summaryrefslogtreecommitdiff
path: root/18149.txt
diff options
context:
space:
mode:
Diffstat (limited to '18149.txt')
-rw-r--r--18149.txt4996
1 files changed, 4996 insertions, 0 deletions
diff --git a/18149.txt b/18149.txt
new file mode 100644
index 0000000..c7d5935
--- /dev/null
+++ b/18149.txt
@@ -0,0 +1,4996 @@
+The Project Gutenberg EBook of Conjuror's House, by Stewart Edward White
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Conjuror's House
+ A Romance of the Free Forest
+
+Author: Stewart Edward White
+
+Release Date: April 11, 2006 [EBook #18149]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK CONJUROR'S HOUSE ***
+
+
+
+
+Produced by Barbara Tozier, Bill Tozier, Sankar Viswanathan,
+and the Online Distributed Proofreading Team at
+http://www.pgdp.net
+
+
+
+
+
+
+
+
+
+ CONJUROR'S HOUSE
+
+
+ _Beyond the butternut, beyond the maple,
+ beyond the white pine and the red, beyond
+ the oak, the cedar, and the beech, beyond
+ even the white and yellow birches lies a
+ Land, and in that Land the shadows fall
+ crimson across the snow._
+
+
+
+[Illustration: PAUL GILMORE, in "THE CALL OF THE NORTH"--The dramatic
+ version of "CONJUROR'S HOUSE."]
+
+
+
+
+
+ CONJUROR'S HOUSE
+
+ _A Romance of the Free Forest_
+
+
+
+ BY
+
+ Stewart Edward White
+
+ AUTHOR OF THE WESTERNERS,
+ THE BLAZED TRAIL, ETC.
+
+
+
+ GROSSET & DUNLAP
+
+ PUBLISHERS: NEW YORK
+
+
+
+
+
+COPYRIGHT, 1903, BY
+
+STEWART EDWARD WHITE
+
+COPYRIGHT, 1902, BY CURTIS PUBLISHING COMPANY
+
+Published, March, 1903. R.
+
+
+
+
+CONJUROR'S HOUSE
+
+_Chapter One_
+
+
+The girl stood on a bank above a river flowing north. At her back
+crouched a dozen clean whitewashed buildings. Before her in
+interminable journey, day after day, league on league into remoteness,
+stretched the stern Northern wilderness, untrodden save by the
+trappers, the Indians, and the beasts. Close about the little
+settlement crept the balsams and spruce, the birch and poplar, behind
+which lurked vast dreary muskegs, a chaos of bowlder-splits, the
+forest. The girl had known nothing different for many years. Once a
+summer the sailing ship from England felt its frozen way through the
+Hudson Straits, down the Hudson Bay, to drop anchor in the mighty
+River of the Moose. Once a summer a six-fathom canoe manned by a dozen
+paddles struggled down the waters of the broken Abitibi. Once a year a
+little band of red-sashed _voyageurs_ forced their exhausted
+sledge-dogs across the ice from some unseen wilderness trail. That was
+all.
+
+Before her eyes the seasons changed, all grim, but one by the very
+pathos of brevity sad. In the brief luxuriant summer came the Indians
+to trade their pelts, came the keepers of the winter posts to rest,
+came the ship from England bringing the articles of use or ornament
+she had ordered a full year before. Within a short time all were gone,
+into the wilderness, into the great unknown world. The snow fell; the
+river and the bay froze. Strange men from the North glided silently
+to the Factor's door, bearing the meat and pelts of the seal. Bitter
+iron cold shackled the northland, the abode of desolation. Armies of
+caribou drifted by, ghostly under the aurora, moose, lordly and
+scornful, stalked majestically along the shore; wolves howled
+invisible, or trotted dog-like in organized packs along the river
+banks. Day and night the ice artillery thundered. Night and day the
+fireplaces roared defiance to a frost they could not subdue, while the
+people of desolation crouched beneath the tyranny of winter.
+
+Then the upheaval of spring with the ice-jams and terrors, the Moose
+roaring by untamable, the torrents rising, rising foot by foot to the
+very dooryard of her father's house. Strange spirits were abroad at
+night, howling, shrieking, cracking and groaning in voices of ice and
+flood. Her Indian nurse told her of them all--of Maunabosho, the good;
+of Nenaubosho the evil--in her lisping Ojibway dialect that sounded
+like the softer voices of the forest.
+
+At last the sudden subsidence of the waters; the splendid eager
+blossoming of the land into new leaves, lush grasses, an abandon of
+sweetbrier and hepatica. The air blew soft, a thousand singing birds
+sprang from the soil, the wild goose cried in triumph. Overhead shone
+the hot sun of the Northern summer.
+
+From the wilderness came the _brigades_ bearing their pelts, the hardy
+traders of the winter posts, striking hot the imagination through the
+mysterious and lonely allurement of their callings. For a brief
+season, transient as the flash of a loon's wing on the shadow of a
+lake, the post was bright with the thronging of many people. The
+Indians pitched their wigwams on the broad meadows below the bend; the
+half-breeds sauntered about, flashing bright teeth and wicked dark
+eyes at whom it might concern; the traders gazed stolidily over their
+little black pipes, and uttered brief sentences through their thick
+black beards. Everywhere was gay sound--the fiddle, the laugh, the
+song; everywhere was gay color--the red sashes of the _voyageurs_, the
+beaded moccasins and leggings of the _metis_, the capotes of the
+_brigade_, the variegated costumes of the Crees and Ojibways. Like the
+wild roses around the edge of the muskegs, this brief flowering of the
+year passed. Again the nights were long, again the frost crept down
+from the eternal snow, again the wolves howled across barren wastes.
+
+Just now the girl stood ankle-deep in green grasses, a bath of
+sunlight falling about her, a tingle of salt wind humming up the river
+from the bay's offing. She was clad in gray wool, and wore no hat. Her
+soft hair, the color of ripe wheat, blew about her temples, shadowing
+eyes of fathomless black. The wind had brought to the light and
+delicate brown of her complexion a trace of color to match her lips,
+whose scarlet did not fade after the ordinary and imperceptible manner
+into the tinge of her skin, but continued vivid to the very edge; her
+eyes were wide and unseeing. One hand rested idly on the breech of an
+ornamented bronze field-gun.
+
+McDonald, the chief trader, passed from the house to the store where
+his bartering with the Indians was daily carried on; the other
+Scotchman in the Post, Galen Albret, her father, and the head Factor
+of all this region, paced back and forth across the veranda of the
+factory, caressing his white beard; up by the stockade, young Achille
+Picard tuned his whistle to the note of the curlew; across the meadow
+from the church wandered Crane, the little Church of England
+missionary, peering from short-sighted pale blue eyes; beyond the
+coulee, Sarnier and his Indians _chock-chock-chocked_ away at the
+seams of the long coast-trading bateau. The girl saw nothing, heard
+nothing. She was dreaming, she was trying to remember.
+
+In the lines of her slight figure, in its pose there by the old gun
+over the old, old river, was the grace of gentle blood, the pride of
+caste. Of all this region her father was the absolute lord, feared,
+loved, obeyed by all its human creatures. When he went abroad, he
+travelled in a state almost mediaeval in its magnificence; when he
+stopped at home, men came to him from the Albany, the Kenogami, the
+Missinaibe, the Mattagami, the Abitibi--from all the rivers of the
+North--to receive his commands. Way was made for him, his lightest
+word was attended. In his house dwelt ceremony, and of his house she
+was the princess. Unconsciously she had taken the gracious habit of
+command. She had come to value her smile, her word, to value herself.
+The lady of a realm greater than the countries of Europe, she moved
+serene, pure, lofty amid dependants.
+
+And as the lady of this realm she did honor to her father's
+guests--sitting stately behind the beautiful silver service, below the
+portrait of the Company's greatest explorer, Sir George Simpson,
+dispensing crude fare in gracious manner, listening silently to the
+conversation, finally withdrawing at the last with a sweeping courtesy
+to play soft, melancholy, and world-forgotten airs on the old piano,
+brought over years before by the _Lady Head_, while the guests made
+merry with the mellow port and ripe Manila cigars which the Company
+supplied its servants. Then coffee, still with her natural Old World
+charm of the _grande dame_. Such guests were not many, nor came often.
+There was McTavish of Rupert's House, a three days' journey to the
+northeast; Rand of Fort Albany, a week's travel to the northwest;
+Mault of Fort George, ten days beyond either, all grizzled in the
+Company's service. With them came their clerks, mostly English and
+Scotch younger sons, with a vast respect for the Company, and a
+vaster for their Factor's daughter. Once in two or three years
+appeared the inspectors from Winnipeg, true lords of the North, with
+their six-fathom canoes, their luxurious furs, their red banners
+trailing like gonfalons in the water. Then this post of Conjuror's
+House feasted and danced, undertook gay excursions, discussed in
+public or private conclave weighty matters, grave and reverend
+advices, cautions, and commands. They went. Desolation again crept in.
+
+The girl dreamed. She was trying to remember. Far-off, half-forgotten
+visions of brave, courtly men, of gracious, beautiful women, peopled
+the clouds of her imaginings. She heard them again, as voices beneath
+the roar of rapids, like far-away bells tinkling faintly through a
+wind, pitying her, exclaiming over her; she saw them dim and
+changing, as wraiths of a fog, as shadow pictures in a mist beneath
+the moon, leaning to her with bright, shining eyes full of compassion
+for the little girl who was to go so far away into an unknown land;
+she felt them, as the touch of a breeze when the night is still,
+fondling her, clasping her, tossing her aloft in farewell. One she
+felt plainly--a gallant youth who held her up for all to see. One she
+saw clearly--a dewy-eyed, lovely woman who murmured loving, broken
+words. One she heard distinctly--a gentle voice that said, "God's love
+be with you, little one, for you have far to go, and many days to pass
+before you see Quebec again." And the girl's eyes suddenly swam
+bright, for the northland was very dreary. She threw her palms out in
+a gesture of weariness.
+
+Then her arms dropped, her eyes widened, her head bent forward in the
+attitude of listening.
+
+"Achille!" she called, "Achille! Come here!"
+
+The young fellow approached respectfully.
+
+"Mademoiselle?" he asked.
+
+"Don't you hear?" she said.
+
+Faint, between intermittent silences, came the singing of men's voices
+from the south.
+
+"_Grace a Dieu_!" cried Achille. "Eet is so. Eet is dat _brigade_!"
+
+He ran shouting toward the factory.
+
+
+
+
+_Chapter Two_
+
+
+Men, women, dogs, children sprang into sight from nowhere, and ran
+pell-mell to the two cannon. Galen Albret, reappearing from the
+factory, began to issue orders. Two men set about hoisting on the tall
+flag-staff the blood-red banner of the Company. Speculation, excited
+and earnest, arose among the men as to which of the branches of the
+Moose this _brigade_ had hunted--the Abitibi, the Mattagami, or the
+Missinaibie. The half-breed women shaded their eyes. Mrs. Cockburn,
+the doctor's wife, and the only other white woman in the settlement,
+came and stood by Virginia Albret's side. Wishkobun, the Ojibway
+woman from the south country, and Virginia's devoted familiar, took
+her half-jealous stand on the other.
+
+"It is the same every year. We always like to see them come," said
+Mrs. Cockburn, in her monotonous low voice of resignation.
+
+"Yes," replied Virginia, moving a little impatiently, for she
+anticipated eagerly the picturesque coming of these men of the Silent
+Places, and wished to savor the pleasure undistracted.
+
+"Mi-di-mo-yay ka'-win-ni-shi-shin," said Wishkobun, quietly.
+
+"Ae," replied Virginia, with a little laugh, patting the woman's brown
+hand.
+
+A shout arose. Around the bend shot a canoe. At once every paddle in
+it was raised to a perpendicular salute, then all together dashed
+into the water with the full strength of the _voyageurs_ wielding
+them. The canoe fairly leaped through the cloud of spray. Another
+rounded the bend, another double row of paddles flashed in the
+sunlight, another crew, broke into a tumult of rapid exertion as they
+raced the last quarter mile of the long journey. A third burst into
+view, a fourth, a fifth. The silent river was alive with motion,
+glittering with color. The canoes swept onward, like race-horses
+straining against the rider. Now the spectators could make out plainly
+the boatmen. It could be seen that they had decked themselves out for
+the occasion. Their heads were bound with bright-colored fillets,
+their necks with gay scarves. The paddles were adorned with gaudy
+woollen streamers. New leggings, of holiday pattern, were
+intermittently visible on the bowsmen and steersmen as they half rose
+to give added force to their efforts.
+
+At first the men sang their canoe songs, but as the swift rush of the
+birch-barks brought them almost to their journey's end, they burst
+into wild shrieks and whoops of delight.
+
+All at once they were close to hand. The steersman rose to throw his
+entire weight on the paddle. The canoe swung abruptly for the shore.
+Those in it did not relax their exertions, but continued their
+vigorous strokes until within a few yards of apparent destruction.
+
+"Hola! hola!" they cried, thrusting their paddles straight down into
+the water with a strong backward twist. The stout wood bent and
+cracked. The canoe stopped short and the _voyageurs_ leaped ashore to
+be swallowed up in the crowd that swarmed down upon them.
+
+The races were about equally divided, and each acted after its
+instincts--the Indian greeting his people quietly, and stalking away
+to the privacy of his wigwam; the more volatile white catching his
+wife or his sweetheart or his child to his arms. A swarm of Indian
+women and half-grown children set about unloading the canoes.
+
+Virginia's eyes ran over the crews of the various craft. She
+recognized them all, of course, to the last Indian packer, for in so
+small a community the personality and doings of even the humblest
+members are well known to everyone. Long since she had identified the
+_brigade_. It was of the Missinaibie, the great river whose
+head-waters rise a scant hundred feet from those that flow as many
+miles south into Lake Superior. It drains a wild and rugged country
+whose forests cling to bowlder hills, whose streams issue from
+deep-riven gorges, where for many years the big gray wolves had
+gathered in unusual abundance. She knew by heart the winter posts,
+although she had never seen them. She could imagine the isolation of
+such a place, and the intense loneliness of the solitary man condemned
+to live through the dark Northern winters, seeing no one but the rare
+Indians who might come in to trade with him for their pelts. She could
+appreciate the wild joy of a return for a brief season to the company
+of fellow-men.
+
+When her glance fell upon the last of the canoes, it rested with a
+flash of surprise. The craft was still floating idly, its bow barely
+caught against the bank. The crew had deserted, but amidships, among
+the packages of pelts and duffel, sat a stranger. The canoe was that
+of the post at Kettle Portage.
+
+She saw the stranger to be a young man with a clean-cut face, a trim
+athletic figure dressed in the complete costume of the _voyageurs_,
+and thin brown and muscular hands. When the canoe touched the bank he
+had taken no part in the scramble to shore, and so had sat forgotten
+and unnoticed save by the girl, his figure erect with something of the
+Indian's stoical indifference. Then when, for a moment, he imagined
+himself free from observation, his expression abruptly changed. His
+hands clenched tense between his buckskin knees, his eyes glanced here
+and there restlessly, and an indefinable shadow of something which
+Virginia felt herself obtuse in labelling desperation, and yet to
+which she discovered it impossible to fit a name, descended on his
+features, darkening them. Twice he glanced away to the south. Twice he
+ran his eye over the vociferating crowd on the narrow beach.
+
+Absorbed in the silent drama of a man's unguarded expression, Virginia
+leaned forward eagerly. In some vague manner it was borne in on her
+that once before she had experienced the same emotion, had come into
+contact with someone, something, that had affected her emotionally
+just as this man did now. But she could not place it. Over and over
+again she forced her mind to the very point of recollection, but
+always it slipped back again from the verge of attainment. Then a
+little movement, some thrust forward of the head, some nervous, rapid
+shifting of the hands or feet, some unconscious poise of the
+shoulders, brought the scene flashing before her--the white snow, the
+still forest, the little square pen-trap, the wolverine, desperate but
+cool, thrusting its blunt nose quickly here and there in baffled hope
+of an orifice of escape. Somehow the man reminded her of the animal,
+the fierce little woods marauder, trapped and hopeless, but scorning
+to cower as would the gentler creatures of the forest.
+
+Abruptly his expression changed again. His figure stiffened, the
+muscles of his face turned iron. Virginia saw that someone on the
+beach had pointed toward him. His mask was on.
+
+The first burst of greeting was over. Here and there one or another of
+the _brigade_ members jerked their heads in the stranger's direction,
+explaining low-voiced to their companions. Soon all eyes turned
+curiously toward the canoe. A hum of low-voiced comment took the
+place of louder delight.
+
+The stranger, finding himself generally observed, rose slowly to his
+feet, picked his way with a certain exaggerated deliberation of
+movement over the duffel lying in the bottom of the canoe, until he
+reached the bow, where he paused, one foot lifted to the gunwale just
+above the emblem of the painted star. Immediately a dead silence fell.
+Groups shifted, drew apart, and together again, like the slow
+agglomeration of sawdust on the surface of water, until at last they
+formed in a semicircle of staring, whose centre was the bow of the
+canoe and the stranger from Kettle Portage. The men scowled, the women
+regarded him with a half-fearful curiosity.
+
+Virginia Albret shivered in the shock of this sudden electric
+polarity. The man seemed alone against a sullen, unexplained
+hostility. The desperation she had thought to read but a moment before
+had vanished utterly, leaving in its place a scornful indifference and
+perhaps more than a trace of recklessness. He was ripe for an
+outbreak. She did not in the least understand, but she knew it from
+the depths of her woman's instinct, and unconsciously her sympathies
+flowed out to this man, alone without a greeting where all others came
+to their own.
+
+For perhaps a full sixty seconds the new-comer stood uncertain what he
+should do, or perhaps waiting for some word or act to tip the balance
+of his decision. One after another those on shore felt the insolence
+of his stare, and shifted uneasily. Then his deliberate scrutiny rose
+to the group by the cannon. Virginia caught her breath sharply. In
+spite of herself she could not turn away. The stranger's eye crossed
+her own. She saw the hard look fade into pleased surprise. Instantly
+his hat swept the gunwale of the canoe. He stepped magnificently
+ashore. The crisis was over. Not a word had been spoken.
+
+
+
+
+_Chapter Three_
+
+
+Galen Albret sat in his rough-hewn arm-chair at the head of the table,
+receiving the reports of his captains. The long, narrow room opened
+before him, heavy raftered, massive, white, with a cavernous fireplace
+at either end. Above him frowned Sir George's portrait, at his right
+hand and his left stretched the row of home-made heavy chairs,
+finished smooth and dull by two centuries of use.
+
+His arms were laid along the arms of his seat; his shaggy head was
+sunk forward until his beard swept the curve of his big chest; the
+heavy tufts of hair above his eyes were drawn steadily together in a
+frown of attention. One after another the men arose and spoke. He made
+no movement, gave no sign, his short, powerful form blotted against
+the lighter silhouette of his chair, only his eyes and the white of
+his beard gleaming out of the dusk.
+
+Kern of Old Brunswick House, Achard of New; Ki-wa-nee, the Indian of
+Flying Post--these and others told briefly of many things, each in his
+own language. To all Galen Albret listened in silence. Finally Louis
+Placide from the post at Kettle Portage got to his feet. He too
+reported of the trade,--so many "beaver" of tobacco, of powder, of
+lead, of pork, of flour, of tea, given in exchange; so many mink,
+otter, beaver, ermine, marten, and fisher pelts taken in return. Then
+he paused and went on at greater length in regard to the stranger,
+speaking evenly but with emphasis. When he had finished, Galen Albret
+struck a bell at his elbow. Me-en-gan, the bowsman of the Factor's
+canoe, entered, followed closely by the young man who had that
+afternoon arrived.
+
+He was dressed still in his costume of the _voyageur_--the loose
+blouse shirt, the buckskin leggings and moccasins, the long tasselled
+red sash. His head was as high and his glance as free, but now the
+steel blue of his eye had become steady and wary, and two faint lines
+had traced themselves between his brows. At his entrance a hush of
+expectation fell. Galen Albret did not stir, but the others hitched
+nearer the long, narrow table, and two or three leaned both elbows on
+it the better to catch what should ensue.
+
+Me-en-gan stopped by the door, but the stranger walked steadily the
+length of the room until he faced the Factor. Then he paused and
+waited collectedly for the other to speak.
+
+This the Factor did not at once begin to do, but sat
+impassive--apparently without thought--while the heavy breathing of
+the men in the room marked off the seconds of time. Finally abruptly
+Galen Albret's cavernous voice boomed forth. Something there was
+strangely mysterious, cryptic, in the virile tones issuing from a bulk
+so massive and inert. Galen Albret did not move, did not even raise
+the heavy-lidded, dull stare of his eyes to the young man who stood
+before him; hardly did his broad arched chest seem to rise and fall
+with the respiration of speech; and yet each separate word leaped
+forth alive, instinct with authority.
+
+"Once at Leftfoot Lake, two Indians caught you asleep," he
+pronounced. "They took your pelts and arms, and escorted you to
+Sudbury. They were my Indians. Once on the upper Abitibi you were
+stopped by a man named Herbert, who warned you from the country, after
+relieving you of your entire outfit. He told you on parting what you
+might expect if you should repeat the attempt--severe measures, the
+severest. Herbert was my man. Now Louis Placide surprises you in a
+rapids near Kettle Portage and brings you here."
+
+During the slow delivering of these accurately spaced words, the
+attitude of the men about the long, narrow table gradually changed.
+Their curiosity had been great before, but now their intellectual
+interest was awakened, for these were facts of which Louis Placide's
+statement had given no inkling. Before them, for the dealing, was a
+problem of the sort whose solution had earned for Galen Albret a
+reputation in the north country. They glanced at one another to obtain
+the sympathy of attention, then back toward their chief in anxious
+expectation of his next words. The stranger, however, remained
+unmoved. A faint smile had sketched the outline of his lips when first
+the Factor began to speak. This smile he maintained to the end. As the
+older man paused, he shrugged his shoulders.
+
+"All of that is quite true," he admitted.
+
+Even the unimaginative men of the Silent Places started at these
+simple words, and vouchsafed to their speaker a more sympathetic
+attention. For the tones in which they were delivered possessed that
+deep, rich throat timbre which so often means power--personal
+magnetism--deep, from the chest, with vibrant throat tones suggesting
+a volume of sound which may in fact be only hinted by the loudness the
+man at the moment sees fit to employ. Such a voice is a responsive
+instrument on which emotion and mood play wonderfully seductive
+strains.
+
+"All of that is quite true," he repeated after a second's pause; "but
+what has it to do with me? Why am I stopped and sent out from the free
+forest? I am really curious to know your excuse."
+
+"This," replied Galen Albret, weightily, "is my domain. I tolerate no
+rivalry here."
+
+"Your right?" demanded the young man, briefly.
+
+"I have made the trade, and I intend to keep it."
+
+"In other words, the strength of your good right arm," supplemented
+the stranger, with the faintest hint of a sneer.
+
+"That is neither here nor there," rejoined Galen Albret, "the point is
+that I intend to keep it. I've had you sent out, but you have been too
+stupid or too obstinate to take the hint. Now I have to warn you in
+person. I shall send you out once more, but this time you must promise
+me not to meddle with the trade again."
+
+He paused for a response. The young man's smile merely became
+accentuated.
+
+"I have means of making my wishes felt," warned the Factor.
+
+"Quite so," replied the young man, deliberately, "_La Longue
+Traverse_."
+
+At this unexpected pronouncement of that dread name two of the men
+swore violently; the others thrust back their chairs and sat, their
+arms rigidly braced against the table's edge, staring wide-eyed and
+open-mouthed at the speaker. Only Galen Albret remained unmoved.
+
+"What do you mean by that?" he asked, calmly.
+
+"It amuses you to be ignorant," replied the stranger, with some
+contempt. "Don't you think this farce is about played out? I do. If
+you think you're deceiving me any with this show of formality, you're
+mightily mistaken. Don't you suppose I knew what I was about when I
+came into this country? Don't you suppose I had weighed the risks and
+had made up my mind to take my medicine if I should be caught? Your
+methods are not quite so secret as you imagine. I know perfectly well
+what happens to Free Traders in Rupert's Land."
