diff options
Diffstat (limited to 'old/oldindex.html')
| -rw-r--r-- | old/oldindex.html | 713 |
1 files changed, 713 insertions, 0 deletions
diff --git a/old/oldindex.html b/old/oldindex.html new file mode 100644 index 0000000..fc950a0 --- /dev/null +++ b/old/oldindex.html @@ -0,0 +1,713 @@ +<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"> +<html> +<head> +<title>Latin for Beginners</title> +<meta http-equiv = "Content-Type" content = "text/html; charset=UTF-8"> + +<link rel = "stylesheet" type = "text/css" href = +"files/latinstyles.css"> + + +</head> + +<body> + + +<pre> + +Project Gutenberg's Latin for Beginners, by Benjamin Leonard D'Ooge + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Latin for Beginners + +Author: Benjamin Leonard D'Ooge + +Release Date: April 25, 2006 [EBook #18251] + +Language: English + +Character set encoding: UTF-8 + +*** START OF THIS PROJECT GUTENBERG EBOOK LATIN FOR BEGINNERS *** + + + + +Produced by Louise Hope, Dave Maddock and the Online +Distributed Proofreading Team at http://www.pgdp.net (This +file was made using scans of public domain material by +TextKit.com) + + + + + + +</pre> + + +<div class = "mynote"> +This textbook uses many letters with macrons (straight line above +vowel): +<div class = "inset nospace"> +ā ē ī ō ū ȳ Ā Ē Ī Ō Ū +</div> +If these characters do not display properly—in particular, +if the macrons do not appear directly above their +letters—you may have an incompatible browser or unavailable +fonts. First, make sure that the browser’s “character set” or “file +encoding” is set to Unicode (UTF-8). You may also need to change your +browser’s default font.<br><br /> + + +As a last resort, use the <b><a href="simple.html">simplified html file</a></b><br /><br /> + + + + +Other combined forms occur much less often, and may be disregarded so +long as the macrons display correctly: +<div class = "inset nospace"> +ă ĕ ĭ ŏ ŭ (single letter with breve)<br> +o͝o (“oo” with breve)<br> +ē̆ (“e” with combined breve and macron)<br> +ā́ ī́ ṓ ắ ĕ́ ĭ́ ŏ́ ŭ́ (letters with combined breve/macron and +accent, used only in Pronunciation section)</div> +<i>Note that most accents will correctly appear <b>after</b> a +letter:</i> +<div class = "inset nospace"> +īn´sula, ha´bitat, illī´us</div> +<br> +The variation between “æ” (English text) and “ae” (Latin text) is as in +the original.<br> +<br> +A few typographical errors have been corrected. They have been +marked in the text with <ins class = "correction" title = +"like this">mouse-hover popups</ins>. Some possible image-display +problems are addressed at the <a href = "#display">end of this file</a>. +</div> + +<h2>LATIN FOR BEGINNERS</h2> + +<br> + +<h5>BY</h5> + +<h4>BENJAMIN L. D’OOGE, <span class = "smallcaps">Ph.D.</span></h4> + +<h6>PROFESSOR IN THE MICHIGAN STATE NORMAL COLLEGE</h6> + +<br> +<br> + + +<h5>GINN AND COMPANY</h5> +<h6 class = "nospace">BOSTON · NEW YORK · CHICAGO · LONDON</h6> + +<hr> + +<h6>COPYRIGHT, 1909, 1911 BY BENJAMIN L. D’OOGE</h6> +<h6 class = "nospace">ENTERED AT STATIONERS’ HALL<br> +ALL RIGHTS RESERVED<br> +013.4</h6> + +<br> +<br> + +<h6><u>The Athenæum Press</u><br> +GINN AND COMPANY · PROPRIETORS ·<br> +BOSTON · U.S.A.</h6> + +<hr> + +<table> +<tr><td> +<div class = "contents"> +<a href = "#pagev">Preface</a></div> +<div class = "contents"> +<a href = "files/LatinBegin1.html">Lessons</a></div> +<div class = "contents"> +<a href = "files/LatinBegin2.html">Readings, Grammar and +Vocabulary</a></div> +<div class = "contents"> +<a href = "#display">Display Problems</a></div> +</td></tr> +</table> + +<hr> + +<span class = "pagenum">v</span> +<a name = "pagev"> </a> +<h4>PREFACE</h4> + +<p> +To make the course preparatory to Cæsar at the same time systematic, +thorough, clear, and interesting is the purpose of this series of +lessons.</p> + +<p> +The first pages are devoted to a brief discussion of the Latin language, +its history, and its educational value. The body of the book, consisting +of seventy-nine lessons, is divided into three parts.</p> + +<p> +Part I is devoted to pronunciation, quantity, accent, and kindred +introductory essentials.</p> + +<p> +Part II carries the work through the first sixty lessons, and is devoted +to the study of forms and vocabulary, together with some elementary +constructions, a knowledge of which is necessary for the translation of +the exercises and reading matter. The first few lessons have been made +unusually simple, to meet the wants of pupils not well grounded in +English grammar.</p> + +<p> +Part III contains nineteen lessons, and is concerned primarily with the +study of syntax and of subjunctive and irregular verb forms. The last +three of these lessons constitute a review of all the constructions +presented in the book. There is abundant easy reading matter; and, in +order to secure proper concentration of effort upon syntax and +translation, no new vocabularies are introduced, but the vocabularies in +Part II are reviewed.</p> + +<p> +It is hoped that the following features will commend themselves to +teachers:</p> + +<p> +The forms are presented in their natural sequence, and are given, for +the most part, in the body of the book as well as in a grammatical +appendix. The work on the verb is intensive in character, work in other +directions being reduced to a minimum while this is going on. The forms +of the subjunctive are studied in correlation with the subjunctive +constructions.