summaryrefslogtreecommitdiff
path: root/1808-h/1808-h.htm
diff options
context:
space:
mode:
Diffstat (limited to '1808-h/1808-h.htm')
-rw-r--r--1808-h/1808-h.htm1898
1 files changed, 1898 insertions, 0 deletions
diff --git a/1808-h/1808-h.htm b/1808-h/1808-h.htm
new file mode 100644
index 0000000..fc56135
--- /dev/null
+++ b/1808-h/1808-h.htm
@@ -0,0 +1,1898 @@
+<?xml version="1.0" encoding="utf-8"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml" lang="en">
+ <head>
+ <title>
+ The Log of the 'Jolly Polly', by Richard Harding Davis
+ </title>
+ <style type="text/css" xml:space="preserve">
+
+ body { margin:5%; background:#faebd0; text-align:justify}
+ P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ .pagenum {display:inline; font-size: 70%; font-style:normal;
+ margin: 0; padding: 0; position: absolute; right: 1%;
+ text-align: right;}
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+
+</style>
+ </head>
+ <body>
+<pre xml:space="preserve">
+
+Project Gutenberg's The Log of The "Jolly Polly", by Richard Harding Davis
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Log of The "Jolly Polly"
+
+Author: Richard Harding Davis
+
+Release Date: October 10, 2008 [EBook #1808]
+Last Updated: March 4, 2018
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE LOG OF THE "JOLLY POLLY" ***
+
+
+
+
+Produced by Aaron Cannon, and David Widger
+
+
+
+
+
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <h1>
+ THE LOG OF THE &ldquo;JOLLY POLLY&rdquo;
+ </h1>
+ <p>
+ <br />
+ </p>
+ <h2>
+ By Richard Harding Davis
+ </h2>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <p>
+ Temptation came to me when I was in the worst possible position to resist
+ it.
+ </p>
+ <p>
+ It is a way temptation has. Whenever I swear off drinking invariably I am
+ invited to an ushers' dinner. Whenever I am rich, only the highbrow
+ publications that pay the least, want my work. But the moment I am
+ poverty-stricken the MANICURE GIRL'S MAGAZINE and the ROT AND SPOT WEEKLY
+ spring at me with offers of a dollar a word. Temptation always is on the
+ job. When I am down and out temptation always is up and at me.
+ </p>
+ <p>
+ When first the Farrells tempted me my vogue had departed. On my name and
+ &ldquo;past performances&rdquo; I could still dispose of what I wrote, but only to
+ magazines that were just starting. The others knew I no longer was a
+ best-seller. All the real editors knew it. So did the theatrical managers.
+ </p>
+ <p>
+ My books and plays had flourished in the dark age of the
+ historical-romantic novel. My heroes wore gauntlets and long swords. They
+ fought for the Cardinal or the King, and each loved a high-born demoiselle
+ who was a ward of the King or the Cardinal, and with feminine perversity,
+ always of whichever one her young man was fighting. With people who had
+ never read Guizot's &ldquo;History of France,&rdquo; my books were popular, and for me
+ made a great deal of money. This was fortunate, for my parents had left me
+ nothing save expensive tastes. When the tastes became habits, the public
+ left me. It turned to white-slave and crook plays, and to novels true to
+ life; so true to life that one felt the author must at one time have been
+ a masseur in a Turkish bath.
+ </p>
+ <p>
+ So, my heroines in black velvet, and my heroes with long swords were
+ &ldquo;scrapped.&rdquo; As one book reviewer put it, &ldquo;To expect the public of to-day
+ to read the novels of Fletcher Farrell is like asking people to give up
+ the bunny hug and go back to the lancers.&rdquo;
+ </p>
+ <p>
+ And, to make it harder, I was only thirty years old.
+ </p>
+ <p>
+ It was at this depressing period in my career that I received a letter
+ from Fairharbor, Massachusetts, signed Fletcher Farrell. The letter was
+ written on the business paper of the Farrell Cotton Mills, and asked if I
+ were related to the Farrells of Duncannon, of the County Wexford, who
+ emigrated to Massachusetts in 1860. The writer added that he had a
+ grandfather named Fletcher and suggested we might be related. From the
+ handwriting of Fletcher Farrell and from the way he ill-treated the King's
+ English I did not feel the ties of kinship calling me very loud. I replied
+ briefly that my people originally came from Youghal, in County Cork, that
+ as early as 1730 they had settled in New York, and that all my relations
+ on the Farrell side either were still at Youghal, or dead. Mine was not an
+ encouraging letter; nor did I mean it to be; and I was greatly surprised
+ two days later to receive a telegram reading, &ldquo;Something to your advantage
+ to communicate; wife and self calling on you Thursday at noon. Fletcher
+ Farrell.&rdquo; I was annoyed, but also interested. The words &ldquo;something to your
+ advantage&rdquo; always possess a certain charm. So, when the elevator boy
+ telephoned that Mr. and Mrs. Farrell were calling, I told him to bring
+ them up.
+ </p>
+ <p>
+ My first glance at the Farrells convinced me the interview was a waste of
+ time. I was satisfied that from two such persons, nothing to my advantage
+ could possibly emanate. On the contrary, from their lack of ease, it
+ looked as though they had come to beg or borrow. They resembled only a
+ butler and housekeeper applying for a new place under the disadvantage of
+ knowing they had no reference from the last one. Of the two, I better
+ liked the man. He was an elderly, pleasant-faced Irishman, smooth-shaven,
+ red-cheeked, and with white hair. Although it was July, he wore a frock
+ coat, and carried a new high hat that glistened. As though he thought at
+ any moment it might explode, he held it from him, and eyed it fearfully.
+ Mrs. Farrell was of a more sophisticated type. The lines in her face and
+ hands showed that for years she might have known hard physical work. But
+ her dress was in the latest fashion, and her fingers held more diamonds
+ than, out of a showcase, I ever had seen.
+ </p>
+ <p>
+ With embarrassment old man Farrell began his speech. Evidently it had been
+ rehearsed and as he recited it, in swift asides, his wife prompted him;
+ but to note the effect he was making, she kept her eyes upon me. Having
+ first compared my name, fame, and novels with those of Charles Dickens,
+ Walter Scott, and Archibald Clavering Gunter, and to the disadvantage of
+ those gentlemen, Farrell said the similarity of our names often had been
+ commented upon, and that when from my letter he had learned our families
+ both were from the South of Ireland, he had a premonition we might be
+ related. Duncannon, where he was born, he pointed out, was but forty miles
+ from Youghal, and the fishing boats out of Waterford Harbor often sought
+ shelter in Blackwater River. Had any of my forebears, he asked, followed
+ the herring?
+ </p>
+ <p>
+ Alarmed, lest at this I might take offense, Mrs. Farrell interrupted him.
+ </p>
+ <p>
+ &ldquo;The Fletchers and O'Farrells of Youghal,&rdquo; she exclaimed, &ldquo;were gentry.
+ What would they be doing in a trawler?&rdquo;
+ </p>
+ <p>
+ I assured her that so far as I knew, 1750 being before my time, they might
+ have been smugglers and pirates.
+ </p>
+ <p>
+ &ldquo;All I ever heard of the Farrells,&rdquo; I told her, &ldquo;begins after they settled
+ in New York. And there is no one I can ask concerning them. My father and
+ mother are dead; all my father's relatives are dead, and my mother's
+ relatives are as good as dead. I mean,&rdquo; I added, &ldquo;we don't speak!&rdquo;
+ </p>
+ <p>
+ To my surprise, this information appeared to afford my visitors great
+ satisfaction. They exchanged hasty glances.
+ </p>
+ <p>
+ &ldquo;Then,&rdquo; exclaimed Mr. Farrell, eagerly; &ldquo;if I understand you, you have no
+ living relations at all&mdash;barring those that are dead!&rdquo;
+ </p>
+ <p>
+ &ldquo;Exactly!&rdquo; I agreed.
+ </p>
+ <p>
+ He drew a deep sigh of relief. With apparent irrelevance but with a
+ carelessness that was obviously assumed, he continued.
+ </p>
+ <p>
+ &ldquo;Since I come to America,&rdquo; he announced, &ldquo;I have made heaps of money.&rdquo; As
+ though in evidence of his prosperity, he flashed the high hat. In the
+ sunlight it coruscated like one of his wife's diamonds. &ldquo;Heaps of money,&rdquo;
+ he repeated. &ldquo;The mills are still in my name,&rdquo; he went on, &ldquo;but five years
+ since I sold them&mdash;We live on the income. We own Harbor Castle, the
+ finest house on the whole waterfront.&rdquo;
+ </p>
+ <p>
+ &ldquo;When all the windows are lit up,&rdquo; interjected Mrs. Farrell, &ldquo;it's often
+ took for a Fall River boat!&rdquo;
+ </p>
+ <p>
+ &ldquo;When I was building it,&rdquo; Farrell continued, smoothly, &ldquo;they called it
+ Farrell's Folly; but not NOW.&rdquo; In friendly fashion he winked at me,
+ &ldquo;Standard Oil,&rdquo; he explained, &ldquo;offered half a million for it. They wanted
+ my wharf for their tank steamers. But, I needed it for my yacht!&rdquo;
+ </p>
+ <p>
+ I must have sat up rather too suddenly, for, seeing the yacht had reached
+ home, Mr. Farrell beamed. Complacently his wife smoothed an imaginary
+ wrinkle in her skirt.
+ </p>
+ <p>
+ &ldquo;Eighteen men!&rdquo; she protested, &ldquo;with nothing to do but clean brass and eat
+ three meals a day!&rdquo;
+ </p>
+ <p>
+ Farrell released his death grip on the silk hat to make a sweeping
+ gesture.
