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+ <title>Madelon</title>
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+<pre>
+
+The Project Gutenberg EBook of Madelon, by Mary E. Wilkins Freeman
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Madelon
+ A Novel
+
+Author: Mary E. Wilkins Freeman
+
+Release Date: March 1, 2006 [EBook #17885]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK MADELON ***
+
+
+
+
+Produced by Jeff Kaylin and Andrew Sly
+
+
+
+
+
+</pre>
+
+<h2 align="center">Madelon<br>
+A Novel</h2>
+<h3 align="center">By<br>
+Mary E. Wilkins</h3>
+<p align="center">Author of &ldquo;A Humble Romance&rdquo;<br>
+&ldquo;Jane Field&rdquo; etc.</p>
+<p align="center">New York<br>
+Harper &amp; Brothers Publishers<br>
+1896</p>
+
+<p>Love is the crown, and the crucifixion, of life,<br>
+and proves thereby its own divinity.</p>
+
+<h4 align="center">Chapter I</h4>
+
+<p>There was a new snow over the village. Indeed, it had ceased to
+fall only at sunset, and it was now eight o'clock. It was heaped
+apparently with the lightness of foam on the windward sides of the
+roads, over the fences and the stone walls, and on the village roofs.
+Its weight was evident only on the branches of the evergreen-trees,
+which were bent low in their white shagginess, and lost their upward
+spring.</p>
+
+<p>There were evergreens&mdash;Norway pines, spruces, and
+hemlocks&mdash;bordering the road along which Burr Gordon was coming.
+Now and then he jostled a low-hanging bough and shook off its load of
+snow upon his shoulders. Then he walked nearer the middle of the
+street, tramping steadily through the new snow. This was an old road,
+but little used of late years, and the forest seemed to be moving
+upon it with the unnoted swiftness of a procession endless from the
+beginning of the world. In places the branches of the opposite pines
+stretched to each other like white-draped arms across the road, and
+slender, snow-laden saplings stood out in young crowds well in
+advance of the old trees. At times the road was no more than a
+cart-path through the forest; but it was a short-cut to the Hautville
+place, and that was why Burr Gordon went that way.</p>
+
+<p>Everything was very still. The new-fallen snow seemed to muffle
+silence itself, and do away with that wide susceptibility to sound
+which affects one as forcibly as the crashing of cannon.</p>
+
+<p>There was no whisper of life from the village, which lay a
+half-mile back; no roll of wheels, or shout, or peal of bell. Burr
+Gordon kept on in utter silence until he came near the Hautville
+house. Then he began to hear music: the soaring sweetness of a
+soprano voice, the rich undertone of a bass, and the twang of
+stringed instruments.</p>
+
+<p>When he came close to the house the low structure itself, overlaid
+with snow, and with snow clinging to its gray-shingled sides like
+shreds of wool, seemed to vibrate and pulse and shake, and wax fairly
+sonorous with music, like an organ.</p>
+
+<p>Burr Gordon stood still in the road and listened. The constituents
+of the concert resolved themselves to his ear. There was a wonderful
+soprano, a tenor, a bass, one sweet boy's voice, a bass-viol, and a
+violin. They were practising a fugue. The soprano rang out like the
+invitation of an angel, <br>&nbsp;&nbsp;&ldquo;Come, my beloved,
+haste away, <br>&nbsp;&nbsp;Cut short the hours of thy delay,&rdquo;
+<br>above all the others&mdash;even the shrill boy-treble. Then it
+followed, with noblest and sweetest order, the bass in&mdash;
+<br>&nbsp;&nbsp;&ldquo;Fly like a youthful hart or roe,
+<br>&nbsp;&nbsp;Over the hills where the spices grow.&rdquo;</p>
+
+<p>The very breath of the spices of Arabia seemed borne into the
+young man's senses by that voice. He saw in vision the blue tops of
+those delectable hills where the myrtle and the cassia grew; he felt
+within his limbs the ardent impulse of the hart or roe. He stood with
+his head bent, listening, until the music ceased; the blue hills sank
+suddenly into the land of the past, and all the spice-plants withered
+away.</p>
+
+<p>There was but a few minutes' interval; then there was a
+chorus&mdash; <br>&nbsp;&nbsp;&ldquo;Strike the Timbrel.&rdquo;</p>
+
+<p>Burr Gordon, listening, heard in that only the great soprano, and
+it was to him like the voice of Miriam of old, summoning him to
+battle and glory.</p>
+
+<p>But when that music ceased he did not wait any longer nor enter
+the house, but stole away silently. This time he travelled the main
+road, which intersected the old one at the Hautville house. The
+village lights shone before him all the way. He was half-way to the
+village when he met his cousin, Lot Gordon. He knew he was coming
+through the pale darkness of the night some time before he was
+actually in sight by his cough. Lot Gordon had had for years a sharp
+cough which afflicted him particularly when he walked abroad in night
+air. It carried as far as the yelp of a dog; when Burr first heard it
+he stopped short, and looked irresolutely at the thicket beside the
+road. He had a half-impulse to slink in there among the snowy bushes
+and hide until his cousin passed by. Then he shook his head angrily
+and kept on.</p>
+
+<p>However, when the two men drew near each other Burr kept well to
+his side of the road and strode on rapidly, hoping his cousin might
+not recognize him. But Lot, with a hoarse laugh and another cough,
+swerved after him and jostled him roughly.</p>
+
+<p>&ldquo;Can't cheat me, Burr Gordon,&rdquo; said he.</p>
+
+<p>&ldquo;I don't want to cheat you,&rdquo; returned Burr, in a surly
+tone.</p>
+
+<p>&ldquo;You can't if you do. Set me down anywhere in the woods when
+there's a wind, and I'll tell ye what the trees are if it's so dark
+you can't see a leaf by the way the boughs blow. The maples strike
+out stiff like dead men's arms, and the elms lash like live snakes,
+and the pines stir all together like women. I can tell the trees no
+matter how dark 'tis by the way they move, and I can tell a Gordon by
+the swing of his shoulders, no matter how fast he slinks by on the
+other side in the shadow. You don't set much by me, Burr, and I don't
+set any too much by you, but we've got to swing our shoulders one
+way, whether we will or no, because our father and our grandfather
+did before us. Good Lord, aren't men in leading-strings, no matter
+how high they kick!&rdquo;</p>
+
+<p>&ldquo;I can't stand here in the snow talking,&rdquo; said Burr,
+and he tried to push past. But the other man stood before him with
+another laugh and cough. &ldquo;You aren't talking, Burr; I'm the one
+that's talking, and I've heard stuff that was worse to listen to.
+You'd better stand still.&rdquo;</p>
+
+<p>&ldquo;I tell you I'm going,&rdquo; said Burr, with a thrust of
+his elbow in his cousin's side.</p>
+
+<p>&ldquo;Well,&rdquo; said Lot, &ldquo;go if you want to, or go if
+you don't want to. That last is what you're doing, Burr
+Gordon.&rdquo;</p>
+
+<p>&ldquo;What do mean by that?&rdquo;</p>
+
+<p>&ldquo;You're going to see Dorothy Fair when you want to see
+Madelon Hautville, because you don't want to do what you want to.
+Well, go on. I'm going to see Madelon and hear her sing. I've given
+up trying to work against my own motions. It's no use; when you think
+you've done it, you haven't. You never can get out of this one gait
+that you were born to except in your own looking-glass. Go and court
+Dorothy Fair, and in spite of yourself you'll kiss the other girl
+when you're kissing her. Well, I sha'n't cheat Madelon Hautville that
+way.&rdquo;</p>
+
+<p>&ldquo;You know&mdash;she will not&mdash;you know Madelon
+Hautville never&mdash;&rdquo; stammered Burr Gordon, furiously.</p>
+
+<p>Lot laughed again. &ldquo;You think she sets so much by you she'll
+never kiss me,&rdquo; said he. &ldquo;Don't be too sure, Burr.
+Nature's nature, and the best of us come under it. Madelon
+Hautville's got her place, like all the rest. There isn't a rose
+that's too good to take a bee in. Go do your own courting, and trust
+me to do mine. Courting's in our blood&mdash;I sha'n't disgrace the
+family.&rdquo;</p>
+
+<p>Burr Gordon went past his cousin with a smothered ejaculation. Lot
+laughed again, and tramped, coughing, away to the Hautville house.
+When he drew near the house the chorus within were still practising
+&ldquo;Strike the Timbrel.&rdquo; When he opened the door and
+entered there was no cessation in the music, but suddenly the girl's
+voice seemed to gain new impulse and hurl itself in his face like a
+war-trumpet.</p>
+
+<p>Burr Gordon kept on to Minister Jonathan Fair's great house in the
+village, next the tavern. There was a light in the north parlor, and
+he knew Dorothy was expecting him. He raised the knocker, and knew
+when it fell that a girl's heart within responded to it with a wild
+beat.</p>
+
+<p>He waited until there was a heavy shuffle of feet in the hall and
+the door opened, and Minister Fair's black servant-woman stood there
+flaring a candle before his eyes.</p>
+
+<p>&ldquo;Who be you?&rdquo; said she, in her rich drone, which had
+yet a twang of hostility in it.</p>
+
+<p>Burr Gordon ignored her question. &ldquo;Is Miss Dorothy at
+home?&rdquo; said he.</p>
+
+<p>&ldquo;Yes, she's at home, I s'pose,&rdquo; muttered the woman,
+grudgingly. She distrusted this young man as a suitor for Dorothy.
+The girl's mother had long been dead, and this old dark woman, whose
+very thoughts seemed to the village people to move on barbarian
+pivots of their own, had a jealous guardianship of her which exceeded
+that of her father.</p>
+
+<p>Now she filled up the doorway before Burr Gordon with her
+majestic, palpitating bulk, her great black face stiffened back with
+obstinacy. It was said that she had been born in Africa, and had been
+a princess in her own country; and, indeed, she bore herself like one
+now, and held up her orange-turbaned head as if it were crowned, and
+bore her candle like a flaming sceptre which brought out strange
+gleams of color and metallic lustres from her garments and the rows
+of beads on her black neck.</p>
+
+<p>Burr Gordon made an impatient yet deferential motion to enter.
+&ldquo;I would like to see her a few minutes if she is at
+home,&rdquo; said he.</p>
+
+<p>The woman muttered something which might have been in her native
+dialect, the words were so rolled into each other under her thick
+tongue. Her small, sharp eyes were fairly malicious upon the young
+man's handsome face.</p>
+
+<p>&ldquo;I don't know what you say,&rdquo; he said, half angrily.
+&ldquo;Can't I see her?&rdquo;</p>
+
+<p>&ldquo;She's in the north parlor, I s'pose,&rdquo; muttered the
+black woman; and she stood aside and let Burr Gordon pass in,
+following him with her hostile eyes as he opened the north-parlor
+door. Dorothy Fair sat with her embroidery-work at the mahogany
+table, whereon a whole branch of candles burned in silver sticks. She
+was working a muslin collar for her own adornment, and she set a fine
+stitch in a sprig before she rose up, either to prove her
+self-command to herself or to Burr Gordon. She had also held herself
+quiet during the delay in the hall.</p>
+
+<p>Dorothy Fair came of a gentle and self-controlled race of New
+England ministers; but now her young heart carried her away. She
+stood up; her embroidery, with her scissors and bodkin, slid to the
+ground, and she came forward with her fair curls dropping around a
+face pink and smiling openly with love like a child's, and was,
+seemingly half of her own accord, in Burr Gordon's arms with her lips
+meeting his; and then they sat down side by side on the north-parlor
+sofa.</p>
+
+<p>Dorothy Fair's face was very sweet to see; her blue eyes and her
+soft lips were innocent and fond under her lover's gaze. Her little
+white hand clung to his like a baby's. There was a sweet hollow under
+her chin, above her fine lace collar. Her soft, fair curls smelt in
+his face of roses and lavender. The utter daintiness of this maiden
+Dorothy Fair was a separate charm and a fascination full of subtle
+and innocent earthiness to the senses of a lover. She appealed to his
+selfish delight like a sweet-scented flower, like a pink or a
+rose.</p>
+
+<p>Lot Gordon had been only half right in his analysis of his
+cousin's wooing. When Burr sat with his arm around this maiden's
+waist, with his face bent tenderly down towards the soft, pink cheek
+on his shoulder, this sweetness near at hand was wellnigh sufficient
+for him, and Dorothy's shy murmur of love in his ear overcame largely
+the memory of the other's wonderful song. A bee cares only for the
+honey and not for the flower, therefore one flower is as dear to him
+as another; and so it is with many a lover when he gets fairly to
+tasting love. The memory of the rose before fades, even if he never
+wore it. Then, too, Burr Gordon had a sense of approbation from his
+shrewder self which sustained him. This Dorothy Fair, the minister's
+daughter, of gentle New England lineage, the descendant of
+college-learned men, and of women who had held themselves with a fine
+dignity and mild reserve in the village society, the sole heiress of
+what seemed a goodly property to the simple needs of the day,
+appealed to his reason as well as his heart. He remained until near
+midnight, while the old black woman crouched with the patience of a
+watching animal outside the door, and he wooed Dorothy Fair with
+ardor and delight, although her softly affectionate kisses were to
+Madelon Hautville's as the fall of snow-flakes to drops of warm
+honey. And although after he had gone home and fallen asleep his
+dreams were mixed, still when he waked with the image of Madelon
+between himself and Dorothy, because sleep had set his heart free, it
+was still with that sense of approbation.</p>
+
+<p>Madelon Hautville was not considered a fair match for a young man
+who had claims to ambition. The Hautville family held a peculiar
+place in public estimation. They belonged not to any defined stratum
+of the village society, but formed rather a side ledge, a cropping,
+of quite another kind, at which people looked askance. One reason
+undoubtedly was the mixture of foreign blood which their name
+denoted. Anything of alien race was looked upon with a mixture of
+fear and aversion in this village of people whose blood had flowed in
+one course for generations. The Hautvilles were said to have French
+and Indian blood yet, in strong measure, in their veins; it was
+certain that they had both, although it was fairly back in history
+since the first Hautville, who, report said, was of a noble French
+family, had espoused an Iroquois Indian girl. The sturdy males of the
+family had handed down the name and the characteristics of the races
+through years of intermarriage with the English settlers. All the
+Hautvilles&mdash;the father, the four sons, and the
+daughter&mdash;were tall and dark, and straight as arrows, and they
+all had wondrous grace of manner, which abashed and half offended,
+while it charmed, the stiff village people. Not a young man in the
+village, no matter how finely attired in city-made clothing, had the
+courtly air of these Hautville sons, in their rude, half-woodland
+garb; not a girl, not even Dorothy Fair, could wear a gown of brocade
+with the grace, inherited from a far-away French grandmother, with
+which Madelon Hautville wore indigo cotton.</p>
+
+<p>Moreover, the whole family was as musical as a band of
+troubadours, and while that brought them into constant requisition
+and gave them an importance in the town, it yet caused them to be
+held with a certain cheapness. Music as an end of existence and means
+of livelihood was lightly estimated by the followers of the learned
+professions, the wielders of weighty doctrines and drugs, and also by
+the tillers of the stern New England soil. The Hautvilles, furnishing
+the music in church, and for dances and funerals, were regarded much
+in the light of mountebanks, and jugglers with sweet sounds. People
+wondered that Lot and Burr Gordon should go to their house so much.
+Not a week all winter but Burr had been there once or twice, and Lot
+had been there nearly every night when his cousin was not. And he
+stayed late also&mdash;this night he outstayed Burr at Dorothy
+Fair's. The music was kept up until a late hour, for Madelon proposed
+tune after tune with nervous ardor when her father and brothers
+seemed to flag. Nobody paid much attention to Lot; he was too
+constant a visitor. He settled into a favorite chair of his near the
+fire, and listened with the firelight playing over his delicate,
+peaked face. Now and then he coughed.</p>
+
+<p>Old David Hautville, the father, stood out in front of the hearth
+by his great bass-viol, leaning fondly over it like a lover over his
+mistress. David Hautville was a great, spare man&mdash;a body of
+muscles and sinews under dry, brown flesh, like an old oak-tree. His
+long, white mustache curved towards his ears with sharp sweeps, like
+doves' wings. His thick, white brows met over his keen, black eyes.
+He kept time with his head, jerking it impatiently now and then, when
+some one lagged or sped ahead in the musical race.</p>
+
+<p>Three of the Hautville sons were men grown. One, Louis, laid his
+dark, smooth cheek caressingly against the violin which he played.
+Eugene sang the sonorous tenor, and Abner the bass, like an organ.
+The youngest son, Richard, small and slender as a girl, so like
+Madelon that he might have been taken for her had he been dressed in
+feminine gear, lifted his eager face at her side and raised his
+piercing, sweet treble, which seemed to pass beyond hearing into
+fancy. Madelon, her brown throat swelling above her lace tucker, like
+a bird's, stood in the midst of the men, and sang and sang, and her
+wonderful soprano flowed through the harmony like a river of honey;
+and yet now and then it came with a sudden fierce impetus, as if she
+would force some enemy to bay with music. Madelon was slender, but
+full of curves which were like the soft breast of a bird before an
+enemy. Sometimes as she sang she flung out her slender hands with a
+nervous gesture which had hostility in it. Truth was that she hated
+Lot Gordon both on his own account and because he came instead of his
+cousin Burr. She had expected Burr that night; she had taken his
+cousin's hand on the doorlatch for his. He had not been to see her
+for three weeks, and her heart was breaking as she sang. Any face
+which had appeared to her instead of his in the doorway that night
+would have been to her as the face of a bitter enemy or a black
+providence, but Lot Gordon was in himself hateful to her. She knew,
+too, by a curious revulsion of all her senses from unwelcome desire,
+that he loved her, and the love of any man except Burr Gordon was to
+her like a serpent.</p>
+
+<p>She would not look at him, but somehow she knew that his eyes were
+upon her, and that they were full of love and malice, and she knew
+not which she dreaded more. She resolved that he should not have a
+word with her that night if she could help it, and so she urged on
+her father and her brothers with new tunes until they would have no
+more, and went off to bed&mdash;all except the boy Richard. She
+whispered in his ear, and he stayed behind with her while she mixed
+some bread and set it for rising on the hearth.</p>
+
+<p>Lot Gordon sat watching her. There was a hungry look in his hollow
+blue eyes. Now and then he coughed painfully, and clapped his hand to
+his chest with an impatient movement.</p>
+
+<p>&ldquo;Well, whether I ever get to heaven or not, I've heard
+music,&rdquo; he said, when she passed him with the bread-bowl on her
+hip and her soft arm curved around it. He reached out his slender
+hand and caught hold of her dress-skirt; she jerked away with a
+haughty motion, and set the bowl on the hearth. &ldquo;You'd better
+rake down the fire now, Richard,&rdquo; said she.</p>
+
+<p>The boy jostled Lot roughly as he passed around him to get the
+fire-shovel. Lot looked at the clock, and the hand was near twelve.
+He arose slowly.</p>
+
+<p>&ldquo;I met Burr on his way down to Parson Fair's,&rdquo; he
+said.</p>
+
+<p>Madelon covered up the bread closely with a linen towel. There was
+a surging in her ears, as if misery itself had a veritable sound, and
+her face was as white as the ashes on the hearth, but she kept it
+turned away from Lot.</p>
+
+<p>&ldquo;Well,&rdquo; said he, in his husky drawl, &ldquo;a rose
+isn't a rose to a bee, she's only a honey-pot; and she's only one out
+of a shelfful to him; she can't complain, it's what she was born to.
+If she finds any fault it's got to be with creation, and what's one
+rose to face creation? There's nothing to do but to make the best of
+it. Good-night, Madelon.&rdquo;</p>
+
+<p>&ldquo;Good-night,&rdquo; said Madelon. The color had come back to
+her cheeks, and she looked back at him proudly, standing beside her
+bread-bowl on the hearth.</p>
+
+<p>Lot passed out, turning his delicate face over his shoulder with a
+subtle smile as he went. Richard clapped the door to after him with a
+jar that shook the house, and shot the bolt viciously. &ldquo;I'll
+get my gun and follow him if you say so, and then I'll find Burr
+Gordon,&rdquo; he said, turning a furious face to his sister.</p>
+
+<p>&ldquo;Would you make me a laughing-stock to the whole
+town?&rdquo; said she. &ldquo;Rake down the fire; it's time to go to
+bed.&rdquo;</p>
+
+<p>She looked as proudly at her brother as she had done at Lot. The
+resemblance between the two faces faded a little as they confronted
+each other. A virile quality in the boy's anger made the difference
+of sex more apparent. He looked at her, holding his wrath, as it
+were, like a two-edged sword which must smite some one. &ldquo;If I
+thought you cared about that man that has jilted you&mdash;and I've
+heard the talk about it,&rdquo; said he, &ldquo;I'd feel like
+shooting <em>you</em>.&rdquo;</p>
+
+<p>&ldquo;You needn't shoot,&rdquo; returned Madelon.</p>
+
+<p>The boy looked at her as angrily as if she were Burr Gordon.
+Suddenly her mouth quivered a little and her eyes fell. The boy flung
+both his arms around her. &ldquo;I don't care,&rdquo; he said,
+brokenly, in his sweet treble&mdash;&ldquo;I don't care, you're the
+handsomest girl in the town, and the best and the smartest, and not
+one can sing like you, and I'll kill any man that treats you
+ill&mdash;I will, I will!&rdquo; He was sobbing on his sister's
+shoulder; she stood still, looking over his dark head at the
+snow-hung window and the night outside. Her lips and eyes were quite
+steady now; she had recovered self-control when her brother's failed
+him, as if by some curious mental seesaw.</p>
+
+<p>&ldquo;No man can treat me ill unless I take it ill,&rdquo; said
+she, &ldquo;and that I'll do for no man. There's no killing to be
+done, and if there were I'd do it myself and ask nobody. Come,
+Richard, let me go; I'm going to bed.&rdquo; She gave the boy's head
+a firm pat. &ldquo;There's a turnover in the pantry, under a bowl on
+the lowermost shelf,&rdquo; said she; and she laughed in his
+passionate, flushed face when he raised it.</p>
+
+<p>&ldquo;I don't care, I will!&rdquo; he cried.</p>
+
+<p>&ldquo;Go and get your turnover; I saved it for you,&rdquo; said
+she, with a push.</p>
+
+<p>Neither of them dreamed that Lot Gordon had been watching them,
+standing in a snow-drift under the south window, his eyes peering
+over the sill, his forehead wet with a snow-wreath, stifling back his
+cough. When at last the candlelight went out in the great kitchen he
+crept stiffly and wearily through the snow.</p>
+
+<h4 align="center">Chapter II</h4>
+
+<p>Lot Gordon lived about half a mile away in the old Gordon
+homestead alone, except for an old servant-woman and her husband, who
+managed his house for him and took care of the farm. Lot himself did
+not work in the common acceptance of the term. His father had left
+him quite a property, and he did not need to toil for his bread.
+People called him lazy. He owned nearly as many books as the parson
+and the lawyer. He often read all night it was said, and he roamed
+the woods in all seasons. Under low-hanging winter boughs and summer
+arches did Lot Gordon pry and slink and lie in wait, his fine, sharp
+face peering through snowy tunnels or white spring thickets like a
+white fox, hungrily intent upon the secrets of nature.</p>
+
+<p>There was a deep mystery in this to the village people. They could
+not fathom the reason for a man's haunting wild places like a wild
+animal unless he hunted and trapped like the Hautville sons. They
+were suspicious of dark motives, upon which they exercised their
+imaginations.</p>
+
+<p>Lot Gordon's talk, moreover, was an enigma to them. He was no
+favorite, and only his goodly property tempered his ill repute.
+People could not help identifying him, in a measure, with his noble
+old house, with the stately pillared portico, with his silver-plate
+and damask and mahogany, which his great-grandfather had brought from
+the old country, with his fine fields and his money in the bank. He
+held, moreover, a large mortgage on the house opposite, where Burr
+Gordon lived with his mother. Burr's father and Lot's, although sons
+of one shrewd father, had been of very different financial abilities.
+Lot's father kept his property intact, never wasting, but adding from
+others' waste. Burr's plunged into speculation, built a new house,
+for which he could not pay, married a wife who was not thrifty, and
+when his father died had anticipated the larger portion of his
+birthright. So Lot's father succeeded to nearly all the family
+estates, and in time absorbed the rest. Lot, at his father's death,
+had inherited the mortgage upon the estate of Burr and his mother.
+Burr's father had died some time before. Lot was rumored to be
+harder, in the matter of exacting heavy interest, than his father had
+been. It was said that Burr was far behind in his payments, and that
+Lot would foreclose. Burr had a better head than his father's, but he
+had terrible odds against him. There was only one chance for his
+release from difficulty, people thought. All the property, by a
+provision in the grandfather's will, was to fall to him if Lot died
+unmarried. Lot was twenty years older than Burr, and he coughed.</p>
+
+<p>&ldquo;Burr Gordon ain't makin' out much now,&rdquo; people said;
+&ldquo;the paint's all off his house and his land's run down, but
+there's dead men's shoes with gold buckles in the path ahead of
+him.&rdquo;</p>
+
+<p>Burr thought of it sometimes, although he turned his face from the
+thought, and Lot considered it when he took the mortgage note out of
+his desk and scored another installment of unpaid interest on it.
+&ldquo;If a man's only his own debtor he won't be very hard on
+himself,&rdquo; he said aloud, and laughed. Old Margaret Bean, his
+housekeeper, looked at him over her spectacles, but she did not know
+what he meant. She prepared many a valuable remedy for his cough from
+herbs and roots, but Lot would never taste them, and she made her old
+husband swallow them all as preventatives of colds, that they should
+not be wasted. Lot was coughing harder lately. To-night, after he
+returned from the Hautvilles', he had one paroxysm after another. He
+did not go to bed, but huddled over the fire wrapped in a shawl, with
+a leather-bound book on his knees, all night, holding to his chest
+when he coughed, then turning to his book again.</p>
+
+<p>When daylight was fully in the room he blew out the candle, and
+went over to the window and looked out across the road at the house
+opposite, which had always been called the &ldquo;new house&rdquo; to
+distinguish it from the old Gordon homestead. It was not so solid and
+noble as the other, but it had sundry little touches of later times,
+which his father had always characterized as wasteful follies. For
+one thing, it was elevated ostentatiously far above the road-level
+upon terraces surmounted by a flight of stone steps. It fairly looked
+down, like any spirit of a younger age, upon the older house, which
+might have been regarded in a way as its progenitor.</p>
+
+<p>The smoke was coming out of the kitchen chimney in the ell. Lot
+Gordon looked across. Burr was clearing the snow from the stone steps
+over the terraces. There had never been any lack of energy and
+industry in Burr to account for his flagging fortunes. He arose
+betimes every morning. Lot, standing well behind the dimity curtain,
+watched him flinging the snow aside like spray, his handsome face
+glowing like a rose.</p>
+
+<p>&ldquo;I suppose he is going to the party at the tavern
+to-night,&rdquo; Lot murmured. Suddenly his face took on a piteous,
+wistful look like a woman's; tears stood in his blue eyes. He doubled
+over with a violent fit of coughing, then went back to his chair and
+his book.</p>
+
+<p>This party had been the talk of the village for several weeks. It
+was to be an unusually large one. People were coming from all the
+towns roundabout. Burr Gordon had been one of the ringleaders of the
+enterprise. All day long he worked over the preparations, dragging
+out evergreen garlands from under the snow in the woods, cutting
+hemlock boughs, and trimming the ball-room in the tavern. Towards
+night he heard a piece of news which threatened to bring everything
+to a standstill. The dusk was thickening fast; Burr and the two young
+men who were working with him were hurrying to finish the decorations
+before candlelight when Richard Hautville came in. Burr started when
+he saw him. He looked so like his sister in the dim light that he
+thought for a moment she was there.</p>
+
+<p>Richard did not notice him at all. He hustled by him roughly and
+approached the other two young men. &ldquo;Louis can't fiddle
+to-night,&rdquo; he announced, curtly. The young men stared at him in
+dismay.</p>
+
+<p>&ldquo;What's the trouble?&rdquo; asked Burr.</p>
+
+<p>&ldquo;He's hurt his arm,&rdquo; replied Richard; but he still
+addressed the other two, and made as if he were not answering
+Burr.</p>
+
+<p>&ldquo;Broke it?&rdquo; asked one of the others.</p>
+
+<p>&ldquo;No; sprained it. He was clearing the snow off the barn roof
+and the ladder fell. It's all black-and-blue, and he can't lift it
+enough to fiddle to-night.&rdquo;</p>
+
+<p>The three young men looked at each other.</p>
+
+<p>&ldquo;What's going to be done?&rdquo; said one.</p>
+
+<p>&ldquo;I don't know,&rdquo; said Burr. &ldquo;There's Davy
+Barrett, over to the Four Corners&mdash;I suppose we might get him if
+we sent right over.&rdquo;</p>
+
+<p>&ldquo;You can't get him,&rdquo; said Richard Hautville, still
+addressing the other two, as if they had spoken. &ldquo;Louis said
+you couldn't. His wife's got the typhus-fever, and he's up nights
+watching with her&mdash;won't let anybody else. You can't get
+him.&rdquo;</p>
+
+<p>&ldquo;We can't have a ball without a fiddler,&rdquo; one young
+man said, soberly.</p>
+
+<p>&ldquo;Maybe Madelon would lilt for the dancing,&rdquo; Burr
+Gordon said; and then he colored furiously, as if he had startled
+himself in saying it.</p>
+
+<p>The boy turned on him. &ldquo;Maybe you think my sister will lilt
+for you to dance, Burr Gordon!&rdquo; cried he, and his face blazed
+white in Burr's eyes, and he shook his slender brown fist.</p>
+
+<p>&ldquo;Nobody wants your sister to lilt if she isn't willing
+to,&rdquo; Burr returned, in a hard voice; and he snatched up a
+hemlock bough, and went away with it to the other side of the
+ball-room.</p>
+
+<p>&ldquo;My sister won't lilt for you, and you can have your ball
+the best way you can!&rdquo; shouted the boy, his angry eyes
+following Burr. Then he went out of the ball-room with a leap, and
+slammed the door so that the tavern trembled.</p>
+
+<p>The young men chuckled. &ldquo;Injun blood is up,&rdquo; said
+one.</p>
+
+<p>&ldquo;You'll be scalped, Burr,&rdquo; called the other.</p>
+
+<p>Burr came over to them with an angry stride. &ldquo;Oh, quit
+fooling!&rdquo; said he, impatiently. &ldquo;What's going to be
+done?&rdquo;</p>
+
+<p>&ldquo;Nothing can be done; we shall have to give the ball up for
+to-night unless you can get Madelon Hautville to lilt for the
+dancing,&rdquo; returned one, and the other nodded assent.
+&ldquo;That's the state of the case,&rdquo; said he.</p>
+
+<p>Burr scraped a foot impatiently on the waxed floor. &ldquo;Go and
+ask her yourself, Daniel Plympton,&rdquo; said he. &ldquo;I don't see
+why it has all got to come on to me.&rdquo;</p>
+
+<p>&ldquo;Can't,&rdquo; replied Daniel Plympton, with a laugh.
+&ldquo;Remember the falling out Eugene and I had at the
+house-raising? I ain't going to his house to ask his sister to lilt
+for my dancing.&rdquo;</p>
+
+<p>&ldquo;You, then, Abner Little,&rdquo; said Burr, peremptorily, to
+the other young man. He had a fair, nervous face, and he was screwing
+his forehead anxiously over the situation.</p>
+
+<p>&ldquo;Can't nohow, Burr,&rdquo; said he. &ldquo;I've got to drive
+four miles home, and milk, and take care of the horses, and shave,
+and get dressed, and then drive another three miles for my girl. I'm
+going to take one of the Morse girls, over at Summer Falls. I haven't
+got time to go down to the Hautvilles', and that's the truth,
+Burr.&rdquo;</p>
+
+<p>&ldquo;You'll have to go yourself, Burr,&rdquo; said Daniel
+Plympton, with a half-laugh.</p>
+
+<p>&ldquo;I can't,&rdquo; said Burr, &ldquo;and I won't, if we give
+the ball up.&rdquo;</p>
+
+<p>&ldquo;What will all the out-of-town folks say?&rdquo;</p>
+
+<p>&ldquo;I don't care what they say&mdash;they can play
+forfeits.&rdquo;</p>
+
+<p>&ldquo;Forfeits!&rdquo; returned Daniel Plympton with scorn.
+&ldquo;What's kissing to dancing?&rdquo; Daniel Plympton was
+somewhat stout but curiously light of foot, and accounted the best
+dancer in town. As he spoke he sprang up on his toes as if he had
+winged heels. &ldquo;Forfeits!&rdquo; repeated he, jerking his great
+flaxen head.</p>
+
+<p>&ldquo;Well, you can go yourself, then, and ask Madelon Hautville
+to lilt,&rdquo; said Burr.</p>
+
+<p>&ldquo;I tell you I can't, Burr&mdash;I ain't mean
+enough.&rdquo;</p>
+
+<p>&ldquo;Well, I won't, and that's flat.&rdquo;</p>
+
+<p>&ldquo;I've got to go home, anyway,&rdquo; said Abner Little.
+&ldquo;What I want to know is&mdash;is there going to be any
+ball?&rdquo;</p>
+
+<p>&ldquo;Oh, get your girl anyhow, Ab,&rdquo; returned Daniel, with
+a great laugh; &ldquo;there'll be something. If there ain't dancing,
+there'll be kissing, and that'll suit her just as well. And if she
+can't get enough here, why there's the ride home. Lord, I'd get a
+girl nearer home! You've got to drive six miles out of your way to
+Summer Falls and back. As for me, the quicker I get a girl off my
+hands the better. I'm going to take Nancy Blake because she lives
+next door to the tavern. Go along with ye, Ab; Burr and I will settle
+it some way.&rdquo;</p>
+
+<p>But it looked for some time after Abner Little left as if there
+would be no ball that night. They could not have any dance unless
+Madelon Hautville would sing for it, and both Daniel Plympton and
+Burr Gordon were determined not to ask her.</p>
+
+<p>At half-past seven Madelon was all dressed for the ball, and
+neither of them had come to see her about it. She and all her
+brothers except Louis were going. They wondered who would play for
+the dancing, but supposed some arrangements would be made.
+&ldquo;Burr Gordon will put it through somehow,&rdquo; said Louis.
+&ldquo;Maybe he'll ride over to Farnham Hollow and get Luke Corliss
+to fiddle.&rdquo; Louis sat discontentedly by the fire, with his arm
+soaking in cider-brandy and wormwood.</p>
+
+<p>&ldquo;Farnham Hollow is ten miles away,&rdquo; said Richard.</p>
+
+<p>&ldquo;His horse is fast; he'd get him here by eight
+o'clock,&rdquo; returned Louis.</p>
+
+<p>Madelon was radiant. In spite of herself, she was full of hope in
+going to the ball. She knew Dorothy Fair would not be present, since
+her father was the orthodox parson, and she had seen her own face in
+her glass. With her rival away, what could not a face like that do
+with a heart that leaned towards it of its own nature? Madelon dimly
+felt that Burr Gordon had to resist himself as well as her in this
+matter. She had tended a monthly rose in the south window all winter,
+and she wore two red roses in her black braids. Her cheeks and her
+lips were fuller of warm red life than the roses. She lowered her
+black eyes before her father and her brothers, for there was a light
+in them which she could not subdue, which belonged to Burr Gordon
+only. No costly finery had Madelon Hautville, but she had done some
+cunning needle-work on an old black-satin gown of her mother's, and
+it was fitted as softly over her sweet curves as a leaf over a bud. A
+long garland of flowers after her own design had she wrought in
+bright-colored silks around the petticoat, and there were knots of
+red ribbon to fasten the loopings here and there. And she wore
+another red rose in her lace tucker against her soft brown bosom.
+Madelon wore, too, trim black-silk stockings with red clocks over her
+slender ankles, and little black-satin shoes with steel buckles and
+red rosettes. Every one of her brothers, except the youngest,
+Richard, must needs compare her in his own heart, to her
+disparagement, with some maid not his sister, but they all viewed her
+with pride. Old David Hautville's eyes, under his thick, white brows,
+followed her and dwelt upon her as she moved around the kitchen.</p>
+
+<p>Madelon had got out her red cloak and her silk hood, and it was
+nearly time to start when there was a knock on the door. Madelon's
+face was pale in a second, then red again. She pushed Richard aside.
+&ldquo;I'll go to the door,&rdquo; said she.</p>
+
+<p>She knew somehow that it was Burr Gordon, and when she opened the
+door he stood there. He looked curiously embarrassed, but she did not
+notice that. His mere presence for the moment seemed to fill all her
+comprehension. She had no eye for shades of expression.</p>
+
+<p>&ldquo;Come in,&rdquo; said she, all blushing and trembling before
+him, and yet with a certain dignity which never quite deserted
+her.</p>
+
+<p>&ldquo;Can I see you a minute?&rdquo; Burr said, awkwardly.</p>
+
+<p>&ldquo;Come this way.&rdquo;</p>
+
+<p>Madelon led the way into the best room, where there was no fire.
+It had not been warmed all winter, except on nights when Burr had
+come courting her. In the midst of it the great curtained bedstead
+reared itself, holding its feather-bed like a drift of snow. The
+floor was sanded in a fine, small pattern, there were white tasselled
+curtains at the windows, and there was a tall chest of drawers that
+reached the ceiling. The room was just as Madelon's mother, who had
+been one of the village girls, had left it.</p>
+
+<p>Madelon glanced at the hearth, where she had laid the wood
+symmetrically&mdash;all ready to be kindled at a moment's notice
+should Burr come. &ldquo;I'll light the fire,&rdquo; said she, in a
+trembling voice.</p>
+
+<p>&ldquo;No, I can't stop,&rdquo; returned the young man.
+&ldquo;I've got to go right up to the tavern. Look here,
+Madelon&mdash;&rdquo;</p>
+
+<p>&ldquo;Well?&rdquo; she murmured, trembling.</p>
+
+<p>&ldquo;I want to know if&mdash;look here, won't you lilt for the
+dancing to-night, Madelon?&rdquo;</p>
+
+<p>Madelon's face changed. &ldquo;That's all he came for,&rdquo; she
+thought. She turned away from him. &ldquo;You'd better get Luke
+Corliss to fiddle,&rdquo; she said, coldly.</p>
+
+<p>&ldquo;We can't. I started to go over there, and I met a man that
+lives next door to him, and he said it was no use, for Luke had gone
+down to Winfield to fiddle at a ball there.&rdquo;</p>
+
+<p>&ldquo;I don't feel like lilting to-night,&rdquo; said
+Madelon.</p>
+
+<p>The young man colored. &ldquo;Well,&rdquo; said he, in a stiff,
+embarrassed voice, and he turned towards the door, &ldquo;we won't
+have any ball to-night, that's all,&rdquo; he added.</p>
+
+<p>&ldquo;Well, you can go visiting instead,&rdquo; returned Madelon,
+suddenly.</p>
+
+<p>&ldquo;I'd rather go a-visiting&mdash;here!&rdquo; cried Burr,
+with a quick fervor, and he turned back and came close to her.</p>
+
+<p>Madelon looked at him sharply, steeling her heart against his
+tender tone, but he met her gaze with passionate eyes.</p>
+
+<p>&ldquo;Oh, Madelon, you look so beautiful to-night!&rdquo; he
+whispered, hoarsely. Her eyes fell before his. She made, whether she
+would or not, a motion towards him, and he put his arms around her.
+They kissed again and again, lingering upon each kiss as if it were a
+foothold in heaven. A great rapture of faith in her lover and his
+love came over Madelon. She said to herself that they had
+lied&mdash;they had all lied! Burr had never courted Dorothy Fair.
+She believed, with her whole heart and soul, that he loved her and
+her alone. And, indeed, she was at that time, at that minute, right
+and not deceived; for Burr Gordon was one of those who can encompass
+love in one tense only, and that the present; and they who love only
+in the present, hampered by no memories and no dreams, yield out
+love's sweetness fully. All Burr Gordon's soul was in his kisses and
+his fond eyes, and her own crept out to meet it with perfect
+faith.</p>
+
+<p>&ldquo;I will lilt for the dancing,&rdquo; she whispered.</p>
+
+<p>The Hautvilles were going to the ball on their wood-sled, drawn by
+oxen. David was to drive them, and take the team home. It was already
+before the door when Burr came out, and Madelon asked him to ride
+with them, but he refused. &ldquo;I've got to go home first,&rdquo;
+he said, and plunged off quickly down the old road, the short-cut to
+his house.</p>
+
+<p>Madelon Hautville, in her red cloak and her great silk hood, stood
+in the midst of her brothers on the wood-sled, and the oxen drew them
+ponderously to the ball. The tavern was all alight. Many other sleds
+were drawn up before the door; indeed, certain of the young men who
+had not their especial sweethearts took their ox-sleds and went from
+door to door collecting the young women. Many a jingling load slipped
+along the snowy road to the tavern that night, and the ball-room
+filled rapidly.</p>
+
+<p>At eight o'clock the ball opened. Madelon stood up in the little
+gallery allotted to the violins and lilted, and the march began. Two
+and two, the young men and the girls swung around the room. Madelon
+lilted with her eyes upon the moving throng, gay as a garden in a
+wind; and suddenly her heart stood still, although she lilted on.
+Down on the floor below Burr Gordon led the march, with Dorothy Fair
+on his arm. Dorothy Fair, waving a great painted fan with the
+tremulous motion of a butterfly's wing, with her blue brocade
+petticoat tilting airily as she moved, like an inverted bell-flower,
+with a locket set in brilliants flashing on her white neck, with her
+pink-and-white face smiling out with gentle gayety from her fair
+curls, stepped delicately, pointing out her blue satin toes, around
+the ball-room, with one little white hand on Burr Gordon's arm.</p>
+
+<h4 align="center">Chapter III</h4>
+
+<p>Suddenly all Madelon's beauty was cheapened in her own eyes. She
+saw herself swart and harsh-faced as some old savage squaw beside
+this fair angel. She turned on herself as well as on her recreant
+lover with rage and disdain&mdash;and all the time she lilted without
+one break.</p>
+
+<p>The ball swung on and on, and Madelon, up in the musicians'
+gallery, sang the old country-dances in the curious dissyllabic
+fashion termed lilting. It never occurred to her to wonder how it was
+that Dorothy Fair, the daughter of the orthodox minister, should be
+at the ball&mdash;she who had been brought up to believe in the
+sinful and hellward tendencies of the dance. Madelon only grasped the
+fact that she was there with Burr; but others wondered, and the
+surprise had been great when Dorothy in her blue brocade had appeared
+in the ball-room.</p>
+
+<p>This had been largely of late years a liberal and Unitarian
+village, but Parson Fair had always held stanchly to his stern
+orthodox tenets, and promulgated them undiluted before his thinning
+congregations and in his own household. Dorothy could not only not
+play cards or dance, but she could not be present at a party where
+the cards were produced or the fiddle played. There was, indeed, a
+rumor that she had learned to dance when she was in Boston at school,
+but no one knew for certain.</p>
+
+<p>Dorothy Fair was advancing daintily between the two long lines,
+holding up her blue brocade to clear her blue-satin shoes, to meet
+the young man from the opposite corner, flinging out gayly towards
+her, when suddenly, with no warning whatever, a great dark woman sped
+after her through the dance, like a wild animal of her native woods.
