1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135
136
137
138
139
140
141
142
143
144
145
146
147
148
149
150
151
152
153
154
155
156
157
158
159
160
161
162
163
164
165
166
167
168
169
170
171
172
173
174
175
176
177
178
179
180
181
182
183
184
185
186
187
188
189
190
191
192
193
194
195
196
197
198
199
200
201
202
203
204
205
206
207
208
209
210
211
212
213
214
215
216
217
218
219
220
221
222
223
224
225
226
227
228
229
230
231
232
233
234
235
236
237
238
239
240
241
242
243
244
245
246
247
248
249
250
251
252
253
254
255
256
257
258
259
260
261
262
263
264
265
266
267
268
269
270
271
272
273
274
275
276
277
278
279
280
281
282
283
284
285
286
287
288
289
290
291
292
293
294
295
296
297
298
299
300
301
302
303
304
305
306
307
308
309
310
311
312
313
314
315
316
317
318
319
320
321
322
323
324
325
326
327
328
329
330
331
332
333
334
335
336
337
338
339
340
341
342
343
344
345
346
347
348
349
350
351
352
353
354
355
356
357
358
359
360
361
362
363
364
365
366
367
368
369
370
371
372
373
374
375
376
377
378
379
380
381
382
383
384
385
386
387
388
389
390
391
392
393
394
395
396
397
398
399
400
401
402
403
404
405
406
407
408
409
410
411
412
413
414
415
416
417
418
419
420
421
422
423
424
425
426
427
428
429
430
431
432
433
434
435
436
437
438
439
440
441
442
443
444
445
446
447
448
449
450
451
452
453
454
455
456
457
458
459
460
461
462
463
464
465
466
467
468
469
470
471
472
473
474
475
476
477
478
479
480
481
482
483
484
485
486
487
488
489
490
491
492
493
494
495
496
497
498
499
500
501
502
503
504
505
506
507
508
509
510
511
512
513
514
515
516
517
518
519
520
521
522
523
524
525
526
527
528
529
530
531
532
533
534
535
536
537
538
539
540
541
542
543
544
545
546
547
548
549
550
551
552
553
554
555
556
557
558
559
560
561
562
563
564
565
566
567
568
569
570
571
572
573
574
575
576
577
578
579
580
581
582
583
584
585
586
587
588
589
590
591
592
593
594
595
596
597
598
599
600
601
602
603
604
605
606
607
608
609
610
611
612
613
614
615
616
617
618
619
620
621
622
623
624
625
626
627
628
629
630
631
632
633
634
635
636
637
638
639
640
641
642
643
644
645
646
647
648
649
650
651
652
653
654
655
656
657
658
659
660
661
662
663
664
665
666
667
668
669
670
671
672
673
674
675
676
677
678
679
680
681
682
683
684
685
686
687
688
689
690
691
692
693
694
695
696
697
698
699
700
701
702
703
704
705
706
707
708
709
710
711
712
713
714
715
716
717
718
719
720
721
722
723
724
725
726
727
728
729
730
731
732
733
734
735
736
737
738
739
740
741
742
743
744
745
746
747
748
749
750
751
752
753
754
755
756
757
758
759
760
761
762
763
764
765
766
767
768
769
770
771
772
773
774
775
776
777
778
779
780
781
782
783
784
785
786
787
788
789
790
791
792
793
794
795
796
797
798
799
800
801
802
803
804
805
806
807
808
809
810
811
812
813
814
815
816
817
818
819
820
821
822
823
824
825
826
827
828
829
830
831
832
833
834
835
836
837
838
839
840
841
842
843
844
845
846
847
848
849
850
851
852
853
854
855
856
857
858
859
860
861
862
863
864
865
866
867
868
869
870
871
872
873
874
875
876
877
878
879
880
881
882
883
884
885
886
887
888
889
890
891
892
893
894
895
896
897
898
899
900
901
902
903
904
905
906
907
908
909
910
911
912
913
914
915
916
917
918
919
920
921
922
923
924
925
926
927
928
929
930
931
932
933
934
935
936
937
938
939
940
941
942
943
944
945
946
947
948
949
950
951
952
953
954
955
956
957
958
959
960
961
962
963
964
965
966
967
968
969
970
971
972
973
974
975
976
977
978
979
980
981
982
983
984
985
986
987
988
989
990
991
992
993
994
995
996
997
998
999
1000
1001
1002
1003
1004
1005
1006
1007
1008
1009
1010
1011
1012
1013
1014
1015
1016
1017
1018
1019
1020
1021
1022
1023
1024
1025
1026
1027
1028
1029
1030
1031
1032
1033
1034
1035
1036
1037
1038
1039
1040
1041
1042
1043
1044
1045
1046
1047
1048
1049
1050
1051
1052
1053
1054
1055
1056
1057
1058
1059
1060
1061
1062
1063
1064
1065
1066
1067
1068
1069
1070
1071
1072
1073
1074
1075
1076
1077
1078
1079
1080
1081
1082
1083
1084
1085
1086
1087
1088
1089
1090
1091
1092
1093
1094
1095
1096
1097
1098
1099
1100
1101
1102
1103
1104
1105
1106
1107
1108
1109
1110
1111
1112
1113
1114
1115
1116
1117
1118
1119
1120
1121
1122
1123
1124
1125
1126
1127
1128
1129
1130
1131
1132
1133
1134
1135
1136
1137
1138
1139
1140
1141
1142
1143
1144
1145
1146
1147
1148
1149
1150
1151
1152
1153
1154
1155
1156
1157
1158
1159
1160
1161
1162
1163
1164
1165
1166
1167
1168
1169
1170
1171
1172
1173
1174
1175
1176
1177
1178
1179
1180
1181
1182
1183
1184
1185
1186
1187
1188
1189
1190
1191
1192
1193
1194
1195
1196
1197
1198
1199
1200
1201
1202
1203
1204
1205
1206
1207
1208
1209
1210
1211
1212
1213
1214
1215
1216
1217
1218
1219
1220
1221
1222
1223
1224
1225
1226
1227
1228
1229
1230
1231
1232
1233
1234
1235
1236
1237
1238
1239
1240
1241
1242
1243
1244
1245
1246
1247
1248
|
<?xml version="1.0" encoding="utf-8"?>
<!DOCTYPE html
PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
<html xmlns="http://www.w3.org/1999/xhtml" lang="en">
<head>
<title>
A Question of Latitude, by Richard Harding Davis
</title>
<style type="text/css" xml:space="preserve">
body { margin:5%; background:#faebd0; text-align:justify}
P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
hr { width: 50%; text-align: center;}
.foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
.mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
.toc { margin-left: 10%; margin-bottom: .75em;}
