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diff --git a/1834.txt b/1834.txt new file mode 100644 index 0000000..4159ba6 --- /dev/null +++ b/1834.txt @@ -0,0 +1,2120 @@ +The Project Gutenberg EBook of The Case of The Pocket Diary Found in the +Snow, by Grace Isabel Colbron and Augusta Groner + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Case of The Pocket Diary Found in the Snow + +Author: Grace Isabel Colbron and Augusta Groner + +Posting Date: October 29, 2008 [EBook #1834] +Release Date: July, 1999 +[Last updated: November 13, 2015] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK THE POCKET DIARY *** + + + + +Produced by An Anonymous Project Gutenberg Volunteer + + + + + +THE CASE OF THE POCKET DIARY FOUND IN THE SNOW + +By Grace Isabel Colbron and Augusta Groner + + + + +INTRODUCTION TO JOE MULLER + +Joseph Muller, Secret Service detective of the Imperial Austrian police, +is one of the great experts in his profession. In personality he differs +greatly from other famous detectives. He has neither the impressive +authority of Sherlock Holmes, nor the keen brilliancy of Monsieur Lecoq. +Muller is a small, slight, plain-looking man, of indefinite age, and of +much humbleness of mien. A naturally retiring, modest disposition, and +two external causes are the reasons for Muller's humbleness of manner, +which is his chief characteristic. One cause is the fact that in early +youth a miscarriage of justice gave him several years in prison, an +experience which cast a stigma on his name and which made it impossible +for him, for many years after, to obtain honest employment. But the +world is richer, and safer, by Muller's early misfortune. For it was +this experience which threw him back on his own peculiar talents for +a livelihood, and drove him into the police force. Had he been able to +enter any other profession, his genius might have been stunted to a mere +pastime, instead of being, as now, utilised for the public good. + +Then, the red tape and bureaucratic etiquette which attaches to every +governmental department, puts the secret service men of the Imperial +police on a par with the lower ranks of the subordinates. Muller's +official rank is scarcely much higher than that of a policeman, although +kings and councillors consult him and the Police Department realises to +the full what a treasure it has in him. But official red tape, and his +early misfortune... prevent the giving of any higher official standing +to even such a genius. Born and bred to such conditions, Muller +understands them, and his natural modesty of disposition asks for no +outward honours, asks for nothing but an income sufficient for his +simple needs, and for aid and opportunity to occupy himself in the way +he most enjoys. + +Joseph Muller's character is a strange mixture. The kindest-hearted man +in the world, he is a human bloodhound when once the lure of the trail +has caught him. He scarcely eats or sleeps when the chase is on, he does +not seem to know human weakness nor fatigue, in spite of his frail body. +Once put on a case his mind delves and delves until it finds a clue, +then something awakes within him, a spirit akin to that which holds +the bloodhound nose to trail, and he will accomplish the apparently +impossible, he will track down his victim when the entire machinery of +a great police department seems helpless to discover anything. The high +chiefs and commissioners grant a condescending permission when Muller +asks, "May I do this? ... or may I handle this case this way?" +both parties knowing all the while that it is a farce, and that the +department waits helpless until this humble little man saves its honour +by solving some problem before which its intricate machinery has stood +dazed and puzzled. + +This call of the trail is something that is stronger than anything else +in Muller's mentality, and now and then it brings him into conflict with +the department,... or with his own better nature. Sometimes his unerring +instinct discovers secrets in high places, secrets which the Police +Department is bidden to hush up and leave untouched. Muller is then +taken off the case, and left idle for a while if he persists in his +opinion as to the true facts. And at other times, Muller's own warm +heart gets him into trouble. He will track down his victim, driven by +the power in his soul which is stronger than all volition; but when he +has this victim in the net, he will sometimes discover him to be a +much finer, better man than the other individual, whose wrong at this +particular criminal's hand set in motion the machinery of justice. +Several times that has happened to Muller, and each time his heart got +the better of his professional instincts, of his practical common-sense, +too, perhaps,... at least as far as his own advancement was concerned, +and he warned the victim, defeating his own work. This peculiarity of +Muller's character caused his undoing at last, his official undoing that +is, and compelled his retirement from the force. But his advice is often +sought unofficially by the Department, and to those who know, Muller's +hand can be seen in the unravelling of many a famous case. + +The following stories are but a few of the many interesting cases that +have come within the experience of this great detective. But they give +a fair portrayal of Muller's peculiar method of working, his looking on +himself as merely an humble member of the Department, and the comedy +of his acting under "official orders" when the Department is in reality +following out his directions. + + + + +THE CASE OF THE POCKET DIARY FOUND IN THE SNOW + + + +CHAPTER ONE. THE DISCOVERY IN THE SNOW + + +A quiet winter evening had sunk down upon the great city. The clock in +the old clumsy church steeple of the factory district had not yet struck +eight, when the side door of one of the large buildings opened and a man +came out into the silent street. + +It was Ludwig Amster, one of the working-men in the factory, starting on +his homeward way. It was not a pleasant road, this street along the +edge of the city. The town showed itself from its most disagreeable +side here, with malodorous factories, rickety tenements, untidy open +stretches and dumping grounds offensive both to eye and nostril. + +Even by day the street that Amster took was empty; by night it was +absolutely quiet and dark, as dark as were the thoughts of the solitary +man. He walked along, brooding over his troubles. Scarcely an hour +before he had been discharged from the factory because of his refusal to +submit to the injustice of his foreman. + +The yellow light of the few lanterns show nothing but high board +walls and snow drifts, stone heaps, and now and then the remains of a +neglected garden. Here and there a stunted tree or a wild shrub bent +their twigs under the white burden which the winter had laid upon them. +Ludwig Amster, who had walked this street for several years, knew his +path so well that he could take it blindfolded. The darkness did not +worry him, but he walked somewhat more slowly than usual, for he knew +that under the thin covering of fresh-fallen snow there lay the ice of +the night before. He walked carefully, watching for the slippery places. + +He had been walking about half an hour, perhaps, when he came to a cross +street. Here he noticed the tracks of a wagon, the trace still quite +fresh, as the slowly falling flakes did not yet cover it. The tracks led +out towards the north, out on to the hilly, open fields. + +Amster was somewhat astonished. It was very seldom that a carriage came +into this neighbourhood, and yet these narrow wheel-tracks could have +been made only by an equipage of that character. The heavy trucks which +passed these roads occasionally had much wider wheels. But Amster was to +find still more to astonish him. + +In one corner near the cross-roads stood a solitary lamp-post. The +light of the lamp fell sharply on the snow, on the wagon tracks, and--on +something else besides. + +Amster halted, bent down to look at it, and shook his head as if in +doubt. + +A number of small pieces of glass gleamed up at him and between them, +like tiny roses, red drops of blood shone on the white snow. All this +was a few steps to one side of the wagon tracks. + +"What can have happened here--here in this weird spot, where a cry for +help would never be heard? where there would be no one to bring help?" + +So Amster asked himself, but his discovery gave him no answer. His +curiosity was aroused, however, and he wished to know more. He followed +up the tracks and saw that the drops of blood led further on, although +there was no more glass. The drops could still be seen for a yard +further, reaching out almost to the board fence that edged the sidewalk. +Through the broken planks of this fence the rough bare twigs of a +thorn bush stretched their brown fingers. On the upper side of the few +scattered leaves there was snow, and blood. + +Amster's wide serious eyes soon found something else. Beside the bush +there lay a tiny package. He lifted it up. It was a small, light, square +package, wrapped in ordinary brown paper. Where the paper came together +it was fastened by two little lumps of black bread, which were still +moist. He turned the package over and shook his head again. On the other +side was written, in pencil, the lettering uncertain, as if scribbled +in great haste and in agitation, the sentence, "Please take this to the +nearest police station." + +The words were like a cry for help, frozen on to the ugly paper. Amster +shivered; he had a feeling that this was a matter of life and death. + +The wagon tracks in the lonely street, the broken pieces of glass and +the drops of blood, showing that some occupant of the vehicle had broken +the window, in the hope of escape, perhaps, or to throw out the package +which should bring assistance--all these facts grouped themselves +together in the brain of the intelligent working-man to form some +terrible tragedy where his assistance, if given at once, might be of +great use. He had a warm heart besides, a heart that reached out to this +unknown who was in distress, and who threw out the call for help which +had fallen into his hands. + +He waited no longer to ponder over the matter, but started off at a full +run for the nearest police station. He rushed into the room and told his +story breathlessly. + +They took him into the next room, the office of the commissioner for +the day. The official in charge, who had been engaged in earnest +conversation with a small, frail-looking, middle-aged man, turned to +Amster with a question as to what brought him there. + +"I found this package in the snow." + +"Let me see it." + +Amster