, and there is often an inner and outer
+submarginal narrow band following the undulations or terraces. The
+figures most common, and in fact almost exclusively used, are those
+resembling tadpoles, but which, as I learned, are intended to represent
+a small crustacean or the larva of an insect common in the water-pools
+and streams of the Zu�i country; and the somewhat grotesque figures of
+the horned toad (_Phrynosoma_). These figures are placed both on the
+outer and inner surfaces, though the figure of the reptile is generally
+found on the outer.
+
+These singular vessels are used by the Indians only in their sacred and
+ceremonial dances. In them is placed a small quantity of meal; they are
+then borne in the hands of the women, who, during the dance, take a
+small quantity of the meal, just as much as they can hold between the
+tips of the fingers, and sprinkle it on the sacred objects and on the
+heads of the persons leading in the ceremonies.
+
+As the forms and decorations are correctly shown in the figures, I shall
+only notice those which are unusual.
+
+Without handles; margin scalloped:
+
+871-873. 871, (40074); 872, (40075), Fig. 443; 873, (40400), Fig. 444.
+
+Without handles; margin terraced:
+
+874. (40337). Figures of insects on outer surface.
+
+875-881. 875, (40344); 876, (40364); 877, (40367); 878, (40368); 879,
+  (40369); 880, (40370); 881, (40371), Fig. 445.
+
+882-899. 882, (40372), Fig. 447; 883, (40373); 884, (40374); 885,
+  (40375); 886, (40376); 887, (40377), Fig. 446; 888, (40378); 889,
+  (40380); 890, (40381); 891, (40382); 892, (40383); 893, (40384); 894,
+  (40385); 895, (40392); 896, (40393); 897, (40394); 898, (40396); 899,
+  (40803), this specimen, which is but slightly burnt, is more globular
+  in form than usual, and has mounted on each pyramid a small image,
+  one human, one of a dog or fox, one of a chicken, and the other
+  probably intended for a bird. This is really not a meal basket,
+  but is carried in the dance for rain, and bears the name
+  _tkh�-p[-o]-k[-a]-t[-e]hl-le_.
+
+900-902. 900, (41014); 901, (41015), this has in the place of the
+  reptile the figure of a bird; 902, (41018).
+
+903. (39971). Fig. 442. A Zu�i clay basket without handles; the form of
+  the margin and inner decorations are unusual, and on this account and
+  the fact that the little water animal does not appear on it, it is
+  probably from some other tribe, though obtained at Zu�i.
+
+904. (40354). Fig. 452. With handles; margin scalloped. The decorations
+  on this basket are unusual. The chief figure and the most interesting
+  one on this entire group of pottery is that of a snake encircling the
+  body of the basket; on the head of which is a feather crest.
+
+905. (41019). Fig. 449. A Zu�i dance basket, one of the most complete in
+  form and decoration in the collection.
+
+906-909. 906, (40356), Fig. 450; 907, (40390); 908, (40391); 909,
+  (40806). This is more cup shaped than usual, and is ornamented
+  with the geometrical figures common on bowls. It belongs to
+  a distinct class of sacred vessels to which the name
+  _tkh�-p[-o]-k[-a]-t[-e]hl-le_ is applied.
+
+910-913. 910, (40336); 911, (40353); 912, (40355), Fig. 451; 913,
+  (40357), varies in having the head of a bird. With handles; margins
+  terraced.
+
+914-922. 914, (40358); 915, (40360); 916, (40361); 917, (40362);
+  918, (40365); 919, (40366); 920, (40359), Fig. 448; 921, (40379),
+  Fig. 453; 922, (40386). This and the three following specimens
+  are small baskets called by the Zu�ians
+  _[-a]h�-w[-e]hl-wi-[-a]h-p�-s[-a]hl-ts[-a]n-n[-a]_.
+
+923-928. 923, (40387); 924, (40388); 925, (40389); 926, (40395). This
+  and the two following bear the same figures as observed on Fig. 452.
+  927, (40397); 928, (40398).
+
+929. (40399). This basket is ornamented with the conventional little
+  water animal, inside and out; it also presents the head and tail of a
+  snake, the body of which encircles the base of the basket. The head of
+  the snake is decorated with a crest and a horn-like projection
+  immediately before the eyes. The tongue and teeth are also represented
+  in colors on the specimen. The rim is serrated and painted black with
+  a small line conforming to the black band immediately under it.
+
+930. (41016). Is without a handle, but noticeable for the representation
+  of a bird, on each side of which are two of the little water animals.
+
+931. (41017). Basket without handle and four pyramids with serrated
+  edges, and representation of horned toad on sides.
+
+932. (41019). Basket with handle, large toad on each side, and a
+  dragonfly on each side of the toad.
+
+_PAINT CUPS._
+
+These are always small, but vary in size from one and a half to three
+inches in height. They are usually in the form of water vases or
+globular jars, though sometimes of a true cup shape, and occasionally
+cubical. They are generally single, but quite often double, and
+occasionally triple and quadruple. To the large-sized single ones the
+Zu�ians apply the name of _h[)e]l-i-p[-o]-k[-a]-t[-e]hl-le_; and to
+those of smaller sizes, _h[)e]l-i-p[-o]-k[-a]-t[-e]hl-ts[-a]n-n[-a]_.
+They are usually without handles, but sometimes these are present. The
+double ones are connected only by a bar extending from the body of one
+to that of the other; and the triple and quadruple ones in a similar
+manner. They are of red and white ware like the other pottery; the
+decorations on the white are similar to those already described, so far
+as they can be adapted to these small articles.
+
+We shall give the numbers without remarks, except to note unusual forms
+and figures.
+
+Single cups:
+
+933-938. 933, (39881); 934, (39888); 935, (39938); 936, (39939); 937,
+  (39944); 938, (39945); with figures of the little aquatic animal so
+  frequently represented on the earthenware baskets used in rain dances.
+
+939-942. 939, (39949); 940, (40036); 941, (40111); 942, (40112); square,
+  box-shaped, of brown ware and very rude.
+
+943-946. 943, (40323); 944, (40324); 945, (40325); 946, (40326); with
+  terraced margin like that so common in baskets used in the sacred
+  dances.
+
+947-952. 947, (40327); 948, (40328); 949, (40329); 950, (40330); 951,
+  (40331); 952, (40332). With meander band of simplest form.
+
+953-961. 953, (40333), terraced margin; 954, (40334); 955, (40335); 956,
+  (40338); 957, (40339); 958, (40340); 959, (40341), true cup with
+  looped handles; 960, (40342); 961, (40343), with straight cylindrical
+  handle.
+
+962-968. 962, (40345); 863, (40346); 964, (40347); 965, (40348), form of
+  the ordinary glass tumbler; 966, (40349); 967, (40352); 968, (40587).
+  Mug-shaped, with broad, horizontal rim.
+
+969-974. 969, (40588); 970, (40589); 971, (40590); 972, (40591); 973,
+  (40592); 974, (40593). With simple meander band.
+
+975. (40594). The artist has evidently attempted to figure on this the
+  true meander (Greek fret), but has failed.
+
+976. (40595). Marked with the grotesque horned toad so common on the
+  earthenware baskets.
+
+977-979. 977, (40596); 978, (40597); 979, (40598). Spherical in form,
+  decorated with figures of the grotesque bird heretofore mentioned.
+
+980-983. 980, (40599), bowl-shaped; 981, (40645); 982, (40647); 983,
+  (40648). Bird with a scroll arising out of its back.
+
+984-994. 984, (40649); 985, (40650); 986, (40651); 987, (40684); 988,
+  (40826); 989, (40828), Fig. 455; 990, (40829); 991, (40830); 992,
+  (39768); 993, (39982); 994, (39983).
+
+Double cups (_h[)e]l-i-p[-o]-k[-a]-t[-e]hl-i-p�-chin_). The little water
+animal is a common figure on these.
+
+995-998. 995, (39931); 996, (39932), Fig. 454; 997, (39948); 998,
+  (40350). This has the connecting bar arched so as to form a handle.
+
+999-1004. 999, (40351); 1000, (40433); 1001, (40444); 1002, (40445);
+  1003, (40447); 1004, (40349). The last five are plain.
+
+1005-1007. 1005, (40448); 1006, (40449); 1007, (40450). With scalloped
+  margin, double bars, the upper one arched; grotesque figures of horned
+  toad.
+
+1008-1017. 1008, (40451); 1009, (40452); 1010, (40454); 1011, (40455);
+  1012, (40456); 1013, (40457); 1014, (40610), double bar or bar and
+  handle; 1015, (40681), Fig. 456; 1016, (40682); 1017, (40854), square,
+  without bar.
+
+Triple cups:
+
+1018-1023. 1018, (40605); 1019, (40606); 1020, (40609); 1021, (40680);
+  1022, (40693); 1023, (40856).
+
+Quadruple cups, to which is applied the same Zu�i name as that given to
+those provided with triple and quadruple cups.
+
+1024, 1025. 1024, (40612), Fig. 457; 1025, (40613). Brown, square,
+united directly at the sides without bars.
+
+1026-1029. 1026, (40652); 1027, (40855); 1028, (40856), square; 1029,
+  (40859), square.
+
+_CONDIMENT CUPS._
+
+These are similar in form and decorations to the paint cups, and are
+also round and square, single, double, and quadruple. They are usually
+small, holding from less than half a pint to a pint. The different names
+applied to them will be given as they are reached in the list. The
+double and quadruple ones are connected together in the same manner as
+the multiple paint-pots,
+
+Single cups:
+
+1030. (39878). Square with figures of chickens on the sides.
+
+_M[-a]-p[-o]-k[-a]-t[-e]hl-le_ is the name by which the round or
+vase-shaped vessels are designated. They are numbered as follows:
+
+1031. (39905). Fig. 459. The figures on this specimen appear to be
+  intended as representations of some neuropterous insect, but possibly
+  they represent birds.
+
+1032-1037. 1032, (40653); 1033, (40654); 1034, (40655); 1035, (40656);
+  1036, (40657); 1037, (40658). Some of these appear, from the fragments
+  of bars attached to them, to have belonged to double specimens.
+
+1038, 1039. 1038, (40633); 1039, (40832). These two are red ware.
+
+1040-1049. 1040, (40833); 1041, (40834); 1042, (40835); 1043, (41006);
+  1044, (41007); 1045, (41008), Fig. 458; 1046, (41170); 1047, (40603);
+  1048, (40606); and 1049, (40664), are square.
+
+Double cups:
+
+The round form has the same name as the single salt cup, but the square
+pattern is named _M[-a]�-p[-o]-k[-a]-thl[-e]-l[-o]-ne_. The following
+specimens belong to the latter class:
+
+1050-1057. 1050, (39900); 1051, (39901); 1052, (40416); 1053, (40604);
+  1054, (40662); brown 1055, (40683); 1056, (40831); 1057, (40661).
+
+1058-1068. The following are round: 1058, (40410); 1059, (40411); 1060,
+  (40412); 1061, (40413); 1062, (40414); 1063, (40415); 1064, (40440);
+  1065, (40659); 1066, (40660); 1067, (40666); 1068, (40667).
+
+1069. (40836). Quadruple. This and the last three preceding specimens
+  are ornamented like Fig. 458.
+
+  [Illustration:
+  Fig. 454 (39932) (1/3)
+  Fig. 455 (40828) (1/3)
+  Fig. 456 (40681) (�)
+  Fig. 457 (40612) (�)
+  Fig. 458 (41008) (1/3)
+  Fig. 459 (39905) (1/3)
+  Figs. 454-459.--Zu�i Paint and Condiment Cups.]
+
+  [Illustration:
+  Fig. 460 (40059) (1/3)
+  Fig. 461 (40140) (1/3)
+  Figs. 460, 461.--Zu�i Effigies.]
+
+  [Illustration:
+  Fig. 462 (40740) (�)
+  Fig. 463 (40738) (�)
+  Figs. 462, 463.--Zu�i Effigies.]
+
+  [Illustration:
+  Fig. 464 (40739) (�)
+  Fig. 465 (40066) (1/3)
+  Fig. 466 (40743) (1/3)
+  Fig. 467 (40754) (�)
+  Figs. 464-467.--Zu�i Effigies.]
+
+  [Illustration:
+  Fig. 468 (40748) (�)
+  Fig. 469 (40767) (�)
+  Figs. 468, 469.--Zu�i Effigies.]
+
+  [Illustration:
+  Fig. 470 (41026) (1/3)
+  Fig. 471 (39910) (1/3)
+  Figs. 470, 471.--Zu�i Effigies.]
+
+_EFFIGIES._
+
+These figures, which are of small size, the largest not exceeding one
+foot in length, are quite rude, rendering it difficult in some cases to
+tell what animal is intended, the only exceptions to this rule being
+some figures of owls, in which the Zu�ians appear to have made the
+nearest approach to the true form. They are generally of white ware,
+decorated with colors. Often these decorations are arbitrary, but as a
+general rule there has been an evident attempt to imitate nature so far
+as it could be done with the various shades of brown and black.
+
+Some of the larger pieces, especially the owls, have an opening at the
+top or on the back, as though designed for water vessels.
+
+The objects most commonly represented are owls (which largely
+predominate), antelope, elk, ducks, and chickens. The human form, the
+pig, sheep, horse, &c., are occasionally represented.
+
+Owls, _m[-u]-h[-u]-que_ and _m[-u]-h[-u]-que-ts[-a]n-n[-a]_. These are
+nearly always represented with feet, and in most cases with legs. The
+body is usually disproportionately large, as are also the legs; the bill
+is small, and the wings are represented by small lateral projections;
+the tail is short. The eyes are generally well represented. The
+feathers, as will be seen, by reference to the figures, are quite well
+shown. The figures nave an opening on the top of the head.
+
+As there is a strong similarity in form, and the mode of decorating them
+is shown in the figures, no special remarks on the different specimens
+are necessary.
+
+1070-1077. 1070, (39875); 1071, (39876); 1072, (39877); 1073, (39921);
+  1074, (39942); 1075, (39957); 1076, (40054); 1077, (40059), shown in
+  Fig. 460; this is one of the very few without feet.
+
+1078-1096. 1078, (40064); 1079, (40065); 1080, (40068); 1081, (40138);
+  1082, (40140), Fig. 461; 1083, (40261); 1084, (40142), small; 1085,
+  (40262); 1086, (40141); 1087, (40142); 1088, (40409); 1089, (40734);
+  1090, (40735), without feet; 1091, (40736); 1092, (40737); 1093,
+  (40738), Fig. 463, very large; 1094, (40740), Fig. 462; 1095, (40741);
+  1096, (40742).
+
+1097-1112. 1097, (40743), Fig. 466; 1098, (40744); 1099, (40745); 1100,
+  (40746), without feet; 1101, (40747); 1102, (40748), Fig. 468; 1103,
+  (40749); 1104, (40750); 1105, (40751); 1106, (40752); 1107, (40753);
+  1108, (40754), Fig. 467; 1109, (40755); 1110, (40756); 1111, (40757);
+  1112, (40758), without decorations.
+
+1113-1120. 1113, (40759); 1114, (40760); 1115, (40761); 1116, (40762);
+  1117, (40763); 1118, (40764); 1119, (40765); 1120, (40766), bearing a
+  single young owl on its back.
+
+1121. (40767). Shown in Fig. 469, bearing three young owls on its back.
+
+1122. (41043).
+
+1123, 1124. 1123, (40066), Fig. 465, and 1124, (40739), Fig. 464. Two
+owl-shaped water vessels from Zu�i.
+
+Duck-shaped canteens, _[-e]-y[-a]h-m[-e]-h[-e]-to_, are usually
+represented in a swimming posture, without feet, though occasionally
+the standing posture is adopted. The feather decorations are not so
+generally used as on the owls; several specimens bear on the back
+or sides the figure of the grotesque bird with spread wings. These
+specimens, like the owl images, have an orifice on the top of the head
+as though intended for water vessels, but are seldom used as such at
+the present time.
+
+1125. (39910). Shown in Fig. 471.
+
+The following are similar:
+
+1126, 1127. 1126, (39879); 1127, (39889).
+
+1128. (36911). With feet, in standing posture.
+
+1129. (40063). With wings, without feet.
+
+1130. (41023). This and the three following specimens have feather
+  decorations and are small. _[-E]-y[-a]h-m[-e]-h[-e]-t[-o]-ts[-a]n-n[-a]_
+  of the Zu�ians.
+
+1131-1133. 1131, (41024); 1132, (41025); 1133, (41027).
+
+1134. (41026), Fig. 470. Chickens. The cock, _t[-o]-k[-o]k-ke_; the hen,
+  _t[-o]-k[-o]k-k[-a]_. The general term applied to the young, without
+  reference to sex, is _s�-pi-pe_.
+
+1135. (39919). Represented in Fig. 472.
+
+1136, 1137. 1136, (41028); 1137, (41029).
+
+1138. (41030). Shown in Fig. 476.
+
+1139, 1140. 1139, (41031); 1140. (41032).
+
+1141, 1142. 1141, (41033); 1142, (41034).
+
+1148-1147. 1143, (41035); 1144, (41036); 1145, (41037), Fig. 475; 1146,
+  (41038); 1147, (41039).
+
+1148-1151. 1148, (41040); 1149, (41041), Fig. 474; 1150, (41042); 1151,
+  (41216), this piece represents a hen with three young chickens on her
+  back, as in Fig. 473.
+
+1152-1155. 1152, (39897); 1153, (41044); 1154, (41045); 1155, (41046),
+  Fig. 477. Antelope. (_m[-a]h-[-a]-wi._) The form and decorations are
+  shown in Figs. 477 and 478.
+
+1156-1161. 1156, (41047); 1157, (41048); 1158, (41050), Fig. 478; 1159,
+  (41219); 1160, (41210); 1161, (41211).
+
+1162. (41049). Elk, _sh[-o]-hi-ta_.
+
+1163-1166. 1163, (41212), Fig. 480; 1164, (41213); 1165, (41214);
+  1166, (41217). Pigs, _pits-[-o]-te_. The figures show the forms and
+  decorations with sufficient accuracy to make further description
+  unnecessary.
+
+1167. (41218). Ox, _w[-e]-�-si_. But a single example in the collection.
+  Shown in Fig. 479.
+
+1168-1170. 1168, (41219); 1169, (41220); 1170, (41221). Sheep,
+  _K[-a]n-[-e]-l[-u]_. These, like the pigs, are usually marked with
+  spots. One specimen has these spots in the form of an S, or sigmoid
+  figure.
+
+1171. (41222). The Big Horn (_Ovis montana_), _H�-li-tk[-u]_. This is
+  the only specimen obtained and is a very rude figure, not easily
+  recognizable.
+
+1172. (41224). The Lynx, _T[-e]-pi_. Orifice in the top of the head.
+  Decorated with spots.
+
+1173. (41225). The Horse, _T[-u]sch_. Decorations, spots, and lines
+  representing hair. A very poor figure; without the name would be
+  unrecognizable.
+
+1174. (41226). Man on horseback, _I-m�l-t[-o]-yi_. The figure of the man
+  is evidently intended to represent a Mexican, as shown by the ordinary
+  hat and clothing. The saddle is represented, but there is no bridle or
+  other trappings.
+
+_STATUETTES._
+
+1175. (40071). Indian boy without clothing and wearing moccasins.
+
+1176. (40076). _Wi-h[-a]_. Baby.
+
+1177. (40860). _Klem-chi-ka_. Man with hat and clothing.
+
+1178. (40861). Nude female figure.
+
+1179. (40862). Man with hat and clothing.
+
+1180. (40863). Nude female figure.
+
+  [Illustration:
+  Fig. 472 (39919) (1/3)
+  Fig. 473 (41216) (1/5)
+  Fig. 474 (41041) (1/3)
+  Fig. 475 (41037) (�)
+  Fig. 476 (41030) (1/3)
+  Figs. 472-476.--Zu�i Effigies.]
+
+  [Illustration:
+  Fig. 477 (41046) (1/5)
+  Fig. 478 (41050) (1/3)
+  Fig. 479 (41218) (1/5)
+  Fig. 480 (41212) (1/5)
+  Figs. 477-480.--Zu�i Effigies.]
+
+  [Illustration:
+  Fig. 481 (39927) (1/3)
+  Fig. 482 (40061) (1/3)
+  Fig. 483 (40631) (1/3)
+  Figs. 481-483.--Zu�i Clay Moccasins.]
+
+1181. (41223). Human hand, _ah-sin-ne_. Represents the hand and wrist.
+  Rather good figure. The wrist is surrounded by a colored scalloped
+  band, as a bracelet.
+
+Moccasins. _M[-o]-qu[-a]-we_. These are usually very correct in form,
+the differences between the right and left being always properly
+represented. Sometimes they are made singly, but usually in pairs,
+united directly or by a little straight bar or curved handle at the
+posterior end. White with color decorations, or brown or lead-colored
+without decorations, diminutive in size. The following specimens are
+without decorations:
+
+1182-1190. 1182, (39924); 1183, (39925); 1184, (39946); 1185, (39947);
+  1186, (40055); 1187, (40626); 1188, (40629); 1189, (40634); 1190,
+  (40635). The last two have loops at the heel and were used as paint
+  cups.
+
+Decorated with colors:
+
+1191. (40637). Pair still united.
+
+1192. (39927). Shown in Fig. 481.
+
+1193. (40060). With lines; handle at the heel.
+
+1194, 1195. 1194, (40061), Fig. 482; 1195, (40628), decorated with
+grotesque bird.
+
+1196. (40630). With same figure.
+
+1197. (40631). Represented in Fig. 483.
+
+1198. (40633). This pretty pair is profusely ornamented with serrate
+  lines from the tip to the ankles.
+
+1199, 1200. 1199, (40634) and 1200, (40636). Single, decorations, same
+as in the preceding; probably belong to one pair, as part of the
+connecting band remains on them.
+
+1201. (40804). Anomalous. _Tkh�-p[-o]-k[-a]-t[-e]hl-le_. In the form
+  of a low or depressed vase, with two handles, decorated with scroll
+  figures; margin straight.
+
+1202. (40805). Vase-shaped, with single handle; a scalloped and an
+  undulate band around the body. Margin straight.
+
+1203. (42375). Toy house. Composed of clay and willow sticks. Made by
+  children.
+
+_CLAYS AND PIGMENTS._
+
+The following specimens are employed in the manufacture of pottery and
+for decorative purposes:
+
+1204, 1205. 1204, (41230) and 1205, (41231). Are specimens of a whitish
+clay or kaolin, of which a solution is made and applied to the outer
+surfaces of earthenware. This whiting in a coarser state is used for
+white-washing their chimneys and rooms.
+
+1206. (41265). Is a dark carbonaceous clay which the Zu�i Indians obtain
+  from near the summit of a mesa on which stand the ruins of their
+  ancient village--or, at least, where they claim to have resided during
+  the Spanish invasion of their country. As this clay is one of the
+  principal elements in the manufacture of Zu�i pottery, a quantity of
+  it was procured and numbered as one of the specimens of the
+  collection.
+
+1207. (41901). Small nodules of azurite used by the Indians in
+  decorating their altars, &c.
+
+1208. (41902). White clay or kaolin, same as Nos. 1204 and 1205.
+
+1209. (41903). Finer quality of white clay.
+
+1210, 1211. 1210, (41904) and 1211, (41905). Are specimens of the above
+of a coarser quality.
+
+1212. (41906). Tierra amarilla, or yellow micaceous clay, of which the
+  Rio Grande Indians make many varieties of vessels.
+
+1213. (42342). A yellowish sandy clay, which is used as one of the
+  coloring pigments in decorating pottery. This clay burns to a reddish
+  hue and gives to the pottery those lines of a brick-red color.
+
+1214. (42343). Very dark colored ore, resembling magnetic iron ore; this
+  stone is reduced in a small mortar, and a paint made of it for
+  decorating their ware black, which result is obtained by baking.
+
+
+VEGETAL SUBSTANCES.
+
+_BASKETRY._
+
+1215. (40108). A globular-shaped water basket, with a small neck, about
+  two inches long and three in diameter.
+
+1216. (40109). Double-lobed, canteen-shaped water basket, with both
+  outer and inner surfaces coated with gum. The neck is about the size
+  of that of the preceding basket. The centre is compressed to about the
+  size of the neck; the bottom flat.
+
+1217. (40110). Similar to the preceding.
+
+1218. (40115). This specimen is a good representation of the basketry
+  manufactured by the Zu�ians, used for carrying peaches. It is well
+  shown in Fig. 484.
+
+1219-1235. 1219, (40116); 1220, (40117); 1221, (40118); 1222, (40119);
+  1223, (40120); 1224, (40121); 1225, (40122); 1226, (40123); 1227,
+  (40124); 1228, (40125); 1229, (40126), Fig. 488; 1230, (40127); 1231,
+  (40128); 1232, (40129); 1233, (40130); 1234, (40131); 1235, (40132),
+  are Zu�i baskets of the same character, of coarse willow ware. Sizes
+  and shapes somewhat similar.
+
+1236. (40133). This specimen is an illustration of one form quite
+  common. We found them in general use for bringing ripe peaches from
+  the field. Fig. 484 shows very clearly the manner of weaving them.
+
+1237-1240. 1237, (40134); 1238, (41135); 1239, (41136); 1240, (41137),
+  are all samples of the same basketry. These baskets are called by the
+  Zu�ians _hu-chi-p[)o]n-n[-e]_.
+
+1241. (40143). A small platter-shaped corn, basket of the same coarse
+  structure. They are called _tsi-i-l[-e]_.
+
+1242-1247. 1242, (40144); 1243, (40145); 1244, (40146); 1245, (40147);
+  1246, (40148); and 1247, (40149) are similar examples of corn baskets.
+
+1248-1257. 1248, (40401); 1249, (40402); 1250, (40403); 1251, (40404);
+  1252, (40405); 1253, (40406); 1254, (40407); 1255, (40478); 1256,
+  (40479); and 1257, (40480) are a variety of examples of the corn
+  basket or _hu-chi-p[)o]n-ne_.
+
+1258. (40881). Toy basket of Navajo manufacture, of closely-woven fibre,
+  about three inches in diameter. A string is attached to it for wearing
+  it on the breast as an ornament, called _h[-o]-in-hl�n-ts[-a]n-n[-a]_.
+
+1259, 1260. 1259, (40882), and 1260, (40883). Small cup or rather
+saucer-shaped baskets similar in construction to the preceding two
+numbers.
+
+1261. (40884). Is a corn basket of the same manufacture as the
+  preceding, of much larger size, and called _h[-o]-in-hl�n-n[-a]_.
+
+1262-1264. 1262, (40917); 1263, (40918); 1264, (40919) _Tsi�-i-l[-e]_;
+  large-sized, coarsely woven, tray-like baskets.
+
+1265. (40920). Toy basket; coarse, _tsi-i-l[-a]-ts[-a]n-n[-a]_.
+
+1266-1268. 1266, (40921); 1267, (40922); 1268, (40923). Navajo water
+  baskets, jug-shaped, _k[-o]-s[-e]-t[)o]m-m[-e]_.
+
+1269. (41208). Large flaring or bowl-shaped basket of Apache
+  manufacture; water-tight; used for holding flour and meal; very
+  compactly woven; called by the Zu�is _h[-o]-in_.
+
+1270. (41209). Very large specimen of the same ware woven with different
+  colored fibres, so as to present a decorated inner surface.
+
+1271. (41227). _Tkl[-a]-lim-ne_ or basket with abrupt sides. Navajo
+  manufacture.
+
+1272-1275. 1272, (41228), Fig. 485; 1273, (41229); 1274, (41230); and
+  1275, (41231) are examples of the coarsely-woven flat basketry used
+  frequently for winnowing small grain. The illustration shows the
+  details sufficiently without further description.
+
+1276. (41248). Basket tray for bread, of the closely-woven class, called
+  _mi-t[-u]-li-h[-o]-in_.
+
+1277. (41256). Toy basket, _tsi-li-ts[-a]n-n[-a]_.
+
+_PADS._
+
+The following are ring-shaped pads made of yucca leaves interwoven in
+such a manner as to leave the centre open sufficiently to fit the top of
+the head. These pads are used in carrying water, by placing the pad on
+the head into which the base of the vase fits. They are used also to
+hold water jars and vases on the ground, thus protecting the bottom of
+the vessels from wearing away. They are called in Zu�i _h[-a]-kin-ne_.
+
+1278-1287. 1278, (40464); 1279, (40465); 1280, (40466); 1281, (40467);
+  1282, (40468); 1283, (40469); 1284, (40470); 1285, (40471); 1286,
+  (40472) are examples of this pad, of which Fig. 486, 1287r. (40473),
+  is an illustration.
+
+The following are objects of the same kind:
+
+1288-1292. 1288, (40474); 1289, (40475); 1290, (40924); 1291, (40925);
+  1292, (40926).
+
+_DOMESTIC IMPLEMENTS, TOYS, &c._
+
+In the collection are a number of wooden spoons or ladles of various,
+sizes. These utensils were not frequently met with. The readiness with
+which the Indians can make pottery or earthern ladles, a large number of
+which are in the collection, has caused these to supersede the former.
+The wooden spoons are always chiseled from a single piece of wood. See
+Fig. 490.
+
+  [Illustration:
+  Fig. 490 (40876) (�)]
+
+1293-1297. 1293, (40876); 1294, (40877); 1295, (40878); 1296, (41020);
+  1297, (41022) are specimens of spoons and ladles of wood. The large
+  ones are called _t�m-sh[)o]-k[)o]n-n[-a]-ts[-a]n_, the smaller,
+  _t�m-sh[)o]-k[)o]n ts[-a]n n[-a]_.
+
+1298. (41276). A wooden chair, made entirely of wood and in imitation,
+  of a common chair, ornamented with carvings.
+
+1299. (42292). Meat-block in the form of a stool, one side of which is
+  used for chopping, the other to sit upon.
+
+1300. (40827). Rotary drill, with stone disk and flint point, usually
+  employed in perforating turquoise and other hard substances for
+  ornaments. See Figure 494. Called by the Zu�is _kl[-a]-t[)o]-ne_.
+
+1301. (40809). A small rectangular wooden box with a lid, used as a
+  treasure-box, for holding choice trinkets and ornaments such as
+  feathers, &c., called _la-p[)o]-ka kle-t[)o]n-ts[-a]n-n[-a]_.
+
+1302. (41279). Wooden gun rack, made of pieces of flat wood, of a
+  rectangular form, with notches in the upright sides for holding guns
+  and bows. It is common in Zu�i.
+
+1303. (41192). A wooden comb used in connection with the loom. It is
+  provided with teeth about one inch long; these teeth are placed
+  between the perpendicular threads and with the hand brought down
+  firmly on the cross-threads or yarn until it is perfectly compact. The
+  blankets woven in this manner are water-tight. This comb is called
+  _o-h[-a]-n[-a]-p[-a]-ne_.
+
+1304-1307. 1304, (42043); 1305, (42044); 1306, (42045); and 1307,
+  (42046); are combs above described, used with looms.
+
+1308. (40810). A wooden comb of the same character.
+
+  [Illustration:
+  Fig. 484 (40133) (�)
+  Fig. 485 (41228) (�)
+  Fig. 486 (40473) (1/3)
+  Fig. 487 (41725) (�)
+  Fig. 488 (40126) (1/3)
+  Fig. 489 (41184) (�)
+  Figs. 484-489.--Zu�i Basketry, and Toy Cradles.]
+
+1309. (41700). Bundle of fine grass stems for a comb.
+
+1310. (41282). Comb and brush, combined, made from dried grass stems;
+  one end is used as a comb, the other as a brush.
+
+1311. (41277). Wooden spade or shovel quite like an ordinary spade, used
+  by the Indians for shoveling snow from the roofs of their houses, and
+  for taking bread from their bakeovens. See Fig. 495.
+
+1312. (40879). Wooden digger and corn-planter, called
+  _t[-a]-s[-a]-quin-ne_. This is the only specimen of the kind in the
+  collection. The foot is used in digging as we use a spade. In making
+  holes in the ground for planting grain, one foot is placed on the
+  short projection, and the individual using it walks along, each
+  alternate step making a hole in the ground into which to drop the
+  grain. See Fig. 496.
+
+1313. (41262). Medicine sticks to influence rain. These little sticks
+  are found hidden beneath the rafters of nearly every house in Zu�i.
+
+1314. (41275). Wooden war-club, which the Zu�is claim was one of their
+  original weapons of war. See Fig. 491.
+
+1315. (41856). A peculiar warty squash or gourd hollowed out and filled
+  with pebbles to make a rattling sound, used in most of the dances. See
+  Fig. 497.
+
+  [Illustration:
+  Fig. 497 (41856) (1/3)]
+
+1316. (41281). Gourd dance rattle.
+
+1317. (41196). Squash or gourd for making rattles.
+
+1318. (41197). Smooth-surfaced squash for rattle.
+
+1319. (41189). Gourd painted red, yellow, and black, which is
+  suspended to a pole held in the dance called by the Zu�is
+  _t[)o]m-tsch[-u]l-t[)o]n-ne_.
+
+1320. (41190). Yellow gourd, with black band, and having alternate
+  squares of white and black around the centre, through which a stick is
+  passed for holding it in the hand during a dance. The gourd is placed
+  on the stick in an inverted position. On the top of the stick a bunch
+  of feathers is attached. This ornament is generally used in their
+  social dances, in which the young men and women mingle. See Fig. 492.
+
+1321. (41193). Water gourds.
+
+1322. (41194). Gourd with opening in the end of the handle.
+
+1323-1334. 1323, (41198); 1324, (41199); 1325, (41200); 1326, (41201);
+  1327, (41202); 1328, (41203); 1329, (41204); 1330, (41205); 1331,
+  (41206); 1332, (41207); 1333, (41234); 1334, (41235), are wooden birds
+  carved and painted to represent such as they are accustomed to seeing
+  daily. Those represented are the magpie, prairie lark, oriole, humming
+  bird, and swallow. The latter is shown in Fig. 493. The object is
+  attached to a stick in such a manner that the wings can be made to
+  move up and down by pulling a string, in imitation of the bird in
+  flight.
+
+1335. (41184). Toy or baby cradle, called _wi-h[-a]-klem-ts[-a]n-n[-a]_,
+  (see Fig. 489), with a wooden doll arranged to show the manner of
+  securing children in cradles.
+
+1336. (41725). Cradle with wooden doll, Fig. 487, composed of woven
+  willows.
+
+1337. (41724). Toy drum, _t[-o]�-s[-o]-�n-�n-t[-o]m-me_.
+
+1338. (41285). Spinning top.
+
+_FOODS._
+
+1339. (40905). _Wia-vi_, or wafer bread.
+
+1340. (41261). Meal from Indian maize.
+
+1341. (41263). Chili, or ground-red pepper.
+
+1342. (41264). Dried peaches; Indian style.
+
+1343. (41266). Dried squash; Indian style.
+
+1344. (41267). Indian beans.
+
+1345. (41271). Corn parched by the Indians.
+
+1346. (41272). Native salt of Zu�i.
+
+1347. (41273). Zu�i bread.
+
+1348. (41274). Zu�i bread used in the dance.
+
+1349. (41280). Zu�i bread.
+
+1350. (41283). Zu�i sprouted wheat, from which a juice or wine is
+  obtained.
+
+1351. (42050). Horse beans cultivated by the Indians.
+
+_MEDICINES AND DYES._
+
+1352. (41172). Root used as medicine.
+
+1353. (41173). Root used as medicine.
+
+1354. (41175). Root used as medicine, called by the Zu�ians
+  _[-a]h-qu[-a]-[-a]-we_.
+
+1355. (41174). Bark for coloring buckskin red.
+
+1356. (41907). Plant for coloring black.
+
+1357. (41908). Plant used for decorating pottery black, the oil or juice
+  of which is used.
+
+  [Illustration:
+  Fig. 491 (41275) (1/7)
+  Fig. 492 (41190) (1/8)
+  Fig. 493 (41235) (1/6)
+  Fig. 494 (40827) (1/5)
+  Fig. 495 (41277) (1/10)
+  Fig. 496 (40879) (1/10)
+  Figs. 491-496.--Zu�i War Club, Dance Ornaments, etc.]
+
+  [Illustration:
+  Fig. 500 (41713)
+  Fig. 501 (41808)
+  Fig. 502 (41838)
+  Figs. 500-502.--ZU�I SASHES.]
+
+ANIMAL SUBSTANCES.
+
+_HORN AND BONE._
+
+1358. (41284). Bone awl, with iron shaft.
+
+1359-1361. 1359, (41851); 1360, (41852); and 1361, (41853), Fig. 498,
+  are specimens of a rattle or musical instrument made from the shell of
+  a turtle which is highly esteemed by the Pueblo tribes. The flesh of
+  the turtle is carefully removed from the shell, leaving it hollow. To
+  the edges of the breast plate are attached the toes of goats or sheep.
+  These toes coming in contact with the hollow shell produce a peculiar
+  sound, in keeping with the sound caused by the gourd rattles used in
+  the same ceremony. The rattle is fastened to the rear of the right leg
+  near the knee when employed in the dances.
+
+  [Illustration:
+  Fig. 498 (41853) (1/3)]
+
+_SKIN._
+
+1362. (41287). Lasso or lariat of plaited leather.
+
+1363. (41219). Hopple strap; ends locked by small blocks of wood. See
+  Fig. 499.
+
+  [Illustration:
+  Fig. 499 (41219) (1/5)]
+
+_WOVEN FABRICS._
+
+1364. (41251). Moki scarf, from Zu�i.
+
+1365. (41552). Child's shirt of calico, _[-o]-ch[-u]-[-o]tsn-n[-a]_.
+
+1366. (41253). Squaw's knit leggings.
+
+1367, 1368. 1367, (41801) and 1368, (41807). Are sashes of Moki
+manufacture, handsomely embroidered at each end in colors.
+
+1369, 1370. 1369, (41712) and 1370, (14713). Are worsted woven belts for
+the waist, called _eh-ni-ne_. See Fig. 500.
+
+1371. (41714). Worsted garter, called _eh-ni-ne ts[-a]n-n[-a]_.
+
+1372. (41801). Finely-woven white cotton with embroidered edge, of which
+  the following are examples:
+
+1373-1375. 1373, (41802); 1374, (41803), and 1375, (41804).
+
+1376. (41805). Blue woolen scarf.
+
+1377. (41806). Scarf.
+
+1378. (41807). Sash. See Fig. 501.
+
+1379. (41808). Sash. See Fig. 502.
+
+1380. (41809). Navajo blanket, used as a squaw's dress, with red border.
+
+1381. (41810). Similar blanket.
+
+1382. (41811). Navajo blanket with blue border. The following are
+  similar to the preceding:
+
+1383-1388. 1383, (41812); 1384, (41813); 1385, (41814); 1386, (41815);
+  1387, (41816); and 1388, (41817).
+
+1389. (41818). Saddle-blanket, in colors.
+
+1390-1395. 1390, (41819); 1391, (41820); 1392, (41821); 1393, (41822);
+  1394, (41823); and 1395, (41824), are also saddle-blankets.
+
+1396. (41825). Imperfect large robe of wool.
+
+1397. (42223). Sample of green yarn used by the Zu�ians in making belts
+  and blankets.
+
+1398. (42201). War trophy, worn as shoulder belt; the band which passes
+  over the shoulder is ornamented with arrow-points which are fastened
+  in the plaiting. The plaited portion is made of the skin dress of a
+  slain Navajo. So highly did the Zu�ians prize this trophy that I was
+  obliged to promise its return before I was allowed to take it away. A
+  sketch was made of it, after which it was returned to the Indians.
+
+1399. (42268). A Zu�i charm, made from a piece of shell rounded and
+  pierced near one end to-receive a string.
+
+  [Illustration:
+  Fig. 503 (41726) (1/6)]
+
+1400. (41726). Head-dress worn by maidens in dances. Fig. 503 shows
+  the form. The flower is sometimes red and yellow; this is attached
+  to one side of the band which goes over the head; to the other
+  side is attached a horn-shaped ornament. The flower is called
+  _[-a]t[-e] �n-ne_. The horn on the left is called _sai��nne_. The
+  band that encircles the head is called _g[)e]m-me_. The following
+  are articles of the same kind, differing only in ornamentation:
+
+1401-1408. 1401, (41727); 1402, (41728); 1403, (41729); 1404, (41730);
+  1405, (41731); 1406, (41732); 1407, (41733); and 1408, (41734).
+
+1409. (41698). Wool rosette; part of head-dress.
+
+1410. (41699). Cotton rosette; part of head-dress.
+
+1411. (41697). Charm of wild turkey feathers.
+
+  [Illustration:
+  Fig. 504 (42207) (1/3)
+  Fig. 505 (42208) (1/3)
+  Fig. 506 (42337) (1/3)
+  Fig. 507 (42213) (1/3)
+  Fig. 508 (42311)
+  Figs. 504-508.--Wolpi Axes and Metate.]
+
+1412. (42206). Grooved axe of black fine-grained sandstone, about eight
+  inches long; water-worn to its present shape, afterward grooved to
+  render it suitable for use.
+
+1413. (42207). Fig. 504. Grooved axe, of basalt. The only specimen of
+  this particular form in the collection.
+
+1414. (42208). Fig. 505. Large stone celt of coarse sandstone, light
+  gray color. It is shaped more like a wedge than the cut indicates. It
+  is difficult to conjecture what this implement could have been used
+  for. The sandstone of which it is made is too soft for either
+  splitting or hammering. As it is about ten inches long and has four
+  flat sides it may have been a grinder, as many of those implements are
+  not unlike it in length and appearance. Its surface is quite rough and
+  pitted.
+
+1415. (42209). Sandstone maul, grooved, surface rough.
+
+1416. (42210). Triangular-shaped maul, grooved in the middle; of coarse
+  basalt. This and similar mauls evidently at one time had handles fixed
+  to them, but at the present day it is not uncommon to see the modern
+  Pueblo Indians holding them in the hand to crush their grain, chili or
+  red-pepper pods in round mortars.
+
+1417. (42211). Grooved axe of basalt.
+
+1418. (42212). Small grooved axe of metamorphic rock.
+
+1419. (42213). Fig. 507. Water-worn boulder of quartzite, grooved around
+  the centre.
+
+1420. (42214). Basaltic maul, grooved in the middle like the preceding.
+  Used by the Indians at the present day for pounding chili or red
+  pepper.
+
+1421. (42216). Grooved axe of greenstone, quite long, well shaped, and
+  nicely polished.
+
+1422. (42217). Grooved axe of greenstone, similar to the preceding.
+
+1423. (42218). Grooved axe of sandstone; top square.
+
+1424. (42219). Axe of basalt, grooved on three sides.
+
+1425. (42220). Grooved axe of greenstone.
+
+1426. (42221). Grooved axe of quartz.
+
+1427. (42222). Grooved axe of sandstone. Groove very near the top.
+
+1428. (42223). Grooved axe of greenstone, well polished.
+
+1429. (42224). Grooved axe of schistose rock, much flattened, with a
+  small second groove below the larger one. 1430. (42225). Small grooved
+  axe of greenstone, body rather square, top quite small, with the
+  groove very near it.
+
+1431. (42226). Axe of basalt, grooved on three sides near its top, which
+  is flat.
+
+1432. (42227). Grooved on three sides.
+
+1433. (42228). Grooved axe.
+
+1434. (42319). Grooved axe made from a fragment of a grinder.
+
+1435. (42320). Same as preceding.
+
+1436. (42321). Rough chipping or stone hammer.
+
+1437. (42322). Large grooved maul of a ferruginous substance.
+
+1438. (42323). Large egg-shaped grooved maul of coarse sandstone.
+
+1439. (42326). Large grooved maul of irregular shape and surface;
+  finegrained sandstone.
+
+1440-1447. 1440, (42327); 1441, (42328); 1442, (42329); 1443, (42330);
+  1444, (42331); 1445, (42332); 1446, (42333); 1447, (42334), are all
+  quite similar to the two preceding mauls, and are all of sandstone.
+
+1448. (42335). A very large grooved maul, almost square, and weighing
+  about fifteen pounds.
+
+1449. (42336). Grooved maul of very coarse-grained sandstone; short and
+  thick.
+
+1450. (42337). Fig. 506. Grooved maul of compact sandstone. The body of
+  the maul is almost round, though the cut makes it appear flat. Several
+  such specimens were collected, and in all instances they show that
+  they have been better preserved than the axes. This is probably due to
+  the fact that their shape adapts them to grinding foods and grain, and
+  hence they are not used for splitting or cutting.
+
+1451. (42339). Rough stone maul of sandstone, grooved in the middle.
+
+1452. (42350). Small grooved axe of sandstone from the ruins of Pecos.
+
+1453. (42246). Celt of a very black slate stone.
+
+1454. (42247). Celt. This is a very fine specimen, of yellow polished
+  slate of about the same texture as the preceding one. It is about
+  twelve inches long, and tapers gradually from the broad edge to the
+  top.
+
+_METATES, OR GRAIN-GRINDERS, AND PESTLES._
+
+1455-1460. 1455, (42279); 1456, (42287); 1457, (42289); 1458, (42309);
+  1459, (42310); 1460, (42311), are ordinary specimens of the metate
+  placed together in the shape of a mill. See Fig. 508.
+
+1461, 1462. 1461, (42313), and 1462, (42314), are rubbing stones.
+
+1463. (42338). Broken metate rubber.
+
+1464. (42249). Rubbing stone.
+
+1465. (40139). Rude rubber of silicified wood.
+
+1466. (42274). Small quartz rubber.
+
+1467. (42275). Small greenstone rubber.
+
+1468-1473. 1468, (42276); 1469, (42277); 1470, (42278); 1471, (42316);
+  1472, (42317); 1473, (42318), are all fragrants of rubbers.
+
+1474. (42290). Bound sandstone pestle, each end ovate.
+
+1475. (42294). Square sandstone pestle.
+
+1476. (42295). Small round pestle, with rounded ends.
+
+_MORTARS, PESTLES, ETC._
+
+Nearly all the pestles and mortars from Wolpi present evidences of age.
+They are nearly all of coarse sandstone, and were used for bruising food
+and grain. They are usually quite large, heavy, and round. As they are
+generally of soft yielding rocks, the cavities are worn very deep in
+most of them.
+
+1477. (42281). Large flat food mortar.
+
+1478. (42282). Paint mortar, made from a round sandstone boulder about
+  five inches in diameter.
+
+1479. (42283). Grain mortar.
+
+1480. (42284). Mortar made from a round somewhat flattened sandstone
+  boulder.
+
+1481. (42285). Food mortar of indurated sandstone, about four inches
+  thick and eight inches in diameter, irregularly round, the depression
+  being about three inches deep.
+
+1482. (42286). Mortar for crushing grain; this is an unusually fine
+  specimen. It is about seven inches high, and an almost round body,
+  about an inch and a half thick at the top of the rim; the cavity is
+  quite a perfect oval in shape, about five inches deep; bottom flat.
+
+1483. (42288). Mortar similar to the above, but having a projection on
+  one side like the ear of a kettle.
+
+1484. (42291). Mortar and pestle. The mortar is nearly square; cavity
+  about five inches deep and seven in diameter. The pestle has a groove
+  round the middle.
+
+1485. (42292). Paint mortar about one inch thick and nearly square.
+
+1486. (42293). Round quartzitic boulder; one side flat, the other with a
+  small cavity.
+
+1487. (42307). Bowl-shaped food mortar, about ten inches in diameter and
+  five inches high.
+
+_MISCELLANEOUS OBJECTS._
+
+1488. (42270). Stone knife with two notches or grooves near the large
+  end.
+
+1489. (42271). Forty specimens of arrow-heads and small perforators,
+  flint and agate; most of them very well shaped.
+
+1490. (42253). Sandstone gaming ball, painted.
+
+1491-1493. 1491, (42254); 1492, (42255); and 1493, (42256), are all
+  sandstone gaming balls.
+
+1494. (42257). Fig. 509. Hollow tube. The figure represents one made
+  from potters' clay, the other is of siliceous material. These pipes
+  are not in use at the present time, but are frequently found around
+  the ruins and in possession of the Indians.
+
+1495. (42261). Stone image, probably intended to represent a rabbit. It
+  is of fine-grained stone. Shown in Fig. 513. There are quite a number
+  of these little images from Wolpi and Zu�i; as they appear to
+  represent rabbits, it is presumed that they are quite old, and
+  possibly antedate the introduction of domestic animals among the
+  tribes.
+
+1496. (42296). Small paint muller of jasper.
+
+1497. (42297). Square quartzitic paint muller.
+
+1498. (42298). Triangular paint rubber of quartz.
+
+1499-1503. 1499, (42299), quartz; 1500, (42300); 1501, (42301); 1502,
+  (42303); and 1503, (42304), are all quartz paint pestles made from
+  half sections of small semi spherical boulders; the large end, which
+  is flat, being used for the grinding part.
+
+1504. (42305). Part of a grooved axe.
+
+1505. (42306). Rubbing stone with four rubbing surfaces.
+
+1506. (42262). Fig. 512. This undoubtedly represents some animal.
+
+1507. (42263). Fig. 510. This evidently represents some animal other
+  than the rabbit. The body is long and slender, and is provided with a
+  tail.
+
+1508. (42264). Small sandstone image, which is a good representation of
+  a bear; grooved around the neck, with mouth and eyes and short tail.
+  None of these little images are provided with anything more than short
+  stubs for limbs.
+
+1509. (42265). Very small sandstone image, quite similar to No. 1507.
+
+1510. (40114). Wolpi neck ornament, Fig. 511, _hu-wat-he-qua-ve_, of red
+  slate stone notched at each end, as shown in the cut, and perforated
+  at the upper edge to receive a cord, with which it is suspended to the
+  neck. Though a rare ornament, it possesses no particular known
+  significance.
+
+
+ARTICLES OF CLAY.
+
+_WATER VASES._
+
+These are of the usual form, and for the most part of the usual size
+found at Zu�i; but there are also a number of very large specimens of
+the white ornamented, black, and red ware, having a capacity of ten or
+twelve gallons.
+
+White decorated ware:
+
+1511. (41356). Decorations exactly the same type as that shown in Fig.
+  359, except that there is a regular meander around the shoulder. The
+  type is shown in Fig. 514.
+
+  [Illustration:
+  Fig. 509 (42257) (�)
+  Fig. 510 (42263) (�)
+  Fig. 511 (40114) (�)
+  Fig. 512 (42262) (1/3)
+  Fig. 513 (42261) (1/3)
+  Figs. 509-513.--Wolpi Pipe, Effigies, and Ornament.]
+
+  [Illustration:
+  Fig. 514 (41602) (�)
+  Fig. 514.--Wolpi Water Vase]
+
+  [Illustration:
+  Fig. 515 (40646) (1/7)
+  Fig. 516 (42374) (1/7)
+  Figs. 515, 516.--Wolpi Cooking Pots.]
+
+The following belong to the same type as the above, the variations being
+but slight, the large circular space with scroll being the chief
+characteristic:
+
+1512. (41601). Figure on the neck as on the body of Fig. 372.
+
+1513. (41602). Shown in Fig. 514.
+
+1514. (41603). The block containing the smaller circle is here solid and
+  square; there is a zig-zag band around the neck as on the margins of
+  some Zu�i bowls.
+
+1515. (41604). This varies in having in place of the block with the
+  small circle, a regularly checkered block.
+
+1516. (41606). This has only the large diamond figures on the body, and
+  a band of s's round the shoulder.
+
+1517. (41607). Like No. 1514.
+
+1518. (41454). With handles on sides; fringe-like band around the
+  shoulder.
+
+1519. (41455). Simple linear band around the body.
+
+1520. (41456). Figures of a trident or three-pronged fork; and ladle on
+  the body.
+
+The following are plain brown and red ware, some of them very large. The
+neck is but slight, and they are often more pot-shaped than olla form.
+Without ornamentation.
+
+Brown or red.
+
+1521-1533. 1521, (41632); 1522, (41633); 1523, (41635); 1524, (41636);
+  1525, (41637); 1526, (41638); 1527, (41639); 1528, (41640); 1529,
+  (41641); 1530, (41642); 1531, (41643); 1532, (41649); 1533, (41650).
+
+1534. (41644).
+
+1535. (40646). Fig. 515.
+
+1536. (41647).
+
+1537. (41648).
+
+1538. (42374). Very large pot, used for cooking. Name, _nu-a-mash-pe_.
+  Represented in Fig. 516.
+
+_WATER JUGS AND JARS._
+
+These are similar to those obtained at Zu�i; sub-globular in form, one
+side more distinctly flattened on which to lie, the other very convex.
+Usually with two handles, sometimes loops, and sometimes studs or knobs.
+Occasionally ornamented white ware, but most generally unadorned brown
+or red ware. The latter showing, on some pieces, at least, a slight,
+perhaps accidental, glazing. They vary in size from six or seven gallons
+down to less than a pint.
+
+As the various figures used in decorations have been described, only
+those which are unusual will be noticed here.
+
+White decorated ware:
+
+1539. (41320). Underside as usual, blown. Scalloped band in direction of
+  mouth and handle, transverse double scalloped band across the upper
+  half.
+
+1540. (41362). Similar to the last.
+
+1541. (41342). Simple bands and scrolls.
+
+1542, 1543. 1542, (41401) and 1543, (41447). Similar.
+
+Brown ware without ornamentation:
+
+1544-1567. 1544, (41321); 1545, (41322); 1546, (41323); 1547, (41324);
+  1548, (41325); 1549, (41326); 1550, (41327); 1551, (41328); 1552
+  (41329); 1553, (41330); 1554, (41331); 1555, (41332); 1556, (41333);
+  1557, (41334); 1558, (41335); 1559, (41336); 1560, (41337); 1561,
+  (41338); 1562, (41339); 1563, (41340); 1564, (41341); 1565, (41343);
+  1566, (41344); 1567, (41345).
+
+1568-1569. 1568, (41609) and 1569, (41611). These have only the large
+  diamond figures on the body, and a zig-zag line around the neck.
+
+1570. (41610). The large diamonds serrate on the outer margin; neck with
+  doubly oblique serrate lines.
+
+1571. (41613). As in Fig. 514, except that the neck, instead of the
+  zigzag, has oblique diamonds.
+
+1572. (41614). This varies from the preceding in having only a narrow
+  scalloped band around the neck.
+
+1573. (41620). Only the large scrolls, nothing on the neck.
+
+1574. (41622). Similar to the preceding, except that each alternate
+  scroll is replaced by a rosette in a circle.
+
+1575. (41615). Like No. 1515, except that the neck has a scalloped band
+  with birds' heads.
+
+1576. (41618). Large diamonds on the body alternately with rosettes, by
+  the side of which is a bird.
+
+1577. (41621). Similar to Fig. 514, except that the black has no circle
+  in it.
+
+1578. (41358). Small with a broad checkered band around the body.
+
+1579. (41605). With narrow scalloped band around the neck; triangular
+  figures pointing to right and left on the body with cross lines
+  between the bases.
+
+1580. (41608). Outline figures of terraced hills with cactus growing
+  from them, and curved scalloped lines above.
+
+1581. (41612). Scalloped band around the neck; oblique, heavy, double
+  diamond figures with scrolls on the body.
+
+1582. (41617). No decorations on the neck; body with the spear points or
+  long triangles, and serrate oblique lines as on Zu�i bowls.
+
+1583. (41616). Line of little circles on the neck; triangles of lines,
+  pointing to the left on the body.
+
+1584. (41619). Similar in form and decorations to Fig. 371 (Zu�i),
+  except that the upper side of the band is formed of triangles instead
+  of scrolls.
+
+1585. (41629). This is really a double-handled jar.
+
+1586. (41630). Scalloped band around bottom, serrated squares near rim.
+
+  [Illustration:
+  Fig. 517 (41364) (�)
+  Fig. 518 (41363) (1/3)
+  Fig. 519 (41366) (1/3)
+  Figs. 517-519.--Wolpi Vessels.]
+
+1587. (41631). Scrolls on the neck; birds with crest feathers, and
+  flowers on the body.
+
+1588. (41634). Very small, with numerous scalloped lines arranged in
+  diamond form.
+
+1589. (41644). Series of double perpendicular scallops.
+
+1590. (41468). Similar to No. 1586.
+
+_TOY-LIKE WATER VESSELS._
+
+The following are very small water vessels, probably intended for
+children:
+
+1591. (41449). Figures of birds on body.
+
+1592. (41450). The usual diamond and scroll on body.
+
+1593-1603. 1593, (41346); 1594, (41347); 1595, (41348); 1596, (41349);
+  1597, (41350); 1598, (41351); 1599, (41352); 1600, (41353); 1601,
+  (41354); 1602, (41355); 1603, (41448).
+
+Small toy canteens:
+
+1604-1607. 1604, (41439); 1605, (41440); 1606, (41442); 1607, (41443).
+
+The following three are cup-shaped, with an ear on each side to which to
+attach a string, the top is closed, with a round orifice in the middle,
+and they are either medicine or little paint vessels and not canteens,
+as given in the original field catalogue:
+
+1608-1610. 1608, (41444); 1609, (41445); 1610, (41446).
+
+Water jugs and bottles are of various forms, which will be described
+under their respective numbers. They are usually of the white decorated
+ware. The brown ware is always undecorated.
+
+1611. (41363). See Fig. 518.
+
+1612. (41364). Brown ware shown in Fig. 517.
+
+1613. (41365). Brown ware, cylindrical, constricted in the middle and
+  with small orifice.
+
+1614. (41393). Without handle.
+
+1615. (41366). Fig. 519. A water jar made in imitation of a common gourd
+  cultivated by many of the Pueblo tribes. The body is ornamented on
+  both sides with a curved line and birds, as seen in the figure. A
+  small circular orifice is left at the base of the handle.
+
+1616. (41367). As in Fig. 520.
+
+1617. (41368). Shown in Fig. 522.
+
+1618-1619. 1618, (41369), and 1619, (41370). Similar to the preceding.
+
+1620. (41407). Regularly shaped jug with handle decorated with
+  geometrical figures.
+
+1621. (41433). Brown ware, regular jug with two handles.
+
+1622. (41434). Similar to preceding, but without handles.
+
+1623. (41469). Bottle shaped. Brown ware. Represented in Fig. 521.
+
+The following are similar:
+
+1624-1628. 1624, (41373); 1625, (41374); 1626, (41375); 1627, (41376);
+  1630, (41377).
+
+1629. (41393). Brown ware, with single constriction, without handle.
+
+1630. (41394). Similar.
+
+_CUPS._
+
+Those obtained were chiefly very small. As will be seen, the ladle to a
+very large extent supplies with this people the place of the cup.
+
+1631. (41409). Regular handled cup; white ware, with a broad band in
+  which are white crescents.
+
+1632. (41461). Shaped as preceding. White ware, all except a marginal
+  uncolored band marked with cross or checkered lines.
+
+1633. (41526). Small white ware, outside without decorations; scalloped
+  marginal band inside; with handle.
+
+1634. (41527). Sides straight; with handle, decorated on the outside
+  with triangular figures so common on bowls.
+
+1635. (41430). With similar decorations.
+
+Toy cups. Usually brown ware without ornamentation:
+
+1636. (41415). White ware with a band of scrolls.
+
+1637-1641. 1637, (41417); 1638, (41426); 1639, (41427); 1640, (41428);
+  1641, (41429). These five are brown ware.
+
+1642. (41435). A pretty pitcher-shaped vessel ornamented with interlaced
+  or cross lines forming a regular net-work.
+
+_EATING-BOWLS._
+
+The bowls vary in size, as do those from Zu�i, but as a general rule
+they are small, or of but medium size; quite a number of those obtained
+are very small. In form they are generally like those from Zu�i, but
+some are biscuit-shaped, as those from Tesuke; others are true basins;
+and a few are square, and perhaps should not be classed as bowls, though
+we have included them under that general term. The decorations on the
+larger ones of regular form are very similar to those seen on Zu�i
+bowls. The colors black and red or brown are usually lighter and
+brighter than on the Zu�i pottery:
+
+1643. (41357). Regular Form. Decorations on the inner face only;
+  marginal zigzag line, with diamond and scroll below.
+
+1644. (41359). Outer and inner surface decorations as in Fig. 412.
+
+1645. (41361). Decorations only a double-scalloped inner marginal band.
+
+1646. (41400). Very small; a simple inner band.
+
+1647. (41463). Small. This and the following small specimens are
+  decorated on the inside with what appears to be intended for an Indian
+  head, with a tuft of hair.
+
+1648-1653. 1648, (41464); 1649, (41465); 1650, (41467); 1651, (41529);
+  1652, (41530); 1653, (41534).
+
+1654-1657. 1654, (41538); 1655, (41539); 1656, (41589); 1657, (41565).
+
+1658. (41466). No outer decorations; inner surface with the usual
+  diamond and scroll figure.
+
+  [Illustration:
+  Fig. 520 (41367) (1/3)
+  Fig. 521 (41469) (1/3)
+  Fig. 522 (41368) (1/3)
+  Figs. 520-522.--Wolpi Water Jars.]
+
+1659-1660. 1659, (41528); 1660, (41531).
+
+1661. (41540). Shown in Fig. 523.
+
+1662-1663. 1662, (41541), and 1663, (41599), are marked only with a
+  broad inner marginal band of geometrical figures.
+
+1664. (41532). No outer decorations; inner with diamond and scroll and
+  triangular figures.
+
+The following have the outer surface decorated as in the Zu�i pattern,
+shown in Figs. 416 and 417. The inner decorations vary slightly.
+
+With crenate or zigzag line on inner margin, and scroll diamond, or
+scrolls only:
+
+1665-1671. 1665, (41544); 1666, (41547); 1667, (41562); 1668, (41568);
+  1669, (41576); 1670, (41590); 1671, (41577).
+
+With similar marginal band and pentagonal scrolls and bird:
+
+1672-1673. 1672, (41548), and 1673, (41549).
+
+1674. (41550). With inner marginal band of geometrical figures; no other
+  inner decorations.
+
+1675. (41561). Broad marginal band only.
+
+1676. (41574). Inside with crenate marginal band; geometrical figures
+  below.
+
+1677. (41584). Heavy, scalloped inner band with T-shaped spaces in the
+  scallops. Scrolls below.
+
+1678. (41581). Broad checkered inner band only.
+
+1679. (41592). Similar checkered band with scroll figures below.
+
+1680. (41596). With terraced marginal band, and terraced or pyramidal
+  figures below.
+
+1681. (41627). Marginal band of geometrical figures only.
+
+1682. (41543). Biscuit-shaped. Outside with three rows or bands of large
+  serratures.
+
+1683. (41545). No outer decorations; inner crenate marginal line;
+  scrolls and diamond below. The following are similar:
+
+1684-1697. 1684, (41554); 1685, (41558), marginal band of lance points;
+  1686, (41564); 1687, (41567); 1688, (41569); 1689, (41573); 1690,
+  (41575); 1691, (41578); 1692, (41579); 1693, (41582); 1694, (41585);
+  1695, (41588); 1696, (41591), this has also the triangular bird; 1697,
+  (41623).
+
+1698. (41551). No outer decorations; zigzag marginal line; flowers and
+  lines below.
+
+1699. (41552). This has a very pretty design on the outside, a band of
+  diamonds, a little cross in each, and a dotted line above and below.
+  The inner decorations of this and the following consist of a broad
+  band only, of geometrical or architectural figures. Outer decorations
+  various, which alone are mentioned.
+
+1700-1701. 1700, (41553), bird in a wreath; 1701, (51555), lines of
+  crescent.
+
+1702-1703. 1702, (41556), and 1703, (41563). Same as the preceding.
+
+1704. (41570). Similar to the preceding, with scroll band below.
+
+1705. (41572). Triangular figures.
+
+1706. (41597). Scalloped lines arranged in large diamonds, with a flower
+  in the center of the diamond.
+
+1707. (41626). Scrolls and crescents.
+
+1708. (41628). Same as No. 1706.
+
+1709. (41559). Checkered band and scrolls inside, band of crescents
+  outside.
+
+1710. (41566). Inner marginal band as in outer decorations found on Zu�i
+  bowls.
+
+1711. (41571). No outer decorations; inner geometrical figures but no
+  band.
+
+1712. (41593). Checkered band, and scrolls inside; broad marginal band
+  with lower side scalloped.
+
+1713. (41594). With no outer figures; radiating simple and serrate lines
+  inside.
+
+1714. (41595). No outer decorations; scalloped or crenate band, and
+  geometrical figures on inner surface.
+
+1715. (41600). No outer decorations; birds and flowers or rosettes.
+
+1716. (41625). No outer decorations; inside with successive scallops,
+  and the conventional bird form between squares, one above the other.
+
+1717-1718. 1717, (41560), and 1718, (41624). Brown ware without
+  ornamentation.
+
+Minute bowls, usually without decoration, but sometimes figured,
+especially on the outside, with simple outline figures.
+
+1719-1727. 1719, (41418); 1720, (41419); 1721, (41421); 1722, (41422);
+  1723, (41423); 1724, (41424); 1725, (41457); 1726, (41458); 1727,
+  (41459), with short handle; the decoration in this is true
+  herring-bone pattern.
+
+1728. (41460). Square basins. These are comparatively small and resemble
+  in shape a common knife-basket or tray, but without handle or
+  division.
+
+1729. (41533). Outside with figures of birds, flowers and diamonds.
+
+1730. (41535). Outer band with scrolls along the under edge or margin;
+  diamond with scroll on inside.
+
+1731. (41537). Inside similar to No. 1730; outside usual triangular
+  figures.
+
+1732. (41536). Outside similar, inside with four faces in outline.
+
+1733. (41542). Plain brown.
+
+1734. (41546). Outside the usual triangular figures; inside bird figures
+  and slender leaf-stalks.
+
+1735. (41557). Outside triangular figures; inside double scroll.
+
+1736. (41586). Outside oblique, double serrate bands; inside broad
+  marginal checkered band; bottom four faces.
+
+  [Illustration:
+  Fig. 523 (41540) (1/3)
+  Fig. 524 (41385) (�)
+  Fig. 525 (41518) (�)
+  Figs. 523-525.--Wolpi Eating Bowl, Cooking Vessel and Ladle.]
+
+_COOKING VESSELS._
+
+These are usually unadorned and of brown or black ware. The number
+obtained was not large, and they vary greatly in character. They are
+generally of medium size or small, and some which appear to be used as
+cooking vessels have a handle on the side and resemble pitchers and
+cups. Some have two handles and are shaped like an urn or olla; others
+appear to be true pots. The want of uniformity among this tribe in the
+use of vessels of this kind renders its difficult to class them
+according to use. I will, therefore, group them according to form.
+Except one or two of the little pots none of them are ornamented.
+
+Pot-shaped vessels:
+
+1737-1739. 1737, (41360); 1738, (41379); 1739, (41385); two handles as
+  in Fig. 524.
+
+1740-1741. 1740, (41380), and 1741, (41405). Without handle, the latter
+  possibly used as a drinking vessel.
+
+1742-1746. 1742, (41381); 1743, (41382); 1744, (41383); 1745, (41384);
+  1746, (41386); each with a handle on one side; they resemble pitchers
+  or cups.
+
+_TOY-LIKE VESSELS._
+
+1747. (41416). Like a small water-vessel.
+
+1748. (41442). Olla-shaped, with handles; decorated with a band of loops
+  around the middle.
+
+1749. (41451). Olla.
+
+1750-1751. 1750, (41452), and 1751, (41453). Cylindrical jars without
+  handles.
+
+1752-1753. 1752, (41293), and 1753, (41294). Large black Cooking pots of
+  the usual shape.
+
+1754. (42367). Flat jar-shaped vessel, red ware, with regular ears on
+  the sides with holes through them. Cooking vessel; new.
+
+1755. (42369). Small globular red bowl, half burned.
+
+1756. (42370). Part of a corrugated vessel. It is yellow, but partly
+  burned; it looks fresh and new, but is really old, having been out of
+  the ground of old ruins near Wolpi.
+
+_LADLES._
+
+Of these vessels, which are extensively used by the Shinumos, there are
+various forms with an almost endless variation in decoration, being
+generally of ornamented white ware. Some of them bear a strong
+resemblance to the skillets used on cooking stoves, the handle being
+looped, but the bowl is more saucer-shaped. Others, as shown in Figs.
+527 and 529, are evidently fashioned after gourds. Some are somewhat of
+the form shown in Figs. 439 and 440, but the handle is more distinct.
+Others are true cup-shaped vessels, with the handles projecting from the
+middle of the side. A few are double with a single handle.
+
+Skillet-shaped vessels. Usually decorated in the bowl. As these figures
+are generally similar to those already described, special notice will be
+taken only of such forms as vary from the normal shape and figures.
+
+1757-1758. 1757, (41396), and 1758, (41395). Gourd shaped; similar to
+  those shown in Figs. 527 and 529.
+
+1759-1760. 1759, (41378), and 1760, (41397). Outside covered with
+  checkers.
+
+1761. (41398). Outside covered with scrolls.
+
+1762. (40408). Outside decorated with oblique serrate lines.
+
+1763. (41411). Ladles with two bowls. Handle with the head of an animal,
+  probably a wild-cat, at the tip; figures of birds in the bowls.
+
+1764. (41412). Shown in Fig. 528.
+
+1765. (41413). Handle broken; bowls with only a scalloped marginal band.
+
+1766-1767. 1706, (41470); 1767, (41476). Cup-shaped, with short handles;
+  shaped like a small olla.
+
+1768. (41477). Handle with animal head on the tip; outside covered with
+  checkered figures.
+
+1769. (41479). Handle as in the preceding; oblique, doubly serrate lines
+  on outside of bowl.
+
+1770-1772. 1770, (41480); 1771, (41481); 1772, (41482); face in the bowl
+  of the last.
+
+1773-1774. 1773, (41483), and 1774, (41484); the handle of the latter
+  represents an animal's head, with face turned toward the bowl.
+
+1775-1777. 1775, (41388); 1776, (41389); 1777, (41425). The handle of
+  this represents, in shape, the head of a woman and child, and the bowl
+  contains the figures of two faces.
+
+1778-1783. 1778, (41462); 1779, (41471); 1780, (41472); 1781, (41473);
+  1782, (41474); 1783, (41475). The last of these has a minute head of a
+  woman on the end of the handle, which is solid.
+
+1784-1785. 1784, (41485), and 1785, (41486). Bowls elaborately
+  ornamented with geometrical figures and a circle of serratures, in
+  which is a figure resembling a duck with spread wings seen from above.
+
+1786-1788. 1786, (41487); 1787, (41488); 1788, (41489); the last with a
+  woman's head on the tip of the solid handle.
+
+1789-1793. 1789, (41498); 1790, (41499); 1791, (41508); 1792, (41514);
+  1793, (41490). The last of these as also the following seven pieces
+  have bent, gourd-like handles, slightly curved or hooked at the end,
+  solid and somewhat rounded.
+
+1794-1800. 1794, (41491); 1795, (41492); 1796, (41493); 1797, (41494);
+  1798, (41496); 1799, (41497); 1800, (41500).
+
+1801. (41495). Like No. 1788, as are also the following ten specimens:
+
+1802-1811. 1802, (41502); 1803, (41504); 1804, (41505); 1805, (41507);
+  1806, (41515) 1807, (41518), Fig. 525; 1808, (41519); 1809, (41522);
+  1810, (41523); 1811, (41525).
+
+1812. (41506). This is square; an unusual form.
+
+  [Illustration:
+  Fig. 526 (41410) (�)
+  Fig. 527 (41396) (�)
+  Fig. 528 (41412) (1/3)
+  Fig. 529 (41395) (1/3)
+  Fig. 530 (41392) (1/3)
+  Figs. 526-530.--Wolpi Ladles and Basket.]
+
+1813-1822. 1813, (41509); 1814, (41510); 1815, (41511); 1816, (41512);
+  1817, (41513); 1818, (41516); 1819, (41517); 1820, (41520); 1821,
+  (41521); 1822, (41503).
+
+1823-1824. 1823, (41524), and 1824, (41501). Shaped somewhat like an
+  oyster-shell.
+
+1825. (41399). Water vessel in the shape of a bird, with tail and wings
+  represented.
+
+1826. (41406). Cup with bird's head on one side, tail opposite, and
+  slight projections to represent wings on the side. Brown ware.
+
+1827. (41410). A double cup or ladle shown in Fig. 526.
+
+1828. (41414). Like Fig. 531, ornamented with oblique scalloped stripes
+  on outside; geometrical figures inside.
+
+1829-1830. 1829, (41431), and 1830, (41432). Square salt-boxes; the
+  former of white ware, with square figures on the outside; the latter
+  brown, unornamented.
+
+1831. (41436). Cup-shaped basket, brown ware; woman's head on top of
+  handle.
+
+1832. (41437). Similar basket, white ornamented ware, handle plain.
+
+1833. (41437). Similar small, brown, cup-shaped basket.
+
+1834. (41478). Biscuit-shaped bowl, with ornamental diamonds on outside.
+
+_MISCELLANEOUS._
+
+1835. (41371). Basket similar to those used by the Zu�ians in sacred
+  dances, with terraced margin, plain band inside, and comb-like figures
+  outside.
+
+1836. (41372). Similar basket, bottom flat, and sides straighter than
+  the preceding, decorated on the outside with oblique double serrate
+  stripes.
+
+1837-1838. 1837, (41387), and 1838, (41392). Baskets with straight
+  margins, both with geometrical figures on the outside. The latter is
+  shown in Fig. 530.
+
+1839. (41390). Fig. 532, water-vase with bowl-shaped base.
+
+1840. (41391). Fig. 531 Basin with looped handle arising from the center
+  of the inside; ornamented white ware.
+
+_STATUETTES._
+
+The clay images or statuettes obtained from the Shinumo pueblos are not
+objects of worship as supposed by many persons, but appear to be used to
+adorn their dwellings just as similar articles are used by civilized
+races. This is evident from their form and ornamentation which rudely
+represent the ordinary clothing worn by these Indians, and in the female
+figures the usual mode of wearing the hair either in a bunch at the back
+of the head or in two wheel-shaped knots at the sides. In a few
+instances ear ornaments, made of pieces of shells or beads, are found
+attached to the ears.
+
+I am not aware that these images are used in their dances or religious
+ceremonies. If they are objects of worship it must be in the family
+only, or a secret worship of which I obtained no information.
+
+Images are introduced, however, in their dances and religious rites, but
+these are made of wood and highly ornamented, some of which were
+obtained and are hereafter described.
+
+1841. (42026). Composed of the same clays of which the general pottery
+  is made, with small lines of a brick-red color up and down the body;
+  black lines over the shoulder and around the body, terminating so as
+  to represent hands; small earlets, made of blue beads, suspended from
+  the ears; face in white, with black spots to represent month and eyes;
+  horn-shaped cap, extending obliquely back from the head. Represents a
+  male figure.
+
+1842. (42027). Same as above, except the head, which has a square bunch
+  at its back, representing the one method of wearing the hair by the
+  Shinumos. Male figure.
+
+1843. (42028). Same as No. 1841, especially in regard to the horn-shaped
+  protrusion from the back of the head.
+
+1844. (42029). Plain flat image, probably intended to represent a
+  female.
+
+1845. (42030). This image is quite characteristic of this class of
+  objects. The cut shows all but the colors, which are the same as
+  described above, the form only differing from No. 1841 in having two
+  horns curving back from the head. Seen in Fig. 533.
+
+1846. (42031). Differs only from the rest in having a small hat on the
+  head.
+
+1847. (42032). Female figure, but with a black band around under the
+  chin, apparently representing whiskers; dark brown body.
+
+1848. (42033). Female figure with wheel-shaped knot on each side of the
+  head representing the manner of wearing the hair by the Shinumo women,
+  the body of the figure cream colored, face red, eyes and mouth black;
+  black necklace. Special parts of the body represented in red.
+
+1849. (42034). Male figure ornamented with red vertical lines.
+
+1850. (42035). Fig. 534. The cut presents all the lines on the image as
+  well as the form. The small wheels on each side of the head referred
+  to under No. 1848 show the style of wearing the hair; the black
+  markings shown on the cut are red on the figure. Female.
+
+1851. (42036). Body red, marked with black and dark red lines; red and
+  black spots on back of head to represent the hair.
+
+1852-1853. 1852, (42037); 1853, (42038); dark red bodies with black and
+  red lines.
+
+1854-1856. 1854, (42039); 1855, (42040); 1856, (42041); similar to the
+  preceding; the last with the wheel-shaped knots representing the hair.
+
+  [Illustration:
+  Fig. 531 (41391) (1/3)
+  Fig. 532 (41390) (1/3)
+  Fig. 533 (42030) (�)
+  Fig. 534 (42035) (�)
+  Figs. 531-534.--Wolpi Basin, Vase, and Clay Statuettes.]
+
+  [Illustration:
+  Fig. 535 (42085) (�)
+  Fig. 536 (42058) (1/5)
+  Figs. 535, 536.--Wolpi Meal Baskets.]
+
+
+VEGETAL SUBSTANCES.
+
+_BASKETRY._
+
+The following specimens are examples of the tray-like baskets made from
+round willows:
+
+1857. (42085). Fig. 535 shows the mode of its construction.
+
+1858-1871. 1858, (42076); 1859, (42077); 1860, (42078); 1861, (42079);
+  1862, (42080); 1863, (42081); 1864, (42082); 1865, (42083); 1866,
+  (42084); 1867, (42086); 1868, (42087); 1869, (42088); 1870, (42089);
+  1871, (42090).
+
+The following numbers refer to specimens of the spiral or coiled
+basketry, all the features of which are shown in Fig. 536, except the
+color decoration:
+
+1872-1907. 1872, (42058); 1873, (42051); 1874, (42052); 1875, (42053);
+  1876, (42054); 1877, (42055); 1878, (42056); 1879, (42057); 1880,
+  (42059); 1881, (42060); 1882, (42061); 1883, (42062); 1884, (42063);
+  1885, (42064); 1886, (42065); 1887, (42066); 1888, (42067); 1889,
+  (42068); 1890, (42069); 1891, (42070); 1892, (42071); 1893, (42072);
+  1894, (42090); 1895, (42073); 1896, (42074); 1897, (42075); 1898,
+  (42091); 1899, (42092); 1900, (42093); 1901, (42094); 1902, (42095);
+  1903, (42096); 1904, (42097); 1905, (42098); 1906, (42099); 1907,
+  (42100).
+
+The following are canteen or water baskets, previously described, as to
+method of making and using them:
+
+1908-1912. 1908, (42101); 1909, (42102); 1910, (42103); 1911, (42104);
+  1912, (42105); are vase-shaped baskets, of which Fig. 537 is a
+  representative example.
+
+The following are specimens of the same ware, differing only in form and
+size:
+
+1913-1920. 1913, (42106); 1914, (42107); 1915, (42108); 1916, (42109);
+  1917, (42110); 1918, (42111); 1919, (42112); 1920, (42113).
+
+1921-1925. 1921, (42114); 1922, (42115); 1923, (42116); 1924, (42117);
+  1925, (42118), are only noticeable on account of their peculiar form.
+  They are almost top-shaped, with an acute apex at the bottom. The
+  mouth is small, like that of a jug. In one instance (42114) the body
+  slopes from top and bottom to the center, almost forming a ridge. Very
+  few of this form were obtained.
+
+1926. (42119). A double-lobed canteen basket. Many of the clay
+  water-vessels in the collection are made in imitation of this
+  double-lobed basket.
+
+1927-1931. 1927, (42120); 1928, (42121); 1929, (42122); 1930, (42123);
+  1931, (42124). Ordinary forms of the water-basket.
+
+1932. (42125). A fine, large, and quite perfect specimen, of the jug or
+  water-basket, with ears of horse-hair and string attached for use.
+  Quite a number of the ancient water-jars are of this form, and both
+  bear evidence of antiquity.
+
+1933. (42149). Fig. 538 is a good illustration of this form.
+
+1934-1937. 1934, (42146); 1935, (42147); 1936, (42148); 1937, (42150),
+  are of the same class of cemented basket-ware. The small
+  fruit-baskets, made of round willows and with much less care, are also
+  of many forms. Some are square, others round, and some with a peculiar
+  flattened body; of the latter there are but few in the collection.
+  They belong to the older class of basketry.
+
+The following specimens belong to that class:
+
+1938-1941. 1938, (42126); 1939, (42127); 1940, (42128); 1941, (42129).
+
+1942. (42130). A specimen of a much finer quality than the preceding. It
+  is long and vase-shaped, with a wide mouth and flaring rim, and woven
+  up from the bottom in oblique ridges.
+
+1943. (42131). A coarsely constructed bowl-shaped basket, of which type
+  the following are also specimens:
+
+1944-1951. 1944, (42132); 1945, (42133); 1946, (42134); 1947, (42135);
+  1948, (42136); 1949, (42137); 1950, (42138); 1951, (42139).
+
+1952. (42140). Specimen of the older basketry, with large depressed
+  body, flat bottom, and jar-like mouth.
+
+1953-1956. 1953, (42141); 1954, (42142); 1955, (42143); 1956, (42144),
+  are also different forms of the peach-basket.
+
+1957. (42145). Fig. 540. A large floor or hearth mat frequently found in
+  use among the Pueblos. The specimen in the collection exhibits some
+  skill and taste in weaving it. The material of which it is made is a
+  small round willow.
+
+1958. (42151). A large deep basket, constructed by weaving coarse willow
+  twigs around four upright posts or large sticks. It has a capacity of
+  about two bushels.
+
+1959. (42152). This is a small square basket of the same character.
+
+1960. (42153). A specimen of this ware. It is shown in Fig. 539,
+  exhibits a coarse, loose manner of construction. These are used as
+  fruit-baskets.
+
+1961-1962. 1961, (42154), and 1962, (42155). These are examples of the
+  same kind.
+
+1963. (42156). This specimen represents the finest quality of baskets in
+  the collection. They are all more or less tastefully ornamented during
+  the process of plaiting them. They are skillfully and closely woven,
+  and are used for holding the finest of their flour and meal. These are
+  undoubtedly of Apache manufacture. Fig. 541.
+
+1964. (42157). Has been selected as an illustration of this class of
+  baskets, of which the following are examples, differing but little in
+  form:
+
+  [Illustration:
+  Fig. 537 (42105) (�)
+  Fig. 538 (42149) (�)
+  Figs. 537, 538.--Wolpi Baskets.]
+
+  [Illustration:
+  Fig. 539 (42153) (1/3)
+  Fig. 540 (42145) (1/8)
+  Figs. 539, 540.--Wolpi Fruit Basket and Floor Mat.]
+
+  [Illustration:
+  Fig. 541 (42157) (1/5)
+  Fig. 542 (42160) (1/5)
+  Figs. 541, 542.--Wolpi Baskets.]
+
+  [Illustration:
+  Fig. 543 (42183) (1/6)
+  Fig. 544 (42199) (�)
+  Fig. 545 (42171) (1/3)
+  Figs. 543-545.--Wolpi Baskets.]
+
+1965-1971. 1965, (42158); 1966, (42159); 1967, (42160), Fig. 542; 1968,
+  (42162); 1969, (42163); 1970, (42164); 1971, (42165). The two last are
+  almost flat; the rest saucer or bowl shaped and quite deep.
+
+1972. (42166). Basket of coarse willow ware; platter-shaped.
+
+1973. (42167). Conical-shaped basket of closely woven variety.
+
+1974. (42168). Hemispherical-shaped basket of the same class; small.
+
+1975. (42169). Cylindrical basket; small.
+
+1976-1981. 1976, (42170); 1977, (42171); 1978, (42172); 1979, (42173);
+  1980, (42174); 1981, (42175). Small cylindrical-shaped peach-baskets
+  made of flat yucca leaves. Fig. 545 is an illustration of that class.
+
+1982-1987. 1982, (42195); 1983, (42196); 1984, (42197); 1985, (42198);
+  1986, (42199), Fig. 544; 1987, (42200). Examples of the same class.
+
+The following baskets are made from the broad leaves of the yucca, woven
+or plaited crosswise in a very simple manner, and wrapped at the rims
+with leaves of the same plant. The texture of the weaving is quite
+coarse, not sufficiently close to hold any material smaller than corn or
+fruit:
+
+1988-2006. 1988, (42176); 1989, (42177); 1990, (42178); 1991, (42179);
+  1992, (42180); 1993, (42181); 1994, (42182); 1995, (42183); 1996,
+  (42184); 1997, (42185); 1998, (42186); 1999, (42187); 2000, (42188);
+  2001, (42189); 2002, (42190); 2003, (42191); 2004, (42192); 2005,
+  (42193); 2006, (42194), are all specimens of this class well shown in
+  Fig. 543.
+
+_DOMESTIC IMPLEMENTS, TOYS, ETC._
+
+2007. (41706). A Shinumo blanket loom, with a blanket partly completed,
+  with all the fixtures and implements employed in the art of blanket
+  weaving. This art, however, attains its highest degree amongst the
+  Navajos.
+
+2008-2009. 2008, (41707), and 2009, (41708), are looms exhibiting
+  different modes of weaving.
+
+2010. (41709). A loom with a partly finished garment.
+
+2011. (41683). Fig. 546. Blanket-stick for tightening strands of
+  blankets during the process of weaving. After the thread is passed
+  through from one side to the other this stick is placed over the
+  thread and then firmly beaten down. The following numbers are
+  implements of the same kind. They are called _soo-qua_.
+
+2012-2020. 2012, (41684); 2013, (41685); 2014, (41686); 2015, (41687);
+  2016, (41688); 2017, (41689); 2018, (41690); 2019, (41691); 2020,
+  (41692).
+
+2021. (41888). Blanket stretcher, _tu-he-que-hey_.
+
+2022. (41166). Reed frames, used in weaving belts and garters, called
+  _quey-hu-wuk-ta_.
+
+The following are objects of the same kind:
+
+2023-2027. 2023, (41667); 2024, (41668a); 2025, (41668b); 2026, (41669);
+  2027, (41670). Implement to show the process of making belts.
+
+2028. (42372). Small notched stick used in weaving belts.
+
+2029-2030. 2029, (41998), and 2030, (41999). Short pointed sticks for
+  stretching and drying skins.
+
+2031. (41676). Spindle whorl, _pa-tu-he-kah_. This is a common object of
+  use amongst all the Pueblos. Fig. 547 is an illustration of one of
+  these implements, showing the shaft with spun yarn below the disk. As
+  previously mentioned, this spindle whorl is almost identical with the
+  drill used for perforating stone and shell charms and ornaments. The
+  addition of a cross stick and strings, with the flint tip, are only
+  necessary to convert it into a drill. In both the drills and whorls
+  the disks are made of horn, stone, bone, and wood. For the drill see
+  Fig. 494.
+
+2032-2037. 2032, (41677); 2033, (41678); 2034, (41679); 2035, (41680);
+  2036, (41681); 2037, (41682). All spindle whorls.
+
+2038. (41658). Bow and three arrow-shafts.
+
+2039. (41659). Bow.
+
+2040. (41660). Bundle of four arrow-shafts.
+
+2041-2044. 2041, (41661); 2042, (41662); 2043, (41663); 2044, (41664),
+  are bundles of thirty-five arrow-shafts.
+
+2045. (41651). Bow and six iron-pointed arrows.
+
+2046. (41652), (41653). Bows.
+
+2047. (41654). Bow and quiver.
+
+2048. (41655). Quiver and twenty-six iron-pointed arrows.
+
+2049. (41656). Child's bow and two arrows.
+
+2050. (41720). Boy's bow with two arrows.
+
+2051. (41976), Fig. 548. Stick used for hunting rabbits; it is in the
+  form of a boomerang.
+
+2052-2055. 2052, (41977); 2053, (41978); 2054, (41979), Fig. 549; 2055,
+  (41980). Same objects as the last. In the Zu�i tongue this stick is
+  called _kle-[-a]n-ne_, and in Shinumo _pu-wich-he-cu-he_.
+
+2056. (41924). Saddle-tree.
+
+2057. (41925). Stirrups, _pu-tut-hum-pee_.
+
+2058. (41119). Sinch hooks, _cu-rah-bat-tow_.
+
+2059. (42000). Wooden hoe, made in imitation of European hoe.
+
+2060. (41693). Wooden forceps, _wat-cha_.
+
+2061. (41909). Pronged stick for rake, called _ta-wish-wy-lah_. See Fig.
+  550.
+
+2062-2063. 2062, (41916), and 2063, (41917). Small yoke-shaped
+  implements for drying the skins of small animals by stretching the
+  skin over them.
+
+2064. (41863). Wooden treasure-box, of which the following numbers refer
+  to specimens, and which are well shown in Figs. 552 and 554:
+
+  [Illustration:
+  Fig. 546 (41683) (1/10)
+  Fig. 547 (41676) (1/7)
+  Fig. 548 (41976) (1/5)
+  Fig. 549 (41979) (1/5)
+  Figs. 546-549.--Wolpi Wooden Implements.]
+
+  [Illustration:
+  Fig. 550 (41909) (1/10)
+  Fig. 551 (41178) (1/5)
+  Fig. 552 (41866) (1/5)
+  Fig. 553 (41191) (1/3)
+  Fig. 554 (41865) (1/6)
+  Figs. 550-554.--Wolpi Implements.]
+
+  [Illustration:
+  Fig. 555 (41931) (1/6)
+  Fig. 556 (41926) (1/6)
+  Fig. 557 (41932) (1/5)
+  Fig. 558 (41940) (1/5)
+  Figs. 555-558.--Wolpi Dance Ornaments.]
+
+2065-2069. 2065, (41864); 2066, (41865); 2067, (41866); 2068, (41867);
+  2069, (41868).
+
+2070. (41985). Baby cradle, with hoops over the head for net work; made
+  of slats, _mu-hu-tah_.
+
+2071. (41986). Baby cradle made of willow work.
+
+2072. (41987). Cradle without top.
+
+2073. (41988). Toy cradle, of basket work.
+
+2074. (41989). Toy cradle of boards.
+
+2075. (41710). Toy whirligig, made of a disk with two holes through
+  which strings are passed.
+
+2076. (41711). Specimen of Indian corn.
+
+2077-2078. 2077, (41715), and 2078, (41716).
+
+2079. (41694). Paint toy, of wood, _tat-chi_.
+
+2080. (41695). Bird snares, made of small sticks like the ramrod of a
+  gun, arranged with horse hairs, _wa-wa-shi_.
+
+2081. (42371). Bunch of very small reed-like grass, called
+  _nen-a-wash-pi_ or rain broom.
+
+2082-2083. 2082, (41889), and 2083, (41890). Whirling sticks.
+
+2084-2886. 2084, (41177); 2085, (41178); 2086, (41179). Specimens of a
+  peculiar drum-stick in general use by the Shinumo, Zu�i, and other
+  Pueblo Indians. It is made from a stick, one end of which is shaved
+  off sufficiently to admit of bending the end thus shaved round in the
+  form of a hoop, and then tightly securing it. The hoop portion is used
+  in beating the drum. Fig. 551 is an illustration of one of these
+  drum-sticks.
+
+2087. (41180). Calabash, or gourd, for holding food or water.
+
+2088-2090. 2088, (41181); 2089, (41182); 2090, (41183). Ordinary forms
+  of the same vessel.
+
+2091. (41191). Gourd, perforated, with a staff through the center,
+  painted in many colors; held on a pole in dances. See Fig. 553.
+
+_ORNAMENTAL OBJECTS._
+
+2092. (41926). Is a flat piece of wood about twenty inches long and five
+  in width, with a notched handle at the lower end. Two bunches of
+  feathers are attached to each edge of it, and a bunch at the top. The
+  form of the ornamentations is shown in Fig. 556; the colors employed
+  in these ornamentations are brilliant red, yellow, blue, and black.
+  The entire design is intended to represent the body of a human being.
+  These objects are carried in the hand in their dances.
+
+2093-2097. 2093, (41927); 2094, (41928); 2095, (41929); 2096, (41930);
+  2097, (41931). These are other examples which are well represented in
+  Fig. 555.
+
+2098-2100. 2098, (41932), Fig. 557; 2099, (41933); and 2100, (41934),
+  are sticks, carried in the main dance. They represent lightning.
+
+2101-2102. 2101, (41935), and 2102, (41936). Small notched sticks,
+  ornamented with blades of grass and wild-turkey feathers; carried in
+  the dance.
+
+2103-2106. 2103, (41937); 2104, (41938); 2105, (41939); 2006, (41940).
+  Wooden objects highly colored with various devices depicted on them.
+  These are worn on the head in dances. Mowers are represented on some;
+  on others, the human face, &c. Fig. 558, an illustration made from one
+  of them.
+
+2107-2108. 2107, (41941), and 2108, (41942). Small frames, over which
+  canvas is stretched, to the edges of which are attached various small
+  ornaments; used in dances.
+
+2109. (41943). Small hoop with canvas stretched over it, on which are
+  painted five small objects like stars, used in dances.
+
+2110. (41944). Leather dance-mask, painted.
+
+2111. (41945). Dance-mask.
+
+2112. (41946). Pair of split horns worn in dances.
+
+2113. (41947). Head-dress made in the form of scallops.
+
+2114. (41948). Head-dress of painted sheep-horns.
+
+2115. (41949). Head-dress crown made of basket-ware, to which are
+  attached three projections intended for horns, Fig. 559.
+
+2116. (41950). Corn-husk ornament for the dance.
+
+2117-2118. 2117, (41671), and 2118, (41972). Wooden objects made in
+  imitation of a sun-flower, with zigzag or snake-like sticks attached
+  to them, which are used as ornaments in the corn dance, called
+  _pah-wah_.
+
+2119-2120. 2119, (41673), and 2120, (41674). Shuttle-cocks, made by
+  inserting the ends of two hawk-feathers in a small block. They are
+  carried in dances.
+
+2121. (42042). Dance-rattle made from a small gourd, embellished in
+  colors of black, red, and white. The gourd is perforated at each side,
+  through which a stick is passed for a handle, cross S's on each side.
+  See Fig. 562.
+
+2122. (41982). Notched stick, with shoulder blade of sheep or deer, for
+  musical instrument. See Fig. 561.
+
+2123-2124. 2123, (41983), and 2124, (41984). Notched sticks without the
+  bone.
+
+2125. (41701). Dance ornaments, called _tau-ah-qu-la_, made by attaching
+  semi-circular sticks or hoops to a small pole; ornamented with colors.
+
+2126-2129. 2126, (41702); 2127, (41703); 2128, (41704); 2129, (41705),
+  are ornaments of the same character as the preceding.
+
+2130. (41857). Painted gourd-rattle for dances, of which the following
+  numbers are specimens variously ornamented:
+
+2131-2135. 2131, (41858); 2132, (41859); 2133, (41860); 2134, (41861);
+  2135, (41862), of which the illustration of the latter is an example.
+  See Fig. 560.
+
+  [Illustration:
+  Fig. 559 (41949) (1/6)
+  Fig. 560 (41862) (1/3)
+  Fig. 561 (41982) (1/6)
+  Fig. 562 (42042) (�)
+  Fig. 563 (41752) (�)
+  Fig. 564 (41877) (�)
+  Fig. 565 (41922) (�))
+  Figs. 559-565.--Wolpi Head-dress, Ornaments, &c.]
+
+  [Illustration:
+  Fig. 566 (41959) (1/5)
+  Fig. 567 (41953) (1/5)
+  Fig. 568 (41967) (�)
+  Fig. 569 (41956) (1/5)
+  Figs. 566-569.--Wolpi Effigies.]
+
+2136. (41883). Flat wooden block, painted, for head ornament.
+
+2137. (41884). Cylindrical blocks, with a cup-shaped cavity in one end,
+  used as gaming blocks.
+
+2138-2139. 2138, (41885), and 2139, (41886), are specimens of this block
+  called _sosh-he-wey_.
+
+2140. (41887). Spherical grooved block, painted to represent a melon,
+  used in the melon dance.
+
+2141. (41918). Wooden top, _ree-am-pee_.
+
+2142. (41920). Wooden balls, probably to represent eyes.
+
+2143. (41921). Ball attached to the end of a painted stick, the use of
+  which is not known; probably used in connection with dancing
+  ceremonies.
+
+2144. (41900). Small implement of wood used as a dance ornament.
+
+2145. (41752). Wooden ornament for the head, worn in dancing ceremonies.
+  Two little leather balls are attached to the dotted end; shown in Fig.
+  563.
+
+2146. (41754). Two small wooden balls with black ends and a white band
+  around the middle; a dance ornament.
+
+2147. (41756). Ornaments for the wrist; made of wooden rings.
+
+2148. (41753). A similar object, painted in various bright colors.
+
+2149-2150. 2149, (41881), and 2150, (41882), are slatted wooden
+  cylinders with conical blocks attached to them. Ornaments for dancing
+  ceremonies.
+
+2151. (41876). Wooden ball attached to slatted gourd-neck, used as an
+  ornament in the dance.
+
+2152. (41877). See Fig. 564.
+
+2153-2154. 2153, (41878), and 2154, (41879). Specimens varying from the
+  preceding only in colors.
+
+2155. (41922). Necklace of acorn hulls, _tuck-we-tah-qua-we_. Fig. 565.
+
+2156. (41923). The same kind of an ornament.
+
+_STATUETTES._
+
+These objects vary in form, size, and decoration, the largest being
+about thirty inches high, the smallest not more than five. They are
+objects of worship in one form or another. The illustrations in the
+woodcuts and colored plates will convey a better idea of them than could
+be given in a description. They are entirely composed of wood, with
+feathers and other small ornaments attached to them occasionally.
+
+2157. (41951). This is the largest one of these images in the
+  collection, very highly ornamented with bright variegated colors. See
+  Fig. 571.
+
+2158. (41952). One of these objects, differing only in size and manner
+  of decoration.
+
+2159. (41953). This is a specimen of one of these images exhibited in
+  Fig. 567. The form is common to many of them, showing the pyramidal
+  projections attached to the head, with feathered tips.
+
+2160-2161. 2160, (41954), and 2161, (41955). Similar objects.
+
+2162. (41956). Fig. 569. This exhibits a female figure with variegated
+  colors, and in addition to the pyramidal projections from the head has
+  two round sticks with a ball and crown.
+
+2163-2164. 2163, (41957), and 2164, (41958). Similar to Fig. 569.
+
+2165. (41959). Fig. 566. The general characteristics of this specimen
+  are the same as those already referred to, but it differs in the
+  arrangement of the head attachments; two rows of pyramids are shown;
+  the lower one is inverted; the two rows are separated by three arches;
+  the upper pyramids are ornamented at the tips with feathers. A
+  necklace of acorn hulls is around the neck, with a shell ornament
+  attached to it. Garters are represented at the knees. In this
+  specimen, as in many others, the feet are only represented by stubs.
+  The body is decorated to represent fancifully colored clothing.
+
+2166-2168. 2166, (41960); 2167, (41961); 2168, (41962). Similar to the
+  preceding.
+
+2169. (41963). This is well shown in Fig. 570.
+
+2270-2172. 2170, (41964); 2171, (41965); 2172, (41966). Objects of the
+  same character.
+
+2173. (41967). This specimen (Fig. 568) differs considerably in form
+  from those previously mentioned. As will be observed by reference to
+  the figure, it has a conical projection from the top of the head,
+  representing a hat with a feather at the top, with two short, round
+  blocks at the base of the hat, and two round balls to represent ears.
+  The skirt is of cloth. The specimen is brilliantly decorated with
+  paint.
+
+2174. (41968). Shows the form and details of carving, highly colored.
+
+2175. (41969). A brilliantly colored image, which is well shown in
+  colors in Fig. 572.
+
+2176-2180. 2176, (21970); 2177, (41971); 2178, (21972); 2179, (21973);
+  2180, (41974), are similar objects.
+
+
+ANIMAL SUBSTANCES.
+
+_HORN AND BONE._
+
+2181. (40113). Large ladle from horn of mountain sheep, called
+  _�l-ly-ku_. See Fig. 573.
+
+2182-2188. 2182, (41891); 2183, (41892); 2184, (41893); 2185 (41894);
+  2186 (41895); 2187 (41897); and 2188 (41898). No. 2182 is a bone awl
+  or perforator, of which the others are examples, as shown in Fig. 575.
+
+2189-2192. 2189, (41990); 2190, (41991); 2191, (41992); 2192, (41193).
+  Goats' horns perforated with small round holes, through which arrow
+  shafts are passed to smooth and straighten them. Fig. 576 is an
+  illustration of one of them, called _hoth-quen_.
+
+  [Illustration:
+  Fig. 570 (41963)
+  Fig. 571 (41951)
+  Fig. 572 (41969)
+  Figs. 570-572.--SHINUMO STATUETTES. � NATURE]
+
+  [Illustration:
+  Fig. 573 (40113) (�)
+  Fig. 574 (41855) (1/3)
+  Fig. 575 (41891) (1/3)
+  Fig. 576 (41992) (�)
+  Figs. 573-576.--Wolpi Ladle, Rattle, &c.]
+
+2193-2196. 2193, (41994); 2194, (41995); 2195, (41996); 2196, (41997).
+  Bundles of arrow shafts.
+
+2197. (41855). Bunch of ox hoofs or toes used as a rattle in dances.
+  These same objects are frequently attached to the edges of turtle
+  shells for the same purpose. See Fig. 574 in Zu�i collection.
+
+2198-2199. 2198, (41763), and 2199, (41764). Small hoops with painted
+  net-work stretched across them; dance ornaments.
+
+2200-2201. 2200, (42346), and 2201, (42347). Shell ornaments,
+  _ya-wag-sha-na._
+
+2202. (41854). Medicine shells.
+
+_SKIN._
+
+2203. (41737). Cap made from the skin of a panther's head, with feathers
+  attached to the top of it, called _pow-how-wi-ta-nah-chi_.
+
+2204. (41738). Head-dress made of the skin of a panther's head, so as to
+  preserve the natural appearance of the animal, with feather ornaments
+  attached.
+
+2205. (41740). Fur cap, ornamented with feathers.
+
+2206. (41743). Boy's sling, _tow-wow-kin-pi_.
+
+2207. (41842). Large rabbit-skin robe, made by twisting strands of
+  rabbit-skins with the fur attached, and then sewing the strands
+  together, _tah-ru-pe_.
+
+2208. (41843). Small robe of the same character.
+
+2209. (42354). Buckskin wrist-guards, faced with metal, Fig. 579. These
+  guards are common with nearly all tribes of Indians, and are designed
+  to protect the wrist from the string of bows used in war and in
+  hunting.
+
+2210. (41869). Women's buckskin leggings.
+
+2211. (41870). Women's buckskin leggings.
+
+2212. (41739). Anklet of buckskin, _pi-la-wak-chi_.
+
+2213. (41741). Anklet of buckskin.
+
+2214. (41828). A pair of men's moccasins, which the accompanying
+  illustration shows well. They are made of buckskin, but differ from
+  the usual manner of making moccasins, called _pow-chi_. See Fig. 578.
+
+2215. (41721). Baby's moccasins, _tow-tow-chi-we-ha_.
+
+2216. (41722). Pair child's moccasins, _tow-tow-chi-we-ha_.
+
+2217. (41723). Woman's moccasins, _tow-chi_.
+
+2218. (41829). Pair of child's moccasins, _pow-tow-chi-u-wez-ha_. The
+  following are specimens of children's moccasins:
+
+2219-2222. 2219, (41830); 2220, (41831); 2221, (41832); 2222, (41833).
+
+2223. (41755). Small gaming ball covered with goat skin.
+
+2224. (41745). Buckskin paint bag, beaded.
+
+2225. (41746). Buckskin paint bag, beaded.
+
+2226. (41747). Buckskin paint bag, ornamented with fringe.
+
+2227. (41748). Buckskin paint bag, ornamented with fringe.
+
+2228. (41827). Deer-skin pouch, _la-hab-ush-i-wa_.
+
+2229. (41657). Small deer-skin quiver and one arrow.
+
+2230. (41841). Buckskin embroidered with beads.
+
+2231. (41871). Buckskin dyed black.
+
+2232. (41872). Buckskin dyed black.
+
+2233. (41873). Buckskin dyed black.
+
+2234-2235. 2234, (41717), and 2235, (41719), are riding whips made of
+  plaited leather or raw-hide, called _wi-wa-pi_. See Fig. 580.
+
+2236. (41176). A flat drum, made by stretching goat-hide over a wide
+  hoop, and tightened by lacing crosswise around the edge with a cord of
+  the same hide. One side is plain, the other is decorated with a
+  figure, which is not interpreted. This specimen is from Shinumo, but
+  it does not differ from those used by many of the other Pueblo tribes.
+  Fig. 581.
+
+2237. (42351). Fig. 577. Leather wristlets, ornamented with wild turkey
+  feathers.
+
+2238-2239. 2238, (42352), and 2239, (42353), are objects of the same
+  kind, differing somewhat in ornamentation.
+
+2240. (42354). Ornamental wristlets with metal facing.
+
+2241. (42355). Buckskin wrist-guard, to protect the wrist from the
+  bowstring when shooting arrows.
+
+2242-2243. 2242, (42356), and 2243, (42357), are similar objects, made
+  of leather.
+
+2244. (42358). Anklets of leather or rawhide strips.
+
+2245. (42359). Anklets.
+
+2246-2247. 2246, (41749), and 2247, (41750). Leather bags for fire
+  stones.
+
+2248. (41850). Leather attachments for moccasins.
+
+2249. (41765). Leather gaming ball, _tat-chi_.
+
+2250. (41758). Leather or rawhide lash rope with rings, called
+  _pe-qui-sha_.
+
+2251. (41874). Specimen of undressed rawhide.
+
+2252. (41875). Rawhide bag, painted, _cah-he-ne-si-vah_.
+
+2253. (41844). Narrow strip of canvas, painted to represent some
+  fanciful feature. The following are specimens of the same:
+
+2254-2258. 2254, (41845); 2255, (41846); 2256, (41847); 2257, (41848);
+  2258, (41849).
+
+_WOVEN FABRICS._
+
+2259. (41834). Woven belts or sashes, of which the following are
+  examples, and which are well shown in colors by Figs. 582 and 583:
+
+2260-2269. 2260, (41713); 2261, (41803); 2262, (41255); 2263, (41823);
+  2264, (41835); 2265, (41836); 2266, (41837); 2267, (41838); 2268,
+  (41839); 2269, (41840).
+
+2270. (41718). Woven waist belt, ornamented with sheep and goats' toes,
+  attached to the lower edge of the belt.
+
+2271. (41751). Head ornament of braided hair.
+
+  [Illustration:
+  Fig. 577 (42351)
+  Fig. 578 (41828) (1/5)
+  Fig. 579 (42354) (1/3)
+  Fig. 580 (41719) (1/6)
+  Fig. 581 (41176) (1/6)
+  Figs. 577-581.--Wolpi Wristlets, Moccasins, etc.]
+
+  [Illustration:
+  Fig. 582 (41255)
+  Fig. 583 (41823)
+  Figs. 582-583.--SHINUMO BLANKETS. � NATURE]
+
+2272. (42361). Flat circular pad, composed of hair, over which the
+  Shinumo women wear their hair, which appears like two wheels over the
+  ears.
+
+2273. (41767). Head ornament for flower dance, called _tah-chi_.
+
+2274. (41769). Ornament similar to the preceding.
+
+2275. (41766). Maiden's hair strings for head-dress, called
+  _chi-ca-ha-pi_.
+
+2276. (41735). Rosette for head-dress in dance.
+
+2277. (41736) Rosette with hair tufts attached; dance ornament for the
+  head.
+
+2278. (41744). Woolen tassel, ornament for dress.
+
+2279. (41762). Neck ornament, with feathers attached, called
+  _how-wah-he-qua-wi_.
+
+2280. (41759). Feather charms.
+
+2281. (41761). Woven band for the head, called _mong-at-a_.
+
+  [Illustration:
+  Fig. 584 (42365) (�)]
+
+2282. (42365). Fig. 584. Anklets, ornamented with porcupine quills; some
+  are beaded.
+
+The following are specimens of the anklets, variously ornamented:
+
+2283-2286. 2283, (42362); 2284, (42363); 2285, (42364); 2286, (42366).
+
+2287. (41742). Woman's knit leggings.
+
+2288. (41826). Woven hair sinch or saddle-girt, _ah-chis-clah_.
+
+2289. (41757). Braided lasso or lariat.
+
+
+
+
+COLLECTIONS FROM LAGUNA.
+
+
+ARTICLES OF CLAY.
+
+_WATER VASES._
+
+These are mostly of the usual form, though some should, probably on
+account of their shape, be designated as jars. A few have the margin
+undulate, and some are without any distinct neck.
+
+They are generally well made and very symmetrical, of white ware, with
+decorations in black, brown, or red colors.
+
+2290. (41295). Small, with opposite handles or ears, resembling rats
+  peeping into the vessel; body decorated with broad oblique stripes and
+  figures resembling corn blades. Shown in Fig. 585.
+
+2291. (42382). Small, decorated with birds fighting, their feathers
+  ruffled. Fig. 612.
+
+2292. (42384). Small, with a single broad undulate band around the body,
+  having a white stripe in the middle marked with a row of dots.
+
+2293. (42385). Fig. 586. Scalloped and straight band around the neck;
+  body with two interlaced undulate bands, with triangles alternately in
+  the inclosed and upper spaces.
+
+2294. (42380). Red base, upright black bands in the center, with brown
+  band below neck, and oblique bars extending from rim downward. See
+  Fig. 610.
+
+2295. (42381a). Fig. 587. The leaves in the decorations of this piece
+  are probably designed to represent corn blades. There is something
+  about the figures here used which leads one to believe they are, in
+  part, at least, symbolical.
+
+2296. (42386). Fig. 588. Large. Large flower ornaments surrounding large
+  birds with crests and ruffled feathers, one in each space. The
+  large-billed bird may be intended for a raven; the other the
+  California quail.
+
+2297. (42387). Small margin, with images of three birds with spread
+  wings on it; figures of two birds, with a few small flowers covering
+  the body. See Fig. 611.
+
+2298. (42388). Small. Zigzag band around the neck; figures on the body
+  as in Fig. 585.
+
+2299. (42389). Jar-shaped; zigzag band extending on neck and shoulder; a
+  straight and scalloped band just below the shoulder.
+
+2300. (42390). No neck, broadest near the top; birds, and flowers with
+  stem. Small.
+
+2301. (41391). Without neck; birds only, small.
+
+2302. (42392). Without neck. Birds picking grass. Small flowers.
+
+2303. (42393). Scalloped margin; birds only, small.
+
+2304. (42394), Fig. 589. Scalloped margin. Deer, which seems to be
+  biting the leaves of a plant.
+
+2305. (42395). Fig. 590.
+
+2306. (42396). Jug-shaped, scalloped margin, with four bands of
+  crescents on the body.
+
+2307. (42397). Jug-shaped, with square month; zigzag line around the
+  neck. Scrolls and oblique diamond figures on the body; small.
+
+2308. (42398). Fig. 591. Ears in the form of animals peeping into the
+  vessel.
+
+2309. (42399). Small, with crude images of animals on the margin; birds
+  alone on the body.
+
+2310. (42400). Small; no neck, square mouth; image of a rabbit at each
+  corner on the rim; birds and checkered square on the body.
+
+2311. (42401). Small and similar to preceding, except that there are
+  only corn leaves and a little square on the body.
+
+2312. (41402). Similar in form to the preceding; image of an animal at
+  one corner only; zigzag line around the neck; double undulate line
+  around the body, with dots above and below.
+
+2313. (41403). Similar to No. 2310, except that it is more slender and
+  jar-shaped; image of a dog or coyote at each corner; figure of a ladle
+  and a diamond on the body.
+
+  [Illustration:
+  Fig. 585 (41295) (1/3)
+  Fig. 586 (42385) (1/3)
+  Fig. 587 (42381) (�)
+  Figs. 585-587.--Laguna Water Vases.]
+
+  [Illustration:
+  Fig. 588 (42386) (�)
+  Fig. 589 (42394) (1/3)
+  Fig. 590 (42395) (1/3)
+  Fig. 591 (42398) (1/3)
+  Fig. 592 (41298) (1/3)
+  Figs. 588-592.--Laguna Water Vessels.]
+
+  [Illustration:
+  Fig. 593 (41299) (�)
+  Fig. 594 (42412) (1/3)
+  Fig. 595 (42413) (1/3)
+  Fig. 596 (42409) (1/3)
+  Figs. 593-596.--Laguna Water Jars.]
+
+2314. (41404). Jar-shaped, with a round mouth, one animal on the margin;
+  triangular lines on the body.
+
+2315. (42406). Regular shaped olla of medium size; large figure of leaf
+  twigs arranged in the form of a Maltese cross, surrounded on the side
+  by broad curved lines or stripes.
+
+The following are but slightly decorated:
+
+2316-2317. 2316, (42376), and 2317, (42378). With one or two simple
+  narrow bands or lines.
+
+2318. (42780). With slight oblique lines on the neck, and a few broad
+  upright lines in two groups on the body.
+
+2319-2320. 2319, (42379), and 2320, (42381b). Without decorations of any
+  kind.
+
+_WATER JUGS AND JARS._
+
+2321. (41299). Fig. 593, Canteen with the images of four dogs or coyotes
+  on it. Leaf decorations.
+
+2322. (41300). Canteens, regular form. Irregular figures.
+
+2323. (42412). Fig. 594. Canteen of regular form, scalloped band, leaves
+  and geometrical figures.
+
+2324. (42413). Fig. 595. Olla-shaped canteen. The top is depressed and
+  ornamented with a scalloped band; immediately below this is a broad
+  band consisting of two plain, narrow stripes, between which is a row
+  of oblong figures arranged in a zigzag pattern; around the middle of
+  the vessel there is a sparsely serrate band, interrupted at intervals
+  by small circles, in each of which there is the form of a cross.
+
+2325. (42409). Fig. 596. The ornamentation on this piece is rather
+  peculiar and worthy of attention, especially the bands around the
+  columns.
+
+2326. (42411). Double pepper and salt box, square form, with two handles
+  side by side; birds mounted on the handles; figures of elk on the
+  sides and ends in procession.
+
+2327. (42475). Moccasin; rude.
+
+_PITCHERS._
+
+These are well formed, evidently in imitation of those introduced by the
+white population. All similar in form, with handles. White ware with
+decorations; of medium size.
+
+2328. (41298). Shown in Fig. 592.
+
+2329. (42405). Diamond scroll in the upper zone; a band of triangles
+  with points directed upward in lower zone.
+
+2330. (42406). Flower or rosette in upper zone, one on each side; no
+  other figures.
+
+2331. (42407). Broad band around the neck, from which two long-pointed
+  triangles or acuminate figures point downwards; then another simple
+  straight band, and below this a zigzag band.
+
+2332. (42408). Scroll band around the neck; a band of hour-glass figures
+  around the shoulder.
+
+2333. (42410). With an undulate band around the bowl.
+
+_EFFIGIES._
+
+These are of white decorated ware, and in the form of birds and
+quadrupeds; the orifice being usually in the top of the head, but in
+birds it is occasionally at the tail, and in the quadruped forms
+sometimes in the breast.
+
+Birds.
+
+These are frequently without feet, &c.; one or two double ones are on
+pedestals.
+
+2334-2347. 2334, (41301); 2335, (41302), Fig. 597; 2336, (41303), Fig.
+  598; 2337, (41304); 2338, (41305); 2339, (42414), Fig. 608; 2340,
+  (42415), Fig. 599; 2341, (42418), Fig. 609; 2342, (42419); 2343,
+  (42423); 2344, (42426); 2345, (42427); 2346, (42428); 2347, (42429),
+  are all similar to that represented in the Figures; some of them are
+  intended to represent other birds than ducks.
+
+2348. (42417). Fig. 600. With two heads on a pedestal.
+
+2349. (42420). Two heads, but not on a pedestal; a handle on the back in
+  the form of a fox or dog. See Fig. 605.
+
+2350-2352. 2350, (42421); 2351, (42422); 2352, (42424). Similar to those
+  shown in Fig. 598, but the decorations are scrolls and triangular
+  figures. The first has a flower or rosette on the breast.
+
+2353. (42425). Two-headed; not on pedestal; lines, triangles, &c.
+
+2354. (42435). With a crest and long tail; apparently a rooster.
+
+Quadrupeds.
+
+2355. (41306). Fig. 601. This represents a sheep. The orifice is in
+  front of the head.
+
+2356-2357. 2356, (41307), Fig. 609, and 2357, (41309). These are
+  probably intended for sheep, but they are so rude that it is not
+  possible to determine with any certainty. Bark colored.
+
+2358. (41308). A cow; although rude, the characteristics are well given,
+  even to the hoofs and udder; spotted on the back and breast. Coloring
+  on the sides intended to represent hair.
+
+2359. (42430). Shown in Fig. 606.
+
+2360. (42431). Fig. 602. This and the preceding figure are evidently
+  intended to represent rabbits.
+
+2361-2362. 2361, (42432), and 2362, (42433). Similar to the last;
+  apparently intended for a figure of the ass (_Burro_), though the
+  spots on the former are inappropriate. The latter is decorated on the
+  side with the figure of another quadruped.
+
+2363. (42434). Animal unknown.
+
+2364-2365. 2364, (42436), and 2365, (42437). Animal not determinable;
+  decorated with spots.
+
+  [Illustration:
+  Fig. 597 (41302) (1/3)
+  Fig. 598 (41303) (1/3)
+  Fig. 599 (42415) (�)
+  Fig. 600 (42417) (1/3)
+  Figs. 597-600.--Laguna Effigies.]
+
+  [Illustration:
+  Fig. 601 (41306) (1/3)
+  Fig. 602 (42431) (1/3)
+  Fig. 603 (42438) (1/3)
+  Fig. 604 (42444) (1/3)
+  Figs. 601-604.--Laguna Effigies.]
+
+  [Illustration:
+  Fig. 605 (42420)
+  Fig. 606 (42430)
+  Fig. 607 (41307)
+  Fig. 608 (42414)
+  Fig. 609 (42418)
+  Figs. 605-609--LAGUNA POTTERY. 1/3 NATURE.
+
+  [Illustration:
+  Fig. 610 (42380)
+  Fig. 611 (42387)
+  Fig. 612 (42382)
+  Fig. 613 (42473)
+  Fig. 614 (42469)
+  Fig. 615 (42471)
+  Figs. 610-615.--LAGUNA POTTERY. (1/[illegible]) NATURE.]
+
+  [Illustration:
+  Fig. 616 (41297) (�)
+  Fig. 617 (42452) (1/3)
+  Figs. 616, 617.--Laguna Eating Bowls.]
+
+2366-2371. 2366, (42438), Fig. 603; 2367, (42439); 2368, (42440); 2369,
+  (42441); 2370, (42442); 2371, (42443). Antelope and elk. The first is
+  evidently an antelope, and possibly the third and fifth. The rest are
+  certainly elk. Decorations simple.
+
+2372. (42444). Probably a dog or coyote, with scrolls and diamond
+  figures. See Fig. 604.
+
+2373. (42445). Probably a horse.
+
+Human figures--dolls.
+
+2374-2377. 2374, (42447); 2375, (42448); 2376, (42449); 2377, (42450).
+  Females; simple.
+
+2378. (42446). Is a pretty fair representation of a chair.
+
+_EATING BOWLS._
+
+The Laguna bowls are mostly of two sizes, either large or small. The
+former are eating bowls and are of the general form, or perhaps more
+hemispherical than usual. The small ones vary in shape from the
+preceding form to that of a flat-bottomed basin. The decorations present
+but little similarity to those we have previously described from other
+tribes; white ware with colored decorations.
+
+Small bowls. Decorations all external:
+
+2379. (41296). Square mouth, with two sides somewhat flattened. Scrolls
+  and leaf-like figures on the outside.
+
+2380. (41297). Fig. 616. Shown in the figure.
+
+2381. (42451). Basin-shaped, with a handle on one side and a lip on the
+  other; simple marginal and basal band with oblique lines.
+
+2382. (42452). Fig. 617. Same form, with handle on which is seated some
+  animal, apparently a dog, no lip. Band of diamond figures with central
+  spaces. These two are the only specimens which have handles.
+
+The following are quite small, basin-shaped, decorated with leaflike
+figures:
+
+2383-2388. 2383, (42453); 2384, (42454); 2385, (42457); 2386, (42458);
+  2387, (42459); 2388, (42460).
+
+The two following are small, of regular form:
+
+2389. (42455). With two zigzag lines around the body.
+
+2390. (42456). With geometrical figures.
+
+Large bowls.
+
+2391. (41265). No external decorations; radiating lines and large spaces
+  inside.
