summaryrefslogtreecommitdiff
path: root/18268.txt
diff options
context:
space:
mode:
Diffstat (limited to '18268.txt')
-rw-r--r--18268.txt2455
1 files changed, 2455 insertions, 0 deletions
diff --git a/18268.txt b/18268.txt
new file mode 100644
index 0000000..5fe55aa
--- /dev/null
+++ b/18268.txt
@@ -0,0 +1,2455 @@
+The Project Gutenberg EBook of Ballads of Lost Haven, by Bliss Carman
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Ballads of Lost Haven
+ A Book of the Sea
+
+Author: Bliss Carman
+
+Release Date: April 27, 2006 [EBook #18268]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK BALLADS OF LOST HAVEN ***
+
+
+
+
+Produced by Thierry Alberto, Martin Pettit and the Online
+Distributed Proofreading Team at http://www.pgdp.net (This
+file was produced from images generously made available
+by the Canadian Institute for Historical Microreproductions
+(www.canadiana.org))
+
+
+
+
+
+
+Ballads of Lost Haven
+
+_A Book of the Sea_
+
+
+By BLISS CARMAN
+
+_Author of_ Low Tide on Grand Pre, Behind the Arras, Songs from
+Vagabondia, &c.
+
+[Illustration: Logo]
+
+Lamson, Wolffe and Company Boston, New York and London
+
+MDCCCXCVII
+
+Copyright, 1897
+
+by Lamson, Wolffe and Company
+
+_All rights reserved_
+
+Norwood Press
+
+J. S. Cushing & Co.--Berwick & Smith
+
+Norwood Mass. U.S.A.
+
+
+
+
+Contents
+
+ PAGE
+ A SON OF THE SEA 7
+ THE GRAVEDIGGER 8
+ THE YULE GUEST 12
+ THE MARRING OF MALYN 26
+ THE NANCY'S PRIDE 43
+ ARNOLD, MASTER OF THE SCUD 48
+ THE SHIPS OF ST. JOHN 55
+ THE KING OF YS 59
+ THE KELPIE RIDERS 68
+ NOONS OF POPPY 93
+ LEGENDS OF LOST HAVEN 95
+ THE SHADOW BOATSWAIN 98
+ THE MASTER OF THE ISLES 104
+ THE LAST WATCH 110
+ OUTBOUND 116
+
+
+
+
+A SON OF THE SEA
+
+ I was born for deep-sea faring;
+ I was bred to put to sea;
+ Stories of my father's daring
+ Filled me at my mother's knee.
+
+ I was sired among the surges;
+ I was cubbed beside the foam;
+ All my heart is in its verges,
+ And the sea wind is my home.
+
+ All my boyhood, from far vernal
+ Bourns of being, came to me
+ Dream-like, plangent, and eternal
+ Memories of the plunging sea.
+
+
+
+
+THE GRAVEDIGGER
+
+ Oh, the shambling sea is a sexton old,
+ And well his work is done.
+ With an equal grave for lord and knave,
+ He buries them every one.
+
+ Then hoy and rip, with a rolling hip,
+ He makes for the nearest shore;
+ And God, who sent him a thousand ship,
+ Will send him a thousand more;
+ But some he'll save for a bleaching grave,
+ And shoulder them in to shore,--
+ Shoulder them in, shoulder them in,
+ Shoulder them in to shore.
+
+ Oh, the ships of Greece and the ships of Tyre
+ Went out, and where are they?
+ In the port they made, they are delayed
+ With the ships of yesterday.
+
+ He followed the ships of England far,
+ As the ships of long ago;
+ And the ships of France they led him a dance,
+ But he laid them all arow.
+
+ Oh, a loafing, idle lubber to him
+ Is the sexton of the town;
+ For sure and swift, with a guiding lift,
+ He shovels the dead men down.
+
+ But though he delves so fierce and grim,
+ His honest graves are wide,
+ As well they know who sleep below
+ The dredge of the deepest tide.
+
+ Oh, he works with a rollicking stave at lip,
+ And loud is the chorus skirled;
+ With the burly rote of his rumbling throat
+ He batters it down the world.
+
+ He learned it once in his father's house,
+ Where the ballads of eld were sung;
+ And merry enough is the burden rough,
+ But no man knows the tongue.
+
+ Oh, fair, they say, was his bride to see,
+ And wilful she must have been,
+ That she could bide at his gruesome side
+ When the first red dawn came in.
+
+ And sweet, they say, is her kiss to those
+ She greets to his border home;
+ And softer than sleep her hand's first sweep
+ That beckons, and they come.
+
+ Oh, crooked is he, but strong enough
+ To handle the tallest mast;
+ From the royal barque to the slaver dark,
+ He buries them all at last.
+
+ Then hoy and rip, with a rolling hip,
+ He makes for the nearest shore;
+ And God, who sent him a thousand ship,
+ Will send him a thousand more;
+ But some he'll save for a bleaching grave,
+ And shoulder them in to shore,--
+ Shoulder them in, shoulder them in,
+ Shoulder them in to shore.
+
+
+
+
+THE YULE GUEST
+
+ And Yanna by the yule log
+ Sat in the empty hall,
+ And watched the goblin firelight
+ Caper upon the wall:
+
+ The goblins of the hearthstone,
+ Who teach the wind to sing,
+ Who dance the frozen yule away
+ And usher back the spring;
+
+ The goblins of the Northland,
+ Who teach the gulls to scream,
+ Who dance the autumn into dust,
+ The ages into dream.
+
+ Like the tall corn was Yanna,
+ Bending and smooth and fair,--
+ His Yanna of the sea-gray eyes
+ And harvest-yellow hair.
+
+ Child of the low-voiced people
+ Who dwell among the hills,
+ She had the lonely calm and poise
+ Of life that waits and wills.
+
+ Only to-night a little
+ With grave regard she smiled,
+ Remembering the morn she woke
+ And ceased to be a child.
+
+ Outside, the ghostly rampikes,
+ Those armies of the moon,
+ Stood while the ranks of stars drew on
+ To that more spacious noon,--
+
+ While over them in silence
+ Waved on the dusk afar
+ The gold flags of the Northern light
+ Streaming with ancient war.
+
+ And when below the headland
+ The riders of the foam
+ Up from the misty border rode
+ The wild gray horses home,
+
+ And woke the wintry mountains
+ With thunder on the shore,
+ Out of the night there came a weird
+ And cried at Yanna's door.
+
+ "O Yanna, Adrianna,
+ They buried me away
+ In the blue fathoms of the deep,
+ Beyond the outer bay.
+
+ "But in the yule, O Yanna,
+ Up from the round dim sea
+ And reeling dungeons of the fog,
+ I am come back to thee!"
+
+ The wind slept in the forest,
+ The moon was white and high,
+ Only the shifting snow awoke
+ To hear the yule guest cry.
+
+ "O Yanna, Yanna, Yanna,
+ Be quick and let me in!
+ For bitter is the trackless way
+ And far that I have been!"
+
+ Then Yanna by the yule log
+ Starts from her dream to hear
+ A voice that bids her brooding heart
+ Shudder with joy and fear.
+
+ The wind is up a moment
+ And whistles at the eaves,
+ And in his troubled iron dream
+ The ocean moans and heaves.
+
+ She trembles at the door-lock
+ That he is come again,
+ And frees the wooden bolt for one
+ No barrier could detain.
+
+ "O Garvin, bonny Garvin,
+ So late, so late you come!"
+ The yule log crumbles down and throws
+ Strange figures on the gloom;
+
+ But in the moonlight pouring
+ Through the half-open door
+ Stands the gray guest of yule and casts
+ No shadow on the floor.
+
+ The change that is upon him
+ She knows not in her haste;
+ About him her strong arms with glad
+ Impetuous tears are laced.
+
+ She's led him to the fireside,
+ And set the wide oak chair,
+ And with her warm hands brushed away
+ The sea-rime from his hair.
