summaryrefslogtreecommitdiff
path: root/old/oldindex.html
diff options
context:
space:
mode:
Diffstat (limited to 'old/oldindex.html')
-rw-r--r--old/oldindex.html713
1 files changed, 713 insertions, 0 deletions
diff --git a/old/oldindex.html b/old/oldindex.html
new file mode 100644
index 0000000..fc950a0
--- /dev/null
+++ b/old/oldindex.html
@@ -0,0 +1,713 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>Latin for Beginners</title>
+<meta http-equiv = "Content-Type" content = "text/html; charset=UTF-8">
+
+<link rel = "stylesheet" type = "text/css" href =
+"files/latinstyles.css">
+
+
+</head>
+
+<body>
+
+
+<pre>
+
+Project Gutenberg's Latin for Beginners, by Benjamin Leonard D'Ooge
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Latin for Beginners
+
+Author: Benjamin Leonard D'Ooge
+
+Release Date: April 25, 2006 [EBook #18251]
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK LATIN FOR BEGINNERS ***
+
+
+
+
+Produced by Louise Hope, Dave Maddock and the Online
+Distributed Proofreading Team at http://www.pgdp.net (This
+file was made using scans of public domain material by
+TextKit.com)
+
+
+
+
+
+
+</pre>
+
+
+<div class = "mynote">
+This textbook uses many letters with macrons (straight line above
+vowel):
+<div class = "inset nospace">
+ā ē ī ō ū ȳ &nbsp; Ā Ē Ī Ō Ū
+</div>
+If these characters do not display properly&mdash;in particular,
+if the macrons do not appear directly above their
+letters&mdash;you may have an incompatible browser or unavailable
+fonts. First, make sure that the browser’s “character set” or “file
+encoding” is set to Unicode (UTF-8). You may also need to change your
+browser’s default font.<br><br />
+
+
+As a last resort, use the <b><a href="simple.html">simplified html file</a></b><br /><br />
+
+
+
+
+Other combined forms occur much less often, and may be disregarded so
+long as the macrons display correctly:
+<div class = "inset nospace">
+ă ĕ ĭ ŏ ŭ (single letter with breve)<br>
+o͝o (“oo” with breve)<br>
+ē̆ (“e” with combined breve and macron)<br>
+ā́ ī́ ṓ &nbsp; ắ ĕ́ ĭ́ ŏ́ ŭ́ (letters with combined breve/macron and
+accent, used only in Pronunciation section)</div>
+<i>Note that most accents will correctly appear <b>after</b> a
+letter:</i>
+<div class = "inset nospace">
+īn´sula, ha´bitat, illī´us</div>
+<br>
+The variation between “æ” (English text) and “ae” (Latin text) is as in
+the original.<br>
+<br>
+A few typographical errors have been corrected. They have been
+marked in the text with <ins class = "correction" title =
+"like this">mouse-hover popups</ins>. Some possible image-display
+problems are addressed at the <a href = "#display">end of this file</a>.
