1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135
136
137
138
139
140
141
142
143
144
145
146
147
148
149
150
151
152
153
154
155
156
157
158
159
160
161
162
163
164
165
166
167
168
169
170
171
172
173
174
175
176
177
178
179
180
181
182
183
184
185
186
187
188
189
190
191
192
193
194
195
196
197
198
199
200
201
202
203
204
205
206
207
208
209
210
211
212
213
214
215
216
217
218
219
220
221
222
223
224
225
226
227
228
229
230
231
232
233
234
235
236
237
238
239
240
241
242
243
244
245
246
247
248
249
250
251
252
253
254
255
256
257
258
259
260
261
262
263
264
265
266
267
268
269
270
271
272
273
274
275
276
277
278
279
280
281
282
283
284
285
286
287
288
289
290
291
292
293
294
295
296
297
298
299
300
301
302
303
304
305
306
307
308
309
310
311
312
313
314
315
316
317
318
319
320
321
322
323
324
325
326
327
328
329
330
331
332
333
334
335
336
337
338
339
340
341
342
343
344
345
346
347
348
349
350
351
352
353
354
355
356
357
358
359
360
361
362
363
364
365
366
367
368
369
370
371
372
373
374
375
376
377
378
379
380
381
382
383
384
385
386
387
388
389
390
391
392
393
394
395
396
397
398
399
400
401
402
403
404
405
406
407
408
409
410
411
412
413
414
415
416
417
418
419
420
421
422
423
424
425
426
427
428
429
430
431
432
433
434
435
436
437
438
439
440
441
442
443
444
445
446
447
448
449
450
451
452
453
454
455
456
457
458
459
460
461
462
463
464
465
466
467
468
469
470
471
472
473
474
475
476
477
478
479
480
481
482
483
484
485
486
487
488
489
490
491
492
493
494
495
496
497
498
499
500
501
502
503
504
505
506
507
508
509
510
511
512
513
514
515
516
517
518
519
520
521
522
523
524
525
526
527
528
529
530
531
532
533
534
535
536
537
538
539
540
541
542
543
544
545
546
547
548
549
550
551
552
553
554
555
556
557
558
559
560
561
562
563
564
565
566
567
568
569
570
571
572
573
574
575
576
577
578
579
580
581
582
583
584
585
586
587
588
589
590
591
592
593
594
595
596
597
598
599
600
601
602
603
604
605
606
607
608
609
610
611
612
613
614
615
616
617
618
619
620
621
622
623
624
625
626
627
628
629
630
631
632
633
634
635
636
637
638
639
640
641
642
643
644
645
646
647
648
649
650
651
652
653
654
655
656
657
658
659
660
661
662
663
664
665
666
667
668
669
670
671
672
673
674
675
676
677
678
679
680
681
682
683
684
685
686
687
688
689
690
691
692
693
694
695
696
697
698
699
700
701
702
703
704
705
706
707
708
709
710
711
712
713
714
715
716
717
718
719
720
721
722
723
724
725
726
727
728
729
730
731
732
733
734
735
736
737
738
739
740
741
742
743
744
745
746
747
748
749
750
751
752
753
754
755
756
757
758
759
760
761
762
763
764
765
766
767
768
769
770
771
772
773
774
775
776
777
778
779
780
781
782
783
784
785
786
787
788
789
790
791
792
793
794
795
796
797
798
799
800
801
802
803
804
805
806
807
808
809
810
811
812
813
814
815
816
817
818
819
820
821
822
823
824
825
826
827
828
829
830
831
832
833
834
835
836
837
838
839
840
841
842
843
844
845
846
847
848
849
850
851
852
853
854
855
856
857
858
859
860
861
862
863
864
865
866
867
868
869
870
871
872
873
874
875
876
877
878
879
880
881
882
883
884
885
886
887
888
889
890
891
892
893
894
895
896
897
898
899
900
901
902
903
904
905
906
907
908
909
910
911
912
913
914
915
916
917
918
919
920
921
922
923
924
925
926
927
928
929
930
931
932
933
934
935
936
937
938
939
940
941
942
943
944
945
946
947
948
949
950
951
952
953
954
955
956
957
958
959
960
961
962
963
964
965
966
967
968
969
970
971
972
973
974
975
976
977
978
979
980
981
982
983
984
985
986
987
988
989
990
991
992
993
994
995
996
997
998
999
1000
1001
1002
1003
1004
1005
1006
1007
1008
1009
1010
1011
1012
1013
1014
1015
1016
1017
1018
1019
1020
1021
1022
1023
1024
1025
1026
1027
1028
1029
1030
1031
1032
1033
1034
1035
1036
1037
1038
1039
1040
1041
1042
1043
1044
1045
1046
1047
1048
1049
1050
1051
1052
1053
1054
1055
1056
1057
1058
1059
1060
1061
1062
1063
1064
1065
1066
1067
1068
1069
1070
1071
1072
1073
1074
1075
1076
1077
1078
1079
1080
1081
1082
1083
1084
1085
1086
1087
1088
1089
1090
1091
1092
1093
1094
1095
1096
1097
1098
1099
1100
1101
1102
1103
1104
1105
1106
1107
1108
1109
1110
1111
1112
1113
1114
1115
1116
1117
1118
1119
1120
1121
1122
1123
1124
1125
1126
1127
1128
1129
1130
1131
1132
1133
1134
1135
1136
1137
1138
1139
1140
1141
1142
1143
1144
1145
1146
1147
1148
1149
1150
1151
1152
1153
1154
1155
1156
1157
1158
1159
1160
1161
1162
1163
1164
1165
1166
1167
1168
1169
1170
1171
1172
1173
1174
1175
1176
1177
1178
1179
1180
1181
1182
1183
1184
1185
1186
1187
1188
1189
1190
1191
1192
1193
1194
1195
1196
1197
1198
1199
1200
1201
1202
1203
1204
1205
1206
1207
1208
1209
1210
1211
1212
1213
1214
1215
1216
1217
1218
1219
1220
1221
1222
1223
1224
1225
1226
1227
1228
1229
1230
1231
1232
1233
1234
1235
1236
1237
1238
1239
1240
1241
1242
1243
1244
1245
1246
1247
1248
1249
1250
1251
1252
1253
1254
1255
1256
1257
1258
1259
1260
1261
1262
1263
1264
1265
1266
1267
1268
1269
1270
1271
1272
1273
1274
1275
1276
1277
1278
1279
1280
1281
1282
1283
1284
1285
1286
1287
1288
1289
1290
1291
1292
1293
1294
1295
1296
1297
1298
1299
1300
1301
1302
1303
1304
1305
1306
1307
1308
1309
1310
1311
1312
1313
1314
1315
1316
1317
1318
1319
1320
1321
1322
1323
1324
1325
1326
1327
1328
1329
1330
1331
1332
1333
1334
1335
1336
1337
1338
1339
1340
1341
1342
1343
1344
1345
1346
1347
1348
1349
1350
1351
1352
1353
1354
1355
1356
1357
1358
1359
1360
1361
1362
1363
1364
1365
1366
1367
1368
1369
1370
1371
1372
1373
1374
1375
1376
1377
1378
1379
1380
1381
1382
1383
1384
1385
1386
1387
1388
1389
1390
1391
1392
1393
1394
1395
1396
1397
1398
1399
1400
1401
1402
1403
1404
1405
1406
1407
1408
1409
1410
1411
1412
1413
1414
1415
1416
1417
1418
1419
1420
1421
1422
1423
1424
1425
1426
1427
1428
1429
1430
1431
1432
1433
1434
1435
1436
1437
1438
1439
1440
1441
1442
1443
1444
1445
1446
1447
1448
1449
1450
1451
1452
1453
1454
1455
1456
1457
1458
1459
1460
1461
1462
1463
1464
1465
1466
1467
1468
1469
1470
1471
1472
1473
1474
1475
1476
1477
1478
1479
1480
1481
1482
1483
1484
1485
1486
1487
1488
1489
1490
1491
1492
1493
1494
1495
1496
1497
1498
1499
1500
1501
1502
1503
1504
1505
1506
1507
1508
1509
1510
1511
1512
1513
1514
1515
1516
1517
1518
1519
1520
1521
1522
1523
1524
1525
1526
1527
1528
1529
1530
1531
1532
1533
1534
1535
1536
1537
1538
1539
1540
1541
1542
1543
1544
1545
1546
1547
1548
1549
1550
1551
1552
1553
1554
1555
1556
1557
1558
1559
1560
1561
1562
1563
1564
1565
1566
1567
1568
1569
1570
1571
1572
1573
1574
1575
1576
1577
1578
1579
1580
1581
1582
1583
1584
1585
1586
1587
1588
1589
1590
1591
1592
1593
1594
1595
1596
1597
1598
1599
1600
1601
1602
1603
1604
1605
1606
1607
1608
1609
1610
1611
1612
1613
1614
1615
1616
1617
1618
1619
1620
1621
1622
1623
1624
1625
1626
1627
1628
1629
1630
1631
1632
1633
1634
1635
1636
1637
1638
1639
1640
1641
1642
1643
1644
1645
1646
1647
1648
1649
1650
1651
1652
1653
1654
1655
1656
1657
1658
1659
1660
1661
1662
1663
1664
1665
1666
1667
1668
1669
1670
1671
1672
1673
1674
1675
1676
1677
1678
1679
1680
1681
1682
1683
1684
1685
1686
1687
1688
1689
1690
1691
1692
1693
1694
1695
1696
1697
1698
1699
1700
1701
1702
1703
1704
1705
1706
1707
1708
1709
1710
1711
1712
1713
1714
1715
1716
1717
1718
1719
1720
1721
1722
1723
1724
1725
1726
1727
1728
1729
1730
1731
1732
1733
1734
1735
1736
1737
1738
1739
1740
1741
1742
1743
1744
1745
1746
1747
1748
1749
1750
1751
1752
1753
1754
1755
1756
1757
1758
1759
1760
1761
1762
1763
1764
1765
1766
1767
1768
1769
1770
1771
1772
1773
1774
1775
1776
1777
1778
1779
1780
1781
1782
1783
1784
1785
1786
1787
1788
1789
1790
1791
1792
1793
1794
1795
1796
1797
1798
1799
1800
1801
1802
1803
1804
1805
1806
1807
1808
1809
1810
1811
1812
1813
1814
1815
1816
1817
1818
1819
1820
1821
1822
1823
1824
1825
1826
1827
1828
1829
1830
1831
1832
1833
1834
1835
1836
1837
1838
1839
1840
1841
1842
1843
1844
1845
1846
1847
1848
1849
1850
1851
1852
1853
1854
1855
1856
1857
1858
1859
1860
1861
1862
1863
1864
1865
1866
1867
1868
1869
1870
1871
1872
1873
1874
1875
1876
1877
1878
1879
1880
1881
1882
1883
1884
1885
1886
1887
1888
1889
1890
1891
1892
1893
1894
1895
1896
1897
1898
1899
1900
1901
1902
1903
1904
1905
1906
1907
1908
1909
1910
1911
1912
1913
1914
1915
1916
1917
1918
1919
1920
1921
1922
1923
1924
1925
1926
1927
1928
1929
1930
1931
1932
1933
1934
1935
1936
1937
1938
1939
1940
1941
1942
1943
1944
1945
1946
1947
1948
1949
1950
1951
1952
1953
1954
1955
1956
1957
1958
1959
1960
1961
1962
1963
1964
1965
1966
1967
1968
1969
1970
1971
1972
1973
1974
1975
1976
1977
1978
1979
1980
1981
1982
1983
1984
1985
1986
1987
1988
1989
1990
1991
1992
1993
1994
1995
1996
1997
1998
1999
2000
2001
2002
2003
2004
2005
2006
2007
2008
2009
2010
2011
2012
2013
2014
2015
2016
2017
2018
2019
2020
2021
2022
2023
2024
2025
2026
2027
2028
2029
2030
2031
2032
2033
2034
2035
2036
2037
2038
2039
2040
2041
2042
2043
2044
2045
2046
2047
2048
2049
2050
2051
2052
2053
2054
2055
2056
2057
2058
2059
2060
2061
2062
2063
2064
2065
2066
2067
2068
2069
2070
2071
2072
2073
2074
2075
2076
2077
2078
2079
2080
2081
2082
2083
2084
2085
2086
2087
2088
2089
2090
2091
2092
2093
2094
2095
2096
2097
2098
2099
2100
2101
2102
2103
2104
2105
2106
2107
2108
2109
2110
2111
2112
2113
2114
2115
2116
2117
2118
2119
2120
2121
2122
2123
2124
2125
2126
2127
2128
2129
2130
2131
2132
2133
2134
2135
2136
2137
2138
2139
2140
2141
2142
2143
2144
2145
2146
2147
2148
2149
2150
2151
2152
2153
2154
2155
2156
2157
2158
2159
2160
2161
2162
2163
2164
2165
2166
2167
2168
2169
2170
2171
2172
2173
2174
2175
2176
2177
2178
2179
2180
2181
2182
2183
2184
2185
2186
2187
2188
2189
2190
2191
2192
2193
2194
2195
2196
2197
2198
2199
2200
2201
2202
2203
2204
2205
2206
2207
2208
2209
2210
2211
2212
2213
2214
2215
2216
2217
2218
2219
2220
2221
2222
2223
2224
2225
2226
2227
2228
2229
2230
2231
2232
2233
2234
2235
2236
2237
2238
2239
2240
2241
2242
2243
2244
2245
2246
2247
2248
2249
2250
2251
2252
2253
2254
2255
2256
2257
2258
2259
2260
2261
2262
2263
2264
2265
2266
2267
2268
2269
2270
2271
2272
2273
2274
2275
2276
2277
2278
2279
2280
2281
2282
2283
2284
2285
2286
2287
2288
2289
2290
2291
2292
2293
2294
2295
2296
2297
2298
2299
2300
2301
2302
2303
2304
2305
2306
2307
2308
2309
2310
2311
2312
2313
2314
2315
2316
2317
2318
2319
2320
2321
2322
2323
2324
2325
2326
2327
2328
2329
2330
2331
2332
2333
2334
2335
2336
2337
2338
2339
2340
2341
2342
2343
2344
2345
2346
2347
2348
2349
2350
2351
2352
2353
2354
2355
2356
2357
2358
2359
2360
2361
2362
2363
2364
2365
2366
2367
2368
2369
2370
2371
2372
2373
2374
2375
2376
2377
2378
2379
2380
2381
2382
2383
2384
2385
2386
2387
2388
2389
2390
2391
2392
2393
2394
2395
2396
2397
2398
2399
2400
2401
2402
2403
2404
2405
2406
2407
2408
2409
2410
2411
2412
2413
2414
2415
2416
2417
2418
2419
2420
2421
2422
2423
2424
2425
2426
2427
2428
2429
2430
2431
2432
2433
2434
2435
2436
2437
2438
2439
2440
2441
2442
2443
2444
2445
2446
2447
2448
2449
2450
2451
2452
2453
2454
2455
2456
2457
2458
2459
2460
2461
2462
2463
2464
2465
2466
2467
2468
2469
2470
2471
2472
2473
2474
2475
2476
2477
2478
2479
2480
2481
2482
2483
2484
2485
2486
2487
2488
2489
2490
2491
2492
2493
2494
2495
2496
2497
2498
2499
2500
2501
2502
2503
2504
2505
2506
2507
2508
2509
2510
2511
2512
2513
2514
2515
2516
2517
2518
2519
2520
2521
2522
2523
2524
2525
2526
2527
2528
2529
2530
2531
2532
2533
2534
2535
2536
2537
2538
2539
2540
2541
2542
2543
2544
2545
2546
2547
2548
2549
2550
2551
2552
2553
2554
2555
2556
2557
2558
2559
2560
2561
2562
2563
2564
2565
2566
2567
2568
2569
2570
2571
2572
2573
2574
2575
2576
2577
2578
2579
2580
2581
2582
2583
2584
2585
2586
2587
2588
2589
2590
2591
2592
2593
2594
2595
2596
2597
2598
2599
2600
2601
2602
2603
2604
2605
2606
2607
2608
2609
2610
2611
2612
2613
2614
2615
2616
2617
2618
2619
2620
2621
2622
2623
2624
2625
2626
2627
2628
2629
2630
2631
2632
2633
2634
2635
2636
2637
2638
2639
2640
2641
2642
2643
2644
2645
2646
2647
2648
2649
2650
2651
2652
2653
2654
2655
2656
2657
2658
2659
2660
2661
2662
2663
2664
2665
2666
2667
2668
2669
2670
2671
2672
2673
2674
2675
2676
2677
2678
2679
2680
2681
2682
2683
2684
2685
2686
2687
2688
2689
2690
2691
2692
2693
2694
2695
2696
2697
2698
2699
2700
2701
2702
2703
2704
2705
2706
2707
2708
2709
2710
2711
2712
2713
2714
2715
2716
2717
2718
2719
2720
2721
2722
2723
2724
2725
2726
2727
2728
2729
2730
2731
2732
2733
2734
2735
2736
2737
2738
2739
2740
2741
2742
2743
2744
2745
2746
2747
2748
2749
2750
2751
2752
2753
2754
2755
2756
2757
2758
2759
2760
2761
2762
2763
2764
2765
2766
2767
2768
2769
2770
2771
2772
2773
2774
2775
2776
2777
2778
2779
2780
2781
2782
2783
2784
2785
2786
2787
2788
2789
2790
2791
2792
2793
2794
2795
2796
2797
2798
2799
2800
2801
2802
2803
2804
2805
2806
2807
2808
2809
2810
2811
2812
2813
2814
2815
2816
2817
2818
2819
2820
2821
2822
2823
2824
2825
2826
2827
2828
2829
2830
2831
2832
2833
2834
2835
2836
2837
2838
2839
2840
2841
2842
2843
2844
2845
2846
2847
2848
2849
2850
2851
2852
2853
2854
2855
2856
2857
2858
2859
2860
2861
2862
2863
2864
2865
2866
2867
2868
2869
2870
2871
2872
2873
2874
2875
2876
2877
2878
2879
2880
2881
2882
2883
2884
2885
2886
2887
2888
2889
2890
2891
2892
2893
2894
2895
2896
2897
2898
2899
2900
2901
2902
2903
2904
2905
2906
2907
2908
2909
2910
2911
2912
2913
2914
2915
2916
2917
2918
2919
2920
2921
2922
2923
2924
2925
2926
2927
2928
2929
2930
2931
2932
2933
2934
2935
2936
2937
2938
2939
2940
2941
2942
2943
2944
2945
2946
2947
2948
2949
2950
2951
2952
2953
2954
2955
2956
2957
2958
2959
2960
2961
2962
2963
2964
2965
2966
2967
2968
2969
2970
2971
2972
2973
2974
2975
2976
2977
2978
2979
2980
2981
2982
2983
2984
2985
2986
2987
2988
2989
2990
2991
2992
2993
2994
2995
2996
2997
2998
2999
3000
3001
3002
3003
3004
3005
3006
3007
3008
3009
3010
3011
3012
3013
3014
3015
3016
3017
3018
3019
3020
3021
3022
3023
3024
3025
3026
3027
3028
3029
3030
3031
3032
3033
3034
3035
3036
3037
3038
3039
3040
3041
3042
3043
3044
3045
3046
3047
3048
3049
3050
3051
3052
3053
3054
3055
3056
3057
3058
3059
3060
3061
3062
3063
3064
3065
3066
3067
3068
3069
3070
3071
3072
3073
3074
3075
3076
3077
3078
3079
3080
3081
3082
3083
3084
3085
3086
3087
3088
3089
3090
3091
3092
3093
3094
3095
3096
3097
3098
3099
3100
3101
3102
3103
3104
3105
3106
3107
3108
3109
3110
3111
3112
3113
3114
3115
3116
3117
3118
3119
3120
3121
3122
3123
3124
3125
3126
3127
3128
3129
3130
3131
3132
3133
3134
3135
3136
3137
3138
3139
3140
3141
3142
3143
3144
3145
3146
3147
3148
3149
3150
3151
3152
3153
3154
3155
3156
3157
3158
3159
3160
3161
3162
3163
3164
3165
3166
3167
3168
3169
3170
3171
3172
3173
3174
3175
3176
3177
3178
3179
3180
3181
3182
3183
3184
3185
3186
3187
3188
3189
3190
3191
3192
3193
3194
3195
3196
3197
3198
3199
3200
3201
3202
3203
3204
3205
3206
3207
3208
3209
3210
3211
3212
3213
3214
3215
3216
3217
3218
3219
3220
3221
3222
3223
3224
3225
3226
3227
3228
3229
3230
3231
3232
3233
3234
3235
3236
3237
3238
3239
3240
3241
3242
3243
3244
3245
3246
3247
3248
3249
3250
3251
3252
3253
3254
3255
3256
3257
3258
3259
3260
3261
3262
3263
3264
3265
3266
3267
3268
3269
3270
3271
3272
3273
3274
3275
3276
3277
3278
3279
3280
3281
3282
3283
3284
3285
3286
3287
3288
3289
3290
3291
3292
3293
3294
3295
3296
3297
3298
3299
3300
3301
3302
3303
3304
3305
3306
3307
3308
3309
3310
3311
3312
3313
3314
3315
3316
3317
3318
3319
3320
3321
3322
3323
3324
3325
3326
3327
3328
3329
3330
3331
3332
3333
3334
3335
3336
3337
3338
3339
3340
3341
3342
3343
3344
3345
3346
3347
3348
3349
3350
3351
3352
3353
3354
3355
3356
3357
3358
3359
3360
3361
3362
3363
3364
3365
3366
3367
3368
3369
3370
3371
3372
3373
3374
3375
3376
3377
3378
3379
3380
3381
3382
3383
3384
3385
3386
3387
3388
3389
3390
3391
3392
3393
3394
3395
3396
3397
3398
3399
3400
3401
3402
3403
3404
3405
3406
3407
3408
3409
3410
3411
3412
3413
3414
3415
3416
3417
3418
3419
3420
3421
3422
3423
3424
3425
3426
3427
3428
3429
3430
3431
3432
3433
3434
3435
3436
3437
3438
3439
3440
3441
3442
3443
3444
3445
3446
3447
3448
3449
3450
3451
3452
3453
3454
3455
3456
3457
3458
3459
3460
3461
3462
3463
3464
3465
3466
3467
3468
3469
3470
3471
3472
3473
3474
3475
3476
3477
3478
3479
3480
3481
3482
3483
3484
3485
3486
3487
3488
3489
3490
3491
3492
3493
3494
3495
3496
3497
3498
3499
3500
3501
3502
3503
3504
3505
3506
3507
3508
3509
3510
3511
3512
3513
3514
3515
3516
3517
3518
3519
3520
3521
3522
3523
3524
3525
3526
3527
3528
3529
3530
3531
3532
3533
3534
3535
3536
3537
3538
3539
3540
3541
3542
3543
3544
3545
3546
3547
3548
3549
3550
3551
3552
3553
3554
3555
3556
3557
3558
3559
3560
3561
3562
3563
3564
3565
3566
3567
3568
3569
3570
3571
3572
3573
3574
3575
3576
3577
3578
3579
3580
3581
3582
3583
3584
3585
3586
3587
3588
3589
3590
3591
3592
3593
3594
3595
3596
3597
3598
3599
3600
3601
3602
3603
3604
3605
3606
3607
3608
3609
3610
3611
3612
3613
3614
3615
3616
3617
3618
3619
3620
3621
3622
3623
3624
3625
3626
3627
3628
3629
3630
3631
3632
3633
3634
3635
3636
3637
3638
3639
3640
3641
3642
3643
3644
3645
3646
3647
3648
3649
3650
3651
3652
3653
3654
3655
3656
3657
3658
3659
3660
3661
3662
3663
3664
3665
3666
3667
3668
3669
3670
3671
3672
3673
3674
3675
3676
3677
3678
3679
3680
3681
3682
3683
3684
3685
3686
3687
3688
3689
3690
3691
3692
3693
3694
3695
3696
3697
3698
3699
3700
3701
3702
3703
3704
3705
3706
3707
3708
3709
3710
3711
3712
3713
3714
3715
3716
3717
3718
3719
3720
3721
3722
3723
3724
3725
3726
3727
3728
3729
3730
3731
3732
3733
3734
3735
3736
3737
3738
3739
3740
3741
3742
3743
3744
3745
3746
3747
3748
3749
3750
3751
3752
3753
3754
3755
3756
3757
3758
3759
3760
3761
3762
3763
3764
3765
3766
3767
3768
3769
3770
3771
3772
3773
3774
3775
3776
3777
3778
3779
3780
3781
3782
3783
3784
3785
3786
3787
3788
3789
3790
3791
3792
3793
3794
3795
3796
3797
3798
3799
3800
3801
3802
3803
3804
3805
3806
3807
3808
3809
3810
3811
3812
3813
3814
3815
3816
3817
3818
3819
3820
3821
3822
3823
3824
3825
3826
3827
3828
3829
3830
3831
3832
3833
3834
3835
3836
3837
3838
3839
3840
3841
3842
3843
3844
3845
3846
3847
3848
3849
3850
3851
3852
3853
3854
3855
3856
3857
3858
3859
3860
3861
3862
3863
3864
3865
3866
3867
3868
3869
3870
3871
3872
3873
3874
3875
3876
3877
3878
3879
3880
3881
3882
3883
3884
3885
3886
3887
3888
3889
3890
3891
3892
3893
3894
3895
3896
3897
3898
3899
3900
3901
3902
3903
3904
3905
3906
3907
3908
3909
3910
3911
3912
3913
3914
3915
3916
3917
3918
3919
3920
3921
3922
3923
3924
3925
3926
3927
3928
3929
3930
3931
3932
3933
3934
3935
3936
3937
3938
3939
3940
3941
3942
3943
3944
3945
3946
3947
3948
3949
3950
3951
3952
3953
3954
3955
3956
3957
3958
3959
3960
3961
3962
3963
3964
3965
3966
3967
3968
3969
3970
3971
3972
3973
3974
3975
3976
3977
3978
3979
3980
3981
3982
3983
3984
3985
3986
3987
3988
3989
3990
3991
3992
3993
3994
3995
3996
3997
3998
3999
4000
4001
4002
4003
4004
4005
4006
4007
4008
4009
4010
4011
4012
4013
4014
4015
4016
4017
4018
4019
4020
4021
4022
4023
4024
4025
4026
4027
4028
4029
4030
4031
4032
4033
4034
4035
4036
4037
4038
4039
4040
4041
4042
4043
4044
4045
4046
4047
4048
4049
4050
4051
4052
4053
4054
4055
4056
4057
4058
4059
4060
4061
4062
4063
4064
4065
4066
4067
4068
4069
4070
4071
4072
4073
4074
4075
4076
4077
4078
4079
4080
4081
4082
4083
4084
4085
4086
4087
4088
4089
4090
4091
4092
4093
4094
4095
4096
4097
4098
4099
4100
4101
4102
4103
4104
4105
4106
4107
4108
4109
4110
4111
4112
4113
4114
4115
4116
4117
4118
4119
4120
4121
4122
4123
4124
4125
4126
4127
4128
4129
4130
4131
4132
4133
4134
4135
4136
4137
4138
4139
4140
4141
4142
4143
4144
4145
4146
4147
4148
4149
4150
4151
4152
4153
4154
4155
4156
4157
4158
4159
4160
4161
4162
4163
4164
4165
4166
4167
4168
4169
4170
4171
4172
4173
4174
4175
4176
4177
4178
4179
4180
4181
4182
4183
4184
4185
4186
4187
4188
4189
4190
4191
4192
4193
4194
4195
4196
4197
4198
4199
4200
4201
4202
4203
4204
4205
4206
4207
4208
4209
4210
4211
4212
4213
4214
4215
4216
4217
4218
4219
4220
4221
4222
4223
4224
4225
4226
4227
4228
4229
4230
4231
4232
4233
4234
4235
4236
4237
4238
4239
4240
4241
4242
4243
4244
4245
4246
4247
4248
4249
4250
4251
4252
4253
4254
4255
4256
4257
4258
4259
4260
4261
4262
4263
4264
4265
4266
4267
4268
4269
4270
4271
4272
4273
4274
4275
4276
4277
4278
4279
4280
4281
4282
4283
4284
4285
4286
4287
4288
4289
4290
4291
4292
4293
4294
4295
4296
4297
4298
4299
4300
4301
4302
4303
4304
4305
4306
4307
4308
4309
4310
4311
4312
4313
4314
4315
4316
4317
4318
4319
4320
4321
4322
4323
4324
4325
4326
4327
4328
4329
4330
4331
4332
4333
4334
4335
4336
4337
4338
4339
4340
4341
4342
4343
4344
4345
4346
4347
4348
4349
4350
4351
4352
4353
4354
4355
4356
4357
4358
4359
4360
4361
4362
4363
4364
4365
4366
4367
4368
4369
4370
4371
4372
4373
4374
4375
4376
4377
4378
4379
4380
4381
4382
4383
4384
4385
4386
4387
4388
4389
4390
4391
4392
4393
4394
4395
4396
4397
4398
4399
4400
4401
4402
4403
4404
4405
4406
4407
4408
4409
4410
4411
4412
4413
4414
4415
4416
4417
4418
4419
4420
4421
4422
4423
4424
4425
4426
4427
4428
4429
4430
4431
4432
4433
4434
4435
4436
4437
4438
4439
4440
4441
4442
4443
4444
4445
4446
4447
4448
4449
4450
4451
4452
4453
4454
4455
4456
4457
4458
4459
4460
4461
4462
4463
4464
4465
4466
4467
4468
4469
4470
4471
4472
4473
4474
4475
4476
4477
4478
4479
4480
4481
4482
4483
4484
4485
4486
4487
4488
4489
4490
4491
4492
4493
4494
4495
4496
4497
4498
4499
4500
4501
4502
4503
4504
4505
4506
4507
4508
4509
4510
4511
4512
4513
4514
4515
4516
4517
4518
4519
4520
4521
4522
4523
4524
4525
4526
4527
4528
4529
4530
4531
4532
4533
4534
4535
4536
4537
4538
4539
4540
4541
4542
4543
4544
4545
4546
4547
4548
4549
4550
4551
4552
4553
4554
4555
4556
4557
4558
4559
4560
4561
4562
4563
4564
4565
4566
4567
4568
4569
4570
4571
4572
4573
4574
4575
4576
4577
4578
4579
4580
4581
4582
4583
4584
4585
4586
4587
4588
4589
4590
4591
4592
4593
4594
4595
4596
4597
4598
4599
4600
4601
4602
4603
4604
4605
4606
4607
4608
4609
4610
4611
4612
4613
4614
4615
|
Project Gutenberg Etext Vera, The Medium by Richard Harding Davis
#29 in our series by Richard Harding Davis
Copyright laws are changing all over the world, be sure to check
the copyright laws for your country before posting these files!!