+
+"You seem very certain of your information."
+
+"Your men seem equally so," pointed out the stranger.
+
+Galen Albret, at the beginning of the young man's longer speech, had
+sunk almost immediately into his passive calm--the calm of great
+elemental bodies, the calm of a force so vast as to rest motionless by
+the very static power of its mass. When he spoke again, it was in the
+tentative manner of his earlier interrogatory, committing himself not
+at all, seeking to plumb his opponent's knowledge.
+
+"Why, if you have realized the gravity of your situation have you
+persisted after having been twice warned?" he inquired.
+
+"Because you're not the boss of creation," replied the young man,
+bluntly.
+
+Galen Albret merely raised his eyebrows.
+
+[Illustration: THE ARRIVAL OF THE FREE-TRADER. Scene from the play.]
+
+"I've got as much business in this country as you have," continued
+the young man, his tone becoming more incisive. "You don't seem to
+realize that your charter of monopoly has expired. If the government
+was worth a damn it would see to you fellows. You have no more right
+to order me out of here than I would have to order you out. Suppose
+some old Husky up on Whale River should send you word that you weren't
+to trap in the Whale River district next winter. I'll bet you'd be
+there. You Hudson Bay men tried the same game out west. It didn't
+work. You ask your western men if they ever heard of Ned Trent."
+
+"Your success does not seem to have followed you here," suggested the
+Factor, ironically.
+
+The young man smiled.
+
+"This _Longue Traverse_," went on Albret, "what is your idea there? I
+have heard something of it. What is your information?"
+
+Ned Trent laughed outright. "You don't imagine there is any secret
+about that!" he marvelled. "Why, every child north of the Line knows
+that. You will send me away without arms, and with but a handful of
+provisions. If the wilderness and starvation fail, your runners will
+not. I shall never reach the Temiscamingues alive."
+
+"The same old legend," commented Galen Albret in apparent amusement,
+"I heard it when I first came to this country. You'll find a dozen
+such in every Indian camp."
+
+"Jo Bagneau, Morris Proctor, John May, William Jarvis," checked off
+the young man on his fingers.
+
+"Personal enmity," replied the Factor.
+
+He glanced up to meet the young man's steady, sceptical smile.
+
+"You do not believe me?"
+
+"Oh, if it amuses you," conceded the stranger.
+
+"The thing is not even worth discussion."
+
+"Remarkable sensation among our friends here for so idle a tale."
+
+Galen Albret considered.
+
+"You will remember that throughout you have forced this interview," he
+pointed out. "Now I must ask your definite promise to get out of this
+country and to stay out."
+
+"No," replied Ned Trent.
+
+"Then a means shall be found to make you!" threatened the Factor, his
+anger blazing at last.
+
+"Ah," said the stranger softly.
+
+Galen Albret raised his hand and let it fall. The bronzed and gaudily
+bedecked men filed out.
+
+
+
+
+_Chapter Four_
+
+
+In the open air the men separated in quest of their various families
+or friends. The stranger lingered undecided for a moment on the top
+step of the veranda, and then wandered down the little street, if
+street it could be called where horses there were none. On the left
+ranged the square whitewashed houses with their dooryards, the old
+church, the workshop. To the right was a broad grass-plot, and then
+the Moose, slipping by to the distant offing. Over a little bridge the
+stranger idled, looking curiously about him. The great trading-house
+attracted his attention, with its narrow picket lane leading to the
+door; the storehouse surrounded by a protective log fence; the fort
+itself, a medley of heavy-timbered stockades and square block-houses.
+After a moment he resumed his strolling. Everywhere he went the people
+looked at him, ceasing their varied occupations. No one spoke to him,
+no one hindered him. To all intents and purposes he was as free as the
+air. But all about the island flowed the barrier of the Moose, and
+beyond frowned the wilderness--strong as iron bars to an unarmed man.
+
+Brooding on his imprisonment the Free Trader forgot his surroundings.
+The post, the river, the forest, the distant bay faded from his sight,
+and he fell into deep reflection. There remained nothing of physical
+consciousness but a sense of the grateful spring warmth from the
+declining sun. At length he became vaguely aware of something else.
+He glanced up. Right by him he saw a handsome French half-breed
+sprawled out in the sun against a building, looking him straight in
+the face and flashing up at him a friendly smile.
+
+"Hullo," said Achille Picard, "you mus' been 'sleep. I call you two
+t'ree tam."
+
+The prisoner seemed to find something grateful in the greeting even
+from the enemy's camp. Perhaps it merely happened upon the
+psychological moment for a response.
+
+"Hullo," he returned, and seated himself by the man's side, lazily
+stretching himself in enjoyment of the reflected heat.
+
+"You is come off Kettle Portage, eh," said Achille, "I t'ink so. You
+is come trade dose fur? Eet is bad beez-ness, dis Conjur' House. Ole'
+man he no lak' dat you trade dose fur. He's very hard, dat ole man."
+
+"Yes," replied the stranger, "he has got to be, I suppose. This is the
+country of _la Longue Traverse_."
+
+"I beleef you," responded Achille, cheerfully; "w'at you call heem
+your nam'?"
+
+"Ned Trent."
+
+"Me Achille--Achille Picard. I capitaine of dose dogs on dat winter
+_brigade_."
+
+"It is a hard post. The winter travel is pretty tough."
+
+"I beleef you."
+
+"Better to take _la Longue Traverse_ in summer, eh?"
+
+"_La Longue Traverse_--hees not mattaire w'en yo tak' heem."
+
+"Right you are. Have there been men sent out since you came here?"
+
+"_Ba oui_. Wan, two, t'ree. I don' remember. I t'ink Jo Bagneau.
+Nobodee he don' know, but dat ole man an' hees _coureurs du bois_. He
+ees wan ver' great man. Nobodee is know w'at he will do."
+
+"I'm due to hit that trail myself, I suppose," said Ned Trent.
+
+"I have t'ink so," acknowledged Achille, still with a tone of most
+engaging cheerfulness.
+
+"Shall I be sent out at once, do you think?"
+
+"I don' know. Sometam' dat ole man ver' queek. Sometam' he ver' slow.
+One day Injun mak' heem ver' mad; he let heem go, and shot dat Injun
+right off. Noder tam he get mad on one _voyageur_, but he don' keel
+heem queek; he bring heem here, mak' heem stay in dose warm room, feed
+heem dose plaintee grub. Purty soon dose _voyageur_ is get fat, is go
+sof; he no good for dose trail. Ole man he mak' heem go ver' far off,
+mos' to Whale Reever. Eet is plaintee cole. Dat _voyageur_, he freeze
+to hees inside. Dey tell me he feex heem like dat."
+
+"Achille, you haven't anything against me--do you want me to die?"
+
+The half-breed flashed his white teeth.
+
+"_Ba non_," he replied, carelessly. "For w'at I want dat you die? I
+t'ink you bus' up bad; _vous avez la mauvaise fortune_."
+
+"Listen. I have nothing with me; but out at the front I am very rich.
+I will give you a hundred dollars, if you will help me to get away."
+
+"I can' do eet," smiled Picard.
+
+"Why not?"
+
+"Ole man he fin' dat out. He is wan devil, dat ole man. I lak
+firs'-rate help you; I lak' dat hundred dollar. On Ojibway countree
+dey make hees nam' _Wagosh_--dat mean fox. He know everyt'ing."
+
+"I'll make it two hundred--three hundred--five hundred."
+
+"W'at you wan' me do?" hesitated Achille Picard at the last figure.
+
+"Get me a rifle and some cartridges."
+
+The half-breed rolled a cigarette, lighted it, and inhaled a deep
+breath.
+
+"I can' do eet," he declared. "I can' do eet for t'ousand dollar--ten
+t'ousand. I don't t'ink you fin' anywan on dis settlement w'at can
+dare do eet. He is wan devil. He's count all de carabine on dis pos',
+an' w'en he is mees wan, he fin' out purty queek who is tak' heem."
+
+"Steal one from someone else," suggested Trent.
+
+"He fin' out jess sam'," objected the half-breed, obstinately. "You
+don' know heem. He mak' you geev yourself away, when he lak' do dat."
+The smile had left the man's face. This was evidently too serious a
+matter to be taken lightly.
+
+"Well, come with me, then," urged Ned Trent, with some impatience. "A
+thousand dollars I'll give you. With that you can be rich somewhere
+else."
+
+But the man was becoming more and more uneasy, glancing furtively from
+left to right and back again, in an evident panic lest the
+conversation be overheard, although the nearest dwelling-house was a
+score of yards distant.
+
+"Hush," he whispered. "You mustn't talk lak' dat. Dose ole man fin'
+you out. You can' hide away from heem. Ole tam long ago, Pierre
+Cadotte is stole feefteen skin of de otter--de sea-otter--and he is
+sol' dem on Winnipeg. He is get 'bout t'ousand beaver--five hunder'
+dollar. Den he is mak' dose longue voyage wes'--ver' far wes'--_on
+dit_ Peace Reever. He is mak' heem dose cabane, w'ere he is leev long
+tam wid wan man of Mackenzie. He is call it hees nam' Dick Henderson.
+I is meet Dick Henderson on Winnipeg las' year, w'en I mak' paddle on
+dem Factor Brigade, an' dose High Commissionaire. He is tol' me wan
+night pret' late he wake up all de queeck he can w'en he is hear wan
+noise in dose cabane, an' he is see wan Injun, lak' phantome 'gainst
+de moon to de door. Dick Henderson he is 'sleep, he don' know w'at he
+mus' do. Does Injun is step ver' sof' an' go on bunk of Pierre
+Cadotte. Pierre Cadotte is mak' de beeg cry. Dick Henderson say he no
+see dose Injun no more, an' he fin' de door shut. _Ba_ Pierre Cadotte,
+she's go dead. He is mak' wan beeg hole in hees ches'."
+
+"Some enemy, some robber frightened away because the Henderson man
+woke up, probably," suggested Ned Trent.
+
+The half-breed laid his hand impressively on the other's arm and
+leaned forward until his bright black eyes were within a foot of the
+other's face.
+
+"W'en dose Injun is stan' heem in de moonlight, Dick Henderson is see
+hees face. Dick Henderson is know all dose Injun. He is tole me dat
+Injun is not Peace Reever Injun. Dick Henderson is say dose Injun is
+Ojibway Injun--Ojibway Injun two t'ousand mile wes'--on Peace Reever!
+Dat's curi's!"
+
+"I was tell you nodder story--" went on Achille, after a moment.
+
+"Never mind," interrupted the Trader. "I believe you."
+
+"Maybee," said Achille cheerfully, "you stan' some show--not
+moche--eef he sen' you out pret' queeck. Does small _perdrix_ is
+yonge, an' dose duck. Maybee you is catch dem, maybee you is keel dem
+wit' bow an' arrow. Dat's not beeg chance. You mus' geev dose
+_coureurs de bois_ de sleep w'en you arrive. _Voila_, I geev you my
+knife!"
+
+He glanced rapidly to right and left, then slipped a small object into
+the stranger's hand.
+
+"_Ba_, I t'ink does ole man is know dat. I t'ink he kip you here till
+tam w'en dose _perdrix_ and duck is all grow up beeg' nuff so he can
+fly."
+
+"I'm not watched," said the young man in eager tones; "I'll slip away
+to-night."
+
+"Dat no good," objected Picard. "W'at you do? S'pose you do dat, dose
+_coureurs_ keel you _toute suite_. Dey is have good excuse, an' you is
+have nothing to mak' de fight. You sleep away, and dose ole man is
+sen' out plaintee Injun. Dey is fine you sure. _Ba_, eef he _sen'_ you
+out, den he sen' onlee two Injun. Maybee you fight dem; I don' know.
+_Non, mon ami_, eef you is wan' get away w'en dose ole man he don'
+know eet, you mus' have dose carabine. Den you is have wan leetle
+chance. _Ba_, eef you is not have heem dose carabine, you mus' need
+dose leetle grub he geev you, and not plaintee Injun follow you, onlee
+two."
+
+"And I cannot get the rifle."
+
+"An' dose ole man is don' sen' you out till eet is too late for mak'
+de grub on de fores'. Dat's w'at I t'ink. Dat ees not fonny for you."
+
+Ned Trent's eyes were almost black with thought. Suddenly he threw his
+head up.
+
+"I'll make him send me out now," he asserted confidently.
+
+"How you mak' eet him?"
+
+"I'll talk turkey to him till he's so mad he can't see straight. Then
+maybe he'll send me out right away."
+
+"How you mak' eet him so mad?" inquired Picard, with mild curiosity.
+
+"Never you mind--I'll do it."
+
+"_Ba oui_," ruminated Picard, "He is get mad pret' queeck. I t'ink
+p'raps dat plan he go all right. You was get heem mad plaintee easy.
+Den maybee he is sen' you out _toute suite_--maybee he is shoot you."
+
+"I'll take the chances--my friend."
+
+"_Ba oui_," shrugged Achille Picard, "eet is wan chance."
+
+He commenced to roll another cigarette.
+
+
+
+
+_Chapter Five_
+
+
+Having sat buried in thought for a full five minutes after the traders
+of the winter posts had left him, Galen Albret thrust back his chair
+and walked into a room, long, low, and heavily raftered, strikingly
+unlike the Council Room. Its floor was overlaid with dark rugs; a
+piano of ancient model filled one corner; pictures and books broke the
+wall; the lamps and the windows were shaded; a woman's work-basket and
+a tea-set occupied a large table. Only a certain barbaric profusion of
+furs, the huge fireplace, and the rough rafters of the ceiling
+differentiated the place from the drawing-room of a well-to-do family
+anywhere.
+
+Galen Albret sank heavily into a chair and struck a bell. A tall,
+slightly stooped English servant, with correct side whiskers and
+incompetent, watery blue eyes, answered. To him said the Factor:
+
+"I wish to see Miss Albret."
+
+A moment later Virginia entered the room.
+
+"Let us have some tea, O-mi-mi," requested her father.
+
+The girl moved gently about, preparing and lighting the lamp,
+measuring the tea, her fair head bowed gracefully over her task, her
+dark eyes pensive and but half following what she did. Finally with a
+certain air of decision she seated herself on the arm of a chair.
+
+"Father," said she.
+
+"Yes."
+
+"A stranger came to-day with Louis Placide of Kettle Portage."
+
+"Well?"
+
+"He was treated strangely by our people, and he treated them strangely
+in return. Why is that?"
+
+"Who can tell?"
+
+"What is his station? Is he a common trader? He does not look it."
+
+"He is a man of intelligence and daring."
+
+"Then why is he not our guest?"
+
+Galen Albret did not answer. After a moment's pause he asked again for
+his tea. The girl turned away impatiently. Here was a puzzle, neither
+the _voyageurs_, nor Wishkobun her nurse, nor her father would explain
+to her. The first had grinned stupidly; the second had drawn her shawl
+across her face, the third asked for tea!
+
+She handed her father the cup, hesitated, then ventured to inquire
+whether she was forbidden to greet the stranger should the occasion
+arise.
+
+"He is a gentleman," replied her father.
+
+She sipped her tea thoughtfully, her imagination stirring. Again her
+recollection lingered over the clear bronze lines of the stranger's
+face. Something vaguely familiar seemed to touch her consciousness
+with ghostly fingers. She closed her eyes and tried to clutch them. At
+once they were withdrawn. And then again, when her attention wandered,
+they stole back, plucking appealingly at the hem of her recollections.
+
+The room was heavy-curtained, deep embrasured, for the house, beneath
+its clap-boards, was of logs. Although out of doors the clear spring
+sunshine still flooded the valley of the Moose; within, the shadows
+had begun with velvet fingers to extinguish the brighter lights.
+Virginia threw herself back on a chair in the corner.
+
+"Virginia," said Galen Albret, suddenly.
+
+"Yes, father."
+
+"You are no longer a child, but a woman. Would you like to go to
+Quebec?"
+
+She did not answer him at once, but pondered beneath close-knit brows.
+
+"Do you wish me to go, father?" she asked at length.
+
+"You are eighteen. It is time you saw the world, time you learned the
+ways of other people. But the journey is hard. I may not see you again
+for some years. You go among strangers."
+
+He fell silent again. Motionless he had been, except for the mumbling
+of his lips beneath his beard.
+
+"It shall be just as you wish," he added a moment later.
+
+At once a conflict arose in the girl's mind between her restless
+dreams and her affections. But beneath all the glitter of the question
+there was really nothing to take her out. Here was her father, here
+were the things she loved; yonder was novelty--and loneliness.
+
+Her existence at Conjuror's House was perhaps a little complex, but it
+was familiar. She knew the people, and she took a daily and unwearying
+delight in the kindness and simplicity of their bearing toward
+herself. Each detail of life came to her in the round of habit,
+wearing the garment of accustomed use. But of the world she knew
+nothing except what she had been able to body forth from her reading,
+and that had merely given her imagination something tangible with
+which to feed her self-distrust.
+
+"Must I decide at once?" she asked.
+
+"If you go this year, it must be with the Abitibi _brigade_. You have
+until then."
+
+"Thank you, father," said the girl, sweetly.
+
+The shadows stole their surroundings one by one, until only the bright
+silver of the tea-service, and the glitter of polished wood, and the
+square of the open door remained. Galen Albret became an inert dark
+mass. Virginia's gray was lost in that of the twilight.
+
+Time passed. The clock ticked on. Faintly sounds penetrated from the
+kitchen, and still more faintly from out of doors. Then the rectangle
+of the doorway was darkened by a man peering uncertainly. The man wore
+his hat, from which slanted a slender heron's plume; his shoulders
+were square; his thighs slim and graceful. Against the light, one
+caught the outline of the sash's tassel and the fringe of his
+leggings.
+
+"Are you there, Galen Albret?" he challenged.
+
+The spell of twilight mystery broke. It seemed as if suddenly the air
+had become surcharged with the vitality of opposition.
+
+"What then?" countered the Factor's heavy, deliberate tones.
+
+"True, I see you now," rejoined the visitor carelessly, as he flung
+himself across the arm of a chair and swung one foot. "I do not doubt
+you are convinced by this time of my intention."
+
+"My recollection does not tell me what messenger I sent to ask this
+interview."
+
+[Illustration: "WHAT YOU WANT DOESN'T CONCERN ME IN THE LEAST." Scene
+from the play.]
+
+"Correct," laughed the young man a little hardly. "You _didn't_ ask
+it. I attended to that myself. What _you_ want doesn't concern me in
+the least. What do you suppose I care what, or what not, any of this
+crew wants? I'm master of my own ideas, anyway, thank God. If you
+don't like what I do, you can always stop me." In the tone of his
+voice was a distinct challenge. Galen Albret, it seemed, chose to
+pass it by.
+
+"True," he replied sombrely, after a barely perceptible pause to mark
+his tacit displeasure. "It is your hour. Say on."
+
+"I should like to know the date at which I take _la Longue Traverse_".
+
+"You persist in that nonsense?"
+
+"Call my departure whatever you want to--I have the name for it. When
+do I leave?"
+
+"I have not decided."
+
+"And in the meantime?"
+
+"Do as you please."
+
+"Ah, thanks for this generosity," cried the young man, in a tone of
+declamatory sarcasm so artificial as fairly to scent the elocutionary.
+"To do as I please--here--now there's a blessed privilege! I may walk
+around where I want to, talk to such as have a good word for me,
+punish those who have not! But do I err in concluding that the state
+of your game law is such that it would be useless to reclaim my rifle
+from the engaging Placide?"
+
+"You have a fine instinct," approved the Factor.
+
+"It is one of my valued possessions," rejoined the young man,
+insolently. He struck a match, and by its light selected a cigarette.
+
+"I do not myself use tobacco in this room," suggested the older
+speaker.
+
+"I am curious to learn the limits of your forbearance," replied the
+younger, proceeding to smoke.
+
+He threw back his head and regarded his opponent with an open
+challenge, daring him to become angry. The match went out.
+
+Virginia, who had listened in growing anger and astonishment, unable
+longer to refrain from defending the dignity of her usually autocratic
+father, although he seemed little disposed to defend himself, now
+intervened from her dark corner on the divan.
+
+"Is the journey then so long, sir," she asked composedly, "that it at
+once inspires such anticipations--and such bitterness?"
+
+In an instant the man was on his feet, hat in hand, and the cigarette
+had described a fiery curve into the empty hearth.
+
+"I beg your pardon, sincerely," he cried, "I did not know you were
+here!"
+
+"You might better apologize to my father," replied Virginia.
+
+The young man stepped forward and, without asking permission, lighted
+one of the tall lamps.
+
+"The lady of the guns!" he marvelled softly to himself.
+
+He moved across the room, looking down on her inscrutably, while she
+looked up at him in composed expectation of an apology--and Galen
+Albret sat motionless, in the shadow of his great arm-chair. But after
+a moment her calm attention broke down. Something there was about this
+man that stirred her emotions--whether of curiosity, pity,
+indignation, or a slight defensive fear she was not introspective
+enough to care to inquire. And yet the sensation was not altogether
+unpleasant, and, as at the guns that afternoon, a certain portion of
+her consciousness remained in sympathy with whatever it was of
+mysterious attraction he represented to her. In him she felt the
+dominant, as a wild creature of the woods instinctively senses the
+master and drops its eyes. Resentment did not leave her, but over it
+spread a film of confusion that robbed it of its potency. In him, in
+his mood, in his words, in his manner, was something that called out
+in direct appeal the more primitive instincts hitherto dormant beneath
+her sense of maidenhood, so that even at this vexed moment of
+conscious opposition, her heart was ranging itself on his side.
+Overpoweringly the feeling swept her that she was not acting in
+accordance with her sense of fitness. She knew she should strike, but
+was unable to give due force to the blow. In the confusion of such a
+discovery, her eyelids fluttered and fell. And he saw, and,
+understanding his power, dropped swiftly beside her on the broad
+divan.
+
+"You must pardon me, mademoiselle," he begun, his voice sinking to a
+depth of rich music singularly caressing. "To you I may seem to have
+small excuses, but when a man is vouchsafed a glimpse of heaven only
+to be cast out the next instant into hell, he is not always particular
+in the choice of words."
+
+All the time his eyes sought hers, which avoided the challenge, and
+the strong masculine charm of magnetism which he possessed in such
+vital abundance overwhelmed her unaccustomed consciousness. Galen
+Albret shifted uneasily, and shot a glance in their direction. The
+stranger, perceiving this, lowered his voice in register and tone, and
+went on with almost exaggerated earnestness.
+
+"Surely you can forgive me, a desperate man, almost anything?"
+
+"I do not understand," said Virginia, with a palpable effort.
+
+Ned Trent leaned forward until his eager face was almost at her
+shoulder.
+
+"Perhaps not," he urged; "I cannot ask you to try. But suppose,
+mademoiselle, you were in my case. Suppose your eyes--like mine--have
+rested on nothing but a howling wilderness for dear heaven knows how
+long; you come at last in sight of real houses, real grass, real
+dooryard gardens just ready to blossom in the spring, real food, real
+beds, real books, real men with whom to exchange the sensible word,
+and something more, mademoiselle--a woman such as one dreams of in the
+long forest nights under the stars. And you know that while others,
+the lucky ones, may stay to enjoy it all, you, the unfortunate, are
+condemned to leave it at any moment for _la Longue Traverse_. Would
+not you, too, be bitter, mademoiselle? Would not you too mock and
+sneer? Think, mademoiselle, I have not even the little satisfaction of
+rousing men's anger. I can insult them as I will, but they turn aside
+in pity, saying one to another: 'Let us pleasure him in this, poor
+fellow, for he is about to take _la Longue Traverse_.' That is why
+your father accepts calmly from me what he would not from another."
