diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:17:47 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:17:47 -0700 |
| commit | 2d084e5442d94c2ecf7d7b4487fc250dc967c41c (patch) | |
| tree | 6a3b75ac84c6cf2a9c0a7726a0df9fbb05885094 /1817.txt | |
Diffstat (limited to '1817.txt')
| -rw-r--r-- | 1817.txt | 1108 |
1 files changed, 1108 insertions, 0 deletions
diff --git a/1817.txt b/1817.txt new file mode 100644 index 0000000..cedb256 --- /dev/null +++ b/1817.txt @@ -0,0 +1,1108 @@ +Project Gutenberg's A Question of Latitude, by Richard Harding Davis + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: A Question of Latitude + +Author: Richard Harding Davis + +Release Date: May 12, 2006 [EBook #1817] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK A QUESTION OF LATITUDE *** + + + + +Produced by Don Lainson + + + + + +A QUESTION OF LATITUDE + + +By Richard Harding Davis + + + +Of the school of earnest young writers at whom the word muckraker had +been thrown in opprobrium, and by whom it had been caught up as a title +of honor, Everett was among the younger and less conspicuous. But, if +in his skirmishes with graft and corruption he had failed to correct the +evils he attacked, from the contests he himself had always emerged with +credit. His sincerity and his methods were above suspicion. No one +had caught him in misstatement, or exaggeration. Even those whom he +attacked, admitted he fought fair. For these reasons, the editors of +magazines, with the fear of libel before their eyes, regarded him as a +"safe" man, the public, feeling that the evils he exposed were due +to its own indifference, with uncomfortable approval, and those he +attacked, with impotent anger. Their anger was impotent because, in the +case of Everett, the weapons used by their class in "striking back" +were denied them. They could not say that for money he sold sensations, +because it was known that a proud and wealthy parent supplied him +with all the money he wanted. Nor in his private life could they find +anything to offset his attacks upon the misconduct of others. Men had +been sent to spy upon him, and women to lay traps. But the men reported +that his evenings were spent at his club, and, from the women, those who +sent them learned only that Everett "treats a lady just as though she IS +a lady." + +Accordingly, when, with much trumpeting, he departed to investigate +conditions in the Congo, there were some who rejoiced. + +The standard of life to which Everett was accustomed was high. In his +home in Boston it had been set for him by a father and mother who, +though critics rather than workers in the world, had taught him to +despise what was mean and ungenerous, to write the truth and abhor a +compromise. At Harvard he had interested himself in municipal reform, +and when later he moved to New York, he transferred his interest to +the problems of that city. His attack upon Tammany Hall did not utterly +destroy that organization, but at once brought him to the notice of +the editors. By them he was invited to tilt his lance at evils in +other parts of the United States, at "systems," trusts, convict camps, +municipal misrule. His work had met with a measure of success that +seemed to justify Lowell's Weekly in sending him further afield, and +he now was on his way to tell the truth about the Congo. Personally, +Everett was a healthy, clean-minded enthusiast. He possessed all of the +advantages of youth, and all of its intolerance. He was supposed to be +engaged to Florence Carey, but he was not. There was, however, between +them an "understanding," which understanding, as Everett understood it, +meant that until she was ready to say, "I am ready," he was to think of +her, dream of her, write love-letters to her, and keep himself only for +her. He loved her very dearly, and, having no choice, was content to +wait. His content was fortunate, as Miss Carey seemed inclined to keep +him waiting indefinitely. + +Except in Europe, Everett had never travelled outside the limits of +his own country. But the new land toward which he was advancing held no +terrors. As he understood it, the Congo was at the mercy of a corrupt +"ring." In every part of the United States he had found a city in the +clutch of a corrupt ring. The conditions would be the same, the methods +he would use to get at the truth would be the same, the result for +reform would be the same. + +The English steamer on which he sailed for Southampton was one leased +by the Independent State of the Congo, and, with a few exceptions, her +passengers were subjects of King Leopold. On board, the language was +French, at table the men sat according to the rank they held in the +administration of the jungle, and each in his buttonhole wore the tiny +silver star that showed that for three years, to fill the storehouses +of the King of the Belgians, he had gathered rubber and ivory. In the +smoking-room Everett soon discovered that passengers not in the service +of that king, the English and German officers and traders, held aloof +from the Belgians. Their attitude toward them seemed to be one partly of +contempt, partly of pity. + +"Are your English protectorates on the