diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:17:46 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:17:46 -0700 |
| commit | 288343ea8895857ff1beabb7cbb5c6f663d7cb2d (patch) | |
| tree | 99ed79d3992e394456760523f3c0175b7184815a | |
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 1810-0.txt | 3173 | ||||
| -rw-r--r-- | 1810-0.zip | bin | 0 -> 67485 bytes | |||
| -rw-r--r-- | 1810-h.zip | bin | 0 -> 70688 bytes | |||
| -rw-r--r-- | 1810-h/1810-h.htm | 3578 | ||||
| -rw-r--r-- | 1810.txt | 3172 | ||||
| -rw-r--r-- | 1810.zip | bin | 0 -> 67201 bytes | |||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 | ||||
| -rw-r--r-- | old/20050829-1810.txt | 3228 | ||||
| -rw-r--r-- | old/20050829-1810.zip | bin | 0 -> 67203 bytes | |||
| -rw-r--r-- | old/2ndhm10.txt | 3125 | ||||
| -rw-r--r-- | old/2ndhm10.zip | bin | 0 -> 65553 bytes |
13 files changed, 16292 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/1810-0.txt b/1810-0.txt new file mode 100644 index 0000000..97c031a --- /dev/null +++ b/1810-0.txt @@ -0,0 +1,3173 @@ +The Project Gutenberg EBook of A Second Home, by Honore de Balzac + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: A Second Home + +Author: Honore de Balzac + +Translator: Clara Bell + +Release Date: July, 1999 [Etext #1810] +Posting Date: March 2, 2010 +Last Updated: November 22, 2016 + +Language: English + +Character set encoding: UTF-8 + +*** START OF THIS PROJECT GUTENBERG EBOOK A SECOND HOME *** + + + + +Produced by John Bickers, and Dagny + + + + + +A SECOND HOME + + +By Honore De Balzac + + + +Translated by Clara Bell + + + + DEDICATION + + To Madame la Comtesse Louise de Turheim as a token of + remembrance and affectionate respect. + + + + + +A SECOND HOME + + +The Rue du Tourniquet-Saint-Jean, formerly one of the darkest and most +tortuous of the streets about the Hotel de Ville, zigzagged round the +little gardens of the Paris Prefecture, and ended at the Rue Martroi, +exactly at the angle of an old wall now pulled down. Here stood the +turnstile to which the street owed its name; it was not removed +till 1823, when the Municipality built a ballroom on the garden plot +adjoining the Hotel de Ville, for the fete given in honor of the Duc +d’Angouleme on his return from Spain. + +The widest part of the Rue du Tourniquet was the end opening into the +Rue de la Tixeranderie, and even there it was less than six feet across. +Hence in rainy weather the gutter water was soon deep at the foot of the +old houses, sweeping down with it the dust and refuse deposited at +the corner-stones by the residents. As the dust-carts could not pass +through, the inhabitants trusted to storms to wash their always +miry alley; for how could it be clean? When the summer sun shed its +perpendicular rays on Paris like a sheet of gold, but as piercing as the +point of a sword, it lighted up the blackness of this street for a +few minutes without drying the permanent damp that rose from the +ground-floor to the first story of these dark and silent tenements. + +The residents, who lighted their lamps at five o’clock in the month +of June, in winter never put them out. To this day the enterprising +wayfarer who should approach the Marais along the quays, past the end +of the Rue du Chaume, the Rues de l’Homme Arme, des Billettes, and des +Deux-Portes, all leading to the Rue du Tourniquet, might think he had +passed through cellars all the way. + +Almost all the streets of old Paris, of which ancient chronicles laud +the magnificence, were like this damp and gloomy labyrinth, where the +antiquaries still find historical curiosities to admire. For instance, +on the house then forming the corner where the Rue du Tourniquet joined +the Rue de la Tixeranderie, the clamps might still be seen of two strong +iron rings fixed to the wall, the relics of the chains put up every +night by the watch to secure public safety. + +This house, remarkable for its antiquity, had been constructed in a way +that bore witness to the unhealthiness of these old dwellings; for, +to preserve the ground-floor from damp, the arches of the cellars +rose about two feet above the soil, and the house was entered up three +outside steps. The door was crowned by a closed arch, of which the +keystone bore a female head and some time-eaten arabesques. Three +windows, their sills about five feet from the ground, belonged to a +small set of rooms looking out on the Rue du Tourniquet, whence they +derived their light. These windows were protected by strong iron bars, +very wide apart, and ending below in an outward curve like the bars of a +baker’s window. + +If any passer-by during the day were curious enough to peep into the two +rooms forming this little dwelling, he could see nothing; for only under +the sun of July could he discern, in the second room, two beds hung with +green serge, placed side by side under the paneling of an old-fashioned +alcove; but in the afternoon, by about three o’clock, when the candles +were lighted, through the pane of the first room an old woman might be +seen sitting on a stool by the fireplace, where she nursed the fire in +a brazier, to simmer a stew, such as porters’ wives are expert in. A +few kitchen utensils, hung up against the wall, were visible in the +twilight. + +At that hour an old table on trestles, but bare of linen, was laid with +pewter-spoons, and the dish concocted by the old woman. Three wretched +chairs were all the furniture of this room, which was at once the +kitchen and the dining-room. Over the chimney-piece were a piece of +looking-glass, a tinder-box, three glasses, some matches, and a large, +cracked white jug. Still, the floor, the utensils, the fireplace, +all gave a pleasant sense of the perfect cleanliness and thrift that +pervaded the dull and gloomy home. + +The old woman’s pale, withered face was quite in harmony with the +darkness of the street and the mustiness of the place. As she sat there, +motionless, in her chair, it might have been thought that she was as +inseparable from the house as a snail from its brown shell; her face, +alert with a vague expression of mischief, was framed in a flat cap made +of net, which barely covered her white hair; her fine, gray eyes were as +quiet as the street, and the many wrinkles in her face might be compared +to the cracks in the walls. Whether she had been born to poverty, or +had fallen from some past splendor, she now seemed to have been long +resigned to her melancholy existence. + +From sunrise till dark, excepting when she was getting a meal ready, or, +with a basket on her arm, was out purchasing provisions, the old woman +sat in the adjoining room by the further window, opposite a young girl. +At any hour of the day the passer-by could see the needlewoman seated +in an old, red velvet chair, bending over an embroidery frame, and +stitching indefatigably. + +Her mother had a green pillow on her knee, and busied herself with +hand-made net; but her fingers could move the bobbin but slowly; +her sight was feeble, for on her nose there rested a pair of those +antiquated spectacles which keep their place on the nostrils by the grip +of a spring. By night these two hardworking women set a lamp between +them; and the light, concentrated by two globe-shaped bottles of water, +showed the elder the fine network made by the threads on her pillow, +and the younger the most delicate details of the pattern she was +embroidering. The outward bend of the window had allowed the girl to +rest a box of earth on the window-sill, in which grew some sweet peas, +nasturtiums, a sickly little honeysuckle, and some convolvulus that +twined its frail stems up the iron bars. These etiolated plants produced +a few pale flowers, and added a touch of indescribable sadness and +sweetness to the picture offered by this window, in which the two +figures were appropriately framed. + +The most selfish soul who chanced to see this domestic scene would carry +away with him a perfect image of the life led in Paris by the working +class of women, for the embroideress evidently lived by her needle. +Many, as they passed through the turnstile, found themselves wondering +how a girl could preserve her color, living in such a cellar. A student +of lively imagination, going that way to cross to the Quartier-Latin, +would compare this obscure and vegetative life to that of the ivy that +clung to these chill walls, to that of the peasants born to labor, who +are born, toil, and die unknown to the world they have helped to feed. +A house-owner, after studying the house with the eye of a valuer, would +have said, “What will become of those two women if embroidery should go +out of fashion?” Among the men who, having some appointment at the +Hotel de Ville or the Palais de Justice, were obliged to go through +this street at fixed hours, either on their way to business or on their +return home, there may have been some charitable soul. Some widower or +Adonis of forty, brought so often into the secrets of these sad lives, +may perhaps have reckoned on the poverty of this mother and daughter, +and have hoped to become the master at no great cost of the innocent +work-woman, whose nimble and dimpled fingers, youthful figure, and +white skin--a charm due, no doubt, to living in this sunless street--had +excited his admiration. Perhaps, again, some honest clerk, with twelve +hundred francs a year, seeing every day the diligence the girl gave to +her needle, and appreciating the purity of her life, was only waiting +for improved prospects to unite one humble life with another, one form +of toil to another, and to bring at any rate a man’s arm and a calm +affection, pale-hued like the flowers in the window, to uphold this +home. + +Vague hope certainly gave life to the mother’s dim, gray eyes. Every +morning, after the most frugal breakfast, she took up her pillow, though +chiefly for the look of the thing, for she would lay her spectacles on a +little mahogany worktable as old as herself, and look out of the window +from about half-past eight till ten at the regular passers in the +street; she caught their glances, remarked on their gait, their dress, +their countenance, and almost seemed to be offering her daughter, her +gossiping eyes so evidently tried to attract some magnetic sympathy by +manoeuvres worthy of the stage. It was evident that this little review +was as good as a play to her, and perhaps her single amusement. + +The daughter rarely looked up. Modesty, or a painful consciousness of +poverty, seemed to keep her eyes riveted to the work-frame; and only +some exclamation of surprise from her mother moved her to show her small +features. Then a clerk in a new coat, or who unexpectedly appeared with +a woman on his arm, might catch sight of the girl’s slightly upturned +nose, her rosy mouth, and gray eyes, always bright and lively in spite +of her fatiguing toil. Her late hours had left a trace on her face by a +pale circle marked under each eye on the fresh rosiness of her cheeks. +The poor child looked as if she were made for love and cheerfulness--for +love, which had drawn two perfect arches above her eyelids, and had +given her such a mass of chestnut hair, that she might have hidden under +it as under a tent, impenetrable to the lover’s eye--for cheerfulness, +which gave quivering animation to her nostrils, which carved two +dimples in her rosy cheeks, and made her quick to forget her troubles; +cheerfulness, the blossom of hope, which gave her strength to look out +without shuddering on the barren path of life. + +The girl’s hair was always carefully dressed. After the manner of +Paris needlewomen, her toilet seemed to her quite complete when she had +brushed her hair smooth and tucked up the little short curls that played +on each temple in contrast with the whiteness of her skin. The growth of +it on the back of her neck was so pretty, and the brown line, so clearly +traced, gave such a pleasing idea of her youth and charm, that the +observer, seeing her bent over her work, and unmoved by any sound, +was inclined to think of her as a coquette. Such inviting promise had +excited the interest of more than one young man, who turned round in the +vain hope of seeing that modest countenance. + +“Caroline, there is a new face that passes regularly by, and not one of +the old ones to compare with it.” + +These words, spoken in a low voice by her mother one August morning +in 1815, had vanquished the young needlewoman’s indifference, and she +looked out on the street; but in vain, the stranger was gone. + +“Where has he flown to?” said she. + +“He will come back no doubt at four; I shall see him coming, and will +touch your foot with mine. I am sure he will come back; he has been +through the street regularly for the last three days; but his hours +vary. The first day he came by at six o’clock, the day before yesterday +it was four, yesterday as early as three. I remember seeing him +occasionally some time ago. He is some clerk in the Prefet’s office who +has moved to the Marais.--Why!” she exclaimed, after glancing down the +street, “our gentleman of the brown coat has taken to wearing a wig; how +much it alters him!” + +The gentleman of the brown coat was, it would seem, the individual +who commonly closed the daily procession, for the old woman put on her +spectacles and took up her work with a sigh, glancing at her daughter +with so strange a look that Lavater himself would have found it +difficult to interpret. Admiration, gratitude, a sort of hope for better +days, were mingled with pride at having such a pretty daughter. + +At about four in the afternoon the old lady pushed her foot against +Caroline’s, and the girl looked up quickly enough to see the new actor, +whose regular advent would thenceforth lend variety to the scene. He +was tall and thin, and wore black, a man of about forty, with a certain +solemnity of demeanor; as his piercing hazel eye met the old woman’s +dull gaze, he made her quake, for she felt as though he had the gift of +reading hearts, or much practice in it, and his presence must surely be +as icy as the air of this dank street. Was the dull, sallow complexion +of that ominous face due to excess of work, or the result of delicate +health? + +The old woman supplied twenty different answers to this question; but +Caroline, next day, discerned the lines of long mental suffering on +that brow that was so prompt to frown. The rather hollow cheeks of the +Unknown bore the stamp of the seal which sorrow sets on its victims as +if to grant them the consolation of common recognition and brotherly +union for resistance. Though the girl’s expression was at first one of +lively but innocent curiosity, it assumed a look of gentle sympathy +as the stranger receded from view, like a last relation following in a +funeral train. + +The heat of the weather was so great, and the gentleman was so +absent-minded, that he had taken off his hat and forgotten to put it on +again as he went down the squalid street. Caroline could see the stern +look given to his countenance by the way the hair was brushed from his +forehead. The strong impression, devoid of charm, made on the girl by +this man’s appearance was totally unlike any sensation produced by the +other passengers who used the street; for the first time in her life +she was moved to pity for some one else than herself and her mother; she +made no reply to the absurd conjectures that supplied material for the +old woman’s provoking volubility, and drew her long needle in silence +through the web of stretched net; she only regretted not having seen +the stranger more closely, and looked forward to the morrow to form a +definite opinion of him. + +It was the first time, indeed, that a man passing down the street had +ever given rise to much thought in her mind. She generally had nothing +but a smile in response to her mother’s hypotheses, for the old woman +looked on every passer-by as a possible protector for her daughter. And +if such suggestions, so crudely presented, gave rise to no evil thoughts +in Caroline’s mind, her indifference must be ascribed to the persistent +and unfortunately inevitable toil in which the energies of her sweet +youth were being spent, and which would infallibly mar the clearness +of her eyes or steal from her fresh cheeks the bloom that still colored +them. + +For two months or more the “Black Gentleman”--the name they had given +him--was erratic in his movements; he did not always come down the Rue +du Tourniquet; the old woman sometimes saw him in the evening when he +had not passed in the morning, and he did not come by at such regular +hours as the clerks who served Madame Crochard instead of a clock; +moreover, excepting on the first occasion, when his look had given the +old mother a sense of alarm, his eyes had never once dwelt on the +weird picture of these two female gnomes. With the exception of two +carriage-gates and a dark ironmonger’s shop, there were in the Rue du +Tourniquet only barred windows, giving light to the staircases of the +neighboring houses; thus the stranger’s lack of curiosity was not to be +accounted for by the presence of dangerous rivals; and Madame Crochard +was greatly piqued to see her “Black Gentleman” always lost in thought, +his eyes fixed on the ground, or straight before him, as though he hoped +to read the future in the fog of the Rue du Tourniquet. However, one +morning, about the middle of September, Caroline Crochard’s roguish face +stood out so brightly against the dark background of the room, looking +so fresh among the belated flowers and faded leaves that twined round +the window-bars, the daily scene was gay with such contrasts of light +and shade, of pink and white blending with the light material on which +the pretty needlewoman was working, and with the red and brown hues of +the chairs, that the stranger gazed very attentively at the effects of +this living picture. In point of fact, the old woman, provoked by her +“Black Gentleman’s” indifference, had made such a clatter with her +bobbins that the gloomy and pensive passer-by was perhaps prompted to +look up by the unusual noise. + +The stranger merely exchanged glances with Caroline, swift indeed, but +enough to effect a certain contact between their souls, and both were +aware that they would think of each other. When the stranger came by +again, at four in the afternoon, Caroline recognized the sound of his +step on the echoing pavement; they looked steadily at each other, and +with evident purpose; his eyes had an expression of kindliness which +made him smile, and Caroline colored; the old mother noted them with +satisfaction. Ever after that memorable afternoon, the Gentleman in +Black went by twice a day, with rare exceptions, which both the women +observed. They concluded from the irregularity of the hours of his +homecoming that he was not released so early, nor so precisely punctual +as a subordinate official. + +All through the first three winter months, twice a day, Caroline and the +stranger thus saw each other for so long as it took him to traverse the +piece of road that lay along the length of the door and three windows +of the house. Day after day this brief interview had the hue of friendly +sympathy which at last had acquired a sort of fraternal kindness. +Caroline and the stranger seemed to understand each other from the +first; and then, by dint of scrutinizing each other’s faces, they +learned to know them well. Ere long it came to be, as it were, a visit +that the Unknown owed to Caroline; if by any chance her Gentleman in +Black went by without bestowing on her the half-smile of his expressive +lips, or the cordial glance of his brown eyes, something was missing to +her all day. She felt as an old man does to whom the daily study of a +newspaper is such an indispensable pleasure that on the day after any +great holiday he wanders about quite lost, and seeking, as much out of +vagueness as for want of patience, the sheet by which he cheats an hour +of life. + +But these brief meetings had the charm of intimate friendliness, quite +as much for the stranger as for Caroline. The girl could no more hide +a vexation, a grief, or some slight ailment from the keen eye of her +appreciative friend than he could conceal anxiety from hers. + +“He must have had some trouble yesterday,” was the thought that +constantly arose in the embroideress’ mind as she saw some change in the +features of the “Black Gentleman.” + +“Oh, he has been working too hard!” was a reflection due to another +shade of expression which Caroline could discern. + +The stranger, on his part, could guess when the girl had spent Sunday +in finishing a dress, and he felt an interest in the pattern. As +quarter-day came near he could see that her pretty face was clouded by +anxiety, and he could guess when Caroline had sat up late at work; but +above all, he noted how the gloomy thoughts that dimmed the cheerful +and delicate features of her young face gradually vanished by degrees +as their acquaintance ripened. When winter had killed the climbers and +plants of her window garden, and the window was kept closed, it was +not without a smile of gentle amusement that the stranger observed the +concentration of the light within, just at the level of Caroline’s head. +The very small fire and the frosty red of the two women’s faces betrayed +the poverty of their home; but if ever his own countenance expressed +regretful compassion, the girl proudly met it with assumed cheerfulness. + +Meanwhile the feelings that had arisen in their hearts remained buried +there, no incident occurring to reveal to either of them how deep and +strong they were in the other; they had never even heard the sound of +each other’s voice. These mute friends were even on their guard against +any nearer acquaintance, as though it meant disaster. Each seemed to +fear lest it should bring on the other some grief more serious than +those they felt tempted to share. Was it shyness or friendship that +checked them? Was it a dread of meeting with selfishness, or the odious +distrust which sunders all the residents within the walls of a populous +city? Did the voice of conscience warn them of approaching danger? It +would be impossible to explain the instinct which made them as much +enemies as friends, at once indifferent and attached, drawn to each +other by impulse, and severed by circumstance. Each perhaps hoped to +preserve a cherished illusion. It might almost have been thought that +the stranger feared lest he should hear some vulgar word from those lips +as fresh and pure as a flower, and that Caroline felt herself unworthy +of the mysterious personage who was evidently possessed of power and +wealth. + +As to Madame Crochard, that tender mother, almost angry at her +daughter’s persistent lack of decisiveness, now showed a sulky face to +the “Black Gentleman,” on whom she had hitherto smiled with a sort of +benevolent servility. Never before had she complained so bitterly of +being compelled, at her age, to do the cooking; never had her catarrh +and her rheumatism wrung so many groans from her; finally, she could +not, this winter, promise so many ells of net as Caroline had hitherto +been able to count on. + +Under these circumstances, and towards the end of December, at the time +when bread was dearest, and that dearth of corn was beginning to be felt +which made the year 1816 so hard on the poor, the stranger observed +on the features of the girl whose name was still unknown to him, the +painful traces of a secret sorrow which his kindest smiles could not +dispel. Before long he saw in Caroline’s eyes the dimness attributed +to long hours at night. One night, towards the end of the month, the +Gentleman in Black passed down the Rue du Tourniquet at the quite +unwonted hour of one in the morning. The perfect silence allowed of his +hearing before passing the house the lachrymose voice of the old mother, +and Caroline’s even sadder tones, mingling with the swish of a shower +of sleet. He crept along as slowly as he could; and then, at the risk +of being taken up by the police, he stood still below the window to hear +the mother and daughter, while watching them through the largest of the +holes in the yellow muslin curtains, which were eaten away by wear as a +cabbage leaf is riddled by caterpillars. The inquisitive stranger saw a +sheet of paper on the table that stood between the two work-frames, and +on which stood the lamp and the globes filled with water. He at once +identified it as a writ. Madame Crochard was weeping, and Caroline’s +voice was thick, and had lost its sweet, caressing tone. + +“Why be so heartbroken, mother? Monsieur Molineux will not sell us up or +turn us out before I have finished this dress; only two nights more and +I shall take it home to Madame Roguin.” + +“And supposing she keeps you waiting as usual?--And will the money for +the gown pay the baker too?” + +The spectator of this scene had long practice in reading faces; he +fancied he could discern that the mother’s grief was as false as the +daughter’s was genuine; he turned away, and presently came back. When he +next peeped through the hole in the curtain, Madame Crochard was in bed. +The young needlewoman, bending over her frame, was embroidering with +indefatigable diligence; on the table, with the writ lay a triangular +hunch of bread, placed there, no doubt, to sustain her in the night and +to remind her of the reward of her industry. The stranger was tremulous +with pity and sympathy; he threw his purse in through a cracked pane +so that it should fall at the girl’s feet; and then, without waiting to +enjoy her surprise, he escaped, his cheeks tingling. + +Next morning the shy and melancholy stranger went past with a look of +deep preoccupation, but he could not escape Caroline’s gratitude; +she had opened her window and affected to be digging in the square +window-box buried in snow, a pretext of which the clumsy ingenuity +plainly told her benefactor that she had been resolved not to see him +only through the pane. Her eyes were full of tears as she bowed her +head, as much as to say to her benefactor, “I can only repay you from my +heart.” + +But the Gentleman in Black affected not to understand the meaning of +this sincere gratitude. In the evening, as he came by, Caroline was busy +mending the window with a sheet of paper, and she smiled at him, showing +her row of pearly teeth like a promise. Thenceforth the Stranger went +another way, and was no more seen in the Rue due Tourniquet. + + + +It was one day early in the following May that, as Caroline was giving +the roots of the honeysuckle a glass of water, one Saturday morning, she +caught sight of a narrow strip of cloudless blue between the black lines +of houses, and said to her mother: + +“Mamma, we must go to-morrow for a trip to Montmorency!” + +She had scarcely uttered the words, in a tone of glee, when the +Gentleman in Black came by, sadder and more dejected than ever. +Caroline’s innocent and ingratiating glance might have been taken for +an invitation. And, in fact, on the following day, when Madame Crochard, +dressed in a pelisse of claret-colored merinos, a silk bonnet, and +striped shawl of an imitation Indian pattern, came out to choose seats +in a chaise at the corner of the Rue du Faubourg Saint-Denis and the Rue +d’Enghien, there she found her Unknown standing like a man waiting for +his wife. A smile of pleasure lighted up the Stranger’s face when +his eye fell on Caroline, her neat feet shod in plum-colored prunella +gaiters, and her white dress tossed by a breeze that would have been +fatal to an ill-made woman, but which displayed her graceful form. Her +face, shaded by a rice-straw bonnet lined with pink silk, seemed to beam +with a reflection from heaven; her broad, plum-colored belt set off a +waist he could have spanned; her hair, parted in two brown bands over a +forehead as white as snow, gave her an expression of innocence which no +other feature contradicted. Enjoyment seemed to have made Caroline as +light as the straw of her hat; but when she saw the Gentleman in Black, +radiant hope suddenly eclipsed her bright dress and her beauty. The +Stranger, who appeared to be in doubt, had not perhaps made up his mind +to be the girl’s escort for the day till this revelation of the delight +she felt on seeing him. He at once hired a vehicle with a fairly good +horse, to drive to Saint-Leu-Taverny, and he offered Madame Crochard +and her daughter seats by his side. The mother accepted without ado; but +presently, when they were already on the way to Saint-Denis, she was by +way of having scruples, and made a few civil speeches as to the possible +inconvenience two women might cause their companion. + +“Perhaps, monsieur, you wished to drive alone to Saint-Leu-Taverny,” + said she, with affected simplicity. + +Before long she complained of the heat, and especially of her cough, +which, she said, had hindered her from closing her eyes all night; and +by the time the carriage had reached Saint-Denis, Madame Crochard seemed +to be fast asleep. Her snores, indeed, seemed, to the Gentleman in +Black, rather doubtfully genuine, and he frowned as he looked at the old +woman with a very suspicious eye. + +“Oh, she is fast asleep,” said Caroline quilelessly; “she never ceased +coughing all night. She must be very tired.” + +Her companion made no reply, but he looked at the girl with a smile that +seemed to say: + +“Poor child, you little know your mother!” + +However, in spite of his distrust, as the chaise made its way down the +long avenue of poplars leading to Eaubonne, the Stranger thought that +Madame Crochard was really asleep; perhaps he did not care to inquire +how far her slumbers were genuine or feigned. Whether it were that the +brilliant sky, the pure country air, and the heady fragrance of the +first green shoots of the poplars, the catkins of willow, and the +flowers of the blackthorn had inclined his heart to open like all the +nature around him; or that any long restraint was too oppressive while +Caroline’s sparkling eyes responded to his own, the Gentleman in Black +entered on a conversation with his young companion, as aimless as the +swaying of the branches in the wind, as devious as the flitting of the +butterflies in the azure air, as illogical as the melodious murmur of +the fields, and, like it, full of mysterious love. At that season is not +the rural country as tremulous as a bride that has donned her marriage +robe; does it not invite the coldest soul to be happy? What heart could +remain unthawed, and what lips could keep its secret, on leaving the +gloomy streets of the Marais for the first time since the previous +autumn, and entering the smiling and picturesque valley of Montmorency; +on seeing it in the morning light, its endless horizons receding from +view; and then lifting a charmed gaze to eyes which expressed no less +infinitude mingled with love? + +The Stranger discovered that Caroline was sprightly rather than witty, +affectionate, but ill educated; but while her laugh was giddy, her words +promised genuine feeling. When, in response to her companion’s shrewd +questioning, the girl spoke with the heartfelt effusiveness of which the +lower classes are lavish, not guarding it with reticence like people of +the world, the Black Gentleman’s face brightened, and seemed to renew +its youth. His countenance by degrees lost the sadness that lent +sternness to his features, and little by little they gained a look of +handsome youthfulness which made Caroline proud and happy. The pretty +needlewoman guessed that her new friend had been long weaned from +tenderness and love, and no longer believed in the devotion of woman. +Finally, some unexpected sally in Caroline’s light prattle lifted the +last veil that concealed the real youth and genuine character of the +Stranger’s physiognomy; he seemed to bid farewell to the ideas that +haunted him, and showed the natural liveliness that lay beneath the +solemnity of his expression. + +Their conversation had insensibly become so intimate, that by the time +when the carriage stopped at the first houses of the straggling village +of Saint-Leu, Caroline was calling the gentleman Monsieur Roger. Then +for the first time the old mother awoke. + +“Caroline, she has heard everything!” said Roger suspiciously in the +girl’s ear. + +Caroline’s reply was an exquisite smile of disbelief, which dissipated +the dark cloud that his fear of some plot on the old woman’s part had +brought to this suspicious mortal’s brow. Madame Crochard was amazed +at nothing, approved of everything, followed her daughter and Monsieur +Roger into the park, where the two young people had agreed to wander +through the smiling meadows and fragrant copses made famous by the taste +of Queen Hortense. + +“Good heavens! how lovely!” exclaimed Caroline when standing on the +green ridge where the forest of Montmorency begins, she saw lying at her +feet the wide valley with its combes sheltering scattered villages, its +horizon of blue hills, its church towers, its meadows and fields, whence +a murmur came up, to die on her ear like the swell of the ocean. The +three wanderers made their way by the bank of an artificial stream and +came to the Swiss valley, where stands a chalet that had more than once +given shelter to Hortense and Napoleon. When Caroline had seated +herself with pious reverence on the mossy wooden bench where kings and +princesses and the Emperor had rested, Madame Crochard expressed a wish +to have a nearer view of a bridge that hung across between two rocks at +some little distance, and bent her steps towards that rural curiosity, +leaving her daughter in Monsieur Roger’s care, though telling them that +she would not go out of sight. + +“What, poor child!” cried Roger, “have you never longed for wealth and +the pleasures of luxury? Have you never wished that you might wear the +beautiful dresses you embroider?” + +“It would not be the truth, Monsieur Roger, if I were to tell you that +I never think how happy people must be who are rich. Oh yes! I often +fancy, especially when I am going to sleep, how glad I should be to see +my poor mother no longer compelled to go out, whatever the weather, +to buy our little provisions, at her age. I should like her to have a +servant who, every morning before she was up, would bring her up her +coffee, nicely sweetened with white sugar. And she loves reading novels, +poor dear soul! Well, and I would rather see her wearing out her eyes +over her favorite books than over twisting her bobbins from morning +till night. And again, she ought to have a little good wine. In short, I +should like to see her comfortable--she is so good.” + +“Then she has shown you great kindness?” + +“Oh yes,” said the girl, in a tone of conviction. Then, after a short +pause, during which the two young people stood watching Madame Crochard, +who had got to the middle of the rustic bridge, and was shaking her +finger at them, Caroline went on: + +“Oh yes, she has been so good to me. What care she took of me when I was +little! She sold her last silver forks to apprentice me to the old maid +who taught me to embroider.--And my poor father! What did she not go +through to make him end his days in happiness!” The girl shivered at the +remembrance, and hid her face in her hands.--“Well! come! let us forget +past sorrows!” she added, trying to rally her high spirits. She blushed +as she saw that Roger too was moved, but she dared not look at him. + +“What was your father?” he asked. + +“He was an opera-dancer before the Revolution,” said she, with an air +of perfect simplicity, “and my mother sang in the chorus. My father, who +was leader of the figures on the stage, happened to be present at the +siege of the Bastille. He was recognized by some of the assailants, who +asked him whether he could not lead a real attack, since he was used to +leading such enterprises on the boards. My father was brave; he accepted +the post, led the insurgents, and was rewarded by the nomination to the +rank of captain in the army of Sambre-et-Meuse, where he distinguished +himself so far as to rise rapidly to be a colonel. But at Lutzen he was +so badly wounded that, after a year’s sufferings, he died in Paris.--The +Bourbons returned; my mother could obtain no pension, and we fell into +such abject misery that we were compelled to work for our living. For +some time past she has been ailing, poor dear, and I have never known +her so little resigned; she complains a good deal, and, indeed, I cannot +wonder, for she has known the pleasures of an easy life. For my part, +I cannot pine for delights I have never known, I have but one thing to +wish for.” + +“And that is?” said Roger eagerly, as if roused from a dream. + +“That women may continue to wear embroidered net dresses, so that I may +never lack work.” + +The frankness of this confession interested the young man, who looked +with less hostile eyes on Madame Crochard as she slowly made her way +back to them. + +“Well, children, have you had a long talk?” said she, with a +half-laughing, half-indulgent air. “When I think, Monsieur Roger, that +the ‘little Corporal’ has sat where you are sitting,” she went on after +a pause. “Poor man! how my husband worshiped him! Ah! Crochard did well +to die, for he could not have borne to think of him where _they_ have +sent him!” + +Roger put his finger to his lips, and the good woman went on very +gravely, with a shake of her head: + +“All right, mouth shut and tongue still! But,” added she, unhooking a +bit of her bodice, and showing a ribbon and cross tied round her neck by +a piece of black ribbon, “they shall never hinder me from wearing what +_he_ gave to my poor Crochard, and I will have it buried with me.” + +On hearing this speech, which at that time was regarded as seditious, +Roger interrupted the old lady by rising suddenly, and they returned to +the village through the park walks. The young man left them for a +few minutes while he went to order a meal at the best eating-house +in Taverny; then, returning to fetch them, he led the way through the +alleys cut in the forest. + +The dinner was cheerful. Roger was no longer the melancholy shade that +was wont to pass along the Rue du Tourniquet; he was not the “Black +Gentleman,” but rather a confiding young man ready to take life as it +came, like the two hard-working women who, on the morrow, might lack +bread; he seemed alive to all the joys of youth, his smile was quite +affectionate and childlike. + +When, at five o’clock, this happy meal was ended with a few glasses +of champagne, Roger was the first to propose that they should join the +village ball under the chestnuts, where he and Caroline danced together. +Their hands met with sympathetic pressure, their hearts beat with the +same hopes; and under the blue sky and the slanting, rosy beams of +sunset, their eyes sparkled with fires which, to them, made the glory of +the heavens pale. How strange is the power of an idea, of a desire! +To these two nothing seemed impossible. In such magic moments, when +enjoyment sheds its reflections on the future, the soul foresees nothing +but happiness. This sweet day had created memories for these two to +which nothing could be compared in all their past existence. Would +the source prove to be more beautiful than the river, the desire more +enchanting than its gratification, the thing hoped for more delightful +than the thing possessed? + +“So the day is already at an end!” On hearing this exclamation from +her unknown friend when the dance was over, Caroline looked at him +compassionately, as his face assumed once more a faint shade of sadness. + +“Why should you not be as happy in Paris as you are here?” she asked. +“Is happiness to be found only at Saint-Leu? It seems to me that I can +henceforth never be unhappy anywhere.” + +Roger was struck by these words, spoken with the glad unrestraint that +always carries a woman further than she intended, just as prudery often +lends her greater cruelty than she feels. For the first time since that +glance, which had, in a way, been the beginning of their friendship, +Caroline and Roger had the same idea; though they did not express it, +they felt it at the same instant, as a result of a common impression +like that of a comforting fire cheering both under the frost of winter; +then, as if frightened by each other’s silence, they made their way to +the spot where the carriage was waiting. But before getting into it, +they playfully took hands and ran together down the dark avenue in front +of Madame Crochard. When they could no longer see the white net +cap, which showed as a speck through the leaves where the old woman +was--“Caroline!” said Roger in a tremulous voice, and with a beating +heart. + +The girl was startled, and drew back a few steps, understanding the +invitation this question conveyed; however, she held out her hand, which +was passionately kissed, but which she hastily withdrew, for by standing +on tiptoe she could see her mother. + +Madame Crochard affected blindness, as if, with a reminiscence of her +old parts, she was only required to figure as a supernumerary. + + + +The adventures of these two young people were not continued in the Rue +du Tourniquet. To see Roger and Caroline once more, we must leap into +the heart of modern Paris, where, in some of the newly-built houses, +there are apartments that seem made on purpose for newly-married couples +to spend their honeymoon in. There the paper and paint are as fresh as +the bride and bridegroom, and the decorations are in blossom like their +love; everything is in harmony with youthful notions and ardent wishes. + +Half-way down the Rue Taitbout, in a house whose stone walls were +still white, where the columns of the hall and the doorway were as yet +spotless, and the inner walls shone with the neat painting which our +recent intimacy with English ways had brought into fashion, there was, +on the second floor, a small set of rooms fitted by the architect as +though he had known what their use would be. A simple airy ante-room, +with a stucco dado, formed an entrance into a drawing-room and +dining-room. Out of the drawing-room opened a pretty bedroom, with a +bathroom beyond. Every chimney-shelf had over it a fine mirror elegantly +framed. The doors were crowded with arabesques in good taste, and the +cornices were in the best style. Any amateur would have discerned there +the sense of distinction and decorative fitness which mark the work of +modern French architects. + +For above a month Caroline had been at home in this apartment, furnished +by an upholsterer who submitted to an artist’s guidance. A short +description of the principal room will suffice to give us an idea of the +wonders it offered to Caroline’s delighted eyes when Roger installed her +there. Hangings of gray stuff trimmed with green silk adorned the walls +of her bedroom; the seats, covered with light-colored woolen sateen, +were of easy and comfortable shapes, and in the latest fashion; a chest +of drawers of some simple wood, inlaid with lines of a darker hue, +contained the treasures of the toilet; a writing-table to match served +for inditing love-letters on scented paper; the bed, with antique +draperies, could not fail to suggest thoughts of love by its soft +hangings of elegant muslin; the window-curtains, of drab silk with +green fringe, were always half drawn to subdue the light; a bronze clock +represented Love crowning Psyche; and a carpet of Gothic design on a red +ground set off the other accessories of this delightful retreat. There +was a small dressing-table in front of a long glass, and here the +needlewoman sat, out of patience with Plaisir, the famous hairdresser. + +“Do you think you will have done to-day?” said she. + +“Your hair is so long and so thick, madame,” replied Plaisir. + +Caroline could not help smiling. The man’s flattery had no doubt revived +in her mind the memory of the passionate praises lavished by her lover +on the beauty of her hair, which he delighted in. + +The hairdresser having done, a waiting-maid came and held counsel with +her as to the dress in which Roger would like best to see her. It was +the beginning of September 1816, and the weather was cold; she chose a +green _grenadine_ trimmed with chinchilla. As soon as she was dressed, +Caroline flew into the drawing-room and opened a window, out of which +she stepped on to the elegant balcony, that adorned the front of the +house; there she stood, with her arms crossed, in a charming attitude, +not to show herself to the admiration of the passers-by and see them +turn to gaze at her, but to be able to look out on the Boulevard at the +bottom of the Rue Taitbout. This side view, really very comparable to +the peephole made by actors in the drop-scene of a theatre, enabled +her to catch a glimpse of numbers of elegant carriages, and a crowd of +persons, swept past with the rapidity of _Ombres Chinoises_. Not knowing +whether Roger would arrive in a carriage or on foot, the needlewoman +from the Rue du Tourniquet looked by turns at the foot-passengers, and +at the tilburies--light cabs introduced into Paris by the English. + +Expressions of refractoriness and of love passed by turns over her +youthful face when, after waiting for a quarter of an hour, neither her +keen eye nor her heart had announced the arrival of him whom she knew +to be due. What disdain, what indifference were shown in her beautiful +features for all the other creatures who were bustling like ants below +her feet. Her gray eyes, sparkling with fun, now positively flamed. +Given over to her passion, she avoided admiration with as much care +as the proudest devote to encouraging it when they drive about Paris, +certainly feeling no care as to whether her fair countenance leaning +over the balcony, or her little foot between the bars, and the picture +of her bright eyes and delicious turned-up nose would be effaced or no +from the minds of the passers-by who admired them; she saw but one +face, and had but one idea. When the spotted head of a certain bay +horse happened to cross the narrow strip between the two rows of houses, +Caroline gave a little shiver and stood on tiptoe in hope of recognizing +the white traces and the color of the tilbury. It was he! + +Roger turned the corner of the street, saw the balcony, whipped the +horse, which came up at a gallop, and stopped at the bronze-green door +that he knew as well as his master did. The door of the apartment was +opened at once by the maid, who had heard her mistress’ exclamation of +delight. Roger rushed up to the drawing-room, clasped Caroline in his +arms, and embraced her with the effusive feeling natural when two beings +who love each other rarely meet. He led her, or rather they went by a +common impulse, their arms about each other, into the quiet and fragrant +bedroom; a settee stood ready for them to sit by the fire, and for a +moment they looked at each other in silence, expressing their happiness +only by their clasped hands, and communicating their thoughts in a fond +gaze. + +“Yes, it is he!” she said at last. “Yes, it is you. Do you know, I have +not seen you for three long days, an age!--But what is the matter? You +are unhappy.” + +“My poor Caroline--” + +“There, you see! ‘poor Caroline’--” + +“No, no, do not laugh, my darling; we cannot go to the Feydeau Theatre +together this evening.” + +Caroline put on a little pout, but it vanished immediately. + +“How absurd I am! How can I think of going to the play when I see you? +Is not the sight of you the only spectacle I care for?” she cried, +pushing her fingers through Roger’s hair. + +“I am obliged to go to the Attorney-General’s. We have a knotty case in +hand. He met me in the great hall at the Palais; and as I am to plead, +he asked me to dine with him. But, my dearest, you can go to the theatre +with your mother, and I will join you if the meeting breaks up early.” + +“To the theatre without you!” cried she in a tone of amazement; “enjoy +any pleasure you do not share! O my Roger! you do not deserve a +kiss,” she added, throwing her arms round his neck with an artless and +impassioned impulse. + +“Caroline, I must go home and dress. The Marais is some way off, and I +still have some business to finish.” + +“Take care what you are saying, monsieur,” said she, interrupting him. +“My mother says that when a man begins to talk about his business, he is +ceasing to love.” + +“Caroline! Am I not here? Have I not stolen this hour from my +pitiless--” + +“Hush!” said she, laying a finger on his mouth. “Don’t you see that I am +in jest.” + +They had now come back to the drawing-room, and Roger’s eye fell on an +object brought home that morning by the cabinetmaker. Caroline’s old +rosewood embroidery-frame, by which she and her mother had earned their +bread when they lived in the Rue du Tourniquet-Saint-Jean, had been +refitted and polished, and a net dress, of elaborate design, was already +stretched upon it. + +“Well, then, my dear, I shall do some work this evening. As I stitch, I +shall fancy myself gone back to those early days when you used to +pass by me without a word, but not without a glance; the days when +the remembrance of your look kept me awake all night. Oh my dear old +frame--the best piece of furniture in my room, though you did not give +it me!--You cannot think,” said she, seating herself on Roger’s knees; +for he, overcome by irresistible feelings, had dropped into a chair. +“Listen.--All I can earn by my work I mean to give to the poor. You have +made me rich. How I love that pretty home at Bellefeuille, less because +of what it is than because you gave it me! But tell me, Roger, I should +like to call myself Caroline de Bellefeuille--can I? You must know: is +it legal or permissible?” + +As she saw a little affirmative grimace--for Roger hated the name of +Crochard--Caroline jumped for glee, and clapped her hands. + +“I feel,” said she, “as if I should more especially belong to you. +Usually a woman gives up her own name and takes her husband’s--” An idea +forced itself upon her and made her blush. She took Roger’s hand and led +him to the open piano.--“Listen,” said she, “I can play my sonata now +like an angel!” and her fingers were already running over the ivory +keys, when she felt herself seized round the waist. + +“Caroline, I ought to be far from hence!” + +“You insist on going? Well, go,” said she, with a pretty pout, but she +smiled as she looked at the clock and exclaimed joyfully, “At any rate, +I have detained you a quarter of an hour!” + +“Good-bye, Mademoiselle de Bellefeuille,” said he, with the gentle irony +of love. + +She kissed him and saw her lover to the door; when the sound of his +steps had died away on the stairs she ran out on to the balcony to see +him get into the tilbury, to see him gather up the reins, to catch a +parting look, hear the crack of his whip and the sound of his wheels on +the stones, watch the handsome horse, the master’s hat, the tiger’s +gold lace, and at last to stand gazing long after the dark corner of the +street had eclipsed this vision. + + + +Five years after Mademoiselle Caroline de Bellefeuille had taken up her +abode in the pretty house in the Rue Taitbout, we again look in on one +of those home-scenes which tighten the bonds of affection between two +persons who truly love. In the middle of the blue drawing-room, in front +of the window opening to the balcony, a little boy of four was making +a tremendous noise as he whipped the rocking-horse, whose two curved +supports for the legs did not move fast enough to please him; his pretty +face, framed in fair curls that fell over his white collar, smiled up +like a cherub’s at his mother when she said to him from the depths of +an easy-chair, “Not so much noise, Charles; you will wake your little +sister.” + +The inquisitive boy suddenly got off his horse, and treading on tiptoe +as if he were afraid of the sound of his feet on the carpet, came up +with one finger between his little teeth, and standing in one of those +childish attitudes that are so graceful because they are so perfectly +natural, raised the muslin veil that hid the rosy face of a little girl +sleeping on her mother’s knee. + +“Is Eugenie asleep, then?” said he, quite astonished. “Why is she asleep +when we are awake?” he added, looking up with large, liquid black eyes. + +“That only God can know,” replied Caroline, with a smile. + +The mother and boy gazed at the infant, only that morning baptized. + +Caroline, now about four-and-twenty, showed the ripe beauty which +had expanded under the influence of cloudless happiness and constant +enjoyment. In her the Woman was complete. + +Delighted to obey her dear Roger’s every wish, she had acquired the +accomplishments she had lacked; she played the piano fairly well, and +sang sweetly. Ignorant of the customs of a world that would have treated +her as an outcast, and which she would not have cared for even if it had +welcomed her--for a happy woman does not care for the world--she had +not caught the elegance of manner or learned the art of conversation, +abounding in words and devoid of ideas, which is current in fashionable +drawing-rooms; on the other hand, she worked hard to gain the knowledge +indispensable to a mother whose chief ambition is to bring up her +children well. Never to lose sight of her boy, to give him from the +cradle that training of every minute which impresses on the young a +love of all that is good and beautiful, to shelter him from every evil +influence and fulfil both the painful duties of a nurse and the tender +offices of a mother,--these were her chief pleasures. + +The coy and gentle being had from the first day so fully resigned +herself never to step beyond the enchanted sphere where she found all +her happiness, that, after six years of the tenderest intimacy, she +still knew her lover only by the name of Roger. A print of the picture +of the Psyche lighting her lamp to gaze on Love in spite of his +prohibition, hung in her room, and constantly reminded her of the +conditions of her happiness. Through all these six years her humble +pleasures had never importuned Roger by a single indiscreet ambition, +and his heart was a treasure-house of kindness. Never had she longed for +diamonds or fine clothes, and had again and again refused the luxury of +a carriage which he had offered her. To look out from her balcony for +Roger’s cab, to go with him to the play or make excursions with him, +on fine days in the environs of Paris, to long for him, to see him, +and then to long again,--these made up the history of her life, poor in +incidents but rich in happiness. + +As she rocked the infant, now a few months old, on her knee, singing +the while, she allowed herself to recall the memories of the past. She +lingered more especially on the months of September, when Roger was +accustomed to take her to Bellefeuille and spend the delightful days +which seem to combine the charms of every season. Nature is equally +prodigal of flowers and fruit, the evenings are mild, the mornings +bright, and a blaze of summer often returns after a spell of autumn +gloom. During the early days of their love, Caroline had ascribed the +even mind and gentle temper, of which Roger gave her so many proofs, +to the rarity of their always longed-for meetings, and to their mode of +life, which did not compel them to be constantly together, as a husband +and wife must be. But now she could remember with rapture that, tortured +by foolish fears, she had watched him with trembling during their first +stay on this little estate in the Gatinais. Vain suspiciousness of love! +Each of these months of happiness had passed like a dream in the midst +of joys which never rang false. She had always seen that kind creature +with a tender smile on his lips, a smile that seemed to mirror her own. + +As she called up these vivid pictures, her eyes filled with tears; she +thought she could not love him enough, and was tempted to regard her +ambiguous position as a sort of tax levied by Fate on her love. Finally, +invincible curiosity led her to wonder for the thousandth time what +events they could be that led so tender a heart as Roger’s to find his +pleasure in clandestine and illicit happiness. She invented a thousand +romances on purpose really to avoid recognizing the true reason, which +she had long suspected but tried not to believe in. She rose, and +carrying the baby in her arms, went into the dining-room to superintend +the preparations for dinner. + +It was the 6th of May 1822, the anniversary of the excursion to the Park +of Saint-Leu, which had been the turning-point of her life; each year it +had been marked by heartfelt rejoicing. Caroline chose the linen to +be used, and arranged the dessert. Having attended with joy to these +details, which touched Roger, she placed the infant in her pretty cot +and went out on to the balcony, whence she presently saw the carriage +which her friend, as he grew to riper years, now used instead of the +smart tilbury of his youth. After submitting to the first fire of +Caroline’s embraces and the kisses of the little rogue who addressed +him as papa, Roger went to the cradle, looked at his little sleeping +daughter, kissed her forehead, and then took out of his pocket a +document covered with black writing. + +“Caroline,” said he, “here is the marriage portion of Mademoiselle +Eugenie de Bellefeuille.” + +The mother gratefully took the paper, a deed of gift of securities in +the State funds. + +“Buy why,” said she, “have you given Eugenie three thousand francs a +year, and Charles no more than fifteen hundred?” + +“Charles, my love, will be a man,” replied he. “Fifteen hundred francs +are enough for him. With so much for certain, a man of courage is above +poverty. And if by chance your son should turn out a nonentity, I do +not wish him to be able to play the fool. If he is ambitious, this small +income will give him a taste for work.--Eugenie is a girl; she must have +a little fortune.” + +The father then turned to play with his boy, whose effusive affection +showed the independence and freedom in which he was brought up. No sort +of shyness between the father and child interfered with the charm which +rewards a parent for his devotion; and the cheerfulness of the little +family was as sweet as it was genuine. In the evening a magic-lantern +displayed its illusions and mysterious pictures on a white sheet +to Charles’ great surprise, and more than once the innocent child’s +heavenly rapture made Caroline and Roger laugh heartily. + +Later, when the little boy was in bed, the baby woke and craved its +limpid nourishment. By the light of a lamp in the chimney corner, Roger +enjoyed the scene of peace and comfort, and gave himself up to the +happiness of contemplating the sweet picture of the child clinging to +Caroline’s white bosom as she sat, as fresh as a newly opened lily, +while her hair fell in long brown curls that almost hid her neck. The +lamplight enhanced the grace of the young mother, shedding over her, +her dress, and the infant, the picturesque effects of strong light and +shadow. + +The calm and silent woman’s face struck Roger as a thousand times +sweeter than ever, and he gazed tenderly at the rosy, pouting lips +from which no harsh word had ever been heard. The very same thought was +legible in Caroline’s eyes as she gave a sidelong look at Roger, either +to enjoy the effect she was producing on him, or to see what the end +of the evening was to be. He, understanding the meaning of this cunning +glance, said with assumed regret, “I must be going. I have a serious +case to be finished, and I am expected at home. Duty before all +things--don’t you think so, my darling?” + +Caroline looked him in the face with an expression at once sad and +sweet, with the resignation which does not, however, disguise the pangs +of a sacrifice. + +“Good-bye, then,” said she. “Go, for if you stay an hour longer I cannot +so lightly bear to set you free.” + +“My dearest,” said he with a smile, “I have three days’ holiday, and am +supposed to be twenty leagues away from Paris.” + + + +A few days after this anniversary of the 6th of May, Mademoiselle de +Bellefeuille hurried off one morning to the Rue Saint-Louis, in the +Marais, only hoping she might not arrive too late at a house where she +commonly went once a week. An express messenger had just come to inform +her that her mother, Madame Crochard, was sinking under a complication +of disorders produced by constant catarrh and rheumatism. + +While the hackney coach-driver was flogging up his horses at Caroline’s +urgent request, supported by the promise of a handsome present, the +timid old women, who had been Madame Crochard’s friends during her later +years, had brought a priest into the neat and comfortable second-floor +rooms occupied by the old widow. Madame Crochard’s maid did not know +that the pretty lady at whose house her mistress so often dined was +her daughter, and she was one of the first to suggest the services of a +confessor, in the hope that this priest might be at least as useful +to herself as to the sick woman. Between two games of boston, or +out walking in the Jardin Turc, the old beldames with whom the widow +gossiped all day had succeeded in rousing in their friend’s stony heart +some scruples as to her former life, some visions of the future, some +fears of hell, and some hopes of forgiveness if she should return in +sincerity to a religious life. So on this solemn morning three ancient +females had settled themselves in the drawing-room where Madame Crochard +was “at home” every Tuesday. Each in turn left her armchair to go to the +poor old woman’s bedside and sit with her, giving her the false hopes +with which people delude the dying. + +At the same time, when the end was drawing near, when the physician +called in the day before would no longer answer for her life, the three +dames took counsel together as to whether it would not be well to +send word to Mademoiselle de Bellefeuille. Francoise having been duly +informed, it was decided that a commissionaire should go to the Rue +Taitbout to inform the young relation whose influence was so disquieting +to the four women; still, they hoped that the Auvergnat would be too +late in bringing back the person who so certainly held the first +place in the widow Crochard’s affections. The widow, evidently in the +enjoyment of a thousand crowns a year, would not have been so fondly +cherished by this feminine trio, but that neither of them, nor Francoise +herself knew of her having any heir. The wealth enjoyed by Mademoiselle +de Bellefeuille, whom Madame Crochard, in obedience to the traditions of +the older opera, never allowed herself to speak of by the affectionate +name of daughter, almost justified the four women in their scheme of +dividing among themselves the old woman’s “pickings.” + +Presently the one of these three sibyls who kept guard over the sick +woman came shaking her head at the other anxious two, and said: + +“It is time we should be sending for the Abbe Fontanon. In another two +hours she will neither have the wit nor the strength to write a line.” + +Thereupon the toothless old cook went off, and returned with a man +wearing a black gown. A low forehead showed a small mind in this +priest, whose features were mean; his flabby, fat cheeks and double chin +betrayed the easy-going egotist; his powdered hair gave him a pleasant +look, till he raised his small, brown eyes, prominent under a flat +forehead, and not unworthy to glitter under the brows of a Tartar. + +“Monsieur l’Abbe,” said Francoise, “I thank you for all your advice; but +believe me, I have taken the greatest care of the dear soul.” + +But the servant, with her dragging step and woe-begone look, was silent +when she saw that the door of the apartment was open, and that the most +insinuating of the three dowagers was standing on the landing to be the +first to speak with the confessor. When the priest had politely faced +the honeyed and bigoted broadside of words fired off from the widow’s +three friends, he went into the sickroom to sit by Madame Crochard. +Decency, and some sense of reserve, compelled the three women and old +Francoise to remain in the sitting-room, and to make such grimaces of +grief as are possible in perfection only to such wrinkled faces. + +“Oh, is it not ill-luck!” cried Francoise, heaving a sigh. “This is +the fourth mistress I have buried. The first left me a hundred francs a +year, the second a sum of fifty crowns, and the third a thousand crowns +down. After thirty years’ service, that is all I have to call my own.” + +The woman took advantage of her freedom to come and go, to slip into a +cupboard, whence she could hear the priest. + +“I see with pleasure, daughter,” said Fontanon, “that you have pious +sentiments; you have a sacred relic round your neck.” + +Madame Crochard, with a feeble vagueness which seemed to show that she +had not all her wits about her, pulled out the Imperial Cross of the +Legion of Honor. The priest started back at seeing the Emperor’s head; +he went up to the penitent again, and she spoke to him, but in such a +low tone that for some minutes Francoise could hear nothing. + +“Woe upon me!” cried the old woman suddenly. “Do not desert me. What, +Monsieur l’Abbe, do you think I shall be called to account for my +daughter’s soul?” + +The Abbe spoke too low, and the partition was too thick for Francoise to +hear the reply. + +“Alas!” sobbed the woman, “the wretch has left me nothing that I can +bequeath. When he robbed me of my dear Caroline, he parted us, and only +allowed me three thousand francs a year, of which the capital belongs to +my daughter.” + +“Madame has a daughter, and nothing to live on but an annuity,” shrieked +Francoise, bursting into the drawing-room. + +The three old crones looked at each other in dismay. One of them, whose +nose and chin nearly met with an expression that betrayed a superior +type of hypocrisy and cunning, winked her eyes; and as soon as +Francoise’s back was turned, she gave her friends a nod, as much as to +say, “That slut is too knowing by half; her name has figured in three +wills already.” + +So the three old dames sat on. + +However, the Abbe presently came out, and at a word from him the witches +scuttered down the stairs at his heels, leaving Francoise alone with her +mistress. Madame Crochard, whose sufferings increased in severity, rang, +but in vain, for this woman, who only called out, “Coming, coming--in +a minute!” The doors of cupboards and wardrobes were slamming as though +Francoise were hunting high and low for a lost lottery ticket. + +Just as this crisis was at a climax, Mademoiselle de Bellefeuille came +to stand by her mother’s bed, lavishing tender words on her. + +“Oh my dear mother, how criminal I have been! You are ill, and I did not +know it; my heart did not warn me. However, here I am--” + +“Caroline--” + +“What is it?” + +“They fetched a priest--” + +“But send for a doctor, bless me!” cried Mademoiselle de Bellefeuille. +“Francoise, a doctor! How is it that these ladies never sent for a +doctor?” + +“They sent for a priest----” repeated the old woman with a gasp. + +“She is so ill--and no soothing draught, nothing on her table!” + +The mother made a vague sign, which Caroline’s watchful eye understood, +for she was silent to let her mother speak. + +“They brought a priest--to hear my confession, as they said.--Beware, +Caroline!” cried the old woman with an effort, “the priest made me tell +him your benefactor’s name.” + +“But who can have told you, poor mother?” + +The old woman died, trying to look knowingly cunning. If Mademoiselle de +Bellefeuille had noted her mother’s face she might have seen what no one +ever will see--Death laughing. + +To enter into the interests that lay beneath this introduction to my +tale, we must for a moment forget the actors in it, and look back at +certain previous incidents, of which the last was closely concerned with +the death of Madame Crochard. The two parts will then form a whole--a +story which, by a law peculiar to life in Paris, was made up of two +distinct sets of actions. + +Towards the close of the month of November 1805, a young barrister, aged +about six-and-twenty, was going down the stairs of the hotel where +the High Chancellor of the Empire resided, at about three o’clock one +morning. Having reached the courtyard in full evening dress, under +a keen frost, he could not help giving vent to an exclamation of +dismay--qualified, however, by the spirit which rarely deserts a +Frenchman--at seeing no hackney coach waiting outside the gates, and +hearing no noises such as arise from the wooden shoes or harsh voices +of the hackney-coachmen of Paris. The occasional pawing of the horses +of the Chief Justice’s carriage--the young man having left him still +playing _bouillote_ with Cambaceres--alone rang out in the paved court, +which was scarcely lighted by the carriage lamps. Suddenly the young +lawyer felt a friendly hand on his shoulder, and turning round, found +himself face to face with the Judge, to whom he bowed. As the footman +let down the steps of his carriage, the old gentleman, who had served +the Convention, suspected the junior’s dilemma. + +“All cats are gray in the dark,” said he good-humoredly. “The Chief +Justice cannot compromise himself by putting a pleader in the right +way! Especially,” he went on, “when the pleader is the nephew of an old +colleague, one of the lights of the grand Council of State which gave +France the Napoleonic Code.” + +At a gesture from the chief magistrate of France under the Empire, the +foot-passenger got into the carriage. + +“Where do you live?” asked the great man, before the footman who awaited +his orders had closed the door. + +“Quai des Augustins, monseigneur.” + +The horses started, and the young man found himself alone with the +Minister, to whom he had vainly tried to speak before and after the +sumptuous dinner given by Cambaceres; in fact, the great man had +evidently avoided him throughout the evening. + +“Well, Monsieur _de_ Granville, you are on the high road!” + +“So long as I sit by your Excellency’s side--” + +“Nay, I am not jesting,” said the Minister. “You were called two years +since, and your defence in the case of Simeuse and Hauteserre had raised +you high in your profession.” + +“I had supposed that my interest in those unfortunate emigres had done +me no good.” + +“You are still very young,” said the great man gravely. “But the High +Chancellor,” he went on, after a pause, “was greatly pleased with you +this evening. Get a judgeship in the lower courts; we want men. The +nephew of a man in whom Cambaceres and I take great interest must not +remain in the background for lack of encouragement. Your uncle helped +us to tide over a very stormy season, and services of that kind are not +forgotten.” The Minister sat silent for a few minutes. “Before long,” he +went on, “I shall have three vacancies open in the Lower Courts and +in the Imperial Court in Paris. Come to see me, and take the place you +prefer. Till then work hard, but do not be seen at my receptions. In the +first place, I am overwhelmed with work; and besides that, your rivals +may suspect your purpose and do you harm with the patron. Cambaceres +and I, by not speaking a word to you this evening, have averted the +accusation of favoritism.” + +As the great man ceased speaking, the carriage drew up on the Quai des +Augustins; the young lawyer thanked his generous patron for the two +lifts he had conferred on him, and then knocked at his door pretty +loudly, for the bitter wind blew cold about his calves. At last the old +lodgekeeper pulled up the latch; and as the young man passed his window, +called out in a hoarse voice, “Monsieur Granville, here is a letter for +you.” + +The young man took the letter, and in spite of the cold, tried to +identify the writing by the gleam of a dull lamp fast dying out. “From +my father!” he exclaimed, as he took his bedroom candle, which the +porter at last had lighted. And he ran up to his room to read the +following epistle:-- + + “Set off by the next mail; and if you can get here soon enough, + your fortune is made. Mademoiselle Angelique Bontems has lost her + sister; she is now an only child; and, as we know, she does not + hate you. Madame Bontems can now leave her about forty thousand + francs a year, besides whatever she may give her when she marries. + I have prepared the way. + + “Our friends will wonder to see a family of old nobility allying + itself to the Bontems; old Bontems was a red republican of the + deepest dye, owning large quantities of the nationalized land, + that he bought for a mere song. But he held nothing but convent + lands, and the monks will not come back; and then, as you have + already so far derogated as to become a lawyer, I cannot see why + we should shrink from a further concession to the prevalent ideas. + The girl will have three hundred thousand francs; I can give you a + hundred thousand; your mother’s property must be worth fifty + thousand crowns, more or less; so if you choose to take a + judgeship, my dear son, you are quite in a position to become a + senator as much as any other man. My brother-in-law the Councillor + of State will not indeed lend you a helping-hand; still, as he is + not married, his property will some day be yours, and if you are + not senator by your own efforts, you will get it through him. Then + you will be perched high enough to look on at events. Farewell. + Yours affectionately.” + +So young Granville went to bed full of schemes, each fairer than the +last. Under the powerful protection of the High Chancellor, the Chief +Justice, and his mother’s brother--one of the originators of the +Code--he was about to make a start in a coveted position before the +highest court of the Empire, and he already saw himself a member of the +bench whence Napoleon selected the chief functionaries of the realm. +He could also promise himself a fortune handsome enough to keep up +his rank, for which the slender income of five thousand francs from an +estate left him by his mother would be quite insufficient. + +To crown his ambitious dreams with a vision of happiness, he called up +the guileless face of Mademoiselle Angelique Bontems, the companion of +his childhood. Until he came to boyhood his father and mother had +made no objection to his intimacy with their neighbor’s pretty little +daughter; but when, during his brief holiday visits to Bayeux, his +parents, who prided themselves on their good birth, saw what friends the +young people were, they forbade his ever thinking of her. Thus for ten +years past Granville had only had occasional glimpses of the girl, whom +he still sometimes thought of as “his little wife.” And in those +brief moments when they met free from the active watchfulness of their +families, they had scarcely exchanged a few vague civilities at the +church door or in the street. Their happiest days had been those when, +brought together by one of those country festivities known in Normandy +as _Assemblees_, they could steal a glance at each other from afar. + +In the course of the last vacation Granville had twice seen Angelique, +and her downcast eyes and drooping attitude had led him to suppose that +she was crushed by some unknown tyranny. + +He was off by seven next morning to the coach office in the Rue +Notre-Dame-des-Victoires, and was so lucky as to find a vacant seat in +the diligence then starting for Caen. + +It was not without deep emotion that the young lawyer saw once more the +spires of the cathedral at Bayeux. As yet no hope of his life had been +cheated, and his heart swelled with the generous feelings that expand in +the youthful soul. + +After the too lengthy feast of welcome prepared by his father, who +awaited him with some friends, the impatient youth was conducted to a +house, long familiar to him, standing in the Rue Teinture. His heart +beat high when his father--still known in the town of Bayeux as the +Comte de Granville--knocked loudly at a carriage gate off which the +green paint was dropping in scales. It was about four in the afternoon. +A young maid-servant, in a cotton cap, dropped a short curtsey to the +two gentlemen, and said that the ladies would soon be home from vespers. + +The Count and his son were shown into a low room used as a drawing-room, +but more like a convent parlor. Polished panels of dark walnut made +it gloomy enough, and around it some old-fashioned chairs covered with +worsted work and stiff armchairs were symmetrically arranged. The stone +chimney-shelf had no ornament but a discolored mirror, and on each side +of it were the twisted branches of a pair of candle-brackets, such as +were made at the time of the Peace of Utrecht. Against a panel opposite, +young Granville saw an enormous crucifix of ebony and ivory surrounded +by a wreath of box that had been blessed. Though there were three +windows to the room, looking out on a country-town garden, laid out +in formal square beds edged with box, the room was so dark that it was +difficult to discern, on the wall opposite the windows, three pictures +of sacred subjects painted by a skilled hand, and purchased, no doubt, +during the Revolution by old Bontems, who, as governor of the district, +had never neglected his opportunities. From the carefully polished floor +to the green checked holland curtains everything shone with conventual +cleanliness. + +The young man’s heart felt an involuntary chill in this silent retreat +where Angelique dwelt. The habit of frequenting the glittering Paris +drawing-rooms, and the constant whirl of society, had effaced from his +memory the dull and peaceful surroundings of a country life, and the +contrast was so startling as to give him a sort of internal shiver. To +have just left a party at the house of Cambaceres, where life was so +large, where minds could expand, where the splendor of the Imperial +Court was so vividly reflected, and to be dropped suddenly into a +sphere of squalidly narrow ideas--was it not like a leap from Italy into +Greenland?--“Living here is not life!” said he to himself, as he looked +round the Methodistical room. The old Count, seeing his son’s dismay, +went up to him, and taking his hand, led him to a window, where there +was still a gleam of daylight, and while the maid was lighting the +yellow tapers in the candle branches he tried to clear away the clouds +that the dreary place had brought to his brow. + +“Listen, my boy,” said he. “Old Bontems’ widow is a frenzied bigot. +‘When the devil is old--’ you know! I see that the place goes +against the grain. Well, this is the whole truth; the old woman is +priest-ridden; they have persuaded her that it was high time to make +sure of heaven, and the better to secure Saint Peter and his keys she +pays before-hand. She goes to Mass every day, attends every service, +takes the communion every Sunday God has made, and amuses herself +by restoring chapels. She had given so many ornaments, and albs, and +chasubles, she has crowned the canopy with so many feathers, that on +the occasion of the last Corpus Christi procession as great a crowd came +together as to see a man hanged, just to stare at the priests in their +splendid dresses and all the vessels regilt. This house too is a sort of +Holy Land. It was I who hindered her from giving those three pictures to +the Church--a Domenichino, a Correggio, and an Andrea del Sarto--worth a +good deal of money.” + +“But Angelique?” asked the young man. + +“If you do not marry her, Angelique is done for,” said the Count. “Our +holy apostles counsel her to live a virgin martyr. I have had the utmost +difficulty in stirring up her little heart, since she has been the only +child, by talking to her of you; but, as you will easily understand, +as soon as she is married you will carry her off to Paris. There, +festivities, married life, the theatres, and the rush of Parisian +society, will soon make her forget confessionals, and fasting, and +hair shirts, and Masses, which are the exclusive nourishment of such +creatures.” + +“But the fifty thousand francs a year derived from Church property? Will +not all that return--” + +“That is the point!” exclaimed the Count, with a cunning glance. “In +consideration of this marriage--for Madame Bontems’ vanity is not +a little flattered by the notion of grafting the Bontems on to the +genealogical tree of the Granvilles--the aforenamed mother agrees +to settle her fortune absolutely on the girl, reserving only a +life-interest. The priesthood, therefore, are set against the marriage; +but I have had the banns published, everything is ready, and in a week +you will be out of the clutches of the mother and her Abbes. You will +have the prettiest girl in Bayeux, a good little soul who will give you +no trouble, because she has sound principles. She has been mortified, as +they say in their jargon, by fasting and prayer--and,” he added in a low +voice, “by her mother.” + +A modest tap at the door silenced the Count, who expected to see the two +ladies appear. A little page came in, evidently in a great hurry; +but, abashed by the presence of the two gentlemen, he beckoned to a +housekeeper, who followed him. Dressed in a blue cloth jacket with +short tails, and blue-and-white striped trousers, his hair cut short all +round, the boy’s expression was that of a chorister, so strongly was +it stamped with the compulsory propriety that marks every member of a +bigoted household. + +“Mademoiselle Gatienne,” said he, “do you know where the books are for +the offices of the Virgin? The ladies of the Congregation of the Sacred +Heart are going in procession this evening round the church.” + +Gatienne went in search of the books. + +“Will they go on much longer, my little man?” asked the Count. + +“Oh, half an hour at most.” + +“Let us go to look on,” said the father to his son. “There will be some +pretty women there, and a visit to the Cathedral can do us no harm.” + +The young lawyer followed him with a doubtful expression. + +“What is the matter?” asked the Count. + +“The matter, father, is that I am sure I am right.” + +“But you have said nothing.” + +“No; but I have been thinking that you have still ten thousand francs a +year left of your original fortune. You will leave them to me--as long +a time hence as possible, I hope. But if you are ready to give me a +hundred thousand francs to make a foolish match, you will surely allow +me to ask you for only fifty thousand to save me from such a misfortune, +and enjoy as a bachelor a fortune equal to what your Mademoiselle +Bontems would bring me.” + +“Are you crazy?” + +“No, father. These are the facts. The Chief Justice promised me +yesterday that I should have a seat on the Bench. Fifty thousand francs +added to what I have, and to the pay of my appointment, will give me an +income of twelve thousand francs a year. And I then shall most certainly +have a chance of marrying a fortune, better than this alliance, which +will be poor in happiness if rich in goods.” + +“It is very clear,” said his father, “that you were not brought up under +the old _regime_. Does a man of our rank ever allow his wife to be in +his way?” + +“But, my dear father, in these days marriage is--” + +“Bless me!” cried the Count, interrupting his son, “then what my old +_emigre_ friends tell me is true, I suppose. The Revolution has left +us habits devoid of pleasure, and has infected all the young men with +vulgar principles. You, like my Jacobin brother-in-law, will +harangue me, I suppose, on the Nation, Public Morals, and +Disinterestedness!--Good Heavens! But for the Emperor’s sisters, where +should we be?” + +The still hale old man, whom the peasants on the estate persisted in +calling the Signeur de Granville, ended his speech as they entered the +Cathedral porch. In spite of the sanctity of the place, and even as he +dipped his fingers in the holy water, he hummed an air from the opera of +_Rose et Colas_, and then led the way down the side aisles, stopping +by each pillar to survey the rows of heads, all in lines like ranks of +soldiers on parade. + +The special service of the Sacred Heart was about to begin. The ladies +affiliated to that congregation were in front near the choir, so the +Count and his son made their way to that part of the nave, and stood +leaning against one of the columns where there was least light, whence +they could command a view of this mass of faces, looking like a meadow +full of flowers. Suddenly, close to young Granville, a voice, sweeter +than it seemed possible to ascribe to a human being, broke into song, +like the first nightingale when winter is past. Though it mingled with +the voices of a thousand other women and the notes of the organ, that +voice stirred his nerves as though they vibrated to the too full and too +piercing sounds of a harmonium. The Parisian turned round, and, seeing +a young figure, though, the head being bent, her face was entirely +concealed by a large white bonnet, concluded that the voice was hers. He +fancied that he recognized Angelique in spite of a brown merino pelisse +that wrapped her, and he nudged his father’s elbow. + +“Yes, there she is,” said the Count, after looking where his son +pointed, and then, by an expressive glance, he directed his attention +to the pale face of an elderly woman who had already detected the +strangers, though her false eyes, deep set in dark circles, did not seem +to have strayed from the prayer-book she held. + +Angelique raised her face, gazing at the altar as if to inhale the heavy +scent of the incense that came wafted in clouds over the two women. And +then, in the doubtful light that the tapers shed down the nave, with +that of a central lamp and of some lights round the pillars, the young +man beheld a face which shook his determination. A white watered-silk +bonnet closely framed features of perfect regularity, the oval being +completed by the satin ribbon tie that fastened it under her dimpled +chin. Over her forehead, very sweet though low, hair of a pale gold +color parted in two bands and fell over her cheeks, like the shadow +of leaves on a flower. The arches of her eyebrows were drawn with the +accuracy we admire in the best Chinese paintings. Her nose, almost +aquiline in profile, was exceptionally firmly cut, and her lips were +like two rose lines lovingly traced with a delicate brush. Her eyes, of +a light blue, were expressive of innocence. + +Though Granville discerned a sort of rigid reserve in this girlish face, +he could ascribe it to the devotion in which Angelique was rapt. The +solemn words of prayer, visible in the cold, came from between rows of +pearls, like a fragrant mist, as it were. The young man involuntarily +bent over her a little to breathe this diviner air. This movement +attracted the girl’s notice; her gaze, raised to the altar, was diverted +to Granville, whom she could see but dimly in the gloom; but she +recognized him as the companion of her youth, and a memory more vivid +than prayer brought a supernatural glow to her face; she blushed. The +young lawyer was thrilled with joy at seeing the hopes of another life +overpowered by those of love, and the glory of the sanctuary eclipsed by +earthly reminiscences; but his triumph was brief. Angelique dropped her +veil, assumed a calm demeanor, and went on singing without letting her +voice betray the least emotion. + +Granville was a prey to one single wish, and every thought of prudence +vanished. By the time the service was ended, his impatience was so great +that he could not leave the ladies to go home alone, but came at once to +make his bow to “his little wife.” They bashfully greeted each other in +the Cathedral porch in the presence of the congregation. Madame Bontems +was tremulous with pride as she took the Comte de Granville’s arm, +though he, forced to offer it in the presence of all the world was vexed +enough with his son for his ill-advised impatience. + +For about a fortnight, between the official announcement of the intended +marriage of the Vicomte de Granville to Mademoiselle Bontems and the +solemn day of the wedding, he came assiduously to visit his lady-love in +the dismal drawing-room, to which he became accustomed. His long calls +were devoted to watching Angelique’s character; for his prudence, +happily, had made itself heard again in the day after their first +meeting. He always found her seated at a little table of some West +Indian wood, and engaged in marking the linen of her trousseau. +Angelique never spoke first on the subject of religion. If the young +lawyer amused himself with fingering the handsome rosary that she kept +in a little green velvet bag, if he laughed as he looked at a relic such +as usually is attached to this means of grace, Angelique would gently +take the rosary out of his hands and replace it in the bag without a +word, putting it away at once. When, now and then, Granville was so bold +as to make mischievous remarks as to certain religious practices, the +pretty girl listened to him with the obstinate smile of assurance. + +“You must either believe nothing, or believe everything the Church +teaches,” she would say. “Would you wish to have a woman without a +religion as the mother of your children?--No.--What man may dare judge +as between disbelievers and God? And how can I then blame what the +Church allows?” + +Angelique appeared to be animated by such fervent charity, the young man +saw her look at him with such perfect conviction, that he sometimes felt +tempted to embrace her religious views; her firm belief that she was in +the only right road aroused doubts in his mind, which she tried to turn +to account. + +But then Granville committed the fatal blunder of mistaking the +enchantment of desire for that of love. Angelique was so happy in +reconciling the voice of her heart with that of duty, by giving way to +a liking that had grown up with her from childhood, that the deluded man +could not discern which of the two spoke the louder. Are not all young +men ready to trust the promise of a pretty face and to infer beauty +of soul from beauty of feature? An indefinable impulse leads them to +believe that moral perfection must co-exist with physical perfection. If +Angelique had not been at liberty to give vent to her sentiments, they +would soon have dried up in her heart like a plant watered with some +deadly acid. How should a lover be aware of bigotry so well hidden? + +This was the course of young Granville’s feelings during that fortnight, +devoured by him like a book of which the end is absorbing. Angelique, +carefully watched by him, seemed the gentlest of creatures, and he even +caught himself feeling grateful to Madame Bontems, who, by implanting so +deeply the principles of religion, had in some degree inured her to meet +the troubles of life. + +On the day named for signing the inevitable contract, Madame Bontems +made her son-in-law pledge himself solemnly to respect her daughter’s +religious practices, to allow her entire liberty of conscience, to +permit her to go to communion, to church, to confession as often as she +pleased, and never to control her choice of priestly advisers. At this +critical moment Angelique looked at her future husband with such pure +and innocent eyes, that Granville did not hesitate to give his word. A +smile puckered the lips of the Abbe Fontanon, a pale man, who directed +the consciences of this household. Mademoiselle Bontems, by a slight +nod, seemed to promise that she would never take an unfair advantage of +this freedom. As to the old Count, he gently whistled the tune of an +old song, _Va-t-en-voir s’ils viennent_ (“Go and see if they are coming +on!”) + + + +A few days after the wedding festivities of which so much is thought in +the provinces, Granville and his wife went to Paris, whither the young +man was recalled by his appointment as public prosecutor to the Supreme +Court of the Seine circuit. + +When the young couple set out to find a residence, Angelique used the +influence that the honeymoon gives to every wife in persuading her +husband to take a large apartment in the ground-floor of a house at the +corner of the Vieille Rue du Temple and the Rue Nueve Saint-Francois. +Her chief reason for this choice was that the house was close to the Rue +d’Orleans, where there was a church, and not far from a small chapel in +the Rue Saint-Louis. + +“A good housewife provides for everything,” said her husband, laughing. + +Angelique pointed out to him that this part of Paris, known as the +Marais, was within easy reach of the Palais de Justice, and that the +lawyers they knew lived in the neighborhood. A fairly large garden +made the apartment particularly advantageous to a young couple; the +children--if Heaven should send them any--could play in the open air; +the courtyard was spacious, and there were good stables. + +The lawyer wished to live in the Chaussee d’Antin, where everything is +fresh and bright, where the fashions may be seen while still new, where +a well-dressed crowd throngs the Boulevards, and the distance is less to +the theatres or places of amusement; but he was obliged to give way to +the coaxing ways of a young wife, who asked this as his first favor; so, +to please her, he settled in the Marais. Granville’s duties required him +to work hard--all the more, because they were new to him--so he devoted +himself in the first place to furnishing his private study and arranging +his books. He was soon established in a room crammed with papers, and +left the decoration of the house to his wife. He was all the better +pleased to plunge Angelique into the bustle of buying furniture and +fittings, the source of so much pleasure and of so many associations to +most young women, because he was rather ashamed of depriving her of his +company more often than the usages of early married life require. As +soon as his work was fairly under way, he gladly allowed his wife +to tempt him out of his study to consider the effect of furniture or +hangings, which he had before only seen piecemeal or unfinished. + +If the old adage is true that says a woman may be judged of from her +front door, her rooms must express her mind with even greater fidelity. +Madame de Granville had perhaps stamped the various things she had +ordered with the seal of her own character; the young lawyer was +certainly startled by the cold, arid solemnity that reigned in these +rooms; he found nothing to charm his taste; everything was discordant, +nothing gratified the eye. The rigid mannerism that prevailed in the +sitting-room at Bayeux had invaded his home; the broad panels were +hollowed in circles, and decorated with those arabesques of which +the long, monotonous mouldings are in such bad taste. Anxious to find +excuses for his wife, the young husband began again, looking first at +the long and lofty ante-room through which the apartment was entered. +The color of the panels, as ordered by his wife, was too heavy, and the +very dark green velvet used to cover the benches added to the gloom of +this entrance--not, to be sure, an important room, but giving a first +impression--just as we measure a man’s intelligence by his first +address. An ante-room is a kind of preface which announces what is to +follow, but promises nothing. + +The young husband wondered whether his wife could really have chosen the +lamp of an antique pattern, which hung in the centre of this bare hall, +the pavement of black and white marble, and the paper in imitation of +blocks of stone, with green moss on them in places. A handsome, but +not new, barometer hung on the middle of one of the walls, as if to +accentuate the void. At the sight of it all, he looked round at his +wife; he saw her so much pleased by the red braid binding to the cotton +curtains, so satisfied with the barometer and the strictly decent statue +that ornamented a large Gothic stove, that he had not the barbarous +courage to overthrow such deep convictions. Instead of blaming his wife, +Granville blamed himself, accusing himself of having failed in his duty +of guiding the first steps in Paris of a girl brought up at Bayeux. + +From this specimen, what might not be expected of the other rooms? What +was to be looked for from a woman who took fright at the bare legs of +a Caryatid, and who would not look at a chandelier or a candle-stick if +she saw on it the nude outlines of an Egyptian bust? At this date the +school of David was at the height of its glory; all the art of France +bore the stamp of his correct design and his love of antique types, +which indeed gave his pictures the character of colored sculpture. But +none of these devices of Imperial luxury found civic rights under Madame +de Granville’s roof. The spacious, square drawing-room remained as it +had been left from the time of Louis XV., in white and tarnished gold, +lavishly adorned by the architect with checkered lattice-work and the +hideous garlands due to the uninventive designers of the time. Still, if +harmony at least had prevailed, if the furniture of modern mahogany had +but assumed the twisted forms of which Boucher’s corrupt taste first set +the fashion, Angelique’s room would only have suggested the fantastic +contrast of a young couple in the nineteenth century living as though +they were in the eighteenth; but a number of details were in ridiculous +discord. The consoles, the clocks, the candelabra, were decorated with +the military trophies which the wars of the Empire commended to the +affections of the Parisians; and the Greek helmets, the Roman crossed +daggers, and the shields so dear to military enthusiasm that they were +introduced on furniture of the most peaceful uses, had no fitness side +by side with the delicate and profuse arabesques that delighted Madame +de Pompadour. + +Bigotry tends to an indescribably tiresome kind of humility which +does not exclude pride. Whether from modesty or by choice, Madame de +Granville seemed to have a horror of light and cheerful colors; perhaps, +too, she imagined that brown and purple beseemed the dignity of a +magistrate. How could a girl accustomed to an austere life have admitted +the luxurious divans that may suggest evil thoughts, the elegant and +tempting boudoirs where naughtiness may be imagined? + +The poor husband was in despair. From the tone in which he approved, +only seconding the praises she bestowed on herself, Angelique understood +that nothing really pleased him; and she expressed so much regret at her +want of success, that Granville, who was very much in love, regarded her +disappointment as a proof of her affection instead of resentment for +an offence to her self-conceit. After all, could he expect a girl just +snatched from the humdrum of country notions, with no experience of the +niceties and grace of Paris life, to know or do any better? Rather would +he believe that his wife’s choice had been overruled by the tradesmen +than allow himself to own the truth. If he had been less in love, he +would have understood that the dealers, always quick to discern their +customers’ ideas, had blessed Heaven for sending them a tasteless little +bigot, who would take their old-fashioned goods off their hands. So he +comforted the pretty provincial. + +“Happiness, dear Angelique, does not depend on a more or less elegant +piece of furniture; it depends on the wife’s sweetness, gentleness, and +love.” + +“Why, it is my duty to love you,” said Angelique mildly, “and I can have +no more delightful duty to carry out.” + +Nature has implanted in the heart of woman so great a desire to please, +so deep a craving for love, that, even in a youthful bigot, the ideas of +salvation and a future existence must give way to the happiness of early +married life. And, in fact, from the month of April, when they were +married, till the beginning of winter, the husband and wife lived +in perfect union. Love and hard work have the grace of making a man +tolerably indifferent to external matters. Being obliged to spend half +the day in court fighting for the gravest interests of men’s lives +or fortunes, Granville was less alive than another might have been to +certain facts in his household. + +If, on a Friday, he found none but Lenten fare, and by chance asked for +a dish of meat without getting it, his wife, forbidden by the Gospel to +tell a lie, could still, by such subterfuges as are permissible in the +interests of religion, cloak what was premeditated purpose under some +pretext of her own carelessness or the scarcity in the market. She would +often exculpate herself at the expense of the cook, and even go so far +as to scold him. At that time young lawyers did not, as they do now, +keep the fasts of the Church, the four rogation seasons, and the +vigils of festivals; so Granville was not at first aware of the regular +recurrence of these Lenten meals, which his wife took care should be +made dainty by the addition of teal, moor-hen, and fish-pies, that their +amphibious meat or high seasoning might cheat his palate. Thus the +young man unconsciously lived in strict orthodoxy, and worked out his +salvation without knowing it. + +On week-days he did not know whether his wife went to Mass or no. On +Sundays, with very natural amiability, he accompanied her to church to +make up to her, as it were, for sometimes giving up vespers in favor of +his company; he could not at first fully enter into the strictness of +his wife’s religious views. The theatres being impossible in summer by +reason of the heat, Granville had not even the opportunity of the great +success of a piece to give rise to the serious question of play-going. +And, in short, at the early stage of a union to which a man has been +led by a young girl’s beauty, he can hardly be exacting as to his +amusements. Youth is greedy rather than dainty, and possession has a +charm in itself. How should he be keen to note coldness, dignity, and +reserve in the woman to whom he ascribes the excitement he himself +feels, and lends the glow of the fire that burns within him? He must +have attained a certain conjugal calm before he discovers that a bigot +sits waiting for love with her arms folded. + +Granville, therefore, believed himself happy till a fatal event brought +its influence to bear on his married life. In the month of November 1808 +the Canon of Bayeux Cathedral who had been the keeper of Madame Bontems’ +conscience and her daughter’s, came to Paris, spurred by the ambition to +be at the head of a church in the capital--a position which he regarded +perhaps as the stepping-stone to a bishopric. On resuming his former +control of this wandering lamb, he was horrified to find her already so +much deteriorated by the air of Paris, and strove to reclaim her to his +chilly fold. Frightened by the exhortations of this priest, a man of +about eight-and-thirty, who brought with him, into the circle of the +enlightened and tolerant Paris clergy, the bitter provincial catholicism +and the inflexible bigotry which fetter timid souls with endless +exactions, Madame de Granville did penance and returned from her +Jansenist errors. + +It would be tiresome to describe minutely all the circumstances which +insensibly brought disaster on this household; it will be enough to +relate the simple facts without giving them in strict order of time. + +The first misunderstanding between the young couple was, however, a +serious one. + +When Granville took his wife into society she never declined solemn +functions, such as dinners, concerts, or parties given by the Judges +superior to her husband in the legal profession; but for a long time she +constantly excused herself on the plea of a sick headache when they were +invited to a ball. One day Granville, out of patience with these assumed +indispositions, destroyed a note of invitation to a ball at the house of +a Councillor of State, and gave his wife only a verbal invitation. Then, +on the evening, her health being quite above suspicion, he took her to a +magnificent entertainment. + +“My dear,” said he, on their return home, seeing her wear an offensive +air of depression, “your position as a wife, the rank you hold in +society, and the fortune you enjoy, impose on you certain duties of +which no divine law can relieve you. Are you not your husband’s pride? +You are required to go to balls when I go, and to appear in a becoming +manner.” + +“And what is there, my dear, so disastrous in my dress?” + +“It is your manner, my dear. When a young man comes up to speak to you, +you look so serious that a spiteful person might believe you doubtful +of your own virtue. You seem to fear lest a smile should undo you. You +really look as if you were asking forgiveness of God for the sins +that may be committed around you. The world, my dearest, is not a +convent.