+She reached out her black hand and caught Dorothy by the white,
+lace-draped arm, and she whispered loud in her ear.</p>
+
+<p>The people near, finding it hard to understand the African woman's
+thick tongue, could not exactly vouch for the words, but the purport
+of her hurried speech they did not mistake. Parson Fair had
+discovered Mistress Dorothy's absence, and home she must hasten at
+once. It was evident enough to everybody that staid and decorous
+Dorothy had run away to the ball with Burr Gordon, and a smothered
+titter ran down the files of the Virginia reel.</p>
+
+<p>Burr Gordon cast a fierce glance around; then he sprang to
+Dorothy's side, and she looked palely and piteously up at him.</p>
+
+<p>He pulled her hand through his arm and led her out of the
+ball-room, with the black woman following sulkily, muttering to
+herself. Burr bent closely down over Dorothy's drooping head as they
+passed out of the door. &ldquo;Don't be frightened,
+sweetheart,&rdquo; whispered he. Madelon saw him as she lilted, and
+it seemed to her that she heard what he said.</p>
+
+<p>It was not long after when she felt a touch on her shoulder as she
+sat resting between the dances, gazing with her proud, bright eyes
+down at the merry, chattering throng below. She turned, and her
+brother Richard stood there with a strange young man, and Richard
+held Louis's fiddle on his shoulder.</p>
+
+<p>&ldquo;This is Mr. Otis, Madelon,&rdquo; said Richard, &ldquo;and
+he came up from Kingston to the ball, and he can fiddle as well as
+Louis, and he said 'twas a shame you should lilt all night and not
+have a chance to dance yourself; and so I ran home and got Louis's
+fiddle, and there are plenty down there to jump at the chance of you
+for a partner&mdash;and&mdash;&rdquo; the boy leaned forward and
+whispered in his sister's ear: &ldquo;Burr Gordon's gone&mdash;and
+Dorothy Fair.&rdquo;</p>
+
+<p>Madelon turned her beautiful, proud face towards the stranger, and
+did not notice Richard at all. &ldquo;Thank you, sir,&rdquo; said
+she, inclining her long neck; &ldquo;but I care not to
+dance&mdash;I'd as lief lilt.&rdquo;</p>
+
+<p>&ldquo;But,&rdquo; said the strange young man, pressing forward
+impetuously and gazing into her black eyes, &ldquo;you look tired;
+'tis a shame to work you so.&rdquo;</p>
+
+<p>&ldquo;I rest between the dances, and I am not tired,&rdquo; said
+Madelon, coldly.</p>
+
+<p>&ldquo;I beg you to let me fiddle for the rest of the ball,&rdquo;
+pleaded the young man. &ldquo;Let me fiddle while you dance; you may
+be sure I'll fiddle my best for you.&rdquo;</p>
+
+<p>A tender note came into his voice, and, curiously enough, Madelon
+did not resent it, although she had never seen him before and he had
+no right. She looked up in his bright fair face with sudden
+hesitation, and his blue eyes bent half humorously, half lovingly
+upon her. She had a fierce desire to get away from this place, out
+into the night, and home. &ldquo;I do not care to dance,&rdquo; said
+she, falteringly; &ldquo;but I could go home, if you felt disposed to
+fiddle.&rdquo;</p>
+
+<p>&ldquo;Then go home and rest,&rdquo; cried the stranger, brightly.
+&ldquo;'Tis a strain on the throat to lilt so long, and you cannot
+put in a new string as you can in a fiddle.&rdquo;</p>
+
+<p>With that the young man came forward to the front of the little
+gallery, and Madelon yielded up her place hesitatingly.</p>
+
+<p>&ldquo;But you cannot dance yourself, sir,&rdquo; said she.</p>
+
+<p>&ldquo;I have danced all I want to to-night,&rdquo; he replied,
+and began tuning the fiddle.</p>
+
+<p>&ldquo;I'm sure I'm much obliged to you, sir,&rdquo; Madelon said,
+and got her hood and cloak from the back of the gallery with no more
+parley.</p>
+
+<p>The young man cast admiring glances after her as she went out,
+with her young brother at her heels.</p>
+
+<p>&ldquo;I'm going home with you,&rdquo; Richard said to her as they
+went down the gallery stairs.</p>
+
+<p>&ldquo;Not a step,&rdquo; said she. &ldquo;You've just been after
+the fiddle, and they're going to dance the Fisher's Hornpipe
+next.&rdquo;</p>
+
+<p>&ldquo;You'll be afraid in that lonesome stretch after you leave
+the village.&rdquo;</p>
+
+<p>&ldquo;Afraid!&rdquo; There was a ring of despairing scorn in the
+girl's voice, as if she faced already such woe that the supposition
+of new terror was an absurdity.</p>
+
+<p>They had come down to the ball-room floor, and were standing
+directly in front of the musicians' gallery. The young fiddler, Jim
+Otis, leaned over and looked at them.</p>
+
+<p>&ldquo;I don't care,&rdquo; said Richard, &ldquo;I won't let you
+go alone unless you take my knife.&rdquo;</p>
+
+<p>Madelon laughed. &ldquo;What nonsense!&rdquo; said she, and tried
+to pass her brother.</p>
+
+<p>But Richard held her by the arm while he rummaged in his pocket
+for the great clasp-knife which he had earned himself by the sale of
+some rabbit-skins, and which was the pride of his heart and his
+dearest treasure, and opened it. &ldquo;Here,&rdquo; said he, and he
+forced the clasp-knife into his sister's hand. Otis, leaning over the
+gallery, saw it all. Many of the dancers had gone to supper; there
+was no other person very near them. &ldquo;If you should meet a
+<em>bear</em>, you could kill him with that knife&mdash;it's so
+strong,&rdquo; said the boy. &ldquo;If you don't take it I'll go home
+with you, and it's so late father won't let me come out again
+to-night.&rdquo;</p>
+
+<p>&ldquo;Well, I'll take it,&rdquo; Madelon said, wearily, and she
+passed out of the ball-room with the knife in her hand, under her
+cloak.</p>
+
+<p>When she got out in the cold night air she sped along fast over
+the creaking snow, still holding the knife clutched fast in her hand.
+She began to lilt again as she went, and again Burr and Dorothy
+danced together before her eyes. She passed Parson Fair's house, and
+the best-room windows were lighted. She thought that Burr was there,
+and she lilted more loudly the Virginia reel.</p>
+
+<p>After Parson Fair's house was some time left behind, and she had
+come into the lengthy stretch of road, she saw a shadowy figure
+ahead. She could not at first tell whether it was moving towards or
+from her&mdash;whether it was a man or a woman; or, indeed, whether
+it were not a forest tree encroaching on the road and moving in the
+wind. She kept on swiftly, holding her knife under her cloak. She had
+stopped singing.</p>
+
+<p>Presently she saw that the figure was a man, and coming her way;
+and then her heart stood still, for she knew by the swing of his
+shoulders that it was Burr Gordon. She threw back her proud head and
+sped along towards him, grasping her knife under her cloak and
+looking neither to the right nor left. She swerved not her eyes a
+hair's-breadth when she came close to him&mdash;so close that their
+shoulders almost touched in passing in the narrow path.</p>
+
+<p>Suddenly there was a quick sigh in her ear&mdash;&ldquo;Oh,
+Madelon!&rdquo; Then an arm was flung around her waist and hot lips
+were pressed to her own.</p>
+
+<p>The mixed blood of two races, in which action is quick to follow
+impulse, surged up to Madelon's head. She drew the hand which held
+the knife from under her cloak and struck. &ldquo;Kiss me again, Burr
+Gordon, if you dare!&rdquo; she cried out, and her cry was met by a
+groan as he fell away from her into the snow.</p>
+
+<h4 align="center">Chapter IV</h4>
+
+<p>Madelon stood for a second looking at the dark, prostrate form as
+one of her Iroquois ancestors might have looked at a fallen foe
+before he drew his scalping-knife; then suddenly the surging of the
+savage blood in her ears grew faint. She fell down on her knees
+beside him. &ldquo;Have I killed you, Burr?&rdquo; she said, and bent
+her face down to his&mdash;and it was not Burr, but Lot Gordon!</p>
+
+<p>The white, peaked face smiled up at her out of the snow.
+&ldquo;You haven't killed me if I die, since you took me for
+Burr,&rdquo; whispered Lot Gordon.</p>
+
+<p>&ldquo;Are you much hurt?&rdquo;</p>
+
+<p>&ldquo;I&mdash;don't know. The knife has gone a little way into my
+side. It has not reached my heart, but that was hurt unto death
+already by life, so this matters not.&rdquo;</p>
+
+<p>Madelon felt along his side and hit the handle of the clasp-knife,
+firmly fixed.</p>
+
+<p>&ldquo;Don't try to draw it out&mdash;you cannot,&rdquo; said Lot,
+and his pain forced a groan from him. &ldquo;I'll live, if I can,
+till the wound is healed for the sake of your peace. I'd be content
+to die of it, since you gave it in vengeance for another man's kiss,
+if it were not for you. But they shall never know&mdash;they shall
+never&mdash;know.&rdquo; Lot's voice died away in a faint murmur
+between his parted lips; his eyes stared up with no meaning in them
+at the wintry stars.</p>
+
+<p>Madelon ran back on the road to the village, taking great leaps
+through the snow, straining her eyes ahead. Now and then she cried
+out hoarsely, as if she really saw some one, &ldquo;Hullo!
+hullo!&rdquo; At the curve of the road she turned a headlong corner
+and ran roughly against a man who was hurrying towards her; and this
+time it was Burr Gordon.</p>
+
+<p>Burr reeled back with the shock; then his face peered into hers
+with fear and wonder. &ldquo;Is it you?&rdquo; he stammered out.
+&ldquo;What is the matter?&rdquo;</p>
+
+<p>But Madelon caught his arm in a hard grip. &ldquo;Come,
+quick!&rdquo; she gasped, and pulled him along the road after
+her.</p>
+
+<p>&ldquo;What is the matter?&rdquo; Burr demanded, half yielding and
+half resisting.</p>
+
+<p>Madelon faced him suddenly as they sped along. &ldquo;I met your
+cousin Lot just below here and he kissed me, and I took him for you
+and stabbed him, if you must know,&rdquo; she sobbed out, dryly.</p>
+
+<p>Burr gave a choking cry of horror.</p>
+
+<p>&ldquo;I think I&mdash;have killed him,&rdquo; said she, and
+pulled him on faster.</p>
+
+<p>&ldquo;And you meant to kill me?&rdquo;</p>
+
+<p>&ldquo;Yes, I did.&rdquo;</p>
+
+<p>&ldquo;I wish to God you had!&rdquo; Burr cried out, with a sudden
+fierce anger at himself and her; and now he hurried on faster than
+she.</p>
+
+<p>Lot was quite motionless when they reached him. Burr threw himself
+down in the snow and leaned his ear to his cousin's heart. Madelon
+stood over them, panting. Suddenly a merry roulade of whistling broke
+the awful stillness. Two men were coming down the road whistling
+&ldquo;Roy's Wife of Alidivalloch&rdquo; as clearly soft and sweet as
+flutes, accented with human gayety and mirth.</p>
+
+<p>On came the merry whistlers. Burr sprang up and grasped Madelon
+Hautville's arm. &ldquo;He isn't dead,&rdquo; he whispered, hoarsely.
+&ldquo;Somebody's coming. Go home, quick!&rdquo;</p>
+
+<p>But Madelon looked at him with despairing obstinacy. &ldquo;I'll
+stay,&rdquo; said she.</p>
+
+<p>&ldquo;I tell you, go! Somebody is coming. I'll get help. I'll
+send for the doctor. Go home!&rdquo;</p>
+
+<p>&ldquo;No!&rdquo;</p>
+
+<p>&ldquo;Oh, Madelon, if you have ever loved me, go home!&rdquo;</p>
+
+<p>Madelon turned away at that. &ldquo;I'll be there when they come
+for me,&rdquo; said she, and went swiftly down the road and out of
+sight in the converging distance of trees, with the snow muffling her
+footsteps.</p>
+
+<p>When she reached home she groped her way into the living-room,
+which was lighted only by the low, red gleam of the coals on the
+hearth. Her father's gruff voice called out from the bedroom beyond:
+&ldquo;That you, Madelon?&rdquo;</p>
+
+<p>&ldquo;Yes,&rdquo; said she, and lighted a candle at the
+coals.</p>
+
+<p>&ldquo;Have the boys come?&rdquo;</p>
+
+<p>&ldquo;No.&rdquo;</p>
+
+<p>Madelon went up the steep stairs to her chamber, but before she
+opened her door her brother Louis's voice, broken with pain, besought
+her to come into his room and bathe his sprained shoulder for him.
+She went in, set the candle on the table, and rubbed in the
+cider-brandy and wormwood without a word. Louis, in the midst of his
+pain, kept looking up wonderingly at his sister's face. It looked as
+if it were frozen. She did not seem to see him. Nothing about her
+seemed alive but her gently moving hands.</p>
+
+<p>Suddenly he gave a startled cry. &ldquo;What's that? Have you cut
+your hand, Madelon?&rdquo; Madelon glanced at her hand, and there
+was a broad red stain over the palm and three of her fingers.</p>
+
+<p>&ldquo;No,&rdquo; said she, and went on rubbing.</p>
+
+<p>&ldquo;But it looks like blood!&rdquo; cried Louis, knitting his
+pale brows at her.</p>
+
+<p>Madelon made no reply.</p>
+
+<p>&ldquo;Madelon, what is that on your hand?&rdquo;</p>
+
+<p>&ldquo;Blood.&rdquo;</p>
+
+<p>&ldquo;How came it there?&rdquo;</p>
+
+<p>&ldquo;You'll know to-morrow.&rdquo; Madelon put the stopper in
+the cider-brandy and wormwood bottle; then she covered up the wounded
+arm and went out.</p>
+
+<p>&ldquo;Madelon, what is it? What is the matter? What ails
+you?&rdquo; Louis called after her.</p>
+
+<p>&ldquo;You'll know to-morrow,&rdquo; said she, and shut her
+chamber door, which was nearly opposite Louis's. His youngest brother
+Richard occupied the same room, having his little cot at the other
+side, under the window. When he came in, an hour later, Louis turned
+to him eagerly.</p>
+
+<p>&ldquo;Has anything happened?&rdquo; he demanded.</p>
+
+<p>The boy's face, which was always so like his sister's, had the
+same despair in it now. &ldquo;Don't know of anything that's
+happened,&rdquo; he returned, surlily.</p>
+
+<p>&ldquo;What ails Madelon?&rdquo;</p>
+
+<p>&ldquo;I tell you I don't know.&rdquo; Richard would say no more.
+He blew out his candle and tumbled into bed, turned his face to the
+window and lay awake until and hour before dawn. Then he arose,
+dressed himself, and went down-stairs. He put more wood on the hearth
+fire, then knelt down before it, and puffed out his boyish cheeks at
+the bellows until the new flames crept through the smoke. Then he
+lighted the lantern, and went to the barn to milk and feed the stock.
+That was always Richard's morning task, and he always on his way
+thither replenished the hearth fire, that his sister Madelon might
+have a lighter and speedier task at preparing breakfast. Madelon
+usually arose a half-hour after Richard, and she was not behindhand
+this morning. She entered the great living-room, lit the candles, and
+went about getting breakfast. Human daily needs arise and set on
+tragedy as remorselessly as the sun.</p>
+
+<p>Madelon Hautville, who had washed but a few hours ago the stain of
+murder from her hand, in whose heart was an unsounded depth of
+despair, mixed up the corn-meal daintily with cream, and baked the
+cakes which her father and brothers loved before the fire, and laid
+the table. She had always attended to the needs of the males of her
+family with the stern faithfulness of an Indian squaw. Now, as she
+worked, the wonder, softer than her other emotions, was upon her as
+to how they would get on when she was in prison and after she was
+dead; for she made no doubt that she had killed Lot Gordon and the
+sheriff would be there presently for her, and she felt plainly the
+fretting of the rope around her soft neck. She hoped they would not
+come for her until breakfast was prepared and eaten, the dishes
+cleared away, and the house tidied; but she listened like a savage
+for a foot-fall and a hand at the door. She had packed a little
+bundle ready to take with her before she left her chamber. Her cloak
+and hood were laid out on the bed.</p>
+
+<p>When she sat down at the table with her father and brothers, all
+of them except Richard and Louis stared at her with open amazement
+and questioned her. Richard and Louis stared furtively at their
+sister's face, as stiff, set, and pale as if she were dead, but they
+asked no questions. Madelon said, in a voice that was not hers, that
+she was not sick, and put pieces of Indian cake into her untasting
+mouth and listened. But breakfast was well over and the dishes put
+away before anybody came. And then it was not the sheriff to hale her
+to prison on a charge of murder, but an old man from the village big
+with news.</p>
+
+<p>He was a relative of the Hautvilles, an uncle on the mother's
+side, old and broken, scarcely able to find his feeble way on his
+shrunken legs through the snow; but, with the instinct of gossip, the
+sharp nose for his neighbors' affairs, still alert in him, he had
+arisen at dawn to canvass the village, and had come thither at first,
+since he anticipated that he might possibly have the delight of
+bringing the intelligence before any of the family had heard it
+elsewhere. He came in, dragging his old, snow-laden feet, tapping
+heavily with his stout stick, and settled, cackling, into a
+chair.</p>
+
+<p>&ldquo;Heard the news?&rdquo; queried Uncle Luke basset, his eyes,
+like black sparks, twinkling rapidly at all their faces.</p>
+
+<p>Madelon set the cups and saucers on the dresser.</p>
+
+<p>&ldquo;We don't have any time for anybody's business but our
+own,&rdquo; quoth David Hautville, gruffly. He did not like his
+wife's uncle. He was tightening a string in his bass-viol; he pulled
+it as he spoke, and it gave out a fierce twang. Louis sat moodily
+over the fire with his painful arm in wet bandages. Richard was
+whittling kindling-wood, with nervous speed, beside him. Eugene and
+Abner were cleaning their guns. They all looked at the eager old man
+except Richard and Louis and Madelon.</p>
+
+<p>&ldquo;Burr Gordon has killed Lot so's to get his property,&rdquo;
+proclaimed the old man, and his voice broke with eager delight and
+importance.</p>
+
+<p>Madelon gave a cry and sprang forward in front of him. &ldquo;It's
+a lie!&rdquo; she shouted.</p>
+
+<p>The old man laughed in her face. &ldquo;No, 'tain't, Madelon.
+You're showin' a Christian sperrit to stan' up for him when he's
+jilted ye for another gal, but 'tain't a lie. His knife, with his
+name on to it, was a-stickin' out of Lot's side.&rdquo;</p>
+
+<p>&ldquo;<em>It's a lie!</em> I killed him with my brother
+Richard's knife!&rdquo;</p>
+
+<p>The old man shrank back before her in incredulous horror. The
+great bass-viol fell to the ground like a woman as David strode
+forward and Abner and Eugene turned their shocked, white faces from
+their guns.</p>
+
+<p>&ldquo;I killed him with Richard's knife,&rdquo; repeated
+Madelon.</p>
+
+<p>Richard got up and came around before her, thrusting his hand in
+his pocket. He pulled out his own clasp-knife, and brandished it in
+her face. &ldquo;Here is my knife,&rdquo; he cried,
+fiercely&mdash;&ldquo;my knife, with my name cut in the handle. Say
+you killed Lot Gordon with it again!&rdquo;</p>
+
+<p>Madelon snatched the knife out of her brother's hand and looked at
+it with straining eyes. There, indeed, was a rude &ldquo;R. H.&rdquo;
+cut in the horn handle. She gasped. &ldquo;What does this
+mean?&rdquo; she cried out.</p>
+
+<p>&ldquo;It means you have lost your wits,&rdquo; answered Richard,
+contemptuously; but his eyes on his sister's face were full of
+pleading agony.</p>
+
+<p>&ldquo;What knife did you give me when I started home last
+night?&rdquo;</p>
+
+<p>&ldquo;I gave you no knife.&rdquo;</p>
+
+<p>Old Luke Basset asserted himself again. &ldquo;The gal's lost her
+balance,&rdquo; he said. &ldquo;It was Burr Gordon's knife, with his
+name cut into it, that was stickin' out of Lot Gordon's
+side.&rdquo;</p>
+
+<p>&ldquo;Is Lot Gordon dead?&rdquo; Louis demanded, hoarsely.</p>
+
+<p>&ldquo;No, he ain't dead, but the doctor thinks he can't live
+long. Ephraim Steele and Eleazer Hooper were a-goin' home from the
+ball when they come right on Lot layin' side of the road and Burr
+a-tryin' to draw his knife out, so it shouldn't testify against
+him.&rdquo;</p>
+
+<p>&ldquo;It's a lie!&rdquo; Madelon groaned. &ldquo;Burr Gordon did
+not kill him. It was I! He met me, and tried to&mdash;kiss me,
+and&mdash;the knife was in my hand&mdash;Richard made me take it
+because I was coming home alone, and there had been rumors of a
+bear.&rdquo;</p>
+
+<p>&ldquo;I did not,&rdquo; persisted Richard, doggedly. &ldquo;I did
+not make her take my knife. Here is my knife, with my name cut in the
+handle.&rdquo;</p>
+
+<p>Madelon turned on him fiercely. &ldquo;You did, you know you
+did!&rdquo; said she.</p>
+
+<p>&ldquo;Here is my knife, with my name cut on the
+handle.&rdquo;</p>
+
+<p>&ldquo;You gave me a knife as I was coming out of the
+tavern.&rdquo;</p>
+
+<p>&ldquo;No, I did not.&rdquo;</p>
+
+<p>&ldquo;You did, and I killed him with it. It was not Burr! I ran
+for help, and I met Burr, and I told him what I had done, and he went
+back with me to Lot. Then he sent me home when he heard somebody
+coming. Ask Lot Gordon if I did not kill him; if he can speak he can
+tell you.&rdquo;</p>
+
+<p>&ldquo;There won't neither him nor Burr say a word,&rdquo; said
+the old man, &ldquo;but there was Burr's knife a-stickin' into Lot's
+side, with his name cut into it.&rdquo;</p>
+
+<p>Madelon turned sharply to Louis. &ldquo;You saw the blood on my
+hand when I was rubbing your arm last night,&rdquo; she said.</p>
+
+<p>He made no reply, but stared gloomily at the fire.</p>
+
+<p>&ldquo;Louis, you saw Lot Gordon's blood on my hand?&rdquo;</p>
+
+<p>Louis sprang up with an oath, and pushed past her out of the
+room.</p>
+
+<p>&ldquo;Louis,&rdquo; Madelon cried, &ldquo;tell them!&rdquo;</p>
+
+<p>&ldquo;She is trying to shield Burr Gordon!&rdquo; Louis called
+back, fiercely, and the closing door shook the house like a
+cannon-shot.</p>
+
+<p>&ldquo;Where is Burr?&rdquo; Madelon demanded of old Luke
+Basset.</p>
+
+<p>&ldquo;The sheriff took him to New Salem to jail this
+morning,&rdquo; he replied, grinning.</p>
+
+<p>Madelon gave a great cry and started to rush out of the room, but
+her father stood in her way.</p>
+
+<p>&ldquo;Where are you going?&rdquo; he asked, sternly.</p>
+
+<p>&ldquo;I am going to get my hood and cloak, and then I am going to
+Lot Gordon's.&rdquo; Her father stood aside, and she went out and
+up-stairs to her chamber. She took up the red cloak which lay on her
+bed, and examined it eagerly to see if by chance there was a blood
+stain thereon to prove her guilt and Burr Gordon's innocence, but she
+could find none. She had flung it back when she struck. She looked
+also carefully at her pretty ball gown, but the black fabric showed
+no stain.</p>
+
+<p>When she went down-stairs with her cloak and hood on old Luke
+Basset was gone, and so were her brothers. Her father stood waiting
+for her, and he had on his fur cap and his heavy cloak. He came
+forward and took her firmly by the arm. &ldquo;I'm going with you to
+Lot Gordon's,&rdquo; said he. And they went out together and up the
+road, he still keeping a firm hand on his daughter's arm, and neither
+spoke all the way to Lot Gordon's house.</p>
+
+<p>When they reached it David Hautville opened the door without
+touching the knocker, and strode in with Madelon following. Old
+Margaret Bean was just passing through the entry with a great roll of
+linen cloths in her arms, and she stopped when she saw them.</p>
+
+<p>&ldquo;How is he?&rdquo; whispered David, hoarsely.</p>
+
+<p>&ldquo;He's pretty low,&rdquo; returned Margaret Bean, at the same
+time nodding her head cautiously towards the door on her right. Long,
+smooth loops of sallow hair fell from Margaret Bean's clean white cap
+over her cheeks, which looked as if they had been scrubbed and rasped
+red with tears. Her own gray hair was strained back out of
+sight&mdash;not to be discovered, even when there was a murder in the
+house.</p>
+
+<p>&ldquo;Does he know anybody?&rdquo; queried David Hautville.</p>
+
+<p>&ldquo;Just as well as ever he did.&rdquo; Margaret Bean rubbed a
+tear dry on her cheek with her starched apron.</p>
+
+<p>&ldquo;We've got to see him, then.&rdquo;</p>
+
+<p>&ldquo;I dunno as you can&mdash;the doctor&mdash;&rdquo;</p>
+
+<p>&ldquo;I don't care anything about the doctor! We've <em>got</em>
+to <em>see him!&rdquo;</em> David's voice rang out quite loud in the
+hush of murder and death which seemed to fill the house. Margaret
+Bean stood aside with a scared look. David Hautville threw open the
+door on the right, and he and Madelon went in.</p>
+
+<p>Lot Gordon's eyes turned towards them, but not his head. He lay as
+still in bed as if he were already dead, and his long body raised the
+gay patchwork quilt in a stiff ridge like a grave.</p>
+
+<p>Madelon went close to him and bent over him. &ldquo;Tell who
+stabbed you,&rdquo; said she, in a sharp voice.</p>
+
+<p>Lot looked up at her, and a red flush came over his livid
+face.</p>
+
+<p>&ldquo;Tell who stabbed you.&rdquo;</p>
+
+<p>Lot smiled feebly, but he did not speak.</p>
+
+<p>Margaret Bean came in, with her old husband shuffling at her
+heels. A great face, bristling with a yellow stubble of beard,
+appeared in the door. It belonged to the sheriff, Jonas Hapgood, who
+had just returned from taking Burr to New Salem. Madelon cast a
+desperate glance around at them. &ldquo;Lot Gordon,&rdquo; she cried
+out, &ldquo;tell them&mdash;tell them I was the one who stabbed you,
+and set Burr free!&rdquo;</p>
+
+<p>There was a chuckle from Jonas Hapgood in the door. &ldquo;Likely
+story,&rdquo; he muttered to Margaret Bean's husband, and the old man
+nodded wisely.</p>
+
+<p>&ldquo;Tell them!&rdquo; commanded Madelon. She reached out a hand
+as if she would shake Lot Gordon into obedience, wounded unto death
+although he was, but Lot only smiled up in her face.</p>
+
+<p>Then David Hautville bent his stern face down to the sick man's.
+&ldquo;Lot Gordon, tell the truth before God, daughter of mine or no
+daughter of mine,&rdquo; said he, in his deep voice. Lot only
+followed Madelon with his longing, smiling eyes.</p>
+
+<p>&ldquo;Speak, Lot Gordon!&rdquo;</p>
+
+<p>The wounded man turned his eyes on David and made a feeble motion,
+scarcely more than a quiver of his hand, which seemed to express
+negation.</p>
+
+<p>&ldquo;Can't you speak?&rdquo;</p>
+
+<p>Again Lot made that faint signal.</p>
+
+<p>&ldquo;He ain't spoke sence they brought him home,&rdquo; said
+Margaret Bean&mdash;&ldquo;not a word to the doctor nor
+nobody.&rdquo;</p>
+
+<p>&ldquo;I couldn't get a word out of him,&rdquo; announced the
+sheriff, stepping farther into the room. &ldquo;In course, there was
+Burr's knife and Burr himself over him when the others came up, and
+that was proof enough; but still we kinder thought we'd like to have
+Lot's word for it afore he died, in case it came to hangin' with
+Burr; but I guess he's past speakin'. I miss my guess if he can sense
+anything we say.&rdquo;</p>
+
+<p>&ldquo;Tell them&mdash;tell them I was the one who stabbed you,
+and Burr is innocent!&rdquo; Madelon pleaded; but he smiled back at
+her unmoved.</p>
+
+<p>Jonas Hapgood's great body shook with mirth. &ldquo;Likely story a
+gal did it,&rdquo; he chuckled.</p>
+
+<p>&ldquo;I did do it!&rdquo; returned Madelon, fiercely, turning to
+him.</p>
+
+<p>&ldquo;I guess you don't want your beau hung.&rdquo;</p>
+
+<p>&ldquo;I tell you I killed this man. I am the one to be
+hung!&rdquo;</p>
+
+<h4 align="center">Chapter V</h4>
+
+<p>The sheriff turned to David Hautville. &ldquo;Guess you'd better
+take your gal home,&rdquo; he said, his red, bristling cheeks broad
+with laughter. &ldquo;Guess she's kind of off her balance, she feels
+so bad about her beau.&rdquo;</p>
+
+<p>David's black eyes flashed haughtily at Jonas Hapgood, who
+straightened his face suddenly. He deigned not a word to him, but he
+turned to his daughter with a stern air. &ldquo;Whether it is one
+way, or whether it is the other way,&rdquo; said he, &ldquo;we go
+neither by staying here. Come home.&rdquo;</p>
+
+<p>&ldquo;I won't go!&rdquo;</p>
+
+<p>David looked sharply at his daughter's face. Jonas Hapgood's doubt
+was over him too. He wondered, with a great spasm of wrath, if she
+could be accusing herself to shield this man who had played her
+false.</p>
+
+<p>He grasped her arm again. &ldquo;Come,&rdquo; he said, &ldquo;I'll
+have no more of this,&rdquo; and Madelon went out with her father.
+Full of spirit as she was, she had always been strangely docile with
+him. He had ruled all his children with a firm hand from their youth
+up, and tuned their wills to suit his ear as he did his viol
+strings.</p>
+
+<p>&ldquo;I'll have no foolery,&rdquo; he said to her, gruffly, when
+they were out on the road. &ldquo;I'll have no putting yourself in
+the wrong to save a man that's given you the go-by. If ye be fooling
+me, ye can stop it now if you're a daughter of mine.&rdquo; He shook
+his head fiercely at her.</p>
+
+<p>But Madelon answered him with a burst of wrath that equalled his
+own. &ldquo;I stabbed him because I took him for the man who jilted
+me a-trying to kiss me, with Dorothy Fair's kiss on his lips.
+<em>Me!</em>&rdquo; she cried; and she raised her hand as if she
+would have struck again had Burr Gordon and his false lips been
+there.</p>
+
+<p>Her father looked at her gloomily, then strode on with his eyes on
+the snowy ground. He was still in doubt. David Hautville had that
+primitive order of mind which distrusts and holds in contempt that
+which it cannot clearly comprehend, and he could not comprehend
+womankind. His sons were to him as words of one syllable in straight
+lines; his daughter was written in compound and involved sentences,
+as her mother had been before her. Fond and proud of Madelon as he
+was, and in spite of his stern anxiety, her word had not the weight
+with him that one of his son's would have had. It was as if he had
+visions of endless twistings and complexities which might give it the
+lie, and rob it, at all events, of its direct force.</p>
+
+<p>Indeed, Madelon strengthened this doubt by crying out passionately
+all at once, as they went on: &ldquo;Father, you must believe me! I
+tell you I did it! I&mdash;don't let them hang him! Father!&rdquo;
+All Madelon's proud fierceness was gone for a moment. She looked up
+at her father, choking with great sobs.</p>
+
+<p>David smiled down at her convulsed face. &ldquo;She's nothing but
+a woman,&rdquo; he thought to himself, and he thought also, with a
+throb of angry relief, that she had not killed Lot Gordon.
+&ldquo;Come along home and red up the house, and let's have no more
+fooling,&rdquo; he said, roughly, and strode on faster and would not
+say another word, although Madelon besought him hard to assure her
+that he believed her, and that Burr should not be hanged, until they
+reached the Hautville house. Then he turned on her and said, with
+keen sarcasm that stung more than a whip-lash, &ldquo;'Tis Parson
+Fair's daughter and not mine that should come down the road in broad
+daylight a-bawling for Burr Gordon.&rdquo;</p>
+
+<p>Madelon started back, and her face stiffened and whitened. She
+shut her mouth hard and followed her father into the house. The great
+living-room was empty; indeed, not one of the Hautville sons was in
+the house; even Louis was gone. David took his axe out of the corner
+and set out for the woods to cut some cedar fire-logs. Madelon put
+the house in order, setting the kitchen and pantry to rights, going
+through the icy chambers and making the high feather beds. In her own
+room she paused long and searched again, holding up her red cloak and
+her ball dress to the window, where they caught the wintry light, for
+a stain of blood that might prove her guilt; but she could find
+none.</p>
+
+<p>Madelon prepared dinner for her father and brothers as usual, and
+when it was ready to be dished she stood in the doorway, with the
+north wind buffeting her in the face, and blew the dinner-horn with a
+blast that could be heard far off in the woods.</p>
+
+<p>Presently her father emerged from under the snowy boughs with his
+axe over his shoulder, and shortly afterwards Eugene and Abner came,
+in Indian file, with their guns. Eugene was carrying a fat rabbit by
+its long ears. Louis and Richard did not come at all. David asked
+sternly of their brothers where they were, but neither Eugene nor
+Abner knew. They had not seen them since David and Madelon left for
+Lot Gordon's that morning.</p>
+
+<p>Madelon set the food before her father and her brothers, and took
+her place as usual, and ate as she might have filled a crock with
+milk or cakes, tasting nothing which she put into her mouth. She did
+not during the meal say another word concerning the tragedy in which
+she was living, but there was a strange silent vehemence and fire
+about her which seemed louder than speech. Now and then her father
+and her brothers started and stared at her as if she had cried out.
+Two red spots had come on her brown cheeks; her eyes were glittering
+with dark light; her lips were a firm red; her fingers stiffened with
+nervous clutches. She looked as if every muscle in her were strained
+and rigid for a leap.</p>
+
+<p>After dinner Eugene and Abner went out again with their guns, and
+David smoked his old pipe by the fire, while Madelon put away the
+dishes and swept the floor. When her work was finished the pipe was
+smoked out, and David rose up slowly, clapped his fur cap over his
+white head, and took up his axe.</p>
+
+<p>&ldquo;Mind ye say what ye said this morning to nobody
+else,&rdquo; he said, as he went out the door.</p>
+
+<p>&ldquo;I'll say it with my dying breath,&rdquo; returned Madelon,
+and she caught her breath, as if it were indeed her last, as she
+spoke.</p>
+
+<p>&ldquo;Accuse yourself of murder, would ye, and be hung, and leave
+your own kith and kin with nobody to keep house for them, for the
+sake of a man that's left ye for another girl!&rdquo;</p>
+
+<p>&ldquo;Father, I tell you that <em>I</em> did it!&rdquo;</p>
+
+<p>But David clapped to the door on her speech, and the awful truth
+of it seemed to smite her in her own face.</p>
+
+<p>Madelon went up-stairs, and brushed and braided her black hair
+before her glass; but the face therein did not look like her own to
+her, and she felt all the time as if she were braiding and wreathing
+the hair around another's head. One of those deeds had she committed
+which lead a man to see suddenly the stranger that abides always in
+his flesh and in his own soul, and makes him realize that of all the
+millions of earth there is not one that he knows not better than his
+own self, nor whose face can look so strange to him in the light of
+his own actions.</p>
+
+<p>Madelon put her red cloak over her shoulders as she might have put
+it on a lay-figure, and tied on her hood. Then she went down-stairs,
+out of the house to the barn, and put the side-saddle on the roan
+mare.</p>
+
+<p>Not another woman in the village, and scarcely a man except the
+Hautville sons, would have dared to ride this roan, with the backward
+roll of her vicious eyes and her wicked, flat-laid ears; but Madelon
+Hautville could not be thrown.</p>
+
+<p>The mare, when she was saddled, danced an iron-bound dance in the
+barn bay, but Madelon bade her stand still, and she obeyed, her
+nostrils quivering, the breath coming from them in a snort of smoke,
+and every muscle under her roan hide vibrating.</p>
+
+<p>Then Madelon placed her foot in the stirrup, and was in the
+saddle, pulling the bit hard against the jaw, and the mare shot out
+of the barn with a fierce lash-out of her heels and an upheaval of
+her gaunt roan flanks that threatened to dash the girl's head against
+the lintel of the door.</p>
+
+<p>But Madelon knew with what she had to do, and she bent low in the
+saddle and passed out in safety. Then she spared not the mare for
+nigh three miles on the New Salem road. It was ten miles to New
+Salem, and it did not take long to reach it, riding a horse who went
+at times as if all the fiends were in chase, and often sprang out
+like a bow into the wayside bushes, and was off with a new spurt of
+vicious terror. It was still far from sundown when Madelon Hautville
+tied the roan outside the jail where Burr Gordon lay.</p>
+
+<p>Burr was sitting in his cell, which was nothing but a rough
+chamber with whitewashed walls and a grated window. It was furnished
+with a bed, a table, and a chair. He had an inkstand and a great
+sheet of paper on the table, and he was writing a letter when the
+bolt shot and the jailer entered with Madelon Hautville.</p>
+
+<p>Burr looked at her with a white, incredulous face. Then he started
+up and came forward, but Madelon did not look at him. She turned to
+the jailer, Alvin Mead. &ldquo;I want to see him alone,&rdquo; said
+she, imperatively.</p>
+
+<p>&ldquo;It's again my orders,&rdquo; said the jailer. He was a
+great man, with an arm like a crow-bar. He was reputed to have used
+it as one many a time at a house-raising.</p>
+
+<p>&ldquo;I've got to see him alone!&rdquo;</p>
+
+<p>&ldquo;He's in here on a charge of murder, and it's again my
+orders,&rdquo; repeated Alvin Mead, like a parrot.</p>
+
+<p>&ldquo;I've got to see him alone!&rdquo;</p>
+
+<p>Alvin Mead looked at her irresolutely with his stupid light eyes;
+then all his great system of bone and muscle seemed to back out of
+the room before her. He shut the door after him, and they heard the
+bolt slide.</p>
+
+<p>Madelon turned to Burr. &ldquo;Tell them,&rdquo; she gasped
+out&mdash;&ldquo;tell them it was&mdash;I!&rdquo;</p>
+
+<p>Burr did not speak for a minute; he stood looking at her.
+&ldquo;Perhaps I am not any too much of a man,&rdquo; he said,
+slowly, at length, &ldquo;but you ask me to be a good deal less of a
+man than I am.&rdquo;</p>
+
+<p>Madelon did not seem to hear him. &ldquo;I have told them I did
+it! I have told them all,&rdquo; said she, &ldquo;but they won't
+believe me&mdash;they won't believe me! <em>You</em> must tell
+them.&rdquo;</p>
+
+<p>&ldquo;I will die before I will tell them,&rdquo; said Burr
+Gordon.</p>
+
+<p>Madelon looked at his white face, which was set against hers like
+a rock; then she gave a great cry and fell down on her knees before
+him. &ldquo;Tell them,&rdquo; she moaned, &ldquo;or they will hang
+you&mdash;they will hang you, Burr!&rdquo;</p>
+
+<p>&ldquo;Let them hang me, then!&rdquo;</p>
+
+<p>&ldquo;Tell them; they won't believe me!&rdquo;</p>
+
+<p>Burr caught hold of her two arms and raised her to her feet.
+&ldquo;See here, Madelon,&rdquo; said he, &ldquo;don't you
+know&mdash;&rdquo;</p>
+
+<p>She looked at him dumbly.</p>
+
+<p>&ldquo;Don't you know&mdash;I would not tell them if they would,
+but&mdash;I might tell them until I was gray, and they would not
+believe me!&rdquo;</p>
+
+<p>Madelon cried out sharply, as if she in her turn had been struck
+to the heart.</p>
+
+<p>&ldquo;It is true,&rdquo; Burr said, quietly.</p>
+
+<p>&ldquo;Then if he dies without telling, there is no way
+of&mdash;saving you&mdash;&rdquo;</p>
+
+<p>Burr shook his head.</p>
+
+<p>&ldquo;The knife&mdash;how&mdash;came your knife there instead of
+Richard's?&rdquo;</p>
+
+<p>Burr smiled.</p>
+
+<p>Bluish shadows came around Madelon's dark eyes and her mouth. She
+gasped for breath as she spoke. &ldquo;I&mdash;have&mdash;killed you,
+then,&rdquo; said she. Suddenly she put up her white, stiffly
+quivering lips to Burr's. &ldquo;Kiss me!&rdquo; she cried out.
+&ldquo;I beg you to give me the kiss that I might have killed you for
+last night!&rdquo;</p>
+
+<p>Burr bent down and kissed her, and she threw her arms around him
+and pressed his head to her bosom. &ldquo;They shall not,&rdquo; she
+cried out, fiercely&mdash;&ldquo;they shall not hang you! I will make
+them believe me! Don't be afraid, don't be afraid, Burr.&rdquo;</p>
+
+<p>&ldquo;Madelon,&rdquo; Burr said, huskily, &ldquo;I have been
+double-faced and false to you, but, as God is my witness, I'm glad
+I've got the chance to suffer in your stead.&rdquo;</p>
+
+<p>&ldquo;You shall not! They shall believe I did it. I will make Lot
+Gordon tell. He shall tell before he dies!&rdquo;</p>
+
+<p>The bolt slid back, and Alvin Mead's great bulk darkened the
+doorway. Madelon turned her face towards him, with her arms still
+clasping Burr and holding his head to her bosom. &ldquo;This man is
+innocent!&rdquo; she cried out, with a fierce gesture of protection,
+as if she were defending her young instead of her false lover.
+&ldquo;I tell you he is innocent&mdash;you must let him go! I am the
+one who stabbed Lot Gordon!&rdquo;</p>
+
+<p>Alvin Mead stared; his heavy pink jaw lopped.</p>
+
+<p>&ldquo;I tell you, you must let him go!&rdquo; She released Burr
+from her arms and gave him a push towards the door. &ldquo;Go
+out,&rdquo; she said; &ldquo;I am the one to stay here.&rdquo;</p>
+
+<p>But Alvin Mead collected and brought about his great body with a
+show of lumbering fists. &ldquo;Come,&rdquo; said he, &ldquo;this
+ain't a-goin to do. We can't have no sech work as this, young woman.
+It's time you went.&rdquo;</p>
+
+<p>&ldquo;Let him go, I tell you!&rdquo; commanded Madelon,
+confronting him fiercely. &ldquo;I am going to stay.&rdquo;</p>
+
+<p>&ldquo;They won't let you come again if you don't go quietly
+now,&rdquo; Burr whispered, and he laid his hand on her nervous
+shoulder.</p>
+
+<p>&ldquo;I ruther guess we won't have no sech doin's again,&rdquo;
+said Alvin Mead, with sulky assent.</p>
+
+<p>&ldquo;You must go, Madelon.&rdquo;</p>
+
+<p>Madelon tied on her hood. Her white face had its rigid, desperate
+look again.</p>
+
+<p>&ldquo;I will make them believe me yet, and you shall be set
+free,&rdquo; she said to Burr, with a stern nod, and passed out,
+while Alvin Mead stood back to give her passage, watching her with
+sullen and wary eyes. He was, in truth, half afraid of her.</p>
+
+<h4 align="center">Chapter VI</h4>
+
+<p>When Madelon, returning from New Salem, came in sight of her home
+the first thing which she noticed was her father in the yard in front
+of the house.</p>
+
+<p>David Hautville's great figure stood out in the dusk of the snowy
+landscape like a giant's. He was motionless. The roan mare's gallop
+had evidently struck his ear some time before, and he knew that
+Madelon was returning. He did not even look her way as she drew
+nearer, but when she rode into the yard he made a swift movement
+forward and seized the mare by the bridle. She reared, but Madelon
+sat firm, with wretched, undaunted eyes upon her father. David
+Hautville's eyes blazed back at her out of the whiteness of his
+wrath.</p>
+
+<p>&ldquo;Where have you been?&rdquo; he demanded, in a thick
+voice.</p>
+
+<p>&ldquo;To New Salem.&rdquo;</p>
+
+<p>&ldquo;What for?&rdquo;</p>
+
+<p>&ldquo;To see Burr, and beg him to confess that I killed
+Lot.&rdquo;</p>
+
+<p>&ldquo;You didn't.&rdquo;</p>
+
+<p>&ldquo;I did.&rdquo;</p>
+
+<p>&ldquo;Fool!&rdquo; David Hautville jerked the bridle so fiercely
+that the mare reared far back again. He jerked her down to her feet,
+and she made a vicious lunge at him, but he shunted her away.</p>
+
+<p>&ldquo;I'll fasten you into your chamber,&rdquo; he shouted,
+&ldquo;if this work goes on! I'll stop your making a fool of
+yourself.&rdquo;</p>
+
+<p>&ldquo;It is Lot Gordon that is making fools of you all,&rdquo;
+said Madelon, in a hard, quiet voice.</p>
+
+<p>&ldquo;Did Burr Gordon say he didn't stab him?&rdquo; cried her
+father.</p>
+
+<p>&ldquo;No; he wouldn't own it. He is trying to shield
+me.&rdquo;</p>
+
+<p>&ldquo;He did it himself, and he'll hang for it.&rdquo;</p>
+
+<p>&ldquo;No, he won't hang for what I did while I draw the breath of
+life. I've got the strength of ten in me. You don't know me, if I am
+your daughter.&rdquo; Madelon freed her bridle with a quick
+movement, and the mare flew forward into the barn.</p>
+
+<p>David Hautville stood looking after her in utter fury and
+bewilderment. Her last words rang in his ears and seemed true to him.