coast, then, so much better +administered?" Everett asked. + +The English Coaster, who for ten years in Nigeria had escaped fever and +sudden death, laughed evasively. + +"I have never been in the Congo," he said. "Only know what they tell +one. But you'll see for yourself. That is," he added, "you'll see what +they want you to see." + +They were leaning on the rail, with their eyes turned toward the +coast of Liberia, a gloomy green line against which the waves cast +up fountains of foam as high as the cocoanut palms. As a subject of +discussion, the coaster seemed anxious to avoid the Congo. + +"It was there," he said, pointing, "the Three Castles struck on the +rocks. She was a total loss. So were her passengers," he added. "They +ate them." + +Everett gazed suspiciously at the unmoved face of the veteran. + +"WHO ate them?" he asked guardedly. "Sharks?" + +"The natives that live back of that shore-line in the lagoons." + +Everett laughed with the assurance of one for whom a trap had been laid +and who had cleverly avoided it. + +"Cannibals," he mocked. "Cannibals went out of date with pirates. But +perhaps," he added apologetically, "this happened some years ago?" + +"Happened last month," said the trader. + +"But Liberia is a perfectly good republic," protested Everett. "The +blacks there may not be as far advanced as in your colonies, but they're +not cannibals." + +"Monrovia is a very small part of Liberia," said the trader dryly. "And +none of these protectorates, or crown colonies, on this coast pretends +to control much of the Hinterland. There is Sierra Leone, for instance, +about the oldest of them. Last year the governor celebrated the +hundredth anniversary of the year the British abolished slavery. They +had parades and tea-fights, and all the blacks were in the street in +straw hats with cricket ribbons, thanking God they were not as other men +are, not slaves like their grandfathers. Well, just at the height of the +jubilation, the tribes within twenty miles of the town sent in to say +that they, also, were holding a palaver, and it was to mark the fact +that they NEVER had been slaves and never would be, and, if the governor +doubted it, to send out his fighting men and they'd prove it. It cast +quite a gloom over the celebration." + +"Do you mean that only twenty miles from the coast--" began Everett. + +"TEN miles," said the Coaster, "wait till you see Calabar. That's our +Exhibit A. The cleanest, best administered. Everything there is model: +hospitals, barracks, golf links. Last year, ten miles from Calabar, Dr. +Stewart rode his bicycle into a native village. The king tortured him +six days, cut him up, and sent pieces of him to fifty villages with the +message: 'You eat each other. WE eat white chop.' That was ten miles +from our model barracks." + +For some moments the muckraker considered the statement thoughtfully. + +"You mean," he inquired, "that the atrocities are not all on the side of +the white men?" + +"Atrocities?" exclaimed the trader. "I wasn't talking of atrocities. Are +you looking for them?" + +"I'm not running away from them," laughed Everett. "Lowell's Weekly is +sending me to the Congo to find out the truth, and to try to help put an +end to them." + +In his turn the trader considered the statement carefully. + +"Among the natives," he explained, painstakingly picking each word, +"what you call 'atrocities' are customs of warfare, forms of punishment. +When they go to war they EXPECT to be tortured; they KNOW, if they're +killed, they'll be eaten. The white man comes here and finds these +customs have existed for centuries. He adopts them, because--" + +"One moment!" interrupted Everett warmly. "That does not excuse HIM. +The point is, that with him they have NOT existed. To him they should be +against his conscience, indecent, horrible! He has a greater knowledge, +a much higher intelligence; he should lift the native, not sink to him." + +The Coaster took his pipe from his mouth, and twice opened his lips to +speak. Finally, he blew the smoke into the air, and shook his head. + +"What's the use!" he exclaimed. + +"Try," laughed Everett. "Maybe I'm not as unintelligent as I talk." + +"You must get this right," protested the Coaster. "It doesn't matter +a damn what a man BRINGS here, what his training WAS, what HE IS. The +thing is too strong for him." + +"What thing?" + +"That!" said the Coaster. He threw out his arm at the brooding +mountains, the dark lagoons, the glaring coast-line against which the +waves shot into the air with the shock and roar of twelve-inch guns. + +"The first white man came to Sierra Leone five hundred years before +Christ," said the Coaster. "And, in twenty-two hundred years, he's got +just twenty miles inland. The native didn't need forts, or a navy, to +stop him. He had three allies: those waves, the fever, and the sun. +Especially the sun. The black man goes bare-headed, and the sun lets him +pass. The white man covers his head with an inch of cork, and the sun +strikes through it and kills him. When Jameson came down the river from +Yambuya, the natives fired on his boat. He waved his helmet at them for +three minutes, to show them there was a white man