--But, as you mentioned your dress, I may confess to you that it +is no less a duty to conform to the customs and fashions of Society.” + +“Do you wish that I should display my shape like those indecent women +who wear gowns so low that impudent eyes can stare at their bare +shoulders and their--” + +“There is a difference, my dear,” said her husband, interrupting her, +“between uncovering your whole bust and giving some grace to your dress. +You wear three rows of net frills that cover your throat up to your +chin. You look as if you had desired your dressmaker to destroy the +graceful line of your shoulders and bosom with as much care as a +coquette would devote to obtaining from hers a bodice that might +emphasize her covered form. Your bust is wrapped in so many folds that +every one was laughing at your affectation of prudery. You would be +really grieved if I were to repeat the ill-natured remarks made on your +appearance.” + +“Those who admire such obscenity will not have to bear the burthen if we +sin,” said the lady tartly. + +“And you did not dance?” asked Granville. + +“I shall never dance,” she replied. + +“If I tell you that you ought to dance!” said her husband sharply. “Yes, +you ought to follow the fashions, to wear flowers in your hair, and +diamonds. Remember, my dear, that rich people--and we are rich--are +obliged to keep up luxury in the State. Is it not far better to +encourage manufacturers than to distribute money in the form of alms +through the medium of the clergy?” + +“You talk as a statesman!” said Angelique. + +“And you as a priest,” he retorted. + +The discussion was bitter. Madame de Granville’s answers, though +spoken very sweetly and in a voice as clear as a church bell, showed +an obstinacy that betrayed priestly influence. When she appealed to +the rights secured to her by Granville’s promise, she added that her +director specially forbade her going to balls; then her husband pointed +out to her that the priest was overstepping the regulations of the +Church. + +This odious theological dispute was renewed with great violence and +acerbity on both sides when Granville proposed to take his wife to the +play. Finally, the lawyer, whose sole aim was to defeat the pernicious +influence exerted over his wife by her old confessor, placed the +question on such a footing that Madame de Granville, in a spirit of +defiance, referred it by writing to the Court of Rome, asking in so many +words whether a woman could wear low gowns and go to the play and to +balls without compromising her salvation. + +The reply of the venerable Pope Pius VII. came at once, strongly +condemning the wife’s recalcitrancy and blaming the priest. This letter, +a chapter on conjugal duties, might have been dictated by the spirit of +Fenelon, whose grace and tenderness pervaded every line. + +“A wife is right to go wherever her husband may take her. Even if she +sins by his command, she will not be ultimately held answerable.” These +two sentences of the Pope’s homily only made Madame de Granville and her +director accuse him of irreligion. + +But before this letter had arrived, Granville had discovered the strict +observance of fast days that his wife forced upon him, and gave his +servants orders to serve him with meat every day in the year. However +much annoyed his wife might be by these commands, Granville, who cared +not a straw for such indulgence or abstinence, persisted with manly +determination. + +Is it not an offence to the weakest creature that can think at all to +be compelled to do, by the will of another, anything that he would +otherwise have done simply of his own accord? Of all forms of tyranny, +the most odious is that which constantly robs the soul of the merit of +its thoughts and deeds. It has to abdicate without having reigned. The +word we are readiest to speak, the feelings we most love to express, die +when we are commanded to utter them. + +Ere long the young man ceased to invite his friends, to give parties or +dinners; the house might have been shrouded in crape. A house where the +mistress is a bigot has an atmosphere of its own. The servants, who are, +of course, under her immediate control, are chosen among a class who +call themselves pious, and who have an unmistakable physiognomy. Just +as the jolliest fellow alive, when he joins the _gendarmerie_, has the +countenance of a gendarme, so those who give themselves over to the +habit of lowering their eyes and preserving a sanctimonious mien clothes +them in a livery of hypocrisy which rogues can affect to perfection. + +And besides, bigots constitute a sort of republic; they all know each +other; the servants they recommend and hand on from one to another are +a race apart, and preserved by them, as horse-breeders will admit +no animal into their stables that has not a pedigree. The more the +impious--as they are thought--come to understand a household of bigots, +the more they perceive that everything is stamped with an indescribable +squalor; they find there, at the same time, an appearance of avarice and +mystery, as in a miser’s home, and the dank scent of cold incense which +gives a chill to the stale atmosphere of a chapel. This methodical +meanness, this narrowness of thought, which is visible in every detail, +can only be expressed by one word--Bigotry. In these sinister and +pitiless houses Bigotry is written on the furniture, the prints, the +pictures; speech is bigoted, the silence is bigoted, the faces are +those of bigots. The transformation of men and things into bigotry is +an inexplicable mystery, but the fact is evident. Everybody can see that +bigots do not walk, do not sit, do not speak, as men of the world +walk, sit, and speak. Under their roof every one is ill at ease, no one +laughs, stiffness and formality infect everything, from the mistress’ +cap down to her pincushion; eyes are not honest, the folks are more like +shadows, and the lady of the house seems perched on a throne of ice. + +One morning poor Granville discerned with grief and pain that all +the symptoms of bigotry had invaded his home. There are in the world +different spheres in which the same effects are seen though produced by +dissimilar causes. Dulness hedges such miserable homes round with walls +of brass, enclosing the horrors of the desert and the infinite void. The +home is not so much a tomb as that far worse thing--a convent. In +the center of this icy sphere the lawyer could study his wife +dispassionately. He observed, not without keen regret, the +narrow-mindedness that stood confessed in the very way that her hair +grew, low on the forehead, which was slightly depressed; he discovered +in the perfect regularity of her features a certain set rigidity which +before long made him hate the assumed sweetness that had bewitched him. +Intuition told him that one day of disaster those thin lips might say, +“My dear, it is for your good!” + +Madame de Granville’s complexion was acquiring a dull pallor and an +austere expression that were a kill-joy to all who came near her. Was +this change wrought by the ascetic habits of a pharisaism which is not +piety any more than avarice is economy? It would be hard to say. Beauty +without expression is perhaps an imposture. This imperturbable set smile +that the young wife always wore when she looked at Granville seemed to +be a sort of Jesuitical formula of happiness, by which she thought +to satisfy all the requirements of married life. Her charity was an +offence, her soulless beauty was monstrous to those who knew her; the +mildness of her speech was an irritation: she acted, not on feeling, but +on duty. + +There are faults which may yield in a wife to the stern lessons of +experience, or to a husband’s warnings; but nothing can counteract false +ideas of religion. An eternity of happiness to be won, set in the scale +against worldly enjoyment, triumphs over everything and makes every +pang endurable. Is it not the apotheosis of egotism, of Self beyond the +grave? Thus even the Pope was censured at the tribunal of the priest and +the young devotee. To be always in the right is a feeling which absorbs +every other in these tyrannous souls. + +For some time past a secret struggle had been going on between the ideas +of the husband and wife, and the young man was soon weary of a battle to +which there could be no end. What man, what temper, can endure the sight +of a hypocritically affectionate face and categorical resistance to his +slightest wishes? What is to be done with a wife who takes advantage +of his passion to protect her coldness, who seems determined on being +blandly inexorable, prepares herself ecstatically to play the martyr, +and looks on her husband as a scourge from God, a means of flagellation +that may spare her the fires of purgatory? What picture can give an idea +of these women who make virtue hateful by defying the gentle precepts of +that faith which Saint John epitomized in the words, “Love one another”? + +If there was a bonnet to be found in a milliner’s shop that was +condemned to remain in the window, or to be packed off to the colonies, +Granville was certain to see it on his wife’s head; if a material of +bad color or hideous design were to be found, she would select it. These +hapless bigots are heart-breaking in their notions of dress. Want of +taste is a defect inseparable from false pietism. + +And so, in the home-life that needs the fullest sympathy, Granville had +no true companionship. He went out alone to parties and the theatres. +Nothing in his house appealed to him. A huge Crucifix that hung between +his bed and Angelique’s seemed figurative of his destiny. Does it not +represent a murdered Divinity, a Man-God, done to death in all the prime +of life and beauty? The ivory of that cross was less cold than Angelique +crucifying her husband under the plea of virtue. This it was that lay +at the root of their woes; the young wife saw nothing but duty where +she should have given love. Here, one Ash Wednesday, rose the pale and +spectral form of Fasting in Lent, of Total Abstinence, commanded in a +severe tone--and Granville did not deem it advisable to write in his +turn to the Pope and take the opinion of the Consistory on the proper +way of observing Lent, the Ember days, and the eve of great festivals. + +His misfortune was too great! He could not even complain, for what +could he say? He had a pretty young wife attached to her duties, +virtuous--nay, a model of all the virtues. She had a child every year, +nursed them herself, and brought them up in the highest principles. +Being charitable, Angelique was promoted to rank as an angel. The old +women who constituted the circle in which she moved--for at that time it +was not yet “the thing” for young women to be religious as a matter of +fashion--all admired Madame de Granville’s piety, and regarded her, +not indeed as a virgin, but as a martyr. They blamed not the wife’s +scruples, but the barbarous philoprogenitiveness of the husband. + +Granville, by insensible degrees, overdone with work, bereft of conjugal +consolations, and weary of a world in which he wandered alone, by the +time he was two-and-thirty had sunk into the Slough of Despond. He hated +life. Having too lofty a notion of the responsibilities imposed on him +by his position to set the example of a dissipated life, he tried to +deaden feeling by hard study, and began a great book on Law. + +But he was not allowed to enjoy the monastic peace he had hoped for. +When the celestial Angelique saw him desert worldly society to work at +home with such regularity, she tried to convert him. It had been a real +sorrow to her to know that her husband’s opinions were not strictly +Christian; and she sometimes wept as she reflected that if her husband +should die it would be in a state of final impenitence, so that she +could not hope to snatch him from the eternal fires of Hell. Thus +Granville was a mark for the mean ideas, the vacuous arguments, the +narrow views by which his wife--fancying she had achieved the first +victory--tried to gain a second by bringing him back within the pale of +the Church. + +This was the last straw. What can be more intolerable than the blind +struggle in which the obstinacy of a bigot tries to meet the acumen of a +lawyer? What more terrible to endure than the acrimonious pin-pricks to +which a passionate soul prefers a dagger-thrust? Granville neglected his +home. Everything there was unendurable. His children, broken by their +mother’s frigid despotism, dared not go with him to the play; indeed, +Granville could never give them any pleasure without bringing down +punishment from their terrible mother. His loving nature was weaned to +indifference, to a selfishness worse than death. His boys, indeed, he +saved from this hell by sending them to school at an early age, and +insisting on his right to train them. He rarely interfered between his +wife and her daughters; but he was resolved that they should marry as +soon as they were old enough. + +Even if he had wished to take violent measures, he could have found no +justification; his wife, backed by a formidable army of dowagers, would +have had him condemned by the whole world. Thus Granville had no choice +but to live in complete isolation; but, crushed under the tyranny of +misery, he could not himself bear to see how altered he was by grief and +toil. And he dreaded any connection or intimacy with women of the world, +having no hope of finding any consolation. + +The improving history of this melancholy household gave rise to no +events worthy of record during the fifteen years between 1806 and 1825. +Madame de Granville was exactly the same after losing her husband’s +affection as she had been during the time when she called herself happy. +She paid for Masses, beseeching God and the Saints to enlighten her as +to what the faults were which displeased her husband, and to show her +the way to restore the erring sheep; but the more fervent her prayers, +the less was Granville to be seen at home. + +For about five years now, having achieved a high position as a judge, +Granville had occupied the _entresol_ of the house to avoid living with +the Comtesse de Granville. Every morning a little scene took place, +which, if evil tongues are to be believed, is repeated in many +households as the result of incompatibility of temper, of moral or +physical malady, or of antagonisms leading to such disaster as is +recorded in this history. At about eight in the morning a housekeeper, +bearing no small resemblance to a nun, rang at the Comte de Granville’s +door. Admitted to the room next to the Judge’s study, she always +repeated the same message to the footman, and always in the same tone: + +“Madame would be glad to know whether Monsieur le Comte has had a good +night, and if she is to have the pleasure of his company at breakfast.” + +“Monsieur presents his compliments to Madame la Comtesse,” the valet +would say, after speaking with his master, “and begs her to hold him +excused; important business compels him to be in court this morning.” + +A minute later the woman reappeared and asked on madame’s behalf whether +she would have the pleasure of seeing Monsieur le Comte before he went +out. + +“He is gone,” was always the rely, though often his carriage was still +waiting. + +This little dialogue by proxy became a daily ceremonial. Granville’s +servant, a favorite with his master, and the cause of more than one +quarrel over his irreligious and dissipated conduct, would even go into +his master’s room, as a matter of form, when the Count was not there, +and come back with the same formula in reply. + +The aggrieved wife was always on the watch for her husband’s return, and +standing on the steps so as to meet him like an embodiment of remorse. +The petty aggressiveness which lies at the root of the monastic +temper was the foundation of Madame de Granville’s; she was now +five-and-thirty, and looked forty. When the count was compelled by +decency to speak to his wife or to dine at home, she was only too well +pleased to inflict her company upon him, with her acid-sweet remarks and +the intolerable dulness of her narrow-minded circle, and she tried to +put him in the wrong before the servants and her charitable friends. + +When, at this time, the post of President in a provincial court was +offered to the Comte de Granville, who was in high favor, he begged to +be allowed to remain in Paris. This refusal, of which the Keeper of the +Seals alone knew the reasons, gave rise to extraordinary conjectures +on the part of the Countess’ intimate friends and of her director. +Granville, a rich man with a hundred thousand francs a year, belonged to +one of the first families of Normandy. His appointment to be Presiding +Judge would have been the stepping-stone to a peer’s seat; whence this +strange lack of ambition? Why had he given up his great book on Law? +What was the meaning of the dissipation which for nearly six years had +made him a stranger to his home, his family, his study, to all he +ought to hold dear? The Countess’ confessor, who based his hopes of a +bishopric quite as much on the families he governed as on the services +he rendered to an association of which he was an ardent propagator, +was much disappointed by Granville’s refusal, and tried to insinuate +calumnious explanations: “If Monsieur le Comte had such an objection to +provincial life, it was perhaps because he dreaded finding himself under +the necessity of leading a regular life, compelled to set an example of +moral conduct, and to live with the Countess, from whom nothing could +have alienated him but some illicit connection; for how could a woman so +pure as Madame de Granville ever tolerate the disorderly life into which +her husband had drifted?” The sanctimonious woman accepted as facts +these hints, which unluckily were not merely hypothetical, and Madame de +Granville was stricken as by a thunderbolt. + +Angelique, knowing nothing of the world, of love and its follies, was so +far from conceiving of any conditions of married life unlike those +that had alienated her husband as possible, that she believed him to be +incapable of the errors which are crimes in the eyes of any wife. +When the Count ceased to demand anything of her, she imagined that the +tranquillity he now seemed to enjoy was in the course of nature; and, as +she had really given to him all the love which her heart was capable +of feeling for a man, while the priest’s conjectures were the utter +destruction of the illusions she had hitherto cherished, she defended +her husband; at the same time, she could not eradicate the suspicion +that had been so ingeniously sown in her soul. + +These alarms wrought such havoc in her feeble brain that they made her +ill; she was worn by low fever. These incidents took place during Lent +1822; she would not pretermit her austerities, and fell into a decline +that put her life in danger. Granville’s indifference was added torture; +his care and attention were such as a nephew feels himself bound to give +to some old uncle. + +Though the Countess had given up her persistent nagging and +remonstrances, and tried to receive her husband with affectionate words, +the sharpness of the bigot showed through, and one speech would often +undo the work of a week. + +Towards the end of May, the warm breath of spring, and more nourishing +diet than her Lenten fare, restored Madame de Granville to a little +strength. One morning, on coming home from Mass, she sat down on a stone +bench in the little garden, where the sun’s kisses reminded her of the +early days of her married life, and she looked back across the years to +see wherein she might have failed in her duty as a wife and mother. She +was broken in upon by the Abbe Fontanon in an almost indescribable state +of excitement. + +“Has any misfortune befallen you, Father?” she asked with filial +solicitude. + +“Ah! I only wish,” cried the Normandy priest, “that all the woes +inflicted on you by the hand of God were dealt out to me; but, my +admirable friend, there are trials to which you can but bow.” + +“Can any worse punishments await me than those with which Providence +crushes me by making my husband the instrument of His wrath?” + +“You must prepare yourself, daughter, to yet worse mischief than we and +your pious friends had ever conceived of.” + +“Then I may thank God,” said the Countess, “for vouchsafing to use you +as the messenger of His will, and thus, as ever, setting the treasures +of mercy by the side of the scourges of His wrath, just as in bygone +days He showed a spring to Hagar when He had driven her into the +desert.” + +“He measures your sufferings by the strength of your resignation and the +weight of your sins.” + +“Speak; I am ready to hear!” As she said it she cast her eyes up to +heaven. “Speak, Monsieur Fontanon.” + +“For seven years Monsieur Granville has lived in sin with a concubine, +by whom he has two children; and on this adulterous connection he has +spent more than five hundred thousand francs, which ought to have been +the property of his legitimate family.” + +“I must see it to believe it!” cried the Countess. + +“Far be it from you!” exclaimed the Abbe. “You must forgive, my +daughter, and wait in patience and prayer till God enlightens your +husband; unless, indeed, you choose to adopt against him the means +offered you by human laws.” + +The long conversation that ensued between the priest and his penitent +resulted in an extraordinary change in the Countess; she abruptly +dismissed him, called her servants who were alarmed at her flushed face +and crazy energy. She ordered her carriage--countermanded it--changed +her mind twenty times in the hour; but at last, at about three o’clock, +as if she had come to some great determination, she went out, leaving +the whole household in amazement at such a sudden transformation. + +“Is the Count coming home to dinner?” she asked of his servant, to whom +she would never speak. + +“No, madame.” + +“Did you go with him to the Courts this morning?” + +“Yes, madame.” + +“And to-day is Monday?” + +“Yes, madame.” + +“Then do the Courts sit on Mondays nowadays?” + +“Devil take you!” cried the man, as his mistress drove off after saying +to the coachman: + +“Rue Taitbout.” + + + +Mademoiselle de Bellefeuille was weeping: Roger, sitting by her side, +held one of her hands between his own. He was silent, looking by turns +at little Charles--who, not understanding his mother’s grief, stood +speechless at the sight of her tears--at the cot where Eugenie lay +sleeping, and Caroline’s face, on which grief had the effect of rain +falling across the beams of cheerful sunshine. + +“Yes, my darling,” said Roger, after a long silence, “that is the great +secret: I am married. But some day I hope we may form but one family. My +wife has been given over ever since last March. I do not wish her dead; +still, if it should please God to take her to Himself, I believe +she will be happier in Paradise than in a world to whose griefs and +pleasures she is equally indifferent.” + +“How I hate that woman! How could she bear to make you unhappy? And yet +it is to that unhappiness that I owe my happiness!” + +Her tears suddenly ceased. + +“Caroline, let us hope,” cried Roger. “Do not be frightened by anything +that priest may have said to you. Though my wife’s confessor is a man to +be feared for his power in the congregation, if he should try to blight +our happiness I would find means--” + +“What could you do?” + +“We would go to Italy: I would fly--” + +A shriek that rang out from the adjoining room made Roger start +and Mademoiselle de Bellefeuille quake; but she rushed into the +drawing-room, and there found Madame de Granville in a dead faint. When +the Countess recovered her senses, she sighed deeply on finding herself +supported by the Count and her rival, whom she instinctively pushed +away with a gesture of contempt. Mademoiselle de Bellefeuille rose to +withdraw. + +“You are at home, madame,” said Granville, taking Caroline by the arm. +“Stay.” + +The Judge took up his wife in his arms, carried her to the carriage, and +got into it with her. + +“Who is it that has brought you to the point of wishing me dead, of +resolving to fly?” asked the Countess, looking at her husband with grief +mingled with indignation. “Was I not young? you thought me pretty--what +fault have you to find with me? Have I been false to you? Have I not +been a virtuous and well-conducted wife? My heart has cherished no image +but yours, my ears have listened to no other voice. What duty have I +failed in? What have I ever denied you?” + +“Happiness, madame,” said the Count severely. “You know, madame, that +there are two ways of serving God. Some Christians imagine that by +going to church at fixed hours to say a _Paternoster_, by attending Mass +regularly and avoiding sin, they may win heaven--but they, madame, will +go to hell; they have not loved God for himself, they have not worshiped +Him as He chooses to be worshiped, they have made no sacrifice. Though +mild in seeming, they are hard on their neighbors; they see the law, the +letter, not the spirit.--This is how you have treated me, your earthly +husband; you have sacrificed my happiness to your salvation; you were +always absorbed in prayer when I came to you in gladness of heart; +you wept when you should have cheered my toil; you have never tried to +satisfy any demands I have made on you.” + +“And if they were wicked,” cried the Countess hotly, “was I to lose my +soul to please you?” + +“It is a sacrifice which another, a more loving woman, has dared to +make,” said Granville coldly. + +“Dear God!” she cried, bursting into tears, “Thou hearest! Has he been +worthy of the prayers and penance I have lived in, wearing myself out to +atone for his sins and my own?--Of what avail is virtue?” + +“To win Heaven, my dear. A woman cannot be at the same time the wife of +a man and the spouse of Christ. That would be bigamy; she must choose +between a husband and a nunnery. For the sake of future advantage you +have stripped your soul of all the love, all the devotion, which God +commands that you should have for me, you have cherished no feeling but +hatred--” + +“Have I not loved you?” she put in. + +“No, madame.” + +“Then what is love?” the Countess involuntarily inquired. + +“Love, my dear,” replied Granville, with a sort of ironical surprise, +“you are incapable of understanding it. The cold sky of Normandy is not +that of Spain. This difference of climate is no doubt the secret of our +disaster.--To yield to our caprices, to guess them, to find pleasure in +pain, to sacrifice the world’s opinion, your pride, your religion even, +and still regard these offerings as mere grains of incense burnt in +honor of the idol--that is love--” + +“The love of ballet-girls!” cried the Countess in horror. “Such flames +cannot last, and must soon leave nothing but ashes and cinders, regret +or despair. A wife ought, in my opinion, to bring you true friendship, +equable warmth--” + +“You speak of warmth as negroes speak of ice,” retorted the Count, with +a sardonic smile. “Consider that the humblest daisy has more charms than +the proudest and most gorgeous of the red hawthorns that attract us in +spring by their strong scent and brilliant color.--At the same time,” + he went on, “I will do you justice. You have kept so precisely in the +straight path of imaginary duty prescribed by law, that only to make you +understand wherein you have failed towards me, I should be obliged to +enter into details which would offend your dignity, and instruct you in +matters which would seem to you to undermine all morality.” + +“And you dare to speak of morality when you have but just left the house +where you have dissipated your children’s fortune in debaucheries?” + cried the Countess, maddened by her husband’s reticence. + +“There, madame, I must correct you,” said the Count, coolly interrupting +his wife. “Though Mademoiselle de Bellefeuille is rich, it is at +nobody’s expense. My uncle was master of his fortune, and had several +heirs. In his lifetime, and out of pure friendship, regarding her as his +niece, he gave her the little estate of Bellefeuille. As for anything +else, I owe it to his liberality--” + +“Such conduct is only worthy of a Jacobin!” said the sanctimonious +Angelique. + +“Madame, you are forgetting that your own father was one of the Jacobins +whom you scorn so uncharitably,” said the Count severely. “Citizen +Bontems was signing death-warrants at a time when my uncle was doing +France good service.” + +Madame de Granville was silenced. But after a short pause, the +remembrance of what she had just seen reawakened in her soul the +jealousy which nothing can kill in a woman’s heart, and she murmured, +as if to herself--“How can a woman thus destroy her own soul and that of +others?” + +“Bless me, madame,” replied the Count, tired of this dialogue, “you +yourself may some day have to answer that question.” The Countess was +scared. “You perhaps will be held excused by the merciful Judge, who +will weigh our sins,” he went on, “in consideration of the conviction +with which you have worked out my misery. I do not hate you--I hate +those who have perverted your heart and your reason. You have prayed +for me, just as Mademoiselle de Bellefeuille has given me her heart +and crowned my life with love. You should have been my mistress and the +prayerful saint by turns.--Do me the justice to confess that I am no +reprobate, no debauchee. My life was cleanly. Alas! after seven years +of wretchedness, the craving for happiness led me by an imperceptible +descent to love another woman and make a second home. And do not imagine +that I am singular; there are in this city thousands of husbands, all +led by various causes to live this twofold life.” + +“Great God!” cried the Countess. “How heavy is the cross Thou hast laid +on me to bear! If the husband Thou hast given me here below in Thy wrath +can only be made happy through my death, take me to Thyself!” + +“If you had always breathed such admirable sentiments and such devotion, +we should be happy yet,” said the Count coldly. + +“Indeed,” cried Angelique, melting into a flood of tears, “forgive me +if I have done any wrong. Yes, monsieur, I am ready to obey you in all +things, feeling sure that you will desire nothing but what is just and +natural; henceforth I will be all you can wish your wife to be.” + +“If your purpose, madame, is to compel me to say that I no longer love +you, I shall find the cruel courage to tell you so. Can I command my +heart? Can I wipe out in an instant the traces of fifteen years of +suffering?--I have ceased to love.--These words contain a mystery as +deep as lies the words _I love_. Esteem, respect, friendship may be won, +lost, regained; but as to love--I might school myself for a thousand +years, and it would not blossom again, especially for a woman too old to +respond to it.” + +“I hope, Monsieur le Comte, I sincerely hope, that such words may not +be spoken to you some day by the woman you love, and in such a tone and +accent--” + +“Will you put on a dress _a la Grecque_ this evening, and come to the +Opera?” + +The shudder with which the Countess received the suggestion was a mute +reply. + + + +Early in December 1833, a man, whose perfectly white hair and worn +features seemed to show that he was aged by grief rather than by years, +was walking at midnight along the Rue Gaillon. Having reached a house +of modest appearance, and only two stories high, he paused to look up at +one of the attic windows that pierced the roof at regular intervals. A +dim light scarcely showed through the humble panes, some of which +had been repaired with paper. The man below was watching the wavering +glimmer with the vague curiosity of a Paris idler, when a young man came +out of the house. As the light of the street lamp fell full on the face +of the first comer, it will not seem surprising that, in spite of the +darkness, this young man went towards the passer-by, though with the +hesitancy that is usual when we have any fear of making a mistake in +recognizing an acquaintance. + +“What, is it you,” cried he, “Monsieur le President? Alone at this hour, +and so far from the Rue Saint-Lazare. Allow me to have the honor of +giving you my arm.--The pavement is so greasy this morning, that if +we do not hold each other up,” he added, to soothe the elder man’s +susceptibilities, “we shall find it hard to escape a tumble.” + +“But, my dear sir, I am no more than fifty-five, unfortunately for me,” + replied the Comte de Granville. “A physician of your celebrity must know +that at that age a man is still hale and strong.” + +“Then you are in waiting on a lady, I suppose,” replied Horace Bianchon. +“You are not, I imagine, in the habit of going about Paris on foot. When +a man keeps such fine horses----” + +“Still, when I am not visiting in the evening, I commonly return from +the Courts or the club on foot,” replied the Count. + +“And with large sums of money about you, perhaps!” cried the doctor. “It +is a positive invitation to the assassin’s knife.” + +“I am not afraid of that,” said Granville, with melancholy indifference. + +“But, at least, do not stand about,” said the doctor, leading the Count +towards the boulevard. “A little more and I shall believe that you are +bent of robbing me of your last illness, and dying by some other hand +than mine.” + +“You caught me playing the spy,” said the Count. “Whether on foot or in +a carriage, and at whatever hour of the night I may come by, I have for +some time past observed at a window on the third floor of your house the +shadow of a person who seems to work with heroic constancy.” + +The Count paused as if he felt some sudden pain. “And I take as great an +interest in that garret,” he went on, “as a citizen of Paris must feel +in the finishing of the Palais Royal.” + +“Well,” said Horace Bianchon eagerly, “I can tell you--” + +“Tell me nothing,” replied Granville, cutting the doctor short. “I would +not give a centime to know whether the shadow that moves across that +shabby blind is that of a man or a woman, nor whether the inhabitant of +that attic is happy or miserable. Though I was surprised to see no one +at work there this evening, and though I stopped to look, it was solely +for the pleasure of indulging in conjectures as numerous and as idiotic +as those of idlers who see a building left half finished. For nine +years, my young--” the Count hesitated to use a word; then he waved his +hand, exclaiming--“No, I will not say friend--I hate everything that +savors of sentiment.--Well, for nine years past I have ceased to wonder +that old men amuse themselves with growing flowers and planting trees; +the events of life have taught them disbelief in all human affection; +and I grew old within a few days. I will no longer attach myself to any +creature but to unreasoning animals, or plants, or superficial things. +I think more of Taglioni’s grace than of all human feeling. I abhor life +and the world in which I live alone. Nothing, nothing,” he went on, in +a tone that startled the younger man, “no, nothing can move or interest +me.” + +“But you have children?” + +“My children!” he repeated bitterly. “Yes--well, is not my eldest +daughter the Comtesse de Vandenesse? The other will, through her +sister’s connections, make some good match. As to my sons, have they +not succeeded? The Viscount was public prosecutor at Limoges, and is now +President of the Court at Orleans; the younger is public prosecutor +in Paris.--My children have their own cares, their own anxieties and +business to attend to. If of all those hearts one had been devoted to +me, if one had tried by entire affection to fill up the void I have +here,” and he struck his breast, “well, that one would have failed +in life, have sacrificed it to me. And why should he? Why? To bring +sunshine into my few remaining years--and would he have succeeded? Might +I not have accepted such generosity as a debt? But, doctor,” and the +Count smiled with deep irony, “it is not for nothing that we teach them +arithmetic and how to count. At this moment perhaps they are waiting for +my money.” + +“O Monsieur le Comte, how could such an idea enter your head--you who +are kind, friendly, and humane! Indeed, if I were not myself a living +proof of the benevolence you exercise so liberally and so nobly--” + +“To please myself,” replied the Count. “I pay for a sensation, as I +would to-morrow pay a pile of gold to recover the most childish illusion +that would but make my heart glow.--I help my fellow-creatures for my +own sake, just as I gamble; and I look for gratitude from none. I should +see you die without blinking; and I beg of you to feel the same with +regard to me. I tell you, young man, the events of life have swept +over my heart like the lavas of Vesuvius over Herculaneum. The town is +there--dead.” + +“Those who have brought a soul as warm and as living as yours was to +such a pitch of indifference are indeed guilty!” + +“Say no more,” said the Count, with a shudder of aversion. + +“You have a malady which you ought to allow me to treat,” said Bianchon +in a tone of deep emotion. + +“What, do you know of a cure for death?” cried the Count irritably. + +“I undertake, Monsieur le Comte, to revive the heart you believe to be +frozen.” + +“Are you a match for Talma, then?” asked the Count satirically. + +“No, Monsieur le Comte. But Nature is as far above Talma as Talma is +superior to me.--Listen: the garret you are interested in is inhabited +by a woman of about thirty, and in her love is carried to fanaticism. +The object of her adoration is a young man of pleasing appearance but +endowed by some malignant fairy with every conceivable vice. This fellow +is a gambler, and it is hard to say which he is most addicted to--wine +or women; he has, to my knowledge, committed acts deserving punishment +by law. Well, and to him this unhappy woman sacrificed a life of ease, +a man who worshiped her, and the father of her children.--But what is +wrong, Monsieur le Comte?” + +“Nothing. Go on.” + +“She has allowed him to squander a perfect fortune; she would, I +believe, give him the world if she had it; she works night and day; and +many a time she has, without a murmur, seen the wretch she adores rob +her even of the money saved to buy the clothes the children need, and +their food for the morrow. Only three days ago she sold her hair, the +finest hair I ever saw; he came in, she could not hide the gold piece +quickly enough, and he asked her for it. For a smile, for a kiss, she +gave up the price of a fortnight’s life and peace. Is it not dreadful, +and yet sublime?--But work is wearing her cheeks hollow. Her children’s +crying has broken her heart; she is ill, and at this moment on her +wretched bed. This evening they had nothing to eat; the children have +not strength to cry, they were silent when I went up.” + +Horace Bianchon stood still. Just then the Comte de Granville, in spite +of himself, as it were, had put his hand into his waistcoat pocket. + +“I can guess, my young friend, how it is that she is yet alive if you +attend her,” said the elder man. + +“O poor soul!” cried the doctor, “who could refuse to help her? I only +wish I were richer, for I hope to cure her of her passion.” + +“But how can you expect me to pity a form of misery of which the joys +to me would seem cheaply purchased with my whole fortune!” exclaimed +the Count, taking his hand out of his pocket empty of the notes which +Bianchon had supposed his patron to be feeling for. “That woman feels, +she is alive! Would not Louis XV. have given his kingdom to rise from +the grave and have three days of youth and life! And is not that the +history of thousands of dead men, thousands of sick men, thousands of +old men?” + +“Poor Caroline!” cried Bianchon. + +As he heard the name the Count shuddered, and grasped the doctor’s arm +with the grip of an iron vise, as it seemed to Bianchon. + +“Her name is Caroline Crochard?” asked the President, in a voice that +was evidently broken. + +“Then you know her?” said the doctor, astonished. + +“And the wretch’s name is Solvet.--Ay, you have kept your word!” + exclaimed Granville; “you have roused my heart to the most terrible pain +it can suffer till it is dust. That emotion, too, is a gift from hell, +and I always know how to pay those debts.” + +By this time the Count and the doctor had reached the corner of the Rue +de la Chaussee d’Antin. One of those night-birds who wonder round with a +basket on their back and crook in hand, and were, during the Revolution, +facetiously called the Committee of Research, was standing by the +curbstone where the two men now stopped. This scavenger had a shriveled +face worthy of those immortalized by Charlet in his caricatures of the +sweepers of Paris. + +“Do you ever pick up a thousand-franc note?” + +“Now and then, master.” + +“And you restore them?” + +“It depends on the reward offered.” + +“You’re the man for me,” cried the Count, giving the man a +thousand-franc note. “Take this, but, remember, I give it to you on +condition of your spending it at the wineshop, of your getting drunk, +fighting, beating your wife, blacking your friends’ eyes. That will give +work to the watch, the surgeon, the druggist--perhaps to the police, the +public prosecutor, the judge, and the prison warders. Do not try to do +anything else, or the devil will be revenged on you sooner or later.” + +A draughtsman would need at once the pencil of Charlet and of Callot, +the brush of Teniers and of Rembrandt, to give a true notion of this +night-scene. + +“Now I have squared accounts with hell, and had some pleasure for my +money,” said the Count in a deep voice, pointing out the indescribable +physiognomy of the gaping scavenger to the doctor, who stood stupefied. +“As for Caroline Crochard!--she may die of hunger and thirst, hearing +the heartrending shrieks of her starving children, and convinced of the +baseness of the man she loves. I will not give a sou to rescue her; and +because you have helped her, I will see you no more----” + +The Count left Bianchon standing like a statue, and walked as briskly +as a young man to the Rue Saint-Lazare, soon reaching the little house +where he resided, and where, to his surprise, he found a carriage +waiting at the door. + +“Monsieur, your son, the attorney-general, came about an hour since,” + said the man-servant, “and is waiting for you in your bedroom.” + +Granville signed to the man to leave him. + +“What motive can be strong enough to require you to infringe the order +I have given my children never to come to me unless I send for them?” + asked the Count of his son as he went into the room. + +“Father,” replied the younger man in a tremulous voice, and with great +respect, “I venture to hope that you will forgive me when you have heard +me.” + +“Your reply is proper,” said the Count. “Sit down,” and he pointed to +a chair, “But whether I walk up and down, or take a seat, speak without +heeding me.” + +“Father,” the son went on, “this afternoon, at four o’clock, a very +young man who was arrested in the house of a friend of mine, whom he had +robbed to a considerable extent, appealed to you.--He says he is your +son.” + +“His name?” asked the Count hoarsely. + +“Charles Crochard.” + +“That will do,” said the father, with an imperious wave of the hand. + +Granville paced the room in solemn silence, and his son took care not to +break it. + +“My son,” he began, and the words were pronounced in a voice so mild +and fatherly, that the young lawyer started, “Charles Crochard spoke the +truth.--I am glad you came to me to-night, my good Eugene,” he added. +“Here is a considerable sum of money”--and he gave him a bundle of +banknotes--“you can make any use of them you think proper in this +matter. I trust you implicitly, and approve beforehand whatever +arrangements you may make, either in the present or for the +future.--Eugene my dear son, kiss me. We part perhaps for the last time. +I shall to-morrow crave my dismissal from the King, and I am going to +Italy. + +“Though a father owes no account of his life to his children, he is +bound to bequeath to them the experience Fate sells him so dearly--is +it not a part of their inheritance?--When you marry,” the count went on, +with a little involuntary shudder, “do not undertake it lightly; that +act is the most important of all which society requires of us. Remember +to study at your leisure the character of the woman who is to be your +partner; but consult me too, I will judge of her myself. A lack of +union between husband and wife, from whatever cause, leads to terrible +misfortune; sooner or later we are always punished for contravening the +social law.--But I will write to you on this subject from Florence. A +father who has the honor of presiding over a supreme court of justice +must not have to blush in the presence of his son. Good-bye.” + + +PARIS, February 1830-January 1842. + + + + +ADDENDUM + +The following personages appear in other stories of the Human Comedy. + + Beaumesnil, Mademoiselle + The Middle Classes + Scenes from a Courtesan’s Life + + Bianchon, Horace + Father Goriot + The Atheist’s Mass + Cesar Birotteau + The Commission in Lunacy + Lost Illusions + A Distinguished Provincial at Paris + A Bachelor’s Establishment + The Secrets of a Princess + The Government Clerks + Pierrette + A Study of Woman + Scenes from a Courtesan’s Life + Honorine + The Seamy Side of History + The Magic Skin + A Prince of Bohemia + Letters of Two Brides + The Muse of the Department + The Imaginary Mistress + The Middle Classes + Cousin Betty + The Country Parson + In addition, M. Bianchon narrated the following: + Another Study of Woman + La Grande Breteche + + Crochard, Charles + The Middle Classes + + Fontanon, Abbe + The Government Clerks + Honorine + The Member for Arcis + + Granville, Vicomte de (later Comte) + The Gondreville Mystery + Honorine + Farewell (Adieu) + Cesar Birotteau + Scenes from a Courtesan’s Life + A Daughter of Eve + Cousin Pons + + Granville, Comtesse Angelique de + The Thirteen + A Daughter of Eve + + Granville, Vicomte de + A Daughter of Eve + The Country Parson + + Granville, Baron Eugene de + Scenes from a Courtesan’s Life + + Molineux, Jean-Baptiste + The Purse + Cesar Birotteau + + Regnier, Claude-Antoine + The Gondreville Mystery + + Roguin, Madame + Cesar Birotteau + At the Sign of the Cat and Racket + Pierrette + A Daughter of Eve + + Vandenesse, Comtesse Felix de + A Daughter of Eve + The Muse of the Department + + + + + + + +End of the Project Gutenberg EBook of A Second Home, by Honore de Balzac + +*** END OF THIS PROJECT GUTENBERG EBOOK A SECOND HOME *** + +***** This file should be named 1810-0.txt or 1810-0.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/1/8/1/1810/ + +Produced by John Bickers, and Dagny + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase “Project +Gutenberg”), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. “Project Gutenberg” is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” + or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase “Project Gutenberg” appears, or with which the phrase “Project +Gutenberg” is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase “Project Gutenberg” associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +“Plain Vanilla ASCII” or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original “Plain Vanilla ASCII” or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, “Information about donations to + the Project Gutenberg Literary Archive Foundation.” + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +“Defects,” such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right +of Replacement or Refund” described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you ‘AS-IS’ WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, are critical to reaching Project Gutenberg-tm’s +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation’s EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state’s laws. + +The Foundation’s principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation’s web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/1810-0.zip b/1810-0.zip Binary files differnew file mode 100644 index 0000000..2cbef7b --- /dev/null +++ b/1810-0.zip diff --git a/1810-h.zip b/1810-h.zip Binary files differnew file mode 100644 index 0000000..2a4b6e3 --- /dev/null +++ b/1810-h.zip diff --git a/1810-h/1810-h.htm b/1810-h/1810-h.htm new file mode 100644 index 0000000..db08414 --- /dev/null +++ b/1810-h/1810-h.htm @@ -0,0 +1,3578 @@ +<?xml version="1.0" encoding="utf-8"?> + +<!DOCTYPE html + PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" > + +<html xmlns="http://www.w3.org/1999/xhtml" lang="en"> + <head> + <title> + A Second Home, by Honore de Balzac + </title> + <style type="text/css" xml:space="preserve"> + + body { margin:5%; background:#faebd0; text-align:justify} + P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; } + H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; } + hr { width: 50%; text-align: center;} + .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; } + blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;} + .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;} + .toc { margin-left: 10%; margin-bottom: .75em;} + .toc2 { margin-left: 20%;} + div.fig { display:block; margin:0 auto; text-align:center; } + div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; } + .figleft {float: left; margin-left: 0%; margin-right: 1%;} + .figright {float: right; margin-right: 0%; margin-left: 1%;} + .pagenum {display:inline; font-size: 70%; font-style:normal; + margin: 0; padding: 0; position: absolute; right: 1%; + text-align: right;} + pre { font-style: italic; font-size: 90%; margin-left: 10%;} + +</style> + </head> + <body> +<pre xml:space="preserve"> + +The Project Gutenberg EBook of A Second Home, by Honore de Balzac + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: A Second Home + +Author: Honore de Balzac + +Translator: Clara Bell + +Release Date: March 2, 2010 [EBook #1810] +Last Updated: November 22, 2016 + +Language: English + +Character set encoding: UTF-8 + +*** START OF THIS PROJECT GUTENBERG EBOOK A SECOND HOME *** + + + + +Produced by John Bickers, and Dagny + + + + + +</pre> + <p> + <br /><br /> + </p> + <h1> + A SECOND HOME + </h1> + <p> + <br /><br /> + </p> + <h2> + By Honore De Balzac + </h2> + <p> + <br /><br /> + </p> + <h3> + Translated by Clara Bell + </h3> + <p> + <br /> <br /> + </p> + <hr /> + <p> + <br /> <br /> + </p> + <h3> + DEDICATION<br /><br /> To Madame la Comtesse Louise de Turheim as a token of<br /> + remembrance and affectionate respect.<br /> + </h3> + <p> + <br /> <br /> + </p> + <hr /> + <p> + <br /> <br /> + </p> + <h3> + <a href="#link2H_4_0001"> A SECOND HOME </a><br /><br /> <a + href="#link2H_4_0002"> ADDENDUM </a><br /> + </h3> + <p> + <br /> <br /> + </p> + <hr /> + <p> + <br /> <br /> <a name="link2H_4_0001" id="link2H_4_0001"> + <!-- H2 anchor --> </a> + </p> + <h1> + A SECOND HOME + </h1> + <p> + <br /> + </p> + <p> + The Rue du Tourniquet-Saint-Jean, formerly one of the darkest and most + tortuous of the streets about the Hotel de Ville, zigzagged round the + little gardens of the Paris Prefecture, and ended at the Rue Martroi, + exactly at the angle of an old wall now pulled down. Here stood the + turnstile to which the street owed its name; it was not removed till 1823, + when the Municipality built a ballroom on the garden plot adjoining the + Hotel de Ville, for the fete given in honor of the Duc d’Angouleme on his + return from Spain. + </p> + <p> + The widest part of the Rue du Tourniquet was the end opening into the Rue + de la Tixeranderie, and even there it was less than six feet across. Hence + in rainy weather the gutter water was soon deep at the foot of the old + houses, sweeping down with it the dust and refuse deposited at the + corner-stones by the residents. As the dust-carts could not pass through, + the inhabitants trusted to storms to wash their always miry alley; for how + could it be clean? When the summer sun shed its perpendicular rays on + Paris like a sheet of gold, but as piercing as the point of a sword, it + lighted up the blackness of this street for a few minutes without drying + the permanent damp that rose from the ground-floor to the first story of + these dark and silent tenements. + </p> + <p> + The residents, who lighted their lamps at five o’clock in the month of + June, in winter never put them out. To this day the enterprising wayfarer + who should approach the Marais along the quays, past the end of the Rue du + Chaume, the Rues de l’Homme Arme, des Billettes, and des Deux-Portes, all + leading to the Rue du Tourniquet, might think he had passed through + cellars all the way. + </p> + <p> + Almost all the streets of old Paris, of which ancient chronicles laud the + magnificence, were like this damp and gloomy labyrinth, where the + antiquaries still find historical curiosities to admire. For instance, on + the house then forming the corner where the Rue du Tourniquet joined the + Rue de la Tixeranderie, the clamps might still be seen of two strong iron + rings fixed to the wall, the relics of the chains put up every night by + the watch to secure public safety. + </p> + <p> + This house, remarkable for its antiquity, had been constructed in a way + that bore witness to the unhealthiness of these old dwellings; for, to + preserve the ground-floor from damp, the arches of the cellars rose about + two feet above the soil, and the house was entered up three outside steps. + The door was crowned by a closed arch, of which the keystone bore a female + head and some time-eaten arabesques. Three windows, their sills about five + feet from the ground, belonged to a small set of rooms looking out on the + Rue du Tourniquet, whence they derived their light. These windows were + protected by strong iron bars, very wide apart, and ending below in an + outward curve like the bars of a baker’s window. + </p> + <p> + If any passer-by during the day were curious enough to peep into the two + rooms forming this little dwelling, he could see nothing; for only under + the sun of July could he discern, in the second room, two beds hung with + green serge, placed side by side under the paneling of an old-fashioned + alcove; but in the afternoon, by about three o’clock, when the candles + were lighted, through the pane of the first room an old woman might be + seen sitting on a stool by the fireplace, where she nursed the fire in a + brazier, to simmer a stew, such as porters’ wives are expert in. A few + kitchen utensils, hung up against the wall, were visible in the twilight. + </p> + <p> + At that hour an old table on trestles, but bare of linen, was laid with + pewter-spoons, and the dish concocted by the old woman. Three wretched + chairs were all the furniture of this room, which was at once the kitchen + and the dining-room. Over the chimney-piece were a piece of looking-glass, + a tinder-box, three glasses, some matches, and a large, cracked white jug. + Still, the floor, the utensils, the fireplace, all gave a pleasant sense + of the perfect cleanliness and thrift that pervaded the dull and gloomy + home. + </p> + <p> + The old woman’s pale, withered face was quite in harmony with the darkness + of the street and the mustiness of the place. As she sat there, + motionless, in her chair, it might have been thought that she was as + inseparable from the house as a snail from its brown shell; her face, + alert with a vague expression of mischief, was framed in a flat cap made + of net, which barely covered her white hair; her fine, gray eyes were as + quiet as the street, and the many wrinkles in her face might be compared + to the cracks in the walls. Whether she had been born to poverty, or had + fallen from some past splendor, she now seemed to have been long resigned + to her melancholy existence. + </p> + <p> + From sunrise till dark, excepting when she was getting a meal ready, or, + with a basket on her arm, was out purchasing provisions, the old woman sat + in the adjoining room by the further window, opposite a young girl. At any + hour of the day the passer-by could see the needlewoman seated in an old, + red velvet chair, bending over an embroidery frame, and stitching + indefatigably. + </p> + <p> + Her mother had a green pillow on her knee, and busied herself with + hand-made net; but her fingers could move the bobbin but slowly; her sight + was feeble, for on her nose there rested a pair of those antiquated + spectacles which keep their place on the nostrils by the grip of a spring. + By night these two hardworking women set a lamp between them; and the + light, concentrated by two globe-shaped bottles of water, showed the elder + the fine network made by the threads on her pillow, and the younger the + most delicate details of the pattern she was embroidering. The outward + bend of the window had allowed the girl to rest a box of earth on the + window-sill, in which grew some sweet peas, nasturtiums, a sickly little + honeysuckle, and some convolvulus that twined its frail stems up the iron + bars. These etiolated plants produced a few pale flowers, and added a + touch of indescribable sadness and sweetness to the picture offered by + this window, in which the two figures were appropriately framed. + </p> + <p> + The most selfish soul who chanced to see this domestic scene would carry + away with him a perfect image of the life led in Paris by the working + class of women, for the embroideress evidently lived by her needle. Many, + as they passed through the turnstile, found themselves wondering how a + girl could preserve her color, living in such a cellar. A student of + lively imagination, going that way to cross to the Quartier-Latin, would + compare this obscure and vegetative life to that of the ivy that clung to + these chill walls, to that of the peasants born to labor, who are born, + toil, and die unknown to the world they have helped to feed. A + house-owner, after studying the house with the eye of a valuer, would have + said, “What will become of those two women if embroidery should go out of + fashion?” Among the men who, having some appointment at the Hotel de Ville + or the Palais de Justice, were obliged to go through this street at fixed + hours, either on their way to business or on their return home, there may + have been some charitable soul. Some widower or Adonis of forty, brought + so often into the secrets of these sad lives, may perhaps have reckoned on + the poverty of this mother and daughter, and have hoped to become the + master at no great cost of the innocent work-woman, whose nimble and + dimpled fingers, youthful figure, and white skin—a charm due, no + doubt, to living in this sunless street—had excited his admiration. + Perhaps, again, some honest clerk, with twelve hundred francs a year, + seeing every day the diligence the girl gave to her needle, and + appreciating the purity of her life, was only waiting for improved + prospects to unite one humble life with another, one form of toil to + another, and to bring at any rate a man’s arm and a calm affection, + pale-hued like the flowers in the window, to uphold this home. + </p> + <p> + Vague hope certainly gave life to the mother’s dim, gray eyes. Every + morning, after the most frugal breakfast, she took up her pillow, though + chiefly for the look of the thing, for she would lay her spectacles on a + little mahogany worktable as old as herself, and look out of the window + from about half-past eight till ten at the regular passers in the street; + she caught their glances, remarked on their gait, their dress, their + countenance, and almost seemed to be offering her daughter, her gossiping + eyes so evidently tried to attract some magnetic sympathy by manoeuvres + worthy of the stage. It was evident that this little review was as good as + a play to her, and perhaps her single amusement. + </p> + <p> + The daughter rarely looked up. Modesty, or a painful consciousness of + poverty, seemed to keep her eyes riveted to the work-frame; and only some + exclamation of surprise from her mother moved her to show her small + features. Then a clerk in a new coat, or who unexpectedly appeared with a + woman on his arm, might catch sight of the girl’s slightly upturned nose, + her rosy mouth, and gray eyes, always bright and lively in spite of her + fatiguing toil. Her late hours had left a trace on her face by a pale + circle marked under each eye on the fresh rosiness of her cheeks. The poor + child looked as if she were made for love and cheerfulness—for love, + which had drawn two perfect arches above her eyelids, and had given her + such a mass of chestnut hair, that she might have hidden under it as under + a tent, impenetrable to the lover’s eye—for cheerfulness, which gave + quivering animation to her nostrils, which carved two dimples in her rosy + cheeks, and made her quick to forget her troubles; cheerfulness, the + blossom of hope, which gave her strength to look out without shuddering on + the barren path of life. + </p> + <p> + The girl’s hair was always carefully dressed. After the manner of Paris + needlewomen, her toilet seemed to her quite complete when she had brushed + her hair smooth and tucked up the little short curls that played on each + temple in contrast with the whiteness of her skin. The growth of it on the + back of her neck was so pretty, and the brown line, so clearly traced, + gave such a pleasing idea of her youth and charm, that the observer, + seeing her bent over her work, and unmoved by any sound, was inclined to + think of her as a coquette. Such inviting promise had excited the interest + of more than one young man, who turned round in the vain hope of seeing + that modest countenance. + </p> + <p> + “Caroline, there is a new face that passes regularly by, and not one of + the old ones to compare with it.” + </p> + <p> + These words, spoken in a low voice by her mother one August morning in + 1815, had vanquished the young needlewoman’s indifference, and she looked + out on the street; but in vain, the stranger was gone. + </p> + <p> + “Where has he flown to?” said she. + </p> + <p> + “He will come back no doubt at four; I shall see him coming, and will + touch your foot with mine. I am sure he will come back; he has been + through the street regularly for the last three days; but his hours vary. + The first day he came by at six o’clock, the day before yesterday it was + four, yesterday as early as three. I remember seeing him occasionally some + time ago. He is some clerk in the Prefet’s office who has moved to the + Marais.—Why!” she exclaimed, after glancing down the street, “our + gentleman of the brown coat has taken to wearing a wig; how much it alters + him!” + </p> + <p> + The gentleman of the brown coat was, it would seem, the individual who + commonly closed the daily procession, for the old woman put on her + spectacles and took up her work with a sigh, glancing at her daughter with + so strange a look that Lavater himself would have found it difficult to + interpret. Admiration, gratitude, a sort of hope for better days, were + mingled with pride at having such a pretty daughter. + </p> + <p> + At about four in the afternoon the old lady pushed her foot against + Caroline’s, and the girl looked up quickly enough to see the new actor, + whose regular advent would thenceforth lend variety to the scene. He was + tall and thin, and wore black, a man of about forty, with a certain + solemnity of demeanor; as his piercing hazel eye met the old woman’s dull + gaze, he made her quake, for she felt as though he had the gift of reading + hearts, or much practice in it, and his presence must surely be as icy as + the air of this dank street. Was the dull, sallow complexion of that + ominous face due to excess of work, or the result of delicate health? + </p> + <p> + The old woman supplied twenty different answers to this question; but + Caroline, next day, discerned the lines of long mental suffering on that + brow that was so prompt to frown. The rather hollow cheeks of the Unknown + bore the stamp of the seal which sorrow sets on its victims as if to grant + them the consolation of common recognition and brotherly union for + resistance. Though the girl’s expression was at first one of lively but + innocent curiosity, it assumed a look of gentle sympathy as the stranger + receded from view, like a last relation following in a funeral train. + </p> + <p> + The heat of the weather was so great, and the gentleman was so + absent-minded, that he had taken off his hat and forgotten to put it on + again as he went down the squalid street. Caroline could see the stern + look given to his countenance by the way the hair was brushed from his + forehead. The strong impression, devoid of charm, made on the girl by this + man’s appearance was totally unlike any sensation produced by the other + passengers who used the street; for the first time in her life she was + moved to pity for some one else than herself and her mother; she made no + reply to the absurd conjectures that supplied material for the old woman’s + provoking volubility, and drew her long needle in silence through the web + of stretched net; she only regretted not having seen the stranger more + closely, and looked forward to the morrow to form a definite opinion of + him. + </p> + <p> + It was the first time, indeed, that a man passing down the street had ever + given rise to much thought in her mind. She generally had nothing but a + smile in response to her mother’s hypotheses, for the old woman looked on + every passer-by as a possible protector for her daughter. And if such + suggestions, so crudely presented, gave rise to no evil thoughts in + Caroline’s mind, her indifference must be ascribed to the persistent and + unfortunately inevitable toil in which the energies of her sweet youth + were being spent, and which would infallibly mar the clearness of her eyes + or steal from her fresh cheeks the bloom that still colored them. + </p> + <p> + For two months or more the “Black Gentleman”—the name they had given + him—was erratic in his movements; he did not always come down the + Rue du Tourniquet; the old woman sometimes saw him in the evening when he + had not passed in the morning, and he did not come by at such regular + hours as the clerks who served Madame Crochard instead of a clock; + moreover, excepting on the first occasion, when his look had given the old + mother a sense of alarm, his eyes had never once dwelt on the weird + picture of these two female gnomes. With the exception of two + carriage-gates and a dark ironmonger’s shop, there were in the Rue du + Tourniquet only barred windows, giving light to the staircases of the + neighboring houses; thus the stranger’s lack of curiosity was not to be + accounted for by the presence of dangerous rivals; and Madame Crochard was + greatly piqued to see her “Black Gentleman” always lost in thought, his + eyes fixed on the ground, or straight before him, as though he hoped to + read the future in the fog of the Rue du Tourniquet. However, one morning, + about the middle of September, Caroline Crochard’s roguish face stood out + so brightly against the dark background of the room, looking so fresh + among the belated flowers and faded leaves that twined round the + window-bars, the daily scene was gay with such contrasts of light and + shade, of pink and white blending with the light material on which the + pretty needlewoman was working, and with the red and brown hues of the + chairs, that the stranger gazed very attentively at the effects of this + living picture. In point of fact, the old woman, provoked by her “Black + Gentleman’s” indifference, had made such a clatter with her bobbins that + the gloomy and pensive passer-by was perhaps prompted to look up by the + unusual noise. + </p> + <p> + The stranger merely exchanged glances with Caroline, swift indeed, but + enough to effect a certain contact between their souls, and both were + aware that they would think of each other. When the stranger came by + again, at four in the afternoon, Caroline recognized the sound of his step + on the echoing pavement; they looked steadily at each other, and with + evident purpose; his eyes had an expression of kindliness which made him + smile, and Caroline colored; the old mother noted them with satisfaction. + Ever after that memorable afternoon, the Gentleman in Black went by twice + a day, with rare exceptions, which both the women observed. They concluded + from the irregularity of the hours of his homecoming that he was not + released so early, nor so precisely punctual as a subordinate official. + </p> + <p> + All through the first three winter months, twice a day, Caroline and the + stranger thus saw each other for so long as it took him to traverse the + piece of road that lay along the length of the door and three windows of + the house. Day after day this brief interview had the hue of friendly + sympathy which at last had acquired a sort of fraternal kindness. Caroline + and the stranger seemed to understand each other from the first; and then, + by dint of scrutinizing each other’s faces, they learned to know them + well. Ere long it came to be, as it were, a visit that the Unknown owed to + Caroline; if by any chance her Gentleman in Black went by without + bestowing on her the half-smile of his expressive lips, or the cordial + glance of his brown eyes, something was missing to her all day. She felt + as an old man does to whom the daily study of a newspaper is such an + indispensable pleasure that on the day after any great holiday he wanders + about quite lost, and seeking, as much out of vagueness as for want of + patience, the sheet by which he cheats an hour of life. + </p> + <p> + But these brief meetings had the charm of intimate friendliness, quite as + much for the stranger as for Caroline. The girl could no more hide a + vexation, a grief, or some slight ailment from the keen eye of her + appreciative friend than he could conceal anxiety from hers. + </p> + <p> + “He must have had some trouble yesterday,” was the thought that constantly + arose in the embroideress’ mind as she saw some change in the features of + the “Black Gentleman.” + </p> + <p> + “Oh, he has been working too hard!” was a reflection due to another shade + of expression which Caroline could discern. + </p> + <p> + The stranger, on his part, could guess when the girl had spent Sunday in + finishing a dress, and he felt an interest in the pattern. As quarter-day + came near he could see that her pretty face was clouded by anxiety, and he + could guess when Caroline had sat up late at work; but above all, he noted + how the gloomy thoughts that dimmed the cheerful and delicate features of + her young face gradually vanished by degrees as their acquaintance + ripened. When winter had killed the climbers and plants of her window + garden, and the window was kept closed, it was not without a smile of + gentle amusement that the stranger observed the concentration of the light + within, just at the level of Caroline’s head. The very small fire and the + frosty red of the two women’s faces betrayed the poverty of their home; + but if ever his own countenance expressed regretful compassion, the girl + proudly met it with assumed cheerfulness. + </p> + <p> + Meanwhile the feelings that had arisen in their hearts remained buried + there, no incident occurring to reveal to either of them how deep and + strong they were in the other; they had never even heard the sound of each + other’s voice. These mute friends were even on their guard against any + nearer acquaintance, as though it meant disaster. Each seemed to fear lest + it should bring on the other some grief more serious than those they felt + tempted to share. Was it shyness or friendship that checked them? Was it a + dread of meeting with selfishness, or the odious distrust which sunders + all the residents within the walls of a populous city? Did the voice of + conscience warn them of approaching danger? It would be impossible to + explain the instinct which made them as much enemies as friends, at once + indifferent and attached, drawn to each other by impulse, and severed by + circumstance. Each perhaps hoped to preserve a cherished illusion. It + might almost have been thought that the stranger feared lest he should + hear some vulgar word from those lips as fresh and pure as a flower, and + that Caroline felt herself unworthy of the mysterious personage who was + evidently possessed of power and wealth. + </p> + <p> + As to Madame Crochard, that tender mother, almost angry at her daughter’s + persistent lack of decisiveness, now showed a sulky face to the “Black + Gentleman,” on whom she had hitherto smiled with a sort of benevolent + servility. Never before had she complained so bitterly of being compelled, + at her age, to do the cooking; never had her catarrh and her rheumatism + wrung so many groans from her; finally, she could not, this winter, + promise so many ells of net as Caroline had hitherto been able to count + on. + </p> + <p> + Under these circumstances, and towards the end of December, at the time + when bread was dearest, and that dearth of corn was beginning to be felt + which made the year 1816 so hard on the poor, the stranger observed on the + features of the girl whose name was still unknown to him, the painful + traces of a secret sorrow which his kindest smiles could not dispel. + Before long he saw in Caroline’s eyes the dimness attributed to long hours + at night. One night, towards the end of the month, the Gentleman in Black + passed down the Rue du Tourniquet at the quite unwonted hour of one in the + morning. The perfect silence allowed of his hearing before passing the + house the lachrymose voice of the old mother, and Caroline’s even sadder + tones, mingling with the swish of a shower of sleet. He crept along as + slowly as he could; and then, at the risk of being taken up by the police, + he stood still below the window to hear the mother and daughter, while + watching them through the largest of the holes in the yellow muslin + curtains, which were eaten away by wear as a cabbage leaf is riddled by + caterpillars. The inquisitive stranger saw a sheet of paper on the table + that stood between the two work-frames, and on which stood the lamp and + the globes filled with water. He at once identified it as a writ. Madame + Crochard was weeping, and Caroline’s voice was thick, and had lost its + sweet, caressing tone. + </p> + <p> + “Why be so heartbroken, mother? Monsieur Molineux will not sell us up or + turn us out before I have finished this dress; only two nights more and I + shall take it home to Madame Roguin.” + </p> + <p> + “And supposing she keeps you waiting as usual?—And will the money + for the gown pay the baker too?” + </p> + <p> + The spectator of this scene had long practice in reading faces; he fancied + he could discern that the mother’s grief was as false as the daughter’s + was genuine; he turned away, and presently came back. When he next peeped + through the hole in the curtain, Madame Crochard was in bed. The young + needlewoman, bending over her frame, was embroidering with indefatigable + diligence; on the table, with the writ lay a triangular hunch of bread, + placed there, no doubt, to sustain her in the night and to remind her of + the reward of her industry. The stranger was tremulous with pity and + sympathy; he threw his purse in through a cracked pane so that it should + fall at the girl’s feet; and then, without waiting to enjoy her surprise, + he escaped, his cheeks tingling. + </p> + <p> + Next morning the shy and melancholy stranger went past with a look of deep + preoccupation, but he could not escape Caroline’s gratitude; she had + opened her window and affected to be digging in the square window-box + buried in snow, a pretext of which the clumsy ingenuity plainly told her + benefactor that she had been resolved not to see him only through the + pane. Her eyes were full of tears as she bowed her head, as much as to say + to her benefactor, “I can only repay you from my heart.” + </p> + <p> + But the Gentleman in Black affected not to understand the meaning of this + sincere gratitude. In the evening, as he came by, Caroline was busy + mending the window with a sheet of paper, and she smiled at him, showing + her row of pearly teeth like a promise. Thenceforth the Stranger went + another way, and was no more seen in the Rue due Tourniquet. + </p> + <p> + It was one day early in the following May that, as Caroline was giving the + roots of the honeysuckle a glass of water, one Saturday morning, she + caught sight of a narrow strip of cloudless blue between the black lines + of houses, and said to her mother: + </p> + <p> + “Mamma, we must go to-morrow for a trip to Montmorency!” + </p> + <p> + She had scarcely uttered the words, in a tone of glee, when the Gentleman + in Black came by, sadder and more dejected than ever. Caroline’s innocent + and ingratiating glance might have been taken for an invitation. And, in + fact, on the following day, when Madame Crochard, dressed in a pelisse of + claret-colored merinos, a silk bonnet, and striped shawl of an imitation + Indian pattern, came out to choose seats in a chaise at the corner of the + Rue du Faubourg Saint-Denis and the Rue d’Enghien, there she found her + Unknown standing like a man waiting for his wife. A smile of pleasure + lighted up the Stranger’s face when his eye fell on Caroline, her neat + feet shod in plum-colored prunella gaiters, and her white dress tossed by + a breeze that would have been fatal to an ill-made woman, but which + displayed her graceful form. Her face, shaded by a rice-straw bonnet lined + with pink silk, seemed to beam with a reflection from heaven; her broad, + plum-colored belt set off a waist he could have spanned; her hair, parted + in two brown bands over a forehead as white as snow, gave her an + expression of innocence which no other feature contradicted. Enjoyment + seemed to have made Caroline as light as the straw of her hat; but when + she saw the Gentleman in Black, radiant hope suddenly eclipsed her bright + dress and her beauty. The Stranger, who appeared to be in doubt, had not + perhaps made up his mind to be the girl’s escort for the day till this + revelation of the delight she felt on seeing him. He at once hired a + vehicle with a fairly good horse, to drive to Saint-Leu-Taverny, and he + offered Madame Crochard and her daughter seats by his side. The mother + accepted without ado; but presently, when they were already on the way to + Saint-Denis, she was by way of having scruples, and made a few civil + speeches as to the possible inconvenience two women might cause their + companion. + </p> + <p> + “Perhaps, monsieur, you wished to drive alone to Saint-Leu-Taverny,” said + she, with affected simplicity. + </p> + <p> + Before long she complained of the heat, and especially of her cough, + which, she said, had hindered her from closing her eyes all night; and by + the time the carriage had reached Saint-Denis, Madame Crochard seemed to + be fast asleep. Her snores, indeed, seemed, to the Gentleman in Black, + rather doubtfully genuine, and he frowned as he looked at the old woman + with a very suspicious eye. + </p> + <p> + “Oh, she is fast asleep,” said Caroline quilelessly; “she never ceased + coughing all night. She must be very tired.” + </p> + <p> + Her companion made no reply, but he looked at the girl with a smile that + seemed to say: + </p> + <p> + “Poor child, you little know your mother!” + </p> + <p> + However, in spite of his distrust, as the chaise made its way down the + long avenue of poplars leading to Eaubonne, the Stranger thought that + Madame Crochard was really asleep; perhaps he did not care to inquire how + far her slumbers were genuine or feigned. Whether it were that the + brilliant sky, the pure country air, and the heady fragrance of the first + green shoots of the poplars, the catkins of willow, and the flowers of the + blackthorn had inclined his heart to open like all the nature around him; + or that any long restraint was too oppressive while Caroline’s sparkling + eyes responded to his own, the Gentleman in Black entered on a + conversation with his young companion, as aimless as the swaying of the + branches in the wind, as devious as the flitting of the butterflies in the + azure air, as illogical as the melodious murmur of the fields, and, like + it, full of mysterious love. At that season is not the rural country as + tremulous as a bride that has donned her marriage robe; does it not invite + the coldest soul to be happy? What heart could remain unthawed, and what + lips could keep its secret, on leaving the gloomy streets of the Marais + for the first time since the previous autumn, and entering the smiling and + picturesque valley of Montmorency; on seeing it in the morning light, its + endless horizons receding from view; and then lifting a charmed gaze to + eyes which expressed no less infinitude mingled with love? + </p> + <p> + The Stranger discovered that Caroline was sprightly rather than witty, + affectionate, but ill educated; but while her laugh was giddy, her words + promised genuine feeling. When, in response to her companion’s shrewd + questioning, the girl spoke with the heartfelt effusiveness of which the + lower classes are lavish, not guarding it with reticence like people of + the world, the Black Gentleman’s face brightened, and seemed to renew its + youth. His countenance by degrees lost the sadness that lent sternness to + his features, and little by little they gained a look of handsome + youthfulness which made Caroline proud and happy. The pretty needlewoman + guessed that her new friend had been long weaned from tenderness and love, + and no longer believed in the devotion of woman. Finally, some unexpected + sally in Caroline’s light prattle lifted the last veil that concealed the + real youth and genuine character of the Stranger’s physiognomy; he seemed + to bid farewell to the ideas that haunted him, and showed the natural + liveliness that lay beneath the solemnity of his expression. + </p> + <p> + Their conversation had insensibly become so intimate, that by the time + when the carriage stopped at the first houses of the straggling village of + Saint-Leu, Caroline was calling the gentleman Monsieur Roger. Then for the + first time the old mother awoke. + </p> + <p> + “Caroline, she has heard everything!” said Roger suspiciously in the + girl’s ear. + </p> + <p> + Caroline’s reply was an exquisite smile of disbelief, which dissipated the + dark cloud that his fear of some plot on the old woman’s part had brought + to this suspicious mortal’s brow. Madame Crochard was amazed at nothing, + approved of everything, followed her daughter and Monsieur Roger into the + park, where the two young people had agreed to wander through the smiling + meadows and fragrant copses made famous by the taste of Queen Hortense. + </p> + <p> + “Good heavens! how lovely!” exclaimed Caroline when standing on the green + ridge where the forest of Montmorency begins, she saw lying at her feet + the wide valley with its combes sheltering scattered villages, its horizon + of blue hills, its church towers, its meadows and fields, whence a murmur + came up, to die on her ear like the swell of the ocean. The three + wanderers made their way by the bank of an artificial stream and came to + the Swiss valley, where stands a chalet that had more than once given + shelter to Hortense and Napoleon. When Caroline had seated herself with + pious reverence on the mossy wooden bench where kings and princesses and + the Emperor had rested, Madame Crochard expressed a wish to have a nearer + view of a bridge that hung across between two rocks at some little + distance, and bent her steps towards that rural curiosity, leaving her + daughter in Monsieur Roger’s care, though telling them that she would not + go out of sight. + </p> + <p> + “What, poor child!” cried Roger, “have you never longed for wealth and the + pleasures of luxury? Have you never wished that you might wear the + beautiful dresses you embroider?” + </p> + <p> + “It would not be the truth, Monsieur Roger, if I were to tell you that I + never think how happy people must be who are rich. Oh yes! I often fancy, + especially when I am going to sleep, how glad I should be to see my poor + mother no longer compelled to go out, whatever the weather, to buy our + little provisions, at her age. I should like her to have a servant who, + every morning before she was up, would bring her up her coffee, nicely + sweetened with white sugar. And she loves reading novels, poor dear soul! + Well, and I would rather see her wearing out her eyes over her favorite + books than over twisting her bobbins from morning till night. And again, + she ought to have a little good wine. In short, I should like to see her + comfortable—she is so good.” + </p> + <p> + “Then she has shown you great kindness?” + </p> + <p> + “Oh yes,” said the girl, in a tone of conviction. Then, after a short + pause, during which the two young people stood watching Madame Crochard, + who had got to the middle of the rustic bridge, and was shaking her finger + at them, Caroline went on: + </p> + <p> + “Oh yes, she has been so good to me. What care she took of me when I was + little! She sold her last silver forks to apprentice me to the old maid + who taught me to embroider.—And my poor father! What did she not go + through to make him end his days in happiness!” The girl shivered at the + remembrance, and hid her face in her hands.—“Well! come! let us + forget past sorrows!” she added, trying to rally her high spirits. She + blushed as she saw that Roger too was moved, but she dared not look at + him. + </p> + <p> + “What was your father?” he asked. + </p> + <p> + “He was an opera-dancer before the Revolution,” said she, with an air of + perfect simplicity, “and my mother sang in the chorus. My father, who was + leader of the figures on the stage, happened to be present at the siege of + the Bastille. He was recognized by some of the assailants, who asked him + whether he could not lead a real attack, since he was used to leading such + enterprises on the boards. My father was brave; he accepted the post, led + the insurgents, and was rewarded by the nomination to the rank of captain + in the army of Sambre-et-Meuse, where he distinguished himself so far as + to rise rapidly to be a colonel. But at Lutzen he was so badly wounded + that, after a year’s sufferings, he died in Paris.