summaryrefslogtreecommitdiff
path: root/1834-h
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 05:17:48 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 05:17:48 -0700
commit8a45bfc8b5496006986386d785360411dbc3b016 (patch)
treecccc444a0ff68c273af4c0c7aa093d9ab9f3f874 /1834-h
initial commit of ebook 1834HEADmain
Diffstat (limited to '1834-h')
-rw-r--r--1834-h/1834-h.htm2552
1 files changed, 2552 insertions, 0 deletions
diff --git a/1834-h/1834-h.htm b/1834-h/1834-h.htm
new file mode 100644
index 0000000..70cb34a
--- /dev/null
+++ b/1834-h/1834-h.htm
@@ -0,0 +1,2552 @@
+<?xml version="1.0" encoding="utf-8"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml" lang="en">
+ <head>
+ <title>
+ The Case of the Pocket Diary Found in The Snow, by Grace Isabel Colbron
+ and Augusta Groner
+ </title>
+ <style type="text/css" xml:space="preserve">
+
+ body { margin:5%; background:#faebd0; text-align:justify}
+ P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ .pagenum {display:inline; font-size: 70%; font-style:normal;
+ margin: 0; padding: 0; position: absolute; right: 1%;
+ text-align: right;}
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+
+</style>
+ </head>
+ <body>
+<pre xml:space="preserve">
+
+The Project Gutenberg EBook of The Case of The Pocket Diary Found in the
+Snow, by Grace Isabel Colbron and Augusta Groner
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Case of The Pocket Diary Found in the Snow
+
+Author: Grace Isabel Colbron and Augusta Groner
+
+Release Date: October 29, 2008 [EBook #1834]
+Last Updated: October 14, 2016
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE POCKET DIARY ***
+
+
+
+
+Produced by An Anonymous Project Gutenberg Volunteer, and David Widger
+
+
+
+
+
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <h1>
+ THE CASE OF THE POCKET DIARY FOUND IN THE SNOW
+ </h1>
+ <p>
+ <br />
+ </p>
+ <h2>
+ By Grace Isabel Colbron and Augusta Groner
+ </h2>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <h3>
+ Contents
+ </h3>
+ <table summary="" style="margin-right: auto; margin-left: auto">
+ <tr>
+ <td>
+ <p class="toc">
+ <a href="#link2H_INTR"> INTRODUCTION TO JOE MULLER </a>
+ </p>
+ <br />
+ <p class="toc">
+ <a href="#link2H_4_0002"> <b>THE CASE OF THE POCKET DIARY FOUND IN
+ THE SNOW</b> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0001"> CHAPTER ONE. THE DISCOVERY IN THE SNOW </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0002"> CHAPTER TWO. THE STORY OF THE NOTEBOOK </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0003"> CHAPTER THREE. THE LONELY COTTAGE </a>
+ </p>
+ </td>
+ </tr>
+ </table>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br /> <a name="link2H_INTR" id="link2H_INTR">
+ <!-- H2 anchor --> </a>
+ </p>
+ <h2>
+ INTRODUCTION TO JOE MULLER
+ </h2>
+ <p>
+ Joseph Muller, Secret Service detective of the Imperial Austrian police,
+ is one of the great experts in his profession. In personality he differs
+ greatly from other famous detectives. He has neither the impressive
+ authority of Sherlock Holmes, nor the keen brilliancy of Monsieur Lecoq.
+ Muller is a small, slight, plain-looking man, of indefinite age, and of
+ much humbleness of mien. A naturally retiring, modest disposition, and two
+ external causes are the reasons for Muller&rsquo;s humbleness of manner, which
+ is his chief characteristic. One cause is the fact that in early youth a
+ miscarriage of justice gave him several years in prison, an experience
+ which cast a stigma on his name and which made it impossible for him, for
+ many years after, to obtain honest employment. But the world is richer,
+ and safer, by Muller&rsquo;s early misfortune. For it was this experience which
+ threw him back on his own peculiar talents for a livelihood, and drove him
+ into the police force. Had he been able to enter any other profession, his
+ genius might have been stunted to a mere pastime, instead of being, as
+ now, utilised for the public good.
+ </p>
+ <p>
+ Then, the red tape and bureaucratic etiquette which attaches to every
+ governmental department, puts the secret service men of the Imperial
+ police on a par with the lower ranks of the subordinates. Muller&rsquo;s
+ official rank is scarcely much higher than that of a policeman, although
+ kings and councillors consult him and the Police Department realises to
+ the full what a treasure it has in him. But official red tape, and his
+ early misfortune... prevent the giving of any higher official standing to
+ even such a genius. Born and bred to such conditions, Muller understands
+ them, and his natural modesty of disposition asks for no outward honours,
+ asks for nothing but an income sufficient for his simple needs, and for
+ aid and opportunity to occupy himself in the way he most enjoys.
+ </p>
+ <p>
+ Joseph Muller&rsquo;s character is a strange mixture. The kindest-hearted man in
+ the world, he is a human bloodhound when once the lure of the trail has
+ caught him. He scarcely eats or sleeps when the chase is on, he does not
+ seem to know human weakness nor fatigue, in spite of his frail body. Once
+ put on a case his mind delves and delves until it finds a clue, then
+ something awakes within him, a spirit akin to that which holds the
+ bloodhound nose to trail, and he will accomplish the apparently
+ impossible, he will track down his victim when the entire machinery of a
+ great police department seems helpless to discover anything. The high
+ chiefs and commissioners grant a condescending permission when Muller
+ asks, &ldquo;May I do this? ... or may I handle this case this way?&rdquo; both
+ parties knowing all the while that it is a farce, and that the department
+ waits helpless until this humble little man saves its honour by solving
+ some problem before which its intricate machinery has stood dazed and
+ puzzled.
+ </p>
+ <p>
+ This call of the trail is something that is stronger than anything else in
+ Muller&rsquo;s mentality, and now and then it brings him into conflict with the
+ department,... or with his own better nature. Sometimes his unerring
+ instinct discovers secrets in high places, secrets which the Police
+ Department is bidden to hush up and leave untouched. Muller is then taken
+ off the case, and left idle for a while if he persists in his opinion as
+ to the true facts. And at other times, Muller&rsquo;s own warm heart gets him
+ into trouble. He will track down his victim, driven by the power in his
+ soul which is stronger than all volition; but when he has this victim in
+ the net, he will sometimes discover him to be a much finer, better man
+ than the other individual, whose wrong at this particular criminal&rsquo;s hand
+ set in motion the machinery of justice. Several times that has happened to
+ Muller, and each time his heart got the better of his professional
+ instincts, of his practical common-sense, too, perhaps,... at least as far
+ as his own advancement was concerned, and he warned the victim, defeating
+ his own work. This peculiarity of Muller&rsquo;s character caused his undoing at
+ last, his official undoing that is, and compelled his retirement from the
+ force. But his advice is often sought unofficially by the Department, and
+ to those who know, Muller&rsquo;s hand can be seen in the unravelling of many a
+ famous case.
+ </p>
+ <p>
+ The following stories are but a few of the many interesting cases that
+ have come within the experience of this great detective. But they give a
+ fair portrayal of Muller&rsquo;s peculiar method of working, his looking on
+ himself as merely an humble member of the Department, and the comedy of
+ his acting under &ldquo;official orders&rdquo; when the Department is in reality
+ following out his directions.
+ </p>
+ <p>
+ <a name="link2H_4_0002" id="link2H_4_0002">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h1>
+ THE CASE OF THE POCKET DIARY FOUND IN THE SNOW
+ </h1>
+ <p>
+ <a name="link2HCH0001" id="link2HCH0001">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER ONE. THE DISCOVERY IN THE SNOW
+ </h2>
+ <p>
+ A quiet winter evening had sunk down upon the great city. The clock in the
+ old clumsy church steeple of the factory district had not yet struck
+ eight, when the side door of one of the large buildings opened and a man
+ came out into the silent street.
+ </p>
+ <p>
+ It was Ludwig Amster, one of the working-men in the factory, starting on
+ his homeward way. It was not a pleasant road, this street along the edge
+ of the city. The town showed itself from its most disagreeable side here,
+ with malodorous factories, rickety tenements, untidy open stretches and
+ dumping grounds offensive both to eye and nostril.
+ </p>
+ <p>
+ Even by day the street that Amster took was empty; by night it was
+ absolutely quiet and dark, as dark as were the thoughts of the solitary
+ man. He walked along, brooding over his troubles. Scarcely an hour before
+ he had been discharged from the factory because of his refusal to submit
+ to the injustice of his foreman.
+ </p>
+ <p>
+ The yellow light of the few lanterns show nothing but high board walls and
+ snow drifts, stone heaps, and now and then the remains of a neglected
+ garden. Here and there a stunted tree or a wild shrub bent their twigs
+ under the white burden which the winter had laid upon them. Ludwig Amster,
+ who had walked this street for several years, knew his path so well that
+ he could take it blindfolded. The darkness did not worry him, but he
+ walked somewhat more slowly than usual, for he knew that under the thin
+ covering of fresh-fallen snow there lay the ice of the night before. He
+ walked carefully, watching for the slippery places.
+ </p>
+ <p>
+ He had been walking about half an hour, perhaps, when he came to a cross
+ street. Here he noticed the tracks of a wagon, the trace still quite
+ fresh, as the slowly falling flakes did not yet cover it. The tracks led
+ out towards the north, out on to the hilly, open fields.
+ </p>
+ <p>
+ Amster was somewhat astonished. It was very seldom that a carriage came
+ into this neighbourhood, and yet these narrow wheel-tracks could have been
+ made only by an equipage of that character. The heavy trucks which passed
+ these roads occasionally had much wider wheels. But Amster was to find
+ still more to astonish him.
+ </p>
+ <p>
+ In one corner near the cross-roads stood a solitary lamp-post. The light
+ of the lamp fell sharply on the snow, on the wagon tracks, and&mdash;on
+ something else besides.
+ </p>
+ <p>
+ Amster halted, bent down to look at it, and shook his head as if in doubt.
+ </p>
+ <p>
+ A number of small pieces of glass gleamed up at him and between them, like
+ tiny roses, red drops of blood shone on the white snow. All this was a few
+ steps to one side of the wagon tracks.
+ </p>
+ <p>
+ &ldquo;What can have happened here&mdash;here in this weird spot, where a cry
+ for help would never be heard? where there would be no one to bring help?&rdquo;
+ </p>
+ <p>
+ So Amster asked himself, but his discovery gave him no answer. His
+ curiosity was aroused, however, and he wished to know more. He followed up
+ the tracks and saw that the drops of blood led further on, although there
+ was no more glass. The drops could still be seen for a yard further,
+ reaching out almost to the board fence that edged the sidewalk. Through
+ the broken planks of this fence the rough bare twigs of a thorn bush
+ stretched their brown fingers. On the upper side of the few scattered
+ leaves there was snow, and blood.
+ </p>
+ <p>
+ Amster&rsquo;s wide serious eyes soon found something else. Beside the bush
+ there lay a tiny package. He lifted it up. It was a small, light, square
+ package, wrapped in ordinary brown paper. Where the paper came together it
+ was fastened by two little lumps of black bread, which were still moist.
+ He turned the package over and shook his head again. On the other side was
+ written, in pencil, the lettering uncertain, as if scribbled in great
+ haste and in agitation, the sentence, &ldquo;Please take this to the nearest
+ police station.&rdquo;
+ </p>
+ <p>
+ The words were like a cry for help, frozen on to the ugly paper. Amster
+ shivered; he had a feeling that this was a matter of life and death.
+ </p>
+ <p>
+ The wagon tracks in the lonely street, the broken pieces of glass and the
+ drops of blood, showing that some occupant of the vehicle had broken the
+ window, in the hope of escape, perhaps, or to throw out the package which
+ should bring assistance&mdash;all these facts grouped themselves together
+ in the brain of the intelligent working-man to form some terrible tragedy
+ where his assistance, if given at once, might be of great use. He had a
+ warm heart besides, a heart that reached out to this unknown who was in
+ distress, and who threw out the call for help which had fallen into his
+ hands.