in the canoe. Three +minutes was all the sun wanted. Jameson died in two days. Where you are +going, the sun does worse things to a man than kill him: it drives him +mad. It keeps the fear of death in his heart; and THAT takes away his +nerve and his sense of proportion. He flies into murderous fits, over +silly, imaginary slights; he grows morbid, suspicious, he becomes a +coward, and because he is a coward with authority, he becomes a bully. + +"He is alone, we will suppose, at a station three hundred miles from +any other white man. One morning his house-boy spills a cup of coffee on +him, and in a rage he half kills the boy. He broods over that, until he +discovers, or his crazy mind makes him think he has discovered, that +in revenge the boy is plotting to poison him. So he punishes him again. +Only this time he punishes him as the black man has taught him to +punish, in the only way the black man seems to understand; that is, he +tortures him. From that moment the fall of that man is rapid. The heat, +the loneliness, the fever, the fear of the black faces, keep him on +edge, rob him of sleep, rob him of his physical strength, of his moral +strength. He loses shame, loses reason; becomes cruel, weak, degenerate. +He invents new, bestial tortures; commits new, unspeakable 'atrocities,' +until, one day, the natives turn and kill him, or he sticks his gun in +his mouth and blows the top of his head off." + +The Coaster smiled tolerantly at the wide-eyed eager young man at his +side. + +"And you," he mocked, "think you can reform that man, and that hell +above ground called the Congo, with an article in Lowell's Weekly?" + +Undismayed, Everett grinned cheerfully. + +"That's what I'm here for!" he said. + +By the time Everett reached the mouth of the Congo, he had learned that +in everything he must depend upon himself; that he would be accepted +only as the kind of man that, at the moment, he showed himself to be. +This attitude of independence was not chosen, but forced on him by the +men with whom he came in contact. Associations and traditions, that in +every part of the United States had served as letters of introduction, +and enabled strangers to identify and label him, were to the white men +on the steamer and at the ports of call without meaning or value. That +he was an Everett of Boston conveyed little to those who had not heard +even of Boston. That he was the correspondent of Lowell's Weekly meant +less to those who did not know that Lowell's Weekly existed. And when, +in confusion, he proffered his letter of credit, the very fact that it +called for a thousand pounds was, in the eyes of a "Palm Oil Ruffian," +sufficient evidence that it had been forged or stolen. He soon saw that +solely as a white man was he accepted and made welcome. That he was +respectable, few believed, and no one cared. To be taken at his face +value, to be refused at the start the benefit of the doubt, was a novel +sensation; and yet not unpleasant. It was a relief not to be accepted +only as Everett the Muckraker, as a professional reformer, as one holier +than others. It afforded his soul the same relaxation that his body +received when, in his shirt-sleeves in the sweltering smoking-room, he +drank beer with a chef de poste who had been thrice tried for murder. + +Not only to every one was he a stranger, but to him everything was +strange; so strange as to appear unreal. This did not prevent him from +at once recognizing those things that were not strange, such as corrupt +officials, incompetence, mismanagement. He did not need the missionaries +to point out to him that the Independent State of the Congo was not +a colony administered for the benefit of many, but a vast rubber +plantation worked by slaves to fill the pockets of one man. It was not +in his work that Everett found himself confused. It was in his attitude +of mind toward almost every other question. + +At first, when he could not make everything fit his rule of thumb, he +excused the country tolerantly as a "topsy-turvy" land. He wished to +move and act quickly; to make others move quickly. He did not understand +that men who had sentenced themselves to exile for the official term +of three years, or for life, measured time only by the date of their +release. When he learned that even a cablegram could not reach his home +in less than eighteen days, that the missionaries to whom he brought +letters were a three months' journey from the coast and from each other, +his impatience was chastened to wonder, and, later, to awe. + +His education began at Matadi, where he waited until the river steamer +was ready to start for Leopoldville. Of the two places he was assured +Matadi was the better, for the reason that if you still were in favor +with the steward of the ship that brought you south, he might sell you a +piece of ice. + +Matadi was a great rock, blazing with heat. Its narrow, perpendicular +paths seemed to run with burning lava. Its top, the main square of the +settlement, was of baked clay, beaten hard by thousands of naked feet. +Crossing it by day was an adventure. The air that swept it was the +breath of a blast-furnace. + +Everett found a room over the shop of a