+</div>
+
+<h2>LATIN FOR BEGINNERS</h2>
+
+<br>
+
+<h5>BY</h5>
+
+<h4>BENJAMIN L. D’OOGE, <span class = "smallcaps">Ph.D.</span></h4>
+
+<h6>PROFESSOR IN THE MICHIGAN STATE NORMAL COLLEGE</h6>
+
+<br>
+<br>
+
+
+<h5>GINN AND COMPANY</h5>
+<h6 class = "nospace">BOSTON · NEW YORK · CHICAGO · LONDON</h6>
+
+<hr>
+
+<h6>COPYRIGHT, 1909, 1911 BY BENJAMIN L. D’OOGE</h6>
+<h6 class = "nospace">ENTERED AT STATIONERS’ HALL<br>
+ALL RIGHTS RESERVED<br>
+013.4</h6>
+
+<br>
+<br>
+
+<h6><u>The Athenæum Press</u><br>
+GINN AND COMPANY · PROPRIETORS ·<br>
+BOSTON · U.S.A.</h6>
+
+<hr>
+
+<table>
+<tr><td>
+<div class = "contents">
+<a href = "#pagev">Preface</a></div>
+<div class = "contents">
+<a href = "files/LatinBegin1.html">Lessons</a></div>
+<div class = "contents">
+<a href = "files/LatinBegin2.html">Readings, Grammar and
+Vocabulary</a></div>
+<div class = "contents">
+<a href = "#display">Display Problems</a></div>
+</td></tr>
+</table>
+
+<hr>
+
+<span class = "pagenum">v</span>
+<a name = "pagev"> </a>
+<h4>PREFACE</h4>
+
+<p>
+To make the course preparatory to Cæsar at the same time systematic,
+thorough, clear, and interesting is the purpose of this series of
+lessons.</p>
+
+<p>
+The first pages are devoted to a brief discussion of the Latin language,
+its history, and its educational value. The body of the book, consisting
+of seventy-nine lessons, is divided into three parts.</p>
+
+<p>
+Part I is devoted to pronunciation, quantity, accent, and kindred
+introductory essentials.</p>
+
+<p>
+Part II carries the work through the first sixty lessons, and is devoted
+to the study of forms and vocabulary, together with some elementary
+constructions, a knowledge of which is necessary for the translation of
+the exercises and reading matter. The first few lessons have been made
+unusually simple, to meet the wants of pupils not well grounded in
+English grammar.</p>
+
+<p>
+Part III contains nineteen lessons, and is concerned primarily with the
+study of syntax and of subjunctive and irregular verb forms. The last
+three of these lessons constitute a review of all the constructions
+presented in the book. There is abundant easy reading matter; and, in
+order to secure proper concentration of effort upon syntax and
+translation, no new vocabularies are introduced, but the vocabularies in
+Part II are reviewed.</p>
+
+<p>
+It is hoped that the following features will commend themselves to
+teachers:</p>
+
+<p>
+The forms are presented in their natural sequence, and are given, for
+the most part, in the body of the book as well as in a grammatical
+appendix. The work on the verb is intensive in character, work in other
+directions being reduced to a minimum while this is going on. The forms
+of the subjunctive are studied in correlation with the subjunctive
+constructions.</p>
+
+<p>
+<span class = "pagenum">vi</span>
+<a name = "pagevi"> </a>
+The vocabulary has been selected with the greatest care, using Lodge’s
+“Dictionary of Secondary Latin” and Browne’s “Latin Word List” as a
+basis. There are about six hundred words, exclusive of proper names, in
+the special vocabularies, and these are among the simplest and commonest
+words in the language. More than ninety-five per cent of those chosen
+are Cæsarian, and of these more than ninety per cent are used in Cæsar
+five or more times. The few words not Cæsarian are of such frequent
+occurrence in Cicero, Vergil, and other authors as to justify their
+appearance here. But teachers desiring to confine word study to Cæsar
+can easily do so, as the Cæsarian words are printed in the vocabularies
+in distinctive type. Concrete nouns have been preferred to abstract,
+root words to compounds and derivatives, even when the latter were of
+more frequent occurrence in Cæsar. To assist the memory, related English
+words are added in each special vocabulary. To insure more careful
+preparation, the special vocabularies have been removed from their
+respective lessons and placed by themselves. The general vocabulary
+contains about twelve hundred words, and of these above eighty-five per
+cent are found in Cæsar.</p>
+
+<p>
+The syntax has been limited to those essentials which recent
+investigations, such as those of Dr. Lee Byrne and his collaborators,
+have shown to belong properly to the work of the first year. The
+constructions are presented, as far as possible, from the standpoint of
+English, the English usage being given first and the Latin compared or
+contrasted with it. Special attention has been given to the
+constructions of participles, the gerund and gerundive, and the
+infinitive in indirect statements. Constructions having a logical
+connection are not separated but are treated together.</p>
+
+<p>
+Exercises for translation occur throughout, those for translation into
+Latin being, as a rule, only half as long as those for translation into
+English. In Part III a few of the commoner idioms in Cæsar are
+introduced and the sentences are drawn mainly from that author. From
+first to last a consistent effort is made to instill a proper regard for
+Latin word order, the first principles of which are laid down early in
+the course.</p>
+
+<p>
+<span class = "pagenum">vii</span>
+<a name = "pagevii"> </a>
+Selections for reading are unusually abundant and are introduced from
+the earliest possible moment. These increase in number and length as the
+book progresses, and, for the most part, are made an integral part of
+the lessons instead of being massed at the end of the book. This
+arrangement insures a more constant and thorough drill in forms and
+vocabulary, promotes reading power, and affords a breathing spell
+between succeeding subjects. The material is drawn from historical and
+mythological sources, and the vocabulary employed includes but few words
+not already learned. The book closes with a continued story which
+recounts the chief incidents in the life of a Roman boy. The last
+chapters record his experiences in Cæsar’s army, and contain much
+information that will facilitate the interpretation of the Commentaries.