+
+ "O Garvin, I have waited,--
+ Have watched the red sun sink,
+ And clouds of sail come flocking in
+ Over the world's gray brink,
+
+ "With stories of encounter
+ On plank and mast and spar;
+ But never the brave barque I launched
+ And waved across the bar.
+
+ "How come you so unsignalled,
+ When I have watched so well?
+ Where rides the Adrianna
+ With my name on boat and bell?"
+
+ "O Yanna, golden Yanna,
+ The Adrianna lies
+ With the sea dredging through her ports,
+ The white sand through her eyes.
+
+ "And strange unearthly creatures
+ Make marvel of her hull,
+ Where far below the gulfs of storm
+ There is eternal lull.
+
+ "O Yanna, Adrianna,
+ This midnight I am here,
+ Because one night of all my life
+ At yule tide of the year,
+
+ "With the stars white in heaven,
+ And peace upon the sea,
+ With all my world in your white arms
+ You gave yourself to me.
+
+ "For that one night, my Yanna,
+ Within the dying year,
+ Was it not well to love, and now
+ Can it be well to fear?"
+
+ "O Garvin, there is heartache
+ In tales that are half told;
+ But ah, thy cheek is pale to-night,
+ And thy poor hands are cold!
+
+ "Tell me the course, the voyage,
+ The ports, and the new stars;
+ Did the long rollers make green surf
+ On the white reefs and bars?"
+
+ "O Yanna, Adrianna,
+ Though easily I found
+ The set of those uncharted tides
+ In seas no line could sound,
+
+ "And made without a pilot
+ The port without a light,
+ No log keeps tally of the knots
+ That I have sailed to-night.
+
+ "It fell about mid-April;
+ The Trades were holding free;
+ We drove her till the scuppers hissed
+ And buried in the lee.
+
+ * * * * *
+
+ "O Yanna, Adrianna,
+ Loose hands and let me go!
+ The night grows red along the East,
+ And in the shifting snow
+
+ "I hear my shipmates calling,
+ Sent out to search for me
+ In the pale lands beneath the moon
+ Along the troubling sea."
+
+ "O Garvin, bonny Garvin,
+ What is the booming sound
+ Of canvas, and the piping shrill,
+ As when a ship comes round?"
+
+ "It is the shadow boatswain
+ Piping his hands to bend
+ The looming sails on giant yards
+ Aboard the Nomansfriend.
+
+ "She sails for Sunken Harbor
+ And ports of yester year;
+ The tern are shrilling in the lift,
+ The low wind-gates are clear.
+
+ "O Yanna, Adrianna,
+ The little while is done.
+ Thou wilt behold the brightening sea
+ Freshen before the sun,
+
+ "And many a morning redden
+ The dark hill slopes of pine;
+ But I must sail hull-down to-night
+ Below the gray sea-line.
+
+ "I shall not hear the snowbirds
+ Their morning litany,
+ For when the dawn comes over dale
+ I must put out to sea."
+
+ "O Garvin, bonny Garvin,
+ To have thee as I will,
+ I would that never more on earth
+ The dawn came over hill."
+
+ * * * * *
+
+ Then on the snowy pillow,
+ Her hair about her face,
+ He laid her in the quiet room,
+ And wiped away all trace
+
+ Of tears from the poor eyelids
+ That were so sad for him,
+ And soothed her into sleep at last
+ As the great stars grew dim.
+
+ Tender as April twilight
+ He sang, and the song grew
+ Vague as the dreams which roam about
+ This world of dust and dew:
+
+ "O Yanna, Adrianna,
+ Dear Love, look forth to sea
+ And all year long until the yule,
+ Dear Heart, keep watch for me!
+
+ "O Yanna, Adrianna,
+ I hear the calling sea,
+ And the folk telling tales among
+ The hills where I would be.
+
+ "O Yanna, Adrianna,
+ Over the hills of sea
+ The wind calls and the morning comes,
+ And I must forth from thee.
+
+ "But Yanna, Adrianna,
+ Keep watch above the sea;
+ And when the weary time is o'er,
+ Dear Life, come back to me!"
+
+ "O Garvin, bonny Garvin--"
+ She murmurs in her dream,
+ And smiles a moment in her sleep
+ To hear the white gulls scream.
+
+ Then with the storm foreboding
+ Far in the dim gray South,
+ He kissed her not upon the cheek
+ Nor on the burning mouth,
+
+ But once above the forehead
+ Before he turned away;
+ And ere the morning light stole in,
+ That golden lock was gray.
+
+ "O Yanna, Adrianna--"
+ The wind moans to the sea;
+ And down the sluices of the dawn
+ A shadow drifts alee.
+
+
+
+
+THE MARRING OF MALYN
+
+
+I
+
+THE MERRYMAKERS
+
+ Among the wintry mountains beside the Northern sea
+ There is a merrymaking, as old as old can be.
+
+ Over the river reaches, over the wastes of snow,
+ Halting at every doorway, the white drifts come and go.
+
+ They scour upon the open, and mass along the wood,
+ The burliest invaders that ever man withstood.
+
+ With swoop and whirl and scurry, these riders of the drift
+ Will mount and wheel and column, and pass into the lift.
+
+ All night upon the marshes you hear their tread go by,
+ And all night long the streamers are dancing on the sky.
+
+ Their light in Malyn's chamber is pale upon the floor,
+ And Malyn of the mountains is theirs for evermore.
+
+ She fancies them a people in saffron and in green,
+ Dancing for her. For Malyn is only seventeen.
+
+ Out there beyond her window, from frosty deep to deep,
+ Her heart is dancing with them until she falls asleep.
+
+ Then all night long through heaven, with stately to and fro,
+ To music of no measure, the gorgeous dancers go.
+
+ The stars are great and splendid, beryl and gold and blue,
+ And there are dreams for Malyn that never will come true.
+
+ Yet for one golden Yule-tide their royal guest is she,
+ Among the wintry mountains beside the Northern sea.
+
+II
+
+A SAILOR'S WEDDING
+
+ There is a Norland laddie who sails the round sea-rim,
+ And Malyn of the mountains is all the world to him.
+ The Master of the Snowflake, bound upward from the line,
+ He smothers her with canvas along the crumbling brine.
+ He crowds her till she buries and shudders from his hand,
+ For in the angry sunset the watch has sighted land;
+ And he will brook no gainsay who goes to meet his bride.
+ But their will is the wind's will who traffic on the tide.
+ Make home, my bonny schooner! The sun goes down to light
+ The gusty crimson wind-halls against the wedding night.
+
+ She gathers up the distance, and grows and veers and swings,
+ Like any homing swallow with nightfall in her wings.
+ The wind's white sources glimmer with shining gusts of rain;
+ And in the Ardise country the spring comes back again.
+ It is the brooding April, haunted and sad and dear,
+ When vanished things return not with the returning year.
+ Only, when evening purples the light in Malyn's dale,
+ With sound of brooks and robins, by many a hidden trail,
+ With stir of lulling rivers along the forest floor,
+ The dream-folk of the gloaming come back to Malyn's door.
+ The dusk is long and gracious, and far up in the sky
+ You hear the chimney-swallows twitter and scurry by.
+ The hyacinths are lonesome and white in Malyn's room;
+ And out at sea the Snowflake is driving through the gloom.
+ The whitecaps froth and freshen; in squadrons of white surge
+ They thunder on to ruin, and smoke along the verge.
+ The lift is black above them, the sea is mirk below,
+ And down the world's wide border they perish as they go.
+ They comb and seethe and founder, they mount and glimmer and flee,
+ Amid the awful sobbing and quailing of the sea.
+ They sheet the flying schooner in foam from stem to stern,
+ Till every yard of canvas is drenched from clew to ear'n'.
+ And where they move uneasy, chill is the light and pale;
+ They are the Skipper's daughters, who dance before the gale.
+ They revel with the Snowflake, and down the close of day
+ Among the boisterous dancers she holds her dancing way;
+ And then the dark has kindled the harbor light alee,
+ With stars and wind and sea-room upon the gurly sea.
+ The storm gets up to windward to heave and clang and brawl;
+ The dancers of the open begin to moan and call.