.toc2 { margin-left: 20%;}
div.fig { display:block; margin:0 auto; text-align:center; }
div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
.figleft {float: left; margin-left: 0%; margin-right: 1%;}
.figright {float: right; margin-right: 0%; margin-left: 1%;}
.pagenum {display:inline; font-size: 70%; font-style:normal;
margin: 0; padding: 0; position: absolute; right: 1%;
text-align: right;}
pre { font-style: italic; font-size: 90%; margin-left: 10%;}
</style>
</head>
<body>
<pre xml:space="preserve">
Project Gutenberg's A Question of Latitude, by Richard Harding Davis
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: A Question of Latitude
Author: Richard Harding Davis
Release Date: May 12, 2006 [EBook #1817]
Last Updated: September 25, 2016
Language: English
Character set encoding: UTF-8
*** START OF THIS PROJECT GUTENBERG EBOOK A QUESTION OF LATITUDE ***
Produced by Don Lainson; David Widger
</pre>
<p>
<br /> <br />
</p>
<h1>
A QUESTION OF LATITUDE
</h1>
<p>
<br />
</p>
<h2>
By Richard Harding Davis
</h2>
<p>
<br /> <br />
</p>
<hr />
<p>
<br /> <br />
</p>
<p>
Of the school of earnest young writers at whom the word muckraker had been
thrown in opprobrium, and by whom it had been caught up as a title of
honor, Everett was among the younger and less conspicuous. But, if in his
skirmishes with graft and corruption he had failed to correct the evils he
attacked, from the contests he himself had always emerged with credit. His
sincerity and his methods were above suspicion. No one had caught him in
misstatement, or exaggeration. Even those whom he attacked, admitted he
fought fair. For these reasons, the editors of magazines, with the fear of
libel before their eyes, regarded him as a “safe” man, the public, feeling
that the evils he exposed were due to its own indifference, with
uncomfortable approval, and those he attacked, with impotent anger. Their
anger was impotent because, in the case of Everett, the weapons used by
their class in “striking back” were denied them. They could not say that
for money he sold sensations, because it was known that a proud and
wealthy parent supplied him with all the money he wanted. Nor in his
private life could they find anything to offset his attacks upon the
misconduct of others. Men had been sent to spy upon him, and women to lay
traps. But the men reported that his evenings were spent at his club, and,
from the women, those who sent them learned only that Everett “treats a
lady just as though she IS a lady.”
</p>
<p>
Accordingly, when, with much trumpeting, he departed to investigate
conditions in the Congo, there were some who rejoiced.
</p>
<p>
The standard of life to which Everett was accustomed was high. In his home
in Boston it had been set for him by a father and mother who, though
critics rather than workers in the world, had taught him to despise what
was mean and ungenerous, to write the truth and abhor a compromise. At
Harvard he had interested himself in municipal reform, and when later he
moved to New York, he transferred his interest to the problems of that
city. His attack upon Tammany Hall did not utterly destroy that
organization, but at once brought him to the notice of the editors. By
them he was invited to tilt his lance at evils in other parts of the
United States, at “systems,” trusts, convict camps, municipal misrule. His
work had met with a measure of success that seemed to justify Lowell’s
Weekly in sending him further afield, and he now was on his way to tell
the truth about the Congo. Personally, Everett was a healthy, clean-minded
enthusiast. He possessed all of the advantages of youth, and all of its
intolerance. He was supposed to be engaged to Florence Carey, but he was
not. There was, however, between them an “understanding,” which
understanding, as Everett understood it, meant that until she was ready to
say, “I am ready,” he was to think of her, dream of her, write
love-letters to her, and keep himself only for her. He loved her very
dearly, and, having no choice, was content to wait. His content was
fortunate, as Miss Carey seemed inclined to keep him waiting indefinitely.
</p>
<p>
Except in Europe, Everett had never travelled outside the limits of his
own country. But the new land toward which he was advancing held no
terrors. As he understood it, the Congo was at the mercy of a corrupt
“ring.” In every part of the United States he had found a city in the
clutch of a corrupt ring. The conditions would be the same, the methods he
would use to get at the truth would be the same, the result for reform
would be the same.
</p>
<p>
The English steamer on which he sailed for Southampton was one leased by
the Independent State of the Congo, and, with a few exceptions, her
passengers were subjects of King Leopold. On board, the language was
French, at table the men sat according to the rank they held in the
administration of the jungle, and each in his buttonhole wore the tiny
silver star that showed that for three years, to fill the storehouses of
the King of the Belgians, he had gathered rubber and ivory. In the
smoking-room Everett soon discovered that passengers not in the service of
that king, the English and German officers and traders, held aloof from
the Belgians. Their attitude toward them seemed to be one partly of
contempt, partly of pity.
