summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--18242-8.txt2828
-rw-r--r--18242-8.zipbin0 -> 33088 bytes
-rw-r--r--18242-h.zipbin0 -> 824916 bytes
-rw-r--r--18242-h/18242-h.htm5044
-rw-r--r--18242-h/images/back_logo.pngbin0 -> 984 bytes
-rw-r--r--18242-h/images/frontis.pngbin0 -> 39404 bytes
-rw-r--r--18242-h/images/pic10.jpgbin0 -> 76284 bytes
-rw-r--r--18242-h/images/pic100.jpgbin0 -> 45517 bytes
-rw-r--r--18242-h/images/pic100_b.jpgbin0 -> 65714 bytes
-rw-r--r--18242-h/images/pic19.jpgbin0 -> 52988 bytes
-rw-r--r--18242-h/images/pic23.jpgbin0 -> 62680 bytes
-rw-r--r--18242-h/images/pic29.jpgbin0 -> 61519 bytes
-rw-r--r--18242-h/images/pic32.jpgbin0 -> 59132 bytes
-rw-r--r--18242-h/images/pic37.jpgbin0 -> 40474 bytes
-rw-r--r--18242-h/images/pic49.jpgbin0 -> 60335 bytes
-rw-r--r--18242-h/images/pic81.jpgbin0 -> 55586 bytes
-rw-r--r--18242-h/images/pic87.jpgbin0 -> 51049 bytes
-rw-r--r--18242-h/images/pic91.jpgbin0 -> 34746 bytes
-rw-r--r--18242-h/images/pic96.jpgbin0 -> 59344 bytes
-rw-r--r--18242-h/images/titlepage.pngbin0 -> 1306 bytes
-rw-r--r--18242-h/images/titlepage_b.jpgbin0 -> 20279 bytes
-rw-r--r--18242-h/images/toc_logo.pngbin0 -> 512 bytes
-rw-r--r--18242.txt2828
-rw-r--r--18242.zipbin0 -> 33064 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
27 files changed, 10716 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/18242-8.txt b/18242-8.txt
new file mode 100644
index 0000000..ae4e077
--- /dev/null
+++ b/18242-8.txt
@@ -0,0 +1,2828 @@
+The Project Gutenberg EBook of Behind the Arras, by Bliss Carman
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Behind the Arras
+ A Book of the Unseen
+
+Author: Bliss Carman
+
+Illustrator: T. B. Meteyard
+
+Release Date: April 24, 2006 [EBook #18242]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK BEHIND THE ARRAS ***
+
+
+
+
+Produced by Louise Hope, Thierry Alberto and the Online
+Distributed Proofreading Team at http://www.pgdp.net (This
+file was produced from images generously made available
+by the Canadian Institute for Historical Microreproductions
+(www.canadiana.org))
+
+
+
+
+
+
+ Behind the Arras
+ A Book of the
+ Unseen
+
+ By Bliss Carman
+
+ With Designs by T. B. Meteyard
+
+ [Illustration: VT CRESCIT]
+
+ Boston and New York
+ Lamson, Wolffe, and Company
+ M·DCCC·XC·V
+
+
+
+
+ Copyright, 1895.
+ by Lamson, Wolffe, & Co.
+ All rights reserved.
+
+
+
+
+ Contents
+
+ Behind the Arras 1
+ Fancy's Fool 16
+ The Moondial 19
+ The Face in the Stream 23
+ The Cruise of the Galleon 29
+ A Song before Sailing 32
+ In the Wings 35
+ The Red Wolf 37
+ The Faithless Lover 44
+ The Crimson House 46
+ The Lodger 49
+ Beyond the Gamut 66
+ The Juggler 81
+ Hack and Hew 85
+ The Night Express 87
+ The Dustman 91
+ The Sleepers 94
+ At the Granite Gate 96
+ Exit Anima 100
+
+
+
+
+To G. H. B.
+
+ "I shut myself in with my soul,
+ And the shapes come eddying forth."
+
+
+
+
+[Illustration: Behind the Arras]
+
+
+
+
+_Behind the Arras_
+
+
+I like the old house tolerably well,
+Where I must dwell
+Like a familiar gnome;
+And yet I never shall feel quite at home:
+I love to roam.
+
+Day after day I loiter and explore
+From door to door;
+So many treasures lure
+The curious mind. What histories obscure
+They must immure!
+
+I hardly know which room I care for best;
+This fronting west,
+With the strange hills in view,
+Where the great sun goes,--where I may go too,
+When my lease is through,--
+
+Or this one for the morning and the east,
+Where a man may feast
+His eyes on looming sails,
+And be the first to catch their foreign hails
+Or spy their bales.
+
+Then the pale summer twilights towards the pole!
+It thrills my soul
+With wonder and delight,
+When gold-green shadows walk the world at night,
+So still, so bright.
+
+There at the window many a time of year,
+Strange faces peer,
+Solemn though not unkind,
+Their wits in search of something left behind
+Time out of mind;
+
+As if they once had lived here, and stole back
+To the window crack
+For a peep which seems to say,
+"Good fortune, brother, in your house of clay!"
+And then, "Good day!"
+
+I hear their footsteps on the gravel walk,
+Their scraps of talk,
+And hurrying after, reach
+Only the crazy sea-drone of the beach
+In endless speech.
+
+And often when the autumn noons are still,
+By swale and hill
+I see their gipsy signs,
+Trespassing somewhere on my border lines;
+With what designs?
+
+I forth afoot; but when I reach the place,
+Hardly a trace,
+Save the soft purple haze
+Of smouldering camp-fires, any hint betrays
+Who went these ways.
+
+Or tatters of pale aster blue, descried
+By the roadside,
+Reveal whither they fled;
+Or the swamp maples, here and there a shred
+Of Indian red.
+
+But most of all, the marvellous tapestry
+Engrosses me,
+Where such strange things are rife,
+Fancies of beasts and flowers, and love and strife,
+Woven to the life;
+
+Degraded shapes and splendid seraph forms,
+And teeming swarms
+Of creatures gauzy dim
+That cloud the dusk, and painted fish that swim,
+At the weaver's whim;
+
+And wonderful birds that wheel and hang in the air;
+And beings with hair,
+And moving eyes in the face,
+And white bone teeth and hideous grins, who race
+From place to place;
+
+They build great temples to their John-a-nod,
+And fume and plod
+To deck themselves with gold,
+And paint themselves like chattels to be sold,
+Then turn to mould.
+
+Sometimes they seem almost as real as I;
+I hear them sigh;
+I see them bow with grief,
+Or dance for joy like an aspen leaf;
+But that is brief.
+
+They have mad wars and phantom marriages;
+Nor seem to guess
+There are dimensions still,
+Beyond thought's reach, though not beyond love's will,
+For soul to fill.
+
+And some I call my friends, and make believe
+Their spirits grieve,
+Brood, and rejoice with mine;
+I talk to them in phrases quaint and fine
+Over the wine;
+
+I tell them all my secrets; touch their hands;
+One understands
+Perhaps. How hard he tries
+To speak! And yet those glorious mild eyes,
+His best replies!
+
+I even have my cronies, one or two,
+My cherished few.
+But ah, they do not stay!
+For the sun fades them and they pass away,
+As I grow gray.
+
+Yet while they last how actual they seem!
+Their faces beam;
+I give them all their names,
+Bertram and Gilbert, Louis, Frank and James,
+Each with his aims;
+One thinks he is a poet, and writes verse
+His friends rehearse;
+Another is full of law;
+A third sees pictures which his hand can draw
+Without a flaw.
+
+Strangest of all, they never rest. Day long
+They shift and throng,
+Moved by invisible will,
+Like a great breath which puffs across my sill,
+And then is still;
+
+It shakes my lovely manikins on the wall;
+Squall after squall,
+Gust upon crowding gust,
+It sweeps them willy nilly like blown dust
+With glory or lust.
+
+It is the world-ghost, the time-spirit, come
+None knows where from,
+The viewless draughty tide
+And wash of being. I hear it yaw and glide,
+And then subside,
+
+Along these ghostly corridors and halls
+Like faint footfalls;
+The hangings stir in the air;
+And when I start and challenge, "Who goes there?"
+It answers, "Where?"
+
+The wail and sob and moan of the sea's dirge,
+Its plangor and surge;
+The awful biting sough
+Of drifted snows along some arctic bluff,
+That veer and luff,
+
+And have the vacant boding human cry,
+As they go by;--
+Is it a banished soul
+Dredging the dark like a distracted mole
+Under a knoll?
+
+Like some invisible henchman old and gray,
+Day after day
+I hear it come and go,
+With stealthy swift unmeaning to and fro,
+Muttering low,
+
+Ceaseless and daft and terrible and blind,
+Like a lost mind.
+I often chill with fear
+When I bethink me, What if it should peer
+At my shoulder here!
+
+Perchance he drives the merry-go-round whose track
+Is the zodiac;
+His name is No-man's-friend;
+And his gabbling parrot-talk has neither trend,
+Beginning, nor end.
+
+A prince of madness too, I'd cry, "A rat!"
+And lunge thereat,--
+Let out at one swift thrust
+The cunning arch-delusion of the dust
+I so mistrust,
+
+But that I fear I should disclose a face
+Wearing the trace
+Of my own human guise,
+Piteous, unharmful, loving, sad, and wise,
+With the speaking eyes.
+
+I would the house were rid of his grim pranks,
+Moaning from banks
+Of pine trees in the moon,
+Startling the silence like a demoniac loon
+At dead of noon,
+
+Or whispering his fool-talk to the leaves
+About my eaves.
+And yet how can I know
+'T is not a happy Ariel masking so
+In mocking woe?
+
+Then with a little broken laugh I say,
+Snatching away
+The curtain where he grinned
+(My feverish sight thought) like a sin unsinned,
+"Only the wind!"
+
+Yet often too he steals so softly by,
+With half a sigh,
+I deem he must be mild,
+Fair as a woman, gentle as a child,
+And forest wild.
+
+Passing the door where an old wind-harp swings,
+With its five strings,
+Contrived long years ago
+By my first predecessor bent to show
+His handcraft so,
+
+He lays his fingers on the æolian wire,
+As a core of fire
+Is laid upon the blast
+To kindle and glow and fill the purple vast
+Of dark at last.
+
+Weird wise and low, piercing and keen and glad,
+Or dim and sad
+As a forgotten strain
+Born when the broken legions of the rain
+Swept through the plain--
+
+He plays, like some dread veiled mysteriarch,
+Lighting the dark,
+Bidding the spring grow warm,
+The gendering merge and loosing of spirit in form,
+Peace out of storm.
+
+For music is the sacrament of love;
+He broods above
+The virgin silence, till
+She yields for rapture shuddering, yearning still
+To his sweet will.
+
+I hear him sing, "Your harp is like a mesh,
+Woven of flesh
+And spread within the shoal
+Of life, where runs the tide-race of the soul
+In my control.
+
+"Though my wild way may ruin what it bends,
+It makes amends
+To the frail downy clocks,
+Telling their seed a secret that unlocks
+The granite rocks.
+
+"The womb of silence to the crave sound
+Is heaven unfound,
+Till I, to soothe and slake
+Being's most utter and imperious ache,
+Bid rhythm awake.
+
+"If with such agonies of bliss, my kin,
+I enter in
+Your prison house of sense,
+With what a joyous freed intelligence
+I shall go hence."
+
+I need no more to guess the weaver's name,
+Nor ask his aim,
+Who hung each hall and room
+With swarthy-tinged vermilion upon gloom;
+I know that loom.
+
+Give me a little space and time enough,
+From ravelings rough
+I could revive, reweave,
+A fabric of beauty art might well believe
+Were past retrieve.
+
+O men and women in that rich design,
+Sleep-soft, sun-fine,
+Dew-tenuous and free,
+A tone of the infinite wind-themes of the sea,
+Borne in to me,
+
+Reveals how you were woven to the might
+Of shadow and light.
+You are the dream of One
+Who loves to haunt and yet appears to shun
+My door in the sun;
+
+As the white roving sea tern fleck and skim
+The morning's rim;
+Or the dark thrushes clear
+Their flutes of music leisurely and sheer,
+Then hush to hear.
+
+I know him when the last red brands of day
+Smoulder away,
+And when the vernal showers
+Bring back the heart to all my valley flowers
+In the soft hours.
+
+O hand of mine and brain of mine, be yours,
+While time endures,
+To acquiesce and learn!
+For what we best may dare and drudge and yearn,
+Let soul discern.
+
+So, fellows, we shall reach the gusty gate,
+Early or late,
+And part without remorse,
+A cadence dying down unto its source
+In music's course;
+
+You to the perfect rhythms of flowers and birds,
+Colors and words,
+The heart-beats of the earth,
+To be remoulded always of one worth
+From birth to birth;
+
+I to the broken rhythm of thought and man,
+The sweep and span
+Of memory and hope
+About the orbit where they still must grope
+For wider scope,
+
+To be through thousand springs restored, renewed,
+With love imbrued,
+With increments of will
+Made strong, perceiving unattainment still
+From each new skill.
+
+Always the flawless beauty, always the chord
+Of the Overword,
+Dominant, pleading, sure,
+No truth too small to save and make endure.
+No good too poor!
+
+And since no mortal can at last disdain
+That sweet refrain,
+But lets go strife and care,
+Borne like a strain of bird notes on the air,
+The wind knows where;
+
+Some quiet April evening soft and strange,
+When comes the change
+No spirit can deplore,
+I shall be one with all I was before,
+In death once more.
+
+
+
+
+_Fancy's Fool_
+
+
+"Cornel, cornel, green and white,
+Spreading on the forest floor,
+Whither went my lost delight
+Through the silent door?"
+
+"Mortal, mortal, overfond,
+How come you at all to know
+There be any joys beyond
+Blisses here and now?"
+
+"Cornel, cornel, white and cool,
+Many a mortal, I've heard tell,
+Who is only Fancy's fool
+Knows that secret well."
+
+"Mortal, mortal, what would you
+With that beauty once was yours?
+Perishable is the dew,
+And the dust endures."
+
+"Cornel, cornel, pierce me not
+With your sweet, reserved disdain!
+Whisper me of things forgot
+That shall be again."
+
+"Mortal, we are kinsmen, led
+By a hope beyond our reach.
+Know you not the word unsaid
+Is the flower of speech?"
+
+All the snowy blossoms faded,
+While the scarlet berries grew;
+And all summer they evaded
+Anything they knew.
+
+"Cornel, cornel, green and red
+Flooring for the forest wide,
+Whither down the ways of dread
+Went my starry-eyed?"
+
+"Mortal, mortal, is there found
+Any fruitage half so fair
+In the dim world underground
+As there grows in air?"
+
+"Wilding cornel, you can guess
+Nothing of eternal pain,
+Growing there in quietness
+In the sun and rain."
+
+"Mortal, where your heart would be
+Not a wanderer may go,
+But he shares the dark with me
+Underneath the snow."
+
+And the scarlet berries scattered
+With the coming on of fall;
+Not to one of them it mattered
+Anything at all.
+
+
+
+
+[Illustration]
+
+_The Moondial_
+
+
+Iron and granite and rust,
+In a crumbling garden old,
+Where the roses are paler than dust
+And the lilies are green with gold,
+
+Under the racing moon,
+Inconscious of war or crime,
+In a strange and ghostly noon,
+It marks the oblivion of time.
+
+The shadow steals through its arc,
+Still as a frosted breath,
+Fitful, gleaming, and dark
+As the cold frustration of death.
+
+But where the shadow may fall,
+Whether to hurry or stay,
+It matters little at all
+To those who come that way.
+
+For this is the dial of them
+That have forgotten the world,
+No more through the mad day-dream
+Of striving and reason hurled.
+
+Their heart as a little child
+Only remembers the worth
+Of beauty and love and the wild
+Dark peace of the elder earth.
+
+It registers the morrows
+Of lovers and winds and streams,
+And the face of a thousand sorrows
+At the postern gate of dreams.
+
+When the first low laughter smote
+Through Lilith, the mother of joy,
+And died and revived from the throat
+Of Helen, the harpstring of Troy,
+
+And wandering on through the years,
+From the sobbing rain and the sea,
+Caught sound of the world's gray tears
+Or sense of the sun's gold glee,
+
+Whenever the wild control
+Burned out to a mortal kiss,
+And the shuddering storm-swept soul
+Climbed to its acme of bliss,
+
+The green-gold light of the dead
+Stood still in purple space,
+And a record blind and dread
+Was graved on the dial's face.
+
+And once in a thousand years
+Some youth who loved so well
+The gods had loosed him from fears
+In a vision of blameless hell,
+
+Has gone to the dial to read
+Those signs in the outland tongue,
+Written beyond the need
+Of the simple and the young.
+
+For immortal life, they say,
+Were his who, loving so,
+Could explain the writing away
+As a legend written in snow.
+
+But always his innocent eyes
+Were frozen into the stone.
+From that awful first surprise
+His soul must return alone.
+
+In the morning there he lay
+Dead in the sun's warm gold.
+And no man knows to this day
+What the dim moondial told.
+
+
+
+
+[Illustration]
+
+_The Face in the Stream_
+
+
+The sunburnt face in the willow shade
+To the face in the water-mirror said,
+
+"O deep mysterious face in the stream,
+Art thou myself or am I thy dream?"
+
+And the face deep down in the water's side
+To the face in the upper air replied,
+
+"I am thy dream, them poor worn face,
+And this is thy heart's abiding place.
+
+"Too much in the world, come back and be
+Once more my dream-fellow with me,
+
+"In the far-off untarnished years
+Before thy furrows were washed with tears,
+
+"Or ever thy serious creature eyes
+Were aged with a mist of memories.
+
+"Hast thou forgotten the long ago
+In the garden where I used to flow,
+
+"Among the hills, with the maple tree
+And the roses blowing over me?--
+
+"I who am now but a wraith of this river,
+Forsaken of thee forever and ever,
+
+"Who then was thine image fair, forecast
+In the heart of the water rimpling past.
+
+"Out in the wide of the summer zone
+I lulled and allured thee apart and alone,
+
+"The azure gleam and the golden croon
+And the grass with the flaky roses strewn.
+
+"There you would lie and lean above me,
+The more you lingered the more to love me,
+
+"Till I became, as the year grew old,
+Thy fairest day-dream's fashion and mould,
+
+"Deep in the water twilight there,
+Smiling, elusive, wonderful, fair,
+
+"The beautiful visage of thy clear soul
+Set in eternity's limpid shoal,
+
+"Thy spirit's countenance, the trace
+Of dawning God in the human face.
+
+"And when yellow leaves came down
+Through the silent mornings one by one
+
+"To the frosty meadow, as they fell
+Thy pondering heart said, 'All is well;
+
+"'Aye, all is best, for I stake my life
+Beyond the boundaries of strife,'
+
+"And then thy feet returned no more,--
+While years went over the garden floor,
+
+"With frost and maple, with rose and dew,
+In the world thy river wandered through;--
+
+"Came never again to revive and recall
+Thy youth from its water burial.
+
+"But now thy face is battle-dark;
+The strife of the world has graven a mark
+
+"About the lips that are no more mine,
+Too sweet to forget, too strong to repine.
+
+"With the ends of the earth for thy garden now,
+What solace and what reward hast thou?"
+
+Then he of the earth's sun-traversed side
+To him of the under-world replied,
+
+"O glad mysterious face in the stream,
+My lost illusion, my summer dream,
+
+"Thou fairer self of a fonder time,
+A far imperishable clime,
+
+"For thy dear sake I have fared alone
+And fronted failure and housed with none.
+
+"What youth was that, when the world was green,
+In the lovely mythus Greek and clean,
+
+"Was doomed with his flowery kin to bide,
+A blown white star by the river side,
+
+"And no more follow the sun, foot free,
+Too long enamoured of one like thee?
+
+"Shall God who abides in the patient flower,
+The painted dust sustained by his power,
+
+"Refuse to the wing of the dragonfly
+His sanction over the open sky,--
+
+"A frail detached and wandering thing
+Torn loose from the blossomy life of spring?
+
+"And this is man, the myriad one,
+Dust's flower and time's ephemeron.
+
+"And I who have followed the wander-list
+For a glimpse of beauty, a wraith in the mist,
+
+"Shall be spilt at last and return to peace,
+As dust which the hands of the wind release.
+
+"This is my solace and my reward,
+Who have drained life's dregs from a broken shard."
+
+Wise and grave was the water face,
+A youth grown man in a little space;
+
+While the wayworn face by the river side
+Grew gentler-lipped and shadowy-eyed;
+
+For he heard like a sea-horn summoning him
+That sound from the world's end vast and dim,
+
+Where the river went wandering out so far
+Through a gate in the mountain left ajar,
+
+The sea birds love and the land birds flee,
+The large bleak voice of the burly sea.
+
+
+
+
+[Illustration]
+
+_The Cruise of the Galleon_
+
+ This laboring vast, Tellurian Galleon,
+ Riding at anchor off the orient sun,
+ Had broken its cable, and stood out to space.
+
+ FRANCIS THOMPSON.
+
+Galleon, ahoy, ahoy!
+Old earth riding off the sun,
+And straining at your cable as you ride
+On the tide,
+Battered laboring and vast,
+In the blast
+Of the hurricane that blows between the worlds,
+Ahoy!
+
+'Morning, shipmates! 'Drift and chartless?
+Laded deep and rolling hard?
+Never guessed, outworn and heartless,
+There was land so close aboard?
+
+Ice on every shroud and eyelet,
+Rocking in the windy trough?
+No more panic; Man's your pilot;
+Turns the flood, and we are off!
+
+At the story of disaster,
+From the continents of sleep,
+I am come to be your master
+And put out into the deep.
+
+What tide current struck you hither,
+Beating up the storm of years?
+Where are those who stood to weather
+These uncharted gulfs of tears?
+
+Did your fellows all drive under
+In the maelstrom of the sun,
+While you only, for a wonder,
+Rode the wash you could not shun?
+
+We'll crowd sail across the sea-line,--
+Clear this harbor, reef and buoy,
+Bowling down an open bee-line
+For the latitudes of joy;
+
+Till beyond the zones of sorrow,
+Past griefs haven in the night,
+Some large simpler world shall morrow
+This pale region's northern light.
+
+Not a fear but all the sea-room,
+Wherein time is but a bay,
+Yet shall sparkle for our lee-room
+In the vast Altrurian day.
+
+And the dauntless seaworn spirit
+Shall awake to know there are
+What dominions to inherit,
+Anchored off another star!
+
+
+
+
+[Illustration]
+
+_A Song Before Sailing_
+
+ "Cras ingens iterabimus aequor."
+
+Wind of the dead men's feet,
+Blow down the empty street
+Of this old city by the sea
+With news for me!
+
+Blow me beyond the grime
+And pestilence of time!
+I am too sick at heart to war
+With failure any more.
+
+Thy chill is in my bones;
+The moonlight on the stones
+Is pale, and palpable, and cold;
+I am as one grown old.
+
+I call from room to room
+Through the deserted gloom;
+The echoes are all words I know,
+Lost in some long ago.
+
+I prowl from door to door,
+And find no comrade more.
+The wolfish fear that children feel
+Is snuffing at my heel.
+
+I hear the hollow sound
+Of a great ship coming round,
+The thunder of tackle and the tread
+Of sailors overhead.
+
+That stormy-blown hulloo
+Has orders for me, too.
+I see thee, hand at mouth, and hark,
+My captain of the dark.
+
+O wind of the great East,
+By whom we are released
+From this strange dusty port to sail
+Beyond our fellows' hail,
+
+Under the stars that keep
+The entry of the deep,
+Thy somber voice brings up the sea's
+Forgotten melodies;
+
+And I have no more need
+Of bread, or wine, or creed,
+Bound for the colonies of time
+Beyond the farthest prime.
+
+Wind of the dead men's feet,
+Blow through the empty street!
+The last adventurer am I,
+Then, world, good-by!
+
+
+
+
+_In the Wings_
+
+
+The play is Life; and this round earth,
+The narrow stage whereon
+We act before an audience
+Of actors dead and gone.
+
+There is a figure in the wings
+That never goes away,
+And though I cannot see his face,
+I shudder while I play.
+
+His shadow looms behind me here,
+Or capers at my side;
+And when I mouth my lines in dread,
+Those scornful lips deride.
+
+Sometimes a hooting laugh breaks out,
+And startles me alone;
+While all my fellows, wondering
+At my stage-fright, play on.
+
+I fear that when my Exit comes,
+I shall encounter there,
+Stronger than fate, or time, or love,
+And sterner than despair,
+
+The Final Critic of the craft,
+As stage tradition tells;
+And yet--perhaps 'twill only be
+The jester with his bells.
+
+
+
+
+[Illustration]
+
+_The Red Wolf_
+
+
+With the fall of the leaf comes the wolf, wolf, wolf,
+The old red wolf at my door.
+And my hateful yellow dwarf, with his hideous crooked laugh,
+Cries "Wolf, wolf, wolf!" at my door.
+
+With the still of the frost comes the wolf, wolf, wolf,
+The gaunt red wolf at my door.
+He's as tall as a Great Dane, with his grizzly russet mane;
+And he haunts the silent woods at my door.
+
+The scarlet maple leaves and the sweet ripe nuts,
+May strew the forest glade at my door,
+But my cringing cunning dwarf, with his slavered kacking laugh,
+Cries "Wolf, wolf, wolf!" at my door.
+
+The violets may come, the pale wind-flowers blow,
+And tremble by the stream at my door;
+But my dwarf will never cease, until his last release,
+From his "Wolf, wolf, wolf!" at the door.
+
+The long sweet April wind may woo the world from grief,
+And tell the old tales at my door;
+The rainbirds in the rain may plead their far refrain,
+In the glad young year at my door;
+
+And in the quiet sun, the silly partridge brood
+In the red pine dust by my door;
+Yet my squinting runty dwarf, with his lewd ungodly laugh,
+Cries "Wolf, wolf, wolf!" at my door.
+
+I'm his master (and his slave, with his "Wolf, wolf, wolf!")
+As he squats in the sun at my door.
+There morn and noon and night, with his cuddled low delight,
+He watches for the wolf at my door.
+
+The wind may parch his hide, or freeze him to the bone,
+While the wolf walks far from the door;
+Still year on year he sits, with his five unholy wits,
+And watches for the wolf at the door.
+
+But the fall of the leaf and the starting of the bud
+Are the seasons he loves by the door;
+Then his blood begins to rouse, this Caliban I house,
+And it's "Wolf, wolf, wolf!" at the door.
+
+In the dread lone of the night I can hear him snuff the sill;
+Then it's "Wolf, wolf, wolf!" at the door;
+His damned persistent bark, like a husky's in the dark,
+His "Wolf, wolf, wolf!" at the door.
+
+I have tried to rid the house of the misbegotten spawn;
+But he skulks like a shadow at my door,
+With the same uncanny glee as when he came to me
+With his first cry of wolf at my door.
+
+I curse him, and he leers; I kick him, and he whines;
+But he never leaves the stone at my door.
+Peep of day or set of sun, his croaking's never done
+Of the Red Wolf of Despair at my door.
+
+But when the night is old, and the stars begin to fade,
+And silence walks the path by my door,
+Then is his dearest hour, his most unbridled power,
+And low comes his "Wolf!" at the door.
+
+I turn me in my sleep between the night and day,
+While dreams throng the yard at my door.
+In my strong soul aware of a grewsome terror there
+Soon to knock with command at my door.
+
+Is it the hollow voice of the census-taker Time
+In his old idle round from door to door?
+Or only the north wind, when all the leaves are thinned,
+Come at last with his moan to my door?
+
+I cannot guess nor tell; only it comes and comes,
+As from a vaster world beyond my door,
+From centuries of eld, the death of freedom knelled,
+A host of mortal fears at my door.
+
+Then I wake; and joy and youth and fame and love and bliss,
+And all the good that ever passed my door,
+Grow dim, and faint and fade, with the whole world unmade,
+To perish as the summer at my door.
+
+The crouching heart within me quails like a shuddering thing,
+As I turn on my pillow to the door;
+Then in the chill white dawn, when life is half withdrawn,
+Comes the dream-curdling "Wolf!" at my door.
+
+Only my yellow dwarf; (my servitor and lord!)
+I hear him lift the latch of my door;
+I see his wobbling chin and his unrepentant grin,
+As he lets his oafship in at the door.
+
+He is low and humped and foul, and shambles like an ape;
+And stealthily he barricades the door,
+Then lays his goblin head against my lonely bed,
+With a "Wolf, wolf, wolf," at the door!
+
+I loathe him, but I feed him; I'll tell you how it was
+(Hear him now with his "Wolf!" at the door!)
+That I ever took him in; he is--he is my kin,
+And kin to the wolf at the door!
+
+I loathe him, yet he lives; as God lets Satan live,
+I suffer him to slumber at my door,
+Till that long-looked-for time, that splendid sudden prime,
+When Spring shall go in scarlet by my door.
+
+That day I will arise, put my heel upon his throat,
+And squirt his yellow blood upon the door;
+Then watch him dying there, like a spider in his lair,
+With a "Wolf, wolf, wolf!" at my door.
+
+The great white morning sun shall walk the earth again,
+And the children return to my door,
+I shall hear their merry laugh, and forget my buried dwarf,
+As a tale that is told at the door.
+
+Far from the quiet woods the gaunt red wolf shall flee,
+As a cur that is stoned from the door;
+And God's great peace come back along the lonely track,
+To fill the golden year at my door.
+
+
+
+
+_The Faithless Lover_
+
+
+I
+
+O Life, dear Life, in this fair house
+Long since did I, it seems to me,
+In some mysterious doleful way
+Fall out of love with thee.
+
+For, Life, thou art become a ghost,
+A memory of days gone by,
+A poor forsaken thing between
+A heartache and a sigh.
+
+And now, with shadows from the hills
+Thronging the twilight, wraith on wraith,
+Unlock the door and let me go
+To thy dark rival Death!
+
+
+II
+
+O Heart, dear Heart, in this fair house
+Why hast thou wearied and grown tired,
+Between a morning and a night,
+Of all thy soul desired?
+
+Fond one, who cannot understand
+Even these shadows on the floor,
+Yet must be dreaming of dark loves
+And joys beyond my door!
+
+But I am beautiful past all
+The timid tumult of thy mood,
+And thou returning not must still
+Be mine in solitude.
+
+
+
+
+_The Crimson House_
+
+
+Love built a crimson house,
+I know it well,
+That he might have a home
+Wherein to dwell.
+
+Poor Love that roved so far
+And fared so ill,
+Between the morning star
+And the Hollow Hill,
+
+Before he found the vale
+Where he could bide,
+With memory and oblivion
+Side by side.
+
+He took the silver dew
+And the dun red clay,
+And behold when he was through
+How fair were they!
+
+The braces of the sky
+Were in its girth,
+That it should feel no jar
+Of the swinging earth;
+
+That sun and wind might bleach
+But not destroy
+The house that he had builded
+For his joy.
+
+"Here will I stay," he said,
+"And roam no more,
+And dust when I am dead
+Shall keep the door."
+
+There trooping dreams by night
+Go by, go by.
+The walls are rosy white
+In the sun's eye.
+
+The windows are more clear
+Than sky or sea;
+He made them after God's
+Transparency.
+
+It is a dearer place
+Than kirk or inn;
+Such joy on joy as there
+Has never been.
+
+There may my longed-for rest
+And welcome be,
+When Love himself unbars
+The door for me!
+
+
+
+
+[Illustration]
+
+_The Lodger_
+
+
+I cannot quite recall
+When first he came,
+So reticent and tall,
+With his eyes of flame.
+
+The neighbors used to say
+(They know so much!)
+He looked to them half way
+Spanish or Dutch.
+
+Outlandish certainly
+He is--and queer!
+He has been lodged with me
+This thirty year;
+
+All the while (it seems absurd!)
+We hardly have
+Exchanged a single word.
+Mum as the grave!
+
+Minds only his own affairs,
+Goes out and in,
+And keeps himself upstairs
+With his violin.
+
+Mum did I say? And yet
+That talking smile
+You never can forget,
+Is all the while
+
+Full of such sweet reproofs
+The darkest day,
+Like morning on the roofs
+In flush of May.
+
+Like autumn on the hills;
+At four o'clock
+The sun like a herdsman spills
+For drove and flock
+
+Peace with their provender,
+And they are fed.
+The day without a stir
+Lies warm and red.
+
+Ah, sir, the summer land
+For me! That is
+Like living in God's hand,
+Compared to this.
+
+His smile so quiet and deep
+Reminds me of it.
+I see it in my sleep,
+And so I love it.
+
+An anarchist, say some;
+But tush, say I,
+When a man's heart is plumb,
+Can his life be awry?
+
+Better than charity
+And bigger too,
+That heart. You've seen the sea?
+Of course. To you
+
+'T is common enough, no doubt.
+But here in town,
+With God's world all shut out,
+Save the leaden frown
+
+Of the sky, a slant of rain,
+And a straggling star,
+Such memories remain
+The wonders they are.
+
+Once at the Isles of Shoals,
+And it was June . . .
+Now hear me dote! He strolls
+Across my noon,
+
+Like the sun that day, where sleeps
+My soul; his gaze
+Goes glimmering down my deeps
+Of yesterdays,
+
+Searching and searching, till
+Its light consumes
+The reluctant shapes that fill
+Those purple glooms.
+
+Let others applaud, defame,
+And the noise die down;
+His voice saying your name,
+Is enough renown.
+
+Too patient pitiful,
+Too fierce at wrong,
+To patronize the dull,
+Or praise the strong.
+
+And yet he has a soul
+Of wrath, though pent
+Even when that white ghoul
+Comes for his rent.
+
+The landlord? Hush! My God!
+I think the walls
+Take notes to help him prod
+Us up. He galls
+
+My very soul to strife,
+With his death's-head face.
+He is foul too in his life,
+Some hid disgrace,
+
+Some secret thing he does,
+I warrant you,
+For all his cheek to us
+Is shaved so blue.
+
+He takes good care (by the shade
+Of seven wives!)
+That the undertaker's trade
+He lives by thrives.
+
+Nor chick nor child has he.
+So servile smug,
+With that cringe in his knee,--
+God curse his lug!
+
+But him, you should have seen
+Him yesterday;
+The landlord's smirk turned green
+At his smile. The way
+
+He served that bloodless fish,
+Were like to freeze him.
+But meeting elsewhere, pish!
+He never sees him.