+
+2392. (42474). Inner zigzag marginal line as on Zu�i bowls; outer
+  decorations also somewhat like the usual triangular figures on the
+  Zu�i bowls.
+
+The following are without inner decorations:
+
+2393-2395. 2393, (42466); 2394, (42468); 2395, (42472). With broad band
+  of geometrical figures; the first with a narrow scalloped band
+  bordering the large band below.
+
+2396-2397. 2396, (42461), and 2397, (42473), Fig. 613. With irregular
+  geometrical figures; no band.
+
+2398. (42469). With diamond marginal band; irregular figures below. Fig.
+  614.
+
+2399. (42470). The large circular scroll with irregular figures; no
+  band.
+
+2400. (42471). Scalloped circle with a square in it, and leaf-like
+  figures. Fig. 615.
+
+
+
+
+COLLECTIONS FROM ACOMA.
+
+
+ARTICLES OF CLAY.
+
+_WATER VASES._
+
+There are but few pieces of this pottery, yet a careful examination of
+these since my return increases my desire to procure more. The Acoma
+bears a strong resemblance, especially in the ornamentation, to that
+from Laguna. All that was obtained was of white ware with decorations in
+color. In this pottery, in most cases where animals are figured, they
+have a base or ground on which to stand.
+
+2401. (39578). Medium size, figures of birds, ant-hills, and cactus. No
+  band on the neck.
+
+2402. (39581). Fig. 618.
+
+2403. (39582). Very pretty specimen, quite symmetrical, broad
+  jar-shaped, a scalloped band on the neck with little tassels suspended
+  from it, possibly intended to imitate fringe. Large triangles on the
+  body pointing to the right, each tipped with a flower.
+
+2404. (39730). Small scalloped band around the neck similar to Fig. 624.
+
+2405. (41310). Large double band of triangles on the neck; body with a
+  band of large diamonds, or squares placed as diamonds, with checkered
+  centers and crescents.
+
+2406. (41313). No band on the neck; birds and ant hills.
+
+2407. (41314). No band on neck; large elk and some irregular figures.
+
+2408. (41315). No band on neck; bird on the ground amid leaves and
+  flowers.
+
+2409. (41316). Fig. 619. The ornamentation on this is more than usually
+  spirited.
+
+2410. (41318). Scalloped margin, no neck-band; belt of large open
+  diamonds around the body, each upper corner capped with three leaves.
+  See Fig. 621.
+
+2411. (41317). Large size; a double band of crescents around the neck;
+  then on the shoulder an arched band with a central stripe of diamonds;
+  below this a double line of inverted crescents, and below this a large
+  three-leafed plant. See Fig. 620.
+
+  [Illustration:
+  Fig. 618 (39581) (�)
+  Fig. 619 (41316) (�)
+  Figs. 618, 619.--Acoma Water Vases.]
+
+  [Illustration:
+  Fig. 620 (41317)
+  Fig. 621 (41318)
+  Fig. 622 (42377)
+  Figs. 620-622.--ACOMA POTTERY. 1/5 NATURE.]
+
+2412. (42378). Plain.
+
+2413. (42383). Small, with lines of outline crescents around the body.
+
+2414. (42377). See Fig. 622.
+
+_PITCHERS._
+
+White decorated ware with handles:
+
+2415. (41311). Regular form, of medium size, with a broad zigzag band
+  around the neck and another around the body. The latter has in each
+  large fold something like an arrow-head with point broken off.
+
+2416. (41312). Olla-shaped neck with snort oblique bands; body with
+  large and small triangles.
+
+_EATING BOWLS._
+
+The following specimens are small:
+
+2417. (42461). Shaped exactly like the small soup bowl in use at the
+  present day among the whites; with foot encircled by a vine with
+  well-formed leaves. A pretty piece.
+
+2418. (42462). Regular form, with an outline zigzag band.
+
+2419. (42463) and (42464). Very small, conical in shape, the former
+  marked with slender lines running around it, the latter with dots.
+
+
+
+
+COLLECTION FROM COCHITI.
+
+
+ARTICLES OF CLAY.
+
+_WATER VESSELS._
+
+Size: height 6 to 9 inches, diameter 6 to 15 inches.
+
+These are of the same form as those of Zu�i, but the curves and outlines
+are much more graceful, and there is a delicacy in the finish which
+places them above the Zu�i pottery and indicates a greater freedom and
+confidence in the ceramic artist. The rim is often slightly flared, the
+neck more distinct and regularly formed.
+
+The only figure given of this interesting group is not one of the
+regularly formed specimens. They are all white ware with decorations in
+black.
+
+2420. (39501). Scalloped band around the neck; body divided into three
+  compartments by upright double lines with rosette in one and twigs in
+  the others.
+
+2421. (39502), Pueblo or terraced figures around the body bordered by an
+  undulate line below. This is of special interest.
+
+2422. (39503). Decorated with sunflower, the stem and leaves on the
+  body; straight and undulate lines around the neck.
+
+2423. (39504). Decorated with straight and undulate bands.
+
+2424. (39505). With figures of birds on the neck; and a tolerably well
+  executed true meander or Greek fret around the body. Evident imitation
+  of European pattern.
+
+2425. (39506). Straight and undulate lines on the neck, triangle
+  pointing downwards, leaves and insects on the body.
+
+2426. (39509). Depressed; with rosettes and geometrical figures on the
+  upper half of the body.
+
+2427. (39634). Globular in form, without neck; scalloped marginal band;
+  figures of chickens on the body.
+
+2428. (39731). Fig. 624. Small size.
+
+2429. (39733). Small size, similar in form to the preceding, with
+  scalloped band around the neck, and scalloped arches on the body.
+  Shown in Fig. 623.
+
+Globular vessels with handles, used for holding water. These are of two
+forms: those which are almost or quite spherical, with wide month at the
+top; and those which resemble tea-pots, and open through a spout in the
+form of the head of a bird or other animal. These are sometimes
+globular, with opening at the top. Size shown in the illustrations.
+
+2430. (39557). Undulate band around the margin; figures of fish on the
+  body.
+
+2431. (39558). Undulate line round the margin; figures of deer, bird,
+  and fruit.
+
+2432. (39559). With figures of triangles and leaves on the body.
+
+2433. (39560). With head of a bird projecting from one side; marked with
+  outline triangular and lunar figures on the body.
+
+2434. (39561). Head of an animal projecting from one side.
+
+Canteen-shaped vessels, with openings through a spout in the form of the
+head of some animal. In some instances, where these are in the form of a
+bird with the head for a spout, at the opposite end or side is the
+representation of a tail, but often the latter is wanting. Handle
+single, and usually on the top, unless otherwise specially mentioned.
+
+2435-2436. 2435, (39563), and 2436, (39567). These are bird-shaped, with
+  simple meander bands round the neck, and procession or herd of sheep
+  or goats on the body. Head and tail shown. The former is seen in Fig.
+  625.
+
+2437. (39564). Form of a bird without tail; decorations simple.
+
+2438. (39565). Shown in Fig. 626.
+
+2439. (39568). Bird without tail; figure of an Indian with a gun in his
+  hand, leading a calf followed by a cow.
+
+2440. (39569). Bird with rude tail; figures of fishes and bird and a
+  scalloped band below.
+
+2441. (39570). Bird without tail; feather figures on breast; oblique
+  checkered band to represent wing.
+
+  [Illustration:
+  Fig. 623 (39733) (1/3)
+  Fig. 624 (39731) (1/3)
+  Figs. 623, 624.--Cochiti Water Vessels.]
+
+  [Illustration:
+  Fig. 625 (39563) (1/3)
+  Fig. 626 (39565) (1/3)
+  Figs. 625, 626.--Cochiti Water Vessels.]
+
+  [Illustration:
+  Fig. 627 (39573) (1/3)
+  Fig. 628 (39720) (1/3)
+  Figs. 627, 628.--Cochiti Water Vessels.]
+
+  [Illustration:
+  Fig. 629 (39725) (1/3)
+  Fig. 630 (39511) (1/3)
+  Figs. 629, 630.--Cochiti Water Vessels.]
+
+  [Illustration:
+  Fig. 631 (39717) (1/3)
+  Fig. 632 (39721) (1/3)
+  Figs. 631, 632.--Cochiti Water Vessels.]
+
+  [Illustration:
+  Fig. 633 (39718) (1/3)
+  Fig. 634 (39714) (1/3)
+  Figs. 633, 634.--Cochiti Water Vessels.]
+
+2442. (39571). With two heads opposite, handle crosswise between them;
+  serrate bands around the necks; figures of birds on the body.
+
+2443. (39572). Representing a double-headed duck, with a single tail at
+  opposite end; square handle; outline flower or rosette on the body.
+
+2444. (39573). Form and decorations shown in Fig. 627. Probably intended
+  for a dog.
+
+2445. (39574). Form like preceding; decorations, fish, and grass; latter
+  well shown.
+
+2446. (39575). Similar in form to preceding, but with the fore-legs
+  added. Decorations, collar or band around the neck and fish, on the
+  body.
+
+2447. (39579). Without handle, canteen-shaped, with dark head on one
+  side; decorated with flowers and birds.
+
+2448. (39696). Bird's head on top, tail present, no handle; jug-shape;
+  feather on back, scrolls and flower on the side.
+
+2449. (39697). Animal's head; no tail; open on top as well as through a
+  spout; scalloped margin; birds and twigs on the body.
+
+2450. (39698). Similar in form to the preceding, and with similar
+  decorations.
+
+2451. (39699). Similar in form, but not open on top. Man, boy, and
+  birds, with lines or shading to represent the ground.
+
+2452-2458. 2452, (39701); 2453, (39713); 2454, (39715); 2455, (39720);
+  Fig. 628; 2456, (39725), Fig. 629; 2457, (39727); 2458, (39730). These
+  are somewhat of bird form, with globular body and without tail. Nos.
+  2455, 2456, and 2457 are open on top, the others are not. Decorated
+  with figures of birds, and sometimes flowers or twigs. The bird
+  figures on No. 2453 (39713) are evidently intended for turkeys. This
+  is without handle, and open at the top.
+
+2459. (39700). Bird without tail; figures of deer and some other animal,
+  also trees.
+
+2460. (39703). Duck-shaped, without tail; rude figures of animals and
+  birds.
+
+2461. (39511). Fig. 630.
+
+2462. (39704). Bird-shape, no tail; outline figures of Indians.
+
+2463-2465. 2463, (39706); 2464, (39712); 2465, (39721), Fig. 632. Usual
+  bird form as shown, and with similar animal figures.
+
+2466. (39705). Resembles specimen shown in Fig. 629.
+
+2467-2468. 2467, (39707), and 2468, (39708). Same form; decorations in
+  outline, former of plants, latter of animals; rude.
+
+2469. (39709). Same form; figure of an Indian chasing a deer.
+
+2470-2471. 2470, (39710), and 2471, (39717). Fig. 631. Decorated with
+  figures of fish.
+
+2472. (39711). Usual form; oblique; double serrate band and figures of
+  fish.
+
+2473. (39714). Fig. 634.
+
+2474. (39718). Fig. 633.
+
+2475. (39719). Fig. 635.
+
+2476. (39722). Fig. 636. This belongs to the globular group above
+  described.
+
+2477. (39723). Similar to the preceding and belongs to the same group;
+  with figures of sheep and fish.
+
+2478. (39724). Fig. 637.
+
+2479. (39726). Fig. 638. A true canteen.
+
+2480. (39728).
+
+2481. (39729). Fig. 639.
+
+2482. (39508). Bird with tail more elongate in form than usual. Oblique
+  checkered band on the side.
+
+2483. (39514). Similar to water jars in the form of birds, and without
+  handles.
+
+2484. (39562). Fig. 640.
+
+2485. (39515). Rosette of leaves on the back; tail well formed, probably
+  represents the dove.
+
+2486. (39516). No head, merely a spout; decorations simple.
+
+2487. (39517). Evidently intended for a hen.
+
+2488. (39518). Fig. 642.
+
+2489. (39584). Simulates a hen; feathers on the back, deer on the sides.
+
+2490. (39585). With handle, wings rudely figured. Shown in Fig. 641.
+
+2491. (39586). Similar in form to No. 2480; wings represented by figure,
+  behind them the figures of a bird, evidently a duck, resembling the
+  head of the vessel. Of the usual tea-pot shape.
+
+2492. (39583). Without handle, canteen-shaped; open on top, with head
+  apparently of turtle on one side: decorations, bird and rosette.
+
+2493. (39580). Fig. 643. Simple jar.
+
+2494. (39576). Fig. 644. Figure of a priest.
+
+2495-2496. 2495, (39777), and 2496, (39778). Simple water jars of black
+  ware, pitcher-shaped, with slight projection on the body for handle.
+  These were evidently obtained from some other tribe.
+
+_EATING BOWLS._
+
+There is but one specimen of Cochiti manufacture in the collection.
+
+2497. (39512). Of ordinary shape; white ware, decorated with black on
+  the inside only; a central ring with radiating corn-leaf figures.
+
+_ORNAMENTS, EFFIGIES, AND TOYS._
+
+All small. White ware, slightly decorated unless otherwise specified.
+
+2498. (39520). Head of some animal too rude to identify.
+
+2499. (39521). Double-headed bird figure on a pedestal.
+
+2500. (39526). Black ware. Sitting annual; very rude.
+
+2501. (39527). Black ware. Probably jack-rabbit; handle at the back.
+
+  [Illustration:
+  Fig. 635 (39719) (1/3)
+  Fig. 636 (39722) (1/3)
+  Figs. 635, 636.--Cochiti Water Vessels.]
+
+  [Illustration:
+  Fig. 637 (39724) (1/3)
+  Fig. 638 (39726) (1/3)
+  Figs. 637, 638.--Cochiti Water Vessels.]
+
+  [Illustration:
+  Fig. 639 (39729) (1/3)
+  Fig. 640 (39562) (1/3)
+  Figs. 639-640.--Cochiti Water Vessels.]
+
+  [Illustration:
+  Fig. 641 (39585) (1/3)
+  Fig. 642 (39518) (�)
+  Figs. 641, 642.--Cochiti Water Vessels.]
+
+  [Illustration:
+  Fig. 643 (39580) (1/3)
+  Fig. 644 (39576) (1/3)
+  Figs. 643, 644.--Cochiti Water Vessels.]
+
+  [Illustration:
+  Fig. 645 (39857) (�)
+  Fig. 646 (39825) (1/3)
+  Fig. 647 (39824) (1/3)
+  Figs. 645-647.--Cochiti Effigies.]
+
+2502. (39528). Black ware. Young birds. The three last mentioned are
+  most likely from some other pueblo.
+
+2503. (39824). Fig. 647. Black ware.
+
+2504. (39825). Fig. 646. Black ware.
+
+2505-2506. 2505, (39826), and 2506, (39827). Similar grotesque figures
+  of black ware.
+
+2507. (39854). Double-headed figure of a bird on pedestal.
+
+2508. (39855). Bird on pedestal; ruffled back.
+
+2509-2518. 2509, (39856); 2510, (39857), Fig. 645; 2511, (39858); 2512;
+  (39859); 2513, (39860); 2514, (39861); 2515, (39769); 2516, (39775);
+  2517, (39883); 2518, (39862), are figures of birds on pedestals,
+  except No. 2514, which is the figure of a little duck, and probably is
+  a toy water vessel.
+
+2519. (39524). A toy cup or basket in the shape of an olla, with handle,
+  the figure of the little water insect or worm appears on this, the
+  only instance in the Cochiti pottery.
+
+
+
+
+COLLECTION FROM SANTO DOMINGO.
+
+
+ARTICLES OF CLAY.
+
+_WATER VESSELS._
+
+There are but nine pieces of this pottery, and all but two of these are
+small images or drinking vessels in the form of birds.
+
+2520. (39510). A double globe jar or canteen. White ground, with
+  ornamentations in black, as seen in Fig. 649. Depression in the center
+  is probably designed to receive a band or cord to carry it with.
+
+2521. (39513). Large black bowl; no ornamentation.
+
+Images of black ware; two pieces; a bird on pedestal and a quadruped.
+
+2522-2523. 2522, (39652a); 2523, (39652b).
+
+2524-2525. 2524, (39653), and 2525, (39654). Human images, very rude.
+
+2526. (39658). Bird on pedestal.
+
+Small drinking vessels in the form of birds. White ornamented ware.
+
+2527. (39655). With four rows of dots on the side; no tail.
+
+2528. (39656). With handle; tail and neck ornamented.
+
+2529. (39657). No ornamentation except a line or two and some dots on
+  the head. Fig. 648.
+
+
+
+
+COLLECTIONS FROM TESUKE.
+
+
+ARTICLES OF STONE.
+
+_METATES, MORTARS, ETC._
+
+2530. (39809). Stone metate for grinding grain, brown sandstone.
+
+2531. (39810). Quartzitic stone mortar for grinding mineral pigment.
+
+2532. (39811). Quite small mineral pigment mortar of quartz rock.
+
+2533. (39821). Gaming ball of fine-grained sandstone.
+
+2534. (42215). Discoidal quartz pounder.
+
+2535. (42341). Fig. 650. Paint mortar. This mortar was made from a
+  somewhat rounded sandstone boulder by grinding out a cavity. In the
+  cut, which was drawn for another purpose, the pestle is represented
+  with a small cup-shaped cavity on one side of it, in which the fluid
+  pigment from the mortar was poured and used with the brush of the
+  artist for decorative purposes. This is the only specimen of the kind
+  in the collection, and the only one found where the pestle combines
+  the cup with it.
+
+  [Illustration:
+  Fig. 650 (42341) (1/3)
+  Fig. 648 (39657) (�)
+  Fig. 649 (39510) (1/3)
+  Figs. 646-649.--Santo Domingo Canteen and Effigy.]
+
+
+ARTICLES OF CLAY.
+
+_WATER VASES._
+
+This group, though comparatively small, contains some of the largest and
+grandest pieces in the entire collection, some of the vases being twenty
+inches in height and twenty-two in diameter, having a capacity of ten
+gallons. It consists of white ware with decorations in black, bearing a
+strong resemblance to that of Cochiti, brown micaceous, and polished
+brown ware without ornamentation, and black ware without ornamentation.
+
+Tinajas or vases. Well formed and similar in shape to those from
+Cochiti.
+
+2536. (39507). With oblique diamond figures on the neck, and geometrical
+  figures on the body.
+
+2537. (39520). Upper half only decorated with rude figures of leaves and
+  twigs.
+
+2538. (39523). Similar to the preceding.
+
+2539. (39525). Without neck; a broad and true meander band around the
+  middle, with three-leaved flower above and below on each coil.
+
+2540. (39530). Neck ornamented with a straight and an undulate line;
+  body as in No. 2539.
+
+2541. (39531). With rosette and triangular figures somewhat similar to
+  those on Zu�i ollas.
+
+2542. (39532). Decorations similar to those on Cochiti olla, No. 2421.
+
+2543. (39801). Covered; a beautiful specimen, probably the most chaste
+  and artistic of the entire collection.
+
+2544. (39533). Fig. 651. Similar to the preceding.
+
+2545. (39534). Serrate band around the neck; body with broad band and
+  large circular spaces, each having four dark indentations.
+
+2546. (39542). Neck with straight and undulate lines and short sigmoid
+  figures; body with figures of a plant.
+
+2547. (39549). Neck similar to the preceding; body with a zigzag line
+  dotted along the upper side, and small ovoid spots above and below it,
+  one in each indentation.
+
+2548. (39635). Plain black, polished, large.
+
+2549. (39639). Like the last.
+
+2550. (39660). Large size; dotted line around the neck; heavy band
+  around the shoulder, with sharp and long serrations pointing downward;
+  body with alternate ornamental ovals and four-pointed stars.
+
+2551. (39661). Straight and undulate lines around the neck; body divided
+  into spaces by broad, double-scalloped, perpendicular stripes, having
+  the middle white with an undulate line in the white portion; the
+  intermediate spaces have a sun-shaped figure in the upper corner, from
+  which a double serrate stripe descends obliquely.
+
+2552. (39664). Birds and undulate line on the neck; a straight line with
+  ring dots on the shoulder, broad meander band, with triple leaf
+  ornament around the body.
+
+2553. (39665). Neck with meander as in the preceding; a slender vine,
+  well made, around the body.
+
+2554. (39682). Rather slender; undulate margin; vine around the neck;
+  body with broad band of three-leaved flowers.
+
+2555. (39683). Neck with straight and undulate lines; body with undulate
+  line terraced above as heretofore described, but above this is a row
+  or band of small distinct ovals.
+
+2556. (39685). Black, without ornamentation.
+
+2557. (39686). Large bowl-shaped olla, without neck, decorated with
+  vine, cross, scrolls, &c.
+
+2558. (39687).
+
+2559. (39740). Upper half with marginal scalloped band, from which hang,
+  obliquely, leaves with bent spines on their margin; below this a
+  serrate and then a double straight line.
+
+2560. (39741). Squatted in shape. Vine with leaves around the middle of
+  the body.
+
+2561. (39772). Small; slender vine around the neck, dotted line around
+  the shoulder, and three-leafed vine around the body.
+
+2562. (39773). With flaring rim; scalloped band around the margin;
+  regular zigzag line around the shoulder, from each lower point of
+  which descend plants.
+
+2563. (39789). Same decorations as No. 2539, but of the regular form.
+
+2564. (39800). Small scalloped lines around the body.
+
+2565. (39802). Brown, without ornamentation.
+
+2566. (39803).
+
+2567. (39805).
+
+2568. (39806). Fig. 652.
+
+2569. (39813). Fig. 654.
+
+2570. (39814).
+
+2571. (39815). Neck colored, with a white zigzag line running through
+  it; body with curious, large leaf-like ornaments of an angular shape.
+
+2572. (39817). With similar leaf-like figures, but narrower and
+  differently arranged. Shown in Fig. 653. The piece is injured, and the
+  cords seen in the figure were tied about it by the natives to keep it
+  from, going to pieces.
+
+2573. (39816). With a large zigzag band around the upper half of the
+  body, terraced above and below.
+
+2574. (39818). Very large and beautiful specimen, decorated on the body
+  somewhat like some of the Zu�i pottery. The large circular scrolls are
+  formed of a vine with leaves on the outer side. There are but few of
+  the triangular figures seen in the Zu�i piece; there is a regular and
+  true serrate marginal band; below this on the neck a broad band with
+  diamond spaces.
+
+2575. (39819). With a broad band around the neck composed of squares
+  placed obliquely, with an oblong white space in each; body with a
+  simple, narrow, straight band or double line.
+
+2576. (39822). Large scalloped band around the neck, a little leaf
+  pendant from each point; the body with alternate large stars and
+  ornamental diamonds.
+
+2577. (39823). This has the rim slightly flaring, a scalloped band and
+  leaves around the neck; the body profusely decorated with geometrical
+  figures. This belt is divided into four spaces, in each of which there
+  is a checkered, terraced pyramid pointing downward; the lower part and
+  sides of each space is occupied with triangular and sagittate figures.
+
+2578. (39868). Small; neck with a row of ovals; the shoulder with a true
+  herring-bone band; a vine with spiny leaves around the body.
+
+2579. (39865).
+
+  [Illustration:
+  Fig. 651 (39533) (�)
+  Fig. 652 (39806) (1/5)
+  Figs. 651, 652.--Tesuke Water Vases.]
+
+  [Illustration:
+  Fig. 653 (39817) (1/3)
+  Fig. 654 (39813) (1/3)
+  Figs. 653, 654.--Tesuke Water Vases.]
+
+_WATER JUGS AND JARS._
+
+2580. (39812). Plain double-bellied water bottle of micaceous ware. See
+  Fig. 655.
+
+2581. (39834).
+
+2582. (41366). Water jug. Fig. 519.
+
+2583. (39790). Jar or urn of white ware, with two handles ornamented
+  with the usual meander.
+
+_PITCHERS._
+
+2584. (39745). A regular well-formed pitcher, with proper lip and
+  handle. White ware ornamented with serrate lines, triangles, and
+  circle. The only one from this tribe.
+
+_EATING BOWLS._
+
+The Tesuke bowls vary considerably in form, some having the slope
+straight, others flaring and of the usual form, others biscuit-shaped.
+No large specimens were obtained.
+
+2585. (39613). Usual bowl-shape, with flaring margin; no external
+  decorations; inner surface with circular scrolls.
+
+2586. (39647). Biscuit-shaped, with broad meander band externally; no
+  decoration internally.
+
+The following are similar in form and decoration:
+
+2587-2590. 2587, (39666); 2588, (39669); 2589, (39788); 2590, (39648).
+  Outside plain; inner marginal band a slender vine.
+
+The following numbers are plain, of brown micaceous ware,
+biscuit-shaped, small:
+
+2591-2593. 2591, (39667); 2592, (39668); 2593, (39835).
+
+The following are of the same ware, platter-shaped:
+
+2594-2599. 2594, (39672); 2595, (39678); 2596, (39679); 2597, (39680);
+  2598, (39681); 2599, (39792).
+
+2600. (39793). Square.
+
+2601. (39797). Regular bowl-shaped, with foot.
+
+2602. (39673). Biscuit-shaped, with band of straight and undulate lines.
+
+2603. (39674). No outer decorations; inside with radiating serrate
+  lines, and leaves.
+
+2604. (39675). No inner decorations; on outside a marginal serrate band,
+  and a band of leaves around the body.
+
+2605. (39676). Biscuit-shaped; vine, with leaves, around the middle.
+
+2606. (39677). Uo outer ornaments; on inner surface a center leaf-cross,
+  and above this, radiating lines.
+
+2607. (39688). Decorated on inner surface only. A central flower and
+  submarginal band of oval leaves.
+
+2608. (39742). Biscuit-shaped; zigzag line, with two leaves at each
+  point on the outside.
+
+2609. (39743), Plain red, flower-pot shaped.
+
+2610. (39744). Flower-pot shaped, with zigzag lines or vines running up
+  and down, a leaf at each point.
+
+2611. (39776). Largest bowl of the group.
+
+2612. (39787). Regular shape; zigzag band on the outside.
+
+2613. (39798). Small, regular shape, with vines on the inside.
+
+2614. (39799). Small figures and birds on the inside.
+
+_COOKING VESSELS._
+
+These are always plain black ware, and are of several forms.
+
+Pots. Shaped like the Zu�i vessels.
+
+2615-2632. 2615, (39601); 2616, (39602); 2617, (39605); 2618, (39606);
+  2619, (39607); 2620, (39608); 2621, (39611); 2622, (39670); 2623,
+  (39671); 2624, (39689); 2625, (39735); 2626, (39736); 2627, (39737);
+  2628, (39738); 2629, (39794); 2630, (39795), with handle; 2631,
+  (39828); 2632, (39874).
+
+Bowel-shaped:
+
+2633-2635. 2633, (39603); 2634, (39604); 3635, (39615), with handle. See
+  Fig. 657.
+
+Platter-shaped:
+
+2636-2646. 2636, (39609); 2637, (39610); 2638, (39612); 2639, (39614);
+  2640, (39690); 2641, (39691); 2642, (39692); 2643, (39693); 2644,
+  (39694); 2645, (39695), shown in Fig. 659; 2646, (39739).
+
+_TOYS._
+
+2647. (39791). Ornamented bird on pedestal.
+
+Blackbirds on pedestals:
+
+2648-2657. 2648, (39804); 2649, (39807); 2650, (39808); 2651, (39820);
+  2652, (39829); 2653, (39830); 2654, (39831), Fig. 656; 2655, (39832),
+  Fig. 658; 2656, (39833); 2657, (39836).
+
+
+VEGETAL SUBSTANCES.
+
+_MEDICINES._
+
+2658. (39751). _O-sha_. Root used as medicine for rheumatism, internally
+  and externally.
+
+2659. (39752). _Zerba-lobo_. Wolf root, for pulmonary complaints.
+
+2660. (39753). _O-cha_. Root used for rheumatism.
+
+2661. (39754). _Ka-cha-na_. Root, semi-medicinal and magic. To prevent
+  breach or wounds, and for sore eyes; external use.
+
+  [Illustration:
+  Fig. 655 (39812) (1/3)
+  Fig. 656 (39831) (�)
+  Fig. 657 (39615) (�)
+  Fig. 658 (39832) (�)
+  Fig. 659 (39695) (�)
+  Figs. 655-659.--Tesuke Vessels.]
+
+
+
+
+COLLECTIONS FROM SANTA CLARA.
+
+
+ARTICLES OF CLAY.
+
+_WATER VASES._
+
+This is all black and frequently polished ware without ornamentation.
+The method of producing the black polish is explained in another part of
+the catalogue.
+
+Bowls and ollas. Black, without ornamentation. Some of these are of
+comparatively large size.
+
+2662-2670. 2662, (39645); 2663, (39748), Fig. 662; 2664, (39749); 2665,
+  (39750); 2666, (39779); 2667, (39780), Fig. 660; 2668, (39781); 2669,
+  (39782); 2670, (39786). A very pretty covered jar; cover with a
+  handle. Fig. 672.
+
+2671. (39838). Small with scalloped margin.
+
+2672. (39866).
+
+2673. (39629). Fig. 661. Vase with depressed band around the center; rim
+  forming a band; base small.
+
+2674. (39834). Double lobed bottle or canteen. See Fig. 671.
+
+_EATING-BOWLS._
+
+These are of black polished ware without decoration of any kind, and of
+various forms, globular, bowl-shaped, and platter-shaped or true
+platters.
+
+Globular and small:
+
+2675-2676. 2675, (39556), and 2676, (39616).
+
+Bowl-shaped:
+
+2677-2678. 2677, (39617), and 2678, (39618). With flared and notched
+  rim.
+
+2679-2680. 2679, (39619), Fig. 667, and 2680, (39620). These two with
+  flared and scalloped rim.
+
+2681. (39621). A cooking vessel.
+
+2682-2689. 2682, (39628), Fig. 669; 2683, (39632), Fig. 663; 2684,
+  (39646), Fig. 664; 2685, (39633); 2686, (39636); 2687, (39637); 2688,
+  (39638); 2689, (39643).
+
+Platter-shaped:
+
+2690-2691. 2690, (39630), and 2691, (39640). Scalloped rim.
+
+2692-2698. 2692, (39641); 2693, (39642); 2694, (39646), see Fig. 664;
+  2695, (39649), scalloped rim; 2696, (39784); 2697, (39785); 2698,
+  (39796).
+
+2699. (39793). Fig. 668. Small platter-shaped dish of black polished
+  ware.
+
+_COOKING VESSELS._
+
+2700. (39794). Small pot, no handle.
+
+2701. (39795). Small pot with handle.
+
+2702-2705. 2702, (39623); 2703, (39626), Fig. 670; 2704, (39627); 2705,
+  (39629). Small pots without handles, with a constriction or
+  indentation around the middle.
+
+2706-2707. 2706, (39837), and 2707, (39840). Small pitchers with handles
+  and lips.
+
+2708. (39839). Canteen with spout and mouth above.
+
+_EFFIGIES._
+
+Bird figures, polished, on pedestals. All similar to those shown in the
+figures.
+
+2709-2720. 2709, (39841); 2710, (39842); 2711, (39843); 2712, (39844);
+  2713, (39845); 2714, (39846); 2715, (39847); 2716, (39848), Fig. 666;
+  2717, (39849), Fig. 665; 2718, (39850); 2719, (39554); 2720, (39555).
+  The last two are hollow, with an orifice in the back; no pedestal.
+
+2721. (39553). Canteen in shape of a bird; no pedestal.
+
+
+
+
+COLLECTIONS FROM SAN JUAN.
+
+
+ARTICLES OF CLAY.
+
+_EATING BOWLS._
+
+2722-2723. 2722, (39587) and 2723, (39588). These two with handles on
+  each sides. Sides straight.
+
+2724-2725. 2724, (39589), and 2725, (39590). Biscuit-shaped, as shown in
+  Fig. 675.
+
+2726. (39591). Platter-shaped, with scalloped margin.
+
+2727. (39592). Red ware, of medium size, with outer broad marginal band
+  of triangular figures.
+
+Pots. Plain, black:
+
+2728-2731. 2728, (39593); 2729, (39594); 2730, (39747); 2731, (39625).
+  Canteen-shaped, with handles or ears at or near the top; small
+  circular orifice. See Fig. 673.
+
+2732. (39650). A similar vessel of black ware, with larger orifice, the
+  margin of which is scalloped. Large ears or handles near the top on
+  each side. Bottom oval, and an impressed band around middle of body.
+  In some of the canteen-shaped vessels this depression is for holding
+  the cord with which the vessel is transported. See Fig. 674.
+
+  [Illustration:
+  Fig. 660 (39780) (1/3)
+  Fig. 661 (39629) (�)
+  Fig. 662 (39748) (1/3)
+  Fig. 663 (39632) (�)
+  Fig. 664 (39646) (1/3)
+  Fig. 665 (39849) (�)
+  Fig. 666 (39848) (�)
+  Figs. 660-666.--Santa Clara Pottery.]
+
+  [Illustration:
+  Fig. 667 (39619) (1/5)
+  Fig. 668 (39793) (�)
+  Fig. 669 (39628) (�)
+  Fig. 670 (39626) (�)
+  Fig. 671 (39834) (�)
+  Fig. 672 (39786) (�)
+  Figs. 667-672.--SANTA CLARA POTTERY.]
+
+  [Illustration:
+  Fig. 673 (39625) (�)
+  Fig. 674 (39650) (1/3)
+  Fig. 675 (39590) (1/3)
+  Figs. 673-675.--San Juan Pottery.]
+
+2733. (39659). A jug-shaped pitcher of decorated red ware, with regular
+  handle neatly formed. Ornamented with a looped vine and twigs, with
+  leaves well drawn; neck slender and orifice with lip, but less in
+  proportion than in ordinary pitcher.
+
+
+
+
+COLLECTION FROM JEMEZ.
+
+
+ARTICLES OF CLAY.
+
+2734. (39926). Fig. 676. A very singular and pretty water vessel,
+  obtained at the Jemez pueblo. White ware decorated in black and brown.
+  It is probable that the peculiar form is given from mere fancy, and
+  not for the purpose of adapting it to any particular use, as it
+  appears to be simply a water vessel.
+
+  [Illustration:
+  Fig. 676 (39926) (1/3)]
+
+
+
+
+COLLECTION FROM THE JICARILLA APACHES.
+
+
+ARTICLES OF CLAY.
+
+This is a light brown micaceous ware, and the pieces are all small, or
+comparatively so. They consist of pots, pitchers, and cups.
+
+This small collection, though not obtained directly from the Jicarilla
+Apaches, is attributed to them, for the reason that wherever found among
+other tribes it is by them accredited to the Apaches. It is
+manufactured, however, by some of the Pueblos along the Rio Grande, and
+occasionally by the more western Pueblos. The party did not visit the
+Apaches mentioned, and are not positively certain that they manufacture
+pottery. These facts are mentioned in this connection to show that there
+is some question as to the origin of this small collection.
+
+Vase-shaped pots:
+
+2735-2741. 2735, (39535); 2736, (39536); 2737, (39537); 2738, (39538);
+  2739, (39539); 2740, (39540); 2741, (39544). This and the next two
+  have the rims scalloped.
+
+2742-2744. 2742, (39545); 2743, (39546); 2744, (39547).
+
+Pot-shaped:
+
+2745-2751. 2745, (39595); 2746, (39596); 2747, (39597); 2748, (39598);
+  2749, (39599); 2750, (39600); 2751, (39851).
+
+Pitchers and cups, with handles of regular form:
+
+2752. (39543). Finger impressions around the middle.
+
+2753-2754. 2753, (39540), and 2754, (39548). Scalloped margin.
+
+2755. (39770). With an undulate impressed line around the middle.
+
+Miscellaneous:
+
+2756. (39852). Incense-burner, somewhat in the shape of a beaver hat,
+  with a rim in the form of a bird; a small orifice in the middle.
+
+2757. (39853). Bird image.
+
+
+
+
+COLLECTIONS FROM OLD PECOS.
+
+
+ARTICLES OF STONE.
+
+2758. (39756). Flint scraper. Rudely shaped, of hard cherty rock, flat
+  on the inner face, convex on the back.
+
+2759. (39757). An irregular square flat piece of sand-stone, on one side
+  of which is a small circular cup-shaped depression.
+
+2760. (39758a). A small mortar composed of fine-grained sand-stone,
+  half broken away; being of quite soft stone, it was probably used for
+  pulverizing food of some kind.
+
+2761. (39758b). Quartz mortar made from, a round water-worn boulder.
+  The cavity is symmetrical; diameter five inches.
+
+2762. (39759). Half of a cherty water-worn boulder from which flakes for
+  flints have been chipped.
+
+2763. (39760). Small round cherty boulders, frequently used in chipping
+  for flints, but in this instance they seem to have been used as
+  hammers.
+
+2764. (39761). Hammer made from a section of a broken rubbing or
+  grinding stone of calcareous rock.
+
+2765. (39762). Maul from broken rubbing stone or grinder, grooved at
+  each end; rhyolite.
+
+2766. (39763). Rudely shaped sinker (or what is called a sinker),
+  rounded at each end and grooved in center; schistose rock.
+
+2767. (39764). Rudely shaped chisel or celt of metamorphic schist.
+
+2768. (39759). Rough chipping stone; agate.
+
+2769. (39760). Three irregular round balls of flint-stone, flaked by
+  hammering.
+
+
+ARTICLES OF CLAY.
+
+2770. (41771). Fragments of pottery from the old and new court,
+  exhibiting Spanish glaze.
+
+2771. (41772). Pottery fragments, decorated in colors. Old and new
+  court.
+
+2772. (41773). Ancient fragments, glazed.
+
+  [Illustration:
+  Fig. 677 (40814). (1/3)
+  Fig. 678 (40813). (1/3)
+  Fig. 679 (40815). (�)
+  Fig. 680 (40816). (�)
+  Figs. 677-680.--Water Vessels from Ca�on de Chelly.]
+
+2773. (41774). Fragments of pottery from the old court, showing glaze
+  with white ground.
+
+2774. (41775). Miscellaneous fragments of pottery from various parts of
+  the ruins.
+
+2775. (41794). Fragments of pottery, showing white coating, from new
+  court.
+
+2776. (41796). Pottery fragments, showing Spanish glaze inside; new
+  court.
+
+2777. (41797). Fragments with edges chipped.
+
+2778. (41798). Rim pieces of black pottery were from the old court.
+
+2779. (41799). Fragments of red pottery from new court.
+
+2780. (41800). Fragments of plain pottery from both old and new courts.
+
+2781. (42344). Specimens of adobe mortar from the walls of the Pecos
+  ruins.
+
+2782. (42345). Specimen of same.
+
+2783. (42373). Chimney pots from Casa Blanca, Old Pecos.
+
+2784. (42374). Very large cooking pot in fragments from Casa Blanca, Old
+  Pecos.
+
+
+ARTICLES OF WOOD.
+
+2785. (41276). Beam of wood from the old court.
+
+
+
+
+COLLECTIONS FROM THE CA�ON DE CHELLY.
+
+
+ARTICLES OF CLAY.
+
+_WATER VESSELS._
+
+2786-2789. 2786, (40813), Fig. 678; 2787, (40814), Fig. 677; 2788,
+  (40815), Fig. 679; 2789, (40816), Fig. 680. These pieces are white
+  ware, decorated with black. The colors in great part still remain,
+  showing that they are comparatively modern. The lines represent colors
+  and not indentations.
+
+2790. (40796). Fig. 681. Upper part broken; supposed to have been a
+  pitcher, as part of the handle remains. From Cliff House ruins, Ca�on
+  de Chelly. Red ware. Comparatively modern.
+
+The following articles are ancient ware, from the same place as the
+preceding:
+
+2791. (40600). Small vase of white ware, probably comparatively modern.
+  The design, though simple, is somewhat peculiar and different from
+  what is usually found on pottery of the present day. See Fig. 683.
+
+2792. (42202). Fig. 682. Similar in form, size, and color to the
+  preceding; the design, as will be seen by reference to the figure, is
+  a common one.
+
+2793. (40812). Pitcher. White ware, with black decorations. See Fig.
+  690.
+
+2794-2795. 2794, (40819), Fig. 691, and 2795, (40820), Fig. 688.
+  Pitchers, white; ware figured.
+
+2796. (40824). Very small pitcher with handle; of uncolored ware.
+
+2797. (42203). A very pretty pitcher of white ware, with decorations in
+  black, much faded, showing age, although so well and truly formed it
+  is evidently not modern. Fig. 692.
+
+2798. (40601). A round-bottomed pitcher-shaped vessel, white ware with
+  black lines; the colors are much faded, showing age. Fig. 689. The
+  design is evidently of a previous age, and we will be justified,
+  perhaps, in saying that it belongs to the period of transition from
+  the rigid lines and angles to the curves.
+
+2799. (40811). Fig. 687, Small pitcher, _e-musch-ton-ts[-a]n-n[-a]_,
+  originally of white ware; bowl uncolored.
+
+_BOWLS._
+
+2800. (40823). Small bowl, with handle each side, white, with black
+  colors. Fig. 684.
+
+2801. (40825). A small paint-pot shown in Fig. 685.
+
+2802. (40857). Fig. 686. A small pot, apparently blackened by fire,
+  unadorned except with the spine-like projections around the lower
+  half; probably used for a paint-pot.
+
+_COOKING VESSELS._
+
+2803-2806. 2803, (40817), Fig. 693; 2804, (40818), Fig. 696; 2805,
+  (40821), Fig. 695; 2806, (40822), Fig. 694. These are the old
+  corrugated ware, but with the exception of the third they do not show
+  the action of fire, but were probably used for cooking vessels.
+
+
+
+
+COLLECTIONS FROM PICTOGRAPH ROCKS.
+
+
+ARTICLES OF CLAY.
+
+  [Illustration:
+  Fig. 697 (39873) (�)]
+
+2807. (39873). Fig. 697. A corrugated pot 11 inches high and 10 inches
+  in diameter at the widest point. Evidently coil-made; the different
+  coils slightly overlap each other tile-fashion. On the inside it is
+  smooth and does not show the coils. It has been blackened by the fire,
+  the original color having been a dark slate, the natural color of
+  the clay. It was evidently but slightly burned at first; very ancient.
+
+  [Illustration:
+  Fig. 681 (40796) (1/5)
+  Fig. 682 (42202) (1/3)
+  Fig. 683 (40600) (�)
+  Fig. 684 (40823) (�)
+  Fig. 685 (40825) (�)
+  Fig. 686 (40857) (�)
+  Figs. 681-686.--Ancient Pottery from Ca�on de Chelly.]
+
+  [Illustration:
+  Fig. 687 (40811) (1/3)
+  Fig. 688 (40820) (�)
+  Fig. 689 (40601) (�)
+  Fig. 690 (40812) (�)
+  Fig. 691 (40819) (1/3)
+  Fig. 692 (42203) (1/3)
+  Figs. 687-692.--Ancient Pottery from Ca�on de Chelly.]
+
+  [Illustration:
+  Fig. 693 (40817) (�)
+  Fig. 694 (40822) (1/3)
+  Fig. 695 (40821) (�)
+  Fig. 696 (40818) (1/3)
+  Figs. 693-696.--Cooking Vessels from Ca�on de Chelly.]
+
+
+
+
+COLLECTIONS FROM OTHER LOCALITIES.
+
+
+ARTICLES OF CLAY.
+
+_MISCELLANEOUS._
+
+2808. (39529). Black, polished olla, rather large; from Ponake Pueblo.
+
+2809. (39551). Unadorned moccasin from Pueblo of New Mexico.
+
+2810. (41770). Fragments of pottery, ornamented, colored, and plain,
+  from ruins near Pueblo of Nutria.
+
+2811. (41776). Fragments of plain pottery from Agricultural Camp, six
+  miles east of San Antonio Springs.
+
+The following specimens are from the same locality:
+
+2812-2818. 2812, (41777), painted; 2813, (41778), corrugated; 2814,
+  (41779), ribbed; 2815, (41780), bird's head painted on it; 2816,
+  (41781), painted; 2817, (41782), corrugated; 2818, (41783), ribbed.
+
+2819. (41784). Fragments of pottery from Old Zu�i Mesa, three miles
+  southeast of Zu�i.
+
+2820-2822. 2820, (41785); 2821, (41786); 2822, (41787), are fragments of
+  the corrugated, ribbed, indented, and decorated ware, from the Zu�i
+  Mesa.
+
+2823-2825. 2823, (41791); 2824, (41792); 2825, (41793), are also
+  fragments of pottery from the Zu�i Mesa.
+
+2826. (41795). Fragments of pottery from top of Zu�i Church.
+
+2827-2829. 2827, (41788); 2828, (41789); 2829, (41790). Fragments of
+  ancient pottery from the environs of Wolpi. The specimens are of the
+  corrugated and laminated forms and are decorated in color.
+
+2830. (41981). Notched stick, with bone, used as musical instrument. See
+  description of similar objects from Wolpi.
+
+2831. (42224). Small wooden ladle; locality not known.
+
+2832. (42049). Fragment of pottery with the edges ground off, probably a
+  pottery trowel, from Pictograph Rocks, about sixty miles east of Fort
+  Wingate, N. Mex.
+
+2833. (42252). Fragment of pottery from Wolpi may be a charm, but likely
+  a pottery smoother or trowel.
+
+2834. (42348). Chips of jasper and fragments of pottery from mound in
+  Missouri, opposite St. Louis.
+
+2835. (42368). Handle of pottery ladle from Wolpi.
+
+2836. (42370). Portion of large yellow corrugated vessel from near
+  Wolpi.
+
+_STATUETTES._
+
+The following numbers are specimens of statuettes, of micaceous clay,
+representing human beings in various attitudes, both male and female.
+They are attributed to the Cochiti Pueblos, but as they were obtained in
+Santa F� from traders, the correctness of their origin may be doubted.
+They were made, however, by some of the Rio Grande Pueblos not very
+remote from Santa F�:
+
+2837-2858. 2837, (42001); 2838, (42002); 2839, (42003); 2840, (42004);
+  2841, (42005); 2842, (42006); 2843, (42007); 2844, (42008); 2845,
+  (42009); 2846, (42010); 2847, (42011); 2848, (42012); 2849, (42013);
+  2850, (42014); 2851, (42015); 2852, (42016); 2853, (42017); 2854,
+  (42018); 2855, (42019); 2856, (42020); 2857, (42021); 2858, (42022).
+
+
+       *       *       *       *       *
+           *       *       *       *
+       *       *       *       *       *
+
+Errata:
+
+Problems in Figure numbering and identification are listed separately.
+
+[List of Illustrations]
+Figs. 460-461. Zu�i effigies
+  _text reads "469-461"_
+Figs. 681-683. Water vessels from Ca�on De Chelly        420
+Figs. 684-686. Bowls from Ca�on De Chelly                420
+  _text reads "620" for both page numbers_
+
+those represented by Figs. 359, 363, 364, and ----
+  _dash of omission in original_
+is impossible to give any general / description
+  _text reads "genera"_
+485. (40489). Plain marginal band
+  _text reads "maginal"_
+having reference to size, viz.:
+  _period missing in original_
+913, / (40357), varies in having the head of a bird.
+  _text reads "abird"_
+1008-1017. 1008, (40451); 1009, (40452);
+  _text reads "10009"_
+pottery or earthern ladles
+  _form "earthern" in original_
+1468-1473 ... are all fragrants of rubbers.
+  _so in original: "fragments"?_
+2058. (41119). Sinch hooks, _cu-rah-bat-tow_.
+2288. (41826). Woven hair sinch or saddle-girt, _ah-chis-clah_.
+  _forms "sinch" and "girt" in original_
+2359. (42430). Shown in Fig. 606.
+  _text reads "Shown on"_
+2413. (42383). Small, with lines of outline crescents around the body.
+  _text reads "cresents"_
+Bowl-shaped: // 2633-2635.
+  _text reads "Bowel-shaped"_
+adapting it to any particular use
+  _text reads "paruticular"_
+2753-2754. 2753, (39540), and 2754, (39548). Scalloped margin.
+  _text reads "Scollaped"_
+
+[Irregularities in Figure Identification]
+Some corrections are conjectural. Numbers were only changed when there
+was a discrepancy between a catalog entry and its associated Figure.
+
+123. (42245). Fig. 355.
+  _text reads "Fig. 335"_
+Fig. 370 (41146)
+  _text reads "40146"_
+191. (40777) ... Fig. 377.
+Fig. 377 (40777)
+  _main text reads "40792"; figure caption reads "40797"_
+237. (39928). A jar shown in Fig. 399.
+  _text reads "39528"_
+288. (39887). Fig. 396.
+Fig. 396 (39837)
+  _numbers "39887" and "39837" both appear to be wrong_
+463. (39971)
+  _so in original, but see no. 903 and fig. 442 below_
+The following numbers belong to the type represented in Figs. 356, 411,
+    and 412 .... 514[39979] - 520[40523]:
+  _"356" in original is wrong: "410"?_
+Fig. 419 (40189)
+  _text reads "40139"_
+804, (41092), shown in Fig. 434.
+  _text reads "Fig. 34"_
+903. (39971). Fig. 442.
+Fig. 442 (39971)
+  _so in original, but see no. 463 above_
+Fig. 475 (41037)
+  _text reads "41097"_
+1167. (41218) ... Shown in Fig. 479.
+  _text reads "Fig. 429"_
+1336. (41725) ... Fig. 487
+  _text reads "41275"_
+1378. (41807). Sash. See Fig. 501.
+1379. (41808). Sash. See Fig. 502.
+Fig. 501 (41808)
+Fig. 502 (41838)
+  _correct labeling could not be deduced_
+1513. (41602). Shown in Fig. 514.
+  _so in original, but may be "41609"_
+Fig. 514 (41602)
+  _text reads "41609"; may be correct_
+1611. (41363). See Fig. 518.
+  _text reads "41353"_
+1615. (41366). Fig. 519. A water jar
+  _also listed as item 2582, with same Figure reference_
+Fig. 538 (42149)
+  _text reads "42129"_
+1963. (42156) ... Fig. 541.
+1964. (42157)
+Fig. 541 (42157)
+  _correct labeling could not be deduced_
+Fig. 542 (42160)
+  _text reads "40160"_
+2234-2235. 2234, (41717), and 2235, (41719) ... See Fig. 580.
+  _text reads "Fig. 550"_
+Fig. 566 (41958)
+  _text reads "41959"_
+2356-2357. 2356, (41307), Fig. 607
+  _text reads "Fig. 609"_
+2396-2397 ... 2397, (42473), Fig. 613
+  _figure reference missing in text_
+2400. (42471) ... Fig. 615.
+  _text reads "42473"_
+2414. (42377). See Fig. 622.
+  _text reads "42317"_
+2582. (41366). Water jug. Fig. 519.
+  _also listed as item 1615, with same Figure reference_
+2682-2689 ... 2684, (39646), Fig. 664
+2692-2698 ... 2694, (39646), see Fig. 664
+  _duplicate reference as in original_
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Illustrated Catalogue Of The
+Collections Obtained From The Indians Of New Mexico And Arizona In 1879, by James Stevenson
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+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>Illustrated Catalogue ... 1879</title>
+<meta http-equiv = "Content-Type" content = "text/html; charset=utf-8">
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+<pre>
+
+The Project Gutenberg EBook of Illustrated Catalogue Of The Collections
+Obtained From The Indians Of New Mexico , by James Stevenson
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Illustrated Catalogue Of The Collections Obtained From The Indians Of New Mexico And Arizona In 1879
+       Second Annual Report of the Bureau of Ethnology to the
+              Secretary of the Smithsonian Institution, 1880-81,
+              Government Printing Office, Washington, 1883, pages 307-428
+
+Author: James Stevenson
+
+Release Date: July 2, 2006 [EBook #18736]
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK ILLUSTRATED CATALOGUE ***
+
+
+
+
+Produced by Louise Hope, Carlo Traverso and the Online
+Distributed Proofreading Team at http://www.pgdp.net (This
+file was produced from images generously made available
+by the Bibliothèque nationale de France (BnF/Gallica) at
+http://gallica.bnf.fr)
+
+
+
+
+
+
+</pre>
+
+
+<div class = "mynote">
+Transcriber’s Note:<br>
+Punctuation in catalog entries has been silently regularized. Other
+corrections are shown with <ins class = "correction" title =
+"like this">popups</ins>.
+</div>
+
+
+<!--png 497-->
+<span class = "pagenum">307</span>
+<a name = "page307"> </a>
+<hr>
+
+<h5>SMITHSONIAN INSTITUTION&mdash;BUREAU OF ETHNOLOGY.</h5>
+
+<hr class = "mid">
+
+<h4 class = "extended">ILLUSTRATED CATALOGUE</h4>
+
+<h6>OF THE</h6>
+
+<h3>COLLECTIONS OBTAINED FROM THE INDIANS</h3>
+
+<h6>OF</h6>
+
+<h3>NEW MEXICO AND ARIZONA IN 1879.</h3>
+
+<h6>BY</h6>
+
+<h4>JAMES STEVENSON.</h4>
+
+<hr>
+
+<p class = "contents">
+<a href = "#toc">Table of Contents</a><br>
+<a href = "#illus">List of Illustrations</a><br>
+<a href = "#intro">Introduction</a><br>
+<a href = "#catalog">Illustrated Catalogue</a><br>
+</p>
+
+<hr>
+
+<!--png 498-->
+<a name = "page308"> </a>
+<!--png 499-->
+<span class = "pagenum">309</span>
+<a name = "page309"> </a>
+<h4 class = "chapter extended">NOTE.</h4>
+
+<hr class = "tiny">
+
+<p>
+The following catalogue of the collections made during 1879 was prepared
+for the First Annual Report of the Bureau of Ethnology, but owing to
+want of space was not included in that volume. Before the necessity of
+this action was made apparent the matter had been stereotyped and it was
+impossible to change the figure numbers, etc. This will explain the
+seeming irregularity in the numbering of the figures&mdash;the first one
+of this paper following the last one of the above-mentioned report. The
+second catalogue, that of the collection of 1880, also included in this
+volume, has been made to correspond with the first, the figure numbers
+following in regular order.</p>
+
+<!--png 500-->
+<a name = "page310"> </a>
+<!--png 501-->
+<span class = "pagenum">311</span>
+<a name = "page311"> </a>
+<h4 class = "chapter">LETTER OF TRANSMITTAL</h4>
+
+<hr class = "tiny">
+
+<p class = "padded" align = "right">
+<span class = "smallcaps">Washington</span>, <i>January 3, 1881</i>.</p>
+
+<p>
+<span class = "smallcaps">Sir</span>: I have the honor to submit
+herewith an illustrated catalogue exhibiting in part the results of the
+ethnologic and archaeologic explorations made under your direction in
+New Mexico and Arizona during the summer of 1879.</p>
+
+<p>
+As you are already familiar with the mode of travel and the labor
+necessary in making such investigations and explorations, as well as the
+incidents common to such undertakings, and as I do not consider them of
+any special interest or value to the catalogue, I have omitted such
+details.</p>
+
+<p>
+I beg, however, in this connection, to refer to the services of Messrs.
+F.&nbsp;H. Cushing, ethnologist of the Smithsonian Institution, and
+J.&nbsp;K. Hillers, photographic artist of the Bureau of Ethnology, both
+of whom accompanied me on the expedition.</p>
+
+<p>
+Mr. Cushing’s duties were performed with intelligence and zeal
+throughout. After the field-work of the season was completed he remained
+with the Indians for the purpose of studying the habits, customs,
+manners, political and religious organizations, and language of the
+people; also to explore the ancient caves of that region. His inquiries
+will prove of the utmost interest and importance to science. Mr. Hillers
+labored with equal zeal and energy. His work is of the greatest value in
+illustrating some of the most interesting features of our
+investigations. He made a large series of negatives depicting nearly
+every feature of the Pueblo villages and their inhabitants. The beauty
+and perfection of the photographs themselves fully attest the value and
+importance of his work.</p>
+
+<p>
+I would extend most cordial thanks to General Sherman for the special
+interest he manifested in our work, and for directions given by him to
+the officers of the Army serving in the West to assist us in carrying
+out the objects of the expedition; and to the officers who so cordially
+rendered such aid.</p>
+
+<p>
+To General Edward Hatch, commanding the district of New Mexico, we are
+indebted for valuable information and material assistance, which were
+liberally granted, and to which in great part our success was due. The
+party also received valuable aid from Gen. George P. Buell,
+U.&nbsp;S.&nbsp;A., who was in command at Fort Wingate during our work
+at Zuñi, for which I am pleased to extend thanks.
+<!--png 502-->
+<span class = "pagenum">312</span>
+<a name = "page312"> </a>
+The large number and variety of objects collected by the members of the
+expedition, and the many difficulties incident to such undertakings, as
+well as the limited time devoted to the preparation of the catalogue,
+will account for any imperfections it may contain.</p>
+
+<p>
+Hoping, however, that, notwithstanding these, it may serve useful ends
+in the continuation of such work,</p>
+
+<p>
+I am, very respectfully, your obedient servant,</p>
+
+<p class = "padded" align = "right">
+JAMES STEVENSON.</p>
+
+<p>
+Prof. <span class = "smallcaps">J. W. Powell</span>,</p>
+
+<p class = "padded ital">
+Director Bureau of Ethnology.</p>
+
+
+
+
+<!--png 503-->
+<span class = "pagenum">313</span>
+<a name = "page313"> </a>
+<h4 class = "chapter"><a name = "toc">CONTENTS</a>.</h4>
+
+<hr class = "tiny">
+
+<table class = "index">
+<tr>
+<td class = "smallcaps">Letter of Transmittal</td>
+<td><a href = "#page311">311</a></td>
+</tr>
+<tr>
+<td class = "smallcaps">Introduction</td>
+<td><a href = "#page319">319</a></td>
+</tr>
+<tr>
+<td class = "leftpad">Articles of stone</td>
+<td><a href = "#page320">320</a></td>
+</tr>
+<tr>
+<td class = "leftpad">Articles of clay</td>
+<td><a href = "#page322">322</a></td>
+</tr>
+<tr>
+<td class = "leftpad">Vegetal substances</td>
+<td><a href = "#page334">334</a></td>
+</tr>
+<tr>
+<td>Collection from Zuñi</td>
+<td><a href = "#page337">337</a></td>
+</tr>
+<tr>
+<td class = "leftpad">Articles of stone</td>
+<td><a href = "#page337">337</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Axes, hammers, and mauls</td>
+<td><a href = "#page337">337</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Metates, or grain-grinders, and pestles</td>
+<td><a href = "#page340">340</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Mortars, pestles, etc</td>
+<td><a href = "#page340">340</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Miscellaneous objects</td>
+<td><a href = "#page342">342</a></td>
+</tr>
+<tr>
+<td class = "leftpad">Articles of clay</td>
+<td><a href = "#page343">343</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Water vases</td>
+<td><a href = "#page343">343</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Water jugs and jars</td>
+<td><a href = "#page347">347</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Jugs of fanciful forms</td>
+<td><a href = "#page349">349</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Pitchers</td>
+<td><a href = "#page349">349</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Cups or cup-shaped vessels</td>
+<td><a href = "#page350">350</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Eating bowls</td>
+<td><a href = "#page350">350</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Cooking vessels</td>
+<td><a href = "#page358">358</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Ladles</td>
+<td><a href = "#page360">360</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Baskets</td>
+<td><a href = "#page360">360</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Paint cups</td>
+<td><a href = "#page362">362</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Condiment cups</td>
+<td><a href = "#page363">363</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Effigies</td>
+<td><a href = "#page364">364</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Statuettes</td>
+<td><a href = "#page366">366</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Clays and pigments</td>
+<td><a href = "#page367">367</a></td>
+</tr>
+<tr>
+<td class = "leftpad">Vegetal substances</td>
+<td><a href = "#page368">368</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Basketry</td>
+<td><a href = "#page368">368</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Pads</td>
+<td><a href = "#page369">369</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Domestic implements, toys, etc</td>
+<td><a href = "#page370">370</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Foods</td>
+<td><a href = "#page372">372</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Medicines and dyes</td>
+<td><a href = "#page372">372</a></td>
+</tr>
+<tr>
+<td class = "leftpad">Animal substances</td>
+<td><a href = "#page373">373</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Horn and bone</td>
+<td><a href = "#page373">373</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Skin</td>
+<td><a href = "#page373">373</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Woven fabrics</td>
+<td><a href = "#page373">373</a></td>
+</tr>
+<tr>
+<td>Collection from Wolpi</td>
+<td><a href = "#page375">375</a></td>
+</tr>
+<tr>
+<td class = "leftpad">Articles of stone</td>
+<td><a href = "#page375">375</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Axes, hammers, etc</td>
+<td><a href = "#page375">375</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Metates, or grain-grinders, and pestles</td>
+<td><a href = "#page376">376</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Mortars, pestles, etc</td>
+<td><a href = "#page377">377</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Miscellaneous objects</td>
+<td><a href = "#page377">377</a></td>
+</tr>
+<tr>
+<td class = "leftpad">
+<!--504-->
+<span class = "pagenum">314</span>
+<a name = "page314"> </a>
+Articles of clay</td>
+<td><a href = "#page378">378</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Water vases</td>
+<td><a href = "#page378">378</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Water jugs and jars</td>
+<td><a href = "#page379">379</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Toy-like water vessels</td>
+<td><a href = "#page381">381</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Cups</td>
+<td><a href = "#page382">382</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Eating bowls</td>
+<td><a href = "#page382">382</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Cooking vessels</td>
+<td><a href = "#page385">385</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Toy-like vessels</td>
+<td><a href = "#page385">385</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Ladles</td>
+<td><a href = "#page385">385</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Miscellaneous</td>
+<td><a href = "#page387">387</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Statuettes</td>
+<td><a href = "#page387">387</a></td>
+</tr>
+<tr>
+<td class = "leftpad">Vegetal substances</td>
+<td><a href = "#page389">389</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Basketry</td>
+<td><a href = "#page389">389</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Domestic implements, toys, etc</td>
+<td><a href = "#page391">391</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Ornamental objects</td>
+<td><a href = "#page393">393</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Statuettes</td>
+<td><a href = "#page395">395</a></td>
+</tr>
+<tr>
+<td class = "leftpad">Animal substances</td>
+<td><a href = "#page396">396</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Horn and bone</td>
+<td><a href = "#page396">396</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Skin</td>
+<td><a href = "#page397">397</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Woven fabrics</td>
+<td><a href = "#page398">398</a></td>
+</tr>
+<tr>
+<td>Collection from Laguna</td>
+<td><a href = "#page399">399</a></td>
+</tr>
+<tr>
+<td class = "leftpad">Articles of clay</td>
+<td><a href = "#page399">399</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Water vases</td>
+<td><a href = "#page399">399</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Water jugs and jars</td>
+<td><a href = "#page401">401</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Pitchers</td>
+<td><a href = "#page401">401</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Effigies</td>
+<td><a href = "#page402">402</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Eating bowls</td>
+<td><a href = "#page403">403</a></td>
+</tr>
+<tr>
+<td>Collection from Acoma</td>
+<td><a href = "#page404">404</a></td>
+</tr>
+<tr>
+<td class = "leftpad">Articles of clay</td>
+<td><a href = "#page404">404</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Water vases</td>
+<td><a href = "#page404">404</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Pitchers</td>
+<td><a href = "#page405">405</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Eating bowls</td>
+<td><a href = "#page405">405</a></td>
+</tr>
+<tr>
+<td>Collection from Cochiti</td>
+<td><a href = "#page405">405</a></td>
+</tr>
+<tr>
+<td class = "leftpad">Articles of clay</td>
+<td><a href = "#page405">405</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Water vessels</td>
+<td><a href = "#page405">405</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Eating bowls</td>
+<td><a href = "#page408">408</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Ornaments, effigies, and toys</td>
+<td><a href = "#page408">408</a></td>
+</tr>
+<tr>
+<td>Collection from Santo Domingo</td>
+<td><a href = "#page409">409</a></td>
+</tr>
+<tr>
+<td class = "leftpad">Articles of Clay</td>
+<td><a href = "#page409">409</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Water vessels</td>
+<td><a href = "#page409">409</a></td>
+</tr>
+<tr>
+<td>Collection from Tesuke</td>
+<td><a href = "#page410">410</a></td>
+</tr>
+<tr>
+<td class = "leftpad">Articles of stone</td>
+<td><a href = "#page410">410</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Metates, mortars, etc</td>
+<td><a href = "#page410">410</a></td>
+</tr>
+<tr>
+<td class = "leftpad">Articles of clay</td>
+<td><a href = "#page410">410</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Water vases</td>
+<td><a href = "#page410">410</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Water jugs and jars</td>
+<td><a href = "#page413">413</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Pitchers</td>
+<td><a href = "#page413">413</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Eating bowls</td>
+<td><a href = "#page413">413</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Cooking vessels</td>
+<td><a href = "#page414">414</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Toys</td>
+<td><a href = "#page414">414</a></td>
+</tr>
+<tr>
+<td class = "leftpad">Vegetal substances</td>
+<td><a href = "#page414">414</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Medicines</td>
+<td><a href = "#page414">414</a></td>
+</tr>
+<tr>
+<td>Collection from Santa Clara</td>
+<td><a href = "#page415">415</a></td>
+</tr>
+<tr>
+<td class = "leftpad">
+<!--png505-->
+<span class = "pagenum">315</span>
+<a name = "page315"> </a>
+Articles of clay</td>
+<td><a href = "#page415">415</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Water vases</td>
+<td><a href = "#page415">415</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Eating bowls</td>
+<td><a href = "#page415">415</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Cooking vessels</td>
+<td><a href = "#page416">416</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Effigies</td>
+<td><a href = "#page416">416</a></td>
+</tr>
+<tr>
+<td>Collection from San Juan</td>
+<td><a href = "#page416">416</a></td>
+</tr>
+<tr>
+<td class = "leftpad">Articles of clay</td>
+<td><a href = "#page416">416</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Eating bowls</td>
+<td><a href = "#page416">416</a></td>
+</tr>
+<tr>
+<td>Collection from Jemez</td>
+<td><a href = "#page417">417</a></td>
+</tr>
+<tr>
+<td class = "leftpad">Articles of clay</td>
+<td><a href = "#page417">417</a></td>
+</tr>
+<tr>
+<td>Collection from the Jicarilla Apaches</td>
+<td><a href = "#page417">417</a></td>
+</tr>
+<tr>
+<td class = "leftpad">Articles of clay</td>
+<td><a href = "#page417">417</a></td>
+</tr>
+<tr>
+<td>Collection from Old Pecos</td>
+<td><a href = "#page418">418</a></td>
+</tr>
+<tr>
+<td class = "leftpad">Articles of stone</td>
+<td><a href = "#page418">418</a></td>
+</tr>
+<tr>
+<td class = "leftpad">Articles of clay</td>
+<td><a href = "#page418">418</a></td>
+</tr>
+<tr>
+<td class = "leftpad">Articles of wood</td>
+<td><a href = "#page419">419</a></td>
+</tr>
+<tr>
+<td>Collection from the Cañon de Chelly</td>
+<td><a href = "#page419">419</a></td>
+</tr>
+<tr>
+<td class = "leftpad">Articles of clay</td>
+<td><a href = "#page419">419</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Water vessels</td>
+<td><a href = "#page419">419</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Bowls</td>
+<td><a href = "#page420">420</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Cooking vessels</td>
+<td><a href = "#page420">420</a></td>
+</tr>
+<tr>
+<td>Collection from Pictograph Rocks</td>
+<td><a href = "#page420">420</a></td>
+</tr>
+<tr>
+<td class = "leftpad">Articles of clay</td>
+<td><a href = "#page420">420</a></td>
+</tr>
+<tr>
+<td>Collection from other localities</td>
+<td><a href = "#page421">421</a></td>
+</tr>
+<tr>
+<td class = "leftpad">Articles of clay</td>
+<td><a href = "#page421">421</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Miscellaneous</td>
+<td><a href = "#page421">421</a></td>
+</tr>
+<tr>
+<td class = "leftpad2">Statuettes</td>
+<td><a href = "#page421">421</a></td>
+</tr>
+</table>
+
+<!--png 506-->
+<a name = "page316"> </a>
+<!--png 507-->
+<span class = "pagenum">317</span>
+<a name = "page317"> </a>
+<h4><a name = "illus">ILLUSTRATIONS</a>.</h4>
+
+<hr class = "tiny">
+
+<div class = "mynote">
+In the printed text, most figures were on unpaginated plates, facing the
+page listed. For this e-text they are placed as close as practicable to
+their catalog entries. Figures listed in <b>boldface</b> were printed in
+color.<br>
+Fractions in figure captions are included for completeness. They
+have no relationship to the scale of images used here.<br>
+The Map was originally listed out of sequence, at the end of the
+Illustrations.
+</div>
+
+<table>
+<tr>
+<td class = "added">
+<p>Artifacts from:</p>
+</td>
+<td class = "added">
+<p>
+<a href = "#illus_zuni">Zuñi</a> (347-503)<br>
+<a href = "#illus_wolpi">Wolpi</a> (504-584)<br>
+<a href = "#illus_laguna">Laguna</a> (585-617)<br>
+<a href = "#illus_acoma">Acoma</a> (618-622)<br>
+<a href = "#illus_cochiti">Cochiti</a> (623-647)<br>
+<a href = "#illus_domingo">Santo Domingo</a> (648-649)
+</p>
+</td>
+<td class = "added">
+<p>
+<a href = "#illus_tesuke">Tesuke</a> (650-659)<br>
+<a href = "#illus_clara">Santa Clara</a> (660-672)<br>
+<a href = "#illus_juan">San Juan</a> (673-675)<br>
+<a href = "#illus_jemez">Jemez</a> (676)<br>
+<a href = "#illus_chelly">Cañon De Chelly</a> (677-696)<br>
+<a href = "#illus_rocks">Pictograph rocks</a> (697)
+</p>
+</td></tr>
+</table>
+
+<table class = "index">
+<tr>
+<td><a href = "#map">Map</a></td>
+<td>
+showing location of the pueblos of Arizona and New Mexico</td>
+<td>319</td>
+</tr>
+<tr>
+<td class = "smallcaps">Figs.</td>
+<td>347-352. Zuñi grooved axes</td>
+<td><a name = "illus_zuni">338</a></td>
+</tr>
+<tr>
+<td></td>
+<td class = "added"><a href = "#fig347">347</a>,
+<a href = "#fig348">348</a>,
+<a href = "#fig349">349</a>,
+<a href = "#fig350">350</a>,
+<a href = "#fig351">351</a>,
+<a href = "#fig352">352</a>.</td><td></td>
+</tr>
+<tr>
+<td class = "smallcaps">Fig.</td>
+<td><a href = "#fig353">353</a>. Zuñi mortar and pestle</td>
+<td>340</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig354">354</a>. Zuñi crucible</td>
+<td>340</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig355">355</a>. Zuñi skinning-knife</td>
+<td>340</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig356">356</a>. Zuñi sandstone mold</td>
+<td>340</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig357">357</a>. Zuñi spear-head</td>
+<td>340</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig358">358</a>. Zuñi mortar and pestle</td>
+<td>340</td>
+</tr>
+<tr>
+<td class = "smallcaps">Figs.</td>
+<td><a href = "#fig359">359</a>-<a href = "#fig360">360</a>.
+Zuñi water vases</td>
+<td>342</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig361">361</a>-<a href = "#fig362">362</a>.
+Zuñi water vases</td>
+<td>343</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig363">363</a>-<a href = "#fig364">364</a>.
+Zuñi water vases</td>
+<td>344</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig365">365</a>-<a href = "#fig366">366</a>.
+Zuñi water vases</td>
+<td>344</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig367">367</a>-<a href = "#fig368">368</a>.
+Zuñi water vases</td>
+<td>344</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig369">369</a>-<a href = "#fig370">370</a>.
+Zuñi water vases</td>
+<td>344</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig371">371</a>-<a href = "#fig372">372</a>.
+Zuñi water vases</td>
+<td>345</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig373">373</a>-<a href = "#fig374">374</a>.
+Zuñi water vases</td>
+<td>345</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td>375-378. Zuñi water vases</td>
+<td>346</td>
+</tr>
+<tr>
+<td></td>
+<td class = "added"><a href = "#fig375">375</a>,
+<a href = "#fig376">376</a>,
+<a href = "#fig377">377</a>,
+<a href = "#fig378">378</a>.
+</td><td></td>
+</tr>
+<tr>
+<td class = "smallcaps">Fig.</td>
+<td><b><a href = "#fig379">379</a>. Zuñi canteen</b></td>
+<td>347</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><b><a href = "#fig380">380</a>. Zuñi eating bowl</b></td>
+<td>347</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><b><a href = "#fig381">381</a>. Zuñi water vase</b></td>
+<td>347</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><b><a href = "#fig382">382</a>. Zuñi eating bowl</b></td>
+<td>347</td>
+</tr>
+<tr>
+<td class = "smallcaps">Figs.</td>
+<td><b><a href = "#fig383">383</a>-<a href = "#fig384">384</a>.
+Zuñi water vases</b></td>
+<td>347</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td>385-387. Zuñi canteens</td>
+<td>348</td>
+</tr>
+<tr>
+<td></td>
+<td class = "added"><a href = "#fig385">385</a>,
+<a href = "#fig386">386</a>,
+<a href = "#fig387">387</a>.</td><td></td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td>388-391. Zuñi canteens</td>
+<td>348</td>
+</tr>
+<tr>
+<td></td>
+<td class = "added"><a href = "#fig388">388</a>,
+<a href = "#fig389">389</a>,
+<a href = "#fig390">390</a>,
+<a href = "#fig391">391</a>.</td><td></td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td>392-394. Zuñi canteens</td>
+<td>349</td>
+</tr>
+<tr>
+<td></td>
+<td class = "added"><a href = "#fig392">392</a>,
+<a href = "#fig393">393</a>,
+<a href = "#fig394">394</a>.</td><td></td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td>395-397. Zuñi canteens</td>
+<td>349</td>
+</tr>
+<tr>
+<td></td>
+<td class = "added"><a href = "#fig395">395</a>,
+<a href = "#fig396">396</a>,
+<a href = "#fig397">397</a>.</td><td></td>
+</tr>
+<tr>
+<td class = "smallcaps">Fig.</td>
+<td><b><a href = "#fig398">398</a>. Zuñi canteen</b></td>
+<td>350</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><b><a href = "#fig399">399</a>. Zuñi water vase</b></td>
+<td>350</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><b><a href = "#fig400">400</a>. Zuñi canteen</b></td>
+<td>350</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><b><a href = "#fig401">401</a>. Zuñi eating bowl</b></td>
+<td>350</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><b><a href = "#fig402">402</a>. Zuñi canteen</b></td>
+<td>350</td>
+</tr>
+<tr>
+<td class = "smallcaps">Figs.</td>
+<td>403-406. Zuñi water pitchers</td>
+<td>350</td>
+</tr>
+<tr>
+<td></td>
+<td class = "added"><a href = "#fig403">403</a>,
+<a href = "#fig404">404</a>,
+<a href = "#fig405">405</a>,
+<a href = "#fig406">406</a>.</td><td></td>
+</tr>
+<tr>
+<td class = "smallcaps">Fig.</td>
+<td><a href = "#fig407">407</a>. Zuñi water pitcher</td>
+<td>350</td>
+</tr>
+<tr>
+<td class = "smallcaps">Figs.</td>
+<td><a href = "#fig408">408</a>-<a href = "#fig409">409</a>. Zuñi
+cups</td>
+<td>350</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td>410-412. Zuñi eating bowls</td>
+<td>350</td>
+</tr>
+<tr>
+<td></td>
+<td class = "added"><a href = "#fig410">410</a>,
+<a href = "#fig411">411</a>,
+<a href = "#fig412">412</a>.</td><td></td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td>413-415. Zuñi eating bowls</td>
+<td>352</td>
+</tr>
+<tr>
+<td></td>
+<td class = "added"><a href = "#fig413">413</a>,
+<a href = "#fig414">414</a>,
+<a href = "#fig415">415</a>.</td><td></td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td>416-418. Zuñi eating bowls</td>
+<td>354</td>
+</tr>
+<tr>
+<td></td>
+<td class = "added"><a href = "#fig416">416</a>,
+<a href = "#fig417">417</a>,
+<a href = "#fig418">418</a>.</td><td></td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td>419-421. Zuñi eating bowls</td>
+<td>356</td>
+</tr>
+<tr>
+<td></td>
+<td class = "added"><a href = "#fig419">419</a>,
+<a href = "#fig420">420</a>,
+<a href = "#fig421">421</a>.</td><td></td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td>422-424. Zuñi eating bowls</td>
+<td>356</td>
+</tr>
+<tr>
+<td></td>
+<td class = "added"><a href = "#fig422">422</a>,
+<a href = "#fig423">423</a>,
+<a href = "#fig424">424</a>.</td><td></td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td>425-427. Zuñi eating bowls</td>
+<td>357</td>
+</tr>
+<tr>
+<td></td>
+<td class = "added"><a href = "#fig425">425</a>,
+<a href = "#fig426">426</a>,
+<a href = "#fig427">427</a>.</td><td></td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td>428-430. Zuñi eating bowls</td>
+<td>358</td>
+</tr>
+<tr>
+<td></td>
+<td class = "added"><a href = "#fig428">428</a>,
+<a href = "#fig429">429</a>,
+<a href = "#fig430">430</a>.</td><td></td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td>431-436. Zuñi cooking vessels</td>
+<td>359</td>
+</tr>
+<tr>
+<td></td>
+<td class = "added"><a href = "#fig431">431</a>,
+<a href = "#fig432">432</a>,
+<a href = "#fig433">433</a>,
+<a href = "#fig434">434</a>,
+<a href = "#fig435">435</a>,
+<a href = "#fig436">436</a>.</td><td></td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td>437-441. Zuñi ladles</td>
+<td>360</td>
+</tr>
+<tr>
+<td></td>
+<td class = "added"><a href = "#fig437">437</a>,
+<a href = "#fig438">438</a>,
+<a href = "#fig439">439</a>,
+<a href = "#fig440">440</a>,
+<a href = "#fig441">441</a>.</td><td></td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td>442-447. Zuñi clay baskets</td>
+<td>361</td>
+</tr>
+<tr>
+<td></td>
+<td class = "added"><a href = "#fig442">442</a>,
+<a href = "#fig443">443</a>,
+<a href = "#fig444">444</a>,
+<a href = "#fig445">445</a>,
+<a href = "#fig446">446</a>,
+<a href = "#fig447">447</a>.</td><td></td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td>448-453. Zuñi clay baskets</td>
+<td>361</td>
+</tr>
+<tr>
+<td></td>
+<td class = "added"><a href = "#fig448">448</a>,
+<a href = "#fig448">448</a>,
+<a href = "#fig450">450</a>,
+<a href = "#fig451">451</a>,
+<a href = "#fig452">452</a>,
+<a href = "#fig453">453</a>.</td><td></td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td>454-457. Zuñi paint cups</td>
+<td>364</td>
+</tr>
+<tr>
+<td></td>
+<td class = "added"><a href = "#fig454">454</a>,
+<a href = "#fig455">455</a>,
+<a href = "#fig456">456</a>,
+<a href = "#fig457">457</a>.</td><td></td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig458">458</a>-<a href = "#fig459">459</a>.
+Zuñi condiment cups</td>
+<td>364</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><ins class = "correction" title = "text reads ‘469’"><a href =
+"#fig460">460</a></ins>-<a href = "#fig461">461</a>. Zuñi effigies</td>
+<td>365</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig462">462</a>-<a href = "#fig463">463</a>.
+Zuñi effigies</td>
+<td>365</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td>464-467. Zuñi effigies</td>
+<td>365</td>
+</tr>
+<tr>
+<td></td>
+<td class = "added"><a href = "#fig464">464</a>,
+<a href = "#fig465">465</a>,
+<a href = "#fig466">466</a>,
+<a href = "#fig467">467</a>.</td><td></td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig468">468</a>-<a href = "#fig469">469</a>. Zuñi
+effigies</td>
+<td>365</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig470">470</a>-<a href = "#fig471">471</a>. Zuñi
+effigies</td>
+<td>365</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td>472-476. Zuñi effigies</td>
+<td>366</td>
+</tr>
+<tr>
+<td></td>
+<td class = "added"><a href = "#fig472">472</a>,
+<a href = "#fig473">473</a>,
+<a href = "#fig474">474</a>,
+<a href = "#fig475">475</a>,
+<a href = "#fig476">476</a>.</td><td></td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td>477-480. Zuñi effigies</td>
+<td>366</td>
+</tr>
+<tr>
+<td></td>
+<td class = "added"><a href = "#fig477">477</a>,
+<a href = "#fig478">478</a>,
+<a href = "#fig479">479</a>,
+<a href = "#fig480">480</a>.</td><td></td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td>481-483. Zuñi moccasins</td>
+<td>367</td>
+</tr>
+<tr>
+<td></td>
+<td class = "added"><a href = "#fig481">481</a>,
+<a href = "#fig482">482</a>,
+<a href = "#fig483">483</a>.</td><td></td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig484">484</a>-<a href = "#fig485">485</a>. Zuñi
+basketry</td>
+<td>370</td>
+</tr>
+<tr>
+<td class = "smallcaps">Fig.</td>
+<td><a href = "#fig486">486</a>. Zuñi pad</td>
+<td>370</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig487">487</a>. Zuñi toy cradle</td>
+<td>370</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig488">488</a>. Zuñi basketry</td>
+<td>370</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig489">489</a>. Zuñi toy cradle</td>
+<td>370</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig490">490</a>. Zuñi ladle</td>
+<td>370</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig491">491</a>. Zuñi war-club</td>
+<td>372</td>
+</tr>
+<tr>
+<td class = "smallcaps">Figs.</td>
+<td><a href = "#fig492">492</a>-<a href = "#fig493">493</a>. Zuñi dance
+ornaments</td>
+<td>372</td>
+</tr>
+<tr>
+<td class = "smallcaps">Fig.</td>
+<td><a href = "#fig494">494</a>. Zuñi rotary drill</td>
+<td>372</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig495">495</a>. Zuñi wooden spade</td>
+<td>372</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig496">496</a>. Zuñi wooden digger</td>
+<td>372</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig497">497</a>. Zuñi rattle</td>
+<td>371</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig498">498</a>. Zuñi rattle</td>
+<td>373</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig499">499</a>. Zuñi hopple</td>
+<td>373</td>
+</tr>
+<tr>
+<td class = "smallcaps">Figs.</td>
+<td><b><a href = "#fig500">500-502</a>. Zuñi woven sashes</b></td>
+<td>373</td>
+</tr>
+<tr>
+<td class = "smallcaps">Fig.</td>
+<td><a href = "#fig503">503</a>. Zuñi head dress</td>
+<td>374</td>
+</tr>
+<tr>
+<td class = "smallcaps">Figs.</td>
+<td>504-507. Wolpi axes</td>
+<td><a name = "illus_wolpi">375</a></td>
+</tr>
+<tr>
+<td></td>
+<td class = "added"><a href = "#fig504">504</a>,
+<a href = "#fig505">505</a>,
+<a href = "#fig506">506</a>,
+<a href = "#fig507">507</a>.</td><td></td>
+</tr>
+<tr>
+<td class = "smallcaps">Fig.</td>
+<td><a href = "#fig508">508</a>. Wolpi metate</td>
+<td>375</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig509">509</a>. Wolpi ancient pipe</td>
+<td>378</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig510">510</a>. Wolpi stone effigy</td>
+<td>378</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig511">511</a>. Wolpi neck ornament</td>
+<td>378</td>
+</tr>
+<tr>
+<td class = "smallcaps">Figs.</td>
+<td><a href = "#fig512">512</a>-<a href = "#fig513">513</a>.
+Wolpi effigies</td>
+<td>378</td>
+</tr>
+<tr>
+<td class = "smallcaps">Fig.</td>
+<td><a href = "#fig514">514</a>. Wolpi water vase</td>
+<td>379</td>
+</tr>
+<tr>
+<td class = "smallcaps">Figs.</td>
+<td><a href = "#fig515">515</a>-<a href = "#fig516">516</a>.
+Wolpi pots</td>
+<td>379</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td>517-519. Wolpi vessels</td>
+<td>381</td>
+</tr>
+<tr>
+<td></td>
+<td class = "added"><a href = "#fig517">517</a>,
+<a href = "#fig518">518</a>,
+<a href = "#fig519">519</a>.</td><td></td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig520">520</a>-<a href = "#fig522">522</a>. Wolpi water
+jars</td>
+<td>382</td>
+</tr>
+<tr>
+<td class = "smallcaps">Fig.</td>
+<td><a href = "#fig523">523</a>. Wolpi eating bowl</td>
+<td>385</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig524">524</a>. Wolpi cooking vessel</td>
+<td>385</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig525">525</a>. Wolpi ladle</td>
+<td>385</td>
+</tr>
+<tr>
+<td class = "smallcaps">Figs.</td>
+<td>526-529. Wolpi ladles</td>
+<td>386</td>
+</tr>
+<tr>
+<td></td>
+<td class = "added"><a href = "#fig526">526</a>,
+<a href = "#fig527">527</a>,
+<a href = "#fig528">528</a>,
+<a href = "#fig529">529</a>.</td><td></td>
+</tr>
+<tr>
+<td class = "smallcaps">Fig.</td>
+<td><a href = "#fig530">530</a>. Wolpi basket</td>
+<td>386</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig531">531</a>. Wolpi basin</td>
+<td>388</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig532">532</a>. Wolpi vase and bowl attached</td>
+<td>388</td>
+</tr>
+<tr>
+<td class = "smallcaps">Figs.</td>
+<td><a href = "#fig533">533</a>-<a href = "#fig534">534</a>.
+Wolpi clay statuettes</td>
+<td>388</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig535">535</a>-<a href = "#fig536">536</a>.
+Wolpi baskets</td>
+<td>389</td>
+</tr>
+<tr>
+<td class = "ditto">
+<!--png 508-->
+<span class = "pagenum">318</span>
+<a name = "page318"> </a>
+”</td>
+<td><a href = "#fig537">537</a>-<a href = "#fig538">538</a>.
+Wolpi baskets</td>
+<td>390</td>
+</tr>
+<tr>
+<td class = "smallcaps">Fig.</td>
+<td><a href = "#fig539">539</a>. Wolpi basket</td>
+<td>390</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig540">540</a>. Wolpi floor mat</td>
+<td>390</td>
+</tr>
+<tr>
+<td class = "smallcaps">Figs.</td>
+<td><a href = "#fig541">541</a>-<a href = "#fig542">542</a>.
+Wolpi baskets</td>
+<td>390</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig543">543</a>-<a href = "#fig545">545</a>. Wolpi
+baskets</td>
+<td>391</td>
+</tr>
+<tr>
+<td class = "smallcaps">Fig.</td>
+<td><a href = "#fig546">546</a>. Wolpi weaving stick</td>
+<td>392</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig547">547</a>. Wolpi spindle whorl</td>
+<td>392</td>
+</tr>
+<tr>
+<td class = "smallcaps">Figs.</td>
+<td><a href = "#fig548">548</a>-<a href = "#fig549">549</a>.
+Wolpi rabbit sticks</td>
+<td>392</td>
+</tr>
+<tr>
+<td class = "smallcaps">Fig.</td>
+<td><a href = "#fig550">550</a>. Wolpi rake</td>
+<td>393</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig551">551</a>. Wolpi drumstick</td>
+<td>393</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig552">552</a>. Wolpi treasure-box</td>
+<td>393</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig553">553</a>. Wolpi dance gourd</td>
+<td>393</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig554">554</a>. Wolpi treasure-box</td>
+<td>393</td>
+</tr>
+<tr>
+<td class = "smallcaps">Figs.</td>
+<td>555-558. Wolpi dance ornaments</td>
+<td>393</td>
+</tr>
+<tr>
+<td></td>
+<td class = "added"><a href = "#fig555">555</a>,
+<a href = "#fig556">556</a>,
+<a href = "#fig557">557</a>,
+<a href = "#fig558">558</a>.</td><td></td>
+</tr>
+<tr>
+<td class = "smallcaps">Fig.</td>
+<td><a href = "#fig559">559</a>. Wolpi head-dress</td>
+<td>394</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig560">560</a>. Wolpi gourd rattle</td>
+<td>394</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig561">561</a>. Wolpi musical instrument</td>
+<td>394</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig562">562</a>. Wolpi gourd rattle</td>
+<td>394</td>
+</tr>
+<tr>
+<td class = "smallcaps">Figs.</td>
+<td><a href = "#fig563">563</a>-<a href = "#fig565">565</a>. Wolpi
+ornaments</td>
+<td>394</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td>566-569. Wolpi effigies</td>
+<td>395</td>
+</tr>
+<tr>
+<td></td>
+<td class = "added"><a href = "#fig566">566</a>,
+<a href = "#fig567">567</a>,
+<a href = "#fig568">568</a>,
+<a href = "#fig569">569</a>.</td><td></td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><b>570-572. Wolpi effigies</b></td>
+<td>396</td>
+</tr>
+<tr>
+<td></td>
+<td class = "added"><a href = "#fig570">570</a>,
+<a href = "#fig571">571</a>,
+<a href = "#fig572">572</a>.</td><td></td>
+</tr>
+<tr>
+<td class = "smallcaps">Fig.</td>
+<td><a href = "#fig573">573</a>. Wolpi horn ladle</td>
+<td>397</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig574">574</a>. Wolpi horn rattle</td>
+<td>397</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig575">575</a>. Wolpi perforator</td>
+<td>397</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig576">576</a>. Wolpi arrow straightener</td>
+<td>397</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig577">577</a>. Wolpi wristlet</td>
+<td>398</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig578">578</a>. Wolpi moccasin</td>
+<td>398</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig579">579</a>. Wolpi wristlet</td>
+<td>398</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig580">580</a>. Wolpi riding whip</td>
+<td>398</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig581">581</a>. Wolpi drum</td>
+<td>399</td>
+</tr>
+<tr>
+<td class = "smallcaps">Figs.</td>
+<td><b><a href = "#fig582">582</a>-<a href = "#fig583">583</a>.
+Wolpi blanket</b></td>
+<td>399</td>
+</tr>
+<tr>
+<td class = "smallcaps">Fig.</td>
+<td><a href = "#fig584">584</a>. Wolpi anklets</td>
+<td>399</td>
+</tr>
+<tr>
+<td class = "smallcaps">Figs.</td>
+<td>585-587. Laguna water vases</td>
+<td><a name = "illus_laguna">400</a></td>
+</tr>
+<tr>
+<td></td>
+<td class = "added"><a href = "#fig585">585</a>,
+<a href = "#fig586">586</a>,
+<a href = "#fig587">587</a>.</td><td></td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td>588-591. Laguna water vases</td>
+<td>400</td>
+</tr>
+<tr>
+<td></td>
+<td class = "added"><a href = "#fig588">588</a>,
+<a href = "#fig589">589</a>,
+<a href = "#fig590">590</a>,
+<a href = "#fig591">591</a>.</td><td></td>
+</tr>
+<tr>
+<td class = "smallcaps">Fig.</td>
+<td><a href = "#fig592">592</a>. Laguna water pitcher</td>
+<td>400</td>
+</tr>
+<tr>
+<td class = "smallcaps">Figs.</td>
+<td>593-596. Laguna water jars</td>
+<td>401</td>
+</tr>
+<tr>
+<td></td>
+<td class = "added"><a href = "#fig593">593</a>,
+<a href = "#fig594">594</a>,
+<a href = "#fig595">595</a>,
+<a href = "#fig596">596</a>.</td><td></td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td>597-600. Laguna effigies</td>
+<td>402</td>
+</tr>
+<tr>
+<td></td>
+<td class = "added"><a href = "#fig597">597</a>,
+<a href = "#fig598">598</a>,
+<a href = "#fig599">599</a>,
+<a href = "#fig600">600</a>.</td><td></td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td>601-604. Laguna effigies</td>
+<td>402</td>
+</tr>
+<tr>
+<td></td>
+<td class = "added"><a href = "#fig601">601</a>,
+<a href = "#fig602">602</a>,
+<a href = "#fig603">603</a>,
+<a href = "#fig604">604</a>.</td><td></td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><b>605-609. Laguna effigies</b></td>
+<td>402</td>
+</tr>
+<tr>
+<td></td>
+<td class = "added"><a href = "#fig605">605</a>,
+<a href = "#fig606">606</a>,
+<a href = "#fig607">607</a>,
+<a href = "#fig608">608</a>,
+<a href = "#fig609">609</a>.</td><td></td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><b>610-612. Laguna water vases</b></td>
+<td>403</td>
+</tr>
+<tr>
+<td></td>
+<td class = "added"><a href = "#fig610">610</a>,
+<a href = "#fig611">611</a>,
+<a href = "#fig612">612</a>.</td><td></td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><b>613-615. Laguna eating bowls</b></td>
+<td>403</td>
+</tr>
+<tr>
+<td></td>
+<td class = "added"><a href = "#fig613">613</a>,
+<a href = "#fig614">614</a>,
+<a href = "#fig615">615</a>.</td><td></td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig616">616</a>-<a href = "#fig617">617</a>.
+Laguna eating bowls</td>
+<td>403</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig618">618</a>-<a href = "#fig619">619</a>.
+Acoma water vases</td>
+<td><a name = "illus_acoma">404</a></td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><b>620-622. Acoma water vases</b></td>
+<td>404</td>
+</tr>
+<tr>
+<td></td>
+<td class = "added"><a href = "#fig620">620</a>,
+<a href = "#fig621">621</a>,
+<a href = "#fig622">622</a>.</td><td></td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig623">623</a>-<a href = "#fig624">624</a>.
+Cochiti water vessels</td>
+<td><a name = "illus_cochiti">406</a></td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig625">625</a>-<a href = "#fig626">626</a>.
+Cochiti water vessels</td>
+<td>406</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig627">627</a>-<a href = "#fig628">628</a>.
+Cochiti water vessels</td>
+<td>406</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig629">629</a>-<a href = "#fig630">630</a>.
+Cochiti water vessels</td>
+<td>407</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig631">631</a>-<a href = "#fig632">632</a>.
+Cochiti water vessels</td>
+<td>407</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig633">633</a>-<a href = "#fig634">634</a>.
+Cochiti water vessels</td>
+<td>407</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig635">635</a>-<a href = "#fig636">636</a>.
+Cochiti water vessels</td>
+<td>407</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig637">637</a>-<a href = "#fig638">638</a>.
+Cochiti water vessels</td>
+<td>408</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig639">639</a>-<a href = "#fig640">640</a>.
+Cochiti water vessels</td>
+<td>408</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig641">641</a>-<a href = "#fig642">642</a>.
+Cochiti water vessels</td>
+<td>408</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig643">643</a>-<a href = "#fig644">644</a>.
+Cochiti water vessels</td>
+<td>408</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig645">645</a>-<a href = "#fig647">647</a>. Cochiti
+effigies</td>
+<td>409</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig648">648</a>-<a href = "#fig649">649</a>.
+Santo Domingo drinking vessels</td>
+<td><a name = "illus_domingo">410</a></td>
+</tr>
+<tr>
+<td class = "smallcaps">Fig.</td>
+<td><a href = "#fig650">650</a>. Tesuke mortar and pestle</td>
+<td><a name = "illus_tesuke">410</a></td>
+</tr>
+<tr>
+<td class = "smallcaps">Figs.</td>
+<td><a href = "#fig651">651</a>-<a href = "#fig652">652</a>.
+Tesuke water vases</td>
+<td>412</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig653">653</a>-<a href = "#fig654">654</a>.
+Tesuke water vases</td>
+<td>412</td>
+</tr>
+<tr>
+<td class = "smallcaps">Fig.</td>
+<td><a href = "#fig655">655</a>. Tesuke water jar</td>
+<td>414</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig656">656</a>. Tesuke effigy</td>
+<td>414</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig657">657</a>. Tesuke cooking vessel</td>
+<td>414</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig658">658</a>. Tesuke effigy</td>
+<td>414</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig659">659</a>. Tesuke cooking vessel</td>
+<td>414</td>
+</tr>
+<tr>
+<td class = "smallcaps">Figs.</td>
+<td><a href = "#fig660">660</a>-<a href = "#fig662">662</a>. Santa Clara
+water vases</td>
+<td><a name = "illus_clara">416</a></td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig663">663</a>-<a href = "#fig664">664</a>.
+Santa Clara eating bowls</td>
+<td>416</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig665">665</a>-<a href = "#fig666">666</a>.
+Santa Clara effigies</td>
+<td>416</td>
+</tr>
+<tr>
+<td class = "smallcaps">Fig.</td>
+<td><b><a href = "#fig667">667</a>. Santa Clara eating bowl</b></td>
+<td>416</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><b><a href = "#fig668">668</a>. Santa Clara platter</b></td>
+<td>416</td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><b><a href = "#fig669">669</a>. Santa Clara eating bowl</b></td>
+<td>416</td>
+</tr>
+<tr>
+<td class = "smallcaps">Figs.</td>
+<td><b>670-672. Santa Clara water jars</b></td>
+<td>416</td>
+</tr>
+<tr>
+<td></td>
+<td class = "added"><a href = "#fig670">670</a>,
+<a href = "#fig671">671</a>,
+<a href = "#fig672">672</a>.</td><td></td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td>673-675. San Juan eating bowls</td>
+<td><a name = "illus_juan">416</a></td>
+</tr>
+<tr>
+<td></td>
+<td class = "added"><a href = "#fig673">673</a>,
+<a href = "#fig674">674</a>,
+<a href = "#fig675">675</a>.</td><td></td>
+</tr>
+<tr>
+<td class = "smallcaps">Fig.</td>
+<td><a href = "#fig676">676</a>. Jemez water vessel</td>
+<td><a name = "illus_jemez">417</a></td>
+</tr>
+<tr>
+<td class = "smallcaps">Figs.</td>
+<td><a href = "#fig677">677</a>-<a href = "#fig680">680</a>. Water
+vessels from Cañon De Chelly</td>
+<td><a name = "illus_chelly">418</a></td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig681">681</a>-<a href = "#fig683">683</a>. Water
+vessels from Cañon De Chelly</td>
+<td><ins class = "correction" title = "text reads ‘620’">420</ins></td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td><a href = "#fig684">684</a>-<a href = "#fig686">686</a>. Bowls from
+Cañon De Chelly</td>
+<td><ins class = "correction" title = "text reads ‘620’">420</ins></td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td>687-692. Pitchers from Cañon De Chelly</td>
+<td>420</td>
+</tr>
+<tr>
+<td></td>
+<td class = "added"><a href = "#fig687">687</a>,
+<a href = "#fig688">688</a>,
+<a href = "#fig689">689</a>,
+<a href = "#fig690">690</a>,
+<a href = "#fig691">691</a>,
+<a href = "#fig692">692</a>.</td><td></td>
+</tr>
+<tr>
+<td class = "ditto">”</td>
+<td>693-696. Cooking vessels from Cañon De Chelly</td>
+<td>420</td>
+</tr>
+<tr>
+<td></td>
+<td class = "added"><a href = "#fig693">693</a>,
+<a href = "#fig694">694</a>,
+<a href = "#fig695">695</a>,
+<a href = "#fig696">696</a>.</td><td></td>
+</tr>
+<tr>
+<td class = "smallcaps">Fig.</td>
+<td><a href = "#fig697">697</a>. Corrugated vessel from Pictograph
+rocks</td>
+<td><a name = "illus_rocks">420</a></td>
+</tr>
+</table>
+
+<!--png 509-->
+<p class = "illustration">
+<a name = "map" href = "images/1879wholemap.png">
+<img class = "plain" src = "images/1879mapthumb.png"
+width = "304" height = "238" alt = "map thumbnail"></a><br>
+<span class = "plate">
+SMITHSONIAN INSTITUTION. BUREAU OF ETHNOLOGY.<br>
+J. W. POWELL, DIRECTOR.<br>
+<b>MAP</b><br>
+SHOWING LOCATION OF THE<br>
+<b>PUEBLOS</b><br>
+OF<br>
+ARIZONA AND NEW MEXICO</span>
+</p>
+
+
+<!--png 510-->
+<span class = "pagenum">319</span>
+<a name = "page319"> </a>
+<hr class = "chapter">
+
+<h3>ILLUSTRATED CATALOGUE OF THE COLLECTIONS OBTAINED
+FROM THE INDIANS OF NEW MEXICO AND ARIZONA IN 1879.</h3>
+
+<hr class = "tiny">
+
+<h4>By <span class = "smallcaps">James Stevenson</span>.</h4>
+
+<hr class = "tiny">
+
+
+<h4 class = "chapter"><a name = "intro">INTRODUCTION</a>.</h4>
+
+<p>It is not my intention in the present paper&mdash;which is simply
+what it purports to be, a <i>catalogue</i>&mdash;to attempt any
+discussion of the habits, customs, or domestic life of the Indian tribes
+from whom the articles were obtained; nor to enter upon a general
+comparison of the pottery and other objects with articles of a like
+character of other, nations or tribes. Occasionally attention may be
+called to striking resemblances between certain articles and those of
+other countries, where such comparison will aid in illustrating form or
+character.</p>
+
+<p>The collection contains two thousand eight hundred and fifty-eight
+specimens. Although it consists very largely of vessels and other
+articles of pottery, yet it embraces almost every object necessary to
+illustrate the domestic life and art of the tribes from whom the largest
+number of the specimens were obtained. It includes, in addition to
+pottery, implements of war and hunting, articles used in domestic
+manufactures, articles of clothing and personal adornment, basketry,
+trappings for horses, images, toys, stone implements, musical
+instruments, and those used in games and religious ceremonies, woven
+fabrics, foods prepared and unprepared, paints for decorating pottery
+and other objects, earths of which their pottery is manufactured,
+mineral pigments, medicines, vegetable dyestuffs, &amp;c. But the chief
+value of the collection is undoubtedly the great variety of vessels and
+other articles of pottery which it contains. In this respect it is
+perhaps the most complete that has been made from the pueblos. Quite a
+number of articles of this group may perhaps be properly classed as
+“ancient,” and were obtained more or less uninjured; but by far the
+larger portion are of modern manufacture.</p>
+
+
+<!--png 511-->
+<span class = "pagenum">320</span>
+<a name = "page320"> </a>
+<h5 class = "section">ARTICLES OF STONE.</h5>
+
+<p>These consist of pestles and mortars for grinding pigments; circular
+mortars, in which certain articles of food are bruised or ground;
+<i>metates</i>, or stones used for grinding wheat and corn; axes,
+hatchets, celts, mauls, scrapers &amp;c.</p>
+
+<p>The cutting, splitting, pounding, perforating, and scraping
+implements are generally derived from schists, basaltic, trachytic, and
+porphyritic rocks, and those for grinding and crushing foods are more or
+less composed of coarse lava and compact sandstones. Quite a number of
+the metate rubbing stones and a large number of the axes are composed of
+a very hard, heavy, and curiously mottled rock, a specimen of which was
+submitted to Dr. George W. Hawes, Curator of Mineralogy to the National
+Museum, for examination, and of which he says:</p>
+
+<p>“This rock, which was so extensively employed by the Pueblo Indians
+for the manufacture of various utensils, has proved to be composed
+largely of quartz, intermingled with which is a fine, fibrous, radiated
+substance, the optical properties of which demonstrate it to be
+fibrolite. In addition, the rock is filled with minute crystals of
+octahedral form which are composed of magnetite, and scattered through
+the rock are minute yellow crystals of rutile. The red coloration which
+these specimens possess is due to thin films of hematite. The rock is
+therefore fibrolite schist, and from a lithological standpoint it is
+very interesting. The fibrolite imparts the toughness to the rock,
+which, I should judge, would increase its value for the purposes to
+which the Indians applied it.”</p>
+
+<p>The axes, hatchets, mauls, and other implements used for cutting,
+splitting, or piercing are generally more or less imperfect, worn,
+chipped, or otherwise injured. This condition is to be accounted for by
+the fact that they are all of ancient manufacture; an implement of this
+kind being rarely, if ever, made by the Indians at the present day. They
+are usually of a hard volcanic rock, not employed by the present
+inhabitants in the manufacture of implements. They have in most cases
+been collected from the ruins of the Mesa and Cliff dwellers, by whose
+ancestors they were probably made. I was unable to learn of a single
+instance in which one of these had been made by the modern Indians. In
+nearly all cases the edges, once sharp and used for cutting, splitting,
+or piercing, are much worn and blunt from use in pounding or other
+purposes than that for which they were originally intended. On more than
+one occasion I have observed a woman using the edge of a handsome stone
+axe in pulverizing volcanic rock to mix with clay for making pottery.
+Nearly all the edged stone implements are thus injured. Those showing
+the greatest perfection were either too small to utilize in this manner
+or had but recently been discovered when we obtained them.</p>
+
+<p>The grinders and mortars are frequently found composed of softer
+<!--png 512-->
+<span class = "pagenum">321</span>
+<a name = "page321"> </a>
+rock, either ferruginous sandstone or gritty clays. For a more complete
+knowledge of these stone implements we must depend on a comparative
+study of large collections from different localities, and such
+information as the circumstances attending their discovery may impart,
+rather than upon their present condition or the uses for which they are
+now employed.</p>
+
+<p>Metates or grain-grinders, pestles and rubbing stones belong to the
+milling industry among the Indians. The metates are generally quite
+large and heavy, and could not well be transported with the limited
+means at the command of Indians. They are therefore well adapted to the
+uses of village Indians, who remain permanently in a place and prosecute
+agricultural pursuits. They are generally of rectangular shape, and from
+10 to 20 inches in length by 6 to 12 in width, and are composed of
+various kinds of rock, the harder, coarse-grained kinds being
+preferable, though in some instances sandstone is employed; the most
+desirable stone is porous lava. These stones are sometimes carried with
+families of the Pueblos moving short distances to the valleys of streams
+in which they have farms in cultivation. In the permanent villages they
+are arranged in small rectangular bins (see Fig. <a href =
+"#fig508">508</a>), each about 20 inches wide and deep, the whole series
+ranging from 5 to 10 feet in length, according to the number of bins or
+divisions. The walls are usually of sandstone. In each compartment one
+of these metates or grinding stones is firmly set at a proper angle to
+make it convenient to the kneeling female grinder. In this arrangement
+of the slabs those of different degrees of texture are so placed as to
+produce an increased degree of fineness to the meal or flour as it is
+passed from one to the other. But a small number of these slabs were
+collected on account of their great weight. Accompanying these metates
+are long, slim, flat stones, which are rubbed up and down the slabs,
+thus crushing the grain. These hand-stones are worn longitudinally into
+various shapes; some have two flat sides, while the third side remains
+oval. The same variety exists in regard to the texture of these
+rubbing-stones, as in the concave grinders.</p>
+
+<p>The pueblo of Zuñi, from which the most important portion of the
+collection was obtained, is situated in New Mexico, near the western
+border, about two hundred miles southwest from Santa&nbsp;Fé.</p>
+
+<p>At the time of Coronado’s visit to this country the pueblo was
+located at what is now known as “Old Zuñi,” on the summit of a high
+<i>mesa</i>. The modern Zuñi is situated upon a knoll in the valley of
+the Zuñi River, about two miles from the site of the old town. Certain
+writers have regarded Zuñi, or rather “Old Zuñi,” as one of the “Seven
+Cities of Cibola.” The evidences found at and around both the old and
+present Zuñi are certainly not sufficient to warrant this view, and
+further and more careful investigations are necessary.</p>
+
+<p>Zuñi, although lying on the line of travel of military expeditions,
+emigrant trains, and trade between the Pacific coast and the Rio Grande,
+the foreigners visiting them have seldom remained long in their village;
+<!--png 513-->
+<span class = "pagenum">322</span>
+<a name = "page322"> </a>
+nor has the advancing wave of Caucasian settlement approached
+sufficiently near to exert any marked influence on their manners and
+customs; at least the form and decoration of their pottery bear no
+marked evidence of the influence of the more highly civilized races.</p>
+
+<p>The collection made here by the expedition was more extensive than
+that from any other place, and numbers about fifteen hundred objects, of
+which by far the larger part is composed of earthenware articles. These
+include large and small water vases, canteens of various sizes and
+shapes, cooking cups, and pottery baskets used in their dances,
+paint-pots, ladles, water jugs, eating bowls, spoons, pepper and salt
+boxes, pitchers, bread-bowls, Navajo water jugs, treasure boxes, water
+vases, cups, cooking pots, skillets, ancient pottery, animals, and
+grotesque images. It belongs mostly to the variety of cream-white
+pottery, decorated in black and brown colors; a portion is red ware,
+with color decorations in black. There are also several pieces without
+ornamentation, and one or two pieces of black ware, but the latter were
+most probably obtained from other tribes, and possibly the same is true
+in reference to a few pieces of other kinds which present unusual
+figures or forms.</p>
+
+<p>A slight glance at the figures depicted on the <i>tinajas</i>, or
+water vases, will suffice to show any one who has examined the older
+pottery of this region, specimens and fragments of which are found among
+the ruins, that a marked change has taken place in their ideas of
+beauty. Although the rigid, angular, zigzag, and geometric figures are
+yet found in their decorations, they have largely given way to carved
+lines, rounded figures, and attempts to represent natural objects.</p>
+
+<p>A few apparently conventional figures are still generally retained,
+as around the outside of the necks of the vases and on the outer surface
+of the bowls, probably suggested originally by the rigid outlines of
+their arid country, and in fact by their buildings. The figure of the
+elk or deer is a very marked feature in the ornamentation of their white
+ware, and is often found under an arch. Another very common figure is
+that of a grotesquely-shaped bird, found also on the necks of water
+vases and the outer surface of bowls.</p>
+
+
+<h5 class = "section">ARTICLES OF CLAY.</h5>
+
+<p>Tinajas, or water vases, are called in the Zuñi tongue
+<i>tkāh-wi-nā-kā-tēhl-le</i>. They are usually from 8 to 12 inches in
+height, and from 12 to 15 in diameter. A smaller size of the same form
+of vessels, which are from 5 to 7 inches in height and from 8 to 10 in
+diameter, are called <i>det-tsān-nā</i>. They are of three colors, cream
+white, polished red, and black:
+<!--png 514-->
+<span class = "pagenum">323</span>
+<a name = "page323"> </a>
+there are in the collection comparatively few of the second, and but one
+of the last variety. The decorations are chiefly in black and brown, but
+four or five pieces being in black. The decorations of the cream-white
+group present some four general types&mdash;those represented by Figs.
+<a href = "#fig359">359</a>, <a href = "#fig363">363</a>, <a href =
+"#fig364">364</a>, and <ins class = "correction"
+title = "omission in original">&mdash;&mdash;</ins>,
+in which the uncolored circular space
+forms the distinguishing characteristic; those of which Fig. <a href =
+"#fig360">360</a> may be considered a representative, of which type
+there are but two specimens in the collection; those represented by Fig.
+<a href = "#fig361">361</a>, and those distinguished by the rosette (see
+Figs. <a href = "#fig366">366</a>, <a href = "#fig367">367</a>, <a href
+= "#fig368">368</a>, and <a href = "#fig370">370</a>).</p>
+
+<p>The following appear to be unique: (<a href = "#item39935">39935</a>)
+Fig. <a href = "#fig371">371</a>, (<a href = "#item40785">40785</a>)
+Fig. <a href = "#fig375">375</a>, (<a href = "#item41149">41149</a>)
+Fig. <a href = "#fig372">372</a>, and (<a href = "#item41167">41167</a>)
+Fig. <a href = "#fig374">374</a>.</p>
+
+<p>By a careful study of these decorations we find that they consist
+chiefly of the following figures, which are combined in various ways:
+triangular figures, usually on the neck; large open circles, frequently
+in a diamond figure, as in Fig. <a href = "#fig359">359</a> (<a href =
+"#item39871">39871</a>); scrolls; or arches as in Figs. <a href =
+"#fig361">361</a>, <a href = "#fig362">362</a>, &amp;c.</p>
+
+<p>In no instance do we find the meander or Greek fret on these, or in
+fact any other Zuñi vessels. A marked characteristic of the decorations
+on the pottery of this pueblo is the absence of vines and floral figures
+so common on those of some of the other pueblos. The nearest approach to
+the vine is the double line of scrolls seen in (<a href =
+"#item40785">40785</a>) Fig. <a href = "#fig375">375</a>. Although the
+checkered figure is common on bowls, the Zuñi artists have appreciated
+the fact that it would be out of place on the convex surface of the
+water vase. The elks or deer&mdash;for it is difficult to tell which are
+intended&mdash;are usually marked with a circular or crescent-shaped
+spot, in white, on the rump, and a red diamond placed over the region of
+the heart, with a line of the same color extending from it to the mouth,
+both margined with white; the head of the animal is always toward the
+right.</p>
+
+<p>As will be observed by examining the decorated pieces, the surface is
+divided into zones by lines&mdash;sometimes single, sometimes double,
+but generally slender&mdash;one near the base, one or two around the
+middle, one at the shoulder, and one at the rim; thus forming one zone
+embracing the neck, and two or three on the body, exclusive of the
+undecorated base. Sometimes there is but one zone on the body as seen in
+Figs. <a href = "#fig364">364</a> (<a href = "#item40322">40322</a>) and
+<a href = "#fig359">359</a> (<a href = "#item39871">39871</a>);
+sometimes two, as shown in Figs. <a href = "#fig367">367</a> (<a href =
+"#item40317">40317</a>) and <a href = "#fig370">370</a> (<a href =
+"#item41146">41146</a>); but often three, the middle one quite narrow,
+as seen in Figs. <a href = "#fig361">361</a> (<a href =
+"#item39934">39934</a>) and <a href = "#fig362">362</a> (<a href =
+"#item41150">41150</a>). Although not always shown in the figures, the
+lines at the rim, shoulder, and bottom are seldom wanting in Zuñi vases.
+The zones are often interrupted by broad perpendicular stripes or
+inclosed spaces in which circles, scroll figures, or rosettes are
+inserted.</p>
+
+<p>Measurements of these vessels show considerable uniformity of
+proportion, the widely exceptional specimens being also exceptional in
+decorations. As indicating size and proportion I give here the
+measurements of some typical as well as some abnormal specimens.</p>
+
+<p>
+<!--png 515-->
+<span class = "pagenum">324</span>
+<a name = "page324"> </a>
+The figures show the height, the diameter of the body at the widest
+part, and the diameter of the mouth in inches.</p>
+
+<table class = "lines">
+<tr>
+<th width = "40%">Number.</th>
+<th>Height.</th>
+<th>Diameter<br>
+of body.</th>
+<th>Diameter<br>
+of mouth.</th>
+</tr>
+<tr>
+<td class = "lines">
+&nbsp; 1<br>
+&nbsp; 2<br>
+&nbsp; 3<br>
+&nbsp; 4<br>
+&nbsp; 5<br>
+&nbsp; 6<br>
+&nbsp; 7<br>
+&nbsp; 8<br>
+&nbsp; 9<br>
+10<br>
+11<br>
+12<br>
+13<br>
+14</td>
+<td class = "number lines">
+8.25<br>
+10.25<br>
+11.00<br>
+12.00<br>
+10.75<br>
+11.00<br>
+7.25<br>
+7.00<br>
+4.25<br>
+4.40<br>
+3.50<br>
+3.50<br>
+7.75<br>
+9.00</td>
+<td class = "number lines">
+12.00<br>
+13.75<br>
+13.25<br>
+14.50<br>
+14.50<br>
+13.00<br>
+10.00<br>
+9.25<br>
+6.75<br>
+5.50<br>
+4.50<br>
+4.25<br>
+8.00<br>
+9.75</td>
+<td class = "number lines">
+6.75<br>
+7.50<br>
+7.15<br>
+8.50<br>
+8.25<br>
+8.00<br>
+5.00<br>
+5.40<br>
+4.60<br>
+3.75<br>
+3.25<br>
+2.90<br>
+5.75<br>
+6.50</td>
+</tr>
+</table>
+
+<p>If we reduce these to proportion, using the diameter of body as the
+unit of measurement, the result is as follows:</p>
+
+<table class = "lines">
+<tr>
+<th>Number.</th>
+<th>Height.</th>
+<th>Diameter<br>
+of mouth.</th>
+</tr>
+<tr>
+<td class = "lines">
+&nbsp; 1<br>
+&nbsp; 2<br>
+&nbsp; 3<br>
+&nbsp; 4<br>
+&nbsp; 5<br>
+&nbsp; 6<br>
+&nbsp; 7<br>
+&nbsp; 8<br>
+&nbsp; 9<br>
+10<br>
+11<br>
+12<br>
+13<br>
+14
+</td>
+<td class = "number lines">
+.69<br>
+.75<br>
+.83<br>
+.81<br>
+.74<br>
+.84<br>
+.72<br>
+.56<br>
+.54<br>
+.54<br>
+.58<br>
+.57<br>
+.61<br>
+.50
+</td>
+<td class = "number lines">
+.81<br>
+.63<br>
+.80<br>
+.78<br>
+.82<br>
+.97<br>
+.91<br>
+.59<br>
+.68<br>
+.68<br>
+.72<br>
+.68<br>
+.72<br>
+.67
+</td>
+</tr>
+</table>
+
+<p>From this it will be seen that No. 148, which is represented by Fig.
+<a href = "#fig373">373</a> (<a href = "#item39774">39774</a>), is
+unusually broad in proportion to the height. Nos. 152 and 153 vary to
+the extreme in the other direction; No. 153 is shown in Fig. <a href =
+"#fig364">364</a> (<a href = "#item40322">40322</a>). Excluding these
+and taking the means of the large and small kinds separately we find the
+average ratios to be as follows:</p>
+
+<table>
+<tr>
+<td></td>
+<td>Height.</td>
+<td>Diameter<br>
+of mouth.</td>
+</tr>
+<tr>
+<td>Large</td>
+<td>.78</td>
+<td>.57</td>
+</tr>
+<tr>
+<td>Small</td>
+<td>.78</td>
+<td>.61</td>
+</tr>
+</table>
+
+<p>Most of the water jugs of both the Shinumos and Zuñians are in the
+form of canteens, usually more or less spherical, and varying in
+capacity from a pint to four gallons. On each side there is a small
+handle in the form of a loop or knob, through or around which is placed
+a small shawl or strip of cloth, or a cord long enough to pass over the
+forehead so as to suspend the vessel against the back just below the
+shoulders. The other jugs are of various fanciful shapes, which will be
+noted in the catalogue. A large portion are of plain brown ware, a few
+plain white, and others white with colored decorations. Various names
+are used apparently to designate the different kinds rather than the
+uses for which they are intended.</p>
+
+<p>The decorations, when present, are always on the upper side, which
+<!--png 516-->
+<span class = "pagenum">325</span>
+<a name = "page325"> </a>
+is more convex than the lower, or side on which it is intended the
+vessel shall lie when not in use. In the ornamented white ware the lower
+portion is usually red or brown.</p>
+
+<p>As all these clay fabrics are the work of North American Indians, it
+is scarcely necessary for me to say that they are unglazed, a
+characteristic, so far as I am aware, of all aboriginal pottery.</p>
+
+<p>Some of the specimens, especially of the black ware, show a smooth
+finish, and may perhaps, without violence to the term, be classed as
+lustrous. This is not the effect of a varnish or partial glazing, but is
+a polish, produced generally, if not always, by rubbing with a polishing
+stone.</p>
+
+<p>Although, as a rule, the paste of which the ware is made is
+comparatively free from foreign matter, yet many pieces, especially of
+the decorated ware, when broken, show little whitish or ash-colored
+specks. These, when found in aboriginal pottery east of the Mississippi,
+have, I believe, been without question considered as fragments or
+particles of shell broken up and mixed with the paste. This may be
+correct in reference to the pottery found east of and in the Mississippi
+Valley, but this whitish and grayish matter in the pottery of the
+Indians of New Mexico and Arizona is in most cases pulverized pottery,
+which is crushed and mixed with the paste. Black lava is sometimes
+crushed and used in the same manner.</p>
+
+<p>The principal material used is a clay, apparently in its natural
+state, varying in color according to locality. Although comparatively
+free from pebbles or lumps of foreign matter, we detect in some of the
+coarser specimens small particles of mica and grains of other materials,
+and in one broken specimen the elytron of a small coleopterous insect.