+ </p>
+ <p>
+ &ldquo;They earn their wages,&rdquo; he said generously.
+ </p>
+ <p>
+ &ldquo;Aren't they taking us this week to Cap May?&rdquo;
+ </p>
+ <p>
+ &ldquo;They're taking the yacht to Cape May!&rdquo; corrected Mrs. Farrell; &ldquo;not ME!&rdquo;
+ </p>
+ <p>
+ &ldquo;The sea does not agree with her,&rdquo; explained Farrell; &ldquo;WE'RE going by
+ automobile.&rdquo; Mrs. Farrell now took up the wondrous tale.
+ </p>
+ <p>
+ &ldquo;It's a High Flyer, 1915 model,&rdquo; she explained; &ldquo;green, with white enamel
+ leather inside, and red wheels outside. You can see it from the window.&rdquo;
+ </p>
+ <p>
+ Somewhat dazed, I stepped to the window and found you could see it from
+ almost anywhere. It was as large as a freight car; and was entirely
+ surrounded by taxi-starters, bellboys, and nurse-maids. The chauffeur, and
+ a deputy chauffeur, in a green livery with patent-leather leggings, were
+ frowning upon the mob. They possessed the hauteur of ambulance surgeons. I
+ returned to my chair, and then rose hastily to ask if I could not offer
+ Mr. Farrell some refreshment.
+ </p>
+ <p>
+ &ldquo;Mebbe later,&rdquo; he said. Evidently he felt that as yet he had not
+ sufficiently impressed me.
+ </p>
+ <p>
+ &ldquo;Harbor Castle,&rdquo; he recited, &ldquo;has eighteen bedrooms, billiard-room,
+ music-room, art gallery and swimming-pool.&rdquo; He shook his head. &ldquo;And no one
+ to use 'em but us. We had a boy.&rdquo; He stopped, and for an instant, as
+ though asking pardon, laid his hand upon the knee of Mrs. Farrell. &ldquo;But he
+ was taken when he was four, and none came since. My wife has a niece,&rdquo; he
+ added, &ldquo;but&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;But,&rdquo; interrupted Mrs. Farrell, &ldquo;she was too high and mighty for plain
+ folks, and now there is no one. We always took an interest in you because
+ your name was Farrell. We were always reading of you in the papers. We
+ have all your books, and a picture of you in the billiard-room. When folks
+ ask me if we are any relation&mdash;sometimes I tell 'em we ARE.&rdquo;
+ </p>
+ <p>
+ As though challenging me to object, she paused.
+ </p>
+ <p>
+ &ldquo;It's quite possible,&rdquo; I said hastily. And, in order to get rid of them, I
+ added: &ldquo;I'll tell you what I'll do. I'll write to Ireland and&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ Farrell shook his head firmly. &ldquo;You don't need to write to Ireland,&rdquo; he
+ said, &ldquo;for what we want.&rdquo;
+ </p>
+ <p>
+ &ldquo;What DO you want?&rdquo; I asked.
+ </p>
+ <p>
+ &ldquo;We want a SON,&rdquo; said Farrell; &ldquo;an adopted son. We want to adopt YOU!&rdquo;
+ </p>
+ <p>
+ &ldquo;You want to WHAT?&rdquo; I asked.
+ </p>
+ <p>
+ To learn if Mrs. Farrell also was mad, I glanced toward her, but her
+ expression was inscrutable. The face of the Irishman had grown purple.
+ </p>
+ <p>
+ &ldquo;And why not?&rdquo; he demanded. &ldquo;You are a famous young man, all right, and
+ educated. But there's nothing about me I'm ashamed of! I'm worth five
+ million dollars and I made every cent Of it myself&mdash;and I made it
+ honest. You ask Dun or Bradstreet, ask&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ I attempted to soothe him.
+ </p>
+ <p>
+ &ldquo;THAT'S not it, sir,&rdquo; I explained. &ldquo;It's a most generous offer, a most
+ flattering, complimentary offer. But you don't know me. I don t know you.
+ Choosing a son is a very&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;I've had you looked up,&rdquo; announced Mrs. Farrell. &ldquo;The Pinkertons give you
+ a high rating. I hired 'em to trail you for six months.&rdquo;
+ </p>
+ <p>
+ I wanted to ask WHICH six months, but decided to let sleeping dogs lie. I
+ shook my head. Politely but firmly I delivered my ultimatum.
+ </p>
+ <p>
+ &ldquo;It is quite impossible!&rdquo; I said firmly.
+ </p>
+ <p>
+ Mrs. Farrell continued the debate. She talked in a businesslike manner and
+ pronounced the arrangement one by which both sides would benefit. There
+ were thousands of other Farrells, she pointed out, any one of whom they
+ might have adopted. But they had selected me because in so choosing, they
+ thought they were taking the least risk. They had decided she was pleased
+ to say, that I would not disgrace them, and that as a &ldquo;literary author&rdquo; I
+ brought with me a certain social asset.
+ </p>
+ <p>
+ A clever, young businessman they did not want. Their business affairs they
+ were quit able to manage themselves. But they would like as an adopted son
+ one who had already added glory to the name of Farrell, which glory he was
+ willing to share.
+ </p>
+ <p>
+ &ldquo;We wouldn't tie you down,&rdquo; she urged &ldquo;but we would expect you to live at
+ Harbor Castle a part of your time, and to call us Ma and Pa. You would
+ have your own rooms, and your own servant, and there is a boat-house on
+ the harbor front, where you could write your novels.&rdquo;
+ </p>
+ <p>
+ At this, knowing none wanted my novels, I may have winced, for, misreading
+ my discontent, Farrell hastily interrupted.
+ </p>
+ <p>
+ &ldquo;You won't have to work at all,&rdquo; he protested heartily. &ldquo;My son can afford
+ to live like a lord. You'll get all the spending money you want, and if
+ you're fond of foreign parts, you can take the yacht wherever you please!&rdquo;
+ </p>
+ <p>
+ &ldquo;The farther the better,&rdquo; exclaimed Mrs. Farrell with heat. &ldquo;And when you
+ get it there, I hope you'll SINK it!&rdquo;
+ </p>
+ <p>
+ &ldquo;Maybe your friends would come and visit You,&rdquo; suggested Farrell, I
+ thought, a trifle wistfully. &ldquo;There's bathing, tennis, eight... bedrooms,
+ billiard-room, art gallery&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;You told him that!&rdquo; said Mrs. Farrell.
+ </p>
+ <p>
+ I was greatly at a loss. Their offer was preposterous, but to them, it was
+ apparently a perfectly possible arrangement. Nor were they acting on
+ impulse. Mrs. Farrell had admitted that for six months she had had me
+ &ldquo;trailed.&rdquo; How to say &ldquo;No&rdquo; and not give offense, I found difficult. They
+ were deeply in earnest and I could see that Farrell, at least, was by
+ instinct generous, human, and kind. It was, in fact, a most generous
+ offer. But how was I to tell them tactfully I was not for sale, that I was
+ not looking for &ldquo;ready-to-wear&rdquo; parents, and that if I were in the market,
+ they were not the parents I would choose. I had a picture of life at
+ Harbor Castle, dependent upon the charity of the Farrells. I imagined what
+ my friends would say to me, and worse, what they would say behind my back.
+ But I was not forced to a refusal.
+ </p>
+ <p>
+ Mr. Farrell rose.
+ </p>
+ <p>
+ &ldquo;We don't want to hurry you,&rdquo; he said. &ldquo;We want you to think it over.
+ Maybe if we get acquainted&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ Mrs. Farrell smiled upon me ingratiatingly.
+ </p>
+ <p>
+ &ldquo;Why don't we get acquainted now?&rdquo; she demanded. &ldquo;We're motoring down to
+ Cape May to stay three weeks. Why don't you come along&mdash;as our guest&mdash;and
+ see how you like us?&rdquo;
+ </p>
+ <p>
+ I assured them, almost too hastily, that already was deeply engaged.
+ </p>
+ <p>
+ As they departed, Farrell again admonished me to think it over.
+ </p>
+ <p>
+ &ldquo;And look me up at Dun's and Bradstreet's,&rdquo; he advised. &ldquo;Ask 'em about me
+ at the Waldorf. Ask the head waiters and bellhops if I look twice at a
+ five spot!&rdquo;
+ </p>
+ <p>
+ It seemed an odd way to select a father, but I promised.
+ </p>
+ <p>
+ I escorted them even to the sidewalk, and not without envy watched them
+ sweep toward the Waldorf in the High Flyer, 1915 model. I caught myself
+ deciding, were it mine, I would paint it gray.
+ </p>
+ <p>
+ I was lunching at the Ritz with Curtis Spencer, and I looked forward to
+ the delight he would take in my story of the Farrells. He would probably
+ want to write it. He was my junior, but my great friend; and as a novelist
+ his popularity was where five years earlier mine had been. But he belonged
+ to the new school. His novels smelled like a beauty parlor; and his
+ heroines, while always beautiful, were, on occasions, virtuous, but only
+ when they thought it would pay.
+ </p>
+ <p>
+ Spencer himself was as modern as his novels, and I was confident his view
+ of my adventure would be that of the great world which he described so
+ accurately.
+ </p>
+ <p>
+ But to my amazement when I had finished he savagely attacked me.