</p>
<p>
“Are your English protectorates on the coast, then, so much better
administered?” Everett asked.
</p>
<p>
The English Coaster, who for ten years in Nigeria had escaped fever and
sudden death, laughed evasively.
</p>
<p>
“I have never been in the Congo,” he said. “Only know what they tell one.
But you’ll see for yourself. That is,” he added, “you’ll see what they
want you to see.”
</p>
<p>
They were leaning on the rail, with their eyes turned toward the coast of
Liberia, a gloomy green line against which the waves cast up fountains of
foam as high as the cocoanut palms. As a subject of discussion, the
coaster seemed anxious to avoid the Congo.
</p>
<p>
“It was there,” he said, pointing, “the Three Castles struck on the rocks.
She was a total loss. So were her passengers,” he added. “They ate them.”
</p>
<p>
Everett gazed suspiciously at the unmoved face of the veteran.
</p>
<p>
“WHO ate them?” he asked guardedly. “Sharks?”
</p>
<p>
“The natives that live back of that shore-line in the lagoons.”
</p>
<p>
Everett laughed with the assurance of one for whom a trap had been laid
and who had cleverly avoided it.
</p>
<p>
“Cannibals,” he mocked. “Cannibals went out of date with pirates. But
perhaps,” he added apologetically, “this happened some years ago?”
</p>
<p>
“Happened last month,” said the trader.
</p>
<p>
“But Liberia is a perfectly good republic,” protested Everett. “The blacks
there may not be as far advanced as in your colonies, but they’re not
cannibals.”
</p>
<p>
“Monrovia is a very small part of Liberia,” said the trader dryly. “And
none of these protectorates, or crown colonies, on this coast pretends to
control much of the Hinterland. There is Sierra Leone, for instance, about
the oldest of them. Last year the governor celebrated the hundredth
anniversary of the year the British abolished slavery. They had parades
and tea-fights, and all the blacks were in the street in straw hats with
cricket ribbons, thanking God they were not as other men are, not slaves
like their grandfathers. Well, just at the height of the jubilation, the
tribes within twenty miles of the town sent in to say that they, also,
were holding a palaver, and it was to mark the fact that they NEVER had
been slaves and never would be, and, if the governor doubted it, to send
out his fighting men and they’d prove it. It cast quite a gloom over the
celebration.”
</p>
<p>
“Do you mean that only twenty miles from the coast—” began Everett.
</p>
<p>
“TEN miles,” said the Coaster, “wait till you see Calabar. That’s our
Exhibit A. The cleanest, best administered. Everything there is model:
hospitals, barracks, golf links. Last year, ten miles from Calabar, Dr.
Stewart rode his bicycle into a native village. The king tortured him six
days, cut him up, and sent pieces of him to fifty villages with the
message: ‘You eat each other. WE eat white chop.’ That was ten miles from
our model barracks.”
</p>
<p>
For some moments the muckraker considered the statement thoughtfully.
</p>
<p>
“You mean,” he inquired, “that the atrocities are not all on the side of
the white men?”
</p>
<p>
“Atrocities?” exclaimed the trader. “I wasn’t talking of atrocities. Are
you looking for them?”
</p>
<p>
“I’m not running away from them,” laughed Everett. “Lowell’s Weekly is
sending me to the Congo to find out the truth, and to try to help put an
end to them.”
</p>
<p>
In his turn the trader considered the statement carefully.
</p>
<p>
“Among the natives,” he explained, painstakingly picking each word, “what
you call ‘atrocities’ are customs of warfare, forms of punishment. When
they go to war they EXPECT to be tortured; they KNOW, if they’re killed,
they’ll be eaten. The white man comes here and finds these customs have
existed for centuries. He adopts them, because—”
</p>
<p>
“One moment!” interrupted Everett warmly. “That does not excuse HIM. The
point is, that with him they have NOT existed. To him they should be
against his conscience, indecent, horrible! He has a greater knowledge, a
much higher intelligence; he should lift the native, not sink to him.”
</p>
<p>
The Coaster took his pipe from his mouth, and twice opened his lips to
speak. Finally, he blew the smoke into the air, and shook his head.
</p>
<p>
“What’s the use!” he exclaimed.
</p>
<p>
“Try,” laughed Everett. “Maybe I’m not as unintelligent as I talk.”
</p>
<p>
“You must get this right,” protested the Coaster. “It doesn’t matter a
damn what a man BRINGS here, what his training WAS, what HE IS. The thing
is too strong for him.”
</p>
<p>
“What thing?”
</p>
<p>
“That!” said the Coaster. He threw out his arm at the brooding mountains,
the dark lagoons, the glaring coast-line against which the waves shot into
the air with the shock and roar of twelve-inch guns.
</p>
<p>
“The first white man came to Sierra Leone five hundred years before
Christ,” said the Coaster. “And, in twenty-two hundred years, he’s got
just twenty miles inland. The native didn’t need forts, or a navy, to stop
him. He had three allies: those waves, the fever, and the sun. Especially
the sun. The black man goes bare-headed, and the sun lets him pass. The
white man covers his head with an inch of cork, and the sun strikes
through it and kills him. When Jameson came down the river from Yambuya,
the natives fired on his boat. He waved his helmet at them for three
minutes, to show them there was a white man in the canoe. Three minutes
was all the sun wanted. Jameson died in two days. Where you are going, the
sun does worse things to a man than kill him: it drives him mad. It keeps
the fear of death in his heart; and THAT takes away his nerve and his
sense of proportion. He flies into murderous fits, over silly, imaginary
slights; he grows morbid, suspicious, he becomes a coward, and because he
is a coward with authority, he becomes a bully.