+
+Yet such a gentleman,
+So sure and slow.
+The vilest harridan
+Is not too low,
+
+If there is pity's need;
+And no man born,
+For cruelty or greed
+Escapes that scorn.
+
+Most of all things, it seems,
+He loves the town.
+Watching the bright-faced streams
+Go up and down,
+
+I have surprised him often
+On Tremont street,
+And marked the grave face soften,
+The mouth grow sweet,
+
+In a brown study over
+The men and women.
+An unsuspected rover
+That, for our Common.
+
+When the first jonquils come,
+And spring is sold
+On the street corners, some
+Of the pretty gold
+
+Is sure to find its way
+Home in his hand.
+And many a winter day
+At some cab-stand,
+
+He'll watch the cabmen feed
+The pigeon flocks,
+Or bid some liner speed
+From the icy docks.
+
+His rooms? I much regret
+You cannot see
+His rooms, but they were let
+With guarantee
+
+Of his seclusion there--
+Except myself.
+Each morning, table, chair,
+Lamp, hearth, and shelf,
+
+I rearrange, refreshen,
+Put all to rights,
+Then leave him in possession.
+Ah, but the nights,
+
+The nights! Sir, if I dared
+But once set eye
+To keyhole, nor be scared,
+From playing Paul Pry,
+
+I doubt not I should learn
+A wondrous thing
+Or two; and in return
+Go blind till spring.
+
+The light under his door
+Is glory enough,
+It outshines any star
+That I know of.
+
+Wirrah, my lad, my lad,
+'T is fearsome strange,
+The hints we all have had
+Passing the range
+
+Of science, knowledge, law,
+Or what you will,
+Whose intangible touch of awe
+Makes reason nil.
+
+Many a night I start,
+Sudden awake,
+Feeling my smothered heart
+Flutter and quake;
+
+Like an aspen at dead of noon,
+When not a breath
+Is stirring to trouble the boon
+Valley. A wraith
+
+Or a fetch, it must be, shivers
+The soul of the tree
+Till every leaf of it quivers.
+And so with me.
+
+Was it the shuffle of feet
+I heard go by,
+With muffled drums in the street?
+Was it the cry
+
+Of a rider riding the night
+Into ashes and dawn,
+With news in his nostrils and fright
+Where his hoof-beats had gone?
+
+Did the pipes, at "Bonny Dundee,"
+Bid regiments form?
+Did a renegade's soul get free
+On a wail of the storm?
+
+Did a flock of wild geese honk
+As they cleared the hill?
+Or only a bittern cronk,
+Then all was still?
+
+Was it a night stampede
+Of a thousand head?
+I know I shook like a reed
+There on my bed.
+
+Nameless and void and wild
+Was the fear before me,
+Ere I bethought me and smiled
+As the truth flashed o'er me.
+
+Of course, it was only his hand
+Freeing the bass
+Of his old Amati, grand
+In the silence' face.
+
+Rummaging up and down,
+From string to string,
+Bidding the discords drown,
+The harmonies spring,
+
+Where tides and tide-winds rove
+Far out from land,
+On the ocean of music a-move
+At the will of his hand.
+
+Sobbing and grieving now,
+Now glad as a bird,
+Thou, thou, thou
+Of the joys unheard,
+
+Luminous radiant sea
+Of the sounds and time,
+Surely, surely by thee
+Is eternal prime.
+
+Holy and beautiful deep,
+Spread down before
+The imperial coming of sleep,
+Endure, endure!
+
+And sleep, be thou the ranger
+Over it wan.
+And dream, be thou no stranger
+There with the dawn.
+
+Then wings of the sun, go abroad
+As a scarlet desire,
+Unwearied, unwaning, unawed,
+To quest and aspire,
+
+Till the drench of the dusk you drink
+In the poppy-field west;
+Then veer and settle and sink
+As a gull to her nest.
+
+Wind,
+Away, away!
+And hurry your phantom kind
+Through the gates of day,
+
+Or ever the king's dark cup
+With its studs and spars
+Be inverted, and earth look up
+To the shuddering stars.
+
+Blaring and triumphing now,
+Now quailing and lone,
+Thou, thou, thou
+Of the joys unknown!
+
+Unknown and wild, wild,
+Where the merrymen be,
+Sink to sleep, soul of a child,
+Slumber, thou sea!
+
+All this his fiddle plays,
+And many a thing
+As strange, when his mood so lays
+The bow to the string.
+
+Sleepless! He never sleeps
+That I can find.
+I marvel how he keeps
+A bit of his mind.
+
+There is neither sight nor sound
+In the world of sense,
+But he has fathomed and found
+In the silvery tense
+
+Keen cords on the amber wood.
+As he wrings them thence,
+Death smiles at his hardihood
+For recompense.
+
+Oh fair they are, so fair!
+No tongue can tell
+How he sets them chiming there
+Clear as a bell.
+
+An orchard of birds in June,
+The winds that stream,
+The cold sea-brooks that croon,
+The storms that scream,
+
+The planets that float and swing
+Like buoys on the tide,
+The north-going legions in spring,
+The hills that abide,
+
+The frigate-bird clouds that range,
+The vagabond moon--
+That wilful lover of change--
+And the workaday sun,
+
+Dying summer and fall,
+Seasons and men
+And herds, he has them all
+In his shadowy ken.
+
+He calls and they come, leaving strife,
+Leaving discord and death,
+Out of oblivion to life,
+Though its span be a breath.
+
+There they are, all the beautiful things
+I loved and lost sight of
+Long since in the far-away springs,
+Come back for a night of
+
+New being as good as their old,
+Aye, better in fact,
+For somehow he gilds their fine gold,--
+Gives the one thing they lacked,
+
+The breath, aspiration, desire,
+Core, kindle, control,
+Memory and rapture and fire,--
+The touch of man's soul.
+
+How know the true master? I know
+By my joys and my fears,
+For my heart crumbles down like the snow
+With spring rain into tears.
+
+Now I am a precious one!
+With nothing to do
+But idle here in the sun
+And gossip with you
+
+Of a stranger you have not seen,
+As like never will.
+I would every soul had a screen,
+When the wind sets ill
+
+In the world's bleak house, like this
+Strange lodger of mine.
+His presence is worse to miss
+Than sun's best shine.
+
+I put no thought at all
+Upon the end,
+If only I may call
+Such a man friend.
+
+And a friend he is, heart light
+With love for heft,
+Proud as silence, whose right
+Hand ignores his left.
+
+Yes, odd! he gives his name
+As Spiritus.
+But that is vague as a flame
+In the wind to us.
+
+And then (but not a breath
+Of this!) you see,
+All his effects, my faith!
+Are marked D.V.
+
+His cape-coat has a rip,
+But for all that,
+(Folk smile, suggest a dip
+In the dyer's vat,--
+
+Those purple aldermen
+Who roll about
+In coaches, drive till ten,
+And die of gout),
+
+I think he finely shows
+How learning's crumbs
+At least can rival those
+Of-- 'st, here he comes!
+
+
+
+
+_Beyond the Gamut_
+
+
+Softly, softly, Niccolo Amati!
+What can put such fancies in your head?
+There, go dream of your blue-skied Cremona,
+While I ponder something you have said.
+
+Something in that last low lovely cadence
+Piercing the green dusk alone and far,
+Named a new room in the house of knowledge,
+Waiting unfrequented, door ajar.
+
+While you dream then, let me unmolested
+Pass in childish wonder through that door,--
+Breathless, touch and marvel at the beauties
+Soon my wiser elders must explore.
+
+Ah, my Niccolo, it's no great science
+We shall ever conquer, you and I.
+Yet, when you are nestled at my shoulder,
+Others guess not half that we descry.
+
+As all sight is but a finer hearing,
+And all color but a finer sound,
+Beauty, but the reach of lyric freedom,
+Caught and quivering past all music's bound;
+
+Life, that faint sigh whispered from oblivion,
+Harks and wonders if we may not be
+Five small wits to carry one great rhythmus,
+The vast theme of God's new symphony.
+
+As fine sand spread on a disc of silver,
+At some chord which bids the motes combine,
+Heeding the hidden and reverberant impulse,
+Shifts and dances into curve and line,
+
+The round earth, too, haply, like a dust-mote,
+Was set whirling her assigned sure way,
+Round this little orb of her ecliptic
+To some harmony she must obey.
+
+Did the Master try the taut string merely,
+Give a touch, and she must throb to time?
+Think you how his bow must rouse the echoes,
+Quailing triumphing on, secure, sublime!
+
+Ah, thought cannot far without the symbol!
+Help me, little brother, hold the trend.
+Dear good flesh, that keeps the spirit steady,
+Lest it faint, grown dizzy at thought's end!
+
+Waves of sound (Is this your thought, Amati?),
+Climbing into treble thin and clear,
+Past the silence, change to waves of color,
+We must say, when eye takes place of ear?
+
+Not a bird-song, but it has for fellow
+Some-wood-flower, its speechless counterpart,
+Form and color moulded to one cadence,
+To voice something of the wild mute heart.
+
+Thrushes, we'll suppose, have for their tune-mates
+The gold languorous lilies of the glade;
+And the whippoorwill, that plaintive dreamer,
+Some dark purple flower that loves the shade.
+
+The song-sparrow tells me what the clover
+Nods about beneath the gorgeous blue;
+While the snowballs tell me old love-stories
+Thistle-birds half hinted as they flew.
+
+April's faith, in robin at his vespers,
+Breathes a prayer too in my lilac blooms.
+What the cloudy asters told the hillside,
+My lone rainbird in the dusk resumes.
+
+Bobolink is voice for apple blossom,
+Breezy, abundant, good for human joys;
+Oriole has touched the burning secret
+Poppies hide with their deliberate poise.
+
+Tiny twin-flowers, what are they but fancies,
+Subtler than a field-lark can express?
+Swallows make the low contented twitter
+Lying just beyond the pansies' guess.
+
+Yellowbird, the hot noon's warbler, pierces
+Sense where tiger-lilies may not pass.
+Are not crickets and all field-wise creatures
+Brahmins of the universal grass?
+
+Saffron butterflies and mute ephemera,
+Doubt not, have their songs too, could we hear.
+Every raindrop is a sea sonorous
+As the great worlds thundering sphere to sphere.
+
+There's no silence and no dark forever,
+Clangoring suns to us are placid stars;
+Swift-foot lightning with his henchman thunder
+Lags behind these gnomes in Leyden jars.
+
+Peal and flash and thrill and scent and savour
+Pulse through rhythm to rapture, and control,--
+Who shall say how far along or finely?--
+The infinite tectonics of the soul.
+
+Low-bred peoples, Hottentots, Basutos,
+Have a taste for scarlet and brass bands.
+Our friend Monet, feeling red repulsive,
+Sees blue shadows in pale purple lands.
+
+Sees not only, but instructs our seeing;
+Taught by him a twelvemonth, we confess
+Earth once robed in crude barbaric splendor,
+Has put on a softer lovelier dress.
+
+Feast my eyes on some old Indian fabric,
+Centuries of culture went to weave,
+And I grow the fine fastidious artist,
+No mere shop-made textile can deceive.
+
+Red the bass and violet the treble,
+Soul may pass out where all color ends.
+Ends? So we say, meaning where the eyesight
+With some yet unborn perception blends.
+
+You, Amati, never saw a sunset,--
+Hear tornadoes in a spider's loom;
+I, at my wits' end, may still develop
+Unknown senses in life's larger room.
+
+Superhuman is not supernatural.
+How shall half-way judge of journey done?
+Shall this germ and protoplast of being
+Rest mid-life and say his race is run?
+
+Softly there, my Niccolo, a moment!
+Shall I then discard my simpler joys?
+No, for look you, every sense's impulse
+Is a means the master soul employs.
+
+Test and use of all things, lowest, highest,
+Are alone of import to the soul;
+Joys of earth are journey-aids to heaven,
+Garb of the new sainthood sane and whole.
+
+Earth one habitat of spirit merely,
+I must use as richly as I may,--
+Touch environment with every sense-tip,
+Drink the well and pass my wander way.
+
+Ah, drink deep and let the parching morrow
+Quench what thirst its newer need may bring!
+Slake the senses now, that soul hereafter
+Go not forth a starved defrauded thing.
+
+Not for sense sake only, but for soul sake;
+That when soul must shed the leaves of sense,
+Sun and sap may solace and support her,
+Stored in those green hours for her defence.
+
+Shall the grub deny himself the rose-leaf
+That he may be moth before his time?
+Shall the grasshopper repress his drumbeats
+For small envy of the kingbird's chime?
+
+Certain half-men, never touched by worship,
+Soil the goodly feast they cannot use;
+Others, maimed too, holding flesh a hindrance,
+Vilify the bounty they refuse.
+
+He's most man who loves the purple shadows,
+Yet must love the flaring autumn too,--
+Follow when the skrieling pipes bid forward,
+Lie and gaze for hours into the blue.
+
+He would have gone down with Alexander,
+Quelling unknown lands beneath the sun;
+Watched where Buddha in the Bo tree shadows
+Saw this life's web woven and undone;
+
+Freed his stifled heart in Shakespeare's people,
+Sweet and elemental and serene;
+Dared the unknown with Blake and Galileo;
+Fronted death with Daulac's seventeen.
+
+So shall mighty peace possess his spirit
+Whom the noonday leads alone apart,
+Through the wind-clear early Indian summer,
+Where no yearning more shall move his heart.
+
+Wise and foot-free, of the tranquil tenor,
+He shall wayfare with the homeless tides;
+Time enough, when life allures no longer,
+To frequent the tavern death provides.
+
+Life be neither hermitage nor revel;
+Lent or carnival alone were vain;
+Sin and sainthood--Help me, little brother,
+With your largo finder-thought again!
+
+Lift, uplift me, higher still and higher!
+Climb and pause and tremble and plunge on,
+Till I, toiling after you, come breathless
+Where the mountain tops are touched with dawn!
+
+Dark this valley world; and drenched with slumber
+We have kept the centuries of night.
+Cry, Amati, pierce the waiting stillness
+Tremulous with forecast of the light!
+
+Cry, Amati! Melt the twilight dirges
+In "Te Deums" fit for marching men!
+"Good," the days are chorusing, "shall triumph;"
+Though the far-off morrows whisper, "When?"
+
+What is good? I hear your soft string answer,
+"I am that whereon the round world leans,
+I am every man's poor guess at wisdom;
+Evil is the soul's misuse of means.
+
+"Up through me, with melody and meaning,
+Well the floods of being or subside,
+The first dim desire of self for selfhood,
+The last smile that puts all self aside.
+
+"Hate is discord lessening through the ages;
+Anger a false note, fear a slackened string.
+Key thy soul up to the wiser manhood,
+Gentler lovelier joy from spring to spring!"
+
+Here in turn I help you, little brother,
+Half surmise what you have half explained.
+Store it by to ripen, and repeat it
+Long hereafter as a glimpse you gained,
+
+When the nineteenth century was dying,
+From a strolling hand that held you dear,--.
+Appanage of time put in your keeping
+For my far-off heritor to hear.
+
+I imagine how his eye will kindle
+When he fondles you as I do now,--
+Bends above you wooing like a lover,
+While you yield him all your heart knows how.
+
+I shall have been dust a thousand summers,
+But my dear unprofitable dreams
+Shall be part of all the good that thrills you
+In the oversoul's orchestral themes.
+
+What is good? While God's unfinished opus
+Multitudinous harmony obeys,
+Evil is a dissonance not a discord,
+Soon to be resolved to happier phrase,--
+
+From time immemorial permitted,
+Lest the too sweet melody grow tame,
+And, untouched of pathos or of daring,
+Hearts should never know what hearts proclaim:
+
+The unstained unconquerable valor,
+The unflinching loyalties of love.
+Or if evil be at worst a blunder
+No musician ever could approve,
+
+The mere bungling of a hand that faltered,--
+Mine or his who bade the planets poise,--
+What a thing unthinkable for smallness
+Is your frayed E string one touch destroys.
+
+How that sea-gull out across the bay there
+Rows himself at leisure up the blue!
+Evil the mere eddy from his wing-sweep,
+Good the morning path he must pursue.
+
+Good, you think, and evil live together,
+Both persisting on from change to change
+Through interminable conservation,--
+Primal powers no ruin can derange?
+
+Deed and accident alike unending
+By eternal consequence of cause?
+No. For good is impetus to Godward;
+Evil, but our ignorance of laws.
+
+Say I let you, spite of all endeavor,
+Mar some nocturne by a single note;
+Is there immortality of discord
+In your failure to preserve the rote?
+
+When the sound shall pass my sense's confines,
+Melt away to color or thin flame,
+Does it still malinger in the prism,
+Falsify the crucible with shame?
+
+Hardly. For the melody and marring,
+When they put the dear oblivion on,
+Are become as fresh clay for the potter,
+Neither good nor bad, for use anon.
+
+Blighted rose and perfect shall commingle
+In one excellence of garden mould.
+Soul transfusing comeliness or blemish
+Can alone lend beauty to the old.
+
+While the streams go down among the mountains,
+Gathering rills and leaving sand behind,
+Till at last the ocean sea receives them,
+And they lose themselves among their kind,
+
+Man, the joy-born and the sorrow-nurtured,
+(One with nothingness though all things be,--
+Great lord Sirius and the moving planets
+Fleet as fire-germs in the torn-up sea,--)
+
+Linked to all his half-accomplished fellows,
+Through unfrontiered provinces to range,
+Man is but the morning dream of nature
+Roused by some wild cadence weird and strange.
+
+Slowly therefore, Niccolo, and softly,
+With more memories than tongue can tell,
+Lower me down the slope of life, and leave me
+Knowing the hereafter will be well.
+
+Close with, "Love is but the perfect knowledge,
+The one thing no failure can befall;
+Lovingkindness betters loving credence;
+Love and only love is best of all."
+
+Beauty, beauty, beauty, sense and seeming,
+With the soul of truth she calls her lord!
+Stars and men the dust upon her garment;
+Hope and fear the echoes of her word.
+
+How escape we then, the rainbow's brothers,
+Endless being with each blade and sod?
+Dust and shadow between whence and whither,
+Part of the tranquillity of God.
+
+
+[Illustration: THE JUGGLER]
+
+_The Juggler_
+
+Look how he throws them up and up,
+The beautiful golden balls!
+They hang aloft in the purple air,
+And there never is one that falls.
+
+He sends them hot from his steady hand,
+He teaches them all their curves;
+And whether the reach be little or long,
+There never is one that swerves.
+
+Some, like the tiny red one there,
+He never lets go far;
+And some he has sent to the roof of the tent
+To swim without a jar.
+
+So white and still they seem to hang,
+You wonder if he forgot
+To reckon the time of their return
+And measure their golden lot.
+
+Can it be that, hurried or tired out,
+The hand of the juggler shook?
+O never you fear, his eye is clear,
+He knows them all like a book.
+
+And they will home to his hand at last,
+For he pulls them by a cord
+Finer than silk and strong as fate,
+That is just the bid of his word.
+
+Was ever there such a sight in the world?
+Like a wonderful winding skein,--
+The way he tangles them up together
+And ravels them out again!
+
+He has so many moving now,
+You can hardly believe your eyes;
+And yet they say he can handle twice
+The number when he tries.
+
+You take your choice and give me mine,
+I know the one for me,
+It's that great bluish one low down
+Like a ship's light out at sea.
+
+It has not moved for a minute or more.
+The marvel that it can keep
+As if it had been set there to spin
+For a thousand years asleep!
+
+If I could have him at the inn
+All by myself some night,--
+Inquire his country, and where in the world
+He came by that cunning sleight!
+
+Where do you guess he learned the trick
+To hold us gaping here,
+Till our minds in the spell of his maze almost
+Have forgotten the time of year?
+
+One never could have the least idea.
+Yet why be disposed to twit
+A fellow who does such wonderful things
+With the merest lack of wit?
+
+Likely enough, when the show is done
+And the balls all back in his hand,
+He'll tell us why he is smiling so,
+And we shall understand.
+
+
+
+
+_Hack and Hew_
+
+
+Hack and Hew were the sons of God
+In the earlier earth than now;
+One at his right hand, one at his left,
+To obey as he taught them how.
+
+And Hack was blind and Hew was dumb,
+But both had the wild, wild heart;
+And God's calm will was their burning will,
+And the gist of their toil was art.
+
+They made the moon and the belted stars,
+They set the sun to ride;
+They loosed the girdle and veil of the sea,
+The wind and the purple tide.
+
+Both flower and beast beneath their hands
+To beauty and speed outgrew,--
+The furious fumbling hand of Hack,
+And the glorying hand of Hew.
+
+Then, fire and clay, they fashioned a man,
+And painted him rosy brown;
+And God himself blew hard in his eyes:
+"Let them burn till they smoulder down!"
+
+And "There!" said Hack, and "There!" thought Hew,
+"We'll rest, for our toil is done."
+But "Nay," the Master Workman said,
+"For your toil is just begun.
+
+"And ye who served me of old as God
+Shall serve me anew as man,
+Till I compass the dream that is in my heart,
+And perfect the vaster plan."
+
+And still the craftsman over his craft,
+In the vague white light of dawn,
+With God's calm will for his burning will,
+While the mounting day comes on.
+
+Yearning, wind-swift, indolent, wild,
+Toils with those shadowy two,--
+The faltering restless hand of Hack,
+And the tireless hand of Hew.
+
+
+
+
+[Illustration]
+
+_The Night Express_
+
+
+Out through the hills of midnight,
+Hurtling and thundering on,
+The night express from the outer world
+Speeds for the open of dawn.
+
+Out of the past and gloom-wrack,
+Out of the dim and yore,
+Freighted as train or caravan
+Was never freighted before;
+
+Built when the Sphinx's query
+Was new on the lips of peace;
+Hurled through the aching and hollow years
+Till time shall have release;
+
+Stealing and swift as a shadow,
+Sinuous, urging, and blind,
+Unpent as a joy or the flight of a bird,
+With oblivion behind;
+
+Down to the morrow country
+Into the unknown land!
+And the Driver grips the throttle-bar;
+Our lives are in his hand.
+
+The sleeping hills awake;
+A tremor, a dread, a roar;
+The terror is flying, is come, is past;
+The hills can sleep once more.
+
+A moment the silence throbs,
+The dark has a pulse of fire;
+And then the wonder of time is gone,
+A wraith and a desire.
+
+Demonish, toiling, grim,
+In the ruddy furnace flare,
+While the Driver fingers the throttle-bar,
+Who stands at his elbow there?
+
+Can it be, this thing like a shred
+Of the firmament torn away,
+Is a boarded train that Death and his crew
+Consorted to waylay?
+
+His wreckers, grinning and lean,
+Are lurking at every curve;
+But the Driver plays with the throttle-bar;
+He has the iron nerve.
+
+We are travelling safe and warm,
+With our little baggage of cares;
+Why tease the peril that yet would come
+Unbidden and unawares?
+
+The lonely are lonely still;
+And the friend has another friend;
+Only the idle heart inquires
+The distance and the end.
+
+We pant up the climbing grade,
+And coast on the tangent mile,
+While the Driver toys with the throttle-bar,
+And gathers the track in his smile.
+
+The dreamer weary of dreams,
+The lover by love released,
+Stricken and whole, and eager and sad,
+Beauty and waif and priest,
+
+All these adventure forth,
+Strangers though side by side,
+With the tramp of time in the roaring wheels,
+And haste in their shadowy stride.
+
+The star that races the hills
+Shows yet the night is deep;
+But the Driver humors the throttle-bar;
+So, you and I may sleep.
+
+For He of the sleepless hand
+Will drive till the night is done--
+Will watch till morning springs from the sea,
+And the rails stand gold in the sun;
+
+Then he will slow to a stop
+The tread of the driving-rod,
+When the night express rolls into the dawn;
+For the Driver's name is God.
+
+
+
+
+[Illustration]
+
+_The Dustman_
+
+
+"Dustman, dustman!"
+Through the deserted square he cries,
+And babies put their rosy fists
+Into their eyes.
+
+There's nothing out of No-man's-land
+So drowsy since the world began,
+As "Dustman, dustman,
+Dustman."
+
+He goes his village round at dusk
+From door to door, from day to day;
+And when the children hear his step
+They stop their play.
+
+"Dustman, dustman!"
+Far up the street he is descried,
+And soberly the twilight games
+Are laid aside.
+
+"Dustman, dustman!"
+There, Drowsyhead, the old refrain,
+"Dustman, dustman!"
+It goes again.
+
+Dustman, dustman,
+Hurry by and let me sleep.
+When most I wish for you to come,
+You always creep.
+
+Dustman, dustman,
+And when I want to play some more,
+You never then are further off
+Than the next door.
+
+"Dustman, dustman!"
+He heckles down the echoing curb,
+A step that neither hopes nor hates
+Ever disturb.
+
+"Dustman, dustman!"
+He never varies from one pace,
+And the monotony of time
+Is in his face.
+
+And some day, with more potent dust,
+Brought from his home beyond the deep,
+And gently scattered on our eyes,
+We, too, shall sleep,--
+
+Hearing the call we know so well
+Fade softly out as it began,
+"Dustman, dustman,
+Dustman!"
+
+
+
+
+_The Sleepers_
+
+
+The tall carnations down the garden walks
+Bowed on their stalks.
+
+Said Jock-a-dreams to John-a-nods,
+"What are the odds
+That we shall wake up here within the sun,
+When time is done,
+And pick up all the treasures one by one
+Our hands let fall in sleep?" "You have begun
+To mutter in your dreams,"
+Said John-a-nods to Jock-a-dreams,
+And they both slept again.
+
+The tall carnations in the sunset glow
+Burned row on row.
+
+Said John-a-nods to Jock-a-dreams,
+"To me it seems
+A thousand years since last you stirred and spoke,
+And I awoke.
+Was that the wind then trying to provoke
+His brothers in their blessed sleep?" "They choke,
+Who mutter in their nods,"
+Said Jock-a-dreams to John-a-nods.
+And they both slept again.
+
+The tall carnations only heard a sigh
+Of dusk go by.
+
+
+
+
+[Illustration]
+
+_At the Granite Gate_
+
+
+There paused to shut the door
+A fellow called the Wind.
+With mystery before,
+And reticence behind,
+
+A portal waits me too
+In the glad house of spring,
+One day I shall pass through
+And leave you wondering.
+
+It lies beyond the marge
+Of evening or of prime,
+Silent and dim and large,
+The gateway of all time.
+
+There troop by night and day
+My brothers of the field;
+And I shall know the way
+Their woodsongs have revealed.
+
+The dusk will hold some trace
+Of all my radiant crew
+Who vanished to that place,
+Ephemeral as dew.
+
+Into the twilight dun,
+Blue moth and dragon-fly
+Adventuring alone,--
+Shall be more brave than I?
+
+There innocents shall bloom
+And the white cherry tree,
+With birch and willow plume
+To strew the road for me.
+
+The wilding orioles then
+Shall make the golden air
+Heavy with joy again,
+And the dark heart shall dare
+
+Resume the old desire,
+The exigence of spring
+To be the orange fire
+That tips the world's gray wing.
+
+And the lone wood-bird--Hark,
+The whippoorwill night long
+Threshing the summer dark
+With his dim flail of song!--
+
+Shall be the lyric lift,
+When all my senses creep,
+To bear me through the rift
+In the blue range of sleep.
+
+And so I pass beyond
+The solace of your hand.
+But ah, so brave and fond!
+Within that morrow land,
+
+Where deed and daring fail,
+But joy forevermore
+Shall tremble and prevail
+Against the narrow door,
+
+Where sorrow knocks too late,
+And grief is overdue,
+Beyond the granite gate
+There will be thoughts of you.
+
+
+
+
+[Illustration]
+
+_Exit Anima_
+
+ "Hospes comesque corporis,
+ Quae nunc abitis in loca?"
+
+Cease, Wind, to blow
+And drive the peopled snow,
+And move the haunted arras to and fro,
+And moan of things I fear to know
+Yet would rend from thee, Wind, before I go
+On the blind pilgrimage.
+Cease, Wind, to blow.
+
+Thy brother too,
+I leave no print of shoe
+In all these vasty rooms I rummage through,
+No word at threshold, and no clue
+Of whence I come and whither I pursue
+The search of treasures lost
+When time was new.
+
+Thou janitor
+Of the dim curtained door,
+Stir thy old bones along the dusty floor
+Of this unlighted corridor.
+Open! I have been this dark way before;
+Thy hollow face shall peer
+In mine no more. . . . .
+
+Sky, the dear sky!
+Ah, ghostly house, good-by!
+I leave thee as the gauzy dragon-fly
+Leaves the green pool to try
+His vast ambition on the vaster sky,--
+Such valor against death
+Is deity.
+
+What, thou too here,
+Thou haunting whisperer?
+Spirit of beauty immanent and sheer,
+Art thou that crooked servitor,
+Done with disguise, from whose malignant leer
+Out of the ghostly house
+I fled in fear?
+
+O Beauty, how
+I do repent me now,
+Of all the doubt I ever could allow
+To shake me like the aspen bough;
+Nor once imagine that unsullied brow
+Could wear the evil mask
+And still be thou!
+
+Bone of thy bone,
+Breath of thy breath alone,
+I dare resume the silence of a stone,
+Or explore still the vast unknown,
+Like a bright sea-bird through the morning blown,
+With all his heart one joy,
+From zone to zone.
+
+
+ Scituate, June, 1895.
+
+ * * * * *
+ * * * *
+ * * * * *
+
+Transcriber's Note:
+
+One block of ten lines from the title poem was printed without break:
+
+ Yet while they last how actual they seem!
+ Their faces beam;
+ I give them all their names,
+ Bertram and Gilbert, Louis, Frank and James,
+ Each with his aims;
+ One thinks he is a poet, and writes verse
+ His friends rehearse;
+ Another is full of law;
+ A third sees pictures which his hand can draw
+ Without a flaw.
+
+This may be a typographical error.