+ </p>
+ <p>
+ &ldquo;You idiot!&rdquo; he roared. &ldquo;Are you trying to tell me you refused five
+ million dollars&mdash;just because you didn't like the people who wanted
+ to force it on you? Where,&rdquo; he demanded, &ldquo;is Cape May? We'll follow them
+ now! We'll close this deal before they can change their minds. I'll make
+ you sign to-night. And, then,&rdquo; he continued eagerly, &ldquo;we'll take their
+ yacht and escape to Newport, and you'll lend me five thousand dollars, and
+ pay my debts, and give me back the ten you borrowed. And you might buy me
+ a touring-car and some polo ponies and&mdash;and&mdash;oh, lots of things.
+ I'll think of them as we go along. Meanwhile, I can't afford to give
+ luncheons to millionaires, so you sign for this one; and then we'll start
+ for Cape May.&rdquo;
+ </p>
+ <p>
+ &ldquo;Are you mad?&rdquo; I demanded; &ldquo;do you think I'd sell my honor!&rdquo;
+ </p>
+ <p>
+ &ldquo;For five million dollars?&rdquo; cried Spencer. &ldquo;Don't make me laugh! If they
+ want a REAL novelist for a son they can adopt me!&rdquo;
+ </p>
+ <p>
+ I replied with dignity that I would not disgrace the memory of my parents.
+ </p>
+ <p>
+ &ldquo;You have disgraced them!&rdquo; retorted Spencer, &ldquo;with your Musketeer novels
+ for infants. You need money. To get it you may be tempted to write more
+ novels. Here's your chance! Stop robbing the public, and lead an honest
+ life. Think of all the money you could give to the poor, think of all the
+ money you and I could lose at Monte Carlo!&rdquo;
+ </p>
+ <p>
+ When he found I would not charter an auto-mobile and at once pursue the
+ Farrells he changed his tactics. If I would not go to Cape May, then, he
+ begged, I would go to Fairharbor. He asked that I would, at least, find
+ out what I was refusing. Before making their offer, for six months, the
+ Farrells had had me &ldquo;looked up,&rdquo; but, without knowing anything of them,
+ after a talk of ten minutes I had turned them down. &ldquo;Was that,&rdquo; he asked,
+ &ldquo;intelligent? Was it fair to the Farrells?&rdquo; He continued to tempt me.
+ </p>
+ <p>
+ &ldquo;They told you to think it over,&rdquo; he persisted. &ldquo;Very well, then, think it
+ over at Fairharbor! For the next three weeks the Farrells will be at Cape
+ May. The coast is clear. Go to Fairharbor as somebody else and be your own
+ detective. Find out if what they tell you is true. Get inside information.
+ Get inside Harbor Castle. Count the eighteen bedrooms and try the beds.
+ Never mind the art gallery, but make sure there is a wine cellar. You
+ can't start too soon, and I WILL GO WITH YOU!&rdquo;
+ </p>
+ <p>
+ I told him where he could go.
+ </p>
+ <p>
+ We then tossed to see who should pay for the lunch and who should tip the
+ head waiter. I lost and had to tip the head waiter. We separated, and as I
+ walked down the Avenue, it seemed as though to the proprietor of every
+ shop I passed I owed money. Owing them the money I did not so much mind;
+ what most distressed me was that they were so polite about it. I had
+ always wanted to reward their patience. A favorite dream of mine was to be
+ able to walk down Fifth Avenue, my pockets stuffed with yellow bills,
+ paying off my debts. Compared with my steadily decreasing income, how
+ enormous my debts appeared; but when compared with the income of a man
+ worth&mdash;say-five million dollars, how ridiculous! I had no more than
+ reached my apartment, than a messenger-boy arrived with an envelope. It
+ contained a ticket for a round trip on the New Bedford Line boat leaving
+ that afternoon, a ticket for a stateroom, and a note from Curtis Spencer.
+ The latter read: &ldquo;The boat leaves at six to-night. You arrive at New
+ Bedford seven to-morrow morning. New Bedford and Fairharbor are connected
+ by a bridge. CROSS IT!&rdquo;
+ </p>
+ <p>
+ I tore the note in tiny fragments, and tossed them through the open
+ window. I was exceedingly angry. As I stood at the window adding to the
+ name of Curtis Spencer insulting aliases, the street below sent up hot,
+ stifling odors: the smoke of taxicabs, the gases of an open subway, the
+ stale reek of thousands of perspiring, unwashed bodies. From that one side
+ street seemed to rise the heat and smells of all New York. For relief I
+ turned to my work-table where lay the opening chapters of my new novel,
+ &ldquo;The White Plume of Savoy.&rdquo; But now, in the light of Spencer's open scorn,
+ I saw it was impudently false, childish, sentimental. My head ached, the
+ humidity sapped my strength, at heart I felt sick, sore, discouraged. I
+ was down and out. And seeing this, Temptation, like an obsequious
+ floorwalker, came hurrying forward.
+ </p>
+ <p>
+ &ldquo;And what may I show you to-day?&rdquo; asked Temptation. He showed me the upper
+ deck of the New Bedford boat feeling her way between the green banks of
+ the Sound. A cool wind swept past me bearing clean, salty odors; on the
+ saloon deck a band played, and from the darkness the lighthouses winked at
+ me, and in friendly greeting the stars smiled. Temptation won. In five
+ minutes I was feverishly packing, and at five-thirty I was on board. I
+ assured myself I had not listened to Temptation, that I had no interest in
+ Fairharbor. I was taking the trip solely because it would give me a
+ night's sleep on the Sound. I promised myself that on the morrow I would
+ not even LOOK toward Harbor Castle; but on the evening following on the
+ same boat, return to New York. Temptation did not stop to argue, but
+ hastened after another victim.
+ </p>
+ <p>
+ I turned in at nine o'clock and the coolness, and the salt air, blessed me
+ with the first sleep I had known in weeks. And when I woke we were made
+ fast to the company's wharf at New Bedford, and the sun was well up. I
+ rose refreshed in body and spirit. No longer was I discouraged. Even &ldquo;The
+ White Plume of Savoy&rdquo; seemed a perfectly good tale of romance and
+ adventure. And the Farrells were a joke. Even if I were at Fairharbor, I
+ was there only on a lark, and at the expense of Curtis Spencer, who had
+ paid for the tickets. Distinctly the joke was on Curtis Spencer. I lowered
+ the window screen, and looked across the harbor. It was a beautiful
+ harbor. At ancient stone wharfs Jay ancient whalers with drooping davits
+ and squared yards, at anchor white-breasted yachts flashed in the sun, a
+ gray man-of-war's man flaunted the week's laundry, a four-masted schooner
+ dried her canvas, and over the smiling surface of the harbor innumerable
+ fishing boats darted. With delight I sniffed the odors of salt water,
+ sun-dried herring, of oakum and tar. The shore opposite was a graceful
+ promontory crowned with trees and decorous gray-shingled cottages set in
+ tiny gardens that reached to the very edge of the harbor. The second
+ officer was passing my window and I asked what the promontory was called.
+ </p>
+ <p>
+ &ldquo;Fairharbor,&rdquo; he said. He answered with such proprietary pride and smiled
+ upon Fairharbor with such approval that I ventured to guess it was his
+ home.
+ </p>
+ <p>
+ &ldquo;That's right,&rdquo; he said; &ldquo;I used to live at the New York end of the run-in
+ a flat. But never again! No place for the boy to play but in the street. I
+ found I could rent one of those old cottages over there for the same money
+ I paid for the flat. So I cut out New York. My boy lives in a bathing suit
+ now, and he can handle a catboat same as me. We have a kitchen garden, and
+ hens, and the fishermen here will give you all the fish you can carry away&mdash;fish
+ right out of the water. I guess I've smashed the high cost of living
+ problem all right. I wouldn't go back to living in New York now&mdash;not
+ if they gave me the PILGRIM.&rdquo;
+ </p>
+ <p>
+ As though trying to prod my memory, I frowned. It was my conception of the
+ part of a detective. &ldquo;Hasn't Fletcher Farrell,&rdquo; I asked, &ldquo;a house in
+ Fairharbor?&rdquo;
+ </p>
+ <p>
+ &ldquo;Harbor Castle,&rdquo; said the mate promptly. &ldquo;It's on the other side of the
+ point I'd as soon live in a jail!&rdquo;
+ </p>
+ <p>
+ &ldquo;Why?&rdquo; I exclaimed.
+ </p>
+ <p>
+ But he was no longer listening. He pointed at the shore opposite.
+ </p>
+ <p>
+ &ldquo;See that flag running up the staff in that garden?&rdquo; he cried. &ldquo;That's my
+ boy signalling. I got to get to the boat deck and wave back!&rdquo;
+ </p>
+ <p>
+ I felt as a detective. I had acquired important information. The mate, a
+ man of judgment, preferred Fairharbor to New York. Also, to living in
+ Harbor Castle, he preferred going to jail.
+ </p>
+ <p>
+ The boat on which I had arrived was listed to start back at six the same
+ evening on her return trip to New York. So, at the office of the line I
+ checked my valise, and set forth to explore New Bedford.
+ </p>
+ <p>
+ The whaling vessels moored to a nearby wharf, I inspected from hatches to
+ keels, and by those on board was directed to a warehouse where were stored
+ harpoons, whalebone, and wooden figure-heads. My pleasure in these led to
+ my being passed on to a row of &ldquo;antique&rdquo; shops filled with relics of the
+ days of whaling and also with genuine pie-crust tables, genuine flint-lock
+ muskets, genuine Liverpool pitchers. I coveted especially old-time
+ engravings of the whalers, and was told at Hatchardson's book-store on the
+ main street others could be found in profusion.
