summaryrefslogtreecommitdiff
path: root/18374.txt
diff options
context:
space:
mode:
Diffstat (limited to '18374.txt')
-rw-r--r--18374.txt5037
1 files changed, 5037 insertions, 0 deletions
diff --git a/18374.txt b/18374.txt
new file mode 100644
index 0000000..cdaf255
--- /dev/null
+++ b/18374.txt
@@ -0,0 +1,5037 @@
+The Project Gutenberg EBook of The Argosy, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Argosy
+ Vol. 51, No. 4, April, 1891
+
+Author: Various
+
+Editor: Charles W. Woods
+
+Release Date: May 11, 2006 [EBook #18374]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE ARGOSY ***
+
+
+
+
+Produced by Paul Murray, Taavi Kalju and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+
+
+
+
+
+
+
+ _"Laden with Golden Grain"_
+
+ * * * * *
+
+ THE
+ ARGOSY.
+
+
+ EDITED BY
+ CHARLES W. WOOD.
+
+ * * * * *
+
+
+ VOLUME LI.
+
+ _January to June, 1891._
+
+ * * * * *
+
+
+ RICHARD BENTLEY & SON,
+ 8, NEW BURLINGTON STREET, LONDON, W.
+
+ Publishers in Ordinary to Her Majesty.
+
+ _All rights reserved._
+
+
+ LONDON:
+ PRINTED BY OGDEN, SMALE AND CO. LIMITED,
+ GREAT SAFFRON HILL, E.C.
+
+
+
+
+
+_CONTENTS._
+
+
+THE FATE OF THE HARA DIAMOND. Illustrated by M.L. GOW.
+
+ Chap. I. My Arrival at Deepley Walls Jan
+ II. The Mistress of Deepley Walls Jan
+ III. A Voyage of Discovery Jan
+ IV. Scarsdale Weir Jan
+ V. At Rose Cottage Feb
+ VI. The Growth of a Mystery Feb
+ VII. Exit Janet Hope Feb
+ VIII. By the Scotch Express Feb
+ IX. At "The Golden Griffin" Mar
+ X. The Stolen Manuscript Mar
+ XI. Bon Repos Mar
+ XII. The Amsterdam Edition of 1698 Mar
+ XIII. M. Platzoff's Secret--Captain Ducie's Translation of
+ M. Paul Platzoff's MS Mar
+ XIV. Drashkil-Smoking Apr
+ XV. The Diamond Apr
+ XVI. Janet's Return Apr
+ XVII. Deepley Walls after Seven Years Apr
+ XVIII. Janet in a New Character May
+ XIX. The Dawn of Love May
+ XX. The Narrative of Sergeant Nicholas May
+ XXI. Counsel taken with Mr. Madgin May
+ XXII. Mr. Madgin at the Helm Jun
+ XXIII. Mr. Madgin's Secret Journey Jun
+ XXIV. Enter Madgin Junior Jun
+ XXV. Madgin Junior's First Report Jun
+
+ * * * * *
+
+THE SILENT CHIMES. By JOHNNY LUDLOW (Mrs. HENRY WOOD).
+
+ Putting Them Up Jan
+ Playing Again Feb
+ Ringing at Midday Mar
+ Not Heard Apr
+ Silent for Ever May
+
+ * * * * *
+
+THE BRETONS AT HOME. By CHARLES W. WOOD, F.R.G.S. With
+ 35 Illustrations Jan, Feb, Mar, Apr, May, Jun
+
+ * * * * *
+
+About the Weather Jun
+Across the River. By HELEN M. BURNSIDE Apr
+After Twenty Years. By ADA M. TROTTER Feb
+A Memory. By GEORGE COTTERELL Feb
+A Modern Witch Jan
+An April Folly. By GILBERT H. PAGE Apr
+A Philanthropist. By ANGUS GREY Jun
+Aunt Phoebe's Heirlooms: An Experience in Hypnotism Feb
+A Social Debut Mar
+A Song. By G.B. STUART Jan
+Enlightenment. By E. NESBIT Feb
+In a Bernese Valley. By ALEXANDER LAMONT Feb
+Legend of an Ancient Minster. By JOHN GRAEME Mar
+Longevity. By W.F. AINSWORTH, F.S.A. Apr
+Mademoiselle Elise. By EDWARD FRANCIS Jun
+Mediums and Mysteries. By NARISSA ROSAVO Feb
+Miss Kate Marsden Jan
+My May Queen. By JOHN JERVIS BERESFORD, M.A. May
+Old China Jun
+On Letter-Writing. By A.H. JAPP, LL.D. May
+Paul. By the Author of "Adonais, Q.C." May
+"Proctorised" Apr
+Rondeau. By E. NESBIT Mar
+Saint or Satan? By A. BERESFORD Feb
+Sappho. By MARY GREY Mar
+Serenade. By E. NESBIT Jun
+Sonnets. By JULIA KAVANAGH Jan, Feb, Apr, Jun
+So Very Unattractive! Jun
+Spes. By JOHN JERVIS BERESFORD, M.A. Apr
+Sweet Nancy. By JEANIE GWYNNE BETTANY May
+The Church Garden. By CHRISTIAN BURKE May
+The Only Son of his Mother. By LETITIA MCCLINTOCK Mar
+To my Soul. From the French of Victor Hugo Jun
+Unexplained. By LETITIA MCCLINTOCK Apr
+Who Was the Third Maid? Jan
+Winter in Absence Feb
+
+ * * * * *
+
+_POETRY._
+
+Sonnets. By JULIA KAVANAGH Jan, Feb, Apr, Jun
+A Song. By G.B. STUART Jan
+Enlightenment. By E. NESBIT Feb
+Winter in Absence Feb
+A Memory. By GEORGE COTTERELL Feb
+In a Bernese Valley. By ALEXANDER LAMONT Feb
+Rondeau. By E. NESBIT Mar
+Spes. By JOHN JERVIS BERESFORD, M.A. Apr
+Across the River. By HELEN M. BURNSIDE Apr
+My May Queen. By JOHN JERVIS BERESFORD, M.A. May
+The Church Garden. By CHRISTIAN BURKE May
+Serenade. By E. NESBIT Jun
+To my Soul. From the French of Victor Hugo Jun
+Old China Jun
+
+ * * * * *
+
+_ILLUSTRATIONS._
+
+By M.L. Gow.
+
+ "I advanced slowly up the room, stopped, and curtsied."
+
+ "I saw and recognised the mysterious midnight visitor."
+
+ "He came back in a few minutes, but so transformed in outward
+ appearance that Ducie scarcely knew him."
+
+ "Behold!"
+
+ "Sister Agnes knelt for a few moments and bent her head in silent
+ prayer."
+
+ "He put his hand to his side, and motioned Mirpah to open the letter."
+
+ * * * * *
+
+Illustrations to "The Bretons at Home."
+
+
+
+
+[Illustration: "BEHOLD!"]
+
+
+
+
+THE ARGOSY.
+
+_APRIL, 1891._
+
+
+
+
+THE FATE OF THE HARA DIAMOND.
+
+
+
+
+CHAPTER XIV.
+
+DRASHKIL-SMOKING.
+
+
+"It must and shall be mine!"
+
+So spoke Captain Ducie on the spur of the moment as he wrote the last
+word of his translation of M. Platzoff's MS. And yet there was a keen
+sense of disappointment working within him. His blood had been at fever
+heat during the latter part of his task. Each fresh sentence of the
+cryptogram as he began to decipher it would, he hoped, before he reached
+the end of it, reveal to him the hiding-place of the great Diamond. Up
+to the very last sentence he had thus fondly deluded himself, only to
+find that the abrupt ending of the MS. left him still on the brink of
+the secret, and left him there without any clue by which he could
+advance a single step beyond that point. He was terribly disappointed,
+and the longer he brooded over the case the more entirely hopeless was
+the aspect it put on.
+
+But there was an elasticity of mind about Captain Ducie that would not
+allow him to despair utterly for any length of time. In the course of a
+few days, as he began to recover from his first chagrin, he at the same
+time began to turn the affair of the Diamond over and over in his mind,
+now in one way, now in another, looking at it in this light and in that;
+trying to find the first faint indications of a clue which, judiciously
+followed up, might conduct him step by step to the heart of the mystery.
+Two questions naturally offered themselves for solution. First: Did
+Platzoff habitually carry the Diamond about his person? Second: Was it
+kept in some skilfully-devised hiding-place about the house? These were
+questions that could be answered only by time and observation.
+
+So Captain Ducie went about Bon Repos like a man with half-a-dozen pairs
+of eyes, seeing, and not only seeing but noting, a hundred little things
+such as would never have been observed by him under ordinary
+circumstances. But when, at the end of a week, he came to sum up and
+classify his observations, and to consider what bearing they had upon
+the great mystery of the hiding-place of the Diamond, he found that they
+had no bearing upon it whatever; that for anything seen or heard by him
+the world might hold no such precious gem, and the Russian's letter to
+Signor Lampini might be nothing more than an elaborate hoax.
+
+When the access of chagrin caused by the recognition of this fact had in
+some degree subsided, Ducie was ready enough to ridicule his own foolish
+expectations. "Platzoff has had the Diamond in his possession for years.
+For him there is nothing of novelty in such a fact. Yet here have I been
+foolish enough to expect that in the course of one short week I should
+discover by some sign or token the spot where it is hidden, and that too
+after I knew from his own confession that the secret was one which he
+guarded most jealously. I might be here for five years and be not one
+whit wiser at the end of that time as regards the hiding-place of the
+Diamond than I am now. From this day I give up the affair as a bad job."
+
+Nevertheless, he did not quite do that. He kept up his habit of seeing
+and noting little things, but without any definite views as to any
+ulterior benefit that might accrue to him therefrom. Perhaps there was
+some vague idea floating in his mind that Fortune, who had served him so
+many kind turns in years gone by, might befriend him once again in this
+matter--might point out to him the wished-for clue, and indicate by what
+means he could secure the Diamond for his own.
+
+The magnitude of the temptation dazzled him. Captain Ducie would not
+have picked your pocket, or have stolen your watch, or your horse, or
+the title-deeds of your property. He had never put another man's name to
+a bill instead of his own. You might have made him trustee for your
+widow or children, and have felt sure that their interests would have
+been scrupulously respected at his hands. Yet with all this--strange
+contradiction as it may seem--if he could have laid surreptitious
+fingers on M. Platzoff's Diamond, that gentleman would certainly never
+have seen his cherished gem again. But had Platzoff placed it in his
+hands and said, "Take this to London for me and deposit it at my
+bankers'," the commission would have been faithfully fulfilled. It
+seemed as if the element of mystery, of deliberate concealment, made all
+the difference in Captain Ducie's unspoken estimate of the case.
+Besides, would there not be something princely in such a theft? You
+cannot put a man who steals a diamond worth a hundred and fifty thousand
+pounds in the category of common thieves. Such an act verges on the
+sublime.
+
+One of the things seen and noticed by Captain Ducie was the absence,
+through illness, of the mulatto, Cleon, from his duties, and the
+substitution in his place of a man whom Ducie had never seen before.
+This stranger was both clever and obliging, and Platzoff himself
+confessed that the fellow made such a good substitute that he missed
+Cleon less than he at first feared he should have done. He was indeed
+very assiduous, and found time to do many odd jobs for Captain Ducie,
+who contracted quite a liking for him.
+
+Between Ducie and Cleon there existed one of those blind unreasoning
+hatreds which spring up full-armed and murderous at first sight. Such
+enmities are not the less deadly because they sometimes find no relief
+in words. Cleon treated Ducie with as much outward respect and courtesy
+as he did any other of his master's guests; no private communication
+ever passed between the two, and yet each understood the other's
+feelings towards him, and both of them were wise enough to keep as far
+apart as possible. Neither of them dreamed at that time of the strange
+fruit which their mutual enmity was to bear in time to come. Meanwhile,
+Cleon lay sick in his own room, and Captain Ducie was rather gladdened
+thereby.
+
+ * * * * *
+
+M. Platzoff rarely touched cigar or pipe till after dinner; but,
+whatever company he might have, when that meal was over, it was his
+invariable custom to retire for an hour or two to the room consecrated
+to the uses of the Great Herb, and his guests seldom or never declined
+to accompany him. To Captain Ducie, as an inveterate smoker, these
+_seances_ were very pleasant.
+
+On the very first evening of the Captain's arrival at Bon Repos, M.
+Platzoff had intimated that he was an opium smoker, and that at no very
+distant date he would enlighten Ducie as to the practice in question.
+About a week later, as they sat down to their pipes and coffee, said
+Platzoff, "This is one of my big smoke-nights. To-night I go on a
+journey of discovery into Dreamland--a country that no explorations can
+exhaust, where beggars are the equals of kings, and where the Fates that
+control our actions are touched with a fine eccentricity that in a more
+commonplace world would be termed madness. But there nothing is
+commonplace."
+
+"You are going to smoke opium?" said Ducie, interrogatively.
+
+"I am going to smoke drashkil. Let me, for this once, persuade you to
+follow my example."
+
+"For this once I would rather be excused," said Ducie, laughingly.
+
+Platzoff shrugged his shoulders. "I offer to open for you the golden
+gates of a land full of more strange and wondrous things than were ever
+dreamed of by any early voyager as being in that new world on whose
+discovery he was bent; I offer to open up for you a set of experiences
+so utterly fresh and startling that your matter-of-fact English
+intellect cannot even conceive of such things. I offer you all this, and
+you laugh me down with an air of superiority, as though I were about to
+present you with something which, however precious it might be in my
+eyes, in yours was utterly without value."
+
+"If I sin at all," said Ducie, "it is through ignorance. The subject is
+one respecting which I know next to nothing. But I must confess that
+about experiences such as you speak of there is an intangibility--a
+want of substance--that to me would make them seem singularly
+valueless."
+
+"And is not the thing we call life one tissue of intangibilities?" asked
+the Russian. "You can touch neither the beginning nor the end of it. Do
+not its most cherished pleasures fly you even as you are in the very act
+of trying to grasp them? Do you know for certain that you--you
+yourself--are really here?--that you do not merely dream that you are
+here? What do you know?"
+
+"Your theories are too far-fetched for me," said Ducie. "A dream can be
+nothing more than itself--nothing can give it backbone or substance. To
+me such things are of no more value than the shadow I cast behind me
+when I walk in the sun."
+
+"And yet without substance there could be no shadow," snarled the
+Russian.
+
+"Do your experiences in any way resemble those recorded by De Quincey?"
+
+"They do and do not," answered Platzoff. "I can often trace, or fancy
+that I can, a slight connecting likeness, arising probably from the fact
+that in the case of both of us a similar, or nearly similar, agent was
+employed for a similar purpose. But, as a rule, the intellectual
+difference between any two men is sufficient to render their experiences
+in this respect utterly dissimilar."
+
+"It does not follow, I presume, that all the visions induced by the
+imbibing of opium, or what you term drashkil, are pleasant ones?"
+
+"By no means. You cannot have forgotten what De Quincey has to say on
+that score. But whether they are pleasant or the contrary, I accept them
+as so much experience, and in so far I am satisfied. You look
+incredulous, but I tell you, sir, that what I see, and what I
+undergo--subjectively--while under the influence of drashkil make up for
+me an experience as real, that dwells as vividly in my memory and that
+can be brought to mind like any other set of recollections, as if it
+were built up brick by brick, fact by fact, out of the incidents of
+everyday life. And all such experiences are valuable in this wise: that
+whatever I see while under the influence of drashkil I see, as it were,
+with the eyes of genius. I breathe a keener atmosphere; I have finer
+intuitions; the brain is no longer clogged with that part of me which is
+mortal; in whatever imaginary scenes I assist, whether actor or
+spectator, matters not; I seem to discern the underlying meaning of
+things--I hear the low faint beating of the hidden pulses of the world.
+To come back from this enchanted realm to the dull realities of everyday
+life is like depriving some hero of fairyland of his magic gifts and
+reducing him to the level of common humanity."
+
+"At which pleasant level I pray ever to be kept," said Ducie; "I have no
+desire to soar into those regions of romance where you seem so
+thoroughly at home."
+
+"So be it," said Platzoff drily. "The intellects of you English have
+been nourished on beef and beer for so many generations that there is no
+such thing as spiritual insight left among you. We must not expect too
+much." This was said not ill-naturedly, but in that quiet jeering tone
+which was almost habitual with Platzoff.
+
+Ducie maintained a judicious silence and went on puffing gravely at his
+meerschaum. Platzoff touched the gong and Cleon entered, for this
+conversation took place before the illness of the latter. The Russian
+held up two fingers, and Cleon bowed. Then Cleon opened a mahogany box
+in one corner of the room, and took out of it a pipe-bowl of red clay,
+into which he fitted a flexible tube five or six yards in length and
+tipped with amber. The bowl was then fixed into a stand of black oak
+about a foot high and there held securely, and the mouthpiece handed to
+Platzoff. Cleon next opened an inlaid box, and by means of a tiny silver
+spatula he cut out a small block of some black, greasy-looking mixture,
+which he proceeded to fit into the bowl of the pipe. On the top of this
+he sprinkled a little aromatic Turkish tobacco, and then applied an
+allumette. When he saw that the pipe was fairly alight, he bowed and
+withdrew.
+
+While these preparations were going on Platzoff had not been silent. "I
+have spoken to you of what I am about to smoke, both as opium and
+drashkil," he said. "It is not by any means pure opium. With that great
+drug are mixed two or three others that modify and influence the chief
+ingredient materially. I had the secret of the preparation from a Hindoo
+gentleman while I was in India. It was imparted to me as an immense
+favour, it being a secret even there. The enthusiastic terms in which he
+spoke of it have been fully justified by the result, as you would
+discover for yourself if you could only be persuaded to try it. You
+shake your head. Eh bien! mon ami; the loss is yours, not mine."
+
+"Some of what you have termed your 'experiences' are no doubt very
+singular ones?" said Ducie, interrogatively.
+
+"They are--very singular," answered Platzoff. "In my last
+drashkil-dream, for instance, I believed myself to be an Indian fakir,
+and I seemed to realise to the full the strange life of one of those
+strange beings. I was stationed in the shade of a large tree just
+without the gate of some great city where all who came and went could
+see me. On the ground, a little way in front of me, was a wooden bowl
+for the reception of the offerings of the charitable. I had kept both my
+hands close shut for so many years that the nails had grown into the
+flesh, and the muscles had hardened so that I could no longer open them;
+and I was looked upon as a very holy man. The words of the passers-by
+were sweet in my ears, but I never spoke to them in return. Silent and
+immovable, I stood there through the livelong day--and in my vision it
+was always day. I had the power of looking back, and I knew that, in the
+first instance, I had been led by religious enthusiasm to adopt that
+mode of life. I should be in the world but not of it; I should have
+more time for that introspective contemplation the aim and end of which
+is mental absorption in the divine Brahma; besides which, people would
+praise me, and all the world would know that I was a holy man. But the
+strangest part of the affair remains to be told. In the eyes of the
+people I had grown in sanctity from year to year; but in my own heart I
+knew that instead of approaching nearer to Brahma, I was becoming more
+depraved, more wicked, with a great inward wickedness, as time went on.
+I struggled desperately against the slough of sin that was slowly
+creeping over me, but in vain. It seemed to me as if the choice were
+given me either to renounce my life of outward-seeming sanctity, and
+becoming as other men were, to feel again that inward peace which had
+been mine long years before; or else, while remaining holy in the eyes
+of the multitude, to feel myself sinking into a bottomless pit of
+wickedness from which I could never more hope to emerge. My mental
+tortures while this struggle was going on I can never forget: they are
+as much a real experience to me as if they had made up a part of my
+genuine waking life. And still I stood with closed hands in the shade of
+the tree; and the people cried out that I was holy, and placed their
+offerings in my bowl; and I could not make up my mind to abnegate the
+title they gave me and become as they were. And still I grew in inward
+wickedness, till I loathed myself as if I were some vile reptile; and so
+the struggle went on, and was still going on when I opened my eyes and
+found myself again at Bon Repos."
+
+As Platzoff ceased speaking, Cleon applied the light, and Ducie in his
+eagerness drew a little nearer. Platzoff was dressed a la Turk, and sat
+with cross legs on the low divan that ran round the room. Slowly and
+deliberately he inhaled the smoke from his pipe, expelling it a moment
+later, in part through his nostrils and in part through his lips. The
+layer of tobacco at the top of the bowl was quickly burnt to ashes. By
+this time the drug below was fairly alight, and before long a thick
+white sickly smoke began to ascend in rings and graceful spires towards
+the roof of the room. Cleon was gone, and a solemn silence was
+maintained by both the men. Platzoff's eyes, black and piercing, were
+fixed on vacancy; they seemed to be gazing on some picture visible to
+himself alone. Ducie was careful not to disturb him. His inhalations
+were slow, gentle and regular. After a time, a thin film or glaze began
+to gather over his wide-open eyes, dimming their brightness, and making
+them seem like the eyes of someone dead. His complexion became livid,
+his face more cadaverous than it naturally was. Then his eyes closed
+slowly and gently, like those of an infant dropping to sleep. For a
+little time longer he kept on inhaling the smoke, but every minute the
+inhalations became fainter and fewer in number. At length the hand that
+held the pipe dropped nervelessly by his side, the amber mouthpiece
+slipped from between his lips, his jaw dropped, and, with an almost
+imperceptible sigh, his head sank softly back on to the cushions
+behind, and M. Paul Platzoff was in the opium-eater's paradise.
+
+Ducie, who had never seen anyone similarly affected, was frightened by
+his host's death-like appearance. He was doubtful whether Platzoff had
+not been seized with a fit. In order to satisfy himself he touched the
+gong and summoned Cleon. That incomparable domestic glided in, noiseless
+as a shadow.
+
+"Does your master always look as he does now after he has been smoking
+opium?" asked the Captain.
+
+"Always, sir."
+
+"And how long does it take him to come round?"
+
+"That depends, sir, on the strength of the dose he has been smoking. The
+preparation is made of different strengths to suit him at different
+times; but always when he has been smoking drashkil I leave him
+undisturbed till midnight. If by that time he has not come round
+naturally and of his own accord, I carry him to bed and then administer
+to him a certain draught, which has the effect of sending him into a
+natural and healthy sleep, from which he awakes next morning thoroughly
+refreshed."
+
+"Then you will come to-night at twelve, and see how your master is by
+that time?" said Ducie.
+
+"It is part of my duty to do so," answered Cleon.
+
+"Then I will wait here till that time," said the Captain. Cleon bowed
+and disappeared.
+
+So Ducie kept watch and ward for four hours, during the whole of which
+time Platzoff lay, except for his breathing, like one dead. As the last
+stroke of midnight struck Cleon reappeared. His master showed not the
+slightest symptom of returning consciousness. Having examined him
+narrowly for a moment or two, he turned to Ducie.
+
+"You must pardon me, sir, for leaving you alone," he said, "but I must
+now take my master off to bed. He will scarcely wake up for conversation
+to-night."
+
+"Proceed as though I were not here," said Ducie. "I will just finish
+this weed, and then I too will turn in."
+
+Platzoff's private rooms, forming a suite four in number, were on the
+ground floor of Bon Repos. From the main corridor the first that you
+entered was the smoking-room already described. Next to that was the
+dressing-room, from which you passed into the bed-room. The last of the
+four was a small square room, fitted up with book-shelves, and used as a
+private library and study.
+
+Cleon, who was a strong, muscular fellow, lifted Platzoff's shrivelled
+body as easily as he might have done that of a child, and so carried him
+out of the room.
+
+Ducie met his host at the breakfast-table next morning. The latter
+seemed as well as usual, and was much amused when Ducie told him of his
+alarm, and how he had summoned Cleon under the impression that Platzoff
+had been taken dangerously ill.
+
+Platzoff rarely indulged in the luxury of drashkil-smoking oftener than
+once a week. His constitution was delicate, and a too frequent use of so
+dangerous a drug would have tended to shatter still further his already
+enfeebled health. Besides, as he said, he wished to keep it as a luxury,
+and not, by a too frequent indulgence in it, to take off the fine edge
+of enjoyment and render it commonplace. Ducie had several subsequent
+opportunities of witnessing the process of drashkil-smoking and its
+effects, but one description will serve for all. On every occasion the
+same formula was gone through, precisely as first seen by Ducie. The
+pipe was charged and lighted by Cleon (after he became ill, by the new
+servant Jasmin). Precisely at midnight Cleon returned, and either
+conducted or carried his master to bed, as the necessities of the case
+might require. It was his knowledge of the latter fact that stood Ducie
+in such good stead later on, when he came to elaborate the details of
+his scheme for stealing the Great Hara Diamond.
+
+But as yet his scheme was in embryo. His visit was drawing to a close,
+and he was still without the slightest clue to the hiding-place of the
+Diamond.
+
+
+
+
+CHAPTER XV.
+
+THE DIAMOND.
+
+
+Captain Ducie had been six weeks at Bon Repos; his visit would come to a
+close in the course of three or four days, but he was still as ignorant
+of the hiding-place of the Diamond as on that evening when he learned
+for the first time that M. Platzoff had such a treasure in his
+possession.
+
+Since the completion of his translation of the stolen MS. he had dreamed
+day and night of the Diamond. It was said to be worth a hundred and
+fifty thousand pounds. If he could only succeed in appropriating it,
+what a different life would be his in time to come! In such a case, he
+would of course be obliged to leave England for ever. But he was quite
+prepared to do that. He was without any tie of kindred or friendship
+that need bind him to his native land. Once safe in another hemisphere,
+he would dispose of the Diamond, and the proceeds would enable him to
+live as a gentleman ought to live for the remainder of his days. Truly,
+a pleasant dream.
+
+But it was only a dream after all, as he himself in his cooler moments
+was quite ready to acknowledge. It was nothing but a dream even when
+Platzoff wrung from him an unreluctant consent to extend his visit at
+Bon Repos for another six weeks. If he stayed for six months, there
+seemed no likelihood that at the end of that time he would be one whit
+wiser on the one point on which he thirsted for information than he was
+now. Still, he was glad for various reasons to retain his pleasant
+quarters a little while longer.
+
+Truth to tell, in Captain Ducie M. Platzoff had found a guest so much
+to his liking that he could not make up his mind to let him go again.