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Behind the Arras, by Bliss Carman
+
+*** END OF THIS PROJECT GUTENBERG EBOOK BEHIND THE ARRAS ***
+
+***** This file should be named 18242-8.txt or 18242-8.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/1/8/2/4/18242/
+
+Produced by Louise Hope, Thierry Alberto and the Online
+Distributed Proofreading Team at http://www.pgdp.net (This
+file was produced from images generously made available
+by the Canadian Institute for Historical Microreproductions
+(www.canadiana.org))
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card
+donations. To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+*** END: FULL LICENSE ***
+
diff --git a/18242-8.zip b/18242-8.zip
new file mode 100644
index 0000000..90cd8bf
--- /dev/null
+++ b/18242-8.zip
Binary files differ
diff --git a/18242-h.zip b/18242-h.zip
new file mode 100644
index 0000000..78bbc25
--- /dev/null
+++ b/18242-h.zip
Binary files differ
diff --git a/18242-h/18242-h.htm b/18242-h/18242-h.htm
new file mode 100644
index 0000000..9209ede
--- /dev/null
+++ b/18242-h/18242-h.htm
@@ -0,0 +1,5044 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>The Project Gutenberg eBook of Behind the Arras, by Bliss Carman</title>
+<meta http-equiv = "Content-Type" content = "text/html;
+charset=US-ASCII">
+
+<style type = "text/css">
+
+body {margin-left: 10%; margin-right: 10%;}
+td {vertical-align: top;}
+
+hr {width: 80%; margin-top: 1em; margin-bottom: 1em;}
+hr.mid {width: 50%;}
+hr.tiny {width: 20%;}
+
+p, div, blockquote {margin-top: .5em; margin-bottom: 0em;
+line-height: 1.2;}
+
+h1, h2, h3, h4, h5, h6 {text-align: center; font-style: normal;
+font-weight: normal; margin-top: 1em; margin-bottom: .5em;}
+
+h1 {font-size: 200%;}
+h2 {font-size: 150%;}
+h3 {font-size: 125%;}
+h4 {font-size: 115%;}
+h5 {font-size: 100%;}
+h6 {font-size: 90%;}
+
+table {width: 60%; margin-left: auto; margin-right: auto;
+margin-bottom: 2em;}
+td.number {text-align: right; padding-left: 1em;}
+
+p.verse {margin-left: 2em; margin-top: 0em; text-indent: -2em;}
+p.firstline {margin-top: 1em;}
+
+p.illustration {text-align: center; margin-top: 1em;
+margin-bottom: 1em;}
+p.citation {font-size: 90%; margin-left: 4em;}
+.center {text-align: center; margin-top: 2em;}
+.space {margin-top: 1em;}
+.nospace {margin-top: 0em;}
+.filler {padding-top: 4em;}
+.inset {padding-left: 2em;}
+.clear {clear: both;}
+
+.firstletter {float: left; font-size: 250%; line-height: normal;
+padding-right: .1em;}
+.firstword {text-transform: uppercase;}
+
+.pagenum {position: absolute; right: 5%; font-size: 95%;
+font-weight: normal; font-style: normal; text-align: right;
+text-indent: 0em;}
+.mynote {background-color: #DDE; color: #000; padding: .5em;
+margin: 1em 5em; font-family: sans-serif; font-size: 95%;}
+
+</style>
+</head>
+
+<body>
+
+
+<pre>
+
+The Project Gutenberg EBook of Behind the Arras, by Bliss Carman
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Behind the Arras
+ A Book of the Unseen
+
+Author: Bliss Carman
+
+Illustrator: T. B. Meteyard
+
+Release Date: April 24, 2006 [EBook #18242]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK BEHIND THE ARRAS ***
+
+
+
+
+Produced by Louise Hope, Thierry Alberto and the Online
+Distributed Proofreading Team at http://www.pgdp.net (This
+file was produced from images generously made available
+by the Canadian Institute for Historical Microreproductions
+(www.canadiana.org))
+
+
+
+
+
+
+</pre>
+
+
+<h3>Behind the Arras</h3>
+<p class = "filler"> </p>
+
+<hr class = "mid">
+
+
+<h1>Behind the Arras<br>
+A Book of the<br>
+Unseen</h1>
+
+<h5>By Bliss Carman</h5>
+
+<h6>With Designs by T. B. Meteyard</h6>
+
+<p class = "illustration">
+<img src = "images/titlepage.png" width = "92" height = "136"
+alt = "publisher's logo: VT CRESCIT"></p>
+
+
+<h6>Boston and New York</h6>
+<h5 class = "nospace">Lamson, Wolffe, and Company<br>
+M&middot;DCCC&middot;XC&middot;V</h5>
+
+<hr class = "mid">
+
+
+<h6>Copyright, 1895.<br>
+by Lamson, Wolffe, &amp; Co.<br>
+All rights reserved.</h6>
+
+
+<hr class = "mid">
+
+<h3>Contents</h3>
+
+<table>
+
+<tr>
+<td>Behind the Arras</td>
+<td class = "number"><a href = "#page1">1</a</td>
+</tr>
+<tr>
+<td>Fancy&rsquo;s Fool</td>
+<td class = "number"><a href = "#page16">16</a</td>
+</tr>
+<tr>
+<td>The Moondial</td>
+<td class = "number"><a href = "#page19">19</a</td>
+</tr>
+<tr>
+<td>The Face in the Stream</td>
+<td class = "number"><a href = "#page23">23</a</td>
+</tr>
+<tr>
+<td>The Cruise of the Galleon</td>
+<td class = "number"><a href = "#page29">29</a</td>
+</tr>
+<tr>
+<td>A Song before Sailing</td>
+<td class = "number"><a href = "#page32">32</a</td>
+</tr>
+<tr>
+<td>In the Wings</td>
+<td class = "number"><a href = "#page35">35</a</td>
+</tr>
+<tr>
+<td>The Red Wolf</td>
+<td class = "number"><a href = "#page37">37</a</td>
+</tr>
+<tr>
+<td>The Faithless Lover</td>
+<td class = "number"><a href = "#page44">44</a</td>
+</tr>
+<tr>
+<td>The Crimson House</td>
+<td class = "number"><a href = "#page46">46</a</td>
+</tr>
+<tr>
+<td>The Lodger</td>
+<td class = "number"><a href = "#page49">49</a</td>
+</tr>
+<tr>
+<td>Beyond the Gamut</td>
+<td class = "number"><a href = "#page66">66</a</td>
+</tr>
+<tr>
+<td>The Juggler</td>
+<td class = "number"><a href = "#page81">81</a</td>
+</tr>
+<tr>
+<td>Hack and Hew</td>
+<td class = "number"><a href = "#page85">85</a</td>
+</tr>
+<tr>
+<td>The Night Express</td>
+<td class = "number"><a href = "#page87">87</a</td>
+</tr>
+<tr>
+<td>The Dustman</td>
+<td class = "number"><a href = "#page91">91</a</td>
+</tr>
+<tr>
+<td>The Sleepers</td>
+<td class = "number"><a href = "#page94">94</a</td>
+</tr>
+<tr>
+<td>At the Granite Gate</td>
+<td class = "number"><a href = "#page96">96</a</td>
+</tr>
+<tr>
+<td>Exit Anima</td>
+<td class = "number"><a href = "#page100">100</a</td>
+</tr>
+</table>
+
+<p class = "illustration">
+<img src = "images/toc_logo.png" width = "69" height = "102"
+alt = "small logo"></p>
+
+<hr class = "mid">
+
+<h5>To G. H. B.</h5>
+
+<h5>&ldquo;I shut myself in with my soul,<br>
+And the shapes come eddying forth.&rdquo;</h5>
+
+<p class = "filler">&nbsp;</p>
+
+<p class = "illustration">
+<img src = "images/frontis.png" width = "359" height = "600"
+alt = "Behind the Arras"></p>
+
+
+
+<span class = "pagenum">1</span>
+<a name = "page1"> </a>
+<h3>Behind the Arras</h3>
+
+<table>
+<tr><td>
+<p class = "firstline">
+<span class = "firstword"><span class = "firstletter">I</span>
+like</span> the old house tolerably well,</p>
+<p class = "nospace">
+Where I must dwell</p>
+<p class = "verse">
+Like a familiar gnome;</p>
+<p class = "verse">
+And yet I never shall feel quite at home:</p>
+<p class = "verse">
+I love to roam.</p>
+
+<p class = "verse firstline">
+Day after day I loiter and explore</p>
+<p class = "verse">
+From door to door;</p>
+<p class = "verse">
+So many treasures lure</p>
+<p class = "verse">
+The curious mind. What histories obscure</p>
+<p class = "verse">
+They must immure!</p>
+
+<p class = "verse firstline">
+I hardly know which room I care for best;</p>
+<p class = "verse">
+This fronting west,</p>
+<p class = "verse">
+With the strange hills in view,</p>
+<p class = "verse">
+Where the great sun goes,&mdash;where I may go too,</p>
+<p class = "verse">
+When my lease is through,&mdash;</p>
+
+<p class = "verse firstline">
+Or this one for the morning and the east,</p>
+<p class = "verse">
+Where a man may feast</p>
+<p class = "verse">
+His eyes on looming sails,</p>
+<p class = "verse">
+And be the first to catch their foreign hails</p>
+<p class = "verse">
+Or spy their bales.</p>
+
+<span class = "pagenum">2</span>
+<a name = "page2"> </a>
+<p class = "verse firstline">
+Then the pale summer twilights towards the pole!</p>
+<p class = "verse">
+It thrills my soul</p>
+<p class = "verse">
+With wonder and delight,</p>
+<p class = "verse">
+When gold-green shadows walk the world at night,</p>
+<p class = "verse">
+So still, so bright.</p>
+
+<p class = "verse firstline">
+There at the window many a time of year,</p>
+<p class = "verse">
+Strange faces peer,</p>
+<p class = "verse">
+Solemn though not unkind,</p>
+<p class = "verse">
+Their wits in search of something left behind</p>
+<p class = "verse">
+Time out of mind;</p>
+
+<p class = "verse firstline">
+As if they once had lived here, and stole back</p>
+<p class = "verse">
+To the window crack</p>
+<p class = "verse">
+For a peep which seems to say,</p>
+<p class = "verse">
+&ldquo;Good fortune, brother, in your house of clay!&rdquo;</p>
+<p class = "verse">
+And then, &ldquo;Good day!&rdquo;</p>
+
+<p class = "verse firstline">
+I hear their footsteps on the gravel walk,</p>
+<p class = "verse">
+Their scraps of talk,</p>
+<p class = "verse">
+And hurrying after, reach</p>
+<p class = "verse">
+Only the crazy sea-drone of the beach</p>
+<p class = "verse">
+In endless speech.</p>
+
+<span class = "pagenum">3</span>
+<a name = "page3"> </a>
+<p class = "verse firstline">
+And often when the autumn noons are still,</p>
+<p class = "verse">
+By swale and hill</p>
+<p class = "verse">
+I see their gipsy signs,</p>
+<p class = "verse">
+Trespassing somewhere on my border lines;</p>
+<p class = "verse">
+With what designs?</p>
+
+<p class = "verse firstline">
+I forth afoot; but when I reach the place,</p>
+<p class = "verse">
+Hardly a trace,</p>
+<p class = "verse">
+Save the soft purple haze</p>
+<p class = "verse">
+Of smouldering camp-fires, any hint betrays</p>
+<p class = "verse">
+Who went these ways.</p>
+
+<p class = "verse firstline">
+Or tatters of pale aster blue, descried</p>
+<p class = "verse">
+By the roadside,</p>
+<p class = "verse">
+Reveal whither they fled;</p>
+<p class = "verse">
+Or the swamp maples, here and there a shred</p>
+<p class = "verse">
+Of Indian red.</p>
+
+<p class = "verse firstline">
+But most of all, the marvellous tapestry</p>
+<p class = "verse">
+Engrosses me,</p>
+<p class = "verse">
+Where such strange things are rife,</p>
+<p class = "verse">
+Fancies of beasts and flowers, and love and strife,</p>
+<p class = "verse">
+Woven to the life;</p>
+
+<p class = "verse firstline">
+Degraded shapes and splendid seraph forms,</p>
+<p class = "verse">
+And teeming swarms</p>
+<span class = "pagenum">4</span>
+<a name = "page4"> </a>
+<p class = "verse">
+Of creatures gauzy dim</p>
+<p class = "verse">
+That cloud the dusk, and painted fish that swim,</p>
+<p class = "verse">
+At the weaver&rsquo;s whim;</p>
+
+<p class = "verse firstline">
+And wonderful birds that wheel and hang in the air;</p>
+<p class = "verse">
+And beings with hair,</p>
+<p class = "verse">
+And moving eyes in the face,</p>
+<p class = "verse">
+And white bone teeth and hideous grins, who race</p>
+<p class = "verse">
+From place to place;</p>
+
+<p class = "verse firstline">
+They build great temples to their John-a-nod,</p>
+<p class = "verse">
+And fume and plod</p>
+<p class = "verse">
+To deck themselves with gold,</p>
+<p class = "verse">
+And paint themselves like chattels to be sold,</p>
+<p class = "verse">
+Then turn to mould.</p>
+
+<p class = "verse firstline">
+Sometimes they seem almost as real as I;</p>
+<p class = "verse">
+I hear them sigh;</p>
+<p class = "verse">
+I see them bow with grief,</p>
+<p class = "verse">
+Or dance for joy like an aspen leaf;</p>
+<p class = "verse">
+But that is brief.</p>
+
+<p class = "verse firstline">
+They have mad wars and phantom marriages;</p>
+<span class = "pagenum">5</span>
+<a name = "page5"> </a>
+<p class = "verse">
+Nor seem to guess</p>
+<p class = "verse">
+There are dimensions still,</p>
+<p class = "verse">
+Beyond thought&rsquo;s reach, though not beyond love&rsquo;s will,</p>
+<p class = "verse">
+For soul to fill.</p>
+
+<p class = "verse firstline">
+And some I call my friends, and make believe</p>
+<p class = "verse">
+Their spirits grieve,</p>
+<p class = "verse">
+Brood, and rejoice with mine;</p>
+<p class = "verse">
+I talk to them in phrases quaint and fine</p>
+<p class = "verse">
+Over the wine;</p>
+
+<p class = "verse firstline">
+I tell them all my secrets; touch their hands;</p>
+<p class = "verse">
+One understands</p>
+<p class = "verse">
+Perhaps. How hard he tries</p>
+<p class = "verse">
+To speak! And yet those glorious mild eyes,</p>
+<p class = "verse">
+His best replies!</p>
+
+<p class = "verse firstline">
+I even have my cronies, one or two,</p>
+<p class = "verse">
+My cherished few.</p>
+<p class = "verse">
+But ah, they do not stay!</p>
+<p class = "verse">
+For the sun fades them and they pass away,</p>
+<p class = "verse">
+As I grow gray.</p>
+
+<p class = "verse firstline">
+Yet while they last how actual they seem!</p>
+<p class = "verse">
+Their faces beam;</p>
+<p class = "verse">
+I give them all their names,</p>
+<span class = "pagenum">6</span>
+<a name = "page6"> </a>
+<p class = "verse">
+Bertram and Gilbert, Louis, Frank and James,</p>
+<p class = "verse">
+Each with his aims;</p>
+<p class = "verse">
+One thinks he is a poet, and writes verse</p>
+<p class = "verse">
+His friends rehearse;</p>
+<p class = "verse">
+Another is full of law;</p>
+<p class = "verse">
+A third sees pictures which his hand can draw</p>
+<p class = "verse">
+Without a flaw.</p>
+
+<p class = "verse firstline">
+Strangest of all, they never rest. Day long</p>
+<p class = "verse">
+They shift and throng,</p>
+<p class = "verse">
+Moved by invisible will,</p>
+<p class = "verse">
+Like a great breath which puffs across my sill,</p>
+<p class = "verse">
+And then is still;</p>
+
+<p class = "verse firstline">
+It shakes my lovely manikins on the wall;</p>
+<p class = "verse">
+Squall after squall,</p>
+<p class = "verse">
+Gust upon crowding gust,</p>
+<p class = "verse">
+It sweeps them willy nilly like blown dust</p>
+<p class = "verse">
+With glory or lust.</p>
+
+<p class = "verse firstline">
+It is the world-ghost, the time-spirit, come</p>
+<p class = "verse">
+None knows where from,</p>
+<p class = "verse">
+The viewless draughty tide</p>
+<span class = "pagenum">7</span>
+<a name = "page7"> </a>
+<p class = "verse">
+And wash of being. I hear it yaw and glide,</p>
+<p class = "verse">
+And then subside,</p>
+
+<p class = "verse firstline">
+Along these ghostly corridors and halls</p>
+<p class = "verse">
+Like faint footfalls;</p>
+<p class = "verse">
+The hangings stir in the air;</p>
+<p class = "verse">
+And when I start and challenge, &ldquo;Who goes there?&rdquo;</p>
+<p class = "verse">
+It answers, &ldquo;Where?&rdquo;</p>
+
+<p class = "verse firstline">
+The wail and sob and moan of the sea&rsquo;s dirge,</p>
+<p class = "verse">
+Its plangor and surge;</p>
+<p class = "verse">
+The awful biting sough</p>
+<p class = "verse">
+Of drifted snows along some arctic bluff,</p>
+<p class = "verse">
+That veer and luff,</p>
+
+<p class = "verse firstline">
+And have the vacant boding human cry,</p>
+<p class = "verse">
+As they go by;&mdash;</p>
+<p class = "verse">
+Is it a banished soul</p>
+<p class = "verse">
+Dredging the dark like a distracted mole</p>
+<p class = "verse">
+Under a knoll?</p>
+
+<p class = "verse firstline">
+Like some invisible henchman old and gray,</p>
+<p class = "verse">
+Day after day</p>
+<p class = "verse">
+I hear it come and go,</p>
+<p class = "verse">
+With stealthy swift unmeaning to and fro,</p>
+<p class = "verse">
+Muttering low,</p>
+
+<span class = "pagenum">8</span>
+<a name = "page8"> </a>
+<p class = "verse firstline">
+Ceaseless and daft and terrible and blind,</p>
+<p class = "verse">
+Like a lost mind.</p>
+<p class = "verse">
+I often chill with fear</p>
+<p class = "verse">
+When I bethink me, What if it should peer</p>
+<p class = "verse">
+At my shoulder here!</p>
+
+<p class = "verse firstline">
+Perchance he drives the merry-go-round whose track</p>
+<p class = "verse">
+Is the zodiac;</p>
+<p class = "verse">
+His name is No-man&rsquo;s-friend;</p>
+<p class = "verse">
+And his gabbling parrot-talk has neither trend,</p>
+<p class = "verse">
+Beginning, nor end.</p>
+
+<p class = "verse firstline">
+A prince of madness too, I&rsquo;d cry, &ldquo;A rat!&rdquo;</p>
+<p class = "verse">
+And lunge thereat,&mdash;</p>
+<p class = "verse">
+Let out at one swift thrust</p>
+<p class = "verse">
+The cunning arch-delusion of the dust</p>
+<p class = "verse">
+I so mistrust,</p>
+
+<p class = "verse firstline">
+But that I fear I should disclose a face</p>
+<p class = "verse">
+Wearing the trace</p>
+<p class = "verse">
+Of my own human guise,</p>
+<p class = "verse">
+Piteous, unharmful, loving, sad, and wise,</p>
+<p class = "verse">
+With the speaking eyes.</p>
+
+<span class = "pagenum">9</span>
+<a name = "page9"> </a>
+<p class = "verse firstline">
+I would the house were rid of his grim pranks,</p>
+<p class = "verse">
+Moaning from banks</p>
+<p class = "verse">
+Of pine trees in the moon,</p>
+<p class = "verse">
+Startling the silence like a demoniac loon</p>
+<p class = "verse">
+At dead of noon,</p>
+
+<p class = "verse firstline">
+Or whispering his fool-talk to the leaves</p>
+<p class = "verse">
+About my eaves.</p>
+<p class = "verse">
+And yet how can I know</p>
+<p class = "verse">
+&rsquo;T is not a happy Ariel masking so</p>
+<p class = "verse">
+In mocking woe?</p>
+
+<p class = "verse firstline">
+Then with a little broken laugh I say,</p>
+<p class = "verse">
+Snatching away</p>
+<p class = "verse">
+The curtain where he grinned</p>
+<p class = "verse">
+(My feverish sight thought) like a sin unsinned,</p>
+<p class = "verse">
+&ldquo;Only the wind!&rdquo;</p>
+
+<p class = "verse firstline">
+Yet often too he steals so softly by,</p>
+<p class = "verse">
+With half a sigh,</p>
+<p class = "verse">
+I deem he must be mild,</p>
+<p class = "verse">
+Fair as a woman, gentle as a child,</p>
+<p class = "verse">
+And forest wild.</p>
+
+<span class = "pagenum">10</span>
+<a name = "page10"> </a>
+<p class = "verse firstline">
+Passing the door where an old wind-harp swings,</p>
+<p class = "verse">
+With its five strings,</p>
+<p class = "verse">
+Contrived long years ago</p>
+<p class = "verse">
+By my first predecessor bent to show</p>
+<p class = "verse">
+His handcraft so,</p>
+
+<p class = "verse firstline">
+He lays his fingers on the &aelig;olian wire,</p>
+<p class = "verse">
+As a core of fire</p>
+<p class = "verse">
+Is laid upon the blast</p>
+<p class = "verse">
+To kindle and glow and fill the purple vast</p>
+<p class = "verse">
+Of dark at last.</p>
+
+<p class = "verse firstline">
+Weird wise and low, piercing and keen and glad,</p>
+<p class = "verse">
+Or dim and sad</p>
+<p class = "verse">
+As a forgotten strain</p>
+<p class = "verse">
+Born when the broken legions of the rain</p>
+<p class = "verse">
+Swept through the plain&mdash;</p>
+
+<p class = "verse firstline">
+He plays, like some dread veiled mysteriarch,</p>
+<p class = "verse">
+Lighting the dark,</p>
+<p class = "verse">
+Bidding the spring grow warm,</p>
+<p class = "verse">
+The gendering merge and loosing of spirit in form,</p>
+<p class = "verse">
+Peace out of storm.</p>
+
+<span class = "pagenum">11</span>
+<a name = "page11"> </a>
+<p class = "verse firstline">
+For music is the sacrament of love;</p>
+<p class = "verse">
+He broods above</p>
+<p class = "verse">
+The virgin silence, till</p>
+<p class = "verse">
+She yields for rapture shuddering, yearning still</p>
+<p class = "verse">
+To his sweet will.</p>
+
+<p class = "verse firstline">
+I hear him sing, &ldquo;Your harp is like a mesh,</p>
+<p class = "verse">
+Woven of flesh</p>
+<p class = "verse">
+And spread within the shoal</p>
+<p class = "verse">
+Of life, where runs the tide-race of the soul</p>
+<p class = "verse">
+In my control.</p>
+
+<p class = "verse firstline">
+&ldquo;Though my wild way may ruin what it bends,</p>
+<p class = "verse">
+It makes amends</p>
+<p class = "verse">
+To the frail downy clocks,</p>
+<p class = "verse">
+Telling their seed a secret that unlocks</p>
+<p class = "verse">
+The granite rocks.</p>
+
+<p class = "verse firstline">
+&ldquo;The womb of silence to the crave sound</p>
+<p class = "verse">
+Is heaven unfound,</p>
+<p class = "verse">
+Till I, to soothe and slake</p>
+<p class = "verse">
+Being&rsquo;s most utter and imperious ache,</p>
+<p class = "verse">
+Bid rhythm awake.</p>
+
+<span class = "pagenum">12</span>
+<a name = "page12"> </a>
+<p class = "verse firstline">
+&ldquo;If with such agonies of bliss, my kin,</p>
+<p class = "verse">
+I enter in</p>
+<p class = "verse">
+Your prison house of sense,</p>
+<p class = "verse">
+With what a joyous freed intelligence</p>
+<p class = "verse">
+I shall go hence.&rdquo;</p>
+
+<p class = "verse firstline">
+I need no more to guess the weaver&rsquo;s name,</p>
+<p class = "verse">
+Nor ask his aim,</p>
+<p class = "verse">
+Who hung each hall and room</p>
+<p class = "verse">
+With swarthy-tinged vermilion upon gloom;</p>
+<p class = "verse">
+I know that loom.</p>
+
+<p class = "verse firstline">
+Give me a little space and time enough,</p>
+<p class = "verse">
+From ravelings rough</p>
+<p class = "verse">
+I could revive, reweave,</p>
+<p class = "verse">
+A fabric of beauty art might well believe</p>
+<p class = "verse">
+Were past retrieve.</p>
+
+<p class = "verse firstline">
+O men and women in that rich design,</p>
+<p class = "verse">
+Sleep-soft, sun-fine,</p>
+<p class = "verse">
+Dew-tenuous and free,</p>
+<p class = "verse">
+A tone of the infinite wind-themes of the sea,</p>
+<p class = "verse">
+Borne in to me,</p>
+
+<p class = "verse firstline">
+Reveals how you were woven to the might</p>
+<p class = "verse">
+Of shadow and light.</p>
+<p class = "verse">
+You are the dream of One</p>
+<span class = "pagenum">13</span>
+<a name = "page13"> </a>
+<p class = "verse">
+Who loves to haunt and yet appears to shun</p>
+<p class = "verse">
+My door in the sun;</p>
+
+<p class = "verse firstline">
+As the white roving sea tern fleck and skim</p>
+<p class = "verse">
+The morning&rsquo;s rim;</p>
+<p class = "verse">
+Or the dark thrushes clear</p>
+<p class = "verse">
+Their flutes of music leisurely and sheer,</p>
+<p class = "verse">
+Then hush to hear.</p>
+
+<p class = "verse firstline">
+I know him when the last red brands of day</p>
+<p class = "verse">
+Smoulder away,</p>
+<p class = "verse">
+And when the vernal showers</p>
+<p class = "verse">
+Bring back the heart to all my valley flowers</p>
+<p class = "verse">
+In the soft hours.</p>
+
+<p class = "verse firstline">
+O hand of mine and brain of mine, be yours,</p>
+<p class = "verse">
+While time endures,</p>
+<p class = "verse">
+To acquiesce and learn!</p>
+<p class = "verse">
+For what we best may dare and drudge and yearn,</p>
+<p class = "verse">
+Let soul discern.</p>
+
+<p class = "verse firstline">
+So, fellows, we shall reach the gusty gate,</p>
+<p class = "verse">
+Early or late,</p>
+<p class = "verse">
+And part without remorse,</p>
+<p class = "verse">
+A cadence dying down unto its source</p>
+<p class = "verse">
+In music&rsquo;s course;</p>
+
+<span class = "pagenum">14</span>
+<a name = "page14"> </a>
+<p class = "verse firstline">
+You to the perfect rhythms of flowers and birds,</p>
+<p class = "verse">
+Colors and words,</p>
+<p class = "verse">
+The heart-beats of the earth,</p>
+<p class = "verse">
+To be remoulded always of one worth</p>
+<p class = "verse">
+From birth to birth;</p>
+
+<p class = "verse firstline">
+I to the broken rhythm of thought and man,</p>
+<p class = "verse">
+The sweep and span</p>
+<p class = "verse">
+Of memory and hope</p>
+<p class = "verse">
+About the orbit where they still must grope</p>
+<p class = "verse">
+For wider scope,</p>
+
+<p class = "verse firstline">
+To be through thousand springs restored, renewed,</p>
+<p class = "verse">
+With love imbrued,</p>
+<p class = "verse">
+With increments of will</p>
+<p class = "verse">
+Made strong, perceiving unattainment still</p>
+<p class = "verse">
+From each new skill.</p>
+
+<p class = "verse firstline">
+Always the flawless beauty, always the chord</p>
+<p class = "verse">
+Of the Overword,</p>
+<p class = "verse">
+Dominant, pleading, sure,</p>
+<p class = "verse">
+No truth too small to save and make endure.</p>
+<p class = "verse">
+No good too poor!</p>
+
+<span class = "pagenum">15</span>
+<a name = "page15"> </a>
+<p class = "verse firstline">
+And since no mortal can at last disdain</p>
+<p class = "verse">
+That sweet refrain,</p>
+<p class = "verse">
+But lets go strife and care,</p>
+<p class = "verse">
+Borne like a strain of bird notes on the air,</p>
+<p class = "verse">
+The wind knows where;</p>
+
+<p class = "verse firstline">
+Some quiet April evening soft and strange,</p>
+<p class = "verse">
+When comes the change</p>
+<p class = "verse">
+No spirit can deplore,</p>
+<p class = "verse">
+I shall be one with all I was before,</p>
+<p class = "verse">
+In death once more.</p>
+</td></tr>
+</table>
+
+
+<span class = "pagenum">16</span>
+<a name = "page16"> </a>
+<h3>Fancy&rsquo;s Fool</h3>
+
+<table>
+<tr><td>
+<p class = "firstline">
+<span class = "firstword"><span class = "firstletter">&ldquo;C</span>ornel,</span>
+cornel, green and white,</p>
+<p class = "nospace">
+Spreading on the forest floor,</p>
+<p class = "verse clear">
+Whither went my lost delight</p>
+<p class = "verse">
+Through the silent door?&rdquo;</p>
+
+<p class = "verse firstline">
+&ldquo;Mortal, mortal, overfond,</p>
+<p class = "verse">
+How come you at all to know</p>
+<p class = "verse">
+There be any joys beyond</p>
+<p class = "verse">
+Blisses here and now?&rdquo;</p>
+
+<p class = "verse firstline">
+&ldquo;Cornel, cornel, white and cool,</p>
+<p class = "verse">
+Many a mortal, I&rsquo;ve heard tell,</p>
+<p class = "verse">
+Who is only Fancy&rsquo;s fool</p>
+<p class = "verse">
+Knows that secret well.&rdquo;</p>
+
+<p class = "verse firstline">
+&ldquo;Mortal, mortal, what would you</p>
+<p class = "verse">
+With that beauty once was yours?</p>
+<p class = "verse">
+Perishable is the dew,</p>
+<p class = "verse">
+And the dust endures.&rdquo;</p>
+
+<p class = "verse firstline">
+&ldquo;Cornel, cornel, pierce me not</p>
+<p class = "verse">
+With your sweet, reserved disdain!</p>
+<span class = "pagenum">17</span>
+<a name = "page17"> </a>
+<p class = "verse">
+Whisper me of things forgot</p>
+<p class = "verse">
+That shall be again.&rdquo;</p>
+
+<p class = "verse firstline">
+&ldquo;Mortal, we are kinsmen, led</p>
+<p class = "verse">
+By a hope beyond our reach.</p>
+<p class = "verse">
+Know you not the word unsaid</p>
+<p class = "verse">
+Is the flower of speech?&rdquo;</p>
+
+<p class = "verse firstline">
+All the snowy blossoms faded,</p>
+<p class = "verse">
+While the scarlet berries grew;</p>
+<p class = "verse">
+And all summer they evaded</p>
+<p class = "verse">
+Anything they knew.</p>
+
+<p class = "verse firstline">
+&ldquo;Cornel, cornel, green and red</p>
+<p class = "verse">
+Flooring for the forest wide,</p>
+<p class = "verse">
+Whither down the ways of dread</p>
+<p class = "verse">
+Went my starry-eyed?&rdquo;</p>
+
+<p class = "verse firstline">
+&ldquo;Mortal, mortal, is there found</p>
+<p class = "verse">
+Any fruitage half so fair</p>
+<p class = "verse">
+In the dim world underground</p>
+<p class = "verse">
+As there grows in air?&rdquo;</p>
+
+<p class = "verse firstline">
+&ldquo;Wilding cornel, you can guess</p>
+<p class = "verse">
+Nothing of eternal pain,</p>
+<p class = "verse">
+Growing there in quietness</p>
+<p class = "verse">
+In the sun and rain.&rdquo;</p>
+
+<span class = "pagenum">18</span>
+<a name = "page18"> </a>
+<p class = "verse firstline">
+&ldquo;Mortal, where your heart would be</p>
+<p class = "verse">
+Not a wanderer may go,</p>
+<p class = "verse">
+But he shares the dark with me</p>
+<p class = "verse">
+Underneath the snow.&rdquo;</p>
+
+<p class = "verse firstline">
+And the scarlet berries scattered</p>
+<p class = "verse">
+With the coming on of fall;</p>
+<p class = "verse">
+Not to one of them it mattered</p>
+<p class = "verse">
+Anything at all.</p>
+</td></tr>
+</table>
+
+
+<p class = "illustration">
+<span class = "pagenum">19</span>
+<a name = "page19"> </a>
+<img src = "images/pic19.jpg" width = "364" height = "580"
+alt = "The Moondial"></p>
+
+<h3>The Moondial</h3>
+
+<table>
+<tr><td>
+<p class = "firstline">
+<span class = "firstword"><span class = "firstletter">I</span>ron</span>
+and granite and rust,</p>
+<p class = "nospace">
+In a crumbling garden old,</p>
+<p class = "verse">
+Where the roses are paler than dust</p>
+<p class = "verse">
+And the lilies are green with gold,</p>
+
+<p class = "verse firstline">
+Under the racing moon,</p>
+<p class = "verse">
+Inconscious of war or crime,</p>
+<p class = "verse">
+In a strange and ghostly noon,</p>
+<p class = "verse">
+It marks the oblivion of time.</p>
+
+<p class = "verse firstline">
+The shadow steals through its arc,</p>
+<p class = "verse">
+Still as a frosted breath,</p>
+<span class = "pagenum">20</span>
+<a name = "page20"> </a>
+<p class = "verse">
+Fitful, gleaming, and dark</p>
+<p class = "verse">
+As the cold frustration of death.</p>
+
+<p class = "verse firstline">
+But where the shadow may fall,</p>
+<p class = "verse">
+Whether to hurry or stay,</p>
+<p class = "verse">
+It matters little at all</p>
+<p class = "verse">
+To those who come that way.</p>
+
+<p class = "verse firstline">
+For this is the dial of them</p>
+<p class = "verse">
+That have forgotten the world,</p>
+<p class = "verse">
+No more through the mad day-dream</p>
+<p class = "verse">
+Of striving and reason hurled.</p>
+
+<p class = "verse firstline">
+Their heart as a little child</p>
+<p class = "verse">
+Only remembers the worth</p>
+<p class = "verse">
+Of beauty and love and the wild</p>
+<p class = "verse">
+Dark peace of the elder earth.</p>
+
+<p class = "verse firstline">
+It registers the morrows</p>
+<p class = "verse">
+Of lovers and winds and streams,</p>
+<p class = "verse">
+And the face of a thousand sorrows</p>
+<p class = "verse">
+At the postern gate of dreams.</p>
+
+<p class = "verse firstline">
+When the first low laughter smote</p>
+<p class = "verse">
+Through Lilith, the mother of joy,</p>
+<p class = "verse">
+And died and revived from the throat</p>
+<p class = "verse">
+Of Helen, the harpstring of Troy,</p>
+
+<span class = "pagenum">21</span>
+<a name = "page21"> </a>
+<p class = "verse firstline">
+And wandering on through the years,</p>
+<p class = "verse">
+From the sobbing rain and the sea,</p>
+<p class = "verse">
+Caught sound of the world&rsquo;s gray tears</p>
+<p class = "verse">
+Or sense of the sun&rsquo;s gold glee,</p>
+
+<p class = "verse firstline">
+Whenever the wild control</p>
+<p class = "verse">
+Burned out to a mortal kiss,</p>
+<p class = "verse">
+And the shuddering storm-swept soul</p>
+<p class = "verse">
+Climbed to its acme of bliss,</p>
+
+<p class = "verse firstline">
+The green-gold light of the dead</p>
+<p class = "verse">
+Stood still in purple space,</p>
+<p class = "verse">
+And a record blind and dread</p>
+<p class = "verse">
+Was graved on the dial&rsquo;s face.</p>
+
+<p class = "verse firstline">
+And once in a thousand years</p>
+<p class = "verse">
+Some youth who loved so well</p>
+<p class = "verse">
+The gods had loosed him from fears</p>
+<p class = "verse">
+In a vision of blameless hell,</p>
+
+<p class = "verse firstline">
+Has gone to the dial to read</p>
+<p class = "verse">
+Those signs in the outland tongue,</p>
+<p class = "verse">
+Written beyond the need</p>
+<p class = "verse">
+Of the simple and the young.</p>
+
+<p class = "verse firstline">
+For immortal life, they say,</p>
+<p class = "verse">
+Were his who, loving so,</p>
+<span class = "pagenum">22</span>
+<a name = "page22"> </a>
+<p class = "verse">
+Could explain the writing away</p>
+<p class = "verse">
+As a legend written in snow.</p>
+
+<p class = "verse firstline">
+But always his innocent eyes</p>
+<p class = "verse">
+Were frozen into the stone.</p>
+<p class = "verse">
+From that awful first surprise</p>
+<p class = "verse">
+His soul must return alone.</p>
+
+<p class = "verse firstline">
+In the morning there he lay</p>
+<p class = "verse">
+Dead in the sun&rsquo;s warm gold.</p>
+<p class = "verse">
+And no man knows to this day</p>
+<p class = "verse">
+What the dim moondial told.</p>
+</td></tr>
+</table>
+
+
+<p class = "illustration">
+<span class = "pagenum">23</span>
+<a name = "page23"> </a>
+<img src = "images/pic23.jpg" width = "366" height = "599"
+alt = "The Face in the Stream"></p>
+
+<h3>The Face in the Stream</h3>
+
+<table>
+<tr><td>