+ </p>
+ <p>
+ Hatchardson's proved to be a place of great delight. As you entered there
+ were counters for magazines and post-cards, popular music, and
+ best-selling novels, while in the rear of the shop tables and shelves were
+ stocked with ancient volumes, and on the wall surrounding them hung
+ engravings, prints and woodcuts of even the eighteenth century. Just as
+ the drugstore on the corner seemed to be a waiting station for those of
+ New Bedford who used the trolley-cars, so for those who moved in
+ automobiles, or still clung to the family carriage, Hatchardson's appeared
+ to be less a shop than a public meeting-place. I noticed that the clerks,
+ most of whom were women, were with the customers on a most friendly
+ footing, addressing them, and by them being addressed by name. Finding I
+ was free to wander where I pleased, I walked to the rear of the shop and
+ from one of the tables picked up a much-worn volume. It was entitled &ldquo;The
+ Log of the JOLLY POLLY&rdquo;, and was illustrated with wood cuts showing
+ square-rigged ships and whales Spouting. For five minutes, lost to my
+ Surroundings, I turned the pages; and then became conscious that across
+ the table some one was watching me. I raised my eyes and beheld a face of
+ most surprising charm, intelligence and beauty. It was so lovely that it
+ made me wince. The face was the fortune, and judging from the fact that in
+ her hand she held a salesbook, the sole fortune, of a tall young girl who
+ apparently had approached to wait on me. She was looking toward the
+ street, so that, with the book-shelves for a back-ground, her face was in
+ profile, and I determined swiftly that if she were to wait on me she would
+ be kept waiting as long as my money lasted. I did not want &ldquo;The Log of the
+ JOLLY POLLY,&rdquo; but I did want to hear the lovely lady speak, and especially
+ I desired that the one to whom she spoke should be myself.
+ </p>
+ <p>
+ &ldquo;What is the price of this?&rdquo; I asked. With magnificent self-control I kept
+ my eyes on the book, but the lovely lady was so long silent that I raised
+ them. To my surprise, I found on her face an expression of alarm and
+ distress. With reluctance, and yet within her voice a certain hopefulness,
+ she said, &ldquo;Fifty dollars.&rdquo;
+ </p>
+ <p>
+ Fifty dollars was a death blow. I had planned to keep the young lady
+ selling books throughout the entire morning, but at fifty dollars a book,
+ I would soon be owing her money. I attempted to gain time.
+ </p>
+ <p>
+ &ldquo;It must be very rare!&rdquo; I said. I was afraid to look at her lest my
+ admiration should give offense, so I pretended to admire the book.
+ </p>
+ <p>
+ &ldquo;It is the only one in existence,&rdquo; said the young lady. &ldquo;At least, it is
+ the only one for sale!&rdquo;
+ </p>
+ <p>
+ We were interrupted by the approach of a tall man who, from his playing
+ the polite host and from his not wearing a hat, I guessed was Mr.
+ Hatchardson himself. He looked from the book in my hand to the lovely lady
+ and said smiling, &ldquo;Have you lost it?&rdquo;
+ </p>
+ <p>
+ The girl did not smile. To her, apparently, it was no laughing matter. &ldquo;I
+ don't know&mdash;yet,&rdquo; she said. Her voice was charming, and genuinely
+ troubled.
+ </p>
+ <p>
+ Mr. Hatchardson, for later I learned it was he, took the book and showed
+ me the title-page.
+ </p>
+ <p>
+ &ldquo;This was privately printed in 1830,&rdquo; he said, &ldquo;by Captain Noah Briggs. He
+ distributed a hundred presentation copies among his family and friends
+ here in New Bedford. It is a most interesting volume.&rdquo;
+ </p>
+ <p>
+ I did not find it so. For even as he spoke the young girl, still with a
+ troubled countenance, glided away. Inwardly I cursed Captain Briggs and
+ associated with him in my curse the polite Mr. Hatchardson. But, at his
+ next words my interest returned. Still smiling, he lowered his voice.
+ </p>
+ <p>
+ &ldquo;Miss Briggs, the young lady who just left us,&rdquo; he said, &ldquo;is the
+ granddaughter of Captain Briggs, and she does not want the book to go out
+ of the family; she wants it for herself.&rdquo; I interrupted eagerly.
+ </p>
+ <p>
+ &ldquo;But it is for sale?&rdquo; Mr. Hatchardson reluctantly assented.
+ </p>
+ <p>
+ &ldquo;Then I will take it,&rdquo; I said.
+ </p>
+ <p>
+ Fifty dollars is a great deal of money, but the face of the young lady had
+ been very sad. Besides being sad, had it been aged, plain, and
+ ill-tempered, that I still would have bought the book, is a question I
+ have never determined.
+ </p>
+ <p>
+ To Mr. Hatchardson, of my purpose to give the book to Miss Briggs, I said
+ nothing. Instead I planned to send it to her anonymously by mail. She
+ would receive it the next morning when I was arriving in New York, and, as
+ she did not know my name, she could not possibly return it. At the
+ post-office I addressed the &ldquo;Log&rdquo; to &ldquo;Miss Briggs, care of Hatchardson's
+ Bookstore,&rdquo; and then I returned to the store. I felt I had earned that
+ pleasure. This time, Miss Briggs was in charge of the post-card counter,
+ and as now a post-card was the only thing I could afford to buy, at seeing
+ her there I was doubly pleased. But she was not pleased to see me.
+ Evidently Mr. Hatchardson had told her I had purchased the &ldquo;Log&rdquo; and at
+ her loss her very lovely face still showed disappointment. Toward me her
+ manner was distinctly aggrieved.
+ </p>
+ <p>
+ But of the &ldquo;Log&rdquo; I said nothing, and began recklessly purchasing
+ post-cards that pictured the show places of New Bedford. Almost the first
+ one I picked up was labelled &ldquo;Harbor Castle. Residence of Fletcher
+ Farrell.&rdquo; I need not say that I studied it intently. According to the
+ post-card, Harbor Castle stood on a rocky point with water on both sides.
+ It was an enormous, wide-spreading structure, as large as a fort. It
+ exuded prosperity, opulence, extravagance, great wealth. I felt suddenly a
+ filial impulse to visit the home of my would-be forefathers.
+ </p>
+ <p>
+ &ldquo;Is this place near here?&rdquo; I asked.
+ </p>
+ <p>
+ Miss Briggs told me that in order to reach it I should take the ferry to
+ Fairharbor, and then cross that town to the Buzzards Bay side.
+ </p>
+ <p>
+ &ldquo;You can't miss it,&rdquo; she said. &ldquo;It's a big stone house, with red and white
+ awnings. If you see anything like a jail in ruffles, that's it.&rdquo;
+ </p>
+ <p>
+ It was evident that with the home I had rejected Miss Briggs was
+ unimpressed; but seeing me add the post-card to my collection, she offered
+ me another.
+ </p>
+ <p>
+ &ldquo;This,&rdquo; she explained, &ldquo;is Harbor Castle from the bay. That is their yacht
+ in the foreground.&rdquo;
+ </p>
+ <p>
+ The post-card showed a very beautiful yacht of not less than two thousand
+ tons. Beneath it was printed &ldquo;HARBOR LIGHTS; steam yacht owned by Fletcher
+ Farrell.&rdquo; I always had dreamed of owning a steam yacht, and seeing it
+ stated in cold type that one was owned by &ldquo;Fletcher Farrell,&rdquo; even though
+ I was not that Fletcher Farrell, gave me a thrill of guilty pleasure. I
+ gazed upon the post-card with envy.
+ </p>
+ <p>
+ &ldquo;HARBOR LIGHTS is a strange name for a yacht,&rdquo; I ventured. Miss Briggs
+ smiled.
+ </p>
+ <p>
+ &ldquo;Not for that yacht,&rdquo; she said. &ldquo;She never leaves it.&rdquo;
+ </p>
+ <p>
+ I wished to learn more of my would-be parents, and I wished to keep on
+ talking with the lovely Miss Briggs, so, as an excuse for both, I
+ pretended I was interested in the Farrells because I had something I
+ wanted to sell them.
+ </p>
+ <p>
+ &ldquo;This Fletcher Farrell must be very rich,&rdquo; I said. &ldquo;I wonder,&rdquo; I asked,
+ &ldquo;if I could sell him an automobile?&rdquo; The moment I spoke I noticed that the
+ manner of Miss Briggs toward Me perceptibly softened. Perhaps, from my
+ buying offhand a fifty-dollar book she had thought me one of the rich, and
+ had begun to suspect I was keeping her waiting on me only because I found
+ her extremely easy to look at. Many times before, in a similar manner,
+ other youths must have imposed upon her, and perhaps, also, in concealing
+ my admiration, I had not entirely succeeded.
+ </p>
+ <p>
+ But, when she believed that, like herself, I was working for my living,
+ she became more human.
+ </p>
+ <p>
+ &ldquo;What car are you selling?&rdquo; she asked. &ldquo;I am TRYING to sell,&rdquo; I corrected
+ her, &ldquo;the Blue Bird, six cylinder.&rdquo;
+ </p>
+ <p>
+ &ldquo;I never heard of it,&rdquo; said Miss Briggs.
+ </p>
+ <p>
+ &ldquo;Nor has any one else,&rdquo; I answered, with truth. &ldquo;That is one reason why I
+ can't sell it. I arrived here this morning, and,&rdquo; I added with pathos, &ldquo;I
+ haven't sold a car yet!&rdquo;
+ </p>
+ <p>
+ Miss Briggs raised her beautiful eyebrows skeptically. &ldquo;Have you tried?&rdquo;
+ she said.