Portuguese trader. It was caked +with dirt, and smelled of unnamed diseases and chloride of lime. In it +was a canvas cot, a roll of evil-looking bedding, a wash-basin filled +with the stumps of cigarettes. In a corner was a tin chop-box, which +Everett asked to have removed. It belonged, the landlord told him, to +the man who, two nights before, had occupied the cot and who had died +in it. Everett was anxious to learn of what he had died. Apparently +surprised at the question, the Portuguese shrugged his shoulders. + +"Who knows?" he exclaimed. The next morning the English trader across +the street assured Everett there was no occasion for alarm. "He didn't +die of any disease," he explained. "Somebody got at him from the +balcony, while he was in his cot, and knifed him." + +The English trader was a young man, a cockney, named Upsher. At home he +had been a steward on the Channel steamers. Everett made him his most +intimate friend. He had a black wife, who spent most of her day in a +four-post bed, hung with lace curtains and blue ribbon, in which she +resembled a baby hippopotamus wallowing in a bank of white sand. + +At first the black woman was a shock to Everett, but after Upsher +dismissed her indifferently as a "good old sort," and spent one evening +blubbering over a photograph of his wife and "kiddie" at home, Everett +accepted her. His excuse for this was that men who knew they might die +on the morrow must not be judged by what they do to-day. The excuse did +not ring sound, but he dismissed the doubt by deciding that in such heat +it was not possible to take serious questions seriously. In the fact +that, to those about him, the thought of death was ever present, he +found further excuse for much else that puzzled and shocked him. At +home, death had been a contingency so remote that he had put it aside as +something he need not consider until he was a grandfather. At Matadi, +at every moment of the day, in each trifling act, he found death must be +faced, conciliated, conquered. At home he might ask himself, "If I eat +this will it give me indigestion?" At Matadi he asked, "If I drink this +will I die?" + +Upsher told him of a feud then existing between the chief of police and +an Italian doctor in the State service. Interested in the outcome only +as a sporting proposition, Upsher declared the odds were unfair, because +the Belgian was using his black police to act as his body-guard while +for protection the Italian could depend only upon his sword-cane. Each +night, with the other white exiles of Matadi, the two adversaries met +in the Cafe Franco-Belge. There, with puzzled interest, Everett watched +them sitting at separate tables, surrounded by mutual friends, excitedly +playing dominoes. Outside the cafe, Matadi lay smothered and sweltering +in a black, living darkness, and, save for the rush of the river, in +a silence that continued unbroken across a jungle as wide as Europe. +Inside the dominoes clicked, the glasses rang on the iron tables, the +oil lamps glared upon the pallid, sweating faces of clerks, upon the +tanned, sweating skins of officers; and the Italian doctor and the +Belgian lieutenant, each with murder in his heart, laughed, shrugged, +gesticulated, waiting for the moment to strike. + +"But why doesn't some one DO something?" demanded Everett. "Arrest them, +or reason with them. Everybody knows about it. It seems a pity not to DO +something." + +Upsher nodded his head. Dimly he recognized a language with which he +once had been familiar. "I know what you mean," he agreed. "Bind 'em +over to keep the peace. And a good job, too! But who?" he demanded +vaguely. "That's what I say! Who?" From the confusion into which +Everett's appeal to forgotten memories had thrown it, his mind suddenly +emerged. "But what's the use!" he demanded. "Don't you see," he +explained triumphantly, "if those two crazy men were fit to listen to +SENSE, they'd have sense enough not to kill each other!" + +Each succeeding evening Everett watched the two potential murderers with +lessening interest. He even made a bet with Upsher, of a bottle of fruit +salt, that the chief of police would be the one to die. + +A few nights later a man, groaning beneath his balcony, disturbed his +slumbers. He cursed the man, and turned his pillow to find the cooler +side. But all through the night the groans, though fainter, broke into +his dreams. At intervals some traditions of past conduct tugged at +Everett's sleeve, and bade him rise and play the good Samaritan. +But, indignantly, he repulsed them. Were there not many others within +hearing? Were there not the police? Was it HIS place to bind the wounds +of drunken stokers? The groans were probably a trick, to entice him, +unarmed, into the night. And so, just before the dawn, when the mists +rose, and the groans ceased, Everett, still arguing, sank with a +contented sigh into forgetfulness. + +When he woke, there was beneath his window much monkey-like chattering, +and he looked down into the white face and glazed eyes of the +Italian doctor, lying in the gutter and staring up at him. Below his +shoulder-blades a pool of blood shone evilly in the blatant sunlight. + +Across the