laid it on the table. The older man looked at it, and as the +commissioner was about to open it, he handed him a paper-knife with the +words: "You had better cut it open, sir." + +"Why?" + +"It is best not to injure the seals that fasten a package." + +"Just as you say, Muller," answered the young commissioner, smiling. He +was still very young to hold such an office, but then he was the son of +a Cabinet Minister, and family connections had obtained this responsible +position for him so soon. Kurt von Mayringen was his name, and he was +a very good-looking young man, apparently a very good-natured young man +also, for he took this advice from a subordinate with a most charming +smile. He knew, however, that this quiet, pale-faced little man in the +shabby clothes was greater than he, and that it was mere accident of +birth that put him, Kurt von Mayringen, instead of Joseph Muller, in the +position of superior. + +The young commissioner had had most careful advice from headquarters as +to Muller, and he treated the secret service detective, who was one of +the most expert and best known men in the profession, with the greatest +deference, for he knew that anything Muller might say could be only of +value to him with his very slight knowledge of his business. He took the +knife, therefore, and carefully cut open the paper, taking out a tiny +little notebook, on the outer side of which a handsome monogram gleamed +up at him in golden letters. + +"A woman made this package," said Muller, who had been looking at the +covering very carefully; "a blond woman." + +The other two looked at him in astonishment. He showed them a single +blond hair which had been in one of the bread seals. + +"How I was murdered." Those were the words that Commissioner von +Mayringen read aloud after he had hastily turned the first few pages +of the notebook, and had come to a place where the writing was heavily +underscored. + +The commissioner and Amster were much astonished at these words, but the +detective still gazed quietly at the seals of the wrapping. + +"This heading reads like insanity," said the commissioner. Muller +shrugged his shoulders, then turned to Amster. "Where did you find the +package?" + +"In Garden street." + +"When?" + +"About twenty minutes ago." + +Amster gave a short and lucid account of his discovery. His intelligent +face and well-chosen words showed that he had observation and the power +to describe correctly what he had observed. His honest eyes inspired +confidence. + +"Where could they have been taking the woman?" asked the detective, more +of himself than of the others. + +The commissioner searched hastily through the notebook for a signature, +but without success. "Why do you think it is a woman? This writing looks +more like a man's hand to me. The letters are so heavy and--" + +"That is only because they are written with broad pen," interrupted +Muller, showing him the writing on the package; "here is the same hand, +but it is written with a fine hard pencil, and you can see distinctly +that this is a woman's handwriting. And besides, the skin on a man's +thumb does not show the fine markings that you can see here on these +bits of bread that have been used for seals." + +The commissioner rose from his seat. "You may be right, Muller. We will +take for granted, then, that there is a woman in trouble. It remains to +be seen whether she is insane or not." + +"Yes, that remains to be seen," said Muller dryly, as he reached for his +overcoat. + +"You are going before you read what is in the notebook?" asked +Commissioner von Mayringen. + +Muller nodded. "I want to see the wagon tracks before they are lost; it +may help me to discover something else. You can read the book and make +any arrangements you find necessary after that." + +Muller was already wrapped in his overcoat. "Is it snowing now?" He +turned to Arnster. + +"Some flakes were falling as I came here." + +"All right. Come with me and show me the way." Muller nodded carelessly +to his superior officer, his mind evidently already engrossed in +thoughts of the interesting case, and hurried out with Amster. The +commissioner was quite satisfied with the state of affairs. He knew the +case was in safe hands. He seated himself at his desk again and began +to read the little book which had come into his hands so strangely. His +eyes ran more and more rapidly over the closely written pages, as his +interest grew and grew. + +When, half an hour later, he had finished the reading, he paced +restlessly up and down the room, trying to bring order into the thoughts +that rushed through his brain. And one thought came again and again, and +would not be denied in spite of many improbabilities, and many strange +things with which the book was full; in spite, also, of the varying, +uncertain handwriting and style of the message. This one thought was, +"This woman is not insane." + +While the young official was pondering over the problem, Muller entered +as quietly as ever, bowed, put his hat and cane in their places, +and shook the snow off his clothing. He was evidently pleased about +something. Kurt von Mayringen did not notice his entrance. He was again +at the desk with the open book before him, staring at the mysterious +words, "How I was murdered." + +"It is a woman, a lady of position. And if she is mad, then her madness +certainly has method." Muller said these words in his usual quiet way, +almost indifferently. The young commissioner started up and snatched +for the fine white handkerchief which the detective handed him. A strong +sweet perfume filled the room. "It is hers?" he murmured. + +"It is hers," said Muller. "At least we can take that much for granted, +for the handkerchief bears the same monogram, A. L., which is on the +notebook." + +Commissioner von Mayringen rose from his chair in evident excitement. +"Well?" he asked. + +It was a short question, but full of meaning, and one could see that he +was waiting in great excitement for the answer. Muller reported what he +had discovered. The commissioner thought it little enough, and shrugged +his shoulders impatiently when the other had finished. + +Muller noticed his chief's dissatisfaction and smiled at it. He himself +was quite content with what he had found. + +"Is that all?" murmured the commissioner, as if disappointed. + +"That is all," repeated the detective calmly, and added, "That is a good +deal. We have here a closely written notebook, the contents of which, +judging by your excitement, are evidently important. We have also a +handkerchief with an unusual perfume on it. I repeat that this is quite +considerable. Besides this, we have the seals, and we know several other +things. I believe that we can save this lady, or if it be too late, we +can avenge her at least." + +The commissioner looked at Muller in surprise. "We are in a city of more +than a million inhabitants," he said, almost timidly. + +"I have hunted criminals in two hemispheres, and I have found them," +said Muller simply. The young commissioner smiled and held out his hand. +"Ah, yes, Muller--I keep forgetting the great things you have done. You +are so quiet about it." + +"What I have done is only what any one could do who has that particular +faculty. I do only what is in human power to do, and the cleverest +criminal can do no more. Besides which, we all know that every criminal +commits some stupidity, and leaves some trace behind him. If it is +really a crime which we have found the trace of here, we will soon +discover it." Muller's editorial "we" was a matter of formality. He +might with more truth have used the singular pronoun. + +"Very well, then, do what you can," said the commissioner with a +friendly smile. + +The older man nodded, took the book and its wrappings from the desk, and +went into a small adjoining room. + +The commissioner sent for an attendant and gave him the order to fetch a +pot of tea from a neighbouring saloon. When the tray arrived, he placed +several good cigars upon it, and sent it in to Muller. Taking a cigar +himself, the commissioner leaned back in his sofa corner to think over +this first interesting case of his short professional experience. That +it concerned a lady in distress made it all the more romantic. + +In his little room the detective, put in good humour by the thoughtful +attention of his chief, sat down to read the book carefully. While he +studied its contents his mind went back over his search in the silent +street outside. + +He and Amster had hurried out into the raw chill of the night, reaching +the spot of the first discovery in about ten or fifteen minutes. Muller +found nothing new there. But he was able to discover in which direction +the carriage had been going. The hoof marks of the single horse which +had drawn it were still plainly to be seen in the snow. + +"Will you follow these tracks in the direction from which they have +come?" he asked of Amster. "Then meet me at the station and report what +you have seen." + +"Very well, sir," answered the workman. The two men parted with a hand +shake. + +Before Muller started on to follow up the tracks in the other direction, +he took up one of the larger pieces' of glass. "Cheap glass," he said, +looking at it carefully. "It was only a hired cab, therefore, and a +one-horse cab at that." + +He walked on slowly, following the marks of the wheels. His eyes +searched the road from side to side, looking for any other signs that +might have been left by the hand which had thrown the package out of the +window. The snow, which had been falling softly thus far, began to come +down in heavier flakes, and Muller quickened his pace. The tracks would +soon be covered, but they could still be plainly seen. They led out +into the open country, but when the first little hill had been climbed a +drift heaped itself up, cutting off the trail completely. + +Muller stood on the top of this knoll at a spot where the street +divided. Towards the right it led down into a factory suburb; towards +the left the road led on to a residence colony, and straight ahead the +way was open, between fields, pastures and farms, over moors, to another +town of considerable size lying beside a river. Muller knew all this, +but his knowledge of the locality was of little avail, for all traces of +the carriage wheels were lost. + +He followed each one of the streets for a little distance, but to no +purpose. The wind blew the snow up in such heaps that it was quite +impossible to follow any trail under such conditions. + +With an expression of impatience Muller gave up his search and turned to +go back again. He was hoping that Amster might have had better luck. It +was not possible to find the goal towards which the