+Ducie was incurious, or appeared to be so; he saw and heard, and asked
+no questions. He seemed to be absolutely destitute of political
+principles, and therein he formed a pleasant contrast both to M.
+Platzoff himself and to the swarm of foreign gentlemen who at different
+times found their way to Bon Repos. He was at once a good listener and a
+good talker. In fine, he made in every way so agreeable, and was at the
+same time so thorough a gentleman that Platzoff was as glad to retain
+him as he himself was pleased to stay.
+
+Three out of the Captain's second term of six weeks had nearly come to
+an end when on a certain evening, as he and Platzoff sat together in the
+smoke-room, the latter broached a subject which Ducie would have wagered
+all he possessed--though that was little enough--that his host would
+have been the last man in the world even to hint at.
+
+"I think I have heard you say that you have a taste for diamonds and
+precious stones," remarked Platzoff. Ducie had hazarded such a remark on
+one or two occasions as a quiet attempt to draw Platzoff out, but had
+only succeeded in eliciting a little shrug and a cold smile, as though
+for him such a statement could have no possible interest.
+
+"If I have said so to you I have only spoken the truth," replied Ducie.
+"I am passionately fond of gems and precious stones of every kind. Have
+you any to show me?"
+
+"I have in my possession a green diamond said to be worth a hundred and
+fifty thousand pounds," answered the Russian quietly.
+
+The simulated surprise with which Captain Ducie received this
+announcement was a piece of genuine comedy. His real surprise arose from
+the fact of Platzoff having chosen to mention the matter to him at all.
+
+"Great heaven!" he exclaimed. "Can you be in earnest? Had I heard such a
+statement from the lips of any other man than you, I should have
+questioned either his sanity or his truth."
+
+"You need not question either one or the other in my case," answered
+Platzoff, with a smile. "My assertion is true to the letter. Some
+evening when I am less lazy than I am now, you shall see the stone and
+examine it for yourself."
+
+"I take it as a great proof of your friendship for me, monsieur," said
+Ducie warmly, "that you have chosen to make me the recipient of such a
+confidence."
+
+"It _is_ a proof of my friendship," said the Russian. "No one of my
+political friends--and I have many that are dear to me, both in England
+and abroad--is aware that I have in my possession so inestimable a gem.
+But you, sir, are an English gentleman, and my friend for reasons
+unconnected with politics; I know that my secret will be safe in your
+keeping."
+
+Ducie winced inwardly, but he answered with grave cordiality, "The
+event, my dear Platzoff, will prove that your confidence has not been
+misplaced."
+
+After this, the Russian went on to tell Ducie that the MS. lost at the
+time of the railway accident had reference to the great Diamond; that it
+contained secret instructions, addressed to a very dear friend of the
+writer, as to the disposal of the Diamond after his, Platzoff's, death;
+all of which was quite as well known to Ducie as to the Russian himself;
+but the Captain sat with his pipe between his lips, and listened with an
+appearance of quiet interest that impressed his host greatly.
+
+That night Ducie's mind was too excited to allow of sleep. He was about
+to be shown the great Diamond; but would the mere fact of seeing it
+advance him one step towards obtaining possession of it? Would Platzoff,
+when showing him the stone, show him also the place where it was
+ordinarily kept? His confidence in Ducie would scarcely carry him as far
+as that. In any case, it would be something to have seen the Diamond,
+and for the rest, Ducie must trust to the chapter of accidents and his
+own wits. On one point he was fully determined--to make the Diamond his
+own at any cost, if the slightest possible chance of doing so were
+afforded him. He was dazzled by the magnitude of the temptation; so much
+so, indeed, that he never seemed to realise in his own mind the foulness
+of the deed by which alone it could become his property. Had any man
+hinted that he was a thief, either in act or intention, he would have
+repudiated the term with scorn--would have repudiated it even in his own
+mind, for he made a point of hoodwinking and cozening himself, as though
+he were some other person whose good opinion must on no account be
+forfeited.
+
+Captain Ducie awaited with hidden impatience the hour when it should
+please M. Platzoff to fulfil his promise. He had not long to wait. Three
+evenings later, as they sat in the smoking-room, said Platzoff:
+"To-night you shall see the Great Hara Diamond. No eyes save my own have
+seen it for ten years. I must ask you to put yourself for an hour or two
+under my instructions. Are you minded so to do?"
+
+"I shall be most happy to carry out your wishes in every way," answered
+Ducie. "Consider me as your slave for the time being."
+
+"Attend, then, if you please. This evening you will retire to your own
+rooms at eleven o'clock. Precisely at one-thirty a.m., you will come
+back here. You will be good enough to come in your slippers, because it
+is not desirable that any of the household should be disturbed by our
+proceedings. I have no further orders at present."
+
+"Your lordship's wishes are my commands," answered Ducie, with a mock
+salaam.
+
+They sat talking and smoking till eleven; then Ducie left his host as
+if for the night. He lay down for a couple of hours on the sofa in his
+dressing-room. Precisely at one-thirty he was on his way back to the
+smoke-room, his feet encased in a pair of Indian mocassins. A minute
+later he was joined by Platzoff in dressing-gown and slippers.
+
+"I need hardly tell you, my dear Ducie," began the latter, "that with a
+piece of property in my possession no larger than a pigeon's egg, and
+worth so many thousands of pounds, a secure place in which to deposit
+that property (since I choose to have it always near me) is an object of
+paramount importance. That secure place of deposit I have at Bon Repos.
+This you may accept as one reason for my having lived in such an
+out-of-the-world spot for so many years. It is a place known to myself
+alone. After my death it will become known to one person only--to the
+person into whose possession the Diamond will pass when I shall be no
+longer among the living. The secret will be told him that he may have
+the means of finding the Diamond, but not even to him will it become
+known till after my decease. Under these circumstances, my dear Ducie,
+you will, I am sure, excuse me for keeping the hiding-place of the
+Diamond a secret still--a secret even from you. Say--will you not?"
+
+With a malediction at his heart, but with a smile on his lips, Captain
+Ducie made reply. "Pray offer no excuses, my dear Platzoff, where none
+are needed. What I want is to see the Diamond itself, not to know where
+it is kept. Such a piece of information would be of no earthly use to
+me, and it would involve a responsibility which, under any
+circumstances, I should hardly care to assume."
+
+"It is well; you are an English gentleman," said the Russian, with a
+ceremonious inclination of the head, "and your words are based on wisdom
+and truth. It is necessary that I should blindfold you: oblige me with
+your handkerchief."
+
+Ducie with a smile handed over his handkerchief, and Platzoff proceeded
+to blindfold him--an operation which was rapidly and effectually
+performed by the deft fingers of the Russian.
+
+"Now, give me your hand and come with me, but do not speak till you are
+spoken to."
+
+So Ducie laid a finger in the Russian's thin, cold palm, and the latter,
+taking a small bronze hand-lamp, conducted his bandaged companion from
+the room.
+
+In two minutes after leaving the smoke-room Ducie's geographical ideas
+of the place were completely at fault. Platzoff led him through so many
+corridors and passages, turning now to the right hand, and now to the
+left--he guided him up and down so many flights of stairs, now of stone
+and now of wood, that he lost his reckoning entirely and felt as though
+he were being conducted through some place far more spacious than Bon
+Repos. He counted the number of stairs in each flight that he went up or
+down. In two or three cases the numbers tallied, which induced him to
+think that Platzoff was conducting him twice over the same ground, in
+order perhaps the more effectually to confuse his ideas as to the
+position of the place to which he was being led.
+
+After several minutes spent thus in silent perambulation of the old
+house, they halted for a moment while Platzoff unlocked a door, after
+which they passed forward into a room, in the middle of which Ducie was
+left standing while Platzoff relocked the door, and then busied himself
+for a minute in trimming the lamp he had brought with him, which had
+been his only guide through the dark and silent house, for the servants
+had all gone to bed more than an hour ago.
+
+Ducie, thus left to himself for a little while, had time for reflection.
+The floor on which he was standing was covered with a thick, soft
+carpet, consequently he was in one of the best rooms in the house. The
+atmosphere of this room was penetrated with a very faint aroma of
+pot-pourri, so faint that unless Captain Ducie's nose had been more than
+ordinarily keen he would never have perceived it. To the best of his
+knowledge there was only one room in Bon Repos that was permeated with
+the peculiar scent of pot-pourri. That room was M. Platzoff's private
+study, to which access was obtained through his bed-room. Ducie had been
+only twice into this room, but he remembered two facts in connection
+with it. First, the scent already spoken of; secondly, that besides the
+door which opened into it from the bed-room, there was another door
+which he had noticed as being shut and locked both times that he was
+there. If the room in which they now were was really M. Platzoff's
+study, they had probably obtained access to it through the second door.
+
+While silently revolving these thoughts in his mind, Captain Ducie's
+fingers were busy with the formation of two tiny paper pellets, each no
+bigger than a pea. Unseen by Platzoff, he contrived to drop these
+pellets on the carpet.
+
+"I must really apologise," said the Russian, next moment, "for keeping
+you waiting so long; but this lamp will not burn properly."
+
+"Don't hurry yourself on my account," said Ducie. "I am quite jolly. My
+eyes are ready bandaged; I am only waiting for the axe and the block."
+
+"We are not going to dispose of you in quite so summary a fashion," said
+the Russian. "One minute more and your eyesight shall be restored to
+you."
+
+Ducie's quick ears caught a low click, as though someone had touched a
+spring. Then there was a faint rumbling, as though something were being
+rolled back on hidden wheels.
+
+"Lend me your hand again, and bend that tall figure of yours. Step
+carefully. There is another staircase to descend--the last and the
+steepest of all."
+
+Keeping fast hold of Platzoff's hand, Ducie followed slowly and
+cautiously, counting the steps as he went down. They were of stone, and
+were twenty-two in number. At the bottom of the staircase another door
+was unlocked. The two passed through, and the door was shut and relocked
+behind them.
+
+"Be blind no longer!" said Platzoff, taking off the handkerchief and
+handing it to Ducie, with a smile. A few seconds elapsed before the
+latter could discern anything clearly. Then he saw that he was in a
+small vaulted chamber about seven feet in height, with a flagged floor,
+but without furniture of any kind save a small table of black oak on
+which Platzoff's lamp was now burning. The atmosphere of this dungeon
+had struck him with a sudden chill as he went in. At each end was a
+door, both of iron. The one that had opened to admit them was set in the
+thick masonry of the wall; the one at the opposite end seemed built into
+the solid rock.
+
+"Before we go any farther," said Platzoff, "I may as well explain to you
+how it happens that a respectable old country house like Bon Repos has
+such a suspicious-looking hiding-place about its premises. You must know
+that I bought the house, many years ago, of the last representative of
+an old North-country family. He was a bachelor, and in him the family
+died out. Three years after I had come to reside here the old man, at
+that time on his death-bed, sent me a letter and a key. The letter
+revealed to me the secret of the place we are now exploring, of which I
+had no previous knowledge; the key is that of the two iron doors. It
+seems that the old man's ancestors had been deeply implicated in the
+Jacobite risings of last century. The house had been searched several
+times, and on one occasion occupied by Hanoverian troops. As a provision
+against such contingencies, this hiding-place (a natural one as far as
+the cavern beyond is concerned, which has probably existed for thousands
+of years) was then first connected with the interior of the house, and
+rendered practicable at a moment's notice; and here on several occasions
+certain members of the family, together with their plate and
+title-deeds, lay concealed for weeks at a time. The old gentleman gave
+me a solemn assurance that the secret existed with him alone; all who
+had been in any way implicated in the earlier troubles having died long
+ago. As the property had now become mine by purchase, he thought it only
+right that before he died these facts should be brought to my knowledge.
+You may imagine, my dear Ducie, with what eagerness I seized upon this
+place as a safe depository for my diamond, which, up to this time, I had
+been obliged to carry about my person. And now, forward to the heart of
+the mystery!"
+
+Having unlocked and flung open the second iron door, Platzoff took up
+his lamp, and, closely followed by Ducie, entered a narrow winding
+passage in the rock. After following this passage, which tended slightly
+downwards for a considerable distance, they emerged into a large
+cavernous opening in the heart of the hill.
+
+Platzoff's first act was, by means of a long crook, to draw down within
+reach of his hand a large iron lamp that was suspended from the roof by
+a running chain. This lamp he lighted from the hand-lamp he had brought
+with him. As soon as released, it ascended to its former position, about
+ten feet from the ground. It burned with a clear white flame that
+lighted up every nook and cranny of the place. The sides of the cave
+were of irregular formation. Measuring by the eye, Ducie estimated the
+cave to be about sixty yards in length, by a breadth, in the widest
+part, of twenty. In height it appeared to be about forty feet. The floor
+was covered with a carpet of thick brown sand, but whether this covering
+was a natural or an artificial one Ducie had no means of judging. The
+atmosphere of the place was cold and damp, and the walls in many places
+dripped with moisture; in other places they scintillated in the
+lamplight as though thousands of minute gems were embedded in their
+surface.
+
+In the middle of the floor, on a pedestal of stones loosely piled
+together, was a hideous idol, about four feet in height, made of wood,
+and painted in various colours. In the centre of its forehead gleamed
+the great Diamond.
+
+"Behold!" was all that Platzoff said, as he pointed to the idol. Then
+they both stood and gazed in silence.
+
+Many contending emotions were at work just then in Ducie's breast, chief
+of which was a burning, almost unconquerable desire to make that
+glorious gem his own at every risk. In his ear a fiend seemed to be
+whispering.
+
+"All you have to do," it seemed to say, "is to grip old Platzoff tightly
+round the neck for a couple of minutes. His thread of life is frail and
+would be easily broken. Then possess yourself of the Diamond and his
+keys. Go back by the way you came and fasten everything behind you. The
+household is all a-bed, and you could get away unseen. Long before the
+body of Platzoff would be discovered, if indeed it were ever discovered,
+you would be far away and beyond all fear of pursuit. Think! That tiny
+stone is worth a hundred and fifty thousand pounds."
+
+This was Ducie's temptation. It shook him inwardly as a reed is shaken
+by the wind. Outwardly he was his ordinary quiet, impassive self, only
+gazing with eyes that gleamed on the gleaming gem, which shone like a
+new-fallen star on the forehead of that hideous image.
+
+The spell was broken by Platzoff, who, going up to the idol, and passing
+his hand through an orifice at the back of the skull, took the Diamond
+out of its resting-place, close behind the hole in the forehead, through
+which it was seen from the front. With thumb and forefinger he took it
+daintily out, and going back to Ducie dropped it into the outstretched
+palm of the latter.
+
+Ducie turned the Diamond over and over, and held it up before the light
+between his forefinger and thumb, and tried the weight of it on his
+palm. It was in the simple form of a table diamond, with only sixteen
+facets in all, and was just as it had left the fingers of some Indian
+cutter, who could say how many centuries ago! It glowed with a green
+fire, deep, yet tender, that flashed through its facets and smote the
+duller lamplight with sparkles of intense brilliancy. This, then, was
+the wondrous gem which for reign after reign was said to have been
+regarded as their choicest possession by the great lords of Hyderabad.
+Ducie seemed to be examining it most closely; but, in truth, at that
+very moment he was debating in his own mind the terrible question of
+murder or no murder, and scarcely saw the stone itself at all.
+
+"Ami, you do not seem to admire my Diamond!" said the Russian presently,
+with a touch of pathos in his voice.
+
+Ducie pressed the Diamond back into Platzoff's hands. "I admire it so
+much," said he, "that I cannot enter into any commonplace terms of
+admiration. I will talk to you to-morrow respecting it. At present I
+lack fitting words."
+
+The Russian took back the stone, pressed it to his lips, and then went
+and replaced it in the forehead of the idol.
+
+"Who is your friend there?" said Ducie, with a desperate attempt to
+wrench his thoughts away from that all-absorbing temptation.
+
+"I am not sufficiently learned in Hindu mythology to tell you his name
+with certainty," answered Platzoff. "I take him to be no less a
+personage than Vishnu. He is seated upon the folds of the snake Jesha,
+whose seven heads bend over him to afford him shade. In one hand he
+holds a spray of the sacred lotus. He is certainly hideous enough to be
+a very great personage. Do you know, my dear Ducie," went on Platzoff,
+"I have a very curious theory with regard to that Hindu gentleman,
+whoever he may be. Many years ago he was worshipped in some great
+Eastern temple, and had priests and acolytes without number to attend to
+his wants; and then, as now, the great Diamond shone in his forehead. By
+some mischance the Diamond was lost or stolen--in any case, he was
+dispossessed of it. From that moment he was an unhappy idol. He derived
+pleasure no longer from being worshipped, he could rest neither by night
+nor day--he had lost his greatest treasure. When he could no longer
+endure this state of wretchedness he stole out of the temple one fine
+night unknown to anyone, and set out on his travels in search of the
+missing Diamond. Was it simple accident or occult knowledge, that
+directed his wanderings after a time to the shop of a London curiosity
+dealer, where I saw him, fell in love with him, and bought him? I know
+not: I only know that he and his darling Diamond were at last re-united,
+and here they have remained ever since. You smile as if I had been
+relating a pleasant fable. But tell me, if you can, how it happens that
+in the forehead of yonder idol there is a small cavity lined with gold
+into which the Diamond fits with the most exact nicety. That cavity was
+there when I bought the idol and has in no way been altered since. The
+shape of the Diamond, as you have seen for yourself, is rather
+peculiar. Is it therefore possible that mere accident can be at the
+bottom of such a coincidence? Is not my theory of the Wandering Idol
+much more probable as well as far more poetical? You smile again. You
+English are the greatest sceptics in the world. But it is time to go. We
+have seen all there is to be seen, and the temperature of this place
+will not benefit my rheumatism."
+
+So the lamp was put out and Idol and Diamond were left to darkness and
+solitude. In the vaulted room, at the entrance to the winding way that
+led to the cavern, Ducie's eyes were again bandaged. Then up the
+twenty-two stone stairs, and so into the carpeted room above, where was
+the scent of pot-pourri. From this room they came, by many passages and
+flights of stairs, back to the smoking-room, where Ducie's bandage was
+removed. One last pipe, a little desultory conversation, and then bed.
+
+M. Platzoff being out of the way for an hour or two next afternoon,
+Captain Ducie contrived to pay a surreptitious visit to his host's
+private study. On the carpet he found one of the two paper pellets which
+he had dropped from his fingers the previous evening. There, too, was
+the same faint, sickly smell that had filled his nostrils when the
+handkerchief was over his eyes, which he now traced to a huge china jar
+in one corner, filled with the dried leaves of flowers gathered long
+summers before.
+
+
+
+
+CHAPTER XVI.
+
+JANET'S RETURN.
+
+
+"There he is! there is dear Major Strickland!"
+
+The tidal train was just steaming into London Bridge station on a
+certain spring evening as the above words were spoken. From a window of
+one of the carriages a bright young face was peering eagerly, a face
+which lighted up with a smile of rare sweetness the moment Major
+Strickland's soldierly figure came into view. A tiny gloved hand was
+held out as a signal, the Major's eye was caught, the train came to a
+stand, and next moment Janet Hope was on the platform with her arms
+round the old soldier's neck and her lips held up for a kiss.
+
+The publicity of this transaction seemed slightly to shock the
+sensibilities of Miss Close, the English teacher in whose charge Janet
+had come over; but she was won to a quite different view of the affair
+when the Major, after requesting to be introduced to her, shook her
+cordially by the hand, said how greatly obliged he was to her for the
+care she had taken of "his dear Miss Hope," and invited her to dine next
+day with himself and Janet. Then Miss Close went her way, and the Major
+and Janet went theirs in a cab to a hotel not a hundred miles from
+Piccadilly.
+
+Janet's first words as they got clear of the station were:
+
+"And now you must tell me how everybody is at Deepley Walls."
+
+"Everybody was quite well when I left home except one person--Sister
+Agnes."
+
+"Dear Sister Agnes!" said Janet, and the tears sprang to her eyes in a
+moment. "I am more sorry than I can tell to hear that she is ill."
+
+"Not ill exactly, but ailing," said the Major. "You must not alarm
+yourself unnecessarily. She caught a severe cold one wet evening about
+three months ago as she was on her way home from visiting some poor sick
+woman in the village, and she seems never to have been quite well
+since."
+
+"I had a letter from her five days ago, but she never hinted to me that
+she was not well."
+
+"I can quite believe that. She is not one given to complaining about
+herself, but one who strives to soothe the complaints of others. The
+good she does in her quiet way among the poor is something wonderful. I
+must tell you what an old bed-ridden man, to whom she had been very
+kind, said to her the other day. Said he, 'If everybody had their rights
+in this world, ma'am, or if I was king of fairyland, you should have a
+pair of angel's wings, so that everybody might know how good you are.'
+And there are a hundred others who would say the same thing."
+
+"If I had not had her dear letters to hearten me and cheer me up, I
+think that many a time I should have broken down utterly under the
+dreadful monotony of my life at the Pension Clissot. I had no holidays,
+in the common meaning of the word; no dear friends to go and see; none
+even to come once in a way to see me, were it only for one happy hour. I
+had no home recollections to which I could look back fondly in memory,
+and the future was all a blank--a mystery. But the letters of Sister
+Agnes spoke to me like the voice of a dear friend. They purified me,
+they lifted me out of my common work-a-day troubles and all the petty
+meannesses of school-girl existence, and set before me the example of a
+good and noble life as the one thing worth striving for in this weary
+world."
+
+"Tut, tut, my dear child!" said the Major, "you are far too young to
+call the world a weary world. Please heaven, it shall not be quite such
+a dreary place for you in time to come. We will begin the change this
+very evening. We shall just be in time to get a bit of dinner, and then,
+heigh! for the play."
+
+"The play, dear Major Strickland!" said Janet, with a sudden flush and
+an eager light in her eyes; "but would Sister Agnes approve of my going
+to such a place?"
+
+"I scarcely think, poverina, that Sister Agnes would disapprove of any
+place to which I might choose to take you."
+
+"Forgive me!" cried Janet; "I did not intend you to construe my words in
+that way."
+
+"I have never construed anything since I was at school fifty years ago,"
+answered the Major, laughingly. "Can you tell me now from your heart,
+little one, that you would not like to go to the play?"
+
+"I should like very, very much to go, and after what has been said I
+will never forgive you if you do not take me."
+
+"The penalty would be too severe. It is agreed that we shall go."
+
+"To me it seems only seven days instead of seven years since I was last
+driven through London streets," resumed Janet, as they were crawling up
+Fleet Street. "The same shops, the same houses, and even, as it seems to
+me, the same people crowding the pathways; and, to complete the
+illusion, the same kind travelling companion now as then."
+
+"To me the illusion seems by no means so complete. To London Bridge,
+seven years ago, I took a simple child of twelve: to-day I bring back a
+young lady of nineteen--a woman, in point of fact--who, I have no doubt,
+understands more of flirtation than she does of French, and would rather
+graduate in coquetry than in crochet-work."
+
+"Take care then, sir, lest I wing my unslaked arrows at you."
+
+"You are too late in the day, dear child, to practise on me. I am your
+devoted slave already--bound fast to the wheel of your triumphant car.
+What more would you have?"
+
+The hotel was reached at last, and the Major gave Janet a short quarter
+of an hour for her toilette. When she got downstairs dinner was on the
+point of being served, and she found covers laid for three. Before she
+had time to ask a question, the third person entered the room. He was a
+tall, well-built man of six or seven and twenty. He had light-brown
+hair, closely cropped, but still inclined to curl, and a thick beard and
+moustache of the same colour. He had blue eyes, and a pleasant smile,
+and the easy, self-possessed manner of one who had seen "the world of
+men and things." His left sleeve was empty.
+
+Janet did not immediately recognise him, he looked so much older, so
+different in every way; but at the first sound of his voice she knew who
+stood before her. He came forward and held out his hand--the one hand
+that was left him.
+
+"May I venture to call myself an old friend, Miss Hope? And to trust
+that even after all these years I am not quite forgotten?"
+
+"I recognise you by your voice, not by your face. You are Mr. George
+Strickland. You it was who saved my life. Whatever else I may have
+forgotten, I have not forgotten that."
+
+"I am too well pleased to find that I live in your memory at all to
+cavil with your reason for recollecting me."
+
+"But--but, I never heard--no one ever told me--" Then she stopped with
+tears in her eyes, and glanced at his empty sleeve.
+
+"That I had left part of myself in India," he said, finishing the
+sentence for her. "Such, nevertheless, is the case. Uncle there says
+that the yellow rascals were so fond of me that they could not bear to
+part from me altogether. For my own part, I think myself fortunate that
+they did not keep me there _in toto_, in which case I should not have
+had the pleasure of meeting you here to-day."
+
+He had been holding her hand quite an unnecessary length of time. She
+now withdrew it gently. Their eyes met for one brief instant, then Janet
+turned away and seated herself at the table. The flush caused by the
+surprise of the meeting still lingered on her face, the tear-drops still
+lingered in her eyes; and as George Strickland sat down opposite to her
+he thought that he had never seen a sweeter vision, nor one that
+appealed more directly to his imagination and his heart.
+
+Janet Hope at nineteen was very pleasant to look upon. Her face was not
+one of mere commonplace prettiness, but had an individuality of its own
+that caused it to linger in the memory like some sweet picture that once
+seen cannot be readily forgotten. Her eyes were of a tender, luminous
+grey, full of candour and goodness. Her hair was a deep, glossy brown;
+her face was oval, and her nose a delicate aquiline. On ordinary
+occasions she had little or no colour, yet no one could have taken the
+clear pallor of her cheek as a token of ill-health; it seemed rather a
+result of the depth and earnestness of the life within her.
+
+In her wardrobe there was a lack of things fashionable, and as she sat
+at dinner this evening she had on a dress of black alpaca, made after a
+very quiet and nun-like style; with a thin streak of snow-white collar
+and cuff round throat and wrist; but without any ornament save a
+necklace of bog-oak, cut after an antique pattern, and a tiny gold
+locket in which was a photographic likeness of Sister Agnes.