Please take a look at the important information in this header.
We encourage you to keep this file on your own disk, keeping an
electronic path open for the next readers. Do not remove this.
**Welcome To The World of Free Plain Vanilla Electronic Texts**
**Etexts Readable By Both Humans and By Computers, Since 1971**
*These Etexts Prepared By Hundreds of Volunteers and Donations*
Information on contacting Project Gutenberg to get Etexts, and
further information is included below. We need your donations.
Vera, The Medium
by Richard Harding Davis
August, 1999 [Etext #1843]
Project Gutenberg Etext Vera, The Medium by Richard Harding Davis
*******This file should be named veram10.txt or veram10.zip******
Corrected EDITIONS of our etexts get a new NUMBER, veram11.txt
VERSIONS based on separate sources get new LETTER, veram10a.txt
Prepared by Jeetender B Chandna <jeetender@usa.net>
Project Gutenberg Etexts are usually created from multiple editions,
all of which are in the Public Domain in the United States, unless a
copyright notice is included. Therefore, we usually do NOT keep any
of these books in compliance with any particular paper edition.
We are now trying to release all our books one month in advance
of the official release dates, leaving time for better editing.
Please note: neither this list nor its contents are final till
midnight of the last day of the month of any such announcement.
The official release date of all Project Gutenberg Etexts is at
Midnight, Central Time, of the last day of the stated month. A
preliminary version may often be posted for suggestion, comment
and editing by those who wish to do so. To be sure you have an
up to date first edition [xxxxx10x.xxx] please check file sizes
in the first week of the next month. Since our ftp program has
a bug in it that scrambles the date [tried to fix and failed] a
look at the file size will have to do, but we will try to see a
new copy has at least one byte more or less.
Information about Project Gutenberg (one page)
We produce about two million dollars for each hour we work. The
time it takes us, a rather conservative estimate, is fifty hours
to get any etext selected, entered, proofread, edited, copyright
searched and analyzed, the copyright letters written, etc. This
projected audience is one hundred million readers. If our value
per text is nominally estimated at one dollar then we produce $2
million dollars per hour this year as we release thirty-six text
files per month, or 432 more Etexts in 1999 for a total of 2000+
If these reach just 10% of the computerized population, then the
total should reach over 200 billion Etexts given away this year.
The Goal of Project Gutenberg is to Give Away One Trillion Etext
Files by December 31, 2001. [10,000 x 100,000,000 = 1 Trillion]
This is ten thousand titles each to one hundred million readers,
which is only ~5% of the present number of computer users.
At our revised rates of production, we will reach only one-third
of that goal by the end of 2001, or about 3,333 Etexts unless we
manage to get some real funding; currently our funding is mostly
from Michael Hart's salary at Carnegie-Mellon University, and an
assortment of sporadic gifts; this salary is only good for a few
more years, so we are looking for something to replace it, as we
don't want Project Gutenberg to be so dependent on one person.
We need your donations more than ever!
All donations should be made to "Project Gutenberg/CMU": and are
tax deductible to the extent allowable by law. (CMU = Carnegie-
Mellon University).
For these and other matters, please mail to:
Project Gutenberg
P. O. Box 2782
Champaign, IL 61825
When all other email fails. . .try our Executive Director:
Michael S. Hart <hart@pobox.com>
hart@pobox.com forwards to hart@prairienet.org and archive.org
if your mail bounces from archive.org, I will still see it, if
it bounces from prairienet.org, better resend later on. . . .
We would prefer to send you this information by email.
******
To access Project Gutenberg etexts, use any Web browser
to view http://promo.net/pg. This site lists Etexts by
author and by title, and includes information about how
to get involved with Project Gutenberg. You could also
download our past Newsletters, or subscribe here. This
is one of our major sites, please email hart@pobox.com,
for a more complete list of our various sites.
To go directly to the etext collections, use FTP or any
Web browser to visit a Project Gutenberg mirror (mirror
sites are available on 7 continents; mirrors are listed
at http://promo.net/pg).
Mac users, do NOT point and click, typing works better.
Example FTP session:
ftp sunsite.unc.edu
login: anonymous
password: your@login
cd pub/docs/books/gutenberg
cd etext90 through etext99
dir [to see files]
get or mget [to get files. . .set bin for zip files]
GET GUTINDEX.?? [to get a year's listing of books, e.g., GUTINDEX.99]
GET GUTINDEX.ALL [to get a listing of ALL books]
***
**Information prepared by the Project Gutenberg legal advisor**
(Three Pages)
***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START***
Why is this "Small Print!" statement here? You know: lawyers.
They tell us you might sue us if there is something wrong with
your copy of this etext, even if you got it for free from
someone other than us, and even if what's wrong is not our
fault. So, among other things, this "Small Print!" statement
disclaims most of our liability to you. It also tells you how
you can distribute copies of this etext if you want to.
*BEFORE!* YOU USE OR READ THIS ETEXT
By using or reading any part of this PROJECT GUTENBERG-tm
etext, you indicate that you understand, agree to and accept
this "Small Print!" statement. If you do not, you can receive
a refund of the money (if any) you paid for this etext by
sending a request within 30 days of receiving it to the person
you got it from. If you received this etext on a physical
medium (such as a disk), you must return it with your request.
ABOUT PROJECT GUTENBERG-TM ETEXTS
This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG-
tm etexts, is a "public domain" work distributed by Professor
Michael S. Hart through the Project Gutenberg Association at
Carnegie-Mellon University (the "Project"). Among other
things, this means that no one owns a United States copyright
on or for this work, so the Project (and you!) can copy and
distribute it in the United States without permission and
without paying copyright royalties. Special rules, set forth
below, apply if you wish to copy and distribute this etext
under the Project's "PROJECT GUTENBERG" trademark.
To create these etexts, the Project expends considerable
efforts to identify, transcribe and proofread public domain
works. Despite these efforts, the Project's etexts and any
medium they may be on may contain "Defects". Among other
things, Defects may take the form of incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged
disk or other etext medium, a computer virus, or computer
codes that damage or cannot be read by your equipment.
LIMITED WARRANTY; DISCLAIMER OF DAMAGES
But for the "Right of Replacement or Refund" described below,
[1] the Project (and any other party you may receive this
etext from as a PROJECT GUTENBERG-tm etext) disclaims all
liability to you for damages, costs and expenses, including
legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
POSSIBILITY OF SUCH DAMAGES.
If you discover a Defect in this etext within 90 days of
receiving it, you can receive a refund of the money (if any)
you paid for it by sending an explanatory note within that
time to the person you received it from. If you received it
on a physical medium, you must return it with your note, and
such person may choose to alternatively give you a replacement
copy. If you received it electronically, such person may
choose to alternatively give you a second opportunity to
receive it electronically.
THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
PARTICULAR PURPOSE.
Some states do not allow disclaimers of implied warranties or
the exclusion or limitation of consequential damages, so the
above disclaimers and exclusions may not apply to you, and you
may have other legal rights.
INDEMNITY
You will indemnify and hold the Project, its directors,
officers, members and agents harmless from all liability, cost
and expense, including legal fees, that arise directly or
indirectly from any of the following that you do or cause:
[1] distribution of this etext, [2] alteration, modification,
or addition to the etext, or [3] any Defect.
DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
You may distribute copies of this etext electronically, or by
disk, book or any other medium if you either delete this
"Small Print!" and all other references to Project Gutenberg,
or:
[1] Only give exact copies of it. Among other things, this
requires that you do not remove, alter or modify the
etext or this "small print!" statement. You may however,
if you wish, distribute this etext in machine readable
binary, compressed, mark-up, or proprietary form,
including any form resulting from conversion by word pro-
cessing or hypertext software, but only so long as
*EITHER*:
[*] The etext, when displayed, is clearly readable, and
does *not* contain characters other than those
intended by the author of the work, although tilde
(~), asterisk (*) and underline (_) characters may
be used to convey punctuation intended by the
author, and additional characters may be used to
indicate hypertext links; OR
[*] The etext may be readily converted by the reader at
no expense into plain ASCII, EBCDIC or equivalent
form by the program that displays the etext (as is
the case, for instance, with most word processors);
OR
[*] You provide, or agree to also provide on request at
no additional cost, fee or expense, a copy of the
etext in its original plain ASCII form (or in EBCDIC
or other equivalent proprietary form).
[2] Honor the etext refund and replacement provisions of this
"Small Print!" statement.
[3] Pay a trademark license fee to the Project of 20% of the
net profits you derive calculated using the method you
already use to calculate your applicable taxes. If you
don't derive profits, no royalty is due. Royalties are
payable to "Project Gutenberg Association/Carnegie-Mellon
University" within the 60 days following each
date you prepare (or were legally required to prepare)
your annual (or equivalent periodic) tax return.
WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
The Project gratefully accepts contributions in money, time,
scanning machines, OCR software, public domain etexts, royalty
free copyright licenses, and every other sort of contribution
you can think of. Money should be paid to "Project Gutenberg
Association / Carnegie-Mellon University".
*END*THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*
Prepared by Jeetender B Chandna <jeetender@usa.net>
Vera, The Medium
by Richard Harding Davis
Part I
Happy in the hope that the news was "exclusive", the Despatch
had thrown the name of Stephen Hallowell, his portrait, a
picture of his house, and the words, "At Point of Death!" across
three columns. The announcement was heavy, lachrymose, bristling
with the melancholy self-importance of the man who "saw the
deceased, just two minutes before the train hit him."
But the effect of the news fell short of the effort. Save that
city editors were irritated that the presidents of certain
railroads figured hastily on slips of paper, the fact that an
old man and his millions would soon be parted, left New York
undisturbed.
In the early 80's this would not have been so. Then, in the
uplifting of the far West, Stephen Hallowell was a national
figure, in the manoeuvres of the Eastern stock market an active,
alert power. In those days, when a man with a few millions was
still listed as rich, his fortune was considered colossal.
A patent coupling-pin, the invention of his brother-in-law, had
given him his start, and, in introducing it, and in his efforts
to force it upon the new railroads of the West, he had obtained
a knowledge of their affairs. From that knowledge came his
wealth. That was twenty years ago. Since then giants had arisen
in the land; men whose wealth made the fortune of Stephen
Hallowell appear a comfortable competence, his schemes and
stratagems, which, in their day, had bewildered Wall Street, as
simple as the trading across the counter of a cross-roads store.
For years he had been out of it. He had lost count. Disuse and
ill health had rendered his mind feeble, made him at times
suspicious, at times childishly credulous. Without friends,
along with his physician and the butler, who was also his nurse,
he lived in the house that in 76, in a burst of vanity, he had
built on Fifth Avenue. Then the house was a "mansion," and its
front of brown sandstone the outward sign of wealth and fashion.
Now, on one side, it rubbed shoulders with the shop of a man
milliner, and across the street the houses had been torn down
and replaced by a department store. Now, instead of a sombre
jail-like facade, his outlook was a row of waxen ladies, who,
before each change of season, appeared in new and gorgeous
raiment, and, across the avenue, for his approval, smiled
continually.
"It is time you moved, Stephen," urged his friend and lawyer,
Judge Henry Gaylor. "I can get you twice as much for this lot as
you paid for both it and the house."
But Mr. Hallowell always shook his head. " Where would I go,
Henry?" he would ask. "What would I do with the money? No, I
will live in this house until I am carried out of it."
With distaste, the irritated city editors "followed up" the
three-column story of the Despatch.
"Find out if there's any truth in that," they commanded. "The
old man won't see you, but get a talk out of Rainey. And see
Judge Gaylor. He's close to Hallowell. Find out from him if that
story didn't start as a bear yarn in Wall Street."
So, when Walsh of the Despatch was conducted by Garrett, the
butler of Mr. Hallowell, upstairs to that gentlemen's library,
he found a group of reporters already entrenched. At the door
that opened from the library to the bedroom, the butler paused.
"What paper shall I say?" he asked.
"The Despatch," Walsh told him.
The servant turned quickly and stared at Walsh.
He appeared the typical butler, an Englishman of over forty,
heavily built, soft- moving, with ruddy, smooth-shaven cheeks
and prematurely gray hair. But now from his face the look of
perfunctory politeness had fallen; the subdued voice had changed
to a snarl that carried with it the accents of the Tenderloin.
"So, you're the one, are you?" the man muttered.
For a moment he stood scowling; insolent, almost threatening,
and then, once more, the servant opened the door and noiselessly
closed it behind him.
The transition had been so abrupt, the revelation so unexpected,
that the men laughed.
"I don't blame him!" said young Irving. "I couldn't find a
single fact in the whole story. How'd your people get it --
pretty straight?"
"Seemed straight to us," said Walsh.
"Well, you didn't handle it that way," returned the other. "Why
didn't you quote Rainey or Gaylor? It seems to me if a man's on
the point of death" -- he lowered his voice and glanced toward
the closed door -- "that his private doctor and his lawyer might
know something about it."
Standing alone with his back to the window was a reporter who
had greeted no one and to whom no one had spoken.
Had he held himself erect he would have been tall, but he stood
slouching lazily, his shoulders bent, his hands in his pockets.
When he spoke his voice was in keeping with the indolence of his
bearing. It was soft, hesitating, carrying with it the courteous
deference of the South. Only his eyes showed that to what was
going forward he was alert and attentive.
"Is Dr. Rainey Mr. Hallowell's family doctor?" he asked.
Irving surveyed him in amused superiority.
"He is!" he answered. You been long in New York?" he asked.
Upon the stranger the sarcasm was lost, or he chose to ignore
it, for he answered simply, "No, I'm a New Orleans boy. I've
just been taken on the Republic."
"Welcome to our city," said Irving. "What do you think of our
Main Street?"
From the hall a tall portly man entered the room with the
assurance of one much at home here and, with an exclamation,
Irving fell upon him.
"Good morning, Judge," he called. He waved at him the clipping
from the Despatch. "Have you seen this?"
Judge Gaylor accepted the slip of paper gingerly, and in turn
moved his fine head pompously toward each of the young men. Most
of them were known to him, but for the moment he preferred to
appear too deeply concerned to greet them. With an expression of
shocked indignation, he recognized only Walsh.
"Yes, I have seen it," he said, "and there is not a word of
truth in it! Mr. Walsh, I am surprised! You, of all people!"
"We got it on very good authority," said the reporter.
"But why not call me up and get the facts?" demanded the Judge.
"I was here until twelve o'clock, and -- "
"Here!" interrupted Irving. "Then he did have a collapse?"
Judge Gaylor swung upon his heel.
"Certainly not," he retorted angrily. "I was here on business,
and I have never known his mind more capable, more alert." He
lifted his hands with an enthusiastic gesture. "I wish you could
have seen him!"
"Well," urged Irving, "how about our seeing him now?"
For a moment Judge Gaylor permitted his annoyance to appear, but
he at once recovered and, murmuring cheerfully, "Certainly,
certainly; I'll try to arrange it," turned to the butler who had
re-entered the room.
"Garett," he inquired, "is Mr. Hallowell awake yet?" As he asked
the question his eyebrows rose; with an almost imperceptible
shake of the head he signaled for an answer in the negative.
"Well, there you are!" the Judge exclaimed heartily. "I can't
wake him, even to oblige you. In a word, gentlemen, Stephen
Hallowell has never been in better health, mentally and bodily.
You can say that from me -- and that's all there is to say."
"Then, we can say," persisted Irving, "that you say, that
Walsh's story is a fake?"
"You can say it is not true," corrected Gaylor. "That's all,
gentlemen." The audience was at an end. The young men moved
toward the hall and Judge Gaylor turned to the bedroom. As he
did so, he found that the new man on the Republic still held his
ground.
"Could I have a word with you, sir?" the stranger asked. The
reporters halted jealously. Again Gaylor showed his impatience.
"About Mr. Hallowell's health?" he demanded. "There's nothing
more to say."
"No, it's not about his health," ventured the reporter.
"Well, not now. I am very late this morning." The Judge again
moved to the bedroom and the reporter, as though accepting the
verdict, started to follow the others. As he did so, as though
in explanation or as a warning he added: "You said to always
come to you for the facts." The lawyer halted, hesitated. "What
facts do you want?" he asked. The reporter bowed, and waved his
broad felt hat toward the listening men. In polite embarrassment
he explained what he had to say could not be spoken in their
presence.
Something in the manner of the stranger led Judge Gaylor to
pause. He directed Garrett to accompany the reporters from the
room. Then, with mock politeness, he turned to the one who
remained. "I take it, you are a new comer in New York
journalism. What is your name?" he asked.
"My name is Homer Lee," said the Southerner. "I am a New Orleans
boy. I've been only a month in your city. Judge," he began
earnestly, but in a voice which still held the drawl of the
South, "I met a man from home last week on Broadway. He belonged
to that spiritualistic school on Carondelet Street. He knows all
that's going on in the spook world, and he tells me the ghost
raisers have got their hooks into the old man pretty deep. Is
that so?"
The bewilderment of Judge Gaylor was complete and, without
question, genuine.
"I don't know what you mean," he said.
"My informant tells me," continued the reporter, "that Mr.
Hallowell has embraced -- if that's what you call it --
spiritualism."
Gaylor started forward.
"What!" he roared.
Unmoved, the other regarded the Judge keenly.
"Spiritualism," he repeated, "and that a bunch of these mediums
have got him so hypnotized he can't call his soul his own, or
his money, either. Is that true?"
Judge Gaylor's outburst was overwhelming. That it was genuine
Mr. Lee, observing him closely, was convinced.
"Of all the outrageous, ridiculous" -- the judge halted, gasping
for words -- "and libelous statements!" he went on. "If you
print that," he thundered, "Mr. Hallowell will sue your paper
for half a million dollars. Can't you see the damage you would
do? Can't your people see that if the idea got about that he was
unable to direct his own affairs, that he was in the hands of
mediums, it would invalidate everything he does? After his
death, every act of his at this time, every paper he had signed,
would be suspected, and -- and" -- stammered the Judge as his
imagination pictured what might follow -- "they might even
attack his will!" He advanced truculently. "Do you mean to
publish this libel?"
Lee moved his shoulders in deprecation. "I'm afraid we must," he
said.
"You must!" demanded Gaylor. "After what I've told you? Do you
think I'm lying to you?"
"No," said the reporter; "I don't think you are. Looks more like
you didn't know."
"Not know? I?" Gaylor laughed hysterically. "I am his lawyer. I
am his best friend! Who will you believe?" He stepped to the
table and pressed an electric button, and Garrett appeared in
the hall. "Tell Dr. Rainey I want to see him," Gaylor commanded,
"and return with him."