+But as a general rule, the paste appears to have been free from foreign
+matter.</p>
+
+<p>A slight glance at this large collection is sufficient to show that
+the potters worked by no specific rule, and that they did not use
+patterns. While it is apparent that only a few general forms were
+adopted, and that, with few exceptions, the entire collection may be
+grouped by these, yet no two specimens are exactly alike; they differ in
+size, or vary more or less in form. The same thing is also true in
+reference to the ornamentation: while there is a striking similarity in
+general characteristics, there is an endless variety in details. No two
+similar pieces can be found bearing precisely the same ornamental
+pattern.</p>
+
+<p>Much the larger portion of the collection consists of vessels of
+various kinds, such as bowls, cooking utensils, canteens, bottles, jars,
+pitchers, cups, ladles, jugs, water vases, ornamental vessels,
+paint-pots, &amp;c. These vary in size from the large vase, capable of
+holding ten gallons, to the little cup and canteen, which will contain
+less than half a pint. The other and much smaller portion includes all
+those articles which cannot be classed as vessels, such as images, toys,
+toilet articles, representations of animals, &amp;c. The collection can
+perhaps be most satisfactorily
+<!--png 517-->
+<span class = "pagenum">326</span>
+<a name = "page326"> </a>
+classified by reference to the coloring, ornamentation, and quality,
+thus:</p>
+
+<p>1. <i>The red or uncolored pottery</i>, which is without
+ornamentation of any kind. Some of this is coarse and rough, and in this
+case always more than ordinarily thick; but the larger portion has the
+surface smooth and often polished. The color varies from the natural
+dull leaden hue of the clay, to a bright brick red, the latter largely
+predominating.</p>
+
+<p>2. <i>The brown ware</i>, or that which shows an admixture of mica.
+This, although uniformly without color decorations, is occasionally
+marked with impressed figures and lines. Although inferior in quality,
+being coarse and fragile, it presents more symmetrical though less
+varied forms than are usually found in the preceding group. The
+influence of contact with the European races is here very apparent, as,
+for example, in the true pitcher and other common utensils and an
+apparent attempt at glazing.</p>
+
+<p>3. <i>The black ware</i> which is without ornamentation. This variety
+in quality and character is precisely like the polished red of the first
+group; but is slightly in advance of that in regard to finish, and
+perhaps, as heretofore remarked, may be classed as lustrous, while the
+red may be classed as semi-lustrous. The paste of which this black ware
+is formed appears to have been better prepared than that of the
+preceding varieties, and is the hardest and firmest in the
+collection.</p>
+
+<p>4. <i>The cream-white pottery decorated in colors</i>. This extensive
+group, which includes fully two-thirds of the entire collection,
+embraces almost every known form of earthenware manufactured by the
+tribes from whom it was obtained. The paste of which it is formed is
+similar in character to that of the black ware. When broken the fracture
+shows very distinctly the effect of burning, the interior being of the
+natural leaden color, shading off to a dull grayish white as it
+approaches the outer surface. The opaque or creamy-white color of the
+surface is produced by a coating of opaque whitewash. Upon this white
+surface the figures are afterwards drawn.</p>
+
+<p>The only colors used in decorating pottery are black, red, and some
+shade of brown. But of this we will speak more fully when we come to
+describe the peculiar methods practiced by the different tribes in
+making and adorning pottery.</p>
+
+<p>Although there is a strong general similarity in this colored
+ornamentation, the great variety of details renders it difficult to
+classify the figures so as to convey a correct idea of them to the
+reader. We shall therefore have to refer him to the numerous cuts and
+the colored plates which have been introduced for the purpose of
+illustrating the catalogue.</p>
+
+<p>The following general statement is about all that can be said in
+reference to them before descending to specific details.</p>
+
+<p>So far as the coloring is concerned they are of two kinds, those
+having
+<!--png 518-->
+<span class = "pagenum">327</span>
+<a name = "page327"> </a>
+the figures wholly black, and those which are partly black and partly
+brown or red. The differences in the decorated pottery appear to be
+always accompanied by certain other variations sufficient to warrant
+speaking of them as different varieties or groups. The former (those
+having the figures wholly black), which are made of the ordinary plastic
+blue clay, have only the upper half or two-thirds of the body of the
+vessel overlaid with the white coating for receiving the decorations,
+the lower part being uncoated, and of the natural pale red or salmon
+color produced by burning, but usually well polished. As additional
+distinguishing features of this group we notice that the shape is more
+generally globular, the workmanship rather superior, and the pottery
+somewhat harder and less friable than that of the other group; the
+angular and geometrical figures formed by straight lines are more common
+in this group; here we also find the meander or Greek fret correctly
+drawn, the vine, and several other designs rarely or never found in the
+other group. The figures of animals, which are common to both varieties,
+are in the former more usually distributed in zones or groups, while in
+the latter they are generally placed singly in inclosed spaces. The
+latter variety, in which we see the curve freely used, shows an evident
+advance over the ornamentation of the older pottery of this region; and
+while the figures must be classed as rude, and the outlines are less
+sharp, and not so well defined as in the older specimens, yet they
+indicate clearly a mental advance in the greater variety of
+conception.</p>
+
+<p>The figures of this entire class, as regards forms, may be grouped
+under three general headings: first, the geometrical, which is the most
+common; second, the figures of animals; and, third, rude attempts at
+floral decorations, which forms are rather rare. Strange to say, in but
+few instances can any attempt at representing the human form or any part
+of it be discovered in these color decorations.</p>
+
+<p>The geometric figures present an endless variety; but we notice, as
+is shown by the cuts and plates, that triangles with an elongate
+acuminate apex and the zigzag are very common in the black-brown
+decorations. The checkered figure also is not uncommon. The animals most
+frequently represented are the elk or deer and birds. The floral
+decorations are chiefly vines well drawn, and rude attempts at
+representing trees, and the flowers of various species of
+<i>Helianthus</i>.</p>
+
+<p>5. <i>Red ware with color decorations</i>. This ware is represented
+by but few vessels, which are in every respect similar to the best
+variety of the red pottery heretofore mentioned, except that it is
+marked with figures in black, many of which are decorated only on the
+upper portions around the neck or rim.</p>
+
+<p>6. <i>The ancient pottery</i>, of which Figs. <a href =
+"#fig680">680</a> (<a href = "#item40816">40816</a>) and <a href =
+"#fig693">693</a> (<a href = "#item40817">40817</a>) are good
+examples.</p>
+
+<p>The Pueblo tribes of New Mexico and Arizona, with rare exceptions,
+manufacture earthenware vessels for domestic use. The Pueblo of Taos may
+be mentioned as one of these exceptions; although the manner of
+<!--png 519-->
+<span class = "pagenum">328</span>
+<a name = "page328"> </a>
+living, the general habits, and characteristics of the tribe are similar
+to those of the other Pueblo Indians, and although they make use of
+pottery for domestic purposes, they do not manufacture it. Some pieces,
+such as water jars and vessels used for cooking, are made in the
+village, but this occurs only in such families as have intermarried with
+other tribes where the manufacture of the native ware is
+carried&nbsp;on.</p>
+
+<p>The Pueblos among whom the manufacture of pottery or earthenware
+utensils may be classed as a conspicuous feature of their peculiar
+civilization at the present time, are situated geographically as
+follows: San Juan, Santa Clara, San Ildefonso, Cochiti, Santo Domingo,
+San Felipe, Sandia, and Isleta, located on the Rio Grande; Pojake,
+Tesuke, Nambe, Jamez, Zia or Silla, Santa Ana, Laguna, and Acoma,
+situated on the tributaries of the Rio Grande; Zuñi, and some small
+pueblos of the same tribe all within the borders of New Mexico. Zuñi
+however is located on the Rio Zuñi, which flows into the Little Colorado
+River.</p>
+
+<p>The Moki pueblos, numbering seven in all, are embraced in what is
+called the Province of Tusyan, and are located within the Territory of
+Arizona, near its northeastern corner.</p>
+
+<p>The Zuñians and Shinumos, although situated farther from civilized
+people and less influenced by their usages than any of the other Indians
+mentioned, surpass all the other tribes in the manufacture of all kinds
+of earthenware. The collections made from these tribes, as will be seen
+by reference to the catalogue, exceed, both in number and variety, those
+from all the others combined. The collection as enumerated in the
+catalogue includes specimens from all the pueblos referred&nbsp;to.</p>
+
+<p>Although the uses of these articles are to a great extent the same
+among all the Pueblo tribes, and the shapes and forms are apparently
+similar, yet to the experienced eye there is no difficulty in detecting
+the peculiarities which distinguish one from the other, or at least in
+assigning them to the tribes with which they originated.</p>
+
+<p>It will be observed by reference both to the colored and wood-cut
+illustrations that there are special distinctions between the
+ornamentation of the pottery of the pueblos of the Rio Grande Valley and
+of those situated on the tributaries of the Rio Colorado. In the
+decorations of the former the birds and vine are conspicuous and
+constantly recurring features, while in the Zuñi and Shinumo pottery the
+elk, domestic animals, and birds peculiar to these arid regions are the
+figures most frequently used. The difference is easily accounted for
+when we are informed of the fact that the former tribes reside in the
+valley of the Rio Grande, which is well adapted to the culture of the
+grape as well as other crops. The ever-present vine and the numerous
+birds which flock to this fertile valley will naturally suggest figures
+for decoration. On the other hand, the Zuñians and Shinumos reside in
+regions almost destitute of water, and hence without any attractive
+vegetation; therefore their designs are drawn chiefly from the sharp
+outlines of their dwellings, their domestic animals, birds, and the elk
+and antelope that graze in the little
+<!--png 520-->
+<span class = "pagenum">329</span>
+<a name = "page329"> </a>
+grassy oases. None of these are actually drawn from nature, but from
+imagination and memory, as they never have an object before them in
+molding or painting.</p>
+
+<p>In none of the cases referred to do we observe any attempts to
+imitate the exact forms or ceramic designs of the so-called ancient
+pottery, fragments and sometimes entire vessels of which are found
+throughout this southwestern region. This seems strange from the fact
+that in the use of stone implements we find but few which are the result
+of their own handiwork. The old ruins are searched, and from them, and
+the debris about them, stone pestles, mortars, hammers, hatchets,
+rubbing stones, scrapers, picks, spear and arrow heads, and polishing
+stones are collected by the inhabitants of nearly all the pueblos, and
+are kept and used by them.</p>
+
+<p>The clay mostly used by the Zuñians in the manufacture of pottery is
+a dark, bluish, carbonaceous, clayey shale found in layers usually near
+the tops of the mesas. Several of these elevated mesas are situated near
+Zuñi, from which the natives obtain this material. This carbonaceous
+clay is first mixed with water and then kneaded as a baker kneads dough
+until it reaches the proper consistency; with this, crushed volcanic
+lava is sometimes mixed; but the Zuñians more frequently pulverize
+fragments of broken pottery, which have been preserved for this purpose.
+This seems to prevent explosion, cracking, or fracture by rendering the
+paste sufficiently porous to allow the heat to pass through without
+injurious effect. When the clayey dough is ready to be used a sufficient
+quantity is rolled into a ball. The dough, if worked by a careful
+artist, is first tested as to its fitness for molding by putting a piece
+of the paste to the tongue, the sensitiveness of which is such as to
+detect any gritty substance or particles, when the fingers fail to do
+so. The ball is hollowed out with the fingers into the shape of a bowl
+(this form constituting the foundation for all varieties of earthenware)
+and assumes the desired form by the addition of strips of the clay; all
+traces of the addition of each strip are removed before another is
+added, by the use of a small trowel fashioned from a piece of gourd or
+fragment of pottery, the only tool employed in the manufacture of
+pottery.</p>
+
+<p>The bottoms of old water jars and bowls form stands for the articles
+while being worked by the potter. The bowls are filled with sand when
+objects of a globular form are to be made. Although I have often watched
+the process, yet in no instance have I ever observed the use of a
+potter’s wheel, measuring instrument, or model of any kind. The makers,
+who are always females, depend entirely on memory and skill derived from
+practice to accomplish their work. The vessels when completely formed
+are laid in some convenient place to sun-dry. A paint or solution is
+then made, either of a fine white calcareous earth, consisting mainly of
+carbonate of lime, or of a milk-white indurated clay, almost wholly
+insoluble in acids, and apparently derived from decomposed feldspar with
+a small proportion of mica. This solution is applied to
+<!--png 521-->
+<span class = "pagenum">330</span>
+<a name = "page330"> </a>
+the surface of the vessel and allowed to dry; it is then ready for the
+decorations.</p>
+
+<p>The pigments from which the paints are derived for decorative
+purposes are also found in the vicinity of the mesas, and are employed
+by the Indians in the production of two colors, each of which varies
+slightly according to the intensity of heat in the process of baking, or
+the manner in which it is applied. One varies from a black to a
+blackish-brown, the other from a light brick red to a dark dull red
+color. The material which produces these colors is generally found in a
+hard, stony condition, and is ground in a small stone mortar, just as we
+reduce India ink for use. When the pigment is properly reduced, and
+mixed with water so as to form a thin solution, it is applied with
+brushes made of the leaves of the yucca. These brushes are made of flat
+pieces of the leaf, which are stripped off and bruised at one end, and
+are of different sizes adapted to the coarse or fine lines the artist
+may wish to draw. In this manner all the decorations on the pottery are
+produced.</p>
+
+<p>The substance used in producing the black ware is a clayey brown
+hematite, or ferruginous indurated clay, quite hard. The material used
+to produce the red or brown colors is a yellowish impure clay, colored
+from oxide of iron; indeed it is mainly clay, but contains some sand and
+a very small amount of carbonate of lime. These are the principal
+ingredients and methods involved in the manufacture of Zuñi pottery.</p>
+
+<p>The method practiced by the Zuñians in baking pottery differs
+somewhat from that employed by the tribes who make quantities of black
+and red ware. It seems to be a necessity on the part of the Zuñians to
+observe the greatest care in this operation. Their pottery is nearly all
+decorated and must be baked free from contact with the peculiar fuel
+used for that purpose. During the baking process it sometimes happens
+that a piece of the fuel, which is composed of dried manure carefully
+built up oven-shaped around the vessels to be baked, falls against the
+vessel. In every such instance a carbonized or smoky spot is left on the
+jar or bowl, which is regarded by the Indians as a blemish. The kiln is
+carefully watched until the fuel is thoroughly burnt to a white ash,
+when the vessels can be removed without danger of such blemishes.</p>
+
+<p>The mode of manufacturing pottery adopted at the pueblos of the Rio
+Grande Valley is quite similar to that described as practiced by the
+Zuñi, Shinumo, Acoma, and Laguna Indians, but there is considerable
+difference in the method of decorating and polishing. Polishing is
+practiced chiefly by the Indians of the eastern pueblos, and but little
+by those of the more western region.</p>
+
+<p>The pueblos of Santa Clara, Cochiti, San Juan, Tesuke, &amp;c.,
+manufacture large quantities of pottery for sale in addition to that
+made for their own use. It is in these eastern pueblos that the black
+polished ware is chiefly found, and it is in the production of this
+class of ware that the chief difference in the ceramic art between the
+two sections exists. The clays used in the manufacture of this ware are
+of the same
+<!--png 522-->
+<span class = "pagenum">331</span>
+<a name = "page331"> </a>
+character as those of which the other is made; the paste is prepared in
+the same way, so that when the vessels are formed and ready for the kiln
+they are of the color of the original clay. In other words, the change
+to the black color is not produced in making the paste or in moulding or
+forming the vessel, but during the process of baking. The manner of
+forming the vessel is the same as with the western tribes; and when,
+formed it is dried in the sun in the same way; after this a solution of
+very fine ochre-colored clay is applied to the outside and inside near
+the top, or to such parts of the surface as are to be polished. While
+this solution thus applied is still moist, the process of polishing
+begins by rubbing the parts thus washed with smooth, fine-grained stones
+until quite dry and glossy. The parts thus rubbed still retain the
+original red color of the clay. The vessels are again placed in the sun
+and allowed to become thoroughly dry, when they are ready for baking. It
+is in this part of the process that the great differences in color are
+produced. The vessels are placed together in a heap on a level spot of
+ground and carefully covered over with coarsely broken dried manure
+obtained from the corrals. The kiln thus formed is then ignited at
+several points.</p>
+
+<p>It is proper to add here that the clays used by the Santa Clara
+Indians are of a brick-red color, containing an admixture of very fine
+sand, which, no doubt, prevents cracking in burning, and hence dispenses
+with the necessity of using lava or pottery fragments, as is the custom
+of the Indians of the western pueblos. The burning is carried on until a
+sufficient degree of heat is obtained properly to bake the vessels,
+which still retain their original red brick color. At this juncture such
+of the vessels as it is desired have remain in that condition are
+removed from the fire and allowed to cool, when they are ready for use.
+Those which the artists intend to color black are allowed to remain and
+another application of fuel, finely pulverized, is made, completely
+covering and smothering the fire. This produces a dense, dark smoke, a
+portion of which is absorbed by the baking vessels and gives them the
+desired black color. It is in this manner that the black ware of these
+eastern pueblos is produced.</p>
+
+<p>It is said that among the Cochiti, Santa Clara, and some other
+Pueblos a vegetable matter is employed to produce some of their
+decorative designs; this, however, I was unable to verify, though some
+of the Indians assured me of the fact, and furnished me a bunch of the
+plant, which Dr. Vasey, of the Agricultural Department, found to be
+<i>Cleome integrifolia</i>, a plant common throughout the Western
+Territories. A few specimens of the ware, some burnt and some unburnt,
+said to be decorated with the oil or juice of this plant were
+secured.</p>
+
+<p>As heretofore remarked, notwithstanding the variety in ornamentation,
+there are really but few different figures, and these are mostly quite
+simple. Any one interested in the study of Indian art can find in the
+<!--png 523-->
+<span class = "pagenum">332</span>
+<a name = "page332"> </a>
+figures and plates of this catalogue all the original conceptions of the
+artists of the Pueblo Indians as depicted by them.</p>
+
+<p>While it is of value in the study of ethnology, and as affording a
+means of comparison in the study of archaeology, there is nothing in the
+composition or ornamentation, or in the form of the vessels, that
+ceramic artists of the civilized races would desire to copy.</p>
+
+<p>As a means of reference in the study of ancient American pottery, I
+consider the collection invaluable, as it can scarcely be possible that
+the forms and decorations contain nothing that has been handed down from
+a former age. Although the figures used have no symbolic characters
+connected with them in the mind of the modern artist, yet it is more
+than probable that at least some of them did have such a meaning to the
+ancient artists. For example, the little tadpole-shaped figure on the
+clay baskets used in their dances and sacred ceremonies by the Zuñians
+is understood by them to represent a little water articulate, which, as
+heretofore stated, is probably the larva of some insect or crustacean,
+very common in the pools and sluggish streams of the country inhabited
+by these Indians. Now, it is possible that this figure has been used
+with the same meaning from time immemorial, but I find, as pointed out
+to me by Prof. Cyrus Thomas, that almost exactly the same figure is on a
+vessel pictured on Plate VII of the manuscript Troano, where a religious
+ceremony of some kind is evidently represented. The same figure is also
+found in Landa’s character for the Maya day <i>Cib</i>, a word
+signifying copal, a gum or resin formerly used in religious ceremonies
+as incense. I find also on Plate XXXV of the same manuscript the figures
+of bowls or pots with legs similar to those of the Zuñi. I do not point
+out these resemblances as proof of any relation between the two races,
+but as mere illustrations of what possibly may be learned by a careful
+study of the forms and decorations of this pottery. It may also be well
+to add here another fact to which Professor Thomas calls my attention,
+viz., the similarity between the manner of wearing the hair by the
+Shinumo women, <i>i.e.</i>, in knots at the side, as represented by the
+female images, and that of the ancient Maya women, as shown in numerous
+figures on the manuscript Troano. Any one familiar with General
+Cesnola’s collection from Cyprus cannot fail to be reminded of it when
+he examines this collection of Indian pottery; especially the colors
+used and the general character of the specimens; but an inspection of
+the two collections is necessary in order to have this general
+resemblance brought to mind, as it does not appear so distinctly on a
+comparison of the published figures only. The figures on Plate XLIV of
+his “Cyprus” bear quite a striking resemblance to those on some
+specimens of Cochiti ware. The quadruple cup, Fig. 25, page 406, is
+almost exactly like the Zuñi quadruple cups, and was probably used for
+the same purpose. The same type of multiple cups is also shown in Plate
+IX of the same work. The two tea-pot-like vessels represented on Plate
+VIII, as well as the two bird-shaped pieces on the same
+<!--png 524-->
+<span class = "pagenum">333</span>
+<a name = "page333"> </a>
+plate, are much, like the similar vessels of Cochiti pottery, several of
+which are figured in this catalogue.</p>
+
+<p>The resemblance of this Indian ware, in the form of the vessels, to
+that found in the ancient mounds of this country is so marked that it is
+scarcely necessary to remind the reader of the fact, but it may be well
+to call attention to the much, larger proportion of water vessels among
+the Indian pottery than is seen in collections from the mounds. This,
+however, may perhaps be accounted for by the scarcity of water in the
+western region.</p>
+
+<p>The custom of the Zuñi artists of making a diamond or triangle over
+the region of the heart of the elk and deer figures with a line running
+to the mouth, although somewhat singular, is quite consistent with the
+Indian practice of symbolic writing. I was informed by the Zuñi Indians
+that it was intended to denote that “the mouth speaks from the heart.” A
+similar mark occurs in the decoration of the vase figured in Cesnola’s
+“Cyprus,” page 268.</p>
+
+<p>Contemporaneous and somewhat closely related tribes may use widely
+different figures in the decoration of their ware, and hence it is
+unsafe, in studying ancient specimens, to draw hasty conclusions from
+slight differences in this respect; and I think I may also safely add
+that a comparatively short period of time, a century or so at most, may
+suffice to bring about a great change in the same tribe in the form and
+manner of decorating their pottery. It also shows us that the ware of a
+given tribe, which does not bear the impress of civilized influence,
+can, by a careful study, be distinguished in nearly all cases from that
+of any other tribe. I feel so confident of the truth of this statement,
+that I would not hesitate to undertake to pick out all pieces of Zuñi
+ornamented ware from a collection of thousands of specimens of modern
+Pueblo Indian pottery if indiscriminately mixed together.</p>
+
+<p>The Shinumo pottery in general appearance and form bears a strong
+resemblance to that of Zuñi; in fact it is almost impossible to separate
+the ornamented bowls and water vases of the two if mingled together.
+There are certain figures found in the one which never occur in the
+other, but there are a number of designs, especially of those most
+generally seen, that are quite common to the pottery of both tribes.</p>
+
+<p>The different varieties of ware, the red or brown without
+decorations, the white with decorations, and the black are in general
+use with the tribe, and specimens of each are contained in the
+collection. But few specimens of the purely micaceous ware are found,
+either in Zuñi or Wolpi.</p>
+
+<p>The preponderance of the large round water jugs in the Shinumo
+collection over that of Zuñi is noticeable. This form of vessel seems to
+be more in use by tribes whose villages are quite remote from water or
+which are situated on high mesas difficult of access. The kinds of
+vessels, however, which are common with the Zuñians are also common with
+the Shinumos, and those intended for the same use are generally of the
+same
+<!--png 525-->
+<span class = "pagenum">334</span>
+<a name = "page334"> </a>
+shape or similar in form. But, as with the decorations, there are also
+vessels so markedly distinct and variant from those we find at Zuñi as
+to show very readily at least tribal distinctions between the ceramic
+artists and manufacturers.</p>
+
+<p>The proximity of Laguna to Acoma led us to anticipate what we
+afterward found, viz., a great similarity in the forms of their vessels,
+and also in their manner of ornamentation. The principal differences
+consist in the more profuse use of the forms of birds and flowers, the
+first evidently representing prairie grouse and the last some form of
+sunflower. There is an absence of the geometrical forms, of lines and
+angles commonly observed on the works of more distant pueblos.</p>
+
+<p>Quite a number of animal representations, made hollow for use as
+drinking vessels, were obtained, displaying grotesquely imitative forms
+of deer, elk, sheep, big-horn, antelope, and other animals with which
+they are familiar. All of these objects have more color laid on them
+than is to be found on the pottery of their neighbors of Acoma, the
+birds and animals being painted in a light rufous fawn color not in use
+elsewhere, and the only instance of the employment of green is on a
+tinaja of this pueblo used in coloring some foliage.</p>
+
+
+<h5 class = "section">VEGETAL SUBSTANCES.</h5>
+
+<p>This class of ware comprises a very diversified group of objects;
+indeed, so great is the variety that I will not attempt a general
+description of them. Specific reference will be made to the objects as
+they occur in their places in the catalogue.</p>
+
+<p>The objects of basketry or wicker-work are quite varied in form,
+construction, and decoration. Those made by the Zuñi Indians are so rude
+and coarse as not to entitle them to any merit. The larger baskets made
+by this tribe are used for carrying corn, melons, peppers, &amp;c. The
+smaller are used for holding beans, shelled corn, and other coarse small
+materials.</p>
+
+<p>The basketry of the Shinumos is of a finer and more finished quality.
+Among these are many jug or canteen shaped baskets, from which, no
+doubt, many of the forms of their pottery water vessels have been
+copied. These are sometimes globular, with large round bodies and small
+necks. They are generally very closely woven and are then coated over
+with a resin or gum which renders them capable of holding water. Like
+some of their water jugs, in pottery, they have small horsehair ears or
+loops attached to the sides through which strings are passed for
+carrying them either over the head or shoulder. This class of water jug
+basketry all show evidences of age, and it is possible that they were
+manufactured by the Apaches or other tribes skilled in the art. The
+<!--png 526-->
+<span class = "pagenum">335</span>
+<a name = "page335"> </a>
+flat kinds are designed to hold fine grain and meal, and are also
+frequently used for winnowing. This is done by placing a small quantity
+of grain in the basket, and by a skillful motion throwing the grain up
+into the wind and again catching it as it comes down. This motion is
+kept up until the wind has separated the chaff from, the grain. Many of
+the flat baskets are decorated in colors, as will be seen by the
+accompanying illustrations.</p>
+
+<p>It is quite probable that most of the finer ware of this class is
+manufactured by the Apache Indians, who are celebrated for this work,
+and finds its way among the Pueblos through the medium of barter.</p>
+
+<p>The basketry of the Zuñians is usually made of small round willows
+and the stem of the yucca, the leaves of which attain a long slender
+growth in that region. It is quite certain that the basketry used for
+holding water is not manufactured by the Zuñians, and probably not by
+the Shinumos, though many are found with them.</p>
+
+<p>As previously stated, the basketry manufactured by the Shinumo
+Indians is of a more finished class and of a greater variety than that
+made and used by any of the other Pueblos, as will be seen by reference
+to the accompanying illustrations. Among the examples of this ware,
+obtained at Wolpi, is a large number of the flat or saucer-shaped kind;
+these vary both in size and character of construction as well as
+decoration. The manner of making one form of this class is quite
+interesting as well as curious. A rope-like withe of the fiber of the
+yucca, made quite fine, is wrapped with flat strips of the same plant.
+In forming the basket with this rope the workman commences at the
+center, or bottom, and coils the rope round, attaching it by a method of
+weaving, until, by successive layers of the rope, it attains the desired
+dimensions. These are quite highly and prettily ornamented in black,
+white, and yellow, and are compact and strong. Another variety of
+baskets of similar shape and size, and also fancifully ornamented, was
+obtained from the same Indians. These are made from small round willows.
+They exhibit less skill in construction, but are handsomely ornamented.
+Another kind was also obtained from the Shinumos, which, however, are
+attributed to the Apaches and probably found their way into the Moki
+villages through trade. These are large bowl-shaped baskets, almost
+watertight, but generally used as flour and meal baskets. They are also
+ornamented black and yellow, produced by weaving the material of
+different colors together while making the basket.</p>
+
+<p>There are many other forms and varieties, which will be referred to
+at the proper time, as they occur in the catalogue.</p>
+
+<p>The Pueblos employ a variety of plants and herbs for medicinal and
+dyeing purposes, some of which were collected. Their botanical names
+were not determined, but they are indigenous to the regions inhabited by
+the Indians using them.</p>
+
+<p>Ornaments and musical instruments employed in dances and religious
+ceremonies do not differ much among the Pueblo Indians; the principal
+<!--png 527-->
+<span class = "pagenum">336</span>
+<a name = "page336"> </a>
+ones being the drum, rattle, notched sticks, a kind of fife, and a
+turtle-shell rattle. The latter instrument is the shell of a turtle,
+around the edges of which the toes of goats and calves are attached;
+this produces a very peculiar rattling sound. The shell is usually
+attached to the leg near the knee.</p>
+
+<hr class = "mid">
+
+<!--png 528-->
+<span class = "pagenum">337</span>
+<a name = "page337"> </a>
+<h4 class = "chapter"><a name = "catalog">COLLECTIONS FROM
+ZUÑI</a>.</h4>
+
+
+<h5 class = "section">ARTICLES OF STONE.</h5>
+
+<h5 class = "ital">AXES, HAMMERS, AND MAULS.</h5>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig352"> </a>
+<img src = "images/fig352.png" width = "76" height = "219"
+alt = "Zuñi Grooved Axe">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 352<br>
+(<a href = "#item40560">40560</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+1. (40139). Flat rubbing or grinding stone of silicified wood.</p>
+
+<p class = "hanging">
+2. (40551). Stone axe, <i>ō´-lā-ki-le</i>, with groove near the larger
+end.</p>
+
+<p class = "hanging">
+3. (40552). Imperfectly-made stone axe, <i>ō´-lā-ki-le</i>, grooved at
+each edge; basalt.</p>
+
+<p class = "hanging">
+4. (40553). Large axe, with groove around the middle; sandstone.</p>
+
+<p class = "hanging">
+5. (40554). Axe, grooved at the middle, square and flat on top;
+basalt.</p>
+
+<p class = "hanging">
+6. (40555). Small centrally-grooved axe; schistose rock.</p>
+
+<p class = "hanging">
+7. (40556). Axe, grooved in the middle.</p>
+
+<p class = "hanging">
+8. (40557). Axe, grooved near the blunt end, which is shaped similarly
+to the edge.</p>
+
+<p class = "hanging">
+9. (40558). Axe, grooved near the end.</p>
+
+<p class = "hanging">
+10. (40559). Small hatchet, <i>ō´-lā-ki-le</i>, of basalt doubly
+grooved, edge beveled from both sides, hammer end about one and a half
+inches in diameter.</p>
+
+<p class = "hanging">
+11. (<a name = "item40560">40560</a>). Grooved axe, <i>ō´-lā-ki-le</i>,
+of fine black basalt, well polished; groove well worn. The face or side
+is intended to be near the holder when in use. Fig. <a href =
+"#fig352">352</a>. This specimen was found in Arizona, near Camp Apache,
+and was presented by Mrs. George P. Buell. It is one of the largest in
+the collection with such perfect finish.</p>
+
+<p class = "hanging">
+12. (40561). Grooved in the center; of porous basalt.</p>
+
+<p class = "hanging">
+13. (40562). Hammer grooved in the center, rounded off at each end.</p>
+
+<p class = "hanging">
+14. (40563). Small hatchet-shaped instrument, square at the back, and
+rounded at the front edge.</p>
+
+<p class = "hanging">
+15. (40563a). Rudely-made axe, grooved near the blunt end.</p>
+
+<p class = "hanging">
+16. (40564). Small axe, with a groove round the body quite near the
+blunt end; basalt.</p>
+
+<p class = "hanging">
+17. (40565). Axe, three and a half inches long.</p>
+
+<p class = "hanging">
+18. (40566). Quite small, probably a hatchet, of firm basalt, grooved
+near the hammer end.</p>
+
+<p class = "hanging">
+19. (40567). Much larger than the last, basaltic; groove quite deep and
+smooth, hammer end circular, large, and blunt.</p>
+
+<p class = "hanging">
+20. (40568). Grooved axe of quartzitic rock.</p>
+
+<p class = "hanging">
+21. (40569). Pick-shaped axe, grooved entirely around, with imperfect
+depressions which were in the water-worn boulder from which it was made;
+about six inches in length.</p>
+
+<p class = "hanging">
+22. (40570). Boulder of sandstone with groove near the middle.</p>
+
+<p class = "hanging">
+23. (40571). Flat basaltic boulder, grooved near the center, straight on
+the back, and tapering above and below the groove.</p>
+
+<!--png 529-->
+<span class = "pagenum">338</span>
+<a name = "page338"> </a>
+<p class = "hanging">
+24. (40572). Small basaltic hammer and axe with groove near the large
+end.</p>
+
+<p class = "hanging">
+25. (40573). Small grooved axe composed of hard sandstone; hammer end
+large, edge quite perfect.</p>
+
+<p class = "hanging">
+26. (40574). Small boulder of basalt, ground to an edge at one end and
+rounded off at the other; doubly grooved.</p>
+
+<p class = "hanging">
+27. (40575). Large basaltic stone considerably chipped off from pounding
+hard substances, grooved near the center, both ends quite blunt;
+probably used as a pounding stone.</p>
+
+<p class = "hanging">
+28. (40576). Flat basaltic boulder, used as a pounder.</p>
+
+<p class = "hanging">
+29. (40577). Basaltic hatchet grooved in the middle; quite rough.</p>
+
+<p class = "hanging">
+30. (40578). Grooved axe of a very heavy, solid character, apparently
+designed more for mauling than cutting.</p>
+
+<p class = "hanging">
+31. (40579). Large, heavy basaltic hammer and axe with groove around the
+body near the hammer end; about seven inches long.</p>
+
+<p class = "hanging">
+32. (40580). Axe, grooved in the middle, upper or hammer end unusually
+long in proportion to the size.</p>
+
+<p class = "hanging">
+33. (40581). Flat axe made from a water-worn boulder, oval in outline,
+both edges designed for cutting or splitting. Deep groove encircling the
+body, with protrusions above and below it to prevent the handle from
+slipping out; greenstone.</p>
+
+<p class = "hanging">
+34. (40582). Hard, fine-grained sandstone axe wedge-shaped, without a
+groove.</p>
+
+<p class = "hanging">
+35. (40583). Grooved axe with round body.</p>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig349"> </a>
+<img src = "images/fig349.png" width = "67" height = "112"
+alt = "Zuñi Grooved Axe">
+</td>
+<td class = "figure">
+<a name = "fig350"> </a>
+<img src = "images/fig350.png" width = "61" height = "111"
+alt = "Zuñi Grooved Axe">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 349<br>
+(<a href = "#item40584">40584</a>) (⅓)
+</td>
+<td class = "caption">
+Fig. 350<br>
+(<a href = "#item39903">39903</a>) (⅓)
+</td>
+</tr>
+<tr>
+<td class = "figure">
+<a name = "fig348"> </a>
+<img src = "images/fig348.png" width = "75" height = "156"
+alt = "Zuñi Grooved Axe">
+</td>
+<td class = "figure">
+<a name = "fig351"> </a>
+<img src = "images/fig351.png" width = "93" height = "199"
+alt = "Zuñi Grooved Axe">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 348<br>
+(<a href = "#item40703">40703</a>) (⅓)
+</td>
+<td class = "caption">
+Fig. 351<br>
+(<a href = "#item42205">42205</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+36. (<a name = "item40584">40584</a>). Fig. <a href = "#fig349">349</a>.
+Axe with a broad, shallow groove near the upper end, which is much
+narrower and smaller than the lower; of mottled volcanic rock, white,
+green, and black.</p>
+
+<p class = "hanging">
+37. (40585). Axe grooved in the middle, irregular in shape, and much
+chipped off at the lower edge and rounded off at the top.</p>
+
+<p class = "hanging">
+38. (40806). Made from a very fine, hard metamorphic rock, small enough
+to be classed as a hatchet; crescent-shaped at the top.</p>
+
+<p class = "hanging">
+39. (<a name = "item40703">40703</a>). Fig. <a href = "#fig348">348</a>.
+A very dark brown axe, speckled with reddish spots. This axe bears a
+much finer polish than most of those in the collection.</p>
+
+<p class = "hanging">
+40. (40704). Axe, grooved near the upper end, which is cone-shaped.</p>
+
+<p class = "hanging">
+41. (40705). An almost square axe of basaltic rock, grooved on the
+sides, flat on top.</p>
+
+<p class = "hanging">
+42. (40706). Axe of quartzitic rock, flat and thin; grooved.</p>
+
+<p class = "hanging">
+43. (40900). Long, narrow axe, grooved near the upper end.</p>
+
+<p class = "hanging">
+44. (40901). Axe, made from a water-worn boulder, almost to its present
+shape.</p>
+
+<p class = "hanging">
+45. (40902). Small, round axe of basalt, having a shallow groove near
+the larger end.</p>
+
+<p class = "hanging">
+46. (40903). Grooved basaltic axe.</p>
+
+<p class = "hanging">
+47. (40904). Maul, with rough surface, one side flat, the other convex,
+with a groove.</p>
+
+<!--png 531-->
+<!--png 532-->
+<span class = "pagenum">339</span>
+<a name = "page339"> </a>
+<p class = "hanging">
+48. (40258). Double-grooved axe of porphyry, well polished and quite
+perfect.</p>
+
+<p class = "hanging">
+49. (41260). Grooved axe of compact sandstone; wedge-shaped.</p>
+
+<p class = "hanging">
+50. (42204). Stone maul of basalt, with groove; very rough.</p>
+
+<p class = "hanging">
+51. (<a name = "item42205">42205</a>). Grooved axe of basalt. Fig. <a
+href = "#fig351">351</a>. This specimen was obtained at Fort Wingate, in
+New Mexico, but was probably found in or around some of the ruins.</p>
+
+<p class = "hanging">
+52. (<a name = "item42229">42229</a>). This is one of the finest
+specimens in the collection, and, as shown by the cut, Fig. <a href =
+"#fig347">347</a>, has the handle attached, ready for use. This is
+formed of a willow withe bent round the axe and doubled, extending out
+far enough to form a handle and wrapped with a buckskin string; of
+compact basalt.</p>
+
+<!--png 530-->
+<p class = "illustration">
+<a name = "fig347"> </a>
+<img src = "images/fig347.png" width = "372" height = "134"
+alt = "Zuñi Grooved Axe"><br>
+<span class = "caption">
+Fig. 347 (<a href = "#item42229">42229</a>) (⅓)</span></p>
+
+<p class = "hanging">
+53. (42230). Shallow-grooved axe of basalt.</p>
+
+<p class = "hanging">
+54. (42231). Axe, with a shallow groove near the larger end.</p>
+
+<p class = "hanging">
+55. (42232). Axe of basalt, grooved on the sides.</p>
+
+<p class = "hanging">
+56. (42233). Grooved axe, in size and shape the same as (42226).</p>
+
+<p class = "hanging">
+57. (42234). Grooved axe of a peculiar black mottled rock, with white,
+marble-like streaks through it; groove surrounding it in the center.</p>
+
+<p class = "hanging">
+58. (42235). Irregularly-shaped axe with a wide and deep groove
+surrounding it, curiously mottled with reddish and green streaks.
+Specimens of this kind are quite rare.</p>
+
+<p class = "hanging">
+59. (42236). Grooved axe; sides well polished and exhibiting peculiar
+reddish spots.</p>
+
+<p class = "hanging">
+60. (42237). Small grooved axe of metamorphic rock.</p>
+
+<p class = "hanging">
+61. (42238). Grooved axe.</p>
+
+<p class = "hanging">
+62. (42239). Small grooved axe of schistose rock, much flaked off at
+each end.</p>
+
+<p class = "hanging">
+63. (42240). Axe, grooved on three sides; similar in size and shape to
+(42223).</p>
+
+<p class = "hanging">
+64. (42241). Grooved axe with flattened top.</p>
+
+<p class = "hanging">
+65. (42242). Same as the preceding.</p>
+
+<p class = "hanging">
+66. (42242). Grooved axe with two edges.</p>
+
+<p class = "hanging">
+67. (42244). Celt-shaped axe of basalt; it appears to have been used as
+a rubbing stone.</p>
+
+<p class = "hanging">
+68. (39869). Zuñi maul with circular groove around the centre, used
+generally for grinding or pounding soft foods, such as red-pepper pods;
+of porous lava.</p>
+
+<p class = "hanging">
+69. (<a name = "item39903">39903</a>). Double-edged axe,
+<i>ō´-lā-ki-le</i>, with groove around the middle; volcanic rock, from
+Zuñi. See Fig. <a href = "#fig350">350</a>.</p>
+
+<p class = "hanging">
+70. (42349). Rounded end of a sandstone metate grinder converted into a
+flat hammer by grooving it at the opposite edges.</p>
+
+<p class = "hanging">
+71. (41291). Pounder of sandstone. It was originally a common axe. Thumb
+and finger depression on the sides.</p>
+
+<p class = "hanging">
+72. (40871). Lava Chili pounder with cap-shaped ends; grooved.</p>
+
+<p class = "hanging">
+73. (40906). Lava rock pounder; small.</p>
+
+<!--png 533-->
+<span class = "pagenum">340</span>
+<a name = "page340"> </a>
+<h5 class = "ital">METATES, OR GRAIN-GRINDERS, AND PESTLES.</h5>
+
+<p class = "hanging">
+74. (40870). Square red sandstone metate.</p>
+
+<p class = "hanging">
+75. (42280). Flat sandstone grinding slab.</p>
+
+<p class = "hanging">
+76-82. The following numbers represent the rubbers accompanying the
+metates. The Indian name is <i>yä´-lĭn-ne</i>: 76, (40909); 77, (40910);
+78, (40911); 79, (40912); 80, (40913); 81, (40914); 82, (41259);
+sandstone rubber.</p>
+
+<h5 class = "ital">MORTARS, PESTLES, ETC.</h5>
+
+<p>These are found in use at all the pueblos, but are more common in
+Zuñi and the Moki villages than elsewhere, as these Indians use mineral
+pigments more extensively and in greater variety than any of the
+others.</p>
+
+<p>The pestles and mortars obtained from these tribes are all too small
+to be used for any other purpose than grinding pigments. Many of them
+appear to be quite old, and were probably handed down from distant
+ancestors, or obtained from the ruins. Some of them are evidently of
+modern manufacture.</p>
+
+<p class = "hanging">
+83. (40707). Mortar; a round, flat, quartzitic boulder with round cavity
+on one side about one inch in diameter and half an inch deep, and a
+square depression on the other about an inch deep and two inches in
+width; indigo still clinging to the surface of the depression.</p>
+
+<p class = "hanging">
+84. (40708). Mortar of quartzite, the body nearly square and flat;
+depression round and about four inches in diameter, quite shallow.</p>
+
+<p class = "hanging">
+85. (40709). Mortar of coarse-grained sandstone, almost perfectly round,
+the cavity quite deep, and lined with red ochre or vermilion.</p>
+
+<p class = "hanging">
+86. (40710). Mortar of a flat sandstone with irregular rim about four
+inches in diameter.</p>
+
+<p class = "hanging">
+87. (40711). Paint mortar of a small round quartz boulder.</p>
+
+<p class = "hanging">
+88. (40712). Mortar of fine-grained sandstone about six inches long by
+three wide; sides square. This mortar was in use by the Zuñians for the
+purpose of grinding a pigment of yellowish impure clay, colored by the
+oxide of iron, with which they decorate their pottery, and which
+produces the brown and reddish-brown colors.</p>
+
+<p class = "hanging">
+89. (40713). Small mortar of sandstone.</p>
+
+<p class = "hanging">
+90. (40714). Mortar made from a flat water-worn quartz boulder with a
+circular depression about half an inch deep. The bottom of this mortar
+shows evidence of its having been used as a grinding stone previous to
+being converted into a mortar, or it may have been used for both
+purposes, as both the paint cavity and the rubbing side show recent
+use.</p>
+
+<p class = "hanging">
+91. (40715). Paint mortar of basalt, used for grinding the yellow
+pigment for ornamenting pottery; about four inches in diameter, cavity
+about one inch deep, bottom ground flat.</p>
+
+<p class = "hanging">
+92. (40716). Flat paint mortar, of quartz rock, almost round, about an
+inch thick, depression quite shallow; used for grinding a pigment
+<!--png 536-->
+<span class = "pagenum">341</span>
+<a name = "page341"> </a>
+of azurite or carbonate of copper, small nodules of which they collect
+at copper mines. This pigment is used in painting and decorating wooden
+images and gods.</p>
+
+<p class = "hanging">
+93. (40717). Mortar similar to the above, and used for the same
+purpose.</p>
+
+<p class = "hanging">
+94. (40718). Paint mortar made from a large irregularly round
+ferruginous sandstone. Used in pulverizing a reddish pigment for
+decorating pottery.</p>
+
+<p class = "hanging">
+95. (40719). Mortar of a globular shape, made from a coarse-grained
+sandstone, used for grinding or mixing vermilion.</p>
+
+<p class = "hanging">
+96. (40720). Paint mortar of sandstone. The whole mortar is only about
+an inch thick; made from a section of an old metate rubber.</p>
+
+<p class = "hanging">
+97. (40722). Paint mortar of quartzite; blue pigment grinder. Size about
+four by three inches. This, like many of the flat mortars, has been
+first used as a rubbing stone and subsequently converted into a paint
+mortar.</p>
+
+<p class = "hanging">
+98. (40723). Mortar made from a quartz boulder.</p>
+
+<p class = "hanging">
+99. (40724). Sandstone mortar.</p>
+
+<p class = "hanging">
+100. (40725). Paint mortar of sandstone, very flat.</p>
+
+<p class = "hanging">
+101. (40726). Paint mortar, with oblong shallow depression;
+sandstone.</p>
+
+<p class = "hanging">
+102. (40728). Square paint mortar; cavity about half an inch deep;
+sandstone impregnated with iron. Quartzitic pestle
+accompanying&nbsp;it.</p>
+
+<p class = "hanging">
+103. (40729). Paint mortar of quartzite; almost square; depression
+almost worn through by use; quartz pebble pestle
+accompanying&nbsp;it.</p>
+
+<p class = "hanging">
+104. (40730). Small round paint mortar of basalt, with white quartz
+pebble pestle.</p>
+
+<!--png 534-->
+<!--png 535-->
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig353"> </a>
+<img src = "images/fig353.png" width = "207" height = "78"
+alt = "Zuñi mortar and pestle">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 353 (<a href = "#item40731">40731</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+105. (<a name = "item40731">40731</a>). Fig. <a href =
+"#fig353">353</a>. Paint mortar and pestle of quartz, with a knob on the
+end, which serves as a handle. This mortar was used in grinding an
+azurite pigment.</p>
+
+<p class = "hanging">
+106. (40732). Mortar shaped somewhat like a ladle; the projecting end is
+provided with a small groove out of which the paint is poured.</p>
+
+<p class = "hanging">
+107. (40733). Small sandstone mortar.</p>
+
+<p class = "hanging">
+108. (40864). Paint mortar of sandstone.</p>
+
+<p class = "hanging">
+109. (40868). Paint mortar of basalt, almost square.</p>
+
+<p class = "hanging">
+110. (40869). Flat, square sandstone paint mortar; black water-worn
+pebble for pestle.</p>
+
+<p class = "hanging">
+111. (40907). Chili or red pepper mortar of very porous lava rock; oval
+bottom, shallow cavity, about four inches thick and eight in diameter.
+These lava mortars may have been used for other purposes, but at the
+present time the Indians use them in crushing the pods and seeds of red
+pepper, and occasionally for crushing parched corn. They are quite
+common.</p>
+
+<p class = "hanging">
+112. (40908). Food mortar of lava rock; square with flat bottom. Mortars
+of this kind are used in crushing grain and seeds.</p>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig358"> </a>
+<img src = "images/fig358.png" width = "178" height = "113"
+alt = "Zuñi mortar and pestle">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 358<br>
+(<a href = "#item42272">42272</a>) (½)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+113. (<a name = "item42272">42272</a>). Fig. <a href =
+"#fig358">358</a>. Paint mortar of very hard, fine-grained sandstone.
+The specimen is a very fair type of all the square paint
+<!--png 537-->
+<span class = "pagenum">342</span>
+<a name = "page342"> </a>
+mortars and pestles. The depression is often square instead of round. In
+grinding pigments the Indians generally move the pestle backward and
+forward instead of around as is done by our druggists.</p>
+
+<p class = "hanging">
+114. (41273). Small sandstone paint mortar, much like the preceding.</p>
+
+<p class = "hanging">
+115. (40227). Small egg-shaped paint pestle of white quartz. The general
+name of these in Zuñi is <i>äh-shŏc-tōn-ne</i>.</p>
+
+<p class = "hanging">
+116. (42276). Flat sandstone, circular and about five inches in
+diameter; used as a quoit; originally a rubbing stone.</p>
+
+<h5 class = "ital">MISCELLANEOUS OBJECTS.</h5>
+
+<p class = "hanging">
+117. (39755). Eight specimens not very well defined. They are flint
+flakes, showing, by their shape, that they were designed for scrapers
+and groovers, being flat or slightly concave on one side and oval on the
+other.</p>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig354"> </a>
+<img src = "images/fig354.png" width = "148" height = "148"
+alt = "Zuñi crucible">
+</td>
+<td class = "figure" rowspan = "3">
+<a name = "fig357"> </a>
+<img src = "images/fig357.png" width = "85" height = "285"
+alt = "Zuñi spear-head">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 354<br>
+(<a href = "#item42266">42266</a>) (⅓)</td>
+</tr>
+<tr>
+<td class = "figure">
+<a name = "fig356"> </a>
+<img src = "images/fig356.png" width = "141" height = "148"
+alt = "Zuñi sandstone mold">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 356<br>
+(<a href = "#item41289">41289</a>)
+</td>
+<td class = "caption">
+Fig. 357<br>
+(<a href = "#item40808">40808</a>) (¼)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+118. (<a name = "item41289">41289</a>). Fig. <a href =
+"#fig356">356</a>. This is a sandstone mould for shaping metal into such
+forms as suit the fancy of the Indians for bridle and other ornaments;
+one cavity is rectangular, about four inches long by one in width; the
+other about two inches in diameter. Silver, which has long been a metal
+of traffic among these tribes, is the one which is usually melted down
+for ornamental purposes. After it is taken from the mould it is beaten
+thin, then polished.</p>
+
+<p class = "hanging">
+119. (41290). Is a portion of the same mould, with one cavity square and
+the other in the shape of a spear-head.</p>
+
+<p class = "hanging">
+120, 121. (<a name = "item42266">42266</a>), Fig. <a href =
+"#fig354">354</a>, and (42267), are crucibles, which were used in
+connection with the moulds for melting silver and other metals. Many
+other ornaments are made in the same manner.</p>
+
+<p class = "hanging">
+122. (<a name = "item40808">40808</a>). Fig. <a href =
+"#fig357">357</a>. This is a large, rudely chipped spear-head of mica
+schist, obtained at Zuñi, which was carried in the hand of one of the
+performers in a dance. It does not show any evidences of having been
+used in any other way. They called it <i>äh´-chi-än-tēh-ä-hla</i>.</p>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig355"> </a>
+<img src = "images/fig355.png" width = "68" height = "160"
+alt = "Zuñi skinning-knife">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 355<br>
+(<a href = "#item42245">42245</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+123. (<a name = "item42245">42245</a>). Fig. <ins class = "correction"
+title = "text reads ‘335’"><a href = "#fig355">355</a></ins>.
+Handsomely-shaped and well-polished skinning knife of a remarkably
+fine-grained silicious slate. Above the shoulders on one side it is worn
+off to an oval surface, and is flat on the other.</p>
+
+<p class = "hanging">
+124. (40915). Round sandstone, which is called a gaming stone; it is
+quite round, and bears the same name in Zuñi as the pestle,
+<i>āh-kä-mon-ne</i>.</p>
+
+<p class = "hanging">
+125. (40916). Quartz stone, flat and rounded at the ends as a sort of
+last to keep moccasins in shape while being sewed; called
+<i>yä´-lĭn-ne</i>.</p>
+
+<p class = "hanging">
+126. (41239). String of alabaster beads, <i>tem-thla</i>.</p>
+
+<p class = "hanging">
+127. (41240). Charm, representing the upper part of the body and head of
+a bird.</p>
+
+<p class = "hanging">
+128. (41241). Charm; representing a horse; quartz.</p>
+
+<p class = "hanging">
+129. (41242). Charm; bird’s head and upper part of body.</p>
+
+<!--png 542-->
+<span class = "pagenum">343</span>
+<a name = "page343"> </a>
+<p class = "hanging">
+130. (41243). Charm; horse and saddle.</p>
+
+<p class = "hanging">
+131. (41244). Charm; representing entire bird; quartz.</p>
+
+<p class = "hanging">
+132. (41245). Charm; head and upper part of body of a bird.</p>
+
+<p class = "hanging">
+133. (41246). Charm; the same.</p>
+
+<p class = "hanging">
+134. (41247). Agate arrow-head.</p>
+
+<p class = "hanging">
+135. (40870). Disk of sandstone, slightly convex in the centre; used in
+games.</p>
+
+<p class = "hanging">
+136. (42325). Flat sandstone slab, with the horns of male and female
+deer engraved on one side.</p>
+
+<p class = "hanging">
+137, 138. (40721) and (41249). Flat sandstones, used for baking
+<i>wi-a-vi</i>, a thin, wafer-like bread, by heating the rocks and then
+spreading a gruel-like mixture of corn meal over them. The largest one
+of these stones is about three feet in length by two in width. They are
+used by the Zuñi and Moki pueblos quite extensively.</p>
+
+<p class = "hanging">
+139. (42324). Eighty chip flints and flakes of agate, quartz,
+chalcedony, &amp;c.</p>
+
+
+<h5 class = "section">ARTICLES OF CLAY.</h5>
+
+<h5 class = "ital">WATER VASES.</h5>
+
+<p class = "hanging">
+140. (<a name = "item39871">39871</a>). Form and decorations shown in
+Fig. <a href = "#fig359">359</a>. The slender shading lines only are
+brown, the rest of the figuring black; the base in this as in most Zuñi
+pottery is reddish or slate colored. This may be considered as the type
+of one variety of decorations, readily distinguished by the unadorned
+circular spaces, the large scrolls, and the absence of animal forms. The
+larger forms of these vases are called by the Zuñians
+<i>kāh´-wi-nā-kä-tēhl-le</i>; the smaller forms, <i>det-tsan-na</i>.</p>
+
+<table>
+<tr>
+<td class = "figure">
+<!--png 538-->
+<!--png 539-->
+<a name = "fig359"> </a>
+<img src = "images/fig359.png" width = "194" height = "178"
+alt = "Zuñi Water Vase">
+</td>
+<td class = "figure">
+<a name = "fig360"> </a>
+<img src = "images/fig360.png" width = "206" height = "166"
+alt = "Zuñi Water Vase">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 359 (<a href = "#item39871">39871</a>) (⅕)
+</td>
+<td class = "caption">
+Fig. 360 (<a href = "#item39916">39916</a>) (¼)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+141. (<a name = "item39916">39916</a>). The ornamentation is well shown
+in Fig. <a href = "#fig360">360</a>. The combinations on this piece are
+rare on Zuñi pottery, and the chief figure on the body is more
+symmetrical than is usual in this group of ware. This may also be
+considered as representing a second type of decorations of which there
+is but one other example in the collection.</p>
+
+<p class = "hanging">
+142. (39920). This belongs to the variety represented by Fig. <a href =
+"#fig360">360</a>, and varies chiefly in having the neck decorated with
+leaf-like figures, and in having the scrolls replaced by triangles with
+inner serratures.</p>
+
+<p class = "hanging">
+143. (<a name = "item39934">39934</a>). The largest size; Fig. <a href =
+"#fig361">361</a>. The decorations of this piece belong to a third
+variety, distinguished chiefly by the presence of the elk or deer.
+Attention is called to the three figured zones or belts on the body, the
+upper with the arch inclosing an elk; the middle and narrow belt adorned
+with figures of birds with a long crest feather. The helix or scroll is
+freely introduced in this variety. The one here figured is typical of
+quite a large group. The animals are usually black, as are the lines
+separating the spaces.</p>
+
+<table>
+<tr>
+<td class = "figure">
+<!--png 540-->
+<!--png 541-->
+<a name = "fig361"> </a>
+<img src = "images/fig361.png" width = "182" height = "141"
+alt = "Zuñi Water Vase">
+</td>
+<td class = "figure">
+<a name = "fig362"> </a>
+<img src = "images/fig362.png" width = "201" height = "162"
+alt = "Zuñi Water Vase">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 361 (<a href = "#item39934">39934</a>) (⅕)
+</td>
+<td class = "caption">
+Fig. 362 (<a href = "#item41150">41150</a>) (¼)
+</td>
+</tr>
+</table>
+
+<!--png 543-->
+<span class = "pagenum">344</span>
+<a name = "page344"> </a>
+<p class = "hanging">
+144. (<a name = "item41150">41150</a>). This is similar in size and
+decorations to Fig. <a href = "#fig361">361</a>, and is shown in Fig. <a
+href = "#fig362">362</a>. The difference in the form of the bird in this
+from that in the preceding is worthy of notice.</p>
+
+<p class = "hanging">
+145. (39933). Similar to No. 143 (Fig. 361); bird scrolls as in No.
+144.</p>
+
+<p class = "hanging">
+146. (<a name = "item40322">40322</a>). Medium size, represented in Fig.
+<a href = "#fig364">364</a>. It may be grouped in the variety of which
+Fig. <a href = "#fig359">359</a> is given as the type.</p>
+
+<table>
+<!--png 544-->
+<!--png 545-->
+<tr>
+<td class = "figure">
+<a name = "fig363"> </a>
+<img src = "images/fig363.png" width = "179" height = "166"
+alt = "Zuñi Water Vase">
+</td>
+<td class = "figure">
+<a name = "fig364"> </a>
+<img src = "images/fig364.png" width = "209" height = "154"
+alt = "Zuñi Water Vase">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 363 (<a href = "#item41158">41158</a>) (⅕)
+</td>
+<td class = "caption">
+Fig. 364 (<a href = "#item40322">40322</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+147. (39936). Large size; decorations resembling those in Fig. <a href =
+"#fig364">364</a>, but with two belts of scrolls on the body.</p>
+
+<p class = "hanging">
+148. (41154). Medium size; figures as in No. 147.</p>
+
+<p class = "hanging">
+149. (41155). 150. (41162). Medium size; decorations similar to the
+preceding, except that No. 150 (41162) has figures of sheep on the
+neck.</p>
+
+<p class = "hanging">
+151. (<a name = "item41158">41158</a>). Large size; the ornamentation of
+this piece, as will be seen by reference to Fig. <a href =
+"#fig363">363</a>, belongs to the variety represented by Fig. <a href =
+"#fig359">359</a> and 364, but differs in having on the body a middle
+zone of bird-like figures.</p>
+
+<p class = "hanging">
+152. (41161). Large size; similar to Fig. <a href =
+"#fig363">363</a>.</p>
+
+<p class = "hanging">
+153. (39943). Decorations very similar to those shown in Fig. <a href =
+"#fig359">359</a>.</p>
+
+<p class = "hanging">
+154. (39937). Medium size; ornamentation similar to that seen in Fig. <a
+href = "#fig361">361</a>.</p>
+
+<p class = "hanging">
+155. (<a name = "item40312">40312</a>). Large size; shown in Fig. <a
+href = "#fig365">365</a>. As will be seen by comparison the decorations
+are the same as those in Fig. <a href = "#fig361">361</a>, except that
+the elk is omitted and a figure of scrolls introduced in its place.</p>
+
+<table>
+<!--png 546-->
+<!--png 547-->
+<tr>
+<td class = "figure">
+<a name = "fig365"> </a>
+<img src = "images/fig365.png" width = "196" height = "157"
+alt = "Zuñi Water Vase">
+</td>
+<td class = "figure">
+<a name = "fig366"> </a>
+<img src = "images/fig366.png" width = "180" height = "164"
+alt = "Zuñi Water Vase">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 365 (<a href = "#item40312">40312</a>) (⅕)
+</td>
+<td class = "caption">
+Fig. 366 (<a href = "#item40310">40310</a>) (⅕)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+156. (<a name = "item40310">40310</a>). Fig. <a href =
+"#fig366">366</a>. Large size. In the decorations of this piece we
+observe a new feature, a rosette or flower, showing a decided
+appreciation of the beautiful, either suggested by the flowers of the
+Helianthus or by something introduced by Europeans, but most probably
+the former. The different forms of this figure found on this ware
+furnish, perhaps the best evidence of taste exhibited by the Zuñian
+artists.</p>
+
+<p class = "hanging">
+157. (<a name = "item40313">40313</a>). Fig. <a href =
+"#fig368">368</a>. Large size. In this we see the same figures as in
+Figs. 363 and 366 brought into combination with the rosette, the birds
+being replaced by sheep.</p>
+
+<table>
+<!--png 548-->
+<!--png 549-->
+<tr>
+<td class = "figure">
+<a name = "fig367"> </a>
+<img src = "images/fig367.png" width = "204" height = "167"
+alt = "Zuñi Water Vase">
+</td>
+<td class = "figure">
+<a name = "fig368"> </a>
+<img src = "images/fig368.png" width = "223" height = "174"
+alt = "Zuñi Water Vase">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 367 (<a href = "#item40317">40317</a>) (⅕)
+</td>
+<td class = "caption">
+Fig. 368 (<a href = "#item40313">40313</a>) (⅕)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+158. (40318). Large size; similar to No. 149, except that the rosette is
+introduced in place of the circle.</p>
+
+<table class = "bracket">
+<tr>
+<td class = "bracket">159.&nbsp;(40314).</td>
+<td class = "middle" rowspan = "2">
+Decorations belong to the variety shown in Fig. <a href =
+"#fig361">361</a>.</td>
+</tr>
+<tr>
+<td class = "bracket">160.&nbsp;(40316).</td>
+</tr>
+</table>
+
+<p class = "hanging">
+161. (<a name = "item40317">40317</a>). Fig. <a href =
+"#fig367">367</a>. A little study of these figures will satisfy any one
+that although there is an apparently endless variety in details, there
+are, in fact, but comparatively few different figures.</p>
+
+<p class = "hanging">
+162. (<a name = "item41146">41146</a>). Fig. <a href =
+"#fig370">370</a>. This belongs to the same variety as Fig. <a href =
+"#fig368">368</a>.</p>
+
+<table>
+<!--png 550-->
+<!--png 551-->
+<tr>
+<td class = "figure">
+<a name = "fig369"> </a>
+<img src = "images/fig369.png" width = "162" height = "160"
+alt = "Zuñi Water Vase">
+</td>
+<td class = "figure">
+<a name = "fig370"> </a>
+<img src = "images/fig370.png" width = "231" height = "180"
+alt = "Zuñi Water Vase">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 369 (<a href = "#item40701">40701</a>) (¼)
+</td>
+<td class = "caption">
+Fig. 370 (<ins class = "correction" title = "text reads ‘40146’"><a href
+= "#item41146">41146</a></ins>) (¼)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+163. (40315). Large size, similar to that represented in Fig. <a href =
+"#fig370">370</a>, but varying in form, having the expansion at the
+shoulder more prominent and tapering more rapidly from thence to the
+base. The figures remind us of the trappings often seen in Japanese
+cuts.</p>
+
+<!--png 556-->
+<span class = "pagenum">345</span>
+<a name = "page345"> </a>
+<p class = "hanging">
+164. (40319). Medium size; decorations similar to those in Fig. <a href
+= "#fig361">361</a>, except that here the elk or deer stands on a broad
+black band in which there is a row of white diamonds.</p>
+
+<p class = "hanging">
+165. (40321). Medium size; of the variety represented in Fig. <a href =
+"#fig361">361</a>, but in these smaller pieces the bird zone is omitted,
+and there is but one figured zone on the body. In this example a small
+elk is represented as standing on the back of a larger one.</p>
+
+<p class = "hanging">
+166. (40700). Medium size, belonging to the same type as the preceding.
+On the neck are figures of grotesque kite-shaped birds.</p>
+
+<p class = "hanging">
+167. (<a name = "item40701">40701</a>). Medium size; Fig. <a href =
+"#fig369">369</a>. This and the preceding one are not designated as
+vases in the original Smithsonian Catalogue, nor in my field list, but
+according to the form should be classed in this group.</p>
+
+<p class = "hanging">
+168. (41165). Medium size; decorations similar to those of Fig. <a href
+= "#fig367">367</a>, but varying in having the figure of a bird
+introduced in the middle belt with a small double scroll arising out of
+the back. The lower belt has the same bird reversed.</p>
+
+<p class = "hanging">
+169. (<a name = "item39935">39935</a>). Medium size. The unusual
+decorations of this piece are shown in Fig. <a href = "#fig371">371</a>.
+It differs, as does also Fig. <a href = "#fig369">369</a>, from the
+usual form; the body is more nearly spherical, the neck more gracefully
+curved, and the rim slightly flaring. The proportions are also
+different; height, 8.75 inches; diameter of body, 10; of mouth, 6.5.</p>
+
+<table>
+<!--png 552-->
+<!--png 553-->
+<tr>
+<td class = "figure">
+<a name = "fig371"> </a>
+<img src = "images/fig371.png" width = "185" height = "177"
+alt = "Zuñi Water Vase">
+</td>
+<td class = "figure">
+<a name = "fig372"> </a>
+<img src = "images/fig372.png" width = "205" height = "176"
+alt = "Zuñi Water Vase">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 371 (<a href = "#item39935">39935</a>) (¼)
+</td>
+<td class = "caption">
+Fig. 372 (<a href = "#item41149">41149</a>) (¼)
+</td>
+</tr>
+</table>
+
+<table class = "bracket">
+<tr>
+<td class = "bracket">170.&nbsp;(41144).&nbsp;</td>
+<td class = "middle" rowspan = "2">
+Decorations similar to those in Fig. <a href = "#fig364">364</a>;
+(41144) varies in having the figures of elk or deer on the neck and in
+the coarser or ruder scrolls.</td>
+</tr>
+<tr>
+<td class = "bracket">171.&nbsp;(41147).&nbsp;</td>
+</tr>
+</table>
+
+<p class = "hanging">
+172. (<a name = "item41149">41149</a>). This somewhat abnormal form is
+well shown in Fig. <a href = "#fig372">372</a>. It is of medium
+size.</p>
+
+<p class = "hanging">
+173. (41152). This belongs to the same type, both as to form and
+decorations.</p>
+
+<p class = "hanging">
+174. (41153). Large size; of the usual form, but the decorations on the
+body peculiar, the design being crudely architectural.</p>
+
+<p class = "hanging">
+175. (41156). Medium size, belonging to the type represented by Fig. <a
+href = "#fig361">361</a>.</p>
+
+<p class = "hanging">
+176. (41163). Medium size. This pretty vase has a somewhat peculiar
+decoration, which can be best described as a kind of patch-work
+representing small fragments of pottery.</p>
+
+<p class = "hanging">
+177. (41166). Medium size, with the usual elk and scroll figures.</p>
+
+<p class = "hanging">
+178. (<a name = "item41167">41167</a>). This specimen, which is rather
+above medium size, presents one of the most chaste designs in the entire
+group. It is represented in Fig. <a href = "#fig374">374</a>. Attention
+is called especially to the leaves and to the simple meander in the
+stripes.</p>
+
+<table>
+<!--png 554-->
+<!--png 555-->
+<tr>
+<td class = "figure">
+<a name = "fig373"> </a>
+<img src = "images/fig373.png" width = "193" height = "148"
+alt = "Zuñi Water Vase">
+</td>
+<td class = "figure">
+<a name = "fig374"> </a>
+<img src = "images/fig374.png" width = "227" height = "176"
+alt = "Zuñi Water Vase">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 373 (<a href = "#item39774">39774</a>) (¼)
+</td>
+<td class = "caption">
+Fig. 374 (<a href = "#item41167">41167</a>) (¼)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+179. (41168). Marked with the usual elk and scroll figures. Medium
+size.</p>
+
+<p class = "hanging">
+180. (<a name = "item39774">39774</a>). The decorations of this piece,
+shown in Fig. <a href = "#fig373">373</a>, may be classed with the
+peculiar type with oblique and vertical bands represented in Fig. <a
+href = "#fig374">374</a>.</p>
+
+<p class = "hanging">
+181. (39917). Figures similar to those in Fig. <a href =
+"#fig363">363</a>.</p>
+
+<!--png 557-->
+<span class = "pagenum">346</span>
+<a name = "page346"> </a>
+<table class = "bracket">
+<tr>
+<td class = "bracket">182.&nbsp;(40768).&nbsp;</td>
+<td class = "middle" rowspan = "3">
+The decorations on this piece consist entirely of representations of
+pyramids or possibly of pueblos, and are arranged in bands, one on the
+neck and two on the body; the two upper bands show the figures
+inverted.</td>
+</tr>
+<tr>
+<td class = "bracket">183.&nbsp;(40770).&nbsp;</td>
+</tr>
+</table>
+
+<p class = "hanging">
+184. (40771). No. 183 is decorated with scrolls and bird scrolls and a
+scalloped line around the shoulder; No. 184 with elks and scrolls on the
+body.</p>
+
+<p class = "hanging">
+185-188. 185, (<a name = "item40800">40800</a>). Fig. <a href =
+"#fig378">378</a>. The grotesque or kite-like bird seen on the neck,
+though rarely seen on the large water vase, is common on the small ones.
+To this type belong the following Nos. 186, (40769); 187, (40772); 188,
+(40791).</p>
+
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig377"> </a>
+<img src = "images/fig377.png" width = "226" height = "185"
+alt = "Zuñi Water Vase">
+</td>
+<td class = "figure">
+<a name = "fig378"> </a>
+<img src = "images/fig378.png" width = "235" height = "181"
+alt = "Zuñi Water Vase">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 377 (<ins class = "correction" title = "text reads ‘40797’"><a href
+= "#item40777">40777</a></ins>)
+</td>
+<td class = "caption">
+Fig. 378 (<a href = "#item40800">40800</a>) (¼)
+</td>
+</tr>
+</table>
+
+<table class = "bracket">
+<tr>
+<td class = "bracket">189.&nbsp;(40773).&nbsp;</td>
+<td class = "middle" rowspan = "2">
+These have the usual triangular and scroll designs without animal
+figures, as in Fig. <a href = "#fig364">364</a>.</td>
+</tr>
+<tr>
+<td class = "bracket">190.&nbsp;(40776).&nbsp;</td>
+</tr>
+</table>
+
+<p class = "hanging">
+191. (<ins class = "correction" title = "text reads ‘40792’"><a name =
+"item40777">40777</a></ins>). Fig. <a href = "#fig377">377</a>. The
+decorations on this evidently belong to the same type as those
+represented in Fig. <a href = "#fig359">359</a>, the bird on the neck
+being the only variation. To this type also belong the following
+numbers: 192, (40778); 193, (40792); 194, (40794).</p>
+
+<table class = "bracket">
+<tr>
+<td class = "bracket">195.&nbsp;(40779).&nbsp;</td>
+<td class = "middle" rowspan = "6">
+These belong to the type represented by Fig. <a href =
+"#fig361">361</a>, distinguished chiefly by the elk, triangular figures,
+and scrolls.
+</td>
+</tr>
+<tr>
+<td class = "bracket">196.&nbsp;(40781).&nbsp;</td>
+</tr>
+<tr>
+<td class = "bracket">197.&nbsp;(40788).&nbsp;</td>
+</tr>
+<tr>
+<td class = "bracket">198.&nbsp;(40787).&nbsp;</td>
+</tr>
+<tr>
+<td class = "bracket">199.&nbsp;(40788).&nbsp;</td>
+</tr>
+<tr>
+<td class = "bracket">200.&nbsp;(40801).&nbsp;</td>
+</tr>
+</table>
+
+<table class = "bracket">
+<tr>
+<td class = "bracket">201.&nbsp;(40780).&nbsp;</td>
+<td class = "middle" rowspan = "4">
+The decorations on these are similar to those shown in Figs. 366, 367,
+368, and 370, in which the rosette is a distinguishing characteristic.
+Nos. 201, 202, and 203 are without figures of animals; No. 204 has a
+double belt of elk figures between the rosettes.
+</td>
+</tr>
+<tr>
+<td class = "bracket">202.&nbsp;(40784).&nbsp;</td>
+</tr>
+<tr>
+<td class = "bracket">203.&nbsp;(40786).&nbsp;</td>
+</tr>
+<tr>
+<td class = "bracket">204.&nbsp;(40790).&nbsp;</td>
+</tr>
+</table>
+
+<p class = "hanging">
+205. (40782). The designs on this remain unfinished; except that the
+triangles on the neck and the arches in which it was evidently the
+intention to place the figures of animals, are shown.</p>
+
+<p class = "hanging">
+206. (<a name = "item40785">40785</a>). Fig. <a href =
+"#fig375">375</a>. This pretty vase, as will be seen by reference to the
+figure, has the diameter greater in proportion to the height than usual.
+Although the design is tasteful the hues are coarse and not so well
+drawn as the figure indicates.</p>
+
+<table>
+<!--png 558-->
+<!--png 559-->
+<tr>
+<td class = "figure">
+<a name = "fig375"> </a>
+<img src = "images/fig375.png" width = "225" height = "161"
+alt = "Zuñi Water Vase">
+</td>
+<td class = "figure">
+<a name = "fig376"> </a>
+<img src = "images/fig376.png" width = "198" height = "174"
+alt = "Zuñi Water Vase">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 375 (<a href = "#item40785">40785</a>) (⅓)
+</td>
+<td class = "caption">
+Fig. 376 (<a href = "#item40793">40793</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+207. (40789). On this there is an evident attempt to represent a pueblo
+or communal dwelling and the ladders.</p>
+
+<p class = "hanging">
+208. (<a name = "item40793">40793</a>). Shown in Fig. <a href =
+"#fig376">376</a>.</p>
+
+<p class = "hanging">
+209. (40795). Neck and lower belt of the body marked with vertical lines
+and oblique diamonds; upper belt with inverted pyramidal figures.</p>
+
+<p class = "hanging">
+210. (40849). Very small; marked with oblique scalloped lines.</p>
+
+<p class = "hanging">
+211. (40850). Very small; elk and grotesque bird on the body.</p>
+
+<p class = "hanging">
+212. (40851). Very small; decorations similar to those on the middle
+belt of Fig. <a href = "#fig373">373</a>.</p>
+
+<!--png 562-->
+<span class = "pagenum">347</span>
+<a name = "page347"> </a>
+<p class = "hanging">
+213. (41105). Similar to that shown in Fig. <a href =
+"#fig361">361</a>.</p>
+
+<p class = "hanging">
+214. (40774). Marked with transverse lines and scrolls; design simple
+and unique.</p>
+
+<p>The following specimens are red ware:</p>
+
+<p class = "hanging">
+215. (40311). Large size; without ornamentation.</p>
+
+<p class = "hanging">
+216. (40775). Small; form peculiar, diameter of the body greatest at the
+base, mouth flaring; decorations in black, consisting of triangles
+pointing downwards, and lines.</p>
+
+<p class = "hanging">
+217. (<a name = "item40798">40798</a>). Medium size. See Fig. <a href =
+"#fig381">381</a>.</p>
+
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig381"> </a>
+<img src = "images/fig381.png" width = "99" height = "81"
+alt = "Zuñi water vase">
+</td>
+<td class = "figure">
+<a name = "fig383"> </a>
+<img src = "images/fig383.png" width = "157" height = "129"
+alt = "Zuñi water vase">
+</td>
+<td class = "figure">
+<a name = "fig384"> </a>
+<img src = "images/fig384.png" width = "147" height = "119"
+alt = "Zuñi water vase">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 381<br>
+(<a href = "#item40798">40798</a>)
+</td>
+<td class = "caption">Fig. 383<br>
+(<a href = "#item41145">41145</a>)
+</td>
+<td class = "caption">Fig. 384<br>
+(<a href = "#item41052">41052</a>)
+</td>
+</tr>
+</table>
+
+
+<table class = "bracket">
+<tr>
+<td class = "bracket">218.&nbsp;(40799).&nbsp;</td>
+<td class = "middle" rowspan = "2">
+Small; without ornamentation.
+</td>
+</tr>
+<tr>
+<td class = "bracket">219.&nbsp;(40802).&nbsp;</td>
+</tr>
+</table>
+
+<p class = "hanging">
+220. (<a name = "item41145">41145</a>). Large. See Fig. <a href =
+"#fig383">383</a>.</p>
+
+<p class = "hanging">
+221. (<a name = "item41052">41052</a>). Medium size. See Fig. <a href =
+"#fig384">384</a>.</p>
+
+<table class = "bracket">
+<tr>
+<td class = "bracket">222.&nbsp;(41151).&nbsp;</td>
+<td class = "middle" rowspan = "3">
+Medium size; without ornamentation.</td>
+</tr>
+<tr>
+<td class = "bracket">223.&nbsp;(41157).&nbsp;</td>
+</tr>
+<tr>
+<td class = "bracket">224.&nbsp;(41159).&nbsp;</td>
+</tr>
+</table>
+
+<p class = "hanging">
+225. (41160). Medium size; with a scalloped band in black around the rim
+and shoulder.</p>
+
+<p>Black ware:</p>
+
+<p class = "hanging">
+226. (39930). Large size; without ornamentation.</p>
+
+<p>The only black water vase obtained at Zuñi; it was doubtless procured
+from some other tribe. The black ware obtained from, this tribe is in
+nearly all cases used for cooking, or holding liquids or moist foods. As
+remarked in another place, the Zuñi black ware is generally small except
+in cases where large quantities of food are to be cooked, which occurs
+at feast tunes, when very large vessels are employed.</p>
+
+<h5 class = "ital">WATER JUGS AND JARS.</h5>
+
+<p>These vary so greatly in form that it is impossible to give any
+<ins class = "correction" title = "text reads ‘genera’">general</ins>
+description that would convey a correct idea.</p>
+
+<p class = "hanging">
+227. (39885). Somewhat mug-shaped, with handle; the top is rounded to
+the small mouth, no neck. White ware with scalloped bands and a Maltese
+cross.</p>
+
+<p class = "hanging">
+228. (39886). Similar in form, but smaller, without handle or
+decorations.</p>
+
+<p class = "hanging">
+229. (39899). Somewhat similar in form to the preceding, except that it
+is lower and more depressed, and instead of a mouth, at the top there is
+an orifice at the side as in the canteens, with which this should
+probably be classed.</p>
+
+<p class = "hanging">
+230. (39940). Similar to No. 228.</p>
+
+<p class = "hanging">
+231. (40062). Similar in form to No. 227, but without handle; with a
+double scalloped band around the constricted portion, and a single one
+around the mouth; figure of an insect on the upper half; apparently
+intended to represent a butterfly or large moth.</p>
+
+<p class = "hanging">
+232. (40608). Small unhandled jug in the form of a smelling bottle.
+Unadorned.</p>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig399"> </a>
+<img src = "images/fig399.png" width = "90" height = "109"
+alt = "Zuñi water vase">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 399<br>
+(<a href = "#item39928">39928</a>)
+</td>
+</tr>
+<tr>
+<td class = "figure">
+<a name = "fig387"> </a>
+<img src = "images/fig387.png" width = "198" height = "163"
+alt = "Zuñi canteen">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 387 (<a href = "#item40077">40077</a>) (⅙)
+</td>
+</tr>
+<tr>
+<td class = "figure">
+<a name = "fig400"> </a>
+<img src = "images/fig400.png" width = "145" height = "149"
+alt = "Zuñi canteen">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 400<br>
+(<a href = "#item40078">40078</a>)
+</td>
+</tr>
+</table>
+
+<!--png 563-->
+<span class = "pagenum">348</span>
+<a name = "page348"> </a>
+<p class = "hanging">
+233. (40611). Similar to No. 232.</p>
+
+<table class = "bracket">
+<tr>
+<td class = "bracket">234.&nbsp;(40697).&nbsp;</td>
+<td class = "middle" rowspan = "2">
+Like No. 228, with slight decorations.
+</td>
+</tr>
+<tr>
+<td class = "bracket">235.&nbsp;(40608).&nbsp;</td>
+</tr>
+</table>
+
+<p class = "hanging">
+236. (41140). An amphora or slender jug with two handles.</p>
+
+<p class = "hanging">
+237. (<ins class = "correction" title = "text reads ’39528’"><a name =
+"item39928">39928</a></ins>). A jar shown in Fig. <a href =
+"#fig399">399</a>.</p>
+
+<p class = "hanging">
+238. (39922). <i>Mē-hē-tō</i>, canteen of large size. Plain brown, as
+are also the following specimens:</p>
+
+<p class = "hanging">
+239-242. 239, (40079); 240, (40081); 241, (40082), this has a small
+flower on one side; 242, (40083).</p>
+
+<p class = "hanging">
+243-245. 243, (40088); 244, (40090); 245, (40091).</p>
+
+<p class = "hanging">
+246-248. 246, (40085); 247, (40086), and 248, (40676), plain, white.</p>
+
+<p class = "hanging">
+249. (<a name = "item40077">40077</a>). White with color decorations.
+Fig. <a href = "#fig387">387</a>.</p>
+
+<p>The following eight specimens are also white with colors:</p>
+
+<p class = "hanging">
+250. (<a name = "item40078">40078</a>). Decorated profusely with
+scrolls, leaves, and other figures. See Fig. <a href =
+"#fig400">400</a>.</p>
+
+<p class = "hanging">
+251. (40080). Figure of a coiled snake or worm, without head or other
+character to indicate what it was intended to represent.</p>
+
+<p class = "hanging">
+252. (40084). Usual scroll figures.</p>
+
+<p class = "hanging">
+253. (40087). Decorated with simple loops and bands.</p>
+
+<p class = "hanging">
+254. (40089). Radiating serrate lines.</p>
+
+<p class = "hanging">
+255. (40092). Vase-shaped, with three colored bands.</p>
+
+<p class = "hanging">
+256. (<a name = "item40093">40093</a>). Shown in Fig. <a href =
+"#fig385">385</a>.</p>
+
+<!--png 564-->
+<!--png 565-->
+<table class = "allclear">
+<tr>
+<td class = "figure">
+<a name = "fig385"> </a>
+<img src = "images/fig385.png" width = "214" height = "172"
+alt = "Zuñi canteen">
+</td>
+<!--png 574-->
+<!--png 575-->
+<td class = "figure">
+<a name = "fig398"> </a>
+<img src = "images/fig398.png" width = "105" height = "101"
+alt = "Zuñi canteen">
+</td>
+<!--png 560-->
+<!--png 561-->
+<td class = "figure">
+<a name = "fig379"> </a>
+<img src = "images/fig379.png" width = "114" height = "130"
+alt = "Zuñi canteen">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 385<br>
+(<a href = "#item40093">40093</a>) (⅓)
+</td>
+<td class = "caption">Fig. 398<br>
+(<a href = "#item40886">40886</a>)
+</td>
+<td class = "caption">Fig. 379<br>
+(<a href = "#item39659">39659</a>)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+257. (<a name = "item40886">40886</a>). Handsome piece, with floweret at
+the apex, scrolls on the side, and a scalloped band around the middle.
+The bands are always horizontal, the vessel being on its side. See Fig.
+<a href = "#fig398">398</a>.</p>
+
+<p class = "hanging">
+258. (39914). <i>Mē-hē-tō-tsān-nā</i>, canteens of small size. Red.
+Double, with two sets of handles and two chambers, but with only one
+orifice. Decorations in white, those on the larger piece consisting of
+meanders of the simplest form, a figure very unusual on Zuñi
+pottery.</p>
+
+<p class = "hanging">
+259. (<a name = "item39659">39659</a>). Brown, with handle and
+decorations in black. See Fig. <a href = "#fig379">379</a>.</p>
+
+<p class = "hanging">
+260. (39923). Plain brown.</p>
+
+<p>The following are also plain brown, red, or yellow:</p>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig390"> </a>
+<img src = "images/fig390.png" width = "181" height = "139"
+alt = "Zuñi canteen">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 390 (<a href = "#item40097">40097</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+261-271. 261, (40094); 262, (40095); 263, (40096); 264, (<a name =
+"item40097">40097</a>), Fig. <a href = "#fig390">390</a>; 265, (40099);
+266, (40100); 267, (40101); 268, (<a name = "item40687">40687</a>), Fig.
+<a href = "#fig386">386</a>; 269, (40688); 270, (40689); 271,
+(40690).</p>
+
+<p class = "hanging">
+272. (40102). White, with an oblique scalloped band.</p>
+
+<p class = "hanging">
+273. (<a name = "item39872">39872</a>). White, shown in Fig. <a href =
+"#fig389">389</a>.</p>
+
+<p class = "hanging">
+274. (40686). White, decorations as in Fig. <a href =
+"#fig389">389</a>.</p>
+
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig386"> </a>
+<img src = "images/fig386.png" width = "161" height = "88"
+alt = "Zuñi canteen">
+</td>
+<td class = "figure">
+<a name = "fig389"> </a>
+<img src = "images/fig389.png" width = "126" height = "90"
+alt = "Zuñi canteen">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 386<br>
+(<a href = "#item40687">40687</a>) (⅓)
+</td>
+<td class = "caption">Fig. 389<br>
+(<a href = "#item39872">39872</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging allclear">
+275. (40685). White, with a single flower.</p>
+
+<!--png 566-->
+<!--png 567-->
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig388"> </a>
+<img src = "images/fig388.png" width = "122" height = "102"
+alt = "Zuñi canteen">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 388<br>
+(<a href = "#item40695">40695</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+276. (40691). White, egg-shaped, with a single handle; decorated with a
+figure of the horned toad.</p>
+
+<p class = "hanging">
+277. (40692). White, form and decorations like those shown in Fig. <a
+href = "#fig385">385</a>.</p>
+
+<p class = "hanging">
+278. (40098). With outline figures of birds.</p>
+
+<p class = "hanging">
+279. (<a name = "item40695">40695</a>). White, shown in Fig. <a href =
+"#fig388">388</a>. Although obtained at Zuñi, this piece may have been
+manufactured at one of the other pueblos.</p>
+
+<!--png 572-->
+<span class = "pagenum">349</span>
+<a name = "page349"> </a>
+<h5 class = "ital">JUGS OF FANCIFUL FORMS.</h5>
+
+<p class = "hanging">
+280. (<a name = "item39913">39913</a>). Fig. <a href =
+"#fig395">395</a>. Zuñi name <i>Mē´-wi-i-pä-chin</i>.</p>
+
+<p class = "hanging">
+281. (39887). Similar to No. 280.</p>
+
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig392"> </a>
+<img src = "images/fig392.png" width = "222" height = "125"
+alt = "Zuñi canteen">
+</td>
+<!--png 568-->
+<!--png 569-->
+<td class = "figure">
+<a name = "fig394"> </a>
+<img src = "images/fig394.png" width = "267" height = "145"
+alt = "Zuñi canteen">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 392 (<a href = "#item39889">39889</a>) (⅕)
+</td>
+<td class = "caption">
+Fig. 394 (<a href = "#item39915">39915</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+282. (<a name = "item39889">39889</a>). Fig. <a href =
+"#fig392">392</a>. <i>Mē´-wi-kē-lik-tōn-ne</i>. Plain red.</p>
+
+<p class = "hanging">
+283. (<a name = "item39915">39915</a>). Fig. <a href =
+"#fig394">394</a>.</p>
+
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig393"> </a>
+<img src = "images/fig393.png" width = "199" height = "175"
+alt = "Zuñi canteen">
+</td>
+<!--png 570-->
+<!--png 571-->
+<td class = "figure">
+<a name = "fig395"> </a>
+<img src = "images/fig395.png" width = "228" height = "210"
+alt = "Zuñi canteen">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 393 (<a href = "#item40104">40104</a>) (⅓)
+</td>
+<td class = "caption">
+Fig. 395 (<a href = "#item39913">39913</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig391"> </a>
+<img src = "images/fig391.png" width = "111" height = "213"
+alt = "Zuñi canteen">
+</td>
+<td class = "figure">
+<a name = "fig402"> </a>
+<img src = "images/fig402.png" width = "85" height = "136"
+alt = "Zuñi canteen">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 391<br>
+(<a href = "#item40106">40106</a>) (⅓)
+</td>
+<td class = "caption">Fig. 402<br>
+(<a href = "#item40103">40103</a>)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+284. (<a name = "item40103">40103</a>). White, bottle-shaped, with
+constriction below the middle; scalloped bands and bird figures around
+the upper third. See Fig. <a href = "#fig402">402</a>.</p>
+
+<p class = "hanging">
+285. (<a name = "item40104">40104</a>). Shown in Fig. <a href =
+"#fig393">393</a>.</p>
+
+<p class = "hanging">
+286. (40105). Similar to No. 285. Marked with the figure of a bird
+having the wings spread. Navajo. <i>Kō´-sē-tŏm-me.</i></p>
+
+<p class = "hanging">
+287. (<a name = "item40106">40106</a>). Fig. <a href =
+"#fig391">391</a>.</p>
+
+<p class = "hanging">
+288. (<ins class = "correction" title =
+"so in original: correct number could not be determined">39887</ins>).
+Fig. <a href = "#fig396" name = "item39837">396</a>. A double-globed
+canteen; triangular, with orifice at upper convexity.</p>
+
+<p class = "hanging">
+289. (<a name = "item39914">39914</a>). Fig. <a href =
+"#fig397">397</a>. Red ware, with white lines on the lower globe and
+decorations in black on the upper, with orifice in each globe.</p>
+
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig396"> </a>
+<img src = "images/fig396.png" width = "148" height = "119"
+alt = "Zuñi Canteen">
+</td>
+<td class = "figure">
+<a name = "fig397"> </a>
+<img src = "images/fig397.png" width = "133" height = "136"
+alt = "Zuñi canteen">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 396<br>
+(<ins class = "correction" title =
+"so in original: correct number could not be determined"><a href =
+"#item39837">39837</a></ins>) (⅓)
+</td>
+<td class = "caption">Fig. 397<br>
+(<a href = "#item39914">39914</a>) (⅙)
+</td>
+</tr>
+</table>
+
+<h5 class = "ital">PITCHERS.</h5>
+
+<p>These are of the usual form, of such vessels, except that they are
+generally without the lip. It is possible that to a certain extent they
+have been patterned after those observed in use among the Europeans or
+white races with whom these Indians have come in contact. But we shall
+presently find specimens similar in form among the ancient pottery found
+in the ruins of the cliff houses. We are inclined to believe that the
+form is original and not borrowed. The figures introduced will suffice
+to illustrate the form and usual decorations. The specimens obtained are
+generally small, varying in capacity from a pint to half a gallon. These
+are known in Zuñi by the name <i>Ē´-mūsch-tōn-ne</i>.</p>
+
+<!--png 576-->
+<!--png 577-->
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig403"> </a>
+<img src = "images/fig403.png" width = "120" height = "129"
+alt = "Zuñi water pitcher">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 403<br>
+(<a href = "#item39918">39918</a>) (¼)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+290. (<a name = "item39918">39918</a>). Shown in Fig. <a href =
+"#fig403">403</a>.</p>
+
+<p class = "hanging">
+291. (40668). With scalloped margin and decorations similar to those on
+Fig. <a href = "#fig403">403</a>.</p>
+
+<p class = "hanging">
+292. (40669). Without handle and should be classed with the cups.
+Figures of plants.</p>
+
+<p class = "hanging">
+293. (40671). Triangles on the upper portion; simple meander on the
+bowl.</p>
+
+<p class = "hanging">
+294. (40672). Similar to the following.</p>
+
+<p class = "hanging">
+295. (40673). With scalloped margin and zigzag lines on white ground;
+small right-angle handle.</p>
+
+<p class = "hanging">
+296. (40674). With scalloped marginal and middle bands. The following
+are brown ware with but slight decorations:</p>
+
+<p class = "hanging">
+297-310. 297, (40838); 298, (40839); 299, (40841); 300, (40843), outline
+figures similar to those on No. 293; 301, (40844); 302, (40887); 303,
+(40888); 304, (40889); 305, (40890), is really black but not polished;
+306, (40891); 307, (40893); 308, (40894); 309, (40897); 310,
+(40898).</p>
+
+<p class = "hanging">
+311. (40842). Scalloped rim and similar in size and shape to 298,
+(40839).</p>
+
+<!--png 573-->
+<span class = "pagenum">350</span>
+<a name = "page350"> </a>
+<p class = "hanging">
+312. (40845). Small, white, with decorations and of unusual form, in
+fact in the original field list is classed among the canteens. The mouth
+is prolonged obliquely in the form of a large tube. It should perhaps be
+classed with the water jugs.</p>
+
+<p class = "hanging">
+313. (<a name = "item40892">40892</a>). Form and decorations shown in
+Fig. <a href = "#fig405">405</a>.</p>
+
+<!--png 578-->
+<!--png 579-->
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig405"> </a>
+<img src = "images/fig405.png" width = "167" height = "167"
+alt = "Zuñi water pitcher">
+</td>
+<td class = "figure">
+<a name = "fig406"> </a>
+<img src = "images/fig406.png" width = "134" height = "171"
+alt = "Zuñi water pitcher">
+</td>
+<td class = "figure">
+<a name = "fig407"> </a>
+<img src = "images/fig407.png" width = "163" height = "134"
+alt = "Zuñi water pitcher">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 405<br>
+(<a href = "#item40892">40892</a>) (⅓)
+</td>
+<td class = "caption">Fig. 406<br>
+(<a href = "#item41005">41005</a>) (¼)
+</td>
+<td class = "caption">Fig. 407<br>
+(<a href = "#item41136">41136</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+314. (40895). Scalloped margin; decorated with scrolls.</p>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig404"> </a>
+<img src = "images/fig404.png" width = "139" height = "136"
+alt = "Zuñi water pitcher">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 404<br>
+(<a href = "#item40840">40840</a>) (¼)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+315. (40896). Scalloped margin. Figures of the little water animal so
+often represented on the earthenware baskets.</p>
+
+<p class = "hanging">
+316. (40899). Without handle; diamond figures on the neck.</p>
+
+<p class = "hanging">
+317. (<a name = "item41005">41005</a>). Fig. <a href =
+"#fig406">406</a>.</p>
+
+<p class = "hanging">
+318. (41013). Slender neck and small mouth; jug-shaped, marked with
+twigs and leaves. This does not appear to be of Zuñi manufacture.</p>
+
+<p class = "hanging">
+319. (<a name = "item41136">41136</a>). Fig. <a href =
+"#fig407">407</a>.</p>
+
+<p class = "hanging">
+320. (<a name = "item40840">40840</a>). Shown in Fig. <a href =
+"#fig404">404</a>.</p>
+
+<h5 class = "ital">CUPS OR CUP-SHAPED VESSELS.</h5>
+
+<p>Under this general head are included two forms: one, closely
+resembling the true cup, as shown in the figures and to which the Zuñis
+apply the name <i>sāt-tsān-nā-mū-yā</i>, and those in the form of ollas
+or bowls, and without handles. The decorations of the true cup-shaped
+vessels, especially on the inner surface, follow somewhat closely the
+patterns found on the bowls. Here we see the zigzag marginal line, the
+scalloped bands, the interlaced or tessellated bands with star points,
+triangles, scrolls, &amp;c.; but the elongate triangle or lance point is
+seldom present. As no new figure is introduced it is unnecessary for me
+to describe the decorations. A few are of red or brown ware.</p>
+
+<p>The following numbers refer to true cups:</p>
+
+<p class = "hanging">
+321-345. 321, (40058); 322, (40615); 323, (<a name =
+"item40616">40616</a>), Fig. <a href = "#fig408">408</a>; 324, (40617);
+325, (40618); 326, (40619); 327, (40620); 328, (<a name =
+"item40621">40621</a>), Fig. <a href = "#fig409">409</a>; 329, (40622);
+330, (40623); 331, (40624); 332, (40625); 333, (40627); 334, (40638);
+335, (40639); 336, (40640); 337, (40641); 338, (40643); 339, (40644);
+340, (40837); 341, (40847); 342, (40848); 343, (40880)&mdash;this is an
+unusually large cup and although having a handle may have been used as a
+bowl; 344, (40998); 345, (41148), an unburnt specimen.</p>
+
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig408"> </a>
+<img src = "images/fig408.png" width = "166" height = "116"
+alt = "Zuñi cup">
+</td>
+<td class = "figure">
+<a name = "fig409"> </a>
+<img src = "images/fig409.png" width = "186" height = "119"
+alt = "Zuñi cup">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 408<br>
+(<a href = "#item40616">40616</a>) (⅓)
+</td>
+<td class = "caption">Fig. 409<br>
+(<a href = "#item40621">40621</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p>The following are without handles and are either small bowls or paint
+cups:</p>
+
+<p class = "hanging">
+346-355. 346, (40426); 347, (40436); 348, (40458); 349, (40642); 350,
+(40853), a small bowl-shaped cup, <i>sūt-tsān-nā</i>; 351, (40994); 352,
+(40995); 353, (40996); 354, (40997); 355, (41000).</p>
+
+<h5 class = "ital">EATING BOWLS.</h5>
+
+<p>The smaller forms are called <i>sāt-tsān-nā</i>.</p>
+
+<p class = "hanging">
+356. (<a name = "item39962">39962</a>). Fig. <a href =
+"#fig410">410</a>. The ornamentation is typical of a variety very common
+on Zuñi bowls. The design on the outer surface is more constant than
+that on the inner, in which the figures of animals,
+<!--png 580-->
+<span class = "pagenum">351</span>
+<a name = "page351"> </a>
+especially the elk, are sometimes introduced. The distinguishing feature
+of this type is the zigzag line on the inner margin.</p>
+
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig410"> </a>
+<img src = "images/fig410.png" width = "157" height = "102"
+alt = "Zuñi eating bowl">
+</td>
+<td class = "figure">
+<a name = "fig411"> </a>
+<img src = "images/fig411.png" width = "154" height = "97"
+alt = "Zuñi eating bowl">
+</td>
+<td class = "figure">
+<a name = "fig412"> </a>
+<img src = "images/fig412.png" width = "169" height = "96"
+alt = "Zuñi eating bowl">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 410<br>
+(<a href = "#item39962">39962</a>) (¼)
+</td>
+<td class = "caption">Fig. 411<br>
+(<a href = "#item40266">40266</a>) (¼)
+</td>
+<td class = "caption">Fig. 412<br>
+(<a href = "#item40285">40285</a>) (¼)
+</td>
+</tr>
+</table>
+
+<p>The following numbers belong to the same type:</p>
+
+<p class = "hanging">
+357-378. 357, (39746); 358, (39973); 359, (39975); 360, (39981); 361,
+(39984); 362, (39988); 363, (39989); 364, (39991); 365, (39993); 366,
+(39994); 367, (39997); 368, (39999); 369, (40004), duplicate of Fig. <a
+href = "#fig411">411</a>; 370, (40005); 371, (40231); 372, (40234); 373,
+(40236); 374, (40239); 375, (40246); 376, (40249); 377, (40250); 378,
+(40259).</p>
+
+<p class = "hanging">
+379-396. 379, (40260); 380, (<a name = "item40266">40266</a>), shown in
+Fig. <a href = "#fig411">411</a>; 381, (40274); 382, (<a name =
+"item40285">40285</a>), shown in Fig. <a href = "#fig412">412</a>; 383,
+(40504); 384, (40512); 385, (40513); 386, (40516); 387, (40517); 388,
+(40519); 389, (40522); 390, (40527); 391, (40530); 392, (40541); 393,
+(40546); 394, (40528); 395, (40203); 396, (40211).</p>
+
+<p class = "hanging">
+397. (39951). Decorated, on the inner margin only, with triangles.</p>
+
+<p class = "hanging">
+398. (39952). Similar to that shown in Fig. <a href = "#fig411">411</a>,
+except that the inner marginal line is scalloped.</p>
+
+<p>The following numbers may be classed in the same group:</p>
+
+<p class = "hanging">
+399, 400. 399, (40205); 400, (40210).</p>
+
+<p class = "hanging">
+401. (40521). Similar to No. 397, except that it has the interior below
+the marginal line decorated with scrolls.</p>
+
+<p class = "hanging">
+402. (39902). Decorated on the inner surface only, with the usual
+scrolls; marginal band simply a narrow line or entirely wanting.</p>
+
+<p>The following belong to the same type:</p>
+
+<p class = "hanging">
+403-417. 403, (39960); 404, (40002); 405, (40006); 406, (40232); 407,
+(40233); 408, (40237); 409, (40263); 410, (40268); 411, (40284), in this
+small specimen there are but few figures; 412, (40503); 413, (40505);
+414, (40520); 415, (40524); 416, (40981); 417, (40987).</p>
+
+<p class = "hanging">
+418. (40906). The decorations of this piece belong to a variety which is
+readily distinguished by the broad checkered band on the inner
+margin.</p>
+
+<p>There are two sub-varieties, one with and one without figures on the
+external surface. This and the following specimens belong to the latter
+group:</p>
+
+<p class = "hanging">
+419, 420. 419, (40533); 420, (39890).</p>
+
+<p class = "hanging">
+421. (<a name = "item40001">40001</a>). This belongs to the former
+group, as represented by Fig. <a href = "#fig412">412</a>.</p>
+
+<p class = "hanging">
+422. (39898). External decorations as in Fig. <a href =
+"#fig410">410</a>, except that the lower margin of the oblique line is
+furnished with scrolls as in Fig. <a href = "#fig375">375</a>, inner
+surface with leaves, and a zigzag marginal line.</p>
+
+<p class = "hanging">
+423. (39908). This and the following thirty-one specimens have the
+external surface ornamented as in Fig. <a href = "#fig410">410</a>, the
+decorations of the inner surface varying and differing from those
+already enumerated. In this the marginal line is simple.</p>
+
+<p class = "hanging">
+424. (39909). Marginal line scalloped; central rosette of simple
+lines.</p>
+
+<p class = "hanging">
+425. (39963). Zigzags in irregular lines, no marginal band; form
+semi-globular.</p>
+
+<!--png 581-->
+<span class = "pagenum">352</span>
+<a name = "page352"> </a>
+<p class = "hanging">
+426. (39963). Triangles and scrolls; somewhat mug-shaped.</p>
+
+<p class = "hanging">
+427. (39972). Usual form; decorations as in the preceding.</p>
+
+<p class = "hanging">
+428. (39975). Ornamentation as represented in Fig. <a href =
+"#fig422">422</a>.</p>
+
+<p class = "hanging">
+429. (39976). Double scrolls; no marginal bands.</p>
+
+<p class = "hanging">
+430. (40000). Margin as in Fig. <a href = "#fig422">422</a>; no other
+inner decorations.</p>
+
+<p class = "hanging">
+431. (40204). Scroll figures; no marginal band; form hemispherical.</p>
+
+<p class = "hanging">
+432. (40216). Similar to Fig. <a href = "#fig423">423</a>, as are also
+the following specimens:</p>
+
+<p class = "hanging">
+433-443. 433, (40218); 434, (40223); 435, (40238); 436, (40240); 437,
+(40284); 438, (40286); 439, (40501); 440, (40506); 441, (40507); 442,
+(40510); 443, (40514); the inner decorations of this piece vary in
+having the figures of the elk below the marginal band.</p>
+
+<p class = "hanging">
+444-447. 444, (40515); 445, (40547); 446, (40985); 447, (40217). Zigzag
+marginal band; no other inner decorations.</p>
+
+<p class = "hanging">
+448. (40241). Marginal band double, upper line undulate, lower, straight
+with star points.</p>
+
+<p class = "hanging">
+449. (40245). Marginal band composed of rows of stars, as in Fig. <a
+href = "#fig414">414</a>.</p>
+
+<p class = "hanging">
+450. (40251). Only the inner decorations consist of radiating serrate
+lines.</p>
+
+<p class = "hanging">
+451. (40258). Similar to that shown in Fig. <a href =
+"#fig424">424</a>.</p>
+
+<p class = "hanging">
+452. (40273). Inner decorations apparently intended as floral; marginal
+line very slender.</p>
+
+<p class = "hanging">
+453. (40275). Inner figures; radiating scrolls.</p>
+
+<p class = "hanging">
+454. (40287). Similar to No. 453.</p>
+
+<p class = "hanging">
+455. (40558). Inner figures in the form of blocks or tiles; marginal
+band undulating.</p>
+
+<p class = "hanging">
+456. (40549). Inner decorations consist of two narrow crenate bands, one
+marginal and the other just below&nbsp;it.</p>
+
+<p class = "hanging">
+457. (39891). This and the following thirty-nine specimens are without
+external ornamentation. In this one the inner figures are radiating
+scrolls, and birds.</p>
+
+<p class = "hanging">
+458. (39892). Slender marginal scalloped band only.</p>
+
+<p class = "hanging">
+459. (39893). Serrate marginal band only.</p>
+
+<p class = "hanging">
+460. (39953). Similar to Fig. <a href = "#fig424">424</a>.</p>
+
+<p class = "hanging">
+461. (39954). Birds with wings spread, and scrolls.</p>
+
+<p class = "hanging">
+462. (39958). Differs from the usual form in having the margin
+undulating. The inner decorations consist chiefly of combinations of
+triangles. Similar to</p>
+
+<p class = "hanging">
+463. (<ins class = "correction" title =
+"so in original: see no. 903">39971</ins>). Similar to the preceding.</p>
+
+<p class = "hanging">
+464. (39959). Scrolls and triangles.</p>
+
+<p class = "hanging">
+465. (39960). Scrolls and leaves.</p>
+
+<p class = "hanging">
+466. (39961). Oblique serrate lines.</p>
+
+<p class = "hanging">
+467. (39986). Broad net-work, marginal band, as seen in Fig. <a href =
+"#fig414">414</a>; form unusual, being constricted near the base.</p>
+
+<p class = "hanging">
+468. (39992). Marginal band composed of sigmoid figures.</p>
+
+<p class = "hanging">
+469. (39996). Very small; central diameter with rays from the points;
+the marginal band is simply a narrow line.</p>
+
+<!--png 584-->
+<span class = "pagenum">353</span>
+<a name = "page353"> </a>
+<p class = "hanging">
+470. (40209). Ornamental marginal band only.</p>
+
+<p class = "hanging">
+471. (40212). Scalloped marginal band, and central rosette or
+flower.</p>
+
+<p class = "hanging">
+472. (40224). Scalloped marginal band, and figures of deer.</p>
+
+<p class = "hanging">
+473. (40225). Zigzag band and the usual scroll figures.</p>
+
+<p class = "hanging">
+474. (40229). Two slender bands, and central radiating scrolls.</p>
+
+<p class = "hanging">
+475. (40242). Zigzag marginal line only.</p>
+
+<p class = "hanging">
+476. (40248). Narrow scalloped marginal band; no other figures.</p>
+
+<p class = "hanging">
+477. (40252). Zigzag band and floral decorations.</p>
+
+<p class = "hanging">
+478. (40253). No marginal band; oblique triple and dotted lines.</p>
+
+<p class = "hanging">
+479. (40265). Serrate marginal band and central rosette.</p>
+
+<p class = "hanging">
+480. (40270). No band except a simple line bounding the central figure
+of radiating leaves.</p>
+
+<p class = "hanging">
+481. (40272). Three plain bands.</p>
+
+<p class = "hanging">
+482. (40481). Broad marginal band in figures arranged in square
+blocks.</p>
+
+<p class = "hanging">
+483. (40485). Very small; marginal net-work band, central floral
+figure.</p>
+
+<p class = "hanging">
+484. (40490). Similar to the preceding.</p>
+
+<p class = "hanging">
+485. (40489). Plain <ins class = "correction" title =
+"text reads ‘maginal’">marginal</ins> band; central floral figures.</p>
+
+<p class = "hanging">
+486. (40492). Zigzag marginal band as in Fig. <a href =
+"#fig425">425</a>.</p>
+
+<p class = "hanging">
+487. (40498). Marginal band as in Fig. <a href = "#fig414">414</a>.</p>
+
+<p class = "hanging">
+488. (40499). Scalloped marginal band.</p>
+
+<p class = "hanging">
+489. (40508). Zigzag band and floral decorations.</p>
+
+<p class = "hanging">
+490. (40511). Marginal band composed of lines of stars.</p>
+
+<p class = "hanging">
+491. (40530). Similar to No. 486, having also a central figure.</p>
+
+<p class = "hanging">
+492. (40536). Marginal band of scrolls and triangles.</p>
+
+<p class = "hanging">
+493. (40537). Net-work marginal band.</p>
+
+<p class = "hanging">
+494. (40539). Scalloped band and central figure of twigs and leaves;
+unusually chaste design.</p>
+
+<p class = "hanging">
+495. (40542). Like No. 467.</p>
+
+<p class = "hanging">
+496. (40545). Scalloped marginal band.</p>
+
+<p class = "hanging">
+497. (39967). Do.</p>
+
+<p class = "hanging">
+498. (39965). Zigzag inner marginal band; figures of the elk externally
+and internally.</p>
+
+<p class = "hanging">
+499. (39966). External and internal zigzag marginal band.</p>
+
+<p class = "hanging">
+500. (39969). No external decorations; marked internally with oblique
+lines, no band.</p>
+
+<p class = "hanging">
+501. (39970). Scroll figures on the inner surface; on the outer,
+triangles pointing in opposite directions; no bands.</p>
+
+<p class = "hanging">
+502. (39977). Dish-like, undulate, external and internal marginal
+band.</p>
+
+<p class = "hanging">
+503. (39978). Inner band of crosses, and central figure, outer serrate
+marginal band.</p>
+
+<table class = "bracket">
+<tr>
+<td class = "bracket">504.&nbsp;(39982).&nbsp;</td>
+<td class = "middle" rowspan = "2">
+Decorations same as those represented in Fig. <a href =
+"#fig414">414</a>, with a wide, latticed, marginal band on the inner
+side of the bowl.
+</td>
+</tr>
+<tr>
+<td class = "bracket">505.&nbsp;(39983).&nbsp;</td>
+</tr>
+</table>
+
+<p class = "hanging">
+506. (39985). Both surfaces decorated with scroll figures.</p>
+
+<p class = "hanging">
+507. (39987). Inner surface with scroll figures, outer with but a
+marginal scalloped band.</p>
+
+<!--png 585-->
+<span class = "pagenum">354</span>
+<a name = "page354"> </a>
+<p class = "hanging">
+508. (39990). Both surfaces marked with oblique serrate Hues; unusually
+flaring.</p>
+
+<p class = "hanging">
+509. (39998). Inner surface with reversed elks; outer with oblique
+lines, with each side serrate.</p>
+
+<p class = "hanging">
+510. (40007). Inner surface with serrate band and birds; outer with
+serrate band.</p>
+
+<p class = "hanging">
+511. (40213). Elk and scrolls internally; an outer scalloped band.</p>
+
+<p class = "hanging">
+512. (40215). Resembles No. 501.</p>
+
+<p class = "hanging">
+513. (40219). The decorations on this bowl are unusual; those of the
+inner surface consist of a slender crenate marginal band, and below this
+a woman holding a child and apparently closely wrapped in a robe of some
+kind and placed transversely; the outer margin is marked with a broad
+band of crosses regularly spaced by perpendicular lines.</p>
+
+<p>The following numbers belong to the type represented in Figs. <ins
+class = "correction" title = "so in original: ‘410’?">356</ins>, <a href
+= "#fig411">411</a>, and <a href = "#fig412">412</a>:</p>
+
+<p class = "hanging">
+514-520. 514, (39979); 515, (40220); 516, (40221); 517, (40243); 518,
+(40274); 519, (40493); 520, (40523), inner marginal band consists of
+scrolls and triangles.</p>
+
+<p class = "hanging">
+521. (40227). Inner marginal band broad and divided into diamond spaces;
+outer surface ornamented with figures similar to those on vase
+represented by Fig. <a href = "#fig372">372</a>.</p>
+
+<p class = "hanging">
+522. (40230). Although classed with the bowls this is shaped somewhat
+like the paint pots; outer and inner bands.</p>
+
+<p class = "hanging">
+523. (40247). Resembles No. 504.</p>
+
+<p class = "hanging">
+524. (40254). Two broad undulate lines on the external surface; inner
+surface with blocks and scrolls.</p>
+
+<p class = "hanging">
+525. (40256). Inside with crenate marginal lines, and circular space and
+triangles as in Fig. <a href = "#fig359">359</a>. External surface with
+a simple scalloped band.</p>
+
+<p class = "hanging">
+526. (40264). External surface as in the preceding; internal scrolls and
+triangles.</p>
+
+<p class = "hanging">
+527-533. 527, (40267); 528, (40269); 529, (40487); 530, (40495); 531,
+(40509); 532, (40529); 533, (40531). The decorations on these specimens
+belong to the same general type as those of No. 526.</p>
+
+<p class = "hanging">
+534. (40271). Mug-shaped with flat bottom; outer surface marked with
+five scalloped bands; inner with scrolls.</p>
+
+<p class = "hanging">
+535. (40279). Outer surface with triangular figures; inner with a
+scalloped marginal band and a similar band below.</p>
+
+<p class = "hanging">
+536. (40482). Similar in form to No. 534. Outer and inner decorations
+consist almost entirely of triangles.</p>
+
+<p class = "hanging">
+537. (40483). Without bands; interior, scrolls; exterior, geometrical
+figures.</p>
+
+<p class = "hanging">
+538. (40488). This belongs to the type represented by Fig. <a href =
+"#fig411">411</a>; rosette on the inner surface.</p>
+
+<p class = "hanging">
+539. (40491). Similar in form and decorations to No. 534.</p>
+
+<!--png 588-->
+<span class = "pagenum">355</span>
+<a name = "page355"> </a>
+<p class = "hanging">
+540. (40496). Form like the preceding; inner face decorated with stars;
+outer with the usual triangular figures.</p>
+
+<p class = "hanging">
+541. (40497). Flat, finger-bowl shaped, single scalloped band
+externally; scrolls and circular figures internally.</p>
+
+<p class = "hanging">
+542. (40502). Double band of triangles externally; internally zigzag
+lines precisely like those in Fig. <a href = "#fig371">371</a>.</p>
+
+<p class = "hanging">
+543. (40538). Inner serrate marginal band and radiating scrolls; no
+external decorations.</p>
+
+<p class = "hanging">
+544. (40540). Central flower internally; a single serrate band
+externally.</p>
+
+<p class = "hanging">
+545. (40980). Pan-shaped; inner surface marked with geometrical figures;
+outer without decorations.</p>
+
+<p class = "hanging">
+546, 547. 546, (40988); 547, (40993). Without external ornamentation,
+marked with zigzag inner marginal line, central scroll, and triangular
+devices.</p>
+
+<p class = "hanging">
+548. (40991). Oblique serrate lines externally; zigzag inner marginal
+line.</p>
+
+<p class = "hanging">
+549. (40992). No external decorations; inner marginal line crenate;
+central flower.</p>
+
+<p>Brown, red, or yellow ware. Usually without ornamentation.</p>
+
+<p class = "hanging">
+550. (39907). Small rosettes or flowers on inner surface.</p>
+
+<p>The following numbers are without ornamentation of any kind:</p>
+
+<p class = "hanging">
+551-572. 551, (39968); 552, (40003); 553, (40207); 554, (40214); 555,
+(40226); 556, (40235); 557, (40244); 558, (40257); 559, (40276); 560,
+(40277); 561, (40278); 562, (40280); 563, (40281); 564, (40494); 565,
+(40526); 566, (40528); 567, (40534); 568, (40543); 569, (40544); 570,
+(40982); 571, (40984); 572, (40989).</p>
+
+<p>The following have slight decorations; wherever the band is mentioned
+it is to be understood as marginal unless otherwise specified:</p>
+
+<p class = "hanging">
+573. (39974). Narrow external band.</p>
+
+<p class = "hanging">
+574. (39981). Floral figure on inner surface.</p>
+
+<p class = "hanging">
+575. (39995). Triangles externally; narrow sub-marginal band
+internally.</p>
+
+<p class = "hanging">
+576. (40206). Outline leaf-like figures on inner face.</p>
+
+<p class = "hanging">
+577. (40222). Inner crenate band and cross lines.</p>
+
+<p class = "hanging">
+578. (40229). Slender bands and scrolls.</p>
+
+<p class = "hanging">
+579. (40288). Inner band of geometrical figures.</p>
+
+<p class = "hanging">
+580. (40550). With slender outer band.</p>
+
+<p class = "hanging">
+581. (40980). Inner zigzag band and triangular figures.</p>
+
+<p class = "hanging">
+582. (40983). Inner central white flower.</p>
+
+<p class = "hanging">
+583. (40990). Inner band of scrolls.</p>
+
+<p>The larger forms, following, are called
+<i>Ī´-tŏn-ä-ka-sah-le</i>.</p>
+
+<p class = "hanging">
+584. (<a name = "item40041">40041</a>). Represented in Fig. <a href =
+"#fig413">413</a>. The broad checkered band on the inner margin forms
+the distinguishing characteristic. The following are similarly
+decorated:</p>
+
+<table>
+<!--png 582-->
+<!--png 583-->
+<tr>
+<td class = "figure">
+<a name = "fig413"> </a>
+<img src = "images/fig413.png" width = "222" height = "133"
+alt = "Zuñi eating bowl">
+</td>
+<td class = "figure">
+<a name = "fig414"> </a>
+<img src = "images/fig414.png" width = "218" height = "119"
+alt = "Zuñi eating bowl">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 413 (<a href = "#item40041">40041</a>) (¼)
+</td>
+<td class = "caption">
+Fig. 414 (<a href = "#item40033">40033</a>)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+585, 586. 585, (40010); 586, (40167).</p>
+
+<!--png 589-->
+<span class = "pagenum">356</span>
+<a name = "page356"> </a>
+<p class = "hanging">
+587. (<a name = "item40033">40033</a>). As closely resembling the
+preceding, I introduce here a variety with a latticed marginal band
+shown in Fig. <a href = "#fig414">414</a>.</p>
+
+<p>The following specimens belong to the same variety, the chief
+differences, being the inner central figures:</p>
+
+<p class = "hanging">
+588. (<a name = "item40164">40164</a>). Fig. <a href =
+"#fig415">415</a>.</p>
+
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig415"> </a>
+<img src = "images/fig415.png" width = "213" height = "131"
+alt = "Zuñi eating bowl">
+</td>
+<!--png 586-->
+<!--png 587-->
+<td class = "figure">
+<a name = "fig416"> </a>
+<img src = "images/fig416.png" width = "226" height = "132"
+alt = "Zuñi eating bowl">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 415 (<a href = "#item40164">40164</a>) (¼)
+</td>
+<td class = "caption">
+Fig. 416 (<a href = "#item40296">40296</a>) (¼)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+589. (40177). Do.</p>
+
+<p class = "hanging">
+590. (40181). This specimen has no ornamentation except the band.</p>
+
+<p class = "hanging">
+591. (<a name = "item40296">40296</a>). Fig. <a href =
+"#fig416">416</a>. This varies in having the figures of birds with wings
+spread and of elks on the inner surface below the marginal line. These
+are but partially shown in the figure.</p>
+
+<p class = "hanging">
+592, 593. 592, (40965) and 593 (40955) belong to the same variety, but
+their inner decorations resemble more closely those represented in Fig.