+ </p>
+ <p>
+ A brilliant idea came to me. In a side street I had passed a garage where
+ Photaix cars were advertised for hire. I owned a Phoenix, and I thought I
+ saw a way by which, for a happy hour, I might secure the society of Miss
+ Briggs.
+ </p>
+ <p>
+ &ldquo;I am an agent and demonstrator for the Phoenix also,&rdquo; I said glibly;
+ &ldquo;maybe I could show you one?&rdquo;
+ </p>
+ <p>
+ &ldquo;Show me one?&rdquo; exclaimed Miss Briggs. &ldquo;One sees them everywhere! They are
+ always under your feet!&rdquo;
+ </p>
+ <p>
+ &ldquo;I mean,&rdquo; I explained, &ldquo;might I take you for a drive in one?&rdquo;
+ </p>
+ <p>
+ It was as though I had completely vanished. So far as the lovely Miss
+ Briggs was concerned I had ceased to exist. She turned toward a nice old
+ lady.
+ </p>
+ <p>
+ &ldquo;What can I show you, Mrs. Scudder?&rdquo; she asked cheerily; &ldquo;and how is that
+ wonderful baby?&rdquo;
+ </p>
+ <p>
+ I felt as though I had been lifted by the collar, thrown out upon a hard
+ sidewalk, and my hat tossed after me. Greatly shaken, and mentally
+ brushing the dust from my hands and knees, I hastened to the ferry and
+ crossed to Fairharbor. I was extremely angry. By an utter stranger I had
+ been misjudged, snubbed and cast into outer darkness. For myself I readily
+ found excuses. If a young woman was so attractive that at the first sight
+ of her men could not resist buying her fifty-dollar books and hiring
+ automobiles in which to take her driving, the fault was hers. I assured
+ myself that girls as lovely as Miss Briggs were a menace to the public.
+ They should not be at large. An ordinance should require them to go
+ masked. For Miss Briggs also I was able to make excuses. Why should she
+ not protect herself from the advances of strange young men? If a popular
+ novelist, and especially an ex-popular one, chose to go about disguised as
+ a drummer for the Blue Bird automobile and behaved as such, and was
+ treated as such, what right had he to complain? So I persuaded myself I
+ had been punished as I deserved. But to salve my injured pride I assured
+ myself also that any one who read my novels ought to know my attitude
+ toward any lovely lady could be only respectful, protecting, and
+ chivalrous. But with this consoling thought the trouble was that nobody
+ read my novels.
+ </p>
+ <p>
+ In finding Harbor Castle I had no difficulty. It stood upon a rocky point
+ that jutted into Buzzards Bay. Five acres of artificial lawn and
+ flower-beds of the cemetery and railroad-station school of horticulture
+ surrounded it, and from the highroad it was protected by a stone wall so
+ low that to the passerby, of the beauties of Harbor Castle nothing was
+ left to the imagination. Over this wall roses under conflicting banners of
+ pink and red fought fiercely. One could almost hear the shrieks of the
+ wounded. Upon the least thorny of these I seated myself and in tender
+ melancholy gazed upon the home of my childhood. That is, upon the home
+ that might-have-been.
+ </p>
+ <p>
+ When surveying a completed country home, to make the owner thoroughly
+ incensed the correct thing to say is, &ldquo;This place has great
+ possibilities!&rdquo;
+ </p>
+ <p>
+ Harbor Castle had more possibilities than any other castle I ever visited.
+ But in five minutes I had altered it to suit myself. I had ploughed up the
+ flower-beds, dug a sunken garden, planted a wind screen of fir, spruce,
+ and Pine, and with a huge brick wall secured warmth and privacy. So
+ pleased was I with my changes, that when I departed I was sad and
+ downcast. The boat-house of which Mrs. Farrell had spoken was certainly an
+ ideal work-shop, the tennis-courts made those at the Newport Casino look
+ like a ploughed field, and the swimming-pool, guarded by white pillars and
+ overhung with grape-vines, was a cool and refreshing picture. As, hot and
+ perspiring, I trudged back through Fairharbor, the memory of these haunted
+ me. That they also tempted me, it is impossible to deny. But not for long.
+ For, after passing through the elm-shaded streets to that side of the
+ village that faced the harbor, I came upon the cottages I had seen from
+ the New Bedford shore. At close range they appeared even more attractive
+ than when pointed out to me by the mate of the steamboat. They were very
+ old, very weather-stained and covered with honeysuckle. Flat stones in a
+ setting of grass led from the gates to the arched doorways, hollyhocks
+ rose above hedges of box, and from the verandas one could look out upon
+ the busy harbor and the houses of New Bedford rising in steps up the
+ sloping hills to a sky-line of tree-tops and church spires. The mate had
+ told me that for what he had rented a flat in New York he had secured one
+ of these charming old world homes. And as I passed them I began to pick
+ out the one in which when I retired from the world I would settle down.
+ This time I made no alterations. How much the near presence of Miss Briggs
+ had to do with my determination to settle down in Fairharbor, I cannot now
+ remember. But, certainly as I crossed the bridge toward New Bedford,
+ thoughts of her entirely filled my mind. I assured my self this was so
+ only because she was beautiful. I was sure her outward loveliness
+ advertised a nature equally lovely, but for my sudden and extreme interest
+ I had other excuses. Her in dependence in earning her living, her choice
+ in earning it among books and pictures, her pride of family as shown by
+ her efforts to buy the family heirloom, all these justified my admiration.
+ And her refusing to go joy-riding with an impertinent stranger, even
+ though the impertinent stranger was myself, was an act I applauded. The
+ more I thought of Miss Briggs the more was I disinclined to go away
+ leaving with her an impression of myself so unpleasant as the one she then
+ held. I determined to remove it. At least, until I had redeemed myself, I
+ would remain in New Bedford. The determination gave me the greatest
+ satisfaction. With a light heart I returned to the office of the steamboat
+ line and retrieving my suit-case started with it toward the Parker House.
+ It was now past five o'clock, the stores were closed, and all the people
+ who had not gone to the baseball game with Fall River were in the streets.
+ In consequence, as I was passing the post-office, Miss Briggs came down
+ the steps, and we were face to face.
+ </p>
+ <p>
+ In her lovely eyes was an expression of mingled doubt and indignation and
+ in her hand freshly torn from the papers in which I had wrapped it, was
+ &ldquo;The Log of the JOLLY POLLY.&rdquo; In action Miss Briggs was as direct as a
+ submarine. At sight of me she attacked. &ldquo;Did you send me this?&rdquo; she asked.
+ </p>
+ <p>
+ I lowered my bag to the sidewalk and prepared for battle. &ldquo;I didn't think
+ of your going to the post-office,&rdquo; I said. &ldquo;I planned you'd get it
+ to-morrow after I'd left. When I sent it, I thought I would never see you
+ again.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then you did send it!&rdquo; exclaimed Miss Briggs. As though the book were a
+ hot plate she dropped it into my hand. She looked straight at me, but her
+ expression suggested she was removing a caterpillar from her pet rosebush.
+ </p>
+ <p>
+ &ldquo;You had no right,&rdquo; she said. &ldquo;You may not have meant to be impertinent,
+ but you were!&rdquo;
+ </p>
+ <p>
+ Again, as though I had disappeared from the face of the earth, Miss Briggs
+ gazed coldly about her, and with dignity started to cross the street. Her
+ dignity was so great that she glanced neither to the left nor right. In
+ consequence she did not see an automobile that swung recklessly around a
+ trolley-car and dived at her. But other people saw it and shrieked. I also
+ shrieked, and dropping the suit-case and the &ldquo;Log,&rdquo; jumped into the
+ street, grabbed Miss Briggs by both arms, and flung her back to the
+ sidewalk. That left me where she had been, and the car caught me up and
+ slammed me head first against a telegraph pole. The pole was hard, and if
+ any one counted me out I did not stay awake to hear him. When I came to I
+ was conscious that I was lying on a sidewalk; but to open my eyes, I was
+ much too tired. A voice was saying, &ldquo;Do you know who he is, Miss?&rdquo;
+ </p>
+ <p>
+ The voice that replied was the voice of the lovely Miss Briggs. But now I
+ hardly recognized it. It was full of distress, of tenderness and pity.
+ </p>
+ <p>
+ &ldquo;No, I don't know him,&rdquo; it stammered. &ldquo;He's a salesman&mdash;he was in the
+ store this morning&mdash;he's selling motor-cars.&rdquo; The first voice
+ laughed.
+ </p>
+ <p>
+ &ldquo;Motor-cars!&rdquo; he exclaimed. &ldquo;That's why he ain't scared of 'em. He
+ certainly saved you from that one! I seen him, Miss Briggs, and he most
+ certainly saved your life!&rdquo;
+ </p>
+ <p>
+ In response to this astonishing statement I was delighted to hear a
+ well-trained male chorus exclaim in assent.
+ </p>
+ <p>
+ The voices differed; some spoke in the accents of Harvard, pure and
+ undefiled, some in a &ldquo;down East&rdquo; dialect, others suggested Italian peanut
+ venders and Portuguese sailors, but all agreed that the life of Miss
+ Briggs had been saved by myself. I had intended coming to, but on hearing
+ the chorus working so harmoniously I decided I had better continue
+ unconscious.