+
+Virginia sat bolt upright on the divan, her hands clasped in her lap,
+her wonderful black eyes looking straight out before her, trying to
+avoid her companion's insistent gaze. His attention was fixed on her
+mobile and changing countenance, but he marked with evident
+satisfaction Galen Albret's growing uneasiness. This was evidenced
+only by a shifting of the feet, a tapping of the fingers, a turning
+of the shaggy head--in such a man slight tokens are significant. The
+silence deepened with the shadows drawing about the single lamp, while
+Virginia attempted to maintain a breathing advantage above the flood
+of strange emotions which the personality of this man had swept down
+upon her.
+
+"It does not seem--" objected the girl in bewilderment, "I do not
+know--men are often out in this country for years at a time. Long
+journeys are not unknown among us. We are used to undertaking them."
+
+"But not _la Longue Traverse_," insisted the young man, sombrely.
+
+"_La Longue Traverse_," she repeated in sweet perplexity.
+
+"Sometimes called the Journey of Death," he explained.
+
+She turned to look him in the eyes, a vague expression of puzzled fear
+on her face.
+
+"She has never heard of it," said Ned Trent to himself, and aloud:
+"Men who undertake it leave comfort behind. They embrace hunger and
+weariness, cold and disease. At the last they embrace death, and are
+glad of his coming."
+
+Something in his tone compelled belief; something in his face told her
+that he was a man by whom the inevitable hardships of winter and
+summer travel, fearful as they are, would be lightly endured. She
+shuddered.
+
+"This dreadful thing is necessary?" she asked.
+
+"Alas, yes."
+
+"I do not understand--"
+
+"In the North few of us understand," agreed the young man with a hint
+of bitterness seeping through his voice. "The mighty order, and so we
+obey. But that is beside the point. I have not told you these things
+to harrow you; I have tried to excuse myself for my actions. Does it
+touch you a little? Am I forgiven?"
+
+"I do not understand how such things can be," she objected in some
+confusion, "why such journeys must exist. My mind cannot comprehend
+your explanations."
+
+The stranger leaned forward abruptly, his eyes blazing with the
+magnetic personality of the man.
+
+"But your heart?" he breathed.
+
+It was the moment. "My heart--" she repeated, as though bewildered by
+the intensity of his eyes, "my heart--ah--yes!"
+
+Immediately the blood rushed over her face and throat in a torrent.
+She snatched her eyes away, and cowered back in the corner, going red
+and white by turns, now angry, now frightened, now bewildered, until
+his gaze, half masterful, half pleading, again conquered hers. Galen
+Albret had ceased tapping his chair. In the dim light he sat, staring
+straight before him, massive, inert, grim.
+
+"I believe you--" she murmured hurriedly at last. "I pity you!"
+
+She rose. Quick as light he barred her passage.
+
+"Don't! don't!" she pleaded. "I must go--you have shaken me--I--I do
+not understand myself--"
+
+"I must see you again," he whispered eagerly. "To-night--by the guns."
+
+"No, no!"
+
+"To-night," he insisted.
+
+She raised her eyes to his, this time naked of defence, so that the
+man saw down through their depths into her very soul.
+
+"Oh," she begged, quivering, "let me pass. Don't you see--I'm going to
+cry!"
+
+
+
+
+_Chapter Six_
+
+
+For a moment Ned Trent stared through the darkness into which Virginia
+had disappeared. Then he turned a troubled face to the task he had set
+himself, for the unexpectedly pathetic results of his fantastic
+attempt had shaken him. Twice he half turned as though to follow her.
+Then shaking his shoulders he bent his attention to the old man in the
+shadow of the chair.
+
+He was given no opportunity for further speech, however, for at the
+sound of the closing door Galen Albret's impassivity had fallen from
+him. He sprang to his feet. The whole aspect of the man suddenly
+became electric, terrible. His eyes blazed; his heavy brows drew
+spasmodically toward each other; his jaws worked, twisting his beard
+into strange contortions; his massive frame straightened formidably;
+and his voice rumbled from the arch of his deep chest in a torrent of
+passionate sound.
+
+"By God, young man!" he thundered, "you go too far! Take heed! I will
+not stand this! Do not you presume to make love to my daughter before
+my eyes!"
+
+And Ned Trent, just within the dusky circle of lamplight, where the
+bold, sneering lines of his face stood out in relief against the
+twilight of the room, threw back his head and laughed. It was a clear
+laugh, but low, and in it were all the devils of triumph, and of
+insolence. Where the studied insult of words had failed, this single
+cachinnation succeeded. The Trader saw his opponent's eyes narrow. For
+a moment he thought the Factor was about to spring on him.
+
+Then, with an effort that blackened his face with blood, Galen Albret
+controlled himself, and fell to striking the call-bell violently and
+repeatedly with the palm of his hand. After a moment Matthews, the
+English servant, came running in. To him the Factor was at first
+physically unable to utter a syllable. Then finally he managed to
+ejaculate the name of his bowsman with such violence of gesture that
+the frightened servant comprehended by sheer force of terror and ran
+out again in search of Me-en-gan.
+
+This supreme effort seemed to clear the way for speech. Galen Albret
+began to address his opponent hoarsely in quick, disjointed
+sentences, a gasp for breath between each.
+
+"You revived an old legend--_la Longue Traverse_--the myth. It shall
+be real--to--you--I will make it so. By God, you shall not defy
+me--"
+
+Ned Trent smiled. "You do not deceive me," he rejoined, coolly.
+
+"Silence!" cried the Factor. "Silence!--You shall speak no more!--You
+have said enough--"
+
+Me-en-gan glided into the room. Galen Albret at once addressed him in
+the Ojibway language, gaining control of himself as he went on.
+
+"Listen to me well," he commanded. "You shall make a count of all
+rifles in this place--at once. Let no one furnish this man with food
+or arms. You know the story of _la Longue Traverse_. This man shall
+take it. So inform my people. I, the Factor, decree it so. Prepare all
+things at once--understand, _at once_!"
+
+Ned Trent waited to hear no more, but sauntered from the room
+whistling gayly a boatman's song. His point was gained.
+
+Outside, the long Northern twilight with its beautiful shadows of
+crimson was descending from the upper regions of the east. A light
+wind breathed up-river from the bay. The Free Trader drew his lungs
+full of the evening air.
+
+"Just the same, I think she will come," said he to himself. "_La
+Longue Traverse_, even at once, is a pretty slim chance. But this
+second string to my bow is better. I believe I'll get the rifle--if
+she comes!"
+
+
+
+
+_Chapter Seven_
+
+
+Virginia ran quickly up the narrow stairs to her own room, where she
+threw herself on the bed and buried her face in the pillows.
+
+As she had said, she was very much shaken. And, too, she was afraid.
+
+She could not understand. Heretofore she had moved among the men
+around her, pure, lofty, serene. Now at one blow all this crumbled.
+The stranger had outraged her finer feelings. He had insulted her
+father in her very presence;--for this she was angry. He had insulted
+herself;--for this she was afraid. He had demanded that she meet him
+again; but this--at least in the manner he had suggested--should not
+happen. And yet she confessed to herself a delicious wonder as to what
+he would do next, and a vague desire to see him again in order to find
+out. That she could not successfully combat this feeling made her
+angry at herself. And so in mingled fear, pride, anger, and longing
+she remained until Wishkobun, the Indian woman, glided in to dress her
+for the dinner whose formality she and her father consistently
+maintained. She fell to talking the soft Ojibway dialect, and in the
+conversation forgot some of her emotion and regained some of her calm.
+
+Her surface thoughts, at least, were compelled for the moment to
+occupy themselves with other things. The Indian woman had to tell her
+of the silver fox brought in by Mu-hi-ken, an Indian of her own tribe;
+of the retort Achille Picard had made when MacLane had taunted him;
+of the forest fire that had declared itself far to the east, and of
+the theories to account for it where no campers had been. Yet
+underneath the rambling chatter Virginia was aware of something new in
+her consciousness, something delicious but as yet vague. In the gayest
+moment of her half-jesting, half-affectionate gossip with the Indian
+woman, she felt its uplift catching her breath from beneath, so that
+for the tiniest instant she would pause as though in readiness for
+some message which nevertheless delayed. A fresh delight in the
+present moment held her, a fresh anticipation of the immediate future,
+though both delight and anticipation were based on something without
+her knowledge. That would come later.
+
+The sound of rapid footsteps echoed across the lower hall, a whistle
+ran into an air, sung gayly, with spirit:
+
+ _"J'ai perdu ma maitresse,
+ Sans l'avoir merite,
+ Pour un bouquet de roses
+ Que je lui refusai.
+ Li ya longtemps que je t'aime,
+ Jamais je ne t'oublierai!"_
+
+She fell abruptly silent, and spoke no more until she descended to the
+council-room where the table was now spread for dinner.
+
+Two silver candlesticks lit the place. The men were waiting for her
+when she entered, and at once took their seats in the worn, rude
+chairs. White linen and glittering silver adorned the service, Galen
+Albret occupied one end of the table, Virginia the other. On either
+side were Doctor and Mrs. Cockburn; McDonald, the Chief Trader;
+Richardson, the clerk, and Crane, the missionary of the Church of
+England. Matthews served with rigid precision in the order of
+importance, first the Factor, then Virginia, then the doctor, his
+wife, McDonald, the clerk, and Crane in due order. On entering a room
+the same precedence would have held good. Thus these people, six
+hundred miles as the crow flies from the nearest settlement,
+maintained their shadowy hold on civilization.
+
+The glass was fine, the silver massive, the linen dainty, Matthews
+waited faultlessly: but overhead hung the rough timbers of the
+wilderness post, across the river faintly could be heard the howling
+of wolves. The fare was rice, curry, salt pork, potatoes, and beans;
+for at this season the game was poor, and the fish hardly yet running
+with regularity.
+
+Throughout the meal Virginia sat in a singular abstraction. No
+conscious thoughts took shape in her mind, but nevertheless she
+seemed to herself to be occupied in considering weighty matters. When
+directly addressed, she answered sweetly. Much of the time she studied
+her father's face. She found it old. Those lines were already evident
+which, when first noted, bring a stab of surprised pain to the breast
+of a child--the droop of the mouth, the wrinkling of the temples, the
+patient weariness of the eyes. Virginia's own eyes filled with tears.
+The subjective passive state into which a newly born but not yet
+recognized love had cast her, inclined her to gentleness. She accepted
+facts as they came to her. For the moment she forgot the mere
+happenings of the day, and lived only in the resulting mood of them
+all. The new-comer inspired her no longer with anger nor sorrow,
+attraction nor fear. Her active emotions in abeyance, she floated
+dreamily on the clouds of a new estate.
+
+This very aloofness of spirit disinclined her for the company of the
+others after the meal was finished. The Factor closeted himself with
+Richardson. The doctor, lighting a cheroot, took his way across to his
+infirmary. McDonald, Crane, and Mrs. Cockburn entered the drawing-room
+and seated themselves near the piano. Virginia hesitated, then threw a
+shawl over her head and stepped out on the broad veranda.
+
+At once the vast, splendid beauty of the Northern night broke over her
+soul. Straight before her gleamed and flashed and ebbed and palpitated
+the aurora. One moment its long arms shot beyond the zenith; the next
+it had broken and rippled back like a brook of light to its arch over
+the Great Bear. Never for an instant was it still. Its restlessness
+stole away the quiet of the evening; but left it magnificent.
+
+In comparison with this coruscating dome of the infinite the earth had
+shrunken to a narrow black band of velvet, in which was nothing
+distinguishable until suddenly the sky-line broke in calm silhouettes
+of spruce and firs. And always the mighty River of the Moose,
+gleaming, jewelled, barbaric in its reflections, slipped by to the
+sea.
+
+So rapid and bewildering was the motion of these two great powers--the
+river and the sky--that the imagination could not believe in silence.
+It was as though the earth were full of shoutings and of tumults. And
+yet in reality the night was as still as a tropical evening. The
+wolves and the sledge-dogs answered each other undisturbed; the
+beautiful songs of the white-throats stole from the forest as
+divinely instinct as ever with the spirit of peace.
+
+Virginia leaned against the railing and looked upon it all. Her heart
+was big with emotions, many of which she could not name; her eyes were
+full of tears. Something had changed in her since yesterday, but she
+did not know what it was. The faint wise stars, the pale moon just
+sinking, the gentle south breeze could have told her, for they are
+old, old in the world's affairs. Occasionally a flash more than
+ordinarily brilliant would glint one of the bronze guns beneath the
+flag-staff. Then Virginia's heart would glint too. She imagined the
+reflection startled her.
+
+She stretched her arms out to the night, embracing its glories,
+sighing in sympathy with its meaning, which she did not know. She
+felt the desire of restlessness; yet she could not bear to go. But no
+thought of the stranger touched her, for you see as yet she did not
+understand.
+
+Then, quite naturally, she heard his voice in the darkness close to
+her knee. It seemed inevitable that he should be there; part of the
+restless, glorious night, part of her mood. She gave no start of
+surprise, but half closed her eyes and leaned her fair head against a
+pillar of the veranda. He sang in a sweet undertone an old _chanson_
+of voyage.
+
+ _"Par derrier' chez mon pere,
+ Vole, mon coeur, vole!
+ Par derrier' chez mon pere
+ Li-ya-t-un pommier doux."_
+
+"Ah lady, lady mine," broke in the voice softly, "the night too is
+sweet, soft as thine eyes. Will you not greet me?"
+
+The girl made no sign. After a moment the song went on.
+
+ _"Trois filles d'un prince,
+ Vole, mon coeur, vole!
+ Trois filles d'un prince
+ Sont endormies dessous."_
+
+"Will not the princess leave her sisters of dreams?" whispered the
+voice, fantastically. "Will she not come?"
+
+Virginia shivered, and half-opened her eyes, but did not stir. It
+seemed that the darkness sighed, then became musical again.
+
+ _"La plus jeun' se reveille,
+ Vole, mon coeur, vole!
+ La plus jeun' se reveille
+ --Ma Soeur, voila le jour!"_
+
+The song broke this time without a word of pleading. The girl opened
+her eyes wide and stared breathlessly straight before her at the
+singer.
+
+ _"--Non, ce n'est qu'une etoile,
+ Vole, mon coeur, vole!
+ Non, ce n'est qu'une etoile
+ Qu'eclaire nos amours!"_
+
+The last word rolled out through its passionate throat tones and died
+into silence.
+
+"Come!" repeated the man again, this time almost in the accents of
+command.
+
+She turned slowly and went to him, her eyes childlike and frightened,
+her lips wide, her face pale. When she stood face to face with him she
+swayed and almost fell.
+
+"What do you want with me?" she faltered, with a little sob.
+
+The man looked at her keenly, laughed, and exclaimed in an every-day,
+matter-of-fact voice:
+
+"Why, I really believe my song frightened you. It is only a boating
+song. Come, let us go and sit on the gun-carriages and talk."
+
+"Oh!" she gasped, a trifle hysterically. "Don't do that again! Please
+don't. I do not understand it! You must not!"
+
+He laughed again, but with a note of tenderness in his voice, and took
+her hand to lead her away, humming in an undertone the last couplet of
+his song:
+
+ _"Non, ce n'est qu'une etoile,
+ Qu'eclaire nos amours!"_
+
+
+
+
+_Chapter Eight_
+
+
+Virginia went with this man passively--to an appointment which, but an
+hour ago, she had promised herself she would not keep. Her inmost soul
+was stirred, just as before. Then it had been few words, now it was a
+little common song. But the strange power of the man held her close,
+so she realized that for the moment at least she would do as he
+desired. In the amazement and consternation of this thought she found
+time to offer up a little prayer: "Dear God, make him kind to me."
+
+[Illustration: THE HALF-BREED SEEKS TO AVENGE HER FATHER. Scene from
+the play.]
+
+They leaned against the old bronze guns, facing the river. He pulled
+her shawl about her, masterfully yet with gentleness, and then, as
+though it was the most natural thing in the world, he drew her to him
+until she rested against his shoulder. And she remained there,
+trembling, in suspense, glancing at him quickly, in birdlike, pleading
+glances, as though praying him to be kind. He took no notice after
+that, so the act seemed less like a caress than a matter of course. He
+began to talk, half-humorously, and little by little, as he went on,
+she forgot her fears, even her feeling of strangeness, and fell
+completely under the spell of his power.
+
+"My name is Ned Trent," he told her, "and I am from Quebec. I am a
+woods runner. I have journeyed far. I have been to the uttermost ends
+of the North, even up beyond the Hills of Silence."
+
+And then, in his gay, half-mocking, yet musical voice he touched
+lightly on vast and distant things. He talked of the great
+Saskatchewan, of Peace River, and the delta of the Mackenzie, of the
+winter journeys beyond Great Bear Lake into the Land of the Little
+Sticks, and the half-mythical lake of Yamba Tooh. He spoke of life
+with the Dog Ribs and Yellow Knives, where the snow falls in
+midsummer. Before her eyes slowly spread, like a panorama, the whole
+extent of the great North, with its fierce, hardy men, its dreadful
+journeys by canoe and sledge, its frozen barrens, its mighty forests,
+its solemn charm. All at once this post of Conjuror's House, a month
+in the wilderness as it was, seemed very small and tame and civilized
+for the simple reason that Death did not always compass it about.
+
+"It was very cold then," said Ned Trent, "and very hard. _Le grand
+frete_[A] of winter had come. At night we had no other shelter than
+our blankets, and we could not keep a fire because the spruce burned
+too fast and threw too many coals. For a long time we shivered, curled
+up on our snow-shoes; then fell heavily asleep, so that even the dogs
+fighting over us did not awaken us. Two or three times in the night we
+boiled tea. We had to thaw our moccasins each morning by thrusting
+them inside our shirts. Even the Indians were shivering and saying,
+'Ed-sa, yazzi ed-sa'--'it is cold, very cold.' And when we came to Rae
+it was not much better. A roaring fire in the fireplace could not
+prevent the ink from freezing on the pen. This went on for five
+months."
+
+[Footnote A: _Froid_--cold.]
+
+Thus he spoke, as one who says common things. He said little of
+himself, but as he went on in short, curt sentences the picture grew
+more distinct, and to Virginia the man became more and more prominent
+in it. She saw the dying and exhausted dogs, the frost-rimed, weary
+men; she heard the quick _crunch, crunch, crunch_ of the snow-shoes
+hurrying ahead to break the trail; she felt the cruel torture of the
+_mal de raquette_, the shrivelling bite of the frost, the pain of snow
+blindness, the hunger that yet could not stomach the frozen fish nor
+the hairy, black caribou meat. One thing she could not conceive--the
+indomitable spirit of the men. She glanced timidly up at her
+companion's face.
+
+"The Company is a cruel master," she sighed at last, standing upright,
+then leaning against the carriage of the gun. He let her go without
+protest, almost without thought, it seemed.
+
+"But not mine," said he.
+
+She exclaimed, in astonishment, "Are you not of the Company?"
+
+"I am no man's man but my own," he answered, simply.
+
+"Then why do you stay in this dreadful North?" she asked.
+
+"Because I love it. It is my life. I want to go where no man has set
+foot before me; I want to stand alone under the sky; I want to show
+myself that nothing is too big for me--no difficulty, no
+hardship--nothing!"
+
+"Why did you come here, then? Here at least are forests so that you
+can keep warm. This is not so dreadful as the Coppermine, and the
+country of the Yellow Knives. Did you come here to try _la Longue
+Traverse_ of which you spoke to-day?"
+
+He fell suddenly sombre, biting in reflection at his lip.
+
+"No--yes--why not?" he said, at length.
+
+"I know you will come out of it safely," said she; "I feel it. You are
+brave and used to travel. Won't you tell me about it?"
+
+He did not reply. After a moment she looked up in surprise. His brows
+were knit in reflection. He turned to her again, his eyes glowing into
+hers. Once more the fascination of the man grew big, overwhelmed her.
+She felt her heart flutter, her consciousness swim, her old terror
+returning.
+
+"Listen," said he. "I may come to you to-morrow and ask you to choose
+between your divine pity and what you might think to be your duty.
+Then I will tell you all there is to know of _la Longue Traverse_.
+Now it is a secret of the Company. You are a Factor's daughter; you
+know what that means." He dropped his head. "Ah, I am tired--tired
+with it all!" he cried, in a voice strangely unhappy. "But yesterday I
+played the game with all my old spirit; to-day the zest is gone! I no
+longer care." He felt the pressure of her hand. "Are you just a little
+sorry for me?" he asked. "Sorry for a weakness you do not understand?
+You must think me a fool."
+
+"I know you are unhappy," replied Virginia, gently. "I am truly sorry
+for that."
+
+"Are you? Are you, indeed?" he cried. "Unhappiness is worth such pity
+as yours." He brooded for a moment, then threw his hands out with what
+might have been a gesture of desperate indifference. Suddenly his mood
+changed in the whimsical, bewildering fashion of the man. "Ah, a star
+shoots!" he exclaimed, gayly. "That means a kiss!"
+
+Still laughing, he attempted to draw her to him. Angry, mortified,
+outraged, she fought herself free and leaped to her feet.
+
+"Oh!" she cried, in insulted anger.
+
+"Oh!" she cried, in a red shame.
+
+"_Oh!_" she cried, in sorrow.
+
+Her calm broke. She burst into the violent sobbing of a child, and
+turned and ran hurriedly to the factory.
+
+Ned Trent stared after her a minute from beneath scowling brows. He
+stamped his moccasined foot impatiently.
+
+"Like a rat in a trap!" he jeered at himself. "Like a rat in a trap,
+Ned Trent! The fates are drawing around you close. You need just one
+little thing, and you cannot get it. Bribery is useless! Force is
+useless! Craft is useless! This afternoon I thought I saw another
+way. What I could get no other way I might get from this little girl.
+She is only a child. I believe I could touch her pity--ah, Ned Trent,
+Ned Trent, can you ever forget her frightened, white face begging you
+to be kind?" He paced back and forth between the two bronze guns with
+long, straight strides, like a panther in a cage. "Her aid is mine for
+the asking--but she makes it impossible to ask! I could not do it.
+Better try _la Longue Traverse_ than take advantage of her pity--she'd
+surely get into trouble. What wonderful eyes she has. She thinks I am
+a brute--how she sobbed, as though her little heart had broken. Well,
+it was the only way to destroy her interest in me. I had to do it. Now
+she will despise me and forget me. It is better that she should think
+me a brute than that I should be always haunted by those pleading
+eyes." The door of the distant church house opened and closed. He
+smiled bitterly. "To be sure, I haven't tried that," he acknowledged.
+"Their teachings are singularly apropos to my case--mercy, justice,
+humanity--yes, and love of man. I'll try it. I'll call for help on the
+love of man, since I cannot on the love of woman. The love of
+woman--ah--yes."
+
+He set his feet reflectively toward the chapel.
+
+
+
+
+_Chapter Nine_
+
+
+After a moment he pushed open the door without ceremony, and entered.
+He bent his brows, studying the Reverend Archibald Crane, while the
+latter, looking up startled, turned pink.
+
+He was a pink little man, anyway, the Reverend Archibald Crane, and
+why, in the inscrutability of its wisdom, the Church had sent him out
+to influence strong, grim men, the Church in its inscrutable wisdom
+only knows. He wore at the moment a cambric English boating-hat to
+protect his bald head from the draught, a full clerical costume as far
+as the trousers, which were of lavender, and a pair of beaded
+moccasins faced with red. His weak little face was pink, and two tufts
+of side-whiskers were nearly so. A heavy gold-headed cane stood at his
+hand. When he heard the door open he exclaimed, before raising his
+head, "My, these first flies of the season do bother me so!" and then
+looked startled.
+
+"Good-evening," greeted Ned Trent, stopping squarely in the centre of
+the room.
+
+The clergyman spread his arms along the desk's edge in embarrassment.
+
+"Good-evening," he returned, reluctantly. "Is there anything I can do
+for you?" The visitor puzzled him, but was dressed as a _voyageur_.
+The Reverend Archibald immediately resolved to treat him as such.
+
+"I wish to introduce myself as Ned Trent," went on the Free Trader
+with composure, "and I have broken in on your privacy this evening
+only because I need your ministrations cruelly."
+
+"I am rejoiced that in your difficulties you turn to the consolations
+of the Church," replied the other in the cordial tones of the man who
+is always ready. "Pray be seated. He whose soul thirsteth need offer
+no apology to the keeper of the spiritual fountains."