As they waited, Judge Gaylor paced quickly to and fro. "I've had
to deny some pretty silly stories about Mr. Hallowell," he said,
"but of all the absurd, malicious - - There's some enemy back of
this; some one in Wall Street is doing this. But I'll find him
-- I'll -- " he was interrupted by the entrance of the butler
and Dr. Rainey, Mr. Hallowell's personal physician.
Rainey was a young man with a weak face, and knowing, shifting
eyes that blinked behind a pair of eyeglasses. To conceal an
indecision of character of which he was quite conscious, he
assumed a manner that, according to whom he addressed, was
familiar or condescending. At one of the big hospitals he had
been an ambulance surgeon and resident physician, later he had
started upon a somewhat doubtful career as a medical "expert."
Only two years had passed since the police and the reporters of
the Tenderloin had ceased calling him "Doc." In a celebrated
criminal case in which Gaylor had acted as chief counsel, he had
found Rainey complaisant and apparently totally without the
moral sense. And when in Garrett he had discovered for Mr.
Hallowell a model servant, he had also urged upon his friend,
for his resident physician, his protege Rainey.
Still at white heat, the older man began abruptly: "This
gentleman is from the Republic. He is going to publish a story
that Mr. Hallowell has fallen under the influence of mediums,
clairvoyants; that everything he does is on advice from the
spirit world -- " he turned sharply upon Lee. "Is that right?"
The reporter nodded.
"You can see the effect of such a story. It would invalidate
every act of Mr. Hallowell's!"
Dr. Rainey laughed offensively.
"It might," he said, "but who'd believe it?"
"He believes it!" cried Gaylor, "or he pretends to believe it.
Tell him!" he commanded. "He won't believe me. Does Mr.
Hallowell associate with mediums, and spirits -- and spooks?"
Again the young doctor laughed.
"Of course not!" he exclaimed. "It's not worth answering, Judge.
You ought to treat it with silent contempt." From behind his
glasses he winked at the reporter with a jocular, intimate
smile. He was adapting himself to what he imagined was his
company. "Where did you pick up that pipe dream?" he asked.
Without answering, the Southerner regarded him steadily with
inquiring, interested eyes. The doctor coughed nervously and
turned to Judge Gaylor. In the manner of a cross-examination
Gaylor called up his next witness.
"Garrett, does any one visit Mr. Hallowell without your
knowledge?" he asked. You may not open the door for him, but you
know every one who gets in to see Mr. Hallowell, do you not?"
"Every one, sir."
"Do you admit any mediums, palm-readers, or people of that
sort?"
"Certainly not," returned the butler.
"Dr. Rainey," he added, "would not permit it, sir."
Gaylor stamped his foot with impatience.
"Do you admit any one," he demanded, "without Dr. Rainey's
permission?"
"No, sir!" The reply could not have rung with greater emphasis.
Triumphantly, Gaylor, with a wave of the hand, as though saying,
"Take the witness," turned to Lee. "There you are," he cried.
"Now, are you satisfied?"
The reporter moved slowly toward the door. "I am satisfied," he
said, "that the man doesn't admit any one without Dr. Rainey's
permission."
Indignantly, as though to intercept him, Judge Gaylor stepped
forward. Both Rainey and himself spoke together.
"What do you mean by that?" Rainey demanded.
"Are you trying to be insolent, sir?" cried the Judge.
Lee smiled pleasantly. "I had no intention of being insolent,"
he said. "We have the facts -- I only came to give you a chance
to explain them."
Gaylor lost all patience.
"What facts?" he shouted. "What facts? That mediums come here?"
"Yes," said Lee.
"When?" Gaylor cried. "Tell me that! When?"
Lee regarded the older man thoughtfully.
"Well, today is Thursday," he said. "They were here Monday
morning, and Tuesday morning -- and -- the one they call Vera --
will be here in half an hour."
Rainey ran across the room, stretching out eager, detaining
hands.
"See here!" he begged. "We can fix this!"
"Fix it?" said the reporter. "Not with me, you can't." He turned
to the door and found Garrett barring his exit. He halted, fell
back on his heels, and straightened his shoulders. For the first
time they saw how tall he was.
"Get out of my way," he said. The butler hesitated and fell
back. Lee walked into the hall.
"I'll leave you gentlemen to fight it out among you," he said.
"It's a better story than I thought."
As he descended to the floor below, the men remained motionless.
The face of Judge Gaylor seemed to have grown older. When the
front door closed, he turned and searched the countenance of
each of his companions. The butler had dropped into a chair
muttering and beating his fist into his open palm.
Gaylor's voice was hardly louder than a whisper. "Is this true?"
he asked.
Like a cur dog pinned in a corner and forced to fight, Rainey
snarled at him evilly. "Of course it's true," he said.
"You've let these people see him!" cried Gaylor. "After I
forbade it? After I told you what would happen?"
"He would see them," Rainey answered hotly. "Twas better I
chose them than -- "
Gaylor raised his clenched hands and took a sudden step forward.
The Doctor backed hastily against the library table. "Don't you
come near me!" he stammered. "Don't you touch me."
"And you've lied to me!" cried Gaylor. "You've deceived me. You
-- you jailbirds -- you idiots." His voice rose hysterically.
"And do you think," he demanded fiercely, "I'll help you now?"
"No!" said the butler.
The word caught the Judge in the full rush of his anger. He
turned stupidly as though he had not heard aright. "What?" he
asked. From the easy chair the butler regarded him with sullen,
hostile eyes.
"No!" he repeated. "We don't think you'll help us. You never
meant to help us. You've never thought of any one but yourself."
The face of the older man was filled with reproach.
"Jim!" he protested.
"Don't do that!" commanded the butler sharply. "I've told you
not to do that."
The Judge moved his head slowly in amazement. The tone of
reproach was still in his voice.
"I thought you could understand," he said. "It doesn't matter
about him. But you! You should have seen what I was doing!"
"I saw what you were doing," the butler replied. "Buying stocks,
buying a country place. You didn't wait for him to die. What
were we getting?"
With returning courage, Rainey nodded vigorously.
"That's right, all right," he protested. "What were we getting?"
"What were you getting?" demanded Gaylor, eagerly. "If you'd
only left him to me, till he signed the new will, you'd have had
everything. It only needs his signature."
"Yes," interrupted Garrett contemptuously; that's all it needs."
"Oh, he'd have signed it!" cried Gaylor. "But what's it worth
now! Nothing! Thanks to you two -- nothing! They'll claim undue
influence, they'll claim he signed it under the influence of
mediums -- of ghosts." His voice shook with anger and distress.
"You've ruined me!" he cried. "You've ruined me."
He turned and paced from them, his fingers interlacing, his
teeth biting upon his lower lip. The two other men glanced at
each other uncomfortably; their silence seemed to assure Gaylor
that already they regretted what they had done. He stood over
Garrett, and for an instant laid his hand upon his shoulder. His
voice now was sane and cold.
"I've worked three years for this," he said. "And for you, too,
Jim. You know that. I've worked on his vanity, on his fear of
death, on his damn superstition. When he talked of restitution,
of giving the money to his niece, I asked Why?' I said, Leave it
for a great monument to your memory. Isn't it better that ten
million dollars should be spent in good works in your name than
that it should go to a chit of a child to be wasted by some
fortune hunter? And -- then -- I evolved the Hallowell
Institute, university, hospital, library, all under one roof,
all under one direction; and I would have been the director. We
should have handled ten millions of dollars! I'd have made you
both so rich," he cried savagely, "that in two years you'd have
drunk yourselves into a mad-house. And you couldn't trust me!
You've filled this house with fakes and palm-readers. And, now,
every one will know just what he is -- a senile, half-witted old
man who was clay in my hands, clay in my hands -- and you've
robbed me of him, you've robbed me of him!" His voice, broken
with anger and disappointment, rose in an hysterical wail. As
though to meet it a bell rang shrilly. Gaylor started and stood
with eyes fixed on the door of the bedroom. The three men eyed
each other guiltily.
The butler was the first to recover. With mask-like face he
hastened noiselessly across the room. In his tones of usual
authority, Gaylor stopped him.
"Tell Mr. Hallowell," he directed, "that his niece and District
Attorney Winthrop will be here any moment. Ask him if he wishes
me to see them, or if he will talk to them himself?"
When the faithful servant had entered the bedroom Gaylor turned
to Rainey.
"When do these mediums come today?" he asked.
Rainey stared sulkily at the floor.
"I think they're here now -- downstairs," he answered. Garrett
generally hides them there till you're out of the house."
"Indeed," commented Gaylor dryly. "After Winthrop and Miss
Coates have gone, I want to talk with your friends."
"Now, see here, Judge," whined Rainey; "don't make trouble. It
isn't as bad as you think. The old man's only investigating -- "
"Hush!" commanded the Judge.
From the bedroom, leaning on the butler's arm, Stephen
Hallowell came stumbling toward them and, with a sigh, sank into
an invalid's chair that was placed for him between the fire and
the long library table.. He was a very feeble, very old man,
with a white face, and thin, white hair, but with a mouth and
lower jaw as hard and uncompromising as those of a skull. His
eyes, which were strangely brilliant and young-looking, peered
suspiciously from under ragged white eyebrows. But when they
fell upon the doctor, the eyes became suddenly credulous,
pleading, filled with self-pity.
"I'm a very sick man, Doctor," said Mr. Hallowell.
Judge Gaylor bustled forward cheerily. "Nonsense, Stephen,
nonsense," he cried; "you look a different man this morning.
Doesn't he, Doctor?"
"Sure he does!" assented Rainey. "Little sleep was all he
needed." Mr. Hallowell shook his head petulantly. "Not at all!"
he protested. "That was a very serious attack. This morning my
head hurts -- hurts me to think -- "
"Perhaps," said Gaylor, "you'd prefer that I talked to your
niece."
"No!" exclaimed the invalid excitedly. "I want to see her
myself. I want to tell her, once and for all -- " He checked
himself and frowned at the Doctor. "You needn't wait," he said.
"And Doctor," he added meaningly, "after these people go, you
come back."
With a conscious glance at the Judge, Rainey nodded and left
them.
"No," continued the old man; "I want to talk to my niece myself.
But I don't want to talk to Winthrop. He's too clever a young
man, Winthrop. In the merger case, you remember -- had me on the
stand for three hours. Made me talk too." The mind of the old
man suddenly veered at a tangent. "How the devil can Helen
retain him?" he demanded peevishly. "She can't retain him. She
hasn't any money. And he's District Attorney too. It's against
the law. Is he doing it as a speculation? Does he want to marry
her?"
Judge Gaylor laughed soothingly.
"Heavens, no!" he said. "She's in his office, that's all. When
she took this craze to be independent of you, he gave her a
position as secretary, or as stenographer, or something. She's
probably told him her story, her side of it, and he's helping
her out of charity.:" The Judge smiled tolerantly. "He does that
sort of thing, I believe."
The old man struck the library table with his palm. "I wish he'd
mind his own business," he cried. "It's my money. She has no
claim to it, never had any claim --"
The Judge interrupted quickly.
"That's all right, Stephen; that's all right," he said. "Don't
excite yourself. Just get what you're to say straight in your
mind and stick to it. Remember," he went on, as though coaching
a child in a task already learned, "there never was a written
agreement.
"No!" muttered Hallowell. "Never was!"
"Repeat this to yourself," commanded the Judge. "The
understanding between you and your brother-in-law was that if
you placed his patent on the market, for the first five years
you would share the profits equally. After the five years, all
rights in the patent became yours. It was unfortunate,"
commented the Judge dryly, "that your brother-in-law and your
sister died before the five years were up, especially as the
patent did not begin to make money until after five years.
Remember -- until after five years."
"Until after five years," echoed Mr. Hallowell. "It was over six
years," he went on excitedly, "before it made a cent. And, then,
it was my money -- and anything I give my niece is charity.
She's not entitled -- "
Garrett appeared at the door. "Miss Coates," he announced, "and
Mr. Winthrop." Judge Gaylor raised a hand for silence, and as
Mr. Hallowell sank back in his chair, Helen Coates, the only
child of Catherine Coates, his sister, and the young District
Attorney of New York came into the library. Miss Coates was a
woman of between twenty-five and thirty, capable, and self-
reliant. She had a certain beauty of a severe type, but an
harassed expression about her eyes made her appear to be always
frowning. At times, in a hardening of the lower part of her
face, she showed a likeness to her uncle. Like him, in speaking,
also, her manner was positive and decided.
In age the young man who accompanied her was ten years her
senior, but where her difficulties had made her appear older
than she really was, the enthusiasm with which he had thrown
himself against those of his own life, had left him young.
The rise of Winthrop had been swift and spectacular. Almost as
soon as he graduated from the college in the little "up-state"
town where he had been educated, and his family had always
lived, he became the prosecuting attorney of that town, and
later, at Albany, represented the district in the Assembly. From
Albany he entered a law office in New York City, and in the
cause of reform had fought so many good fights that on an
independent ticket, much to his surprise, he had been lifted to
the high position he now held. No more in his manner than in his
appearance did Winthrop suggest the popular conception of his
role. He was not professional, not mysterious. Instead, he was
sane, cheerful, tolerant. It was his philosophy to believe that
the world was innocent until it was proved guilty.
He was a bachelor and, except for two sisters who had married
men of prominence in New York and who moved in a world of
fashion into which he had not penetrated, he was alone.
When the visitors entered, Mr. Hallowell, without rising,
greeted his niece cordially.
"Ah, Helen! I am glad to see you," he called, and added
reproachfully, "at last."
"How do you do, sir?" returned Miss Helen stiffly. With marked
disapproval she bowed to Judge Gaylor.
"And our District Attorney," cried Mr. Hallowell. "Pardon my not
rising, won't you? I haven't seen you, sir, since you tried to
get the Grand Jury to indict me." He chucked delightedly. "You
didn't succeed," he taunted.
Winthrop shook hands with him, smiling, "Don't blame me," he
said, "I did my best. I'm glad to see you in such good spirits,
Mr. Hallowell. I feared, by the Despatch -- "
"Lies, lies," interrupted Hallowell curtly. "You know Judge
Gaylor?"
As he shook hands, Winthrop answered that the Judge and he were
old friends; that they knew each other well.
"Know each other so well!" returned the Judge, "that we ought to
be old enemies."
The younger man nodded appreciatively. "That's true!" he
laughed, "only I didn't think you'd admit it."
With light sarcasm Mr. Hallowell inquired whether Winthrop was
with them in his official capacity.
"Oh, don't suggest that!" begged Winthrop; "you'll be having me
indicted next. No sir, I am here without any excuse whatsoever.
I am just interfering as a friend of this young lady."
"Good," commented Hallowell. "I'd be sorry to have my niece
array counsel against me -- especially such distinguished
counsel. Sit down, Helen."
Miss Coates balanced herself on the edge of a chair and spoke in
cool, business-like tones, "Mr. Hallowell," she began, "I came."
"Mr. Hallowell?" objected her uncle.
"Uncle Stephen," Miss Coates again began, "I wish to be as brief
as possible. I asked you to see me today because I hoped that by
talking things over we might avoid lawsuits and litigation."
Mr. Hallowell nodded his approval. "Yes," he said encouragingly.
"I have told Mr. Winthrop what the trouble is," Miss Coates went
on, "and he agrees with me that I have been very unjustly
treated -- "
"By whom?" interrupted Hallowell.
"By you," said his niece.
"Wait, Helen," commanded the old man. "Have you also told Mr.
Winthrop," he demanded, "that I have made a will in your favor?
That, were I to die tonight, you would inherit ten millions of
dollars? Is that the injustice of which you complain?"
Judge Gaylor gave an exclamation of pleasure.
"Good!" he applauded. "Excellent!"
Hallowell turned indignantly to Winthrop. "And did she tell you
also," he demanded, "that for three years I have urged her to
make a home in this house? That I have offered her an income as
large as I would give my own daughter, and that she has refused
both offers. And what's more" -- in his excitement his voice
rose hysterically -- "by working publicly for her living she has
made me appear mean and uncharitable, and -- "
"That's just it," interrupted Miss Coates. "It isn't a question
of charity."
"Will you allow me?" said Winthrop soothingly. "Your niece
contends, sir," he explained, "that this money you offered her
is not yours to offer. She claims it belongs to her. That it's
what should have been her father's share of the profits on the
Coates-Hallowell coupling pin. But, as you have willed your
niece so much money, although half of it is hers already, I
advised her not to fight. Going to law is an expensive business.
But she has found out -- and that's what brings me uptown this
morning -- that you intend to make a new will, and leave all her
money and your own to establish the Hallowell Institute. Now,"
Winthrop continued, with a propitiating smile, "Miss Coates also
would like to be a philanthropist, in her own way, with her own
money. And she wishes to warn you that, unless you deliver up
what is due her, she will proceed against you."
Judge Gaylor was the first to answer.
"Mr. Winthrop," he said impressively, "I give you my word, there
is not one dollar due Miss Coates, except what Mr. Hallowell
pleases to give her. "
Miss Coates contradicted him sharply. "That is not so," she
said. She turned to her uncle, "You and my father," she
declared, "agreed in writing you would share the profits
always." Mr. Hallowell looked from his niece to his lawyer. The
lawyer, eyeing him apprehensively, nodded. With the patient
voice of one who tried to reason with an unreasonable child, Mr.
Hallowell began. "Helen," he said, "I have told you many times
there never was such an agreement. There was a verbal -- "
"And I repeat, I saw it," said Miss Coates.
"When?" asked Hallowell.
"I saw it first when I was fifteen," answered the young woman
steadily, "and two years later, before mother died, she showed
it to me again. It was with father's papers."
"Miss Coates," asked the Judge, "where is this agreement now?"
For a moment Miss Coates hesitated. Her dislike for Gaylor was
so evident that, to make it less apparent, she lowered her eyes.
"My uncle should be able to tell you," she said evenly. "He was
my father's executor. But, when he returned my father's papers"
-- she paused and then, although her voice fell to almost a
whisper, continued defiantly, "the agreement was not with them."
There was a moment's silence. To assure himself the others had
heard as he did, Mr. Hallowell glanced quickly from Winthrop to
Gaylor. He half rose from his chair and leaned across the table.
"What!" he demanded. His niece looked at him steadily.
"You heard what I said," she answered.
The old man leaned farther forward.
"So!" he cried; "so! I am not only doing you an injustice, but I
am a thief! Mr. Winthrop," he cried appealingly, "do you
appreciate the seriousness of this?"
Winthrop nodded cheerfully. "It's certainly pretty serious," he
assented.
"It is so serious," cried Mr. Hallowell, "that I welcome you
into this matter. Now, we will settle it once and forever." He
turned to his niece. "I have tried to be generous," he cried; "I
have tried to be kind, and you insult me in my own house." He
pressed the button that summoned the butler from the floor
below. "Gentlemen, this interview is at an end. From now on this
matter is in the hands of my lawyer. We will settle this in the
courts."
With an exclamation of pleasure that was an acceptance of his
challenge, Miss Coates rose.
"That is satisfactory to me," she said. Winthrop turned to Mr.
Hallowell.
"Could I have a few minutes talk with Judge Gaylor now?" he
asked. "Not as anybody's counsel," he explained; "just as an old
enemy of his?"
"Well, not here," protested the old man querulously. "I'm -- I'm
expecting some friends here. Judge, take Mr. Winthrop to the
drawing room downstairs." He turned to Garrett, who had appeared
in answer to his summons, and told him to bring Dr. Rainey to
the library. The butler left the room and, as Gaylor and
Winthrop followed, the latter asked Miss Coates if he might
expect to see her at the "Office." She told him that she was now
on her way there. Without acknowledging the presence of her
uncle, she had started to follow the others, when Mr. Hallowell
stopped her.
After they were alone, for a moment he sat staring at her, his
eyes filled with dislike and with a suggestion of childish
spite. "I might as well tell you," he began, "that after what
you said this morning, I will never give you a single dollar of
my money."
The tone in which his niece replied to him was no more
conciliatory than his own. "You cannot give it to me," she
answered, "because it is not yours to give." As though to add
impressiveness to what she was about to say, or to prevent his
interrupting her, she raised her hand. So interested in each
other were the old man and the girl that neither noticed the
appearance in the door of Dr. Rainey and the butler, who halted,
hesitating, waiting permission to enter.
"That money belongs to me," said Miss Coates slowly, "and as
sure as my mother is in Heaven and her spirit is guiding me,
that money will be given me."
In the pause that followed, a swift and singular change came
over the face of Mr. Hallowell. He stared at his niece as though
fascinated. His lower lip dropped in awe. The look of hostility
gave way to one of intense interest. His voice was hardly louder
than a whisper.
"What do you mean?" he demanded.
The girl looked at him, uncomprehending. "What do I mean?" she
repeated.
"When you said," he stammered eagerly, "that the spirit of your
mother was guiding you, what did you mean?"
In the doorway, Rainey and the butler started. Each threw the
other a quick glance of concern.
"Why," exclaimed the girl impatiently, "her influence, her
example, what she taught me."
"Oh!" exclaimed the old man. He leaned back with an air almost
of disappointment.
"When she was alive?" he said.
"Of course," answered the girl.
"Of course," repeated the uncle. "I thought you meant -- " He
looked suspiciously at her and shook his head. "Never mind," he
added. "Well," he went on cynically, striving to cover up the
embarrassment of the moment, "your mother's spirit will probably
feel as deep an interest in her brother as in her daughter. We
shall see, we shall see which of us two she is going to help."
He turned to Garrett and Rainey in the hall. "Take my niece to
the door, Garrett," he directed.
As soon as Miss Coates had disappeared, Hallowell turned to
Rainey, his face lit with pleased and childish anticipation.
"Well," he whispered eagerly, "is she here?"
Rainey nodded and glanced in the direction opposite to the one
Miss Coates had taken. "She's been waiting half an hour. And the
Professor too."
"Bring them at once," commanded Mr. Hallowell excitedly. "And
then shut the door -- and -- and tell the Judge I can't see him
-- tell him I'm too tired to see him. Understand?"
Rainey peered cautiously over the railing of the stairs to the
first floor, and then beckoned to some one who apparently was
waiting at the end of the hall.
"Miss Vera, sir," he announced, "and Professor Vance."
Although but lately established in New York, the persons Dr.
Rainey introduced had already made themselves comparatively
well-known. For the last six weeks as "headliners" at one of the
vaudeville theatres, and as entertainers at private houses,
under the firm name of "The Vances," they had been giving an
exhibition of code and cipher signaling. They called it mind
reading. During the day, at the house of Vance and his wife, the
girl, as "Vera, the Medium," furnished to all comers memories of
the past or news of the future. In their profession, in all of
its branches, the man and the girl were past masters. They knew
it from the A, B, C of the dream book to the post-graduate work
of projecting from a cabinet the spirits of the dead. As the
occasion offered and paid best, they were mind readers,
clairvoyants, materializing mediums, test mediums. From them, a
pack of cards, a crystal globe, the lines of the human hand,
held no secrets. They found lost articles, cast horoscopes, gave
advice in affairs of the heart, of business and speculation,
uttered warnings of journeys over seas and against a smooth-
shaven stranger. They even stooped to foretell earthquakes, or
caused to drop fluttering from the ceiling a letter straight
from the Himalayas. Among those who are the gypsies of the
cities, they were the aristocrats of their calling, and to them
that calling was as legitimate a business as is, to the roadside
gypsy, the swapping of horses. The fore-parents of each had
followed that same calling, and to the children it was
commonplace and matter-of-fact. It held no adventure, no moral
obloquy.
"Prof." Paul Vance was a young man of under forty years. He
looked like a fox. He had red eyes, alert and cunning, a long,
sharp-pointed nose, a pointed red beard, and red eyebrows that
slanted upward. His hair, standing erect in a pompadour, and his
uplifted eyebrows gave him the watchful look of the fox when he
hears suddenly the hound baying in pursuit. But no one had ever
successfully pursued Vance. No one had ever driven him into a
corner from which, either pleasantly, or with raging
indignation, he was not able to free himself. Seven years before
he had disloyally married out of the "profession" and for no
other reason than that he was in love with the woman he married.
She had come to seek advice from the spirit world in regard to
taking a second husband. After several visits the spirit world
had advised Vance to advise her to marry Vance.
She did so, and though the man was still in love with his wife,
he had not found her, in his work, the assistance he had hoped
she might be. She still was a "believer"; in the technical
vernacular of her husband -- "a dope." Not even the intimate
knowledge she had gained behind the scenes could persuade her
that Paul, her husband, was not in constant communication with
the spirit world, or that, if he wished, he could not read the
thoughts that moved slowly through her pretty head.