</p>
<p>
“He is alone, we will suppose, at a station three hundred miles from any
other white man. One morning his house-boy spills a cup of coffee on him,
and in a rage he half kills the boy. He broods over that, until he
discovers, or his crazy mind makes him think he has discovered, that in
revenge the boy is plotting to poison him. So he punishes him again. Only
this time he punishes him as the black man has taught him to punish, in
the only way the black man seems to understand; that is, he tortures him.
From that moment the fall of that man is rapid. The heat, the loneliness,
the fever, the fear of the black faces, keep him on edge, rob him of
sleep, rob him of his physical strength, of his moral strength. He loses
shame, loses reason; becomes cruel, weak, degenerate. He invents new,
bestial tortures; commits new, unspeakable ‘atrocities,’ until, one day,
the natives turn and kill him, or he sticks his gun in his mouth and blows
the top of his head off.”
</p>
<p>
The Coaster smiled tolerantly at the wide-eyed eager young man at his
side.
</p>
<p>
“And you,” he mocked, “think you can reform that man, and that hell above
ground called the Congo, with an article in Lowell’s Weekly?”
</p>
<p>
Undismayed, Everett grinned cheerfully.
</p>
<p>
“That’s what I’m here for!” he said.
</p>
<p>
By the time Everett reached the mouth of the Congo, he had learned that in
everything he must depend upon himself; that he would be accepted only as
the kind of man that, at the moment, he showed himself to be. This
attitude of independence was not chosen, but forced on him by the men with
whom he came in contact. Associations and traditions, that in every part
of the United States had served as letters of introduction, and enabled
strangers to identify and label him, were to the white men on the steamer
and at the ports of call without meaning or value. That he was an Everett
of Boston conveyed little to those who had not heard even of Boston. That
he was the correspondent of Lowell’s Weekly meant less to those who did
not know that Lowell’s Weekly existed. And when, in confusion, he
proffered his letter of credit, the very fact that it called for a
thousand pounds was, in the eyes of a “Palm Oil Ruffian,” sufficient
evidence that it had been forged or stolen. He soon saw that solely as a
white man was he accepted and made welcome. That he was respectable, few
believed, and no one cared. To be taken at his face value, to be refused
at the start the benefit of the doubt, was a novel sensation; and yet not
unpleasant. It was a relief not to be accepted only as Everett the
Muckraker, as a professional reformer, as one holier than others. It
afforded his soul the same relaxation that his body received when, in his
shirt-sleeves in the sweltering smoking-room, he drank beer with a chef de
poste who had been thrice tried for murder.
</p>
<p>
Not only to every one was he a stranger, but to him everything was
strange; so strange as to appear unreal. This did not prevent him from at
once recognizing those things that were not strange, such as corrupt
officials, incompetence, mismanagement. He did not need the missionaries
to point out to him that the Independent State of the Congo was not a
colony administered for the benefit of many, but a vast rubber plantation
worked by slaves to fill the pockets of one man. It was not in his work
that Everett found himself confused. It was in his attitude of mind toward
almost every other question.
</p>
<p>
At first, when he could not make everything fit his rule of thumb, he
excused the country tolerantly as a “topsy-turvy” land. He wished to move
and act quickly; to make others move quickly. He did not understand that
men who had sentenced themselves to exile for the official term of three
years, or for life, measured time only by the date of their release. When
he learned that even a cablegram could not reach his home in less than
eighteen days, that the missionaries to whom he brought letters were a
three months’ journey from the coast and from each other, his impatience
was chastened to wonder, and, later, to awe.
</p>
<p>
His education began at Matadi, where he waited until the river steamer was
ready to start for Leopoldville. Of the two places he was assured Matadi
was the better, for the reason that if you still were in favor with the
steward of the ship that brought you south, he might sell you a piece of
ice.
</p>
<p>
Matadi was a great rock, blazing with heat. Its narrow, perpendicular
paths seemed to run with burning lava. Its top, the main square of the
settlement, was of baked clay, beaten hard by thousands of naked feet.
Crossing it by day was an adventure. The air that swept it was the breath
of a blast-furnace.
</p>
<p>
Everett found a room over the shop of a Portuguese trader. It was caked
with dirt, and smelled of unnamed diseases and chloride of lime. In it was
a canvas cot, a roll of evil-looking bedding, a wash-basin filled with the
stumps of cigarettes. In a corner was a tin chop-box, which Everett asked
to have removed. It belonged, the landlord told him, to the man who, two
nights before, had occupied the cot and who had died in it. Everett was
anxious to learn of what he had died. Apparently surprised at the
question, the Portuguese shrugged his shoulders.
</p>
<p>
“Who knows?” he exclaimed. The next morning the English trader across the
street assured Everett there was no occasion for alarm. “He didn’t die of
any disease,” he explained. “Somebody got at him from the balcony, while
he was in his cot, and knifed him.”
</p>
<p>
The English trader was a young man, a cockney, named Upsher. At home he
had been a steward on the Channel steamers. Everett made him his most
intimate friend. He had a black wife, who spent most of her day in a
four-post bed, hung with lace curtains and blue ribbon, in which she
resembled a baby hippopotamus wallowing in a bank of white sand.