+
+"Quite so," replied the stranger dryly, seating himself as suggested,
+"only in this case my wants are temporal rather than spiritual. They,
+however, seem to me fully within the province of the Church."
+
+"The Church attempts within limits to aid those who are materially in
+want," assured Crane, with official dignity. "Our resources are small,
+but to the truly deserving we are always ready to give in the spirit
+of true giving."
+
+"I am rejoiced to hear it," returned the young man, grimly; "you will
+then have no difficulty in getting me so small a matter as a rifle and
+about forty or fifty rounds of ammunition."
+
+A pause of astonishment ensued.
+
+"Why, really," ejaculated Crane, "I fail to see how that falls within
+my jurisdiction in the slightest. You should see our Trader, Mr.
+McDonald, in regard to all such things. Your request addressed to me
+becomes extraordinary."
+
+"Not so much so when you know who I am. I told you my name is Ned
+Trent, but I neglected to inform you further that I am a captured Free
+Trader, condemned to _la Longue Traverse_, and that I have in vain
+tried to procure elsewhere the means of escape."
+
+Then the clergyman understood. The full significance of the
+intruder's presence flashed over his little pink face in a trouble of
+uneasiness. The probable consequences of such a bit of charity as his
+visitor proposed almost turned him sick with excitement.
+
+"You expect to have them of me!" he cried, getting his voice at last.
+
+"Certainly," assured his interlocutor, crossing his legs comfortably.
+"Don't you see the logic of events forces me to think so? What other
+course is open to you? I am in this country entirely within my legal
+rights as a citizen of the Canadian Commonwealth. Unjustly, I am
+seized by a stronger power and condemned unjustly to death. Surely you
+admit the injustice?"
+
+"Well, of course you know--the customs of the country--it is hardly an
+abstract question--" stammered Crane, still without grasp on the logic
+of his argument.
+
+"But as an abstract question the injustice is plain," resumed the Free
+Trader, imperturbably. "And against plain injustice it strikes me
+there is but one course open to an acknowledged institution of
+abstract--and concrete--morality. The Church must set itself against
+immorality, and you, as the Church's representative, must get me a
+rifle."
+
+"You forget one thing," rejoined Crane.
+
+"What is that?"
+
+"Such an aid would be a direct act of rebellion against authority on
+my part, which would be severely punished. Of course," he asserted,
+with conscious righteousness, "I should not consider that for a moment
+as far as my own personal safety is concerned. But my cause would
+suffer. You forget, sir, that we are doing here a great and good work.
+We have in our weekly congregational singing over forty regular
+attendants from the aborigines; next year I hope to build a church at
+Whale River, thus reaching the benighted inhabitants of that distant
+region. All of this is a vital matter in the service of our Lord and
+Saviour Jesus Christ. You suggest that I endanger all this in order to
+right a single instance of injustice. Of course we are told to love
+one another, but--" he paused.
+
+"You have to compromise," finished the stranger for him.
+
+"Exactly," said the Reverend Crane. "Thank you; it is exactly that. In
+order to accomplish what little good the Lord vouchsafes to our poor
+efforts, we are obliged to overlook many things. Otherwise we should
+not be allowed to stay here at all."
+
+"That is most interesting," agreed Ned Trent, with a rather biting
+calm. "But is it not a little calculating? My slight familiarity with
+religious history and literature has always led me to believe that you
+are taught to embrace the right at any cost whatsoever--that, if you
+give yourself unreservedly to justice, the Lord will sustain you
+through all trials. I think at a pinch I could even quote a text to
+that effect."
+
+"My dear fellow," objected the Reverend Archibald in gentle protest,
+"you evidently do not understand the situation at all. I feel I should
+be most untrue to my trust if I were to endanger in any way the
+life-long labor of my predecessor. You must be able to see that for
+yourself. It would destroy utterly my usefulness here. They'd send me
+away. I couldn't go on with the work. I have to think what is for the
+best."
+
+"There is some justice in what you say," admitted the stranger, "if
+you persist in looking on this thing as a business proposition. But
+it seems to my confessedly untrained mind that you missed the point.
+'Trust in the Lord,' saith the prophet. In fact, certain rivals in
+your own field hold the doctrine you expound, and you consider them
+wrong. 'To do evil that good may come' I seem to recognize as a tenet
+of the Church of the Jesuits."
+
+"I protest. I really do protest," objected the clergyman, scandalized.
+
+"All right," agreed Ned Trent, with good-natured contempt. "That is
+not the point. Do you refuse?"
+
+"Can't you see?" begged the other. "I'm sure you are reasonable enough
+to take the case on its broader side."
+
+"You refuse?" insisted Ned Trent.
+
+"It is not always easy to walk straightly before the Lord, and my way
+is not always clear before me, but--"
+
+"You refuse!" cried Ned Trent, rising impatiently.
+
+The Reverend Archibald Crane looked at his catechiser with a trace of
+alarm.
+
+"I'm sorry; I'm afraid I must," he apologized.
+
+The stranger advanced until he touched the desk on the other side of
+which the Reverend Archibald was sitting, where he stood for some
+moments looking down on his opponent with an almost amused expression
+of contempt.
+
+"You are an interesting little beast," he drawled, "and I've seen a
+lot of your kind in my time. Here you preach every Sunday, to whomever
+will listen to you, certain cut-and-dried doctrines you don't believe
+practically in the least. Here for the first time you have had a
+chance to apply them literally, and you hide behind a lot of words.
+And while you're about it you may as well hear what I have to say
+about your kind. I've had a pretty wide experience in the North, and I
+know what I'm talking about. Your work here among the Indians is rot,
+and every sensible man knows it. You coop them up in your log-built
+houses, you force on them clothes to which they are unaccustomed until
+they die of consumption. Under your little tin-steepled imitation of
+civilization, for which they are not fitted, they learn to beg, to
+steal, to lie. I have travelled far, but I have yet to discover what
+your kind are allowed on earth for. You are narrow-minded, bigoted,
+intolerant, and without a scrap of real humanity to ornament your mock
+religion. When you find you can't meddle with other people's affairs
+enough at home you get sent where you can get right in the
+business--and earn salvation for doing it. I don't know just why I
+should say this to you, but it sort of does me good to tell it. Once I
+heard one of your kind tell a sorrowing mother that her little child
+had gone to hell because it had died before he--the smug
+hypocrite--had sprinkled its little body with a handful of water.
+There's humanity for you! It may interest you to know that I thrashed
+that man then and there. You are all alike; I know the breed. When
+there is found a real man among you--and there are such--he is so
+different in everything, including his religion, as to be really of
+another race. I came here without the slightest expectation of getting
+what I asked for. As I said before, I know your breed, and I know just
+how well your two-thousand-year-old doctrines apply to practical
+cases. There is another way, but I hated to use it. You'd take it
+quick enough, I dare say. Here is where I should receive aid. I may
+have to get it where I should not. You a man of God! Why, you poor
+little insect, I can't even get angry at you!"
+
+He stood for a moment looking at the confused and troubled clergyman.
+Then he went out.
+
+
+
+
+_Chapter Ten_
+
+
+Almost immediately the door opened again.
+
+"You, Miss Albret!" cried Crane.
+
+"What does this mean?" demanded Virginia, imperiously. "Who is that
+man? In what danger does he stand? What does he want a rifle for? I
+insist on knowing."
+
+She stood straight and tall in the low room, her eyes flashing, her
+head thrown back in the assured power of command.
+
+The Reverend Crane tried to temporize, hesitating over his words. She
+cut him short.
+
+"That is nonsense. Everybody seems to know but myself. I am no child.
+I came to consult you--my spiritual adviser--in regard to this very
+case. Accidentally I overheard enough to justify me in knowing more."
+
+The clergyman murmured something about the Company's secrets. Again
+she cut him short.
+
+"Company's secrets! Since when has the Company confided in Andrew
+Laviolette, in Wishkobun, in _you_!"
+
+"Possibly you would better ask your father," said Crane, with some
+return of dignity.
+
+"It does not suit me to do so," replied she. "I insist that you answer
+my questions. Who is this man?"
+
+"Ned Trent, he says."
+
+"I will not be put off in this way. _Who_ is he? _What_ is he?"
+
+"He is a Free Trader," replied the Reverend Crane with the air of a
+man who throws down a bomb and is afraid of the consequences. To his
+astonishment the bomb did not explode.
+
+"What is that?" she asked, simply.
+
+The man's jaw dropped and his eyes opened in astonishment. Here was a
+density of ignorance in regard to the ordinary affairs of the Post
+which could by no stretch of the imagination be ascribed to chance. If
+Virginia Albret did not know the meaning of the term, and all the
+tragic consequences it entailed, there could be but one conclusion:
+Galen Albret had not intended that she should know. She had purposely
+been left in ignorance, and a politic man would hesitate long before
+daring to enlighten her. The Reverend Crane, in sheer terror, became
+sullen.
+
+"A Free Trader is a man who trades in opposition to the Company," said
+he, cautiously.
+
+"What great danger is he in?" the girl persisted with her catechism.
+
+"None that I am aware of," replied Crane, suavely. "He is a very
+ill-balanced and excitable young man."
+
+Virginia's quick instincts recognized again the same barrier which,
+with the people, with Wishkobun, with her father, had shut her so
+effectively from the truth. Her power of femininity and position had
+to give way before the man's fear for himself and of Galen Albret's
+unexpressed wish. She asked a few more questions, received a few more
+evasive replies, and left the little clergyman to recover as best he
+might from a very trying evening.
+
+Out in the night the girl hesitated in two minds as to what to do
+next. She was excited, and resolved to finish the affair, but she
+could not bring her courage to the point of questioning her father.
+That the stranger was in antagonism to the Company, that he believed
+himself to be in danger on that account, that he wanted succor, she
+saw clearly enough. But the whole affair was vague, disquieting. She
+wanted to see it plainly, know its reasons. And beneath her excitement
+she recognized, with a catch of the breath, that she was afraid for
+him. She had not time now to ask herself what it might mean; she only
+realized the presence of the fact.
+
+She turned instinctively in the direction of Doctor Cockburn's house.
+Mrs. Cockburn was a plain little middle-aged woman with parted gray
+hair and sweet, faded eyes. In the life of the place she was a
+nonentity, and her tastes were homely and commonplace, but Virginia
+liked her.
+
+She proved to be at home, the Doctor still at his dispensary, which
+was well. Virginia entered a small log room, passed through it
+immediately to a larger papered room, and sat down in a musty red
+arm-chair. The building was one of the old regime, which meant that
+its floor was of wide and rather uneven painted boards, its ceiling
+low, its windows small, and its general lines of an irregular and
+sagging rule-of-thumb tendency. The white wall-paper evidently
+concealed squared logs. The present inhabitants, being possessed at
+once of rather homely tastes and limited facilities, had
+over-furnished the place with an infinitude of little things--little
+rugs, little tables, little knit doilies, little racks of photographs,
+little china ornaments, little spidery what-nots, and shelves for
+books.
+
+Virginia seated herself, and went directly to the topic.
+
+"Mrs. Cockburn," she said, "you have always been very good to me,
+always, ever since I came here as a little girl. I have not always
+appreciated it, I am afraid, but I am in great trouble, and I want
+your help."
+
+"What is it, dearie," asked the older woman, softly. "Of course I will
+do anything I can."
+
+"I want you to tell me what all this mystery is--about the man who
+to-day arrived from Kettle Portage, I mean. I have asked everybody: I
+have tried by all means in my power to get somebody somewhere to tell
+me. It is maddening--and I have a special reason for wanting to know."
+
+The older woman was already gazing at her through troubled eyes.
+
+"It is a shame and a mistake to keep you so in ignorance!" she broke
+out, "and I have said so always. There are many things you have the
+right to know, although some of them would make you very unhappy--as
+they do all of us poor women who have to live in this land of dread.
+But in this I cannot, dearie."
+
+Virginia felt again the impalpable shadow of truth escaping her.
+Baffled, confused, she began to lose her self-control. A dozen times
+to-day she had reached after this thing, and always her fingers had
+closed on empty air. She felt that she could not stand the suspense of
+bewilderment a single instant longer. The tears overflowed and rolled
+down her cheeks unheeded.
+
+"Oh, Mrs. Cockburn!" she cried. "Please! You do not know how dreadful
+this thing has come to be to me just because it is made so
+mysterious. Why has it been kept from me alone? It must have something
+to do with me, and I can't stand this mystery, this double-dealing,
+another minute. If you won't tell me, nobody will, and I shall go on
+imagining--Oh, please have pity on me! I feel the shadow of a tragedy.
+It comes out in everything, in everybody to whom I turn. I see it in
+Wishkobun's avoidance of me, in my father's silence, in Mr. Crane's
+confusion, in your reluctance--yes, in the very reckless insolence of
+Mr. Trent himself!"--her voice broke slightly. "If you will not tell
+me, I shall go direct to my father," she ended, with more firmness.
+
+Mrs. Cockburn examined the girl's flushed face through kindly but
+shrewd and experienced eyes. Then, with a caressing little murmur of
+pity, she arose and seated herself on the arm of the red chair, taking
+the girl's hand in hers.
+
+"I believe you mean it," she said, "and I am going to tell you myself.
+There is much sorrow in it for you; but if you go to your father it
+will only make it worse. I am doing what I should not. It is shameful
+that such things happen in this nineteenth century, but happen they
+do. The long and short of it is that the Factors of this Post tolerate
+no competition in the country, and when a man enters it for the
+purpose of trading with the Indians, he is stopped and sent out."
+
+"There is nothing very bad about that," said Virginia, relieved.
+
+"No, my dear, not in that. But they say his arms and supplies are taken
+from him, and he is given a bare handful of provisions. He has to make a
+quick journey, and to starve at that. Once when I was visiting out at
+the front, not many years ago, I saw one of those men--they called him
+Jo Bagneau--and his condition was pitiable--pitiable!"
+
+"But hardships can be endured. A man can escape."
+
+"Yes," almost whispered Mrs. Cockburn, looking about her
+apprehensively, "but the story goes that there are some cases--when
+the man is an old offender, or especially determined, or so prominent
+as to be able to interest the law--no one breathes of these cases
+here--but--_he never gets out_!"
+
+"What do you mean?" cried Virginia, harshly.
+
+"One dares not mean such things; but they are so. The hardships of the
+wilderness are many, the dangers terrible--what more natural than
+that a man should die of them in the forest? It is no one's fault."
+
+"What do you mean?" repeated Virginia; "for God's sake speak plainly!"
+
+"I dare not speak plainer than I know; and no one ever really _knows_
+anything about it--excepting the Indian who fires the shot, or who
+watches the man until he dies of starvation," whispered Mrs. Cockburn.
+
+"But--but!" cried the girl, grasping her companion's arm. "My father!
+Does _he_ give such orders? _He?_"
+
+"No orders are given. The thing is understood. Certain runners, whose
+turn it is, shadow the Free Trader. Your father is not responsible; no
+one is responsible. It is the policy."
+
+"And this man--"
+
+"It has gone about that he is to take _la Longue Traverse_. He knows
+it himself."
+
+"It is barbaric, horrible; it is murder."
+
+"My dear, it is all that; but this is the country of dread. You have
+known the soft, bright side always--the picturesque men, the laugh,
+the song. If you had seen as much of the harshness of wilderness life
+as a doctor's wife must you would know that when the storms of their
+great passions rage it is well to sit quiet at your prayers."
+
+The girl's eyes were wide-fixed, staring at this first reality of
+life. A thousand new thoughts jostled for recognition. Suddenly her
+world had been swept from beneath her. The ancient patriarchal, kindly
+rule had passed away, and in its place she was forced to see a grim
+iron bond of death laid over her domain. And her father--no longer the
+grave, kindly old man--had become the ruthless tyrant. All these
+bright, laughing _voyageurs_, playmates of her childhood, were in
+reality executioners of a savage blood-law. She could not adjust
+herself to it.
+
+She got to her feet with an effort.
+
+"Thank you, Mrs. Cockburn," she said, in a low voice. "I--I do not
+quite understand. But I must go now. I must--I must see that my
+father's room is ready for him," she finished, with the proud
+defensive instinct of the woman who has been deeply touched. "You know
+I always do that myself."
+
+"Good-night, dearie," replied the older woman, understanding well the
+girl's desire to shelter behind the commonplace. She leaned forward
+and kissed her. "God keep and guide you. I hope I have done right."
+
+"Yes," cried Virginia, with unexpected fire. "Yes, you did just right!
+I ought to have been told long ago! They've kept me a perfect child to
+whom everything has been bright and care-free and simple. I--I feel
+that until this moment I have lacked my real womanhood!"
+
+She bowed her head and passed through the log room into the outer air.
+
+Her father, _her_ father, had willed this man's death, and so he was
+to die! That explained many things--the young fellow's insolence, his
+care-free recklessness, his passionate denunciation of the Reverend
+Crane and the Reverend Crane's religion. He wanted one little
+thing--the gift of a rifle wherewith to assure his subsistence should
+he escape into the forest--and of all those at Conjuror's House to
+whom he might turn for help, some were too hard to give it to him, and
+some too afraid! He should have it! She, the daughter of her father,
+would see to it that in this one instance her father's sin should
+fail! Suddenly, in the white heat of her emotion, she realized why
+these matters stirred her so profoundly, and she stopped short and
+gasped with the shock of it. It did not matter that she thwarted her
+father's will; it would not matter if she should be discovered and
+punished as only these harsh characters could punish. For the brave
+bearing, the brave jest, the jaunty facing of death, the tender, low
+voice, the gay song, the aurora-lit moment of his summons--all these
+had at last their triumph. She knew that she loved him; and that if he
+were to die, she would surely die too.
+
+And, oh, it must be that he loved her! Had she not heard it in the
+music of his voice from the first?--the passion of his tones? the
+dreamy, lyrical swing of his talk by the old bronze guns?
+
+Then she staggered sharply, and choked back a cry. For out of her
+recollections leaped two sentences of his--the first careless,
+imprudent, unforgivable; the second pregnant with meaning. "_Ah, a
+star shoots!_" he had said. "_That means a kiss!_" and again, to the
+clergyman, "_I came here without the slightest expectation of getting
+what I asked for. There is another way, but I hate to use it._"
+
+She was the other way! She saw it plainly. He did not love her, but he
+saw that he could fascinate her, and he hoped to use her as an aid to
+his escape. She threw her head up proudly.
+
+Then a man swung into view across the Northern Lights. Virginia
+pressed back against the palings among the bushes until he should
+have passed. It was Ned Trent, returning from a walk to the end of the
+island. He was alone and unfollowed, and the girl realized with a
+sudden grip at the heart that the wilderness itself was sufficient
+safe-guard against a man unarmed and unequipped. It was not considered
+worth while even to watch him. Should he escape, unarmed as he was,
+sure death by starvation awaited him in the land of dread.
+
+As he entered the settlement he struck up an air.
+
+ _"Le fils du roi s'en va chassant,
+ En roulant ma boule,
+ Avec son grand fusil d'argent,
+ Rouli roulant, ma boule roulant."_
+
+Almost immediately a window slid back, and an exasperated voice cried
+out:
+
+"_Hola_ dere, w'at one time dam fool you for mak' de sing so late!"
+
+The voice went on imperturbably:
+
+ "_Avec son grand fusil d'argent,
+ En roulant ma boule,
+ Visa le noir, tua le blanc,
+ Rouli roulant, ma boule roulant_."
+
+"_Sacre!_" shrieked the habitant.
+
+"Hello, Johnny Frenchman!" called Ned Trent, in his acid tones. "That
+you? Be more polite, or I'll stand here and sing you the whole of it."
+
+The window slammed shut.
+
+Ned Trent took up his walk again toward some designated sleeping-place
+of his own, his song dying into the distance.
+
+ _"Visa le noir, tua le blanc,
+ En roulant ma boule,
+ O fils du roi, tu es mechant!
+ Rouli roulant, ma boule roulant."_
+
+"And he can _sing_!" cried the girl bitterly to herself. "At such a
+time! Oh, my dear God, help me, help me! I am the unhappiest girl
+alive!"
+
+
+
+
+_Chapter Eleven_
+
+
+Virginia did not sleep at all that night. She was reaching toward her
+new self. Heretofore she had ruled those about her proudly, secure in
+her power and influence. Now she saw that all along her influence had
+in not one jot exceeded that of the winsome girl. She had no real
+power at all. They went mercilessly on in the grim way of their
+fathers, dealing justice even-handed according to their own crude
+conceptions of it, without thought of God or man. She turned hot all
+over as she saw herself in this new light--as she saw those about her
+indulgently smiling at her airs of the mistress of it. It angered
+her--though the smile might be good-humored, even affectionate.
+
+And she shrank into herself with utter loathing when she remembered
+Ned Trent. There indeed her woman's pride was hard stricken. She
+recalled with burning cheeks how his intense voice had stirred her;
+how his wishes had compelled her; she shivered pitifully as she
+remembered the warmth of his shoulder touching carelessly her own. If
+he had come to her honestly and asked her aid, she would have given
+it; but this underhand pretence at love! It was unworthy of him; and
+it was certainly most unworthy of her. What must he think of her? How
+he must be laughing at her--and hoping that his spell was working, so
+that he could get the coveted rifle and the forty cartridges.
+
+"I hate him!" she cried to herself, the backs of her long, slender
+hands pressed against her eyes. She meant that she loved him, but for
+the purposes in hand one would do as well as the other.
+
+At earliest daylight she was up. Bathing her face and throat in cold
+water, and hastily catching her beautiful light hair under a cap, she
+slipped down stairs and out past the stockade to the point. There she
+seated herself, a heavy shawl about her, and gave herself up to
+reflection. She had approached silently, her moccasins giving no
+sound. Presently she became aware that someone was there before her.
+Looking toward the river she saw on the next level below her a man,
+seated on a bowlder, and gazing to the south.
+
+His very soul was in his eyes. Virginia gasped at the change in him
+since last she had seen him. The gay, mocking demeanor which had
+seemed an essential part of his very flesh and blood had fallen away
+from him, leaving a sad and lofty dignity that ennobled his
+countenance. The lines of his face were stern, of his mouth pathetic;
+his eyes yearned. He stared toward the south with an almost mesmeric
+intensity, as though he hoped by sheer longing to materialize a
+vision. Tears sprang to the girl's eyes at the subtle pathos of his
+attitude.
+
+He stretched his arms wearily over his head, and sighed deeply and
+looked up. His eyes rested on the girl without surprise; the
+expression of his features did not change.
+
+"Pardon me," he said, simply. "To-day is my last of plenty. I am up
+enjoying it."
+
+Virginia had anticipated the usual instantaneous transformation of his
+manner when he should catch sight of her. Her resentment was
+dispelled. In face of the vaster tragedies little considerations gave
+way.
+
+"Do you leave--to-day?" she asked, in a low voice.
+
+"To-morrow morning, early," he corrected. "To-day I found my
+provisions packed and laid at my door. It is a hint I know how to
+take."
+
+"You have everything you need?" asked the girl, with an assumption of
+indifference.
+
+He looked her in the eyes for a moment.
+
+"Everything," he lied, calmly.
+
+Virginia perceived that he lied, and her heart stood still with a
+sudden hope that perhaps, at this eleventh hour, he might have
+repented of his unworthy intentions toward herself. She leaned to him
+over the edge of the little rise.
+
+"Have you a rifle--for _la Longue Traverse_?" she inquired, with
+meaning.
+
+He stared at her a little the harder.
+
+"Why--why, surely," he replied, in a tone less confident. "Nobody
+travels without a rifle in the North."
+
+She dropped swiftly down the slope and stood face to face with him.
+
+"Listen," she began, in her superb manner. "I know all there is to
+know. You are a Free Trader, and you are to be sent to your death. It
+is murder, and it is done by my father." She held her head proudly,
+but the notes of her voice were straining. "I knew nothing of this
+yesterday. I was a foolish girl who thought all men were good and
+just, and that all those whom I knew were noble. My eyes are open now.