At the time of his marriage, the girl Vera, then a child of
fourteen, had written to Vance for help. She was ill, without
money, and asked for work. To him she was known as the last of a
long line of people who had always been professional mediums and
spiritualists, and, out of charity and from a sense of noblesse
oblige to one of the elect of the profession, Vance had made her
his assistant. He had never regretted having done so. The bread
cast upon the waters was returned a thousandfold. From the
first, the girl brought in money. And his wife, the older of the
two, had welcomed her as a companion. After a fashion the Vances
had adopted her. In the advertisements she was described as
their "ward."
Vera now was twenty-one, tall, wonderfully graceful, and of the
most enchanting loveliness. Her education had been cosmopolitan.
In the largest cities of America she had met persons of every
class -- young women, old women, mothers with married sons and
daughters; women of society as it is exploited in the Sunday
supplements; school girls, shop girls, factory girls -- all had
told her their troubles; and men of every condition had come to
scoff and had remained to express, more or less offensively,
their admiration. Some of the younger of these, after a first
visit, returned the day following, and each begged the beautiful
priestess of the occult to fly with him, to live with him, to
marry him. When this happened Vera would touch a button, and
"Mannie" Day, who admitted visitors, and later, in the hall,
searched their hats and umbrellas for initials, came on the run
and threw the infatuated one out upon a cold and unfeeling
sidewalk.
So Vera had seen both the seamy side of life and, in the drawing
rooms where Vance and she exhibited their mind reading tricks,
had been made much of by great ladies and, for an hour as brief
as Cinderella's, had looked upon a world of kind and well-bred
people. Since she was fourteen, for seven years, this had been
her life -- a life as open to the public as the life of an
actress, as easy of access as that of the stenographer in the
hotel lobby. As a result, the girl had encased herself in a
defensive armor of hardness and distrust, a protection which was
rendered futile by the loveliness of her face, by the softness
of her voice, by the deep, brooding eyes, and the fine forehead
on which, like a crown, rested the black waves of her hair.
In her work Vera accepted, without question, the parts to which
Vance assigned her. When in their mummeries they were
successful, she neither enjoyed the credulity of those they had
tricked nor was sobered with remorse. In the world Vance found a
certain number of people with money who demanded to be fooled.
It was his business and hers to meet that demand. If ever the
conscience of either stirred restlessly, Vance soothed it by the
easy answer that if they did not take the money some one else
would. It was all in the day's work. It was her profession.
As she entered the library of Mr. Hallowell, which, with Vance,
she already had visited several times, she looked like a child
masquerading in her mother's finery. She suggested an ingenue
who had been suddenly sent on in the role of the Russian
adventuress. Her slight girl's figure was draped in black lace.
Her face was shaded by a large picture hat, heavy with drooping
ostrich feathers; around her shoulders was a necklace of jade,
and on her wrists many bracelets of silver gilt. When she moved
they rattled. As the girl advanced, smiling, to greet Mr.
Hallowell, she suddenly stopped, shivered slightly, and threw
her right arm across her eyes. Her left arm she stretched over
the table.
"Give me your hand!" she commanded. Dubiously, with a watchful
glance at Vance, Mr. Hallowell leaned forward and took her hand.
"You have been ill," cried the girl; "very ill -- I see you -- I
see you in a kind of faint -- very lately." Her voice rose
excitedly. "Yes, last night."
Mr. Hallowell protested with indignation. "You read that in the
morning paper," he said.
Vera lowered her arm from her eyes and turned them reproachfully
on him.
"I don't read the Despatch," she answered.
Mr. Hallowell drew back suspiciously. "I didn't say it was the
Despatch," he returned.
Vance quickly interposed. "You don't have to say it," he
explained with glibness; "you thought it. And Vera read your
thoughts. You were thinking of the Despatch, weren't you? Well,
there you are! It's wonderful!"
"Wonderful? Nonsense!" mocked Mr. Hallowell. "She did read it in
the paper or Rainey told her."
The girl shrugged her shoulders patiently. "If you would rather
find out you were ill from the newspapers than from the spirit
world," she inquired, "why do you ask me here?"
"I ask you here, young woman," exclaimed Hallowell, sinking back
in his chair, "because I hoped you would tell me something I
can't learn from the newspapers. But you haven't been able to do
it yet. My dear young lady," exclaimed the old man wistfully, "I
want to believe, but I must be convinced. No tricks with me! I
can explain how you might have found out everything you have
told me. Give me a sign!" He beat the flat of his hand upon the
table. "Show me something I can't explain!"
"Mr. Hallowell is quite right, Vera," said Vance. "He is
entering what is to him a new world, full of mysteries, and that
caution which in this world has made him so successful -- "
With an exclamation, Hallowell cut short the patter of the
showman.
"Yes, yes," he interrupted petulantly; "I tell you, I want to
believe. Convince me."
Considering the situation with pursed lips and thoughtful eyes,
Vera gazed at the old man, frowning. Finally she asked, "Have
you witnessed out demonstrations of mind reading?"
Mr. Hallowell snorted. "Certainly not," he replied; "it's a
trick!"
"A trick!" cried the girl indignantly, "to read a man's mind --
to see right through your forehead, through your skull, into
your brain? Is that a trick?" She turned sharply to Vance. "Show
him!" she commanded; "show him!" She crossed rapidly to the
window and stood looking down into the street, with her back to
the room.
Vance, with his back turned to Vera, stood close to the table,
on the other side of which Hallowell was reclining in his arm
chair. Vance picked up a pen holder.
"Think of what I have in my hand, please," he said. "What is
this, Vera?" he asked. The girl, gazing from the window at the
traffic in the avenue below her, answered with indifference, "A
pen holder."
"Yes, what about it?" snapped Vance.
"Gold pen holder," Vera answered more rapidly. "Much engraving
-- initials S. H. -- Mr. Hallowell's initials -- "
"There is a date too. Can you -- "
"December -- " Vera hesitated.
"Go on," commanded Vance.
"Twenty-five, one, eight, eight, six; one thousand eight hundred
and eighty-six." She moved her shoulders impatiently.
"Oh, tell him to think of something difficult," she said.
From behind Mr. Hallowell's chair Rainey signaled to Vance to
take from the table a photograph frame of silver which held the
picture of a woman.
Vance picked it up, holding it close to him.
"What have I here, Vera?" he asked.
Hallowell, seeing what Vance held in his hand, leaned forward.
"Put that down!" he commanded. But Vera had already begun to
answer.
"A picture, a picture of a young woman. Ask him to think of who
it is and I will tell him."
At the words Mr. Hallowell hesitated, frowned, and then nodded.
"It is his sister," called Vera. "Her name was -- I seem to get
a Catherine -- yes, that's it; Catherine Coates. She is no
longer with us. She passed into the spirit world three years
ago." The girl turned suddenly and approached the table, holding
her head high, as though offended.
"How do you explain that trick?" she demanded.
Mr. Hallowell moved uneasily in his chair. "Oh, the picture's
been on my desk each time you've been here," he answered
dubiously. "Rainey could have told you."
"As a matter of fact, I didn't," said Rainey.
Hallowell's eyes lightened with interest. "Didn't you?" he
asked. He turned to Vera. "If you can read my mind," he
challenged -- "you," he added, pointing at Vance, "keep out of
this now -- tell me of what I am thinking." As Vance drew back,
Rainey and himself exchanged a quick glance of apprehension, but
the girl promptly closed her eyes, and at once, in a dull,
measured tone, began to speak.
"You were thinking you would like to ask a question of some one
in the spirit," she recited. "But you are afraid. You do not
trust me. You will wait until I give you a sign; then you will
ask that question of some one dear to you, who has passed
beyond, and she will answer, and your troubles will be at an
end." She opened her eyes and stared at Mr. Hallowell like one
coming out of a dream. "What did I say?" she asked. "Was I
right?"
Hallowell slank back in his chair, shaking his head.
"Yes," he began grudgingly, "but -- "
With an eagerness hardly concealed, Vance interrupted.
"What is the question you wish to ask?" he begged.
With a frown of suspicion, Hallowell turned from him to Rainey.
"I don't think I ought to let them know," he questioned; "do
you?" But his attention was sharply diverted.
Vera, in a hushed and solemn voice, called for silence.
"My control," she explained -- her tone was deep and awestruck
-- "is trying to communicate with me."
Vance gave an exclamation of concern. The prospect of the
phenomena Vera promised seemed to fill him with delightful
expectations. "Be very quiet," he cautioned, "do not disturb
her."
Deeply impressed, Mr. Hallowell struggled from his chair.
Unaided, he moved to below the table and leaning against it
looked, with unwilling but fascinated interest, at Vera's
uplifted face.
"Some one in the spirit," Vera chanted, in an unemotional,
drugged voice, "wishes to speak to Mr. Hallowell. Give me your
hand."
"Quick!" directed Vance, "give her your hand. Take her hand."
"Yes, he is here," Vera continued. "A woman has a message for
you, she is standing close beside you. She is holding out her
arms. And she is trying, so hard, to tell you something. What is
it?" the girl questioned. "Oh, what is it? Tell me," she begged.
"Can't you tell me?"
Hallowell eyed her greedily, waiting almost without breathing
for her words. The hand with which he held hers crushed her
rings into her fingers.
"What sort?" -- whispered the old man. "What sort of a woman?"
With eyes still closed, swaying slightly and with abrupt
shudders running down her body, the girl continued in dull,
fateful tones.
"She is a fair woman; about forty-five. She is speaking. She
calls to you, Brother, brother." Vera's voice rose excitedly.
"It is the woman in the picture; your sister! Catherine! I see
it written above her head -- Catherine. In letters of light."
She turned suddenly and fiercely. "Ask her your question!" she
commanded. "Ask her your question, now!"
By the sudden swaying forward of Vance and Rainey, in the intent
look in their eyes, it was evident that a crisis had approached.
But Mr. Hallowell, terrified and trembling, shrank back. His
voice broke hysterically. "No, no!" he pleaded. Both anger and
disappointment showed in the face of Vance and Rainey; but the
girl, as though detached from any human concerns, continued
unmoved. "I see another figure," she recited. "A young girl, but
she is of this world. I seem to get an H. Yes. Helen, in letters
of fire."
"My niece, Helen!" Hallowell whispered hoarsely.
"Yes, your niece," chanted the girl. Her voice rose and
thrilled. "And I see much gold," she cried. "Between the two
women, heaps of gold. Everywhere I look I see gold. And, now,
the other woman, your sister, is trying to speak to you. Listen!
She calls to you, Brother!"
So centered was the interest of those in the room, so compelling
the sound of the girl's voice, that, unnoticed, the sliding
doors to the library were slipped apart. Unobserved, Judge
Gaylor and Winthrop halted in the doorway. To the Judge the
meaning of the scene was instantly apparent. His face flushed
furiously. Winthrop, uncomprehending, gazed unconcerned over
Gaylor's shoulder. The voice of Vera rose hysterically to her
climax.
"She bids me tell you," Vera cried; " Tell my brother -- "
Gaylor swept toward her.
"What damned farce is this?" he shouted.
The effect of the interruption was instant and startling. Mr.
Hallowell, who, in the last few minutes, had believed he was
listening to a voice from the dead, collapsed upon the shoulder
of Rainey, who sprang to support him. Like a somnambulist
wrenched from sleep, Vera gave a scream of fright, half genuine,
half assumed, and swayed as though about to fall. Vance caught
her in his arms. He turned on Gaylor, his cunning red eyes
flashing evilly.
"You brute!" he cried, "you might have killed her."
Between her sobs, Vera, her head upon the shoulder of Vance,
whispered a question. As quickly, under cover of muttered
sympathy, Vance answered: "Gaylor. The Judge."
Still slightly swaying, Vera stood upright. She passed her hand
vaguely before her eyes. "Where am I?" she asked feebly. "Where
am I?"
Gaylor shook his fist at the girl.
"You know where you are!" he thundered; "and you know where
you're going -- you're going to jail!"
In the hush that followed Vera drew herself to her full height.
She regarded Gaylor wonderingly, haughtily, as though he were
some drunken intruder from the street.
"Are you speaking to me?" she asked.
"Yes, to you," shouted the lawyer. "You're an imposter, and a
swindler, and -- and -- "
Winthrop pushed between them.
"Yes, and she's a woman," he said briskly. "If you want a row,
talk to the man."
To this point the scene had brought to Vera no emotion save the
excitement that is felt by the one who is struggling to escape.
The appearance of a champion added a new interest. Through no
fault of her own, she had learned by experience that to the one
man who annoyed her there always were six to spring to her
protection. So the glance she covertly turned upon Winthrop was
one less of gratitude than curiosity.
But at the first sight of him the girl started, her eyes lit
with recognition, her face flushed. And then, although the man
was in no way regarding her, her eyes filled, and in
mortification and dismay she blushed crimson.
His anger still unsatisfied, Gaylor turned upon Vance.
"And you," he cried; "you're going to jail too. I'll drive -- "
The voice of Mr. Hallowell, shaken with pain and distress, rose
feebly, beseechingly. "Henry!" he begged. "I can't stand it!"
"Judge Gaylor!" thundered Rainey, "I won't be responsible if you
keep this up."
With an exclamation of remorse, Vera ran to the side of the old
man. With Rainey on his other hand, she raised him upright upon
his feet.
"Lean on me," begged the girl breathlessly. "I'm very strong.
Lean on me."
Mr. Hallowell shook his head. "No, child," he protested, "not
you." He turned to his old friend. "You help me, Henry," he
begged.
With the authority of the medical man, Rainey waved Vance into
the bedroom. "Close those windows," he ordered. "You help me!"
he commanded of Gaylor. "Put your arm under him."
Mr. Hallowell, protesting feebly and leaning heavily upon the
two men, stumbled into the bedroom , and the door was shut
behind him.
For a moment the girl and the man stood in silence, and then, as
though suddenly conscious of her presence, Winthrop turned and
smiled.
The girl did not answer his smile. From under the shadow of the
picture hat and the ostrich feathers her eyes regarded him
searchingly, watchfully.
For the first time, Winthrop had the chance to observe her. He
saw that she was very young, that her clothes cruelly disguised
her, that she was only a child masquerading as a brigand, that
her face was distractingly lovely. Having noted this, the fact
that she had driven several grown men to abuse and vituperation
struck him as being extremely humorous; nor did he try to
conceal his amusement. But the watchfulness in the eyes of the
girl did not relax.
"I'm afraid I interfered with your seance," said the District
Attorney.
The girl regarded him warily, like a fencer fixing her eyes on
those of her opponent. There was a pause which lasted so long
that had the silence continued it would have been rude. "Well,"
the girl returned at last, timidly, "that's what the city
expects you to do, is it not?"
Winthrop laughed. "How did you know who I was?" he asked, and
then added quickly, "Of course, you're a mind reader."
For the first time the girl smiled. Winthrop found it a charming
smile, wistful and confiding.
"I don't have to ask the spirit world," she said, "to tell me
who is District Attorney of New York."
"Yes," said the District Attorney; "yes, I suppose you have to
be pretty well acquainted with some of the laws -- those about
mediums?"
"If you knew as much about other laws," began Vera, "as I do
about the law -- " She broke off and again smiled upon him.
"Then you probably know," said Winthrop, "that what our excited
friend said to you just now is legally quite true?"
The smile passed from the face of the girl. She looked at the
young man with fine disdain, as a great lady might reprove with
a glance the man who snapped a camera at her. "Yes?" she asked.
"Well, what are you going to do about it -- arrest me?" Mocking
him, in a burlesque of melodrama, she held out her arms. "Don't
put the handcuffs on me," she begged.
Winthrop found her impudence amusing; and, with the charm of her
novelty, he was conscious of a growing conviction that,
somewhere, they had met before; that already at a crisis she had
come into his life.
"I won't arrest you," he said with a puzzled smile, "on one
condition."
"Ah!" mocked Vera; "he is generous."
"And the condition is," Winthrop went on seriously, "that you
tell me where we met before?"
The girl's expression became instantly mask-like. To learn if he
suspected where it was that they had met, she searched his face
quickly. She was reassured that of the event he had no real
recollection.
"That's rather difficult, isn't it," she continued lightly,
"when you consider I've been giving exhibitions of mind readings
for the last six weeks on Broadway, and in the homes of people
you probably know?"
"No," Winthrop exclaimed eagerly, "it wasn't in a theatre, and
it wasn't in a private house. It was -- " he shook his head
helplessly, and looked at her for assistance. "You don't know,
do you?"
The girl regarded him steadily. "How should I?" she said. And
then, as though decided upon a course of action of the wisdom of
which she was uncertain, she laughed uneasily.
"But the spirits would know," she said. "I might ask them."
"Do!" cried Winthrop, delightedly. "How much would that be?"
As though to reprove his flippancy, the girl frowned. With a
nervous tremor, which this time seemed genuine enough, she threw
back her head, closed her eyes, and laid her arm across her
forehead.
Winthrop, unobserved, watched her with a smile, partly of
amusement, partly on account of her beauty, of admiration.
"I see -- a court room," said the girl. "It is very mean and
bare. It is somewhere up the State; in a small town. Outside,
there are trees, and the sun is shining, and people are walking
in a public park. Inside, in the prisoner's dock, there is a
girl. She has been arrested -- for theft. She has pleaded
guilty! And I see -- that she has been very ill -- that she is
faint from shame -- and fear -- and lack of food. And there is a
young lawyer. He is defending her; he is asking the judge to be
merciful, because this is her first offence, because she stole
the cloak to get money to take her where she had been promised
work. Because this is his first case."
Winthrop gave a gasp of disbelief.
"You don't mean to tell me -- " he cried.
"Hush!" commanded the girl. "And he persuades the judge to let
her go," she continued quickly, her voice shaking, "and he and
the girl walk out of the court house together. And he talks to
her kindly, and gives her money to pay her way to the people who
have promised her work."
Vera dropped her arm, and stepping back, faced Winthrop. Through
her tears her eyes were flashing proudly, gratefully; the
feeling that shook her made her voice vibrate. The girl seemed
proud of her tears, proud of her debt of gratitude.
"And I've never forgotten you," she said, her voice eager and
trembling, "and what you did for me. And I've watched you come
to this city, and fight it, and fight it, until you made them
put you where you are." She stopped to control her voice, and
smiled at him. "And that's why I knew you were District
Attorney," she said; "and please -- " she fumbled in the mesh
purse at her waist and taking a bill from it, threw it upon the
table. "And please, there's the money I owe you, and -- and -- I
thank you -- and goodbye." She turned and almost ran from him
toward the door to the hall.
"Stop!" cried Winthrop.
Poised for flight, the girl halted, and looked back.
"When can I see you again?" said the man. The tone made it less
a question than a command.
In a manner as determined as his own, the girl shook her head.
"No!" she said.
"I must!" returned the man.
Again the girl shook her head, definitely, finally.
"It won't help you in your work," she pleaded, "to come to see
me."
"I must!" repeated Winthrop simply.
The eyes of the girl met his, appealingly, defiantly.
"You'll be sorry," said the girl.
Winthrop laughed an eager, boyish laugh. When he spoke the
tenseness in his voice had gone. His tone was confident,
bantering.
"Then I will not come to see you," he said.
Uncertain, puzzled, Vera looked at him in distress. She thought
he was mocking her.
"No?" she questioned.
"I'll come to see Vera, the medium," he explained.
Vera frowned, and then, in happy embarrassment, smiled
wistfully.
"Oh, well," she stammered; "of course, if you're coming to
consult me professionally -- my hours are from four to six."
"I'll be there," cried the District Attorney.
Vera leaned forward eagerly.
"What day will you come?" she demanded.
"What day!" exclaimed the young man indignantly. "Why, this
day!"
Vera gave a guilty, frightened laugh.
"Oh, will you?" she exclaimed delightedly. She clasped her
fingers in a gesture of dismay. "Oh, I hope you won't be sorry!"
she cried.
For some moments the District Attorney of New York stood looking
at the door through which she had disappeared.
Part II
The home of the Vances was in Thirty-fifth Street, nearly
opposite the Garrick Theatre. It was one of a row of old-
fashioned brick houses with high steps. As the seeker after
truth entered the front hall, he saw before him the stairs to
the second story; on his right, the folding doors of the "front
parlor," and at the far end of the hall, a single door that led
to what was, in the old days, before this row of houses had been
converted into offices, the family dining room. To Vera the
Vances had given the use of this room as a "reception parlor."
The visitor first entered the room on his right, from it passed
through another pair of folding doors to the reception parlor,
and then, when his audience was at an end, departed by the
single door to the hall, and so, to the street.
The reception parlor bore but little likeness to a cave of
mystery. There were no shaded lights, no stuffed alligator, no
Indian draperies, no black cat. On a table, in the centre, under
a heavy and hideous chandelier with bronze gas jets, was a green
velvet cushion. On this nestled an innocent ball of crystal.
Beside it lay the ivory knitting needle with which Vera pointed
out, in the hand of the visitor, those lines that showed he
would be twice married, was of an ambitious temperament, and
would make a success upon the stage. In a corner stood a wooden
cabinet that resembled a sentry box on wheels. It was from this,
on certain evenings, before a select circle of spiritualists,
that Vera projected the ghosts of the departed. Hanging inside
the cabinet was a silver-gilt crown and a cloak of black velvet,
lined with purple silk and covered in gold thread with signs of
the zodiac.
Save that these stage properties illustrated the taste of Mabel
Vance, the room was of no interest. It held a rubber plant, a
red velvet rocking chair, across the back of which Mrs. Vance
had draped a Neapolitan scarf; an upright piano, upon which
Emmanuel Day, or, as he was known to the cross-roads of Broadway
and Forty-second street, "Mannie" Day, provoked the most
marvelous rag-time, an enlarged photograph in crayon, of
Professor Vance, in a frock coat and lawn tie, a china bull dog,
coquettishly decorated with a blue bow, and, on the mantel
piece, two tall beer steins and a hand telephone. From the long
windows one obtained a view of the iron shutters of the new
department store in Thirty-fourth Street, and of a garden, just
large enough to contain a sumach tree, a refrigerator, and the
packing-case in which the piano had arrived.
After leaving Winthrop, without waiting for Vance, Vera had
returned directly to the house in Thirty-fifth Street, and
locked herself in her room. And although "Mannie" Day had
already ushered two visitors into the front room, Vera had not
yet come downstairs. In consequence, Mabel Vance was in
possession of the reception parlor.
Mrs. Vance was plump, pink-and-blonde, credulous and vulgar, but
at all times of the utmost good humor. Her admiration for Vera
was equaled only by her awe of her. On this particular
afternoon, although it already was after five o'clock, Mrs.
Vance still wore a short dressing sack, open at the throat, and
heavy with somewhat soiled lace. But her blonde hair was freshly
"marcelled," and her nails pink and shining. In the absence of
Vera, she was making a surreptitious and guilty use of the
telephone. From the fact that in her left hand she held the
morning telegraph open at the "previous performances" of the
horses, and that the page had been cruelly lacerated by a hat
pin, it was fair to suppose that whoever was at the other end of
the wire, was tempting her with the closing odds at the races.
In her speculations, she was interrupted by "Mannie" Day, who
entered softy through the door from the hall.
"Mannie" Day was a youth of twenty-four. It was his heart's
desire to be a "Broadwayard." He wanted to know all of those,
and to be known only by those, who moved between the giant
pillars that New York threw into the sky to mark her progress
North.
He knew the soiled White Way as the oldest inhabitant knows the
single street of the village. He knew it from the Rathskellers
underground, to the roof gardens in the sky; in his firmament
the stars were the electric advertisements over Long Acre
Square, his mother earth was asphalt, the breath of his nostrils
gasolene, the telegraph was his Bible. His grief was that no one
in the Tenderloin would take him seriously; would believe him
wicked, wise, predatory. They might love him, they might laugh
with him, they might clamor for his company, in no flat that
could boast a piano, was he not, on his entrance, greeted with a
shout; but the real Knights of the Highway treated him always as
the questioning, wide-eyed child. In spite of his after-midnight
pallor, in spite of his honorable scars of dissipation, it was
his misfortune to be cursed with a smile that was a perpetual
plea of "not guilty."
"What can you expect?" an outspoken friend, who made a living as
a wireless wire tapper, had once pointed out to him. "That smile
of yours could open a safe. It could make a show girl give up
money! It's an alibi for everything from overspeeding to
murder."
Mannie, as he listened, flushed with mortification. From that
moment he determined that his life should be devoted to giving
the lie to that smile, to that outward and visible sign of
kindness, good will, and innate innocence. As yet, he had not
succeeded.