street, on his balcony, Upsher, in pajamas and mosquito +boots, was shivering with fever and stifling a yawn. "You lose!" he +called. + +Later in the day, Everett analyzed his conduct of the night previous. +"At home," he told Upsher, "I would have been telephoning for an +ambulance, or been out in the street giving the man the 'first-aid' +drill. But living as we do here, so close to death, we see things more +clearly. Death loses its importance. It's a bromide," he added. "But +travel certainly broadens one. Every day I have been in the Congo, I +have been assimilating new ideas." Upsher nodded vigorously in assent. +An older man could have told Everett that he was assimilating just as +much of the Congo as the rabbit assimilates of the boa-constrictor, that +first smothers it with saliva and then swallows it. + +Everett started up the Congo in a small steamer open on all sides to the +sun and rain, and with a paddle-wheel astern that kicked her forward at +the rate of four miles an hour. Once every day, the boat tied up to a +tree and took on wood to feed her furnace, and Everett talked to the +white man in charge of the wood post, or, if, as it generally happened, +the white man was on his back with fever, dosed him with quinine. On +board, except for her captain, and a Finn who acted as engineer, Everett +was the only other white man. The black crew and "wood-boys" he soon +disliked intensely. At first, when Nansen, the Danish captain, and the +Finn struck them, because they were in the way, or because they were +not, Everett winced, and made a note of it. But later he decided the +blacks were insolent, sullen, ungrateful; that a blow did them no harm. + +According to the unprejudiced testimony of those who, before the war, in +his own country, had owned slaves, those of the "Southland" were +always content, always happy. When not singing close harmony in the +cotton-fields, they danced upon the levee, they twanged the old banjo. +But these slaves of the Upper Congo were not happy. They did not dance. +They did not sing. At times their eyes, dull, gloomy, despairing, +lighted with a sudden sombre fire, and searched the eyes of the white +man. They seemed to beg of him the answer to a terrible question. It was +always the same question. It had been asked of Pharaoh. They asked it of +Leopold. For hours, squatting on the iron deck-plates, humped on their +naked haunches, crowding close together, they muttered apparently +interminable criticisms of Everett. Their eyes never left him. He +resented this unceasing scrutiny. It got upon his nerves. He was sure +they were evolving some scheme to rob him of his tinned sausages, or, +possibly, to kill him. It was then he began to dislike them. In reality, +they were discussing the watch strapped to his wrist. They believed it +was a powerful juju, to ward off evil spirits. They were afraid of it. + +One day, to pay the chief wood-boy for a carved paddle, Everett was +measuring a bras of cloth. As he had been taught, he held the cloth in +his teeth and stretched it to the ends of his finger-tips. The wood-boy +thought the white man was giving him short measure. White men always HAD +given him short measure, and, at a glance, he could not recognize that +this one was an Everett of Boston. + +So he opened Everett's fingers. + +All the blood in Everett's body leaped to his head. That he, a white +man, an Everett, who had come so far to set these people free, should be +accused by one of them of petty theft! + +He caught up a log of fire wood and laid open the scalp of the black +boy, from the eye to the crown of his head. The boy dropped, and +Everett, seeing the blood creeping through his kinky wool, turned ill +with nausea. Drunkenly, through a red cloud of mist, he heard himself +shouting, "The BLACK nigger! The BLACK NIGGER! He touched me! I TELL +you, he touched me!" Captain Nansen led Everett to his cot and gave him +fizzy salts, but it was not until sundown that the trembling and nausea +ceased. + +Then, partly in shame, partly as a bribe, he sought out the injured boy +and gave him the entire roll of cloth. It had cost Everett ten francs. +To the wood-boy it meant a year's wages. The boy hugged it in his arms, +as he might a baby, and crooned over it. From under the blood-stained +bandage, humbly, without resentment, he lifted his tired eyes to those +of the white man. Still, dumbly, they begged the answer to the same +question. + +During the five months Everett spent up the river he stopped at many +missions, stations, one-man wood posts. He talked to Jesuit fathers, +to inspecteurs, to collectors for the State of rubber, taxes, elephant +tusks, in time, even in Bangalese, to chiefs of the native villages. +According to the point of view, he was told tales of oppression, of +avarice, of hideous crimes, of cruelties committed in the name of trade +that were abnormal, unthinkable. The note never was of hope, never of +cheer, never inspiring. There was always the grievance, the spirit of +unrest, of rebellion that ranged from dislike to a primitive, hot hate. +Of his own land and life he heard nothing, not even when his face was +again turned toward the east. Nor did he think