+<a href = "#fig415">415</a>.</p>
+
+<p class = "hanging">
+594. (<a name = "item40493">40493</a>). Fig. <a href =
+"#fig417">417</a>. The decorations on this piece belong to the very
+common variety shown in Figs. 356, 411, and 412.</p>
+
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig417"> </a>
+<img src = "images/fig417.png" width = "242" height = "116"
+alt = "Zuñi eating bowl">
+</td>
+<td class = "figure">
+<a name = "fig418"> </a>
+<img src = "images/fig418.png" width = "198" height = "127"
+alt = "Zuñi eating bowl">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 417 (<a href = "#item40493">40493</a>) (¼)
+</td>
+<td class = "caption">
+Fig. 418 (<a href = "#item40176">40176</a>) (¼)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+595-600. To this type belong the following numbers: 595, (40008); 596,
+(40009); 597, (40012); 598, (40013); 599, (40020); 600, (40021), this
+varies in having no ornamentation on the outer surface.</p>
+
+<p class = "hanging">
+601-608. 601, (<a name = "item40176">40176</a>), shown in Fig. <a href =
+"#fig418">418</a>; 602, (40031); 603, (40038); 604, (40043); 605,
+(40046); 606, (40047); 607, (40050); 608, (40052)</p>
+
+<p class = "hanging">
+609-628. 609, (40151); 610, (40152); 611, (40163); 612, (40168); 613,
+(40170); 614, (40171); 615, (40175); 616, (40185); 617, (40186); 618,
+(40188); 619, (<a name = "item40189">40189</a>), Fig. <a href =
+"#fig419">419</a>; 620, (40191); 621, (40193); 622, (40194); 623,
+(40195); 624, (40196); 625, (40197); 626, (40199); 627, (40200); 628,
+(40293), this piece is properly a bread bowl,
+<i>Mō´-tsin-i-kā-sä-le</i>.</p>
+
+<table>
+<!--png 590-->
+<!--png 591-->
+<tr>
+<td class = "figure">
+<a name = "fig419"> </a>
+<img src = "images/fig419.png" width = "192" height = "116"
+alt = "Zuñi eating bowl">
+</td>
+<td class = "figure">
+<a name = "fig420"> </a>
+<img src = "images/fig420.png" width = "236" height = "135"
+alt = "Zuñi eating bowl">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 419 (<ins class = "correction" title = "text reads ‘40139’"><a href
+= "#item40189">40189</a></ins>) (¼)
+</td>
+<td class = "caption">
+Fig. 420 (<a href = "#item40931">40931</a>) (⅕)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+629-638. 629, (40295); 630, (40297); 631, (40298); 632, (40310); 633,
+(40305); 634, (40306); 635, (40308); 636, (40309); 637, (40930); 638,
+(<a name = "item40931">40931</a>), shown in Fig. <a href =
+"#fig420">420</a>. I would call attention here to the strong similarity
+of the inner decorations of this bowl with those on the body of the vase
+represented in Fig. <a href = "#fig359">359</a>. This is properly a
+bread bowl.</p>
+
+<p class = "hanging">
+639-646. 639, (40938); 640, (40957); 641, (40958); 642, (40967); 643,
+(40971); 644, (40974); 645, (40975); 646, (<a name =
+"item41171">41171</a>), Fig. <a href = "#fig421">421</a>.</p>
+
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig421"> </a>
+<img src = "images/fig421.png" width = "252" height = "136"
+alt = "Zuñi eating bowl">
+</td>
+<!--png 592-->
+<!--png 593-->
+<td class = "figure">
+<a name = "fig422"> </a>
+<img src = "images/fig422.png" width = "221" height = "125"
+alt = "Zuñi eating bowl">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 421 (<a href = "#item41171">41171</a>) (⅕)
+</td>
+<td class = "caption">
+Fig. 422 (<a href = "#item40014">40014</a>) (¼)
+</td>
+</tr>
+</table>
+
+<p>The following specimens have the same external decorations as those
+represented in Figs. 413-421, but differ in regard to the figures on the
+inner surface.</p>
+
+<p class = "hanging">
+647. (<a name = "item40014">40014</a>). Fig. <a href =
+"#fig422">422</a>. The cut fails to show the figures of the elk placed
+among the scroll ornaments.</p>
+
+<p class = "hanging">
+648, 649. 648, (40023); 649, (40026).</p>
+
+<p class = "hanging">
+650-658. 650, (<a name = "item40028">40028</a>), shown in Fig. <a href =
+"#fig423">423</a>; 651, (40035); 652, (40042); 653, (40045); 654,
+(40049); 655, (40051), these two are bread bowls; 656, (40153); 657,
+(40156); 658, (40178).</p>
+
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig423"> </a>
+<img src = "images/fig423.png" width = "158" height = "102"
+alt = "Zuñi eating bowl">
+</td>
+<td class = "figure">
+<a name = "fig424"> </a>
+<img src = "images/fig424.png" width = "234" height = "137"
+alt = "Zuñi eating bowl">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 423 (<a href = "#item40028">40028</a>) (¼)
+</td>
+<td class = "caption">
+Fig. 424 (<a href = "#item40927">40927</a>) (⅕)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+659-663. 659, (40183); 660, (40198); 661, (40202); 662, (<a name =
+"item40927">40927</a>), Fig. <a href = "#fig424">424</a>; and 663, (<a
+name = "item40932">40932</a>), Fig. <a href = "#fig425">425</a>.</p>
+
+<table>
+<!--png 594-->
+<!--png 595-->
+<tr>
+<td class = "figure">
+<a name = "fig425"> </a>
+<img src = "images/fig425.png" width = "201" height = "98"
+alt = "Zuñi eating bowl">
+</td>
+<td class = "figure">
+<a name = "fig426"> </a>
+<img src = "images/fig426.png" width = "242" height = "134"
+alt = "Zuñi eating bowl">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 425 (<a href = "#item40932">40932</a>) (¼)
+</td>
+<td class = "caption">
+Fig. 426 (<a href = "#item40179">40179</a>) (¼)
+</td>
+</tr>
+</table>
+
+<!--png 596-->
+<span class = "pagenum">357</span>
+<a name = "page357"> </a>
+<p class = "hanging">
+664-669. 664, (40951); 665, (40952); 666, (40960); 667, (40976); 668,
+(40977); and 669, (40016), may be grouped together, as strongly
+resembling each other in regard to their inner decorations.</p>
+
+<p class = "hanging">
+670. (40027). Inner marginal band with diamond spaces and colored
+triangles, scrolls, and small rosettes or flowers below.</p>
+
+<p class = "hanging">
+671. (40030). No inner band; geometrical figures.</p>
+
+<p class = "hanging">
+672. (40035). Narrow simple marginal band; elk and scrolls.</p>
+
+<p class = "hanging">
+673. (<a name = "item40179">40179</a>), Fig. <a href =
+"#fig426">426</a>. Each of the following specimens has a similar
+marginal band, but the inner central figures differ.</p>
+
+<p class = "hanging">
+674-682. 674, (40037); 675, (40044); 676, (40187); 677, (40300); 678,
+(40937); 679, (40966); 680, (40969); 681, (40973); 682, (40040).
+Patch-work figures, resembling pieces of broken pottery.</p>
+
+<p class = "hanging">
+683. (40157). Somewhat like Fig. <a href = "#fig424">424</a>, the
+perpendicular lines of the band being doubly scalloped.</p>
+
+<p class = "hanging">
+684. (40169). Marginal band a vine with leaves and flowers; central
+figures similar to those on vase shown in Fig. <a href =
+"#fig371">371</a>.</p>
+
+<p class = "hanging">
+685. (40182). No inner band; scroll figures.</p>
+
+<p class = "hanging">
+686. (40190). No inner band; elks and geometrical figures.</p>
+
+<p class = "hanging">
+687. (40201). Marginal band with triple lines similar to those in Fig.
+<a href = "#fig424">424</a>.</p>
+
+<p class = "hanging">
+688. (<a name = "item40290">40290</a>). Shown in Fig. <a href =
+"#fig427">427</a>.</p>
+
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig427"> </a>
+<img src = "images/fig427.png" width = "257" height = "130"
+alt = "Zuñi eating bowl">
+</td>
+<!--png 598-->
+<!--png 599-->
+<td class = "figure">
+<a name = "fig428"> </a>
+<img src = "images/fig428.png" width = "157" height = "121"
+alt = "Zuñi eating bowl">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 427 (<a href = "#item40290">40290</a>) (¼)
+</td>
+<td class = "caption">
+Fig. 428 (<a href = "#item39954">39954</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+689. (40292). Marginal band similar to that on Fig. <a href =
+"#fig427">427</a>; scroll figures in central portion.</p>
+
+<p class = "hanging">
+690. (<a name = "item40294">40294</a>). Fig. <a href =
+"#fig430">430</a>. In this the outer decoration varies in having the
+elongate triangle or lance point double, and the inner in having the
+figure of a mule or donkey.</p>
+
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig429"> </a>
+<img src = "images/fig429.png" width = "189" height = "105"
+alt = "Zuñi eating bowl">
+</td>
+<td class = "figure">
+<a name = "fig430"> </a>
+<img src = "images/fig430.png" width = "251" height = "145"
+alt = "Zuñi eating bowl">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 429 (<a href = "#item40302">40302</a>) (¼)
+</td>
+<td class = "caption">
+Fig. 430 (<a href = "#item40294">40294</a>) (⅕)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+691. (40304). No marginal band; scroll figures.</p>
+
+<p class = "hanging">
+692. (<a name = "item40302">40302</a>). Fig. <a href =
+"#fig429">429</a>.</p>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig401"> </a>
+<img src = "images/fig401.png" width = "246" height = "164"
+alt = "Zuñi eating bowl"><br> <!--COLOR-->
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 401 (<a href = "#item40486">40486</a>)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+693. (<a name = "item40486">40486</a>). A broad bowl; inner marginal
+band, the upper portion of which has a line of diamond spaces. The under
+side of the oblique line on the outer surface is bordered with scrolls
+as in Fig. <a href = "#fig375">375</a>. This is a very large specimen,
+being eighteen inches in diameter. See Fig. <a href =
+"#fig401">401</a>.</p>
+
+<p class = "hanging">
+694. (40928). Inner surface marked with geometrical figures.</p>
+
+<p class = "hanging">
+695. (40970). No figures on the inner surface.</p>
+
+<p class = "hanging">
+696. (40972). Inner decorations as in Fig. <a href =
+"#fig419">419</a>.</p>
+
+<p class = "hanging">
+697. (40017). No outer decorations; inner surface with marginal band and
+large white cross; remainder brown.</p>
+
+<p class = "hanging">
+698. (40015). Outer and inner faces marked with triangles and slender
+leaves.</p>
+
+<p class = "hanging">
+699. (40024). Outer scalloped band, scroll figures internally.</p>
+
+<p class = "hanging">
+700. (40022). Outer surface with scalloped band and large oblique
+diamonds; inner with double scalloped band and scrolls.</p>
+
+<p class = "hanging">
+701, 702. 701, (40158); 702, (40159). Outer face without decorations;
+inner with large vermiform figures.</p>
+
+<p class = "hanging">
+703. (40166). Both faces with oblique lines of scrolls.</p>
+
+<p class = "hanging">
+704. (40192). Stems and leaves externally and internally.</p>
+
+<!--png 597-->
+<span class = "pagenum">358</span>
+<a name = "page358"> </a>
+<p class = "hanging">
+705. (40195), Interior decorations profuse; scrolls, and diamond-shaped
+figures.</p>
+
+<p class = "hanging">
+706. (40934). Four scalloped bands on outer face; scroll figures on
+inner surface.</p>
+
+<p class = "hanging">
+707. (40935). No outer decorations; inside marked with a marginal band
+of dots and lines; central scrolls.</p>
+
+<p class = "hanging">
+708. (40939). Both surfaces with geometrical figures.</p>
+
+<p class = "hanging">
+709. (40950). Marked externally with double lance points; internally
+with scrolls.</p>
+
+<p class = "hanging">
+710. (<a name = "item39954">39954</a>). Shown in Fig. <a href =
+"#fig428">428</a>. Here we see the head of the grotesque bird reduced to
+a simple scroll.</p>
+
+<p>Brown or yellow ware. Decorations in black or red, without external
+ornamentation unless otherwise stated.</p>
+
+<p class = "hanging">
+711-713. 711, (40011); 712. (40936); 713, (40962). Four large leaves
+forming a cross.</p>
+
+<p class = "hanging">
+714. (40018). Broad external band of horizontal and oblique dotted
+lines. No figures on the inner surface.</p>
+
+<p class = "hanging">
+715. (40032). External scalloped band; reversed pyramids or pueblos
+internally.</p>
+
+<p class = "hanging">
+716. (40039). Broad marginal band of half pyramids, alternately
+reversed.</p>
+
+<p class = "hanging">
+717. (40048). White vermiform figures.</p>
+
+<p class = "hanging">
+718, 719. 718, (40154); 719, (40184). These are similarly marked, the
+margin in both being also white.</p>
+
+<p>The following specimens are without decorations of any kind:</p>
+
+<p class = "hanging">
+720-733. 720, (40019); 721, (40036); 722, (40160); 723, (40162); 724,
+(40165); 725, (40180); 726, (40307); 727, (40929); 728, (40953); 729,
+(40954); 730, (40959); 731, (40962); 732, (40963); 733, (40968).</p>
+
+<p class = "hanging">
+734. (40155). Patch-work.</p>
+
+<p class = "hanging">
+735. (40172). Four serrate or scalloped bands on outer face. Similar
+inner marginal band in outline; and outline pyramidal figures.</p>
+
+<p class = "hanging">
+736. (40174). Outline pyramidal figures.</p>
+
+<p class = "hanging">
+737-739. 737, (40173); 738, (40289); 739, (40964). Marginal band of
+double outline scrolls.</p>
+
+<p class = "hanging">
+740. (<a name = "item39618">39618</a>). Brown ware with decorations in
+black. Colored Fig. <a href = "#fig380">380</a>.</p>
+
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig380"> </a> <!--COLOR-->
+<img src = "images/fig380.png" width = "129" height = "86"
+alt = "Zuñi eating bowl">
+</td>
+<td class = "figure">
+<a name = "fig382"> </a> <!--COLOR-->
+<img src = "images/fig382.png" width = "182" height = "115"
+alt = "Zuñi eating bowl">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 380<br>
+(<a href = "#item39618">39618</a>)
+</td>
+<td class = "caption">Fig. 382<br>
+(<a href = "#item39592">39592</a>)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+741. (<a name = "item39592">39592</a>). Brown ware with decorations in
+black. Colored Fig. <a href = "#fig382">382</a>.</p>
+
+<h5 class = "ital">COOKING VESSELS.</h5>
+
+<!--png 600-->
+<!--png 601-->
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig432"> </a>
+<img src = "images/fig432.png" width = "158" height = "180"
+alt = "Zuñi cooking vessel"><br>
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 432<br>
+(<a href = "#item41053">41053</a>) (¼)
+</td>
+</tr>
+</table>
+
+<p>These vessels are generally of medium size, though in some instances
+the dimensions vary exceedingly. Those used in cooking for feasts are
+quite large, sometimes with a capacity of about ten gallons; the
+smallest, designed only for family use, are less than four inches in
+diameter and not quite three inches high. They are of two general forms,
+one similar to the ordinary pots used on cooking stoves, the other
+bowl-shaped. Two specimens in the collection are provided with legs; to
+these the Zuñians apply the name <i>sä-mū yĕn-sä-qui-pä</i>. See Fig. <a
+href = "#fig432">432</a>. As a general rule, the rims of these vessels
+are flared, and on some of
+<!--png 602-->
+<span class = "pagenum">359</span>
+<a name = "page359"> </a>
+them, close to the rim on the outside, are ear-like projections, which
+are probably intended as catches by which, with pokers or sticks, they
+can be removed from or arranged in position on the fire. They are never
+ornamented, and have no coloring other than that which is acquired in
+baking. These vessels are used in cooking such foods as contain liquids.
+Three names are applied to cooking pots, having reference to size,
+viz<ins class = "correction" title = "period missing">.</ins>:
+<i>päh-tēh-le</i> is the large cylindrical pot; the smaller pot of the
+same form is <i>päh-tēhl-tsān-nā</i>; and <i>wāh-li-äh-kä-tēhl-le</i> is
+the common cooking pot. The Olla or bowl-shaped pot, Fig. <a href =
+"#fig433">433</a>, is called <i>sä-mū-yēn</i>.</p>
+
+<p>The following numbers belong to the <i>päh-tēhl-tsān-nā</i> group and
+present no variations worthy of special notice.</p>
+
+<p class = "hanging">
+742, 743. 742, (<a name = "item41113">41113</a>). Fig. <a href =
+"#fig436">436</a>; 743, (<a name = "item41114">41114</a>), Fig. <a href
+= "#fig433">433</a>. These illustrations represent a form and have the
+appearance of the so-called ancient ware; the latter specimen bears the
+impress of the grass which was produced in the baking process.</p>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig435"> </a>
+<img src = "images/fig435.png" width = "212" height = "187"
+alt = "Zuñi cooking vessel"><br>
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 435 (<a href = "#item40865">40865</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+744. (<a name = "item40865">40865</a>). Fig. <a href =
+"#fig435">435</a>. Cooking pot.</p>
+
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig433"> </a>
+<img src = "images/fig433.png" width = "113" height = "115"
+alt = "Zuñi cooking vessel">
+</td>
+<td class = "figure">
+<a name = "fig436"> </a>
+<img src = "images/fig436.png" width = "101" height = "140"
+alt = "Zuñi cooking vessel">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 433<br>
+(<a href = "#item41114">41114</a>) (⅙)
+</td>
+<td class = "caption">Fig. 436<br>
+(<a href = "#item41113">41113</a>) (1/7)
+</td>
+</tr>
+</table>
+
+<p class = "allclear">
+The following numbers represent specimens of cooking pots of varying
+sizes, though generally small and of the form of No. 744, though some
+few present the appearance of bowls:</p>
+
+<p class = "hanging">
+745-766. 745, (41115); 746, (41116); 747, (41117); 748, (41118); 749,
+(41119); 750, (41120); 751, (41121); 752, (41122); 753, (41123); 754,
+(41124); 755, (41125); 756, (41126); 757, (41127); 758, (41128); 759,
+(41129); 760, (41130); 761, (41131); 762, (41132); 763, (41137); 764,
+(41138); 765, (41140); 766, (41141).</p>
+
+<p>The following belong to the <i>sä-mū-yĕn</i> bowls:</p>
+
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig431"> </a>
+<img src = "images/fig431.png" width = "171" height = "143"
+alt = "Zuñi cooking vessel">
+</td>
+<td class = "figure">
+<a name = "fig434"> </a>
+<img src = "images/fig434.png" width = "177" height = "104"
+alt = "Zuñi cooking vessel">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 431 (<a href = "#item41135">41135</a>) (⅓)
+</td>
+<td class = "caption">
+Fig. 434 (<a href = "#item41092">41092</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+767-804. 767, (41055); 768, (41056); 769, (41057); 770, (41058); 771,
+(41059); 772, (41060); 773, (41061); 774, (41062); 775, (41063); 776,
+(41064); 777, (41065); 778, (41066); 779, (41067); 780, (41068); 781,
+(41069); 782, (41070); 783, (41071); 784, (41072); 785, (41073); 786,
+(41074); 787, (41075); 788, (41076); 789, (41077); 790, (41078); 791,
+(41079); 792, (41080); 793, (41081); 794, (41082); 795, (41083); 796,
+(41084); 797, (41085); 798, (41086); 799, (41087); 800, (41088); 801,
+(41089); 802, (41090); 803, (41091); 804, (<a name =
+"item41092">41092</a>), shown in Fig. <ins class = "correction" title =
+"text reads ‘34’"><a href = "#fig434">434</a></ins>.</p>
+
+<p class = "hanging">
+805-826. 805, (41093); 806, (41094); 807, (41095); 808, (41096); 809,
+(41097); 810, (41098); 811, (41099); 812, (41100); 813, (41101); 814,
+(41102); 815, (41103); 816, (41104); 817, (41106); 818, (41107); 819,
+(41108); 820, (41109); 821, (41110); 822, (41111); 823, (41112); 824,
+(41133); 825, (41139); 826, (41143). This is an unburnt specimen of
+unusual form, resembling in this respect a sugar bowl, its margin and
+sides undulated.</p>
+
+<p class = "hanging">
+827, 828. 827, (40853), bowl-shaped with conical bottom; 828, (<a name =
+"item41053">41053</a>), Fig. <a href = "#fig432">432</a>, pot-shaped,
+but with four legs.</p>
+
+<p class = "hanging">
+829, 830. 829, (41134); 830, (<a name = "item41135">41135</a>), are
+really pitchers, as will be seen by reference to Fig. <a href =
+"#fig431">431</a>, which represents the latter, but they appear to be
+made for cooking purposes, as they are designated by the name
+<i>sä-mū-yĕn</i>.</p>
+
+<!--png 603-->
+<span class = "pagenum">360</span>
+<a name = "page360"> </a>
+<h5 class = "ital">LADLES.</h5>
+
+<p>Called by the Zuñians <i>sa-sho-kŏn-ne</i>. These are of two forms,
+one resembling somewhat an oyster-shell, the other with a handle
+resembling a spoon. The forms and decorations are shown in the figures.
+They are of white ware usually with figures on the inner surface, and of
+red ware without ornamentation. They vary in size from eight inches in
+length and five inches across the bowl to four and a half and two and a
+half inches.</p>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig438"> </a>
+<img src = "images/fig438.png" width = "191" height = "77"
+alt = "Zuñi ladle">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 438 (<a href = "#item39894">39894</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+831-839. 831, (39884); 832, (<a name = "item39894">39894</a>), Fig. <a
+href = "#fig438">438</a>; 833, (40430); 834, (40431); 835, (40432),
+flower in the bowl; 836, (40433); 837, (40460); 838, (40461); 839,
+(41254). With handles.</p>
+
+<p class = "hanging">
+840-841. 840, (39895); 841, (39896), figures of elks in the bowl.
+Without handles.</p>
+
+<p class = "hanging">
+842. (39929).</p>
+
+<p class = "hanging">
+843, 844. 843, (40408) scrolls; 844, (<a name = "item40417">40417</a>),
+Fig. <a href = "#fig440">440</a>.</p>
+
+<table class = "allclear">
+<tr>
+<td class = "figure">
+<a name = "fig439"> </a>
+<img src = "images/fig439.png" width = "153" height = "57"
+alt = "Zuñi ladle">
+</td>
+<td class = "figure">
+<a name = "fig440"> </a>
+<img src = "images/fig440.png" width = "189" height = "78"
+alt = "Zuñi ladle">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 439 (<a href = "#item40422">40422</a>) (⅓)
+</td>
+<td class = "caption">
+Fig. 440 (<a href = "#item40417">40417</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+845, 846. 845, (40418); 846, (40419), this has a pretty marginal band,
+and the figure of a slender bird in the bowl.</p>
+
+<p class = "hanging">
+847-851. 847, (40420); 848, (40421); 849, (<a name =
+"item40422">40422</a>), Fig. <a href = "#fig439">439</a>; 450, (40423);
+451, (40424), resembles Fig. <a href = "#fig440">440</a>.</p>
+
+<p class = "hanging">
+852-868. 852, (40425); 853, (40427); 854, (40428); 855, (40429); 856,
+(40434); 857, (40435); 858, (40437); 859, (40438); 860, (40439); 861,
+(40441); 862, (40442); 863, (40459); 864, (40462); 865, (40463); 866,
+(40675); 867, (40677); 868, (<a name = "item40678">40678</a>), Fig. <a
+href = "#fig441">441</a>.</p>
+
+<p class = "hanging">
+869, 870. 869, (40679); 870, (<a name = "item40875">40875</a>), Fig. <a
+href = "#fig437">437</a>.</p>
+
+<table>
+<!--png 604-->
+<!--png 605-->
+<tr>
+<td class = "figure">
+<a name = "fig437"> </a>
+<img src = "images/fig437.png" width = "177" height = "59"
+alt = "Zuñi ladle">
+</td>
+<td class = "figure">
+<a name = "fig441"> </a>
+<img src = "images/fig441.png" width = "169" height = "57"
+alt = "Zuñi ladle">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 437 (<a href = "#item40875">40875</a>) (½)
+</td>
+<td class = "caption">
+Fig. 441 (<a href = "#item40678">40678</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<h5 class = "ital">BASKETS.</h5>
+
+<p>Called by the Zuñians, <i>āh-wēhl-wi-āh-pä-sāhl</i>. These vessels,
+which vary in size from four to eight inches in diameter and from two to
+five in depth, are in the form of bowls, sometimes with a handle over
+the top like a basket handle, sometimes without. The margin is either
+scalloped, as in Fig. <a href = "#fig452">452</a>, or terraced so as to
+resemble the section of a pyramid or pueblo, being cut in this form with
+a horse-hair while soft. They are always of white ware decorated with
+black. The margin is uniformly black, and there is often an inner and
+outer submarginal narrow band following the undulations or terraces. The
+figures most common, and in fact almost exclusively used, are those
+resembling tadpoles, but which, as I learned, are intended to represent
+a small crustacean or the larva of an insect common in the water-pools
+and streams of the Zuñi country; and the somewhat grotesque figures of
+the horned toad (<i>Phrynosoma</i>). These figures are placed both on
+the outer and inner surfaces, though the figure of the reptile is
+generally found on the outer.</p>
+
+<p>These singular vessels are used by the Indians only in their sacred
+and ceremonial dances. In them is placed a small quantity of meal; they
+are then borne in the hands of the women, who, during the dance, take a
+small quantity of the meal, just as much as they can hold between the
+<!--png 610-->
+<span class = "pagenum">361</span>
+<a name = "page361"> </a>
+tips of the fingers, and sprinkle it on the sacred objects and on the
+heads of the persons leading in the ceremonies.</p>
+
+<p>As the forms and decorations are correctly shown in the figures, I
+shall only notice those which are unusual.</p>
+
+<p>Without handles; margin scalloped:</p>
+
+<p class = "hanging">
+871-873. 871, (40074); 872, (<a name = "item40075">40075</a>), Fig. <a
+href = "#fig443">443</a>; 873, (<a name = "item40400">40400</a>), Fig.
+<a href = "#fig444">444</a>.</p>
+
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig443"> </a>
+<img src = "images/fig443.png" width = "179" height = "98"
+alt = "Zuñi clay basket">
+</td>
+<td class = "figure">
+<a name = "fig444"> </a>
+<img src = "images/fig444.png" width = "195" height = "94"
+alt = "Zuñi clay basket">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 443 (<a href = "#item40075">40075</a>) (⅓)
+</td>
+<td class = "caption">
+Fig. 444 (<a href = "#item40400">40400</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p>Without handles; margin terraced:</p>
+
+<p class = "hanging">
+874. (40337). Figures of insects on outer surface.</p>
+
+<p class = "hanging">
+875-881. 875, (40344); 876, (40364); 877, (40367); 878, (40368); 879,
+(40369); 880, (40370); 881, (<a name = "item40371">40371</a>), Fig. <a
+href = "#fig445">445</a>.</p>
+
+<p class = "hanging">
+882-899. 882, (<a name = "item40372">40372</a>), Fig. <a href =
+"#fig447">447</a>; 883, (40373); 884, (40374); 885, (40375); 886,
+(40376); 887, (<a name = "item40377">40377</a>), Fig. <a href =
+"#fig446">446</a>; 888, (40378); 889, (40380); 890, (40381); 891,
+(40382); 892, (40383); 893, (40384); 894, (40385); 895, (40392); 896,
+(40393); 897, (40394); 898, (40396); 899, (40803), this specimen, which
+is but slightly burnt, is more globular in form than usual, and has
+mounted on each pyramid a small image, one human, one of a dog or fox,
+one of a chicken, and the other probably intended for a bird. This is
+really not a meal basket, but is carried in the dance for rain, and
+bears the name <i>tkhä-pō-kā-tēhl-le</i>.</p>
+
+
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig445"> </a>
+<img src = "images/fig445.png" width = "164" height = "97"
+alt = "Zuñi clay basket">
+</td>
+<td class = "figure">
+<a name = "fig446"> </a>
+<img src = "images/fig446.png" width = "164" height = "106"
+alt = "Zuñi clay basket">
+</td>
+<td class = "figure">
+<a name = "fig447"> </a>
+<img src = "images/fig447.png" width = "158" height = "103"
+alt = "Zuñi clay basket">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 445<br>
+(<a href = "#item40371">40371</a>) (⅓)
+</td>
+<td class = "caption">Fig. 446<br>
+(<a href = "#item40377">40377</a>) (⅓)
+</td>
+<td class = "caption">Fig. 447<br>
+(<a href = "#item40372">40372</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+900-902. 900, (41014); 901, (41015), this has in the place of the
+reptile the figure of a bird; 902, (41018).</p>
+
+<!--png 606-->
+<!--png 607-->
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig442"> </a>
+<img src = "images/fig442.png" width = "148" height = "95"
+alt = "Zuñi clay basket">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 442<br>
+(<ins class = "correction" title = "so in original"><a href =
+"#item39971">39971</a></ins>) (¼)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+903. (<ins class = "correction" title = "so in original: see no. 463"><a
+name = "item39971">39971</a></ins>). Fig. <a href = "#fig442">442</a>. A
+Zuñi clay basket without handles; the form of the margin and inner
+decorations are unusual, and on this account and the fact that the
+little water animal does not appear on it, it is probably from some
+other tribe, though obtained at Zuñi.</p>
+
+<p class = "hanging">
+904. (<a name = "item40354">40354</a>). Fig. <a href =
+"#fig452">452</a>. With handles; margin scalloped. The decorations on
+this basket are unusual. The chief figure and the most interesting one
+on this entire group of pottery is that of a snake encircling the body
+of the basket; on the head of which is a feather crest.</p>
+
+<p class = "hanging">
+905. (<a name = "item41019">41019</a>). Fig. <a href =
+"#fig449">449</a>. A Zuñi dance basket, one of the most complete in form
+and decoration in the collection.</p>
+
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig448"> </a>
+<img src = "images/fig448.png" width = "174" height = "114"
+alt = "Zuñi clay basket">
+</td>
+<td class = "figure">
+<a name = "fig449"> </a>
+<img src = "images/fig449.png" width = "172" height = "128"
+alt = "Zuñi clay basket">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 448 (<a href = "#item40359">40359</a>) (⅓)
+</td>
+<td class = "caption">
+Fig. 449 (<a href = "#item41019">41019</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+906-909. 906, (<a name = "item40356">40356</a>), Fig. <a href =
+"#fig450">450</a>; 907, (40390); 908, (40391); 909, (40806). This is
+more cup shaped than usual, and is ornamented with the geometrical
+figures common on bowls. It belongs to a distinct class of sacred
+vessels to which the name <i>tkhä-pō-kā-tēhl-le</i> is applied.</p>
+
+<p class = "hanging">
+910-913. 910, (40336); 911, (40353); 912, (<a name =
+"item40355">40355</a>), Fig. <a href = "#fig451">451</a>; 913, (40357),
+varies in having the head of <ins class = "correction" title =
+"text reads ‘abird’">a bird</ins>. With handles; margins terraced.</p>
+
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig450"> </a>
+<img src = "images/fig450.png" width = "177" height = "119"
+alt = "Zuñi clay basket">
+</td>
+<!--png 608-->
+<!--png 609-->
+<td class = "figure">
+<a name = "fig451"> </a>
+<img src = "images/fig451.png" width = "191" height = "143"
+alt = "Zuñi clay basket">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 450 (<a href = "#item40356">40356</a>) (¼)
+</td>
+<td class = "caption">
+Fig. 451 (<a href = "#item40355">40355</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+914-922. 914, (40358); 915, (40360); 916, (40361); 917, (40362); 918,
+(40365); 919, (40366); 920, (<a name = "item40359">40359</a>), Fig. <a
+href = "#fig448">448</a>; 921, (<a name = "item40379">40379</a>), Fig.
+<a href = "#fig453">453</a>; 922, (40386). This and the three following
+specimens are small baskets called by the Zuñians
+<i>āh´-wēhl-wi-āh-pä-sāhl-tsān-nā</i>.</p>
+
+<p class = "hanging">
+923-928. 923, (40387); 924, (40388); 925, (40389); 926, (40395). This
+and the two following bear the same figures as observed on Fig. <a href
+= "#fig452">452</a>. 927, (40397); 928, (40398).</p>
+
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig452"> </a>
+<img src = "images/fig452.png" width = "194" height = "136"
+alt = "Zuñi clay basket">
+</td>
+<td class = "figure">
+<a name = "fig453"> </a>
+<img src = "images/fig453.png" width = "158" height = "106"
+alt = "Zuñi clay basket">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 452 (<a href = "#item40354">40354</a>) (⅓)
+</td>
+<td class = "caption">
+Fig. 453 (<a href = "#item40379">40379</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<!--png 611-->
+<span class = "pagenum">362</span>
+<a name = "page362"> </a>
+<p class = "hanging">
+929. (40399). This basket is ornamented with the conventional little
+water animal, inside and out; it also presents the head and tail of a
+snake, the body of which encircles the base of the basket. The head of
+the snake is decorated with a crest and a horn-like projection
+immediately before the eyes. The tongue and teeth are also represented
+in colors on the specimen. The rim is serrated and painted black with a
+small line conforming to the black band immediately under&nbsp;it.</p>
+
+<p class = "hanging">
+930. (41016). Is without a handle, but noticeable for the representation
+of a bird, on each side of which are two of the little water
+animals.</p>
+
+<p class = "hanging">
+931. (41017). Basket without handle and four pyramids with serrated
+edges, and representation of horned toad on sides.</p>
+
+<p class = "hanging">
+932. (41019). Basket with handle, large toad on each side, and a
+dragonfly on each side of the toad.</p>
+
+<h5 class = "ital">PAINT CUPS.</h5>
+
+<p>These are always small, but vary in size from one and a half to three
+inches in height. They are usually in the form of water vases or
+globular jars, though sometimes of a true cup shape, and occasionally
+cubical. They are generally single, but quite often double, and
+occasionally triple and quadruple. To the large-sized single ones the
+Zuñians apply the name of <i>hĕl-i-pō-kā-tēhl-le</i>; and to those of
+smaller sizes, <i>hĕl-i-pō-kā-tēhl-tsān-nā</i>. They are usually without
+handles, but sometimes these are present. The double ones are connected
+only by a bar extending from the body of one to that of the other; and
+the triple and quadruple ones in a similar manner. They are of red and
+white ware like the other pottery; the decorations on the white are
+similar to those already described, so far as they can be adapted to
+these small articles.</p>
+
+<p>We shall give the numbers without remarks, except to note unusual
+forms and figures.</p>
+
+<p>Single cups:</p>
+
+<p class = "hanging">
+933-938. 933, (39881); 934, (39888); 935, (39938); 936, (39939); 937,
+(39944); 938, (39945); with figures of the little aquatic animal so
+frequently represented on the earthenware baskets used in rain
+dances.</p>
+
+<p class = "hanging">
+939-942. 939, (39949); 940, (40036); 941, (40111); 942, (40112); square,
+box-shaped, of brown ware and very rude.</p>
+
+<p class = "hanging">
+943-946. 943, (40323); 944, (40324); 945, (40325); 946, (40326); with
+terraced margin like that so common in baskets used in the sacred
+dances.</p>
+
+<p class = "hanging">
+947-952. 947, (40327); 948, (40328); 949, (40329); 950, (40330); 951,
+(40331); 952, (40332). With meander band of simplest form.</p>
+
+<p class = "hanging">
+953-961. 953, (40333), terraced margin; 954, (40334); 955, (40335); 956,
+(40338); 957, (40339); 958, (40340); 959, (40341), true cup with looped
+handles; 960, (40342); 961, (40343), with straight cylindrical
+handle.</p>
+
+<!--png 612-->
+<span class = "pagenum">363</span>
+<a name = "page363"> </a>
+<p class = "hanging">
+962-968. 962, (40345); 863, (40346); 964, (40347); 965, (40348), form of
+the ordinary glass tumbler; 966, (40349); 967, (40352); 968, (40587).
+Mug-shaped, with broad, horizontal rim.</p>
+
+<p class = "hanging">
+969-974. 969, (40588); 970, (40589); 971, (40590); 972, (40591); 973,
+(40592); 974, (40593). With simple meander band.</p>
+
+<p class = "hanging">
+975. (40594). The artist has evidently attempted to figure on this the
+true meander (Greek fret), but has failed.</p>
+
+<p class = "hanging">
+976. (40595). Marked with the grotesque horned toad so common on the
+earthenware baskets.</p>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig455"> </a>
+<img src = "images/fig455.png" width = "123" height = "93"
+alt = "Zuñi paint cup">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 455<br>
+(<a href = "#item40828">40828</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+977-979. 977, (40596); 978, (40597); 979, (40598). Spherical in form,
+decorated with figures of the grotesque bird heretofore mentioned.</p>
+
+<p class = "hanging">
+980-983. 980, (40599), bowl-shaped; 981, (40645); 982, (40647); 983,
+(40648). Bird with a scroll arising out of its back.</p>
+
+<p class = "hanging">
+984-994. 984, (40649); 985, (40650); 986, (40651); 987, (40684); 988,
+(40826); 989, (<a name = "item40828">40828</a>), Fig. <a href =
+"#fig455">455</a>; 990, (40829); 991, (40830); 992, (39768); 993,
+(39982); 994, (39983).</p>
+
+<p class = "allclear">
+Double cups (<i>hĕl-i-pō-kā-tēhl-i-pä-chin</i>). The little water animal
+is a common figure on these.</p>
+
+<p class = "hanging">
+995-998. 995, (39931); 996, (<a name = "item39932">39932</a>), Fig. <a
+href = "#fig454">454</a>; 997, (39948); 998, (40350). This has the
+connecting bar arched so as to form a handle.</p>
+
+<p class = "hanging">
+999-1004. 999, (40351); 1000, (40433); 1001, (40444); 1002, (40445);
+1003, (40447); 1004, (40349). The last five are plain.</p>
+
+<p class = "hanging">
+1005-1007. 1005, (40448); 1006, (40449); 1007, (40450). With scalloped
+margin, double bars, the upper one arched; grotesque figures of horned
+toad.</p>
+
+<table>
+<!--png 614-->
+<!--png 615-->
+<tr>
+<td class = "figure">
+<a name = "fig454"> </a>
+<img src = "images/fig454.png" width = "178" height = "92"
+alt = "Zuñi paint cup">
+</td>
+<td class = "figure">
+<a name = "fig456"> </a>
+<img src = "images/fig456.png" width = "128" height = "92"
+alt = "Zuñi paint cup">
+</td>
+<td class = "figure">
+<a name = "fig457"> </a>
+<img src = "images/fig457.png" width = "138" height = "85"
+alt = "Zuñi paint cup">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 454<br>
+(<a href = "#item39932">39932</a>) (⅓)
+</td>
+<td class = "caption">Fig. 456<br>
+(<a href = "#item40681">40681</a>) (½)
+</td>
+<td class = "caption">Fig. 457<br>
+(<a href = "#item40612">40612</a>) (½)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+1008-1017. 1008, (40451); <ins class = "correction"
+title = "text reads ‘10009’">1009</ins>, (40452); 1010, (40454); 1011, (40455);
+1012, (40456); 1013, (40457); 1014, (40610), double bar or bar and handle;
+1015, (<a name = "item40681">40681</a>), Fig. <a href =
+"#fig456">456</a>; 1016, (40682); 1017, (40854), square, without
+bar.</p>
+
+<p>Triple cups:</p>
+
+<p class = "hanging">
+1018-1023. 1018, (40605); 1019, (40606); 1020, (40609); 1021, (40680);
+1022, (40693); 1023, (40856).</p>
+
+<p>Quadruple cups, to which is applied the same Zuñi name as that given
+to those provided with triple and quadruple cups.</p>
+
+<p class = "hanging">
+1024, 1025. 1024, (<a name = "item40612">40612</a>), Fig. <a href =
+"#fig457">457</a>; 1025, (40613). Brown, square, united directly at the
+sides without bars.</p>
+
+<p class = "hanging">
+1026-1029. 1026, (40652); 1027, (40855); 1028, (40856), square; 1029,
+(40859), square.</p>
+
+<h5 class = "ital">CONDIMENT CUPS.</h5>
+
+<p>These are similar in form and decorations to the paint cups, and are
+also round and square, single, double, and quadruple. They are usually
+small, holding from less than half a pint to a pint. The different names
+applied to them will be given as they are reached in the list. The
+<!--png 613-->
+<span class = "pagenum">364</span>
+<a name = "page364"> </a>
+double and quadruple ones are connected together in the same manner as
+the multiple paint-pots,</p>
+
+<p>Single cups:</p>
+
+<p class = "hanging">
+1030. (39878). Square with figures of chickens on the sides.</p>
+
+<p><i>Mā-pō-kā-tēhl-le</i> is the name by which the round or vase-shaped
+vessels are designated. They are numbered as follows:</p>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig458"> </a>
+<img src = "images/fig458.png" width = "134" height = "107"
+alt = "Zuñi condiment cup">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 458<br>
+(<a href = "#item41008">41008</a>) (⅓)
+</td>
+</tr>
+<tr>
+<td class = "figure">
+<a name = "fig459"> </a>
+<img src = "images/fig459.png" width = "150" height = "116"
+alt = "Zuñi condiment cup">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 459<br>
+(<a href = "#item39905">39905</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+1031. (<a name = "item39905">39905</a>). Fig. <a href =
+"#fig459">459</a>. The figures on this specimen appear to be intended as
+representations of some neuropterous insect, but possibly they represent
+birds.</p>
+
+<p class = "hanging">
+1032-1037. 1032, (40653); 1033, (40654); 1034, (40655); 1035, (40656);
+1036, (40657); 1037, (40658). Some of these appear, from the fragments
+of bars attached to them, to have belonged to double specimens.</p>
+
+<p class = "hanging">
+1038, 1039. 1038, (40633); 1039, (40832). These two are red ware.</p>
+
+<p class = "hanging">
+1040-1049. 1040, (40833); 1041, (40834); 1042, (40835); 1043, (41006);
+1044, (41007); 1045, (<a name = "item41008">41008</a>), Fig. <a href =
+"#fig458">458</a>; 1046, (41170); 1047, (40603); 1048, (40606); and
+1049, (40664), are square.</p>
+
+<p>Double cups:</p>
+
+<p>The round form has the same name as the single salt cup, but the
+square pattern is named <i>Mā´-pō-kā-thlē-lō-ne</i>. The following
+specimens belong to the latter class:</p>
+
+<p class = "hanging">
+1050-1057. 1050, (39900); 1051, (39901); 1052, (40416); 1053, (40604);
+1054, (40662); brown 1055, (40683); 1056, (40831); 1057, (40661).</p>
+
+<p class = "hanging">
+1058-1068. The following are round: 1058, (40410); 1059, (40411); 1060,
+(40412); 1061, (40413); 1062, (40414); 1063, (40415); 1064, (40440);
+1065, (40659); 1066, (40660); 1067, (40666); 1068, (40667).</p>
+
+<p class = "hanging">
+1069. (40836). Quadruple. This and the last three preceding specimens
+are ornamented like Fig. <a href = "#fig458">458</a>.</p>
+
+<h5 class = "ital">EFFIGIES.</h5>
+
+<p>These figures, which are of small size, the largest not exceeding one
+foot in length, are quite rude, rendering it difficult in some cases to
+tell what animal is intended, the only exceptions to this rule being
+some figures of owls, in which the Zuñians appear to have made the
+nearest approach to the true form. They are generally of white ware,
+decorated with colors. Often these decorations are arbitrary, but as a
+general rule there has been an evident attempt to imitate nature so far
+as it could be done with the various shades of brown and black.</p>
+
+<p>Some of the larger pieces, especially the owls, have an opening at
+the top or on the back, as though designed for water vessels.</p>
+
+<p>The objects most commonly represented are owls (which largely
+predominate), antelope, elk, ducks, and chickens. The human form, the
+pig, sheep, horse, &amp;c., are occasionally represented.</p>
+
+<!--png 616-->
+<!--png 617-->
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig460"> </a>
+<img src = "images/fig460.png" width = "157" height = "188"
+alt = "Zuñi effigy">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 460<br>
+(<a href = "#item40059">40059</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p>Owls, <i>mū-hū-que</i> and <i>mū-hū-que-tsān-nā</i>. These are nearly
+always represented with feet, and in most cases with legs. The body is
+usually disproportionately large, as are also the legs; the bill is
+small, and the
+<!--png 626-->
+<span class = "pagenum">365</span>
+<a name = "page365"> </a>
+wings are represented by small lateral projections; the tail is short.
+The eyes are generally well represented. The feathers, as will be seen,
+by reference to the figures, are quite well shown. The figures nave an
+opening on the top of the head.</p>
+
+<p>As there is a strong similarity in form, and the mode of decorating
+them is shown in the figures, no special remarks on the different
+specimens are necessary.</p>
+
+<p class = "hanging">
+1070-1077. 1070, (39875); 1071, (39876); 1072, (39877); 1073, (39921);
+1074, (39942); 1075, (39957); 1076, (40054); 1077, (<a name =
+"item40059">40059</a>), shown in Fig. <a href = "#fig460">460</a>; this
+is one of the very few without feet.</p>
+
+<p class = "hanging">
+1078-1096. 1078, (40064); 1079, (40065); 1080, (40068); 1081, (40138);
+1082, (<a name = "item40140">40140</a>), Fig. <a href =
+"#fig461">461</a>; 1083, (40261); 1084, (40142), small; 1085, (40262);
+1086, (40141); 1087, (40142); 1088, (40409); 1089, (40734); 1090,
+(40735), without feet; 1091, (40736); 1092, (40737); 1093, (<a name =
+"item40738">40738</a>), Fig. <a href = "#fig463">463</a>, very large;
+1094, (<a name = "item40740">40740</a>), Fig. <a href =
+"#fig462">462</a>; 1095, (40741); 1096, (40742).</p>
+
+<table class = "allclear">
+<tr>
+<td class = "figure">
+<a name = "fig461"> </a>
+<img src = "images/fig461.png" width = "133" height = "196"
+alt = "Zuñi effigy">
+</td>
+<!--png 618-->
+<!--png 619-->
+<td class = "figure">
+<a name = "fig462"> </a>
+<img src = "images/fig462.png" width = "163" height = "177"
+alt = "Zuñi effigy">
+</td>
+<td class = "figure">
+<a name = "fig463"> </a>
+<img src = "images/fig463.png" width = "196" height = "186"
+alt = "Zuñi effigy">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 461 (<a href = "#item40140">40140</a>) (⅓)
+</td>
+<td class = "caption">
+Fig. 462 (<a href = "#item40740">40740</a>) (¼)
+</td>
+<td class = "caption">
+Fig. 463 (<a href = "#item40738">40738</a>) (¼)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+1097-1112. 1097, (<a name = "item40743">40743</a>), Fig. <a href =
+"#fig466">466</a>; 1098, (40744); 1099, (40745); 1100, (40746), without
+feet; 1101, (40747); 1102, (<a name = "item40748">40748</a>), Fig. <a
+href = "#fig468">468</a>; 1103, (40749); 1104, (40750); 1105, (40751);
+1106, (40752); 1107, (40753); 1108, (<a name = "item40754">40754</a>),
+Fig. <a href = "#fig467">467</a>; 1109, (40755); 1110, (40756); 1111,
+(40757); 1112, (40758), without decorations.</p>
+
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig466"> </a>
+<img src = "images/fig466.png" width = "120" height = "164"
+alt = "Zuñi effigy">
+</td>
+<td class = "figure">
+<a name = "fig467"> </a>
+<img src = "images/fig467.png" width = "120" height = "191"
+alt = "Zuñi effigy">
+</td>
+<!--png 622-->
+<!--png 623-->
+<td class = "figure">
+<a name = "fig468"> </a>
+<img src = "images/fig468.png" width = "183" height = "142"
+alt = "Zuñi effigy">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 466<br>
+(<a href = "#item40743">40743</a>) (⅓)
+</td>
+<td class = "caption">Fig. 467<br>
+(<a href = "#item40754">40754</a>) (¼)
+</td>
+<td class = "caption">Fig. 468<br>
+(<a href = "#item40748">40748</a>) (¼)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+1113-1120. 1113, (40759); 1114, (40760); 1115, (40761); 1116, (40762);
+1117, (40763); 1118, (40764); 1119, (40765); 1120, (40766), bearing a
+single young owl on its back.</p>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig469"> </a>
+<img src = "images/fig469.png" width = "150" height = "212"
+alt = "Zuñi effigy"><br>
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 469<br>
+(<a href = "#item40767">40767</a>) (½)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+1121. (<a name = "item40767">40767</a>). Shown in Fig. <a href =
+"#fig469">469</a>, bearing three young owls on its back.</p>
+
+<p class = "hanging">
+1122. (41043).</p>
+
+<table>
+<!--png 620-->
+<!--png 621-->
+<tr>
+<td class = "figure">
+<a name = "fig464"> </a>
+<img src = "images/fig464.png" width = "120" height = "128"
+alt = "Zuñi effigy">
+</td>
+<td class = "figure">
+<a name = "fig465"> </a>
+<img src = "images/fig465.png" width = "117" height = "151"
+alt = "Zuñi effigy">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 464<br>
+(<a href = "#item40739">40739</a>) (¼)
+</td>
+<td class = "caption">Fig. 465<br>
+(<a href = "#item40066">40066</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging allclear">
+1123, 1124. 1123, (<a name = "item40066">40066</a>), Fig. <a href =
+"#fig465">465</a>, and 1124, (<a name = "item40739">40739</a>), Fig. <a
+href = "#fig464">464</a>. Two owl-shaped water vessels from Zuñi.</p>
+
+<p>Duck-shaped canteens, <i>ē-yāh-mē-hē-to</i>, are usually represented
+in a swimming posture, without feet, though occasionally the standing
+posture is adopted. The feather decorations are not so generally used as
+on the owls; several specimens bear on the back or sides the figure of
+the grotesque bird with spread wings. These specimens, like the owl
+images, have an orifice on the top of the head as though intended for
+water vessels, but are seldom used as such at the present time.</p>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig471"> </a>
+<img src = "images/fig471.png" width = "212" height = "128"
+alt = "Zuñi effigy">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 471 (<a href = "#item39910">39910</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+1125. (<a name = "item39910">39910</a>). Shown in Fig. <a href =
+"#fig471">471</a>.</p>
+
+<p>The following are similar:</p>
+
+<p class = "hanging">
+1126, 1127. 1126, (39879); 1127, (39889).</p>
+
+<p class = "hanging">
+1128. (36911). With feet, in standing posture.</p>
+
+<p class = "hanging">
+1129. (40063). With wings, without feet.</p>
+
+<p class = "hanging">
+1130. (41023). This and the three following specimens have feather
+decorations and are small. <i>Ē-yāh-mē-hē-tō-tsān-nā</i> of the
+Zuñians.</p>
+
+<p class = "hanging">
+1131-1133. 1131, (41024); 1132, (41025); 1133, (41027).</p>
+
+<p class = "hanging allclear">
+1134. (<a name = "item41026">41026</a>), Fig. <a href =
+"#fig470">470</a>. Chickens. The cock, <i>tō-kōk-ke</i>; the hen,
+<i>tō-kōk-kā</i>. The general term applied to the young, without
+reference to sex, is <i>sä-pi-pe</i>.</p>
+
+<!--png 627-->
+<span class = "pagenum">366</span>
+<a name = "page366"> </a>
+<p class = "hanging">
+1135. (<a name = "item39919">39919</a>). Represented in Fig. <a href =
+"#fig472">472</a>.</p>
+
+<p class = "hanging">
+1136, 1137. 1136, (41028); 1137, (41029).</p>
+
+<p class = "hanging">
+1138. (<a name = "item41030">41030</a>). Shown in Fig. <a href =
+"#fig476">476</a>.</p>
+
+<table>
+<!--png 624-->
+<!--png 625-->
+<tr>
+<td class = "figure">
+<a name = "fig470"> </a>
+<img src = "images/fig470.png" width = "183" height = "180"
+alt = "Zuñi effigy">
+</td>
+<!--png 628-->
+<!--png 629-->
+<td class = "figure">
+<a name = "fig472"> </a>
+<img src = "images/fig472.png" width = "156" height = "123"
+alt = "Zuñi effigy">
+</td>
+<td class = "figure">
+<a name = "fig476"> </a>
+<img src = "images/fig476.png" width = "163" height = "169"
+alt = "Zuñi effigy">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 470<br>
+(<a href = "#item41026">41026</a>) (⅓)
+</td>
+<td class = "caption">Fig. 472<br>
+(<a href = "#item39919">39919</a>) (⅓)
+</td>
+<td class = "caption">Fig. 476<br>
+(<a href = "#item41030">41030</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+1139, 1140. 1139, (41031); 1140. (41032).</p>
+
+<p class = "hanging">
+1141, 1142. 1141, (41033); 1142, (41034).</p>
+
+<p class = "hanging">
+1148-1147. 1143, (41035); 1144, (41036); 1145, (<a name =
+"item41037">41037</a>), Fig. <a href = "#fig475">475</a>; 1146, (41038);
+1147, (41039).</p>
+
+<p class = "hanging">
+1148-1151. 1148, (41040); 1149, (<a name = "item41041">41041</a>), Fig.
+<a href = "#fig474">474</a>; 1150, (41042); 1151, (<a name =
+"item41216">41216</a>), this piece represents a hen with three young
+chickens on her back, as in Fig. <a href = "#fig473">473</a>.</p>
+
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig473"> </a>
+<img src = "images/fig473.png" width = "152" height = "171"
+alt = "Zuñi effigy">
+</td>
+<td class = "figure">
+<a name = "fig474"> </a>
+<img src = "images/fig474.png" width = "209" height = "186"
+alt = "Zuñi effigy">
+</td>
+<td class = "figure">
+<a name = "fig475"> </a>
+<img src = "images/fig475.png" width = "123" height = "184"
+alt = "Zuñi effigy">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 473<br>
+(<a href = "#item41216">41216</a>) (⅕)
+</td>
+<td class = "caption">Fig. 474<br>
+(<a href = "#item41041">41041</a>) (⅓)
+</td>
+<td class = "caption">Fig. 475<br>
+(<ins class = "correction" title = "text reads ‘41097’"><a href =
+"#item41037">41037</a></ins>) (¼)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+1152-1155. 1152, (39897); 1153, (41044); 1154, (41045); 1155, (<a name =
+"item41046">41046</a>), Fig. <a href = "#fig477">477</a>. Antelope.
+(<i>māh-ā-wi.</i>) The form and decorations are shown in Figs. 477 and
+478.</p>
+
+<p class = "hanging">
+1156-1161. 1156, (41047); 1157, (41048); 1158, (<a name =
+"item41050">41050</a>), Fig. <a href = "#fig478">478</a>; 1159, (41219);
+1160, (41210); 1161, (41211).</p>
+
+<table>
+<!--png 630-->
+<!--png 631-->
+<tr>
+<td class = "figure">
+<a name = "fig477"> </a>
+<img src = "images/fig477.png" width = "191" height = "146"
+alt = "Zuñi effigy">
+</td>
+<td class = "figure">
+<a name = "fig478"> </a>
+<img src = "images/fig478.png" width = "221" height = "198"
+alt = "Zuñi effigy">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 477 (<a href = "#item41046">41046</a>) (⅕)
+</td>
+<td class = "caption">
+Fig. 478 (<a href = "#item41050">41050</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+1162. (41049). Elk, <i>shō-hi-ta</i>.</p>
+
+<p class = "hanging">
+1163-1166. 1163, (<a name = "item41212">41212</a>), Fig. <a href =
+"#fig480">480</a>; 1164, (41213); 1165, (41214); 1166, (41217). Pigs,
+<i>pits-ō-te</i>. The figures show the forms and decorations with
+sufficient accuracy to make further description unnecessary.</p>
+
+<p class = "hanging">
+1167. (<a name = "item41218">41218</a>). Ox, <i>wē-ä-si</i>. But a
+single example in the collection. Shown in Fig. <ins class =
+"correction" title =
+"text reads ‘429’"><a href = "#fig479">479</a></ins>.</p>
+
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig479"> </a>
+<img src = "images/fig479.png" width = "179" height = "113"
+alt = "Zuñi effigy">
+</td>
+<td class = "figure">
+<a name = "fig480"> </a>
+<img src = "images/fig480.png" width = "174" height = "104"
+alt = "Zuñi effigy">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 479 (<a href = "#item41218">41218</a>) (⅕)
+</td>
+<td class = "caption">
+Fig. 480 (<a href = "#item41212">41212</a>) (⅕)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+1168-1170. 1168, (41219); 1169, (41220); 1170, (41221). Sheep,
+<i>Kān-ē-lū</i>. These, like the pigs, are usually marked with spots.
+One specimen has these spots in the form of an S, or sigmoid figure.</p>
+
+<p class = "hanging">
+1171. (41222). The Big Horn (<i>Ovis montana</i>), <i>Hä-li-tkū</i>.
+This is the only specimen obtained and is a very rude figure, not easily
+recognizable.</p>
+
+<p class = "hanging">
+1172. (41224). The Lynx, <i>Tē-pi</i>. Orifice in the top of the head.
+Decorated with spots.</p>
+
+<p class = "hanging">
+1173. (41225). The Horse, <i>Tūsch</i>. Decorations, spots, and lines
+representing hair. A very poor figure; without the name would be
+unrecognizable.</p>
+
+<p class = "hanging">
+1174. (41226). Man on horseback, <i>I-mäl-tō-yi</i>. The figure of the
+man is evidently intended to represent a Mexican, as shown by the
+ordinary hat and clothing. The saddle is represented, but there is no
+bridle or other trappings.</p>
+
+<h5 class = "ital">STATUETTES.</h5>
+
+<p class = "hanging">
+1175. (40071). Indian boy without clothing and wearing moccasins.</p>
+
+<p class = "hanging">
+1176. (40076). <i>Wi-hā</i>. Baby.</p>
+
+<p class = "hanging">
+1177. (40860). <i>Klem-chi-ka</i>. Man with hat and clothing.</p>
+
+<p class = "hanging">
+1178. (40861). Nude female figure.</p>
+
+<p class = "hanging">
+1179. (40862). Man with hat and clothing.</p>
+
+<p class = "hanging">
+1180. (40863). Nude female figure.</p>
+
+<!--png 634-->
+<span class = "pagenum">367</span>
+<a name = "page367"> </a>
+<p class = "hanging">
+1181. (41223). Human hand, <i>ah-sin-ne</i>. Represents the hand and
+wrist. Rather good figure. The wrist is surrounded by a colored
+scalloped band, as a bracelet.</p>
+
+<p>Moccasins. <i>Mō-quā-we</i>. These are usually very correct in form,
+the differences between the right and left being always properly
+represented. Sometimes they are made singly, but usually in pairs,
+united directly or by a little straight bar or curved handle at the
+posterior end. White with color decorations, or brown or lead-colored
+without decorations, diminutive in size. The following specimens are
+without decorations:</p>
+
+<p class = "hanging">
+1182-1190. 1182, (39924); 1183, (39925); 1184, (39946); 1185, (39947);
+1186, (40055); 1187, (40626); 1188, (40629); 1189, (40634); 1190,
+(40635). The last two have loops at the heel and were used as paint
+cups.</p>
+
+<p>Decorated with colors:</p>
+
+<p class = "hanging">
+1191. (40637). Pair still united.</p>
+
+<p class = "hanging">
+1192. (<a name = "item39927">39927</a>). Shown in Fig. <a href =
+"#fig481">481</a>.</p>
+
+<p class = "hanging">
+1193. (40060). With lines; handle at the heel.</p>
+
+<p class = "hanging">
+1194, 1195. 1194, (<a name = "item40061">40061</a>), Fig. <a href =
+"#fig482">482</a>; 1195, (40628), decorated with grotesque bird.</p>
+
+<p class = "hanging">
+1196. (40630). With same figure.</p>
+
+<p class = "hanging">
+1197. (<a name = "item40631">40631</a>). Represented in Fig. <a href =
+"#fig483">483</a>.</p>
+
+<table>
+<!--png 632-->
+<!--png 633-->
+<tr>
+<td class = "figure">
+<a name = "fig481"> </a>
+<img src = "images/fig481.png" width = "157" height = "105"
+alt = "Zuñi moccasin">
+</td>
+<td class = "figure">
+<a name = "fig482"> </a>
+<img src = "images/fig482.png" width = "162" height = "87"
+alt = "Zuñi moccasin">
+</td>
+<td class = "figure">
+<a name = "fig483"> </a>
+<img src = "images/fig483.png" width = "183" height = "102"
+alt = "Zuñi moccasin">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 481<br>
+(<a href = "#item39927">39927</a>) (⅓)
+</td>
+<td class = "caption">Fig. 482<br>
+(<a href = "#item40061">40061</a>) (⅓)
+</td>
+<td class = "caption">Fig. 483<br>
+(<a href = "#item40631">40631</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+1198. (40633). This pretty pair is profusely ornamented with serrate
+lines from the tip to the ankles.</p>
+
+<p class = "hanging">
+1199, 1200. 1199, (40634) and 1200, (40636). Single, decorations, same
+as in the preceding; probably belong to one pair, as part of the
+connecting band remains on them.</p>
+
+<p class = "hanging">
+1201. (40804). Anomalous. <i>Tkhä-pō-kā-tēhl-le</i>. In the form of a
+low or depressed vase, with two handles, decorated with scroll figures;
+margin straight.</p>
+
+<p class = "hanging">
+1202. (40805). Vase-shaped, with single handle; a scalloped and an
+undulate band around the body. Margin straight.</p>
+
+<p class = "hanging">
+1203. (42375). Toy house. Composed of clay and willow sticks. Made by
+children.</p>
+
+<h5 class = "ital">CLAYS AND PIGMENTS.</h5>
+
+<p>The following specimens are employed in the manufacture of pottery
+and for decorative purposes:</p>
+
+<p class = "hanging">
+1204, 1205. 1204, (41230) and 1205, (41231). Are specimens of a whitish
+clay or kaolin, of which a solution is made and applied to the outer
+surfaces of earthenware. This whiting in a coarser state is used for
+white-washing their chimneys and rooms.</p>
+
+<p class = "hanging">
+1206. (41265). Is a dark carbonaceous clay which the Zuñi Indians obtain
+from near the summit of a mesa on which stand the ruins of their ancient
+village&mdash;or, at least, where they claim to have resided during the
+Spanish invasion of their country. As this clay is one of the
+<!--png 635-->
+<span class = "pagenum">368</span>
+<a name = "page368"> </a>
+principal elements in the manufacture of Zuñi pottery, a quantity of it
+was procured and numbered as one of the specimens of the collection.</p>
+
+<p class = "hanging">
+1207. (41901). Small nodules of azurite used by the Indians in
+decorating their altars, &amp;c.</p>
+
+<p class = "hanging">
+1208. (41902). White clay or kaolin, same as Nos. 1204 and 1205.</p>
+
+<p class = "hanging">
+1209. (41903). Finer quality of white clay.</p>
+
+<p class = "hanging">
+1210, 1211. 1210, (41904) and 1211, (41905). Are specimens of the above
+of a coarser quality.</p>
+
+<p class = "hanging">
+1212. (41906). Tierra amarilla, or yellow micaceous clay, of which the
+Rio Grande Indians make many varieties of vessels.</p>
+
+<p class = "hanging">
+1213. (42342). A yellowish sandy clay, which is used as one of the
+coloring pigments in decorating pottery. This clay burns to a reddish
+hue and gives to the pottery those lines of a brick-red color.</p>
+
+<p class = "hanging">
+1214. (42343). Very dark colored ore, resembling magnetic iron ore; this
+stone is reduced in a small mortar, and a paint made of it for
+decorating their ware black, which result is obtained by baking.</p>
+
+
+<h5 class = "section">VEGETAL SUBSTANCES.</h5>
+
+<h5 class = "ital">BASKETRY.</h5>
+
+<p class = "hanging">
+1215. (40108). A globular-shaped water basket, with a small neck, about
+two inches long and three in diameter.</p>
+
+<table class = "figright">
+<!--png 638-->
+<!--png 639-->
+<tr>
+<td class = "figure">
+<a name = "fig484"> </a>
+<img src = "images/fig484.png" width = "102" height = "199"
+alt = "Zuñi basket">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 484<br>
+(<a href = "#item40133">40133</a>) (¼)
+</td>
+</tr>
+<tr>
+<td class = "figure">
+<a name = "fig488"> </a>
+<img src = "images/fig488.png" width = "150" height = "125"
+alt = "Zuñi basket">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 488<br>
+(<a href = "#item40126">40126</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+1216. (40109). Double-lobed, canteen-shaped water basket, with both
+outer and inner surfaces coated with gum. The neck is about the size of
+that of the preceding basket. The centre is compressed to about the size
+of the neck; the bottom flat.</p>
+
+<p class = "hanging">
+1217. (40110). Similar to the preceding.</p>
+
+<p class = "hanging">
+1218. (40115). This specimen is a good representation of the basketry
+manufactured by the Zuñians, used for carrying peaches. It is well shown
+in Fig. <a href = "#fig484">484</a>.</p>
+
+<p class = "hanging">
+1219-1235. 1219, (40116); 1220, (40117); 1221, (40118); 1222, (40119);
+1223, (40120); 1224, (40121); 1225, (40122); 1226, (40123); 1227,
+(40124); 1228, (40125); 1229, (<a name = "item40126">40126</a>), Fig. <a
+href = "#fig488">488</a>; 1230, (40127); 1231, (40128); 1232, (40129);
+1233, (40130); 1234, (40131); 1235, (40132), are Zuñi baskets of the
+same character, of coarse willow ware. Sizes and shapes somewhat
+similar.</p>
+
+<p class = "hanging">
+1236. (<a name = "item40133">40133</a>). This specimen is an
+illustration of one form quite common. We found them in general use for
+bringing ripe peaches from the field. Fig. <a href = "#fig484">484</a>
+shows very clearly the manner of weaving them.</p>
+
+<p class = "hanging">
+1237-1240. 1237, (40134); 1238, (41135); 1239, (41136); 1240, (41137),
+are all samples of the same basketry. These baskets are called by the
+Zuñians <i>hu-chi-pŏn-nē.</i></p>
+
+<!--png 636-->
+<span class = "pagenum">369</span>
+<a name = "page369"> </a>
+<p class = "hanging">
+1241. (40143). A small platter-shaped corn, basket of the same coarse
+structure. They are called <i>tsi-i-lē</i>.</p>
+
+<p class = "hanging">
+1242-1247. 1242, (40144); 1243, (40145); 1244, (40146); 1245, (40147);
+1246, (40148); and 1247, (40149) are similar examples of corn
+baskets.</p>
+
+<p class = "hanging">
+1248-1257. 1248, (40401); 1249, (40402); 1250, (40403); 1251, (40404);
+1252, (40405); 1253, (40406); 1254, (40407); 1255, (40478); 1256,
+(40479); and 1257, (40480) are a variety of examples of the corn basket
+or <i>hu-chi-pŏn-ne</i>.</p>
+
+<p class = "hanging">
+1258. (40881). Toy basket of Navajo manufacture, of closely-woven fibre,
+about three inches in diameter. A string is attached to it for wearing
+it on the breast as an ornament, called <i>hō-in-hlän-tsān-nā</i>.</p>
+
+<p class = "hanging">
+1259, 1260. 1259, (40882), and 1260, (40883). Small cup or rather
+saucer-shaped baskets similar in construction to the preceding two
+numbers.</p>
+
+<p class = "hanging">
+1261. (40884). Is a corn basket of the same manufacture as the
+preceding, of much larger size, and called <i>hō-in-hlän-nā</i>.</p>
+
+<p class = "hanging">
+1262-1264. 1262, (40917); 1263, (40918); 1264, (40919) <i>Tsi´-i-lē</i>;
+large-sized, coarsely woven, tray-like baskets.</p>
+
+<p class = "hanging">
+1265. (40920). Toy basket; coarse, <i>tsi-i-lā-tsān-nā</i>.</p>
+
+<p class = "hanging">
+1266-1268. 1266, (40921); 1267, (40922); 1268, (40923). Navajo water
+baskets, jug-shaped, <i>kō-sē-tŏm-mē</i>.</p>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig485"> </a>
+<img src = "images/fig485.png" width = "186" height = "183"
+alt = "Zuñi basket">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 485 (<a href = "#item41228">41228</a>) (¼)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+1269. (41208). Large flaring or bowl-shaped basket of Apache
+manufacture; water-tight; used for holding flour and meal; very
+compactly woven; called by the Zuñis <i>hō-in</i>.</p>
+
+<p class = "hanging">
+1270. (41209). Very large specimen of the same ware woven with different
+colored fibres, so as to present a decorated inner surface.</p>
+
+<p class = "hanging">
+1271. (41227). <i>Tklā-lim-ne</i> or basket with abrupt sides. Navajo
+manufacture.</p>
+
+<p class = "hanging">
+1272-1275. 1272, (<a name = "item41228">41228</a>), Fig. <a href =
+"#fig485">485</a>; 1273, (41229); 1274, (41230); and 1275, (41231) are
+examples of the coarsely-woven flat basketry used frequently for
+winnowing small grain. The illustration shows the details sufficiently
+without further description.</p>
+
+<p class = "hanging">
+1276. (41248). Basket tray for bread, of the closely-woven class, called
+<i>mi-tū-li-hō-in</i>.</p>
+
+<p class = "hanging">
+1277. (41256). Toy basket, <i>tsi-li-tsān-nā</i>.</p>
+
+<h5 class = "ital">PADS.</h5>
+
+<p>The following are ring-shaped pads made of yucca leaves interwoven in
+such a manner as to leave the centre open sufficiently to fit the top of
+the head. These pads are used in carrying water, by placing the pad on
+the head into which the base of the vase fits. They are used also to
+hold water jars and vases on the ground, thus protecting the bottom of
+the vessels from wearing away. They are called in Zuñi
+<i>hā-kin-ne.</i></p>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig486"> </a>
+<img src = "images/fig486.png" width = "130" height = "134"
+alt = "Zuñi pad">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 486<br>
+(<a href = "#item40473">40473</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<!--png 637-->
+<span class = "pagenum">370</span>
+<a name = "page370"> </a>
+<p class = "hanging">
+1278-1287. 1278, (40464); 1279, (40465); 1280, (40466); 1281, (40467);
+1282, (40468); 1283, (40469); 1284, (40470); 1285, (40471); 1286,
+(40472) are examples of this pad, of which Fig. <a href =
+"#fig486">486</a>, 1287r. (<a name = "item40473">40473</a>), is an
+illustration.</p>
+
+<p>The following are objects of the same kind:</p>
+
+<p class = "hanging">
+1288-1292. 1288, (40474); 1289, (40475); 1290, (40924); 1291, (40925);
+1292, (40926).</p>
+
+<h5 class = "ital">DOMESTIC IMPLEMENTS, TOYS, &amp;c.</h5>
+
+<p>In the collection are a number of wooden spoons or ladles of various,
+sizes. These utensils were not frequently met with. The readiness with
+which the Indians can make pottery or <ins class = "correction" title =
+"so in original">earthern</ins> ladles, a large number of which are in
+the collection, has caused these to supersede the former. The wooden
+spoons are always chiseled from a single piece of wood. See Fig. <a href
+= "#fig490">490</a>.</p>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig490"> </a>
+<img src = "images/fig490.png" width = "190" height = "90"
+alt = "Zuñi ladle">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 490 (<a href = "#item40876">40876</a>) (¼)
+</td>
+</tr>
+</table>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig494"> </a>
+<img src = "images/fig494.png" width = "116" height = "274"
+alt = "Zuñi rotary drill">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 494<br>
+(<a href = "#item40827">40827</a>) (⅕)
+</td>
+</tr>
+</table>
+
+
+<p class = "hanging">
+1293-1297. 1293, (<a name = "item40876" href = "#fig490">40876</a>);
+1294, (40877); 1295, (40878); 1296, (41020); 1297, (41022) are specimens
+of spoons and ladles of wood. The large ones are called
+<i>täm-shŏ-kŏn-nā-tsān</i>, the smaller, <i>täm-shŏ-kŏn tsān nā</i>.</p>
+
+<p class = "hanging">
+1298. (41276). A wooden chair, made entirely of wood and in imitation,
+of a common chair, ornamented with carvings.</p>
+
+<p class = "hanging">
+1299. (42292). Meat-block in the form of a stool, one side of which is
+used for chopping, the other to sit upon.</p>
+
+<p class = "hanging">
+1300. (<a name = "item40827">40827</a>). Rotary drill, with stone disk
+and flint point, usually employed in perforating turquoise and other
+hard substances for ornaments. See Figure <a href = "#fig494">494</a>.
+Called by the Zuñis <i>klā-tŏ-ne</i>.</p>
+
+<p class = "hanging">
+1301. (40809). A small rectangular wooden box with a lid, used as a
+treasure-box, for holding choice trinkets and ornaments such as
+feathers, &amp;c., called <i>la-pŏ-ka kle-tŏn-tsān-nā</i>.</p>
+
+<p class = "hanging">
+1302. (41279). Wooden gun rack, made of pieces of flat wood, of a
+rectangular form, with notches in the upright sides for holding guns and
+bows. It is common in Zuñi.</p>
+
+<p class = "hanging">
+1303. (41192). A wooden comb used in connection with the loom. It is
+provided with teeth about one inch long; these teeth are placed between
+the perpendicular threads and with the hand brought down firmly on the
+cross-threads or yarn until it is perfectly compact. The blankets woven
+in this manner are water-tight. This comb is called
+<i>o-hā-nā-pā-ne</i>.</p>
+
+<p class = "hanging">
+1304-1307. 1304, (42043); 1305, (42044); 1306, (42045); and 1307,
+(42046); are combs above described, used with looms.</p>
+
+<p class = "hanging">
+1308. (40810). A wooden comb of the same character.</p>
+
+<!--png 640-->
+<span class = "pagenum">371</span>
+<a name = "page371"> </a>
+<p class = "hanging">
+1309. (41700). Bundle of fine grass stems for a comb.</p>
+
+<p class = "hanging">
+1310. (41282). Comb and brush, combined, made from dried grass stems;
+one end is used as a comb, the other as a brush.</p>
+
+<table class = "figright">
+<!--png 642-->
+<!--png 643-->
+<tr>
+<td class = "figure">
+<a name = "fig491"> </a>
+<img src = "images/fig491.png" width = "54" height = "198"
+alt = "Zuñi war-club">
+</td>
+<td class = "figure">
+<a name = "fig495"> </a>
+<img src = "images/fig495.png" width = "45" height = "250"
+alt = "Zuñi wooden spade">
+</td>
+<td class = "figure">
+<a name = "fig496"> </a>
+<img src = "images/fig496.png" width = "49" height = "308"
+alt = "Zuñi wooden digger">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 491<br>
+(<a href = "#item41275">41275</a>)<br>
+(1/7)
+</td>
+<td class = "caption">Fig. 495<br>
+(<a href = "#item41277">41277</a>)<br>
+(1/10)
+</td>
+<td class = "caption">Fig. 496<br>
+(<a href = "#item40879">40879</a>)<br>
+(1/10)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+1311. (<a name = "item41277">41277</a>). Wooden spade or shovel quite
+like an ordinary spade, used by the Indians for shoveling snow from the
+roofs of their houses, and for taking bread from their bakeovens. See
+Fig. <a href = "#fig495">495</a>.</p>
+
+<p class = "hanging">
+1312. (<a name = "item40879">40879</a>). Wooden digger and corn-planter,
+called <i>tā-sā-quin-ne</i>. This is the only specimen of the kind in
+the collection. The foot is used in digging as we use a spade. In making
+holes in the ground for planting grain, one foot is placed on the short
+projection, and the individual using it walks along, each alternate step
+making a hole in the ground into which to drop the grain. See Fig. <a
+href = "#fig496">496</a>.</p>
+
+<p class = "hanging">
+1313. (41262). Medicine sticks to influence rain. These little sticks
+are found hidden beneath the rafters of nearly every house in Zuñi.</p>
+
+<p class = "hanging">
+1314. (<a name = "item41275">41275</a>). Wooden war-club, which the
+Zuñis claim was one of their original weapons of war. See Fig. <a href =
+"#fig491">491</a>.</p>
+
+<p class = "hanging">
+1315. (<a name = "item41856">41856</a>). A peculiar warty squash or
+gourd hollowed out and filled with pebbles to make a rattling sound,
+used in most of the dances. See Fig. <a href = "#fig497">497</a>.</p>
+
+<p class = "hanging">
+1316. (41281). Gourd dance rattle.</p>
+
+<p class = "hanging">
+1317. (41196). Squash or gourd for making rattles.</p>
+
+<p class = "hanging">
+1318. (41197). Smooth-surfaced squash for rattle.</p>
+
+<p class = "hanging">
+1319. (41189). Gourd painted red, yellow, and black, which is suspended
+to a pole held in the dance called by the Zuñis
+<i>tŏm-tschūl-tŏn-ne</i>.</p>
+
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig492"> </a>
+<img src = "images/fig492.png" width = "55" height = "277"
+alt = "Zuñi dance ornament">
+</td>
+<td class = "figure">
+<a name = "fig493"> </a>
+<img src = "images/fig493.png" width = "154" height = "196"
+alt = "Zuñi dance ornament">
+</td>
+<td class = "figure">
+<a name = "fig497"> </a>
+<img src = "images/fig497.png" width = "153" height = "230"
+alt = "Zuñi rattle">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 492<br>
+(<a href = "#item41190">41190</a>) (⅛)
+</td>
+<td class = "caption">Fig. 493<br>
+(<a href = "#item41235">41235</a>) (⅙)
+</td>
+<td class = "caption">Fig. 497<br>
+(<a href = "#item41856">41856</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+1320. (<a name = "item41190">41190</a>). Yellow gourd, with black band,
+and having alternate squares of white and black around the centre,
+through which a stick is passed for holding it in the hand during a
+dance. The gourd is placed on the stick in an inverted position. On the
+top of the stick a bunch of feathers is attached. This ornament is
+generally used in their social dances, in which the young men and women
+mingle. See Fig. <a href = "#fig492">492</a>.</p>
+
+<p class = "hanging">
+1321. (41193). Water gourds.</p>
+
+<p class = "hanging">
+1322. (41194). Gourd with opening in the end of the handle.</p>
+
+<!--png 641-->
+<span class = "pagenum">372</span>
+<a name = "page372"> </a>
+<p class = "hanging">
+1323-1334. 1323, (41198); 1324, (41199); 1325, (41200); 1326, (41201);
+1327, (41202); 1328, (41203); 1329, (41204); 1330, (41205); 1331,
+(41206); 1332, (41207); 1333, (41234); 1334, (<a name =
+"item41235">41235</a>), are wooden birds carved and painted to represent
+such as they are accustomed to seeing daily. Those represented are the
+magpie, prairie lark, oriole, humming bird, and swallow. The latter is
+shown in Fig. <a href = "#fig493">493</a>. The object is attached to a
+stick in such a manner that the wings can be made to move up and down by
+pulling a string, in imitation of the bird in flight.</p>
+
+<p class = "hanging">
+1335. (<a name = "item41184">41184</a>). Toy or baby cradle, called
+<i>wi-hā-klem-tsān-nā</i>, (see Fig. <a href = "#fig489">489</a>), with
+a wooden doll arranged to show the manner of securing children in
+cradles.</p>
+
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig487"> </a>
+<img src = "images/fig487.png" width = "194" height = "125"
+alt = "Zuñi toy cradle">
+</td>
+<td class = "figure">
+<a name = "fig489"> </a>
+<img src = "images/fig489.png" width = "173" height = "100"
+alt = "Zuñi toy cradle">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 487 (<a href = "#item41725">41725</a>) (¼)
+</td>
+<td class = "caption">
+Fig. 489 (<a href = "#item41184">41184</a>) (¼)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+1336. (<ins class = "correction" title = "text reads ‘41275’"><a name =
+"item41725">41725</a></ins>). Cradle with wooden doll, Fig. <a href =
+"#fig487">487</a>, composed of woven willows.</p>
+
+<p class = "hanging">
+1337. (41724). Toy drum, <i>tō´-sō-än-än-tōm-me</i>.</p>
+
+<p class = "hanging">
+1338. (41285). Spinning top.</p>
+
+<h5 class = "ital">FOODS.</h5>
+
+<p class = "hanging">
+1339. (40905). <i>Wia-vi</i>, or wafer bread.</p>
+
+<p class = "hanging">
+1340. (41261). Meal from Indian maize.</p>
+
+<p class = "hanging">
+1341. (41263). Chili, or ground-red pepper.</p>
+
+<p class = "hanging">
+1342. (41264). Dried peaches; Indian style.</p>
+
+<p class = "hanging">
+1343. (41266). Dried squash; Indian style.</p>
+
+<p class = "hanging">
+1344. (41267). Indian beans.</p>
+
+<p class = "hanging">
+1345. (41271). Corn parched by the Indians.</p>
+
+<p class = "hanging">
+1346. (41272). Native salt of Zuñi.</p>
+
+<p class = "hanging">
+1347. (41273). Zuñi bread.</p>
+
+<p class = "hanging">
+1348. (41274). Zuñi bread used in the dance.</p>
+
+<p class = "hanging">
+1349. (41280). Zuñi bread.</p>
+
+<p class = "hanging">
+1350. (41283). Zuñi sprouted wheat, from which a juice or wine is
+obtained.</p>
+
+<p class = "hanging">
+1351. (42050). Horse beans cultivated by the Indians.</p>
+
+<h5 class = "ital">MEDICINES AND DYES.</h5>
+
+<p class = "hanging">
+1352. (41172). Root used as medicine.</p>
+
+<p class = "hanging">
+1353. (41173). Root used as medicine.</p>
+
+<p class = "hanging">
+1354. (41175). Root used as medicine, called by the Zuñians
+<i>āh-quā-ā-we</i>.</p>
+
+<p class = "hanging">
+1355. (41174). Bark for coloring buckskin red.</p>
+
+<p class = "hanging">
+1356. (41907). Plant for coloring black.</p>
+
+<p class = "hanging">
+1357. (41908). Plant used for decorating pottery black, the oil or juice
+of which is used.</p>
+
+<!--png 646-->
+<span class = "pagenum">373</span>
+<a name = "page373"> </a>
+<h5 class = "section">ANIMAL SUBSTANCES.</h5>
+
+<h5 class = "ital">HORN AND BONE.</h5>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig498"> </a>
+<img src = "images/fig498.png" width = "122" height = "163"
+alt = "Zuñi rattle">
+</td>
+<td class = "figure">
+<a name = "fig499"> </a>
+<img src = "images/fig499.png" width = "63" height = "223"
+alt = "Zuñi hopple">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 498<br>
+(<a href = "#item41853">41853</a>) (⅓)
+</td>
+<td class = "caption">Fig. 499<br>
+(<a href = "#item41219">41219</a>) (⅕)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+1358. (41284). Bone awl, with iron shaft.</p>
+
+<p class = "hanging">
+1359-1361. 1359, (41851); 1360, (41852); and 1361, (<a name =
+"item41853">41853</a>), Fig. <a href = "#fig498">498</a>, are specimens
+of a rattle or musical instrument made from the shell of a turtle which
+is highly esteemed by the Pueblo tribes. The flesh of the turtle is
+carefully removed from the shell, leaving it hollow. To the edges of the
+breast plate are attached the toes of goats or sheep. These toes coming
+in contact with the hollow shell produce a peculiar sound, in keeping
+with the sound caused by the gourd rattles used in the same ceremony.
+The rattle is fastened to the rear of the right leg near the knee when
+employed in the dances.</p>
+
+<h5 class = "ital">SKIN.</h5>
+
+<p class = "hanging">
+1362. (41287). Lasso or lariat of plaited leather.</p>
+
+<p class = "hanging">
+1363. (<a name = "item41219">41219</a>). Hopple strap; ends locked by
+small blocks of wood. See Fig. <a href = "#fig499">499</a>.</p>
+
+<h5 class = "ital">WOVEN FABRICS.</h5>
+
+<p class = "hanging">
+1364. (41251). Moki scarf, from Zuñi.</p>
+
+<p class = "hanging">
+1365. (41552). Child’s shirt of calico, <i>ō-chū-ōtsn-nā</i>.</p>
+
+<p class = "hanging">
+1366. (41253). Squaw’s knit leggings.</p>
+
+<p class = "hanging">
+1367, 1368. 1367, (41801) and 1368, (41807). Are sashes of Moki
+manufacture, handsomely embroidered at each end in colors.</p>
+
+<table>
+<!--png 644-->
+<!--png 645-->
+<tr>
+<td class = "figure">
+<a name = "fig500"> </a>
+<img src = "images/fig500.png" width = "156" height = "339"
+alt = "Zuñi woven sash"><br> <!--COLOR-->
+</td>
+<td class = "figure">
+<a name = "fig501"> </a>
+<img src = "images/fig501.png" width = "201" height = "334"
+alt = "Zuñi woven sash"><br> <!--COLOR-->
+</td>
+<td class = "figure">
+<a name = "fig502"> </a>
+<img src = "images/fig502.png" width = "169" height = "337"
+alt = "Zuñi woven sash"><br> <!--COLOR-->
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 500<br>
+(<a href = "#item41713">41713</a>)
+</td>
+<td class = "caption">Fig. 501<br>
+(<ins class = "correction" title = "(see no. 1378)">41808</ins>)
+</td>
+<td class = "caption">Fig. 502<br>
+(<ins class = "correction" title = "(see no. 1379)">41838</ins>)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+1369, 1370. 1369, (41712) and 1370, (<ins class = "correction" title =
+"text reads ‘14713’"><a name = "item41713">41713</a></ins>). Are worsted
+woven belts for the waist, called <i>eh-ni-ne</i>. See Fig. <a href =
+"#fig500">500</a>.</p>
+
+<p class = "hanging">
+1371. (41714). Worsted garter, called <i>eh-ni-ne tsān-nā</i>.</p>
+
+<p class = "hanging">
+1372. (41801). Finely-woven white cotton with embroidered edge, of which
+the following are examples:</p>
+
+<p class = "hanging">
+1373-1375. 1373, (41802); 1374, (41803), and 1375, (41804).</p>
+
+<p class = "hanging">
+1376. (41805). Blue woolen scarf.</p>
+
+<p class = "hanging">
+1377. (41806). Scarf.</p>
+
+<p class = "hanging">
+1378. (<a name = "item41807">41807</a>). Sash. See Fig. <a href =
+"#fig501">501</a>.</p>
+
+<p class = "hanging">
+1379. (<a name = "item41808">41808</a>). Sash. See Fig. <a href =
+"#fig502">502</a>.</p>
+
+<!--png 647-->
+<span class = "pagenum">374</span>
+<a name = "page374"> </a>
+<p class = "hanging">
+1380. (41809). Navajo blanket, used as a squaw’s dress, with red
+border.</p>
+
+<p class = "hanging">
+1381. (41810). Similar blanket.</p>
+
+<p class = "hanging">
+1382. (41811). Navajo blanket with blue border. The following are
+similar to the preceding:</p>
+
+<p class = "hanging">
+1383-1388. 1383, (41812); 1384, (41813); 1385, (41814); 1386, (41815);
+1387, (41816); and 1388, (41817).</p>
+
+<p class = "hanging">
+1389. (41818). Saddle-blanket, in colors.</p>
+
+<p class = "hanging">
+1390-1395. 1390, (41819); 1391, (41820); 1392, (41821); 1393, (41822);
+1394, (41823); and 1395, (41824), are also saddle-blankets.</p>
+
+<p class = "hanging">
+1396. (41825). Imperfect large robe of wool.</p>
+
+<p class = "hanging">
+1397. (42223). Sample of green yarn used by the Zuñians in making belts
+and blankets.</p>
+
+<p class = "hanging">
+1398. (42201). War trophy, worn as shoulder belt; the band which passes
+over the shoulder is ornamented with arrow-points which are fastened in
+the plaiting. The plaited portion is made of the skin dress of a slain
+Navajo. So highly did the Zuñians prize this trophy that I was obliged
+to promise its return before I was allowed to take it away. A sketch was
+made of it, after which it was returned to the Indians.</p>
+
+<p class = "hanging">
+1399. (42268). A Zuñi charm, made from a piece of shell rounded and
+pierced near one end to-receive a string.</p>
+
+<p class = "hanging">
+1400. (<a name = "item41726">41726</a>). Head-dress worn by maidens in
+dances. Fig. <a href = "#fig503">503</a> shows the form. The flower is
+sometimes red and yellow; this is attached to one side of the band which
+goes over the head; to the other side is attached a horn-shaped
+ornament. The flower is called <i>ātē än-ne</i>. The horn on the left is
+called <i>sai´änne</i>. The band that encircles the head is called
+<i>gĕm-me</i>. The following are articles of the same kind, differing
+only in ornamentation:</p>
+
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig503"> </a>
+<img src = "images/fig503.png" width = "325" height = "109"
+alt = "Zuñi head dress">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 503 (<a href = "#item41726">41726</a>) (⅙)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+1401-1408. 1401, (41727); 1402, (41728); 1403, (41729); 1404, (41730);
+1405, (41731); 1406, (41732); 1407, (41733); and 1408, (41734).</p>
+
+<p class = "hanging">
+1409. (41698). Wool rosette; part of head-dress.</p>
+
+<p class = "hanging">
+1410. (41699). Cotton rosette; part of head-dress.</p>
+
+<p class = "hanging">
+1411. (41697). Charm of wild turkey feathers.</p>
+
+<!--png 650-->
+<span class = "pagenum">375</span>
+<a name = "page375"> </a>
+<p class = "hanging">
+1412. (42206). Grooved axe of black fine-grained sandstone, about eight
+inches long; water-worn to its present shape, afterward grooved to
+render it suitable for use.</p>
+
+<p class = "hanging">
+1413. (<a name = "item42207">42207</a>). Fig. <a href =
+"#fig504">504</a>. Grooved axe, of basalt. The only specimen of this
+particular form in the collection.</p>
+
+<table class = "figright">
+<tr>
+<td class = "figure" rowspan = "3">
+<a name = "fig505"> </a>
+<img src = "images/fig505.png" width = "85" height = "222"
+alt = "Wolpi ax">
+</td>
+<!--png 648-->
+<!--png 649-->
+<td class = "figure">
+<a name = "fig504"> </a>
+<img src = "images/fig504.png" width = "119" height = "152"
+alt = "Wolpi ax">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 504<br>
+(<a href = "#item42207">42207</a>) (⅓)
+</td>
+</tr>
+<tr>
+<td class = "figure">
+<a name = "fig507"> </a>
+<img src = "images/fig507.png" width = "79" height = "112"
+alt = "Wolpi ax">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 505<br>
+(<a href = "#item42208">42208</a>) (⅓)
+</td>
+<td class = "caption">Fig. 507<br>
+(<a href = "#item42213">42213</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+1414. (<a name = "item42208">42208</a>). Fig. <a href =
+"#fig505">505</a>. Large stone celt of coarse sandstone, light gray
+color. It is shaped more like a wedge than the cut indicates. It is
+difficult to conjecture what this implement could have been used for.
+The sandstone of which it is made is too soft for either splitting or
+hammering. As it is about ten inches long and has four flat sides it may
+have been a grinder, as many of those implements are not unlike it in
+length and appearance. Its surface is quite rough and pitted.</p>
+
+<p class = "hanging">
+1415. (42209). Sandstone maul, grooved, surface rough.</p>
+
+<p class = "hanging">
+1416. (42210). Triangular-shaped maul, grooved in the middle; of coarse
+basalt. This and similar mauls evidently at one time had handles fixed
+to them, but at the present day it is not uncommon to see the modern
+Pueblo Indians holding them in the hand to crush their grain, chili or
+red-pepper pods in round mortars.</p>
+
+<p class = "hanging">
+1417. (42211). Grooved axe of basalt.</p>
+
+<p class = "hanging">
+1418. (42212). Small grooved axe of metamorphic rock.</p>
+
+<p class = "hanging">
+1419. (<a name = "item42213">42213</a>). Fig. <a href =
+"#fig507">507</a>. Water-worn boulder of quartzite, grooved around the
+centre.</p>
+
+<p class = "hanging">
+1420. (42214). Basaltic maul, grooved in the middle like the preceding.
+Used by the Indians at the present day for pounding chili or red
+pepper.</p>
+
+<p class = "hanging">
+1421. (42216). Grooved axe of greenstone, quite long, well shaped, and
+nicely polished.</p>
+
+<p class = "hanging">
+1422. (42217). Grooved axe of greenstone, similar to the preceding.</p>
+
+<p class = "hanging">
+1423. (42218). Grooved axe of sandstone; top square.</p>
+
+<p class = "hanging">
+1424. (42219). Axe of basalt, grooved on three sides.</p>
+
+<p class = "hanging">
+1425. (42220). Grooved axe of greenstone.</p>
+
+<p class = "hanging">
+1426. (42221). Grooved axe of quartz.</p>
+
+<p class = "hanging">
+1427. (42222). Grooved axe of sandstone. Groove very near the top.</p>
+
+<p class = "hanging">
+1428. (42223). Grooved axe of greenstone, well polished.</p>
+
+<p class = "hanging">
+1429. (42224). Grooved axe of schistose rock, much flattened, with a
+small second groove below the larger one.</p>
+
+<!--png 651-->
+<span class = "pagenum">376</span>
+<a name = "page376"> </a>
+<p class = "hanging">
+1430. (42225). Small grooved axe of greenstone, body rather square, top
+quite small, with the groove very near&nbsp;it.</p>
+
+<p class = "hanging">
+1431. (42226). Axe of basalt, grooved on three sides near its top, which
+is flat.</p>
+
+<p class = "hanging">
+1432. (42227). Grooved on three sides.</p>
+
+<p class = "hanging">
+1433. (42228). Grooved axe.</p>
+
+<p class = "hanging">
+1434. (42319). Grooved axe made from a fragment of a grinder.</p>
+
+<p class = "hanging">
+1435. (42320). Same as preceding.</p>
+
+<p class = "hanging">
+1436. (42321). Rough chipping or stone hammer.</p>
+
+<p class = "hanging">
+1437. (42322). Large grooved maul of a ferruginous substance.</p>
+
+<p class = "hanging">
+1438. (42323). Large egg-shaped grooved maul of coarse sandstone.</p>
+
+<p class = "hanging">
+1439. (42326). Large grooved maul of irregular shape and surface;
+finegrained sandstone.</p>
+
+<p class = "hanging">
+1440-1447. 1440, (42327); 1441, (42328); 1442, (42329); 1443, (42330);
+1444, (42331); 1445, (42332); 1446, (42333); 1447, (42334), are all
+quite similar to the two preceding mauls, and are all of sandstone.</p>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig506"> </a>
+<img src = "images/fig506.png" width = "107" height = "170"
+alt = "Wolpi ax">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 506<br>
+(<a href = "#item42337">42337</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+1448. (42335). A very large grooved maul, almost square, and weighing
+about fifteen pounds.</p>
+
+<p class = "hanging">
+1449. (42336). Grooved maul of very coarse-grained sandstone; short and
+thick.</p>
+
+<p class = "hanging">
+1450. (<a name = "item42337">42337</a>). Fig. <a href =
+"#fig506">506</a>. Grooved maul of compact sandstone. The body of the
+maul is almost round, though the cut makes it appear flat. Several such
+specimens were collected, and in all instances they show that they have
+been better preserved than the axes. This is probably due to the fact
+that their shape adapts them to grinding foods and grain, and hence they
+are not used for splitting or cutting.</p>
+
+<p class = "hanging">
+1451. (42339). Rough stone maul of sandstone, grooved in the middle.</p>
+
+<p class = "hanging">
+1452. (42350). Small grooved axe of sandstone from the ruins of
+Pecos.</p>
+
+<p class = "hanging">
+1453. (42246). Celt of a very black slate stone.</p>
+
+<p class = "hanging">
+1454. (42247). Celt. This is a very fine specimen, of yellow polished
+slate of about the same texture as the preceding one. It is about twelve
+inches long, and tapers gradually from the broad edge to the top.</p>
+
+<h5 class = "ital">METATES, OR GRAIN-GRINDERS, AND PESTLES.</h5>
+
+<p class = "hanging">
+1455-1460. 1455, (42279); 1456, (42287); 1457, (42289); 1458, (42309);
+1459, (42310); 1460, (<a name = "item42311">42311</a>), are ordinary
+specimens of the metate placed together in the shape of a mill. See Fig.
+<a href = "#fig508">508</a>.</p>
+
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig508"> </a>
+<img src = "images/fig508.png" width = "306" height = "134"
+alt = "Wolpi metate">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 508 (<a href = "#item42311">42311</a>)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+1461, 1462. 1461, (42313), and 1462, (42314), are rubbing stones.</p>
+
+<p class = "hanging">
+1463. (42338). Broken metate rubber.</p>
+
+<p class = "hanging">
+1464. (42249). Rubbing stone.</p>
+
+<p class = "hanging">
+1465. (40139). Rude rubber of silicified wood.</p>
+
+<p class = "hanging">
+1466. (42274). Small quartz rubber.</p>
+
+<p class = "hanging">
+1467. (42275). Small greenstone rubber.</p>
+
+<!--png 652-->
+<span class = "pagenum">377</span>
+<a name = "page377"> </a>
+<p class = "hanging">
+1468-1473. 1468, (42276); 1469, (42277); 1470, (42278); 1471, (42316);
+1472, (42317); 1473, (42318), are all <ins class = "correction" title =
+"so in original: ‘fragments’?">fragrants</ins> of rubbers.</p>
+
+<p class = "hanging">
+1474. (42290). Bound sandstone pestle, each end ovate.</p>
+
+<p class = "hanging">
+1475. (42294). Square sandstone pestle.</p>
+
+<p class = "hanging">
+1476. (42295). Small round pestle, with rounded ends.</p>
+
+<h5 class = "ital">MORTARS, PESTLES, ETC.</h5>
+
+<p>Nearly all the pestles and mortars from Wolpi present evidences of
+age. They are nearly all of coarse sandstone, and were used for bruising
+food and grain. They are usually quite large, heavy, and round. As they
+are generally of soft yielding rocks, the cavities are worn very deep in
+most of them.</p>
+
+<p class = "hanging">
+1477. (42281). Large flat food mortar.</p>
+
+<p class = "hanging">
+1478. (42282). Paint mortar, made from a round sandstone boulder about
+five inches in diameter.</p>
+
+<p class = "hanging">
+1479. (42283). Grain mortar.</p>
+
+<p class = "hanging">
+1480. (42284). Mortar made from a round somewhat flattened sandstone
+boulder.</p>
+
+<p class = "hanging">
+1481. (42285). Food mortar of indurated sandstone, about four inches
+thick and eight inches in diameter, irregularly round, the depression
+being about three inches deep.</p>
+
+<p class = "hanging">
+1482. (42286). Mortar for crushing grain; this is an unusually fine
+specimen. It is about seven inches high, and an almost round body, about
+an inch and a half thick at the top of the rim; the cavity is quite a
+perfect oval in shape, about five inches deep; bottom flat.</p>
+
+<p class = "hanging">
+1483. (42288). Mortar similar to the above, but having a projection on
+one side like the ear of a kettle.</p>
+
+<p class = "hanging">
+1484. (42291). Mortar and pestle. The mortar is nearly square; cavity
+about five inches deep and seven in diameter. The pestle has a groove
+round the middle.</p>
+
+<p class = "hanging">
+1485. (42292). Paint mortar about one inch thick and nearly square.</p>
+
+<p class = "hanging">
+1486. (42293). Round quartzitic boulder; one side flat, the other with a
+small cavity.</p>
+
+<p class = "hanging">
+1487. (42307). Bowl-shaped food mortar, about ten inches in diameter and
+five inches high.</p>
+
+<h5 class = "ital">MISCELLANEOUS OBJECTS.</h5>
+
+<p class = "hanging">
+1488. (42270). Stone knife with two notches or grooves near the large
+end.</p>
+
+<p class = "hanging">
+1489. (42271). Forty specimens of arrow-heads and small perforators,
+flint and agate; most of them very well shaped.</p>
+
+<p class = "hanging">
+1490. (42253). Sandstone gaming ball, painted.</p>
+
+<p class = "hanging">
+1491-1493. 1491, (42254); 1492, (42255); and 1493, (42256), are all
+sandstone gaming balls.</p>
+
+<table class = "figright">
+<!--png 654-->
+<!--png 655-->
+<tr>
+<td class = "figure">
+<a name = "fig509"> </a>
+<img src = "images/fig509.png" width = "119" height = "48"
+alt = "Wolpi ancient pipe">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 509<br>
+(<a href = "#item42257">42257</a>) (½)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+1494. (<a name = "item42257">42257</a>). Fig. <a href =
+"#fig509">509</a>. Hollow tube. The figure represents one made
+<!--png 653-->
+<span class = "pagenum">378</span>
+<a name = "page378"> </a>
+from potters’ clay, the other is of siliceous material. These pipes are
+not in use at the present time, but are frequently found around the
+ruins and in possession of the Indians.</p>
+
+<p class = "hanging">
+1495. (<a name = "item42261">42261</a>). Stone image, probably intended
+to represent a rabbit. It is of fine-grained stone. Shown in Fig. <a
+href = "#fig513">513</a>. There are quite a number of these little
+images from Wolpi and Zuñi; as they appear to represent rabbits, it is
+presumed that they are quite old, and possibly antedate the introduction
+of domestic animals among the tribes.</p>
+
+<p class = "hanging">
+1496. (42296). Small paint muller of jasper.</p>
+
+<p class = "hanging">
+1497. (42297). Square quartzitic paint muller.</p>
+
+<p class = "hanging">
+1498. (42298). Triangular paint rubber of quartz.</p>
+
+<p class = "hanging">
+1499-1503. 1499, (42299), quartz; 1500, (42300); 1501, (42301); 1502,
+(42303); and 1503, (42304), are all quartz paint pestles made from half
+sections of small semi spherical boulders; the large end, which is flat,
+being used for the grinding part.</p>
+
+<p class = "hanging">
+1504. (42305). Part of a grooved axe.</p>
+
+<p class = "hanging">
+1505. (42306). Rubbing stone with four rubbing surfaces.</p>
+
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig510"> </a>
+<img src = "images/fig510.png" width = "127" height = "46"
+alt = "Wolpi stone effigy">
+</td>
+<td class = "figure">
+<a name = "fig512"> </a>
+<img src = "images/fig512.png" width = "120" height = "72"
+alt = "Wolpi effigy">
+</td>
+<td class = "figure">
+<a name = "fig513"> </a>
+<img src = "images/fig513.png" width = "172" height = "78"
+alt = "Wolpi effigy">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 510<br>
+(<a href = "#item42263">42263</a>) (½)
+</td>
+<td class = "caption">Fig. 512<br>
+(<a href = "#item42262">42262</a>) (⅓)
+</td>
+<td class = "caption">Fig. 513<br>
+(<a href = "#item42261">42261</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+1506. (<a name = "item42262">42262</a>). Fig. <a href =
+"#fig512">512</a>. This undoubtedly represents some animal.</p>
+
+<p class = "hanging">
+1507. (<a name = "item42263">42263</a>). Fig. <a href =
+"#fig510">510</a>. This evidently represents some animal other than the
+rabbit. The body is long and slender, and is provided with a tail.</p>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig511"> </a>
+<img src = "images/fig511.png" width = "142" height = "141"
+alt = "Wolpi neck ornament">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 511<br>
+(<a href = "#item40114">40114</a>) (½)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+1508. (42264). Small sandstone image, which is a good representation of
+a bear; grooved around the neck, with mouth and eyes and short tail.
+None of these little images are provided with anything more than short
+stubs for limbs.</p>
+
+<p class = "hanging">
+1509. (42265). Very small sandstone image, quite similar to No.
+1507.</p>
+
+<p class = "hanging">
+1510. (<a name = "item40114">40114</a>). Wolpi neck ornament, Fig. <a
+href = "#fig511">511</a>, <i>hu-wat-he-qua-ve</i>, of red slate stone
+notched at each end, as shown in the cut, and perforated at the upper
+edge to receive a cord, with which it is suspended to the neck. Though a
+rare ornament, it possesses no particular known significance.</p>
+
+
+<h5 class = "section">ARTICLES OF CLAY.</h5>
+
+<h5 class = "ital">WATER VASES.</h5>
+
+<p>These are of the usual form, and for the most part of the usual size
+found at Zuñi; but there are also a number of very large specimens of
+the white ornamented, black, and red ware, having a capacity of ten or
+twelve gallons.</p>
+
+<p>White decorated ware:</p>
+
+<p class = "hanging">
+1511. (41356). Decorations exactly the same type as that shown in Fig.
+<a href = "#fig359">359</a>, except that there is a regular meander
+around the shoulder. The type is shown in Fig. <a href =
+"#fig514">514</a>.</p>
+
+<!--png 660-->
+<p>
+<span class = "pagenum">379</span>
+<a name = "page379"> </a>
+The following belong to the same type as the above, the variations being
+but slight, the large circular space with scroll being the chief
+characteristic:</p>
+
+<table class = "figright">
+<!--png 656-->
+<!--png 657-->
+<tr>
+<td class = "figure">
+<a name = "fig514"> </a>
+<img src = "images/fig514.png" width = "245" height = "209"
+alt = "Wolpi water vase">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 514 (<ins class = "correction" title =
+"text reads ‘41609’ (may be correct)"><a href = "#item41602">41602</a></ins>) (¼)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+1512. (41601). Figure on the neck as on the body of Fig. <a href =
+"#fig372">372</a>.</p>
+
+<p class = "hanging">
+1513. (<ins class = "correction" title =
+"so in original, but see Figure"><a name = "item41602">41602</a></ins>).
+Shown in Fig. <a href = "#fig514">514</a>.</p>
+
+<p class = "hanging">
+1514. (41603). The block containing the smaller circle is here solid and
+square; there is a zig-zag band around the neck as on the margins of
+some Zuñi bowls.</p>
+
+<p class = "hanging">
+1515. (41604). This varies in having in place of the block with the
+small circle, a regularly checkered block.</p>
+
+<p class = "hanging">
+1516. (41606). This has only the large diamond figures on the body, and
+a band of s’s round the shoulder.</p>
+
+<p class = "hanging">
+1517. (41607). Like No. 1514.</p>
+
+<p class = "hanging">
+1518. (41454). With handles on sides; fringe-like band around the
+shoulder.</p>
+
+<p class = "hanging">
+1519. (41455). Simple linear band around the body.</p>
+
+<p class = "hanging">
+1520. (41456). Figures of a trident or three-pronged fork; and ladle on
+the body.</p>
+
+<p>The following are plain brown and red ware, some of them very large.
+The neck is but slight, and they are often more pot-shaped than olla
+form. Without ornamentation.</p>
+
+<p>Brown or red.</p>
+
+<table class = "figright">
+<!--png 658-->
+<!--png 659-->
+<tr>
+<td class = "figure">
+<a name = "fig515"> </a>
+<img src = "images/fig515.png" width = "119" height = "195"
+alt = "Wolpi pot">
+</td>
+<td class = "figure">
+<a name = "fig516"> </a>
+<img src = "images/fig516.png" width = "239" height = "243"
+alt = "Wolpi pot">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 515<br>
+(<a href = "#item40646">40646</a>) (1/7)
+</td>
+<td class = "caption">Fig. 516<br>
+(<a href = "#item42374">42374</a>) (1/7)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+1521-1533. 1521, (41632); 1522, (41633); 1523, (41635); 1524, (41636);
+1525, (41637); 1526, (41638); 1527, (41639); 1528, (41640); 1529,
+(41641); 1530, (41642); 1531, (41643); 1532, (41649); 1533, (41650).</p>
+
+<p class = "hanging">
+1534. (41644).</p>
+
+<p class = "hanging">
+1535. (<a name = "item40646">40646</a>). Fig. <a href =
+"#fig515">515</a>.</p>
+
+<p class = "hanging">
+1536. (41647).</p>
+
+<p class = "hanging">
+1537. (41648).</p>
+
+<p class = "hanging">
+1538. (<a name = "item42374">42374</a>). Very large pot, used for
+cooking. Name, <i>nu-a-mash-pe</i>. Represented in Fig. <a href =
+"#fig516">516</a>.</p>
+
+<h5 class = "ital">WATER JUGS AND JARS.</h5>
+
+<p>These are similar to those obtained at Zuñi; sub-globular in form,
+one side more distinctly flattened on which to lie, the other very
+convex. Usually with two handles, sometimes loops, and sometimes studs
+or knobs. Occasionally ornamented white ware, but most generally
+unadorned brown or red ware. The latter showing, on some pieces, at
+least, a slight, perhaps accidental, glazing. They vary in size from six
+or seven gallons down to less than a pint.</p>
+
+<p>As the various figures used in decorations have been described, only
+those which are unusual will be noticed here.</p>
+
+<p>White decorated ware:</p>
+
+<p class = "hanging">
+1539. (41320). Underside as usual, blown. Scalloped band in direction of
+mouth and handle, transverse double scalloped band across the upper
+half.</p>
+
+<!--png 661-->
+<span class = "pagenum">380</span>
+<a name = "page380"> </a>
+<p class = "hanging">
+1540. (41362). Similar to the last.</p>
+
+<p class = "hanging">
+1541. (41342). Simple bands and scrolls.</p>
+
+<p class = "hanging">
+1542, 1543. 1542, (41401) and 1543, (41447). Similar.</p>
+
+<p>Brown ware without ornamentation:</p>
+
+<p class = "hanging">
+1544-1567. 1544, (41321); 1545, (41322); 1546, (41323); 1547, (41324);
+1548, (41325); 1549, (41326); 1550, (41327); 1551, (41328); 1552
+(41329); 1553, (41330); 1554, (41331); 1555, (41332); 1556, (41333);
+1557, (41334); 1558, (41335); 1559, (41336); 1560, (41337); 1561,
+(41338); 1562, (41339); 1563, (41340); 1564, (41341); 1565, (41343);
+1566, (41344); 1567, (41345).</p>
+
+<p class = "hanging">
+1568-1569. 1568, (41609) and 1569, (41611). These have only the large
+diamond figures on the body, and a zig-zag line around the neck.</p>
+
+<p class = "hanging">
+1570. (41610). The large diamonds serrate on the outer margin; neck with
+doubly oblique serrate lines.</p>
+
+<p class = "hanging">
+1571. (<a name = "item41613">41613</a>). As in Fig. <a href =
+"#fig514">514</a>, except that the neck, instead of the zigzag, has
+oblique diamonds.</p>
+
+<p class = "hanging">
+1572. (41614). This varies from the preceding in having only a narrow
+scalloped band around the neck.</p>
+
+<p class = "hanging">
+1573. (41620). Only the large scrolls, nothing on the neck.</p>
+
+<p class = "hanging">
+1574. (41622). Similar to the preceding, except that each alternate
+scroll is replaced by a rosette in a circle.</p>
+
+<p class = "hanging">
+1575. (41615). Like No. 1515, except that the neck has a scalloped band
+with birds’ heads.</p>
+
+<p class = "hanging">
+1576. (41618). Large diamonds on the body alternately with rosettes, by
+the side of which is a bird.</p>
+
+<p class = "hanging">
+1577. (41621). Similar to Fig. <a href = "#fig514">514</a>, except that
+the black has no circle in&nbsp;it.</p>
+
+<p class = "hanging">
+1578. (41358). Small with a broad checkered band around the body.</p>
+
+<p class = "hanging">
+1579. (41605). With narrow scalloped band around the neck; triangular
+figures pointing to right and left on the body with cross lines between
+the bases.</p>
+
+<p class = "hanging">
+1580. (41608). Outline figures of terraced hills with cactus growing
+from them, and curved scalloped lines above.</p>
+
+<p class = "hanging">
+1581. (41612). Scalloped band around the neck; oblique, heavy, double
+diamond figures with scrolls on the body.</p>
+
+<p class = "hanging">
+1582. (41617). No decorations on the neck; body with the spear points or
+long triangles, and serrate oblique lines as on Zuñi bowls.</p>
+
+<p class = "hanging">
+1583. (41616). Line of little circles on the neck; triangles of lines,
+pointing to the left on the body.</p>
+
+<p class = "hanging">
+1584. (41619). Similar in form and decorations to Fig. <a href =
+"#fig371">371</a> (Zuñi), except that the upper side of the band is
+formed of triangles instead of scrolls.</p>
+
+<p class = "hanging">
+1585. (41629). This is really a double-handled jar.</p>
+
+<p class = "hanging">
+1586. (41630). Scalloped band around bottom, serrated squares near
+rim.</p>
+
+<!--png 664-->
+<span class = "pagenum">381</span>
+<a name = "page381"> </a>
+<p class = "hanging">
+1587. (41631). Scrolls on the neck; birds with crest feathers, and
+flowers on the body.</p>
+
+<p class = "hanging">
+1588. (41634). Very small, with numerous scalloped lines arranged in
+diamond form.</p>
+
+<p class = "hanging">
+1589. (41644). Series of double perpendicular scallops.</p>
+
+<p class = "hanging">
+1590. (41468). Similar to No. 1586.</p>
+
+<h5 class = "ital">TOY-LIKE WATER VESSELS.</h5>
+
+<p>The following are very small water vessels, probably intended for
+children:</p>
+
+<p class = "hanging">
+1591. (41449). Figures of birds on body.</p>
+
+<p class = "hanging">
+1592. (41450). The usual diamond and scroll on body.</p>
+
+<p class = "hanging">
+1593-1603. 1593, (41346); 1594, (41347); 1595, (41348); 1596, (41349);
+1597, (41350); 1598, (41351); 1599, (41352); 1600, (41353); 1601,
+(41354); 1602, (41355); 1603, (41448).</p>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig518"> </a>
+<img src = "images/fig518.png" width = "146" height = "267"
+alt = "Wolpi vessel">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 518<br>
+(<a href = "#item41363">41363</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p>Small toy canteens:</p>
+
+<p class = "hanging">
+1604-1607. 1604, (41439); 1605, (41440); 1606, (41442); 1607,
+(41443).</p>
+
+<p>The following three are cup-shaped, with an ear on each side to which
+to attach a string, the top is closed, with a round orifice in the
+middle, and they are either medicine or little paint vessels and not
+canteens, as given in the original field catalogue:</p>
+
+<p class = "hanging">
+1608-1610. 1608, (41444); 1609, (41445); 1610, (41446).</p>
+
+<p>Water jugs and bottles are of various forms, which will be described
+under their respective numbers. They are usually of the white decorated
+ware. The brown ware is always undecorated.</p>
+
+<p class = "hanging">
+1611. (<ins class = "correction" title = "text reads ‘41353’"><a name =
+"item41363">41363</a></ins>). See Fig. <a href = "#fig518">518</a>.</p>
+
+<p class = "hanging">
+1612. (<a name = "item41364">41364</a>). Brown ware shown in Fig. <a
+href = "#fig517">517</a>.</p>
+
+<p class = "hanging">
+1613. (41365). Brown ware, cylindrical, constricted in the middle and
+with small orifice.</p>
+
+<p class = "hanging">
+1614. (41393). Without handle.</p>
+
+<table>
+<!--png 662-->
+<!--png 663-->
+<tr>
+<td class = "figure">
+<a name = "fig517"> </a>
+<img src = "images/fig517.png" width = "215" height = "103"
+alt = "Wolpi vessel">
+</td>
+<td class = "figure">
+<a name = "fig519"> </a>
+<img src = "images/fig519.png" width = "152" height = "193"
+alt = "Wolpi vessel">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 517 (<a href = "#item41364">41364</a>) (¼)
+</td>
+<td class = "caption">
+Fig. 519 (<a href = "#item41366">41366</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+1615. (<ins class = "correction" title =
+"also listed as no. 2582, with same Figure reference"><a name =
+"item41366">41366</a></ins>). Fig. <a href = "#fig519">519</a>.
+A water jar made in imitation of a common
+gourd cultivated by many of the Pueblo tribes. The body is ornamented on
+both sides with a curved line and birds, as seen in the figure. A small
+circular orifice is left at the base of the handle.</p>
+
+<p class = "hanging">
+1616. (<a name = "item41367">41367</a>). As in Fig. <a href =
+"#fig520">520</a>.</p>
+
+<p class = "hanging">
+1617. (<a name = "item41368">41368</a>). Shown in Fig. <a href =
+"#fig522">522</a>.</p>
+
+<p class = "hanging">
+1618-1619. 1618, (41369), and 1619, (41370). Similar to the
+preceding.</p>
+
+<p class = "hanging">
+1620. (41407). Regularly shaped jug with handle decorated with
+geometrical figures.</p>
+
+<p class = "hanging">
+1621. (41433). Brown ware, regular jug with two handles.</p>
+
+<p class = "hanging">
+1622. (41434). Similar to preceding, but without handles.</p>
+
+<p class = "hanging">
+1623. (<a name = "item41469">41469</a>). Bottle shaped. Brown ware.