He interrupted Mabel at the telephone to inquire the whereabouts
of Vera. "There's two girls in there, now," he said, "waiting to
have their fortunes doped."
"Let'em wait!" exclaimed Mabel. "Vera's upstairs dressing." In
her eyes was the baleful glare of the plunger. "What was that
you give me in the third race?"
At the first touch of the ruling passion, what interest Mannie
may have felt for the impatient visitors vanished. "Not in the
third," he corrected briskly. "Keene entry win the third."
Mabel appealed breathlessly to the telephone. "What price the
Keene entry in the third?" She turned to Mannie with reproachful
eyes. "Even money!" she complained.
"That's what I told you," retorted Mannie. He lowered his voice,
and gazed apprehensively toward the front parlor. "If you want a
really good thing," he whispered hoarsely, "ask Joe what
Pompadour is in the fifth!" Mabel laughed scornfully,
disappointedly.
"Pompadour!" she mocked.
"That's right!" cried the expert. "That's the one daily hint
from Paris today. Joe will give you thirty to one."
Upon the defenseless woman he turned the full force of his
accursed smile. "Put five on for me, Mabel?" he begged.
With unexpected determination of character Mabel declared
sharply that she would do nothing of the sort.
"Two, then?" entreated the boy.
"Where," demanded Mabel unfeelingly, "is the twenty you owe me
now?"
The abruptness of this unsportsmanlike blow below the belt
caused Mannie to wince.
"How do I know where it is?" he protested. "As long as you
haven't got it, why do you care where it is?" He heard the door
from the hall open and, turning, saw Vera. He appealed to her.
"Vera," he cried, "You'll loan me two dollars? I stand to win
sixty. I'll give you thirty."
Vera looked inquiringly at Mabel. "What is it, Mabel,:" she
asked, "a hand book?"
Mrs. Vance nodded guiltily.
"Mannie!" exclaimed Vera gently but reproachfully, "I told you I
wouldn't loan you any more money till you paid Mabel what you've
borrowed."
"How can I pay Mabel what I borrowed," demanded Mannie, if I
can't borrow the money from you to pay her? Only two dollars,
Vera!"
Vera nodded to Mabel.
Mabel, at the phone, called, "Two dollars on Pompadour -- to --
win -- for Mannie Day," and rang off.
"That makes thirty for you," exclaimed Mannie enthusiastically,
"and twenty I owe to Mabel, and that leaves me ten."
Mrs. Vance, no longer occupied in the whirlpool of speculation,
for the first time observed that Vera had changed her matronly
robe of black lace for a short white skirt and a white
shirtwaist. She noted also that there was a change in Vera's
face and manner. She gave an impression of nervous eagerness, of
unrest. Her smile seemed more appealing, wistful, girlish. She
looked like a child of fourteen.
But Mabel was concerned more especially with the robe of virgin
white.
For the month, which was July, the costume was appropriate, but,
in the opinion of Mabel, in no way suited to the priestess of
the occult and the mysterious.
"Why, Vera!" exclaimed Mrs. Vance, "whatever have you got on?
Ain't you going to receive visitors? There's ten dollars waiting
in there now."
In sudden apprehension, Vera looked down at her spotless
garments.
"Don't I look nice?" she begged.
"Of course you look nice, dearie," Mabel assured her, "but you
don't look like no fortune teller."
"If you want to know what you look like," said Mannie sternly,
"you look like one of the waiter girls at Childs's -- that's
what you look like."
"And your crown!" exclaimed Mabel, "and your kimono. Ain't you
going to wear your kimono?"
She hastened to the cabinet and produced the cloak of black
velvet and spangles, and the silver-gilt crown.
"No, I am not!" declared Vera. She wore the frightened look of a
mutinous child. "I -- I look so -- foolish in them!"
Such heresy caused Mannie to gasp aloud; "You look grand in
them," he protested; "don't she, Mabel?"
"Sure she does," assented that lady.
"And your junk?" demanded Mannie, referring to the jade necklace
and the gold- plated bracelets. His eyes opened in sympathy.
"You haven't pawned them, have you?"
"Pawned them?" laughed Vera; "I couldn't get anything on them!"
As the only masculine point of view available, she appealed to
Mannie wistfully. "Don't you like me better this way, Mannie?"
she begged.
But that critic protested violently.
"Not a bit like it," he cried. "Now, in the gold tiara and the
spangled opera cloak," he differentiated, "you look like a
picture postal card! You got Lotta Faust's blue skirt back to
Levey's. But not in the white goods!" He shook his head sadly,
firmly. "You look, now, like you was made up for a May-day
picnic in the Bronx, and they'd picked on you to be Queen of the
May."
Mabel carried the much-admired opera cloak to Vera, and held it
out, tempting her. "You'll wear it, just to please me and
Mannie, won't you, dearie?" she begged. Vera retreated before it
as though it held the germs of contagion.
"I will not," she rebelled. "I hate it! When I have that on, I
feel -- mean. I feel as mean as though I were picking pennies
out of a blind man's hat." Mannie roared with delight.
"Gee!" he shouted, "but that's a hot one."
"Besides," said Vera consciously, "I'm -- I'm expecting some
one."
The manner more than the words thrilled Mabel with the most
joyful expectations.
She exclaimed excitedly. "A gentleman friend, Vera?" she asked.
That Vera shunned all young men had been to Mabel a source of
wonder and of pride. Even when the young men were the friends of
her husband and of herself, the preoccupied manner with which
Vera received them did not provoke in Mabel any resentment. It
rather increased her approbation. Although horrified at the
recklessness of the girl, she had approved even when Vera
rejected an offer of marriage from a wine agent.
Secretly, for a proper alliance for her, Mabel read the society
columns in search of eligible, rich young men. Finding that they
invariably married eligible, rich young women, she had lately
determined that Vera's destiny must be an English duke.
Still if, as she hoped, Vera had chosen for herself, Mabel felt
assured that the man would prove worthy, and a good match. A
good match meant one who owned not only a runabout, but a
touring car.
"It's a man from home," said Vera. "Home?" queried Mannie.
"From up the State," explained Vera, "from Geneva. It's -- Mr.
Winthrop."
With an exclamation of alarm, Mannie started upright.
"Winthrop!" he cried; then with a laugh of relief he sank back.
"Gee! You give me a scare," he cried. "I thought you meant the
District Attorney."
Mabel laughed sympathetically.
"I thought so too," she admitted.
"I do mean the District Attorney," said the girl.
"Vera!" cried Mabel.
"Winthrop -- coming here?" demanded Mannie.
"I met him at Mr. Hallowell's this morning," said Vera. "Didn't
Paul tell you?"
"Paul ain't back yet," said Mannie. "I wish he was!" His lower
jaw dropped in dazed bewilderment. "Winthrop -- coming here?" he
repeated. "And they're all coming here!" he exclaimed excitedly.
"Paul just phoned me. They've taken Gaylor in with them, and
we're all working together now on some game for tonight. And
Winthrop's coming here!" He shook his head decidedly,
importantly. As the only man of the family present, he felt he
must meet this crisis. "Paul won't stand for it!" he declared.
"Well, Paul will just have to stand for it!" retorted Mrs.
Vance.
With a murmur of sympathy she crossed to Vera. "I'm not going to
see our Vera disappointed," she announced. "She never sees no
company. Vera, if Mr. Winthrop comes when that bunch is here,
I'll show him into the front parlor."
Vera sat down in front of the piano and let her fingers drop
upon the keys. The look of eagerness and anticipation had left
her eyes.
"Oh, I don't know," she said, "that I want to see him -- now."
With complete misunderstanding, Mannie demanded truculently,
"Why not?" His loyalty to Vera gave him courage, in her behalf,
to face even a District Attorney. "He doesn't think he's coming
here to make trouble for you, does he?"
Vera shook her head and, bending over the piano, struck a few
detached chords.
"Oh, no," she said consciously; "just to see me --
professionally -- like everybody else."
Mabel could no longer withhold her indignation at the obtuseness
of the masculine intellect.
"My gracious, Mannie!" she exclaimed, "can't you understand he's
coming here to make a call on Vera -- like a gentleman -- not
like no District Attorney."
Mannie precipitately retreated from his position as champion.
"Sure, I understand," he protested.
With the joy that a match-making mother takes in the hunt, Mabel
sank into the plush rocking chair and, rocking violently, turned
upon Vera an eager and excited smile.
"Think of our Vera knowing Mr. Winthrop socially?" she
exclaimed. "It's grand! And they say his sisters are elegant
ladies. Last winter I read about them at the opera, and it
always printed what they had on. Why didn't you tell me you
knowed him, Vera?" she cried reproachfully. "I tell you
everything!"
"I don't know him," protested the girl. "I used to see him when
he lived in the same town."
Mabel, inviting further confidences, ceased rocking and nodded
encouragingly. "Up in Geneva?" she prompted.
"Yes," said Vera, "I used to see him every afternoon then, when
he played ball on the college nine -- "
"Who?" demanded Mannie incredulously.
"Winthrop," said Vera.
"Did he?" exclaimed Mannie. His tone suggested that he might
still be persuaded that there was good in the man.
"What'd he play?" he demanded suspiciously.
"First," said Vera.
"Did he!" exclaimed Mannie. His tone now was of open
approbation.
Vera had raised her eyes and turned them toward the windows.
Beyond the soot- stained sumach tree, the fire escapes of the
department store, she saw the sun- drenched campus, the
buttressed chapel, the ancient, drooping elms; and on a canvas
bag, poised like a winged Mercury, a tall straight figure in
gray, dusty flannels.
"He was awfully good-looking," murmured the girl, "and awfully
tall. He could stop a ball as high as -- that!" She raised her
arm in the air, and then, suddenly conscious, flushed, and
turned to the piano.
"Go on, tell us," urged Mabel. "So you first met him in Geneva,
did you?"
"No," corrected Vera, "saw him there. I -- only met him once."
Mannie interrupted hilariously.
"I only saw him once, too," he cried, "that was enough for me."
Vera swiftly spun the piano stool so that she faced him. Her
eyes were filled with concern.
"You, Mannie!" she demanded anxiously. "What had you done?"
"Done!" exclaimed Mannie indignantly, "nothing! What'd you think
I'd done? Did you think I was a crook?"
Vera bowed her shoulders and shivered as though the boy had
cursed at her. She shook her head vehemently and again swung
back to the piano. Stumbling awkwardly, her fingers ran over the
keys in a swift clatter of broken chords. "No," she whispered,
"no, Mannie, no."
With a laugh of delighted recollection, Mannie turned to Mabel.
"He raided a poolroom I was working at," he explained. "He
picked me out as a sheet writer because I had my coat off, see?
I told him I had it off because it was too hot for me, and he
says, Young man, if you lie to me, I'll make I a damn sight
hotter!" Mannie threw back his head and shouted uproariously.
"He's all right, Winthrop!" he declared.
Mabel, having already married Winthrop to Vera in Grace Church,
with herself in the front pew, in a blue silk dress, received
this unexpected evidence of his rare wit with delight. In
ecstasy of appreciation she slapped her knees.
"Did he say that, Mannie?" she cried. "Wasn't that quick of him!
Did you hear what he said to Mannie, Vera?" she demanded.
Their mirth was interrupted by the opening and closing of the
front door and, in the hall, the murmur of men's voices.
Vance opened the door from the hall and entered, followed by
Judge Gaylor and Rainey. With evident pride in her appearance,
Vance introduced the two men to his wife, and then sent her and
Mannie from the room -- the latter with orders to dismiss the
visitors in the front parlor and to admit no others.
At the door Mrs. Vance turned to Vera and nodded mysteriously.
"If that party calls," she said with significance, "I'll put him
in the front parlor." With a look of dismay, Vera vehemently
shook her head but, to forestall any opposition, Mrs. Vance
hastily slammed the door behind her.
In his most courteous manner Judge Gaylor offered the chair at
the head of the centre table to Vera, and at the same table
seated himself. Vance took a place on the piano stool; Rainey
stood with his back to the mantel piece.
"Miss Vera," Gaylor began impressively, "I desire to apologize
for my language this morning. As Rainey no doubt has told you, I
have opposed you and Professor Vance. But I -- I know when I'm
beaten. Your influence with Mr. Hallowell today -- is greater
than mine. It is paramount. I congratulate you." He smiled
ingratiatingly. "And now," he added, "we are all working in
unison."
"You've given up your idea of sending me to jail," said Vera.
"Vera!" exclaimed Vance reprovingly. Judge Gaylor has
apologized. We're all in harmony now."
"Is that door locked?" asked Gaylor. Vance told him, save Mrs.
Vance, Mannie, and themselves, there was none in the house; and
that he might speak freely.
"Miss Vera," began the Judge, "we left Mr. Hallowell very much
impressed with the message you gave him this morning. The
message from his dead sister. He wants another message from her.
He wants her to decide how he shall dispose of a very large sum
of money -- his entire fortune."
"His entire fortune!" exclaimed Vera. "Do you imagine," she
asked, "that Mr. Hallowell will take advice from the spirit
world about that? I don't!"
"I do," Gaylor answered stoutly, "I know I would."
"You?" asked Vera incredulously.
"If I could believe my sister came from the dead to tell me what
to do," said the lawyer, "of course, I'd do it. I'd be afraid
not to. But I don't believe he does. And he believes you can
bring his sister herself before him. He insists that tonight you
hold a seance in his house, and that you materialize the spirit
of his dead sister. So that he can see his sister, and talk with
his sister. Vance says you can do that. Can you?"
From Vera's face the look of girlishness, of happy anticipation,
had already disappeared.
"It is my business to do that," the girl answered. She turned to
Vance and, in a matter-of-fact voice, inquired, "What does his
sister look like -- that photograph we used this morning.?"
"No," Vance answered. "I've a better one, Rainey gave me. Taken
when she was older. Has white hair and a cap and a kerchief
crossed -- so." He drew his hands across his shoulders. "Rainey,
show Miss Vera that picture."
"Not now," Gaylor commanded. "The important thing now is that
Miss Vera understands the message Mr. Hallowell is to receive
from his sister."
The two other men nodded quickly in assent. Gaylor turned to
Vera. He spoke slowly, earnestly.
"Miss Vera," he said, "Mr. Hallowell's present will leaves his
fortune to his niece. He has made another will, which he has not
signed, leaving his fortune to the Hallowell Institute. He will
ask his sister to which of these he should leave his money. You
will tell him -- " he corrected himself instantly. "She will tell
him to give it where it will be of the greatest good to the most
people -- to the Institute." There was a pause. "Do you
understand?" he asked.
"To the Institute. Not to the niece," Vera answered. Gaylor
nodded gravely.
"What," asked Vera, "are the fewest words in which that message
could be delivered? I mean -- should she say, You are to endow
the Hallowell Institute, or Brother, you are to give -- Sign
the new will?" With satisfaction the girl gave a sharp shake of
her head, and nodded to Vance. " Destroy the old will. Sign the
new will. That is the best," she said.
"That's it exactly," Gaylor exclaimed eagerly; "that's
excellent!" Then his face clouded. "I think," he said in a
troubled voice, "we should warn Miss Vera, that to guard himself
from any trickery, Mr. Hallowell insists on subjecting her to
the most severe tests. He -- "
"That will be all right," said the girl. She turned to Vance
and, in a lower tone but without interest, asked: "What, for
instance?" Vance merely laughed and shrugged his shoulders. The
girl smiled. Nettled, and alarmed at what appeared to be their
overconfidence, Gaylor objected warmly.
"That's all very well," he cried, "but for instance, he insists
that the entire time you are in the cabinet, you hold a handful
of flour in one hand and of shot in the other" -- he illustrated
with clenched fists -- "which makes it impossible," he
protested, "for you to use your hands."
The face of the girl showed complete indifference.
"Not necessarily," she said.
"But you are to be tied hand and foot," cried the Judge. "And on
top of that," he burst forth indignantly, pointing aggrievedly
at Vance, "he himself proposed this flour-and-shot test. It was
silly, senseless bravado!"
"Not necessarily," repeated the girl. "He knew that I invented
it." Rainey laughed. Gaylor gave an exclamation of
enlightenment.
"If it will be of any comfort to you, Judge," said Vance, "I'll
tell you one thing; every test that ever was put to a medium --
was invented by a medium."
Vera rose. "If there is nothing more," she said, "I will go and
get the things ready for this evening. Destroy the old will.
Sign the new will." she repeated. She turned suddenly to Vance,
her brow drawn in consideration. "I suppose by this new will,"
she asked, "the girl gets nothing?" "Not at all!" exclaimed
Gaylor emphatically. "We don't want her to fight the will. She
gets a million."
"A million dollars?" demanded Vera. For an instant, as though
trying to grasp the possibilities of such a sum, she stood
staring ahead of her. With doubt in her eyes, and shaking her
head, she turned to Vance.
"How can one woman spend a million dollars?" she protested.
"Well, you see, we don't intend to starve her," exclaimed Gaylor
eagerly, "and at the same time the Institute will be benefiting
all humanity. Doing good to -- "
Vera interrupted him with a sharp, peremptory movement of the
hand.
"We won't go into that, please," she begged.
The Judge inclined his head. "I only meant to point out," he
said stiffly, "that you are giving Mr. Hallowell the best
advice, and doing great good."
For a moment the girl looked at him steadily. On her lips was a
faint smile of disdain, but whether for him or for herself, the
Judge could not determine.
"I don't know that," the girl said finally. "I don't ask." She
turned to Rainey. "Have you that photograph?" He gave her a
photograph and after, for an instant, studying it in silence,
she returned it to him.
"It will be quite easy," she said to Vance. She walked to the
door, and instinctively the two men, who were seated, rose.
"I will see you tonight at Mr. Hallowell's," she said, and, with
a nod, left them.
"Well," exclaimed Rainey, "you didn't tell her!"
"I know,"Vance answered. "I decided we'd be wiser to take advice
from my wife. She understands Vera better than I do." He opened
the door to the hall, and called "Mannie! Tell Mabel -- Oh,
Mabel," he corrected, "come here a minute." He returned to his
seat on the piano stool. "She can tell us," he said.
In expectation of the arrival of Winthrop, Mrs. Vance had
arrayed herself in a light blue frock, and, as though she had
just come in from the street, in such a hat as she considered
would do credit not only to Vera but to herself.
"Mabel," her husband began, "we're up against a hard
proposition. Hallowell insists that Winthrop and Miss Coates
must come to the seance tonight."
"Winthrop and Miss Coates!" cried Mabel. In astonishment she
glanced from her husband to Rainey and Gaylor. "Then, it's all
off!" she exclaimed.
"That's what I say," growled Rainey.
"We want you to tell us," continued Vance, unmoved, "whether
Vera should know that now, or wait until tonight?"
"Paul Vance!" almost shrieked his wife, "do you mean to tell me
you're thinking of giving a materialization in front of the
District Attorney! You're crazy!"
"That's what I tell them," chorused Rainey.
Gaylor raised his hand for silence.
"No, Mrs. Vance," he said wearily. "We are not crazy, but," he
added bitterly, "we can't help ourselves. You mediums have got
Mr. Hallowell in such a state that he'll only do what his
sister's spirit tells him. He says, if he's robbing his niece,
his sister will tell him so; if he's to give the money to the
Institute, his sister will tell him that. He says, if Vance is
fair and above-board, he shouldn't be afraid to have his niece
and any friends of hers present. We can't help ourselves."
"I helped a little," said Vance, "by insisting on having our own
friends there -- told him the spirit could not materialize
unless there were believers present."
"Did he stand for that?" asked Mabel.
"Glad to have them," her husband assured her. "They like to
think there are others as foolish as they are. And I'm going to
place Mr. District Attorney," he broke out suddenly and
fiercely, "between two mediums. They'll hold his hands!"
Already frightened by the possible result of the plot, Rainey,
with a vehemence born of fear, retorted sharply: "Hold his
hands! How're you going to make him hold his tongue, afterward?"
Gaylor turned upon him savagely.
"My God, man!" he cried, "we're not trying to persuade the
District Attorney that he's seen a ghost. If your friends can
persuade Stephen Hallowell that he's seen one, the District
Attorney can go to the devil!"
"Well, he won't!" returned Rainey, "he'll go to law!"
"Let him!" cried Gaylor defiantly. "Get Hallowell to sign that
will, and I'll go into court with him."
His bravado was suddenly attacked from an unexpected source.
"You'll go into court with him, all right," declared Mrs. Vance,
"all of you! And if you don't want him to catch you," she cried,
"you'll clear out, now! He's coming here any minute."
"Who's coming here?" demanded her husband.
"Winthrop," returned his wife, "to see Vera."
"To see Vera!" cried Vance eagerly. "What about? About this
morning?"
"No," protested Mabel, "to call on her. He's an old friend -- "
In alarm Rainey pushed into the group of now thoroughly excited
people. "Don't you believe it!" he cried. "If he's coming here,
he's coming to give her the third degree -- "
The door from the hall suddenly opened, was as suddenly closed,
and Mannie slipped into the room. One hand he held up for
silence; with the other he pointed at the folding doors.
"Hush!" he warned them. "He's in there! He says he's come to
call on Vera. She says he's come professionally, and I must
bring him in here. I've shut the door into the parlor, and you
can slip upstairs without his seeing you."
"Upstairs!" gasped Rainey, "not for me!" He appealed to Gaylor
in accents of real alarm. "We must get away from this house," he
declared. "If he finds us here -- " With a gesture of dismay he
tossed his hands in the air. Gaylor nodded. In silence all, save
Mannie, moved into the hall, and halted between the outer and
inner doors of the vestibule. Gaylor turned to Vance. "Are you
going to tell her," he asked, "that he is to be there tonight?"
"He'll tell her himself, now!"
"No," corrected Rainey, "he doesn't know yet there's to be a
seance. Hallowell was writing the note when he left."
"Then," instructed Gaylor, "do not let her know until she
arrives -- until it will be too late for her to back out."
Vance nodded and, waiting until from the back room he heard the
voices of Mannie and Winthrop, he opened the front door and the
two men ran down the steps into the street.
While the conspirators were hidden in the vestibule, Mannie had
opened the folding doors, and invited Winthrop to enter the
reception parlor.
"Miss Vera will be down in a minute," he said. "If you want your
hand read," he added, pointing, "you sit over there."
As Winthrop approached the centre table, Mannie backed against
the piano. The presence of the District Attorney at such short
range aroused in him many emotions. Alternately he was torn with
alarm, with admiration, with curiosity. He regarded him
apprehensively, with a nervous and unhappy smile.
About the smile there was something that Winthrop found
familiar, and, with one almost as attractive, he answered it.
"I think we've met before, haven't we?" he asked pleasantly.
Mannie nodded. "Yes, sir," he answered promptly. "At Sam
Hepner's old place, on West Forty-fourth street."
"Why, of course!" exclaimed the District Attorney.
"Don't you -- don't you remember?" stammered Mannie eagerly. He
was deeply concerned lest the distinguished cross-examiner
should think, that from him of his lurid past he could withhold
anything. "I had my coat off -- and you said you'd make it hot
for me."
"Did I?" asked Winthrop with an effort at recollection.
"No, you didn't!" Mannie hastened to reassure him. "I mean, you
didn't make it hot for me."
Winthrop laughed, and seated himself comfortably beside the
centre table. Well I'm glad of that," he said. "So our relations
are still pleasant, then?" he asked.
"Sure!" exclaimed Mannie heartily. "I mean -- yes, sir."
Winthrop mechanically reached for his cigarette case, and then,
recollecting, withdrew his hand.
"And how are the ponies running?' he asked.
The interview was filling Mannie with excitement and delight. He
chuckled with pleasure. His fear of the great man was rapidly
departing. Could this, he asked himself, be the "terror to evil-
doers," the man whose cruel questions drove witnesses to tears,
whose "third degree" sent veterans of the underworld staggering
from his confessional box, limp and gasping?
"Oh, pretty well," said the boy, "seems as if I couldn't keep
away from them. I got a good thing for today -- Pompadour -- in
the fifth. I put all the money on her I could get together," he
announced importantly, and then added frankly, with a laugh,
"two dollars!" The laugh was contagious, and the District
Attorney laughed with him.
"Pompadour," Winthrop objected, "she's one of those winter track
favorites."
"I know, but today," declared Mannie, "she win, sure!" Carried
away by his enthusiasm, and by the sympathy of his audience, he
rushed, unheeding, to his fate. "If you'd like to put a little
on," he said, "I can tell you where you can do it."
The District Attorney stared and laughed. "You mustn't tell me
where you can do it," he said.
Mannie gave a terrified gasp and, for an instant, clapped his
hands over his lips. "That's right," he cried. "Gee, that's
right! I'm such a crank on all kinds of sport that I clean
forgot!"