+ </p>
+ <p>
+ He waited no longer to ponder over the matter, but started off at a full
+ run for the nearest police station. He rushed into the room and told his
+ story breathlessly.
+ </p>
+ <p>
+ They took him into the next room, the office of the commissioner for the
+ day. The official in charge, who had been engaged in earnest conversation
+ with a small, frail-looking, middle-aged man, turned to Amster with a
+ question as to what brought him there.
+ </p>
+ <p>
+ &ldquo;I found this package in the snow.&rdquo;
+ </p>
+ <p>
+ &ldquo;Let me see it.&rdquo;
+ </p>
+ <p>
+ Amster laid it on the table. The older man looked at it, and as the
+ commissioner was about to open it, he handed him a paper-knife with the
+ words: &ldquo;You had better cut it open, sir.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why?&rdquo;
+ </p>
+ <p>
+ &ldquo;It is best not to injure the seals that fasten a package.&rdquo;
+ </p>
+ <p>
+ &ldquo;Just as you say, Muller,&rdquo; answered the young commissioner, smiling. He
+ was still very young to hold such an office, but then he was the son of a
+ Cabinet Minister, and family connections had obtained this responsible
+ position for him so soon. Kurt von Mayringen was his name, and he was a
+ very good-looking young man, apparently a very good-natured young man
+ also, for he took this advice from a subordinate with a most charming
+ smile. He knew, however, that this quiet, pale-faced little man in the
+ shabby clothes was greater than he, and that it was mere accident of birth
+ that put him, Kurt von Mayringen, instead of Joseph Muller, in the
+ position of superior.
+ </p>
+ <p>
+ The young commissioner had had most careful advice from headquarters as to
+ Muller, and he treated the secret service detective, who was one of the
+ most expert and best known men in the profession, with the greatest
+ deference, for he knew that anything Muller might say could be only of
+ value to him with his very slight knowledge of his business. He took the
+ knife, therefore, and carefully cut open the paper, taking out a tiny
+ little notebook, on the outer side of which a handsome monogram gleamed up
+ at him in golden letters.
+ </p>
+ <p>
+ &ldquo;A woman made this package,&rdquo; said Muller, who had been looking at the
+ covering very carefully; &ldquo;a blond woman.&rdquo;
+ </p>
+ <p>
+ The other two looked at him in astonishment. He showed them a single blond
+ hair which had been in one of the bread seals.
+ </p>
+ <p>
+ &ldquo;How I was murdered.&rdquo; Those were the words that Commissioner von Mayringen
+ read aloud after he had hastily turned the first few pages of the
+ notebook, and had come to a place where the writing was heavily
+ underscored.
+ </p>
+ <p>
+ The commissioner and Amster were much astonished at these words, but the
+ detective still gazed quietly at the seals of the wrapping.
+ </p>
+ <p>
+ &ldquo;This heading reads like insanity,&rdquo; said the commissioner. Muller shrugged
+ his shoulders, then turned to Amster. &ldquo;Where did you find the package?&rdquo;
+ </p>
+ <p>
+ &ldquo;In Garden street.&rdquo;
+ </p>
+ <p>
+ &ldquo;When?&rdquo;
+ </p>
+ <p>
+ &ldquo;About twenty minutes ago.&rdquo;
+ </p>
+ <p>
+ Amster gave a short and lucid account of his discovery. His intelligent
+ face and well-chosen words showed that he had observation and the power to
+ describe correctly what he had observed. His honest eyes inspired
+ confidence.
+ </p>
+ <p>
+ &ldquo;Where could they have been taking the woman?&rdquo; asked the detective, more
+ of himself than of the others.
+ </p>
+ <p>
+ The commissioner searched hastily through the notebook for a signature,
+ but without success. &ldquo;Why do you think it is a woman? This writing looks
+ more like a man&rsquo;s hand to me. The letters are so heavy and&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;That is only because they are written with broad pen,&rdquo; interrupted
+ Muller, showing him the writing on the package; &ldquo;here is the same hand,
+ but it is written with a fine hard pencil, and you can see distinctly that
+ this is a woman&rsquo;s handwriting. And besides, the skin on a man&rsquo;s thumb does
+ not show the fine markings that you can see here on these bits of bread
+ that have been used for seals.&rdquo;
+ </p>
+ <p>
+ The commissioner rose from his seat. &ldquo;You may be right, Muller. We will
+ take for granted, then, that there is a woman in trouble. It remains to be
+ seen whether she is insane or not.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, that remains to be seen,&rdquo; said Muller dryly, as he reached for his
+ overcoat.
+ </p>
+ <p>
+ &ldquo;You are going before you read what is in the notebook?&rdquo; asked
+ Commissioner von Mayringen.
+ </p>
+ <p>
+ Muller nodded. &ldquo;I want to see the wagon tracks before they are lost; it
+ may help me to discover something else. You can read the book and make any
+ arrangements you find necessary after that.&rdquo;
+ </p>
+ <p>
+ Muller was already wrapped in his overcoat. &ldquo;Is it snowing now?&rdquo; He turned
+ to Arnster.
+ </p>
+ <p>
+ &ldquo;Some flakes were falling as I came here.&rdquo;
+ </p>
+ <p>
+ &ldquo;All right. Come with me and show me the way.&rdquo; Muller nodded carelessly to
+ his superior officer, his mind evidently already engrossed in thoughts of
+ the interesting case, and hurried out with Amster. The commissioner was
+ quite satisfied with the state of affairs. He knew the case was in safe
+ hands. He seated himself at his desk again and began to read the little
+ book which had come into his hands so strangely. His eyes ran more and
+ more rapidly over the closely written pages, as his interest grew and
+ grew.
+ </p>
+ <p>
+ When, half an hour later, he had finished the reading, he paced restlessly
+ up and down the room, trying to bring order into the thoughts that rushed
+ through his brain. And one thought came again and again, and would not be
+ denied in spite of many improbabilities, and many strange things with
+ which the book was full; in spite, also, of the varying, uncertain
+ handwriting and style of the message. This one thought was, &ldquo;This woman is
+ not insane.&rdquo;
+ </p>
+ <p>
+ While the young official was pondering over the problem, Muller entered as
+ quietly as ever, bowed, put his hat and cane in their places, and shook
+ the snow off his clothing. He was evidently pleased about something. Kurt
+ von Mayringen did not notice his entrance. He was again at the desk with
+ the open book before him, staring at the mysterious words, &ldquo;How I was
+ murdered.&rdquo;
+ </p>
+ <p>
+ &ldquo;It is a woman, a lady of position. And if she is mad, then her madness
+ certainly has method.&rdquo; Muller said these words in his usual quiet way,
+ almost indifferently. The young commissioner started up and snatched for
+ the fine white handkerchief which the detective handed him. A strong sweet
+ perfume filled the room. &ldquo;It is hers?&rdquo; he murmured.
+ </p>
+ <p>
+ &ldquo;It is hers,&rdquo; said Muller. &ldquo;At least we can take that much for granted,
+ for the handkerchief bears the same monogram, A. L., which is on the
+ notebook.&rdquo;
+ </p>
+ <p>
+ Commissioner von Mayringen rose from his chair in evident excitement.
+ &ldquo;Well?&rdquo; he asked.
+ </p>
+ <p>
+ It was a short question, but full of meaning, and one could see that he
+ was waiting in great excitement for the answer. Muller reported what he
+ had discovered. The commissioner thought it little enough, and shrugged
+ his shoulders impatiently when the other had finished.
+ </p>
+ <p>
+ Muller noticed his chief&rsquo;s dissatisfaction and smiled at it. He himself
+ was quite content with what he had found.
+ </p>
+ <p>
+ &ldquo;Is that all?&rdquo; murmured the commissioner, as if disappointed.
+ </p>
+ <p>
+ &ldquo;That is all,&rdquo; repeated the detective calmly, and added, &ldquo;That is a good
+ deal. We have here a closely written notebook, the contents of which,
+ judging by your excitement, are evidently important. We have also a
+ handkerchief with an unusual perfume on it. I repeat that this is quite
+ considerable. Besides this, we have the seals, and we know several other
+ things. I believe that we can save this lady, or if it be too late, we can
+ avenge her at least.&rdquo;
+ </p>
+ <p>
+ The commissioner looked at Muller in surprise. &ldquo;We are in a city of more
+ than a million inhabitants,&rdquo; he said, almost timidly.
+ </p>
+ <p>
+ &ldquo;I have hunted criminals in two hemispheres, and I have found them,&rdquo; said
+ Muller simply. The young commissioner smiled and held out his hand. &ldquo;Ah,
+ yes, Muller&mdash;I keep forgetting the great things you have done. You
+ are so quiet about it.&rdquo;
+ </p>
+ <p>
+ &ldquo;What I have done is only what any one could do who has that particular
+ faculty. I do only what is in human power to do, and the cleverest
+ criminal can do no more. Besides which, we all know that every criminal
+ commits some stupidity, and leaves some trace behind him. If it is really
+ a crime which we have found the trace of here, we will soon discover it.&rdquo;
+ Muller&rsquo;s editorial &ldquo;we&rdquo; was a matter of formality. He might with more
+ truth have used the singular pronoun.
+ </p>
+ <p>
+ &ldquo;Very well, then, do what you can,&rdquo; said the commissioner with a friendly
+ smile.
+ </p>
+ <p>
+ The older man nodded, took the book and its wrappings from the desk, and
+ went into a small adjoining room.
+ </p>
+ <p>
+ The commissioner sent for an attendant and gave him the order to fetch a
+ pot of tea from a neighbouring saloon. When the tray arrived, he placed
+ several good cigars upon it, and sent it in to Muller. Taking a cigar
+ himself, the commissioner leaned back in his sofa corner to think over
+ this first interesting case of his short professional experience. That it
+ concerned a lady in distress made it all the more romantic.
+ </p>
+ <p>
+ In his little room the detective, put in good humour by the thoughtful
+ attention of his chief, sat down to read the book carefully. While he
+ studied its contents his mind went back over his search in the silent
+ street outside.
+ </p>
+ <p>
+ He and Amster had hurried out into the raw chill of the night, reaching
+ the spot of the first discovery in about ten or fifteen minutes. Muller
+ found nothing new there. But he was able to discover in which direction
+ the carriage had been going. The hoof marks of the single horse which had
+ drawn it were still plainly to be seen in the snow.
+ </p>
+ <p>
+ &ldquo;Will you follow these tracks in the direction from which they have come?&rdquo;
+ he asked of Amster. &ldquo;Then meet me at the station and report what you have
+ seen.&rdquo;
+ </p>
+ <p>
+ &ldquo;Very well, sir,&rdquo; answered the workman. The two men parted with a hand
+ shake.
+ </p>
+ <p>
+ Before Muller started on to follow up the tracks in the other direction,
+ he took up one of the larger pieces&rsquo; of glass. &ldquo;Cheap glass,&rdquo; he said,
+ looking at it carefully. &ldquo;It was only a hired cab, therefore, and a
+ one-horse cab at that.&rdquo;
+ </p>
+ <p>
+ He walked on slowly, following the marks of the wheels. His eyes searched
+ the road from side to side, looking for any other signs that might have
+ been left by the hand which had thrown the package out of the window. The
+ snow, which had been falling softly thus far, began to come down in
+ heavier flakes, and Muller quickened his pace. The tracks would soon be
+ covered, but they could still be plainly seen. They led out into the open
+ country, but when the first little hill had been climbed a drift heaped
+ itself up, cutting off the trail completely.
+ </p>
+ <p>
+ Muller stood on the top of this knoll at a spot where the street divided.
+ Towards the right it led down into a factory suburb; towards the left the
+ road led on to a residence colony, and straight ahead the way was open,
+ between fields, pastures and farms, over moors, to another town of
+ considerable size lying beside a river. Muller knew all this, but his
+ knowledge of the locality was of little avail, for all traces of the
+ carriage wheels were lost.