+Represented in Fig. <a href = "#fig521">521</a>.</p>
+
+<table>
+<tr>
+<!--png 666-->
+<!--png 667-->
+<td class = "figure">
+<a name = "fig520"> </a>
+<img src = "images/fig520.png" width = "174" height = "232"
+alt = "Wolpi water jar">
+</td>
+<td class = "figure">
+<a name = "fig521"> </a>
+<img src = "images/fig521.png" width = "180" height = "157"
+alt = "Wolpi water jar">
+</td>
+<td class = "figure">
+<a name = "fig522"> </a>
+<img src = "images/fig522.png" width = "132" height = "173"
+alt = "Wolpi water jar">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 520<br>
+(<a href = "#item41367">41367</a>) (⅓)
+</td>
+<td class = "caption">Fig. 521<br>
+(<a href = "#item41469">41469</a>) (⅓)
+</td>
+<td class = "caption">Fig. 522<br>
+(<a href = "#item41368">41368</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p>The following are similar:</p>
+
+<p class = "hanging">
+1624-1628. 1624, (41373); 1625, (41374); 1626, (41375); 1627, (41376);
+1630, (41377).</p>
+
+<!--png 665-->
+<span class = "pagenum">382</span>
+<a name = "page382"> </a>
+<p class = "hanging">
+1629. (41393). Brown ware, with single constriction, without handle.</p>
+
+<p class = "hanging">
+1630. (41394). Similar.</p>
+
+<h5 class = "ital">CUPS.</h5>
+
+<p>Those obtained were chiefly very small. As will be seen, the ladle to
+a very large extent supplies with this people the place of the cup.</p>
+
+<p class = "hanging">
+1631. (41409). Regular handled cup; white ware, with a broad band in
+which are white crescents.</p>
+
+<p class = "hanging">
+1632. (41461). Shaped as preceding. White ware, all except a marginal
+uncolored band marked with cross or checkered lines.</p>
+
+<p class = "hanging">
+1633. (41526). Small white ware, outside without decorations; scalloped
+marginal band inside; with handle.</p>
+
+<p class = "hanging">
+1634. (41527). Sides straight; with handle, decorated on the outside
+with triangular figures so common on bowls.</p>
+
+<p class = "hanging">
+1635. (41430). With similar decorations.</p>
+
+<p>Toy cups. Usually brown ware without ornamentation:</p>
+
+<p class = "hanging">
+1636. (41415). White ware with a band of scrolls.</p>
+
+<p class = "hanging">
+1637-1641. 1637, (41417); 1638, (41426); 1639, (41427); 1640, (41428);
+1641, (41429). These five are brown ware.</p>
+
+<p class = "hanging">
+1642. (41435). A pretty pitcher-shaped vessel ornamented with interlaced
+or cross lines forming a regular net-work.</p>
+
+<h5 class = "ital">EATING-BOWLS.</h5>
+
+<p>The bowls vary in size, as do those from Zuñi, but as a general rule
+they are small, or of but medium size; quite a number of those obtained
+are very small. In form they are generally like those from Zuñi, but
+some are biscuit-shaped, as those from Tesuke; others are true basins;
+and a few are square, and perhaps should not be classed as bowls, though
+we have included them under that general term. The decorations on the
+larger ones of regular form are very similar to those seen on Zuñi
+bowls. The colors black and red or brown are usually lighter and
+brighter than on the Zuñi pottery:</p>
+
+<p class = "hanging">
+1643. (41357). Regular Form. Decorations on the inner face only;
+marginal zigzag line, with diamond and scroll below.</p>
+
+<p class = "hanging">
+1644. (41359). Outer and inner surface decorations as in Fig. <a href =
+"#fig412">412</a>.</p>
+
+<p class = "hanging">
+1645. (41361). Decorations only a double-scalloped inner marginal
+band.</p>
+
+<p class = "hanging">
+1646. (41400). Very small; a simple inner band.</p>
+
+<p class = "hanging">
+1647. (41463). Small. This and the following small specimens are
+decorated on the inside with what appears to be intended for an Indian
+head, with a tuft of hair.</p>
+
+<p class = "hanging">
+1648-1653. 1648, (41464); 1649, (41465); 1650, (41467); 1651, (41529);
+1652, (41530); 1653, (41534).</p>
+
+<p class = "hanging">
+1654-1657. 1654, (41538); 1655, (41539); 1656, (41589); 1657,
+(41565).</p>
+
+<p class = "hanging">
+1658. (41466). No outer decorations; inner surface with the usual
+diamond and scroll figure.</p>
+
+<table class = "figright">
+<!--png 670-->
+<!--png 671-->
+<tr>
+<td class = "figure">
+<a name = "fig523"> </a>
+<img src = "images/fig523.png" width = "189" height = "122"
+alt = "Wolpi eating bowl">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 523 (<a href = "#item41540">41540</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<!--png 668-->
+<span class = "pagenum">383</span>
+<a name = "page383"> </a>
+<p class = "hanging">
+1659-1660. 1659, (41528); 1660, (41531).</p>
+
+<p class = "hanging">
+1661. (<a name = "item41540">41540</a>). Shown in Fig. <a href =
+"#fig523">523</a>.</p>
+
+<p class = "hanging">
+1662-1663. 1662, (41541), and 1663, (41599), are marked only with a
+broad inner marginal band of geometrical figures.</p>
+
+<p class = "hanging">
+1664. (41532). No outer decorations; inner with diamond and scroll and
+triangular figures.</p>
+
+<p>The following have the outer surface decorated as in the Zuñi
+pattern, shown in Figs. 416 and 417. The inner decorations vary
+slightly.</p>
+
+<p>With crenate or zigzag line on inner margin, and scroll diamond, or
+scrolls only:</p>
+
+<p class = "hanging">
+1665-1671. 1665, (41544); 1666, (41547); 1667, (41562); 1668, (41568);
+1669, (41576); 1670, (41590); 1671, (41577).</p>
+
+<p>With similar marginal band and pentagonal scrolls and bird:</p>
+
+<p class = "hanging">
+1672-1673. 1672, (41548), and 1673, (41549).</p>
+
+<p class = "hanging">
+1674. (41550). With inner marginal band of geometrical figures; no other
+inner decorations.</p>
+
+<p class = "hanging">
+1675. (41561). Broad marginal band only.</p>
+
+<p class = "hanging">
+1676. (41574). Inside with crenate marginal band; geometrical figures
+below.</p>
+
+<p class = "hanging">
+1677. (41584). Heavy, scalloped inner band with T-shaped spaces in the
+scallops. Scrolls below.</p>
+
+<p class = "hanging">
+1678. (41581). Broad checkered inner band only.</p>
+
+<p class = "hanging">
+1679. (41592). Similar checkered band with scroll figures below.</p>
+
+<p class = "hanging">
+1680. (41596). With terraced marginal band, and terraced or pyramidal
+figures below.</p>
+
+<p class = "hanging">
+1681. (41627). Marginal band of geometrical figures only.</p>
+
+<p class = "hanging">
+1682. (41543). Biscuit-shaped. Outside with three rows or bands of large
+serratures.</p>
+
+<p class = "hanging">
+1683. (41545). No outer decorations; inner crenate marginal line;
+scrolls and diamond below. The following are similar:</p>
+
+<p class = "hanging">
+1684-1697. 1684, (41554); 1685, (41558), marginal band of lance points;
+1686, (41564); 1687, (41567); 1688, (41569); 1689, (41573); 1690,
+(41575); 1691, (41578); 1692, (41579); 1693, (41582); 1694, (41585);
+1695, (41588); 1696, (41591), this has also the triangular bird; 1697,
+(41623).</p>
+
+<p class = "hanging">
+1698. (41551). No outer decorations; zigzag marginal line; flowers and
+lines below.</p>
+
+<p class = "hanging">
+1699. (41552). This has a very pretty design on the outside, a band of
+diamonds, a little cross in each, and a dotted line above and below. The
+inner decorations of this and the following consist of a broad band
+only, of geometrical or architectural figures. Outer decorations
+various, which alone are mentioned.</p>
+
+<p class = "hanging">
+1700-1701. 1700, (41553), bird in a wreath; 1701, (51555), lines of
+crescent.</p>
+
+<!--png 669-->
+<span class = "pagenum">384</span>
+<a name = "page384"> </a>
+<p class = "hanging">
+1702-1703. 1702, (41556), and 1703, (41563). Same as the preceding.</p>
+
+<p class = "hanging">
+1704. (41570). Similar to the preceding, with scroll band below.</p>
+
+<p class = "hanging">
+1705. (41572). Triangular figures.</p>
+
+<p class = "hanging">
+1706. (41597). Scalloped lines arranged in large diamonds, with a flower
+in the center of the diamond.</p>
+
+<p class = "hanging">
+1707. (41626). Scrolls and crescents.</p>
+
+<p class = "hanging">
+1708. (41628). Same as No. 1706.</p>
+
+<p class = "hanging">
+1709. (41559). Checkered band and scrolls inside, band of crescents
+outside.</p>
+
+<p class = "hanging">
+1710. (41566). Inner marginal band as in outer decorations found on Zuñi
+bowls.</p>
+
+<p class = "hanging">
+1711. (41571). No outer decorations; inner geometrical figures but no
+band.</p>
+
+<p class = "hanging">
+1712. (41593). Checkered band, and scrolls inside; broad marginal band
+with lower side scalloped.</p>
+
+<p class = "hanging">
+1713. (41594). With no outer figures; radiating simple and serrate lines
+inside.</p>
+
+<p class = "hanging">
+1714. (41595). No outer decorations; scalloped or crenate band, and
+geometrical figures on inner surface.</p>
+
+<p class = "hanging">
+1715. (41600). No outer decorations; birds and flowers or rosettes.</p>
+
+<p class = "hanging">
+1716. (41625). No outer decorations; inside with successive scallops,
+and the conventional bird form between squares, one above the other.</p>
+
+<p class = "hanging">
+1717-1718. 1717, (41560), and 1718, (41624). Brown ware without
+ornamentation.</p>
+
+<p>Minute bowls, usually without decoration, but sometimes figured,
+especially on the outside, with simple outline figures.</p>
+
+<p class = "hanging">
+1719-1727. 1719, (41418); 1720, (41419); 1721, (41421); 1722, (41422);
+1723, (41423); 1724, (41424); 1725, (41457); 1726, (41458); 1727,
+(41459), with short handle; the decoration in this is true herring-bone
+pattern.</p>
+
+<p class = "hanging">
+1728. (41460). Square basins. These are comparatively small and resemble
+in shape a common knife-basket or tray, but without handle or
+division.</p>
+
+<p class = "hanging">
+1729. (41533). Outside with figures of birds, flowers and diamonds.</p>
+
+<p class = "hanging">
+1730. (41535). Outer band with scrolls along the under edge or margin;
+diamond with scroll on inside.</p>
+
+<p class = "hanging">
+1731. (41537). Inside similar to No. 1730; outside usual triangular
+figures.</p>
+
+<p class = "hanging">
+1732. (41536). Outside similar, inside with four faces in outline.</p>
+
+<p class = "hanging">
+1733. (41542). Plain brown.</p>
+
+<p class = "hanging">
+1734. (41546). Outside the usual triangular figures; inside bird figures
+and slender leaf-stalks.</p>
+
+<p class = "hanging">
+1735. (41557). Outside triangular figures; inside double scroll.</p>
+
+<p class = "hanging">
+1736. (41586). Outside oblique, double serrate bands; inside broad
+marginal checkered band; bottom four faces.</p>
+
+<!--png 672-->
+<span class = "pagenum">385</span>
+<a name = "page385"> </a>
+<h5 class = "ital">COOKING VESSELS.</h5>
+
+<p>These are usually unadorned and of brown or black ware. The number
+obtained was not large, and they vary greatly in character. They are
+generally of medium size or small, and some which appear to be used as
+cooking vessels have a handle on the side and resemble pitchers and
+cups. Some have two handles and are shaped like an urn or olla; others
+appear to be true pots. The want of uniformity among this tribe in the
+use of vessels of this kind renders its difficult to class them
+according to use. I will, therefore, group them according to form.
+Except one or two of the little pots none of them are ornamented.</p>
+
+<p>Pot-shaped vessels:</p>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig524"> </a>
+<img src = "images/fig524.png" width = "259" height = "168"
+alt = "Wolpi cooking vessel">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 524 (<a href = "#item41385">41385</a>) (½)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+1737-1739. 1737, (41360); 1738, (41379); 1739, (<a name =
+"item41385">41385</a>); two handles as in Fig. <a href =
+"#fig524">524</a>.</p>
+
+<p class = "hanging">
+1740-1741. 1740, (41380), and 1741, (41405). Without handle, the latter
+possibly used as a drinking vessel.</p>
+
+<p class = "hanging">
+1742-1746. 1742, (41381); 1743, (41382); 1744, (41383); 1745, (41384);
+1746, (41386); each with a handle on one side; they resemble pitchers or
+cups.</p>
+
+<h5 class = "ital">TOY-LIKE VESSELS.</h5>
+
+<p class = "hanging">
+1747. (41416). Like a small water-vessel.</p>
+
+<p class = "hanging">
+1748. (41442). Olla-shaped, with handles; decorated with a band of loops
+around the middle.</p>
+
+<p class = "hanging">
+1749. (41451). Olla.</p>
+
+<p class = "hanging">
+1750-1751. 1750, (41452), and 1751, (41453). Cylindrical jars without
+handles.</p>
+
+<p class = "hanging">
+1752-1753. 1752, (41293), and 1753, (41294). Large black Cooking pots of
+the usual shape.</p>
+
+<p class = "hanging">
+1754. (42367). Flat jar-shaped vessel, red ware, with regular ears on
+the sides with holes through them. Cooking vessel; new.</p>
+
+<p class = "hanging">
+1755. (42369). Small globular red bowl, half burned.</p>
+
+<p class = "hanging">
+1756. (42370). Part of a corrugated vessel. It is yellow, but partly
+burned; it looks fresh and new, but is really old, having been out of
+the ground of old ruins near Wolpi.</p>
+
+<h5 class = "ital">LADLES.</h5>
+
+<p>Of these vessels, which are extensively used by the Shinumos, there
+are various forms with an almost endless variation in decoration, being
+generally of ornamented white ware. Some of them bear a strong
+resemblance to the skillets used on cooking stoves, the handle being
+looped, but the bowl is more saucer-shaped. Others, as shown in Figs. <a
+href = "#fig527">527</a> and <a href = "#fig529">529</a>, are evidently
+fashioned after gourds. Some are somewhat of the form shown in Figs. <a
+href = "#fig439">439</a> and <a href = "#fig440">440</a>, but the handle
+is more distinct. Others are true cup-shaped vessels, with the handles
+projecting from the middle of the side. A few are double with a single
+handle.</p>
+
+<p>Skillet-shaped vessels. Usually decorated in the bowl. As these
+figures
+<!--png 673-->
+<span class = "pagenum">386</span>
+<a name = "page386"> </a>
+are generally similar to those already described, special notice will be
+taken only of such forms as vary from the normal shape and figures.</p>
+
+<p class = "hanging">
+1757-1758. 1757, (<a name = "item41396">41396</a>), and 1758, (<a name =
+"item41395">41395</a>). Gourd shaped; similar to those shown in Figs. <a
+href = "#fig527">527</a> and <a href = "#fig529">529</a>.</p>
+
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig527"> </a>
+<img src = "images/fig527.png" width = "208" height = "74"
+alt = "Wolpi ladle">
+</td>
+<td class = "figure">
+<a name = "fig529"> </a>
+<img src = "images/fig529.png" width = "168" height = "69"
+alt = "Wolpi ladle">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 527 (<a href = "#item41396">41396</a>) (½)
+</td>
+<td class = "caption">
+Fig. 529 (<a href = "#item41395">41395</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+1759-1760. 1759, (41378), and 1760, (41397). Outside covered with
+checkers.</p>
+
+<p class = "hanging">
+1761. (41398). Outside covered with scrolls.</p>
+
+<p class = "hanging">
+1762. (40408). Outside decorated with oblique serrate lines.</p>
+
+<p class = "hanging">
+1763. (41411). Ladles with two bowls. Handle with the head of an animal,
+probably a wild-cat, at the tip; figures of birds in the bowls.</p>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig528"> </a>
+<img src = "images/fig528.png" width = "249" height = "91"
+alt = "Wolpi ladle">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 528 (<a href = "#item41412">41412</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+1764. (<a name = "item41412">41412</a>). Shown in Fig. <a href =
+"#fig528">528</a>.</p>
+
+<p class = "hanging">
+1765. (41413). Handle broken; bowls with only a scalloped marginal
+band.</p>
+
+<p class = "hanging">
+1766-1767. 1706, (41470); 1767, (41476). Cup-shaped, with short handles;
+shaped like a small olla.</p>
+
+<p class = "hanging">
+1768. (41477). Handle with animal head on the tip; outside covered with
+checkered figures.</p>
+
+<p class = "hanging">
+1769. (41479). Handle as in the preceding; oblique, doubly serrate lines
+on outside of bowl.</p>
+
+<p class = "hanging">
+1770-1772. 1770, (41480); 1771, (41481); 1772, (41482); face in the bowl
+of the last.</p>
+
+<p class = "hanging">
+1773-1774. 1773, (41483), and 1774, (41484); the handle of the latter
+represents an animal’s head, with face turned toward the bowl.</p>
+
+<p class = "hanging">
+1775-1777. 1775, (41388); 1776, (41389); 1777, (41425). The handle of
+this represents, in shape, the head of a woman and child, and the bowl
+contains the figures of two faces.</p>
+
+<p class = "hanging">
+1778-1783. 1778, (41462); 1779, (41471); 1780, (41472); 1781, (41473);
+1782, (41474); 1783, (41475). The last of these has a minute head of a
+woman on the end of the handle, which is solid.</p>
+
+<p class = "hanging">
+1784-1785. 1784, (41485), and 1785, (41486). Bowls elaborately
+ornamented with geometrical figures and a circle of serratures, in which
+is a figure resembling a duck with spread wings seen from above.</p>
+
+<p class = "hanging">
+1786-1788. 1786, (41487); 1787, (41488); 1788, (41489); the last with a
+woman’s head on the tip of the solid handle.</p>
+
+<p class = "hanging">
+1789-1793. 1789, (41498); 1790, (41499); 1791, (41508); 1792, (41514);
+1793, (41490). The last of these as also the following seven pieces have
+bent, gourd-like handles, slightly curved or hooked at the end, solid
+and somewhat rounded.</p>
+
+<p class = "hanging">
+1794-1800. 1794, (41491); 1795, (41492); 1796, (41493); 1797, (41494);
+1798, (41496); 1799, (41497); 1800, (41500).</p>
+
+<p class = "hanging">
+1801. (41495). Like No. 1788, as are also the following ten
+specimens:</p>
+
+<p class = "hanging">
+1802-1811. 1802, (41502); 1803, (41504); 1804, (41505); 1805, (41507);
+1806, (41515) 1807, (<a name = "item41518">41518</a>), Fig. <a href =
+"#fig525">525</a>; 1808, (41519); 1809, (41522); 1810, (41523); 1811,
+(41525).</p>
+
+<p class = "hanging">
+1812. (41506). This is square; an unusual form.</p>
+
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig525"> </a>
+<img src = "images/fig525.png" width = "180" height = "104"
+alt = "Wolpi ladle">
+</td>
+<!--png 674-->
+<!--png 675-->
+<td class = "figure">
+<a name = "fig526"> </a>
+<img src = "images/fig526.png" width = "212" height = "106"
+alt = "Wolpi ladle">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 525 (<a href = "#item41518">41518</a>) (½)
+</td>
+<td class = "caption">
+Fig. 526 (<a href = "#item41410">41410</a>) (½)
+</td>
+</tr>
+</table>
+
+<!--png 676-->
+<span class = "pagenum">387</span>
+<a name = "page387"> </a>
+<p class = "hanging">
+1813-1822. 1813, (41509); 1814, (41510); 1815, (41511); 1816, (41512);
+1817, (41513); 1818, (41516); 1819, (41517); 1820, (41520); 1821,
+(41521); 1822, (41503).</p>
+
+<p class = "hanging">
+1823-1824. 1823, (41524), and 1824, (41501). Shaped somewhat like an
+oyster-shell.</p>
+
+<p class = "hanging">
+1825. (41399). Water vessel in the shape of a bird, with tail and wings
+represented.</p>
+
+<p class = "hanging">
+1826. (41406). Cup with bird’s head on one side, tail opposite, and
+slight projections to represent wings on the side. Brown ware.</p>
+
+<p class = "hanging">
+1827. (<a name = "item41410">41410</a>). A double cup or ladle shown in
+Fig. <a href = "#fig526">526</a>.</p>
+
+<p class = "hanging">
+1828. (<a name = "item41414">41414</a>). Like Fig. <a href =
+"#fig531">531</a>, ornamented with oblique scalloped stripes on outside;
+geometrical figures inside.</p>
+
+<p class = "hanging">
+1829-1830. 1829, (41431), and 1830, (41432). Square salt-boxes; the
+former of white ware, with square figures on the outside; the latter
+brown, unornamented.</p>
+
+<p class = "hanging">
+1831. (41436). Cup-shaped basket, brown ware; woman’s head on top of
+handle.</p>
+
+<p class = "hanging">
+1832. (41437). Similar basket, white ornamented ware, handle plain.</p>
+
+<p class = "hanging">
+1833. (41437). Similar small, brown, cup-shaped basket.</p>
+
+<p class = "hanging">
+1834. (41478). Biscuit-shaped bowl, with ornamental diamonds on
+outside.</p>
+
+<h5 class = "ital">MISCELLANEOUS.</h5>
+
+<p class = "hanging">
+1835. (41371). Basket similar to those used by the Zuñians in sacred
+dances, with terraced margin, plain band inside, and comb-like figures
+outside.</p>
+
+<p class = "hanging">
+1836. (41372). Similar basket, bottom flat, and sides straighter than
+the preceding, decorated on the outside with oblique double serrate
+stripes.</p>
+
+<p class = "hanging">
+1837-1838. 1837, (<a name = "item41387">41387</a>), and 1838, (<a name =
+"item41392">41392</a>). Baskets with straight margins, both with
+geometrical figures on the outside. The latter is shown in Fig. <a href
+= "#fig530">530</a>.</p>
+
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig530"> </a>
+<img src = "images/fig530.png" width = "120" height = "135"
+alt = "Wolpi basket">
+</td>
+<!--png 678-->
+<!--png 679-->
+<td class = "figure">
+<a name = "fig531"> </a>
+<img src = "images/fig531.png" width = "178" height = "124"
+alt = "Wolpi basin">
+</td>
+<td class = "figure">
+<a name = "fig532"> </a>
+<img src = "images/fig532.png" width = "161" height = "195"
+alt = "Wolpi vase and bowl attached">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 530<br>
+(<a href = "#item41392">41392</a>) (⅓)
+</td>
+<td class = "caption">Fig. 531<br>
+(<a href = "#item41391">41391</a>) (⅓)
+</td>
+<td class = "caption">Fig. 532<br>
+(<a href = "#item41390">41390</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+1839. (<a name = "item41390">41390</a>). Fig. <a href =
+"#fig532">532</a>, water-vase with bowl-shaped base.</p>
+
+<p class = "hanging">
+1840. (<a name = "item41391">41391</a>). Fig. <a href =
+"#fig531">531</a> Basin with looped handle arising from the center of
+the inside; ornamented white ware.</p>
+
+<h5 class = "ital">STATUETTES.</h5>
+
+<p>The clay images or statuettes obtained from the Shinumo pueblos are
+not objects of worship as supposed by many persons, but appear to be
+used to adorn their dwellings just as similar articles are used by
+civilized races. This is evident from their form and ornamentation which
+rudely represent the ordinary clothing worn by these Indians, and in the
+female figures the usual mode of wearing the hair either in a bunch at
+the back of the head or in two wheel-shaped knots at the sides. In a few
+instances ear ornaments, made of pieces of shells or beads, are found
+attached to the ears.</p>
+
+<p>
+<!--png 677-->
+<span class = "pagenum">388</span>
+<a name = "page388"> </a>
+I am not aware that these images are used in their dances or religious
+ceremonies. If they are objects of worship it must be in the family
+only, or a secret worship of which I obtained no information.</p>
+
+<p>Images are introduced, however, in their dances and religious rites,
+but these are made of wood and highly ornamented, some of which were
+obtained and are hereafter described.</p>
+
+<p class = "hanging">
+1841. (42026). Composed of the same clays of which the general pottery
+is made, with small lines of a brick-red color up and down the body;
+black lines over the shoulder and around the body, terminating so as to
+represent hands; small earlets, made of blue beads, suspended from the
+ears; face in white, with black spots to represent month and eyes;
+horn-shaped cap, extending obliquely back from the head. Represents a
+male figure.</p>
+
+<p class = "hanging">
+1842. (42027). Same as above, except the head, which has a square bunch
+at its back, representing the one method of wearing the hair by the
+Shinumos. Male figure.</p>
+
+<p class = "hanging">
+1843. (42028). Same as No. 1841, especially in regard to the horn-shaped
+protrusion from the back of the head.</p>
+
+<p class = "hanging">
+1844. (42029). Plain flat image, probably intended to represent a
+female.</p>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig533"> </a>
+<img src = "images/fig533.png" width = "67" height = "148"
+alt = "Wolpi clay statuette">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 533<br>
+(<a href = "#item42030">42030</a>) (½)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+1845. (<a name = "item42030">42030</a>). This image is quite
+characteristic of this class of objects. The cut shows all but the
+colors, which are the same as described above, the form only differing
+from No. 1841 in having two horns curving back from the head. Seen in
+Fig. <a href = "#fig533">533</a>.</p>
+
+<p class = "hanging">
+1846. (42031). Differs only from the rest in having a small hat on the
+head.</p>
+
+<p class = "hanging">
+1847. (42032). Female figure, but with a black band around under the
+chin, apparently representing whiskers; dark brown body.</p>
+
+<p class = "hanging">
+1848. (42033). Female figure with wheel-shaped knot on each side of the
+head representing the manner of wearing the hair by the Shinumo women,
+the body of the figure cream colored, face red, eyes and mouth black;
+black necklace. Special parts of the body represented in red.</p>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig534"> </a>
+<img src = "images/fig534.png" width = "69" height = "126"
+alt = "Wolpi clay statuette">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 534<br>
+(<a href = "#item42035">42035</a>) (½)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+1849. (42034). Male figure ornamented with red vertical lines.</p>
+
+<p class = "hanging">
+1850. (<a name = "item42035">42035</a>). Fig. <a href =
+"#fig534">534</a>. The cut presents all the lines on the image as well
+as the form. The small wheels on each side of the head referred to under
+No. 1848 show the style of wearing the hair; the black markings shown on
+the cut are red on the figure. Female.</p>
+
+<p class = "hanging">
+1851. (42036). Body red, marked with black and dark red lines; red and
+black spots on back of head to represent the hair.</p>
+
+<p class = "hanging">
+1852-1853. 1852, (42037); 1853, (42038); dark red bodies with black and
+red lines.</p>
+
+<p class = "hanging">
+1854-1856. 1854, (42039); 1855, (42040); 1856, (42041); similar to the
+preceding; the last with the wheel-shaped knots representing the
+hair.</p>
+
+
+<!--png 682-->
+<span class = "pagenum">389</span>
+<a name = "page389"> </a>
+<h5 class = "section">VEGETAL SUBSTANCES.</h5>
+
+<h5 class = "ital">BASKETRY.</h5>
+
+<p>The following specimens are examples of the tray-like baskets made
+from round willows:</p>
+
+<p class = "hanging">
+1857. (<a name = "item42085">42085</a>). Fig. <a href =
+"#fig535">535</a> shows the mode of its construction.</p>
+
+<p class = "hanging">
+1858-1871. 1858, (42076); 1859, (42077); 1860, (42078); 1861, (42079);
+1862, (42080); 1863, (42081); 1864, (42082); 1865, (42083); 1866,
+(42084); 1867, (42086); 1868, (42087); 1869, (42088); 1870, (42089);
+1871, (42090).</p>
+
+<table>
+<!--png 680-->
+<!--png 681-->
+<tr>
+<td class = "figure">
+<a name = "fig535"> </a>
+<img src = "images/fig535.png" width = "191" height = "188"
+alt = "Wolpi basket">
+</td>
+<td class = "figure">
+<a name = "fig536"> </a>
+<img src = "images/fig536.png" width = "205" height = "206"
+alt = "Wolpi basket">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 535 (<a href = "#item42085">42085</a>) (¼)
+</td>
+<td class = "caption">
+Fig. 536 (<a href = "#item42058">42058</a>) (⅕)
+</td>
+</tr>
+</table>
+
+<p>The following numbers refer to specimens of the spiral or coiled
+basketry, all the features of which are shown in Fig. <a href =
+"#fig536">536</a>, except the color decoration:</p>
+
+<p class = "hanging">
+1872-1907. 1872, (<a name = "item42058">42058</a>); 1873, (42051); 1874,
+(42052); 1875, (42053); 1876, (42054); 1877, (42055); 1878, (42056);
+1879, (42057); 1880, (42059); 1881, (42060); 1882, (42061); 1883,
+(42062); 1884, (42063); 1885, (42064); 1886, (42065); 1887, (42066);
+1888, (42067); 1889, (42068); 1890, (42069); 1891, (42070); 1892,
+(42071); 1893, (42072); 1894, (42090); 1895, (42073); 1896, (42074);
+1897, (42075); 1898, (42091); 1899, (42092); 1900, (42093); 1901,
+(42094); 1902, (42095); 1903, (42096); 1904, (42097); 1905, (42098);
+1906, (42099); 1907, (42100).</p>
+
+<p>The following are canteen or water baskets, previously described, as
+to method of making and using them:</p>
+
+<table class = "figright">
+<!--png 684-->
+<!--png 685-->
+<tr>
+<td class = "figure">
+<a name = "fig537"> </a>
+<img src = "images/fig537.png" width = "128" height = "202"
+alt = "Wolpi basket">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 537<br>
+(<a href = "#item42105">42105</a>) (¼)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+1908-1912. 1908, (42101); 1909, (42102); 1910, (42103); 1911, (42104);
+1912, (<a name = "item42105">42105</a>); are vase-shaped baskets, of
+which Fig. <a href = "#fig537">537</a> is a representative example.</p>
+
+<p>The following are specimens of the same ware, differing only in form
+and size:</p>
+
+<p class = "hanging">
+1913-1920. 1913, (42106); 1914, (42107); 1915, (42108); 1916, (42109);
+1917, (42110); 1918, (42111); 1919, (42112); 1920, (42113).</p>
+
+<p class = "hanging">
+1921-1925. 1921, (42114); 1922, (42115); 1923, (42116); 1924, (42117);
+1925, (42118), are only noticeable on account of their peculiar form.
+They are almost top-shaped, with an acute apex at the bottom. The mouth
+is small, like that of a jug. In one instance (42114) the body slopes
+from top and bottom to the center, almost forming a ridge. Very few of
+this form were obtained.</p>
+
+<p class = "hanging">
+1926. (42119). A double-lobed canteen basket. Many of the clay
+water-vessels in the collection are made in imitation of this
+double-lobed basket.</p>
+
+<p class = "hanging">
+1927-1931. 1927, (42120); 1928, (42121); 1929, (42122); 1930, (42123);
+1931, (42124). Ordinary forms of the water-basket.</p>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig538"> </a>
+<img src = "images/fig538.png" width = "183" height = "191"
+alt = "Wolpi basket">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 538 (<ins class = "correction" title = "text reads ‘42129’"><a href
+= "#item42149">42149</a></ins>) (¼)
+</td>
+</tr>
+</table>
+
+<!--png 683-->
+<span class = "pagenum">390</span>
+<a name = "page390"> </a>
+<p class = "hanging">
+1932. (42125). A fine, large, and quite perfect specimen, of the jug or
+water-basket, with ears of horse-hair and string attached for use. Quite
+a number of the ancient water-jars are of this form, and both bear
+evidence of antiquity.</p>
+
+<p class = "hanging">
+1933. (<a name = "item42149">42149</a>). Fig. <a href =
+"#fig538">538</a> is a good illustration of this form.</p>
+
+<p class = "hanging">
+1934-1937. 1934, (42146); 1935, (42147); 1936, (42148); 1937, (42150),
+are of the same class of cemented basket-ware. The small fruit-baskets,
+made of round willows and with much less care, are also of many forms.
+Some are square, others round, and some with a peculiar flattened body;
+of the latter there are but few in the collection. They belong to the
+older class of basketry.</p>
+
+<p>The following specimens belong to that class:</p>
+
+<p class = "hanging">
+1938-1941. 1938, (42126); 1939, (42127); 1940, (42128); 1941,
+(42129).</p>
+
+<p class = "hanging">
+1942. (42130). A specimen of a much finer quality than the preceding. It
+is long and vase-shaped, with a wide mouth and flaring rim, and woven up
+from the bottom in oblique ridges.</p>
+
+<p class = "hanging">
+1943. (42131). A coarsely constructed bowl-shaped basket, of which type
+the following are also specimens:</p>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig540"> </a>
+<img src = "images/fig540.png" width = "202" height = "265"
+alt = "Wolpi floor mat">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 540 (<a href = "#item42145">42145</a>) (⅛)
+</td>
+</tr>
+</table>
+
+<table class = "figright">
+<!--png 686-->
+<!--png 687-->
+<tr>
+<td class = "figure">
+<a name = "fig539"> </a>
+<img src = "images/fig539.png" width = "127" height = "172"
+alt = "Wolpi basket">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 539<br>
+(<a href = "#item42153">42153</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+1944-1951. 1944, (42132); 1945, (42133); 1946, (42134); 1947, (42135);
+1948, (42136); 1949, (42137); 1950, (42138); 1951, (42139).</p>
+
+<p class = "hanging">
+1952. (42140). Specimen of the older basketry, with large depressed
+body, flat bottom, and jar-like mouth.</p>
+
+<p class = "hanging">
+1953-1956. 1953, (42141); 1954, (42142); 1955, (42143); 1956, (42144),
+are also different forms of the peach-basket.</p>
+
+<p class = "hanging">
+1957. (<a name = "item42145">42145</a>). Fig. <a href =
+"#fig540">540</a>. A large floor or hearth mat frequently found in use
+among the Pueblos. The specimen in the collection exhibits some skill
+and taste in weaving it. The material of which it is made is a small
+round willow.</p>
+
+<p class = "hanging">
+1958. (42151). A large deep basket, constructed by weaving coarse willow
+twigs around four upright posts or large sticks. It has a capacity of
+about two bushels.</p>
+
+<p class = "hanging">
+1959. (42152). This is a small square basket of the same character.</p>
+
+<p class = "hanging">
+1960. (<a name = "item42153">42153</a>). A specimen of this ware. It is
+shown in Fig. <a href = "#fig539">539</a>, exhibits a coarse, loose
+manner of construction. These are used as fruit-baskets.</p>
+
+<p class = "hanging">
+1961-1962. 1961, (42154), and 1962, (42155). These are examples of the
+same kind.</p>
+
+<p class = "hanging">
+1963. (<ins class = "correction" title =
+"so in original, but see Fig. 541 and no. 1964"><a name =
+"item42156">42156</a></ins>). This specimen
+represents the finest quality of baskets in the collection. They are all
+more or less tastefully ornamented during the process of plaiting them.
+They are skillfully and closely woven, and are used for holding the
+finest of their flour and meal. These are undoubtedly of Apache
+manufacture. Fig. <a href = "#fig541">541</a>.</p>
+
+<table>
+<!--png 688-->
+<!--png 689-->
+<tr>
+<td class = "figure">
+<a name = "fig541"> </a>
+<img src = "images/fig541.png" width = "198" height = "200"
+alt = "Wolpi basket">
+</td>
+<td class = "figure">
+<a name = "fig542"> </a>
+<img src = "images/fig542.png" width = "223" height = "224"
+alt = "Wolpi basket">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 541 (<ins class = "correction" title =
+"so in original, but see no. 1963"><a href = "#item42157">42157</a></ins>) (⅕)
+</td>
+<td class = "caption">
+Fig. 542 (<ins class = "correction" title = "text reads ‘40160’"><a href
+= "#item42160">42160</a></ins>) (⅕)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+1964. (<a name = "item42157">42157</a>). Has been selected as an
+illustration of this class of baskets, of which the following are
+examples, differing but little in form:</p>
+
+<!--png 692-->
+<span class = "pagenum">391</span>
+<a name = "page391"> </a>
+<p class = "hanging">
+1965-1971. 1965, (42158); 1966, (42159); 1967, (<a name =
+"item42160">42160</a>), Fig. <a href = "#fig542">542</a>; 1968, (42162);
+1969, (42163); 1970, (42164); 1971, (42165). The two last are almost
+flat; the rest saucer or bowl shaped and quite deep.</p>
+
+<p class = "hanging">
+1972. (42166). Basket of coarse willow ware; platter-shaped.</p>
+
+<p class = "hanging">
+1973. (42167). Conical-shaped basket of closely woven variety.</p>
+
+<p class = "hanging">
+1974. (42168). Hemispherical-shaped basket of the same class; small.</p>
+
+<p class = "hanging">
+1975. (42169). Cylindrical basket; small.</p>
+
+<table>
+<!--png 690-->
+<!--png 691-->
+<tr>
+<td class = "figure">
+<a name = "fig543"> </a>
+<img src = "images/fig543.png" width = "194" height = "214"
+alt = "Wolpi basket">
+</td>
+<td class = "figure">
+<a name = "fig544"> </a>
+<img src = "images/fig544.png" width = "155" height = "122"
+alt = "Wolpi basket">
+</td>
+<td class = "figure">
+<a name = "fig545"> </a>
+<img src = "images/fig545.png" width = "112" height = "161"
+alt = "Wolpi basket">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 543<br>
+(<a href = "#item42183">42183</a>) (⅙)
+</td>
+<td class = "caption">Fig. 544<br>
+(<a href = "#item42199">42199</a>) (¼)
+</td>
+<td class = "caption">Fig. 545<br>
+(<a href = "#item42171">42171</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+1976-1981. 1976, (42170); 1977, (<a name = "item42171">42171</a>); 1978,
+(42172); 1979, (42173); 1980, (42174); 1981, (42175). Small
+cylindrical-shaped peach-baskets made of flat yucca leaves. Fig. <a href
+= "#fig545">545</a> is an illustration of that class.</p>
+
+<p class = "hanging">
+1982-1987. 1982, (42195); 1983, (42196); 1984, (42197); 1985, (42198);
+1986, (<a name = "item42199">42199</a>), Fig. <a href =
+"#fig544">544</a>; 1987, (42200). Examples of the same class.</p>
+
+<p>The following baskets are made from the broad leaves of the yucca,
+woven or plaited crosswise in a very simple manner, and wrapped at the
+rims with leaves of the same plant. The texture of the weaving is quite
+coarse, not sufficiently close to hold any material smaller than corn or
+fruit:</p>
+
+<p class = "hanging">
+1988-2006. 1988, (42176); 1989, (42177); 1990, (42178); 1991, (42179);
+1992, (42180); 1993, (42181); 1994, (42182); 1995, (<a name =
+"item42183">42183</a>); 1996, (42184); 1997, (42185); 1998, (42186);
+1999, (42187); 2000, (42188); 2001, (42189); 2002, (42190); 2003,
+(42191); 2004, (42192); 2005, (42193); 2006, (42194), are all specimens
+of this class well shown in Fig. <a href = "#fig543">543</a>.</p>
+
+<h5 class = "ital">DOMESTIC IMPLEMENTS, TOYS, ETC.</h5>
+
+<p class = "hanging">
+2007. (41706). A Shinumo blanket loom, with a blanket partly completed,
+with all the fixtures and implements employed in the art of blanket
+weaving. This art, however, attains its highest degree amongst the
+Navajos.</p>
+
+<p class = "hanging">
+2008-2009. 2008, (41707), and 2009, (41708), are looms exhibiting
+different modes of weaving.</p>
+
+<table class = "figright">
+<!--png 694-->
+<!--png 695-->
+<tr>
+<td class = "figure">
+<a name = "fig546"> </a>
+<img src = "images/fig546.png" width = "22" height = "251"
+alt = "Wolpi weaving stick">
+</td>
+<td class = "figure">
+<a name = "fig547"> </a>
+<img src = "images/fig547.png" width = "34" height = "254"
+alt = "Wolpi spindle whorl">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 546<br>
+(<a href = "#item41683">41683</a>)<br>
+(1/10)
+</td>
+<td class = "caption">Fig. 547<br>
+(<a href = "#item41676">41676</a>)<br>
+(1/7)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2010. (41709). A loom with a partly finished garment.</p>
+
+<p class = "hanging">
+2011. (<a name = "item41683">41683</a>). Fig. <a href =
+"#fig546">546</a>. Blanket-stick for tightening strands of blankets
+during the process of weaving. After the thread is passed through from
+one side to the other this stick is placed over the thread and then
+firmly beaten down. The following numbers are implements of the same
+kind. They are called <i>soo-qua</i>.</p>
+
+<p class = "hanging">
+2012-2020. 2012, (41684); 2013, (41685); 2014, (41686); 2015, (41687);
+2016, (41688); 2017, (41689); 2018, (41690); 2019, (41691); 2020,
+(41692).</p>
+
+<p class = "hanging">
+2021. (41888). Blanket stretcher, <i>tu-he-que-hey</i>.</p>
+
+<p class = "hanging">
+2022. (41166). Reed frames, used in weaving belts and garters, called
+<i>quey-hu-wuk-ta</i>.</p>
+
+<p>
+<!--png 693-->
+<span class = "pagenum">392</span>
+<a name = "page392"> </a>
+The following are objects of the same kind:</p>
+
+<p class = "hanging">
+2023-2027. 2023, (41667); 2024, (41668<i>a</i>); 2025, (41668<i>b</i>);
+2026, (41669); 2027, (41670). Implement to show the process of making
+belts.</p>
+
+<p class = "hanging">
+2028. (42372). Small notched stick used in weaving belts.</p>
+
+<p class = "hanging">
+2029-2030. 2029, (41998), and 2030, (41999). Short pointed sticks for
+stretching and drying skins.</p>
+
+<p class = "hanging">
+2031. (<a name = "item41676">41676</a>). Spindle whorl,
+<i>pa-tu-he-kah</i>. This is a common object of use amongst all the
+Pueblos. Fig. <a href = "#fig547">547</a> is an illustration of one of
+these implements, showing the shaft with spun yarn below the disk. As
+previously mentioned, this spindle whorl is almost identical with the
+drill used for perforating stone and shell charms and ornaments. The
+addition of a cross stick and strings, with the flint tip, are only
+necessary to convert it into a drill. In both the drills and whorls the
+disks are made of horn, stone, bone, and wood. For the drill see Fig. <a
+href = "#fig494">494</a>.</p>
+
+<p class = "hanging">
+2032-2037. 2032, (41677); 2033, (41678); 2034, (41679); 2035, (41680);
+2036, (41681); 2037, (41682). All spindle whorls.</p>
+
+<p class = "hanging">
+2038. (41658). Bow and three arrow-shafts.</p>
+
+<p class = "hanging">
+2039. (41659). Bow.</p>
+
+<p class = "hanging">
+2040. (41660). Bundle of four arrow-shafts.</p>
+
+<p class = "hanging">
+2041-2044. 2041, (41661); 2042, (41662); 2043, (41663); 2044, (41664),
+are bundles of thirty-five arrow-shafts.</p>
+
+<p class = "hanging">
+2045. (41651). Bow and six iron-pointed arrows.</p>
+
+<p class = "hanging">
+2046. (41652), (41653). Bows.</p>
+
+<p class = "hanging">
+2047. (41654). Bow and quiver.</p>
+
+<p class = "hanging">
+2048. (41655). Quiver and twenty-six iron-pointed arrows.</p>
+
+<p class = "hanging">
+2049. (41656). Child’s bow and two arrows.</p>
+
+<p class = "hanging">
+2050. (41720). Boy’s bow with two arrows.</p>
+
+<p class = "hanging">
+2051. (<a name = "item41976">41976</a>), Fig. <a href =
+"#fig548">548</a>. Stick used for hunting rabbits; it is in the form of
+a boomerang.</p>
+
+<p class = "hanging">
+2052-2055. 2052, (41977); 2053, (41978); 2054, (<a name =
+"item41979">41979</a>), Fig. <a href = "#fig549">549</a>; 2055, (41980).
+Same objects as the last. In the Zuñi tongue this stick is called
+<i>kle-ān-ne</i>, and in Shinumo <i>pu-wich-he-cu-he</i>.</p>
+
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig548"> </a>
+<img src = "images/fig548.png" width = "222" height = "56"
+alt = "Wolpi rabbit stick">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 548 (<a href = "#item41976">41976</a>) (⅕)
+</td>
+</tr>
+<tr>
+<td class = "figure">
+<a name = "fig549"> </a>
+<img src = "images/fig549.png" width = "357" height = "69"
+alt = "Wolpi rabbit stick">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 549 (<a href = "#item41979">41979</a>) (⅕)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2056. (41924). Saddle-tree.</p>
+
+<p class = "hanging">
+2057. (41925). Stirrups, <i>pu-tut-hum-pee</i>.</p>
+
+<p class = "hanging">
+2058. (41119). <ins class = "correction" title =
+"so in original">Sinch</ins> hooks, <i>cu-rah-bat-tow</i>.</p>
+
+<p class = "hanging">
+2059. (42000). Wooden hoe, made in imitation of European hoe.</p>
+
+<p class = "hanging">
+2060. (41693). Wooden forceps, <i>wat-cha</i>.</p>
+
+<p class = "hanging">
+2061. (<a name = "item41909">41909</a>). Pronged stick for rake, called
+<i>ta-wish-wy-lah</i>. See Fig. <a href = "#fig550">550</a>.</p>
+
+<table class = "figright">
+<!--png 696-->
+<!--png 697-->
+<tr>
+<td class = "figure">
+<a name = "fig550"> </a>
+<img src = "images/fig550.png" width = "37" height = "237"
+alt = "Wolpi rake">
+</td>
+<td class = "figure">
+<a name = "fig552"> </a>
+<img src = "images/fig552.png" width = "67" height = "231"
+alt = "Wolpi treasure-box">
+</td>
+<td class = "figure">
+<a name = "fig554"> </a>
+<img src = "images/fig554.png" width = "62" height = "247"
+alt = "Wolpi treasure-box">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 550<br>
+(<a href = "#item41909">41909</a>)<br>
+(1/10)
+</td>
+<td class = "caption">Fig. 552<br>
+(<a href = "#item41866">41866</a>)<br>
+(⅕)
+</td>
+<td class = "caption">Fig. 554<br>
+(<a href = "#item41865">41865</a>)<br>
+(⅕)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2062-2063. 2062, (41916), and 2063, (41917). Small yoke-shaped
+implements for drying the skins of small animals by stretching the skin
+over them.</p>
+
+<p class = "hanging">
+2064. (<a name = "item41863">41863</a>). Wooden treasure-box, of which
+the following numbers refer to specimens, and which are well shown in
+Figs. <a href = "#fig552">552</a> and <a href = "#fig554">554</a>:</p>
+
+<!--png 700-->
+<span class = "pagenum">393</span>
+<a name = "page393"> </a>
+<p class = "hanging">
+2065-2069. 2065, (41864); 2066, (<a name = "item41865">41865</a>); 2067,
+(<a name = "item41866">41866</a>); 2068, (41867); 2069, (41868).</p>
+
+<p class = "hanging">
+2070. (41985). Baby cradle, with hoops over the head for net work; made
+of slats, <i>mu-hu-tah</i>.</p>
+
+<p class = "hanging">
+2071. (41986). Baby cradle made of willow work.</p>
+
+<p class = "hanging">
+2072. (41987). Cradle without top.</p>
+
+<p class = "hanging">
+2073. (41988). Toy cradle, of basket work.</p>
+
+<p class = "hanging">
+2074. (41989). Toy cradle of boards.</p>
+
+<p class = "hanging">
+2075. (41710). Toy whirligig, made of a disk with two holes through
+which strings are passed.</p>
+
+<p class = "hanging">
+2076. (41711). Specimen of Indian corn.</p>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig551"> </a>
+<img src = "images/fig551.png" width = "89" height = "230"
+alt = "Wolpi drumstick">
+</td>
+<td class = "figure">
+<a name = "fig553"> </a>
+<img src = "images/fig553.png" width = "113" height = "386"
+alt = "Wolpi dance gourd">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 551<br>
+(<a href = "#item41178">41178</a>) (⅕)
+</td>
+<td class = "caption">Fig. 553<br>
+(<a href = "#item41191">41191</a>) (⅙)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2077-2078. 2077, (41715), and 2078, (41716).</p>
+
+<p class = "hanging">
+2079. (41694). Paint toy, of wood, <i>tat-chi</i>.</p>
+
+<p class = "hanging">
+2080. (41695). Bird snares, made of small sticks like the ramrod of a
+gun, arranged with horse hairs, <i>wa-wa-shi</i>.</p>
+
+<p class = "hanging">
+2081. (42371). Bunch of very small reed-like grass, called
+<i>nen-a-wash-pi</i> or rain broom.</p>
+
+<p class = "hanging">
+2082-2083. 2082, (41889), and 2083, (41890). Whirling sticks.</p>
+
+<p class = "hanging">
+2084-2886. 2084, (41177); 2085, (<a name = "item41178">41178</a>); 2086,
+(41179). Specimens of a peculiar drum-stick in general use by the
+Shinumo, Zuñi, and other Pueblo Indians. It is made from a stick, one
+end of which is shaved off sufficiently to admit of bending the end thus
+shaved round in the form of a hoop, and then tightly securing it. The
+hoop portion is used in beating the drum. Fig. <a href =
+"#fig551">551</a> is an illustration of one of these drum-sticks.</p>
+
+<p class = "hanging">
+2087. (41180). Calabash, or gourd, for holding food or water.</p>
+
+<p class = "hanging">
+2088-2090. 2088, (41181); 2089, (41182); 2090, (41183). Ordinary forms
+of the same vessel.</p>
+
+<p class = "hanging">
+2091. (<a name = "item41191">41191</a>). Gourd, perforated, with a staff
+through the center, painted in many colors; held on a pole in dances.
+See Fig. <a href = "#fig553">553</a>.</p>
+
+<h5 class = "ital">ORNAMENTAL OBJECTS.</h5>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig555"> </a>
+<img src = "images/fig555.png" width = "64" height = "409"
+alt = "Wolpi dance ornament">
+</td>
+<td class = "figure">
+<a name = "fig557"> </a>
+<img src = "images/fig557.png" width = "46" height = "359"
+alt = "Wolpi dance ornament">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 555<br>
+(<a href = "#item41931">41931</a>)<br>
+(⅙)
+</td>
+<td class = "caption">Fig. 557<br>
+(<a href = "#item41932">41932</a>)<br>
+(⅕)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2092. (<a name = "item41926">41926</a>). Is a flat piece of wood about
+twenty inches long and five in width, with a notched handle at the lower
+end. Two bunches of feathers are attached to each edge of it, and a
+bunch at the top. The form of the ornamentations is shown in Fig. <a
+href = "#fig556">556</a>; the colors employed in these ornamentations
+are brilliant red, yellow, blue, and black. The entire design is
+intended to represent the body of a human being. These objects are
+carried in the hand in their dances.</p>
+
+<table>
+<!--png 698-->
+<!--png 699-->
+<tr>
+<td class = "figure">
+<a name = "fig556"> </a>
+<img src = "images/fig556.png" width = "82" height = "278"
+alt = "Wolpi dance ornament">
+</td>
+<td class = "figure">
+<a name = "fig558"> </a>
+<img src = "images/fig558.png" width = "155" height = "202"
+alt = "Wolpi dance ornament">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 556<br>
+(<a href = "#item41926">41926</a>) (⅙)
+</td>
+<td class = "caption">Fig. 558<br>
+(<a href = "#item41940">41940</a>) (⅕)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2093-2097. 2093, (41927); 2094, (41928); 2095, (41929); 2096, (41930);
+2097, (<a name = "item41931">41931</a>). These are other examples which
+are well represented in Fig. <a href = "#fig555">555</a>.</p>
+
+<p class = "hanging">
+2098-2100. 2098, (<a name = "item41932">41932</a>), Fig. <a href =
+"#fig557">557</a>; 2099, (41933); and 2100, (41934), are sticks, carried
+in the main dance. They represent lightning.</p>
+
+<!--png 701-->
+<span class = "pagenum">394</span>
+<a name = "page394"> </a>
+<p class = "hanging">
+2101-2102. 2101, (41935), and 2102, (41936). Small notched sticks,
+ornamented with blades of grass and wild-turkey feathers; carried in the
+dance.</p>
+
+<p class = "hanging">
+2103-2106. 2103, (41937); 2104, (41938); 2105, (41939); 2006, (<a name =
+"item41940">41940</a>). Wooden objects highly colored with various
+devices depicted on them. These are worn on the head in dances. Mowers
+are represented on some; on others, the human face, &amp;c. Fig. <a href
+= "#fig558">558</a>, an illustration made from one of them.</p>
+
+<p class = "hanging">
+2107-2108. 2107, (41941), and 2108, (41942). Small frames, over which
+canvas is stretched, to the edges of which are attached various small
+ornaments; used in dances.</p>
+
+<p class = "hanging">
+2109. (41943). Small hoop with canvas stretched over it, on which are
+painted five small objects like stars, used in dances.</p>
+
+<p class = "hanging">
+2110. (41944). Leather dance-mask, painted.</p>
+
+<p class = "hanging">
+2111. (41945). Dance-mask.</p>
+
+<table class = "figright">
+<!--png 702-->
+<!--png 703-->
+<tr>
+<td class = "figure">
+<a name = "fig559"> </a>
+<img src = "images/fig559.png" width = "274" height = "174"
+alt = "Wolpi head-dress">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 559 (<a href = "#item41949">41949</a>) (⅙)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2112. (41946). Pair of split horns worn in dances.</p>
+
+<p class = "hanging">
+2113. (41947). Head-dress made in the form of scallops.</p>
+
+<p class = "hanging">
+2114. (41948). Head-dress of painted sheep-horns.</p>
+
+<p class = "hanging">
+2115. (<a name = "item41949">41949</a>). Head-dress crown made of
+basket-ware, to which are attached three projections intended for horns,
+Fig. <a href = "#fig559">559</a>.</p>
+
+<p class = "hanging">
+2116. (41950). Corn-husk ornament for the dance.</p>
+
+<p class = "hanging">
+2117-2118. 2117, (41671), and 2118, (41972). Wooden objects made in
+imitation of a sun-flower, with zigzag or snake-like sticks attached to
+them, which are used as ornaments in the corn dance, called
+<i>pah-wah</i>.</p>
+
+<p class = "hanging">
+2119-2120. 2119, (41673), and 2120, (41674). Shuttle-cocks, made by
+inserting the ends of two hawk-feathers in a small block. They are
+carried in dances.</p>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig561"> </a>
+<img src = "images/fig561.png" width = "51" height = "265"
+alt = "Wolpi musical instrument">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 561<br>
+(<a href = "#item41982">41982</a>)<br>
+(⅙)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2121. (<a name = "item42042">42042</a>). Dance-rattle made from a small
+gourd, embellished in colors of black, red, and white. The gourd is
+perforated at each side, through which a stick is passed for a handle,
+cross S’s on each side. See Fig. <a href = "#fig562">562</a>.</p>
+
+<p class = "hanging">
+2122. (<a name = "item41982">41982</a>). Notched stick, with shoulder
+blade of sheep or deer, for musical instrument. See Fig. <a href =
+"#fig561">561</a>.</p>
+
+<p class = "hanging">
+2123-2124. 2123, (41983), and 2124, (41984). Notched sticks without the
+bone.</p>
+
+<p class = "hanging">
+2125. (41701). Dance ornaments, called <i>tau-ah-qu-la</i>, made by
+attaching semi-circular sticks or hoops to a small pole; ornamented with
+colors.</p>
+
+<p class = "hanging">
+2126-2129. 2126, (41702); 2127, (41703); 2128, (41704); 2129, (41705),
+are ornaments of the same character as the preceding.</p>
+
+<p class = "hanging">
+2130. (41857). Painted gourd-rattle for dances, of which the following
+numbers are specimens variously ornamented:</p>
+
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig560"> </a>
+<img src = "images/fig560.png" width = "220" height = "125"
+alt = "Wolpi gourd rattle">
+</td>
+<td class = "figure">
+<a name = "fig562"> </a>
+<img src = "images/fig562.png" width = "72" height = "133"
+alt = "Wolpi gourd rattle">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 560<br>
+(<a href = "#item41862">41862</a>) (⅓)
+</td>
+<td class = "caption">Fig. 562<br>
+(<a href = "#item42042">42042</a>) (½)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2131-2135. 2131, (41858); 2132, (41859); 2133, (41860); 2134, (41861);
+2135, (<a name = "item41862">41862</a>), of which the illustration of
+the latter is an example. See Fig. <a href = "#fig560">560</a>.</p>
+
+<!--png 706-->
+<span class = "pagenum">395</span>
+<a name = "page395"> </a>
+<p class = "hanging">
+2136. (41883). Flat wooden block, painted, for head ornament.</p>
+
+<p class = "hanging">
+2137. (41884). Cylindrical blocks, with a cup-shaped cavity in one end,
+used as gaming blocks.</p>
+
+<p class = "hanging">
+2138-2139. 2138, (41885), and 2139, (41886), are specimens of this block
+called <i>sosh-he-wey</i>.</p>
+
+<p class = "hanging">
+2140. (41887). Spherical grooved block, painted to represent a melon,
+used in the melon dance.</p>
+
+<p class = "hanging">
+2141. (41918). Wooden top, <i>ree-am-pee</i>.</p>
+
+<p class = "hanging">
+2142. (41920). Wooden balls, probably to represent eyes.</p>
+
+<p class = "hanging">
+2143. (41921). Ball attached to the end of a painted stick, the use of
+which is not known; probably used in connection with dancing
+ceremonies.</p>
+
+<p class = "hanging">
+2144. (41900). Small implement of wood used as a dance ornament.</p>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig563"> </a>
+<img src = "images/fig563.png" width = "59" height = "141"
+alt = "Wolpi ornament">
+</td>
+<td class = "figure">
+<a name = "fig564"> </a>
+<img src = "images/fig564.png" width = "74" height = "152"
+alt = "Wolpi ornament">
+</td>
+<td class = "figure">
+<a name = "fig565"> </a>
+<img src = "images/fig565.png" width = "82" height = "177"
+alt = "Wolpi ornament">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 563<br>
+(<a href = "#item41752">41752</a>)<br>
+(¼)
+</td>
+<td class = "caption">Fig. 564<br>
+(<a href = "#item41877">41877</a>)<br>
+(¼)
+</td>
+<td class = "caption">Fig. 565<br>
+(<a href = "#item41922">41922</a>)<br>
+(¼))
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2145. (<a name = "item41752">41752</a>). Wooden ornament for the head,
+worn in dancing ceremonies. Two little leather balls are attached to the
+dotted end; shown in Fig. <a href = "#fig563">563</a>.</p>
+
+<p class = "hanging">
+2146. (41754). Two small wooden balls with black ends and a white band
+around the middle; a dance ornament.</p>
+
+<p class = "hanging">
+2147. (41756). Ornaments for the wrist; made of wooden rings.</p>
+
+<p class = "hanging">
+2148. (41753). A similar object, painted in various bright colors.</p>
+
+<p class = "hanging">
+2149-2150. 2149, (41881), and 2150, (41882), are slatted wooden
+cylinders with conical blocks attached to them. Ornaments for dancing
+ceremonies.</p>
+
+<p class = "hanging">
+2151. (41876). Wooden ball attached to slatted gourd-neck, used as an
+ornament in the dance.</p>
+
+<p class = "hanging">
+2152. (<a name = "item41877">41877</a>). See Fig. <a href =
+"#fig564">564</a>.</p>
+
+<p class = "hanging">
+2153-2154. 2153, (41878), and 2154, (41879). Specimens varying from the
+preceding only in colors.</p>
+
+<p class = "hanging">
+2155. (<a name = "item41922">41922</a>). Necklace of acorn hulls,
+<i>tuck-we-tah-qua-we</i>. Fig. <a href = "#fig565">565</a>.</p>
+
+<p class = "hanging">
+2156. (41923). The same kind of an ornament.</p>
+
+<h5 class = "ital">STATUETTES.</h5>
+
+<p>These objects vary in form, size, and decoration, the largest being
+about thirty inches high, the smallest not more than five. They are
+objects of worship in one form or another. The illustrations in the
+woodcuts and colored plates will convey a better idea of them than could
+be given in a description. They are entirely composed of wood, with
+feathers and other small ornaments attached to them occasionally.</p>
+
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig571"> </a>
+<img src = "images/fig571.png" width = "305" height = "529"
+alt = "Wolpi effigy">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 571 (<a href = "#item41951">41951</a>)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2157. (<a name = "item41951">41951</a>). This is the largest one of
+these images in the collection, very highly ornamented with bright
+variegated colors. See Fig. <a href = "#fig571">571</a>.</p>
+
+<p class = "hanging">
+2158. (41952). One of these objects, differing only in size and manner
+of decoration.</p>
+
+<p class = "hanging">
+2159. (<a name = "item41953">41953</a>). This is a specimen of one of
+these images exhibited in Fig. <a href = "#fig567">567</a>. The form is
+common to many of them, showing the pyramidal projections attached to
+the head, with feathered tips.</p>
+
+<table>
+<!--png 704-->
+<!--png 705-->
+<tr>
+<td class = "figure">
+<a name = "fig566"> </a>
+<a name = "fig567"> </a>
+<a name = "fig569"> </a>
+<img src = "images/fig567_8_9.png" width = "451" height = "370"
+alt = "Wolpi effigies">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 566 (<ins class = "correction" title = "text reads ‘41958’"><a href
+= "#item41959">41959</a></ins>) (⅕) &nbsp; &nbsp;
+Fig. 567 (<a href = "#item41953">41953</a>) (⅕) &nbsp; &nbsp;
+Fig. 569 (<a href = "#item41956">41956</a>) (⅕)
+</td>
+</tr>
+</table>
+
+<!--png 707-->
+<span class = "pagenum">396</span>
+<a name = "page396"> </a>
+<p class = "hanging">
+2160-2161. 2160, (41954), and 2161, (41955). Similar objects.</p>
+
+<p class = "hanging">
+2162. (<a name = "item41956">41956</a>). Fig. <a href =
+"#fig569">569</a>. This exhibits a female figure with variegated colors,
+and in addition to the pyramidal projections from the head has two round
+sticks with a ball and crown.</p>
+
+<p class = "hanging">
+2163-2164. 2163, (41957), and 2164, (41958). Similar to Fig. <a href =
+"#fig569">569</a>.</p>
+
+<p class = "hanging">
+2165. (<a name = "item41959">41959</a>). Fig. <a href =
+"#fig566">566</a>. The general characteristics of this specimen are the
+same as those already referred to, but it differs in the arrangement of
+the head attachments; two rows of pyramids are shown; the lower one is
+inverted; the two rows are separated by three arches; the upper pyramids
+are ornamented at the tips with feathers. A necklace of acorn hulls is
+around the neck, with a shell ornament attached to it. Garters are
+represented at the knees. In this specimen, as in many others, the feet
+are only represented by stubs. The body is decorated to represent
+fancifully colored clothing.</p>
+
+<p class = "hanging">
+2166-2168. 2166, (41960); 2167, (41961); 2168, (41962). Similar to the
+preceding.</p>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig568"> </a>
+<img src = "images/fig568.png" width = "51" height = "193"
+alt = "Wolpi effigy">
+</td>
+<!--png 708-->
+<!--png 709-->
+<td class = "figure">
+<a name = "fig570"> </a>
+<img src = "images/fig570.png" width = "78" height = "228"
+alt = "Wolpi effigy">
+</td>
+<td class = "figure">
+<a name = "fig572"> </a>
+<img src = "images/fig572.png" width = "130" height = "230"
+alt = "Wolpi effigy">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 568<br>
+(<a href = "#item41967">41967</a>) (¼)
+</td>
+<td class = "caption">Fig. 570<br>
+(<a href = "#item41963">41963</a>)
+</td>
+<td class = "caption">Fig. 572<br>
+(<a href = "#item41969">41969</a>)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2169. (<a name = "item41963">41963</a>). This is well shown in Fig. <a
+href = "#fig570">570</a>.</p>
+
+<p class = "hanging">
+2270-2172. 2170, (41964); 2171, (41965); 2172, (41966). Objects of the
+same character.</p>
+
+<p class = "hanging">
+2173. (<a name = "item41967">41967</a>). This specimen (Fig. <a href =
+"#fig568">568</a>) differs considerably in form from those previously
+mentioned. As will be observed by reference to the figure, it has a
+conical projection from the top of the head, representing a hat with a
+feather at the top, with two short, round blocks at the base of the hat,
+and two round balls to represent ears. The skirt is of cloth. The
+specimen is brilliantly decorated with paint.</p>
+
+<p class = "hanging">
+2174. (41968). Shows the form and details of carving, highly
+colored.</p>
+
+<p class = "hanging">
+2175. (<a name = "item41969">41969</a>). A brilliantly colored image,
+which is well shown in colors in Fig. <a href = "#fig572">572</a>.</p>
+
+<p class = "hanging">
+2176-2180. 2176, (21970); 2177, (41971); 2178, (21972); 2179, (21973);
+2180, (41974), are similar objects.</p>
+
+
+<h5 class = "section">ANIMAL SUBSTANCES.</h5>
+
+<h5 class = "ital">HORN AND BONE.</h5>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig575"> </a>
+<img src = "images/fig575.png" width = "38" height = "145"
+alt = "Wolpi perforator">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 575<br>
+(<a href = "#item41891">41891</a>)<br>
+(⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2181. (<a name = "item40113">40113</a>). Large ladle from horn of
+mountain sheep, called <i>ál-ly-ku</i>. See Fig. <a href =
+"#fig573">573</a>.</p>
+
+<p class = "hanging">
+2182-2188. 2182, (<a name = "item41891">41891</a>); 2183, (41892); 2184,
+(41893); 2185 (41894); 2186 (41895); 2187 (41897); and 2188 (41898). No.
+2182 is a bone awl or perforator, of which the others are examples, as
+shown in Fig. <a href = "#fig575">575</a>.</p>
+
+<p class = "hanging">
+2189-2192. 2189, (41990); 2190, (41991); 2191, (<a name =
+"item41992">41992</a>); 2192, (41193). Goats’ horns perforated with
+small round holes, through which arrow shafts are passed to smooth and
+straighten them. Fig. <a href = "#fig576">576</a> is an illustration of
+one of them, called <i>hoth-quen</i>.</p>
+
+<table>
+<!--png 710-->
+<!--png 711-->
+<tr>
+<td class = "figure">
+<a name = "fig573"> </a>
+<img src = "images/fig573.png" width = "233" height = "94"
+alt = "Wolpi horn ladle">
+</td>
+<td class = "figure">
+<a name = "fig576"> </a>
+<img src = "images/fig576.png" width = "169" height = "82"
+alt = "Wolpi arrow straightener">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 573 (<a href = "#item40113">40113</a>) (¼)
+</td>
+<td class = "caption">
+Fig. 576 (<a href = "#item41992">41992</a>) (¼)
+</td>
+</tr>
+</table>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig574"> </a>
+<img src = "images/fig574.png" width = "124" height = "147"
+alt = "Wolpi horn rattle">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 574<br>
+(<a href = "#item41855">41855</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<!--png 712-->
+<span class = "pagenum">397</span>
+<a name = "page397"> </a>
+<p class = "hanging">
+2193-2196. 2193, (41994); 2194, (41995); 2195, (41996); 2196, (41997).
+Bundles of arrow shafts.</p>
+
+<p class = "hanging">
+2197. (<a name = "item41855">41855</a>). Bunch of ox hoofs or toes used
+as a rattle in dances. These same objects are frequently attached to the
+edges of turtle shells for the same purpose. See Fig. <a href =
+"#fig574">574</a> in Zuñi collection.</p>
+
+<p class = "hanging">
+2198-2199. 2198, (41763), and 2199, (41764). Small hoops with painted
+net-work stretched across them; dance ornaments.</p>
+
+<p class = "hanging">
+2200-2201. 2200, (42346), and 2201, (42347). Shell ornaments,
+<i>ya-wag-sha-na</i>.</p>
+
+<p class = "hanging">
+2202. (41854). Medicine shells.</p>
+
+<h5 class = "ital">SKIN.</h5>
+
+<p class = "hanging">
+2203. (41737). Cap made from the skin of a panther’s head, with feathers
+attached to the top of it, called <i>pow-how-wi-ta-nah-chi.</i></p>
+
+<p class = "hanging">
+2204. (41738). Head-dress made of the skin of a panther’s head, so as to
+preserve the natural appearance of the animal, with feather ornaments
+attached.</p>
+
+<p class = "hanging">
+2205. (41740). Fur cap, ornamented with feathers.</p>
+
+<p class = "hanging">
+2206. (41743). Boy’s sling, <i>tow-wow-kin-pi.</i></p>
+
+<p class = "hanging">
+2207. (41842). Large rabbit-skin robe, made by twisting strands of
+rabbit-skins with the fur attached, and then sewing the strands
+together, <i>tah-ru-pe</i>.</p>
+
+<p class = "hanging">
+2208. (41843). Small robe of the same character.</p>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig579"> </a>
+<img src = "images/fig579.png" width = "122" height = "85"
+alt = "Wolpi wristlet">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 579<br>
+(<a href = "#item42354">42354</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2209. (<a name = "item42354">42354</a>). Buckskin wrist-guards, faced
+with metal, Fig. <a href = "#fig579">579</a>. These guards are common
+with nearly all tribes of Indians, and are designed to protect the wrist
+from the string of bows used in war and in hunting.</p>
+
+<p class = "hanging">
+2210. (41869). Women’s buckskin leggings.</p>
+
+<p class = "hanging">
+2211. (41870). Women’s buckskin leggings.</p>
+
+<p class = "hanging">
+2212. (41739). Anklet of buckskin, <i>pi-la-wak-chi.</i></p>
+
+<p class = "hanging">
+2213. (41741). Anklet of buckskin.</p>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig578"> </a>
+<img src = "images/fig578.png" width = "175" height = "140"
+alt = "Wolpi moccasin">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 578 (<a href = "#item41828">41828</a>) (⅕)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2214. (<a name = "item41828">41828</a>). A pair of men’s moccasins,
+which the accompanying illustration shows well. They are made of
+buckskin, but differ from the usual manner of making moccasins, called
+<i>pow-chi</i>. See Fig. <a href = "#fig578">578</a>.</p>
+
+<p class = "hanging">
+2215. (41721). Baby’s moccasins, <i>tow-tow-chi-we-ha.</i></p>
+
+<p class = "hanging">
+2216. (41722). Pair child’s moccasins, <i>tow-tow-chi-we-ha.</i></p>
+
+<p class = "hanging">
+2217. (41723). Woman’s moccasins, <i>tow-chi.</i></p>
+
+<p class = "hanging">
+2218. (41829). Pair of child’s moccasins, <i>pow-tow-chi-u-wez-ha</i>.
+The following are specimens of children’s moccasins:</p>
+
+<p class = "hanging">
+2219-2222. 2219, (41830); 2220, (41831); 2221, (41832); 2222,
+(41833).</p>
+
+<p class = "hanging">
+2223. (41755). Small gaming ball covered with goat skin.</p>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig580"> </a>
+<img src = "images/fig580.png" width = "59" height = "255"
+alt = "Wolpi riding whip">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 580<br>
+(<a href = "#item41719">41719</a>)<br>
+(⅙)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2224. (41745). Buckskin paint bag, beaded.</p>
+
+<p class = "hanging">
+2225. (41746). Buckskin paint bag, beaded.</p>
+
+<p class = "hanging">
+2226. (41747). Buckskin paint bag, ornamented with fringe.</p>
+
+<p class = "hanging">
+2227. (41748). Buckskin paint bag, ornamented with fringe.</p>
+
+<!--png 713-->
+<span class = "pagenum">398</span>
+<a name = "page398"> </a>
+<p class = "hanging">
+2228. (41827). Deer-skin pouch, <i>la-hab-ush-i-wa</i>.</p>
+
+<p class = "hanging">
+2229. (41657). Small deer-skin quiver and one arrow.</p>
+
+<p class = "hanging">
+2230. (41841). Buckskin embroidered with beads.</p>
+
+<p class = "hanging">
+2231. (41871). Buckskin dyed black.</p>
+
+<p class = "hanging">
+2232. (41872). Buckskin dyed black.</p>
+
+<p class = "hanging">
+2233. (41873). Buckskin dyed black.</p>
+
+<p class = "hanging">
+2234-2235. 2234, (41717), and 2235, (<a name = "item41719">41719</a>),
+are riding whips made of plaited leather or raw-hide, called
+<i>wi-wa-pi</i>. See Fig. <ins class = "correction" title =
+"text reads ‘550’"><a href = "#fig580">580</a></ins>.</p>
+
+<p class = "hanging">
+2236. (<a name = "item41176">41176</a>). A flat drum, made by stretching
+goat-hide over a wide hoop, and tightened by lacing crosswise around the
+edge with a cord of the same hide. One side is plain, the other is
+decorated with a figure, which is not interpreted. This specimen is from
+Shinumo, but it does not differ from those used by many of the other
+Pueblo tribes. Fig. <a href = "#fig581">581</a>.</p>
+
+<table>
+<!--png 714-->
+<!--png 715-->
+<tr>
+<td class = "figure">
+<a name = "fig577"> </a>
+<img src = "images/fig577.png" width = "101" height = "204"
+alt = "Wolpi wristlet">
+</td>
+<td class = "figure">
+<a name = "fig581"> </a>
+<img src = "images/fig581.png" width = "224" height = "251"
+alt = "Wolpi drum">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 577<br>
+(<a href = "#item42351">42351</a>)
+</td>
+<td class = "caption">Fig. 581<br>
+(<a href = "#item41176">41176</a>) (⅙)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2237. (<a name = "item42351">42351</a>). Fig. <a href =
+"#fig577">577</a>. Leather wristlets, ornamented with wild turkey
+feathers.</p>
+
+<p class = "hanging">
+2238-2239. 2238, (42352), and 2239, (42353), are objects of the same
+kind, differing somewhat in ornamentation.</p>
+
+<p class = "hanging">
+2240. (42354). Ornamental wristlets with metal facing.</p>
+
+<p class = "hanging">
+2241. (42355). Buckskin wrist-guard, to protect the wrist from the
+bowstring when shooting arrows.</p>
+
+<p class = "hanging">
+2242-2243. 2242, (42356), and 2243, (42357), are similar objects, made
+of leather.</p>
+
+<p class = "hanging">
+2244. (42358). Anklets of leather or rawhide strips.</p>
+
+<p class = "hanging">
+2245. (42359). Anklets.</p>
+
+<p class = "hanging">
+2246-2247. 2246, (41749), and 2247, (41750). Leather bags for fire
+stones.</p>
+
+<p class = "hanging">
+2248. (41850). Leather attachments for moccasins.</p>
+
+<p class = "hanging">
+2249. (41765). Leather gaming ball, <i>tat-chi</i>.</p>
+
+<p class = "hanging">
+2250. (41758). Leather or rawhide lash rope with rings, called
+<i>pe-qui-sha</i>.</p>
+
+<p class = "hanging">
+2251. (41874). Specimen of undressed rawhide.</p>
+
+<p class = "hanging">
+2252. (41875). Rawhide bag, painted, <i>cah-he-ne-si-vah</i>.</p>
+
+<p class = "hanging">
+2253. (41844). Narrow strip of canvas, painted to represent some
+fanciful feature. The following are specimens of the same:</p>
+
+<p class = "hanging">
+2254-2258. 2254, (41845); 2255, (41846); 2256, (41847); 2257, (41848);
+2258, (41849).</p>
+
+<h5 class = "ital">WOVEN FABRICS.</h5>
+
+<p class = "hanging">
+2259. (<a name = "item41834">41834</a>). Woven belts or sashes, of which
+the following are examples, and which are well shown in colors by Figs.
+<a href = "#fig582">582</a> and <a href = "#fig583">583</a>:</p>
+
+<table>
+<!--png 716-->
+<!--png 717-->
+<tr>
+<td class = "figure">
+<a name = "fig582"> </a>
+<img src = "images/fig582.png" width = "405" height = "333"
+alt = "Wolpi blanket">
+</td>
+<td class = "figure">
+<a name = "fig583"> </a>
+<img src = "images/fig583.png" width = "155" height = "334"
+alt = "Wolpi blanket">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 582 (<a href = "#item41255">41255</a>)
+</td>
+<td class = "caption">Fig. 583 (<a href = "#item41823">41823</a>)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2260-2269. 2260, (41713); 2261, (41803); 2262, (<ins class =
+"correction" title = "(Fig. 582)"><a name =
+"item41255">41255</a></ins>); 2263, (<ins class = "correction" title =
+"(Fig. 583)"><a name = "item41823">41823</a></ins>); 2264, (41835);
+2265, (41836); 2266, (41837); 2267, (41838); 2268, (41839); 2269,
+(41840).</p>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig584"> </a>
+<img src = "images/fig584.png" width = "115" height = "287"
+alt = "Wolpi anklets">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 584<br>
+(<a href = "#item42365">42365</a>) (¼)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2270. (41718). Woven waist belt, ornamented with sheep and goats’ toes,
+attached to the lower edge of the belt.</p>
+
+<p class = "hanging">
+2271. (41751). Head ornament of braided hair.</p>
+
+<!--png 718-->
+<span class = "pagenum">399</span>
+<a name = "page399"> </a>
+<p class = "hanging">
+2272. (42361). Flat circular pad, composed of hair, over which the
+Shinumo women wear their hair, which appears like two wheels over the
+ears.</p>
+
+<p class = "hanging">
+2273. (41767). Head ornament for flower dance, called
+<i>tah-chi</i>.</p>
+
+<p class = "hanging">
+2274. (41769). Ornament similar to the preceding.</p>
+
+<p class = "hanging">
+2275. (41766). Maiden’s hair strings for head-dress, called
+<i>chi-ca-ha-pi</i>.</p>
+
+<p class = "hanging">
+2276. (41735). Rosette for head-dress in dance.</p>
+
+<p class = "hanging">
+2277. (41736) Rosette with hair tufts attached; dance ornament for the
+head.</p>
+
+<p class = "hanging">
+2278. (41744). Woolen tassel, ornament for dress.</p>
+
+<p class = "hanging">
+2279. (41762). Neck ornament, with feathers attached, called
+<i>how-wah-he-qua-wi</i>.</p>
+
+<p class = "hanging">
+2280. (41759). Feather charms.</p>
+
+<p class = "hanging">
+2281. (41761). Woven band for the head, called <i>mong-at-a</i>.</p>
+
+<p class = "hanging">
+2282. (<a name = "item42365">42365</a>). Fig. <a href =
+"#fig584">584</a>. Anklets, ornamented with porcupine quills; some are
+beaded.</p>
+
+<p>The following are specimens of the anklets, variously ornamented:</p>
+
+<p class = "hanging">
+2283-2286. 2283, (42362); 2284, (42363); 2285, (42364); 2286,
+(42366).</p>
+
+<p class = "hanging">
+2287. (41742). Woman’s knit leggings.</p>
+
+<p class = "hanging">
+2288. (41826). Woven hair <ins class = "correction" title =
+"so in original">sinch</ins> or saddle-<ins class = "correction"
+title = "so in original">girt</ins>, <i>ah-chis-clah</i>.</p>
+
+<p class = "hanging">
+2289. (41757). Braided lasso or lariat.</p>
+
+
+
+
+<h4 class = "chapter">COLLECTIONS FROM LAGUNA.</h4>
+
+
+<h5 class = "section">ARTICLES OF CLAY.</h5>
+
+<h5 class = "ital">WATER VASES.</h5>
+
+<p>These are mostly of the usual form, though some should, probably on
+account of their shape, be designated as jars. A few have the margin
+undulate, and some are without any distinct neck.</p>
+
+<p>They are generally well made and very symmetrical, of white ware,
+with decorations in black, brown, or red colors.</p>
+
+<table class = "figright">
+<!--png 720-->
+<!--png 721-->
+<tr>
+<td class = "figure">
+<a name = "fig585"> </a>
+<img src = "images/fig585.png" width = "119" height = "110"
+alt = "Laguna water vase">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 585<br>
+(<a href = "#item41295">41295</a>) (⅓)
+</td>
+</tr>
+
+<tr>
+<td class = "figure">
+<a name = "fig586"> </a>
+<img src = "images/fig586.png" width = "202" height = "178"
+alt = "Laguna water vase">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 586 (<a href = "#item42385">42385</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2290. (<a name = "item41295">41295</a>). Small, with opposite handles or
+ears, resembling rats peeping into the vessel; body decorated with broad
+oblique stripes and figures resembling corn blades. Shown in Fig. <a
+href = "#fig585">585</a>.</p>
+
+<p class = "hanging">
+2291. (<a name = "item42382">42382</a>). Small, decorated with birds
+fighting, their feathers ruffled. Fig. <a href = "#fig612">612</a>.</p>
+
+<p class = "hanging">
+2292. (42384). Small, with a single broad undulate band around the body,
+having a white stripe in the middle marked with a row of dots.</p>
+
+<!--png 719-->
+<span class = "pagenum">400</span>
+<a name = "page400"> </a>
+<p class = "hanging">
+2293. (<a name = "item42385">42385</a>). Fig. <a href =
+"#fig586">586</a>. Scalloped and straight band around the neck; body
+with two interlaced undulate bands, with triangles alternately in the
+inclosed and upper spaces.</p>
+
+<p class = "hanging">
+2294. (<a name = "item42380">42380</a>). Red base, upright black bands
+in the center, with brown band below neck, and oblique bars extending
+from rim downward. See Fig. <a href = "#fig610">610</a>.</p>
+
+<p class = "hanging">
+2295. (<a name = "item42381">42381</a><i>a</i>). Fig. <a href =
+"#fig587">587</a>. The leaves in the decorations of this piece are
+probably designed to represent corn blades. There is something about the
+figures here used which leads one to believe they are, in part, at
+least, symbolical.</p>
+
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig587"> </a>
+<img src = "images/fig587.png" width = "208" height = "206"
+alt = "Laguna water vase">
+</td>
+<!--png 722-->
+<!--png 723-->
+<td class = "figure">
+<a name = "fig588"> </a>
+<img src = "images/fig588.png" width = "229" height = "199"
+alt = "Laguna water vase">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 587 (<a href = "#item42381">42381</a>) (¼)
+</td>
+<td class = "caption">
+Fig. 588 (<a href = "#item42386">42386</a>) (¼)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2296. (<a name = "item42386">42386</a>). Fig. <a href =
+"#fig588">588</a>. Large. Large flower ornaments surrounding large birds
+with crests and ruffled feathers, one in each space. The large-billed
+bird may be intended for a raven; the other the California quail.</p>
+
+<p class = "hanging">
+2297. (<a name = "item42387">42387</a>). Small margin, with images of
+three birds with spread wings on it; figures of two birds, with a few
+small flowers covering the body. See Fig. <a href =
+"#fig611">611</a>.</p>
+
+<table>
+<!--png 734-->
+<!--png 735-->
+<tr>
+<td class = "figure">
+<a name = "fig610"> </a>
+<img src = "images/fig610.png" width = "143" height = "122"
+alt = "Laguna water vase">
+</td>
+<td class = "figure">
+<a name = "fig611"> </a>
+<img src = "images/fig611.png" width = "146" height = "152"
+alt = "Laguna water vase">
+</td>
+<td class = "figure">
+<a name = "fig612"> </a>
+<img src = "images/fig612.png" width = "156" height = "128"
+alt = "Laguna water vase">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 610<br>
+(<a href = "#item42380">42380</a>)
+</td>
+<td class = "caption">Fig. 611<br>
+(<a href = "#item42387">42387</a>)
+</td>
+<td class = "caption">Fig. 612<br>
+(<a href = "#item42382">42382</a>)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2298. (42388). Small. Zigzag band around the neck; figures on the body
+as in Fig. <a href = "#fig585">585</a>.</p>
+
+<p class = "hanging">
+2299. (42389). Jar-shaped; zigzag band extending on neck and shoulder; a
+straight and scalloped band just below the shoulder.</p>
+
+<p class = "hanging">
+2300. (42390). No neck, broadest near the top; birds, and flowers with
+stem. Small.</p>
+
+<p class = "hanging">
+2301. (41391). Without neck; birds only, small.</p>
+
+<p class = "hanging">
+2302. (42392). Without neck. Birds picking grass. Small flowers.</p>
+
+<p class = "hanging">
+2303. (42393). Scalloped margin; birds only, small.</p>
+
+<p class = "hanging">
+2304. (<a name = "item42394">42394</a>), Fig. <a href =
+"#fig589">589</a>. Scalloped margin. Deer, which seems to be biting the
+leaves of a plant.</p>
+
+<p class = "hanging">
+2305. (<a name = "item42395">42395</a>). Fig. <a href =
+"#fig590">590</a>.</p>
+
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig589"> </a>
+<img src = "images/fig589.png" width = "136" height = "111"
+alt = "Laguna water vase">
+</td>
+<td class = "figure">
+<a name = "fig590"> </a>
+<img src = "images/fig590.png" width = "126" height = "103"
+alt = "Laguna water vase">
+</td>
+<td class = "figure">
+<a name = "fig591"> </a>
+<img src = "images/fig591.png" width = "131" height = "144"
+alt = "Laguna water vase">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 589<br>
+(<a href = "#item42394">42394</a>) (⅓)
+</td>
+<td class = "caption">Fig. 590<br>
+(<a href = "#item42395">42395</a>) (⅓)
+</td>
+<td class = "caption">Fig. 591<br>
+(<a href = "#item42398">42398</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2306. (42396). Jug-shaped, scalloped margin, with four bands of
+crescents on the body.</p>
+
+<p class = "hanging">
+2307. (42397). Jug-shaped, with square month; zigzag line around the
+neck. Scrolls and oblique diamond figures on the body; small.</p>
+
+<p class = "hanging">
+2308. (<a name = "item42398">42398</a>). Fig. <a href =
+"#fig591">591</a>. Ears in the form of animals peeping into the
+vessel.</p>
+
+<p class = "hanging">
+2309. (42399). Small, with crude images of animals on the margin; birds
+alone on the body.</p>
+
+<p class = "hanging">
+2310. (42400). Small; no neck, square mouth; image of a rabbit at each
+corner on the rim; birds and checkered square on the body.</p>
+
+<p class = "hanging">
+2311. (42401). Small and similar to preceding, except that there are
+only corn leaves and a little square on the body.</p>
+
+<p class = "hanging">
+2312. (41402). Similar in form to the preceding; image of an animal at
+one corner only; zigzag line around the neck; double undulate line
+around the body, with dots above and below.</p>
+
+<p class = "hanging">
+2313. (41403). Similar to No. 2310, except that it is more slender and
+jar-shaped; image of a dog or coyote at each corner; figure of a ladle
+and a diamond on the body.</p>
+
+<!--png 726-->
+<span class = "pagenum">401</span>
+<a name = "page401"> </a>
+<p class = "hanging">
+2314. (41404). Jar-shaped, with a round mouth, one animal on the margin;
+triangular lines on the body.</p>
+
+<p class = "hanging">
+2315. (42406). Regular shaped olla of medium size; large figure of leaf
+twigs arranged in the form of a Maltese cross, surrounded on the side by
+broad curved lines or stripes.</p>
+
+<p>The following are but slightly decorated:</p>
+
+<p class = "hanging">
+2316-2317. 2316, (42376), and 2317, (42378). With one or two simple
+narrow bands or lines.</p>
+
+<p class = "hanging">
+2318. (42780). With slight oblique lines on the neck, and a few broad
+upright lines in two groups on the body.</p>
+
+<p class = "hanging">
+2319-2320. 2319, (42379), and 2320, (42381<i>b</i>). Without decorations
+of any kind.</p>
+
+<h5 class = "ital">WATER JUGS AND JARS.</h5>
+
+<p class = "hanging">
+2321. (<a name = "item41299">41299</a>). Fig. <a href =
+"#fig593">593</a>, Canteen with the images of four dogs or coyotes on
+it. Leaf decorations.</p>
+
+<p class = "hanging">
+2322. (41300). Canteens, regular form. Irregular figures.</p>
+
+<table>
+<!--png 724-->
+<!--png 725-->
+<tr>
+<td class = "figure">
+<a name = "fig593"> </a>
+<img src = "images/fig593.png" width = "199" height = "157"
+alt = "Laguna water jar">
+</td>
+<td class = "figure">
+<a name = "fig594"> </a>
+<img src = "images/fig594.png" width = "114" height = "171"
+alt = "Laguna water jar">
+</td>
+<td class = "figure">
+<a name = "fig595"> </a>
+<img src = "images/fig595.png" width = "135" height = "117"
+alt = "Laguna water jar">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 593<br>
+(<a href = "#item41299">41299</a>) (½)
+</td>
+<td class = "caption">Fig. 594<br>
+(<a href = "#item42412">42412</a>) (⅓)
+</td>
+<td class = "caption">Fig. 595<br>
+(<a href = "#item42413">42413</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2323. (<a name = "item42412">42412</a>). Fig. <a href =
+"#fig594">594</a>. Canteen of regular form, scalloped band, leaves and
+geometrical figures.</p>
+
+<p class = "hanging">
+2324. (<a name = "item42413">42413</a>). Fig. <a href =
+"#fig595">595</a>. Olla-shaped canteen. The top is depressed and
+ornamented with a scalloped band; immediately below this is a broad band
+consisting of two plain, narrow stripes, between which is a row of
+oblong figures arranged in a zigzag pattern; around the middle of the
+vessel there is a sparsely serrate band, interrupted at intervals by
+small circles, in each of which there is the form of a cross.</p>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig596"> </a>
+<img src = "images/fig596.png" width = "211" height = "175"
+alt = "Laguna water jar">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 596 (<a href = "#item42409">42409</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2325. (<a name = "item42409">42409</a>). Fig. <a href =
+"#fig596">596</a>. The ornamentation on this piece is rather peculiar
+and worthy of attention, especially the bands around the columns.</p>
+
+<p class = "hanging">
+2326. (42411). Double pepper and salt box, square form, with two handles
+side by side; birds mounted on the handles; figures of elk on the sides
+and ends in procession.</p>
+
+<p class = "hanging">
+2327. (42475). Moccasin; rude.</p>
+
+<h5 class = "ital">PITCHERS.</h5>
+
+<p>These are well formed, evidently in imitation of those introduced by
+the white population. All similar in form, with handles. White ware with
+decorations; of medium size.</p>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig592"> </a>
+<img src = "images/fig592.png" width = "137" height = "130"
+alt = "Laguna water pitcher">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 592<br>
+(<a href = "#item41298">41298</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2328. (<a name = "item41298">41298</a>). Shown in Fig. <a href =
+"#fig592">592</a>.</p>
+
+<p class = "hanging">
+2329. (42405). Diamond scroll in the upper zone; a band of triangles
+with points directed upward in lower zone.</p>
+
+<p class = "hanging">
+2330. (42406). Flower or rosette in upper zone, one on each side; no
+other figures.</p>
+
+<p class = "hanging">
+2331. (42407). Broad band around the neck, from which two long-pointed
+triangles or acuminate figures point downwards; then another simple
+straight band, and below this a zigzag band.</p>
+
+<!--png 727-->
+<span class = "pagenum">402</span>
+<a name = "page402"> </a>
+<p class = "hanging">
+2332. (42408). Scroll band around the neck; a band of hour-glass figures
+around the shoulder.</p>
+
+<p class = "hanging">
+2333. (42410). With an undulate band around the bowl.</p>
+
+<h5 class = "ital">EFFIGIES.</h5>
+
+<p>These are of white decorated ware, and in the form of birds and
+quadrupeds; the orifice being usually in the top of the head, but in
+birds it is occasionally at the tail, and in the quadruped forms
+sometimes in the breast.</p>
+
+<p>Birds.</p>
+
+<p>These are frequently without feet, &amp;c.; one or two double ones
+are on pedestals.</p>
+
+<p class = "hanging">
+2334-2347. 2334, (41301); 2335, (<a name = "item41302">41302</a>), Fig.
+<a href = "#fig597">597</a>; 2336, (<a name = "item41303">41303</a>),
+Fig. <a href = "#fig598">598</a>; 2337, (41304); 2338, (41305); 2339,
+(<a name = "item42414">42414</a>), Fig. <a href = "#fig608">608</a>;
+2340, (<a name = "item42415">42415</a>), Fig. <a href =
+"#fig599">599</a>; 2341, (<a name = "item42418">42418</a>), Fig. <a href
+= "#fig609">609</a>; 2342, (42419); 2343, (42423); 2344, (42426); 2345,
+(42427); 2346, (42428); 2347, (42429), are all similar to that
+represented in the Figures; some of them are intended to represent other
+birds than ducks.</p>
+
+<table>
+<!--png 728-->
+<!--png 729-->
+<tr>
+<td class = "figure">
+<a name = "fig597"> </a>
+<img src = "images/fig597.png" width = "152" height = "161"
+alt = "Laguna effigy">
+</td>
+<td class = "figure">
+<a name = "fig598"> </a>
+<img src = "images/fig598.png" width = "162" height = "117"
+alt = "Laguna effigy">
+</td>
+<td class = "figure">
+<a name = "fig599"> </a>
+<img src = "images/fig599.png" width = "175" height = "132"
+alt = "Laguna effigy">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 597<br>
+(<a href = "#item41302">41302</a>) (⅓)
+</td>
+<td class = "caption">Fig. 598<br>
+(<a href = "#item41303">41303</a>) (⅓)
+</td>
+<td class = "caption">Fig. 599<br>
+(<a href = "#item42415">42415</a>) (½)
+</td>
+</tr>
+
+<!--png 732-->
+<!--png 733-->
+<tr>
+<td class = "figure">
+<a name = "fig605"> </a>
+<img src = "images/fig605.png" width = "150" height = "123"
+alt = "Laguna effigy">
+</td>
+<td class = "figure">
+<a name = "fig608"> </a>
+<img src = "images/fig608.png" width = "168" height = "108"
+alt = "Laguna effigy">
+</td>
+<td class = "figure">
+<a name = "fig609"> </a>
+<img src = "images/fig609.png" width = "151" height = "162"
+alt = "Laguna effigy">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 605<br>
+(<a href = "#item42420">42420</a>)
+</td>
+<td class = "caption">Fig. 608<br>
+(<a href = "#item42414">42414</a>)
+</td>
+<td class = "caption">Fig. 609<br>
+(<a href = "#item42418">42418</a>)
+</td>
+</tr>
+</table>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig600"> </a>
+<img src = "images/fig600.png" width = "144" height = "166"
+alt = "Laguna effigy">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 600<br>
+(<a href = "#item42417">42417</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2348. (<a name = "item42417">42417</a>). Fig. <a href =
+"#fig600">600</a>. With two heads on a pedestal.</p>
+
+<p class = "hanging">
+2349. (<a name = "item42420">42420</a>). Two heads, but not on a
+pedestal; a handle on the back in the form of a fox or dog. See Fig. <a
+href = "#fig605">605</a>.</p>
+
+<p class = "hanging">
+2350-2352. 2350, (42421); 2351, (42422); 2352, (42424). Similar to those
+shown in Fig. <a href = "#fig598">598</a>, but the decorations are
+scrolls and triangular figures. The first has a flower or rosette on the
+breast.</p>
+
+<p class = "hanging">
+2353. (42425). Two-headed; not on pedestal; lines, triangles,
+&amp;c.</p>
+
+<p class = "hanging">
+2354. (42435). With a crest and long tail; apparently a rooster.</p>
+
+<p>Quadrupeds.</p>
+
+<p class = "hanging">
+2355. (<a name = "item41306">41306</a>). Fig. <a href =
+"#fig601">601</a>. This represents a sheep. The orifice is in front of
+the head.</p>
+
+<table>
+<!--png 730-->
+<!--png 731-->
+<tr>
+<td class = "figure">
+<a name = "fig601"> </a>
+<img src = "images/fig601.png" width = "208" height = "159"
+alt = "Laguna effigy">
+</td>
+<td class = "figure">
+<a name = "fig607"> </a>
+<img src = "images/fig607.png" width = "190" height = "160"
+alt = "Laguna effigy">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 601 (<a href = "#item41306">41306</a>) (⅓)
+</td>
+<td class = "caption">
+Fig. 607 (<a href = "#item41307">41307</a>)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2356-2357. 2356, (<a name = "item41307">41307</a>), Fig. <ins class =
+"correction" title = "text reads ‘609’"><a href =
+"#fig607">607</a></ins>, and 2357, (41309). These are probably intended
+for sheep, but they are so rude that it is not possible to determine
+with any certainty. Bark colored.</p>
+
+<p class = "hanging">
+2358. (41308). A cow; although rude, the characteristics are well given,
+even to the hoofs and udder; spotted on the back and breast. Coloring on
+the sides intended to represent hair.</p>
+
+<p class = "hanging">
+2359. (<a name = "item42430">42430</a>). Shown <ins class = "correction"
+title = "text reads ‘on’">in</ins> Fig. <a href = "#fig606">606</a>.</p>
+
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig602"> </a>
+<img src = "images/fig602.png" width = "199" height = "135"
+alt = "Laguna effigy">
+</td>
+<td class = "figure">
+<a name = "fig606"> </a>
+<img src = "images/fig606.png" width = "165" height = "110"
+alt = "Laguna effigy">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 602 (<a href = "#item42431">42431</a>) (⅓)
+</td>
+<td class = "caption">
+Fig. 606 (<a href = "#item42430">42430</a>)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2360. (<a name = "item42431">42431</a>). Fig. <a href =
+"#fig602">602</a>. This and the preceding figure are evidently intended
+to represent rabbits.</p>
+
+<p class = "hanging">
+2361-2362. 2361, (42432), and 2362, (42433). Similar to the last;
+apparently intended for a figure of the ass (<i>Burro</i>), though the
+spots on the former are inappropriate. The latter is decorated on the
+side with the figure of another quadruped.</p>
+
+<p class = "hanging">
+2363. (42434). Animal unknown.</p>
+
+<p class = "hanging">
+2364-2365. 2364, (42436), and 2365, (42437). Animal not determinable;
+decorated with spots.</p>
+
+<!--png 738-->
+<span class = "pagenum">403</span>
+<a name = "page403"> </a>
+<p class = "hanging">
+2366-2371. 2366, (<a name = "item42438">42438</a>), Fig. <a href =
+"#fig603">603</a>; 2367, (42439); 2368, (42440); 2369, (42441); 2370,
+(42442); 2371, (42443). Antelope and elk. The first is evidently an
+antelope, and possibly the third and fifth. The rest are certainly elk.
+Decorations simple.</p>
+
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig603"> </a>
+<img src = "images/fig603.png" width = "182" height = "134"
+alt = "Laguna effigy">
+</td>
+<td class = "figure">
+<a name = "fig604"> </a>
+<img src = "images/fig604.png" width = "231" height = "105"
+alt = "Laguna effigy">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 603 (<a href = "#item42438">42438</a>) (⅓)
+</td>
+<td class = "caption">
+Fig. 604 (<a href = "#item42444">42444</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2372. (<a name = "item42444">42444</a>). Probably a dog or coyote, with
+scrolls and diamond figures. See Fig. <a href = "#fig604">604</a>.</p>
+
+<p class = "hanging">
+2373. (42445). Probably a horse.</p>
+
+<p>Human figures&mdash;dolls.</p>
+
+<p class = "hanging">
+2374-2377. 2374, (42447); 2375, (42448); 2376, (42449); 2377, (42450).
+Females; simple.</p>
+
+<p class = "hanging">
+2378. (42446). Is a pretty fair representation of a chair.</p>
+
+<h5 class = "ital">EATING BOWLS.</h5>
+
+<p>The Laguna bowls are mostly of two sizes, either large or small. The
+former are eating bowls and are of the general form, or perhaps more
+hemispherical than usual. The small ones vary in shape from the
+preceding form to that of a flat-bottomed basin. The decorations present
+but little similarity to those we have previously described from other
+tribes; white ware with colored decorations.</p>
+
+<p>Small bowls. Decorations all external:</p>
+
+<p class = "hanging">
+2379. (41296). Square mouth, with two sides somewhat flattened. Scrolls
+and leaf-like figures on the outside.</p>
+
+<p class = "hanging">
+2380. (<a name = "item41297">41297</a>). Fig. <a href =
+"#fig616">616</a>. Shown in the figure.</p>
+
+<p class = "hanging">
+2381. (42451). Basin-shaped, with a handle on one side and a lip on the
+other; simple marginal and basal band with oblique lines.</p>
+
+<table>
+<!--png 736-->
+<!--png 737-->
+<tr>
+<td class = "figure">
+<a name = "fig616"> </a>
+<img src = "images/fig616.png" width = "176" height = "110"
+alt = "Laguna eating bowl">
+</td>
+<td class = "figure">
+<a name = "fig617"> </a>
+<img src = "images/fig617.png" width = "196" height = "105"
+alt = "Laguna eating bowl">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 616 (<a href = "#item41297">41297</a>) (½)
+</td>
+<td class = "caption">
+Fig. 617 (<a href = "#item42452">42452</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2382. (<a name = "item42452">42452</a>). Fig. <a href =
+"#fig617">617</a>. Same form, with handle on which is seated some
+animal, apparently a dog, no lip. Band of diamond figures with central
+spaces. These two are the only specimens which have handles.</p>
+
+<p>The following are quite small, basin-shaped, decorated with leaflike
+figures:</p>
+
+<p class = "hanging">
+2383-2388. 2383, (42453); 2384, (42454); 2385, (42457); 2386, (42458);
+2387, (42459); 2388, (42460).</p>
+
+<p>The two following are small, of regular form:</p>
+
+<p class = "hanging">
+2389. (42455). With two zigzag lines around the body.</p>
+
+<p class = "hanging">
+2390. (42456). With geometrical figures.</p>
+
+<p>Large bowls.</p>
+
+<p class = "hanging">
+2391. (41265). No external decorations; radiating lines and large spaces
+inside.</p>
+
+<p class = "hanging">
+2392. (42474). Inner zigzag marginal line as on Zuñi bowls; outer
+decorations also somewhat like the usual triangular figures on the Zuñi
+bowls.</p>
+
+<p>The following are without inner decorations:</p>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig614"> </a>
+<img src = "images/fig614.png" width = "186" height = "111"
+alt = "Laguna eating bowl">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 614 (<a href = "#item42469">42469</a>)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2393-2395. 2393, (42466); 2394, (42468); 2395, (42472). With broad band
+of geometrical figures; the first with a narrow scalloped band bordering
+the large band below.</p>
+
+<!--png 739-->
+<span class = "pagenum">404</span>
+<a name = "page404"> </a>
+<p class = "hanging">
+2396-2397. 2396, (42461), and 2397, (<a name = "item42473">42473</a>),
+<ins class = "correction" title = "figure reference missing">Fig. <a
+href = "#fig613">613</a></ins>. With irregular geometrical figures; no
+band.</p>
+
+<p class = "hanging">
+2398. (<a name = "item42469">42469</a>). With diamond marginal band;
+irregular figures below. Fig. <a href = "#fig614">614</a>.</p>
+
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig613"> </a>
+<img src = "images/fig613.png" width = "170" height = "103"
+alt = "Laguna eating bowl">
+</td>
+<td class = "figure">
+<a name = "fig615"> </a>
+<img src = "images/fig615.png" width = "170" height = "96"
+alt = "Laguna eating bowl">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 613<br>
+(<a href = "#item42473">42473</a>)
+</td>
+<td class = "caption">Fig. 615<br>
+(<a href = "#item42471">42471</a>)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2399. (42470). The large circular scroll with irregular figures; no
+band.</p>
+
+<p class = "hanging">
+2400. (<ins class = "correction" title = "text reads ‘42473’"><a name =
+"item42471">42471</a></ins>). Scalloped circle with a square in it, and
+leaf-like figures. Fig. <a href = "#fig615">615</a>.</p>
+
+
+
+
+<h4 class = "chapter">COLLECTIONS FROM ACOMA.</h4>
+
+
+<h5 class = "section">ARTICLES OF CLAY.</h5>
+
+<h5 class = "ital">WATER VASES.</h5>
+
+<p>There are but few pieces of this pottery, yet a careful examination
+of these since my return increases my desire to procure more. The Acoma
+bears a strong resemblance, especially in the ornamentation, to that
+from Laguna. All that was obtained was of white ware with decorations in
+color. In this pottery, in most cases where animals are figured, they
+have a base or ground on which to stand.</p>
+
+<table class = "figright">
+<!--png 740-->
+<!--png 741-->
+<tr>
+<td class = "figure">
+<a name = "fig618"> </a>
+<img src = "images/fig618.png" width = "143" height = "112"
+alt = "Acoma water vase">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 618<br>
+(<a href = "#item39581">39581</a>) (¼)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2401. (39578). Medium size, figures of birds, ant-hills, and cactus. No
+band on the neck.</p>
+
+<p class = "hanging">
+2402. (<a name = "item39581">39581</a>). Fig. <a href =
+"#fig618">618</a>.</p>
+
+<p class = "hanging">
+2403. (39582). Very pretty specimen, quite symmetrical, broad
+jar-shaped, a scalloped band on the neck with little tassels suspended
+from it, possibly intended to imitate fringe. Large triangles on the
+body pointing to the right, each tipped with a flower.</p>
+
+<p class = "hanging">
+2404. (39730). Small scalloped band around the neck similar to Fig. <a
+href = "#fig624">624</a>.</p>
+
+<p class = "hanging">
+2405. (41310). Large double band of triangles on the neck; body with a
+band of large diamonds, or squares placed as diamonds, with checkered
+centers and crescents.</p>
+
+<p class = "hanging">
+2406. (41313). No band on the neck; birds and ant hills.</p>
+
+<p class = "hanging">
+2407. (41314). No band on neck; large elk and some irregular
+figures.</p>
+
+<p class = "hanging">
+2408. (41315). No band on neck; bird on the ground amid leaves and
+flowers.</p>
+
+<p class = "hanging">
+2409. (<a name = "item41316">41316</a>). Fig. <a href =
+"#fig619">619</a>. The ornamentation on this is more than usually
+spirited.</p>
+
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig619"> </a>
+<img src = "images/fig619.png" width = "191" height = "150"
+alt = "Acoma water vase">
+</td>
+<td class = "figure">
+<a name = "fig621"> </a>
+<img src = "images/fig621.png" width = "202" height = "139"
+alt = "Acoma water vase">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 619 (<a href = "#item41316">41316</a>) (¼)
+</td>
+<td class = "caption">
+Fig. 621 (<a href = "#item41318">41318</a>)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2410. (<a name = "item41318">41318</a>). Scalloped margin, no neck-band;
+belt of large open diamonds around the body, each upper corner capped
+with three leaves. See Fig. <a href = "#fig621">621</a>.</p>
+
+<p class = "hanging">
+2411. (<a name = "item41317">41317</a>). Large size; a double band of
+crescents around the neck; then on the shoulder an arched band with a
+central stripe of diamonds; below this a double line of inverted
+crescents, and below this a large three-leafed plant. See Fig. <a href =
+"#fig620">620</a>.</p>
+
+<!--png 744-->
+<span class = "pagenum">405</span>
+<a name = "page405"> </a>
+<p class = "hanging">
+2412. (42378). Plain.</p>
+
+<table>
+<!--png 742-->
+<!--png 743-->
+<tr>
+<td class = "figure">
+<a name = "fig620"> </a>
+<img src = "images/fig620.png" width = "218" height = "204"
+alt = "Acoma water vase">
+</td>
+<td class = "figure">
+<a name = "fig622"> </a>
+<img src = "images/fig622.png" width = "212" height = "150"
+alt = "Acoma water vase">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 620 (<a href = "#item41317">41317</a>)
+</td>
+<td class = "caption">
+Fig. 622 (<a href = "#item42377">42377</a>)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2413. (42383). Small, with lines of outline <ins class = "correction"
+title = "text reads ‘cresents’">crescents</ins> around the body.</p>
+
+<p class = "hanging">
+2414. (<ins class = "correction" title = "text reads ‘42317’"><a name =
+"item42377">42377</a></ins>). See Fig. <a href = "#fig622">622</a>.</p>
+
+<h5 class = "ital">PITCHERS.</h5>
+
+<p>White decorated ware with handles:</p>
+
+<p class = "hanging">
+2415. (41311). Regular form, of medium size, with a broad zigzag band
+around the neck and another around the body. The latter has in each
+large fold something like an arrow-head with point broken off.</p>
+
+<p class = "hanging">
+2416. (41312). Olla-shaped neck with snort oblique bands; body with
+large and small triangles.</p>
+
+<h5 class = "ital">EATING BOWLS.</h5>
+
+<p>The following specimens are small:</p>
+
+<p class = "hanging">
+2417. (42461). Shaped exactly like the small soup bowl in use at the
+present day among the whites; with foot encircled by a vine with
+well-formed leaves. A pretty piece.</p>
+
+<p class = "hanging">
+2418. (42462). Regular form, with an outline zigzag band.</p>
+
+<p class = "hanging">
+2419. (42463) and (42464). Very small, conical in shape, the former
+marked with slender lines running around it, the latter with dots.</p>
+
+
+
+
+<h4 class = "chapter">COLLECTION FROM COCHITI.</h4>
+
+
+<h5 class = "section">ARTICLES OF CLAY.</h5>
+
+<h5 class = "ital">WATER VESSELS.</h5>
+
+<p>Size: height 6 to 9 inches, diameter 6 to 15 inches.</p>
+
+<p>These are of the same form as those of Zuñi, but the curves and
+outlines are much more graceful, and there is a delicacy in the finish
+which places them above the Zuñi pottery and indicates a greater freedom
+and confidence in the ceramic artist. The rim is often slightly flared,
+the neck more distinct and regularly formed.</p>
+
+<p>The only figure given of this interesting group is not one of the
+regularly formed specimens. They are all white ware with decorations in
+black.</p>
+
+<p class = "hanging">
+2420. (39501). Scalloped band around the neck; body divided into three
+compartments by upright double lines with rosette in one and twigs in
+the others.</p>
+
+<p class = "hanging">
+2421. (39502), Pueblo or terraced figures around the body bordered by an
+undulate line below. This is of special interest.</p>
+
+<p class = "hanging">
+2422. (39503). Decorated with sunflower, the stem and leaves on the
+body; straight and undulate lines around the neck.</p>
+
+<!--png 745-->
+<span class = "pagenum">406</span>
+<a name = "page406"> </a>
+<p class = "hanging">
+2423. (39504). Decorated with straight and undulate bands.</p>
+
+<table class = "figright">
+<!--png 746-->
+<!--png 747-->
+<tr>
+<td class = "figure">
+<a name = "fig623"> </a>
+<img src = "images/fig623.png" width = "130" height = "122"
+alt = "Cochiti water vessel">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 623<br>
+(<a href = "#item39733">39733</a>) (⅓)
+</td>
+</tr>
+
+<tr>
+<td class = "figure">
+<a name = "fig624"> </a>
+<img src = "images/fig624.png" width = "128" height = "113"
+alt = "Cochiti water vessel">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 624<br>
+(<a href = "#item39731">39731</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2424. (39505). With figures of birds on the neck; and a tolerably well
+executed true meander or Greek fret around the body. Evident imitation
+of European pattern.</p>
+
+<p class = "hanging">
+2425. (39506). Straight and undulate lines on the neck, triangle
+pointing downwards, leaves and insects on the body.</p>
+
+<p class = "hanging">
+2426. (39509). Depressed; with rosettes and geometrical figures on the
+upper half of the body.</p>
+
+<p class = "hanging">
+2427. (39634). Globular in form, without neck; scalloped marginal band;
+figures of chickens on the body.</p>
+
+<p class = "hanging">
+2428. (<a name = "item39731">39731</a>). Fig. <a href =
+"#fig624">624</a>. Small size.</p>
+
+<p class = "hanging">
+2429. (<a name = "item39733">39733</a>). Small size, similar in form to
+the preceding, with scalloped band around the neck, and scalloped arches
+on the body. Shown in Fig. <a href = "#fig623">623</a>.</p>
+
+<p>Globular vessels with handles, used for holding water. These are of
+two forms: those which are almost or quite spherical, with wide month at
+the top; and those which resemble tea-pots, and open through a spout in
+the form of the head of a bird or other animal. These are sometimes
+globular, with opening at the top. Size shown in the illustrations.</p>
+
+<p class = "hanging">
+2430. (39557). Undulate band around the margin; figures of fish on the
+body.</p>
+
+<p class = "hanging">
+2431. (39558). Undulate line round the margin; figures of deer, bird,
+and fruit.</p>
+
+<p class = "hanging">
+2432. (39559). With figures of triangles and leaves on the body.</p>
+
+<p class = "hanging">
+2433. (39560). With head of a bird projecting from one side; marked with
+outline triangular and lunar figures on the body.</p>
+
+<p class = "hanging">
+2434. (39561). Head of an animal projecting from one side.</p>
+
+<p>Canteen-shaped vessels, with openings through a spout in the form of
+the head of some animal. In some instances, where these are in the form
+of a bird with the head for a spout, at the opposite end or side is the
+representation of a tail, but often the latter is wanting. Handle
+single, and usually on the top, unless otherwise specially
+mentioned.</p>
+
+<p class = "hanging">
+2435-2436. 2435, (<a name = "item39563">39563</a>), and 2436, (39567).
+These are bird-shaped, with simple meander bands round the neck, and
+procession or herd of sheep or goats on the body. Head and tail shown.
+The former is seen in Fig. <a href = "#fig625">625</a>.</p>
+
+<p class = "hanging">
+2437. (39564). Form of a bird without tail; decorations simple.</p>
+
+<table>
+<!--png 748-->
+<!--png 749-->
+<tr>
+<td class = "figure">
+<a name = "fig625"> </a>
+<img src = "images/fig625.png" width = "199" height = "204"
+alt = "Cochiti water vessel">
+</td>
+<td class = "figure">
+<a name = "fig626"> </a>
+<img src = "images/fig626.png" width = "186" height = "198"
+alt = "Cochiti water vessel">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 625 (<a href = "#item39563">39563</a>) (⅓)
+</td>
+<td class = "caption">
+Fig. 626 (<a href = "#item39565">39565</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2438. (<a name = "item39565">39565</a>). Shown in Fig. <a href =
+"#fig626">626</a>.</p>
+
+<p class = "hanging">
+2439. (39568). Bird without tail; figure of an Indian with a gun in his
+hand, leading a calf followed by a cow.</p>
+
+<p class = "hanging">
+2440. (39569). Bird with rude tail; figures of fishes and bird and a
+scalloped band below.</p>
+
+<p class = "hanging">
+2441. (39570). Bird without tail; feather figures on breast; oblique
+checkered band to represent wing.</p>
+
+<!--png 758-->
+<span class = "pagenum">407</span>
+<a name = "page407"> </a>
+<p class = "hanging">
+2442. (39571). With two heads opposite, handle crosswise between them;
+serrate bands around the necks; figures of birds on the body.</p>
+
+<p class = "hanging">
+2443. (39572). Representing a double-headed duck, with a single tail at
+opposite end; square handle; outline flower or rosette on the body.</p>
+
+<table class = "figright">
+<!--png 750-->
+<!--png 751-->
+<tr>
+<td class = "figure">
+<a name = "fig627"> </a>
+<img src = "images/fig627.png" width = "193" height = "180"
+alt = "Cochiti water vessel">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 627 (<a href = "#item39573">39573</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2444. (<a name = "item39573">39573</a>). Form and decorations shown in
+Fig. <a href = "#fig627">627</a>. Probably intended for a dog.</p>
+
+<p class = "hanging">
+2445. (39574). Form like preceding; decorations, fish, and grass; latter
+well shown.</p>
+
+<p class = "hanging">
+2446. (39575). Similar in form to preceding, but with the fore-legs
+added. Decorations, collar or band around the neck and fish, on the
+body.</p>
+
+<p class = "hanging">
+2447. (39579). Without handle, canteen-shaped, with dark head on one
+side; decorated with flowers and birds.</p>
+
+<p class = "hanging">
+2448. (39696). Bird’s head on top, tail present, no handle; jug-shape;
+feather on back, scrolls and flower on the side.</p>
+
+<p class = "hanging">
+2449. (39697). Animal’s head; no tail; open on top as well as through a
+spout; scalloped margin; birds and twigs on the body.</p>
+
+<p class = "hanging">
+2450. (39698). Similar in form to the preceding, and with similar
+decorations.</p>
+
+<p class = "hanging">
+2451. (39699). Similar in form, but not open on top. Man, boy, and
+birds, with lines or shading to represent the ground.</p>
+
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig628"> </a>
+<img src = "images/fig628.png" width = "209" height = "193"
+alt = "Cochiti water vessel">
+</td>
+<!--png 752-->
+<!--png 753-->
+<td class = "figure">
+<a name = "fig629"> </a>
+<img src = "images/fig629.png" width = "226" height = "210"
+alt = "Cochiti water vessel">
+</td>
+</tr>
+<tr>
+<td class = "caption">
+Fig. 628 (<a href = "#item39720">39720</a>) (⅓)
+</td>
+<td class = "caption">
+Fig. 629 (<a href = "#item39725">39725</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2452-2458. 2452, (39701); 2453, (39713); 2454, (39715); 2455, (<a name =
+"item39720">39720</a>); Fig. <a href = "#fig628">628</a>; 2456, (<a name
+= "item39725">39725</a>), Fig. <a href = "#fig629">629</a>; 2457,
+(39727); 2458, (39730). These are somewhat of bird form, with globular
+body and without tail. Nos. 2455, 2456, and 2457 are open on top, the
+others are not. Decorated with figures of birds, and sometimes flowers
+or twigs. The bird figures on No. 2453 (39713) are evidently intended
+for turkeys. This is without handle, and open at the top.</p>
+
+<p class = "hanging">
+2459. (39700). Bird without tail; figures of deer and some other animal,
+also trees.</p>
+
+<p class = "hanging">
+2460. (39703). Duck-shaped, without tail; rude figures of animals and
+birds.</p>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig630"> </a>
+<img src = "images/fig630.png" width = "279" height = "237"
+alt = "Cochiti water vessel">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 630 (<a href = "#item39511">39511</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2461. (<a name = "item39511">39511</a>). Fig. <a href =
+"#fig630">630</a>.</p>
+
+<p class = "hanging">
+2462. (39704). Bird-shape, no tail; outline figures of Indians.</p>
+
+<p class = "hanging">
+2463-2465. 2463, (39706); 2464, (39712); 2465, (<a name =
+"item39721">39721</a>), Fig. <a href = "#fig632">632</a>. Usual bird
+form as shown, and with similar animal figures.</p>
+
+<p class = "hanging">
+2466. (39705). Resembles specimen shown in Fig. <a href =
+"#fig629">629</a>.</p>
+
+<p class = "hanging">
+2467-2468. 2467, (39707), and 2468, (39708). Same form; decorations in
+outline, former of plants, latter of animals; rude.</p>
+
+<p class = "hanging">
+2469. (39709). Same form; figure of an Indian chasing a deer.</p>
+
+<table>
+<!--png 754-->
+<!--png 755-->
+<tr>
+<td class = "figure">
+<a name = "fig631"> </a>
+<img src = "images/fig631.png" width = "207" height = "206"
+alt = "Cochiti water vessel">
+</td>
+<td class = "figure">
+<a name = "fig632"> </a>
+<img src = "images/fig632.png" width = "268" height = "238"
+alt = "Cochiti water vessel">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 631 (<a href = "#item39717">39717</a>) (⅓)
+</td>
+<td class = "caption">Fig. 632 (<a href = "#item39721">39721</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2470-2471. 2470, (39710), and 2471, (<a name = "item39717">39717</a>).
+Fig. <a href = "#fig631">631</a>. Decorated with figures of fish.</p>
+
+<p class = "hanging">
+2472. (39711). Usual form; oblique; double serrate band and figures of
+fish.</p>
+
+<p class = "hanging">
+2473. (<a name = "item39714">39714</a>). Fig. <a href =
+"#fig634">634</a>.</p>
+
+<p class = "hanging">
+2474. (<a name = "item39718">39718</a>). Fig. <a href =
+"#fig633">633</a>.</p>
+
+<table>
+<!--png 756-->
+<!--png 757-->
+<tr>
+<td class = "figure">
+<a name = "fig633"> </a>
+<img src = "images/fig633.png" width = "196" height = "219"
+alt = "Cochiti water vessel">
+</td>
+<td class = "figure">
+<a name = "fig634"> </a>
+<img src = "images/fig634.png" width = "297" height = "199"
+alt = "Cochiti water vessel">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 633 (<a href = "#item39718">39718</a>) (⅓)
+</td>
+<td class = "caption">Fig. 634 (<a href = "#item39714">39714</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<!--png 759-->
+<span class = "pagenum">408</span>
+<a name = "page408"> </a>
+<p class = "hanging">
+2475. (<a name = "item39719">39719</a>). Fig. <a href =
+"#fig635">635</a>.</p>
+
+<p class = "hanging">
+2476. (<a name = "item39722">39722</a>). Fig. <a href =
+"#fig636">636</a>. This belongs to the globular group above
+described.</p>
+
+<p class = "hanging">
+2477. (39723). Similar to the preceding and belongs to the same group;
+with figures of sheep and fish.</p>
+
+<table>
+<!--png 760-->
+<!--png 761-->
+<tr>
+<td class = "figure">
+<a name = "fig635"> </a>
+<img src = "images/fig635.png" width = "222" height = "227"
+alt = "Cochiti water vessel">
+</td>
+<td class = "figure">
+<a name = "fig636"> </a>
+<img src = "images/fig636.png" width = "212" height = "222"
+alt = "Cochiti water vessel">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 635 (<a href = "#item39719">39719</a>) (⅓)
+</td>
+<td class = "caption">Fig. 636 (<a href = "#item39722">39722</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2478. (<a name = "item39724">39724</a>). Fig. <a href =
+"#fig637">637</a>.</p>
+
+<p class = "hanging">
+2479. (<a name = "item39726">39726</a>). Fig. <a href =
+"#fig638">638</a>. A true canteen.</p>
+
+<p class = "hanging">
+2480. (39728).</p>
+
+<table>
+<!--png 762-->
+<!--png 763-->
+<tr>
+<td class = "figure">
+<a name = "fig637"> </a>
+<img src = "images/fig637.png" width = "190" height = "188"
+alt = "Cochiti water vessel">
+</td>
+<td class = "figure">
+<a name = "fig638"> </a>
+<img src = "images/fig638.png" width = "184" height = "170"
+alt = "Cochiti water vessel">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 637 (<a href = "#item39724">39724</a>) (⅓)
+</td>
+<td class = "caption">Fig. 638 (<a href = "#item39726">39726</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2481. (<a name = "item39729">39729</a>). Fig. <a href =
+"#fig639">639</a>.</p>
+
+<p class = "hanging">
+2482. (39508). Bird with tail more elongate in form than usual. Oblique
+checkered band on the side.</p>
+
+<p class = "hanging">
+2483. (39514). Similar to water jars in the form of birds, and without
+handles.</p>
+
+<table>
+<!--png 764-->
+<!--png 765-->
+<tr>
+<td class = "figure">
+<a name = "fig639"> </a>
+<img src = "images/fig639.png" width = "232" height = "214"
+alt = "Cochiti water vessel">
+</td>
+<td class = "figure">
+<a name = "fig640"> </a>
+<img src = "images/fig640.png" width = "252" height = "197"
+alt = "Cochiti water vessel">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 639 (<a href = "#item39729">39729</a>) (⅓)
+</td>
+<td class = "caption">Fig. 640 (<a href = "#item39562">39562</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2484. (<a name = "item39562">39562</a>). Fig. <a href =
+"#fig640">640</a>.</p>
+
+<p class = "hanging">
+2485. (39515). Rosette of leaves on the back; tail well formed, probably
+represents the dove.</p>
+
+<p class = "hanging">
+2486. (39516). No head, merely a spout; decorations simple.</p>
+
+<p class = "hanging">
+2487. (39517). Evidently intended for a hen.</p>
+
+<p class = "hanging">
+2488. (<a name = "item39518">39518</a>). Fig. <a href =
+"#fig642">642</a>.</p>
+
+<p class = "hanging">
+2489. (39584). Simulates a hen; feathers on the back, deer on the
+sides.</p>
+
+<table>
+<!--png 766-->
+<!--png 767-->
+<tr>
+<td class = "figure">
+<a name = "fig641"> </a>
+<img src = "images/fig641.png" width = "205" height = "208"
+alt = "Cochiti water vessel">
+</td>
+<td class = "figure">
+<a name = "fig642"> </a>
+<img src = "images/fig642.png" width = "247" height = "273"
+alt = "Cochiti water vessel">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 641 (<a href = "#item39585">39585</a>) (⅓)
+</td>
+<td class = "caption">Fig. 642 (<a href = "#item39518">39518</a>) (¼)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2490. (<a name = "item39585">39585</a>). With handle, wings rudely
+figured. Shown in Fig. <a href = "#fig641">641</a>.</p>
+
+<table class = "figright">
+<!--png 768-->
+<!--png 769-->
+<tr>
+<td class = "figure">
+<a name = "fig643"> </a>
+<img src = "images/fig643.png" width = "136" height = "189"
+alt = "Cochiti water vessel">
+</td>
+<td class = "figure">
+<a name = "fig644"> </a>
+<img src = "images/fig644.png" width = "161" height = "282"
+alt = "Cochiti water vessel">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 643<br>
+(<a href = "#item39580">39580</a>) (⅓)
+</td>
+<td class = "caption">Fig. 644<br>
+(<a href = "#item39576">39576</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2491. (39586). Similar in form to No. 2480; wings represented by figure,
+behind them the figures of a bird, evidently a duck, resembling the head
+of the vessel. Of the usual tea-pot shape.</p>
+
+<p class = "hanging">
+2492. (39583). Without handle, canteen-shaped; open on top, with head
+apparently of turtle on one side: decorations, bird and rosette.</p>
+
+<p class = "hanging">
+2493. (<a name = "item39580">39580</a>). Fig. <a href =
+"#fig643">643</a>. Simple jar.</p>
+
+<p class = "hanging">
+2494. (<a name = "item39576">39576</a>). Fig. <a href =
+"#fig644">644</a>. Figure of a priest.</p>
+
+<p class = "hanging">
+2495-2496. 2495, (39777), and 2496, (39778). Simple water jars of black
+ware, pitcher-shaped, with slight projection on the body for handle.