—The Bourbons + returned; my mother could obtain no pension, and we fell into such abject + misery that we were compelled to work for our living. For some time past + she has been ailing, poor dear, and I have never known her so little + resigned; she complains a good deal, and, indeed, I cannot wonder, for she + has known the pleasures of an easy life. For my part, I cannot pine for + delights I have never known, I have but one thing to wish for.” + </p> + <p> + “And that is?” said Roger eagerly, as if roused from a dream. + </p> + <p> + “That women may continue to wear embroidered net dresses, so that I may + never lack work.” + </p> + <p> + The frankness of this confession interested the young man, who looked with + less hostile eyes on Madame Crochard as she slowly made her way back to + them. + </p> + <p> + “Well, children, have you had a long talk?” said she, with a + half-laughing, half-indulgent air. “When I think, Monsieur Roger, that the + ‘little Corporal’ has sat where you are sitting,” she went on after a + pause. “Poor man! how my husband worshiped him! Ah! Crochard did well to + die, for he could not have borne to think of him where <i>they</i> have + sent him!” + </p> + <p> + Roger put his finger to his lips, and the good woman went on very gravely, + with a shake of her head: + </p> + <p> + “All right, mouth shut and tongue still! But,” added she, unhooking a bit + of her bodice, and showing a ribbon and cross tied round her neck by a + piece of black ribbon, “they shall never hinder me from wearing what <i>he</i> + gave to my poor Crochard, and I will have it buried with me.” + </p> + <p> + On hearing this speech, which at that time was regarded as seditious, + Roger interrupted the old lady by rising suddenly, and they returned to + the village through the park walks. The young man left them for a few + minutes while he went to order a meal at the best eating-house in Taverny; + then, returning to fetch them, he led the way through the alleys cut in + the forest. + </p> + <p> + The dinner was cheerful. Roger was no longer the melancholy shade that was + wont to pass along the Rue du Tourniquet; he was not the “Black + Gentleman,” but rather a confiding young man ready to take life as it + came, like the two hard-working women who, on the morrow, might lack + bread; he seemed alive to all the joys of youth, his smile was quite + affectionate and childlike. + </p> + <p> + When, at five o’clock, this happy meal was ended with a few glasses of + champagne, Roger was the first to propose that they should join the + village ball under the chestnuts, where he and Caroline danced together. + Their hands met with sympathetic pressure, their hearts beat with the same + hopes; and under the blue sky and the slanting, rosy beams of sunset, + their eyes sparkled with fires which, to them, made the glory of the + heavens pale. How strange is the power of an idea, of a desire! To these + two nothing seemed impossible. In such magic moments, when enjoyment sheds + its reflections on the future, the soul foresees nothing but happiness. + This sweet day had created memories for these two to which nothing could + be compared in all their past existence. Would the source prove to be more + beautiful than the river, the desire more enchanting than its + gratification, the thing hoped for more delightful than the thing + possessed? + </p> + <p> + “So the day is already at an end!” On hearing this exclamation from her + unknown friend when the dance was over, Caroline looked at him + compassionately, as his face assumed once more a faint shade of sadness. + </p> + <p> + “Why should you not be as happy in Paris as you are here?” she asked. “Is + happiness to be found only at Saint-Leu? It seems to me that I can + henceforth never be unhappy anywhere.” + </p> + <p> + Roger was struck by these words, spoken with the glad unrestraint that + always carries a woman further than she intended, just as prudery often + lends her greater cruelty than she feels. For the first time since that + glance, which had, in a way, been the beginning of their friendship, + Caroline and Roger had the same idea; though they did not express it, they + felt it at the same instant, as a result of a common impression like that + of a comforting fire cheering both under the frost of winter; then, as if + frightened by each other’s silence, they made their way to the spot where + the carriage was waiting. But before getting into it, they playfully took + hands and ran together down the dark avenue in front of Madame Crochard. + When they could no longer see the white net cap, which showed as a speck + through the leaves where the old woman was—“Caroline!” said Roger in + a tremulous voice, and with a beating heart. + </p> + <p> + The girl was startled, and drew back a few steps, understanding the + invitation this question conveyed; however, she held out her hand, which + was passionately kissed, but which she hastily withdrew, for by standing + on tiptoe she could see her mother. + </p> + <p> + Madame Crochard affected blindness, as if, with a reminiscence of her old + parts, she was only required to figure as a supernumerary. + </p> + <p> + The adventures of these two young people were not continued in the Rue du + Tourniquet. To see Roger and Caroline once more, we must leap into the + heart of modern Paris, where, in some of the newly-built houses, there are + apartments that seem made on purpose for newly-married couples to spend + their honeymoon in. There the paper and paint are as fresh as the bride + and bridegroom, and the decorations are in blossom like their love; + everything is in harmony with youthful notions and ardent wishes. + </p> + <p> + Half-way down the Rue Taitbout, in a house whose stone walls were still + white, where the columns of the hall and the doorway were as yet spotless, + and the inner walls shone with the neat painting which our recent intimacy + with English ways had brought into fashion, there was, on the second + floor, a small set of rooms fitted by the architect as though he had known + what their use would be. A simple airy ante-room, with a stucco dado, + formed an entrance into a drawing-room and dining-room. Out of the + drawing-room opened a pretty bedroom, with a bathroom beyond. Every + chimney-shelf had over it a fine mirror elegantly framed. The doors were + crowded with arabesques in good taste, and the cornices were in the best + style. Any amateur would have discerned there the sense of distinction and + decorative fitness which mark the work of modern French architects. + </p> + <p> + For above a month Caroline had been at home in this apartment, furnished + by an upholsterer who submitted to an artist’s guidance. A short + description of the principal room will suffice to give us an idea of the + wonders it offered to Caroline’s delighted eyes when Roger installed her + there. Hangings of gray stuff trimmed with green silk adorned the walls of + her bedroom; the seats, covered with light-colored woolen sateen, were of + easy and comfortable shapes, and in the latest fashion; a chest of drawers + of some simple wood, inlaid with lines of a darker hue, contained the + treasures of the toilet; a writing-table to match served for inditing + love-letters on scented paper; the bed, with antique draperies, could not + fail to suggest thoughts of love by its soft hangings of elegant muslin; + the window-curtains, of drab silk with green fringe, were always half + drawn to subdue the light; a bronze clock represented Love crowning + Psyche; and a carpet of Gothic design on a red ground set off the other + accessories of this delightful retreat. There was a small dressing-table + in front of a long glass, and here the needlewoman sat, out of patience + with Plaisir, the famous hairdresser. + </p> + <p> + “Do you think you will have done to-day?” said she. + </p> + <p> + “Your hair is so long and so thick, madame,” replied Plaisir. + </p> + <p> + Caroline could not help smiling. The man’s flattery had no doubt revived + in her mind the memory of the passionate praises lavished by her lover on + the beauty of her hair, which he delighted in. + </p> + <p> + The hairdresser having done, a waiting-maid came and held counsel with her + as to the dress in which Roger would like best to see her. It was the + beginning of September 1816, and the weather was cold; she chose a green + <i>grenadine</i> trimmed with chinchilla. As soon as she was dressed, + Caroline flew into the drawing-room and opened a window, out of which she + stepped on to the elegant balcony, that adorned the front of the house; + there she stood, with her arms crossed, in a charming attitude, not to + show herself to the admiration of the passers-by and see them turn to gaze + at her, but to be able to look out on the Boulevard at the bottom of the + Rue Taitbout. This side view, really very comparable to the peephole made + by actors in the drop-scene of a theatre, enabled her to catch a glimpse + of numbers of elegant carriages, and a crowd of persons, swept past with + the rapidity of <i>Ombres Chinoises</i>. Not knowing whether Roger would + arrive in a carriage or on foot, the needlewoman from the Rue du + Tourniquet looked by turns at the foot-passengers, and at the tilburies—light + cabs introduced into Paris by the English. + </p> + <p> + Expressions of refractoriness and of love passed by turns over her + youthful face when, after waiting for a quarter of an hour, neither her + keen eye nor her heart had announced the arrival of him whom she knew to + be due. What disdain, what indifference were shown in her beautiful + features for all the other creatures who were bustling like ants below her + feet. Her gray eyes, sparkling with fun, now positively flamed. Given over + to her passion, she avoided admiration with as much care as the proudest + devote to encouraging it when they drive about Paris, certainly feeling no + care as to whether her fair countenance leaning over the balcony, or her + little foot between the bars, and the picture of her bright eyes and + delicious turned-up nose would be effaced or no from the minds of the + passers-by who admired them; she saw but one face, and had but one idea. + When the spotted head of a certain bay horse happened to cross the narrow + strip between the two rows of houses, Caroline gave a little shiver and + stood on tiptoe in hope of recognizing the white traces and the color of + the tilbury. It was he! + </p> + <p> + Roger turned the corner of the street, saw the balcony, whipped the horse, + which came up at a gallop, and stopped at the bronze-green door that he + knew as well as his master did. The door of the apartment was opened at + once by the maid, who had heard her mistress’ exclamation of delight. + Roger rushed up to the drawing-room, clasped Caroline in his arms, and + embraced her with the effusive feeling natural when two beings who love + each other rarely meet. He led her, or rather they went by a common + impulse, their arms about each other, into the quiet and fragrant bedroom; + a settee stood ready for them to sit by the fire, and for a moment they + looked at each other in silence, expressing their happiness only by their + clasped hands, and communicating their thoughts in a fond gaze. + </p> + <p> + “Yes, it is he!” she said at last. “Yes, it is you. Do you know, I have + not seen you for three long days, an age!—But what is the matter? + You are unhappy.” + </p> + <p> + “My poor Caroline—” + </p> + <p> + “There, you see! ‘poor Caroline’—” + </p> + <p> + “No, no, do not laugh, my darling; we cannot go to the Feydeau Theatre + together this evening.” + </p> + <p> + Caroline put on a little pout, but it vanished immediately. + </p> + <p> + “How absurd I am! How can I think of going to the play when I see you? Is + not the sight of you the only spectacle I care for?” she cried, pushing + her fingers through Roger’s hair. + </p> + <p> + “I am obliged to go to the Attorney-General’s. We have a knotty case in + hand. He met me in the great hall at the Palais; and as I am to plead, he + asked me to dine with him. But, my dearest, you can go to the theatre with + your mother, and I will join you if the meeting breaks up early.” + </p> + <p> + “To the theatre without you!” cried she in a tone of amazement; “enjoy any + pleasure you do not share! O my Roger! you do not deserve a kiss,” she + added, throwing her arms round his neck with an artless and impassioned + impulse. + </p> + <p> + “Caroline, I must go home and dress. The Marais is some way off, and I + still have some business to finish.” + </p> + <p> + “Take care what you are saying, monsieur,” said she, interrupting him. “My + mother says that when a man begins to talk about his business, he is + ceasing to love.” + </p> + <p> + “Caroline! Am I not here? Have I not stolen this hour from my pitiless—” + </p> + <p> + “Hush!” said she, laying a finger on his mouth. “Don’t you see that I am + in jest.” + </p> + <p> + They had now come back to the drawing-room, and Roger’s eye fell on an + object brought home that morning by the cabinetmaker. Caroline’s old + rosewood embroidery-frame, by which she and her mother had earned their + bread when they lived in the Rue du Tourniquet-Saint-Jean, had been + refitted and polished, and a net dress, of elaborate design, was already + stretched upon it. + </p> + <p> + “Well, then, my dear, I shall do some work this evening. As I stitch, I + shall fancy myself gone back to those early days when you used to pass by + me without a word, but not without a glance; the days when the remembrance + of your look kept me awake all night. Oh my dear old frame—the best + piece of furniture in my room, though you did not give it me!—You + cannot think,” said she, seating herself on Roger’s knees; for he, + overcome by irresistible feelings, had dropped into a chair. “Listen.—All + I can earn by my work I mean to give to the poor. You have made me rich. + How I love that pretty home at Bellefeuille, less because of what it is + than because you gave it me! But tell me, Roger, I should like to call + myself Caroline de Bellefeuille—can I? You must know: is it legal or + permissible?” + </p> + <p> + As she saw a little affirmative grimace—for Roger hated the name of + Crochard—Caroline jumped for glee, and clapped her hands. + </p> + <p> + “I feel,” said she, “as if I should more especially belong to you. Usually + a woman gives up her own name and takes her husband’s—” An idea + forced itself upon her and made her blush. She took Roger’s hand and led + him to the open piano.—“Listen,” said she, “I can play my sonata now + like an angel!” and her fingers were already running over the ivory keys, + when she felt herself seized round the waist. + </p> + <p> + “Caroline, I ought to be far from hence!” + </p> + <p> + “You insist on going? Well, go,” said she, with a pretty pout, but she + smiled as she looked at the clock and exclaimed joyfully, “At any rate, I + have detained you a quarter of an hour!” + </p> + <p> + “Good-bye, Mademoiselle de Bellefeuille,” said he, with the gentle irony + of love. + </p> + <p> + She kissed him and saw her lover to the door; when the sound of his steps + had died away on the stairs she ran out on to the balcony to see him get + into the tilbury, to see him gather up the reins, to catch a parting look, + hear the crack of his whip and the sound of his wheels on the stones, + watch the handsome horse, the master’s hat, the tiger’s gold lace, and at + last to stand gazing long after the dark corner of the street had eclipsed + this vision. + </p> + <p> + Five years after Mademoiselle Caroline de Bellefeuille had taken up her + abode in the pretty house in the Rue Taitbout, we again look in on one of + those home-scenes which tighten the bonds of affection between two persons + who truly love. In the middle of the blue drawing-room, in front of the + window opening to the balcony, a little boy of four was making a + tremendous noise as he whipped the rocking-horse, whose two curved + supports for the legs did not move fast enough to please him; his pretty + face, framed in fair curls that fell over his white collar, smiled up like + a cherub’s at his mother when she said to him from the depths of an + easy-chair, “Not so much noise, Charles; you will wake your little + sister.” + </p> + <p> + The inquisitive boy suddenly got off his horse, and treading on tiptoe as + if he were afraid of the sound of his feet on the carpet, came up with one + finger between his little teeth, and standing in one of those childish + attitudes that are so graceful because they are so perfectly natural, + raised the muslin veil that hid the rosy face of a little girl sleeping on + her mother’s knee. + </p> + <p> + “Is Eugenie asleep, then?” said he, quite astonished. “Why is she asleep + when we are awake?” he added, looking up with large, liquid black eyes. + </p> + <p> + “That only God can know,” replied Caroline, with a smile. + </p> + <p> + The mother and boy gazed at the infant, only that morning baptized. + </p> + <p> + Caroline, now about four-and-twenty, showed the ripe beauty which had + expanded under the influence of cloudless happiness and constant + enjoyment. In her the Woman was complete. + </p> + <p> + Delighted to obey her dear Roger’s every wish, she had acquired the + accomplishments she had lacked; she played the piano fairly well, and sang + sweetly. Ignorant of the customs of a world that would have treated her as + an outcast, and which she would not have cared for even if it had welcomed + her—for a happy woman does not care for the world—she had not + caught the elegance of manner or learned the art of conversation, + abounding in words and devoid of ideas, which is current in fashionable + drawing-rooms; on the other hand, she worked hard to gain the knowledge + indispensable to a mother whose chief ambition is to bring up her children + well. Never to lose sight of her boy, to give him from the cradle that + training of every minute which impresses on the young a love of all that + is good and beautiful, to shelter him from every evil influence and fulfil + both the painful duties of a nurse and the tender offices of a mother,—these + were her chief pleasures. + </p> + <p> + The coy and gentle being had from the first day so fully resigned herself + never to step beyond the enchanted sphere where she found all her + happiness, that, after six years of the tenderest intimacy, she still knew + her lover only by the name of Roger. A print of the picture of the Psyche + lighting her lamp to gaze on Love in spite of his prohibition, hung in her + room, and constantly reminded her of the conditions of her happiness. + Through all these six years her humble pleasures had never importuned + Roger by a single indiscreet ambition, and his heart was a treasure-house + of kindness. Never had she longed for diamonds or fine clothes, and had + again and again refused the luxury of a carriage which he had offered her. + To look out from her balcony for Roger’s cab, to go with him to the play + or make excursions with him, on fine days in the environs of Paris, to + long for him, to see him, and then to long again,—these made up the + history of her life, poor in incidents but rich in happiness. + </p> + <p> + As she rocked the infant, now a few months old, on her knee, singing the + while, she allowed herself to recall the memories of the past. She + lingered more especially on the months of September, when Roger was + accustomed to take her to Bellefeuille and spend the delightful days which + seem to combine the charms of every season. Nature is equally prodigal of + flowers and fruit, the evenings are mild, the mornings bright, and a blaze + of summer often returns after a spell of autumn gloom. During the early + days of their love, Caroline had ascribed the even mind and gentle temper, + of which Roger gave her so many proofs, to the rarity of their always + longed-for meetings, and to their mode of life, which did not compel them + to be constantly together, as a husband and wife must be. But now she + could remember with rapture that, tortured by foolish fears, she had + watched him with trembling during their first stay on this little estate + in the Gatinais. Vain suspiciousness of love! Each of these months of + happiness had passed like a dream in the midst of joys which never rang + false. She had always seen that kind creature with a tender smile on his + lips, a smile that seemed to mirror her own. + </p> + <p> + As she called up these vivid pictures, her eyes filled with tears; she + thought she could not love him enough, and was tempted to regard her + ambiguous position as a sort of tax levied by Fate on her love. Finally, + invincible curiosity led her to wonder for the thousandth time what events + they could be that led so tender a heart as Roger’s to find his pleasure + in clandestine and illicit happiness. She invented a thousand romances on + purpose really to avoid recognizing the true reason, which she had long + suspected but tried not to believe in. She rose, and carrying the baby in + her arms, went into the dining-room to superintend the preparations for + dinner. + </p> + <p> + It was the 6th of May 1822, the anniversary of the excursion to the Park + of Saint-Leu, which had been the turning-point of her life; each year it + had been marked by heartfelt rejoicing. Caroline chose the linen to be + used, and arranged the dessert. Having attended with joy to these details, + which touched Roger, she placed the infant in her pretty cot and went out + on to the balcony, whence she presently saw the carriage which her friend, + as he grew to riper years, now used instead of the smart tilbury of his + youth. After submitting to the first fire of Caroline’s embraces and the + kisses of the little rogue who addressed him as papa, Roger went to the + cradle, looked at his little sleeping daughter, kissed her forehead, and + then took out of his pocket a document covered with black writing. + </p> + <p> + “Caroline,” said he, “here is the marriage portion of Mademoiselle Eugenie + de Bellefeuille.” + </p> + <p> + The mother gratefully took the paper, a deed of gift of securities in the + State funds. + </p> + <p> + “Buy why,” said she, “have you given Eugenie three thousand francs a year, + and Charles no more than fifteen hundred?” + </p> + <p> + “Charles, my love, will be a man,” replied he. “Fifteen hundred francs are + enough for him. With so much for certain, a man of courage is above + poverty. And if by chance your son should turn out a nonentity, I do not + wish him to be able to play the fool. If he is ambitious, this small + income will give him a taste for work.—Eugenie is a girl; she must + have a little fortune.” + </p> + <p> + The father then turned to play with his boy, whose effusive affection + showed the independence and freedom in which he was brought up. No sort of + shyness between the father and child interfered with the charm which + rewards a parent for his devotion; and the cheerfulness of the little + family was as sweet as it was genuine. In the evening a magic-lantern + displayed its illusions and mysterious pictures on a white sheet to + Charles’ great surprise, and more than once the innocent child’s heavenly + rapture made Caroline and Roger laugh heartily. + </p> + <p> + Later, when the little boy was in bed, the baby woke and craved its limpid + nourishment. By the light of a lamp in the chimney corner, Roger enjoyed + the scene of peace and comfort, and gave himself up to the happiness of + contemplating the sweet picture of the child clinging to Caroline’s white + bosom as she sat, as fresh as a newly opened lily, while her hair fell in + long brown curls that almost hid her neck. The lamplight enhanced the + grace of the young mother, shedding over her, her dress, and the infant, + the picturesque effects of strong light and shadow. + </p> + <p> + The calm and silent woman’s face struck Roger as a thousand times sweeter + than ever, and he gazed tenderly at the rosy, pouting lips from which no + harsh word had ever been heard. The very same thought was legible in + Caroline’s eyes as she gave a sidelong look at Roger, either to enjoy the + effect she was producing on him, or to see what the end of the evening was + to be. He, understanding the meaning of this cunning glance, said with + assumed regret, “I must be going. I have a serious case to be finished, + and I am expected at home. Duty before all things—don’t you think + so, my darling?” + </p> + <p> + Caroline looked him in the face with an expression at once sad and sweet, + with the resignation which does not, however, disguise the pangs of a + sacrifice. + </p> + <p> + “Good-bye, then,” said she. “Go, for if you stay an hour longer I cannot + so lightly bear to set you free.” + </p> + <p> + “My dearest,” said he with a smile, “I have three days’ holiday, and am + supposed to be twenty leagues away from Paris.” + </p> + <p> + A few days after this anniversary of the 6th of May, Mademoiselle de + Bellefeuille hurried off one morning to the Rue Saint-Louis, in the + Marais, only hoping she might not arrive too late at a house where she + commonly went once a week. An express messenger had just come to inform + her that her mother, Madame Crochard, was sinking under a complication of + disorders produced by constant catarrh and rheumatism. + </p> + <p> + While the hackney coach-driver was flogging up his horses at Caroline’s + urgent request, supported by the promise of a handsome present, the timid + old women, who had been Madame Crochard’s friends during her later years, + had brought a priest into the neat and comfortable second-floor rooms + occupied by the old widow. Madame Crochard’s maid did not know that the + pretty lady at whose house her mistress so often dined was her daughter, + and she was one of the first to suggest the services of a confessor, in + the hope that this priest might be at least as useful to herself as to the + sick woman. Between two games of boston, or out walking in the Jardin + Turc, the old beldames with whom the widow gossiped all day had succeeded + in rousing in their friend’s stony heart some scruples as to her former + life, some visions of the future, some fears of hell, and some hopes of + forgiveness if she should return in sincerity to a religious life. So on + this solemn morning three ancient females had settled themselves in the + drawing-room where Madame Crochard was “at home” every Tuesday. Each in + turn left her armchair to go to the poor old woman’s bedside and sit with + her, giving her the false hopes with which people delude the dying. + </p> + <p> + At the same time, when the end was drawing near, when the physician called + in the day before would no longer answer for her life, the three dames + took counsel together as to whether it would not be well to send word to + Mademoiselle de Bellefeuille. Francoise having been duly informed, it was + decided that a commissionaire should go to the Rue Taitbout to inform the + young relation whose influence was so disquieting to the four women; + still, they hoped that the Auvergnat would be too late in bringing back + the person who so certainly held the first place in the widow Crochard’s + affections. The widow, evidently in the enjoyment of a thousand crowns a + year, would not have been so fondly cherished by this feminine trio, but + that neither of them, nor Francoise herself knew of her having any heir. + The wealth enjoyed by Mademoiselle de Bellefeuille, whom Madame Crochard, + in obedience to the traditions of the older opera, never allowed herself + to speak of by the affectionate name of daughter, almost justified the + four women in their scheme of dividing among themselves the old woman’s + “pickings.” + </p> + <p> + Presently the one of these three sibyls who kept guard over the sick woman + came shaking her head at the other anxious two, and said: + </p> + <p> + “It is time we should be sending for the Abbe Fontanon. In another two + hours she will neither have the wit nor the strength to write a line.” + </p> + <p> + Thereupon the toothless old cook went off, and returned with a man wearing + a black gown. A low forehead showed a small mind in this priest, whose + features were mean; his flabby, fat cheeks and double chin betrayed the + easy-going egotist; his powdered hair gave him a pleasant look, till he + raised his small, brown eyes, prominent under a flat forehead, and not + unworthy to glitter under the brows of a Tartar. + </p> + <p> + “Monsieur l’Abbe,” said Francoise, “I thank you for all your advice; but + believe me, I have taken the greatest care of the dear soul.” + </p> + <p> + But the servant, with her dragging step and woe-begone look, was silent + when she saw that the door of the apartment was open, and that the most + insinuating of the three dowagers was standing on the landing to be the + first to speak with the confessor. When the priest had politely faced the + honeyed and bigoted broadside of words fired off from the widow’s three + friends, he went into the sickroom to sit by Madame Crochard. Decency, and + some sense of reserve, compelled the three women and old Francoise to + remain in the sitting-room, and to make such grimaces of grief as are + possible in perfection only to such wrinkled faces. + </p> + <p> + “Oh, is it not ill-luck!” cried Francoise, heaving a sigh. “This is the + fourth mistress I have buried. The first left me a hundred francs a year, + the second a sum of fifty crowns, and the third a thousand crowns down. + After thirty years’ service, that is all I have to call my own.” + </p> + <p> + The woman took advantage of her freedom to come and go, to slip into a + cupboard, whence she could hear the priest. + </p> + <p> + “I see with pleasure, daughter,” said Fontanon, “that you have pious + sentiments; you have a sacred relic round your neck.” + </p> + <p> + Madame Crochard, with a feeble vagueness which seemed to show that she had + not all her wits about her, pulled out the Imperial Cross of the Legion of + Honor. The priest started back at seeing the Emperor’s head; he went up to + the penitent again, and she spoke to him, but in such a low tone that for + some minutes Francoise could hear nothing. + </p> + <p> + “Woe upon me!” cried the old woman suddenly. “Do not desert me. What, + Monsieur l’Abbe, do you think I shall be called to account for my + daughter’s soul?” + </p> + <p> + The Abbe spoke too low, and the partition was too thick for Francoise to + hear the reply. + </p> + <p> + “Alas!” sobbed the woman, “the wretch has left me nothing that I can + bequeath. When he robbed me of my dear Caroline, he parted us, and only + allowed me three thousand francs a year, of which the capital belongs to + my daughter.” + </p> + <p> + “Madame has a daughter, and nothing to live on but an annuity,” shrieked + Francoise, bursting into the drawing-room. + </p> + <p> + The three old crones looked at each other in dismay. One of them, whose + nose and chin nearly met with an expression that betrayed a superior type + of hypocrisy and cunning, winked her eyes; and as soon as Francoise’s back + was turned, she gave her friends a nod, as much as to say, “That slut is + too knowing by half; her name has figured in three wills already.” + </p> + <p> + So the three old dames sat on. + </p> + <p> + However, the Abbe presently came out, and at a word from him the witches + scuttered down the stairs at his heels, leaving Francoise alone with her + mistress. Madame Crochard, whose sufferings increased in severity, rang, + but in vain, for this woman, who only called out, “Coming, coming—in + a minute!” The doors of cupboards and wardrobes were slamming as though + Francoise were hunting high and low for a lost lottery ticket. + </p> + <p> + Just as this crisis was at a climax, Mademoiselle de Bellefeuille came to + stand by her mother’s bed, lavishing tender words on her. + </p> + <p> + “Oh my dear mother, how criminal I have been! You are ill, and I did not + know it; my heart did not warn me. However, here I am—” + </p> + <p> + “Caroline—” + </p> + <p> + “What is it?” + </p> + <p> + “They fetched a priest—” + </p> + <p> + “But send for a doctor, bless me!” cried Mademoiselle de Bellefeuille. + “Francoise, a doctor! How is it that these ladies never sent for a + doctor?” + </p> + <p> + “They sent for a priest——” repeated the old woman with a gasp. + </p> + <p> + “She is so ill—and no soothing draught, nothing on her table!” + </p> + <p> + The mother made a vague sign, which Caroline’s watchful eye understood, + for she was silent to let her mother speak. + </p> + <p> + “They brought a priest—to hear my confession, as they said.—Beware, + Caroline!” cried the old woman with an effort, “the priest made me tell + him your benefactor’s name.” + </p> + <p> + “But who can have told you, poor mother?” + </p> + <p> + The old woman died, trying to look knowingly cunning. If Mademoiselle de + Bellefeuille had noted her mother’s face she might have seen what no one + ever will see—Death laughing. + </p> + <p> + To enter into the interests that lay beneath this introduction to my tale, + we must for a moment forget the actors in it, and look back at certain + previous incidents, of which the last was closely concerned with the death + of Madame Crochard. The two parts will then form a whole—a story + which, by a law peculiar to life in Paris, was made up of two distinct + sets of actions. + </p> + <p> + Towards the close of the month of November 1805, a young barrister, aged + about six-and-twenty, was going down the stairs of the hotel where the + High Chancellor of the Empire resided, at about three o’clock one morning. + Having reached the courtyard in full evening dress, under a keen frost, he + could not help giving vent to an exclamation of dismay—qualified, + however, by the spirit which rarely deserts a Frenchman—at seeing no + hackney coach waiting outside the gates, and hearing no noises such as + arise from the wooden shoes or harsh voices of the hackney-coachmen of + Paris. The occasional pawing of the horses of the Chief Justice’s carriage—the + young man having left him still playing <i>bouillote</i> with Cambaceres—alone + rang out in the paved court, which was scarcely lighted by the carriage + lamps. Suddenly the young lawyer felt a friendly hand on his shoulder, and + turning round, found himself face to face with the Judge, to whom he + bowed. As the footman let down the steps of his carriage, the old + gentleman, who had served the Convention, suspected the junior’s dilemma. + </p> + <p> + “All cats are gray in the dark,” said he good-humoredly. “The Chief + Justice cannot compromise himself by putting a pleader in the right way! + Especially,” he went on, “when the pleader is the nephew of an old + colleague, one of the lights of the grand Council of State which gave + France the Napoleonic Code.” + </p> + <p> + At a gesture from the chief magistrate of France under the Empire, the + foot-passenger got into the carriage. + </p> + <p> + “Where do you live?” asked the great man, before the footman who awaited + his orders had closed the door. + </p> + <p> + “Quai des Augustins, monseigneur.” + </p> + <p> + The horses started, and the young man found himself alone with the + Minister, to whom he had vainly tried to speak before and after the + sumptuous dinner given by Cambaceres; in fact, the great man had evidently + avoided him throughout the evening. + </p> + <p> + “Well, Monsieur <i>de</i> Granville, you are on the high road!” + </p> + <p> + “So long as I sit by your Excellency’s side—” + </p> + <p> + “Nay, I am not jesting,” said the Minister. “You were called two years + since, and your defence in the case of Simeuse and Hauteserre had raised + you high in your profession.” + </p> + <p> + “I had supposed that my interest in those unfortunate emigres had done me + no good.” + </p> + <p> + “You are still very young,” said the great man gravely. “But the High + Chancellor,” he went on, after a pause, “was greatly pleased with you this + evening. Get a judgeship in the lower courts; we want men. The nephew of a + man in whom Cambaceres and I take great interest must not remain in the + background for lack of encouragement. Your uncle helped us to tide over a + very stormy season, and services of that kind are not forgotten.” The + Minister sat silent for a few minutes. “Before long,” he went on, “I shall + have three vacancies open in the Lower Courts and in the Imperial Court in + Paris. Come to see me, and take the place you prefer. Till then work hard, + but do not be seen at my receptions. In the first place, I am overwhelmed + with work; and besides that, your rivals may suspect your purpose and do + you harm with the patron. Cambaceres and I, by not speaking a word to you + this evening, have averted the accusation of favoritism.” + </p> + <p> + As the great man ceased speaking, the carriage drew up on the Quai des + Augustins; the young lawyer thanked his generous patron for the two lifts + he had conferred on him, and then knocked at his door pretty loudly, for + the bitter wind blew cold about his calves. At last the old lodgekeeper + pulled up the latch; and as the young man passed his window, called out in + a hoarse voice, “Monsieur Granville, here is a letter for you.” + </p> + <p> + The young man took the letter, and in spite of the cold, tried to identify + the writing by the gleam of a dull lamp fast dying out. “From my father!” + he exclaimed, as he took his bedroom candle, which the porter at last had + lighted. And he ran up to his room to read the following epistle:— + </p> +<pre xml:space="preserve"> + “Set off by the next mail; and if you can get here soon enough, + your fortune is made. Mademoiselle Angelique Bontems has lost her + sister; she is now an only child; and, as we know, she does not + hate you. Madame Bontems can now leave her about forty thousand + francs a year, besides whatever she may give her when she marries. + I have prepared the way. + + “Our friends will wonder to see a family of old nobility allying + itself to the Bontems; old Bontems was a red republican of the + deepest dye, owning large quantities of the nationalized land, + that he bought for a mere song. But he held nothing but convent + lands, and the monks will not come back; and then, as you have + already so far derogated as to become a lawyer, I cannot see why + we should shrink from a further concession to the prevalent ideas. + The girl will have three hundred thousand francs; I can give you a + hundred thousand; your mother’s property must be worth fifty + thousand crowns, more or less; so if you choose to take a + judgeship, my dear son, you are quite in a position to become a + senator as much as any other man. My brother-in-law the Councillor + of State will not indeed lend you a helping-hand; still, as he is + not married, his property will some day be yours, and if you are + not senator by your own efforts, you will get it through him. Then + you will be perched high enough to look on at events. Farewell. + Yours affectionately.” + </pre> + <p> + So young Granville went to bed full of schemes, each fairer than the last. + Under the powerful protection of the High Chancellor, the Chief Justice, + and his mother’s brother—one of the originators of the Code—he + was about to make a start in a coveted position before the highest court + of the Empire, and he already saw himself a member of the bench whence + Napoleon selected the chief functionaries of the realm. He could also + promise himself a fortune handsome enough to keep up his rank, for which + the slender income of five thousand francs from an estate left him by his + mother would be quite insufficient. + </p> + <p> + To crown his ambitious dreams with a vision of happiness, he called up the + guileless face of Mademoiselle Angelique Bontems, the companion of his + childhood. Until he came to boyhood his father and mother had made no + objection to his intimacy with their neighbor’s pretty little daughter; + but when, during his brief holiday visits to Bayeux, his parents, who + prided themselves on their good birth, saw what friends the young people + were, they forbade his ever thinking of her. Thus for ten years past + Granville had only had occasional glimpses of the girl, whom he still + sometimes thought of as “his little wife.” And in those brief moments when + they met free from the active watchfulness of their families, they had + scarcely exchanged a few vague civilities at the church door or in the + street. Their happiest days had been those when, brought together by one + of those country festivities known in Normandy as <i>Assemblees</i>, they + could steal a glance at each other from afar. + </p> + <p> + In the course of the last vacation Granville had twice seen Angelique, and + her downcast eyes and drooping attitude had led him to suppose that she + was crushed by some unknown tyranny. + </p> + <p> + He was off by seven next morning to the coach office in the Rue + Notre-Dame-des-Victoires, and was so lucky as to find a vacant seat in the + diligence then starting for Caen. + </p> + <p> + It was not without deep emotion that the young lawyer saw once more the + spires of the cathedral at Bayeux. As yet no hope of his life had been + cheated, and his heart swelled with the generous feelings that expand in + the youthful soul. + </p> + <p> + After the too lengthy feast of welcome prepared by his father, who awaited + him with some friends, the impatient youth was conducted to a house, long + familiar to him, standing in the Rue Teinture. His heart beat high when + his father—still known in the town of Bayeux as the Comte de + Granville—knocked loudly at a carriage gate off which the green + paint was dropping in scales. It was about four in the afternoon. A young + maid-servant, in a cotton cap, dropped a short curtsey to the two + gentlemen, and said that the ladies would soon be home from vespers. + </p> + <p> + The Count and his son were shown into a low room used as a drawing-room, + but more like a convent parlor. Polished panels of dark walnut made it + gloomy enough, and around it some old-fashioned chairs covered with + worsted work and stiff armchairs were symmetrically arranged. The stone + chimney-shelf had no ornament but a discolored mirror, and on each side of + it were the twisted branches of a pair of candle-brackets, such as were + made at the time of the Peace of Utrecht. Against a panel opposite, young + Granville saw an enormous crucifix of ebony and ivory surrounded by a + wreath of box that had been blessed. Though there were three windows to + the room, looking out on a country-town garden, laid out in formal square + beds edged with box, the room was so dark that it was difficult to + discern, on the wall opposite the windows, three pictures of sacred + subjects painted by a skilled hand, and purchased, no doubt, during the + Revolution by old Bontems, who, as governor of the district, had never + neglected his opportunities. From the carefully polished floor to the + green checked holland curtains everything shone with conventual + cleanliness. + </p> + <p> + The young man’s heart felt an involuntary chill in this silent retreat + where Angelique dwelt. The habit of frequenting the glittering Paris + drawing-rooms, and the constant whirl of society, had effaced from his + memory the dull and peaceful surroundings of a country life, and the + contrast was so startling as to give him a sort of internal shiver. To + have just left a party at the house of Cambaceres, where life was so + large, where minds could expand, where the splendor of the Imperial Court + was so vividly reflected, and to be dropped suddenly into a sphere of + squalidly narrow ideas—was it not like a leap from Italy into + Greenland?—“Living here is not life!” said he to himself, as he + looked round the Methodistical room. The old Count, seeing his son’s + dismay, went up to him, and taking his hand, led him to a window, where + there was still a gleam of daylight, and while the maid was lighting the + yellow tapers in the candle branches he tried to clear away the clouds + that the dreary place had brought to his brow. + </p> + <p> + “Listen, my boy,” said he. “Old Bontems’ widow is a frenzied bigot. ‘When + the devil is old—’ you know! I see that the place goes against the + grain. Well, this is the whole truth; the old woman is priest-ridden; they + have persuaded her that it was high time to make sure of heaven, and the + better to secure Saint Peter and his keys she pays before-hand. She goes + to Mass every day, attends every service, takes the communion every Sunday + God has made, and amuses herself by restoring chapels. She had given so + many ornaments, and albs, and chasubles, she has crowned the canopy with + so many feathers, that on the occasion of the last Corpus Christi + procession as great a crowd came together as to see a man hanged, just to + stare at the priests in their splendid dresses and all the vessels regilt. + This house too is a sort of Holy Land. It was I who hindered her from + giving those three pictures to the Church—a Domenichino, a + Correggio, and an Andrea del Sarto—worth a good deal of money.” + </p> + <p> + “But Angelique?” asked the young man. + </p> + <p> + “If you do not marry her, Angelique is done for,” said the Count. “Our + holy apostles counsel her to live a virgin martyr. I have had the utmost + difficulty in stirring up her little heart, since she has been the only + child, by talking to her of you; but, as you will easily understand, as + soon as she is married you will carry her off to Paris. There, + festivities, married life, the theatres, and the rush of Parisian society, + will soon make her forget confessionals, and fasting, and hair shirts, and + Masses, which are the exclusive nourishment of such creatures.” + </p> + <p> + “But the fifty thousand francs a year derived from Church property? Will + not all that return—” + </p> + <p> + “That is the point!” exclaimed the Count, with a cunning glance. “In + consideration of this marriage—for Madame Bontems’ vanity is not a + little flattered by the notion of grafting the Bontems on to the + genealogical tree of the Granvilles—the aforenamed mother agrees to + settle her fortune absolutely on the girl, reserving only a life-interest. + The priesthood, therefore, are set against the marriage; but I have had + the banns published, everything is ready, and in a week you will be out of + the clutches of the mother and her Abbes. You will have the prettiest girl + in Bayeux, a good little soul who will give you no trouble, because she + has sound principles. She has been mortified, as they say in their jargon, + by fasting and prayer—and,” he added in a low voice, “by her + mother.” + </p> + <p> + A modest tap at the door silenced the Count, who expected to see the two + ladies appear. A little page came in, evidently in a great hurry; but, + abashed by the presence of the two gentlemen, he beckoned to a + housekeeper, who followed him. Dressed in a blue cloth jacket with short + tails, and blue-and-white striped trousers, his hair cut short all round, + the boy’s expression was that of a chorister, so strongly was it stamped + with the compulsory propriety that marks every member of a bigoted + household. + </p> + <p> + “Mademoiselle Gatienne,” said he, “do you know where the books are for the + offices of the Virgin? The ladies of the Congregation of the Sacred Heart + are going in procession this evening round the church.” + </p> + <p> + Gatienne went in search of the books. + </p> + <p> + “Will they go on much longer, my little man?” asked the Count. + </p> + <p> + “Oh, half an hour at most.” + </p> + <p> + “Let us go to look on,” said the father to his son. “There will be some + pretty women there, and a visit to the Cathedral can do us no harm.” + </p> + <p> + The young lawyer followed him with a doubtful expression. + </p> + <p> + “What is the matter?” asked the Count. + </p> + <p> + “The matter, father, is that I am sure I am right.” + </p> + <p> + “But you have said nothing.” + </p> + <p> + “No; but I have been thinking that you have still ten thousand francs a + year left of your original fortune. You will leave them to me—as + long a time hence as possible, I hope. But if you are ready to give me a + hundred thousand francs to make a foolish match, you will surely allow me + to ask you for only fifty thousand to save me from such a misfortune, and + enjoy as a bachelor a fortune equal to what your Mademoiselle Bontems + would bring me.” + </p> + <p> + “Are you crazy?” + </p> + <p> + “No, father. These are the facts. The Chief Justice promised me yesterday + that I should have a seat on the Bench. Fifty thousand francs added to + what I have, and to the pay of my appointment, will give me an income of + twelve thousand francs a year. And I then shall most certainly have a + chance of marrying a fortune, better than this alliance, which will be + poor in happiness if rich in goods.” + </p> + <p> + “It is very clear,” said his father, “that you were not brought up under + the old <i>regime</i>. Does a man of our rank ever allow his wife to be in + his way?” + </p> + <p> + “But, my dear father, in these days marriage is—” + </p> + <p> + “Bless me!” cried the Count, interrupting his son, “then what my old <i>emigre</i> + friends tell me is true, I suppose. The Revolution has left us habits + devoid of pleasure, and has infected all the young men with vulgar + principles. You, like my Jacobin brother-in-law, will harangue me, I + suppose, on the Nation, Public Morals, and Disinterestedness!—Good + Heavens! But for the Emperor’s sisters, where should we be?” + </p> + <p> + The still hale old man, whom the peasants on the estate persisted in + calling the Signeur de Granville, ended his speech as they entered the + Cathedral porch. In spite of the sanctity of the place, and even as he + dipped his fingers in the holy water, he hummed an air from the opera of + <i>Rose et Colas</i>, and then led the way down the side aisles, stopping + by each pillar to survey the rows of heads, all in lines like ranks of + soldiers on parade. + </p> + <p> + The special service of the Sacred Heart was about to begin. The ladies + affiliated to that congregation were in front near the choir, so the Count + and his son made their way to that part of the nave, and stood leaning + against one of the columns where there was least light, whence they could + command a view of this mass of faces, looking like a meadow full of + flowers. Suddenly, close to young Granville, a voice, sweeter than it + seemed possible to ascribe to a human being, broke into song, like the + first nightingale when winter is past. Though it mingled with the voices + of a thousand other women and the notes of the organ, that voice stirred + his nerves as though they vibrated to the too full and too piercing sounds + of a harmonium. The Parisian turned round, and, seeing a young figure, + though, the head being bent, her face was entirely concealed by a large + white bonnet, concluded that the voice was hers. He fancied that he + recognized Angelique in spite of a brown merino pelisse that wrapped her, + and he nudged his father’s elbow. + </p> + <p> + “Yes, there she is,” said the Count, after looking where his son pointed, + and then, by an expressive glance, he directed his attention to the pale + face of an elderly woman who had already detected the strangers, though + her false eyes, deep set in dark circles, did not seem to have strayed + from the prayer-book she held. + </p> + <p> + Angelique raised her face, gazing at the altar as if to inhale the heavy + scent of the incense that came wafted in clouds over the two women. And + then, in the doubtful light that the tapers shed down the nave, with that + of a central lamp and of some lights round the pillars, the young man + beheld a face which shook his determination. A white watered-silk bonnet + closely framed features of perfect regularity, the oval being completed by + the satin ribbon tie that fastened it under her dimpled chin. Over her + forehead, very sweet though low, hair of a pale gold color parted in two + bands and fell over her cheeks, like the shadow of leaves on a flower. The + arches of her eyebrows were drawn with the accuracy we admire in the best + Chinese paintings. Her nose, almost aquiline in profile, was exceptionally + firmly cut, and her lips were like two rose lines lovingly traced with a + delicate brush. Her eyes, of a light blue, were expressive of innocence. + </p> + <p> + Though Granville discerned a sort of rigid reserve in this girlish face, + he could ascribe it to the devotion in which Angelique was rapt. The + solemn words of prayer, visible in the cold, came from between rows of + pearls, like a fragrant mist, as it were. The young man involuntarily bent + over her a little to breathe this diviner air. This movement attracted the + girl’s notice; her gaze, raised to the altar, was diverted to Granville, + whom she could see but dimly in the gloom; but she recognized him as the + companion of her youth, and a memory more vivid than prayer brought a + supernatural glow to her face; she blushed. The young lawyer was thrilled + with joy at seeing the hopes of another life overpowered by those of love, + and the glory of the sanctuary eclipsed by earthly reminiscences; but his + triumph was brief. Angelique dropped her veil, assumed a calm demeanor, + and went on singing without letting her voice betray the least emotion. + </p> + <p> + Granville was a prey to one single wish, and every thought of prudence + vanished. By the time the service was ended, his impatience was so great + that he could not leave the ladies to go home alone, but came at once to + make his bow to “his little wife.” They bashfully greeted each other in + the Cathedral porch in the presence of the congregation. Madame Bontems + was tremulous with pride as she took the Comte de Granville’s arm, though + he, forced to offer it in the presence of all the world was vexed enough + with his son for his ill-advised impatience. + </p> + <p> + For about a fortnight, between the official announcement of the intended + marriage of the Vicomte de Granville to Mademoiselle Bontems and the + solemn day of the wedding, he came assiduously to visit his lady-love in + the dismal drawing-room, to which he became accustomed. His long calls + were devoted to watching Angelique’s character; for his prudence, happily, + had made itself heard again in the day after their first meeting. He + always found her seated at a little table of some West Indian wood, and + engaged in marking the linen of her trousseau. Angelique never spoke first + on the subject of religion. If the young lawyer amused himself with + fingering the handsome rosary that she kept in a little green velvet bag, + if he laughed as he looked at a relic such as usually is attached to this + means of grace, Angelique would gently take the rosary out of his hands + and replace it in the bag without a word, putting it away at once. When, + now and then, Granville was so bold as to make mischievous remarks as to + certain religious practices, the pretty girl listened to him with the + obstinate smile of assurance. + </p> + <p> + “You must either believe nothing, or believe everything the Church + teaches,” she would say. “Would you wish to have a woman without a + religion as the mother of your children?—No.—What man may dare + judge as between disbelievers and God? And how can I then blame what the + Church allows?” + </p> + <p> + Angelique appeared to be animated by such fervent charity, the young man + saw her look at him with such perfect conviction, that he sometimes felt + tempted to embrace her religious views; her firm belief that she was in + the only right road aroused doubts in his mind, which she tried to turn to + account. + </p> + <p> + But then Granville committed the fatal blunder of mistaking the + enchantment of desire for that of love. Angelique was so happy in + reconciling the voice of her heart with that of duty, by giving way to a + liking that had grown up with her from childhood, that the deluded man + could not discern which of the two spoke the louder. Are not all young men + ready to trust the promise of a pretty face and to infer beauty of soul + from beauty of feature? An indefinable impulse leads them to believe that + moral perfection must co-exist with physical perfection. If Angelique had + not been at liberty to give vent to her sentiments, they would soon have + dried up in her heart like a plant watered with some deadly acid. How + should a lover be aware of bigotry so well hidden? + </p> + <p> + This was the course of young Granville’s feelings during that fortnight, + devoured by him like a book of which the end is absorbing. Angelique, + carefully watched by him, seemed the gentlest of creatures, and he even + caught himself feeling grateful to Madame Bontems, who, by implanting so + deeply the principles of religion, had in some degree inured her to meet + the troubles of life. + </p> + <p> + On the day named for signing the inevitable contract, Madame Bontems made + her son-in-law pledge himself solemnly to respect her daughter’s religious + practices, to allow her entire liberty of conscience, to permit her to go + to communion, to church, to confession as often as she pleased, and never + to control her choice of priestly advisers. At this critical moment + Angelique looked at her future husband with such pure and innocent eyes, + that Granville did not hesitate to give his word. A smile puckered the + lips of the Abbe Fontanon, a pale man, who directed the consciences of + this household. Mademoiselle Bontems, by a slight nod, seemed to promise + that she would never take an unfair advantage of this freedom. As to the + old Count, he gently whistled the tune of an old song, <i>Va-t-en-voir + s’ils viennent</i> (“Go and see if they are coming on!”) + </p> + <p> + A few days after the wedding festivities of which so much is thought in + the provinces, Granville and his wife went to Paris, whither the young man + was recalled by his appointment as public prosecutor to the Supreme Court + of the Seine circuit. + </p> + <p> + When the young couple set out to find a residence, Angelique used the + influence that the honeymoon gives to every wife in persuading her husband + to take a large apartment in the ground-floor of a house at the corner of + the Vieille Rue du Temple and the Rue Nueve Saint-Francois. Her chief + reason for this choice was that the house was close to the Rue d’Orleans, + where there was a church, and not far from a small chapel in the Rue + Saint-Louis. + </p> + <p> + “A good housewife provides for everything,” said her husband, laughing. + </p> + <p> + Angelique pointed out to him that this part of Paris, known as the Marais, + was within easy reach of the Palais de Justice, and that the lawyers they + knew lived in the neighborhood. A fairly large garden made the apartment + particularly advantageous to a young couple; the children—if Heaven + should send them any—could play in the open air; the courtyard was + spacious, and there were good stables. + </p> + <p> + The lawyer wished to live in the Chaussee d’Antin, where everything is + fresh and bright, where the fashions may be seen while still new, where a + well-dressed crowd throngs the Boulevards, and the distance is less to the + theatres or places of amusement; but he was obliged to give way to the + coaxing ways of a young wife, who asked this as his first favor; so, to + please her, he settled in the Marais. Granville’s duties required him to + work hard—all the more, because they were new to him—so he + devoted himself in the first place to furnishing his private study and + arranging his books. He was soon established in a room crammed with + papers, and left the decoration of the house to his wife. He was all the + better pleased to plunge Angelique into the bustle of buying furniture and + fittings, the source of so much pleasure and of so many associations to + most young women, because he was rather ashamed of depriving her of his + company more often than the usages of early married life require. As soon + as his work was fairly under way, he gladly allowed his wife to tempt him + out of his study to consider the effect of furniture or hangings, which he + had before only seen piecemeal or unfinished. + </p> + <p> + If the old adage is true that says a woman may be judged of from her front + door, her rooms must express her mind with even greater fidelity. Madame + de Granville had perhaps stamped the various things she had ordered with + the seal of her own character; the young lawyer was certainly startled by + the cold, arid solemnity that reigned in these rooms; he found nothing to + charm his taste; everything was discordant, nothing gratified the eye. The + rigid mannerism that prevailed in the sitting-room at Bayeux had invaded + his home; the broad panels were hollowed in circles, and decorated with + those arabesques of which the long, monotonous mouldings are in such bad + taste. Anxious to find excuses for his wife, the young husband began + again, looking first at the long and lofty ante-room through which the + apartment was entered. The color of the panels, as ordered by his wife, + was too heavy, and the very dark green velvet used to cover the benches + added to the gloom of this entrance—not, to be sure, an important + room, but giving a first impression—just as we measure a man’s + intelligence by his first address. An ante-room is a kind of preface which + announces what is to follow, but promises nothing. + </p> + <p> + The young husband wondered whether his wife could really have chosen the + lamp of an antique pattern, which hung in the centre of this bare hall, + the pavement of black and white marble, and the paper in imitation of + blocks of stone, with green moss on them in places. A handsome, but not + new, barometer hung on the middle of one of the walls, as if to accentuate + the void. At the sight of it all, he looked round at his wife; he saw her + so much pleased by the red braid binding to the cotton curtains, so + satisfied with the barometer and the strictly decent statue that + ornamented a large Gothic stove, that he had not the barbarous courage to + overthrow such deep convictions. Instead of blaming his wife, Granville + blamed himself, accusing himself of having failed in his duty of guiding + the first steps in Paris of a girl brought up at Bayeux. + </p> + <p> + From this specimen, what might not be expected of the other rooms? What + was to be looked for from a woman who took fright at the bare legs of a + Caryatid, and who would not look at a chandelier or a candle-stick if she + saw on it the nude outlines of an Egyptian bust? At this date the school + of David was at the height of its glory; all the art of France bore the + stamp of his correct design and his love of antique types, which indeed + gave his pictures the character of colored sculpture. But none of these + devices of Imperial luxury found civic rights under Madame de Granville’s + roof. The spacious, square drawing-room remained as it had been left from + the time of Louis XV., in white and tarnished gold, lavishly adorned by + the architect with checkered lattice-work and the hideous garlands due to + the uninventive designers of the time. Still, if harmony at least had + prevailed, if the furniture of modern mahogany had but assumed the twisted + forms of which Boucher’s corrupt taste first set the fashion, Angelique’s + room would only have suggested the fantastic contrast of a young couple in + the nineteenth century living as though they were in the eighteenth; but a + number of details were in ridiculous discord. The consoles, the clocks, + the candelabra, were decorated with the military trophies which the wars + of the Empire commended to the affections of the Parisians; and the Greek + helmets, the Roman crossed daggers, and the shields so dear to military + enthusiasm that they were introduced on furniture of the most peaceful + uses, had no fitness side by side with the delicate and profuse arabesques + that delighted Madame de Pompadour. + </p> + <p> + Bigotry tends to an indescribably tiresome kind of humility which does not + exclude pride. Whether from modesty or by choice, Madame de Granville + seemed to have a horror of light and cheerful colors; perhaps, too, she + imagined that brown and purple beseemed the dignity of a magistrate. How + could a girl accustomed to an austere life have admitted the luxurious + divans that may suggest evil thoughts, the elegant and tempting boudoirs + where naughtiness may be imagined? + </p> + <p> + The poor husband was in despair. From the tone in which he approved, only + seconding the praises she bestowed on herself, Angelique understood that + nothing really pleased him; and she expressed so much regret at her want + of success, that Granville, who was very much in love, regarded her + disappointment as a proof of her affection instead of resentment for an + offence to her self-conceit. After all, could he expect a girl just + snatched from the humdrum of country notions, with no experience of the + niceties and grace of Paris life, to know or do any better? Rather would + he believe that his wife’s choice had been overruled by the tradesmen than + allow himself to own the truth. If he had been less in love, he would have + understood that the dealers, always quick to discern their customers’ + ideas, had blessed Heaven for sending them a tasteless little bigot, who + would take their old-fashioned goods off their hands. So he comforted the + pretty provincial. + </p> + <p> + “Happiness, dear Angelique, does not depend on a more or less elegant + piece of furniture; it depends on the wife’s sweetness, gentleness, and + love.” + </p> + <p> + “Why, it is my duty to love you,” said Angelique mildly, “and I can have + no more delightful duty to carry out.” + </p> + <p> + Nature has implanted in the heart of woman so great a desire to please, so + deep a craving for love, that, even in a youthful bigot, the ideas of + salvation and a future existence must give way to the happiness of early + married life. And, in fact, from the month of April, when they were + married, till the beginning of winter, the husband and wife lived in + perfect union. Love and hard work have the grace of making a man tolerably + indifferent to external matters. Being obliged to spend half the day in + court fighting for the gravest interests of men’s lives or fortunes, + Granville was less alive than another might have been to certain facts in + his household. + </p> + <p> + If, on a Friday, he found none but Lenten fare, and by chance asked for a + dish of meat without getting it, his wife, forbidden by the Gospel to tell + a lie, could still, by such subterfuges as are permissible in the + interests of religion, cloak what was premeditated purpose under some + pretext of her own carelessness or the scarcity in the market. She would + often exculpate herself at the expense of the cook, and even go so far as + to scold him. At that time young lawyers did not, as they do now, keep the + fasts of the Church, the four rogation seasons, and the vigils of + festivals; so Granville was not at first aware of the regular recurrence + of these Lenten meals, which his wife took care should be made dainty by + the addition of teal, moor-hen, and fish-pies, that their amphibious meat + or high seasoning might cheat his palate. Thus the young man unconsciously + lived in strict orthodoxy, and worked out his salvation without knowing + it. + </p> + <p> + On week-days he did not know whether his wife went to Mass or no. On + Sundays, with very natural amiability, he accompanied her to church to + make up to her, as it were, for sometimes giving up vespers in favor of + his company; he could not at first fully enter into the strictness of his + wife’s religious views. The theatres being impossible in summer by reason + of the heat, Granville had not even the opportunity of the great success + of a piece to give rise to the serious question of play-going. And, in + short, at the early stage of a union to which a man has been led by a + young girl’s beauty, he can hardly be exacting as to his amusements. Youth + is greedy rather than dainty, and possession has a charm in itself. How + should he be keen to note coldness, dignity, and reserve in the woman to + whom he ascribes the excitement he himself feels, and lends the glow of + the fire that burns within him? He must have attained a certain conjugal + calm before he discovers that a bigot sits waiting for love with her arms + folded. + </p> + <p> + Granville, therefore, believed himself happy till a fatal event brought + its influence to bear on his married life. In the month of November 1808 + the Canon of Bayeux Cathedral who had been the keeper of Madame Bontems’ + conscience and her daughter’s, came to Paris, spurred by the ambition to + be at the head of a church in the capital—a position which he + regarded perhaps as the stepping-stone to a bishopric. On resuming his + former control of this wandering lamb, he was horrified to find her + already so much deteriorated by the air of Paris, and strove to reclaim + her to his chilly fold. Frightened by the exhortations of this priest, a + man of about eight-and-thirty, who brought with him, into the circle of + the enlightened and tolerant Paris clergy, the bitter provincial + catholicism and the inflexible bigotry which fetter timid souls with + endless exactions, Madame de Granville did penance and returned from her + Jansenist errors. + </p> + <p> + It would be tiresome to describe minutely all the circumstances which + insensibly brought disaster on this household; it will be enough to relate + the simple facts without giving them in strict order of time. + </p> + <p> + The first misunderstanding between the young couple was, however, a + serious one. + </p> + <p> + When Granville took his wife into society she never declined solemn + functions, such as dinners, concerts, or parties given by the Judges + superior to her husband in the legal profession; but for a long time she + constantly excused herself on the plea of a sick headache when they were + invited to a ball. One day Granville, out of patience with these assumed + indispositions, destroyed a note of invitation to a ball at the house of a + Councillor of State, and gave his wife only a verbal invitation. Then, on + the evening, her health being quite above suspicion, he took her to a + magnificent entertainment. + </p> + <p> + “My dear,” said he, on their return home, seeing her wear an offensive air + of depression, “your position as a wife, the rank you hold in society, and + the fortune you enjoy, impose on you certain duties of which no divine law + can relieve you. Are you not your husband’s pride? You are required to go + to balls when I go, and to appear in a becoming manner.” + </p> + <p> + “And what is there, my dear, so disastrous in my dress?” + </p> + <p> + “It is your manner, my dear. When a young man comes up to speak to you, + you look so serious that a spiteful person might believe you doubtful of + your own virtue. You seem to fear lest a smile should undo you. You really + look as if you were asking forgiveness of God for the sins that may be + committed around you. The world, my dearest, is not a convent.—But, + as you mentioned your dress, I may confess to you that it is no less a + duty to conform to the customs and fashions of Society.” + </p> + <p> + “Do you wish that I should display my shape like those indecent women who + wear gowns so low that impudent eyes can stare at their bare shoulders and + their—” + </p> + <p> + “There is a difference, my dear,” said her husband, interrupting her, + “between uncovering your whole bust and giving some grace to your dress. + You wear three rows of net frills that cover your throat up to your chin. + You look as if you had desired your dressmaker to destroy the graceful + line of your shoulders and bosom with as much care as a coquette would + devote to obtaining from hers a bodice that might emphasize her covered + form. Your bust is wrapped in so many folds that every one was laughing at + your affectation of prudery. You would be really grieved if I were to + repeat the ill-natured remarks made on your appearance.” + </p> + <p> + “Those who admire such obscenity will not have to bear the burthen if we + sin,” said the lady tartly. + </p> + <p> + “And you did not dance?” asked Granville. + </p> + <p> + “I shall never dance,” she replied. + </p> + <p> + “If I tell you that you ought to dance!” said her husband sharply. “Yes, + you ought to follow the fashions, to wear flowers in your hair, and + diamonds. Remember, my dear, that rich people—and we are rich—are + obliged to keep up luxury in the State. Is it not far better to encourage + manufacturers than to distribute money in the form of alms through the + medium of the clergy?” + </p> + <p> + “You talk as a statesman!” said Angelique. + </p> + <p> + “And you as a priest,” he retorted. + </p> + <p> + The discussion was bitter. Madame de Granville’s answers, though spoken + very sweetly and in a voice as clear as a church bell, showed an obstinacy + that betrayed priestly influence. When she appealed to the rights secured + to her by Granville’s promise, she added that her director specially + forbade her going to balls; then her husband pointed out to her that the + priest was overstepping the regulations of the Church. + </p> + <p> + This odious theological dispute was renewed with great violence and + acerbity on both sides when Granville proposed to take his wife to the + play. Finally, the lawyer, whose sole aim was to defeat the pernicious + influence exerted over his wife by her old confessor, placed the question + on such a footing that Madame de Granville, in a spirit of defiance, + referred it by writing to the Court of Rome, asking in so many words + whether a woman could wear low gowns and go to the play and to balls + without compromising her salvation. + </p> + <p> + The reply of the venerable Pope Pius VII. came at once, strongly + condemning the wife’s recalcitrancy and blaming the priest. This letter, a + chapter on conjugal duties, might have been dictated by the spirit of + Fenelon, whose grace and tenderness pervaded every line. + </p> + <p> + “A wife is right to go wherever her husband may take her. Even if she sins + by his command, she will not be ultimately held answerable.” These two + sentences of the Pope’s homily only made Madame de Granville and her + director accuse him of irreligion. + </p> + <p> + But before this letter had arrived, Granville had discovered the strict + observance of fast days that his wife forced upon him, and gave his + servants orders to serve him with meat every day in the year. However much + annoyed his wife might be by these commands, Granville, who cared not a + straw for such indulgence or abstinence, persisted with manly + determination. + </p> + <p> + Is it not an offence to the weakest creature that can think at all to be + compelled to do, by the will of another, anything that he would otherwise + have done simply of his own accord? Of all forms of tyranny, the most + odious is that which constantly robs the soul of the merit of its thoughts + and deeds. It has to abdicate without having reigned. The word we are + readiest to speak, the feelings we most love to express, die when we are + commanded to utter them. + </p> + <p> + Ere long the young man ceased to invite his friends, to give parties or + dinners; the house might have been shrouded in crape. A house where the + mistress is a bigot has an atmosphere of its own. The servants, who are, + of course, under her immediate control, are chosen among a class who call + themselves pious, and who have an unmistakable physiognomy. Just as the + jolliest fellow alive, when he joins the <i>gendarmerie</i>, has the + countenance of a gendarme, so those who give themselves over to the habit + of lowering their eyes and preserving a sanctimonious mien clothes them in + a livery of hypocrisy which rogues can affect to perfection. + </p> + <p> + And besides, bigots constitute a sort of republic; they all know each + other; the servants they recommend and hand on from one to another are a + race apart, and preserved by them, as horse-breeders will admit no animal + into their stables that has not a pedigree. The more the impious—as + they are thought—come to understand a household of bigots, the more + they perceive that everything is stamped with an indescribable squalor; + they find there, at the same time, an appearance of avarice and mystery, + as in a miser’s home, and the dank scent of cold incense which gives a + chill to the stale atmosphere of a chapel. This methodical meanness, this + narrowness of thought, which is visible in every detail, can only be + expressed by one word—Bigotry. In these sinister and pitiless houses + Bigotry is written on the furniture, the prints, the pictures; speech is + bigoted, the silence is bigoted, the faces are those of bigots. The + transformation of men and things into bigotry is an inexplicable mystery, + but the fact is evident. Everybody can see that bigots do not walk, do not + sit, do not speak, as men of the world walk, sit, and speak. Under their + roof every one is ill at ease, no one laughs, stiffness and formality + infect everything, from the mistress’ cap down to her pincushion; eyes are + not honest, the folks are more like shadows, and the lady of the house + seems perched on a throne of ice. + </p> + <p> + One morning poor Granville discerned with grief and pain that all the + symptoms of bigotry had invaded his home. There are in the world different + spheres in which the same effects are seen though produced by dissimilar + causes. Dulness hedges such miserable homes round with walls of brass, + enclosing the horrors of the desert and the infinite void. The home is not + so much a tomb as that far worse thing—a convent. In the center of + this icy sphere the lawyer could study his wife dispassionately. He + observed, not without keen regret, the narrow-mindedness that stood + confessed in the very way that her hair grew, low on the forehead, which + was slightly depressed; he discovered in the perfect regularity of her + features a certain set rigidity which before long made him hate the + assumed sweetness that had bewitched him. Intuition told him that one day + of disaster those thin lips might say, “My dear, it is for your good!” + </p> + <p> + Madame de Granville’s complexion was acquiring a dull pallor and an + austere expression that were a kill-joy to all who came near her. Was this + change wrought by the ascetic habits of a pharisaism which is not piety + any more than avarice is economy? It would be hard to say. Beauty without + expression is perhaps an imposture. This imperturbable set smile that the + young wife always wore when she looked at Granville seemed to be a sort of + Jesuitical formula of happiness, by which she thought to satisfy all the + requirements of married life. Her charity was an offence, her soulless + beauty was monstrous to those who knew her; the mildness of her speech was + an irritation: she acted, not on feeling, but on duty. + </p> + <p> + There are faults which may yield in a wife to the stern lessons of + experience, or to a husband’s warnings; but nothing can counteract false + ideas of religion. An eternity of happiness to be won, set in the scale + against worldly enjoyment, triumphs over everything and makes every pang + endurable. Is it not the apotheosis of egotism, of Self beyond the grave? + Thus even the Pope was censured at the tribunal of the priest and the + young devotee. To be always in the right is a feeling which absorbs every + other in these tyrannous souls. + </p> + <p> + For some time past a secret struggle had been going on between the ideas + of the husband and wife, and the young man was soon weary of a battle to + which there could be no end. What man, what temper, can endure the sight + of a hypocritically affectionate face and categorical resistance to his + slightest wishes? What is to be done with a wife who takes advantage of + his passion to protect her coldness, who seems determined on being blandly + inexorable, prepares herself ecstatically to play the martyr, and looks on + her husband as a scourge from God, a means of flagellation that may spare + her the fires of purgatory? What picture can give an idea of these women + who make virtue hateful by defying the gentle precepts of that faith which + Saint John epitomized in the words, “Love one another”? + </p> + <p> + If there was a bonnet to be found in a milliner’s shop that was condemned + to remain in the window, or to be packed off to the colonies, Granville + was certain to see it on his wife’s head; if a material of bad color or + hideous design were to be found, she would select it. These hapless bigots + are heart-breaking in their notions of dress. Want of taste is a defect + inseparable from false pietism. + </p> + <p> + And so, in the home-life that needs the fullest sympathy, Granville had no + true companionship. He went out alone to parties and the theatres. Nothing + in his house appealed to him. A huge Crucifix that hung between his bed + and Angelique’s seemed figurative of his destiny. Does it not represent a + murdered Divinity, a Man-God, done to death in all the prime of life and + beauty? The ivory of that cross was less cold than Angelique crucifying + her husband under the plea of virtue. This it was that lay at the root of + their woes; the young wife saw nothing but duty where she should have + given love. Here, one Ash Wednesday, rose the pale and spectral form of + Fasting in Lent, of Total Abstinence, commanded in a severe tone—and + Granville did not deem it advisable to write in his turn to the Pope and + take the opinion of the Consistory on the proper way of observing Lent, + the Ember days, and the eve of great festivals. + </p> + <p> + His misfortune was too great! He could not even complain, for what could + he say? He had a pretty young wife attached to her duties, virtuous—nay, + a model of all the virtues. She had a child every year, nursed them + herself, and brought them up in the highest principles. Being charitable, + Angelique was promoted to rank as an angel. The old women who constituted + the circle in which she moved—for at that time it was not yet “the + thing” for young women to be religious as a matter of fashion—all + admired Madame de Granville’s piety, and regarded her, not indeed as a + virgin, but as a martyr. They blamed not the wife’s scruples, but the + barbarous philoprogenitiveness of the husband. + </p> + <p> + Granville, by insensible degrees, overdone with work, bereft of conjugal + consolations, and weary of a world in which he wandered alone, by the time + he was two-and-thirty had sunk into the Slough of Despond. He hated life. + Having too lofty a notion of the responsibilities imposed on him by his + position to set the example of a dissipated life, he tried to deaden + feeling by hard study, and began a great book on Law. + </p> + <p> + But he was not allowed to enjoy the monastic peace he had hoped for. When + the celestial Angelique saw him desert worldly society to work at home + with such regularity, she tried to convert him. It had been a real sorrow + to her to know that her husband’s opinions were not strictly Christian; + and she sometimes wept as she reflected that if her husband should die it + would be in a state of final impenitence, so that she could not hope to + snatch him from the eternal fires of Hell. Thus Granville was a mark for + the mean ideas, the vacuous arguments, the narrow views by which his wife—fancying + she had achieved the first victory—tried to gain a second by + bringing him back within the pale of the Church. + </p> + <p> + This was the last straw. What can be more intolerable than the blind + struggle in which the obstinacy of a bigot tries to meet the acumen of a + lawyer? What more terrible to endure than the acrimonious pin-pricks to + which a passionate soul prefers a dagger-thrust? Granville neglected his + home. Everything there was unendurable. His children, broken by their + mother’s frigid despotism, dared not go with him to the play; indeed, + Granville could never give them any pleasure without bringing down + punishment from their terrible mother. His loving nature was weaned to + indifference, to a selfishness worse than death. His boys, indeed, he + saved from this hell by sending them to school at an early age, and + insisting on his right to train them. He rarely interfered between his + wife and her daughters; but he was resolved that they should marry as soon + as they were old enough. + </p> + <p> + Even if he had wished to take violent measures, he could have found no + justification; his wife, backed by a formidable army of dowagers, would + have had him condemned by the whole world. Thus Granville had no choice + but to live in complete isolation; but, crushed under the tyranny of + misery, he could not himself bear to see how altered he was by grief and + toil. And he dreaded any connection or intimacy with women of the world, + having no hope of finding any consolation. + </p> + <p> + The improving history of this melancholy household gave rise to no events + worthy of record during the fifteen years between 1806 and 1825. Madame de + Granville was exactly the same after losing her husband’s affection as she + had been during the time when she called herself happy. She paid for + Masses, beseeching God and the Saints to enlighten her as to what the + faults were which displeased her husband, and to show her the way to + restore the erring sheep; but the more fervent her prayers, the less was + Granville to be seen at home. + </p> + <p> + For about five years now, having achieved a high position as a judge, + Granville had occupied the <i>entresol</i> of the house to avoid living + with the Comtesse de Granville. Every morning a little scene took place, + which, if evil tongues are to be believed, is repeated in many households + as the result of incompatibility of temper, of moral or physical malady, + or of antagonisms leading to such disaster as is recorded in this history. + At about eight in the morning a housekeeper, bearing no small resemblance + to a nun, rang at the Comte de Granville’s door. Admitted to the room next + to the Judge’s study, she always repeated the same message to the footman, + and always in the same tone: + </p> + <p> + “Madame would be glad to know whether Monsieur le Comte has had a good + night, and if she is to have the pleasure of his company at breakfast.” + </p> + <p> + “Monsieur presents his compliments to Madame la Comtesse,” the valet would + say, after speaking with his master, “and begs her to hold him excused; + important business compels him to be in court this morning.” + </p> + <p> + A minute later the woman reappeared and asked on madame’s behalf whether + she would have the pleasure of seeing Monsieur le Comte before he went + out. + </p> + <p> + “He is gone,” was always the rely, though often his carriage was still + waiting. + </p> + <p> + This little dialogue by proxy became a daily ceremonial. Granville’s + servant, a favorite with his master, and the cause of more than one + quarrel over his irreligious and dissipated conduct, would even go into + his master’s room, as a matter of form, when the Count was not there, and + come back with the same formula in reply. + </p> + <p> + The aggrieved wife was always on the watch for her husband’s return, and + standing on the steps so as to meet him like an embodiment of remorse. The + petty aggressiveness which lies at the root of the monastic temper was the + foundation of Madame de Granville’s; she was now five-and-thirty, and + looked forty. When the count was compelled by decency to speak to his wife + or to dine at home, she was only too well pleased to inflict her company + upon him, with her acid-sweet remarks and the intolerable dulness of her + narrow-minded circle, and she tried to put him in the wrong before the + servants and her charitable friends. + </p> + <p> + When, at this time, the post of President in a provincial court was + offered to the Comte de Granville, who was in high favor, he begged to be + allowed to remain in Paris. This refusal, of which the Keeper of the Seals + alone knew the reasons, gave rise to extraordinary conjectures on the part + of the Countess’ intimate friends and of her director. Granville, a rich + man with a hundred thousand francs a year, belonged to one of the first + families of Normandy. His appointment to be Presiding Judge would have + been the stepping-stone to a peer’s seat; whence this strange lack of + ambition? Why had he given up his great book on Law? What was the meaning + of the dissipation which for nearly six years had made him a stranger to + his home, his family, his study, to all he ought to hold dear? The + Countess’ confessor, who based his hopes of a bishopric quite as much on + the families he governed as on the services he rendered to an association + of which he was an ardent propagator, was much disappointed by Granville’s + refusal, and tried to insinuate calumnious explanations: “If Monsieur le + Comte had such an objection to provincial life, it was perhaps because he + dreaded finding himself under the necessity of leading a regular life, + compelled to set an example of moral conduct, and to live with the + Countess, from whom nothing could have alienated him but some illicit + connection; for how could a woman so pure as Madame de Granville ever + tolerate the disorderly life into which her husband had drifted?” The + sanctimonious woman accepted as facts these hints, which unluckily were + not merely hypothetical, and Madame de Granville was stricken as by a + thunderbolt. + </p> + <p> + Angelique, knowing nothing of the world, of love and its follies, was so + far from conceiving of any conditions of married life unlike those that + had alienated her husband as possible, that she believed him to be + incapable of the errors which are crimes in the eyes of any wife. When the + Count ceased to demand anything of her, she imagined that the tranquillity + he now seemed to enjoy was in the course of nature; and, as she had really + given to him all the love which her heart was capable of feeling for a + man, while the priest’s conjectures were the utter destruction of the + illusions she had hitherto cherished, she defended her husband; at the + same time, she could not eradicate the suspicion that had been so + ingeniously sown in her soul. + </p> + <p> + These alarms wrought such havoc in her feeble brain that they made her + ill; she was worn by low fever. These incidents took place during Lent + 1822; she would not pretermit her austerities, and fell into a decline + that put her life in danger. Granville’s indifference was added torture; + his care and attention were such as a nephew feels himself bound to give + to some old uncle. + </p> + <p> + Though the Countess had given up her persistent nagging and remonstrances, + and tried to receive her husband with affectionate words, the sharpness of + the bigot showed through, and one speech would often undo the work of a + week. + </p> + <p> + Towards the end of May, the warm breath of spring, and more nourishing + diet than her Lenten fare, restored Madame de Granville to a little + strength. One morning, on coming home from Mass, she sat down on a stone + bench in the little garden, where the sun’s kisses reminded her of the + early days of her married life, and she looked back across the years to + see wherein she might have failed in her duty as a wife and mother. She + was broken in upon by the Abbe Fontanon in an almost indescribable state + of excitement. + </p> + <p> + “Has any misfortune befallen you, Father?” she asked with filial + solicitude. + </p> + <p> + “Ah! I only wish,” cried the Normandy priest, “that all the woes inflicted + on you by the hand of God were dealt out to me; but, my admirable friend, + there are trials to which you can but bow.” + </p> + <p> + “Can any worse punishments await me than those with which Providence + crushes me by making my husband the instrument of His wrath?” + </p> + <p> + “You must prepare yourself, daughter, to yet worse mischief than we and + your pious friends had ever conceived of.” + </p> + <p> + “Then I may thank God,” said the Countess, “for vouchsafing to use you as + the messenger of His will, and thus, as ever, setting the treasures of + mercy by the side of the scourges of His wrath, just as in bygone days He + showed a spring to Hagar when He had driven her into the desert.” + </p> + <p> + “He measures your sufferings by the strength of your resignation and the + weight of your sins.” + </p> + <p> + “Speak; I am ready to hear!” As she said it she cast her eyes up to + heaven. “Speak, Monsieur Fontanon.” + </p> + <p> + “For seven years Monsieur Granville has lived in sin with a concubine, by + whom he has two children; and on this adulterous connection he has spent + more than five hundred thousand francs, which ought to have been the + property of his legitimate family.” + </p> + <p> + “I must see it to believe it!” cried the Countess. + </p> + <p> + “Far be it from you!” exclaimed the Abbe. “You must forgive, my daughter, + and wait in patience and prayer till God enlightens your husband; unless, + indeed, you choose to adopt against him the means offered you by human + laws.” + </p> + <p> + The long conversation that ensued between the priest and his penitent + resulted in an extraordinary change in the Countess; she abruptly + dismissed him, called her servants who were alarmed at her flushed face + and crazy energy. She ordered her carriage—countermanded it—changed + her mind twenty times in the hour; but at last, at about three o’clock, as + if she had come to some great determination, she went out, leaving the + whole household in amazement at such a sudden transformation. + </p> + <p> + “Is the Count coming home to dinner?” she asked of his servant, to whom + she would never speak. + </p> + <p> + “No, madame.” + </p> + <p> + “Did you go with him to the Courts this morning?” + </p> + <p> + “Yes, madame.” + </p> + <p> + “And to-day is Monday?” + </p> + <p> + “Yes, madame.” + </p> + <p> + “Then do the Courts sit on Mondays nowadays?” + </p> + <p> + “Devil take you!” cried the man, as his mistress drove off after saying to + the coachman: + </p> + <p> + “Rue Taitbout.” + </p> + <p> + Mademoiselle de Bellefeuille was weeping: Roger, sitting by her side, held + one of her hands between his own. He was silent, looking by turns at + little Charles—who, not understanding his mother’s grief, stood + speechless at the sight of her tears—at the cot where Eugenie lay + sleeping, and Caroline’s face, on which grief had the effect of rain + falling across the beams of cheerful sunshine. + </p> + <p> + “Yes, my darling,” said Roger, after a long silence, “that is the great + secret: I am married. But some day I hope we may form but one family. My + wife has been given over ever since last March. I do not wish her dead; + still, if it should please God to take her to Himself, I believe she will + be happier in Paradise than in a world to whose griefs and pleasures she + is equally indifferent.” + </p> + <p> + “How I hate that woman! How could she bear to make you unhappy? And yet it + is to that unhappiness that I owe my happiness!” + </p> + <p> + Her tears suddenly ceased. + </p> + <p> + “Caroline, let us hope,” cried Roger. “Do not be frightened by anything + that priest may have said to you. Though my wife’s confessor is a man to + be feared for his power in the congregation, if he should try to blight + our happiness I would find means—” + </p> + <p> + “What could you do?” + </p> + <p> + “We would go to Italy: I would fly—” + </p> + <p> + A shriek that rang out from the adjoining room made Roger start and + Mademoiselle de Bellefeuille quake; but she rushed into the drawing-room, + and there found Madame de Granville in a dead faint. When the Countess + recovered her senses, she sighed deeply on finding herself supported by + the Count and her rival, whom she instinctively pushed away with a gesture + of contempt. Mademoiselle de Bellefeuille rose to withdraw. + </p> + <p> + “You are at home, madame,” said Granville, taking Caroline by the arm. + “Stay.” + </p> + <p> + The Judge took up his wife in his arms, carried her to the carriage, and + got into it with her. + </p> + <p> + “Who is it that has brought you to the point of wishing me dead, of + resolving to fly?” asked the Countess, looking at her husband with grief + mingled with indignation. “Was I not young? you thought me pretty—what + fault have you to find with me? Have I been false to you? Have I not been + a virtuous and well-conducted wife? My heart has cherished no image but + yours, my ears have listened to no other voice. What duty have I failed + in? What have I ever denied you?” + </p> + <p> + “Happiness, madame,” said the Count severely. “You know, madame, that + there are two ways of serving God. Some Christians imagine that by going + to church at fixed hours to say a <i>Paternoster</i>, by attending Mass + regularly and avoiding sin, they may win heaven—but they, madame, + will go to hell; they have not loved God for himself, they have not + worshiped Him as He chooses to be worshiped, they have made no sacrifice. + Though mild in seeming, they are hard on their neighbors; they see the + law, the letter, not the spirit.—This is how you have treated me, + your earthly husband; you have sacrificed my happiness to your salvation; + you were always absorbed in prayer when I came to you in gladness of + heart; you wept when you should have cheered my toil; you have never tried + to satisfy any demands I have made on you.” + </p> + <p> + “And if they were wicked,” cried the Countess hotly, “was I to lose my + soul to please you?” + </p> + <p> + “It is a sacrifice which another, a more loving woman, has dared to make,” + said Granville coldly. + </p> + <p> + “Dear God!” she cried, bursting into tears, “Thou hearest! Has he been + worthy of the prayers and penance I have lived in, wearing myself out to + atone for his sins and my own?—Of what avail is virtue?” + </p> + <p> + “To win Heaven, my dear. A woman cannot be at the same time the wife of a + man and the spouse of Christ. That would be bigamy; she must choose + between a husband and a nunnery. For the sake of future advantage you have + stripped your soul of all the love, all the devotion, which God commands + that you should have for me, you have cherished no feeling but hatred—” + </p> + <p> + “Have I not loved you?” she put in. + </p> + <p> + “No, madame.” + </p> + <p> + “Then what is love?” the Countess involuntarily inquired. + </p> + <p> + “Love, my dear,” replied Granville, with a sort of ironical surprise, “you + are incapable of understanding it. The cold sky of Normandy is not that of + Spain. This difference of climate is no doubt the secret of our disaster.—To + yield to our caprices, to guess them, to find pleasure in pain, to + sacrifice the world’s opinion, your pride, your religion even, and still + regard these offerings as mere grains of incense burnt in honor of the + idol—that is love—” + </p> + <p> + “The love of ballet-girls!” cried the Countess in horror. “Such flames + cannot last, and must soon leave nothing but ashes and cinders, regret or + despair. A wife ought, in my opinion, to bring you true friendship, + equable warmth—” + </p> + <p> + “You speak of warmth as negroes speak of ice,” retorted the Count, with a + sardonic smile. “Consider that the humblest daisy has more charms than the + proudest and most gorgeous of the red hawthorns that attract us in spring + by their strong scent and brilliant color.