He gazed at the much-dreaded District Attorney with the awe of
the new-born hero-worshipper. "I guess you are, too, hey?" he
protested admiringly. "Vera was telling me you used to be a
great ball tosser."
In the face of the District Attorney there came a sudden
interest. His eyes lightened.
"How did she -- "
"She used to watch you in Geneva," said Mannie, "playing with
the college lads. I -- I," he added consciously, "was a ball
player myself once. Used to pitch for the Interstate League." He
stopped abruptly.
"Interstate?" said Winthrop encouragingly. "You must have been
good."
The enthusiasm had departed from the face of the boy. "Yes, he
said, "but -- " he smiled shamefacedly, "but I got taking coke,
and they -- " He finished with a dramatic gesture of the hand as
of a man tossing away a cigarette.
"Cocaine?" said the District Attorney.
The boy nodded and, for an instant, the two men eyed each other,
the boy smiling ruefully. The District Attorney shook his head.
"My young friend," he said, "you can never beat that game!"
Mannie stared at him, his eyes filled with surprise.
"Don't you suppose," he said simply, "that I know that better
than you do?" With a boy's pride in his own incorrigibility he
went on boastingly: "Oh, yes," he said, "I used to be awful bad!
Cocaine and all kinds of dope, and cigarettes, and whiskey. I
was nearly all in -- with morphine, it was then -- till she took
hold of me, and stopped me."
"She?" said Winthrop.
"Vera," said Mannie. "She made me stop. I had to stop. She
started taking it herself."
"What!" cried Winthrop.
"Oh!" exclaimed Mannie hastily, "I don't mean what you mean -- I
mean she started taking it to make me stop. She says to me,
Mannie, you're killing yourself, and you got to quit it; and if
you don't, every time you take a grain, I'll take two. And she
did! I'd come home, and she'd see what I'd been doing, and she'd
up with her sleeves, and -- " In horrible pantomime, the boy
lifted the cuff of his shirt, and pressed his right thumb
against the wrist of his other arm. At the memory of it, he gave
a shiver and, with a blow, roughly struck the cuff into place.
"God!" he muttered, "I couldn't stand it. I begged, and begged
her not. I cried. I used to get down, in this room, on my knees.
And each time she'd get whiter, and black under the eyes. And --
and I had to stop. Didn't I?"
Winthrop moved his head.
"And now," cried the boy with a happy laugh, "I'm all right!" He
appealed to the older man eagerly, wistfully. "Don't you think
I'm looking better than I did the last time you saw me?"
Again, without venturing to speak, Winthrop nodded.
Mannie smiled with pride. "Everybody tells me so," he said.
"Well, she did it. That's what she did for me. And, I can tell
you," he said simply, sincerely, "there ain't anything I
wouldn't do for her. I guess that's right, hey?" he added.
The eyes of the cruel cross-examiner, veiled under half-closed
lids, were regarding the boy with so curious an expression that
under their scrutiny Mannie, in embarrassment, moved uneasily.
"I guess that's right," he repeated.
To his surprise, the District Attorney rose from his comfortable
position and, leaning across the table, held out his hand.
Mannie took it awkwardly.
"That's all right," he said.
"Sure, it's all right," said the District Attorney.
From the hall there was the sound of light, quick steps, and
Mannie, happy to escape from a situation he did not understand,
ran to the door.
"She's coming," he said. He opened the door and, as Vera
entered, he slipped past her and closed it behind him.
Vera walked directly to the chair at the top of the centre
table. She was nervous, and she was conscious that that fact was
evident. To avoid shaking hands with her visitor, she carried
her own clasped in front of her, with the fingers interlaced.
She tried to speak in her usual suave, professional tone. "How
do you do?" she said.
But Winthrop would not be denied. With a smile that showed his
pleasure at again seeing her, he advanced eagerly, with his hand
outstretched. "How are you?" he exclaimed. "Aren't you going to
shake hands with me?" he demanded. "With an old friend?"
Vera gave him her hand quickly, and then, seating herself at the
table, picked up the ivory pointer.
"I didn't know you were coming as an old friend," she murmured
embarrassedly. "You said you were coming to consult Vera, the
medium."
"But you said that was the only way I could come," protested
Winthrop. "Don't you remember, you said -- "
Vera interrupted him. She spoke distantly, formally. "What kind
of a reading do you want?" she asked. "A hand reading, or a
crystal reading?"
Winthrop leaned forward in his chair, frankly smiling at her. He
made no attempt to conceal the pleasure the sight of her gave
him. His manner was that of a very old and dear friend, who, for
the first time, had met her after a separation of years.
"Don't want any kind of a reading," he declared. "I want a
talking. You don't seem to understand," he objected, "that I am
making an afternoon call." His good humor was unassailable.
Looking up with a perplexed frown, Vera met his eyes and saw
that he was laughing at her. She threw the ivory pointer down
and, leaning back in her chair, smiled at him.
"I don't believe," she said doubtfully, "that I know much about
afternoon calls. What would I do, if we were on Fifth Avenue?
Would I give you tea?" she asked, "because," she added hastily,
"there isn't any tea."
"In that case, it is not etiquette to offer any," said Winthrop
gravely.
"Then," said Vera, "I'm doing it right, so far?"
They both laughed; Vera because she still was in awe of him, and
Winthrop because he was happy.
"You're doing it charmingly," Winthrop assured her.
"Good!" exclaimed Vera. "Well, now," she inquired, "now we talk,
don't we?"
"Yes," assented Winthrop promptly, "we talk about you."
"No, I -- I don't think we do," declared Vera, in haste. "I
think we talk about -- Geneva." She turned to him with real
interest. "Is the town much changed?" she asked.
As though preparing for a long talk, Winthrop dropped his hat to
the floor and settled himself comfortably. "Well, it is, and it
isn't," he answered. "Haven't you been back lately?" he asked.
Vera looked quickly away from him.
"I have never been back!" she answered. There was a pause and
when she again turned her eyes to his, she was smiling. "But I
always take the Geneva Times," she said, "and I often read that
you've been there. You're a great man in Geneva."
Winthrop nodded gravely.
"Whenever I want to be a great man," he said, "I go to Geneva."
"Why, yes," exclaimed Vera. "Last June you delivered the oration
to the graduating class," she laughed, "on The College Man in
Politics. Such an original subject! And did you point to
yourself?" she asked mockingly, "as the -- the bright example?"
"No," protested Winthrop, "I knew they'd see that."
Much to her relief, Vera found that of Winthrop she was no
longer afraid.
"Oh!" she protested, "didn't you say, twelve years ago, a humble
boy played ball for Hobart College. That boy now stands before
you? Didn't you say that?"
"Something like that,"assented the District Attorney. "Oh!" he
exclaimed, "that young man who showed me in here -- your
confederate or fellow-conspirator or lookout man or whatever he
is -- told me you used to be a regular attendant at those
games."
"I never missed one!" Vera cried. She leaned forward, her eyes
shining, her brows knit with the effort of recollection.
"I used to tell Aunt," she said, "I had to drive in for the
mail. But that was only an excuse. Aunt had an old buggy, and an
old white horse called Roscoe Conkling. I called him Rocks. He
was blind in one eye, and he would walk on the wrong side of the
road; you had to drive him on one rein." The girl was speaking
rapidly, eagerly. She had lost all fear of her visitor. With
satisfaction Winthrop recognized this; and unconsciously he was
now frankly regarding the face of the girl with a smile of
pleasure and admiration.
"And I used to tie him to the fence just opposite first base,"
Vera went on excitedly, "and shout -- for you!"
"Don't tell me," interrupted Winthrop, in burlesque excitement,
"that you were that very pretty little girl, with short dresses
and long legs, who used to sit on the top rail and kick and
cheer."
Vera shook her head sternly.
"I was," she said, "but you never saw me."
"Oh, yes, we did," protested Winthrop. "We used to call you our
mascot."
"No, that was some other little girl," said Vera firmly. "You
never looked at me, and I" -- she laughed, and then frowned at
him reproachfully -- "I thought you were magnificent! I used to
have your pictures in baseball clothes pinned all around my
looking glass, and whenever you made a base hit, I'd shout and
shout -- and you'd never look at me! And one day -- " she
stopped, and as though appalled by the memory, clasped her
hands. "Oh, it was awful!" she exclaimed; "one day a foul ball
hit the fence, and I jumped down and threw it to you, and you
said, Thank you, sis! And I," she cried, "thought I was a young
lady!"
"Oh! I couldn't have said that," protested Winthrop, "maybe I
said sister."
"No," declared Vera energetically shaking her head, "not
sister, sis. And you never did look at me; and I used to drive
past your house every day. We lived only a mile below you."
"Where?" asked Winthrop.
"On the lake road from Syracuse," said Vera. "Don't you remember
the farm a mile below yours -- the one with the red barn right
on the road? Yes, you do," she insisted, "the cows were always
looking over the fence right into the road."
"Of course!" exclaimed Winthrop delightedly. "Was that your
house?"
"Oh, no," protested Vera, "ours was the little cottage on the
other side -- "
"With poplars round it?" demanded Winthrop.
"That's it!" cried Vera triumphantly, "with poplars round it."
"Why, I know that house well. We boys used to call it the
haunted house."
"That's the one," assented Vera. She smiled with satisfaction.
"Well, that's where I lived until Aunt died," she said.
"And then, what?" asked Winthrop.
For a moment the girl did not answer. Her face had grown grave
and she sat motionless, staring beyond her. Suddenly, as though
casting her thoughts from her, she gave a sharp toss of her
head.
"Then," she said, speaking quickly, "I went into the mills, and
was ill there, and I wrote Paul and Mabel to ask if I could join
them, and they said I could. But I was too ill, and I had no
money -- nothing. And then," she raised her eyes to his and
regarded him steadily, "then I stole that cloak to get the money
to join them, and you -- you helped me to get away, and -- and"
Winthrop broke in hastily. He disregarded both her manner and
the nature of what she had said.
"And how did you come to know the Vances?" he asked.
After a pause of an instant, the girl accepted the cue his
manner gave her, and answered as before.
"Through my aunt," she said. "she was a medium too."
"Of course!" cried Winthrop. "I remember now. that's why we
called it the haunted house."
"My aunt," said the girl, regarding him steadily and with, in
her manner, a certain defiance, "was a great medium. All the
spiritualists in that part of the State used to meet at our
house. I've witnessed some wonderful manifestations in that
front parlor." She turned to Winthrop and smiled. "So, you see,"
she exclaimed, "I was born and brought up in this business. I am
the seventh daughter of a seventh daughter. My grandmother was a
medium, my mother was a medium -- she worked with the Fox
sisters before they were exposed. But, my aunt," she added
thoughtfully, judicially, "was the greatest medium I have ever
seen. She did certain things I couldn't understand, and I know
every trick in the trade -- unless," she explained, "you believe
the spirits helped her."
Winthrop was observing the girl intently, with a new interest.
"And you don't believe that?" he asked, quietly.
"How can I?" Vera said. "I was brought up with them." She shook
her head and smiled. "I used to play around the kitchen stove
with Pocahontas and Alexander the Great, and Martin Luther lived
in our china closet. You see, the neighbors wouldn't let their
children come to our house; so, the only playmates I had were
-- ghosts." She laughed wistfully. "My!" she exclaimed, "I was a
queer, lonely little rat. I used to hear voices and see visions.
I do still," she added. With her elbows on the arms of her
chair, she clasped her hands under her chin and leaned forward.
She turned her eyes to Winthrop and nodded confidentially.
"Do you know," she said, "sometimes I think people from the
other world do speak to me."
"But you said," Winthrop objected, "you didn't believe."
"I know," returned Vera. "I can't!" Her voice was perplexed,
impatient. "Why, I can sit in this chair," she declared
earnestly, "and fill this room with spirit voices and rappings,
and you sitting right there can't see how I do it. And yet,
inspite of all the tricks, sometimes I believe there's something
in it."
She looked at Winthrop, her eyes open with inquiry. He shook his
head.
"Yes," insisted the girl. "When these women come to me for
advice, I don't invent what I say to them. It's as though
something told me what to say. I have never met them before, but
as soon as I pass into the trance state I seem to know all their
troubles. And I seem to be half in this world and half in
another world -- carrying messages between them. Maybe," her
voice had sunk to almost a whisper; she continued as though
speaking to herself, "I only think that. I don't know. I
wonder."
There was a long pause.
"I wish," began Winthrop earnestly, "I wish you were younger, or
I were older."
"Why?" asked Vera.
"Because," said the young man, "I'd like to talk to you -- like
a father."
Vera turned and smiled on him securely, with frank friendliness.
"Go ahead," she assented, "talk to me like a father."
Winthrop smiled back at her, and then frowned.
"You shouldn't be in this business," he said.
The girl regarded him steadily.
"What's the matter with the business?" she asked.
Winthrop felt she had put him upon the defensive, but he did not
hesitate.
"Well," he said, "there may be some truth in it. But we don't
know that. We do know that there's a lot of fraud and deceit in
it. Now," he declared warmly, "there's nothing deceitful about
you. You're fine," he cried enthusiastically, "you're big! That
boy who was in here told me one story about you that showed -- "
Vera stopped him sharply.
"What do you know of me?" she asked bitterly. "The first time
you ever saw me I was in a police court; and this morning -- you
heard that man threaten to put me in jail -- "
In turn, by abruptly rising from his chair, Winthrop interrupted
her. He pushed the chair out of his way, and, shoving his hands
into his trousers' pockets, began pacing with long, quick
strides up and down the room. "What do I care for that?" he
cried contemptuously. He tossed the words at her over his
shoulder. "I put lots of people in jail myself that are better
than I am. Only, they won't play the game." He halted, and
turned on her. "Now, you're not playing the game. This is a mean
business, taking money from silly girls and old men. You're too
good for that." He halted at the table and stood facing her.
"I've got two sisters uptown," he said. He spoke commandingly,
peremptorily. "And tomorrow I am going to take you to see them.
And we fellow townsmen," he smiled at her appealingly, "will
talk this over, and we'll make you come back to your own
people."
For a moment the two regarded each other. Then the girl answered
firmly, but with a slight hoarseness in her voice, and in a tone
hardly louder than a whisper:
"You know I can't do that!"
"I don't!" blustered Winthrop. "Why not?"
"Because," said the girl steadily, "of what I did in Geneva." As
though the answer was the one he had feared, the man exclaimed
sharply, rebelliously.
"Nonsense!" he cried. "You didn't know what you were doing. No
decent person would consider that."
"They do," said the girl, "they are the very ones who do. And --
it's been in the papers. Everybody in Geneva knows it. And here
too. And whenever I try to get away from this" -- she stretched
out her hands to include the room about her -- "Someone tells!
Five times, now. She leaned forward appealingly, not as though
asking pity for herself, but as wishing him to see her point of
view. "I didn't choose this business," she protested, "I was
sort of born in it, and," she broke out loyally, "I hate to have
you call it a mean business; but I can't get into any other.
Whenever I have, some man says, That girl in your front office
is a thief." The restraint she put upon herself, the air of
disdain which at all times she had found the most convenient
defense, fell from her.
"It's not fair!" she cried, "it's not fair." To her
mortification, the tears of self-pity sprang to her eyes, and as
she fiercely tried to brush them away, to her greater anger,
continued to creep down her cheeks. "It was nine years ago," she
protested, "I was a child. I've been punished enough." She
raised her face frankly to his, speaking swiftly, bitterly.
"Of course, I want to get away!" she cried. "Of course, I want
friends. I've never had a friend. I've always been alone. I'm
tired, tired! I hate this business. I never know how much I hate
it until the chance comes to get away -- and I can't."
She stopped, but without lowering her head or moving her eyes
from his.
"This time," said the man quietly, "you're going to get away
from it."
"I can't," repeated the girl. "you can't help me!"
Winthrop smiled at her confidently.
"I'm going to try," he said.
"No, please!" begged the girl. Her voice was still shaken with
tears. She motioned with her head toward the room behind her.
"These are my people," she declared defiantly, as though daring
him to contradict her. "And they are good people! They've tried
to be good friends to me, and they've been true to me."
Winthrop came toward her and stood beside her, so close that he
could have placed his hand upon her shoulder. He wondered,
whimsically, if she knew how cruel she seemed in appealing with
her tears, her helplessness and loveliness to what was generous
and chivalric in him; and, at the same time, by her words,
treating him as an interloper and an enemy.
"That's all right," he said gently. "But that doesn't prevent my
being a good friend to you, too, does it? Or," he added, his
voice growing tense and conscious -- "my being true to you? My
sisters will be here tomorrow," he announced briskly.
Vera had wearily dropped her arms upon the table and lowered her
head upon them. From a place down in the depths she murmured a
protest.
"No," contradicted Winthrop cheerfully, "this time you are going
to win. You'll have back of you, If I do say it, two of the best
women God ever made. Only, now, you must do as I say." There was
a pause. "Will you?" he begged.
Vera raised her head slowly, holding her hand across her eyes.
There was a longer silence, and then she looked up at him and
smiled pathetically, gratefully, and nodded. "Good!" cried
Winthrop. "No more spooks," he laughed, "no more spirit
rappings."
Through her tears Vera smiled up at him a wan, broken smile. She
gave a shudder of distaste. "Never!" she whispered. "I promise."
Their eyes met; the girl's looking into his shyly, gratefully;
the man's searching hers eagerly. And suddenly they saw each
other with a new and wonderful sympathy and understanding.
Winthrop felt himself bending toward her. He was conscious that
the room had grown dark, and that he could see only her eyes.
"You must be just yourself," he commanded, but so gently, so
tenderly, that, though he did not know it, each word carried
with it the touch of a caress, "just your sweet, fine, noble
self!"
Something he read in the girl's uplifted eyes made him draw back
with a shock of wonder, of delight, with an upbraiding
conscience. To pull himself together, he glanced quickly about
him. The day had really grown dark. He felt a sudden desire to
get away; to go where he could ask himself what had happened,
what it was that had filled this unknown, tawdry room with
beauty and given it the happiness of a home.
"By Jove!" he exclaimed nervously, "I had no idea I'd stayed so
long. You'll not let me come again. Goodbye -- until tomorrow."
He turned, holding out his hand, and found that again the girl
had dropped her face upon her arm, and was sobbing quietly,
gently.
"Oh, what is it?" cried Winthrop. "What have I said?" The catch
in the girl's voice as she tried to check the sobs wrenched his
heart. "Oh, please," he begged, "I've said something wrong? I've
hurt you?" With her face still hidden in her arms, the girl
shook her head.
"No, no!" she sobbed. Her voice, soft with tears, was a melody
of sweet and tender tones. "It's only -- that I've been so
lonely -- and you've made me happy, happy!"
The sobs broke out afresh, but Winthrop, now knowing that they
brought to the girl peace, was no longer filled with dismay.
Her head was bent upon her left arm, her right hand lightly
clasped the edge of the table. With the intention of saying
farewell, Winthrop took her hand in his. The girl did not move.
To his presence she seemed utterly oblivious. In the gathering
dusk he could see the bent figure, could hear the soft,
irregular breathing as the girl wept gently, happily, like a
child sobbing itself to sleep. The hand he held in his neither
repelled nor invited, and for an instant he stood motionless,
holding it uncertainly. It was so delicate, so helpless, so
appealing, so altogether lovable. It seemed to reach up, and,
with warm, clinging fingers, clutch the tendrils of his heart.
Winthrop bent his head suddenly, and lifting the hand, kissed
it; and then, without again speaking, walked quickly into the
hall and shut the door. In the room the dusk deepened. Through
the open windows came the roar of the Sixth Avenue Elevated, the
insistent clamor of an electric hansom, the murmur of Broadway
at night. The tears had suddenly ceased, but the girl had not
moved. At last, slowly, stiffly, she raised her head. Her eyes,
filled with wonder, with amazement, were fixed upon her hand.
She glanced cautiously about her. Assured she was alone, with
her other hand she lifted the one Winthrop had kissed and held
it pressed against her lips.
The folding doors were thrown open, letting in a flood of light,
and Mabel Vance, entering swiftly, knelt at the table and bent
her head close to Vera.
"That woman's in the hall," she whispered, "that niece of
Hallowell's. Paul and Mannie can't get rid of her. Now she's got
hold of Winthrop. She says she will see you. Be careful!"
Vera rose. That Mabel might not see she had been weeping, she
walked to the piano, covertly drying her eyes.
"What," she asked dully, "does she want with me?"
"About tonight," answered Mabel. She exclaimed fiercely, "I told
them there'd be trouble!"
With Vance upon her heels, Helen Coates came in quickly from the
hall. Her face was flushed, her eyes lit with indignation and
excitement. In her hand she held an open letter.
As though to protect Vera, both Vance and his wife moved between
her and their visitor, but, disregarding them, Miss Coates at
once singled out the girl as her opponent.
"You are the young woman they call Vera, I believe," she said.
"I have a note here from Mr. Hallowell telling me you are giving
a seance tonight at his house. That you propose to exhibit the
spirit of my mother. That is an insult to the memory of my
mother and to me. And I warn you, if you attempt such a thing, I
will prevent it."
There was a pause. When Vera spoke it was in the tone of every-
day politeness. Her voice was even and steady.
"You have been misinformed," she said, "there will be no seance
tonight."
Vance turned to Vera, and, in a voice lower than her own, but
sufficiently loud to include Miss Coates, said: "I don't think
we told you that Mr. Hallowell himself insists that this lady
and her friends be present."
"Her presence makes no difference," said Vera quietly. "There
will be no seance tonight. I will tell you about it later,
Paul," she added. She started toward the door, but Miss Coates
moved as though to intercept her.
"If you think," she cried eagerly, "you can give a seance to Mr.
Hallowell without my knowing it, you are mistaken."
Vera paused, and made a slight inclination of her head.
"That was not my idea," she said. She looked appealingly to
Vance. "Is that not enough, Paul?" she asked.
"Quite enough!" exclaimed the man. He turned to the visitor and
made a curt movement of the hand toward the open door.
"There will be a seance tonight," he declared. "At Mr.
Hallowell's. If you wish to protest against it, you can do so
there. This is my house. If you have finished -- " He repeated
the gesture toward the open door.
"I have not finished," said Miss Coates sharply; "and if you
take my advice, you will follow her example." With a nod of the
head she signified Vera. "When she sees she's in danger, she
knows enough to stop. This is not a question of a few medium's
tricks," she cried, contemptuously. "I know all that you planned
to do, and I intend that tomorrow every one in New York shall
know it too."
Like a cloak Vera's self-possession fell from her. In alarm she
moved forward.
"What do you mean?" she demanded.
"I have had you people followed pretty closely," said Miss
Coates. Her tone was assured. She was confident that of those
before her she was the master, and that of that fact they were
aware.
"I know," she went on, "just how you tried to impose upon my
uncle -- how you tried to rob me, and tonight I have invited the
reporters to my house to give them the facts."
With a cry Vera ran to her.
"No!" she begged, "you won't do that. You must not do that!"
"Let her talk!" growled Vance. "Let her talk! She's funny."
"No!" commanded Vera. Her voice rang with the distress. "She
cannot do that!" She turned to Miss Coates. "We haven't hurt
you," she pleaded; "we haven't taken your money. I promise you,"
she cried," we will never see Mr. Hallowell again. I beg of you
-- "
Vance indignantly caught her by the arm and drew her back. "You
don't beg nothing of her!" he cried.
"I do," Vera answered wildly. She caught Vance's hand in both of
hers. "I have a chance, Paul," she entreated, "don't force me
through it again. I can't stand the shame of it again." Once
more she appealed to the visitor. "Don't!" she begged. "Don't
shame me."
But the eyes of the older girl, blind to everything save what,
as she saw it, was her duty, showed no consideration.
Vera's hands, trembling on his arm, drove Vance to deeper anger.
He turned savagely upon Miss Coates.
"You haven't lost anything yet, have you?" he demanded. "She
hasn't hurt you, has she? If it's revenge you want," he cried
insolently, "why don't you throw vitriol on the girl?"
"Revenge!" exclaimed Miss Coates indignantly. "It is my duty. My
public duty. I'm not alone in this; I am acting with the
District Attorney. It is our duty." She turned suddenly and
called, "Mr. Winthrop, Mr. Winthrop!"
For the first time Vera saw, under the gas jet, at the farther
end of the hall, the figures of Mannie and Winthrop.
"No, no!" she protested, "I beg of you," she cried hysterically.
"I've got a chance. If you print this thing tomorrow, I'll never
have a chance again. Don't take it away from me." Impulsively
her arms reached out in an eager final appeal. "I'm down," she
said simply, "give me a chance to get up."