+These were evidently obtained from some other tribe.</p>
+
+<h5 class = "ital">EATING BOWLS.</h5>
+
+<p>There is but one specimen of Cochiti manufacture in the
+collection.</p>
+
+<p class = "hanging">
+2497. (39512). Of ordinary shape; white ware, decorated with black on
+the inside only; a central ring with radiating corn-leaf figures.</p>
+
+<h5 class = "ital">ORNAMENTS, EFFIGIES, AND TOYS.</h5>
+
+<p>All small. White ware, slightly decorated unless otherwise
+specified.</p>
+
+<p class = "hanging">
+2498. (39520). Head of some animal too rude to identify.</p>
+
+<p class = "hanging">
+2499. (39521). Double-headed bird figure on a pedestal.</p>
+
+<p class = "hanging">
+2500. (39526). Black ware. Sitting annual; very rude.</p>
+
+<p class = "hanging">
+2501. (39527). Black ware. Probably jack-rabbit; handle at the back.</p>
+
+<!--png 772-->
+<span class = "pagenum">409</span>
+<a name = "page409"> </a>
+<p class = "hanging">
+2502. (39528). Black ware. Young birds. The three last mentioned are
+most likely from some other pueblo.</p>
+
+<p class = "hanging">
+2503. (<a name = "item39824">39824</a>). Fig. <a href =
+"#fig647">647</a>. Black ware.</p>
+
+<table>
+<!--png 770-->
+<!--png 771-->
+<tr>
+<td class = "figure">
+<a name = "fig645"> </a>
+<img src = "images/fig645.png" width = "155" height = "129"
+alt = "Cochiti effigy">
+</td>
+<td class = "figure">
+<a name = "fig646"> </a>
+<img src = "images/fig646.png" width = "137" height = "152"
+alt = "Cochiti effigy">
+</td>
+<td class = "figure">
+<a name = "fig647"> </a>
+<img src = "images/fig647.png" width = "164" height = "214"
+alt = "Cochiti effigy">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 645<br>
+(<a href = "#item39857">39857</a>) (½)
+</td>
+<td class = "caption">Fig. 646<br>
+(<a href = "#item39825">39825</a>) (⅓)
+</td>
+<td class = "caption">Fig. 647<br>
+(<a href = "#item39824">39824</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2504. (<a name = "item39825">39825</a>). Fig. <a href =
+"#fig646">646</a>. Black ware.</p>
+
+<p class = "hanging">
+2505-2506. 2505, (39826), and 2506, (39827). Similar grotesque figures
+of black ware.</p>
+
+<p class = "hanging">
+2507. (39854). Double-headed figure of a bird on pedestal.</p>
+
+<p class = "hanging">
+2508. (39855). Bird on pedestal; ruffled back.</p>
+
+<p class = "hanging">
+2509-2518. 2509, (39856); 2510, (<a name = "item39857">39857</a>), Fig.
+<a href = "#fig645">645</a>; 2511, (39858); 2512; (39859); 2513,
+(39860); 2514, (39861); 2515, (39769); 2516, (39775); 2517, (39883);
+2518, (39862), are figures of birds on pedestals, except No. 2514, which
+is the figure of a little duck, and probably is a toy water vessel.</p>
+
+<p class = "hanging">
+2519. (39524). A toy cup or basket in the shape of an olla, with handle,
+the figure of the little water insect or worm appears on this, the only
+instance in the Cochiti pottery.</p>
+
+
+
+
+<h4 class = "chapter">COLLECTION FROM SANTO DOMINGO.</h4>
+
+
+<h5 class = "section">ARTICLES OF CLAY.</h5>
+
+<h5 class = "ital">WATER VESSELS.</h5>
+
+<p>There are but nine pieces of this pottery, and all but two of these
+are small images or drinking vessels in the form of birds.</p>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig649"> </a>
+<img src = "images/fig649.png" width = "147" height = "205"
+alt = "Santo Domingo drinking vessel">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 649<br>
+(<a href = "#item39510">39510</a>) (⅓)
+</td>
+</tr>
+
+<!--png 774-->
+<!--png 775-->
+<tr>
+<td class = "figure">
+<a name = "fig648"> </a>
+<img src = "images/fig648.png" width = "169" height = "97"
+alt = "Santo Domingo drinking vessel">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 648<br>
+(<a href = "#item39657">39657</a>) (½)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2520. (<a name = "item39510">39510</a>). A double globe jar or canteen.
+White ground, with ornamentations in black, as seen in Fig. <a href =
+"#fig649">649</a>. Depression in the center is probably designed to
+receive a band or cord to carry it with.</p>
+
+<p class = "hanging">
+2521. (39513). Large black bowl; no ornamentation.</p>
+
+<p>Images of black ware; two pieces; a bird on pedestal and a
+quadruped.</p>
+
+<p class = "hanging">
+2522-2523. 2522, (39652<i>a</i>); 2523, (39652<i>b</i>).</p>
+
+<p class = "hanging">
+2524-2525. 2524, (39653), and 2525, (39654). Human images, very
+rude.</p>
+
+<p class = "hanging">
+2526. (39658). Bird on pedestal.</p>
+
+<p>Small drinking vessels in the form of birds. White ornamented
+ware.</p>
+
+<p class = "hanging">
+2527. (39655). With four rows of dots on the side; no tail.</p>
+
+<p class = "hanging">
+2528. (39656). With handle; tail and neck ornamented.</p>
+
+<p class = "hanging">
+2529. (<a name = "item39657">39657</a>). No ornamentation except a line
+or two and some dots on the head. Fig. <a href = "#fig648">648</a>.</p>
+
+
+
+
+<!--png 773-->
+<span class = "pagenum">410</span>
+<a name = "page410"> </a>
+<h4 class = "chapter">COLLECTIONS FROM TESUKE.</h4>
+
+
+<h5 class = "section">ARTICLES OF STONE.</h5>
+
+<h5 class = "ital">METATES, MORTARS, ETC.</h5>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig650"> </a>
+<img src = "images/fig650.png" width = "149" height = "190"
+alt = "Tesuke mortar and pestle">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 650<br>
+(<a href = "#item42341">42341</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2530. (39809). Stone metate for grinding grain, brown sandstone.</p>
+
+<p class = "hanging">
+2531. (39810). Quartzitic stone mortar for grinding mineral pigment.</p>
+
+<p class = "hanging">
+2532. (39811). Quite small mineral pigment mortar of quartz rock.</p>
+
+<p class = "hanging">
+2533. (39821). Gaming ball of fine-grained sandstone.</p>
+
+<p class = "hanging">
+2534. (42215). Discoidal quartz pounder.</p>
+
+<p class = "hanging">
+2535. (<a name = "item42341">42341</a>). Fig. <a href =
+"#fig650">650</a>. Paint mortar. This mortar was made from a somewhat
+rounded sandstone boulder by grinding out a cavity. In the cut, which
+was drawn for another purpose, the pestle is represented with a small
+cup-shaped cavity on one side of it, in which the fluid pigment from the
+mortar was poured and used with the brush of the artist for decorative
+purposes. This is the only specimen of the kind in the collection, and
+the only one found where the pestle combines the cup with&nbsp;it.</p>
+
+
+<h5 class = "section">ARTICLES OF CLAY.</h5>
+
+<h5 class = "ital">WATER VASES.</h5>
+
+<p>This group, though comparatively small, contains some of the largest
+and grandest pieces in the entire collection, some of the vases being
+twenty inches in height and twenty-two in diameter, having a capacity of
+ten gallons. It consists of white ware with decorations in black,
+bearing a strong resemblance to that of Cochiti, brown micaceous, and
+polished brown ware without ornamentation, and black ware without
+ornamentation.</p>
+
+<p>
+<!--png 776-->
+<span class = "pagenum">411</span>
+<a name = "page411"> </a>
+Tinajas or vases. Well formed and similar in shape to those from
+Cochiti.</p>
+
+<p class = "hanging">
+2536. (39507). With oblique diamond figures on the neck, and geometrical
+figures on the body.</p>
+
+<p class = "hanging">
+2537. (39520). Upper half only decorated with rude figures of leaves and
+twigs.</p>
+
+<p class = "hanging">
+2538. (39523). Similar to the preceding.</p>
+
+<p class = "hanging">
+2539. (39525). Without neck; a broad and true meander band around the
+middle, with three-leaved flower above and below on each coil.</p>
+
+<p class = "hanging">
+2540. (39530). Neck ornamented with a straight and an undulate line;
+body as in No. 2539.</p>
+
+<p class = "hanging">
+2541. (39531). With rosette and triangular figures somewhat similar to
+those on Zuñi ollas.</p>
+
+<p class = "hanging">
+2542. (39532). Decorations similar to those on Cochiti olla, No.
+2421.</p>
+
+<table class = "figright">
+<!--png 778-->
+<!--png 779-->
+<tr>
+<td class = "figure">
+<a name = "fig651"> </a>
+<img src = "images/fig651.png" width = "219" height = "227"
+alt = "Tesuke water vase">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 651 (<a href = "#item39533">39533</a>) (¼)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2543. (39801). Covered; a beautiful specimen, probably the most chaste
+and artistic of the entire collection.</p>
+
+<p class = "hanging">
+2544. (<a name = "item39533">39533</a>). Fig. <a href =
+"#fig651">651</a>. Similar to the preceding.</p>
+
+<p class = "hanging">
+2545. (39534). Serrate band around the neck; body with broad band and
+large circular spaces, each having four dark indentations.</p>
+
+<p class = "hanging">
+2546. (39542). Neck with straight and undulate lines and short sigmoid
+figures; body with figures of a plant.</p>
+
+<p class = "hanging">
+2547. (39549). Neck similar to the preceding; body with a zigzag line
+dotted along the upper side, and small ovoid spots above and below it,
+one in each indentation.</p>
+
+<p class = "hanging">
+2548. (39635). Plain black, polished, large.</p>
+
+<p class = "hanging">
+2549. (39639). Like the last.</p>
+
+<p class = "hanging">
+2550. (39660). Large size; dotted line around the neck; heavy band
+around the shoulder, with sharp and long serrations pointing downward;
+body with alternate ornamental ovals and four-pointed stars.</p>
+
+<p class = "hanging">
+2551. (39661). Straight and undulate lines around the neck; body divided
+into spaces by broad, double-scalloped, perpendicular stripes, having
+the middle white with an undulate line in the white portion; the
+intermediate spaces have a sun-shaped figure in the upper corner, from
+which a double serrate stripe descends obliquely.</p>
+
+<p class = "hanging">
+2552. (39664). Birds and undulate line on the neck; a straight line with
+ring dots on the shoulder, broad meander band, with triple leaf ornament
+around the body.</p>
+
+<p class = "hanging">
+2553. (39665). Neck with meander as in the preceding; a slender vine,
+well made, around the body.</p>
+
+<p class = "hanging">
+2554. (39682). Rather slender; undulate margin; vine around the neck;
+body with broad band of three-leaved flowers.</p>
+
+<p class = "hanging">
+2555. (39683). Neck with straight and undulate lines; body with undulate
+line terraced above as heretofore described, but above this is a row or
+band of small distinct ovals.</p>
+
+<!--png 777-->
+<span class = "pagenum">412</span>
+<a name = "page412"> </a>
+<p class = "hanging">
+2556. (39685). Black, without ornamentation.</p>
+
+<p class = "hanging">
+2557. (39686). Large bowl-shaped olla, without neck, decorated with
+vine, cross, scrolls, &amp;c.</p>
+
+<p class = "hanging">
+2558. (39687).</p>
+
+<p class = "hanging">
+2559. (39740). Upper half with marginal scalloped band, from which hang,
+obliquely, leaves with bent spines on their margin; below this a serrate
+and then a double straight line.</p>
+
+<p class = "hanging">
+2560. (39741). Squatted in shape. Vine with leaves around the middle of
+the body.</p>
+
+<p class = "hanging">
+2561. (39772). Small; slender vine around the neck, dotted line around
+the shoulder, and three-leafed vine around the body.</p>
+
+<p class = "hanging">
+2562. (39773). With flaring rim; scalloped band around the margin;
+regular zigzag line around the shoulder, from each lower point of which
+descend plants.</p>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig654"> </a>
+<img src = "images/fig654.png" width = "265" height = "241"
+alt = "Tesuke water vase">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 654 (<a href = "#item39813">39813</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2563. (39789). Same decorations as No. 2539, but of the regular
+form.</p>
+
+<p class = "hanging">
+2564. (39800). Small scalloped lines around the body.</p>
+
+<p class = "hanging">
+2565. (39802). Brown, without ornamentation.</p>
+
+<p class = "hanging">
+2566. (39803).</p>
+
+<p class = "hanging">
+2567. (39805).</p>
+
+<p class = "hanging">
+2568. (<a name = "item39806">39806</a>). Fig. <a href =
+"#fig652">652</a>.</p>
+
+<p class = "hanging">
+2569. (<a name = "item39813">39813</a>). Fig. <a href =
+"#fig654">654</a>.</p>
+
+<p class = "hanging">
+2570. (39814).</p>
+
+<p class = "hanging">
+2571. (39815). Neck colored, with a white zigzag line running through
+it; body with curious, large leaf-like ornaments of an angular
+shape.</p>
+
+<p class = "hanging">
+2572. (<a name = "item39817">39817</a>). With similar leaf-like figures,
+but narrower and differently arranged. Shown in Fig. <a href =
+"#fig653">653</a>. The piece is injured, and the cords seen in the
+figure were tied about it by the natives to keep it from, going to
+pieces.</p>
+
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig652"> </a>
+<img src = "images/fig652.png" width = "246" height = "211"
+alt = "Tesuke water vase">
+</td>
+<!--png 780-->
+<!--png 781-->
+<td class = "figure">
+<a name = "fig653"> </a>
+<img src = "images/fig653.png" width = "217" height = "201"
+alt = "Tesuke water vase">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 652 (<a href = "#item39806">39806</a>) (⅕)
+</td>
+<td class = "caption">Fig. 653 (<a href = "#item39817">39817</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2573. (39816). With a large zigzag band around the upper half of the
+body, terraced above and below.</p>
+
+<p class = "hanging">
+2574. (39818). Very large and beautiful specimen, decorated on the body
+somewhat like some of the Zuñi pottery. The large circular scrolls are
+formed of a vine with leaves on the outer side. There are but few of the
+triangular figures seen in the Zuñi piece; there is a regular and true
+serrate marginal band; below this on the neck a broad band with diamond
+spaces.</p>
+
+<p class = "hanging">
+2575. (39819). With a broad band around the neck composed of squares
+placed obliquely, with an oblong white space in each; body with a
+simple, narrow, straight band or double line.</p>
+
+<p class = "hanging">
+2576. (39822). Large scalloped band around the neck, a little leaf
+pendant from each point; the body with alternate large stars and
+ornamental diamonds.</p>
+
+<p class = "hanging">
+2577. (39823). This has the rim slightly flaring, a scalloped band and
+leaves around the neck; the body profusely decorated with geometrical
+figures. This belt is divided into four spaces, in each of
+<!--png 782-->
+<span class = "pagenum">413</span>
+<a name = "page413"> </a>
+which there is a checkered, terraced pyramid pointing downward; the
+lower part and sides of each space is occupied with triangular and
+sagittate figures.</p>
+
+<p class = "hanging">
+2578. (39868). Small; neck with a row of ovals; the shoulder with a true
+herring-bone band; a vine with spiny leaves around the body.</p>
+
+<p class = "hanging">
+2579. (39865).</p>
+
+<h5 class = "ital">WATER JUGS AND JARS.</h5>
+
+<table class = "figright">
+<!--png 784-->
+<!--png 785-->
+<tr>
+<td class = "figure">
+<a name = "fig655"> </a>
+<img src = "images/fig655.png" width = "167" height = "196"
+alt = "Tesuke water jar">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 655<br>
+(<a href = "#item39812">39812</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2580. (<a name = "item39812">39812</a>). Plain double-bellied water
+bottle of micaceous ware. See Fig. <a href = "#fig655">655</a>.</p>
+
+<p class = "hanging">
+2581. (39834).</p>
+
+<p class = "hanging">
+2582. (<ins class = "correction" title =
+"also listed as no. 1615, with same Figure reference">41366</ins>).
+Water jug. Fig. <a href = "#fig519">519</a>.</p>
+
+<p class = "hanging">
+2583. (39790). Jar or urn of white ware, with two handles ornamented
+with the usual meander.</p>
+
+<h5 class = "ital">PITCHERS.</h5>
+
+<p class = "hanging">
+2584. (39745). A regular well-formed pitcher, with proper lip and
+handle. White ware ornamented with serrate lines, triangles, and circle.
+The only one from this tribe.</p>
+
+<h5 class = "ital">EATING BOWLS.</h5>
+
+<p>The Tesuke bowls vary considerably in form, some having the slope
+straight, others flaring and of the usual form, others biscuit-shaped.
+No large specimens were obtained.</p>
+
+<p class = "hanging">
+2585. (39613). Usual bowl-shape, with flaring margin; no external
+decorations; inner surface with circular scrolls.</p>
+
+<p class = "hanging">
+2586. (39647). Biscuit-shaped, with broad meander band externally; no
+decoration internally.</p>
+
+<p>The following are similar in form and decoration:</p>
+
+<p class = "hanging">
+2587-2590. 2587, (39666); 2588, (39669); 2589, (39788); 2590, (39648).
+Outside plain; inner marginal band a slender vine.</p>
+
+<p>The following numbers are plain, of brown micaceous ware,
+biscuit-shaped, small:</p>
+
+<p class = "hanging">
+2591-2593. 2591, (39667); 2592, (39668); 2593, (39835).</p>
+
+<p>The following are of the same ware, platter-shaped:</p>
+
+<p class = "hanging">
+2594-2599. 2594, (39672); 2595, (39678); 2596, (39679); 2597, (39680);
+2598, (39681); 2599, (39792).</p>
+
+<p class = "hanging">
+2600. (39793). Square.</p>
+
+<p class = "hanging">
+2601. (39797). Regular bowl-shaped, with foot.</p>
+
+<p class = "hanging">
+2602. (39673). Biscuit-shaped, with band of straight and undulate
+lines.</p>
+
+<p class = "hanging">
+2603. (39674). No outer decorations; inside with radiating serrate
+lines, and leaves.</p>
+
+<p class = "hanging">
+2604. (39675). No inner decorations; on outside a marginal serrate band,
+and a band of leaves around the body.</p>
+
+<p class = "hanging">
+2605. (39676). Biscuit-shaped; vine, with leaves, around the middle.</p>
+
+<p class = "hanging">
+2606. (39677). Uo outer ornaments; on inner surface a center leaf-cross,
+and above this, radiating lines.</p>
+
+<!--png 783-->
+<span class = "pagenum">414</span>
+<a name = "page414"> </a>
+<p class = "hanging">
+2607. (39688). Decorated on inner surface only. A central flower and
+submarginal band of oval leaves.</p>
+
+<p class = "hanging">
+2608. (39742). Biscuit-shaped; zigzag line, with two leaves at each
+point on the outside.</p>
+
+<p class = "hanging">
+2609. (39743), Plain red, flower-pot shaped.</p>
+
+<p class = "hanging">
+2610. (39744). Flower-pot shaped, with zigzag lines or vines running up
+and down, a leaf at each point.</p>
+
+<p class = "hanging">
+2611. (39776). Largest bowl of the group.</p>
+
+<p class = "hanging">
+2612. (39787). Regular shape; zigzag band on the outside.</p>
+
+<p class = "hanging">
+2613. (39798). Small, regular shape, with vines on the inside.</p>
+
+<p class = "hanging">
+2614. (39799). Small figures and birds on the inside.</p>
+
+<h5 class = "ital">COOKING VESSELS.</h5>
+
+<p>These are always plain black ware, and are of several forms.</p>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig657"> </a>
+<img src = "images/fig657.png" width = "160" height = "153"
+alt = "Tesuke cooking vessel">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 657<br>
+(<a href = "#item39615">39615</a>) (½)
+</td>
+</tr>
+</table>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig659"> </a>
+<img src = "images/fig659.png" width = "116" height = "55"
+alt = "Tesuke cooking vessel">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 659<br>
+(<a href = "#item39695">39695</a>) (½)
+</td>
+</tr>
+</table>
+
+<p>Pots. Shaped like the Zuñi vessels.</p>
+
+<p class = "hanging">
+2615-2632. 2615, (39601); 2616, (39602); 2617, (39605); 2618, (39606);
+2619, (39607); 2620, (39608); 2621, (39611); 2622, (39670); 2623,
+(39671); 2624, (39689); 2625, (39735); 2626, (39736); 2627, (39737);
+2628, (39738); 2629, (39794); 2630, (39795), with handle; 2631, (39828);
+2632, (39874).</p>
+
+<p><ins class = "correction" title =
+"text reads ‘Bowel-’">Bowl-</ins>shaped:</p>
+
+<p class = "hanging">
+2633-2635. 2633, (39603); 2634, (39604); 3635, (<a name =
+"item39615">39615</a>), with handle. See Fig. <a href =
+"#fig657">657</a>.</p>
+
+<p>Platter-shaped:</p>
+
+<p class = "hanging">
+2636-2646. 2636, (39609); 2637, (39610); 2638, (39612); 2639, (39614);
+2640, (39690); 2641, (39691); 2642, (39692); 2643, (39693); 2644,
+(39694); 2645, (<a name = "item39695">39695</a>), shown in Fig. <a href
+= "#fig659">659</a>; 2646, (39739).</p>
+
+<h5 class = "ital">TOYS.</h5>
+
+<p class = "hanging">
+2647. (39791). Ornamented bird on pedestal.</p>
+
+<p>Blackbirds on pedestals:</p>
+
+<p class = "hanging">
+2648-2657. 2648, (39804); 2649, (39807); 2650, (39808); 2651, (39820);
+2652, (39829); 2653, (39830); 2654, (<a name = "item39831">39831</a>),
+Fig. <a href = "#fig656">656</a>; 2655, (<a name =
+"item39832">39832</a>), Fig. <a href = "#fig658">658</a>; 2656, (39833);
+2657, (39836).</p>
+
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig656"> </a>
+<img src = "images/fig656.png" width = "153" height = "152"
+alt = "Tesuke effigy">
+</td>
+<td class = "figure">
+<a name = "fig658"> </a>
+<img src = "images/fig658.png" width = "192" height = "131"
+alt = "Tesuke effigy">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 656<br>
+(<a href = "#item39831">39831</a>) (½)
+</td>
+<td class = "caption">Fig. 658<br>
+(<a href = "#item39832">39832</a>) (½)
+</td>
+</tr>
+</table>
+
+
+<h5 class = "section">VEGETAL SUBSTANCES.</h5>
+
+<h5 class = "ital">MEDICINES.</h5>
+
+<p class = "hanging">
+2658. (39751). <i>O-sha</i>. Root used as medicine for rheumatism,
+internally and externally.</p>
+
+<p class = "hanging">
+2659. (39752). <i>Zerba-lobo</i>. Wolf root, for pulmonary
+complaints.</p>
+
+<p class = "hanging">
+2660. (39753). <i>O-cha</i>. Root used for rheumatism.</p>
+
+<p class = "hanging">
+2661. (39754). <i>Ka-cha-na</i>. Root, semi-medicinal and magic. To
+prevent breach or wounds, and for sore eyes; external use.</p>
+
+
+
+
+<!--png 786-->
+<span class = "pagenum">415</span>
+<a name = "page415"> </a>
+<h4 class = "chapter">COLLECTIONS FROM SANTA CLARA.</h4>
+
+
+<h5 class = "section">ARTICLES OF CLAY.</h5>
+
+<h5 class = "ital">WATER VASES.</h5>
+
+<p>This is all black and frequently polished ware without ornamentation.
+The method of producing the black polish is explained in another part of
+the catalogue.</p>
+
+<p>Bowls and ollas. Black, without ornamentation. Some of these are of
+comparatively large size.</p>
+
+<p class = "hanging">
+2662-2670. 2662, (39645); 2663, (<a name = "item39748">39748</a>), Fig.
+<a href = "#fig662">662</a>; 2664, (39749); 2665, (39750); 2666,
+(39779); 2667, (<a name = "item39780">39780</a>), Fig. <a href =
+"#fig660">660</a>; 2668, (39781); 2669, (39782); 2670, (<a name =
+"item39786">39786</a>). A very pretty covered jar; cover with a handle.
+Fig. <a href = "#fig672">672</a>.</p>
+
+<table>
+<!--png 788-->
+<!--png 789-->
+<tr>
+<td class = "figure">
+<a name = "fig660"> </a>
+<img src = "images/fig660.png" width = "160" height = "122"
+alt = "Santa Clara water vase">
+</td>
+<td class = "figure">
+<a name = "fig661"> </a>
+<img src = "images/fig661.png" width = "130" height = "127"
+alt = "Santa Clara water vase">
+</td>
+<td class = "figure">
+<a name = "fig662"> </a>
+<img src = "images/fig662.png" width = "122" height = "105"
+alt = "Santa Clara water vase">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 660<br>
+(<a href = "#item39780">39780</a>) (⅓)
+</td>
+<td class = "caption">Fig. 661<br>
+(<a href = "#item39629">39629</a>) (½)
+</td>
+<td class = "caption">Fig. 662<br>
+(<a href = "#item39748">39748</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2671. (39838). Small with scalloped margin.</p>
+
+<p class = "hanging">
+2672. (39866).</p>
+
+<table>
+<tr>
+<td class = "figure" rowspan = "2">
+<a name = "fig672"> </a>
+<img src = "images/fig672.png" width = "224" height = "219"
+alt = "Santa Clara water jar">
+</td>
+<td class = "figure">
+<a name = "fig671"> </a>
+<img src = "images/fig671.png" width = "39" height = "109"
+alt = "Santa Clara water jar">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 671<br>
+(<a href = "#item39834">39834</a>)<br>
+(¼)
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 672 (<a href = "#item39786">39786</a>) (¼)
+</td>
+<td></td>
+</tr>
+</table>
+
+<p class = "hanging">
+2673. (<a name = "item39629">39629</a>). Fig. <a href =
+"#fig661">661</a>. Vase with depressed band around the center; rim
+forming a band; base small.</p>
+
+<p class = "hanging">
+2674. (<a name = "item39834">39834</a>). Double lobed bottle or canteen.
+See Fig. <a href = "#fig671">671</a>.</p>
+
+<h5 class = "ital">EATING-BOWLS.</h5>
+
+<p>These are of black polished ware without decoration of any kind, and
+of various forms, globular, bowl-shaped, and platter-shaped or true
+platters.</p>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig663"> </a>
+<img src = "images/fig663.png" width = "144" height = "89"
+alt = "Santa Clara eating bowl">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 663<br>
+(<a href = "#item39632">39632</a>) (½)
+</td>
+</tr>
+<tr>
+<td class = "figure">
+<a name = "fig664"> </a>
+<img src = "images/fig664.png" width = "131" height = "60"
+alt = "Santa Clara eating bowl">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 664<br>
+(<a href = "#item39646">39646</a>) (⅓)
+</td>
+</tr>
+<tr>
+<td class = "figure">
+<a name = "fig668"> </a>
+<img src = "images/fig668.png" width = "125" height = "48"
+alt = "Santa Clara platter">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 668<br>
+(<a href = "#item39793">39793</a>) (¼)
+</td>
+</tr>
+<tr>
+<td class = "figure">
+<a name = "fig669"> </a>
+<img src = "images/fig669.png" width = "145" height = "94"
+alt = "Santa Clara eating bowl">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 669<br>
+(<a href = "#item39628">39628</a>) (¼)
+</td>
+</tr>
+</table>
+
+<p>Globular and small:</p>
+
+<p class = "hanging">
+2675-2676. 2675, (39556), and 2676, (39616).</p>
+
+<p>Bowl-shaped:</p>
+
+<p class = "hanging">
+2677-2678. 2677, (39617), and 2678, (39618). With flared and notched
+rim.</p>
+
+<p class = "hanging">
+2679-2680. 2679, (<a name = "item39619">39619</a>), Fig. <a href =
+"#fig667">667</a>, and 2680, (39620). These two with flared and
+scalloped rim.</p>
+
+<table>
+<!--png 790-->
+<!--png 791-->
+<tr>
+<td class = "figure">
+<a name = "fig667"> </a>
+<img src = "images/fig667.png" width = "247" height = "138"
+alt = "Santa Clara eating bowl">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 667 (<a href = "#item39619">39619</a>) (⅕)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2681. (39621). A cooking vessel.</p>
+
+<p class = "hanging"> <!--39646 listed twice-->
+2682-2689. 2682, (<a name = "item39628">39628</a>), Fig. <a href =
+"#fig669">669</a>; 2683, (<a name = "item39632">39632</a>), Fig. <a href
+= "#fig663">663</a>; 2684, (<ins class = "correction" title =
+"also listed as no. 2694, below">39646</ins>), Fig. <a href =
+"#fig664">664</a>; 2685, (39633); 2686, (39636); 2687, (39637); 2688,
+(39638); 2689, (39643).</p>
+
+<p>Platter-shaped:</p>
+
+<p class = "hanging">
+2690-2691. 2690, (39630), and 2691, (39640). Scalloped rim.</p>
+
+<p class = "hanging"> <!--39646 listed twice-->
+2692-2698. 2692, (39641); 2693, (39642); 2694, (<ins class =
+"correction" title = "also listed as no. 2684, above"><a name =
+"item39646">39646</a></ins>), see Fig. <a href = "#fig664">664</a>;
+2695, (39649), scalloped rim; 2696, (39784); 2697, (39785); 2698,
+(39796).</p>
+
+<p class = "hanging">
+2699. (<a name = "item39793">39793</a>). Fig. <a href =
+"#fig668">668</a>. Small platter-shaped dish of black polished ware.</p>
+
+<!--png 787-->
+<span class = "pagenum">416</span>
+<a name = "page416"> </a>
+<h5 class = "ital">COOKING VESSELS.</h5>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig670"> </a>
+<img src = "images/fig670.png" width = "69" height = "76"
+alt = "Santa Clara water jar">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 670<br>
+(<a href = "#item39626">39626</a>) (¼)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2700. (39794). Small pot, no handle.</p>
+
+<p class = "hanging">
+2701. (39795). Small pot with handle.</p>
+
+<p class = "hanging">
+2702-2705. 2702, (39623); 2703, (<a name = "item39626">39626</a>), Fig.
+<a href = "#fig670">670</a>; 2704, (39627); 2705, (39629). Small pots
+without handles, with a constriction or indentation around the
+middle.</p>
+
+<p class = "hanging">
+2706-2707. 2706, (39837), and 2707, (39840). Small pitchers with handles
+and lips.</p>
+
+<p class = "hanging">
+2708. (39839). Canteen with spout and mouth above.</p>
+
+<h5 class = "ital">EFFIGIES.</h5>
+
+<p>Bird figures, polished, on pedestals. All similar to those shown in
+the figures.</p>
+
+<p class = "hanging">
+2709-2720. 2709, (39841); 2710, (39842); 2711, (39843); 2712, (39844);
+2713, (39845); 2714, (39846); 2715, (39847); 2716, (<a name =
+"item39848">39848</a>), Fig. <a href = "#fig666">666</a>; 2717, (<a name
+= "item39849">39849</a>), Fig. <a href = "#fig665">665</a>; 2718,
+(39850); 2719, (39554); 2720, (39555). The last two are hollow, with an
+orifice in the back; no pedestal.</p>
+
+<p class = "hanging">
+2721. (39553). Canteen in shape of a bird; no pedestal.</p>
+
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig665"> </a>
+<img src = "images/fig665.png" width = "104" height = "141"
+alt = "Santa Clara effigy">
+</td>
+<td class = "figure">
+<a name = "fig666"> </a>
+<img src = "images/fig666.png" width = "136" height = "129"
+alt = "Santa Clara effigy">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 665<br>
+(<a href = "#item39849">39849</a>) (½)
+</td>
+<td class = "caption">Fig. 666<br>
+(<a href = "#item39848">39848</a>) (½)
+</td>
+</tr>
+</table>
+
+
+
+
+<h4 class = "chapter">COLLECTIONS FROM SAN JUAN.</h4>
+
+
+<h5 class = "section">ARTICLES OF CLAY.</h5>
+
+<h5 class = "ital">EATING BOWLS.</h5>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig675"> </a>
+<img src = "images/fig675.png" width = "212" height = "130"
+alt = "San Juan eating bowl">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 675 (<a href = "#item39590">39590</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2722-2723. 2722, (39587) and 2723, (39588). These two with handles on
+each sides. Sides straight.</p>
+
+<p class = "hanging">
+2724-2725. 2724, (39589), and 2725, (<a name = "item39590">39590</a>).
+Biscuit-shaped, as shown in Fig. <a href = "#fig675">675</a>.</p>
+
+<p class = "hanging">
+2726. (39591). Platter-shaped, with scalloped margin.</p>
+
+<p class = "hanging">
+2727. (39592). Red ware, of medium size, with outer broad marginal band
+of triangular figures.</p>
+
+<p>Pots. Plain, black:</p>
+
+<p class = "hanging">
+2728-2731. 2728, (39593); 2729, (39594); 2730, (39747); 2731, (<a name =
+"item39625">39625</a>). Canteen-shaped, with handles or ears at or near
+the top; small circular orifice. See Fig. <a href =
+"#fig673">673</a>.</p>
+
+<table>
+<!--png 792-->
+<!--png 793-->
+<tr>
+<td class = "figure">
+<a name = "fig673"> </a>
+<img src = "images/fig673.png" width = "172" height = "142"
+alt = "San Juan eating bowl">
+</td>
+<td class = "figure">
+<a name = "fig674"> </a>
+<img src = "images/fig674.png" width = "165" height = "139"
+alt = "San Juan eating bowl">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 673<br>
+(<a href = "#item39625">39625</a>) (½)
+</td>
+<td class = "caption">Fig. 674<br>
+(<a href = "#item39650">39650</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2732. (<a name = "item39650">39650</a>). A similar vessel of black ware,
+with larger orifice, the margin of which is scalloped. Large ears or
+handles near the top on each side. Bottom oval, and an impressed band
+around middle of body. In some of the canteen-shaped vessels this
+depression is for holding the cord with which the vessel is transported.
+See Fig. <a href = "#fig674">674</a>.</p>
+
+<!--png 794-->
+<span class = "pagenum">417</span>
+<a name = "page417"> </a>
+<p class = "hanging">
+2733. (39659). A jug-shaped pitcher of decorated red ware, with regular
+handle neatly formed. Ornamented with a looped vine and twigs, with
+leaves well drawn; neck slender and orifice with lip, but less in
+proportion than in ordinary pitcher.</p>
+
+
+
+
+<h4 class = "chapter">COLLECTION FROM JEMEZ.</h4>
+
+
+<h5 class = "section">ARTICLES OF CLAY.</h5>
+
+<p class = "hanging">
+2734. (<a name = "item39926">39926</a>). Fig. <a href =
+"#fig676">676</a>. A very singular and pretty water vessel, obtained at
+the Jemez pueblo. White ware decorated in black and brown. It is
+probable that the peculiar form is given from mere fancy, and not for
+the purpose of adapting it to any <ins class = "correction" title =
+"text reads ‘paruticular’">particular</ins> use, as it appears to be
+simply a water vessel.</p>
+
+
+
+
+<h4 class = "chapter">COLLECTION FROM THE JICARILLA APACHES.</h4>
+
+
+<h5 class = "section">ARTICLES OF CLAY.</h5>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig676"> </a>
+<img src = "images/fig676.png" width = "152" height = "231"
+alt = "Jemez water vessel">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 676<br>
+(<a href = "#item39926">39926</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p>This is a light brown micaceous ware, and the pieces are all small,
+or comparatively so. They consist of pots, pitchers, and cups.</p>
+
+<p>This small collection, though not obtained directly from the
+Jicarilla Apaches, is attributed to them, for the reason that wherever
+found among other tribes it is by them accredited to the Apaches. It is
+manufactured, however, by some of the Pueblos along the Rio Grande, and
+occasionally by the more western Pueblos. The party did not visit the
+Apaches mentioned, and are not positively certain that they manufacture
+pottery. These facts are mentioned in this connection to show that there
+is some question as to the origin of this small collection.</p>
+
+<p>Vase-shaped pots:</p>
+
+<p class = "hanging">
+2735-2741. 2735, (39535); 2736, (39536); 2737, (39537); 2738, (39538);
+2739, (39539); 2740, (39540); 2741, (39544). This and the next two have
+the rims scalloped.</p>
+
+<p class = "hanging">
+2742-2744. 2742, (39545); 2743, (39546); 2744, (39547).</p>
+
+<p>Pot-shaped:</p>
+
+<p class = "hanging">
+2745-2751. 2745, (39595); 2746, (39596); 2747, (39597); 2748, (39598);
+2749, (39599); 2750, (39600); 2751, (39851).</p>
+
+<p>
+<!--png 795-->
+<span class = "pagenum">418</span>
+<a name = "page418"> </a>
+Pitchers and cups, with handles of regular form:</p>
+
+<p class = "hanging">
+2752. (39543). Finger impressions around the middle.</p>
+
+<p class = "hanging">
+2753-2754. 2753, (39540), and 2754, (39548). <ins class = "correction"
+title = "text reads ‘Scollaped’">scalloped</ins> margin.</p>
+
+<p class = "hanging">
+2755. (39770). With an undulate impressed line around the middle.</p>
+
+<p>Miscellaneous:</p>
+
+<p class = "hanging">
+2756. (39852). Incense-burner, somewhat in the shape of a beaver hat,
+with a rim in the form of a bird; a small orifice in the middle.</p>
+
+<p class = "hanging">
+2757. (39853). Bird image.</p>
+
+
+
+
+<h4 class = "chapter">COLLECTIONS FROM OLD PECOS.</h4>
+
+
+<h5 class = "section">ARTICLES OF STONE.</h5>
+
+<p class = "hanging">
+2758. (39756). Flint scraper. Rudely shaped, of hard cherty rock, flat
+on the inner face, convex on the back.</p>
+
+<p class = "hanging">
+2759. (39757). An irregular square flat piece of sand-stone, on one side
+of which is a small circular cup-shaped depression.</p>
+
+<p class = "hanging">
+2760. (39758<i>a</i>). A small mortar composed of fine-grained
+sand-stone, half broken away; being of quite soft stone, it was probably
+used for pulverizing food of some kind.</p>
+
+<p class = "hanging">
+2761. (39758<i>b</i>). Quartz mortar made from, a round water-worn
+boulder. The cavity is symmetrical; diameter five inches.</p>
+
+<p class = "hanging">
+2762. (39759). Half of a cherty water-worn boulder from which flakes for
+flints have been chipped.</p>
+
+<p class = "hanging">
+2763. (39760). Small round cherty boulders, frequently used in chipping
+for flints, but in this instance they seem to have been used as
+hammers.</p>
+
+<p class = "hanging">
+2764. (39761). Hammer made from a section of a broken rubbing or
+grinding stone of calcareous rock.</p>
+
+<p class = "hanging">
+2765. (39762). Maul from broken rubbing stone or grinder, grooved at
+each end; rhyolite.</p>
+
+<p class = "hanging">
+2766. (39763). Rudely shaped sinker (or what is called a sinker),
+rounded at each end and grooved in center; schistose rock.</p>
+
+<p class = "hanging">
+2767. (39764). Rudely shaped chisel or celt of metamorphic schist.</p>
+
+<p class = "hanging">
+2768. (39759). Rough chipping stone; agate.</p>
+
+<p class = "hanging">
+2769. (39760). Three irregular round balls of flint-stone, flaked by
+hammering.</p>
+
+
+<h5 class = "section">ARTICLES OF CLAY.</h5>
+
+<p class = "hanging">
+2770. (41771). Fragments of pottery from the old and new court,
+exhibiting Spanish glaze.</p>
+
+<p class = "hanging">
+2771. (41772). Pottery fragments, decorated in colors. Old and new
+court.</p>
+
+<p class = "hanging">
+2772. (41773). Ancient fragments, glazed.</p>
+
+<!--png 798-->
+<span class = "pagenum">419</span>
+<a name = "page419"> </a>
+<p class = "hanging">
+2773. (41774). Fragments of pottery from the old court, showing glaze
+with white ground.</p>
+
+<p class = "hanging">
+2774. (41775). Miscellaneous fragments of pottery from various parts of
+the ruins.</p>
+
+<p class = "hanging">
+2775. (41794). Fragments of pottery, showing white coating, from new
+court.</p>
+
+<p class = "hanging">
+2776. (41796). Pottery fragments, showing Spanish glaze inside; new
+court.</p>
+
+<p class = "hanging">
+2777. (41797). Fragments with edges chipped.</p>
+
+<p class = "hanging">
+2778. (41798). Rim pieces of black pottery were from the old court.</p>
+
+<p class = "hanging">
+2779. (41799). Fragments of red pottery from new court.</p>
+
+<p class = "hanging">
+2780. (41800). Fragments of plain pottery from both old and new
+courts.</p>
+
+<p class = "hanging">
+2781. (42344). Specimens of adobe mortar from the walls of the Pecos
+ruins.</p>
+
+<p class = "hanging">
+2782. (42345). Specimen of same.</p>
+
+<p class = "hanging">
+2783. (42373). Chimney pots from Casa Blanca, Old Pecos.</p>
+
+<p class = "hanging">
+2784. (42374). Very large cooking pot in fragments from Casa Blanca, Old
+Pecos.</p>
+
+
+<h5 class = "section">ARTICLES OF WOOD.</h5>
+
+<p class = "hanging">
+2785. (41276). Beam of wood from the old court.</p>
+
+
+
+
+<h4 class = "chapter">COLLECTIONS FROM THE CAÑON DE CHELLY.</h4>
+
+
+<h5 class = "section">ARTICLES OF CLAY.</h5>
+
+<h5 class = "ital">WATER VESSELS.</h5>
+
+<p class = "hanging">
+2786-2789. 2786, (<a name = "item40813">40813</a>), Fig. <a href =
+"#fig678">678</a>; 2787, (<a name = "item40814">40814</a>), Fig. <a href
+= "#fig677">677</a>; 2788, (<a name = "item40815">40815</a>), Fig. <a
+href = "#fig679">679</a>; 2789, (<a name = "item40816">40816</a>), Fig.
+<a href = "#fig680">680</a>. These pieces are white ware, decorated with
+black. The colors in great part still remain, showing that they are
+comparatively modern. The lines represent colors and not
+indentations.</p>
+
+<table>
+<!--png 796-->
+<!--png 797-->
+<tr>
+<td class = "figure">
+<a name = "fig677"> </a>
+<img src = "images/fig677.png" width = "150" height = "165"
+alt = "Water vessel from Cañon De Chelly">
+</td>
+<td class = "figure">
+<a name = "fig678"> </a>
+<img src = "images/fig678.png" width = "132" height = "105"
+alt = "Water vessel from Cañon De Chelly">
+</td>
+<td class = "figure">
+<a name = "fig679"> </a>
+<img src = "images/fig679.png" width = "151" height = "139"
+alt = "Water vessel from Cañon De Chelly">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 677<br>
+(<a href = "#item40814">40814</a>). (⅓)
+</td>
+<td class = "caption">Fig. 678<br>
+(<a href = "#item40813">40813</a>). (⅓)
+</td>
+<td class = "caption">Fig. 679<br>
+(<a href = "#item40815">40815</a>). (¼)
+</td>
+</tr>
+</table>
+
+<table class = "figright">
+<tr>
+<td class = "figure">
+<a name = "fig680"> </a>
+<img src = "images/fig680.png" width = "195" height = "170"
+alt = "Water vessel from Cañon De Chelly">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 680 (<a href = "#item40816">40816</a>). (¼)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2790. (<a name = "item40796">40796</a>). Fig. <a href =
+"#fig681">681</a>. Upper part broken; supposed to have been a pitcher,
+as part of the handle remains. From Cliff House ruins, Cañon de Chelly.
+Red ware. Comparatively modern.</p>
+
+<p>The following articles are ancient ware, from the same place as the
+preceding:</p>
+
+<p class = "hanging">
+2791. (<a name = "item40600">40600</a>). Small vase of white ware,
+probably comparatively modern. The design, though simple, is somewhat
+peculiar and different from what is usually found on pottery of the
+present day. See Fig. <a href = "#fig683">683</a>.</p>
+
+<p class = "hanging">
+2792. (<a name = "item42202">42202</a>). Fig. <a href =
+"#fig682">682</a>. Similar in form, size, and color to the preceding;
+the design, as will be seen by reference to the figure, is a common
+one.</p>
+
+<table>
+<!--png 800-->
+<!--png 801-->
+<tr>
+<td class = "figure">
+<a name = "fig681"> </a>
+<img src = "images/fig681.png" width = "119" height = "86"
+alt = "Water vessel from Cañon De Chelly">
+</td>
+<td class = "figure">
+<a name = "fig682"> </a>
+<img src = "images/fig682.png" width = "128" height = "90"
+alt = "Water vessel from Cañon De Chelly">
+</td>
+<td class = "figure">
+<a name = "fig683"> </a>
+<img src = "images/fig683.png" width = "137" height = "109"
+alt = "Water vessel from Cañon De Chelly">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 681<br>
+(<a href = "#item40796">40796</a>) (⅕)
+</td>
+<td class = "caption">Fig. 682<br>
+(<a href = "#item42202">42202</a>) (⅓)
+</td>
+<td class = "caption">Fig. 683<br>
+(<a href = "#item40600">40600</a>) (½)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2793. (<a name = "item40812">40812</a>). Pitcher. White ware, with black
+decorations. See Fig. <a href = "#fig690">690</a>.</p>
+
+<!--png 799-->
+<span class = "pagenum">420</span>
+<a name = "page420"> </a>
+<p class = "hanging">
+2794-2795. 2794, (<a name = "item40819">40819</a>), Fig. <a href =
+"#fig691">691</a>, and 2795, (<a name = "item40820">40820</a>), Fig. <a
+href = "#fig688">688</a>. Pitchers, white; ware figured.</p>
+
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig688"> </a>
+<img src = "images/fig688.png" width = "118" height = "124"
+alt = "Pitcher from Cañon De Chelly">
+</td>
+<td class = "figure">
+<a name = "fig690"> </a>
+<img src = "images/fig690.png" width = "108" height = "133"
+alt = "Pitcher from Cañon De Chelly">
+</td>
+<td class = "figure">
+<a name = "fig691"> </a>
+<img src = "images/fig691.png" width = "128" height = "133"
+alt = "Pitcher from Cañon De Chelly">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 688<br>
+(<a href = "#item40820">40820</a>) (½)
+</td>
+<td class = "caption">Fig. 690<br>
+(<a href = "#item40812">40812</a>) (¼)
+</td>
+<td class = "caption">Fig. 691<br>
+(<a href = "#item40819">40819</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<p class = "hanging">
+2796. (40824). Very small pitcher with handle; of uncolored ware.</p>
+
+<p class = "hanging">
+2797. (<a name = "item42203">42203</a>). A very pretty pitcher of white
+ware, with decorations in black, much faded, showing age, although so
+well and truly formed it is evidently not modern. Fig. <a href =
+"#fig692">692</a>.</p>
+
+<p class = "hanging">
+2798. (<a name = "item40601">40601</a>). A round-bottomed pitcher-shaped
+vessel, white ware with black lines; the colors are much faded, showing
+age. Fig. <a href = "#fig689">689</a>. The design is evidently of a
+previous age, and we will be justified, perhaps, in saying that it
+belongs to the period of transition from the rigid lines and angles to
+the curves.</p>
+
+<p class = "hanging">
+2799. (<a name = "item40811">40811</a>). Fig. <a href =
+"#fig687">687</a>, Small pitcher, <i>e-musch-ton-tsān-nā</i>, originally
+of white ware; bowl uncolored.</p>
+
+<table>
+<!--png 802-->
+<!--png 803-->
+<tr>
+<td class = "figure">
+<a name = "fig687"> </a>
+<img src = "images/fig687.png" width = "129" height = "122"
+alt = "Pitcher from Cañon De Chelly">
+</td>
+<td class = "figure">
+<a name = "fig689"> </a>
+<img src = "images/fig689.png" width = "100" height = "115"
+alt = "Pitcher from Cañon De Chelly">
+</td>
+<td class = "figure">
+<a name = "fig692"> </a>
+<img src = "images/fig692.png" width = "126" height = "144"
+alt = "Pitcher from Cañon De Chelly">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 687<br>
+(<a href = "#item40811">40811</a>) (⅓)
+</td>
+<td class = "caption">Fig. 689<br>
+(<a href = "#item40601">40601</a>) (½)
+</td>
+<td class = "caption">Fig. 692<br>
+(<a href = "#item42203">42203</a>) (⅓)
+</td>
+</tr>
+</table>
+
+<h5 class = "ital">BOWLS.</h5>
+
+<p class = "hanging">
+2800. (<a name = "item40823">40823</a>). Small bowl, with handle each
+side, white, with black colors. Fig. <a href = "#fig684">684</a>.</p>
+
+<p class = "hanging">
+2801. (<a name = "item40825">40825</a>). A small paint-pot shown in Fig.
+<a href = "#fig685">685</a>.</p>
+
+<p class = "hanging">
+2802. (<a name = "item40857">40857</a>). Fig. <a href =
+"#fig686">686</a>. A small pot, apparently blackened by fire, unadorned
+except with the spine-like projections around the lower half; probably
+used for a paint-pot.</p>
+
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig684"> </a>
+<img src = "images/fig684.png" width = "164" height = "112"
+alt = "Bowl from Cañon De Chelly">
+</td>
+<td class = "figure">
+<a name = "fig685"> </a>
+<img src = "images/fig685.png" width = "96" height = "114"
+alt = "Bowl from Cañon De Chelly">
+</td>
+<td class = "figure">
+<a name = "fig686"> </a>
+<img src = "images/fig686.png" width = "136" height = "118"
+alt = "Bowl from Cañon De Chelly">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 684<br>
+(<a href = "#item40823">40823</a>) (½)
+</td>
+<td class = "caption">Fig. 685<br>
+(<a href = "#item40825">40825</a>) (½)
+</td>
+<td class = "caption">Fig. 686<br>
+(<a href = "#item40857">40857</a>) (½)
+</td>
+</tr>
+</table>
+
+<h5 class = "ital">COOKING VESSELS.</h5>
+
+<p class = "hanging">
+2803-2806. 2803, (<a name = "item40817">40817</a>), Fig. <a href =
+"#fig693">693</a>; 2804, (<a name = "item40818">40818</a>), Fig. <a href
+= "#fig696">696</a>; 2805, (<a name = "item40821">40821</a>), Fig. <a
+href = "#fig695">695</a>; 2806, (<a name = "item40822">40822</a>), Fig.
+<a href = "#fig694">694</a>. These are the old corrugated ware, but with
+the exception of the third they do not show the action of fire, but were
+probably used for cooking vessels.</p>
+
+<table>
+<!--png 804-->
+<!--png 805-->
+<tr>
+<td class = "figure">
+<a name = "fig693"> </a>
+<img src = "images/fig693.png" width = "137" height = "163"
+alt = "Cooking vessel from Cañon De Chelly">
+</td>
+<td class = "figure">
+<a name = "fig694"> </a>
+<img src = "images/fig694.png" width = "100" height = "149"
+alt = "Cooking vessel from Cañon De Chelly">
+</td>
+<td class = "figure">
+<a name = "fig695"> </a>
+<img src = "images/fig695.png" width = "133" height = "181"
+alt = "Cooking vessel from Cañon De Chelly">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 693<br>
+(<a href = "#item40817">40817</a>) (¼)
+</td>
+<td class = "caption">Fig. 694<br>
+(<a href = "#item40822">40822</a>) (⅓)
+</td>
+<td class = "caption">Fig. 695<br>
+(<a href = "#item40821">40821</a>) (¼)
+</td>
+</tr>
+</table>
+
+
+
+
+<h4 class = "chapter">COLLECTIONS FROM PICTOGRAPH ROCKS.</h4>
+
+
+<h5 class = "section">ARTICLES OF CLAY.</h5>
+
+<p class = "hanging">
+2807. (<a name = "item39873">39873</a>). Fig. <a href =
+"#fig697">697</a>. A corrugated pot 11 inches high and 10 inches in
+diameter at the widest point. Evidently coil-made; the different coils
+slightly overlap each other tile-fashion. On the inside it is smooth and
+does not show the coils. It has been blackened by the fire , the
+original color having been a dark slate, the natural color of the clay.
+It was evidently but slightly burned at first; very ancient.</p>
+
+<table>
+<tr>
+<td class = "figure">
+<a name = "fig696"> </a>
+<img src = "images/fig696.png" width = "143" height = "170"
+alt = "Cooking vessel from Cañon De Chelly">
+</td>
+<td class = "figure">
+<a name = "fig697"> </a>
+<img src = "images/fig697.png" width = "181" height = "213"
+alt = "Corrugated vessel from Pictograph rocks">
+</td>
+</tr>
+<tr>
+<td class = "caption">Fig. 696<br>
+(<a href = "#item40818">40818</a>) (⅓)
+</td>
+<td class = "caption">Fig. 697<br>
+(<a href = "#item39873">39873</a>) (¼)
+</td>
+</tr>
+</table>
+
+
+<!--png 806-->
+<span class = "pagenum">421</span>
+<a name = "page421"> </a>
+<h4 class = "chapter">COLLECTIONS FROM OTHER LOCALITIES.</h4>
+
+
+<h5 class = "section">ARTICLES OF CLAY.</h5>
+
+<h5 class = "ital">MISCELLANEOUS.</h5>
+
+<p class = "hanging">
+2808. (39529). Black, polished olla, rather large; from Ponake
+Pueblo.</p>
+
+<p class = "hanging">
+2809. (39551). Unadorned moccasin from Pueblo of New Mexico.</p>
+
+<p class = "hanging">
+2810. (41770). Fragments of pottery, ornamented, colored, and plain,
+from ruins near Pueblo of Nutria.</p>
+
+<p class = "hanging">
+2811. (41776). Fragments of plain pottery from Agricultural Camp, six
+miles east of San Antonio Springs.</p>
+
+<p>The following specimens are from the same locality:</p>
+
+<p class = "hanging">
+2812-2818. 2812, (41777), painted; 2813, (41778), corrugated; 2814,
+(41779), ribbed; 2815, (41780), bird’s head painted on it; 2816,
+(41781), painted; 2817, (41782), corrugated; 2818, (41783), ribbed.</p>
+
+<p class = "hanging">
+2819. (41784). Fragments of pottery from Old Zuñi Mesa, three miles
+southeast of Zuñi.</p>
+
+<p class = "hanging">
+2820-2822. 2820, (41785); 2821, (41786); 2822, (41787), are fragments of
+the corrugated, ribbed, indented, and decorated ware, from the Zuñi
+Mesa.</p>
+
+<p class = "hanging">
+2823-2825. 2823, (41791); 2824, (41792); 2825, (41793), are also
+fragments of pottery from the Zuñi Mesa.</p>
+
+<p class = "hanging">
+2826. (41795). Fragments of pottery from top of Zuñi Church.</p>
+
+<p class = "hanging">
+2827-2829. 2827, (41788); 2828, (41789); 2829, (41790). Fragments of
+ancient pottery from the environs of Wolpi. The specimens are of the
+corrugated and laminated forms and are decorated in color.</p>
+
+<p class = "hanging">
+2830. (41981). Notched stick, with bone, used as musical instrument. See
+description of similar objects from Wolpi.</p>
+
+<p class = "hanging">
+2831. (42224). Small wooden ladle; locality not known.</p>
+
+<p class = "hanging">
+2832. (42049). Fragment of pottery with the edges ground off, probably a
+pottery trowel, from Pictograph Rocks, about sixty miles east of Fort
+Wingate, N. Mex.</p>
+
+<p class = "hanging">
+2833. (42252). Fragment of pottery from Wolpi may be a charm, but likely
+a pottery smoother or trowel.</p>
+
+<p class = "hanging">
+2834. (42348). Chips of jasper and fragments of pottery from mound in
+Missouri, opposite St. Louis.</p>
+
+<p class = "hanging">
+2835. (42368). Handle of pottery ladle from Wolpi.</p>
+
+<p class = "hanging">
+2836. (42370). Portion of large yellow corrugated vessel from near
+Wolpi.</p>
+
+<h5 class = "ital">STATUETTES.</h5>
+
+<p>The following numbers are specimens of statuettes, of micaceous clay,
+representing human beings in various attitudes, both male and female.
+<!--png 807-->
+<span class = "pagenum">422</span>
+<a name = "page422"> </a>
+They are attributed to the Cochiti Pueblos, but as they were obtained in
+Santa Fé from traders, the correctness of their origin may be doubted.
+They were made, however, by some of the Rio Grande Pueblos not very
+remote from Santa Fé:</p>
+
+<p class = "hanging">
+2837-2858. 2837, (42001); 2838, (42002); 2839, (42003); 2840, (42004);
+2841, (42005); 2842, (42006); 2843, (42007); 2844, (42008); 2845,
+(42009); 2846, (42010); 2847, (42011); 2848, (42012); 2849, (42013);
+2850, (42014); 2851, (42015); 2852, (42016); 2853, (42017); 2854,
+(42018); 2855, (42019); 2856, (42020); 2857, (42021); 2858, (42022).</p>
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of Illustrated Catalogue Of The
+Collections Obtained From Th, by James Stevenson
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+The Project Gutenberg EBook of Illustrated Catalogue Of The Collections
+Obtained From The Indians Of New Mexico And Arizona In 1879, by James Stevenson
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Illustrated Catalogue Of The Collections Obtained From The Indians Of New Mexico And Arizona In 1879
+       Second Annual Report of the Bureau of Ethnology to the
+       Secretary of the Smithsonian Institution, 1880-81,
+       Government Printing Office, Washington, 1883, pages 307-428
+
+Author: James Stevenson
+
+Release Date: July 2, 2006 [EBook #18736]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK ILLUSTRATED CATALOGUE ***
+
+
+
+
+Produced by Louise Hope, Carlo Traverso and the Online
+Distributed Proofreading Team at http://www.pgdp.net (This
+file was produced from images generously made available
+by the Biblioth�que nationale de France (BnF/Gallica) at
+http://gallica.bnf.fr)
+
+
+
+
+
+
+[Transcriber's Note:
+Punctuation in catalog entries has been silently regularized. Other
+errors are noted at the end of the text.
+Letters that could not be displayed in 7-bit ASCII have been "unpacked"
+and shown between brackets:
+  [-a] [-E] [-e] [-I] [-o] [-u] vowel with macron
+  [)e] [)i] [)o] vowel with breve
+  [ae] a with umlaut
+  ' accented syllable
+Simplified names:
+  Zuni, Canon (tilde omitted)
+  Santa Fe (accent on "e" omitted)
+Figures with captions in CAPITALS were printed in color.]
+
+       *       *       *       *       *
+
+
+ SMITHSONIAN INSTITUTION--BUREAU OF ETHNOLOGY.
+
+             ILLUSTRATED CATALOGUE
+                     OF THE
+     COLLECTIONS OBTAINED FROM THE INDIANS
+                       OF
+        NEW MEXICO AND ARIZONA IN 1879.
+
+                       BY
+
+                JAMES STEVENSON.
+
+
+       *       *       *       *       *
+
+
+NOTE.
+
+
+The following catalogue of the collections made during 1879 was prepared
+for the First Annual Report of the Bureau of Ethnology, but owing to
+want of space was not included in that volume. Before the necessity of
+this action was made apparent the matter had been stereotyped and it was
+impossible to change the figure numbers, etc. This will explain the
+seeming irregularity in the numbering of the figures--the first one of
+this paper following the last one of the above-mentioned report. The
+second catalogue, that of the collection of 1880, also included in this
+volume, has been made to correspond with the first, the figure numbers
+following in regular order.
+
+
+LETTER OF TRANSMITTAL
+
+  WASHINGTON, _January 3, 1881_.
+
+SIR: I have the honor to submit herewith an illustrated catalogue
+exhibiting in part the results of the ethnologic and archaeologic
+explorations made under your direction in New Mexico and Arizona during
+the summer of 1879.
+
+As you are already familiar with the mode of travel and the labor
+necessary in making such investigations and explorations, as well as the
+incidents common to such undertakings, and as I do not consider them of
+any special interest or value to the catalogue, I have omitted such
+details.
+
+I beg, however, in this connection, to refer to the services of Messrs.
+F. H. Cushing, ethnologist of the Smithsonian Institution, and J. K.
+Hillers, photographic artist of the Bureau of Ethnology, both of whom
+accompanied me on the expedition.
+
+Mr. Cushing's duties were performed with intelligence and zeal
+throughout. After the field-work of the season was completed he remained
+with the Indians for the purpose of studying the habits, customs,
+manners, political and religious organizations, and language of the
+people; also to explore the ancient caves of that region. His inquiries
+will prove of the utmost interest and importance to science. Mr. Hillers
+labored with equal zeal and energy. His work is of the greatest value in
+illustrating some of the most interesting features of our
+investigations. He made a large series of negatives depicting nearly
+every feature of the Pueblo villages and their inhabitants. The beauty
+and perfection of the photographs themselves fully attest the value and
+importance of his work.
+
+I would extend most cordial thanks to General Sherman for the special
+interest he manifested in our work, and for directions given by him to
+the officers of the Army serving in the West to assist us in carrying
+out the objects of the expedition; and to the officers who so cordially
+rendered such aid.
+
+To General Edward Hatch, commanding the district of New Mexico, we are
+indebted for valuable information and material assistance, which were
+liberally granted, and to which in great part our success was due. The
+party also received valuable aid from Gen. George P. Buell, U.S.A., who
+was in command at Fort Wingate during our work at Zuni, for which I am
+pleased to extend thanks. The large number and variety of objects
+collected by the members of the expedition, and the many difficulties
+incident to such undertakings, as well as the limited time devoted to
+the preparation of the catalogue, will account for any imperfections it
+may contain.
+
+Hoping, however, that, notwithstanding these, it may serve useful ends
+in the continuation of such work,
+
+I am, very respectfully, your obedient servant,
+
+      JAMES STEVENSON.
+
+Prof. J. W. POWELL,
+
+  _Director Bureau of Ethnology_.
+
+
+
+
+CONTENTS.
+
+
+LETTER OF TRANSMITTAL                          311
+INTRODUCTION                                   319
+  Articles of stone                            320
+  Articles of clay                             322
+  Vegetal substances                           334
+Collection from Zuni                           337
+  Articles of stone                            337
+    Axes, hammers, and mauls                   337
+    Metates, or grain-grinders, and pestles    340
+    Mortars, pestles, etc                      340
+    Miscellaneous objects                      342
+  Articles of clay                             343
+    Water vases                                343
+    Water jugs and jars                        347
+    Jugs of fanciful forms                     349
+    Pitchers                                   349
+    Cups or cup-shaped vessels                 350
+    Eating bowls                               350
+    Cooking vessels                            358
+    Ladles                                     360
+    Baskets                                    360
+    Paint cups                                 362
+    Condiment cups                             363
+    Effigies                                   364
+    Statuettes                                 366
+    Clays and pigments                         367
+  Vegetal substances                           368
+    Basketry                                   368
+    Pads                                       369
+    Domestic implements, toys, etc             370
+    Foods                                      372
+    Medicines and dyes                         372
+  Animal substances                            373
+    Horn and bone                              373
+    Skin                                       373
+    Woven fabrics                              373
+Collection from Wolpi                          375
+  Articles of stone                            375
+    Axes, hammers, etc                         375
+    Metates, or grain-grinders, and pestles    376
+    Mortars, pestles, etc                      377
+    Miscellaneous objects                      377
+  Articles of clay                             378
+    Water vases                                378
+    Water jugs and jars                        379
+    Toy-like water vessels                     381
+    Cups                                       382
+    Eating bowls                               382
+    Cooking vessels                            385
+    Toy-like vessels                           385
+    Ladles                                     385
+    Miscellaneous                              387
+    Statuettes                                 387
+  Vegetal substances                           389
+    Basketry                                   389
+    Domestic implements, toys, etc             391
+    Ornamental objects                         393
+    Statuettes                                 395
+  Animal substances                            396
+    Horn and bone                              396
+    Skin                                       397
+    Woven fabrics                              398
+Collection from Laguna                         399
+  Articles of clay                             399
+    Water vases                                399
+    Water jugs and jars                        401
+    Pitchers                                   401
+    Effigies                                   402
+    Eating bowls                               403
+Collection from Acoma                          404
+  Articles of clay                             404
+    Water vases                                404
+    Pitchers                                   405
+    Eating bowls                               405
+Collection from Cochiti                        405
+  Articles of clay                             405
+    Water vessels                              405
+    Eating bowls                               408
+    Ornaments, effigies, and toys              408
+Collection from Santo Domingo                  409
+  Articles of Clay                             409
+    Water vessels                              409
+Collection from Tesuke                         410
+  Articles of stone                            410
+    Metates, mortars, etc                      410
+  Articles of clay                             410
+    Water vases                                410
+    Water jugs and jars                        413
+    Pitchers                                   413
+    Eating bowls                               413
+    Cooking vessels                            414
+    Toys                                       414
+  Vegetal substances                           414
+    Medicines                                  414
+Collection from Santa Clara                    415
+  Articles of clay                             415
+    Water vases                                415
+    Eating bowls                               415
+    Cooking vessels                            416
+    Effigies                                   416
+Collection from San Juan                       416
+  Articles of clay                             416
+    Eating bowls                               416
+Collection from Jemez                          417
+  Articles of clay                             417
+Collection from the Jicarilla Apaches          417
+  Articles of clay                             417
+Collection from Old Pecos                      418
+  Articles of stone                            418
+  Articles of clay                             418
+  Articles of wood                             419
+Collection from the Canon de Chelly            419
+  Articles of clay                             419
+    Water vessels                              419
+    Bowls                                      420
+    Cooking vessels                            420
+Collection from Pictograph Rocks               420
+  Articles of clay                             420
+Collection from other localities               421
+  Articles of clay                             421
+    Miscellaneous                              421
+    Statuettes                                 421
+
+
+LIST OF ILLUSTRATIONS.
+
+
+Figs. 347-352. Zuni grooved axes                         338
+Fig. 353. Zuni mortar and pestle                         340
+Fig. 354. Zuni crucible                                  340
+Fig. 355. Zuni skinning-knife                            340
+Fig. 356. Zuni sandstone mold                            340
+Fig. 357. Zuni spear-head                                340
+Fig. 358. Zuni mortar and pestle                         340
+Figs. 359-360. Zuni water vases                          342
+Figs. 361-362. Zuni water vases                          343
+Figs. 363-364. Zuni water vases                          344
+Figs. 365-366. Zuni water vases                          344
+Figs. 367-368. Zuni water vases                          344
+Figs. 369-370. Zuni water vases                          344
+Figs. 371-372. Zuni water vases                          345
+Figs. 373-374. Zuni water vases                          345
+Figs. 375-378. Zuni water vases                          346
+Fig. 379. Zuni canteen                                   347
+Fig. 380. Zuni eating bowl                               347
+Fig. 381. Zuni water vase                                347
+Fig. 382. Zuni eating bowl                               347
+Figs. 383-384. Zuni water vases                          347
+Figs. 385-387. Zuni canteens                             348
+Figs. 388-391. Zuni canteens                             348
+Figs. 392-394. Zuni canteens                             349
+Figs. 395-397. Zuni canteens                             349
+Fig. 398. Zuni canteen                                   350
+Fig. 399. Zuni water vase                                350
+Fig. 400. Zuni canteen                                   350
+Fig. 401. Zuni eating bowl                               350
+Fig. 402. Zuni canteen                                   350
+Figs. 403-406. Zuni water pitchers                       350
+Fig. 407. Zuni water pitcher                             350
+Figs. 408-409. Zuni cups                                 350
+Figs. 410-412. Zuni eating bowls                         350
+Figs. 413-415. Zuni eating bowls                         352
+Figs. 416-418. Zuni eating bowls                         354
+Figs. 419-421. Zuni eating bowls                         356
+Figs. 422-424. Zuni eating bowls                         356
+Figs. 425-427. Zuni eating bowls                         357
+Figs. 428-430. Zuni eating bowls                         358
+Figs. 431-436. Zuni cooking vessels                      359
+Figs. 437-441. Zuni ladles                               360
+Figs. 442-447. Zuni clay baskets                         361
+Figs. 448-453. Zuni clay baskets                         361
+Figs. 454-457. Zuni paint cups                           364
+Figs. 458-459. Zuni condiment cups                       364
+Figs. 460-461. Zuni effigies                             365
+Figs. 462-463. Zuni effigies                             365
+Figs. 464-467. Zuni effigies                             365
+Figs. 468-469. Zuni effigies                             365
+Figs. 470-471. Zuni effigies                             365
+Figs. 472-476. Zuni effigies                             366
+Figs. 477-480. Zuni effigies                             366
+Figs. 481-483. Zuni moccasins                            367
+Figs. 484-485. Zuni basketry                             370
+Fig. 486. Zuni pad                                       370
+Fig. 487. Zuni toy cradle                                370
+Fig. 488. Zuni basketry                                  370
+Fig. 489. Zuni toy cradle                                370
+Fig. 490. Zuni ladle                                     370
+Fig. 491. Zuni war-club                                  372
+Figs. 492-493. Zuni dance ornaments                      372
+Fig. 494. Zuni rotary drill                              372
+Fig. 495. Zuni wooden, spade                             372
+Fig. 496. Zuni wooden digger                             372
+Fig. 497. Zuni rattle                                    371
+Fig. 498. Zuni rattle                                    373
+Fig. 499. Zuni hopple                                    373
+Figs. 500-502. Zuni woven sashes                         373
+Fig. 503. Zuni head dress                                374
+Figs. 504-507. Wolpi axes                                375
+Fig. 508. Wolpi metate                                   375
+Fig. 509. Wolpi ancient pipe                             378
+Fig. 510. Wolpi stone effigy                             378
+Fig. 511. Wolpi neck ornament                            378
+Figs. 512-513. Wolpi effigies                            378
+Fig. 514. Wolpi water vase                               379
+Figs. 515-516. Wolpi pots                                379
+Figs. 517-519. Wolpi vessels                             381
+Figs. 520-522. Wolpi water jars                          382
+Fig. 523. Wolpi eating bowl                              385
+Fig. 524. Wolpi cooking vessel                           385
+Fig. 525. Wolpi ladle                                    385
+Figs. 526-529. Wolpi ladles                              386
+Fig. 530. Wolpi basket                                   386
+Fig. 531. Wolpi basin                                    388
+Fig. 532. Wolpi vase and bowl attached                   388
+Figs. 533-534. Wolpi clay statuettes                     388
+Figs. 535-536. Wolpi baskets                             389
+Figs. 537-538. Wolpi baskets                             390
+Fig. 539. Wolpi basket                                   390
+Fig. 540. Wolpi floor mat                                390
+Figs. 541-542. Wolpi baskets                             390
+Figs. 543-545. Wolpi baskets                             391
+Fig. 546. Wolpi weaving stick                            392
+Fig. 547. Wolpi spindle whorl                            392
+Fig. 548-549. Wolpi rabbit sticks                        392
+Fig. 550. Wolpi rake                                     393
+Fig. 551. Wolpi drumstick                                393
+Fig. 552. Wolpi treasure-box                             393
+Fig. 553. Wolpi dance gourd                              393
+Fig. 554. Wolpi treasure-box                             393
+Figs. 555-558. Wolpi dance ornaments                     393
+Fig. 559. Wolpi head-dress                               394
+Fig. 560. Wolpi gourd rattle                             394
+Fig. 561. Wolpi musical instrument                       394
+Fig. 562. Wolpi gourd rattle                             394
+Figs. 563-565. Wolpi ornaments                           394
+Figs. 566-569. Wolpi effigies                            395
+Figs. 570-572. Wolpi effigies                            396
+Fig. 573. Wolpi horn ladle                               397
+Fig. 574. Wolpi horn rattle                              397
+Fig. 575. Wolpi perforator                               397
+Fig. 576. Wolpi arrow straightener                       397
+Fig. 577. Wolpi wristlet                                 398
+Fig. 578. Wolpi moccasin                                 398
+Fig. 579. Wolpi wristlet                                 398
+Fig. 580. Wolpi riding whip                              398
+Fig. 581. Wolpi drum                                     399
+Figs. 582-583. Wolpi blanket                             399
+Fig. 584. Wolpi anklets                                  399
+Figs. 585-587. Laguna water vases                        400
+Figs. 588-591. Laguna water vases                        400
+Fig. 592. Laguna water pitcher                           400
+Figs. 593-596. Laguna water jars                         401
+Figs. 597-600. Laguna effigies                           402
+Figs. 601-604. Laguna effigies                           402
+Figs. 605-609. Laguna effigies                           402
+Figs. 610-612. Laguna water vases                        403
+Figs. 613-615. Laguna eating bowls                       403
+Figs. 616-617. Laguna eating bowls                       403
+Figs. 618-619. Acoma water vases                         404
+Figs. 620-622. Acoma water vases                         404
+Figs. 623-624. Cochiti water vessels                     406
+Figs. 625-626. Cochiti water vessels                     406
+Figs. 627-628. Cochiti water vessels                     406
+Figs. 629-630. Cochiti water vessels                     407
+Figs. 631-632. Cochiti water vessels                     407
+Figs. 633-634. Cochiti water vessels                     407
+Figs. 635-636. Cochiti water vessels                     407
+Figs. 637-638. Cochiti water vessels                     408
+Figs. 639-640. Cochiti water vessels                     408
+Figs. 641-642. Cochiti water vessels                     408
+Figs. 643-644. Cochiti water vessels                     408
+Figs. 645-647. Cochiti effigies                          409
+Figs. 648-649. Santo Domingo drinking vessels            410
+Fig. 650. Tesuke mortar and pestle                       410
+Figs. 651-652. Tesuke water vases                        412
+Figs. 653-654. Tesuke water vases                        412
+Fig. 655. Tesuke water jar                               414
+Fig. 656. Tesuke effigy                                  414
+Fig. 657. Tesuke cooking vessel                          414
+Fig. 658. Tesuke effigy                                  414
+Fig. 659. Tesuke cooking vessel                          414
+Figs. 660-662. Santa Clara water vases                   416
+Figs. 663-664. Santa Clara eating bowls                  416
+Figs. 665-666. Santa Clara effigies                      416
+Fig. 667. Santa Clara eating bowl                        416
+Fig. 668. Santa Clara platter                            416
+Fig. 669. Santa Clara eating bowl                        416
+Figs. 670-672. Santa Clara water jars                    416
+Figs. 673-675. San Juan eating bowls                     416
+Fig. 676. Jemez water vessel                             417
+Figs. 677-680. Water vessels from Canon De Chelly        418
+Figs. 681-683. Water vessels from Canon De Chelly        420
+Figs. 684-686. Bowls from Canon De Chelly                420
+Figs. 687-692. Pitchers from Canon De Chelly             420
+Figs. 693-696. Cooking vessels from Canon De Chelly      420
+Fig. 697. Corrugated vessel from Pictograph rocks        420
+Map showing location of the pueblos of Arizona
+    and New Mexico                                       319
+
+
+[Illustration:
+
+SMITHSONIAN INSTITUTION. BUREAU OF ETHNOLOGY.
+J. W. POWELL, DIRECTOR.
+
+MAP
+
+SHOWING LOCATION OF THE PUEBLOS
+OF ARIZONA AND NEW MEXICO]
+
+
+       *       *       *       *       *
+
+
+    ILLUSTRATED CATALOGUE OF THE COLLECTIONS
+           OBTAINED FROM THE INDIANS
+       OF NEW MEXICO AND ARIZONA IN 1879.
+
+              By JAMES STEVENSON.
+
+
+       *       *       *       *       *
+
+
+INTRODUCTION
+
+
+It is not my intention in the present paper--which is simply what it
+purports to be, a _catalogue_--to attempt any discussion of the habits,
+customs, or domestic life of the Indian tribes from whom the articles
+were obtained; nor to enter upon a general comparison of the pottery and
+other objects with articles of a like character of other, nations or
+tribes. Occasionally attention may be called to striking resemblances
+between certain articles and those of other countries, where such
+comparison will aid in illustrating form or character.
+
+The collection contains two thousand eight hundred and fifty-eight
+specimens. Although it consists very largely of vessels and other
+articles of pottery, yet it embraces almost every object necessary to
+illustrate the domestic life and art of the tribes from whom the largest
+number of the specimens were obtained. It includes, in addition to
+pottery, implements of war and hunting, articles used in domestic
+manufactures, articles of clothing and personal adornment, basketry,
+trappings for horses, images, toys, stone implements, musical
+instruments, and those used in games and religious ceremonies, woven
+fabrics, foods prepared and unprepared, paints for decorating pottery
+and other objects, earths of which their pottery is manufactured,
+mineral pigments, medicines, vegetable dyestuffs, &c. But the chief
+value of the collection is undoubtedly the great variety of vessels and
+other articles of pottery which it contains. In this respect it is
+perhaps the most complete that has been made from the pueblos. Quite a
+number of articles of this group may perhaps be properly classed as
+"ancient," and were obtained more or less uninjured; but by far the
+larger portion are of modern manufacture.
+
+
+ARTICLES OF STONE.
+
+These consist of pestles and mortars for grinding pigments; circular
+mortars, in which certain articles of food are bruised or ground;
+_metates_, or stones used for grinding wheat and corn; axes, hatchets,
+celts, mauls, scrapers &c.
+
+The cutting, splitting, pounding, perforating, and scraping implements
+are generally derived from schists, basaltic, trachytic, and porphyritic
+rocks, and those for grinding and crushing foods are more or less
+composed of coarse lava and compact sandstones. Quite a number of the
+metate rubbing stones and a large number of the axes are composed of a
+very hard, heavy, and curiously mottled rock, a specimen of which was
+submitted to Dr. George W. Hawes, Curator of Mineralogy to the National
+Museum, for examination, and of which he says:
+
+"This rock, which was so extensively employed by the Pueblo Indians for
+the manufacture of various utensils, has proved to be composed largely
+of quartz, intermingled with which is a fine, fibrous, radiated
+substance, the optical properties of which demonstrate it to be
+fibrolite. In addition, the rock is filled with minute crystals of
+octahedral form which are composed of magnetite, and scattered through
+the rock are minute yellow crystals of rutile. The red coloration which
+these specimens possess is due to thin films of hematite. The rock is
+therefore fibrolite schist, and from a lithological standpoint it is
+very interesting. The fibrolite imparts the toughness to the rock,
+which, I should judge, would increase its value for the purposes to
+which the Indians applied it."
+
+The axes, hatchets, mauls, and other implements used for cutting,
+splitting, or piercing are generally more or less imperfect, worn,
+chipped, or otherwise injured. This condition is to be accounted for by
+the fact that they are all of ancient manufacture; an implement of this
+kind being rarely, if ever, made by the Indians at the present day. They
+are usually of a hard volcanic rock, not employed by the present
+inhabitants in the manufacture of implements. They have in most cases
+been collected from the ruins of the Mesa and Cliff dwellers, by whose
+ancestors they were probably made. I was unable to learn of a single
+instance in which one of these had been made by the modern Indians. In
+nearly all cases the edges, once sharp and used for cutting, splitting,
+or piercing, are much worn and blunt from use in pounding or other
+purposes than that for which they were originally intended. On more than
+one occasion I have observed a woman using the edge of a handsome stone
+axe in pulverizing volcanic rock to mix with clay for making pottery.
+Nearly all the edged stone implements are thus injured. Those showing
+the greatest perfection were either too small to utilize in this manner
+or had but recently been discovered when we obtained them.
+
+The grinders and mortars are frequently found composed of softer rock,
+either ferruginous sandstone or gritty clays. For a more complete
+knowledge of these stone implements we must depend on a comparative
+study of large collections from different localities, and such
+information as the circumstances attending their discovery may impart,
+rather than upon their present condition or the uses for which they are
+now employed.
+
+Metates or grain-grinders, pestles and rubbing stones belong to the
+milling industry among the Indians. The metates are generally quite
+large and heavy, and could not well be transported with the limited
+means at the command of Indians. They are therefore well adapted to the
+uses of village Indians, who remain permanently in a place and prosecute
+agricultural pursuits. They are generally of rectangular shape, and from
+10 to 20 inches in length by 6 to 12 in width, and are composed of
+various kinds of rock, the harder, coarse-grained kinds being
+preferable, though in some instances sandstone is employed; the most
+desirable stone is porous lava. These stones are sometimes carried with
+families of the Pueblos moving short distances to the valleys of streams
+in which they have farms in cultivation. In the permanent villages they
+are arranged in small rectangular bins (see Fig. 508), each about 20
+inches wide and deep, the whole series ranging from 5 to 10 feet in
+length, according to the number of bins or divisions. The walls are
+usually of sandstone. In each compartment one of these metates or
+grinding stones is firmly set at a proper angle to make it convenient to
+the kneeling female grinder. In this arrangement of the slabs those of
+different degrees of texture are so placed as to produce an increased
+degree of fineness to the meal or flour as it is passed from one to the
+other. But a small number of these slabs were collected on account of
+their great weight. Accompanying these metates are long, slim, flat
+stones, which are rubbed up and down the slabs, thus crushing the grain.
+These hand-stones are worn longitudinally into various shapes; some have
+two flat sides, while the third side remains oval. The same variety
+exists in regard to the texture of these rubbing-stones, as in the
+concave grinders.
+
+The pueblo of Zuni, from which the most important portion of the
+collection was obtained, is situated in New Mexico, near the western
+border, about two hundred miles southwest from Santa Fe.
+
+At the time of Coronado's visit to this country the pueblo was located
+at what is now known as "Old Zuni," on the summit of a high _mesa_. The
+modern Zuni is situated upon a knoll in the valley of the Zuni River,
+about two miles from the site of the old town. Certain writers have
+regarded Zuni, or rather "Old Zuni," as one of the "Seven Cities of
+Cibola." The evidences found at and around both the old and present Zuni
+are certainly not sufficient to warrant this view, and further and more
+careful investigations are necessary.
+
+Zuni, although lying on the line of travel of military expeditions,
+emigrant trains, and trade between the Pacific coast and the Rio Grande,
+the foreigners visiting them have seldom remained long in their village;
+nor has the advancing wave of Caucasian settlement approached
+sufficiently near to exert any marked influence on their manners and
+customs; at least the form and decoration of their pottery bear no
+marked evidence of the influence of the more highly civilized races.
+
+The collection made here by the expedition was more extensive than that
+from any other place, and numbers about fifteen hundred objects, of
+which by far the larger part is composed of earthenware articles. These
+include large and small water vases, canteens of various sizes and
+shapes, cooking cups, and pottery baskets used in their dances,
+paint-pots, ladles, water jugs, eating bowls, spoons, pepper and salt
+boxes, pitchers, bread-bowls, Navajo water jugs, treasure boxes, water
+vases, cups, cooking pots, skillets, ancient pottery, animals, and
+grotesque images. It belongs mostly to the variety of cream-white
+pottery, decorated in black and brown colors; a portion is red ware,
+with color decorations in black. There are also several pieces without
+ornamentation, and one or two pieces of black ware, but the latter were
+most probably obtained from other tribes, and possibly the same is true
+in reference to a few pieces of other kinds which present unusual
+figures or forms.
+
+A slight glance at the figures depicted on the _tinajas_, or water
+vases, will suffice to show any one who has examined the older pottery
+of this region, specimens and fragments of which are found among the
+ruins, that a marked change has taken place in their ideas of beauty.
+Although the rigid, angular, zigzag, and geometric figures are yet found
+in their decorations, they have largely given way to carved lines,
+rounded figures, and attempts to represent natural objects.
+
+A few apparently conventional figures are still generally retained, as
+around the outside of the necks of the vases and on the outer surface of
+the bowls, probably suggested originally by the rigid outlines of their
+arid country, and in fact by their buildings. The figure of the elk or
+deer is a very marked feature in the ornamentation of their white ware,
+and is often found under an arch. Another very common figure is that of
+a grotesquely-shaped bird, found also on the necks of water vases and
+the outer surface of bowls.
+
+
+ARTICLES OF CLAY.
+
+Tinajas, or water vases, are called in the Zuni tongue
+_tk[-a]h-wi-n[-a]-k[-a]-t[-e]hl-le_. They are usually from 8 to 12
+inches in height, and from 12 to 15 in diameter. A smaller size of the
+same form of vessels, which are from 5 to 7 inches in height and from
+8 to 10 in diameter, are called _det-ts[-a]n-n[-a]_. They are of three
+colors, cream white, polished red, and black: there are in the
+collection comparatively few of the second, and but one of the last
+variety. The decorations are chiefly in black and brown, but four or
+five pieces being in black. The decorations of the cream-white group
+present some four general types--those represented by Figs. 359, 363,
+364, and ----, in which the uncolored circular space forms the
+distinguishing characteristic; those of which Fig. 360 may be considered
+a representative, of which type there are but two specimens in the
+collection; those represented by Fig. 361, and those distinguished by
+the rosette (see Figs. 366, 367, 368, and 370).
+
+The following appear to be unique: (39935) Fig. 371, (40785) Fig. 375,
+(41149) Fig. 372, and (41167) Fig. 374.
+
+By a careful study of these decorations we find that they consist
+chiefly of the following figures, which are combined in various ways:
+triangular figures, usually on the neck; large open circles, frequently
+in a diamond figure, as in Fig. 359 (39871); scrolls; or arches as in
+Figs. 361, 362, &c.
+
+In no instance do we find the meander or Greek fret on these, or in fact
+any other Zuni vessels. A marked characteristic of the decorations on
+the pottery of this pueblo is the absence of vines and floral figures so
+common on those of some of the other pueblos. The nearest approach to
+the vine is the double line of scrolls seen in (40785) Fig. 375.
+Although the checkered figure is common on bowls, the Zuni artists have
+appreciated the fact that it would be out of place on the convex surface
+of the water vase. The elks or deer--for it is difficult to tell which
+are intended--are usually marked with a circular or crescent-shaped
+spot, in white, on the rump, and a red diamond placed over the region of
+the heart, with a line of the same color extending from it to the mouth,
+both margined with white; the head of the animal is always toward the
+right.
+
+As will be observed by examining the decorated pieces, the surface is
+divided into zones by lines--sometimes single, sometimes double, but
+generally slender--one near the base, one or two around the middle, one
+at the shoulder, and one at the rim; thus forming one zone embracing the
+neck, and two or three on the body, exclusive of the undecorated base.
+Sometimes there is but one zone on the body as seen in Figs. 364 (40322)
+and 359 (39871); sometimes two, as shown in Figs. 367 (40317) and 370
+(41146); but often three, the middle one quite narrow, as seen in Figs.
+361 (39934) and 362 (41150). Although not always shown in the figures,
+the lines at the rim, shoulder, and bottom are seldom wanting in Zuni
+vases. The zones are often interrupted by broad perpendicular stripes or
+inclosed spaces in which circles, scroll figures, or rosettes are
+inserted.
+
+Measurements of these vessels show considerable uniformity of
+proportion, the widely exceptional specimens being also exceptional in
+decorations. As indicating size and proportion I give here the
+measurements of some typical as well as some abnormal specimens.
+
+The figures show the height, the diameter of the body at the widest
+part, and the diameter of the mouth in inches.
+
+  +-----------------------------------+--------+-----------+----------+
+  |                                   | Height.| Diameter  | Diameter |
+  |              Number.              |        |  of body. | of mouth.|
+  +-----------------------------------+--------+-----------+----------+
+  | 1                                 |   8.25 |   12.00   |  6.75    |
+  | 2                                 |  10.25 |   13.75   |  7.50    |
+  | 3                                 |  11.00 |   13.25   |  7.15    |
+  | 4                                 |  12.00 |   14.50   |  8.50    |
+  | 5                                 |  10.75 |   14.50   |  8.25    |
+  | 6                                 |  11.00 |   13.00   |  8.00    |
+  | 7                                 |   7.25 |   10.00   |  5.00    |
+  | 8                                 |   7.00 |    9.25   |  5.40    |
+  | 9                                 |   4.25 |    6.75   |  4.60    |
+  | 10                                |   4.40 |    5.50   |  3.75    |
+  | 11                                |   3.50 |    4.50   |  3.25    |
+  | 12                                |   3.50 |    4.25   |  2.90    |
+  | 13                                |   7.75 |    8.00   |  5.75    |
+  | 14                                |   9.00 |    9.75   |  6.50    |
+  +-----------------------------------+--------+-----------+----------+
+
+If we reduce these to proportion, using the diameter of body as the unit
+of measurement, the result is as follows:
+
+  +--------+--------+-----------++--------+--------+-----------+
+  | Number.| Height.| Diameter  || Number.| Height.| Diameter  |
+  |        |        | of mouth. ||        |        | of mouth. |
+  +--------+--------+-----------++--------+--------+-----------+
+  |  1     |    .69 |      .56  ||   8    |    .81 |      .59  |
+  |  2     |    .75 |      .54  ||   9    |    .63 |      .68  |
+  |  3     |    .83 |      .54  ||  10    |    .80 |      .68  |
+  |  4     |    .81 |      .58  ||  11    |    .78 |      .72  |
+  |  5     |    .74 |      .57  ||  12    |    .82 |      .68  |
+  |  6     |    .84 |      .61  ||  13    |    .97 |      .72  |
+  |  7     |    .72 |      .50  ||  14    |    .91 |      .67  |
+  +--------+--------+-----------++--------+--------+-----------+
+
+From this it will be seen that No. 148, which is represented by Fig. 373
+(39774), is unusually broad in proportion to the height. Nos. 152 and
+153 vary to the extreme in the other direction; No. 153 is shown in
+Fig. 364 (40322). Excluding these and taking the means of the large and
+small kinds separately we find the average ratios to be as follows:
+
+          Height.  Diameter
+                   of mouth.
+  Large     .78       .57
+  Small     .78       .61
+
+Most of the water jugs of both the Shinumos and Zunians are in the form
+of canteens, usually more or less spherical, and varying in capacity
+from a pint to four gallons. On each side there is a small handle in the
+form of a loop or knob, through or around which is placed a small shawl
+or strip of cloth, or a cord long enough to pass over the forehead so as
+to suspend the vessel against the back just below the shoulders. The
+other jugs are of various fanciful shapes, which will be noted in the
+catalogue. A large portion are of plain brown ware, a few plain white,
+and others white with colored decorations. Various names are used
+apparently to designate the different kinds rather than the uses for
+which they are intended.
+
+The decorations, when present, are always on the upper side, which is
+more convex than the lower, or side on which it is intended the vessel
+shall lie when not in use. In the ornamented white ware the lower
+portion is usually red or brown.
+
+As all these clay fabrics are the work of North American Indians, it is
+scarcely necessary for me to say that they are unglazed, a
+characteristic, so far as I am aware, of all aboriginal pottery.
+
+Some of the specimens, especially of the black ware, show a smooth
+finish, and may perhaps, without violence to the term, be classed as
+lustrous. This is not the effect of a varnish or partial glazing, but is
+a polish, produced generally, if not always, by rubbing with a polishing
+stone.
+
+Although, as a rule, the paste of which the ware is made is
+comparatively free from foreign matter, yet many pieces, especially of
+the decorated ware, when broken, show little whitish or ash-colored
+specks. These, when found in aboriginal pottery east of the Mississippi,
+have, I believe, been without question considered as fragments or
+particles of shell broken up and mixed with the paste. This may be
+correct in reference to the pottery found east of and in the Mississippi
+Valley, but this whitish and grayish matter in the pottery of the
+Indians of New Mexico and Arizona is in most cases pulverized pottery,
+which is crushed and mixed with the paste. Black lava is sometimes
+crushed and used in the same manner.
+
+The principal material used is a clay, apparently in its natural state,
+varying in color according to locality. Although comparatively free from
+pebbles or lumps of foreign matter, we detect in some of the coarser
+specimens small particles of mica and grains of other materials, and in
+one broken specimen the elytron of a small coleopterous insect. But as a
+general rule, the paste appears to have been free from foreign matter.
+
+A slight glance at this large collection is sufficient to show that the
+potters worked by no specific rule, and that they did not use patterns.
+While it is apparent that only a few general forms were adopted, and
+that, with few exceptions, the entire collection may be grouped by
+these, yet no two specimens are exactly alike; they differ in size, or
+vary more or less in form. The same thing is also true in reference to
+the ornamentation: while there is a striking similarity in general
+characteristics, there is an endless variety in details. No two similar
+pieces can be found bearing precisely the same ornamental pattern.
+
+Much the larger portion of the collection consists of vessels of various
+kinds, such as bowls, cooking utensils, canteens, bottles, jars,
+pitchers, cups, ladles, jugs, water vases, ornamental vessels,
+paint-pots, &c. These vary in size from the large vase, capable of
+holding ten gallons, to the little cup and canteen, which will contain
+less than half a pint. The other and much smaller portion includes all
+those articles which cannot be classed as vessels, such as images, toys,
+toilet articles, representations of animals, &c. The collection can
+perhaps be most satisfactorily classified by reference to the coloring,
+ornamentation, and quality, thus:
+
+1. _The red or uncolored pottery_, which is without ornamentation of any
+kind. Some of this is coarse and rough, and in this case always more
+than ordinarily thick; but the larger portion has the surface smooth and
+often polished. The color varies from the natural dull leaden hue of the
+clay, to a bright brick red, the latter largely predominating.
+
+2. _The brown ware_, or that which shows an admixture of mica. This,
+although uniformly without color decorations, is occasionally marked
+with impressed figures and lines. Although inferior in quality, being
+coarse and fragile, it presents more symmetrical though less varied
+forms than are usually found in the preceding group. The influence of
+contact with the European races is here very apparent, as, for example,
+in the true pitcher and other common utensils and an apparent attempt at
+glazing.
+
+3. _The black ware_ which is without ornamentation. This variety in
+quality and character is precisely like the polished red of the first
+group; but is slightly in advance of that in regard to finish, and
+perhaps, as heretofore remarked, may be classed as lustrous, while the
+red may be classed as semi-lustrous. The paste of which this black ware
+is formed appears to have been better prepared than that of the
+preceding varieties, and is the hardest and firmest in the collection.
+
+4. _The cream-white pottery decorated in colors_. This extensive group,
+which includes fully two-thirds of the entire collection, embraces
+almost every known form of earthenware manufactured by the tribes from
+whom it was obtained. The paste of which it is formed is similar in
+character to that of the black ware. When broken the fracture shows very
+distinctly the effect of burning, the interior being of the natural
+leaden color, shading off to a dull grayish white as it approaches the
+outer surface. The opaque or creamy-white color of the surface is
+produced by a coating of opaque whitewash. Upon this white surface the
+figures are afterwards drawn.
+
+The only colors used in decorating pottery are black, red, and some
+shade of brown. But of this we will speak more fully when we come to
+describe the peculiar methods practiced by the different tribes in
+making and adorning pottery.
+
+Although there is a strong general similarity in this colored
+ornamentation, the great variety of details renders it difficult to
+classify the figures so as to convey a correct idea of them to the
+reader. We shall therefore have to refer him to the numerous cuts and
+the colored plates which have been introduced for the purpose of
+illustrating the catalogue.
+
+The following general statement is about all that can be said in
+reference to them before descending to specific details.
+
+So far as the coloring is concerned they are of two kinds, those having
+the figures wholly black, and those which are partly black and partly
+brown or red. The differences in the decorated pottery appear to be
+always accompanied by certain other variations sufficient to warrant
+speaking of them as different varieties or groups. The former (those
+having the figures wholly black), which are made of the ordinary plastic
+blue clay, have only the upper half or two-thirds of the body of the
+vessel overlaid with the white coating for receiving the decorations,
+the lower part being uncoated, and of the natural pale red or salmon
+color produced by burning, but usually well polished. As additional
+distinguishing features of this group we notice that the shape is more
+generally globular, the workmanship rather superior, and the pottery
+somewhat harder and less friable than that of the other group; the
+angular and geometrical figures formed by straight lines are more common
+in this group; here we also find the meander or Greek fret correctly
+drawn, the vine, and several other designs rarely or never found in the
+other group. The figures of animals, which are common to both varieties,
+are in the former more usually distributed in zones or groups, while in
+the latter they are generally placed singly in inclosed spaces. The
+latter variety, in which we see the curve freely used, shows an evident
+advance over the ornamentation of the older pottery of this region; and
+while the figures must be classed as rude, and the outlines are less
+sharp, and not so well defined as in the older specimens, yet they
+indicate clearly a mental advance in the greater variety of conception.
+
+The figures of this entire class, as regards forms, may be grouped under
+three general headings: first, the geometrical, which is the most
+common; second, the figures of animals; and, third, rude attempts at
+floral decorations, which forms are rather rare. Strange to say, in but
+few instances can any attempt at representing the human form or any part
+of it be discovered in these color decorations.
+
+The geometric figures present an endless variety; but we notice, as is
+shown by the cuts and plates, that triangles with an elongate acuminate
+apex and the zigzag are very common in the black-brown decorations. The
+checkered figure also is not uncommon. The animals most frequently
+represented are the elk or deer and birds. The floral decorations are
+chiefly vines well drawn, and rude attempts at representing trees, and
+the flowers of various species of _Helianthus_.
+
+5. _Red ware with color decorations_. This ware is represented by but
+few vessels, which are in every respect similar to the best variety of
+the red pottery heretofore mentioned, except that it is marked with
+figures in black, many of which are decorated only on the upper portions
+around the neck or rim.
+
+6. _The ancient pottery_, of which Figs. 680 (40816) and 693 (40817) are
+good examples.
+
+The Pueblo tribes of New Mexico and Arizona, with rare exceptions,
+manufacture earthenware vessels for domestic use. The Pueblo of Taos may
+be mentioned as one of these exceptions; although the manner of living,
+the general habits, and characteristics of the tribe are similar to
+those of the other Pueblo Indians, and although they make use of pottery
+for domestic purposes, they do not manufacture it. Some pieces, such as
+water jars and vessels used for cooking, are made in the village, but
+this occurs only in such families as have intermarried with other tribes
+where the manufacture of the native ware is carried on.
+
+The Pueblos among whom the manufacture of pottery or earthenware
+utensils may be classed as a conspicuous feature of their peculiar
+civilization at the present time, are situated geographically as
+follows: San Juan, Santa Clara, San Ildefonso, Cochiti, Santo Domingo,
+San Felipe, Sandia, and Isleta, located on the Rio Grande; Pojake,
+Tesuke, Nambe, Jamez, Zia or Silla, Santa Ana, Laguna, and Acoma,
+situated on the tributaries of the Rio Grande; Zuni, and some small
+pueblos of the same tribe all within the borders of New Mexico. Zuni
+however is located on the Rio Zuni, which flows into the Little Colorado
+River.
+
+The Moki pueblos, numbering seven in all, are embraced in what is called
+the Province of Tusyan, and are located within the Territory of Arizona,
+near its northeastern corner.
+
+The Zunians and Shinumos, although situated farther from civilized
+people and less influenced by their usages than any of the other Indians
+mentioned, surpass all the other tribes in the manufacture of all kinds
+of earthenware. The collections made from these tribes, as will be seen
+by reference to the catalogue, exceed, both in number and variety, those
+from all the others combined. The collection as enumerated in the
+catalogue includes specimens from all the pueblos referred to.
+
+Although the uses of these articles are to a great extent the same among
+all the Pueblo tribes, and the shapes and forms are apparently similar,
+yet to the experienced eye there is no difficulty in detecting the
+peculiarities which distinguish one from the other, or at least in
+assigning them to the tribes with which they originated.
+
+It will be observed by reference both to the colored and wood-cut
+illustrations that there are special distinctions between the
+ornamentation of the pottery of the pueblos of the Rio Grande Valley and
+of those situated on the tributaries of the Rio Colorado. In the
+decorations of the former the birds and vine are conspicuous and
+constantly recurring features, while in the Zuni and Shinumo pottery the
+elk, domestic animals, and birds peculiar to these arid regions are the
+figures most frequently used. The difference is easily accounted for
+when we are informed of the fact that the former tribes reside in the
+valley of the Rio Grande, which is well adapted to the culture of the
+grape as well as other crops. The ever-present vine and the numerous
+birds which flock to this fertile valley will naturally suggest figures
+for decoration. On the other hand, the Zunians and Shinumos reside in
+regions almost destitute of water, and hence without any attractive
+vegetation; therefore their designs are drawn chiefly from the sharp
+outlines of their dwellings, their domestic animals, birds, and the elk
+and antelope that graze in the little grassy oases. None of these are
+actually drawn from nature, but from imagination and memory, as they
+never have an object before them in molding or painting.
+
+In none of the cases referred to do we observe any attempts to imitate
+the exact forms or ceramic designs of the so-called ancient pottery,
+fragments and sometimes entire vessels of which are found throughout
+this southwestern region. This seems strange from the fact that in the
+use of stone implements we find but few which are the result of their
+own handiwork. The old ruins are searched, and from them, and the debris
+about them, stone pestles, mortars, hammers, hatchets, rubbing stones,
+scrapers, picks, spear and arrow heads, and polishing stones are
+collected by the inhabitants of nearly all the pueblos, and are kept and
+used by them.
+
+The clay mostly used by the Zunians in the manufacture of pottery is a
+dark, bluish, carbonaceous, clayey shale found in layers usually near
+the tops of the mesas. Several of these elevated mesas are situated near
+Zuni, from which the natives obtain this material. This carbonaceous
+clay is first mixed with water and then kneaded as a baker kneads dough
+until it reaches the proper consistency; with this, crushed volcanic
+lava is sometimes mixed; but the Zunians more frequently pulverize
+fragments of broken pottery, which have been preserved for this purpose.
+This seems to prevent explosion, cracking, or fracture by rendering the
+paste sufficiently porous to allow the heat to pass through without
+injurious effect. When the clayey dough is ready to be used a sufficient
+quantity is rolled into a ball. The dough, if worked by a careful
+artist, is first tested as to its fitness for molding by putting a piece
+of the paste to the tongue, the sensitiveness of which is such as to
+detect any gritty substance or particles, when the fingers fail to do
+so. The ball is hollowed out with the fingers into the shape of a bowl
+(this form constituting the foundation for all varieties of earthenware)
+and assumes the desired form by the addition of strips of the clay; all
+traces of the addition of each strip are removed before another is
+added, by the use of a small trowel fashioned from a piece of gourd or
+fragment of pottery, the only tool employed in the manufacture of
+pottery.
+
+The bottoms of old water jars and bowls form stands for the articles
+while being worked by the potter. The bowls are filled with sand when
+objects of a globular form are to be made. Although I have often watched
+the process, yet in no instance have I ever observed the use of a
+potter's wheel, measuring instrument, or model of any kind. The makers,
+who are always females, depend entirely on memory and skill derived from
+practice to accomplish their work. The vessels when completely formed
+are laid in some convenient place to sun-dry. A paint or solution is
+then made, either of a fine white calcareous earth, consisting mainly of
+carbonate of lime, or of a milk-white indurated clay, almost wholly
+insoluble in acids, and apparently derived from decomposed feldspar with
+a small proportion of mica. This solution is applied to the surface of
+the vessel and allowed to dry; it is then ready for the decorations.
+
+The pigments from which the paints are derived for decorative purposes
+are also found in the vicinity of the mesas, and are employed by the
+Indians in the production of two colors, each of which varies slightly
+according to the intensity of heat in the process of baking, or the
+manner in which it is applied. One varies from a black to a
+blackish-brown, the other from a light brick red to a dark dull red
+color. The material which produces these colors is generally found in a
+hard, stony condition, and is ground in a small stone mortar, just as we
+reduce India ink for use. When the pigment is properly reduced, and
+mixed with water so as to form a thin solution, it is applied with
+brushes made of the leaves of the yucca. These brushes are made of flat
+pieces of the leaf, which are stripped off and bruised at one end, and
+are of different sizes adapted to the coarse or fine lines the artist
+may wish to draw. In this manner all the decorations on the pottery are
+produced.
+
+The substance used in producing the black ware is a clayey brown
+hematite, or ferruginous indurated clay, quite hard. The material used
+to produce the red or brown colors is a yellowish impure clay, colored
+from oxide of iron; indeed it is mainly clay, but contains some sand and
+a very small amount of carbonate of lime. These are the principal
+ingredients and methods involved in the manufacture of Zuni pottery.
+
+The method practiced by the Zunians in baking pottery differs somewhat
+from that employed by the tribes who make quantities of black and red
+ware. It seems to be a necessity on the part of the Zunians to observe
+the greatest care in this operation. Their pottery is nearly all
+decorated and must be baked free from contact with the peculiar fuel
+used for that purpose. During the baking process it sometimes happens
+that a piece of the fuel, which is composed of dried manure carefully
+built up oven-shaped around the vessels to be baked, falls against the
+vessel. In every such instance a carbonized or smoky spot is left on the
+jar or bowl, which is regarded by the Indians as a blemish. The kiln is
+carefully watched until the fuel is thoroughly burnt to a white ash,
+when the vessels can be removed without danger of such blemishes.
+
+The mode of manufacturing pottery adopted at the pueblos of the Rio
+Grande Valley is quite similar to that described as practiced by the
+Zuni, Shinumo, Acoma, and Laguna Indians, but there is considerable
+difference in the method of decorating and polishing. Polishing is
+practiced chiefly by the Indians of the eastern pueblos, and but little
+by those of the more western region.
+
+The pueblos of Santa Clara, Cochiti, San Juan, Tesuke, &c., manufacture
+large quantities of pottery for sale in addition to that made for their
+own use. It is in these eastern pueblos that the black polished ware is
+chiefly found, and it is in the production of this class of ware that
+the chief difference in the ceramic art between the two sections exists.
+The clays used in the manufacture of this ware are of the same character
+as those of which the other is made; the paste is prepared in the same
+way, so that when the vessels are formed and ready for the kiln they are
+of the color of the original clay. In other words, the change to the
+black color is not produced in making the paste or in moulding or
+forming the vessel, but during the process of baking. The manner of
+forming the vessel is the same as with the western tribes; and when,
+formed it is dried in the sun in the same way; after this a solution of
+very fine ochre-colored clay is applied to the outside and inside near
+the top, or to such parts of the surface as are to be polished. While
+this solution thus applied is still moist, the process of polishing
+begins by rubbing the parts thus washed with smooth, fine-grained stones
+until quite dry and glossy. The parts thus rubbed still retain the
+original red color of the clay. The vessels are again placed in the sun
+and allowed to become thoroughly dry, when they are ready for baking. It
+is in this part of the process that the great differences in color are
+produced. The vessels are placed together in a heap on a level spot of
+ground and carefully covered over with coarsely broken dried manure
+obtained from the corrals. The kiln thus formed is then ignited at
+several points.
+
+It is proper to add here that the clays used by the Santa Clara Indians
+are of a brick-red color, containing an admixture of very fine sand,
+which, no doubt, prevents cracking in burning, and hence dispenses with
+the necessity of using lava or pottery fragments, as is the custom of
+the Indians of the western pueblos. The burning is carried on until a
+sufficient degree of heat is obtained properly to bake the vessels,
+which still retain their original red brick color. At this juncture such
+of the vessels as it is desired have remain in that condition are
+removed from the fire and allowed to cool, when they are ready for use.
+Those which the artists intend to color black are allowed to remain and
+another application of fuel, finely pulverized, is made, completely
+covering and smothering the fire. This produces a dense, dark smoke, a
+portion of which is absorbed by the baking vessels and gives them the
+desired black color. It is in this manner that the black ware of these
+eastern pueblos is produced.
+
+It is said that among the Cochiti, Santa Clara, and some other Pueblos a
+vegetable matter is employed to produce some of their decorative
+designs; this, however, I was unable to verify, though some of the
+Indians assured me of the fact, and furnished me a bunch of the plant,
+which Dr. Vasey, of the Agricultural Department, found to be _Cleome
+integrifolia_, a plant common throughout the Western Territories. A few
+specimens of the ware, some burnt and some unburnt, said to be decorated
+with the oil or juice of this plant were secured.
+
+As heretofore remarked, notwithstanding the variety in ornamentation,
+there are really but few different figures, and these are mostly quite
+simple. Any one interested in the study of Indian art can find in the
+figures and plates of this catalogue all the original conceptions of the
+artists of the Pueblo Indians as depicted by them.
+
+While it is of value in the study of ethnology, and as affording a means
+of comparison in the study of archaeology, there is nothing in the
+composition or ornamentation, or in the form of the vessels, that
+ceramic artists of the civilized races would desire to copy.
+
+As a means of reference in the study of ancient American pottery, I
+consider the collection invaluable, as it can scarcely be possible that
+the forms and decorations contain nothing that has been handed down from
+a former age. Although the figures used have no symbolic characters
+connected with them in the mind of the modern artist, yet it is more
+than probable that at least some of them did have such a meaning to the
+ancient artists. For example, the little tadpole-shaped figure on the
+clay baskets used in their dances and sacred ceremonies by the Zunians
+is understood by them to represent a little water articulate, which, as
+heretofore stated, is probably the larva of some insect or crustacean,
+very common in the pools and sluggish streams of the country inhabited
+by these Indians. Now, it is possible that this figure has been used
+with the same meaning from time immemorial, but I find, as pointed out
+to me by Prof. Cyrus Thomas, that almost exactly the same figure is on a
+vessel pictured on Plate VII of the manuscript Troano, where a religious
+ceremony of some kind is evidently represented. The same figure is also
+found in Landa's character for the Maya day _Cib_, a word signifying
+copal, a gum or resin formerly used in religious ceremonies as incense.
+I find also on Plate XXXV of the same manuscript the figures of bowls or
+pots with legs similar to those of the Zuni. I do not point out these
+resemblances as proof of any relation between the two races, but as mere
+illustrations of what possibly may be learned by a careful study of the
+forms and decorations of this pottery. It may also be well to add here
+another fact to which Professor Thomas calls my attention, viz., the
+similarity between the manner of wearing the hair by the Shinumo women,
+_i.e._, in knots at the side, as represented by the female images, and
+that of the ancient Maya women, as shown in numerous figures on the
+manuscript Troano. Any one familiar with General Cesnola's collection
+from Cyprus cannot fail to be reminded of it when he examines this
+collection of Indian pottery; especially the colors used and the general
+character of the specimens; but an inspection of the two collections is
+necessary in order to have this general resemblance brought to mind, as
+it does not appear so distinctly on a comparison of the published
+figures only. The figures on Plate XLIV of his "Cyprus" bear quite a
+striking resemblance to those on some specimens of Cochiti ware. The
+quadruple cup, Fig. 25, page 406, is almost exactly like the Zuni
+quadruple cups, and was probably used for the same purpose. The same
+type of multiple cups is also shown in Plate IX of the same work. The
+two tea-pot-like vessels represented on Plate VIII, as well as the two
+bird-shaped pieces on the same plate, are much, like the similar vessels
+of Cochiti pottery, several of which are figured in this catalogue.
+
+The resemblance of this Indian ware, in the form of the vessels, to that
+found in the ancient mounds of this country is so marked that it is
+scarcely necessary to remind the reader of the fact, but it may be well
+to call attention to the much, larger proportion of water vessels among
+the Indian pottery than is seen in collections from the mounds. This,
+however, may perhaps be accounted for by the scarcity of water in the
+western region.
+
+The custom of the Zuni artists of making a diamond or triangle over the
+region of the heart of the elk and deer figures with a line running to
+the mouth, although somewhat singular, is quite consistent with the
+Indian practice of symbolic writing. I was informed by the Zuni Indians
+that it was intended to denote that "the mouth speaks from the heart." A
+similar mark occurs in the decoration of the vase figured in Cesnola's
+"Cyprus," page 268.
+
+Contemporaneous and somewhat closely related tribes may use widely
+different figures in the decoration of their ware, and hence it is
+unsafe, in studying ancient specimens, to draw hasty conclusions from
+slight differences in this respect; and I think I may also safely add
+that a comparatively short period of time, a century or so at most, may
+suffice to bring about a great change in the same tribe in the form and
+manner of decorating their pottery. It also shows us that the ware of a
+given tribe, which does not bear the impress of civilized influence,
+can, by a careful study, be distinguished in nearly all cases from that
+of any other tribe. I feel so confident of the truth of this statement,
+that I would not hesitate to undertake to pick out all pieces of Zuni
+ornamented ware from a collection of thousands of specimens of modern
+Pueblo Indian pottery if indiscriminately mixed together.
+
+The Shinumo pottery in general appearance and form bears a strong
+resemblance to that of Zuni; in fact it is almost impossible to separate
+the ornamented bowls and water vases of the two if mingled together.
+There are certain figures found in the one which never occur in the
+other, but there are a number of designs, especially of those most
+generally seen, that are quite common to the pottery of both tribes.
+
+The different varieties of ware, the red or brown without decorations,
+the white with decorations, and the black are in general use with the
+tribe, and specimens of each are contained in the collection. But few
+specimens of the purely micaceous ware are found, either in Zuni or
+Wolpi.
+
+The preponderance of the large round water jugs in the Shinumo
+collection over that of Zuni is noticeable. This form of vessel seems
+to be more in use by tribes whose villages are quite remote from water
+or which are situated on high mesas difficult of access. The kinds of
+vessels, however, which are common with the Zunians are also common with
+the Shinumos, and those intended for the same use are generally of the
+same shape or similar in form. But, as with the decorations, there are
+also vessels so markedly distinct and variant from those we find at Zuni
+as to show very readily at least tribal distinctions between the ceramic
+artists and manufacturers.
+
+The proximity of Laguna to Acoma led us to anticipate what we afterward
+found, viz., a great similarity in the forms of their vessels, and
+also in their manner of ornamentation. The principal differences consist
+in the more profuse use of the forms of birds and flowers, the first
+evidently representing prairie grouse and the last some form of
+sunflower. There is an absence of the geometrical forms, of lines
+and angles commonly observed on the works of more distant pueblos.
+
+Quite a number of animal representations, made hollow for use as
+drinking vessels, were obtained, displaying grotesquely imitative forms
+of deer, elk, sheep, big-horn, antelope, and other animals with which
+they are familiar. All of these objects have more color laid on them
+than is to be found on the pottery of their neighbors of Acoma, the
+birds and animals being painted in a light rufous fawn color not in use
+elsewhere, and the only instance of the employment of green is on a
+tinaja of this pueblo used in coloring some foliage.
+
+
+VEGETAL SUBSTANCES.
+
+This class of ware comprises a very diversified group of objects;
+indeed, so great is the variety that I will not attempt a general
+description of them. Specific reference will be made to the objects
+as they occur in their places in the catalogue.
+
+The objects of basketry or wicker-work are quite varied in form,
+construction, and decoration. Those made by the Zuni Indians are so rude
+and coarse as not to entitle them to any merit. The larger baskets made
+by this tribe are used for carrying corn, melons, peppers, &c. The
+smaller are used for holding beans, shelled corn, and other coarse
+small materials.
+
+The basketry of the Shinumos is of a finer and more finished quality.
+Among these are many jug or canteen shaped baskets, from which, no
+doubt, many of the forms of their pottery water vessels have been
+copied. These are sometimes globular, with large round bodies and small
+necks. They are generally very closely woven and are then coated over
+with a resin or gum which renders them capable of holding water. Like
+some of their water jugs, in pottery, they have small horsehair ears
+or loops attached to the sides through which strings are passed for
+carrying them either over the head or shoulder. This class of water jug
+basketry all show evidences of age, and it is possible that they were
+manufactured by the Apaches or other tribes skilled in the art. The flat
+kinds are designed to hold fine grain and meal, and are also frequently
+used for winnowing. This is done by placing a small quantity of grain in
+the basket, and by a skillful motion throwing the grain up into the wind
+and again catching it as it comes down. This motion is kept up until the
+wind has separated the chaff from, the grain. Many of the flat baskets
+are decorated in colors, as will be seen by the accompanying
+illustrations.
+
+It is quite probable that most of the finer ware of this class is
+manufactured by the Apache Indians, who are celebrated for this work,
+and finds its way among the Pueblos through the medium of barter.
+
+The basketry of the Zunians is usually made of small round willows and
+the stem of the yucca, the leaves of which attain a long slender growth
+in that region. It is quite certain that the basketry used for holding
+water is not manufactured by the Zunians, and probably not by the
+Shinumos, though many are found with them.
+
+As previously stated, the basketry manufactured by the Shinumo Indians
+is of a more finished class and of a greater variety than that made and
+used by any of the other Pueblos, as will be seen by reference to the
+accompanying illustrations. Among the examples of this ware, obtained at
+Wolpi, is a large number of the flat or saucer-shaped kind; these vary
+both in size and character of construction as well as decoration. The
+manner of making one form of this class is quite interesting as well as
+curious. A rope-like withe of the fiber of the yucca, made quite fine,
+is wrapped with flat strips of the same plant. In forming the basket
+with this rope the workman commences at the center, or bottom, and
+coils the rope round, attaching it by a method of weaving, until, by
+successive layers of the rope, it attains the desired dimensions. These
+are quite highly and prettily ornamented in black, white, and yellow,
+and are compact and strong. Another variety of baskets of similar shape
+and size, and also fancifully ornamented, was obtained from the same
+Indians. These are made from small round willows. They exhibit less
+skill in construction, but are handsomely ornamented. Another kind was
+also obtained from the Shinumos, which, however, are attributed to the
+Apaches and probably found their way into the Moki villages through
+trade. These are large bowl-shaped baskets, almost watertight, but
+generally used as flour and meal baskets. They are also ornamented
+black and yellow, produced by weaving the material of different colors
+together while making the basket.
+
+There are many other forms and varieties, which will be referred to at
+the proper time, as they occur in the catalogue.
+
+The Pueblos employ a variety of plants and herbs for medicinal and
+dyeing purposes, some of which were collected. Their botanical names
+were not determined, but they are indigenous to the regions inhabited
+by the Indians using them.
+
+Ornaments and musical instruments employed in dances and religious
+ceremonies do not differ much among the Pueblo Indians; the principal
+ones being the drum, rattle, notched sticks, a kind of fife, and a
+turtle-shell rattle. The latter instrument is the shell of a turtle,
+around the edges of which the toes of goats and calves are attached;
+this produces a very peculiar rattling sound. The shell is usually
+attached to the leg near the knee.
+
+
+
+
+COLLECTIONS FROM ZUNI.
+
+
+ARTICLES OF STONE.
+
+_AXES, HAMMERS, AND MAULS._
+
+1. (40139). Flat rubbing or grinding stone of silicified wood.
+
+2. (40551). Stone axe, _[-o]'-l[-a]-ki-le_, with groove near the larger
+  end.