+
+That was a very pleasant little dinner-party. In the course of
+conversation it came out that, a few days previously, Captain George had
+been decorated with the Victoria Cross. Janet's heart thrilled within
+her as the Major told in simple, unexaggerated terms of the special deed
+of heroism by which the great distinction had been won. The Major told
+also how George was now invalided on half-pay; and her heart thrilled
+with a still sweeter emotion when he went on to say that the young
+soldier would henceforth reside with him at Eastbury--at Eastbury, which
+was only two short miles from Deepley Walls! The feeling with which she
+heard this simple piece of news was one to which she had hitherto been
+an utter stranger. She asked herself, and blushed as she asked, whence
+this new sweet feeling emanated? But she was satisfied with asking the
+question, and seemed to think that no answer was required.
+
+When dinner was over, they set out for the play. Janet had never been
+inside a theatre before, and for her the experience was an utterly novel
+and delightful one.
+
+On the third day after Janet's arrival in London they all went down to
+Eastbury together--the Major, and she and George. But in the course of
+those three days the Major took Janet about a good deal, and introduced
+her to nearly all the orthodox sights of the Great City--and a strange
+kaleidoscopic jumble they seemed at the time, only to be afterwards
+rearranged by memory as portions of a bright and sunny picture the like
+of which she scarcely dared hope ever to see again.
+
+Captain Strickland parted from the Major and Janet at Eastbury station.
+The two latter were bound for Deepley Walls, for the Major felt that his
+task would have been ill-performed had he failed to deliver Janet into
+Lady Chillington's own hands. As they rumbled along the quiet country
+roads--which brought vividly back to Janet's mind the evening when she
+saw Deepley Walls for the first time--the Major said: "Do you remember,
+poppetina, how seven years ago I spoke to you of a certain remarkable
+likeness which you then bore to someone whom I knew when I was quite a
+young man, or has the circumstance escaped your memory?"
+
+"I remember quite well your speaking of the likeness, and I have often
+wondered since who the original was of whom I was such a striking copy.
+I remember, too, how positively Lady Chillington denied the resemblance
+which you so strongly insisted upon."
+
+"Will her ladyship dare to deny it to-day?" said the Major sternly. "I
+tell you, child, that now you are grown up, the likeness seen by me
+seven years ago is still more clearly visible. When I look into your
+eyes I seem to see my own youth reflected there. When you are near me I
+can fancy that my lost treasure has not been really lost to me--that she
+has merely been asleep, like the princess in the story-book, and that
+while time has moved on for me, she has come back out of her enchanted
+slumber as fresh and beautiful as when I saw her last. Ah, poverina! you
+cannot imagine what a host of recollections the sight of your sweet face
+conjures up whenever I choose to let my day-dreams have way for a little
+while."
+
+"I remember your telling me that my parents were unknown to you,"
+answered Janet. "Perhaps the lady to whom I bear so strong a resemblance
+was my mother."
+
+"No, not your mother, Janet. The lady to whom I refer died unmarried.
+She and I had been engaged to each other for three years; but death came
+and claimed her a fortnight before the day fixed for our wedding; and
+here I am, a lonely old bachelor still."
+
+"Not quite lonely, dear Major Strickland," murmured Janet, as she lifted
+his hand and pressed it to her lips.
+
+"True, child, not quite lonely. I have George, whom I love as though he
+were a son of my own. And there is Aunt Felicity, as the children used
+to call her, who is certainly very fond of me, as I also am of her."
+
+"Not forgetting poor me," said Janet.
+
+"Not forgetting you, dear, whom I love as a daughter."
+
+"And who loves you very sincerely in return."
+
+A few minutes later they drew up at Deepley Walls.
+
+
+
+
+CHAPTER XVII.
+
+DEEPLY WALLS AFTER SEVEN YEARS.
+
+
+Major Strickland rang the bell, and the door was opened by a servant who
+was strange to Janet.
+
+"Be good enough to inform Lady Chillington that Major Strickland and
+Miss Hope have just arrived from town, and inquire whether her ladyship
+has any commands."
+
+The servant returned presently. "Her ladyship will see Major Strickland.
+Miss Hope is to go to the housekeeper's room."
+
+"I will see you again, poverina, after my interview with her ladyship,"
+said the Major, as he went off in charge of the footman.
+
+Janet, left alone, threaded her way by the old familiar passages to the
+housekeeper's room. Dance was not there, being probably in attendance on
+Lady Chillington, and Janet had the room to herself. Her heart was heavy
+within her. There was a chill sense of friendlessness, of being alone in
+the world upon her. Were these cold walls to be the only home her youth
+would ever know? A few slow salt tears welled from her eyes as she sat
+brooding over the little wood fire, till presently there came a sound of
+footsteps, and the Major's hand was laid caressingly upon her shoulder.
+
+"What, all alone!" he said; "and with nothing better to do than read
+fairy tales in the glowing embers! Is there no one in all this big house
+to attend to your wants? But Dance will be here presently, I have no
+doubt, and the good old soul will do her best to make you comfortable. I
+have been to pay my respects to her ladyship, who is in one of her
+unamiable moods this evening. I, however, contrived to wring from her a
+reluctant consent to your paying Aunt Felicity and me a visit now and
+then at Eastbury, and it shall be my business to see that the promise is
+duly carried out."
+
+"Then I am to remain at Deepley Walls!" said Janet. "I thought it
+probable that my visit might be for a few weeks only, as my first one
+was."
+
+"From what Lady Chillington said, I imagine that the present arrangement
+is to be a permanent one; but she gave no hint of the mode in which she
+intended to make use of your services, and that she will make use of you
+in some way, no one who knows her can doubt. And now, dear, I must say
+good-bye for the present; good-bye and God bless you! You may look to
+see me again within the week. Keep up your spirits, and--but here comes
+Dance, who will cheer you up far better than I can."
+
+As the Major went out, Dance came in. The good soul seemed quite
+unchanged, except that she had grown older and mellower, and seemed to
+have sweetened with age like an apple plucked unripe. A little cry of
+delight burst from her lips the moment she saw Janet. But in the very
+act of rushing forward with outstretched arms, she stopped. She stopped,
+and stared, and then curtsied as though involuntarily. "If the dead are
+ever allowed to come back to this earth, there is one of them before me
+now!" she murmured.
+
+Janet caught the words, but her heart was too full to notice them just
+then. She had her arms round Dance's neck in a moment, and her bright
+young head was pressed against the old servant's faithful breast.
+
+"Oh, Dance, Dance, I am so glad you are come!"
+
+"Hush, dear heart! hush, my poor child! you must not take on in that
+way. It seems a poor coming home for you--for I suppose Deepley Walls is
+to be your home in time to come--but there are those under this roof
+that love you dearly. Eh! but you are grown tall and bonny, and look as
+fresh and sweet as a morning in May. Her ladyship ought to be proud of
+you. But she gets that cantankerous and cross-grained in her old age
+that you never know what will suit her for two minutes at a time. For
+all that, her spirit is just wonderful, and she is a real lady, every
+inch of her. And you, Miss Janet, you are a thorough lady; anybody can
+see that, and her ladyship will see it as soon as anybody. She will like
+you none the worse for being a gentlewoman. But here am I preaching away
+like any old gadabout, and you not as much as taken your bonnet off yet.
+Get your things off, dearie, and I'll have a cup of tea ready in no
+time, and you'll feel ever so much better when you have had it."
+
+Dance could scarcely take her eyes off Janet's face, so attracted was
+she by the likeness which had rung from her an exclamation on entering
+the room.
+
+But Janet was tired, and reserved all questions till the morrow; all
+questions, except one. That one was--
+
+"How is Sister Agnes?"
+
+Dance shook her head solemnly. "No worse and no better than she has been
+for the last two months. There is something lingering about her that I
+don't like. She is far from well, and yet not exactly what we call ill.
+Morning, noon and night she seems so terribly weary, and that is just
+what frightens me. She has asked after you I don't know how many times,
+and when tea is over you must go and see her. Only I must warn you, dear
+Miss Janet, not to let your feelings overcome you when you see her--not
+to make a scene. In that case your coming would do her not good, but
+harm."
+
+Janet recovered her spirits in a great measure before tea was over. She
+and Dance had much to talk about, many pleasant reminiscences to call up
+and discuss. As if by mutual consent, Lady Chillington's name was not
+mentioned between them.
+
+As soon as tea was over, Dance went to inquire when Sister Agnes would
+see Miss Hope. The answer was, "I will see her at once."
+
+So Janet went with hushed footsteps up the well-remembered staircase,
+opened the door softly, and stood for a moment on the threshold. Sister
+Agnes was lying on a sofa. She put her hand suddenly to her side and
+rose to her feet as Janet entered the room. A tall, wasted figure robed
+in black, with a thin, spiritualised face, the natural pallor of which
+was just now displaced by a transient flush that faded out almost as
+quickly as it had come. The white head-dress had been cast aside for
+once, and the black hair, streaked with silver, was tied in a simple
+knot behind. The large dark eyes looked larger and darker than they had
+ever looked before, and seemed lit up with an inner fire that had its
+source in another world than ours.
+
+Sister Agnes advanced a step or two and held out her arms. "My darling!"
+was all she said as she pressed Janet to her heart, and kissed her again
+and again. They understood each other without words. The feeling within
+them was too deep to find expression in any commonplace greeting.
+
+The excitement of the meeting was too much for the strength of Sister
+Agnes. She was obliged to lie down again. Janet sat by her side,
+caressing one of her wasted hands.
+
+"Your coming has made me very, very happy," murmured Sister Agnes after
+a time.
+
+"Through all the seven dreary years of my school life," said Janet, "the
+expectation of some day seeing you again was the one golden dream that
+the future held before me. That dream has now come true. How I have
+looked forward to this day none save those who have been circumstanced
+as I have can more than faintly imagine."
+
+"Are you at all acquainted with Lady Chillington's intentions in asking
+you to come to Deepley Walls?"
+
+"Not in the least. A fortnight ago I had no idea that I should so soon
+be here. I knew that I could not stay much longer at the Pension
+Clissot, and naturally wondered what instructions Madame Delclos would
+receive from Lady Chillington as to my disposal. The last time I saw her
+ladyship, her words seemed to imply that, after my education should be
+finished, I should have to trust to my own exertions for earning a
+livelihood. In fact, I have looked upon myself all along as ultimately
+destined to add one more unit to the great tribe of governesses."
+
+"Such a fate shall not be yours if my weak arm has power to avert it,"
+said Sister Agnes. "For the present your services are required at
+Deepley Walls, in the capacity of 'companion' to Lady Chillington--in
+brief, to occupy the position held by me for so many years, but from
+which I am now obliged to secede on account of ill-health."
+
+Janet was almost too astounded to speak.
+
+"Companion to Lady Chillington! I! Impossible!" was all that she could
+say.
+
+"Why impossible, dear Janet?" asked Sister Agnes, with her low, sweet
+voice. "I see no element of impossibility in such an arrangement. The
+duties of the position have been filled by me for many years; they have
+now devolved upon you, and I am not aware of anything that need preclude
+your acceptance of them."
+
+"We are not all angels like you, Sister Agnes," said Janet. "Lady
+Chillington, as I remember, is a very peculiar woman. She has no regard
+for the feelings of others, especially when those others are her
+inferiors in position. She says the most cruel things she can think of
+and cares nothing how deeply they may wound. I am afraid that she and I
+would never agree."
+
+"That Lady Chillington is a very peculiar woman I am quite ready to
+admit. That she will say things to you that may seem hard and cruel, and
+that may wound your feelings, I will also allow. But granting all this,
+I can deduce from it no reason why the position should be refused by
+you. Had you gone out as governess, you would probably have had fifty
+things to contend against quite as disagreeable as Lady Chillington's
+temper and cynical remarks. You are young, dear Janet, and life's battle
+has yet to be fought by you. You must not expect that everything in this
+world will arrange itself in accordance with your wishes. You will have
+many difficulties to fight against and overcome, and the sooner you make
+up your mind to the acceptance of that fact, the better it will be for
+you in every way. If I have found the position of companion to Lady
+Chillington not quite unendurable, why should it be found so by you?
+Besides, her ladyship has many claims upon you--upon your best services
+in every way. Every farthing that has been spent upon you from the day
+you were born to the present time has come out of her purse. Except mere
+life itself, you owe everything to her. And even if this were not so,
+there are other and peculiar ties between you and her, of which you know
+nothing (although you may possibly be made acquainted with them
+by-and-by), which are in themselves sufficient to lead her to expect
+every reasonable obedience at your hands. You must clothe yourself with
+good temper, dear Janet, as with armour of proof. You must make up your
+mind beforehand that however harsh her ladyship's remarks may sometimes
+seem, you will not answer her again. Do this, and her words will soon be
+powerless to sting you. Instead of feeling hurt or angry, you will be
+inclined to pity her--to pray for her. And she deserves pity, Janet, if
+any woman in this sinful world ever did. To have severed of her own
+accord those natural ties which other people cherish so fondly; to see
+herself fading into a dreary old age, and yet of her own free will to
+shut out the love that should attend her by the way and strew flowers on
+her path; to have no longer a single earthly hope or pleasure beyond
+those connected with each day's narrow needs or with the heaping
+together of more money where there was enough before--in all this there
+is surely room enough for pity, but none for any harsher feeling."
+
+"Dear Sister Agnes, your words make me thoroughly ashamed of myself,"
+said Janet, with tearful earnestness. "Arrogance ill becomes one like me
+who have been dependent on the charity of others from the day of my
+birth. Whatever task may be set me either by Lady Chillington or by you,
+I will do it to the best of my ability. Will you for this once pardon my
+petulance and ill-temper, and I will strive not to offend you again?"
+
+"I am not offended, darling; far from it. I felt sure that you had
+good-sense and good-feeling enough to see the matter in its right light
+when it was properly put before you. But have you no curiosity as to the
+nature of your new duties?"
+
+"Very little at present, I must confess," answered Janet, with a wan
+smile. "The chief thing for which I care just now is to know that so
+long as I remain at Deepley Walls I shall be near you; and that of
+itself would be sufficient to enable me to rest contented under worse
+inflictions than Lady Chillington's ill-temper."
+
+"You ridiculous Janet! Ah! if I only dared to tell you everything. But
+that must not be. Let us rather talk of what your duties will be in your
+new situation."
+
+"Yes, tell me about them, please," said Janet, "and you shall see in
+time to come that your words have not been forgotten."
+
+"To begin: you will have to go to her ladyship's room precisely at eight
+every morning. Sometimes she will not want you, in which case you will
+be at liberty till after breakfast. Should she want you it will probably
+be to read to her while she sips her chocolate, or it may be to play a
+game of backgammon with her before she gets up. A little later on you
+will be able to steal an hour or so for yourself, as while her ladyship
+is undergoing the elaborate processes of the toilette, your services
+will not be required. On coming down, if the weather be fine, she will
+want the support of your arm during her stroll on the terrace. If the
+weather be wet, she will probably attend to her correspondence and
+book-keeping, and you will have to fill the parts both of amanuensis and
+accountant. When Mr. Madgin, her ladyship's man of business, comes up to
+Deepley Walls, you will have to be in attendance to take notes, write
+down instructions, and so on. By-and-by will come luncheon, of which, as
+a rule, you will partake with her. After luncheon you will be your own
+mistress for an hour while her ladyship sleeps. The moment she wakes you
+will have to be in attendance, either to play to her, or else to read to
+her--perhaps a little French or Italian, in both of which languages I
+hope you are tolerably proficient. Your next duty will be to accompany
+her ladyship in her drive out. When you get back, will come dinner, but
+only when specially invited will you sit down with Lady Chillington.
+When that honour is not accorded you, you and I will dine here, darling,
+by our two selves."
+
+"Then I hope Lady Chillington will not invite me oftener than once a
+month," cried impulsive Janet.
+
+"The number of your invitations to dinner will depend upon the extent of
+her liking for you, so that we shall soon know whether or no you are a
+favourite. She may or may not require you after dinner. If she does
+require you, it may be either for reading or music, or to play
+backgammon with her; or even to sit quietly with her without speaking,
+for the mere sake of companionship. One fact you will soon discover for
+yourself--that her ladyship does not like to be long alone. And now,
+dearest, I think I have told you enough for the present. We will talk
+further of these things to-morrow. Give me just one kiss and see what
+you can find to play among that heap of old music on the piano. Madame
+Delclos used to write in raptures of your style and touch. We will now
+prove whether her eulogy was well founded."
+
+Janet found that she was not to occupy the same bed-room as on her first
+visit to Deepley Walls, but one nearer that of Sister Agnes. She was not
+sorry for this, for there had been a secret dread upon her of having to
+sleep in a room so near that occupied by the body of Sir John
+Chillington. She had never forgotten her terrible experience in
+connection with the Black Room, and she wished to keep herself entirely
+free from any such influences in time to come. The first question she
+asked Dance when they reached her bed-room was--
+
+"Does Sister Agnes still visit the Black Room every midnight?"
+
+"Yes, for sure," answered Dance. "There is no one but her to do it. Her
+ladyship would not allow any of the servants to enter the room. Rather
+than that, I believe she would herself do what has to be done there.
+Sister Agnes would not neglect that duty if she was dying."
+
+Janet said no more, but then and there she made up her mind to a certain
+course of action of which nothing would have made her believe herself
+capable only an hour before.
+
+Early next forenoon she was summoned to an interview with Lady
+Chillington. Her heart beat more quickly than common as she was ushered
+by Dance into the old woman's dressing-room.
+
+Her ladyship was in demi-toilette--made up in part for the day, but not
+yet finished. Her black wig, with its long corkscrew curls, was
+carefully adjusted; her rouge and powder were artistically laid on, her
+eyebrows elaborately pointed, and in so far she looked as she always
+looked when visible to anyone but her maid. But her figure wanted
+bracing up, so to speak, and looked shrunken and shrivelled in the old
+cashmere dressing-robe, from which at that early hour she had not
+emerged. Her fingers--long, lean and yellow--were decorated with some
+half-dozen valuable rings. Increasing years had not tended to make her
+hands steadier than Janet remembered them as being when she last saw her
+ladyship; and of late it had become a matter of some difficulty with her
+to keep her head quite still: it seemed possessed by an unaccountable
+desire to imitate the shaking of her hands. She was seated in an
+easy-chair as Janet entered the room. Her breakfast equipage was on a
+small table at her elbow.
+
+As the door closed behind Janet, she stood still and curtsied.
+
+Lady Chillington placed her glass to her eye, and with a lean forefinger
+beckoned to Janet to draw near. Janet advanced, her eyes fixed steadily
+on those of Lady Chillington. A yard or two from the table she stopped
+and curtsied again.
+
+"I hope that I have the happiness of finding your ladyship quite well,"
+she said, in a low, clear voice, in which there was not the slightest
+tremor or hesitation.
+
+"And pray, Miss Hope, what can it matter to you whether I am well or
+ill? Answer me that, if you please."
+
+"I owe so much to your ladyship, I have been such a pensioner on your
+bounty ever since I can remember anything, that mere selfishness alone,
+if no higher motive be allowed me, must always prompt me to feel an
+interest in the state of your ladyship's health."
+
+"Candid, at any rate. But I wish you clearly to understand that whatever
+obligation you may feel yourself under to me for what is past and gone,
+you have no claim of any kind upon me for the future. The tie between us
+can be severed by me at any moment."
+
+"Seven years ago your ladyship impressed that fact so strongly on my
+mind that I have never forgotten it. I have never felt myself to be
+other than a dependent on your bounty."
+
+"A very praiseworthy feeling, young lady, and one which I trust you will
+continue to cherish. Not that I wish other people to look upon you as a
+dependent. I wish--" She broke off abruptly, and stared helplessly round
+the room. Suddenly her head began to shake. "Heaven help me! what do I
+wish?" she exclaimed; and with that she began to cry, and seemed all in
+a moment to have grown older by twenty years.
+
+Janet, in her surprise, made a step or two forward, but Lady Chillington
+waved her fiercely back. "Fool! fool! why don't you go away?" she cried.
+"Why do you stare at me so? Go away, and send Dance to me. You have
+spoilt my complexion for the day."
+
+Janet left the room and sent Dance to her mistress, and then went off
+for a ramble in the grounds. The seal of desolation and decay was set
+upon everything. The garden, no longer the choice home of choice
+flowers, was weed-grown and neglected. The greenhouses were empty, and
+falling to pieces for lack of a few simple repairs. The shrubs and
+evergreens had all run wild for want of pruning, and in several places
+the dividing hedges were broken down, and through the breaches sheep had
+intruded themselves into the private grounds. Even the house itself had
+a shabby out-at-elbows air, like a gentleman fallen upon evil days.
+Several of the upper windows were shuttered, some of the others showed a
+broken pane or two. Here and there a shutter had fallen away, or was
+hanging by a solitary hinge, suggesting thoughts of ghostly flappings
+to and fro in the rough wind on winter nights. Doors and window frames
+were blistering and splitting for want of paint. Close by the sacred
+terrace itself lay the fragments of a broken chimney-pot, blown down
+during the last equinoctial gales and suffered to lie where it had
+fallen. Everywhere were visible tokens of that miserly thrift which,
+carried to excess, degenerates into unthrift of the worst and meanest
+kind, from which the transition to absolute ruin is both easy and
+certain.
+
+For a full hour Janet trod the weed-grown walks with clasped hands and
+saddened eyes. At the end of that time Dance came in search of her. Lady
+Chillington wanted to see her again.
+
+(_To be continued._)
+
+
+
+
+SPES.
+
+
+ "When we meet," she said. We never
+ Met again--the world is wide:
+ Leagues of sea, then Death did sever
+ Me from my betrothed Bride.
+ When we parted, long ago--
+ Long it seems in sorrow musing--
+ Fair she stood, with face aglow,
+ In my heart a hope infusing.
+ Now I linger at the grave,
+ While the winds of Winter rave.
+
+ "When we meet," the words are ringing
+ Clear as when they left her lips,
+ Clear as when her faith upspringing
+ Fronted life and life's eclipse--
+ Rest, dear heart, dear hands, dear feet,
+ Rest; in spite of Death's endeavour,
+ Thou art mine; we soon shall meet,
+ Ocean, Death be passed for ever.
+ Thus I linger by the grave,
+ Cherishing the hope she gave.
+
+JOHN JERVIS BERESFORD, M.A.
+
+(Author of "Last Year's Leaves.")
+
+
+
+
+LONGEVITY.
+
+BY W.F. AINSWORTH, F.S.A.
+
+
+Disdain of the inevitable end is said to be the finest trait of mankind.
+Some profess to be weary of life, of its pains and penalties, its
+anxieties and sufferings, and to look upon death as a relief. Such
+states of mind are not real; they are either assumed or affected. No one
+can really hold the unsparing leveller--dreaded of all--in contempt. As
+to pretended wearisomeness of life, laying aside the love of life and
+fear of death, which are common to all mankind, there are habits and
+ties of affection, joys and hopes that never depart from us and make us
+cling to existence.
+
+There are, no doubt, pains and sufferings which make many almost wish
+for the time being for death as a release; but these pass away. Time
+assuages all grief, as Nature relieves suffering beyond endurance by
+fainting and insensibility. Man may nerve himself to death or become
+resigned to it and meet it even with cheerfulness; and he may, in all
+sincerity of heart, offer up his life to his Maker to save that of a
+beloved one; but there is a latent--an unacknowledged--yet an
+irrepressible reserve in such frames of mind.
+
+Few men can prepare for death, or offer themselves up for a sacrifice,
+without feelings of a mixed nature playing a part in the act; whether
+forced or springing from self-abnegation. As to suicide, it is
+inevitably accompanied by certain--albeit various and different--degrees
+of mental alienation or disease. No one who is in a really healthy state
+of mind, whose faculties are perfectly balanced, or who is at peace with
+God and man, commits suicide. The temporary exaltation of grief,
+despondency or disappointment produces as utter a state of insanity as
+disease itself.
+
+Man, as a rule, desires to live. It is part of his nature to do so; and
+exceptions to the rule are rare and unnatural--so much so that they in
+all cases imply a certain degree of mental alienation. Even the
+weariness, lassitude and despondency which lead some to talk of death as
+a release is mainly to be met with in the pampered and the idle. Such
+feelings, no doubt, take possession also of the poor and the lowly; but
+that, mostly, when there is no work or no incitement to it. There is
+always joy and happiness in work and in doing one's duty.
+
+It is then the normal condition to wish to live, and a most abnormal one
+to wish to die; and with many there is even a further aspiration, and
+that is to prolong a life which, with all its drawbacks, is to so many a
+desirable state of things.
+
+Examples of rare longevity are carefully treasured up and even placed on
+record. As whenever a human being is carried away, causes from which we
+are supposed to be free, or against which we take precautions, are
+complacently sought for, so instances of longevity are studied to
+discover what habits and manners, what system of diet, or conduct, and
+which environing circumstances, have most tended to ensure such a
+result.
+
+Numerous treatises have been written on the subject, both in this
+country and on the continent; but it cannot be said that the result has
+been eminently satisfactory. When carefully inquired into, it has been
+found that the most contradictory state of things has been in existence.
+It is not always to the strong that long life is given, nor is such, as
+often supposed, hereditary. Riches and the comforts and luxuries they
+place at man's disposal no more conduce to long life than poverty. Even
+moderation and temperance, so universally admitted as essentials to
+health and long life, are found to have their exceptions in
+well-attested cases of prolongation of life with the luxurious and
+self-indulgent and even in the intemperate and the inebriate. Strange to
+say, even health is not always conducive to long life. There is a common
+proverb (and most proverbs are founded upon experience) about creaking
+hinges, and so it is that people always ailing have been known to live
+longer than the strong, the hearty, and the healthy. The latter have
+overtaxed their strength, their spirits, and their health. Even vitality
+itself, stronger in some than others, may in excess conduce to the
+premature wearing out and decay of the faculties and powers.
+
+It is not surprising, then, that great difficulties have had to be
+encountered in fixing any general laws by which longevity can be
+assured; yet such are in existence, and like all the gracious gifts of a
+most merciful Creator, are at the easy command and disposal of mankind.
+
+They are to be found in implicit obedience to the Laws of God and
+Nature. These imply the use and not the misuse or abuse of all the
+powers and faculties given to us by an all-wise and all-merciful
+Providence. If human beings would only abide by these laws they would
+not only enjoy long health and long life but they would also pass that
+life in comfort and happiness.
+
+With respect to the physical, intellectual and moral man, work is the
+essential factor in procuring health and happiness. Idleness is the bane
+of both. Man and woman were born to work either by hand or brain. Man in
+the outer world, woman in the home. The man who lives without an object
+in life is not only not doing his duty to God, but he is a curse to
+himself and others. But work, like everything else, should be limited.