+He felt as if he did not know his own daughter. This awakening and
+lashing into action, by the terrible pressure of circumstances, of
+strange ancestral traits which he had himself transmitted was beyond
+his simple comprehension. He shook his head with a fierce
+helplessness and went into the barn.</p>
+
+<p>&ldquo;Go in and get the supper,&rdquo; he ordered, &ldquo;and
+<em>I</em>'ll take care of the mare.&rdquo;</p>
+
+<p>As Madelon came out of the stall he grasped her roughly by the arm
+and peered sharply into her face. The thought seized him that she
+must surely not be in her right mind&mdash;that Burr's treatment of
+her and his danger had turned her brain. &ldquo;Be you crazy,
+Madelon?&rdquo; he asked, in his straightforward simplicity, and
+there was an accent of doubt and pity in his voice.</p>
+
+<p>&ldquo;No, father,&rdquo; she replied, &ldquo;I am not crazy. Let
+me go.&rdquo;</p>
+
+<p>She broke away from him and was out of the barn door, but suddenly
+she turned and came running back. The sudden softness in his voice
+had stirred the woman in her to weakness. She went close to her
+father, and threw up her arms around his great neck, and clung to
+him, and sobbed as if she would sob her soul away, and pleaded with
+him as for her life.</p>
+
+<p>&ldquo;Father!&rdquo; she cried&mdash;&ldquo;father, help me!
+Believe me! Tell them I did it! Tell them it is true! Don't let them
+hang Burr. Help me to save him, father! Don't let them! Save him! Oh,
+you will save him, father? You will? Tell me, father&mdash;tell me,
+tell me!&rdquo; Madelon's voice rose into a wild shriek.</p>
+
+<p>A sudden conviction of his solution of the matter and of his own
+astuteness came over David Hautville's primitive masculine
+intelligence. His daughter was wellnigh distraught with her lover's
+faithlessness and his awful crime and danger. She was to be watched
+and guarded lest she make a further spectacle of herself; but treated
+softly as might be, for she was naught but a woman, and liable to
+mischievous ailments of nerve and brain. David pressed his daughter's
+dark head with his hard, tender hand against his shoulder, then
+forced her gently away from him.</p>
+
+<p>&ldquo;It'll be all right,&rdquo; said he,
+soothingly&mdash;&ldquo;it'll be all right. Don't you
+worry.&rdquo;</p>
+
+<p>&ldquo;Father, you will?&rdquo;</p>
+
+<p>&ldquo;I'll fix it all right. Don't you worry.&rdquo;</p>
+
+<p>&ldquo;Father, you promise?&rdquo;</p>
+
+<p>&ldquo;I'll do everything I can. Don't you worry, Madelon. You'd
+better go in and get supper now. I'll go along to the house with you
+and get the lantern. It's getting too dark to do the work
+here.&rdquo;</p>
+
+<p>David drew his daughter along, out of the barn, across the snowy
+yard to the house, she pleading frantically all the way, he soothing
+her with his sudden wisdom of assent and evasion.</p>
+
+<p>The hearth fire was blazing high when Madelon entered the kitchen.
+The red glare of it was on her white face, upturned to her father's
+with one last pleading of despair. She clutched his arm and shook his
+great frame to and fro.</p>
+
+<p>&ldquo;Father, promise me you'll go over to New Salem to-night and
+tell them to set him free and take me instead! Father!&rdquo;</p>
+
+<p>&ldquo;We'll see about it, Madelon,&rdquo; answered David
+Hautville. There was a tone in his voice which she had never heard
+before. It might have come unconsciously to himself from some memory,
+so old that it was itself forgotten, of his dead wife's voice over
+the child in her cradle. Some echo of it might have yet lingered in
+the old father's soul, through something finer than his instinct for
+sweet sounds from human throat and viol&mdash;through his ear for
+love.</p>
+
+<p>&ldquo;Get the supper now, and we'll see about it,&rdquo; said
+David Hautville. He began fumbling with clumsy fingers, all unused to
+women's gear, at the string of this daughter's cloak; but she pulled
+herself away from him suddenly, and the old hard lines came into her
+face. &ldquo;We'll say no more about it,&rdquo; said she. She lit a
+candle quickly at the hearth fire, and was out of the room to put
+away her cloak and hood. Her father lighted his lantern slowly and
+went back to the barn, plodding meditatively through the snowy track,
+with the melting mood still strong upon him. He was disposed to carry
+matters now with a high and tender hand with the girl to bring her to
+reason, and he brought all his crude diplomacy to bear upon the
+matter.</p>
+
+<p>When he reached the barn his son Eugene stood in the doorway. He
+had just come from the woods, and the smell of wounded cedar-trees
+was strong about him. He stood leaning upon his axe as if it were a
+staff. &ldquo;Who's been out with the mare?&rdquo; he asked.</p>
+
+<p>&ldquo;Your sister.&rdquo;</p>
+
+<p>&ldquo;Where?&rdquo;</p>
+
+<p>&ldquo;To New Salem.&rdquo;</p>
+
+<p>&ldquo;To see <em>him</em>?&rdquo;</p>
+
+<p>David nodded grimly. His lantern cast a pale circle of light on
+the snow about them.</p>
+
+<p>&ldquo;About&mdash;that?&rdquo;</p>
+
+<p>&ldquo;To get him to own up she did it.&rdquo;</p>
+
+<p>Eugene Hautville stared at his father, scowling his handsome dark
+brows. He was the most graceful mannered of all the Hautville sons,
+and by some accounted the best-looking.</p>
+
+<p>&ldquo;Is she crazy?&rdquo; he said.</p>
+
+<p>&ldquo;No, she's a woman,&rdquo; returned his father, with a
+strange accent of contempt and toleration.</p>
+
+<p>&ldquo;Did the coward lay it to her when she gave him the
+chance?&rdquo; demanded Eugene.</p>
+
+<p>&ldquo;No; she said he wouldn't, to shield her.&rdquo;</p>
+
+<p>Eugene moved his axe suddenly; the lantern-light struck it, and
+there was a bright flash of sharp steel in their eyes. &ldquo;Shield
+her!&rdquo; he cried out, with an oath. &ldquo;I wish I could meet
+him in the path once. I'd give him a taste before they put the rope
+'round his neck, the lying murderer!&rdquo;</p>
+
+<p>David nodded his head in savage assent.</p>
+
+<p>&ldquo;What's going to be done with Madelon?&rdquo; cried Eugene,
+fiercely.</p>
+
+<p>&ldquo;I've been thinking&mdash;&rdquo; said his father,
+slowly.</p>
+
+<p>&ldquo;No sister of mine shall go about rolling herself in the
+dust at that fellow's feet if I can help it.&rdquo;</p>
+
+<p>&ldquo;I've been thinking&mdash;would you lock her in her chamber
+a spell?&rdquo;</p>
+
+<p>&ldquo;Lock Madelon in her chamber! She'd get out or she'd beat
+her brains out against the wall.&rdquo;</p>
+
+<p>&ldquo;I don't know but she would,&rdquo; assented David,
+perplexedly. &ldquo;You can't count on a woman when they rise up. She
+might go away a spell.&rdquo;</p>
+
+<p>&ldquo;Where?&rdquo;</p>
+
+<p>&ldquo;We might send her somewhere.&rdquo;</p>
+
+<p>Eugene laughed. The roan mare was pawing in her stall. Now and
+then she pounded the floor with a clattering thud like an iron
+flail.</p>
+
+<p>&ldquo;How far do you suppose that mare would go if you tried to
+send her anywhere?&rdquo; he asked.</p>
+
+<p>&ldquo;Maybe Madelon wouldn't go.&rdquo;</p>
+
+<p>&ldquo;You'd have to halter the mare,&rdquo; said Eugene,
+&ldquo;and drag her half the way and stand from under, or she'd
+trample you down the other.&rdquo; Eugene, although his words were
+strong, spoke quite softly, lowering his sweet tenor. From where they
+stood they could see Madelon moving to and fro behind the kitchen
+windows preparing supper.</p>
+
+<p>&ldquo;I don't know what to do,&rdquo; said David, after a
+pause.</p>
+
+<p>&ldquo;Watch her,&rdquo; returned Eugene, quietly.</p>
+
+<p>&ldquo;Watch her?&rdquo;</p>
+
+<p>&ldquo;Yes. I've been under cover days before now watching for a
+pretty white fox or a deer I wanted.&rdquo; Eugene laughed
+pleasantly.</p>
+
+<p>&ldquo;Will you?&rdquo;</p>
+
+<p>&ldquo;I'll stay by the house to-morrow. She sha'n't go about
+accusing herself of murder to save the man that's jilted her if I can
+help it.&rdquo; As he spoke Eugene's handsome face darkened again
+vindictively. He hated Burr Gordon for another reason of his own that
+nobody suspected.</p>
+
+<p>Suddenly Abner Hautville came running into the yard. &ldquo;Who is
+it there?&rdquo; he called out. &ldquo;Is that you, father? That you,
+Eugene? Hello!&rdquo;</p>
+
+<p>&ldquo;Hello!&rdquo; Eugene called back. &ldquo;What's the
+matter?&rdquo;</p>
+
+<p>Abner come panting alongside. He had run from the village, and,
+vigorous as he was, breath came hard in the thin air. It was a very
+cold night.</p>
+
+<p>&ldquo;Where have they gone?&rdquo; he demanded.</p>
+
+<p>&ldquo;Who?&rdquo;</p>
+
+<p>&ldquo;Louis and Richard. Where have they gone?&rdquo;</p>
+
+<p>There was a ghastly look in Abner's face, in spite of the glowing
+red which the cold wind had brought to it. The other man seemed to
+catch it and reflect it in their own faces as they stared at him.</p>
+
+<p>Eugene turned quickly to his father. &ldquo;Aren't they in the
+house?&rdquo; he asked.</p>
+
+<p>&ldquo;No, they ain't,&rdquo; returned David, with his eyes still
+on Abner's face.</p>
+
+<p>&ldquo;Sure they ain't up chamber?&rdquo;</p>
+
+<p>&ldquo;No; I was home a good half-hour before Madelon came. There
+wasn't a soul in the house, and nobody could have come home since
+without my knowing it.&rdquo;</p>
+
+<p>&ldquo;They didn't come home this noon either,&rdquo; said
+Eugene.</p>
+
+<p>&ldquo;Thought you said they'd gone to see to their traps on West
+Mountain?&rdquo; David rejoined.</p>
+
+<p>&ldquo;Thought they had when they didn't come.&rdquo; Eugene
+turned impatiently on Abner. &ldquo;Where do you think they've
+gone&mdash;what do you mean by looking so?&rdquo; he cried.</p>
+
+<p>Abner dug his heel into the snow. &ldquo;Don't know,&rdquo; he
+returned, in a surly voice.</p>
+
+<p>&ldquo;What do you suspect, then? Good God! can't you speak
+out?&rdquo;</p>
+
+<p>Abner's features were heavier than his brother's&mdash;his speech
+and manner slower. He paused a second, even then; then he turned
+towards the house, and spoke, with his face away from them, with a
+curious directness and taciturnity. &ldquo;Didn't go to the traps on
+West Mountain,&rdquo; he said, then; &ldquo;went there myself. They
+hadn't been there&mdash;no tracks; was home before father was
+to-night. Louis and Richard hadn't come. Went down to the village;
+hadn't been there.&rdquo;</p>
+
+<p>&ldquo;You don't mean Louis and Richard have run away?&rdquo;
+demanded David.</p>
+
+<p>&ldquo;Both their guns and their powder-horns and shot-bags are
+gone,&rdquo; said Abner.</p>
+
+<p>&ldquo;They would have taken them anyway,&rdquo; said Louis.</p>
+
+<p>&ldquo;The chest in Louis's chamber is unlocked and the money he
+kept in the till is gone, and his fiddle is gone, and the
+cider-brandy and wormwood bottle to bathe his arm with, and two
+shoulders of pork out of the cellar, and a sack of potatoes, and the
+blankets off his and Richard's beds are gone too,&rdquo; said Abner.
+He began to move towards the house.</p>
+
+<p>His father made a bound after him and grasped his arm. &ldquo;What
+do you mean?&rdquo; he cried out. &ldquo;What do you think they've
+run away for?&rdquo;</p>
+
+<p>&ldquo;Know as much as I do,&rdquo; replied Abner. He wrenched his
+arm away and strode on towards the house. Then David Hautville and
+his son Eugene stood looking at each other with a surmise of horror
+growing in their eyes.</p>
+
+<p>&ldquo;What does he mean?&rdquo; David whispered, hoarsely.</p>
+
+<p>Eugene shook his head.</p>
+
+<p>Presently Eugene went into the barn and fell to feeding the roan
+mare, and David plunged heavily back to the house. He and Abner sat
+one on each side of the fire and furtively watched Madelon preparing
+supper.</p>
+
+<p>She spoke never a word. Her red lips were a red line of
+resolution. Her despairing eyes were fixed upon her work without a
+glance for either of them.</p>
+
+<p>However, when supper was set on the table, and she had blown the
+horn at the door and waited, and nobody else came, she turned with
+sudden life upon her father and her brothers, who had already begun
+to taste the smoking hasty-pudding. &ldquo;Where are the
+others?&rdquo; she cried out, shrilly. &ldquo;Where are Louis and
+Richard?&rdquo;</p>
+
+<p>The men glanced at one another under sullen eyelids, but nobody
+answered. &ldquo;Where are they?&rdquo; she repeated.</p>
+
+<p>&ldquo;You know as much about it as we do,&rdquo; Eugene said,
+then, in his soft voice.</p>
+
+<p>Madelon stood with wild eyes flashing from one to another. Then
+she gave a sudden spring out of the room, and they heard her swift
+feet on the chamber-stairs. The men ate their hasty-pudding, bending
+their brows over it as if it were a witches' mess instead of their
+ordinary home fare.</p>
+
+<p>Madelon came back so rapidly that she seemed to fly over the
+stairs. They scarcely heard the separate taps of her feet. She burst
+into the room and faced them in a sort of fury. &ldquo;They have
+gone!&rdquo; she gasped out. &ldquo;Louis and Richard have gone!
+Where are they?&rdquo;</p>
+
+<p>David Hautville slowly shook his head. Then he took another
+spoonful of pudding. The brothers bent with stern assiduity over
+their bowls.</p>
+
+<p>&ldquo;You have hid them away!&rdquo; shrieked Madelon. &ldquo;You
+have hid them away lest Louis own that he saw blood on my hand, and
+Richard that he gave me his knife! What have you done with
+them?&rdquo;</p>
+
+<p>Not one of the three men spoke. They swallowed their pudding.</p>
+
+<p>&ldquo;Father! Abner! Eugene!&rdquo; said Madelon, &ldquo;tell me
+what you have done with my brothers, who can testify that I killed
+Lot Gordon, and save Burr?&rdquo;</p>
+
+<p>David Hautville wiped his mouth on his sleeve, rose up, and took
+his daughter firmly by the arm.</p>
+
+<p>&ldquo;We know no more what has become of your brothers than you
+do,&rdquo; said he. &ldquo;If they have gone away for the reason you
+say, your old father would be the first to bring them back, if you
+were guilty as you say, daughter of mine though you be. But we know
+well enough, wherever your brothers have gone, and for whatever cause
+they have gone, that you have done nothing worse then go daft, as
+women will, to shield a fellow that's used you ill. You shall put us
+to no more shame while I am your father and you under my roof. Abner,
+fill up a bowl with the pudding.&rdquo;</p>
+
+<p>Madelon's face was deathly white and full of rebellion as she
+looked up in her father's, but she held herself still with a stern
+dignity and did not struggle. David Hautville's will was up. His hand
+on her soft arm was like a vise of steel. The memories of her
+childhood were strong upon her. She knew of old that there was no
+appeal, and was too proud to contend where she must yield.</p>
+
+<p>&ldquo;Take the bowl,&rdquo; said her father, when Abner extended
+it filled with the steaming pudding&mdash;&ldquo;take the bowl, and
+go you to your chamber. Eat your supper, and get in to your bed and
+stay there till morning.&rdquo;</p>
+
+<p>Madelon still looked at her father with that same look of
+speechless but unyielding rebellion. She did not stir to take the
+bowl or go to her chamber.</p>
+
+<p>&ldquo;Do as I bid ye!&rdquo; ordered her father, in a great
+voice.</p>
+
+<p>Madelon took the bowl from her brother's hand and went out of the
+room as she was bid; and yet as she went they all knew that there was
+no yielding in her.</p>
+
+<h4 align="center">Chapter VII</h4>
+
+<p>The next morning Madelon came down-stairs as usual and prepared
+breakfast. When it was ready the family sat up to the table and ate
+silently and swiftly. No one addressed a word to Madelon. After
+breakfast David and his son Abner put on their leather jackets and
+their fur caps, and set forth for the woods with their axes, but
+Eugene lounged gracefully over to the hearth and sat down on the
+settle, and began reading his Shakespeare book. Eugene was the only
+one of the Hautvilles who ever read books. He studied faithfully the
+few in the house&mdash;the Shakespeare, the <cite>Pilgrim's
+Progress</cite>, Milton, and <cite>Gulliver's Travels</cite>. The
+others wondered at him. They could not understand how any one who
+could handle a gun or a musical instrument could lay finger on a
+book. &ldquo;Made-up things,&rdquo; said Abner once, with a scornful
+motion towards Shakespeare.</p>
+
+<p>&ldquo;No more made-up than fugue,&rdquo; retorted Eugene, hotly;
+but they all cried out on him.</p>
+
+<p>This morning Madelon cast one quick glance at him as he sauntered
+over to the settle with his book. Then she did not look his way
+again. She worked quietly, setting the kitchen to rights.</p>
+
+<p>The day was very cold; the light in the room was dim and white,
+the windows were coated so thickly with the hoar-frost. Eugene kept
+stirring the fire and adding sticks as he read.</p>
+
+<p>Finally, Madelon had finished her work in the kitchen, and went
+up-stairs. Then Eugene arose reluctantly, went out into the cold
+entry, and stood by the door with his book in hand. Madelon, passing
+across the landing above, looked down and saw him standing there, and
+knew that what she suspected was true&mdash;that her brother was
+mounting guard over her lest she leave the house.</p>
+
+<p>She finished her work in the chamber, and came down-stairs with
+some knitting-work in hand. She seated herself quietly in her own
+cushioned rocking-chair, and fell to work with yarn and clicking
+needles, like any peaceful housewife. She knitted and Eugene read,
+bending his handsome dark face, smiling with pleasure, over his
+Shakespeare book. This fierce winter day he was reading &ldquo;A
+Midsummer-Night's Dream,&rdquo; and letting his fancy revel with
+Shakespeare's fairies in an enchanted summer wood. He was, however,
+alert as a watch-dog. He could at an instant's warning leave that
+delicate and dainty crew and those flowery shores, and intercept his
+sister, should she attempt to pass him and escape from the house.</p>
+
+<p>Still, his alertness all came to naught, for Madelon, like some
+fleeing fox, took a sudden turn which no canny hunter could have
+anticipated. She sat somewhat away from the hearth and well at
+Eugene's back. He would have asked her why she did not draw nearer
+the fire and if she were not cold had he not feared to encounter a
+sulky humor. He could not see the lengths of linen cloth, which she
+herself had spun and woven, lying in a great heap on the floor, half
+at her back, half under her petticoats. However, could he have seen
+it he would have thought of it merely as some mysterious domestic and
+feminine proceeding about which he neither knew nor cared to know
+anything.</p>
+
+<p>Madelon, as she knitted, ever measured the distance between her
+brother and herself with her great black eyes, training her nerves
+and muscles for what she had to do as she would have trained a bow
+and arrow.</p>
+
+<p>Eugene turned a leaf in his Shakespeare book. Madelon made a leap,
+so soft and swift that it seemed like an onslaught of Silence itself,
+and he was smothered and wound about and entangled in folds of linen
+as if it had been in truth his winding-sheet. He struggled as best he
+might against his linen bands, and cried out as angrily as he could
+for the linen that bound his mouth and his eyes, but he could not
+release himself. Eugene was strong and lithe, but Madelon was nearly
+as strong as he at any time; and now the great tension of her nerves
+seemed to inform all her muscles with the strength of steel wire.</p>
+
+<p>Eugene sat bound hard and fast to the settle, with his face
+swathed like a mummy's, with only enough space clear for breath.
+&ldquo;Let me go, or I'll&mdash;&rdquo; he threatened, in his
+smothered tone.</p>
+
+<p>Madelon made no reply. She watched him struggle to be sure that he
+could not free himself. Then she went out of the room. Eugene called
+after her in a choke of fury, but she spoke not a word.</p>
+
+<p>Up-stairs she hastened to her own chamber, and put on her red
+cloak and hood, and was down the stairs again, out the door, and
+hurrying up the road to the village. From time to time she glanced
+behind her to be sure that her brother had not freed himself, and was
+not in pursuit; then she sped on faster. The road was glare with ice,
+but she did not slow her pace for that. She was as sure-footed as a
+hare. She kept her arms close to her sides under her red cloak, and
+did not pause until she came out on the village street where the
+houses were thick. Then she went at a rapid walk, still glancing
+sharply behind her to see if she were followed, until she came to
+Parson Fair's house. She went up the front walk, between the rows of
+ice-coated box, and up the stone steps under the stately columned
+porch, and raised the knocker and let it fall with sharp impetus. The
+door opened speedily a little way, and Parson Fair himself stood
+there, his pale, stern old face framed in the dark aperture. He bowed
+with gentle courtesy and bade her good-morning, and Madelon
+courtesied hurriedly and spoke out her errand with no preface.</p>
+
+<p>&ldquo;Can I see your daughter, sir?&rdquo; said she.</p>
+
+<p>Parson Fair looked at Madelon's white face, touched on the cheeks
+and lips with feverish red, at her set mouth and desperate eyes. The
+story of her connection with the Gordon tragedy had not penetrated to
+his study, neither did he know how Burr had forsaken her for his
+Dorothy; but he saw something was amiss with her, although he was not
+well versed in the signs of a woman's face. Parson Fair, moreover,
+felt somewhat of interest in this Madelon Hautville, for he had a
+decorously restrained passion for sweet sounds which she had often
+gratified. Many a Sabbath day had he sat in his beetling pulpit and
+striven to keep his mind fixed upon the spirit of the hymn alone, in
+spite of his leaping pulses, when Madelon's great voice filled the
+meeting-house. It was probable that he also, notwithstanding his
+Christian grace, shared somewhat the popular sentiments towards these
+musical and Bohemian Hautvilles; yet he looked with a dignified
+kindness at the girl.</p>
+
+<p>&ldquo;I trust you are not ill,&rdquo; he said, without answering
+her question as to whether she might see Dorothy.</p>
+
+<p>Madelon did not act as if she heard what he said. &ldquo;Can I see
+your daughter, sir?&rdquo; she repeated. She cast an anxious glance
+over her shoulder for fear Eugene might appear in the road.</p>
+
+<p>Parson Fair still eyed her with perplexity. &ldquo;I believe
+Dorothy is ill in her chamber,&rdquo; he said, hesitatingly. &ldquo;I
+do not know&mdash;&rdquo;</p>
+
+<p>Madelon gave a dry sob. &ldquo;I beg you to let me see her for a
+minute, sir,&rdquo; she gasped out, &ldquo;for the love of God. It is
+life and death!&rdquo;</p>
+
+<p>Parson Fair looked shocked and half alarmed. He had not had to do
+with women like this, who spoke with such fervor of passion. His
+womankind had swathed all their fiercer human emotions with shy
+decorum and stern modesty, as Turkish women swathe their faces with
+veils.</p>
+
+<p>Madelon, still under the fear of Eugene, pressed inside the door
+as she spoke, and he stood aside half involuntarily. &ldquo;I beg you
+to let me see her,&rdquo; she repeated. She looked at the stately
+wind of the stairs up to the second floor, as if she were minded to
+ascend without bidding to Dorothy's chamber.</p>
+
+<p>&ldquo;She is ill in her chamber,&rdquo; the Parson said again,
+with a kind of forbidding helplessness.</p>
+
+<p>&ldquo;I would see her only for a minute. I beg you to let me,
+sir. It is life and death, I tell you&mdash;it is life and
+death!&rdquo;</p>
+
+<p>Whether Parson Fair motioned her to ascend, or whether he simply
+stood aside to allow her to pass, he never knew, but Madelon was up
+the winding stairs with a swirl of her cloak, as if the wind had
+caught it. Parson Fair followed her, and motioned her to the south
+front chamber, and was about to rap on the door when it was flung
+open violently, and the great black princess stood there, scowling at
+them.</p>
+
+<p>&ldquo;I have a guest here for your mistress,&rdquo; said Parson
+Fair; but the black woman blocked his way, speaking fast in her
+wrathful gibberish.</p>
+
+<p>However, at a stately gesture from her master she stood aside, and
+he held the door open, and Madelon entered. &ldquo;You had better not
+remain long, to tire her,&rdquo; said the parson, and closed the
+door. Immediately the uncouth savage voice was raised high again, and
+quelled by the parson's calm tone. Then there was a great settling of
+a heavy body close to the threshold. The black woman had thrown
+herself at the sill of her darling's door, to keep watch, like a
+faithful dog.</p>
+
+<p>Madelon Hautville, when she entered Dorothy Fair's room, had her
+mind not been fixed upon its one end, which was above all such petty
+details of existence, might well have looked about her. No such
+dainty maiden bower was there in the whole village as this. Madelon's
+own chamber, carpetless and freezing cold, with its sparse furniture
+and scanty sweep of white curtains across the furred windows which
+filled the room with the blue-white light of frost, was desolation to
+it.</p>
+
+<p>A great fire blazed on Dorothy Fair's chamber hearth. The red glow
+of it was over the whole room, and the frost on the windows was
+melting. Curtains of a soft blue-and-white stuff, said to have been
+brought from overseas, hung at Dorothy's windows and between the high
+posts of her bed. She had also her little rocking-chair and footstool
+frilled and cushioned with it. There was a fine white matting on her
+floor, and a thick rug with a basket of flowers wrought on it beside
+her bed. The high white panel-work around Dorothy's mantel was carved
+with curving garlands and festoons of ribbon and flowers, and on the
+shelf stood tall china vases and bright candlesticks. Dorothy's
+dressing-table had a petticoat of finest dimity, trimmed with tiny
+tassels. Above it hung her fine oval mirror, in a carved gilt frame.
+Upon the table were scattered silver and ivory things and glass
+bottles, the like of which Madelon had never seen. The room was full
+of that mingled perfume of roses and lavender which was always about
+Dorothy herself.</p>
+
+<p>The counterpane on Dorothy's bed was all white and blue, and
+quilted in a curious fashion, and her pillows were edged with lace.
+In the midst of this white-and-blue nest, her slender little body
+half buried in her great feather-bed, her lovely yellow locks
+spreading over her pillow, lay Dorothy Fair when Madelon entered. She
+half raised herself, and stared at her with blue, dilated eyes, and
+shrank back with a little whimper of terror when she came impetuously
+to her bedside.</p>
+
+<p>&ldquo;You don't believe it,&rdquo; Madelon said, with no
+preface.</p>
+
+<p>Dorothy stared at her, trembling. &ldquo;You
+mean&mdash;&rdquo;</p>
+
+<p>&ldquo;I mean you don't believe he killed him! You don't believe
+Burr Gordon killed his cousin Lot!&rdquo;</p>
+
+<p>Dorothy sank weakly back on her pillows. Great tears welled up in
+her blue eyes and rolled down her soft cheeks. &ldquo;They
+<em>saw</em> him there,&rdquo; she sobbed out, &ldquo;and they found
+his knife. Oh, I didn't think he was so wicked!&rdquo;</p>
+
+<p>Madelon caught her by one slender arm hard, as if she would have
+shaken her. &ldquo;<em>You</em> believe it!&rdquo; she cried out.
+&ldquo;You believe that Burr did it&mdash;<em>you!</em>&rdquo;</p>
+
+<p>&ldquo;They&mdash;saw&mdash;him&mdash;there,&rdquo; moaned
+Dorothy, with a terrified roll of her tearful eyes at Madelon's
+face.</p>
+
+<p>&ldquo;<em>Saw him there!</em> What if they did see him there?
+What if the whole town saw him? What if you saw him? What if you saw
+him strike the blow with your own eyes? Wouldn't you tear them out of
+your own head before you believed it? Wouldn't you cut your own
+tongue out before you'd bear witness against him?&rdquo;</p>
+
+<p>Dorothy sobbed convulsively.</p>
+
+<p>&ldquo;I would,&rdquo; said Madelon.</p>
+
+<p>Dorothy hid her face away from her in the pillow.</p>
+
+<p>Madelon laid her hand on her fair head, and turned it with no
+gentle hand. &ldquo;Listen to me now,&rdquo; she said. &ldquo;You've
+got to listen. You've got to hear what I say. You ought to believe
+without being told, without knowing anything about it, that he's
+innocent, if you're a woman and love him; but I'm going to tell you.
+Burr Gordon didn't kill his cousin Lot. I did!&rdquo;</p>
+
+<p>Dorothy gave a faint scream and shrank away from her.</p>
+
+<p>&ldquo;I did!&rdquo; repeated Madelon. &ldquo;Now do you believe
+he's innocent, when somebody else has told you?&rdquo;</p>
+
+<p>Dorothy's face was white as her pillows, her eyes big with terror.
+There was a soft thud against her door. The black woman was keeping
+arduous watch.</p>
+
+<p>&ldquo;You couldn't!&rdquo; Dorothy gasped out.</p>
+
+<p>&ldquo;I could! Look at my hands; they are as strong as a
+man's.&rdquo;</p>
+
+<p>&ldquo;You&mdash;couldn't!&rdquo;</p>
+
+<p>&ldquo;I could, and I did.&rdquo;</p>
+
+<p>Dorothy shook her head in hysterical doubt.</p>
+
+<p>&ldquo;Listen,&rdquo; said Madelon&mdash;&ldquo;listen. I'll tell
+you why I did it, Dorothy Fair. Burr Gordon had been with me a little
+before he went with you. Perhaps you knew it. If you did, I am not
+blaming you&mdash;he's got taking ways, you couldn't help it; and I
+am not blaming him&mdash;he's a man, and you're fairer complexioned
+than I am. But I was fool enough to be mad without any good
+reason&mdash;you understand I am not saying anything against him,
+Dorothy Fair&mdash;when I saw him with you at the ball. He had a
+right to take anybody to the ball that he chose. It was naught to me,
+but I was mad. I have a quick temper. And I started home when that
+young man from Kingston offered to fiddle for the dancing after you
+and Burr went out; and my brother Richard made me take his knife for
+fear I might meet stragglers, and I had it open under my cloak. And
+when I got to that lonely part of the road, after the turn, I saw
+somebody coming, and I thought it was Burr. He walked like him. And I
+looked away&mdash;I did not want to see his face; and when I came up
+to him the first thing I knew he threw his arm around me and kissed
+me, and&mdash;something seemed to leap up in me and I struck with
+Richard's knife. And&mdash;then he fell down, and I looked and it was
+not Burr&mdash;it was his cousin Lot. And&mdash;then Burr came, and
+we heard whistling, and others were coming, and he made me run, and
+the others came up and found him; and now they say he did it and not
+I. It was I who stabbed Lot Gordon, Dorothy Fair!&rdquo;</p>
+
+<p>&ldquo;It was Burr's knife, with his initials cut in the handle,
+that they found,&rdquo; said Dorothy, with a kind of piteous
+doggedness. There was in this fair little maiden the same power of
+adherence to a mental attitude which her father had shown in his
+religious tenets. Wherever the men and women of this family stood
+they were fixed beyond their own capability of motion.</p>
+
+<p>Madelon gave a bewildered sigh. &ldquo;I know not how that
+was,&rdquo; said she, &ldquo;unless&mdash;&rdquo; a red flush mounted
+over her whole face. &ldquo;No, he would not have done that for
+me,&rdquo; she said, as if to herself.</p>
+
+<p>A red flush on Dorothy's face seemed to respond to that on
+Madelon's. &ldquo;You think he put his knife there to take suspicion
+from you?&rdquo; she cried out, quickly.</p>
+
+<p>Madelon shook her head. &ldquo;I don't know about the
+knife,&rdquo; she said, &ldquo;but I know I stabbed Lot
+Gordon.&rdquo;</p>
+
+<p>&ldquo;He would not have done that,&rdquo; said Dorothy, with
+troubled, angry blue eyes on her face. &ldquo;He would have thought
+of&mdash;others. He never changed the knife, Madelon
+Hautville!&rdquo;</p>
+
+<p>&ldquo;I know nothing about the knife,&rdquo; repeated Madelon,
+&ldquo;but Burr Gordon did not kill his cousin.&rdquo;</p>
+
+<p>&ldquo;He was there, and it was his knife,&rdquo; said Dorothy.
+There was now a curious indignation in her manner. It was almost as
+if she preferred to believe her lover guilty of murder rather than
+unduly solicitous for her rival.</p>
+
+<p>Madelon Hautville turned upon her with a kind of fierce solemnity.
+&ldquo;Dorothy Fair,&rdquo; said she, &ldquo;look at me!&rdquo; and
+the soft, blue-eyed face, full of that gentle unyielding which is the
+firmest of all, looked up at her from the
+pillows&mdash;&ldquo;Dorothy Fair, did that man, who's locked up over
+there in jail in New Salem, for a crime he's innocent of, ever kiss
+you?&rdquo;</p>
+
+<p>Madelon's face seemed to wax stiff and white. She looked like one
+who bared her breast for a mortal hurt as she spoke. Dorothy went
+pink to the roots of her yellow hair and the frill on her nightgown.
+She made an angry shamed motion of her head, which might have
+signified anything.</p>
+
+<p>&ldquo;And you can believe this thing of him after that!&rdquo;
+said Madelon, with a look of despairing scorn. &ldquo;He has kissed
+you, Dorothy Fair, and you can think he has committed a
+murder!&rdquo;</p>
+
+<p>Dorothy gasped. &ldquo;They said&mdash;&rdquo; she began
+again.</p>
+
+<p>&ldquo;<em>They said!</em> Are you a woman, Dorothy Fair, and
+don't you know that the man you love enough to let him kiss you
+should do no wrong in your eyes, or else it's a shame to you, and you
+should kill him to wipe it out?&rdquo; Dorothy shrank away from her
+in the bed, her frightened blue eyes staring at her over her
+shoulder. &ldquo;My God! don't you know,&rdquo; said Madelon,
+&ldquo;the man you love is yourself? When you believe in his guilt
+you believe in your own; when you strike him for it you strike
+yourself. Don't you know that, Dorothy Fair?&rdquo;</p>
+
+<p>Dorothy looked at her, all white and trembling. She gave a
+half-sob. Suddenly Madelon's tone changed. &ldquo;Don't be
+afraid,&rdquo; said she. &ldquo;I'm different from you. I don't
+wonder he liked you better. It's no blame to him. I know you care
+about him. You don't believe he did it.&rdquo;</p>
+
+<p>&ldquo;I don't know,&rdquo; sobbed Dorothy. The door opened a
+crack, and the black woman's watchful eyes appeared.</p>
+
+<p>&ldquo;Oh, you do know, you do know! I tell you, I did it&mdash;I!
+Can't you believe me? I'm a wicked woman, and I love anybody I love
+in a different way from any that a woman as good as you are can. I
+did it, Dorothy, and not Burr! He mustn't suffer for it. We must see
+him, you and I together! Don't you believe me?&rdquo;</p>
+
+<p>&ldquo;I don't&mdash;know,&rdquo; sobbed Dorothy. The dark face
+appeared quite fully in the door. Madelon cast a quick glance about
+the room. Dorothy's pretty Bible, with a blue-silk-ribbon marker
+hanging from it, lay on her dimity dressing-table. Madelon sprang
+across and got it. The black woman stood in the doorway, muttering to
+herself. She looked all ready to spring to Dorothy's defence. Madelon
+did not notice her at all. She went close to Dorothy, put the Bible
+on the bed, and laid her right hand upon it.</p>
+
+<p>&ldquo;I swear upon this Holy Book,&rdquo; said she, &ldquo;that
+this hand of mine is the one that stabbed Lot Gordon. I swear, and I
+call God to witness, and may I be struck dead as I speak if what I
+say is not true. Now do you believe what I say, Dorothy
+Fair?&rdquo;</p>
+
+<p>Dorothy looked at her and the Bible in bewildered terror. She
+nodded.</p>
+
+<h4 align="center">Chapter VIII</h4>
+
+<p>Something like joy came into Madelon's face. &ldquo;Then we will
+save him, you and I!&rdquo; she cried out. &ldquo;We will save him
+together! He shall not be hung! He shall be set free! They shall let
+him out of jail to-day, and put me there instead. We will save him!
+He would not own that I was guilty and he innocent; Lot would not own
+it, nor my brother Richard, but now&mdash;we will save
+him&mdash;now!&rdquo;</p>
+
+<p>&ldquo;How?&rdquo; asked Dorothy, feebly.</p>
+
+<p>&ldquo;He will own it to you. Burr will own it to you if you go
+and plead with him. He can't help owning it to you. And then you
+shall go to Lot, and when you ask him for your sake, that you may
+marry Burr, if he knows Burr has told you, and does not care about
+me, he will speak. He will be sure to speak for you. Come!&rdquo;</p>
+
+<p>Dorothy raised herself on one elbow and stared at Madelon, her
+yellow hair falling about her fair startled face.
+&ldquo;Where?&rdquo; said she.</p>
+
+<p>&ldquo;With me to New Salem.&rdquo;</p>
+
+<p>&ldquo;To New Salem?&rdquo;</p>
+
+<p>&ldquo;Yes, to New Salem&mdash;to see Burr.&rdquo;</p>
+
+<p>&ldquo;But I am ill, and the doctor has bid me stay in bed. I have
+been ill ever since the ball with a headache and fever.&rdquo;</p>
+
+<p>&ldquo;You talk about headache and fever when Burr is there in
+prison! I tell you if my two feet were cut off I would walk to him on
+the stumps to set him free!&rdquo;</p>
+
+<p>&ldquo;How can I go?&rdquo; said Dorothy. Her blue eyes kindled a
+little under Madelon's fiery zeal.</p>
+
+<p>&ldquo;We will take your father's horse and sleigh.&rdquo;</p>
+
+<p>&ldquo;But the horse is gone lame, and has not been used for a
+month.&rdquo;</p>
+
+<p>&ldquo;I will get one from Dexter Beers at the tavern,&rdquo; said
+Madelon, promptly. &ldquo;I will lead him over here and harness him
+into the sleigh.&rdquo;</p>
+
+<p>&ldquo;My father will not let me go,&rdquo; said Dorothy.</p>
+
+<p>&ldquo;He is a minister of the gospel&mdash;he will let his
+daughter go to save a life.&rdquo;</p>
+
+<p>&ldquo;I tell you he will not,&rdquo; said Dorothy. &ldquo;I know
+my father better than you. He will not let me go out when I am ill.
+It is freezing cold, too. If I go I must go without his knowledge and
+consent.&rdquo;</p>
+
+<p>&ldquo;I am going without my father's,&rdquo; said Madelon,
+shortly, &ldquo;and I go at a greater cost than that, too.&rdquo;</p>
+
+<p>&ldquo;It's the second time I have deceived and disobeyed my
+father in a week's time,&rdquo; Dorothy said.</p>
+
+<p>&ldquo;You talk about your father when it is
+Burr&mdash;Burr&mdash;that's at stake!&rdquo; Madelon cried out.
+&ldquo;What is your father to Burr if you love him? That ought to go
+before anything else. It says so in your Bible&mdash;it says so in
+your Bible, Dorothy Fair!&rdquo;</p>
+
+<p>Dorothy, with her innocent, frightened eyes fixed upon the other
+girl's passionate face, as if she were being led by her into unknown
+paths, put back the coverlet and thrust one little white foot out of
+bed. Then swiftly the black woman, who had entered the room, backed
+against the door as stiffly as a sentinel, darted forward, and would
+have thrust her mistress into bed again, making uncouth protests the
+while, had not Dorothy motioned her away with a gentle dignity, which
+was hers for use when she chose.</p>
+
+<p>&ldquo;Go down-stairs, if you please,&rdquo; said she, &ldquo;and
+see if my father is in his study. If he is in there, and busy over
+his sermon, go to the barn, and drag out the sleigh for
+us.&rdquo;</p>
+
+<p>Dorothy, white and fair as an angel, in her straight linen
+nightgown, stood out on the floor, in front of her great black
+guardian, who made again as though she would seize her and force her
+back, and pleaded with her in a thick drone, like an anxious bee, not
+to go.</p>
+
+<p>&ldquo;Do as I bid you!&rdquo; said Dorothy, and glided past her
+to her dimity dressing-table, and began combing out her yellow
+hair.</p>
+
+<p>The black woman went out, muttering.</p>
+
+<p>&ldquo;If my father is in his study on the north side of the
+house, and busy over his sermon, we can get away; otherwise we
+cannot,&rdquo; said Dorothy, combing the thick tress over her
+shoulder.</p>
+
+<p>Madelon went to a south window of the room and looked out. She
+could see the barn, and across the road, farther down, the tavern.
+She watched while Dorothy bound up her hair, and soon she saw the
+black woman run, with a low crouch of her great body like a stealthy
+animal, across the yard.</p>
+
+<p>&ldquo;Your father is in his study,&rdquo; Madelon said, quickly.
+&ldquo;I will go over to the tavern for a horse if yours is too
+lame.&rdquo;</p>
+
+<p>&ldquo;He can scarce stand,&rdquo; said Dorothy. Her soft voice
+trembled; she trembled all over&mdash;then was still with nervous
+rigors. Bright pink spots were on her cheeks. A certain girlish
+daring was there in this gentle maiden for youthful love and
+pleasure, else she had not stolen away that night to the ball, but
+very little for tragic enterprise. And, moreover, her fine sense of
+decorum and womanly pride had always served her mainly in the place
+of courage, which she lacked.</p>
+
+<p>Sorely afraid was Dorothy Fair, if the truth were told, to go with
+this passionate girl, who had declared to her face she had done
+murder, to visit a man who she still half believed, with her helpless
+tenacity of thought, was a murderer also. The love she had hitherto
+felt for him was eclipsed by terror at the new image of him which her
+fearful fancy had conjured up and could not yet dismiss, in spite of
+Madelon's assurances. She was, too, really ill, and her delicate
+nerves were still awry from the shock they had received the night of
+the ball. Parson Fair had been sternly indignant, and his daughter
+had quailed before him, and then had come the news concerning Burr.