</p>
<p>
At first the black woman was a shock to Everett, but after Upsher
dismissed her indifferently as a “good old sort,” and spent one evening
blubbering over a photograph of his wife and “kiddie” at home, Everett
accepted her. His excuse for this was that men who knew they might die on
the morrow must not be judged by what they do to-day. The excuse did not
ring sound, but he dismissed the doubt by deciding that in such heat it
was not possible to take serious questions seriously. In the fact that, to
those about him, the thought of death was ever present, he found further
excuse for much else that puzzled and shocked him. At home, death had been
a contingency so remote that he had put it aside as something he need not
consider until he was a grandfather. At Matadi, at every moment of the
day, in each trifling act, he found death must be faced, conciliated,
conquered. At home he might ask himself, “If I eat this will it give me
indigestion?” At Matadi he asked, “If I drink this will I die?”
</p>
<p>
Upsher told him of a feud then existing between the chief of police and an
Italian doctor in the State service. Interested in the outcome only as a
sporting proposition, Upsher declared the odds were unfair, because the
Belgian was using his black police to act as his body-guard while for
protection the Italian could depend only upon his sword-cane. Each night,
with the other white exiles of Matadi, the two adversaries met in the Cafe
Franco-Belge. There, with puzzled interest, Everett watched them sitting
at separate tables, surrounded by mutual friends, excitedly playing
dominoes. Outside the cafe, Matadi lay smothered and sweltering in a
black, living darkness, and, save for the rush of the river, in a silence
that continued unbroken across a jungle as wide as Europe. Inside the
dominoes clicked, the glasses rang on the iron tables, the oil lamps
glared upon the pallid, sweating faces of clerks, upon the tanned,
sweating skins of officers; and the Italian doctor and the Belgian
lieutenant, each with murder in his heart, laughed, shrugged,
gesticulated, waiting for the moment to strike.
</p>
<p>
“But why doesn’t some one DO something?” demanded Everett. “Arrest them,
or reason with them. Everybody knows about it. It seems a pity not to DO
something.”
</p>
<p>
Upsher nodded his head. Dimly he recognized a language with which he once
had been familiar. “I know what you mean,” he agreed. “Bind ‘em over to
keep the peace. And a good job, too! But who?” he demanded vaguely.
“That’s what I say! Who?” From the confusion into which Everett’s appeal
to forgotten memories had thrown it, his mind suddenly emerged. “But
what’s the use!” he demanded. “Don’t you see,” he explained triumphantly,
“if those two crazy men were fit to listen to SENSE, they’d have sense
enough not to kill each other!”
</p>
<p>
Each succeeding evening Everett watched the two potential murderers with
lessening interest. He even made a bet with Upsher, of a bottle of fruit
salt, that the chief of police would be the one to die.
</p>
<p>
A few nights later a man, groaning beneath his balcony, disturbed his
slumbers. He cursed the man, and turned his pillow to find the cooler
side. But all through the night the groans, though fainter, broke into his
dreams. At intervals some traditions of past conduct tugged at Everett’s
sleeve, and bade him rise and play the good Samaritan. But, indignantly,
he repulsed them. Were there not many others within hearing? Were there
not the police? Was it HIS place to bind the wounds of drunken stokers?
The groans were probably a trick, to entice him, unarmed, into the night.
And so, just before the dawn, when the mists rose, and the groans ceased,
Everett, still arguing, sank with a contented sigh into forgetfulness.
</p>
<p>
When he woke, there was beneath his window much monkey-like chattering,
and he looked down into the white face and glazed eyes of the Italian
doctor, lying in the gutter and staring up at him. Below his
shoulder-blades a pool of blood shone evilly in the blatant sunlight.
</p>
<p>
Across the street, on his balcony, Upsher, in pajamas and mosquito boots,
was shivering with fever and stifling a yawn. “You lose!” he called.
</p>
<p>
Later in the day, Everett analyzed his conduct of the night previous. “At
home,” he told Upsher, “I would have been telephoning for an ambulance, or
been out in the street giving the man the ‘first-aid’ drill. But living as
we do here, so close to death, we see things more clearly. Death loses its
importance. It’s a bromide,” he added. “But travel certainly broadens one.
Every day I have been in the Congo, I have been assimilating new ideas.”
Upsher nodded vigorously in assent. An older man could have told Everett
that he was assimilating just as much of the Congo as the rabbit
assimilates of the boa-constrictor, that first smothers it with saliva and
then swallows it.
</p>
<p>
Everett started up the Congo in a small steamer open on all sides to the
sun and rain, and with a paddle-wheel astern that kicked her forward at
the rate of four miles an hour. Once every day, the boat tied up to a tree
and took on wood to feed her furnace, and Everett talked to the white man
in charge of the wood post, or, if, as it generally happened, the white
man was on his back with fever, dosed him with quinine. On board, except
for her captain, and a Finn who acted as engineer, Everett was the only
other white man. The black crew and “wood-boys” he soon disliked
intensely. At first, when Nansen, the Danish captain, and the Finn struck
them, because they were in the way, or because they were not, Everett
winced, and made a note of it. But later he decided the blacks were
insolent, sullen, ungrateful; that a blow did them no harm.
</p>
<p>
According to the unprejudiced testimony of those who, before the war, in
his own country, had owned slaves, those of the “Southland” were always
content, always happy. When not singing close harmony in the
cotton-fields, they danced upon the levee, they twanged the old banjo. But
these slaves of the Upper Congo were not happy. They did not dance. They
did not sing. At times their eyes, dull, gloomy, despairing, lighted with
a sudden sombre fire, and searched the eyes of the white man. They seemed
to beg of him the answer to a terrible question. It was always the same
question. It had been asked of Pharaoh. They asked it of Leopold. For
hours, squatting on the iron deck-plates, humped on their naked haunches,
crowding close together, they muttered apparently interminable criticisms
of Everett. Their eyes never left him. He resented this unceasing
scrutiny. It got upon his nerves. He was sure they were evolving some
scheme to rob him of his tinned sausages, or, possibly, to kill him. It
was then he began to dislike them. In reality, they were discussing the
watch strapped to his wrist. They believed it was a powerful juju, to ward
off evil spirits. They were afraid of it.