+ </p>
+ <p>
+ Then a new voice said importantly: &ldquo;The marks on his suitcase are 'F. F.,
+ New York.&rdquo;
+ </p>
+ <p>
+ I appreciated instantly that to be identified as Fletcher Farrell meant
+ humiliation and disaster. The other Fletcher Farrells would soon return to
+ New Bedford. They would learn that in their absence I had been spying upon
+ the home I had haughtily rejected. Besides, one of the chorus might
+ remember that three years back Fletcher Farrell had been a popular
+ novelist and might recognize me, and Miss Briggs would discover I was not
+ an automobile agent and that I had lied to her. I saw that I must continue
+ to lie to her. I thought of names beginning with &ldquo;F,&rdquo; and selected
+ &ldquo;Frederick Fitzgibbon.&rdquo; To christen yourself while your eyes are shut and
+ your head rests on a curb-stone is not easy, and later I was sorry I had
+ not called myself Fairchild as being more aristocratic. But then it was
+ too late. As Fitzgibbon I had come back to life, and as Fitzgibbon I must
+ remain.
+ </p>
+ <p>
+ When I opened my eyes I found the first voice belonged to a policeman who
+ helped me to my feet and held in check the male chorus. The object of each
+ was to lead me to a drink. But instead I turned dizzily to Miss Briggs.
+ She was holding my hat and she handed it to me. Her lovely eyes were
+ filled with relief and her charming voice with remorse.
+ </p>
+ <p>
+ &ldquo;I&mdash;I can't possibly thank you,&rdquo; she stammered. &ldquo;Are you badly hurt?&rdquo;
+ </p>
+ <p>
+ I felt I had never listened to words so original and well chosen. In
+ comparison, the brilliant and graceful speeches I had placed on the lips
+ of my heroines became flat and unconvincing.
+ </p>
+ <p>
+ I assured her I was not at all hurt and endeavored, jauntily, to replace
+ my hat. But where my head had hit the telegraph pole a large bump had
+ risen which made my hat too small. So I hung it on the bump. It gave me a
+ rakish air. One of the chorus returned my bag and another the &ldquo;Log.&rdquo; Not
+ wishing to remind Miss Briggs of my past impertinences; I guiltily
+ concealed it.
+ </p>
+ <p>
+ Then the policeman asked my name and I gave the one I had just invented,
+ and inquired my way to the Parker House. Half the chorus volunteered to
+ act as my escort, and as I departed, I stole a last look at Miss Briggs.
+ She and the policeman were taking down the pedigree of the chauffeur of
+ the car that had hit me. He was trying to persuade them he was not
+ intoxicated, and with each speech was furnishing evidence to the contrary.
+ </p>
+ <p>
+ After I had given a cold bath to the bump on my head and to the rest of my
+ body which for the moment seemed the lesser of the two, I got into dry
+ things and seated myself on the veranda of the hotel. With a cigar to
+ soothe my jangling nerves, I considered the position of Miss Briggs and
+ myself. I was happy in believing it had improved. On the morrow there was
+ no law to prevent me from visiting Hatchardson's Bookstore, and in view of
+ what had happened since last I left it, I had reason to hope Miss Briggs
+ would receive me more, kindly. Of the correctness of this diagnosis I was
+ at once assured. In front of the hotel a district messenger-boy fell off
+ his bicycle and with unerring instinct picked me out as Mr. Fitzgibbon of
+ New York. The note he carried was from Miss Briggs. It stated that in the
+ presence of so many people it had been impossible for her to thank me as
+ she wished for the service I had rendered her, and that Mrs. Cutler, with
+ whom she boarded, and herself, would be glad if after supper I would call
+ upon them. I gave the messenger-boy enough gold to enable him to buy a new
+ bicycle and in my room executed a dance symbolizing joy. I then kicked my
+ suit-case under the bed. I would not soon need it. Now that Miss Briggs
+ had forgiven me, I was determined to live and die in New Bedford.
+ </p>
+ <p>
+ The home of Mrs. Cutler, where Miss Briggs lodged and boarded, was in a
+ side street of respectable and distinguished antiquity. The street itself
+ was arched with the branches of giant elms, and each house was an island
+ surrounded by grass, and over the porches climbed roses. It was too warm
+ to remain indoors, so we sat on the steps of the porch, and through the
+ leaves of the elms the electric light globe served us as a moon. For an
+ automobile salesman I was very shy, very humble.
+ </p>
+ <p>
+ Twice before I had given offense and I was determined if it lay with me,
+ it would not happen again. I did not hope to interest Miss Briggs in
+ myself, nor did I let it appear how tremendously I was interested in her.
+ For the moment I was only a stranger in a strange land making a social
+ call. I asked Miss Briggs about New Bedford and the whaling, about the
+ books she sold, and the books she liked. It was she who talked. When I
+ found we looked at things in the same way and that the same things gave us
+ pleasure I did not comment on that astonishing fact, but as an asset more
+ precious than gold, stored it away. When I returned to the hotel I found
+ that concerning Miss Briggs I had made important discoveries. I had
+ learned that her name was Polly, that the JOLLY POLLY had been christened
+ after her grandmother, that she was an orphan, that there were relatives
+ with whom she did not &ldquo;hit it off,&rdquo; that she was very well read, possessed
+ of a most charming sense of humor, and that I found her the most
+ attractive girl I had ever met.
+ </p>
+ <p>
+ The next morning I awoke in an exalted frame of mind. I was in love with
+ life, with New Bedford, and with Polly Briggs. I had been in love before
+ but never with a young lady who worked in a shop, and I found that loving
+ a lady so occupied gives one a tremendous advantage. For when you call she
+ must always be at home, nor can she plead another engagement. So, before
+ noon, knowing she could not deny herself, I was again at Hatchardson's,
+ purchasing more postal-cards. But Miss Briggs was not deceived. Nor
+ apparently was any one else. The BEDFORD MERCURY had told how, the
+ previous evening, Frederick Fitzgibbon, an automobile salesman from New
+ York, had been knocked out by an automobile while saving Miss Polly Briggs
+ from a similar fate; and Mr. Hatchardson and all the old ladies who were
+ in the bookstore making purchases congratulated me. It was evident that in
+ Miss Briggs they took much more than a perfunctory interest. They were
+ very fond of her. She was an institution; and I could see that as such to
+ visitors she would be pointed out with pride, as was the new bronze statue
+ of the Whaleman in Court House Square. Nor did they cease discussing her
+ until they had made it quite clear to me that in being knocked out in her
+ service I was a very lucky man. I did not need to be told that, especially
+ as I noted that Miss Briggs was anxious lest I should not be properly
+ modest. Indeed, her wish that in the eyes of the old ladies I should
+ appear to advantage was so evident, and her interest in me so proprietary,
+ that I was far from unhappy.
+ </p>
+ <p>
+ The afternoon I spent in Fairharbor. From a real estate agent I obtained
+ keys to those cottages on the water-front that were for rent, and I busied
+ myself exploring them. The one I most liked I pretended I had rented, and
+ I imagined myself at work among the flower-beds, or with my telescope
+ scanning the shipping in the harbor, or at night seated in front of the
+ open fire watching the green and blue flames of the driftwood. Later,
+ irresolutely, I wandered across town to Harbor Castle, this time walking
+ entirely around it and coming upon a sign that read, &ldquo;Visitors Welcome. Do
+ not pick the flowers.&rdquo;
+ </p>
+ <p>
+ Assuring myself that I was moved only by curiosity, I accepted the
+ invitation, nor, though it would greatly have helped the appearance of the
+ cemetery-like beds, did I pick the flowers. On a closer view Harbor Castle
+ certainly possessed features calculated to make an impecunious author
+ Stop, look, and listen. I pictured it peopled with my friends. I saw them
+ at the long mahogany table of which through the French window I got a
+ glimpse, or dancing in the music-room, or lounging on the wicker chairs on
+ the sweeping verandas. I could see them in flannels at tennis, in
+ bathing-suits diving from the spring-board of the swimming pool, departing
+ on excursions in the motor-cars that at the moment in front of the garage
+ were being sponged and polished, so that they flashed like mirrors. And I
+ thought also of the two-thousand-ton yacht and to what far countries, to
+ what wonderful adventures it might carry me.
+ </p>
+ <p>
+ But all of these pictures lacked one feature. In none of them did Polly
+ Briggs appear. For, as I very well knew, that was something the ambitions
+ of Mrs. Farrell would not permit. That lady wanted me as a son only
+ because she thought I was a social asset. By the same reasoning, as a
+ daughter-in-law, she would not want a shop-girl, especially not one who as
+ a shop-girl was known to all New Bedford. My mood as I turned my back upon
+ the golden glories of Harbor Castle and walked to New Bedford was
+ thoughtful.
+ </p>
+ <p>
+ I had telegraphed my servant to bring me more clothes and my Phoenix car;
+ and as I did not want him inquiring for Fletcher Farrell had directed him
+ to come by boat to Fall River. Accordingly, the next morning, I took the
+ trolley to that city, met him at the wharf, and sent him back to New York.
+ I gave him a check with instructions to have it cashed in that city and to
+ send the money, and my mail, to Frederick Fitzgibbon. This ALIAS I
+ explained to him by saying I was gathering material for an article to
+ prove one could live on fifty cents a day. He was greatly relieved to
+ learn I did not need a valet to help me prove it.
+ </p>
+ <p>
+ I returned driving the Phoenix to New Bedford, and as it was a Saturday,
+ when the store closed at noon, I had the ineffable delight of taking Polly
+ Briggs for a drive. As chaperons she invited two young friends of hers
+ named Lowell. They had been but very lately married, and regarded me no
+ more than a chauffeur they had hired by the hour. This left Polly who was
+ beside me on the front seat, and myself, to our own devices. Our devices
+ were innocent enough. They consisted in conveying the self-centred Lowells
+ so far from home that they could not get back for supper and were so
+ forced to dine with me. Polly, for as Polly I now thought of her,
+ discovered the place. It was an inn, on the edge of a lake with an Indian
+ name. We did not get home until late, but it had been such a successful
+ party that before we separated we planned another journey for the morrow.