wagon had taken its +prisoner--if prisoner she was--as soon as they had hoped. Perhaps the +search must be made in the direction from which she had been brought. + +Muller turned back towards the city again. He walked more quickly now, +but his eyes took in everything to the right and to the left of his +path. Near the place where the street divided a bush waved its bare +twigs in the wind. The snow which had settled upon it early in the day +had been blown away by the freshening wind, and just as Muller neared +the bush he saw something white fluttering from one twig. It was a +handkerchief, which had probably hung heavy and lifeless when he had +passed that way before. Now when the wind held it out straight, he saw +it at once. He loosened it carefully from the thorny twigs. A delicate +and rather unusual perfume wafted up to his face. There was more of the +odour on the little cloth than is commonly used by people of good taste. +And yet this handkerchief was far too fine and delicate in texture to +belong to the sort of people who habitually passed along this street. +It must have something to do with the mysterious carriage. It was still +quite dry, and in spite of the fact that the wind had been playing with +it, it had been but slightly torn. It could therefore have been in that +position for a short time only. At the nearest lantern Muller saw that +the monogram on the handkerchief was the same in style and initials as +that on the notebook. It was the letters A. L. + + + + +CHAPTER TWO. THE STORY OF THE NOTEBOOK + + +It was warm and comfortable in the little room where Muller sat. He +closed the windows, lit the gas, took off his overcoat--Muller was a +pedantically careful person--smoothed his hair and sat down comfortably +at the table. Just as he took up the little book, the attendant brought +the tea, which he proceeded at once to enjoy. He did not take up his +little book again until he had lit himself a cigar. He looked at the +cover of the dainty little notebook for many minutes before he opened +it. It was a couple of inches long, of the usual form, and had a cover +of brown leather. In the left upper corner were the letters A. L. in +gold. The leaves of the book, about fifty in all, were of a fine quality +of paper and covered with close writing. On the first leaves the writing +was fine and delicate, calm and orderly, but later on it was irregular +and uncertain, as if penned by a trembling hand under stress of terror. +This change came in the leaves of the book which followed the strange +and terrible title, "How I was murdered." + +Before Muller began to read he felt the covers of the book carefully. In +one of them there was a tiny pocket, in which he found a little piece of +wall paper of a noticeable and distinctly ugly pattern. The paper had a +dark blue ground with clumsy lines of gold on it. In the pocket he +found also a tramway ticket, which had been crushed and then carefully +smoothed out again. After looking at these papers, Muller replaced them +in the cover of the notebook. The book itself was strongly perfumed with +the same odour which had exhaled from the handkerchief. + +The detective did not begin his reading in that part of the book which +followed the mysterious title, as the commissioner had done. He began +instead at the very first words. + +"Ah! she is still young," he murmured, when he had read the first lines. +"Young, in easy circumstances, happy and contented." + +These first pages told of pleasure trips, of visits from and to good +friends, of many little events of every-day life. Then came some +accounts, written in pencil, of shopping expeditions to the city. Costly +laces and jewels had been bought, and linen garments for children by the +dozen. "She is rich, generous, and charitable," thought the detective, +for the book showed that the considerable sums which had been spent here +had not been for the writer herself. The laces bore the mark, "For our +church"; behind the account for the linen stood the words, "For the +charity school." + +Muller began to feel a strong sympathy for the writer of these notices. +She showed an orderly, almost pedantic, character, mingled with +generosity of heart. He turned leaf after leaf until he finally came to +the words, written in intentionally heavy letters, "How I was murdered." + +Muller's head sank down lower over these mysterious words, and his eyes +flew through the writing that followed. It was quite a different writing +here. The hand that penned these words must have trembled in deadly +terror. Was it terror of coming death, foreseen and not to be escaped? +or was it the trembling and the terror of an overthrown brain? It was +undoubtedly, in spite of the difference, the same hand that had penned +the first pages of the book. A few characteristic turns of the writing +were plainly to be seen in both parts of the story. But the ink was +quite different also. The first pages had been written with a delicate +violet ink, the later leaves were penned with a black ink of uneven +quality, of the kind used by poor people who write very seldom. The +words of this later portion of the book were blurred in many places, as +if the writer had not been able to dry them properly before she turned +the leaves. She therefore had had neither blotting paper nor sand at her +disposal. + +And then the weird title! + +Was it written at the dictation of insanity? or did A. L. know, while +she wrote it, that it was too late for any help to reach her? Did she +see her doom approaching so clearly that she knew there was no escape? + +Muller breathed a deep breath before he continued his reading. Later +on his breath came more quickly still, and he clinched his fist several +times, as if deeply moved. He was not a cold man, only thoroughly +self-controlled. In his breast there lived an unquenchable hatred of +all evil. It was this that awakened the talents which made him the +celebrated detective he had become. + +"I fear that it will be impossible for any one to save me now, but +perhaps I may be avenged. Therefore I will write down here all that +has happened to me since I set out on my journey." These were the first +words that were written under the mysterious title. Muller had just read +them when the commissioner entered. + +"Will you speak to Amster; he has just returned?" he asked. + +Muller rose at once. "Certainly. Did you telegraph to all the railway +stations?" + +"Yes," answered the commissioner, "and also to the other police +stations." + +"And to the hospitals?--asylums?" + +"No, I did not do that." Commissioner von Mayringen blushed, a blush +that was as becoming to him as was his frank acknowledgment of his +mistake. He went out to remedy it at once, while Muller heard Amster's +short and not particularly important report. The workingman was +evidently shivering, and the detective handed him a glass of tea with a +good portion of rum in it. + +"Here, drink this; you are cold. Are you ill?" Amster smiled sadly. "No, +I am not ill, but I was discharged to-day and am out of work now--that's +almost as bad." + +"Are you married?" + +"No, but I have an old mother to support." + +"Leave your address with the commissioner. He may be able to find work +for you; we can always use good men here. But now drink your tea." +Amster drank the glass in one gulp. "Well, now we have lost the trail +in both directions," said Muller calmly. "But we will find it again. You +can help, as you are free now anyway. If you have the talent for that +sort of thing, you may find permanent work here." + +A gesture and a look from the workingman showed the detective that the +former did not think very highly of such occupation. Muller laid his +hand on the other's shoulder and said gravely: "You wouldn't care to +take service with us? This sort of thing doesn't rate very high, I know. +But I tell you that if we have our hearts in the right place, and our +brains are worth anything, we are of more good to humanity than many +an honest citizen who wouldn't shake hands with us. There--and now I am +busy. Goodnight." + +With these words Muller pushed the astonished man out of the room, shut +the door, and sat down again with his little book. This is what he read: + +"Wednesday--is it Wednesday? They brought me a newspaper to-day which +had the date of Wednesday, the 20th of November. The ink still smells +fresh, but it is so damp here, the paper may have been older. I do not +know surely on what day it is that I begin to write this narrative. I do +not know either whether I may not have been ill for days and weeks; I do +not know what may have been the matter with me--I know only that I was +unconscious, and that when I came to myself again, I was here in this +gloomy room. Did any physician see me? I have seen no one until to-day +except the old woman, whose name I do not know and who has so little to +say. She is kind to me otherwise, but I am afraid of her hard face and +of the smile with which she answers all my questions and entreaties. +'You are ill.' These are the only words that she has ever said to me, +and she pointed to her forehead as she spoke them. She thinks I am +insane, therefore, or pretends to think so. + +"What a hoarse voice she has. She must be ill herself, for she coughs +all night long. I can hear it through the wall--she sleeps in the next +room. But I am not ill, that is I am not ill in the way she says. I have +no fever now, my pulse is calm and regular. I can remember everything, +until I took that drink of tea in the railway station. What could there +have been in that tea? I suppose I should have noticed how anxious my +travelling companion was to have me drink it. + +"Who could the man have been? He was so polite, so fatherly in his +anxiety about me. I have not seen him since then. And yet I feel that it +is he who has brought me into this trap, a trap from which I may never +escape alive. I will describe him. He is very tall, stout and blond, +and wears a long heavy beard, which is slightly mixed with grey. On his +right cheek his beard only partly hides a long scar. His eyes are hidden +by large smoked glasses. His voice is low and gentle, his manners most +correct--except for his giving people poison or whatever else it was in +that tea. + +"I did not suffer any--at least I do not remember anything except +becoming unconscious. And I seem to have felt a pain like an iron ring +around my head. But I am not insane, and this fear that I feel does +not spring from my imagination, but from the real danger by which I am +surrounded. I am very hungry, but I do not dare to eat anything except +eggs, which cannot be tampered with. I tasted some soup yesterday, and +it seemed to me that it had a queer