+ A lure is in their dancing, a weird is in their song;
+ The snow-white Skipper's daughters are stronger than the strong.
+ They love the Norland sailor who dares the rough sea play;
+ Their arms are white and splendid to beckon him away.
+ They promise him, for kisses a moment at their lips,
+ To make before the morning the port of missing ships,
+ Where men put in for shelter, and dreams put forth again,
+ And the great sea-winds follow the journey of the rain.
+ A bridal with no morrow, no welling of old tears,
+ For him, and no more tidings of the departed years!
+ For there of old were fashioned the chambers cool and dim,
+ In the eternal silence below the twilight's rim.
+ The borders of that country are slumberous and wide;
+ And they are well who marry the fondlers of the tide.
+ Within their arms immortal, no mortal fear can be;
+ But Malyn of the mountains is fairer than the sea.
+ And so the scudding Snowflake flies with the wind astern,
+ And through the boding twilight are blown the shrilling tern.
+ The light is on the headland, the harbor gate is wide;
+ But rolling in with ruin the fog is on the tide.
+ Fate like a muffled steersman sails with that Norland gloom;
+ The Snowflake in the offing is neck and neck with doom.
+ Ha, ha, my saucy cruiser, crowd up your helm and run!
+ There'll be a merrymaking to-morrow in the sun.
+ A cloud of straining canvas, a roar of breaking foam,
+ The Snowflake and the sea-drift are racing in for home.
+ Her heart is dancing shoreward, but silently and pale
+ The swift relentless phantom is hungering on her trail.
+ They scour and fly together, until across the roar
+ He signals for a pilot--and Death puts out from shore.
+ A moment Malyn's window is gleaming in the lee,
+ And then--the ghost of wreckage upon the iron sea.
+
+ Ah, Malyn, lay your forehead upon your folded arm,
+ And hear the grim marauder shake out the reefs of storm!
+ Loud laughs the surly Skipper to feel the fog drive in,
+ Because a blue-eyed sailor shall wed his kith and kin,
+ And the red dawn discover a rover spent for breath
+ Among the merrymakers who fondle him to death.
+ And all the snowy sisters are dancing wild and grand,
+ For him whose broken beauty shall slacken to their hand.
+ They wanton in their triumph, and skirl at Malyn's plight;
+ Lift up their hands in chorus, and thunder to the night.
+ The gulls are driven inland; but on the dancing tide
+ The master of the Snowflake is taken to his bride.
+
+ And there when daybreak yellows along the far sea-plain,
+ The fresh and buoyant morning comes down the wind again.
+ The world is glad of April, the gulls are wild with glee,
+ And Malyn on the headland alone looks out to sea.
+ Once more that gray Shipmaster smiles, for the night is done,
+ And all his snow-white daughters are dancing in the sun.
+
+III
+
+THE LIGHT ON THE MARSH
+
+ The year grows on to harvest, the tawny lilies burn
+ Along the marsh, and hillward the roads are sweet with fern.
+ All day the windless heaven pavilions the sea-blue,
+ Then twilight comes and drenches the sultry dells with dew.
+ The lone white star of evening comes out among the hills,
+ And in the darkling forest begin the whip-poor-wills.
+ The fireflies that wander, the hawks that flit and scream,
+ And all the wilding vagrants of summer dusk and dream,
+ Have all their will, and reck not of any after thing,
+ Inheriting no sorrow and no foreshadowing.
+ The wind forgets to whisper, the pines forget to moan,
+ And Malyn of the mountains is there among her own.
+ Malyn, whom grief nor wonder can trouble nevermore,
+ Since that spring night the Snowflake was wrecked beside her door,
+ And strange her cry went seaward once, and her soul thereon
+ With the vast lonely sea-winds, a wanderer, was gone.
+ But she, that patient beauty which is her body fair,
+ Endures on earth still lovely, untenanted of care.
+ The folk down at the harbor pity from day to day;
+ With a "God save you, Malyn!" they bid her on her way.
+ She smiles, poor feckless Malyn, the knowing smile of those
+ Whom the too sudden vision God sometimes may disclose
+ Of his wild, lurid world-wreck, has blinded with its sheen.
+ Then, with a fond insistence, pathetic and serene,
+ They pass among their fellows for lost minds none can save,
+ Bent on their single business, and marvel why men rave.
+ Now far away a sighing comes from the buried reef,
+ As though the sea were mourning above an ancient grief.
+ For once the restless Mother of all the weary lands
+ Went down to him in beauty, with trouble in her hands,
+ And gave to him forever all memory to keep,
+ But to her wayward children oblivion and sleep,
+ That no immortal burden might plague one living thing,
+ But death should sweetly visit us vagabonds of spring.
+ And so his heart forever goes inland with the tide,
+ Searching with many voices among the marshes wide.
+ Under the quiet starlight, up through the stirring reeds,
+ With whispering and lamenting it rises and recedes.
+ All night the lapsing rivers croon to their shingly bars
+ The wizardries that mingle the sea-wind and the stars.
+ And all night long wherever the moving waters gleam,
+ The little hills hearken, hearken, the great hills hear and dream.
+ And Malyn keeps the marshes all the sweet summer night,
+ Alone, foot-free, to follow a wandering wisp-light.
+ For every day at sundown, at the first beacon's gleam,
+ She calls the gulls her brothers and keeps a tryst with them.
+ "O gulls, white gulls, what see you beyond the sloping blue?
+ And where away's the Snowflake, she's so long overdue?"
+ Then, as the gloaming settles, the hilltop stars emerge
+ And watch that plaintive figure patrol the dark sea verge.
+ She follows the marsh fire; her heart laughs and is glad;
+ She knows that light to seaward is her own sailor lad!
+ What are these tales they tell her of wreckage on the shore?
+ Delay but makes his coming the nearer than before!
+ Surely her eyes have sighted his schooner in the lift!
+ But the great tide he homes on sets with an outward drift.
+ So will-o'-the-wisp deludes her till dawn, and she turns home
+ In unperturbed assurance, "To-morrow he will come."
+ This is the tale of Malyn, whom sudden grief so marred.
+ And still each lovely summer resumes that sweet regard,--
+ The old unvexed eternal indifference to pain;
+ The sea sings in the marshes, and June comes back again.
+ All night the lapsing rivers lisp in the long dike grass,
+ And many memories whisper the sea-winds as they pass;
+ The tides disturb the silence; but not a hindrance bars
+ The wash of time, where founder even the galleon stars.
+ And all night long wherever the moving waters gleam,
+ The little hills hearken, hearken, the great hills hear and dream.
+
+
+
+
+THE NANCY'S PRIDE
+
+ On the long slow heave of a lazy sea,
+ To the flap of an idle sail,
+ The Nancy's Pride went out on the tide;
+ And the skipper stood by the rail.
+
+ All down, all down by the sleepy town,
+ With the hollyhocks a-row
+ In the little poppy gardens,
+ The sea had her in tow.
+
+ They let her slip by the breathing rip,
+ Where the bell is never still,
+ And over the sounding harbor bar,
+ And under the harbor hill.
+
+ She melted into the dreaming noon,
+ Out of the drowsy land,
+ In sight of a flag of goldy hair,
+ To the kiss of a girlish hand.
+
+ For the lass who hailed the lad who sailed,
+ Was--who but his April bride?
+ And of all the fleet of Grand Latite,
+ Her pride was the Nancy's Pride.
+
+ So the little vessel faded down
+ With her creaking boom a-swing,
+ Till a wind from the deep came up with a creep,
+ And caught her wing and wing.
+
+ She made for the lost horizon line,
+ Where the clouds a-castled lay,
+ While the boil and seethe of the open sea
+ Hung on her frothing way.
+
+ She lifted her hull like a breasting gull
+ Where the rolling valleys be,
+ And dipped where the shining porpoises
+ Put ploughshares through the sea.
+
+ A fading sail on the far sea-line,
+ About the turn of the tide,
+ As she made for the Banks on her maiden cruise,
+ Was the last of the Nancy's Pride.