+ </p>
+ <p>
+ He followed each one of the streets for a little distance, but to no
+ purpose. The wind blew the snow up in such heaps that it was quite
+ impossible to follow any trail under such conditions.
+ </p>
+ <p>
+ With an expression of impatience Muller gave up his search and turned to
+ go back again. He was hoping that Amster might have had better luck. It
+ was not possible to find the goal towards which the wagon had taken its
+ prisoner&mdash;if prisoner she was&mdash;as soon as they had hoped.
+ Perhaps the search must be made in the direction from which she had been
+ brought.
+ </p>
+ <p>
+ Muller turned back towards the city again. He walked more quickly now, but
+ his eyes took in everything to the right and to the left of his path. Near
+ the place where the street divided a bush waved its bare twigs in the
+ wind. The snow which had settled upon it early in the day had been blown
+ away by the freshening wind, and just as Muller neared the bush he saw
+ something white fluttering from one twig. It was a handkerchief, which had
+ probably hung heavy and lifeless when he had passed that way before. Now
+ when the wind held it out straight, he saw it at once. He loosened it
+ carefully from the thorny twigs. A delicate and rather unusual perfume
+ wafted up to his face. There was more of the odour on the little cloth
+ than is commonly used by people of good taste. And yet this handkerchief
+ was far too fine and delicate in texture to belong to the sort of people
+ who habitually passed along this street. It must have something to do with
+ the mysterious carriage. It was still quite dry, and in spite of the fact
+ that the wind had been playing with it, it had been but slightly torn. It
+ could therefore have been in that position for a short time only. At the
+ nearest lantern Muller saw that the monogram on the handkerchief was the
+ same in style and initials as that on the notebook. It was the letters A.
+ L.
+ </p>
+ <p>
+ <a name="link2HCH0002" id="link2HCH0002">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER TWO. THE STORY OF THE NOTEBOOK
+ </h2>
+ <p>
+ It was warm and comfortable in the little room where Muller sat. He closed
+ the windows, lit the gas, took off his overcoat&mdash;Muller was a
+ pedantically careful person&mdash;smoothed his hair and sat down
+ comfortably at the table. Just as he took up the little book, the
+ attendant brought the tea, which he proceeded at once to enjoy. He did not
+ take up his little book again until he had lit himself a cigar. He looked
+ at the cover of the dainty little notebook for many minutes before he
+ opened it. It was a couple of inches long, of the usual form, and had a
+ cover of brown leather. In the left upper corner were the letters A. L. in
+ gold. The leaves of the book, about fifty in all, were of a fine quality
+ of paper and covered with close writing. On the first leaves the writing
+ was fine and delicate, calm and orderly, but later on it was irregular and
+ uncertain, as if penned by a trembling hand under stress of terror. This
+ change came in the leaves of the book which followed the strange and
+ terrible title, &ldquo;How I was murdered.&rdquo;
+ </p>
+ <p>
+ Before Muller began to read he felt the covers of the book carefully. In
+ one of them there was a tiny pocket, in which he found a little piece of
+ wall paper of a noticeable and distinctly ugly pattern. The paper had a
+ dark blue ground with clumsy lines of gold on it. In the pocket he found
+ also a tramway ticket, which had been crushed and then carefully smoothed
+ out again. After looking at these papers, Muller replaced them in the
+ cover of the notebook. The book itself was strongly perfumed with the same
+ odour which had exhaled from the handkerchief.
+ </p>
+ <p>
+ The detective did not begin his reading in that part of the book which
+ followed the mysterious title, as the commissioner had done. He began
+ instead at the very first words.
+ </p>
+ <p>
+ &ldquo;Ah! she is still young,&rdquo; he murmured, when he had read the first lines.
+ &ldquo;Young, in easy circumstances, happy and contented.&rdquo;
+ </p>
+ <p>
+ These first pages told of pleasure trips, of visits from and to good
+ friends, of many little events of every-day life. Then came some accounts,
+ written in pencil, of shopping expeditions to the city. Costly laces and
+ jewels had been bought, and linen garments for children by the dozen. &ldquo;She
+ is rich, generous, and charitable,&rdquo; thought the detective, for the book
+ showed that the considerable sums which had been spent here had not been
+ for the writer herself. The laces bore the mark, &ldquo;For our church&rdquo;; behind
+ the account for the linen stood the words, &ldquo;For the charity school.&rdquo;
+ </p>
+ <p>
+ Muller began to feel a strong sympathy for the writer of these notices.
+ She showed an orderly, almost pedantic, character, mingled with generosity
+ of heart. He turned leaf after leaf until he finally came to the words,
+ written in intentionally heavy letters, &ldquo;How I was murdered.&rdquo;
+ </p>
+ <p>
+ Muller&rsquo;s head sank down lower over these mysterious words, and his eyes
+ flew through the writing that followed. It was quite a different writing
+ here. The hand that penned these words must have trembled in deadly
+ terror. Was it terror of coming death, foreseen and not to be escaped? or
+ was it the trembling and the terror of an overthrown brain? It was
+ undoubtedly, in spite of the difference, the same hand that had penned the
+ first pages of the book. A few characteristic turns of the writing were
+ plainly to be seen in both parts of the story. But the ink was quite
+ different also. The first pages had been written with a delicate violet
+ ink, the later leaves were penned with a black ink of uneven quality, of
+ the kind used by poor people who write very seldom. The words of this
+ later portion of the book were blurred in many places, as if the writer
+ had not been able to dry them properly before she turned the leaves. She
+ therefore had had neither blotting paper nor sand at her disposal.
+ </p>
+ <p>
+ And then the weird title!
+ </p>
+ <p>
+ Was it written at the dictation of insanity? or did A. L. know, while she
+ wrote it, that it was too late for any help to reach her? Did she see her
+ doom approaching so clearly that she knew there was no escape?
+ </p>
+ <p>
+ Muller breathed a deep breath before he continued his reading. Later on
+ his breath came more quickly still, and he clinched his fist several
+ times, as if deeply moved. He was not a cold man, only thoroughly
+ self-controlled. In his breast there lived an unquenchable hatred of all
+ evil. It was this that awakened the talents which made him the celebrated
+ detective he had become.
+ </p>
+ <p>
+ &ldquo;I fear that it will be impossible for any one to save me now, but perhaps
+ I may be avenged. Therefore I will write down here all that has happened
+ to me since I set out on my journey.&rdquo; These were the first words that were
+ written under the mysterious title. Muller had just read them when the
+ commissioner entered.
+ </p>
+ <p>
+ &ldquo;Will you speak to Amster; he has just returned?&rdquo; he asked.
+ </p>
+ <p>
+ Muller rose at once. &ldquo;Certainly. Did you telegraph to all the railway
+ stations?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; answered the commissioner, &ldquo;and also to the other police stations.&rdquo;
+ </p>
+ <p>
+ &ldquo;And to the hospitals?&mdash;asylums?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, I did not do that.&rdquo; Commissioner von Mayringen blushed, a blush that
+ was as becoming to him as was his frank acknowledgment of his mistake. He
+ went out to remedy it at once, while Muller heard Amster&rsquo;s short and not
+ particularly important report. The workingman was evidently shivering, and
+ the detective handed him a glass of tea with a good portion of rum in it.
+ </p>
+ <p>
+ &ldquo;Here, drink this; you are cold. Are you ill?&rdquo; Amster smiled sadly. &ldquo;No, I
+ am not ill, but I was discharged to-day and am out of work now&mdash;that&rsquo;s
+ almost as bad.&rdquo;
+ </p>
+ <p>
+ &ldquo;Are you married?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, but I have an old mother to support.&rdquo;
+ </p>
+ <p>
+ &ldquo;Leave your address with the commissioner. He may be able to find work for
+ you; we can always use good men here. But now drink your tea.&rdquo; Amster
+ drank the glass in one gulp. &ldquo;Well, now we have lost the trail in both
+ directions,&rdquo; said Muller calmly. &ldquo;But we will find it again. You can help,
+ as you are free now anyway. If you have the talent for that sort of thing,
+ you may find permanent work here.&rdquo;
+ </p>
+ <p>
+ A gesture and a look from the workingman showed the detective that the
+ former did not think very highly of such occupation. Muller laid his hand
+ on the other&rsquo;s shoulder and said gravely: &ldquo;You wouldn&rsquo;t care to take
+ service with us? This sort of thing doesn&rsquo;t rate very high, I know. But I
+ tell you that if we have our hearts in the right place, and our brains are
+ worth anything, we are of more good to humanity than many an honest
+ citizen who wouldn&rsquo;t shake hands with us. There&mdash;and now I am busy.
+ Goodnight.&rdquo;
+ </p>
+ <p>
+ With these words Muller pushed the astonished man out of the room, shut
+ the door, and sat down again with his little book. This is what he read:
+ </p>
+ <p>
+ &ldquo;Wednesday&mdash;is it Wednesday? They brought me a newspaper to-day which
+ had the date of Wednesday, the 20th of November. The ink still smells
+ fresh, but it is so damp here, the paper may have been older. I do not
+ know surely on what day it is that I begin to write this narrative. I do
+ not know either whether I may not have been ill for days and weeks; I do
+ not know what may have been the matter with me&mdash;I know only that I
+ was unconscious, and that when I came to myself again, I was here in this
+ gloomy room. Did any physician see me? I have seen no one until to-day
+ except the old woman, whose name I do not know and who has so little to
+ say. She is kind to me otherwise, but I am afraid of her hard face and of
+ the smile with which she answers all my questions and entreaties. &lsquo;You are
+ ill.&rsquo; These are the only words that she has ever said to me, and she
+ pointed to her forehead as she spoke them. She thinks I am insane,
+ therefore, or pretends to think so.
+ </p>
+ <p>
+ &ldquo;What a hoarse voice she has. She must be ill herself, for she coughs all
+ night long. I can hear it through the wall&mdash;she sleeps in the next
+ room. But I am not ill, that is I am not ill in the way she says. I have
+ no fever now, my pulse is calm and regular. I can remember everything,
+ until I took that drink of tea in the railway station. What could there
+ have been in that tea? I suppose I should have noticed how anxious my
+ travelling companion was to have me drink it.
+ </p>
+ <p>
+ &ldquo;Who could the man have been? He was so polite, so fatherly in his anxiety
+ about me. I have not seen him since then. And yet I feel that it is he who
+ has brought me into this trap, a trap from which I may never escape alive.
+ I will describe him. He is very tall, stout and blond, and wears a long
+ heavy beard, which is slightly mixed with grey. On his right cheek his
+ beard only partly hides a long scar. His eyes are hidden by large smoked
+ glasses. His voice is low and gentle, his manners most correct&mdash;except
+ for his giving people poison or whatever else it was in that tea.
+ </p>
+ <p>
+ &ldquo;I did not suffer any&mdash;at least I do not remember anything except
+ becoming unconscious. And I seem to have felt a pain like an iron ring
+ around my head. But I am not insane, and this fear that I feel does not
+ spring from my imagination, but from the real danger by which I am
+ surrounded. I am very hungry, but I do not dare to eat anything except
+ eggs, which cannot be tampered with. I tasted some soup yesterday, and it
+ seemed to me that it had a queer taste. I will eat nothing that is at all
+ suspicious. I will be in my full senses when my murderers come; they shall
+ not kill me by poison at least.
+ </p>
+ <p>
+ &ldquo;When I came to my senses again&mdash;it was the evening of the day before
+ yesterday&mdash;I found a letter on the little table beside my bed. It was
+ written in French, in a handwriting that I had never seen before, and
+ there was no signature.
+ </p>
+ <p>
+ &ldquo;This strange letter demanded of me that I should write to my guardian,
+ calmly and clearly, to say that for reasons which I did not intend to
+ reveal, I had taken my own life. If I did this my present place of sojourn
+ would be exchanged for a far more agreeable one, and I would soon be quite
+ free. But if I did not do it, I would actually be put to death. A pen, ink
+ and paper were ready there for the answer.