taste. I will eat nothing that is at +all suspicious. I will be in my full senses when my murderers come; they +shall not kill me by poison at least. + +"When I came to my senses again--it was the evening of the day before +yesterday--I found a letter on the little table beside my bed. It was +written in French, in a handwriting that I had never seen before, and +there was no signature. + +"This strange letter demanded of me that I should write to my guardian, +calmly and clearly, to say that for reasons which I did not intend +to reveal, I had taken my own life. If I did this my present place of +sojourn would be exchanged for a far more agreeable one, and I would +soon be quite free. But if I did not do it, I would actually be put to +death. A pen, ink and paper were ready there for the answer. + +"'Never,' I wrote. And then despair came over me, and I may have indeed +appeared insane. The old woman came in. I entreated and implored her to +tell me why this dreadful fate should have overtaken me. She remained +quite indifferent and I sank back, almost fainting, on the bed. She laid +a moist cloth over my face, a cloth that had a peculiar odour. I soon +fell asleep. It seemed to me that there was some one else besides the +woman in the room with me. Or was she talking to herself? Next morning +the letter and my answer had disappeared. It was as I thought; there +was some one else in my room. Some one who had come on the tramway. I +found the ticket on the carpet beside my bed. I took it and put it in my +notebook!!!!! + +"I believe that it is Sunday to-day. It is four days now since I have +been conscious. The first sound that I remember hearing was the blast of +a horn. It must come from a factory very near me. The old windows in my +room rattle at the sound. I hear it mornings and evenings and at noon, +on week days. I did not hear it to-day, so it must be Sunday. It was +Monday, the 18th of November, that I set out on my trip, and reached +here in the evening--(here? I do not know where I am), that is, I set +out for Vienna, and I know that I reached the Northern Railway station +there in safety. + +"I was cold and felt a little faint--and then he offered me the tea--and +what happened after that? Where am I? The paper that they gave me may +have been a day or two old or more. And to-day is Sunday--is it the +first Sunday since my departure from home? I do not know. I know only +this, that I set out on the 18th of November to visit my kind old +guardian, and to have a last consultation with him before my coming of +age. And I know also that I have fallen into the hands of some one who +has an interest in my disappearance. + +"There is some one in the next room with the old woman. I hear a man's +voice and they are quarrelling. They are talking of me. He wants her to +do something which she will not do. He commands her to go away, but she +refuses. What does he mean to do? I do not want her to leave me alone. I +do not hate her any more; I know that she is not bad. When I listened +I heard her speaking of me as of an insane person. She really believes +that I am ill. When the man went away he must have been angry. He +stamped down the stairs until the steps creaked under his tread: I know +it is a wooden staircase therefore. + +"I am safe from him to-day, but I am really ill of fright. Am I really +insane? There is one thing that I have forgotten to write down. When +I first came to myself I found a bit of paper beside me on which was +written, 'Beware of calling in help from outside. One scream will mean +death to you.' It was written in French like the letter. Why? Was it +because the old woman could not read it? She knew of the piece of +paper, for she took it away from me. It frightens me that I should have +forgotten to write this down. Am I really ill? If I am not yet ill, this +terrible solitude will make me so. + +"What a gloomy room this is, this prison of mine. And such a strange +ugly wall-paper. I tore off a tiny bit of it and hid it in this little +book. Some one may find it some day and may discover from it this place +where I am suffering, and where I shall die, perhaps. There cannot be +many who would buy such a pattern, and it must be possible to find the +factory where it was made. And I will also write down here what I can +see from my barred window. Far down below me there is a rusty tin roof, +it looks like as if it might belong to a sort of shed. In front and to +the right there are windowless walls; to the left, at a little distance, +I can see a slender church spire, greenish in colour, probably covered +with copper, and before the church there are two poplar trees of +different heights. + +"Another day has passed, a day of torturing fear! Am I really insane? I +know that I see queer things. This morning I looked towards the window +and I saw a parrot sitting there! I saw it quite plainly. It ruffled +up its red and green feathers and stared at me. I stared back at it and +suddenly it was gone. I shivered. Finally I pulled myself together and +went to the window. There was no bird outside nor was there a trace of +any in the snow on the window sill. Could the wind have blown away the +tracks so soon, or was it really my sick brain that appeared to see this +tropical bird in the midst of the snow? It is Tuesday to-day; from now +on I will carefully count the days--the days that still remain to me. + +"This morning I asked the old woman about the parrot. She only smiled +and her smile made me terribly afraid. The thought that this thing which +is happening to me, this thing that I took to be a crime, may be only +a necessity--the thought fills me with horror! Am I in a prison? or is +this the cell of an insane asylum? Am I the victim of a villain? or am I +really mad? My pulse is quickening, but my memory is quite clear; I can +look back over every incident in my life. + +"She has just taken away my food. I asked her to bring me only eggs as I +was afraid of everything else. She promised that she would do it. + +"Are they looking for me? My guardian is Theodore Fellner, Cathedral +Lane, 14. My own name is Asta Langen. + +"They took away my travelling bag, but they did not find this little +book and the tiny bottle of perfume which I had in the pocket of my +dress. And I found this old pen and a little ink in a drawer of the +writing table in my room. + +"Wednesday. The stranger was here again to-day. I recognised his soft +voice. He spoke to the woman in the hall outside my room. I listened, +but I could catch only a few words. 'To-morrow evening--I will come +myself--no responsibility for you.' Were these words meant for me? Are +they going to take me away? Where will they take me? Then they do not +dare to kill me here? My head is burning hot. I have not dared to drink +a drop of liquid for four days. I dare not take anything into which they +might have put some drug or some poison. + +"Who could have such an interest in my death? It cannot be because of +the fortune which is to be mine when I come of age; for if I die, my +father has willed it to various charitable institutions. I have no +relatives, at least none who could inherit my money. I had never harmed +any one; who can wish for my death? + +"There is somebody with her, somebody was listening at the door. I have +a feeling as if I was being watched. And yet--I examined the door, but +there is no crack anywhere and the key is in the lock. Still I seem to +feel a burning glance resting on me. Ah! the parrot! is this another +delusion? Oh God, let it end soon! I am not yet quite insane, but all +these unknown dangers around me will drive me mad. I must fight against +them. + +"Thursday. They brought me back my travelling bag. My attendant is +uneasy. She was longer in cleaning up the room than usual to-day. She +seemed to want to say something to me, and yet she did not dare to +speak. Is something to happen to-day then? I did not close my eyes all +night. Can one be made insane from a distance? hypnotised into it, as +it were? I will not allow fear alone to make me mad. My enemy shall not +find it too easy. He may kill my body, but that is all--" + +These were the last words which Asta Langen had written in her notebook, +the little book which was the only confidant of her terrible need. When +the detective had finished reading it, he closed his eyes for a few +minutes to let the impression made by the story sink into his mind. + +Then he rose and put on his overcoat. He entered the commissioner's room +and took up his hat and cane. + +"Where are you going, Muller?" asked Herr Von Mayringen. + +"To Cathedral Lane, if you will permit it." + +"At this hour? it is quarter past eleven! Is there any such hurry, do +you think? There is no train from any of our stations until morning. And +I have already sent a policeman to watch the house. Besides, I know that +Fellner is a highly respected man. + +"There is many a man who is highly respected until he is found out," +remarked the detective. + +"And you are going to find out about Fellner?" smiled the commissioner. +"And this evening, too?" + +"This very evening. If he is asleep I shall wake him up. That is the +best time to get at the truth about a man." + +The commissioner sat down at his desk and wrote out the necessary +credentials for the detective. A few moments later Muller was in the +street. He left the notebook with the commissioner. It was snowing +heavily, and an icy north wind was howling through the streets. Muller +turned up the collar of his coat and walked on quickly. It was just +striking a quarter to twelve when he reached Cathedral Lane. As he +walked slowly along the moonlit side of the pavement, a man stepped out +of the shadow to meet him. It was the policeman who had been sent to +watch the house. Like Muller, he wore plain clothes. + +"Well?" the latter asked. + +"Nothing new. Mr. Fellner has been ill in bed several days, quite +seriously ill, they tell me. The janitor seems very fond of him." + +"Hm--we'll see what sort of a man he is. You can go back to the station +now, you must be nearly frozen standing here." + +Muller looked carefully at the house which bore the number 14. It was a +handsome, old-fashioned building, a true patrician mansion which looked +worthy of all confidence. But Muller knew that the outside of a house +has very little to do with the honesty of the people who live in it. +He rang the bell carefully, as he wished no one but the janitor to hear +him. + +The latter did not seem at all surprised to find a stranger asking for +the owner of the house at so late an hour. "You come with a telegram, I +suppose? Come right up stairs then, I have orders to let you in." + +These were the words with which the old janitor