+<p class = "firstline">
+<span class = "firstword"><span class = "firstletter">T</span>he</span>
+sunburnt face in the willow shade</p>
+<p class = "nospace">
+To the face in the water-mirror said,</p>
+
+<p class = "verse firstline">
+&ldquo;O deep mysterious face in the stream,</p>
+<p class = "verse">
+Art thou myself or am I thy dream?&rdquo;</p>
+
+<p class = "verse firstline">
+And the face deep down in the water&rsquo;s side</p>
+<p class = "verse">
+To the face in the upper air replied,</p>
+
+<span class = "pagenum">24</span>
+<a name = "page24"> </a>
+<p class = "verse firstline">
+&ldquo;I am thy dream, them poor worn face,</p>
+<p class = "verse">
+And this is thy heart&rsquo;s abiding place.</p>
+
+<p class = "verse firstline">
+&ldquo;Too much in the world, come back and be</p>
+<p class = "verse">
+Once more my dream-fellow with me,</p>
+
+<p class = "verse firstline">
+&ldquo;In the far-off untarnished years</p>
+<p class = "verse">
+Before thy furrows were washed with tears,</p>
+
+<p class = "verse firstline">
+&ldquo;Or ever thy serious creature eyes</p>
+<p class = "verse">
+Were aged with a mist of memories.</p>
+
+<p class = "verse firstline">
+&ldquo;Hast thou forgotten the long ago</p>
+<p class = "verse">
+In the garden where I used to flow,</p>
+
+<p class = "verse firstline">
+&ldquo;Among the hills, with the maple tree</p>
+<p class = "verse">
+And the roses blowing over me?&mdash;</p>
+
+<p class = "verse firstline">
+&ldquo;I who am now but a wraith of this river,</p>
+<p class = "verse">
+Forsaken of thee forever and ever,</p>
+
+<p class = "verse firstline">
+&ldquo;Who then was thine image fair, forecast</p>
+<p class = "verse">
+In the heart of the water rimpling past.</p>
+
+<p class = "verse firstline">
+&ldquo;Out in the wide of the summer zone</p>
+<p class = "verse">
+I lulled and allured thee apart and alone,</p>
+
+<span class = "pagenum">25</span>
+<a name = "page25"> </a>
+<p class = "verse firstline">
+&ldquo;The azure gleam and the golden croon</p>
+<p class = "verse">
+And the grass with the flaky roses strewn.</p>
+
+<p class = "verse firstline">
+&ldquo;There you would lie and lean above me,</p>
+<p class = "verse">
+The more you lingered the more to love me,</p>
+
+<p class = "verse firstline">
+&ldquo;Till I became, as the year grew old,</p>
+<p class = "verse">
+Thy fairest day-dream&rsquo;s fashion and mould,</p>
+
+<p class = "verse firstline">
+&ldquo;Deep in the water twilight there,</p>
+<p class = "verse">
+Smiling, elusive, wonderful, fair,</p>
+
+<p class = "verse firstline">
+&ldquo;The beautiful visage of thy clear soul</p>
+<p class = "verse">
+Set in eternity&rsquo;s limpid shoal,</p>
+
+<p class = "verse firstline">
+&ldquo;Thy spirit&rsquo;s countenance, the trace</p>
+<p class = "verse">
+Of dawning God in the human face.</p>
+
+<p class = "verse firstline">
+&ldquo;And when yellow leaves came down</p>
+<p class = "verse">
+Through the silent mornings one by one</p>
+
+<p class = "verse firstline">
+&ldquo;To the frosty meadow, as they fell</p>
+<p class = "verse">
+Thy pondering heart said, &lsquo;All is well;</p>
+
+<p class = "verse firstline">
+&ldquo;&lsquo;Aye, all is best, for I stake my life</p>
+<p class = "verse">
+Beyond the boundaries of strife,&rsquo;</p>
+
+<span class = "pagenum">26</span>
+<a name = "page26"> </a>
+<p class = "verse firstline">
+&ldquo;And then thy feet returned no more,&mdash;</p>
+<p class = "verse">
+While years went over the garden floor,</p>
+
+<p class = "verse firstline">
+&ldquo;With frost and maple, with rose and dew,</p>
+<p class = "verse">
+In the world thy river wandered through;&mdash;</p>
+
+<p class = "verse firstline">
+&ldquo;Came never again to revive and recall</p>
+<p class = "verse">
+Thy youth from its water burial.</p>
+
+<p class = "verse firstline">
+&ldquo;But now thy face is battle-dark;</p>
+<p class = "verse">
+The strife of the world has graven a mark</p>
+
+<p class = "verse firstline">
+&ldquo;About the lips that are no more mine,</p>
+<p class = "verse">
+Too sweet to forget, too strong to repine.</p>
+
+<p class = "verse firstline">
+&ldquo;With the ends of the earth for thy garden now,</p>
+<p class = "verse">
+What solace and what reward hast thou?&rdquo;</p>
+
+<p class = "verse firstline">
+Then he of the earth&rsquo;s sun-traversed side</p>
+<p class = "verse">
+To him of the under-world replied,</p>
+
+<p class = "verse firstline">
+&ldquo;O glad mysterious face in the stream,</p>
+<p class = "verse">
+My lost illusion, my summer dream,</p>
+
+<p class = "verse firstline">
+&ldquo;Thou fairer self of a fonder time,</p>
+<p class = "verse">
+A far imperishable clime,</p>
+
+<span class = "pagenum">27</span>
+<a name = "page27"> </a>
+<p class = "verse firstline">
+&ldquo;For thy dear sake I have fared alone</p>
+<p class = "verse">
+And fronted failure and housed with none.</p>
+
+<p class = "verse firstline">
+&ldquo;What youth was that, when the world was green,</p>
+<p class = "verse">
+In the lovely mythus Greek and clean,</p>
+
+<p class = "verse firstline">
+&ldquo;Was doomed with his flowery kin to bide,</p>
+<p class = "verse">
+A blown white star by the river side,</p>
+
+<p class = "verse firstline">
+&ldquo;And no more follow the sun, foot free,</p>
+<p class = "verse">
+Too long enamoured of one like thee?</p>
+
+<p class = "verse firstline">
+&ldquo;Shall God who abides in the patient flower,</p>
+<p class = "verse">
+The painted dust sustained by his power,</p>
+
+<p class = "verse firstline">
+&ldquo;Refuse to the wing of the dragonfly</p>
+<p class = "verse">
+His sanction over the open sky,&mdash;</p>
+
+<p class = "verse firstline">
+&ldquo;A frail detached and wandering thing</p>
+<p class = "verse">
+Torn loose from the blossomy life of spring?</p>
+
+<p class = "verse firstline">
+&ldquo;And this is man, the myriad one,</p>
+<p class = "verse">
+Dust&rsquo;s flower and time&rsquo;s ephemeron.</p>
+
+<p class = "verse firstline">
+&ldquo;And I who have followed the wander-list</p>
+<p class = "verse">
+For a glimpse of beauty, a wraith in the mist,</p>
+
+<span class = "pagenum">28</span>
+<a name = "page28"> </a>
+<p class = "verse firstline">
+&ldquo;Shall be spilt at last and return to peace,</p>
+<p class = "verse">
+As dust which the hands of the wind release.</p>
+
+<p class = "verse firstline">
+&ldquo;This is my solace and my reward,</p>
+<p class = "verse">
+Who have drained life&rsquo;s dregs from a broken shard.&rdquo;</p>
+
+<p class = "verse firstline">
+Wise and grave was the water face,</p>
+<p class = "verse">
+A youth grown man in a little space;</p>
+
+<p class = "verse firstline">
+While the wayworn face by the river side</p>
+<p class = "verse">
+Grew gentler-lipped and shadowy-eyed;</p>
+
+<p class = "verse firstline">
+For he heard like a sea-horn summoning him</p>
+<p class = "verse">
+That sound from the world&rsquo;s end vast and dim,</p>
+
+<p class = "verse firstline">
+Where the river went wandering out so far</p>
+<p class = "verse">
+Through a gate in the mountain left ajar,</p>
+
+<p class = "verse firstline">
+The sea birds love and the land birds flee,</p>
+<p class = "verse">
+The large bleak voice of the burly sea.</p>
+</td></tr>
+</table>
+
+
+<p class = "illustration">
+<span class = "pagenum">29</span>
+<a name = "page29"> </a>
+<img src = "images/pic29.jpg" width = "364" height = "600"
+alt = "The Cruise of the Galleon"></p>
+
+<h3>The Cruise of the Galleon</h3>
+
+<table>
+<tr><td>
+<p class = "verse citation">
+This laboring vast, Tellurian Galleon,</p>
+<p class = "verse citation">
+Riding at anchor off the orient sun,</p>
+<p class = "verse citation">
+Had broken its cable, and stood out to space.</p>
+
+<p class = "citation inset">
+FRANCIS THOMPSON.</p>
+
+<p class = "firstline">
+<span class = "firstword"><span class = "firstletter">G</span>alleon,</span>
+ahoy, ahoy!</p>
+<p class = "nospace">
+Old earth riding off the sun,</p>
+<p class = "verse">
+And straining at your cable as you ride</p>
+<p class = "verse">
+On the tide,</p>
+<p class = "verse">
+Battered laboring and vast,</p>
+<p class = "verse">
+In the blast</p>
+<p class = "verse">
+Of the hurricane that blows between the worlds,</p>
+<p class = "verse">
+Ahoy!</p>
+
+<span class = "pagenum">30</span>
+<a name = "page30"> </a>
+<p class = "verse firstline">
+&rsquo;Morning, shipmates! &rsquo;Drift and chartless?</p>
+<p class = "verse">
+Laded deep and rolling hard?</p>
+<p class = "verse">
+Never guessed, outworn and heartless,</p>
+<p class = "verse">
+There was land so close aboard?</p>
+
+<p class = "verse firstline">
+Ice on every shroud and eyelet,</p>
+<p class = "verse">
+Rocking in the windy trough?</p>
+<p class = "verse">
+No more panic; Man&rsquo;s your pilot;</p>
+<p class = "verse">
+Turns the flood, and we are off!</p>
+
+<p class = "verse firstline">
+At the story of disaster,</p>
+<p class = "verse">
+From the continents of sleep,</p>
+<p class = "verse">
+I am come to be your master</p>
+<p class = "verse">
+And put out into the deep.</p>
+
+<p class = "verse firstline">
+What tide current struck you hither,</p>
+<p class = "verse">
+Beating up the storm of years?</p>
+<p class = "verse">
+Where are those who stood to weather</p>
+<p class = "verse">
+These uncharted gulfs of tears?</p>
+
+<p class = "verse firstline">
+Did your fellows all drive under</p>
+<p class = "verse">
+In the maelstrom of the sun,</p>
+<p class = "verse">
+While you only, for a wonder,</p>
+<p class = "verse">
+Rode the wash you could not shun?</p>
+
+<p class = "verse firstline">
+We&rsquo;ll crowd sail across the sea-line,&mdash;</p>
+<p class = "verse">
+Clear this harbor, reef and buoy,</p>
+<span class = "pagenum">31</span>
+<a name = "page31"> </a>
+<p class = "verse">
+Bowling down an open bee-line</p>
+<p class = "verse">
+For the latitudes of joy;</p>
+
+<p class = "verse firstline">
+Till beyond the zones of sorrow,</p>
+<p class = "verse">
+Past griefs haven in the night,</p>
+<p class = "verse">
+Some large simpler world shall morrow</p>
+<p class = "verse">
+This pale region&rsquo;s northern light.</p>
+
+<p class = "verse firstline">
+Not a fear but all the sea-room,</p>
+<p class = "verse">
+Wherein time is but a bay,</p>
+<p class = "verse">
+Yet shall sparkle for our lee-room</p>
+<p class = "verse">
+In the vast Altrurian day.</p>
+
+<p class = "verse firstline">
+And the dauntless seaworn spirit</p>
+<p class = "verse">
+Shall awake to know there are</p>
+<p class = "verse">
+What dominions to inherit,</p>
+<p class = "verse">
+Anchored off another star!</p>
+</td></tr>
+</table>
+
+
+<p class = "illustration">
+<span class = "pagenum">32</span>
+<a name = "page32"> </a>
+<img src = "images/pic32.jpg" width = "370" height = "601"
+alt = "A Song Before Sailing"></p>
+
+<h3>A Song Before Sailing</h3>
+
+<table>
+<tr><td>
+<p class = "verse citation">
+&ldquo;Cras ingens iterabimus aequor.&rdquo;</p>
+
+<p class = "firstline">
+<span class = "firstword"><span class = "firstletter">W</span>ind</span>
+of the dead men&rsquo;s feet,</p>
+<p class = "nospace">
+Blow down the empty street</p>
+<p class = "verse clear">
+Of this old city by the sea</p>
+<p class = "verse">
+With news for me!</p>
+
+<p class = "verse firstline">
+Blow me beyond the grime</p>
+<p class = "verse">
+And pestilence of time!</p>
+<p class = "verse">
+I am too sick at heart to war</p>
+<p class = "verse">
+With failure any more.</p>
+
+<p class = "verse firstline">
+Thy chill is in my bones;</p>
+<p class = "verse">
+The moonlight on the stones</p>
+<span class = "pagenum">33</span>
+<a name = "page33"> </a>
+<p class = "verse">
+Is pale, and palpable, and cold;</p>
+<p class = "verse">
+I am as one grown old.</p>
+
+<p class = "verse firstline">
+I call from room to room</p>
+<p class = "verse">
+Through the deserted gloom;</p>
+<p class = "verse">
+The echoes are all words I know,</p>
+<p class = "verse">
+Lost in some long ago.</p>
+
+<p class = "verse firstline">
+I prowl from door to door,</p>
+<p class = "verse">
+And find no comrade more.</p>
+<p class = "verse">
+The wolfish fear that children feel</p>
+<p class = "verse">
+Is snuffing at my heel.</p>
+
+<p class = "verse firstline">
+I hear the hollow sound</p>
+<p class = "verse">
+Of a great ship coming round,</p>
+<p class = "verse">
+The thunder of tackle and the tread</p>
+<p class = "verse">
+Of sailors overhead.</p>
+
+<p class = "verse firstline">
+That stormy-blown hulloo</p>
+<p class = "verse">
+Has orders for me, too.</p>
+<p class = "verse">
+I see thee, hand at mouth, and hark,</p>
+<p class = "verse">
+My captain of the dark.</p>
+
+<p class = "verse firstline">
+O wind of the great East,</p>
+<p class = "verse">
+By whom we are released</p>
+<p class = "verse">
+From this strange dusty port to sail</p>
+<p class = "verse">
+Beyond our fellows&rsquo; hail,</p>
+
+<span class = "pagenum">34</span>
+<a name = "page34"> </a>
+<p class = "verse firstline">
+Under the stars that keep</p>
+<p class = "verse">
+The entry of the deep,</p>
+<p class = "verse">
+Thy somber voice brings up the sea&rsquo;s</p>
+<p class = "verse">
+Forgotten melodies;</p>
+
+<p class = "verse firstline">
+And I have no more need</p>
+<p class = "verse">
+Of bread, or wine, or creed,</p>
+<p class = "verse">
+Bound for the colonies of time</p>
+<p class = "verse">
+Beyond the farthest prime.</p>
+
+<p class = "verse firstline">
+Wind of the dead men&rsquo;s feet,</p>
+<p class = "verse">
+Blow through the empty street!</p>
+<p class = "verse">
+The last adventurer am I,</p>
+<p class = "verse">
+Then, world, good-by!</p>
+</td></tr>
+</table>
+
+
+<span class = "pagenum">35</span>
+<a name = "page35"> </a>
+<h3>In the Wings</h3>
+
+<table>
+<tr><td>
+<p class = "firstline">
+<span class = "firstword"><span class = "firstletter">T</span>he</span>
+play is Life; and this round earth,</p>
+<p class = "nospace">
+The narrow stage whereon</p>
+<p class = "verse">
+We act before an audience</p>
+<p class = "verse">
+Of actors dead and gone.</p>
+
+<p class = "verse firstline">
+There is a figure in the wings</p>
+<p class = "verse">
+That never goes away,</p>
+<p class = "verse">
+And though I cannot see his face,</p>
+<p class = "verse">
+I shudder while I play.</p>
+
+<p class = "verse firstline">
+His shadow looms behind me here,</p>
+<p class = "verse">
+Or capers at my side;</p>
+<p class = "verse">
+And when I mouth my lines in dread,</p>
+<p class = "verse">
+Those scornful lips deride.</p>
+
+<p class = "verse firstline">
+Sometimes a hooting laugh breaks out,</p>
+<p class = "verse">
+And startles me alone;</p>
+<p class = "verse">
+While all my fellows, wondering</p>
+<p class = "verse">
+At my stage-fright, play on.</p>
+
+<p class = "verse firstline">
+I fear that when my Exit comes,</p>
+<p class = "verse">
+I shall encounter there,</p>
+<span class = "pagenum">36</span>
+<a name = "page36"> </a>
+<p class = "verse">
+Stronger than fate, or time, or love,</p>
+<p class = "verse">
+And sterner than despair,</p>
+
+<p class = "verse firstline">
+The Final Critic of the craft,</p>
+<p class = "verse">
+As stage tradition tells;</p>
+<p class = "verse">
+And yet&mdash;perhaps &rsquo;twill only be</p>
+<p class = "verse">
+The jester with his bells.</p>
+</td></tr>
+</table>
+
+
+<p class = "illustration">
+<span class = "pagenum">37</span>
+<a name = "page37"> </a>
+<img src = "images/pic37.jpg" width = "376" height = "601"
+alt = "The Red Wolf"></p>
+
+<h3>The Red Wolf</h3>
+
+<table>
+<tr><td>
+<p class = "firstline">
+<span class = "firstword"><span class = "firstletter">W</span>ith</span>
+the fall of the leaf comes the
+wolf, wolf, wolf,</p>
+<p class = "nospace">
+The old red wolf at my door.</p>
+<p class = "verse clear">
+And my hateful yellow dwarf, with his hideous crooked laugh,</p>
+<p class = "verse">
+Cries &ldquo;Wolf, wolf, wolf!&rdquo; at my door.</p>
+
+<p class = "verse firstline">
+With the still of the frost comes the wolf, wolf, wolf,</p>
+<p class = "verse">
+The gaunt red wolf at my door.</p>
+<p class = "verse">
+He&rsquo;s as tall as a Great Dane, with his grizzly russet mane;</p>
+<p class = "verse">
+And he haunts the silent woods at my door.</p>
+
+<span class = "pagenum">38</span>
+<a name = "page38"> </a>
+<p class = "verse firstline">
+The scarlet maple leaves and the sweet ripe nuts,</p>
+<p class = "verse">
+May strew the forest glade at my door,</p>
+<p class = "verse">
+But my cringing cunning dwarf, with his slavered kacking laugh,</p>
+<p class = "verse">
+Cries &ldquo;Wolf, wolf, wolf!&rdquo; at my door.</p>
+
+<p class = "verse firstline">
+The violets may come, the pale wind-flowers blow,</p>
+<p class = "verse">
+And tremble by the stream at my door;</p>
+<p class = "verse">
+But my dwarf will never cease, until his last release,</p>
+<p class = "verse">
+From his &ldquo;Wolf, wolf, wolf!&rdquo; at the door.</p>
+
+<p class = "verse firstline">
+The long sweet April wind may woo the world from grief,</p>
+<p class = "verse">
+And tell the old tales at my door;</p>
+<p class = "verse">
+The rainbirds in the rain may plead their far refrain,</p>
+<p class = "verse">
+In the glad young year at my door;</p>
+
+<p class = "verse firstline">
+And in the quiet sun, the silly partridge brood</p>
+<p class = "verse">
+In the red pine dust by my door;</p>
+<p class = "verse">
+Yet my squinting runty dwarf, with his lewd ungodly laugh,</p>
+<p class = "verse">
+Cries &ldquo;Wolf, wolf, wolf!&rdquo; at my door.</p>
+
+<span class = "pagenum">39</span>
+<a name = "page39"> </a>
+<p class = "verse firstline">
+I&rsquo;m his master (and his slave, with his &ldquo;Wolf, wolf,
+wolf!&rdquo;)</p>
+<p class = "verse">
+As he squats in the sun at my door.</p>
+<p class = "verse">
+There morn and noon and night, with his cuddled low delight,</p>
+<p class = "verse">
+He watches for the wolf at my door.</p>
+
+<p class = "verse firstline">
+The wind may parch his hide, or freeze him to the bone,</p>
+<p class = "verse">
+While the wolf walks far from the door;</p>
+<p class = "verse">
+Still year on year he sits, with his five unholy wits,</p>
+<p class = "verse">
+And watches for the wolf at the door.</p>
+
+<p class = "verse firstline">
+But the fall of the leaf and the starting of the bud</p>
+<p class = "verse">
+Are the seasons he loves by the door;</p>
+<p class = "verse">
+Then his blood begins to rouse, this Caliban I house,</p>
+<p class = "verse">
+And it&rsquo;s &ldquo;Wolf, wolf, wolf!&rdquo; at the door.</p>
+
+<p class = "verse firstline">
+In the dread lone of the night I can hear him snuff the sill;</p>
+<p class = "verse">
+Then it&rsquo;s &ldquo;Wolf, wolf, wolf!&rdquo; at the door;</p>
+<p class = "verse">
+His damned persistent bark, like a husky&rsquo;s in the dark,</p>
+<p class = "verse">
+His &ldquo;Wolf, wolf, wolf!&rdquo; at the door.</p>
+
+<span class = "pagenum">40</span>
+<a name = "page40"> </a>
+<p class = "verse firstline">
+I have tried to rid the house of the misbegotten spawn;</p>
+<p class = "verse">
+But he skulks like a shadow at my door,</p>
+<p class = "verse">
+With the same uncanny glee as when he came to me</p>
+<p class = "verse">
+With his first cry of wolf at my door.</p>
+
+<p class = "verse firstline">
+I curse him, and he leers; I kick him, and he whines;</p>
+<p class = "verse">
+But he never leaves the stone at my door.</p>
+<p class = "verse">
+Peep of day or set of sun, his croaking&rsquo;s never done</p>
+<p class = "verse">
+Of the Red Wolf of Despair at my door.</p>
+
+<p class = "verse firstline">
+But when the night is old, and the stars begin to fade,</p>
+<p class = "verse">
+And silence walks the path by my door,</p>
+<p class = "verse">
+Then is his dearest hour, his most unbridled power,</p>
+<p class = "verse">
+And low comes his &ldquo;Wolf!&rdquo; at the door.</p>
+
+<p class = "verse firstline">
+I turn me in my sleep between the night and day,</p>
+<p class = "verse">
+While dreams throng the yard at my door.</p>
+<p class = "verse">
+In my strong soul aware of a grewsome terror there</p>
+<p class = "verse">
+Soon to knock with command at my door.</p>
+
+<span class = "pagenum">41</span>
+<a name = "page41"> </a>
+<p class = "verse firstline">
+Is it the hollow voice of the census-taker Time</p>
+<p class = "verse">
+In his old idle round from door to door?</p>
+<p class = "verse">
+Or only the north wind, when all the leaves are thinned,</p>
+<p class = "verse">
+Come at last with his moan to my door?</p>
+
+<p class = "verse firstline">
+I cannot guess nor tell; only it comes and comes,</p>
+<p class = "verse">
+As from a vaster world beyond my door,</p>
+<p class = "verse">
+From centuries of eld, the death of freedom knelled,</p>
+<p class = "verse">
+A host of mortal fears at my door.</p>
+
+<p class = "verse firstline">
+Then I wake; and joy and youth and fame and love and bliss,</p>
+<p class = "verse">
+And all the good that ever passed my door,</p>
+<p class = "verse">
+Grow dim, and faint and fade, with the whole world unmade,</p>
+<p class = "verse">
+To perish as the summer at my door.</p>
+
+<p class = "verse firstline">
+The crouching heart within me quails like a shuddering thing,</p>
+<p class = "verse">
+As I turn on my pillow to the door;</p>
+<p class = "verse">
+Then in the chill white dawn, when life is half withdrawn,</p>
+<p class = "verse">
+Comes the dream-curdling &ldquo;Wolf!&rdquo; at my door.</p>
+
+<span class = "pagenum">42</span>
+<a name = "page42"> </a>
+<p class = "verse firstline">
+Only my yellow dwarf; (my servitor and lord!)</p>
+<p class = "verse">
+I hear him lift the latch of my door;</p>
+<p class = "verse">
+I see his wobbling chin and his unrepentant grin,</p>
+<p class = "verse">
+As he lets his oafship in at the door.</p>
+
+<p class = "verse firstline">
+He is low and humped and foul, and shambles like an ape;</p>
+<p class = "verse">
+And stealthily he barricades the door,</p>
+<p class = "verse">
+Then lays his goblin head against my lonely bed,</p>
+<p class = "verse">
+With a &ldquo;Wolf, wolf, wolf,&rdquo; at the door!</p>
+
+<p class = "verse firstline">
+I loathe him, but I feed him; I&rsquo;ll tell you how it was</p>
+<p class = "verse">
+(Hear him now with his &ldquo;Wolf!&rdquo; at the door!)</p>
+<p class = "verse">
+That I ever took him in; he is&mdash;he is my kin,</p>
+<p class = "verse">
+And kin to the wolf at the door!</p>
+
+<p class = "verse firstline">
+I loathe him, yet he lives; as God lets Satan live,</p>
+<p class = "verse">
+I suffer him to slumber at my door,</p>
+<span class = "pagenum">43</span>
+<a name = "page43"> </a>
+<p class = "verse">
+Till that long-looked-for time, that splendid sudden prime,</p>
+<p class = "verse">
+When Spring shall go in scarlet by my door.</p>
+
+<p class = "verse firstline">
+That day I will arise, put my heel upon his throat,</p>
+<p class = "verse">
+And squirt his yellow blood upon the door;</p>
+<p class = "verse">
+Then watch him dying there, like a spider in his lair,</p>
+<p class = "verse">
+With a &ldquo;Wolf, wolf, wolf!&rdquo; at my door.</p>
+
+<p class = "verse firstline">
+The great white morning sun shall walk the earth again,</p>
+<p class = "verse">
+And the children return to my door,</p>
+<p class = "verse">
+I shall hear their merry laugh, and forget my buried dwarf,</p>
+<p class = "verse">
+As a tale that is told at the door.</p>
+
+<p class = "verse firstline">
+Far from the quiet woods the gaunt red wolf shall flee,</p>
+<p class = "verse">
+As a cur that is stoned from the door;</p>
+<p class = "verse">
+And God&rsquo;s great peace come back along the lonely track,</p>
+<p class = "verse">
+To fill the golden year at my door.</p>
+</td></tr>
+</table>
+
+
+<span class = "pagenum">44</span>
+<a name = "page44"> </a>
+<h3>The Faithless Lover</h3>
+
+<table>
+<tr><td>
+<h5>I</h5>
+
+<p class = "firstline">
+<span class = "firstword"><span class = "firstletter">O</span>
+Life,</span> dear Life, in this fair house</p>
+<p class = "nospace">
+Long since did I, it seems to me,</p>
+<p class = "verse">
+In some mysterious doleful way</p>
+<p class = "verse">
+Fall out of love with thee.</p>
+
+<p class = "verse firstline">
+For, Life, thou art become a ghost,</p>
+<p class = "verse">
+A memory of days gone by,</p>
+<p class = "verse">
+A poor forsaken thing between</p>
+<p class = "verse">
+A heartache and a sigh.</p>
+
+<p class = "verse firstline">
+And now, with shadows from the hills</p>
+<p class = "verse">
+Thronging the twilight, wraith on wraith,</p>
+<p class = "verse">
+Unlock the door and let me go</p>
+<p class = "verse">
+To thy dark rival Death!</p>
+
+
+<h5>II</h5>
+
+<p class = "verse firstline">
+O Heart, dear Heart, in this fair house</p>
+<p class = "verse">
+Why hast thou wearied and grown tired,</p>
+<span class = "pagenum">45</span>
+<a name = "page45"> </a>
+<p class = "verse">
+Between a morning and a night,</p>
+<p class = "verse">
+Of all thy soul desired?</p>
+
+<p class = "verse firstline">
+Fond one, who cannot understand</p>
+<p class = "verse">
+Even these shadows on the floor,</p>
+<p class = "verse">
+Yet must be dreaming of dark loves</p>
+<p class = "verse">
+And joys beyond my door!</p>
+
+<p class = "verse firstline">
+But I am beautiful past all</p>
+<p class = "verse">
+The timid tumult of thy mood,</p>
+<p class = "verse">
+And thou returning not must still</p>
+<p class = "verse">
+Be mine in solitude.</p>
+</td></tr>
+</table>
+
+
+<span class = "pagenum">46</span>
+<a name = "page46"> </a>
+<h3>The Crimson House</h3>
+
+<table>
+<tr><td>
+<p class = "firstline">
+<span class = "firstword"><span class = "firstletter">L</span>ove</span>
+built a crimson house,</p>
+<p class = "nospace">
+I know it well,</p>
+<p class = "verse">
+That he might have a home</p>
+<p class = "verse">
+Wherein to dwell.</p>
+
+<p class = "verse firstline">
+Poor Love that roved so far</p>
+<p class = "verse">
+And fared so ill,</p>
+<p class = "verse">
+Between the morning star</p>
+<p class = "verse">
+And the Hollow Hill,</p>
+
+<p class = "verse firstline">
+Before he found the vale</p>
+<p class = "verse">
+Where he could bide,</p>
+<p class = "verse">
+With memory and oblivion</p>
+<p class = "verse">
+Side by side.</p>
+
+<p class = "verse firstline">
+He took the silver dew</p>
+<p class = "verse">
+And the dun red clay,</p>
+<p class = "verse">
+And behold when he was through</p>
+<p class = "verse">
+How fair were they!</p>
+
+<p class = "verse firstline">
+The braces of the sky</p>
+<p class = "verse">
+Were in its girth,</p>
+<span class = "pagenum">47</span>
+<a name = "page47"> </a>
+<p class = "verse">
+That it should feel no jar</p>
+<p class = "verse">
+Of the swinging earth;</p>
+
+<p class = "verse firstline">
+That sun and wind might bleach</p>
+<p class = "verse">
+But not destroy</p>
+<p class = "verse">
+The house that he had builded</p>
+<p class = "verse">
+For his joy.</p>
+
+<p class = "verse firstline">
+&ldquo;Here will I stay,&rdquo; he said,</p>
+<p class = "verse">
+&ldquo;And roam no more,</p>
+<p class = "verse">
+And dust when I am dead</p>
+<p class = "verse">
+Shall keep the door.&rdquo;</p>
+
+<p class = "verse firstline">
+There trooping dreams by night</p>
+<p class = "verse">
+Go by, go by.</p>
+<p class = "verse">
+The walls are rosy white</p>
+<p class = "verse">
+In the sun&rsquo;s eye.</p>
+
+<p class = "verse firstline">
+The windows are more clear</p>
+<p class = "verse">
+Than sky or sea;</p>
+<p class = "verse">
+He made them after God&rsquo;s</p>
+<p class = "verse">
+Transparency.</p>
+
+<p class = "verse firstline">
+It is a dearer place</p>
+<p class = "verse">
+Than kirk or inn;</p>
+<p class = "verse">
+Such joy on joy as there</p>
+<p class = "verse">
+Has never been.</p>
+
+<span class = "pagenum">48</span>
+<a name = "page48"> </a>
+<p class = "verse firstline">
+There may my longed-for rest</p>
+<p class = "verse">
+And welcome be,</p>
+<p class = "verse">
+When Love himself unbars</p>
+<p class = "verse">
+The door for me!</p>
+</td></tr>
+</table>
+
+
+<p class = "illustration">
+<span class = "pagenum">49</span>
+<a name = "page49"> </a>
+<img src = "images/pic49.jpg" width = "373" height = "602"
+alt = "The Lodger"></p>
+
+<h3>The Lodger</h3>
+
+<table>
+<tr><td>
+<p class = "firstline">
+<span class = "firstword"><span class = "firstletter">I</span> cannot</span>
+quite recall</p>
+<p class = "nospace">
+When first he came,</p>
+<p class = "verse">
+So reticent and tall,</p>
+<p class = "verse">
+With his eyes of flame.</p>
+
+<p class = "verse firstline">
+The neighbors used to say</p>
+<p class = "verse">
+(They know so much!)</p>
+<p class = "verse">
+He looked to them half way</p>
+<p class = "verse">
+Spanish or Dutch.</p>
+
+<p class = "verse firstline">
+Outlandish certainly</p>
+<p class = "verse">
+He is&mdash;and queer!</p>
+<p class = "verse">
+He has been lodged with me</p>
+<p class = "verse">
+This thirty year;</p>
+
+<span class = "pagenum">50</span>
+<a name = "page50"> </a>
+<p class = "verse firstline">
+All the while (it seems absurd!)</p>
+<p class = "verse">
+We hardly have</p>
+<p class = "verse">
+Exchanged a single word.</p>
+<p class = "verse">
+Mum as the grave!</p>
+
+<p class = "verse firstline">
+Minds only his own affairs,</p>
+<p class = "verse">
+Goes out and in,</p>
+<p class = "verse">
+And keeps himself upstairs</p>
+<p class = "verse">
+With his violin.</p>
+
+<p class = "verse firstline">
+Mum did I say? And yet</p>
+<p class = "verse">
+That talking smile</p>
+<p class = "verse">
+You never can forget,</p>
+<p class = "verse">
+Is all the while</p>
+
+<p class = "verse firstline">
+Full of such sweet reproofs</p>
+<p class = "verse">
+The darkest day,</p>
+<p class = "verse">
+Like morning on the roofs</p>
+<p class = "verse">
+In flush of May.</p>
+
+<p class = "verse firstline">
+Like autumn on the hills;</p>
+<p class = "verse">
+At four o&rsquo;clock</p>
+<p class = "verse">
+The sun like a herdsman spills</p>
+<p class = "verse">
+For drove and flock</p>
+
+<p class = "verse firstline">
+Peace with their provender,</p>
+<p class = "verse">
+And they are fed.</p>
+<span class = "pagenum">51</span>
+<a name = "page51"> </a>
+<p class = "verse">
+The day without a stir</p>
+<p class = "verse">
+Lies warm and red.</p>
+
+<p class = "verse firstline">
+Ah, sir, the summer land</p>
+<p class = "verse">
+For me! That is</p>
+<p class = "verse">
+Like living in God&rsquo;s hand,</p>
+<p class = "verse">
+Compared to this.</p>
+
+<p class = "verse firstline">
+His smile so quiet and deep</p>
+<p class = "verse">
+Reminds me of it.</p>
+<p class = "verse">
+I see it in my sleep,</p>
+<p class = "verse">
+And so I love it.</p>
+
+<p class = "verse firstline">
+An anarchist, say some;</p>
+<p class = "verse">
+But tush, say I,</p>
+<p class = "verse">
+When a man&rsquo;s heart is plumb,</p>
+<p class = "verse">
+Can his life be awry?</p>
+
+<p class = "verse firstline">
+Better than charity</p>
+<p class = "verse">
+And bigger too,</p>
+<p class = "verse">
+That heart. You&rsquo;ve seen the sea?</p>
+<p class = "verse">
+Of course. To you</p>
+
+<p class = "verse firstline">
+&rsquo;T is common enough, no doubt.</p>
+<p class = "verse">
+But here in town,</p>
+<p class = "verse">
+With God&rsquo;s world all shut out,</p>
+<p class = "verse">
+Save the leaden frown</p>
+
+<span class = "pagenum">52</span>
+<a name = "page52"> </a>
+<p class = "verse firstline">
+Of the sky, a slant of rain,</p>
+<p class = "verse">
+And a straggling star,</p>
+<p class = "verse">
+Such memories remain</p>
+<p class = "verse">
+The wonders they are.</p>
+
+<p class = "verse firstline">
+Once at the Isles of Shoals,</p>
+<p class = "verse">
+And it was June . . .</p>
+<p class = "verse">
+Now hear me dote! He strolls</p>
+<p class = "verse">
+Across my noon,</p>
+
+<p class = "verse firstline">
+Like the sun that day, where sleeps</p>
+<p class = "verse">
+My soul; his gaze</p>
+<p class = "verse">
+Goes glimmering down my deeps</p>
+<p class = "verse">
+Of yesterdays,</p>
+
+<p class = "verse firstline">
+Searching and searching, till</p>
+<p class = "verse">
+Its light consumes</p>
+<p class = "verse">
+The reluctant shapes that fill</p>
+<p class = "verse">
+Those purple glooms.</p>
+
+<p class = "verse firstline">
+Let others applaud, defame,</p>
+<p class = "verse">
+And the noise die down;</p>
+<p class = "verse">
+His voice saying your name,</p>
+<p class = "verse">
+Is enough renown.</p>
+
+<p class = "verse firstline">
+Too patient pitiful,</p>
+<p class = "verse">
+Too fierce at wrong,</p>
+<span class = "pagenum">53</span>
+<a name = "page53"> </a>
+<p class = "verse">
+To patronize the dull,</p>