</p>
<p>
One day, to pay the chief wood-boy for a carved paddle, Everett was
measuring a bras of cloth. As he had been taught, he held the cloth in his
teeth and stretched it to the ends of his finger-tips. The wood-boy
thought the white man was giving him short measure. White men always HAD
given him short measure, and, at a glance, he could not recognize that
this one was an Everett of Boston.
</p>
<p>
So he opened Everett’s fingers.
</p>
<p>
All the blood in Everett’s body leaped to his head. That he, a white man,
an Everett, who had come so far to set these people free, should be
accused by one of them of petty theft!
</p>
<p>
He caught up a log of fire wood and laid open the scalp of the black boy,
from the eye to the crown of his head. The boy dropped, and Everett,
seeing the blood creeping through his kinky wool, turned ill with nausea.
Drunkenly, through a red cloud of mist, he heard himself shouting, “The
BLACK nigger! The BLACK NIGGER! He touched me! I TELL you, he touched me!”
Captain Nansen led Everett to his cot and gave him fizzy salts, but it was
not until sundown that the trembling and nausea ceased.
</p>
<p>
Then, partly in shame, partly as a bribe, he sought out the injured boy
and gave him the entire roll of cloth. It had cost Everett ten francs. To
the wood-boy it meant a year’s wages. The boy hugged it in his arms, as he
might a baby, and crooned over it. From under the blood-stained bandage,
humbly, without resentment, he lifted his tired eyes to those of the white
man. Still, dumbly, they begged the answer to the same question.
</p>
<p>
During the five months Everett spent up the river he stopped at many
missions, stations, one-man wood posts. He talked to Jesuit fathers, to
inspecteurs, to collectors for the State of rubber, taxes, elephant tusks,
in time, even in Bangalese, to chiefs of the native villages. According to
the point of view, he was told tales of oppression, of avarice, of hideous
crimes, of cruelties committed in the name of trade that were abnormal,
unthinkable. The note never was of hope, never of cheer, never inspiring.
There was always the grievance, the spirit of unrest, of rebellion that
ranged from dislike to a primitive, hot hate. Of his own land and life he
heard nothing, not even when his face was again turned toward the east.
Nor did he think of it. As now he saw them, the rules and principles and
standards of his former existence were petty and credulous. But he assured
himself he had not abandoned those standards. He had only temporarily laid
them aside, as he had left behind him in London his frock-coat and silk
hat. Not because he would not use them again, but because in the Congo
they were ridiculous.
</p>
<p>
For weeks, with a missionary as a guide, he walked through forests into
which the sun never penetrated, or, on the river, moved between banks
where no white man had placed his foot; where, at night, the elephants
came trooping to the water, and, seeing the lights of the boat, fled
crashing through the jungle; where the great hippos, puffing and blowing,
rose so close to his elbow that he could have tossed his cigarette and hit
them. The vastness of the Congo, toward which he had so jauntily set
forth, now weighed upon his soul. The immeasurable distances; the
slumbering disregard of time; the brooding, interminable silences; the
efforts to conquer the land that were so futile, so puny, and so cruel, at
first appalled and, later, left him unnerved, rebellious, childishly
defiant.
</p>
<p>
What health was there, he demanded hotly, in holding in a dripping jungle
to morals, to etiquette, to fashions of conduct? Was he, the white man,
intelligent, trained, disciplined in mind and body, to be judged by naked
cannibals, by chattering monkeys, by mammoth primeval beasts? His code of
conduct was his own. He was a law unto himself.
</p>
<p>
He came down the river on one of the larger steamers of the State, and, on
this voyage, with many fellow-passengers. He was now on his way home, but
in the fact he felt no elation. Each day the fever ran tingling through
his veins, and left him listless, frightened, or choleric. One night at
dinner, in one of these moods of irritation, he took offence at the act of
a lieutenant who, in lack of vegetables, drank from the vinegar bottle.
Everett protested that such table manners were unbecoming an officer, even
an officer of the Congo; and on the lieutenant resenting his criticism,
Everett drew his revolver. The others at the table took it from him, and
locked him in his cabin. In the morning, when he tried to recall what had
occurred, he could remember only that, for some excellent reason, he had
hated some one with a hatred that could be served only with death. He knew
it could not have been drink, as each day the State allowed him but one
half-bottle of claret. That but for the interference of strangers he might
have shot a man, did not interest him. In the outcome of what he regarded
merely as an incident, he saw cause neither for congratulation or
self-reproach. For his conduct he laid the blame upon the sun, and doubled
his dose of fruit salts.
</p>
<p>
Everett was again at Matadi, waiting for the Nigeria to take on cargo
before returning to Liverpool. During the few days that must intervene
before she sailed, he lived on board. Although now actually bound north,
the thought afforded him no satisfaction. His spirits were depressed, his
mind gloomy; a feeling of rebellion, of outlawry, filled him with unrest.
</p>
<p>
While the ship lay at the wharf, Hardy, her English captain, Cuthbert, the
purser, and Everett ate on deck under the awning, assailed by electric
fans. Each was clad in nothing more intricate than pajamas.
</p>
<p>
“To-night,” announced Hardy, with a sigh, “we got to dress ship. Mr.
Ducret and his wife are coming on board. We carry his trade goods, and I
got to stand him a dinner and champagne. You boys,” he commanded, “must
wear ‘whites,’ and talk French.”
</p>
<p>
“I’ll dine on shore,” growled Everett.