+
+ To-day a boy with goldy hair,
+ In a garden of Grand Latite,
+ From his mother's knee looks out to sea
+ For the coming of the fleet.
+
+ They all may home on a sleepy tide,
+ To the flap of the idle sail;
+ But it's never again the Nancy's Pride
+ That answers a human hail.
+
+ They all may home on a sleepy tide
+ To the sag of an idle sheet;
+ But it's never again the Nancy's Pride
+ That draws men down the street.
+
+ On the Banks to-night a fearsome sight
+ The fishermen behold,
+ Keeping the ghost watch in the moon
+ When the small hours are cold.
+
+ When the light wind veers, and the white fog clears,
+ They see by the after rail
+ An unknown schooner creeping up
+ With mildewed spar and sail.
+
+ Her crew lean forth by the rotting shrouds,
+ With the Judgment in their face;
+ And to their mates' "God save you!"
+ Have never a word of grace.
+
+ Then into the gray they sheer away,
+ On the awful polar tide;
+ And the sailors know they have seen the wraith
+ Of the missing Nancy's Pride.
+
+
+
+
+ARNOLD, MASTER OF THE SCUD
+
+ There's a schooner out from Kingsport,
+ Through the morning's dazzle-gleam,
+ Snoring down the Bay of Fundy
+ With a norther on her beam.
+
+ How the tough wind springs to wrestle,
+ When the tide is on the flood!
+ And between them stands young daring--
+ Arnold, master of the Scud.
+
+ He is only "Martin's youngster,"
+ To the Minas coasting fleet,
+ "Twelve year old, and full of Satan
+ As a nut is full of meat."
+
+ With a wake of froth behind him,
+ And the gold green waste before,
+ Just as though the sea this morning
+ Were his boat pond by the door,
+
+ Legs a-straddle, grips the tiller
+ This young waif of the old sea;
+ When the wind comes harder, only
+ Laughs "Hurrah!" and holds her free.
+
+ Little wonder, as you watch him
+ With the dash in his blue eye,
+ Long ago his father called him
+ "Arnold, Master," on the sly,
+
+ While his mother's heart foreboded
+ Reckless father makes rash son.
+ So to-day the schooner carries
+ Just these two whose will is one.
+
+ Now the wind grows moody, shifting
+ Point by point into the east.
+ Wing and wing the Scud is flying
+ With her scuppers full of yeast.
+
+ And the father's older wisdom
+ On the sea-line has descried,
+ Like a stealthy cloud-bank making
+ Up to windward with the tide,
+
+ Those tall navies of disaster,
+ The pale squadrons of the fog,
+ That maraud this gray world border
+ Without pilot, chart, or log,
+
+ Ranging wanton as marooners
+ From Minudie to Manan.
+ "Heave to, and we'll reef, my master!"
+ Cries he; when no will of man
+
+ Spills the foresail, but a clumsy
+ Wind-flaw with a hand like stone
+ Hurls the boom round. In an instant
+ Arnold, Master, there alone
+
+ Sees a crushed corpse shot to seaward,
+ With the gray doom in its face;
+ And the climbing foam receives it
+ To its everlasting place.
+
+ What does Arnold, Master, think you?
+ Whimper like a child for dread?
+ That's not Arnold. Foulest weather
+ Strongest sailors ever bred.
+
+ And this slip of taut sea-faring
+ Grows a man who throttles fear.
+ Let the storm and dark in spite now
+ Do their worst with valor here!
+
+ Not a reef and not a shiver,
+ While the wind jeers in her shrouds,
+ And the flauts of foam and sea-fog
+ Swarm upon her deck in crowds,
+
+ Flies the Scud like a mad racer;
+ And with iron in his frown,
+ Holding hard by wrath and dreadnought,
+ Arnold, Master, rides her down.
+
+ Let the taffrail shriek through foam-heads!
+ Let the licking seas go glut
+ Elsewhere their old hunger, baffled!
+ Arnold's making for the Gut.
+
+ Cleft sheer down, the sea-wall mountains
+ Give that one port on the coast;
+ Made, the Basin lies in sunshine!
+ Missed, the little Scud is lost!
+
+ Come now, fog-horn, let your warning
+ Rip the wind to starboard there!
+ Suddenly that burly-throated
+ Welcome ploughs the cumbered air.
+
+ The young master hauls a little,
+ Crowds her up and sheets her home,
+ Heading for the narrow entry
+ Whence the safety signals come.
+
+ Then the wind lulls, and an eddy
+ Tells of ledges, where away;
+ Veers the Scud, sheet free, sun breaking,
+ Through the rifts, and--there's the bay!
+
+ Like a bird in from the storm-beat,
+ As the summer sun goes down,
+ Slows the schooner to her moorings
+ By the wharf at Digby town.
+
+ All the world next morning wondered.
+ Largest letters, there it stood,
+ "Storm in Fundy. A Boy's Daring.
+ Arnold, Master of the Scud."
+
+
+
+
+THE SHIPS OF ST. JOHN
+
+ Smile, you inland hills and rivers!
+ Flush, you mountains in the dawn!
+ But my roving heart is seaward
+ With the ships of gray St. John.
+
+ Fair the land lies, full of August,
+ Meadow island, shingly bar,
+ Open barns and breezy twilight,
+ Peace and the mild evening star.
+
+ Gently now this gentlest country
+ The old habitude takes on,
+ But my wintry heart is outbound
+ With the great ships of St. John.
+
+ Once in your wide arms you held me,
+ Till the man-child was a man,
+ Canada, great nurse and mother
+ Of the young sea-roving clan.
+
+ Always your bright face above me
+ Through the dreams of boyhood shone;
+ Now far alien countries call me
+ With the ships of gray St. John.
+
+ Swing, you tides, up out of Fundy!
+ Blow, you white fogs, in from sea!
+ I was born to be your fellow;
+ You were bred to pilot me.
+
+ At the touch of your strong fingers,
+ Doubt, the derelict, is gone;
+ Sane and glad I clear the headland
+ With the white ships of St. John.
+
+ Loyalists, my fathers, builded
+ This gray port of the gray sea,
+ When the duty to ideals
+ Could not let well-being be.
+
+ When the breadth of scarlet bunting
+ Puts the wreath of maple on,
+ I must cheer too,--slip my moorings
+ With the ships of gray St. John.
+
+ Peerless-hearted port of heroes,
+ Be a word to lift the world,
+ Till the many see the signal
+ Of the few once more unfurled.
+
+ Past the lighthouse, past the nunbuoy,
+ Past the crimson rising sun,
+ There are dreams go down the harbor
+ With the tall ships of St. John.
+
+ In the morning I am with them
+ As they clear the island bar,--
+ Fade, till speck by speck the midday
+ Has forgotten where they are.
+
+ But I sight a vaster sea-line,
+ Wider lee-way, longer run,
+ Whose discoverers return not
+ With the ships of gray St. John.
+
+
+
+
+THE KING OF YS
+
+ Wild across the Breton country,
+ Fabled centuries ago,
+ Riding from the black sea border,
+ Came the squadrons of the snow.
+
+ Piping dread at every latch-hole,
+ Moaning death at every sill,
+ The white Yule came down in vengeance
+ Upon Ys, and had its will.
+
+ Walled and dreamy stood the city,
+ Wide and dazzling shone the sea,
+ When the gods set hand to smother
+ Ys, the pride of Brittany.
+
+ Morning drenched her towers in purple;
+ Light of heart were king and fool;
+ Fair forebode the merrymaking
+ Of the seven days of Yule.
+
+ Laughed the king, "Once more, my mistress,
+ Time and place and joy are one!"
+ Bade the balconies with banners
+ Match the splendor of the sun;
+
+ Eyes of urchins shine with silver,
+ And with gold the pavement ring;
+ Bade the war-horns sound their bravest
+ In _The Mistress of the King_.
+
+ Mountebanks and ballad-mongers
+ And all strolling traffickers
+ Should block up the market corners
+ With none other name than hers.
+
+ Laughed the fool, "To-day, my Folly,
+ Thou shalt be the king of Ys!"