greeted Muller. The +detective could see from this that Mr. Theodore Fellner's conscience +must be perfectly clear. The expected telegram probably had something +to do with the non-appearance of Asta Langen, of whose terrible fate her +guardian evidently as yet knew nothing. The janitor knocked on one of +the doors, which was opened in a few moments by an old woman. + +"Is it the telegram?" she asked sleepily. + +"Yes," said the janitor. + +"No," said Muller, "but I want to speak to Mr. Fellner." + +The two old people stared at him in surprise. + +"To speak to him?" said the woman, and shook her head as if in doubt. +"Is it about Miss Langen?" + +"Yes, please wake him." + +"But he is ill, and the doctor--" + +"Please wake him up. I will take the responsibility." + +"But who are you?" asked the janitor. + +Muller smiled a little at this belated caution on the part of the +old man, and answered. "I will tell Mr. Fellner who I am. But please +announce me at once. It concerns the young lady." His expression was +so grave that the woman waited no longer, but let him in and then +disappeared through another door. The janitor stood and looked at Muller +with half distrustful, half anxious glances. + +"It's no good news you bring," he said after a few minutes. + +"You may be right." + +"Has anything happened to our dear young lady?" + +"Then you know Miss Asta Langen and her family?" + +"Why, of course. I was in service on the estate when all the dreadful +things happened." + +"What things?" + +"Why the divorce--and--but you are a stranger and I shouldn't talk about +these family affairs to you. You had better tell me what has happened to +our young lady." + +"I must tell that to your master first." + +The woman came back at this moment and said to Muller, "Come with +me, please. Berner, you are to stay here until the gentleman goes out +again." + +Muller followed her through several rooms into a large bed-chamber where +he found an elderly man, very evidently ill, lying in bed. + +"Who are you?" asked the sick man, raising his head from the pillow. The +woman had gone out and closed the door behind her. + +"My name is Muller, police detective. Here are my credentials." + +Fellner glanced hastily at the paper. "Why does the police send to me?" + +"It concerns your ward." + +Fellner sat upright in bed now. He leaned over towards his visitor as he +said, pointing to a letter on the table beside his bed, "Asta's overseer +writes me from her estate that she left home on the 18th of November to +visit me. She should have reached here on the evening of the 18th, and +she has not arrived yet. I did not receive this letter until to-day." + +"Did you expect the young lady?" + +"I knew only that she would arrive sometime before the third of +December. That date is her twenty-fourth birthday and she was to +celebrate it here." + +"Did she not usually announce her coming to you?" + +"No, she liked to surprise me. Three days ago I sent her a telegram +asking her to bring certain necessary papers with her. This brought the +answer from the overseer of her estate, an answer which has caused me +great anxiety. Your coming makes it worse, for I fear--" The sick man +broke off and turned his eyes on Muller; eyes so full of fear and grief +that the detective's heart grew soft. He felt Fellner's icy hand on his +as the sick man murmured: "Tell me the truth! Is Asta dead?" + +The detective shrugged his shoulders. "We do not know yet. She was alive +and able to send a message at half past eight this evening." + +"A message? To whom?" + +"To the nearest police station." Muller told the story as it had come to +him. + +The old man listened with an expression of such utter dazed terror that +the detective dropped all suspicion of him at once. + +"What a terrible riddle," stammered the sick man as the other finished +the story. + +"Would you answer me several questions?" asked Muller. The old gentleman +answered quickly, "Any one, every one." + +"Miss Langen is rich?" + +"She has a fortune of over three hundred thousand guldens, and +considerable land." + +"Has she any relatives?" + +"No," replied Fellner harshly. But a thought must have flashed through +his brain for he started suddenly and murmured, "Yes, she has one +relative, a step-brother." + +The detective gave an exclamation of surprise. + +"Why are you astonished at this?" asked Fellner. + +"According to her notebook, the young lady does not seem to know of this +step-brother." + +"She does not know, sir. There was an ugly scandal in her family before +her birth. Her father turned his first wife and their son out of his +house on one and the same day. He had discovered that she was deceiving +him, and also that her son, who was studying medicine at the time, had +stolen money from his safe. What he had discovered about his wife made +Langen doubt whether the boy was his son at all. There was a terrible +scene, and the two disappeared from their home forever. The woman died +soon after. The young man went to Australia. He has never been heard of +since and has probably come to no good." + +"Might he not possibly be here in Europe again, watching for an +opportunity to make a fortune?" + +Fellner's hand grasped that of his visitor. The eyes of the two men +gazed steadily at each other. The old man's glance was full of sudden +helpless horror, the detective's eyes shone brilliantly. Muller spoke +calmly: "This is one clue. Is there no one else who could have an +interest in the young lady's death?" + +"No one but Egon Langen, if he bear this name by right, and if he is +still alive." + +"How old would he be now?" + +"He must be nearly forty. It was many years before Langen married +again." + +"Do you know him personally?" + +"Have you a picture of Miss Langen?" + +Fellner rang a bell and Berner appeared. "Give this gentleman Miss +Asta's picture. Take the one in the silver frame on my desk;" the old +gentleman's voice was friendly but faint with fatigue. His old servant +looked at him in deep anxiety. Fellner smiled weakly and nodded to the +man. "Sad news, Berner! Sad news and bad news. Our poor Asta is being +held a prisoner by some unknown villain who threatens her with death." + +"My God, is it possible? Can't we help the poor young lady?" + +"We will try to help her, or if it is--too late, we will at least avenge +her. My entire fortune shall be given up for it. But bring her picture +now." + +Berner brought the picture of a very pretty girl with a bright +intelligent face. Muller took the picture out of the frame and put it in +his pocket. + +"You will come again? soon? And remember, I will give ten thousand +guldens to the man who saves Asta, or avenges her. Tell the police to +spare no expense--I will go to headquarters myself to-morrow." + +Fellner was a little surprised that Muller, although he had already +taken up his hat, did not go. The sick man had seen the light flash up +in the eyes of the other as he named the sum. He thought he understood +this excitement, but it touched him unpleasantly and he sank back, +almost frightened, in his cushions as the detective bent over him with +the words "Good. Do not forget your promise, for I will save Miss Langen +or avenge her. But I do not want the money for myself. It is to go to +those who have been unjustly convicted and thus ruined for life. It may +give the one or the other of them a better chance for the future." + +"And you? what good do you get from that?" asked the old gentleman, +astonished. A soft smile illumined the detective's plain features and +he answered gently, "I know then that there will be some poor fellow who +will have an easier time of it than I have had." + +He nodded to Fellner, who had already grasped his hand and pressed it +hard. A tear ran down his grey beard, and long after Muller had gone the +old gentleman lay pondering over his last words. + +Berner led the visitor to the door. As he was opening it, Muller asked: +"Has Egon Langen a bad scar on his right cheek?" + +Berner's eyes looked his astonishment. How did the stranger know this? +And how did he come to mention this forgotten name. + +"Yes, he has, but how did you know it?" he murmured in surprise. He +received no answer, for Muller was already walking quickly down the +street. The old man stared after him for some few minutes, then suddenly +his knees began to tremble. He closed the door with difficulty, and +sank down on a bench beside it. The wind had blown out the light of his +lantern; Berner was sitting in the dark without knowing it, for a sudden +terrible light had burst upon his soul, burst upon it so sharply that +he hid his eyes with his hands, and his old lips murmured, "Horrible! +Horrible! The brother against the sister." + +The next morning was clear and bright. Muller was up early, for he had +taken but a few hours sleep in one of the rooms of the station, before +he set out into the cold winter morning. At the next corner he +found Amster waiting for him. "What are you doing here?" he asked in +astonishment. + +"I have been thinking over what you said to me yesterday. Your profession +is as good and perhaps better than many another." + +"And you come out here so early to tell me that?" + +Amster smiled. "I have something else to say." + +"Well?" + +"The commissioner asked me yesterday if I knew of a church in the city +that had a slender spire with a green top and two poplars in front of +it." + +Muller looked his interest. + +"I thought it might possibly be the Convent Church of the Grey Sisters, +but I wasn't quite sure, so I went there an hour ago. It's all right, +just as I thought. And I suppose it has something to do with the case of +last night, so I thought I had better report at once. I was on my way to +the station." + +"That will do very well. You have saved us much time and you have shown +that you are eminently fitted for this business." + +"If you really will try me, then--" + +"We'll see. You can begin on this. Come to the church with me now." +Muller was no talker, particularly not when, as now, his brain was busy +on a problem. + +The two men walked on quickly. In about half an hour they found +themselves in a little square in the middle of which stood an old +church. In front of the church, like giant sentinels, stood a pair of +tall poplars. One of them looked sickly and was a good deal shorter than +its neighbour. Muller nodded as if content. + +"Is this the church the commissioner was talking about?" queried Amster. + +"It is," was the answer. Muller walked on toward a little house built up +against the church, which was evidently the dwelling of the sexton. + +The detective introduced himself to this official, who did not look +over-intelligent, as a stranger in the city who had