+Sage tea, and hot foot-baths, and the doctor's nostrums had not cured
+her yet. Her very spirit trembled and fluttered at this undertaking;
+but she could not withstand this fierce and ardent girl who upbraided
+her with the cowardice and distrust of her love. Instinctively she
+tried to raise her sentiment to the standard of the other's and
+believe in Burr.</p>
+
+<p>Madelon paused a second as she went out, and gave a strange,
+scrutinizing glance at her.</p>
+
+<p>&ldquo;Why do you not wear your blue-silk quilted hood with the
+swan's-down trimming?&rdquo; said she. &ldquo;It becomes you, and it
+is warm over your ears.&rdquo;</p>
+
+<p>&ldquo;Yes, I will,&rdquo; said Dorothy, looking at her
+wonderingly.</p>
+
+<p>Madelon went softly out of the house, and ran across and down the
+road to the tavern. Dexter Beers, the landlord, was just going around
+the wide sweep of drive to the stable with a meal-sack over his
+shoulder. No one else was in sight; it was so cold there were no
+loafers about. Madelon ran after him, and overtook him before he
+reached the stable door.</p>
+
+<p>&ldquo;Can you let me take a horse?&rdquo; said she, abruptly.</p>
+
+<p>Dexter Beers looked slowly around at her with a quick roll of a
+black eye in a massive face. He had an enormous bulk, which he moved
+about with painful sidewise motions. His voice was husky.</p>
+
+<p>&ldquo;What d'ye want a horse for?&rdquo; said he.</p>
+
+<p>&ldquo;I want it to put in Parson Fair's sleigh.&rdquo;</p>
+
+<p>&ldquo;What for?&rdquo;</p>
+
+<p>&ldquo;To take Dorothy to ride.&rdquo;</p>
+
+<p>&ldquo;Parson's horse lame yet?&rdquo;</p>
+
+<p>Madelon nodded.</p>
+
+<p>&ldquo;Where's yours?&rdquo;</p>
+
+<p>&ldquo;I can't have him.&rdquo;</p>
+
+<p>Dexter Beers still moved on with curious lateral twirls of his
+shoulders and heaves of his great chest, with its row of shining
+waistcoat buttons.</p>
+
+<p>&ldquo;Pooty cold day for a sleigh-ride,&rdquo; he observed, with
+a great steam of breath.</p>
+
+<p>&ldquo;I'll pay you well for the horse,&rdquo; said Madelon, in a
+hard voice. She followed him into the stable. He heaved the meal-sack
+from his shoulder to the floor with a grunt. Another man came forward
+with a peck measure in his hand. He was young, with a frosty yellow
+mustache. He had gone to school with Madelon and knew her well, but
+he looked at her with uncouth shyness without speaking. Then he began
+unfastening the mouth of the sack.</p>
+
+<p>Madelon stepped forward impatiently towards the horse-stalls.
+There were the relay of coach-horses, great grays and bays, champing
+their feed, getting ready for their sure-footed rushes over the
+mountain roads when the coaches came in. She passed them by with
+sharp glances.</p>
+
+<p>A man whose face was purplish red with cold was out in the rear of
+the stable, rubbing down a restive bay with loud &ldquo;whoas,&rdquo;
+and now and then a stronger word and a hard twitch at the halter. He
+looked curiously at Madelon as she walked up to one of the
+stalls.</p>
+
+<p>&ldquo;Better look out for them heels!&rdquo; he called out, as
+she drew nearer. She paid no heed, but went straight into the stall,
+untied the horse, and began to back him out. &ldquo;Hi, there!&rdquo;
+the man shouted, and Dexter Beers and the young man came hurrying up.
+&ldquo;Better look out for that gal&mdash;I believe she's gone
+crazy!&rdquo; he called out. &ldquo;I can't leave this darned
+beast&mdash;she'll get kicked to death if she don't look out. That
+old white won't stan' a woman in the stall. Whoa, there! whoa, darn
+ye! Stan' still!&rdquo;</p>
+
+<p>&ldquo;Hullo, what ye doin' of?&rdquo; demanded Dexter Beers,
+coming up.</p>
+
+<p>Madelon calmly backed the horse out of his stall. &ldquo;I want to
+hire this horse,&rdquo; said she, holding his halter with a firm
+hand.</p>
+
+<p>&ldquo;That horse?&rdquo;</p>
+
+<p>&ldquo;Yes. I'll pay you whatever you ask.&rdquo;</p>
+
+<p>Dexter Beers stared at her and the horse dubiously. &ldquo;Jest as
+soon set a woman to drivin' the devil as that old white,&rdquo;
+volunteered the man who was cleaning the bay. The young man stood
+gaping with wonder.</p>
+
+<p>&ldquo;Can I have this horse or not?&rdquo; demanded Madelon. Her
+black eyes flashed imperiously at Dexter Beers. Her small brown hand
+held the halter of the old white with a grasp like steel.</p>
+
+<p>&ldquo;Dunno 'bout your drivin' that horse,&rdquo; said Dexter
+Beers. &ldquo;'Fraid you'll get run away with. Better take
+another.&rdquo;</p>
+
+<p>&ldquo;Isn't this horse the fastest you've got on a short
+stretch?&rdquo;</p>
+
+<p>&ldquo;S'pose he is, but I dunno 'bout a woman's drivin' of
+him.&rdquo;</p>
+
+<p>Madelon looked as if she were half minded to spring upon the back
+of the old white and settle the matter summarily. She fairly quivered
+with impatience.</p>
+
+<p>&ldquo;A woman who can drive David Hautville's roan can drive this
+horse, and you know it,&rdquo; said she. She moved forward as she
+spoke, leading the high-stepping old white, and Dexter Beers stood
+aside.</p>
+
+<p>&ldquo;Well, David Hautville's roan is nigh a match for this
+one,&rdquo; he grunted, hesitatingly, &ldquo;but then ye know your
+own better. Hadn't ye better&mdash;&rdquo;</p>
+
+<p>But the old white was out of the stable at a trot, with Madelon
+running alongside.</p>
+
+<p>&ldquo;Don't ye want a man to hitch him up?&rdquo; Dexter Beers
+called after her; but she was out of hearing.</p>
+
+<p>&ldquo;If the gal's ekal to drivin' that horse, she's ekal to
+hitchin' of him up,&rdquo; said the man who was cleaning the bay.
+&ldquo;If a gal wants to drive, let her hitch. Ye'd better let a
+woman go the whole figger when she gits started, just as ye'd better
+give an ugly cuss of a horse his head up hill an' down. It takes the
+mischief out of 'em quicker'n anything. Let her go it,
+Dexter&mdash;don't ye fret.&rdquo;</p>
+
+<p>&ldquo;I don't want her breakin' any of the parson's daughter's
+bones with none of my horses,&rdquo; said Dexter Beers, uneasily.
+&ldquo;Wonder where the parson is?&rdquo;</p>
+
+<p>&ldquo;Let 'em go it! They won't git smashed up, I guess,&rdquo;
+said the other. &ldquo;I've seen that gal of Hautville's with that
+mare of his'n. She kin drive most anythin' short of the devil, an'
+old white's got sense enough to know when he's well driv, ugly's he
+is. He wa'n't on the track for nothin'. He ain't no wuss, if he's as
+bad, as that roan mare. Let 'em <em>go</em> it!&rdquo;</p>
+
+<p>&ldquo;Wonder what's to pay?&rdquo; said the young man, who had
+not spoken before.</p>
+
+<p>&ldquo;Dunno,&rdquo; said Dexter Beers. &ldquo;Somethin's to
+pay&mdash;that girl acted queer.&rdquo;</p>
+
+<p>&ldquo;S'pose she takes it hard 'bout Burr Gordon. He used to fool
+'round her, I've heerd, afore he went courtin' the parson's
+gal.&rdquo;</p>
+
+<p>&ldquo;Dunno&mdash;queer she's so thick with the parson's gal all
+of a sudden.&rdquo;</p>
+
+<p>&ldquo;Lord, I wouldn't tech a gal that could git the upperhand of
+a horse like that roan mare with a ten-foot pole,&rdquo; half
+soliloquized the man at work over the bay. &ldquo;Wouldn't have her
+if she owned half the township, an' went down on her knees to
+me&mdash;darned if I would. Don't want no woman that kin make
+horse-flesh like that knuckle under. Guess a man wouldn't have much
+show; hev to take his porridge 'bout the way she wanted to make it.
+Whoa, there! stan' still, can't ye? Darned if I want nothin' to do
+with sech woman folks or sech horses as ye be.&rdquo;</p>
+
+<p>Dexter Beers moved laboriously out to the stable door and peered
+after Madelon, but she had disappeared in Parson Fair's yard. The
+white horse had gone up the road at a brisk trot, but she had easily
+kept pace with him. She also harnessed him into the sleigh with no
+difficulty. The animal seemed docile, and as if he were to belie his
+hard reputation. There was, however, a proud and nervous cant to his
+old white head, and he set his jaw stiffly against his bit.</p>
+
+<p>Dorothy came out in her quilted silk pelisse and her blue hood
+edged with swan's-down, and got into the sleigh. The black woman was
+keeping watch at the parson's study door the while, but he never
+swerved from his hard application of the doctrines. The sleigh
+slipped noiselessly out of the yard and up the road, for Madelon had
+not put on the bells. The old white went rather stiffly and steadily
+for the first quarter-mile; then he made a leap forward with a great
+lift of his lean white flanks, and they flew.</p>
+
+<p>Dorothy gave a terrified gasp. &ldquo;Don't be frightened,&rdquo;
+Madelon said. &ldquo;It's the horse that used to beat everything in
+the county. He's old now, but when he gets warmed up he's the fastest
+horse around for a short stretch. He can't hold out long, but while
+he does he goes; and I want to get a good start. I want to strike the
+New Salem road as soon as I can.&rdquo;</p>
+
+<p>Madelon had a growing fear lest Eugene might have freed himself,
+and might ride the roan across by a shorter cut, and so intercept her
+at the turn into the New Salem road. He might easily suspect her of
+attempting to see Burr again. If she passed the turn first she could
+probably escape him if her horse held out; and, indeed, he might not
+think she had gone that way if he did not see her.</p>
+
+<p>Dorothy held fast to the side of the sleigh, which seemed to rise
+from the track as they sped on. &ldquo;Don't be frightened,&rdquo;
+Madelon said again. &ldquo;This is the only horse in town that can
+beat my father's on a short stretch, and I don't know that he can
+always, but I don't think he has been used, and father's was ridden
+hard yesterday. I can manage this one in harness better than I can
+father's. Don't be frightened.&rdquo; But Dorothy's face grew pale
+as the swan's-down around it, and her great blue eyes were fixed
+fearfully upon the bounding heels and flanks of the old white
+race-horse.</p>
+
+<p>Madelon strained her eyes ahead as they neared the turn of the New
+Salem road. There was nobody in sight. Then she glanced across the
+fields at the right. Suddenly she swung out the reins over the back
+of the old white, and hallooed, and stood up in the sleigh.</p>
+
+<p>Dorothy screamed faintly. &ldquo;Sit still and hold on!&rdquo;
+Madelon shouted. Dorothy shut her eyes. It seemed to her she was
+being hurled through space. Her slender body swung to and fro against
+the sleigh as she clung frantically to it.</p>
+
+<p>Eugene Hautville, on the roan, was coming at a mad run across the
+open field on the right towards the turn of the road. It seemed for a
+second as if Madelon would reach it before he did; but they met
+there, and the roan reared to a stop in the narrow road directly in
+front of the old white, who plunged furiously.</p>
+
+<p>&ldquo;Look out there!&rdquo; shouted Eugene, as the sleigh tilted
+on the snow-crust. The old white's temper was up at this sudden
+check, but the woman behind him had a stronger will than he. She
+brought him to a straining halt, and then she spoke to her
+brother.</p>
+
+<p>&ldquo;You let us pass!&rdquo; she said, sternly.</p>
+
+<p>&ldquo;Where are you going?&rdquo; he demanded. He looked uneasily
+at Dorothy as he spoke. It was easy enough to see that she was a
+restraint upon him, and that fair, timid face in its blue hood held
+his indignation well in check.</p>
+
+<p>&ldquo;We are going to New Salem,&rdquo; replied Madelon.
+&ldquo;Let us pass.&rdquo;</p>
+
+<p>&ldquo;I want to know what you are going for,&rdquo; said Eugene;
+and he tried to speak with fire, but he still looked furtively at
+Dorothy.</p>
+
+<p>Nobody had ever suspected how that lovely face of hers had been in
+his dreams, unless it had been for a time Dorothy herself. Nobody had
+noticed in meeting, of a Sabbath day long since, when Dorothy had
+first returned from her Boston school, sundry glances which had
+passed between a pair of soft blue eyes in the parson's pew and a
+pair of fiery black ones in the singing-seats.</p>
+
+<p>Dorothy, half guiltily in those days, had arranged her curls and
+tied on her Sunday bonnets with a view to Eugene Hautville's eyes;
+and always, when she returned from meeting, had gone straight to her
+looking-glass, to be sure that she had looked fair in them. But
+nobody had ever known, and scarcely she herself.</p>
+
+<p>She had come to think later that she had perhaps been mistaken,
+for never had Eugene made other advances to her than by those ardent
+glances; and Burr had come, and she had turned to him, and thought of
+Eugene Hautville only when he crossed her way, and then with a
+mixture of pique and shame. Never by any chance did her eyes meet his
+nowadays of a Sabbath day, and she listened coldly to his sweet tenor
+in the hymns. Now, suddenly, she looked straight up in his face and
+met his eyes, and a pink flush came into her white cheeks.</p>
+
+<p>&ldquo;Please to let us pass,&rdquo; she said, in her gentle tone,
+which had yet a tincture of command in it. Any woman as fair as she,
+who has a right understanding of her looking-glass, has, however soft
+she may be, the instincts of a queen within her. She felt a proud
+resentment for her own old folly and for Eugene's old slighting of
+her, and indignation at his present attitude as she looked up at him
+with sudden daring.</p>
+
+<p>Eugene threw back his head haughtily. &ldquo;She wants to see Burr
+Gordon,&rdquo; he thought, and would have died rather than let her
+think he would stand in the way of it. He jerked the roan aside, and
+seemed as if he would have been flung into the way-side bushes with
+her curving plunge.</p>
+
+<p>&ldquo;Pass, if you wish,&rdquo; he said, with a graceful bend in
+his saddle, and was past them, riding the other way towards the
+village.</p>
+
+<h4 align="center">Chapter IX</h4>
+
+<p>When they reached the county buildings, the court-house and the
+jail, in New Salem, the old race-horse was still not nearly spent,
+although he breathed somewhat hard. When Madelon sprang out to
+blanket and tie him he seemed to vibrate to her touch like electric
+steel, and showed that the old fire had not yet died out of his
+nerves and muscles.</p>
+
+<p>Poor Dorothy Fair's knees were weak under her as she got out of
+the sleigh. Her pretty face was pitiful, her sweet mouth drooping at
+the corners like a troubled child's.</p>
+
+<p>Madelon looked at her sharply when they stood before the jail door
+waiting for admittance. &ldquo;I have seen you wear a curl each side
+of your face outside your hood,&rdquo; said she.</p>
+
+<p>&ldquo;I didn't think of it to-day,&rdquo; Dorothy replied, with
+forlorn surprise.</p>
+
+<p>Madelon went close to the other girl peremptorily, as if she had
+been her mother, pulled forward two soft curls from under her hood,
+and arranged them becomingly against the pale cheeks; and Dorothy
+submitted.</p>
+
+<p>Alvin Mead opened the jail door, and his great face took on a
+forbidding scowl when he saw Madelon Hautville.</p>
+
+<p>&ldquo;Can't let ye in,&rdquo; he said, gruffly. &ldquo;Ain't a
+visitin' day.&rdquo; He would have shut the door in their faces had
+not Madelon made a quick spring against it.</p>
+
+<p>&ldquo;I don't want to come in!&rdquo; she cried. &ldquo;I don't
+want to see him to-day. It's this lady who wants to see
+him.&rdquo;</p>
+
+<p>&ldquo;Can't see nobody,&rdquo; said Alvin Mead, filling up the
+door like a surly living wedge.</p>
+
+<p>&ldquo;You must let us see him,&rdquo; persisted Madelon.
+&ldquo;She's Parson Fair's daughter. She is going to marry Burr
+Gordon&mdash;she must see him.&rdquo;</p>
+
+<p>Alvin Mead shook his head stubbornly. Then Dorothy spoke,
+thrusting her fair face forward, and looking up at him with
+terrified, innocent pleading, like a child, and yet speaking with a
+gentle lady's authority. &ldquo;I beg you to let me come in, only for
+a few moments,&rdquo; said she. &ldquo;I will not make you any
+trouble. I will come out directly when you bid me to.&rdquo;</p>
+
+<p>Alvin Mead looked at her a second, then at Madelon with rough
+inquiry. &ldquo;Who did ye say she was?&rdquo; he growled.</p>
+
+<p>&ldquo;Parson Fair's daughter, the lady that's going to marry Burr
+Gordon.&rdquo;</p>
+
+<p>&ldquo;I can't let but one of ye see him, and she can't stay
+more'n ten minutes,&rdquo; said Alvin Mead, and moved aside, and
+Madelon and Dorothy entered.</p>
+
+<p>They followed Alvin Mead down the icy, dark corridor to Burr's
+cell door. He unlocked it, and bade Dorothy enter. He cast a
+forbidding look at Madelon. &ldquo;I will stand here,&rdquo; she said
+with a strange meekness, almost as if her heart were broken; but when
+the jailer prepared to follow Dorothy into Burr's cell she caught him
+by the arm and tried to force him back, and cried out sharply that he
+should let her see him alone. &ldquo;She is the girl he is going to
+marry, I tell you!&rdquo; she said. &ldquo;Let them see each other
+alone. You cannot come between two like that when they are in such
+trouble.&rdquo;</p>
+
+<p>Alvin Mead looked at her a second irresolutely. Then he stepped
+back in the corridor and locked the cell door. &ldquo;That the gal?
+Thought ye was the one,&rdquo; he said, with a half-chuckle, with
+coarse, sharp eyes upon her face.</p>
+
+<p>&ldquo;He is going to marry her,&rdquo; Madelon repeated. She
+stood stiff and straight like a statue, and waited. Once, when Alvin
+made an impatient motion as though to open the door, she restrained
+him with such despairing eagerness that he drew back and looked at
+her wonderingly, and stood in surly silence awhile longer.</p>
+
+<p>&ldquo;She's got to come out now,&rdquo; he said, at last.
+&ldquo;I've got other things to tend to. Can't stay here no longer,
+nohow.&rdquo; He unlocked the door and threw it open with a jerk.
+&ldquo;Time's up!&rdquo; he shouted, and Dorothy came out directly,
+almost as if she were running away. Alvin Mead clapped to the door
+with a great jar and locked it. Madelon, had she tried, could not
+have got a glimpse of Burr; but she did not try. She sprang at
+Dorothy Fair, and took her by the shoulders, and looked into her
+scared face with agonized questioning.</p>
+
+<p>&ldquo;Did&mdash;he confess?&rdquo; she gasped out.
+&ldquo;Did&mdash;he tell you, did he&mdash;tell you, Dorothy
+Fair?&rdquo;</p>
+
+<p>Dorothy shook her head in a mute terror that was almost horror. It
+seemed as if she would sink to the floor under Madelon's heavy hands.
+Alvin Mead stood staring at them.</p>
+
+<p>&ldquo;Didn't he&mdash;tell you&mdash;I was the one
+who&mdash;stabbed Lot? Didn't he&mdash;tell you?&rdquo;</p>
+
+<p>&ldquo;She's at it again,&rdquo; muttered Alvin Mead.</p>
+
+<p>Dorothy shook her head. &ldquo;He wouldn't speak,&rdquo; she said,
+faintly. &ldquo;He would say nothing about it.&rdquo;</p>
+
+<p>Madelon fairly shook her. &ldquo;Couldn't you make him speak?
+<em>You!</em>&rdquo;</p>
+
+<p>&ldquo;I couldn't, I couldn't, Madelon!&rdquo;</p>
+
+<p>&ldquo;Did you tell him your heart would break if he
+didn't&mdash;that you couldn't marry him if he didn't?&rdquo;</p>
+
+<p>&ldquo;Yes&mdash;don't, don't&mdash;look at me so,
+Madelon.&rdquo;</p>
+
+<p>Alvin Mead stepped forward. &ldquo;Look at here&mdash;you're
+scarin' of that gal to death,&rdquo; he interfered. &ldquo;You'd
+better take your hands off her.&rdquo;</p>
+
+<p>Then Madelon turned to him, and grasped at the keys in his hands,
+as if she would wrest them from him. &ldquo;Unlock the door and let
+me in, and let Burr Gordon out!&rdquo; she demanded, wildly.</p>
+
+<p>The jailer wrested his keys away with a contemptuous jerk, and
+took the skin from Madelon's hands with them. &ldquo;You're
+crazy,&rdquo; he said.</p>
+
+<p>&ldquo;I am not crazy! You've got an innocent man locked up in
+there, and I, who am guilty and tell you so, you will not arrest. It
+is you who are crazy. Let me in!&rdquo;</p>
+
+<p>Alvin Mead laid a rough hand on Madelon's shoulder. &ldquo;Now you
+look at here, gal,&rdquo; said he. &ldquo;I've had about all this
+darned nonsense I'm a-goin' to stan'. That chap is in jail for
+murder, an' in jail he's a-goin' to stay till I git orders from
+somebody besides you to let him out. An' what's more, don't you come
+here on no sich tom-fool arrant agin. If you do you won't git in. I
+ain't no objection to gals he was goin' to marry ef he hadn't broke
+the laws comin' to see him a leetle spell, if they'll go away
+peaceable when they're bid, but as for havin' sech highstericky work
+as this, I'll be darned if I will. Now I can't stan' here foolin' no
+longer; you'd better be gittin' right along home, an' don't you break
+this other gal's neck with that old stepper you've got out
+there.&rdquo;</p>
+
+<p>Madelon Hautville said not another word. She went out of the jail
+quickly, and she and Dorothy were soon in the sleigh and flying down
+the road. The old racer was not so old nor so weary that the impetus
+of the homeward stretch failed to stir him&mdash;for a mile or so, at
+least. After that his pace slackened, and then Madelon turned to the
+other girl, who looked up at her with a kind of piteous defiance.
+&ldquo;What did you say to him?&rdquo; she demanded.</p>
+
+<p>&ldquo;I&mdash;begged him&mdash;if he&mdash;did not kill Lot
+to&mdash;say so,&rdquo; replied Dorothy, faintly; then she shrank and
+quivered before the other girl, who started wrathfully, half as if
+she would fling her from the sleigh.</p>
+
+<p>&ldquo;<em>If</em> he did not kill Lot to say so!&rdquo; repeated
+Madelon. &ldquo;<em>If</em> he did not! You know he did
+not.&rdquo;</p>
+
+<p>&ldquo;He would not tell me so,&rdquo; said Dorothy, with her
+stubbornness of meekness, and her blue eyes met Madelon's, although
+there were tears welling up in them.</p>
+
+<p>&ldquo;Tell you so!&rdquo; cried Madelon. &ldquo;What are you made
+of, Dorothy Fair?&rdquo;</p>
+
+<p>&ldquo;He would not,&rdquo; repeated Dorothy. &ldquo;If he
+<em>was</em> innocent, why should he not have told me if he loved
+me?&rdquo;</p>
+
+<p>Madelon looked at her. &ldquo;You don't love him!&rdquo; she cried
+out, sharply. &ldquo;You don't love him, and that's why. You don't
+love him, Dorothy Fair!&rdquo;</p>
+
+<p>Dorothy flushed red and drew herself up with gentle stiffness.
+&ldquo;You cannot expect me to unveil my heart to you,&rdquo; said
+she.</p>
+
+<p>&ldquo;You have betrayed it,&rdquo; persisted Madelon. &ldquo;You
+don't love him, Dorothy Fair! Shame on you, after all!&rdquo;</p>
+
+<p>&ldquo;What right have you to say that?&rdquo; demanded Dorothy,
+and this time with some show of anger.</p>
+
+<p>&ldquo;The right of another woman who does love him, and would
+save his life,&rdquo; Madelon answered, fiercely. &ldquo;The right of
+a woman who can love more in an hour than such as you in a
+lifetime!&rdquo;</p>
+
+<p>&ldquo;You&mdash;don't know&mdash;&rdquo;</p>
+
+<p>&ldquo;I do know. You don't love him or you would not have
+distrusted him. You would have made him tell you the truth. You would
+have flung your arms around him, and you would not have let him go
+until he told you. Did you do that? Answer me: did you do
+that?&rdquo;</p>
+
+<p>A great wave of red crept over Dorothy's face, but she replied,
+with cold dignity: &ldquo;I throw my arms around no man
+unbidden!&rdquo;</p>
+
+<p>&ldquo;Unbidden!&rdquo; repeated Madelon, and scorn seemed to
+sound in her voice like the lash of a whip. She flung out the reins
+over the horse's back, and they slipped along swiftly over the icy
+crust, and not another word did she speak to Dorothy Fair all the way
+home.</p>
+
+<h4 align="center">Chapter X</h4>
+
+<p>When they entered Parson Fair's south yard there was a swift
+disappearance of a dark face from a window, and the door was flung
+open, and the grimly faithful servant-woman came forth and lifted
+Dorothy out of the sleigh, crooning the while in tender and angry
+gutturals. Poor Dorothy Fair shook like a white flower in a wind, for
+beside the rigor of the cold, which seemed to pierce her very soul,
+the chill of fever was still upon her. She chattered helplessly when
+she tried to speak, and there were sobs in her throat. The black
+woman half carried her into the house, and up-stairs to her own
+chamber, where the hearth-fire was blazing bright. She covered her up
+warm in bed, with a hot brick at her feet, and dosed her with warm
+herb drinks, and coddled her, until, after some piteous weeping, she
+fell asleep.</p>
+
+<p>But for Madelon Hautville there was no rest and no sleep. She felt
+not the cold, and if she had fever in her veins the fierce disregard
+of her straining spirit was beyond it. No knowledge of her body at
+all had Madelon Hautville, no knowledge of anything on earth except
+her one aim&mdash;to save her lover's life. She was nothing but a
+purpose concentrated upon one end; there was in her that great
+impetus of the human will which is above all the swift forces of the
+world when once it is aroused.</p>
+
+<p>She unharnessed the horse quickly from the parson's sleigh, and
+led him, restive again at the near prospect of his stall and feed,
+back to the tavern stable, paid for him, and struck out on the
+homeward road, straight and swift as one of her Indian ancestors. A
+group of men in the stable door stood aside with curious alacrity to
+let her pass; they stared after her, then at each other.</p>
+
+<p>&ldquo;I swan!&rdquo; said one.</p>
+
+<p>&ldquo;Wouldn't like to be in the way when that gal was headed
+anywheres,&rdquo; said another.</p>
+
+<p>&ldquo;If that gal belonged to me I'd get her some stronger
+bits,&rdquo; said the man who had been cleaning the bay horse when
+Madelon came for the white.</p>
+
+<p>&ldquo;I believe she's lost her mind,&rdquo; said the
+tavern-keeper. &ldquo;It's the last time I'll ever let her have a
+horse, and I told her so.&rdquo; There came a blast of northwest
+wind which buffeted them about their faces and chests like an icy
+flail, and they scattered before it, some to their duties in the
+stable, some into the warm tavern for a mug of something hot to do
+away with the chill. It was too cold a day to gossip in a doorway. It
+was not long past noon, but the cold had seemed to strengthen as the
+sun rode higher. The wind blew from the icy northwest more frequently
+in fiercer gusts. Madelon Hautville sped along before it, her red
+cloak flying out like a flag, and took no thought of it at all. She
+was, while still in the flesh and upon the earth, so intensified in
+spirit that there existed for her consciousness neither heat nor
+cold. She reached the old road, the short-cut, stretched down through
+the stiff white woods to her own home; she hastened along it a little
+way, then she stopped and faced back and stood irresolute. The icy
+wind stiffened her face, but she did not note it. She looked back at
+the road with its blue snow-furrows stretching between the desolate
+woods, at the spires and roofs of the village beyond. If one followed
+that road to the village and took the first one upon the right, and
+travelled ten miles, one would come to the town of Kingston.</p>
+
+<p>Madelon began moving along on the road to the village, vaguely at
+first, as if half in a dream, then with gathering purpose. Back she
+went, in her tracks, straight to the village and the tavern stable,
+and asked of Dexter Beers another horse to drive to Kingston. But he
+refused her, standing before her, blocking the stable door, looking
+aside with a kind of timid doggedness. &ldquo;Can't let ye have
+another horse to-day nohow,&rdquo; said he; &ldquo;too cold to let
+'em out.&rdquo;</p>
+
+<p>&ldquo;I'll pay you well,&rdquo; said Madelon.</p>
+
+<p>&ldquo;Pay ain't no object. Can't let none of 'em out but the
+stage-horses in no sech weather as this.&rdquo; Still Dexter Beers
+did not look at Madelon's stern and angry eyes; he gazed intently at
+a post in an icy slant of snow in the yard on the left.</p>
+
+<p>He had the usual masculine dread of an angry woman, and, moreover,
+he had a sharp-tongued wife, but he had also the masculine tenacity
+of a position. He stared at the post as if his spirit held fast to
+it, and braced itself against the torrent of feminine wrath which he
+expected; but it did not come. Madelon Hautville set her mouth hard,
+wrapped her red cloak around her with a firm gesture, as if she were
+a soldier about to start on a long march, and walked out of the yard
+and up the road without another word.</p>
+
+<p>&ldquo;I swan!&rdquo; said Dexter Beers.</p>
+
+<p>The red-faced hostler approached with a pail in each hand bound
+for the well; he was watering the coach-horses for the next relay.
+&ldquo;What's up?&rdquo; he inquired, pushing past him.</p>
+
+<p>&ldquo;I'll be darned if I don't believe that gal of Hautville's
+has started to walk to Kingston, 'cause I wouldn't let her have
+another horse!&rdquo;</p>
+
+<p>&ldquo;Let her go it,&rdquo; droned the red-faced man, with a
+short chuckle.</p>
+
+<p>&ldquo;Hope she won't freeze her feet nor nothin',&rdquo; said
+Dexter Beers, uneasily.</p>
+
+<p>&ldquo;Let her <em>go</em> it!&rdquo; said the red-faced man,
+swinging across the yard with his pails.</p>
+
+<p>Madelon Hautville walked on steadily. She reached the right-hand
+turn, and then she was on the direct Kingston road, with a ten-mile
+stretch before her. It was past one o'clock, and she could not reach
+her journey's end much before dark.</p>
+
+<p>About two miles after the turn of the road the more thickly set
+habitations ceased, and there were only isolated farm-houses, with
+long, sloping reaches of woods and pasture-lands between. The
+pasture-lands were hummocked with ice-coated rocks and hooped with
+frozen vines; they seemed to flow down in glittering waves, like
+glaciers, over the hill-sides. The woods stood white and petrified,
+as woods might have done in a glacial era. There was no sound in them
+except now and then the crack of a bough under the weight of ice, and
+slow, painful responses, like the twangs of rusty harp-strings, to
+the harder gusts of wind. The cold was so intense that the ice did
+not melt in the noonday sun, and there were no soft droppings and
+gurglings to modify this rigor of white light and sound. Occasionally
+a rabbit crossed Madelon's path, silent as a little gray scudding
+shadow, and so swiftly that he did not reach one's consciousness
+until he was out of sight. There was seldom a winter bird, even, in
+sight. The ice on the trees and the pastures had locked and sealed
+their larders. Their little beaks could not pierce it for seeds and
+grubs, and so they were forced to repair to kitchen doors and
+barnyards in quest of stray crumbs from the provender of men and
+cattle.</p>
+
+<p>The rabbits, and an ox-team drawing a sled laden with cedar logs,
+slipping with shrill, long squeaks over the white road, driven by a
+man with a red face in an ambush of frozen beard, were all the living
+things she met for the first four miles. The man clambered stiffly
+down from his sled just before he met her, and began walking,
+stamping, rubbing his ears, and swinging his arms violently the
+while. He stared hard at Madelon, and gave a sort of grunt as he
+passed. It was an instinctive note of comradeship with another in a
+situation hard for their common humanity. The man, toiling painfully
+along that hard road, on that bitter day, with hands and feet half
+frost-bitten, and face smarting as if with fire, his aching lungs
+straining with the icy air, felt that he and the woman struggling
+over the same road had common cause for wrath against this stress of
+nature, and so made that half-surly, half-sympathetic grunt as he
+passed her. But she did not respond. She did not even glance at him
+as she went along. Her face glowed all over, red as a rose with the
+freezing wind; she wrapped her cloak instinctively tight around her,
+and walked a little stiffly, as if her feet might be somewhat numb;
+but there was in her fixed dark eyes no recognition of anything but
+some end she had in view beyond his ken.</p>
+
+<p>The man stopped and looked seriously after her, and past her down
+the road. &ldquo;Wonder what she's up to!&rdquo; he muttered. Then he
+struggled on after his oxen, who plodded along with goat's-beards of
+their frozen breath hanging from their jaws.</p>
+
+<p>Two miles farther on there was a sudden loud blast of a horn, and
+following upon it a great jangle of bells and the tramp of hoofs, and
+Madelon knew the Ware and Kingston stage was coming. Presently the
+top of the coach and the leaders' heads appeared above the rise of
+the road, and Madelon stood well aside to meet it, pressing in among
+the crackling icy bushes.</p>
+
+<p>There was another blast of the horn, then a wild rush of
+sure-footed horses down the hill, and the coach was past, going
+towards Ware. Madelon had caught only a glimpse of the frost-white
+driver on the box, a man beside him shrugged up miserably in
+great-coat and comforter, with back rounded and head bent against the
+cold, and some chilled faces in the windows. Some of the passengers
+had come from Wolverton, ten miles past Kingston, and one might
+freeze to death on a long stage journey a day like that. There was,
+perhaps, less danger in a walk, but there was danger in that should
+the cold increase, and it did increase hourly. Madelon's feet grew
+more and more numb. She stamped them from time to time, but more from
+instinct than from any real appreciation of the discomfort they gave
+her. So wrought up was she with zeal that it seemed she might have
+set out to walk through a fiery furnace as soon as through this
+frozen waste, and perhaps have had her flesh consumed to ashes, with
+her soul still intent upon its one purpose. All thought of her own
+self, save as an instrument to save the life of the man she loved,
+was gone out of the girl. Jealousy was purged out of her; all
+resentment for faithlessness, all longing for possession were gone.
+She bore in her heart the greatest love of her life as she sped along
+down the frozen road to Kingston.</p>
+
+<p>The last two miles of the way poor Madelon struggled hard to
+cover. She drew short, gasping breaths, as if she were on a high
+mountain-top. The cold strengthened as the daylight waned. The very
+air seemed frozen and resolved into a cutting diamond-dust of frost.
+Suddenly Madelon awoke to the fear that she could not walk much
+farther. She had eaten nothing since morning; the cold and fatigue
+were consuming her life as the flame consumes the wick of the lamp
+when the oil is lacking.</p>
+
+<p>&ldquo;I must get there!&rdquo; she said to herself. She stamped
+her numb feet desperately. She beat herself pitilessly with her stiff
+hands. She set forth on a run towards Kingston, and quickened her
+blood a little in that way, although she panted and fairly gasped for
+breath.</p>
+
+<p>She drew a sigh of relief when she gained the last rise in the
+road, and the town of Kingston lay before her a mile in the valley.
+It was growing dark and the village lights were coming out when she
+had passed the straggling farms and come into the little centre of
+the town where the stores, the meeting-houses, and the tavern were
+grouped.</p>
+
+<p>The village main street looked almost deserted. There was only one
+sleigh in sight, drawn up in front of the store. The horse was well
+covered with a buffalo-skin and an old bed-quilt in addition, which
+his master's wife had doubtless provided on account of the terrible
+cold.</p>
+
+<p>As Madelon reached the store a man came out with a molasses-jug in
+hand and arms clasping parcels, which he began stowing away under the
+seat of the sleigh. Madelon went up to him. &ldquo;Can you tell me
+where Mr. Otis lives?&rdquo; said she. She could scarcely enunciate.
+Her very tongue seemed stiff with the cold.</p>
+
+<p>The man turned and stared at her with sharp blue eyes under red
+brows frost-white between his cap and twice-wound red tippet.
+&ldquo;Hey?&rdquo; he said, in a muffled voice.</p>
+
+<p>&ldquo;Can you tell me where Mr. Otis lives?&rdquo;</p>
+
+<p>&ldquo;Otis?&rdquo;</p>
+
+<p>&ldquo;Yes, sir.&rdquo;</p>
+
+<p>&ldquo;Which Otis d'ye mean? There's two Otises. D'ye mean Calvin
+Otis or Jim Otis?&rdquo;</p>
+
+<p>&ldquo;He has a son that plays the fiddle,&rdquo; answered
+Madelon, faintly.</p>
+
+<p>&ldquo;Then it's Jim ye mean. He died last year. He had a son Jim
+that plays the fiddle. Lives down the road on the left-hand side,
+five houses below the meeting-house. House with three popple-trees in
+front&mdash;sets close to the road.&rdquo;</p>
+
+<p>Madelon started, but the man's voice arrested her. &ldquo;You look
+most froze,&rdquo; said he. &ldquo;Hadn't ye better go in there an'
+warm up?&rdquo; He pointed towards the store-windows with a rosy
+glow of light and warmth transfusing their thick layers of frost.
+&ldquo;It's pipin' hot in there&mdash;warm ye all through in a
+minute. It's a terrible cold night. Old man in there, lived 'round
+these parts risin' eighty years, says he never knew sech a night.
+Better just step in there.&rdquo;</p>
+
+<p>Madelon shook her head and started on.</p>
+
+<p>&ldquo;Where did ye come from?&rdquo; called the man.</p>
+
+<p>&ldquo;Ware Centre,&rdquo; Madelon gasped out, as the freezing
+wind struck her.</p>
+
+<p>&ldquo;Good Lord! you don't mean to say you've walked risin' ten
+mile from Ware Centre a day like this!&rdquo;</p>
+
+<p>Madelon was gone, bending before the wind, without another
+word.</p>
+
+<p>&ldquo;Good Lord!&rdquo; said the man, &ldquo;a woman walkin' from
+Ware Centre this weather!&rdquo; He stood staring after the girls'
+retreating figure; then he started to unblanket his horse. But he
+stopped and stared again, and finally went into the store to tell the
+news.</p>
+
+<p>Madelon kept on as fast as she was able, but she was nearly spent.
+Her exultation of spirit might indeed survive fleshly exhaustion and
+perhaps in a measure overcome it, but it could not prevent it
+altogether. When she reached the fifth house below the white
+meeting-house, the house set close to the road, with three
+poplar-trees in front, she had just strength enough to stagger to the
+door and raise the knocker. Then she leaned against the door-post,
+and it was only with a fierce effort that she kept her grasp upon her
+consciousness. She did not seem to feel her body at all.</p>
+
+<h4 align="center">Chapter XI</h4>
+
+<p>Presently a bolt was shot and the door pushed open with an effort.
+It was little used, and there was ice against it. Then a man's face
+peered out irresolutely into the dusk. A knock upon the front door,
+upon a night like this, seemed so unlikely that he doubted if he had
+heard rightly.</p>
+
+<p>&ldquo;Anybody here?&rdquo; he said. Then he saw the woman's
+figure propped stiffly against the door-post. &ldquo;Who is
+it?&rdquo; he asked, in a startled voice. &ldquo;Is it you, Mrs.
+Lane?&rdquo;</p>
+
+<p>Madelon aroused herself. &ldquo;I want to see Mr. Otis's son a
+minute if I can,&rdquo; she said, with a great effort. Then she
+raised her piteous eyes to the face before her, and realized dimly
+that it was the face of the young man who had taken her place at the
+ball, and sent her homeward to work all this misery on that dreadful
+night.</p>
+
+<p>&ldquo;I am Mr. Otis's son,&rdquo; returned the young man,
+wonderingly. &ldquo;What&rdquo;&mdash;then he gave a
+cry&mdash;&ldquo;why, it is you!&rdquo;</p>
+
+<p>&ldquo;I want&mdash;to&mdash;see you&mdash;a minute,&rdquo; said
+Madelon, and her voice sounded far away in her own ears.</p>
+
+<p>The young man started. &ldquo;Why, you're half frozen,&rdquo; he
+cried out, &ldquo;and here I am keeping you standing out here! Come
+in.&rdquo;</p>
+
+<p>Madelon shrank back. &ldquo;No,&rdquo; she faltered,
+&ldquo;I&mdash;only want to ask&mdash;&rdquo;</p>
+
+<p>But Jim Otis took her by the arm with gentle force, and she was so
+spent that she could but let him have his way, and lead her into the
+house and the warm living-room, staggering under his supporting
+clasp.</p>
+
+<p>&ldquo;Mother,&rdquo; called Jim Otis&mdash;&ldquo;mother, come
+here, quick!&rdquo; He placed Madelon tenderly on the settle, and
+his mother came hurriedly out of the pantry.</p>
+
+<p>&ldquo;What is it?&rdquo; she asked. &ldquo;What is the matter,
+Jim? Who was it knocked? Why, who's that?&rdquo;</p>
+
+<p>Madelon leaned back helplessly in the corner of the settle, her
+head hanging half unconsciously. The young man stooped over her and
+unfastened her cloak and hood. &ldquo;Come here, quick,
+mother!&rdquo; he cried, and his voice was as sweet with pity as a
+woman's. &ldquo;This poor girl is half dead with the cold.&rdquo;</p>
+
+<p>Mrs. Otis, large and fair-faced, with her soft, massive curves
+swathed in purple thibet, stared for a second in speechless wonder.
+&ldquo;Who is it? How did she get here?&rdquo; she whispered.</p>
+
+<p>&ldquo;Hush&mdash;I don't know. She's from Ware Centre. Her name's
+Hautville.&rdquo;</p>
+
+<p>&ldquo;Seems to me I've heard of her. What has she come here for,
+Jim?&rdquo;</p>
+
+<p>&ldquo;Hush&mdash;I don't know. She'll hear you. Go and get
+something hot for her to drink. I saw her at the ball the other
+night. Go quick, mother.&rdquo;</p>
+
+<p>&ldquo;I'll get her some brandy cordial,&rdquo; said Mrs. Otis,
+with sudden alacrity. She needed time always to get her mental
+bearing thoroughly in any emergency, but action was prompt
+afterwards. She made a quick motion towards the cupboard, but Madelon
+aroused herself suddenly. Her senses had lapsed for a few minutes
+upon coming into the warm room. &ldquo;Where am I?&rdquo; she asked,
+in a bewildered way.</p>
+
+<p>&ldquo;In our house,&rdquo; replied Mrs. Otis, promptly.