+ O wise fool! How long must wisdom
+ Under motley hold her peace?
+
+ Then the storm came down. The valleys
+ Wailed and ciphered to the dune
+ Like huge organ pipes; a midnight
+ Stalked those gala streets at noon;
+
+ And the sea rose, rocked and tilted
+ Like a beaker in the hand,
+ Till the moon-hung tide broke tether
+ And stampeded in for land.
+
+ All day long with doom portentous,
+ Shreds of pennons shrieked and flew
+ Over Ys; and black fear shuddered
+ On the hearthstone all night through.
+
+ Fear, which freezes up the marrow
+ Of the heart, from door to door
+ Like a plague went through the city,
+ And filled up the devil's score;
+
+ Filled her tally of the craven,
+ To the sea-wind's dismal note;
+ While a panic superstition
+ Took the people by the throat.
+
+ As with morning still the sea rose
+ With vast wreckage on the tide,
+ And their pasture rills, grown rivers,
+ Thundered in the mountain side,
+
+ "Vengeance, vengeance, gods to vengeance!"
+ Rose a storm of muttering;
+ And the human flood came pouring
+ To the palace of the king.
+
+ "Save, O king, before we perish
+ In the whirlpools of the sea,
+ Ys thy city, us thy people!"
+ Growled the king then, "What would ye?"
+
+ But his wolf's eyes talked defiance,
+ And his bearded mouth meant scorn.
+ "O our king, the gods are angry;
+ And no longer to be borne
+
+ "Is the shameless face that greets us
+ From thy windows, at thy side,
+ Smiling infamy. And therefore
+ Thou shall take her up, and ride
+
+ "Down with her into the sea's mouth,
+ And there leave her; else we die,
+ And thy name goes down to story
+ A new word for cruelty."
+
+ Ah, but she was fair, this woman!
+ Warm and flaxen waved her hair;
+ Her blue Breton eyes made summer
+ In that bleak December air.
+
+ There she stood whose burning beauty
+ Made the world's high roof tree ring,
+ A white poppy tall and wind-blown
+ In the garden of the king.
+
+ Her throat shook, but not with terror;
+ Her eyes swam, but not with fear;
+ While her two hands caught and clung to
+ The one man they had found dear.
+
+ "Lord and lover,"--thus she smiled him
+ Her last word,--"it shall be so,
+ Only the sea's arms shall hold me,
+ When from out thine arms I go."
+
+ Swore he, "By the gods, my mistress,
+ Thou shall have queen's burial.
+ Pearls and amber shall thy tomb be;
+ Shot with gold and green thy pall.
+
+ "And a million-throated chorus
+ Shall take up thy dirge to-night;
+ Where thy slumber's starry watch-fires
+ Shall a thousand years be bright."
+
+ Then they brought the coal-black stallion,
+ Chafing on the bit. Astride
+ Sprang the young king; shouted, "Way there!"
+ Caught the girl up to his side;
+
+ And a path through that scared rabble
+ Rode in pageant to the sea.
+ And the coal-black mane was mingled
+ With gold hair against his knee.
+
+ Sure as the wild gulls make seaward,
+ From the west gate to the beach
+ Rode these two for whom now freedom
+ Landward lay beyond their reach.
+
+ And the great horse, scenting peril,
+ Snorted at the flying spume,
+ Flicked with courage, as how often,
+ When the tides were racing doom,
+
+ Ridden, he had plunged to rescue
+ From that seething icy hell
+ Some poor sailor wrecked a-fishing
+ On the coast. What fears should quell
+
+ That high spirit? Knee to shoulder,
+ King and stallion reared and sprang
+ Clear above the long white combers
+ And that turmoil's iron clang.
+
+ What a launching! For a moment,
+ While the tempest held its breath
+ And a thousand eyes looked wonder,
+ Swimming in that trough of death,
+
+ Steering seaward through the welter,
+ Ere they settled out of sight,
+ Waved above them one gold streamer.
+ Valor, bid the world good-night!...
+
+ Not a trace, while the long summers
+ Warm the heart of Brittany,
+ Save one stone of Ys, as remnant,
+ For a white mark in the sea.
+
+
+
+
+THE KELPIE RIDERS
+
+
+I
+
+ Buried alive in calm Rochelle,
+ Six in a row by a crystal well,
+
+ All Summer long on Bareau Fen
+ Slumber and sleep the Kelpie men;
+
+ By the side of each to cheer his ghost,
+ A flagon of foam with a crumpet of frost.
+
+ Hear me, friends, for the years are fleet;
+ Soon I leave the noise and the street
+
+ For the silent uncompanioned way
+ Where the inn is cold and the night is gray.
+
+ But noon is warm and the world is still
+ Where the Kelpie riders have their will.
+
+ For never a wind dare stir or stray
+ Over those marshes salt and gray;
+
+ No bit of shade as big as your hand
+ To traverse or trammel the sleeping land,
+
+ Save where a dozen poplars fleck
+ The long gray grass and the well's blue beck.
+
+ Yet you mark their leaves are blanched and sear,
+ Whispering daft at a nameless fear.
+
+ While round the hole of one is a rune,
+ Black in the wash of the bleaching noon.
+
+ "Ride, for the wind is awake and away.
+ Sleep, for the harvest grain is gray."
+
+ No word more. And many a mile,
+ A ghostly bivouac rank and file,
+
+ They sleep to-day on the marshes wide;
+ Some far night they will wake and ride.
+
+ Once they were riders hot with speed,
+ "Kelpie, Kelpie, gallop at need!"
+
+ With hills of the barren sea to roam,
+ Housing their horses on the foam.
+
+ But earth is cool and the hush is long
+ Beneath the lull of the slumber song
+
+ The crickets falter and strive to tell
+ To the dragon-fly of the crystal well;
+
+ And love is a forgotten jest,
+ Where the Kelpie riders take their rest,
+
+ And blossoming grasses hour by hour
+ Burn in the bud and freeze in the flower.
+
+ But never again shall their roving be
+ On the shifting hills of the tumbling sea,
+
+ With the salt, and the rain, and the glad desire
+ Strong as the wind and pure as fire.
+
+II
+
+ One doomful night in the April tide
+ With riot of brooks on the mountain side,
+
+ The goblin maidens of the hills
+ Went forth to the revel-call of the rills.
+
+ Many as leaves of the falling year,
+ To the swing of a ballad wild and clear
+
+ They held the plain and the uplands high;
+ And the merry-dancers held the sky.
+
+ The Kelpie riders abroad on the sea
+ Caught sound of that call of eerie glee,
+
+ Over their prairie waste and wan;
+ And the goblin maidens tolled them on.
+
+ The yellow eyes and the raven hair
+ And the tawny arms blown fresh and bare,
+
+ Were more than a mortal might behold
+ And live with the saints for a crown of gold.
+
+ The Kelpie riders were stricken sore;
+ They wavered, and wheeled, and rode for the shore.
+
+ "Kelpie, Kelpie, treble your stride!
+ Never again on the sea we ride.
+
+ "Kelpie, Kelpie, out of the storm;
+ On, for the fields of earth are warm!"
+
+ Knee to knee they are riding in:
+ "Brother, brother,--the goblin kin!"
+
+ The meadows rocked as they clomb the scaur;
+ The pines re-echo for evermore
+
+ The sound of the host of Kelpie men;
+ But the windflowers died on Bareau Fen.
+
+ Over the marshes all night long
+ The stars went round to a riding song:
+
+ "Kelpie, Kelpie, carry us through!"
+ And the goblin maidens danced thereto.
+
+ Till dawn,--and the revel died with a shout,
+ For the ocean riders were wearied out.
+
+ They looked, and the grass was warm and soft;
+ The dreamy clouds went over aloft;
+
+ A gloom of pines on the weather verge
+ Had the lulling sound of their own white surge;
+
+ A whip-poor-will, far from their din,
+ Was saying his litanies therein.
+
+ Then voices neither loud nor deep:
+ "Tired, so tired; sleep! ah, sleep!