+Many cannot do this, and overtax both their physical and intellectual
+energies. The employment of labour should be regulated by the
+capabilities of the working-classes, not by the economy or profits to be
+obtained by extra labour; and legislation, if paternal, as it should be,
+ought to protect the toiler in all instances--not in the few in which
+it attempts to ameliorate his condition. So with every pursuit or
+avocation, the leisure essential to health and happiness is too often
+sacrificed to cupidity, and when this is the case there can be no
+longevity.
+
+Exercise is beneficial to man; but it should not be taken in excess, or
+in too trying a form. It is very questionable if what are called
+"Athletic Sports" are not too often as hurtful as they are beneficial.
+It is quite certain that they cannot be indulged in with impunity after
+a certain time of life.
+
+Sustenance is essential alike to life and longevity, but it is trite to
+say it must be in moderation, and as far as possible select. So in the
+case of temperance, moderation is beneficial, excess hurtful. Total
+abstainers defeat the very object they propose to advocate when they
+propose to do away with all because excess is hurtful. Extremes are
+always baneful, and the monks of old were wise in their generation when
+they denounced gluttony and intemperance as cardinal vices. The physical
+powers are as a rule subject to the will, which is the exponent of our
+passions and propensities and of our moral and intellectual impulses.
+Were it not so we could not curb our actions, restrain our appetites, or
+keep within that moderation which is essential to health, happiness and
+longevity.
+
+Our passions and propensities are imparted to us for a wise purpose, and
+are therefore beneficial in their use. It is only in their neglect,
+misuse or abuse that they become hurtful. A French author has
+pertinently put it thus: "The passions act as winds to propel our
+vessel, our reason is the pilot that steers her; without the winds she
+would not move, without the pilot she would be lost."
+
+Even our affections, so pure and beautiful in themselves, may, by abuse,
+be made sources of mischief, evil and disease. The abuses are too well
+known to require repetition here. The powers of energy and resistance,
+beneficial in themselves, in their abuse bring about the spirit of
+contradiction, violence and combat.
+
+It seems passing strange that even our moral feelings should be liable
+to abuse; but it is so, even with the best. Benevolence and charity may
+be misplaced or be in excess of our means. They assume the shape of
+vices in the form of prodigality and extravagance. The honest desire to
+acquire the necessities of life or the means for moral and intellectual
+improvement may in excess become cupidity or covetousness, and lead even
+to the appropriation of what is not our own. Kleptomania is met with in
+the book-worm or the antiquarian, as well as in the feminine lover of
+dress or those in poverty and distress. Firmness may become obstinacy;
+the justifiable love of self may, by abuse, become pride; and a proper
+and chaste wish for the approbation of others may be turned into the
+most absurd of vanities. Even religion itself may be carried to
+uncharitableness, fanaticism and persecution. Still more strange it must
+appear that even the intellectual faculties should be liable to abuse;
+but it is part of the pains and penalties of the constitution of man
+that it should be so. It is so to teach us that moderation is wisdom and
+the only conduct that leads to health and happiness.
+
+The abuse of the moral faculties is directly injurious; that of the
+intellectual faculties mostly so in an indirect manner. Such abuses are
+more hurtful by the influence they have upon the conduct than they have
+upon the intellect itself. If a man's judgment is unsound, for example,
+it leads to deleterious consequences, not only to himself, but to
+others. If the powers of observation are weak, and a person is deficient
+in the capacity of judging of form, distance or locality, he will be
+incapacitated from success in many pursuits of life without his
+suffering thereby, except in an indirect manner. The imagination, the
+noblest manifestation of intellect, may, without judgment, be allowed to
+run riot, or abused by its exaltation; and with the faculty of wonder
+may lead to superstition, fanaticism and folly. The intellectual
+faculties may be altogether weak or almost wanting. In such cases we
+have foolishness merging into idiocy.
+
+The examples here given of use, as opposed to neglect, misuse, or abuse,
+are simply illustrative of the point in question. They might be extended
+in an indefinite degree, especially if it were proposed to enter into
+details. They will, however, suffice for the purpose in view, which is
+to show that the use of all the powers and faculties granted to us by
+the Creator is intended for our benefit, and is conducive to health,
+happiness and longevity, but that their neglect or their abuse leads to
+misery, pain, affliction, disaster and disease.
+
+The lesson to be conveyed is that moderation is essential in all things.
+Why is it that the sickly and the ailing sometimes survive the strong
+and hearty? Because suffering has taught the former moderation, whilst
+the sense of power leads the latter to excesses which too often prove
+fatal. Everyone has, in his experience, known instances of the kind.
+
+But the use and not the neglect or abuse of the faculties is the
+observance of the laws of God and Nature. If neglect and misuse of our
+faculties lead to loss of power, so their abuse leads to bad conduct and
+its pains and penalties. What has been here termed moderation, as a
+medium between neglect, use and abuse, is really obedience to the laws
+of God and Nature.
+
+The whole secret of health, happiness and longevity lies then in this
+simple observance, if it can only be fully understood, appreciated in
+all its importance, and carried out in all the smallest details of life.
+As such perfection is rare, and somewhat difficult to attain--the trials
+and temptations of life being so great--so are none of the results here
+enumerated often arrived at; but that is no reason why man should not
+endeavour to reach as near perfection as possible, and enjoy as much
+health and happiness as he can. One of the most common and one of the
+greatest errors is to suppose that happiness is to be obtained by the
+pursuit of pleasure and excitement. The temporary enjoyment created by
+such is inevitably followed by reaction--lassitude and weariness--and
+human nature is palled by the surfeit of amusement as much as it is by
+the luxuries of the table. There cannot be a more humiliating spectacle
+than that of the man of the world, as he is called, or the woman of
+fashion or pleasure. Blase is too considerate an expression. Such
+persons are worn-out prematurely in body, mind and intellect--they are
+soulless and unsympathetic--the wrecks of the noble creatures God
+created as man and woman in all the simplicity of their nature.
+
+It is surely worth while, then, considering whether the enjoyment of
+health and happiness is not worth a little study and a little sacrifice
+of the vain and imaginary pleasures of the world. There is no doubt that
+some amount of restraint and some power of self-control are requisite to
+ensure moderation. But the disdain of many pleasures is a chief part of
+what is commonly called wisdom.
+
+It is with waking and sleeping, with talking and walking, with eating
+and drinking, with toil and labour, with all the acts of life, that
+moderation or obedience to the laws of Nature requires some little
+sacrifice in their observance; but it is quite certain that without this
+obedience there is neither health nor happiness nor longevity.
+
+
+
+
+SONNET.
+
+
+ Who said that there were slaves? There may be men
+ In bondage, bought or sold: there are no slaves
+ Whilst God looks down, whilst Christ's most pure blood laves
+ The black man's sins; whilst within angel ken
+ He bears his load and drags his iron chain.
+ The slaves are they whom, on His Judgment Day,
+ God shall renounce for aye and cast away.
+ Oh, Jesus Christ! Thou wilt give justice then!
+ A drop of blood shall seem a swelling sea,
+ More piercing than a cry the lowest moan.
+ Come down, ye mountains! in your gloom come down,
+ And bury deep the sinner's agony!
+ Master and slave have past; Time, thou art gone:
+ Eternity begins--Christ rules alone!
+
+JULIA KAVANAGH.
+
+
+
+
+THE SILENT CHIMES.
+
+NOT HEARD.
+
+
+That oft-quoted French saying, a mauvais-quart-d'heure, is a pregnant
+one, and may apply to small as well as to great worries of life: most of
+us know it to our cost. But, rely upon it, one of the very worst is that
+when a bride or bridegroom has to make a disagreeable confession to the
+other, which ought to have been made before going to church.
+
+Philip Hamlyn was finding it so. Standing over the fire, in their
+sitting-room at the Old Ship Hotel at Brighton, his elbow on the
+mantelpiece, his hand shading his eyes, he looked down at his wife
+sitting opposite him, and disclosed his tale: that when he married her
+fifteen days ago he had not been a bachelor, but a widower. There was no
+especial reason for his not having told her, save that he hated and
+abhorred that earlier period of his life and instinctively shunned its
+remembrance.
+
+Sent to India by his friends in the West Indies to make his way in the
+world, he entered one of the most important mercantile houses in
+Calcutta, purchasing a lucrative post in it. Mixing in the best society,
+for his introductions were undeniable, he in course of time met with a
+young lady named Pratt, who had come out from England to stay with her
+elderly cousins, Captain Pratt and his sister. Philip Hamlyn was caught
+by her pretty doll's face, and married her. They called her Dolly: and a
+doll she was, by nature as well as by name.
+
+"Marry in haste and repent at leisure," is as true a saying as the
+French one. Philip Hamlyn found it so. Of all vain, frivolous, heartless
+women, Mrs. Dolly Hamlyn turned out to be about the worst. Just a year
+or two of uncomfortable bickering, of vain endeavours on his part, now
+coaxing, now reproaching, to make her what she was not and never would
+be--a reasonable woman, a sensible wife--and Dolly Hamlyn fled. She
+decamped with a hair-brained lieutenant, the two taking sailing-ship for
+England, and she carrying with her her little one-year-old boy.
+
+I'll leave you to guess what Philip Hamlyn's sensations were. A calamity
+such as that does not often fall upon man. While he was taking steps to
+put his wife legally away for ever and to get back his child, and
+Captain Pratt was aiding and abetting (and swearing frightfully at the
+delinquent over the process), news reached them that Heaven's vengeance
+had been more speedy than theirs. The ship, driven out of her way by
+contrary winds and other disasters, went down off the coast of Spain,
+and all the passengers on board perished. This was what Philip Hamlyn
+had to confess now: and it was more than silly of him not to have done
+it before.
+
+He touched but lightly upon it now. His tones were low, his words when
+he began somewhat confused: nevertheless his wife, gazing up at him with
+her large dark eyes, gathered an inkling of his meaning.
+
+"Don't tell it me!" she passionately interrupted. "Do not tell me that I
+am only your second wife."
+
+He went over to her, praying her to be calm, speaking of the bitter
+feeling of shame which had ever since clung to him.
+
+"Did you divorce her?"
+
+"No, no; you do not understand me, Eliza. She died before anything could
+be done; the ship was wrecked."
+
+"Were there any children?" she asked in a hard whisper.
+
+"One; a baby of a year old. He was drowned with his mother."
+
+Mrs. Hamlyn folded her hands one over the other, and leaned back in her
+chair. "Why did you deceive me?"
+
+"My will was good to deceive you for ever," he confessed with emotion.
+"I hate that past episode in my life; hate to think of it: I wish I
+could blot it out of remembrance. But for Pratt I should not have told
+you now."
+
+"Oh, he said you ought to tell me?"
+
+"He did: and blamed me for not having told you already."
+
+"Have you any more secrets of the past that you are keeping from me?"
+
+"None. Not one. You may take my honour upon it, Eliza. And now let us--"
+
+She had started forward in her chair; a red flush darkening her pale
+cheeks, "Philip! Philip! am I legally married? Did you describe yourself
+as a _bachelor_ in the license?"
+
+"No, as a widower. I got the license in London, you know."
+
+"And no one read it?"
+
+"No one save he who married us: Robert Grame, and I don't suppose he
+noticed it."
+
+Robert Grame! The flush on Eliza's cheeks grew deeper.
+
+"Did you _love_ her?"
+
+"I suppose I thought so when I married her. It did not take long to
+disenchant me," he added with a harsh laugh.
+
+"What was her Christian name?"
+
+"Dolly. Dora, I believe, by register. My dear wife, I have told you all.
+In compassion to me let us drop the subject, now and for ever."
+
+Was Eliza Hamlyn--sitting there with pale, compressed lips, sullen eyes,
+and hands interlocked in pain--already beginning to reap the fruit she
+had sown as Eliza Monk by her rebellious marriage? Perhaps so. But not
+as she would have to reap it later on.
+
+Mr. and Mrs. Hamlyn spent nearly all that year in travelling. In
+September they came to Peacock's Range, taking it furnished for a term
+of old Mr. and Mrs. Peveril, who had not yet come back to it. It stood
+midway, as may be remembered, between Church Leet and Church Dykely, so
+that Eliza was close to her old home. Late in October a little boy was
+born: it would be hard to say which was the prouder of him, Philip
+Hamlyn or his wife.
+
+"What would you like his name to be?" Philip asked her one day.
+
+"I should like it to be Walter," said Mrs. Hamlyn.
+
+"_Walter!_"
+
+"Yes, I should. I like the name for itself, but I once had a dear little
+brother named Walter, just a year younger than I. He died before we came
+home to England. Have you any objection to the name?"
+
+"Oh, no, no objection," he slowly said. "I was only thinking whether you
+would have any. It was the name given to my first child."
+
+"That can make no possible difference--it was not my child," was her
+haughty answer. So the baby was named Walter James; the latter name also
+chosen by Eliza, because it had been old Mr. Monk's.
+
+In the following spring Mr. Hamlyn had to go to the West Indies. Eliza
+remained at home; and during this time she became reconciled to her
+father.
+
+Hubert brought it about. For Hubert lived yet. But he was just a shadow
+and had to take entirely to the house, and soon to his room. Eliza came
+to see him, again and again; and finally over Hubert's sofa peace was
+made--for Captain Monk loved her still, just as he had loved Katherine,
+for all her rebellion.
+
+Hubert lingered on to the summer. And then, on a calm evening, when one
+of the glorious sunsets that he had so loved to look upon was illumining
+the western sky, opening up to his dying view, as he had once said, the
+very portals of Heaven, he passed peacefully away to his rest.
+
+
+II.
+
+The next change that set in at Leet Hall concerned Miss Kate Dancox.
+That wilful young pickle, somewhat sobered by the death of Hubert in the
+summer, soon grew unbearable again. She had completely got the upper
+hand of her morning governess, Miss Hume--who walked all the way from
+Church Dykely and back again--and of nearly everyone else; and Captain
+Monk gave forth his decision one day when all was turbulence--a resident
+governess. Mrs. Carradyne could have danced a reel for joy, and wrote to
+a governess agency in London.
+
+One morning about this time (which was already glowing with the tints
+of autumn) a young lady got out of an omnibus in Oxford Street, which
+had brought her from a western suburb of London, paid the conductor, and
+then looked about her.
+
+"There!" she exclaimed in a quaint tone of vexation, "I have to cross
+the street! And how am I to do it?"
+
+Evidently she was not used to the bustle of London streets or to
+crossing them alone. She did it, however, after a few false starts, and
+so turned down a quiet side street and rang at the bell of a house in
+it. A slatternly girl answered the ring.
+
+"Governess-agent--Mrs. Moffit? Oh, yes; first-floor front," said she
+crustily, and disappeared.
+
+The young lady found her way upstairs alone. Mrs. Moffit sat in state in
+a big arm-chair, before a large table and desk, whence she daily
+dispensed joy or despair to her applicants. Several opened letters and
+copies of the daily journals lay on the table.
+
+"Well?" cried she, laying down her pen, "what for you?"
+
+"I am here by your appointment, madam, made with me a week ago," said
+the young lady. "This is Thursday."
+
+"What name?" cried Mrs. Moffit sharply, turning over rapidly the leaves
+of a ledger.
+
+"Miss West. If you remember, I--"
+
+"Oh, yes, child, my memory's good enough," was the tart interruption.
+"But with so many applicants it's impossible to be at any certainty as
+to faces. Registered names we can't mistake."
+
+Mrs. Moffit read her notes--taken down a week ago. "Miss West. Educated
+in first-class school at Richmond; remained in it as teacher. Very good
+references from the ladies keeping it. Father, Colonel in India."
+
+"But--"
+
+"You do not wish to go into a school again?" spoke Mrs. Moffit, closing
+the ledger with a snap, and peremptorily drowning what the applicant was
+about to say.
+
+"Oh, dear, no, I am only leaving to better myself, as the maids say,"
+replied the young lady smiling.
+
+"And you wish for a good salary?"
+
+"If I can get it. One does not care to work hard for next to nothing."
+
+"Or else I have--let me see--two--three situations on my books. Very
+comfortable, I am instructed, but two of them offer ten pounds a-year,
+the other twelve."
+
+The young lady drew herself slightly up with an involuntary movement.
+"Quite impossible, madam, that I could take any one of them."
+
+Mrs. Moffit picked up a letter and consulted it, looking at the young
+lady from time to time, as if taking stock of her appearance. "I
+received a letter this morning from the country--a family require a
+well-qualified governess for their one little girl. Your testimonials
+as to qualifications might suit--and you are, I believe, a
+gentlewoman--"
+
+"Oh, yes; my father was--"
+
+"Yes, yes, I remember--I've got it down; don't worry me," impatiently
+spoke the oracle, cutting short the interruption. "So far you might
+suit: but in other respects--I hardly know what to think."
+
+"But why?" asked the other timidly, blushing a little under the intent
+gaze.
+
+"Well, you are very young, for one thing; and they might think you too
+good-looking."
+
+The girl's blush grew red as a rose; she had delicate features and it
+made her look uncommonly pretty. A half-smile sat in her soft, dark
+hazel eyes.
+
+"Surely that could not be an impediment. I am not so good-looking as all
+that!"
+
+"That's as people may think," was the significant answer. "Some families
+will not take a pretty governess--afraid of their sons, you see. This
+family says nothing about looks; for aught I know there may be no sons
+in it. 'Thoroughly competent'--reading from the letter--'a gentlewoman
+by birth, of agreeable manners and lady-like. Salary, first year, to be
+forty pounds.'"
+
+"And will you not recommend me?" pleaded the young governess, her voice
+full of soft entreaty. "Oh, please do! I know I should be found fully
+competent, and I promise you that I would do my very best."
+
+"Well, there may be no harm in my writing to the lady about you,"
+decided Mrs. Moffit, won over by the girl's gentle respect--with which
+she did not get treated by all her clients. "Suppose you come here again
+on Monday next?"
+
+The end of the matter was that Miss West was engaged by the lady
+mentioned--no other than Mrs. Carradyne. And she journeyed down into
+Worcestershire to enter upon the situation.
+
+But clever (and generally correct) Mrs. Moffit made one mistake,
+arising, no doubt, from the chronic state of hurry she was always in.
+"Miss West is the daughter of the late Colonel William West," she wrote,
+"who went to India with his regiment a few years ago, and died there."
+What Miss West had said to her was this: "My father, a clergyman, died
+when I was a little child, and my uncle William, Colonel West, the only
+relation I had left, died three years ago in India." Mrs. Moffit somehow
+confounded the two.
+
+This might not have mattered on the whole. But, as you perceive, it
+conveyed a wrong impression at Leet Hall.
+
+"The governess I have engaged is a Miss West; her father was a military
+man and a gentleman," spake Mrs. Carradyne one morning at breakfast to
+Captain Monk. "She is rather young--about twenty, I fancy; but an older
+person might never get on at all with Kate."
+
+"Had good references with her, I suppose?" said the Captain.
+
+"Oh, yes. From the agent, and especially from the ladies who have
+brought her up."
+
+"Who was her father, do you say?--a military man?"
+
+"Colonel William West," assented Mrs. Carradyne, referring to the letter
+she held. "He went to India with his regiment and died there."
+
+"I'll refer to the army-list," said the Captain; "daresay it's all
+right. And she shall keep Kate in order, or I'll know the reason why."
+
+ * * * * *
+
+The evening sunlight lay on the green plain, on the white fields from
+which the grain had been reaped, and on the beautiful woods glowing with
+the varied tints of autumn. A fly was making its way to Leet Hall, and
+its occupant, looking out of it on this side and that, in a fever of
+ecstasy, for the country scene charmed her, thought how favoured was the
+lot of those who could live out their lives amidst its surroundings.
+
+In the drawing-room at the Hall, watching the approach of this same fly,
+stood Mrs. Hamlyn, a frown upon her haughty face. Philip Hamlyn was
+still detained in the West Indies, and since her reconciliation to her
+father, she would go over with her baby-boy to the Hall and remain there
+for days together. Captain Monk liked to have her, and he took more
+notice of the baby than he had ever taken of baby yet. For when Kate was
+an infant he had at first shunned her, because she had cost Katherine
+her life. This baby, little Walter, was a particularly forward child,
+strong and upright, walked at ten months old, and much resembled his
+mother in feature. In temper also. The young one would stand sturdily in
+his little blue shoes and defy his grandpapa already, and assert his own
+will, to the amused admiration of Captain Monk.
+
+Eliza, utterly wrapt in her child, saw her father's growing love for him
+with secret delight; and one day when he had the boy on his knee, she
+ventured to speak out a thought that was often in her heart.
+
+"Papa," she said, with impassioned fervour, "_he_ ought to be the heir,
+your own grandson; not Harry Carradyne."
+
+Captain Monk simply stared in answer.
+
+"He lies in the _direct_ succession; he has your own blood in his veins.
+Papa, you ought to see it."
+
+Certainly the gallant sailor's manners were improving. For perhaps the
+first time in his life he suppressed the hot and abusive words rising to
+his tongue--that no son of that man, Hamlyn, should come into Leet
+Hall--and stood in silence.
+
+"_Don't_ you see it, papa?"
+
+"Look here, Eliza: we'll drop the subject. When my brother, your uncle,
+was dying, he wrote me a letter, enjoining me to make Emma's son the
+heir, failing a son of my own. It was right it should be so, he said.
+Right it is; and Harry Carradyne will succeed me. Say no more."
+
+Thus forbidden to say more, Eliza Hamlyn thought the more, and her
+thoughts were not pleasant. At one time she had feared her father might
+promote Kate Dancox to the heirship, and grew to dislike the child
+accordingly. Latterly, for the same reason, she had disliked Harry
+Carradyne; hated him, in fact. She herself was the only remaining child
+of the house, and her son ought to inherit.
+
+She stood this evening at the drawing-room window, this and other
+matters running in her mind. Miss Kate, at the other end of the room,
+had prevailed on Uncle Harry (as she called him) to play a game at toy
+ninepins. Or perhaps he had prevailed on her: anything to keep her
+tolerably quiet. She was in her teens now, but the older she grew the
+more troublesome she became; and she was remarkably small and
+childish-looking, so that strangers took her to be several years younger
+than she really was.
+
+"This must be your model governess arriving, Aunt Emma," exclaimed Mrs.
+Hamlyn, as the fly came up the drive.
+
+"I hope it is," said Mrs. Carradyne; and they all looked out. "Oh, yes,
+that's an Evesham fly--and a ramshackle thing it appears."
+
+"I wonder you did not send the carriage to Evesham for her, mother,"
+remarked Harry, picking up some of the ninepins which Miss Kate had
+swept off the table with her hand.
+
+Mrs. Hamlyn turned round in a blaze of anger. "Send the carriage to
+Evesham for the governess! What absurd thing will you say next, Harry?"
+
+The young man laughed in good humour. "Does it offend one of your
+prejudices, Eliza?--a thousand pardons, then. But really, nonsense
+apart, I can't see why the carriage should not have gone for her. We are
+told she is a gentlewoman. Indeed, I suppose anyone else would not be
+eligible, as she is to be made one of ourselves."
+
+"And think of the nuisance it will be! Do be quiet, Harry! Kate ought to
+have been sent to school."
+
+"But your father would not have her sent, you know, Eliza," spoke Mrs.
+Carradyne.
+
+"Then--"
+
+"Miss West, ma'am," interrupted Rimmer, the butler, showing in the
+traveller.
+
+"Dear me, how very young!" was Mrs. Carradyne's first thought. "And what
+a lovely face!"
+
+She came in shyly. In her whole appearance there was a shrinking, timid
+gentleness, betokening refinement of feeling. A slender, lady-like girl,
+in a plain, dark travelling suit and a black bonnet lined and tied with
+pink, a little lace border shading her nut-brown hair. The bonnets in
+those days set off a pretty face better than do these modern ones.
+That's what the Squire tells us.
+
+Mrs. Carradyne advanced and shook hands cordially; Eliza bent her head
+slightly from where she stood; Harry Carradyne stood up, a pleasant
+welcome in his blue eyes and in his voice, as he laughingly
+congratulated her upon the ancient Evesham fly not having come to grief
+en route. Kate Dancox pressed forward.
+
+"Are you my new governess?"
+
+The young lady smiled and said she believed so.
+
+"Aunt Eliza hates governesses; so do I. Do you expect to make me obey
+you?"
+
+The governess blushed painfully; but took courage to say she hoped she
+should. Harry Carradyne thought it the very loveliest blush he had ever
+seen in all his travels, and she the sweetest-looking girl.
+
+And when Captain Monk came in he quite took to her appearance, for he
+hated to have ugly people about him. But every now and then there was a
+look in her face, or in her eyes, that struck him as being familiar--as
+if he had once known someone who resembled her. Pleasing, soft dark
+hazel eyes they were as one could wish to see, with goodness in their
+depths.
+
+
+III.
+
+Months passed away, and Miss West was domesticated in her new home. It
+was not all sunshine. Mrs. Carradyne, ever considerate, strove to render
+things agreeable; but there were sources of annoyance over which she had
+no control. Kate, when she chose, could be verily a little elf, a demon;
+as Mrs. Hamlyn often put it, "a diablesse." And she, that lady herself,
+invariably treated the governess with a sort of cool, indifferent
+contempt; and she was more often at Leet Hall than away from it. The
+Captain, too, gave way to fits of temper that simply terrified Miss
+West. Reared in the quiet atmosphere of a well-trained school, she had
+never met with temper such as this.
+
+On the other hand--yes, on the other hand, she had an easy place of it,
+generous living, was regarded as a lady, and--she had learnt to love
+Harry Carradyne for weal or for woe.
+
+But not--please take notice--not unsolicited. Tacitly, at any rate. If
+Mr. Harry's speaking blue eyes were to be trusted and Mr. Harry's
+tell-tale tones when with her, his love, at the very least, equalled
+hers. Eliza Hamlyn, despite the penetration that ill-nature generally
+can exercise, had not yet scented any such treason in the wind: or there
+would have blown up a storm.