+<p class = "verse">
+Or praise the strong.</p>
+
+<p class = "verse firstline">
+And yet he has a soul</p>
+<p class = "verse">
+Of wrath, though pent</p>
+<p class = "verse">
+Even when that white ghoul</p>
+<p class = "verse">
+Comes for his rent.</p>
+
+<p class = "verse firstline">
+The landlord? Hush! My God!</p>
+<p class = "verse">
+I think the walls</p>
+<p class = "verse">
+Take notes to help him prod</p>
+<p class = "verse">
+Us up. He galls</p>
+
+<p class = "verse firstline">
+My very soul to strife,</p>
+<p class = "verse">
+With his death&rsquo;s-head face.</p>
+<p class = "verse">
+He is foul too in his life,</p>
+<p class = "verse">
+Some hid disgrace,</p>
+
+<p class = "verse firstline">
+Some secret thing he does,</p>
+<p class = "verse">
+I warrant you,</p>
+<p class = "verse">
+For all his cheek to us</p>
+<p class = "verse">
+Is shaved so blue.</p>
+
+<p class = "verse firstline">
+He takes good care (by the shade</p>
+<p class = "verse">
+Of seven wives!)</p>
+<p class = "verse">
+That the undertaker&rsquo;s trade</p>
+<p class = "verse">
+He lives by thrives.</p>
+
+<span class = "pagenum">54</span>
+<a name = "page54"> </a>
+<p class = "verse firstline">
+Nor chick nor child has he.</p>
+<p class = "verse">
+So servile smug,</p>
+<p class = "verse">
+With that cringe in his knee,&mdash;</p>
+<p class = "verse">
+God curse his lug!</p>
+
+<p class = "verse firstline">
+But him, you should have seen</p>
+<p class = "verse">
+Him yesterday;</p>
+<p class = "verse">
+The landlord&rsquo;s smirk turned green</p>
+<p class = "verse">
+At his smile. The way</p>
+
+<p class = "verse firstline">
+He served that bloodless fish,</p>
+<p class = "verse">
+Were like to freeze him.</p>
+<p class = "verse">
+But meeting elsewhere, pish!</p>
+<p class = "verse">
+He never sees him.</p>
+
+<p class = "verse firstline">
+Yet such a gentleman,</p>
+<p class = "verse">
+So sure and slow.</p>
+<p class = "verse">
+The vilest harridan</p>
+<p class = "verse">
+Is not too low,</p>
+
+<p class = "verse firstline">
+If there is pity&rsquo;s need;</p>
+<p class = "verse">
+And no man born,</p>
+<p class = "verse">
+For cruelty or greed</p>
+<p class = "verse">
+Escapes that scorn.</p>
+
+<p class = "verse firstline">
+Most of all things, it seems,</p>
+<p class = "verse">
+He loves the town.</p>
+<span class = "pagenum">55</span>
+<a name = "page55"> </a>
+<p class = "verse">
+Watching the bright-faced streams</p>
+<p class = "verse">
+Go up and down,</p>
+
+<p class = "verse firstline">
+I have surprised him often</p>
+<p class = "verse">
+On Tremont street,</p>
+<p class = "verse">
+And marked the grave face soften,</p>
+<p class = "verse">
+The mouth grow sweet,</p>
+
+<p class = "verse firstline">
+In a brown study over</p>
+<p class = "verse">
+The men and women.</p>
+<p class = "verse">
+An unsuspected rover</p>
+<p class = "verse">
+That, for our Common.</p>
+
+<p class = "verse firstline">
+When the first jonquils come,</p>
+<p class = "verse">
+And spring is sold</p>
+<p class = "verse">
+On the street corners, some</p>
+<p class = "verse">
+Of the pretty gold</p>
+
+<p class = "verse firstline">
+Is sure to find its way</p>
+<p class = "verse">
+Home in his hand.</p>
+<p class = "verse">
+And many a winter day</p>
+<p class = "verse">
+At some cab-stand,</p>
+
+<p class = "verse firstline">
+He&rsquo;ll watch the cabmen feed</p>
+<p class = "verse">
+The pigeon flocks,</p>
+<p class = "verse">
+Or bid some liner speed</p>
+<p class = "verse">
+From the icy docks.</p>
+
+<span class = "pagenum">56</span>
+<a name = "page56"> </a>
+<p class = "verse firstline">
+His rooms? I much regret</p>
+<p class = "verse">
+You cannot see</p>
+<p class = "verse">
+His rooms, but they were let</p>
+<p class = "verse">
+With guarantee</p>
+
+<p class = "verse firstline">
+Of his seclusion there&mdash;</p>
+<p class = "verse">
+Except myself.</p>
+<p class = "verse">
+Each morning, table, chair,</p>
+<p class = "verse">
+Lamp, hearth, and shelf,</p>
+
+<p class = "verse firstline">
+I rearrange, refreshen,</p>
+<p class = "verse">
+Put all to rights,</p>
+<p class = "verse">
+Then leave him in possession.</p>
+<p class = "verse">
+Ah, but the nights,</p>
+
+<p class = "verse firstline">
+The nights! Sir, if I dared</p>
+<p class = "verse">
+But once set eye</p>
+<p class = "verse">
+To keyhole, nor be scared,</p>
+<p class = "verse">
+From playing Paul Pry,</p>
+
+<p class = "verse firstline">
+I doubt not I should learn</p>
+<p class = "verse">
+A wondrous thing</p>
+<p class = "verse">
+Or two; and in return</p>
+<p class = "verse">
+Go blind till spring.</p>
+
+<p class = "verse firstline">
+The light under his door</p>
+<p class = "verse">
+Is glory enough,</p>
+<span class = "pagenum">57</span>
+<a name = "page57"> </a>
+<p class = "verse">
+It outshines any star</p>
+<p class = "verse">
+That I know of.</p>
+
+<p class = "verse firstline">
+Wirrah, my lad, my lad,</p>
+<p class = "verse">
+&rsquo;T is fearsome strange,</p>
+<p class = "verse">
+The hints we all have had</p>
+<p class = "verse">
+Passing the range</p>
+
+<p class = "verse firstline">
+Of science, knowledge, law,</p>
+<p class = "verse">
+Or what you will,</p>
+<p class = "verse">
+Whose intangible touch of awe</p>
+<p class = "verse">
+Makes reason nil.</p>
+
+<p class = "verse firstline">
+Many a night I start,</p>
+<p class = "verse">
+Sudden awake,</p>
+<p class = "verse">
+Feeling my smothered heart</p>
+<p class = "verse">
+Flutter and quake;</p>
+
+<p class = "verse firstline">
+Like an aspen at dead of noon,</p>
+<p class = "verse">
+When not a breath</p>
+<p class = "verse">
+Is stirring to trouble the boon</p>
+<p class = "verse">
+Valley. A wraith</p>
+
+<p class = "verse firstline">
+Or a fetch, it must be, shivers</p>
+<p class = "verse">
+The soul of the tree</p>
+<p class = "verse">
+Till every leaf of it quivers.</p>
+<p class = "verse">
+And so with me.</p>
+
+<span class = "pagenum">58</span>
+<a name = "page58"> </a>
+<p class = "verse firstline">
+Was it the shuffle of feet</p>
+<p class = "verse">
+I heard go by,</p>
+<p class = "verse">
+With muffled drums in the street?</p>
+<p class = "verse">
+Was it the cry</p>
+
+<p class = "verse firstline">
+Of a rider riding the night</p>
+<p class = "verse">
+Into ashes and dawn,</p>
+<p class = "verse">
+With news in his nostrils and fright</p>
+<p class = "verse">
+Where his hoof-beats had gone?</p>
+
+<p class = "verse firstline">
+Did the pipes, at &ldquo;Bonny Dundee,&rdquo;</p>
+<p class = "verse">
+Bid regiments form?</p>
+<p class = "verse">
+Did a renegade&rsquo;s soul get free</p>
+<p class = "verse">
+On a wail of the storm?</p>
+
+<p class = "verse firstline">
+Did a flock of wild geese honk</p>
+<p class = "verse">
+As they cleared the hill?</p>
+<p class = "verse">
+Or only a bittern cronk,</p>
+<p class = "verse">
+Then all was still?</p>
+
+<p class = "verse firstline">
+Was it a night stampede</p>
+<p class = "verse">
+Of a thousand head?</p>
+<p class = "verse">
+I know I shook like a reed</p>
+<p class = "verse">
+There on my bed.</p>
+
+<p class = "verse firstline">
+Nameless and void and wild</p>
+<p class = "verse">
+Was the fear before me,</p>
+<span class = "pagenum">59</span>
+<a name = "page59"> </a>
+<p class = "verse">
+Ere I bethought me and smiled</p>
+<p class = "verse">
+As the truth flashed o&rsquo;er me.</p>
+
+<p class = "verse firstline">
+Of course, it was only his hand</p>
+<p class = "verse">
+Freeing the bass</p>
+<p class = "verse">
+Of his old Amati, grand</p>
+<p class = "verse">
+In the silence&rsquo; face.</p>
+
+<p class = "verse firstline">
+Rummaging up and down,</p>
+<p class = "verse">
+From string to string,</p>
+<p class = "verse">
+Bidding the discords drown,</p>
+<p class = "verse">
+The harmonies spring,</p>
+
+<p class = "verse firstline">
+Where tides and tide-winds rove</p>
+<p class = "verse">
+Far out from land,</p>
+<p class = "verse">
+On the ocean of music a-move</p>
+<p class = "verse">
+At the will of his hand.</p>
+
+<p class = "verse firstline">
+Sobbing and grieving now,</p>
+<p class = "verse">
+Now glad as a bird,</p>
+<p class = "verse">
+Thou, thou, thou</p>
+<p class = "verse">
+Of the joys unheard,</p>
+
+<p class = "verse firstline">
+Luminous radiant sea</p>
+<p class = "verse">
+Of the sounds and time,</p>
+<p class = "verse">
+Surely, surely by thee</p>
+<p class = "verse">
+Is eternal prime.</p>
+
+<span class = "pagenum">60</span>
+<a name = "page60"> </a>
+<p class = "verse firstline">
+Holy and beautiful deep,</p>
+<p class = "verse">
+Spread down before</p>
+<p class = "verse">
+The imperial coming of sleep,</p>
+<p class = "verse">
+Endure, endure!</p>
+
+<p class = "verse firstline">
+And sleep, be thou the ranger</p>
+<p class = "verse">
+Over it wan.</p>
+<p class = "verse">
+And dream, be thou no stranger</p>
+<p class = "verse">
+There with the dawn.</p>
+
+<p class = "verse firstline">
+Then wings of the sun, go abroad</p>
+<p class = "verse">
+As a scarlet desire,</p>
+<p class = "verse">
+Unwearied, unwaning, unawed,</p>
+<p class = "verse">
+To quest and aspire,</p>
+
+<p class = "verse firstline">
+Till the drench of the dusk you drink</p>
+<p class = "verse">
+In the poppy-field west;</p>
+<p class = "verse">
+Then veer and settle and sink</p>
+<p class = "verse">
+As a gull to her nest.</p>
+
+<p class = "verse firstline">
+Wind,</p>
+<p class = "verse">
+Away, away!</p>
+<p class = "verse">
+And hurry your phantom kind</p>
+<p class = "verse">
+Through the gates of day,</p>
+
+<p class = "verse firstline">
+Or ever the king&rsquo;s dark cup</p>
+<p class = "verse">
+With its studs and spars</p>
+<span class = "pagenum">61</span>
+<a name = "page61"> </a>
+<p class = "verse">
+Be inverted, and earth look up</p>
+<p class = "verse">
+To the shuddering stars.</p>
+
+<p class = "verse firstline">
+Blaring and triumphing now,</p>
+<p class = "verse">
+Now quailing and lone,</p>
+<p class = "verse">
+Thou, thou, thou</p>
+<p class = "verse">
+Of the joys unknown!</p>
+
+<p class = "verse firstline">
+Unknown and wild, wild,</p>
+<p class = "verse">
+Where the merrymen be,</p>
+<p class = "verse">
+Sink to sleep, soul of a child,</p>
+<p class = "verse">
+Slumber, thou sea!</p>
+
+<p class = "verse firstline">
+All this his fiddle plays,</p>
+<p class = "verse">
+And many a thing</p>
+<p class = "verse">
+As strange, when his mood so lays</p>
+<p class = "verse">
+The bow to the string.</p>
+
+<p class = "verse firstline">
+Sleepless! He never sleeps</p>
+<p class = "verse">
+That I can find.</p>
+<p class = "verse">
+I marvel how he keeps</p>
+<p class = "verse">
+A bit of his mind.</p>
+
+<p class = "verse firstline">
+There is neither sight nor sound</p>
+<p class = "verse">
+In the world of sense,</p>
+<p class = "verse">
+But he has fathomed and found</p>
+<p class = "verse">
+In the silvery tense</p>
+
+<span class = "pagenum">62</span>
+<a name = "page62"> </a>
+<p class = "verse firstline">
+Keen cords on the amber wood.</p>
+<p class = "verse">
+As he wrings them thence,</p>
+<p class = "verse">
+Death smiles at his hardihood</p>
+<p class = "verse">
+For recompense.</p>
+
+<p class = "verse firstline">
+Oh fair they are, so fair!</p>
+<p class = "verse">
+No tongue can tell</p>
+<p class = "verse">
+How he sets them chiming there</p>
+<p class = "verse">
+Clear as a bell.</p>
+
+<p class = "verse firstline">
+An orchard of birds in June,</p>
+<p class = "verse">
+The winds that stream,</p>
+<p class = "verse">
+The cold sea-brooks that croon,</p>
+<p class = "verse">
+The storms that scream,</p>
+
+<p class = "verse firstline">
+The planets that float and swing</p>
+<p class = "verse">
+Like buoys on the tide,</p>
+<p class = "verse">
+The north-going legions in spring,</p>
+<p class = "verse">
+The hills that abide,</p>
+
+<p class = "verse firstline">
+The frigate-bird clouds that range,</p>
+<p class = "verse">
+The vagabond moon&mdash;</p>
+<p class = "verse">
+That wilful lover of change&mdash;</p>
+<p class = "verse">
+And the workaday sun,</p>
+
+<p class = "verse firstline">
+Dying summer and fall,</p>
+<p class = "verse">
+Seasons and men</p>
+<span class = "pagenum">63</span>
+<a name = "page63"> </a>
+<p class = "verse">
+And herds, he has them all</p>
+<p class = "verse">
+In his shadowy ken.</p>
+
+<p class = "verse firstline">
+He calls and they come, leaving strife,</p>
+<p class = "verse">
+Leaving discord and death,</p>
+<p class = "verse">
+Out of oblivion to life,</p>
+<p class = "verse">
+Though its span be a breath.</p>
+
+<p class = "verse firstline">
+There they are, all the beautiful things</p>
+<p class = "verse">
+I loved and lost sight of</p>
+<p class = "verse">
+Long since in the far-away springs,</p>
+<p class = "verse">
+Come back for a night of</p>
+
+<p class = "verse firstline">
+New being as good as their old,</p>
+<p class = "verse">
+Aye, better in fact,</p>
+<p class = "verse">
+For somehow he gilds their fine gold,&mdash;</p>
+<p class = "verse">
+Gives the one thing they lacked,</p>
+
+<p class = "verse firstline">
+The breath, aspiration, desire,</p>
+<p class = "verse">
+Core, kindle, control,</p>
+<p class = "verse">
+Memory and rapture and fire,&mdash;</p>
+<p class = "verse">
+The touch of man&rsquo;s soul.</p>
+
+<p class = "verse firstline">
+How know the true master? I know</p>
+<p class = "verse">
+By my joys and my fears,</p>
+<p class = "verse">
+For my heart crumbles down like the snow</p>
+<p class = "verse">
+With spring rain into tears.</p>
+
+<span class = "pagenum">64</span>
+<a name = "page64"> </a>
+<p class = "verse firstline">
+Now I am a precious one!</p>
+<p class = "verse">
+With nothing to do</p>
+<p class = "verse">
+But idle here in the sun</p>
+<p class = "verse">
+And gossip with you</p>
+
+<p class = "verse firstline">
+Of a stranger you have not seen,</p>
+<p class = "verse">
+As like never will.</p>
+<p class = "verse">
+I would every soul had a screen,</p>
+<p class = "verse">
+When the wind sets ill</p>
+
+<p class = "verse firstline">
+In the world&rsquo;s bleak house, like this</p>
+<p class = "verse">
+Strange lodger of mine.</p>
+<p class = "verse">
+His presence is worse to miss</p>
+<p class = "verse">
+Than sun&rsquo;s best shine.</p>
+
+<p class = "verse firstline">
+I put no thought at all</p>
+<p class = "verse">
+Upon the end,</p>
+<p class = "verse">
+If only I may call</p>
+<p class = "verse">
+Such a man friend.</p>
+
+<p class = "verse firstline">
+And a friend he is, heart light</p>
+<p class = "verse">
+With love for heft,</p>
+<p class = "verse">
+Proud as silence, whose right</p>
+<p class = "verse">
+Hand ignores his left.</p>
+
+<p class = "verse firstline">
+Yes, odd! he gives his name</p>
+<p class = "verse">
+As Spiritus.</p>
+<span class = "pagenum">65</span>
+<a name = "page65"> </a>
+<p class = "verse">
+But that is vague as a flame</p>
+<p class = "verse">
+In the wind to us.</p>
+
+<p class = "verse firstline">
+And then (but not a breath</p>
+<p class = "verse">
+Of this!) you see,</p>
+<p class = "verse">
+All his effects, my faith!</p>
+<p class = "verse">
+Are marked D.V.</p>
+
+<p class = "verse firstline">
+His cape-coat has a rip,</p>
+<p class = "verse">
+But for all that,</p>
+<p class = "verse">
+(Folk smile, suggest a dip</p>
+<p class = "verse">
+In the dyer&rsquo;s vat,&mdash;</p>
+
+<p class = "verse firstline">
+Those purple aldermen</p>
+<p class = "verse">
+Who roll about</p>
+<p class = "verse">
+In coaches, drive till ten,</p>
+<p class = "verse">
+And die of gout),</p>
+
+<p class = "verse firstline">
+I think he finely shows</p>
+<p class = "verse">
+How learning&rsquo;s crumbs</p>
+<p class = "verse">
+At least can rival those</p>
+<p class = "verse">
+Of&mdash; &rsquo;st, here he comes!</p>
+</td></tr>
+</table>
+
+
+<span class = "pagenum">66</span>
+<a name = "page66"> </a>
+<h3>Beyond the Gamut</h3>
+
+<table>
+<tr><td>
+<p class = "firstline">
+<span class = "firstword"><span class = "firstletter">S</span>oftly,</span>
+softly, Niccolo Amati!</p>
+<p class = "nospace">
+What can put such fancies in your head?</p>
+<p class = "verse">
+There, go dream of your blue-skied Cremona,</p>
+<p class = "verse">
+While I ponder something you have said.</p>
+
+<p class = "verse firstline">
+Something in that last low lovely cadence</p>
+<p class = "verse">
+Piercing the green dusk alone and far,</p>
+<p class = "verse">
+Named a new room in the house of knowledge,</p>
+<p class = "verse">
+Waiting unfrequented, door ajar.</p>
+
+<p class = "verse firstline">
+While you dream then, let me unmolested</p>
+<p class = "verse">
+Pass in childish wonder through that door,&mdash;</p>
+<p class = "verse">
+Breathless, touch and marvel at the beauties</p>
+<p class = "verse">
+Soon my wiser elders must explore.</p>
+
+<p class = "verse firstline">
+Ah, my Niccolo, it&rsquo;s no great science</p>
+<p class = "verse">
+We shall ever conquer, you and I.</p>
+<p class = "verse">
+Yet, when you are nestled at my shoulder,</p>
+<p class = "verse">
+Others guess not half that we descry.</p>
+
+<span class = "pagenum">67</span>
+<a name = "page67"> </a>
+<p class = "verse firstline">
+As all sight is but a finer hearing,</p>
+<p class = "verse">
+And all color but a finer sound,</p>
+<p class = "verse">
+Beauty, but the reach of lyric freedom,</p>
+<p class = "verse">
+Caught and quivering past all music&rsquo;s bound;</p>
+
+<p class = "verse firstline">
+Life, that faint sigh whispered from oblivion,</p>
+<p class = "verse">
+Harks and wonders if we may not be</p>
+<p class = "verse">
+Five small wits to carry one great rhythmus,</p>
+<p class = "verse">
+The vast theme of God&rsquo;s new symphony.</p>
+
+<p class = "verse firstline">
+As fine sand spread on a disc of silver,</p>
+<p class = "verse">
+At some chord which bids the motes combine,</p>
+<p class = "verse">
+Heeding the hidden and reverberant impulse,</p>
+<p class = "verse">
+Shifts and dances into curve and line,</p>
+
+<p class = "verse firstline">
+The round earth, too, haply, like a dust-mote,</p>
+<p class = "verse">
+Was set whirling her assigned sure way,</p>
+<p class = "verse">
+Round this little orb of her ecliptic</p>
+<p class = "verse">
+To some harmony she must obey.</p>
+
+<p class = "verse firstline">
+Did the Master try the taut string merely,</p>
+<p class = "verse">
+Give a touch, and she must throb to time?</p>
+<p class = "verse">
+Think you how his bow must rouse the echoes,</p>
+<p class = "verse">
+Quailing triumphing on, secure, sublime!</p>
+
+<span class = "pagenum">68</span>
+<a name = "page68"> </a>
+<p class = "verse firstline">
+Ah, thought cannot far without the symbol!</p>
+<p class = "verse">
+Help me, little brother, hold the trend.</p>
+<p class = "verse">
+Dear good flesh, that keeps the spirit steady,</p>
+<p class = "verse">
+Lest it faint, grown dizzy at thought&rsquo;s end!</p>
+
+<p class = "verse firstline">
+Waves of sound (Is this your thought, Amati?),</p>
+<p class = "verse">
+Climbing into treble thin and clear,</p>
+<p class = "verse">
+Past the silence, change to waves of color,</p>
+<p class = "verse">
+We must say, when eye takes place of ear?</p>
+
+<p class = "verse firstline">
+Not a bird-song, but it has for fellow</p>
+<p class = "verse">
+Some-wood-flower, its speechless counterpart,</p>
+<p class = "verse">
+Form and color moulded to one cadence,</p>
+<p class = "verse">
+To voice something of the wild mute heart.</p>
+
+<p class = "verse firstline">
+Thrushes, we&rsquo;ll suppose, have for their tune-mates</p>
+<p class = "verse">
+The gold languorous lilies of the glade;</p>
+<p class = "verse">
+And the whippoorwill, that plaintive dreamer,</p>
+<p class = "verse">
+Some dark purple flower that loves the shade.</p>
+
+<p class = "verse firstline">
+The song-sparrow tells me what the clover</p>
+<p class = "verse">
+Nods about beneath the gorgeous blue;</p>
+<span class = "pagenum">69</span>
+<a name = "page69"> </a>
+<p class = "verse">
+While the snowballs tell me old love-stories</p>
+<p class = "verse">
+Thistle-birds half hinted as they flew.</p>
+
+<p class = "verse firstline">
+April&rsquo;s faith, in robin at his vespers,</p>
+<p class = "verse">
+Breathes a prayer too in my lilac blooms.</p>
+<p class = "verse">
+What the cloudy asters told the hillside,</p>
+<p class = "verse">
+My lone rainbird in the dusk resumes.</p>
+
+<p class = "verse firstline">
+Bobolink is voice for apple blossom,</p>
+<p class = "verse">
+Breezy, abundant, good for human joys;</p>
+<p class = "verse">
+Oriole has touched the burning secret</p>
+<p class = "verse">
+Poppies hide with their deliberate poise.</p>
+
+<p class = "verse firstline">
+Tiny twin-flowers, what are they but fancies,</p>
+<p class = "verse">
+Subtler than a field-lark can express?</p>
+<p class = "verse">
+Swallows make the low contented twitter</p>
+<p class = "verse">
+Lying just beyond the pansies&rsquo; guess.</p>
+
+<p class = "verse firstline">
+Yellowbird, the hot noon&rsquo;s warbler, pierces</p>
+<p class = "verse">
+Sense where tiger-lilies may not pass.</p>
+<p class = "verse">
+Are not crickets and all field-wise creatures</p>
+<p class = "verse">
+Brahmins of the universal grass?</p>
+
+<p class = "verse firstline">
+Saffron butterflies and mute ephemera,</p>
+<p class = "verse">
+Doubt not, have their songs too, could we hear.</p>
+<span class = "pagenum">70</span>
+<a name = "page70"> </a>
+<p class = "verse">
+Every raindrop is a sea sonorous</p>
+<p class = "verse">
+As the great worlds thundering sphere to sphere.</p>
+
+<p class = "verse firstline">
+There&rsquo;s no silence and no dark forever,</p>
+<p class = "verse">
+Clangoring suns to us are placid stars;</p>
+<p class = "verse">
+Swift-foot lightning with his henchman thunder</p>
+<p class = "verse">
+Lags behind these gnomes in Leyden jars.</p>
+
+<p class = "verse firstline">
+Peal and flash and thrill and scent and savour</p>
+<p class = "verse">
+Pulse through rhythm to rapture, and control,&mdash;</p>
+<p class = "verse">
+Who shall say how far along or finely?&mdash;</p>
+<p class = "verse">
+The infinite tectonics of the soul.</p>
+
+<p class = "verse firstline">
+Low-bred peoples, Hottentots, Basutos,</p>
+<p class = "verse">
+Have a taste for scarlet and brass bands.</p>
+<p class = "verse">
+Our friend Monet, feeling red repulsive,</p>
+<p class = "verse">
+Sees blue shadows in pale purple lands.</p>
+
+<p class = "verse firstline">
+Sees not only, but instructs our seeing;</p>
+<p class = "verse">
+Taught by him a twelvemonth, we confess</p>
+<p class = "verse">
+Earth once robed in crude barbaric splendor,</p>
+<p class = "verse">
+Has put on a softer lovelier dress.</p>
+
+<span class = "pagenum">71</span>
+<a name = "page71"> </a>
+<p class = "verse firstline">
+Feast my eyes on some old Indian fabric,</p>
+<p class = "verse">
+Centuries of culture went to weave,</p>
+<p class = "verse">
+And I grow the fine fastidious artist,</p>
+<p class = "verse">
+No mere shop-made textile can deceive.</p>
+
+<p class = "verse firstline">
+Red the bass and violet the treble,</p>
+<p class = "verse">
+Soul may pass out where all color ends.</p>
+<p class = "verse">
+Ends? So we say, meaning where the eyesight</p>
+<p class = "verse">
+With some yet unborn perception blends.</p>
+
+<p class = "verse firstline">
+You, Amati, never saw a sunset,&mdash;</p>
+<p class = "verse">
+Hear tornadoes in a spider&rsquo;s loom;</p>
+<p class = "verse">
+I, at my wits&rsquo; end, may still develop</p>
+<p class = "verse">
+Unknown senses in life&rsquo;s larger room.</p>
+
+<p class = "verse firstline">
+Superhuman is not supernatural.</p>
+<p class = "verse">
+How shall half-way judge of journey done?</p>
+<p class = "verse">
+Shall this germ and protoplast of being</p>
+<p class = "verse">
+Rest mid-life and say his race is run?</p>
+
+<p class = "verse firstline">
+Softly there, my Niccolo, a moment!</p>
+<p class = "verse">
+Shall I then discard my simpler joys?</p>
+<p class = "verse">
+No, for look you, every sense&rsquo;s impulse</p>
+<p class = "verse">
+Is a means the master soul employs.</p>
+
+<span class = "pagenum">72</span>
+<a name = "page72"> </a>
+<p class = "verse firstline">
+Test and use of all things, lowest, highest,</p>
+<p class = "verse">
+Are alone of import to the soul;</p>
+<p class = "verse">
+Joys of earth are journey-aids to heaven,</p>
+<p class = "verse">
+Garb of the new sainthood sane and whole.</p>
+
+<p class = "verse firstline">
+Earth one habitat of spirit merely,</p>
+<p class = "verse">
+I must use as richly as I may,&mdash;</p>
+<p class = "verse">
+Touch environment with every sense-tip,</p>
+<p class = "verse">
+Drink the well and pass my wander way.</p>
+
+<p class = "verse firstline">
+Ah, drink deep and let the parching morrow</p>
+<p class = "verse">
+Quench what thirst its newer need may bring!</p>
+<p class = "verse">
+Slake the senses now, that soul hereafter</p>
+<p class = "verse">
+Go not forth a starved defrauded thing.</p>
+
+<p class = "verse firstline">
+Not for sense sake only, but for soul sake;</p>
+<p class = "verse">
+That when soul must shed the leaves of sense,</p>
+<p class = "verse">
+Sun and sap may solace and support her,</p>
+<p class = "verse">
+Stored in those green hours for her defence.</p>
+
+<p class = "verse firstline">
+Shall the grub deny himself the rose-leaf</p>
+<p class = "verse">
+That he may be moth before his time?</p>
+<p class = "verse">
+Shall the grasshopper repress his drumbeats</p>
+<p class = "verse">
+For small envy of the kingbird&rsquo;s chime?</p>
+
+<span class = "pagenum">73</span>
+<a name = "page73"> </a>
+<p class = "verse firstline">
+Certain half-men, never touched by worship,</p>
+<p class = "verse">
+Soil the goodly feast they cannot use;</p>
+<p class = "verse">
+Others, maimed too, holding flesh a hindrance,</p>
+<p class = "verse">
+Vilify the bounty they refuse.</p>
+
+<p class = "verse firstline">
+He&rsquo;s most man who loves the purple shadows,</p>
+<p class = "verse">
+Yet must love the flaring autumn too,&mdash;</p>
+<p class = "verse">
+Follow when the skrieling pipes bid forward,</p>
+<p class = "verse">
+Lie and gaze for hours into the blue.</p>
+
+<p class = "verse firstline">
+He would have gone down with Alexander,</p>
+<p class = "verse">
+Quelling unknown lands beneath the sun;</p>
+<p class = "verse">
+Watched where Buddha in the Bo tree shadows</p>
+<p class = "verse">
+Saw this life&rsquo;s web woven and undone;</p>
+
+<p class = "verse firstline">
+Freed his stifled heart in Shakespeare&rsquo;s people,</p>
+<p class = "verse">
+Sweet and elemental and serene;</p>
+<p class = "verse">
+Dared the unknown with Blake and Galileo;</p>
+<p class = "verse">
+Fronted death with Daulac&rsquo;s seventeen.</p>
+
+<p class = "verse firstline">
+So shall mighty peace possess his spirit</p>
+<p class = "verse">
+Whom the noonday leads alone apart,</p>
+<span class = "pagenum">74</span>
+<a name = "page74"> </a>
+<p class = "verse">
+Through the wind-clear early Indian summer,</p>
+<p class = "verse">
+Where no yearning more shall move his heart.</p>
+
+<p class = "verse firstline">
+Wise and foot-free, of the tranquil tenor,</p>
+<p class = "verse">
+He shall wayfare with the homeless tides;</p>
+<p class = "verse">
+Time enough, when life allures no longer,</p>
+<p class = "verse">
+To frequent the tavern death provides.</p>
+
+<p class = "verse firstline">
+Life be neither hermitage nor revel;</p>
+<p class = "verse">
+Lent or carnival alone were vain;</p>
+<p class = "verse">
+Sin and sainthood&mdash;Help me, little brother,</p>
+<p class = "verse">
+With your largo finder-thought again!</p>
+
+<p class = "verse firstline">
+Lift, uplift me, higher still and higher!</p>
+<p class = "verse">
+Climb and pause and tremble and plunge on,</p>
+<p class = "verse">
+Till I, toiling after you, come breathless</p>
+<p class = "verse">
+Where the mountain tops are touched with dawn!</p>
+
+<p class = "verse firstline">
+Dark this valley world; and drenched with slumber</p>
+<p class = "verse">
+We have kept the centuries of night.</p>
+<p class = "verse">
+Cry, Amati, pierce the waiting stillness</p>
+<p class = "verse">
+Tremulous with forecast of the light!</p>
+
+<span class = "pagenum">75</span>
+<a name = "page75"> </a>
+<p class = "verse firstline">
+Cry, Amati! Melt the twilight dirges</p>
+<p class = "verse">
+In &ldquo;Te Deums&rdquo; fit for marching men!</p>
+<p class = "verse">
+&ldquo;Good,&rdquo; the days are chorusing, &ldquo;shall
+triumph;&rdquo;</p>
+<p class = "verse">
+Though the far-off morrows whisper, &ldquo;When?&rdquo;</p>
+
+<p class = "verse firstline">
+What is good? I hear your soft string answer,</p>
+<p class = "verse">
+&ldquo;I am that whereon the round world leans,</p>
+<p class = "verse">
+I am every man&rsquo;s poor guess at wisdom;</p>
+<p class = "verse">
+Evil is the soul&rsquo;s misuse of means.</p>
+
+<p class = "verse firstline">
+&ldquo;Up through me, with melody and meaning,</p>
+<p class = "verse">
+Well the floods of being or subside,</p>
+<p class = "verse">
+The first dim desire of self for selfhood,</p>
+<p class = "verse">
+The last smile that puts all self aside.</p>
+
+<p class = "verse firstline">
+&ldquo;Hate is discord lessening through the ages;</p>
+<p class = "verse">
+Anger a false note, fear a slackened string.</p>
+<p class = "verse">
+Key thy soul up to the wiser manhood,</p>
+<p class = "verse">
+Gentler lovelier joy from spring to spring!&rdquo;</p>
+
+<p class = "verse firstline">
+Here in turn I help you, little brother,</p>
+<p class = "verse">
+Half surmise what you have half explained.</p>
+<p class = "verse">
+Store it by to ripen, and repeat it</p>
+<p class = "verse">
+Long hereafter as a glimpse you gained,</p>
+
+<span class = "pagenum">76</span>
+<a name = "page76"> </a>
+<p class = "verse firstline">
+When the nineteenth century was dying,</p>
+<p class = "verse">
+From a strolling hand that held you dear,&mdash;.</p>
+<p class = "verse">
+Appanage of time put in your keeping</p>
+<p class = "verse">
+For my far-off heritor to hear.</p>
+
+<p class = "verse firstline">
+I imagine how his eye will kindle</p>
+<p class = "verse">
+When he fondles you as I do now,&mdash;</p>
+<p class = "verse">
+Bends above you wooing like a lover,</p>
+<p class = "verse">
+While you yield him all your heart knows how.</p>
+
+<p class = "verse firstline">
+I shall have been dust a thousand summers,</p>
+<p class = "verse">
+But my dear unprofitable dreams</p>
+<p class = "verse">
+Shall be part of all the good that thrills you</p>
+<p class = "verse">
+In the oversoul&rsquo;s orchestral themes.</p>
+
+<p class = "verse firstline">
+What is good? While God&rsquo;s unfinished opus</p>
+<p class = "verse">
+Multitudinous harmony obeys,</p>
+<p class = "verse">
+Evil is a dissonance not a discord,</p>
+<p class = "verse">
+Soon to be resolved to happier phrase,&mdash;</p>
+
+<p class = "verse firstline">
+From time immemorial permitted,</p>
+<p class = "verse">
+Lest the too sweet melody grow tame,</p>
+<p class = "verse">
+And, untouched of pathos or of daring,</p>
+<p class = "verse">
+Hearts should never know what hearts proclaim:</p>
+
+<span class = "pagenum">77</span>
+<a name = "page77"> </a>
+<p class = "verse firstline">
+The unstained unconquerable valor,</p>
+<p class = "verse">
+The unflinching loyalties of love.</p>
+<p class = "verse">
+Or if evil be at worst a blunder</p>
+<p class = "verse">
+No musician ever could approve,</p>
+
+<p class = "verse firstline">
+The mere bungling of a hand that faltered,&mdash;</p>
+<p class = "verse">
+Mine or his who bade the planets poise,&mdash;</p>
+<p class = "verse">
+What a thing unthinkable for smallness</p>
+<p class = "verse">
+Is your frayed E string one touch destroys.</p>
+
+<p class = "verse firstline">
+How that sea-gull out across the bay there</p>
+<p class = "verse">
+Rows himself at leisure up the blue!</p>
+<p class = "verse">
+Evil the mere eddy from his wing-sweep,</p>
+<p class = "verse">
+Good the morning path he must pursue.</p>
+
+<p class = "verse firstline">
+Good, you think, and evil live together,</p>
+<p class = "verse">
+Both persisting on from change to change</p>
+<p class = "verse">
+Through interminable conservation,&mdash;</p>
+<p class = "verse">
+Primal powers no ruin can derange?</p>
+
+<p class = "verse firstline">
+Deed and accident alike unending</p>
+<p class = "verse">
+By eternal consequence of cause?</p>
+<p class = "verse">
+No. For good is impetus to Godward;</p>
+<p class = "verse">
+Evil, but our ignorance of laws.</p>
+
+<p class = "verse firstline">