When Miss Coates came to give battle to the Vances, she foresaw
the interview might be unpleasant. It was proving even more
unpleasant than she had expected, but her duty seemed none the
less obvious.
"You should have thought of that," she said, "before you were
found out."
For an instant Vera stood motionless, staring, unconsciously
holding the attitude of appeal. But when, by these last words,
she recognized that her humiliation could go no further, with an
inarticulate exclamation she turned away.
"The public has the right to know," declared Miss Coates, "the
sort of people you are. I have the record of each of you -- "
From the hall Winthrop had entered quickly, but, disregarding
him, Vance broke in upon the speaker, savagely, defiantly.
"Print em, then!" he shouted, "print em!"
"I mean to," declared Miss Coates, "yours, and hers, she -- "
Winthrop placed himself in front of her, shutting her off from
the others. He spoke in an earnest whisper.
"Don't!" he begged. "She has asked for a chance. Give her a
chance."
Miss Coates scorned to speak in whispers.
"She has had a chance," she protested loudly. "She's had a
chance for nine years; and she's chosen to be a charlatan and a
cheat, and -- " The angry woman hesitated, and then flung the
word -- "and a thief!"
In the silence that followed no one turned toward Vera; but as
it continued unbroken each raised his eyes and looked at her.
They saw her drawn to her full height; the color flown from her
face, her deep, brooding eyes flashing. She was like one by some
religious fervor lifted out of herself, exalted. When she spoke
her voice was low, tense. It vibrated with tremendous, wondering
indignation.
"Do you know who I am?" she asked. She spoke like one in a
trance. "Do you know who you are threatening with your police
and your laws? I am a priestess! I am a medium between the souls
of this world and the next. I am Vera -- the Truth! And I mean,"
the girl cried suddenly, harshly, flinging out her arm, "that
you shall hear the truth! Tonight I will bring your mother from
the grave to speak it to you!"
With a swift, sweeping gesture she pointed to the door. "Take
those people away!" she cried.
The eyes of Winthrop were filled with pity. "Vera!" he said,
"Vera!"
For an instant, against the tenderness and reproach in his voice
the girl held herself motionless; and then, falling upon the
shoulder of Mrs. Vance, burst into girlish, heart-broken tears.
"Take them away," she sobbed, "take them away!"
Mannie Day and Vance closed in upon the visitors, and motioning
them before them, drove them from the room.
Part III
The departure of the District Attorney and Miss Coates left Vera
free to consider how serious, if she carried out her threat, the
consequences might be. But of this chance she did not avail
herself. Instead, with nervous zeal she began to prepare for her
masquerade. It was as though her promise to Winthrop to abandon
her old friends had filled her with remorse, and that she now,
by an extravagance of loyalty, was endeavoring to make amends.
At nine o'clock, with the Vances, she arrived at the house of
Mr. Hallowell. Already, to the same place, a wagon had carried
the cabinet, a parlor organ, and a dozen of those camp chairs
that are associated with house weddings and funerals; and while,
in the library, Vance and Mannie arranged these to their liking,
on the third floor Vera, with Mrs. Vance, waited for that moment
to arrive when Vance considered her entrance would be the most
effective.
This entrance was to be made through the doorway that opened
from the hall on the second story into the library. To the right
of this door, in an angle of two walls, was the cabinet, and on
the left, the first of the camp chairs. These had been placed in
a semicircle that stretched across the room, and ended at the
parlor organ. The door from Mr. Hallowell's bedroom opened
directly upon the semicircle at the point most distant from the
cabinet. In the centre of the semicircle Vance had placed the
invalid's arm chair.
Vance, in his manner as professional and undisturbed as a
photographer focussing his camera and arranging his screens, was
explaining to Judge Gaylor the setting of his stage. The judge
was an unwilling audience. Unlike the showman, for him the
occasion held only terrors. He was driven by misgivings, swept
by sudden panics. He scowled at the cabinet, intruding upon the
privacy of the room where for years, without the aid of
accessories, by his brains alone, he had brought Mr. Hallowell
almost to the point of abject submission to his wishes. He
turned upon Vance with bitter self-disgust.
"So, I've got down as low as this, have I?" he demanded.
Vance heard him, undisturbed.
"I must ask you," he said, briskly, "to help me keep the people
just as I seat them. They will be in this half-circle facing the
cabinet and holding hands. Those we know are against us," he
explained, "will have one of my friends, Professor Strombergk,
or Mrs. Marsh, or my wife, on each side of him. If there should
be any attempt to rush the cabinet, we must get there first. I
will be outside the cabinet working the rappings, the floating
music, and the astral bodies." At the sight of the expression
these words brought to the face of Gaylor, Vance permitted
himself the shadow of a smile. "I can take care of myself," he
went on, "but remember -- Vera must not be caught outside the
cabinet! When the lights go up, she must be found with the ropes
still tied."
Gaylor turned from him with an exclamation of disgust.
"Pah!" he muttered. "It's a hell of a business!"
Vance continued unmoved. "And, another thing," he said, "about
these lights; this switch throws them all off, doesn't it?" He
pressed a button on the left of the door, and the electric
lights in the walls and under a green shade on the library table
faded and disappeared, leaving the room, save for the light from
the hall, in darkness.
"That's the way we want it," said the showman.
From the hall Mannie appeared between the curtains that hung
across the doorway. "What are you doing with the lights?" he
demanded. "You want to break my neck? All our people are
downstairs," he announced.
Vance turned on the lights. At the same moment Rainey came from
the bedroom into the library. It was evident that to sustain his
courage he had been drinking. He made no effort to greet those
in the room, but stood, glaring resentfully at the cabinet and
the row of chairs.
"Well," exclaimed Vance cheerfully, "if our folks are all here,
we're all right."
Glancing behind him, Mannie took Vance by the sleeve, and led
him to the centre of the room.
"No, we're not all right," said the boy, "that Miss Coates has
brought a friend with her. She says Hallowell told her she could
bring a friend. She says this young fellow is her friend. I
think he's a Pink!"
"What nonsense," exclaimed Gaylor in alarm. "No detective would
force his way into this house."
"She says," continued Mannie, disregarding Gaylor, and still
addressing Vance, "he's a seeker after the Truth. I'll bet,"
declared the boy violently, "he's a seeker after the truth!"
Garrett came hastily and noiselessly into the room. He nodded
toward Mannie.
"Has he told you?" he asked.
"Yes," Gaylor answered, "who is he?"
"The reporter who was here this morning," Garrett returned. "The
one who threatened -- "
"That'll do," commanded Gaylor. In the face of this new
complication he again became himself. Suavely and politely he
turned to Vance. "Will you and your friend join Miss Vera," he
asked, "and tell her that we begin in a few minutes?"
For the first time, aggressively and offensively Rainey broke
his silence.
"No, we won't begin in a few minutes," he announced, "not by a
damned sight!"
The explosion was so unexpected that, for an instant, while the
eyes of all were fixed in astonishment upon the speaker, there
was complete silence. Gaylor, still suave, still polite, looked
toward Vance, and motioned him to the door.
"Will you kindly do as I ask?" he said. With Mannie at his side,
Vance walked quickly from the room. Once in the hall, the boy
laid a detaining hand upon the arm of the older man.
"If you'll take my advice, which you won't," he said, "we'll all
cut and run now, while we got the chance!"
In the library, Gaylor turned savagely upon his fellow
conspirator.
"Well!" he demanded.
Rainey frowned at him sulkily. "I wash my hands of the whole
thing!" he cried.
Gaylor dropped his voice to a whisper.
"What are you afraid of now?: he demanded. "If you're not afraid
of a district attorney, why are you afraid of a reporter?"
"I'm not afraid of anybody," returned Rainey, thickly. "But, I
don't mean to be a party to no murder!" He paused, shaking his
head portentously. "That man in there," he whispered, nodding
toward the bedroom, "is in no condition to go through this.
After that shock this morning, and last night -- it'll kill him.
His heart's rotten, I tell you, rotten!"
Garrett snarled contemptuously.
"How do you know?" he demanded.
"How do I know?" returned Rainey, fiercely. "I was four years in
a medical college, when you were in jail, you -- " "Stop that!"
cried Gaylor. Glancing fearfully toward the open door, he
interposed between them.
"Don't take my advice, then," cried Rainey. "Go on! Kill him!
And he won't sign your will. Only, don't say I didn't tell you."
"Have you told him?" demanded Gaylor.
"Yes," Rainey answered stoutly. "Told him if he didn't stop
this, he wouldn't live till morning."
"Are we forcing him to do this?" demanded Gaylor. "No! He's
forcing it on us. My God!" he exclaimed, "do you think I want
this farce? You say, yourself, you told him it would kill him,
and he will go on with it. Then why do you blame us? Can we help
ourselves?"
The butler had distinguished the sounds of footsteps in the
hall. He fell hastily to rearranging the camp chairs.
"Hush!" he warned. "Look out!" Gaylor and Rainey had but time to
move apart, when Winthrop entered. He regarded the three men
with a smile of understanding.
"I beg pardon," he exclaimed, "I am interrupting?"
Gaylor greeted him with exaggerated heartiness.
"Ah, it is Mr. Winthrop!" he cried. "Have you come to help us
find out the truth this evening?"
"I certainly hope not!" said Winthrop brusquely. "I know the
truth about too many people already." He turned to Garrett, who,
unobtrusively, was endeavoring to make his escape.
"I want to see Miss Vera," he said.
"Miss Vera," interposed Gaylor. "I'm afraid that's not possible.
She especially asked not to be disturbed before the seance. I'm
sorry."
Winthrop's manner became suspiciously polite.
"Yes?" he inquired. "Well, nevertheless I think I'll ask her.
Tell Miss Vera, please," he said to Garrett, "that Mr. Winthrop
would like a word with her here," with significance he added,
"in private."
In offended dignity, Judge Gaylor moved toward the door. "Dr.
Rainey," he said stiffly, "will you please inform Mr. Hallowell
that his guests are now here, and that I have gone to bring them
upstairs."
"Yes, but you won't bring them upstairs, please," said Winthrop,
"until you hear from me."
Gaylor flushed with anger and for a moment appeared upon the
point of mutiny. Then, as though refusing to consider himself
responsible for the manners of the younger man, he shrugged his
shoulders and left the room.
With even less of consideration than he had shown to Judge
Gaylor, Winthrop turned upon Rainey.
"How's your patient?" he asked shortly. Rainey was sufficiently
influenced by the liquor he had taken to dare to resent
Winthrop's peremptory tone. His own in reply was designedly
offensive.
"My patient?" he inquired.
"Mr. Hallowell," snapped Winthrop, "he's sick, isn't he?"
"Oh, I don't know," returned the Doctor.
"You don't know?" demanded Winthrop. "Well, I know. I know if he
goes through this thing tonight, he'll have another collapse. I
saw one this morning. Why don't you forbid it? You're his
medical adviser, aren't you?"
Rainey remained sullenly silent.
"Answer me!" insisted the District Attorney. "You are, aren't
you?"
"I am," at last declared Rainey.
"Well, then," commanded Winthrop, "tell him to stop this. Tell
him I advise it."
Through his glasses Rainey blinked violently at the District
Attorney, and laughed. "I didn't know," he said, "that you were
a medical man."
Winthrop looked at the Doctor so steadily, and for so long
a time, that the eyes of the young man sought the floor and the
ceiling; and his sneer changed to an expression of discomfort.
"I am not," said Winthrop. "I am the District Attorney of New
York." His tones were cold, precise; they fell upon the
superheated brain of Dr. Rainey like drops from an icicle.
"When I took over that office," continued Winthrop, "I found a
complaint against two medical students, a failure to report the
death of an old man in a private sanitarium."
Winthrop lowered his eyes, and became deeply absorbed in the
toe of his boot. "I haven't looked into the papers, yet," he
said.
Rainey, swaying slightly, jerked open the door of the bedroom.
"I'll tell him," he panted thickly. "I'll tell him to do as you
say."
"Thank you, I wish you would," said Winthrop.
At the same moment, from the hall, Garrett announced, "Mrs.
Vance, sir." And Mabel Vance, tremulous and frightened, entered
the room.
Winthrop approached her eagerly.
"Ah! Mrs. Vance," he exclaimed, "can I see Miss Vera?"
Embarrassed and unhappy, Mrs. Vance moved restlessly from
foot to foot, and shook her head.
"Please, Mr. District Attorney," she begged. "I'm afraid not.
This afternoon upset her so. And she's so nervous and queer
that the Professor thinks she shouldn't see nobody."
"The Professor?" he commented. His voice was considerate,
conciliatory. "Now, Mrs. Vance," he said, "I've known Miss
Vera ever since she was a little girl, known her longer than
you have, and, I'm her friend, and you're her friend, and -- "
"I am," protested Mabel Vance tearfully."Indeed I am!"
"I know you are," Winthrop interrupted hastily.
"You've been more than a friend to her, you've been a sister,
mother, and you don't want any trouble to come to her, do you?"
"I don't," cried the woman. "Oh!" she exclaimed miserably, "I
told them there'd be trouble!"
Winthrop laughed reassuringly.
"Well, there won't be any trouble," he declared, "if I can help
it. And if you want to help her, help me. Persuade her to let
me talk to her. Don't mind what the Professor says."
"I will," declared Mrs. Vance with determination, "I will."
She started eagerly toward the hall, and then paused and
returned. Her hands were clasped; her round, baby eyes, wet
with tears, were fixed upon Winthrop appealingly.
"Oh, please," she pleaded, "you're not going to hurt him, are
you? Paul, my husband," she explained, "he's been such a good
husband to me."
Winthrop laughed uneasily.
"Why, that'll be all right," he protested.
"He doesn't mean any harm, insisted Mrs. "Vance, "he's on the
level; true, he is!"
"Why, of course, of course," Winthrop assented.
Unsatisfied, Mrs. Vance burst into tears. "It's this spirit
business that makes the trouble!" she cried. "I tell them to cut
it out. Now, the mind reading at the theatre," she sobbed,
"there's no harm in that, is there? And there's twice the money
in it. But this ghost raising" -- she raised her eyes
appealingly, as though begging to be contradicted -- "it's sure
to get him into trouble, isn't it?"
Winthrop shook his head, and smiled.
"It may," he said. Mrs. Vance broke into a fresh outburst of
tears. "I knew it," she cried, "I knew it." Winthrop placed
his hand upon her arm and turned her in the direction of
the door.
"Don't worry,:" he said soothingly. "Go send Miss Vera
here. And," he called after her, "don't worry."
As Mabel departed upon his errand, Rainey reentered from the
bedroom. He carefully closed the door and halted with his hand
upon the knob, and shook his head.
"It's no use," he said, "he will go on with it. It's not my
fault," he whined, "I told him it would kill him. I couldn't
make it any stronger than that, could I?"
Rainey was not looking at Winthrop, but, as though fearful of
interruption, toward the door. His eyes were harassed, furtive,
filled with miserable indecision. Many times before Winthrop had
seen men in such a state. He knew that for the sufferer it
foretold a physical break down, or that he would seek relief in
full confession. To give the man confidence, he abandoned his
attitude of suspicion.
"That certainly would be strong enough for me," he said
cheerfully. "Did you tell him what I advised?"
"Yes, yes," muttered Rainey impatiently. "He said you were
invited here to give advice to his niece, not to him." For the
first time his eyes met those of Winthrop boldly. The District
Attorney recognized that the man had taken his fears by the
throat, and had arrived at his decision."
"See here," exclaimed Rainey, "could I give you some
information?"
"I'm sure you could," returned Winthrop briskly. "Give it to
me now."
But Rainey, glancing toward the door, shrank back. Winthrop,
following the direction of his eyes, saw Vera. Impatiently he
waved Rainey away.
"At the office, tomorrow morning," he commanded. With a sigh of
relief at the reprieve, Rainey slipped back into the bedroom.
Winthrop had persuaded himself that in seeking to speak with
Vera, he was making only a natural choice between preventing the
girl from perpetrating a fraud, or, later, for that fraud,
holding her to account. But when she actually stood before him,
he recognized how absurdly he had deceived himself. At the mere
physical sight of her, there came to him a swift relief, a
thrill of peace and deep content; and with delighted certainty
he knew that what Vera might do or might not do concerned him
not at all, that for him all that counted was the girl herself.
With something of this showing in his face, he came eagerly
toward her.
"Vera!" he exclaimed. In the word there was delight, wonder,
tenderness; but if the girl recognized this she concealed her
knowledge. Instead, her eyes looked into his frankly; her manner
was that of open friendliness.
"Mabel tells me you want to talk to me," she said evenly "but I
don't want you to. I have something I want to say to you. I
could have written it, but this" -- for an instant the girl
paused with her lips pressed together; when she spoke, her voice
carried the firmness and finality of one delivering a verdict --
"but this," she repeated, "is the last time you shall hear from
me, or see me again."
Winthrop gave an exclamation of impatience, of indignation.
"No," returned the girl, "it is quite final. Maybe you will not
want to see me, but -- "
Winthrop again sharply interrupted her. His voice was filled
with reproach.
"Vera!" he protested.
"Well," said the girl more gently, "I'm glad to think you do,
but this is the last, and before I go, I -- ".
"Go!" demanded Winthrop roughly. "Where?"
"Before I go," continued the girl, "I want to tell you how much
you have helped me -- I want to thank you -- ".
"You haven't let me thank you," broke in Winthrop, "and, now,
you pretend this is our last meeting. It's absurd!".
"It is our last meeting," replied the girl. Of the two, for the
moment, she was the older, the more contained. "On the
contrary," contradicted the man. He spoke sharply, in a tone he
tried to make as determined as her own. "Our next meeting will
be in ten minutes -- at my sister's. I have told her about this
afternoon, and about you; and she wants very much to meet you.
She has sent her car for you. It's waiting in front of the
house. Now," he commanded masterfully, "you come with me, and
get in it, and leave all this" -- he gave an angry, contemptuous
wave of the hand toward the cabinet -- "behind you, as," he
added earnestly, "you promised me you would."
As though closing from sight the possibility he suggested, the
girl shut her eyes quickly, and then opened them again to meet
his.
"I can't leave these things behind me," she said quietly.
"I told you so this afternoon. For a moment, you made me think I
could, and I did promise. I didn't need to promise. It's what
I've prayed for. Then, you saw what happened, you saw I was
right. Within five minutes that woman came -- "
"That woman had a motive," protested Winthrop.
"That woman," continued the girl patiently, "or some other
woman. What does it matter? In five minutes, or five days, some
one would have told." She leaned toward him anxiously. "I'm not
complaining," she said; "it's my own fault. It's the life I've
chosen." She hesitated and then as though determined to carry
out a programme she had already laid down for herself, continued
rapidly: "And what I want to tell you, is, that what's best in
that life I owe to you."
"Vera!" cried the man sharply.
"Listen!" said the girl. Her eyes were alight, eager. She spoke
frankly, proudly, without embarrassment, without fear of being
misconstrued, as a man might speak to a man.
"I'd be ungrateful, I'd be a coward," said the girl, "if I went
away and didn't tell you. For ten years I've been counting on
you. I made you a sort of standard. I said, as long as he keeps
to his ideals, I'm going to keep to mine. Maybe you think my
ideals have not been very high, but anyway you've made it easy
for me. Because I'm in this business, because I'm good-looking
enough, certain men" -- the voice of the girl grew hard and cool
-- "have done me the honor to insult me, and it was knowing you,
and that there are others like you, that helped me not to care."
The girl paused. She raised her eyes to his frankly. The look in
them was one of pride in him, of loyalty, of affection. "And
now, since I've met you," she went on, "I find you're just as I
imagined you'd be, just as I'd hoped you'd be." She reached out
her hand warningly, appealingly. "And I don't want you to
change, to let down, to grow discouraged. You can't tell how
many more people are counting on you." She hesitated and, as
though at last conscious of her own boldness, flushed
deprecatingly, like one asking pardon. "You men in high places,"
she stammered, "you're like light houses showing the way. You
don't know how many people you are helping. You can't see them.
You can't tell how many boats are following your light, but if
your light goes out, they are wrecked." She gave a sigh of
relief. "That's what I wanted to tell you," she said, "and, so
thank you." She held out her hand. "And, goodby."
Winthrop's answer was to clasp her hand quickly in both of his,
and draw her toward him.
"Vera," he begged, "come with me now!"
The girl withdrew her hand and moved away from him, frowning.
"No," she said, "no, you do not want to understand. I have my
work to do tonight."
Winthrop gave an exclamation of anger.
"You don't mean to tell me," he cried, "that you're going on
with this?"
"Yes," she said, And then in sudden alarm cried: "But not if
you're here! I'll fail if you're here. Promise me, you will not
be here."
"Indeed," cried the man indignantly, "I will not! But I'll be
downstairs when you need me. And," he added warningly, "you'll
need me." "No," said the girl. "No matter what happens, I tell
you, between us, this is the end."
"Then," begged the man, "if this is the end, for God's sake,
Vera, as my last request, do not do it!"
The girl shook her head. "No," she repeated firmly. "I've tried
to get away from it, and each time they've forced me back. Now,
I'll go on with it. I've promised Paul, and the others. And you
heard me promise that woman."
"But you didn't mean that!" protested the man. "She insulted
you; you were angry. You're angry now, piqued -- "
"Mr. Winthrop," interrupted the girl, "today you told me I was
not playing the game. You told the truth. When you said this
was a mean business, you were right. But" -- for the first time
since she had spoken her tones were shaken, uncertain -- "I've
been driven out of every other business." She waited until her
voice was again under control, and then said slowly,
definitely, "and, tonight, I am going to show Mr. Hallowell the
spirit of his sister."
In the eyes of Winthrop the look of pain, of disappointment, of
reproach, was so keen, that the girl turned her own away.
"No," said the man gently, "you will not do that."
"You can stop my doing it tonight," returned the girl, "but at
some other time, at some other place, I will do it."
"You yourself will stop it," said Winthrop. "You are too honest,
too fine, to act such a lie. Why not be yourself?" he begged.
"Why not disappoint these other people who do not know you? Why
disappoint the man who knows you best, who trusts you, who
believes in you -- ".
"You are the very one," interrupted the girl, "who doesn't know
me. I am not fine; I am not honest. I am a charlatan and a
cheat; I am all that woman called me. And that is why you can't
know me. That's why. I told you, if you did, you would be
sorry."
"I am not sorry," said Winthrop.
"You will be," returned the girl, "before the night is over."
"On the contrary," answered the man quietly, "I shall wait here
to congratulate you -- on your failure."
"I shall not fail," said the girl. Avoiding his eyes, she turned
from him and, for a moment, stood gazing before her miserably.
Her lips were trembling, her eyes moist with rising tears. Then
she faced him, her head raised defiantly.
"I have been hounded out of every decent way of living," she
protested hysterically. "I can make thousands of dollars
tonight," she cried, "out of this one."
Winthrop looked straight into her eyes. His own were pleading,
full of tenderness and pity; so eloquent with meaning that those
of the girl fell before them.
"That is no answer," said the man. "You know it's not. I tell
you -- you will fail."
From the hall Judge Gaylor entered noisily. Instinctively the
man and girl moved nearer together, and upon the intruder
Winthrop turned angrily.
"Well?" he demanded sharply. "I thought you had finished your
talk," protested the Judge. "Mr. Hallowell is anxious to begin."
Winthrop turned and looked at Vera steadily. For an instant the
eyes of the girl faltered, and then she returned his glance with
one as resolute as his own. As though accepting her verdict as
final, Winthrop walked quickly to the door. "I shall be
downstairs," he said, "when this is over, let me know."
Gaylor struggled to conceal his surprise and satisfaction. "You
won't be here for the seance?" he exclaimed.
"Certainly not," cried Winthrop. "I -- " He broke off suddenly.
Without again looking toward Vera, or trying to hide his
displeasure, he left the room.
Gaylor turned to the girl. He was smiling with relief.
"Excellent!" he muttered. "Excellent! What was he saying to
you,:" he asked eagerly, "as I came in -- that you would fail?"
The girl moved past him to the door. "Yes," she answered dully.
"But you will not!" cried the man. "We're all counting on you,
you know. Destroy the old will. Sign the new will," he quoted.
He came close to her and whispered. "That means thousands of
dollars to you and Vance," he urged.
The girl turned and regarded him with unhappy, angry eyes.
"You need not be frightened,:" she answered. For the man before
her and for herself, her voice was bitter with contempt and
self- accusation. "Mr. Winthrop is mistaken. He does not know
me," she said miserably. "I shall not fail."
For a moment, after she had left him, Gaylor stood motionless,
his eyes filled with concern, and then, with a shrug, as though
accepting either good or evil fortune, he called from the
bedroom Mr. Hallowell, and, from the floor below, the guests of
Hallowell and of Vance.