+
+Spring was to bring its events; but first of all it must be said that
+during the winter little Walter Hamlyn was taken ill at Leet Hall when
+staying there with his mother. The malady turned out to be gastric
+fever, and Mr. Speck was in constant attendance. For the few days that
+the child lay in danger, Eliza was almost wild. The progress to
+convalescence was very slow, lasting many weeks; and during that time
+Captain Monk, being much with the little fellow, grew to be fond of him
+with an unreasonable affection.
+
+"I'm not sure but I shall leave Leet Hall to him," he suddenly observed
+to Eliza one day, not observing that Harry Carradyne was standing in the
+recess of the window. "Halloa! are you there, Harry? Well, it can't be
+helped. You heard what I said?"
+
+"I heard, Uncle Godfrey: but I did not understand."
+
+"Eliza thinks Leet Hall ought to go in the direct line--through her--to
+this child. What should you say to that?"
+
+"What could he say to it?" imperiously demanded Eliza. "He is only your
+nephew."
+
+Harry looked from one to the other in a sort of bewildered surprise: and
+there came a silence.
+
+"Uncle Godfrey," he said, starting out of a reverie, "you have been good
+enough to make me your heir. It was unexpected on my part, unsolicited;
+but you did do it, and you caused me to leave the army in consequence,
+to give up my fair prospects in life. I am aware that this deed is not
+irrevocable, and certainly you have the right to do what you will with
+your own property. But you must forgive me for saying that you should
+have made quite sure of your intentions beforehand: before picking me
+up, if it be only to throw me down again."
+
+"There, there, we'll leave it," retorted Captain Monk testily. "No
+harm's done to you yet, Mr. Harry; I don't know that it will be."
+
+But Harry Carradyne felt sure that it would be; that he should be
+despoiled of the inheritance. The resolute look of power on Eliza's
+face, bent on him as he quitted the chamber, was an earnest of that.
+Captain Monk was not the determined man he had once been; that was over.
+
+"A pretty kettle of fish, this is," ruefully soliloquised Harry, as he
+marched along the corridor. "Eliza's safe to get her will; no doubt of
+that. And I? what am I to do? I can't repurchase and go back amongst
+them again like a returned shilling; at least, I won't; and I can't turn
+Parson, or Queen's Counsel, or Cabinet Minister. I'm fitted for nothing
+now, that I see, but to be a gentleman-at-large; and what would the
+gentleman's income be?"
+
+Standing at the corridor window, softly whistling, he ran over ways and
+means in his mind. He had a pretty house of his own, Peacock's Range,
+formerly his father's, and about four hundred a-year. After his mother's
+death it would not be less than a thousand a-year.
+
+"That means bread and cheese at present. Later--Heyday, young lady,
+what's the matter?"
+
+The school-room door, close by, had opened with a burst, and Miss Kate
+Dancox was flying down the stairs--her usual progress the minute
+lessons were over. Harry strolled into the room. The governess was
+putting the littered table straight.
+
+"Any admission, ma'am?" cried he quaintly, making for a chair. "I should
+like to ask leave to sit down for a bit."
+
+Alice West laughed, and stirred the fire by way of welcome; he was a
+very rare visitor to the school-room. The blaze, mingling with the rays
+of the setting sun that streamed in at the window, played upon her sweet
+face and silky brown hair, lighted up the bright winter dress she wore,
+and the bow of pink ribbon that fastened the white lace round her
+slender, pretty throat.
+
+"Are you so much in need of a seat?" she laughingly asked.
+
+"Indeed I am," was the semi-grave response. "I have had a shock."
+
+"A very sharp one, sir?"
+
+"Sharp as steel. Really and truly," he went on in a different tone, as
+he left the chair and stood up by the table facing her; "I have just
+heard news that may affect my whole future life; may change me from a
+rich man to a poor one."
+
+"Oh, Mr. Carradyne!" Her manner had changed now.
+
+"I was the destined inheritor, as you know--for I'm sure nobody has been
+reticent upon the subject--of these broad lands," with a sweep of the
+hand towards the plains outside. "Captain Monk is now pleased to inform
+me that he thinks of substituting for me Mrs. Hamlyn's child."
+
+"But would not that be very unjust?"
+
+"Hardly fair--as it seems to me. Considering that my good uncle obliged
+me to give up my own prospects for it."
+
+She stood, her hands clasped in sympathy, her face full of earnest
+sadness. "How unkind! Why, it would be cruel!"
+
+"Well, I confess I felt it to be so at the first blow. But, standing at
+the outside window yonder to pull myself together, a ray or two of light
+crept in, showing me that it may be for the best after all. 'Whatever
+_is_, is right,' you know."
+
+"Yes," she slowly said--"if you can think so. But, Mr. Carradyne, should
+you not have anything at all?--anything to live upon after Captain
+Monk's death?"
+
+"Just a trifle, I calculate, as the Americans say--and it is calculating
+I have been--that I need not altogether starve. Would you like to know
+how much it will be?"
+
+"Oh, please don't laugh at me!"--for it suddenly struck the girl that he
+was laughing, perhaps in reproof, and that she had spoken too freely. "I
+ought not to have asked that; I was not thinking--I was too sorry to
+think."
+
+"But I may as well tell you, if you don't mind. I have a very pretty
+little place, which you have seen and heard of, called by that
+delectable title Peacock's Range--"
+
+"Is Peacock's Range yours?" she interrupted, in surprise. "I thought it
+belonged to Mr. Peveril."
+
+"Peacock's Range is mine and was my father's before me, Miss Alice. It
+was leased to Peveril for a term of years, but I fancy he would be glad
+to give it up to-morrow. Well, I have Peacock's Range and about four
+hundred pounds a-year."
+
+Her face brightened. "Then you need not talk about starving," she said,
+gaily.
+
+"And, later, I shall have altogether about a thousand a-year. Though I
+hope it will be very long before it falls to me. Do you think two people
+might venture to set up at Peacock's Range, and keep, say, a couple of
+servants upon four hundred a-year? Could they exist upon it?"
+
+"Oh, dear, yes," she answered eagerly, quite unconscious of his drift.
+"Did you mean yourself and some friend?"
+
+He nodded.
+
+"Why, I don't see how they could spend it all. There'd be no rent to
+pay. And just think of all the fruit and vegetables in the garden
+there!"
+
+"Then I take you at your word, Alice," he cried impulsively, passing his
+arm round her waist. "You are the 'friend.' My dear, I have long wanted
+to ask you to be my wife, and I did not dare. This place, Leet Hall,
+encumbered me: for I feared the opposition that I, as its heir, should
+inevitably meet."
+
+She drew away from him, with doubting, frightened eyes. Mr. Harry
+Carradyne brought all the persuasion of his own dancing blue ones to
+bear upon her. "Surely, Alice, you will not say me nay!"
+
+"I dare not say yes," she whispered.
+
+"What are you afraid of?"
+
+"Of it altogether; of your friends. Captain Monk
+would--would--perhaps--turn me out. And there's Mrs. Carradyne!"
+
+Harry laughed. "Captain Monk can have no right to any voice in my
+affairs, once he throws me off; he cannot expect to have a finger in
+everyone's pie. As to my mother--ah, Alice, unless I am much mistaken,
+she will welcome you with love."
+
+Alice burst into tears: emotion was stirring her to its depths.
+"_Please_ to let it all be for a time," she pleaded. "If you speak it
+would be sure to lead to my being turned away."
+
+"I _will_ let it be for a time, my darling, so far as speaking of it
+goes: for more reasons than one it may be better. But you are my
+promised wife, Alice; always recollect that."
+
+And Mr. Harry Carradyne, bold as a soldier should be, took a few kisses
+from her unresisting lips to enforce his mandate.
+
+
+IV.
+
+Some time rolled on, calling for no particular record. Mr. Hamlyn's West
+Indian property, which was large and lucrative, had been giving him
+trouble of late; at least, those who had the care of it gave it, and he
+was obliged to go over occasionally to see after it in person. Between
+times he stayed with his wife at Peacock's Range; or else she joined him
+in London. Their town residence was in Bryanstone Square; a very pretty
+house, but not a large one.
+
+It had been an unfavourable autumn; cold and wet. Snow had fallen in
+November, and the weather continued persistently dull and dreary. One
+gloomy afternoon towards the close of the year, Mrs. Hamlyn, shivering
+over her drawing-room fire, rang impatiently for more coal to be piled
+upon it.
+
+"Has Master Walter come in yet?" she asked of the footman.
+
+"No, ma'am. I saw him just now playing in front there."
+
+She went to the window. Yes, running about the paths of the Square
+garden was the child, attended by his nurse. He was a sturdy little
+fellow. His mother, wishing to make him hardy, sent him out in all
+weathers, and the boy throve upon it. He was three years old now, but
+looked older; and he was as clever and precocious as some children are
+at five or six. Her heart thrilled with a strange joy only at the sight
+of him: he was her chief happiness in life, her idol. Whether he would
+succeed to Leet Hall she knew not; since the one time he mentioned it,
+Captain Monk had said no more upon the subject, for or against it.
+
+Why need she have longed for it so fervently? to the setting at naught
+the expressed wishes of her deceased uncle and to the detriment of Harry
+Carradyne? It was just covetousness. As his father's eldest son (there
+were no younger ones yet) the boy would inherit a fine property, a large
+income; but his doting mother must give him Leet Hall as well.
+
+Her whole heart went out to the child as she watched him playing there.
+A few snowflakes were beginning to fall, and dusk would soon be drawing
+on, but she would not call him in. Standing thus at the window, it
+gradually grew upon her to notice that something was standing back
+against the opposite rails, looking fixedly at the houses. A young, fair
+woman apparently, with a profusion of light hair; she was draped in a
+close dark cloak which served to conceal her figure, just as the thick
+veil she wore concealed her face.
+
+"I believe it is _this_ house she is gazing at so attentively--and at
+_me_," thought Mrs. Hamlyn. "What can she possibly want?"
+
+The woman did not move away and Mrs. Hamlyn did not move; they remained
+staring at one another. Presently Walter burst into the room, laughing
+in glee at having distanced his nurse. His mother turned, caught him in
+her arms and kissed him passionately. Wilful though he was by
+disposition, and showing it at times, he was a lovable, generous child,
+and very pretty: great brown eyes and auburn curls. His life was all
+sunshine, like a butterfly's on a summer's day; his path as yet one of
+roses without their thorns.
+
+"Mamma, I've got a picture-book; come and look at it," cried the eager
+little voice, as he dragged his mother to the hearthrug and opened the
+picture-book in the light of the blaze. "Penelope bought it for me."
+
+She sat down on a footstool, the book on her lap and one arm round him,
+her treasure. Penelope waited to take off his hat and pelisse, and was
+told to come for him in five minutes.
+
+"It's not my tea-time yet," cried he defiantly.
+
+"Indeed, then, Master Walter, it is long past it," said the nurse. "I
+couldn't get him in before, ma'am," she added to her mistress. "Every
+minute I kept expecting you'd be sending one of the servants after us."
+
+"In five minutes," repeated Mrs. Hamlyn. "And what's _this_ picture
+about, Walter? Is it a little girl with a doll?"
+
+"Oh, dat bootiful," said the eager little lad, who was not yet as quick
+in speech as he was in ideas. "It says she--dere's papa!"
+
+In came Philip Hamlyn, tall, handsome, genial. Walter ran to him and was
+caught in his arms. He and his wife were just a pair for adoring the
+child.
+
+But nurse, inexorable, appeared again at the five minutes' end, and
+Master Walter was carried off.
+
+"You came home in a cab, Philip, did you not? I thought I heard one
+stop."
+
+"Yes; it is a miserable evening. Raining fast now."
+
+"Raining!" she repeated, rather wondering to hear it was not snowing.
+She went to the window to look out, and the first object her eyes caught
+sight of was the woman; leaning in the old place against the railings,
+in the growing dusk.
+
+"I'm not sorry to see the rain; we shall have it warmer now," remarked
+Mr. Hamlyn, who had drawn a chair to the fire. "In fact, it's much
+warmer already than it was this morning."
+
+"Philip, step here a minute."
+
+His wife's tone had dropped to a half-whisper, sounding rather
+mysterious, and he went at once.
+
+"Just look, Philip--opposite. Do you see a woman standing there?"
+
+"A woman--where?" cried he, looking of course in every direction but the
+right one.
+
+"Just facing us. She has her back against the railings."
+
+"Oh, ay, I see now; a lady in a cloak. She must be waiting for someone."
+
+"Why do you call her a lady?"
+
+"She looks like one--as far as I can see in the gloom. Does she not? Her
+hair does, any way."
+
+"She has been there I cannot tell you how long, Philip; half-an-hour,
+I'm sure; and it seems to me that she is _watching_ this house. A lady
+would hardly do that."
+
+"This house? Oh, then, Eliza, perhaps she's watching for one of the
+servants. She might come in, poor thing, instead of standing there in
+the rain."
+
+"Poor thing, indeed!--what business has any woman to watch a house in
+this marked manner?" retorted Eliza. "The neighbourhood will be taking
+her for a female detective."
+
+"Nonsense!"
+
+"She has given me a creepy feeling; I can tell you that, Philip."
+
+"But why?" he exclaimed.
+
+"I can't tell you why; I don't know why; it is so. Do not laugh at me
+for confessing it."
+
+Philip Hamlyn did laugh; heartily. "Creepy feelings" and his imperiously
+strong-minded wife could have but little affinity with one another.
+
+"We'll have the curtains drawn, and the lights, and shut her out," said
+he cheerily. "Come and sit down, Eliza; I want to show you a letter I've
+had to-day."
+
+But the woman waiting outside there seemed to possess for Eliza Hamlyn
+somewhat of the fascination of the basilisk; for she never stirred from
+the window until the curtains were drawn.
+
+"It is from Peveril," said Mr. Hamlyn, producing the letter he had
+spoken of from his pocket. "The lease he took of Peacock's Range is not
+yet out, but he can resign it now if he pleases, and he would be glad to
+do so. He and his wife would rather remain abroad, it seems, than return
+home."
+
+"Yes. Well?"
+
+"Well, he writes to me to ask whether he can resign it; or whether I
+must hold him to the promise he made me--that I should rent the house to
+the end of the term. I mean the end of the lease; the term he holds it
+for."
+
+"Why does he want to resign it? Why can't things go on as at present?"
+
+"I gather from an allusion he makes, though he does not explicitly state
+it, that Mr. Carradyne wishes to have the place in his own hands. What
+am I to say to Peveril, Eliza?"
+
+"Say! Why, that you must hold him to his promise; that we cannot give up
+the house yet. A pretty thing if I had no place to go down to at will in
+my own county!"
+
+"So far as I am concerned, Eliza, I would prefer to stay away from the
+county--if your father is to continue to treat me in the way he does.
+Remember what it was in the summer. I think we are very well here."
+
+"Now, Philip, I have _said_. I do not intend to release our hold on
+Peacock's Range. My father will be reconciled to you in time as he is to
+me."
+
+"I wonder what Harry Carradyne can want it for?" mused Philip Hamlyn,
+bowing to the imperative decision of his better half.
+
+"To live in it, I should say. He would like to show his resentment to
+papa by turning his back on Leet Hall. It can't be for anything else."
+
+"What cause of resentment has he? He sent for him home and made him his
+heir."
+
+"_That_ is the cause. Papa has come to his senses and changed his mind.
+It is our darling little Walter who is to be the heir of Leet Hall,
+Philip--and papa has so informed Harry Carradyne."
+
+Philip Hamlyn gazed at his wife in doubt. He had never heard a word of
+this; instinct had kept her silent.
+
+"I hope not," he emphatically said, breaking the silence.
+
+"_You hope not?_"
+
+"Walter shall never inherit Leet Hall with my consent, Eliza. Harry
+Carradyne is the right and proper heir, and no child of mine, as I hope,
+must or shall displace him."
+
+Mrs. Hamlyn treated her husband to one of her worst looks, telling of
+contempt as well as of power; but she did not speak.
+
+"Listen, Eliza. I cannot bear injustice, and I do not believe it ever
+prospers in the long run. Were your father to bequeath--my dear, I beg
+of you to listen to me!--to bequeath his estates to little Walter, to
+the exclusion of the true heir, rely upon it the bequest would _never
+bring him good_. In some way or other it would not serve him. Money
+diverted by injustice from its natural and just channel does not carry a
+blessing with it. I have noted this over and over again in going through
+life."
+
+"Anything more?" she contemptuously asked.
+
+"And Walter will not need it," he continued persuasively, passing her
+question as unheard. "As my son, he will be amply provided for."
+
+A very commonplace interruption occurred, and the subject was dropped.
+Nothing more than a servant bringing in a letter for his master, just
+come by hand.
+
+"Why, it is from old Richard Pratt!" exclaimed Mr. Hamlyn, as he turned
+to the light.
+
+"I thought Major Pratt never wrote letters," she remarked. "I once heard
+you say he must have forgotten how to write."
+
+He did not answer. He was reading the note, which appeared to be a short
+one. She watched him. After reading it through he began it again, a
+puzzled look upon his face. Then she saw it flush all over, and he
+crushed the note into his pocket.
+
+"What is it about, Philip?"
+
+"Pratt wants a prescription for gout that I told him of. I'm sure I
+don't know whether I can find it."
+
+He had answered in a dreamy tone with thoughts preoccupied, and quitted
+the room hastily, as if to search for it.
+
+Eliza wondered why he should flush up at being asked for a prescription,
+and why he should have suddenly lost himself in a reverie. But she had
+not much curiosity as to anything that concerned old Major Pratt--who
+was at present staying in lodgings in London.
+
+Downstairs went Mr. Hamlyn to the little room he called his library,
+seated himself at the table under the lamp, and opened the note again.
+It ran as follows:
+
+ "DEAR PHILIP HAMLYN,--The other day, when calling here, you spoke
+ of some infallible prescription to cure gout that had been given
+ you. I've symptoms of it flying about me--and be hanged to it!
+ Bring it to me yourself to-morrow; I want to see you. _I suppose
+ there was no mistake in the report that that ship did go
+ down?_--and that none of the passengers were saved from it?
+
+ "Truly yours,
+
+ "RICHARD PRATT."
+
+"What can he possibly mean?" muttered Philip Hamlyn.
+
+But there was no one to answer the question, and he sat buried in
+thought, trying to answer it himself. Starting up from the useless task,
+he looked in his desk, found the infallible prescription, and then
+snatched his watch from his pocket.
+
+"Too late," he decided impatiently; "Pratt would be gone to bed. He goes
+at all kinds of unearthly hours when out of sorts." So he went upstairs
+to his wife again, the prescription displayed in his hand.
+
+Morning came, bringing the daily routine of duties in its train. Mrs.
+Hamlyn had made an engagement to go with some friends to Blackheath, to
+take luncheon with a lady living there. It was damp and raw in the early
+portion of the day, but promised to be clear later on.
+
+"And then my little darling can go out to play again," she said, hugging
+the child to her. "In the afternoon, nurse; it will be drier then; it is
+really too damp this morning."
+
+Parting from him with fifty kisses, she went down to her comfortable and
+handsome carriage, her husband placing her in.
+
+"I wish you were coming with me, Philip! But, you see, it is only ladies
+to-day. Six of us."
+
+Philip Hamlyn laughed. "I don't wish it at all," he answered; "they
+would be fighting for me. Besides, I must take old Pratt his
+prescription. Only picture his storm of anger if I did not."
+
+Mrs. Hamlyn was not back until just before dinner: her husband, she
+heard, had been out all day, and was not yet in. Waiting for him in the
+drawing-room listlessly enough, she walked to the window to look out.
+And there she saw with a sort of shock the same woman standing in the
+same place as the previous evening. Not once all day long had she
+thought of her.
+
+"This is a strange thing!" she exclaimed. "I am _sure_ it is this house
+that she is watching."
+
+On the impulse of the moment she rang the bell and called the man who
+answered it to the window. He was a faithful, attached servant, had
+lived with them ever since they were married, and previously to that in
+Mr. Hamlyn's family in the West Indies.
+
+"Japhet," said his mistress, "do you see that woman opposite? Do you
+know why she stands there?"
+
+Japhet's answer told nothing. They had all seen her downstairs yesterday
+evening as well as this, and wondered what she could be watching the
+house for.
+
+"She is not waiting for any of the servants, then; not an acquaintance
+of theirs?"
+
+"No, ma'am, that I'm sure she's not. She is a stranger to us all."
+
+"Then, Japhet, I think you shall go over and question her," spoke his
+mistress impulsively. "Ask her who she is and what she wants. And tell
+her that a gentleman's house cannot be watched with impunity in this
+country--and she will do well to move away before the police are called
+to her."
+
+Japhet looked at his mistress and hesitated; he was an elderly man and
+cautious. "I beg your pardon, madam," he began, "for venturing to say as
+much, but I think it might be best to let her alone. She'll grow tired
+of stopping there. And if her motive is to attract pity, and get alms
+sent out, why the fact of speaking to her might make her bold enough to
+ask for them. If she comes there to-morrow again, it might be best for
+the master to take it up himself."
+
+For once in her life Mrs. Hamlyn condescended to listen to the opinion
+of an inferior, and Japhet was dismissed without orders. Close upon
+that, a cab came rattling down the square, and stopped at the door. Her
+husband leaped out of it, tossed the driver his fare--he always paid
+liberally--and let himself in with his latch-key. To Mrs. Hamlyn's
+astonishment, she had seen the woman dart from her standing-place to the
+middle of the road, evidently to look at or to accost Mr. Hamlyn. But
+his movements were too quick: he was within in a moment and had closed
+the outer door. She then walked rapidly away, and disappeared.
+
+Eliza Hamlyn stood there lost in thought. The nurse came in to take the
+child; Mr. Hamlyn had gone to his room to dress for dinner.
+
+"Have you seen the woman who has been standing out there yesterday
+evening and this, Penelope?" she asked of the nurse, speaking upon
+impulse.
+
+"Oh, yes, ma'am. She has been there all the blessed afternoon. She came
+into the garden to talk to us."
+
+"Came into the garden to talk to you?" repeated Mrs. Hamlyn. "What did
+she talk about?"
+
+"Chiefly about Master Walter, ma'am. She seemed to be much taken with
+him; she clasped him in her arms and kissed him, and said how old was
+he, and was he difficult to manage, and that he had his father's
+beautiful brown eyes--"
+
+Penelope stopped abruptly. Mistaking the hard stare her mistress was
+unconsciously giving her for one of displeasure, she hastened to excuse
+herself. The fact was, Mrs. Hamlyn's imagination was beginning to run
+riot.
+
+"I couldn't help her speaking to me, ma'am, or her kissing the child;
+she took me by surprise. That, was all she said--except that she asked
+whether you were likely to be going into the country soon, away from the
+house here. She didn't stay five minutes with us, but went back to stand
+by the railings again."
+
+"Did she speak as a lady or as a common person?" quite fiercely demanded
+Mrs. Hamlyn. "Is she young?--good-looking?"
+
+"Oh, I think she is a lady," replied the girl, her accent decisive. "And
+she's young, as far as I could see, but she had a thick veil over her
+face. Her hair is lovely, just like silken threads of pale gold,"
+concluded Penelope as Mr. Hamlyn's step was heard.
+
+He took his wife into the dining-room, apologising for being late. She,
+giving full range to the fancies she had called up, heard him in silence
+with a hardening, haughty face.
+
+"Philip, you know who that woman is," she suddenly exclaimed during a
+temporary absence of Japhet from the dining-room. "What is it that she
+wants with you?"
+
+"I!" he returned, in a surprise very well feigned if not real. "What
+woman? Do you mean the one who was standing out there yesterday?"
+
+"You know I do. She has been there again--all the blessed afternoon, as
+Penelope expresses it. Asking questions of the girl about you--and
+me--and Walter; and saying the child has your beautiful brown eyes. _I
+ask you who is she?_"
+
+Mr. Hamlyn laid down his knife and fork to gaze at his wife. He looked
+quite at sea.
+
+"Eliza, I assure you I know nothing about it. Or about her."
+
+"Indeed! Don't you think it may be some acquaintance, old or new?
+Possibly someone you knew in the days gone by--come over seas to see
+whether you are yet in the land of the living? She has wonderful hair,
+which looks like spun gold."
+
+All in a moment, as the half-mocking words left her lips, some idea
+seemed to flash across Philip Hamlyn, bringing with it distress and
+fear. His face turned to a burning red and then grew white as the hue of
+the grave.
+
+JOHNNY LUDLOW.
+
+
+
+
+THE BRETONS AT HOME.
+
+BY CHARLES W. WOOD, F.R.G.S., AUTHOR OF "THROUGH HOLLAND," "LETTERS FROM
+MAJORCA," ETC. ETC.
+
+
+Amongst the many advantages possessed by Morlaix may be mentioned the
+fact of its being a central point from which a number of interesting
+excursions may be made. It is one of the chief towns of the Finistere, a
+Department crowded with churches, and here will be found at once some of
+the best and worst examples of ecclesiastical architecture in Brittany.
+
+Of the churches of Morlaix we have said nothing. Interesting and
+delightful as it is in its old houses, it fails in its churches. Those
+worthy of note were destroyed at the Revolution, that social scourge
+which passed like a blight over the whole country, leaving its traces
+behind it for ever.
+
+[Illustration: A BRETON CALVARY.]
+
+The church of St. Melaine is the only one deserving a passing notice. It
+is in the third Pointed style, and, built on an eminence, is approached
+by a somewhat imposing flight of steps. A narrow thoroughfare leads up
+to it, and the nearer houses are inhabited by the priests and other
+members of the religious community.
+
+The porch and windows are Flamboyant, and a little of the stained glass
+is good. The interior is divided into three naves by wooden partitions,
+consisting of pillars without capitals supporting pointed arches. The
+wall-plates represent monks in grotesque attitudes: portraits, perhaps,
+of those who inhabited the Priory of St. Melaine of Rennes, to which the
+church originally belonged. The basin for holy water between the porches
+has a very interesting cover; but still more remarkable is the cover to
+the font, an imposing and elegantly sculptured octagonal work of art of
+the Renaissance period, raised and lowered by means of pulleys. The
+organ case is also good; and having said so much, there is nothing left
+to record in favour of St. Melaine. The general effect of the church is
+poor and mean, and the most vivid impression left upon the mind is that
+caused by the sharp climb up the narrow street and flight of steps, with
+little reward beyond one's trouble for the pains of mounting.
+
+But other churches in the neighbourhood of Morlaix are well worth
+visiting; churches typical of the Finistere, with their wonderful
+calvaries, mortuaries and triumphal arches.