+ </p>
+ <p>
+ &ldquo;&lsquo;Never,&rsquo; I wrote. And then despair came over me, and I may have indeed
+ appeared insane. The old woman came in. I entreated and implored her to
+ tell me why this dreadful fate should have overtaken me. She remained
+ quite indifferent and I sank back, almost fainting, on the bed. She laid a
+ moist cloth over my face, a cloth that had a peculiar odour. I soon fell
+ asleep. It seemed to me that there was some one else besides the woman in
+ the room with me. Or was she talking to herself? Next morning the letter
+ and my answer had disappeared. It was as I thought; there was some one
+ else in my room. Some one who had come on the tramway. I found the ticket
+ on the carpet beside my bed. I took it and put it in my notebook!!!!!
+ </p>
+ <p>
+ &ldquo;I believe that it is Sunday to-day. It is four days now since I have been
+ conscious. The first sound that I remember hearing was the blast of a
+ horn. It must come from a factory very near me. The old windows in my room
+ rattle at the sound. I hear it mornings and evenings and at noon, on week
+ days. I did not hear it to-day, so it must be Sunday. It was Monday, the
+ 18th of November, that I set out on my trip, and reached here in the
+ evening&mdash;(here? I do not know where I am), that is, I set out for
+ Vienna, and I know that I reached the Northern Railway station there in
+ safety.
+ </p>
+ <p>
+ &ldquo;I was cold and felt a little faint&mdash;and then he offered me the tea&mdash;and
+ what happened after that? Where am I? The paper that they gave me may have
+ been a day or two old or more. And to-day is Sunday&mdash;is it the first
+ Sunday since my departure from home? I do not know. I know only this, that
+ I set out on the 18th of November to visit my kind old guardian, and to
+ have a last consultation with him before my coming of age. And I know also
+ that I have fallen into the hands of some one who has an interest in my
+ disappearance.
+ </p>
+ <p>
+ &ldquo;There is some one in the next room with the old woman. I hear a man&rsquo;s
+ voice and they are quarrelling. They are talking of me. He wants her to do
+ something which she will not do. He commands her to go away, but she
+ refuses. What does he mean to do? I do not want her to leave me alone. I
+ do not hate her any more; I know that she is not bad. When I listened I
+ heard her speaking of me as of an insane person. She really believes that
+ I am ill. When the man went away he must have been angry. He stamped down
+ the stairs until the steps creaked under his tread: I know it is a wooden
+ staircase therefore.
+ </p>
+ <p>
+ &ldquo;I am safe from him to-day, but I am really ill of fright. Am I really
+ insane? There is one thing that I have forgotten to write down. When I
+ first came to myself I found a bit of paper beside me on which was
+ written, &lsquo;Beware of calling in help from outside. One scream will mean
+ death to you.&rsquo; It was written in French like the letter. Why? Was it
+ because the old woman could not read it? She knew of the piece of paper,
+ for she took it away from me. It frightens me that I should have forgotten
+ to write this down. Am I really ill? If I am not yet ill, this terrible
+ solitude will make me so.
+ </p>
+ <p>
+ &ldquo;What a gloomy room this is, this prison of mine. And such a strange ugly
+ wall-paper. I tore off a tiny bit of it and hid it in this little book.
+ Some one may find it some day and may discover from it this place where I
+ am suffering, and where I shall die, perhaps. There cannot be many who
+ would buy such a pattern, and it must be possible to find the factory
+ where it was made. And I will also write down here what I can see from my
+ barred window. Far down below me there is a rusty tin roof, it looks like
+ as if it might belong to a sort of shed. In front and to the right there
+ are windowless walls; to the left, at a little distance, I can see a
+ slender church spire, greenish in colour, probably covered with copper,
+ and before the church there are two poplar trees of different heights.
+ </p>
+ <p>
+ &ldquo;Another day has passed, a day of torturing fear! Am I really insane? I
+ know that I see queer things. This morning I looked towards the window and
+ I saw a parrot sitting there! I saw it quite plainly. It ruffled up its
+ red and green feathers and stared at me. I stared back at it and suddenly
+ it was gone. I shivered. Finally I pulled myself together and went to the
+ window. There was no bird outside nor was there a trace of any in the snow
+ on the window sill. Could the wind have blown away the tracks so soon, or
+ was it really my sick brain that appeared to see this tropical bird in the
+ midst of the snow? It is Tuesday to-day; from now on I will carefully
+ count the days&mdash;the days that still remain to me.
+ </p>
+ <p>
+ &ldquo;This morning I asked the old woman about the parrot. She only smiled and
+ her smile made me terribly afraid. The thought that this thing which is
+ happening to me, this thing that I took to be a crime, may be only a
+ necessity&mdash;the thought fills me with horror! Am I in a prison? or is
+ this the cell of an insane asylum? Am I the victim of a villain? or am I
+ really mad? My pulse is quickening, but my memory is quite clear; I can
+ look back over every incident in my life.
+ </p>
+ <p>
+ &ldquo;She has just taken away my food. I asked her to bring me only eggs as I
+ was afraid of everything else. She promised that she would do it.
+ </p>
+ <p>
+ &ldquo;Are they looking for me? My guardian is Theodore Fellner, Cathedral Lane,
+ 14. My own name is Asta Langen.
+ </p>
+ <p>
+ &ldquo;They took away my travelling bag, but they did not find this little book
+ and the tiny bottle of perfume which I had in the pocket of my dress. And
+ I found this old pen and a little ink in a drawer of the writing table in
+ my room.
+ </p>
+ <p>
+ &ldquo;Wednesday. The stranger was here again to-day. I recognised his soft
+ voice. He spoke to the woman in the hall outside my room. I listened, but
+ I could catch only a few words. &lsquo;To-morrow evening&mdash;I will come
+ myself&mdash;no responsibility for you.&rsquo; Were these words meant for me?
+ Are they going to take me away? Where will they take me? Then they do not
+ dare to kill me here? My head is burning hot. I have not dared to drink a
+ drop of liquid for four days. I dare not take anything into which they
+ might have put some drug or some poison.
+ </p>
+ <p>
+ &ldquo;Who could have such an interest in my death? It cannot be because of the
+ fortune which is to be mine when I come of age; for if I die, my father
+ has willed it to various charitable institutions. I have no relatives, at
+ least none who could inherit my money. I had never harmed any one; who can
+ wish for my death?
+ </p>
+ <p>
+ &ldquo;There is somebody with her, somebody was listening at the door. I have a
+ feeling as if I was being watched. And yet&mdash;I examined the door, but
+ there is no crack anywhere and the key is in the lock. Still I seem to
+ feel a burning glance resting on me. Ah! the parrot! is this another
+ delusion? Oh God, let it end soon! I am not yet quite insane, but all
+ these unknown dangers around me will drive me mad. I must fight against
+ them.
+ </p>
+ <p>
+ &ldquo;Thursday. They brought me back my travelling bag. My attendant is uneasy.
+ She was longer in cleaning up the room than usual to-day. She seemed to
+ want to say something to me, and yet she did not dare to speak. Is
+ something to happen to-day then? I did not close my eyes all night. Can
+ one be made insane from a distance? hypnotised into it, as it were? I will
+ not allow fear alone to make me mad. My enemy shall not find it too easy.
+ He may kill my body, but that is all&mdash;&rdquo;
+ </p>
+ <p>
+ These were the last words which Asta Langen had written in her notebook,
+ the little book which was the only confidant of her terrible need. When
+ the detective had finished reading it, he closed his eyes for a few
+ minutes to let the impression made by the story sink into his mind.
+ </p>
+ <p>
+ Then he rose and put on his overcoat. He entered the commissioner&rsquo;s room
+ and took up his hat and cane.
+ </p>
+ <p>
+ &ldquo;Where are you going, Muller?&rdquo; asked Herr Von Mayringen.
+ </p>
+ <p>
+ &ldquo;To Cathedral Lane, if you will permit it.&rdquo;
+ </p>
+ <p>
+ &ldquo;At this hour? it is quarter past eleven! Is there any such hurry, do you
+ think? There is no train from any of our stations until morning. And I
+ have already sent a policeman to watch the house. Besides, I know that
+ Fellner is a highly respected man.
+ </p>
+ <p>
+ &ldquo;There is many a man who is highly respected until he is found out,&rdquo;
+ remarked the detective.
+ </p>
+ <p>
+ &ldquo;And you are going to find out about Fellner?&rdquo; smiled the commissioner.
+ &ldquo;And this evening, too?&rdquo;
+ </p>
+ <p>
+ &ldquo;This very evening. If he is asleep I shall wake him up. That is the best
+ time to get at the truth about a man.&rdquo;
+ </p>
+ <p>
+ The commissioner sat down at his desk and wrote out the necessary
+ credentials for the detective. A few moments later Muller was in the
+ street. He left the notebook with the commissioner. It was snowing
+ heavily, and an icy north wind was howling through the streets. Muller
+ turned up the collar of his coat and walked on quickly. It was just
+ striking a quarter to twelve when he reached Cathedral Lane. As he walked
+ slowly along the moonlit side of the pavement, a man stepped out of the
+ shadow to meet him. It was the policeman who had been sent to watch the
+ house. Like Muller, he wore plain clothes.
+ </p>
+ <p>
+ &ldquo;Well?&rdquo; the latter asked.
+ </p>
+ <p>
+ &ldquo;Nothing new. Mr. Fellner has been ill in bed several days, quite
+ seriously ill, they tell me. The janitor seems very fond of him.&rdquo;
+ </p>
+ <p>
+ &ldquo;Hm&mdash;we&rsquo;ll see what sort of a man he is. You can go back to the
+ station now, you must be nearly frozen standing here.&rdquo;
+ </p>
+ <p>
+ Muller looked carefully at the house which bore the number 14. It was a
+ handsome, old-fashioned building, a true patrician mansion which looked
+ worthy of all confidence. But Muller knew that the outside of a house has
+ very little to do with the honesty of the people who live in it. He rang
+ the bell carefully, as he wished no one but the janitor to hear him.
+ </p>
+ <p>
+ The latter did not seem at all surprised to find a stranger asking for the
+ owner of the house at so late an hour. &ldquo;You come with a telegram, I
+ suppose? Come right up stairs then, I have orders to let you in.&rdquo;
+ </p>
+ <p>
+ These were the words with which the old janitor greeted Muller. The
+ detective could see from this that Mr. Theodore Fellner&rsquo;s conscience must
+ be perfectly clear. The expected telegram probably had something to do
+ with the non-appearance of Asta Langen, of whose terrible fate her
+ guardian evidently as yet knew nothing. The janitor knocked on one of the
+ doors, which was opened in a few moments by an old woman.
+ </p>
+ <p>
+ &ldquo;Is it the telegram?&rdquo; she asked sleepily.
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; said the janitor.
+ </p>
+ <p>
+ &ldquo;No,&rdquo; said Muller, &ldquo;but I want to speak to Mr. Fellner.&rdquo;
+ </p>
+ <p>
+ The two old people stared at him in surprise.
+ </p>
+ <p>
+ &ldquo;To speak to him?&rdquo; said the woman, and shook her head as if in doubt. &ldquo;Is
+ it about Miss Langen?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, please wake him.&rdquo;
+ </p>
+ <p>
+ &ldquo;But he is ill, and the doctor&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Please wake him up. I will take the responsibility.&rdquo;
+ </p>
+ <p>
+ &ldquo;But who are you?&rdquo; asked the janitor.
+ </p>
+ <p>
+ Muller smiled a little at this belated caution on the part of the old man,
+ and answered. &ldquo;I will tell Mr. Fellner who I am. But please announce me at
+ once. It concerns the young lady.&rdquo; His expression was so grave that the
+ woman waited no longer, but let him in and then disappeared through
+ another door. The janitor stood and looked at Muller with half
+ distrustful, half anxious glances.
+ </p>
+ <p>
+ &ldquo;It&rsquo;s no good news you bring,&rdquo; he said after a few minutes.