+Say I let you, spite of all endeavor,</p>
+<p class = "verse">
+Mar some nocturne by a single note;</p>
+<span class = "pagenum">78</span>
+<a name = "page78"> </a>
+<p class = "verse">
+Is there immortality of discord</p>
+<p class = "verse">
+In your failure to preserve the rote?</p>
+
+<p class = "verse firstline">
+When the sound shall pass my sense&rsquo;s confines,</p>
+<p class = "verse">
+Melt away to color or thin flame,</p>
+<p class = "verse">
+Does it still malinger in the prism,</p>
+<p class = "verse">
+Falsify the crucible with shame?</p>
+
+<p class = "verse firstline">
+Hardly. For the melody and marring,</p>
+<p class = "verse">
+When they put the dear oblivion on,</p>
+<p class = "verse">
+Are become as fresh clay for the potter,</p>
+<p class = "verse">
+Neither good nor bad, for use anon.</p>
+
+<p class = "verse firstline">
+Blighted rose and perfect shall commingle</p>
+<p class = "verse">
+In one excellence of garden mould.</p>
+<p class = "verse">
+Soul transfusing comeliness or blemish</p>
+<p class = "verse">
+Can alone lend beauty to the old.</p>
+
+<p class = "verse firstline">
+While the streams go down among the mountains,</p>
+<p class = "verse">
+Gathering rills and leaving sand behind,</p>
+<p class = "verse">
+Till at last the ocean sea receives them,</p>
+<p class = "verse">
+And they lose themselves among their kind,</p>
+
+<span class = "pagenum">79</span>
+<a name = "page79"> </a>
+<p class = "verse firstline">
+Man, the joy-born and the sorrow-nurtured,</p>
+<p class = "verse">
+(One with nothingness though all things be,&mdash;</p>
+<p class = "verse">
+Great lord Sirius and the moving planets</p>
+<p class = "verse">
+Fleet as fire-germs in the torn-up sea,&mdash;)</p>
+
+<p class = "verse firstline">
+Linked to all his half-accomplished fellows,</p>
+<p class = "verse">
+Through unfrontiered provinces to range,</p>
+<p class = "verse">
+Man is but the morning dream of nature</p>
+<p class = "verse">
+Roused by some wild cadence weird and strange.</p>
+
+<p class = "verse firstline">
+Slowly therefore, Niccolo, and softly,</p>
+<p class = "verse">
+With more memories than tongue can tell,</p>
+<p class = "verse">
+Lower me down the slope of life, and leave me</p>
+<p class = "verse">
+Knowing the hereafter will be well.</p>
+
+<p class = "verse firstline">
+Close with, &ldquo;Love is but the perfect knowledge,</p>
+<p class = "verse">
+The one thing no failure can befall;</p>
+<p class = "verse">
+Lovingkindness betters loving credence;</p>
+<p class = "verse">
+Love and only love is best of all.&rdquo;</p>
+
+<p class = "verse firstline">
+Beauty, beauty, beauty, sense and seeming,</p>
+<p class = "verse">
+With the soul of truth she calls her lord!</p>
+<p class = "verse">
+Stars and men the dust upon her garment;</p>
+<p class = "verse">
+Hope and fear the echoes of her word.</p>
+
+<span class = "pagenum">80</span>
+<a name = "page80"> </a>
+<p class = "verse firstline">
+How escape we then, the rainbow&rsquo;s brothers,</p>
+<p class = "verse">
+Endless being with each blade and sod?</p>
+<p class = "verse">
+Dust and shadow between whence and whither,</p>
+<p class = "verse">
+Part of the tranquillity of God.</p>
+</td></tr>
+</table>
+
+
+<p class = "illustration">
+<span class = "pagenum">81</span>
+<a name = "page81"> </a>
+<img src = "images/pic81.jpg" width = "361" height = "589"
+alt = "THE JUGGLER"></p>
+
+<h3>The Juggler</h3>
+
+<table>
+<tr><td>
+<p class = "firstline">
+<span class = "firstword"><span class = "firstletter">L</span>ook</span>
+how he throws them up and
+up,</p>
+<p class = "nospace">
+The beautiful golden balls!</p>
+<p class = "verse">
+They hang aloft in the purple air,</p>
+<p class = "verse">
+And there never is one that falls.</p>
+
+<p class = "verse firstline">
+He sends them hot from his steady hand,</p>
+<p class = "verse">
+He teaches them all their curves;</p>
+<p class = "verse">
+And whether the reach be little or long,</p>
+<p class = "verse">
+There never is one that swerves.</p>
+
+<span class = "pagenum">82</span>
+<a name = "page82"> </a>
+<p class = "verse firstline">
+Some, like the tiny red one there,</p>
+<p class = "verse">
+He never lets go far;</p>
+<p class = "verse">
+And some he has sent to the roof of the tent</p>
+<p class = "verse">
+To swim without a jar.</p>
+
+<p class = "verse firstline">
+So white and still they seem to hang,</p>
+<p class = "verse">
+You wonder if he forgot</p>
+<p class = "verse">
+To reckon the time of their return</p>
+<p class = "verse">
+And measure their golden lot.</p>
+
+<p class = "verse firstline">
+Can it be that, hurried or tired out,</p>
+<p class = "verse">
+The hand of the juggler shook?</p>
+<p class = "verse">
+O never you fear, his eye is clear,</p>
+<p class = "verse">
+He knows them all like a book.</p>
+
+<p class = "verse firstline">
+And they will home to his hand at last,</p>
+<p class = "verse">
+For he pulls them by a cord</p>
+<p class = "verse">
+Finer than silk and strong as fate,</p>
+<p class = "verse">
+That is just the bid of his word.</p>
+
+<p class = "verse firstline">
+Was ever there such a sight in the world?</p>
+<p class = "verse">
+Like a wonderful winding skein,&mdash;</p>
+<p class = "verse">
+The way he tangles them up together</p>
+<p class = "verse">
+And ravels them out again!</p>
+
+<p class = "verse firstline">
+He has so many moving now,</p>
+<p class = "verse">
+You can hardly believe your eyes;</p>
+<span class = "pagenum">83</span>
+<a name = "page83"> </a>
+<p class = "verse">
+And yet they say he can handle twice</p>
+<p class = "verse">
+The number when he tries.</p>
+
+<p class = "verse firstline">
+You take your choice and give me mine,</p>
+<p class = "verse">
+I know the one for me,</p>
+<p class = "verse">
+It&rsquo;s that great bluish one low down</p>
+<p class = "verse">
+Like a ship&rsquo;s light out at sea.</p>
+
+<p class = "verse firstline">
+It has not moved for a minute or more.</p>
+<p class = "verse">
+The marvel that it can keep</p>
+<p class = "verse">
+As if it had been set there to spin</p>
+<p class = "verse">
+For a thousand years asleep!</p>
+
+<p class = "verse firstline">
+If I could have him at the inn</p>
+<p class = "verse">
+All by myself some night,&mdash;</p>
+<p class = "verse">
+Inquire his country, and where in the world</p>
+<p class = "verse">
+He came by that cunning sleight!</p>
+
+<p class = "verse firstline">
+Where do you guess he learned the trick</p>
+<p class = "verse">
+To hold us gaping here,</p>
+<p class = "verse">
+Till our minds in the spell of his maze almost</p>
+<p class = "verse">
+Have forgotten the time of year?</p>
+
+<p class = "verse firstline">
+One never could have the least idea.</p>
+<p class = "verse">
+Yet why be disposed to twit</p>
+<p class = "verse">
+A fellow who does such wonderful things</p>
+<p class = "verse">
+With the merest lack of wit?</p>
+
+<span class = "pagenum">84</span>
+<a name = "page84"> </a>
+<p class = "verse firstline">
+Likely enough, when the show is done</p>
+<p class = "verse">
+And the balls all back in his hand,</p>
+<p class = "verse">
+He&rsquo;ll tell us why he is smiling so,</p>
+<p class = "verse">
+And we shall understand.</p>
+</td></tr>
+</table>
+
+
+<span class = "pagenum">85</span>
+<a name = "page85"> </a>
+<h3>Hack and Hew</h3>
+
+<table>
+<tr><td>
+<p class = "firstline">
+<span class = "firstword"><span class = "firstletter">H</span>ack</span>
+and Hew were the sons of God</p>
+<p class = "nospace">
+In the earlier earth than now;</p>
+<p class = "verse">
+One at his right hand, one at his left,</p>
+<p class = "verse">
+To obey as he taught them how.</p>
+
+<p class = "verse firstline">
+And Hack was blind and Hew was dumb,</p>
+<p class = "verse">
+But both had the wild, wild heart;</p>
+<p class = "verse">
+And God&rsquo;s calm will was their burning will,</p>
+<p class = "verse">
+And the gist of their toil was art.</p>
+
+<p class = "verse firstline">
+They made the moon and the belted stars,</p>
+<p class = "verse">
+They set the sun to ride;</p>
+<p class = "verse">
+They loosed the girdle and veil of the sea,</p>
+<p class = "verse">
+The wind and the purple tide.</p>
+
+<p class = "verse firstline">
+Both flower and beast beneath their hands</p>
+<p class = "verse">
+To beauty and speed outgrew,&mdash;</p>
+<p class = "verse">
+The furious fumbling hand of Hack,</p>
+<p class = "verse">
+And the glorying hand of Hew.</p>
+
+<span class = "pagenum">86</span>
+<a name = "page86"> </a>
+<p class = "verse firstline">
+Then, fire and clay, they fashioned a man,</p>
+<p class = "verse">
+And painted him rosy brown;</p>
+<p class = "verse">
+And God himself blew hard in his eyes:</p>
+<p class = "verse">
+&ldquo;Let them burn till they smoulder down!&rdquo;</p>
+
+<p class = "verse firstline">
+And &ldquo;There!&rdquo; said Hack, and &ldquo;There!&rdquo; thought Hew,</p>
+<p class = "verse">
+&ldquo;We&rsquo;ll rest, for our toil is done.&rdquo;</p>
+<p class = "verse">
+But &ldquo;Nay,&rdquo; the Master Workman said,</p>
+<p class = "verse">
+&ldquo;For your toil is just begun.</p>
+
+<p class = "verse firstline">
+&ldquo;And ye who served me of old as God</p>
+<p class = "verse">
+Shall serve me anew as man,</p>
+<p class = "verse">
+Till I compass the dream that is in my heart,</p>
+<p class = "verse">
+And perfect the vaster plan.&rdquo;</p>
+
+<p class = "verse firstline">
+And still the craftsman over his craft,</p>
+<p class = "verse">
+In the vague white light of dawn,</p>
+<p class = "verse">
+With God&rsquo;s calm will for his burning will,</p>
+<p class = "verse">
+While the mounting day comes on.</p>
+
+<p class = "verse firstline">
+Yearning, wind-swift, indolent, wild,</p>
+<p class = "verse">
+Toils with those shadowy two,&mdash;</p>
+<p class = "verse">
+The faltering restless hand of Hack,</p>
+<p class = "verse">
+And the tireless hand of Hew.</p>
+</td></tr>
+</table>
+
+
+<p class = "illustration">
+<span class = "pagenum">87</span>
+<a name = "page87"> </a>
+<img src = "images/pic87.jpg" width = "369" height = "595"
+alt = "The Night Express"></p>
+
+<h3>The Night Express</h3>
+
+<table>
+<tr><td>
+<p class = "firstline">
+<span class = "firstword"><span class = "firstletter">O</span>ut</span>
+through the hills of
+midnight,</p>
+<p class = "nospace">
+Hurtling and thundering on,</p>
+<p class = "verse clear">
+The night express from the outer world</p>
+<p class = "verse">
+Speeds for the open of dawn.</p>
+
+<p class = "verse firstline">
+Out of the past and gloom-wrack,</p>
+<p class = "verse">
+Out of the dim and yore,</p>
+<p class = "verse">
+Freighted as train or caravan</p>
+<p class = "verse">
+Was never freighted before;</p>
+
+<span class = "pagenum">88</span>
+<a name = "page88"> </a>
+<p class = "verse firstline">
+Built when the Sphinx&rsquo;s query</p>
+<p class = "verse">
+Was new on the lips of peace;</p>
+<p class = "verse">
+Hurled through the aching and hollow years</p>
+<p class = "verse">
+Till time shall have release;</p>
+
+<p class = "verse firstline">
+Stealing and swift as a shadow,</p>
+<p class = "verse">
+Sinuous, urging, and blind,</p>
+<p class = "verse">
+Unpent as a joy or the flight of a bird,</p>
+<p class = "verse">
+With oblivion behind;</p>
+
+<p class = "verse firstline">
+Down to the morrow country</p>
+<p class = "verse">
+Into the unknown land!</p>
+<p class = "verse">
+And the Driver grips the throttle-bar;</p>
+<p class = "verse">
+Our lives are in his hand.</p>
+
+<p class = "verse firstline">
+The sleeping hills awake;</p>
+<p class = "verse">
+A tremor, a dread, a roar;</p>
+<p class = "verse">
+The terror is flying, is come, is past;</p>
+<p class = "verse">
+The hills can sleep once more.</p>
+
+<p class = "verse firstline">
+A moment the silence throbs,</p>
+<p class = "verse">
+The dark has a pulse of fire;</p>
+<p class = "verse">
+And then the wonder of time is gone,</p>
+<p class = "verse">
+A wraith and a desire.</p>
+
+<p class = "verse firstline">
+Demonish, toiling, grim,</p>
+<p class = "verse">
+In the ruddy furnace flare,</p>
+<span class = "pagenum">89</span>
+<a name = "page89"> </a>
+<p class = "verse">
+While the Driver fingers the throttle-bar,</p>
+<p class = "verse">
+Who stands at his elbow there?</p>
+
+<p class = "verse firstline">
+Can it be, this thing like a shred</p>
+<p class = "verse">
+Of the firmament torn away,</p>
+<p class = "verse">
+Is a boarded train that Death and his crew</p>
+<p class = "verse">
+Consorted to waylay?</p>
+
+<p class = "verse firstline">
+His wreckers, grinning and lean,</p>
+<p class = "verse">
+Are lurking at every curve;</p>
+<p class = "verse">
+But the Driver plays with the throttle-bar;</p>
+<p class = "verse">
+He has the iron nerve.</p>
+
+<p class = "verse firstline">
+We are travelling safe and warm,</p>
+<p class = "verse">
+With our little baggage of cares;</p>
+<p class = "verse">
+Why tease the peril that yet would come</p>
+<p class = "verse">
+Unbidden and unawares?</p>
+
+<p class = "verse firstline">
+The lonely are lonely still;</p>
+<p class = "verse">
+And the friend has another friend;</p>
+<p class = "verse">
+Only the idle heart inquires</p>
+<p class = "verse">
+The distance and the end.</p>
+
+<p class = "verse firstline">
+We pant up the climbing grade,</p>
+<p class = "verse">
+And coast on the tangent mile,</p>
+<p class = "verse">
+While the Driver toys with the throttle-bar,</p>
+<p class = "verse">
+And gathers the track in his smile.</p>
+
+<span class = "pagenum">90</span>
+<a name = "page90"> </a>
+<p class = "verse firstline">
+The dreamer weary of dreams,</p>
+<p class = "verse">
+The lover by love released,</p>
+<p class = "verse">
+Stricken and whole, and eager and sad,</p>
+<p class = "verse">
+Beauty and waif and priest,</p>
+
+<p class = "verse firstline">
+All these adventure forth,</p>
+<p class = "verse">
+Strangers though side by side,</p>
+<p class = "verse">
+With the tramp of time in the roaring wheels,</p>
+<p class = "verse">
+And haste in their shadowy stride.</p>
+
+<p class = "verse firstline">
+The star that races the hills</p>
+<p class = "verse">
+Shows yet the night is deep;</p>
+<p class = "verse">
+But the Driver humors the throttle-bar;</p>
+<p class = "verse">
+So, you and I may sleep.</p>
+
+<p class = "verse firstline">
+For He of the sleepless hand</p>
+<p class = "verse">
+Will drive till the night is done&mdash;</p>
+<p class = "verse">
+Will watch till morning springs from the sea,</p>
+<p class = "verse">
+And the rails stand gold in the sun;</p>
+
+<p class = "verse firstline">
+Then he will slow to a stop</p>
+<p class = "verse">
+The tread of the driving-rod,</p>
+<p class = "verse">
+When the night express rolls into the dawn;</p>
+<p class = "verse">
+For the Driver&rsquo;s name is God.</p>
+</td></tr>
+</table>
+
+
+<p class = "illustration">
+<span class = "pagenum">91</span>
+<a name = "page91"> </a>
+<img src = "images/pic91.jpg" width = "366" height = "601"
+alt = "The Dustman"></p>
+
+<h3>The Dustman</h3>
+
+<table>
+<tr><td>
+<p class = "firstline">
+<span class = "firstword"><span class = "firstletter">&ldquo;D</span>ustman,</span>
+dustman!&rdquo;</p>
+<p class = "nospace">
+Through the deserted square he cries,</p>
+<p class = "verse clear">
+And babies put their rosy fists</p>
+<p class = "verse">
+Into their eyes.</p>
+
+<p class = "verse firstline">
+There&rsquo;s nothing out of No-man&rsquo;s-land</p>
+<p class = "verse">
+So drowsy since the world began,</p>
+<p class = "verse">
+As &ldquo;Dustman, dustman,</p>
+<p class = "verse">
+Dustman.&rdquo;</p>
+
+<p class = "verse firstline">
+He goes his village round at dusk</p>
+<p class = "verse">
+From door to door, from day to day;</p>
+<span class = "pagenum">92</span>
+<a name = "page92"> </a>
+<p class = "verse">
+And when the children hear his step</p>
+<p class = "verse">
+They stop their play.</p>
+
+<p class = "verse firstline">
+&ldquo;Dustman, dustman!&rdquo;</p>
+<p class = "verse">
+Far up the street he is descried,</p>
+<p class = "verse">
+And soberly the twilight games</p>
+<p class = "verse">
+Are laid aside.</p>
+
+<p class = "verse firstline">
+&ldquo;Dustman, dustman!&rdquo;</p>
+<p class = "verse">
+There, Drowsyhead, the old refrain,</p>
+<p class = "verse">
+&ldquo;Dustman, dustman!&rdquo;</p>
+<p class = "verse">
+It goes again.</p>
+
+<p class = "verse firstline">
+Dustman, dustman,</p>
+<p class = "verse">
+Hurry by and let me sleep.</p>
+<p class = "verse">
+When most I wish for you to come,</p>
+<p class = "verse">
+You always creep.</p>
+
+<p class = "verse firstline">
+Dustman, dustman,</p>
+<p class = "verse">
+And when I want to play some more,</p>
+<p class = "verse">
+You never then are further off</p>
+<p class = "verse">
+Than the next door.</p>
+
+<p class = "verse firstline">
+&ldquo;Dustman, dustman!&rdquo;</p>
+<p class = "verse">
+He heckles down the echoing curb,</p>
+<p class = "verse">
+A step that neither hopes nor hates</p>
+<p class = "verse">
+Ever disturb.</p>
+
+<span class = "pagenum">93</span>
+<a name = "page93"> </a>
+<p class = "verse firstline">
+&ldquo;Dustman, dustman!&rdquo;</p>
+<p class = "verse">
+He never varies from one pace,</p>
+<p class = "verse">
+And the monotony of time</p>
+<p class = "verse">
+Is in his face.</p>
+
+<p class = "verse firstline">
+And some day, with more potent dust,</p>
+<p class = "verse">
+Brought from his home beyond the deep,</p>
+<p class = "verse">
+And gently scattered on our eyes,</p>
+<p class = "verse">
+We, too, shall sleep,&mdash;</p>
+
+<p class = "verse firstline">
+Hearing the call we know so well</p>
+<p class = "verse">
+Fade softly out as it began,</p>
+<p class = "verse">
+&ldquo;Dustman, dustman,</p>
+<p class = "verse">
+Dustman!&rdquo;</p>
+</td></tr>
+</table>
+
+
+<span class = "pagenum">94</span>
+<a name = "page94"> </a>
+<h3>The Sleepers</h3>
+
+<table>
+<tr><td>
+<p class = "firstline">
+<span class = "firstword"><span class = "firstletter">T</span>he</span>
+tall carnations down the garden walks</p>
+<p class = "nospace">
+Bowed on their stalks.</p>
+
+<p class = "verse firstline">
+Said Jock-a-dreams to John-a-nods,</p>
+<p class = "verse">
+&ldquo;What are the odds</p>
+<p class = "verse">
+That we shall wake up here within the sun,</p>
+<p class = "verse">
+When time is done,</p>
+<p class = "verse">
+And pick up all the treasures one by one</p>
+<p class = "verse">
+Our hands let fall in sleep?&rdquo; &ldquo;You have begun</p>
+<p class = "verse">
+To mutter in your dreams,&rdquo;</p>
+<p class = "verse">
+Said John-a-nods to Jock-a-dreams,</p>
+<p class = "verse">
+And they both slept again.</p>
+
+<p class = "verse firstline">
+The tall carnations in the sunset glow</p>
+<p class = "verse">
+Burned row on row.</p>
+
+<p class = "verse firstline">
+Said John-a-nods to Jock-a-dreams,</p>
+<p class = "verse">
+&ldquo;To me it seems</p>
+<p class = "verse">
+A thousand years since last you stirred and spoke,</p>
+<span class = "pagenum">95</span>
+<a name = "page95"> </a>
+<p class = "verse">
+And I awoke.</p>
+<p class = "verse">
+Was that the wind then trying to provoke</p>
+<p class = "verse">
+His brothers in their blessed sleep?&rdquo; &ldquo;They choke,</p>
+<p class = "verse">
+Who mutter in their nods,&rdquo;</p>
+<p class = "verse">
+Said Jock-a-dreams to John-a-nods.</p>
+<p class = "verse">
+And they both slept again.</p>
+
+<p class = "verse firstline">
+The tall carnations only heard a sigh</p>
+<p class = "verse">
+Of dusk go by.</p>
+</td></tr>
+</table>
+
+
+<p class = "illustration">
+<span class = "pagenum">96</span>
+<a name = "page96"> </a>
+<img src = "images/pic96.jpg" width = "377" height = "591"
+alt = "At the Granite Gate"></p>
+
+<h3>At the Granite Gate</h3>
+
+<table>
+<tr><td>
+<p class = "firstline">
+<span class = "firstword"><span class = "firstletter">T</span>here</span>
+paused to shut the door</p>
+<p class = "nospace">
+A fellow called the Wind.</p>
+<p class = "verse">
+With mystery before,</p>
+<p class = "verse">
+And reticence behind,</p>
+
+<p class = "verse firstline">
+A portal waits me too</p>
+<p class = "verse">
+In the glad house of spring,</p>
+<p class = "verse">
+One day I shall pass through</p>
+<p class = "verse">
+And leave you wondering.</p>
+
+<p class = "verse firstline">
+It lies beyond the marge</p>
+<p class = "verse">
+Of evening or of prime,</p>
+<span class = "pagenum">97</span>
+<a name = "page97"> </a>
+<p class = "verse">
+Silent and dim and large,</p>
+<p class = "verse">
+The gateway of all time.</p>
+
+<p class = "verse firstline">
+There troop by night and day</p>
+<p class = "verse">
+My brothers of the field;</p>
+<p class = "verse">
+And I shall know the way</p>
+<p class = "verse">
+Their woodsongs have revealed.</p>
+
+<p class = "verse firstline">
+The dusk will hold some trace</p>
+<p class = "verse">
+Of all my radiant crew</p>
+<p class = "verse">
+Who vanished to that place,</p>
+<p class = "verse">
+Ephemeral as dew.</p>
+
+<p class = "verse firstline">
+Into the twilight dun,</p>
+<p class = "verse">
+Blue moth and dragon-fly</p>
+<p class = "verse">
+Adventuring alone,&mdash;</p>
+<p class = "verse">
+Shall be more brave than I?</p>
+
+<p class = "verse firstline">
+There innocents shall bloom</p>
+<p class = "verse">
+And the white cherry tree,</p>
+<p class = "verse">
+With birch and willow plume</p>
+<p class = "verse">
+To strew the road for me.</p>
+
+<p class = "verse firstline">
+The wilding orioles then</p>
+<p class = "verse">
+Shall make the golden air</p>
+<p class = "verse">
+Heavy with joy again,</p>
+<p class = "verse">
+And the dark heart shall dare</p>
+
+<span class = "pagenum">98</span>
+<a name = "page98"> </a>
+<p class = "verse firstline">
+Resume the old desire,</p>
+<p class = "verse">
+The exigence of spring</p>
+<p class = "verse">
+To be the orange fire</p>
+<p class = "verse">
+That tips the world&rsquo;s gray wing.</p>
+
+<p class = "verse firstline">
+And the lone wood-bird&mdash;Hark,</p>
+<p class = "verse">
+The whippoorwill night long</p>
+<p class = "verse">
+Threshing the summer dark</p>
+<p class = "verse">
+With his dim flail of song!&mdash;</p>
+
+<p class = "verse firstline">
+Shall be the lyric lift,</p>
+<p class = "verse">
+When all my senses creep,</p>
+<p class = "verse">
+To bear me through the rift</p>
+<p class = "verse">
+In the blue range of sleep.</p>
+
+<p class = "verse firstline">
+And so I pass beyond</p>
+<p class = "verse">
+The solace of your hand.</p>
+<p class = "verse">
+But ah, so brave and fond!</p>
+<p class = "verse">
+Within that morrow land,</p>
+
+<p class = "verse firstline">
+Where deed and daring fail,</p>
+<p class = "verse">
+But joy forevermore</p>
+<p class = "verse">
+Shall tremble and prevail</p>
+<p class = "verse">
+Against the narrow door,</p>
+
+<span class = "pagenum">99</span>
+<a name = "page99"> </a>
+<p class = "verse firstline">
+Where sorrow knocks too late,</p>
+<p class = "verse">
+And grief is overdue,</p>
+<p class = "verse">
+Beyond the granite gate</p>
+<p class = "verse">
+There will be thoughts of you.</p>
+</td></tr>
+</table>
+
+
+<p class = "illustration">
+<span class = "pagenum">100</span>
+<a name = "page100"> </a>
+<img src = "images/pic100.jpg" width = "381" height = "601"
+alt = "Exit Anima"></p>
+
+<h3>Exit Anima</h3>
+
+<table>
+<tr><td>
+<p class = "verse citation">
+&ldquo;Hospes comesque corporis,</p>
+<p class = "verse citation">
+Quae nunc abitis in loca?&rdquo;</p>
+
+<p class = "firstline">
+<span class = "firstword"><span class = "firstletter">C</span>ease,</span>
+Wind, to blow</p>
+<p class = "nospace">
+And drive the peopled snow,</p>
+<p class = "verse">
+And move the haunted arras to and fro,</p>
+<p class = "verse">
+And moan of things I fear to know</p>
+<p class = "verse">
+Yet would rend from thee, Wind, before I go</p>
+<p class = "verse">
+On the blind pilgrimage.</p>
+<p class = "verse">
+Cease, Wind, to blow.</p>
+
+<p class = "verse firstline">
+Thy brother too,</p>
+<p class = "verse">
+I leave no print of shoe</p>
+<span class = "pagenum">101</span>
+<a name = "page101"> </a>
+<p class = "verse">
+In all these vasty rooms I rummage through,</p>
+<p class = "verse">
+No word at threshold, and no clue</p>
+<p class = "verse">
+Of whence I come and whither I pursue</p>
+<p class = "verse">
+The search of treasures lost</p>
+<p class = "verse">
+When time was new.</p>
+
+<p class = "verse firstline">
+Thou janitor</p>
+<p class = "verse">
+Of the dim curtained door,</p>
+<p class = "verse">
+Stir thy old bones along the dusty floor</p>
+<p class = "verse">
+Of this unlighted corridor.</p>
+<p class = "verse">
+Open! I have been this dark way before;</p>
+<p class = "verse">
+Thy hollow face shall peer</p>
+<p class = "verse">
+In mine no more. . . . .</p>
+
+<p class = "verse firstline">
+Sky, the dear sky!</p>
+<p class = "verse">
+Ah, ghostly house, good-by!</p>
+<p class = "verse">
+I leave thee as the gauzy dragon-fly</p>
+<p class = "verse">
+Leaves the green pool to try</p>
+<p class = "verse">
+His vast ambition on the vaster sky,&mdash;</p>
+<p class = "verse">
+Such valor against death</p>
+<p class = "verse">
+Is deity.</p>
+
+<p class = "verse firstline">
+What, thou too here,</p>
+<p class = "verse">
+Thou haunting whisperer?</p>
+<p class = "verse">
+Spirit of beauty immanent and sheer,</p>
+<p class = "verse">
+Art thou that crooked servitor,</p>
+<span class = "pagenum">102</span>
+<a name = "page102"> </a>
+<p class = "verse">
+Done with disguise, from whose malignant leer</p>
+<p class = "verse">
+Out of the ghostly house</p>
+<p class = "verse">
+I fled in fear?</p>
+
+<p class = "verse firstline">
+O Beauty, how</p>
+<p class = "verse">
+I do repent me now,</p>
+<p class = "verse">
+Of all the doubt I ever could allow</p>
+<p class = "verse">
+To shake me like the aspen bough;</p>
+<p class = "verse">
+Nor once imagine that unsullied brow</p>
+<p class = "verse">
+Could wear the evil mask</p>
+<p class = "verse">
+And still be thou!</p>
+
+<p class = "verse firstline">
+Bone of thy bone,</p>
+<p class = "verse">
+Breath of thy breath alone,</p>
+<p class = "verse">
+I dare resume the silence of a stone,</p>
+<p class = "verse">
+Or explore still the vast unknown,</p>
+<p class = "verse">
+Like a bright sea-bird through the morning blown,</p>
+<p class = "verse">
+With all his heart one joy,</p>
+<p class = "verse">
+From zone to zone.</p>
+</td></tr>
+</table>
+
+<p class = "center">
+Scituate, June, 1895.</p>
+
+<hr>
+
+<div class = "mynote">
+Transcriber&rsquo;s Note:<br>
+<br>
+One ten-line block of the title poem, beginning
+<div class = "inset nospace">
+<i>Yet while they last how actual they seem!</i></div>
+and ending
+<div class = "inset nospace">
+<i>Without a flaw.</i></div>
+was printed without a stanza break. This may be a typographical error,
+but it was left as printed.<br>
+<br>
+One illustration was changed for the second edition, issued by a
+different publisher. Shown are the title page, the new illustration for
+&ldquo;Exit Anima&rdquo;, and the back page.</div>
+
+<h2>BEHIND<br>
+THE ARRAS</h2>
+<h4>A Book of the Unseen<br>
+BY BLISS CARMAN</h4>
+<h5>With Designs By<br>
+T. B. Meteyard</h5>
+
+<p class = "illustration">
+<img src = "images/titlepage_b.jpg" width = "175" height = "481"
+alt = "publisher's logo: SCIRE QUOD SCIENDVM"></p>
+
+<h5>BOSTON<br>
+SMALL, MAYNARD<br>
+AND COMPANY<br>
+1899</h5>
+
+<p class = "illustration">
+<img src = "images/pic100_b.jpg" width = "383" height = "594"
+alt = "Exit Anima, illustration from second edition"></p>
+
+<h5 class = "filler">Printed at<br>
+The Everett Press</h5>
+<p class = "illustration">
+<img src = "images/back_logo.png" width = "146" height = "109"
+alt = "publisher's back-page logo from second edition"></p>
+<h5>Boston<br>
+MDCCCXCIX</h5>
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of Behind the Arras, by Bliss Carman
+
+*** END OF THIS PROJECT GUTENBERG EBOOK BEHIND THE ARRAS ***
+
+***** This file should be named 18242-h.htm or 18242-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/1/8/2/4/18242/
+
+Produced by Louise Hope, Thierry Alberto and the Online
+Distributed Proofreading Team at http://www.pgdp.net (This
+file was produced from images generously made available
+by the Canadian Institute for Historical Microreproductions
+(www.canadiana.org))
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card
+donations. To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+*** END: FULL LICENSE ***
+
+
+
+</pre>
+
+</body>
+</html>
+
diff --git a/18242-h/images/back_logo.png b/18242-h/images/back_logo.png
new file mode 100644
index 0000000..25ff59b
--- /dev/null
+++ b/18242-h/images/back_logo.png
Binary files differ
diff --git a/18242-h/images/frontis.png b/18242-h/images/frontis.png
new file mode 100644
index 0000000..cb94d31
--- /dev/null
+++ b/18242-h/images/frontis.png
Binary files differ
diff --git a/18242-h/images/pic10.jpg b/18242-h/images/pic10.jpg
new file mode 100644
index 0000000..dd8ee73
--- /dev/null
+++ b/18242-h/images/pic10.jpg
Binary files differ
diff --git a/18242-h/images/pic100.jpg b/18242-h/images/pic100.jpg
new file mode 100644
index 0000000..8ec6794
--- /dev/null
+++ b/18242-h/images/pic100.jpg
Binary files differ
diff --git a/18242-h/images/pic100_b.jpg b/18242-h/images/pic100_b.jpg
new file mode 100644
index 0000000..c93282d
--- /dev/null
+++ b/18242-h/images/pic100_b.jpg
Binary files differ
diff --git a/18242-h/images/pic19.jpg b/18242-h/images/pic19.jpg
new file mode 100644
index 0000000..b26e5c4
--- /dev/null
+++ b/18242-h/images/pic19.jpg
Binary files differ
diff --git a/18242-h/images/pic23.jpg b/18242-h/images/pic23.jpg
new file mode 100644
index 0000000..0dfa42a
--- /dev/null
+++ b/18242-h/images/pic23.jpg
Binary files differ
diff --git a/18242-h/images/pic29.jpg b/18242-h/images/pic29.jpg
new file mode 100644
index 0000000..b330d9e
--- /dev/null
+++ b/18242-h/images/pic29.jpg
Binary files differ
diff --git a/18242-h/images/pic32.jpg b/18242-h/images/pic32.jpg
new file mode 100644
index 0000000..95b2a97
--- /dev/null
+++ b/18242-h/images/pic32.jpg
Binary files differ
diff --git a/18242-h/images/pic37.jpg b/18242-h/images/pic37.jpg
new file mode 100644
index 0000000..541c873
--- /dev/null
+++ b/18242-h/images/pic37.jpg
Binary files differ
diff --git a/18242-h/images/pic49.jpg b/18242-h/images/pic49.jpg
new file mode 100644
index 0000000..aca3c1e
--- /dev/null
+++ b/18242-h/images/pic49.jpg
Binary files differ
diff --git a/18242-h/images/pic81.jpg b/18242-h/images/pic81.jpg
new file mode 100644
index 0000000..311530a
--- /dev/null
+++ b/18242-h/images/pic81.jpg
Binary files differ
diff --git a/18242-h/images/pic87.jpg b/18242-h/images/pic87.jpg
new file mode 100644
index 0000000..df3fce1
--- /dev/null
+++ b/18242-h/images/pic87.jpg
Binary files differ
diff --git a/18242-h/images/pic91.jpg b/18242-h/images/pic91.jpg
new file mode 100644
index 0000000..37ea89f
--- /dev/null
+++ b/18242-h/images/pic91.jpg
Binary files differ
diff --git a/18242-h/images/pic96.jpg b/18242-h/images/pic96.jpg
new file mode 100644
index 0000000..300aa1a
--- /dev/null
+++ b/18242-h/images/pic96.jpg
Binary files differ
diff --git a/18242-h/images/titlepage.png b/18242-h/images/titlepage.png
new file mode 100644
index 0000000..65409fd
--- /dev/null
+++ b/18242-h/images/titlepage.png
Binary files differ
diff --git a/18242-h/images/titlepage_b.jpg b/18242-h/images/titlepage_b.jpg
new file mode 100644
index 0000000..5a7c776
--- /dev/null
+++ b/18242-h/images/titlepage_b.jpg
Binary files differ
diff --git a/18242-h/images/toc_logo.png b/18242-h/images/toc_logo.png
new file mode 100644
index 0000000..64c8651
--- /dev/null
+++ b/18242-h/images/toc_logo.png
Binary files differ
diff --git a/18242.txt b/18242.txt
new file mode 100644
index 0000000..ed77af4
--- /dev/null
+++ b/18242.txt
@@ -0,0 +1,2828 @@
+The Project Gutenberg EBook of Behind the Arras, by Bliss Carman
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Behind the Arras
+ A Book of the Unseen
+
+Author: Bliss Carman
+
+Illustrator: T. B. Meteyard
+
+Release Date: April 24, 2006 [EBook #18242]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK BEHIND THE ARRAS ***
+
+
+
+
+Produced by Louise Hope, Thierry Alberto and the Online
+Distributed Proofreading Team at http://www.pgdp.net (This
+file was produced from images generously made available
+by the Canadian Institute for Historical Microreproductions
+(www.canadiana.org))
+
+
+
+
+
+
+ Behind the Arras
+ A Book of the
+ Unseen
+
+ By Bliss Carman
+
+ With Designs by T. B. Meteyard
+
+ [Illustration: VT CRESCIT]
+
+ Boston and New York
+ Lamson, Wolffe, and Company
+ M.DCCC.XC.V
+
+
+
+
+ Copyright, 1895.