+
+"These," said Monsieur Hellard, our host of the Hotel d'Europe, who had,
+by this time, fully atoned for the transgressions of that one and almost
+fatal night--"these must on no account be neglected. Morlaix, more than
+any other town in the Finistere, as it seems to me, is surrounded by
+objects of intense interest; monuments of antiquity, both secular and
+religious."
+
+"Yet you are not the chief town of the Finistere," we observed.
+
+"True," he replied; "Quimper is our chief town; we are only second in
+rank; but in many ways we are more interesting than Quimper."
+
+"You are partial," cried H.C., but very amiably. "What about Quimper's
+wonderful cathedral? Where can you match that architectural dream in
+Morlaix?"
+
+"There, indeed, I give in," returned our host, meekly. "Morlaix has
+nothing to boast of in the way of churches, thanks to the revolution.
+But in the neighbourhood, each within the limits of a day's excursion,
+we have St. Thegonnec, Guimiliau, St. Jean-du-Doigt--and last and
+greatest of all--Le Folgoet. Besides these, we have a host of minor but
+interesting excursions."
+
+"The minor must be left to the future," we replied; "for the present we
+must confine ourselves to the major monuments."
+
+"One can't do everything," chimed in Madame Hellard, who came up at the
+moment. "I never recommend small excursions unless you are making a long
+stay in the neighbourhood. It becomes too tiring. We had a charming
+English family with us last year; a milord, very rich--they are all
+rich--with a sweetly amiable wife, who made herself in the hotel quite
+one of ourselves, and would chatter with us in my bureau by the hour
+together. Mon cher"--to her husband--"do you remember how they enjoyed
+the regatta, and seeing all the natives turn out in their Sunday
+clothes; and how Madame laughed at the old women who fried the pancakes
+upon their knees in the open air; and the boys and girls who took them
+up hot and buttery in their fingers and devoured them like savages? Do
+you remember?"
+
+Monsieur Hellard apparently did remember, and shook with laughter at the
+recollection of that or of something equally droll.
+
+"I shall never forget Madame's look of astonishment," he cried, "as the
+pancakes were turned out of the poele, and disappeared wholesale like
+lightning." 'Ah, madame,' I said, 'you have yet to learn the capacious
+appetites of our Breton boys and girls. It is one of the few things in
+which they are not slow and phlegmatic.'
+
+"'And have not improved in,' laughed Madame. 'These habits are the
+remains of barbarism.'
+
+"'Madame,' I replied, 'you must not forget that we are descended from
+the Ancient Britons.' Ah! that was a clencher, Madame laughed, but she
+said no more."
+
+"Until she returned," added our hostess. "Then she whispered to me:
+'Madame Hellard, those pancakes looked extremely good, and as they are
+peculiar to Brittany, you must give us some for dinner. I must taste
+your _crepes_.'
+
+"'Madame la Comtesse,' I returned, 'Brittany has many peculiarities; we
+cannot deny it; would that they were all as innocent as these crepes. My
+chef is not a Breton, and he will not make them, perhaps, quite a la
+maniere des notres; but I will superintend him for once. You shall have
+our famous dish.' And if you wish to know how she liked them," concluded
+Madame, laughing, "ask Catherine, la-haut. Three times a week at least
+we had pancakes on the menu. But nothing delights us more than when we
+please our guests. We like them to be at home here, and to feel that
+they may do as they please and order what they like."
+
+To the truth of which self-commendation we bore good testimony.
+
+"Now about the excursions," said M. Hellard. "I recommend you to go
+to-morrow to St. Thegonnec and Guimiliau, the next day to St.
+Jean-du-Doigt and Plougasnou, and the third day to Landerneau and Le
+Folgoet. The two first by carriage, the last by train."
+
+So it was arranged, and we were about to separate when in came our
+hostess of that little auberge by the river-side, _A la halte des
+Pecheurs_, carrying a barrel of oysters. She had walked all the way, and
+though the sun shone brilliantly, she was armed with a huge cotton
+umbrella that would have roofed a fair-sized tent.
+
+"Madame Mirmiton!" cried M. Hellard; "and with a barrel of oysters, too!
+You are welcome as fine weather at the _Fete-Dieu_! But why you and not
+your husband?"
+
+"Ah, monsieur!" replied Madame Mirmiton: "Figurez-vous, my husband was
+running after that naughty girl of mine, stumbled over the cat and
+sprained his ankle. He will be quite a week getting well again."
+
+"And the cat?" asked our host, comically.
+
+"Pauvre Minette!" answered Madame Mirmiton, with tears in her voice.
+"She flew up the chimney. We have never seen her since--two days ago."
+
+"Well, whether you or your bon homme bring them, these oysters are
+equally a propos. I am sure ces messieurs will enjoy our natives for
+dejeuner. I have it!" he cried, striking his forehead. "You shall have
+an early dejeuner, and start immediately after for St. Thegonnec,
+instead of delaying it until to-morrow. You will have plenty of time,
+and must profit by the fine weather. I will order dejeuner at once, and
+the carriage in an hour."
+
+So are there times when our days, and occasionally the whole course of
+our lives, are apparently changed by the turning of a straw.
+
+Having mentioned the oysters, we ought also to record their excellence.
+Catherine flew about the salle a manger, served us with her own hands,
+and gave us her whole attention, for we had the room to ourselves. She
+was proud of our praise.
+
+"There is nothing better than our lobsters and oysters," she remarked.
+"I always say so, and Mirmiton always brings us the best of the good.
+But to-day it was Madame who came in. Ah! _the Cat_!" laughing
+satirically. "The cat comes in for everything, everywhere. She is a
+domestic animal invented for two reasons: to catch mice and to furnish
+an excuse for whatever happens. I dare affirm it was a glass too much
+and not the cat that caused the bon homme to sprain his ankle."
+
+But we who had heard Madame Mirmiton's chapter and verse, were of a
+different opinion. Every rule has an exception, and the cat is certainly
+in fault--sometimes.
+
+We started for St. Thegonnec. Monsieur packed us into the victoria, a
+heavy vehicle well matched by the horse and the man. We should certainly
+not fly on the wings of the wind.
+
+"Take umbrellas," cried Madame Hellard, prudently, from the doorway.
+"Remember your drenching that day, and what fatal consequences _might_
+have happened."
+
+But we saw no necessity for umbrellas to-day, for there was not a cloud
+in the sky.
+
+"Still, to please you, I will take my macintosh," said H.C.; "it is
+hanging up in the hall."
+
+But the macintosh had disappeared. A traveller who had left by the last
+train had good-naturedly appropriated it to his own use and service. It
+was that admirable macintosh that has already adorned these pages, with
+the cape finished off with fish-hooks for carrying old china, brown
+paper parcels and headless images; and as the invention was not yet
+patented, the loss was serious. H.C. lamented openly.
+
+"I only hope," he said, "that the man who has taken it will put it on
+inside out, and that all the fish-hooks will stick into him." The most
+revengeful saying his gentle mind had ever uttered.
+
+"C'est encore le chat!" screamed Catherine, who was leaning out of a
+first-floor window of the salle a manger, quite undaunted by Madame
+Hellard's reproving "Voyons, voyons, Catherine!"
+
+But Catherine was loyal, for all her mild sarcasm, and we knew that if
+ever the delinquent turned up again he would have a mauvais quart
+d'heure at her hands, whilst M. Hellard would certainly enforce
+restitution.
+
+Some months later on, at a subsequent visit we paid to Morlaix, we asked
+after the fate of the macintosh and its borrower.
+
+"Ah, monsieur," cried our host, sadly, "his punishment was even greater
+than we could have wished; two months afterwards the poor fellow died of
+la grippe."
+
+But to return. We started for St. Thegonnec. It was a longish drive; the
+road undulated a good deal, and the horse seemed to think that whether
+going up hill or down a funereal pace was the correct thing. It took us
+half our time to rouse our sleepy driver to a sense of his duty. At last
+we tried a severe threat. "If you are not back again by table d'hote
+time, you shall have no pourboire," we said, in solemn and determined
+tones. The effect was excellent. We had no more trouble, but the
+unfortunate horse had a great deal of whip.
+
+There was very little to notice in the country we passed through. The
+most conspicuous objects were the large stone crucifixes erected here
+and there by the roadside or where two roads met: ancient and beautiful;
+and throwing, as we have remarked, a religious tone and atmosphere over
+the country. It was wonderfully picturesque to see, as we occasionally
+did, a Brittany peasant kneeling at the foot of one of these old
+crosses, the pure white Brittany cap standing out conspicuously against
+the dark grey stone: a figure wrapped in devotion, apparently lost to
+the sense of all outward things. It all adds a charm to one's wanderings
+in Brittany.
+
+St. Thegonnec at last, announced some time before we reached it by its
+remarkable church, which is very visible in the flatness of the
+surrounding country. The small town numbers some three thousand
+inhabitants, but has almost the primitive look of a village. Many of the
+people still wear the costumes of the place, especially on a Sunday,
+when the interior of the church at high mass looks very picturesque and
+imposing.
+
+The dress of the women is peculiar, and at first sight they might almost
+be taken for nuns or sisters of mercy: a dress which leaves scope for a
+certain refinement rather contradicted by the physical appearance of the
+women themselves. Men and women, in fact, belong for the most part to
+the peasantry, and pass their simple lives labouring in the fields,
+beating out flax, cultivating their little gardens, so that such an
+official as the gravedigger becomes an important personage amongst them.
+We came across him, at his melancholy work, but could make no more of
+him than we made of the people of Roscoff. He understood no word of
+French, but spoke his own native tongue, the language of la Bretagne
+Bretonnante, as Froissart has it, in contradistinction to la Bretagne
+douce. Nothing, certainly, can be softer and more beautiful than the
+pure French language; but that of Brittany is hard and guttural, without
+beauty or refinement of any sort.
+
+The men of St. Thegonnec dress very differently from the women, but the
+costume is also very characteristic. It is entirely black, and consists
+of wide breeches, pleated and strapped at the knee; a square tunic; a
+scarf tied round the waist, with loose ends; a large hat, and shoes with
+buckles.
+
+[Illustration: OLD HOUSE ST. POL DE LEON.]
+
+To-day few inhabitants were visible. We seemed to be in possession of
+the place, together with the old gravedigger, who stopped his work and
+escorted us about, but was too stupid to understand even the most
+intelligent signs.
+
+The church is very elaborate and fanciful, cruciform and sixteenth
+century, in the Renaissance style, much decorated with sculptures in
+dark Kersanton stone. The word _Kersanton_ is Breton for St. Anthony's
+House; therefore we may suppose that the Saint had his house, and
+possibly his pig-stye, built of this same stone. For, as we know, St.
+Anthony had a weakness for pigs, and was famous for recovering one of
+his favourites from the devil, who had stolen it: recovered it not quite
+undamaged, as the animal was restored with his tail on fire: a base
+return for the Saint's politeness, who had offered his petition in
+poetical terms to which his audience could scarcely have been
+accustomed.
+
+ "Rendez-moi mon cochon, s'il-vous-plait,
+ Il faisait toute ma felicite,"
+
+chanted the Saint, and to restore the pig with his tail on fire was
+conduct worthy only of fallen spirits.
+
+But let us leave the Saint's pigs and return to our sheep.
+
+The Kersanton stone, of which so many churches in Brittany are built,
+possesses many virtues, but one great drawback. It defies the ravages of
+time, yet is admirable for carving, yielding easily to the chisel. But
+time has no influence upon it. Centuries pass, yet still it remains the
+same: ever youthful, ever hard and cold. It knows nothing of the beauty
+of age; it does not crumble or decay, or wear away into softened
+outlines; it takes no charm of tone; no lights and shadows. A dark
+grey-green it was originally, and so it remains. Thus, in point of
+effect, a church built of Kersanton stone two centuries ago might, as
+far as appearance goes, almost have been built yesterday. This is a
+great defect; and interferes very much with the charm of some of
+Brittany's best churches. It is hard, cold and severe, without
+refinement, poetry or romance.
+
+In some cases it atones somewhat by its richness and elaborateness of
+sculpture, as in the case of St. Thegonnec. The west front of this
+church is Gothic, of the fourteenth century. One of the turrets has a
+small, elegant spire, and at the S.W. angle there is a very effective
+domed tower bearing the date 1605.
+
+You enter the churchyard by a triumphal arch, in Renaissance dated 1587.
+It is large and massive, with a great amount of detail substantially
+introduced, its summit crowned by a number of crosses. On the frieze St.
+Thegonnec is represented conducting a waggon drawn by an ox: a facsimile
+of the waggon that is said to have assisted in carrying the stone to
+build the church. St. Thegonnec is the patron saint of all animals, and
+to him the peasants appeal for success and good-luck in such matters.
+
+Adjoining the triumphal arch is a Flamboyant ossuary or mortuary chapel,
+dated 1581, richly gabled, in perfect preservation, and of two storeys.
+The first consists of semicircular arches supported by small pillars
+with Corinthian capitals. A short staircase within leads to a crypt
+converted into a small chapel, in which is an entombment formed of
+life-size figures carved in wood, gilded and painted, bearing date 1702.
+The calvary in the churchyard, a remarkable monument, completes the
+history, by a multitude of small statues representing all the principal
+episodes of the Passion. Its date is 1610. Even the crosses are
+surmounted by statuettes, as if the designer had not known how to heap
+up sufficient richness of ornamentation. The carved pulpit in the
+interior of the church is also remarkable.
+
+We could only devote an hour to St. Thegonnec; Guimiliau had still to be
+seen, and we wished to be back in Morlaix by a certain time, for "the
+night cometh." Fortunately the drive was not a long one.
+
+Guimiliau is a village not half the size of St. Thegonnec, and is even
+less civilized. Into the inn, which no doubt is respectable, but was
+rough and primitive, we did not venture. The driver and the landlord
+were apparently on excellent terms, and whilst they fraternised over
+their glasses, we inspected the church.
+
+The place takes its name from Miliau, a king of the Cornouaille, who was
+treacherously murdered by his brother Rivod, who then proclaimed himself
+king about the year 531. The church and the people canonised him, and he
+has become the patron saint of many a Breton village.
+
+The church of Guimiliau dates chiefly from the sixteenth century. The
+aisles and the south porch are Renaissance, richly ornamented by
+delicate sculptures representing scenes from the Old and New Testament;
+statues of the Apostles. The triumphal arch and ossuary are very
+inferior to St. Thegonnec, but the calvary is a magnificent monument,
+unequalled in Brittany, richly sculptured and ornamented. It rests on
+five arches, and you ascend to the platform by a short staircase in the
+interior. Here are crosses bearing the Saviour, and the thieves,
+quaintly carved, but with a great deal of religious feeling. The
+Evangelists, each with his particular attribute portrayed, are placed at
+the angles: and the whole history of the Life of Christ is represented
+by a countless number of small figures or personages dressed in costumes
+of the sixteenth century. The effect is occasionally grotesque, but very
+wonderful. A procession armed with drums and other instruments precedes
+the _Bearing of the Cross_; and another scene which does not belong to
+the Divine Life, but was introduced as an accessory, represents Catel
+Gollet (the lost Catherine) precipitated by devils in the form of
+grotesques into the jaws of a fiery dragon emblematical of Purgatory.
+
+Catel Gollet was one who concealed a sin in confession, was condemned to
+suffer, and returning miraculously in 1560 announced her condemnation to
+her companions in these terms:
+
+ Voici ma main, cause de mon malheur,
+ Et voici ma langue detestable!
+ Ma main qui a fait le peche,
+ Et ma langue qui l'a nie.
+
+The bas-relief represents the Adoration of the Magi, and bears date
+1588, whilst the upper part bears that of 1581.
+
+The interior of the church possesses some wonderful and almost matchless
+carved wood, which surprised and delighted us. There were sixteenth
+century statues, full of expression, of St. Herve and St. Miliau; an
+elaborate and beautiful pulpit, a font with a canopy supported by
+twisted columns, magnificently carved and thirty feet high, dated 1675;
+a matchless organ case, with three bas-reliefs, representing David, St.
+Cecilia and a Triumphal March, the latter reproduced from one of
+Alexander's battles by Lebrun.
+
+In short, Guimiliau was a treasury of sculptured wood, which alone would
+have made it remarkable amongst churches. It was almost impossible to
+leave its fascination, and I fear that we more than envied the church
+its possession. It also came with a surprise, for we had heard nothing
+of this treasure of refined carving, and had anticipated nothing more
+than the wonderful calvary. It still lives in our imagination, almost as
+a dream; a dream of beauty and genius.
+
+We lingered as long as we dared, but knew that we should not travel back
+at express speed, and that our coachman, after his indulgence in Breton
+beer or spirit, would probably be more sleepy than ever.
+
+The sun was declining as we left Guimiliau, the church and its monuments
+forming a very singular composition against the background of the sky as
+we turned and gave it a farewell look. One scarcely analysed the reason,
+but there was almost an effect of heathendom about it, as if it dated
+from some remote age, when visible objects were worshipped, and the sun
+and the moon and dragons and grotesques took a prominent place in
+religion.
+
+The sun was declining and twilight was beginning to creep over the land.
+It threw out in greater relief the wayside crosses that we passed on the
+road, solemnising the scene, and insensibly leading the mind to
+contemplation; all the beauty, all the mystery of our faith, the lights
+and shadows of our earthly pilgrimage, so typified by the days and
+nights of creation; and the "one far-off divine event" which concerns us
+all.
+
+When we entered Morlaix the sun had set; table d'hote was not over, and
+we knew that Catherine had our places and our welfare in her special
+keeping; and the driver having done his best on the road, and having
+fallen asleep not more than five times on his box, we forgot our
+threat, and dismissed him with a _pourboire_, for which he returned us a
+Breton benediction.
+
+[Illustration: BRITTANY PEASANTS.]
+
+Once again the next day was kindly, the sun shone, the sky was
+unclouded. These are rare days in Brittany, which, surrounded on three
+sides by water, lives in an atmosphere that is always damp and too often
+gloomy and depressing.
+
+Mindful of our host's wise counsel to profit by the fine weather, we
+started for St. Jean-du-Doigt.
+
+This time our drive lay in a different direction. Yesterday it had been
+inland, to-day it was towards the sea-coast. The country for some time
+was sad and barren-looking, but as we approached St. Jean and the coast
+it became more interesting and fertile.
+
+Lanmeur, a small town not far from St. Jean, lies in a rather sad and
+solitary plain, and is said to occupy the site of a city of great
+antiquity. Here runs the river Douron, a small stream that, considerably
+higher up, separates the Department of Finistere from Les Cotes du Nord.
+The ancient city was named _Kerfeunteun_, and possessed a wonderful
+church which was destroyed by the Normans in the eleventh century, but
+of which the crypt still remains. In the centre of this crypt springs a
+fountain or well, dedicated to St. Melar, a Breton prince put to death
+in the year 538, by that same Rivod who murdered his brother Miliau, and
+then had himself proclaimed king. The crypt also contains a statue of
+St. Melar of the fourteenth century, representing him minus a hand and
+foot, which Rivod had had cut off before putting him to death, in order
+that he should not be able to mount a horse or use a sword. Of the
+church built in the eleventh century only a few arches in the nave and
+the south porch remain. The rest of the existing building is modern.
+
+The coast beyond Lanmeur is extremely broken, rugged and rocky, full of
+small bays and sharp points of land jutting out into the sea. The whole
+neighbourhood is interesting. Especially remarkable is the Pointe de Beg
+an Fri, the fine and rugged rocks of Primel and of Plougasnou; whilst on
+the land the pointed roofs of many an old manor rise above the trees.
+
+St. Jean-du-Doigt is four miles from all this. It is a very pretty and
+fertile village watered by the Dounant, which passes through it on its
+way to the Bay of St. Jean, where it loses itself in the sea.
+
+The village lies between two high and barren hills, which shelter it
+from the cold winds, and make the valley laughing and fertile. Here you
+find well-grown elm trees, and hedges full of the whitethorn,
+honeysuckle and wild vines; hedges surrounding rich and productive
+orchards, amongst which, here and there, you will see rising the
+thatched roof of the small cottages inhabited by the Breton peasantry.
+
+As at Roscoff, so the moment we reached St. Jean-du-Doigt, we felt its
+fascination. Its situation between the hills is extremely picturesque.
+Approaching, its rich gateway, leading to the churchyard, stands before
+you with fine effect; and beyond it rises the church.
+
+The gateway is Flamboyant gothic, of great beauty and refinement. The
+church is fifteenth century gothic. Its wooden roof is beautifully
+carved and painted. The interior has no transept, but is composed of
+three naves under one roof. The west aisle has been shortened to make
+room for the tower; and in the north nave is a closed-up pointed
+doorway, which must have belonged to the earlier chapel dedicated to St.
+Meriadec. The apsis is terminated by a straight wall. The three naves
+are separated below the choir by prismatic pillars supporting light and
+bold arches.
+
+The tower is pierced on the four sides by two long, narrow lancet
+windows, ending in a platform bearing a Flamboyant balustrade, above
+which rise four bell-turrets in lead, supporting a tall leaden spire.
+
+The churchyard contains two remarkable objects: a mortuary chapel of the
+date 1577, open on three sides, with a stone altar at the end. The other
+is an exquisite Renaissance fountain of lead, with admirable figures,
+the goal of many a pilgrimage. It is a rare work of art, composed of
+three trenchers or shallow basins united by a slender column, of which
+the base enters a large reservoir in the form of a basin resting on a
+pedestal, the water issuing from lions' mouths. The overflow from the
+upper basins is discharged into the larger basins below by means of a
+cordon or garland, consisting of angels' heads, full of grace and
+beauty. The summit of the fountain is crowned by an image of the FATHER
+ETERNAL, leaning forward to watch the Baptism of the SON by John the
+Baptist. These figures are all in lead, as also are the innumerable
+heads of the angels pouring out water from the three upper stages. The
+exquisite composition is said to have been the work of an Italian
+artist, and was given by Anne of Brittany.
+
+The whole village scene is picturesque and striking. You feel at home at
+once; it is marked by a certain refinement, a delicious quietness and
+repose in which there is something singularly soothing. Lying in a
+hollow, it seems to have carefully withdrawn from the outer world. It is
+warm and sunny, and marked and beautified by a wealth of flowers.
+Surrounding the churchyard are some of the small houses of this mediaeval
+village.
+
+The inn opposite the gothic gateway looks the very picture of
+cleanliness and quiet comfort. Through an open window you see a table
+spread with a snow-white cloth, a capital ensign for an inn, promising
+much that is loyal. The whole of the exterior is a wealth of blossom,
+roses and wisteria covering the white walls, framing the casements,
+overflowing to the roof.
+
+[Illustration: ST. THEGONNEC.]
+
+On the churchyard walls sat some of the village girls knitting; and as
+we took them with our instantaneous cameras, some rushed shyly across
+the road and disappeared in the small houses; whilst others, made of
+bolder material, placed themselves in becoming attitudes, and looked the
+very image of conscious vanity. The men came and talked to us
+freely--an exception amongst Breton folk; but it was often difficult to
+understand their mixture of languages. They were rather less rough and
+sturdy-looking than the ordinary type of Breton, and had somewhat the
+look of having descended from the mediaeval days of their village,
+becoming pale and long drawn out in the process. Probably the sheltered
+position of the village has much to do with it.
+
+[Illustration: ST. JEAN-DU-DOIGT.]
+
+St. Jean-du-Doigt takes its name from the fact of the church possessing
+the index finger of the right hand of St. John the Baptist, carefully
+preserved in a sheath of gold, silver and enamel, a work of art executed
+in 1429. The church considers it its greatest possession, and it has
+been the object of many a pilgrimage. The treasures of St. Jean-du-Doigt
+are unusually rich and beautiful.
+
+The chief village fete of the year, that in Holland and Belgium would be
+called Kermesse, in some parts of France Ducasse, is in Brittany called
+_Pardon_. These are the occasions when the little country is seen at its
+best, and when all the costume that has come down to the present day
+exhibits itself. The Bretons take their pleasures somewhat sadly it is
+true, but even owls sometimes become excited and frivolous, and the
+Breton, if ever gay and lively, is so at his Pardon.
+
+The Pardon of St. Jean-du-Doigt is, however, not all merriment. It is in
+some ways one of their saddest days, and it is certainly not all
+picturesqueness.
+
+On the 23rd June, the day of the Pardon, many of the beggars of
+Brittany, the extreme poor afflicted with lameness and all sorts of
+unsightly diseases, make a pilgrimage to the church. A religious service
+is held, during which they press forward and crowd upon each other that
+the priest may touch their eyes with the finger of St. John, which is
+supposed to possess miraculous powers of healing.
+
+Before this, they have all crowded round the fountain in the cemetery,
+to bathe their eyes and faces in the water, which also has miraculous
+charms. Then a procession is formed, and begins slowly winding its way
+to the top of one of the hills: a long procession, consisting of
+inhabitants, beggars, afflicted, and priests of the church carrying
+banners, crosses and other signs and symbols. The scene is best seen
+from the platform of the tower, where you may escape contact with the
+crowd and enjoy the lovely surrounding view, listen to the surging
+multitude on one side, and--rather in imagination--the surging of the
+sea in the Bay of St. Jean on the other.
+
+The object of this procession is a stake or bonfire that has been placed
+on the summit of one of the hills. This is in communication with the
+steeple of the church by means of a long wire--and the distance is
+considerable. At a given signal a firework is launched from the steeple,
+runs along the wire, and sets light to the stake. As soon as the flames
+burst forth there is a general discharge of musketry, drums in the
+fields beat loudly, the smoke of incense, mingling with the smoke of
+gunpowder, ascends heavenwards, and the priests sing what is called the
+"Hymn of the Holy Finger."
+
+_Les Miraclou_--as those are called who have been miraculously cured the
+previous year by bathing in the water of the fountain, or touching the
+finger of St. John--of course play an important part in the procession.
+
+To-day it was our fate to see a very different but hardly less effective
+ceremony. As we were sitting quietly near the beautiful gateway, the
+hills in front of us, contemplating the sylvan scene and waiting for
+our driver, suddenly a small procession appeared coming down the road
+that wound round the hill out into the world. It was a funeral, and
+nothing could have been more striking than this concourse of priests and
+crosses and mourners, some carrying their sad burden, thrown out in
+conspicuous relief by the green hills and valleys around.