+&ldquo;Jim just brought you in, and it's lucky you come just as you
+did, for I don't know but you'd froze to death if you'd been out much
+longer. Now, I'll get you some of my brandy cordial, and that'll warm
+you right up. Did you come way over from Ware Centre this dreadful
+night?&rdquo;</p>
+
+<p>&ldquo;Yes, ma'am,&rdquo; replied Madelon, with the dazed look
+still in her eyes. Mrs. Otis looked back on her way to the
+cupboard.</p>
+
+<p>&ldquo;Rode way over from Ware Centre in an open sleigh?&rdquo;
+she said.</p>
+
+<p>&ldquo;No, ma'am; I walked.&rdquo;</p>
+
+<p>Mrs. Otis stopped and looked at Madelon with a gasp, then at her
+son. &ldquo;She's out of her head, I'm afraid,&rdquo; said she.</p>
+
+<p>&ldquo;You didn't really walk over from Ware Centre?&rdquo;
+questioned Jim.</p>
+
+<p>&ldquo;Yes, I did,&rdquo; replied Madelon. She stood up with
+sudden decision. &ldquo;I want to see you a minute,&rdquo; she said
+to Jim. Then she turned to Mrs. Otis. &ldquo;I don't need anything to
+take,&rdquo; said she. &ldquo;I was only a little dizzy for a minute
+when I came into this warm room. I feel better now. I only want to
+ask your son a question, then I must go home&mdash;&rdquo;</p>
+
+<p>Before Mrs. Otis could speak she asked the question with no
+preface.</p>
+
+<p>&ldquo;Didn't you see him give me the knife?&rdquo; she cried out,
+with fiercely imploring eyes upon Jim Otis's face.</p>
+
+<p>The young man turned deadly white. He looked at her and did not
+answer.</p>
+
+<p>&ldquo;Didn't you?&rdquo; she repeated.</p>
+
+<p>&ldquo;What knife?&rdquo; asked Jim Otis, slowly.</p>
+
+<p>&ldquo;You know what knife! The knife that my brother handed me
+when I started home from the ball&mdash;the knife that I stabbed Lot
+Gordon with. Tell me that you saw it, that you saw me take it, here
+before your mother, and then you must go to New Salem and testify,
+and set Burr Gordon free! He is in prison for murder, and I am
+guilty, and they will not believe it. You must tell them, and they
+will. You saw my brother give me that knife.&rdquo;</p>
+
+<p>Still Jim Otis, with his white face, stood looking at her, and
+answered not a word. His mother, continually opening her mouth to
+speak, then shutting it, looked first at one, then at the other, with
+round, dilated eyes, turning her head and quivering all over her soft
+bulk, like some great agitated and softly feathered bird.</p>
+
+<p>&ldquo;Why don't you speak?&rdquo; demanded Madelon.</p>
+
+<p>&ldquo;What is it you want me to say?&rdquo; said Jim Otis, then,
+hesitatingly.</p>
+
+<p>&ldquo;Say? Say that you saw my brother Richard give me the knife
+that I did the deed with.&rdquo;</p>
+
+<p>Jim Otis stood silent, with his pale, handsome face bent doggedly
+towards the floor.</p>
+
+<p>&ldquo;Say so! You saw it!&rdquo;</p>
+
+<p>Still Jim Otis did not speak, and Madelon pressed close to him,
+and thrust her agonized face before his. &ldquo;Have mercy upon me
+and speak!&rdquo; she groaned.</p>
+
+<p>&ldquo;Jim, what does she mean?&rdquo; asked his mother, in a
+frightened whisper. &ldquo;Is she out of her head?&rdquo;</p>
+
+<p>&ldquo;No; hush, mother,&rdquo; replied Jim. Then he turned to the
+girl. &ldquo;No,&rdquo; he said, with stern, defiant eyes upon her
+face, &ldquo;I did not see your brother give you the
+knife.&rdquo;</p>
+
+<p>&ldquo;You did! I know you did!&rdquo;</p>
+
+<p>&ldquo;I <em>did not!</em>&rdquo;</p>
+
+<p>&ldquo;You did see him! You were looking at us when I went
+out!&rdquo;</p>
+
+<p>&ldquo;I was tightening a string in the fiddle when you went
+out,&rdquo; said Jim Otis.</p>
+
+<p>&ldquo;You must have seen.&rdquo;</p>
+
+<p>&ldquo;I tell you I did not.&rdquo;</p>
+
+<p>Madelon looked at him as if she would penetrate his soul, and he
+met her eyes fully.</p>
+
+<p>&ldquo;I did not see your brother give you the knife,&rdquo; he
+replied, with a steady, unflinching look at her; but a long shudder
+went over him as he spoke. The first deliberate lie of his whole life
+was Jim Otis telling, for he had seen Richard Hautville give his
+sister the knife.</p>
+
+<p>Madelon believed his lie at last, and turned away. What with her
+sore exhaustion of body and this last disappointment her heart almost
+failed her. She went back to the settle for her cloak and her hood,
+and tied them on, while the others stood watching her, seemingly in a
+maze. She made for the door, but Jim Otis stopped her.</p>
+
+<p>&ldquo;You cannot go back to Ware Centre to-night,&rdquo; he
+said.</p>
+
+<p>Madelon looked at him with proud determination, although she could
+scarce stand. &ldquo;I must go,&rdquo; said she, and would have
+pressed past him, but he took hold of her arm.</p>
+
+<p>&ldquo;Mother,&rdquo; he said, &ldquo;tell her she cannot go.
+There has been no such night as this for forty years, and it is dark
+now. To-morrow morning I will carry her home; but to-night, as she
+is, it is out of the question. Tell her so, mother.&rdquo;</p>
+
+<p>Mrs. Otis gathered herself together then, and came forward and
+laid hold of Madelon's arm, and strove to pull her back towards the
+settle. &ldquo;Come,&rdquo; said she, as if Madelon were a
+child&mdash;&ldquo;come, that's a good girl. You stay with us till
+morning, and then my son shall hitch up and carry you home. I
+shouldn't dare to have him go way over to Ware Centre to-night, cold
+as 'tis. He ain't very tough. You stay here with us to-night, and
+don't worry anything about it. I don't know what you're talkin'
+about, an' I guess you don't&mdash;you are all wore out, poor child;
+but I guess there didn't nobody have any knife, and I guess he'll git
+out of prison pretty soon. You just take off your things, and I'll
+get some pillows out of the bedroom, and you lay down on the settle
+by the fire while I get some supper. The kettle's on now. And then
+I'll heat the warming-pan and get the spare-room bed as warm as
+toast, and mix you up a tumbler of hot brandy cordial, and then you
+drink it all down and get right into bed, and I'll tuck you up, and I
+guess you'll feel better in the morning, and things will look
+different.&rdquo;</p>
+
+<p>&ldquo;Let me go,&rdquo; Madelon said to Jim Otis.</p>
+
+<p>&ldquo;She mustn't go, mother,&rdquo; he said, never looking at
+Madelon at all, although he still held fast to her straining arm.</p>
+
+<p>&ldquo;Well,&rdquo; said Mrs. Otis, &ldquo;You ain't no daughter
+of mine, and if you set out to go I suppose I ain't any right to
+hinder you. But there's one thing maybe you ain't thought of&mdash;I
+can't let my son take you 'way over to Ware Centre a night like this,
+nohow. He's all I've got now, and I can't have anything happen to
+him. He can't go with you, and there ain't any stable here, and there
+ain't a neighbor round here that will hitch up and carry you there
+to-night, and&mdash;I suppose you know, if you've got common-sense,
+that if you set out to walk there, the way you are, you don't stand
+much chance of gettin' there alive.&rdquo;</p>
+
+<p>Madelon stared at her.</p>
+
+<p>&ldquo;I don't really know myself what you and my son have been
+talkin' about,&rdquo; continued Mrs. Otis, &ldquo;but near's I can
+make out you think you've done something wrong, and somebody's in
+prison you want to get out. I suppose you've got sense enough to know
+that if you freeze to death going home to-night you can't do anything
+more to get him out. Then there's another thing&mdash;it's night. You
+can't do much to get him out anyway before morning. I don't believe
+they ever let folks out at night, and my son shall carry you over
+just as soon as it's fit in the morning, and you'll do just as much
+good as if you went to-night.&rdquo;</p>
+
+<p>Still Madelon stood staring at her. Then presently she began
+unfastening her hood and cloak. &ldquo;If you can keep me till
+morning I shall be obliged,&rdquo; she said, with a kind of stern
+gratitude.</p>
+
+<p>&ldquo;Stay just as well as not!&rdquo; cried Mrs. Otis.
+&ldquo;Jim, just take her things and lay 'em in the bedroom. Then you
+have her set right down close to the hearth, and get all warmed
+through, while I get supper.&rdquo;</p>
+
+<p>Handsome young Jim Otis stood by with his brows knit moodily while
+Madelon Hautville removed her wraps, then took them over his arm, and
+conducted her to the warm seat in the hearth-corner which his mother
+designated.</p>
+
+<p>In his heart he judged this girl whom he was defending to be
+guilty, yet was full of intensest admiration, and was sorely torn
+between the two and his own remorse over his false witnessing.
+&ldquo;If I'm called into court and sworn on the Bible, I won't own
+up that I saw her take that knife,&rdquo; he muttered to himself, as
+he laid the red cloak and hood on the high feather-bed in his
+mother's room.</p>
+
+<p>This handsome, stalwart young man, who had hitherto been
+considered full of a gay audacity where womenfolk were concerned,
+able to make almost any pretty girl flutter at his smile, was
+strangely abashed before this beautiful Madelon Hautville, stained,
+in his eyes, with crime. He brought in wood and mended the hearth
+fire; he moved about doing such household tasks as were allotted to
+his masculine hands, and scarcely let his eyes rest once upon the
+girl in the chimney-corner. He dreaded the sight of that beautiful
+face which gave him such a shock of pity and admiration and horror.
+Jim Otis's mind could not compass this new revelation of a woman, but
+he would not betray her even for her own pleading if he went down
+perjured to his grave. So valiant was he in her defence that he
+withstood her against her own self.</p>
+
+<p>Madelon's mother had died when she was a little girl. She could
+not fairly remember that ever in her whole life she had been so
+tended and petted as she was that night by Jim Otis's mother. Kind
+indeed her father and her brothers had always been to her. They had
+watched over her with jealous fondness, and had taken all rougher
+tasks upon themselves, but the devotion of woman, which extends to
+all the minor details of life, she had never known.</p>
+
+<p>She had never had a supper-table set out for her own especial
+pleasure with this and that dish to tempt her appetite, as Mrs. Otis
+set out hers that night. A dish of a fine and sublimated porridge did
+Mrs. Otis make for her&mdash;a porridge mixed with cream and
+sprinkled with nutmeg and fat plums. &ldquo;I thought some hot
+porridge would do you good,&rdquo; said Mrs. Otis, when she sat the
+smoking bowl before Madelon. Then she whispered low, that her son,
+who was putting another stick on the fire before coming to table,
+might not hear, &ldquo;It's the same kind of porridge I had after my
+son was born&mdash;with cream and plums in it. I used to think there
+never was anything so good.&rdquo; This porridge might well have
+possessed a flavor of the sweetest memories of motherhood to the
+older woman, but to the girl, wild with longing to be gone and carry
+out her purpose, manna from heaven would not have yielded its full
+measure of sweetness.</p>
+
+<p>She would scarcely have eaten at all had not Jim Otis's mother
+remarked, as she watched her reluctant sips of the good porridge,
+&ldquo;As I said just now, you ain't any daughter of mine, and I
+ain't any right to dictate, but if you want to get that man, whoever
+he is, out of prison, you'll have to eat enough to get some strength
+to do it.&rdquo;</p>
+
+<p>Simply placid as Mrs. Otis looked, she had often wisdom enough to
+gain her ends by means of that shrewd finesse of government which
+appeals to the reason of others as applied to the furthering of their
+own desires.</p>
+
+<p>Madelon after that swallowed her porridge almost greedily, and
+when supper was over went up-stairs to bed, following Mrs. Otis as
+readily as any meek young daughter of her own might have done. The
+spirit of resistance was laid for the time in this poor Madelon
+Hautville, but it had yielded, after all, more to the will of her own
+reason than to Jim Otis's mother or the weariness of her own
+flesh.</p>
+
+<p>When Mrs. Otis came down-stairs she was flushed with pleasant
+motherly victory. &ldquo;She's drunk all that hot cordial,&rdquo; she
+said to her son, &ldquo;every drop of it, and I've tucked her into
+bed with the extra comfortables over her, an' she eat quite a good
+supper, an' I told her to go right to sleep, and I guess she
+will.&rdquo;</p>
+
+<p>&ldquo;If she don't she'll be down sick,&rdquo; said Jim, sternly.
+He sat by the fire, tuning his fiddle.</p>
+
+<p>&ldquo;She can't hear your fiddle so it'll keep her awake, can
+she?&rdquo; asked Mrs. Otis, anxiously.</p>
+
+<p>&ldquo;Of course she can't, up in the front chamber, with all the
+doors shut. Wouldn't have touched it if she could.&rdquo;</p>
+
+<p>&ldquo;Well, I don't s'pose she can. Jim&mdash;&rdquo;</p>
+
+<p>Jim twanged a string. &ldquo;What is it, mother?&rdquo;</p>
+
+<p>&ldquo;I don't want to have you think I'm interferin', Jim. I know
+you're grown-up now, and I know there's things a young man might not
+want to tell his mother till he gets ready, but I do kind of want to
+know one thing, Jim.&rdquo;</p>
+
+<p>Jim tightened the G string. He bent his face low over his violin.
+&ldquo;I don't know as I've ever kept much back from you,
+mother,&rdquo; he said, soberly.</p>
+
+<p>&ldquo;No, I know you ain't, Jim; you've always told more to your
+mother than most boys. But I didn't just know but this might be
+something you hadn't got ready to speak about.&rdquo;</p>
+
+<p>&ldquo;What is it you want to know, mother?&rdquo;</p>
+
+<p>&ldquo;Jim, is that your <em>girl?</em>&rdquo;</p>
+
+<p>Jim laughed a little, although his eyes were grave; he raise the
+fiddle to his shoulder. &ldquo;Lord, no, mother. I wouldn't get a
+girl without asking you.&rdquo;</p>
+
+<p>&ldquo;I didn't know but you might have seen her over to Ware when
+you've been there to parties, and not said anything.&rdquo;</p>
+
+<p>&ldquo;I never saw her but that once, mother.&rdquo; Jim struck
+up &ldquo;Kinloch of Kinloch,&rdquo; but he played softly, lest by
+any chance Madelon, aloft in her chamber, might hear.</p>
+
+<p>&ldquo;She's handsome as a picture,&rdquo; said his mother.
+&ldquo;Who is it that's in prison, Jim?&rdquo;</p>
+
+<p>&ldquo;A young man by the name of Gordon.&rdquo;</p>
+
+<p>&ldquo;What for?&rdquo;</p>
+
+<p>&ldquo;They think he stabbed his cousin.&rdquo;</p>
+
+<p>&ldquo;My sakes! Do you s'pose he did, Jim?&rdquo;</p>
+
+<p>&ldquo;I don't know, mother. I wasn't there.&rdquo;</p>
+
+<p>&ldquo;I s'pose the young man that did it is this girl's beau, and
+that's why she's so crazy to get him out.&rdquo;</p>
+
+<p>Jim played the merry measure softly, and made no reply.</p>
+
+<p>His mother stood before him quivering with curiosity, which she
+restrained lest it defeat its own ends. She had learned early that
+too impetuous feminine questioning is apt to strike a dead-wall in
+the masculine mind.</p>
+
+<p>&ldquo;I didn't quite understand what she meant about a
+knife,&rdquo; she ventured, with an eager glance at her son. He
+played a little louder, as if he did not hear.</p>
+
+<p>&ldquo;I s'pose she come here, walked all that way from Ware
+Centre, this dreadful night, 'cause she thought you could help to get
+her young man out of prison.&rdquo;</p>
+
+<p>Jim nodded as he fiddled.</p>
+
+<p>&ldquo;But I can't see how your seein' her brother give her a
+knife could do any good. Of course that sweet, pretty girl didn't do
+it herself. But you didn't see her brother give her the knife,
+Jim?&rdquo;</p>
+
+<p>&ldquo;Didn't you hear me say I didn't?&rdquo; replied Jim, with
+sudden force. &ldquo;Don't let's talk any more about it, mother. It's
+a dreadful piece of work, anyway. I don't half know what it means
+myself. That poor girl is 'most crazy because that fellow is in
+prison. That's why she came on this wild-goose chase after me. You
+can't tell anything by what she says.&rdquo;</p>
+
+<p>&ldquo;Wasn't he a nice kind of a fellow before this happened,
+Jim?&rdquo;</p>
+
+<p>&ldquo;No, he was a scamp,&rdquo; said Jim Otis, angrily. He
+struck into the &ldquo;Fisher's Hornpipe&rdquo; with fury, regardless
+of the girl up-stairs.</p>
+
+<p>&ldquo;Land sakes, Jim, don't fiddle quite so loud as
+that&mdash;I'm dreadful afraid she'll hear,&rdquo; said his mother.
+&ldquo;I shouldn't thought a girl that looks as sweet as she does
+would ever have taken up with a scamp.&rdquo;</p>
+
+<p>&ldquo;The sweetest girls are the worst fools,&rdquo; answered
+Jim, bitterly, but he obeyed his mother and played less loudly. The
+shadows of the winter night might have footed it to the soft measures
+of the hornpipe which Jim Otis played on his fiddle. His mother could
+scarcely hear it in the pantry when she went in there to set away the
+supper dishes. She shut the door every time, lest her son should feel
+the icy air from the fireless closet. She had always a belief that
+Jim was delicate, and took a certain pride in it, although she could
+not have told why.</p>
+
+<p>Everything that was in the least likely to freeze to its injury
+had to be removed from the cold pantry and set on the hearth that
+bitter night. It was quite a while before her soft, heavy pattering,
+which jarred the house when she stepped on certain parts of the
+floor, ceased, and she took her knitting-work and sat down in her
+rocking-chair opposite her son.</p>
+
+<p>Jim continued to fiddle, touching the strings as if his fingers
+were muffled with down. The wind whistled more loudly than his
+fiddle; it had increased, and the cold with it. Some of Mrs. Otis's
+crocks froze on the hearth that night. No such cold had been known in
+Vermont for years. The frost on the window-panes thickened&mdash;the
+light of the full moon could not penetrate them; all over the house
+were heard sounds like those on a straining ship at sea. The old
+timbers cracked now and then with a report like a pistol. &ldquo;It's
+a dreadful night,&rdquo; said Mrs. Otis, and as she spoke the
+returning wind struck the house, and she gasped as if it had in truth
+taken her breath away.</p>
+
+<p>A few minutes before nine o'clock Mrs. Otis put away her
+knitting-work and got the great Bible off the desk. &ldquo;Stop
+fiddling now, Jim,&rdquo; she said, solemnly. Mrs. Otis spoke with
+more direct authority in religious matters than in others. She felt
+herself well backed by the spiritual law. Jim finished the tune he
+was playing and lowered his fiddle from his shoulder. His mother
+found the place in the Bible, and the holy words were on her tongue
+when there was a sharp clash of sleigh-bells close under the
+window.</p>
+
+<p>&ldquo;Somebody's drove into the yard!&rdquo; cried Mrs. Otis.
+&ldquo;Who do you s'pose 'tis this time of night?&rdquo;</p>
+
+<p>&ldquo;Hullo!&rdquo; shouted a man's voice, hoarsely, and Jim
+shouted &ldquo;Hullo!&rdquo; in response, and started towards the
+door.</p>
+
+<p>&ldquo;Ask who's there before you open the door,&rdquo; said the
+mother, anxiously. She stood listening a moment after Jim had gone;
+then she caught her shawl from a peg, put it over her head, and
+followed him&mdash;she was so afraid some harm would come to her
+son.</p>
+
+<p>The outer door was open, and before it was drawn up a sleigh and a
+great, high-shouldered, snorting and pawing horse. In the sleigh was
+a man muffled in furs like an Eskimo, leaning out and questioning
+Jim.</p>
+
+<p>&ldquo;When did she come?&rdquo; asked the man.</p>
+
+<p>&ldquo;About five o'clock,&rdquo; answered Jim.</p>
+
+<p>Then Mrs. Otis understood that they were talking about the girl in
+her spare-chamber, and she interposed, standing in the doorway.
+&ldquo;She was just about tuckered out, what with the cold and that
+awful tramp,&rdquo; said she. &ldquo;She most ought to have rode
+over.&rdquo; Mrs. Otis's voice was soft and conciliatory.</p>
+
+<p>&ldquo;We didn't know she was coming,&rdquo; replied the man in
+the sleigh, courteously, &ldquo;or we should not have let her walk so
+far on such a day.&rdquo;</p>
+
+<p>&ldquo;Be you her brother?&rdquo; questioned Mrs. Otis.</p>
+
+<p>&ldquo;Yes. I'm her brother Eugene.&rdquo;</p>
+
+<p>&ldquo;And you drove over to see where she was?&rdquo;</p>
+
+<p>&ldquo;Yes; we've been very anxious.&rdquo;</p>
+
+<p>&ldquo;Well, you can be easy about her for to-night,&rdquo; said
+Mrs. Otis. &ldquo;She's tucked up nice and warm in my spare-chamber
+bed, and I give her a tumbler of my brandy cordial, and I guess she's
+sound asleep.&rdquo;</p>
+
+<p>&ldquo;He wants to take her home to-night, mother,&rdquo; said
+Jim, and there was a curious appeal in his tone.</p>
+
+<p>Mrs. Otis, standing there on the door-step in the freezing
+moonlight, turned quickly upon the man in the sleigh, and all the
+soft conciliation was gone from her voice. &ldquo;You ain't plannin'
+to take that girl way home to Ware Centre to-night?&rdquo; said
+she.</p>
+
+<p>&ldquo;Father sent me for her,&rdquo; replied Eugene
+Hautville.</p>
+
+<p>&ldquo;Well, she ain't goin' a step!&rdquo;</p>
+
+<p>&ldquo;Her father will expect me to bring her,&rdquo; said Eugene,
+with his unfailing courtesy. &ldquo;He has been very anxious. I had
+hard work to find where she was. My father won't be satisfied if I
+come home without her.&rdquo;</p>
+
+<p>&ldquo;That girl ain't going out of this house
+to-night!&rdquo;</p>
+
+<p>&ldquo;I've got a bearskin here to wrap her up in. She is used to
+being out in all weathers,&rdquo; persisted Eugene, gently.</p>
+
+<p>&ldquo;She can't go. Pull her out of a warm bed such a night as
+this! If you try to take that poor child out to-night I'll stand in
+my spare-chamber door, and you'll have to walk over me to do
+it&mdash;and my son won't see his mother hurt, I guess!&rdquo;</p>
+
+<p>Jim Otis stepped closer to the sleigh and spoke to Eugene
+Hautville in a low voice.</p>
+
+<p>&ldquo;Well,&rdquo; said Eugene, slowly, &ldquo;maybe you're
+right, Otis. I don't know what father will say, but if she was as
+used up as you tell for, I don't know as 'tis safe. It is an awful
+night.&rdquo;</p>
+
+<p>&ldquo;I guess it ain't safe, and she ain't going,&rdquo;
+maintained Mrs. Otis from the door-step.</p>
+
+<p>Then Eugene Hautville bent well out of his sleigh and asked a
+question in the other man's ear.</p>
+
+<p>&ldquo;Yes, she did,&rdquo; replied Jim Otis.</p>
+
+<p>&ldquo;The poor girl is crazy over it,&rdquo; said Eugene. He and
+Jim talked for a few moments, but Mrs. Otis, straining her ears on
+the door-step, could not hear.</p>
+
+<p>Suddenly Jim said, quite distinctly, &ldquo;She wanted to know if
+I saw him give her the knife.&rdquo;</p>
+
+<p>There was a pause; then Eugene Hautville asked, in a voice with
+which he might have addressed a judge of his life and death,
+&ldquo;Did you?&rdquo;</p>
+
+<p>&ldquo;No,&rdquo; said Jim Otis.</p>
+
+<h4 align="center">Chapter XII</h4>
+
+<p>The next morning there took place in a few hours a great change in
+the temperature. It moderated rapidly. The frost on the windows and
+the ice-ridges in the roads did not soften yet, since the sun was
+overcast by heavy clouds, but the terrible rigor and tension of the
+cold was relaxed, and men could breathe without constraint. At eight
+o'clock, when Jim Otis and Madelon started for Ware Centre, there was
+a white film of fallen snow over the distant hills and scattering
+flakes drove in advance of the storm.</p>
+
+<p>A mile out of Kingston it snowed hard. &ldquo;Hadn't you better
+have that extra shawl mother put in over your shoulders?&rdquo; Jim
+Otis suggested.</p>
+
+<p>But Madelon shook her head. &ldquo;The snow won't hurt me,&rdquo;
+she said. She sat up straight in the sleigh, and there was a look in
+her eyes, fixed ahead on the white drive of the storm, as if her
+spirit were out-speeding her body. She had her strength again that
+morning. She had slept and eaten. She had submitted to the exigencies
+of life that she might gain power to resist them again.</p>
+
+<p>Jim Otis drove a stout little mare with a good wind for speed, but
+she had not the stride of David Hautville's great roan. Moreover,
+after the first stretch, she slacked on the hills and fell into walks
+in the lonely reaches, almost as if she had learned it in a lesson.
+Many a pretty girl, flushing sweetly under Jim Otis's gay smile, and
+perhaps under his caressing arm, had ridden behind that little canny
+mare, who learned well the meaning of the careless rein along the
+woodland roads.</p>
+
+<p>However, to-day there was no careless rein. At the first slack
+Madelon herself had reached the whip and touched the gently ambling
+neck. &ldquo;She has more speed in her than this,&rdquo; said she,
+shortly.</p>
+
+<p>&ldquo;She hasn't been driven for two days, either,&rdquo;
+asserted Jim Otis. &ldquo;Wake up, Molly!&rdquo; He took the whip
+himself and flourished it with a quick little snap over her back. In
+truth, Jim Otis was as anxious to be at this journey's end as
+Madelon, for he feared every minute lest she should ask him again if
+he had seen her take the knife, and that he would again have to
+oppose falsehood to her frantic pleading. But Madelon had believed
+him. She did not beg him again for his evidence. She sat still at his
+side with a strained look in her black eyes, and they rode in
+silence, with the storm heaping its white flakes on their shoulders,
+until they reached Ware Centre.</p>
+
+<p>Then Madelon turned quickly to Jim Otis. &ldquo;Don't drive to my
+home,&rdquo; said she; &ldquo;I would rather not go home yet. Drive
+to Burr Gordon's house, please. I want to see his mother. Don't
+turn&mdash;keep straight on.&rdquo;</p>
+
+<p>&ldquo;Yes, I know where he lives,&rdquo; said Jim, soberly. He
+drove very slowly. They were drawing near the turn in the road.
+&ldquo;See here,&rdquo; he said, suddenly, &ldquo;don't you think
+you'd better go home now?&rdquo; He spoke with nothing of the
+half-gay, half-caressing authority with which he was wont to turn a
+pretty girl to his mind, but timidly rather, and kept his eyes fixed
+on the mare's nodding head, hooded with snow.</p>
+
+<p>&ldquo;No, I must see Burr's mother,&rdquo; replied Madelon.</p>
+
+<p>&ldquo;But your folks will be expecting you, won't they?&rdquo;
+persisted Jim Otis. He felt that he had a duty of loyalty towards
+this desperate girl's father and brothers as well as to herself. He
+had promised Eugene Hautville to bring her home this morning, and who
+could tell where she might wander and when she might return if he
+left her now?</p>
+
+<p>He still did not look at Madelon as he spoke, but he felt her turn
+and fasten her eyes upon his face, and somehow they compelled his. He
+raised them and saw her beautiful face full of a scorn of passion
+which he might die and never know in himself.</p>
+
+<p>&ldquo;What do you think that is to me,&rdquo; said she,
+&ldquo;when I've got to save his life? If you do not wish to carry me
+farther, go back. I will walk.&rdquo;</p>
+
+<p>&ldquo;I will take you wherever you wish,&rdquo; returned Jim
+Otis, and touched up the mare, and neither spoke again until they
+reached Burr Gordon's house, high on its three terraces, with Lot
+Gordon's opposite. Then Jim halted his mare in the road before it,
+and would have alighted to assist Madelon, but she sprang out before
+him. &ldquo;I am much obliged to you and your mother for what you
+have done for me,&rdquo; said she, and turned with a swing of her red
+cloak, and was skimming up the terraces like a red-winged bird.</p>
+
+<p>As for Jim Otis, he slewed his sleigh about recklessly, and shook
+the whip over the little mare, and drove up the road. When he reached
+the turn which he knew led to the Hautville house he drew rein, and
+sat pondering in his sleigh for a few minutes. He was in doubt
+whether he should inform Eugene Hautville of his sister's whereabouts
+or not. Finally he spoke to the mare, and continued on his way to
+Kingston.</p>
+
+<p>The terraces which Madelon mounted were all covered with the
+gathering snow. When she reached the last the door was opened, and
+Burr Gordon's mother, Elvira, stood there. &ldquo;I am sorry there's
+so much snow for you to wade through,&rdquo; said she, in a sweet,
+quiet voice.</p>
+
+<p>&ldquo;I don't mind it, thank you,&rdquo; replied Madelon,
+harshly. She felt incensed with this mother of Burr's, who came to
+the door and greeted her as if she were an ordinary caller, and her
+son were not in prison.</p>
+
+<p>&ldquo;You had better shake it off your skirts or you'll take
+cold,&rdquo; said Mrs. Gordon.</p>
+
+<p>&ldquo;I am not afraid,&rdquo; returned Madelon. She gave her
+skirts a careless flirt and entered the door with the snow still
+clinging to her.</p>
+
+<p>&ldquo;If you will wait a moment,&rdquo; said Mrs. Gordon,
+&ldquo;I will get a broom and brush the snow from you before it
+melts. Then you won't take cold.&rdquo;</p>
+
+<p>&ldquo;I don't care to have you, thank you,&rdquo; said Madelon.
+Mrs. Gordon said no more, but led the way to the sitting-room. She
+was a tall, slender woman with the face of a saint, long and pale,
+and full of gentle melancholy, with large, meek-lidded blue eyes and
+patiently compressed lips. She had a habit of folding her long hands
+always before her, whether she walked or sat, and she moved with
+sinuous wavings of her widow-bombazine.</p>
+
+<p>The room into which she ushered Madelon was accounted the grandest
+sitting-room in the village. When Burr's father had built his fine
+new house he had made the furnishings correspond. He had eschewed the
+spindle-legged tables and fiddle-backed chairs of the former
+generations, and taken to solid masses of red mahogany, which were
+impressive to the village folk. The carpet was a tapestry of great
+crimson roses with the like of which no other floor in town was
+covered, and, moreover, there was a glossy black stove instead of a
+hearth fire.</p>
+
+<p>&ldquo;Please be seated,&rdquo; said Mrs. Gordon. She indicated
+the best chair in the room. When her guest had taken it, she sat down
+herself in the middle of her great haircloth sofa, and folded her
+long hands in her lap. Mrs. Gordon had the extremest manners of the
+old New England gentlewoman&mdash;so punctiliously polite that they
+called attention to themselves. She had married late in life, having
+been previously a preceptress in a young ladies' school. She was
+still the example of her own precepts&mdash;all outward decorum if
+not inward composure.</p>
+
+<p>Madelon Hautville, opposite her, in her snow-powdered cloak, with
+her face like a flash of white fire in her snow-powdered silk hood,
+seemed in comparison a female of another and an older race. She might
+well, from the look of her, have come a nearer and straighter road
+from the inmost heart of things, from the unpruned tangle of woods
+and undammed course of streams, from all primitive and untempered
+love and passion and religion, than this gentlewoman formed upon the
+models of creeds and scholars.</p>
+
+<p>Madelon looked at the other woman a second with fierce
+questioning. Then she sprang up out of the chair where she had been
+placed, and stood before her on her sofa, and cried out, abruptly,
+&ldquo;I have come to tell you about your son. He is not guilty. I,
+myself, stabbed Lot Gordon!&rdquo;</p>
+
+<p>&ldquo;Please be seated,&rdquo; said Elvira Gordon, and her folded
+hands in her lap never stirred.</p>
+
+<p>&ldquo;Seated!&rdquo; cried Madelon, &ldquo;seated! How can
+<em>you</em> be seated, how can you rest a moment&mdash;you, his
+mother? Why do you not set out to New Salem now&mdash;now? Why do you
+not walk there, every step, in the snow? Why do you not crawl there
+on your hands and knees, if your feet fail you, and plead with him to
+confess that I speak the truth, and tell them to set him
+free?&rdquo;</p>
+
+<p>&ldquo;I beg of you not to so agitate yourself,&rdquo; said Elvira
+Gordon. &ldquo;You will be ill. Pray be seated.&rdquo;</p>
+
+<p>Madelon bent towards her with a sudden motion, as if she would
+seize her by the shoulders.</p>
+
+<p>&ldquo;Are you his mother,&rdquo; she cried&mdash;&ldquo;his
+mother&mdash;and sit here, like this, and speak like this? Why do you
+not move? Why do you not start this instant for New Salem&mdash;this
+instant?&rdquo;</p>
+
+<p>&ldquo;I beg you to calm yourself,&rdquo; replied Elvira Gordon.
+&ldquo;I have been to New Salem to visit my son. I have prayed with
+him in his prison.&rdquo;</p>
+
+<p>&ldquo;Prayed with him! Don't you know that he is innocent, and in
+prison for murder&mdash;your own son? You stop to pray with him; why
+don't you act to save him?&rdquo;</p>
+
+<p>&ldquo;You will make yourself ill, my dear.&rdquo;</p>
+
+<p>&ldquo;Don't you believe that your son is innocent?&rdquo;
+demanded Madelon. &ldquo;Don't you believe it?&rdquo;</p>
+
+<p>Her eyes blazed; she clinched her hands. She felt as if she could
+spring at this other woman with her gentle murmurings and soft
+foldings, and shake her into her own meaning of life. If her impulse
+had had the power of deed, Elvira Gordon's little cap of fine
+needle-work would have been a fiercely crumpled rag upon her decorous
+head, her sober bands of gray hair would have streamed like the locks
+of a fury, the quiet clasp of her long fingers would have been
+stirred with some response of indignant defence if nothing else.
+Madelon, with her, realized that worst balk in the world&mdash;the
+balk of a passive nature in the path of an active one&mdash;and all
+her fiery zeal seemed to flow back into herself and fairly madden
+her.</p>
+
+<p>&ldquo;I hope,&rdquo; said Elvira Gordon, &ldquo;that my son will
+be proved innocent and set free.&rdquo;</p>
+
+<p>&ldquo;<em>Proved</em> innocent! Don't you know your own son is
+innocent?&rdquo;</p>
+
+<p>&ldquo;I pray without ceasing that he may be acquitted of the
+crime for which he is imprisoned,&rdquo; replied Elvira Gordon, over
+her folded hands.</p>
+
+<p>Madelon looked at her. &ldquo;You are a good woman,&rdquo; said
+she, with fierce scorn. &ldquo;You are a member of Parson Fair's
+church, and you keep to the commandments and all the creed. You are a
+good woman, and you believe in the eternal wrath of God and the guilt
+of your own son. You believe in that, in spite of what I tell you.
+But I tell you again that I, and not your son, am guilty, and I will
+save him yet!&rdquo;</p>
+
+<p>Madelon Hautville gathered her red cloak about her, and Mrs.
+Gordon arose as she would have done when any caller was about to take
+leave. It would scarcely have seemed out of keeping with her manner
+had she politely invited Madelon to call again. However, her quiet
+voice was somewhat unsteady and hoarse when she spoke to Madelon on
+the threshold of the outer door, although the words were still gently
+formal. &ldquo;I am grateful to you for the interest you take in my
+son,&rdquo; she said; &ldquo;I hope you will not excite yourself so
+much that you will be ill.&rdquo;</p>
+
+<p>&ldquo;I will die if that can save him,&rdquo; answered Madelon
+Hautville, and went down the snowy steps over the terraces.</p>
+
+<p>Elvira Gordon, when she had closed the door, drew the bolt softly.
+Truth was, she thought the girl had gone mad through grief and love
+for her son. Believing, as she did, that the love was all unsought
+and unreturned, and being also shocked in all her delicate decorum by
+such unmaidenly violence and self-betrayal, she regarded Madelon with
+a strange mixture of scorn and sympathy and fear.</p>
+
+<p>Moreover, not one word did she believe of Madelon's assertion that
+she herself was guilty. &ldquo;She is accusing herself to save my
+son,&rdquo; thought Elvira Gordon, and her heart seemed to leap after
+the girl with half-shamed gratitude, in spite of her astonishment and
+terror, as she watched her go out of the yard and across the road to
+Lot Gordon's house. Mrs. Gordon stood at one of the narrow lights
+beside her front door and watched until Madelon entered the opposite
+house; then she went hastily through her fine sitting-room to her own
+bedroom, and there went down on her knees, and all her icy constraint
+melted into a very passion of weeping and prayer. Those placidly
+folded hands of hers clutched at the poor mother-bosom in the fury of
+her grief; those placid-lidded eyes welled over with scalding tears;
+that calmly set mouth was convulsed like a wailing child's, and all
+the rigorous lines of her whole body were relaxed into overborne
+curves of agony. &ldquo;Oh, my son, my son, my son!&rdquo; lamented
+Elvira Gordon. &ldquo;Have mercy, have mercy, O Father in heaven! Let
+him be proved innocent! Let Lot Gordon live! Oh, my son!&rdquo;</p>
+
+<p>Elvira Gordon had the stern pride of justice of a Brutus. She
+would not without proof discover even to the passionate pleading of
+her own heart that she believed her son innocent, but believe it she
+did. Every breath she drew was a prayer that Lot Gordon might yet
+speak and clear Burr. This morning she had some slight hope that that
+might come to pass, for the sick man had passed a comfortable night
+except for his old enemy, the cough.</p>
+
+<p>&ldquo;It's my belief,&rdquo; Margaret Bean had told Elvira, when
+she had sped across the road in the early morning to inquire,
+&ldquo;that it's his old trouble that's going to kill him when he
+does die instead of anything else.&rdquo;</p>
+
+<p>&ldquo;Has he spoken yet?&rdquo; asked Elvira, eagerly.</p>
+
+<p>&ldquo;No, he ain't; but there's none so still as them that won't
+speak.&rdquo; Margaret Bean nodded shrewdly at Elvira. Her voice was
+weak and hoarse as if from a cold or much calling, but there was
+sharp emphasis in it. She gave a curious impression of spirit subdued
+and tearfully rasped, like her face, yet never lacking.</p>
+
+<p>&ldquo;You&mdash;think he&mdash;could?&rdquo; whispered Elvira
+Gordon.</p>
+
+<p>&ldquo;'Tain't for me to say,&rdquo; replied Margaret Bean.
+&ldquo;He lays there&mdash;looks most as if he was dead.&rdquo; She
+wiped her eyes hard, with a handkerchief so stiff that it looked on
+that cold morning frozen as with old tears. Margaret Bean was famous
+for her fine starching in the village; it was her chief domestic
+talent, and she was faithful in its application in all possible
+directions.</p>
+
+<p>&ldquo;I wish he would speak if he could,&rdquo; said Mrs.
+Gordon.</p>
+
+<p>&ldquo;I do, if it's for the best,&rdquo; returned Margaret Bean.
+She hesitated; there were red rings around her tearful eyes, like a
+bird's. &ldquo;I can't believe your son did it, nohow, Mis'
+Gordon,&rdquo; said she.</p>
+
+<p>&ldquo;I hope if my son is innocent he will be proved so,&rdquo;
+returned Elvira Gordon. She was too proudly just herself not to use
+the word <em>if</em>, and yet she could have slain the other woman
+for the sly doubt and pity in her tone.</p>
+
+<p>&ldquo;It's harder for you than 'tis for him, layin' there,&rdquo;
+said Margaret Bean, nodding towards the house. There was an odd
+gratulation of pity in her tone. She rubbed her eyes again.</p>
+
+<p>&ldquo;We all have our own burdens,&rdquo; replied Elvira, with a
+dignified motion, as if she straightened herself under hers. &ldquo;I
+hope he will be able to speak&mdash;soon.&rdquo;</p>
+
+<p>&ldquo;I hope so, if it's for the best,&rdquo; said Margaret
+Bean.</p>
+
+<h4 align="center">Chapter XIII</h4>
+
+<p>Elvira Gordon had gone home hoping that Lot might yet speak. She
+had heard his rattling cough as she picked her way out of the icy
+yard, and Madelon also heard it when she entered it. She knocked at
+the side door, and Margaret Bean opened it. She had a gruel cup in
+her hand.</p>
+
+<p>&ldquo;I want to see him,&rdquo; said Madelon.</p>
+
+<p>Margaret Bean looked at her. Her starched calico apron flared out
+widely over her lank knees across the doorway.</p>
+
+<p>&ldquo;I'm afraid he ain't able to see nobody this morning,&rdquo;
+said she, and the asperity in her tone was less veiled than usual.
+Her voice was not so hoarse. She was mindful of this girl's former
+conduct at her master's bedside, and herself half believed her mad or
+guilty. A suspicious imagination had Margaret Bean, and Madelon would
+have found in her a much readier belief than in others.</p>
+
+<p>&ldquo;I've got to see him, whether he's able or not,&rdquo; said
+Madelon.</p>
+
+<p>&ldquo;The doctor said&mdash;&rdquo;</p>
+
+<p>&ldquo;I'm going to see him!&rdquo;</p>
+
+<p>Madelon pushed roughly in past the smooth apron and ran through
+the entry to Lot's room, with the housekeeper staring after her in a
+helpless ruffle of indignation.</p>
+
+<p>&ldquo;She's gone in there,&rdquo; she told her husband, who
+appeared in the kitchen door, dish-towel in hand. Margaret Bean's
+husband always washed the dishes and performed all the irresponsible
+domestic duties of the establishment. He was commonly adjudged not as
+smart as his wife, and little store was set by his counsels. Indeed,
+at times the only dignity of his man's estate which seemed left to
+this obediently pottering old body was the masculine pronoun which
+necessarily expressed him still. However, even in that the
+undisturbed use was not allowed. &ldquo;Margaret Bean's
+husband&rdquo; was usually substituted for &ldquo;He,&rdquo; and
+nothing left of him but the superior feminine element feebly
+qualified by masculinity.</p>
+
+<p>Margaret Bean's husband's name was Zenas, but scarcely anybody
+knew it, and he had almost forgotten it himself through never being
+addressed by it. Margaret herself spoke of her husband as
+&ldquo;Him,&rdquo; but she never called him anything, except
+sometimes &ldquo;You.&rdquo; However, he always knew when she meant
+him, and there was no need of specification.</p>
+
+<p>Now he half thought she was appealing to his masculine authority
+from her bewildered air. He stiffened his meek old back. &ldquo;Want
+me to go in there and order her out?&rdquo;</p>
+
+<p>&ldquo;<em>You!</em> Go back in there and finish them
+dishes.&rdquo;</p>
+
+<p>Margaret Bean's husband went back into the kitchen, and Margaret
+followed Madelon with a sly, determined air, to Lot's room.</p>
+
+<p>The great square northwest room was warm, but the frost had not
+yet melted from the window-panes. The room looked full of hard white
+lines of frost, and starched curtains, and high wainscoting; but the
+hardest white lines of all were in Lot Gordon's face, sunken sharply
+in his pillows, showing between the stiff dimity slants of his
+bed-hangings as in a tent door. He looked already like a dead man,
+except for his eyes. It seemed as if the life in them could never die
+when they saw Madelon. She bent over him, darkening the light.</p>
+
+<p>&ldquo;Speak now!&rdquo; said she.</p>
+
+<p>Lot Gordon looked up at her.</p>
+
+<p>&ldquo;I tell you, speak! I will not bear this any longer. I am at
+the end.&rdquo;</p>
+
+<p>Still Lot Gordon looked up at her silently.</p>
+
+<p>Then Madelon made a quick motion in the folds of her skirt, and
+there was the long gleam of a hunting-knife above the man in the bed.
+Margaret Bean, standing by the door, shrieked faintly, but she did
+not stir.</p>
+
+<p>&ldquo;I have tried everything,&rdquo; said Madelon. &ldquo;This
+is the last. Speak, or I will make your speaking of no avail. I will
+strike again, and this time they shall find me beside you and not
+Burr. My new guilt shall prove my old, and they will hang me and not
+him. Speak, or, before God, I will strike!&rdquo;</p>
+
+<p>Then Lot Gordon spoke. &ldquo;I love you, Madelon,&rdquo; said
+he.</p>
+
+<p>&ldquo;Say what I bid you, Lot Gordon; not that.&rdquo;</p>
+
+<p>&ldquo;All your bidding is in that.&rdquo;</p>
+
+<p>&ldquo;Will you?&rdquo;</p>
+
+<p>&ldquo;I will clear&mdash;Burr.&rdquo;</p>
+
+<p>Madelon slipped her knife away, and stood back. Margaret Bean
+slunk farther around past the bedpost. Neither of them could see
+her.</p>
+
+<p>&ldquo;On one condition,&rdquo; said Lot Gordon.</p>
+
+<p>&ldquo;What?&rdquo;</p>
+
+<p>&ldquo;That you marry me.&rdquo;</p>
+
+<p>Madelon gasped. &ldquo;You?&rdquo;</p>
+
+<p>Lot laughed faintly, stretching his ghastly mouth. &ldquo;You
+think it is an offer of wedlock from a churchyard knight,&rdquo; he
+said.</p>
+
+<p>&ldquo;What are you talking about, Lot Gordon?&rdquo;</p>
+
+<p>&ldquo;Marry me!&rdquo;</p>
+
+<p>&ldquo;Marry you? I am going to prison to-day for stabbing you. If
+you die, I die for your murder. Marriage between us? You are mad, Lot
+Gordon.&rdquo;</p>
+
+<p>Lot Gordon opened his mouth to speak, but he coughed instead. He
+half raised himself feebly, and his cough shook the bed. Madelon
+waited until he lay back, gasping.</p>
+
+<p>&ldquo;You are mad to talk so,&rdquo; she said again, but her
+voice was softer.</p>
+
+<p>&ldquo;No madder&mdash;than&mdash;my ancestors made me,&rdquo; Lot
+stammered, feebly. Great drops of sweat stood on his forehead.</p>
+
+<p>Madelon stood looking at him. He lay still, breathing hard, for a
+little; then he spoke again. &ldquo;Say you will marry me, and I will
+clear him,&rdquo; he said, &ldquo;or else&mdash;strike as you will.