+
+3. (40552). Imperfectly-made stone axe, _[-o]'-l[-a]-ki-le_, grooved at
+  each edge; basalt.
+
+4. (40553). Large axe, with groove around the middle; sandstone.
+
+5. (40554). Axe, grooved at the middle, square and flat on top; basalt.
+
+6. (40555). Small centrally-grooved axe; schistose rock.
+
+7. (40556). Axe, grooved in the middle.
+
+8. (40557). Axe, grooved near the blunt end, which is shaped similarly
+  to the edge.
+
+9. (40558). Axe, grooved near the end.
+
+10. (40559). Small hatchet, _[-o]'-l[-a]-ki-le_, of basalt doubly
+  grooved, edge beveled from both sides, hammer end about one and a half
+  inches in diameter.
+
+11. (40560). Grooved axe, _[-o]'-l[-a]-ki-le_, of fine black basalt,
+  well polished; groove well worn. The face or side is intended to be
+  near the holder when in use. Fig. 352. This specimen was found in
+  Arizona, near Camp Apache, and was presented by Mrs. George P. Buell.
+  It is one of the largest in the collection with such perfect finish.
+
+12. (40561). Grooved in the center; of porous basalt.
+
+13. (40562). Hammer grooved in the center, rounded off at each end.
+
+14. (40563). Small hatchet-shaped instrument, square at the back, and
+  rounded at the front edge.
+
+15. (40563a). Rudely-made axe, grooved near the blunt end.
+
+16. (40564). Small axe, with a groove round the body quite near the
+  blunt end; basalt.
+
+17. (40565). Axe, three and a half inches long.
+
+18. (40566). Quite small, probably a hatchet, of firm basalt, grooved
+  near the hammer end.
+
+19. (40567). Much larger than the last, basaltic; groove quite deep and
+  smooth, hammer end circular, large, and blunt.
+
+20. (40568). Grooved axe of quartzitic rock.
+
+21. (40569). Pick-shaped axe, grooved entirely around, with imperfect
+  depressions which were in the water-worn boulder from which it was
+  made; about six inches in length.
+
+22. (40570). Boulder of sandstone with groove near the middle.
+
+23. (40571). Flat basaltic boulder, grooved near the center, straight on
+  the back, and tapering above and below the groove.
+
+24. (40572). Small basaltic hammer and axe with groove near the large
+  end.
+
+25. (40573). Small grooved axe composed of hard sandstone; hammer end
+  large, edge quite perfect.
+
+26. (40574). Small boulder of basalt, ground to an edge at one end and
+  rounded off at the other; doubly grooved.
+
+27. (40575). Large basaltic stone considerably chipped off from pounding
+  hard substances, grooved near the center, both ends quite blunt;
+  probably used as a pounding stone.
+
+28. (40576). Flat basaltic boulder, used as a pounder.
+
+29. (40577). Basaltic hatchet grooved in the middle; quite rough.
+
+30. (40578). Grooved axe of a very heavy, solid character, apparently
+  designed more for mauling than cutting.
+
+31. (40579). Large, heavy basaltic hammer and axe with groove around the
+  body near the hammer end; about seven inches long.
+
+32. (40580). Axe, grooved in the middle, upper or hammer end unusually
+  long in proportion to the size.
+
+33. (40581). Flat axe made from a water-worn boulder, oval in outline,
+  both edges designed for cutting or splitting. Deep groove encircling
+  the body, with protrusions above and below it to prevent the handle
+  from slipping out; greenstone.
+
+34. (40582). Hard, fine-grained sandstone axe wedge-shaped, without a
+  groove.
+
+35. (40583). Grooved axe with round body.
+
+36. (40584). Fig. 349. Axe with a broad, shallow groove near the upper
+  end, which is much narrower and smaller than the lower; of mottled
+  volcanic rock, white, green, and black.
+
+37. (40585). Axe grooved in the middle, irregular in shape, and much
+  chipped off at the lower edge and rounded off at the top.
+
+38. (40806). Made from a very fine, hard metamorphic rock, small enough
+  to be classed as a hatchet; crescent-shaped at the top.
+
+39. (40703). Fig. 348. A very dark brown axe, speckled with reddish
+  spots. This axe bears a much finer polish than most of those in the
+  collection.
+
+40. (40704). Axe, grooved near the upper end, which is cone-shaped.
+
+41. (40705). An almost square axe of basaltic rock, grooved on the
+  sides, flat on top.
+
+42. (40706). Axe of quartzitic rock, flat and thin; grooved.
+
+43. (40900). Long, narrow axe, grooved near the upper end.
+
+44. (40901). Axe, made from a water-worn boulder, almost to its present
+  shape.
+
+45. (40902). Small, round axe of basalt, having a shallow groove near
+  the larger end.
+
+46. (40903). Grooved basaltic axe.
+
+47. (40904). Maul, with rough surface, one side flat, the other convex,
+  with a groove.
+
+  [Illustration:
+  Fig. 347 (42229) (1/3)
+  Fig. 348 (40703) (1/3)
+  Fig. 349 (40584) (1/3)
+  Fig. 350 (39903) (1/3)
+  Fig. 351 (42205) (1/3)
+  Fig. 352 (40560) (1/3)
+  Figs. 347-352.--Zuni Grooved Axes.]
+
+48. (40258). Double-grooved axe of porphyry, well polished and quite
+  perfect.
+
+49. (41260). Grooved axe of compact sandstone; wedge-shaped.
+
+50. (42204). Stone maul of basalt, with groove; very rough.
+
+51. (42205). Grooved axe of basalt. Fig. 351. This specimen was obtained
+  at Fort Wingate, in New Mexico, but was probably found in or around
+  some of the ruins.
+
+52. (42229). This is one of the finest specimens in the collection, and,
+  as shown by the cut, Fig. 347, has the handle attached, ready for use.
+  This is formed of a willow withe bent round the axe and doubled,
+  extending out far enough to form a handle and wrapped with a buckskin
+  string; of compact basalt.
+
+53. (42230). Shallow-grooved axe of basalt.
+
+54. (42231). Axe, with a shallow groove near the larger end.
+
+55. (42232). Axe of basalt, grooved on the sides.
+
+56. (42233). Grooved axe, in size and shape the same as (42226).
+
+57. (42234). Grooved axe of a peculiar black mottled rock, with white,
+  marble-like streaks through it; groove surrounding it in the center.
+
+58. (42235). Irregularly-shaped axe with a wide and deep groove
+  surrounding it, curiously mottled with reddish and green streaks.
+  Specimens of this kind are quite rare.
+
+59. (42236). Grooved axe; sides well polished and exhibiting peculiar
+  reddish spots.
+
+60. (42237). Small grooved axe of metamorphic rock.
+
+61. (42238). Grooved axe.
+
+62. (42239). Small grooved axe of schistose rock, much flaked off at
+  each end.
+
+63. (42240). Axe, grooved on three sides; similar in size and shape to
+  (42223).
+
+64. (42241). Grooved axe with flattened top.
+
+65. (42242). Same as the preceding.
+
+66. (42242). Grooved axe with two edges.
+
+67. (42244). Celt-shaped axe of basalt; it appears to have been used as
+  a rubbing stone.
+
+68. (39869). Zuni maul with circular groove around the centre, used
+  generally for grinding or pounding soft foods, such as red-pepper
+  pods; of porous lava.
+
+69. (39903). Double-edged axe, _[-o]'-l[-a]-ki-le_, with groove around
+  the middle; volcanic rock, from Zuni. See Fig. 350.
+
+70. (42349). Rounded end of a sandstone metate grinder converted into a
+  flat hammer by grooving it at the opposite edges.
+
+71. (41291). Pounder of sandstone. It was originally a common axe. Thumb
+  and finger depression on the sides.
+
+72. (40871). Lava Chili pounder with cap-shaped ends; grooved.
+
+73. (40906). Lava rock pounder; small.
+
+_METATES, OR GRAIN-GRINDERS, AND PESTLES._
+
+74. (40870). Square red sandstone metate.
+
+75. (42280). Flat sandstone grinding slab.
+
+76-82. The following numbers represent the rubbers accompanying the
+  metates. The Indian name is _y[ae]'-l[)i]n-ne_: 76, (40909); 77,
+  (40910); 78, (40911); 79, (40912); 80, (40913); 81, (40914); 82,
+  (41259); sandstone rubber.
+
+_MORTARS, PESTLES, ETC._
+
+These are found in use at all the pueblos, but are more common in Zuni
+and the Moki villages than elsewhere, as these Indians use mineral
+pigments more extensively and in greater variety than any of the others.
+
+The pestles and mortars obtained from these tribes are all too small to
+be used for any other purpose than grinding pigments. Many of them
+appear to be quite old, and were probably handed down from distant
+ancestors, or obtained from the ruins. Some of them are evidently of
+modern manufacture.
+
+83. (40707). Mortar; a round, flat, quartzitic boulder with round cavity
+  on one side about one inch in diameter and half an inch deep, and a
+  square depression on the other about an inch deep and two inches in
+  width; indigo still clinging to the surface of the depression.
+
+84. (40708). Mortar of quartzite, the body nearly square and flat;
+  depression round and about four inches in diameter, quite shallow.
+
+85. (40709). Mortar of coarse-grained sandstone, almost perfectly round,
+  the cavity quite deep, and lined with red ochre or vermilion.
+
+86. (40710). Mortar of a flat sandstone with irregular rim about four
+  inches in diameter.
+
+87. (40711). Paint mortar of a small round quartz boulder.
+
+88. (40712). Mortar of fine-grained sandstone about six inches long by
+  three wide; sides square. This mortar was in use by the Zunians for
+  the purpose of grinding a pigment of yellowish impure clay, colored by
+  the oxide of iron, with which they decorate their pottery, and which
+  produces the brown and reddish-brown colors.
+
+89. (40713). Small mortar of sandstone.
+
+90. (40714). Mortar made from a flat water-worn quartz boulder with a
+  circular depression about half an inch deep. The bottom of this mortar
+  shows evidence of its having been used as a grinding stone previous to
+  being converted into a mortar, or it may have been used for both
+  purposes, as both the paint cavity and the rubbing side show recent
+  use.
+
+91. (40715). Paint mortar of basalt, used for grinding the yellow
+  pigment for ornamenting pottery; about four inches in diameter, cavity
+  about one inch deep, bottom ground flat.
+
+92. (40716). Flat paint mortar, of quartz rock, almost round, about an
+  inch thick, depression quite shallow; used for grinding a pigment of
+  azurite or carbonate of copper, small nodules of which they collect
+  at copper mines. This pigment is used in painting and decorating
+  wooden images and gods.
+
+  [Illustration:
+  Fig. 353 (40731) (1/3)
+  Fig. 355 (42245) (1/3)
+  Fig. 354 (42266) (1/3)
+  Fig. 357 (40808) (1/4)
+  Fig. 356 (41289)
+  Fig. 358 (42272) (1/2)
+  Figs. 353-358.--Stone Implements from Zuni.]
+
+93. (40717). Mortar similar to the above, and used for the same purpose.
+
+94. (40718). Paint mortar made from a large irregularly round
+  ferruginous sandstone. Used in pulverizing a reddish pigment for
+  decorating pottery.
+
+95. (40719). Mortar of a globular shape, made from a coarse-grained
+  sandstone, used for grinding or mixing vermilion.
+
+96. (40720). Paint mortar of sandstone. The whole mortar is only about
+  an inch thick; made from a section of an old metate rubber.
+
+97. (40722). Paint mortar of quartzite; blue pigment grinder. Size about
+  four by three inches. This, like many of the flat mortars, has been
+  first used as a rubbing stone and subsequently converted into a paint
+  mortar.
+
+98. (40723). Mortar made from a quartz boulder.
+
+99. (40724). Sandstone mortar.
+
+100. (40725). Paint mortar of sandstone, very flat.
+
+101. (40726). Paint mortar, with oblong shallow depression; sandstone.
+
+102. (40728). Square paint mortar; cavity about half an inch deep;
+  sandstone impregnated with iron. Quartzitic pestle accompanying it.
+
+103. (40729). Paint mortar of quartzite; almost square; depression
+  almost worn through by use; quartz pebble pestle accompanying it.
+
+104. (40730). Small round paint mortar of basalt, with white quartz
+  pebble pestle.
+
+105. (40731). Fig. 353. Paint mortar and pestle of quartz, with a knob
+  on the end, which serves as a handle. This mortar was used in grinding
+  an azurite pigment.
+
+106. (40732). Mortar shaped somewhat like a ladle; the projecting end is
+  provided with a small groove out of which the paint is poured.
+
+107. (40733). Small sandstone mortar.
+
+108. (40864). Paint mortar of sandstone.
+
+109. (40868). Paint mortar of basalt, almost square.
+
+110. (40869). Flat, square sandstone paint mortar; black water-worn
+  pebble for pestle.
+
+111. (40907). Chili or red pepper mortar of very porous lava rock; oval
+  bottom, shallow cavity, about four inches thick and eight in diameter.
+  These lava mortars may have been used for other purposes, but at the
+  present time the Indians use them in crushing the pods and seeds of
+  red pepper, and occasionally for crushing parched corn. They are quite
+  common.
+
+112. (40908). Food mortar of lava rock; square with flat bottom.
+  Mortars of this kind are used in crushing grain and seeds.
+
+113. (42272). Fig. 358. Paint mortar of very hard, fine-grained
+  sandstone. The specimen is a very fair type of all the square paint
+  mortars and pestles. The depression is often square instead of round.
+  In grinding pigments the Indians generally move the pestle backward
+  and forward instead of around as is done by our druggists.
+
+114. (41273). Small sandstone paint mortar, much like the preceding.
+
+115. (40227). Small egg-shaped paint pestle of white quartz. The general
+  name of these in Zuni is _[ae]h-sh[)o]c-t[-o]n-ne_.
+
+116. (42276). Flat sandstone, circular and about five inches in
+  diameter; used as a quoit; originally a rubbing stone.
+
+_MISCELLANEOUS OBJECTS._
+
+117. (39755). Eight specimens not very well defined. They are flint
+  flakes, showing, by their shape, that they were designed for scrapers
+  and groovers, being flat or slightly concave on one side and oval on
+  the other.
+
+118. (41289). Fig. 356. This is a sandstone mould for shaping metal
+  into such forms as suit the fancy of the Indians for bridle and other
+  ornaments; one cavity is rectangular, about four inches long by one in
+  width; the other about two inches in diameter. Silver, which has long
+  been a metal of traffic among these tribes, is the one which is
+  usually melted down for ornamental purposes. After it is taken from
+  the mould it is beaten thin, then polished.
+
+119. (41290). Is a portion of the same mould, with one cavity square and
+  the other in the shape of a spear-head.
+
+120, 121. (42266), Fig. 354, and (42267), are crucibles, which were used
+  in connection with the moulds for melting silver and other metals.
+  Many other ornaments are made in the same manner.
+
+122. (40808). Fig. 357. This is a large, rudely chipped spear-head
+  of mica schist, obtained at Zuni, which was carried in the hand
+  of one of the performers in a dance. It does not show any
+  evidences of having been used in any other way. They called it
+  _[ae]h'-chi-[ae]n-t[-e]h-[ae]-hla_.
+
+123. (42245). Fig. 355. Handsomely-shaped and well-polished skinning
+  knife of a remarkably fine-grained silicious slate. Above the
+  shoulders on one side it is worn off to an oval surface, and is flat
+  on the other.
+
+124. (40915). Round sandstone, which is called a gaming stone; it is
+  quite round, and bears the same name in Zuni as the pestle,
+  _[-a]h-k[ae]-mon-ne_.
+
+125. (40916). Quartz stone, flat and rounded at the ends as a sort of
+  last to keep moccasins in shape while being sewed; called
+  _y[ae]'-l[)i]n-ne_.
+
+126. (41239). String of alabaster beads, _tem-thla_.
+
+127. (41240). Charm, representing the upper part of the body and head of
+  a bird.
+
+128. (41241). Charm; representing a horse; quartz.
+
+129. (41242). Charm; bird's head and upper part of body.
+
+  [Illustration:
+  Fig. 359 (39871) (1/5)
+  Fig. 360 (39916) (1/4)
+  Figs. 359, 360.--Zuni Water Vases.]
+
+  [Illustration:
+  Fig. 361 (39834) (1/5)
+  Fig. 362 (41150) (1/4)
+  Figs. 361, 362.--Zuni Water Vases.]
+
+130. (41243). Charm; horse and saddle.
+
+131. (41244). Charm; representing entire bird; quartz.
+
+132. (41245). Charm; head and upper part of body of a bird.
+
+133. (41246). Charm; the same.
+
+134. (41247). Agate arrow-head.
+
+135. (40870). Disk of sandstone, slightly convex in the centre; used in
+  games.
+
+136. (42325). Flat sandstone slab, with the horns of male and female
+  deer engraved on one side.
+
+137, 138. (40721) and (41249). Flat sandstones, used for baking
+_wi-a-vi_, a thin, wafer-like bread, by heating the rocks and then
+spreading a gruel-like mixture of corn meal over them. The largest one
+of these stones is about three feet in length by two in width. They are
+used by the Zuni and Moki pueblos quite extensively.
+
+139. (42324). Eighty chip flints and flakes of agate, quartz,
+  chalcedony, &c.
+
+
+ARTICLES OF CLAY.
+
+_WATER VASES._
+
+140. (39871). Form and decorations shown in Fig. 359. The slender
+  shading lines only are brown, the rest of the figuring black; the base
+  in this as in most Zuni pottery is reddish or slate colored. This may
+  be considered as the type of one variety of decorations, readily
+  distinguished by the unadorned circular spaces, the large scrolls, and
+  the absence of animal forms. The larger forms of these vases are
+  called by the Zunians _k[-a]h'-wi-n[-a]-k[ae]-t[-e]hl-le_; the smaller
+  forms, _det-tsan-na_.
+
+141. (39916). The ornamentation is well shown in Fig. 360. The
+  combinations on this piece are rare on Zuni pottery, and the chief
+  figure on the body is more symmetrical than is usual in this group of
+  ware. This may also be considered as representing a second type of
+  decorations of which there is but one other example in the collection.
+
+142. (39920). This belongs to the variety represented by Fig. 360, and
+  varies chiefly in having the neck decorated with leaf-like figures,
+  and in having the scrolls replaced by triangles with inner serratures.
+
+143. (39934). The largest size; Fig. 361. The decorations of this piece
+  belong to a third variety, distinguished chiefly by the presence of
+  the elk or deer. Attention is called to the three figured zones or
+  belts on the body, the upper with the arch inclosing an elk; the
+  middle and narrow belt adorned with figures of birds with a long crest
+  feather. The helix or scroll is freely introduced in this variety. The
+  one here figured is typical of quite a large group. The animals are
+  usually black, as are the lines separating the spaces.
+
+144. (41150). This is similar in size and decorations to Fig. 361, and
+  is shown in Fig. 362. The difference in the form of the bird in this
+  from that in the preceding is worthy of notice.
+
+145. (39933). Similar to No. 143 (Fig. 361); bird scrolls as in No. 144.
+
+146. (40322). Medium size, represented in Fig. 364. It may be grouped in
+  the variety of which Fig. 359 is given as the type.
+
+147. (39936). Large size; decorations resembling those in Fig. 364, but
+  with two belts of scrolls on the body.
+
+148. (41154). Medium size; figures as in No. 147.
+
+149. (41155). 150. (41162). Medium size; decorations similar to the
+  preceding, except that No. 150 (41162) has figures of sheep on the
+  neck.
+
+151. (41158). Large size; the ornamentation of this piece, as will be
+  seen by reference to Fig. 363, belongs to the variety represented by
+  Fig. 359 and 364, but differs in having on the body a middle zone of
+  bird-like figures.
+
+152. (41161). Large size; similar to Fig. 363.
+
+153. (39943). Decorations very similar to those shown in Fig. 359.
+
+154. (39937). Medium size; ornamentation similar to that seen in Fig.
+  361.
+
+155. (40312). Large size; shown in Fig. 365. As will be seen by
+  comparison the decorations are the same as those in Fig. 361, except
+  that the elk is omitted and a figure of scrolls introduced in its
+  place.
+
+156. (40310). Fig. 366. Large size. In the decorations of this piece we
+  observe a new feature, a rosette or flower, showing a decided
+  appreciation of the beautiful, either suggested by the flowers of the
+  Helianthus or by something introduced by Europeans, but most probably
+  the former. The different forms of this figure found on this ware
+  furnish, perhaps the best evidence of taste exhibited by the Zunian
+  artists.
+
+157. (40313). Fig. 368. Large size. In this we see the same figures as
+  in Figs. 363 and 366 brought into combination with the rosette, the
+  birds being replaced by sheep.
+
+158. (40318). Large size; similar to No. 149, except that the rosette is
+  introduced in place of the circle.
+
+159. (40314). }
+160. (40316). }
+  Decorations belong to the variety shown in Fig. 361.
+
+161. (40317). Fig. 367. A little study of these figures will satisfy any
+  one that although there is an apparently endless variety in details,
+  there are, in fact, but comparatively few different figures.
+
+162. (41146). Fig. 370. This belongs to the same variety as Fig. 368.
+
+163. (40315). Large size, similar to that represented in Fig. 370, but
+  varying in form, having the expansion at the shoulder more prominent
+  and tapering more rapidly from thence to the base. The figures remind
+  us of the trappings often seen in Japanese cuts.
+
+  [Illustration:
+  Fig. 363 (41158) (1/5)
+  Fig. 364 (40322) (1/3)
+  Figs. 363, 364.--Zuni Water Vases.]
+
+  [Illustration:
+  Fig. 365 (40312) (1/5)
+  Fig. 366 (40310) (1/5)
+  Figs. 365, 366.--Zuni Water Vases.]
+
+  [Illustration:
+  Fig. 367 (40317) (1/5)
+  Fig. 368 (40313) (1/5)
+  Figs. 367, 368.--Zuni Water Vases.]
+
+  [Illustration:
+  Fig. 369 (40701) (1/4)
+  Fig. 370 (41146) (1/4)
+  Figs. 369, 370.--Zuni Water Vases.]
+
+  [Illustration:
+  Fig. 371 (39935) (1/4)
+  Fig. 372 (41149) (1/4)
+  Figs. 371, 372.--Zuni Water Vases.]
+
+  [Illustration:
+  Fig. 373 (39774) (1/4)
+  Fig. 374 (41167) (1/4)
+  Figs. 373, 374.--Zuni Water Vases.]
+
+164. (40319). Medium size; decorations similar to those in Fig. 361,
+  except that here the elk or deer stands on a broad black band in which
+  there is a row of white diamonds.
+
+165. (40321). Medium size; of the variety represented in Fig. 361, but
+  in these smaller pieces the bird zone is omitted, and there is but one
+  figured zone on the body. In this example a small elk is represented
+  as standing on the back of a larger one.
+
+166. (40700). Medium size, belonging to the same type as the preceding.
+  On the neck are figures of grotesque kite-shaped birds.
+
+167. (40701). Medium size; Fig. 369. This and the preceding one are not
+  designated as vases in the original Smithsonian Catalogue, nor in my
+  field list, but according to the form should be classed in this group.
+
+168. (41165). Medium size; decorations similar to those of Fig. 367, but
+  varying in having the figure of a bird introduced in the middle belt
+  with a small double scroll arising out of the back. The lower belt has
+  the same bird reversed.
+
+169. (39935). Medium size. The unusual decorations of this piece are
+  shown in Fig. 371. It differs, as does also Fig. 369, from the usual
+  form; the body is more nearly spherical, the neck more gracefully
+  curved, and the rim slightly flaring. The proportions are also
+  different; height, 8.75 inches; diameter of body, 10; of mouth, 6.5.
+
+170. (41144). }
+171. (41147). }
+  Decorations similar to those in Fig. 364; (41144) varies in having the
+  figures of elk or deer on the neck and in the coarser or ruder
+  scrolls.
+
+172. (41149). This somewhat abnormal form is well shown in Fig. 372. It
+  is of medium size.
+
+173. (41152). This belongs to the same type, both as to form and
+  decorations.
+
+174. (41153). Large size; of the usual form, but the decorations on the
+  body peculiar, the design being crudely architectural.
+
+175. (41156). Medium size, belonging to the type represented by Fig.
+  361.
+
+176. (41163). Medium size. This pretty vase has a somewhat peculiar
+  decoration, which can be best described as a kind of patch-work
+  representing small fragments of pottery.
+
+177. (41166). Medium size, with the usual elk and scroll figures.
+
+178. (41167). This specimen, which is rather above medium size, presents
+  one of the most chaste designs in the entire group. It is represented
+  in Fig. 374. Attention is called especially to the leaves and to the
+  simple meander in the stripes.
+
+179. (41168). Marked with the usual elk and scroll figures. Medium size.
+
+180. (39774). The decorations of this piece, shown in Fig. 373, may be
+  classed with the peculiar type with oblique and vertical bands
+  represented in Fig. 374.
+
+181. (39917). Figures similar to those in Fig. 363.
+
+182. (40768). The decorations on this piece consist entirely of
+  representations of pyramids or possibly of pueblos, and are arranged
+  in bands, one on the neck and two on the body; the two upper bands
+  show the figures inverted.
+
+183. (40770). }
+184. (40771). }
+  No. 183 is decorated with scrolls and bird scrolls and a scalloped
+  line around the shoulder; No. 184 with elks and scrolls on the body.
+
+185-188. 185, (40800). Fig. 378. The grotesque or kite-like bird seen on
+  the neck, though rarely seen on the large water vase, is common on the
+  small ones. To this type belong the following Nos. 186, (40769); 187,
+  (40772); 188, (40791).
+
+189. (40773). }
+190. (40776). }
+  These have the usual triangular and scroll designs without animal
+  figures, as in Fig. 364.
+
+191. (40777). Fig. 377. The decorations on this evidently belong to the
+  same type as those represented in Fig. 359, the bird on the neck being
+  the only variation. To this type also belong the following numbers:
+  192, (40778); 193, (40792); 194, (40794).
+
+195. (40779). }
+196. (40781). }
+197. (40788). }
+198. (40787). }
+199. (40788). }
+200. (40801). }
+  These belong to the type represented by Fig. 361, distinguished
+  chiefly by the elk, triangular figures, and scrolls.
+
+201. (40780). }
+202. (40784). }
+203. (40786). }
+204. (40790). }
+  The decorations on these are similar to those shown in Figs. 366, 367,
+  368, and 370, in which the rosette is a distinguishing characteristic.
+  Nos. 201, 202, and 203 are without figures of animals; No. 204 has a
+  double belt of elk figures between the rosettes.
+
+205. (40782). The designs on this remain unfinished; except that the
+  triangles on the neck and the arches in which it was evidently the
+  intention to place the figures of animals, are shown.
+
+206. (40785). Fig. 375. This pretty vase, as will be seen by reference
+  to the figure, has the diameter greater in proportion to the height
+  than usual. Although the design is tasteful the hues are coarse and
+  not so well drawn as the figure indicates.
+
+207. (40789). On this there is an evident attempt to represent a pueblo
+  or communal dwelling and the ladders.
+
+208. (40793). Shown in Fig. 376.
+
+209. (40795). Neck and lower belt of the body marked with vertical lines
+  and oblique diamonds; upper belt with inverted pyramidal figures.
+
+210. (40849). Very small; marked with oblique scalloped lines.
+
+211. (40850). Very small; elk and grotesque bird on the body.
+
+212. (40851). Very small; decorations similar to those on the middle
+  belt of Fig. 373.
+
+  [Illustration:
+  Fig. 375 (40785) (1/3)
+  Fig. 376 (40793) (1/3)
+  Fig. 377 (40777)
+  Fig. 378 (40800) (1/4)
+  Figs. 375-378.--Zuni Water Vases.]
+
+  [Illustration:
+  Fig. 379 (39659)
+  Fig. 380 (39618)
+  Fig. 381 (40798)
+  Fig. 382 (39592)
+  Fig. 383 (41145)
+  Fig. 384 (41052)
+  Figs. 379-384.--ZUNI POTTERY.]
+
+213. (41105). Similar to that shown in Fig. 361.
+
+214. (40774). Marked with transverse lines and scrolls; design simple
+  and unique.
+
+The following specimens are red ware:
+
+215. (40311). Large size; without ornamentation.
+
+216. (40775). Small; form peculiar, diameter of the body greatest at the
+  base, mouth flaring; decorations in black, consisting of triangles
+  pointing downwards, and lines.
+
+217. (40798). Medium size. See Fig. 381.
+
+218. (40799). }
+219. (40802). }
+  Small; without ornamentation.
+
+220. (41145). Large. See Fig. 383.
+
+221. (41052). Medium size. See Fig. 384.
+
+222. (41151). }
+223. (41157). }
+224. (41159). }
+  Medium size; without ornamentation.
+
+225. (41160). Medium size; with a scalloped band in black around the rim
+  and shoulder.
+
+Black ware:
+
+226. (39930). Large size; without ornamentation.
+
+The only black water vase obtained at Zuni; it was doubtless procured
+from some other tribe. The black ware obtained from, this tribe is in
+nearly all cases used for cooking, or holding liquids or moist foods. As
+remarked in another place, the Zuni black ware is generally small except
+in cases where large quantities of food are to be cooked, which occurs
+at feast tunes, when very large vessels are employed.
+
+_WATER JUGS AND JARS._
+
+These vary so greatly in form that it is impossible to give any general
+description that would convey a correct idea.
+
+227. (39885). Somewhat mug-shaped, with handle; the top is rounded to
+  the small mouth, no neck. White ware with scalloped bands and a
+  Maltese cross.
+
+228. (39886). Similar in form, but smaller, without handle or
+  decorations.
+
+229. (39899). Somewhat similar in form to the preceding, except that it
+  is lower and more depressed, and instead of a mouth, at the top there
+  is an orifice at the side as in the canteens, with which this should
+  probably be classed.
+
+230. (39940). Similar to No. 228.
+
+231. (40062). Similar in form to No. 227, but without handle; with a
+  double scalloped band around the constricted portion, and a single one
+  around the mouth; figure of an insect on the upper half; apparently
+  intended to represent a butterfly or large moth.
+
+232. (40608). Small unhandled jug in the form of a smelling bottle.
+  Unadorned.
+
+233. (40611). Similar to No. 232.
+
+234. (40697). }
+235. (40608). }
+  Like No. 228, with slight decorations.
+
+236. (41140). An amphora or slender jug with two handles.
+
+237. (39928). A jar shown in Fig. 399.
+
+238. (39922). _M[-e]-h[-e]-t[-o]_, canteen of large size. Plain brown,
+  as are also the following specimens:
+
+239-242. 239, (40079); 240, (40081); 241, (40082), this has a small
+  flower on one side; 242, (40083).
+
+243-245. 243, (40088); 244, (40090); 245, (40091).
+
+246-248. 246, (40085); 247, (40086), and 248, (40676), plain, white.
+
+249. (40077). White with color decorations. Fig. 387.
+
+The following eight specimens are also white with colors:
+
+250. (40078). Decorated profusely with scrolls, leaves, and other
+  figures. See Fig. 400.
+
+251. (40080). Figure of a coiled snake or worm, without head or other
+  character to indicate what it was intended to represent.
+
+252. (40084). Usual scroll figures.
+
+253. (40087). Decorated with simple loops and bands.
+
+254. (40089). Radiating serrate lines.
+
+255. (40092). Vase-shaped, with three colored bands.
+
+256. (40093). Shown in Fig. 385.
+
+257. (40886). Handsome piece, with floweret at the apex, scrolls on the
+  side, and a scalloped band around the middle. The bands are always
+  horizontal, the vessel being on its side. See Fig. 398.
+
+258. (39914). _M[-e]-h[-e]-t[-o]-ts[-a]n-n[-a]_, canteens of small size.
+  Red. Double, with two sets of handles and two chambers, but with
+  only one orifice. Decorations in white, those on the larger piece
+  consisting of meanders of the simplest form, a figure very unusual on
+  Zuni pottery.
+
+259. (39659). Brown, with handle and decorations in black. See Fig. 379.
+
+260. (39923). Plain brown.
+
+The following are also plain brown, red, or yellow:
+
+261-271. 261, (40094); 262, (40095); 263, (40096); 264, (40097), Fig.
+  390; 265, (40099); 266, (40100); 267, (40101); 268, (40687), Fig. 386;
+  269, (40688); 270, (40689); 271, (40690).
+
+272. (40102). White, with an oblique scalloped band.
+
+273. (39872). White, shown in Fig. 389.
+
+274. (40686). White, decorations as in Fig. 389.
+
+275. (40685). White, with a single flower.
+
+276. (40691). White, egg-shaped, with a single handle; decorated with a
+  figure of the horned toad.
+
+277. (40692). White, form and decorations like those shown in Fig. 385.
+
+278. (40098). With outline figures of birds.
+
+279. (40695). White, shown in Fig. 388. Although obtained at Zuni, this
+  piece may have been manufactured at one of the other pueblos.
+
+  [Illustration:
+  Fig. 385 (40093) (1/3)
+  Fig. 386 (40687) (1/3)
+  Fig. 387 (40077) (1/6)
+  Figs. 385-387.--Zuni Canteens]
+
+  [Illustration:
+  Fig. 388 (40695) (1/3)
+  Fig. 389 (39872) (1/3)
+  Fig. 390 (40097) (1/3)
+  Fig. 391 (40106) (1/3)
+  Figs. 388-391.--Zuni Canteens.]
+
+  [Illustration:
+  Fig. 392 (39889) (1/5)
+  Fig. 393 (40104) (1/3)
+  Fig. 394 (39915) (1/3)
+  Fig. 392-394.--Zuni Canteens.]
+
+  [Illustration:
+  Fig. 395 (39913) (1/3)
+  Fig. 396 (39837) (1/3)
+  Fig. 397 (39914) (1/6)
+  Figs. 395-397.--Zuni Canteens.]
+
+_JUGS OF FANCIFUL FORMS._
+
+280. (39913). Fig. 395. Zuni name _M[-e]'-wi-i-p[ae]-chin_.
+
+281. (39887). Similar to No. 280.
+
+282. (39889). Fig. 392. _M[-e]'-wi-k[-e]-lik-t[-o]n-ne_. Plain red.
+
+283. (39915). Fig. 394.
+
+284. (40103). White, bottle-shaped, with constriction below the middle;
+  scalloped bands and bird figures around the upper third. See Fig. 402.
+
+285. (40104). Shown in Fig. 393.
+
+286. (40105). Similar to No. 285. Marked with the figure of a bird
+  having the wings spread. Navajo. _K[-o]'-s[-e]-t[)o]m-me._
+
+287. (40106). Fig. 391.
+
+288. (39887). Fig. 396. A double-globed canteen; triangular, with
+  orifice at upper convexity.
+
+289. (39914). Fig. 397. Red ware, with white lines on the lower globe
+  and decorations in black on the upper, with orifice in each globe.
+
+_PITCHERS._
+
+These are of the usual form, of such vessels, except that they are
+generally without the lip. It is possible that to a certain extent they
+have been patterned after those observed in use among the Europeans or
+white races with whom these Indians have come in contact. But we shall
+presently find specimens similar in form among the ancient pottery found
+in the ruins of the cliff houses. We are inclined to believe that the
+form is original and not borrowed. The figures introduced will suffice
+to illustrate the form and usual decorations. The specimens obtained are
+generally small, varying in capacity from a pint to half a gallon. These
+are known in Zuni by the name _[-E]'-m[-u]sch-t[-o]n-ne_.
+
+290. (39918). Shown in Fig. 403.
+
+291. (40668). With scalloped margin and decorations similar to those on
+  Fig. 403.
+
+292. (40669). Without handle and should be classed with the cups.
+  Figures of plants.
+
+293. (40671). Triangles on the upper portion; simple meander on the
+  bowl.
+
+294. (40672). Similar to the following.
+
+295. (40673). With scalloped margin and zigzag lines on white ground;
+  small right-angle handle.
+
+296. (40674). With scalloped marginal and middle bands. The following
+  are brown ware with but slight decorations:
+
+297-310. 297, (40838); 298, (40839); 299, (40841); 300, (40843), outline
+  figures similar to those on No. 293; 301, (40844); 302, (40887); 303,
+  (40888); 304, (40889); 305, (40890), is really black but not polished;
+  306, (40891); 307, (40893); 308, (40894); 309, (40897); 310, (40898).
+
+311. (40842). Scalloped rim and similar in size and shape to 298,
+  (40839).
+
+312. (40845). Small, white, with decorations and of unusual form, in
+  fact in the original field list is classed among the canteens. The
+  mouth is prolonged obliquely in the form of a large tube. It should
+  perhaps be classed with the water jugs.
+
+313. (40892). Form and decorations shown in Fig. 405.
+
+314. (40895). Scalloped margin; decorated with scrolls.
+
+315. (40896). Scalloped margin. Figures of the little water animal so
+  often represented on the earthenware baskets.
+
+316. (40899). Without handle; diamond figures on the neck.
+
+317. (41005). Fig. 406.
+
+318. (41013). Slender neck and small mouth; jug-shaped, marked with
+  twigs and leaves. This does not appear to be of Zuni manufacture.
+
+319. (41136). Fig. 407.
+
+320. (40840). Shown in Fig. 404.
+
+_CUPS OR CUP-SHAPED VESSELS._
+
+Under this general head are included two forms: one, closely resembling
+the true cup, as shown in the figures and to which the Zunis apply the
+name _s[-a]t-ts[-a]n-n[-a]-m[-u]-y[-a]_, and those in the form of ollas
+or bowls, and without handles. The decorations of the true cup-shaped
+vessels, especially on the inner surface, follow somewhat closely the
+patterns found on the bowls. Here we see the zigzag marginal line, the
+scalloped bands, the interlaced or tessellated bands with star points,
+triangles, scrolls, &c.; but the elongate triangle or lance point is
+seldom present. As no new figure is introduced it is unnecessary for me
+to describe the decorations. A few are of red or brown ware.
+
+The following numbers refer to true cups:
+
+321-345. 321, (40058); 322, (40615); 323, (40616), Fig. 408; 324,
+  (40617); 325, (40618); 326, (40619); 327, (40620); 328, (40621), Fig.
+  409; 329, (40622); 330, (40623); 331, (40624); 332, (40625); 333,
+  (40627); 334, (40638); 335, (40639); 336, (40640); 337, (40641); 338,
+  (40643); 339, (40644); 340, (40837); 341, (40847); 342, (40848); 343,
+  (40880)--this is an unusually large cup and although having a handle
+  may have been used as a bowl; 344, (40998); 345, (41148), an unburnt
+  specimen.
+
+The following are without handles and are either small bowls or paint
+cups:
+
+346-355. 346, (40426); 347, (40436); 348, (40458); 349, (40642); 350,
+  (40853), a small bowl-shaped cup, _s[-u]t-ts[-a]n-n[-a]_; 351,
+  (40994); 352, (40995); 353, (40996); 354, (40997); 355, (41000).
+
+  [Illustration:
+  Fig. 398 (40886)
+  Fig. 399 (39928)
+  Fig. 400 (40078)
+  Fig. 401 (40486)
+  Fig. 402 (40103)
+  Figs. 398-402.--ZUNI POTTERY.]
+
+  [Illustration:
+  Fig. 403 (39918) (1/4)
+  Fig. 404 (40840) (1/4)
+  Fig. 405 (40892) (1/3)
+  Fig. 406 (41005) (1/4)
+  Figs. 403-406.--Zuni Water Pitchers.]
+
+  [Illustration:
+  Fig. 407 (41136) (1/3)
+  Fig. 408 (40616) (1/3)
+  Fig. 409 (40621) (1/3)
+  Fig. 410 (39962) (1/4)
+  Fig. 411 (40266) (1/4)
+  Fig. 412 (40285) (1/4)
+  Figs. 407-412.--Zuni Water Pitcher, Cups, and Eating Bowls.]
+
+_EATING BOWLS._
+
+The smaller forms are called _s[-a]t-ts[-a]n-n[-a]_.
+
+356. (39962). Fig. 410. The ornamentation is typical of a variety very
+  common on Zuni bowls. The design on the outer surface is more constant
+  than that on the inner, in which the figures of animals, especially
+  the elk, are sometimes introduced. The distinguishing feature of this
+  type is the zigzag line on the inner margin.
+
+The following numbers belong to the same type:
+
+357-378. 357, (39746); 358, (39973); 359, (39975); 360, (39981); 361,
+  (39984); 362, (39988); 363, (39989); 364, (39991); 365, (39993); 366,
+  (39994); 367, (39997); 368, (39999); 369, (40004), duplicate of Fig.
+  411; 370, (40005); 371, (40231); 372, (40234); 373, (40236); 374,
+  (40239); 375, (40246); 376, (40249); 377, (40250); 378, (40259).
+
+379-396. 379, (40260); 380, (40266), shown in Fig. 411; 381, (40274);
+  382, (40285), shown in Fig. 412; 383, (40504); 384, (40512); 385,
+  (40513); 386, (40516); 387, (40517); 388, (40519); 389, (40522); 390,
+  (40527); 391, (40530); 392, (40541); 393, (40546); 394, (40528); 395,
+  (40203); 396, (40211).
+
+397. (39951). Decorated, on the inner margin only, with triangles.
+
+398. (39952). Similar to that shown in Fig. 411, except that the inner
+  marginal line is scalloped.
+
+The following numbers may be classed in the same group:
+
+399, 400. 399, (40205); 400, (40210).
+
+401. (40521). Similar to No. 397, except that it has the interior below
+  the marginal line decorated with scrolls.
+
+402. (39902). Decorated on the inner surface only, with the usual
+  scrolls; marginal band simply a narrow line or entirely wanting.
+
+The following belong to the same type:
+
+403-417. 403, (39960); 404, (40002); 405, (40006); 406, (40232); 407,
+  (40233); 408, (40237); 409, (40263); 410, (40268); 411, (40284), in
+  this small specimen there are but few figures; 412, (40503); 413,
+  (40505); 414, (40520); 415, (40524); 416, (40981); 417, (40987).
+
+418. (40906). The decorations of this piece belong to a variety which is
+  readily distinguished by the broad checkered band on the inner margin.
+
+There are two sub-varieties, one with and one without figures on the
+external surface. This and the following specimens belong to the latter
+group:
+
+419, 420. 419, (40533); 420, (39890).
+
+421. (40001). This belongs to the former group, as represented by Fig.
+  412.
+
+422. (39898). External decorations as in Fig. 410, except that the lower
+  margin of the oblique line is furnished with scrolls as in Fig. 375,
+  inner surface with leaves, and a zigzag marginal line.
+
+423. (39908). This and the following thirty-one specimens have the
+  external surface ornamented as in Fig. 410, the decorations of the
+  inner surface varying and differing from those already enumerated. In
+  this the marginal line is simple.
+
+424. (39909). Marginal line scalloped; central rosette of simple lines.
+
+425. (39963). Zigzags in irregular lines, no marginal band; form
+  semi-globular.
+
+426. (39963). Triangles and scrolls; somewhat mug-shaped.
+
+427. (39972). Usual form; decorations as in the preceding.
+
+428. (39975). Ornamentation as represented in Fig. 422.
+
+429. (39976). Double scrolls; no marginal bands.
+
+430. (40000). Margin as in Fig. 422; no other inner decorations.
+
+431. (40204). Scroll figures; no marginal band; form hemispherical.
+
+432. (40216). Similar to Fig. 423, as are also the following specimens:
+
+433-443. 433, (40218); 434, (40223); 435, (40238); 436, (40240); 437,
+  (40284); 438, (40286); 439, (40501); 440, (40506); 441, (40507); 442,
+  (40510); 443, (40514); the inner decorations of this piece vary in
+  having the figures of the elk below the marginal band.
+
+444-447. 444, (40515); 445, (40547); 446, (40985); 447, (40217). Zigzag
+  marginal band; no other inner decorations.
+
+448. (40241). Marginal band double, upper line undulate, lower, straight
+  with star points.
+
+449. (40245). Marginal band composed of rows of stars, as in Fig. 414.
+
+450. (40251). Only the inner decorations consist of radiating serrate
+  lines.
+
+451. (40258). Similar to that shown in Fig. 424.
+
+452. (40273). Inner decorations apparently intended as floral; marginal
+  line very slender.
+
+453. (40275). Inner figures; radiating scrolls.
+
+454. (40287). Similar to No. 453.
+
+455. (40558). Inner figures in the form of blocks or tiles; marginal
+  band undulating.
+
+456. (40549). Inner decorations consist of two narrow crenate bands, one
+  marginal and the other just below it.
+
+457. (39891). This and the following thirty-nine specimens are without
+  external ornamentation. In this one the inner figures are radiating
+  scrolls, and birds.
+
+458. (39892). Slender marginal scalloped band only.
+
+459. (39893). Serrate marginal band only.
+
+460. (39953). Similar to Fig. 424.
+
+461. (39954). Birds with wings spread, and scrolls.
+
+462. (39958). Differs from the usual form in having the margin
+  undulating. The inner decorations consist chiefly of combinations of
+  triangles. Similar to
+
+463. (39971). Similar to the preceding.
+
+464. (39959). Scrolls and triangles.
+
+465. (39960). Scrolls and leaves.
+
+466. (39961). Oblique serrate lines.
+
+467. (39986). Broad net-work, marginal band, as seen in Fig. 414; form
+  unusual, being constricted near the base.
+
+468. (39992). Marginal band composed of sigmoid figures.
+
+469. (39996). Very small; central diameter with rays from the points;
+  the marginal band is simply a narrow line.
+
+  [Illustration:
+  Fig. 413 (40041) (1/4)
+  Fig. 414 (40033) [illegible fraction]
+  Fig. 415 (40164) (1/4)
+  Figs. 413-415.--Zuni Eating Bowls.]
+
+470. (40209). Ornamental marginal band only.
+
+471. (40212). Scalloped marginal band, and central rosette or flower.
+
+472. (40224). Scalloped marginal band, and figures of deer.
+
+473. (40225). Zigzag band and the usual scroll figures.
+
+474. (40229). Two slender bands, and central radiating scrolls.
+
+475. (40242). Zigzag marginal line only.
+
+476. (40248). Narrow scalloped marginal band; no other figures.
+
+477. (40252). Zigzag band and floral decorations.
+
+478. (40253). No marginal band; oblique triple and dotted lines.
+
+479. (40265). Serrate marginal band and central rosette.
+
+480. (40270). No band except a simple line bounding the central figure
+  of radiating leaves.
+
+481. (40272). Three plain bands.
+
+482. (40481). Broad marginal band in figures arranged in square blocks.
+
+483. (40485). Very small; marginal net-work band, central floral figure.
+
+484. (40490). Similar to the preceding.
+
+485. (40489). Plain marginal band; central floral figures.
+
+486. (40492). Zigzag marginal band as in Fig. 425.
+
+487. (40498). Marginal band as in Fig. 414.
+
+488. (40499). Scalloped marginal band.
+
+489. (40508). Zigzag band and floral decorations.
+
+490. (40511). Marginal band composed of lines of stars.
+
+491. (40530). Similar to No. 486, having also a central figure.
+
+492. (40536). Marginal band of scrolls and triangles.
+
+493. (40537). Net-work marginal band.
+
+494. (40539). Scalloped band and central figure of twigs and leaves;
+  unusually chaste design.
+
+495. (40542). Like No. 467.
+
+496. (40545). Scalloped marginal band.
+
+497. (39967). Do.
+
+498. (39965). Zigzag inner marginal band; figures of the elk externally
+  and internally.
+
+499. (39966). External and internal zigzag marginal band.
+
+500. (39969). No external decorations; marked internally with oblique
+  lines, no band.
+
+501. (39970). Scroll figures on the inner surface; on the outer,
+  triangles pointing in opposite directions; no bands.
+
+502. (39977). Dish-like, undulate, external and internal marginal band.
+
+503. (39978). Inner band of crosses, and central figure, outer serrate
+  marginal band.
+
+504. (39982). }
+505. (39983). }
+  Decorations same as those represented in Fig. 414, with a wide,
+  latticed, marginal band on the inner side of the bowl.
+
+506. (39985). Both surfaces decorated with scroll figures.
+
+507. (39987). Inner surface with scroll figures, outer with but a
+  marginal scalloped band.
+
+508. (39990). Both surfaces marked with oblique serrate Hues; unusually
+  flaring.
+
+509. (39998). Inner surface with reversed elks; outer with oblique
+  lines, with each side serrate.
+
+510. (40007). Inner surface with serrate band and birds; outer with
+  serrate band.
+
+511. (40213). Elk and scrolls internally; an outer scalloped band.
+
+512. (40215). Resembles No. 501.
+
+513. (40219). The decorations on this bowl are unusual; those of the
+  inner surface consist of a slender crenate marginal band, and below
+  this a woman holding a child and apparently closely wrapped in a robe
+  of some kind and placed transversely; the outer margin is marked with
+  a broad band of crosses regularly spaced by perpendicular lines.
+
+The following numbers belong to the type represented in Figs. 356, 411,
+and 412:
+
+514-520. 514, (39979); 515, (40220); 516, (40221); 517, (40243); 518,
+  (40274); 519, (40493); 520, (40523), inner marginal band consists of
+  scrolls and triangles.
+
+521. (40227). Inner marginal band broad and divided into diamond spaces;
+  outer surface ornamented with figures similar to those on vase
+  represented by Fig. 372.
+
+522. (40230). Although classed with the bowls this is shaped somewhat
+  like the paint pots; outer and inner bands.
+
+523. (40247). Resembles No. 504.
+
+524. (40254). Two broad undulate lines on the external surface; inner
+  surface with blocks and scrolls.
+
+525. (40256). Inside with crenate marginal lines, and circular space and
+  triangles as in Fig. 359. External surface with a simple scalloped
+  band.
+
+526. (40264). External surface as in the preceding; internal scrolls and
+  triangles.
+
+527-533. 527, (40267); 528, (40269); 529, (40487); 530, (40495); 531,
+  (40509); 532, (40529); 533, (40531). The decorations on these
+  specimens belong to the same general type as those of No. 526.
+
+534. (40271). Mug-shaped with flat bottom; outer surface marked with
+  five scalloped bands; inner with scrolls.
+
+535. (40279). Outer surface with triangular figures; inner with a
+  scalloped marginal band and a similar band below.
+
+536. (40482). Similar in form to No. 534. Outer and inner decorations
+  consist almost entirely of triangles.
+
+537. (40483). Without bands; interior, scrolls; exterior, geometrical
+  figures.
+
+538. (40488). This belongs to the type represented by Fig. 411; rosette
+  on the inner surface.
+
+539. (40491). Similar in form and decorations to No. 534.
+
+  [Illustration:
+  Fig. 416 (40296) (1/4)
+  Fig. 417 (40493) (1/4)
+  Fig. 418 (40176) (1/4)
+  Figs. 416-418.--Zuni Eating Bowl.]
+
+540. (40496). Form like the preceding; inner face decorated with stars;
+  outer with the usual triangular figures.
+
+541. (40497). Flat, finger-bowl shaped, single scalloped band
+  externally; scrolls and circular figures internally.
+
+542. (40502). Double band of triangles externally; internally zigzag
+  lines precisely like those in Fig. 371.
+
+543. (40538). Inner serrate marginal band and radiating scrolls; no
+  external decorations.
+
+544. (40540). Central flower internally; a single serrate band
+  externally.
+
+545. (40980). Pan-shaped; inner surface marked with geometrical figures;
+  outer without decorations.
+
+546, 547. 546, (40988); 547, (40993). Without external ornamentation,
+marked with zigzag inner marginal line, central scroll, and triangular
+devices.
+
+548. (40991). Oblique serrate lines externally; zigzag inner marginal
+  line.
+
+549. (40992). No external decorations; inner marginal line crenate;
+  central flower.
+
+Brown, red, or yellow ware. Usually without ornamentation.
+
+550. (39907). Small rosettes or flowers on inner surface.
+
+The following numbers are without ornamentation of any kind:
+
+551-572. 551, (39968); 552, (40003); 553, (40207); 554, (40214); 555,
+  (40226); 556, (40235); 557, (40244); 558, (40257); 559, (40276); 560,
+  (40277); 561, (40278); 562, (40280); 563, (40281); 564, (40494); 565,
+  (40526); 566, (40528); 567, (40534); 568, (40543); 569, (40544); 570,
+  (40982); 571, (40984); 572, (40989).
+
+The following have slight decorations; wherever the band is mentioned it
+is to be understood as marginal unless otherwise specified:
+
+573. (39974). Narrow external band.
+
+574. (39981). Floral figure on inner surface.
+
+575. (39995). Triangles externally; narrow sub-marginal band internally.
+
+576. (40206). Outline leaf-like figures on inner face.
+
+577. (40222). Inner crenate band and cross lines.
+
+578. (40229). Slender bands and scrolls.
+
+579. (40288). Inner band of geometrical figures.
+
+580. (40550). With slender outer band.
+
+581. (40980). Inner zigzag band and triangular figures.
+
+582. (40983). Inner central white flower.
+
+583. (40990). Inner band of scrolls.
+
+The larger forms, following, are called _[-I]'-t[)o]n-[ae]-ka-sah-le_.
+
+584. (40041). Represented in Fig. 413. The broad checkered band on the
+  inner margin forms the distinguishing characteristic. The following
+  are similarly decorated:
+
+585, 586. 585, (40010); 586, (40167).
+
+587. (40033). As closely resembling the preceding, I introduce here a
+  variety with a latticed marginal band shown in Fig. 414.
+
+The following specimens belong to the same variety, the chief
+differences, being the inner central figures:
+
+588. (40164). Fig. 415.
+
+589. (40177). Do.
+
+590. (40181). This specimen has no ornamentation except the band.
+
+591. (40296). Fig. 416. This varies in having the figures of birds with
+  wings spread and of elks on the inner surface below the marginal line.
+  These are but partially shown in the figure.
+
+592, 593. 592, (40965) and 593 (40955) belong to the same variety, but
+  their inner decorations resemble more closely those represented in
+  Fig. 415.
+
+594. (40493). Fig. 417. The decorations on this piece belong to the very
+  common variety shown in Figs. 356, 411, and 412.
+
+595-600. To this type belong the following numbers: 595, (40008); 596,
+  (40009); 597, (40012); 598, (40013); 599, (40020); 600, (40021), this
+  varies in having no ornamentation on the outer surface.
+
+601-608. 601, (40176), shown in Fig. 418; 602, (40031); 603, (40038);
+  604, (40043); 605, (40046); 606, (40047); 607, (40050); 608, (40052)
+
+609-628. 609, (40151); 610, (40152); 611, (40163); 612, (40168); 613,
+  (40170); 614, (40171); 615, (40175); 616, (40185); 617, (40186); 618,
+  (40188); 619, (40189), Fig. 419; 620, (40191); 621, (40193); 622,
+  (40194); 623, (40195); 624, (40196); 625, (40197); 626, (40199); 627,
+  (40200); 628, (40293), this piece is properly a bread bowl,
+  _M[-o]'-tsin-i-k[-a]-s[ae]-le_.
+
+629-638. 629, (40295); 630, (40297); 631, (40298); 632, (40310); 633,
+  (40305); 634, (40306); 635, (40308); 636, (40309); 637, (40930); 638,
+  (40931), shown in Fig. 420. I would call attention here to the strong
+  similarity of the inner decorations of this bowl with those on the
+  body of the vase represented in Fig. 359. This is properly a bread
+  bowl.
+
+639-646. 639, (40938); 640, (40957); 641, (40958); 642, (40967); 643,
+  (40971); 644, (40974); 645, (40975); 646, (41171), Fig. 421.
+
+The following specimens have the same external decorations as those
+represented in Figs. 413-421, but differ in regard to the figures on the
+inner surface.
+
+647. (40014). Fig. 422. The cut fails to show the figures of the elk
+  placed among the scroll ornaments.
+
+648, 649. 648, (40023); 649, (40026).
+
+650-658. 650, (40028), shown in Fig. 423; 651, (40035); 652, (40042);
+  653, (40045); 654, (40049); 655, (40051), these two are bread bowls;
+  656, (40153); 657, (40156); 658, (40178).
+
+659-663. 659, (40183); 660, (40198); 661, (40202); 662, (40927), Fig.
+  424; and 663, (40932), Fig. 425.
+
+  [Illustration:
+  Fig. 419 (40189) (1/4)
+  Fig. 420 (40931) (1/5)
+  Fig. 421 (41171) (1/5)
+  Figs. 419-421.--Zuni Eating Bowls.]
+
+  [Illustration:
+  Fig. 422 (40014) (1/4)
+  Fig. 423 (40028) (1/4)
+  Fig. 424 (40927) (1/5)
+  Figs. 422-424.--Zuni Eating Bowls.]
+
+  [Illustration:
+  Fig. 425 (40932) (1/4)
+  Fig. 426 (40179) (1/4)
+  Fig. 427 (40290) (1/4)
+  Figs. 425-427.--Zuni Eating Bowls.]
+
+664-669. 664, (40951); 665, (40952); 666, (40960); 667, (40976); 668,
+  (40977); and 669, (40016), may be grouped together, as strongly
+  resembling each other in regard to their inner decorations.
+
+670. (40027). Inner marginal band with diamond spaces and colored
+  triangles, scrolls, and small rosettes or flowers below.
+
+671. (40030). No inner band; geometrical figures.
+
+672. (40035). Narrow simple marginal band; elk and scrolls.
+
+673. (40179), Fig. 426. Each of the following specimens has a similar
+  marginal band, but the inner central figures differ.
+
+674-682. 674, (40037); 675, (40044); 676, (40187); 677, (40300); 678,
+  (40937); 679, (40966); 680, (40969); 681, (40973); 682, (40040).
+  Patch-work figures, resembling pieces of broken pottery.
+
+683. (40157). Somewhat like Fig. 424, the perpendicular lines of the
+  band being doubly scalloped.
+
+684. (40169). Marginal band a vine with leaves and flowers; central
+  figures similar to those on vase shown in Fig. 371.
+
+685. (40182). No inner band; scroll figures.
+
+686. (40190). No inner band; elks and geometrical figures.
+
+687. (40201). Marginal band with triple lines similar to those in Fig.
+  424.
+
+688. (40290). Shown in Fig. 427.
+
+689. (40292). Marginal band similar to that on Fig. 427; scroll figures
+  in central portion.
+
+690. (40294). Fig. 430. In this the outer decoration varies in having
+  the elongate triangle or lance point double, and the inner in having
+  the figure of a mule or donkey.
+
+691. (40304). No marginal band; scroll figures.
+
+692. (40302). Fig. 429.
+
+693. (40486). A broad bowl; inner marginal band, the upper portion of
+  which has a line of diamond spaces. The under side of the oblique line
+  on the outer surface is bordered with scrolls as in Fig. 375. This is
+  a very large specimen, being eighteen inches in diameter. See Fig.
+  401.
+
+694. (40928). Inner surface marked with geometrical figures.
+
+695. (40970). No figures on the inner surface.
+
+696. (40972). Inner decorations as in Fig. 419.
+
+697. (40017). No outer decorations; inner surface with marginal band and
+  large white cross; remainder brown.
+
+698. (40015). Outer and inner faces marked with triangles and slender
+  leaves.
+
+699. (40024). Outer scalloped band, scroll figures internally.
+
+700. (40022). Outer surface with scalloped band and large oblique
+  diamonds; inner with double scalloped band and scrolls.
+
+701, 702. 701, (40158); 702, (40159). Outer face without decorations;
+inner with large vermiform figures.
+
+703. (40166). Both faces with oblique lines of scrolls.
+
+704. (40192). Stems and leaves externally and internally.
+
+705. (40195), Interior decorations profuse; scrolls, and diamond-shaped
+  figures.
+
+706. (40934). Four scalloped bands on outer face; scroll figures on
+  inner surface.
+
+707. (40935). No outer decorations; inside marked with a marginal band
+  of dots and lines; central scrolls.
+
+708. (40939). Both surfaces with geometrical figures.
+
+709. (40950). Marked externally with double lance points; internally
+  with scrolls.
+
+710. (39954). Shown in Fig. 428. Here we see the head of the grotesque
+  bird reduced to a simple scroll.
+
+Brown or yellow ware. Decorations in black or red, without external
+ornamentation unless otherwise stated.
+
+711-713. 711, (40011); 712. (40936); 713, (40962). Four large leaves
+  forming a cross.
+
+714. (40018). Broad external band of horizontal and oblique dotted
+  lines. No figures on the inner surface.
+
+715. (40032). External scalloped band; reversed pyramids or pueblos
+  internally.
+
+716. (40039). Broad marginal band of half pyramids, alternately
+  reversed.
+
+717. (40048). White vermiform figures.
+
+718, 719. 718, (40154); 719, (40184). These are similarly marked, the
+margin in both being also white.
+
+The following specimens are without decorations of any kind:
+
+720-733. 720, (40019); 721, (40036); 722, (40160); 723, (40162); 724,
+  (40165); 725, (40180); 726, (40307); 727, (40929); 728, (40953); 729,
+  (40954); 730, (40959); 731, (40962); 732, (40963); 733, (40968).
+
+734. (40155). Patch-work.
+
+735. (40172). Four serrate or scalloped bands on outer face. Similar
+  inner marginal band in outline; and outline pyramidal figures.
+
+736. (40174). Outline pyramidal figures.
+
+737-739. 737, (40173); 738, (40289); 739, (40964). Marginal band of
+  double outline scrolls.
+
+740. (39618). Brown ware with decorations in black. Colored Fig. 380.
+
+741. (39592). Brown ware with decorations in black. Colored Fig. 382.
+
+  [Illustration:
+  Fig. 428 (39954) (1/3)
+  Fig. 429 (40302) (1/4)
+  Fig. 430 (40294) (1/5)
+  Figs. 428-430.--Zuni Eating Bowls.]
+
+  [Illustration:
+  Fig. 431 (41135) (1/3)
+  Fig. 432 (41053) (1/4)
+  Fig. 433 (41114) (1/6)
+  Fig. 434 (41092) (1/3)
+  Fig. 435 (40865) (1/3)
+  Fig. 436 (41113) (1/7)
+  Figs. 431-436.--Zuni Cooking Vessels.]
+
+_COOKING VESSELS._
+
+These vessels are generally of medium size, though in some instances the
+dimensions vary exceedingly. Those used in cooking for feasts are quite
+large, sometimes with a capacity of about ten gallons; the smallest,
+designed only for family use, are less than four inches in diameter and
+not quite three inches high. They are of two general forms, one similar
+to the ordinary pots used on cooking stoves, the other bowl-shaped. Two
+specimens in the collection are provided with legs; to these the Zunians
+apply the name _s[ae]-m[-u] y[)e]n-s[ae]-qui-p[ae]_. See Fig. 432. As a
+general rule, the rims of these vessels are flared, and on some of them,
+close to the rim on the outside, are ear-like projections, which are
+probably intended as catches by which, with pokers or sticks, they can
+be removed from or arranged in position on the fire. They are never
+ornamented, and have no coloring other than that which is acquired in
+baking. These vessels are used in cooking such foods as contain liquids.
+Three names are applied to cooking pots, having reference to size,
+viz.: _p[ae]h-t[-e]h-le_ is the large cylindrical pot; the smaller
+pot of the same form is _p[ae]h-t[-e]hl-ts[-a]n-n[-a]_; and
+_w[-a]h-li-[ae]h-k[ae]-t[-e]hl-le_ is the common cooking pot. The
+Olla or bowl-shaped pot, Fig. 433, is called _s[ae]-m[-u]-y[-e]n_.
+
+The following numbers belong to the _p[ae]h-t[-e]hl-ts[-a]n-n[-a]_ group
+and present no variations worthy of special notice.
+
+742, 743. 742, (41113). Fig. 436; 743, (41114), Fig. 433. These
+illustrations represent a form and have the appearance of the so-called
+ancient ware; the latter specimen bears the impress of the grass which
+was produced in the baking process.
+
+744. (40865). Fig. 435. Cooking pot.
+
+The following numbers represent specimens of cooking pots of varying
+sizes, though generally small and of the form of No. 744, though some
+few present the appearance of bowls:
+
+745-766. 745, (41115); 746, (41116); 747, (41117); 748, (41118); 749,
+  (41119); 750, (41120); 751, (41121); 752, (41122); 753, (41123); 754,
+  (41124); 755, (41125); 756, (41126); 757, (41127); 758, (41128); 759,
+  (41129); 760, (41130); 761, (41131); 762, (41132); 763, (41137); 764,
+  (41138); 765, (41140); 766, (41141).
+
+The following belong to the _s[ae]-m[-u]-y[)e]n_ bowls:
+
+767-804. 767, (41055); 768, (41056); 769, (41057); 770, (41058); 771,
+  (41059); 772, (41060); 773, (41061); 774, (41062); 775, (41063); 776,
+  (41064); 777, (41065); 778, (41066); 779, (41067); 780, (41068); 781,
+  (41069); 782, (41070); 783, (41071); 784, (41072); 785, (41073); 786,
+  (41074); 787, (41075); 788, (41076); 789, (41077); 790, (41078); 791,
+  (41079); 792, (41080); 793, (41081); 794, (41082); 795, (41083); 796,
+  (41084); 797, (41085); 798, (41086); 799, (41087); 800, (41088); 801,
+  (41089); 802, (41090); 803, (41091); 804, (41092), shown in Fig. 434.
+
+805-826. 805, (41093); 806, (41094); 807, (41095); 808, (41096); 809,
+  (41097); 810, (41098); 811, (41099); 812, (41100); 813, (41101); 814,
+  (41102); 815, (41103); 816, (41104); 817, (41106); 818, (41107); 819,
+  (41108); 820, (41109); 821, (41110); 822, (41111); 823, (41112); 824,
+  (41133); 825, (41139); 826, (41143). This is an unburnt specimen of
+  unusual form, resembling in this respect a sugar bowl, its margin and
+  sides undulated.
+
+827, 828. 827, (40853), bowl-shaped with conical bottom; 828, (41053),
+Fig. 432, pot-shaped, but with four legs.
+
+829, 830. 829, (41134); 830, (41135), are really pitchers, as will be
+seen by reference to Fig. 431, which represents the latter, but they
+appear to be made for cooking purposes, as they are designated by the
+name _s[ae]-m[-u]-y[)e]n_.
+
+_LADLES._
+
+Called by the Zunians _sa-sho-k[)o]n-ne_. These are of two forms, one
+resembling somewhat an oyster-shell, the other with a handle resembling
+a spoon. The forms and decorations are shown in the figures. They are of
+white ware usually with figures on the inner surface, and of red ware
+without ornamentation. They vary in size from eight inches in length and
+five inches across the bowl to four and a half and two and a half
+inches.
+
+831-839. 831, (39884); 832, (39894), Fig. 438; 833, (40430); 834,
+  (40431); 835, (40432), flower in the bowl; 836, (40433); 837, (40460);
+  838, (40461); 839, (41254). With handles.
+
+840-841. 840, (39895); 841, (39896), figures of elks in the bowl.
+  Without handles.
+
+842. (39929).
+
+843, 844. 843, (40408) scrolls; 844, (40417), Fig. 440.
+
+845, 846. 845, (40418); 846, (40419), this has a pretty marginal band,
+and the figure of a slender bird in the bowl.
+
+847-851. 847, (40420); 848, (40421); 849, (40422), Fig. 439; 450,
+  (40423); 451, (40424), resembles Fig. 440.
+
+852-868. 852, (40425); 853, (40427); 854, (40428); 855, (40429); 856,
+  (40434); 857, (40435); 858, (40437); 859, (40438); 860, (40439); 861,
+  (40441); 862, (40442); 863, (40459); 864, (40462); 865, (40463); 866,
+  (40675); 867, (40677); 868, (40678), Fig. 441.
+
+869, 870. 869, (40679); 870, (40875), Fig. 437.
+
+  [Illustration:
+  Fig. 437 (40875) (1/2)
+  Fig. 438 (39894) (1/3)
+  Fig. 439 (40422) (1/3)
+  Fig. 440 (40417) (1/3)
+  Fig. 441 (40678) (1/3)
+  Figs. 437-441.--Zuni Ladles.]
+
+  [Illustration:
+  Fig. 442 (39971) (1/4)
+  Fig. 443 (40075) (1/3)
+  Fig. 444 (40400) (1/3)
+  Fig. 445 (40371) (1/3)
+  Fig. 446 (40377) (1/3)
+  Fig. 447 (40372) (1/3)
+  Figs. 442-447.--Zuni Clay Baskets.]
+
+  [Illustration:
+  Fig. 448 (40359) (1/3)
+  Fig. 449 (41019) (1/3)
+  Fig. 450 (40356) (1/4)
+  Fig. 451 (40355) (1/3)
+  Fig. 452 (40354) (1/3)
+  Fig. 453 (40379) (1/3)
+  Figs. 448-453.--Zuni Clay Baskets.]
+
+_BASKETS._
+
+Called by the Zunians, _[-a]h-w[-e]hl-wi-[-a]h-p[ae]-s[-a]hl_. These
+vessels, which vary in size from four to eight inches in diameter and
+from two to five in depth, are in the form of bowls, sometimes with a
+handle over the top like a basket handle, sometimes without. The margin
+is either scalloped, as in Fig. 452, or terraced so as to resemble the
+section of a pyramid or pueblo, being cut in this form with a horse-hair
+while soft. They are always of white ware decorated with black. The
+margin is uniformly black, and there is often an inner and outer
+submarginal narrow band following the undulations or terraces. The
+figures most common, and in fact almost exclusively used, are those
+resembling tadpoles, but which, as I learned, are intended to represent
+a small crustacean or the larva of an insect common in the water-pools
+and streams of the Zuni country; and the somewhat grotesque figures of
+the horned toad (_Phrynosoma_). These figures are placed both on the
+outer and inner surfaces, though the figure of the reptile is generally
+found on the outer.
+
+These singular vessels are used by the Indians only in their sacred and
+ceremonial dances. In them is placed a small quantity of meal; they are
+then borne in the hands of the women, who, during the dance, take a
+small quantity of the meal, just as much as they can hold between the
+tips of the fingers, and sprinkle it on the sacred objects and on the
+heads of the persons leading in the ceremonies.
+
+As the forms and decorations are correctly shown in the figures, I shall
+only notice those which are unusual.
+
+Without handles; margin scalloped:
+
+871-873. 871, (40074); 872, (40075), Fig. 443; 873, (40400), Fig. 444.
+
+Without handles; margin terraced:
+
+874. (40337). Figures of insects on outer surface.
+
+875-881. 875, (40344); 876, (40364); 877, (40367); 878, (40368); 879,
+  (40369); 880, (40370); 881, (40371), Fig. 445.
+
+882-899. 882, (40372), Fig. 447; 883, (40373); 884, (40374); 885,
+  (40375); 886, (40376); 887, (40377), Fig. 446; 888, (40378); 889,
+  (40380); 890, (40381); 891, (40382); 892, (40383); 893, (40384); 894,
+  (40385); 895, (40392); 896, (40393); 897, (40394); 898, (40396); 899,
+  (40803), this specimen, which is but slightly burnt, is more globular
+  in form than usual, and has mounted on each pyramid a small image,
+  one human, one of a dog or fox, one of a chicken, and the other
+  probably intended for a bird. This is really not a meal basket,
+  but is carried in the dance for rain, and bears the name
+  _tkh[ae]-p[-o]-k[-a]-t[-e]hl-le_.
+
+900-902. 900, (41014); 901, (41015), this has in the place of the
+  reptile the figure of a bird; 902, (41018).
+
+903. (39971). Fig. 442. A Zuni clay basket without handles; the form of
+  the margin and inner decorations are unusual, and on this account and
+  the fact that the little water animal does not appear on it, it is
+  probably from some other tribe, though obtained at Zuni.
+
+904. (40354). Fig. 452. With handles; margin scalloped. The decorations
+  on this basket are unusual. The chief figure and the most interesting
+  one on this entire group of pottery is that of a snake encircling the
+  body of the basket; on the head of which is a feather crest.
+
+905. (41019). Fig. 449. A Zuni dance basket, one of the most complete in
+  form and decoration in the collection.
+
+906-909. 906, (40356), Fig. 450; 907, (40390); 908, (40391); 909,
+  (40806). This is more cup shaped than usual, and is ornamented
+  with the geometrical figures common on bowls. It belongs to
+  a distinct class of sacred vessels to which the name
+  _tkh[ae]-p[-o]-k[-a]-t[-e]hl-le_ is applied.
+
+910-913. 910, (40336); 911, (40353); 912, (40355), Fig. 451; 913,
+  (40357), varies in having the head of a bird. With handles; margins
+  terraced.
+
+914-922. 914, (40358); 915, (40360); 916, (40361); 917, (40362);
+  918, (40365); 919, (40366); 920, (40359), Fig. 448; 921, (40379),
+  Fig. 453; 922, (40386). This and the three following specimens
+  are small baskets called by the Zunians
+  _[-a]h'-w[-e]hl-wi-[-a]h-p[ae]-s[-a]hl-ts[-a]n-n[-a]_.
+
+923-928. 923, (40387); 924, (40388); 925, (40389); 926, (40395). This
+  and the two following bear the same figures as observed on Fig. 452.
+  927, (40397); 928, (40398).
+
+929. (40399). This basket is ornamented with the conventional little
+  water animal, inside and out; it also presents the head and tail of a
+  snake, the body of which encircles the base of the basket. The head of
+  the snake is decorated with a crest and a horn-like projection
+  immediately before the eyes. The tongue and teeth are also represented
+  in colors on the specimen. The rim is serrated and painted black with
+  a small line conforming to the black band immediately under it.
+
+930. (41016). Is without a handle, but noticeable for the representation
+  of a bird, on each side of which are two of the little water animals.
+
+931. (41017). Basket without handle and four pyramids with serrated
+  edges, and representation of horned toad on sides.
+
+932. (41019). Basket with handle, large toad on each side, and a
+  dragonfly on each side of the toad.
+
+_PAINT CUPS._
+
+These are always small, but vary in size from one and a half to three
+inches in height. They are usually in the form of water vases or
+globular jars, though sometimes of a true cup shape, and occasionally
+cubical. They are generally single, but quite often double, and
+occasionally triple and quadruple. To the large-sized single ones the
+Zunians apply the name of _h[)e]l-i-p[-o]-k[-a]-t[-e]hl-le_; and to
+those of smaller sizes, _h[)e]l-i-p[-o]-k[-a]-t[-e]hl-ts[-a]n-n[-a]_.
+They are usually without handles, but sometimes these are present. The
+double ones are connected only by a bar extending from the body of one
+to that of the other; and the triple and quadruple ones in a similar
+manner. They are of red and white ware like the other pottery; the
+decorations on the white are similar to those already described, so far
+as they can be adapted to these small articles.
+
+We shall give the numbers without remarks, except to note unusual forms
+and figures.
+
+Single cups:
+
+933-938. 933, (39881); 934, (39888); 935, (39938); 936, (39939); 937,
+  (39944); 938, (39945); with figures of the little aquatic animal so
+  frequently represented on the earthenware baskets used in rain dances.
+
+939-942. 939, (39949); 940, (40036); 941, (40111); 942, (40112); square,
+  box-shaped, of brown ware and very rude.
+
+943-946. 943, (40323); 944, (40324); 945, (40325); 946, (40326); with
+  terraced margin like that so common in baskets used in the sacred
+  dances.
+
+947-952. 947, (40327); 948, (40328); 949, (40329); 950, (40330); 951,
+  (40331); 952, (40332). With meander band of simplest form.
+
+953-961. 953, (40333), terraced margin; 954, (40334); 955, (40335); 956,
+  (40338); 957, (40339); 958, (40340); 959, (40341), true cup with
+  looped handles; 960, (40342); 961, (40343), with straight cylindrical
+  handle.
+
+962-968. 962, (40345); 863, (40346); 964, (40347); 965, (40348), form of
+  the ordinary glass tumbler; 966, (40349); 967, (40352); 968, (40587).
+  Mug-shaped, with broad, horizontal rim.
+
+969-974. 969, (40588); 970, (40589); 971, (40590); 972, (40591); 973,
+  (40592); 974, (40593). With simple meander band.
+
+975. (40594). The artist has evidently attempted to figure on this the
+  true meander (Greek fret), but has failed.
+
+976. (40595). Marked with the grotesque horned toad so common on the
+  earthenware baskets.
+
+977-979. 977, (40596); 978, (40597); 979, (40598). Spherical in form,
+  decorated with figures of the grotesque bird heretofore mentioned.
+
+980-983. 980, (40599), bowl-shaped; 981, (40645); 982, (40647); 983,
+  (40648). Bird with a scroll arising out of its back.
+
+984-994. 984, (40649); 985, (40650); 986, (40651); 987, (40684); 988,
+  (40826); 989, (40828), Fig. 455; 990, (40829); 991, (40830); 992,
+  (39768); 993, (39982); 994, (39983).
+
+Double cups (_h[)e]l-i-p[-o]-k[-a]-t[-e]hl-i-p[ae]-chin_). The little
+water animal is a common figure on these.
+
+995-998. 995, (39931); 996, (39932), Fig. 454; 997, (39948); 998,
+  (40350). This has the connecting bar arched so as to form a handle.
+
+999-1004. 999, (40351); 1000, (40433); 1001, (40444); 1002, (40445);
+  1003, (40447); 1004, (40349). The last five are plain.
+
+1005-1007. 1005, (40448); 1006, (40449); 1007, (40450). With scalloped
+  margin, double bars, the upper one arched; grotesque figures of horned
+  toad.
+
+1008-1017. 1008, (40451); 1009, (40452); 1010, (40454); 1011, (40455);
+  1012, (40456); 1013, (40457); 1014, (40610), double bar or bar and
+  handle; 1015, (40681), Fig. 456; 1016, (40682); 1017, (40854), square,
+  without bar.
+
+Triple cups:
+
+1018-1023. 1018, (40605); 1019, (40606); 1020, (40609); 1021, (40680);
+  1022, (40693); 1023, (40856).
+
+Quadruple cups, to which is applied the same Zuni name as that given to
+those provided with triple and quadruple cups.
+
+1024, 1025. 1024, (40612), Fig. 457; 1025, (40613). Brown, square,
+united directly at the sides without bars.
+
+1026-1029. 1026, (40652); 1027, (40855); 1028, (40856), square; 1029,
+  (40859), square.
+
+_CONDIMENT CUPS._
+
+These are similar in form and decorations to the paint cups, and are
+also round and square, single, double, and quadruple. They are usually
+small, holding from less than half a pint to a pint. The different names
+applied to them will be given as they are reached in the list. The
+double and quadruple ones are connected together in the same manner as
+the multiple paint-pots,
+
+Single cups:
+
+1030. (39878). Square with figures of chickens on the sides.
+
+_M[-a]-p[-o]-k[-a]-t[-e]hl-le_ is the name by which the round or
+vase-shaped vessels are designated. They are numbered as follows:
+
+1031. (39905). Fig. 459. The figures on this specimen appear to be
+  intended as representations of some neuropterous insect, but possibly
+  they represent birds.
+
+1032-1037. 1032, (40653); 1033, (40654); 1034, (40655); 1035, (40656);
+  1036, (40657); 1037, (40658). Some of these appear, from the fragments
+  of bars attached to them, to have belonged to double specimens.
+
+1038, 1039. 1038, (40633); 1039, (40832). These two are red ware.
+
+1040-1049. 1040, (40833); 1041, (40834); 1042, (40835); 1043, (41006);
+  1044, (41007); 1045, (41008), Fig. 458; 1046, (41170); 1047, (40603);
+  1048, (40606); and 1049, (40664), are square.
+
+Double cups:
+
+The round form has the same name as the single salt cup, but the square
+pattern is named _M[-a]'-p[-o]-k[-a]-thl[-e]-l[-o]-ne_. The following
+specimens belong to the latter class:
+
+1050-1057. 1050, (39900); 1051, (39901); 1052, (40416); 1053, (40604);
+  1054, (40662); brown 1055, (40683); 1056, (40831); 1057, (40661).
+
+1058-1068. The following are round: 1058, (40410); 1059, (40411); 1060,
+  (40412); 1061, (40413); 1062, (40414); 1063, (40415); 1064, (40440);
+  1065, (40659); 1066, (40660); 1067, (40666); 1068, (40667).
+
+1069. (40836). Quadruple. This and the last three preceding specimens
+  are ornamented like Fig. 458.
+
+  [Illustration:
+  Fig. 454 (39932) (1/3)
+  Fig. 455 (40828) (1/3)
+  Fig. 456 (40681) (1/2)
+  Fig. 457 (40612) (1/2)
+  Fig. 458 (41008) (1/3)
+  Fig. 459 (39905) (1/3)
+  Figs. 454-459.--Zuni Paint and Condiment Cups.]
+
+  [Illustration:
+  Fig. 460 (40059) (1/3)
+  Fig. 461 (40140) (1/3)
+  Figs. 460, 461.--Zuni Effigies.]
+
+  [Illustration:
+  Fig. 462 (40740) (1/4)
+  Fig. 463 (40738) (1/4)
+  Figs. 462, 463.--Zuni Effigies.]
+
+  [Illustration:
+  Fig. 464 (40739) (1/4)
+  Fig. 465 (40066) (1/3)
+  Fig. 466 (40743) (1/3)
+  Fig. 467 (40754) (1/4)
+  Figs. 464-467.--Zuni Effigies.]
+
+  [Illustration:
+  Fig. 468 (40748) (1/4)
+  Fig. 469 (40767) (1/2)
+  Figs. 468, 469.--Zuni Effigies.]
+
+  [Illustration:
+  Fig. 470 (41026) (1/3)
+  Fig. 471 (39910) (1/3)
+  Figs. 470, 471.--Zuni Effigies.]
+
+_EFFIGIES._
+
+These figures, which are of small size, the largest not exceeding one
+foot in length, are quite rude, rendering it difficult in some cases to
+tell what animal is intended, the only exceptions to this rule being
+some figures of owls, in which the Zunians appear to have made the
+nearest approach to the true form. They are generally of white ware,
+decorated with colors. Often these decorations are arbitrary, but as a
+general rule there has been an evident attempt to imitate nature so far
+as it could be done with the various shades of brown and black.
+
+Some of the larger pieces, especially the owls, have an opening at the
+top or on the back, as though designed for water vessels.
+
+The objects most commonly represented are owls (which largely
+predominate), antelope, elk, ducks, and chickens. The human form, the
+pig, sheep, horse, &c., are occasionally represented.
+
+Owls, _m[-u]-h[-u]-que_ and _m[-u]-h[-u]-que-ts[-a]n-n[-a]_. These are
+nearly always represented with feet, and in most cases with legs. The
+body is usually disproportionately large, as are also the legs; the bill
+is small, and the wings are represented by small lateral projections;
+the tail is short. The eyes are generally well represented. The
+feathers, as will be seen, by reference to the figures, are quite well
+shown. The figures nave an opening on the top of the head.
+
+As there is a strong similarity in form, and the mode of decorating them
+is shown in the figures, no special remarks on the different specimens
+are necessary.
+
+1070-1077. 1070, (39875); 1071, (39876); 1072, (39877); 1073, (39921);
+  1074, (39942); 1075, (39957); 1076, (40054); 1077, (40059), shown in
+  Fig. 460; this is one of the very few without feet.
+
+1078-1096. 1078, (40064); 1079, (40065); 1080, (40068); 1081, (40138);
+  1082, (40140), Fig. 461; 1083, (40261); 1084, (40142), small; 1085,
+  (40262); 1086, (40141); 1087, (40142); 1088, (40409); 1089, (40734);
+  1090, (40735), without feet; 1091, (40736); 1092, (40737); 1093,
+  (40738), Fig. 463, very large; 1094, (40740), Fig. 462; 1095, (40741);
+  1096, (40742).
+
+1097-1112. 1097, (40743), Fig. 466; 1098, (40744); 1099, (40745); 1100,
+  (40746), without feet; 1101, (40747); 1102, (40748), Fig. 468; 1103,
+  (40749); 1104, (40750); 1105, (40751); 1106, (40752); 1107, (40753);
+  1108, (40754), Fig. 467; 1109, (40755); 1110, (40756); 1111, (40757);
+  1112, (40758), without decorations.
+
+1113-1120. 1113, (40759); 1114, (40760); 1115, (40761); 1116, (40762);
+  1117, (40763); 1118, (40764); 1119, (40765); 1120, (40766), bearing a
+  single young owl on its back.
+
+1121. (40767). Shown in Fig. 469, bearing three young owls on its back.
+
+1122. (41043).
+
+1123, 1124. 1123, (40066), Fig. 465, and 1124, (40739), Fig. 464. Two
+owl-shaped water vessels from Zuni.
+
+Duck-shaped canteens, _[-e]-y[-a]h-m[-e]-h[-e]-to_, are usually
+represented in a swimming posture, without feet, though occasionally
+the standing posture is adopted. The feather decorations are not so
+generally used as on the owls; several specimens bear on the back
+or sides the figure of the grotesque bird with spread wings. These
+specimens, like the owl images, have an orifice on the top of the head
+as though intended for water vessels, but are seldom used as such at
+the present time.
+
+1125. (39910). Shown in Fig. 471.
+
+The following are similar:
+
+1126, 1127. 1126, (39879); 1127, (39889).
+
+1128. (36911). With feet, in standing posture.
+
+1129. (40063). With wings, without feet.
+
+1130. (41023). This and the three following specimens have feather
+  decorations and are small. _[-E]-y[-a]h-m[-e]-h[-e]-t[-o]-ts[-a]n-n[-a]_
+  of the Zunians.
+
+1131-1133. 1131, (41024); 1132, (41025); 1133, (41027).
+
+1134. (41026), Fig. 470. Chickens. The cock, _t[-o]-k[-o]k-ke_; the hen,
+  _t[-o]-k[-o]k-k[-a]_. The general term applied to the young, without
+  reference to sex, is _s[ae]-pi-pe_.
+
+1135. (39919). Represented in Fig. 472.
+
+1136, 1137. 1136, (41028); 1137, (41029).
+
+1138. (41030). Shown in Fig. 476.
+
+1139, 1140. 1139, (41031); 1140. (41032).
+
+1141, 1142. 1141, (41033); 1142, (41034).
+
+1148-1147. 1143, (41035); 1144, (41036); 1145, (41037), Fig. 475; 1146,
+  (41038); 1147, (41039).
+
+1148-1151. 1148, (41040); 1149, (41041), Fig. 474; 1150, (41042); 1151,
+  (41216), this piece represents a hen with three young chickens on her
+  back, as in Fig. 473.
+
+1152-1155. 1152, (39897); 1153, (41044); 1154, (41045); 1155, (41046),
+  Fig. 477. Antelope. (_m[-a]h-[-a]-wi._) The form and decorations are
+  shown in Figs. 477 and 478.
+
+1156-1161. 1156, (41047); 1157, (41048); 1158, (41050), Fig. 478; 1159,
+  (41219); 1160, (41210); 1161, (41211).
+
+1162. (41049). Elk, _sh[-o]-hi-ta_.
+
+1163-1166. 1163, (41212), Fig. 480; 1164, (41213); 1165, (41214);
+  1166, (41217). Pigs, _pits-[-o]-te_. The figures show the forms and
+  decorations with sufficient accuracy to make further description
+  unnecessary.
+
+1167. (41218). Ox, _w[-e]-[ae]-si_. But a single example in the
+  collection. Shown in Fig. 479.
+
+1168-1170. 1168, (41219); 1169, (41220); 1170, (41221). Sheep,
+  _K[-a]n-[-e]-l[-u]_. These, like the pigs, are usually marked with
+  spots. One specimen has these spots in the form of an S, or sigmoid
+  figure.
+
+1171. (41222). The Big Horn (_Ovis montana_), _H[ae]-li-tk[-u]_. This is
+  the only specimen obtained and is a very rude figure, not easily
+  recognizable.
+
+1172. (41224). The Lynx, _T[-e]-pi_. Orifice in the top of the head.
+  Decorated with spots.
+
+1173. (41225). The Horse, _T[-u]sch_, Decorations, spots, and lines
+  representing hair. A very poor figure; without the name would be
+  unrecognizable.
+
+1174. (41226). Man on horseback, _I-m[ae]l-t[-o]-yi_. The figure of the
+  man is evidently intended to represent a Mexican, as shown by the
+  ordinary hat and clothing. The saddle is represented, but there is no
+  bridle or other trappings.
+
+_STATUETTES._
+
+1175. (40071). Indian boy without clothing and wearing moccasins.
+
+1176. (40076). _Wi-h[-a]_. Baby.
+
+1177. (40860). _Klem-chi-ka_. Man with hat and clothing.
+
+1178. (40861). Nude female figure.
+
+1179. (40862). Man with hat and clothing.
+
+1180. (40863). Nude female figure.
+
+  [Illustration:
+  Fig. 472 (39919) (1/3)
+  Fig. 473 (41216) (1/5)
+  Fig. 474 (41041) (1/3)
+  Fig. 475 (41037) (1/4)
+  Fig. 476 (41030) (1/3)
+  Figs. 472-476.--Zuni Effigies.]
+
+  [Illustration:
+  Fig. 477 (41046) (1/5)
+  Fig. 478 (41050) (1/3)
+  Fig. 479 (41218) (1/5)
+  Fig. 480 (41212) (1/5)
+  Figs. 477-480.--Zuni Effigies.]
+
+  [Illustration:
+  Fig. 481 (39927) (1/3)
+  Fig. 482 (40061) (1/3)
+  Fig. 483 (40631) (1/3)
+  Figs. 481-483.--Zuni Clay Moccasins.]
+
+1181. (41223). Human hand, _ah-sin-ne_. Represents the hand and wrist.
+  Rather good figure. The wrist is surrounded by a colored scalloped
+  band, as a bracelet.
+
+Moccasins. _M[-o]-qu[-a]-we_. These are usually very correct in form,
+the differences between the right and left being always properly
+represented. Sometimes they are made singly, but usually in pairs,
+united directly or by a little straight bar or curved handle at the
+posterior end. White with color decorations, or brown or lead-colored
+without decorations, diminutive in size. The following specimens are
+without decorations:
+
+1182-1190. 1182, (39924); 1183, (39925); 1184, (39946); 1185, (39947);
+  1186, (40055); 1187, (40626); 1188, (40629); 1189, (40634); 1190,
+  (40635). The last two have loops at the heel and were used as paint
+  cups.
+
+Decorated with colors:
+
+1191. (40637). Pair still united.
+
+1192. (39927). Shown in Fig. 481.
+
+1193. (40060). With lines; handle at the heel.
+
+1194, 1195. 1194, (40061), Fig. 482; 1195, (40628), decorated with
+grotesque bird.
+
+1196. (40630). With same figure.
+
+1197. (40631). Represented in Fig. 483.
+
+1198. (40633). This pretty pair is profusely ornamented with serrate
+  lines from the tip to the ankles.
+
+1199, 1200. 1199, (40634) and 1200, (40636). Single, decorations, same
+as in the preceding; probably belong to one pair, as part of the
+connecting band remains on them.
+
+1201. (40804). Anomalous. _Tkh[ae]-p[-o]-k[-a]-t[-e]hl-le_. In the form
+  of a low or depressed vase, with two handles, decorated with scroll
+  figures; margin straight.
+
+1202. (40805). Vase-shaped, with single handle; a scalloped and an
+  undulate band around the body. Margin straight.
+
+1203. (42375). Toy house. Composed of clay and willow sticks. Made by
+  children.
+
+_CLAYS AND PIGMENTS._
+
+The following specimens are employed in the manufacture of pottery and
+for decorative purposes:
+
+1204, 1205. 1204, (41230) and 1205, (41231). Are specimens of a whitish
+clay or kaolin, of which a solution is made and applied to the outer
+surfaces of earthenware. This whiting in a coarser state is used for
+white-washing their chimneys and rooms.
+
+1206. (41265). Is a dark carbonaceous clay which the Zuni Indians obtain
+  from near the summit of a mesa on which stand the ruins of their
+  ancient village--or, at least, where they claim to have resided during
+  the Spanish invasion of their country. As this clay is one of the
+  principal elements in the manufacture of Zuni pottery, a quantity of
+  it was procured and numbered as one of the specimens of the
+  collection.
+
+1207. (41901). Small nodules of azurite used by the Indians in
+  decorating their altars, &c.
+
+1208. (41902). White clay or kaolin, same as Nos. 1204 and 1205.
+
+1209. (41903). Finer quality of white clay.
+
+1210, 1211. 1210, (41904) and 1211, (41905). Are specimens of the above
+of a coarser quality.
+
+1212. (41906). Tierra amarilla, or yellow micaceous clay, of which the
+  Rio Grande Indians make many varieties of vessels.
+
+1213. (42342). A yellowish sandy clay, which is used as one of the
+  coloring pigments in decorating pottery. This clay burns to a reddish
+  hue and gives to the pottery those lines of a brick-red color.
+
+1214. (42343). Very dark colored ore, resembling magnetic iron ore; this
+  stone is reduced in a small mortar, and a paint made of it for
+  decorating their ware black, which result is obtained by baking.
+
+
+VEGETAL SUBSTANCES.
+
+_BASKETRY._
+
+1215. (40108). A globular-shaped water basket, with a small neck, about
+  two inches long and three in diameter.
+
+1216. (40109). Double-lobed, canteen-shaped water basket, with both
+  outer and inner surfaces coated with gum. The neck is about the size
+  of that of the preceding basket. The centre is compressed to about the
+  size of the neck; the bottom flat.
+
+1217. (40110). Similar to the preceding.
+
+1218. (40115). This specimen is a good representation of the basketry
+  manufactured by the Zunians, used for carrying peaches. It is well
+  shown in Fig. 484.
+
+1219-1235. 1219, (40116); 1220, (40117); 1221, (40118); 1222, (40119);
+  1223, (40120); 1224, (40121); 1225, (40122); 1226, (40123); 1227,
+  (40124); 1228, (40125); 1229, (40126), Fig. 488; 1230, (40127); 1231,
+  (40128); 1232, (40129); 1233, (40130); 1234, (40131); 1235, (40132),
+  are Zuni baskets of the same character, of coarse willow ware. Sizes
+  and shapes somewhat similar.
+
+1236. (40133). This specimen is an illustration of one form quite
+  common. We found them in general use for bringing ripe peaches from
+  the field. Fig. 484 shows very clearly the manner of weaving them.
+
+1237-1240. 1237, (40134); 1238, (41135); 1239, (41136); 1240, (41137),
+  are all samples of the same basketry. These baskets are called by the
+  Zunians _hu-chi-p[)o]n-n[-e]_.
+
+1241. (40143). A small platter-shaped corn, basket of the same coarse
+  structure. They are called _tsi-i-l[-e]_.
+
+1242-1247. 1242, (40144); 1243, (40145); 1244, (40146); 1245, (40147);
+  1246, (40148); and 1247, (40149) are similar examples of corn baskets.
+
+1248-1257. 1248, (40401); 1249, (40402); 1250, (40403); 1251, (40404);
+  1252, (40405); 1253, (40406); 1254, (40407); 1255, (40478); 1256,
+  (40479); and 1257, (40480) are a variety of examples of the corn
+  basket or _hu-chi-p[)o]n-ne_.
+
+1258. (40881). Toy basket of Navajo manufacture, of closely-woven
+  fibre, about three inches in diameter. A string is attached
+  to it for wearing it on the breast as an ornament, called
+  _h[-o]-in-hl[ae]n-ts[-a]n-n[-a]_.
+
+1259, 1260. 1259, (40882), and 1260, (40883). Small cup or rather
+saucer-shaped baskets similar in construction to the preceding two
+numbers.
+
+1261. (40884). Is a corn basket of the same manufacture as the
+  preceding, of much larger size, and called _h[-o]-in-hl[ae]n-n[-a]_.
+
+1262-1264. 1262, (40917); 1263, (40918); 1264, (40919) _Tsi'-i-l[-e]_;
+  large-sized, coarsely woven, tray-like baskets.
+
+1265. (40920). Toy basket; coarse, _tsi-i-l[-a]-ts[-a]n-n[-a]_.
+
+1266-1268. 1266, (40921); 1267, (40922); 1268, (40923). Navajo water
+  baskets, jug-shaped, _k[-o]-s[-e]-t[)o]m-m[-e]_.
+
+1269. (41208). Large flaring or bowl-shaped basket of Apache
+  manufacture; water-tight; used for holding flour and meal; very
+  compactly woven; called by the Zunis _h[-o]-in_.
+
+1270. (41209). Very large specimen of the same ware woven with different
+  colored fibres, so as to present a decorated inner surface.
+
+1271. (41227). _Tkl[-a]-lim-ne_ or basket with abrupt sides. Navajo
+  manufacture.
+
+1272-1275. 1272, (41228), Fig. 485; 1273, (41229); 1274, (41230); and
+  1275, (41231) are examples of the coarsely-woven flat basketry used
+  frequently for winnowing small grain. The illustration shows the
+  details sufficiently without further description.
+
+1276. (41248). Basket tray for bread, of the closely-woven class, called
+  _mi-t[-u]-li-h[-o]-in_.
+
+1277. (41256). Toy basket, _tsi-li-ts[-a]n-n[-a]_.
+
+_PADS._
+
+The following are ring-shaped pads made of yucca leaves interwoven in
+such a manner as to leave the centre open sufficiently to fit the top of
+the head. These pads are used in carrying water, by placing the pad on
+the head into which the base of the vase fits. They are used also to
+hold water jars and vases on the ground, thus protecting the bottom of
+the vessels from wearing away. They are called in Zuni _h[-a]-kin-ne_.
+
+1278-1287. 1278, (40464); 1279, (40465); 1280, (40466); 1281, (40467);
+  1282, (40468); 1283, (40469); 1284, (40470); 1285, (40471); 1286,
+  (40472) are examples of this pad, of which Fig. 486, 1287r. (40473),
+  is an illustration.
+
+The following are objects of the same kind:
+
+1288-1292. 1288, (40474); 1289, (40475); 1290, (40924); 1291, (40925);
+  1292, (40926).
+
+_DOMESTIC IMPLEMENTS, TOYS, &c._
+
+In the collection are a number of wooden spoons or ladles of various,
+sizes. These utensils were not frequently met with. The readiness with
+which the Indians can make pottery or earthern ladles, a large number of
+which are in the collection, has caused these to supersede the former.
+The wooden spoons are always chiseled from a single piece of wood. See
+Fig. 490.
+
+  [Illustration:
+  Fig. 490 (40876) (1/4)]
+
+1293-1297. 1293, (40876); 1294, (40877); 1295, (40878); 1296, (41020);
+  1297, (41022) are specimens of spoons and ladles of wood. The large
+  ones are called _t[ae]m-sh[)o]-k[)o]n-n[-a]-ts[-a]n_, the smaller,
+  _t[ae]m-sh[)o]-k[)o]n ts[-a]n n[-a]_.
+
+1298. (41276). A wooden chair, made entirely of wood and in imitation,
+  of a common chair, ornamented with carvings.
+
+1299. (42292). Meat-block in the form of a stool, one side of which is
+  used for chopping, the other to sit upon.
+
+1300. (40827). Rotary drill, with stone disk and flint point, usually
+  employed in perforating turquoise and other hard substances for
+  ornaments. See Figure 494. Called by the Zunis _kl[-a]-t[)o]-ne_.
+
+1301. (40809). A small rectangular wooden box with a lid, used as a
+  treasure-box, for holding choice trinkets and ornaments such as
+  feathers, &c., called _la-p[)o]-ka kle-t[)o]n-ts[-a]n-n[-a]_.
+
+1302. (41279). Wooden gun rack, made of pieces of flat wood, of a
+  rectangular form, with notches in the upright sides for holding guns
+  and bows. It is common in Zuni.
+
+1303. (41192). A wooden comb used in connection with the loom. It is
+  provided with teeth about one inch long; these teeth are placed
+  between the perpendicular threads and with the hand brought down
+  firmly on the cross-threads or yarn until it is perfectly compact. The
+  blankets woven in this manner are water-tight. This comb is called
+  _o-h[-a]-n[-a]-p[-a]-ne_.
+
+1304-1307. 1304, (42043); 1305, (42044); 1306, (42045); and 1307,
+  (42046); are combs above described, used with looms.
+
+1308. (40810). A wooden comb of the same character.
+
+  [Illustration:
+  Fig. 484 (40133) (1/4)
+  Fig. 485 (41228) (1/4)
+  Fig. 486 (40473) (1/3)
+  Fig. 487 (41725) (1/4)
+  Fig. 488 (40126) (1/3)
+  Fig. 489 (41184) (1/4)
+  Figs. 484-489.--Zuni Basketry, and Toy Cradles.]
+
+1309. (41700). Bundle of fine grass stems for a comb.
+
+1310. (41282). Comb and brush, combined, made from dried grass stems;
+  one end is used as a comb, the other as a brush.
+
+1311. (41277). Wooden spade or shovel quite like an ordinary spade, used
+  by the Indians for shoveling snow from the roofs of their houses, and
+  for taking bread from their bakeovens. See Fig. 495.
+
+1312. (40879). Wooden digger and corn-planter, called
+  _t[-a]-s[-a]-quin-ne_. This is the only specimen of the kind in the
+  collection. The foot is used in digging as we use a spade. In making
+  holes in the ground for planting grain, one foot is placed on the
+  short projection, and the individual using it walks along, each
+  alternate step making a hole in the ground into which to drop the
+  grain. See Fig. 496.
+
+1313. (41262). Medicine sticks to influence rain. These little sticks
+  are found hidden beneath the rafters of nearly every house in Zuni.
+
+1314. (41275). Wooden war-club, which the Zunis claim was one of their
+  original weapons of war. See Fig. 491.
+
+1315. (41856). A peculiar warty squash or gourd hollowed out and filled
+  with pebbles to make a rattling sound, used in most of the dances. See
+  Fig. 497.
+
+  [Illustration:
+  Fig. 497 (41856) (1/3)]
+
+1316. (41281). Gourd dance rattle.
+
+1317. (41196). Squash or gourd for making rattles.
+
+1318. (41197). Smooth-surfaced squash for rattle.
+
+1319. (41189). Gourd painted red, yellow, and black, which is
+  suspended to a pole held in the dance called by the Zunis
+  _t[)o]m-tsch[-u]l-t[)o]n-ne_.
+
+1320. (41190). Yellow gourd, with black band, and having alternate
+  squares of white and black around the centre, through which a stick is
+  passed for holding it in the hand during a dance. The gourd is placed
+  on the stick in an inverted position. On the top of the stick a bunch
+  of feathers is attached. This ornament is generally used in their
+  social dances, in which the young men and women mingle. See Fig. 492.
+
+1321. (41193). Water gourds.
+
+1322. (41194). Gourd with opening in the end of the handle.
+
+1323-1334. 1323, (41198); 1324, (41199); 1325, (41200); 1326, (41201);
+  1327, (41202); 1328, (41203); 1329, (41204); 1330, (41205); 1331,
+  (41206); 1332, (41207); 1333, (41234); 1334, (41235), are wooden birds
+  carved and painted to represent such as they are accustomed to seeing
+  daily. Those represented are the magpie, prairie lark, oriole, humming
+  bird, and swallow. The latter is shown in Fig. 493. The object is
+  attached to a stick in such a manner that the wings can be made to
+  move up and down by pulling a string, in imitation of the bird in
+  flight.
+
+1335. (41184). Toy or baby cradle, called _wi-h[-a]-klem-ts[-a]n-n[-a]_,
+  (see Fig. 489), with a wooden doll arranged to show the manner of
+  securing children in cradles.
+
+1336. (41725). Cradle with wooden doll, Fig. 487, composed of woven
+  willows.
+
+1337. (41724). Toy drum, _t[-o]'-s[-o]-[ae]n-[ae]n-t[-o]m-me_.
+
+1338. (41285). Spinning top.
+
+_FOODS._
+
+1339. (40905). _Wia-vi_, or wafer bread.
+
+1340. (41261). Meal from Indian maize.
+
+1341. (41263). Chili, or ground-red pepper.
+
+1342. (41264). Dried peaches; Indian style.
+
+1343. (41266). Dried squash; Indian style.
+
+1344. (41267). Indian beans.
+
+1345. (41271). Corn parched by the Indians.
+
+1346. (41272). Native salt of Zuni.
+
+1347. (41273). Zuni bread.
+
+1348. (41274). Zuni bread used in the dance.
+
+1349. (41280). Zuni bread.
+
+1350. (41283). Zuni sprouted wheat, from which a juice or wine is
+  obtained.
+
+1351. (42050). Horse beans cultivated by the Indians.
+
+_MEDICINES AND DYES._
+
+1352. (41172). Root used as medicine.
+
+1353. (41173). Root used as medicine.
+
+1354. (41175). Root used as medicine, called by the Zunians
+  _[-a]h-qu[-a]-[-a]-we_.
+
+1355. (41174). Bark for coloring buckskin red.
+
+1356. (41907). Plant for coloring black.
+
+1357. (41908). Plant used for decorating pottery black, the oil or juice
+  of which is used.
+
+  [Illustration:
+  Fig. 491 (41275) (1/7)
+  Fig. 492 (41190) (1/8)
+  Fig. 493 (41235) (1/6)
+  Fig. 494 (40827) (1/5)
+  Fig. 495 (41277) (1/10)
+  Fig. 496 (40879) (1/10)
+  Figs. 491-496.--Zuni War Club, Dance Ornaments, etc.]
+
+  [Illustration:
+  Fig. 500 (41713)
+  Fig. 501 (41808)
+  Fig. 502 (41838)
+  Figs. 500-502.--ZUNI SASHES.]
+
+ANIMAL SUBSTANCES.
+
+_HORN AND BONE._
+
+1358. (41284). Bone awl, with iron shaft.
+
+1359-1361. 1359, (41851); 1360, (41852); and 1361, (41853), Fig. 498,
+  are specimens of a rattle or musical instrument made from the shell of
+  a turtle which is highly esteemed by the Pueblo tribes. The flesh of
+  the turtle is carefully removed from the shell, leaving it hollow. To
+  the edges of the breast plate are attached the toes of goats or sheep.
+  These toes coming in contact with the hollow shell produce a peculiar
+  sound, in keeping with the sound caused by the gourd rattles used in
+  the same ceremony. The rattle is fastened to the rear of the right leg
+  near the knee when employed in the dances.
+
+  [Illustration:
+  Fig. 498 (41853) (1/3)]
+
+_SKIN._
+
+1362. (41287). Lasso or lariat of plaited leather.
+
+1363. (41219). Hopple strap; ends locked by small blocks of wood. See
+  Fig. 499.
+
+  [Illustration:
+  Fig. 499 (41219) (1/5)]
+
+_WOVEN FABRICS._
+
+1364. (41251). Moki scarf, from Zuni.
+
+1365. (41552). Child's shirt of calico, _[-o]-ch[-u]-[-o]tsn-n[-a]_.
+
+1366. (41253). Squaw's knit leggings.
+
+1367, 1368. 1367, (41801) and 1368, (41807). Are sashes of Moki
+manufacture, handsomely embroidered at each end in colors.
+
+1369, 1370. 1369, (41712) and 1370, (14713). Are worsted woven belts for
+the waist, called _eh-ni-ne_. See Fig. 500.
+
+1371. (41714). Worsted garter, called _eh-ni-ne ts[-a]n-n[-a]_.
+
+1372. (41801). Finely-woven white cotton with embroidered edge, of which
+  the following are examples:
+
+1373-1375. 1373, (41802); 1374, (41803), and 1375, (41804).
+
+1376. (41805). Blue woolen scarf.
+
+1377. (41806). Scarf.
+
+1378. (41807). Sash. See Fig. 501.
+
+1379. (41808). Sash. See Fig. 502.
+
+1380. (41809). Navajo blanket, used as a squaw's dress, with red border.
+
+1381. (41810). Similar blanket.
+
+1382. (41811). Navajo blanket with blue border. The following are
+  similar to the preceding:
+
+1383-1388. 1383, (41812); 1384, (41813); 1385, (41814); 1386, (41815);
+  1387, (41816); and 1388, (41817).
+
+1389. (41818). Saddle-blanket, in colors.
+
+1390-1395. 1390, (41819); 1391, (41820); 1392, (41821); 1393, (41822);
+  1394, (41823); and 1395, (41824), are also saddle-blankets.
+
+1396. (41825). Imperfect large robe of wool.
+
+1397. (42223). Sample of green yarn used by the Zunians in making belts
+  and blankets.
+
+1398. (42201). War trophy, worn as shoulder belt; the band which passes
+  over the shoulder is ornamented with arrow-points which are fastened
+  in the plaiting. The plaited portion is made of the skin dress of a
+  slain Navajo. So highly did the Zunians prize this trophy that I was
+  obliged to promise its return before I was allowed to take it away. A
+  sketch was made of it, after which it was returned to the Indians.
+
+1399. (42268). A Zuni charm, made from a piece of shell rounded and
+  pierced near one end to-receive a string.
+
+  [Illustration:
+  Fig. 503 (41726) (1/6)]
+
+1400. (41726). Head-dress worn by maidens in dances. Fig. 503 shows
+  the form. The flower is sometimes red and yellow; this is attached
+  to one side of the band which goes over the head; to the other
+  side is attached a horn-shaped ornament. The flower is called
+  _[-a]t[-e] [ae]n-ne_. The horn on the left is called _sai'[ae]nne_.
+  The band that encircles the head is called _g[)e]m-me_. The following
+  are articles of the same kind, differing only in ornamentation:
+
+1401-1408. 1401, (41727); 1402, (41728); 1403, (41729); 1404, (41730);
+  1405, (41731); 1406, (41732); 1407, (41733); and 1408, (41734).
+
+1409. (41698). Wool rosette; part of head-dress.
+
+1410. (41699). Cotton rosette; part of head-dress.
+
+1411. (41697). Charm of wild turkey feathers.
+
+  [Illustration:
+  Fig. 504 (42207) (1/3)
+  Fig. 505 (42208) (1/3)
+  Fig. 506 (42337) (1/3)
+  Fig. 507 (42213) (1/3)
+  Fig. 508 (42311)
+  Figs. 504-508.--Wolpi Axes and Metate.]
+
+1412. (42206). Grooved axe of black fine-grained sandstone, about eight
+  inches long; water-worn to its present shape, afterward grooved to
+  render it suitable for use.
+
+1413. (42207). Fig. 504. Grooved axe, of basalt. The only specimen of
+  this particular form in the collection.
+
+1414. (42208). Fig. 505. Large stone celt of coarse sandstone, light
+  gray color. It is shaped more like a wedge than the cut indicates. It
+  is difficult to conjecture what this implement could have been used
+  for. The sandstone of which it is made is too soft for either
+  splitting or hammering. As it is about ten inches long and has four
+  flat sides it may have been a grinder, as many of those implements are
+  not unlike it in length and appearance. Its surface is quite rough and
+  pitted.
+
+1415. (42209). Sandstone maul, grooved, surface rough.
+
+1416. (42210). Triangular-shaped maul, grooved in the middle; of coarse
+  basalt. This and similar mauls evidently at one time had handles fixed
+  to them, but at the present day it is not uncommon to see the modern
+  Pueblo Indians holding them in the hand to crush their grain, chili or
+  red-pepper pods in round mortars.
+
+1417. (42211). Grooved axe of basalt.
+
+1418. (42212). Small grooved axe of metamorphic rock.
+
+1419. (42213). Fig. 507. Water-worn boulder of quartzite, grooved around
+  the centre.
+
+1420. (42214). Basaltic maul, grooved in the middle like the preceding.
+  Used by the Indians at the present day for pounding chili or red
+  pepper.
+
+1421. (42216). Grooved axe of greenstone, quite long, well shaped, and
+  nicely polished.
+
+1422. (42217). Grooved axe of greenstone, similar to the preceding.
+
+1423. (42218). Grooved axe of sandstone; top square.
+
+1424. (42219). Axe of basalt, grooved on three sides.
+
+1425. (42220). Grooved axe of greenstone.
+
+1426. (42221). Grooved axe of quartz.
+
+1427. (42222). Grooved axe of sandstone. Groove very near the top.
+
+1428. (42223). Grooved axe of greenstone, well polished.
+
+1429. (42224). Grooved axe of schistose rock, much flattened, with a
+  small second groove below the larger one. 1430. (42225). Small grooved
+  axe of greenstone, body rather square, top quite small, with the
+  groove very near it.
+
+1431. (42226). Axe of basalt, grooved on three sides near its top, which
+  is flat.
+
+1432. (42227). Grooved on three sides.
+
+1433. (42228). Grooved axe.
+
+1434. (42319). Grooved axe made from a fragment of a grinder.
+
+1435. (42320). Same as preceding.
+
+1436. (42321). Rough chipping or stone hammer.
+
+1437. (42322). Large grooved maul of a ferruginous substance.
+
+1438. (42323). Large egg-shaped grooved maul of coarse sandstone.
+
+1439. (42326). Large grooved maul of irregular shape and surface;
+  finegrained sandstone.
+
+1440-1447. 1440, (42327); 1441, (42328); 1442, (42329); 1443, (42330);
+  1444, (42331); 1445, (42332); 1446, (42333); 1447, (42334), are all
+  quite similar to the two preceding mauls, and are all of sandstone.
+
+1448. (42335). A very large grooved maul, almost square, and weighing
+  about fifteen pounds.
+
+1449. (42336). Grooved maul of very coarse-grained sandstone; short and
+  thick.
+
+1450. (42337). Fig. 506. Grooved maul of compact sandstone. The body of
+  the maul is almost round, though the cut makes it appear flat. Several
+  such specimens were collected, and in all instances they show that
+  they have been better preserved than the axes. This is probably due to
+  the fact that their shape adapts them to grinding foods and grain, and
+  hence they are not used for splitting or cutting.
+
+1451. (42339). Rough stone maul of sandstone, grooved in the middle.
+
+1452. (42350). Small grooved axe of sandstone from the ruins of Pecos.
+
+1453. (42246). Celt of a very black slate stone.
+
+1454. (42247). Celt. This is a very fine specimen, of yellow polished
+  slate of about the same texture as the preceding one. It is about
+  twelve inches long, and tapers gradually from the broad edge to the
+  top.
+
+_METATES, OR GRAIN-GRINDERS, AND PESTLES._
+
+1455-1460. 1455, (42279); 1456, (42287); 1457, (42289); 1458, (42309);
+  1459, (42310); 1460, (42311), are ordinary specimens of the metate
+  placed together in the shape of a mill. See Fig. 508.
+
+1461, 1462. 1461, (42313), and 1462, (42314), are rubbing stones.
+
+1463. (42338). Broken metate rubber.
+
+1464. (42249). Rubbing stone.
+
+1465. (40139). Rude rubber of silicified wood.
+
+1466. (42274). Small quartz rubber.
+
+1467. (42275). Small greenstone rubber.
+
+1468-1473. 1468, (42276); 1469, (42277); 1470, (42278); 1471, (42316);
+  1472, (42317); 1473, (42318), are all fragrants of rubbers.
+
+1474. (42290). Bound sandstone pestle, each end ovate.
+
+1475. (42294). Square sandstone pestle.
+
+1476. (42295). Small round pestle, with rounded ends.
+
+_MORTARS, PESTLES, ETC._
+
+Nearly all the pestles and mortars from Wolpi present evidences of age.
+They are nearly all of coarse sandstone, and were used for bruising food
+and grain. They are usually quite large, heavy, and round. As they are
+generally of soft yielding rocks, the cavities are worn very deep in
+most of them.
+
+1477. (42281). Large flat food mortar.
+
+1478. (42282). Paint mortar, made from a round sandstone boulder about
+  five inches in diameter.
+
+1479. (42283). Grain mortar.
+
+1480. (42284). Mortar made from a round somewhat flattened sandstone
+  boulder.
+
+1481. (42285). Food mortar of indurated sandstone, about four inches
+  thick and eight inches in diameter, irregularly round, the depression
+  being about three inches deep.
+
+1482. (42286). Mortar for crushing grain; this is an unusually fine
+  specimen. It is about seven inches high, and an almost round body,
+  about an inch and a half thick at the top of the rim; the cavity is
+  quite a perfect oval in shape, about five inches deep; bottom flat.
+
+1483. (42288). Mortar similar to the above, but having a projection on
+  one side like the ear of a kettle.
+
+1484. (42291). Mortar and pestle. The mortar is nearly square; cavity
+  about five inches deep and seven in diameter. The pestle has a groove
+  round the middle.
+
+1485. (42292). Paint mortar about one inch thick and nearly square.
+
+1486. (42293). Round quartzitic boulder; one side flat, the other with a
+  small cavity.
+
+1487. (42307). Bowl-shaped food mortar, about ten inches in diameter and
+  five inches high.
+
+_MISCELLANEOUS OBJECTS._
+
+1488. (42270). Stone knife with two notches or grooves near the large
+  end.
+
+1489. (42271). Forty specimens of arrow-heads and small perforators,
+  flint and agate; most of them very well shaped.
+
+1490. (42253). Sandstone gaming ball, painted.
+
+1491-1493. 1491, (42254); 1492, (42255); and 1493, (42256), are all
+  sandstone gaming balls.
+
+1494. (42257). Fig. 509. Hollow tube. The figure represents one made
+  from potters' clay, the other is of siliceous material. These pipes
+  are not in use at the present time, but are frequently found around
+  the ruins and in possession of the Indians.
+
+1495. (42261). Stone image, probably intended to represent a rabbit. It
+  is of fine-grained stone. Shown in Fig. 513. There are quite a number
+  of these little images from Wolpi and Zuni; as they appear to
+  represent rabbits, it is presumed that they are quite old, and
+  possibly antedate the introduction of domestic animals among the
+  tribes.
+
+1496. (42296). Small paint muller of jasper.
+
+1497. (42297). Square quartzitic paint muller.
+
+1498. (42298). Triangular paint rubber of quartz.
+
+1499-1503. 1499, (42299), quartz; 1500, (42300); 1501, (42301); 1502,
+  (42303); and 1503, (42304), are all quartz paint pestles made from
+  half sections of small semi spherical boulders; the large end, which
+  is flat, being used for the grinding part.
+
+1504. (42305). Part of a grooved axe.
+
+1505. (42306). Rubbing stone with four rubbing surfaces.
+
+1506. (42262). Fig. 512. This undoubtedly represents some animal.
+
+1507. (42263). Fig. 510. This evidently represents some animal other
+  than the rabbit. The body is long and slender, and is provided with a
+  tail.
+
+1508. (42264). Small sandstone image, which is a good representation of
+  a bear; grooved around the neck, with mouth and eyes and short tail.
+  None of these little images are provided with anything more than short
+  stubs for limbs.
+
+1509. (42265). Very small sandstone image, quite similar to No. 1507.
+
+1510. (40114). Wolpi neck ornament, Fig. 511, _hu-wat-he-qua-ve_, of red
+  slate stone notched at each end, as shown in the cut, and perforated
+  at the upper edge to receive a cord, with which it is suspended to the
+  neck. Though a rare ornament, it possesses no particular known
+  significance.
+
+
+ARTICLES OF CLAY.
+
+_WATER VASES._
+
+These are of the usual form, and for the most part of the usual size
+found at Zuni; but there are also a number of very large specimens of
+the white ornamented, black, and red ware, having a capacity of ten or
+twelve gallons.
+
+White decorated ware:
+
+1511. (41356). Decorations exactly the same type as that shown in Fig.
+  359, except that there is a regular meander around the shoulder. The
+  type is shown in Fig. 514.
+
+  [Illustration:
+  Fig. 509 (42257) (1/2)
+  Fig. 510 (42263) (1/2)
+  Fig. 511 (40114) (1/2)
+  Fig. 512 (42262) (1/3)
+  Fig. 513 (42261) (1/3)
+  Figs. 509-513.--Wolpi Pipe, Effigies, and Ornament.]
+
+  [Illustration:
+  Fig. 514 (41602) (1/4)
+  Fig. 514.--Wolpi Water Vase]
+
+  [Illustration:
+  Fig. 515 (40646) (1/7)
+  Fig. 516 (42374) (1/7)
+  Figs. 515, 516.--Wolpi Cooking Pots.]
+
+The following belong to the same type as the above, the variations being
+but slight, the large circular space with scroll being the chief
+characteristic:
+
+1512. (41601). Figure on the neck as on the body of Fig. 372.
+
+1513. (41602). Shown in Fig. 514.
+
+1514. (41603). The block containing the smaller circle is here solid and
+  square; there is a zig-zag band around the neck as on the margins of
+  some Zuni bowls.
+
+1515. (41604). This varies in having in place of the block with the
+  small circle, a regularly checkered block.
+
+1516. (41606). This has only the large diamond figures on the body, and
+  a band of s's round the shoulder.