+
+ "The stars are calm, and the earth is warm,
+ But the sea for an earldom is given to storm.
+
+ "Come now, inherit the houses of doom;
+ Your fields of the sun shall be harried of gloom."
+
+ They laid them down; but over long
+ They rest,--for the goblin maids are strong.
+
+ The sun goes round; and Bareau Fen
+ Is a door of earth on the Kelpie men,--
+
+ Buried at dawn, asleep, unslain,
+ With not a mound on the sunny plain,
+
+ Hard by the walls of calm Rochelle,
+ Row on row by the crystal well.
+
+ And never again they are free to ride
+ Through all the years on the tossing tide,
+
+ Barred from the breast of the barren foam,
+ Where the heart within them is yearning home,--
+
+ For one long drench of the surf to quell
+ The cursing doom of the goblin spell.
+
+ Only, when bugling snows alight
+ To smother the marshes stark and white,
+
+ Or a low red moon peers over the rim
+ Of a winter twilight crisp and dim,
+
+ With a sound of drift on the buried lands,
+ The goblin maidens loose their hands;
+
+ A wind comes down from the sheer blue North;
+ And the Kelpie riders get them forth.
+
+III
+
+ Twice have I been on Bareau Fen,
+ But the son of my son is a man since then.
+
+ Once as a lad I used to bear
+ St. Louis' cross through the chapel square,
+
+ Leading the choristers' surpliced file
+ Slow up the dusk Cathedral aisle.
+
+ I was the boy of all Rochelle
+ The pure old father trusted well.
+
+ But one clear night in the winter's heart,
+ I wandered out to that place apart.
+
+ The shafts of smoke went up to the stars,
+ Straight as the Northern Streamer spars,
+
+ From the town's white roofs, so still it was.
+ The night in her dream let no word pass,
+
+ Nor ever a breath that one could feel;
+ Only the snow shrieked under my heel.
+
+ Yet it seemed when I reached the poplar hole,
+ The ghost of a voice was crying, "Skoal!
+
+ "Rouse thee and drink, for the well is sweet,
+ And the crystal snow is good to eat!"
+
+ I heeded little, but stooped on my knee,
+ And ate of a handful dreamily.
+
+ 'Twas cool to the mouth and slaking at first,
+ But the lure of it was ill for thirst.
+
+ The voice cried, "Soul of the mortal span,
+ Art thou not of the Kelpie clan?"
+
+ "What are you doing there in the ground,
+ Kelpie rider, and never a sound
+
+ "To roam the night but the ghost of a cry?"
+ Ringing and swift there came reply,
+
+ "He is asleep where thou art afraid,
+ In the tawny arms of a goblin maid!"
+
+ Then I knew the voice was the voice of a girl,
+ And I marvelled much (while a little swirl
+
+ Of snow leaped up far off on the plain
+ Of sparkling dust and died again),
+
+ For what do the cloisters know, think ye,
+ Of women's ways? They be hard to see.
+
+ Again the voice cried, "Kin of my kin,
+ The child of the Sun shall win, shall win!"
+
+ 'Twas an evil weird that so befell;
+ Yet I leaned and drank of the bubbling well.
+
+ I looked for my face in the crystal spring,
+ But the face that flickered there was a thing
+
+ To make the nape of your neck grow chill,
+ And every vein surge back and thrill
+
+ With a passion for something not their own--
+ In a life their life has never known.
+
+ For raven hair and eyes like the sun
+ Are merry but dour to look upon.
+
+ She smiled through her lashes under the wave,
+ And my soul went forth her bartered slave.
+
+ I swore, "By St. Louis, I'll come to thee,
+ Though I ride to my doom in the gulfs of the sea!
+
+ "Thy Kelpie rider shall wake and rue
+ His ruined life in the loss of you."
+
+ Then I fled in the start of a terror of joy,
+ O'er leagues where a legion might deploy;
+
+ For the acres of snow were level and hard,
+ Every flake like a crystal shard.
+
+ I was the runner of all Rochelle,
+ Could run with the hounds on Haric Fell;
+
+ And something stark as a gust of the sea
+ Had a grip of the whimsy boy in me.
+
+ I ran like the drift on the ice low curled
+ When the winds of Yule are abroad on the world.
+
+ Sudden, the beat of a throbbing sound
+ Lost in the core of the blue profound:
+
+ "Kelpie, Kelpie, Kelpie, come!"
+ Was it my heart?--But my heart was numb.
+
+ "Kelpie, Kelpie!" Was it the sea?
+ Far on, at the verge of Bareau lea,
+
+ I saw like an army, shield and casque,
+ The breakers roll in the Roads of Basque.
+
+ "Kelpie, Kelpie!" Was it the wolves?
+ In the dusk of pines where night dissolves
+
+ To streamers and stars through the mountain gorge,
+ I heard the blast of a giant forge.
+
+ Then I knew the wind was awake from the North,
+ And the ocean riders were freed and forth.
+
+ Time, there is time (now gallop, my heart!)
+ Ere the black riders disperse and depart.
+
+ The dawn is late, but the dawn comes round,
+ And Fleetfoot Jean has the wind of a hound.
+
+ The hue and cry of the Kelpie horde
+ Was growing and grim on that white seaboard.
+
+ It rolled and gathered and died and grew
+ Far off to the rear; a smile thereto
+
+ I turned; a fathom behind my ear
+ A rider rode with a shadowy leer.
+
+ I sickened and sped. He laughed aloud,
+ "Wind for a mourner, snow for a shroud!"
+
+ On and on, half blown, half blind,
+ Shadow and self, and the wind behind!
+
+ I slackened, he slackened; I fled, he flew;
+ In a swirl of snow-drift all night through
+
+ I scoured along the gusty fen,
+ A quarry for hunting Kelpie men.
+
+ But only one could hold at my side:
+ "Brother, brother, I love thy stride.
+
+ "Wilt thou follow thy whim to win
+ My merry maid of the goblin kin?"
+
+ I swerved from my trail, for he haunted my ear
+ With his moaning jibe and his shadowy leer.
+
+ So by good hap as we sped it fell,
+ I fetched a circuit back for the well.
+
+ Like a spilth of spume on the crest of the bore
+ When the combing tides make in for shore,
+
+ That runner ran whose love was a wraith;
+ But the rider rode with revenge in his teeth.
+
+ Another league, and I touch the goal,--
+ The mystic rune on the poplar bole,--
+
+ When the dusky eyes and the raven hair
+ And the lithe brown arms shall greet me there.
+
+ I ran like a harrier on the trace
+ In the leash of that ghoul, and the wind gave chase.
+
+ A furlong now; I caught the gleam
+ Of the bubbling well with its tiny stream;
+
+ An arrowy burst; I cleared the beck;
+ And--the Kelpie rider bestrode my neck.
+
+ * * * * *
+
+ Dawn, the still red winter dawn;
+ I awoke on the plain; the wind was gone;--
+
+ All gracious and good as when God made
+ The living creatures, and none was afraid.
+
+ I stooped to drink of the wholesome spring
+ Under the poplars whispering:
+
+ Face to my face in that water clear--
+ The Kelpie rider's jabbering leer!
+
+ Ah, God! not me: I was never so!
+ Sainted Louis, who can know
+
+ The lords of life from the slaves of death?
+ What help avail the speeding breath
+
+ Of the spirit that knows not self's abode,--
+ When the soul is lost that knows not God?
+
+ I turned me home by St. Louis' Hall,
+ Where the red sun burns on the windows tall.
+
+ And I thought the world was strange and wild,
+ And God with his altar only a child.
+
+IV
+
+ Again one year in the prime of June,
+ I came to the well in the heated noon,
+
+ Leaving Rochelle with its red roof tiles
+ By the Pottery Gate before St. Giles,--
+
+ There where the flower market is,
+ Where every morning up from Duprisse
+
+ The flower girls come by the long white lane
+ That skirts the edge of Bareau plain;--
+
+ To the North, the city wall in the sun,
+ To the left, the fen where the eye may run
+
+ And have its will of the blazing blue.