+I see injustice being done by my own household, and"--tears were
+trembling near her lashes, but she blinked them back--"and I am no
+longer a foolish girl! You need not try to deceive me. You must tell
+me what I can do, for I cannot permit so great a wrong to be done by
+my father without attempting to set it right." This was not what she
+had intended to say, but suddenly the course was clear to her. The
+influence of the man had again swept over her, drowning her will,
+filling her with the old fear, which was now for the moment turned to
+pride by the character of the situation.
+
+But to her surprise the man was thinking of something else.
+
+"Who told you?" he demanded, harshly. Then, without waiting for a
+reply, "It was that little preacher; I'll have an interview with him!"
+
+"No, no!" protested the girl. "It was not he. It was a friend. I had
+the right to know."
+
+"You had no right!" he cried, vehemently. "You and life should have
+nothing to do with each other. There is a look in your eyes that was
+not in them yesterday, and the one who put it there is not your
+friend." He stood staring at her intently, as one who ponders what is
+best to do. Then very quietly he took her hands and drew her to a
+place beside him on the bowlder.
+
+"I am going to tell you something, little girl," said he, "and you
+must listen quietly to the end. Perhaps at the last you may see more
+clearly than you do now.
+
+"This old Company of yours has been established for a great many
+years. Back in old days, over two centuries ago, it pushed up into
+this wilderness to trade for its furs. That you know. And then it
+explored ever farther to the west and the north, until its servants
+stood on the shores of the Pacific and the stretches of the Arctic
+Ocean. And its servants loved it. Enduring immense hardships, cut off
+from their kind, outlining dimly with the eye of faith the structure
+of a mighty power, they loved it always. Thousands of men were in its
+employ, and so loyal were they that its secrets were safe and its
+prestige was defended, often to a lonely death. I have known the
+Company and its servants for a long time, and if I had leisure I could
+instance a hundred examples of devotion and sacrifice beside which
+mere patriotism would seem a little thing. Men who had no country
+cleaved to her desolate posts, her lakes and rivers and forests; men
+who had no home ties felt the tug of her wild life at their hearts;
+men who had no God bowed in awe before her power and grandeur. The
+Company was a living thing.
+
+"Rivals attempted her supremacy, and were defeated by the
+steadfastness of the men who received her meagre wages and looked to
+her as their one ideal. Her explorers were the bravest, her traders
+the most enterprising and single-minded, her factors and partners the
+most capable and potent in all the world. No country, no leader, no
+State ever received half the worship her sons gave her. The fierce
+Nor'westers, the traders of Montreal, the Company of the X Y, Astor
+himself, had to give way. For, although they were bold or reckless or
+crafty or able, they had not the ideal which raises such qualities to
+invincibility.
+
+"And, little girl, nothing is wrong to men who have such an ideal
+before them. They see but one thing, and all means are good that help
+them to assure that one thing. They front the dangers, they overcome
+the hardships, they crush the rivals. Bloody wars have taken place in
+these forests, ruthless deeds have been done, but the men who
+accomplished them held the deeds good. So for two hundred years, aided
+by the charter from the king, they have made good their undisputed
+right.
+
+"Then the railroad entered the west. The charter of monopoly ran out.
+Through the Nipissing, the Athabasca, the Edmonton, came the Free
+Traders--men who traded independently. These the Company could not
+control, so it competed--and to its credit its competition has held
+its own. Even far into the Northwest, where the trails are long, the
+Free Traders have established their chains of supplies, entering into
+rivalry with the Company for a barter it has always considered its
+right. The medicine has been bitter, but the servants of the Company
+have adjusted themselves to the new conditions, and are holding their
+own.
+
+"But one region still remains cut off from the outside world by a
+broad band of unexplored waste. The life here at Hudson's
+Bay--although you may not know it--is exactly the same to-day that it
+was two hundred years ago. And here the Company makes its stand for a
+monopoly.
+
+"At first it worked openly. But in the case of Guillaume Sayer, a
+daring and pugnacious _metis_, it got into trouble with the law. Since
+that time it has wrapped itself in secrecy and mystery, carrying on
+its affairs behind the screen of five hundred miles of forest. Here it
+has still the power; no man can establish himself here, can even
+travel here, without its consent, for it controls the food and the
+Indians. The Free Trader enters, but he does not stay for long. The
+Company's servants are mindful of their old fanatical ideal. Nothing
+is ever known, no orders are ever given, but something happens, and
+the man never ventures again.
+
+"If he is an ordinary _metis_ or Canadian, he emerges from the forest
+starved, frightened, thankful. If his story is likely to be believed
+in high places, he never emerges at all. The dangers of wilderness
+travel are many: he succumbs to them. That is the whole story. Nothing
+definite is known; no instances can be proved; your father denies the
+legend and calls it a myth. The Company claims to be ignorant of it,
+perhaps its greater officers really are, but the legend holds so good
+that the journey has its name--_la Longue Traverse_.
+
+"But remember this, no man is to blame--unless it is he who of
+knowledge takes the chances. It is a policy, a growth of centuries, an
+idea unchangeable to which the long services of many fierce and loyal
+men have given substance. A Factor cannot change it. If he did, the
+thing would be outside of nature, something not to be understood.
+
+"I am here. I am to take _la Longue Traverse_. But no man is to blame.
+If the scheme of the thing is wrong, it has been so from the very
+beginning, from the time when King Charles set his signature to the
+charter of unlimited authority. The history of a thousand men gives
+the tradition power, gives it insistence. It is bigger than any one
+individual. It is as inevitable as that water should flow down hill."
+
+He had spoken quietly, but very earnestly, still holding her two
+hands, and she had sat looking at him unblinking from eyes behind
+which passed many thoughts. When he had finished, a short pause
+followed, at the end of which she asked unexpectedly,
+
+"Last evening you told me that you might come to me and ask me to
+choose between my pity and what I might think to be my duty. What are
+you going to ask of me?"
+
+"Nothing. I spoke idle words."
+
+"Last evening I overheard you demand something of Mr. Crane," she
+pursued, without commenting on his answer. "When he refused you I
+heard you say these words, 'Here is where I should have received aid;
+I may have to get it where I should not.' What was the aid you asked
+of him? and where else did you expect to get it?"
+
+"The aid was something impossible to accord, and I did not expect to
+get it elsewhere. I said that in order to induce him to help me."
+
+A wonderful light sprang to the girl's eyes, but still she maintained
+her level voice.
+
+"You asked him for a rifle with which to escape. You expected to get
+it of me. Deny it if you can."
+
+Ned Trent looked at her keenly a moment, then dropped his eyes.
+
+"It is true," said he.
+
+"And the pity was to give you this weapon; and the duty was my duty to
+my father's house."
+
+"It is true," he repeated, dejectedly.
+
+"And you lied to me when you said you had a rifle with which to
+journey _la Longue Traverse_."
+
+"That too is true," he acknowledged.
+
+When next she spoke her voice was not quite so well controlled.
+
+"Why did you not ask me, as you intended? Why did you tell me these
+lies?"
+
+The young man hesitated, looked her in the face, turned away, and
+murmured,
+
+"I could not."
+
+"Why?" persisted the girl. "Why? You must tell me."
+
+"Because," said Ned Trent--"because it could not be done. Every rifle
+in the place is known. Because you would be found out in this, and I
+do not know what your punishment might not be."
+
+"You knew this before?" insisted Virginia, stonily.
+
+"Yes."
+
+"Then why did you change your mind?"
+
+"When first I saw you by the gun," began Ned Trent, in a low voice, "I
+was a desperate man, clutching at the slightest chance. The thought
+crossed my mind then that I might use you. Then later I saw that I had
+some influence over you, and I made my plan. But last night--"
+
+"Yes, last night?" urged Virginia, softly.
+
+"Last night I paced the island, and I found out many things. One of
+them was that I could not."
+
+"Even though this dreadful journey--"
+
+"I would rather take my chances."
+
+Again there was silence between them.
+
+"It was a good lie," then said Virginia, gently--"a noble lie. And
+what you have told me to comfort me about my father has been nobly
+said. And I believe you, for I have known the truth about your fate."
+He shut his lips grimly. "Why--why did you come?" she cried,
+passionately. "Is the trade so good, are your needs then so great,
+that you must run these perils?"
+
+"My needs," he replied. "No; I have enough."
+
+"Then why?" she insisted.
+
+"Because that old charter has long since expired, and now this country
+is as free for me as for the Company," he explained. "We are in a
+civilized century, and no man has a right to tell me where I shall or
+shall not go. Does the Company own the Indians and the creatures of
+the woods?" Something in the tone of his voice brought her eyes
+steadily to his for a moment.
+
+"Is that all?" she asked at length.
+
+He hesitated, looked away, looked back again.
+
+"No, it is not," he confessed, in a low voice. "It is a thing I do not
+speak of. My father was a servant of this Company, a good, true
+servant. No man was more honest, more zealous, more loyal."
+
+"I am sure of it," said Virginia, softly.
+
+"But in some way that he never knew himself he made enemies in high
+places. The cowards did not meet him man to man, and so he never knew
+who they were. If he had, he would have killed them. But they worked
+against him always. He was given hard posts, inadequate supplies, scant
+help, and then he was held to account for what he could not do. Finally
+he left the company in disgrace--undeserved disgrace. He became a Free
+Trader in the days when to become a Free Trader was worse than attacking
+a grizzly with cubs. In three years he was killed. But when I grew to be
+a man"--he clenched his teeth--"by God! how I have _prayed_ to know who
+did it." He brooded for a moment, then went on. "Still, I have
+accomplished something. I have traded in spite of your factors in many
+districts. One summer I pushed to the Coppermine in the teeth of them,
+and traded with the Yellow Knives for the robes of the musk-ox. And they
+knew me and feared my rivalry, these traders of the Company. No district
+of the far North but has felt the influence of my bartering. The traders
+of all districts--Fort au Liard, Lapierre's House, Fort Rae, Ile a la
+Crosse, Portage la Loche, Lac la Biche, Jasper's House, the House of the
+Touchwood Hills--all these, and many more, have heard of Ned Trent."
+
+"Your father--you knew him well?"
+
+"No, but I remember him--a tall, dark man, with a smile always in his
+eyes and a laugh on his lips. I was brought up at a school in Winnipeg
+under a priest. Two or three times in the year my father used to
+appear for a few days. I remember well the last time I saw him. I was
+about thirteen years old. 'You are growing to be a man,' said he;
+'next year we will go out on the trail.' I never saw him again."
+
+"What happened?"
+
+"Oh, he was just killed," replied Ned Trent, bitterly.
+
+The girl laid her hand on his arm with an appealing little gesture.
+
+"I am so sorry," said she.
+
+"I have no portrait of him," continued the Free Trader, after an
+instant. "No gift from his hands; nothing at all of his but this."
+
+He showed her an ordinary little silver match-safe such as men use in
+the North country.
+
+"They brought that to me at the last--the Indians who came to tell my
+priest the news; and the priest, who was a good man, gave it to me. I
+have carried it ever since."
+
+Virginia took it reverently. To her it had all the largeness that
+envelops the symbol of a great passion. After a moment she looked up
+in surprise.
+
+"Why!" she exclaimed, "this has a name carved on it!"
+
+"Yes," he replied.
+
+"But the name is Graehme Stewart."
+
+"Of course I could not bear my father's name in a country where it was
+well known," he explained.
+
+"Of course," she agreed. Impulsively she raised her face to his, her
+eyes shining. "To me all this is very fine," said she.
+
+He smiled a little sadly. "At least you know why I came."
+
+"Yes," she repeated, "I know why you came. But you are in trouble."
+
+"The chances of war."
+
+"And they have defeated you after all."
+
+"I shall start on _la Longue Traverse_ singing 'Rouli roulant.' It's a
+small defeat, that."
+
+"Listen," said she, rapidly. "When I was quite a small girl Mr.
+McTavish, of Rupert's House, gave me a little rifle. I have never used
+it, because I do not care to shoot. That rifle has never been
+counted, and my father has long since forgotten all about it. You must
+take that, and escape to-night. I will let you have it on one
+condition--that you give me your solemn promise never to venture into
+this country again."
+
+"Yes," he agreed, without enthusiasm nor surprise.
+
+She smiled happily at his gloomy face and listless attitude.
+
+"But I do not want to give up the little rifle entirely," she went on,
+with dainty preciosity, watching him closely. "As I said, it was a
+present, given to me when I was quite a small girl. You must return it
+to me at Quebec, in August. Will you promise to do that?"
+
+He wheeled on her swift as light, the eagerness flashing back into his
+face.
+
+"You are going to Quebec?" he cried.
+
+"My father wishes me to. I have decided to do so. I shall start with
+the Abitibi _brigade_ in July."
+
+He leaped to his feet.
+
+"I promise!" he exulted, "I promise! To-night, then! Bring the rifle
+and the cartridges, and some matches, and a little salt. You must take
+me across the river in a canoe, for I want them to guess at where I
+strike the woods. I shall cover my trail. And with ten hours' start,
+let them catch Ned Trent who can!"
+
+She laughed happily.
+
+"To-night, then. At the south of the island there is a trail, and at
+the end of the trail a beach--"
+
+"I know!" he cried.
+
+"Meet me there as soon after dark as you can do so without danger."
+
+He threw his hat into the air and caught it, his face boyishly
+upturned. Again that something, so vaguely familiar, plucked at her
+with its ghostly, appealing fingers. She turned swiftly, and seized
+them, and so found herself in possession of a memory out of her
+far-off childhood.
+
+"I know you!" she cried. "I have seen you before this!"
+
+He bent his puzzled gaze upon her.
+
+"I was a very little girl," she explained, "and you but a lad. It was
+at a party, I think, a great and brilliant party, for I remember many
+beautiful women and fine men. You held me up in your arms for people
+to see, because I was going on a long journey."
+
+"I remember, of course I do!" he exclaimed.
+
+A bell clanged, turning over and over, calling the Company's men to
+their day.
+
+"Farewell," she said, hurriedly. "To-night."
+
+"To-night," he repeated.
+
+She glided rapidly through the grass, noiseless in her moccasined
+feet. And as she went she heard his voice humming soft and low,
+
+ "_Isabeau s'y promene
+ Le long de son jardin,
+ Le long de son jardin,
+ Sur le bord de l'ile,
+ Le long de son jardin_."
+
+"How could he _help_ singing," murmured Virginia, fondly. "Ah, dear
+Heaven, but I am the happiest girl alive!"
+
+Such a difference can one night bring about.
+
+
+
+
+_Chapter Twelve_
+
+
+The day rose and flooded the land with its fuller life. All through
+the settlement the Post Indians and half-breeds set about their tasks.
+Some aided Sarnier with his calking of the bateaux; some worked in the
+fields; some mended or constructed in the different shops. At eight
+o'clock the bell rang again, and they ate breakfast. Then a group of
+seven, armed with muzzle-loading "trade-guns" bound in brass, set out
+for the marshes in hopes of geese. For the flight was arriving, and
+the Hudson Bay man knows very well the flavor of goose-flesh, smoked,
+salted, and barrelled.
+
+Now the _voyageurs_ began to stroll into the sun. They were men of
+leisure. Picturesque, handsome, careless, debonair, they wandered back
+and forth, smoking their cigarettes, exhibiting their finery. Indian
+women, wrinkled and careworn, plodded patiently about on various
+businesses. Indian girls, full of fun and mischief, drifted here and
+there in arm-locked groups of a dozen, smiling, whispering among
+themselves, ready to collapse toward a common centre of giggles if
+addressed by one of the numerous woods-dandies, Indian men stalked
+singly, indifferent, stolid. Indian children of all sizes and degrees
+of nakedness darted back and forth, playing strange games. The sound
+of many voices rose across the air.
+
+Once the voices moderated, when McDonald, the Chief Trader, walked
+rapidly from the barracks building to the trading store; once they
+died entirely into a hush of respect, when Galen Albret himself
+appeared on the broad veranda of the factory. He stood for a
+moment--hulked broad and black against the whitewash--his hands
+clasped behind him, gazing abstractedly toward the distant bay. Then
+he turned into the house to some mysterious and weighty business of
+his own. The hubbub at once broke out again.
+
+Now about the mouth of the long picketed lane leading to the massive
+trading store gathered a silent group, bearing packs. These were
+Indians from the more immediate vicinity, desirous of trading their
+skins. After a moment McDonald appeared in the doorway, a hundred feet
+away, and raised his hand. Two of the savages, and two only, trotted
+down the narrow picket lane, their packs on their shoulders.
+
+McDonald ushered them into a big square room, where the bales were
+undone and spread abroad. Deftly, silently the Trader sorted the furs,
+placing to one side or the other the "primes," "seconds," and "thirds"
+of each species. For a moment he calculated. Then he stepped to a post
+whereon hung long strings of pierced wooden counters, worn smooth by
+use. Swiftly he told the strings over. To one of the Indians he gave
+one with these words:
+
+"Mu-hi-kun, my brother, here be pelts to the value of two hundred
+'beaver.' Behold a string, then, of two hundred 'castors,' and in
+addition I give my brother one fathom of tobacco."
+
+The Indian calculated rapidly, his eye abstracted. He had known
+exactly the value of his catch, and what he would receive for it in
+"castors," but had hoped for a larger "present," by which the premium
+on the standard price is measured.
+
+"Ah hah," he exclaimed, finally, and stepped to one side.
+
+"Sak-we-su, my brother," went on McDonald, "here be pelts to the value
+of three hundred 'beaver.' Behold a string, then, of three hundred
+'castors,' and because you have brought so fine a skin of the otter,
+behold also a fathom of tobacco and a half sack of flour."
+
+"Good!" ejaculated the Indian.
+
+The Trader then led them to stairs, up which they clambered to where
+Davis, the Assistant Trader, kept store. There, barred by a heavy
+wooden grill from the airy loft filled with bright calicoes, sashes,
+pails, guns, blankets, clothes, and other ornamental and useful
+things, Sak-we-su and Mu-hi-kun made their choice, trading in the worn
+wooden "castors" on the string. So much flour, so much tea, so much
+sugar and powder and lead, so much in clothing. Thus were their simple
+needs supplied for the year to come. Then the remainder they
+squandered on all sorts of useless things--beads, silks, sashes,
+bright handkerchiefs, mirrors. And when the last wooden "castor" was
+in they went down stairs and out the picket lane, carrying their
+lighter purchases, but leaving the larger as "debt," to be called for
+when needed. Two of their companions mounted the stairs as they
+descended; and two more passed them in the narrow picket lane. So the
+trade went on.
+
+At once Sak-we-su and Mu-hi-kun were surrounded. In detail they told
+what they had done. Then in greater detail their friends told what
+_they_ would have done, until after five minutes of bewildering advice
+the disconsolate pair would have been only too glad to have exchanged
+everything--if that had been allowed.
+
+Now the bell rang again. It was "smoke time." Everyone quit work for a
+half-hour. The sun climbed higher in the heavens. The laughing crews
+of idlers sprawled in the warmth, gambling, telling stories, singing.
+Then one might have heard all the picturesque songs of the Far
+North--"A la claire Fontaine"; "Ma Boule Roulant"; "Par derrier'
+chez-mon Pere"; "Isabeau s'y promene"; "P'tite Jeanneton"; "Luron,
+Lurette"; "Chante, Rossignol, chante"; the ever-popular "Malbrouck";
+"C'est la belle Francoise"; "Alouette"; or the beautiful and tender
+"La Violette Dandine." They had good voices, these _voyageurs_, with
+the French artistic instinct, and it was fine to hear them.
+
+At noon the squaws set out to gather canoe gum on the mainland. They
+sat huddled in the bottom of their old and leaky canoe, reaching far
+over the sides to dip their paddles, irregularly placed, silent,
+mysterious. They did not paddle with the unison of the men, but each
+jabbed a little short stroke as the time suited her, so that always
+some paddles were rising and some falling. Into the distance thus they
+flapped like wounded birds; then rounded a bend, and were gone.
+
+The sun swung over and down the slope. Dinner time had passed; "smoke
+time" had come again. Squaws brought the first white-fish of the
+season to the kitchen door of the factory, and Matthews raised the
+hand of horror at the price they asked. Finally he bought six of about
+three pounds each, giving in exchange tea to the approximate value of
+twelve cents. The Indian women went away, secretly pleased over their
+bargain.
+
+Down by the Indian camp suddenly broke the roar of a dog-fight. Two of
+the sledge _giddes_ had come to teeth, and the friends of both were
+assisting the cause. The idlers went to see, laughing, shouting,
+running impromptu races. They sat on their haunches and cheered
+ironically, and made small bets, and encouraged the frantic old squaw
+hags who, at imminent risk, were trying to disintegrate the snarling,
+rolling mass. Over in the high log stockade wherein the Company's
+sledge animals were confined, other wolf-dogs howled mournfully,
+desolated at missing the fun.
+
+And always the sun swung lower and lower toward the west, until
+finally the long northern twilight fell, and the girl in the little
+white bedroom at the factory bathed her face and whispered for the
+hundredth time to her beating heart:
+
+"Night has come!"
+
+
+
+
+_Chapter Thirteen_
+
+
+That evening at dinner Virginia studied her father's face again. She
+saw the square settled line of the jaw under the beard, the unwavering
+frown of the heavy eyebrows, the unblinking purpose of the cavernous,
+mysterious eyes. Never had she felt herself very close to this silent,
+inscrutable man, even in his moments of more affectionate expansion.
+Now a gulf divided them.
+
+And yet, strangely enough, she experienced no revulsion, no horror, no
+recoil even. He had merely become more aloof, more incomprehensible;
+his purposes vaster, less susceptible to the grasp of such as she.
+There may have been some basis for this feeling, or it may have been
+merely the reflex glow of a joy that made all other things seem
+insignificant.
+
+As soon as might be after the meal Virginia slipped away, carrying the
+rifle, the cartridges, the matches, and the salt. She was cruelly
+frightened.
+
+The night was providentially dark. No aurora threw its splendor across
+the dome, and only a few rare stars peeped between the light cirrus
+clouds. Virginia left behind her the buildings of the Post, she passed
+in safety the tin-steepled chapel and the church house; there remained
+only the Indian camp between her and the woods trail. At once the dogs
+began to bark and howl, the fierce _giddes_ lifting their pointed
+noses to the sky. The girl hurried on, swinging far to the right
+through the grass. To her relief the camp did not respond to the
+summons. An old crone or so appeared in the flap of a teepee, eyes
+dazzled, to throw uselessly a billet of wood or a volley of Cree abuse
+at the animals nearest. In a moment Virginia entered the trail.
+
+Here was no light at all. She had to proceed warily, feeling with her
+moccasins for the beaten pathway, to which she returned with infinite
+caution whenever she trod on grass or leaves. Though her sight was
+dulled, her hearing was not. A thousand scurrying noises swirled about
+her; a multitude of squeaks, whistles, snorts, and whines attested
+that she disturbed the forest creatures at their varied businesses;
+and underneath spoke an apparent dozen of terrifying voices which were
+in reality only the winds and the trees. Virginia knew that these
+things were not dangerous--that daylight would show them to be only
+deer-mice, hares, weasels, bats, and owls--nevertheless, they had
+their effect. For about her was cloying velvet blackness--not the
+closed-in blackness of a room, where one feels the embrace of the four
+walls, but the blackness of infinite space through which sweep
+mysterious currents of air. After a long time she turned sharp to the
+left. After a long time more she perceived a faint, opalescent glimmer
+in the distance ahead. This she knew to be the river.
+
+She felt her way onward, still cautiously; then she choked back a
+scream and dropped her burden with a clatter to the ground. A dark
+figure seemed to have risen mysteriously at her side.
+
+"I didn't mean to frighten you," said Ned Trent, in guarded tones. "I
+heard you coming. I thought you could hear me."
+
+He picked up the fallen articles, running his hands over them rapidly.
+
+"Good," he whispered. "I got some moccasins to-day--traded a few
+things I had in my pockets for them. I'm fixed."
+
+"Have you a canoe?" she asked.
+
+"Yes--here on the beach."