+ </p>
+ <p>
+ &ldquo;You may be right.&rdquo;
+ </p>
+ <p>
+ &ldquo;Has anything happened to our dear young lady?&rdquo;
+ </p>
+ <p>
+ &ldquo;Then you know Miss Asta Langen and her family?&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, of course. I was in service on the estate when all the dreadful
+ things happened.&rdquo;
+ </p>
+ <p>
+ &ldquo;What things?&rdquo;
+ </p>
+ <p>
+ &ldquo;Why the divorce&mdash;and&mdash;but you are a stranger and I shouldn&rsquo;t
+ talk about these family affairs to you. You had better tell me what has
+ happened to our young lady.&rdquo;
+ </p>
+ <p>
+ &ldquo;I must tell that to your master first.&rdquo;
+ </p>
+ <p>
+ The woman came back at this moment and said to Muller, &ldquo;Come with me,
+ please. Berner, you are to stay here until the gentleman goes out again.&rdquo;
+ </p>
+ <p>
+ Muller followed her through several rooms into a large bed-chamber where
+ he found an elderly man, very evidently ill, lying in bed.
+ </p>
+ <p>
+ &ldquo;Who are you?&rdquo; asked the sick man, raising his head from the pillow. The
+ woman had gone out and closed the door behind her.
+ </p>
+ <p>
+ &ldquo;My name is Muller, police detective. Here are my credentials.&rdquo;
+ </p>
+ <p>
+ Fellner glanced hastily at the paper. &ldquo;Why does the police send to me?&rdquo;
+ </p>
+ <p>
+ &ldquo;It concerns your ward.&rdquo;
+ </p>
+ <p>
+ Fellner sat upright in bed now. He leaned over towards his visitor as he
+ said, pointing to a letter on the table beside his bed, &ldquo;Asta&rsquo;s overseer
+ writes me from her estate that she left home on the 18th of November to
+ visit me. She should have reached here on the evening of the 18th, and she
+ has not arrived yet. I did not receive this letter until to-day.&rdquo;
+ </p>
+ <p>
+ &ldquo;Did you expect the young lady?&rdquo;
+ </p>
+ <p>
+ &ldquo;I knew only that she would arrive sometime before the third of December.
+ That date is her twenty-fourth birthday and she was to celebrate it here.&rdquo;
+ </p>
+ <p>
+ &ldquo;Did she not usually announce her coming to you?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, she liked to surprise me. Three days ago I sent her a telegram asking
+ her to bring certain necessary papers with her. This brought the answer
+ from the overseer of her estate, an answer which has caused me great
+ anxiety. Your coming makes it worse, for I fear&mdash;&rdquo; The sick man broke
+ off and turned his eyes on Muller; eyes so full of fear and grief that the
+ detective&rsquo;s heart grew soft. He felt Fellner&rsquo;s icy hand on his as the sick
+ man murmured: &ldquo;Tell me the truth! Is Asta dead?&rdquo;
+ </p>
+ <p>
+ The detective shrugged his shoulders. &ldquo;We do not know yet. She was alive
+ and able to send a message at half past eight this evening.&rdquo;
+ </p>
+ <p>
+ &ldquo;A message? To whom?&rdquo;
+ </p>
+ <p>
+ &ldquo;To the nearest police station.&rdquo; Muller told the story as it had come to
+ him.
+ </p>
+ <p>
+ The old man listened with an expression of such utter dazed terror that
+ the detective dropped all suspicion of him at once.
+ </p>
+ <p>
+ &ldquo;What a terrible riddle,&rdquo; stammered the sick man as the other finished the
+ story.
+ </p>
+ <p>
+ &ldquo;Would you answer me several questions?&rdquo; asked Muller. The old gentleman
+ answered quickly, &ldquo;Any one, every one.&rdquo;
+ </p>
+ <p>
+ &ldquo;Miss Langen is rich?&rdquo;
+ </p>
+ <p>
+ &ldquo;She has a fortune of over three hundred thousand guldens, and
+ considerable land.&rdquo;
+ </p>
+ <p>
+ &ldquo;Has she any relatives?&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; replied Fellner harshly. But a thought must have flashed through his
+ brain for he started suddenly and murmured, &ldquo;Yes, she has one relative, a
+ step-brother.&rdquo;
+ </p>
+ <p>
+ The detective gave an exclamation of surprise.
+ </p>
+ <p>
+ &ldquo;Why are you astonished at this?&rdquo; asked Fellner.
+ </p>
+ <p>
+ &ldquo;According to her notebook, the young lady does not seem to know of this
+ step-brother.&rdquo;
+ </p>
+ <p>
+ &ldquo;She does not know, sir. There was an ugly scandal in her family before
+ her birth. Her father turned his first wife and their son out of his house
+ on one and the same day. He had discovered that she was deceiving him, and
+ also that her son, who was studying medicine at the time, had stolen money
+ from his safe. What he had discovered about his wife made Langen doubt
+ whether the boy was his son at all. There was a terrible scene, and the
+ two disappeared from their home forever. The woman died soon after. The
+ young man went to Australia. He has never been heard of since and has
+ probably come to no good.&rdquo;
+ </p>
+ <p>
+ &ldquo;Might he not possibly be here in Europe again, watching for an
+ opportunity to make a fortune?&rdquo;
+ </p>
+ <p>
+ Fellner&rsquo;s hand grasped that of his visitor. The eyes of the two men gazed
+ steadily at each other. The old man&rsquo;s glance was full of sudden helpless
+ horror, the detective&rsquo;s eyes shone brilliantly. Muller spoke calmly: &ldquo;This
+ is one clue. Is there no one else who could have an interest in the young
+ lady&rsquo;s death?&rdquo;
+ </p>
+ <p>
+ &ldquo;No one but Egon Langen, if he bear this name by right, and if he is still
+ alive.&rdquo;
+ </p>
+ <p>
+ &ldquo;How old would he be now?&rdquo;
+ </p>
+ <p>
+ &ldquo;He must be nearly forty. It was many years before Langen married again.&rdquo;
+ </p>
+ <p>
+ &ldquo;Do you know him personally?&rdquo;
+ </p>
+ <p>
+ &ldquo;Have you a picture of Miss Langen?&rdquo;
+ </p>
+ <p>
+ Fellner rang a bell and Berner appeared. &ldquo;Give this gentleman Miss Asta&rsquo;s
+ picture. Take the one in the silver frame on my desk;&rdquo; the old gentleman&rsquo;s
+ voice was friendly but faint with fatigue. His old servant looked at him
+ in deep anxiety. Fellner smiled weakly and nodded to the man. &ldquo;Sad news,
+ Berner! Sad news and bad news. Our poor Asta is being held a prisoner by
+ some unknown villain who threatens her with death.&rdquo;
+ </p>
+ <p>
+ &ldquo;My God, is it possible? Can&rsquo;t we help the poor young lady?&rdquo;
+ </p>
+ <p>
+ &ldquo;We will try to help her, or if it is&mdash;too late, we will at least
+ avenge her. My entire fortune shall be given up for it. But bring her
+ picture now.&rdquo;
+ </p>
+ <p>
+ Berner brought the picture of a very pretty girl with a bright intelligent
+ face. Muller took the picture out of the frame and put it in his pocket.
+ </p>
+ <p>
+ &ldquo;You will come again? soon? And remember, I will give ten thousand guldens
+ to the man who saves Asta, or avenges her. Tell the police to spare no
+ expense&mdash;I will go to headquarters myself to-morrow.&rdquo;
+ </p>
+ <p>
+ Fellner was a little surprised that Muller, although he had already taken
+ up his hat, did not go. The sick man had seen the light flash up in the
+ eyes of the other as he named the sum. He thought he understood this
+ excitement, but it touched him unpleasantly and he sank back, almost
+ frightened, in his cushions as the detective bent over him with the words
+ &ldquo;Good. Do not forget your promise, for I will save Miss Langen or avenge
+ her. But I do not want the money for myself. It is to go to those who have
+ been unjustly convicted and thus ruined for life. It may give the one or
+ the other of them a better chance for the future.&rdquo;
+ </p>
+ <p>
+ &ldquo;And you? what good do you get from that?&rdquo; asked the old gentleman,
+ astonished. A soft smile illumined the detective&rsquo;s plain features and he
+ answered gently, &ldquo;I know then that there will be some poor fellow who will
+ have an easier time of it than I have had.&rdquo;
+ </p>
+ <p>
+ He nodded to Fellner, who had already grasped his hand and pressed it
+ hard. A tear ran down his grey beard, and long after Muller had gone the
+ old gentleman lay pondering over his last words.
+ </p>
+ <p>
+ Berner led the visitor to the door. As he was opening it, Muller asked:
+ &ldquo;Has Egon Langen a bad scar on his right cheek?&rdquo;
+ </p>
+ <p>
+ Berner&rsquo;s eyes looked his astonishment. How did the stranger know this? And
+ how did he come to mention this forgotten name.
+ </p>
+ <p>
+ &ldquo;Yes, he has, but how did you know it?&rdquo; he murmured in surprise. He
+ received no answer, for Muller was already walking quickly down the
+ street. The old man stared after him for some few minutes, then suddenly
+ his knees began to tremble. He closed the door with difficulty, and sank
+ down on a bench beside it. The wind had blown out the light of his
+ lantern; Berner was sitting in the dark without knowing it, for a sudden
+ terrible light had burst upon his soul, burst upon it so sharply that he
+ hid his eyes with his hands, and his old lips murmured, &ldquo;Horrible!
+ Horrible! The brother against the sister.&rdquo;
+ </p>
+ <p>
+ The next morning was clear and bright. Muller was up early, for he had
+ taken but a few hours sleep in one of the rooms of the station, before he
+ set out into the cold winter morning. At the next corner he found Amster
+ waiting for him. &ldquo;What are you doing here?&rdquo; he asked in astonishment.
+ </p>
+ <p>
+ &ldquo;I have been thinking over what you said to me yesterday. Your profession
+ is as good and perhaps better than many another.&rdquo;
+ </p>
+ <p>
+ &ldquo;And you come out here so early to tell me that?&rdquo;
+ </p>
+ <p>
+ Amster smiled. &ldquo;I have something else to say.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well?&rdquo;
+ </p>
+ <p>
+ &ldquo;The commissioner asked me yesterday if I knew of a church in the city
+ that had a slender spire with a green top and two poplars in front of it.&rdquo;
+ </p>
+ <p>
+ Muller looked his interest.
+ </p>
+ <p>
+ &ldquo;I thought it might possibly be the Convent Church of the Grey Sisters,
+ but I wasn&rsquo;t quite sure, so I went there an hour ago. It&rsquo;s all right, just
+ as I thought. And I suppose it has something to do with the case of last
+ night, so I thought I had better report at once. I was on my way to the
+ station.&rdquo;
+ </p>
+ <p>
+ &ldquo;That will do very well. You have saved us much time and you have shown
+ that you are eminently fitted for this business.&rdquo;
+ </p>
+ <p>
+ &ldquo;If you really will try me, then&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;We&rsquo;ll see. You can begin on this. Come to the church with me now.&rdquo; Muller
+ was no talker, particularly not when, as now, his brain was busy on a
+ problem.
+ </p>
+ <p>
+ The two men walked on quickly. In about half an hour they found themselves
+ in a little square in the middle of which stood an old church. In front of
+ the church, like giant sentinels, stood a pair of tall poplars. One of
+ them looked sickly and was a good deal shorter than its neighbour. Muller
+ nodded as if content.
+ </p>
+ <p>
+ &ldquo;Is this the church the commissioner was talking about?&rdquo; queried Amster.
+ </p>
+ <p>
+ &ldquo;It is,&rdquo; was the answer. Muller walked on toward a little house built up
+ against the church, which was evidently the dwelling of the sexton.
+ </p>
+ <p>
+ The detective introduced himself to this official, who did not look
+ over-intelligent, as a stranger in the city who had been told that the
+ view from the tower of the church was particularly interesting. A bright
+ silver piece banished all distrust from the soul of the worthy man. With
+ great friendliness he inquired when the gentlemen would like to ascend the
+ tower. &ldquo;At once,&rdquo; was the answer.