—At the same time,” he + went on, “I will do you justice. You have kept so precisely in the + straight path of imaginary duty prescribed by law, that only to make you + understand wherein you have failed towards me, I should be obliged to + enter into details which would offend your dignity, and instruct you in + matters which would seem to you to undermine all morality.” + </p> + <p> + “And you dare to speak of morality when you have but just left the house + where you have dissipated your children’s fortune in debaucheries?” cried + the Countess, maddened by her husband’s reticence. + </p> + <p> + “There, madame, I must correct you,” said the Count, coolly interrupting + his wife. “Though Mademoiselle de Bellefeuille is rich, it is at nobody’s + expense. My uncle was master of his fortune, and had several heirs. In his + lifetime, and out of pure friendship, regarding her as his niece, he gave + her the little estate of Bellefeuille. As for anything else, I owe it to + his liberality—” + </p> + <p> + “Such conduct is only worthy of a Jacobin!” said the sanctimonious + Angelique. + </p> + <p> + “Madame, you are forgetting that your own father was one of the Jacobins + whom you scorn so uncharitably,” said the Count severely. “Citizen Bontems + was signing death-warrants at a time when my uncle was doing France good + service.” + </p> + <p> + Madame de Granville was silenced. But after a short pause, the remembrance + of what she had just seen reawakened in her soul the jealousy which + nothing can kill in a woman’s heart, and she murmured, as if to herself—“How + can a woman thus destroy her own soul and that of others?” + </p> + <p> + “Bless me, madame,” replied the Count, tired of this dialogue, “you + yourself may some day have to answer that question.” The Countess was + scared. “You perhaps will be held excused by the merciful Judge, who will + weigh our sins,” he went on, “in consideration of the conviction with + which you have worked out my misery. I do not hate you—I hate those + who have perverted your heart and your reason. You have prayed for me, + just as Mademoiselle de Bellefeuille has given me her heart and crowned my + life with love. You should have been my mistress and the prayerful saint + by turns.—Do me the justice to confess that I am no reprobate, no + debauchee. My life was cleanly. Alas! after seven years of wretchedness, + the craving for happiness led me by an imperceptible descent to love + another woman and make a second home. And do not imagine that I am + singular; there are in this city thousands of husbands, all led by various + causes to live this twofold life.” + </p> + <p> + “Great God!” cried the Countess. “How heavy is the cross Thou hast laid on + me to bear! If the husband Thou hast given me here below in Thy wrath can + only be made happy through my death, take me to Thyself!” + </p> + <p> + “If you had always breathed such admirable sentiments and such devotion, + we should be happy yet,” said the Count coldly. + </p> + <p> + “Indeed,” cried Angelique, melting into a flood of tears, “forgive me if I + have done any wrong. Yes, monsieur, I am ready to obey you in all things, + feeling sure that you will desire nothing but what is just and natural; + henceforth I will be all you can wish your wife to be.” + </p> + <p> + “If your purpose, madame, is to compel me to say that I no longer love + you, I shall find the cruel courage to tell you so. Can I command my + heart? Can I wipe out in an instant the traces of fifteen years of + suffering?—I have ceased to love.—These words contain a + mystery as deep as lies the words <i>I love</i>. Esteem, respect, + friendship may be won, lost, regained; but as to love—I might school + myself for a thousand years, and it would not blossom again, especially + for a woman too old to respond to it.” + </p> + <p> + “I hope, Monsieur le Comte, I sincerely hope, that such words may not be + spoken to you some day by the woman you love, and in such a tone and + accent—” + </p> + <p> + “Will you put on a dress <i>a la Grecque</i> this evening, and come to the + Opera?” + </p> + <p> + The shudder with which the Countess received the suggestion was a mute + reply. + </p> + <p> + Early in December 1833, a man, whose perfectly white hair and worn + features seemed to show that he was aged by grief rather than by years, + was walking at midnight along the Rue Gaillon. Having reached a house of + modest appearance, and only two stories high, he paused to look up at one + of the attic windows that pierced the roof at regular intervals. A dim + light scarcely showed through the humble panes, some of which had been + repaired with paper. The man below was watching the wavering glimmer with + the vague curiosity of a Paris idler, when a young man came out of the + house. As the light of the street lamp fell full on the face of the first + comer, it will not seem surprising that, in spite of the darkness, this + young man went towards the passer-by, though with the hesitancy that is + usual when we have any fear of making a mistake in recognizing an + acquaintance. + </p> + <p> + “What, is it you,” cried he, “Monsieur le President? Alone at this hour, + and so far from the Rue Saint-Lazare. Allow me to have the honor of giving + you my arm.—The pavement is so greasy this morning, that if we do + not hold each other up,” he added, to soothe the elder man’s + susceptibilities, “we shall find it hard to escape a tumble.” + </p> + <p> + “But, my dear sir, I am no more than fifty-five, unfortunately for me,” + replied the Comte de Granville. “A physician of your celebrity must know + that at that age a man is still hale and strong.” + </p> + <p> + “Then you are in waiting on a lady, I suppose,” replied Horace Bianchon. + “You are not, I imagine, in the habit of going about Paris on foot. When a + man keeps such fine horses——” + </p> + <p> + “Still, when I am not visiting in the evening, I commonly return from the + Courts or the club on foot,” replied the Count. + </p> + <p> + “And with large sums of money about you, perhaps!” cried the doctor. “It + is a positive invitation to the assassin’s knife.” + </p> + <p> + “I am not afraid of that,” said Granville, with melancholy indifference. + </p> + <p> + “But, at least, do not stand about,” said the doctor, leading the Count + towards the boulevard. “A little more and I shall believe that you are + bent of robbing me of your last illness, and dying by some other hand than + mine.” + </p> + <p> + “You caught me playing the spy,” said the Count. “Whether on foot or in a + carriage, and at whatever hour of the night I may come by, I have for some + time past observed at a window on the third floor of your house the shadow + of a person who seems to work with heroic constancy.” + </p> + <p> + The Count paused as if he felt some sudden pain. “And I take as great an + interest in that garret,” he went on, “as a citizen of Paris must feel in + the finishing of the Palais Royal.” + </p> + <p> + “Well,” said Horace Bianchon eagerly, “I can tell you—” + </p> + <p> + “Tell me nothing,” replied Granville, cutting the doctor short. “I would + not give a centime to know whether the shadow that moves across that + shabby blind is that of a man or a woman, nor whether the inhabitant of + that attic is happy or miserable. Though I was surprised to see no one at + work there this evening, and though I stopped to look, it was solely for + the pleasure of indulging in conjectures as numerous and as idiotic as + those of idlers who see a building left half finished. For nine years, my + young—” the Count hesitated to use a word; then he waved his hand, + exclaiming—“No, I will not say friend—I hate everything that + savors of sentiment.—Well, for nine years past I have ceased to + wonder that old men amuse themselves with growing flowers and planting + trees; the events of life have taught them disbelief in all human + affection; and I grew old within a few days. I will no longer attach + myself to any creature but to unreasoning animals, or plants, or + superficial things. I think more of Taglioni’s grace than of all human + feeling. I abhor life and the world in which I live alone. Nothing, + nothing,” he went on, in a tone that startled the younger man, “no, + nothing can move or interest me.” + </p> + <p> + “But you have children?” + </p> + <p> + “My children!” he repeated bitterly. “Yes—well, is not my eldest + daughter the Comtesse de Vandenesse? The other will, through her sister’s + connections, make some good match. As to my sons, have they not succeeded? + The Viscount was public prosecutor at Limoges, and is now President of the + Court at Orleans; the younger is public prosecutor in Paris.—My + children have their own cares, their own anxieties and business to attend + to. If of all those hearts one had been devoted to me, if one had tried by + entire affection to fill up the void I have here,” and he struck his + breast, “well, that one would have failed in life, have sacrificed it to + me. And why should he? Why? To bring sunshine into my few remaining years—and + would he have succeeded? Might I not have accepted such generosity as a + debt? But, doctor,” and the Count smiled with deep irony, “it is not for + nothing that we teach them arithmetic and how to count. At this moment + perhaps they are waiting for my money.” + </p> + <p> + “O Monsieur le Comte, how could such an idea enter your head—you who + are kind, friendly, and humane! Indeed, if I were not myself a living + proof of the benevolence you exercise so liberally and so nobly—” + </p> + <p> + “To please myself,” replied the Count. “I pay for a sensation, as I would + to-morrow pay a pile of gold to recover the most childish illusion that + would but make my heart glow.—I help my fellow-creatures for my own + sake, just as I gamble; and I look for gratitude from none. I should see + you die without blinking; and I beg of you to feel the same with regard to + me. I tell you, young man, the events of life have swept over my heart + like the lavas of Vesuvius over Herculaneum. The town is there—dead.” + </p> + <p> + “Those who have brought a soul as warm and as living as yours was to such + a pitch of indifference are indeed guilty!” + </p> + <p> + “Say no more,” said the Count, with a shudder of aversion. + </p> + <p> + “You have a malady which you ought to allow me to treat,” said Bianchon in + a tone of deep emotion. + </p> + <p> + “What, do you know of a cure for death?” cried the Count irritably. + </p> + <p> + “I undertake, Monsieur le Comte, to revive the heart you believe to be + frozen.” + </p> + <p> + “Are you a match for Talma, then?” asked the Count satirically. + </p> + <p> + “No, Monsieur le Comte. But Nature is as far above Talma as Talma is + superior to me.—Listen: the garret you are interested in is + inhabited by a woman of about thirty, and in her love is carried to + fanaticism. The object of her adoration is a young man of pleasing + appearance but endowed by some malignant fairy with every conceivable + vice. This fellow is a gambler, and it is hard to say which he is most + addicted to—wine or women; he has, to my knowledge, committed acts + deserving punishment by law. Well, and to him this unhappy woman + sacrificed a life of ease, a man who worshiped her, and the father of her + children.—But what is wrong, Monsieur le Comte?” + </p> + <p> + “Nothing. Go on.” + </p> + <p> + “She has allowed him to squander a perfect fortune; she would, I believe, + give him the world if she had it; she works night and day; and many a time + she has, without a murmur, seen the wretch she adores rob her even of the + money saved to buy the clothes the children need, and their food for the + morrow. Only three days ago she sold her hair, the finest hair I ever saw; + he came in, she could not hide the gold piece quickly enough, and he asked + her for it. For a smile, for a kiss, she gave up the price of a + fortnight’s life and peace. Is it not dreadful, and yet sublime?—But + work is wearing her cheeks hollow. Her children’s crying has broken her + heart; she is ill, and at this moment on her wretched bed. This evening + they had nothing to eat; the children have not strength to cry, they were + silent when I went up.” + </p> + <p> + Horace Bianchon stood still. Just then the Comte de Granville, in spite of + himself, as it were, had put his hand into his waistcoat pocket. + </p> + <p> + “I can guess, my young friend, how it is that she is yet alive if you + attend her,” said the elder man. + </p> + <p> + “O poor soul!” cried the doctor, “who could refuse to help her? I only + wish I were richer, for I hope to cure her of her passion.” + </p> + <p> + “But how can you expect me to pity a form of misery of which the joys to + me would seem cheaply purchased with my whole fortune!” exclaimed the + Count, taking his hand out of his pocket empty of the notes which Bianchon + had supposed his patron to be feeling for. “That woman feels, she is + alive! Would not Louis XV. have given his kingdom to rise from the grave + and have three days of youth and life! And is not that the history of + thousands of dead men, thousands of sick men, thousands of old men?” + </p> + <p> + “Poor Caroline!” cried Bianchon. + </p> + <p> + As he heard the name the Count shuddered, and grasped the doctor’s arm + with the grip of an iron vise, as it seemed to Bianchon. + </p> + <p> + “Her name is Caroline Crochard?” asked the President, in a voice that was + evidently broken. + </p> + <p> + “Then you know her?” said the doctor, astonished. + </p> + <p> + “And the wretch’s name is Solvet.—Ay, you have kept your word!” + exclaimed Granville; “you have roused my heart to the most terrible pain + it can suffer till it is dust. That emotion, too, is a gift from hell, and + I always know how to pay those debts.” + </p> + <p> + By this time the Count and the doctor had reached the corner of the Rue de + la Chaussee d’Antin. One of those night-birds who wonder round with a + basket on their back and crook in hand, and were, during the Revolution, + facetiously called the Committee of Research, was standing by the + curbstone where the two men now stopped. This scavenger had a shriveled + face worthy of those immortalized by Charlet in his caricatures of the + sweepers of Paris. + </p> + <p> + “Do you ever pick up a thousand-franc note?” + </p> + <p> + “Now and then, master.” + </p> + <p> + “And you restore them?” + </p> + <p> + “It depends on the reward offered.” + </p> + <p> + “You’re the man for me,” cried the Count, giving the man a thousand-franc + note. “Take this, but, remember, I give it to you on condition of your + spending it at the wineshop, of your getting drunk, fighting, beating your + wife, blacking your friends’ eyes. That will give work to the watch, the + surgeon, the druggist—perhaps to the police, the public prosecutor, + the judge, and the prison warders. Do not try to do anything else, or the + devil will be revenged on you sooner or later.” + </p> + <p> + A draughtsman would need at once the pencil of Charlet and of Callot, the + brush of Teniers and of Rembrandt, to give a true notion of this + night-scene. + </p> + <p> + “Now I have squared accounts with hell, and had some pleasure for my + money,” said the Count in a deep voice, pointing out the indescribable + physiognomy of the gaping scavenger to the doctor, who stood stupefied. + “As for Caroline Crochard!—she may die of hunger and thirst, hearing + the heartrending shrieks of her starving children, and convinced of the + baseness of the man she loves. I will not give a sou to rescue her; and + because you have helped her, I will see you no more——” + </p> + <p> + The Count left Bianchon standing like a statue, and walked as briskly as a + young man to the Rue Saint-Lazare, soon reaching the little house where he + resided, and where, to his surprise, he found a carriage waiting at the + door. + </p> + <p> + “Monsieur, your son, the attorney-general, came about an hour since,” said + the man-servant, “and is waiting for you in your bedroom.” + </p> + <p> + Granville signed to the man to leave him. + </p> + <p> + “What motive can be strong enough to require you to infringe the order I + have given my children never to come to me unless I send for them?” asked + the Count of his son as he went into the room. + </p> + <p> + “Father,” replied the younger man in a tremulous voice, and with great + respect, “I venture to hope that you will forgive me when you have heard + me.” + </p> + <p> + “Your reply is proper,” said the Count. “Sit down,” and he pointed to a + chair, “But whether I walk up and down, or take a seat, speak without + heeding me.” + </p> + <p> + “Father,” the son went on, “this afternoon, at four o’clock, a very young + man who was arrested in the house of a friend of mine, whom he had robbed + to a considerable extent, appealed to you.—He says he is your son.” + </p> + <p> + “His name?” asked the Count hoarsely. + </p> + <p> + “Charles Crochard.” + </p> + <p> + “That will do,” said the father, with an imperious wave of the hand. + </p> + <p> + Granville paced the room in solemn silence, and his son took care not to + break it. + </p> + <p> + “My son,” he began, and the words were pronounced in a voice so mild and + fatherly, that the young lawyer started, “Charles Crochard spoke the + truth.—I am glad you came to me to-night, my good Eugene,” he added. + “Here is a considerable sum of money”—and he gave him a bundle of + banknotes—“you can make any use of them you think proper in this + matter. I trust you implicitly, and approve beforehand whatever + arrangements you may make, either in the present or for the future.—Eugene + my dear son, kiss me. We part perhaps for the last time. I shall to-morrow + crave my dismissal from the King, and I am going to Italy. + </p> + <p> + “Though a father owes no account of his life to his children, he is bound + to bequeath to them the experience Fate sells him so dearly—is it + not a part of their inheritance?—When you marry,” the count went on, + with a little involuntary shudder, “do not undertake it lightly; that act + is the most important of all which society requires of us. Remember to + study at your leisure the character of the woman who is to be your + partner; but consult me too, I will judge of her myself. A lack of union + between husband and wife, from whatever cause, leads to terrible + misfortune; sooner or later we are always punished for contravening the + social law.—But I will write to you on this subject from Florence. A + father who has the honor of presiding over a supreme court of justice must + not have to blush in the presence of his son. Good-bye.” + </p> + <p> + PARIS, February 1830-January 1842. + </p> + <p> + <br /> <br /> + </p> + <hr /> + <p> + <br /> <br /> <a name="link2H_4_0002" id="link2H_4_0002"> + <!-- H2 anchor --> </a> + </p> + <h2> + ADDENDUM + </h2> + <h3> + The following personages appear in other stories of the Human Comedy. + </h3> +<pre xml:space="preserve"> + Beaumesnil, Mademoiselle + The Middle Classes + Scenes from a Courtesan’s Life + + Bianchon, Horace + Father Goriot + The Atheist’s Mass + Cesar Birotteau + The Commission in Lunacy + Lost Illusions + A Distinguished Provincial at Paris + A Bachelor’s Establishment + The Secrets of a Princess + The Government Clerks + Pierrette + A Study of Woman + Scenes from a Courtesan’s Life + Honorine + The Seamy Side of History + The Magic Skin + A Prince of Bohemia + Letters of Two Brides + The Muse of the Department + The Imaginary Mistress + The Middle Classes + Cousin Betty + The Country Parson + In addition, M. Bianchon narrated the following: + Another Study of Woman + La Grande Breteche + + Crochard, Charles + The Middle Classes + + Fontanon, Abbe + The Government Clerks + Honorine + The Member for Arcis + + Granville, Vicomte de (later Comte) + The Gondreville Mystery + Honorine + Farewell (Adieu) + Cesar Birotteau + Scenes from a Courtesan’s Life + A Daughter of Eve + Cousin Pons + + Granville, Comtesse Angelique de + The Thirteen + A Daughter of Eve + + Granville, Vicomte de + A Daughter of Eve + The Country Parson + + Granville, Baron Eugene de + Scenes from a Courtesan’s Life + + Molineux, Jean-Baptiste + The Purse + Cesar Birotteau + + Regnier, Claude-Antoine + The Gondreville Mystery + + Roguin, Madame + Cesar Birotteau + At the Sign of the Cat and Racket + Pierrette + A Daughter of Eve + + Vandenesse, Comtesse Felix de + A Daughter of Eve + The Muse of the Department +</pre> + <p> + <br /> <br /> + </p> + <hr /> + <p> + <br /> <br /> + </p> +<pre xml:space="preserve"> + + + + + +End of the Project Gutenberg EBook of A Second Home, by Honore de Balzac + +*** END OF THIS PROJECT GUTENBERG EBOOK A SECOND HOME *** + +***** This file should be named 1810-h.htm or 1810-h.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/1/8/1/1810/ + +Produced by John Bickers, and Dagny + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase “Project +Gutenberg”), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. “Project Gutenberg” is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” + or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase “Project Gutenberg” appears, or with which the phrase “Project +Gutenberg” is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase “Project Gutenberg” associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +“Plain Vanilla ASCII” or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original “Plain Vanilla ASCII” or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, “Information about donations to + the Project Gutenberg Literary Archive Foundation.” + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +“Defects,” such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right +of Replacement or Refund” described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you ‘AS-IS’ WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, are critical to reaching Project Gutenberg-tm’s +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation’s EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state’s laws. + +The Foundation’s principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation’s web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + </body> +</html> diff --git a/1810.txt b/1810.txt new file mode 100644 index 0000000..b5184a7 --- /dev/null +++ b/1810.txt @@ -0,0 +1,3172 @@ +The Project Gutenberg EBook of A Second Home, by Honore de Balzac + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: A Second Home + +Author: Honore de Balzac + +Translator: Clara Bell + +Release Date: July, 1999 [Etext #1810] +Posting Date: March 2, 2010 + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK A SECOND HOME *** + + + + +Produced by John Bickers, and Dagny + + + + + +A SECOND HOME + + +By Honore De Balzac + + + +Translated by Clara Bell + + + + DEDICATION + + To Madame la Comtesse Louise de Turheim as a token of + remembrance and affectionate respect. + + + + + +A SECOND HOME + + +The Rue du Tourniquet-Saint-Jean, formerly one of the darkest and most +tortuous of the streets about the Hotel de Ville, zigzagged round the +little gardens of the Paris Prefecture, and ended at the Rue Martroi, +exactly at the angle of an old wall now pulled down. Here stood the +turnstile to which the street owed its name; it was not removed +till 1823, when the Municipality built a ballroom on the garden plot +adjoining the Hotel de Ville, for the fete given in honor of the Duc +d'Angouleme on his return from Spain. + +The widest part of the Rue du Tourniquet was the end opening into the +Rue de la Tixeranderie, and even there it was less than six feet across. +Hence in rainy weather the gutter water was soon deep at the foot of the +old houses, sweeping down with it the dust and refuse deposited at +the corner-stones by the residents. As the dust-carts could not pass +through, the inhabitants trusted to storms to wash their always +miry alley; for how could it be clean? When the summer sun shed its +perpendicular rays on Paris like a sheet of gold, but as piercing as the +point of a sword, it lighted up the blackness of this street for a +few minutes without drying the permanent damp that rose from the +ground-floor to the first story of these dark and silent tenements. + +The residents, who lighted their lamps at five o'clock in the month +of June, in winter never put them out. To this day the enterprising +wayfarer who should approach the Marais along the quays, past the end +of the Rue du Chaume, the Rues de l'Homme Arme, des Billettes, and des +Deux-Portes, all leading to the Rue du Tourniquet, might think he had +passed through cellars all the way. + +Almost all the streets of old Paris, of which ancient chronicles laud +the magnificence, were like this damp and gloomy labyrinth, where the +antiquaries still find historical curiosities to admire. For instance, +on the house then forming the corner where the Rue du Tourniquet joined +the Rue de la Tixeranderie, the clamps might still be seen of two strong +iron rings fixed to the wall, the relics of the chains put up every +night by the watch to secure public safety. + +This house, remarkable for its antiquity, had been constructed in a way +that bore witness to the unhealthiness of these old dwellings; for, +to preserve the ground-floor from damp, the arches of the cellars +rose about two feet above the soil, and the house was entered up three +outside steps. The door was crowned by a closed arch, of which the +keystone bore a female head and some time-eaten arabesques. Three +windows, their sills about five feet from the ground, belonged to a +small set of rooms looking out on the Rue du Tourniquet, whence they +derived their light. These windows were protected by strong iron bars, +very wide apart, and ending below in an outward curve like the bars of a +baker's window. + +If any passer-by during the day were curious enough to peep into the two +rooms forming this little dwelling, he could see nothing; for only under +the sun of July could he discern, in the second room, two beds hung with +green serge, placed side by side under the paneling of an old-fashioned +alcove; but in the afternoon, by about three o'clock, when the candles +were lighted, through the pane of the first room an old woman might be +seen sitting on a stool by the fireplace, where she nursed the fire in +a brazier, to simmer a stew, such as porters' wives are expert in. A +few kitchen utensils, hung up against the wall, were visible in the +twilight. + +At that hour an old table on trestles, but bare of linen, was laid with +pewter-spoons, and the dish concocted by the old woman. Three wretched +chairs were all the furniture of this room, which was at once the +kitchen and the dining-room. Over the chimney-piece were a piece of +looking-glass, a tinder-box, three glasses, some matches, and a large, +cracked white jug. Still, the floor, the utensils, the fireplace, +all gave a pleasant sense of the perfect cleanliness and thrift that +pervaded the dull and gloomy home. + +The old woman's pale, withered face was quite in harmony with the +darkness of the street and the mustiness of the place. As she sat there, +motionless, in her chair, it might have been thought that she was as +inseparable from the house as a snail from its brown shell; her face, +alert with a vague expression of mischief, was framed in a flat cap made +of net, which barely covered her white hair; her fine, gray eyes were as +quiet as the street, and the many wrinkles in her face might be compared +to the cracks in the walls. Whether she had been born to poverty, or +had fallen from some past splendor, she now seemed to have been long +resigned to her melancholy existence. + +From sunrise till dark, excepting when she was getting a meal ready, or, +with a basket on her arm, was out purchasing provisions, the old woman +sat in the adjoining room by the further window, opposite a young girl. +At any hour of the day the passer-by could see the needlewoman seated +in an old, red velvet chair, bending over an embroidery frame, and +stitching indefatigably. + +Her mother had a green pillow on her knee, and busied herself with +hand-made net; but her fingers could move the bobbin but slowly; +her sight was feeble, for on her nose there rested a pair of those +antiquated spectacles which keep their place on the nostrils by the grip +of a spring. By night these two hardworking women set a lamp between +them; and the light, concentrated by two globe-shaped bottles of water, +showed the elder the fine network made by the threads on her pillow, +and the younger the most delicate details of the pattern she was +embroidering. The outward bend of the window had allowed the girl to +rest a box of earth on the window-sill, in which grew some sweet peas, +nasturtiums, a sickly little honeysuckle, and some convolvulus that +twined its frail stems up the iron bars. These etiolated plants produced +a few pale flowers, and added a touch of indescribable sadness and +sweetness to the picture offered by this window, in which the two +figures were appropriately framed. + +The most selfish soul who chanced to see this domestic scene would carry +away with him a perfect image of the life led in Paris by the working +class of women, for the embroideress evidently lived by her needle. +Many, as they passed through the turnstile, found themselves wondering +how a girl could preserve her color, living in such a cellar. A student +of lively imagination, going that way to cross to the Quartier-Latin, +would compare this obscure and vegetative life to that of the ivy that +clung to these chill walls, to that of the peasants born to labor, who +are born, toil, and die unknown to the world they have helped to feed. +A house-owner, after studying the house with the eye of a valuer, would +have said, "What will become of those two women if embroidery should go +out of fashion?" Among the men who, having some appointment at the +Hotel de Ville or the Palais de Justice, were obliged to go through +this street at fixed hours, either on their way to business or on their +return home, there may have been some charitable soul. Some widower or +Adonis of forty, brought so often into the secrets of these sad lives, +may perhaps have reckoned on the poverty of this mother and daughter, +and have hoped to become the master at no great cost of the innocent +work-woman, whose nimble and dimpled fingers, youthful figure, and +white skin--a charm due, no doubt, to living in this sunless street--had +excited his admiration. Perhaps, again, some honest clerk, with twelve +hundred francs a year, seeing every day the diligence the girl gave to +her needle, and appreciating the purity of her life, was only waiting +for improved prospects to unite one humble life with another, one form +of toil to another, and to bring at any rate a man's arm and a calm +affection, pale-hued like the flowers in the window, to uphold this +home. + +Vague hope certainly gave life to the mother's dim, gray eyes. Every +morning, after the most frugal breakfast, she took up her pillow, though +chiefly for the look of the thing, for she would lay her spectacles on a +little mahogany worktable as old as herself, and look out of the window +from about half-past eight till ten at the regular passers in the +street; she caught their glances, remarked on their gait, their dress, +their countenance, and almost seemed to be offering her daughter, her +gossiping eyes so evidently tried to attract some magnetic sympathy by +manoeuvres worthy of the stage. It was evident that this little review +was as good as a play to her, and perhaps her single amusement. + +The daughter rarely looked up. Modesty, or a painful consciousness of +poverty, seemed to keep her eyes riveted to the work-frame; and only +some exclamation of surprise from her mother moved her to show her small +features. Then a clerk in a new coat, or who unexpectedly appeared with +a woman on his arm, might catch sight of the girl's slightly upturned +nose, her rosy mouth, and gray eyes, always bright and lively in spite +of her fatiguing toil. Her late hours had left a trace on her face by a +pale circle marked under each eye on the fresh rosiness of her cheeks. +The poor child looked as if she were made for love and cheerfulness--for +love, which had drawn two perfect arches above her eyelids, and had +given her such a mass of chestnut hair, that she might have hidden under +it as under a tent, impenetrable to the lover's eye--for cheerfulness, +which gave quivering animation to her nostrils, which carved two +dimples in her rosy cheeks, and made her quick to forget her troubles; +cheerfulness, the blossom of hope, which gave her strength to look out +without shuddering on the barren path of life. + +The girl's hair was always carefully dressed. After the manner of +Paris needlewomen, her toilet seemed to her quite complete when she had +brushed her hair smooth and tucked up the little short curls that played +on each temple in contrast with the whiteness of her skin. The growth of +it on the back of her neck was so pretty, and the brown line, so clearly +traced, gave such a pleasing idea of her youth and charm, that the +observer, seeing her bent over her work, and unmoved by any sound, +was inclined to think of her as a coquette. Such inviting promise had +excited the interest of more than one young man, who turned round in the +vain hope of seeing that modest countenance. + +"Caroline, there is a new face that passes regularly by, and not one of +the old ones to compare with it." + +These words, spoken in a low voice by her mother one August morning +in 1815, had vanquished the young needlewoman's indifference, and she +looked out on the street; but in vain, the stranger was gone. + +"Where has he flown to?" said she. + +"He will come back no doubt at four; I shall see him coming, and will +touch your foot with mine. I am sure he will come back; he has been +through the street regularly for the last three days; but his hours +vary. The first day he came by at six o'clock, the day before yesterday +it was four, yesterday as early as three. I remember seeing him +occasionally some time ago. He is some clerk in the Prefet's office who +has moved to the Marais.--Why!" she exclaimed, after glancing down the +street, "our gentleman of the brown coat has taken to wearing a wig; how +much it alters him!" + +The gentleman of the brown coat was, it would seem, the individual +who commonly closed the daily procession, for the old woman put on her +spectacles and took up her work with a sigh, glancing at her daughter +with so strange a look that Lavater himself would have found it +difficult to interpret. Admiration, gratitude, a sort of hope for better +days, were mingled with pride at having such a pretty daughter. + +At about four in the afternoon the old lady pushed her foot against +Caroline's, and the girl looked up quickly enough to see the new actor, +whose regular advent would thenceforth lend variety to the scene. He +was tall and thin, and wore black, a man of about forty, with a certain +solemnity of demeanor; as his piercing hazel eye met the old woman's +dull gaze, he made her quake, for she felt as though he had the gift of +reading hearts, or much practice in it, and his presence must surely be +as icy as the air of this dank street. Was the dull, sallow complexion +of that ominous face due to excess of work, or the result of delicate +health? + +The old woman supplied twenty different answers to this question; but +Caroline, next day, discerned the lines of long mental suffering on +that brow that was so prompt to frown. The rather hollow cheeks of the +Unknown bore the stamp of the seal which sorrow sets on its victims as +if to grant them the consolation of common recognition and brotherly +union for resistance. Though the girl's expression was at first one of +lively but innocent curiosity, it assumed a look of gentle sympathy +as the stranger receded from view, like a last relation following in a +funeral train. + +The heat of the weather was so great, and the gentleman was so +absent-minded, that he had taken off his hat and forgotten to put it on +again as he went down the squalid street. Caroline could see the stern +look given to his countenance by the way the hair was brushed from his +forehead. The strong impression, devoid of charm, made on the girl by +this man's appearance was totally unlike any sensation produced by the +other passengers who used the street; for the first time in her life +she was moved to pity for some one else than herself and her mother; she +made no reply to the absurd conjectures that supplied material for the +old woman's provoking volubility, and drew her long needle in silence +through the web of stretched net; she only regretted not having seen +the stranger more closely, and looked forward to the morrow to form a +definite opinion of him. + +It was the first time, indeed, that a man passing down the street had +ever given rise to much thought in her mind. She generally had nothing +but a smile in response to her mother's hypotheses, for the old woman +looked on every passer-by as a possible protector for her daughter. And +if such suggestions, so crudely presented, gave rise to no evil thoughts +in Caroline's mind, her indifference must be ascribed to the persistent +and unfortunately inevitable toil in which the energies of her sweet +youth were being spent, and which would infallibly mar the clearness +of her eyes or steal from her fresh cheeks the bloom that still colored +them. + +For two months or more the "Black Gentleman"--the name they had given +him--was erratic in his movements; he did not always come down the Rue +du Tourniquet; the old woman sometimes saw him in the evening when he +had not passed in the morning, and he did not come by at such regular +hours as the clerks who served Madame Crochard instead of a clock; +moreover, excepting on the first occasion, when his look had given the +old mother a sense of alarm, his eyes had never once dwelt on the +weird picture of these two female gnomes. With the exception of two +carriage-gates and a dark ironmonger's shop, there were in the Rue du +Tourniquet only barred windows, giving light to the staircases of the +neighboring houses; thus the stranger's lack of curiosity was not to be +accounted for by the presence of dangerous rivals; and Madame Crochard +was greatly piqued to see her "Black Gentleman" always lost in thought, +his eyes fixed on the ground, or straight before him, as though he hoped +to read the future in the fog of the Rue du Tourniquet. However, one +morning, about the middle of September, Caroline Crochard's roguish face +stood out so brightly against the dark background of the room, looking +so fresh among the belated flowers and faded leaves that twined round +the window-bars, the daily scene was gay with such contrasts of light +and shade, of pink and white blending with the light material on which +the pretty needlewoman was working, and with the red and brown hues of +the chairs, that the stranger gazed very attentively at the effects of +this living picture. In point of fact, the old woman, provoked by her +"Black Gentleman's" indifference, had made such a clatter with her +bobbins that the gloomy and pensive passer-by was perhaps prompted to +look up by the unusual noise. + +The stranger merely exchanged glances with Caroline, swift indeed, but +enough to effect a certain contact between their souls, and both were +aware that they would think of each other. When the stranger came by +again, at four in the afternoon, Caroline recognized the sound of his +step on the echoing pavement; they looked steadily at each other, and +with evident purpose; his eyes had an expression of kindliness which +made him smile, and Caroline colored; the old mother noted them with +satisfaction. Ever after that memorable afternoon, the Gentleman in +Black went by twice a day, with rare exceptions, which both the women +observed. They concluded from the irregularity of the hours of his +homecoming that he was not released so early, nor so precisely punctual +as a subordinate official. + +All through the first three winter months, twice a day, Caroline and the +stranger thus saw each other for so long as it took him to traverse the +piece of road that lay along the length of the door and three windows +of the house. Day after day this brief interview had the hue of friendly +sympathy which at last had acquired a sort of fraternal kindness. +Caroline and the stranger seemed to understand each other from the +first; and then, by dint of scrutinizing each other's faces, they +learned to know them well. Ere long it came to be, as it were, a visit +that the Unknown owed to Caroline; if by any chance her Gentleman in +Black went by without bestowing on her the half-smile of his expressive +lips, or the cordial glance of his brown eyes, something was missing to +her all day. She felt as an old man does to whom the daily study of a +newspaper is such an indispensable pleasure that on the day after any +great holiday he wanders about quite lost, and seeking, as much out of +vagueness as for want of patience, the sheet by which he cheats an hour +of life. + +But these brief meetings had the charm of intimate friendliness, quite +as much for the stranger as for Caroline. The girl could no more hide +a vexation, a grief, or some slight ailment from the keen eye of her +appreciative friend than he could conceal anxiety from hers. + +"He must have had some trouble yesterday," was the thought that +constantly arose in the embroideress' mind as she saw some change in the +features of the "Black Gentleman." + +"Oh, he has been working too hard!" was a reflection due to another +shade of expression which Caroline could discern. + +The stranger, on his part, could guess when the girl had spent Sunday +in finishing a dress, and he felt an interest in the pattern. As +quarter-day came near he could see that her pretty face was clouded by +anxiety, and he could guess when Caroline had sat up late at work; but +above all, he noted how the gloomy thoughts that dimmed the cheerful +and delicate features of her young face gradually vanished by degrees +as their acquaintance ripened. When winter had killed the climbers and +plants of her window garden, and the window was kept closed, it was +not without a smile of gentle amusement that the stranger observed the +concentration of the light within, just at the level of Caroline's head. +The very small fire and the frosty red of the two women's faces betrayed +the poverty of their home; but if ever his own countenance expressed +regretful compassion, the girl proudly met it with assumed cheerfulness. + +Meanwhile the feelings that had arisen in their hearts remained buried +there, no incident occurring to reveal to either of them how deep and +strong they were in the other; they had never even heard the sound of +each other's voice. These mute friends were even on their guard against +any nearer acquaintance, as though it meant disaster. Each seemed to +fear lest it should bring on the other some grief more serious than +those they felt tempted to share. Was it shyness or friendship that +checked them? Was it a dread of meeting with selfishness, or the odious +distrust which sunders all the residents within the walls of a populous +city? Did the voice of conscience warn them of approaching danger? It +would be impossible to explain the instinct which made them as much +enemies as friends, at once indifferent and attached, drawn to each +other by impulse, and severed by circumstance. Each perhaps hoped to +preserve a cherished illusion. It might almost have been thought that +the stranger feared lest he should hear some vulgar word from those lips +as fresh and pure as a flower, and that Caroline felt herself unworthy +of the mysterious personage who was evidently possessed of power and +wealth. + +As to Madame Crochard, that tender mother, almost angry at her +daughter's persistent lack of decisiveness, now showed a sulky face to +the "Black Gentleman," on whom she had hitherto smiled with a sort of +benevolent servility. Never before had she complained so bitterly of +being compelled, at her age, to do the cooking; never had her catarrh +and her rheumatism wrung so many groans from her; finally, she could +not, this winter, promise so many ells of net as Caroline had hitherto +been able to count on. + +Under these circumstances, and towards the end of December, at the time +when bread was dearest, and that dearth of corn was beginning to be felt +which made the year 1816 so hard on the poor, the stranger observed +on the features of the girl whose name was still unknown to him, the +painful traces of a secret sorrow which his kindest smiles could not +dispel. Before long he saw in Caroline's eyes the dimness attributed +to long hours at night. One night, towards the end of the month, the +Gentleman in Black passed down the Rue du Tourniquet at the quite +unwonted hour of one in the morning. The perfect silence allowed of his +hearing before passing the house the lachrymose voice of the old mother, +and Caroline's even sadder tones, mingling with the swish of a shower +of sleet. He crept along as slowly as he could; and then, at the risk +of being taken up by the police, he stood still below the window to hear +the mother and daughter, while watching them through the largest of the +holes in the yellow muslin curtains, which were eaten away by wear as a +cabbage leaf is riddled by caterpillars. The inquisitive stranger saw a +sheet of paper on the table that stood between the two work-frames, and +on which stood the lamp and the globes filled with water. He at once +identified it as a writ. Madame Crochard was weeping, and Caroline's +voice was thick, and had lost its sweet, caressing tone. + +"Why be so heartbroken, mother? Monsieur Molineux will not sell us up or +turn us out before I have finished this dress; only two nights more and +I shall take it home to Madame Roguin." + +"And supposing she keeps you waiting as usual?--And will the money for +the gown pay the baker too?" + +The spectator of this scene had long practice in reading faces; he +fancied he could discern that the mother's grief was as false as the +daughter's was genuine; he turned away, and presently came back. When he +next peeped through the hole in the curtain, Madame Crochard was in bed. +The young needlewoman, bending over her frame, was embroidering with +indefatigable diligence; on the table, with the writ lay a triangular +hunch of bread, placed there, no doubt, to sustain her in the night and +to remind her of the reward of her industry. The stranger was tremulous +with pity and sympathy; he threw his purse in through a cracked pane +so that it should fall at the girl's feet; and then, without waiting to +enjoy her surprise, he escaped, his cheeks tingling. + +Next morning the shy and melancholy stranger went past with a look of +deep preoccupation, but he could not escape Caroline's gratitude; +she had opened her window and affected to be digging in the square +window-box buried in snow, a pretext of which the clumsy ingenuity +plainly told her benefactor that she had been resolved not to see him +only through the pane. Her eyes were full of tears as she bowed her +head, as much as to say to her benefactor, "I can only repay you from my +heart." + +But the Gentleman in Black affected not to understand the meaning of +this sincere gratitude. In the evening, as he came by, Caroline was busy +mending the window with a sheet of paper, and she smiled at him, showing +her row of pearly teeth like a promise. Thenceforth the Stranger went +another way, and was no more seen in the Rue due Tourniquet. + + + +It was one day early in the following May that, as Caroline was giving +the roots of the honeysuckle a glass of water, one Saturday morning, she +caught sight of a narrow strip of cloudless blue between the black lines +of houses, and said to her mother: + +"Mamma, we must go to-morrow for a trip to Montmorency!" + +She had scarcely uttered the words, in a tone of glee, when the +Gentleman in Black came by, sadder and more dejected than ever. +Caroline's innocent and ingratiating glance might have been taken for +an invitation. And, in fact, on the following day, when Madame Crochard, +dressed in a pelisse of claret-colored merinos, a silk bonnet, and +striped shawl of an imitation Indian pattern, came out to choose seats +in a chaise at the corner of the Rue du Faubourg Saint-Denis and the Rue +d'Enghien, there she found her Unknown standing like a man waiting for +his wife. A smile of pleasure lighted up the Stranger's face when +his eye fell on Caroline, her neat feet shod in plum-colored prunella +gaiters, and her white dress tossed by a breeze that would have been +fatal to an ill-made woman, but which displayed her graceful form. Her +face, shaded by a rice-straw bonnet lined with pink silk, seemed to beam +with a reflection from heaven; her broad, plum-colored belt set off a +waist he could have spanned; her hair, parted in two brown bands over a +forehead as white as snow, gave her an expression of innocence which no +other feature contradicted. Enjoyment seemed to have made Caroline as +light as the straw of her hat; but when she saw the Gentleman in Black, +radiant hope suddenly eclipsed her bright dress and her beauty. The +Stranger, who appeared to be in doubt, had not perhaps made up his mind +to be the girl's escort for the day till this revelation of the delight +she felt on seeing him. He at once hired a vehicle with a fairly good +horse, to drive to Saint-Leu-Taverny, and he offered Madame Crochard +and her daughter seats by his side. The mother accepted without ado; but +presently, when they were already on the way to Saint-Denis, she was by +way of having scruples, and made a few civil speeches as to the possible +inconvenience two women might cause their companion. + +"Perhaps, monsieur, you wished to drive alone to Saint-Leu-Taverny," +said she, with affected simplicity. + +Before long she complained of the heat, and especially of her cough, +which, she said, had hindered her from closing her eyes all night; and +by the time the carriage had reached Saint-Denis, Madame Crochard seemed +to be fast asleep. Her snores, indeed, seemed, to the Gentleman in +Black, rather doubtfully genuine, and he frowned as he looked at the old +woman with a very suspicious eye. + +"Oh, she is fast asleep," said Caroline quilelessly; "she never ceased +coughing all night. She must be very tired." + +Her companion made no reply, but he looked at the girl with a smile that +seemed to say: + +"Poor child, you little know your mother!" + +However, in spite of his distrust, as the chaise made its way down the +long avenue of poplars leading to Eaubonne, the Stranger thought that +Madame Crochard was really asleep; perhaps he did not care to inquire +how far her slumbers were genuine or feigned. Whether it were that the +brilliant sky, the pure country air, and the heady fragrance of the +first green shoots of the poplars, the catkins of willow, and the +flowers of the blackthorn had inclined his heart to open like all the +nature around him; or that any long restraint was too oppressive while +Caroline's sparkling eyes responded to his own, the Gentleman in Black +entered on a conversation with his young companion, as aimless as the +swaying of the branches in the wind, as devious as the flitting of the +butterflies in the azure air, as illogical as the melodious murmur of +the fields, and, like it, full of mysterious love. At that season is not +the rural country as tremulous as a bride that has donned her marriage +robe; does it not invite the coldest soul to be happy? What heart could +remain unthawed, and what lips could keep its secret, on leaving the +gloomy streets of the Marais for the first time since the previous +autumn, and entering the smiling and picturesque valley of Montmorency; +on seeing it in the morning light, its endless horizons receding from +view; and then lifting a charmed gaze to eyes which expressed no less +infinitude mingled with love? + +The Stranger discovered that Caroline was sprightly rather than witty, +affectionate, but ill educated; but while her laugh was giddy, her words +promised genuine feeling. When, in response to her companion's shrewd +questioning, the girl spoke with the heartfelt effusiveness of which the +lower classes are lavish, not guarding it with reticence like people of +the world, the Black Gentleman's face brightened, and seemed to renew +its youth. His countenance by degrees lost the sadness that lent +sternness to his features, and little by little they gained a look of +handsome youthfulness which made Caroline proud and happy. The pretty +needlewoman guessed that her new friend had been long weaned from +tenderness and love, and no longer believed in the devotion of woman. +Finally, some unexpected sally in Caroline's light prattle lifted the +last veil that concealed the real youth and genuine character of the +Stranger's physiognomy; he seemed to bid farewell to the ideas that +haunted him, and showed the natural liveliness that lay beneath the +solemnity of his expression. + +Their conversation had insensibly become so intimate, that by the time +when the carriage stopped at the first houses of the straggling village +of Saint-Leu, Caroline was calling the gentleman Monsieur Roger. Then +for the first time the old mother awoke. + +"Caroline, she has heard everything!" said Roger suspiciously in the +girl's ear. + +Caroline's reply was an exquisite smile of disbelief, which dissipated +the dark cloud that his fear of some plot on the old woman's part had +brought to this suspicious mortal's brow. Madame Crochard was amazed +at nothing, approved of everything, followed her daughter and Monsieur +Roger into the park, where the two young people had agreed to wander +through the smiling meadows and fragrant copses made famous by the taste +of Queen Hortense. + +"Good heavens! how lovely!" exclaimed Caroline when standing on the +green ridge where the forest of Montmorency begins, she saw lying at her +feet the wide valley with its combes sheltering scattered villages, its +horizon of blue hills, its church towers, its meadows and fields, whence +a murmur came up, to die on her ear like the swell of the ocean. The +three wanderers made their way by the bank of an artificial stream and +came to the Swiss valley, where stands a chalet that had more than once +given shelter to Hortense and Napoleon. When Caroline had seated +herself with pious reverence on the mossy wooden bench where kings and +princesses and the Emperor had rested, Madame Crochard expressed a wish +to have a nearer view of a bridge that hung across between two rocks at +some little distance, and bent her steps towards that rural curiosity, +leaving her daughter in Monsieur Roger's care, though telling them that +she would not go out of sight. + +"What, poor child!" cried Roger, "have you never longed for wealth and +the pleasures of luxury? Have you never wished that you might wear the +beautiful dresses you embroider?" + +"It would not be the truth, Monsieur Roger, if I were to tell you that +I never think how happy people must be who are rich. Oh yes! I often +fancy, especially when I am going to sleep, how glad I should be to see +my poor mother no longer compelled to go out, whatever the weather, +to buy our little provisions, at her age. I should like her to have a +servant who, every morning before she was up, would bring her up her +coffee, nicely sweetened with white sugar. And she loves reading novels, +poor dear soul! Well, and I would rather see her wearing out her eyes +over her favorite books than over twisting her bobbins from morning +till night. And again, she ought to have a little good wine. In short, I +should like to see her comfortable--she is so good." + +"Then she has shown you great kindness?" + +"Oh yes," said the girl, in a tone of conviction. Then, after a short +pause, during which the two young people stood watching Madame Crochard, +who had got to the middle of the rustic bridge, and was shaking her +finger at them, Caroline went on: + +"Oh yes, she has been so good to me. What care she took of me when I was +little! She sold her last silver forks to apprentice me to the old maid +who taught me to embroider.--And my poor father! What did she not go +through to make him end his days in happiness!" The girl shivered at the +remembrance, and hid her face in her hands.--"Well! come! let us forget +past sorrows!" she added, trying to rally her high spirits. She blushed +as she saw that Roger too was moved, but she dared not look at him. + +"What was your father?" he asked. + +"He was an opera-dancer before the Revolution," said she, with an air +of perfect simplicity, "and my mother sang in the chorus. My father, who +was leader of the figures on the stage, happened to be present at the +siege of the Bastille. He was recognized by some of the assailants, who +asked him whether he could not lead a real attack, since he was used to +leading such enterprises on the boards. My father was brave; he accepted +the post, led the insurgents, and was rewarded by the nomination to the +rank of captain in the army of Sambre-et-Meuse, where he distinguished +himself so far as to rise rapidly to be a colonel. But at Lutzen he was +so badly wounded that, after a year's sufferings, he died in Paris.--The +Bourbons returned; my mother could obtain no pension, and we fell into +such abject misery that we were compelled to work for our living. For +some time past she has been ailing, poor dear, and I have never known +her so little resigned; she complains a good deal, and, indeed, I cannot +wonder, for she has known the pleasures of an easy life. For my part, +I cannot pine for delights I have never known, I have but one thing to +wish for." + +"And that is?" said Roger eagerly, as if roused from a dream. + +"That women may continue to wear embroidered net dresses, so that I may +never lack work." + +The frankness of this confession interested the young man, who looked +with less hostile eyes on Madame Crochard as she slowly made her way +back to them. + +"Well, children, have you had a long talk?" said she, with a +half-laughing, half-indulgent air. "When I think, Monsieur Roger, that +the 'little Corporal' has sat where you are sitting," she went on after +a pause. "Poor man! how my husband worshiped him! Ah! Crochard did well +to die, for he could not have borne to think of him where _they_ have +sent him!" + +Roger put his finger to his lips, and the good woman went on very +gravely, with a shake of her head: + +"All right, mouth shut and tongue still! But," added she, unhooking a +bit of her bodice, and showing a ribbon and cross tied round her neck by +a piece of black ribbon, "they shall never hinder me from wearing what +_he_ gave to my poor Crochard, and I will have it buried with me." + +On hearing this speech, which at that time was regarded as seditious, +Roger interrupted the old lady by rising suddenly, and they returned to +the village through the park walks. The young man left them for a +few minutes while he went to order a meal at the best eating-house +in Taverny; then, returning to fetch them, he led the way through the +alleys cut in the forest. + +The dinner was cheerful. Roger was no longer the melancholy shade that +was wont to pass along the Rue du Tourniquet; he was not the "Black +Gentleman," but rather a confiding young man ready to take life as it +came, like the two hard-working women who, on the morrow, might lack +bread; he seemed alive to all the joys of youth, his smile was quite +affectionate and childlike. + +When, at five o'clock, this happy meal was ended with a few glasses +of champagne, Roger was the first to propose that they should join the +village ball under the chestnuts, where he and Caroline danced together. +Their hands met with sympathetic pressure, their hearts beat with the +same hopes; and under the blue sky and the slanting, rosy beams of +sunset, their eyes sparkled with fires which, to them, made the glory of +the heavens pale. How strange is the power of an idea, of a desire! +To these two nothing seemed impossible. In such magic moments, when +enjoyment sheds its reflections on the future, the soul foresees nothing +but happiness. This sweet day had created memories for these two to +which nothing could be compared in all their past existence. Would +the source prove to be more beautiful than the river, the desire more +enchanting than its gratification, the thing hoped for more delightful +than the thing possessed? + +"So the day is already at an end!" On hearing this exclamation from +her unknown friend when the dance was over, Caroline looked at him +compassionately, as his face assumed once more a faint shade of sadness. + +"Why should you not be as happy in Paris as you are here?" she asked. +"Is happiness to be found only at Saint-Leu? It seems to me that I can +henceforth never be unhappy anywhere." + +Roger was struck by these words, spoken with the glad unrestraint that +always carries a woman further than she intended, just as prudery often +lends her greater cruelty than she feels. For the first time since that +glance, which had, in a way, been the beginning of their friendship, +Caroline and Roger had the same idea; though they did not express it, +they felt it at the same instant, as a result of a common impression +like that of a comforting fire cheering both under the frost of winter; +then, as if frightened by each other's silence, they made their way to +the spot where the carriage was waiting. But before getting into it, +they playfully took hands and ran together down the dark avenue in front +of Madame Crochard. When they could no longer see the white net +cap, which showed as a speck through the leaves where the old woman +was--"Caroline!" said Roger in a tremulous voice, and with a beating +heart. + +The girl was startled, and drew back a few steps, understanding the +invitation this question conveyed; however, she held out her hand, which +was passionately kissed, but which she hastily withdrew, for by standing +on tiptoe she could see her mother. + +Madame Crochard affected blindness, as if, with a reminiscence of her +old parts, she was only required to figure as a supernumerary. + + + +The adventures of these two young people were not continued in the Rue +du Tourniquet. To see Roger and Caroline once more, we must leap into +the heart of modern Paris, where, in some of the newly-built houses, +there are apartments that seem made on purpose for newly-married couples +to spend their honeymoon in. There the paper and paint are as fresh as +the bride and bridegroom, and the decorations are in blossom like their +love; everything is in harmony with youthful notions and ardent wishes. + +Half-way down the Rue Taitbout, in a house whose stone walls were +still white, where the columns of the hall and the doorway were as yet +spotless, and the inner walls shone with the neat painting which our +recent intimacy with English ways had brought into fashion, there was, +on the second floor, a small set of rooms fitted by the architect as +though he had known what their use would be. A simple airy ante-room, +with a stucco dado, formed an entrance into a drawing-room and +dining-room. Out of the drawing-room opened a pretty bedroom, with a +bathroom beyond. Every chimney-shelf had over it a fine mirror elegantly +framed. The doors were crowded with arabesques in good taste, and the +cornices were in the best style. Any amateur would have discerned there +the sense of distinction and decorative fitness which mark the work of +modern French architects. + +For above a month Caroline had been at home in this apartment, furnished +by an upholsterer who submitted to an artist's guidance. A short +description of the principal room will suffice to give us an idea of the +wonders it offered to Caroline's delighted eyes when Roger installed her +there. Hangings of gray stuff trimmed with green silk adorned the walls +of her bedroom; the seats, covered with light-colored woolen sateen, +were of easy and comfortable shapes, and in the latest fashion; a chest +of drawers of some simple wood, inlaid with lines of a darker hue, +contained the treasures of the toilet; a writing-table to match served +for inditing love-letters on scented paper; the bed, with antique +draperies, could not fail to suggest thoughts of love by its soft +hangings of elegant muslin; the window-curtains, of drab silk with +green fringe, were always half drawn to subdue the light; a bronze clock +represented Love crowning Psyche; and a carpet of Gothic design on a red +ground set off the other accessories of this delightful retreat. There +was a small dressing-table in front of a long glass, and here the +needlewoman sat, out of patience with Plaisir, the famous hairdresser. + +"Do you think you will have done to-day?" said she. + +"Your hair is so long and so thick, madame," replied Plaisir. + +Caroline could not help smiling. The man's flattery had no doubt revived +in her mind the memory of the passionate praises lavished by her lover +on the beauty of her hair, which he delighted in. + +The hairdresser having done, a waiting-maid came and held counsel with +her as to the dress in which Roger would like best to see her. It was +the beginning of September 1816, and the weather was cold; she chose a +green _grenadine_ trimmed with chinchilla. As soon as she was dressed, +Caroline flew into the drawing-room and opened a window, out of which +she stepped on to the elegant balcony, that adorned the front of the +house; there she stood, with her arms crossed, in a charming attitude, +not to show herself to the admiration of the passers-by and see them +turn to gaze at her, but to be able to look out on the Boulevard at the +bottom of the Rue Taitbout. This side view, really very comparable to +the peephole made by actors in the drop-scene of a theatre, enabled +her to catch a glimpse of numbers of elegant carriages, and a crowd of +persons, swept past with the rapidity of _Ombres Chinoises_. Not knowing +whether Roger would arrive in a carriage or on foot, the needlewoman +from the Rue du Tourniquet looked by turns at the foot-passengers, and +at the tilburies--light cabs introduced into Paris by the English. + +Expressions of refractoriness and of love passed by turns over her +youthful face when, after waiting for a quarter of an hour, neither her +keen eye nor her heart had announced the arrival of him whom she knew +to be due. What disdain, what indifference were shown in her beautiful +features for all the other creatures who were bustling like ants below +her feet. Her gray eyes, sparkling with fun, now positively flamed. +Given over to her passion, she avoided admiration with as much care +as the proudest devote to encouraging it when they drive about Paris, +certainly feeling no care as to whether her fair countenance leaning +over the balcony, or her little foot between the bars, and the picture +of her bright eyes and delicious turned-up nose would be effaced or no +from the minds of the passers-by who admired them; she saw but one +face, and had but one idea. When the spotted head of a certain bay +horse happened to cross the narrow strip between the two rows of houses, +Caroline gave a little shiver and stood on tiptoe in hope of recognizing +the white traces and the color of the tilbury. It was he! + +Roger turned the corner of the street, saw the balcony, whipped the +horse, which came up at a gallop, and stopped at the bronze-green door +that he knew as well as his master did. The door of the apartment was +opened at once by the maid, who had heard her mistress' exclamation of +delight. Roger rushed up to the drawing-room, clasped Caroline in his +arms, and embraced her with the effusive feeling natural when two beings +who love each other rarely meet. He led her, or rather they went by a +common impulse, their arms about each other, into the quiet and fragrant +bedroom; a settee stood ready for them to sit by the fire, and for a +moment they looked at each other in silence, expressing their happiness +only by their clasped hands, and communicating their thoughts in a fond +gaze. + +"Yes, it is he!" she said at last. "Yes, it is you. Do you know, I have +not seen you for three long days, an age!--But what is the matter? You +are unhappy." + +"My poor Caroline--" + +"There, you see! 'poor Caroline'--" + +"No, no, do not laugh, my darling; we cannot go to the Feydeau Theatre +together this evening." + +Caroline put on a little pout, but it vanished immediately. + +"How absurd I am! How can I think of going to the play when I see you? +Is not the sight of you the only spectacle I care for?" she cried, +pushing her fingers through Roger's hair. + +"I am obliged to go to the Attorney-General's. We have a knotty case in +hand. He met me in the great hall at the Palais; and as I am to plead, +he asked me to dine with him. But, my dearest, you can go to the theatre +with your mother, and I will join you if the meeting breaks up early." + +"To the theatre without you!" cried she in a tone of amazement; "enjoy +any pleasure you do not share! O my Roger! you do not deserve a +kiss," she added, throwing her arms round his neck with an artless and +impassioned impulse. + +"Caroline, I must go home and dress. The Marais is some way off, and I +still have some business to finish." + +"Take care what you are saying, monsieur," said she, interrupting him. +"My mother says that when a man begins to talk about his business, he is +ceasing to love." + +"Caroline! Am I not here? Have I not stolen this hour from my +pitiless--" + +"Hush!" said she, laying a finger on his mouth. "Don't you see that I am +in jest." + +They had now come back to the drawing-room, and Roger's eye fell on an +object brought home that morning by the cabinetmaker. Caroline's old +rosewood embroidery-frame, by which she and her mother had earned their +bread when they lived in the Rue du Tourniquet-Saint-Jean, had been +refitted and polished, and a net dress, of elaborate design, was already +stretched upon it. + +"Well, then, my dear, I shall do some work this evening. As I stitch, I +shall fancy myself gone back to those early days when you used to +pass by me without a word, but not without a glance; the days when +the remembrance of your look kept me awake all night. Oh my dear old +frame--the best piece of furniture in my room, though you did not give +it me!--You cannot think," said she, seating herself on Roger's knees; +for he, overcome by irresistible feelings, had dropped into a chair. +"Listen.--All I can earn by my work I mean to give to the poor. You have +made me rich. How I love that pretty home at Bellefeuille, less because +of what it is than because you gave it me! But tell me, Roger, I should +like to call myself Caroline de Bellefeuille--can I? You must know: is +it legal or permissible?" + +As she saw a little affirmative grimace--for Roger hated the name of +Crochard--Caroline jumped for glee, and clapped her hands. + +"I feel," said she, "as if I should more especially belong to you. +Usually a woman gives up her own name and takes her husband's--" An idea +forced itself upon her and made her blush. She took Roger's hand and led +him to the open piano.--"Listen," said she, "I can play my sonata now +like an angel!" and her fingers were already running over the ivory +keys, when she felt herself seized round the waist. + +"Caroline, I ought to be far from hence!" + +"You insist on going? Well, go," said she, with a pretty pout, but she +smiled as she looked at the clock and exclaimed joyfully, "At any rate, +I have detained you a quarter of an hour!" + +"Good-bye, Mademoiselle de Bellefeuille," said he, with the gentle irony +of love. + +She kissed him and saw her lover to the door; when the sound of his +steps had died away on the stairs she ran out on to the balcony to see +him get into the tilbury, to see him gather up the reins, to catch a +parting look, hear the crack of his whip and the sound of his wheels on +the stones, watch the handsome horse, the master's hat, the tiger's +gold lace, and at last to stand gazing long after the dark corner of the +street had eclipsed this vision. + + + +Five years after Mademoiselle Caroline de Bellefeuille had taken up her +abode in the pretty house in the Rue Taitbout, we again look in on one +of those home-scenes which tighten the bonds of affection between two +persons who truly love. In the middle of the blue drawing-room, in front +of the window opening to the balcony, a little boy of four was making +a tremendous noise as he whipped the rocking-horse, whose two curved +supports for the legs did not move fast enough to please him; his pretty +face, framed in fair curls that fell over his white collar, smiled up +like a cherub's at his mother when she said to him from the depths of +an easy-chair, "Not so much noise, Charles; you will wake your little +sister." + +The inquisitive boy suddenly got off his horse, and treading on tiptoe +as if he were afraid of the sound of his feet on the carpet, came up +with one finger between his little teeth, and standing in one of those +childish attitudes that are so graceful because they are so perfectly +natural, raised the muslin veil that hid the rosy face of a little girl +sleeping on her mother's knee. + +"Is Eugenie asleep, then?" said he, quite astonished. "Why is she asleep +when we are awake?" he added, looking up with large, liquid black eyes. + +"That only God can know," replied Caroline, with a smile. + +The mother and boy gazed at the infant, only that morning baptized. + +Caroline, now about four-and-twenty, showed the ripe beauty which +had expanded under the influence of cloudless happiness and constant +enjoyment. In her the Woman was complete. + +Delighted to obey her dear Roger's every wish, she had acquired the +accomplishments she had lacked; she played the piano fairly well, and +sang sweetly. Ignorant of the customs of a world that would have treated +her as an outcast, and which she would not have cared for even if it had +welcomed her--for a happy woman does not care for the world--she had +not caught the elegance of manner or learned the art of conversation, +abounding in words and devoid of ideas, which is current in fashionable +drawing-rooms; on the other hand, she worked hard to gain the knowledge +indispensable to a mother whose chief ambition is to bring up her +children well. Never to lose sight of her boy, to give him from the +cradle that training of every minute which impresses on the young a +love of all that is good and beautiful, to shelter him from every evil +influence and fulfil both the painful duties of a nurse and the tender +offices of a mother,--these were her chief pleasures. + +The coy and gentle being had from the first day so fully resigned +herself never to step beyond the enchanted sphere where she found all +her happiness, that, after six years of the tenderest intimacy, she +still knew her lover only by the name of Roger. A print of the picture +of the Psyche lighting her lamp to gaze on Love in spite of his +prohibition, hung in her room, and constantly reminded her of the +conditions of her happiness. Through all these six years her humble +pleasures had never importuned Roger by a single indiscreet ambition, +and his heart was a treasure-house of kindness. Never had she longed for +diamonds or fine clothes, and had again and again refused the luxury of +a carriage which he had offered her. To look out from her balcony for +Roger's cab, to go with him to the play or make excursions with him, +on fine days in the environs of Paris, to long for him, to see him, +and then to long again,--these made up the history of her life, poor in +incidents but rich in happiness. + +As she rocked the infant, now a few months old, on her knee, singing +the while, she allowed herself to recall the memories of the past. She +lingered more especially on the months of September, when Roger was +accustomed to take her to Bellefeuille and spend the delightful days +which seem to combine the charms of every season. Nature is equally +prodigal of flowers and fruit, the evenings are mild, the mornings +bright, and a blaze of summer often returns after a spell of autumn +gloom. During the early days of their love, Caroline had ascribed the +even mind and gentle temper, of which Roger gave her so many proofs, +to the rarity of their always longed-for meetings, and to their mode of +life, which did not compel them to be constantly together, as a husband +and wife must be. But now she could remember with rapture that, tortured +by foolish fears, she had watched him with trembling during their first +stay on this little estate in the Gatinais. Vain suspiciousness of love! +Each of these months of happiness had passed like a dream in the midst +of joys which never rang false. She had always seen that kind creature +with a tender smile on his lips, a smile that seemed to mirror her own. + +As she called up these vivid pictures, her eyes filled with tears; she +thought she could not love him enough, and was tempted to regard her +ambiguous position as a sort of tax levied by Fate on her love. Finally, +invincible curiosity led her to wonder for the thousandth time what +events they could be that led so tender a heart as Roger's to find his +pleasure in clandestine and illicit happiness. She invented a thousand +romances on purpose really to avoid recognizing the true reason, which +she had long suspected but tried not to believe in. She rose, and +carrying the baby in her arms, went into the dining-room to superintend +the preparations for dinner. + +It was the 6th of May 1822, the anniversary of the excursion to the Park +of Saint-Leu, which had been the turning-point of her life; each year it +had been marked by heartfelt rejoicing. Caroline chose the linen to +be used, and arranged the dessert. Having attended with joy to these +details, which touched Roger, she placed the infant in her pretty cot +and went out on to the balcony, whence she presently saw the carriage +which her friend, as he grew to riper years, now used instead of the +smart tilbury of his youth. After submitting to the first fire of +Caroline's embraces and the kisses of the little rogue who addressed +him as papa, Roger went to the cradle, looked at his little sleeping +daughter, kissed her forehead, and then took out of his pocket a +document covered with black writing. + +"Caroline," said he, "here is the marriage portion of Mademoiselle +Eugenie de Bellefeuille." + +The mother gratefully took the paper, a deed of gift of securities in +the State funds. + +"Buy why," said she, "have you given Eugenie three thousand francs a +year, and Charles no more than fifteen hundred?" + +"Charles, my love, will be a man," replied he. "Fifteen hundred francs +are enough for him. With so much for certain, a man of courage is above +poverty. And if by chance your son should turn out a nonentity, I do +not wish him to be able to play the fool. If he is ambitious, this small +income will give him a taste for work.--Eugenie is a girl; she must have +a little fortune." + +The father then turned to play with his boy, whose effusive affection +showed the independence and freedom in which he was brought up. No sort +of shyness between the father and child interfered with the charm which +rewards a parent for his devotion; and the cheerfulness of the little +family was as sweet as it was genuine. In the evening a magic-lantern +displayed its illusions and mysterious pictures on a white sheet +to Charles' great surprise, and more than once the innocent child's +heavenly rapture made Caroline and Roger laugh heartily. + +Later, when the little boy was in bed, the baby woke and craved its +limpid nourishment. By the light of a lamp in the chimney corner, Roger +enjoyed the scene of peace and comfort, and gave himself up to the +happiness of contemplating the sweet picture of the child clinging to +Caroline's white bosom as she sat, as fresh as a newly opened lily, +while her hair fell in long brown curls that almost hid her neck. The +lamplight enhanced the grace of the young mother, shedding over her, +her dress, and the infant, the picturesque effects of strong light and +shadow. + +The calm and silent woman's face struck Roger as a thousand times +sweeter than ever, and he gazed tenderly at the rosy, pouting lips +from which no harsh word had ever been heard. The very same thought was +legible in Caroline's eyes as she gave a sidelong look at Roger, either +to enjoy the effect she was producing on him, or to see what the end +of the evening was to be. He, understanding the meaning of this cunning +glance, said with assumed regret, "I must be going. I have a serious +case to be finished, and I am expected at home. Duty before all +things--don't you think so, my darling?" + +Caroline looked him in the face with an expression at once sad and +sweet, with the resignation which does not, however, disguise the pangs +of a sacrifice. + +"Good-bye, then," said she. "Go, for if you stay an hour longer I cannot +so lightly bear to set you free." + +"My dearest," said he with a smile, "I have three days' holiday, and am +supposed to be twenty leagues away from Paris." + + + +A few days after this anniversary of the 6th of May, Mademoiselle de +Bellefeuille hurried off one morning to the Rue Saint-Louis, in the +Marais, only hoping she might not arrive too late at a house where she +commonly went once a week. An express messenger had just come to inform +her that her mother, Madame Crochard, was sinking under a complication +of disorders produced by constant catarrh and rheumatism. + +While the hackney coach-driver was flogging up his horses at Caroline's +urgent request, supported by the promise of a handsome present, the +timid old women, who had been Madame Crochard's friends during her later +years, had brought a priest into the neat and comfortable second-floor +rooms occupied by the old widow. Madame Crochard's maid did not know +that the pretty lady at whose house her mistress so often dined was +her daughter, and she was one of the first to suggest the services of a +confessor, in the hope that this priest might be at least as useful +to herself as to the sick woman. Between two games of boston, or +out walking in the Jardin Turc, the old beldames with whom the widow +gossiped all day had succeeded in rousing in their friend's stony heart +some scruples as to her former life, some visions of the future, some +fears of hell, and some hopes of forgiveness if she should return in +sincerity to a religious life. So on this solemn morning three ancient +females had settled themselves in the drawing-room where Madame Crochard +was "at home" every Tuesday. Each in turn left her armchair to go to the +poor old woman's bedside and sit with her, giving her the false hopes +with which people delude the dying. + +At the same time, when the end was drawing near, when the physician +called in the day before would no longer answer for her life, the three +dames took counsel together as to whether it would not be well to +send word to Mademoiselle de Bellefeuille. Francoise having been duly +informed, it was decided that a commissionaire should go to the Rue +Taitbout to inform the young relation whose influence was so disquieting +to the four women; still, they hoped that the Auvergnat would be too +late in bringing back the person who so certainly held the first +place in the widow Crochard's affections. The widow, evidently in the +enjoyment of a thousand crowns a year, would not have been so fondly +cherished by this feminine trio, but that neither of them, nor Francoise +herself knew of her having any heir. The wealth enjoyed by Mademoiselle +de Bellefeuille, whom Madame Crochard, in obedience to the traditions of +the older opera, never allowed herself to speak of by the affectionate +name of daughter, almost justified the four women in their scheme of +dividing among themselves the old woman's "pickings." + +Presently the one of these three sibyls who kept guard over the sick +woman came shaking her head at the other anxious two, and said: + +"It is time we should be sending for the Abbe Fontanon. In another two +hours she will neither have the wit nor the strength to write a line." + +Thereupon the toothless old cook went off, and returned with a man +wearing a black gown. A low forehead showed a small mind in this +priest, whose features were mean; his flabby, fat cheeks and double chin +betrayed the easy-going egotist; his powdered hair gave him a pleasant +look, till he raised his small, brown eyes, prominent under a flat +forehead, and not unworthy to glitter under the brows of a Tartar. + +"Monsieur l'Abbe," said Francoise, "I thank you for all your advice; but +believe me, I have taken the greatest care of the dear soul." + +But the servant, with her dragging step and woe-begone look, was silent +when she saw that the door of the apartment was open, and that the most +insinuating of the three dowagers was standing on the landing to be the +first to speak with the confessor. When the priest had politely faced +the honeyed and bigoted broadside of words fired off from the widow's +three friends, he went into the sickroom to sit by Madame Crochard. +Decency, and some sense of reserve, compelled the three women and old +Francoise to remain in the sitting-room, and to make such grimaces of +grief as are possible in perfection only to such wrinkled faces. + +"Oh, is it not ill-luck!" cried Francoise, heaving a sigh. "This is +the fourth mistress I have buried. The first left me a hundred francs a +year, the second a sum of fifty crowns, and the third a thousand crowns +down. After thirty years' service, that is all I have to call my own." + +The woman took advantage of her freedom to come and go, to slip into a +cupboard, whence she could hear the priest. + +"I see with pleasure, daughter," said Fontanon, "that you have pious +sentiments; you have a sacred relic round your neck." + +Madame Crochard, with a feeble vagueness which seemed to show that she +had not all her wits about her, pulled out the Imperial Cross of the +Legion of Honor. The priest started back at seeing the Emperor's head; +he went up to the penitent again, and she spoke to him, but in such a +low tone that for some minutes Francoise could hear nothing. + +"Woe upon me!" cried the old woman suddenly. "Do not desert me. What, +Monsieur l'Abbe, do you think I shall be called to account for my +daughter's soul?" + +The Abbe spoke too low, and the partition was too thick for Francoise to +hear the reply. + +"Alas!" sobbed the woman, "the wretch has left me nothing that I can +bequeath. When he robbed me of my dear Caroline, he parted us, and only +allowed me three thousand francs a year, of which the capital belongs to +my daughter." + +"Madame has a daughter, and nothing to live on but an annuity," shrieked +Francoise, bursting into the drawing-room. + +The three old crones looked at each other in dismay. One of them, whose +nose and chin nearly met with an expression that betrayed a superior +type of hypocrisy and cunning, winked her eyes; and as soon as +Francoise's back was turned, she gave her friends a nod, as much as to +say, "That slut is too knowing by half; her name has figured in three +wills already." + +So the three old dames sat on. + +However, the Abbe presently came out, and at a word from him the witches +scuttered down the stairs at his heels, leaving Francoise alone with her +mistress. Madame Crochard, whose sufferings increased in severity, rang, +but in vain, for this woman, who only called out, "Coming, coming--in +a minute!" The doors of cupboards and wardrobes were slamming as though +Francoise were hunting high and low for a lost lottery ticket. + +Just as this crisis was at a climax, Mademoiselle de Bellefeuille came +to stand by her mother's bed, lavishing tender words on her. + +"Oh my dear mother, how criminal I have been! You are ill, and I did not +know it; my heart did not warn me. However, here I am--" + +"Caroline--" + +"What is it?" + +"They fetched a priest--" + +"But send for a doctor, bless me!" cried Mademoiselle de Bellefeuille. +"Francoise, a doctor! How is it that these ladies never sent for a +doctor?" + +"They sent for a priest----" repeated the old woman with a gasp. + +"She is so ill--and no soothing draught, nothing on her table!" + +The mother made a vague sign, which Caroline's watchful eye understood, +for she was silent to let her mother speak. + +"They brought a priest--to hear my confession, as they said.--Beware, +Caroline!" cried the old woman with an effort, "the priest made me tell +him your benefactor's name." + +"But who can have told you, poor mother?" + +The old woman died, trying to look knowingly cunning. If Mademoiselle de +Bellefeuille had noted her mother's face she might have seen what no one +ever will see--Death laughing. + +To enter into the interests that lay beneath this introduction to my +tale, we must for a moment forget the actors in it, and look back at +certain previous incidents, of which the last was closely concerned with +the death of Madame Crochard. The two parts will then form a whole--a +story which, by a law peculiar to life in Paris, was made up of two +distinct sets of actions. + +Towards the close of the month of November 1805, a young barrister, aged +about six-and-twenty, was going down the stairs of the hotel where +the High Chancellor of the Empire resided, at about three o'clock one +morning. Having reached the courtyard in full evening dress, under +a keen frost, he could not help giving vent to an exclamation of +dismay--qualified, however, by the spirit which rarely deserts a +Frenchman--at seeing no hackney coach waiting outside the gates, and +hearing no noises such as arise from the wooden shoes or harsh voices +of the hackney-coachmen of Paris. The occasional pawing of the horses +of the Chief Justice's carriage--the young man having left him still +playing _bouillote_ with Cambaceres--alone rang out in the paved court, +which was scarcely lighted by the carriage lamps. Suddenly the young +lawyer felt a friendly hand on his shoulder, and turning round, found +himself face to face with the Judge, to whom he bowed. As the footman +let down the steps of his carriage, the old gentleman, who had served +the Convention, suspected the junior's dilemma. + +"All cats are gray in the dark," said he good-humoredly. "The Chief +Justice cannot compromise himself by putting a pleader in the right +way! Especially," he went on, "when the pleader is the nephew of an old +colleague, one of the lights of the grand Council of State which gave +France the Napoleonic Code." + +At a gesture from the chief magistrate of France under the Empire, the +foot-passenger got into the carriage. + +"Where do you live?" asked the great man, before the footman who awaited +his orders had closed the door. + +"Quai des Augustins, monseigneur." + +The horses started, and the young man found himself alone with the +Minister, to whom he had vainly tried to speak before and after the +sumptuous dinner given by Cambaceres; in fact, the great man had +evidently avoided him throughout the evening. + +"Well, Monsieur _de_ Granville, you are on the high road!" + +"So long as I sit by your Excellency's side--" + +"Nay, I am not jesting," said the Minister. "You were called two years +since, and your defence in the case of Simeuse and Hauteserre had raised +you high in your profession." + +"I had supposed that my interest in those unfortunate emigres had done +me no good." + +"You are still very young," said the great man gravely. "But the High +Chancellor," he went on, after a pause, "was greatly pleased with you +this evening. Get a judgeship in the lower courts; we want men. The +nephew of a man in whom Cambaceres and I take great interest must not +remain in the background for lack of encouragement. Your uncle helped +us to tide over a very stormy season, and services of that kind are not +forgotten." The Minister sat silent for a few minutes. "Before long," he +went on, "I shall have three vacancies open in the Lower Courts and +in the Imperial Court in Paris. Come to see me, and take the place you +prefer. Till then work hard, but do not be seen at my receptions. In the +first place, I am overwhelmed with work; and besides that, your rivals +may suspect your purpose and do you harm with the patron. Cambaceres +and I, by not speaking a word to you this evening, have averted the +accusation of favoritism." + +As the great man ceased speaking, the carriage drew up on the Quai des +Augustins; the young lawyer thanked his generous patron for the two +lifts he had conferred on him, and then knocked at his door pretty +loudly, for the bitter wind blew cold about his calves. At last the old +lodgekeeper pulled up the latch; and as the young man passed his window, +called out in a hoarse voice, "Monsieur Granville, here is a letter for +you." + +The young man took the letter, and in spite of the cold, tried to +identify the writing by the gleam of a dull lamp fast dying out. "From +my father!" he exclaimed, as he took his bedroom candle, which the +porter at last had lighted. And he ran up to his room to read the +following epistle:-- + + "Set off by the next mail; and if you can get here soon enough, + your fortune is made. Mademoiselle Angelique Bontems has lost her + sister; she is now an only child; and, as we know, she does not + hate you. Madame Bontems can now leave her about forty thousand + francs a year, besides whatever she may give her when she marries. + I have prepared the way. + + "Our friends will wonder to see a family of old nobility allying + itself to the Bontems; old Bontems was a red republican of the + deepest dye, owning large quantities of the nationalized land, + that he bought for a mere song. But he held nothing but convent + lands, and the monks will not come back; and then, as you have + already so far derogated as to become a lawyer, I cannot see why + we should shrink from a further concession to the prevalent ideas. + The girl will have three hundred thousand francs; I can give you a + hundred thousand; your mother's property must be worth fifty + thousand crowns, more or less; so if you choose to take a + judgeship, my dear son, you are quite in a position to become a + senator as much as any other man. My brother-in-law the Councillor + of State will not indeed lend you a helping-hand; still, as he is + not married, his property will some day be yours, and if you are + not senator by your own efforts, you will get it through him. Then + you will be perched high enough to look on at events. Farewell. + Yours affectionately." + +So young Granville went to bed full of schemes, each fairer than the +last. Under the powerful protection of the High Chancellor, the Chief +Justice, and his mother's brother--one of the originators of the +Code--he was about to make a start in a coveted position before the +highest court of the Empire, and he already saw himself a member of the +bench whence Napoleon selected the chief functionaries of the realm. +He could also promise himself a fortune handsome enough to keep up +his rank, for which the slender income of five thousand francs from an +estate left him by his mother would be quite insufficient. + +To crown his ambitious dreams with a vision of happiness, he called up +the guileless face of Mademoiselle Angelique Bontems, the companion of +his childhood. Until he came to boyhood his father and mother had +made no objection to his intimacy with their neighbor's pretty little +daughter; but when, during his brief holiday visits to Bayeux, his +parents, who prided themselves on their good birth, saw what friends the +young people were, they forbade his ever thinking of her. Thus for ten +years past Granville had only had occasional glimpses of the girl, whom +he still sometimes thought of as "his little wife." And in those +brief moments when they met free from the active watchfulness of their +families, they had scarcely exchanged a few vague civilities at the +church door or in the street. Their happiest days had been those when, +brought together by one of those country festivities known in Normandy +as _Assemblees_, they could steal a glance at each other from afar. + +In the course of the last vacation Granville had twice seen Angelique, +and her downcast eyes and drooping attitude had led him to suppose that +she was crushed by some unknown tyranny. + +He was off by seven next morning to the coach office in the Rue +Notre-Dame-des-Victoires, and was so lucky as to find a vacant seat in +the diligence then starting for Caen. + +It was not without deep emotion that the young lawyer saw once more the +spires of the cathedral at Bayeux. As yet no hope of his life had been +cheated, and his heart swelled with the generous feelings that expand in +the youthful soul. + +After the too lengthy feast of welcome prepared by his father, who +awaited him with some friends, the impatient youth was conducted to a +house, long familiar to him, standing in the Rue Teinture. His heart +beat high when his father--still known in the town of Bayeux as the +Comte de Granville--knocked loudly at a carriage gate off which the +green paint was dropping in scales. It was about four in the afternoon. +A young maid-servant, in a cotton cap, dropped a short curtsey to the +two gentlemen, and said that the ladies would soon be home from vespers. + +The Count and his son were shown into a low room used as a drawing-room, +but more like a convent parlor. Polished panels of dark walnut made +it gloomy enough, and around it some old-fashioned chairs covered with +worsted work and stiff armchairs were symmetrically arranged. The stone +chimney-shelf had no ornament but a discolored mirror, and on each side +of it were the twisted branches of a pair of candle-brackets, such as +were made at the time of the Peace of Utrecht. Against a panel opposite, +young Granville saw an enormous crucifix of ebony and ivory surrounded +by a wreath of box that had been blessed. Though there were three +windows to the room, looking out on a country-town garden, laid out +in formal square beds edged with box, the room was so dark that it was +difficult to discern, on the wall opposite the windows, three pictures +of sacred subjects painted by a skilled hand, and purchased, no doubt, +during the Revolution by old Bontems, who, as governor of the district, +had never neglected his opportunities. From the carefully polished floor +to the green checked holland curtains everything shone with conventual +cleanliness. + +The young man's heart felt an involuntary chill in this silent retreat +where Angelique dwelt. The habit of frequenting the glittering Paris +drawing-rooms, and the constant whirl of society, had effaced from his +memory the dull and peaceful surroundings of a country life, and the +contrast was so startling as to give him a sort of internal shiver. To +have just left a party at the house of Cambaceres, where life was so +large, where minds could expand, where the splendor of the Imperial +Court was so vividly reflected, and to be dropped suddenly into a +sphere of squalidly narrow ideas--was it not like a leap from Italy into +Greenland?