been told that the +view from the tower of the church was particularly interesting. A bright +silver piece banished all distrust from the soul of the worthy man. With +great friendliness he inquired when the gentlemen would like to ascend +the tower. "At once," was the answer. + +The sexton took a bunch of keys and told the strangers to follow him. A +few moments later Muller and his companion stood in the tiny belfry room +of the slender spire. The fat sexton, to his own great satisfaction, +had yielded to their request not to undertake the steep ascent. The +cloudless sky lay crystal clear over the still sleeping city and the +wide spread snow-covered fields which lay close at hand, beyond the +church. On the one side were gardens and the low rambling buildings +of the convent, and on the other were huddled high-piled dwellings of +poverty. + +Muller looked out of each of the four windows in turn. He spent some +time at each window, but evidently without discovering what he looked +for, for he shook his head in discontent. But when he went once more to +the opening in the East, into which the sun was just beginning to pour +its light, something seemed to attract his attention. He called Amster +and pointed from the window. "Your eyes are younger than mine, lend them +to me. What do you see over there to the right, below the tall factory +chimney?" Muller's voice was calm, but there was something in his manner +that revealed excitement. Amster caught the infection without knowing +why. He looked sharply in the direction towards which Muller pointed, +and began: "There is a tall house near the chimney, to the right of +it, one wall touching it. The house is crowded in between other newer +buildings, and looks to be very old and of a much better sort than +its neighbours. The other houses are plain stone, but this house has +carvings and statues on it, which are white with snow. But the house is +in bad condition, one can see cracks in the wall." + +"And its windows?" + +"I cannot see them. They must be on the other side of the house, towards +the courtyard which seems to be hemmed in by the blank walls of the +other houses." + +"And at the front of the house?" + +"There is a low wall in front which shuts off the courtyard from a +narrow, ill-kept street." + +"Yes, I see it myself now. The street is bordered mainly by gardens and +vacant lots." + +"Yes, sir, that is it." Muller nodded as if satisfied. Amster looked +at him in surprise, still more surprised, however, at the excitement +he felt himself. He did not understand it, but Muller understood it. He +knew that he had found in Amster a talent akin to his own, one of those +natures who once having taken up a trail cannot rest until they reach +their goal. He looked for a few moments in satisfaction at the assistant +he had found by such chance, then he turned and hastened down the stairs +again. + +"We're going to that house?" asked Amster when they were down in the +street. Muller nodded. + +Without hesitation the two men made their way through a tangle of dingy, +uninteresting alleys, between modern tenements, until about ten minutes +later they stood before an old three-storied building, which had a +frontage of four windows on the street. "This is our place," said the +detective, looking up at the tall, handsome gateway and the rococo +carvings that ornamented the front of this decaying dwelling. It was +very evidently of a different age and class from those about it. + +Muller had already raised his hand to pull the bell, when he stopped and +let it sink again. His eye caught sight of a placard pasted up on the +wall of the next house, and already half torn off by the wind. The +detective walked over, and raising the placard with his cane, read the +words on it. "That's right," he said to himself. Amster gave a look on +the paper. But he could not connect the contents of the notice with +the case of the kidnapped lady, and he shook his head in surprise when +Muller turned to him with the words: "The lady we are looking for is not +insane." On the paper was announced in large letters that a reward would +be offered to the finder of a red and green parrot which had escaped +from a neighbouring house. + +Muller rang the bell and they had to wait some few minutes before the +door opened with great creakings, and the towsled head of an old woman +peered out. + +"What do you want?" she asked hoarsely, with distrustful looks. + +"Let us in, and then give us the keys of the upstairs rooms." Muller's +voice was friendly, but the woman grew perceptibly paler. + +"Who are you?" she stammered. Muller threw back his overcoat and showed +her his badge. "But there is nobody here, the house is quite empty." + +"There were a lady and gentleman here last evening." The woman threw +a frightened look at Muller, then she said hesitatingly: "The lady was +insane and has been taken to an asylum." + +"That is what the man told you. He is a criminal and the police are +looking for him." + +"Come with me," murmured the woman. She seemed to understand that +further resistance was useless. She carefully locked the outside door. +Amster remained down stairs in the corridor, while Muller followed the +old woman up the stairs. The staircase to the third story was made of +wood. The house was evidently very old, with low ceilings and many dark +corners. + +The woman led Muller into the room in which she had cared for the +strange lady at the order of the latter's "husband." He had told her +that it was only until he could take the lady to an asylum. One look at +the wall paper, a glance out of the window, and Muller knew that this +was where Asta Langen had been imprisoned. He sat down on a chair and +looked at the woman, who stood frightened before him. + +"Do you know where they have taken the lady?" + +"No, sir. + +"Do you know the gentleman's name?" + +"No, sir. + +"You did not send the lady's name to the authorities?" * + +"No, sir." + + * Any stranger taking rooms in a hotel or lodging house must + be registered with the police authorities by the proprietor + of the house within forty-eight hours of arrival. + +"Were you not afraid you would get into trouble?" + +"The gentleman paid me well, and I did not think that he meant anything +bad, and--and--" + +"And you did not think that it would be found out?" said Muller sternly. + + +"I took good care of the lady." + +"Yes, we know that." + +"Did she escape from her husband?" + +"He was not her husband. But now tell me all you know about these +people; the more truthful you are the better it will be for you." + +The old woman was so frightened that she could scarcely find strength to +talk. When she finally got control of herself again she began: "He came +here on the first of November and rented this room for himself. But he +was here only twice before he brought the lady and left her alone here. +She was very ill when he brought her here--so ill that he had to carry +her upstairs. I wanted to go for a doctor, but he said he was a doctor +himself, and that he could take care of his wife, who often had such +attacks. He gave me some medicine for her after I had put her to bed. I +gave her the drops, but it was a long while before she came to herself +again. + +"Then he told me that she had lost her mind, and that she believed +everybody was trying to harm her. She was so bad that he was taking her +to an asylum. But he hadn't found quite the right place yet, and wanted +me to keep her here until he knew where he could take her. Once he left +a revolver here by mistake. But I hid it so the lady wouldn't see it, +and gave it to the gentleman the next time he came. He was angry at +that, though I couldn't see why, and said I shouldn't have touched it." + +The woman had told her story with much hesitation, and stopped +altogether at this point. She had evidently suddenly realised that the +lady was not insane, but only in great despair, and that people in +such a state will often seek death, particularly if any weapon is left +conveniently within their reach. + +"What did this gentleman look like?" asked Muller, to start her talking +again. She described her tenant as very tall and stout with a long +beard slightly mixed with grey. She had never seen his eyes, for he wore +smoked glasses. + +"Did you notice anything peculiar about his face?" + +"No, nothing except that his beard was very heavy and almost covered his +face." + +"Could you see his cheeks at all?" + +"No, or else I didn't notice." + +"Did he leave nothing that might enable us to find him?" + +"No, sir, nothing. Or yes, perhaps, but I don't suppose that will be any +good." + +"What was it? What do you mean?" + +"It gave him a good deal of trouble to get the lady into the wagon, +because she had fainted again. He lost his glove in doing it. I have it +down stairs in my room, for I sleep down stairs again since the lady has +gone." + +Muller had risen from his chair and walked over to the old writing desk +which stood beside one window. There were several sheets of ordinary +brown paper on it and sharp pointed pencil and also something not +usually found on writing desks, a piece of bread from which some of the +inside had been taken. "Everything as I expected it," he said to himself. +"The young lady made up the package in the last few moments that she was +left alone here." + +He turned again to the old woman and commanded her to lead him down +stairs. "What sort of a carriage was it in which they took the lady +away?" he asked as they went down. + +"A closed coupe." + +"Did you see the number?" + +"No, sir. But the carriage was very shabby and so was the driver." + +"Was he an old man?" + +"He was about forty years old, but he looked like a man who drank. He +had a light-coloured overcoat on." + +"Good. Is this your room?" + +"Yes, sir." + +They were now in the lower corridor, where they found Amster walking up +and down. The woman opened the door of the little room, and took a glove +from a cupboard. Muller put it in his pocket and told the woman not to +leave the house for anything, as she might be sent for to come to the +police station at any moment. Then he went out into the street with +Amster. When they were outside in the sunlight, he looked at the glove. +It was a remarkably small size, made for a man with a slender, delicate +hand, not at all in accordance with the large stout body of the man +described by the landlady. Muller put his hand into the glove and found +something pushed up into the middle finger. He took it out and found +that it was a crumpled tramway ticket. + +"Look out for a shabby old closed coupe, with a driver about forty years +old who looks like a drunkard and wears a light overcoat. If you find +such a cab, engage