+ by Lamson, Wolffe, & Co.
+ All rights reserved.
+
+
+
+
+ Contents
+
+ Behind the Arras 1
+ Fancy's Fool 16
+ The Moondial 19
+ The Face in the Stream 23
+ The Cruise of the Galleon 29
+ A Song before Sailing 32
+ In the Wings 35
+ The Red Wolf 37
+ The Faithless Lover 44
+ The Crimson House 46
+ The Lodger 49
+ Beyond the Gamut 66
+ The Juggler 81
+ Hack and Hew 85
+ The Night Express 87
+ The Dustman 91
+ The Sleepers 94
+ At the Granite Gate 96
+ Exit Anima 100
+
+
+
+
+To G. H. B.
+
+ "I shut myself in with my soul,
+ And the shapes come eddying forth."
+
+
+
+
+[Illustration: Behind the Arras]
+
+
+
+
+_Behind the Arras_
+
+
+I like the old house tolerably well,
+Where I must dwell
+Like a familiar gnome;
+And yet I never shall feel quite at home:
+I love to roam.
+
+Day after day I loiter and explore
+From door to door;
+So many treasures lure
+The curious mind. What histories obscure
+They must immure!
+
+I hardly know which room I care for best;
+This fronting west,
+With the strange hills in view,
+Where the great sun goes,--where I may go too,
+When my lease is through,--
+
+Or this one for the morning and the east,
+Where a man may feast
+His eyes on looming sails,
+And be the first to catch their foreign hails
+Or spy their bales.
+
+Then the pale summer twilights towards the pole!
+It thrills my soul
+With wonder and delight,
+When gold-green shadows walk the world at night,
+So still, so bright.
+
+There at the window many a time of year,
+Strange faces peer,
+Solemn though not unkind,
+Their wits in search of something left behind
+Time out of mind;
+
+As if they once had lived here, and stole back
+To the window crack
+For a peep which seems to say,
+"Good fortune, brother, in your house of clay!"
+And then, "Good day!"
+
+I hear their footsteps on the gravel walk,
+Their scraps of talk,
+And hurrying after, reach
+Only the crazy sea-drone of the beach
+In endless speech.
+
+And often when the autumn noons are still,
+By swale and hill
+I see their gipsy signs,
+Trespassing somewhere on my border lines;
+With what designs?
+
+I forth afoot; but when I reach the place,
+Hardly a trace,
+Save the soft purple haze
+Of smouldering camp-fires, any hint betrays
+Who went these ways.
+
+Or tatters of pale aster blue, descried
+By the roadside,
+Reveal whither they fled;
+Or the swamp maples, here and there a shred
+Of Indian red.
+
+But most of all, the marvellous tapestry
+Engrosses me,
+Where such strange things are rife,
+Fancies of beasts and flowers, and love and strife,
+Woven to the life;
+
+Degraded shapes and splendid seraph forms,
+And teeming swarms
+Of creatures gauzy dim
+That cloud the dusk, and painted fish that swim,
+At the weaver's whim;
+
+And wonderful birds that wheel and hang in the air;
+And beings with hair,
+And moving eyes in the face,
+And white bone teeth and hideous grins, who race
+From place to place;
+
+They build great temples to their John-a-nod,
+And fume and plod
+To deck themselves with gold,
+And paint themselves like chattels to be sold,
+Then turn to mould.
+
+Sometimes they seem almost as real as I;
+I hear them sigh;
+I see them bow with grief,
+Or dance for joy like an aspen leaf;
+But that is brief.
+
+They have mad wars and phantom marriages;
+Nor seem to guess
+There are dimensions still,
+Beyond thought's reach, though not beyond love's will,
+For soul to fill.
+
+And some I call my friends, and make believe
+Their spirits grieve,
+Brood, and rejoice with mine;
+I talk to them in phrases quaint and fine
+Over the wine;
+
+I tell them all my secrets; touch their hands;
+One understands
+Perhaps. How hard he tries
+To speak! And yet those glorious mild eyes,
+His best replies!
+
+I even have my cronies, one or two,
+My cherished few.
+But ah, they do not stay!
+For the sun fades them and they pass away,
+As I grow gray.
+
+Yet while they last how actual they seem!
+Their faces beam;
+I give them all their names,
+Bertram and Gilbert, Louis, Frank and James,
+Each with his aims;
+One thinks he is a poet, and writes verse
+His friends rehearse;
+Another is full of law;
+A third sees pictures which his hand can draw
+Without a flaw.
+
+Strangest of all, they never rest. Day long
+They shift and throng,
+Moved by invisible will,
+Like a great breath which puffs across my sill,
+And then is still;
+
+It shakes my lovely manikins on the wall;
+Squall after squall,
+Gust upon crowding gust,
+It sweeps them willy nilly like blown dust
+With glory or lust.
+
+It is the world-ghost, the time-spirit, come
+None knows where from,
+The viewless draughty tide
+And wash of being. I hear it yaw and glide,
+And then subside,
+
+Along these ghostly corridors and halls
+Like faint footfalls;
+The hangings stir in the air;
+And when I start and challenge, "Who goes there?"
+It answers, "Where?"
+
+The wail and sob and moan of the sea's dirge,
+Its plangor and surge;
+The awful biting sough
+Of drifted snows along some arctic bluff,
+That veer and luff,
+
+And have the vacant boding human cry,
+As they go by;--
+Is it a banished soul
+Dredging the dark like a distracted mole
+Under a knoll?
+
+Like some invisible henchman old and gray,
+Day after day
+I hear it come and go,
+With stealthy swift unmeaning to and fro,
+Muttering low,
+
+Ceaseless and daft and terrible and blind,
+Like a lost mind.
+I often chill with fear
+When I bethink me, What if it should peer
+At my shoulder here!
+
+Perchance he drives the merry-go-round whose track
+Is the zodiac;
+His name is No-man's-friend;
+And his gabbling parrot-talk has neither trend,
+Beginning, nor end.
+
+A prince of madness too, I'd cry, "A rat!"
+And lunge thereat,--
+Let out at one swift thrust
+The cunning arch-delusion of the dust
+I so mistrust,
+
+But that I fear I should disclose a face
+Wearing the trace
+Of my own human guise,
+Piteous, unharmful, loving, sad, and wise,
+With the speaking eyes.
+
+I would the house were rid of his grim pranks,
+Moaning from banks
+Of pine trees in the moon,
+Startling the silence like a demoniac loon
+At dead of noon,
+
+Or whispering his fool-talk to the leaves
+About my eaves.
+And yet how can I know
+'T is not a happy Ariel masking so
+In mocking woe?
+
+Then with a little broken laugh I say,
+Snatching away
+The curtain where he grinned
+(My feverish sight thought) like a sin unsinned,
+"Only the wind!"
+
+Yet often too he steals so softly by,
+With half a sigh,
+I deem he must be mild,
+Fair as a woman, gentle as a child,
+And forest wild.
+
+Passing the door where an old wind-harp swings,
+With its five strings,
+Contrived long years ago
+By my first predecessor bent to show
+His handcraft so,
+
+He lays his fingers on the aeolian wire,
+As a core of fire
+Is laid upon the blast
+To kindle and glow and fill the purple vast
+Of dark at last.
+
+Weird wise and low, piercing and keen and glad,
+Or dim and sad
+As a forgotten strain
+Born when the broken legions of the rain
+Swept through the plain--
+
+He plays, like some dread veiled mysteriarch,
+Lighting the dark,
+Bidding the spring grow warm,
+The gendering merge and loosing of spirit in form,
+Peace out of storm.
+
+For music is the sacrament of love;
+He broods above
+The virgin silence, till
+She yields for rapture shuddering, yearning still
+To his sweet will.
+
+I hear him sing, "Your harp is like a mesh,
+Woven of flesh
+And spread within the shoal
+Of life, where runs the tide-race of the soul
+In my control.
+
+"Though my wild way may ruin what it bends,
+It makes amends
+To the frail downy clocks,
+Telling their seed a secret that unlocks
+The granite rocks.
+
+"The womb of silence to the crave sound
+Is heaven unfound,
+Till I, to soothe and slake
+Being's most utter and imperious ache,
+Bid rhythm awake.
+
+"If with such agonies of bliss, my kin,
+I enter in
+Your prison house of sense,
+With what a joyous freed intelligence
+I shall go hence."
+
+I need no more to guess the weaver's name,
+Nor ask his aim,
+Who hung each hall and room
+With swarthy-tinged vermilion upon gloom;
+I know that loom.
+
+Give me a little space and time enough,
+From ravelings rough
+I could revive, reweave,
+A fabric of beauty art might well believe
+Were past retrieve.
+
+O men and women in that rich design,
+Sleep-soft, sun-fine,
+Dew-tenuous and free,
+A tone of the infinite wind-themes of the sea,
+Borne in to me,
+
+Reveals how you were woven to the might
+Of shadow and light.
+You are the dream of One
+Who loves to haunt and yet appears to shun
+My door in the sun;
+
+As the white roving sea tern fleck and skim
+The morning's rim;
+Or the dark thrushes clear
+Their flutes of music leisurely and sheer,
+Then hush to hear.
+
+I know him when the last red brands of day
+Smoulder away,
+And when the vernal showers
+Bring back the heart to all my valley flowers
+In the soft hours.
+
+O hand of mine and brain of mine, be yours,
+While time endures,
+To acquiesce and learn!
+For what we best may dare and drudge and yearn,
+Let soul discern.
+
+So, fellows, we shall reach the gusty gate,
+Early or late,
+And part without remorse,
+A cadence dying down unto its source
+In music's course;
+
+You to the perfect rhythms of flowers and birds,
+Colors and words,
+The heart-beats of the earth,
+To be remoulded always of one worth
+From birth to birth;
+
+I to the broken rhythm of thought and man,
+The sweep and span
+Of memory and hope
+About the orbit where they still must grope
+For wider scope,
+
+To be through thousand springs restored, renewed,
+With love imbrued,
+With increments of will
+Made strong, perceiving unattainment still
+From each new skill.
+
+Always the flawless beauty, always the chord
+Of the Overword,
+Dominant, pleading, sure,
+No truth too small to save and make endure.
+No good too poor!
+
+And since no mortal can at last disdain
+That sweet refrain,
+But lets go strife and care,
+Borne like a strain of bird notes on the air,
+The wind knows where;
+
+Some quiet April evening soft and strange,
+When comes the change
+No spirit can deplore,
+I shall be one with all I was before,
+In death once more.
+
+
+
+
+_Fancy's Fool_
+
+
+"Cornel, cornel, green and white,
+Spreading on the forest floor,
+Whither went my lost delight
+Through the silent door?"
+
+"Mortal, mortal, overfond,
+How come you at all to know
+There be any joys beyond
+Blisses here and now?"
+
+"Cornel, cornel, white and cool,
+Many a mortal, I've heard tell,
+Who is only Fancy's fool
+Knows that secret well."
+
+"Mortal, mortal, what would you
+With that beauty once was yours?
+Perishable is the dew,
+And the dust endures."
+
+"Cornel, cornel, pierce me not
+With your sweet, reserved disdain!
+Whisper me of things forgot
+That shall be again."
+
+"Mortal, we are kinsmen, led
+By a hope beyond our reach.
+Know you not the word unsaid
+Is the flower of speech?"
+
+All the snowy blossoms faded,
+While the scarlet berries grew;
+And all summer they evaded
+Anything they knew.
+
+"Cornel, cornel, green and red
+Flooring for the forest wide,
+Whither down the ways of dread
+Went my starry-eyed?"
+
+"Mortal, mortal, is there found
+Any fruitage half so fair
+In the dim world underground
+As there grows in air?"
+
+"Wilding cornel, you can guess
+Nothing of eternal pain,
+Growing there in quietness
+In the sun and rain."
+
+"Mortal, where your heart would be
+Not a wanderer may go,
+But he shares the dark with me
+Underneath the snow."
+
+And the scarlet berries scattered
+With the coming on of fall;
+Not to one of them it mattered
+Anything at all.
+
+
+
+
+[Illustration]
+
+_The Moondial_
+
+
+Iron and granite and rust,
+In a crumbling garden old,
+Where the roses are paler than dust
+And the lilies are green with gold,
+
+Under the racing moon,
+Inconscious of war or crime,
+In a strange and ghostly noon,
+It marks the oblivion of time.
+
+The shadow steals through its arc,
+Still as a frosted breath,
+Fitful, gleaming, and dark
+As the cold frustration of death.
+
+But where the shadow may fall,
+Whether to hurry or stay,
+It matters little at all
+To those who come that way.
+
+For this is the dial of them
+That have forgotten the world,
+No more through the mad day-dream
+Of striving and reason hurled.
+
+Their heart as a little child
+Only remembers the worth
+Of beauty and love and the wild
+Dark peace of the elder earth.
+
+It registers the morrows
+Of lovers and winds and streams,
+And the face of a thousand sorrows
+At the postern gate of dreams.
+
+When the first low laughter smote
+Through Lilith, the mother of joy,
+And died and revived from the throat
+Of Helen, the harpstring of Troy,
+
+And wandering on through the years,
+From the sobbing rain and the sea,
+Caught sound of the world's gray tears
+Or sense of the sun's gold glee,
+
+Whenever the wild control
+Burned out to a mortal kiss,
+And the shuddering storm-swept soul
+Climbed to its acme of bliss,
+
+The green-gold light of the dead
+Stood still in purple space,
+And a record blind and dread
+Was graved on the dial's face.
+
+And once in a thousand years
+Some youth who loved so well
+The gods had loosed him from fears
+In a vision of blameless hell,
+
+Has gone to the dial to read
+Those signs in the outland tongue,
+Written beyond the need
+Of the simple and the young.
+
+For immortal life, they say,
+Were his who, loving so,
+Could explain the writing away
+As a legend written in snow.
+
+But always his innocent eyes
+Were frozen into the stone.
+From that awful first surprise
+His soul must return alone.
+
+In the morning there he lay
+Dead in the sun's warm gold.
+And no man knows to this day
+What the dim moondial told.
+
+
+
+
+[Illustration]
+
+_The Face in the Stream_
+
+
+The sunburnt face in the willow shade
+To the face in the water-mirror said,
+
+"O deep mysterious face in the stream,
+Art thou myself or am I thy dream?"
+
+And the face deep down in the water's side
+To the face in the upper air replied,
+
+"I am thy dream, them poor worn face,
+And this is thy heart's abiding place.
+
+"Too much in the world, come back and be
+Once more my dream-fellow with me,
+
+"In the far-off untarnished years
+Before thy furrows were washed with tears,
+
+"Or ever thy serious creature eyes
+Were aged with a mist of memories.
+
+"Hast thou forgotten the long ago
+In the garden where I used to flow,
+
+"Among the hills, with the maple tree
+And the roses blowing over me?--
+
+"I who am now but a wraith of this river,
+Forsaken of thee forever and ever,
+
+"Who then was thine image fair, forecast
+In the heart of the water rimpling past.
+
+"Out in the wide of the summer zone
+I lulled and allured thee apart and alone,
+
+"The azure gleam and the golden croon
+And the grass with the flaky roses strewn.
+
+"There you would lie and lean above me,
+The more you lingered the more to love me,
+
+"Till I became, as the year grew old,
+Thy fairest day-dream's fashion and mould,
+
+"Deep in the water twilight there,
+Smiling, elusive, wonderful, fair,
+
+"The beautiful visage of thy clear soul
+Set in eternity's limpid shoal,
+
+"Thy spirit's countenance, the trace
+Of dawning God in the human face.
+
+"And when yellow leaves came down
+Through the silent mornings one by one
+
+"To the frosty meadow, as they fell
+Thy pondering heart said, 'All is well;
+
+"'Aye, all is best, for I stake my life
+Beyond the boundaries of strife,'
+
+"And then thy feet returned no more,--
+While years went over the garden floor,
+
+"With frost and maple, with rose and dew,
+In the world thy river wandered through;--
+
+"Came never again to revive and recall
+Thy youth from its water burial.
+
+"But now thy face is battle-dark;
+The strife of the world has graven a mark
+
+"About the lips that are no more mine,
+Too sweet to forget, too strong to repine.
+
+"With the ends of the earth for thy garden now,
+What solace and what reward hast thou?"
+
+Then he of the earth's sun-traversed side
+To him of the under-world replied,
+
+"O glad mysterious face in the stream,
+My lost illusion, my summer dream,
+
+"Thou fairer self of a fonder time,
+A far imperishable clime,
+
+"For thy dear sake I have fared alone
+And fronted failure and housed with none.
+
+"What youth was that, when the world was green,
+In the lovely mythus Greek and clean,
+
+"Was doomed with his flowery kin to bide,
+A blown white star by the river side,
+
+"And no more follow the sun, foot free,
+Too long enamoured of one like thee?
+
+"Shall God who abides in the patient flower,
+The painted dust sustained by his power,
+
+"Refuse to the wing of the dragonfly
+His sanction over the open sky,--
+
+"A frail detached and wandering thing
+Torn loose from the blossomy life of spring?
+
+"And this is man, the myriad one,
+Dust's flower and time's ephemeron.
+
+"And I who have followed the wander-list
+For a glimpse of beauty, a wraith in the mist,
+
+"Shall be spilt at last and return to peace,
+As dust which the hands of the wind release.
+
+"This is my solace and my reward,
+Who have drained life's dregs from a broken shard."
+
+Wise and grave was the water face,
+A youth grown man in a little space;
+
+While the wayworn face by the river side
+Grew gentler-lipped and shadowy-eyed;
+
+For he heard like a sea-horn summoning him
+That sound from the world's end vast and dim,
+
+Where the river went wandering out so far
+Through a gate in the mountain left ajar,
+
+The sea birds love and the land birds flee,
+The large bleak voice of the burly sea.
+
+
+
+
+[Illustration]
+
+_The Cruise of the Galleon_
+
+ This laboring vast, Tellurian Galleon,
+ Riding at anchor off the orient sun,
+ Had broken its cable, and stood out to space.
+
+ FRANCIS THOMPSON.
+
+Galleon, ahoy, ahoy!
+Old earth riding off the sun,
+And straining at your cable as you ride
+On the tide,
+Battered laboring and vast,
+In the blast
+Of the hurricane that blows between the worlds,
+Ahoy!
+
+'Morning, shipmates! 'Drift and chartless?
+Laded deep and rolling hard?
+Never guessed, outworn and heartless,
+There was land so close aboard?
+
+Ice on every shroud and eyelet,
+Rocking in the windy trough?
+No more panic; Man's your pilot;
+Turns the flood, and we are off!
+
+At the story of disaster,
+From the continents of sleep,
+I am come to be your master
+And put out into the deep.
+
+What tide current struck you hither,
+Beating up the storm of years?
+Where are those who stood to weather
+These uncharted gulfs of tears?
+
+Did your fellows all drive under
+In the maelstrom of the sun,
+While you only, for a wonder,
+Rode the wash you could not shun?
+
+We'll crowd sail across the sea-line,--
+Clear this harbor, reef and buoy,
+Bowling down an open bee-line
+For the latitudes of joy;
+
+Till beyond the zones of sorrow,
+Past griefs haven in the night,
+Some large simpler world shall morrow
+This pale region's northern light.
+
+Not a fear but all the sea-room,
+Wherein time is but a bay,
+Yet shall sparkle for our lee-room
+In the vast Altrurian day.
+
+And the dauntless seaworn spirit
+Shall awake to know there are
+What dominions to inherit,
+Anchored off another star!
+
+
+
+
+[Illustration]
+
+_A Song Before Sailing_
+
+ "Cras ingens iterabimus aequor."
+
+Wind of the dead men's feet,
+Blow down the empty street
+Of this old city by the sea
+With news for me!
+
+Blow me beyond the grime
+And pestilence of time!
+I am too sick at heart to war
+With failure any more.
+
+Thy chill is in my bones;
+The moonlight on the stones
+Is pale, and palpable, and cold;
+I am as one grown old.
+
+I call from room to room
+Through the deserted gloom;
+The echoes are all words I know,
+Lost in some long ago.
+
+I prowl from door to door,
+And find no comrade more.
+The wolfish fear that children feel
+Is snuffing at my heel.
+
+I hear the hollow sound
+Of a great ship coming round,
+The thunder of tackle and the tread
+Of sailors overhead.
+
+That stormy-blown hulloo
+Has orders for me, too.
+I see thee, hand at mouth, and hark,
+My captain of the dark.
+
+O wind of the great East,
+By whom we are released
+From this strange dusty port to sail
+Beyond our fellows' hail,
+
+Under the stars that keep
+The entry of the deep,
+Thy somber voice brings up the sea's
+Forgotten melodies;
+
+And I have no more need
+Of bread, or wine, or creed,
+Bound for the colonies of time
+Beyond the farthest prime.
+
+Wind of the dead men's feet,
+Blow through the empty street!
+The last adventurer am I,
+Then, world, good-by!
+
+
+
+
+_In the Wings_
+
+
+The play is Life; and this round earth,
+The narrow stage whereon
+We act before an audience
+Of actors dead and gone.
+
+There is a figure in the wings
+That never goes away,
+And though I cannot see his face,
+I shudder while I play.
+
+His shadow looms behind me here,
+Or capers at my side;
+And when I mouth my lines in dread,
+Those scornful lips deride.
+
+Sometimes a hooting laugh breaks out,
+And startles me alone;
+While all my fellows, wondering
+At my stage-fright, play on.
+
+I fear that when my Exit comes,
+I shall encounter there,
+Stronger than fate, or time, or love,
+And sterner than despair,
+
+The Final Critic of the craft,
+As stage tradition tells;
+And yet--perhaps 'twill only be
+The jester with his bells.
+
+
+
+
+[Illustration]
+
+_The Red Wolf_
+
+
+With the fall of the leaf comes the wolf, wolf, wolf,
+The old red wolf at my door.
+And my hateful yellow dwarf, with his hideous crooked laugh,
+Cries "Wolf, wolf, wolf!" at my door.
+
+With the still of the frost comes the wolf, wolf, wolf,
+The gaunt red wolf at my door.
+He's as tall as a Great Dane, with his grizzly russet mane;
+And he haunts the silent woods at my door.
+
+The scarlet maple leaves and the sweet ripe nuts,
+May strew the forest glade at my door,
+But my cringing cunning dwarf, with his slavered kacking laugh,
+Cries "Wolf, wolf, wolf!" at my door.
+
+The violets may come, the pale wind-flowers blow,
+And tremble by the stream at my door;
+But my dwarf will never cease, until his last release,
+From his "Wolf, wolf, wolf!" at the door.
+
+The long sweet April wind may woo the world from grief,
+And tell the old tales at my door;
+The rainbirds in the rain may plead their far refrain,
+In the glad young year at my door;
+
+And in the quiet sun, the silly partridge brood
+In the red pine dust by my door;
+Yet my squinting runty dwarf, with his lewd ungodly laugh,
+Cries "Wolf, wolf, wolf!" at my door.
+
+I'm his master (and his slave, with his "Wolf, wolf, wolf!")
+As he squats in the sun at my door.
+There morn and noon and night, with his cuddled low delight,
+He watches for the wolf at my door.
+
+The wind may parch his hide, or freeze him to the bone,
+While the wolf walks far from the door;
+Still year on year he sits, with his five unholy wits,
+And watches for the wolf at the door.
+
+But the fall of the leaf and the starting of the bud
+Are the seasons he loves by the door;
+Then his blood begins to rouse, this Caliban I house,
+And it's "Wolf, wolf, wolf!" at the door.
+
+In the dread lone of the night I can hear him snuff the sill;
+Then it's "Wolf, wolf, wolf!" at the door;
+His damned persistent bark, like a husky's in the dark,
+His "Wolf, wolf, wolf!" at the door.
+
+I have tried to rid the house of the misbegotten spawn;
+But he skulks like a shadow at my door,
+With the same uncanny glee as when he came to me
+With his first cry of wolf at my door.
+
+I curse him, and he leers; I kick him, and he whines;
+But he never leaves the stone at my door.
+Peep of day or set of sun, his croaking's never done
+Of the Red Wolf of Despair at my door.
+
+But when the night is old, and the stars begin to fade,
+And silence walks the path by my door,
+Then is his dearest hour, his most unbridled power,
+And low comes his "Wolf!" at the door.
+
+I turn me in my sleep between the night and day,
+While dreams throng the yard at my door.
+In my strong soul aware of a grewsome terror there
+Soon to knock with command at my door.
+
+Is it the hollow voice of the census-taker Time
+In his old idle round from door to door?
+Or only the north wind, when all the leaves are thinned,
+Come at last with his moan to my door?
+
+I cannot guess nor tell; only it comes and comes,
+As from a vaster world beyond my door,
+From centuries of eld, the death of freedom knelled,
+A host of mortal fears at my door.
+
+Then I wake; and joy and youth and fame and love and bliss,
+And all the good that ever passed my door,
+Grow dim, and faint and fade, with the whole world unmade,
+To perish as the summer at my door.
+
+The crouching heart within me quails like a shuddering thing,
+As I turn on my pillow to the door;
+Then in the chill white dawn, when life is half withdrawn,
+Comes the dream-curdling "Wolf!" at my door.
+
+Only my yellow dwarf; (my servitor and lord!)
+I hear him lift the latch of my door;
+I see his wobbling chin and his unrepentant grin,
+As he lets his oafship in at the door.
+
+He is low and humped and foul, and shambles like an ape;
+And stealthily he barricades the door,
+Then lays his goblin head against my lonely bed,
+With a "Wolf, wolf, wolf," at the door!
+
+I loathe him, but I feed him; I'll tell you how it was
+(Hear him now with his "Wolf!" at the door!)
+That I ever took him in; he is--he is my kin,
+And kin to the wolf at the door!
+
+I loathe him, yet he lives; as God lets Satan live,
+I suffer him to slumber at my door,
+Till that long-looked-for time, that splendid sudden prime,
+When Spring shall go in scarlet by my door.
+
+That day I will arise, put my heel upon his throat,
+And squirt his yellow blood upon the door;
+Then watch him dying there, like a spider in his lair,
+With a "Wolf, wolf, wolf!" at my door.
+
+The great white morning sun shall walk the earth again,
+And the children return to my door,
+I shall hear their merry laugh, and forget my buried dwarf,
+As a tale that is told at the door.
+
+Far from the quiet woods the gaunt red wolf shall flee,
+As a cur that is stoned from the door;
+And God's great peace come back along the lonely track,
+To fill the golden year at my door.
+
+
+
+
+_The Faithless Lover_
+
+
+I
+
+O Life, dear Life, in this fair house
+Long since did I, it seems to me,
+In some mysterious doleful way
+Fall out of love with thee.
+
+For, Life, thou art become a ghost,
+A memory of days gone by,
+A poor forsaken thing between
+A heartache and a sigh.
+
+And now, with shadows from the hills
+Thronging the twilight, wraith on wraith,
+Unlock the door and let me go
+To thy dark rival Death!
+
+
+II
+
+O Heart, dear Heart, in this fair house
+Why hast thou wearied and grown tired,
+Between a morning and a night,
+Of all thy soul desired?
+
+Fond one, who cannot understand
+Even these shadows on the floor,
+Yet must be dreaming of dark loves
+And joys beyond my door!
+
+But I am beautiful past all
+The timid tumult of thy mood,
+And thou returning not must still
+Be mine in solitude.
+
+
+
+
+_The Crimson House_
+
+
+Love built a crimson house,
+I know it well,
+That he might have a home
+Wherein to dwell.
+
+Poor Love that roved so far
+And fared so ill,
+Between the morning star
+And the Hollow Hill,
+
+Before he found the vale
+Where he could bide,
+With memory and oblivion
+Side by side.