</p> + +<p> +<span class = "pagenum">vi</span> +<a name = "pagevi"> </a> +The vocabulary has been selected with the greatest care, using Lodge’s +“Dictionary of Secondary Latin” and Browne’s “Latin Word List” as a +basis. There are about six hundred words, exclusive of proper names, in +the special vocabularies, and these are among the simplest and commonest +words in the language. More than ninety-five per cent of those chosen +are Cæsarian, and of these more than ninety per cent are used in Cæsar +five or more times. The few words not Cæsarian are of such frequent +occurrence in Cicero, Vergil, and other authors as to justify their +appearance here. But teachers desiring to confine word study to Cæsar +can easily do so, as the Cæsarian words are printed in the vocabularies +in distinctive type. Concrete nouns have been preferred to abstract, +root words to compounds and derivatives, even when the latter were of +more frequent occurrence in Cæsar. To assist the memory, related English +words are added in each special vocabulary. To insure more careful +preparation, the special vocabularies have been removed from their +respective lessons and placed by themselves. The general vocabulary +contains about twelve hundred words, and of these above eighty-five per +cent are found in Cæsar.</p> + +<p> +The syntax has been limited to those essentials which recent +investigations, such as those of Dr. Lee Byrne and his collaborators, +have shown to belong properly to the work of the first year. The +constructions are presented, as far as possible, from the standpoint of +English, the English usage being given first and the Latin compared or +contrasted with it. Special attention has been given to the +constructions of participles, the gerund and gerundive, and the +infinitive in indirect statements. Constructions having a logical +connection are not separated but are treated together.</p> + +<p> +Exercises for translation occur throughout, those for translation into +Latin being, as a rule, only half as long as those for translation into +English. In Part III a few of the commoner idioms in Cæsar are +introduced and the sentences are drawn mainly from that author. From +first to last a consistent effort is made to instill a proper regard for +Latin word order, the first principles of which are laid down early in +the course.</p> + +<p> +<span class = "pagenum">vii</span> +<a name = "pagevii"> </a> +Selections for reading are unusually abundant and are introduced from +the earliest possible moment. These increase in number and length as the +book progresses, and, for the most part, are made an integral part of +the lessons instead of being massed at the end of the book. This +arrangement insures a more constant and thorough drill in forms and +vocabulary, promotes reading power, and affords a breathing spell +between succeeding subjects. The material is drawn from historical and +mythological sources, and the vocabulary employed includes but few words +not already learned. The book closes with a continued story which +recounts the chief incidents in the life of a Roman boy. The last +chapters record his experiences in Cæsar’s army, and contain much +information that will facilitate the interpretation of the Commentaries. +The early emphasis placed on word order and sentence structure, the +simplicity of the syntax, and the familiarity of the vocabulary, make +the reading selections especially useful for work in sight +translation.</p> + +<p> +Reviews are called for at frequent intervals, and to facilitate this +branch of the work an Appendix of Reviews has been prepared, covering +both the vocabulary and the grammar.</p> + +<p> +The illustrations are numerous, and will, it is hoped, do much to +stimulate interest in the ancient world and to create true and lasting +impressions of Roman life and times.</p> + +<p> +A consistent effort has been made to use simple language and clear +explanation throughout.</p> + +<p> +As an aid to teachers using this book a “Teacher’s Manual” has been +prepared, which contains, in addition to general suggestions, notes on +each lesson.</p> + +<p> +The author wishes to express his gratitude to the numerous teachers who +tested the advance pages in their classes, and, as a result of their +experience, have given much valuable aid by criticism and suggestion. +Particular acknowledgments are due to Miss A. Susan Jones of the Central +High School, Grand Rapids, Michigan; to Miss Clara Allison of the High +School at Hastings, Michigan; and to Miss Helen B. Muir and Mr. Orland +O. Norris, teachers of Latin in this institution.</p> + +<p align = "right"> +BENJAMIN L. D’OOGE</p> + +<p class = "smallcaps"> +Michigan State Normal College</p> + +<hr> +<hr> + +<p class = "plainnote"><a name = "display">DISPLAY PROBLEMS</a></p> + +<p class = "plainnote">The illustration in <a href = +"files/LatinBegin1.html#sec77">section +77</a> with interlocked text may not display properly on all +browsers.</p> + +<p class = "illustration plainnote"> +<a href = "images/pic033.png">Picture by Itself</a></p> + +<p class = "plainnote">Two grammatical diagrams were given as images. +They are shown +here in plain-text format.</p> + +<p class = "plainnote">Prepositions, <a href = +"files/LatinBegin1.html#sec179">section +179</a>:</p> + +<pre> + _________ + ā or ab | | ē or ex +/____________| _____|_____________\ +\ | Place | / + |_________| + | + | dē + | + V +</pre> + +<p class = "plainnote">Demonstrative pronouns, +<a href = "files/LatinBegin1.html#sec290">section 290</a>:</p> + +<pre> + hic iste ille +SPEAKER ---------->-------------->----------------> + _this_, _he_; _that_, _he_; _that_, _he_ + (near); (remote); (more remote) +</pre> + + + + + + + + +<pre> + + + + + +End of Project Gutenberg's Latin for Beginners, by Benjamin Leonard D'Ooge + +*** END OF THIS PROJECT GUTENBERG EBOOK LATIN FOR BEGINNERS *** + +***** This file should be named 18251-h.htm or 18251-h.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/1/8/2/5/18251/ + +Produced by Louise Hope, Dave Maddock and the Online +Distributed Proofreading Team at http://www.pgdp.net (This +file was made using scans of public domain material by +TextKit.com) + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + +</body> +</html> |