it and drive in it to the nearest police station. +Tell them there to hold the man until further notice. If the cab is not +free, at least take his number. And one thing more, but you will know +that yourself,--the cab we are looking for will have new glass in the +right-hand window." Thus Muller spoke to his companion as he put the +glove into his pocket and unfolded the tramway ticket. Amster understood +that they had found the starting point of the drive of the night before. + +"I will go to all coupe stands," he said eagerly. + +"Yes, but we may be able to find it quicker than that." Muller took the +little notebook, which he was now carrying in his pocket, and took from +it the tramway ticket which was in the cover. He compared it with the +one he had just found. They were both marked for the same hour of the +day and for the same ride. + +"Did the man use them?" asked Amster. The detective nodded. "How can +they help us?" + +"Somewhere on this stretch of the street railroad you will probably find +the stand of the cab we are looking for. The man who hired it evidently +arrived on the 6:30 train at the West Station--I have reason to believe +that he does not live here,--and then took the street car to this +corner. The last ticket is marked for yesterday. In the car he probably +made his plans to hire a cab. So you had better stay along the line of +the car tracks. You will find me in room seven, Police Headquarters, +at noon to-day. The authorities have already taken up the case. You may +have something to tell us then. Good luck to you." + +Muller hurried on, after he had taken a quick breakfast in a little +cafe. He went at once to headquarters, made his report there and +then drove to Fellner's house. The latter was awaiting him with great +impatience. There the detective gathered much valuable information about +the first marriage of Asta Langen's long-dead father. It was old Berner +who could tell him the most about these long-vanished days. + +When he reached his office at headquarters again, he found telegrams in +great number awaiting him. They were from all the hospitals and insane +asylums in the entire district. But in none of them had there been +a patient fitting the description of the vanished girl. Neither the +commissioner nor Muller was surprised at this negative result. They +were also not surprised at all that the other branches of the police +department had been able to discover so little about the disappearance +of the young lady. They were aware that they had to deal with a criminal +of great ability who would be careful not to fall into the usual slips +made by his kind. + +There was no news from the cab either, although several detectives were +out looking for it. It was almost nightfall when Amster ran breathlessly +into room number seven. "I have him! he's waiting outside across the +way!" This was Amster's report. + +Muller threw on his coat hastily. "You didn't pay him, did you? On +a cold day like this the drivers don't like to wait long in any one +place." + +"No danger. I haven't money enough for that," replied Amster with a +sad smile. Muller did not hear him as he was already outside. But +the commissioner with whom he had been talking and to whom Muller had +already spoken of his voluntary assistant, entered into a conversation +with Amster, and said to him finally: "I will take it upon myself to +guarantee your future, if you are ready to enter the secret service +under Muller's orders. If you wish to do this you can stay right on now, +for I think we will need you in this case." + +Amster bowed in agreement. His life had been troubled, his reputation +darkened by no fault of his own, and the work he was doing now had +awakened an interest and an ability that he did not know he possessed. +He was more than glad to accept the offer made by the official. + +Muller was already across the street and had laid his hand upon the door +of the cab when the driver turned to him and said crossly, "Some one +else has ordered me. But I am not going to wait in this cold, get in if +you want to." + +"All right. Now tell me first where you drove to last evening with the +sick lady and her companion?" The man looked astonished but found his +tongue again in a moment. "And who are you?" he asked calmly. + +"We will tell you that upstairs in the police station," answered Muller +equally calmly, and ordered the man to drive through the gateway into +the inner courtyard. He himself got into the wagon, and in the course +of the short drive he had made a discovery. He had found a tiny glass +stopper, such as is used in perfume bottles. He could understand from +this why the odour of perfume which had now become familiar to him was +still so strong inside the old cab. Also why it was so strong on the +delicate handkerchief. Asta Langen had taken the stopper from the bottle +in her pocket, so as to leave a trail of odour behind her. + + + + +CHAPTER THREE. THE LONELY COTTAGE + + +Fifteen minutes after the driver had made his report to Commissioner +Von Mayringen, the latter with Amster entered another cab. A well-armed +policeman mounted the box of this second vehicle. "Follow that cab +ahead," the commissioner told his driver. The second cab followed the +one-horse coupe in which Muller was seated. They drove first to No. 14 +Cathedral Lane, where Muller told Berner to come with him. He found Mr. +Fellner ready to go also, and it was with great difficulty that he could +dissuade the invalid, who was greatly fatigued by his morning visit to +the police station, from joining them. + +The carriages then drove off more quickly than before. It was now quite +dark, a gloomy stormy winter evening. Muller had taken his place on the +box of his cab and sat peering out into the darkness. In spite of the +sharp wind and the ice that blew against his face the detective could +see that they were going out from the more closely built up portions of +the city, and were now in new streets with half-finished houses. Soon +they passed even these and were outside of the city. The way was lonely +and dreary, bordered by wooden fences on both sides. Muller looked +sharply to right and to left. + +"You should have become alarmed here," he said to the driver, pointing +to one part of the fence. + +"Why?" asked the man. + +"Because this is where the window was broken." + +"I didn't know that--until I got home." + +"H'm; you must have been nicely drunk." + +The driver murmured something in his beard. + +"Stop here, this is your turn, down that street," Muller said a few +moments later, as the driver turned the other way. + +"How do you know that?" asked the man, surprised. + +"None of your business." + +"This street will take us there just the same." + +"Probably, but I prefer to go the way you went yesterday." + +"Very well, it's all the same to me." They were silent again, only +the wind roared around them, and somewhere in the distance a fog horn +moaned. + +It was now six o'clock. The snow threw out a mild light which could not +brighten the deep darkness around them. About half an hour later the +first cab halted. "There's the house up there. Shall I drive to the +garden gate?" + +"No, stop here." Muller was already on the ground. "Are there any dogs +here?" he asked. + +"I didn't hear any yesterday." + +"That's of no value. You didn't seem to hear much of anything +yesterday." Muller opened the door of the cab and helped Berner out. The +old man was trembling. "That was a dreadful drive!" he stammered. + +"I hope you will be happier on the drive back," said the detective and +added, "You stay here with the commissioner now." + +The latter had already left his cab with his companion. His sharp eyes +glanced over the heavily shaded garden and the little house in its +midst. A little light shone from two windows of the first story. The +men's eyes looked toward them, then the detective and Amster walked +toward a high picket fence which closed the garden on the side nearest +its neighbours. They shook the various pickets without much caution, +for the wind made noise enough to kill any other sound. Amster called to +Muller, he had found a loose picket, and his strong young arms had torn +it out easily. Muller motioned to the other three to join them. A moment +later they were all in the garden, walking carefully toward the house. + +The door was closed but there were no bars at the windows of the ground +floor. Amster looked inquiringly at the commissioner and the latter +nodded and said, "All right, go ahead." + +The next minute Amster had broken in through one pane of the window and +turned the latch. The inner window was broken already so that it was not +difficult for him to open it without any further noise. He disappeared +into the dark room within. In a few seconds they heard a key turn in the +door and it opened gently. The men entered, all except the policeman, +who remained outside. The blind of his lantern was slightly opened, and +he had his revolver ready in his hand. + +Muller had opened his lantern also, and they saw that they were in a +prettily furnished corridor from which the staircase and one door led +out. + +The four men tiptoed up the stairway and the commissioner stepped to +the first of the two doors which opened onto the upper corridor. He +turned the key which was in the lock, and opened the door, but they +found themselves in a room as dark as was the corridor. From somewhere, +however, a ray of light fell into the blackness. The official stepped +into the room, pulling Berner in after him. The poor old man was in a +state of trembling excitement when he found himself in the house where +his beloved young lady might already be a corpse. One step more and a +smothered cry broke from his lips. The commissioner had opened the door +of an adjoining room, which was lighted and handsomely furnished. Only +the heavy iron bars across the closed windows showed that the young lady +who sat leaning back wearily in an arm-chair was a prisoner. + +She looked up as they entered. The expression of utter despair and deep +weariness which had rested on her pale face changed to a look of terror; +then she saw that it was not her would-be murderer who was entering, but +those who came to rescue. A bright flush illumined her cheeks and her +eyes gleamed. But the change was too sudden for her tortured soul. She +rose from her chair, then sank fainting to the floor. + +Berner threw himself on his knees beside her, sobbing out, "She is +dying! She is dying!" + +Muller turned on the instant, for he had heard the door on the other +side of the hall open, and a tall slender man with a smooth face and a +deep scar on his right cheek stood on the threshold looking at them in +dazed