</p>
<p>
“Better meet them,” advised Cuthbert. The purser was a pink-cheeked,
clear-eyed young man, who spoke the many languages of the coast glibly,
and his own in the soft, detached voice of a well-bred Englishman. He was
in training to enter the consular service. Something in his poise, in the
assured manner in which he handled his white stewards and the black Kroo
boys, seemed to Everett a constant reproach, and he resented him.
</p>
<p>
“They’re a picturesque couple,” explained Cuthbert. “Ducret was originally
a wrestler. Used to challenge all comers from the front of a booth. He
served his time in the army in Senegal, and when he was mustered out moved
to the French Congo and began to trade, in a small way, in ivory. Now he’s
the biggest merchant, physically and every other way, from Stanley Pool to
Lake Chad. He has a house at Brazzaville built of mahogany, and a grand
piano, and his own ice-plant. His wife was a supper-girl at Maxim’s. He
brought her down here and married her. Every rainy season they go back to
Paris and run race-horses, and they say the best table in every all-night
restaurant is reserved for him. In Paris they call her the Ivory Queen.
She’s killed seventeen elephants with her own rifle.”
</p>
<p>
In the Upper Congo, Everett had seen four white women. They were pallid,
washed-out, bloodless; even the youngest looked past middle-age. For him
women of any other type had ceased to exist. He had come to think of every
white woman as past middle-age, with a face wrinkled by the sun, with hair
bleached white by the sun, with eyes from which, through gazing at the
sun, all light and lustre had departed. He thought of them as always
wearing boots to protect their ankles from mosquitoes, and army helmets.
</p>
<p>
When he came on deck for dinner, he saw a woman who looked as though she
was posing for a photograph by Reutlinger. She appeared to have stepped to
the deck directly from her electric victoria, and the Rue de la Paix. She
was tall, lithe, gracefully erect, with eyes of great loveliness, and her
hair brilliantly black, drawn, a la Merode, across a broad, fair forehead.
She wore a gown and long coat of white lace, as delicate as a bridal veil,
and a hat with a flapping brim from which, in a curtain, hung more lace.
When she was pleased, she lifted her head and the curtain rose, unmasking
her lovely eyes. Around the white, bare throat was a string of pearls.
They had cost the lives of many elephants.
</p>
<p>
Cuthbert, only a month from home, saw Madame Ducret just as she was—a
Parisienne, elegant, smart, soigne. He knew that on any night at Madrid or
d’Armenonville he might look upon twenty women of the same charming type.
They might lack that something this girl from Maxim’s possessed—the
spirit that had caused her to follow her husband into the depths of
darkness. But outwardly, for show purposes, they were even as she.
</p>
<p>
But to Everett she was no messenger from another world. She was unique. To
his famished eyes, starved senses, and fever-driven brain, she was her
entire sex personified. She was the one woman for whom he had always
sought, alluring, soothing, maddening; if need be, to be fought for; the
one thing to be desired. Opposite, across the table, her husband, the
ex-wrestler, chasseur d’Afrique, elephant poacher, bulked large as an ox.
Men felt as well as saw his bigness. Captain Hardy deferred to him on
matters of trade. The purser deferred to him on questions of
administration. He answered them in his big way, with big thoughts, in big
figures. He was fifty years ahead of his time. He beheld the Congo open to
the world; in the forests where he had hunted elephants he foresaw great
“factories,” mining camps, railroads, feeding gold and copper ore to the
trunk line, from the Cape to Cairo. His ideas were the ideas of an
empire-builder. But, while the others listened, fascinated, hypnotized,
Everett saw only the woman, her eyes fixed on her husband, her fingers
turning and twisting her diamond rings. Every now and again she raised her
eyes to Everett almost reproachfully, as though to say, “Why do you not
listen to him? It is much better for you than to look at me.”
</p>
<p>
When they had gone, all through the sultry night, until the sun drove him
to his cabin, like a caged animal Everett paced and repaced the deck. The
woman possessed his mind and he could not drive her out. He did not wish
to drive her out. What the consequences might be he did not care. So long
as he might see her again, he jeered at the consequences. Of one thing he
was positive. He could not now leave the Congo. He would follow her to
Brazzaville. If he were discreet, Ducret might invite him to make himself
their guest. Once established in her home, she MUST listen to him. No man
ever before had felt for any woman the need he felt for her. It was too
big for him to conquer. It would be too big for her to resist.
</p>
<p>
In the morning a note from Ducret invited Everett and Cuthbert to join him
in an all-day excursion to the water-fall beyond Matadi. Everett answered
the note in person. The thought of seeing the woman calmed and steadied
him like a dose of morphine. So much more violent than the fever in his
veins was the fever in his brain that, when again he was with her, he
laughed happily, and was grandly at peace. So different was he from the
man they had met the night before, that the Frenchman and his wife glanced
at each other in surprise and approval. They found him witty, eager, a
most charming companion; and when he announced his intention of visiting
Brazzaville, they insisted he should make their home his own.
</p>
<p>
His admiration, as outwardly it appeared to be, for Madame Ducret, was
evident to the others, but her husband accepted it. It was her due. And,
on the Congo, to grudge to another man the sight of a pretty woman was as
cruel as to withhold the few grains of quinine that might save his reason.