+The early emphasis placed on word order and sentence structure, the
+simplicity of the syntax, and the familiarity of the vocabulary, make
+the reading selections especially useful for work in sight
+translation.</p>
+
+<p>
+Reviews are called for at frequent intervals, and to facilitate this
+branch of the work an Appendix of Reviews has been prepared, covering
+both the vocabulary and the grammar.</p>
+
+<p>
+The illustrations are numerous, and will, it is hoped, do much to
+stimulate interest in the ancient world and to create true and lasting
+impressions of Roman life and times.</p>
+
+<p>
+A consistent effort has been made to use simple language and clear
+explanation throughout.</p>
+
+<p>
+As an aid to teachers using this book a “Teacher’s Manual” has been
+prepared, which contains, in addition to general suggestions, notes on
+each lesson.</p>
+
+<p>
+The author wishes to express his gratitude to the numerous teachers who
+tested the advance pages in their classes, and, as a result of their
+experience, have given much valuable aid by criticism and suggestion.
+Particular acknowledgments are due to Miss A. Susan Jones of the Central
+High School, Grand Rapids, Michigan; to Miss Clara Allison of the High
+School at Hastings, Michigan; and to Miss Helen B. Muir and Mr. Orland
+O. Norris, teachers of Latin in this institution.</p>
+
+<p align = "right">
+BENJAMIN L. D’OOGE</p>
+
+<p class = "smallcaps">
+Michigan State Normal College</p>
+
+<hr>
+<hr>
+
+<p class = "plainnote"><a name = "display">DISPLAY PROBLEMS</a></p>
+
+<p class = "plainnote">The illustration in <a href =
+"files/LatinBegin1.html#sec77">section
+77</a> with interlocked text may not display properly on all
+browsers.</p>
+
+<p class = "illustration plainnote">
+<a href = "images/pic033.png">Picture by Itself</a></p>
+
+<p class = "plainnote">Two grammatical diagrams were given as images.
+They are shown
+here in plain-text format.</p>
+
+<p class = "plainnote">Prepositions, <a href =
+"files/LatinBegin1.html#sec179">section
+179</a>:</p>
+
+<pre>
+ _________
+ ā or ab | | ē or ex
+/____________| _____|_____________\
+\ | Place | /
+ |_________|
+ |
+ | dē
+ |
+ V
+</pre>
+
+<p class = "plainnote">Demonstrative pronouns,
+<a href = "files/LatinBegin1.html#sec290">section 290</a>:</p>
+
+<pre>
+ hic iste ille
+SPEAKER ---------->-------------->---------------->
+ _this_, _he_; _that_, _he_; _that_, _he_
+ (near); (remote); (more remote)
+</pre>
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of Project Gutenberg's Latin for Beginners, by Benjamin Leonard D'Ooge
+
+*** END OF THIS PROJECT GUTENBERG EBOOK LATIN FOR BEGINNERS ***
+
+***** This file should be named 18251-h.htm or 18251-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/1/8/2/5/18251/
+
+Produced by Louise Hope, Dave Maddock and the Online
+Distributed Proofreading Team at http://www.pgdp.net (This
+file was made using scans of public domain material by
+TextKit.com)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</body>
+</html>