+
+He preceded her down the few remaining yards of the trail. She
+followed, already desolated at the thought of parting, for the
+wilderness was very big. The bulk of the man partly blotted out the
+lucent spot where the river was--now his arm, now his head, now the
+breadth of his shoulders. This silhouette of him was dear to her, the
+sound of his movements, the faint stir of his breathing borne to her
+on the light breeze. Virginia's tender heart almost overflowed with
+longing and fear for him.
+
+They emerged on a little slope and at once pushed the canoe into the
+current.
+
+She accepted the aid of his hand for a moment, and sank to her place,
+facing him. He spurned lightly the shore, and so they were adrift.
+
+In a moment they seemed to be floating on a vast vapor of night,
+infinitely remote from anywhere, surrounded by the silence that might
+have been before the world's beginning. A faint splash could have been
+a muskrat near at hand or a caribou far away. The paddle rose and
+dipped with a faint _swish, swish_, and the steersman's twist of it
+was taken up by the man's strong wrist so it did not click against the
+gunwale; the bow of the craft divided the waters with a murmuring so
+faint as to seem but the echo of a silence. Neither spoke. Virginia
+watched him, her heart too full for words; watched the full swing of
+his strong shoulders, the balance of his body at the hips, the poise
+of his head against the dull sky. In a moment more the parting would
+have to come. She dreaded it, and yet she looked forward to it with a
+hungry joy. Then he would say what she had seen in his eyes; then he
+would speak; then she would hear the words that should comfort her in
+the days of waiting. For a woman lives much for the present, and the
+moment's word is an important thing.
+
+The man swung his paddle steadily, throwing into the strokes a wanton
+exuberance that showed how high his spirits ran. After a time, when
+they were well out from the shore, he took a deep breath of delight.
+
+"Ah, you don't know how happy I am," he exulted, "you don't know! To
+be free, to play the game, to match my wits against theirs--ah, that
+is life!"
+
+"I am sorry to see you go," she murmured, "very sorry. The days will
+be full of terror until I know you are safe."
+
+"Oh, yes," he answered; "but I'll get there, and I shall tell it all
+to you at Quebec--at Quebec in August. It will be a brave tale! You
+will be there--surely?"
+
+"Yes," said the girl, softly; "I will be there--surely."
+
+"Good! Feel the wind on your cheek? It is from the Southland, where I
+am going. I have ventured--and I have not lost! It is something not to
+lose, when one has ventured against many. They have my goods--but
+I--"
+
+"You?" repeated Virginia, as he hesitated.
+
+"Ah, I don't go back empty-handed!" he cried. Her heart stood still,
+then leaped in anticipation of what he would say. Her soul hungered
+for the words, the words that should not only comfort her, but should
+be to her the excuse for many things. She saw him--shadowy, graceful
+against the dim gray of the river and sky--lean ever so slightly
+toward her. But then he straightened again to his paddle, and
+contented himself with repeating merely: "Quebec--in August, then."
+
+The canoe grated. Ned Trent with an exclamation drove his paddle into
+the clay.
+
+"Lucky the bottom is soft here," said he; "I did not realize we were
+so close ashore."
+
+He drew the canoe up on the shelving beach, helped Virginia out, took
+his rifle, and so stood ready to depart.
+
+"Leave the canoe just where we got in," he advised; "it is around the
+point, you see, and that may fool them a little."
+
+"You are going," she said, dully. Then she came close to him and
+looked up at him with her wonderful eyes. "Good-by."
+
+"Good-by," said he.
+
+Was this to be all? Had he nothing more to tell her? Was the word to
+lack, the word she needed so much? She had given herself unreservedly
+into this man's hands, and at parting he had no more to say to her
+than "Good-by." Virginia's eyes were tearful, but she would not let
+him know that. She felt that her heart would break.
+
+"Well, good-by," he said again after a moment, which he had spent
+inspecting the heavens. "Ah, you don't _know_ what it is to be free!
+By to-morrow morning I shall be half-way to the Mattagami. I can
+hardly wait to see it, for then I am safe! And then next day--why,
+next day they won't know which of a dozen ways I've gone!" He was
+full of the future, man-fashion.
+
+He took her hands, leaned over, and lightly kissed her on the mouth.
+Instantly Virginia became wildly and unreasonably angry. She could not
+have told herself why, but it was the lack of the word she had wanted
+so much, the pain of feeling that he could go like that, the thwarted
+bitterness of a longing that had grown stronger than she had even yet
+realized.
+
+Instinctively she leaped into the canoe, sending it spinning from the
+bank.
+
+"Ah, you had no _right_ to do that!" she cried. "I gave you no
+_right_!"
+
+Then, heedless of what he was saying, she began to paddle straight
+from the shore, weeping bitterly, her face upraised, her hair in her
+eyes, and the tears coursing unheeded down her cheeks.
+
+
+
+
+_Chapter Fourteen_
+
+
+Slower and slower her paddle dipped, lower and lower hung her head,
+faster and faster flowed her tears. The instinctive recoil, the
+passionate resentment had gone. In the bitterness of her spirit she
+knew not what she thought except that she would give her soul to see
+him again, to feel the touch of his lips once more. For she could not
+make herself believe that this would ever come to pass. He had gone
+like a phantom, like a dream, and the mists of life had closed about
+him, showing no sign. He had vanished, and at once she seemed to know
+that the episode was finished.
+
+The canoe whispered against the soft clay bottom. She had arrived,
+though how the crossing had been made she could not have told. Slowly
+and sorrowfully she disembarked. Languidly she drew the light craft
+beyond the stream's eager fingers. Then, her forces at an end, she
+huddled down on the ground and gave herself up to sorrow.
+
+The life of the forest went on as though she were not there. A big owl
+far off said hurriedly his _whoo-whoo-whoo_, as though he had the
+message to deliver and wanted to finish the task. A smaller owl near
+at hand cried _ko-ko-ko-oh_ with the intonation of a tin horn. Across
+the river a lynx screamed, and was answered at once by the ululations
+of wolves. On the island the _giddes_ howled defiance. Then from
+above, clear, spiritual, floated the whistle of shore birds arriving
+from the south. Close by sounded a rustle of leaves, a sharp squeak;
+a tragedy had been consummated, and the fierce little mink stared
+malevolently across the body of his victim at the motionless figure on
+the beach.
+
+Virginia, drowned in grief, knew of none of these things. She was
+seeing again the clear brown face of the stranger, his curly brown
+hair, his steel eyes, and the swing of his graceful figure. Now he
+fronted the wondering _voyageurs_, one foot raised against the bow of
+the _brigade_ canoe; now he stood straight and tall against the light
+of the sitting-room door; now he emptied the vials of his wrath and
+contempt on Archibald Crane's reverend head; now he passed in the
+darkness, singing gayly the _chanson de canot_. But more fondly she
+saw him as he swept his hat to the ground on discovering her by the
+guns, as he bent his impassioned eyes on her in the dim lamplight of
+their first interview, as he tossed his hat aloft in the air when he
+had understood that she would be in Quebec. She hugged the visions to
+her, and wept over them softly, for she was now sure she would never
+see him again.
+
+And she heard his voice, now laughing, now scornful, now mocking, now
+indignant, now rich and solemn with feeling. He flouted the people, he
+turned the shafts of his irony on her father, he scathed the minister,
+he laughed at Louis Placide awakened from his sleep, he sang, he told
+her of the land of desolation, he pleaded. She could hear him calling
+her name--although he had never spoken it--in low, tender tones,
+"Virginia! Virginia!" over and over again softly, as though his soul
+were crying through his lips.
+
+Then somehow, in a manner not to be comprehended, it was borne in on
+her consciousness that he was indeed near her, and that he was indeed
+calling her name. And at once she made him out, standing dripping on
+the beach. A moment later she was in his arms.
+
+"Ah!" he cried, in gladness; "you are here!"
+
+He crushed her hungrily to him, unmindful of his wet clothes, kissing
+her eyes, her cheeks, her lips, her chin, even the fragrant corner of
+her throat exposed by the collar of her gown. She did not struggle.
+
+"Oh!" she murmured, "my dear, my dear! Why did you come back? Why did
+you come?"
+
+"Why did I come?" he repeated, passionately. "Why did I come? Can you
+ask that? How could I help but come? You must have known I would come.
+Surely you must have known! Didn't you hear me calling you when you
+paddled away? I came to get the right. I came to get your promise,
+your kisses, to hear you say the word, to get you! I thought you
+understood. It was all so clear to me. I thought you knew. That was
+why I was so glad to go, so eager to get away that I could not even
+realize I was parting from you--so I could the sooner reach
+Quebec--reach you! Don't you see how I felt? All this present was
+merely something to get over, to pass by, to put behind us until I got
+to Quebec in August--and you. I looked forward so eagerly to that, I
+was so anxious to get away, I was desirous of hastening on to the time
+when things could be _sure_! Don't you understand?"
+
+"Yes, I think I do," replied the girl, softly.
+
+"And I thought of course you knew. I should not have kissed you
+otherwise."
+
+"How could I know?" she sighed. "You said nothing, and, oh! I _wanted_
+so to hear!"
+
+And singularly enough he said nothing now, but they stood facing each
+other hand in hand, while the great vibrant life they were now
+touching so closely filled their hearts and eyes, and left them faint.
+So they stood for hours or for seconds, they could not tell,
+spirit-hushed, ecstatic. The girl realized that they must part.
+
+"You must go," she whispered brokenly, at last. "I do not want you to,
+but you must."
+
+She smiled up at him with trembling lips that whispered to her soul
+that she must be brave.
+
+"Now go," she nerved herself to say, releasing her hands.
+
+"Tell me," he commanded.
+
+"What?" she asked.
+
+"What I most want to hear."
+
+"I can tell you many things," said she, soberly, "but I do not know
+which of them you want to hear. Ah, Ned, I can tell you that you have
+come into a girl's life to make her very happy and very much afraid.
+And that is a solemn thing; is it not?"
+
+"Yes," said he.
+
+"And I can tell you that this can never be undone. That is a solemn
+thing, too, is it not?"
+
+"Yes," said he.
+
+"And that, according as you treat her, this girl will believe or not
+believe in the goodness of all men or the badness of all men. Ah, Ned,
+a woman's heart is fragile, and mine is in your keeping."
+
+Her face was raised bravely and steadily to his. In the starlight it
+shone white and pathetic. And her eyes were two liquid wells of
+darkness in the shadow, and her half-parted lips were wistful and
+childlike.
+
+The man caught both her hands, again looking down on her. Then he
+answered her, solemnly and humbly.
+
+"Virginia," said he, "I am setting out on a perilous journey. As I
+deal with you, may God deal with me."
+
+"Ah, that is as I like you," she breathed.
+
+"Good-by," said he.
+
+She raised her lips of her own accord, and he kissed them reverently.
+
+"Good-by," she murmured.
+
+He turned away with an effort and ran down the beach to the canoe.
+
+"Good-by, good-by," she murmured, under her breath. "Ah, good-by! I
+love you! Oh, I do love you!"
+
+[Illustration: "GO HOME BEFORE THEY SEARCH THE WOODS." Scene from the
+play.]
+
+Then suddenly from the bushes leaped dark figures. The still night was
+broken by the sound of a violent scuffle--blows--a fall. She heard Ned
+Trent's voice calling to her from the _melee_.
+
+"Go back at once!" he commanded, clearly and steadily. "You can do no
+good. I order you to go home before they search the woods."
+
+But she crouched in dazed terror, her pupils wide to the dim light.
+She saw them bind him, and stand waiting; she saw a canoe glide out
+of the darkness; she saw the occupants of the canoe disembark; she saw
+them exhibit her little rifle, and heard them explain in Cree, that
+they had followed the man swimming. Then she knew that the cause was
+lost, and fled as swiftly as she could through the forest.
+
+
+
+
+_Chapter Fifteen_
+
+
+Galen Albret had chosen to interrogate his recaptured prisoner alone.
+He sat again in the arm-chair of the Council Room. The place was
+flooded with sun. It touched the high-lights of the time-darkened,
+rough furniture, it picked out the brasses, it glorified the
+whitewashed walls. In its uncompromising illumination Me-en-gan, the
+bowsman, standing straight and tall and silent by the door, studied
+his master's face and knew him to be deeply angered.
+
+For Galen Albret was at this moment called upon to deal with a problem
+more subtle than any with which his policy had been puzzled in thirty
+years. It was bad enough that, in repeated defiance of his authority,
+this stranger should persist in his attempt to break the Company's
+monopoly; it was bad enough that he had, when captured, borne himself
+with so impudent an air of assurance; it was bad enough that he should
+have made open love to the Factor's daughter, should have laughed
+scornfully in the Factor's very face. But now the case had become
+grave. In some mysterious manner he had succeeded in corrupting one of
+the Company's servants. Treachery was therefore to be dealt with.
+
+Some facts Galen Albret had well in hand. Others eluded him
+persistently. He had, of course, known promptly enough of the
+disappearance of a canoe, and had thereupon dispatched his Indians to
+the recapture. The Reverend Archibald Crane had reported that two
+figures had been seen in the act of leaving camp, one by the river, the
+other by the Woods Trail. But here the Factor's investigations
+encountered a check. The rifle brought in by his Indians, to his
+bewilderment, he recognized not at all. His repeated cross-questionings,
+when they touched on the question of Ned Trent's companion, got no
+farther than the Cree wooden stolidity. No, they had seen no one,
+neither presence, sign, nor trail. But Galen Albret, versed in the
+psychology of his savage allies, knew they lied. He suspected them of
+clan loyalty to one of their own number; and yet they had never failed
+him before. Now, his heavy revolver at his right hand, he interviewed
+Ned Trent, alone, except for the Indian by the portal.
+
+As with the Indians, his cross-examination had borne scant results.
+The best of his questions but involved him in a maze of baffling
+surmises. Gradually his anger had mounted, until now the Indian at the
+door knew by the wax-like appearance of the more prominent places on
+his deeply carved countenance that he had nearly reached the point of
+outbreak.
+
+Swiftly, like the play of rapiers, the questions and answers broke
+across the still room.
+
+"You had aid," the Factor asserted, positively.
+
+"You think so?"
+
+"My Indians say you were alone. But where did you get this rifle?"
+
+"I stole it."
+
+"You were alone?"
+
+Ned Trent paused for a barely appreciable instant. It was not possible
+that the Indians had failed to establish the girl's presence, and he
+feared a trap. Then he caught the expressive eye of Me-en-gan at the
+door. Evidently Virginia had friends.
+
+"I was alone," he repeated, confidently.
+
+"That is a lie. For though my Indians were deceived, two people were
+observed by my clergyman to leave the Post immediately before I sent
+out to your capture. One rounded the island in a canoe; the other took
+the Woods Trail."
+
+"Bully for the Church," replied Trent, imperturbably. "Better promote
+him to your scouts."
+
+"Who was that second person?"
+
+"Do you think I will tell you?"
+
+"I think I'll find means to make you tell me!" burst out the Factor.
+
+Ned Trent was silent.
+
+"If you'll tell me the name of that man I'll let you go free. I'll
+give you a permit to trade in the country. It touches my
+authority--my discipline. The affair becomes a precedent. It is
+vital."
+
+Ned Trent fixed his eyes on the bay and hummed a little air, half
+turning his shoulder to the older man.
+
+The latter's face blazed with suppressed fury. Twice his hand rested
+almost convulsively on the butt of his heavy revolver.
+
+"Ned Trent," he cried, harshly, at last, "pay attention to me. I've
+had enough of this. I swear if you do not tell me what I want to know
+within five minutes, I'll hang you to-day!"
+
+The young man spun on his heel.
+
+"Hanging!" he cried. "You cannot mean that?"
+
+The Free Trader measured him up and down, saw that his purpose was
+sincere, and turned slowly pale under the bronze of his out-of-door
+tan. Hanging is always a dreadful death, but in the Far North it
+carries an extra stigma of ignominy with it, inasmuch as it is
+resorted to only with the basest malefactors. Shooting is the usual
+form of execution for all but the most despicable crimes. He turned
+away with a little gesture.
+
+"Well!" cried Albret.
+
+Ned Trent locked his lips in a purposeful straight line of silence. To
+such an outrage there could be nothing to say. The Factor jerked his
+watch to the table.
+
+"I said five minutes," he repeated. "I mean it."
+
+[Illustration: "GO TO THE DEVIL!" Scene from the play.]
+
+The young man leaned against the side of the window, his arms folded,
+his back to the room. Outside, the varied life of the Post went
+forward under his eyes. He even noted with a surface interest the fact
+that out across the river a loon was floating, and remarked that
+never before had he seen one of those birds so far north. Galen Albret
+struck the table with the flat of his hand.
+
+"Done!" he cried, "This is the last chance I shall give you. Speak at
+this instant or accept the consequences!"
+
+Ned Trent turned sharply, as though breaking a thread that bound him
+to the distant prospect beyond the window. For an instant he stared
+enigmatically at his opponent. Then in the sweetest tones,
+
+"Oh, go to the devil!" said he, and began to walk deliberately toward
+the older man.
+
+There lay between the window and the head of the table perhaps a dozen
+ordinary steps, for the room was large. The young man took them
+slowly, his eyes fixed with burning intensity on the seated figure,
+the muscles of his locomotion contracting and relaxing with the
+smooth, stealthy continuity of a cat. Galen Albret again laid hand on
+his revolver.
+
+"Come no nearer," he commanded.
+
+Me-en-gan left the door and glided along the wall. But the table
+intervened between him and the Free Trader.
+
+The latter paid no attention to the Factor's command. Galen Albret
+suddenly raised his weapon from the table.
+
+"Stop, or I'll fire!" he cried, sharply.
+
+"I mean just that," said Ned Trent between his clenched teeth.
+
+But ten feet separated the two men. Galen Albret levelled the
+revolver. Ned Trent, watchful, prepared to spring. Me-en-gan, near the
+foot of the table, gathered himself for attack.
+
+Then suddenly the Free Trader relaxed his muscles, straightened his
+back, and returned deliberately to the window. Facing about in
+astonishment to discover the reason for this sudden change of
+decision, the other two men looked into the face of Virginia Albret,
+standing in the doorway of the other room.
+
+"Father!" she cried.
+
+"You must go back," said Ned Trent, speaking clearly and collectedly,
+in the hope of imposing his will on her obvious excitement. "This is
+not an affair in which you should interfere. Galen Albret, send her
+away."
+
+The Factor had turned squarely in his heavy arm-chair to regard the
+girl, a frown on his brows.
+
+"Virginia," he commanded, in deliberate, stern tones of authority,
+"leave the room. You have nothing to do with this case, and I do not
+desire your interference."
+
+Virginia stepped bravely beyond the portals, and stopped. Her fingers
+were nervously interlocked, her lip trembled, in her cheeks the color
+came and went, but her eyes met her father's, unfaltering.
+
+"I have more to do with it than you think," she replied.
+
+Instantly Ned Trent was at the table. "I really think this has gone
+far enough," he interposed. "We have had our interview, and come to a
+decision. Miss Albret must not be permitted to exaggerate a slight
+sentiment of pity into an interest in my affairs. If she knew that
+such a demonstration only made it worse for me I am sure she would say
+no more." He looked at her appealingly across the Factor's shoulder.
+
+Me-en-gan was already holding open the door. "You come," he smiled,
+beseechingly.
+
+But the Factor's suspicions were aroused.
+
+[Illustration: "I HAVE MORE TO DO WITH IT THAN YOU THINK!" Scene from
+the play.]
+
+"There is something in this," he decided. "I think you may stay,
+Virginia."
+
+"You are right," broke in the young man, desperately. "There is
+something in it. Miss Albret knows who gave me the rifle, and she was
+about to inform you of his identity. There is no need in subjecting
+her to that distasteful ordeal. I am now ready to confess to you. I
+beg you will ask her to leave the room."
+
+Galen Albret, in the midst of these warring intentions, had sunk into
+his customary impassive calm. The light had died from his eyes, the
+expression from his face, the energy from his body. He sat, an inert
+mass, void of initiative, his intelligence open to what might be
+brought to his notice.
+
+"Virginia, this is true?" his heavy, dead voice rumbled through his
+beard. "You know who aided this man?"
+
+Ned Trent mutely appealed to her; her glance answered his.
+
+"Yes, father," she replied.
+
+"Who?"
+
+"I did."
+
+A dead silence fell on the room. Galen Albret's expression and
+attitude did not change. Through dull, lifeless eyes, from behind the
+heavy mask of his waxen face and white beard, he looked steadily out
+upon nothing. Along either arm of the chair stretched his own arms
+limp and heavy with inertia. In suspense the other three inmates of
+the place watched him, waiting for some change. It did not come.
+Finally his lips moved.
+
+"You?" he muttered, questioningly.
+
+"I," she repeated.
+
+Another silence fell.
+
+"Why?" he asked at last.
+
+"Because it was an unjust thing. Because we could not think of taking
+a life in that way, without some reason for it."
+
+"Why?" he persisted, taking no account of her reply.
+
+Virginia let her gaze slowly rest on the Free Trader, and her eyes
+filled with a world of tenderness and trust.
+
+"Because I love him," said she, softly.
+
+
+
+
+_Chapter Sixteen_
+
+
+After an instant Galen Albret turned slowly his massive head and
+looked at her. He made no other movement, yet she staggered back as
+though she had received a violent blow on the chest.
+
+"Father!" she gasped.
+
+Still slowly, gropingly, he arose to his feet, holding tight to the
+edge of the table. Behind him unheeded the rough-built arm-chair
+crashed to the floor. He stood there upright and motionless, looking
+straight before him, his face formidable. At first his speech was
+disjointed. The words came in widely punctuated gasps. Then, as the
+wave of his emotion rolled back from the poise into which the first
+shock of anger had thrown it, it escaped through his lips in a
+constantly increasing stream of bitter words.
+
+"You--you love him," he cried. "You--my daughter! You have been--a
+traitor--to me! You have dared--dared--deny that which my whole life
+has affirmed! My own flesh and blood--when I thought the nearest
+_metis_ of them all more loyal! You love this man--this man who has
+insulted me, mocked me! You have taken his part against me! You have
+deliberately placed yourself in the class of those I would hang for
+such an offence! If you were not my daughter I would hang you. Hang my
+own child!" Suddenly his rage flared. "You little fool! Do you dare
+set your judgment against mine? Do you dare interfere where I think
+well? Do you dare deny my will? By the eternal, I'll show you, old as
+you are, that you have still a father! Get to your room! Out of my
+sight!" He took two steps forward, and so his eye fell on Ned Trent.
+He uttered a scream of rage, and reached for the pistol. Fortunately
+the abruptness of his movement when he arose had knocked it to the
+floor, so now in the blindness of a red anger he could not see it. He
+shrieked out an epithet and jumped forward, his arm drawn to strike.
+Ned Trent leaped back into an attitude of defence.
+
+All three of those present had many times seen Galen Albret possessed
+by his noted fits of anger, so striking in contrast to his ordinary
+contained passivity. But always, though evidently in a white heat of
+rage and given to violent action and decision, he had retained the
+clearest command of his faculties, issuing coherent and dreaded
+orders to those about him. Now he had become a raging wild beast. And
+for the spectators the sight had all the horror of the unprecedented.
+
+But the younger man, too, had gradually heated to the point where his
+ordinary careless indifference could give off sparks. The interview
+had been baffling, the threats real and unjust, the turn of affairs
+when Virginia Albret entered the room most exasperating on the side of
+the undesirable and unforeseen. In foiled escape, in thwarted
+expedient, his emotions had been many times excited, and then eddied
+back on themselves. The potentialities of as blind an anger as that of
+Galen Albret were in him. It only needed a touch to loose the flood.
+The physical threat of a blow supplied that touch. As the two men
+faced each other both were ripe for the extreme of recklessness.
+
+But while Galen Albret looked to nothing less than murder, the
+Free-Trader's individual genius turned to dead defiance and resistance
+of will. While Galen Albret's countenance reflected the height of
+passion, Trent was as smiling and cool and debonair as though he had
+at that moment received from the older man an extraordinary and
+particular favor. Only his eyes shot a baleful blue flame, and his
+words, calmly enough delivered, showed the extent to which his passion
+had cast policy to the winds.