+ </p>
+ <p>
+ The sexton took a bunch of keys and told the strangers to follow him. A
+ few moments later Muller and his companion stood in the tiny belfry room
+ of the slender spire. The fat sexton, to his own great satisfaction, had
+ yielded to their request not to undertake the steep ascent. The cloudless
+ sky lay crystal clear over the still sleeping city and the wide spread
+ snow-covered fields which lay close at hand, beyond the church. On the one
+ side were gardens and the low rambling buildings of the convent, and on
+ the other were huddled high-piled dwellings of poverty.
+ </p>
+ <p>
+ Muller looked out of each of the four windows in turn. He spent some time
+ at each window, but evidently without discovering what he looked for, for
+ he shook his head in discontent. But when he went once more to the opening
+ in the East, into which the sun was just beginning to pour its light,
+ something seemed to attract his attention. He called Amster and pointed
+ from the window. &ldquo;Your eyes are younger than mine, lend them to me. What
+ do you see over there to the right, below the tall factory chimney?&rdquo;
+ Muller&rsquo;s voice was calm, but there was something in his manner that
+ revealed excitement. Amster caught the infection without knowing why. He
+ looked sharply in the direction towards which Muller pointed, and began:
+ &ldquo;There is a tall house near the chimney, to the right of it, one wall
+ touching it. The house is crowded in between other newer buildings, and
+ looks to be very old and of a much better sort than its neighbours. The
+ other houses are plain stone, but this house has carvings and statues on
+ it, which are white with snow. But the house is in bad condition, one can
+ see cracks in the wall.&rdquo;
+ </p>
+ <p>
+ &ldquo;And its windows?&rdquo;
+ </p>
+ <p>
+ &ldquo;I cannot see them. They must be on the other side of the house, towards
+ the courtyard which seems to be hemmed in by the blank walls of the other
+ houses.&rdquo;
+ </p>
+ <p>
+ &ldquo;And at the front of the house?&rdquo;
+ </p>
+ <p>
+ &ldquo;There is a low wall in front which shuts off the courtyard from a narrow,
+ ill-kept street.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I see it myself now. The street is bordered mainly by gardens and
+ vacant lots.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, sir, that is it.&rdquo; Muller nodded as if satisfied. Amster looked at
+ him in surprise, still more surprised, however, at the excitement he felt
+ himself. He did not understand it, but Muller understood it. He knew that
+ he had found in Amster a talent akin to his own, one of those natures who
+ once having taken up a trail cannot rest until they reach their goal. He
+ looked for a few moments in satisfaction at the assistant he had found by
+ such chance, then he turned and hastened down the stairs again.
+ </p>
+ <p>
+ &ldquo;We&rsquo;re going to that house?&rdquo; asked Amster when they were down in the
+ street. Muller nodded.
+ </p>
+ <p>
+ Without hesitation the two men made their way through a tangle of dingy,
+ uninteresting alleys, between modern tenements, until about ten minutes
+ later they stood before an old three-storied building, which had a
+ frontage of four windows on the street. &ldquo;This is our place,&rdquo; said the
+ detective, looking up at the tall, handsome gateway and the rococo
+ carvings that ornamented the front of this decaying dwelling. It was very
+ evidently of a different age and class from those about it.
+ </p>
+ <p>
+ Muller had already raised his hand to pull the bell, when he stopped and
+ let it sink again. His eye caught sight of a placard pasted up on the wall
+ of the next house, and already half torn off by the wind. The detective
+ walked over, and raising the placard with his cane, read the words on it.
+ &ldquo;That&rsquo;s right,&rdquo; he said to himself. Amster gave a look on the paper. But
+ he could not connect the contents of the notice with the case of the
+ kidnapped lady, and he shook his head in surprise when Muller turned to
+ him with the words: &ldquo;The lady we are looking for is not insane.&rdquo; On the
+ paper was announced in large letters that a reward would be offered to the
+ finder of a red and green parrot which had escaped from a neighbouring
+ house.
+ </p>
+ <p>
+ Muller rang the bell and they had to wait some few minutes before the door
+ opened with great creakings, and the towsled head of an old woman peered
+ out.
+ </p>
+ <p>
+ &ldquo;What do you want?&rdquo; she asked hoarsely, with distrustful looks.
+ </p>
+ <p>
+ &ldquo;Let us in, and then give us the keys of the upstairs rooms.&rdquo; Muller&rsquo;s
+ voice was friendly, but the woman grew perceptibly paler.
+ </p>
+ <p>
+ &ldquo;Who are you?&rdquo; she stammered. Muller threw back his overcoat and showed
+ her his badge. &ldquo;But there is nobody here, the house is quite empty.&rdquo;
+ </p>
+ <p>
+ &ldquo;There were a lady and gentleman here last evening.&rdquo; The woman threw a
+ frightened look at Muller, then she said hesitatingly: &ldquo;The lady was
+ insane and has been taken to an asylum.&rdquo;
+ </p>
+ <p>
+ &ldquo;That is what the man told you. He is a criminal and the police are
+ looking for him.&rdquo;
+ </p>
+ <p>
+ &ldquo;Come with me,&rdquo; murmured the woman. She seemed to understand that further
+ resistance was useless. She carefully locked the outside door. Amster
+ remained down stairs in the corridor, while Muller followed the old woman
+ up the stairs. The staircase to the third story was made of wood. The
+ house was evidently very old, with low ceilings and many dark corners.
+ </p>
+ <p>
+ The woman led Muller into the room in which she had cared for the strange
+ lady at the order of the latter&rsquo;s &ldquo;husband.&rdquo; He had told her that it was
+ only until he could take the lady to an asylum. One look at the wall
+ paper, a glance out of the window, and Muller knew that this was where
+ Asta Langen had been imprisoned. He sat down on a chair and looked at the
+ woman, who stood frightened before him.
+ </p>
+ <p>
+ &ldquo;Do you know where they have taken the lady?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, sir.
+ </p>
+ <p>
+ &ldquo;Do you know the gentleman&rsquo;s name?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, sir.
+ </p>
+ <p>
+ &ldquo;You did not send the lady&rsquo;s name to the authorities?&rdquo; *
+ </p>
+ <p>
+ &ldquo;No, sir.&rdquo;
+ </p>
+<pre xml:space="preserve">
+ * Any stranger taking rooms in a hotel or lodging house must
+ be registered with the police authorities by the proprietor
+ of the house within forty-eight hours of arrival.
+</pre>
+ <p>
+ &ldquo;Were you not afraid you would get into trouble?&rdquo;
+ </p>
+ <p>
+ &ldquo;The gentleman paid me well, and I did not think that he meant anything
+ bad, and&mdash;and&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;And you did not think that it would be found out?&rdquo; said Muller sternly.
+ </p>
+ <p>
+ &ldquo;I took good care of the lady.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, we know that.&rdquo;
+ </p>
+ <p>
+ &ldquo;Did she escape from her husband?&rdquo;
+ </p>
+ <p>
+ &ldquo;He was not her husband. But now tell me all you know about these people;
+ the more truthful you are the better it will be for you.&rdquo;
+ </p>
+ <p>
+ The old woman was so frightened that she could scarcely find strength to
+ talk. When she finally got control of herself again she began: &ldquo;He came
+ here on the first of November and rented this room for himself. But he was
+ here only twice before he brought the lady and left her alone here. She
+ was very ill when he brought her here&mdash;so ill that he had to carry
+ her upstairs. I wanted to go for a doctor, but he said he was a doctor
+ himself, and that he could take care of his wife, who often had such
+ attacks. He gave me some medicine for her after I had put her to bed. I
+ gave her the drops, but it was a long while before she came to herself
+ again.
+ </p>
+ <p>
+ &ldquo;Then he told me that she had lost her mind, and that she believed
+ everybody was trying to harm her. She was so bad that he was taking her to
+ an asylum. But he hadn&rsquo;t found quite the right place yet, and wanted me to
+ keep her here until he knew where he could take her. Once he left a
+ revolver here by mistake. But I hid it so the lady wouldn&rsquo;t see it, and
+ gave it to the gentleman the next time he came. He was angry at that,
+ though I couldn&rsquo;t see why, and said I shouldn&rsquo;t have touched it.&rdquo;
+ </p>
+ <p>
+ The woman had told her story with much hesitation, and stopped altogether
+ at this point. She had evidently suddenly realised that the lady was not
+ insane, but only in great despair, and that people in such a state will
+ often seek death, particularly if any weapon is left conveniently within
+ their reach.
+ </p>
+ <p>
+ &ldquo;What did this gentleman look like?&rdquo; asked Muller, to start her talking
+ again. She described her tenant as very tall and stout with a long beard
+ slightly mixed with grey. She had never seen his eyes, for he wore smoked
+ glasses.
+ </p>
+ <p>
+ &ldquo;Did you notice anything peculiar about his face?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, nothing except that his beard was very heavy and almost covered his
+ face.&rdquo;
+ </p>
+ <p>
+ &ldquo;Could you see his cheeks at all?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, or else I didn&rsquo;t notice.&rdquo;
+ </p>
+ <p>
+ &ldquo;Did he leave nothing that might enable us to find him?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, sir, nothing. Or yes, perhaps, but I don&rsquo;t suppose that will be any
+ good.&rdquo;
+ </p>
+ <p>
+ &ldquo;What was it? What do you mean?&rdquo;
+ </p>
+ <p>
+ &ldquo;It gave him a good deal of trouble to get the lady into the wagon,
+ because she had fainted again. He lost his glove in doing it. I have it
+ down stairs in my room, for I sleep down stairs again since the lady has
+ gone.&rdquo;
+ </p>
+ <p>
+ Muller had risen from his chair and walked over to the old writing desk
+ which stood beside one window. There were several sheets of ordinary brown
+ paper on it and sharp pointed pencil and also something not usually found
+ on writing desks, a piece of bread from which some of the inside had been
+ taken. &ldquo;Everything as I expected it,&rdquo; he said to himself. &ldquo;The young lady
+ made up the package in the last few moments that she was left alone here.&rdquo;
+ </p>
+ <p>
+ He turned again to the old woman and commanded her to lead him down
+ stairs. &ldquo;What sort of a carriage was it in which they took the lady away?&rdquo;
+ he asked as they went down.
+ </p>
+ <p>
+ &ldquo;A closed coupe.&rdquo;
+ </p>
+ <p>
+ &ldquo;Did you see the number?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, sir. But the carriage was very shabby and so was the driver.&rdquo;
+ </p>
+ <p>
+ &ldquo;Was he an old man?&rdquo;
+ </p>
+ <p>
+ &ldquo;He was about forty years old, but he looked like a man who drank. He had
+ a light-coloured overcoat on.&rdquo;
+ </p>
+ <p>
+ &ldquo;Good. Is this your room?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, sir.&rdquo;
+ </p>
+ <p>
+ They were now in the lower corridor, where they found Amster walking up
+ and down. The woman opened the door of the little room, and took a glove
+ from a cupboard. Muller put it in his pocket and told the woman not to
+ leave the house for anything, as she might be sent for to come to the
+ police station at any moment. Then he went out into the street with
+ Amster. When they were outside in the sunlight, he looked at the glove. It
+ was a remarkably small size, made for a man with a slender, delicate hand,
+ not at all in accordance with the large stout body of the man described by
+ the landlady. Muller put his hand into the glove and found something
+ pushed up into the middle finger. He took it out and found that it was a
+ crumpled tramway ticket.
+ </p>
+ <p>
+ &ldquo;Look out for a shabby old closed coupe, with a driver about forty years
+ old who looks like a drunkard and wears a light overcoat. If you find such
+ a cab, engage it and drive in it to the nearest police station. Tell them
+ there to hold the man until further notice. If the cab is not free, at
+ least take his number. And one thing more, but you will know that
+ yourself,&mdash;the cab we are looking for will have new glass in the
+ right-hand window.&rdquo; Thus Muller spoke to his companion as he put the glove
+ into his pocket and unfolded the tramway ticket. Amster understood that
+ they had found the starting point of the drive of the night before.