+ That one led to the Cape by way of Bourne and Wood's Hole, and back again
+ to the North Shore to Barnstable, where we lunched. It was a grand day and
+ the first of others just as happy. After that every afternoon when the
+ store closed I picked up the Lowells; and then Polly, and we sought
+ adventures. Sometimes we journeyed no farther than the baseball park, but
+ as a rule I drove them to some inn for dinner, where later, if there were
+ music, we danced, if not, we returned slowly through the pine woods and so
+ home by the longest possible route. The next Saturday I invited them to
+ Boston. We started early, dined at the Touraine and went on to a musical
+ comedy, where I had reserved seats in the front row. This nearly led to my
+ undoing. Late in the first act a very merry party of young people who had
+ come up from Newport and Narragansett to the Coates-Islip wedding filled
+ the stage boxes and at sight of me began to wave and beckon. They were so
+ insistent that between the acts I thought it safer to visit them. They
+ wanted to know why I had not appeared at the wedding, and who was the
+ beautiful girl.
+ </p>
+ <p>
+ The next morning on our return trip to New Bedford Polly said, &ldquo;I read in
+ the papers this morning that those girls in that theatre party last night
+ were the bridesmaids at the Coates-Islip wedding. They seemed to know you
+ quite well.&rdquo;
+ </p>
+ <p>
+ I explained that in selling automobiles one became acquainted with many
+ people.
+ </p>
+ <p>
+ Polly shook her head and laughed. Then she turned and looked at me.
+ </p>
+ <p>
+ &ldquo;You never sold an automobile in your life,&rdquo; she said.
+ </p>
+ <p>
+ With difficulty I kept my eyes on the road; but I protested vigorously.
+ </p>
+ <p>
+ &ldquo;Don't think I have been spying,&rdquo; said Polly; &ldquo;I found you out quite by
+ accident. Yesterday a young man I know asked me to persuade you to turn in
+ your Phoenix and let him sell you one of the new model. I said you
+ yourself were the agent for the Phoenix, and he said that, on the
+ contrary, HE was, and that you had no right to sell the car in his
+ TERRITORY.&rdquo; I grinned guiltily and said:
+ </p>
+ <p>
+ &ldquo;Well, I HAVEN'T sold any, have I?&rdquo;
+ </p>
+ <p>
+ &ldquo;That is not the point,&rdquo; protested Polly. &ldquo;What was your reason for
+ telling me you were trying to earn a living selling automobiles?&rdquo;
+ </p>
+ <p>
+ &ldquo;So that I could take you driving in one,&rdquo; I answered.
+ </p>
+ <p>
+ &ldquo;Oh!&rdquo; exclaimed Polly.
+ </p>
+ <p>
+ There was a pause during which in much inward trepidation I avoided
+ meeting her eyes. Then Polly added thoughtfully, &ldquo;I think that was a very
+ good reason.&rdquo;
+ </p>
+ <p>
+ In our many talks the name of the Fletcher Farrells had never been
+ mentioned. I had been most careful to avoid it. As each day passed, and
+ their return imminent, and in consequence my need to fly grew more near,
+ and the name was still unspoken, I was proportionately grateful. But when
+ the name did come up I had reason to be pleased, for Polly spoke it with
+ approval, and it was not of the owner of Harbor Castle she was speaking,
+ but of myself. It was one evening about two weeks after we had met, and I
+ had side-stepped the Lowells and was motoring with Polly alone. We were
+ talking of our favorite authors, dead and alive.
+ </p>
+ <p>
+ &ldquo;You may laugh,&rdquo; said Polly, and she said it defiantly, &ldquo;and I don't know
+ whether you would call him among the dead or the living, but I am very
+ fond of Fletcher Farrell!&rdquo;
+ </p>
+ <p>
+ My heart leaped. I was so rattled that I nearly ran the car into a stone
+ wall. I thought I was discovered and that Polly was playing with me. But
+ her next words showed that she was innocent. She did not know that the man
+ to whom she was talking and of whom she was talking were the same. &ldquo;Of
+ course you will say,&rdquo; she went on, &ldquo;that he is too romantic, that he is
+ not true to life. But I never lived in the seventeenth century, so I don't
+ know whether he is true to life or not. And I like romance. The life I
+ lead in the store gives me all the reality I want. I like to read about
+ brave men and great and gracious ladies.&rdquo;
+ </p>
+ <p>
+ &ldquo;I never met any girls like those Farrell write about, but it's nice to
+ think they exist. I wish I were like them. And, his men, too&mdash;they
+ make love better than any other man I ever read about.&rdquo;
+ </p>
+ <p>
+ &ldquo;Better than I do?&rdquo; I asked.
+ </p>
+ <p>
+ Polly gazed at the sky, frowning severely. After a pause, and as though
+ she had dropped my remark into the road and the wheels had crushed it, she
+ said, coldly, &ldquo;Talking about books&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; I corrected, &ldquo;we were talking about Fletcher Farrell.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then,&rdquo; said Polly with some asperity, &ldquo;don't change the subject. Do you
+ know,&rdquo; she went on hurriedly, &ldquo;that you look like him&mdash;like the
+ pictures of him&mdash;as he was.&rdquo;
+ </p>
+ <p>
+ &ldquo;Heavens!&rdquo; I exclaimed, &ldquo;the man's not dead!&rdquo;
+ </p>
+ <p>
+ &ldquo;You know what I mean,&rdquo; protested Polly. &ldquo;As he was before he stopped
+ writing.&rdquo;
+ </p>
+ <p>
+ &ldquo;Nor has he stopped writing,&rdquo; I objected; &ldquo;his books have stopped
+ selling.&rdquo; Polly turned upon me eagerly.
+ </p>
+ <p>
+ &ldquo;Do you know him?&rdquo; she demanded. I answered with caution that I had met
+ him.
+ </p>
+ <p>
+ &ldquo;Oh!&rdquo; she exclaimed, &ldquo;tell me about him!&rdquo;
+ </p>
+ <p>
+ I was extremely embarrassed. It was a bad place. About myself I could not
+ say anything pleasant, and behind my back, as it were, I certainly was not
+ going to say anything unpleasant. But Polly relieved me of the necessity
+ of saying anything.
+ </p>
+ <p>
+ &ldquo;I don't know any man,&rdquo; she exclaimed fervently, &ldquo;I would so like to
+ meet!&rdquo;
+ </p>
+ <p>
+ It seemed to me that after that the less I said the better. So I told her
+ something was wrong with the engine and by the time I had pretended to fix
+ it, I had led the conversation away from Fletcher Farrell as a novelist to
+ myself as a chauffeur.
+ </p>
+ <p>
+ The next morning at the hotel, temptation was again waiting for me. This
+ time it came in the form of a letter from my prospective father-in-law. It
+ had been sent from Cape May to my address in New York, and by my servant
+ forwarded in an envelope addressed to &ldquo;Frederick Fitzgibbon.&rdquo;
+ </p>
+ <p>
+ It was what in the world of commerce is called a &ldquo;follow-up&rdquo; letter. It
+ recalled the terms of his offer to me, and improved upon them. It made it
+ clear that even after meeting me Mr. Farrell and his wife were still
+ anxious to stand for me as a son. They were good enough to say they had
+ found me a &ldquo;perfect gentleman.&rdquo; They hoped that after considering their
+ proposition I had come to look upon it with favor.
+ </p>
+ <p>
+ As his son, Mr. Farrell explained, my annual allowance would be the
+ interest on one million dollars, and upon his death his entire fortune and
+ property he would bequeath to me. He was willing, even anxious, to put
+ this in writing. In a week he would return to Fairharbor when he hoped to
+ receive a favorable answer. In the meantime he enclosed a letter to his
+ housekeeper.
+ </p>
+ <p>
+ &ldquo;Don't take anything for granted,&rdquo; he urged, &ldquo;but go to Fairharbor and
+ present this letter. See the place for yourself. Spend the week there and
+ act like you were the owner. My housekeeper has orders to take her orders
+ from you. Don't refuse something you have never seen!&rdquo;
+ </p>
+ <p>
+ This part of the letter made me feel as mean and uncomfortable as a wet
+ hen. The open, almost too open, methods of Mr. Farrell made my own methods
+ appear contemptible. He was urging me to be his guest and I was playing
+ the spy. But against myself my indignation did not last. A letter, bearing
+ a special delivery stamp which arrived later in the afternoon from Mrs.
+ Farrell turned my indignation against her, and with bitterness. She also
+ had been spying. Her letter read:
+ </p>
+ <p>
+ The Pinkerton I employed to report on you states that after losing you for
+ a week he located you at New Bedford, that you are living under the name
+ of Fitzgibbon, and that you have made yourself conspicuous by attentions
+ to a young person employed in a shop. This is for me a great blow and
+ disappointment, and I want you to clearly understand Mr. Farrell's offer
+ is made to you as an unmarried man. I cannot believe your attentions are
+ serious, but whether they are serious or not, they must cease. The
+ detective reports the pair of you are now the talk of Fairharbor. You are
+ making me ridiculous. I do not want a shop-girl for a daughter-in-law and
+ you will either give up her acquaintance or give up Harbor Castle!
+ </p>
+ <p>
+ I am no believer in ultimatums. In attaining one's end they seldom prove
+ successful. I tore the note into tiny pieces, and defiantly, with Polly in
+ the seat beside me, drove into the open country. At first we picked our
+ way through New Bedford, from the sidewalks her friends waved to her, and
+ my acquaintances smiled. The detective was right. We had indeed made
+ ourselves the talk of the town, and I was determined the talk must cease.