+
+"Don't go too far! I warn you!" said he.
+
+As though the words had projected him bodily forward, Galen Albret
+sprang to deliver his blow. The Free Trader ducked rapidly, threw his
+shoulder across the middle of the older man's body, and by the very
+superiority of his position forced his antagonist to give ground. That
+the struggle would have then continued body to body there can be no
+doubt, had it not been for the fact that the Factor's retrogressive
+movement brought his knees sharply against the edge of a chair
+standing near the side of the table. Albret lost his balance, wavered,
+and finally sat down violently. Ned Trent promptly pinned him by the
+shoulder into powerless immobility. Me-en-gan had possessed himself of
+the fallen pistol, but beyond keeping a generally wary eye out for
+dangerous developments, did not offer to interfere. Your Indian is in
+such a crisis a disciplinarian, and he had received no orders.
+
+"Now," said Ned Trent, acidly, "I think this will stop right here. You
+do not cut a very good figure, my dear sir," he laughed a little.
+"You haven't cut a very good figure from the beginning, you know. You
+forbade me to do various things, and I have done them all. I traded
+with your Indians. I came and went in your country. Do you think I
+have not been here often before I was caught? And you forbade me to
+see your daughter again. I saw her that very evening, and the next
+morning and the next evening."
+
+He stood, still holding Galen Albret immovably in the chair, looking
+steadily and angrily into the Factor's eyes, driving each word home
+with the weight of his contained passion. The girl touched his arm.
+
+"Hush! oh, hush!" she cried in a panic. "Do not anger him further!"
+
+"When you forbade me to make love to her," he continued, unheeding, "I
+laughed at you." With a sudden, swift motion of his left arm he drew
+her to him and touched her forehead with his lips. "Look! Your
+commands have been rather ridiculous, sir. I seem to have had the
+upper hand of you from first to last. Incidentally you have my life.
+Oh, welcome! That is small pay and little satisfaction."
+
+He threw himself from the Factor and stepped back.
+
+Galen Albret sat still without attempting to renew the struggle. The
+enforced few moments of inaction had restored to him his self-control.
+He was still deeply angered, but the insanity of rage had left him.
+Outwardly he was himself again. Only a rapid heaving of his chest
+answered Ned Trent's quick breathing, as the two men glared defiantly
+at each other in the pause that followed.
+
+"Very well, sir," said the Factor, curtly, at last. "Your time is
+over. I find it unnecessary to hang you. You will start on your
+_Longue Traverse_ to-day."
+
+"Oh!" cried Virginia, in a low voice of agony, and fluttered to her
+lover's side.
+
+"Hush! hush!" he soothed her. "There is a chance."
+
+"You think so?" broke in Galen Albret, harshly. And looking at his set
+face and blazing eyes, they saw that there was no chance. The Free
+Trader shrugged his shoulders.
+
+"You are going to do this thing, father," appealed Virginia, "after
+what I have told you?"
+
+"My mind is made up."
+
+"I shall not survive him, father!" she threatened, in a low voice.
+Then, as the Factor did not respond, "Do not misunderstand me. I do
+not intend to survive him."
+
+"Silence! silence! silence!" cried Galen Albret, in a crescendo
+outburst. "Silence! I will not be gainsaid! You have made your choice!
+You are no longer a daughter of mine!"
+
+"Father!" cried Virginia, faintly, her lips going pale.
+
+"Don't speak to me! Don't look at me! Get out of here! Get out of the
+place! I won't have you here another day--another hour! By--"
+
+The girl hesitated for a moment, then ran to him, sinking on her
+knees, and clasping his hand.
+
+"Father," she pleaded, "you are not yourself. This has been very
+trying to you. To-morrow you will be sorry. But then it will be too
+late. Think, while there is yet time. He has not committed a crime.
+You yourself told me he was a man of intelligence and daring--a
+gentleman; and surely, though he has been hasty, he has acted with a
+brave spirit through it all. See, he will promise you to go away
+quietly, to say nothing of all this, never to come into this country
+again without your permission. He will do this if I ask him, for he
+loves me. Look at me, father. Are you going to treat your little girl
+so--your Virginia? You have never refused me anything before. And this
+is the greatest thing in all my life." She held his hand to her cheek
+and stroked it, murmuring little feminine, caressing phrases, secure
+in her power of witchery, which had never failed her before. The sound
+of her own voice reassured her, the quietude of the man she pleaded
+with. A lifetime of petting, of indulgence, threw its soothing
+influence over her perturbation, convincing her that somehow all this
+storm and stress must be phantasmagoric--a dream from which she was
+even now awakening into a clearer day of happiness. "For you love me,
+father," she concluded, and looked up daintily, with a pathetic,
+coquettish tilt of her fair head, to peer into his face.
+
+Galen Albret snarled like a wild beast, throwing aside the girl, as he
+did the chair in which he had been sitting. Ned Trent caught her,
+reeling, in his arms.
+
+For, as is often the case with passionate but strong temperaments,
+though the Factor had attained a certain calm of control, the turmoil
+of his deeper anger had not been in the least stilled. Over it a crust
+of determination had formed--the determination to make an end by the
+directest means in his autocratic power of this galling opposition.
+The girl's pleading, instead of appealing to him, had in reality but
+stirred his fury the more profoundly. It had added a new fuel element
+to the fire. Heretofore his consciousness had felt merely the
+thwarting of his pride, his authority, his right to loyalty. Now his
+daughter's entreaty brought home to him the bitter realization that he
+had been attained on another side--that of his family affection. This
+man had also killed for him his only child. For the child had
+renounced him, had thrust him outside herself into the lonely and
+ruined temple of his pride. At the first thought his face twisted with
+emotion, then hardened to cold malice.
+
+"Love you!" he cried. "Love you! An unnatural child! An ingrate! One
+who turns from me so lightly!" He laughed bitterly, eyeing her with
+chilling scrutiny. "You dare recall my love for you!" Suddenly he
+stood upright, levelling a heavy, trembling arm at her. "You think an
+appeal to my love will save him! Fool!"
+
+Virginia's breath caught in her throat. She straightened, clutched the
+neckband of her gown. Then her head fell slowly forward. She had
+fainted in her lover's arms.
+
+They stood exactly so for an appreciable interval, bewildered by the
+suddenness of this outcome; Galen Albret's hand out-stretched in
+denunciation; the girl like a broken lily, supported in the young
+man's arms; he searching her face passionately for a sign of life;
+Me-en-gan, straight and sorrowful, again at the door.
+
+Then the old man's arm dropped slowly. His gaze wavered. The lines of
+his face relaxed. Twice he made an effort to turn away. All at once
+his stubborn spirit broke; he uttered a cry, and sprang forward to
+snatch the unconscious form hungrily into his bear clasp, searching
+the girl's face, muttering incoherent things.
+
+"Quick!" he cried, aloud, the guttural sounds jostling one another in
+his throat. "Get Wishkobun, quick!"
+
+Ned Trent looked at him with steady scorn, his arms folded.
+
+"Ah!" he dropped distinctly in deliberate monosyllables across the
+surcharged atmosphere of the scene. "So it seems you have found your
+heart, my friend!"
+
+Galen Albret glared wildly at him over the girl's fair head.
+
+"She is my daughter," he mumbled.
+
+
+
+
+_Chapter Seventeen_
+
+
+They carried the unconscious girl into the dim-lighted apartment of
+the curtained windows, and laid her on the divan. Wishkobun, hastily
+summoned, unfastened the girl's dress at the throat.
+
+"It is a faint," she announced in her own tongue. "She will recover in
+a few minutes; I will get some water."
+
+Ned Trent wiped the moisture from his forehead with his handkerchief.
+The danger he had undergone coolly, but this overcame his iron
+self-control. Galen Albret, like an anxious bear, weaved back and
+forth the length of the couch. In him the rumble of the storm was but
+just echoing into distance.
+
+"Go into the next room," he growled at the Free Trader, when finally
+he noticed the latter's presence.
+
+Ned Trent hesitated.
+
+"Go, I say!" snarled the Factor. "You can do nothing here." He
+followed the young man to the door, which he closed with his own hand,
+and then turned back to the couch on which his daughter lay. In the
+middle of the floor his foot clicked on some small object.
+Mechanically he picked it up.
+
+It proved to be a little silver match-safe of the sort universally
+used in the Far North. Evidently the Free Trader had flipped it from
+his pocket with his handkerchief. The Factor was about to thrust it
+into his own pocket, when his eye caught lettering roughly carved
+across one side. Still mechanically, he examined it more closely. The
+lettering was that of a man's name. The man's name was Graehme
+Stewart.
+
+Without thinking of what he did, he dropped the object on the small
+table, and returned anxiously to the girl's side, cursing the
+tardiness of the Indian woman. But in a moment Wishkobun returned.
+
+"Will she recover?" asked the Factor, distracted at the woman's
+deliberate examination.
+
+The latter smiled her indulgent, slow smile. "But surely," she assured
+him in her own tongue, "it is no more than if she cut her finger. In a
+few breaths she will recover. Now I will go to the house of the
+Cockburn for a morsel of the sweet wood[A] which she must smell." She
+looked her inquiry for permission.
+
+[Footnote A: Camphor.]
+
+"Sagaamig--go," assented Albret.
+
+Relieved in mind, he dropped into a chair. His eye caught the little
+silver match-safe. He picked it up and fell to staring at the rudely
+carved letters.
+
+He found that he was alone with his daughter--and the thoughts aroused
+by the dozen letters of a man's name.
+
+All his life long he had been a hard man. His commands had been
+autocratic; his anger formidable; his punishments severe, and
+sometimes cruel. The quality of mercy was with him tenuous and weak.
+He knew this, and if he did not exactly glory in it, he was at least
+indifferent to its effect on his reputation with others. But always he
+had been just. The victims of his displeasure might complain that his
+retributive measures were harsh, that his forgiveness could not be
+evoked by even the most extenuating of circumstances, but not that
+his anger had ever been baseless or the punishment undeserved. Thus he
+had held always his own self-respect, and from his self-respect had
+proceeded his iron and effective rule.
+
+So in the case of the young man with whom now his thoughts were
+occupied. Twice he had warned him from the country without the
+punishment which the third attempt rendered imperative. The events
+succeeding his arrival at Conjuror's House warmed the Factor's anger
+to the heat of almost preposterous retribution perhaps--for after all
+a man's life is worth something, even in the wilds--but it was
+actually retribution, and not merely a ruthless proof of power. It
+might be justice as only the Factor saw it, but it was still
+essentially justice--in the broader sense that to each act had
+followed a definite consequence. Although another might have
+condemned his conduct as unnecessarily harsh, Galen Albret's
+conscience was satisfied and at rest.
+
+Nor had his resolution been permanently affected by either the girl's
+threat to make away with herself or by his momentary softening when
+she had fainted. The affair was thereby complicated, but that was all.
+In the sincerity of the threat he recognized his own iron nature, and
+was perhaps a little pleased at its manifestation. He knew she
+intended to fulfil her promise not to survive her lover, but at the
+moment this did not reach his fears; it only aroused further his
+dogged opposition.
+
+The Free Trader's speech as he left the room, however, had touched the
+one flaw in Galen Albret's confidence of righteousness. Wearied with
+the struggles and the passions he had undergone, his brain numbed,
+his will for the moment in abeyance, he seated himself and
+contemplated the images those two words had called up.
+
+Graehme Stewart! That man he had first met at Fort Rae over twenty
+years ago. It was but just after he had married Virginia's mother. At
+once his imagination, with the keen pictorial power of those who have
+dwelt long in the Silent Places, brought forward the other scene--that
+of his wooing. He had driven his dogs into Fort la Cloche after a hard
+day's run in seventy-five degrees of frost. Weary, hungry,
+half-frozen, he had staggered into the fire-lit room. Against the
+blaze he had caught for a moment a young girl's profile, lost as she
+turned her face toward him in startled question of his entrance. Men
+had cared for his dogs. The girl had brought him hot tea. In the
+corner of the fire they two had whispered one to the other--the
+already grizzled traveller of the silent land, the fresh, brave
+north-maiden. At midnight, their parkas drawn close about their faces
+in the fearful cold, they had met outside the inclosure of the Post.
+An hour later they were away under the aurora for Qu'Apelle. Galen
+Albret's nostrils expanded as he heard the _crack, crack, crack_ of
+the remorseless dog-whip whose sting drew him away from the vain
+pursuit. After the marriage at Qu'Apelle they had gone a weary journey
+to Rae, and there he had first seen Graehme Stewart.
+
+Fort Rae is on the northwestward arm of the Great Slave Lake in the
+country of the Dog Ribs, only four degrees under the Arctic Circle. It
+is a dreary spot, for the Barren Grounds are near. Men see only the
+great lake, the great sky, the great gray country. They become moody,
+fanciful. In the face of the silence they have little to say. At Fort
+Rae were old Jock Wilson, the Chief Trader; Father Bonat, the priest;
+Andrew Levoy, the _metis_ clerk; four Dog Rib teepees; Galen Albret
+and his bride; and Graehme Stewart.
+
+Jock Wilson was sixty-five; Father Bonat had no age; Andrew Levoy
+possessed the years of dour silence. Only Graehme Stewart and Elodie,
+bride of Albret, were young. In the great gray country their lives
+were like spots of color on a mist. Galen Albret finally became
+jealous.
+
+At first there was nothing to be done; but finally Levoy brought to
+the older man proof of the younger's guilt. The harsh traveller bowed
+his head and wept. But since he loved Elodie more than himself which
+was perhaps the only redeeming feature of this sorry business--he said
+nothing, nor did more than to journey south to Edmonton, leaving the
+younger man alone in Fort Rae to the White Silence. But his soul was
+stirred.
+
+In the course of nature and of time Galen Albret had a daughter, but
+lost a wife. It was no longer necessary for him to leave his wrong
+unavenged. Then began a series of baffling hindrances which resulted
+finally in his stooping to means repugnant to his open sense of what
+was due himself. At the first he could not travel to his enemy because
+of the child in his care; when finally he had succeeded in placing the
+little girl where he would be satisfied to leave her, he himself was
+suddenly and peremptorily called east to take a post in Rupert's Land.
+He could not disobey and remain in the Company, and the Company was
+more to him than life or revenge. The little girl he left in Sacre
+Coeur of Quebec; he himself took up his residence in the Hudson Bay
+country. After a few years, becoming lonely for his own flesh and
+blood, he sent for his daughter. There, as Factor, he gained a vast
+power; and this power he turned into the channels of his hatred.
+Graehme Stewart felt always against him the hand of influence. His
+posts in the Company's service became intolerable. At length, in
+indignation against continued injustice, oppression, and insult, he
+resigned, broken in fortune and in prospects. He became one of the
+earliest Free Traders on the Saskatchewan, devoting his energies to
+enraged opposition of the Company which had wronged him. In the space
+of three short years he had met a violent and striking death; for the
+early days of the Free Trader were adventurous. Galen Albret's
+revenge had struck home.
+
+Then in after years the Factor had again met with Andrew Levoy. The
+man staggered into Conjuror's House late at night. He had started from
+Winnipeg to descend the Albany River, but had met with mishap and
+starvation. One by one his dogs had died. In some blind fashion he
+pushed on for days after his strength and sanity had left him.
+Mu-hi-kun had brought him in. His toes and fingers had frozen and
+dropped off; his face was a mask of black frost-bitten flesh, in which
+deep fissures opened to the raw. He had gone snow-blind. Scarcely was
+he recognizable as a human being.
+
+From such a man in extremity could come nothing but the truth, so
+Galen Albret believed him. Before Andrew Levoy died that night he told
+of his deceit. The Factor left the room with the weight of a crime on
+his conscience. For Graehme Stewart had been innocent of any wrong
+toward him or his bride.
+
+Such was the story Galen Albret saw in the little silver match-box.
+That was the one flaw in his consciousness of righteousness; the one
+instance in a long career when his ruthless acts of punishment or
+reprisal had not rested on rigid justice, and by the irony of fate the
+one instance had touched him very near. Now here before him was his
+enemy's son--he wondered that he had not discovered the resemblance
+before--and he was about to visit on him the severest punishment in
+his power. Was not this an opportunity vouchsafed him to repair his
+ancient fault, to cleanse his conscience of the one sin of the kind it
+would acknowledge?
+
+But then over him swept the same blur of jealousy that had resulted in
+Graehme Stewart's undoing. This youth wooed his daughter; he had won
+her affections away. Strangely enough Galen Albret confused the new
+and the old; again youth cleaved to youth, leaving age apart. Age felt
+fiercely the desire to maintain its own. The Factor crushed the silver
+match-box between his great palms and looked up. His daughter lay
+before him, still, lifeless. Deliberately he rested his chin on his
+hands and contemplated her.
+
+The room, as always, was full of contrast; shafts of light,
+dust-moted, bewildering, crossed from the embrasured windows, throwing
+high-lights into prominence and shadows into impenetrable darkness.
+They rendered the gray-clad figure of the girl vague and ethereal,
+like a mist above a stream; they darkened the dull-hued couch on which
+she rested into a liquid, impalpable black; they hazed the draped
+background of the corner into a far-reaching distance; so that finally
+to Galen Albret, staring with hypnotic intensity, it came to seem that
+he looked upon a pure and disembodied spirit sleeping sweetly--cradled
+on illimitable space. The ordinary and familiar surroundings all
+disappeared. His consciousness accepted nothing but the cameo profile
+of marble white, the nimbus of golden haze about the head, the
+mist-like suggestion of a body, and again the clear marble spot of the
+hands. All else was a background of modulated depths.
+
+So gradually the old man's spirit, wearied by the stress of the last
+hour, turned in on itself and began to create. The cameo profile, the
+mist-like body, the marble hands remained; but now Galen Albret saw
+other things as well. A dim, rare perfume was wafted from some unseen
+space; indistinct flashes of light spotted the darknesses; faint
+swells of music lifted the silence intermittently. These things were
+small and still, and under the external consciousness--like the voices
+one may hear beneath the roar of a tumbling rapid--but gradually they
+defined themselves. The perfume came to Galen Albret's nostrils on the
+wings of incensed smoke; the flashes of light steadied to the ovals of
+candle flames; the faint swells of music blended into grand-breathed
+organ chords. He felt about him the dim awe of the church, he saw the
+tapers burning at head and foot, the clear, calm face of the dead,
+smiling faintly that at last it should be no more disturbed. So had he
+looked all one night and all one day in the long time ago. The Factor
+stretched his arms out to the figure on the couch, but he called upon
+his wife, gone these twenty years.
+
+"Elodie! Elodie!" he murmured, softly.
+
+She had never known it, thank God, but he had wronged her too. In all
+sorrow and sweet heavenly pity he had believed that her youth had
+turned to the youth of the other man. It had not been so. Did he not
+owe her, too, some reparation?
+
+As though in answer to his appeal, or perhaps that merely the sound of
+a human voice had broken the last shreds of her swoon, the girl moved
+slightly. Galen Albret did not stir. Slowly Virginia turned her head,
+until finally her wandering eyes met his, fixed on her with passionate
+intensity. For a moment she stared at him, then comprehension came to
+her along with memory. She cried out, and sat upright in one violent
+motion.
+
+"He! He!" she cried. "Is he gone?"
+
+Instantly Galen Albret had her in his arms.
+
+"It is all right," he soothed, drawing her close to his great breast.
+"All right. You are my own little girl."
+
+
+
+
+_Chapter Eighteen_
+
+
+For perhaps ten minutes Ned Trent lingered near the door of the
+Council Room until he had assured himself that Virginia was in no
+serious danger. Then he began to pace the room, examining minutely the
+various objects that ornamented it. He paused longest at the
+full-length portrait of Sir George Simpson, the Company's great
+traveller, with his mild blue eyes, his kindly face, denying the
+potency of his official frown, his snowy hair and whiskers. The
+painted man and the real man looked at each other inquiringly. The
+latter shook his head.
+
+"You travelled the wild country far," said he, thoughtfully. "You
+knew many men of many lands. And wherever you went they tell me you
+made friends. And yet, as you embodied this Company to all these
+people, and so made for the fanatical loyalty that is destroying me, I
+suppose you and I are enemies!" He shrugged his shoulders whimsically
+and turned away.
+
+Thence he cast a fleeting glance out the window at the long reach of
+the Moose and the blue bay gleaming in the distance. He tried the
+outside door. It was locked. Taken with a new idea he proceeded at
+once to the third door of the apartment. It opened.
+
+He found himself in a small and much-littered room containing a desk,
+two chairs, a vast quantity of papers, a stuffed bird or so, and a row
+of account-books. Evidently the Factor's private office.
+
+Ned Trent returned to the main room and listened intently for several
+minutes. After that he ran back to the office and began hastily to
+open and rummage, one after another, the drawers of the desk. He
+discovered and concealed several bits of string, a desk-knife, and a
+box of matches. Then he uttered a guarded exclamation of delight. He
+had found a small revolver, and with it part of a box of cartridges.
+
+"A chance!" he exulted: "a chance!"
+
+The game would be desperate. He would be forced first of all to seek
+out and kill the men detailed to shadow him--a toy revolver against
+rifles; white man against trained savages. And after that he would
+have, with the cartridges remaining, to assure his subsistence. Still
+it was a chance.
+
+He closed the drawers and the door, and resumed his seat in the
+arm-chair by the council table.
+
+For over an hour thereafter he awaited the next move in the game. He
+was already swinging up the pendulum arc. The case did not appear
+utterly hopeless. He resolved, through Me-en-gan, whom he divined as a
+friend of the girl's, to smuggle a message to Virginia bidding her
+hope. Already his imagination had conducted him to Quebec, when in
+August he would search her out and make her his own.
+
+Soon one of the Indian servants entered the room for the purpose of
+conducting him to a smaller apartment, where he was left alone for
+some time longer. Food was brought him. He ate heartily, for he
+considered that wise. Then at last the summons for which he had been
+so long in readiness. Me-en-gan himself entered the room, and motioned
+him to follow.
+
+[Illustration: "DO SO NOW!" Scene from the play.]
+
+Ned Trent had already prepared his message on the back of an
+envelope, writing it with the lead of a cartridge. He now pressed the
+bit of paper into the Indian's palm.
+
+"For O-mi-mi," he explained.
+
+Me-en-gan bored him through with his bead-like eyes of the surface
+lights.
+
+"Nin nissitotam," he agreed after a moment.
+
+He led the way. Ned Trent followed through the narrow, uncarpeted hall
+with the faded photograph of Westminster, down the crooked steep
+stairs with the creaking degrees, and finally into the Council Room
+once more, with its heavy rafters, its two fireplaces, its long table,
+and its narrow windows.
+
+"Beka--wait!" commanded Me-en-gan, and left him.
+
+Ned Trent had supposed he was being conducted to the canoe which
+should bear him on the first stage of his long journey, but now he
+seemed condemned again to take up the wearing uncertainty of inaction.
+The interval was not long, however. Almost immediately the other door
+opened and the Factor entered.
+
+His movements were abrupt and impatient, for with whatever grace such
+a man yields to his better instincts the actual carrying out of their
+conditions is a severe trial. For one thing it is a species of
+emotional nakedness, invariably repugnant to the self-contained. Ned
+Trent, observing this and misinterpreting its cause, hugged the little
+revolver to his side with grim satisfaction. The interview was likely
+to be stormy. If worst came to worst, he was at least assured of
+reprisal before his own end.
+
+The Factor walked directly to the head of the table and his customary
+arm-chair, in which he disposed himself.
+
+"Sit down," he commanded the younger man, indicating a chair at his
+elbow.
+
+The latter warily obeyed.
+
+Galen Albret hesitated appreciably. Then, as one would make a plunge
+into cold water, quickly, in one motion, he laid on the table
+something over which he held his hand.
+
+"You are wondering why I am interviewing you again," said he. "It is
+because I have become aware of certain things. When you left me a few
+hours ago you dropped this." He moved his hand to one side. The silver
+match-safe lay on the table.