+ </p>
+ <p>
+ &ldquo;I will go to all coupe stands,&rdquo; he said eagerly.
+ </p>
+ <p>
+ &ldquo;Yes, but we may be able to find it quicker than that.&rdquo; Muller took the
+ little notebook, which he was now carrying in his pocket, and took from it
+ the tramway ticket which was in the cover. He compared it with the one he
+ had just found. They were both marked for the same hour of the day and for
+ the same ride.
+ </p>
+ <p>
+ &ldquo;Did the man use them?&rdquo; asked Amster. The detective nodded. &ldquo;How can they
+ help us?&rdquo;
+ </p>
+ <p>
+ &ldquo;Somewhere on this stretch of the street railroad you will probably find
+ the stand of the cab we are looking for. The man who hired it evidently
+ arrived on the 6:30 train at the West Station&mdash;I have reason to
+ believe that he does not live here,&mdash;and then took the street car to
+ this corner. The last ticket is marked for yesterday. In the car he
+ probably made his plans to hire a cab. So you had better stay along the
+ line of the car tracks. You will find me in room seven, Police
+ Headquarters, at noon to-day. The authorities have already taken up the
+ case. You may have something to tell us then. Good luck to you.&rdquo;
+ </p>
+ <p>
+ Muller hurried on, after he had taken a quick breakfast in a little cafe.
+ He went at once to headquarters, made his report there and then drove to
+ Fellner&rsquo;s house. The latter was awaiting him with great impatience. There
+ the detective gathered much valuable information about the first marriage
+ of Asta Langen&rsquo;s long-dead father. It was old Berner who could tell him
+ the most about these long-vanished days.
+ </p>
+ <p>
+ When he reached his office at headquarters again, he found telegrams in
+ great number awaiting him. They were from all the hospitals and insane
+ asylums in the entire district. But in none of them had there been a
+ patient fitting the description of the vanished girl. Neither the
+ commissioner nor Muller was surprised at this negative result. They were
+ also not surprised at all that the other branches of the police department
+ had been able to discover so little about the disappearance of the young
+ lady. They were aware that they had to deal with a criminal of great
+ ability who would be careful not to fall into the usual slips made by his
+ kind.
+ </p>
+ <p>
+ There was no news from the cab either, although several detectives were
+ out looking for it. It was almost nightfall when Amster ran breathlessly
+ into room number seven. &ldquo;I have him! he&rsquo;s waiting outside across the way!&rdquo;
+ This was Amster&rsquo;s report.
+ </p>
+ <p>
+ Muller threw on his coat hastily. &ldquo;You didn&rsquo;t pay him, did you? On a cold
+ day like this the drivers don&rsquo;t like to wait long in any one place.&rdquo;
+ </p>
+ <p>
+ &ldquo;No danger. I haven&rsquo;t money enough for that,&rdquo; replied Amster with a sad
+ smile. Muller did not hear him as he was already outside. But the
+ commissioner with whom he had been talking and to whom Muller had already
+ spoken of his voluntary assistant, entered into a conversation with
+ Amster, and said to him finally: &ldquo;I will take it upon myself to guarantee
+ your future, if you are ready to enter the secret service under Muller&rsquo;s
+ orders. If you wish to do this you can stay right on now, for I think we
+ will need you in this case.&rdquo;
+ </p>
+ <p>
+ Amster bowed in agreement. His life had been troubled, his reputation
+ darkened by no fault of his own, and the work he was doing now had
+ awakened an interest and an ability that he did not know he possessed. He
+ was more than glad to accept the offer made by the official.
+ </p>
+ <p>
+ Muller was already across the street and had laid his hand upon the door
+ of the cab when the driver turned to him and said crossly, &ldquo;Some one else
+ has ordered me. But I am not going to wait in this cold, get in if you
+ want to.&rdquo;
+ </p>
+ <p>
+ &ldquo;All right. Now tell me first where you drove to last evening with the
+ sick lady and her companion?&rdquo; The man looked astonished but found his
+ tongue again in a moment. &ldquo;And who are you?&rdquo; he asked calmly.
+ </p>
+ <p>
+ &ldquo;We will tell you that upstairs in the police station,&rdquo; answered Muller
+ equally calmly, and ordered the man to drive through the gateway into the
+ inner courtyard. He himself got into the wagon, and in the course of the
+ short drive he had made a discovery. He had found a tiny glass stopper,
+ such as is used in perfume bottles. He could understand from this why the
+ odour of perfume which had now become familiar to him was still so strong
+ inside the old cab. Also why it was so strong on the delicate
+ handkerchief. Asta Langen had taken the stopper from the bottle in her
+ pocket, so as to leave a trail of odour behind her.
+ </p>
+ <p>
+ <a name="link2HCH0003" id="link2HCH0003">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER THREE. THE LONELY COTTAGE
+ </h2>
+ <p>
+ Fifteen minutes after the driver had made his report to Commissioner Von
+ Mayringen, the latter with Amster entered another cab. A well-armed
+ policeman mounted the box of this second vehicle. &ldquo;Follow that cab ahead,&rdquo;
+ the commissioner told his driver. The second cab followed the one-horse
+ coupe in which Muller was seated. They drove first to No. 14 Cathedral
+ Lane, where Muller told Berner to come with him. He found Mr. Fellner
+ ready to go also, and it was with great difficulty that he could dissuade
+ the invalid, who was greatly fatigued by his morning visit to the police
+ station, from joining them.
+ </p>
+ <p>
+ The carriages then drove off more quickly than before. It was now quite
+ dark, a gloomy stormy winter evening. Muller had taken his place on the
+ box of his cab and sat peering out into the darkness. In spite of the
+ sharp wind and the ice that blew against his face the detective could see
+ that they were going out from the more closely built up portions of the
+ city, and were now in new streets with half-finished houses. Soon they
+ passed even these and were outside of the city. The way was lonely and
+ dreary, bordered by wooden fences on both sides. Muller looked sharply to
+ right and to left.
+ </p>
+ <p>
+ &ldquo;You should have become alarmed here,&rdquo; he said to the driver, pointing to
+ one part of the fence.
+ </p>
+ <p>
+ &ldquo;Why?&rdquo; asked the man.
+ </p>
+ <p>
+ &ldquo;Because this is where the window was broken.&rdquo;
+ </p>
+ <p>
+ &ldquo;I didn&rsquo;t know that&mdash;until I got home.&rdquo;
+ </p>
+ <p>
+ &ldquo;H&rsquo;m; you must have been nicely drunk.&rdquo;
+ </p>
+ <p>
+ The driver murmured something in his beard.
+ </p>
+ <p>
+ &ldquo;Stop here, this is your turn, down that street,&rdquo; Muller said a few
+ moments later, as the driver turned the other way.
+ </p>
+ <p>
+ &ldquo;How do you know that?&rdquo; asked the man, surprised.
+ </p>
+ <p>
+ &ldquo;None of your business.&rdquo;
+ </p>
+ <p>
+ &ldquo;This street will take us there just the same.&rdquo;
+ </p>
+ <p>
+ &ldquo;Probably, but I prefer to go the way you went yesterday.&rdquo;
+ </p>
+ <p>
+ &ldquo;Very well, it&rsquo;s all the same to me.&rdquo; They were silent again, only the
+ wind roared around them, and somewhere in the distance a fog horn moaned.
+ </p>
+ <p>
+ It was now six o&rsquo;clock. The snow threw out a mild light which could not
+ brighten the deep darkness around them. About half an hour later the first
+ cab halted. &ldquo;There&rsquo;s the house up there. Shall I drive to the garden
+ gate?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, stop here.&rdquo; Muller was already on the ground. &ldquo;Are there any dogs
+ here?&rdquo; he asked.
+ </p>
+ <p>
+ &ldquo;I didn&rsquo;t hear any yesterday.&rdquo;
+ </p>
+ <p>
+ &ldquo;That&rsquo;s of no value. You didn&rsquo;t seem to hear much of anything yesterday.&rdquo;
+ Muller opened the door of the cab and helped Berner out. The old man was
+ trembling. &ldquo;That was a dreadful drive!&rdquo; he stammered.
+ </p>
+ <p>
+ &ldquo;I hope you will be happier on the drive back,&rdquo; said the detective and
+ added, &ldquo;You stay here with the commissioner now.&rdquo;
+ </p>
+ <p>
+ The latter had already left his cab with his companion. His sharp eyes
+ glanced over the heavily shaded garden and the little house in its midst.
+ A little light shone from two windows of the first story. The men&rsquo;s eyes
+ looked toward them, then the detective and Amster walked toward a high
+ picket fence which closed the garden on the side nearest its neighbours.
+ They shook the various pickets without much caution, for the wind made
+ noise enough to kill any other sound. Amster called to Muller, he had
+ found a loose picket, and his strong young arms had torn it out easily.
+ Muller motioned to the other three to join them. A moment later they were
+ all in the garden, walking carefully toward the house.
+ </p>
+ <p>
+ The door was closed but there were no bars at the windows of the ground
+ floor. Amster looked inquiringly at the commissioner and the latter nodded
+ and said, &ldquo;All right, go ahead.&rdquo;
+ </p>
+ <p>
+ The next minute Amster had broken in through one pane of the window and
+ turned the latch. The inner window was broken already so that it was not
+ difficult for him to open it without any further noise. He disappeared
+ into the dark room within. In a few seconds they heard a key turn in the
+ door and it opened gently. The men entered, all except the policeman, who
+ remained outside. The blind of his lantern was slightly opened, and he had
+ his revolver ready in his hand.
+ </p>
+ <p>
+ Muller had opened his lantern also, and they saw that they were in a
+ prettily furnished corridor from which the staircase and one door led out.
+ </p>
+ <p>
+ The four men tiptoed up the stairway and the commissioner stepped to the
+ first of the two doors which opened onto the upper corridor. He turned the
+ key which was in the lock, and opened the door, but they found themselves
+ in a room as dark as was the corridor. From somewhere, however, a ray of
+ light fell into the blackness. The official stepped into the room, pulling
+ Berner in after him. The poor old man was in a state of trembling
+ excitement when he found himself in the house where his beloved young lady
+ might already be a corpse. One step more and a smothered cry broke from
+ his lips. The commissioner had opened the door of an adjoining room, which
+ was lighted and handsomely furnished. Only the heavy iron bars across the
+ closed windows showed that the young lady who sat leaning back wearily in
+ an arm-chair was a prisoner.
+ </p>
+ <p>
+ She looked up as they entered. The expression of utter despair and deep
+ weariness which had rested on her pale face changed to a look of terror;
+ then she saw that it was not her would-be murderer who was entering, but
+ those who came to rescue. A bright flush illumined her cheeks and her eyes
+ gleamed. But the change was too sudden for her tortured soul. She rose
+ from her chair, then sank fainting to the floor.
+ </p>
+ <p>
+ Berner threw himself on his knees beside her, sobbing out, &ldquo;She is dying!
+ She is dying!&rdquo;
+ </p>
+ <p>
+ Muller turned on the instant, for he had heard the door on the other side
+ of the hall open, and a tall slender man with a smooth face and a deep
+ scar on his right cheek stood on the threshold looking at them in dazed
+ surprise. For an instant only had he lost his control. The next second he
+ was in his room again, slamming the door behind him. But it was too late.
+ Amster&rsquo;s foot was already in the crack of the door and he pushed it open
+ to let Muller enter. &ldquo;Well done,&rdquo; cried the latter, and then he turned to
+ the man in the room. &ldquo;Here, stop that. I can fire twice before you get the
+ window open.&rdquo;
+ </p>
+ <p>
+ The man turned and walked slowly to the centre of the room, sinking down
+ into an arm-chair that stood beside the desk. Neither Amster nor Muller
+ turned their eyes from him for a moment, ready for any attempt on his part
+ to escape. But the detective had already seen something that told him that
+ Langen was not thinking of flight. When he turned to the desk, Muller had
+ seen his eyes glisten while a scornful smile parted his thin lips. A
+ second later he had let his handkerchief fall, apparently carelessly, upon
+ the desk. But in this short space of time the detective&rsquo;s sharp eyes had
+ seen a tiny bottle upon which was a black label with a grinning skull.