But before the day passed, Madame Ducret was aware that the American could
not be lightly dismissed as an admirer. The fact neither flattered nor
offended. For her it was no novel or disturbing experience. Other men,
whipped on by loneliness, by fever, by primitive savage instincts, had
told her what she meant to them. She did not hold them responsible. Some,
worth curing, she had nursed through the illness. Others, who refused to
be cured, she had turned over, with a shrug, to her husband. This one was
more difficult. Of men of Everett’s traditions and education she had known
but few; but she recognized the type. This young man was no failure in
life, no derelict, no outcast flying the law, or a scandal, to hide in the
jungle. He was what, in her Maxim days, she had laughed at as an
aristocrat. He knew her Paris as she did not know it: its history, its
art. Even her language he spoke more correctly than her husband or
herself. She knew that at his home there must be many women infinitely
more attractive, more suited to him, than herself: women of birth, of
position; young girls and great ladies of the other world. And she knew,
also, that, in his present state, at a nod from her he would cast these
behind him and carry her into the wilderness. More quickly than she
anticipated, Everett proved she did not overrate the forces that compelled
him.
</p>
<p>
The excursion to the rapids was followed by a second dinner on board the
Nigeria. But now, as on the previous night, Everett fell into sullen
silence. He ate nothing, drank continually, and with his eyes devoured the
woman. When coffee had been served, he left the others at table, and with
Madame Ducret slowly paced the deck. As they passed out of the reach of
the lights, he drew her to the rail, and stood in front of her.
</p>
<p>
“I am not quite mad,” he said, “but you have got to come with me.”
</p>
<p>
To Everett all he added to this sounded sane and final. He told her that
this was one of those miracles when the one woman and the one man who were
predestined to meet had met. He told her he had wished to marry a girl at
home, but that he now saw that the desire was the fancy of a school-boy.
He told her he was rich, and offered her the choice of returning to the
Paris she loved, or of going deeper into the jungle. There he would set up
for her a principality, a state within the State. He would defend her
against all comers. He would make her the Queen of the Congo.
</p>
<p>
“I have waited for you thousands of years!” he told her. His voice was
hoarse, shaken, and thick. “I love you as men loved women in the Stone Age—fiercely,
entirely. I will not be denied. Down here we are cave people; if you fight
me, I will club you and drag you to my cave. If others fight for you, I
will KILL them. I love you,” he panted, “with all my soul, my mind, my
body, I love you! I will not let you go!”
</p>
<p>
Madame Ducret did not say she was insulted, because she did not feel
insulted. She did not call to her husband for help, because she did not
need his help, and because she knew that the ex-wrestler could break
Everett across his knee. She did not even withdraw her hands, although
Everett drove the diamonds deep into her fingers.
</p>
<p>
“You frighten me!” she pleaded. She was not in the least frightened. She
only was sorry that this one must be discarded among the incurables.
</p>
<p>
In apparent agitation, she whispered, “To-morrow! To-morrow I will give
you your answer.”
</p>
<p>
Everett did not trust her, did not release her. He regarded her jealously,
with quick suspicion. To warn her that he knew she could not escape from
Matadi, or from him, he said, “The train to Leopoldville does not leave
for two days!”
</p>
<p>
“I know!” whispered Madame Ducret soothingly. “I will give you your answer
to-morrow at ten.” She emphasized the hour, because she knew at sunrise a
special train would carry her husband and herself to Leopoldville, and
that there one of her husband’s steamers would bear them across the Pool
to French Congo.
</p>
<p>
“To-morrow, then!” whispered Everett, grudgingly. “But I must kiss you
now!”
</p>
<p>
Only an instant did Madame Ducret hesitate. Then she turned her cheek.
“Yes,” she assented. “You must kiss me now.”
</p>
<p>
Everett did not rejoin the others. He led her back into the circle of
light, and locked himself in his cabin.
</p>
<p>
At ten the next morning, when Ducret and his wife were well advanced
toward Stanley Pool, Cuthbert handed Everett a note. Having been told what
it contained, he did not move away, but, with his back turned, leaned upon
the rail.
</p>
<p>
Everett, his eyes on fire with triumph, his fingers trembling, tore open
the envelope.
</p>
<p>
Madame Ducret wrote that her husband and herself felt that Mr. Everett was
suffering more severely from the climate than he knew. With regret they
cancelled their invitation to visit them, and urged him, for his health’s
sake, to continue as he had planned, to northern latitudes. They hoped to
meet in Paris. They extended assurances of their distinguished
consideration.
</p>
<p>
Slowly, savagely, as though wreaking his suffering on some human thing,
Everett tore the note into minute fragments. Moving unsteadily to the
ship’s side, he flung them into the river, and then hung limply upon the
rail.
</p>
<p>
Above him, from a sky of brass, the sun stabbed at his eyeballs. Below
him, the rush of the Congo, churning in muddy whirlpools, echoed against
the hills of naked rock that met the naked sky.
</p>
<p>
To Everett, the roar of the great river, and the echoes from the land he
had set out to reform, carried the sound of gigantic, hideous laughter.
</p>
<p>
<br /> <br />
</p>
<pre xml:space="preserve">
End of Project Gutenberg’s A Question of Latitude, by Richard Harding Davis
*** END OF THIS PROJECT GUTENBERG EBOOK A QUESTION OF LATITUDE ***
***** This file should be named 1817-h.htm or 1817-h.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/1/8/1/1817/
Produced by Don Lainson; David Widger
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation”
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase “Project Gutenberg” appears, or with which the phrase “Project
Gutenberg” is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase “Project Gutenberg” associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
“Plain Vanilla ASCII” or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original “Plain Vanilla ASCII” or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, “Information about donations to
the Project Gutenberg Literary Archive Foundation.”
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
“Defects,” such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’ WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm’s
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state’s laws.
The Foundation’s principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org. Email contact links and up to date contact
information can be found at the Foundation’s web site and official
page at http://pglaf.org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
gbnewby@pglaf.org
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
http://www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
</pre>
</body>
</html>
|