+
+"Yes, it is mine," agreed Ned Trent.
+
+"On one side is carved a name."
+
+"Yes."
+
+"Whose?"
+
+The Free Trader hesitated. "My father's," he said, at last.
+
+"I thought that must be so. You will understand when I tell you that
+at one time I knew him very well."
+
+"You knew my father?" cried Ned Trent, excitedly.
+
+"Yes. At Fort Rae, and elsewhere. But I do not remember you."
+
+"I was brought up at Winnipeg," the other explained.
+
+"Once," pursued Galen Albret, "I did your father a wrong,
+unintentionally, but nevertheless a great wrong. For that reason and
+others I am going to give you your life."
+
+"What wrong?" demanded Ned Trent, with dawning excitement.
+
+"I forced him from the Company."
+
+"You!"
+
+"Yes, I. Proof was brought me that he had won from me my young wife.
+It could not be doubted. I could not kill him. Afterward the man who
+deceived me confessed. He is now dead."
+
+Ned Trent, gasping, rose slowly to his feet. One hand stole inside his
+jacket and clutched the butt of the little pistol.
+
+"You did that," he cried, hoarsely. "You tell me of it yourself? Do
+you wish to know the real reason for my coming into this country, why
+I have traded in defiance of the Company throughout the whole Far
+North? I have thought my father was persecuted by a body of men, and
+though I could not do much, still I have accomplished what I could to
+avenge him. Had I known that a single man had done this--and you are
+that man!"
+
+He came a step nearer. Galen Albret regarded him steadily.
+
+"If I had known this before, I should never have rested until I had
+hunted you down, until I had killed you, even in the midst of your own
+people!" cried the Free Trader at last.
+
+Galen Albret drew his heavy revolver and laid it on the table.
+
+"Do so now," he said, quietly.
+
+A pause fell on them, pregnant with possibility. The Free Trader
+dropped his head.
+
+"No," he groaned. "No, I cannot. She stands in the way!"
+
+"So that, after all," concluded the Factor, in a gentler tone than he
+had yet employed, "we two shall part peaceably. I have wronged you
+greatly, though without intention. Perhaps one balances the other. We
+will let it pass."
+
+"Yes," agreed Ned Trent with an effort, "we will let it pass."
+
+They mused in silence, while the Factor drummed on the table with the
+stubby fingers of his right hand.
+
+"I am dispatching to-day," he announced curtly at length, "the Abitibi
+_brigade_. Matters of importance brought by runner from Rupert's House
+force me to do so a month earlier than I had expected. I shall send
+you out with that _brigade_."
+
+"Very well."
+
+"You will find your packs and arms in the canoe, quite intact."
+
+"Thank you."
+
+The Factor examined the young man's face with some deliberation.
+
+"You love my daughter truly?" he asked, quietly.
+
+"Yes," replied Ned Trent, also quietly.
+
+"That is well, for she loves you. And," went on the old man, throwing
+his massive head back proudly, "my people love well! I won her mother
+in a day, and nothing could stay us. God be thanked, you are a man and
+brave and clean. Enough of that! I place the _brigade_ under your
+command! You must be responsible for it, for I am sending no other
+white--the crew are Indians and _metis_."
+
+"All right," agreed Ned Trent, indifferently.
+
+"My daughter you will take to Sacre Coeur at Quebec."
+
+"Virginia!" cried the young man.
+
+"I am sending her to Quebec. I had not intended doing so until July,
+but the matters from Rupert's House make it imperative now."
+
+"Virginia goes with me?"
+
+"Yes."
+
+"You consent? You--"
+
+"Young man," said Galen Albret, not unkindly, "I give my daughter in
+your charge; that is all. You must take her to Sacre Coeur. And you
+must be patient. Next year I shall resign, for I am getting old, and
+then we shall see. That is all I can tell you now."
+
+He arose abruptly.
+
+"Come," said he, "they are waiting."
+
+They threw wide the door and stepped out into the open. A breeze from
+the north brought a draught of air like cold water in its refreshment.
+The waters of the North sparkled and tossed in the silvery sun. Ned
+Trent threw his arms wide in the physical delight of a new freedom.
+
+But his companion was already descending the steps. He followed across
+the square grass plot to the two bronze guns. A noise of peoples came
+down the breeze. In a moment he saw them--the varied multitude of the
+Post--gathered to speed the _brigade_ on its distant journey.
+
+The little beach was crowded with the Company's people and with
+Indians, talking eagerly, moving hither and yon in a shifting
+kaleidoscope of brilliant color. Beyond the shore floated the long
+canoe, with its curving ends and its emblazonment of the five-pointed
+stars. Already its baggage was aboard, its crew in place, ten men in
+whose caps slanted long, graceful feathers, which proved them boatmen
+of a factor. The women sat amidships.
+
+When Galen Albret reached the edge of the plateau he stopped, and laid
+his hand on the young man's arm. As yet they were unperceived. Then a
+single man caught sight of them. He spoke to another; the two
+informed still others. In an instant the bright colors were dotted
+with upturned faces.
+
+"Listen," said Galen Albret, in his resonant chest-tones of authority.
+"This is my son, and he must be obeyed. I give to him the command of
+this _brigade_. See to it."
+
+Without troubling himself further as to the crowd below, Galen Albret
+turned to his companion.
+
+"I will say good-by," said he, formally.
+
+"Good-by," replied Ned Trent.
+
+"All is at peace between us?"
+
+The Free Trader looked long into the man's sad eyes. The hard, proud
+spirit, bowed in knightly expiation of its one fault, for the first
+time in a long life of command looked out in petition.
+
+"All is at peace," repeated Ned Trent.
+
+They clasped hands. And Virginia, perceiving them so, threw them a
+wonderful smile.
+
+
+
+
+_Chapter Nineteen_
+
+
+Instantly the spell of inaction broke. The crowd recommenced its babel
+of jests, advices, and farewells. Ned Trent swung down the bank to the
+shore. The boatmen fixed the canoe on the very edge of floating free.
+Two of them lifted the young man aboard to a place on the furs by
+Virginia Albret's side. At once the crowd pressed forward, filling up
+the empty spaces.
+
+Now Achille Picard bent his shoulders to lift into free water the stem
+of the canoe from its touch on the bank. It floated, caught gently by
+the back wash of the stronger off-shore current.
+
+"Good-by, dear," called Mrs. Cockburn. "Remember us!"
+
+She pressed the Doctor's arm closer to her side. The Doctor waved his
+hand, not trusting his masculine self-control to speak. McDonald, too,
+stood glum and dour, clasping his wrist behind his back. Richardson
+was openly affected. For in Virginia's person they saw sailing away
+from their bleak Northern lives the figure of youth, and they knew
+that henceforth life must be even drearier.
+
+"Som' tam' yo' com' back sing heem de res' of dat song!" shouted Louis
+Placide to his late captive. "I lak' hear heem!"
+
+But Galen Albret said nothing, made no sign. Silently and steadily,
+run up by some invisible hand, the blood-red banner of the Company
+fluttered to the mast-head. Before it, alone, bulked huge against the
+sky, dominating the people in the symbolism of his position there as
+he did in the realities of every-day life, the Factor stood, his hands
+behind his back. Virginia rose to her feet and stretched her arms out
+to the solitary figure.
+
+"Good-by! good-by!" she cried.
+
+A renewed tempest of cheers and shouts of adieu broke from those
+ashore. The paddles dipped once, twice, thrice, and paused. With one
+accord those on shore and those in the canoe raised their caps and
+said, "Que Dieu vous benisse." A moment's silence followed, during
+which the current of the mighty river bore the light craft a few yards
+down stream. Then from the ten _voyageurs_ arose a great shout.
+
+"Abitibi! Abitibi!"
+
+Their paddles struck in unison. The water swirled in white, circular
+eddies. Instantly the canoe caught its momentum and began to slip
+along against the sluggish current. Achille Picard raised a high tenor
+voice, fixing the air,
+
+ "_En roulant ma boule roulante,
+ En roulant ma boule_."
+
+And the _voyageurs_ swung into the quaint ballad of the fairy ducks
+and the naughty prince with his magic gun.
+
+ _"Derrier' chez-nous y-a-t-un 'etang,
+ En roulant ma boule."_
+
+The girl sank back, dabbing uncertainly at her eyes. "I shall never
+see them again," she explained, wistfully.
+
+The canoe had now caught its speed. Conjuror's House was dropping
+astern. The rhythm of the song quickened as the singers told of how
+the king's son had aimed at the black duck but killed the white.
+
+ _"Ah fils du roi, tu es mechant,
+ En roulant ma boule,
+ Toutes les plumes s'en vont au vent,
+ Rouli roulant, ma boule roulant."_
+
+"Way wik! way wik!" commanded Me-en-gan, sharply, from the bow.
+
+The men quickened their stroke and shot diagonally across the current
+of an eddy.
+
+"Ni-shi-shin," said Me-en-gan.
+
+They fell back to the old stroke, rolling out their full-throated
+measure.
+
+ _"Toutes les plumes s'en vont au vent,
+ En roulant ma boule,
+ Trois dames s'en vont les ramassant,
+ Rouli roulant, ma boule roulant."_
+
+The canoe was now in the smooth rush of the first stretch of swifter
+water. The men bent to their work with stiffened elbows. Achille
+Picard flashed his white teeth back at the passengers,
+
+"Ah, mademoiselle, eet is wan long way," he panted. "C'est une longue
+traverse!"
+
+The term was evidently descriptive, but the two smiled significantly
+at each other.
+
+"So you do take _la Longue Traverse_, after all!" marvelled Virginia.
+
+Ned Trent clasped her hand.
+
+"We take it together," he replied.
+
+Into the distance faded the Post. The canoe rounded a bend. It was
+gone. Ahead of them lay their long journey.
+
+
+THE END
+
+
+
+
+BOOKS ON NATURE STUDY BY CHARLES G. D. ROBERTS
+
+Handsomely bound in cloth. Price, 75 cents per volume, postpaid.
+
+
+THE KINDRED OF THE WILD. A Book of Animal Life. With illustrations by
+Charles Livingston Bull.
+
+Appeals alike to the young and to the merely youthful-hearted. Close
+observation. Graphic description. We get a sense of the great wild and
+its denizens. Out of the common. Vigorous and full of character. The
+book is one to be enjoyed; all the more because it smacks of the
+forest instead of the museum. John Burroughs says: "The volume is in
+many ways the most brilliant collection of Animal Stories that has
+appeared. It reaches a high order of literary merit."
+
+
+THE HEART OF THE ANCIENT WOOD. Illustrated.
+
+This book strikes a new note in literature. It is a realistic romance
+of the folk of the forest--a romance of the alliance of peace between
+a pioneer's daughter in the depths of the ancient wood and the wild
+beasts who felt her spell and became her friends. It is not fanciful,
+with talking beasts; nor is it merely an exquisite idyl of the beasts
+themselves. It is an actual romance, in which the animal characters
+play their parts as naturally as do the human. The atmosphere of the
+book is enchanting. The reader feels the undulating, whimpering music
+of the forest, the power of the shady silences, the dignity of the
+beasts who live closest to the heart of the wood.
+
+
+THE WATCHERS OF THE TRAILS. A companion volume to the "Kindred of the
+Wild." With 48 full page plates and decorations from drawings by
+Charles Livingston Bull.
+
+These stories are exquisite in their refinement, and yet robust in
+their appreciation of some of the rougher phases of woodcraft. "This
+is a book full of delight. An additional charm lies in Mr. Bull's
+faithful and graphic illustrations, which in fashion all their own
+tell the story of the wild life, illuminating and supplementing the
+pen pictures of the authors."--_Literary Digest_.
+
+
+RED FOX. The Story of His Adventurous Career in the Ringwaak Wilds,
+and His Triumphs over the Enemies of His Kind. With 50 illustrations,
+including frontispiece in color and cover design by Charles Livingston
+Bull.
+
+A brilliant chapter in natural history. Infinitely more wholesome
+reading than the average tale of sport, since it gives a glimpse of
+the hunt from the point of view of the hunted. "True in substance but
+fascinating as fiction. It will interest old and young, city-bound and
+free-footed, those who know animals and those who do not."--_Chicago
+Record-Herald_.
+
+
+
+
+FAMOUS COPYRIGHT BOOKS IN POPULAR PRICED EDITIONS
+
+
+Re-issues of the great literary successes of the time, library size,
+printed on excellent paper--most of them finely illustrated. Full and
+handsomely bound in cloth. Price, 75 cents a volume, postpaid.
+
+
+NEDRA, by George Barr McCutcheon, with color frontispiece, and other
+illustrations by Harrison Fisher.
+
+The story of an elopement of a young couple from Chicago, who decide
+to go to London, travelling as brother and sister. Their difficulties
+commence in New York and become greatly exaggerated when they are
+shipwrecked in mid-ocean. The hero finds himself stranded on the
+island of Nedra with another girl, whom he has rescued by mistake. The
+story gives an account of their finding some of the other passengers,
+and the circumstances which resulted from the strange mix-up.
+
+
+POWER LOT, by Sarah P. McLean Greene. Illustrated.
+
+The story of the reformation of a man and his restoration to
+self-respect through the power of honest labor, the exercise of honest
+independence, and the aid of clean, healthy, out-of-door life and
+surroundings. The characters take hold of the heart and win sympathy.
+The dear old story has never been more lovingly and artistically told.
+
+
+MY MAMIE ROSE. The History of My Regeneration, by Owen Kildare.
+Illustrated.
+
+This _autobiography_ is a powerful book of love and sociology. Reads
+like the strangest fiction. Is the strongest truth and deals with the
+story of a man's redemption through a woman's love and devotion.
+
+
+JOHN BURT, by Frederick Upham Adams, with illustrations.
+
+John Burt, a New England lad, goes West to seek his fortune and finds
+it in gold mining. He becomes one of the financial factors and
+pitilessly crushes his enemies. The story of the Stock Exchange
+manipulations was never more vividly and engrossingly told. A love
+story runs through the book, and is handled with infinite skill.
+
+
+THE HEART LINE, by Gelett Burgess, with halftone illustrations by
+Lester Ralph, and inlay cover in colors.
+
+A great dramatic story of the city that was. A story of Bohemian life
+in San Francisco, before the disaster, presented with mirror-like
+accuracy. Compressed into it are all the sparkle, all the gayety, all
+the wild, whirling life of the glad, mad, bad, and most delightful
+city of the Golden Gate.
+
+
+CAROLINA LEE. By Lillian Bell. With frontispiece by Dora Wheeler
+Keith.
+
+Carolina Lee is the Uncle Tom's Cabin of Christian Science. Its
+keynote is "Divine Love" in the understanding of the knowledge of all
+good things which may be obtainable. When the tale is told, the sick
+healed, wrong changed to right, poverty of purse and spirit turned
+into riches, lovers made worthy of each other and happily united,
+including Carolina Lee and her affinity, it is borne upon the reader
+that he has been giving rapid attention to a free lecture on Christian
+Science; that the working out of each character is an argument for
+"Faith;" and that the theory is persuasively attractive.
+
+A Christian Science novel that will bring delight to the heart of
+every believer in that faith. It is a well told story, entertaining,
+and cleverly mingles art, humor and sentiment.
+
+
+HILMA, by William Tillinghast Eldridge, with illustrations by
+Harrison Fisher and Martin Justice, and inlay cover.
+
+It is a rattling good tale, written with charm, and full of remarkable
+happenings, dangerous doings, strange events, jealous intrigues and
+sweet love making. The reader's interest is not permitted to lag, but
+is taken up and carried on from incident to incident with ingenuity
+and contagious enthusiasm. The story gives us the _Graustark_ and _The
+Prisoner of Zenda_ thrill, but the tale is treated with freshness,
+ingenuity, and enthusiasm, and the climax is both unique and
+satisfying. It will hold the fiction lover close to every page.
+
+
+THE MYSTERY OF THE FOUR FINGERS, by Fred M. White, with halftone
+illustrations by Will Grefe.
+
+A fabulously rich gold mine in Mexico is known by the picturesque and
+mysterious name of _The Four Fingers_. It originally belonged to an
+Aztec tribe, and its location is known to one surviving descendant--a
+man possessing wonderful occult power. Should any person unlawfully
+discover its whereabouts, four of his fingers are mysteriously
+removed, and one by one returned to him. The appearance of the final
+fourth betokens his swift and violent death.
+
+Surprises, strange and startling, are concealed in every chapter of
+this completely engrossing detective story. The horrible fascination
+of the tragedy holds one in rapt attention to the end. And through it
+runs the thread of a curious love story.
+
+
+
+
+MEREDITH NICHOLSON'S FASCINATING ROMANCES
+
+Handsomely bound in cloth. Price, 75 cents per volume, postpaid.
+
+
+THE HOUSE OF A THOUSAND CANDLES. With a frontispiece in colors by
+Howard Chandler Christy.
+
+A novel of romance and adventure, of love and valor, of mystery and
+hidden treasure. The hero is required to spend a whole year in the
+isolated house, which according to his grandfather's will shall then
+become his. If the terms of the will be violated the house goes to a
+young woman whom the will, furthermore, forbids him to marry. Nobody
+can guess the secret, and the whole plot moves along with an exciting
+zip.
+
+
+THE PORT OF MISSING MEN. With illustrations by Clarence F.
+Underwood.
+
+There is romance of love, mystery, plot, and fighting, and a
+breathless dash and go about the telling which makes one quite forget
+about the improbabilities of the story; and it all ends in the
+old-fashioned healthy American way. Shirley is a sweet, courageous
+heroine whose shining eyes lure from page to page.
+
+
+ROSALIND AT REDGATE. Illustrated by Arthur I. Keller.
+
+The author of "The House of a Thousand Candles" has here given us a
+bouyant romance brimming with lively humor and optimism; with mystery
+that breeds adventure and ends in love and happiness. A most
+entertaining and delightful book.
+
+
+THE MAIN CHANCE. With illustrations by Harrison Fisher.
+
+A "traction deal" in a Western city is the pivot about which the action
+of this clever story revolves. But it is in the character-drawing of the
+principals that the author's strength lies. Exciting incidents develop
+their inherent strength and weakness, and if virtue wins in the end, it
+is quite in keeping with its carefully-planned antecedents. The N. Y.
+_Sun_ says: "We commend it for its workmanship--for its smoothness, its
+sensible fancies, and for its general charm."
+
+
+ZELDA DAMERON. With portraits of the characters by John Cecil Clay.
+
+"A picture of the new West, at once startlingly and attractively true.
+* * * The heroine is a strange, sweet mixture of pride, wilfulness and
+lovable courage. The characters are superbly drawn; the atmosphere is
+convincing. There is about it a sweetness, a wholesomeness and a
+sturdiness that commends it to earnest, kindly and wholesome
+people."--_Boston Transcript_.
+
+
+
+
+BRILLIANT AND SPIRITED NOVELS AGNES AND EGERTON CASTLE
+
+Handsomely bound in cloth. Price, 75 cents per volume, postpaid.
+
+
+THE PRIDE OF JENNICO. Being a Memoir of Captain Basil Jennico.
+
+"What separates it from most books of its class is its distinction of
+manner, its unusual grace of diction, its delicacy of touch, and the
+fervent charm of its love passages. It is a very attractive piece of
+romantic fiction relying for its effect upon character rather than
+incident, and upon vivid dramatic presentation."--_The Dial_. "A
+stirring, brilliant and dashing story."--_The Outlook_.
+
+
+THE SECRET ORCHARD. Illustrated by Charles D. Williams.
+
+The "Secret Orchard" is set in the midst of the ultra modern society.
+The scene is in Paris, but most of the characters are English
+speaking. The story was dramatized in London, and in it the Kendalls
+scored a great theatrical success.
+
+"Artfully contrived and full of romantic charm * * * it possesses
+ingenuity of incident, a figurative designation of the unhallowed
+scenes in which unlicensed love accomplishes and wrecks faith and
+happiness."--_Athenaeum_.
+
+
+YOUNG APRIL. With illustrations by A. B. Wenzell.
+
+"It is everything that a good romance should be, and it carries about
+it an air or distinction both rare and delightful."--_Chicago
+Tribune_. "With regret one turns to the last page of this delightful
+novel, so delicate in its romance, so brilliant in its episodes, so
+sparkling in its art, and so exquisite in its diction."--_Worcester
+Spy_.
+
+
+FLOWER O' THE ORANGE. With frontispiece.
+
+We have learned to expect from these fertile authors novels graceful
+in form, brisk in movement, and romantic in conception. This carries
+the reader back to the days of the bewigged and beruffled gallants of
+the seventeenth century and tells him of feats of arms and adventures
+in love as thrilling and picturesque, yet delicate, as the utmost
+seeker of romance may ask.
+
+
+MY MERRY ROCKHURST. Illustrated by Arthur E. Becher.
+
+"In the eight stories of a courtier of King Charles Second, which are
+here gathered together, the Castles are at their best, reviving all
+the fragrant charm of those books, like _The Pride of Jennico_, in
+which they first showed an instinct, amounting to genius, for sunny
+romances. The book is absorbing * * * and is as spontaneous in feeling
+as it is artistic in execution."--_New York Tribune_.
+
+
+
+
+FAMOUS COPYRIGHT BOOKS IN POPULAR PRICED EDITIONS
+
+Re-issues of the great literary successes of the time, library size,
+printed on excellent paper--most of them finely illustrated. Full and
+handsomely bound in cloth. Price, 75 cents a volume, postpaid.
+
+
+THE CATTLE BARON'S DAUGHTER. A Novel. By Harold Bindloss. With
+illustrations by David Ericson.
+
+A story of the fight for the cattle-ranges of the West. Intense
+interest is aroused by its pictures of life in the cattle country at
+that critical moment of transition when the great tracts of land used
+for grazing were taken up by the incoming homesteaders, with the
+inevitable result of fierce contest, of passionate emotion on both
+sides, and of final triumph of the inevitable tendency of the times.
+
+
+WINSTON OF THE PRAIRIE. With illustrations in color by W. Herbert
+Dunton.
+
+A man of upright character, young and clean, but badly worsted in the
+battle of life, consents as a desperate resort to impersonate for a
+period a man of his own age--scoundrelly in character but of an
+aristocratic and moneyed family. The better man finds himself barred
+from resuming his old name. How, coming into the other man's
+possessions, he wins the respect of all men, and the love of a
+fastidious, delicately nurtured girl, is the thread upon which the
+story hangs. It is one of the best novels of the West that has
+appeared for years.
+
+
+THAT MAINWARING AFFAIR. By A. Maynard Barbour. With illustrations by
+E. Plaisted Abbott.
+
+A novel with a most intricate and carefully unraveled plot. A
+naturally probable and excellently developed story and the reader will
+follow the fortunes of each character with unabating interest * * *
+the interest is keen at the close of the first chapter and increases
+to the end.
+
+
+AT THE TIME APPOINTED. With a frontispiece in colors by J. H.
+Marchand.
+
+The fortunes of a young mining engineer who through an accident loses
+his memory and identity. In his new character and under his new name,
+the hero lives a new life of struggle and adventure. The volume will
+be found highly entertaining by those who appreciate a thoroughly good
+story.
+
+
+GROSSET & DUNLAP, Publishers, New York
+
+
+
+
+[Transcriber's note:
+
+The following spelling inconsistencies and possible typographical errors
+were left uncorrected:
+
+stolidily
+Missinaibe/Missinaibie
+queek/queeck
+mechant/mechant
+bouyant
+Comma at end of paragraph: Picard flashed his white teeth back at the
+passengers,]
+
+
+
+
+
+
+End of Project Gutenberg's Conjuror's House, by Stewart Edward White
+
+*** END OF THIS PROJECT GUTENBERG EBOOK CONJUROR'S HOUSE ***
+
+***** This file should be named 18149.txt or 18149.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/1/8/1/4/18149/
+
+Produced by Barbara Tozier, Bill Tozier, Sankar Viswanathan,
+and the Online Distributed Proofreading Team at
+http://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card
+donations. To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+*** END: FULL LICENSE ***
+