+ Muller could not see whether the bottle was full or empty, but now he knew
+ that it must hold sufficient poison to enable the captured criminal to
+ escape open disgrace. Knowing this, Muller looked with admiration at the
+ calmness of the villain, whose intelligent eyes were turned towards him in
+ evident curiosity.
+ </p>
+ <p>
+ &ldquo;Who are you and who else is here with you?&rdquo; asked the man calmly.
+ </p>
+ <p>
+ &ldquo;I am Muller of the Secret Service,&rdquo; replied his visitor and added, &ldquo;You
+ must put up with us for the time being, Mr. Egon Langen. The police
+ commissioner is occupied with your step-sister, whom you were about to
+ murder.&rdquo;
+ </p>
+ <p>
+ Langen put his hand to his cheek, looking at Muller between his lashes as
+ he said, &ldquo;To murder? Who can prove that?&rdquo;
+ </p>
+ <p>
+ &ldquo;We have all the proofs we need.&rdquo;
+ </p>
+ <p>
+ &ldquo;I will acknowledge only that I wanted Asta to disappear.&rdquo;
+ </p>
+ <p>
+ Muller smiled. &ldquo;What good would that have done you? You wanted her entire
+ fortune, did you not? But that could have come to you only after thirty
+ years, and you are not likely to have waited that long. Your plan was to
+ murder your step-sister, even if you could not get a letter from her
+ telling of her intention to commit suicide.&rdquo;
+ </p>
+ <p>
+ Langen rose suddenly, but controlled himself again and sank back easily in
+ his chair. &ldquo;Then the old woman has been talking?&rdquo; he asked.
+ </p>
+ <p>
+ Muller shook his head. &ldquo;We knew it through Miss Langen herself.&rdquo;
+ </p>
+ <p>
+ &ldquo;She has spoken to no one for over ten days.&rdquo;
+ </p>
+ <p>
+ &ldquo;But you let her throw her notebook out of the window of the cab.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;There, you see, you should not have let that happen.&rdquo;
+ </p>
+ <p>
+ Drops of perspiration stood out on Langen&rsquo;s forehead. Until now, perhaps,
+ he had had some possible hope of escape. It was useless now, he knew.
+ </p>
+ <p>
+ As calmly as he had spoken thus far Muller continued. &ldquo;For twenty years I
+ have been studying the hearts of criminals like yourself. But there are
+ things I do not understand about this case and it interests me very much.&rdquo;
+ </p>
+ <p>
+ Langen had wiped the drops from his forehead and he now turned on Muller a
+ face that seemed made of bronze. There was but one expression on it, that
+ of cold scorn.
+ </p>
+ <p>
+ &ldquo;I feel greatly flattered, sir, to think that I can offer a problem to one
+ of your experience,&rdquo; Langen began. His voice, which had been slightly
+ veiled before, was now quite clear. &ldquo;Ask me all you like. I will answer
+ you.&rdquo;
+ </p>
+ <p>
+ Muller began: &ldquo;Why did you wait so long before committing the murder? and
+ why did you drag your victim from place to place when you could have
+ killed her easily in the compartment of the railway train?&rdquo;
+ </p>
+ <p>
+ &ldquo;The windows of the compartment were open, my honoured friend, and it was
+ a fine warm evening for the season, because of which the windows in the
+ other compartment were also open. There was nothing else I could do at
+ that time then, except to offer Asta a cup of tea when she felt a little
+ faint upon leaving the train. I am a physician and I know how to use the
+ right drugs at the right time. When Asta had taken the tea, she knew
+ nothing more until she woke up a day later in a room in the city.&rdquo;
+ </p>
+ <p>
+ &ldquo;And the piece of paper with the threat on it? and the revolver you left
+ so handy for her? oh, but I forgot, the old woman took the weapon away
+ before the lady could use it in her despair,&rdquo; said Muller.
+ </p>
+ <p>
+ &ldquo;Quite right. I see you know every detail.&rdquo;
+ </p>
+ <p>
+ &ldquo;But why didn&rsquo;t you complete your crime in the room in the old house?&rdquo;
+ persisted Muller.
+ </p>
+ <p>
+ &ldquo;Because I lost my false beard one day upon the staircase, and I feared
+ the old woman might have seen my face enough to recognise me again. I
+ thought it better to look for another place.&rdquo;
+ </p>
+ <p>
+ &ldquo;And then you found this house.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, but several days later.&rdquo;
+ </p>
+ <p>
+ &ldquo;And you hired it in the name of Miss Asta Langen? Who would then have
+ been found dead here several days after you had entered the house?&rdquo;
+ </p>
+ <p>
+ &ldquo;Several days, several weeks perhaps. I preferred to wait until the woman
+ who rented the house had read in the papers that Asta Langen had
+ disappeared and was being sought for. Somebody would have found her here,
+ and her identity would have easily been established, for I knew that she
+ had some important family documents with her.&rdquo;
+ </p>
+ <p>
+ Muller was silent a moment, with an expression of deep pity on his face.
+ Then he continued: &ldquo;Yes, someone would have found her, and her suicide
+ would have been a dark mystery, unless, of course, malicious tongues would
+ have found ugly reasons enough why a beautiful young lady should hide
+ herself in a lonely cottage to take her own life.&rdquo;
+ </p>
+ <p>
+ Muller had spoken as if to himself. Egon Langen&rsquo;s lips, parted in a smile
+ so evil that Amster clenched his fists.
+ </p>
+ <p>
+ &ldquo;And you would not have regretted this ruining the reputation as well as
+ taking the life of an innocent girl?&rdquo; asked the detective low and tense.
+ </p>
+ <p>
+ &ldquo;No, for I hated her.&rdquo;
+ </p>
+ <p>
+ &ldquo;You hated her because she was rich and innocent. She was very charitable
+ and would gladly have helped you if you were in need. Beside this, you
+ were entitled to a portion of your father&rsquo;s estate. It is almost thirty
+ thousand guldens, as Mr. Fellner tells me. Why did you not take that?&rdquo;
+ </p>
+ <p>
+ &ldquo;Fellner did not know that I had already received twenty thousand of this
+ when my father turned me out. He probably would have heard of it later,
+ for Berner was the witness. I did not care for the remaining ten thousand
+ because I would have the entire fortune after Asta&rsquo;s death. I would have
+ seen the official notice and the call for heirs in Australia, and would
+ have written from there, announcing that I was still alive. If you had
+ come several days later I should have been a rich man within a year.&rdquo;
+ </p>
+ <p>
+ His clenched fist resting on his knee, the rascal stared out ahead of him
+ when he ended his shameless confession. In his rage and disappointment he
+ had not noticed that Muller&rsquo;s hand dropped gently to the desk and softly
+ took a little bottle from under the handkerchief. Langen came out of his
+ dark thoughts only when Muller&rsquo;s voice broke the silence. &ldquo;But you
+ miscalculated, if you expected to inherit from your sister. She is still a
+ minor and your father&rsquo;s will would have given you only ten thousand
+ guldens.
+ </p>
+ <p>
+ &ldquo;But you forget that Asta will be twenty-four on the third of December.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah, then you would have kept her alive until then.&rdquo;
+ </p>
+ <p>
+ &ldquo;You understand quickly,&rdquo; said Langen with a mocking smile.
+ </p>
+ <p>
+ &ldquo;But she disappeared on the eighteenth of November. How could you prove
+ that she died after her birthday, therefore in full possession of her
+ fortune and without leaving any will?&rdquo;
+ </p>
+ <p>
+ &ldquo;That is very simple. I buy several newspapers every day. I would have
+ taken them up to the fourth and fifth of December and left them here with
+ the body.&rdquo;
+ </p>
+ <p>
+ &ldquo;You are more clever even than I thought,&rdquo; said the detective dryly as he
+ heard the commissioner&rsquo;s steps behind him. Muller put a whistle to his
+ lips and its shrill tone ran through the house, calling up the policeman
+ who stood by the door.
+ </p>
+ <p>
+ Egon Langen&rsquo;s face was grey with pallor, his features were distorted, and
+ yet there was the ghost of a smile on his lips as he saw his captors enter
+ the door. He put his hand out, raised his handkerchief hastily and then a
+ wild scream echoed through the room, a scream that ended in a ghastly
+ groan.
+ </p>
+ <p>
+ &ldquo;I have taken your bottle, you might as well give yourself up quietly,&rdquo;
+ said Muller calmly, holding his revolver near Langen&rsquo;s face. The prisoner
+ threw himself at the detective but was caught and overpowered by Amster
+ and the policeman.
+ </p>
+ <p>
+ A quarter of an hour later the cabs drove back toward the city. Inside one
+ cowered Egon Langen, watched by the policeman and Amster. Berner was on
+ the box beside the driver, telling the now interested man the story of
+ what had happened to his dear young lady. In the other cab sat Asta Langen
+ with Kurt von Mayringen and Muller.
+ </p>
+ <p>
+ &ldquo;Do you feel better now?&rdquo; asked the young commissioner in sincere sympathy
+ that was mingled with admiration for the delicate beauty of the girl
+ beside him, an admiration heightened by her romantic story and marvelous
+ escape.
+ </p>
+ <p>
+ Asta nodded and answered gently: &ldquo;I feel as if some terrible weight were
+ lifted from my heart and brain. But I doubt if I will ever forget these
+ horrible days, when I had already come to accept it as a fact that&mdash;that
+ I was to be murdered.&rdquo;
+ </p>
+ <p>
+ &ldquo;This is the man to whom you owe your escape,&rdquo; said the commissioner,
+ laying his hand on Muller&rsquo;s knee. Asta did not speak, but she reached out
+ in the darkness of the cab, caught Muller&rsquo;s hand and would have raised it
+ to her lips, had not the little man drawn it away hastily. &ldquo;It was only my
+ duty, dear young lady,&rdquo; he said. &ldquo;A duty that is not onerous when it means
+ the rescue of innocence and the preventing of crime. It is not always so,
+ unfortunately&mdash;nor am I always so fortunate as in this case.&rdquo;
+ </p>
+ <p>
+ This indeed is what Muller calls a &ldquo;case with a happy ending,&rdquo; for
+ scarcely a year later, to his own great embarrassment, he found himself
+ the most honoured guest, and a centre of attraction equally with the
+ bridal couple, at the marriage of Kurt von Mayringen and Asta Langen.
+ Muller asserts, however, that he is not a success in society, and that he
+ would rather unravel fifty difficult cases than again be the &ldquo;lion&rdquo; at a
+ fashionable function.
+ </p>
+ <p>
+ <br /><br /><br /><br />
+ </p>
+<pre xml:space="preserve">
+
+
+
+
+
+End of the Project Gutenberg EBook of The Case of The Pocket Diary Found in
+the Snow, by Grace Isabel Colbron and Augusta Groner
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE POCKET DIARY ***
+
+***** This file should be named 1834-h.htm or 1834-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/1/8/3/1834/
+
+Produced by An Anonymous Project Gutenberg Volunteer, and David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase &ldquo;Project
+Gutenberg&rdquo;), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. &ldquo;Project Gutenberg&rdquo; is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation (&ldquo;the Foundation&rdquo;
+ or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase &ldquo;Project Gutenberg&rdquo; appears, or with which the phrase &ldquo;Project
+Gutenberg&rdquo; is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase &ldquo;Project Gutenberg&rdquo; associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+&ldquo;Plain Vanilla ASCII&rdquo; or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original &ldquo;Plain Vanilla ASCII&rdquo; or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, &ldquo;Information about donations to
+ the Project Gutenberg Literary Archive Foundation.&rdquo;
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+&ldquo;Defects,&rdquo; such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &ldquo;Right
+of Replacement or Refund&rdquo; described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you &lsquo;AS-IS&rsquo; WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm&rsquo;s
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation&rsquo;s EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state&rsquo;s laws.
+
+The Foundation&rsquo;s principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation&rsquo;s web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+ </body>
+</html>