surprise. For an instant only had he lost his control. The next +second he was in his room again, slamming the door behind him. But it +was too late. Amster's foot was already in the crack of the door and he +pushed it open to let Muller enter. "Well done," cried the latter, and +then he turned to the man in the room. "Here, stop that. I can fire +twice before you get the window open." + +The man turned and walked slowly to the centre of the room, sinking down +into an arm-chair that stood beside the desk. Neither Amster nor Muller +turned their eyes from him for a moment, ready for any attempt on his +part to escape. But the detective had already seen something that told +him that Langen was not thinking of flight. When he turned to the desk, +Muller had seen his eyes glisten while a scornful smile parted his +thin lips. A second later he had let his handkerchief fall, apparently +carelessly, upon the desk. But in this short space of time the +detective's sharp eyes had seen a tiny bottle upon which was a black +label with a grinning skull. Muller could not see whether the bottle was +full or empty, but now he knew that it must hold sufficient poison to +enable the captured criminal to escape open disgrace. Knowing this, +Muller looked with admiration at the calmness of the villain, whose +intelligent eyes were turned towards him in evident curiosity. + +"Who are you and who else is here with you?" asked the man calmly. + +"I am Muller of the Secret Service," replied his visitor and added, +"You must put up with us for the time being, Mr. Egon Langen. The police +commissioner is occupied with your step-sister, whom you were about to +murder." + +Langen put his hand to his cheek, looking at Muller between his lashes +as he said, "To murder? Who can prove that?" + +"We have all the proofs we need." + +"I will acknowledge only that I wanted Asta to disappear." + +Muller smiled. "What good would that have done you? You wanted her +entire fortune, did you not? But that could have come to you only after +thirty years, and you are not likely to have waited that long. Your plan +was to murder your step-sister, even if you could not get a letter from +her telling of her intention to commit suicide." + +Langen rose suddenly, but controlled himself again and sank back easily +in his chair. "Then the old woman has been talking?" he asked. + +Muller shook his head. "We knew it through Miss Langen herself." + +"She has spoken to no one for over ten days." + +"But you let her throw her notebook out of the window of the cab." + +"Ah--" + +"There, you see, you should not have let that happen." + +Drops of perspiration stood out on Langen's forehead. Until now, +perhaps, he had had some possible hope of escape. It was useless now, he +knew. + +As calmly as he had spoken thus far Muller continued. "For twenty years +I have been studying the hearts of criminals like yourself. But there +are things I do not understand about this case and it interests me very +much." + +Langen had wiped the drops from his forehead and he now turned on Muller +a face that seemed made of bronze. There was but one expression on it, +that of cold scorn. + +"I feel greatly flattered, sir, to think that I can offer a problem +to one of your experience," Langen began. His voice, which had been +slightly veiled before, was now quite clear. "Ask me all you like. I +will answer you." + +Muller began: "Why did you wait so long before committing the murder? +and why did you drag your victim from place to place when you could have +killed her easily in the compartment of the railway train?" + +"The windows of the compartment were open, my honoured friend, and it +was a fine warm evening for the season, because of which the windows in +the other compartment were also open. There was nothing else I could +do at that time then, except to offer Asta a cup of tea when she felt a +little faint upon leaving the train. I am a physician and I know how to +use the right drugs at the right time. When Asta had taken the tea, she +knew nothing more until she woke up a day later in a room in the city." + +"And the piece of paper with the threat on it? and the revolver you +left so handy for her? oh, but I forgot, the old woman took the weapon +away before the lady could use it in her despair," said Muller. + +"Quite right. I see you know every detail." + +"But why didn't you complete your crime in the room in the old house?" +persisted Muller. + +"Because I lost my false beard one day upon the staircase, and I feared +the old woman might have seen my face enough to recognise me again. I +thought it better to look for another place." + +"And then you found this house." + +"Yes, but several days later." + +"And you hired it in the name of Miss Asta Langen? Who would then have +been found dead here several days after you had entered the house?" + +"Several days, several weeks perhaps. I preferred to wait until the +woman who rented the house had read in the papers that Asta Langen had +disappeared and was being sought for. Somebody would have found her +here, and her identity would have easily been established, for I knew +that she had some important family documents with her." + +Muller was silent a moment, with an expression of deep pity on his face. +Then he continued: "Yes, someone would have found her, and her suicide +would have been a dark mystery, unless, of course, malicious tongues +would have found ugly reasons enough why a beautiful young lady should +hide herself in a lonely cottage to take her own life." + +Muller had spoken as if to himself. Egon Langen's lips, parted in a +smile so evil that Amster clenched his fists. + +"And you would not have regretted this ruining the reputation as well as +taking the life of an innocent girl?" asked the detective low and tense. + +"No, for I hated her." + +"You hated her because she was rich and innocent. She was very +charitable and would gladly have helped you if you were in need. Beside +this, you were entitled to a portion of your father's estate. It is +almost thirty thousand guldens, as Mr. Fellner tells me. Why did you not +take that?" + +"Fellner did not know that I had already received twenty thousand of +this when my father turned me out. He probably would have heard of it +later, for Berner was the witness. I did not care for the remaining ten +thousand because I would have the entire fortune after Asta's death. I +would have seen the official notice and the call for heirs in Australia, +and would have written from there, announcing that I was still alive. If +you had come several days later I should have been a rich man within a +year." + +His clenched fist resting on his knee, the rascal stared out ahead +of him when he ended his shameless confession. In his rage and +disappointment he had not noticed that Muller's hand dropped gently to +the desk and softly took a little bottle from under the handkerchief. +Langen came out of his dark thoughts only when Muller's voice broke the +silence. "But you miscalculated, if you expected to inherit from your +sister. She is still a minor and your father's will would have given you +only ten thousand guldens. + +"But you forget that Asta will be twenty-four on the third of December." + +"Ah, then you would have kept her alive until then." + +"You understand quickly," said Langen with a mocking smile. + +"But she disappeared on the eighteenth of November. How could you prove +that she died after her birthday, therefore in full possession of her +fortune and without leaving any will?" + +"That is very simple. I buy several newspapers every day. I would have +taken them up to the fourth and fifth of December and left them here +with the body." + +"You are more clever even than I thought," said the detective dryly as +he heard the commissioner's steps behind him. Muller put a whistle +to his lips and its shrill tone ran through the house, calling up the +policeman who stood by the door. + +Egon Langen's face was grey with pallor, his features were distorted, +and yet there was the ghost of a smile on his lips as he saw his captors +enter the door. He put his hand out, raised his handkerchief hastily +and then a wild scream echoed through the room, a scream that ended in a +ghastly groan. + +"I have taken your bottle, you might as well give yourself up quietly," +said Muller calmly, holding his revolver near Langen's face. The +prisoner threw himself at the detective but was caught and overpowered +by Amster and the policeman. + +A quarter of an hour later the cabs drove back toward the city. Inside +one cowered Egon Langen, watched by the policeman and Amster. Berner was +on the box beside the driver, telling the now interested man the story +of what had happened to his dear young lady. In the other cab sat Asta +Langen with Kurt von Mayringen and Muller. + +"Do you feel better now?" asked the young commissioner in sincere +sympathy that was mingled with admiration for the delicate beauty of +the girl beside him, an admiration heightened by her romantic story and +marvelous escape. + +Asta nodded and answered gently: "I feel as if some terrible weight were +lifted from my heart and brain. But I doubt if I will ever forget these +horrible days, when I had already come to accept it as a fact that--that +I was to be murdered." + +"This is the man to whom you owe your escape," said the commissioner, +laying his hand on Muller's knee. Asta did not speak, but she reached +out in the darkness of the cab, caught Muller's hand and would have +raised it to her lips, had not the little man drawn it away hastily. "It +was only my duty, dear young lady," he said. "A duty that is not onerous +when it means the rescue of innocence and the preventing of crime. It is +not always so, unfortunately--nor am I always so fortunate as in this +case." + +This indeed is what Muller calls a "case with a happy ending," for +scarcely a year later, to his own great embarrassment, he found himself +the most honoured guest, and a centre of attraction equally with the +bridal couple, at the marriage of Kurt von Mayringen and Asta Langen. +Muller asserts, however, that he is not a success in society, and that +he would rather unravel fifty difficult cases than again be the "lion" +at a fashionable function. + + + + + +End of the Project Gutenberg EBook of The Case of The Pocket Diary Found in +the Snow, by Grace Isabel Colbron and Augusta Groner + +*** END OF THIS PROJECT GUTENBERG EBOOK THE POCKET DIARY *** + +***** This file should be named 1834.txt or 1834.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/1/8/3/1834/ + +Produced by An Anonymous Project Gutenberg Volunteer + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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