As Hallowell, supported by Rainey, sank into the invalid's chair
in the centre of the semicircle, Gaylor made his final appeal.
"Stephen," he begged, "are you sure you're feeling strong
enough? Won't some other night -- " The old man interrupted him
querulously.
"No, now!" I want it over," he commanded. "Who knows," he
complained, "how soon it may be before -- "
The sight of Mannie entering the room with Vance caused him to
interrupt himself abruptly. He greeted the showman with a curt
nod.
"And who is this?" he demanded. Mannie, to whom a living
millionaire was much more of a disturbing spectacle than the
ghost of Alexander the Great, retreated hastily behind Vance.
"He is my assistant," Vance explained. "He furnishes the music."
He pushed Mannie toward the organ.
"Music!" growled Hallowell. "Must there be music?"
"It is indispensable," protested Vance. "Music, sir, is one of
the strongest psychic influences. It"
"Nonsense!" cried Hallowell.
"Tricks," he muttered, "tricks!"
Vance shrugged his shoulders, and smiled in deprecation. "I am
sorry to find you in a skeptical mood, Mr. Hallowell," he
murmured reprovingly "It will hardly help to produce good
results. Allow me," he begged, "to present two true believers."
With a wave of the hand he beckoned forward a stout, gray-haired
woman with bulging, near- sighted eyes that rolled meaninglessly
behind heavy gold spectacles.
"Mrs. Marsh of Lynn, Massachusetts," proclaimed Vance, "of whom
you have heard. Mrs. Marsh," he added, "is probably the first
medium in America. The results she has obtained are quite
wonderful. She alone foretold the San Francisco earthquake, and
the run on the Long Acre Square Bank."
"I am glad to know you," said Mr. Hallowell. "Pardon my not
rising."
The old lady curtsied obsequiously.
"Oh, certainly, Mr. Hallowell," she protested. "Mr. Hallowell,"
she went on, rolling the name delightedly on her tongue, "I need
not tell you how greatly we spiritualists rejoice over your
joining the ranks of the believers."
Hallowell nodded. He was not altogether unimpressed. "Thanks,"
he commented dryly. "But I am not quite there yet, madam."
"We hope," said Vance sententiously, "to convince Mr. Hallowell
tonight."
"And I am sure, Mr. Hallowell," cried the old lady, "if any one
can do it, little Miss Vera can. Hers is a wonderful gift, sir,
a wonderful gift!"
"I am glad to hear you say so," returned Hallowell.
He nodded to her in dismissal, and turned to the next visitor.
"And this gentleman?" he asked.
"Professor Strombergk," announced Vance, "the distinguished
writer on psychic and occult subjects, editor of The World
Beyond."
A tall, full-bearded German, in a too-short frock coat, bowed
awkwardly. Upon him, as upon Mannie, had fallen the spell of the
Hallowell fortune. He, who chatted familiarly with departed
popes and emperors, who daily was in communication with Goethe,
Caesar, and Epictetus, thrilled with embarrassment before the
man who had made millions from a coupling pin.
"And Helen!" Mr. Hallowell cried, as Miss Coates followed the
Professor. "That is all, is it not?" he asked.
Miss Coates moved aside to disclose the person of the reporter
from the Republic, Homer Lee.
"I have taken you at your word, uncle," she said., "and have
brought a friend with me." In some trepidation she added; "He is
Mr. Lee, a reporter from the Republic."
"A reporter!" exclaimed Mr. Hallowell. Disturbed and yet amused
at the audacity of his niece, he shook his head reprovingly. "I
don't think I meant reporters," he remonstrated.
"You said in your note," returned his niece, "that as I had so
much at stake, I could bring any one I pleased, and the less he
believed in spiritualism, the better. Mr. Lee," she added dryly,
"believes even less than I do."
"Then it will be all the more of a triumph, if we convince him,"
declared Hallowell. "Understand, young man," he proclaimed
loudly, "I am not a spiritualist. I am merely conducting an
investigation. I want the truth. If you, or my niece, detect any
fraud tonight, I want to know it." Including in his speech the
others in the room, he glared suspiciously in turn at each.
"Keep your eyes open," he ordered, "you will be serving me quite
as much as you will Miss Coates."
Miss Coates and Lee thanked him and, recognizing themselves as
the opposition and in the minority, withdrew for consultation
into a corner of the bay window.
Vance approached Mr. Hallowell.
"If you are ready," he said, "we will examine the cabinet. Shall
I wheel it over here, or will you look at it where it is?"
"If it is to be in that corner during the seance," declared Mr.
Hallowell, "I'll look at it where it is."
As he struggled from his chair, he turned to Mrs. Marsh, and
nodded his head knowingly. "You see, Mrs. Marsh," he said, "I am
taking no chances."
"That is quite right, Mr. Hallowell," purred the old lady. "If
there be any doubt in your mind, you must get rid of it, or we
will have no results."
With a dramatic gesture, Vance swept aside from the opening in
the cabinet the black velvet curtain. "It's a simple affair," he
said indifferently. "As you see, it's open at the top and
bottom. The medium sits inside on that chair, bound hand and
foot."
In turn, Mr. Hallowell, Mrs. Marsh, Gaylor, Rainey, Professor
Strombergk entered the cabinet. With their knuckles they beat
upon its sides. They moved it to and fro. They dropped to their
knees, and with their fingers tugged at the carpet upon which it
stood.
Under cover of their questions, in the corner of the bay window,
Miss Coates whispered to Lee; "Don't look now," she warned, "but
later, you will see on the left of that door the switch that
throws on the lights. When I am sure she is outside the cabinet,
when she has told him not to give the money to me, I'll cry
now!' and whichever one of us is seated nearer the switch will
turn on all the lights. I think, "Miss Coates added with, in her
voice, a thrill of triumph not altogether free from a touch of
vindictiveness, "when my uncle sees her caught in the middle of
the room, disguised as his sister -- we will have cured him."
"It may be," said the man.
The possibility of success as Miss Coates pointed it out did not
appear to stir in him any great delight. He glanced unwillingly
over his shoulder. "I see the switch," he said.
Leaning on the arm of Gaylor, Mr. Hallowell returned from the
cabinet to his chair. What he had seen apparently strengthened
his faith and, in like degree, inspired him to greater
enthusiasm.
"Well," he exclaimed, "there are no trapdoors or false bottoms
about that! If they can project a spirit from that sentry box,
it will be a miracle. For whom are we waiting?" he asked
impatiently. "Where is Winthrop?"
Judge Gaylor explained that Winthrop preferred to wait
downstairs, and that he had said he would remain there until the
seance was finished.
"Afraid of compromising his position," commented the old man.
"I'm sorry. I'd like to have him here." He motioned Gaylor to
bend nearer. In a voice that trembled with eagerness and
excitement, he whispered: "Henry, I have a feeling that we are
going to witness a remarkable phenomenon."
Gaylor's countenance grew preternaturally grave. He nodded
heavily.
"I have the same feeling, Stephen," he returned.
Vance raised his hand to command silence.
"Every one," he called, "except the committee, who are to bind
and tie the medium, will take the place I give him, and remain
in it. Mr. Day will please acquaint Miss Vera and Mrs. Vance
with the fact that we are ready."
Up to this point Vance had appeared only as a stage manager. He
had been concerned with his groupings, his lights, in assigning
to his confederates the parts they were to play. Now that the
curtain was to rise, as an actor puts on a wig and grease paint,
Vance assumed a certain voice and manner. On the stage the
critics would have called him a convincing actor. He made his
audience believe what he believed. He knew the eloquence of a
pause, the value of a surprised, unintelligible exclamation. One
moment he was as professionally solemn as a "funeral director;"
the next, his voice, his whole frame, would shake with
excitement, in an outburst of fanatic fervor. As it pleased him
he could play Hamlet, tenderly shocked at the sight of his dead
father, or Macbeth, retreating in horror before the ghost of
Banquo. For the moment his manner was that of the undertaker.
"Now, Mr. Hallowell," he said hoarsely, "please to name those
you wish to serve on the committee."
Mr. Hallowell waved his arm to include every one in the room.
"Everybody will serve on the committee," he declared.
"Everything is to be open and above- board. The whole city is
welcome on the committee. I want this to be above suspicion."
"That is my wish, also, sir," said Vance stiffly. "But a
committee of more than three is unwieldy. Suppose you name two
gentlemen and I one? Or," he shrugged his shoulders, "you can
name all three."
After a moment of consideration Mr. Hallowell pointed at Lee. "I
choose Mr. -- that young man," he announced, "and Judge Gaylor."
"I would much rather not, Stephen," Judge Gaylor whispered.
"I know, Henry," answered the other. "But I ask it of you. It
will give me confidence." He turned to Vance. "You select some
one," he commanded.
With a bow, Vance designated the tall German.
"Will Professor Strombergk be acceptable?" he asked. Mr.
Hallowell nodded.
"Then, the three gentlemen chosen will please come to the
cabinet."
Vance, his manner now that of a master of ceremonies, assigned
to each person the seat he or she was to occupy. Miss Coates
with satisfaction noted that only Mrs. Vance separated Lee from
the electric switch.
"I must ask you," said Vance, "to keep the sears I have assigned
to you. With us tonight are both favorable and unfavorable
influences. And what I have tried to do in placing you, is to
obtain the best psychic results." He moved to the door and
looked into the hall, then turned, and with uplifted arm
silently demanded attention.
"Miss Vera," he announced. Followed closely, like respectful
courtiers, by Mannie and Mrs. Vance, Vera appeared in the
doorway, walked a few feet into the room, and stood motionless.
As though already in a trance, she moved slowly, without
volition, like a somnambulist. Her head was held high, but her
eyes were dull and unseeing. Her arms hung limply. She wore an
evening gown of soft black stuff, that clung to her like a lace
shawl, and which left her throat and arms bare. In spite of the
clash of interests, of antagonism, of mutual distrust, there was
no one present to whom the sight of the young girl did not bring
an uneasy thrill. The nature of the thing she proposed to do,
contrasted with the loveliness of her face, which seemed to mock
at the possibility of deceit; something in her rapt, distant
gaze, in the dignity of her uplifted head, in her air of
complete detachment from her surroundings, caused even the most
skeptical to question if she might not possess the power she
claimed, to feel for a moment the approach of the supernatural.
The voices of the committee, consulting together, dropped
suddenly to a whisper; the others were instantly silent.
In his arms Mannie carried silken scarfs, cords, and ropes. In
each hand he held a teacup. One contained flour, the other shot.
Vance took these from him, and Mannie hurriedly slipped into his
chair in front of the organ.
"Gentlemen," explained Vance, "you will use these ropes and
scarfs to tie the medium. Also, as a further precaution against
the least suspicion of fraud, we will subject her to the most
severe test known. In one hand she will hold this flour; the
other will be filled with shot. This will make it impossible for
her to tamper with the ropes.
He gave the two cups to Gaylor, and turned to Vera.
"Are you ready?" he asked. After a pause, the girl slightly
inclined her head. Lee, with one of the scarfs in his hand,
approached her diffidently. He looked unhappily at the slight,
girlish figure, at the fair white arms. In his embarrassment he
appealed to Vance.
"How would you suggest?" he asked.
Vance, apparently shocked, hastily drew away. "That would be
most irregular," he protested.
Apologetically Lee turned to the girl.
"Would you mind putting your arms behind you?" he asked. He
laced the scarf around her arms, and drew it tightly to her
wrists.
"Tell me if I hurt you," he murmured, but the girl made no
answer. To what was going forward she appeared as unmindful as
though she were an artist's manikin.
"Will you take these now?" asked Gaylor, and into her open palms
he poured the flour and shot. "And, now," continued Lee, "will
you go into the cabinet?" As she seated herself, he knelt in
front of her and bound her ankles. From behind her Strombergk
deftly wound the ropes about her body and through the rungs and
back of the chair.
"Would you mind seeing if you can withdraw your arms?" Lee
asked. The girl raised her shoulders, struggled to free her
hands, and tried to rise. But the efforts were futile.
"Are the gentlemen satisfied?" demanded Vance. The three men,
who had shown but little heart in the work, and who were now red
and embarrassed, hastily answered in the affirmative.
"If you are satisfied the ropes are securely fastened," Vance
continued, "you will take your seats." Professor Strombergk, as
he moved to his chair, announced in devout, solemn tones;
"Nothing but spirit hands can move those ropes now."
From the organ rose softly the prelude to a Moody and Sankey
hymn, and, in keeping with the music, the voice of Vance sank to
a low tone.
"We will now," he said, "establish the magnetic chain. Each
person will take with his right hand the left wrist of the
person on his or her right." He paused while this order was
being carried into effect.
"Before I turn out the lights," he continued, "I wish to say a
last word to any skeptic who may be present. I warn him that
any attempt to lay violent hands upon the apparition, or spirit,
may cost the medium her life. From the cabinet the medium
projects the spirit into the circle. An attack upon the spirit,
is an attack upon the medium. There are three or four
well-authenticated cases where the disembodied spirit was cut
off from the cabinet, and the medium died."
He drew the velvet curtains across the cabinet, and shut Vera
from view. "Are you ready, Mr. Hallowell?" he asked. Mr.
Hallowell, his eyes staring, his lips parted, nodded his head.
The music grew louder. Vance switched off the lights.
For some minutes, except for the creaking of the pedals of the
organ and the low throb of the music, there was no sound. Then,
from his position at the open door, the voice of Vance commanded
sternly: "No whispering, please. The medium is susceptible to
the least sound." There was another longer pause, until in
hushed expectant tones Vance spoke again. "The air is very
heavily charged with electricity tonight," he said, "you, Mrs.
Marsh, should feel that?"
"I do, Professor," murmured the medium, "I do. We shall have
some wonderful results!"
Vance agreed with her solemnly. "I feel influences all about
me," he murmured.
There came suddenly from the cabinet three sharp raps. These
were instantly answered by other quick rappings upon the library
table. "They are beginning!" chanted the voice of Vance. The
music of the organ ceased. It was at once followed by the notes
of a guitar that seemed to float in space, the strings
vibrating, not as though touched by human hands, but in fitful,
meaningless chords like those of an Aeolian harp.
"That is Kiowa, your control, Mrs. Marsh," announced Vance
eagerly. "Do you desire to speak to him?"
"Not tonight," Mrs. Marsh answered. She raised her voice. "Not
tonight, Kiowa," she repeated. "Thank you for coming. Good
night."
In deep, guttural accents, a man's voice came from the ceiling.
"Good night," it called. With a final, ringing wail, the music
of the guitar suddenly ceased.
Again rose the swelling low notes of the organ. Above it came
the quick pattering of footsteps.
The voice of Rainey, filled with alarm, cried, "some one touched
me!"
"Are you sure your hands are held?" demanded Vance reprovingly.
"Yes," panted Rainey, "both of them. But something put its hand
on my forehead. It was cold."
In an excited whisper, a voice in the circle cried, "Look,
look!" and before the eyes of all, a star rose in the darkness.
For a moment it wavered over the cabinet and then fluttered
swiftly across the room and remained stationary above the head
of the German Professor.
"There is your star, Professor," cried Vance. "When the
Professor is in the circle," he announced proudly, "that star
always appears."
He was interrupted by a startled exclamation from Lee.
"Something touched my face," explained the young man
apologetically, "and spoke to me."
The music sank to a murmur, and the room became alive with
swift, rushing sounds and soft whisperings.
The voice of Mrs. Marsh, low and eager, could be heard appealing
to an invisible presence.
"The results are marvelous," chanted Vance, "marvelous! The
medium is showing wonderful power. If any one desires to ask a
question, he should do so now. The conditions will never be
better." He paused expectantly. "Mr. Hallowell," he prompted,
"is it your wish to communicate with any one in the spirit
world?"
There was a long pause, and then the voice of Mr. Hallowell,
harsh and shaken, answered, "Yes."
"With whom?" demanded Vance.
There was again another longer pause, and then, above the
confusion of soft whisperings, the voice of the old man rose in
sharp staccato; "My sister, Catherine Coates." His tone
hardened, became obdurate, final. "But, I must see her, and hear
her speak!"
Not for an instant did Vance hesitate. In tense, sepulchral
tones, he demanded of the darkness, "Is the spirit of Catherine
Coates present?"
The whisperings and murmurs ceased. The silence of the room was
broken sharply by three quick raps. "Yes," intoned Vance, "she
is present."
The voice of Hallowell protested fiercely. "I won't have that! I
want to see her!"
In the tone of an incantation, Vance spoke again. "Will the
spirit show herself to her brother?" The raps came quickly,
firmly.
"She answers she will appear before you."
There was a moment that seemed to stretch interminably, and
then, the eyes of all, straining in the darkness, saw against
the black velvet curtain a splash of white.
Above the sobbing of the organ, the voice of Mr. Hallowell rang
out in a sharp exclamation of terror. "Who is that!" he
demanded. He spoke as though he dreaded the answer. He threw
himself forward in his chair, peering into the darkness.
"Is that you, Kate?, he whispered. His voice was both
incredulous and pleading.
The answer came in feeble, trembling tones. "Yes."
The voice of Hallowell shook with eagerness. "Do you know me,
your brother, Stephen?"
"Yes."
With a cry the old man fell back, groping blindly. He found
Gaylor's arm and clutched it with both hands.
"My God! It's Kate!" he gasped. "I tell you, Henry, it is Kate!"
The voice of Vance, deep and hollow like a bell, sounded a note
of warning. "Speak quickly," he commanded. "Her time on earth is
brief." Mr. Hallowell's hold upon the arm of his friend relaxed.
Fearfully and slowly, he bent forward.
"Kate!" he pleaded; "I must ask you a question. No one else can
tell me." As though gathering courage, he paused, and, with a
frightened sigh, again began. "I am an old man," he murmured, "a
sick man. I will be joining you very soon. what am I to do with
my money? I have made great plans to give it to the poor. Or,
must I give it, as I have given it in my will, to Helen? Perhaps
I did not act fairly to you and Helen. You know what I mean. She
would be rich, but then the poor would be that much the poorer."
The confidence of the speaker was increasing; as though to a
living being, he argued and pleaded. "And I want to do some good
before I go. What shall I do? Tell me."
There was a pause that lasted so long that those who had held
their breath to listen, again breathed deeply. When the answer
came, it was strangely deprecatory, uncertain, unassured.
"You," stammered the voice, "you must have courage to do what
you know to be just!"
For a brief moment, as though surprised, Mr. Hallowell
apparently considered this, and then gave an exclamation of
disappointment and distress.
"But I don't know," he protested, "that is why I called on you.
I want to go into the next world, Kate," he pleaded, "with clean
hands!"
"You cannot bribe your way into the next world," intoned the
voice. "If you pity the poor, you must help the poor, not that
you may cheat your way into heaven, but that they may suffer
less. Search your conscience. Have the courage of your
conscience."
"I don't want to consult my conscience," cried the old man. "I
want you to tell me." He paused, hesitating. Eager to press his
question, his awe of the apparition still restrained him.
"What do you mean, Kate?" he begged. Am I to give the money
where it will do the most good -- to the Hallowell Institute, or
am I to give it to Helen? Which am I to do?"
There was another long silence, and then the voice stammered;
"If -- if you have wronged me, or my daughter, or the poor, you
must make restitution."
The hand of the old man was heard to fall heavily upon the arm
of his chair. His voice rose unhappily.
"That is no answer, Kate!" he cried. "Did you come from the dead
to preach to me? Tell me -- what am I to do -- leave my money to
Helen, or to the Institute?"
The cry of the old man vibrated in the air. No voice rose to
answer. "Kate!" he entreated. Still there was silence. "Speak to
me!" he commanded. The silence became eloquent with momentous
possibilities. So long did it endure, that the pain of the
suspense was actual. The voice of Rainey, choked and hoarse with
fear, broke it with an exclamation that held the sound of an
oath. He muttered thickly, "What in the name of -- "
He was hushed by a swift chorus of hisses. The voice of
Hallowell was again uplifted.
"Why won't she answer me?" he begged hysterically of Vance.
"Can't you -- can't the medium make her speak?"
During the last few moments the music from the organ had come
brokenly. The hands upon the keys moved unsteadily, drunkenly.
Now they halted altogether and in the middle of a chord the
music sank and died. Upon the now absolute silence the voice of
Vance, when he spoke, sounded strangely unfamiliar. It had lost
the priest-like intonation. Its confidence had departed. It
showed bewilderment and alarm.
"I -- I don't understand," stammered the showman. "Ask her
again. Put your question differently."
Carefully, slowly, giving each word its value, Mr. Hallowell
raised his voice in entreaty.
"Kate," he cried, "I have made a new will, leaving the money to
the poor. The old will gives it to Helen. Shall I sign the new
will or not? Shall I give the money to Helen, or the Institute?
Answer me! Yes or no."
Before the eyes of all, the apparition, as though retreating to
the cabinet, swayed backward, then staggered forward. There was
a sob, human, heart-broken, a cry, thrilling with distress; a
tumult of weeping, fierce and uncontrollable.
They saw the figure tear away the white kerchief and cap, and
trample them upon the floor. They saw the figure hold itself
erect. From it, the voice of Vera cried aloud, in despair.
"I can't! I can't!" she sobbed. "It's a lie! I am not your
sister! Turn on the lights," the girl cried. "Turn on the
lights!"
There was a crash of upturned chairs, the sound of men
struggling, and the room was swept with light. In the doorway
Winthrop was holding apart Vance and the reporter.
In the centre of the room stood Vera, her head bent in shame,
her body shaken and trembling, her hair streaming to her waist.
As though to punish herself, by putting a climax to her
humiliation, she held out her arms to Helen Coates. "You see,"
she cried, "I am a cheat. I am a fraud!" She sank suddenly to
her knees in front of Mr. Hallowell. "Forgive me," she sobbed,
"forgive me!"
With a cry of angry protest, Winthrop ran to her and lifted her
to her feet. His eyes were filled with pity. But in the eyes of
Mr. Hallowell there was no promise of pardon. With sudden
strength he struggled to his feet and stood swaying, challenging
those before him. His face was white with anger, his jaw closed
against mercy.
"You've lied to me!" he cried. "You've tried to rob me!" He
swept the room with his eyes. With a flash of intuition, he saw
the trap they had laid for him. "All of you!" he screamed. "It's
a plot!" He shook his fist at the weeping girl. "And you!" he
shouted hysterically, "the law shall punish you!"
Winthrop drew the girl to him and put his arm about her.
"I'll do the punishing here," he said.
With a glad, welcoming cry, the old man turned to him
appealingly, wildly.
"Yes, you!" he shouted. "you punish them! She plotted to get my
money."
The girl at Winthrop's side shivered, and shrank from him. He
drew her back roughly and held her close. The sobs that shook
her tore at his heart; the touch of the sinking, trembling body
in his arms filled him with fierce, jubilant thoughts of keeping
the girl there always, of giving battle for her, of sheltering
her against the world. In what she had done he saw only a
sacrifice. In her he beheld only a penitent, who was
self-accused and self-convicted.
He heard the voice of the old man screaming vindictively, "She
plotted to get my money!"
Winthrop turned upon him savagely.
"How did she plot to get it?" he retorted fiercely. "You know,
and I know. I know how your lawyer, your doctor, your servant
plotted to get it!" His voice rose and rang with indignation.
"You all plotted, and you all schemed -- and to what end -- what
was the result?" -- he held before them the fainting figure of
the girl -- "That one poor child could prove she was honest!"
With his arms still about her, and her hands clinging to him, he
moved with her quickly to the door. When they had reached the
silence of the hall, he took her hands in his, and looked into
her eyes. "Now," he commanded, "you shall come to my sisters!"
The waiting car carried them swiftly up the avenue. Their way
lay through the park, and the warm, mid-summer air was heavy
with the odor of plants and shrubs. Above them the trees drooped
deep with leaves. Vera, crouched in a corner, had not spoken.
Her eyes were hidden in her hands. But when they had entered the
silent reaches of the park she lowered them and the face she
lifted to Winthrop was pale and wet with tears. The man thought
never before had he seen it more lovely or more lovable. Vera
shook her head dumbly and looked up at him with a troubled
smile.
"I told you," she murmured remorsefully, "you'd be sorry."
We don't know that yet," said Winthrop gently, "we'll have all
the rest of our lives to find that out."
Startled, the girl drew back. In her face was wonder, amazement,
a dawning happiness.
Without speaking, Winthrop looked at her, entreatingly,
pitifully, beseeching her with his eyes.
Slowly the girl bent forward and, as he threw out his arms, with
a little sigh of rest and content she crept into them and
pressed her face to his.
End of Project Gutenberg Etext of Vera the Medium by Richard Harding Davis
|