+But all will believe that Burr struck the first blow and you the
+second for love of him, and though he be not hung, the mark of the
+noose will be round his neck in folks' fancies so long as he draws
+the breath of life.&rdquo;</p>
+
+<p>&ldquo;I will marry you,&rdquo; said Madelon.</p>
+
+<p>&ldquo;Don't cheat yourself,&rdquo; Lot went on, in his disjointed
+sentences, broken with the rise of the cough in his throat.
+&ldquo;This wound may not be&mdash;mortal&mdash;after all, and a man
+lives&mdash;long, sometimes, when he's sore put to it for breath. The
+spark of life dies hard, and you may fan it into a blaze again. All
+the doctor's nostrums may not stir my poor dying flesh&mdash;but give
+the spirit&mdash;what it craves&mdash;and 'tis sometimes&mdash;strong
+enough&mdash;to gallop the flesh where it will. Lord, I've seen a
+tree blossom in the fall, when 'twas warm enough. It may be a long
+life we'll&mdash;live together, Madelon.
+Don't&mdash;cheat&mdash;yourself into&mdash;thinking you'll be my
+widow, instead of&mdash;my wife. My wife you may be, and&mdash;the
+mother of my children.&rdquo;</p>
+
+<p>Madelon moved towards him with a curious, pushing motion, as if
+she thrust out of her way her own will. She bent over him her white
+face, holding her body aloof. &ldquo;I will marry you, come what
+will. Now, set him free.&rdquo;</p>
+
+<p>Great tears stood in Lot's eyes. &ldquo;Oh,&rdquo; he whispered,
+&ldquo;you think only of him. I love you better than he does,
+Madelon.&rdquo;</p>
+
+<p>&ldquo;Set him free,&rdquo; said she, in a hard voice.</p>
+
+<p>Lot heaved a great sigh, and rolled his eyes feebly about towards
+the door.</p>
+
+<p>&ldquo;Find&mdash;Margaret Bean,&rdquo; he began; and with that
+Margaret Bean, who had kept the door ajar, slid out softly,
+&ldquo;and tell her&mdash;to send her husband to&mdash;Parson Fair,
+and&mdash;Jonas Hapgood, and she&mdash;must go the other way
+for&mdash;the doctor. Tell them to come at once.&rdquo;</p>
+
+<p>With that Lot fell to coughing again, but Madelon went out
+quickly, and found Margaret Bean in the kitchen mixing gruel.</p>
+
+<p>&ldquo;Mr. Gordon wishes your husband to go at once for Parson
+Fair and Jonas Hapgood, and you for the doctor,&rdquo; said she.</p>
+
+<p>&ldquo;Is he took worse?&rdquo; asked Margaret Bean, innocently,
+with a quick sniff of apprehension.</p>
+
+<p>&ldquo;No, he is no worse, but he wishes to see them. He said to
+go at once.&rdquo;</p>
+
+<p>Margaret Bean cast an injured eye at the window, all blurred with
+the clinging shreds of the storm. &ldquo;I don't see how I can get
+out in this awful storm nohow,&rdquo; she said. &ldquo;I've got
+rheumatism now. Why can't <em>he</em> go to see 'em all, I'd like to
+know?&rdquo;</p>
+
+<p>&ldquo;The doctor lives a quarter of a mile the other way. It will
+save time.&rdquo;</p>
+
+<p>Margaret Bean looked at the gruel. &ldquo;I've got to make this
+gruel for him.&rdquo;</p>
+
+<p>&ldquo;I will make it. Get your shawl, quick.&rdquo;</p>
+
+<p>&ldquo;It ain't b'iled.&rdquo;</p>
+
+<p>&ldquo;I tell you I will make it.&rdquo;</p>
+
+<p>&ldquo;Why can't <em>he</em> go to both places?&rdquo;</p>
+
+<p>&ldquo;I will go myself!&rdquo; Madelon cried, suddenly. She had
+been bewildered, or that would have occurred to her before. She had
+never been one to send where she could go, but for the time Lot
+Gordon's will had overcome hers. &ldquo;Tell your husband to go to
+the parson's and the sheriff's, quick, and I will go for the
+doctor,&rdquo; said she, and was flashing out of the yard in her red
+cloak before Margaret Bean had time to turn herself about from the
+prospect of her own going. Then she ordered her husband imperiously
+into his boots and great-coat and tippet, and sent him forth.</p>
+
+<p>She finished the gruel, and took it in to the sick man, and fed
+him with hard thrusts of the spoon. Lot looked about feebly for
+Madelon, and Margaret Bean replied to the look, in her husky voice,
+&ldquo;She's gone, instead of me. I've got rheumatism too bad to
+venture out in such a storm and get my petticoats bedraggled.&rdquo;
+She spoke with a little whine of defiant crying, but Lot took no
+notice. He was exhausted. After he had eaten the gruel, he pointed to
+the chimney-cupboard.</p>
+
+<p>&ldquo;What is it ye want?&rdquo; said she.</p>
+
+<p>Lot pointed.</p>
+
+<p>&ldquo;How do I know what ye want when ye jest p'int like
+that?&rdquo;</p>
+
+<p>But there came then a look into Lot Gordon's eyes as expressive as
+a word, and Margaret Bean crossed over to the chimney-cupboard, and
+got out the brandy-flask and a wine-glass and some loaf-sugar. She
+mixed a little dose of the brandy and sugar, and would have fed it to
+the sick man as she had the gruel, but he motioned her aside, raised
+himself with an effort, and drank it down eagerly. Then he lay still,
+and soon a faint flush came into his face. Margaret Bean went back
+into the kitchen and mixed some bread, with her eye upon the
+window.</p>
+
+<p>Presently there was a wild gallop and great clash of bells past
+the window, and a shout at the door. Margaret Bean put on her little
+blue shawl and opened it when the shout had been twice repeated. Old
+David Hautville sat there in his sleigh, keeping a tight rein on his
+tugging roan. &ldquo;My daughter here?&rdquo; he shouted.
+&ldquo;Whoa, there!&rdquo;</p>
+
+<p>&ldquo;There's sick folks here,&rdquo; said Margaret Bean,
+shivering in the doorway. &ldquo;You hadn't ought to holler
+so.&rdquo; Her tearful eyes were more frankly hostile than usual.
+She had always looked down from her own slight eminence of life upon
+these Hautvilles, and now was full of scorn that her master was to
+marry one of them.</p>
+
+<p>&ldquo;I want to know if my daughter is here,&rdquo; said David
+Hautville, and he did not lower his voice. It sounded like a hoarse
+bellow of wrath, coming out of the white whirl of snow. His fur coat
+was all crusted with snow, his great mustache heavy with it; the roan
+plunged in a rising cloud of it.</p>
+
+<p>&ldquo;No, she ain't here,&rdquo; replied Margaret Bean, and her
+weak voice seemed by its very antithesis to express the utmost scorn
+and disgust at the brutality of the other.</p>
+
+<p>&ldquo;Has she been here?&rdquo;</p>
+
+<p>&ldquo;Yes, she's been here.&rdquo; Margaret made as though to
+shut the door, but David Hautville stopped her.</p>
+
+<p>&ldquo;Did she start for home?&rdquo;</p>
+
+<p>&ldquo;You'd better ask somebody that knows more about
+it.&rdquo;</p>
+
+<p>&ldquo;Where did she go?&rdquo;</p>
+
+<p>&ldquo;You'd better ask somebody that knows about it!&rdquo;
+repeated Margaret Bean, in her malicious meekness. Then she shut the
+door.</p>
+
+<p>David Hautville, with a great &ldquo;whoa!&rdquo; leaped out of
+the sleigh. He led up the roan with a fierce pull to the fence, and
+tied her there. Then he strode into the house, and through the entry
+to Lot's room, with no ceremony.</p>
+
+<p>&ldquo;Where is my daughter?&rdquo; he demanded, standing at Lot's
+bedside in his great fur coat, all bristling with points of snow.</p>
+
+<p>&ldquo;She'll be back presently,&rdquo; answered Lot. His voice
+was a little stronger; there were two red spots on his cheeks.</p>
+
+<p>&ldquo;Where's she gone?&rdquo;</p>
+
+<p>&ldquo;For the doctor.&rdquo;</p>
+
+<p>All at once David Hautville gave a great start. &ldquo;Why, you're
+talking!&rdquo; he cried out. &ldquo;You couldn't speak.&rdquo;</p>
+
+<p>Lot nodded vaguely.</p>
+
+<p>&ldquo;You're better, then?&rdquo; cried the other, with a sharp
+look at him.</p>
+
+<p>Lot nodded again.</p>
+
+<p>&ldquo;When did she come here?&rdquo;</p>
+
+<p>&ldquo;Just now.&rdquo;</p>
+
+<p>&ldquo;Same damned nonsense, I suppose. She's gone mad. If the law
+don't finish that fellow, I will!&rdquo;</p>
+
+<p>Lot motioned towards a chair. &ldquo;Sit down,&rdquo; he
+whispered.</p>
+
+<p>&ldquo;She coming back with the doctor?&rdquo;</p>
+
+<p>&ldquo;Yes,&rdquo; Lot coughed.</p>
+
+<p>David Hautville settled into a chair with a surly grunt. He
+watched Lot cough, holding to his straining chest, and thought that
+he must be worse, else he would not have sent for the doctor. He
+resolved to wait and take his daughter home with him, by force if
+necessary, but with no more disturbance of this man, who might be
+sick unto death. Seeing Lot cast his eyes about as if looking for
+something, and make a motion towards the table at his side, he rose
+up quickly and got him a spoonful of the cough mixture in a bottle
+thereon, and administered it to him gently.</p>
+
+<p>&ldquo;Don't you touch my wet coat,&rdquo; said David Hautville,
+&ldquo;or yo'll get a chill,&rdquo; and he held himself carefully
+away from the sick man.</p>
+
+<p>When Lot lay back, panting, he returned to his chair and did not
+speak again. The two remained in silence until there came the jingle
+of bells, the tramp of horses' feet, and the voice of men out in the
+yard.</p>
+
+<p>Lot lay still, with his eyes closed. David Hautville raised his
+head and looked at the window, thick with frost. Presently the door
+was opened softly, and the doctor came in, with Parson Fair and Jonas
+Hapgood. Madelon, in her snow-powdered red cloak, came last. David
+started up fiercely when he saw her; then he stood back and waited.
+The doctor bent over Lot and began counting his pulse. He eyed him
+sharply.</p>
+
+<p>&ldquo;The pendulum still swings,&rdquo; said Lot.</p>
+
+<p>The doctor started. &ldquo;You can speak, then!&rdquo; he cried
+out, brusquely.</p>
+
+<p>Lot smiled.</p>
+
+<p>The doctor was old, and his long struggle with birth and death had
+begun to tell upon him. He had already visited Lot that morning,
+after a hard night with a patient, back in the hills. His face was
+haggard under its sharp gray bristle of beard; his eyes fierce, like
+an old dog's, with fatigue and hunger. He had just reached home and
+sat down to his breakfast when this new call came. He had thought Lot
+was dying from Madelon's imperative summons, and she had not
+undeceived him. She was growing cunning in her desperate efforts to
+save Burr Gordon.</p>
+
+<p>&ldquo;What in thunder did ye send for me again for?&rdquo; he
+snapped. This old country doctor was never chary of plain speaking,
+and his brusqueness had increased his popularity. Many of his
+patients were simple countrywomen, who had greater belief in that
+which they feared. They repeated his half-savage speeches to each
+other, and added, &ldquo;He's a good doctor, if he does speak
+out.&rdquo;</p>
+
+<p>Lot only smiled that covert smile of his, which seemed to imply
+some wisdom of humor beyond the ken of others. &ldquo;I ought to be
+dying,&rdquo; he said, with grim apology. &ldquo;I ought not&mdash;to
+have disturbed you all for a less reason than to witness my final
+exit, but I want you to witness something else.&rdquo; Lot Gordon
+spoke quite strongly and connectedly.</p>
+
+<p>&ldquo;What?&rdquo; asked the doctor, irritably.</p>
+
+<p>&ldquo;I want to make a statement,&rdquo; said Lot Gordon.</p>
+
+<p>There was a pause. Jonas Hapgood, with his look of heavy
+facetiousness, slightly tempered now with curiosity, stood lounging
+into his great snowy boots at the foot of the bed. Parson Fair, the
+consolation for the dying which he had thought to administer still in
+his mind, which could not swerve easily, his slender height in his
+black surtout inclined towards the sick man with gentle courtesy,
+waited. Margaret Bean peered around the bed-curtain. Madelon stood
+near the doctor, her face white as if she were dead, and a look of
+awful listening upon it. In the background David Hautville, wrathful
+and wondering, towered over them all.</p>
+
+<p>&ldquo;I wish to declare in the presence of these
+witnesses,&rdquo; said Lot Gordon, &ldquo;the doctor here testifying
+that I am in my right mind&rdquo;&mdash;the doctor gave a surly grunt
+of assent&mdash;&ldquo;that it is my firm belief that all mortal ills
+come to man through his own agency, and this last ill of mine is no
+exception. I declare solemnly before you all that my cousin Burr
+Gordon is not guilty of administering this wound which I bear in my
+side.&rdquo;</p>
+
+<p>The sheriff started forward. &ldquo;Who did do it, then?&rdquo; he
+cried out.</p>
+
+<p>&ldquo;I myself,&rdquo; replied Lot Gordon.</p>
+
+<h4 align="center">Chapter XIV</h4>
+
+<p>There was a gasp of astonishment from the company. Jonas Hapgood
+began to speak, but Madelon's soprano drowned out his thick bass.</p>
+
+<p>&ldquo;How dare you,&rdquo; she cried out, &ldquo;swear to that
+lie? Liar! You are a liar, Lot Gordon!&rdquo;</p>
+
+<p>Then, before Lot could reply, David Hautville came forward with a
+mighty plunge, and grasped his daughter by the arm, and forced her to
+the door.</p>
+
+<p>&ldquo;Get ye out of this,&rdquo; growled David Hautville; but
+Madelon turned her face back in the doorway for one last word.
+&ldquo;Don't you know,&rdquo; she shrieked back to Lot Gordon, in her
+pitiless despair&mdash;&ldquo;don't you know that I would rather have
+seen the inside of my prison-cell to-night and the gallows to-morrow
+than this, Lot Gordon?&rdquo;</p>
+
+<p>&ldquo;Quit your talk!&rdquo; shouted David Hautville; and she
+followed his fierce leading out of the house into the yard.</p>
+
+<p>&ldquo;Get ye into this sleigh,&rdquo; ordered her father; and she
+obeyed. Suddenly the fire of passion and revolt seemed to die out in
+her; it was like a lull in a spiritual storm. She rode home with her
+father, and neither spoke. David Hautville now considered the matter
+as past any words of reasoning. He was convinced that his daughter's
+fair wits were shaken, and that nothing but summary dealing, as with
+a child, could avail anything. When they reached home he bade her,
+with a kind of stern forbearance, to get into the house at once and
+see to her work there, and she obeyed again.</p>
+
+<p>All that day, and many days after that, poor Madelon Hautville,
+who had been striving like any warrior against the powers and
+principalities of human wills and passions, and had grounded her arms
+after a victory which had left her wounded almost to death, carried
+her bleeding heart and walked her woman's treadmill. She scoured
+faithfully the pewter dishes and the iron pots. She swept the hearth
+clean and baked and brewed and spun and sewed. Her lot would have
+been easier had her woe befallen her generations before, and she
+could, instead, have backed her heavy load of tenting through the
+snow on wild hunting-parties, and broken the ice on the river for
+fish, and perchance taken a hand at the defence when the males of her
+tribe were hard pressed. Civilization bowed cruelly this girl, who
+felt in greater measure than the gently staid female descendants of
+the Puritan stock around her the fire of savage or primitive
+passions; but she now submitted to it with the taciturnity of one of
+her ancestresses to the torture. Week after week she went about the
+house, and neither spoke nor smiled. Burr Gordon was set free, fully
+acquitted of the charge against him; Madelon's denial of Lot's false
+confession had gone for nothing. Half the village considered her
+hysterical and irresponsible, and Lot Gordon, it was agreed, was just
+the man to lay violent hands upon his own life, steal and use his
+cousin's knife, and keep mute to fasten the guilt upon him, as he had
+confessed.</p>
+
+<p>A week after Burr's release Louis and Richard Hautville came home.
+They had been trapping on Green Mountain, they said, camping in the
+little lodge they had built there. When they came in laden with stark
+white rabbits and limp-necked birds, and one of them with a haunch of
+venison on his back, Madelon faced them with sudden fierceness, as if
+to speak. Then she turned away to her work, without a word of
+greeting. The boy Richard stared at her with a quiver, as of coming
+tears on his handsome face. He whispered to Eugene, when she went
+into the pantry.</p>
+
+<p>&ldquo;Best let her alone,&rdquo; said Eugene. &ldquo;She's been
+so ever since.&rdquo;</p>
+
+<p>Not one of them knew of her promise to marry Lot Gordon, and Lot
+had bound Margaret Bean over to secrecy. All the village was as yet
+ignorant of that, but there was enough besides to afford a choice
+bone of gossip to folk sunken in the monotony and isolation of a
+Vermont country winter. The women put their heads together over it at
+their quilting-bees, and the men in their lounging-places in the
+store and tavern. This mystery, which endured as well as their
+hard-packed snows, and kept their imaginations always upon the
+stretch, was a great acquisition to them. Plenty of mental activity
+was there in Ware Centre that winter, and the brains of many were
+smartly at work upon some of those problems whose conditions, being
+all unknown quantities of character and circumstance and fate, are
+beyond all rules of solution.</p>
+
+<p>Would Burr Gordon marry Dorothy Fair, or would he, after all, turn
+again to his old love, who had shown such devotion to him that it had
+almost turned her brain? Unless, indeed&mdash;for there is room in
+gossip for all suspicion, and surmise can never be quite laid at
+rest&mdash;her brain had not been turned, and she had struck the
+blow, as she said. But, in that case, why had Lot taken her guilt
+upon himself? Why had he cleared Burr at his own expense, and saved
+her? If he had done it for love of Madelon, he had also set his rival
+free to woo her, and had established her innocence in his eyes.</p>
+
+<p>Lot still lived. Would he die, finally, of his wound or of his
+disease? Would he recover and come out of his house alive again? Time
+went on, and the people knew no more than they knew at first; but
+they continued to watch, crossing the gleams of all the neighboring
+window-panes with sharp lines of attention, hushing conversation in
+the store if a Hautville or a Gordon entered, and rolling keen eyes
+over shoulders after meeting one of them upon the country roads. But
+especially they were alert in the meeting-house upon Sabbath days.
+Their eyes were slyly keen upon Dorothy Fair, softly wrapped in her
+blue wadded silk and swan's-down, holding up her head with gentle
+state in the parson's pew; upon Burr Gordon, somewhat pale and moody
+in his smart Sunday coat; and Madelon, up in the singing-seats. They
+never, in those days, saw Madelon elsewhere. She went to meeting
+every Sabbath day and sang as usual, but between the hymns she sat
+with her beautiful face as irresponsive to all around her as a
+painted portrait, and more so, for the eyes of a portrait will often
+seem to follow an ardent gazer. Madelon's father and brothers, except
+Richard and Louis, who kept their own counsel, were much bewildered
+among themselves at her strange mood, and were inclined to hold the
+opinion that her wits were a little shaken, and, moreover, to keep it
+quiet and secret from everybody until she should be quite restored.
+They said little to her, treating her with a kind of forbearing
+compassion; but the indignation of them all was fierce, although held
+well in check, against Burr Gordon. Him they held accountable for
+all.</p>
+
+<p>Burr Gordon might well have been quit of any charge of cowardice
+had he shrunk from facing the male Hautvilles on those days. They
+passed him in the road with the looks of surly dogs in leash. None of
+them except Eugene gave him a nod of recognition. Eugene bowed
+always, with his unfailing grace of courtesy, but he hated him more
+than all the others, for he was jealous on his own account as well as
+his sister's. It was said that Burr Gordon, since his acquittal, was
+courting Dorothy Fair steadily, although they had not been seen out
+together.</p>
+
+<p>Burr had been to the Hautville house twice since his return from
+New Salem, but had not been admitted. Once when he called Madelon had
+been alone in the house, and caught a glimpse of her old lover coming
+into the yard. She had sprung up, letting her needle-work slide to
+the floor, and fled with her face as white as death and her heart
+beating hard into the freezing best room, and stood back in a corner
+out of range of the windows, and listened to the taps of the knocker
+and finally to Burr's retreating steps. Then she crept across to a
+window and peered around the curtain, and watched him out of sight as
+if her soul would follow him; then she stole out the door and looked
+up and down to see if anybody was in sight; and then she flung
+herself down upon her knees and kissed her lover's cold footprint in
+the snow.</p>
+
+<p>The second time Burr came was on an evening, when her father and
+all her brothers except Richard were at the singing-school. She knew
+Burr's step when he drew near the door, and bade Richard shortly to
+answer the knock, and say she was busy and could see nobody, which he
+did with all the emphasis which his fiery young blood could put into
+words of dismissal. The boy, of all the others, alone knew a reason
+why he should be more lenient with Burr; and yet this very reason
+seemed to swell his wrath and hold him more deeply responsible for a
+deeper disgrace. When he had shut the door hard upon Burr, he turned
+to his sister. &ldquo;I would have killed him rather than let him
+in,&rdquo; said he.</p>
+
+<p>Madelon took another stitch in her work. Her face looked as if it
+were carved in marble. Richard stood staring at her a second; then he
+flung out of the room, and the doors closing behind him shook the
+house. Richard's manner towards his sister was sometimes full of a
+fierce sympathy and partisanship, sometimes of wild anger and
+aversion. He looked ten years older in a few weeks. Both he and Louis
+appeared to avoid the other members of the family, and kept much
+together, and yet even in their close companionship they also seemed
+to have a curious avoidance of each other; one was seldom seen to
+look in his brother's face, or address him directly.</p>
+
+<p>One morning, a month after Burr's release, Margaret Bean came to
+the Hautville door. She was well wrapped against the cold, her head
+especially being swathed about with lengths of knitted scarf over her
+silk hood; there was only a thin sharp gleam of face out of it, like
+a very lance of intelligence. Margaret held out the stiff white
+corner of a letter from the folds of her shawl. &ldquo;He sent
+it,&rdquo; she said to Madelon, who came to the door.</p>
+
+<p>Madelon opened the letter and read it. &ldquo;I can't come,&rdquo;
+she said, shortly. &ldquo;I'm busy. Tell him he must write what he
+wants to tell me.&rdquo;</p>
+
+<p>Margaret Bean's eyes were sharp as steel points. She had not known
+what was in the letter. &ldquo;Hey?&rdquo; said she, pretending that
+she had not heard, in order to make Madelon repeat and perhaps reveal
+more.</p>
+
+<p>&ldquo;I can't come,&rdquo; said Madelon. &ldquo;He can write what
+he wants to tell me.&rdquo;</p>
+
+<p>Suddenly a great red flush spread over her pale face and her neck.
+She lowered her eyes before the other woman as if in utter
+degradation of shame, and shrank back into the house and closed the
+door in Margaret Bean's face.</p>
+
+<p>Margaret Bean stood for a moment, a silent, shapeless figure in
+the cold air. &ldquo;Pretty actions, I call it,&rdquo; said she then,
+quite loudly, and went out of the yard with a curious tilting motion
+on slender ankles, as of a balancing bale of wool.</p>
+
+<p>Madelon slipped her letter into her pocket as she entered the
+kitchen. Her father and all her brothers were there. It was shortly
+after breakfast, and they had not yet gone out.</p>
+
+<p>&ldquo;Who was it at the door?&rdquo; her father asked. He sat by
+the fire in his great boots.</p>
+
+<p>&ldquo;Margaret Bean.&rdquo;</p>
+
+<p>&ldquo;What did she want?&rdquo;</p>
+
+<p>&ldquo;Lot Gordon sent for me to come over there.&rdquo;</p>
+
+<p>&ldquo;What for?&rdquo;</p>
+
+<p>&ldquo;He wanted&mdash;to&mdash;tell me something.&rdquo;</p>
+
+<p>&ldquo;You ain't going a step. I can tell ye that.&rdquo;</p>
+
+<p>&ldquo;I&mdash;told her I couldn't go,&rdquo; said Madelon. Her
+voice was almost breathless, and still that red of shame was over her
+face. She bent her head and turned her back to them all, and went out
+of the room. The male Hautvilles looked at one another. &ldquo;What's
+come over the girl now?&rdquo; said Abner, in his surly bass
+growl.</p>
+
+<p>&ldquo;She's a woman,&rdquo; said his father, and he stamped his
+booted feet on the floor with a great clamp.</p>
+
+<p>Madelon meantime fled up-stairs to her chamber, with her first
+love-letter from Lot Gordon in her pocket. Until this the reality of
+all that had happened had not fully come home to her. Without
+acknowledging it to herself she had entertained a half-hope that Lot
+might not have been entirely in earnest&mdash;that he might not hold
+her to her promise. And then there had been the uncertainty as to his
+recovery. But here was this letter, in which Lot Gordon called
+her&mdash;her, Madelon Hautville&mdash;his sweetheart, and begged her
+to come to him, as he had something of importance to say to her! He
+used, moreover, terms of endearment which thrilled her with the
+stinging shame of lashes upon her bare shoulders at the public
+whipping-post. She lit the candle on her table, snatched the letter
+out of her pocket, crumpled it fiercely as if it were some live thing
+that she would crush the life out of, and then held it to the
+candle-flame until it burned away, and the last flashes of it
+scorched her fingers. Then she caught a sight of her own miserable,
+shamed face in her looking-glass, and flushed redder and struck
+herself in her face angrily, and then fell to walking up and down her
+little room.</p>
+
+<p>Her father and brothers down below heard her, and looked at each
+other.</p>
+
+<p>&ldquo;There was that Emmeline Littlefield that went mad, and fell
+to walking all the time,&rdquo; said Abner.</p>
+
+<p>The others listened to the footsteps overhead with a gloomy assent
+of silence.</p>
+
+<p>&ldquo;They had to keep her in a room with an iron grate on the
+window,&rdquo; said Abner, further, with a pale scowl.</p>
+
+<p>Then David Hautville took down his leather jacket from its peg
+with a jerk, and thrust his arm into it. &ldquo;I tell ye, she's a
+<em>woman</em>,&rdquo; he said, in a shout, as if to drown out those
+hurrying steps; and then he went out of the room and the house, and
+disappeared with axe on shoulder across the snowy reach of fields;
+and presently all his sons except Eugene followed him. Eugene
+remained to keep watch over his sister.</p>
+
+<h4 align="center">Chapter XV</h4>
+
+<p>After his father and brothers were gone, Eugene got Louis's fiddle
+out of the chimney-cupboard and fell to playing with an imperfect
+touch, picking out a tune slowly, with halts between the strains, as
+if he spelled a word with stammering syllables. Eugene's musical
+expression was in his throat alone; his fingers were almost powerless
+to bring out the meaning of sweet sounds. A drunken crew on a rolling
+vessel might have danced to the tune that Eugene Hautville fingered
+on his brother's fiddle that morning while his sister walked back and
+forth overhead, running the gantlet, as it were, of an agony which
+his masculine imagination could not compass, well tutored as it was
+by the lessons of his Shakespeare book.</p>
+
+<p>When Margaret Bean came to the door the second time she heard the
+squeak of the fiddle, and clanged the knocker loud to overcome it.
+Madelon and Eugene reached the door at the same time, and Margaret
+Bean extended another letter. &ldquo;Here's another,&rdquo; said she,
+shortly, to Madelon. She tucked the hand which had held the letter
+under her shawl and hugged herself with a shiver, ostentatiously.
+&ldquo;I'm most froze, traipsin' back and forth, I know that
+much,&rdquo; she muttered.</p>
+
+<p>Eugene stood aside with a flourish and a graceful, beckoning wave
+of his hand. &ldquo;Won't you come in and warm yourself?&rdquo; he
+said, and he smiled in her face as if she and no other were the love
+of his heart.</p>
+
+<p>But Margaret Bean had a shrewd understanding which no grace of
+flattery could dazzle, and felt truly that nowadays her principal
+claim to masculine admiration lay in her fine starching specialty of
+housewifery; and of that she gave no show, bundled up against the
+cold in her shapeless wools. So she put aside the young man's smiling
+courtesy scornfully, as not belonging to her, and spoke in a voice as
+sharp as an edge of her own well-stiffened linens. &ldquo;No,
+sir,&rdquo; said Margaret Bean; &ldquo;I've got bread in the oven and
+I can't stop, and I ain't coming in for two or three minutes and set
+with my things on, and get all chilled through when I go out. I'll
+stand here while your sister reads that letter. He said the answer
+would be just &lsquo;yes&rsquo; or &lsquo;no,&rsquo; and I shouldn't
+have to wait long. &lsquo;She ain't one to teeter long on a
+decision,&rsquo; says he; &lsquo;she finds her footin' one side or
+the other.&rsquo; He talks queer, queerer'n ever sence he was hurt.
+I pity anybody that gets him.&rdquo;</p>
+
+<p>&ldquo;Tell him &lsquo;yes,&rsquo;&rdquo; said Madelon, abruptly;
+and then she wheeled about and went into the house.</p>
+
+<p>&ldquo;Well,&rdquo; said Margaret Bean, harshly. The door closed
+before her; Eugene had forgotten his courtesy, and followed his
+sister into the house without a good-day to the guest.</p>
+
+<p>Margaret Bean stood for a minute looking at the house, with its
+yawn of blank windows in her face; then she went out of the yard,
+bearing her message to Lot Gordon.</p>
+
+<p>Eugene Hautville was startled at the look on Madelon's face when
+she went into the house. &ldquo;Madelon, what is it?&rdquo; he said,
+softly. But she did not answer him a word; she ran across the room
+and thrust Lot Gordon's letter into the fire. Eugene followed her and
+turned her about gently, and looked keenly in her white face.</p>
+
+<p>&ldquo;What was in that latter?&rdquo; said he.</p>
+
+<p>Madelon shook her head dumbly.</p>
+
+<p>&ldquo;Madelon?&rdquo;</p>
+
+<p>&ldquo;Wait. You will know soon. I can't tell you,&rdquo; she
+gasped out then.</p>
+
+<p>&ldquo;Was it from Lot Gordon?&rdquo;</p>
+
+<p>She nodded.</p>
+
+<p>&ldquo;What is he writing to you about? You are my sister, and I
+have a right to know.&rdquo;</p>
+
+<p>&ldquo;Wait,&rdquo; she gasped again. &ldquo;Oh, Eugene, wait.
+I&mdash;can't&mdash;&rdquo;</p>
+
+<p>Suddenly Madelon hung heavy on her brother's arm.
+&ldquo;Madelon,&rdquo; he cried out loudly to her, as if she were
+deaf&mdash;&ldquo;Madelon, don't! You needn't tell me.
+Madelon!&rdquo;</p>
+
+<p>Eugene almost lifted his sister into the rocking-chair on the
+hearth, and hastened to get her a cup of water; but when he returned
+with it she motioned it away, and was sitting up, stern and straight
+and white, but quite conscious.</p>
+
+<p>&ldquo;Hadn't you better drink it, Madelon?&rdquo; pleaded
+Eugene.</p>
+
+<p>&ldquo;No. What do I want it for? I am quite well,&rdquo; said
+she.</p>
+
+<p>&ldquo;You almost fainted away.&rdquo;</p>
+
+<p>&ldquo;I don't want it.&rdquo;</p>
+
+<p>Eugene set the cup on the dresser; then he came back to Madelon,
+and stood over her, looking at her, his dark face as pitiful as a
+woman's. &ldquo;Madelon, why can't you tell me what new thing is
+making you act like this?&rdquo; he said. Madelon made an impatient
+motion and started up, and would have gone out of the room, but
+Eugene flung an arm around her and held her firmly. &ldquo;What is
+it, poor girl?&rdquo; he whispered in her ear.</p>
+
+<p>Madelon had soft woman's blood in her veins, after all. Suddenly
+she shook convulsively, and would have kept her face firm, but she
+could not. She put her head on her brother's shoulder, and sobbed and
+wept as he had never seen her do, even when she was a child, for she
+had never been one to cry when she was hurt. Eugene sat down in the
+rocking-chair with his sister on his knee, and smoothed her dark hair
+as gently as her mother might have done. &ldquo;Poor girl! poor
+girl!&rdquo; he kept whispering; but, softly caressing as his voice
+was, his eyes, staring over his sister's head at the fire, got a
+fierce and fiercer look; for he was thinking of Burr Gordon and
+cursing him in his heart for all this. &ldquo;Good Lord, Madelon,
+can't you put that fellow out of your head?&rdquo; he cried out,
+sharply, all at once.</p>
+
+<p>Then Madelon hushed her sobs, with a stern grip of her will upon
+her quivering nerves, and raised herself up and away from him.
+&ldquo;That has nothing to do with this,&rdquo; she said, coldly.
+&ldquo;Let me go now, Eugene.&rdquo;</p>
+
+<p>But Eugene held her strongly with a hand on either arm, and
+scanned her keenly with his indignant eyes. &ldquo;He is at the root
+of the whole matter,&rdquo; said he, &ldquo;and you know it. I
+wish&mdash;&rdquo;</p>
+
+<p>&ldquo;I tell you Burr Gordon has nothing to do with this last. He
+knows nothing of it. Let me go, Eugene.&rdquo;</p>
+
+<p>But Eugene still held her and looked at her.
+&ldquo;Madelon&mdash;&rdquo;</p>
+
+<p>&ldquo;What? I can sit here no longer. I have work to do. There is
+nothing the matter with me. I have nothing to complain of. What I do
+I do of my own free will.&rdquo;</p>
+
+<p>&ldquo;Madelon,&rdquo; whispered Eugene, with a red flush stealing
+over his dark face, his eyes dropping a little before her, &ldquo;you
+don't&mdash;think she will&mdash;marry him?&rdquo;</p>
+
+<p>&ldquo;Who? Dorothy?&rdquo;</p>
+
+<p>Eugene nodded.</p>
+
+<p>&ldquo;Of course she will&mdash;marry him, Eugene
+Hautville.&rdquo;</p>
+
+<p>Eugene set his sister down suddenly and got up. &ldquo;All I've
+got to say is, then,&rdquo; he cried, with a movement of his right
+arm like a blow, &ldquo;it's a damned shame that the child can't be
+taken care of among us all.&rdquo;</p>
+
+<p>&ldquo;What do you mean, Eugene Hautville?&rdquo;</p>
+
+<p>&ldquo;I mean that she had better lie down in her grave than marry
+that&mdash;&rdquo;</p>
+
+<p>&ldquo;Take care what you say, Eugene.&rdquo;</p>
+
+<p>&ldquo;I say she had&mdash;&rdquo;</p>
+
+<p>&ldquo;Better lie down in her grave than marry him&mdash;than
+marry Burr Gordon? What do you mean? Who are you, that you talk in
+this way? He is better than you all; not one of you is fit to tie his
+shoe.&rdquo;</p>
+
+<p>&ldquo;Madelon, are you mad? He is a lying villain, and you know
+it, and&mdash;God knows it's only on her account I speak. Some one
+ought to tell her.&rdquo;</p>
+
+<p>&ldquo;Tell her, tell her! What do you think I would tell her if I
+were to speak? If she were to come to me and ask me if Burr ever
+courted me and played me false for her, I would tell her, no, no, no!
+If she were to ask me if Burr ever kissed me, or said a fond word to
+me, or gave me a fond look, I would tell her, and this last is the
+truth, that he never gave me more than a passing thought, and 'twas
+only my own short-sightedness and conceit that made me think 'twas
+more than that, shame to me! Isn't he a man, and shouldn't a man look
+well about him among us to be sure his heart is set? I'd tell her
+'twas something for her to hold up her head for among other women all
+the days of her life, because he chose her. That's what I'd tell
+her.&rdquo;</p>
+
+<p>&ldquo;Madelon!&rdquo;</p>
+
+<p>&ldquo;Dorothy Fair shall not cheat Burr now, when he has set his
+heart upon her. It would be worse than all that has gone before. I
+tell you I won't bear that. He shall have her if he wants her. He has
+suffered enough.&rdquo;</p>
+
+<p>&ldquo;But you&mdash;you,&rdquo; gasped Eugene. &ldquo;I thought
+you&mdash;I thought you wanted him yourself, Madelon.&rdquo;</p>
+
+<p>&ldquo;I've gone past myself. All I think of now is what he
+wants,&rdquo; said she, shortly. She turned to go out of the room;
+then she stopped and spoke to him over her shoulder: &ldquo;There's
+no need of talking any more about it.&rdquo; She added: &ldquo;I
+know what I've set out to do, and I can go through with it.&rdquo;
+Then the door shut after her, and Eugene sat down with his
+Shakespeare book. But he could not read; he sat moodily puzzling over
+his sister, whose unfulfilled drama of life held his mind better than
+them all.</p>
+
+<p>But puzzle as he might, he never once dreamed of the
+truth&mdash;that his sister Madelon had promised to marry Lot Gordon
+in a month's time, and sent her &ldquo;yes&rdquo; by word of mouth of
+Margaret Bean that morning. Somehow, even with the ashes of the
+letter of proposal before his eyes on the hearth, and his sister's
+&ldquo;yes&rdquo; ringing in his ears, knowing as he did that Lot as
+well as Burr had lost his heart to her, he could not conceive of such
+a possibility. He was too well acquainted with Madelon's attitude
+towards Lot, and she had never been one to walk whither she did not
+list for any man. He could not imagine the possibility, well versed
+as he was, through his Shakespeare lessons, in the feminine heart, of
+his sister's yielding her proud maiden will to any man. He would as
+soon have thought of a wild-cat which he had trailed in the woods,
+which knew him as his mortal enemy, whose eyes had followed him with
+stealthy fury out of a way-side bush, to unbend from the crouch of
+its spring and walk purring tamely into his house at call, and fall
+to lapping milk out of a saucer on the hearth. But no man can
+estimate the possibilities of character under the lever of
+circumstances, and there is power enough abroad to tame the savage in
+all nature. Madelon Hautville had yielded to a stress of which her
+brother knew nothing, and he therefore scouted the idea, if it
+crossed his mind like a wild fancy, of her yielding at all. He rather
+came to the conclusion that the letter had announced Burr's
+engagement to Dorothy Fair, and that Madelon's &ldquo;yes&rdquo; had
+signified proud approval of it. He leaned to this conclusion the
+sooner because of the miserable tendency which a jealous heart has to
+force all suspicions to open its own sore. &ldquo;He's going to marry
+Dorothy Fair,&rdquo; Eugene told himself. &ldquo;It was like Lot to
+tell Madelon, and ask her if she was pleased with it. And that was
+why she acted so. Her heart broke at first and she cried, and then
+she stood up and hid it. He's going to marry Dorothy Fair!&rdquo;</p>
+
+<p>Eugene had a strong imagination, whereby he could suffer a
+thousandfold, if he would, every woe of his life. Sitting now by his
+hearth fire, with his Shakespeare book, full of the joys and sorrows
+of immortal lovers, disregarded upon his knees, he let his fancy show
+him many a picture which tore his heart, although look upon it he
+would. He saw Dorothy Fair in her wedding-gown; he saw her blush like
+a rose through her bridal lace; he saw her following Burr up the
+meeting-house aisle the Sabbath after her marriage with a soft
+rustling of silken finery, and a toss of white bridal plumes over her
+fair locks. He saw those glances, which he swore to himself boldly
+enough then had first been his, turned upon his rival; he imagined
+sweet words and caresses which he had never tasted, and were
+perchance the sweeter for that, bestowed upon Burr.</p>
+
+<p>Suddenly he started up and flung down his book upon the settle,
+and put on his fur cap and was out of the house. &ldquo;The first
+turn of her heart was towards me, and I was the first man she coupled
+with love in her thoughts, and nothing can undo it,&rdquo; he said,
+aloud, fiercely to himself as he went up the lonely snowy road; and
+he believed it then. Those soft blue glances of Dorothy's came back
+to him so vividly that he seemed to see them anew whenever his eyes
+fell upon the way-side bushes, or the cloud-shadowed slopes of white
+fields, or the dark gaps of solitude between the forest pines.</p>
+
+<p>For the first time a fierce insistence of his rights of love was
+upon him. Straight to the village he went, and to Parson Fair's
+house. But he did not enter; his madness was not great enough for
+that. He did not enter, but he went past with a bold, searching look
+at all the windows and no pretence of indifference, and up the road a
+little way. Then he returned and passed the house again, and looked
+again; and this time Dorothy's face showed between the dimity sweeps
+of her chamber curtains. He half stopped, and then came another
+glance of blue eyes which verified those that had gone before,
+straight into his, which replied with a dark flash of ardor, and then
+Dorothy's face went red all of a sudden, and there was a vanishing
+curve of blushing cheek and a flirt aside of fair curls, and the
+space between the dimity curtains was clear.</p>
+
+<p>Eugene stood still beneath the window for a few minutes. There
+were watchful eyes in the neighboring windows. In the tavern-yard,
+farther down the street, Dexter Beers and old Luke Basset stood, also
+fixedly staring at Parson Fair's house.</p>
+
+<p>&ldquo;Wonder if he thinks there's any trouble&mdash;fire or
+anything,&rdquo; said Dexter Beers.</p>
+
+<p>&ldquo;Don't see no smoke,&rdquo; said old Luke.</p>
+
+<p>Eugene Hautville, rapt in that abstraction of love which is the
+completest in the world, and makes indeed a world of its own across
+eternal spaces, knew nothing and thought nothing of outside
+observers. He was half minded for a minute to enter Parson Fair's
+house. Had Dorothy appeared outside, the impulse to seize her and
+bear her away with him and fight for her possession against all odds,
+like any male of his old savage tribe when love stirred his veins,
+would have been strong within him. But she did not come, nor appear
+again in the window. She stood well around the curtain and peeped;
+but he did not know that, and presently he went away.</p>
+
+<p>When he passed the tavern Dexter Beers hailed him. &ldquo;Say,
+anythin' wrong to the parson's?&rdquo;</p>
+
+<p>&ldquo;No,&rdquo; returned Eugene, sharply, and strode on.</p>
+
+<p>&ldquo;Didn't know but you see smoke, you were lookin' up at the
+house so stiddy,&rdquo; called Beers, conciliatingly; but Eugene
+swung down the road without another look. All his grace of manner was
+forgot in the stir of passion within him. What had Dorothy Fair meant
+by that look? Was she betrothed to Burr Gordon? Was she playing with
+him for her own amusement? And what was he to do, what could he do,
+for the sake of his love, with honor?</p>
+
+<p>Eugene left the road after he had cleared the village, and struck
+off across the fields for a long tramp through snowy solitudes as
+well known to him as, and better suited to him for perplexed thoughts
+than, any place in his home. In a way, out-doors was the truest home
+of all these Hautvilles, with the strain of wild nomadic blood in
+their veins.</p>
+
+<p>The sight of the little fireless dwellings of woodland things, the
+empty nests revealed on the naked trees, the scattered berries on
+leafless bushes, the winter larders of birds, the tiny track of a
+wild hare or a partridge in the snow, disturbed less the current of
+their inmost life, as being more the wonted surroundings of their
+existence, than all the sounds and sights and savors within four
+domestic walls.</p>
+
+<p>Eugene tramped on for miles over paths well known to him, which
+were hidden now beneath the snow, pondering upon himself and Dorothy
+Fair, and never gave his sister, whose guardian he had been, another
+thought.</p>
+
+<h4 align="center">Chapter XVI</h4>
+
+<p>Madelon, half an hour after Eugene had left, put on her cloak and
+hood, and went down the road to Lot Gordon's. &ldquo;I want to see
+him a minute,&rdquo; she said to Margaret Bean when the woman
+answered her knock, and went in with no more ado. Her face was white
+and stern in the shadow of her hood.</p>
+
+<p>Margaret Bean recoiled a little when she looked at her.