+
+1517. (41607). Like No. 1514.
+
+1518. (41454). With handles on sides; fringe-like band around the
+  shoulder.
+
+1519. (41455). Simple linear band around the body.
+
+1520. (41456). Figures of a trident or three-pronged fork; and ladle on
+  the body.
+
+The following are plain brown and red ware, some of them very large. The
+neck is but slight, and they are often more pot-shaped than olla form.
+Without ornamentation.
+
+Brown or red.
+
+1521-1533. 1521, (41632); 1522, (41633); 1523, (41635); 1524, (41636);
+  1525, (41637); 1526, (41638); 1527, (41639); 1528, (41640); 1529,
+  (41641); 1530, (41642); 1531, (41643); 1532, (41649); 1533, (41650).
+
+1534. (41644).
+
+1535. (40646). Fig. 515.
+
+1536. (41647).
+
+1537. (41648).
+
+1538. (42374). Very large pot, used for cooking. Name, _nu-a-mash-pe_.
+  Represented in Fig. 516.
+
+_WATER JUGS AND JARS._
+
+These are similar to those obtained at Zuni; sub-globular in form, one
+side more distinctly flattened on which to lie, the other very convex.
+Usually with two handles, sometimes loops, and sometimes studs or knobs.
+Occasionally ornamented white ware, but most generally unadorned brown
+or red ware. The latter showing, on some pieces, at least, a slight,
+perhaps accidental, glazing. They vary in size from six or seven gallons
+down to less than a pint.
+
+As the various figures used in decorations have been described, only
+those which are unusual will be noticed here.
+
+White decorated ware:
+
+1539. (41320). Underside as usual, blown. Scalloped band in direction of
+  mouth and handle, transverse double scalloped band across the upper
+  half.
+
+1540. (41362). Similar to the last.
+
+1541. (41342). Simple bands and scrolls.
+
+1542, 1543. 1542, (41401) and 1543, (41447). Similar.
+
+Brown ware without ornamentation:
+
+1544-1567. 1544, (41321); 1545, (41322); 1546, (41323); 1547, (41324);
+  1548, (41325); 1549, (41326); 1550, (41327); 1551, (41328); 1552
+  (41329); 1553, (41330); 1554, (41331); 1555, (41332); 1556, (41333);
+  1557, (41334); 1558, (41335); 1559, (41336); 1560, (41337); 1561,
+  (41338); 1562, (41339); 1563, (41340); 1564, (41341); 1565, (41343);
+  1566, (41344); 1567, (41345).
+
+1568-1569. 1568, (41609) and 1569, (41611). These have only the large
+  diamond figures on the body, and a zig-zag line around the neck.
+
+1570. (41610). The large diamonds serrate on the outer margin; neck with
+  doubly oblique serrate lines.
+
+1571. (41613). As in Fig. 514, except that the neck, instead of the
+  zigzag, has oblique diamonds.
+
+1572. (41614). This varies from the preceding in having only a narrow
+  scalloped band around the neck.
+
+1573. (41620). Only the large scrolls, nothing on the neck.
+
+1574. (41622). Similar to the preceding, except that each alternate
+  scroll is replaced by a rosette in a circle.
+
+1575. (41615). Like No. 1515, except that the neck has a scalloped band
+  with birds' heads.
+
+1576. (41618). Large diamonds on the body alternately with rosettes, by
+  the side of which is a bird.
+
+1577. (41621). Similar to Fig. 514, except that the black has no circle
+  in it.
+
+1578. (41358). Small with a broad checkered band around the body.
+
+1579. (41605). With narrow scalloped band around the neck; triangular
+  figures pointing to right and left on the body with cross lines
+  between the bases.
+
+1580. (41608). Outline figures of terraced hills with cactus growing
+  from them, and curved scalloped lines above.
+
+1581. (41612). Scalloped band around the neck; oblique, heavy, double
+  diamond figures with scrolls on the body.
+
+1582. (41617). No decorations on the neck; body with the spear points or
+  long triangles, and serrate oblique lines as on Zuni bowls.
+
+1583. (41616). Line of little circles on the neck; triangles of lines,
+  pointing to the left on the body.
+
+1584. (41619). Similar in form and decorations to Fig. 371 (Zuni),
+  except that the upper side of the band is formed of triangles instead
+  of scrolls.
+
+1585. (41629). This is really a double-handled jar.
+
+1586. (41630). Scalloped band around bottom, serrated squares near rim.
+
+  [Illustration:
+  Fig. 517 (41364) (1/4)
+  Fig. 518 (41363) (1/3)
+  Fig. 519 (41366) (1/3)
+  Figs. 517-519.--Wolpi Vessels.]
+
+1587. (41631). Scrolls on the neck; birds with crest feathers, and
+  flowers on the body.
+
+1588. (41634). Very small, with numerous scalloped lines arranged in
+  diamond form.
+
+1589. (41644). Series of double perpendicular scallops.
+
+1590. (41468). Similar to No. 1586.
+
+_TOY-LIKE WATER VESSELS._
+
+The following are very small water vessels, probably intended for
+children:
+
+1591. (41449). Figures of birds on body.
+
+1592. (41450). The usual diamond and scroll on body.
+
+1593-1603. 1593, (41346); 1594, (41347); 1595, (41348); 1596, (41349);
+  1597, (41350); 1598, (41351); 1599, (41352); 1600, (41353); 1601,
+  (41354); 1602, (41355); 1603, (41448).
+
+Small toy canteens:
+
+1604-1607. 1604, (41439); 1605, (41440); 1606, (41442); 1607, (41443).
+
+The following three are cup-shaped, with an ear on each side to which to
+attach a string, the top is closed, with a round orifice in the middle,
+and they are either medicine or little paint vessels and not canteens,
+as given in the original field catalogue:
+
+1608-1610. 1608, (41444); 1609, (41445); 1610, (41446).
+
+Water jugs and bottles are of various forms, which will be described
+under their respective numbers. They are usually of the white decorated
+ware. The brown ware is always undecorated.
+
+1611. (41363). See Fig. 518.
+
+1612. (41364). Brown ware shown in Fig. 517.
+
+1613. (41365). Brown ware, cylindrical, constricted in the middle and
+  with small orifice.
+
+1614. (41393). Without handle.
+
+1615. (41366). Fig. 519. A water jar made in imitation of a common gourd
+  cultivated by many of the Pueblo tribes. The body is ornamented on
+  both sides with a curved line and birds, as seen in the figure. A
+  small circular orifice is left at the base of the handle.
+
+1616. (41367). As in Fig. 520.
+
+1617. (41368). Shown in Fig. 522.
+
+1618-1619. 1618, (41369), and 1619, (41370). Similar to the preceding.
+
+1620. (41407). Regularly shaped jug with handle decorated with
+  geometrical figures.
+
+1621. (41433). Brown ware, regular jug with two handles.
+
+1622. (41434). Similar to preceding, but without handles.
+
+1623. (41469). Bottle shaped. Brown ware. Represented in Fig. 521.
+
+The following are similar:
+
+1624-1628. 1624, (41373); 1625, (41374); 1626, (41375); 1627, (41376);
+  1630, (41377).
+
+1629. (41393). Brown ware, with single constriction, without handle.
+
+1630. (41394). Similar.
+
+_CUPS._
+
+Those obtained were chiefly very small. As will be seen, the ladle to a
+very large extent supplies with this people the place of the cup.
+
+1631. (41409). Regular handled cup; white ware, with a broad band in
+  which are white crescents.
+
+1632. (41461). Shaped as preceding. White ware, all except a marginal
+  uncolored band marked with cross or checkered lines.
+
+1633. (41526). Small white ware, outside without decorations; scalloped
+  marginal band inside; with handle.
+
+1634. (41527). Sides straight; with handle, decorated on the outside
+  with triangular figures so common on bowls.
+
+1635. (41430). With similar decorations.
+
+Toy cups. Usually brown ware without ornamentation:
+
+1636. (41415). White ware with a band of scrolls.
+
+1637-1641. 1637, (41417); 1638, (41426); 1639, (41427); 1640, (41428);
+  1641, (41429). These five are brown ware.
+
+1642. (41435). A pretty pitcher-shaped vessel ornamented with interlaced
+  or cross lines forming a regular net-work.
+
+_EATING-BOWLS._
+
+The bowls vary in size, as do those from Zuni, but as a general rule
+they are small, or of but medium size; quite a number of those obtained
+are very small. In form they are generally like those from Zuni, but
+some are biscuit-shaped, as those from Tesuke; others are true basins;
+and a few are square, and perhaps should not be classed as bowls, though
+we have included them under that general term. The decorations on the
+larger ones of regular form are very similar to those seen on Zuni
+bowls. The colors black and red or brown are usually lighter and
+brighter than on the Zuni pottery:
+
+1643. (41357). Regular Form. Decorations on the inner face only;
+  marginal zigzag line, with diamond and scroll below.
+
+1644. (41359). Outer and inner surface decorations as in Fig. 412.
+
+1645. (41361). Decorations only a double-scalloped inner marginal band.
+
+1646. (41400). Very small; a simple inner band.
+
+1647. (41463). Small. This and the following small specimens are
+  decorated on the inside with what appears to be intended for an Indian
+  head, with a tuft of hair.
+
+1648-1653. 1648, (41464); 1649, (41465); 1650, (41467); 1651, (41529);
+  1652, (41530); 1653, (41534).
+
+1654-1657. 1654, (41538); 1655, (41539); 1656, (41589); 1657, (41565).
+
+1658. (41466). No outer decorations; inner surface with the usual
+  diamond and scroll figure.
+
+  [Illustration:
+  Fig. 520 (41367) (1/3)
+  Fig. 521 (41469) (1/3)
+  Fig. 522 (41368) (1/3)
+  Figs. 520-522.--Wolpi Water Jars.]
+
+1659-1660. 1659, (41528); 1660, (41531).
+
+1661. (41540). Shown in Fig. 523.
+
+1662-1663. 1662, (41541), and 1663, (41599), are marked only with a
+  broad inner marginal band of geometrical figures.
+
+1664. (41532). No outer decorations; inner with diamond and scroll and
+  triangular figures.
+
+The following have the outer surface decorated as in the Zuni pattern,
+shown in Figs. 416 and 417. The inner decorations vary slightly.
+
+With crenate or zigzag line on inner margin, and scroll diamond, or
+scrolls only:
+
+1665-1671. 1665, (41544); 1666, (41547); 1667, (41562); 1668, (41568);
+  1669, (41576); 1670, (41590); 1671, (41577).
+
+With similar marginal band and pentagonal scrolls and bird:
+
+1672-1673. 1672, (41548), and 1673, (41549).
+
+1674. (41550). With inner marginal band of geometrical figures; no other
+  inner decorations.
+
+1675. (41561). Broad marginal band only.
+
+1676. (41574). Inside with crenate marginal band; geometrical figures
+  below.
+
+1677. (41584). Heavy, scalloped inner band with T-shaped spaces in the
+  scallops. Scrolls below.
+
+1678. (41581). Broad checkered inner band only.
+
+1679. (41592). Similar checkered band with scroll figures below.
+
+1680. (41596). With terraced marginal band, and terraced or pyramidal
+  figures below.
+
+1681. (41627). Marginal band of geometrical figures only.
+
+1682. (41543). Biscuit-shaped. Outside with three rows or bands of large
+  serratures.
+
+1683. (41545). No outer decorations; inner crenate marginal line;
+  scrolls and diamond below. The following are similar:
+
+1684-1697. 1684, (41554); 1685, (41558), marginal band of lance points;
+  1686, (41564); 1687, (41567); 1688, (41569); 1689, (41573); 1690,
+  (41575); 1691, (41578); 1692, (41579); 1693, (41582); 1694, (41585);
+  1695, (41588); 1696, (41591), this has also the triangular bird; 1697,
+  (41623).
+
+1698. (41551). No outer decorations; zigzag marginal line; flowers and
+  lines below.
+
+1699. (41552). This has a very pretty design on the outside, a band of
+  diamonds, a little cross in each, and a dotted line above and below.
+  The inner decorations of this and the following consist of a broad
+  band only, of geometrical or architectural figures. Outer decorations
+  various, which alone are mentioned.
+
+1700-1701. 1700, (41553), bird in a wreath; 1701, (51555), lines of
+  crescent.
+
+1702-1703. 1702, (41556), and 1703, (41563). Same as the preceding.
+
+1704. (41570). Similar to the preceding, with scroll band below.
+
+1705. (41572). Triangular figures.
+
+1706. (41597). Scalloped lines arranged in large diamonds, with a flower
+  in the center of the diamond.
+
+1707. (41626). Scrolls and crescents.
+
+1708. (41628). Same as No. 1706.
+
+1709. (41559). Checkered band and scrolls inside, band of crescents
+  outside.
+
+1710. (41566). Inner marginal band as in outer decorations found on Zuni
+  bowls.
+
+1711. (41571). No outer decorations; inner geometrical figures but no
+  band.
+
+1712. (41593). Checkered band, and scrolls inside; broad marginal band
+  with lower side scalloped.
+
+1713. (41594). With no outer figures; radiating simple and serrate lines
+  inside.
+
+1714. (41595). No outer decorations; scalloped or crenate band, and
+  geometrical figures on inner surface.
+
+1715. (41600). No outer decorations; birds and flowers or rosettes.
+
+1716. (41625). No outer decorations; inside with successive scallops,
+  and the conventional bird form between squares, one above the other.
+
+1717-1718. 1717, (41560), and 1718, (41624). Brown ware without
+  ornamentation.
+
+Minute bowls, usually without decoration, but sometimes figured,
+especially on the outside, with simple outline figures.
+
+1719-1727. 1719, (41418); 1720, (41419); 1721, (41421); 1722, (41422);
+  1723, (41423); 1724, (41424); 1725, (41457); 1726, (41458); 1727,
+  (41459), with short handle; the decoration in this is true
+  herring-bone pattern.
+
+1728. (41460). Square basins. These are comparatively small and resemble
+  in shape a common knife-basket or tray, but without handle or
+  division.
+
+1729. (41533). Outside with figures of birds, flowers and diamonds.
+
+1730. (41535). Outer band with scrolls along the under edge or margin;
+  diamond with scroll on inside.
+
+1731. (41537). Inside similar to No. 1730; outside usual triangular
+  figures.
+
+1732. (41536). Outside similar, inside with four faces in outline.
+
+1733. (41542). Plain brown.
+
+1734. (41546). Outside the usual triangular figures; inside bird figures
+  and slender leaf-stalks.
+
+1735. (41557). Outside triangular figures; inside double scroll.
+
+1736. (41586). Outside oblique, double serrate bands; inside broad
+  marginal checkered band; bottom four faces.
+
+  [Illustration:
+  Fig. 523 (41540) (1/3)
+  Fig. 524 (41385) (1/2)
+  Fig. 525 (41518) (1/2)
+  Figs. 523-525.--Wolpi Eating Bowl, Cooking Vessel and Ladle.]
+
+_COOKING VESSELS._
+
+These are usually unadorned and of brown or black ware. The number
+obtained was not large, and they vary greatly in character. They are
+generally of medium size or small, and some which appear to be used as
+cooking vessels have a handle on the side and resemble pitchers and
+cups. Some have two handles and are shaped like an urn or olla; others
+appear to be true pots. The want of uniformity among this tribe in the
+use of vessels of this kind renders its difficult to class them
+according to use. I will, therefore, group them according to form.
+Except one or two of the little pots none of them are ornamented.
+
+Pot-shaped vessels:
+
+1737-1739. 1737, (41360); 1738, (41379); 1739, (41385); two handles as
+  in Fig. 524.
+
+1740-1741. 1740, (41380), and 1741, (41405). Without handle, the latter
+  possibly used as a drinking vessel.
+
+1742-1746. 1742, (41381); 1743, (41382); 1744, (41383); 1745, (41384);
+  1746, (41386); each with a handle on one side; they resemble pitchers
+  or cups.
+
+_TOY-LIKE VESSELS._
+
+1747. (41416). Like a small water-vessel.
+
+1748. (41442). Olla-shaped, with handles; decorated with a band of loops
+  around the middle.
+
+1749. (41451). Olla.
+
+1750-1751. 1750, (41452), and 1751, (41453). Cylindrical jars without
+  handles.
+
+1752-1753. 1752, (41293), and 1753, (41294). Large black Cooking pots of
+  the usual shape.
+
+1754. (42367). Flat jar-shaped vessel, red ware, with regular ears on
+  the sides with holes through them. Cooking vessel; new.
+
+1755. (42369). Small globular red bowl, half burned.
+
+1756. (42370). Part of a corrugated vessel. It is yellow, but partly
+  burned; it looks fresh and new, but is really old, having been out of
+  the ground of old ruins near Wolpi.
+
+_LADLES._
+
+Of these vessels, which are extensively used by the Shinumos, there are
+various forms with an almost endless variation in decoration, being
+generally of ornamented white ware. Some of them bear a strong
+resemblance to the skillets used on cooking stoves, the handle being
+looped, but the bowl is more saucer-shaped. Others, as shown in Figs.
+527 and 529, are evidently fashioned after gourds. Some are somewhat of
+the form shown in Figs. 439 and 440, but the handle is more distinct.
+Others are true cup-shaped vessels, with the handles projecting from the
+middle of the side. A few are double with a single handle.
+
+Skillet-shaped vessels. Usually decorated in the bowl. As these figures
+are generally similar to those already described, special notice will be
+taken only of such forms as vary from the normal shape and figures.
+
+1757-1758. 1757, (41396), and 1758, (41395). Gourd shaped; similar to
+  those shown in Figs. 527 and 529.
+
+1759-1760. 1759, (41378), and 1760, (41397). Outside covered with
+  checkers.
+
+1761. (41398). Outside covered with scrolls.
+
+1762. (40408). Outside decorated with oblique serrate lines.
+
+1763. (41411). Ladles with two bowls. Handle with the head of an animal,
+  probably a wild-cat, at the tip; figures of birds in the bowls.
+
+1764. (41412). Shown in Fig. 528.
+
+1765. (41413). Handle broken; bowls with only a scalloped marginal band.
+
+1766-1767. 1706, (41470); 1767, (41476). Cup-shaped, with short handles;
+  shaped like a small olla.
+
+1768. (41477). Handle with animal head on the tip; outside covered with
+  checkered figures.
+
+1769. (41479). Handle as in the preceding; oblique, doubly serrate lines
+  on outside of bowl.
+
+1770-1772. 1770, (41480); 1771, (41481); 1772, (41482); face in the bowl
+  of the last.
+
+1773-1774. 1773, (41483), and 1774, (41484); the handle of the latter
+  represents an animal's head, with face turned toward the bowl.
+
+1775-1777. 1775, (41388); 1776, (41389); 1777, (41425). The handle of
+  this represents, in shape, the head of a woman and child, and the bowl
+  contains the figures of two faces.
+
+1778-1783. 1778, (41462); 1779, (41471); 1780, (41472); 1781, (41473);
+  1782, (41474); 1783, (41475). The last of these has a minute head of a
+  woman on the end of the handle, which is solid.
+
+1784-1785. 1784, (41485), and 1785, (41486). Bowls elaborately
+  ornamented with geometrical figures and a circle of serratures, in
+  which is a figure resembling a duck with spread wings seen from above.
+
+1786-1788. 1786, (41487); 1787, (41488); 1788, (41489); the last with a
+  woman's head on the tip of the solid handle.
+
+1789-1793. 1789, (41498); 1790, (41499); 1791, (41508); 1792, (41514);
+  1793, (41490). The last of these as also the following seven pieces
+  have bent, gourd-like handles, slightly curved or hooked at the end,
+  solid and somewhat rounded.
+
+1794-1800. 1794, (41491); 1795, (41492); 1796, (41493); 1797, (41494);
+  1798, (41496); 1799, (41497); 1800, (41500).
+
+1801. (41495). Like No. 1788, as are also the following ten specimens:
+
+1802-1811. 1802, (41502); 1803, (41504); 1804, (41505); 1805, (41507);
+  1806, (41515) 1807, (41518), Fig. 525; 1808, (41519); 1809, (41522);
+  1810, (41523); 1811, (41525).
+
+1812. (41506). This is square; an unusual form.
+
+  [Illustration:
+  Fig. 526 (41410) (1/2)
+  Fig. 527 (41396) (1/2)
+  Fig. 528 (41412) (1/3)
+  Fig. 529 (41395) (1/3)
+  Fig. 530 (41392) (1/3)
+  Figs. 526-530.--Wolpi Ladles and Basket.]
+
+1813-1822. 1813, (41509); 1814, (41510); 1815, (41511); 1816, (41512);
+  1817, (41513); 1818, (41516); 1819, (41517); 1820, (41520); 1821,
+  (41521); 1822, (41503).
+
+1823-1824. 1823, (41524), and 1824, (41501). Shaped somewhat like an
+  oyster-shell.
+
+1825. (41399). Water vessel in the shape of a bird, with tail and wings
+  represented.
+
+1826. (41406). Cup with bird's head on one side, tail opposite, and
+  slight projections to represent wings on the side. Brown ware.
+
+1827. (41410). A double cup or ladle shown in Fig. 526.
+
+1828. (41414). Like Fig. 531, ornamented with oblique scalloped stripes
+  on outside; geometrical figures inside.
+
+1829-1830. 1829, (41431), and 1830, (41432). Square salt-boxes; the
+  former of white ware, with square figures on the outside; the latter
+  brown, unornamented.
+
+1831. (41436). Cup-shaped basket, brown ware; woman's head on top of
+  handle.
+
+1832. (41437). Similar basket, white ornamented ware, handle plain.
+
+1833. (41437). Similar small, brown, cup-shaped basket.
+
+1834. (41478). Biscuit-shaped bowl, with ornamental diamonds on outside.
+
+_MISCELLANEOUS._
+
+1835. (41371). Basket similar to those used by the Zunians in sacred
+  dances, with terraced margin, plain band inside, and comb-like figures
+  outside.
+
+1836. (41372). Similar basket, bottom flat, and sides straighter than
+  the preceding, decorated on the outside with oblique double serrate
+  stripes.
+
+1837-1838. 1837, (41387), and 1838, (41392). Baskets with straight
+  margins, both with geometrical figures on the outside. The latter is
+  shown in Fig. 530.
+
+1839. (41390). Fig. 532, water-vase with bowl-shaped base.
+
+1840. (41391). Fig. 531 Basin with looped handle arising from the center
+  of the inside; ornamented white ware.
+
+_STATUETTES._
+
+The clay images or statuettes obtained from the Shinumo pueblos are not
+objects of worship as supposed by many persons, but appear to be used to
+adorn their dwellings just as similar articles are used by civilized
+races. This is evident from their form and ornamentation which rudely
+represent the ordinary clothing worn by these Indians, and in the female
+figures the usual mode of wearing the hair either in a bunch at the back
+of the head or in two wheel-shaped knots at the sides. In a few
+instances ear ornaments, made of pieces of shells or beads, are found
+attached to the ears.
+
+I am not aware that these images are used in their dances or religious
+ceremonies. If they are objects of worship it must be in the family
+only, or a secret worship of which I obtained no information.
+
+Images are introduced, however, in their dances and religious rites, but
+these are made of wood and highly ornamented, some of which were
+obtained and are hereafter described.
+
+1841. (42026). Composed of the same clays of which the general pottery
+  is made, with small lines of a brick-red color up and down the body;
+  black lines over the shoulder and around the body, terminating so as
+  to represent hands; small earlets, made of blue beads, suspended from
+  the ears; face in white, with black spots to represent month and eyes;
+  horn-shaped cap, extending obliquely back from the head. Represents a
+  male figure.
+
+1842. (42027). Same as above, except the head, which has a square bunch
+  at its back, representing the one method of wearing the hair by the
+  Shinumos. Male figure.
+
+1843. (42028). Same as No. 1841, especially in regard to the horn-shaped
+  protrusion from the back of the head.
+
+1844. (42029). Plain flat image, probably intended to represent a
+  female.
+
+1845. (42030). This image is quite characteristic of this class of
+  objects. The cut shows all but the colors, which are the same as
+  described above, the form only differing from No. 1841 in having two
+  horns curving back from the head. Seen in Fig. 533.
+
+1846. (42031). Differs only from the rest in having a small hat on the
+  head.
+
+1847. (42032). Female figure, but with a black band around under the
+  chin, apparently representing whiskers; dark brown body.
+
+1848. (42033). Female figure with wheel-shaped knot on each side of the
+  head representing the manner of wearing the hair by the Shinumo women,
+  the body of the figure cream colored, face red, eyes and mouth black;
+  black necklace. Special parts of the body represented in red.
+
+1849. (42034). Male figure ornamented with red vertical lines.
+
+1850. (42035). Fig. 534. The cut presents all the lines on the image as
+  well as the form. The small wheels on each side of the head referred
+  to under No. 1848 show the style of wearing the hair; the black
+  markings shown on the cut are red on the figure. Female.
+
+1851. (42036). Body red, marked with black and dark red lines; red and
+  black spots on back of head to represent the hair.
+
+1852-1853. 1852, (42037); 1853, (42038); dark red bodies with black and
+  red lines.
+
+1854-1856. 1854, (42039); 1855, (42040); 1856, (42041); similar to the
+  preceding; the last with the wheel-shaped knots representing the hair.
+
+  [Illustration:
+  Fig. 531 (41391) (1/3)
+  Fig. 532 (41390) (1/3)
+  Fig. 533 (42030) (1/2)
+  Fig. 534 (42035) (1/2)
+  Figs. 531-534.--Wolpi Basin, Vase, and Clay Statuettes.]
+
+  [Illustration:
+  Fig. 535 (42085) (1/4)
+  Fig. 536 (42058) (1/5)
+  Figs. 535, 536.--Wolpi Meal Baskets.]
+
+
+VEGETAL SUBSTANCES.
+
+_BASKETRY._
+
+The following specimens are examples of the tray-like baskets made from
+round willows:
+
+1857. (42085). Fig. 535 shows the mode of its construction.
+
+1858-1871. 1858, (42076); 1859, (42077); 1860, (42078); 1861, (42079);
+  1862, (42080); 1863, (42081); 1864, (42082); 1865, (42083); 1866,
+  (42084); 1867, (42086); 1868, (42087); 1869, (42088); 1870, (42089);
+  1871, (42090).
+
+The following numbers refer to specimens of the spiral or coiled
+basketry, all the features of which are shown in Fig. 536, except the
+color decoration:
+
+1872-1907. 1872, (42058); 1873, (42051); 1874, (42052); 1875, (42053);
+  1876, (42054); 1877, (42055); 1878, (42056); 1879, (42057); 1880,
+  (42059); 1881, (42060); 1882, (42061); 1883, (42062); 1884, (42063);
+  1885, (42064); 1886, (42065); 1887, (42066); 1888, (42067); 1889,
+  (42068); 1890, (42069); 1891, (42070); 1892, (42071); 1893, (42072);
+  1894, (42090); 1895, (42073); 1896, (42074); 1897, (42075); 1898,
+  (42091); 1899, (42092); 1900, (42093); 1901, (42094); 1902, (42095);
+  1903, (42096); 1904, (42097); 1905, (42098); 1906, (42099); 1907,
+  (42100).
+
+The following are canteen or water baskets, previously described, as to
+method of making and using them:
+
+1908-1912. 1908, (42101); 1909, (42102); 1910, (42103); 1911, (42104);
+  1912, (42105); are vase-shaped baskets, of which Fig. 537 is a
+  representative example.
+
+The following are specimens of the same ware, differing only in form and
+size:
+
+1913-1920. 1913, (42106); 1914, (42107); 1915, (42108); 1916, (42109);
+  1917, (42110); 1918, (42111); 1919, (42112); 1920, (42113).
+
+1921-1925. 1921, (42114); 1922, (42115); 1923, (42116); 1924, (42117);
+  1925, (42118), are only noticeable on account of their peculiar form.
+  They are almost top-shaped, with an acute apex at the bottom. The
+  mouth is small, like that of a jug. In one instance (42114) the body
+  slopes from top and bottom to the center, almost forming a ridge. Very
+  few of this form were obtained.
+
+1926. (42119). A double-lobed canteen basket. Many of the clay
+  water-vessels in the collection are made in imitation of this
+  double-lobed basket.
+
+1927-1931. 1927, (42120); 1928, (42121); 1929, (42122); 1930, (42123);
+  1931, (42124). Ordinary forms of the water-basket.
+
+1932. (42125). A fine, large, and quite perfect specimen, of the jug or
+  water-basket, with ears of horse-hair and string attached for use.
+  Quite a number of the ancient water-jars are of this form, and both
+  bear evidence of antiquity.
+
+1933. (42149). Fig. 538 is a good illustration of this form.
+
+1934-1937. 1934, (42146); 1935, (42147); 1936, (42148); 1937, (42150),
+  are of the same class of cemented basket-ware. The small
+  fruit-baskets, made of round willows and with much less care, are also
+  of many forms. Some are square, others round, and some with a peculiar
+  flattened body; of the latter there are but few in the collection.
+  They belong to the older class of basketry.
+
+The following specimens belong to that class:
+
+1938-1941. 1938, (42126); 1939, (42127); 1940, (42128); 1941, (42129).
+
+1942. (42130). A specimen of a much finer quality than the preceding. It
+  is long and vase-shaped, with a wide mouth and flaring rim, and woven
+  up from the bottom in oblique ridges.
+
+1943. (42131). A coarsely constructed bowl-shaped basket, of which type
+  the following are also specimens:
+
+1944-1951. 1944, (42132); 1945, (42133); 1946, (42134); 1947, (42135);
+  1948, (42136); 1949, (42137); 1950, (42138); 1951, (42139).
+
+1952. (42140). Specimen of the older basketry, with large depressed
+  body, flat bottom, and jar-like mouth.
+
+1953-1956. 1953, (42141); 1954, (42142); 1955, (42143); 1956, (42144),
+  are also different forms of the peach-basket.
+
+1957. (42145). Fig. 540. A large floor or hearth mat frequently found in
+  use among the Pueblos. The specimen in the collection exhibits some
+  skill and taste in weaving it. The material of which it is made is a
+  small round willow.
+
+1958. (42151). A large deep basket, constructed by weaving coarse willow
+  twigs around four upright posts or large sticks. It has a capacity of
+  about two bushels.
+
+1959. (42152). This is a small square basket of the same character.
+
+1960. (42153). A specimen of this ware. It is shown in Fig. 539,
+  exhibits a coarse, loose manner of construction. These are used as
+  fruit-baskets.
+
+1961-1962. 1961, (42154), and 1962, (42155). These are examples of the
+  same kind.
+
+1963. (42156). This specimen represents the finest quality of baskets in
+  the collection. They are all more or less tastefully ornamented during
+  the process of plaiting them. They are skillfully and closely woven,
+  and are used for holding the finest of their flour and meal. These are
+  undoubtedly of Apache manufacture. Fig. 541.
+
+1964. (42157). Has been selected as an illustration of this class of
+  baskets, of which the following are examples, differing but little in
+  form:
+
+  [Illustration:
+  Fig. 537 (42105) (1/4)
+  Fig. 538 (42149) (1/4)
+  Figs. 537, 538.--Wolpi Baskets.]
+
+  [Illustration:
+  Fig. 539 (42153) (1/3)
+  Fig. 540 (42145) (1/8)
+  Figs. 539, 540.--Wolpi Fruit Basket and Floor Mat.]
+
+  [Illustration:
+  Fig. 541 (42157) (1/5)
+  Fig. 542 (42160) (1/5)
+  Figs. 541, 542.--Wolpi Baskets.]
+
+  [Illustration:
+  Fig. 543 (42183) (1/6)
+  Fig. 544 (42199) (1/4)
+  Fig. 545 (42171) (1/3)
+  Figs. 543-545.--Wolpi Baskets.]
+
+1965-1971. 1965, (42158); 1966, (42159); 1967, (42160), Fig. 542; 1968,
+  (42162); 1969, (42163); 1970, (42164); 1971, (42165). The two last are
+  almost flat; the rest saucer or bowl shaped and quite deep.
+
+1972. (42166). Basket of coarse willow ware; platter-shaped.
+
+1973. (42167). Conical-shaped basket of closely woven variety.
+
+1974. (42168). Hemispherical-shaped basket of the same class; small.
+
+1975. (42169). Cylindrical basket; small.
+
+1976-1981. 1976, (42170); 1977, (42171); 1978, (42172); 1979, (42173);
+  1980, (42174); 1981, (42175). Small cylindrical-shaped peach-baskets
+  made of flat yucca leaves. Fig. 545 is an illustration of that class.
+
+1982-1987. 1982, (42195); 1983, (42196); 1984, (42197); 1985, (42198);
+  1986, (42199), Fig. 544; 1987, (42200). Examples of the same class.
+
+The following baskets are made from the broad leaves of the yucca, woven
+or plaited crosswise in a very simple manner, and wrapped at the rims
+with leaves of the same plant. The texture of the weaving is quite
+coarse, not sufficiently close to hold any material smaller than corn or
+fruit:
+
+1988-2006. 1988, (42176); 1989, (42177); 1990, (42178); 1991, (42179);
+  1992, (42180); 1993, (42181); 1994, (42182); 1995, (42183); 1996,
+  (42184); 1997, (42185); 1998, (42186); 1999, (42187); 2000, (42188);
+  2001, (42189); 2002, (42190); 2003, (42191); 2004, (42192); 2005,
+  (42193); 2006, (42194), are all specimens of this class well shown in
+  Fig. 543.
+
+_DOMESTIC IMPLEMENTS, TOYS, ETC._
+
+2007. (41706). A Shinumo blanket loom, with a blanket partly completed,
+  with all the fixtures and implements employed in the art of blanket
+  weaving. This art, however, attains its highest degree amongst the
+  Navajos.
+
+2008-2009. 2008, (41707), and 2009, (41708), are looms exhibiting
+  different modes of weaving.
+
+2010. (41709). A loom with a partly finished garment.
+
+2011. (41683). Fig. 546. Blanket-stick for tightening strands of
+  blankets during the process of weaving. After the thread is passed
+  through from one side to the other this stick is placed over the
+  thread and then firmly beaten down. The following numbers are
+  implements of the same kind. They are called _soo-qua_.
+
+2012-2020. 2012, (41684); 2013, (41685); 2014, (41686); 2015, (41687);
+  2016, (41688); 2017, (41689); 2018, (41690); 2019, (41691); 2020,
+  (41692).
+
+2021. (41888). Blanket stretcher, _tu-he-que-hey_.
+
+2022. (41166). Reed frames, used in weaving belts and garters, called
+  _quey-hu-wuk-ta_.
+
+The following are objects of the same kind:
+
+2023-2027. 2023, (41667); 2024, (41668a); 2025, (41668b); 2026, (41669);
+  2027, (41670). Implement to show the process of making belts.
+
+2028. (42372). Small notched stick used in weaving belts.
+
+2029-2030. 2029, (41998), and 2030, (41999). Short pointed sticks for
+  stretching and drying skins.
+
+2031. (41676). Spindle whorl, _pa-tu-he-kah_. This is a common object of
+  use amongst all the Pueblos. Fig. 547 is an illustration of one of
+  these implements, showing the shaft with spun yarn below the disk. As
+  previously mentioned, this spindle whorl is almost identical with the
+  drill used for perforating stone and shell charms and ornaments. The
+  addition of a cross stick and strings, with the flint tip, are only
+  necessary to convert it into a drill. In both the drills and whorls
+  the disks are made of horn, stone, bone, and wood. For the drill see
+  Fig. 494.
+
+2032-2037. 2032, (41677); 2033, (41678); 2034, (41679); 2035, (41680);
+  2036, (41681); 2037, (41682). All spindle whorls.
+
+2038. (41658). Bow and three arrow-shafts.
+
+2039. (41659). Bow.
+
+2040. (41660). Bundle of four arrow-shafts.
+
+2041-2044. 2041, (41661); 2042, (41662); 2043, (41663); 2044, (41664),
+  are bundles of thirty-five arrow-shafts.
+
+2045. (41651). Bow and six iron-pointed arrows.
+
+2046. (41652), (41653). Bows.
+
+2047. (41654). Bow and quiver.
+
+2048. (41655). Quiver and twenty-six iron-pointed arrows.
+
+2049. (41656). Child's bow and two arrows.
+
+2050. (41720). Boy's bow with two arrows.
+
+2051. (41976), Fig. 548. Stick used for hunting rabbits; it is in the
+  form of a boomerang.
+
+2052-2055. 2052, (41977); 2053, (41978); 2054, (41979), Fig. 549; 2055,
+  (41980). Same objects as the last. In the Zuni tongue this stick is
+  called _kle-[-a]n-ne_, and in Shinumo _pu-wich-he-cu-he_.
+
+2056. (41924). Saddle-tree.
+
+2057. (41925). Stirrups, _pu-tut-hum-pee_.
+
+2058. (41119). Sinch hooks, _cu-rah-bat-tow_.
+
+2059. (42000). Wooden hoe, made in imitation of European hoe.
+
+2060. (41693). Wooden forceps, _wat-cha_.
+
+2061. (41909). Pronged stick for rake, called _ta-wish-wy-lah_. See Fig.
+  550.
+
+2062-2063. 2062, (41916), and 2063, (41917). Small yoke-shaped
+  implements for drying the skins of small animals by stretching the
+  skin over them.
+
+2064. (41863). Wooden treasure-box, of which the following numbers refer
+  to specimens, and which are well shown in Figs. 552 and 554:
+
+  [Illustration:
+  Fig. 546 (41683) (1/10)
+  Fig. 547 (41676) (1/7)
+  Fig. 548 (41976) (1/5)
+  Fig. 549 (41979) (1/5)
+  Figs. 546-549.--Wolpi Wooden Implements.]
+
+  [Illustration:
+  Fig. 550 (41909) (1/10)
+  Fig. 551 (41178) (1/5)
+  Fig. 552 (41866) (1/5)
+  Fig. 553 (41191) (1/3)
+  Fig. 554 (41865) (1/6)
+  Figs. 550-554.--Wolpi Implements.]
+
+  [Illustration:
+  Fig. 555 (41931) (1/6)
+  Fig. 556 (41926) (1/6)
+  Fig. 557 (41932) (1/5)
+  Fig. 558 (41940) (1/5)
+  Figs. 555-558.--Wolpi Dance Ornaments.]
+
+2065-2069. 2065, (41864); 2066, (41865); 2067, (41866); 2068, (41867);
+  2069, (41868).
+
+2070. (41985). Baby cradle, with hoops over the head for net work; made
+  of slats, _mu-hu-tah_.
+
+2071. (41986). Baby cradle made of willow work.
+
+2072. (41987). Cradle without top.
+
+2073. (41988). Toy cradle, of basket work.
+
+2074. (41989). Toy cradle of boards.
+
+2075. (41710). Toy whirligig, made of a disk with two holes through
+  which strings are passed.
+
+2076. (41711). Specimen of Indian corn.
+
+2077-2078. 2077, (41715), and 2078, (41716).
+
+2079. (41694). Paint toy, of wood, _tat-chi_.
+
+2080. (41695). Bird snares, made of small sticks like the ramrod of a
+  gun, arranged with horse hairs, _wa-wa-shi_.
+
+2081. (42371). Bunch of very small reed-like grass, called
+  _nen-a-wash-pi_ or rain broom.
+
+2082-2083. 2082, (41889), and 2083, (41890). Whirling sticks.
+
+2084-2886. 2084, (41177); 2085, (41178); 2086, (41179). Specimens of a
+  peculiar drum-stick in general use by the Shinumo, Zuni, and other
+  Pueblo Indians. It is made from a stick, one end of which is shaved
+  off sufficiently to admit of bending the end thus shaved round in the
+  form of a hoop, and then tightly securing it. The hoop portion is used
+  in beating the drum. Fig. 551 is an illustration of one of these
+  drum-sticks.
+
+2087. (41180). Calabash, or gourd, for holding food or water.
+
+2088-2090. 2088, (41181); 2089, (41182); 2090, (41183). Ordinary forms
+  of the same vessel.
+
+2091. (41191). Gourd, perforated, with a staff through the center,
+  painted in many colors; held on a pole in dances. See Fig. 553.
+
+_ORNAMENTAL OBJECTS._
+
+2092. (41926). Is a flat piece of wood about twenty inches long and five
+  in width, with a notched handle at the lower end. Two bunches of
+  feathers are attached to each edge of it, and a bunch at the top. The
+  form of the ornamentations is shown in Fig. 556; the colors employed
+  in these ornamentations are brilliant red, yellow, blue, and black.
+  The entire design is intended to represent the body of a human being.
+  These objects are carried in the hand in their dances.
+
+2093-2097. 2093, (41927); 2094, (41928); 2095, (41929); 2096, (41930);
+  2097, (41931). These are other examples which are well represented in
+  Fig. 555.
+
+2098-2100. 2098, (41932), Fig. 557; 2099, (41933); and 2100, (41934),
+  are sticks, carried in the main dance. They represent lightning.
+
+2101-2102. 2101, (41935), and 2102, (41936). Small notched sticks,
+  ornamented with blades of grass and wild-turkey feathers; carried in
+  the dance.
+
+2103-2106. 2103, (41937); 2104, (41938); 2105, (41939); 2006, (41940).
+  Wooden objects highly colored with various devices depicted on them.
+  These are worn on the head in dances. Mowers are represented on some;
+  on others, the human face, &c. Fig. 558, an illustration made from one
+  of them.
+
+2107-2108. 2107, (41941), and 2108, (41942). Small frames, over which
+  canvas is stretched, to the edges of which are attached various small
+  ornaments; used in dances.
+
+2109. (41943). Small hoop with canvas stretched over it, on which are
+  painted five small objects like stars, used in dances.
+
+2110. (41944). Leather dance-mask, painted.
+
+2111. (41945). Dance-mask.
+
+2112. (41946). Pair of split horns worn in dances.
+
+2113. (41947). Head-dress made in the form of scallops.
+
+2114. (41948). Head-dress of painted sheep-horns.
+
+2115. (41949). Head-dress crown made of basket-ware, to which are
+  attached three projections intended for horns, Fig. 559.
+
+2116. (41950). Corn-husk ornament for the dance.
+
+2117-2118. 2117, (41671), and 2118, (41972). Wooden objects made in
+  imitation of a sun-flower, with zigzag or snake-like sticks attached
+  to them, which are used as ornaments in the corn dance, called
+  _pah-wah_.
+
+2119-2120. 2119, (41673), and 2120, (41674). Shuttle-cocks, made by
+  inserting the ends of two hawk-feathers in a small block. They are
+  carried in dances.
+
+2121. (42042). Dance-rattle made from a small gourd, embellished in
+  colors of black, red, and white. The gourd is perforated at each side,
+  through which a stick is passed for a handle, cross S's on each side.
+  See Fig. 562.
+
+2122. (41982). Notched stick, with shoulder blade of sheep or deer, for
+  musical instrument. See Fig. 561.
+
+2123-2124. 2123, (41983), and 2124, (41984). Notched sticks without the
+  bone.
+
+2125. (41701). Dance ornaments, called _tau-ah-qu-la_, made by attaching
+  semi-circular sticks or hoops to a small pole; ornamented with colors.
+
+2126-2129. 2126, (41702); 2127, (41703); 2128, (41704); 2129, (41705),
+  are ornaments of the same character as the preceding.
+
+2130. (41857). Painted gourd-rattle for dances, of which the following
+  numbers are specimens variously ornamented:
+
+2131-2135. 2131, (41858); 2132, (41859); 2133, (41860); 2134, (41861);
+  2135, (41862), of which the illustration of the latter is an example.
+  See Fig. 560.
+
+  [Illustration:
+  Fig. 559 (41949) (1/6)
+  Fig. 560 (41862) (1/3)
+  Fig. 561 (41982) (1/6)
+  Fig. 562 (42042) (1/2)
+  Fig. 563 (41752) (1/4)
+  Fig. 564 (41877) (1/4)
+  Fig. 565 (41922) (1/4))
+  Figs. 559-565.--Wolpi Head-dress, Ornaments, &c.]
+
+  [Illustration:
+  Fig. 566 (41959) (1/5)
+  Fig. 567 (41953) (1/5)
+  Fig. 568 (41967) (1/4)
+  Fig. 569 (41956) (1/5)
+  Figs. 566-569.--Wolpi Effigies.]
+
+2136. (41883). Flat wooden block, painted, for head ornament.
+
+2137. (41884). Cylindrical blocks, with a cup-shaped cavity in one end,
+  used as gaming blocks.
+
+2138-2139. 2138, (41885), and 2139, (41886), are specimens of this block
+  called _sosh-he-wey_.
+
+2140. (41887). Spherical grooved block, painted to represent a melon,
+  used in the melon dance.
+
+2141. (41918). Wooden top, _ree-am-pee_.
+
+2142. (41920). Wooden balls, probably to represent eyes.
+
+2143. (41921). Ball attached to the end of a painted stick, the use of
+  which is not known; probably used in connection with dancing
+  ceremonies.
+
+2144. (41900). Small implement of wood used as a dance ornament.
+
+2145. (41752). Wooden ornament for the head, worn in dancing ceremonies.
+  Two little leather balls are attached to the dotted end; shown in Fig.
+  563.
+
+2146. (41754). Two small wooden balls with black ends and a white band
+  around the middle; a dance ornament.
+
+2147. (41756). Ornaments for the wrist; made of wooden rings.
+
+2148. (41753). A similar object, painted in various bright colors.
+
+2149-2150. 2149, (41881), and 2150, (41882), are slatted wooden
+  cylinders with conical blocks attached to them. Ornaments for dancing
+  ceremonies.
+
+2151. (41876). Wooden ball attached to slatted gourd-neck, used as an
+  ornament in the dance.
+
+2152. (41877). See Fig. 564.
+
+2153-2154. 2153, (41878), and 2154, (41879). Specimens varying from the
+  preceding only in colors.
+
+2155. (41922). Necklace of acorn hulls, _tuck-we-tah-qua-we_. Fig. 565.
+
+2156. (41923). The same kind of an ornament.
+
+_STATUETTES._
+
+These objects vary in form, size, and decoration, the largest being
+about thirty inches high, the smallest not more than five. They are
+objects of worship in one form or another. The illustrations in the
+woodcuts and colored plates will convey a better idea of them than could
+be given in a description. They are entirely composed of wood, with
+feathers and other small ornaments attached to them occasionally.
+
+2157. (41951). This is the largest one of these images in the
+  collection, very highly ornamented with bright variegated colors. See
+  Fig. 571.
+
+2158. (41952). One of these objects, differing only in size and manner
+  of decoration.
+
+2159. (41953). This is a specimen of one of these images exhibited in
+  Fig. 567. The form is common to many of them, showing the pyramidal
+  projections attached to the head, with feathered tips.
+
+2160-2161. 2160, (41954), and 2161, (41955). Similar objects.
+
+2162. (41956). Fig. 569. This exhibits a female figure with variegated
+  colors, and in addition to the pyramidal projections from the head has
+  two round sticks with a ball and crown.
+
+2163-2164. 2163, (41957), and 2164, (41958). Similar to Fig. 569.
+
+2165. (41959). Fig. 566. The general characteristics of this specimen
+  are the same as those already referred to, but it differs in the
+  arrangement of the head attachments; two rows of pyramids are shown;
+  the lower one is inverted; the two rows are separated by three arches;
+  the upper pyramids are ornamented at the tips with feathers. A
+  necklace of acorn hulls is around the neck, with a shell ornament
+  attached to it. Garters are represented at the knees. In this
+  specimen, as in many others, the feet are only represented by stubs.
+  The body is decorated to represent fancifully colored clothing.
+
+2166-2168. 2166, (41960); 2167, (41961); 2168, (41962). Similar to the
+  preceding.
+
+2169. (41963). This is well shown in Fig. 570.
+
+2270-2172. 2170, (41964); 2171, (41965); 2172, (41966). Objects of the
+  same character.
+
+2173. (41967). This specimen (Fig. 568) differs considerably in form
+  from those previously mentioned. As will be observed by reference to
+  the figure, it has a conical projection from the top of the head,
+  representing a hat with a feather at the top, with two short, round
+  blocks at the base of the hat, and two round balls to represent ears.
+  The skirt is of cloth. The specimen is brilliantly decorated with
+  paint.
+
+2174. (41968). Shows the form and details of carving, highly colored.
+
+2175. (41969). A brilliantly colored image, which is well shown in
+  colors in Fig. 572.
+
+2176-2180. 2176, (21970); 2177, (41971); 2178, (21972); 2179, (21973);
+  2180, (41974), are similar objects.
+
+
+ANIMAL SUBSTANCES.
+
+_HORN AND BONE._
+
+2181. (40113). Large ladle from horn of mountain sheep, called
+  _al-ly-ku_. See Fig. 573.
+
+2182-2188. 2182, (41891); 2183, (41892); 2184, (41893); 2185 (41894);
+  2186 (41895); 2187 (41897); and 2188 (41898). No. 2182 is a bone awl
+  or perforator, of which the others are examples, as shown in Fig. 575.
+
+2189-2192. 2189, (41990); 2190, (41991); 2191, (41992); 2192, (41193).
+  Goats' horns perforated with small round holes, through which arrow
+  shafts are passed to smooth and straighten them. Fig. 576 is an
+  illustration of one of them, called _hoth-quen_.
+
+  [Illustration:
+  Fig. 570 (41963)
+  Fig. 571 (41951)
+  Fig. 572 (41969)
+  Figs. 570-572.--SHINUMO STATUETTES. 1/4 NATURE]
+
+  [Illustration:
+  Fig. 573 (40113) (1/4)
+  Fig. 574 (41855) (1/3)
+  Fig. 575 (41891) (1/3)
+  Fig. 576 (41992) (1/4)
+  Figs. 573-576.--Wolpi Ladle, Rattle, &c.]
+
+2193-2196. 2193, (41994); 2194, (41995); 2195, (41996); 2196, (41997).
+  Bundles of arrow shafts.
+
+2197. (41855). Bunch of ox hoofs or toes used as a rattle in dances.
+  These same objects are frequently attached to the edges of turtle
+  shells for the same purpose. See Fig. 574 in Zuni collection.
+
+2198-2199. 2198, (41763), and 2199, (41764). Small hoops with painted
+  net-work stretched across them; dance ornaments.
+
+2200-2201. 2200, (42346), and 2201, (42347). Shell ornaments,
+  _ya-wag-sha-na._
+
+2202. (41854). Medicine shells.
+
+_SKIN._
+
+2203. (41737). Cap made from the skin of a panther's head, with feathers
+  attached to the top of it, called _pow-how-wi-ta-nah-chi_.
+
+2204. (41738). Head-dress made of the skin of a panther's head, so as to
+  preserve the natural appearance of the animal, with feather ornaments
+  attached.
+
+2205. (41740). Fur cap, ornamented with feathers.
+
+2206. (41743). Boy's sling, _tow-wow-kin-pi_.
+
+2207. (41842). Large rabbit-skin robe, made by twisting strands of
+  rabbit-skins with the fur attached, and then sewing the strands
+  together, _tah-ru-pe_.
+
+2208. (41843). Small robe of the same character.
+
+2209. (42354). Buckskin wrist-guards, faced with metal, Fig. 579. These
+  guards are common with nearly all tribes of Indians, and are designed
+  to protect the wrist from the string of bows used in war and in
+  hunting.
+
+2210. (41869). Women's buckskin leggings.
+
+2211. (41870). Women's buckskin leggings.
+
+2212. (41739). Anklet of buckskin, _pi-la-wak-chi_.
+
+2213. (41741). Anklet of buckskin.
+
+2214. (41828). A pair of men's moccasins, which the accompanying
+  illustration shows well. They are made of buckskin, but differ from
+  the usual manner of making moccasins, called _pow-chi_. See Fig. 578.
+
+2215. (41721). Baby's moccasins, _tow-tow-chi-we-ha_.
+
+2216. (41722). Pair child's moccasins, _tow-tow-chi-we-ha_.
+
+2217. (41723). Woman's moccasins, _tow-chi_.
+
+2218. (41829). Pair of child's moccasins, _pow-tow-chi-u-wez-ha_. The
+  following are specimens of children's moccasins:
+
+2219-2222. 2219, (41830); 2220, (41831); 2221, (41832); 2222, (41833).
+
+2223. (41755). Small gaming ball covered with goat skin.
+
+2224. (41745). Buckskin paint bag, beaded.
+
+2225. (41746). Buckskin paint bag, beaded.
+
+2226. (41747). Buckskin paint bag, ornamented with fringe.
+
+2227. (41748). Buckskin paint bag, ornamented with fringe.
+
+2228. (41827). Deer-skin pouch, _la-hab-ush-i-wa_.
+
+2229. (41657). Small deer-skin quiver and one arrow.
+
+2230. (41841). Buckskin embroidered with beads.
+
+2231. (41871). Buckskin dyed black.
+
+2232. (41872). Buckskin dyed black.
+
+2233. (41873). Buckskin dyed black.
+
+2234-2235. 2234, (41717), and 2235, (41719), are riding whips made of
+  plaited leather or raw-hide, called _wi-wa-pi_. See Fig. 580.
+
+2236. (41176). A flat drum, made by stretching goat-hide over a wide
+  hoop, and tightened by lacing crosswise around the edge with a cord of
+  the same hide. One side is plain, the other is decorated with a
+  figure, which is not interpreted. This specimen is from Shinumo, but
+  it does not differ from those used by many of the other Pueblo tribes.
+  Fig. 581.
+
+2237. (42351). Fig. 577. Leather wristlets, ornamented with wild turkey
+  feathers.
+
+2238-2239. 2238, (42352), and 2239, (42353), are objects of the same
+  kind, differing somewhat in ornamentation.
+
+2240. (42354). Ornamental wristlets with metal facing.
+
+2241. (42355). Buckskin wrist-guard, to protect the wrist from the
+  bowstring when shooting arrows.
+
+2242-2243. 2242, (42356), and 2243, (42357), are similar objects, made
+  of leather.
+
+2244. (42358). Anklets of leather or rawhide strips.
+
+2245. (42359). Anklets.
+
+2246-2247. 2246, (41749), and 2247, (41750). Leather bags for fire
+  stones.
+
+2248. (41850). Leather attachments for moccasins.
+
+2249. (41765). Leather gaming ball, _tat-chi_.
+
+2250. (41758). Leather or rawhide lash rope with rings, called
+  _pe-qui-sha_.
+
+2251. (41874). Specimen of undressed rawhide.
+
+2252. (41875). Rawhide bag, painted, _cah-he-ne-si-vah_.
+
+2253. (41844). Narrow strip of canvas, painted to represent some
+  fanciful feature. The following are specimens of the same:
+
+2254-2258. 2254, (41845); 2255, (41846); 2256, (41847); 2257, (41848);
+  2258, (41849).
+
+_WOVEN FABRICS._
+
+2259. (41834). Woven belts or sashes, of which the following are
+  examples, and which are well shown in colors by Figs. 582 and 583:
+
+2260-2269. 2260, (41713); 2261, (41803); 2262, (41255); 2263, (41823);
+  2264, (41835); 2265, (41836); 2266, (41837); 2267, (41838); 2268,
+  (41839); 2269, (41840).
+
+2270. (41718). Woven waist belt, ornamented with sheep and goats' toes,
+  attached to the lower edge of the belt.
+
+2271. (41751). Head ornament of braided hair.
+
+  [Illustration:
+  Fig. 577 (42351)
+  Fig. 578 (41828) (1/5)
+  Fig. 579 (42354) (1/3)
+  Fig. 580 (41719) (1/6)
+  Fig. 581 (41176) (1/6)
+  Figs. 577-581.--Wolpi Wristlets, Moccasins, etc.]
+
+  [Illustration:
+  Fig. 582 (41255)
+  Fig. 583 (41823)
+  Figs. 582-583.--SHINUMO BLANKETS. 1/4 NATURE]
+
+2272. (42361). Flat circular pad, composed of hair, over which the
+  Shinumo women wear their hair, which appears like two wheels over the
+  ears.
+
+2273. (41767). Head ornament for flower dance, called _tah-chi_.
+
+2274. (41769). Ornament similar to the preceding.
+
+2275. (41766). Maiden's hair strings for head-dress, called
+  _chi-ca-ha-pi_.
+
+2276. (41735). Rosette for head-dress in dance.
+
+2277. (41736) Rosette with hair tufts attached; dance ornament for the
+  head.
+
+2278. (41744). Woolen tassel, ornament for dress.
+
+2279. (41762). Neck ornament, with feathers attached, called
+  _how-wah-he-qua-wi_.
+
+2280. (41759). Feather charms.
+
+2281. (41761). Woven band for the head, called _mong-at-a_.
+
+  [Illustration:
+  Fig. 584 (42365) (1/4)]
+
+2282. (42365). Fig. 584. Anklets, ornamented with porcupine quills; some
+  are beaded.
+
+The following are specimens of the anklets, variously ornamented:
+
+2283-2286. 2283, (42362); 2284, (42363); 2285, (42364); 2286, (42366).
+
+2287. (41742). Woman's knit leggings.
+
+2288. (41826). Woven hair sinch or saddle-girt, _ah-chis-clah_.
+
+2289. (41757). Braided lasso or lariat.
+
+
+
+
+COLLECTIONS FROM LAGUNA.
+
+
+ARTICLES OF CLAY.
+
+_WATER VASES._
+
+These are mostly of the usual form, though some should, probably on
+account of their shape, be designated as jars. A few have the margin
+undulate, and some are without any distinct neck.
+
+They are generally well made and very symmetrical, of white ware, with
+decorations in black, brown, or red colors.
+
+2290. (41295). Small, with opposite handles or ears, resembling rats
+  peeping into the vessel; body decorated with broad oblique stripes and
+  figures resembling corn blades. Shown in Fig. 585.
+
+2291. (42382). Small, decorated with birds fighting, their feathers
+  ruffled. Fig. 612.
+
+2292. (42384). Small, with a single broad undulate band around the body,
+  having a white stripe in the middle marked with a row of dots.
+
+2293. (42385). Fig. 586. Scalloped and straight band around the neck;
+  body with two interlaced undulate bands, with triangles alternately in
+  the inclosed and upper spaces.
+
+2294. (42380). Red base, upright black bands in the center, with brown
+  band below neck, and oblique bars extending from rim downward. See
+  Fig. 610.
+
+2295. (42381a). Fig. 587. The leaves in the decorations of this piece
+  are probably designed to represent corn blades. There is something
+  about the figures here used which leads one to believe they are, in
+  part, at least, symbolical.
+
+2296. (42386). Fig. 588. Large. Large flower ornaments surrounding large
+  birds with crests and ruffled feathers, one in each space. The
+  large-billed bird may be intended for a raven; the other the
+  California quail.
+
+2297. (42387). Small margin, with images of three birds with spread
+  wings on it; figures of two birds, with a few small flowers covering
+  the body. See Fig. 611.
+
+2298. (42388). Small. Zigzag band around the neck; figures on the body
+  as in Fig. 585.
+
+2299. (42389). Jar-shaped; zigzag band extending on neck and shoulder; a
+  straight and scalloped band just below the shoulder.
+
+2300. (42390). No neck, broadest near the top; birds, and flowers with
+  stem. Small.
+
+2301. (41391). Without neck; birds only, small.
+
+2302. (42392). Without neck. Birds picking grass. Small flowers.
+
+2303. (42393). Scalloped margin; birds only, small.
+
+2304. (42394), Fig. 589. Scalloped margin. Deer, which seems to be
+  biting the leaves of a plant.
+
+2305. (42395). Fig. 590.
+
+2306. (42396). Jug-shaped, scalloped margin, with four bands of
+  crescents on the body.
+
+2307. (42397). Jug-shaped, with square month; zigzag line around the
+  neck. Scrolls and oblique diamond figures on the body; small.
+
+2308. (42398). Fig. 591. Ears in the form of animals peeping into the
+  vessel.
+
+2309. (42399). Small, with crude images of animals on the margin; birds
+  alone on the body.
+
+2310. (42400). Small; no neck, square mouth; image of a rabbit at each
+  corner on the rim; birds and checkered square on the body.
+
+2311. (42401). Small and similar to preceding, except that there are
+  only corn leaves and a little square on the body.
+
+2312. (41402). Similar in form to the preceding; image of an animal at
+  one corner only; zigzag line around the neck; double undulate line
+  around the body, with dots above and below.
+
+2313. (41403). Similar to No. 2310, except that it is more slender and
+  jar-shaped; image of a dog or coyote at each corner; figure of a ladle
+  and a diamond on the body.
+
+  [Illustration:
+  Fig. 585 (41295) (1/3)
+  Fig. 586 (42385) (1/3)
+  Fig. 587 (42381) (1/4)
+  Figs. 585-587.--Laguna Water Vases.]
+
+  [Illustration:
+  Fig. 588 (42386) (1/4)
+  Fig. 589 (42394) (1/3)
+  Fig. 590 (42395) (1/3)
+  Fig. 591 (42398) (1/3)
+  Fig. 592 (41298) (1/3)
+  Figs. 588-592.--Laguna Water Vessels.]
+
+  [Illustration:
+  Fig. 593 (41299) (1/2)
+  Fig. 594 (42412) (1/3)
+  Fig. 595 (42413) (1/3)
+  Fig. 596 (42409) (1/3)
+  Figs. 593-596.--Laguna Water Jars.]
+
+2314. (41404). Jar-shaped, with a round mouth, one animal on the margin;
+  triangular lines on the body.
+
+2315. (42406). Regular shaped olla of medium size; large figure of leaf
+  twigs arranged in the form of a Maltese cross, surrounded on the side
+  by broad curved lines or stripes.
+
+The following are but slightly decorated:
+
+2316-2317. 2316, (42376), and 2317, (42378). With one or two simple
+  narrow bands or lines.
+
+2318. (42780). With slight oblique lines on the neck, and a few broad
+  upright lines in two groups on the body.
+
+2319-2320. 2319, (42379), and 2320, (42381b). Without decorations of any
+  kind.
+
+_WATER JUGS AND JARS._
+
+2321. (41299). Fig. 593, Canteen with the images of four dogs or coyotes
+  on it. Leaf decorations.
+
+2322. (41300). Canteens, regular form. Irregular figures.
+
+2323. (42412). Fig. 594. Canteen of regular form, scalloped band, leaves
+  and geometrical figures.
+
+2324. (42413). Fig. 595. Olla-shaped canteen. The top is depressed and
+  ornamented with a scalloped band; immediately below this is a broad
+  band consisting of two plain, narrow stripes, between which is a row
+  of oblong figures arranged in a zigzag pattern; around the middle of
+  the vessel there is a sparsely serrate band, interrupted at intervals
+  by small circles, in each of which there is the form of a cross.
+
+2325. (42409). Fig. 596. The ornamentation on this piece is rather
+  peculiar and worthy of attention, especially the bands around the
+  columns.
+
+2326. (42411). Double pepper and salt box, square form, with two handles
+  side by side; birds mounted on the handles; figures of elk on the
+  sides and ends in procession.
+
+2327. (42475). Moccasin; rude.
+
+_PITCHERS._
+
+These are well formed, evidently in imitation of those introduced by the
+white population. All similar in form, with handles. White ware with
+decorations; of medium size.
+
+2328. (41298). Shown in Fig. 592.
+
+2329. (42405). Diamond scroll in the upper zone; a band of triangles
+  with points directed upward in lower zone.
+
+2330. (42406). Flower or rosette in upper zone, one on each side; no
+  other figures.
+
+2331. (42407). Broad band around the neck, from which two long-pointed
+  triangles or acuminate figures point downwards; then another simple
+  straight band, and below this a zigzag band.
+
+2332. (42408). Scroll band around the neck; a band of hour-glass figures
+  around the shoulder.
+
+2333. (42410). With an undulate band around the bowl.
+
+_EFFIGIES._
+
+These are of white decorated ware, and in the form of birds and
+quadrupeds; the orifice being usually in the top of the head, but in
+birds it is occasionally at the tail, and in the quadruped forms
+sometimes in the breast.
+
+Birds.
+
+These are frequently without feet, &c.; one or two double ones are on
+pedestals.
+
+2334-2347. 2334, (41301); 2335, (41302), Fig. 597; 2336, (41303), Fig.
+  598; 2337, (41304); 2338, (41305); 2339, (42414), Fig. 608; 2340,
+  (42415), Fig. 599; 2341, (42418), Fig. 609; 2342, (42419); 2343,
+  (42423); 2344, (42426); 2345, (42427); 2346, (42428); 2347, (42429),
+  are all similar to that represented in the Figures; some of them are
+  intended to represent other birds than ducks.
+
+2348. (42417). Fig. 600. With two heads on a pedestal.
+
+2349. (42420). Two heads, but not on a pedestal; a handle on the back in
+  the form of a fox or dog. See Fig. 605.
+
+2350-2352. 2350, (42421); 2351, (42422); 2352, (42424). Similar to those
+  shown in Fig. 598, but the decorations are scrolls and triangular
+  figures. The first has a flower or rosette on the breast.
+
+2353. (42425). Two-headed; not on pedestal; lines, triangles, &c.
+
+2354. (42435). With a crest and long tail; apparently a rooster.
+
+Quadrupeds.
+
+2355. (41306). Fig. 601. This represents a sheep. The orifice is in
+  front of the head.
+
+2356-2357. 2356, (41307), Fig. 609, and 2357, (41309). These are
+  probably intended for sheep, but they are so rude that it is not
+  possible to determine with any certainty. Bark colored.
+
+2358. (41308). A cow; although rude, the characteristics are well given,
+  even to the hoofs and udder; spotted on the back and breast. Coloring
+  on the sides intended to represent hair.
+
+2359. (42430). Shown in Fig. 606.
+
+2360. (42431). Fig. 602. This and the preceding figure are evidently
+  intended to represent rabbits.
+
+2361-2362. 2361, (42432), and 2362, (42433). Similar to the last;
+  apparently intended for a figure of the ass (_Burro_), though the
+  spots on the former are inappropriate. The latter is decorated on the
+  side with the figure of another quadruped.
+
+2363. (42434). Animal unknown.
+
+2364-2365. 2364, (42436), and 2365, (42437). Animal not determinable;
+  decorated with spots.
+
+  [Illustration:
+  Fig. 597 (41302) (1/3)
+  Fig. 598 (41303) (1/3)
+  Fig. 599 (42415) (1/2)
+  Fig. 600 (42417) (1/3)
+  Figs. 597-600.--Laguna Effigies.]
+
+  [Illustration:
+  Fig. 601 (41306) (1/3)
+  Fig. 602 (42431) (1/3)
+  Fig. 603 (42438) (1/3)
+  Fig. 604 (42444) (1/3)
+  Figs. 601-604.--Laguna Effigies.]
+
+  [Illustration:
+  Fig. 605 (42420)
+  Fig. 606 (42430)
+  Fig. 607 (41307)
+  Fig. 608 (42414)
+  Fig. 609 (42418)
+  Figs. 605-609--LAGUNA POTTERY. 1/3 NATURE.
+
+  [Illustration:
+  Fig. 610 (42380)
+  Fig. 611 (42387)
+  Fig. 612 (42382)
+  Fig. 613 (42473)
+  Fig. 614 (42469)
+  Fig. 615 (42471)
+  Figs. 610-615.--LAGUNA POTTERY. (1/[illegible]) NATURE.]
+
+  [Illustration:
+  Fig. 616 (41297) (1/2)
+  Fig. 617 (42452) (1/3)
+  Figs. 616, 617.--Laguna Eating Bowls.]
+
+2366-2371. 2366, (42438), Fig. 603; 2367, (42439); 2368, (42440); 2369,
+  (42441); 2370, (42442); 2371, (42443). Antelope and elk. The first is
+  evidently an antelope, and possibly the third and fifth. The rest are
+  certainly elk. Decorations simple.
+
+2372. (42444). Probably a dog or coyote, with scrolls and diamond
+  figures. See Fig. 604.
+
+2373. (42445). Probably a horse.
+
+Human figures--dolls.
+
+2374-2377. 2374, (42447); 2375, (42448); 2376, (42449); 2377, (42450).
+  Females; simple.
+
+2378. (42446). Is a pretty fair representation of a chair.
+
+_EATING BOWLS._
+
+The Laguna bowls are mostly of two sizes, either large or small. The
+former are eating bowls and are of the general form, or perhaps more
+hemispherical than usual. The small ones vary in shape from the
+preceding form to that of a flat-bottomed basin. The decorations present
+but little similarity to those we have previously described from other
+tribes; white ware with colored decorations.
+
+Small bowls. Decorations all external:
+
+2379. (41296). Square mouth, with two sides somewhat flattened. Scrolls
+  and leaf-like figures on the outside.
+
+2380. (41297). Fig. 616. Shown in the figure.
+
+2381. (42451). Basin-shaped, with a handle on one side and a lip on the
+  other; simple marginal and basal band with oblique lines.
+
+2382. (42452). Fig. 617. Same form, with handle on which is seated some
+  animal, apparently a dog, no lip. Band of diamond figures with central
+  spaces. These two are the only specimens which have handles.
+
+The following are quite small, basin-shaped, decorated with leaflike
+figures:
+
+2383-2388. 2383, (42453); 2384, (42454); 2385, (42457); 2386, (42458);
+  2387, (42459); 2388, (42460).
+
+The two following are small, of regular form:
+
+2389. (42455). With two zigzag lines around the body.
+
+2390. (42456). With geometrical figures.
+
+Large bowls.
+
+2391. (41265). No external decorations; radiating lines and large spaces
+  inside.
+
+2392. (42474). Inner zigzag marginal line as on Zuni bowls; outer
+  decorations also somewhat like the usual triangular figures on the
+  Zuni bowls.
+
+The following are without inner decorations:
+
+2393-2395. 2393, (42466); 2394, (42468); 2395, (42472). With broad band
+  of geometrical figures; the first with a narrow scalloped band
+  bordering the large band below.
+
+2396-2397. 2396, (42461), and 2397, (42473), Fig. 613. With irregular
+  geometrical figures; no band.
+
+2398. (42469). With diamond marginal band; irregular figures below. Fig.
+  614.
+
+2399. (42470). The large circular scroll with irregular figures; no
+  band.
+
+2400. (42471). Scalloped circle with a square in it, and leaf-like
+  figures. Fig. 615.
+
+
+
+
+COLLECTIONS FROM ACOMA.
+
+
+ARTICLES OF CLAY.
+
+_WATER VASES._
+
+There are but few pieces of this pottery, yet a careful examination of
+these since my return increases my desire to procure more. The Acoma
+bears a strong resemblance, especially in the ornamentation, to that
+from Laguna. All that was obtained was of white ware with decorations in
+color. In this pottery, in most cases where animals are figured, they
+have a base or ground on which to stand.
+
+2401. (39578). Medium size, figures of birds, ant-hills, and cactus. No
+  band on the neck.
+
+2402. (39581). Fig. 618.
+
+2403. (39582). Very pretty specimen, quite symmetrical, broad
+  jar-shaped, a scalloped band on the neck with little tassels suspended
+  from it, possibly intended to imitate fringe. Large triangles on the
+  body pointing to the right, each tipped with a flower.
+
+2404. (39730). Small scalloped band around the neck similar to Fig. 624.
+
+2405. (41310). Large double band of triangles on the neck; body with a
+  band of large diamonds, or squares placed as diamonds, with checkered
+  centers and crescents.
+
+2406. (41313). No band on the neck; birds and ant hills.
+
+2407. (41314). No band on neck; large elk and some irregular figures.
+
+2408. (41315). No band on neck; bird on the ground amid leaves and
+  flowers.
+
+2409. (41316). Fig. 619. The ornamentation on this is more than usually
+  spirited.
+
+2410. (41318). Scalloped margin, no neck-band; belt of large open
+  diamonds around the body, each upper corner capped with three leaves.
+  See Fig. 621.
+
+2411. (41317). Large size; a double band of crescents around the neck;
+  then on the shoulder an arched band with a central stripe of diamonds;
+  below this a double line of inverted crescents, and below this a large
+  three-leafed plant. See Fig. 620.
+
+  [Illustration:
+  Fig. 618 (39581) (1/4)
+  Fig. 619 (41316) (1/4)
+  Figs. 618, 619.--Acoma Water Vases.]
+
+  [Illustration:
+  Fig. 620 (41317)
+  Fig. 621 (41318)
+  Fig. 622 (42377)
+  Figs. 620-622.--ACOMA POTTERY. 1/5 NATURE.]
+
+2412. (42378). Plain.
+
+2413. (42383). Small, with lines of outline crescents around the body.
+
+2414. (42377). See Fig. 622.
+
+_PITCHERS._
+
+White decorated ware with handles:
+
+2415. (41311). Regular form, of medium size, with a broad zigzag band
+  around the neck and another around the body. The latter has in each
+  large fold something like an arrow-head with point broken off.
+
+2416. (41312). Olla-shaped neck with snort oblique bands; body with
+  large and small triangles.
+
+_EATING BOWLS._
+
+The following specimens are small:
+
+2417. (42461). Shaped exactly like the small soup bowl in use at the
+  present day among the whites; with foot encircled by a vine with
+  well-formed leaves. A pretty piece.
+
+2418. (42462). Regular form, with an outline zigzag band.
+
+2419. (42463) and (42464). Very small, conical in shape, the former
+  marked with slender lines running around it, the latter with dots.
+
+
+
+
+COLLECTION FROM COCHITI.
+
+
+ARTICLES OF CLAY.
+
+_WATER VESSELS._
+
+Size: height 6 to 9 inches, diameter 6 to 15 inches.
+
+These are of the same form as those of Zuni, but the curves and outlines
+are much more graceful, and there is a delicacy in the finish which
+places them above the Zuni pottery and indicates a greater freedom and
+confidence in the ceramic artist. The rim is often slightly flared, the
+neck more distinct and regularly formed.
+
+The only figure given of this interesting group is not one of the
+regularly formed specimens. They are all white ware with decorations in
+black.
+
+2420. (39501). Scalloped band around the neck; body divided into three
+  compartments by upright double lines with rosette in one and twigs in
+  the others.
+
+2421. (39502), Pueblo or terraced figures around the body bordered by an
+  undulate line below. This is of special interest.
+
+2422. (39503). Decorated with sunflower, the stem and leaves on the
+  body; straight and undulate lines around the neck.
+
+2423. (39504). Decorated with straight and undulate bands.
+
+2424. (39505). With figures of birds on the neck; and a tolerably well
+  executed true meander or Greek fret around the body. Evident imitation
+  of European pattern.
+
+2425. (39506). Straight and undulate lines on the neck, triangle
+  pointing downwards, leaves and insects on the body.
+
+2426. (39509). Depressed; with rosettes and geometrical figures on the
+  upper half of the body.
+
+2427. (39634). Globular in form, without neck; scalloped marginal band;
+  figures of chickens on the body.
+
+2428. (39731). Fig. 624. Small size.
+
+2429. (39733). Small size, similar in form to the preceding, with
+  scalloped band around the neck, and scalloped arches on the body.
+  Shown in Fig. 623.
+
+Globular vessels with handles, used for holding water. These are of two
+forms: those which are almost or quite spherical, with wide month at the
+top; and those which resemble tea-pots, and open through a spout in the
+form of the head of a bird or other animal. These are sometimes
+globular, with opening at the top. Size shown in the illustrations.
+
+2430. (39557). Undulate band around the margin; figures of fish on the
+  body.
+
+2431. (39558). Undulate line round the margin; figures of deer, bird,
+  and fruit.
+
+2432. (39559). With figures of triangles and leaves on the body.
+
+2433. (39560). With head of a bird projecting from one side; marked with
+  outline triangular and lunar figures on the body.
+
+2434. (39561). Head of an animal projecting from one side.
+
+Canteen-shaped vessels, with openings through a spout in the form of the
+head of some animal. In some instances, where these are in the form of a
+bird with the head for a spout, at the opposite end or side is the
+representation of a tail, but often the latter is wanting. Handle
+single, and usually on the top, unless otherwise specially mentioned.
+
+2435-2436. 2435, (39563), and 2436, (39567). These are bird-shaped, with
+  simple meander bands round the neck, and procession or herd of sheep
+  or goats on the body. Head and tail shown. The former is seen in Fig.
+  625.
+
+2437. (39564). Form of a bird without tail; decorations simple.
+
+2438. (39565). Shown in Fig. 626.
+
+2439. (39568). Bird without tail; figure of an Indian with a gun in his
+  hand, leading a calf followed by a cow.
+
+2440. (39569). Bird with rude tail; figures of fishes and bird and a
+  scalloped band below.
+
+2441. (39570). Bird without tail; feather figures on breast; oblique
+  checkered band to represent wing.
+
+  [Illustration:
+  Fig. 623 (39733) (1/3)
+  Fig. 624 (39731) (1/3)
+  Figs. 623, 624.--Cochiti Water Vessels.]
+
+  [Illustration:
+  Fig. 625 (39563) (1/3)
+  Fig. 626 (39565) (1/3)
+  Figs. 625, 626.--Cochiti Water Vessels.]
+
+  [Illustration:
+  Fig. 627 (39573) (1/3)
+  Fig. 628 (39720) (1/3)
+  Figs. 627, 628.--Cochiti Water Vessels.]
+
+  [Illustration:
+  Fig. 629 (39725) (1/3)
+  Fig. 630 (39511) (1/3)
+  Figs. 629, 630.--Cochiti Water Vessels.]
+
+  [Illustration:
+  Fig. 631 (39717) (1/3)
+  Fig. 632 (39721) (1/3)
+  Figs. 631, 632.--Cochiti Water Vessels.]
+
+  [Illustration:
+  Fig. 633 (39718) (1/3)
+  Fig. 634 (39714) (1/3)
+  Figs. 633, 634.--Cochiti Water Vessels.]
+
+2442. (39571). With two heads opposite, handle crosswise between them;
+  serrate bands around the necks; figures of birds on the body.
+
+2443. (39572). Representing a double-headed duck, with a single tail at
+  opposite end; square handle; outline flower or rosette on the body.
+
+2444. (39573). Form and decorations shown in Fig. 627. Probably intended
+  for a dog.
+
+2445. (39574). Form like preceding; decorations, fish, and grass; latter
+  well shown.
+
+2446. (39575). Similar in form to preceding, but with the fore-legs
+  added. Decorations, collar or band around the neck and fish, on the
+  body.
+
+2447. (39579). Without handle, canteen-shaped, with dark head on one
+  side; decorated with flowers and birds.
+
+2448. (39696). Bird's head on top, tail present, no handle; jug-shape;
+  feather on back, scrolls and flower on the side.
+
+2449. (39697). Animal's head; no tail; open on top as well as through a
+  spout; scalloped margin; birds and twigs on the body.
+
+2450. (39698). Similar in form to the preceding, and with similar
+  decorations.
+
+2451. (39699). Similar in form, but not open on top. Man, boy, and
+  birds, with lines or shading to represent the ground.
+
+2452-2458. 2452, (39701); 2453, (39713); 2454, (39715); 2455, (39720);
+  Fig. 628; 2456, (39725), Fig. 629; 2457, (39727); 2458, (39730). These
+  are somewhat of bird form, with globular body and without tail. Nos.
+  2455, 2456, and 2457 are open on top, the others are not. Decorated
+  with figures of birds, and sometimes flowers or twigs. The bird
+  figures on No. 2453 (39713) are evidently intended for turkeys. This
+  is without handle, and open at the top.
+
+2459. (39700). Bird without tail; figures of deer and some other animal,
+  also trees.
+
+2460. (39703). Duck-shaped, without tail; rude figures of animals and
+  birds.
+
+2461. (39511). Fig. 630.
+
+2462. (39704). Bird-shape, no tail; outline figures of Indians.
+
+2463-2465. 2463, (39706); 2464, (39712); 2465, (39721), Fig. 632. Usual
+  bird form as shown, and with similar animal figures.
+
+2466. (39705). Resembles specimen shown in Fig. 629.
+
+2467-2468. 2467, (39707), and 2468, (39708). Same form; decorations in
+  outline, former of plants, latter of animals; rude.
+
+2469. (39709). Same form; figure of an Indian chasing a deer.
+
+2470-2471. 2470, (39710), and 2471, (39717). Fig. 631. Decorated with
+  figures of fish.
+
+2472. (39711). Usual form; oblique; double serrate band and figures of
+  fish.
+
+2473. (39714). Fig. 634.
+
+2474. (39718). Fig. 633.
+
+2475. (39719). Fig. 635.
+
+2476. (39722). Fig. 636. This belongs to the globular group above
+  described.
+
+2477. (39723). Similar to the preceding and belongs to the same group;
+  with figures of sheep and fish.
+
+2478. (39724). Fig. 637.
+
+2479. (39726). Fig. 638. A true canteen.
+
+2480. (39728).
+
+2481. (39729). Fig. 639.
+
+2482. (39508). Bird with tail more elongate in form than usual. Oblique
+  checkered band on the side.
+
+2483. (39514). Similar to water jars in the form of birds, and without
+  handles.
+
+2484. (39562). Fig. 640.
+
+2485. (39515). Rosette of leaves on the back; tail well formed, probably
+  represents the dove.
+
+2486. (39516). No head, merely a spout; decorations simple.
+
+2487. (39517). Evidently intended for a hen.
+
+2488. (39518). Fig. 642.
+
+2489. (39584). Simulates a hen; feathers on the back, deer on the sides.
+
+2490. (39585). With handle, wings rudely figured. Shown in Fig. 641.
+
+2491. (39586). Similar in form to No. 2480; wings represented by figure,
+  behind them the figures of a bird, evidently a duck, resembling the
+  head of the vessel. Of the usual tea-pot shape.
+
+2492. (39583). Without handle, canteen-shaped; open on top, with head
+  apparently of turtle on one side: decorations, bird and rosette.
+
+2493. (39580). Fig. 643. Simple jar.
+
+2494. (39576). Fig. 644. Figure of a priest.
+
+2495-2496. 2495, (39777), and 2496, (39778). Simple water jars of black
+  ware, pitcher-shaped, with slight projection on the body for handle.
+  These were evidently obtained from some other tribe.
+
+_EATING BOWLS._
+
+There is but one specimen of Cochiti manufacture in the collection.
+
+2497. (39512). Of ordinary shape; white ware, decorated with black on
+  the inside only; a central ring with radiating corn-leaf figures.
+
+_ORNAMENTS, EFFIGIES, AND TOYS._
+
+All small. White ware, slightly decorated unless otherwise specified.
+
+2498. (39520). Head of some animal too rude to identify.
+
+2499. (39521). Double-headed bird figure on a pedestal.
+
+2500. (39526). Black ware. Sitting annual; very rude.
+
+2501. (39527). Black ware. Probably jack-rabbit; handle at the back.
+
+  [Illustration:
+  Fig. 635 (39719) (1/3)
+  Fig. 636 (39722) (1/3)
+  Figs. 635, 636.--Cochiti Water Vessels.]
+
+  [Illustration:
+  Fig. 637 (39724) (1/3)
+  Fig. 638 (39726) (1/3)
+  Figs. 637, 638.--Cochiti Water Vessels.]
+
+  [Illustration:
+  Fig. 639 (39729) (1/3)
+  Fig. 640 (39562) (1/3)
+  Figs. 639-640.--Cochiti Water Vessels.]
+
+  [Illustration:
+  Fig. 641 (39585) (1/3)
+  Fig. 642 (39518) (1/4)
+  Figs. 641, 642.--Cochiti Water Vessels.]
+
+  [Illustration:
+  Fig. 643 (39580) (1/3)
+  Fig. 644 (39576) (1/3)
+  Figs. 643, 644.--Cochiti Water Vessels.]
+
+  [Illustration:
+  Fig. 645 (39857) (1/2)
+  Fig. 646 (39825) (1/3)
+  Fig. 647 (39824) (1/3)
+  Figs. 645-647.--Cochiti Effigies.]
+
+2502. (39528). Black ware. Young birds. The three last mentioned are
+  most likely from some other pueblo.
+
+2503. (39824). Fig. 647. Black ware.
+
+2504. (39825). Fig. 646. Black ware.
+
+2505-2506. 2505, (39826), and 2506, (39827). Similar grotesque figures
+  of black ware.
+
+2507. (39854). Double-headed figure of a bird on pedestal.
+
+2508. (39855). Bird on pedestal; ruffled back.
+
+2509-2518. 2509, (39856); 2510, (39857), Fig. 645; 2511, (39858); 2512;
+  (39859); 2513, (39860); 2514, (39861); 2515, (39769); 2516, (39775);
+  2517, (39883); 2518, (39862), are figures of birds on pedestals,
+  except No. 2514, which is the figure of a little duck, and probably is
+  a toy water vessel.
+
+2519. (39524). A toy cup or basket in the shape of an olla, with handle,
+  the figure of the little water insect or worm appears on this, the
+  only instance in the Cochiti pottery.
+
+
+
+
+COLLECTION FROM SANTO DOMINGO.
+
+
+ARTICLES OF CLAY.
+
+_WATER VESSELS._
+
+There are but nine pieces of this pottery, and all but two of these are
+small images or drinking vessels in the form of birds.
+
+2520. (39510). A double globe jar or canteen. White ground, with
+  ornamentations in black, as seen in Fig. 649. Depression in the center
+  is probably designed to receive a band or cord to carry it with.
+
+2521. (39513). Large black bowl; no ornamentation.
+
+Images of black ware; two pieces; a bird on pedestal and a quadruped.
+
+2522-2523. 2522, (39652a); 2523, (39652b).
+
+2524-2525. 2524, (39653), and 2525, (39654). Human images, very rude.
+
+2526. (39658). Bird on pedestal.
+
+Small drinking vessels in the form of birds. White ornamented ware.
+
+2527. (39655). With four rows of dots on the side; no tail.
+
+2528. (39656). With handle; tail and neck ornamented.
+
+2529. (39657). No ornamentation except a line or two and some dots on
+  the head. Fig. 648.
+
+
+
+
+COLLECTIONS FROM TESUKE.
+
+
+ARTICLES OF STONE.
+
+_METATES, MORTARS, ETC._
+
+2530. (39809). Stone metate for grinding grain, brown sandstone.
+
+2531. (39810). Quartzitic stone mortar for grinding mineral pigment.
+
+2532. (39811). Quite small mineral pigment mortar of quartz rock.
+
+2533. (39821). Gaming ball of fine-grained sandstone.
+
+2534. (42215). Discoidal quartz pounder.
+
+2535. (42341). Fig. 650. Paint mortar. This mortar was made from a
+  somewhat rounded sandstone boulder by grinding out a cavity. In the
+  cut, which was drawn for another purpose, the pestle is represented
+  with a small cup-shaped cavity on one side of it, in which the fluid
+  pigment from the mortar was poured and used with the brush of the
+  artist for decorative purposes. This is the only specimen of the kind
+  in the collection, and the only one found where the pestle combines
+  the cup with it.
+
+  [Illustration:
+  Fig. 650 (42341) (1/3)
+  Fig. 648 (39657) (1/2)
+  Fig. 649 (39510) (1/3)
+  Figs. 646-649.--Santo Domingo Canteen and Effigy.]
+
+
+ARTICLES OF CLAY.
+
+_WATER VASES._
+
+This group, though comparatively small, contains some of the largest and
+grandest pieces in the entire collection, some of the vases being twenty
+inches in height and twenty-two in diameter, having a capacity of ten
+gallons. It consists of white ware with decorations in black, bearing a
+strong resemblance to that of Cochiti, brown micaceous, and polished
+brown ware without ornamentation, and black ware without ornamentation.
+
+Tinajas or vases. Well formed and similar in shape to those from
+Cochiti.
+
+2536. (39507). With oblique diamond figures on the neck, and geometrical
+  figures on the body.
+
+2537. (39520). Upper half only decorated with rude figures of leaves and
+  twigs.
+
+2538. (39523). Similar to the preceding.
+
+2539. (39525). Without neck; a broad and true meander band around the
+  middle, with three-leaved flower above and below on each coil.
+
+2540. (39530). Neck ornamented with a straight and an undulate line;
+  body as in No. 2539.
+
+2541. (39531). With rosette and triangular figures somewhat similar to
+  those on Zuni ollas.
+
+2542. (39532). Decorations similar to those on Cochiti olla, No. 2421.
+
+2543. (39801). Covered; a beautiful specimen, probably the most chaste
+  and artistic of the entire collection.
+
+2544. (39533). Fig. 651. Similar to the preceding.
+
+2545. (39534). Serrate band around the neck; body with broad band and
+  large circular spaces, each having four dark indentations.
+
+2546. (39542). Neck with straight and undulate lines and short sigmoid
+  figures; body with figures of a plant.
+
+2547. (39549). Neck similar to the preceding; body with a zigzag line
+  dotted along the upper side, and small ovoid spots above and below it,
+  one in each indentation.
+
+2548. (39635). Plain black, polished, large.
+
+2549. (39639). Like the last.
+
+2550. (39660). Large size; dotted line around the neck; heavy band
+  around the shoulder, with sharp and long serrations pointing downward;
+  body with alternate ornamental ovals and four-pointed stars.
+
+2551. (39661). Straight and undulate lines around the neck; body divided
+  into spaces by broad, double-scalloped, perpendicular stripes, having
+  the middle white with an undulate line in the white portion; the
+  intermediate spaces have a sun-shaped figure in the upper corner, from
+  which a double serrate stripe descends obliquely.
+
+2552. (39664). Birds and undulate line on the neck; a straight line with
+  ring dots on the shoulder, broad meander band, with triple leaf
+  ornament around the body.
+
+2553. (39665). Neck with meander as in the preceding; a slender vine,
+  well made, around the body.
+
+2554. (39682). Rather slender; undulate margin; vine around the neck;
+  body with broad band of three-leaved flowers.
+
+2555. (39683). Neck with straight and undulate lines; body with undulate
+  line terraced above as heretofore described, but above this is a row
+  or band of small distinct ovals.
+
+2556. (39685). Black, without ornamentation.
+
+2557. (39686). Large bowl-shaped olla, without neck, decorated with
+  vine, cross, scrolls, &c.
+
+2558. (39687).
+
+2559. (39740). Upper half with marginal scalloped band, from which hang,
+  obliquely, leaves with bent spines on their margin; below this a
+  serrate and then a double straight line.
+
+2560. (39741). Squatted in shape. Vine with leaves around the middle of
+  the body.
+
+2561. (39772). Small; slender vine around the neck, dotted line around
+  the shoulder, and three-leafed vine around the body.
+
+2562. (39773). With flaring rim; scalloped band around the margin;
+  regular zigzag line around the shoulder, from each lower point of
+  which descend plants.
+
+2563. (39789). Same decorations as No. 2539, but of the regular form.
+
+2564. (39800). Small scalloped lines around the body.
+
+2565. (39802). Brown, without ornamentation.
+
+2566. (39803).
+
+2567. (39805).
+
+2568. (39806). Fig. 652.
+
+2569. (39813). Fig. 654.
+
+2570. (39814).
+
+2571. (39815). Neck colored, with a white zigzag line running through
+  it; body with curious, large leaf-like ornaments of an angular shape.
+
+2572. (39817). With similar leaf-like figures, but narrower and
+  differently arranged. Shown in Fig. 653. The piece is injured, and the
+  cords seen in the figure were tied about it by the natives to keep it
+  from, going to pieces.
+
+2573. (39816). With a large zigzag band around the upper half of the
+  body, terraced above and below.
+
+2574. (39818). Very large and beautiful specimen, decorated on the body
+  somewhat like some of the Zuni pottery. The large circular scrolls are
+  formed of a vine with leaves on the outer side. There are but few of
+  the triangular figures seen in the Zuni piece; there is a regular and
+  true serrate marginal band; below this on the neck a broad band with
+  diamond spaces.
+
+2575. (39819). With a broad band around the neck composed of squares
+  placed obliquely, with an oblong white space in each; body with a
+  simple, narrow, straight band or double line.
+
+2576. (39822). Large scalloped band around the neck, a little leaf
+  pendant from each point; the body with alternate large stars and
+  ornamental diamonds.
+
+2577. (39823). This has the rim slightly flaring, a scalloped band and
+  leaves around the neck; the body profusely decorated with geometrical
+  figures. This belt is divided into four spaces, in each of which there
+  is a checkered, terraced pyramid pointing downward; the lower part and
+  sides of each space is occupied with triangular and sagittate figures.
+
+2578. (39868). Small; neck with a row of ovals; the shoulder with a true
+  herring-bone band; a vine with spiny leaves around the body.
+
+2579. (39865).
+
+  [Illustration:
+  Fig. 651 (39533) (1/4)
+  Fig. 652 (39806) (1/5)
+  Figs. 651, 652.--Tesuke Water Vases.]
+
+  [Illustration:
+  Fig. 653 (39817) (1/3)
+  Fig. 654 (39813) (1/3)
+  Figs. 653, 654.--Tesuke Water Vases.]
+
+_WATER JUGS AND JARS._
+
+2580. (39812). Plain double-bellied water bottle of micaceous ware. See
+  Fig. 655.
+
+2581. (39834).
+
+2582. (41366). Water jug. Fig. 519.
+
+2583. (39790). Jar or urn of white ware, with two handles ornamented
+  with the usual meander.
+
+_PITCHERS._
+
+2584. (39745). A regular well-formed pitcher, with proper lip and
+  handle. White ware ornamented with serrate lines, triangles, and
+  circle. The only one from this tribe.
+
+_EATING BOWLS._
+
+The Tesuke bowls vary considerably in form, some having the slope
+straight, others flaring and of the usual form, others biscuit-shaped.
+No large specimens were obtained.
+
+2585. (39613). Usual bowl-shape, with flaring margin; no external
+  decorations; inner surface with circular scrolls.
+
+2586. (39647). Biscuit-shaped, with broad meander band externally; no
+  decoration internally.
+
+The following are similar in form and decoration:
+
+2587-2590. 2587, (39666); 2588, (39669); 2589, (39788); 2590, (39648).
+  Outside plain; inner marginal band a slender vine.
+
+The following numbers are plain, of brown micaceous ware,
+biscuit-shaped, small:
+
+2591-2593. 2591, (39667); 2592, (39668); 2593, (39835).
+
+The following are of the same ware, platter-shaped:
+
+2594-2599. 2594, (39672); 2595, (39678); 2596, (39679); 2597, (39680);
+  2598, (39681); 2599, (39792).
+
+2600. (39793). Square.
+
+2601. (39797). Regular bowl-shaped, with foot.
+
+2602. (39673). Biscuit-shaped, with band of straight and undulate lines.
+
+2603. (39674). No outer decorations; inside with radiating serrate
+  lines, and leaves.
+
+2604. (39675). No inner decorations; on outside a marginal serrate band,
+  and a band of leaves around the body.
+
+2605. (39676). Biscuit-shaped; vine, with leaves, around the middle.
+
+2606. (39677). Uo outer ornaments; on inner surface a center leaf-cross,
+  and above this, radiating lines.
+
+2607. (39688). Decorated on inner surface only. A central flower and
+  submarginal band of oval leaves.
+
+2608. (39742). Biscuit-shaped; zigzag line, with two leaves at each
+  point on the outside.
+
+2609. (39743), Plain red, flower-pot shaped.
+
+2610. (39744). Flower-pot shaped, with zigzag lines or vines running up
+  and down, a leaf at each point.
+
+2611. (39776). Largest bowl of the group.
+
+2612. (39787). Regular shape; zigzag band on the outside.
+
+2613. (39798). Small, regular shape, with vines on the inside.
+
+2614. (39799). Small figures and birds on the inside.
+
+_COOKING VESSELS._
+
+These are always plain black ware, and are of several forms.
+
+Pots. Shaped like the Zuni vessels.
+
+2615-2632. 2615, (39601); 2616, (39602); 2617, (39605); 2618, (39606);
+  2619, (39607); 2620, (39608); 2621, (39611); 2622, (39670); 2623,
+  (39671); 2624, (39689); 2625, (39735); 2626, (39736); 2627, (39737);
+  2628, (39738); 2629, (39794); 2630, (39795), with handle; 2631,
+  (39828); 2632, (39874).
+
+Bowel-shaped:
+
+2633-2635. 2633, (39603); 2634, (39604); 3635, (39615), with handle. See
+  Fig. 657.
+
+Platter-shaped:
+
+2636-2646. 2636, (39609); 2637, (39610); 2638, (39612); 2639, (39614);
+  2640, (39690); 2641, (39691); 2642, (39692); 2643, (39693); 2644,
+  (39694); 2645, (39695), shown in Fig. 659; 2646, (39739).
+
+_TOYS._
+
+2647. (39791). Ornamented bird on pedestal.
+
+Blackbirds on pedestals:
+
+2648-2657. 2648, (39804); 2649, (39807); 2650, (39808); 2651, (39820);
+  2652, (39829); 2653, (39830); 2654, (39831), Fig. 656; 2655, (39832),
+  Fig. 658; 2656, (39833); 2657, (39836).
+
+
+VEGETAL SUBSTANCES.
+
+_MEDICINES._
+
+2658. (39751). _O-sha_. Root used as medicine for rheumatism, internally
+  and externally.
+
+2659. (39752). _Zerba-lobo_. Wolf root, for pulmonary complaints.
+
+2660. (39753). _O-cha_. Root used for rheumatism.
+
+2661. (39754). _Ka-cha-na_. Root, semi-medicinal and magic. To prevent
+  breach or wounds, and for sore eyes; external use.
+
+  [Illustration:
+  Fig. 655 (39812) (1/3)
+  Fig. 656 (39831) (1/2)
+  Fig. 657 (39615) (1/2)
+  Fig. 658 (39832) (1/2)
+  Fig. 659 (39695) (1/2)
+  Figs. 655-659.--Tesuke Vessels.]
+
+
+
+
+COLLECTIONS FROM SANTA CLARA.
+
+
+ARTICLES OF CLAY.
+
+_WATER VASES._
+
+This is all black and frequently polished ware without ornamentation.
+The method of producing the black polish is explained in another part of
+the catalogue.
+
+Bowls and ollas. Black, without ornamentation. Some of these are of
+comparatively large size.
+
+2662-2670. 2662, (39645); 2663, (39748), Fig. 662; 2664, (39749); 2665,
+  (39750); 2666, (39779); 2667, (39780), Fig. 660; 2668, (39781); 2669,
+  (39782); 2670, (39786). A very pretty covered jar; cover with a
+  handle. Fig. 672.
+
+2671. (39838). Small with scalloped margin.
+
+2672. (39866).
+
+2673. (39629). Fig. 661. Vase with depressed band around the center; rim
+  forming a band; base small.
+
+2674. (39834). Double lobed bottle or canteen. See Fig. 671.
+
+_EATING-BOWLS._
+
+These are of black polished ware without decoration of any kind, and of
+various forms, globular, bowl-shaped, and platter-shaped or true
+platters.
+
+Globular and small:
+
+2675-2676. 2675, (39556), and 2676, (39616).
+
+Bowl-shaped:
+
+2677-2678. 2677, (39617), and 2678, (39618). With flared and notched
+  rim.
+
+2679-2680. 2679, (39619), Fig. 667, and 2680, (39620). These two with
+  flared and scalloped rim.
+
+2681. (39621). A cooking vessel.
+
+2682-2689. 2682, (39628), Fig. 669; 2683, (39632), Fig. 663; 2684,
+  (39646), Fig. 664; 2685, (39633); 2686, (39636); 2687, (39637); 2688,
+  (39638); 2689, (39643).
+
+Platter-shaped:
+
+2690-2691. 2690, (39630), and 2691, (39640). Scalloped rim.
+
+2692-2698. 2692, (39641); 2693, (39642); 2694, (39646), see Fig. 664;
+  2695, (39649), scalloped rim; 2696, (39784); 2697, (39785); 2698,
+  (39796).
+
+2699. (39793). Fig. 668. Small platter-shaped dish of black polished
+  ware.
+
+_COOKING VESSELS._
+
+2700. (39794). Small pot, no handle.
+
+2701. (39795). Small pot with handle.
+
+2702-2705. 2702, (39623); 2703, (39626), Fig. 670; 2704, (39627); 2705,
+  (39629). Small pots without handles, with a constriction or
+  indentation around the middle.
+
+2706-2707. 2706, (39837), and 2707, (39840). Small pitchers with handles
+  and lips.
+
+2708. (39839). Canteen with spout and mouth above.
+
+_EFFIGIES._
+
+Bird figures, polished, on pedestals. All similar to those shown in the
+figures.
+
+2709-2720. 2709, (39841); 2710, (39842); 2711, (39843); 2712, (39844);
+  2713, (39845); 2714, (39846); 2715, (39847); 2716, (39848), Fig. 666;
+  2717, (39849), Fig. 665; 2718, (39850); 2719, (39554); 2720, (39555).
+  The last two are hollow, with an orifice in the back; no pedestal.
+
+2721. (39553). Canteen in shape of a bird; no pedestal.
+
+
+
+
+COLLECTIONS FROM SAN JUAN.
+
+
+ARTICLES OF CLAY.
+
+_EATING BOWLS._
+
+2722-2723. 2722, (39587) and 2723, (39588). These two with handles on
+  each sides. Sides straight.
+
+2724-2725. 2724, (39589), and 2725, (39590). Biscuit-shaped, as shown in
+  Fig. 675.
+
+2726. (39591). Platter-shaped, with scalloped margin.
+
+2727. (39592). Red ware, of medium size, with outer broad marginal band
+  of triangular figures.
+
+Pots. Plain, black:
+
+2728-2731. 2728, (39593); 2729, (39594); 2730, (39747); 2731, (39625).
+  Canteen-shaped, with handles or ears at or near the top; small
+  circular orifice. See Fig. 673.
+
+2732. (39650). A similar vessel of black ware, with larger orifice, the
+  margin of which is scalloped. Large ears or handles near the top on
+  each side. Bottom oval, and an impressed band around middle of body.
+  In some of the canteen-shaped vessels this depression is for holding
+  the cord with which the vessel is transported. See Fig. 674.
+
+  [Illustration:
+  Fig. 660 (39780) (1/3)
+  Fig. 661 (39629) (1/2)
+  Fig. 662 (39748) (1/3)
+  Fig. 663 (39632) (1/2)
+  Fig. 664 (39646) (1/3)
+  Fig. 665 (39849) (1/2)
+  Fig. 666 (39848) (1/2)
+  Figs. 660-666.--Santa Clara Pottery.]
+
+  [Illustration:
+  Fig. 667 (39619) (1/5)
+  Fig. 668 (39793) (1/4)
+  Fig. 669 (39628) (1/4)
+  Fig. 670 (39626) (1/4)
+  Fig. 671 (39834) (1/4)
+  Fig. 672 (39786) (1/4)
+  Figs. 667-672.--SANTA CLARA POTTERY.]
+
+  [Illustration:
+  Fig. 673 (39625) (1/2)
+  Fig. 674 (39650) (1/3)
+  Fig. 675 (39590) (1/3)
+  Figs. 673-675.--San Juan Pottery.]
+
+2733. (39659). A jug-shaped pitcher of decorated red ware, with regular
+  handle neatly formed. Ornamented with a looped vine and twigs, with
+  leaves well drawn; neck slender and orifice with lip, but less in
+  proportion than in ordinary pitcher.
+
+
+
+
+COLLECTION FROM JEMEZ.
+
+
+ARTICLES OF CLAY.
+
+2734. (39926). Fig. 676. A very singular and pretty water vessel,
+  obtained at the Jemez pueblo. White ware decorated in black and brown.
+  It is probable that the peculiar form is given from mere fancy, and
+  not for the purpose of adapting it to any particular use, as it
+  appears to be simply a water vessel.
+
+  [Illustration:
+  Fig. 676 (39926) (1/3)]
+
+
+
+
+COLLECTION FROM THE JICARILLA APACHES.
+
+
+ARTICLES OF CLAY.
+
+This is a light brown micaceous ware, and the pieces are all small, or
+comparatively so. They consist of pots, pitchers, and cups.
+
+This small collection, though not obtained directly from the Jicarilla
+Apaches, is attributed to them, for the reason that wherever found among
+other tribes it is by them accredited to the Apaches. It is
+manufactured, however, by some of the Pueblos along the Rio Grande, and
+occasionally by the more western Pueblos. The party did not visit the
+Apaches mentioned, and are not positively certain that they manufacture
+pottery. These facts are mentioned in this connection to show that there
+is some question as to the origin of this small collection.
+
+Vase-shaped pots:
+
+2735-2741. 2735, (39535); 2736, (39536); 2737, (39537); 2738, (39538);
+  2739, (39539); 2740, (39540); 2741, (39544). This and the next two
+  have the rims scalloped.
+
+2742-2744. 2742, (39545); 2743, (39546); 2744, (39547).
+
+Pot-shaped:
+
+2745-2751. 2745, (39595); 2746, (39596); 2747, (39597); 2748, (39598);
+  2749, (39599); 2750, (39600); 2751, (39851).
+
+Pitchers and cups, with handles of regular form:
+
+2752. (39543). Finger impressions around the middle.
+
+2753-2754. 2753, (39540), and 2754, (39548). Scalloped margin.
+
+2755. (39770). With an undulate impressed line around the middle.
+
+Miscellaneous:
+
+2756. (39852). Incense-burner, somewhat in the shape of a beaver hat,
+  with a rim in the form of a bird; a small orifice in the middle.
+
+2757. (39853). Bird image.
+
+
+
+
+COLLECTIONS FROM OLD PECOS.
+
+
+ARTICLES OF STONE.
+
+2758. (39756). Flint scraper. Rudely shaped, of hard cherty rock, flat
+  on the inner face, convex on the back.
+
+2759. (39757). An irregular square flat piece of sand-stone, on one side
+  of which is a small circular cup-shaped depression.
+
+2760. (39758a). A small mortar composed of fine-grained sand-stone,
+  half broken away; being of quite soft stone, it was probably used for
+  pulverizing food of some kind.
+
+2761. (39758b). Quartz mortar made from, a round water-worn boulder.
+  The cavity is symmetrical; diameter five inches.
+
+2762. (39759). Half of a cherty water-worn boulder from which flakes for
+  flints have been chipped.
+
+2763. (39760). Small round cherty boulders, frequently used in chipping
+  for flints, but in this instance they seem to have been used as
+  hammers.
+
+2764. (39761). Hammer made from a section of a broken rubbing or
+  grinding stone of calcareous rock.
+
+2765. (39762). Maul from broken rubbing stone or grinder, grooved at
+  each end; rhyolite.
+
+2766. (39763). Rudely shaped sinker (or what is called a sinker),
+  rounded at each end and grooved in center; schistose rock.
+
+2767. (39764). Rudely shaped chisel or celt of metamorphic schist.
+
+2768. (39759). Rough chipping stone; agate.
+
+2769. (39760). Three irregular round balls of flint-stone, flaked by
+  hammering.
+
+
+ARTICLES OF CLAY.
+
+2770. (41771). Fragments of pottery from the old and new court,
+  exhibiting Spanish glaze.
+
+2771. (41772). Pottery fragments, decorated in colors. Old and new
+  court.
+
+2772. (41773). Ancient fragments, glazed.
+
+  [Illustration:
+  Fig. 677 (40814). (1/3)
+  Fig. 678 (40813). (1/3)
+  Fig. 679 (40815). (1/4)
+  Fig. 680 (40816). (1/4)
+  Figs. 677-680.--Water Vessels from Canon de Chelly.]
+
+2773. (41774). Fragments of pottery from the old court, showing glaze
+  with white ground.
+
+2774. (41775). Miscellaneous fragments of pottery from various parts of
+  the ruins.
+
+2775. (41794). Fragments of pottery, showing white coating, from new
+  court.
+
+2776. (41796). Pottery fragments, showing Spanish glaze inside; new
+  court.
+
+2777. (41797). Fragments with edges chipped.
+
+2778. (41798). Rim pieces of black pottery were from the old court.
+
+2779. (41799). Fragments of red pottery from new court.
+
+2780. (41800). Fragments of plain pottery from both old and new courts.
+
+2781. (42344). Specimens of adobe mortar from the walls of the Pecos
+  ruins.
+
+2782. (42345). Specimen of same.
+
+2783. (42373). Chimney pots from Casa Blanca, Old Pecos.
+
+2784. (42374). Very large cooking pot in fragments from Casa Blanca, Old
+  Pecos.
+
+
+ARTICLES OF WOOD.
+
+2785. (41276). Beam of wood from the old court.
+
+
+
+
+COLLECTIONS FROM THE CANON DE CHELLY.
+
+
+ARTICLES OF CLAY.
+
+_WATER VESSELS._
+
+2786-2789. 2786, (40813), Fig. 678; 2787, (40814), Fig. 677; 2788,
+  (40815), Fig. 679; 2789, (40816), Fig. 680. These pieces are white
+  ware, decorated with black. The colors in great part still remain,
+  showing that they are comparatively modern. The lines represent colors
+  and not indentations.
+
+2790. (40796). Fig. 681. Upper part broken; supposed to have been a
+  pitcher, as part of the handle remains. From Cliff House ruins, Canon
+  de Chelly. Red ware. Comparatively modern.
+
+The following articles are ancient ware, from the same place as the
+preceding:
+
+2791. (40600). Small vase of white ware, probably comparatively modern.
+  The design, though simple, is somewhat peculiar and different from
+  what is usually found on pottery of the present day. See Fig. 683.
+
+2792. (42202). Fig. 682. Similar in form, size, and color to the
+  preceding; the design, as will be seen by reference to the figure, is
+  a common one.
+
+2793. (40812). Pitcher. White ware, with black decorations. See Fig.
+  690.
+
+2794-2795. 2794, (40819), Fig. 691, and 2795, (40820), Fig. 688.
+  Pitchers, white; ware figured.
+
+2796. (40824). Very small pitcher with handle; of uncolored ware.
+
+2797. (42203). A very pretty pitcher of white ware, with decorations in
+  black, much faded, showing age, although so well and truly formed it
+  is evidently not modern. Fig. 692.
+
+2798. (40601). A round-bottomed pitcher-shaped vessel, white ware with
+  black lines; the colors are much faded, showing age. Fig. 689. The
+  design is evidently of a previous age, and we will be justified,
+  perhaps, in saying that it belongs to the period of transition from
+  the rigid lines and angles to the curves.
+
+2799. (40811). Fig. 687, Small pitcher, _e-musch-ton-ts[-a]n-n[-a]_,
+  originally of white ware; bowl uncolored.
+
+_BOWLS._
+
+2800. (40823). Small bowl, with handle each side, white, with black
+  colors. Fig. 684.
+
+2801. (40825). A small paint-pot shown in Fig. 685.
+
+2802. (40857). Fig. 686. A small pot, apparently blackened by fire,
+  unadorned except with the spine-like projections around the lower
+  half; probably used for a paint-pot.
+
+_COOKING VESSELS._
+
+2803-2806. 2803, (40817), Fig. 693; 2804, (40818), Fig. 696; 2805,
+  (40821), Fig. 695; 2806, (40822), Fig. 694. These are the old
+  corrugated ware, but with the exception of the third they do not show
+  the action of fire, but were probably used for cooking vessels.
+
+
+
+
+COLLECTIONS FROM PICTOGRAPH ROCKS.
+
+
+ARTICLES OF CLAY.
+
+  [Illustration:
+  Fig. 697 (39873) (1/4)]
+
+2807. (39873). Fig. 697. A corrugated pot 11 inches high and 10 inches
+  in diameter at the widest point. Evidently coil-made; the different
+  coils slightly overlap each other tile-fashion. On the inside it is
+  smooth and does not show the coils. It has been blackened by the fire,
+  the original color having been a dark slate, the natural color of
+  the clay. It was evidently but slightly burned at first; very ancient.
+
+  [Illustration:
+  Fig. 681 (40796) (1/5)
+  Fig. 682 (42202) (1/3)
+  Fig. 683 (40600) (1/2)
+  Fig. 684 (40823) (1/2)
+  Fig. 685 (40825) (1/2)
+  Fig. 686 (40857) (1/2)
+  Figs. 681-686.--Ancient Pottery from Canon de Chelly.]
+
+  [Illustration:
+  Fig. 687 (40811) (1/3)
+  Fig. 688 (40820) (1/2)
+  Fig. 689 (40601) (1/2)
+  Fig. 690 (40812) (1/4)
+  Fig. 691 (40819) (1/3)
+  Fig. 692 (42203) (1/3)
+  Figs. 687-692.--Ancient Pottery from Canon de Chelly.]
+
+  [Illustration:
+  Fig. 693 (40817) (1/4)
+  Fig. 694 (40822) (1/3)
+  Fig. 695 (40821) (1/4)
+  Fig. 696 (40818) (1/3)
+  Figs. 693-696.--Cooking Vessels from Canon de Chelly.]
+
+
+
+
+COLLECTIONS FROM OTHER LOCALITIES.
+
+
+ARTICLES OF CLAY.
+
+_MISCELLANEOUS._
+
+2808. (39529). Black, polished olla, rather large; from Ponake Pueblo.
+
+2809. (39551). Unadorned moccasin from Pueblo of New Mexico.
+
+2810. (41770). Fragments of pottery, ornamented, colored, and plain,
+  from ruins near Pueblo of Nutria.
+
+2811. (41776). Fragments of plain pottery from Agricultural Camp, six
+  miles east of San Antonio Springs.
+
+The following specimens are from the same locality:
+
+2812-2818. 2812, (41777), painted; 2813, (41778), corrugated; 2814,
+  (41779), ribbed; 2815, (41780), bird's head painted on it; 2816,
+  (41781), painted; 2817, (41782), corrugated; 2818, (41783), ribbed.
+
+2819. (41784). Fragments of pottery from Old Zuni Mesa, three miles
+  southeast of Zuni.
+
+2820-2822. 2820, (41785); 2821, (41786); 2822, (41787), are fragments of
+  the corrugated, ribbed, indented, and decorated ware, from the Zuni
+  Mesa.
+
+2823-2825. 2823, (41791); 2824, (41792); 2825, (41793), are also
+  fragments of pottery from the Zuni Mesa.
+
+2826. (41795). Fragments of pottery from top of Zuni Church.
+
+2827-2829. 2827, (41788); 2828, (41789); 2829, (41790). Fragments of
+  ancient pottery from the environs of Wolpi. The specimens are of the
+  corrugated and laminated forms and are decorated in color.
+
+2830. (41981). Notched stick, with bone, used as musical instrument. See
+  description of similar objects from Wolpi.
+
+2831. (42224). Small wooden ladle; locality not known.
+
+2832. (42049). Fragment of pottery with the edges ground off, probably a
+  pottery trowel, from Pictograph Rocks, about sixty miles east of Fort
+  Wingate, N. Mex.
+
+2833. (42252). Fragment of pottery from Wolpi may be a charm, but likely
+  a pottery smoother or trowel.
+
+2834. (42348). Chips of jasper and fragments of pottery from mound in
+  Missouri, opposite St. Louis.
+
+2835. (42368). Handle of pottery ladle from Wolpi.
+
+2836. (42370). Portion of large yellow corrugated vessel from near
+  Wolpi.
+
+_STATUETTES._
+
+The following numbers are specimens of statuettes, of micaceous clay,
+representing human beings in various attitudes, both male and female.
+They are attributed to the Cochiti Pueblos, but as they were obtained in
+Santa Fe from traders, the correctness of their origin may be doubted.
+They were made, however, by some of the Rio Grande Pueblos not very
+remote from Santa Fe:
+
+2837-2858. 2837, (42001); 2838, (42002); 2839, (42003); 2840, (42004);
+  2841, (42005); 2842, (42006); 2843, (42007); 2844, (42008); 2845,
+  (42009); 2846, (42010); 2847, (42011); 2848, (42012); 2849, (42013);
+  2850, (42014); 2851, (42015); 2852, (42016); 2853, (42017); 2854,
+  (42018); 2855, (42019); 2856, (42020); 2857, (42021); 2858, (42022).
+
+
+       *       *       *       *       *
+           *       *       *       *
+       *       *       *       *       *
+
+Errata:
+
+Problems in Figure numbering and identification are listed separately.
+
+[List of Illustrations]
+Figs. 460-461. Zuni effigies
+  _text reads "469-461"_
+Figs. 681-683. Water vessels from Canon De Chelly        420
+Figs. 684-686. Bowls from Canon De Chelly                420
+  _text reads "620" for both page numbers_
+
+those represented by Figs. 359, 363, 364, and ----
+  _dash of omission in original_
+is impossible to give any general / description
+  _text reads "genera"_
+485. (40489). Plain marginal band
+  _text reads "maginal"_
+having reference to size, viz.:
+  _period missing in original_
+913, / (40357), varies in having the head of a bird.
+  _text reads "abird"_
+1008-1017. 1008, (40451); 1009, (40452);
+  _text reads "10009"_
+pottery or earthern ladles
+  _form "earthern" in original_
+1468-1473 ... are all fragrants of rubbers.
+  _so in original: "fragments"?_
+2058. (41119). Sinch hooks, _cu-rah-bat-tow_.
+2288. (41826). Woven hair sinch or saddle-girt, _ah-chis-clah_.
+  _forms "sinch" and "girt" in original_
+2359. (42430). Shown in Fig. 606.
+  _text reads "Shown on"_
+2413. (42383). Small, with lines of outline crescents around the body.
+  _text reads "cresents"_
+Bowl-shaped: // 2633-2635.
+  _text reads "Bowel-shaped"_
+adapting it to any particular use
+  _text reads "paruticular"_
+2753-2754. 2753, (39540), and 2754, (39548). Scalloped margin.
+  _text reads "Scollaped"_
+
+[Irregularities in Figure Identification]
+Some corrections are conjectural. Numbers were only changed when there
+was a discrepancy between a catalog entry and its associated Figure.
+
+123. (42245). Fig. 355.
+  _text reads "Fig. 335"_
+Fig. 370 (41146)
+  _text reads "40146"_
+191. (40777) ... Fig. 377.
+Fig. 377 (40777)
+  _main text reads "40792"; figure caption reads "40797"_
+237. (39928). A jar shown in Fig. 399.
+  _text reads "39528"_
+288. (39887). Fig. 396.
+Fig. 396 (39837)
+  _numbers "39887" and "39837" both appear to be wrong_
+463. (39971)
+  _so in original, but see no. 903 and fig. 442 below_
+The following numbers belong to the type represented in Figs. 356, 411,
+    and 412 .... 514[39979] - 520[40523]:
+  _"356" in original is wrong: "410"?_
+Fig. 419 (40189)
+  _text reads "40139"_
+804, (41092), shown in Fig. 434.
+  _text reads "Fig. 34"_
+903. (39971). Fig. 442.
+Fig. 442 (39971)
+  _so in original, but see no. 463 above_
+Fig. 475 (41037)
+  _text reads "41097"_
+1167. (41218) ... Shown in Fig. 479.
+  _text reads "Fig. 429"_
+1336. (41725) ... Fig. 487
+  _text reads "41275"_
+1378. (41807). Sash. See Fig. 501.
+1379. (41808). Sash. See Fig. 502.
+Fig. 501 (41808)
+Fig. 502 (41838)
+  _correct labeling could not be deduced_
+1513. (41602). Shown in Fig. 514.
+  _so in original, but may be "41609"_
+Fig. 514 (41602)
+  _text reads "41609"; may be correct_
+1611. (41363). See Fig. 518.
+  _text reads "41353"_
+1615. (41366). Fig. 519. A water jar
+  _also listed as item 2582, with same Figure reference_
+Fig. 538 (42149)
+  _text reads "42129"_
+1963. (42156) ... Fig. 541.
+1964. (42157)
+Fig. 541 (42157)
+  _correct labeling could not be deduced_
+Fig. 542 (42160)
+  _text reads "40160"_
+2234-2235. 2234, (41717), and 2235, (41719) ... See Fig. 580.
+  _text reads "Fig. 550"_
+Fig. 566 (41958)
+  _text reads "41959"_
+2356-2357. 2356, (41307), Fig. 607
+  _text reads "Fig. 609"_
+2396-2397 ... 2397, (42473), Fig. 613
+  _figure reference missing in text_
+2400. (42471) ... Fig. 615.
+  _text reads "42473"_
+2414. (42377). See Fig. 622.
+  _text reads "42317"_
+2582. (41366). Water jug. Fig. 519.
+  _also listed as item 1615, with same Figure reference_
+2682-2689 ... 2684, (39646), Fig. 664
+2692-2698 ... 2694, (39646), see Fig. 664
+  _duplicate reference as in original_
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Illustrated Catalogue Of The
+Collections Obtained From The Indians Of New Mexico And Arizona In 1879, by James Stevenson
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+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #18736 (https://www.gutenberg.org/ebooks/18736)