+ The while I loitered the market through,
+
+ Halting a moment to converse
+ With old Babette who had been my nurse,
+
+ There passed through the stalls a woman, bright
+ With a kirtle of cinnabar and white
+
+ Among the kerseys blue; and I said,
+ "Who is it, Babette, with lifted head,
+
+ "And the startled look, possessed and strange,
+ Under the paint--secure from change?"
+
+ "Ah, 'Sieur Jean, do ye not ken
+ Of the eerie folk of Bareau Fen?"
+
+ I blenched, and she knew too well I wist
+ The fearsome fate of the goblin tryst.
+
+ "The street is a cruel home, 'Sieur Jean,
+ But a weird uncanny drives her on.
+
+ "'Tis a bitter tale for Christian folk,
+ How once she dreamed, and how she woke."
+
+ "Ay, ay!" I passed and reached the spring
+ Where the poplars kept their whispering,
+
+ Hid for an hour in the shade,
+ In the rank marsh grass of a tiny glade.
+
+ There crossed the moor from the town afar,
+ In kirtle of white and cinnabar,
+
+ A wanderer on that plain of tears,
+ Bowed with a burden not of the years,
+
+ As one that goeth sorrowing
+ For many an unforgotten thing.
+
+ To the crystal well as the sun drew low
+ There came that harridan of woe.
+
+ She stooped to drink; I heard her cry:
+ "Ah, God, how tired out am I!
+
+ "I called him by the dearest name
+ A girl may call; I have my shame.
+
+ "'Yet death is crueller than life,'
+ Once they said, 'for all the strife.'
+
+ "And so I lived; but the wild will,
+ Broken and bitter, drives to ill.
+
+ "And now I know, what no one saith,
+ That love is crueller than death.
+
+ "How I did love him! Is love too high,
+ My God, for such lost folk as I?"
+
+ Her tears went down to the grass by the well,
+ In that passion of grief, and where they fell
+
+ Windflowers trembled pale and white.
+ A craven I crept away from the sight;
+
+ And turned me home to St. Louis' Hall,
+ Where the sunflowers burn by the eastern wall.
+
+ The vesper frankincense that day
+ Rose to the rafters and melted away,
+
+ And was no more than a cloud that stirs
+ Among the spires of Norway firs.
+
+ And I said, "The holy solitude
+ Of the hoary crypt and the wild green wood
+
+ "Are one to the God I have never known,
+ Whose kingdom has neither bourn nor throne."
+
+V
+
+ Now I am old, and the years delay;
+ But I know, I know, there will come a day,--
+
+ When April is over the Norland town.
+ And the loosened brooks from the hills go down,
+
+ When tears have quenched the sorrow of time,--
+ Wherein the earth shall rebuild her prime,
+
+ And the houses of dark be overthrown;
+ When the goblin maids shall love their own,--
+
+ Their arms forever unlaced from their hold
+ Of the earls of the sea on that alien wold,--
+
+ And the feckless light of their golden eyes
+ Shall forget the desire that made them wise;
+
+ When the hands of the foam shall beckon and flee.
+ And the Kelpie riders ride for the sea;
+
+ And the whip-poor-will the whole night long
+ Repeat his litanies of song,
+
+ Till morning whiten the world again,
+ And the flowers revive on Bareau Fen,
+
+ Over the acres of calm Rochelle
+ Fresh by the stream of the crystal well.
+
+
+
+
+NOONS OF POPPY
+
+ Noons of poppy, noons of poppy,
+ Scarlet leagues along the sea;
+ Flaxen hair afloat in sunlight,
+ Love, come down the world to me!
+
+ There's a Captain I must ship with,
+ (Heart, that day be far from now!)
+ Wears his dark command in silence
+ With the sea-frost on his brow.
+
+ Noons of poppy, noons of poppy,
+ Purple shadows by the sea;
+ How should love take thought to wonder
+ What the destined port may be?
+
+ Nay, if love have joy for shipmate
+ For a night-watch or a year,
+ Dawn will light o'er Lonely Haven,
+ Heart to happy heart, as here.
+
+ Noons of poppy, noons of poppy,
+ Scarlet acres by the sea
+ Burning to the blue above them;
+ Love, the world is full for me.
+
+
+
+
+LEGENDS OF LOST HAVEN
+
+ There are legends of Lost Haven,
+ Come, I know not whence, to me,
+ When the wind is in the clover,
+ When the sun is on the sea.
+
+ There are rumors in the pine-tops,
+ There are whispers in the grass;
+ And the flocking crows at nightfall
+ Bring home hints of things that pass
+
+ Out upon the broad dike yonder,
+ All day long beneath the sun,
+ Where the tall ships cloud and settle
+ Down the sea-curve, one by one.
+
+ And the crickets in fine chorus--
+ Every slim and tiny reed--
+ Strive to chord the broken rhythmus
+ Of the world, and half succeed.
+
+ There are myriad traditions
+ Treasured by the talking rain;
+ And with memories the moonlight
+ Walks the cold and silent plain.
+
+ Where the river tells his hill-tales
+ To the lone complaining bar,
+ Where the midgets thread their dances
+ To the yellow twilight star,
+
+ Where the blossom bends to hearken
+ To the bee with velvet bands,
+ There are chronicles enciphered
+ Of the yet uncharted lands.
+
+ All the musical marauders
+ Of the berry and the bloom
+ Sing the lure of soul's illusion
+ Out of darkness, out of doom.
+
+ But the sure and great evangel
+ Comes when half alone I hear,
+ At the rosy door of silence,
+ Love, the lord of speech, draw near.
+
+ Then for once across the threshold,
+ Darkling spirit, thou art free,--
+ As thy hope is every ship makes
+ Some lost haven of the sea.
+
+
+
+
+THE SHADOW BOATSWAIN
+
+ Don't you know the sailing orders?
+ It is time to put to sea,
+ And the stranger in the harbor
+ Sends a boat ashore for me.
+
+ With the thunder of her canvas
+ Coming on the wind again,
+ I can hear the Shadow Boatswain
+ Piping to his shadow men.
+
+ Is it firelight or morning,
+ That red flicker on the floor?
+ Your good-by was braver, sweetheart,
+ When I sailed away before.
+
+ Think of this last lovely summer!
+ Love, what ails the wind to-night?
+ What's he saying in the chimney
+ Turns your berry cheek so white?
+
+ What a morning! How the sunlight
+ Sparkles on the outer bay,
+ Where the brig lies waiting for me
+ To trip anchor and away!
+
+ That's the Doomkeel. You may know her
+ By her clean run aft; and, then,
+ Don't you hear the Shadow Boatswain
+ Piping to his shadow men?
+
+ Off the freshening sea to windward,
+ Is it a white tern I hear
+ Shrilling in the gusty weather
+ Where the far sea-line is clear?
+
+ What a morning for departure!
+ How your blue eyes melt and shine!
+ Will you watch us from the headland
+ Till we sink below the line?
+
+ I can see the wind already
+ Steer the scurf marks of the tide,
+ As we slip the wake of being
+ Down the sloping world and wide.
+
+ I can feel the vasty mountains
+ Heave and settle under me,
+ And the Doomkeel veer and shudder,
+ Crumbling on the hollow sea.
+
+ There's a call, as when a white gull
+ Cries and beats across the blue;
+ That must be the Shadow Boatswain
+ Piping to his shadow crew.
+
+ There's a boding sound, like winter
+ When the pines begin to quail;
+ That must be the gray wind moaning
+ In the belly of the sail.
+
+ I can feel the icy fingers
+ Creeping in upon my bones;
+ There must be a berg to windward
+ Somewhere in these border zones.
+
+ Stir the fire.... I love the sunlight,--
+ Always loved my shipmate sun.
+ How the sunflowers beckon to me
+ From the dooryard one by one!
+
+ How the royal lady roses
+ Strew this summer world of ours!
+ There'll be none in Lonely Haven;
+ It is too far north for flowers.
+
+ There, sweetheart! And I must leave you.
+ What should touch my wife with tears?