+&ldquo;He's up,&rdquo; said she, backing before her, half as if she
+were afraid. &ldquo;I guess you can walk right in.&rdquo;</p>
+
+<p>Madelon went into the sitting-room, and Lot's face confronted her
+at once, white and peaked, with hollow blue eyes lit, as of old, with
+a mocking intelligence of life.</p>
+
+<p>He was sunken amid multifold wrappings in a great chair before the
+fire, with a great leathern-bound book on his knees. Beside him was a
+little stand with writing-paper thereon, and sealing-wax and a
+candle, a quill pen and an inkstand. All the room was lined with
+books, and was full of the musty smell of them.</p>
+
+<p>Madelon went straight up to Lot and spoke out with no word of
+greeting. &ldquo;I have sent your answer,&rdquo; said she. &ldquo;I
+will keep my promise, but have you thought well of what you do, Lot
+Gordon?&rdquo;</p>
+
+<p>Lot looked up at her and smiled, and the smile gave a curiously
+gentle look to his face, in spite of the sharp light in his eyes.</p>
+
+<p>&ldquo;The thought has been my meat and my drink, my medicine and
+my breath of life,&rdquo; said he.</p>
+
+<p>&ldquo;If I were a man I would rather&mdash;take a snake to my
+breast than a woman who held me as one&mdash;&rdquo;</p>
+
+<p>&ldquo;Two parallel lines can sooner meet than a woman know the
+heart of a man. What do I care so I hold you to mine?&rdquo;</p>
+
+<p>Madelon stood farther away from him, but her eyes did not fall
+before his.</p>
+
+<p>&ldquo;Why did you lie&rdquo; said she. &ldquo;You knew I stabbed
+you, and not yourself. You are a liar, Lot Gordon.&rdquo;</p>
+
+<p>But Lot still smiled as he answered her. &ldquo;However it may be
+with other men, no happening has come to me since I set foot upon
+this earth that I brought not upon myself by my own deeds. The hand
+that set the knife in my side was my own, and I have not
+lied.&rdquo;</p>
+
+<p>&ldquo;You have lied. Tell them the truth.&rdquo;</p>
+
+<p>&ldquo;I have told the truth that lies at the bottom of the
+well.&rdquo;</p>
+
+<p>&ldquo;Call them all in now, and tell them&mdash;I&mdash;did it,
+I&mdash;&rdquo;</p>
+
+<p>Lot Gordon raised himself a little, and looked at her with the
+mocking expression gone suddenly from his face. &ldquo;What good do
+you think it would do if I did, Madelon?&rdquo; he said, with a
+strange sadness in his voice.</p>
+
+<p>She looked at him.</p>
+
+<p>&ldquo;I shall not die of the wound. You can't escape me by prison
+or a disgraceful death, and as for me, do you think it would make any
+difference to me if all the village pointed at you,
+Madelon?&rdquo;</p>
+
+<p>Madelon looked at him as if she were frozen.</p>
+
+<p>&ldquo;All the way to be set loose from your promise is by your
+own breaking it,&rdquo; said Lot.</p>
+
+<p>&ldquo;I will keep my promise,&rdquo; said Madelon, shutting her
+lips hard upon her words. She turned away.</p>
+
+<p>&ldquo;Madelon,&rdquo; said Lot.</p>
+
+<p>She went towards the door as if she did not hear.</p>
+
+<p>&ldquo;Madelon.&rdquo;</p>
+
+<p>She turned her white face slightly towards him and paused.</p>
+
+<p>&ldquo;Won't you come here to me a moment?&rdquo;</p>
+
+<p>&ldquo;I cannot until I am driven to it!&rdquo; she cried out,
+passion leaping into her voice like fire. &ldquo;I cannot go near
+you, Lot Gordon!&rdquo;</p>
+
+<p>She opened the door, and then she heard a sob. She hesitated a
+second, then looked around; and Lot Gordon's thin body was curled
+about in his chair and quivering with sobs like any child's.</p>
+
+<p>Madelon closed the door, and went back and stood over him. She
+looked at him with a curious expression of pity struggling with
+loathing, as she might have looked at some wounded reptile.</p>
+
+<p>&ldquo;Well, I am here,&rdquo; she said, in a harsh voice.</p>
+
+<p>&ldquo;All my life my heart has had nothing, and now what it has
+it has not,&rdquo; moaned Lot, as if it had been to his mother. He
+looked up at her with his hollow blue eyes swimming in tears. He
+seemed for a minute like a little ailing boy appealing for sympathy,
+and the latent motherhood in the girl responded to that.</p>
+
+<p>&ldquo;You know I cannot help that, Lot,&rdquo; she said.
+&ldquo;You know how you forced me into this to save the one I do
+love.&rdquo;</p>
+
+<p>&ldquo;Oh, Madelon, can't you love me?&rdquo;</p>
+
+<p>She shrank away from him and shook her head, but still her dark
+eyes were soft upon his face.</p>
+
+<p>&ldquo;Does not love for you count anything? I love you more than
+he&mdash;I do, Madelon.&rdquo;</p>
+
+<p>&ldquo;It is no use talking, I can never love you, Lot,&rdquo; she
+said, but gently.</p>
+
+<p>&ldquo;It ought to count. Love ought to count, dear. It is the
+best thing in the world we have to give. And I have given it to you;
+oh, God, how have I given it to you, Madelon!&rdquo;</p>
+
+<p>&ldquo;Lot, don't&mdash;it's no use.&rdquo;</p>
+
+<p>&ldquo;Listen&mdash;you must listen, dear. You must hear it once.
+It can't turn you more against me. You don't know how I have loved
+you&mdash;you don't know. Listen. Never a morning have I waked but
+the knowledge of you came before the consciousness of myself. Never a
+night I fell asleep but 'twas you, you I lost last, and not myself.
+When I have been sick the sting of my longing for you has dulled all
+my pain of body. If I die I see not how that can die with me, for it
+is of my soul. I see not why I must not bear it forever.&rdquo;</p>
+
+<p>&ldquo;Lot, I must go!&rdquo;</p>
+
+<p>&ldquo;Listen, Madelon; you must listen. When I have taken my
+solitary walks in the woods and pried into the secrets of the little
+wild things that live there in order to turn my mind from my own
+musing, I found always, always, that you were in them&mdash;I cannot
+tell you how, but you were, Madelon. There was a meaning of you in
+every bird-call and flutter of wings and race of wild four-footed
+things across the open. Every white alder-bush in the spring raised
+you up anew before me to madden me with vain longing, and every red
+sumach in the fall. When I have sat here alone every book I have
+opened has had in it a meaning of you which the writer knew not of.
+You are in all my forethoughts and my memories and my imaginations.
+The future has your face, and the past. My whole world is made up of
+you and my vain hunger. Oh, love, and not toil, is the curse of
+man!&rdquo;</p>
+
+<p>&ldquo;You knew about Burr,&rdquo; Madelon said, in a quiet,
+agitated voice. &ldquo;Why&mdash;did you?&rdquo;</p>
+
+<p>Lot gave a sharp cry, as if he had been wounded anew.
+&ldquo;Oh,&rdquo; he cried, &ldquo;you are blind, blind,
+blind&mdash;a woman is born blind to love! If I had had the face and
+the body of him it would have been me you would have turned to,
+Madelon. Don't you know? can't you see? He has been false to you, he
+cares no more for you. But if he had? In the end it is love and love
+alone that sweetens life, and what could his love be to
+mine?&rdquo;</p>
+
+<p>Madelon turned away again. &ldquo;I can't stand here any longer,
+Lot,&rdquo; she said, and moved towards the door.</p>
+
+<p>But Lot called her piteously: &ldquo;Madelon, come back! If you
+have any mercy, come back!&rdquo;</p>
+
+<p>She stood irresolute, frowning; then she went back. &ldquo;What is
+it?&rdquo; she asked, impatiently.</p>
+
+<p>&ldquo;Madelon, kiss me once.&rdquo;</p>
+
+<p>&ldquo;I can't&mdash;I can't! Don't ask that of me,
+Lot.&rdquo;</p>
+
+<p>&ldquo;Madelon, once!&rdquo;</p>
+
+<p>Madelon bent over him, keeping her body stiffly aloof, and kissed
+him on his hollow forehead. Lot closed his eyes and smiled like a
+contented child; then suddenly he opened them upon Madelon, and the
+look in them was not a child's. She shrank away with a strong
+shudder, flushing with anger and shame, and made resolutely for the
+door again. She looked back and spoke out sharply to him, with her
+hand on the latch: &ldquo;Mind you do not say one word
+about&mdash;what I said I'd do, until the last.&rdquo; Then she went
+out, flinging to the door quickly lest she hear Lot's voice
+again.</p>
+
+<p>When she got home there was no one there. Eugene had not returned.
+She went about preparing dinner as usual; it was on the table when
+the men, all except Eugene, came home, and none of them dreamed she
+had left the house. They inquired where Eugene was, and she replied
+that she did not know. They did not suspect that she had taken
+advantage of this lack of guardianship, and yet there was something
+unwonted in her manner which led them to look at each other furtively
+when they first noticed it. The perfect poise of decision at which
+she had arrived affected their minds in some subtle fashion. Eugene,
+when he returned late in the afternoon, noticed the change in her, in
+spite of his own perturbation. He looked hard at her staid face,
+fixed into a sort of unquestioning and dignified acquiescence with
+misery, but he said nothing. Madelon, in this state, was not to be
+questioned even by her father. He simply muttered to himself, as he
+strode out of the room, that she was a woman.</p>
+
+<p>Madelon's manner was the same as the days went on. There ceased to
+be any question as to her sanity among her father and brothers. She
+no longer paced overhead like a wild thing. She no longer made fierce
+outbreaks of despairing appeal. They no longer kept watch over her
+lest she commit some folly, and became easier in their minds about
+her.</p>
+
+<p>They made no objections when, three weeks later, she asked for the
+sleigh and the roan to go to New Salem and make some purchases for
+herself. She went early in the afternoon, and returned in good season
+with her parcels. They did not dream that she had been in a strange
+spirit of bitterness and shameful misery and feminine pride to
+purchase her wedding-gown for her marriage with Lot Gordon.</p>
+
+<p>Her frantic and unreasoning impulse of concealment was still
+strong. It was almost as if the whole horror of it were not so
+plainly thrust upon her if none but she knew it; then there was the
+agony of shame which made her fain to turn her back and deafen her
+ears to her own self, let alone all these others.</p>
+
+<p>They rather wondered, the next morning, when they saw Madelon
+seated at work upon some shining lengths of silk, at the magnificence
+of her purchase in New Salem; but they knew that she had a little
+private fund of her own, which they had never questioned her right to
+spend.</p>
+
+<p>&ldquo;Guess she's been saving her egg-and-butter money,&rdquo;
+Abner said, when she went out for something.</p>
+
+<p>His father nodded. &ldquo;Glad she's got a new gown. Guess she'll
+show folks she ain't quite done for on account of that fellow,&rdquo;
+he said.</p>
+
+<p>When Madelon was seated at her work again, and he passed her to
+leave the room, he laid a heavy, caressing hand on her black head.
+&ldquo;Glad ye've got ye a handsome gown,&rdquo; said he. &ldquo;It's
+money well spent.&rdquo;</p>
+
+<p>That day there was a great snow-storm&mdash;the last of the
+season. There had been many such that winter. Snow fell upon snow,
+and the bare ground was never seen. This time the storm lasted two
+days. On the morning of the third the sun came out and the wind blew.
+There was a northern gale all day. The new snow arose like a white
+spirit from its downfall, and was again all abroad in the air. It
+moved across the fields in great diamond-glittering shafts; it
+crested itself over the brows of hills in flashing waves; it
+lengthened its sharp slants of white light from hour to hour against
+the windward sides of the fences and houses.</p>
+
+<p>On the morning of the next day everything was still. The snow lay
+transfixed in blue whirlpools around the trees; the fields were full
+of frozen eddies, and the hill-tops curled with white wave-crests
+which never broke. There was a dead calm, and the mercury was
+fourteen degrees below zero. Everything seemed in the white region of
+death after the delirium of storm. That morning Madelon Hautville,
+after her household tasks were done, sat down again to sew her
+wedding-dress. The silk was of changeable tints, and flashed in
+patches of green and gold as it lay over her knee and swept around
+her to the floor.</p>
+
+<p>All the others had gone, but presently, as she sewed, Richard came
+in with some parcels. He had been on an errand to the store. He
+tossed the packages on the dresser, then he went and stood directly
+in front of his sister, looking at her.</p>
+
+<p>&ldquo;I want to know if it's true,&rdquo; said he.</p>
+
+<p>Then Madelon knew that he had heard. &ldquo;Yes,&rdquo; said
+she.</p>
+
+<p>&ldquo;And that is&mdash;&rdquo; Richard pointed at the silk.</p>
+
+<p>&ldquo;Yes.&rdquo;</p>
+
+<p>Richard continued to look at his sister and the gorgeous silk.
+There was consternation in his look, and withal a certain relief. Boy
+as he was, he reasoned it out astutely. If Madelon married Lot Gordon
+the merest shadow of suspicion that her confession had been true
+would not cling to her, and Richard hated Burr, and was fiercely
+triumphant that he should not think his sister dying for love of him;
+and then Burr would lose the Gordon money.</p>
+
+<p>All at once Madelon rose up, let her silk breadths slip rustling
+to the floor, and took Richard by the shoulder.
+&ldquo;Richard,&rdquo; she said, &ldquo;why could you not have told
+the truth about the knife, and not forced me to this? Why could you
+not?&rdquo;</p>
+
+<p>The boy looked aside from her doggedly. &ldquo;I don't know what
+you mean about a knife,&rdquo; said he, but his voice shook.</p>
+
+<p>&ldquo;Yes, you do know, Richard! It is all over now. I must marry
+Lot. I have promised. I shall not try to escape it&mdash;I shall not
+try again to make people believe it was I. If you were to tell the
+truth now it would do no good. But you must tell me this, Richard.
+How came Burr Gordon's knife there instead of yours?&rdquo;</p>
+
+<p>The boy hesitated.</p>
+
+<p>&ldquo;Richard, you know you can trust me.&rdquo;</p>
+
+<p>&ldquo;Well,&rdquo; said Richard, slowly, in a low voice, &ldquo;I
+came right up behind Burr before you were hardly out of sight. I'd
+got uneasy about your going home alone, and I'd thought I'd follow
+you unbeknown to you, and turn 'round and go back when you were safe
+in sight of home. Burr pulled my knife out of the wound quick and
+wiped it on the snow. &lsquo;Take it quick,&rsquo; says he, and I
+knew what he meant, and put it in my pocket, and slid out of sight in
+the bushes; and then he whipped out his knife and laid it in the pool
+of blood, and the others came up, and 'twas all done in a second.
+That's how.&rdquo;</p>
+
+<p>&ldquo;He did it to save me,&rdquo; said Madelon, and her voice
+was fuller of exultant sweetness than it had ever been in a song.</p>
+
+<p>&ldquo;He's a rascal, that's what he is!&rdquo; said Richard.
+&ldquo;If he hadn't treated you so, it wouldn't ever have
+happened.&rdquo;</p>
+
+<p>&ldquo;He did it to save me,&rdquo; said Madelon, as if to
+herself; &ldquo;it's worth all I'm going to do to save him.&rdquo;
+She sat down again, and took up her wedding-dress, and resumed
+sewing. Richard stood looking at her a minute; then he got his gun
+off the hooks where he kept it, put on his fur cap, and went out.</p>
+
+<p>Madelon sat and sewed, in a broad slant of wintry sunshine, for an
+hour longer. Then a shadow passed suddenly athwart the floor, the
+door opened, and Burr Gordon was in the room. He came straight across
+to her, but she sat still and drew her needle through her
+wedding-silk.</p>
+
+<p>&ldquo;Madelon!&rdquo; he cried out, &ldquo;is this true that I
+have just heard? Madelon!&rdquo;&mdash;Burr Gordon's handsome face
+was white as death, and he breathed hard, as if he had been
+running&mdash;&ldquo;Madelon! tell me, for God's sake, is
+it&mdash;true?&rdquo;</p>
+
+<p>&ldquo;Yes,&rdquo; said Madelon. She took another stitch. The
+self-restraint of her New England mother was upon her then. Burr
+Gordon, betrothed to Dorothy Fair, loving her not, yet still noble
+enough and kind enough to have perilled his life to save hers, should
+know nothing of the greater sacrifice she was making for him.</p>
+
+<p>&ldquo;You are going to marry&mdash;Lot?&rdquo;</p>
+
+<p>&ldquo;Yes.&rdquo;</p>
+
+<p>&ldquo;Oh, my God!&rdquo;</p>
+
+<p>Burr Gordon stood a moment looking at the girl sewing the breadths
+of shining silk. Then he went over to the settle and sat down there
+and bent over, leaning his head on his hands. He knew no more at that
+moment of Madelon's mind than an utter stranger.</p>
+
+<p>It well might be, he thought, that she no longer cared for him. It
+was not long since she had seemed to, but women, he had always heard,
+were fickle, and he had so treated her that it might have turned any
+woman's heart cold. And his cousin Lot had the family wealth, and if
+she married him she would inherit it, and not he. What could he say
+to her, sewing so calmly upon her wedding-dress, seemingly in utter
+acquiescence and content with her fate? Could he take another step
+without going deeper into the slough of shame and distress where it
+seemed to him he already stood? And there was Dorothy.</p>
+
+<p>Madelon never glanced at him as she sewed. Presently he arose and
+went over to her again. &ldquo;Madelon,&rdquo; he said, hesitatingly,
+coloring red, &ldquo;tell me you do not have any hard feelings
+towards me? I know I deserve it.&rdquo;</p>
+
+<p>&ldquo;You deserve nothing; it is I,&rdquo; she said, in a low
+voice.</p>
+
+<p>&ldquo;<em>You!</em>&rdquo;</p>
+
+<p>&ldquo;I know what you did to save my life,&rdquo; she said. Her
+voice gave out a rich thrill, like a musical tone, as she spoke. She
+bent lower over her work.</p>
+
+<p>&ldquo;That was nothing. Madelon&rdquo;&mdash;he paused a moment;
+she was silent&mdash;&ldquo;Madelon, tell me. Are you&mdash;are you
+satisfied&mdash;with this step you are going to take?&rdquo;</p>
+
+<p>&ldquo;Yes.&rdquo;</p>
+
+<p>&ldquo;There is nothing I can do? You know I would
+do&mdash;anything to&mdash; You know if you wished&mdash;I would do
+whatever you said.&rdquo;</p>
+
+<p>&ldquo;You will marry Dorothy Fair,&rdquo; Madelon said, in such a
+tone of calm assertion that he quailed before it.</p>
+
+<p>&ldquo;Then you&mdash;are satisfied to&mdash;marry Lot&mdash; It
+is your wish?&rdquo;</p>
+
+<p>&ldquo;Yes.&rdquo;</p>
+
+<p>&ldquo;Oh, my God!&rdquo; said Burr, and went out, while Madelon
+took another stitch in her wedding-gown.</p>
+
+<h4 align="center">Chapter XVII</h4>
+
+<p>However the tale of Madelon's and Lot's engagement had found
+mouth&mdash;whether Margaret Bean had vented her knowledge when it
+grew too big for her or not&mdash;it was scarce one day before the
+whole village was agape with it. With that tendency of the human mind
+born of involuntary self-knowledge which leads it to suspect a
+selfish motive in all untoward actions, many gave unhesitatingly a
+reason for Madelon's choice.</p>
+
+<p>The women nodded astutely at each other, and the men exchanged
+shrewd affirmative grunts. &ldquo;She's goin' to marry Lot to pay off
+Burr,&rdquo; they all agreed. &ldquo;She'll get all the
+money.&rdquo;</p>
+
+<p>Madelon herself had never thought of that. She had never
+considered the fact that her marriage with Lot would rob Burr of his
+prospective wealth; and, if she had, she would have dismissed the
+thought as of no moment. Capacity for revenge of that sort was not in
+her; even the imagination of it was lacking. She would simply have
+resolved to give the property to Burr if she should outlive Lot, and
+she would have carried out her resolution. Consciously, perhaps, this
+consideration was no more evident to her father and her brothers than
+to herself. The Hautvilles were not mercenary, and retaliation,
+involving personal profit at the expense of an enemy, was not of
+their code. They did have, however, a consideration no less selfish,
+in a way, and no less acute when they heard the news. One and all
+thought, &ldquo;Now Madelon will be cleared of all suspicion that she
+may have brought upon herself. Nobody will believe that Lot Gordon
+would marry a girl who attempted his life. Every hint of disgrace
+will be removed from her and us all by this marriage.&rdquo;</p>
+
+<p>Louis, when he heard the news, gave an involuntary glance at his
+own hands at the thought of Madelon's crimsoned ones, to which he had
+tried to blind his memory. &ldquo;Well, maybe it's the best thing
+that could happen,&rdquo; he said, grimly, but his wonder over it was
+great. He knew well enough, however he tried to hide the knowledge
+from himself, that Madelon's story had been true. He looked at his
+brother Richard, and Richard looked back at him; and one's knowledge
+for once faced the other's boldly in their utter astonishment. Then
+they nodded at each other in a stern understanding of assent. It was
+best their sister should cover her crime and avert the disgrace,
+which she had seemed to hang over all of them, in that way.</p>
+
+<p>When the male Hautvilles came home to dinner, on the noon of the
+day after Burr called, Madelon knew at once that they had all heard.
+They sat down to the table and ate in silence. None of them spoke a
+word to Madelon on the subject, but she knew they had heard. After
+dinner they all went out again except her father. He stood on the
+hearth, filling his pipe moodily, with an automatic motion of his
+fingers, his eyes aloof. Madelon moved about with quick, decided
+motions, clearing the dinner-table. David, when the tobacco was well
+packed in his pipe-bowl, turned his eyes mechanically upon the
+glowing coals on the hearth, but made no motion to light it. He
+looked slowly and furtively about presently at Madelon's
+wedding-silk, which lay heaped in a chair with a green and gold
+shimmer, as of leaves and flowers. All unmoved by, and oblivious of,
+the splendor of woman's gear was David Hautville usually, but this
+silk, radiant with the weaving of party-lights, affected him with a
+memory of old happiness, so vague that it was scarce more than a
+memory of a memory. In splendid silken raiment had Madelon's mother
+gone as a bride years ago. It had been in reality widely different
+from this gown of Madelon's, but still, looking at this, David
+Hautville's masculine eyes saw dimly beyond it another dapple of
+gorgeous tints, and heard a soft rustle of silken skirts out of the
+past. He would not have said that this bright mass of silk in the
+chair made him think of his wife's wedding-gown, but he knew by that
+thought it was Madelon's. He stared at it, scowling over his great
+mustache. Then he looked slowly around at his daughter. She was just
+coming out of the pantry, and faced him as he spoke.</p>
+
+<p>&ldquo;I suppose this is true I've heard,&rdquo; said he.</p>
+
+<p>Madelon's face blazed red before his eyes, but her mouth was firm
+and hard, and her eyes unflinching. &ldquo;Yes, sir,&rdquo; she
+replied; and she took a dish from the table and turned about, and
+went again into the pantry, carrying it.</p>
+
+<p>David Hautville, rearing his great height before the fire, casting
+a long shadow over the room, stood, holding his unlighted pipe, and
+staring again at the wedding-silk, until his daughter returned. Then
+he brought his gaze to bear upon her again.</p>
+
+<p>&ldquo;I suppose you've thought over what you're going to do, and
+feel it's for the best,&rdquo; said he, with a kind of stern
+embarrassment. David Hautville felt no resentment because his
+daughter had not confided her engagement to him. From his very lack
+of understanding of the feminine character, and his bewilderment over
+it, he was disposed to give his daughter a wide latitude in a matter
+of this kind. Not comprehending the feminine gait to matrimony, but
+recognizing its inevitability, he was inclined to stand silently out
+of the road, unless his prejudices were too violently shocked. He had
+also a mild respect for, and understanding of, reticence concerning
+one's own affairs, and was, moreover, furtively satisfied with the
+match.</p>
+
+<p>&ldquo;Yes, I have,&rdquo; answered Madelon, calmly.</p>
+
+<p>&ldquo;How soon were you calculating&mdash;&rdquo; asked her
+father, pressing the tobacco harder into the pipe-bowl, and casting a
+meditative eye at the coals.</p>
+
+<p>&ldquo;He said a month&mdash;that was three weeks ago Monday.
+To-day is Wednesday.&rdquo; Madelon Hautville spoke with her proud
+chin raised, and her eyes as compelling as a queen's; but in spite of
+herself there came into her voice the tone of one who counts the days
+to death.</p>
+
+<p>Her father looked at her sharply. She turned again towards her
+task at the table. &ldquo;Well, Lot Gordon can give ye a good
+home,&rdquo; said he. &ldquo;His health ain't very good, that's the
+most I see about it. But he may last a number of years
+yet&mdash;folks in consumption do sometimes; and I hear he's gettin'
+over that cut he give himself. I suppose he did that because he
+thought you wouldn't have him.&rdquo;</p>
+
+<p>Madelon, moving about the table, did not say a word.</p>
+
+<p>&ldquo;It must have been that,&rdquo; said David Hautville.
+&ldquo;I suppose he thought you favored&mdash;&rdquo; he was about to
+speak Burr's name; then he stopped short. He was usually one to
+plunge upon dangerous ground, but this time something stopped
+him&mdash;perhaps a look in his daughter's face. He laid his pipe
+carefully on the mantel-shelf, went over to Madelon, and laid a
+heavily tender hand on her shoulder.</p>
+
+<p>&ldquo;D'ye want any money to buy your wedding-fixings
+with?&rdquo; he said, in a half-whisper.</p>
+
+<p>&ldquo;I've got all I want,&rdquo; replied Madelon, wincing as if
+he had struck her.</p>
+
+<p>&ldquo;Because I've sold some skins, lately, and wood.&rdquo;
+David plunged a hand into his pocket, and began to pull out a leather
+pouch jingling with coins.</p>
+
+<p>&ldquo;I've got all the money I want, father,&rdquo; said Madelon,
+catching her breath a little, but keeping her face steady. Could her
+father have understood, if she had told him, the pretty maiden
+providence, almost like one of the primal instincts, which had led
+her to save, year after year, little sums from her small earnings,
+towards her wedding-outfit? Could he, with his powerful masculine
+grasp of the large woes of life, have sensed this lesser one, and
+fairly known the piteous struggle it cost Madelon to spend her poor
+little wealth, which was to have furnished adornment for her bridal
+happiness with her lover, for such a purpose as this? Had she turned
+upon him then and there, and told him that she hated Lot Gordon, and
+would rather lie down in her grave than be his wife, he might have
+grasped that indeed, although not in her full sense of it, for the
+same sense of misery of that kind comes not to a man and a woman; but
+the other he would have puzzled over and solved it by his one
+sweeping solution of all feminine problems&mdash;by femininity
+itself.</p>
+
+<p>However, he continued to stand beside his daughter, looking at her
+across that great gulf of original conceptions of things which love
+itself can never quite bridge. Tears came into his keen black eyes,
+and his voice was hoarse when he spoke again. &ldquo;Well,
+Madelon,&rdquo; said David Hautville, with a firmer laying on of his
+heavy hand on his daughter's shoulder, &ldquo;ye've been a good
+daughter and sister, and we're all of us glad you've got over this
+last foolishness, and we don't lay it up against ye, and&mdash;we'll
+all miss ye when ye're gone.&rdquo;</p>
+
+<p>Madelon moved quietly away from her father's roughly tender hand.
+&ldquo;I thought maybe the Widow Scoville would be willing to come
+here and live,&rdquo; said she. &ldquo;She's a good cook and a good
+housekeeper. I'm going to see her about it.&rdquo;</p>
+
+<p>&ldquo;Well, we'll see,&rdquo; said David Hautville,
+huskily&mdash;&ldquo;we'll see.&rdquo; He turned away, and looked
+irresolutely at the shelf whereon his pipe lay, at the wedding-silk
+on the chair, at his great boots in the corner at the outer door,
+then at his bass-viol leaning in the corner which the dresser formed
+against the wall, and a light of decision flashed into his eyes.</p>
+
+<p>He drew his old arm-chair nearer the fire, carried the viol over
+to it, set it between his knees, flung an arm around its neck and
+began to play. His great chest heaved tenderly over it; its sweetly
+sonorous voice spoke to his soul. Here was the friend who vexed David
+Hautville with no problems of character or sex, but filled his simple
+understanding without appeal. These chords in which the viol spoke
+were from the foundations of things, like the spring-time and the
+harvest and the frosts; they abided eternally through all the vain
+speculations of life, and sounded above the grave. No imagination of
+a great artist had David Hautville, but his music was to him like his
+woodcraft. He traced out the chords and the harmonies with the same
+fervor that he followed the course of a stream or climbed a
+mountain-path. A great player was he, although the power of creation
+was not in him, for he fingered his viol with the ardor of a soul set
+in its favorite way of all others. As David Hautville played his
+great resonant viol he forgot all about his own perplexity and his
+daughter's love-troubles; but she, listening as she worked, did not
+forget.</p>
+
+<p>Madelon, swept around with these sweet waves of sounds, never once
+had her memory of her own misery submerged. A strange double
+consciousness she had, as she listened, of her senses and her soul.
+All her nerves lapsed involuntarily into delight at the sounds they
+loved, and all her soul wept above all melodies and harmonies in her
+ears. The spirit of an artist had Madelon, and could, had she wished,
+have made the songs she sung; and for that very reason music could
+never carry her away from her own self.</p>
+
+<p>She finished her household tasks and sat down again to sew upon
+her wedding-gown. After a while her father ceased playing, and leaned
+his viol tenderly back in its corner, pulled on his great boots, put
+on his leather jacket and his fur cap, lighted his pipe, shouldered
+his gun, and set out with his eyes full of the abstraction of one who
+follows alone a different path.</p>
+
+<h4 align="center">Chapter XVIII</h4>
+
+<p>Then Madelon sat alone, sewing, setting nice stitches in her
+green-and-gold silk. Like other women, heretofore when she had sewn a
+new gown she had builded for herself air-castles of innocent vanity
+and love when she should be dressed in it. Now she builded no more,
+but sat and sewed among the ruins of all her happy maiden fancies.
+She had given herself no care concerning any other arrangements for
+her wedding than this gown&mdash;she felt even no curiosity
+concerning it. She left all that to Lot, as a victim leaves the
+details of his death to the executioner. She supposed he would send
+for her and tell her before long. When she heard a scraping step at
+the door she knew instinctively that the message had come.</p>
+
+<p>Margaret Bean's husband's simple old face confronted her when she
+opened the door. The weather was moderating fast that morning. The
+sun had the warmth of spring, and the old man stood in a shower of
+rainbow drops from the melting icicles on the eaves. He handed her a
+letter, backed clumsily and apologetically from under the drops, then
+retreated carefully down the slippery path, his clumsy old joints
+jolting.</p>
+
+<p>Madelon, back in the kitchen, stood for a second looking at the
+letter. Then she opened it, and read the message written in Lot
+Gordon's strange poetic style:</p>
+
+<p>&ldquo;Madelon,&mdash;The rose waits in the garden for her lover,
+because he has wings and she has none. But had the rose wings and her
+lover none, then would she leave her garden and fly to him with her
+honey in her heart, for love must be found.
+<br>&nbsp;&nbsp;&nbsp;&nbsp;&ldquo;Lot Gordon.&rdquo;</p>
+
+<p>Enough strength of New England blood Madelon had to feel towards
+Lot a new impulse of scorn that he should write her thus, instead of
+bidding her come, simply, like a man, displaying his power over her
+that they both knew.</p>
+
+<p>Small store of honey did she bear in her heart when she set out to
+obey Lot's call. She hurried along, indeed, with her cloak flying out
+at either side, like red wings in the south wind, but not from
+eagerness to see her lover. She was in constant dread lest she meet
+Burr on the road; but she gained Lot's house without seeing him or
+knowing that his miserable, jealous eyes watched her from an opposite
+window.</p>
+
+<p>Burr was up in his chamber when Madelon went into his cousin's
+house. Presently he went down-stairs, where his mother was, with a
+face so full of the helpless appeal of agony that she looked at him
+as she used to do when he came in hurt from play.</p>
+
+<p>&ldquo;What is the matter, Burr, are you sick?&rdquo; she said, in
+her quiet voice. She was sitting in a rocking-chair in the sun with
+her knitting-work. She swayed on gently as she spoke, and her long,
+delicate fingers still slipped the yarn over the needle.</p>
+
+<p>&ldquo;Yes, I am sick, mother; I am sick to death,&rdquo; Burr
+groaned out. Then he went down on the floor at his mother's feet, and
+hid his face in her lap, as he had used to do when he was a child in
+trouble. Mrs. Gordon's stern repose of manner had never seemed to
+repel any demonstration of her son's. Now she continued to knit above
+his head, but he apparently felt no lack of sympathy in her.</p>
+
+<p>She asked no more questions, but waited for him to speak.
+&ldquo;She's just gone in there,&rdquo; he half sobbed out,
+presently. &ldquo;Oh, mother, what shall I do&mdash;what shall I
+do?&rdquo;</p>
+
+<p>&ldquo;You'll have to get used to it,&rdquo; said his mother.
+&ldquo;You'll have to make up your mind to it, Burr.&rdquo;</p>
+
+<p>&ldquo;Mother, I can't! Oh, God, I can't see her every day there
+with him. Mother, we've got to sell out and move away. You'll be
+willing to, won't you? Won't you, mother?&rdquo;</p>
+
+<p>&ldquo;You forget Dorothy. She can't leave the town where her
+father is.&rdquo;</p>
+
+<p>&ldquo;I wish I could forget Dorothy in honor!&rdquo; Burr cried
+out.</p>
+
+<p>&ldquo;You can't,&rdquo; said his mother, &ldquo;and there's an
+end of it.&rdquo;</p>
+
+<p>&ldquo;I know it,&rdquo; said Burr. He got up and stood looking
+moodily out of the window.</p>
+
+<p>&ldquo;You know,&rdquo; said his mother, still knitting,
+&ldquo;how I have felt from the very first about Madelon Hautville. I
+never approved of her for a wife for you; I approve of her still less
+now, after her violent conduct and her consent to marry Lot, whom she
+cannot care for. Still, since you feel as you do about it, I should
+be glad to have you marry her, if such a thing could be done with any
+show of honor; but it cannot. You know that as well as I. You must
+marry Dorothy Fair, and Madelon is going to marry Lot. Leaving
+everything else out of the question, it is out of your power to say
+anything on account of the money which you will lose by her marriage
+with him. You know what she might think.&rdquo;</p>
+
+<p>&ldquo;Curse the money!&rdquo; Burr cried out. &ldquo;Curse the
+money and the position and all the damned lot of bubbles that come
+between a man and what's worth more, and will last!&rdquo;</p>
+
+<p>&ldquo;Burr, don't talk so!&rdquo;</p>
+
+<p>&ldquo;I can't help it, mother. I mean it. Curse it, I say, and
+the infernal weakness that makes a man see double on women's faces
+when there's only one woman in his heart! Mother, why didn't you know
+about that last, so you could tell me when I was a boy?&rdquo;</p>
+
+<p>His mother colored a little. &ldquo;I never taught you to be
+fickle,&rdquo; she said, with a kind of shamed bewilderment.</p>
+
+<p>&ldquo;I never have been fickle. This is something else
+worse.&rdquo; Burr looked at his mother again, with the old
+expression of his when he had come in hurt from play. No matter how
+long Burr Gordon might live, no matter what brave deeds he might
+do&mdash;and there was brave stuff in him, for he would have gone to
+the gallows rather than betray Madelon&mdash;there would always be in
+him the appeal of a child to the woman who loved him. &ldquo;Mother,
+I don't know how to bear it,&rdquo; he said.</p>
+
+<p>&ldquo;You must bear it like a man.&rdquo;</p>
+
+<p>&ldquo;It is hard to bear the consequence of unmanly conduct like
+a man,&rdquo; said Burr, shortly; then he went out, as if the old
+comfort from his mother had failed him. As for her, she finished
+heeling her stocking, and then went out into the kitchen and made a
+pudding that her son loved for his dinner.</p>
+
+<p>Burr went back up-stairs to his cold chamber, and watched for
+Madelon to come out of Lot's house. It seemed to him she was there an
+eternity, but in reality it was only a half-hour.</p>
+
+<p>She had found Lot sitting as usual before the fire with a
+leather-covered volume on his knees. &ldquo;I have come,&rdquo; she
+said, standing just inside the door; then she started at the look he
+gave her. There was a significance in it which she could not
+understand.</p>
+
+<p>He did not say a word for full five minutes while she waited. He
+did not even ask her to be seated. &ldquo;Do you know the
+date?&rdquo; he asked then, harshly. There was no hint of roses and
+honey in his speech and manner to offend her like his letter.</p>
+
+<p>&ldquo;Yes, I do.&rdquo;</p>
+
+<p>&ldquo;You know the month is up on Monday?&rdquo;</p>
+
+<p>&ldquo;I am not likely to forget.&rdquo;</p>
+
+<p>&ldquo;True,&rdquo; said Lot; &ldquo;it is the last thing a girl
+will forget&mdash;the day set for her happy marriage.&rdquo; He
+laughed.</p>
+
+<p>Madelon's face contracted. She set her mouth harder, and looked
+straight at Lot. &ldquo;When you have done laughing,&rdquo; said she,
+&ldquo;will you tell me what you want of me? I have to go home and
+get dinner.&rdquo;</p>
+
+<p>Lot still looked at her with his mocking smile. &ldquo;I wished to
+inquire if you are ready to become my bride on Monday,&rdquo; said
+he.</p>
+
+<p>&ldquo;Yes, I am ready. Is that all?&rdquo;</p>
+
+<p>&ldquo;I wished also to inquire if you have any plans concerning
+the ceremony which you would like carried out.&rdquo;</p>
+
+<p>&ldquo;I have none.&rdquo;</p>
+
+<p>&ldquo;Then will it suit you to come here on Monday at two o'clock
+in the afternoon, since the doctor tells me I shall scarcely be able
+to go out myself, and be united to me by Parson Fair?&rdquo;</p>
+
+<p>&ldquo;I am ready to carry out any plans you may make.&rdquo;</p>
+
+<p>&ldquo;Your father and your brothers and my cousin Burr and his
+mother will, of course, be present at our wedding,&rdquo; said Lot,
+with wary eyes upon her face.</p>
+
+<p>Madelon looked at him as proudly as ever. &ldquo;Very well,&rdquo;
+said she. She waited a minute longer; then she laid her hand on the
+doorlatch.</p>
+
+<p>&ldquo;Wait a minute!&rdquo; Lot cried. He looked at her
+hesitatingly. A flush crept over his white face.
+&ldquo;Madelon,&rdquo; he began; then his cough interrupted him. He
+tried to force it back with fierce swallowings, but had to yield. He
+bent over double, and shook with rattling volleys. Madelon waited,
+her eyes averted, without a sign of pity. The near approach of her
+wedding-day caused a revolt of her whole maiden soul towards him so
+intense that it was as a contraction of the muscles. She was utterly
+hard to his suffering. At last he raised himself, panting, and cast a
+pale look around at her.</p>
+
+<p>&ldquo;Well, what do you want?&rdquo; she said.</p>
+
+<p>He motioned feebly towards is desk on the other side of the room.
+&ldquo;Top drawer,&rdquo; he whispered, hoarsely; &ldquo;left-hand
+corner&mdash;find&mdash;leather case&mdash;bring to me.&rdquo;</p>
+
+<p>Madelon crossed the room to the desk, opened the drawer, found the
+leather case, and carried it to Lot. &ldquo;Here,&rdquo; said
+she.</p>
+
+<p>&ldquo;Open it,&rdquo; Lot whispered.</p>
+
+<p>Madelon pressed the spring in the case, and held it out open
+towards Lot without a glance at its contents.</p>
+
+<p>&ldquo;Look,&rdquo; he said.</p>
+
+<p>Madelon glanced at the little gold watch, curled round with a long
+gold chain, which the case contained, and continued to hold it out
+towards Lot. &ldquo;I've looked,&rdquo; said she. &ldquo;Here, take
+it; I must go home.&rdquo;</p>
+
+<p>&ldquo;Oh, Madelon, it's for you.&rdquo;</p>
+
+<p>&ldquo;I don't want it.&rdquo;</p>
+
+<p>&ldquo;Take it&mdash;Madelon, won't you have it? I got it for
+you.&rdquo;</p>
+
+<p>&ldquo;No, I don't want it. Shall I put it back in the
+drawer?&rdquo;</p>
+
+<p>&ldquo;Don't you think it's a pretty watch?&rdquo;</p>
+
+<p>&ldquo;Yes. Shall I put it back?&rdquo;</p>
+
+<p>&ldquo;You haven't any watch, Madelon.&rdquo;</p>
+
+<p>&ldquo;I don't want one.&rdquo; Madelon closed the case
+impatiently, and turned away.</p>
+
+<p>&ldquo;Oh, Madelon, won't you take it?&rdquo; Lot begged,
+piteously.</p>
+
+<p>&ldquo;I told you no&mdash;I do not care for it.&rdquo; Madelon
+put the case back in the desk drawer. Then she drew her cloak
+together, and went to the door again.</p>
+
+<p>&ldquo;Oh,&rdquo; said Lot Gordon, weakly, in his hoarse voice,
+&ldquo;the hardest thing in the whole world for Love to bruise
+himself against is the tender heart of a woman, when 'tis not
+inclined his way.&rdquo;</p>
+
+<p>&ldquo;Good-bye,&rdquo; said Madelon, and shut the door behind her
+fiercely. That last speech of Lot's, which, like many of his
+speeches, seemed to her no human vernacular, added terror to her
+aversion of him. &ldquo;He's more like a book than a man,&rdquo; she
+had often thought, and the fancy seized her now that the great
+leather-bound book upon his knees, and all those leather-bound books
+against his walls, had somehow possessed him with an uncanny life of
+their own.</p>
+
+<p>And she may have been in a measure right, for Lot Gordon, during
+his whole life, had dealt indirectly with human hearts through their
+translations in his beloved books rather than with the beating hearts
+of men and women around him. Still, although he spoke like one who
+learns a language from books instead of the familiar converse of
+people, and his thoughts clothed themselves in images which those
+about him disdained and threw off as impeding their hard race of
+life, poor Lot Gordon's heart beat in time with the hearts of his
+kind. But that Madelon could not know because hers was so set against
+it.</p>
+
+<p>She hurried out of the house and the yard, dreading again lest she
+should encounter Burr. But her haste was of no avail, for he came
+straight down his opposite terraces, and met her when she reached the
+road.</p>
+
+<p>She would have pushed past then, but he stood squarely before her.
+&ldquo;Madelon, can't I speak with you a minute?&rdquo; he pleaded.