+ </p>
+ <p>
+ We had reached Ruggles Point when the car developed an illness. I got out
+ to investigate. On both sides of the road were tall hemlocks and through
+ them to the west we could see the waters of Sippican Harbor in the last
+ yellow rays of the sun as it sank behind Rochester. Overhead was the great
+ harvest moon.
+ </p>
+ <p>
+ Polly had taken from the pocket of the car some maps and guide-books, and
+ while I lifted the hood and was deep in the machinery she was turning them
+ over.
+ </p>
+ <p>
+ &ldquo;What,&rdquo; she asked, &ldquo;is the number of this car? I forget.&rdquo;
+ </p>
+ <p>
+ As I have said, I was preoccupied and deep in the machinery; that is, with
+ a pair of pliers I was wrestling with a recalcitrant wire. Unsuspiciously
+ I answered: &ldquo;Eight-two-eight.&rdquo;
+ </p>
+ <p>
+ A moment later I heard a sharp cry, and raised my head. With eyes wide in
+ terror Polly was staring at an open book. Without appreciating my danger I
+ recognized it as &ldquo;Who's Who in Automobiles.&rdquo; The voice of Polly rose in a
+ cry of disbelief.
+ </p>
+ <p>
+ &ldquo;Eight-two-eight,&rdquo; she read, &ldquo;owned by Fletcher Farrell, Hudson
+ Apartments, New York City.&rdquo; She raised her eyes to mine.
+ </p>
+ <p>
+ &ldquo;Is that true?&rdquo; she gasped. &ldquo;Are you Fletcher Farrell?&rdquo; I leaned into the
+ car and got hold of her hand.
+ </p>
+ <p>
+ &ldquo;That is not important,&rdquo; I stammered. &ldquo;What is important is this: Will you
+ be Mrs. Fletcher Farrell?&rdquo;
+ </p>
+ <p>
+ What she said may be guessed from the fact that before we returned to New
+ Bedford we drove to Fairharbor and I showed her the cottage I liked best.
+ It was the one with the oldest clapboard shingles, the oldest box hedge,
+ the most fragrant honeysuckles, and a lawn that wet its feet in the surf.
+ Polly liked it the best, too.
+ </p>
+ <p>
+ By now the daylight had gone, and on the ships the riding lights were
+ shining, but shining sulkily, for the harvest moon filled the world with
+ golden radiance. As we stood on the porch of the empty cottage, in the
+ shadow of the honeysuckles, Polly asked an impossible question. It was:
+ </p>
+ <p>
+ &ldquo;How MUCH do you love me?&rdquo;
+ </p>
+ <p>
+ &ldquo;You will never know,&rdquo; I told her, &ldquo;but I can tell you this: I love you
+ more than a two-thousand-ton yacht, the interest on one million dollars,
+ and Harbor Castle!&rdquo;
+ </p>
+ <p>
+ It was a wasteful remark, for Polly instantly drew away.
+ </p>
+ <p>
+ &ldquo;What DO you mean?&rdquo; she laughed.
+ </p>
+ <p>
+ &ldquo;Fletcher Farrell of Harbor Castle,&rdquo; I explained, &ldquo;offered me those
+ things, minus you. But I wanted you.&rdquo;
+ </p>
+ <p>
+ &ldquo;I see,&rdquo; cried Polly, &ldquo;he wanted to adopt you. He always talks of that. I
+ am sorry for him. He wants a son so badly.&rdquo; She sighed softly, &ldquo;Poor
+ uncle!&rdquo;
+ </p>
+ <p>
+ &ldquo;Poor WHAT!&rdquo; I yelled.
+ </p>
+ <p>
+ &ldquo;Didn't you know,&rdquo; exclaimed Polly, &ldquo;that Mrs. Farrell was a Briggs! She
+ was my father's sister.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then YOU,&rdquo; I said, &ldquo;are the relation who was 'too high and mighty'!&rdquo;
+ Polly shook her head.
+ </p>
+ <p>
+ &ldquo;No,&rdquo; she said, &ldquo;I didn't want to be dependent.&rdquo;
+ </p>
+ <p>
+ &ldquo;And you gave up all that,&rdquo; I exclaimed, &ldquo;and worked at Hatchardson's,
+ just because you didn't want to be dependent!&rdquo;
+ </p>
+ <p>
+ &ldquo;I like my uncle-in-law very much,&rdquo; explained Polly, &ldquo;but not my aunt. So,
+ it was no temptation. No more,&rdquo; she cried, looking at me as though she
+ were proud of me, &ldquo;than it was to you.&rdquo;
+ </p>
+ <p>
+ In guilty haste I changed the subject. In other words, I kissed her. I
+ knew some day I would have to confess. But until we were safely married
+ that could wait. Before confessing I would make sure of her first. The
+ next day we announced our engagement and Polly consented that it should be
+ a short one. For, as I pointed out, already she had kept me waiting thirty
+ years. The newspapers dug up the fact that I had once been a popular
+ novelist, and the pictures they published of Polly proved her so beautiful
+ that, in congratulation, I received hundreds of telegrams. The first one
+ to arrive came from Cape May. It read:
+ </p>
+ <p>
+ My dear boy, your uncle elect sends his heartiest congratulations to you
+ and love to Polly. Don't make any plans until you hear from me&mdash;am
+ leaving to-night. FLETCHER FARRELL.
+ </p>
+ <p>
+ In terror Polly fled into my arms. Even when NOT in terror it was a
+ practice I strongly encouraged.
+ </p>
+ <p>
+ &ldquo;We are lost!&rdquo; she cried. &ldquo;They will adopt us in spite of ourselves. They
+ will lock us up for life in Harbor Castle! I don't WANT to be adopted. I
+ want YOU! I want my little cottage!&rdquo;
+ </p>
+ <p>
+ I assured her she should have her little cottage; I had already bought it.
+ And during the two weeks before the wedding, when I was not sitting around
+ Boston while Polly bought clothes, we refurnished it. Polly furnished the
+ library, chiefly with my own books, and &ldquo;The Log of the JOLLY POLLY.&rdquo; I
+ furnished the kitchen. For a man cannot live on honeysuckles alone. My
+ future uncle-in-law was gentle but firm.
+ </p>
+ <p>
+ &ldquo;You can't get away from the fact,&rdquo; he said, &ldquo;that you will be my nephew,
+ whether you like it or not. So, be kind to an old man and let him give the
+ bride away and let her be married from Harbor Castle.&rdquo;
+ </p>
+ <p>
+ In her white and green High Flier car and all of her diamonds, Mrs.
+ Farrell called on Polly and begged the same boon. We were too happy to see
+ any one else dissatisfied; so though we had planned the quietest of
+ weddings, we gave consent. Somehow we survived it. But now we recall it
+ only as that terrible time when we were never alone. For once in the hands
+ of our rich relations the quiet wedding we had arranged became a royal
+ alliance, a Field of the Cloth of Gold, the chief point of attack for the
+ moving-picture men.
+ </p>
+ <p>
+ The youths who came from New York to act as my ushers informed me that the
+ Ushers' Dinner at Harbor Castle-from which, after the fish course, I had
+ fled&mdash;was considered by them the most successful ushers' dinner in
+ their career of crime. My uncle-in-Law also testifies to this. He ought to
+ know. At four in the morning he was assisting the ushers in throwing the
+ best man and the butler into the swimming-pool.
+ </p>
+ <p>
+ For our honeymoon he loaned us the yacht. &ldquo;Take her as far as you like,&rdquo;
+ he said. &ldquo;After this she belongs to you and Polly. And find a better name
+ for her than Harbor Lights. It sounds too much like a stay-at-home. And I
+ want you two to see the world.&rdquo; I thanked him, and suggested he might
+ rechristen her the JOLLY POLLY.
+ </p>
+ <p>
+ &ldquo;That was the name,&rdquo; I pointed out, &ldquo;of the famous whaler owned by Captain
+ Briggs, your wife's father, and it would be a compliment to Polly, too.&rdquo;
+ </p>
+ <p>
+ My uncle-in-law-elect agreed heartily; but made one condition:
+ </p>
+ <p>
+ &ldquo;I'll christen her that,&rdquo; he said, &ldquo;if you will promise to write a new Log
+ of the JOLLY POLLY.&rdquo; I promised. This is it.
+ </p>
+ <p>
+ <br /><br /><br /><br />
+ </p>
+<pre xml:space="preserve">
+
+
+
+
+
+End of the Project Gutenberg EBook of The Log of The &ldquo;Jolly Polly&rdquo;, by
+Richard Harding Davis
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE LOG OF THE &ldquo;JOLLY POLLY&rdquo; ***
+
+***** This file should be named 1808-h.htm or 1808-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/1/8/0/1808/
+
+Produced by Aaron Cannon, and David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase &ldquo;Project
+Gutenberg&rdquo;), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. &ldquo;Project Gutenberg&rdquo; is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation (&ldquo;the Foundation&rdquo;
+ or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase &ldquo;Project Gutenberg&rdquo; appears, or with which the phrase &ldquo;Project
+Gutenberg&rdquo; is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase &ldquo;Project Gutenberg&rdquo; associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+&ldquo;Plain Vanilla ASCII&rdquo; or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original &ldquo;Plain Vanilla ASCII&rdquo; or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, &ldquo;Information about donations to
+ the Project Gutenberg Literary Archive Foundation.&rdquo;
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+&ldquo;Defects,&rdquo; such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &ldquo;Right
+of Replacement or Refund&rdquo; described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+ </body>
+</html>