+ There's no danger with the Master;
+ He has sailed the sea for years.
+
+ With the sea-wolves on her quarter,
+ And a white bone in her teeth,
+ He will steer the shadow cruiser,
+ Dark before and doom beneath,
+
+ Down the last expanse, till morning
+ Flares above the broken sea,
+ And the midnight storm is over,
+ And the Isles are close alee.
+
+ So some twilight, when your roses
+ Are all blown and it is June,
+ You will turn your blue eyes seaward
+ Through the white dusk of the moon,
+
+ Wondering, as that far sea-cry
+ Comes upon the wind again,
+ And you hear the Shadow Boatswain
+ Piping to his shadow men.
+
+
+
+
+THE MASTER OF THE ISLES
+
+ There is rumor in Dark Harbor,
+ And the folk are all astir;
+ For a stranger in the offing
+ Draws them down to gaze at her,
+
+ In the gray of early morning,
+ Black against the orange streak,
+ Making in below the ledges,
+ With no colors at her peak.
+
+ Something makes their hearts uneasy
+ As they watch the long black hull,
+ For she brings the storm behind her
+ While before her there is lull.
+
+ With no pilot and unspoken,
+ Where the dancing breakers are,
+ Presently she veers and races
+ In across the roaring bar,--
+
+ Rounds and luffs and comes to anchor,
+ While the wharf begins to throng.
+ Silence falls upon the women.
+ And misgiving stirs the strong.
+
+ Then with some obscure foreboding,
+ As a gray-haired watcher smiles,
+ They perceive the fearless captain
+ Is the Master of the Isles.
+
+ They recall the bleak December
+ Many streaming years ago,
+ When the stranger had been sighted
+ Driving shoreward with the snow;
+
+ When the Master came among them
+ With his calm and courtly pride,
+ And had sailed away at sundown
+ With pale Dora for his bride;
+
+ How again he came one summer
+ When the herring schools were late,
+ And had cleared before the morning
+ With old Alec's son for mate.
+
+ There was glamour with the Master;
+ He had tales of far-off seas;
+ But his habit and demeanor
+ Were of other lands than these.
+
+ He had never made the Harbor
+ But there sailed away with him
+ Wife or child or friend or lover,
+ Leaving eyes to strain and swim,--
+
+ Strain and wait for their returning;
+ Yet they never had come back;
+ For the pale wake of the Master
+ Is a wandering, fading track.
+
+ Just beyond our utmost fathom
+ Is the anchorage we crave,
+ But the Master knows the soundings
+ By the reach of every wave.
+
+ Just beyond the last horizon,
+ Vague upon the weather-gleam,
+ Loom the Faroff Isles forever,
+ The tradition of a dream.
+
+ There a white and brooding summer
+ Haunts upon the gray sea-plain,
+ Where the gray sea-winds are quiet
+ At the sources of the rain.
+
+ There where all world-weary dreamers
+ Get them forth to their release,
+ Lie the colonies of the kindred,
+ In the provinces of peace.
+
+ Thither in the stormy sunset
+ Will the Master sail to-night;
+ And the village will be silent
+ When he drops below the light.
+
+ Not a soul on all the hillside
+ But will watch her when she clears,
+ Dreaming of the Port o' Strangers
+ In the roadstead of the years.
+
+ "Port o' Strangers, Port o' Strangers!"
+ "Where away?" "On the weather bow."
+ "Drive her down the closing distance!"...
+ That's to-morrow, but not now.
+
+ What imperial adventure
+ Some wide morning it will be,
+ Sweeping in to Lonely Haven
+ From the chartless round of sea!
+
+ How imposing a departure,
+ While this little harbor smiles,
+ Steering for the outer sea-rim
+ With the Master of the Isles!
+
+
+
+
+THE LAST WATCH
+
+ Comrades, comrades, have me buried
+ Like a warrior of the sea,
+ With a flag across my breast
+ And my sword upon my knee.
+
+ Steering out from vanished headlands
+ For a harbor on no chart,
+ With the winter in the rigging,
+ With the ice-wind in my heart,
+
+ Down the bournless slopes of sea-room,
+ With the long gray wake behind,
+ I have sailed my cruiser steady
+ With no pilot but the wind.
+
+ Battling with relentless pirates
+ From the lower seas of Doom,
+ I have kept the colors flying
+ Through the roar of drift and gloom.
+
+ Scudding where the shadow foemen
+ Hang about us grim and stark,
+ Broken spars and shredded canvas,
+ We are racing for the dark.
+
+ Sped and blown abaft the sunset
+ Like a shriek the storm has caught;
+ But the helm is lashed to windward,
+ And the sails are sheeted taut.
+
+ Comrades, comrades, have me buried
+ Like a warrior of the night.
+ I can hear the bell-buoy calling
+ Down below the harbor light
+
+ Steer in shoreward, loose the signal,
+ The last watch has been cut short;
+ Speak me kindly to the islesmen,
+ When we make the foreign port.
+
+ We shall make it ere the morning
+ Rolls the fog from strait and bluff;
+ Where the offing crimsons eastward
+ There is anchorage enough.
+
+ How I wander in my dreaming!
+ Are we northing nearer home,
+ Or outbound for fresh adventure
+ On the reeling plains of foam?
+
+ North I think it is, my comrades,
+ Where one heart-beat counts for ten,
+ Where the loving hand is loyal,
+ And the women's sons are men;
+
+ Where the red auroras tremble
+ When the polar night is still,
+ Lighting home the worn seafarers
+ To their haven in the hill.
+
+ Comrades, comrades, have me buried
+ Like a warrior of the North.
+ Lower me the long-boat, stay me
+ In your arms, and bear me forth;
+
+ Lay me in the sheets and row me,
+ With the tiller in my hand,
+ Row me in below the beacon
+ Where my sea-dogs used to land.
+
+ Has your captain lost his cunning
+ After leading you so far?
+ Row me your last league, my sea-kings;
+ It is safe within the bar.
+
+ Shoulder me and house me hillward,
+ Where the field-lark makes his bed,
+ So the gulls can wheel above me,
+ All day long when I am dead;
+
+ Where the keening wind can find me
+ With the April rain for guide,
+ And come crooning her old stories
+ Of the kingdoms of the tide.
+
+ Comrades, comrades, have me buried
+ Like a warrior of the sun;
+ I have carried my sealed orders
+ Till the last command is done.
+
+ Kiss me on the cheek for courage,
+ (There is none to greet me home,)
+ Then farewell to your old lover
+ Of the thunder of the foam;
+
+ For the grass is full of slumber
+ In the twilight world for me,
+ And my tired hands are slackened
+ From their toiling on the sea.
+
+
+
+
+OUTBOUND
+
+ A lonely sail in the vast sea-room,
+ I have put out for the port of gloom.
+
+ The voyage is far on the trackless tide,
+ The watch is long, and the seas are wide.
+
+ The headlands blue in the sinking day
+ Kiss me a hand on the outward way.
+
+ The fading gulls, as they dip and veer,
+ Lift me a voice that is good to hear.
+
+ The great winds come, and the heaving sea,
+ The restless mother, is calling me.
+
+ The cry of her heart is lone and wild,
+ Searching the night for her wandered child.
+
+ Beautiful, weariless mother of mine,
+ In the drift of doom I am here, I am thine.
+
+ Beyond the fathom of hope or fear,
+ From bourn to bourn of the dusk I steer,
+
+ Swept on in the wake of the stars, in the stream
+ Of a roving tide, from dream to dream.
+
+
+
+
+
+End of the Project Gutenberg EBook of Ballads of Lost Haven, by Bliss Carman
+
+*** END OF THIS PROJECT GUTENBERG EBOOK BALLADS OF LOST HAVEN ***
+
+***** This file should be named 18268.txt or 18268.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/1/8/2/6/18268/
+
+Produced by Thierry Alberto, Martin Pettit and the Online
+Distributed Proofreading Team at http://www.pgdp.net (This
+file was produced from images generously made available
+by the Canadian Institute for Historical Microreproductions
+(www.canadiana.org))
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.