+
+Mournfully and sadly the little group approached. First the priests,
+then the sad burden, then the women, the chief mourners wearing long
+cloaks, with hoods thrown over their heads, which made them look like
+nuns, and followed by quite a large company of men walking bareheaded.
+
+Absolute and solemn silence reigned everywhere, broken only by the
+measured tread of the men carrying the coffin, which grew more and more
+audible as they approached; that measured tread that is one of the
+saddest of sounds. At the gate of the cemetery they paused a moment,
+then slowly defiled up the churchyard, and disappeared into the church;
+the chief mourner, who was the widow of the dead man, weeping silently
+but bitterly.
+
+We were ready to leave, and when the last mourner had disappeared within
+the church, followed by some of the village people, we turned to our
+driver and gave him the signal for departure. We left St. Pol very
+reluctantly. There was an indescribable charm about it, as there is
+about certain places and certain people. St. Thegonnec, Guimiliau--as
+far as the villages were concerned, we were glad to turn our backs upon
+them; nothing attracted us; we had nothing in common with them; the
+charm was wanting. But at St. Jean-du-Doigt it was the very opposite; we
+longed to take up a short abode there, and felt that the days would be
+well spent and full of happiness. But time forbade the indulgence, as
+time generally forbids all such luxuries to the workers in the world.
+Only those whose occupation in life is the pursuit of pleasure can, like
+Dr. Syntax, go off in search of the picturesque, and wander about at
+their own sweet desire like a will-o'-the-wisp. Such luxuries were not
+ours; and so it came to pass that, very soon after we had seen the sad
+procession winding down the hill, we were winding up it; looking back
+with "long lingering gaze" at the lovely spot which was fast
+disappearing from view.
+
+"I knew you would be charmed with St. Jean-du-Doigt," said Madame
+Hellard; "everyone is so. _Le paysage est si riant_. A pity you could
+not be there for the _Pardon_."
+
+We hardly agreed with her.
+
+"I assure you," she continued, "seen from the tower, where you are
+removed from the crowd and the beggars and the sick folk, it is most
+interesting and picturesque. Am I not right, cher ami?" turning to her
+husband.
+
+"You are always right," replied Monsieur gallantly.
+
+"Oh, that is prejudice," laughed Madame. "But le Pardon of St
+Jean-du-Doigt, with its procession winding up the hill, its bonfire, its
+religious observances, is quite exceptionally interesting. I am sure
+when I saw the _dragon_ go off from the tower and set fire to the
+_bucher_, and heard the charge of musketry and roll of drums, I could
+have thrown myself off the platform with emotion."
+
+"A mercy for me you did not," replied our host, who was evidently in a
+very amiable mood that morning. The fair was over and many had left the
+hotel, and he had more time for repose.
+
+"I hope monsieur has come back with an appetite," said Catherine,
+referring to H.C., when we had taken our seats at the table d'hote. We
+were early, and the first in the room. "It is of no use running about
+the country and exhausting our fresh air if one is to remain as thin as
+a leg of a stork and as pale as Pierrot."
+
+[Illustration: MAKING PANCAKES AT THE REGATTA.]
+
+"Where is our vis-a-vis?" we asked, pointing to the empty chair opposite
+and the very conspicuous vacuum it presented.
+
+"He is gone, thank goodness--with last year's swallows," cried
+Catherine. "But, alas, he will come back again--like the swallows. Some
+people bear a charmed life."
+
+"You will find him improved, perhaps."
+
+"_Enlarged_," retorted Catherine, "and with a more capacious
+appetite--if that be possible; that will be the only change. They say
+there are limits to all things--I shall never believe it now."
+
+And then the few who were now in the hotel came in, and dinner began;
+and Catherine's presence filled the room, cap streamers seemed floating
+about in all directions; and her voice was every now and then heard
+proclaiming LA SUITE.
+
+And later on, in the darkness, we went out according to our custom, and
+revelled in the old-world streets, the latticed windows, still lighted
+up, waiting for the curfew--real or figurative, public or domestic. For
+we all have our curfews, only they are not proclaimed from some ancient
+tower; and, alas, they are, like Easter, a movable institution; whereby
+it comes to pass that we too often waste the midnight oil and burn the
+candle at both ends, and before our time fall into the "sere and yellow
+leaf."
+
+
+
+
+ACROSS THE RIVER.
+
+
+ Here we sat beside the river
+ Long ago, my Love and I,
+ Where the willows droop and quiver
+ 'Twixt the water and the sky.
+ We were wrapped in fragrant shadow,
+ 'Twas the quiet vesper time,
+ And the bells across the meadows
+ Mingled with the ripple's chime.
+ With no thought of ill betiding,
+ "Thus," we said, "life's years shall be
+ For us twain a river gliding
+ To a calm, eternal sea."
+
+ I am sitting by the river
+ Where we used to sit of old,
+ And the willows droop and quiver
+ 'Gainst a sky of burning gold;
+ But my Love long since went onward,
+ Down the river's shining tide,
+ To the land that is far sunward,
+ With the angels to abide;
+ And in pastures fair and vernal,
+ In the coming by-and-bye,
+ Far across the sea eternal
+ We shall meet--my Love and I.
+
+HELEN M. BURNSIDE.
+
+
+
+
+AN APRIL FOLLY.
+
+BY GILBERT H. PAGE.
+
+
+April 1, 1890. 58A, Lincoln's Inn Fields.--I execrate my fellow men--and
+women! To-day I was over at Catherine's. Not an unusual occurrence with
+me, but on a more than usually important mission. I needn't note down
+how I achieved it. Am I likely to forget my impotent speeches? Still,
+she had given me plenty of excuse for supposing she liked me, and I said
+so. And then Catherine laughed her exasperating little laugh that always
+dries up all sentiment on the spot, and makes my blood boil with anger.
+"I _like_ you?" she repeated mockingly; "not at all! not in the least!
+What can you be dreaming of?"
+
+I did for a moment dream of rolling her elaborately curled head in the
+dust of the drawing-room carpet; but I restricted myself to saying a few
+true and exceedingly bitter things, and departed without giving her time
+to reply; and herewith I register a vow on the tablets of my heart: "If
+ever again I make a single friendly overture to that young woman, may I
+cut off the hand that so betrays me!"
+
+By-the-bye, it is April Fools' Day, an appropriate date by which to
+remember my folly.
+
+April 2.--My feelings are still exceedingly sore. Oh for a cottage in
+some wilderness--some vast contiguity of shade--whither I might retire,
+like a stricken hart from the herd, and sulk majestically! The very
+thing! There rises before me an opportune vision of a certain lonely
+farm-house I wot of down by a lonely sea. I discovered it last summer
+while staying at Shoreford. I had ridden westward across the marsh lands
+of Windle, over the cliffs that form the coastline between this and
+Rexingham; and being thirsty, had followed some cows through a
+rick-yard, in the hopes of obtaining a glass of milk.
+
+There, behind the hayricks, I had come upon my first view of Down End
+Farm; and the picture of its grey stone, lichened walls, red roof, cosy
+kitchen and comely mistress, had remained painted on my brain. So, too,
+I retained a scrap of my conversation with Mrs. Anderson, and her casual
+mention of the London family then occupying her best rooms. "We don't
+have many folk at Down End, it being so out of the way, sir; but the
+gentleman here now says he do like it, just on account of the solitude
+and quiet."
+
+There was no particular reason at the time why these words should have
+so impressed me. Solitude was the last thing I desired then, having gone
+down to Shoreford for my holiday, merely because Catherine was spending
+the summer there too. But now that everything is over between us, the
+solitary farm comes as balm to my wounded spirit. Let me see; to-day is
+Tuesday the 2nd. Good Friday is the day after to-morrow; I could get
+away to-morrow evening. All right! I'll go out and telegraph to Mrs.
+Anderson, and pay for her reply.
+
+April 4. Down End Farm.--I reached this last night. At seven o'clock I
+found myself driving up from Rexingham station, with the crimson flaming
+brands of the sunset behind me, and the soft mysterious twilight closing
+in on all sides. It was almost dark when we got to the top of Beacon
+Point Hill, and quite dark for a time as we began to descend the other
+side, for the road here is cut down between steep red gravel banks,
+crowned with sombre fir trees. When these were passed and we reached the
+remembered stack-yard gate, there was clear heaven again above my head,
+its exquisite ever-darkening blue already gemmed with the more brilliant
+stars. The Plough faintly outlined above, and beautiful spica hanging
+low over Windle Flats. A cheerful glow-worm of red earth-light gleamed
+from the farm-house windows as we drove round to the inner gate, while
+at the sound of the wheels the kitchen door opened, and my hostess came
+down the flagged pathway between the sleepy flowers to bid me welcome.
+
+How delightful the first evening in country quarters always is. How
+comfortable the wood fire that flamed and sputtered on the parlour
+hearth, how inviting the meal of tea, new-laid eggs, homemade breads and
+jams, honey and hot scones spread out upon a spotless cloth around a
+centre piece of daffodils and early garden flowers. For a rejected
+suitor I felt singularly cheerful; for a blighted being I made a most
+excellent meal; and for the desperate misogynist I had determined on
+becoming I surely felt too much placid satisfaction at Mrs. Anderson's
+homely talk.
+
+But it was really pleasant to lie back in the capacious leathern chair,
+while this good woman cleared away the tea-things, and lazily eyeing the
+fire, listen to the history of herself and her family, of her husband,
+her children, her landlord, of her courtship, her marriage, her
+troubles, of the death of her mother in the room overhead the year
+before last, and of the wedding of her eldest boy Robert which is to
+take place this summer as soon as the corn is carried.
+
+Such openness of disposition, so often found among people of Mrs.
+Anderson's class, is very refreshing, and it is convenient too. You know
+at once where you stand. I wish it were the custom in society. I should
+then have learned from Catherine's own lips how many fellows she had
+already sent to the right-about, and I should have given her no
+opportunity of adding to their number.
+
+I came down very late to breakfast this morning--my first breakfast in
+the country is always luxuriously late--and I found a tall and pretty
+young girl busy building up the fire in my sitting-room. I guessed at
+once she was the "Annie" of whom I heard a long and pleasing account
+last night. Annie is the image of what her mother must have been twenty
+years ago. She has the same agreeable blue eyes, the same soft straw
+coloured hair. But while Mrs. Anderson wears hers in bands at each side
+of the head, Annie's is drawn straight back to display the smoothest of
+white foreheads, the freshest of freckled little faces in the world. She
+is about seventeen, and a sweet girl, I feel sure. Could no more play
+with a man's feelings than she could torture one of the creatures
+committed to her care. She has charge of the poultry, she tells me, and
+is allowed half the profits. Mem.--I shall eat a great many eggs.
+
+April 5.--I have done an excellent thing in exchanging the hollow shams
+of society for the healing powers of nature. I shall live to forget
+Catherine and to be happy yet. And there was after all something
+artificial about that girl. Pretty, certainly, but with the beauty of
+the stage; now little Annie here is pretty with the beauty of the sky
+and meadows.
+
+I am delighted with this place. There is nothing like the country in
+early spring. Suppose I were never to go back to town again, but stay
+with the Andersons, see them through the lambing season, lend a hand at
+tossing the hay, swing a scythe at corn cutting (and probably cut off my
+own legs into the bargain), drink a health at son Robert's wedding, and
+then during the winter--yes, during the long dark winter evenings when
+the wind raves round the old house and whistles down the chimneys, when
+the boom of the sea echoes all along the coast as it breaks against the
+cliffs--then to sit in the cosy sitting-room, with the curtains drawn
+along the low windows, a famous fire flashing and glaring upon the
+hearth, one's limbs pleasantly weary with the day's labour, one's cheeks
+tingling from exposure to the keen air; would not this be an agreeable
+exchange for the feverish anxieties and stagnant pleasures of London
+life?
+
+After a time, a considerable time no doubt, it would possibly occur to
+Catherine to wonder what had become of me.
+
+April 6.--Easter Sunday. I am writing in my sitting-room window. I raise
+my eyes and see first the broad window-sill, whereon stand pots of musk
+and geranium, not yet in flower; then through the clear latticed panes,
+the bee-haunted garden, descending by tiny grassy terraces to the
+kitchen-garden with its rows of peas and beans, its beds of lettuce and
+potatoe, its neat patches of parsley and thyme; then a field beyond. I
+note the double meandering hedge-line that indicates the high road, and
+beyond again the ground rises in sun-bathed pastures and ploughed land
+to the gorse-covered cliff edge with its background of pure sky; a
+little to the right, yet still in full view from my window, is an abrupt
+dip in the cliff, which shows a great wedge of glittering sea. It is
+here that my eyes always ultimately rest, until they ache with the
+dazzle and the beauty, and then by a natural transition I think
+of--Catherine.
+
+At this moment she is probably dressing to go to church, and is
+absorbed in the contemplation of a new hat. I should think she had as
+many hats on her head as hairs--no, I don't mean that; it suggests
+visions of "ole clo'es"--I mean she must have almost as many hats as
+hairs on her head.
+
+How inexpressibly mean and petty this devotion to rags and tags and
+gewgaws seems when one stands in the face of the Immensities and the
+Eternities! Yet it would appear as though the feminine mind were really
+incapable of impression by such Carlylean sublimities, for I saw Annie
+start for church awhile since in a most terrible combination of maroon
+and magenta. Her best clothes evidently, cachemire and silk, with two
+flowers and a feather in her hat, her charming baby prettiness as much
+crushed and eclipsed as bad taste and a country town dressmaker could
+accomplish. What I like to see Annie in is the simple stuff gown she
+wears of a morning, with the big bib apron of white linen, and the
+spotless white collar caressing her creamy throat. I would lock her best
+clothes up in that delightful carved oak chest that stands upstairs on
+the landing and throw the key into the sea; and little Annie would let
+me do it; she is evidently the most docile of child-women. Catherine,
+now, had I ever ventured on adverse criticism of her garments, would
+have thrown me into the sea instead.
+
+April 7.--Bank holiday, and wet, of course. The weather is never
+propitious on the feast of St. Lubbock. The old Saints apparently owe a
+grudge to this latest addition to the calendar. How beastly it must be
+in town, with the slushy streets and the beshuttered shops! How
+depressing for Paterfamilias who arose at seven in the morning to set
+off with his wife and his brats and the family food-basket to catch some
+early excursion train! How much more depressing for him who has no train
+to catch, and nothing at all to do but worry through twelve mortal
+pleasure hours!
+
+St. Lubbock's malevolent influence doesn't fortunately extend down here,
+where everything seems to work in time-worn ruts. I walked over the
+fields opposite. There were a great many new-dropped lambs in the second
+meadow. They didn't appear to mind the drizzle, but kneeling with their
+little front legs doubled under them, they sucked vigorously at their
+mothers, while their long tails danced and quivered in the air.
+
+There was one lamb lying quietly on its side. The ewe stood by, staring
+down at it with a sort of quiescent curiosity from her brown, stupid,
+white-lashed eyes. When I went over to her I saw the lamb was dying; its
+lips moved incessantly, its little body kept rising and falling with its
+laboured breath, now and then it made a violent effort to get up, but
+always fell back in the same position. I passed back through the same
+field about an hour after. There was the lamb still dying, still
+breathing painfully, still moving its lips as before, but the mother,
+tired of the spectacle, had walked off, and was calmly munching
+mangel-wurzel in another part of the field.
+
+I sentimentalised and moralised--naturally; and naturally, too, I
+thought of Catherine. Strange there should be that vein of hardness
+running through the entire female sex.
+
+As the rain still continued this afternoon, I proposed to Mrs. Anderson
+she should show me the house. The excellent creature, busy with the
+dairy, offered me Annie as her substitute. We went from cellar to
+garret, and the child's companionship and her ingenuous prattle
+successfully beguiled a couple of hours. The house in reality consists
+of two houses placed at right angles to each other. The older part,
+built between two and three hundred years ago, is inhabited by the
+Andersons themselves. It consists of a long, low kitchen, with an
+enormous hearth-place, an oaken settle, smoke-browned rafters, and a
+bricked floor.
+
+In the centre of the room is a massive but worm-eaten table, capable of
+seating twenty persons at least. It was built up in the kitchen itself
+some two hundred years ago, since no earthly ingenuity could have coaxed
+it through the low windows or narrow door.
+
+Two of these, latticed like those of my sitting room, with the door
+between them, face west; but long before the sun is down the wooded
+eminence opposite has intercepted all his beams. Outside is also a
+garden, full of forget-me-not, daffodil, and other humble flowers. Here
+Scot, the watch-dog, lies dreaming in his kennel, and beyond the gate
+the cocks and hens lay dolefully in the rain, or bunch themselves up,
+lumps of dirty feather, under the shelter of the wood shed.
+
+Upstairs are three sleeping rooms, and the attics, with curious dormer
+windows, still higher. We come down again to the first floor. A long
+matted passage runs from one end of the house to the other. It sinks
+half a step where the newer portion is joined on. This part, containing
+in all four rooms, two here and two below, was built in July, 1793, as a
+rudely scratched tablet on the wall outside informs me.
+
+I sit with Annie on the carved chest at the southern end of the passage.
+The window behind us gives an extensive view of grey rain and grey sea.
+But I prefer to look at the smiling, freckled face that speaks so
+eloquently of sunny days. The wet, trailing fingers of the briar-rose
+climbing over the porch tap at the casement, the loose branch of the
+plane-tree creaks in the wind, the distant sea moans and murmurs; but I
+prefer to listen to my little friend's artless and occasionally "h-less"
+English, as she tells me how the Andersons have always been tenants of
+Down End since her great-grandfather came to the county and added on the
+living-house to the farm-house for his young wife.
+
+"July, 1793." The date takes my fancy. I can see the Anderson of those
+days, large-boned, sinewy, stooping, with a red, fiery beard, like his
+present representative, stolid, laborious, contented, building his house
+here facing the coasts of France, nearly as ignorant of, and quite as
+indifferent to, the wild work going on over there in Paris town as
+little Annie herself can be. King, Dictator, Emperor, King, Emperor,
+Commune, have come and gone, but the sturdy race of farmers sprung from
+great-grandfather Anderson still carry on the same way of life in the
+same identical spot.
+
+"But I'm not amusing you," says Annie, regretfully. "If only it would
+leave off raining we might go out and have a ride on the tin-tan." It
+takes me some little time, and a closely-knit series of questions, to
+discover that tin-tan is Southshire for see-saw; and I think how
+Catherine would laugh at the spectacle of my bobbing up and down on one
+end of a plank and this little country damsel at the other. Her
+detestable laughter; but, thank Heaven! I need never suffer from it
+again.
+
+April 8.--Gloomy again to-day. Ink-coloured rain clouds hanging close
+over the hills, their fringe-like lower edges showing ragged across a
+pale sky, against which the hills themselves rise dark and sharp. Now
+and again a shower of rain falls, but not energetically; the wind blows,
+the clouds shift, the rain ceases, and the sky darkens or gleams with a
+watery brightness alternately. Looking over the wide landscape and
+leaden sea, here and there a patch of sunshine falls, while I myself
+walk in gloom; now the sails of a ship catch the radiance, now a
+farmstead, now a strip of sand over by Windle Flats.
+
+I feel slightly bored. Annie went into Rexingham this morning with
+Robert and the early milk cart. She is to spend the day with an aunt,
+and return with the empty cart this evening. Twice a day the Andersons
+send in their milk to Rexingham, and winter and summer son Robert must
+rise at 3 a.m. to see to the milking, harness Dolly or Dobbin, and jog
+off his seven miles. Seven miles there, and seven miles back, morning
+and evening; that is twenty-eight miles in all, and ever the self-same
+bit of road in every weather. So that a farmer's life has its seamy side
+also. But then, to get back of a night! To find a good little wife like
+Annie waiting for you at the upper gate or by the house door. To eat
+your supper and smoke your pipe, with your feet on the mantel-piece if
+you pleased, and no possibility of being ordered into dress clothes to
+go to some vile theatre or idiotic dance--above all, to know that
+Catherine knew you were perfectly happy without her--by the bye, I
+wonder she has not written to me! Not that I want her to, of course.
+This would entail a few frozen conventional lines back by way of answer.
+But I am surprised she can endure thus easily the neglect of even the
+most insignificant of her subjects. I felt sure she would write to ask
+why I did not call on Sunday. She trusts, no doubt, to the greatness of
+my folly to bring me again, unasked, to her feet. Her confidence is for
+once misplaced.
+
+April 9.--A great improvement in the weather. I was awakened by the sun
+pouring in at my window, and looked out on to a light, bright blue sky,
+full of white cumuli that cast down purple shadows upon a grey-green
+sea. I draped myself in the white dimity window curtain, and watched
+Annie making her way up between the lettuce rows, with her hands full of
+primroses. She came from the orchard, where the green tussucked grass at
+the foot of the apple trees is starred with these lovely little flowers.
+
+I must have a talk with Annie in the orchard one day. It would be just
+the background to show off her particular style of beauty. I like to
+suit my scenery to the drama in hand. Catherine would be quite out of
+place in an orchard, where she might stain her gown, or a harmless
+beetle or spider terrify her into fits.
+
+There appears to be only one post a day here; but Mrs. Anderson tells me
+that by walking up to Orton village I might find letters awaiting
+to-morrow's morning delivery. I was ass enough to go over this
+afternoon, and of course found nothing.
+
+As I passed the barn on my way in, my ear was saluted by much laughter
+and shouting. I came upon Annie giving her little brothers a swing. Both
+great doors of the barn were turned back upon the outside wall and the
+swing hanging by long ropes to the rafters, and holding two chubby
+urchins together on the seat, swung out now into the sunshine, now back
+into the gloom, while Annie stood and pushed merrily. Three tiny calves,
+penned off in a loose box at one end of the building, stared over the
+low partition with soft, astonished eyes. It was a charming little
+picture.
+
+"There, Tim! I can only give you six more!" cries Annie. "I've got to go
+and make the puddings" (she said "puddens," but what matter?). Before
+she goes she pulls a handful of grass from the threshold and offers it
+to the calves. While they tug it this way and that to get it from her
+hand, she endeavours to plant a kiss on the moist black muzzle of the
+smallest, but he promptly and ungallantly backs and the grass falls to
+the ground. At the same moment the children discover me, and an awed
+silence succeeds to their chatter. Not to embarrass them, I move off and
+fall a-musing as to whether Catherine could make a pudding to save her
+life? It is pretty certain it would cost a man his to have to eat it;
+does not even her violin playing, to which she has given indubitable
+time and attention, set one's teeth on edge to listen to?
+
+Yet why this bitterness? Let me erase Catherine and her deficiencies
+from my mind for ever.
+
+April 10.--Again no letter! Very well! I know what I will do. I am
+almost certain I will do it. But first I will go down to the beach and
+give it a couple of hours' sober reflection. No one shall say I acted
+hastily, ill-advisedly, or in pique.
+
+I cross over to the cliff edge. Here the gorse is aflame with blossom;
+the short dry grass is full of tiny insect life. Various larks are
+singing; each one seems to sing the same song differently; perhaps each
+never sings the same arrangement twice!
+
+I go down the precipitous coastguards' stairs. At every step it grows
+hotter. Down on the beach it is very hot, but there is shade to be
+found among the boulders at the cliff's base. I sit down and stare along
+the vacant shore; at the ships floating on the sea; at the clouds
+floating in the sky; there is no sound but the little grey-green waves
+as they break and slosh upon the stones.
+
+I think of Catherine and Annie, and I remark that the breakwaters are
+formed of hop-poles, twined together and clasped with red-rusted iron
+girdles; the wood has been washed by the tides white and clean as bones.
+I wonder whether I shall ask Annie to be my wife, and I wonder also
+whence came those--literally--millions of wine bottle corks that strew
+the beach to my right. From a wreck? from old fishing nets? or merely
+from the natural consumption of beer at the building of the breakwater?
+
+Coming back to Down End, I find a travelling threshing machine at work
+in the rick-yard. I had heard the monotonous thrumming of its wheels a
+good way off. The scene is one of great animation, the machine is drawn
+up against the conical-shaped haystack, its black smoke stretches out in
+serpentine coils against the sky. A dozen men are busy about her: those
+who work her, old Anderson, son Robert--a dreadful lout he is too, quite
+unlike his sister--various other louts of the same calibre, the two
+little boys, very much in everyone's way, and Mrs. Anderson and Annie,
+who have just brought out jugs of ale. I naturally stop to say a few
+words to Annie and watch the threshing. Anderson is grinding out some of
+last year's oats for the cattle.
+
+Son Robert comes to take a pull out of Annie's jug. "That's prime,
+measter, ain't it?" he says to me, and wipes his mouth with the back of
+his hand. I go in thoughtfully. Is son Robert exactly the sort of man I
+should care to call brother-in-law?
+
+April 11, 12.--These two days I have been casting up the pros and cons
+of a marriage with Annie. Shall it be--or not be? I suffer from a
+Hamlet-like perplexity. On the one hand I get a good, an amiable, an
+adoring little wife, who would forestall my slightest wish, who would
+warm my slippers for me, for whom I should be the Alpha and Omega of
+existence. She would never argue with me, never contradict me, never
+dream of laughing _at_ me; would never laugh at all unless I allowed
+her, for she would give into my keeping, as a good wife should, the key
+of her smiles and of her tears. But of course I should wish her to
+laugh. I should wish the dear little creature to remain as merry and
+thoughtless as possible. Dear Annie! what surprise and delight will
+shine in your innocent blue eyes when I tell you my story! Your
+childlike gratitude will be almost embarrassing. Last, and perhaps most
+weighty pro of all--when Catherine hears of it she will be filled with
+regret; yes, she may act indifference as gaily as she pleases, I am
+convinced that in her heart of hearts she will be sorry.
+
+Now for the cons; they, too, are many. As I said before, I should not
+like son Robert to call me brother. I should find honest old Anderson
+pere rather a trial with his red beard, his broken nails, the yawning
+chasm between his upper teeth; even Mrs. Anderson, so comely and
+pleasant here in her own farm-house, would suffer by being transplanted
+to Lincoln's Inn. So might little Annie herself. A lapsed "h" in a
+country hay-field has much less significance than when lost at a London
+dinner-table. How is it, I wonder, that while the dear child generally
+speaks of 'ay and 'ouse, she invariably besmirches with the strongest of
+aspirates the unfortunate village of H'Orton? Still, it would be easy to
+correct this, delightful to educate her during our quiet evenings, to
+read with her all my favourite prose writers and poets! And, even
+supposing she couldn't learn, is classical English in the wife an
+infallible source of married happiness? Let me penetrate below externals
+and examine into the realities of things.