--"Living here is not life!" said he to himself, as he looked +round the Methodistical room. The old Count, seeing his son's dismay, +went up to him, and taking his hand, led him to a window, where there +was still a gleam of daylight, and while the maid was lighting the +yellow tapers in the candle branches he tried to clear away the clouds +that the dreary place had brought to his brow. + +"Listen, my boy," said he. "Old Bontems' widow is a frenzied bigot. +'When the devil is old--' you know! I see that the place goes +against the grain. Well, this is the whole truth; the old woman is +priest-ridden; they have persuaded her that it was high time to make +sure of heaven, and the better to secure Saint Peter and his keys she +pays before-hand. She goes to Mass every day, attends every service, +takes the communion every Sunday God has made, and amuses herself +by restoring chapels. She had given so many ornaments, and albs, and +chasubles, she has crowned the canopy with so many feathers, that on +the occasion of the last Corpus Christi procession as great a crowd came +together as to see a man hanged, just to stare at the priests in their +splendid dresses and all the vessels regilt. This house too is a sort of +Holy Land. It was I who hindered her from giving those three pictures to +the Church--a Domenichino, a Correggio, and an Andrea del Sarto--worth a +good deal of money." + +"But Angelique?" asked the young man. + +"If you do not marry her, Angelique is done for," said the Count. "Our +holy apostles counsel her to live a virgin martyr. I have had the utmost +difficulty in stirring up her little heart, since she has been the only +child, by talking to her of you; but, as you will easily understand, +as soon as she is married you will carry her off to Paris. There, +festivities, married life, the theatres, and the rush of Parisian +society, will soon make her forget confessionals, and fasting, and +hair shirts, and Masses, which are the exclusive nourishment of such +creatures." + +"But the fifty thousand francs a year derived from Church property? Will +not all that return--" + +"That is the point!" exclaimed the Count, with a cunning glance. "In +consideration of this marriage--for Madame Bontems' vanity is not +a little flattered by the notion of grafting the Bontems on to the +genealogical tree of the Granvilles--the aforenamed mother agrees +to settle her fortune absolutely on the girl, reserving only a +life-interest. The priesthood, therefore, are set against the marriage; +but I have had the banns published, everything is ready, and in a week +you will be out of the clutches of the mother and her Abbes. You will +have the prettiest girl in Bayeux, a good little soul who will give you +no trouble, because she has sound principles. She has been mortified, as +they say in their jargon, by fasting and prayer--and," he added in a low +voice, "by her mother." + +A modest tap at the door silenced the Count, who expected to see the two +ladies appear. A little page came in, evidently in a great hurry; +but, abashed by the presence of the two gentlemen, he beckoned to a +housekeeper, who followed him. Dressed in a blue cloth jacket with +short tails, and blue-and-white striped trousers, his hair cut short all +round, the boy's expression was that of a chorister, so strongly was +it stamped with the compulsory propriety that marks every member of a +bigoted household. + +"Mademoiselle Gatienne," said he, "do you know where the books are for +the offices of the Virgin? The ladies of the Congregation of the Sacred +Heart are going in procession this evening round the church." + +Gatienne went in search of the books. + +"Will they go on much longer, my little man?" asked the Count. + +"Oh, half an hour at most." + +"Let us go to look on," said the father to his son. "There will be some +pretty women there, and a visit to the Cathedral can do us no harm." + +The young lawyer followed him with a doubtful expression. + +"What is the matter?" asked the Count. + +"The matter, father, is that I am sure I am right." + +"But you have said nothing." + +"No; but I have been thinking that you have still ten thousand francs a +year left of your original fortune. You will leave them to me--as long +a time hence as possible, I hope. But if you are ready to give me a +hundred thousand francs to make a foolish match, you will surely allow +me to ask you for only fifty thousand to save me from such a misfortune, +and enjoy as a bachelor a fortune equal to what your Mademoiselle +Bontems would bring me." + +"Are you crazy?" + +"No, father. These are the facts. The Chief Justice promised me +yesterday that I should have a seat on the Bench. Fifty thousand francs +added to what I have, and to the pay of my appointment, will give me an +income of twelve thousand francs a year. And I then shall most certainly +have a chance of marrying a fortune, better than this alliance, which +will be poor in happiness if rich in goods." + +"It is very clear," said his father, "that you were not brought up under +the old _regime_. Does a man of our rank ever allow his wife to be in +his way?" + +"But, my dear father, in these days marriage is--" + +"Bless me!" cried the Count, interrupting his son, "then what my old +_emigre_ friends tell me is true, I suppose. The Revolution has left +us habits devoid of pleasure, and has infected all the young men with +vulgar principles. You, like my Jacobin brother-in-law, will +harangue me, I suppose, on the Nation, Public Morals, and +Disinterestedness!--Good Heavens! But for the Emperor's sisters, where +should we be?" + +The still hale old man, whom the peasants on the estate persisted in +calling the Signeur de Granville, ended his speech as they entered the +Cathedral porch. In spite of the sanctity of the place, and even as he +dipped his fingers in the holy water, he hummed an air from the opera of +_Rose et Colas_, and then led the way down the side aisles, stopping +by each pillar to survey the rows of heads, all in lines like ranks of +soldiers on parade. + +The special service of the Sacred Heart was about to begin. The ladies +affiliated to that congregation were in front near the choir, so the +Count and his son made their way to that part of the nave, and stood +leaning against one of the columns where there was least light, whence +they could command a view of this mass of faces, looking like a meadow +full of flowers. Suddenly, close to young Granville, a voice, sweeter +than it seemed possible to ascribe to a human being, broke into song, +like the first nightingale when winter is past. Though it mingled with +the voices of a thousand other women and the notes of the organ, that +voice stirred his nerves as though they vibrated to the too full and too +piercing sounds of a harmonium. The Parisian turned round, and, seeing +a young figure, though, the head being bent, her face was entirely +concealed by a large white bonnet, concluded that the voice was hers. He +fancied that he recognized Angelique in spite of a brown merino pelisse +that wrapped her, and he nudged his father's elbow. + +"Yes, there she is," said the Count, after looking where his son +pointed, and then, by an expressive glance, he directed his attention +to the pale face of an elderly woman who had already detected the +strangers, though her false eyes, deep set in dark circles, did not seem +to have strayed from the prayer-book she held. + +Angelique raised her face, gazing at the altar as if to inhale the heavy +scent of the incense that came wafted in clouds over the two women. And +then, in the doubtful light that the tapers shed down the nave, with +that of a central lamp and of some lights round the pillars, the young +man beheld a face which shook his determination. A white watered-silk +bonnet closely framed features of perfect regularity, the oval being +completed by the satin ribbon tie that fastened it under her dimpled +chin. Over her forehead, very sweet though low, hair of a pale gold +color parted in two bands and fell over her cheeks, like the shadow +of leaves on a flower. The arches of her eyebrows were drawn with the +accuracy we admire in the best Chinese paintings. Her nose, almost +aquiline in profile, was exceptionally firmly cut, and her lips were +like two rose lines lovingly traced with a delicate brush. Her eyes, of +a light blue, were expressive of innocence. + +Though Granville discerned a sort of rigid reserve in this girlish face, +he could ascribe it to the devotion in which Angelique was rapt. The +solemn words of prayer, visible in the cold, came from between rows of +pearls, like a fragrant mist, as it were. The young man involuntarily +bent over her a little to breathe this diviner air. This movement +attracted the girl's notice; her gaze, raised to the altar, was diverted +to Granville, whom she could see but dimly in the gloom; but she +recognized him as the companion of her youth, and a memory more vivid +than prayer brought a supernatural glow to her face; she blushed. The +young lawyer was thrilled with joy at seeing the hopes of another life +overpowered by those of love, and the glory of the sanctuary eclipsed by +earthly reminiscences; but his triumph was brief. Angelique dropped her +veil, assumed a calm demeanor, and went on singing without letting her +voice betray the least emotion. + +Granville was a prey to one single wish, and every thought of prudence +vanished. By the time the service was ended, his impatience was so great +that he could not leave the ladies to go home alone, but came at once to +make his bow to "his little wife." They bashfully greeted each other in +the Cathedral porch in the presence of the congregation. Madame Bontems +was tremulous with pride as she took the Comte de Granville's arm, +though he, forced to offer it in the presence of all the world was vexed +enough with his son for his ill-advised impatience. + +For about a fortnight, between the official announcement of the intended +marriage of the Vicomte de Granville to Mademoiselle Bontems and the +solemn day of the wedding, he came assiduously to visit his lady-love in +the dismal drawing-room, to which he became accustomed. His long calls +were devoted to watching Angelique's character; for his prudence, +happily, had made itself heard again in the day after their first +meeting. He always found her seated at a little table of some West +Indian wood, and engaged in marking the linen of her trousseau. +Angelique never spoke first on the subject of religion. If the young +lawyer amused himself with fingering the handsome rosary that she kept +in a little green velvet bag, if he laughed as he looked at a relic such +as usually is attached to this means of grace, Angelique would gently +take the rosary out of his hands and replace it in the bag without a +word, putting it away at once. When, now and then, Granville was so bold +as to make mischievous remarks as to certain religious practices, the +pretty girl listened to him with the obstinate smile of assurance. + +"You must either believe nothing, or believe everything the Church +teaches," she would say. "Would you wish to have a woman without a +religion as the mother of your children?--No.--What man may dare judge +as between disbelievers and God? And how can I then blame what the +Church allows?" + +Angelique appeared to be animated by such fervent charity, the young man +saw her look at him with such perfect conviction, that he sometimes felt +tempted to embrace her religious views; her firm belief that she was in +the only right road aroused doubts in his mind, which she tried to turn +to account. + +But then Granville committed the fatal blunder of mistaking the +enchantment of desire for that of love. Angelique was so happy in +reconciling the voice of her heart with that of duty, by giving way to +a liking that had grown up with her from childhood, that the deluded man +could not discern which of the two spoke the louder. Are not all young +men ready to trust the promise of a pretty face and to infer beauty +of soul from beauty of feature? An indefinable impulse leads them to +believe that moral perfection must co-exist with physical perfection. If +Angelique had not been at liberty to give vent to her sentiments, they +would soon have dried up in her heart like a plant watered with some +deadly acid. How should a lover be aware of bigotry so well hidden? + +This was the course of young Granville's feelings during that fortnight, +devoured by him like a book of which the end is absorbing. Angelique, +carefully watched by him, seemed the gentlest of creatures, and he even +caught himself feeling grateful to Madame Bontems, who, by implanting so +deeply the principles of religion, had in some degree inured her to meet +the troubles of life. + +On the day named for signing the inevitable contract, Madame Bontems +made her son-in-law pledge himself solemnly to respect her daughter's +religious practices, to allow her entire liberty of conscience, to +permit her to go to communion, to church, to confession as often as she +pleased, and never to control her choice of priestly advisers. At this +critical moment Angelique looked at her future husband with such pure +and innocent eyes, that Granville did not hesitate to give his word. A +smile puckered the lips of the Abbe Fontanon, a pale man, who directed +the consciences of this household. Mademoiselle Bontems, by a slight +nod, seemed to promise that she would never take an unfair advantage of +this freedom. As to the old Count, he gently whistled the tune of an +old song, _Va-t-en-voir s'ils viennent_ ("Go and see if they are coming +on!") + + + +A few days after the wedding festivities of which so much is thought in +the provinces, Granville and his wife went to Paris, whither the young +man was recalled by his appointment as public prosecutor to the Supreme +Court of the Seine circuit. + +When the young couple set out to find a residence, Angelique used the +influence that the honeymoon gives to every wife in persuading her +husband to take a large apartment in the ground-floor of a house at the +corner of the Vieille Rue du Temple and the Rue Nueve Saint-Francois. +Her chief reason for this choice was that the house was close to the Rue +d'Orleans, where there was a church, and not far from a small chapel in +the Rue Saint-Louis. + +"A good housewife provides for everything," said her husband, laughing. + +Angelique pointed out to him that this part of Paris, known as the +Marais, was within easy reach of the Palais de Justice, and that the +lawyers they knew lived in the neighborhood. A fairly large garden +made the apartment particularly advantageous to a young couple; the +children--if Heaven should send them any--could play in the open air; +the courtyard was spacious, and there were good stables. + +The lawyer wished to live in the Chaussee d'Antin, where everything is +fresh and bright, where the fashions may be seen while still new, where +a well-dressed crowd throngs the Boulevards, and the distance is less to +the theatres or places of amusement; but he was obliged to give way to +the coaxing ways of a young wife, who asked this as his first favor; so, +to please her, he settled in the Marais. Granville's duties required him +to work hard--all the more, because they were new to him--so he devoted +himself in the first place to furnishing his private study and arranging +his books. He was soon established in a room crammed with papers, and +left the decoration of the house to his wife. He was all the better +pleased to plunge Angelique into the bustle of buying furniture and +fittings, the source of so much pleasure and of so many associations to +most young women, because he was rather ashamed of depriving her of his +company more often than the usages of early married life require. As +soon as his work was fairly under way, he gladly allowed his wife +to tempt him out of his study to consider the effect of furniture or +hangings, which he had before only seen piecemeal or unfinished. + +If the old adage is true that says a woman may be judged of from her +front door, her rooms must express her mind with even greater fidelity. +Madame de Granville had perhaps stamped the various things she had +ordered with the seal of her own character; the young lawyer was +certainly startled by the cold, arid solemnity that reigned in these +rooms; he found nothing to charm his taste; everything was discordant, +nothing gratified the eye. The rigid mannerism that prevailed in the +sitting-room at Bayeux had invaded his home; the broad panels were +hollowed in circles, and decorated with those arabesques of which +the long, monotonous mouldings are in such bad taste. Anxious to find +excuses for his wife, the young husband began again, looking first at +the long and lofty ante-room through which the apartment was entered. +The color of the panels, as ordered by his wife, was too heavy, and the +very dark green velvet used to cover the benches added to the gloom of +this entrance--not, to be sure, an important room, but giving a first +impression--just as we measure a man's intelligence by his first +address. An ante-room is a kind of preface which announces what is to +follow, but promises nothing. + +The young husband wondered whether his wife could really have chosen the +lamp of an antique pattern, which hung in the centre of this bare hall, +the pavement of black and white marble, and the paper in imitation of +blocks of stone, with green moss on them in places. A handsome, but +not new, barometer hung on the middle of one of the walls, as if to +accentuate the void. At the sight of it all, he looked round at his +wife; he saw her so much pleased by the red braid binding to the cotton +curtains, so satisfied with the barometer and the strictly decent statue +that ornamented a large Gothic stove, that he had not the barbarous +courage to overthrow such deep convictions. Instead of blaming his wife, +Granville blamed himself, accusing himself of having failed in his duty +of guiding the first steps in Paris of a girl brought up at Bayeux. + +From this specimen, what might not be expected of the other rooms? What +was to be looked for from a woman who took fright at the bare legs of +a Caryatid, and who would not look at a chandelier or a candle-stick if +she saw on it the nude outlines of an Egyptian bust? At this date the +school of David was at the height of its glory; all the art of France +bore the stamp of his correct design and his love of antique types, +which indeed gave his pictures the character of colored sculpture. But +none of these devices of Imperial luxury found civic rights under Madame +de Granville's roof. The spacious, square drawing-room remained as it +had been left from the time of Louis XV., in white and tarnished gold, +lavishly adorned by the architect with checkered lattice-work and the +hideous garlands due to the uninventive designers of the time. Still, if +harmony at least had prevailed, if the furniture of modern mahogany had +but assumed the twisted forms of which Boucher's corrupt taste first set +the fashion, Angelique's room would only have suggested the fantastic +contrast of a young couple in the nineteenth century living as though +they were in the eighteenth; but a number of details were in ridiculous +discord. The consoles, the clocks, the candelabra, were decorated with +the military trophies which the wars of the Empire commended to the +affections of the Parisians; and the Greek helmets, the Roman crossed +daggers, and the shields so dear to military enthusiasm that they were +introduced on furniture of the most peaceful uses, had no fitness side +by side with the delicate and profuse arabesques that delighted Madame +de Pompadour. + +Bigotry tends to an indescribably tiresome kind of humility which +does not exclude pride. Whether from modesty or by choice, Madame de +Granville seemed to have a horror of light and cheerful colors; perhaps, +too, she imagined that brown and purple beseemed the dignity of a +magistrate. How could a girl accustomed to an austere life have admitted +the luxurious divans that may suggest evil thoughts, the elegant and +tempting boudoirs where naughtiness may be imagined? + +The poor husband was in despair. From the tone in which he approved, +only seconding the praises she bestowed on herself, Angelique understood +that nothing really pleased him; and she expressed so much regret at her +want of success, that Granville, who was very much in love, regarded her +disappointment as a proof of her affection instead of resentment for +an offence to her self-conceit. After all, could he expect a girl just +snatched from the humdrum of country notions, with no experience of the +niceties and grace of Paris life, to know or do any better? Rather would +he believe that his wife's choice had been overruled by the tradesmen +than allow himself to own the truth. If he had been less in love, he +would have understood that the dealers, always quick to discern their +customers' ideas, had blessed Heaven for sending them a tasteless little +bigot, who would take their old-fashioned goods off their hands. So he +comforted the pretty provincial. + +"Happiness, dear Angelique, does not depend on a more or less elegant +piece of furniture; it depends on the wife's sweetness, gentleness, and +love." + +"Why, it is my duty to love you," said Angelique mildly, "and I can have +no more delightful duty to carry out." + +Nature has implanted in the heart of woman so great a desire to please, +so deep a craving for love, that, even in a youthful bigot, the ideas of +salvation and a future existence must give way to the happiness of early +married life. And, in fact, from the month of April, when they were +married, till the beginning of winter, the husband and wife lived +in perfect union. Love and hard work have the grace of making a man +tolerably indifferent to external matters. Being obliged to spend half +the day in court fighting for the gravest interests of men's lives +or fortunes, Granville was less alive than another might have been to +certain facts in his household. + +If, on a Friday, he found none but Lenten fare, and by chance asked for +a dish of meat without getting it, his wife, forbidden by the Gospel to +tell a lie, could still, by such subterfuges as are permissible in the +interests of religion, cloak what was premeditated purpose under some +pretext of her own carelessness or the scarcity in the market. She would +often exculpate herself at the expense of the cook, and even go so far +as to scold him. At that time young lawyers did not, as they do now, +keep the fasts of the Church, the four rogation seasons, and the +vigils of festivals; so Granville was not at first aware of the regular +recurrence of these Lenten meals, which his wife took care should be +made dainty by the addition of teal, moor-hen, and fish-pies, that their +amphibious meat or high seasoning might cheat his palate. Thus the +young man unconsciously lived in strict orthodoxy, and worked out his +salvation without knowing it. + +On week-days he did not know whether his wife went to Mass or no. On +Sundays, with very natural amiability, he accompanied her to church to +make up to her, as it were, for sometimes giving up vespers in favor of +his company; he could not at first fully enter into the strictness of +his wife's religious views. The theatres being impossible in summer by +reason of the heat, Granville had not even the opportunity of the great +success of a piece to give rise to the serious question of play-going. +And, in short, at the early stage of a union to which a man has been +led by a young girl's beauty, he can hardly be exacting as to his +amusements. Youth is greedy rather than dainty, and possession has a +charm in itself. How should he be keen to note coldness, dignity, and +reserve in the woman to whom he ascribes the excitement he himself +feels, and lends the glow of the fire that burns within him? He must +have attained a certain conjugal calm before he discovers that a bigot +sits waiting for love with her arms folded. + +Granville, therefore, believed himself happy till a fatal event brought +its influence to bear on his married life. In the month of November 1808 +the Canon of Bayeux Cathedral who had been the keeper of Madame Bontems' +conscience and her daughter's, came to Paris, spurred by the ambition to +be at the head of a church in the capital--a position which he regarded +perhaps as the stepping-stone to a bishopric. On resuming his former +control of this wandering lamb, he was horrified to find her already so +much deteriorated by the air of Paris, and strove to reclaim her to his +chilly fold. Frightened by the exhortations of this priest, a man of +about eight-and-thirty, who brought with him, into the circle of the +enlightened and tolerant Paris clergy, the bitter provincial catholicism +and the inflexible bigotry which fetter timid souls with endless +exactions, Madame de Granville did penance and returned from her +Jansenist errors. + +It would be tiresome to describe minutely all the circumstances which +insensibly brought disaster on this household; it will be enough to +relate the simple facts without giving them in strict order of time. + +The first misunderstanding between the young couple was, however, a +serious one. + +When Granville took his wife into society she never declined solemn +functions, such as dinners, concerts, or parties given by the Judges +superior to her husband in the legal profession; but for a long time she +constantly excused herself on the plea of a sick headache when they were +invited to a ball. One day Granville, out of patience with these assumed +indispositions, destroyed a note of invitation to a ball at the house of +a Councillor of State, and gave his wife only a verbal invitation. Then, +on the evening, her health being quite above suspicion, he took her to a +magnificent entertainment. + +"My dear," said he, on their return home, seeing her wear an offensive +air of depression, "your position as a wife, the rank you hold in +society, and the fortune you enjoy, impose on you certain duties of +which no divine law can relieve you. Are you not your husband's pride? +You are required to go to balls when I go, and to appear in a becoming +manner." + +"And what is there, my dear, so disastrous in my dress?" + +"It is your manner, my dear. When a young man comes up to speak to you, +you look so serious that a spiteful person might believe you doubtful +of your own virtue. You seem to fear lest a smile should undo you. You +really look as if you were asking forgiveness of God for the sins +that may be committed around you. The world, my dearest, is not a +convent.--But, as you mentioned your dress, I may confess to you that it +is no less a duty to conform to the customs and fashions of Society." + +"Do you wish that I should display my shape like those indecent women +who wear gowns so low that impudent eyes can stare at their bare +shoulders and their--" + +"There is a difference, my dear," said her husband, interrupting her, +"between uncovering your whole bust and giving some grace to your dress. +You wear three rows of net frills that cover your throat up to your +chin. You look as if you had desired your dressmaker to destroy the +graceful line of your shoulders and bosom with as much care as a +coquette would devote to obtaining from hers a bodice that might +emphasize her covered form. Your bust is wrapped in so many folds that +every one was laughing at your affectation of prudery. You would be +really grieved if I were to repeat the ill-natured remarks made on your +appearance." + +"Those who admire such obscenity will not have to bear the burthen if we +sin," said the lady tartly. + +"And you did not dance?" asked Granville. + +"I shall never dance," she replied. + +"If I tell you that you ought to dance!" said her husband sharply. "Yes, +you ought to follow the fashions, to wear flowers in your hair, and +diamonds. Remember, my dear, that rich people--and we are rich--are +obliged to keep up luxury in the State. Is it not far better to +encourage manufacturers than to distribute money in the form of alms +through the medium of the clergy?" + +"You talk as a statesman!" said Angelique. + +"And you as a priest," he retorted. + +The discussion was bitter. Madame de Granville's answers, though +spoken very sweetly and in a voice as clear as a church bell, showed +an obstinacy that betrayed priestly influence. When she appealed to +the rights secured to her by Granville's promise, she added that her +director specially forbade her going to balls; then her husband pointed +out to her that the priest was overstepping the regulations of the +Church. + +This odious theological dispute was renewed with great violence and +acerbity on both sides when Granville proposed to take his wife to the +play. Finally, the lawyer, whose sole aim was to defeat the pernicious +influence exerted over his wife by her old confessor, placed the +question on such a footing that Madame de Granville, in a spirit of +defiance, referred it by writing to the Court of Rome, asking in so many +words whether a woman could wear low gowns and go to the play and to +balls without compromising her salvation. + +The reply of the venerable Pope Pius VII. came at once, strongly +condemning the wife's recalcitrancy and blaming the priest. This letter, +a chapter on conjugal duties, might have been dictated by the spirit of +Fenelon, whose grace and tenderness pervaded every line. + +"A wife is right to go wherever her husband may take her. Even if she +sins by his command, she will not be ultimately held answerable." These +two sentences of the Pope's homily only made Madame de Granville and her +director accuse him of irreligion. + +But before this letter had arrived, Granville had discovered the strict +observance of fast days that his wife forced upon him, and gave his +servants orders to serve him with meat every day in the year. However +much annoyed his wife might be by these commands, Granville, who cared +not a straw for such indulgence or abstinence, persisted with manly +determination. + +Is it not an offence to the weakest creature that can think at all to +be compelled to do, by the will of another, anything that he would +otherwise have done simply of his own accord? Of all forms of tyranny, +the most odious is that which constantly robs the soul of the merit of +its thoughts and deeds. It has to abdicate without having reigned. The +word we are readiest to speak, the feelings we most love to express, die +when we are commanded to utter them. + +Ere long the young man ceased to invite his friends, to give parties or +dinners; the house might have been shrouded in crape. A house where the +mistress is a bigot has an atmosphere of its own. The servants, who are, +of course, under her immediate control, are chosen among a class who +call themselves pious, and who have an unmistakable physiognomy. Just +as the jolliest fellow alive, when he joins the _gendarmerie_, has the +countenance of a gendarme, so those who give themselves over to the +habit of lowering their eyes and preserving a sanctimonious mien clothes +them in a livery of hypocrisy which rogues can affect to perfection. + +And besides, bigots constitute a sort of republic; they all know each +other; the servants they recommend and hand on from one to another are +a race apart, and preserved by them, as horse-breeders will admit +no animal into their stables that has not a pedigree. The more the +impious--as they are thought--come to understand a household of bigots, +the more they perceive that everything is stamped with an indescribable +squalor; they find there, at the same time, an appearance of avarice and +mystery, as in a miser's home, and the dank scent of cold incense which +gives a chill to the stale atmosphere of a chapel. This methodical +meanness, this narrowness of thought, which is visible in every detail, +can only be expressed by one word--Bigotry. In these sinister and +pitiless houses Bigotry is written on the furniture, the prints, the +pictures; speech is bigoted, the silence is bigoted, the faces are +those of bigots. The transformation of men and things into bigotry is +an inexplicable mystery, but the fact is evident. Everybody can see that +bigots do not walk, do not sit, do not speak, as men of the world +walk, sit, and speak. Under their roof every one is ill at ease, no one +laughs, stiffness and formality infect everything, from the mistress' +cap down to her pincushion; eyes are not honest, the folks are more like +shadows, and the lady of the house seems perched on a throne of ice. + +One morning poor Granville discerned with grief and pain that all +the symptoms of bigotry had invaded his home. There are in the world +different spheres in which the same effects are seen though produced by +dissimilar causes. Dulness hedges such miserable homes round with walls +of brass, enclosing the horrors of the desert and the infinite void. The +home is not so much a tomb as that far worse thing--a convent. In +the center of this icy sphere the lawyer could study his wife +dispassionately. He observed, not without keen regret, the +narrow-mindedness that stood confessed in the very way that her hair +grew, low on the forehead, which was slightly depressed; he discovered +in the perfect regularity of her features a certain set rigidity which +before long made him hate the assumed sweetness that had bewitched him. +Intuition told him that one day of disaster those thin lips might say, +"My dear, it is for your good!" + +Madame de Granville's complexion was acquiring a dull pallor and an +austere expression that were a kill-joy to all who came near her. Was +this change wrought by the ascetic habits of a pharisaism which is not +piety any more than avarice is economy? It would be hard to say. Beauty +without expression is perhaps an imposture. This imperturbable set smile +that the young wife always wore when she looked at Granville seemed to +be a sort of Jesuitical formula of happiness, by which she thought +to satisfy all the requirements of married life. Her charity was an +offence, her soulless beauty was monstrous to those who knew her; the +mildness of her speech was an irritation: she acted, not on feeling, but +on duty. + +There are faults which may yield in a wife to the stern lessons of +experience, or to a husband's warnings; but nothing can counteract false +ideas of religion. An eternity of happiness to be won, set in the scale +against worldly enjoyment, triumphs over everything and makes every +pang endurable. Is it not the apotheosis of egotism, of Self beyond the +grave? Thus even the Pope was censured at the tribunal of the priest and +the young devotee. To be always in the right is a feeling which absorbs +every other in these tyrannous souls. + +For some time past a secret struggle had been going on between the ideas +of the husband and wife, and the young man was soon weary of a battle to +which there could be no end. What man, what temper, can endure the sight +of a hypocritically affectionate face and categorical resistance to his +slightest wishes? What is to be done with a wife who takes advantage +of his passion to protect her coldness, who seems determined on being +blandly inexorable, prepares herself ecstatically to play the martyr, +and looks on her husband as a scourge from God, a means of flagellation +that may spare her the fires of purgatory? What picture can give an idea +of these women who make virtue hateful by defying the gentle precepts of +that faith which Saint John epitomized in the words, "Love one another"? + +If there was a bonnet to be found in a milliner's shop that was +condemned to remain in the window, or to be packed off to the colonies, +Granville was certain to see it on his wife's head; if a material of +bad color or hideous design were to be found, she would select it. These +hapless bigots are heart-breaking in their notions of dress. Want of +taste is a defect inseparable from false pietism. + +And so, in the home-life that needs the fullest sympathy, Granville had +no true companionship. He went out alone to parties and the theatres. +Nothing in his house appealed to him. A huge Crucifix that hung between +his bed and Angelique's seemed figurative of his destiny. Does it not +represent a murdered Divinity, a Man-God, done to death in all the prime +of life and beauty? The ivory of that cross was less cold than Angelique +crucifying her husband under the plea of virtue. This it was that lay +at the root of their woes; the young wife saw nothing but duty where +she should have given love. Here, one Ash Wednesday, rose the pale and +spectral form of Fasting in Lent, of Total Abstinence, commanded in a +severe tone--and Granville did not deem it advisable to write in his +turn to the Pope and take the opinion of the Consistory on the proper +way of observing Lent, the Ember days, and the eve of great festivals. + +His misfortune was too great! He could not even complain, for what +could he say? He had a pretty young wife attached to her duties, +virtuous--nay, a model of all the virtues. She had a child every year, +nursed them herself, and brought them up in the highest principles. +Being charitable, Angelique was promoted to rank as an angel. The old +women who constituted the circle in which she moved--for at that time it +was not yet "the thing" for young women to be religious as a matter of +fashion--all admired Madame de Granville's piety, and regarded her, +not indeed as a virgin, but as a martyr. They blamed not the wife's +scruples, but the barbarous philoprogenitiveness of the husband. + +Granville, by insensible degrees, overdone with work, bereft of conjugal +consolations, and weary of a world in which he wandered alone, by the +time he was two-and-thirty had sunk into the Slough of Despond. He hated +life. Having too lofty a notion of the responsibilities imposed on him +by his position to set the example of a dissipated life, he tried to +deaden feeling by hard study, and began a great book on Law. + +But he was not allowed to enjoy the monastic peace he had hoped for. +When the celestial Angelique saw him desert worldly society to work at +home with such regularity, she tried to convert him. It had been a real +sorrow to her to know that her husband's opinions were not strictly +Christian; and she sometimes wept as she reflected that if her husband +should die it would be in a state of final impenitence, so that she +could not hope to snatch him from the eternal fires of Hell. Thus +Granville was a mark for the mean ideas, the vacuous arguments, the +narrow views by which his wife--fancying she had achieved the first +victory--tried to gain a second by bringing him back within the pale of +the Church. + +This was the last straw. What can be more intolerable than the blind +struggle in which the obstinacy of a bigot tries to meet the acumen of a +lawyer? What more terrible to endure than the acrimonious pin-pricks to +which a passionate soul prefers a dagger-thrust? Granville neglected his +home. Everything there was unendurable. His children, broken by their +mother's frigid despotism, dared not go with him to the play; indeed, +Granville could never give them any pleasure without bringing down +punishment from their terrible mother. His loving nature was weaned to +indifference, to a selfishness worse than death. His boys, indeed, he +saved from this hell by sending them to school at an early age, and +insisting on his right to train them. He rarely interfered between his +wife and her daughters; but he was resolved that they should marry as +soon as they were old enough. + +Even if he had wished to take violent measures, he could have found no +justification; his wife, backed by a formidable army of dowagers, would +have had him condemned by the whole world. Thus Granville had no choice +but to live in complete isolation; but, crushed under the tyranny of +misery, he could not himself bear to see how altered he was by grief and +toil. And he dreaded any connection or intimacy with women of the world, +having no hope of finding any consolation. + +The improving history of this melancholy household gave rise to no +events worthy of record during the fifteen years between 1806 and 1825. +Madame de Granville was exactly the same after losing her husband's +affection as she had been during the time when she called herself happy. +She paid for Masses, beseeching God and the Saints to enlighten her as +to what the faults were which displeased her husband, and to show her +the way to restore the erring sheep; but the more fervent her prayers, +the less was Granville to be seen at home. + +For about five years now, having achieved a high position as a judge, +Granville had occupied the _entresol_ of the house to avoid living with +the Comtesse de Granville. Every morning a little scene took place, +which, if evil tongues are to be believed, is repeated in many +households as the result of incompatibility of temper, of moral or +physical malady, or of antagonisms leading to such disaster as is +recorded in this history. At about eight in the morning a housekeeper, +bearing no small resemblance to a nun, rang at the Comte de Granville's +door. Admitted to the room next to the Judge's study, she always +repeated the same message to the footman, and always in the same tone: + +"Madame would be glad to know whether Monsieur le Comte has had a good +night, and if she is to have the pleasure of his company at breakfast." + +"Monsieur presents his compliments to Madame la Comtesse," the valet +would say, after speaking with his master, "and begs her to hold him +excused; important business compels him to be in court this morning." + +A minute later the woman reappeared and asked on madame's behalf whether +she would have the pleasure of seeing Monsieur le Comte before he went +out. + +"He is gone," was always the rely, though often his carriage was still +waiting. + +This little dialogue by proxy became a daily ceremonial. Granville's +servant, a favorite with his master, and the cause of more than one +quarrel over his irreligious and dissipated conduct, would even go into +his master's room, as a matter of form, when the Count was not there, +and come back with the same formula in reply. + +The aggrieved wife was always on the watch for her husband's return, and +standing on the steps so as to meet him like an embodiment of remorse. +The petty aggressiveness which lies at the root of the monastic +temper was the foundation of Madame de Granville's; she was now +five-and-thirty, and looked forty. When the count was compelled by +decency to speak to his wife or to dine at home, she was only too well +pleased to inflict her company upon him, with her acid-sweet remarks and +the intolerable dulness of her narrow-minded circle, and she tried to +put him in the wrong before the servants and her charitable friends. + +When, at this time, the post of President in a provincial court was +offered to the Comte de Granville, who was in high favor, he begged to +be allowed to remain in Paris. This refusal, of which the Keeper of the +Seals alone knew the reasons, gave rise to extraordinary conjectures +on the part of the Countess' intimate friends and of her director. +Granville, a rich man with a hundred thousand francs a year, belonged to +one of the first families of Normandy. His appointment to be Presiding +Judge would have been the stepping-stone to a peer's seat; whence this +strange lack of ambition? Why had he given up his great book on Law? +What was the meaning of the dissipation which for nearly six years had +made him a stranger to his home, his family, his study, to all he +ought to hold dear? The Countess' confessor, who based his hopes of a +bishopric quite as much on the families he governed as on the services +he rendered to an association of which he was an ardent propagator, +was much disappointed by Granville's refusal, and tried to insinuate +calumnious explanations: "If Monsieur le Comte had such an objection to +provincial life, it was perhaps because he dreaded finding himself under +the necessity of leading a regular life, compelled to set an example of +moral conduct, and to live with the Countess, from whom nothing could +have alienated him but some illicit connection; for how could a woman so +pure as Madame de Granville ever tolerate the disorderly life into which +her husband had drifted?" The sanctimonious woman accepted as facts +these hints, which unluckily were not merely hypothetical, and Madame de +Granville was stricken as by a thunderbolt. + +Angelique, knowing nothing of the world, of love and its follies, was so +far from conceiving of any conditions of married life unlike those +that had alienated her husband as possible, that she believed him to be +incapable of the errors which are crimes in the eyes of any wife. +When the Count ceased to demand anything of her, she imagined that the +tranquillity he now seemed to enjoy was in the course of nature; and, as +she had really given to him all the love which her heart was capable +of feeling for a man, while the priest's conjectures were the utter +destruction of the illusions she had hitherto cherished, she defended +her husband; at the same time, she could not eradicate the suspicion +that had been so ingeniously sown in her soul. + +These alarms wrought such havoc in her feeble brain that they made her +ill; she was worn by low fever. These incidents took place during Lent +1822; she would not pretermit her austerities, and fell into a decline +that put her life in danger. Granville's indifference was added torture; +his care and attention were such as a nephew feels himself bound to give +to some old uncle. + +Though the Countess had given up her persistent nagging and +remonstrances, and tried to receive her husband with affectionate words, +the sharpness of the bigot showed through, and one speech would often +undo the work of a week. + +Towards the end of May, the warm breath of spring, and more nourishing +diet than her Lenten fare, restored Madame de Granville to a little +strength. One morning, on coming home from Mass, she sat down on a stone +bench in the little garden, where the sun's kisses reminded her of the +early days of her married life, and she looked back across the years to +see wherein she might have failed in her duty as a wife and mother. She +was broken in upon by the Abbe Fontanon in an almost indescribable state +of excitement. + +"Has any misfortune befallen you, Father?" she asked with filial +solicitude. + +"Ah! I only wish," cried the Normandy priest, "that all the woes +inflicted on you by the hand of God were dealt out to me; but, my +admirable friend, there are trials to which you can but bow." + +"Can any worse punishments await me than those with which Providence +crushes me by making my husband the instrument of His wrath?" + +"You must prepare yourself, daughter, to yet worse mischief than we and +your pious friends had ever conceived of." + +"Then I may thank God," said the Countess, "for vouchsafing to use you +as the messenger of His will, and thus, as ever, setting the treasures +of mercy by the side of the scourges of His wrath, just as in bygone +days He showed a spring to Hagar when He had driven her into the +desert." + +"He measures your sufferings by the strength of your resignation and the +weight of your sins." + +"Speak; I am ready to hear!" As she said it she cast her eyes up to +heaven. "Speak, Monsieur Fontanon." + +"For seven years Monsieur Granville has lived in sin with a concubine, +by whom he has two children; and on this adulterous connection he has +spent more than five hundred thousand francs, which ought to have been +the property of his legitimate family." + +"I must see it to believe it!" cried the Countess. + +"Far be it from you!" exclaimed the Abbe. "You must forgive, my +daughter, and wait in patience and prayer till God enlightens your +husband; unless, indeed, you choose to adopt against him the means +offered you by human laws." + +The long conversation that ensued between the priest and his penitent +resulted in an extraordinary change in the Countess; she abruptly +dismissed him, called her servants who were alarmed at her flushed face +and crazy energy. She ordered her carriage--countermanded it--changed +her mind twenty times in the hour; but at last, at about three o'clock, +as if she had come to some great determination, she went out, leaving +the whole household in amazement at such a sudden transformation. + +"Is the Count coming home to dinner?" she asked of his servant, to whom +she would never speak. + +"No, madame." + +"Did you go with him to the Courts this morning?" + +"Yes, madame." + +"And to-day is Monday?" + +"Yes, madame." + +"Then do the Courts sit on Mondays nowadays?" + +"Devil take you!" cried the man, as his mistress drove off after saying +to the coachman: + +"Rue Taitbout." + + + +Mademoiselle de Bellefeuille was weeping: Roger, sitting by her side, +held one of her hands between his own. He was silent, looking by turns +at little Charles--who, not understanding his mother's grief, stood +speechless at the sight of her tears--at the cot where Eugenie lay +sleeping, and Caroline's face, on which grief had the effect of rain +falling across the beams of cheerful sunshine. + +"Yes, my darling," said Roger, after a long silence, "that is the great +secret: I am married. But some day I hope we may form but one family. My +wife has been given over ever since last March. I do not wish her dead; +still, if it should please God to take her to Himself, I believe +she will be happier in Paradise than in a world to whose griefs and +pleasures she is equally indifferent." + +"How I hate that woman! How could she bear to make you unhappy? And yet +it is to that unhappiness that I owe my happiness!" + +Her tears suddenly ceased. + +"Caroline, let us hope," cried Roger. "Do not be frightened by anything +that priest may have said to you. Though my wife's confessor is a man to +be feared for his power in the congregation, if he should try to blight +our happiness I would find means--" + +"What could you do?" + +"We would go to Italy: I would fly--" + +A shriek that rang out from the adjoining room made Roger start +and Mademoiselle de Bellefeuille quake; but she rushed into the +drawing-room, and there found Madame de Granville in a dead faint. When +the Countess recovered her senses, she sighed deeply on finding herself +supported by the Count and her rival, whom she instinctively pushed +away with a gesture of contempt. Mademoiselle de Bellefeuille rose to +withdraw. + +"You are at home, madame," said Granville, taking Caroline by the arm. +"Stay." + +The Judge took up his wife in his arms, carried her to the carriage, and +got into it with her. + +"Who is it that has brought you to the point of wishing me dead, of +resolving to fly?" asked the Countess, looking at her husband with grief +mingled with indignation. "Was I not young? you thought me pretty--what +fault have you to find with me? Have I been false to you? Have I not +been a virtuous and well-conducted wife? My heart has cherished no image +but yours, my ears have listened to no other voice. What duty have I +failed in? What have I ever denied you?" + +"Happiness, madame," said the Count severely. "You know, madame, that +there are two ways of serving God. Some Christians imagine that by +going to church at fixed hours to say a _Paternoster_, by attending Mass +regularly and avoiding sin, they may win heaven--but they, madame, will +go to hell; they have not loved God for himself, they have not worshiped +Him as He chooses to be worshiped, they have made no sacrifice. Though +mild in seeming, they are hard on their neighbors; they see the law, the +letter, not the spirit.--This is how you have treated me, your earthly +husband; you have sacrificed my happiness to your salvation; you were +always absorbed in prayer when I came to you in gladness of heart; +you wept when you should have cheered my toil; you have never tried to +satisfy any demands I have made on you." + +"And if they were wicked," cried the Countess hotly, "was I to lose my +soul to please you?" + +"It is a sacrifice which another, a more loving woman, has dared to +make," said Granville coldly. + +"Dear God!" she cried, bursting into tears, "Thou hearest! Has he been +worthy of the prayers and penance I have lived in, wearing myself out to +atone for his sins and my own?--Of what avail is virtue?" + +"To win Heaven, my dear. A woman cannot be at the same time the wife of +a man and the spouse of Christ. That would be bigamy; she must choose +between a husband and a nunnery. For the sake of future advantage you +have stripped your soul of all the love, all the devotion, which God +commands that you should have for me, you have cherished no feeling but +hatred--" + +"Have I not loved you?" she put in. + +"No, madame." + +"Then what is love?" the Countess involuntarily inquired. + +"Love, my dear," replied Granville, with a sort of ironical surprise, +"you are incapable of understanding it. The cold sky of Normandy is not +that of Spain. This difference of climate is no doubt the secret of our +disaster.--To yield to our caprices, to guess them, to find pleasure in +pain, to sacrifice the world's opinion, your pride, your religion even, +and still regard these offerings as mere grains of incense burnt in +honor of the idol--that is love--" + +"The love of ballet-girls!" cried the Countess in horror. "Such flames +cannot last, and must soon leave nothing but ashes and cinders, regret +or despair. A wife ought, in my opinion, to bring you true friendship, +equable warmth--" + +"You speak of warmth as negroes speak of ice," retorted the Count, with +a sardonic smile. "Consider that the humblest daisy has more charms than +the proudest and most gorgeous of the red hawthorns that attract us in +spring by their strong scent and brilliant color.--At the same time," +he went on, "I will do you justice. You have kept so precisely in the +straight path of imaginary duty prescribed by law, that only to make you +understand wherein you have failed towards me, I should be obliged to +enter into details which would offend your dignity, and instruct you in +matters which would seem to you to undermine all morality." + +"And you dare to speak of morality when you have but just left the house +where you have dissipated your children's fortune in debaucheries?" +cried the Countess, maddened by her husband's reticence. + +"There, madame, I must correct you," said the Count, coolly interrupting +his wife. "Though Mademoiselle de Bellefeuille is rich, it is at +nobody's expense. My uncle was master of his fortune, and had several +heirs. In his lifetime, and out of pure friendship, regarding her as his +niece, he gave her the little estate of Bellefeuille. As for anything +else, I owe it to his liberality--" + +"Such conduct is only worthy of a Jacobin!" said the sanctimonious +Angelique. + +"Madame, you are forgetting that your own father was one of the Jacobins +whom you scorn so uncharitably," said the Count severely. "Citizen +Bontems was signing death-warrants at a time when my uncle was doing +France good service." + +Madame de Granville was silenced. But after a short pause, the +remembrance of what she had just seen reawakened in her soul the +jealousy which nothing can kill in a woman's heart, and she murmured, +as if to herself--"How can a woman thus destroy her own soul and that of +others?" + +"Bless me, madame," replied the Count, tired of this dialogue, "you +yourself may some day have to answer that question." The Countess was +scared. "You perhaps will be held excused by the merciful Judge, who +will weigh our sins," he went on, "in consideration of the conviction +with which you have worked out my misery. I do not hate you--I hate +those who have perverted your heart and your reason. You have prayed +for me, just as Mademoiselle de Bellefeuille has given me her heart +and crowned my life with love. You should have been my mistress and the +prayerful saint by turns.--Do me the justice to confess that I am no +reprobate, no debauchee. My life was cleanly. Alas! after seven years +of wretchedness, the craving for happiness led me by an imperceptible +descent to love another woman and make a second home. And do not imagine +that I am singular; there are in this city thousands of husbands, all +led by various causes to live this twofold life." + +"Great God!" cried the Countess. "How heavy is the cross Thou hast laid +on me to bear! If the husband Thou hast given me here below in Thy wrath +can only be made happy through my death, take me to Thyself!" + +"If you had always breathed such admirable sentiments and such devotion, +we should be happy yet," said the Count coldly. + +"Indeed," cried Angelique, melting into a flood of tears, "forgive me +if I have done any wrong. Yes, monsieur, I am ready to obey you in all +things, feeling sure that you will desire nothing but what is just and +natural; henceforth I will be all you can wish your wife to be." + +"If your purpose, madame, is to compel me to say that I no longer love +you, I shall find the cruel courage to tell you so. Can I command my +heart? Can I wipe out in an instant the traces of fifteen years of +suffering?--I have ceased to love.--These words contain a mystery as +deep as lies the words _I love_. Esteem, respect, friendship may be won, +lost, regained; but as to love--I might school myself for a thousand +years, and it would not blossom again, especially for a woman too old to +respond to it." + +"I hope, Monsieur le Comte, I sincerely hope, that such words may not +be spoken to you some day by the woman you love, and in such a tone and +accent--" + +"Will you put on a dress _a la Grecque_ this evening, and come to the +Opera?" + +The shudder with which the Countess received the suggestion was a mute +reply. + + + +Early in December 1833, a man, whose perfectly white hair and worn +features seemed to show that he was aged by grief rather than by years, +was walking at midnight along the Rue Gaillon. Having reached a house +of modest appearance, and only two stories high, he paused to look up at +one of the attic windows that pierced the roof at regular intervals. A +dim light scarcely showed through the humble panes, some of which +had been repaired with paper. The man below was watching the wavering +glimmer with the vague curiosity of a Paris idler, when a young man came +out of the house. As the light of the street lamp fell full on the face +of the first comer, it will not seem surprising that, in spite of the +darkness, this young man went towards the passer-by, though with the +hesitancy that is usual when we have any fear of making a mistake in +recognizing an acquaintance. + +"What, is it you," cried he, "Monsieur le President? Alone at this hour, +and so far from the Rue Saint-Lazare. Allow me to have the honor of +giving you my arm.--The pavement is so greasy this morning, that if +we do not hold each other up," he added, to soothe the elder man's +susceptibilities, "we shall find it hard to escape a tumble." + +"But, my dear sir, I am no more than fifty-five, unfortunately for me," +replied the Comte de Granville. "A physician of your celebrity must know +that at that age a man is still hale and strong." + +"Then you are in waiting on a lady, I suppose," replied Horace Bianchon. +"You are not, I imagine, in the habit of going about Paris on foot. When +a man keeps such fine horses----" + +"Still, when I am not visiting in the evening, I commonly return from +the Courts or the club on foot," replied the Count. + +"And with large sums of money about you, perhaps!" cried the doctor. "It +is a positive invitation to the assassin's knife." + +"I am not afraid of that," said Granville, with melancholy indifference. + +"But, at least, do not stand about," said the doctor, leading the Count +towards the boulevard. "A little more and I shall believe that you are +bent of robbing me of your last illness, and dying by some other hand +than mine." + +"You caught me playing the spy," said the Count. "Whether on foot or in +a carriage, and at whatever hour of the night I may come by, I have for +some time past observed at a window on the third floor of your house the +shadow of a person who seems to work with heroic constancy." + +The Count paused as if he felt some sudden pain. "And I take as great an +interest in that garret," he went on, "as a citizen of Paris must feel +in the finishing of the Palais Royal." + +"Well," said Horace Bianchon eagerly, "I can tell you--" + +"Tell me nothing," replied Granville, cutting the doctor short. "I would +not give a centime to know whether the shadow that moves across that +shabby blind is that of a man or a woman, nor whether the inhabitant of +that attic is happy or miserable. Though I was surprised to see no one +at work there this evening, and though I stopped to look, it was solely +for the pleasure of indulging in conjectures as numerous and as idiotic +as those of idlers who see a building left half finished. For nine +years, my young--" the Count hesitated to use a word; then he waved his +hand, exclaiming--"No, I will not say friend--I hate everything that +savors of sentiment.--Well, for nine years past I have ceased to wonder +that old men amuse themselves with growing flowers and planting trees; +the events of life have taught them disbelief in all human affection; +and I grew old within a few days. I will no longer attach myself to any +creature but to unreasoning animals, or plants, or superficial things. +I think more of Taglioni's grace than of all human feeling. I abhor life +and the world in which I live alone. Nothing, nothing," he went on, in +a tone that startled the younger man, "no, nothing can move or interest +me." + +"But you have children?" + +"My children!" he repeated bitterly. "Yes--well, is not my eldest +daughter the Comtesse de Vandenesse? The other will, through her +sister's connections, make some good match. As to my sons, have they +not succeeded? The Viscount was public prosecutor at Limoges, and is now +President of the Court at Orleans; the younger is public prosecutor +in Paris.--My children have their own cares, their own anxieties and +business to attend to. If of all those hearts one had been devoted to +me, if one had tried by entire affection to fill up the void I have +here," and he struck his breast, "well, that one would have failed +in life, have sacrificed it to me. And why should he? Why? To bring +sunshine into my few remaining years--and would he have succeeded? Might +I not have accepted such generosity as a debt? But, doctor," and the +Count smiled with deep irony, "it is not for nothing that we teach them +arithmetic and how to count. At this moment perhaps they are waiting for +my money." + +"O Monsieur le Comte, how could such an idea enter your head--you who +are kind, friendly, and humane! Indeed, if I were not myself a living +proof of the benevolence you exercise so liberally and so nobly--" + +"To please myself," replied the Count. "I pay for a sensation, as I +would to-morrow pay a pile of gold to recover the most childish illusion +that would but make my heart glow.--I help my fellow-creatures for my +own sake, just as I gamble; and I look for gratitude from none. I should +see you die without blinking; and I beg of you to feel the same with +regard to me. I tell you, young man, the events of life have swept +over my heart like the lavas of Vesuvius over Herculaneum. The town is +there--dead." + +"Those who have brought a soul as warm and as living as yours was to +such a pitch of indifference are indeed guilty!" + +"Say no more," said the Count, with a shudder of aversion. + +"You have a malady which you ought to allow me to treat," said Bianchon +in a tone of deep emotion. + +"What, do you know of a cure for death?" cried the Count irritably. + +"I undertake, Monsieur le Comte, to revive the heart you believe to be +frozen." + +"Are you a match for Talma, then?" asked the Count satirically. + +"No, Monsieur le Comte. But Nature is as far above Talma as Talma is +superior to me.--Listen: the garret you are interested in is inhabited +by a woman of about thirty, and in her love is carried to fanaticism. +The object of her adoration is a young man of pleasing appearance but +endowed by some malignant fairy with every conceivable vice. This fellow +is a gambler, and it is hard to say which he is most addicted to--wine +or women; he has, to my knowledge, committed acts deserving punishment +by law. Well, and to him this unhappy woman sacrificed a life of ease, +a man who worshiped her, and the father of her children.--But what is +wrong, Monsieur le Comte?" + +"Nothing. Go on." + +"She has allowed him to squander a perfect fortune; she would, I +believe, give him the world if she had it; she works night and day; and +many a time she has, without a murmur, seen the wretch she adores rob +her even of the money saved to buy the clothes the children need, and +their food for the morrow. Only three days ago she sold her hair, the +finest hair I ever saw; he came in, she could not hide the gold piece +quickly enough, and he asked her for it. For a smile, for a kiss, she +gave up the price of a fortnight's life and peace. Is it not dreadful, +and yet sublime?--But work is wearing her cheeks hollow. Her children's +crying has broken her heart; she is ill, and at this moment on her +wretched bed. This evening they had nothing to eat; the children have +not strength to cry, they were silent when I went up." + +Horace Bianchon stood still. Just then the Comte de Granville, in spite +of himself, as it were, had put his hand into his waistcoat pocket. + +"I can guess, my young friend, how it is that she is yet alive if you +attend her," said the elder man. + +"O poor soul!" cried the doctor, "who could refuse to help her? I only +wish I were richer, for I hope to cure her of her passion." + +"But how can you expect me to pity a form of misery of which the joys +to me would seem cheaply purchased with my whole fortune!" exclaimed +the Count, taking his hand out of his pocket empty of the notes which +Bianchon had supposed his patron to be feeling for. "That woman feels, +she is alive! Would not Louis XV. have given his kingdom to rise from +the grave and have three days of youth and life! And is not that the +history of thousands of dead men, thousands of sick men, thousands of +old men?" + +"Poor Caroline!" cried Bianchon. + +As he heard the name the Count shuddered, and grasped the doctor's arm +with the grip of an iron vise, as it seemed to Bianchon. + +"Her name is Caroline Crochard?" asked the President, in a voice that +was evidently broken. + +"Then you know her?" said the doctor, astonished. + +"And the wretch's name is Solvet.--Ay, you have kept your word!" +exclaimed Granville; "you have roused my heart to the most terrible pain +it can suffer till it is dust. That emotion, too, is a gift from hell, +and I always know how to pay those debts." + +By this time the Count and the doctor had reached the corner of the Rue +de la Chaussee d'Antin. One of those night-birds who wonder round with a +basket on their back and crook in hand, and were, during the Revolution, +facetiously called the Committee of Research, was standing by the +curbstone where the two men now stopped. This scavenger had a shriveled +face worthy of those immortalized by Charlet in his caricatures of the +sweepers of Paris. + +"Do you ever pick up a thousand-franc note?" + +"Now and then, master." + +"And you restore them?" + +"It depends on the reward offered." + +"You're the man for me," cried the Count, giving the man a +thousand-franc note. "Take this, but, remember, I give it to you on +condition of your spending it at the wineshop, of your getting drunk, +fighting, beating your wife, blacking your friends' eyes. That will give +work to the watch, the surgeon, the druggist--perhaps to the police, the +public prosecutor, the judge, and the prison warders. Do not try to do +anything else, or the devil will be revenged on you sooner or later." + +A draughtsman would need at once the pencil of Charlet and of Callot, +the brush of Teniers and of Rembrandt, to give a true notion of this +night-scene. + +"Now I have squared accounts with hell, and had some pleasure for my +money," said the Count in a deep voice, pointing out the indescribable +physiognomy of the gaping scavenger to the doctor, who stood stupefied. +"As for Caroline Crochard!--she may die of hunger and thirst, hearing +the heartrending shrieks of her starving children, and convinced of the +baseness of the man she loves. I will not give a sou to rescue her; and +because you have helped her, I will see you no more----" + +The Count left Bianchon standing like a statue, and walked as briskly +as a young man to the Rue Saint-Lazare, soon reaching the little house +where he resided, and where, to his surprise, he found a carriage +waiting at the door. + +"Monsieur, your son, the attorney-general, came about an hour since," +said the man-servant, "and is waiting for you in your bedroom." + +Granville signed to the man to leave him. + +"What motive can be strong enough to require you to infringe the order +I have given my children never to come to me unless I send for them?" +asked the Count of his son as he went into the room. + +"Father," replied the younger man in a tremulous voice, and with great +respect, "I venture to hope that you will forgive me when you have heard +me." + +"Your reply is proper," said the Count. "Sit down," and he pointed to +a chair, "But whether I walk up and down, or take a seat, speak without +heeding me." + +"Father," the son went on, "this afternoon, at four o'clock, a very +young man who was arrested in the house of a friend of mine, whom he had +robbed to a considerable extent, appealed to you.--He says he is your +son." + +"His name?" asked the Count hoarsely. + +"Charles Crochard." + +"That will do," said the father, with an imperious wave of the hand. + +Granville paced the room in solemn silence, and his son took care not to +break it. + +"My son," he began, and the words were pronounced in a voice so mild +and fatherly, that the young lawyer started, "Charles Crochard spoke the +truth.--I am glad you came to me to-night, my good Eugene," he added. +"Here is a considerable sum of money"--and he gave him a bundle of +banknotes--"you can make any use of them you think proper in this +matter. I trust you implicitly, and approve beforehand whatever +arrangements you may make, either in the present or for the +future.--Eugene my dear son, kiss me. We part perhaps for the last time. +I shall to-morrow crave my dismissal from the King, and I am going to +Italy. + +"Though a father owes no account of his life to his children, he is +bound to bequeath to them the experience Fate sells him so dearly--is +it not a part of their inheritance?--When you marry," the count went on, +with a little involuntary shudder, "do not undertake it lightly; that +act is the most important of all which society requires of us. Remember +to study at your leisure the character of the woman who is to be your +partner; but consult me too, I will judge of her myself. A lack of +union between husband and wife, from whatever cause, leads to terrible +misfortune; sooner or later we are always punished for contravening the +social law.--But I will write to you on this subject from Florence. A +father who has the honor of presiding over a supreme court of justice +must not have to blush in the presence of his son. Good-bye." + + +PARIS, February 1830-January 1842. + + + + +ADDENDUM + +The following personages appear in other stories of the Human Comedy. + + Beaumesnil, Mademoiselle + The Middle Classes + Scenes from a Courtesan's Life + + Bianchon, Horace + Father Goriot + The Atheist's Mass + Cesar Birotteau + The Commission in Lunacy + Lost Illusions + A Distinguished Provincial at Paris + A Bachelor's Establishment + The Secrets of a Princess + The Government Clerks + Pierrette + A Study of Woman + Scenes from a Courtesan's Life + Honorine + The Seamy Side of History + The Magic Skin + A Prince of Bohemia + Letters of Two Brides + The Muse of the Department + The Imaginary Mistress + The Middle Classes + Cousin Betty + The Country Parson + In addition, M. Bianchon narrated the following: + Another Study of Woman + La Grande Breteche + + Crochard, Charles + The Middle Classes + + Fontanon, Abbe + The Government Clerks + Honorine + The Member for Arcis + + Granville, Vicomte de (later Comte) + The Gondreville Mystery + Honorine + Farewell (Adieu) + Cesar Birotteau + Scenes from a Courtesan's Life + A Daughter of Eve + Cousin Pons + + Granville, Comtesse Angelique de + The Thirteen + A Daughter of Eve + + Granville, Vicomte de + A Daughter of Eve + The Country Parson + + Granville, Baron Eugene de + Scenes from a Courtesan's Life + + Molineux, Jean-Baptiste + The Purse + Cesar Birotteau + + Regnier, Claude-Antoine + The Gondreville Mystery + + Roguin, Madame + Cesar Birotteau + At the Sign of the Cat and Racket + Pierrette + A Daughter of Eve + + Vandenesse, Comtesse Felix de + A Daughter of Eve + The Muse of the Department + + + + + + + +End of the Project Gutenberg EBook of A Second Home, by Honore de Balzac + +*** END OF THIS PROJECT GUTENBERG EBOOK A SECOND HOME *** + +***** This file should be named 1810.txt or 1810.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/1/8/1/1810/ + +Produced by John Bickers, and Dagny + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/1810.zip b/1810.zip Binary files differnew file mode 100644 index 0000000..8cfab0b --- /dev/null +++ b/1810.zip diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..ad4d0b8 --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #1810 (https://www.gutenberg.org/ebooks/1810) diff --git a/old/20050829-1810.txt b/old/20050829-1810.txt new file mode 100644 index 0000000..a304f4a --- /dev/null +++ b/old/20050829-1810.txt @@ -0,0 +1,3228 @@ +The Project Gutenberg EBook of A Second Home, by Honore de Balzac + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.net + + +Title: A Second Home + +Author: Honore de Balzac + +Translator: Clara Bell + +Release Date: August 29, 2005 [EBook #1810] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK A SECOND HOME *** + + + + +Produced by Dagny; and John Bickers + + + + + + A SECOND HOME + + BY + + HONORE DE BALZAC + + + Translated by + Clara Bell + + + + DEDICATION + + To Madame la Comtesse Louise de Turheim as a token of + remembrance and affectionate respect. + + + + A SECOND HOME + + + +The Rue du Tourniquet-Saint-Jean, formerly one of the darkest and most +tortuous of the streets about the Hotel de Ville, zigzagged round the +little gardens of the Paris Prefecture, and ended at the Rue Martroi, +exactly at the angle of an old wall now pulled down. Here stood the +turnstile to which the street owed its name; it was not removed till +1823, when the Municipality built a ballroom on the garden plot +adjoining the Hotel de Ville, for the fete given in honor of the Duc +d'Angouleme on his return from Spain. + +The widest part of the Rue du Tourniquet was the end opening into the +Rue de la Tixeranderie, and even there it was less than six feet +across. Hence in rainy weather the gutter water was soon deep at the +foot of the old houses, sweeping down with it the dust and refuse +deposited at the corner-stones by the residents. As the dust-carts +could not pass through, the inhabitants trusted to storms to wash +their always miry alley; for how could it be clean? When the summer +sun shed its perpendicular rays on Paris like a sheet of gold, but as +piercing as the point of a sword, it lighted up the blackness of this +street for a few minutes without drying the permanent damp that rose +from the ground-floor to the first story of these dark and silent +tenements. + +The residents, who lighted their lamps at five o'clock in the month of +June, in winter never put them out. To this day the enterprising +wayfarer who should approach the Marais along the quays, past the end +of the Rue du Chaume, the Rues de l'Homme Arme, des Billettes, and des +Deux-Portes, all leading to the Rue du Tourniquet, might think he had +passed through cellars all the way. + +Almost all the streets of old Paris, of which ancient chronicles laud +the magnificence, were like this damp and gloomy labyrinth, where the +antiquaries still find historical curiosities to admire. For instance, +on the house then forming the corner where the Rue du Tourniquet +joined the Rue de la Tixeranderie, the clamps might still be seen of +two strong iron rings fixed to the wall, the relics of the chains put +up every night by the watch to secure public safety. + +This house, remarkable for its antiquity, had been constructed in a +way that bore witness to the unhealthiness of these old dwellings; +for, to preserve the ground-floor from damp, the arches of the cellars +rose about two feet above the soil, and the house was entered up three +outside steps. The door was crowned by a closed arch, of which the +keystone bore a female head and some time-eaten arabesques. Three +windows, their sills about five feet from the ground, belonged to a +small set of rooms looking out on the Rue du Tourniquet, whence they +derived their light. These windows were protected by strong iron bars, +very wide apart, and ending below in an outward curve like the bars of +a baker's window. + +If any passer-by during the day were curious enough to peep into the +two rooms forming this little dwelling, he could see nothing; for only +under the sun of July could he discern, in the second room, two beds +hung with green serge, placed side by side under the paneling of an +old-fashioned alcove; but in the afternoon, by about three o'clock, +when the candles were lighted, through the pane of the first room an +old woman might be seen sitting on a stool by the fireplace, where she +nursed the fire in a brazier, to simmer a stew, such as porters' wives +are expert in. A few kitchen utensils, hung up against the wall, were +visible in the twilight. + +At that hour an old table on trestles, but bare of linen, was laid +with pewter-spoons, and the dish concocted by the old woman. Three +wretched chairs were all the furniture of this room, which was at once +the kitchen and the dining-room. Over the chimney-piece were a piece +of looking-glass, a tinder-box, three glasses, some matches, and a +large, cracked white jug. Still, the floor, the utensils, the +fireplace, all gave a pleasant sense of the perfect cleanliness and +thrift that pervaded the dull and gloomy home. + +The old woman's pale, withered face was quite in harmony with the +darkness of the street and the mustiness of the place. As she sat +there, motionless, in her chair, it might have been thought that she +was as inseparable from the house as a snail from its brown shell; her +face, alert with a vague expression of mischief, was framed in a flat +cap made of net, which barely covered her white hair; her fine, gray +eyes were as quiet as the street, and the many wrinkles in her face +might be compared to the cracks in the walls. Whether she had been +born to poverty, or had fallen from some past splendor, she now seemed +to have been long resigned to her melancholy existence. + +From sunrise till dark, excepting when she was getting a meal ready, +or, with a basket on her arm, was out purchasing provisions, the old +woman sat in the adjoining room by the further window, opposite a +young girl. At any hour of the day the passer-by could see the +needlewoman seated in an old, red velvet chair, bending over an +embroidery frame, and stitching indefatigably. + +Her mother had a green pillow on her knee, and busied herself with +hand-made net; but her fingers could move the bobbin but slowly; her +sight was feeble, for on her nose there rested a pair of those +antiquated spectacles which keep their place on the nostrils by the +grip of a spring. By night these two hardworking women set a lamp +between them; and the light, concentrated by two globe-shaped bottles +of water, showed the elder the fine network made by the threads on her +pillow, and the younger the most delicate details of the pattern she +was embroidering. The outward bend of the window had allowed the girl +to rest a box of earth on the window-sill, in which grew some sweet +peas, nasturtiums, a sickly little honeysuckle, and some convolvulus +that twined its frail stems up the iron bars. These etiolated plants +produced a few pale flowers, and added a touch of indescribable +sadness and sweetness to the picture offered by this window, in which +the two figures were appropriately framed. + +The most selfish soul who chanced to see this domestic scene would +carry away with him a perfect image of the life led in Paris by the +working class of women, for the embroideress evidently lived by her +needle. Many, as they passed through the turnstile, found themselves +wondering how a girl could preserve her color, living in such a +cellar. A student of lively imagination, going that way to cross to +the Quartier-Latin, would compare this obscure and vegetative life to +that of the ivy that clung to these chill walls, to that of the +peasants born to labor, who are born, toil, and die unknown to the +world they have helped to feed. A house-owner, after studying the +house with the eye of a valuer, would have said, "What will become of +those two women if embroidery should go out of fashion?" Among the men +who, having some appointment at the Hotel de Ville or the Palais de +Justice, were obliged to go through this street at fixed hours, either +on their way to business or on their return home, there may have been +some charitable soul. Some widower or Adonis of forty, brought so +often into the secrets of these sad lives, may perhaps have reckoned +on the poverty of this mother and daughter, and have hoped to become +the master at no great cost of the innocent work-woman, whose nimble +and dimpled fingers, youthful figure, and white skin--a charm due, no +doubt, to living in this sunless street--had excited his admiration. +Perhaps, again, some honest clerk, with twelve hundred francs a year, +seeing every day the diligence the girl gave to her needle, and +appreciating the purity of her life, was only waiting for improved +prospects to unite one humble life with another, one form of toil to +another, and to bring at any rate a man's arm and a calm affection, +pale-hued like the flowers in the window, to uphold this home. + +Vague hope certainly gave life to the mother's dim, gray eyes. Every +morning, after the most frugal breakfast, she took up her pillow, +though chiefly for the look of the thing, for she would lay her +spectacles on a little mahogany worktable as old as herself, and look +out of the window from about half-past eight till ten at the regular +passers in the street; she caught their glances, remarked on their +gait, their dress, their countenance, and almost seemed to be offering +her daughter, her gossiping eyes so evidently tried to attract some +magnetic sympathy by manoeuvres worthy of the stage. It was evident +that this little review was as good as a play to her, and perhaps her +single amusement. + +The daughter rarely looked up. Modesty, or a painful consciousness of +poverty, seemed to keep her eyes riveted to the work-frame; and only +some exclamation of surprise from her mother moved her to show her +small features. Then a clerk in a new coat, or who unexpectedly +appeared with a woman on his arm, might catch sight of the girl's +slightly upturned nose, her rosy mouth, and gray eyes, always bright +and lively in spite of her fatiguing toil. Her late hours had left a +trace on her face by a pale circle marked under each eye on the fresh +rosiness of her cheeks. The poor child looked as if she were made for +love and cheerfulness--for love, which had drawn two perfect arches +above her eyelids, and had given her such a mass of chestnut hair, +that she might have hidden under it as under a tent, impenetrable to +the lover's eye--for cheerfulness, which gave quivering animation to +her nostrils, which carved two dimples in her rosy cheeks, and made +her quick to forget her troubles; cheerfulness, the blossom of hope, +which gave her strength to look out without shuddering on the barren +path of life. + +The girl's hair was always carefully dressed. After the manner of +Paris needlewomen, her toilet seemed to her quite complete when she +had brushed her hair smooth and tucked up the little short curls that +played on each temple in contrast with the whiteness of her skin. The +growth of it on the back of her neck was so pretty, and the brown +line, so clearly traced, gave such a pleasing idea of her youth and +charm, that the observer, seeing her bent over her work, and unmoved +by any sound, was inclined to think of her as a coquette. Such +inviting promise had excited the interest of more than one young man, +who turned round in the vain hope of seeing that modest countenance. + +"Caroline, there is a new face that passes regularly by, and not one +of the old ones to compare with it." + +These words, spoken in a low voice by her mother one August morning in +1815, had vanquished the young needlewoman's indifference, and she +looked out on the street; but in vain, the stranger was gone. + +"Where has he flown to?" said she. + +"He will come back no doubt at four; I shall see him coming, and will +touch your foot with mine. I am sure he will come back; he has been +through the street regularly for the last three days; but his hours +vary. The first day he came by at six o'clock, the day before +yesterday it was four, yesterday as early as three. I remember seeing +him occasionally some time ago. He is some clerk in the Prefet's +office who has moved to the Marais.--Why!" she exclaimed, after +glancing down the street, "our gentleman of the brown coat has taken +to wearing a wig; how much it alters him!" + +The gentleman of the brown coat was, it would seem, the individual who +commonly closed the daily procession, for the old woman put on her +spectacles and took up her work with a sigh, glancing at her daughter +with so strange a look that Lavater himself would have found it +difficult to interpret. Admiration, gratitude, a sort of hope for +better days, were mingled with pride at having such a pretty daughter. + +At about four in the afternoon the old lady pushed her foot against +Caroline's, and the girl looked up quickly enough to see the new +actor, whose regular advent would thenceforth lend variety to the +scene. He was tall and thin, and wore black, a man of about forty, +with a certain solemnity of demeanor; as his piercing hazel eye met +the old woman's dull gaze, he made her quake, for she felt as though +he had the gift of reading hearts, or much practice in it, and his +presence must surely be as icy as the air of this dank street. Was the +dull, sallow complexion of that ominous face due to excess of work, or +the result of delicate health? + +The old woman supplied twenty different answers to this question; but +Caroline, next day, discerned the lines of long mental suffering on +that brow that was so prompt to frown. The rather hollow cheeks of the +Unknown bore the stamp of the seal which sorrow sets on its victims as +if to grant them the consolation of common recognition and brotherly +union for resistance. Though the girl's expression was at first one of +lively but innocent curiosity, it assumed a look of gentle sympathy as +the stranger receded from view, like a last relation following in a +funeral train. + +The heat of the weather was so great, and the gentleman was so +absent-minded, that he had taken off his hat and forgotten to put it on +again as he went down the squalid street. Caroline could see the stern +look given to his countenance by the way the hair was brushed from his +forehead. The strong impression, devoid of charm, made on the girl by +this man's appearance was totally unlike any sensation produced by the +other passengers who used the street; for the first time in her life +she was moved to pity for some one else than herself and her mother; +she made no reply to the absurd conjectures that supplied material for +the old woman's provoking volubility, and drew her long needle in +silence through the web of stretched net; she only regretted not +having seen the stranger more closely, and looked forward to the +morrow to form a definite opinion of him. + +It was the first time, indeed, that a man passing down the street had +ever given rise to much thought in her mind. She generally had nothing +but a smile in response to her mother's hypotheses, for the old woman +looked on every passer-by as a possible protector for her daughter. +And if such suggestions, so crudely presented, gave rise to no evil +thoughts in Caroline's mind, her indifference must be ascribed to the +persistent and unfortunately inevitable toil in which the energies of +her sweet youth were being spent, and which would infallibly mar the +clearness of her eyes or steal from her fresh cheeks the bloom that +still colored them. + +For two months or more the "Black Gentleman"--the name they had given +him--was erratic in his movements; he did not always come down the Rue +du Tourniquet; the old woman sometimes saw him in the evening when he +had not passed in the morning, and he did not come by at such regular +hours as the clerks who served Madame Crochard instead of a clock; +moreover, excepting on the first occasion, when his look had given the +old mother a sense of alarm, his eyes had never once dwelt on the +weird picture of these two female gnomes. With the exception of two +carriage-gates and a dark ironmonger's shop, there were in the Rue du +Tourniquet only barred windows, giving light to the staircases of the +neighboring houses; thus the stranger's lack of curiosity was not to +be accounted for by the presence of dangerous rivals; and Madame +Crochard was greatly piqued to see her "Black Gentleman" always lost +in thought, his eyes fixed on the ground, or straight before him, as +though he hoped to read the future in the fog of the Rue du +Tourniquet. However, one morning, about the middle of September, +Caroline Crochard's roguish face stood out so brightly against the +dark background of the room, looking so fresh among the belated +flowers and faded leaves that twined round the window-bars, the daily +scene was gay with such contrasts of light and shade, of pink and +white blending with the light material on which the pretty needlewoman +was working, and with the red and brown hues of the chairs, that the +stranger gazed very attentively at the effects of this living picture. +In point of fact, the old woman, provoked by her "Black Gentleman's" +indifference, had made such a clatter with her bobbins that the gloomy +and pensive passer-by was perhaps prompted to look up by the unusual +noise. + +The stranger merely exchanged glances with Caroline, swift indeed, but +enough to effect a certain contact between their souls, and both were +aware that they would think of each other. When the stranger came by +again, at four in the afternoon, Caroline recognized the sound of his +step on the echoing pavement; they looked steadily at each other, and +with evident purpose; his eyes had an expression of kindliness which +made him smile, and Caroline colored; the old mother noted them with +satisfaction. Ever after that memorable afternoon, the Gentleman in +Black went by twice a day, with rare exceptions, which both the women +observed. They concluded from the irregularity of the hours of his +homecoming that he was not released so early, nor so precisely +punctual as a subordinate official. + +All through the first three winter months, twice a day, Caroline and +the stranger thus saw each other for so long as it took him to +traverse the piece of road that lay along the length of the door and +three windows of the house. Day after day this brief interview had the +hue of friendly sympathy which at last had acquired a sort of +fraternal kindness. Caroline and the stranger seemed to understand +each other from the first; and then, by dint of scrutinizing each +other's faces, they learned to know them well. Ere long it came to be, +as it were, a visit that the Unknown owed to Caroline; if by any +chance her Gentleman in Black went by without bestowing on her the +half-smile of his expressive lips, or the cordial glance of his brown +eyes, something was missing to her all day. She felt as an old man +does to whom the daily study of a newspaper is such an indispensable +pleasure that on the day after any great holiday he wanders about +quite lost, and seeking, as much out of vagueness as for want of +patience, the sheet by which he cheats an hour of life. + +But these brief meetings had the charm of intimate friendliness, quite +as much for the stranger as for Caroline. The girl could no more hide +a vexation, a grief, or some slight ailment from the keen eye of her +appreciative friend than he could conceal anxiety from hers. + +"He must have had some trouble yesterday," was the thought that +constantly arose in the embroideress' mind as she saw some change in +the features of the "Black Gentleman." + +"Oh, he has been working too hard!" was a reflection due to another +shade of expression which Caroline could discern. + +The stranger, on his part, could guess when the girl had spent Sunday +in finishing a dress, and he felt an interest in the pattern. As +quarter-day came near he could see that her pretty face was clouded by +anxiety, and he could guess when Caroline had sat up late at work; but +above all, he noted how the gloomy thoughts that dimmed the cheerful +and delicate features of her young face gradually vanished by degrees +as their acquaintance ripened. When winter had killed the climbers and +plants of her window garden, and the window was kept closed, it was +not without a smile of gentle amusement that the stranger observed the +concentration of the light within, just at the level of Caroline's +head. The very small fire and the frosty red of the two women's faces +betrayed the poverty of their home; but if ever his own countenance +expressed regretful compassion, the girl proudly met it with assumed +cheerfulness. + +Meanwhile the feelings that had arisen in their hearts remained buried +there, no incident occurring to reveal to either of them how deep and +strong they were in the other; they had never even heard the sound of +each other's voice. These mute friends were even on their guard +against any nearer acquaintance, as though it meant disaster. Each +seemed to fear lest it should bring on the other some grief more +serious than those they felt tempted to share. Was it shyness or +friendship that checked them? Was it a dread of meeting with +selfishness, or the odious distrust which sunders all the residents +within the walls of a populous city? Did the voice of conscience warn +them of approaching danger? It would be impossible to explain the +instinct which made them as much enemies as friends, at once +indifferent and attached, drawn to each other by impulse, and severed +by circumstance. Each perhaps hoped to preserve a cherished illusion. +It might almost have been thought that the stranger feared lest he +should hear some vulgar word from those lips as fresh and pure as a +flower, and that Caroline felt herself unworthy of the mysterious +personage who was evidently possessed of power and wealth. + +As to Madame Crochard, that tender mother, almost angry at her +daughter's persistent lack of decisiveness, now showed a sulky face to +the "Black Gentleman," on whom she had hitherto smiled with a sort of +benevolent servility. Never before had she complained so bitterly of +being compelled, at her age, to do the cooking; never had her catarrh +and her rheumatism wrung so many groans from her; finally, she could +not, this winter, promise so many ells of net as Caroline had hitherto +been able to count on. + +Under these circumstances, and towards the end of December, at the +time when bread was dearest, and that dearth of corn was beginning to +be felt which made the year 1816 so hard on the poor, the stranger +observed on the features of the girl whose name was still unknown to +him, the painful traces of a secret sorrow which his kindest smiles +could not dispel. Before long he saw in Caroline's eyes the dimness +attributed to long hours at night. One night, towards the end of the +month, the Gentleman in Black passed down the Rue du Tourniquet at the +quite unwonted hour of one in the morning. The perfect silence allowed +of his hearing before passing the house the lachrymose voice of the +old mother, and Caroline's even sadder tones, mingling with the swish +of a shower of sleet. He crept along as slowly as he could; and then, +at the risk of being taken up by the police, he stood still below the +window to hear the mother and daughter, while watching them through +the largest of the holes in the yellow muslin curtains, which were +eaten away by wear as a cabbage leaf is riddled by caterpillars. The +inquisitive stranger saw a sheet of paper on the table that stood +between the two work-frames, and on which stood the lamp and the +globes filled with water. He at once identified it as a writ. Madame +Crochard was weeping, and Caroline's voice was thick, and had lost its +sweet, caressing tone. + +"Why be so heartbroken, mother? Monsieur Molineux will not sell us up +or turn us out before I have finished this dress; only two nights more +and I shall take it home to Madame Roguin." + +"And supposing she keeps you waiting as usual?