of it. As now he saw +them, the rules and principles and standards of his former existence +were petty and credulous. But he assured himself he had not abandoned +those standards. He had only temporarily laid them aside, as he had left +behind him in London his frock-coat and silk hat. Not because he would +not use them again, but because in the Congo they were ridiculous. + +For weeks, with a missionary as a guide, he walked through forests into +which the sun never penetrated, or, on the river, moved between banks +where no white man had placed his foot; where, at night, the elephants +came trooping to the water, and, seeing the lights of the boat, fled +crashing through the jungle; where the great hippos, puffing and +blowing, rose so close to his elbow that he could have tossed his +cigarette and hit them. The vastness of the Congo, toward which he +had so jauntily set forth, now weighed upon his soul. The immeasurable +distances; the slumbering disregard of time; the brooding, interminable +silences; the efforts to conquer the land that were so futile, so +puny, and so cruel, at first appalled and, later, left him unnerved, +rebellious, childishly defiant. + +What health was there, he demanded hotly, in holding in a dripping +jungle to morals, to etiquette, to fashions of conduct? Was he, the +white man, intelligent, trained, disciplined in mind and body, to be +judged by naked cannibals, by chattering monkeys, by mammoth primeval +beasts? His code of conduct was his own. He was a law unto himself. + +He came down the river on one of the larger steamers of the State, and, +on this voyage, with many fellow-passengers. He was now on his way home, +but in the fact he felt no elation. Each day the fever ran tingling +through his veins, and left him listless, frightened, or choleric. One +night at dinner, in one of these moods of irritation, he took offence +at the act of a lieutenant who, in lack of vegetables, drank from +the vinegar bottle. Everett protested that such table manners were +unbecoming an officer, even an officer of the Congo; and on the +lieutenant resenting his criticism, Everett drew his revolver. The +others at the table took it from him, and locked him in his cabin. +In the morning, when he tried to recall what had occurred, he could +remember only that, for some excellent reason, he had hated some one +with a hatred that could be served only with death. He knew it could not +have been drink, as each day the State allowed him but one half-bottle +of claret. That but for the interference of strangers he might have shot +a man, did not interest him. In the outcome of what he regarded +merely as an incident, he saw cause neither for congratulation or +self-reproach. For his conduct he laid the blame upon the sun, and +doubled his dose of fruit salts. + +Everett was again at Matadi, waiting for the Nigeria to take on cargo +before returning to Liverpool. During the few days that must intervene +before she sailed, he lived on board. Although now actually bound north, +the thought afforded him no satisfaction. His spirits were depressed, +his mind gloomy; a feeling of rebellion, of outlawry, filled him with +unrest. + +While the ship lay at the wharf, Hardy, her English captain, Cuthbert, +the purser, and Everett ate on deck under the awning, assailed by +electric fans. Each was clad in nothing more intricate than pajamas. + +"To-night," announced Hardy, with a sigh, "we got to dress ship. Mr. +Ducret and his wife are coming on board. We carry his trade goods, and I +got to stand him a dinner and champagne. You boys," he commanded, "must +wear 'whites,' and talk French." + +"I'll dine on shore," growled Everett. + +"Better meet them," advised Cuthbert. The purser was a pink-cheeked, +clear-eyed young man, who spoke the many languages of the coast glibly, +and his own in the soft, detached voice of a well-bred Englishman. He +was in training to enter the consular service. Something in his poise, +in the assured manner in which he handled his white stewards and the +black Kroo boys, seemed to Everett a constant reproach, and he resented +him. + +"They're a picturesque couple," explained Cuthbert. "Ducret was +originally a wrestler. Used to challenge all comers from the front of +a booth. He served his time in the army in Senegal, and when he was +mustered out moved to the French Congo and began to trade, in a small +way, in ivory. Now he's the biggest merchant, physically and every other +way, from Stanley Pool to Lake Chad. He has a house at Brazzaville built +of mahogany, and a grand piano, and his own ice-plant. His wife was a +supper-girl at Maxim's. He brought her down here and married her. Every +rainy season they go back to Paris and run race-horses, and they say the +best table in every all-night restaurant is reserved for him. In Paris +they call her the Ivory Queen. She's killed seventeen elephants with her +own rifle." + +In the Upper Congo, Everett had seen four white women. They were pallid, +washed-out, bloodless; even the youngest looked past middle-age. For +him women of any other type had ceased to exist. He had come to think of +every white woman as past middle-age, with a face wrinkled by