+
+I spend most of Friday and Saturday in this examination without making
+any sensible progress until supper on Saturday night, when I casually
+mention to Annie, who is laying the table, that I am bound to leave Down
+End on the following Monday, as term begins on the 15th.
+
+"Must you really go? Well, we shall miss you, surely," says Annie. And I
+am not mistaken; there is a wistfulness in her blue eyes, a poignant
+regret in her voice that goes to my heart.
+
+No, Annie! that decides me; I have suffered too much from blighted
+affection ever to inflict the same pangs on another. I am too well read
+myself in Love's sad, glad book to mistake the signs written in your
+innocent face. Without vanity I can see how different I must appear in
+your eyes to all the farm hands and country bumpkins you have hitherto
+met; without fatuity I can understand how unconsciously almost to
+yourself you have given me your young affections. Well, to-morrow you
+shall know you have won back mine in exchange.
+
+If Catherine could but guess what is impending!
+
+April 13 (Sunday).--Annie in the maroon and magenta gown, carrying a
+clean folded handkerchief and a Church Service in her hand, has gone up
+to church.
+
+The bells are still ringing, and I am wandering through the little Copse
+on the right of the farm. This wood, or plantation rather flourishes
+down hill, fills up the narrow, interlying valley, and courageously
+climbs the eminence beyond. As I descend, it become more and more
+sheltered. The wind dies away and the church bells are heard no longer.
+I am following a cart-track used by the woodcutters. It is particularly
+bad walking. The last cart must have passed through in soft weather, the
+ruts are cut so deep, and these are filled with water from the last
+rains. The new buds are but just "exploding" into leaf; here and there
+the Dryades have laid down a carpet of white anemone flowers to dance
+on; trailing brambles lie across the track, with October's bronze and
+purple-green leaves, still hale and hearty, making an exquisite
+contrast with the young, brilliant, fan-folded shoots just springing at
+their base.
+
+I will find an opportunity to speak to Annie this very afternoon. She is
+likely to be less busy to-day than at other times. I need not trouble
+much as to how I shall tell her. She is sure to listen to me in a sweet,
+bewildered silence. She will have no temptation to laugh at the most
+beautiful and sacred of earthly themes. There is, to my mind, something
+incurably frivolous about a woman who laughs when a man is in earnest. I
+have tried over and over again to impress this upon Catherine, but it
+never had any other effect but to increase her amusement. She is a young
+woman entirely without the bump of veneration, and _this_, I should say,
+far more than an elegant pronunciation, is the desideratum in a wife.
+
+Sunday evening. I am in the mental condition of "Truthful James." I ask
+myself: "Do I wake? Do I dream?" I inquire at set intervals whether the
+Caucasian is played out? So far as I represent the race, I am compelled
+to reply in the affirmative. This is what has happened. I was smoking my
+post-prandial cigar in the terraced garden, lying back in a comfortable
+basket-chair fetched out from the sitting-room, when a shadow fell upon
+the grass, and Mrs. Anderson appeared in her walking things to know if
+there was anything I was likely to want, as she and "Faaether" and the
+little boys were just starting for _H_'Orton.
+
+"Don't trouble about me," said I; "go and enjoy yourself. No one better
+deserves it than you, Mrs. Anderson." And I add diplomatically: "Doesn't
+Miss Annie also go with you?"
+
+"Annie's over Fuller's Farm way," says the good woman smiling; and I
+smile too, for no particular reason. "She mostly walks up there of a
+Sunday afternoon."
+
+I know Fuller's Farm. I have passed it in my rambles. You skirt the
+copse, cross the sunny upland field, drop over the stile to the right,
+and find yourself in Fuller's Lane. The farm is a little further on, a
+comfortable homestead, smaller than Down End, but built of the same
+grey, lichened stone, and with the same steep roof and dormer windows.
+
+I gave the Andersons ten minutes start, then rose, unlatched the gate,
+and followed Annie. I reached the upland field. It was dotted with
+sheep: ewes and lambs; long shadows sloped across it; a girl stood at
+the further gate. This was Annie, but alas! someone was with her; a
+loutish figure that I at first took to be that of son Robert. But as I
+came nearer, I saw it was not Robert but his equally loutish friend, the
+young fellow I had seen working with him by the threshing machine. That
+day, in his working clothes, he had looked what he was, a strong and
+honest young farmer. To-day, in his Sunday broadcloth, with a brilliant
+blue neck scarf, a brass horseshoe pin, and a large bunch of primroses
+in his button-hole, he looked a blot, an excrescence, on the sunny
+earth. Personally, he might have been tall, but for a pronounced stoop;
+fair, but that he was burnt brick colour; smooth-faced, but for the
+multitude of lines and furrows, resulting from long exposure to the open
+air. His voice I couldn't help admitting was melodious and manly, yet
+the moment he caught sight of me he shuffled his feet like an idiot, and
+blushed like a girl. He whispered something to his companion, dropped
+over the stile like a stone from a catapult, and vanished from view.
+
+Annie advanced to meet me, blushing sweetly. She had put a finishing
+touch to the magenta costume by a large pink moss rosebud. She looked at
+it with admiration.
+
+"Me and my young man have changed nosegays," she remarked simply; "he
+asked me to give him my primroses, and he gave me this. They do grow
+beautiful roses up at Fuller's."
+
+"Your what?" said I dismayed. "Who did you say?"
+
+"My young man," repeated Annie; "Edward Fuller, from the next farm. He
+and me have been keeping company since Christmas only, but I've known
+him all my life. We always sat together in school; he used to do my sums
+for me, and I've got still a box full of slate pencil ends which he had
+touched."
+
+So my card castle came to the cloth. Here was a genuine case of true
+idyllic boy and girl love, that had strengthened and ripened with mature
+years. Annie had no more given me a thought--what an ass, what an idiot
+I am! But really, I think Catherine's cruelty has turned my brain. I am
+become ready to plunge into any folly.
+
+And it would have been folly. After the first second's surprise and
+mortification, I felt my spirits rise with a leap. I was suddenly
+dragged back from moral suicide. The fascinating temptation was placed
+for ever beyond my reach. And it was Edward Fuller who thus saved me!
+Good young man! I fall upon your neck in spirit, and kiss you like a
+brother.
+
+I am still free! who knows what to-morrow may bring.
+
+April 14.--To-morrow is here and has brought a letter from Catherine. I
+find it lying by my plate when I come down to breakfast. I take it up,
+look at the superscription, partly in Catherine's well-known writing,
+partly in my landlady's spider scrawl--for it had gone first to my
+London rooms. I turn it over, feel it, decide it contains one sheet of
+paper only, and put it resolutely down. After breakfast is time enough
+to read it; nothing she can say shall ever move me more.
+
+I pour out my coffee; my resolutions waver and dissipate themselves like
+the steam rising from my cup. I tear the letter open, and find myself in
+Heaven straightway. And these are the winged words that bore me there:--
+
+"Why do you not come and see me? Why are you so blind? It is true I do
+not _like_ you! But I love you with all my heart. Ah! could you not
+guess? did you not know?"
+
+
+
+
+"PROCTORISED."
+
+
+What a ghostly train from the forgotten past rises before me as I write
+the word that heads this sketch! The memory dwells again upon that
+terrible quarter of an hour in the Proctor's antechamber, where the
+brooding demon of "fine" and "rustication" seemed to dwell, and where
+the disordered imagination so clearly traced above the door Dante's
+fearful legend--Abandon hope all ye that enter here.
+
+How eagerly each delinquent scanned the faces of his fellow-victims as
+they came forth from the Proctorial presence, vainly trying to gather
+from their looks some forecast of his impending fate; and how jealously
+(if a "senior") he eyed the freshman who was going to plead a first
+offence!
+
+And then the interview that followed--not half so terrible as was
+expected. The good-natured individual who stood before the fire, in
+blazer and slippers, was barely recognisable as the terrible official of
+yesterday's encounter; while the sleek attendant at the Proctor's elbow
+seemed more like a waiter than the pertinacious and fleet-footed
+"bull-dog." What a load was raised from the mind as the Proctor made a
+mild demand for five shillings, and the "bull-dog" pointed to a plate
+into which you gladly tossed the half-crowns. And then you quitted the
+room which you vowed never again to enter, feeling that you had been let
+down very easily. For you knew full well that beneath the Proctor's
+suave demeanour lurked a sting which too often took the painful form of
+rustication from the University.
+
+But let us accompany the Proctor as he makes his nightly rounds with his
+faithful body-guard, and look once more upon the ceremony of
+"proctorisation."
+
+What an imposing figure he is! The silk gown adorned with velvet
+sleeves; the white bands round his neck denoting the sanctity of his
+office; his sturdy attendants: are they not calculated to overawe the
+frivolous undergraduate?
+
+Following him through the streets, into billiard-room and restaurant,
+one moralises on the sad necessity that compels this splendid dignitary
+to play the part of a common policeman. But there is little time for
+thought. On we go, on our painful mission. Suddenly the keen-eyed
+"bull-dog" crosses the street, for an undergraduate has just come forth
+from a tobacconist's shop. He is wearing cap and gown, and--oh, heinous
+offence--he puffs the "herba nicotiana."
+
+The Proctor steps forward (for smoking in Academical dress is sternly
+forbidden) and, producing a note-book, vindicates thus the dignity of
+the law.
+
+"Are you a member of this University, sir?" The offender murmurs that
+he is. "Your name and college, sir. I must trouble you to call upon me
+at nine a.m. to-morrow." Then, with raised cap and ceremonious bow, the
+Proctor leaves his victim to speculate mournfully on what the morrow
+will bring forth.
+
+Forward! and we move on once more in quest of offenders against the
+"statutes." What curious reading some of these statutes afford! We seem
+to get a whiff from bygone ages as we read the enactment condemning the
+practice of wearing the hair long as unworthy the University; and
+equally curious is the provision that forbids the student to carry any
+weapon save a bow and arrow.
+
+But let us continue our journey. Tramp, tramp, tramp! No wonder we find
+the streets empty: our echoing footsteps give the alarm. But soon we
+make another capture. This time the undergraduate seeks refuge in
+flight, but in vain. "Fast" though he is, the bull-dog is faster; and
+the Proctor enters another name in his note-book. Let him who runs read.
+
+On we go; now visiting the railway station--favourite hunting-ground of
+the Proctor--now waiting while the theatre discharges its contents; for
+there the gownless student abounds and the Proctor's heart grows merry.
+
+Here a prisoner states that he is Jones, of Jesus. Vain subterfuge!
+Though there be many Welshmen at Jesus College, and many of its alumni
+bear the name of Jones, yet are you not of their number. So says the
+Proctor, a don of Jesus; and the pseudo Jones wishes that he had not
+been born.
+
+Twelve o'clock now strikes, and our nightly vigil draws to a close.
+Still we move forward, amid the jangling rivalry of a thousand bells.
+Soon the Proctor adds yet another to the list of victims. This one leads
+us a pretty dance from Carfax to Summertown, and then declares he is not
+a member of the University. The Proctor smiles as a vision of Theodore
+Hook flashes across his mind; but, alas! the "bull-dog" recognises the
+prisoner as an old offender.
+
+Unhappy man! Your dodge does not "go down," although beyond a doubt you
+will; for the Proctor will visit your double offence with summary
+rustication.
+
+F.D.H.
+
+
+
+
+UNEXPLAINED.
+
+BY LETITA MCCLINTOCK.
+
+
+"All ghost stories may be explained," said Mrs. Marchmont, smiling
+rather scornfully, and addressing a large circle of friends and
+neighbours who, one Christmas evening, were seated round her hospitable
+hearth.
+
+"Ah! you think so? Pardon me, if I cannot agree with you," said Mr.
+Henniker, a well-known Dublin barrister, of burly frame and jovial
+countenance, famed for his wit and flow of anecdote.
+
+The ladies of the party uttered exclamations in various keys, while the
+men looked attentive and interested. All that Mr. Henniker pleased to
+say was wont to command attention, in Dublin at least.
+
+"So you think all ghost stories may be explained? What would Mrs.
+Marchmont say to our old woman in the black bonnet, Angela?" And the
+barrister turned to his quiet little wife, who rarely opened her lips.
+She was eager enough now.
+
+"I wish I could quite forget that old woman, John, dear," she said, with
+a shiver.
+
+"Won't you tell us, dear Mrs. Henniker? Please--please do!" cried the
+ladies in chorus.
+
+"Nay; John must tell that tale," said the wife, shrinking into herself,
+as it were.
+
+No one knew how it happened that the conversation had turned upon
+mesmerism, spiritualism and other themes trenching upon the
+supernatural. Perhaps the season, suggesting old-fashioned tales, had
+something to do with it; or maybe the whistling wind, mingling with the
+pattering of hail and rattle of cab-wheels, led the mind to brood over
+uncanny legends. Anyhow, all the company spoke of ghosts: some to mock,
+others to speculate; and here was the witty lawyer prepared to tell a
+grave tale of his own experience.
+
+His jovial face grew stern. Like the Ancient Mariner, he addressed
+himself to one in company, but all were silent and attentive.
+
+"You say all ghost stories may be explained, Mrs. Marchmont. So would I
+have said a year ago; but since we last met at your hospitable fireside,
+my wife and I have gone through a very astonishing experience. We 'can a
+tale unfold.' No man was better inclined to laugh at ghost stories than
+I.
+
+ * * * * *
+
+"Well, to begin my true tale. We wished for a complete change of scene
+last February, and Angela thought she would like to reside in the same
+county as her sisters and cousins and aunts--"
+
+"Dorsetshire, I believe, Mrs. Henniker?" interrupted the lady of the
+house.
+
+Angela nodded.
+
+"I intended to take a house for my family, leave them comfortably
+settled in it, and run backwards and forwards between Dorsetshire and
+Dublin. Well, it so happened that I did leave them for a single day
+during the three months of my tenancy of the Hall. I had seen a
+wonderful advertisement of a spacious dwelling-house, with offices,
+gardens, pleasure grounds--to be had for fifty pounds per annum. I went
+to the agent to make inquiries.
+
+"'Is this flourishing advertisement correct?' asked I.
+
+"'Perfectly.'
+
+"'What! so many advantages are to be had for fifty pounds a year?'
+
+"'Most certainly. I advise you to go and see for yourself.'
+
+"I took the agent's advice, and Angela was enchanted with the
+description I was able to give her on my return. A charming little park,
+beautifully planted with rare shrubs and trees--a bowery, secluded spot,
+so shut in by noble elms as to seem remote from the world. The
+house--such a mansion as in Ireland would be called Manor-house or
+Castle--large, lofty rooms thoroughly furnished, every modern
+improvement. My wife, as surprised as myself that a place of the kind
+should be going for a mere song, begged me to see the agent again, and
+close with him. It was done at once. I would have taken the Hall for a
+year, but Mr. Harold advised me not to do so. 'Take it by the quarter,
+or at longest by the half-year,' he recommended.
+
+"I replied that it appeared such a desirable bargain that I wished to
+take it by the year. His answer to this was a reiteration of his first
+advice. I can't tell you how he influenced me, for he really said no
+more than I tell you; but I yielded to his evident wish without knowing
+why I did so, and I closed with him for six months, not a year."
+
+"Glamour, Mr. Henniker!"
+
+"It would seem so, Mrs. Marchmont. We went to the Hall, and Angela was
+delighted with it. The snowdrops lay in snowy masses about the
+grounds--the garden gave promise of beauty as the season advanced. How
+the children ran over the house! how charmed we were with every nook and
+corner of it! Our own bed-room was a comfortable, large room, opening
+into a very roomy dressing-room, in which my wife placed two cribs for
+our youngest boys, Hal and Jack--"
+
+"Don't forget to say that our bed-chamber opened from a sitting-room,"
+interrupted Mrs. Henniker.
+
+"Well, for three weeks we all slept the sleep of the just in our really
+splendid suite of apartments. Not a grumble from our servants--nothing
+but satisfaction with our rare bargain. I was on the eve of returning to
+dear, dirty Dublin and the Four Courts, when--"
+
+"When? We are all attention, Mr. Henniker."
+
+"Angela and I were sitting in the drawing-room under the bed-chamber I
+have described, when a loud cry startled us, 'Mother, mother, mother!'
+
+"The little boys were in bed in the dressing-room. Angela dropped her
+tea-cup and dashed out of the room, forgetting that there was no light
+in the rooms above us.
+
+"I caught up a candle and followed her quickly. We found the children
+sobbing wildly. Jack's arms were almost strangling his mother, while he
+cried in great excitement, 'Oh, the old woman in the black bonnet! The
+old woman in the black bonnet! Oh--oh--oh!'
+
+"I thought a little fatherly correction would be beneficial, but Angela
+would not suffer me to interfere. She tried to soothe the little
+beggars, and in a few minutes they were coherent enough in their story.
+A frightful old woman, wearing a black bonnet, had been in the room. She
+came close to them and bent over their cribs, with her dreadful face
+near to theirs.
+
+"'How did you see her?' we asked. 'There was no candle here."
+
+"She had light about her, they said; at any rate, they saw her quite
+well. An exhaustive search was made. No trace of a human being was to be
+found. I refrained from speaking to the other children, who slept in an
+upper story, though I softly entered their rooms and examined presses
+and wardrobes, and peeped behind dark corners, laughing in my sleeve all
+the while. Of course we both believed that Hal had been frightened by a
+dream, and that his little brother had roared from sympathy. 'Don't
+breathe a word of this to the servants,' whispered Mrs. Henniker. 'I'm
+not such a fool, my dear,' I replied. 'But pray search the lower
+regions, and see if Jane and Nancy have any visitor in the kitchen,' she
+continued. 'She came through your door, mother, from the sitting-room,'
+sobbed Hal, with eyes starting out of his head.
+
+"'Who, love?' asked his mother.
+
+"'The old woman in the black bonnet. Oh, don't go away, mother.'
+
+"So Angela had to spend the remainder of the evening between the
+children's cribs.
+
+"'What can we do to-morrow evening?' asked she. 'I have it! Lucy shall
+be put to bed beside Jack.' Lucy was our youngest, aged two.
+
+"All went well next night. There was no alarm to summon us from our
+papers and novels, and we went to bed at eleven, Angela remarking that
+the three cherubs were sleeping beautifully, and that it had been a good
+move to let Lucy bear the other two company. I was roused out of sound
+sleep by wild shrieks from the three children.
+
+"'What! more bad dreams? This sort of thing must be put a stop to,' I
+said; and I confess I was very angry with the young rascals. My wife was
+fumbling for the match-box. 'Hush!' she whispered, 'there _is_ somebody
+in the room.' And _I_, too, at that instant, felt the presence of some
+creature besides ourselves and the children. The candle lighted, we
+again reconnoitred--nothing to be seen in dressing-room, bed-room, or
+_the drawing-room beyond_, the door of which was shut. But the curious
+sense of a presence near us--stronger than any feeling of the kind I had
+ever previously experienced--was gone. You have all felt the presence of
+another person unseen. You may be writing--you have not heard the door
+open, but though your back is towards the visitor, you know somehow that
+he has entered."
+
+"Quite true, Mr. Henniker--but there is nothing unnatural or unpleasant
+in that sensation."
+
+"Nothing, of course; I merely instance it to give you some idea of what
+we felt on that occasion. We were astonished to find the sitting-room
+untenanted. Meanwhile poor Hal, Jack and Lucy shrieked in chorus 'Oh,
+the old woman in the black bonnet! Oh, take her away!'
+
+"Poor Angela, trembling, hung over the cribs trying to soothe the
+children. It was a good while before they could tell what had happened.
+'She came again,' said Hal, 'and she came close, close to me, and she
+put her _cold_ face down near my cheek till she touched me, and I don't
+like her--oh, I don't like her, mother!'
+
+"'Did she go to Jack and Lucy too?'
+
+"'Yes, yes; and she made _them_ cry as well.'
+
+"'Why do you not like her? Is it the black bonnet? You dreamt of a black
+bonnet last night, you know,' said I, half-puzzled, half-provoked.
+
+"'She's so frightful,' cried Hal.
+
+"'How could you see her? There was no candle.'
+
+"This question perplexed the little boys. They persisted that she had a
+light about her somewhere. I need hardly say that there was no comfort
+for us the rest of the night. 'If anyone is trying to frighten us out of
+the place, I'll be even with him yet,' said I. My wife believed that a
+trick had been played upon the children, and she was most indignant.
+
+"Next day the cribs were removed to the upper story, and Charlotte and
+Joanna, our daughters of twelve and fourteen, were put to sleep in the
+dressing-room. We predicted an end to the annoyance we had been
+suffering. The nurse was a quick-tempered woman, who would not stand any
+nonsense, and Hal's bad dreams would be sternly driven away. We settled
+ourselves to our comfortable light reading by the drawing-room fire.
+Suddenly there was a commotion overhead; an outcry--surprised more than
+terrified, it sounded to us. Angela laid her book down quickly and
+listened with all her ears. Fast-flying footsteps were heard above; the
+clapping of a door; then--scurry, scurry--the patter of bare feet down
+the staircase. We hurried across the hall, and saw Charlotte in her
+nightgown returning slowly up the kitchen stairs, with a puzzled
+expression on her honest face.
+
+"'What on earth are you doing, child?' cried Angela.
+
+"'I was giving chase to a hideous old woman in a black bonnet, who chose
+to intrude upon us,' panted Charlotte. 'I saw her in our room; I jumped
+out of bed and pursued her through your room and the sitting-room. Then
+I saw her before me going downstairs, and I ran after her; but the door
+at the foot of the kitchen staircase was shut. She certainly could not
+have had time to open it, and I really don't know where she can have
+gone to!'
+
+"This was Charlotte's explanation of her mad scurry downstairs. Her
+downright sensible face was puzzled and angry.
+
+"'So you see the little ones must have been tormented by that old
+wretch, whoever she is. They didn't dream it, father, as you thought.
+Wouldn't I like to punish her!'"
+
+"What a brave girl!" cried Mrs. Marchmont.
+
+"Brave? Oh, Charlotte's as bold as a lion! She went back to bed; and
+when we followed her, in a couple of hours, she was sleeping soundly.
+But I can't say either of _us_ slept so well. If a trick was being
+played upon us, it was carried out in so clever a manner as to baffle me
+completely. I need not say that I made careful search of every cranny
+about the handsome house and offices; and if there was a secret passage
+or a door in the wall anywhere, it escaped me. We had peace for a
+fortnight, and then the annoyance recommenced.
+
+"Angela's nerve was shaken at last, and she began to whisper, 'There are
+more things in heaven and earth, Horatio'--"
+
+"John, you are making a story!" interrupted Mrs. Henniker.
+
+"It is every word true. I am coming to an end. Angela, in spite of her
+disclaimer, _did_ believe in a ghost in a black bonnet. Charlotte
+believed in her, but did not care about her ghostship. The nurse and
+cook and housemaid declared they were meeting the horrible appearance
+constantly; and they were all three in a mortal funk. As to the
+children, they would not leave off clinging to their mother, and
+fretting and trembling when evening came. The milkman, the baker and the
+butcher, all told the servants that we would not be long at the Hall,
+for nobody ever remained more than a month or two. This was cheerful and
+encouraging for me!"
+
+"But you had never seen the charming old woman all this time?"
+
+"No; but I saw her in the broad daylight. I had a good long look at her,
+and a more diabolical face I never saw--no, not even in the dock. I was
+writing letters in the study about twelve o'clock one morning, when I
+suddenly looked up, to see the appearance that had excited such a
+turmoil in my family standing near the table. A frightful face--a
+short-set woman dressed in black--gown, shawl, bonnet--this was the
+impression I received. But she looked quite human--quite everyday--there
+was nothing ghostly in her air--only the evil face curdled one's blood.
+I stared at her, and then I took up a folded newspaper and threw it at
+her. My motive in so doing was to frighten her who had frightened my
+wife so much. Courtesy such a creature need not expect from me, being,
+as her villainous countenance proved, one of the criminal class. The
+newspaper fell upon the floor, after apparently going through the
+figure, and there was a vacuum where it had been. I was not much shaken,
+however, although my theory of a human trickster dressed like a woman
+seemed overturned."
+
+"Did you tell Mrs. Henniker what you had seen?"
+
+"Naturally I did. At this period we talked of nothing else. She saw the
+apparition twice herself. Once she entered our dressing-room and saw the
+figure bending over a sleeping child (it faded as she looked); another
+time she was with me in the drawing-room, when she laid down her book
+and whispered, 'See, see, near the door!' There, sure enough was the
+appearance that had visited me in the study in clear daylight. I did not
+make her out quite as distinctly now because our candles did not light
+up that end of the long room, or my older eyes were not as good as
+Angela's."
+
+"What did Mrs. Henniker do?"
+
+"She started up and ran to catch the old woman in the black bonnet."
+
+"And did she catch her?"
+
+"She caught a _shiver_--nothing more!
+
+"After this I resolved to give up the Hall at once, sacrificing four
+months' rent for the sake of my wife and children, whose nerves would
+have soon become shattered had we remained. I went to Mr. Harold and
+told him how disagreeable the place was to us. He was grave and very
+guarded in manner, confessing that no tenant stayed more than a couple
+of months at the Hall--that his client certainly made considerably in
+consequence--that he had done his utmost to find out what was wrong with
+the house, but all in vain. Mr. J---- would not speak about it, and when
+strenuously urged to explain, replied emphatically--'_I shall never tell
+you the story of that house._'
+
+"We dismissed the servants with handsome presents at once on our return
+to Dublin, so desirous were we that the children should never be
+reminded of their terror. I think they have not heard the old woman in
+the black bonnet spoken of since we left the Hall, and the younger ones
+have probably forgotten her. As to us, we can only say that the mystery
+is unexplained."
+
+
+
+
+
+End of the Project Gutenberg EBook of The Argosy, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE ARGOSY ***
+
+***** This file should be named 18374.txt or 18374.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/1/8/3/7/18374/
+
+Produced by Paul Murray, Taavi Kalju and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.