--And will the money for +the gown pay the baker too?" + +The spectator of this scene had long practice in reading faces; he +fancied he could discern that the mother's grief was as false as the +daughter's was genuine; he turned away, and presently came back. When +he next peeped through the hole in the curtain, Madame Crochard was in +bed. The young needlewoman, bending over her frame, was embroidering +with indefatigable diligence; on the table, with the writ lay a +triangular hunch of bread, placed there, no doubt, to sustain her in +the night and to remind her of the reward of her industry. The +stranger was tremulous with pity and sympathy; he threw his purse in +through a cracked pane so that it should fall at the girl's feet; and +then, without waiting to enjoy her surprise, he escaped, his cheeks +tingling. + +Next morning the shy and melancholy stranger went past with a look of +deep preoccupation, but he could not escape Caroline's gratitude; she +had opened her window and affected to be digging in the square window- +box buried in snow, a pretext of which the clumsy ingenuity plainly +told her benefactor that she had been resolved not to see him only +through the pane. Her eyes were full of tears as she bowed her head, +as much as to say to her benefactor, "I can only repay you from my +heart." + +But the Gentleman in Black affected not to understand the meaning of +this sincere gratitude. In the evening, as he came by, Caroline was +busy mending the window with a sheet of paper, and she smiled at him, +showing her row of pearly teeth like a promise. Thenceforth the +Stranger went another way, and was no more seen in the Rue due +Tourniquet. + + + +It was one day early in the following May that, as Caroline was giving +the roots of the honeysuckle a glass of water, one Saturday morning, +she caught sight of a narrow strip of cloudless blue between the black +lines of houses, and said to her mother: + +"Mamma, we must go to-morrow for a trip to Montmorency!" + +She had scarcely uttered the words, in a tone of glee, when the +Gentleman in Black came by, sadder and more dejected than ever. +Caroline's innocent and ingratiating glance might have been taken for +an invitation. And, in fact, on the following day, when Madame +Crochard, dressed in a pelisse of claret-colored merinos, a silk +bonnet, and striped shawl of an imitation Indian pattern, came out to +choose seats in a chaise at the corner of the Rue du Faubourg +Saint-Denis and the Rue d'Enghien, there she found her Unknown standing +like a man waiting for his wife. A smile of pleasure lighted up the +Stranger's face when his eye fell on Caroline, her neat feet shod in +plum-colored prunella gaiters, and her white dress tossed by a breeze +that would have been fatal to an ill-made woman, but which displayed +her graceful form. Her face, shaded by a rice-straw bonnet lined with +pink silk, seemed to beam with a reflection from heaven; her broad, +plum-colored belt set off a waist he could have spanned; her hair, +parted in two brown bands over a forehead as white as snow, gave her +an expression of innocence which no other feature contradicted. +Enjoyment seemed to have made Caroline as light as the straw of her +hat; but when she saw the Gentleman in Black, radiant hope suddenly +eclipsed her bright dress and her beauty. The Stranger, who appeared +to be in doubt, had not perhaps made up his mind to be the girl's +escort for the day till this revelation of the delight she felt on +seeing him. He at once hired a vehicle with a fairly good horse, to +drive to Saint-Leu-Taverny, and he offered Madame Crochard and her +daughter seats by his side. The mother accepted without ado; but +presently, when they were already on the way to Saint-Denis, she was +by way of having scruples, and made a few civil speeches as to the +possible inconvenience two women might cause their companion. + +"Perhaps, monsieur, you wished to drive alone to Saint-Leu-Taverny," +said she, with affected simplicity. + +Before long she complained of the heat, and especially of her cough, +which, she said, had hindered her from closing her eyes all night; and +by the time the carriage had reached Saint-Denis, Madame Crochard +seemed to be fast asleep. Her snores, indeed, seemed, to the Gentleman +in Black, rather doubtfully genuine, and he frowned as he looked at +the old woman with a very suspicious eye. + +"Oh, she is fast asleep," said Caroline quilelessly; "she never ceased +coughing all night. She must be very tired." + +Her companion made no reply, but he looked at the girl with a smile +that seemed to say: + +"Poor child, you little know your mother!" + +However, in spite of his distrust, as the chaise made its way down the +long avenue of poplars leading to Eaubonne, the Stranger thought that +Madame Crochard was really asleep; perhaps he did not care to inquire +how far her slumbers were genuine or feigned. Whether it were that the +brilliant sky, the pure country air, and the heady fragrance of the +first green shoots of the poplars, the catkins of willow, and the +flowers of the blackthorn had inclined his heart to open like all the +nature around him; or that any long restraint was too oppressive while +Caroline's sparkling eyes responded to his own, the Gentleman in Black +entered on a conversation with his young companion, as aimless as the +swaying of the branches in the wind, as devious as the flitting of the +butterflies in the azure air, as illogical as the melodious murmur of +the fields, and, like it, full of mysterious love. At that season is +not the rural country as tremulous as a bride that has donned her +marriage robe; does it not invite the coldest soul to be happy? What +heart could remain unthawed, and what lips could keep its secret, on +leaving the gloomy streets of the Marais for the first time since the +previous autumn, and entering the smiling and picturesque valley of +Montmorency; on seeing it in the morning light, its endless horizons +receding from view; and then lifting a charmed gaze to eyes which +expressed no less infinitude mingled with love? + +The Stranger discovered that Caroline was sprightly rather than witty, +affectionate, but ill educated; but while her laugh was giddy, her +words promised genuine feeling. When, in response to her companion's +shrewd questioning, the girl spoke with the heartfelt effusiveness of +which the lower classes are lavish, not guarding it with reticence +like people of the world, the Black Gentleman's face brightened, and +seemed to renew its youth. His countenance by degrees lost the sadness +that lent sternness to his features, and little by little they gained +a look of handsome youthfulness which made Caroline proud and happy. +The pretty needlewoman guessed that her new friend had been long +weaned from tenderness and love, and no longer believed in the +devotion of woman. Finally, some unexpected sally in Caroline's light +prattle lifted the last veil that concealed the real youth and genuine +character of the Stranger's physiognomy; he seemed to bid farewell to +the ideas that haunted him, and showed the natural liveliness that lay +beneath the solemnity of his expression. + +Their conversation had insensibly become so intimate, that by the time +when the carriage stopped at the first houses of the straggling +village of Saint-Leu, Caroline was calling the gentleman Monsieur +Roger. Then for the first time the old mother awoke. + +"Caroline, she has heard everything!" said Roger suspiciously in the +girl's ear. + +Caroline's reply was an exquisite smile of disbelief, which dissipated +the dark cloud that his fear of some plot on the old woman's part had +brought to this suspicious mortal's brow. Madame Crochard was amazed +at nothing, approved of everything, followed her daughter and Monsieur +Roger into the park, where the two young people had agreed to wander +through the smiling meadows and fragrant copses made famous by the +taste of Queen Hortense. + +"Good heavens! how lovely!" exclaimed Caroline when standing on the +green ridge where the forest of Montmorency begins, she saw lying at +her feet the wide valley with its combes sheltering scattered +villages, its horizon of blue hills, its church towers, its meadows +and fields, whence a murmur came up, to die on her ear like the swell +of the ocean. The three wanderers made their way by the bank of an +artificial stream and came to the Swiss valley, where stands a chalet +that had more than once given shelter to Hortense and Napoleon. When +Caroline had seated herself with pious reverence on the mossy wooden +bench where kings and princesses and the Emperor had rested, Madame +Crochard expressed a wish to have a nearer view of a bridge that hung +across between two rocks at some little distance, and bent her steps +towards that rural curiosity, leaving her daughter in Monsieur Roger's +care, though telling them that she would not go out of sight. + +"What, poor child!" cried Roger, "have you never longed for wealth and +the pleasures of luxury? Have you never wished that you might wear the +beautiful dresses you embroider?" + +"It would not be the truth, Monsieur Roger, if I were to tell you that +I never think how happy people must be who are rich. Oh yes! I often +fancy, especially when I am going to sleep, how glad I should be to +see my poor mother no longer compelled to go out, whatever the +weather, to buy our little provisions, at her age. I should like her +to have a servant who, every morning before she was up, would bring +her up her coffee, nicely sweetened with white sugar. And she loves +reading novels, poor dear soul! Well, and I would rather see her +wearing out her eyes over her favorite books than over twisting her +bobbins from morning till night. And again, she ought to have a little +good wine. In short, I should like to see her comfortable--she is so +good." + +"Then she has shown you great kindness?" + +"Oh yes," said the girl, in a tone of conviction. Then, after a short +pause, during which the two young people stood watching Madame +Crochard, who had got to the middle of the rustic bridge, and was +shaking her finger at them, Caroline went on: + +"Oh yes, she has been so good to me. What care she took of me when I +was little! She sold her last silver forks to apprentice me to the old +maid who taught me to embroider.--And my poor father! What did she not +go through to make him end his days in happiness!" The girl shivered +at the remembrance, and hid her face in her hands.--"Well! come! let +us forget past sorrows!" she added, trying to rally her high spirits. +She blushed as she saw that Roger too was moved, but she dared not +look at him. + +"What was your father?" he asked. + +"He was an opera-dancer before the Revolution," said she, with an air +of perfect simplicity, "and my mother sang in the chorus. My father, +who was leader of the figures on the stage, happened to be present at +the siege of the Bastille. He was recognized by some of the +assailants, who asked him whether he could not lead a real attack, +since he was used to leading such enterprises on the boards. My father +was brave; he accepted the post, led the insurgents, and was rewarded +by the nomination to the rank of captain in the army of Sambre-et-Meuse, +where he distinguished himself so far as to rise rapidly to be a +colonel. But at Lutzen he was so badly wounded that, after a year's +sufferings, he died in Paris.--The Bourbons returned; my mother could +obtain no pension, and we fell into such abject misery that we were +compelled to work for our living. For some time past she has been +ailing, poor dear, and I have never known her so little resigned; she +complains a good deal, and, indeed, I cannot wonder, for she has known +the pleasures of an easy life. For my part, I cannot pine for delights +I have never known, I have but one thing to wish for." + +"And that is?" said Roger eagerly, as if roused from a dream. + +"That women may continue to wear embroidered net dresses, so that I +may never lack work." + +The frankness of this confession interested the young man, who looked +with less hostile eyes on Madame Crochard as she slowly made her way +back to them. + +"Well, children, have you had a long talk?" said she, with a +half-laughing, half-indulgent air. "When I think, Monsieur Roger, that +the 'little Corporal' has sat where you are sitting," she went on after +a pause. "Poor man! how my husband worshiped him! Ah! Crochard did well +to die, for he could not have borne to think of him where _they_ have +sent him!" + +Roger put his finger to his lips, and the good woman went on very +gravely, with a shake of her head: + +"All right, mouth shut and tongue still! But," added she, unhooking a +bit of her bodice, and showing a ribbon and cross tied round her neck +by a piece of black ribbon, "they shall never hinder me from wearing +what _he_ gave to my poor Crochard, and I will have it buried with +me." + +On hearing this speech, which at that time was regarded as seditious, +Roger interrupted the old lady by rising suddenly, and they returned +to the village through the park walks. The young man left them for a +few minutes while he went to order a meal at the best eating-house in +Taverny; then, returning to fetch them, he led the way through the +alleys cut in the forest. + +The dinner was cheerful. Roger was no longer the melancholy shade that +was wont to pass along the Rue du Tourniquet; he was not the "Black +Gentleman," but rather a confiding young man ready to take life as it +came, like the two hard-working women who, on the morrow, might lack +bread; he seemed alive to all the joys of youth, his smile was quite +affectionate and childlike. + +When, at five o'clock, this happy meal was ended with a few glasses of +champagne, Roger was the first to propose that they should join the +village ball under the chestnuts, where he and Caroline danced +together. Their hands met with sympathetic pressure, their hearts beat +with the same hopes; and under the blue sky and the slanting, rosy +beams of sunset, their eyes sparkled with fires which, to them, made +the glory of the heavens pale. How strange is the power of an idea, of +a desire! To these two nothing seemed impossible. In such magic +moments, when enjoyment sheds its reflections on the future, the soul +foresees nothing but happiness. This sweet day had created memories +for these two to which nothing could be compared in all their past +existence. Would the source prove to be more beautiful than the river, +the desire more enchanting than its gratification, the thing hoped for +more delightful than the thing possessed? + +"So the day is already at an end!" On hearing this exclamation from +her unknown friend when the dance was over, Caroline looked at him +compassionately, as his face assumed once more a faint shade of +sadness. + +"Why should you not be as happy in Paris as you are here?" she asked. +"Is happiness to be found only at Saint-Leu? It seems to me that I can +henceforth never be unhappy anywhere." + +Roger was struck by these words, spoken with the glad unrestraint that +always carries a woman further than she intended, just as prudery +often lends her greater cruelty than she feels. For the first time +since that glance, which had, in a way, been the beginning of their +friendship, Caroline and Roger had the same idea; though they did not +express it, they felt it at the same instant, as a result of a common +impression like that of a comforting fire cheering both under the +frost of winter; then, as if frightened by each other's silence, they +made their way to the spot where the carriage was waiting. But before +getting into it, they playfully took hands and ran together down the +dark avenue in front of Madame Crochard. When they could no longer see +the white net cap, which showed as a speck through the leaves where +the old woman was--"Caroline!" said Roger in a tremulous voice, and +with a beating heart. + +The girl was startled, and drew back a few steps, understanding the +invitation this question conveyed; however, she held out her hand, +which was passionately kissed, but which she hastily withdrew, for by +standing on tiptoe she could see her mother. + +Madame Crochard affected blindness, as if, with a reminiscence of her +old parts, she was only required to figure as a supernumerary. + + + +The adventures of these two young people were not continued in the Rue +du Tourniquet. To see Roger and Caroline once more, we must leap into +the heart of modern Paris, where, in some of the newly-built houses, +there are apartments that seem made on purpose for newly-married +couples to spend their honeymoon in. There the paper and paint are as +fresh as the bride and bridegroom, and the decorations are in blossom +like their love; everything is in harmony with youthful notions and +ardent wishes. + +Half-way down the Rue Taitbout, in a house whose stone walls were +still white, where the columns of the hall and the doorway were as yet +spotless, and the inner walls shone with the neat painting which our +recent intimacy with English ways had brought into fashion, there was, +on the second floor, a small set of rooms fitted by the architect as +though he had known what their use would be. A simple airy ante-room, +with a stucco dado, formed an entrance into a drawing-room and +dining-room. Out of the drawing-room opened a pretty bedroom, with a +bathroom beyond. Every chimney-shelf had over it a fine mirror elegantly +framed. The doors were crowded with arabesques in good taste, and the +cornices were in the best style. Any amateur would have discerned +there the sense of distinction and decorative fitness which mark the +work of modern French architects. + +For above a month Caroline had been at home in this apartment, +furnished by an upholsterer who submitted to an artist's guidance. A +short description of the principal room will suffice to give us an +idea of the wonders it offered to Caroline's delighted eyes when Roger +installed her there. Hangings of gray stuff trimmed with green silk +adorned the walls of her bedroom; the seats, covered with light-colored +woolen sateen, were of easy and comfortable shapes, and in the +latest fashion; a chest of drawers of some simple wood, inlaid with +lines of a darker hue, contained the treasures of the toilet; a +writing-table to match served for inditing love-letters on scented +paper; the bed, with antique draperies, could not fail to suggest +thoughts of love by its soft hangings of elegant muslin; the +window-curtains, of drab silk with green fringe, were always half drawn +to subdue the light; a bronze clock represented Love crowning Psyche; +and a carpet of Gothic design on a red ground set off the other +accessories of this delightful retreat. There was a small +dressing-table in front of a long glass, and here the needlewoman sat, +out of patience with Plaisir, the famous hairdresser. + +"Do you think you will have done to-day?" said she. + +"Your hair is so long and so thick, madame," replied Plaisir. + +Caroline could not help smiling. The man's flattery had no doubt +revived in her mind the memory of the passionate praises lavished by +her lover on the beauty of her hair, which he delighted in. + +The hairdresser having done, a waiting-maid came and held counsel with +her as to the dress in which Roger would like best to see her. It was +the beginning of September 1816, and the weather was cold; she chose a +green _grenadine_ trimmed with chinchilla. As soon as she was dressed, +Caroline flew into the drawing-room and opened a window, out of which +she stepped on to the elegant balcony, that adorned the front of the +house; there she stood, with her arms crossed, in a charming attitude, +not to show herself to the admiration of the passers-by and see them +turn to gaze at her, but to be able to look out on the Boulevard at +the bottom of the Rue Taitbout. This side view, really very comparable +to the peephole made by actors in the drop-scene of a theatre, enabled +her to catch a glimpse of numbers of elegant carriages, and a crowd of +persons, swept past with the rapidity of _Ombres Chinoises_. Not +knowing whether Roger would arrive in a carriage or on foot, the +needlewoman from the Rue du Tourniquet looked by turns at the +foot-passengers, and at the tilburies--light cabs introduced into Paris +by the English. + +Expressions of refractoriness and of love passed by turns over her +youthful face when, after waiting for a quarter of an hour, neither +her keen eye nor her heart had announced the arrival of him whom she +knew to be due. What disdain, what indifference were shown in her +beautiful features for all the other creatures who were bustling like +ants below her feet. Her gray eyes, sparkling with fun, now positively +flamed. Given over to her passion, she avoided admiration with as much +care as the proudest devote to encouraging it when they drive about +Paris, certainly feeling no care as to whether her fair countenance +leaning over the balcony, or her little foot between the bars, and the +picture of her bright eyes and delicious turned-up nose would be +effaced or no from the minds of the passers-by who admired them; she +saw but one face, and had but one idea. When the spotted head of a +certain bay horse happened to cross the narrow strip between the two +rows of houses, Caroline gave a little shiver and stood on tiptoe in +hope of recognizing the white traces and the color of the tilbury. It +was he! + +Roger turned the corner of the street, saw the balcony, whipped the +horse, which came up at a gallop, and stopped at the bronze-green door +that he knew as well as his master did. The door of the apartment was +opened at once by the maid, who had heard her mistress' exclamation of +delight. Roger rushed up to the drawing-room, clasped Caroline in his +arms, and embraced her with the effusive feeling natural when two +beings who love each other rarely meet. He led her, or rather they +went by a common impulse, their arms about each other, into the quiet +and fragrant bedroom; a settee stood ready for them to sit by the +fire, and for a moment they looked at each other in silence, +expressing their happiness only by their clasped hands, and +communicating their thoughts in a fond gaze. + +"Yes, it is he!" she said at last. "Yes, it is you. Do you know, I +have not seen you for three long days, an age!--But what is the +matter? You are unhappy." + +"My poor Caroline--" + +"There, you see! 'poor Caroline'--" + +"No, no, do not laugh, my darling; we cannot go to the Feydeau Theatre +together this evening." + +Caroline put on a little pout, but it vanished immediately. + +"How absurd I am! How can I think of going to the play when I see you? +Is not the sight of you the only spectacle I care for?" she cried, +pushing her fingers through Roger's hair. + +"I am obliged to go to the Attorney-General's. We have a knotty case +in hand. He met me in the great hall at the Palais; and as I am to +plead, he asked me to dine with him. But, my dearest, you can go to +the theatre with your mother, and I will join you if the meeting +breaks up early." + +"To the theatre without you!" cried she in a tone of amazement; "enjoy +any pleasure you do not share! O my Roger! you do not deserve a kiss," +she added, throwing her arms round his neck with an artless and +impassioned impulse. + +"Caroline, I must go home and dress. The Marais is some way off, and I +still have some business to finish." + +"Take care what you are saying, monsieur," said she, interrupting him. +"My mother says that when a man begins to talk about his business, he +is ceasing to love." + +"Caroline! Am I not here? Have I not stolen this hour from my +pitiless--" + +"Hush!" said she, laying a finger on his mouth. "Don't you see that I +am in jest." + +They had now come back to the drawing-room, and Roger's eye fell on an +object brought home that morning by the cabinetmaker. Caroline's old +rosewood embroidery-frame, by which she and her mother had earned +their bread when they lived in the Rue du Tourniquet-Saint-Jean, had +been refitted and polished, and a net dress, of elaborate design, was +already stretched upon it. + +"Well, then, my dear, I shall do some work this evening. As I stitch, +I shall fancy myself gone back to those early days when you used to +pass by me without a word, but not without a glance; the days when the +remembrance of your look kept me awake all night. Oh my dear old frame +--the best piece of furniture in my room, though you did not give it +me!--You cannot think," said she, seating herself on Roger's knees; +for he, overcome by irresistible feelings, had dropped into a chair. +"Listen.--All I can earn by my work I mean to give to the poor. You +have made me rich. How I love that pretty home at Bellefeuille, less +because of what it is than because you gave it me! But tell me, Roger, +I should like to call myself Caroline de Bellefeuille--can I? You must +know: is it legal or permissible?" + +As she saw a little affirmative grimace--for Roger hated the name of +Crochard--Caroline jumped for glee, and clapped her hands. + +"I feel," said she, "as if I should more especially belong to you. +Usually a woman gives up her own name and takes her husband's--" An +idea forced itself upon her and made her blush. She took Roger's hand +and led him to the open piano.--"Listen," said she, "I can play my +sonata now like an angel!" and her fingers were already running over +the ivory keys, when she felt herself seized round the waist. + +"Caroline, I ought to be far from hence!" + +"You insist on going? Well, go," said she, with a pretty pout, but she +smiled as she looked at the clock and exclaimed joyfully, "At any +rate, I have detained you a quarter of an hour!" + +"Good-bye, Mademoiselle de Bellefeuille," said he, with the gentle +irony of love. + +She kissed him and saw her lover to the door; when the sound of his +steps had died away on the stairs she ran out on to the balcony to see +him get into the tilbury, to see him gather up the reins, to catch a +parting look, hear the crack of his whip and the sound of his wheels +on the stones, watch the handsome horse, the master's hat, the tiger's +gold lace, and at last to stand gazing long after the dark corner of +the street had eclipsed this vision. + + + +Five years after Mademoiselle Caroline de Bellefeuille had taken up +her abode in the pretty house in the Rue Taitbout, we again look in on +one of those home-scenes which tighten the bonds of affection between +two persons who truly love. In the middle of the blue drawing-room, in +front of the window opening to the balcony, a little boy of four was +making a tremendous noise as he whipped the rocking-horse, whose two +curved supports for the legs did not move fast enough to please him; +his pretty face, framed in fair curls that fell over his white collar, +smiled up like a cherub's at his mother when she said to him from the +depths of an easy-chair, "Not so much noise, Charles; you will wake +your little sister." + +The inquisitive boy suddenly got off his horse, and treading on tiptoe +as if he were afraid of the sound of his feet on the carpet, came up +with one finger between his little teeth, and standing in one of those +childish attitudes that are so graceful because they are so perfectly +natural, raised the muslin veil that hid the rosy face of a little +girl sleeping on her mother's knee. + +"Is Eugenie asleep, then?" said he, quite astonished. "Why is she +asleep when we are awake?" he added, looking up with large, liquid +black eyes. + +"That only God can know," replied Caroline, with a smile. + +The mother and boy gazed at the infant, only that morning baptized. + +Caroline, now about four-and-twenty, showed the ripe beauty which had +expanded under the influence of cloudless happiness and constant +enjoyment. In her the Woman was complete. + +Delighted to obey her dear Roger's every wish, she had acquired the +accomplishments she had lacked; she played the piano fairly well, and +sang sweetly. Ignorant of the customs of a world that would have +treated her as an outcast, and which she would not have cared for even +if it had welcomed her--for a happy woman does not care for the world +--she had not caught the elegance of manner or learned the art of +conversation, abounding in words and devoid of ideas, which is current +in fashionable drawing-rooms; on the other hand, she worked hard to +gain the knowledge indispensable to a mother whose chief ambition is +to bring up her children well. Never to lose sight of her boy, to give +him from the cradle that training of every minute which impresses on +the young a love of all that is good and beautiful, to shelter him +from every evil influence and fulfil both the painful duties of a +nurse and the tender offices of a mother,--these were her chief +pleasures. + +The coy and gentle being had from the first day so fully resigned +herself never to step beyond the enchanted sphere where she found all +her happiness, that, after six years of the tenderest intimacy, she +still knew her lover only by the name of Roger. A print of the picture +of the Psyche lighting her lamp to gaze on Love in spite of his +prohibition, hung in her room, and constantly reminded her of the +conditions of her happiness. Through all these six years her humble +pleasures had never importuned Roger by a single indiscreet ambition, +and his heart was a treasure-house of kindness. Never had she longed +for diamonds or fine clothes, and had again and again refused the +luxury of a carriage which he had offered her. To look out from her +balcony for Roger's cab, to go with him to the play or make excursions +with him, on fine days in the environs of Paris, to long for him, to +see him, and then to long again,--these made up the history of her +life, poor in incidents but rich in happiness. + +As she rocked the infant, now a few months old, on her knee, singing +the while, she allowed herself to recall the memories of the past. She +lingered more especially on the months of September, when Roger was +accustomed to take her to Bellefeuille and spend the delightful days +which seem to combine the charms of every season. Nature is equally +prodigal of flowers and fruit, the evenings are mild, the mornings +bright, and a blaze of summer often returns after a spell of autumn +gloom. During the early days of their love, Caroline had ascribed the +even mind and gentle temper, of which Roger gave her so many proofs, +to the rarity of their always longed-for meetings, and to their mode +of life, which did not compel them to be constantly together, as a +husband and wife must be. But now she could remember with rapture +that, tortured by foolish fears, she had watched him with trembling +during their first stay on this little estate in the Gatinais. Vain +suspiciousness of love! Each of these months of happiness had passed +like a dream in the midst of joys which never rang false. She had +always seen that kind creature with a tender smile on his lips, a +smile that seemed to mirror her own. + +As she called up these vivid pictures, her eyes filled with tears; she +thought she could not love him enough, and was tempted to regard her +ambiguous position as a sort of tax levied by Fate on her love. +Finally, invincible curiosity led her to wonder for the thousandth +time what events they could be that led so tender a heart as Roger's +to find his pleasure in clandestine and illicit happiness. She +invented a thousand romances on purpose really to avoid recognizing +the true reason, which she had long suspected but tried not to believe +in. She rose, and carrying the baby in her arms, went into the +dining-room to superintend the preparations for dinner. + +It was the 6th of May 1822, the anniversary of the excursion to the +Park of Saint-Leu, which had been the turning-point of her life; each +year it had been marked by heartfelt rejoicing. Caroline chose the +linen to be used, and arranged the dessert. Having attended with joy +to these details, which touched Roger, she placed the infant in her +pretty cot and went out on to the balcony, whence she presently saw +the carriage which her friend, as he grew to riper years, now used +instead of the smart tilbury of his youth. After submitting to the +first fire of Caroline's embraces and the kisses of the little rogue +who addressed him as papa, Roger went to the cradle, looked at his +little sleeping daughter, kissed her forehead, and then took out of +his pocket a document covered with black writing. + +"Caroline," said he, "here is the marriage portion of Mademoiselle +Eugenie de Bellefeuille." + +The mother gratefully took the paper, a deed of gift of securities in +the State funds. + +"Buy why," said she, "have you given Eugenie three thousand francs a +year, and Charles no more than fifteen hundred?" + +"Charles, my love, will be a man," replied he. "Fifteen hundred francs +are enough for him. With so much for certain, a man of courage is +above poverty. And if by chance your son should turn out a nonentity, +I do not wish him to be able to play the fool. If he is ambitious, +this small income will give him a taste for work.--Eugenie is a girl; +she must have a little fortune." + +The father then turned to play with his boy, whose effusive affection +showed the independence and freedom in which he was brought up. No +sort of shyness between the father and child interfered with the charm +which rewards a parent for his devotion; and the cheerfulness of the +little family was as sweet as it was genuine. In the evening a +magic-lantern displayed its illusions and mysterious pictures on a +white sheet to Charles' great surprise, and more than once the innocent +child's heavenly rapture made Caroline and Roger laugh heartily. + +Later, when the little boy was in bed, the baby woke and craved its +limpid nourishment. By the light of a lamp in the chimney corner, +Roger enjoyed the scene of peace and comfort, and gave himself up to +the happiness of contemplating the sweet picture of the child clinging +to Caroline's white bosom as she sat, as fresh as a newly opened lily, +while her hair fell in long brown curls that almost hid her neck. The +lamplight enhanced the grace of the young mother, shedding over her, +her dress, and the infant, the picturesque effects of strong light and +shadow. + +The calm and silent woman's face struck Roger as a thousand times +sweeter than ever, and he gazed tenderly at the rosy, pouting lips +from which no harsh word had ever been heard. The very same thought +was legible in Caroline's eyes as she gave a sidelong look at Roger, +either to enjoy the effect she was producing on him, or to see what +the end of the evening was to be. He, understanding the meaning of +this cunning glance, said with assumed regret, "I must be going. I +have a serious case to be finished, and I am expected at home. Duty +before all things--don't you think so, my darling?" + +Caroline looked him in the face with an expression at once sad and +sweet, with the resignation which does not, however, disguise the +pangs of a sacrifice. + +"Good-bye, then," said she. "Go, for if you stay an hour longer I +cannot so lightly bear to set you free." + +"My dearest," said he with a smile, "I have three days' holiday, and +am supposed to be twenty leagues away from Paris." + + + +A few days after this anniversary of the 6th of May, Mademoiselle de +Bellefeuille hurried off one morning to the Rue Saint-Louis, in the +Marais, only hoping she might not arrive too late at a house where she +commonly went once a week. An express messenger had just come to +inform her that her mother, Madame Crochard, was sinking under a +complication of disorders produced by constant catarrh and rheumatism. + +While the hackney coach-driver was flogging up his horses at +Caroline's urgent request, supported by the promise of a handsome +present, the timid old women, who had been Madame Crochard's friends +during her later years, had brought a priest into the neat and +comfortable second-floor rooms occupied by the old widow. Madame +Crochard's maid did not know that the pretty lady at whose house her +mistress so often dined was her daughter, and she was one of the first +to suggest the services of a confessor, in the hope that this priest +might be at least as useful to herself as to the sick woman. Between +two games of boston, or out walking in the Jardin Turc, the old +beldames with whom the widow gossiped all day had succeeded in rousing +in their friend's stony heart some scruples as to her former life, +some visions of the future, some fears of hell, and some hopes of +forgiveness if she should return in sincerity to a religious life. So +on this solemn morning three ancient females had settled themselves in +the drawing-room where Madame Crochard was "at home" every Tuesday. +Each in turn left her armchair to go to the poor old woman's bedside +and sit with her, giving her the false hopes with which people delude +the dying. + +At the same time, when the end was drawing near, when the physician +called in the day before would no longer answer for her life, the +three dames took counsel together as to whether it would not be well +to send word to Mademoiselle de Bellefeuille. Francoise having been +duly informed, it was decided that a commissionaire should go to the +Rue Taitbout to inform the young relation whose influence was so +disquieting to the four women; still, they hoped that the Auvergnat +would be too late in bringing back the person who so certainly held +the first place in the widow Crochard's affections. The widow, +evidently in the enjoyment of a thousand crowns a year, would not have +been so fondly cherished by this feminine trio, but that neither of +them, nor Francoise herself knew of her having any heir. The wealth +enjoyed by Mademoiselle de Bellefeuille, whom Madame Crochard, in +obedience to the traditions of the older opera, never allowed herself +to speak of by the affectionate name of daughter, almost justified the +four women in their scheme of dividing among themselves the old +woman's "pickings." + +Presently the one of these three sibyls who kept guard over the sick +woman came shaking her head at the other anxious two, and said: + +"It is time we should be sending for the Abbe Fontanon. In another two +hours she will neither have the wit nor the strength to write a line." + +Thereupon the toothless old cook went off, and returned with a man +wearing a black gown. A low forehead showed a small mind in this +priest, whose features were mean; his flabby, fat cheeks and double +chin betrayed the easy-going egotist; his powdered hair gave him a +pleasant look, till he raised his small, brown eyes, prominent under a +flat forehead, and not unworthy to glitter under the brows of a +Tartar. + +"Monsieur l'Abbe," said Francoise, "I thank you for all your advice; +but believe me, I have taken the greatest care of the dear soul." + +But the servant, with her dragging step and woe-begone look, was +silent when she saw that the door of the apartment was open, and that +the most insinuating of the three dowagers was standing on the landing +to be the first to speak with the confessor. When the priest had +politely faced the honeyed and bigoted broadside of words fired off +from the widow's three friends, he went into the sickroom to sit by +Madame Crochard. Decency, and some sense of reserve, compelled the +three women and old Francoise to remain in the sitting-room, and to +make such grimaces of grief as are possible in perfection only to such +wrinkled faces. + +"Oh, is it not ill-luck!" cried Francoise, heaving a sigh. "This is +the fourth mistress I have buried. The first left me a hundred francs +a year, the second a sum of fifty crowns, and the third a thousand +crowns down. After thirty years' service, that is all I have to call +my own." + +The woman took advantage of her freedom to come and go, to slip into a +cupboard, whence she could hear the priest. + +"I see with pleasure, daughter," said Fontanon, "that you have pious +sentiments; you have a sacred relic round your neck." + +Madame Crochard, with a feeble vagueness which seemed to show that she +had not all her wits about her, pulled out the Imperial Cross of the +Legion of Honor. The priest started back at seeing the Emperor's head; +he went up to the penitent again, and she spoke to him, but in such a +low tone that for some minutes Francoise could hear nothing. + +"Woe upon me!" cried the old woman suddenly. "Do not desert me. What, +Monsieur l'Abbe, do you think I shall be called to account for my +daughter's soul?" + +The Abbe spoke too low, and the partition was too thick for Francoise +to hear the reply. + +"Alas!" sobbed the woman, "the wretch has left me nothing that I can +bequeath. When he robbed me of my dear Caroline, he parted us, and +only allowed me three thousand francs a year, of which the capital +belongs to my daughter." + +"Madame has a daughter, and nothing to live on but an annuity," +shrieked Francoise, bursting into the drawing-room. + +The three old crones looked at each other in dismay. One of them, +whose nose and chin nearly met with an expression that betrayed a +superior type of hypocrisy and cunning, winked her eyes; and as soon +as Francoise's back was turned, she gave her friends a nod, as much as +to say, "That slut is too knowing by half; her name has figured in +three wills already." + +So the three old dames sat on. + +However, the Abbe presently came out, and at a word from him the +witches scuttered down the stairs at his heels, leaving Francoise +alone with her mistress. Madame Crochard, whose sufferings increased +in severity, rang, but in vain, for this woman, who only called out, +"Coming, coming--in a minute!" The doors of cupboards and wardrobes +were slamming as though Francoise were hunting high and low for a lost +lottery ticket. + +Just as this crisis was at a climax, Mademoiselle de Bellefeuille came +to stand by her mother's bed, lavishing tender words on her. + +"Oh my dear mother, how criminal I have been! You are ill, and I did +not know it; my heart did not warn me. However, here I am--" + +"Caroline--" + +"What is it?" + +"They fetched a priest--" + +"But send for a doctor, bless me!" cried Mademoiselle de Bellefeuille. +"Francoise, a doctor! How is it that these ladies never sent for a +doctor?" + +"They sent for a priest----" repeated the old woman with a gasp. + +"She is so ill--and no soothing draught, nothing on her table!" + +The mother made a vague sign, which Caroline's watchful eye +understood, for she was silent to let her mother speak. + +"They brought a priest--to hear my confession, as they said.--Beware, +Caroline!" cried the old woman with an effort, "the priest made me +tell him your benefactor's name." + +"But who can have told you, poor mother?" + +The old woman died, trying to look knowingly cunning. If Mademoiselle +de Bellefeuille had noted her mother's face she might have seen what +no one ever will see--Death laughing. + +To enter into the interests that lay beneath this introduction to my +tale, we must for a moment forget the actors in it, and look back at +certain previous incidents, of which the last was closely concerned +with the death of Madame Crochard. The two parts will then form a +whole--a story which, by a law peculiar to life in Paris, was made up +of two distinct sets of actions. + +Towards the close of the month of November 1805, a young barrister, +aged about six-and-twenty, was going down the stairs of the hotel +where the High Chancellor of the Empire resided, at about three +o'clock one morning. Having reached the courtyard in full evening +dress, under a keen frost, he could not help giving vent to an +exclamation of dismay--qualified, however, by the spirit which rarely +deserts a Frenchman--at seeing no hackney coach waiting outside the +gates, and hearing no noises such as arise from the wooden shoes or +harsh voices of the hackney-coachmen of Paris. The occasional pawing +of the horses of the Chief Justice's carriage--the young man having +left him still playing _bouillote_ with Cambaceres--alone rang out in +the paved court, which was scarcely lighted by the carriage lamps. +Suddenly the young lawyer felt a friendly hand on his shoulder, and +turning round, found himself face to face with the Judge, to whom he +bowed. As the footman let down the steps of his carriage, the old +gentleman, who had served the Convention, suspected the junior's +dilemma. + +"All cats are gray in the dark," said he good-humoredly. "The Chief +Justice cannot compromise himself by putting a pleader in the right +way! Especially," he went on, "when the pleader is the nephew of an +old colleague, one of the lights of the grand Council of State which +gave France the Napoleonic Code." + +At a gesture from the chief magistrate of France under the Empire, the +foot-passenger got into the carriage. + +"Where do you live?" asked the great man, before the footman who +awaited his orders had closed the door. + +"Quai des Augustins, monseigneur." + +The horses started, and the young man found himself alone with the +Minister, to whom he had vainly tried to speak before and after the +sumptuous dinner given by Cambaceres; in fact, the great man had +evidently avoided him throughout the evening. + +"Well, Monsieur _de_ Granville, you are on the high road!" + +"So long as I sit by your Excellency's side--" + +"Nay, I am not jesting," said the Minister. "You were called two years +since, and your defence in the case of Simeuse and Hauteserre had +raised you high in your profession." + +"I had supposed that my interest in those unfortunate emigres had done +me no good." + +"You are still very young," said the great man gravely. "But the High +Chancellor," he went on, after a pause, "was greatly pleased with you +this evening. Get a judgeship in the lower courts; we want men. The +nephew of a man in whom Cambaceres and I take great interest must not +remain in the background for lack of encouragement. Your uncle helped +us to tide over a very stormy season, and services of that kind are +not forgotten." The Minister sat silent for a few minutes. "Before +long," he went on, "I shall have three vacancies open in the Lower +Courts and in the Imperial Court in Paris. Come to see me, and take +the place you prefer. Till then work hard, but do not be seen at my +receptions. In the first place, I am overwhelmed with work; and +besides that, your rivals may suspect your purpose and do you harm +with the patron. Cambaceres and I, by not speaking a word to you this +evening, have averted the accusation of favoritism." + +As the great man ceased speaking, the carriage drew up on the Quai des +Augustins; the young lawyer thanked his generous patron for the two +lifts he had conferred on him, and then knocked at his door pretty +loudly, for the bitter wind blew cold about his calves. At last the +old lodgekeeper pulled up the latch; and as the young man passed his +window, called out in a hoarse voice, "Monsieur Granville, here is a +letter for you." + +The young man took the letter, and in spite of the cold, tried to +identify the writing by the gleam of a dull lamp fast dying out. "From +my father!" he exclaimed, as he took his bedroom candle, which the +porter at last had lighted. And he ran up to his room to read the +following epistle:-- + + "Set off by the next mail; and if you can get here soon enough, + your fortune is made. Mademoiselle Angelique Bontems has lost her + sister; she is now an only child; and, as we know, she does not + hate you. Madame Bontems can now leave her about forty thousand + francs a year, besides whatever she may give her when she marries. + I have prepared the way. + + "Our friends will wonder to see a family of old nobility allying + itself to the Bontems; old Bontems was a red republican of the + deepest dye, owning large quantities of the nationalized land, + that he bought for a mere song. But he held nothing but convent + lands, and the monks will not come back; and then, as you have + already so far derogated as to become a lawyer, I cannot see why + we should shrink from a further concession to the prevalent ideas. + The girl will have three hundred thousand francs; I can give you a + hundred thousand; your mother's property must be worth fifty + thousand crowns, more or less; so if you choose to take a + judgeship, my dear son, you are quite in a position to become a + senator as much as any other man. My brother-in-law the Councillor + of State will not indeed lend you a helping-hand; still, as he is + not married, his property will some day be yours, and if you are + not senator by your own efforts, you will get it through him. Then + you will be perched high enough to look on at events. Farewell. + Yours affectionately." + +So young Granville went to bed full of schemes, each fairer than the +last. Under the powerful protection of the High Chancellor, the Chief +Justice, and his mother's brother--one of the originators of the Code +--he was about to make a start in a coveted position before the +highest court of the Empire, and he already saw himself a member of +the bench whence Napoleon selected the chief functionaries of the +realm. He could also promise himself a fortune handsome enough to keep +up his rank, for which the slender income of five thousand francs from +an estate left him by his mother would be quite insufficient. + +To crown his ambitious dreams with a vision of happiness, he called up +the guileless face of Mademoiselle Angelique Bontems, the companion of +his childhood. Until he came to boyhood his father and mother had made +no objection to his intimacy with their neighbor's pretty little +daughter; but when, during his brief holiday visits to Bayeux, his +parents, who prided themselves on their good birth, saw what friends +the young people were, they forbade his ever thinking of her. Thus for +ten years past Granville had only had occasional glimpses of the girl, +whom he still sometimes thought of as "his little wife." And in those +brief moments when they met free from the active watchfulness of their +families, they had scarcely exchanged a few vague civilities at the +church door or in the street. Their happiest days had been those when, +brought together by one of those country festivities known in Normandy +as _Assemblees_, they could steal a glance at each other from afar. + +In the course of the last vacation Granville had twice seen Angelique, +and her downcast eyes and drooping attitude had led him to suppose +that she was crushed by some unknown tyranny. + +He was off by seven next morning to the coach office in the Rue +Notre-Dame-des-Victoires, and was so lucky as to find a vacant seat in +the diligence then starting for Caen. + +It was not without deep emotion that the young lawyer saw once more +the spires of the cathedral at Bayeux. As yet no hope of his life had +been cheated, and his heart swelled with the generous feelings that +expand in the youthful soul. + +After the too lengthy feast of welcome prepared by his father, who +awaited him with some friends, the impatient youth was conducted to a +house, long familiar to him, standing in the Rue Teinture. His heart +beat high when his father--still known in the town of Bayeux as the +Comte de Granville--knocked loudly at a carriage gate off which the +green paint was dropping in scales. It was about four in the +afternoon. A young maid-servant, in a cotton cap, dropped a short +curtsey to the two gentlemen, and said that the ladies would soon be +home from vespers. + +The Count and his son were shown into a low room used as a +drawing-room, but more like a convent parlor. Polished panels of dark +walnut made it gloomy enough, and around it some old-fashioned chairs +covered with worsted work and stiff armchairs were symmetrically +arranged. The stone chimney-shelf had no ornament but a discolored +mirror, and on each side of it were the twisted branches of a pair of +candle-brackets, such as were made at the time of the Peace of Utrecht. +Against a panel opposite, young Granville saw an enormous crucifix of +ebony and ivory surrounded by a wreath of box that had been blessed. +Though there were three windows to the room, looking out on a +country-town garden, laid out in formal square beds edged with box, the +room was so dark that it was difficult to discern, on the wall opposite +the windows, three pictures of sacred subjects painted by a skilled hand, +and purchased, no doubt, during the Revolution by old Bontems, who, as +governor of the district, had never neglected his opportunities. From +the carefully polished floor to the green checked holland curtains +everything shone with conventual cleanliness. + +The young man's heart felt an involuntary chill in this silent retreat +where Angelique dwelt. The habit of frequenting the glittering Paris +drawing-rooms, and the constant whirl of society, had effaced from his +memory the dull and peaceful surroundings of a country life, and the +contrast was so startling as to give him a sort of internal shiver. To +have just left a party at the house of Cambaceres, where life was so +large, where minds could expand, where the splendor of the Imperial +Court was so vividly reflected, and to be dropped suddenly into a +sphere of squalidly narrow ideas--was it not like a leap from Italy +into Greenland?--"Living here is not life!" said he to himself, as he +looked round the Methodistical room. The old Count, seeing his son's +dismay, went up to him, and taking his hand, led him to a window, +where there was still a gleam of daylight, and while the maid was +lighting the yellow tapers in the candle branches he tried to clear +away the clouds that the dreary place had brought to his brow. + +"Listen, my boy," said he. "Old Bontems' widow is a frenzied bigot. +'When the devil is old--' you know! I see that the place goes against +the grain. Well, this is the whole truth; the old woman is +priest-ridden; they have persuaded her that it was high time to make +sure of heaven, and the better to secure Saint Peter and his keys she +pays before-hand. She goes to Mass every day, attends every service, +takes the communion every Sunday God has made, and amuses herself by +restoring chapels. She had given so many ornaments, and albs, and +chasubles, she has crowned the canopy with so many feathers, that on +the occasion of the last Corpus Christi procession as great a crowd +came together as to see a man hanged, just to stare at the priests in +their splendid dresses and all the vessels regilt. This house too is a +sort of Holy Land. It was I who hindered her from giving those three +pictures to the Church--a Domenichino, a Correggio, and an Andrea del +Sarto--worth a good deal of money." + +"But Angelique?" asked the young man. + +"If you do not marry her, Angelique is done for," said the Count. "Our +holy apostles counsel her to live a virgin martyr. I have had the +utmost difficulty in stirring up her little heart, since she has been +the only child, by talking to her of you; but, as you will easily +understand, as soon as she is married you will carry her off to Paris. +There, festivities, married life, the theatres, and the rush of +Parisian society, will soon make her forget confessionals, and +fasting, and hair shirts, and Masses, which are the exclusive +nourishment of such creatures." + +"But the fifty thousand francs a year derived from Church property? +Will not all that return--" + +"That is the point!" exclaimed the Count, with a cunning glance. "In +consideration of this marriage--for Madame Bontems' vanity is not a +little flattered by the notion of grafting the Bontems on to the +genealogical tree of the Granvilles--the aforenamed mother agrees +to settle her fortune absolutely on the girl, reserving only a +life-interest. The priesthood, therefore, are set against the marriage; +but I have had the banns published, everything is ready, and in a week +you will be out of the clutches of the mother and her Abbes. You will +have the prettiest girl in Bayeux, a good little soul who will give you +no trouble, because she has sound principles. She has been mortified, +as they say in their jargon, by fasting and prayer--and," he added in a +low voice, "by her mother." + +A modest tap at the door silenced the Count, who expected to see the +two ladies appear. A little page came in, evidently in a great hurry; +but, abashed by the presence of the two gentlemen, he beckoned to a +housekeeper, who followed him. Dressed in a blue cloth jacket with +short tails, and blue-and-white striped trousers, his hair cut short +all round, the boy's expression was that of a chorister, so strongly +was it stamped with the compulsory propriety that marks every member +of a bigoted household. + +"Mademoiselle Gatienne," said he, "do you know where the books are for +the offices of the Virgin? The ladies of the Congregation of the +Sacred Heart are going in procession this evening round the church." + +Gatienne went in search of the books. + +"Will they go on much longer, my little man?" asked the Count. + +"Oh, half an hour at most." + +"Let us go to look on," said the father to his son. "There will be +some pretty women there, and a visit to the Cathedral can do us no +harm." + +The young lawyer followed him with a doubtful expression. + +"What is the matter?" asked the Count. + +"The matter, father, is that I am sure I am right." + +"But you have said nothing." + +"No; but I have been thinking that you have still ten thousand francs +a year left of your original fortune. You will leave them to me--as +long a time hence as possible, I hope. But if you are ready to give me +a hundred thousand francs to make a foolish match, you will surely +allow me to ask you for only fifty thousand to save me from such a +misfortune, and enjoy as a bachelor a fortune equal to what your +Mademoiselle Bontems would bring me." + +"Are you crazy?" + +"No, father. These are the facts. The Chief Justice promised me +yesterday that I should have a seat on the Bench. Fifty thousand +francs added to what I have, and to the pay of my appointment, will +give me an income of twelve thousand francs a year. And I then shall +most certainly have a chance of marrying a fortune, better than this +alliance, which will be poor in happiness if rich in goods." + +"It is very clear," said his father, "that you were not brought up +under the old _regime_. Does a man of our rank ever allow his wife to +be in his way?" + +"But, my dear father, in these days marriage is--" + +"Bless me!" cried the Count, interrupting his son, "then what my old +_emigre_ friends tell me is true, I suppose. The Revolution has left +us habits devoid of pleasure, and has infected all the young men with +vulgar principles. You, like my Jacobin brother-in-law, will harangue +me, I suppose, on the Nation, Public Morals, and Disinterestedness! +--Good Heavens! But for the Emperor's sisters, where should we be?" + +The still hale old man, whom the peasants on the estate persisted in +calling the Signeur de Granville, ended his speech as they entered the +Cathedral porch. In spite of the sanctity of the place, and even as he +dipped his fingers in the holy water, he hummed an air from the opera +of _Rose et Colas_, and then led the way down the side aisles, +stopping by each pillar to survey the rows of heads, all in lines like +ranks of soldiers on parade. + +The special service of the Sacred Heart was about to begin. The ladies +affiliated to that congregation were in front near the choir, so the +Count and his son made their way to that part of the nave, and stood +leaning against one of the columns where there was least light, whence +they could command a view of this mass of faces, looking like a meadow +full of flowers. Suddenly, close to young Granville, a voice, sweeter +than it seemed possible to ascribe to a human being, broke into song, +like the first nightingale when winter is past. Though it mingled with +the voices of a thousand other women and the notes of the organ, that +voice stirred his nerves as though they vibrated to the too full and +too piercing sounds of a harmonium. The Parisian turned round, and, +seeing a young figure, though, the head being bent, her face was +entirely concealed by a large white bonnet, concluded that the voice +was hers. He fancied that he recognized Angelique in spite of a brown +merino pelisse that wrapped her, and he nudged his father's elbow. + +"Yes, there she is," said the Count, after looking where his son +pointed, and then, by an expressive glance, he directed his attention +to the pale face of an elderly woman who had already detected the +strangers, though her false eyes, deep set in dark circles, did not +seem to have strayed from the prayer-book she held. + +Angelique raised her face, gazing at the altar as if to inhale the +heavy scent of the incense that came wafted in clouds over the two +women. And then, in the doubtful light that the tapers shed down the +nave, with that of a central lamp and of some lights round the +pillars, the young man beheld a face which shook his determination. A +white watered-silk bonnet closely framed features of perfect +regularity, the oval being completed by the satin ribbon tie that +fastened it under her dimpled chin. Over her forehead, very sweet +though low, hair of a pale gold color parted in two bands and fell +over her cheeks, like the shadow of leaves on a flower. The arches of +her eyebrows were drawn with the accuracy we admire in the best +Chinese paintings. Her nose, almost aquiline in profile, was +exceptionally firmly cut, and her lips were like two rose lines +lovingly traced with a delicate brush. Her eyes, of a light blue, were +expressive of innocence. + +Though Granville discerned a sort of rigid reserve in this girlish +face, he could ascribe it to the devotion in which Angelique was rapt. +The solemn words of prayer, visible in the cold, came from between +rows of pearls, like a fragrant mist, as it were. The young man +involuntarily bent over her a little to breathe this diviner air. This +movement attracted the girl's notice; her gaze, raised to the altar, +was diverted to Granville, whom she could see but dimly in the gloom; +but she recognized him as the companion of her youth, and a memory +more vivid than prayer brought a supernatural glow to her face; she +blushed. The young lawyer was thrilled with joy at seeing the hopes of +another life overpowered by those of love, and the glory of the +sanctuary eclipsed by earthly reminiscences; but his triumph was +brief. Angelique dropped her veil, assumed a calm demeanor, and went +on singing without letting her voice betray the least emotion. + +Granville was a prey to one single wish, and every thought of prudence +vanished. By the time the service was ended, his impatience was so +great that he could not leave the ladies to go home alone, but came at +once to make his bow to "his little wife." They bashfully greeted each +other in the Cathedral porch in the presence of the congregation. +Madame Bontems was tremulous with pride as she took the Comte de +Granville's arm, though he, forced to offer it in the presence of all +the world was vexed enough with his son for his ill-advised +impatience. + +For about a fortnight, between the official announcement of the +intended marriage of the Vicomte de Granville to Mademoiselle Bontems +and the solemn day of the wedding, he came assiduously to visit his +lady-love in the dismal drawing-room, to which he became accustomed. +His long calls were devoted to watching Angelique's character; for his +prudence, happily, had made itself heard again in the day after their +first meeting. He always found her seated at a little table of some +West Indian wood, and engaged in marking the linen of her trousseau. +Angelique never spoke first on the subject of religion. If the young +lawyer amused himself with fingering the handsome rosary that she kept +in a little green velvet bag, if he laughed as he looked at a relic +such as usually is attached to this means of grace, Angelique would +gently take the rosary out of his hands and replace it in the bag +without a word, putting it away at once. When, now and then, Granville +was so bold as to make mischievous remarks as to certain religious +practices, the pretty girl listened to him with the obstinate smile of +assurance. + +"You must either believe nothing, or believe everything the Church +teaches," she would say. "Would you wish to have a woman without a +religion as the mother of your children?--No.--What man may dare judge +as between disbelievers and God? And how can I then blame what the +Church allows?" + +Angelique appeared to be animated by such fervent charity, the young +man saw her look at him with such perfect conviction, that he +sometimes felt tempted to embrace her religious views; her firm belief +that she was in the only right road aroused doubts in his mind, which +she tried to turn to account. + +But then Granville committed the fatal blunder of mistaking the +enchantment of desire for that of love. Angelique was so happy in +reconciling the voice of her heart with that of duty, by giving way to +a liking that had grown up with her from childhood, that the deluded +man could not discern which of the two spoke the louder. Are not all +young men ready to trust the promise of a pretty face and to infer +beauty of soul from beauty of feature? An indefinable impulse leads +them to believe that moral perfection must co-exist with physical +perfection. If Angelique had not been at liberty to give vent to her +sentiments, they would soon have dried up in her heart like a plant +watered with some deadly acid. How should a lover be aware of bigotry +so well hidden? + +This was the course of young Granville's feelings during that +fortnight, devoured by him like a book of which the end is absorbing. +Angelique, carefully watched by him, seemed the gentlest of creatures, +and he even caught himself feeling grateful to Madame Bontems, who, by +implanting so deeply the principles of religion, had in some degree +inured her to meet the troubles of life. + +On the day named for signing the inevitable contract, Madame Bontems +made her son-in-law pledge himself solemnly to respect her daughter's +religious practices, to allow her entire liberty of conscience, to +permit her to go to communion, to church, to confession as often as +she pleased, and never to control her choice of priestly advisers. At +this critical moment Angelique looked at her future husband with such +pure and innocent eyes, that Granville did not hesitate to give his +word. A smile puckered the lips of the Abbe Fontanon, a pale man, who +directed the consciences of this household. Mademoiselle Bontems, by a +slight nod, seemed to promise that she would never take an unfair +advantage of this freedom. As to the old Count, he gently whistled the +tune of an old song, _Va-t-en-voir s'ils viennent_ ("Go and see if +they are coming on!") + + + +A few days after the wedding festivities of which so much is thought +in the provinces, Granville and his wife went to Paris, whither the +young man was recalled by his appointment as public prosecutor to the +Supreme Court of the Seine circuit. + +When the young couple set out to find a residence, Angelique used the +influence that the honeymoon gives to every wife in persuading her +husband to take a large apartment in the ground-floor of a house at +the corner of the Vieille Rue du Temple and the Rue Nueve +Saint-Francois. Her chief reason for this choice was that the house +was close to the Rue d'Orleans, where there was a church, and not far +from a small chapel in the Rue Saint-Louis. + +"A good housewife provides for everything," said her husband, +laughing. + +Angelique pointed out to him that this part of Paris, known as the +Marais, was within easy reach of the Palais de Justice, and that the +lawyers they knew lived in the neighborhood. A fairly large garden +made the apartment particularly advantageous to a young couple; the +children--if Heaven should send them any--could play in the open air; +the courtyard was spacious, and there were good stables. + +The lawyer wished to live in the Chaussee d'Antin, where everything is +fresh and bright, where the fashions may be seen while still new, +where a well-dressed crowd throngs the Boulevards, and the distance is +less to the theatres or places of amusement; but he was obliged to +give way to the coaxing ways of a young wife, who asked this as his +first favor; so, to please her, he settled in the Marais. Granville's +duties required him to work hard--all the more, because they were new +to him--so he devoted himself in the first place to furnishing his +private study and arranging his books. He was soon established in a +room crammed with papers, and left the decoration of the house to his +wife. He was all the better pleased to plunge Angelique into the +bustle of buying furniture and fittings, the source of so much +pleasure and of so many associations to most young women, because he +was rather ashamed of depriving her of his company more often than the +usages of early married life require. As soon as his work was fairly +under way, he gladly allowed his wife to tempt him out of his study to +consider the effect of furniture or hangings, which he had before only +seen piecemeal or unfinished. + +If the old adage is true that says a woman may be judged of from her +front door, her rooms must express her mind with even greater +fidelity. Madame de Granville had perhaps stamped the various things +she had ordered with the seal of her own character; the young lawyer +was certainly startled by the cold, arid solemnity that reigned in +these rooms; he found nothing to charm his taste; everything was +discordant, nothing gratified the eye. The rigid mannerism that +prevailed in the sitting-room at Bayeux had invaded his home; the +broad panels were hollowed in circles, and decorated with those +arabesques of which the long, monotonous mouldings are in such bad +taste. Anxious to find excuses for his wife, the young husband began +again, looking first at the long and lofty ante-room through which the +apartment was entered. The color of the panels, as ordered by his +wife, was too heavy, and the very dark green velvet used to cover the +benches added to the gloom of this entrance--not, to be sure, an +important room, but giving a first impression--just as we measure a +man's intelligence by his first address. An ante-room is a kind of +preface which announces what is to follow, but promises nothing. + +The young husband wondered whether his wife could really have chosen +the lamp of an antique pattern, which hung in the centre of this bare +hall, the pavement of black and white marble, and the paper in +imitation of blocks of stone, with green moss on them in places. A +handsome, but not new, barometer hung on the middle of one of the +walls, as if to accentuate the void. At the sight of it all, he looked +round at his wife; he saw her so much pleased by the red braid binding +to the cotton curtains, so satisfied with the barometer and the +strictly decent statue that ornamented a large Gothic stove, that he +had not the barbarous courage to overthrow such deep convictions. +Instead of blaming his wife, Granville blamed himself, accusing +himself of having failed in his duty of guiding the first steps in +Paris of a girl brought up at Bayeux. + +From this specimen, what might not be expected of the other rooms? +What was to be looked for from a woman who took fright at the bare +legs of a Caryatid, and who would not look at a chandelier or a +candle-stick if she saw on it the nude outlines of an Egyptian bust? +At this date the school of David was at the height of its glory; all +the art of France bore the stamp of his correct design and his love of +antique types, which indeed gave his pictures the character of colored +sculpture. But none of these devices of Imperial luxury found civic +rights under Madame de Granville's roof. The spacious, square +drawing-room remained as it had been left from the time of Louis XV., +in white and tarnished gold, lavishly adorned by the architect with +checkered lattice-work and the hideous garlands due to the uninventive +designers of the time. Still, if harmony at least had prevailed, if +the furniture of modern mahogany had but assumed the twisted forms of +which Boucher's corrupt taste first set the fashion, Angelique's room +would only have suggested the fantastic contrast of a young couple in +the nineteenth century living as though they were in the eighteenth; +but a number of details were in ridiculous discord. The consoles, the +clocks, the candelabra, were decorated with the military trophies +which the wars of the Empire commended to the affections of the +Parisians; and the Greek helmets, the Roman crossed daggers, and the +shields so dear to military enthusiasm that they were introduced on +furniture of the most peaceful uses, had no fitness side by side with +the delicate and profuse arabesques that delighted Madame de +Pompadour. + +Bigotry tends to an indescribably tiresome kind of humility which does +not exclude pride. Whether from modesty or by choice, Madame de +Granville seemed to have a horror of light and cheerful colors; +perhaps, too, she imagined that brown and purple beseemed the dignity +of a magistrate. How could a girl accustomed to an austere life have +admitted the luxurious divans that may suggest evil thoughts, the +elegant and tempting boudoirs where naughtiness may be imagined? + +The poor husband was in despair. From the tone in which he approved, +only seconding the praises she bestowed on herself, Angelique +understood that nothing really pleased him; and she expressed so much +regret at her want of success, that Granville, who was very much in +love, regarded her disappointment as a proof of her affection instead +of resentment for an offence to her self-conceit. After all, could he +expect a girl just snatched from the humdrum of country notions, with +no experience of the niceties and grace of Paris life, to know or do +any better? Rather would he believe that his wife's choice had been +overruled by the tradesmen than allow himself to own the truth. If he +had been less in love, he would have understood that the dealers, +always quick to discern their customers' ideas, had blessed Heaven +for sending them a tasteless little bigot, who would take their +old-fashioned goods off their hands. So he comforted the pretty +provincial. + +"Happiness, dear Angelique, does not depend on a more or less elegant +piece of furniture; it depends on the wife's sweetness, gentleness, +and love." + +"Why, it is my duty to love you," said Angelique mildly, "and I can +have no more delightful duty to carry out." + +Nature has implanted in the heart of woman so great a desire to +please, so deep a craving for love, that, even in a youthful bigot, +the ideas of salvation and a future existence must give way to the +happiness of early married life. And, in fact, from the month of +April, when they were married, till the beginning of winter, the +husband and wife lived in perfect union. Love and hard work have the +grace of making a man tolerably indifferent to external matters. Being +obliged to spend half the day in court fighting for the gravest +interests of men's lives or fortunes, Granville was less alive than +another might have been to certain facts in his household. + +If, on a Friday, he found none but Lenten fare, and by chance asked +for a dish of meat without getting it, his wife, forbidden by the +Gospel to tell a lie, could still, by such subterfuges as are +permissible in the interests of religion, cloak what was premeditated +purpose under some pretext of her own carelessness or the scarcity in +the market. She would often exculpate herself at the expense of the +cook, and even go so far as to scold him. At that time young lawyers +did not, as they do now, keep the fasts of the Church, the four +rogation seasons, and the vigils of festivals; so Granville was not at +first aware of the regular recurrence of these Lenten meals, which his +wife took care should be made dainty by the addition of teal, moor-hen, +and fish-pies, that their amphibious meat or high seasoning might +cheat his palate. Thus the young man unconsciously lived in strict +orthodoxy, and worked out his salvation without knowing it. + +On week-days he did not know whether his wife went to Mass or no. On +Sundays, with very natural amiability, he accompanied her to church to +make up to her, as it were, for sometimes giving up vespers in favor +of his company; he could not at first fully enter into the strictness +of his wife's religious views. The theatres being impossible in summer +by reason of the heat, Granville had not even the opportunity of the +great success of a piece to give rise to the serious question of +play-going. And, in short, at the early stage of a union to which a man +has been led by a young girl's beauty, he can hardly be exacting as to +his amusements. Youth is greedy rather than dainty, and possession has +a charm in itself. How should he be keen to note coldness, dignity, and +reserve in the woman to whom he ascribes the excitement he himself +feels, and lends the glow of the fire that burns within him? He must +have attained a certain conjugal calm before he discovers that a bigot +sits waiting for love with her arms folded. + +Granville, therefore, believed himself happy till a fatal event +brought its influence to bear on his married life. In the month of +November 1808 the Canon of Bayeux Cathedral who had been the keeper of +Madame Bontems' conscience and her daughter's, came to Paris, spurred +by the ambition to be at the head of a church in the capital--a +position which he regarded perhaps as the stepping-stone to a +bishopric. On resuming his former control of this wandering lamb, he +was horrified to find her already so much deteriorated by the air of +Paris, and strove to reclaim her to his chilly fold. Frightened by the +exhortations of this priest, a man of about eight-and-thirty, who +brought with him, into the circle of the enlightened and tolerant +Paris clergy, the bitter provincial catholicism and the inflexible +bigotry which fetter timid souls with endless exactions, Madame de +Granville did penance and returned from her Jansenist errors. + +It would be tiresome to describe minutely all the circumstances which +insensibly brought disaster on this household; it will be enough to +relate the simple facts without giving them in strict order of time. + +The first misunderstanding between the young couple was, however, a +serious one. + +When Granville took his wife into society she never declined solemn +functions, such as dinners, concerts, or parties given by the Judges +superior to her husband in the legal profession; but for a long time +she constantly excused herself on the plea of a sick headache when +they were invited to a ball. One day Granville, out of patience with +these assumed indispositions, destroyed a note of invitation to a ball +at the house of a Councillor of State, and gave his wife only a verbal +invitation. Then, on the evening, her health being quite above +suspicion, he took her to a magnificent entertainment. + +"My dear," said he, on their return home, seeing her wear an offensive +air of depression, "your position as a wife, the rank you hold in +society, and the fortune you enjoy, impose on you certain duties of +which no divine law can relieve you. Are you not your husband's pride? +You are required to go to balls when I go, and to appear in a becoming +manner." + +"And what is there, my dear, so disastrous in my dress?" + +"It is your manner, my dear. When a young man comes up to speak to +you, you look so serious that a spiteful person might believe you +doubtful of your own virtue. You seem to fear lest a smile should undo +you. You really look as if you were asking forgiveness of God for the +sins that may be committed around you. The world, my dearest, is not a +convent.--But, as you mentioned your dress, I may confess to you that +it is no less a duty to conform to the customs and fashions of +Society." + +"Do you wish that I should display my shape like those indecent women +who wear gowns so low that impudent eyes can stare at their bare +shoulders and their--" + +"There is a difference, my dear," said her husband, interrupting her, +"between uncovering your whole bust and giving some grace to your +dress. You wear three rows of net frills that cover your throat up to +your chin. You look as if you had desired your dressmaker to destroy +the graceful line of your shoulders and bosom with as much care as a +coquette would devote to obtaining from hers a bodice that might +emphasize her covered form. Your bust is wrapped in so many folds that +every one was laughing at your affectation of prudery. You would be +really grieved if I were to repeat the ill-natured remarks made on +your appearance." + +"Those who admire such obscenity will not have to bear the burthen if +we sin," said the lady tartly. + +"And you did not dance?" asked Granville. + +"I shall never dance," she replied. + +"If I tell you that you ought to dance!" said her husband sharply. +"Yes, you ought to follow the fashions, to wear flowers in your hair, +and diamonds. Remember, my dear, that rich people--and we are rich +--are obliged to keep up luxury in the State. Is it not far better to +encourage manufacturers than to distribute money in the form of alms +through the medium of the clergy?" + +"You talk as a statesman!" said Angelique. + +"And you as a priest," he retorted. + +The discussion was bitter. Madame de Granville's answers, though +spoken very sweetly and in a voice as clear as a church bell, showed +an obstinacy that betrayed priestly influence. When she appealed to +the rights secured to her by Granville's promise, she added that her +director specially forbade her going to balls; then her husband +pointed out to her that the priest was overstepping the regulations of +the Church. + +This odious theological dispute was renewed with great violence and +acerbity on both sides when Granville proposed to take his wife to the +play. Finally, the lawyer, whose sole aim was to defeat the pernicious +influence exerted over his wife by her old confessor, placed the +question on such a footing that Madame de Granville, in a spirit of +defiance, referred it by writing to the Court of Rome, asking in so +many words whether a woman could wear low gowns and go to the play and +to balls without compromising her salvation. + +The reply of the venerable Pope Pius VII. came at once, strongly +condemning the wife's recalcitrancy and blaming the priest. This +letter, a chapter on conjugal duties, might have been dictated by the +spirit of Fenelon, whose grace and tenderness pervaded every line. + +"A wife is right to go wherever her husband may take her. Even if she +sins by his command, she will not be ultimately held answerable." +These two sentences of the Pope's homily only made Madame de Granville +and her director accuse him of irreligion. + +But before this letter had arrived, Granville had discovered the +strict observance of fast days that his wife forced upon him, and gave +his servants orders to serve him with meat every day in the year. +However much annoyed his wife might be by these commands, Granville, +who cared not a straw for such indulgence or abstinence, persisted +with manly determination. + +Is it not an offence to the weakest creature that can think at all to +be compelled to do, by the will of another, anything that he would +otherwise have done simply of his own accord? Of all forms of tyranny, +the most odious is that which constantly robs the soul of the merit of +its thoughts and deeds. It has to abdicate without having reigned. The +word we are readiest to speak, the feelings we most love to express, +die when we are commanded to utter them. + +Ere long the young man ceased to invite his friends, to give parties +or dinners; the house might have been shrouded in crape. A house where +the mistress is a bigot has an atmosphere of its own. The servants, +who are, of course, under her immediate control, are chosen among a +class who call themselves pious, and who have an unmistakable +physiognomy. Just as the jolliest fellow alive, when he joins the +_gendarmerie_, has the countenance of a gendarme, so those who give +themselves over to the habit of lowering their eyes and preserving a +sanctimonious mien clothes them in a livery of hypocrisy which rogues +can affect to perfection. + +And besides, bigots constitute a sort of republic; they all know each +other; the servants they recommend and hand on from one to another are +a race apart, and preserved by them, as horse-breeders will admit no +animal into their stables that has not a pedigree. The more the +impious--as they are thought--come to understand a household of +bigots, the more they perceive that everything is stamped with an +indescribable squalor; they find there, at the same time, an +appearance of avarice and mystery, as in a miser's home, and the dank +scent of cold incense which gives a chill to the stale atmosphere of a +chapel. This methodical meanness, this narrowness of thought, which is +visible in every detail, can only be expressed by one word--Bigotry. +In these sinister and pitiless houses Bigotry is written on the +furniture, the prints, the pictures; speech is bigoted, the silence is +bigoted, the faces are those of bigots. The transformation of men and +things into bigotry is an inexplicable mystery, but the fact is +evident. Everybody can see that bigots do not walk, do not sit, do not +speak, as men of the world walk, sit, and speak. Under their roof +every one is ill at ease, no one laughs, stiffness and formality +infect everything, from the mistress' cap down to her pincushion; eyes +are not honest, the folks are more like shadows, and the lady of the +house seems perched on a throne of ice. + +One morning poor Granville discerned with grief and pain that all the +symptoms of bigotry had invaded his home. There are in the world +different spheres in which the same effects are seen though produced +by dissimilar causes. Dulness hedges such miserable homes round with +walls of brass, enclosing the horrors of the desert and the infinite +void. The home is not so much a tomb as that far worse thing--a +convent. In the center of this icy sphere the lawyer could study his +wife dispassionately. He observed, not without keen regret, the +narrow-mindedness that stood confessed in the very way that her hair +grew, low on the forehead, which was slightly depressed; he discovered +in the perfect regularity of her features a certain set rigidity which +before long made him hate the assumed sweetness that had bewitched +him. Intuition told him that one day of disaster those thin lips might +say, "My dear, it is for your good!" + +Madame de Granville's complexion was acquiring a dull pallor and an +austere expression that were a kill-joy to all who came near her. Was +this change wrought by the ascetic habits of a pharisaism which is not +piety any more than avarice is economy? It would be hard to say. +Beauty without expression is perhaps an imposture. This imperturbable +set smile that the young wife always wore when she looked at Granville +seemed to be a sort of Jesuitical formula of happiness, by which she +thought to satisfy all the requirements of married life. Her charity +was an offence, her soulless beauty was monstrous to those who knew +her; the mildness of her speech was an irritation: she acted, not on +feeling, but on duty. + +There are faults which may yield in a wife to the stern lessons of +experience, or to a husband's warnings; but nothing can counteract +false ideas of religion. An eternity of happiness to be won, set in +the scale against worldly enjoyment, triumphs over everything and +makes every pang endurable. Is it not the apotheosis of egotism, of +Self beyond the grave? Thus even the Pope was censured at the tribunal +of the priest and the young devotee. To be always in the right is a +feeling which absorbs every other in these tyrannous souls. + +For some time past a secret struggle had been going on between the +ideas of the husband and wife, and the young man was soon weary of a +battle to which there could be no end. What man, what temper, can +endure the sight of a hypocritically affectionate face and categorical +resistance to his slightest wishes? What is to be done with a wife who +takes advantage of his passion to protect her coldness, who seems +determined on being blandly inexorable, prepares herself ecstatically +to play the martyr, and looks on her husband as a scourge from God, a +means of flagellation that may spare her the fires of purgatory? What +picture can give an idea of these women who make virtue hateful by +defying the gentle precepts of that faith which Saint John epitomized +in the words, "Love one another"? + +If there was a bonnet to be found in a milliner's shop that was +condemned to remain in the window, or to be packed off to the +colonies, Granville was certain to see it on his wife's head; if a +material of bad color or hideous design were to be found, she would +select it. These hapless bigots are heart-breaking in their notions of +dress. Want of taste is a defect inseparable from false pietism. + +And so, in the home-life that needs the fullest sympathy, Granville +had no true companionship. He went out alone to parties and the +theatres. Nothing in his house appealed to him. A huge Crucifix that +hung between his bed and Angelique's seemed figurative of his destiny. +Does it not represent a murdered Divinity, a Man-God, done to death in +all the prime of life and beauty? The ivory of that cross was less +cold than Angelique crucifying her husband under the plea of virtue. +This it was that lay at the root of their woes; the young wife saw +nothing but duty where she should have given love. Here, one Ash +Wednesday, rose the pale and spectral form of Fasting in Lent, of +Total Abstinence, commanded in a severe tone--and Granville did not +deem it advisable to write in his turn to the Pope and take the +opinion of the Consistory on the proper way of observing Lent, the +Ember days, and the eve of great festivals. + +His misfortune was too great! He could not even complain, for what +could he say? He had a pretty young wife attached to her duties, +virtuous--nay, a model of all the virtues. She had a child every year, +nursed them herself, and brought them up in the highest principles. +Being charitable, Angelique was promoted to rank as an angel. The old +women who constituted the circle in which she moved--for at that time +it was not yet "the thing" for young women to be religious as a matter +of fashion--all admired Madame de Granville's piety, and regarded her, +not indeed as a virgin, but as a martyr. They blamed not the wife's +scruples, but the barbarous philoprogenitiveness of the husband. + +Granville, by insensible degrees, overdone with work, bereft of +conjugal consolations, and weary of a world in which he wandered +alone, by the time he was two-and-thirty had sunk into the Slough of +Despond. He hated life. Having too lofty a notion of the +responsibilities imposed on him by his position to set the example of +a dissipated life, he tried to deaden feeling by hard study, and began +a great book on Law. + +But he was not allowed to enjoy the monastic peace he had hoped for. +When the celestial Angelique saw him desert worldly society to work at +home with such regularity, she tried to convert him. It had been a +real sorrow to her to know that her husband's opinions were not +strictly Christian; and she sometimes wept as she reflected that if +her husband should die it would be in a state of final impenitence, so +that she could not hope to snatch him from the eternal fires of Hell. +Thus Granville was a mark for the mean ideas, the vacuous arguments, +the narrow views by which his wife--fancying she had achieved the +first victory--tried to gain a second by bringing him back within the +pale of the Church. + +This was the last straw. What can be more intolerable than the blind +struggle in which the obstinacy of a bigot tries to meet the acumen of +a lawyer? What more terrible to endure than the acrimonious pin-pricks +to which a passionate soul prefers a dagger-thrust? Granville +neglected his home. Everything there was unendurable. His children, +broken by their mother's frigid despotism, dared not go with him to +the play; indeed, Granville could never give them any pleasure without +bringing down punishment from their terrible mother. His loving nature +was weaned to indifference, to a selfishness worse than death. His +boys, indeed, he saved from this hell by sending them to school at an +early age, and insisting on his right to train them. He rarely +interfered between his wife and her daughters; but he was resolved +that they should marry as soon as they were old enough. + +Even if he had wished to take violent measures, he could have found no +justification; his wife, backed by a formidable army of dowagers, +would have had him condemned by the whole world. Thus Granville had no +choice but to live in complete isolation; but, crushed under the +tyranny of misery, he could not himself bear to see how altered he was +by grief and toil. And he dreaded any connection or intimacy with +women of the world, having no hope of finding any consolation. + +The improving history of this melancholy household gave rise to no +events worthy of record during the fifteen years between 1806 and +1825. Madame de Granville was exactly the same after losing her +husband's affection as she had been during the time when she called +herself happy. She paid for Masses, beseeching God and the Saints to +enlighten her as to what the faults were which displeased her husband, +and to show her the way to restore the erring sheep; but the more +fervent her prayers, the less was Granville to be seen at home. + +For about five years now, having achieved a high position as a judge, +Granville had occupied the _entresol_ of the house to avoid living +with the Comtesse de Granville. Every morning a little scene took +place, which, if evil tongues are to be believed, is repeated in many +households as the result of incompatibility of temper, of moral or +physical malady, or of antagonisms leading to such disaster as is +recorded in this history. At about eight in the morning a housekeeper, +bearing no small resemblance to a nun, rang at the Comte de +Granville's door. Admitted to the room next to the Judge's study, she +always repeated the same message to the footman, and always in the +same tone: + +"Madame would be glad to know whether Monsieur le Comte has had a good +night, and if she is to have the pleasure of his company at +breakfast." + +"Monsieur presents his compliments to Madame la Comtesse," the valet +would say, after speaking with his master, "and begs her to hold him +excused; important business compels him to be in court this morning." + +A minute later the woman reappeared and asked on madame's behalf +whether she would have the pleasure of seeing Monsieur le Comte before +he went out. + +"He is gone," was always the rely, though often his carriage was still +waiting. + +This little dialogue by proxy became a daily ceremonial. Granville's +servant, a favorite with his master, and the cause of more than one +quarrel over his irreligious and dissipated conduct, would even go +into his master's room, as a matter of form, when the Count was not +there, and come back with the same formula in reply. + +The aggrieved wife was always on the watch for her husband's return, +and standing on the steps so as to meet him like an embodiment of +remorse. The petty aggressiveness which lies at the root of the +monastic temper was the foundation of Madame de Granville's; she was +now five-and-thirty, and looked forty. When the count was compelled by +decency to speak to his wife or to dine at home, she was only too well +pleased to inflict her company upon him, with her acid-sweet remarks +and the intolerable dulness of her narrow-minded circle, and she tried +to put him in the wrong before the servants and her charitable +friends. + +When, at this time, the post of President in a provincial court was +offered to the Comte de Granville, who was in high favor, he begged to +be allowed to remain in Paris. This refusal, of which the Keeper of +the Seals alone knew the reasons, gave rise to extraordinary +conjectures on the part of the Countess' intimate friends and of her +director. Granville, a rich man with a hundred thousand francs a year, +belonged to one of the first families of Normandy. His appointment to +be Presiding Judge would have been the stepping-stone to a peer's +seat; whence this strange lack of ambition? Why had he given up his +great book on Law? What was the meaning of the dissipation which for +nearly six years had made him a stranger to his home, his family, his +study, to all he ought to hold dear? The Countess' confessor, who +based his hopes of a bishopric quite as much on the families he +governed as on the services he rendered to an association of which he +was an ardent propagator, was much disappointed by Granville's +refusal, and tried to insinuate calumnious explanations: "If Monsieur +le Comte had such an objection to provincial life, it was perhaps +because he dreaded finding himself under the necessity of leading a +regular life, compelled to set an example of moral conduct, and to +live with the Countess, from whom nothing could have alienated him but +some illicit connection; for how could a woman so pure as Madame de +Granville ever tolerate the disorderly life into which her husband had +drifted?" The sanctimonious woman accepted as facts these hints, which +unluckily were not merely hypothetical, and Madame de Granville was +stricken as by a thunderbolt. + +Angelique, knowing nothing of the world, of love and its follies, was +so far from conceiving of any conditions of married life unlike those +that had alienated her husband as possible, that she believed him to +be incapable of the errors which are crimes in the eyes of any wife. +When the Count ceased to demand anything of her, she imagined that the +tranquillity he now seemed to enjoy was in the course of nature; and, +as she had really given to him all the love which her heart was +capable of feeling for a man, while the priest's conjectures were the +utter destruction of the illusions she had hitherto cherished, she +defended her husband; at the same time, she could not eradicate the +suspicion that had been so ingeniously sown in her soul. + +These alarms wrought such havoc in her feeble brain that they made her +ill; she was worn by low fever. These incidents took place during Lent +1822; she would not pretermit her austerities, and fell into a decline +that put her life in danger. Granville's indifference was added +torture; his care and attention were such as a nephew feels himself +bound to give to some old uncle. + +Though the Countess had given up her persistent nagging and +remonstrances, and tried to receive her husband with affectionate +words, the sharpness of the bigot showed through, and one speech would +often undo the work of a week. + +Towards the end of May, the warm breath of spring, and more nourishing +diet than her Lenten fare, restored Madame de Granville to a little +strength. One morning, on coming home from Mass, she sat down on a +stone bench in the little garden, where the sun's kisses reminded her +of the early days of her married life, and she looked back across the +years to see wherein she might have failed in her duty as a wife and +mother. She was broken in upon by the Abbe Fontanon in an almost +indescribable state of excitement. + +"Has any misfortune befallen you, Father?" she asked with filial +solicitude. + +"Ah! I only wish," cried the Normandy priest, "that all the woes +inflicted on you by the hand of God were dealt out to me; but, my +admirable friend, there are trials to which you can but bow." + +"Can any worse punishments await me than those with which Providence +crushes me by making my husband the instrument of His wrath?" + +"You must prepare yourself, daughter, to yet worse mischief than we +and your pious friends had ever conceived of." + +"Then I may thank God," said the Countess, "for vouchsafing to use you +as the messenger of His will, and thus, as ever, setting the treasures +of mercy by the side of the scourges of His wrath, just as in bygone +days He showed a spring to Hagar when He had driven her into the +desert." + +"He measures your sufferings by the strength of your resignation and +the weight of your sins." + +"Speak; I am ready to hear!" As she said it she cast her eyes up to +heaven. "Speak, Monsieur Fontanon." + +"For seven years Monsieur Granville has lived in sin with a concubine, +by whom he has two children; and on this adulterous connection he has +spent more than five hundred thousand francs, which ought to have been +the property of his legitimate family." + +"I must see it to believe it!" cried the Countess. + +"Far be it from you!" exclaimed the Abbe. "You must forgive, my +daughter, and wait in patience and prayer till God enlightens your +husband; unless, indeed, you choose to adopt against him the means +offered you by human laws." + +The long conversation that ensued between the priest and his penitent +resulted in an extraordinary change in the Countess; she abruptly +dismissed him, called her servants who were alarmed at her flushed +face and crazy energy. She ordered her carriage--countermanded it +--changed her mind twenty times in the hour; but at last, at about +three o'clock, as if she had come to some great determination, she +went out, leaving the whole household in amazement at such a sudden +transformation. + +"Is the Count coming home to dinner?" she asked of his servant, to +whom she would never speak. + +"No, madame." + +"Did you go with him to the Courts this morning?" + +"Yes, madame." + +"And to-day is Monday?" + +"Yes, madame." + +"Then do the Courts sit on Mondays nowadays?" + +"Devil take you!" cried the man, as his mistress drove off after +saying to the coachman: + +"Rue Taitbout." + + + +Mademoiselle de Bellefeuille was weeping: Roger, sitting by her side, +held one of her hands between his own. He was silent, looking by turns +at little Charles--who, not understanding his mother's grief, stood +speechless at the sight of her tears--at the cot where Eugenie lay +sleeping, and Caroline's face, on which grief had the effect of rain +falling across the beams of cheerful sunshine. + +"Yes, my darling," said Roger, after a long silence, "that is the +great secret: I am married. But some day I hope we may form but one +family. My wife has been given over ever since last March. I do not +wish her dead; still, if it should please God to take her to Himself, +I believe she will be happier in Paradise than in a world to whose +griefs and pleasures she is equally indifferent." + +"How I hate that woman! How could she bear to make you unhappy? And +yet it is to that unhappiness that I owe my happiness!" + +Her tears suddenly ceased. + +"Caroline, let us hope," cried Roger. "Do not be frightened by +anything that priest may have said to you. Though my wife's confessor +is a man to be feared for his power in the congregation, if he should +try to blight our happiness I would find means--" + +"What could you do?" + +"We would go to Italy: I would fly--" + +A shriek that rang out from the adjoining room made Roger start and +Mademoiselle de Bellefeuille quake; but she rushed into the +drawing-room, and there found Madame de Granville in a dead faint. When +the Countess recovered her senses, she sighed deeply on finding herself +supported by the Count and her rival, whom she instinctively pushed +away with a gesture of contempt. Mademoiselle de Bellefeuille rose to +withdraw. + +"You are at home, madame," said Granville, taking Caroline by the arm. +"Stay." + +The Judge took up his wife in his arms, carried her to the carriage, +and got into it with her. + +"Who is it that has brought you to the point of wishing me dead, of +resolving to fly?" asked the Countess, looking at her husband with +grief mingled with indignation. "Was I not young? you thought me +pretty--what fault have you to find with me? Have I been false to you? +Have I not been a virtuous and well-conducted wife? My heart has +cherished no image but yours, my ears have listened to no other voice. +What duty have I failed in? What have I ever denied you?" + +"Happiness, madame," said the Count severely. "You know, madame, that +there are two ways of serving God. Some Christians imagine that by +going to church at fixed hours to say a _Paternoster_, by attending +Mass regularly and avoiding sin, they may win heaven--but they, +madame, will go to hell; they have not loved God for himself, they +have not worshiped Him as He chooses to be worshiped, they have made +no sacrifice. Though mild in seeming, they are hard on their +neighbors; they see the law, the letter, not the spirit.