the sun, +with hair bleached white by the sun, with eyes from which, through +gazing at the sun, all light and lustre had departed. He thought of them +as always wearing boots to protect their ankles from mosquitoes, and +army helmets. + +When he came on deck for dinner, he saw a woman who looked as though she +was posing for a photograph by Reutlinger. She appeared to have stepped +to the deck directly from her electric victoria, and the Rue de la Paix. +She was tall, lithe, gracefully erect, with eyes of great loveliness, +and her hair brilliantly black, drawn, a la Merode, across a broad, fair +forehead. She wore a gown and long coat of white lace, as delicate as +a bridal veil, and a hat with a flapping brim from which, in a curtain, +hung more lace. When she was pleased, she lifted her head and the +curtain rose, unmasking her lovely eyes. Around the white, bare throat +was a string of pearls. They had cost the lives of many elephants. + +Cuthbert, only a month from home, saw Madame Ducret just as she was--a +Parisienne, elegant, smart, soigne. He knew that on any night at Madrid +or d'Armenonville he might look upon twenty women of the same +charming type. They might lack that something this girl from Maxim's +possessed--the spirit that had caused her to follow her husband into the +depths of darkness. But outwardly, for show purposes, they were even as +she. + +But to Everett she was no messenger from another world. She was unique. +To his famished eyes, starved senses, and fever-driven brain, she was +her entire sex personified. She was the one woman for whom he had always +sought, alluring, soothing, maddening; if need be, to be fought for; the +one thing to be desired. Opposite, across the table, her husband, the +ex-wrestler, chasseur d'Afrique, elephant poacher, bulked large as an +ox. Men felt as well as saw his bigness. Captain Hardy deferred to +him on matters of trade. The purser deferred to him on questions of +administration. He answered them in his big way, with big thoughts, in +big figures. He was fifty years ahead of his time. He beheld the Congo +open to the world; in the forests where he had hunted elephants he +foresaw great "factories," mining camps, railroads, feeding gold and +copper ore to the trunk line, from the Cape to Cairo. His ideas were the +ideas of an empire-builder. But, while the others listened, fascinated, +hypnotized, Everett saw only the woman, her eyes fixed on her husband, +her fingers turning and twisting her diamond rings. Every now and again +she raised her eyes to Everett almost reproachfully, as though to say, +"Why do you not listen to him? It is much better for you than to look at +me." + +When they had gone, all through the sultry night, until the sun drove +him to his cabin, like a caged animal Everett paced and repaced the +deck. The woman possessed his mind and he could not drive her out. He +did not wish to drive her out. What the consequences might be he did not +care. So long as he might see her again, he jeered at the consequences. +Of one thing he was positive. He could not now leave the Congo. He would +follow her to Brazzaville. If he were discreet, Ducret might invite +him to make himself their guest. Once established in her home, she MUST +listen to him. No man ever before had felt for any woman the need he +felt for her. It was too big for him to conquer. It would be too big for +her to resist. + +In the morning a note from Ducret invited Everett and Cuthbert to join +him in an all-day excursion to the water-fall beyond Matadi. Everett +answered the note in person. The thought of seeing the woman calmed +and steadied him like a dose of morphine. So much more violent than the +fever in his veins was the fever in his brain that, when again he was +with her, he laughed happily, and was grandly at peace. So different was +he from the man they had met the night before, that the Frenchman and +his wife glanced at each other in surprise and approval. They found +him witty, eager, a most charming companion; and when he announced his +intention of visiting Brazzaville, they insisted he should make their +home his own. + +His admiration, as outwardly it appeared to be, for Madame Ducret, was +evident to the others, but her husband accepted it. It was her due. And, +on the Congo, to grudge to another man the sight of a pretty woman was +as cruel as to withhold the few grains of quinine that might save his +reason. But before the day passed, Madame Ducret was aware that the +American could not be lightly dismissed as an admirer. The fact +neither flattered nor offended. For her it was no novel or disturbing +experience. Other men, whipped on by loneliness, by fever, by primitive +savage instincts, had told her what she meant to them. She did not +hold them responsible. Some, worth curing, she had nursed through the +illness. Others, who refused to be cured, she had turned over, with a +shrug, to her husband. This one was more difficult. Of men of Everett's +traditions and education she had known but few; but she recognized the +type. This young man was no failure in life, no derelict, no outcast +flying the law, or a scandal, to hide in the jungle. He was what, in her +Maxim days, she had laughed at as an aristocrat. He knew her Paris as +she did not know it: its history, its art. Even her language he spoke +more correctly than her husband or herself. She knew that at his home +there must be many women infinitely more attractive, more suited to him, +than herself: women of birth, of position; young girls and great ladies +of the other world. And she knew, also, that, in his present state, at +a nod from her he would cast these behind him and carry her into the +wilderness. More quickly than she anticipated, Everett proved she did +not overrate the forces that compelled him. + +The excursion to the rapids was followed by a second dinner on board +the Nigeria. But now, as on the previous night, Everett fell into sullen +silence. He ate nothing, drank continually, and with his eyes devoured +the woman. When coffee had been served, he left the others at table, +and with Madame Ducret slowly paced the deck. As they passed out of the +reach of the lights, he drew her to the rail, and stood in front of her. + +"I am not quite mad," he said, "but you have got to come with me." + +To Everett all he added to this sounded sane and final. He told her that +this was one of those miracles when the one woman and the one man who +were predestined to meet had met. He told her he had wished to marry +a girl at home, but that he now saw that the desire was the fancy of +a school-boy. He told her he was rich, and offered her the choice of +returning to the Paris she loved, or of going deeper into the jungle. +There he would set up for her a principality, a state within the State. +He would defend her against all comers. He would make her the Queen of +the Congo. + +"I have waited for you thousands of years!" he told her. His voice was +hoarse, shaken, and thick. "I love you as men loved women in the Stone +Age--fiercely, entirely. I will not be denied. Down here we are cave +people; if you fight me, I will club you and drag you to my cave. If +others fight for you, I will KILL them. I love you," he panted, "with +all my soul, my mind, my body, I love you! I will not let you go!" + +Madame Ducret did not say she was insulted, because she did not feel +insulted. She did not call to her husband for help, because she did not +need his help, and because she knew that the ex-wrestler could break +Everett across his knee. She did not even withdraw her hands, although +Everett drove the diamonds deep into her fingers. + +"You frighten me!" she pleaded. She was not in the least frightened. She +only was sorry that this one must be discarded among the incurables. + +In apparent agitation, she whispered, "To-morrow! To-morrow I will give +you your answer." + +Everett did not trust her, did not release her. He regarded her +jealously, with quick suspicion. To warn her that he knew she could not +escape from Matadi, or from him, he said, "The train to Leopoldville +does not leave for two days!" + +"I know!" whispered Madame Ducret soothingly. "I will give you your +answer to-morrow at ten." She emphasized the hour, because she knew +at sunrise a special train would carry her husband and herself to +Leopoldville, and that there one of her husband's steamers would bear +them across the Pool to French Congo. + +"To-morrow, then!" whispered Everett, grudgingly. "But I must kiss you +now!" + +Only an instant did Madame Ducret hesitate. Then she turned her cheek. +"Yes," she assented. "You must kiss me now." + +Everett did not rejoin the others. He led her back into the circle of +light, and locked himself in his cabin. + +At ten the next morning, when Ducret and his wife were well advanced +toward Stanley Pool, Cuthbert handed Everett a note. Having been told +what it contained, he did not move away, but, with his back turned, +leaned upon the rail. + +Everett, his eyes on fire with triumph, his fingers trembling, tore open +the envelope. + +Madame Ducret wrote that her husband and herself felt that Mr. Everett +was suffering more severely from the climate than he knew. With regret +they cancelled their invitation to visit them, and urged him, for his +health's sake, to continue as he had planned, to northern latitudes. +They hoped to meet in Paris. They extended assurances of their +distinguished consideration. + +Slowly, savagely, as though wreaking his suffering on some human thing, +Everett tore the note into minute fragments. Moving unsteadily to the +ship's side, he flung them into the river, and then hung limply upon the +rail. + +Above him, from a sky of brass, the sun stabbed at his eyeballs. Below +him, the rush of the Congo, churning in muddy whirlpools, echoed against +the hills of naked rock that met the naked sky. + +To Everett, the roar of the great river, and the echoes from the land he +had set out to reform, carried the sound of gigantic, hideous laughter. + + + + + +End of Project Gutenberg's A Question of Latitude, by Richard Harding Davis + +*** END OF THIS PROJECT GUTENBERG EBOOK A QUESTION OF LATITUDE *** + +***** This file should be named 1817.txt or 1817.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/1/8/1/1817/ + +Produced by Don Lainson + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. |