+
+He took the silver dew
+And the dun red clay,
+And behold when he was through
+How fair were they!
+
+The braces of the sky
+Were in its girth,
+That it should feel no jar
+Of the swinging earth;
+
+That sun and wind might bleach
+But not destroy
+The house that he had builded
+For his joy.
+
+"Here will I stay," he said,
+"And roam no more,
+And dust when I am dead
+Shall keep the door."
+
+There trooping dreams by night
+Go by, go by.
+The walls are rosy white
+In the sun's eye.
+
+The windows are more clear
+Than sky or sea;
+He made them after God's
+Transparency.
+
+It is a dearer place
+Than kirk or inn;
+Such joy on joy as there
+Has never been.
+
+There may my longed-for rest
+And welcome be,
+When Love himself unbars
+The door for me!
+
+
+
+
+[Illustration]
+
+_The Lodger_
+
+
+I cannot quite recall
+When first he came,
+So reticent and tall,
+With his eyes of flame.
+
+The neighbors used to say
+(They know so much!)
+He looked to them half way
+Spanish or Dutch.
+
+Outlandish certainly
+He is--and queer!
+He has been lodged with me
+This thirty year;
+
+All the while (it seems absurd!)
+We hardly have
+Exchanged a single word.
+Mum as the grave!
+
+Minds only his own affairs,
+Goes out and in,
+And keeps himself upstairs
+With his violin.
+
+Mum did I say? And yet
+That talking smile
+You never can forget,
+Is all the while
+
+Full of such sweet reproofs
+The darkest day,
+Like morning on the roofs
+In flush of May.
+
+Like autumn on the hills;
+At four o'clock
+The sun like a herdsman spills
+For drove and flock
+
+Peace with their provender,
+And they are fed.
+The day without a stir
+Lies warm and red.
+
+Ah, sir, the summer land
+For me! That is
+Like living in God's hand,
+Compared to this.
+
+His smile so quiet and deep
+Reminds me of it.
+I see it in my sleep,
+And so I love it.
+
+An anarchist, say some;
+But tush, say I,
+When a man's heart is plumb,
+Can his life be awry?
+
+Better than charity
+And bigger too,
+That heart. You've seen the sea?
+Of course. To you
+
+'T is common enough, no doubt.
+But here in town,
+With God's world all shut out,
+Save the leaden frown
+
+Of the sky, a slant of rain,
+And a straggling star,
+Such memories remain
+The wonders they are.
+
+Once at the Isles of Shoals,
+And it was June . . .
+Now hear me dote! He strolls
+Across my noon,
+
+Like the sun that day, where sleeps
+My soul; his gaze
+Goes glimmering down my deeps
+Of yesterdays,
+
+Searching and searching, till
+Its light consumes
+The reluctant shapes that fill
+Those purple glooms.
+
+Let others applaud, defame,
+And the noise die down;
+His voice saying your name,
+Is enough renown.
+
+Too patient pitiful,
+Too fierce at wrong,
+To patronize the dull,
+Or praise the strong.
+
+And yet he has a soul
+Of wrath, though pent
+Even when that white ghoul
+Comes for his rent.
+
+The landlord? Hush! My God!
+I think the walls
+Take notes to help him prod
+Us up. He galls
+
+My very soul to strife,
+With his death's-head face.
+He is foul too in his life,
+Some hid disgrace,
+
+Some secret thing he does,
+I warrant you,
+For all his cheek to us
+Is shaved so blue.
+
+He takes good care (by the shade
+Of seven wives!)
+That the undertaker's trade
+He lives by thrives.
+
+Nor chick nor child has he.
+So servile smug,
+With that cringe in his knee,--
+God curse his lug!
+
+But him, you should have seen
+Him yesterday;
+The landlord's smirk turned green
+At his smile. The way
+
+He served that bloodless fish,
+Were like to freeze him.
+But meeting elsewhere, pish!
+He never sees him.
+
+Yet such a gentleman,
+So sure and slow.
+The vilest harridan
+Is not too low,
+
+If there is pity's need;
+And no man born,
+For cruelty or greed
+Escapes that scorn.
+
+Most of all things, it seems,
+He loves the town.
+Watching the bright-faced streams
+Go up and down,
+
+I have surprised him often
+On Tremont street,
+And marked the grave face soften,
+The mouth grow sweet,
+
+In a brown study over
+The men and women.
+An unsuspected rover
+That, for our Common.
+
+When the first jonquils come,
+And spring is sold
+On the street corners, some
+Of the pretty gold
+
+Is sure to find its way
+Home in his hand.
+And many a winter day
+At some cab-stand,
+
+He'll watch the cabmen feed
+The pigeon flocks,
+Or bid some liner speed
+From the icy docks.
+
+His rooms? I much regret
+You cannot see
+His rooms, but they were let
+With guarantee
+
+Of his seclusion there--
+Except myself.
+Each morning, table, chair,
+Lamp, hearth, and shelf,
+
+I rearrange, refreshen,
+Put all to rights,
+Then leave him in possession.
+Ah, but the nights,
+
+The nights! Sir, if I dared
+But once set eye
+To keyhole, nor be scared,
+From playing Paul Pry,
+
+I doubt not I should learn
+A wondrous thing
+Or two; and in return
+Go blind till spring.
+
+The light under his door
+Is glory enough,
+It outshines any star
+That I know of.
+
+Wirrah, my lad, my lad,
+'T is fearsome strange,
+The hints we all have had
+Passing the range
+
+Of science, knowledge, law,
+Or what you will,
+Whose intangible touch of awe
+Makes reason nil.
+
+Many a night I start,
+Sudden awake,
+Feeling my smothered heart
+Flutter and quake;
+
+Like an aspen at dead of noon,
+When not a breath
+Is stirring to trouble the boon
+Valley. A wraith
+
+Or a fetch, it must be, shivers
+The soul of the tree
+Till every leaf of it quivers.
+And so with me.
+
+Was it the shuffle of feet
+I heard go by,
+With muffled drums in the street?
+Was it the cry
+
+Of a rider riding the night
+Into ashes and dawn,
+With news in his nostrils and fright
+Where his hoof-beats had gone?
+
+Did the pipes, at "Bonny Dundee,"
+Bid regiments form?
+Did a renegade's soul get free
+On a wail of the storm?
+
+Did a flock of wild geese honk
+As they cleared the hill?
+Or only a bittern cronk,
+Then all was still?
+
+Was it a night stampede
+Of a thousand head?
+I know I shook like a reed
+There on my bed.
+
+Nameless and void and wild
+Was the fear before me,
+Ere I bethought me and smiled
+As the truth flashed o'er me.
+
+Of course, it was only his hand
+Freeing the bass
+Of his old Amati, grand
+In the silence' face.
+
+Rummaging up and down,
+From string to string,
+Bidding the discords drown,
+The harmonies spring,
+
+Where tides and tide-winds rove
+Far out from land,
+On the ocean of music a-move
+At the will of his hand.
+
+Sobbing and grieving now,
+Now glad as a bird,
+Thou, thou, thou
+Of the joys unheard,
+
+Luminous radiant sea
+Of the sounds and time,
+Surely, surely by thee
+Is eternal prime.
+
+Holy and beautiful deep,
+Spread down before
+The imperial coming of sleep,
+Endure, endure!
+
+And sleep, be thou the ranger
+Over it wan.
+And dream, be thou no stranger
+There with the dawn.
+
+Then wings of the sun, go abroad
+As a scarlet desire,
+Unwearied, unwaning, unawed,
+To quest and aspire,
+
+Till the drench of the dusk you drink
+In the poppy-field west;
+Then veer and settle and sink
+As a gull to her nest.
+
+Wind,
+Away, away!
+And hurry your phantom kind
+Through the gates of day,
+
+Or ever the king's dark cup
+With its studs and spars
+Be inverted, and earth look up
+To the shuddering stars.
+
+Blaring and triumphing now,
+Now quailing and lone,
+Thou, thou, thou
+Of the joys unknown!
+
+Unknown and wild, wild,
+Where the merrymen be,
+Sink to sleep, soul of a child,
+Slumber, thou sea!
+
+All this his fiddle plays,
+And many a thing
+As strange, when his mood so lays
+The bow to the string.
+
+Sleepless! He never sleeps
+That I can find.
+I marvel how he keeps
+A bit of his mind.
+
+There is neither sight nor sound
+In the world of sense,
+But he has fathomed and found
+In the silvery tense
+
+Keen cords on the amber wood.
+As he wrings them thence,
+Death smiles at his hardihood
+For recompense.
+
+Oh fair they are, so fair!
+No tongue can tell
+How he sets them chiming there
+Clear as a bell.
+
+An orchard of birds in June,
+The winds that stream,
+The cold sea-brooks that croon,
+The storms that scream,
+
+The planets that float and swing
+Like buoys on the tide,
+The north-going legions in spring,
+The hills that abide,
+
+The frigate-bird clouds that range,
+The vagabond moon--
+That wilful lover of change--
+And the workaday sun,
+
+Dying summer and fall,
+Seasons and men
+And herds, he has them all
+In his shadowy ken.
+
+He calls and they come, leaving strife,
+Leaving discord and death,
+Out of oblivion to life,
+Though its span be a breath.
+
+There they are, all the beautiful things
+I loved and lost sight of
+Long since in the far-away springs,
+Come back for a night of
+
+New being as good as their old,
+Aye, better in fact,
+For somehow he gilds their fine gold,--
+Gives the one thing they lacked,
+
+The breath, aspiration, desire,
+Core, kindle, control,
+Memory and rapture and fire,--
+The touch of man's soul.
+
+How know the true master? I know
+By my joys and my fears,
+For my heart crumbles down like the snow
+With spring rain into tears.
+
+Now I am a precious one!
+With nothing to do
+But idle here in the sun
+And gossip with you
+
+Of a stranger you have not seen,
+As like never will.
+I would every soul had a screen,
+When the wind sets ill
+
+In the world's bleak house, like this
+Strange lodger of mine.
+His presence is worse to miss
+Than sun's best shine.
+
+I put no thought at all
+Upon the end,
+If only I may call
+Such a man friend.
+
+And a friend he is, heart light
+With love for heft,
+Proud as silence, whose right
+Hand ignores his left.
+
+Yes, odd! he gives his name
+As Spiritus.
+But that is vague as a flame
+In the wind to us.
+
+And then (but not a breath
+Of this!) you see,
+All his effects, my faith!
+Are marked D.V.
+
+His cape-coat has a rip,
+But for all that,
+(Folk smile, suggest a dip
+In the dyer's vat,--
+
+Those purple aldermen
+Who roll about
+In coaches, drive till ten,
+And die of gout),
+
+I think he finely shows
+How learning's crumbs
+At least can rival those
+Of-- 'st, here he comes!
+
+
+
+
+_Beyond the Gamut_
+
+
+Softly, softly, Niccolo Amati!
+What can put such fancies in your head?
+There, go dream of your blue-skied Cremona,
+While I ponder something you have said.
+
+Something in that last low lovely cadence
+Piercing the green dusk alone and far,
+Named a new room in the house of knowledge,
+Waiting unfrequented, door ajar.
+
+While you dream then, let me unmolested
+Pass in childish wonder through that door,--
+Breathless, touch and marvel at the beauties
+Soon my wiser elders must explore.
+
+Ah, my Niccolo, it's no great science
+We shall ever conquer, you and I.
+Yet, when you are nestled at my shoulder,
+Others guess not half that we descry.
+
+As all sight is but a finer hearing,
+And all color but a finer sound,
+Beauty, but the reach of lyric freedom,
+Caught and quivering past all music's bound;
+
+Life, that faint sigh whispered from oblivion,
+Harks and wonders if we may not be
+Five small wits to carry one great rhythmus,
+The vast theme of God's new symphony.
+
+As fine sand spread on a disc of silver,
+At some chord which bids the motes combine,
+Heeding the hidden and reverberant impulse,
+Shifts and dances into curve and line,
+
+The round earth, too, haply, like a dust-mote,
+Was set whirling her assigned sure way,
+Round this little orb of her ecliptic
+To some harmony she must obey.
+
+Did the Master try the taut string merely,
+Give a touch, and she must throb to time?
+Think you how his bow must rouse the echoes,
+Quailing triumphing on, secure, sublime!
+
+Ah, thought cannot far without the symbol!
+Help me, little brother, hold the trend.
+Dear good flesh, that keeps the spirit steady,
+Lest it faint, grown dizzy at thought's end!
+
+Waves of sound (Is this your thought, Amati?),
+Climbing into treble thin and clear,
+Past the silence, change to waves of color,
+We must say, when eye takes place of ear?
+
+Not a bird-song, but it has for fellow
+Some-wood-flower, its speechless counterpart,
+Form and color moulded to one cadence,
+To voice something of the wild mute heart.
+
+Thrushes, we'll suppose, have for their tune-mates
+The gold languorous lilies of the glade;
+And the whippoorwill, that plaintive dreamer,
+Some dark purple flower that loves the shade.
+
+The song-sparrow tells me what the clover
+Nods about beneath the gorgeous blue;
+While the snowballs tell me old love-stories
+Thistle-birds half hinted as they flew.
+
+April's faith, in robin at his vespers,
+Breathes a prayer too in my lilac blooms.
+What the cloudy asters told the hillside,
+My lone rainbird in the dusk resumes.
+
+Bobolink is voice for apple blossom,
+Breezy, abundant, good for human joys;
+Oriole has touched the burning secret
+Poppies hide with their deliberate poise.
+
+Tiny twin-flowers, what are they but fancies,
+Subtler than a field-lark can express?
+Swallows make the low contented twitter
+Lying just beyond the pansies' guess.
+
+Yellowbird, the hot noon's warbler, pierces
+Sense where tiger-lilies may not pass.
+Are not crickets and all field-wise creatures
+Brahmins of the universal grass?
+
+Saffron butterflies and mute ephemera,
+Doubt not, have their songs too, could we hear.
+Every raindrop is a sea sonorous
+As the great worlds thundering sphere to sphere.
+
+There's no silence and no dark forever,
+Clangoring suns to us are placid stars;
+Swift-foot lightning with his henchman thunder
+Lags behind these gnomes in Leyden jars.
+
+Peal and flash and thrill and scent and savour
+Pulse through rhythm to rapture, and control,--
+Who shall say how far along or finely?--
+The infinite tectonics of the soul.
+
+Low-bred peoples, Hottentots, Basutos,
+Have a taste for scarlet and brass bands.
+Our friend Monet, feeling red repulsive,
+Sees blue shadows in pale purple lands.
+
+Sees not only, but instructs our seeing;
+Taught by him a twelvemonth, we confess
+Earth once robed in crude barbaric splendor,
+Has put on a softer lovelier dress.
+
+Feast my eyes on some old Indian fabric,
+Centuries of culture went to weave,
+And I grow the fine fastidious artist,
+No mere shop-made textile can deceive.
+
+Red the bass and violet the treble,
+Soul may pass out where all color ends.
+Ends? So we say, meaning where the eyesight
+With some yet unborn perception blends.
+
+You, Amati, never saw a sunset,--
+Hear tornadoes in a spider's loom;
+I, at my wits' end, may still develop
+Unknown senses in life's larger room.
+
+Superhuman is not supernatural.
+How shall half-way judge of journey done?
+Shall this germ and protoplast of being
+Rest mid-life and say his race is run?
+
+Softly there, my Niccolo, a moment!
+Shall I then discard my simpler joys?
+No, for look you, every sense's impulse
+Is a means the master soul employs.
+
+Test and use of all things, lowest, highest,
+Are alone of import to the soul;
+Joys of earth are journey-aids to heaven,
+Garb of the new sainthood sane and whole.
+
+Earth one habitat of spirit merely,
+I must use as richly as I may,--
+Touch environment with every sense-tip,
+Drink the well and pass my wander way.
+
+Ah, drink deep and let the parching morrow
+Quench what thirst its newer need may bring!
+Slake the senses now, that soul hereafter
+Go not forth a starved defrauded thing.
+
+Not for sense sake only, but for soul sake;
+That when soul must shed the leaves of sense,
+Sun and sap may solace and support her,
+Stored in those green hours for her defence.
+
+Shall the grub deny himself the rose-leaf
+That he may be moth before his time?
+Shall the grasshopper repress his drumbeats
+For small envy of the kingbird's chime?
+
+Certain half-men, never touched by worship,
+Soil the goodly feast they cannot use;
+Others, maimed too, holding flesh a hindrance,
+Vilify the bounty they refuse.
+
+He's most man who loves the purple shadows,
+Yet must love the flaring autumn too,--
+Follow when the skrieling pipes bid forward,
+Lie and gaze for hours into the blue.
+
+He would have gone down with Alexander,
+Quelling unknown lands beneath the sun;
+Watched where Buddha in the Bo tree shadows
+Saw this life's web woven and undone;
+
+Freed his stifled heart in Shakespeare's people,
+Sweet and elemental and serene;
+Dared the unknown with Blake and Galileo;
+Fronted death with Daulac's seventeen.
+
+So shall mighty peace possess his spirit
+Whom the noonday leads alone apart,
+Through the wind-clear early Indian summer,
+Where no yearning more shall move his heart.
+
+Wise and foot-free, of the tranquil tenor,
+He shall wayfare with the homeless tides;
+Time enough, when life allures no longer,
+To frequent the tavern death provides.
+
+Life be neither hermitage nor revel;
+Lent or carnival alone were vain;
+Sin and sainthood--Help me, little brother,
+With your largo finder-thought again!
+
+Lift, uplift me, higher still and higher!
+Climb and pause and tremble and plunge on,
+Till I, toiling after you, come breathless
+Where the mountain tops are touched with dawn!
+
+Dark this valley world; and drenched with slumber
+We have kept the centuries of night.
+Cry, Amati, pierce the waiting stillness
+Tremulous with forecast of the light!
+
+Cry, Amati! Melt the twilight dirges
+In "Te Deums" fit for marching men!
+"Good," the days are chorusing, "shall triumph;"
+Though the far-off morrows whisper, "When?"
+
+What is good? I hear your soft string answer,
+"I am that whereon the round world leans,
+I am every man's poor guess at wisdom;
+Evil is the soul's misuse of means.
+
+"Up through me, with melody and meaning,
+Well the floods of being or subside,
+The first dim desire of self for selfhood,
+The last smile that puts all self aside.
+
+"Hate is discord lessening through the ages;
+Anger a false note, fear a slackened string.
+Key thy soul up to the wiser manhood,
+Gentler lovelier joy from spring to spring!"
+
+Here in turn I help you, little brother,
+Half surmise what you have half explained.
+Store it by to ripen, and repeat it
+Long hereafter as a glimpse you gained,
+
+When the nineteenth century was dying,
+From a strolling hand that held you dear,--.
+Appanage of time put in your keeping
+For my far-off heritor to hear.
+
+I imagine how his eye will kindle
+When he fondles you as I do now,--
+Bends above you wooing like a lover,
+While you yield him all your heart knows how.
+
+I shall have been dust a thousand summers,
+But my dear unprofitable dreams
+Shall be part of all the good that thrills you
+In the oversoul's orchestral themes.
+
+What is good? While God's unfinished opus
+Multitudinous harmony obeys,
+Evil is a dissonance not a discord,
+Soon to be resolved to happier phrase,--
+
+From time immemorial permitted,
+Lest the too sweet melody grow tame,
+And, untouched of pathos or of daring,
+Hearts should never know what hearts proclaim:
+
+The unstained unconquerable valor,
+The unflinching loyalties of love.
+Or if evil be at worst a blunder
+No musician ever could approve,
+
+The mere bungling of a hand that faltered,--
+Mine or his who bade the planets poise,--
+What a thing unthinkable for smallness
+Is your frayed E string one touch destroys.
+
+How that sea-gull out across the bay there
+Rows himself at leisure up the blue!
+Evil the mere eddy from his wing-sweep,
+Good the morning path he must pursue.
+
+Good, you think, and evil live together,
+Both persisting on from change to change
+Through interminable conservation,--
+Primal powers no ruin can derange?
+
+Deed and accident alike unending
+By eternal consequence of cause?
+No. For good is impetus to Godward;
+Evil, but our ignorance of laws.
+
+Say I let you, spite of all endeavor,
+Mar some nocturne by a single note;
+Is there immortality of discord
+In your failure to preserve the rote?
+
+When the sound shall pass my sense's confines,
+Melt away to color or thin flame,
+Does it still malinger in the prism,
+Falsify the crucible with shame?
+
+Hardly. For the melody and marring,
+When they put the dear oblivion on,
+Are become as fresh clay for the potter,
+Neither good nor bad, for use anon.
+
+Blighted rose and perfect shall commingle
+In one excellence of garden mould.
+Soul transfusing comeliness or blemish
+Can alone lend beauty to the old.
+
+While the streams go down among the mountains,
+Gathering rills and leaving sand behind,
+Till at last the ocean sea receives them,
+And they lose themselves among their kind,
+
+Man, the joy-born and the sorrow-nurtured,
+(One with nothingness though all things be,--
+Great lord Sirius and the moving planets
+Fleet as fire-germs in the torn-up sea,--)
+
+Linked to all his half-accomplished fellows,
+Through unfrontiered provinces to range,
+Man is but the morning dream of nature
+Roused by some wild cadence weird and strange.
+
+Slowly therefore, Niccolo, and softly,
+With more memories than tongue can tell,
+Lower me down the slope of life, and leave me
+Knowing the hereafter will be well.
+
+Close with, "Love is but the perfect knowledge,
+The one thing no failure can befall;
+Lovingkindness betters loving credence;
+Love and only love is best of all."
+
+Beauty, beauty, beauty, sense and seeming,
+With the soul of truth she calls her lord!
+Stars and men the dust upon her garment;
+Hope and fear the echoes of her word.
+
+How escape we then, the rainbow's brothers,
+Endless being with each blade and sod?
+Dust and shadow between whence and whither,
+Part of the tranquillity of God.
+
+
+[Illustration: THE JUGGLER]
+
+_The Juggler_
+
+Look how he throws them up and up,
+The beautiful golden balls!
+They hang aloft in the purple air,
+And there never is one that falls.
+
+He sends them hot from his steady hand,
+He teaches them all their curves;
+And whether the reach be little or long,
+There never is one that swerves.
+
+Some, like the tiny red one there,
+He never lets go far;
+And some he has sent to the roof of the tent
+To swim without a jar.
+
+So white and still they seem to hang,
+You wonder if he forgot
+To reckon the time of their return
+And measure their golden lot.
+
+Can it be that, hurried or tired out,
+The hand of the juggler shook?
+O never you fear, his eye is clear,
+He knows them all like a book.
+
+And they will home to his hand at last,
+For he pulls them by a cord
+Finer than silk and strong as fate,
+That is just the bid of his word.
+
+Was ever there such a sight in the world?
+Like a wonderful winding skein,--
+The way he tangles them up together
+And ravels them out again!
+
+He has so many moving now,
+You can hardly believe your eyes;
+And yet they say he can handle twice
+The number when he tries.
+
+You take your choice and give me mine,
+I know the one for me,
+It's that great bluish one low down
+Like a ship's light out at sea.
+
+It has not moved for a minute or more.
+The marvel that it can keep
+As if it had been set there to spin
+For a thousand years asleep!
+
+If I could have him at the inn
+All by myself some night,--
+Inquire his country, and where in the world
+He came by that cunning sleight!
+
+Where do you guess he learned the trick
+To hold us gaping here,
+Till our minds in the spell of his maze almost
+Have forgotten the time of year?
+
+One never could have the least idea.
+Yet why be disposed to twit
+A fellow who does such wonderful things
+With the merest lack of wit?
+
+Likely enough, when the show is done
+And the balls all back in his hand,
+He'll tell us why he is smiling so,
+And we shall understand.
+
+
+
+
+_Hack and Hew_
+
+
+Hack and Hew were the sons of God
+In the earlier earth than now;
+One at his right hand, one at his left,
+To obey as he taught them how.
+
+And Hack was blind and Hew was dumb,
+But both had the wild, wild heart;
+And God's calm will was their burning will,
+And the gist of their toil was art.
+
+They made the moon and the belted stars,
+They set the sun to ride;
+They loosed the girdle and veil of the sea,
+The wind and the purple tide.
+
+Both flower and beast beneath their hands
+To beauty and speed outgrew,--
+The furious fumbling hand of Hack,
+And the glorying hand of Hew.
+
+Then, fire and clay, they fashioned a man,
+And painted him rosy brown;
+And God himself blew hard in his eyes:
+"Let them burn till they smoulder down!"
+
+And "There!" said Hack, and "There!" thought Hew,
+"We'll rest, for our toil is done."
+But "Nay," the Master Workman said,
+"For your toil is just begun.
+
+"And ye who served me of old as God
+Shall serve me anew as man,
+Till I compass the dream that is in my heart,
+And perfect the vaster plan."
+
+And still the craftsman over his craft,
+In the vague white light of dawn,
+With God's calm will for his burning will,
+While the mounting day comes on.
+
+Yearning, wind-swift, indolent, wild,
+Toils with those shadowy two,--
+The faltering restless hand of Hack,
+And the tireless hand of Hew.
+
+
+
+
+[Illustration]
+
+_The Night Express_
+
+
+Out through the hills of midnight,
+Hurtling and thundering on,
+The night express from the outer world
+Speeds for the open of dawn.
+
+Out of the past and gloom-wrack,
+Out of the dim and yore,
+Freighted as train or caravan
+Was never freighted before;
+
+Built when the Sphinx's query
+Was new on the lips of peace;
+Hurled through the aching and hollow years
+Till time shall have release;
+
+Stealing and swift as a shadow,
+Sinuous, urging, and blind,
+Unpent as a joy or the flight of a bird,
+With oblivion behind;
+
+Down to the morrow country
+Into the unknown land!
+And the Driver grips the throttle-bar;
+Our lives are in his hand.
+
+The sleeping hills awake;
+A tremor, a dread, a roar;
+The terror is flying, is come, is past;
+The hills can sleep once more.
+
+A moment the silence throbs,
+The dark has a pulse of fire;
+And then the wonder of time is gone,
+A wraith and a desire.
+
+Demonish, toiling, grim,
+In the ruddy furnace flare,
+While the Driver fingers the throttle-bar,
+Who stands at his elbow there?
+
+Can it be, this thing like a shred
+Of the firmament torn away,
+Is a boarded train that Death and his crew
+Consorted to waylay?
+
+His wreckers, grinning and lean,
+Are lurking at every curve;
+But the Driver plays with the throttle-bar;
+He has the iron nerve.
+
+We are travelling safe and warm,
+With our little baggage of cares;
+Why tease the peril that yet would come
+Unbidden and unawares?
+
+The lonely are lonely still;
+And the friend has another friend;
+Only the idle heart inquires
+The distance and the end.
+
+We pant up the climbing grade,
+And coast on the tangent mile,
+While the Driver toys with the throttle-bar,
+And gathers the track in his smile.
+
+The dreamer weary of dreams,
+The lover by love released,
+Stricken and whole, and eager and sad,
+Beauty and waif and priest,
+
+All these adventure forth,
+Strangers though side by side,
+With the tramp of time in the roaring wheels,
+And haste in their shadowy stride.
+
+The star that races the hills
+Shows yet the night is deep;
+But the Driver humors the throttle-bar;
+So, you and I may sleep.
+
+For He of the sleepless hand
+Will drive till the night is done--
+Will watch till morning springs from the sea,
+And the rails stand gold in the sun;
+
+Then he will slow to a stop
+The tread of the driving-rod,
+When the night express rolls into the dawn;
+For the Driver's name is God.
+
+
+
+
+[Illustration]
+
+_The Dustman_
+
+
+"Dustman, dustman!"
+Through the deserted square he cries,
+And babies put their rosy fists
+Into their eyes.
+
+There's nothing out of No-man's-land
+So drowsy since the world began,
+As "Dustman, dustman,
+Dustman."
+
+He goes his village round at dusk
+From door to door, from day to day;
+And when the children hear his step
+They stop their play.
+
+"Dustman, dustman!"
+Far up the street he is descried,
+And soberly the twilight games
+Are laid aside.
+
+"Dustman, dustman!"
+There, Drowsyhead, the old refrain,
+"Dustman, dustman!"
+It goes again.
+
+Dustman, dustman,
+Hurry by and let me sleep.
+When most I wish for you to come,
+You always creep.
+
+Dustman, dustman,
+And when I want to play some more,
+You never then are further off
+Than the next door.
+
+"Dustman, dustman!"
+He heckles down the echoing curb,
+A step that neither hopes nor hates
+Ever disturb.
+
+"Dustman, dustman!"
+He never varies from one pace,
+And the monotony of time
+Is in his face.
+
+And some day, with more potent dust,
+Brought from his home beyond the deep,
+And gently scattered on our eyes,
+We, too, shall sleep,--
+
+Hearing the call we know so well
+Fade softly out as it began,
+"Dustman, dustman,
+Dustman!"
+
+
+
+
+_The Sleepers_
+
+
+The tall carnations down the garden walks
+Bowed on their stalks.
+
+Said Jock-a-dreams to John-a-nods,
+"What are the odds
+That we shall wake up here within the sun,
+When time is done,
+And pick up all the treasures one by one
+Our hands let fall in sleep?" "You have begun
+To mutter in your dreams,"
+Said John-a-nods to Jock-a-dreams,
+And they both slept again.
+
+The tall carnations in the sunset glow
+Burned row on row.
+
+Said John-a-nods to Jock-a-dreams,
+"To me it seems
+A thousand years since last you stirred and spoke,
+And I awoke.
+Was that the wind then trying to provoke
+His brothers in their blessed sleep?" "They choke,
+Who mutter in their nods,"
+Said Jock-a-dreams to John-a-nods.
+And they both slept again.
+
+The tall carnations only heard a sigh
+Of dusk go by.
+
+
+
+
+[Illustration]
+
+_At the Granite Gate_
+
+
+There paused to shut the door
+A fellow called the Wind.
+With mystery before,
+And reticence behind,
+
+A portal waits me too
+In the glad house of spring,
+One day I shall pass through
+And leave you wondering.
+
+It lies beyond the marge
+Of evening or of prime,
+Silent and dim and large,
+The gateway of all time.
+
+There troop by night and day
+My brothers of the field;
+And I shall know the way
+Their woodsongs have revealed.
+
+The dusk will hold some trace
+Of all my radiant crew
+Who vanished to that place,
+Ephemeral as dew.
+
+Into the twilight dun,
+Blue moth and dragon-fly
+Adventuring alone,--
+Shall be more brave than I?
+
+There innocents shall bloom
+And the white cherry tree,
+With birch and willow plume
+To strew the road for me.
+
+The wilding orioles then
+Shall make the golden air
+Heavy with joy again,
+And the dark heart shall dare
+
+Resume the old desire,
+The exigence of spring
+To be the orange fire
+That tips the world's gray wing.
+
+And the lone wood-bird--Hark,
+The whippoorwill night long
+Threshing the summer dark
+With his dim flail of song!--
+
+Shall be the lyric lift,
+When all my senses creep,
+To bear me through the rift
+In the blue range of sleep.
+
+And so I pass beyond
+The solace of your hand.
+But ah, so brave and fond!
+Within that morrow land,
+
+Where deed and daring fail,
+But joy forevermore
+Shall tremble and prevail
+Against the narrow door,
+
+Where sorrow knocks too late,
+And grief is overdue,
+Beyond the granite gate
+There will be thoughts of you.
+
+
+
+
+[Illustration]
+
+_Exit Anima_
+
+ "Hospes comesque corporis,
+ Quae nunc abitis in loca?"
+
+Cease, Wind, to blow
+And drive the peopled snow,
+And move the haunted arras to and fro,
+And moan of things I fear to know
+Yet would rend from thee, Wind, before I go
+On the blind pilgrimage.
+Cease, Wind, to blow.
+
+Thy brother too,
+I leave no print of shoe
+In all these vasty rooms I rummage through,
+No word at threshold, and no clue
+Of whence I come and whither I pursue
+The search of treasures lost
+When time was new.
+
+Thou janitor
+Of the dim curtained door,
+Stir thy old bones along the dusty floor
+Of this unlighted corridor.
+Open! I have been this dark way before;
+Thy hollow face shall peer
+In mine no more. . . . .
+
+Sky, the dear sky!
+Ah, ghostly house, good-by!
+I leave thee as the gauzy dragon-fly
+Leaves the green pool to try
+His vast ambition on the vaster sky,--
+Such valor against death
+Is deity.
+
+What, thou too here,
+Thou haunting whisperer?
+Spirit of beauty immanent and sheer,
+Art thou that crooked servitor,
+Done with disguise, from whose malignant leer
+Out of the ghostly house
+I fled in fear?
+
+O Beauty, how
+I do repent me now,
+Of all the doubt I ever could allow
+To shake me like the aspen bough;
+Nor once imagine that unsullied brow
+Could wear the evil mask
+And still be thou!
+
+Bone of thy bone,
+Breath of thy breath alone,
+I dare resume the silence of a stone,
+Or explore still the vast unknown,
+Like a bright sea-bird through the morning blown,
+With all his heart one joy,
+From zone to zone.
+
+
+ Scituate, June, 1895.
+
+ * * * * *
+ * * * *
+ * * * * *
+
+Transcriber's Note:
+
+One block of ten lines from the title poem was printed without break:
+
+ Yet while they last how actual they seem!
+ Their faces beam;
+ I give them all their names,
+ Bertram and Gilbert, Louis, Frank and James,
+ Each with his aims;
+ One thinks he is a poet, and writes verse
+ His friends rehearse;
+ Another is full of law;
+ A third sees pictures which his hand can draw
+ Without a flaw.
+
+This may be a typographical error.
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Behind the Arras, by Bliss Carman
+
+*** END OF THIS PROJECT GUTENBERG EBOOK BEHIND THE ARRAS ***
+
+***** This file should be named 18242.txt or 18242.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/1/8/2/4/18242/
+
+Produced by Louise Hope, Thierry Alberto and the Online
+Distributed Proofreading Team at http://www.pgdp.net (This
+file was produced from images generously made available
+by the Canadian Institute for Historical Microreproductions
+(www.canadiana.org))
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card
+donations. To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+*** END: FULL LICENSE ***
+
diff --git a/18242.zip b/18242.zip
new file mode 100644
index 0000000..076668c
--- /dev/null
+++ b/18242.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..8cee07e
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #18242 (https://www.gutenberg.org/ebooks/18242)