--This is how +you have treated me, your earthly husband; you have sacrificed my +happiness to your salvation; you were always absorbed in prayer when I +came to you in gladness of heart; you wept when you should have +cheered my toil; you have never tried to satisfy any demands I have +made on you." + +"And if they were wicked," cried the Countess hotly, "was I to lose my +soul to please you?" + +"It is a sacrifice which another, a more loving woman, has dared to +make," said Granville coldly. + +"Dear God!" she cried, bursting into tears, "Thou hearest! Has he been +worthy of the prayers and penance I have lived in, wearing myself out +to atone for his sins and my own?--Of what avail is virtue?" + +"To win Heaven, my dear. A woman cannot be at the same time the wife +of a man and the spouse of Christ. That would be bigamy; she must +choose between a husband and a nunnery. For the sake of future +advantage you have stripped your soul of all the love, all the +devotion, which God commands that you should have for me, you have +cherished no feeling but hatred--" + +"Have I not loved you?" she put in. + +"No, madame." + +"Then what is love?" the Countess involuntarily inquired. + +"Love, my dear," replied Granville, with a sort of ironical surprise, +"you are incapable of understanding it. The cold sky of Normandy is +not that of Spain. This difference of climate is no doubt the secret +of our disaster.--To yield to our caprices, to guess them, to find +pleasure in pain, to sacrifice the world's opinion, your pride, your +religion even, and still regard these offerings as mere grains of +incense burnt in honor of the idol--that is love--" + +"The love of ballet-girls!" cried the Countess in horror. "Such flames +cannot last, and must soon leave nothing but ashes and cinders, regret +or despair. A wife ought, in my opinion, to bring you true friendship, +equable warmth--" + +"You speak of warmth as negroes speak of ice," retorted the Count, +with a sardonic smile. "Consider that the humblest daisy has more +charms than the proudest and most gorgeous of the red hawthorns that +attract us in spring by their strong scent and brilliant color.--At +the same time," he went on, "I will do you justice. You have kept so +precisely in the straight path of imaginary duty prescribed by law, +that only to make you understand wherein you have failed towards me, I +should be obliged to enter into details which would offend your +dignity, and instruct you in matters which would seem to you to +undermine all morality." + +"And you dare to speak of morality when you have but just left the +house where you have dissipated your children's fortune in +debaucheries?" cried the Countess, maddened by her husband's +reticence. + +"There, madame, I must correct you," said the Count, coolly +interrupting his wife. "Though Mademoiselle de Bellefeuille is rich, +it is at nobody's expense. My uncle was master of his fortune, and had +several heirs. In his lifetime, and out of pure friendship, regarding +her as his niece, he gave her the little estate of Bellefeuille. As +for anything else, I owe it to his liberality--" + +"Such conduct is only worthy of a Jacobin!" said the sanctimonious +Angelique. + +"Madame, you are forgetting that your own father was one of the +Jacobins whom you scorn so uncharitably," said the Count severely. +"Citizen Bontems was signing death-warrants at a time when my uncle +was doing France good service." + +Madame de Granville was silenced. But after a short pause, the +remembrance of what she had just seen reawakened in her soul the +jealousy which nothing can kill in a woman's heart, and she murmured, +as if to herself--"How can a woman thus destroy her own soul and that +of others?" + +"Bless me, madame," replied the Count, tired of this dialogue, "you +yourself may some day have to answer that question." The Countess was +scared. "You perhaps will be held excused by the merciful Judge, who +will weigh our sins," he went on, "in consideration of the conviction +with which you have worked out my misery. I do not hate you--I hate +those who have perverted your heart and your reason. You have prayed +for me, just as Mademoiselle de Bellefeuille has given me her heart +and crowned my life with love. You should have been my mistress and +the prayerful saint by turns.--Do me the justice to confess that I am +no reprobate, no debauchee. My life was cleanly. Alas! after seven +years of wretchedness, the craving for happiness led me by an +imperceptible descent to love another woman and make a second home. +And do not imagine that I am singular; there are in this city +thousands of husbands, all led by various causes to live this twofold +life." + +"Great God!" cried the Countess. "How heavy is the cross Thou hast +laid on me to bear! If the husband Thou hast given me here below in +Thy wrath can only be made happy through my death, take me to +Thyself!" + +"If you had always breathed such admirable sentiments and such +devotion, we should be happy yet," said the Count coldly. + +"Indeed," cried Angelique, melting into a flood of tears, "forgive me +if I have done any wrong. Yes, monsieur, I am ready to obey you in all +things, feeling sure that you will desire nothing but what is just and +natural; henceforth I will be all you can wish your wife to be." + +"If your purpose, madame, is to compel me to say that I no longer love +you, I shall find the cruel courage to tell you so. Can I command my +heart? Can I wipe out in an instant the traces of fifteen years of +suffering?--I have ceased to love.--These words contain a mystery as +deep as lies the words _I love_. Esteem, respect, friendship may be +won, lost, regained; but as to love--I might school myself for a +thousand years, and it would not blossom again, especially for a woman +too old to respond to it." + +"I hope, Monsieur le Comte, I sincerely hope, that such words may not +be spoken to you some day by the woman you love, and in such a tone +and accent--" + +"Will you put on a dress _a la Grecque_ this evening, and come to the +Opera?" + +The shudder with which the Countess received the suggestion was a mute +reply. + + + +Early in December 1833, a man, whose perfectly white hair and worn +features seemed to show that he was aged by grief rather than by +years, was walking at midnight along the Rue Gaillon. Having reached a +house of modest appearance, and only two stories high, he paused to +look up at one of the attic windows that pierced the roof at regular +intervals. A dim light scarcely showed through the humble panes, some +of which had been repaired with paper. The man below was watching the +wavering glimmer with the vague curiosity of a Paris idler, when a +young man came out of the house. As the light of the street lamp fell +full on the face of the first comer, it will not seem surprising that, +in spite of the darkness, this young man went towards the passer-by, +though with the hesitancy that is usual when we have any fear of +making a mistake in recognizing an acquaintance. + +"What, is it you," cried he, "Monsieur le President? Alone at this +hour, and so far from the Rue Saint-Lazare. Allow me to have the honor +of giving you my arm.--The pavement is so greasy this morning, that if +we do not hold each other up," he added, to soothe the elder man's +susceptibilities, "we shall find it hard to escape a tumble." + +"But, my dear sir, I am no more than fifty-five, unfortunately for +me," replied the Comte de Granville. "A physician of your celebrity +must know that at that age a man is still hale and strong." + +"Then you are in waiting on a lady, I suppose," replied Horace +Bianchon. "You are not, I imagine, in the habit of going about Paris +on foot. When a man keeps such fine horses----" + +"Still, when I am not visiting in the evening, I commonly return from +the Courts or the club on foot," replied the Count. + +"And with large sums of money about you, perhaps!" cried the doctor. +"It is a positive invitation to the assassin's knife." + +"I am not afraid of that," said Granville, with melancholy +indifference. + +"But, at least, do not stand about," said the doctor, leading the +Count towards the boulevard. "A little more and I shall believe that +you are bent of robbing me of your last illness, and dying by some +other hand than mine." + +"You caught me playing the spy," said the Count. "Whether on foot or +in a carriage, and at whatever hour of the night I may come by, I have +for some time past observed at a window on the third floor of your +house the shadow of a person who seems to work with heroic constancy." + +The Count paused as if he felt some sudden pain. "And I take as great +an interest in that garret," he went on, "as a citizen of Paris must +feel in the finishing of the Palais Royal." + +"Well," said Horace Bianchon eagerly, "I can tell you--" + +"Tell me nothing," replied Granville, cutting the doctor short. "I +would not give a centime to know whether the shadow that moves across +that shabby blind is that of a man or a woman, nor whether the +inhabitant of that attic is happy or miserable. Though I was surprised +to see no one at work there this evening, and though I stopped to +look, it was solely for the pleasure of indulging in conjectures as +numerous and as idiotic as those of idlers who see a building left +half finished. For nine years, my young--" the Count hesitated to use +a word; then he waved his hand, exclaiming--"No, I will not say friend +--I hate everything that savors of sentiment.--Well, for nine years +past I have ceased to wonder that old men amuse themselves with +growing flowers and planting trees; the events of life have taught +them disbelief in all human affection; and I grew old within a few +days. I will no longer attach myself to any creature but to +unreasoning animals, or plants, or superficial things. I think more of +Taglioni's grace than of all human feeling. I abhor life and the world +in which I live alone. Nothing, nothing," he went on, in a tone that +startled the younger man, "no, nothing can move or interest me." + +"But you have children?" + +"My children!" he repeated bitterly. "Yes--well, is not my eldest +daughter the Comtesse de Vandenesse? The other will, through her +sister's connections, make some good match. As to my sons, have they +not succeeded? The Viscount was public prosecutor at Limoges, and is +now President of the Court at Orleans; the younger is public +prosecutor in Paris.--My children have their own cares, their own +anxieties and business to attend to. If of all those hearts one had +been devoted to me, if one had tried by entire affection to fill up +the void I have here," and he struck his breast, "well, that one would +have failed in life, have sacrificed it to me. And why should he? Why? +To bring sunshine into my few remaining years--and would he have +succeeded? Might I not have accepted such generosity as a debt? But, +doctor," and the Count smiled with deep irony, "it is not for nothing +that we teach them arithmetic and how to count. At this moment perhaps +they are waiting for my money." + +"O Monsieur le Comte, how could such an idea enter your head--you who +are kind, friendly, and humane! Indeed, if I were not myself a living +proof of the benevolence you exercise so liberally and so nobly--" + +"To please myself," replied the Count. "I pay for a sensation, as I +would to-morrow pay a pile of gold to recover the most childish +illusion that would but make my heart glow.--I help my fellow-creatures +for my own sake, just as I gamble; and I look for gratitude from none. +I should see you die without blinking; and I beg of you to feel the +same with regard to me. I tell you, young man, the events of life +have swept over my heart like the lavas of Vesuvius over Herculaneum. +The town is there--dead." + +"Those who have brought a soul as warm and as living as yours was to +such a pitch of indifference are indeed guilty!" + +"Say no more," said the Count, with a shudder of aversion. + +"You have a malady which you ought to allow me to treat," said +Bianchon in a tone of deep emotion. + +"What, do you know of a cure for death?" cried the Count irritably. + +"I undertake, Monsieur le Comte, to revive the heart you believe to be +frozen." + +"Are you a match for Talma, then?" asked the Count satirically. + +"No, Monsieur le Comte. But Nature is as far above Talma as Talma is +superior to me.--Listen: the garret you are interested in is inhabited +by a woman of about thirty, and in her love is carried to fanaticism. +The object of her adoration is a young man of pleasing appearance but +endowed by some malignant fairy with every conceivable vice. This +fellow is a gambler, and it is hard to say which he is most addicted +to--wine or women; he has, to my knowledge, committed acts deserving +punishment by law. Well, and to him this unhappy woman sacrificed a +life of ease, a man who worshiped her, and the father of her children. +--But what is wrong, Monsieur le Comte?" + +"Nothing. Go on." + +"She has allowed him to squander a perfect fortune; she would, I +believe, give him the world if she had it; she works night and day; +and many a time she has, without a murmur, seen the wretch she adores +rob her even of the money saved to buy the clothes the children need, +and their food for the morrow. Only three days ago she sold her hair, +the finest hair I ever saw; he came in, she could not hide the gold +piece quickly enough, and he asked her for it. For a smile, for a +kiss, she gave up the price of a fortnight's life and peace. Is it not +dreadful, and yet sublime?--But work is wearing her cheeks hollow. Her +children's crying has broken her heart; she is ill, and at this moment +on her wretched bed. This evening they had nothing to eat; the +children have not strength to cry, they were silent when I went up." + +Horace Bianchon stood still. Just then the Comte de Granville, in +spite of himself, as it were, had put his hand into his waistcoat +pocket. + +"I can guess, my young friend, how it is that she is yet alive if you +attend her," said the elder man. + +"O poor soul!" cried the doctor, "who could refuse to help her? I only +wish I were richer, for I hope to cure her of her passion." + +"But how can you expect me to pity a form of misery of which the joys +to me would seem cheaply purchased with my whole fortune!" exclaimed +the Count, taking his hand out of his pocket empty of the notes which +Bianchon had supposed his patron to be feeling for. "That woman feels, +she is alive! Would not Louis XV. have given his kingdom to rise from +the grave and have three days of youth and life! And is not that the +history of thousands of dead men, thousands of sick men, thousands of +old men?" + +"Poor Caroline!" cried Bianchon. + +As he heard the name the Count shuddered, and grasped the doctor's arm +with the grip of an iron vise, as it seemed to Bianchon. + +"Her name is Caroline Crochard?" asked the President, in a voice that +was evidently broken. + +"Then you know her?" said the doctor, astonished. + +"And the wretch's name is Solvet.--Ay, you have kept your word!" +exclaimed Granville; "you have roused my heart to the most terrible +pain it can suffer till it is dust. That emotion, too, is a gift from +hell, and I always know how to pay those debts." + +By this time the Count and the doctor had reached the corner of the +Rue de la Chaussee d'Antin. One of those night-birds who wonder round +with a basket on their back and crook in hand, and were, during the +Revolution, facetiously called the Committee of Research, was standing +by the curbstone where the two men now stopped. This scavenger had a +shriveled face worthy of those immortalized by Charlet in his +caricatures of the sweepers of Paris. + +"Do you ever pick up a thousand-franc note?" + +"Now and then, master." + +"And you restore them?" + +"It depends on the reward offered." + +"You're the man for me," cried the Count, giving the man a +thousand-franc note. "Take this, but, remember, I give it to you on +condition of your spending it at the wineshop, of your getting drunk, +fighting, beating your wife, blacking your friends' eyes. That will +give work to the watch, the surgeon, the druggist--perhaps to the +police, the public prosecutor, the judge, and the prison warders. Do +not try to do anything else, or the devil will be revenged on you +sooner or later." + +A draughtsman would need at once the pencil of Charlet and of Callot, +the brush of Teniers and of Rembrandt, to give a true notion of this +night-scene. + +"Now I have squared accounts with hell, and had some pleasure for my +money," said the Count in a deep voice, pointing out the indescribable +physiognomy of the gaping scavenger to the doctor, who stood +stupefied. "As for Caroline Crochard!--she may die of hunger and +thirst, hearing the heartrending shrieks of her starving children, and +convinced of the baseness of the man she loves. I will not give a sou +to rescue her; and because you have helped her, I will see you no +more----" + +The Count left Bianchon standing like a statue, and walked as briskly +as a young man to the Rue Saint-Lazare, soon reaching the little house +where he resided, and where, to his surprise, he found a carriage +waiting at the door. + +"Monsieur, your son, the attorney-general, came about an hour since," +said the man-servant, "and is waiting for you in your bedroom." + +Granville signed to the man to leave him. + +"What motive can be strong enough to require you to infringe the order +I have given my children never to come to me unless I send for them?" +asked the Count of his son as he went into the room. + +"Father," replied the younger man in a tremulous voice, and with great +respect, "I venture to hope that you will forgive me when you have +heard me." + +"Your reply is proper," said the Count. "Sit down," and he pointed to +a chair, "But whether I walk up and down, or take a seat, speak +without heeding me." + +"Father," the son went on, "this afternoon, at four o'clock, a very +young man who was arrested in the house of a friend of mine, whom he +had robbed to a considerable extent, appealed to you.--He says he is +your son." + +"His name?" asked the Count hoarsely. + +"Charles Crochard." + +"That will do," said the father, with an imperious wave of the hand. + +Granville paced the room in solemn silence, and his son took care not +to break it. + +"My son," he began, and the words were pronounced in a voice so mild +and fatherly, that the young lawyer started, "Charles Crochard spoke +the truth.--I am glad you came to me to-night, my good Eugene," he +added. "Here is a considerable sum of money"--and he gave him a bundle +of banknotes--"you can make any use of them you think proper in this +matter. I trust you implicitly, and approve beforehand whatever +arrangements you may make, either in the present or for the future. +--Eugene my dear son, kiss me. We part perhaps for the last time. I +shall to-morrow crave my dismissal from the King, and I am going to +Italy. + +"Though a father owes no account of his life to his children, he is +bound to bequeath to them the experience Fate sells him so dearly--is +it not a part of their inheritance?--When you marry," the count went +on, with a little involuntary shudder, "do not undertake it lightly; +that act is the most important of all which society requires of us. +Remember to study at your leisure the character of the woman who is to +be your partner; but consult me too, I will judge of her myself. A +lack of union between husband and wife, from whatever cause, leads to +terrible misfortune; sooner or later we are always punished for +contravening the social law.--But I will write to you on this subject +from Florence. A father who has the honor of presiding over a supreme +court of justice must not have to blush in the presence of his son. +Good-bye." + + + +PARIS, February 1830-January 1842. + + + +ADDENDUM + +The following personages appear in other stories of the Human Comedy. + +Beaumesnil, Mademoiselle + The Middle Classes + Scenes from a Courtesan's Life + +Bianchon, Horace + Father Goriot + The Atheist's Mass + Cesar Birotteau + The Commission in Lunacy + Lost Illusions + A Distinguished Provincial at Paris + A Bachelor's Establishment + The Secrets of a Princess + The Government Clerks + Pierrette + A Study of Woman + Scenes from a Courtesan's Life + Honorine + The Seamy Side of History + The Magic Skin + A Prince of Bohemia + Letters of Two Brides + The Muse of the Department + The Imaginary Mistress + The Middle Classes + Cousin Betty + The Country Parson +In addition, M. Bianchon narrated the following: + Another Study of Woman + La Grande Breteche + +Crochard, Charles + The Middle Classes + +Fontanon, Abbe + The Government Clerks + Honorine + The Member for Arcis + +Granville, Vicomte de (later Comte) + The Gondreville Mystery + Honorine + Farewell (Adieu) + Cesar Birotteau + Scenes from a Courtesan's Life + A Daughter of Eve + Cousin Pons + +Granville, Comtesse Angelique de + The Thirteen + A Daughter of Eve + +Granville, Vicomte de + A Daughter of Eve + The Country Parson + +Granville, Baron Eugene de + Scenes from a Courtesan's Life + +Molineux, Jean-Baptiste + The Purse + Cesar Birotteau + +Regnier, Claude-Antoine + The Gondreville Mystery + +Roguin, Madame + Cesar Birotteau + At the Sign of the Cat and Racket + Pierrette + A Daughter of Eve + +Vandenesse, Comtesse Felix de + A Daughter of Eve + The Muse of the Department + + + + + +End of the Project Gutenberg EBook of A Second Home, by Honore de Balzac + +*** END OF THIS PROJECT GUTENBERG EBOOK A SECOND HOME *** + +***** This file should be named 1810.txt or 1810.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/1/8/1/1810/ + +Produced by Dagny; and John Bickers + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.net/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.net + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.net), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.net + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/old/20050829-1810.zip b/old/20050829-1810.zip Binary files differnew file mode 100644 index 0000000..0420e12 --- /dev/null +++ b/old/20050829-1810.zip diff --git a/old/2ndhm10.txt b/old/2ndhm10.txt new file mode 100644 index 0000000..8a82026 --- /dev/null +++ b/old/2ndhm10.txt @@ -0,0 +1,3125 @@ +The Project Gutenberg Etext of A Second Home by Honore de Balzac +#67 in our series by Honore de Balzac + + +Copyright laws are changing all over the world, be sure to check +the copyright laws for your country before posting these files!! + +Please take a look at the important information in this header. +We encourage you to keep this file on your own disk, keeping an +electronic path open for the next readers. Do not remove this. + + +**Welcome To The World of Free Plain Vanilla Electronic Texts** + +**Etexts Readable By Both Humans and By Computers, Since 1971** + +*These Etexts Prepared By Hundreds of Volunteers and Donations* + +Information on contacting Project Gutenberg to get Etexts, and +further information is included below. We need your donations. + + +A Second Home + +by Honore de Balzac + +Translated by Clara Bell + +July, 1999 [Etext #1810] + + +The Project Gutenberg Etext of A Second Home by Honore de Balzac +******This file should be named 2ndhm10.txt or 2ndhm10.zip****** + +Corrected EDITIONS of our etexts get a new NUMBER, 2ndhm11.txt +VERSIONS based on separate sources get new LETTER, 2ndhm10a.txt + + +Etext prepared by Dagny, dagnyj@hotmail.com +and John Bickers, jbickers@templar.actrix.gen.nz + + +Project Gutenberg Etexts are usually created from multiple editions, +all of which are in the Public Domain in the United States, unless a +copyright notice is included. Therefore, we do NOT keep these books +in compliance with any particular paper edition, usually otherwise. + + +We are now trying to release all our books one month in advance +of the official release dates, for time for better editing. + +Please note: neither this list nor its contents are final till +midnight of the last day of the month of any such announcement. +The official release date of all Project Gutenberg Etexts is at +Midnight, Central Time, of the last day of the stated month. A +preliminary version may often be posted for suggestion, comment +and editing by those who wish to do so. To be sure you have an +up to date first edition [xxxxx10x.xxx] please check file sizes +in the first week of the next month. Since our ftp program has +a bug in it that scrambles the date [tried to fix and failed] a +look at the file size will have to do, but we will try to see a +new copy has at least one byte more or less. + + +Information about Project Gutenberg (one page) + +We produce about two million dollars for each hour we work. The +fifty hours is one conservative estimate for how long it we take +to get any etext selected, entered, proofread, edited, copyright +searched and analyzed, the copyright letters written, etc. This +projected audience is one hundred million readers. If our value +per text is nominally estimated at one dollar then we produce $2 +million dollars per hour this year as we release thirty-six text +files per month, or 432 more Etexts in 1999 for a total of 2000+ +If these reach just 10% of the computerized population, then the +total should reach over 200 billion Etexts given away this year. + +The Goal of Project Gutenberg is to Give Away One Trillion Etext +Files by the December 31, 2001. [10,000 x 100,000,000=Trillion] +This is ten thousand titles each to one hundred million readers, +which is only ~5% of the present number of computer users. + +At our revised rates of production, we will reach only one-third +of that goal by the end of 2001, or about 3,333 Etexts unless we +manage to get some real funding; currently our funding is mostly +from Michael Hart's salary at Carnegie-Mellon University, and an +assortment of sporadic gifts; this salary is only good for a few +more years, so we are looking for something to replace it, as we +don't want Project Gutenberg to be so dependent on one person. + +We need your donations more than ever! + + +All donations should be made to "Project Gutenberg/CMU": and are +tax deductible to the extent allowable by law. (CMU = Carnegie- +Mellon University). + +For these and other matters, please mail to: + +Project Gutenberg +P. O. Box 2782 +Champaign, IL 61825 + +When all other email fails try our Executive Director: +Michael S. Hart <hart@pobox.com> + +We would prefer to send you this information by email. + +****** + +To access Project Gutenberg etexts, use any Web browser +to view http://promo.net/pg. This site lists Etexts by +author and by title, and includes information about how +to get involved with Project Gutenberg. You could also +download our past Newsletters, or subscribe here. This +is one of our major sites, please email hart@pobox.com, +for a more complete list of our various sites. + +To go directly to the etext collections, use FTP or any +Web browser to visit a Project Gutenberg mirror (mirror +sites are available on 7 continents; mirrors are listed +at http://promo.net/pg). + +Mac users, do NOT point and click, typing works better. + +Example FTP session: + +ftp sunsite.unc.edu +login: anonymous +password: your@login +cd pub/docs/books/gutenberg +cd etext90 through etext99 +dir [to see files] +get or mget [to get files. . .set bin for zip files] +GET GUTINDEX.?? [to get a year's listing of books, e.g., GUTINDEX.99] +GET GUTINDEX.ALL [to get a listing of ALL books] + +*** + +**Information prepared by the Project Gutenberg legal advisor** + +(Three Pages) + + +***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START*** +Why is this "Small Print!" statement here? You know: lawyers. +They tell us you might sue us if there is something wrong with +your copy of this etext, even if you got it for free from +someone other than us, and even if what's wrong is not our +fault. So, among other things, this "Small Print!" statement +disclaims most of our liability to you. It also tells you how +you can distribute copies of this etext if you want to. + +*BEFORE!* YOU USE OR READ THIS ETEXT +By using or reading any part of this PROJECT GUTENBERG-tm +etext, you indicate that you understand, agree to and accept +this "Small Print!" statement. If you do not, you can receive +a refund of the money (if any) you paid for this etext by +sending a request within 30 days of receiving it to the person +you got it from. If you received this etext on a physical +medium (such as a disk), you must return it with your request. + +ABOUT PROJECT GUTENBERG-TM ETEXTS +This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG- +tm etexts, is a "public domain" work distributed by Professor +Michael S. Hart through the Project Gutenberg Association at +Carnegie-Mellon University (the "Project"). Among other +things, this means that no one owns a United States copyright +on or for this work, so the Project (and you!) can copy and +distribute it in the United States without permission and +without paying copyright royalties. Special rules, set forth +below, apply if you wish to copy and distribute this etext +under the Project's "PROJECT GUTENBERG" trademark. + +To create these etexts, the Project expends considerable +efforts to identify, transcribe and proofread public domain +works. Despite these efforts, the Project's etexts and any +medium they may be on may contain "Defects". Among other +things, Defects may take the form of incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other +intellectual property infringement, a defective or damaged +disk or other etext medium, a computer virus, or computer +codes that damage or cannot be read by your equipment. + +LIMITED WARRANTY; DISCLAIMER OF DAMAGES +But for the "Right of Replacement or Refund" described below, +[1] the Project (and any other party you may receive this +etext from as a PROJECT GUTENBERG-tm etext) disclaims all +liability to you for damages, costs and expenses, including +legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR +UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT, +INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE +OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE +POSSIBILITY OF SUCH DAMAGES. + +If you discover a Defect in this etext within 90 days of +receiving it, you can receive a refund of the money (if any) +you paid for it by sending an explanatory note within that +time to the person you received it from. If you received it +on a physical medium, you must return it with your note, and +such person may choose to alternatively give you a replacement +copy. If you received it electronically, such person may +choose to alternatively give you a second opportunity to +receive it electronically. + +THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS +TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT +LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A +PARTICULAR PURPOSE. + +Some states do not allow disclaimers of implied warranties or +the exclusion or limitation of consequential damages, so the +above disclaimers and exclusions may not apply to you, and you +may have other legal rights. + +INDEMNITY +You will indemnify and hold the Project, its directors, +officers, members and agents harmless from all liability, cost +and expense, including legal fees, that arise directly or +indirectly from any of the following that you do or cause: +[1] distribution of this etext, [2] alteration, modification, +or addition to the etext, or [3] any Defect. + +DISTRIBUTION UNDER "PROJECT GUTENBERG-tm" +You may distribute copies of this etext electronically, or by +disk, book or any other medium if you either delete this +"Small Print!" and all other references to Project Gutenberg, +or: + +[1] Only give exact copies of it. Among other things, this + requires that you do not remove, alter or modify the + etext or this "small print!" statement. You may however, + if you wish, distribute this etext in machine readable + binary, compressed, mark-up, or proprietary form, + including any form resulting from conversion by word pro- + cessing or hypertext software, but only so long as + *EITHER*: + + [*] The etext, when displayed, is clearly readable, and + does *not* contain characters other than those + intended by the author of the work, although tilde + (~), asterisk (*) and underline (_) characters may + be used to convey punctuation intended by the + author, and additional characters may be used to + indicate hypertext links; OR + + [*] The etext may be readily converted by the reader at + no expense into plain ASCII, EBCDIC or equivalent + form by the program that displays the etext (as is + the case, for instance, with most word processors); + OR + + [*] You provide, or agree to also provide on request at + no additional cost, fee or expense, a copy of the + etext in its original plain ASCII form (or in EBCDIC + or other equivalent proprietary form). + +[2] Honor the etext refund and replacement provisions of this + "Small Print!" statement. + +[3] Pay a trademark license fee to the Project of 20% of the + net profits you derive calculated using the method you + already use to calculate your applicable taxes. If you + don't derive profits, no royalty is due. Royalties are + payable to "Project Gutenberg Association/Carnegie-Mellon + University" within the 60 days following each + date you prepare (or were legally required to prepare) + your annual (or equivalent periodic) tax return. + +WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO? +The Project gratefully accepts contributions in money, time, +scanning machines, OCR software, public domain etexts, royalty +free copyright licenses, and every other sort of contribution +you can think of. Money should be paid to "Project Gutenberg +Association / Carnegie-Mellon University". + +*END*THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END* + + + + + +Etext prepared by Dagny, dagnyj@hotmail.com +and John Bickers, jbickers@templar.actrix.gen.nz + + + + + +A Second Home + +by Honore de Balzac + + + + +Translated by Clara Bell + +DEDICATION + +To Madame la Comtesse Louise de Turheim as a token of +remembrance and affectionate respect. + + + + +A SECOND HOME + + + +The Rue du Tourniquet-Saint-Jean, formerly one of the darkest and most +tortuous of the streets about the Hotel de Ville, zigzagged round the +little gardens of the Paris Prefecture, and ended at the Rue Martroi, +exactly at the angle of an old wall now pulled down. Here stood the +turnstile to which the street owed its name; it was not removed till +1823, when the Municipality built a ballroom on the garden plot +adjoining the Hotel de Ville, for the fete given in honor of the Duc +d'Angouleme on his return from Spain. + +The widest part of the Rue du Tourniquet was the end opening into the +Rue de la Tixeranderie, and even there it was less than six feet +across. Hence in rainy weather the gutter water was soon deep at the +foot of the old houses, sweeping down with it the dust and refuse +deposited at the corner-stones by the residents. As the dust-carts +could not pass through, the inhabitants trusted to storms to wash +their always miry alley; for how could it be clean? When the summer +sun shed its perpendicular rays on Paris like a sheet of gold, but as +piercing as the point of a sword, it lighted up the blackness of this +street for a few minutes without drying the permanent damp that rose +from the ground-floor to the first story of these dark and silent +tenements. + +The residents, who lighted their lamps at five o'clock in the month of +June, in winter never put them out. To this day the enterprising +wayfarer who should approach the Marais along the quays, past the end +of the Rue du Chaume, the Rues de l'Homme Arme, des Billettes, and des +Deux-Portes, all leading to the Rue du Tourniquet, might think he had +passed through cellars all the way. + +Almost all the streets of old Paris, of which ancient chronicles laud +the magnificence, were like this damp and gloomy labyrinth, where the +antiquaries still find historical curiosities to admire. For instance, +on the house then forming the corner where the Rue du Tourniquet +joined the Rue de la Tixeranderie, the clamps might still be seen of +two strong iron rings fixed to the wall, the relics of the chains put +up every night by the watch to secure public safety. + +This house, remarkable for its antiquity, had been constructed in a +way that bore witness to the unhealthiness of these old dwellings; +for, to preserve the ground-floor from damp, the arches of the cellars +rose about two feet above the soil, and the house was entered up three +outside steps. The door was crowned by a closed arch, of which the +keystone bore a female head and some time-eaten arabesques. Three +windows, their sills about five feet from the ground, belonged to a +small set of rooms looking out on the Rue du Tourniquet, whence they +derived their light. These windows were protected by strong iron bars, +very wide apart, and ending below in an outward curve like the bars of +a baker's window. + +If any passer-by during the day were curious enough to peep into the +two rooms forming this little dwelling, he could see nothing; for only +under the sun of July could he discern, in the second room, two beds +hung with green serge, placed side by side under the paneling of an +old-fashioned alcove; but in the afternoon, by about three o'clock, +when the candles were lighted, through the pane of the first room an +old woman might be seen sitting on a stool by the fireplace, where she +nursed the fire in a brazier, to simmer a stew, such as porters' wives +are expert in. A few kitchen utensils, hung up against the wall, were +visible in the twilight. + +At that hour an old table on trestles, but bare of linen, was laid +with pewter-spoons, and the dish concocted by the old woman. Three +wretched chairs were all the furniture of this room, which was at once +the kitchen and the dining-room. Over the chimney-piece were a piece +of looking-glass, a tinder-box, three glasses, some matches, and a +large, cracked white jug. Still, the floor, the utensils, the +fireplace, all gave a pleasant sense of the perfect cleanliness and +thrift that pervaded the dull and gloomy home. + +The old woman's pale, withered face was quite in harmony with the +darkness of the street and the mustiness of the place. As she sat +there, motionless, in her chair, it might have been thought that she +was as inseparable from the house as a snail from its brown shell; her +face, alert with a vague expression of mischief, was framed in a flat +cap made of net, which barely covered her white hair; her fine, gray +eyes were as quiet as the street, and the many wrinkles in her face +might be compared to the cracks in the walls. Whether she had been +born to poverty, or had fallen from some past splendor, she now seemed +to have been long resigned to her melancholy existence. + +From sunrise till dark, excepting when she was getting a meal ready, +or, with a basket on her arm, was out purchasing provisions, the old +woman sat in the adjoining room by the further window, opposite a +young girl. At any hour of the day the passer-by could see the +needlewoman seated in an old, red velvet chair, bending over an +embroidery frame, and stitching indefatigably. + +Her mother had a green pillow on her knee, and busied herself with +hand-made net; but her fingers could move the bobbin but slowly; her +sight was feeble, for on her nose there rested a pair of those +antiquated spectacles which keep their place on the nostrils by the +grip of a spring. By night these two hardworking women set a lamp +between them; and the light, concentrated by two globe-shaped bottles +of water, showed the elder the fine network made by the threads on her +pillow, and the younger the most delicate details of the pattern she +was embroidering. The outward bend of the window had allowed the girl +to rest a box of earth on the window-sill, in which grew some sweet +peas, nasturtiums, a sickly little honeysuckle, and some convolvulus +that twined its frail stems up the iron bars. These etiolated plants +produced a few pale flowers, and added a touch of indescribable +sadness and sweetness to the picture offered by this window, in which +the two figures were appropriately framed. + +The most selfish soul who chanced to see this domestic scene would +carry away with him a perfect image of the life led in Paris by the +working class of women, for the embroideress evidently lived by her +needle. Many, as they passed through the turnstile, found themselves +wondering how a girl could preserve her color, living in such a +cellar. A student of lively imagination, going that way to cross to +the Quartier-Latin, would compare this obscure and vegetative life to +that of the ivy that clung to these chill walls, to that of the +peasants born to labor, who are born, toil, and die unknown to the +world they have helped to feed. A house-owner, after studying the +house with the eye of a valuer, would have said, "What will become of +those two women if embroidery should go out of fashion?" Among the men +who, having some appointment at the Hotel de Ville or the Palais de +Justice, were obliged to go through this street at fixed hours, either +on their way to business or on their return home, there may have been +some charitable soul. Some widower or Adonis of forty, brought so +often into the secrets of these sad lives, may perhaps have reckoned +on the poverty of this mother and daughter, and have hoped to become +the master at no great cost of the innocent work-woman, whose nimble +and dimpled fingers, youthful figure, and white skin--a charm due, no +doubt, to living in this sunless street--had excited his admiration. +Perhaps, again, some honest clerk, with twelve hundred francs a year, +seeing every day the diligence the girl gave to her needle, and +appreciating the purity of her life, was only waiting for improved +prospects to unite one humble life with another, one form of toil to +another, and to bring at any rate a man's arm and a calm affection, +pale-hued like the flowers in the window, to uphold this home. + +Vague hope certainly gave life to the mother's dim, gray eyes. Every +morning, after the most frugal breakfast, she took up her pillow, +though chiefly for the look of the thing, for she would lay her +spectacles on a little mahogany worktable as old as herself, and look +out of the window from about half-past eight till ten at the regular +passers in the street; she caught their glances, remarked on their +gait, their dress, their countenance, and almost seemed to be offering +her daughter, her gossiping eyes so evidently tried to attract some +magnetic sympathy by manoeuvres worthy of the stage. It was evident +that this little review was as good as a play to her, and perhaps her +single amusement. + +The daughter rarely looked up. Modesty, or a painful consciousness of +poverty, seemed to keep her eyes riveted to the work-frame; and only +some exclamation of surprise from her mother moved her to show her +small features. Then a clerk in a new coat, or who unexpectedly +appeared with a woman on his arm, might catch sight of the girl's +slightly upturned nose, her rosy mouth, and gray eyes, always bright +and lively in spite of her fatiguing toil. Her late hours had left a +trace on her face by a pale circle marked under each eye on the fresh +rosiness of her cheeks. The poor child looked as if she were made for +love and cheerfulness--for love, which had drawn two perfect arches +above her eyelids, and had given her such a mass of chestnut hair, +that she might have hidden under it as under a tent, impenetrable to +the lover's eye--for cheerfulness, which gave quivering animation to +her nostrils, which carved two dimples in her rosy cheeks, and made +her quick to forget her troubles; cheerfulness, the blossom of hope, +which gave her strength to look out without shuddering on the barren +path of life. + +The girl's hair was always carefully dressed. After the manner of +Paris needlewomen, her toilet seemed to her quite complete when she +had brushed her hair smooth and tucked up the little short curls that +played on each temple in contrast with the whiteness of her skin. The +growth of it on the back of her neck was so pretty, and the brown +line, so clearly traced, gave such a pleasing idea of her youth and +charm, that the observer, seeing her bent over her work, and unmoved +by any sound, was inclined to think of her as a coquette. Such +inviting promise had excited the interest of more than one young man, +who turned round in the vain hope of seeing that modest countenance. + +"Caroline, there is a new face that passes regularly by, and not one +of the old ones to compare with it." + +These words, spoken in a low voice by her mother one August morning in +1815, had vanquished the young needlewoman's indifference, and she +looked out on the street; but in vain, the stranger was gone. + +"Where has he flown to?" said she. + +"He will come back no doubt at four; I shall see him coming, and will +touch your foot with mine. I am sure he will come back; he has been +through the street regularly for the last three days; but his hours +vary. The first day he came by at six o'clock, the day before +yesterday it was four, yesterday as early as three. I remember seeing +him occasionally some time ago. He is some clerk in the Prefet's +office who has moved to the Marais.--Why!" she exclaimed, after +glancing down the street, "our gentleman of the brown coat has taken +to wearing a wig; how much it alters him!" + +The gentleman of the brown coat was, it would seem, the individual who +commonly closed the daily procession, for the old woman put on her +spectacles and took up her work with a sigh, glancing at her daughter +with so strange a look that Lavater himself would have found it +difficult to interpret. Admiration, gratitude, a sort of hope for +better days, were mingled with pride at having such a pretty daughter. + +At about four in the afternoon the old lady pushed her foot against +Caroline's, and the girl looked up quickly enough to see the new +actor, whose regular advent would thenceforth lend variety to the +scene. He was tall and thin, and wore black, a man of about forty, +with a certain solemnity of demeanor; as his piercing hazel eye met +the old woman's dull gaze, he made her quake, for she felt as though +he had the gift of reading hearts, or much practice in it, and his +presence must surely be as icy as the air of this dank street. Was the +dull, sallow complexion of that ominous face due to excess of work, or +the result of delicate health? + +The old woman supplied twenty different answers to this question; but +Caroline, next day, discerned the lines of long mental suffering on +that brow that was so prompt to frown. The rather hollow cheeks of the +Unknown bore the stamp of the seal which sorrow sets on its victims as +if to grant them the consolation of common recognition and brotherly +union for resistance. Though the girl's expression was at first one of +lively but innocent curiosity, it assumed a look of gentle sympathy as +the stranger receded from view, like a last relation following in a +funeral train. + +The heat of the weather was so great, and the gentleman was so absent- +minded, that he had taken off his hat and forgotten to put it on again +as he went down the squalid street. Caroline could see the stern look +given to his countenance by the way the hair was brushed from his +forehead. The strong impression, devoid of charm, made on the girl by +this man's appearance was totally unlike any sensation produced by the +other passengers who used the street; for the first time in her life +she was moved to pity for some one else than herself and her mother; +she made no reply to the absurd conjectures that supplied material for +the old woman's provoking volubility, and drew her long needle in +silence through the web of stretched net; she only regretted not +having seen the stranger more closely, and looked forward to the +morrow to form a definite opinion of him. + +It was the first time, indeed, that a man passing down the street had +ever given rise to much thought in her mind. She generally had nothing +but a smile in response to her mother's hypotheses, for the old woman +looked on every passer-by as a possible protector for her daughter. +And if such suggestions, so crudely presented, gave rise to no evil +thoughts in Caroline's mind, her indifference must be ascribed to the +persistent and unfortunately inevitable toil in which the energies of +her sweet youth were being spent, and which would infallibly mar the +clearness of her eyes or steal from her fresh cheeks the bloom that +still colored them. + +For two months or more the "Black Gentleman"--the name they had given +him--was erratic in his movements; he did not always come down the Rue +du Tourniquet; the old woman sometimes saw him in the evening when he +had not passed in the morning, and he did not come by at such regular +hours as the clerks who served Madame Crochard instead of a clock; +moreover, excepting on the first occasion, when his look had given the +old mother a sense of alarm, his eyes had never once dwelt on the +weird picture of these two female gnomes. With the exception of two +carriage-gates and a dark ironmonger's shop, there were in the Rue du +Tourniquet only barred windows, giving light to the staircases of the +neighboring houses; thus the stranger's lack of curiosity was not to +be accounted for by the presence of dangerous rivals; and Madame +Crochard was greatly piqued to see her "Black Gentleman" always lost +in thought, his eyes fixed on the ground, or straight before him, as +though he hoped to read the future in the fog of the Rue du +Tourniquet. However, one morning, about the middle of September, +Caroline Crochard's roguish face stood out so brightly against the +dark background of the room, looking so fresh among the belated +flowers and faded leaves that twined round the window-bars, the daily +scene was gay with such contrasts of light and shade, of pink and +white blending with the light material on which the pretty needlewoman +was working, and with the red and brown hues of the chairs, that the +stranger gazed very attentively at the effects of this living picture. +In point of fact, the old woman, provoked by her "Black Gentleman's" +indifference, had made such a clatter with her bobbins that the gloomy +and pensive passer-by was perhaps prompted to look up by the unusual +noise. + +The stranger merely exchanged glances with Caroline, swift indeed, but +enough to effect a certain contact between their souls, and both were +aware that they would think of each other. When the stranger came by +again, at four in the afternoon, Caroline recognized the sound of his +step on the echoing pavement; they looked steadily at each other, and +with evident purpose; his eyes had an expression of kindliness which +made him smile, and Caroline colored; the old mother noted them with +satisfaction. Ever after that memorable afternoon, the Gentleman in +Black went by twice a day, with rare exceptions, which both the women +observed. They concluded from the irregularity of the hours of his +homecoming that he was not released so early, nor so precisely +punctual as a subordinate official. + +All through the first three winter months, twice a day, Caroline and +the stranger thus saw each other for so long as it took him to +traverse the piece of road that lay along the length of the door and +three windows of the house. Day after day this brief interview had the +hue of friendly sympathy which at last had acquired a sort of +fraternal kindness. Caroline and the stranger seemed to understand +each other from the first; and then, by dint of scrutinizing each +other's faces, they learned to know them well. Ere long it came to be, +as it were, a visit that the Unknown owed to Caroline; if by any +chance her Gentleman in Black went by without bestowing on her the +half-smile of his expressive lips, or the cordial glance of his brown +eyes, something was missing to her all day. She felt as an old man +does to whom the daily study of a newspaper is such an indispensable +pleasure that on the day after any great holiday he wanders about +quite lost, and seeking, as much out of vagueness as for want of +patience, the sheet by which he cheats an hour of life. + +But these brief meetings had the charm of intimate friendliness, quite +as much for the stranger as for Caroline. The girl could no more hide +a vexation, a grief, or some slight ailment from the keen eye of her +appreciative friend than he could conceal anxiety from hers. + +"He must have had some trouble yesterday," was the thought that +constantly arose in the embroideress' mind as she saw some change in +the features of the "Black Gentleman." + +"Oh, he has been working too hard!" was a reflection due to another +shade of expression which Caroline could discern. + +The stranger, on his part, could guess when the girl had spent Sunday +in finishing a dress, and he felt an interest in the pattern. As +quarter-day came near he could see that her pretty face was clouded by +anxiety, and he could guess when Caroline had sat up late at work; but +above all, he noted how the gloomy thoughts that dimmed the cheerful +and delicate features of her young face gradually vanished by degrees +as their acquaintance ripened. When winter had killed the climbers and +plants of her window garden, and the window was kept closed, it was +not without a smile of gentle amusement that the stranger observed the +concentration of the light within, just at the level of Caroline's +head. The very small fire and the frosty red of the two women's faces +betrayed the poverty of their home; but if ever his own countenance +expressed regretful compassion, the girl proudly met it with assumed +cheerfulness. + +Meanwhile the feelings that had arisen in their hearts remained buried +there, no incident occurring to reveal to either of them how deep and +strong they were in the other; they had never even heard the sound of +each other's voice. These mute friends were even on their guard +against any nearer acquaintance, as though it meant disaster. Each +seemed to fear lest it should bring on the other some grief more +serious than those they felt tempted to share. Was it shyness or +friendship that checked them? Was it a dread of meeting with +selfishness, or the odious distrust which sunders all the residents +within the walls of a populous city? Did the voice of conscience warn +them of approaching danger? It would be impossible to explain the +instinct which made them as much enemies as friends, at once +indifferent and attached, drawn to each other by impulse, and severed +by circumstance. Each perhaps hoped to preserve a cherished illusion. +It might almost have been thought that the stranger feared lest he +should hear some vulgar word from those lips as fresh and pure as a +flower, and that Caroline felt herself unworthy of the mysterious +personage who was evidently possessed of power and wealth. + +As to Madame Crochard, that tender mother, almost angry at her +daughter's persistent lack of decisiveness, now showed a sulky face to +the "Black Gentleman," on whom she had hitherto smiled with a sort of +benevolent servility. Never before had she complained so bitterly of +being compelled, at her age, to do the cooking; never had her catarrh +and her rheumatism wrung so many groans from her; finally, she could +not, this winter, promise so many ells of net as Caroline had hitherto +been able to count on. + +Under these circumstances, and towards the end of December, at the +time when bread was dearest, and that dearth of corn was beginning to +be felt which made the year 1816 so hard on the poor, the stranger +observed on the features of the girl whose name was still unknown to +him, the painful traces of a secret sorrow which his kindest smiles +could not dispel. Before long he saw in Caroline's eyes the dimness +attributed to long hours at night. One night, towards the end of the +month, the Gentleman in Black passed down the Rue du Tourniquet at the +quite unwonted hour of one in the morning. The perfect silence allowed +of his hearing before passing the house the lachrymose voice of the +old mother, and Caroline's even sadder tones, mingling with the swish +of a shower of sleet. He crept along as slowly as he could; and then, +at the risk of being taken up by the police, he stood still below the +window to hear the mother and daughter, while watching them through +the largest of the holes in the yellow muslin curtains, which were +eaten away by wear as a cabbage leaf is riddled by caterpillars. The +inquisitive stranger saw a sheet of paper on the table that stood +between the two work-frames, and on which stood the lamp and the +globes filled with water. He at once identified it as a writ. Madame +Crochard was weeping, and Caroline's voice was thick, and had lost its +sweet, caressing tone. + +"Why be so heartbroken, mother? Monsieur Molineux will not sell us up +or turn us out before I have finished this dress; only two nights more +and I shall take it home to Madame Roguin." + +"And supposing she keeps you waiting as usual?--And will the money for +the gown pay the baker too?" + +The spectator of this scene had long practice in reading faces; he +fancied he could discern that the mother's grief was as false as the +daughter's was genuine; he turned away, and presently came back. When +he next peeped through the hole in the curtain, Madame Crochard was in +bed. The young needlewoman, bending over her frame, was embroidering +with indefatigable diligence; on the table, with the writ lay a +triangular hunch of bread, placed there, no doubt, to sustain her in +the night and to remind her of the reward of her industry. The +stranger was tremulous with pity and sympathy; he threw his purse in +through a cracked pane so that it should fall at the girl's feet; and +then, without waiting to enjoy her surprise, he escaped, his cheeks +tingling. + +Next morning the shy and melancholy stranger went past with a look of +deep preoccupation, but he could not escape Caroline's gratitude; she +had opened her window and affected to be digging in the square window- +box buried in snow, a pretext of which the clumsy ingenuity plainly +told her benefactor that she had been resolved not to see him only +through the pane. Her eyes were full of tears as she bowed her head, +as much as to say to her benefactor, "I can only repay you from my +heart." + +But the Gentleman in Black affected not to understand the meaning of +this sincere gratitude. In the evening, as he came by, Caroline was +busy mending the window with a sheet of paper, and she smiled at him, +showing her row of pearly teeth like a promise. Thenceforth the +Stranger went another way, and was no more seen in the Rue due +Tourniquet. + + + +It was one day early in the following May that, as Caroline was giving +the roots of the honeysuckle a glass of water, one Saturday morning, +she caught sight of a narrow strip of cloudless blue between the black +lines of houses, and said to her mother: + +"Mamma, we must go to-morrow for a trip to Montmorency!" + +She had scarcely uttered the words, in a tone of glee, when the +Gentleman in Black came by, sadder and more dejected than ever. +Caroline's innocent and ingratiating glance might have been taken for +an invitation. And, in fact, on the following day, when Madame +Crochard, dressed in a pelisse of claret-colored merinos, a silk +bonnet, and striped shawl of an imitation Indian pattern, came out to +choose seats in a chaise at the corner of the Rue du Faubourg Saint- +Denis and the Rue d'Enghien, there she found her Unknown standing like +a man waiting for his wife. A smile of pleasure lighted up the +Stranger's face when his eye fell on Caroline, her neat feet shod in +plum-colored prunella gaiters, and her white dress tossed by a breeze +that would have been fatal to an ill-made woman, but which displayed +her graceful form. Her face, shaded by a rice-straw bonnet lined with +pink silk, seemed to beam with a reflection from heaven; her broad, +plum-colored belt set off a waist he could have spanned; her hair, +parted in two brown bands over a forehead as white as snow, gave her +an expression of innocence which no other feature contradicted. +Enjoyment seemed to have made Caroline as light as the straw of her +hat; but when she saw the Gentleman in Black, radiant hope suddenly +eclipsed her bright dress and her beauty. The Stranger, who appeared +to be in doubt, had not perhaps made up his mind to be the girl's +escort for the day till this revelation of the delight she felt on +seeing him. He at once hired a vehicle with a fairly good horse, to +drive to Saint-Leu-Taverny, and he offered Madame Crochard and her +daughter seats by his side. The mother accepted without ado; but +presently, when they were already on the way to Saint-Denis, she was +by way of having scruples, and made a few civil speeches as to the +possible inconvenience two women might cause their companion. + +"Perhaps, monsieur, you wished to drive alone to Saint-Leu-Taverny," +said she, with affected simplicity. + +Before long she complained of the heat, and especially of her cough, +which, she said, had hindered her from closing her eyes all night; and +by the time the carriage had reached Saint-Denis, Madame Crochard +seemed to be fast asleep. Her snores, indeed, seemed, to the Gentleman +in Black, rather doubtfully genuine, and he frowned as he looked at +the old woman with a very suspicious eye. + +"Oh, she is fast asleep," said Caroline quilelessly; "she never ceased +coughing all night. She must be very tired." + +Her companion made no reply, but he looked at the girl with a smile +that seemed to say: + +"Poor child, you little know your mother!" + +However, in spite of his distrust, as the chaise made its way down the +long avenue of poplars leading to Eaubonne, the Stranger thought that +Madame Crochard was really asleep; perhaps he did not care to inquire +how far her slumbers were genuine or feigned. Whether it were that the +brilliant sky, the pure country air, and the heady fragrance of the +first green shoots of the poplars, the catkins of willow, and the +flowers of the blackthorn had inclined his heart to open like all the +nature around him; or that any long restraint was too oppressive while +Caroline's sparkling eyes responded to his own, the Gentleman in Black +entered on a conversation with his young companion, as aimless as the +swaying of the branches in the wind, as devious as the flitting of the +butterflies in the azure air, as illogical as the melodious murmur of +the fields, and, like it, full of mysterious love. At that season is +not the rural country as tremulous as a bride that has donned her +marriage robe; does it not invite the coldest soul to be happy? What +heart could remain unthawed, and what lips could keep its secret, on +leaving the gloomy streets of the Marais for the first time since the +previous autumn, and entering the smiling and picturesque valley of +Montmorency; on seeing it in the morning light, its endless horizons +receding from view; and then lifting a charmed gaze to eyes which +expressed no less infinitude mingled with love? + +The Stranger discovered that Caroline was sprightly rather than witty, +affectionate, but ill educated; but while her laugh was giddy, her +words promised genuine feeling. When, in response to her companion's +shrewd questioning, the girl spoke with the heartfelt effusiveness of +which the lower classes are lavish, not guarding it with reticence +like people of the world, the Black Gentleman's face brightened, and +seemed to renew its youth. His countenance by degrees lost the sadness +that lent sternness to his features, and little by little they gained +a look of handsome youthfulness which made Caroline proud and happy. +The pretty needlewoman guessed that her new friend had been long +weaned from tenderness and love, and no longer believed in the +devotion of woman. Finally, some unexpected sally in Caroline's light +prattle lifted the last veil that concealed the real youth and genuine +character of the Stranger's physiognomy; he seemed to bid farewell to +the ideas that haunted him, and showed the natural liveliness that lay +beneath the solemnity of his expression. + +Their conversation had insensibly become so intimate, that by the time +when the carriage stopped at the first houses of the straggling +village of Saint-Leu, Caroline was calling the gentleman Monsieur +Roger. Then for the first time the old mother awoke. + +"Caroline, she has heard everything!" said Roger suspiciously in the +girl's ear. + +Caroline's reply was an exquisite smile of disbelief, which dissipated +the dark cloud that his fear of some plot on the old woman's part had +brought to this suspicious mortal's brow. Madame Crochard was amazed +at nothing, approved of everything, followed her daughter and Monsieur +Roger into the park, where the two young people had agreed to wander +through the smiling meadows and fragrant copses made famous by the +taste of Queen Hortense. + +"Good heavens! how lovely!" exclaimed Caroline when standing on the +green ridge where the forest of Montmorency begins, she saw lying at +her feet the wide valley with its combes sheltering scattered +villages, its horizon of blue hills, its church towers, its meadows +and fields, whence a murmur came up, to die on her ear like the swell +of the ocean. The three wanderers made their way by the bank of an +artificial stream and came to the Swiss valley, where stands a chalet +that had more than once given shelter to Hortense and Napoleon. When +Caroline had seated herself with pious reverence on the mossy wooden +bench where kings and princesses and the Emperor had rested, Madame +Crochard expressed a wish to have a nearer view of a bridge that hung +across between two rocks at some little distance, and bent her steps +towards that rural curiosity, leaving her daughter in Monsieur Roger's +care, though telling them that she would not go out of sight. + +"What, poor child!" cried Roger, "have you never longed for wealth and +the pleasures of luxury? Have you never wished that you might wear the +beautiful dresses you embroider?" + +"It would not be the truth, Monsieur Roger, if I were to tell you that +I never think how happy people must be who are rich. Oh yes! I often +fancy, especially when I am going to sleep, how glad I should be to +see my poor mother no longer compelled to go out, whatever the +weather, to buy our little provisions, at her age. I should like her +to have a servant who, every morning before she was up, would bring +her up her coffee, nicely sweetened with white sugar. And she loves +reading novels, poor dear soul! Well, and I would rather see her +wearing out her eyes over her favorite books than over twisting her +bobbins from morning till night. And again, she ought to have a little +good wine. In short, I should like to see her comfortable--she is so +good." + +"Then she has shown you great kindness?" + +"Oh yes," said the girl, in a tone of conviction. Then, after a short +pause, during which the two young people stood watching Madame +Crochard, who had got to the middle of the rustic bridge, and was +shaking her finger at them, Caroline went on: + +"Oh yes, she has been so good to me. What care she took of me when I +was little! She sold her last silver forks to apprentice me to the old +maid who taught me to embroider.--And my poor father! What did she not +go through to make him end his days in happiness!" The girl shivered +at the remembrance, and hid her face in her hands.--"Well! come! let +us forget past sorrows!" she added, trying to rally her high spirits. +She blushed as she saw that Roger too was moved, but she dared not +look at him. + +"What was your father?" he asked. + +"He was an opera-dancer before the Revolution," said she, with an air +of perfect simplicity, "and my mother sang in the chorus. My father, +who was leader of the figures on the stage, happened to be present at +the siege of the Bastille. He was recognized by some of the +assailants, who asked him whether he could not lead a real attack, +since he was used to leading such enterprises on the boards. My father +was brave; he accepted the post, led the insurgents, and was rewarded +by the nomination to the rank of captain in the army of Sambre-et- +Meuse, where he distinguished himself so far as to rise rapidly to be +a colonel. But at Lutzen he was so badly wounded that, after a year's +sufferings, he died in Paris.--The Bourbons returned; my mother could +obtain no pension, and we fell into such abject misery that we were +compelled to work for our living. For some time past she has been +ailing, poor dear, and I have never known her so little resigned; she +complains a good deal, and, indeed, I cannot wonder, for she has known +the pleasures of an easy life. For my part, I cannot pine for delights +I have never known, I have but one thing to wish for." + +"And that is?" said Roger eagerly, as if roused from a dream. + +"That women may continue to wear embroidered net dresses, so that I +may never lack work." + +The frankness of this confession interested the young man, who looked +with less hostile eyes on Madame Crochard as she slowly made her way +back to them. + +"Well, children, have you had a long talk?" said she, with a half- +laughing, half-indulgent air. "When I think, Monsieur Roger, that the +'little Corporal' has sat where you are sitting," she went on after a +pause. "Poor man! how my husband worshiped him! Ah! Crochard did well +to die, for he could not have borne to think of him where /they/ have +sent him!" + +Roger put his finger to his lips, and the good woman went on very +gravely, with a shake of her head: + +"All right, mouth shut and tongue still! But," added she, unhooking a +bit of her bodice, and showing a ribbon and cross tied round her neck +by a piece of black ribbon, "they shall never hinder me from wearing +what /he/ gave to my poor Crochard, and I will have it buried with +me." + +On hearing this speech, which at that time was regarded as seditious, +Roger interrupted the old lady by rising suddenly, and they returned +to the village through the park walks. The young man left them for a +few minutes while he went to order a meal at the best eating-house in +Taverny; then, returning to fetch them, he led the way through the +alleys cut in the forest. + +The dinner was cheerful. Roger was no longer the melancholy shade that +was wont to pass along the Rue du Tourniquet; he was not the "Black +Gentleman," but rather a confiding young man ready to take life as it +came, like the two hard-working women who, on the morrow, might lack +bread; he seemed alive to all the joys of youth, his smile was quite +affectionate and childlike. + +When, at five o'clock, this happy meal was ended with a few glasses of +champagne, Roger was the first to propose that they should join the +village ball under the chestnuts, where he and Caroline danced +together. Their hands met with sympathetic pressure, their hearts beat +with the same hopes; and under the blue sky and the slanting, rosy +beams of sunset, their eyes sparkled with fires which, to them, made +the glory of the heavens pale. How strange is the power of an idea, of +a desire! To these two nothing seemed impossible. In such magic +moments, when enjoyment sheds its reflections on the future, the soul +foresees nothing but happiness. This sweet day had created memories +for these two to which nothing could be compared in all their past +existence. Would the source prove to be more beautiful than the river, +the desire more enchanting than its gratification, the thing hoped for +more delightful than the thing possessed? + +"So the day is already at an end!" On hearing this exclamation from +her unknown friend when the dance was over, Caroline looked at him +compassionately, as his face assumed once more a faint shade of +sadness. + +"Why should you not be as happy in Paris as you are here?" she asked. +"Is happiness to be found only at Saint-Leu? It seems to me that I can +henceforth never be unhappy anywhere." + +Roger was struck by these words, spoken with the glad unrestraint that +always carries a woman further than she intended, just as prudery +often lends her greater cruelty than she feels. For the first time +since that glance, which had, in a way, been the beginning of their +friendship, Caroline and Roger had the same idea; though they did not +express it, they felt it at the same instant, as a result of a common +impression like that of a comforting fire cheering both under the +frost of winter; then, as if frightened by each other's silence, they +made their way to the spot where the carriage was waiting. But before +getting into it, they playfully took hands and ran together down the +dark avenue in front of Madame Crochard. When they could no longer see +the white net cap, which showed as a speck through the leaves where +the old woman was--"Caroline!" said Roger in a tremulous voice, and +with a beating heart. + +The girl was startled, and drew back a few steps, understanding the +invitation this question conveyed; however, she held out her hand, +which was passionately kissed, but which she hastily withdrew, for by +standing on tiptoe she could see her mother. + +Madame Crochard affected blindness, as if, with a reminiscence of her +old parts, she was only required to figure as a supernumerary. + + + +The adventures of these two young people were not continued in the Rue +du Tourniquet. To see Roger and Caroline once more, we must leap into +the heart of modern Paris, where, in some of the newly-built houses, +there are apartments that seem made on purpose for newly-married +couples to spend their honeymoon in. There the paper and paint are as +fresh as the bride and bridegroom, and the decorations are in blossom +like their love; everything is in harmony with youthful notions and +ardent wishes. + +Half-way down the Rue Taitbout, in a house whose stone walls were +still white, where the columns of the hall and the doorway were as yet +spotless, and the inner walls shone with the neat painting which our +recent intimacy with English ways had brought into fashion, there was, +on the second floor, a small set of rooms fitted by the architect as +though he had known what their use would be. A simple airy ante-room, +with a stucco dado, formed an entrance into a drawing-room and dining- +room. Out of the drawing-room opened a pretty bedroom, with a bathroom +beyond. Every chimney-shelf had over it a fine mirror elegantly +framed. The doors were crowded with arabesques in good taste, and the +cornices were in the best style. Any amateur would have discerned +there the sense of distinction and decorative fitness which mark the +work of modern French architects. + +For above a month Caroline had been at home in this apartment, +furnished by an upholsterer who submitted to an artist's guidance. A +short description of the principal room will suffice to give us an +idea of the wonders it offered to Caroline's delighted eyes when Roger +installed her there. Hangings of gray stuff trimmed with green silk +adorned the walls of her bedroom; the seats, covered with light- +colored woolen sateen, were of easy and comfortable shapes, and in the +latest fashion; a chest of drawers of some simple wood, inlaid with +lines of a darker hue, contained the treasures of the toilet; a +writing-table to match served for inditing love-letters on scented +paper; the bed, with antique draperies, could not fail to suggest +thoughts of love by its soft hangings of elegant muslin; the window- +curtains, of drab silk with green fringe, were always half drawn to +subdue the light; a bronze clock represented Love crowning Psyche; and +a carpet of Gothic design on a red ground set off the other +accessories of this delightful retreat. There was a small dressing- +table in front of a long glass, and here the needlewoman sat, out of +patience with Plaisir, the famous hairdresser. + +"Do you think you will have done to-day?" said she. + +"Your hair is so long and so thick, madame," replied Plaisir. + +Caroline could not help smiling. The man's flattery had no doubt +revived in her mind the memory of the passionate praises lavished by +her lover on the beauty of her hair, which he delighted in. + +The hairdresser having done, a waiting-maid came and held counsel with +her as to the dress in which Roger would like best to see her. It was +the beginning of September 1816, and the weather was cold; she chose a +green /grenadine/ trimmed with chinchilla. As soon as she was dressed, +Caroline flew into the drawing-room and opened a window, out of which +she stepped on to the elegant balcony, that adorned the front of the +house; there she stood, with her arms crossed, in a charming attitude, +not to show herself to the admiration of the passers-by and see them +turn to gaze at her, but to be able to look out on the Boulevard at +the bottom of the Rue Taitbout. This side view, really very comparable +to the peephole made by actors in the drop-scene of a theatre, enabled +her to catch a glimpse of numbers of elegant carriages, and a crowd of +persons, swept past with the rapidity of /Ombres Chinoises/. Not +knowing whether Roger would arrive in a carriage or on foot, the +needlewoman from the Rue du Tourniquet looked by turns at the foot- +passengers, and at the tilburies--light cabs introduced into Paris by +the English. + +Expressions of refractoriness and of love passed by turns over her +youthful face when, after waiting for a quarter of an hour, neither +her keen eye nor her heart had announced the arrival of him whom she +knew to be due. What disdain, what indifference were shown in her +beautiful features for all the other creatures who were bustling like +ants below her feet. Her gray eyes, sparkling with fun, now positively +flamed. Given over to her passion, she avoided admiration with as much +care as the proudest devote to encouraging it when they drive about +Paris, certainly feeling no care as to whether her fair countenance +leaning over the balcony, or her little foot between the bars, and the +picture of her bright eyes and delicious turned-up nose would be +effaced or no from the minds of the passers-by who admired them; she +saw but one face, and had but one idea. When the spotted head of a +certain bay horse happened to cross the narrow strip between the two +rows of houses, Caroline gave a little shiver and stood on tiptoe in +hope of recognizing the white traces and the color of the tilbury. It +was he! + +Roger turned the corner of the street, saw the balcony, whipped the +horse, which came up at a gallop, and stopped at the bronze-green door +that he knew as well as his master did. The door of the apartment was +opened at once by the maid, who had heard her mistress' exclamation of +delight. Roger rushed up to the drawing-room, clasped Caroline in his +arms, and embraced her with the effusive feeling natural when two +beings who love each other rarely meet. He led her, or rather they +went by a common impulse, their arms about each other, into the quiet +and fragrant bedroom; a settee stood ready for them to sit by the +fire, and for a moment they looked at each other in silence, +expressing their happiness only by their clasped hands, and +communicating their thoughts in a fond gaze. + +"Yes, it is he!" she said at last. "Yes, it is you. Do you know, I +have not seen you for three long days, an age!--But what is the +matter? You are unhappy." + +"My poor Caroline--" + +"There, you see! 'poor Caroline'--" + +"No, no, do not laugh, my darling; we cannot go to the Feydeau Theatre +together this evening." + +Caroline put on a little pout, but it vanished immediately. + +"How absurd I am! How can I think of going to the play when I see you? +Is not the sight of you the only spectacle I care for?" she cried, +pushing her fingers through Roger's hair. + +"I am obliged to go to the Attorney-General's. We have a knotty case +in hand. He met me in the great hall at the Palais; and as I am to +plead, he asked me to dine with him. But, my dearest, you can go to +the theatre with your mother, and I will join you if the meeting +breaks up early." + +"To the theatre without you!" cried she in a tone of amazement; "enjoy +any pleasure you do not share! O my Roger! you do not deserve a kiss," +she added, throwing her arms round his neck with an artless and +impassioned impulse. + +"Caroline, I must go home and dress. The Marais is some way off, and I +still have some business to finish." + +"Take care what you are saying, monsieur," said she, interrupting him. +"My mother says that when a man begins to talk about his business, he +is ceasing to love." + +"Caroline! Am I not here? Have I not stolen this hour from my +pitiless--" + +"Hush!" said she, laying a finger on his mouth. "Don't you see that I +am in jest." + +They had now come back to the drawing-room, and Roger's eye fell on an +object brought home that morning by the cabinetmaker. Caroline's old +rosewood embroidery-frame, by which she and her mother had earned +their bread when they lived in the Rue du Tourniquet-Saint-Jean, had +been refitted and polished, and a net dress, of elaborate design, was +already stretched upon it. + +"Well, then, my dear, I shall do some work this evening. As I stitch, +I shall fancy myself gone back to those early days when you used to +pass by me without a word, but not without a glance; the days when the +remembrance of your look kept me awake all night. Oh my dear old frame +--the best piece of furniture in my room, though you did not give it +me!--You cannot think," said she, seating herself on Roger's knees; +for he, overcome by irresistible feelings, had dropped into a chair. +"Listen.--All I can earn by my work I mean to give to the poor. You +have made me rich. How I love that pretty home at Bellefeuille, less +because of what it is than because you gave it me! But tell me, Roger, +I should like to call myself Caroline de Bellefeuille--can I? You must +know: is it legal or permissible?" + +As she saw a little affirmative grimace--for Roger hated the name of +Crochard--Caroline jumped for glee, and clapped her hands. + +"I feel," said she, "as if I should more especially belong to you. +Usually a woman gives up her own name and takes her husband's--" An +idea forced itself upon her and made her blush. She took Roger's hand +and led him to the open piano.--"Listen," said she, "I can play my +sonata now like an angel!" and her fingers were already running over +the ivory keys, when she felt herself seized round the waist. + +"Caroline, I ought to be far from hence!" + +"You insist on going? Well, go," said she, with a pretty pout, but she +smiled as she looked at the clock and exclaimed joyfully, "At any +rate, I have detained you a quarter of an hour!" + +"Good-bye, Mademoiselle de Bellefeuille," said he, with the gentle +irony of love. + +She kissed him and saw her lover to the door; when the sound of his +steps had died away on the stairs she ran out on to the balcony to see +him get into the tilbury, to see him gather up the reins, to catch a +parting look, hear the crack of his whip and the sound of his wheels +on the stones, watch the handsome horse, the master's hat, the tiger's +gold lace, and at last to stand gazing long after the dark corner of +the street had eclipsed this vision. + + + +Five years after Mademoiselle Caroline de Bellefeuille had taken up +her abode in the pretty house in the Rue Taitbout, we again look in on +one of those home-scenes which tighten the bonds of affection between +two persons who truly love. In the middle of the blue drawing-room, in +front of the window opening to the balcony, a little boy of four was +making a tremendous noise as he whipped the rocking-horse, whose two +curved supports for the legs did not move fast enough to please him; +his pretty face, framed in fair curls that fell over his white collar, +smiled up like a cherub's at his mother when she said to him from the +depths of an easy-chair, "Not so much noise, Charles; you will wake +your little sister." + +The inquisitive boy suddenly got off his horse, and treading on tiptoe +as if he were afraid of the sound of his feet on the carpet, came up +with one finger between his little teeth, and standing in one of those +childish attitudes that are so graceful because they are so perfectly +natural, raised the muslin veil that hid the rosy face of a little +girl sleeping on her mother's knee. + +"Is Eugenie asleep, then?" said he, quite astonished. "Why is she +asleep when we are awake?" he added, looking up with large, liquid +black eyes. + +"That only God can know," replied Caroline, with a smile. + +The mother and boy gazed at the infant, only that morning baptized. + +Caroline, now about four-and-twenty, showed the ripe beauty which had +expanded under the influence of cloudless happiness and constant +enjoyment. In her the Woman was complete. + +Delighted to obey her dear Roger's every wish, she had acquired the +accomplishments she had lacked; she played the piano fairly well, and +sang sweetly. Ignorant of the customs of a world that would have +treated her as an outcast, and which she would not have cared for even +if it had welcomed her--for a happy woman does not care for the world +--she had not caught the elegance of manner or learned the art of +conversation, abounding in words and devoid of ideas, which is current +in fashionable drawing-rooms; on the other hand, she worked hard to +gain the knowledge indispensable to a mother whose chief ambition is +to bring up her children well. Never to lose sight of her boy, to give +him from the cradle that training of every minute which impresses on +the young a love of all that is good and beautiful, to shelter him +from every evil influence and fulfil both the painful duties of a +nurse and the tender offices of a mother,--these were her chief +pleasures. + +The coy and gentle being had from the first day so fully resigned +herself never to step beyond the enchanted sphere where she found all +her happiness, that, after six years of the tenderest intimacy, she +still knew her lover only by the name of Roger. A print of the picture +of the Psyche lighting her lamp to gaze on Love in spite of his +prohibition, hung in her room, and constantly reminded her of the +conditions of her happiness. Through all these six years her humble +pleasures had never importuned Roger by a single indiscreet ambition, +and his heart was a treasure-house of kindness. Never had she longed +for diamonds or fine clothes, and had again and again refused the +luxury of a carriage which he had offered her. To look out from her +balcony for Roger's cab, to go with him to the play or make excursions +with him, on fine days in the environs of Paris, to long for him, to +see him, and then to long again,--these made up the history of her +life, poor in incidents but rich in happiness. + +As she rocked the infant, now a few months old, on her knee, singing +the while, she allowed herself to recall the memories of the past. She +lingered more especially on the months of September, when Roger was +accustomed to take her to Bellefeuille and spend the delightful days +which seem to combine the charms of every season. Nature is equally +prodigal of flowers and fruit, the evenings are mild, the mornings +bright, and a blaze of summer often returns after a spell of autumn +gloom. During the early days of their love, Caroline had ascribed the +even mind and gentle temper, of which Roger gave her so many proofs, +to the rarity of their always longed-for meetings, and to their mode +of life, which did not compel them to be constantly together, as a +husband and wife must be. But now she could remember with rapture +that, tortured by foolish fears, she had watched him with trembling +during their first stay on this little estate in the Gatinais. Vain +suspiciousness of love! Each of these months of happiness had passed +like a dream in the midst of joys which never rang false. She had +always seen that kind creature with a tender smile on his lips, a +smile that seemed to mirror her own. + +As she called up these vivid pictures, her eyes filled with tears; she +thought she could not love him enough, and was tempted to regard her +ambiguous position as a sort of tax levied by Fate on her love. +Finally, invincible curiosity led her to wonder for the thousandth +time what events they could be that led so tender a heart as Roger's +to find his pleasure in clandestine and illicit happiness. She +invented a thousand romances on purpose really to avoid recognizing +the true reason, which she had long suspected but tried not to believe +in. She rose, and carrying the baby in her arms, went into the dining- +room to superintend the preparations for dinner. + +It was the 6th of May 1822, the anniversary of the excursion to the +Park of Saint-Leu, which had been the turning-point of her life; each +year it had been marked by heartfelt rejoicing. Caroline chose the +linen to be used, and arranged the dessert. Having attended with joy +to these details, which touched Roger, she placed the infant in her +pretty cot and went out on to the balcony, whence she presently saw +the carriage which her friend, as he grew to riper years, now used +instead of the smart tilbury of his youth. After submitting to the +first fire of Caroline's embraces and the kisses of the little rogue +who addressed him as papa, Roger went to the cradle, looked at his +little sleeping daughter, kissed her forehead, and then took out of +his pocket a document covered with black writing. + +"Caroline," said he, "here is the marriage portion of Mademoiselle +Eugenie de Bellefeuille." + +The mother gratefully took the paper, a deed of gift of securities in +the State funds. + +"Buy why," said she, "have you given Eugenie three thousand francs a +year, and Charles no more than fifteen hundred?" + +"Charles, my love, will be a man," replied he. "Fifteen hundred francs +are enough for him. With so much for certain, a man of courage is +above poverty. And if by chance your son should turn out a nonentity, +I do not wish him to be able to play the fool. If he is ambitious, +this small income will give him a taste for work.--Eugenie is a girl; +she must have a little fortune." + +The father then turned to play with his boy, whose effusive affection +showed the independence and freedom in which he was brought up. No +sort of shyness between the father and child interfered with the charm +which rewards a parent for his devotion; and the cheerfulness of the +little family was as sweet as it was genuine. In the evening a magic- +lantern displayed its illusions and mysterious pictures on a white +sheet to Charles' great surprise, and more than once the innocent +child's heavenly rapture made Caroline and Roger laugh heartily. + +Later, when the little boy was in bed, the baby woke and craved its +limpid nourishment. By the light of a lamp in the chimney corner, +Roger enjoyed the scene of peace and comfort, and gave himself up to +the happiness of contemplating the sweet picture of the child clinging +to Caroline's white bosom as she sat, as fresh as a newly opened lily, +while her hair fell in long brown curls that almost hid her neck. The +lamplight enhanced the grace of the young mother, shedding over her, +her dress, and the infant, the picturesque effects of strong light and +shadow. + +The calm and silent woman's face struck Roger as a thousand times +sweeter than ever, and he gazed tenderly at the rosy, pouting lips +from which no harsh word had ever been heard. The very same thought +was legible in Caroline's eyes as she gave a sidelong look at Roger, +either to enjoy the effect she was producing on him, or to see what +the end of the evening was to be. He, understanding the meaning of +this cunning glance, said with assumed regret, "I must be going. I +have a serious case to be finished, and I am expected at home. Duty +before all things--don't you think so, my darling?" + +Caroline looked him in the face with an expression at once sad and +sweet, with the resignation which does not, however, disguise the +pangs of a sacrifice. + +"Good-bye, then," said she. "Go, for if you stay an hour longer I +cannot so lightly bear to set you free." + +"My dearest," said he with a smile, "I have three days' holiday, and +am supposed to be twenty leagues away from Paris." + + + +A few days after this anniversary of the 6th of May, Mademoiselle de +Bellefeuille hurried off one morning to the Rue Saint-Louis, in the +Marais, only hoping she might not arrive too late at a house where she +commonly went once a week. An express messenger had just come to +inform her that her mother, Madame Crochard, was sinking under a +complication of disorders produced by constant catarrh and rheumatism. + +While the hackney coach-driver was flogging up his horses at +Caroline's urgent request, supported by the promise of a handsome +present, the timid old women, who had been Madame Crochard's friends +during her later years, had brought a priest into the neat and +comfortable second-floor rooms occupied by the old widow. Madame +Crochard's maid did not know that the pretty lady at whose house her +mistress so often dined was her daughter, and she was one of the first +to suggest the services of a confessor, in the hope that this priest +might be at least as useful to herself as to the sick woman. Between +two games of boston, or out walking in the Jardin Turc, the old +beldames with whom the widow gossiped all day had succeeded in rousing +in their friend's stony heart some scruples as to her former life, +some visions of the future, some fears of hell, and some hopes of +forgiveness if she should return in sincerity to a religious life. So +on this solemn morning three ancient females had settled themselves in +the drawing-room where Madame Crochard was "at home" every Tuesday. +Each in turn left her armchair to go to the poor old woman's bedside +and sit with her, giving her the false hopes with which people delude +the dying. + +At the same time, when the end was drawing near, when the physician +called in the day before would no longer answer for her life, the +three dames took counsel together as to whether it would not be well +to send word to Mademoiselle de Bellefeuille. Francoise having been +duly informed, it was decided that a commissionaire should go to the +Rue Taitbout to inform the young relation whose influence was so +disquieting to the four women; still, they hoped that the Auvergnat +would be too late in bringing back the person who so certainly held +the first place in the widow Crochard's affections. The widow, +evidently in the enjoyment of a thousand crowns a year, would not have +been so fondly cherished by this feminine trio, but that neither of +them, nor Francoise herself knew of her having any heir. The wealth +enjoyed by Mademoiselle de Bellefeuille, whom Madame Crochard, in +obedience to the traditions of the older opera, never allowed herself +to speak of by the affectionate name of daughter, almost justified the +four women in their scheme of dividing among themselves the old +woman's "pickings." + +Presently the one of these three sibyls who kept guard over the sick +woman came shaking her head at the other anxious two, and said: + +"It is time we should be sending for the Abbe Fontanon. In another two +hours she will neither have the wit nor the strength to write a line." + +Thereupon the toothless old cook went off, and returned with a man +wearing a black gown. A low forehead showed a small mind in this +priest, whose features were mean; his flabby, fat cheeks and double +chin betrayed the easy-going egotist; his powdered hair gave him a +pleasant look, till he raised his small, brown eyes, prominent under a +flat forehead, and not unworthy to glitter under the brows of a +Tartar. + +"Monsieur l'Abbe," said Francoise, "I thank you for all your advice; +but believe me, I have taken the greatest care of the dear soul." + +But the servant, with her dragging step and woe-begone look, was +silent when she saw that the door of the apartment was open, and that +the most insinuating of the three dowagers was standing on the landing +to be the first to speak with the confessor. When the priest had +politely faced the honeyed and bigoted broadside of words fired off +from the widow's three friends, he went into the sickroom to sit by +Madame Crochard. Decency, and some sense of reserve, compelled the +three women and old Francoise to remain in the sitting-room, and to +make such grimaces of grief as are possible in perfection only to such +wrinkled faces. + +"Oh, is it not ill-luck!" cried Francoise, heaving a sigh. "This is +the fourth mistress I have buried. The first left me a hundred francs +a year, the second a sum of fifty crowns, and the third a thousand +crowns down. After thirty years' service, that is all I have to call +my own." + +The woman took advantage of her freedom to come and go, to slip into a +cupboard, whence she could hear the priest. + +"I see with pleasure, daughter," said Fontanon, "that you have pious +sentiments; you have a sacred relic round your neck." + +Madame Crochard, with a feeble vagueness which seemed to show that she +had not all her wits about her, pulled out the Imperial Cross of the +Legion of Honor. The priest started back at seeing the Emperor's head; +he went up to the penitent again, and she spoke to him, but in such a +low tone that for some minutes Francoise could hear nothing. + +"Woe upon me!" cried the old woman suddenly. "Do not desert me. What, +Monsieur l'Abbe, do you think I shall be called to account for my +daughter's soul?" + +The Abbe spoke too low, and the partition was too thick for Francoise +to hear the reply. + +"Alas!" sobbed the woman, "the wretch has left me nothing that I can +bequeath. When he robbed me of my dear Caroline, he parted us, and +only allowed me three thousand francs a year, of which the capital +belongs to my daughter." + +"Madame has a daughter, and nothing to live on but an annuity," +shrieked Francoise, bursting into the drawing-room. + +The three old crones looked at each other in dismay. One of them, +whose nose and chin nearly met with an expression that betrayed a +superior type of hypocrisy and cunning, winked her eyes; and as soon +as Francoise's back was turned, she gave her friends a nod, as much as +to say, "That slut is too knowing by half; her name has figured in +three wills already." + +So the three old dames sat on. + +However, the Abbe presently came out, and at a word from him the +witches scuttered down the stairs at his heels, leaving Francoise +alone with her mistress. Madame Crochard, whose sufferings increased +in severity, rang, but in vain, for this woman, who only called out, +"Coming, coming--in a minute!" The doors of cupboards and wardrobes +were slamming as though Francoise were hunting high and low for a lost +lottery ticket. + +Just as this crisis was at a climax, Mademoiselle de Bellefeuille came +to stand by her mother's bed, lavishing tender words on her. + +"Oh my dear mother, how criminal I have been! You are ill, and I did +not know it; my heart did not warn me. However, here I am--" + +"Caroline--" + +"What is it?" + +"They fetched a priest--" + +"But send for a doctor, bless me!" cried Mademoiselle de Bellefeuille. +"Francoise, a doctor! How is it that these ladies never sent for a +doctor?" + +"They sent for a priest----" repeated the old woman with a gasp. + +"She is so ill--and no soothing draught, nothing on her table!" + +The mother made a vague sign, which Caroline's watchful eye +understood, for she was silent to let her mother speak. + +"They brought a priest--to hear my confession, as they said.--Beware, +Caroline!" cried the old woman with an effort, "the priest made me +tell him your benefactor's name." + +"But who can have told you, poor mother?" + +The old woman died, trying to look knowingly cunning. If Mademoiselle +de Bellefeuille had noted her mother's face she might have seen what +no one ever will see--Death laughing. + +To enter into the interests that lay beneath this introduction to my +tale, we must for a moment forget the actors in it, and look back at +certain previous incidents, of which the last was closely concerned +with the death of Madame Crochard. The two parts will then form a +whole--a story which, by a law peculiar to life in Paris, was made up +of two distinct sets of actions. + +Towards the close of the month of November 1805, a young barrister, +aged about six-and-twenty, was going down the stairs of the hotel +where the High Chancellor of the Empire resided, at about three +o'clock one morning. Having reached the courtyard in full evening +dress, under a keen frost, he could not help giving vent to an +exclamation of dismay--qualified, however, by the spirit which rarely +deserts a Frenchman--at seeing no hackney coach waiting outside the +gates, and hearing no noises such as arise from the wooden shoes or +harsh voices of the hackney-coachmen of Paris. The occasional pawing +of the horses of the Chief Justice's carriage--the young man having +left him still playing /bouillote/ with Cambaceres--alone rang out in +the paved court, which was scarcely lighted by the carriage lamps. +Suddenly the young lawyer felt a friendly hand on his shoulder, and +turning round, found himself face to face with the Judge, to whom he +bowed. As the footman let down the steps of his carriage, the old +gentleman, who had served the Convention, suspected the junior's +dilemma. + +"All cats are gray in the dark," said he good-humoredly. "The Chief +Justice cannot compromise himself by putting a pleader in the right +way! Especially," he went on, "when the pleader is the nephew of an +old colleague, one of the lights of the grand Council of State which +gave France the Napoleonic Code." + +At a gesture from the chief magistrate of France under the Empire, the +foot-passenger got into the carriage. + +"Where do you live?" asked the great man, before the footman who +awaited his orders had closed the door. + +"Quai des Augustins, monseigneur." + +The horses started, and the young man found himself alone with the +Minister, to whom he had vainly tried to speak before and after the +sumptuous dinner given by Cambaceres; in fact, the great man had +evidently avoided him throughout the evening. + +"Well, Monsieur /de/ Granville, you are on the high road!" + +"So long as I sit by your Excellency's side--" + +"Nay, I am not jesting," said the Minister. "You were called two years +since, and your defence in the case of Simeuse and Hauteserre had +raised you high in your profession." + +"I had supposed that my interest in those unfortunate emigres had done +me no good." + +"You are still very young," said the great man gravely. "But the High +Chancellor," he went on, after a pause, "was greatly pleased with you +this evening. Get a judgeship in the lower courts; we want men. The +nephew of a man in whom Cambaceres and I take great interest must not +remain in the background for lack of encouragement. Your uncle helped +us to tide over a very stormy season, and services of that kind are +not forgotten." The Minister sat silent for a few minutes. "Before +long," he went on, "I shall have three vacancies open in the Lower +Courts and in the Imperial Court in Paris. Come to see me, and take +the place you prefer. Till then work hard, but do not be seen at my +receptions. In the first place, I am overwhelmed with work; and +besides that, your rivals may suspect your purpose and do you harm +with the patron. Cambaceres and I, by not speaking a word to you this +evening, have averted the accusation of favoritism." + +As the great man ceased speaking, the carriage drew up on the Quai des +Augustins; the young lawyer thanked his generous patron for the two +lifts he had conferred on him, and then knocked at his door pretty +loudly, for the bitter wind blew cold about his calves. At last the +old lodgekeeper pulled up the latch; and as the young man passed his +window, called out in a hoarse voice, "Monsieur Granville, here is a +letter for you." + +The young man took the letter, and in spite of the cold, tried to +identify the writing by the gleam of a dull lamp fast dying out. "From +my father!" he exclaimed, as he took his bedroom candle, which the +porter at last had lighted. And he ran up to his room to read the +following epistle:-- + + "Set off by the next mail; and if you can get here soon enough, + your fortune is made. Mademoiselle Angelique Bontems has lost her + sister; she is now an only child; and, as we know, she does not + hate you. Madame Bontems can now leave her about forty thousand + francs a year, besides whatever she may give her when she marries. + I have prepared the way. + + "Our friends will wonder to see a family of old nobility allying + itself to the Bontems; old Bontems was a red republican of the + deepest dye, owning large quantities of the nationalized land, + that he bought for a mere song. But he held nothing but convent + lands, and the monks will not come back; and then, as you have + already so far derogated as to become a lawyer, I cannot see why + we should shrink from a further concession to the prevalent ideas. + The girl will have three hundred thousand francs; I can give you a + hundred thousand; your mother's property must be worth fifty + thousand crowns, more or less; so if you choose to take a + judgeship, my dear son, you are quite in a position to become a + senator as much as any other man. My brother-in-law the Councillor + of State will not indeed lend you a helping-hand; still, as he is + not married, his property will some day be yours, and if you are + not senator by your own efforts, you will get it through him. Then + you will be perched high enough to look on at events. Farewell. + Yours affectionately." + +So young Granville went to bed full of schemes, each fairer than the +last. Under the powerful protection of the High Chancellor, the Chief +Justice, and his mother's brother--one of the originators of the Code +--he was about to make a start in a coveted position before the +highest court of the Empire, and he already saw himself a member of +the bench whence Napoleon selected the chief functionaries of the +realm. He could also promise himself a fortune handsome enough to keep +up his rank, for which the slender income of five thousand francs from +an estate left him by his mother would be quite insufficient. + +To crown his ambitious dreams with a vision of happiness, he called up +the guileless face of Mademoiselle Angelique Bontems, the companion of +his childhood. Until he came to boyhood his father and mother had made +no objection to his intimacy with their neighbor's pretty little +daughter; but when, during his brief holiday visits to Bayeux, his +parents, who prided themselves on their good birth, saw what friends +the young people were, they forbade his ever thinking of her. Thus for +ten years past Granville had only had occasional glimpses of the girl, +whom he still sometimes thought of as "his little wife." And in those +brief moments when they met free from the active watchfulness of their +families, they had scarcely exchanged a few vague civilities at the +church door or in the street. Their happiest days had been those when, +brought together by one of those country festivities known in Normandy +as /Assemblees/, they could steal a glance at each other from afar. + +In the course of the last vacation Granville had twice seen Angelique, +and her downcast eyes and drooping attitude had led him to suppose +that she was crushed by some unknown tyranny. + +He was off by seven next morning to the coach office in the Rue Notre- +Dame-des-Victoires, and was so lucky as to find a vacant seat in the +diligence then starting for Caen. + +It was not without deep emotion that the young lawyer saw once more +the spires of the cathedral at Bayeux. As yet no hope of his life had +been cheated, and his heart swelled with the generous feelings that +expand in the youthful soul. + +After the too lengthy feast of welcome prepared by his father, who +awaited him with some friends, the impatient youth was conducted to a +house, long familiar to him, standing in the Rue Teinture. His heart +beat high when his father--still known in the town of Bayeux as the +Comte de Granville--knocked loudly at a carriage gate off which the +green paint was dropping in scales. It was about four in the +afternoon. A young maid-servant, in a cotton cap, dropped a short +curtsey to the two gentlemen, and said that the ladies would soon be +home from vespers. + +The Count and his son were shown into a low room used as a drawing- +room, but more like a convent parlor. Polished panels of dark walnut +made it gloomy enough, and around it some old-fashioned chairs covered +with worsted work and stiff armchairs were symmetrically arranged. The +stone chimney-shelf had no ornament but a discolored mirror, and on +each side of it were the twisted branches of a pair of candle- +brackets, such as were made at the time of the Peace of Utrecht. +Against a panel opposite, young Granville saw an enormous crucifix of +ebony and ivory surrounded by a wreath of box that had been blessed. +Though there were three windows to the room, looking out on a country- +town garden, laid out in formal square beds edged with box, the room +was so dark that it was difficult to discern, on the wall opposite the +windows, three pictures of sacred subjects painted by a skilled hand, +and purchased, no doubt, during the Revolution by old Bontems, who, as +governor of the district, had never neglected his opportunities. From +the carefully polished floor to the green checked holland curtains +everything shone with conventual cleanliness. + +The young man's heart felt an involuntary chill in this silent retreat +where Angelique dwelt. The habit of frequenting the glittering Paris +drawing-rooms, and the constant whirl of society, had effaced from his +memory the dull and peaceful surroundings of a country life, and the +contrast was so startling as to give him a sort of internal shiver. To +have just left a party at the house of Cambaceres, where life was so +large, where minds could expand, where the splendor of the Imperial +Court was so vividly reflected, and to be dropped suddenly into a +sphere of squalidly narrow ideas--was it not like a leap from Italy +into Greenland?--"Living here is not life!" said he to himself, as he +looked round the Methodistical room. The old Count, seeing his son's +dismay, went up to him, and taking his hand, led him to a window, +where there was still a gleam of daylight, and while the maid was +lighting the yellow tapers in the candle branches he tried to clear +away the clouds that the dreary place had brought to his brow. + +"Listen, my boy," said he. "Old Bontems' widow is a frenzied bigot. +'When the devil is old--' you know! I see that the place goes against +the grain. Well, this is the whole truth; the old woman is priest- +ridden; they have persuaded her that it was high time to make sure of +heaven, and the better to secure Saint Peter and his keys she pays +before-hand. She goes to Mass every day, attends every service, takes +the communion every Sunday God has made, and amuses herself by +restoring chapels. She had given so many ornaments, and albs, and +chasubles, she has crowned the canopy with so many feathers, that on +the occasion of the last Corpus Christi procession as great a crowd +came together as to see a man hanged, just to stare at the priests in +their splendid dresses and all the vessels regilt. This house too is a +sort of Holy Land. It was I who hindered her from giving those three +pictures to the Church--a Domenichino, a Correggio, and an Andrea del +Sarto--worth a good deal of money." + +"But Angelique?" asked the young man. + +"If you do not marry her, Angelique is done for," said the Count. "Our +holy apostles counsel her to live a virgin martyr. I have had the +utmost difficulty in stirring up her little heart, since she has been +the only child, by talking to her of you; but, as you will easily +understand, as soon as she is married you will carry her off to Paris. +There, festivities, married life, the theatres, and the rush of +Parisian society, will soon make her forget confessionals, and +fasting, and hair shirts, and Masses, which are the exclusive +nourishment of such creatures." + +"But the fifty thousand francs a year derived from Church property? +Will not all that return--" + +"That is the point!" exclaimed the Count, with a cunning glance. "In +consideration of this marriage--for Madame Bontems' vanity is not a +little flattered by the notion of grafting the Bontems on to the +genealogical tree of the Granvilles--the aforenamed mother agrees to +settle her fortune absolutely on the girl, reserving only a life- +interest. The priesthood, therefore, are set against the marriage; but +I have had the banns published, everything is ready, and in a week you +will be out of the clutches of the mother and her Abbes. You will have +the prettiest girl in Bayeux, a good little soul who will give you no +trouble, because she has sound principles. She has been mortified, as +they say in their jargon, by fasting and prayer--and," he added in a +low voice, "by her mother." + +A modest tap at the door silenced the Count, who expected to see the +two ladies appear. A little page came in, evidently in a great hurry; +but, abashed by the presence of the two gentlemen, he beckoned to a +housekeeper, who followed him. Dressed in a blue cloth jacket with +short tails, and blue-and-white striped trousers, his hair cut short +all round, the boy's expression was that of a chorister, so strongly +was it stamped with the compulsory propriety that marks every member +of a bigoted household. + +"Mademoiselle Gatienne," said he, "do you know where the books are for +the offices of the Virgin? The ladies of the Congregation of the +Sacred Heart are going in procession this evening round the church." + +Gatienne went in search of the books. + +"Will they go on much longer, my little man?" asked the Count. + +"Oh, half an hour at most." + +"Let us go to look on," said the father to his son. "There will be +some pretty women there, and a visit to the Cathedral can do us no +harm." + +The young lawyer followed him with a doubtful expression. + +"What is the matter?" asked the Count. + +"The matter, father, is that I am sure I am right." + +"But you have said nothing." + +"No; but I have been thinking that you have still ten thousand francs +a year left of your original fortune. You will leave them to me--as +long a time hence as possible, I hope. But if you are ready to give me +a hundred thousand francs to make a foolish match, you will surely +allow me to ask you for only fifty thousand to save me from such a +misfortune, and enjoy as a bachelor a fortune equal to what your +Mademoiselle Bontems would bring me." + +"Are you crazy?" + +"No, father. These are the facts. The Chief Justice promised me +yesterday that I should have a seat on the Bench. Fifty thousand +francs added to what I have, and to the pay of my appointment, will +give me an income of twelve thousand francs a year. And I then shall +most certainly have a chance of marrying a fortune, better than this +alliance, which will be poor in happiness if rich in goods." + +"It is very clear," said his father, "that you were not brought up +under the old /regime/. Does a man of our rank ever allow his wife to +be in his way?" + +"But, my dear father, in these days marriage is--" + +"Bless me!" cried the Count, interrupting his son, "then what my old +/emigre/ friends tell me is true, I suppose. The Revolution has left +us habits devoid of pleasure, and has infected all the young men with +vulgar principles. You, like my Jacobin brother-in-law, will harangue +me, I suppose, on the Nation, Public Morals, and Disinterestedness!-- +Good Heavens! But for the Emperor's sisters, where should we be?" + +The still hale old man, whom the peasants on the estate persisted in +calling the Signeur de Granville, ended his speech as they entered the +Cathedral porch. In spite of the sanctity of the place, and even as he +dipped his fingers in the holy water, he hummed an air from the opera +of /Rose et Colas/, and then led the way down the side aisles, +stopping by each pillar to survey the rows of heads, all in lines like +ranks of soldiers on parade. + +The special service of the Sacred Heart was about to begin. The ladies +affiliated to that congregation were in front near the choir, so the +Count and his son made their way to that part of the nave, and stood +leaning against one of the columns where there was least light, whence +they could command a view of this mass of faces, looking like a meadow +full of flowers. Suddenly, close to young Granville, a voice, sweeter +than it seemed possible to ascribe to a human being, broke into song, +like the first nightingale when winter is past. Though it mingled with +the voices of a thousand other women and the notes of the organ, that +voice stirred his nerves as though they vibrated to the too full and +too piercing sounds of a harmonium. The Parisian turned round, and, +seeing a young figure, though, the head being bent, her face was +entirely concealed by a large white bonnet, concluded that the voice +was hers. He fancied that he recognized Angelique in spite of a brown +merino pelisse that wrapped her, and he nudged his father's elbow. + +"Yes, there she is," said the Count, after looking where his son +pointed, and then, by an expressive glance, he directed his attention +to the pale face of an elderly woman who had already detected the +strangers, though her false eyes, deep set in dark circles, did not +seem to have strayed from the prayer-book she held. + +Angelique raised her face, gazing at the altar as if to inhale the +heavy scent of the incense that came wafted in clouds over the two +women. And then, in the doubtful light that the tapers shed down the +nave, with that of a central lamp and of some lights round the +pillars, the young man beheld a face which shook his determination. A +white watered-silk bonnet closely framed features of perfect +regularity, the oval being completed by the satin ribbon tie that +fastened it under her dimpled chin. Over her forehead, very sweet +though low, hair of a pale gold color parted in two bands and fell +over her cheeks, like the shadow of leaves on a flower. The arches of +her eyebrows were drawn with the accuracy we admire in the best +Chinese paintings. Her nose, almost aquiline in profile, was +exceptionally firmly cut, and her lips were like two rose lines +lovingly traced with a delicate brush. Her eyes, of a light blue, were +expressive of innocence. + +Though Granville discerned a sort of rigid reserve in this girlish +face, he could ascribe it to the devotion in which Angelique was rapt. +The solemn words of prayer, visible in the cold, came from between +rows of pearls, like a fragrant mist, as it were. The young man +involuntarily bent over her a little to breathe this diviner air. This +movement attracted the girl's notice; her gaze, raised to the altar, +was diverted to Granville, whom she could see but dimly in the gloom; +but she recognized him as the companion of her youth, and a memory +more vivid than prayer brought a supernatural glow to her face; she +blushed. The young lawyer was thrilled with joy at seeing the hopes of +another life overpowered by those of love, and the glory of the +sanctuary eclipsed by earthly reminiscences; but his triumph was +brief. Angelique dropped her veil, assumed a calm demeanor, and went +on singing without letting her voice betray the least emotion. + +Granville was a prey to one single wish, and every thought of prudence +vanished. By the time the service was ended, his impatience was so +great that he could not leave the ladies to go home alone, but came at +once to make his bow to "his little wife." They bashfully greeted each +other in the Cathedral porch in the presence of the congregation. +Madame Bontems was tremulous with pride as she took the Comte de +Granville's arm, though he, forced to offer it in the presence of all +the world was vexed enough with his son for his ill-advised +impatience. + +For about a fortnight, between the official announcement of the +intended marriage of the Vicomte de Granville to Mademoiselle Bontems +and the solemn day of the wedding, he came assiduously to visit his +lady-love in the dismal drawing-room, to which he became accustomed. +His long calls were devoted to watching Angelique's character; for his +prudence, happily, had made itself heard again in the day after their +first meeting. He always found her seated at a little table of some +West Indian wood, and engaged in marking the linen of her trousseau. +Angelique never spoke first on the subject of religion. If the young +lawyer amused himself with fingering the handsome rosary that she kept +in a little green velvet bag, if he laughed as he looked at a relic +such as usually is attached to this means of grace, Angelique would +gently take the rosary out of his hands and replace it in the bag +without a word, putting it away at once. When, now and then, Granville +was so bold as to make mischievous remarks as to certain religious +practices, the pretty girl listened to him with the obstinate smile of +assurance. + +"You must either believe nothing, or believe everything the Church +teaches," she would say. "Would you wish to have a woman without a +religion as the mother of your children?--No.--What man may dare judge +as between disbelievers and God? And how can I then blame what the +Church allows?" + +Angelique appeared to be animated by such fervent charity, the young +man saw her look at him with such perfect conviction, that he +sometimes felt tempted to embrace her religious views; her firm belief +that she was in the only right road aroused doubts in his mind, which +she tried to turn to account. + +But then Granville committed the fatal blunder of mistaking the +enchantment of desire for that of love. Angelique was so happy in +reconciling the voice of her heart with that of duty, by giving way to +a liking that had grown up with her from childhood, that the deluded +man could not discern which of the two spoke the louder. Are not all +young men ready to trust the promise of a pretty face and to infer +beauty of soul from beauty of feature? An indefinable impulse leads +them to believe that moral perfection must co-exist with physical +perfection. If Angelique had not been at liberty to give vent to her +sentiments, they would soon have dried up in her heart like a plant +watered with some deadly acid. How should a lover be aware of bigotry +so well hidden? + +This was the course of young Granville's feelings during that +fortnight, devoured by him like a book of which the end is absorbing. +Angelique, carefully watched by him, seemed the gentlest of creatures, +and he even caught himself feeling grateful to Madame Bontems, who, by +implanting so deeply the principles of religion, had in some degree +inured her to meet the troubles of life. + +On the day named for signing the inevitable contract, Madame Bontems +made her son-in-law pledge himself solemnly to respect her daughter's +religious practices, to allow her entire liberty of conscience, to +permit her to go to communion, to church, to confession as often as +she pleased, and never to control her choice of priestly advisers. At +this critical moment Angelique looked at her future husband with such +pure and innocent eyes, that Granville did not hesitate to give his +word. A smile puckered the lips of the Abbe Fontanon, a pale man, who +directed the consciences of this household. Mademoiselle Bontems, by a +slight nod, seemed to promise that she would never take an unfair +advantage of this freedom. As to the old Count, he gently whistled the +tune of an old song, /Va-t-en-voir s'ils viennent/ ("Go and see if +they are coming on!") + + + +A few days after the wedding festivities of which so much is thought +in the provinces, Granville and his wife went to Paris, whither the +young man was recalled by his appointment as public prosecutor to the +Supreme Court of the Seine circuit. + +When the young couple set out to find a residence, Angelique used the +influence that the honeymoon gives to every wife in persuading her +husband to take a large apartment in the ground-floor of a house at +the corner of the Vieille Rue du Temple and the Rue Nueve Saint- +Francois. Her chief reason for this choice was that the house was +close to the Rue d'Orleans, where there was a church, and not far from +a small chapel in the Rue Saint-Louis. + +"A good housewife provides for everything," said her husband, +laughing. + +Angelique pointed out to him that this part of Paris, known as the +Marais, was within easy reach of the Palais de Justice, and that the +lawyers they knew lived in the neighborhood. A fairly large garden +made the apartment particularly advantageous to a young couple; the +children--if Heaven should send them any--could play in the open air; +the courtyard was spacious, and there were good stables. + +The lawyer wished to live in the Chaussee d'Antin, where everything is +fresh and bright, where the fashions may be seen while still new, +where a well-dressed crowd throngs the Boulevards, and the distance is +less to the theatres or places of amusement; but he was obliged to +give way to the coaxing ways of a young wife, who asked this as his +first favor; so, to please her, he settled in the Marais. Granville's +duties required him to work hard--all the more, because they were new +to him--so he devoted himself in the first place to furnishing his +private study and arranging his books. He was soon established in a +room crammed with papers, and left the decoration of the house to his +wife. He was all the better pleased to plunge Angelique into the +bustle of buying furniture and fittings, the source of so much +pleasure and of so many associations to most young women, because he +was rather ashamed of depriving her of his company more often than the +usages of early married life require. As soon as his work was fairly +under way, he gladly allowed his wife to tempt him out of his study to +consider the effect of furniture or hangings, which he had before only +seen piecemeal or unfinished. + +If the old adage is true that says a woman may be judged of from her +front door, her rooms must express her mind with even greater +fidelity. Madame de Granville had perhaps stamped the various things +she had ordered with the seal of her own character; the young lawyer +was certainly startled by the cold, arid solemnity that reigned in +these rooms; he found nothing to charm his taste; everything was +discordant, nothing gratified the eye. The rigid mannerism that +prevailed in the sitting-room at Bayeux had invaded his home; the +broad panels were hollowed in circles, and decorated with those +arabesques of which the long, monotonous mouldings are in such bad +taste. Anxious to find excuses for his wife, the young husband began +again, looking first at the long and lofty ante-room through which the +apartment was entered. The color of the panels, as ordered by his +wife, was too heavy, and the very dark green velvet used to cover the +benches added to the gloom of this entrance--not, to be sure, an +important room, but giving a first impression--just as we measure a +man's intelligence by his first address. An ante-room is a kind of +preface which announces what is to follow, but promises nothing. + +The young husband wondered whether his wife could really have chosen +the lamp of an antique pattern, which hung in the centre of this bare +hall, the pavement of black and white marble, and the paper in +imitation of blocks of stone, with green moss on them in places. A +handsome, but not new, barometer hung on the middle of one of the +walls, as if to accentuate the void. At the sight of it all, he looked +round at his wife; he saw her so much pleased by the red braid binding +to the cotton curtains, so satisfied with the barometer and the +strictly decent statue that ornamented a large Gothic stove, that he +had not the barbarous courage to overthrow such deep convictions. +Instead of blaming his wife, Granville blamed himself, accusing +himself of having failed in his duty of guiding the first steps in +Paris of a girl brought up at Bayeux. + +From this specimen, what might not be expected of the other rooms? +What was to be looked for from a woman who took fright at the bare +legs of a Caryatid, and who would not look at a chandelier or a +candle-stick if she saw on it the nude outlines of an Egyptian bust? +At this date the school of David was at the height of its glory; all +the art of France bore the stamp of his correct design and his love of +antique types, which indeed gave his pictures the character of colored +sculpture. But none of these devices of Imperial luxury found civic +rights under Madame de Granville's roof. The spacious, square drawing- +room remained as it had been left from the time of Louis XV., in white +and tarnished gold, lavishly adorned by the architect with checkered +lattice-work and the hideous garlands due to the uninventive designers +of the time. Still, if harmony at least had prevailed, if the +furniture of modern mahogany had but assumed the twisted forms of +which Boucher's corrupt taste first set the fashion, Angelique's room +would only have suggested the fantastic contrast of a young couple in +the nineteenth century living as though they were in the eighteenth; +but a number of details were in ridiculous discord. The consoles, the +clocks, the candelabra, were decorated with the military trophies +which the wars of the Empire commended to the affections of the +Parisians; and the Greek helmets, the Roman crossed daggers, and the +shields so dear to military enthusiasm that they were introduced on +furniture of the most peaceful uses, had no fitness side by side with +the delicate and profuse arabesques that delighted Madame de +Pompadour. + +Bigotry tends to an indescribably tiresome kind of humility which does +not exclude pride. Whether from modesty or by choice, Madame de +Granville seemed to have a horror of light and cheerful colors; +perhaps, too, she imagined that brown and purple beseemed the dignity +of a magistrate. How could a girl accustomed to an austere life have +admitted the luxurious divans that may suggest evil thoughts, the +elegant and tempting boudoirs where naughtiness may be imagined? + +The poor husband was in despair. From the tone in which he approved, +only seconding the praises she bestowed on herself, Angelique +understood that nothing really pleased him; and she expressed so much +regret at her want of success, that Granville, who was very much in +love, regarded her disappointment as a proof of her affection instead +of resentment for an offence to her self-conceit. After all, could he +expect a girl just snatched from the humdrum of country notions, with +no experience of the niceties and grace of Paris life, to know or do +any better? Rather would he believe that his wife's choice had been +overruled by the tradesmen than allow himself to own the truth. If he +had been less in love, he would have understood that the dealers, +always quick to discern their customers' ideas, had blessed Heaven for +sending them a tasteless little bigot, who would take their old- +fashioned goods off their hands. So he comforted the pretty +provincial. + +"Happiness, dear Angelique, does not depend on a more or less elegant +piece of furniture; it depends on the wife's sweetness, gentleness, +and love." + +"Why, it is my duty to love you," said Angelique mildly, "and I can +have no more delightful duty to carry out." + +Nature has implanted in the heart of woman so great a desire to +please, so deep a craving for love, that, even in a youthful bigot, +the ideas of salvation and a future existence must give way to the +happiness of early married life. And, in fact, from the month of +April, when they were married, till the beginning of winter, the +husband and wife lived in perfect union. Love and hard work have the +grace of making a man tolerably indifferent to external matters. Being +obliged to spend half the day in court fighting for the gravest +interests of men's lives or fortunes, Granville was less alive than +another might have been to certain facts in his household. + +If, on a Friday, he found none but Lenten fare, and by chance asked +for a dish of meat without getting it, his wife, forbidden by the +Gospel to tell a lie, could still, by such subterfuges as are +permissible in the interests of religion, cloak what was premeditated +purpose under some pretext of her own carelessness or the scarcity in +the market. She would often exculpate herself at the expense of the +cook, and even go so far as to scold him. At that time young lawyers +did not, as they do now, keep the fasts of the Church, the four +rogation seasons, and the vigils of festivals; so Granville was not at +first aware of the regular recurrence of these Lenten meals, which his +wife took care should be made dainty by the addition of teal, moor- +hen, and fish-pies, that their amphibious meat or high seasoning might +cheat his palate. Thus the young man unconsciously lived in strict +orthodoxy, and worked out his salvation without knowing it. + +On week-days he did not know whether his wife went to Mass or no. On +Sundays, with very natural amiability, he accompanied her to church to +make up to her, as it were, for sometimes giving up vespers in favor +of his company; he could not at first fully enter into the strictness +of his wife's religious views. The theatres being impossible in summer +by reason of the heat, Granville had not even the opportunity of the +great success of a piece to give rise to the serious question of play- +going. And, in short, at the early stage of a union to which a man has +been led by a young girl's beauty, he can hardly be exacting as to his +amusements. Youth is greedy rather than dainty, and possession has a +charm in itself. How should he be keen to note coldness, dignity, and +reserve in the woman to whom he ascribes the excitement he himself +feels, and lends the glow of the fire that burns within him? He must +have attained a certain conjugal calm before he discovers that a bigot +sits waiting for love with her arms folded. + +Granville, therefore, believed himself happy till a fatal event +brought its influence to bear on his married life. In the month of +November 1808 the Canon of Bayeux Cathedral who had been the keeper of +Madame Bontems' conscience and her daughter's, came to Paris, spurred +by the ambition to be at the head of a church in the capital--a +position which he regarded perhaps as the stepping-stone to a +bishopric. On resuming his former control of this wandering lamb, he +was horrified to find her already so much deteriorated by the air of +Paris, and strove to reclaim her to his chilly fold. Frightened by the +exhortations of this priest, a man of about eight-and-thirty, who +brought with him, into the circle of the enlightened and tolerant +Paris clergy, the bitter provincial catholicism and the inflexible +bigotry which fetter timid souls with endless exactions, Madame de +Granville did penance and returned from her Jansenist errors. + +It would be tiresome to describe minutely all the circumstances which +insensibly brought disaster on this household; it will be enough to +relate the simple facts without giving them in strict order of time. + +The first misunderstanding between the young couple was, however, a +serious one. + +When Granville took his wife into society she never declined solemn +functions, such as dinners, concerts, or parties given by the Judges +superior to her husband in the legal profession; but for a long time +she constantly excused herself on the plea of a sick headache when +they were invited to a ball. One day Granville, out of patience with +these assumed indispositions, destroyed a note of invitation to a ball +at the house of a Councillor of State, and gave his wife only a verbal +invitation. Then, on the evening, her health being quite above +suspicion, he took her to a magnificent entertainment. + +"My dear," said he, on their return home, seeing her wear an offensive +air of depression, "your position as a wife, the rank you hold in +society, and the fortune you enjoy, impose on you certain duties of +which no divine law can relieve you. Are you not your husband's pride? +You are required to go to balls when I go, and to appear in a becoming +manner." + +"And what is there, my dear, so disastrous in my dress?" + +"It is your manner, my dear. When a young man comes up to speak to +you, you look so serious that a spiteful person might believe you +doubtful of your own virtue. You seem to fear lest a smile should undo +you. You really look as if you were asking forgiveness of God for the +sins that may be committed around you. The world, my dearest, is not a +convent.--But, as you mentioned your dress, I may confess to you that +it is no less a duty to conform to the customs and fashions of +Society." + +"Do you wish that I should display my shape like those indecent women +who wear gowns so low that impudent eyes can stare at their bare +shoulders and their--" + +"There is a difference, my dear," said her husband, interrupting her, +"between uncovering your whole bust and giving some grace to your +dress. You wear three rows of net frills that cover your throat up to +your chin. You look as if you had desired your dressmaker to destroy +the graceful line of your shoulders and bosom with as much care as a +coquette would devote to obtaining from hers a bodice that might +emphasize her covered form. Your bust is wrapped in so many folds that +every one was laughing at your affectation of prudery. You would be +really grieved if I were to repeat the ill-natured remarks made on +your appearance." + +"Those who admire such obscenity will not have to bear the burthen if +we sin," said the lady tartly. + +"And you did not dance?" asked Granville. + +"I shall never dance," she replied. + +"If I tell you that you ought to dance!" said her husband sharply. +"Yes, you ought to follow the fashions, to wear flowers in your hair, +and diamonds. Remember, my dear, that rich people--and we are rich-- +are obliged to keep up luxury in the State. Is it not far better to +encourage manufacturers than to distribute money in the form of alms +through the medium of the clergy?" + +"You talk as a statesman!" said Angelique. + +"And you as a priest," he retorted. + +The discussion was bitter. Madame de Granville's answers, though +spoken very sweetly and in a voice as clear as a church bell, showed +an obstinacy that betrayed priestly influence. When she appealed to +the rights secured to her by Granville's promise, she added that her +director specially forbade her going to balls; then her husband +pointed out to her that the priest was overstepping the regulations of +the Church. + +This odious theological dispute was renewed with great violence and +acerbity on both sides when Granville proposed to take his wife to the +play. Finally, the lawyer, whose sole aim was to defeat the pernicious +influence exerted over his wife by her old confessor, placed the +question on such a footing that Madame de Granville, in a spirit of +defiance, referred it by writing to the Court of Rome, asking in so +many words whether a woman could wear low gowns and go to the play and +to balls without compromising her salvation. + +The reply of the venerable Pope Pius VII. came at once, strongly +condemning the wife's recalcitrancy and blaming the priest. This +letter, a chapter on conjugal duties, might have been dictated by the +spirit of Fenelon, whose grace and tenderness pervaded every line. + +"A wife is right to go wherever her husband may take her. Even if she +sins by his command, she will not be ultimately held answerable." +These two sentences of the Pope's homily only made Madame de Granville +and her director accuse him of irreligion. + +But before this letter had arrived, Granville had discovered the +strict observance of fast days that his wife forced upon him, and gave +his servants orders to serve him with meat every day in the year. +However much annoyed his wife might be by these commands, Granville, +who cared not a straw for such indulgence or abstinence, persisted +with manly determination. + +Is it not an offence to the weakest creature that can think at all to +be compelled to do, by the will of another, anything that he would +otherwise have done simply of his own accord? Of all forms of tyranny, +the most odious is that which constantly robs the soul of the merit of +its thoughts and deeds. It has to abdicate without having reigned. The +word we are readiest to speak, the feelings we most love to express, +die when we are commanded to utter them. + +Ere long the young man ceased to invite his friends, to give parties +or dinners; the house might have been shrouded in crape. A house where +the mistress is a bigot has an atmosphere of its own. The servants, +who are, of course, under her immediate control, are chosen among a +class who call themselves pious, and who have an unmistakable +physiognomy. Just as the jolliest fellow alive, when he joins the +/gendarmerie/, has the countenance of a gendarme, so those who give +themselves over to the habit of lowering their eyes and preserving a +sanctimonious mien clothes them in a livery of hypocrisy which rogues +can affect to perfection. + +And besides, bigots constitute a sort of republic; they all know each +other; the servants they recommend and hand on from one to another are +a race apart, and preserved by them, as horse-breeders will admit no +animal into their stables that has not a pedigree. The more the +impious--as they are thought--come to understand a household of +bigots, the more they perceive that everything is stamped with an +indescribable squalor; they find there, at the same time, an +appearance of avarice and mystery, as in a miser's home, and the dank +scent of cold incense which gives a chill to the stale atmosphere of a +chapel. This methodical meanness, this narrowness of thought, which is +visible in every detail, can only be expressed by one word--Bigotry. +In these sinister and pitiless houses Bigotry is written on the +furniture, the prints, the pictures; speech is bigoted, the silence is +bigoted, the faces are those of bigots. The transformation of men and +things into bigotry is an inexplicable mystery, but the fact is +evident. Everybody can see that bigots do not walk, do not sit, do not +speak, as men of the world walk, sit, and speak. Under their roof +every one is ill at ease, no one laughs, stiffness and formality +infect everything, from the mistress' cap down to her pincushion; eyes +are not honest, the folks are more like shadows, and the lady of the +house seems perched on a throne of ice. + +One morning poor Granville discerned with grief and pain that all the +symptoms of bigotry had invaded his home. There are in the world +different spheres in which the same effects are seen though produced +by dissimilar causes. Dulness hedges such miserable homes round with +walls of brass, enclosing the horrors of the desert and the infinite +void. The home is not so much a tomb as that far worse thing--a +convent. In the center of this icy sphere the lawyer could study his +wife dispassionately. He observed, not without keen regret, the +narrow-mindedness that stood confessed in the very way that her hair +grew, low on the forehead, which was slightly depressed; he discovered +in the perfect regularity of her features a certain set rigidity which +before long made him hate the assumed sweetness that had bewitched +him. Intuition told him that one day of disaster those thin lips might +say, "My dear, it is for your good!" + +Madame de Granville's complexion was acquiring a dull pallor and an +austere expression that were a kill-joy to all who came near her. Was +this change wrought by the ascetic habits of a pharisaism which is not +piety any more than avarice is economy? It would be hard to say. +Beauty without expression is perhaps an imposture. This imperturbable +set smile that the young wife always wore when she looked at Granville +seemed to be a sort of Jesuitical formula of happiness, by which she +thought to satisfy all the requirements of married life. Her charity +was an offence, her soulless beauty was monstrous to those who knew +her; the mildness of her speech was an irritation: she acted, not on +feeling, but on duty. + +There are faults which may yield in a wife to the stern lessons of +experience, or to a husband's warnings; but nothing can counteract +false ideas of religion. An eternity of happiness to be won, set in +the scale against worldly enjoyment, triumphs over everything and +makes every pang endurable. Is it not the apotheosis of egotism, of +Self beyond the grave? Thus even the Pope was censured at the tribunal +of the priest and the young devotee. To be always in the right is a +feeling which absorbs every other in these tyrannous souls. + +For some time past a secret struggle had been going on between the +ideas of the husband and wife, and the young man was soon weary of a +battle to which there could be no end. What man, what temper, can +endure the sight of a hypocritically affectionate face and categorical +resistance to his slightest wishes? What is to be done with a wife who +takes advantage of his passion to protect her coldness, who seems +determined on being blandly inexorable, prepares herself ecstatically +to play the martyr, and looks on her husband as a scourge from God, a +means of flagellation that may spare her the fires of purgatory? What +picture can give an idea of these women who make virtue hateful by +defying the gentle precepts of that faith which Saint John epitomized +in the words, "Love one another"? + +If there was a bonnet to be found in a milliner's shop that was +condemned to remain in the window, or to be packed off to the +colonies, Granville was certain to see it on his wife's head; if a +material of bad color or hideous design were to be found, she would +select it. These hapless bigots are heart-breaking in their notions of +dress. Want of taste is a defect inseparable from false pietism. + +And so, in the home-life that needs the fullest sympathy, Granville +had no true companionship. He went out alone to parties and the +theatres. Nothing in his house appealed to him. A huge Crucifix that +hung between his bed and Angelique's seemed figurative of his destiny. +Does it not represent a murdered Divinity, a Man-God, done to death in +all the prime of life and beauty? The ivory of that cross was less +cold than Angelique crucifying her husband under the plea of virtue. +This it was that lay at the root of their woes; the young wife saw +nothing but duty where she should have given love. Here, one Ash +Wednesday, rose the pale and spectral form of Fasting in Lent, of +Total Abstinence, commanded in a severe tone--and Granville did not +deem it advisable to write in his turn to the Pope and take the +opinion of the Consistory on the proper way of observing Lent, the +Ember days, and the eve of great festivals. + +His misfortune was too great! He could not even complain, for what +could he say? He had a pretty young wife attached to her duties, +virtuous--nay, a model of all the virtues. She had a child every year, +nursed them herself, and brought them up in the highest principles. +Being charitable, Angelique was promoted to rank as an angel. The old +women who constituted the circle in which she moved--for at that time +it was not yet "the thing" for young women to be religious as a matter +of fashion--all admired Madame de Granville's piety, and regarded her, +not indeed as a virgin, but as a martyr. They blamed not the wife's +scruples, but the barbarous philoprogenitiveness of the husband. + +Granville, by insensible degrees, overdone with work, bereft of +conjugal consolations, and weary of a world in which he wandered +alone, by the time he was two-and-thirty had sunk into the Slough of +Despond. He hated life. Having too lofty a notion of the +responsibilities imposed on him by his position to set the example of +a dissipated life, he tried to deaden feeling by hard study, and began +a great book on Law. + +But he was not allowed to enjoy the monastic peace he had hoped for. +When the celestial Angelique saw him desert worldly society to work at +home with such regularity, she tried to convert him. It had been a +real sorrow to her to know that her husband's opinions were not +strictly Christian; and she sometimes wept as she reflected that if +her husband should die it would be in a state of final impenitence, so +that she could not hope to snatch him from the eternal fires of Hell. +Thus Granville was a mark for the mean ideas, the vacuous arguments, +the narrow views by which his wife--fancying she had achieved the +first victory--tried to gain a second by bringing him back within the +pale of the Church. + +This was the last straw. What can be more intolerable than the blind +struggle in which the obstinacy of a bigot tries to meet the acumen of +a lawyer? What more terrible to endure than the acrimonious pin-pricks +to which a passionate soul prefers a dagger-thrust? Granville +neglected his home. Everything there was unendurable. His children, +broken by their mother's frigid despotism, dared not go with him to +the play; indeed, Granville could never give them any pleasure without +bringing down punishment from their terrible mother. His loving nature +was weaned to indifference, to a selfishness worse than death. His +boys, indeed, he saved from this hell by sending them to school at an +early age, and insisting on his right to train them. He rarely +interfered between his wife and her daughters; but he was resolved +that they should marry as soon as they were old enough. + +Even if he had wished to take violent measures, he could have found no +justification; his wife, backed by a formidable army of dowagers, +would have had him condemned by the whole world. Thus Granville had no +choice but to live in complete isolation; but, crushed under the +tyranny of misery, he could not himself bear to see how altered he was +by grief and toil. And he dreaded any connection or intimacy with +women of the world, having no hope of finding any consolation. + +The improving history of this melancholy household gave rise to no +events worthy of record during the fifteen years between 1806 and +1825. Madame de Granville was exactly the same after losing her +husband's affection as she had been during the time when she called +herself happy. She paid for Masses, beseeching God and the Saints to +enlighten her as to what the faults were which displeased her husband, +and to show her the way to restore the erring sheep; but the more +fervent her prayers, the less was Granville to be seen at home. + +For about five years now, having achieved a high position as a judge, +Granville had occupied the /entresol/ of the house to avoid living +with the Comtesse de Granville. Every morning a little scene took +place, which, if evil tongues are to be believed, is repeated in many +households as the result of incompatibility of temper, of moral or +physical malady, or of antagonisms leading to such disaster as is +recorded in this history. At about eight in the morning a housekeeper, +bearing no small resemblance to a nun, rang at the Comte de +Granville's door. Admitted to the room next to the Judge's study, she +always repeated the same message to the footman, and always in the +same tone: + +"Madame would be glad to know whether Monsieur le Comte has had a good +night, and if she is to have the pleasure of his company at +breakfast." + +"Monsieur presents his compliments to Madame la Comtesse," the valet +would say, after speaking with his master, "and begs her to hold him +excused; important business compels him to be in court this morning." + +A minute later the woman reappeared and asked on madame's behalf +whether she would have the pleasure of seeing Monsieur le Comte before +he went out. + +"He is gone," was always the rely, though often his carriage was still +waiting. + +This little dialogue by proxy became a daily ceremonial. Granville's +servant, a favorite with his master, and the cause of more than one +quarrel over his irreligious and dissipated conduct, would even go +into his master's room, as a matter of form, when the Count was not +there, and come back with the same formula in reply. + +The aggrieved wife was always on the watch for her husband's return, +and standing on the steps so as to meet him like an embodiment of +remorse. The petty aggressiveness which lies at the root of the +monastic temper was the foundation of Madame de Granville's; she was +now five-and-thirty, and looked forty. When the count was compelled by +decency to speak to his wife or to dine at home, she was only too well +pleased to inflict her company upon him, with her acid-sweet remarks +and the intolerable dulness of her narrow-minded circle, and she tried +to put him in the wrong before the servants and her charitable +friends. + +When, at this time, the post of President in a provincial court was +offered to the Comte de Granville, who was in high favor, he begged to +be allowed to remain in Paris. This refusal, of which the Keeper of +the Seals alone knew the reasons, gave rise to extraordinary +conjectures on the part of the Countess' intimate friends and of her +director. Granville, a rich man with a hundred thousand francs a year, +belonged to one of the first families of Normandy. His appointment to +be Presiding Judge would have been the stepping-stone to a peer's +seat; whence this strange lack of ambition? Why had he given up his +great book on Law? What was the meaning of the dissipation which for +nearly six years had made him a stranger to his home, his family, his +study, to all he ought to hold dear? The Countess' confessor, who +based his hopes of a bishopric quite as much on the families he +governed as on the services he rendered to an association of which he +was an ardent propagator, was much disappointed by Granville's +refusal, and tried to insinuate calumnious explanations: "If Monsieur +le Comte had such an objection to provincial life, it was perhaps +because he dreaded finding himself under the necessity of leading a +regular life, compelled to set an example of moral conduct, and to +live with the Countess, from whom nothing could have alienated him but +some illicit connection; for how could a woman so pure as Madame de +Granville ever tolerate the disorderly life into which her husband had +drifted?" The sanctimonious woman accepted as facts these hints, which +unluckily were not merely hypothetical, and Madame de Granville was +stricken as by a thunderbolt. + +Angelique, knowing nothing of the world, of love and its follies, was +so far from conceiving of any conditions of married life unlike those +that had alienated her husband as possible, that she believed him to +be incapable of the errors which are crimes in the eyes of any wife. +When the Count ceased to demand anything of her, she imagined that the +tranquillity he now seemed to enjoy was in the course of nature; and, +as she had really given to him all the love which her heart was +capable of feeling for a man, while the priest's conjectures were the +utter destruction of the illusions she had hitherto cherished, she +defended her husband; at the same time, she could not eradicate the +suspicion that had been so ingeniously sown in her soul. + +These alarms wrought such havoc in her feeble brain that they made her +ill; she was worn by low fever. These incidents took place during Lent +1822; she would not pretermit her austerities, and fell into a decline +that put her life in danger. Granville's indifference was added +torture; his care and attention were such as a nephew feels himself +bound to give to some old uncle. + +Though the Countess had given up her persistent nagging and +remonstrances, and tried to receive her husband with affectionate +words, the sharpness of the bigot showed through, and one speech would +often undo the work of a week. + +Towards the end of May, the warm breath of spring, and more nourishing +diet than her Lenten fare, restored Madame de Granville to a little +strength. One morning, on coming home from Mass, she sat down on a +stone bench in the little garden, where the sun's kisses reminded her +of the early days of her married life, and she looked back across the +years to see wherein she might have failed in her duty as a wife and +mother. She was broken in upon by the Abbe Fontanon in an almost +indescribable state of excitement. + +"Has any misfortune befallen you, Father?" she asked with filial +solicitude. + +"Ah! I only wish," cried the Normandy priest, "that all the woes +inflicted on you by the hand of God were dealt out to me; but, my +admirable friend, there are trials to which you can but bow." + +"Can any worse punishments await me than those with which Providence +crushes me by making my husband the instrument of His wrath?" + +"You must prepare yourself, daughter, to yet worse mischief than we +and your pious friends had ever conceived of." + +"Then I may thank God," said the Countess, "for vouchsafing to use you +as the messenger of His will, and thus, as ever, setting the treasures +of mercy by the side of the scourges of His wrath, just as in bygone +days He showed a spring to Hagar when He had driven her into the +desert." + +"He measures your sufferings by the strength of your resignation and +the weight of your sins." + +"Speak; I am ready to hear!" As she said it she cast her eyes up to +heaven. "Speak, Monsieur Fontanon." + +"For seven years Monsieur Granville has lived in sin with a concubine, +by whom he has two children; and on this adulterous connection he has +spent more than five hundred thousand francs, which ought to have been +the property of his legitimate family." + +"I must see it to believe it!" cried the Countess. + +"Far be it from you!" exclaimed the Abbe. "You must forgive, my +daughter, and wait in patience and prayer till God enlightens your +husband; unless, indeed, you choose to adopt against him the means +offered you by human laws." + +The long conversation that ensued between the priest and his penitent +resulted in an extraordinary change in the Countess; she abruptly +dismissed him, called her servants who were alarmed at her flushed +face and crazy energy. She ordered her carriage--countermanded it-- +changed her mind twenty times in the hour; but at last, at about three +o'clock, as if she had come to some great determination, she went out, +leaving the whole household in amazement at such a sudden +transformation. + +"Is the Count coming home to dinner?" she asked of his servant, to +whom she would never speak. + +"No, madame." + +"Did you go with him to the Courts this morning?" + +"Yes, madame." + +"And to-day is Monday?" + +"Yes, madame." + +"Then do the Courts sit on Mondays nowadays?" + +"Devil take you!" cried the man, as his mistress drove off after +saying to the coachman: + +"Rue Taitbout." + + + +Mademoiselle de Bellefeuille was weeping: Roger, sitting by her side, +held one of her hands between his own. He was silent, looking by turns +at little Charles--who, not understanding his mother's grief, stood +speechless at the sight of her tears--at the cot where Eugenie lay +sleeping, and Caroline's face, on which grief had the effect of rain +falling across the beams of cheerful sunshine. + +"Yes, my darling," said Roger, after a long silence, "that is the +great secret: I am married. But some day I hope we may form but one +family. My wife has been given over ever since last March. I do not +wish her dead; still, if it should please God to take her to Himself, +I believe she will be happier in Paradise than in a world to whose +griefs and pleasures she is equally indifferent." + +"How I hate that woman! How could she bear to make you unhappy? And +yet it is to that unhappiness that I owe my happiness!" + +Her tears suddenly ceased. + +"Caroline, let us hope," cried Roger. "Do not be frightened by +anything that priest may have said to you. Though my wife's confessor +is a man to be feared for his power in the congregation, if he should +try to blight our happiness I would find means--" + +"What could you do?" + +"We would go to Italy: I would fly--" + +A shriek that rang out from the adjoining room made Roger start and +Mademoiselle de Bellefeuille quake; but she rushed into the drawing- +room, and there found Madame de Granville in a dead faint. When the +Countess recovered her senses, she sighed deeply on finding herself +supported by the Count and her rival, whom she instinctively pushed +away with a gesture of contempt. Mademoiselle de Bellefeuille rose to +withdraw. + +"You are at home, madame," said Granville, taking Caroline by the arm. +"Stay." + +The Judge took up his wife in his arms, carried her to the carriage, +and got into it with her. + +"Who is it that has brought you to the point of wishing me dead, of +resolving to fly?" asked the Countess, looking at her husband with +grief mingled with indignation. "Was I not young? you thought me +pretty--what fault have you to find with me? Have I been false to you? +Have I not been a virtuous and well-conducted wife? My heart has +cherished no image but yours, my ears have listened to no other voice. +What duty have I failed in? What have I ever denied you?" + +"Happiness, madame," said the Count severely. "You know, madame, that +there are two ways of serving God. Some Christians imagine that by +going to church at fixed hours to say a /Paternoster/, by attending +Mass regularly and avoiding sin, they may win heaven--but they, +madame, will go to hell; they have not loved God for himself, they +have not worshiped Him as He chooses to be worshiped, they have made +no sacrifice. Though mild in seeming, they are hard on their +neighbors; they see the law, the letter, not the spirit.--This is how +you have treated me, your earthly husband; you have sacrificed my +happiness to your salvation; you were always absorbed in prayer when I +came to you in gladness of heart; you wept when you should have +cheered my toil; you have never tried to satisfy any demands I have +made on you." + +"And if they were wicked," cried the Countess hotly, "was I to lose my +soul to please you?" + +"It is a sacrifice which another, a more loving woman, has dared to +make," said Granville coldly. + +"Dear God!" she cried, bursting into tears, "Thou hearest! Has he been +worthy of the prayers and penance I have lived in, wearing myself out +to atone for his sins and my own?--Of what avail is virtue?" + +"To win Heaven, my dear. A woman cannot be at the same time the wife +of a man and the spouse of Christ. That would be bigamy; she must +choose between a husband and a nunnery. For the sake of future +advantage you have stripped your soul of all the love, all the +devotion, which God commands that you should have for me, you have +cherished no feeling but hatred--" + +"Have I not loved you?" she put in. + +"No, madame." + +"Then what is love?" the Countess involuntarily inquired. + +"Love, my dear," replied Granville, with a sort of ironical surprise, +"you are incapable of understanding it. The cold sky of Normandy is +not that of Spain. This difference of climate is no doubt the secret +of our disaster.--To yield to our caprices, to guess them, to find +pleasure in pain, to sacrifice the world's opinion, your pride, your +religion even, and still regard these offerings as mere grains of +incense burnt in honor of the idol--that is love--" + +"The love of ballet-girls!" cried the Countess in horror. "Such flames +cannot last, and must soon leave nothing but ashes and cinders, regret +or despair. A wife ought, in my opinion, to bring you true friendship, +equable warmth--" + +"You speak of warmth as negroes speak of ice," retorted the Count, +with a sardonic smile. "Consider that the humblest daisy has more +charms than the proudest and most gorgeous of the red hawthorns that +attract us in spring by their strong scent and brilliant color.--At +the same time," he went on, "I will do you justice. You have kept so +precisely in the straight path of imaginary duty prescribed by law, +that only to make you understand wherein you have failed towards me, I +should be obliged to enter into details which would offend your +dignity, and instruct you in matters which would seem to you to +undermine all morality." + +"And you dare to speak of morality when you have but just left the +house where you have dissipated your children's fortune in +debaucheries?" cried the Countess, maddened by her husband's +reticence. + +"There, madame, I must correct you," said the Count, coolly +interrupting his wife. "Though Mademoiselle de Bellefeuille is rich, +it is at nobody's expense. My uncle was master of his fortune, and had +several heirs. In his lifetime, and out of pure friendship, regarding +her as his niece, he gave her the little estate of Bellefeuille. As +for anything else, I owe it to his liberality--" + +"Such conduct is only worthy of a Jacobin!" said the sanctimonious +Angelique. + +"Madame, you are forgetting that your own father was one of the +Jacobins whom you scorn so uncharitably," said the Count severely. +"Citizen Bontems was signing death-warrants at a time when my uncle +was doing France good service." + +Madame de Granville was silenced. But after a short pause, the +remembrance of what she had just seen reawakened in her soul the +jealousy which nothing can kill in a woman's heart, and she murmured, +as if to herself--"How can a woman thus destroy her own soul and that +of others?" + +"Bless me, madame," replied the Count, tired of this dialogue, "you +yourself may some day have to answer that question." The Countess was +scared. "You perhaps will be held excused by the merciful Judge, who +will weigh our sins," he went on, "in consideration of the conviction +with which you have worked out my misery. I do not hate you--I hate +those who have perverted your heart and your reason. You have prayed +for me, just as Mademoiselle de Bellefeuille has given me her heart +and crowned my life with love. You should have been my mistress and +the prayerful saint by turns.--Do me the justice to confess that I am +no reprobate, no debauchee. My life was cleanly. Alas! after seven +years of wretchedness, the craving for happiness led me by an +imperceptible descent to love another woman and make a second home. +And do not imagine that I am singular; there are in this city +thousands of husbands, all led by various causes to live this twofold +life." + +"Great God!" cried the Countess. "How heavy is the cross Thou hast +laid on me to bear! If the husband Thou hast given me here below in +Thy wrath can only be made happy through my death, take me to +Thyself!" + +"If you had always breathed such admirable sentiments and such +devotion, we should be happy yet," said the Count coldly. + +"Indeed," cried Angelique, melting into a flood of tears, "forgive me +if I have done any wrong. Yes, monsieur, I am ready to obey you in all +things, feeling sure that you will desire nothing but what is just and +natural; henceforth I will be all you can wish your wife to be." + +"If your purpose, madame, is to compel me to say that I no longer love +you, I shall find the cruel courage to tell you so. Can I command my +heart? Can I wipe out in an instant the traces of fifteen years of +suffering?--I have ceased to love.--These words contain a mystery as +deep as lies the words /I love/. Esteem, respect, friendship may be +won, lost, regained; but as to love--I might school myself for a +thousand years, and it would not blossom again, especially for a woman +too old to respond to it." + +"I hope, Monsieur le Comte, I sincerely hope, that such words may not +be spoken to you some day by the woman you love, and in such a tone +and accent--" + +"Will you put on a dress /a la Grecque/ this evening, and come to the +Opera?" + +The shudder with which the Countess received the suggestion was a mute +reply. + + + +Early in December 1833, a man, whose perfectly white hair and worn +features seemed to show that he was aged by grief rather than by +years, was walking at midnight along the Rue Gaillon. Having reached a +house of modest appearance, and only two stories high, he paused to +look up at one of the attic windows that pierced the roof at regular +intervals. A dim light scarcely showed through the humble panes, some +of which had been repaired with paper. The man below was watching the +wavering glimmer with the vague curiosity of a Paris idler, when a +young man came out of the house. As the light of the street lamp fell +full on the face of the first comer, it will not seem surprising that, +in spite of the darkness, this young man went towards the passer-by, +though with the hesitancy that is usual when we have any fear of +making a mistake in recognizing an acquaintance. + +"What, is it you," cried he, "Monsieur le President? Alone at this +hour, and so far from the Rue Saint-Lazare. Allow me to have the honor +of giving you my arm.--The pavement is so greasy this morning, that if +we do not hold each other up," he added, to soothe the elder man's +susceptibilities, "we shall find it hard to escape a tumble." + +"But, my dear sir, I am no more than fifty-five, unfortunately for +me," replied the Comte de Granville. "A physician of your celebrity +must know that at that age a man is still hale and strong." + +"Then you are in waiting on a lady, I suppose," replied Horace +Bianchon. "You are not, I imagine, in the habit of going about Paris +on foot. When a man keeps such fine horses----" + +"Still, when I am not visiting in the evening, I commonly return from +the Courts or the club on foot," replied the Count. + +"And with large sums of money about you, perhaps!" cried the doctor. +"It is a positive invitation to the assassin's knife." + +"I am not afraid of that," said Granville, with melancholy +indifference. + +"But, at least, do not stand about," said the doctor, leading the +Count towards the boulevard. "A little more and I shall believe that +you are bent of robbing me of your last illness, and dying by some +other hand than mine." + +"You caught me playing the spy," said the Count. "Whether on foot or +in a carriage, and at whatever hour of the night I may come by, I have +for some time past observed at a window on the third floor of your +house the shadow of a person who seems to work with heroic constancy." + +The Count paused as if he felt some sudden pain. "And I take as great +an interest in that garret," he went on, "as a citizen of Paris must +feel in the finishing of the Palais Royal." + +"Well," said Horace Bianchon eagerly, "I can tell you--" + +"Tell me nothing," replied Granville, cutting the doctor short. "I +would not give a centime to know whether the shadow that moves across +that shabby blind is that of a man or a woman, nor whether the +inhabitant of that attic is happy or miserable. Though I was surprised +to see no one at work there this evening, and though I stopped to +look, it was solely for the pleasure of indulging in conjectures as +numerous and as idiotic as those of idlers who see a building left +half finished. For nine years, my young--" the Count hesitated to use +a word; then he waved his hand, exclaiming--"No, I will not say friend +--I hate everything that savors of sentiment.--Well, for nine years +past I have ceased to wonder that old men amuse themselves with +growing flowers and planting trees; the events of life have taught +them disbelief in all human affection; and I grew old within a few +days. I will no longer attach myself to any creature but to +unreasoning animals, or plants, or superficial things. I think more of +Taglioni's grace than of all human feeling. I abhor life and the world +in which I live alone. Nothing, nothing," he went on, in a tone that +startled the younger man, "no, nothing can move or interest me." + +"But you have children?" + +"My children!" he repeated bitterly. "Yes--well, is not my eldest +daughter the Comtesse de Vandenesse? The other will, through her +sister's connections, make some good match. As to my sons, have they +not succeeded? The Viscount was public prosecutor at Limoges, and is +now President of the Court at Orleans; the younger is public +prosecutor in Paris.--My children have their own cares, their own +anxieties and business to attend to. If of all those hearts one had +been devoted to me, if one had tried by entire affection to fill up +the void I have here," and he struck his breast, "well, that one would +have failed in life, have sacrificed it to me. And why should he? Why? +To bring sunshine into my few remaining years--and would he have +succeeded? Might I not have accepted such generosity as a debt? But, +doctor," and the Count smiled with deep irony, "it is not for nothing +that we teach them arithmetic and how to count. At this moment perhaps +they are waiting for my money." + +"O Monsieur le Comte, how could such an idea enter your head--you who +are kind, friendly, and humane! Indeed, if I were not myself a living +proof of the benevolence you exercise so liberally and so nobly--" + +"To please myself," replied the Count. "I pay for a sensation, as I +would to-morrow pay a pile of gold to recover the most childish +illusion that would but make my heart glow.--I help my fellow- +creatures for my own sake, just as I gamble; and I look for gratitude +from none. I should see you die without blinking; and I beg of you to +feel the same with regard to me. I tell you, young man, the events of +life have swept over my heart like the lavas of Vesuvius over +Herculaneum. The town is there--dead." + +"Those who have brought a soul as warm and as living as yours was to +such a pitch of indifference are indeed guilty!" + +"Say no more," said the Count, with a shudder of aversion. + +"You have a malady which you ought to allow me to treat," said +Bianchon in a tone of deep emotion. + +"What, do you know of a cure for death?" cried the Count irritably. + +"I undertake, Monsieur le Comte, to revive the heart you believe to be +frozen." + +"Are you a match for Talma, then?" asked the Count satirically. + +"No, Monsieur le Comte. But Nature is as far above Talma as Talma is +superior to me.--Listen: the garret you are interested in is inhabited +by a woman of about thirty, and in her love is carried to fanaticism. +The object of her adoration is a young man of pleasing appearance but +endowed by some malignant fairy with every conceivable vice. This +fellow is a gambler, and it is hard to say which he is most addicted +to--wine or women; he has, to my knowledge, committed acts deserving +punishment by law. Well, and to him this unhappy woman sacrificed a +life of ease, a man who worshiped her, and the father of her children. +--But what is wrong, Monsieur le Comte?" + +"Nothing. Go on." + +"She has allowed him to squander a perfect fortune; she would, I +believe, give him the world if she had it; she works night and day; +and many a time she has, without a murmur, seen the wretch she adores +rob her even of the money saved to buy the clothes the children need, +and their food for the morrow. Only three days ago she sold her hair, +the finest hair I ever saw; he came in, she could not hide the gold +piece quickly enough, and he asked her for it. For a smile, for a +kiss, she gave up the price of a fortnight's life and peace. Is it not +dreadful, and yet sublime?--But work is wearing her cheeks hollow. Her +children's crying has broken her heart; she is ill, and at this moment +on her wretched bed. This evening they had nothing to eat; the +children have not strength to cry, they were silent when I went up." + +Horace Bianchon stood still. Just then the Comte de Granville, in +spite of himself, as it were, had put his hand into his waistcoat +pocket. + +"I can guess, my young friend, how it is that she is yet alive if you +attend her," said the elder man. + +"O poor soul!" cried the doctor, "who could refuse to help her? I only +wish I were richer, for I hope to cure her of her passion." + +"But how can you expect me to pity a form of misery of which the joys +to me would seem cheaply purchased with my whole fortune!" exclaimed +the Count, taking his hand out of his pocket empty of the notes which +Bianchon had supposed his patron to be feeling for. "That woman feels, +she is alive! Would not Louis XV. have given his kingdom to rise from +the grave and have three days of youth and life! And is not that the +history of thousands of dead men, thousands of sick men, thousands of +old men?" + +"Poor Caroline!" cried Bianchon. + +As he heard the name the Count shuddered, and grasped the doctor's arm +with the grip of an iron vise, as it seemed to Bianchon. + +"Her name is Caroline Crochard?" asked the President, in a voice that +was evidently broken. + +"Then you know her?" said the doctor, astonished. + +"And the wretch's name is Solvet.--Ay, you have kept your word!" +exclaimed Granville; "you have roused my heart to the most terrible +pain it can suffer till it is dust. That emotion, too, is a gift from +hell, and I always know how to pay those debts." + +By this time the Count and the doctor had reached the corner of the +Rue de la Chaussee d'Antin. One of those night-birds who wonder round +with a basket on their back and crook in hand, and were, during the +Revolution, facetiously called the Committee of Research, was standing +by the curbstone where the two men now stopped. This scavenger had a +shriveled face worthy of those immortalized by Charlet in his +caricatures of the sweepers of Paris. + +"Do you ever pick up a thousand-franc note?" + +"Now and then, master." + +"And you restore them?" + +"It depends on the reward offered." + +"You're the man for me," cried the Count, giving the man a thousand- +franc note. "Take this, but, remember, I give it to you on condition +of your spending it at the wineshop, of your getting drunk, fighting, +beating your wife, blacking your friends' eyes. That will give work to +the watch, the surgeon, the druggist--perhaps to the police, the +public prosecutor, the judge, and the prison warders. Do not try to do +anything else, or the devil will be revenged on you sooner or later." + +A draughtsman would need at once the pencil of Charlet and of Callot, +the brush of Teniers and of Rembrandt, to give a true notion of this +night-scene. + +"Now I have squared accounts with hell, and had some pleasure for my +money," said the Count in a deep voice, pointing out the indescribable +physiognomy of the gaping scavenger to the doctor, who stood +stupefied. "As for Caroline Crochard!--she may die of hunger and +thirst, hearing the heartrending shrieks of her starving children, and +convinced of the baseness of the man she loves. I will not give a sou +to rescue her; and because you have helped her, I will see you no +more----" + +The Count left Bianchon standing like a statue, and walked as briskly +as a young man to the Rue Saint-Lazare, soon reaching the little house +where he resided, and where, to his surprise, he found a carriage +waiting at the door. + +"Monsieur, your son, the attorney-general, came about an hour since," +said the man-servant, "and is waiting for you in your bedroom." + +Granville signed to the man to leave him. + +"What motive can be strong enough to require you to infringe the order +I have given my children never to come to me unless I send for them?" +asked the Count of his son as he went into the room. + +"Father," replied the younger man in a tremulous voice, and with great +respect, "I venture to hope that you will forgive me when you have +heard me." + +"Your reply is proper," said the Count. "Sit down," and he pointed to +a chair, "But whether I walk up and down, or take a seat, speak +without heeding me." + +"Father," the son went on, "this afternoon, at four o'clock, a very +young man who was arrested in the house of a friend of mine, whom he +had robbed to a considerable extent, appealed to you.--He says he is +your son." + +"His name?" asked the Count hoarsely. + +"Charles Crochard." + +"That will do," said the father, with an imperious wave of the hand. + +Granville paced the room in solemn silence, and his son took care not +to break it. + +"My son," he began, and the words were pronounced in a voice so mild +and fatherly, that the young lawyer started, "Charles Crochard spoke +the truth.--I am glad you came to me to-night, my good Eugene," he +added. "Here is a considerable sum of money"--and he gave him a bundle +of banknotes--"you can make any use of them you think proper in this +matter. I trust you implicitly, and approve beforehand whatever +arrangements you may make, either in the present or for the future.-- +Eugene my dear son, kiss me. We part perhaps for the last time. I +shall to-morrow crave my dismissal from the King, and I am going to +Italy. + +"Though a father owes no account of his life to his children, he is +bound to bequeath to them the experience Fate sells him so dearly--is +it not a part of their inheritance?--When you marry," the count went +on, with a little involuntary shudder, "do not undertake it lightly; +that act is the most important of all which society requires of us. +Remember to study at your leisure the character of the woman who is to +be your partner; but consult me too, I will judge of her myself. A +lack of union between husband and wife, from whatever cause, leads to +terrible misfortune; sooner or later we are always punished for +contravening the social law.--But I will write to you on this subject +from Florence. A father who has the honor of presiding over a supreme +court of justice must not have to blush in the presence of his son. +Good-bye." + + + +PARIS, February 1830-January 1842. + + + +ADDENDUM + +The following personages appear in other stories of the Human Comedy. + +Beaumesnil, Mademoiselle + The Middle Classes + Scenes from a Courtesan's Life + +Bianchon, Horace + Father Goriot + The Atheist's Mass + Cesar Birotteau + The Commission in Lunacy + Lost Illusions + A Distinguished Provincial at Paris + A Bachelor's Establishment + The Secrets of a Princess + The Government Clerks + Pierrette + A Study of Woman + Scenes from a Courtesan's Life + Honorine + The Seamy Side of History + The Magic Skin + A Prince of Bohemia + Letters of Two Brides + The Muse of the Department + The Imaginary Mistress + The Middle Classes + Cousin Betty + The Country Parson +In addition, M. Bianchon narrated the following: + Another Study of Woman + La Grande Breteche + +Crochard, Charles + The Middle Classes + +Fontanon, Abbe + The Government Clerks + Honorine + The Member for Arcis + +Granville, Vicomte de (later Comte) + The Gondreville Mystery + Honorine + Farewell (Adieu) + Cesar Birotteau + Scenes from a Courtesan's Life + A Daughter of Eve + Cousin Pons + +Granville, Comtesse Angelique de + The Thirteen + A Daughter of Eve + +Granville, Vicomte de + A Daughter of Eve + The Country Parson + +Granville, Baron Eugene de + Scenes from a Courtesan's Life + +Molineux, Jean-Baptiste + The Purse + Cesar Birotteau + +Regnier, Claude-Antoine + The Gondreville Mystery + +Roguin, Madame + Cesar Birotteau + At the Sign of the Cat and Racket + Pierrette + A Daughter of Eve + +Vandenesse, Comtesse Felix de + A Daughter of Eve + The Muse of the Department + + + + + +End of The Project Gutenberg Etext of A Second Home by Honore de Balzac + diff --git a/old/2ndhm10.zip b/old/2ndhm10.zip Binary files differnew file mode 100644 index 0000000..6d7b6d5 --- /dev/null +++ b/old/2ndhm10.zip |