+Madelon saw, without seeming to look, that Burr's handsome face was
+white as death and haggard.</p>
+
+<p>&ldquo;Are you sick?&rdquo; she asked, suddenly. &ldquo;Why do you
+look so? What is the matter with you?&rdquo; and she put a
+half-bitter, half-anxiously compassionate weight upon the
+<em>you</em>.</p>
+
+<p>&ldquo;I believe I am going mad,&rdquo; Burr groaned, with the
+quick grasp of a man at the pity of the woman he loves. &ldquo;Oh,
+Madelon!&rdquo; He held out his hands towards her like a child, but
+she stood back from him, and looked straight at him with sharp
+questioning in her eyes.</p>
+
+<p>&ldquo;Do you mean&mdash;&rdquo; she began; then stopped, and
+questioned him with her eyes again. She was seized with the belief,
+which filled her at once with agony and an impulse of fierce
+protection like that of a mother defending her young with her own
+wounded bosom, that Burr had had a falling out with Dorothy.</p>
+
+<p>&ldquo;Oh, Madelon!&rdquo; Burr said again, and then he could say
+no more for very shame and honor. He had run out, indeed, in a
+half-frenzy.</p>
+
+<p>&ldquo;She <em>shall</em> not play you false!&rdquo; Madelon cried
+out. &ldquo;Dorothy Fair <em>shall</em> keep her word with
+you.&rdquo;</p>
+
+<p>Burr looked at her, bewildered.</p>
+
+<p>&ldquo;Marry her at once,&rdquo; Madelon cried, with a quick rush
+of her words&mdash;&ldquo;at once. Do you hear me, Burr Gordon? It's
+all the way to do with a girl like that. Do you hear me?&rdquo;</p>
+
+<p>&ldquo;Yes, I hear you,&rdquo; Burr said, slowly, as if he were
+stunned.</p>
+
+<p>&ldquo;Dorothy Fair <em>shall</em> keep her promise to you&mdash;I
+will make her. She shall marry you whenever you say. I will go this
+very day and see her.&rdquo;</p>
+
+<p>&ldquo;There is no need for you to do that, Madelon. I will marry
+her at once, as you advise. I think she will be willing,&rdquo; Burr
+said, slowly and coldly. Then he left her without another word, and
+went up his terraces with his back bent like an old man's. He was
+holding hard to his heart the surety that Madelon no longer cared for
+him, for it is scarcely within the imagination of either man or woman
+that one can love and yet give away. But by the time he entered the
+house his spirit had awakened within him, and he made a proud resolve
+that since Madelon so advised and was herself to marry that he would
+marry Dorothy Fair as soon as she should be willing.</p>
+
+<h4 align="center">Chapter XIX</h4>
+
+<p>As for Madelon, she went home with her mind diverted from her own
+unhappiness by Burr's, and, in spite of his assurance, might have
+gone to visit her righteous anger upon Dorothy had she not heard that
+very night that Burr and Parson Fair's daughter were to be married in
+a month's time.</p>
+
+<p>The next day Lot sent again for her, and she obeyed, with her
+proud sense of duty to her future husband, although every step she
+took towards him carried her farther away. His conduct began to
+puzzle her more than ever. Again he sent her to the desk drawer, and
+this time for a roll of precious rose-colored satin stuff, fit for a
+queen's gown; but she would have none of that either, although he
+pleaded with her to take it. When she started to go away he called
+her back, and called her back, and when she came had nothing to say,
+until she lost patience and went home.</p>
+
+<p>And the day after that he sent again, and there was a great carved
+comb for her in the desk drawer, and some rose-colored satin shoes;
+but she thrust them back indignantly. &ldquo;Understand once for all,
+Lot Gordon,&rdquo; said she, &ldquo;you I will take, as I would take
+my death, because I have pledged my word; but your presents I will
+not take.&rdquo;</p>
+
+<p>&ldquo;I have been buying them and treasuring them, against the
+time you would have them, for years,&rdquo; pleaded Lot.</p>
+
+<p>&ldquo;I tell you I will not have them,&rdquo; said she.</p>
+
+<p>That day, as the day before, he called her back again and again,
+and looked at her as if he had something on his mind which he would
+and could not say; and she went home at last resolved not to go again
+until she was obliged to for the marriage ceremony.</p>
+
+<p>The next day was Sunday, and Madelon went to meeting and sang, as
+usual. Burr was not there, but pretty Dorothy was, and looked up at
+Madelon with a kind of wondering alarm when she sang. Madelon had the
+heart of one who sings her death-song, and there was something of it
+in her face that morning. Unconsciously people looked past her, when
+her voice rang out, to see some dead wall of horror at her back to
+account for the strange tones in it and the look in her face. She had
+never looked handsomer, however, than she did that day. Her cheeks
+had the bloom of roses, and her black eyes seemed to give out their
+own light, like stars.</p>
+
+<p>She held up her head like a queen as she sang, and her wonderful
+voice sounded through and beyond the viols and violins, and all the
+other singing voices. The agony within her was great to penetrate the
+consciousness of others through this fair triumphant mask.</p>
+
+<p>Madelon looked better than her rival that morning. Dorothy sat, as
+usual, daintily clad in her Sabbath silks and swan's-downs, with a
+sweet atmosphere as of a flower around her; but her delicate color
+had faded, and her blue eyes looked as if she had been weeping and
+had not slept. She never glanced once at Eugene Hautville up in the
+singing-seats; but sometimes he looked at her, and then her face
+quivered under his eyes.</p>
+
+<p>That noon Lot Gordon sent again for Madelon, but this time she
+refused to go. &ldquo;Tell him I am busy and can't come,&rdquo; she
+told Margaret Bean's husband, who had brought the note. The old man
+went off, muttering over her message to himself lest he forget it.
+She heard him repeating it in a childish sing-song&mdash;&ldquo;Tell
+him I'm busy and can't come; tell him I'm busy and can't
+come&rdquo;&mdash;as he went out of the yard, slanting his old body
+before the south wind. The wind blew from the south that day in great
+gusts as warm as summer; the air was full of the sounds of running
+water, of sweet, interrupted tinkles and sudden gurgles and steady
+outpourings as from a thousand pitchers. The snow was going fast;
+here and there were bare patches that showed a green shimmer across
+the wind. Sometimes spring comes with a rush to New England on the
+1st of April.</p>
+
+<p>That afternoon Madelon went to meeting and sang again, and when
+she got home Margaret Bean was waiting for her, sitting, a
+motionless, swaddled figure, beside a window. The Hautvilles never
+locked their doors while away from home, and she had walked in and
+waited at her ease until Madelon should return.</p>
+
+<p>Madelon came in alone; her father, Abner, and Eugene had stopped
+in the barn to look after the roan, who had gone somewhat lame in one
+foot, and Louis and Richard had lagged. Margaret Bean stood up when
+Madelon entered.</p>
+
+<p>&ldquo;You'd better come over,&rdquo; said she.</p>
+
+<p>&ldquo;Didn't I tell your husband I couldn't?&rdquo; returned
+Madelon, harshly.</p>
+
+<p>&ldquo;You'd better, I guess.&rdquo;</p>
+
+<p>&ldquo;I've got my father's and brothers' supper to get, and other
+things to see to. Tell him he must leave me in peace to-day, or I'll
+never come.&rdquo; Madelon's voice rose high and strident. She
+unfastened her cloak as if it choked her. Margaret looked at her, her
+small black eyes peering out wrathfully from her swathing woollens.
+She was as much wrapped up on this mild day as she had been when the
+cold was intense. A certain dogged attitude towards the weather
+Margaret Bean always took. On Thanksgiving Day she donned her winter
+garments; on May Day she exchanged them for her summer ones,
+regardless of the temperature. She never made any compromises or
+concessions. She sweltered in her full regalia of wools on mild
+spring days; she weathered the early November blasts in her straw
+bonnet and silk shawl, without an extra kerchief around her stiff old
+neck. To-day she would not loosen her wraps as she sat waiting for
+Madelon in the warm room, but remained all securely pinned and tied
+as when she entered.</p>
+
+<p>However, her discomfort, although she would not yield to it,
+aroused her temper. &ldquo;You'd better come,&rdquo; said she,
+&ldquo;or you'll be sorry.&rdquo;</p>
+
+<p>Madelon made no reply.</p>
+
+<p>&ldquo;He's sick,&rdquo; said Margaret Bean; &ldquo;he's took
+considerable worse.&rdquo; She nodded her head angrily at
+Madelon.</p>
+
+<p>&ldquo;Is his cough worse?&rdquo;</p>
+
+<p>&ldquo;He can scarcely sit up,&rdquo; said Margaret Bean, with
+severe emphasis. She rose up stiffly, as if she had but one joint, so
+girt about was she. &ldquo;If a woman's going to marry a man, I
+calculate it's her place to go to him when he's sick and wants
+her,&rdquo; she added.</p>
+
+<p>&ldquo;Is his cough worse?&rdquo;</p>
+
+<p>&ldquo;Ain't his cough bad all the time? Well, I'm going. If folks
+'ain't got any feelings, they 'ain't. I've got to make some porridge
+for him.&rdquo;</p>
+
+<p>Madelon opened the door for her. &ldquo;I'll come over after
+supper,&rdquo; said she; &ldquo;you can tell him so.&rdquo;</p>
+
+<p>After supper Madelon went over to Lot's in the early twilight. The
+tinkles and gurgles and plashes of water came mysteriously from all
+sides through the dusk. The hill-sides were flowing with shallow
+cascades, and the woods were threaded with brooks. The wind blew
+strongly as ever from the south; it had lost the warmth of the sun,
+but was still soft. The earth was full of a strange commotion and
+stir&mdash;of disorder changing into order, as if creation had come
+again. It might have been the very birthnight of the spring. Madelon,
+as she hurried along, felt that memory of old, joyous anticipation
+which enhances melancholy when the chance of realization is over. The
+spring might come, radiant as ever, with its fulfilment of love for
+flowers and birds and all living things, but the spring would never
+come in its full meaning, with its old prophecies, for her again.</p>
+
+<p>Just before she reached Lot's home, Burr passed her swiftly with a
+muttered &ldquo;good-evening.&rdquo; He was on his way to Dorothy
+Fair's.</p>
+
+<p>&ldquo;Good-evening,&rdquo; Madelon returned, quite clearly.</p>
+
+<p>She found Lot sitting up, but she could see that he looked worse
+than usual. He was paler, and there was an odd, nervous contraction
+about his whole face, as if a frown of anxiety and perplexity had
+extended.</p>
+
+<p>He held out his hand, but she took no notice of it.</p>
+
+<p>&ldquo;I have come,&rdquo; said she; &ldquo;what is it?&rdquo;</p>
+
+<p>&ldquo;Won't you shake hands, Madelon?&rdquo;</p>
+
+<p>Madelon held out her hand, with her face averted, but Lot did not
+take it, after all.</p>
+
+<p>&ldquo;My hand is too cold,&rdquo; he muttered; &ldquo;never
+mind&mdash;&rdquo; He continued to look at her, and the anxious
+lines on his face deepened.</p>
+
+<p>&ldquo;Are you feeling worse than usual?&rdquo; Madelon asked; and
+a little kindness came into her voice, for Lot Gordon looked again
+like a sick child who had lost his way in the world.</p>
+
+<p>Lot shook his head, with his wistful eyes still upon her face. A
+little light-stand, with his medicines and a candle, stood on his
+left. Presently he reached out and took a little box from off it, and
+extended it to Madelon. She shrank back.</p>
+
+<p>&ldquo;Take it, Madelon.&rdquo;</p>
+
+<p>&ldquo;No, I don't want it.&rdquo;</p>
+
+<p>&ldquo;Oh, Madelon, take it and open it at least, and let me see
+you.&rdquo;</p>
+
+<p>Madelon took the box, with an impatient gesture, and opened it,
+and a ring set with a great pearl gleamed on its red velvet cushion.
+She closed the box and held it out towards Lot. &ldquo;I want no
+presents, Lot,&rdquo; she said, but almost gently.</p>
+
+<p>&ldquo;Oh, Madelon, keep it!&rdquo;</p>
+
+<p>She reached across him, and laid the little box back on the
+table.</p>
+
+<p>&ldquo;There's another ring I've got for you you'll have to wear,
+Madelon.&rdquo;</p>
+
+<p>&ldquo;I will wear what I must, for the sake of my promise, when
+the time comes, but that is all I will do,&rdquo; returned Madelon;
+and she seemed to feel, as she spoke, the wedding-ring close around
+her finger like a snake.</p>
+
+<p>&ldquo;Can nothing I can give you please you, Madelon?&rdquo;</p>
+
+<p>&ldquo;No, Lot,&rdquo; she said, but not ungently. She began to
+move away.</p>
+
+<p>&ldquo;Madelon,&rdquo; said Lot.</p>
+
+<p>&ldquo;Well?&rdquo; Madelon waited, but Lot said not another
+word. She went on towards the door.</p>
+
+<p>&ldquo;Madelon,&rdquo; he whispered, and she stopped again; but
+this time also there was a long silence, which he did not break.</p>
+
+<p>Madelon opened the door, and his piteous cry came for the third
+time, and she waited on the threshold; but again he said nothing
+more.</p>
+
+<p>&ldquo;Good-night,&rdquo; said she, shortly, and was out, and the
+door shut. Then she heard a cry from him, as if he were dying.
+&ldquo;Madelon, Madelon!&rdquo;</p>
+
+<p>She opened the door with a jerk, and went back. &ldquo;Lot,&rdquo;
+said she, sternly, &ldquo;this is the last time I will come back.
+Once for all, what is it you want of me?&rdquo;</p>
+
+<p>Lot looked up at her, his face working. He strove to speak and
+could not. He strove again, and his voice was weak and gasping as if
+the breath of life had almost left him. &ldquo;We&mdash;had better
+not be married&mdash;to-morrow,&rdquo; he said, with his piteous eyes
+upon Madelon's face.</p>
+
+<p>She started, and stared at him as if she feared she did not hear
+rightly.</p>
+
+<p>&ldquo;I&mdash;have been&mdash;thinking it over,&rdquo; Lot went
+on, panting; &ldquo;I am not as well&mdash;we had better
+wait&mdash;until&mdash;May. My cough&mdash;the doctor&mdash;we will
+wait&mdash;Madelon!&rdquo; Lot's broken speech ended in a pitiful
+cry of her name.</p>
+
+<p>&ldquo;Why do you do this?&rdquo; she asked, looking at him with
+her white, stern face, through which an expression of joy, which she
+tried to keep back, was struggling.</p>
+
+<p>&ldquo;I am not as well, Madelon,&rdquo; Lot answered, with sudden
+readiness and sad dignity. &ldquo;If you do not object to the change
+of time we had best defer it.&rdquo;</p>
+
+<p>Madelon looked away. &ldquo;There is no need of any pretence
+between us,&rdquo; she said; &ldquo;I am sorry you are not as
+well.&rdquo;</p>
+
+<p>&ldquo;But not sorry that our wedded bliss must be
+deferred?&rdquo;</p>
+
+<p>&ldquo;No,&rdquo; said she. Then she went away, and that time Lot
+did not call her back. She heard him coughing hard as she went
+through the entry.</p>
+
+<p>When she came out of the house into the tumultuous darkness of the
+spring night, and went down the road with the south wind smiting her
+with broadsides of soft air, and the living sounds of water ahead and
+on either hand of her, she was happy&mdash;in spite of Burr, in spite
+of everything&mdash;with the happiness of one to whom is granted a
+respite from death.</p>
+
+<h4 align="center">Chapter XX</h4>
+
+<p>When the mind has been strained up and held to the furthering of
+some painful end and then suddenly released, it sinks back for a
+time, alive to nothing but the consciousness of freedom and rest.
+Even the thought for the future, which is its one weapon against
+fate, is laid down. Madelon, for a few days after the postponement of
+her marriage, went about in a kind of negative happiness. There are
+few who have so much to bear that there is not left to them at least
+the joy of escape from another trial. Madelon had lost her lover
+indeed, but she was let loose for a while from a worse trouble than
+that.</p>
+
+<p>When Madelon entered the house that Sunday night her face was so
+changed that it held her father's and her brothers' casual glances.
+Her cheeks were brilliant with the damp wind, her eyes gleaming, her
+mouth half smiling as she looked around. For the first time for weeks
+it seemed to Madelon that she had really come home, and the old
+familiar place did not look strange to her with the threatening light
+of her own future over it. She tossed off her hood and her red cloak,
+and proposed with her old manner that they have some music.</p>
+
+<p>The men looked at her and each other. &ldquo;She's a woman,&rdquo;
+old David muttered under his mustache, and got his viol.</p>
+
+<p>Soon the grand chorus began, and Madelon sang and sang, with all
+her old fervor. The brothers kept glancing at her, half uneasily, but
+David wooed his viol as if it were his one love in the world, and
+paid no attention to aught besides.</p>
+
+<p>The concert lasted late that night. It was midnight before they
+stopped singing and put their stringed instruments away.</p>
+
+<p>Then Madelon turned to them all. &ldquo;I am not going to be
+married to-morrow,&rdquo; she said, and her face flushed red.
+&ldquo;I had better tell you. I am not going to be married for a
+month.&rdquo; She strove to control her voice, but in spite of
+herself it rang exultantly at the last.</p>
+
+<p>Louis and Richard exchanged one look with a sudden turn of white
+faces. David stared hard and perplexedly at his daughter.
+&ldquo;What's that ye say?&rdquo; he asked, after a second's
+pause.</p>
+
+<p>&ldquo;I am not going to be married for another month.&rdquo;</p>
+
+<p>&ldquo;Why not?&rdquo;</p>
+
+<p>&ldquo;Lot isn't as well as he was.&rdquo;</p>
+
+<p>&ldquo;What's the matter? That cut he got?&rdquo;</p>
+
+<p>&ldquo;No, I guess not. I think it's his cough.&rdquo; Madelon
+paled and shivered, and turned away as she spoke, for the horror of
+her deed and the forced pity came over her again.</p>
+
+<p>Her father caught her by the arm as she would have gone out of the
+room.</p>
+
+<p>&ldquo;Look ye here,&rdquo; he said, &ldquo;is this the whole
+truth of it? We've got a right to know. Be ye going to marry him in a
+month's time?&rdquo;</p>
+
+<p>Madelon looked at him proudly. &ldquo;I am going to marry him in a
+month's time, and I am not afraid to face all the truth in the world.
+Let me go, father.&rdquo;</p>
+
+<p>When she was gone the father and sons stood staring at one
+another. There was on all their faces an under meaning to which not
+one would give tongue.</p>
+
+<p>Richard jostled Louis's shoulder. &ldquo;Suppose&mdash;&rdquo; he
+whispered, looking at him with dismayed and suspicious eyes.</p>
+
+<p>&ldquo;Hush up!&rdquo; returned Louis, roughly, and swung across
+to the shelf for his candle.</p>
+
+<p>&ldquo;If I thought&mdash;&rdquo; began David, with force; then
+stopped, shaking his old head. The male Hautvilles went out, one
+after the other, their candles flaring up in their grimly silent
+faces. They were capable of concerted action without speech, and had
+evolved one purpose of going to bed with no more parley about Lot
+Gordon and Madelon that night. Brave as these men were, not one of
+them dared set foot squarely upon the dangerous ground which two of
+them knew, and three suspected, and look another in the face with the
+consciousness of his whereabouts in his eyes.</p>
+
+<p>Truly afraid were they all, with that subtle cowardice which lurks
+sometimes in the bravest souls, of one another's knowledge and
+suspicions, as they filed up the creaking wooden stairs.</p>
+
+<p>Richard looked at Louis in a terrified sidelong way when they were
+safe in their room with the door shut. &ldquo;Hush up!&rdquo; Louis
+whispered again, roughly, as if Richard had spoken. The two brothers
+were not to sleep much that night, each being tormented by anxiety
+lest Lot Gordon had resolved to stand by their sister no longer, and
+let disgrace fall upon her head; but neither would speak.</p>
+
+<p>The candles flashed athwart the dark window-spaces of the
+Hautville chambers, and one by one went out. The house was dark and
+still, with all the sweet voices and stringed instruments at rest.
+Yet so full of sonorous harmony had it been not long since that one
+might well fancy that it would still, to an attentive ear,
+reverberate with sweet sounds in all its hollows, like a shell.</p>
+
+<p>Madelon slept soundly that night, and when she woke on the morning
+of what was to have been her wedding-day felt as if she had a glimpse
+of her own self again, after a long dream in which she had been
+changed and lost. Richard went early to tell the woman who had been
+engaged to do the housework that she need not come for a month. After
+breakfast her father and brothers all went away, and she was alone in
+the house. She went about her work singing for the first time for
+weeks. She raised her voice high in a gay ditty which was then in
+vogue, entitled &ldquo;The Knight Errant&rdquo;:</p>
+
+<p>&nbsp;&nbsp;&ldquo;It was Dennis the young and brave
+<br>&nbsp;&nbsp;&nbsp;&nbsp;Was bound for Palestine;
+<br>&nbsp;&nbsp;But first he made his orisons
+<br>&nbsp;&nbsp;&nbsp;&nbsp;Before Saint Mary's shrine.</p>
+
+<p>&nbsp;&nbsp;&ldquo;&lsquo;And grant, immortal Queen of
+Heaven,&rsquo; <br>&nbsp;&nbsp;&nbsp;&nbsp;Was still the soldier's
+prayer, <br>&nbsp;&nbsp;&lsquo;That I may prove the bravest knight
+<br>&nbsp;&nbsp;&nbsp;&nbsp;And love the fairest
+fair.&rsquo;&rdquo;</p>
+
+<p>So sang Madelon, loud and sweet, as she tidied the kitchen. There
+were four verses, and she was on the last when the door opened
+stealthily and her granduncle, old Luke Basset, entered. Her back was
+towards him, and she did not see or hear him.</p>
+
+<p>He waited, his old face fixed in a sly grin, standing unsteadily
+on his shaking old legs, and holding to the back of a chair for
+support, until Madelon sang at the close of the song,</p>
+
+<p>&nbsp;&nbsp;&ldquo;And honored be the bravest brave,
+<br>&nbsp;&nbsp;&nbsp;&nbsp;Beloved the fairest fair,&rdquo;</p>
+
+<p>and stopped. Then he spoke. &ldquo;'Tain't so, then, I
+s'pose,&rdquo; said he, and his voice seemed to crack with sly
+suggestiveness.</p>
+
+<p>Madelon faced around on him. &ldquo;What isn't so?&rdquo; she
+asked, coldly. &ldquo;I didn't hear you come in.&rdquo;</p>
+
+<p>Old Luke Basset shuffled stiffly to the hearth and settled into
+David's chair. &ldquo;Well,&rdquo; said he, &ldquo;I heerd in the
+store just now that your weddin' was put off, but I s'pose it ain't
+so, 'cause you seem to be in sech good sperits. A gal wouldn't be
+singin' if her weddin' was put off.&rdquo;</p>
+
+<p>&ldquo;Look here, Uncle Luke,&rdquo; said Madelon.</p>
+
+<p>&ldquo;Well?&rdquo;</p>
+
+<p>&ldquo;My wedding is put off for a month; now that settles it. I
+don't want to say another word about it.&rdquo; Madelon went into
+the pantry.</p>
+
+<p>Luke sent his old voice, shrill and penetrating as a baby's, after
+her. &ldquo;They say 'tain't luck to have a weddin' put off. 'Ain't
+ye afeard he'll give ye the slip?&rdquo;</p>
+
+<p>Madelon made no reply. There was a rattle of dishes in the
+pantry.</p>
+
+<p>Old Luke waited a moment; then raised his shrill, infantile voice
+again. &ldquo;If this feller gives ye the slip, ye can jest hang up
+yer fiddle; ye won't git t'other one back. Parson Fair's gal's got
+'nough fine feathers comin' from Boston to fit out the Queen of
+England, they say.&rdquo;</p>
+
+<p>Madelon said nothing.</p>
+
+<p>&ldquo;D'ye hear?&rdquo; called old Luke; but he got no reply.
+&ldquo;Dexter Beers says a hull passel of stuff come up from Boston
+on the stage yesterday. Saturday,&rdquo; persisted old Luke,
+&ldquo;Mis' Beers she see an eend of blue satin a-stickin' out of one
+of the bundles.&rdquo;</p>
+
+<p>Old Luke waited again, with sharp eyes on the pantry. He could see
+therein a fold of Madelon's indigo-blue petticoat, and could hear the
+click of a spoon against a dish; that was all.</p>
+
+<p>Old Luke tried his last prod of aggravation. &ldquo;Folks air
+sayin' down to the store that mebbe there was some truth, arter all,
+in what you said 'bout the stabbin', an' mebbe that's the reason Lot
+is a puttin' off the weddin',&rdquo; piped old Luke. He chuckled
+slyly to himself, but sobered suddenly, and cowered in his chair
+before Madelon.</p>
+
+<p>She came out of the pantry with a rush, and stood before him, her
+eyes blazing. &ldquo;There <em>was</em> truth in what I said, after
+all!&rdquo; she cried. &ldquo;The truth's the truth, whether there's
+folks to believe it or not, and I spoke it, and you can tell them so
+at the store.&rdquo;</p>
+
+<p>Old Luke shrank before her. His old body seemed to cease to shape
+his clothes. He looked up at her with scared eyes.</p>
+
+<p>&ldquo;And the reason I have told for the wedding being postponed
+is the truth, too,&rdquo; continued Madelon. &ldquo;I did stab Lot
+Gordon, and he knows I did, though he won't own it, and he's bound to
+stab me back my whole life. And we shall be married in a month fast
+enough&mdash;you needn't worry, Uncle Luke Basset.&rdquo;</p>
+
+<p>Madelon stood over the old man a minute, quivering with impatience
+and utterly reckless anger and scorn, and he shrank before her with
+scared eyes, and yet a lurking of his malicious grin about his mouth.
+Then she made a contemptuous gesture, as if she would brush him out
+of her consciousness altogether, and went away out of the room
+without another word, and left him alone.</p>
+
+<p>He turned his head slowly and looked cautiously around after the
+door was closed. He heard Madelon's quick tread up the stairs.
+&ldquo;Gorry!&rdquo; muttered old Luke under his breath, and scowled
+reflectively over his foxy eyes. Quite convinced in his own mind was
+old Luke Basset that his grandniece had spoken the truth, and had
+wounded Lot Gordon almost to death, and quite resolute was he also
+that he would, since she was his own kin, contend against the carping
+tongues of the village gossips with all the cunning in him.</p>
+
+<p>Old Luke waited for some time. Then he got up stiffly and shuffled
+out on his tottering legs, scraping his feet for purchase on the
+floor, like some old claw-footed animal.</p>
+
+<p>Out in the entry he paused a moment, with his head cocked shrewdly
+and warily towards the stairs. &ldquo;Hey!&rdquo; he called, but got
+no response. He opened the outer door, and, all ready to be gone
+should his niece appear, he called shrilly up the stairs, &ldquo;Hey,
+Mad'lon&mdash;forgot to tell ye. Mis' Beers she said she see a
+bandbox 'mongst them things that come for the parson's gal; said
+'twas most big 'nough to hold the bride, and she guessed 'twas the
+weddin'-bunnit.&rdquo;</p>
+
+<p>Not a sound from above heard old Luke, and presently he gave it up
+and went out and down the road to the village, with occasional
+glances of a crafty old eye over his shoulder at Madelon's chamber
+window. Madelon had heard every word. She was folding up her own
+wedding-silk and putting it away in the cedar chest until she should
+want it. She put away her wedding-bonnet also, with its cream-colored
+plumes and its linings and strings of yellow satin, in the
+bandbox.</p>
+
+<p>She set her mouth hard, and coupled bitterly her own poor
+wedding-finery with Dorothy Fair's grand outfit; and yet not for the
+reason that her Uncle Luke had striven to give her, for she would
+have held an old ragged blanket of one of her Indian grandmothers
+like the bridal gown of a queen had Burr been her bridegroom.</p>
+
+<p>Madelon heard the door shut, and knew her tormentor was gone; and
+after her fine attire was packed away she went down-stairs and about
+her tasks again. But she sang no more. The certainty of the future
+overcame her like the present, and her short-lived joy or respite was
+all gone. When her father and brothers came home at noon they found
+the old stern quiet in her face, and their suspicions that there had
+been a rupture with Lot ceased. They were relieved, but the boy
+Richard eyed her with furtive pity. That night he lingered behind the
+others when they dispersed for the night, and went up to Madelon and
+threw an arm around her, and laid his cheek against hers. &ldquo;Oh,
+Madelon, I wish&mdash;&rdquo; he began, and then he caught his
+breath, and his cheek against hers was wet, and Madelon turned and
+comforted him, as a woman will turn and comfort a man for even his
+pity for her sorrow.</p>
+
+<p>&ldquo;There is no need for you to fret,&rdquo; she said, with a
+sort of gentle authority, as if she had been his mother. &ldquo;I've
+got my life to live, and I've got strength enough to live it. I shall
+do well enough.&rdquo;</p>
+
+<p>Then she put him away from her softly, and went about setting
+bread to rise. But he followed beseechingly at her heels, with a
+little parcel which he had been hiding in a corner of the dresser.
+&ldquo;I bought these for you, with some of my trap money, for a
+little present,&rdquo; the boy whispered, piteously; and Madelon
+smiled at him and took the parcel and opened it, and found therein a
+pair of fine red-satin shoes. Then he brightened at the delight which
+she showed, and went up-stairs to bed, feeling that after all it
+would be no such hard task for his sister to marry Lot Gordon, and
+cover her fault of mad temper and her disgrace. &ldquo;He likes her
+so much he will treat her kindly, and she will have a fine house, and
+plenty of silk gowns, and feathers in her bonnets,&rdquo; reflected
+Richard, comfortably, with no more consciousness of his sister's
+outlook upon life than if his eyes were turned towards a scene in
+another world. Still he loved his sister with all his heart, although
+he never in his life had seen anything just as she saw it. He did not
+dream that Madelon's calm broke before his red-satin shoes, and that
+she was sitting alone before the kitchen fire with them in her lap,
+weeping bitterly. She was made of stern stuff to endure the worst of
+things; but, after all, the pitiful little accessories of grief and
+death are harder to bear without weakening, because all one's powers
+of defence are not enlisted against them. They are sometimes the
+scouts that kill.</p>
+
+<p>Poor Madelon looked at her brother's wedding-gift, the little
+red-satin shoes, in which she could never walk or dance with a merry
+heart, and her courage almost failed her. But it was only for a
+little while. She rose up and finished setting the bread to rise, and
+then she went to her chamber and packed away the shoes with the other
+things in the cedar chest.</p>
+
+<p>Through the days that came now Madelon toiled as she had never
+toiled before, although she had always been an industrious girl. She
+had her own linen-chest, which she would take with her when she
+married, and now she bestirred herself to replenish the stores of the
+house she would leave, for the comfort of her father and brothers.
+Long before dawn the gentle hum of her spinning-wheel began, although
+the days were lengthening, and many a time she sat plying it on her
+solitary hearth until after midnight. She spent days at the great
+loom in the north chamber, marching back and forth before it, a
+straight, resolute figure of industry filling human needs, although
+with sweat of the brow and heart's blood. No happier was she for her
+hard toil, but it kept at least the spirit of fierce endurance alive
+within her, for no one succumbs entirely to misery with unfolded
+hands. Then, too, she was upheld somewhat by her pride in right-doing
+and providing for the interests of her family. Enough of the New
+England conscience she had to give her a certain comfort in holding
+herself to duty, like a knife to a grindstone.</p>
+
+<p>The third week of April had begun when one morning Dorothy Fair
+came to the door. Madelon was out in the field beside the house,
+laying some lengths of cloth on the green sunny levels to whiten. The
+grass had turned quite green in places, and the sun was hot as
+midsummer. The buds on the trees opened before one's eyes, as if
+unfolded by warm fingers. People walked languidly, for the humid heat
+served to force nothing to life in them but dreams; but the birds
+lived on their wings and called out of all the distances.</p>
+
+<p>Madelon, standing up from spreading her linen, caught sight of the
+swing of a blue petticoat, like the swing of a blue flower, beside
+the house door, and went towards it directly.</p>
+
+<p>But when she reached the house the blue-clad visitor had
+disappeared within. Madelon entered and found Dorothy Fair in the
+north parlor. Eugene had been sitting in there with his Shakespeare
+book, and he had opened the door, bowing and wishing her good-day,
+with his courtly grace of manner, although his handsome face was
+pale.</p>
+
+<p>Dorothy was pale, also, under her blue-ribboned bonnet. She
+courtesied on trembling knees, and spoke like a scared child, in
+spite of her training and genteel deportment. &ldquo;Can I see your
+sister?&rdquo; she said, in a half-whisper, and she did not raise her
+blue eyes to Eugene's face.</p>
+
+<p>Eugene looked past her. &ldquo;I see her coming now across the
+field,&rdquo; he said; &ldquo;she has seen you and will be here
+presently.&rdquo;</p>
+
+<p>Then he bade her enter, and made way for her, like a courtier for
+a princess, and seated her in the north parlor in the best
+rocking-chair, as if it were a throne. Then he sat down opposite her,
+with his Shakespeare book still on his knees. That morning he had
+been poring over &ldquo;Romeo and Juliet.&rdquo; His imagination was
+afire with the sweet ardor of that other lover, and he would gladly
+have identified Dorothy, as she sat there, with Juliet; and so he
+adored her doubly.</p>
+
+<p>Yet he saw only the tip of her little shoe below the blue hem of
+her gown, and dared not fairly glance at her face, although he bore
+himself with such calm ease that none could have suspected.</p>
+
+<p>&ldquo;It is a beautiful day,&rdquo; said Eugene.</p>
+
+<p>&ldquo;Yes,&rdquo; whispered Dorothy. Somehow for the moment
+Eugene forgot Dorothy's marriage, and Burr and his bitter jealousy,
+for suddenly a strange and unwarrantable sense of possession came
+over him. He looked fully at Dorothy, and scanned her drooping face,
+and smiled, and then Madelon came in.</p>
+
+<p>Dorothy arose at once and greeted her with more of her usual
+manner. Then she fumbled uneasily with a little parcel she held, and
+glanced at Eugene, and then at Madelon. &ldquo;I had an
+errand&mdash;&rdquo; began Dorothy and stopped, and then Eugene said
+softly, still smiling, &ldquo;I see you have some weighty matter to
+discuss,&rdquo; and bowed himself out with his Shakespeare book.</p>
+
+<p>Then Dorothy, all trembling, and before he was fairly out of
+hearing across the entry in the other room, announced her errand. She
+had come to beg Madelon, whose rare skill in embroidering her own
+floral designs was celebrated in the village, to work for her the
+front breadth of one of her silken gowns with a garland of red roses.
+&ldquo;I can work only from patterns which are marked out,&rdquo;
+said Dorothy; and then she held up a shining length of green silk
+upon which the garland already bloomed in her pretty feminine fancy.
+&ldquo;I will pay you whatever you ask,&rdquo; said Dorothy, further.
+Then she started and shrank, for Madelon looked at her with such
+wrath and pride in her black eyes that she was frightened.</p>
+
+<p>&ldquo;What&mdash;have&mdash;I&mdash;done?&rdquo; she faltered,
+piteously. And it was quite true that she did not know what she had
+done, for she reasoned always like a child, with premises of acts
+only and not of motives. She considered simply that Madelon had urged
+her to be true to Burr, and was herself to marry another man, and
+therefore could not be jealous, and that she wanted her gown
+embroidered.</p>
+
+<p>Dorothy was not happy, and a nervous terror was always upon her
+which had caused her blue eyes to look out wistfully from delicate
+hollows and faded the soft pink on her cheeks; still she kept
+involuntarily to her feminine ways, and wanted her gowns
+embroidered.</p>
+
+<p>&ldquo;I want no pay!&rdquo; Madelon cried, hoarsely.</p>
+
+<p>&ldquo;I meant no harm,&rdquo; Dorothy faltered, again. She
+remembered that Madelon Hautville had on divers occasions, for
+prospective brides, turned her marvellous skill in embroidery to
+financial profit, but she dared not say so for an excuse. &ldquo;I
+could not do it myself,&rdquo; Dorothy said, further, trembling in
+every limb, &ldquo;and&mdash;I thought
+maybe&mdash;you&mdash;&rdquo;</p>
+
+<p>Suddenly Madelon extended her hand. &ldquo;Give me this
+silk,&rdquo; she said; &ldquo;I will work the flowers on it for you,
+but never dare to speak to me of pay, Dorothy Fair.&rdquo;</p>
+
+<p>Dorothy looked at her, made a motion as to give her the silk, then
+drew it back again.</p>
+
+<p>&ldquo;Give me the silk,&rdquo; said Madelon. Dorothy yielded up
+the silk hesitatingly, with a scared and apologetic murmur. Then she
+screamed faintly, for Eugene Hautville strode back into the room with
+a look on his face which she had never seen before. He snatched the
+silk out of Madelon's hand and thrust it roughly into Dorothy's.</p>
+
+<p>&ldquo;Take it home,&rdquo; he said. &ldquo;My sister does no work
+on your wedding-clothes!&rdquo;</p>
+
+<p>Dorothy gasped and looked at him with wild terror in her blue
+eyes, and then he caught her in his arms, pressed her yellow head
+against his breast, and stroked it softly. &ldquo;Don't be
+afraid,&rdquo; he said&mdash;and his voice had its wonderful gentle
+charm again. &ldquo;Don't be afraid, dear child! I could not harm you
+if I tried&mdash;not a hard word shall be said to you,
+sweet!&rdquo;</p>
+
+<p>&ldquo;<em>Eugene!</em>&rdquo; cried Madelon, and her voice seemed
+to carry wrath like a trumpet. She laid hold of his shoulders, and
+forced him back, and Dorothy slipped out of his arms and stood aside,
+trembling and weeping, with a little worked apron which she wore
+thrown over her face. &ldquo;Let me be!&rdquo; Eugene cried, angrily,
+and would have gone to Dorothy again to comfort her, but Madelon in
+her wrath was as strong as he, and she thrust herself between
+them.</p>
+
+<p>&ldquo;You are no brother of mine, Eugene Hautville,&rdquo; she
+said, her face all white and fierce with anger. &ldquo;You dare to
+touch her again, and you will find out that I can fight to keep her
+from you as well as Burr could if he were here. You <em>dare</em> to
+touch her again!&rdquo; Then she turned to Dorothy. &ldquo;Give me
+the silk,&rdquo; she said, in a hard voice. In her heart she blamed
+her more than her brother, although unnecessarily.</p>
+
+<p>Dorothy shrank back. &ldquo;No,&rdquo; she said, feebly, &ldquo;I
+had better not.&rdquo;</p>
+
+<p>&ldquo;Give me the silk!&rdquo;</p>
+
+<p>Dorothy gave her the silk. Eugene stood apart. He possessed his
+fine pride and graceful self-poise again, and though his blood boiled
+he would not, being a man, wrestle with his sister for another man's
+bride.</p>
+
+<p>Dorothy moved towards the door, her fair curls drooping over her
+agitated face. Eugene made a motion in her direction, and when
+Madelon would have thrust him back again, he only said, with a
+half-smile, &ldquo;I would crave the lady's pardon; you would not
+prevent that.&rdquo; And then he bowed low before Dorothy Fair, and
+besought her to pardon, if she could, his unseemly conduct, and
+believe that it had for motive only the highest respect and esteem
+for her.</p>
+
+<p>And Dorothy swept her curls farther over her face, and could not
+make the dignified response of offended maidenhood that she should,
+but courtesied tremblingly and fairly fled out of the house.</p>
+
+<p>Eugene, with his Shakespeare book under his arm, went also out of
+the house and over across the field, to a piney wood he loved, where
+all the trees, even in this warm flush of spring, whispered eternally
+of winter and the north, and there he stretched himself out beneath a
+tree, as melancholy as Jacques in the forest of Arden. Now that he
+had got the better of his impulse of mad passion and jealousy, he was
+ashamed, and stayed late in the wood, for he did not like to meet his
+sister's rightly scornful face.</p>
+
+<p>When he went at last late for his supper, Madelon, as he expected,
+noticed him only by an angry flash of her black eyes, under drooping
+lids. She said not one word to him, and as the days went on treated
+him coldly; and yet she did not give to the matter its full
+seriousness of meaning.</p>
+
+<p>Madelon, well acquainted with Eugene's caressing manner, thought
+simply that, seeing poor Dorothy's alarm, he had striven to soothe
+her with endearments and assurance that he would not hurt her, as he
+would have done with a child. As for Dorothy, Madelon credited her
+with the soft spirit which she knew she possessed. She scorned them
+both, and felt as jealous for Burr's sake as he himself could have
+done, that other hands than his had touched his bride's; and yet she
+did not dream of the full significance of it all.</p>
+
+<p>She wrought a marvellous garland of red roses on Dorothy Fair's
+green silk, and scarcely left herself time to sleep that she might
+complete that and her stint of household linen. She had nothing to
+add to her own wedding-garments.</p>
+
+<h4 align="center">Chapter XXI</h4>
+
+<p>The weeks went past, and the Sunday before the day set for her
+wedding came again. She had seen Lot but three times in the interval.
+He had sent for her, and she had gone obediently, and remained a
+short time, pleading her work as an excuse to return home. Lot had
+not sought to detain her; he had vexed her with no vain appeals, but
+treated her with a sort of sad deference which would have perplexed
+her had she cared enough for him to dwell upon it.</p>
+
+<p>Lot was said to be in no better health. He did not stir abroad on
+those warm spring days. Once he had put on his great-coat, and was
+for setting foot on the springing grass in the sunny yard, but
+Margaret Bean had remarked to him how she had heard, whilst
+purchasing a bit of cheese in the store, a man say that he guessed
+Lot Gordon wasn't much worse, only afraid of a wife that could use a
+knife. Margaret Bean had shaken in her starched petticoats as she
+said it, not knowing how the news might affect her master towards the
+monger of it; but she was disposed to risk a little rather than have
+a mistress over her.</p>
+
+<p>Lot said nothing in response about the matter, but pulled off his
+great-coat and sank into his chair with a fit of coughing, and
+declared he felt not well enough to go out that day.</p>
+
+<p>That last Sunday Madelon went to him without being summoned, in
+the early evening after supper. On her last visit, the week before,
+he had asked her, and she had promised to come.</p>
+
+<p>The frogs were calling across the meadows as she went along; there
+was a young moon shining with frequent silvery glances through the
+budding trees, which tossed athwart it like foam, and the mists
+curled along the horizon distances. Madelon, moving along, was as the
+ghost of one who had belonged to the spring, as a part of its radiant
+hope and stir of life and youth in days past, but was now done with
+it forever. The spring sounds and sights, and all its sweet
+influence, seemed to tear her heart anew with memories of the visions
+of fair futures which she had forfeited. The loss of the sweet dreams
+which the spring awakens in the human heart is not one of the least
+losses of life. Though the spring be unfulfilled, it sweetens the
+year.</p>
+
+<p>Just before Madelon reached Lot Gordon's house, she met Burr going
+to court Dorothy. They were to be married in two weeks more. Madelon
+and Burr exchanged a murmur of salutations and passed each other.</p>
+
+<p>Madelon went directly into Lot's house, to his sitting-room, as
+she was used to do lately, and found Lot standing in the midst of the
+room, waiting for her, with a lighted candle in his hand.</p>
+
+<p>&ldquo;I heard your footstep when you came through that open
+space, where the road has a hollow echo,&rdquo; he said; &ldquo;and I
+have been waiting for you ever since.&rdquo;</p>
+
+<p>&ldquo;You could not hear me; it is a half-mile away,&rdquo; said
+Madelon.</p>
+
+<p>&ldquo;A half-mile! what's a hundred miles when 'tis the heart
+that listens, and not the ears? Come; I have something I want to show
+you.&rdquo;</p>
+
+<p>Lot led the way and Madelon followed out of the room across the
+front entry, with its spiral of stair mounting its landscape-papered
+height, and Lot opened the door of the opposite room, the great north
+parlor. &ldquo;Wait here a minute,&rdquo; he said to Madelon, and she
+waited in the entry after he entered until he called her to
+follow.</p>
+
+<p>Lot had lighted every candle in the great branching candelabra
+upon the shelf, and the room was full of light. Madelon looked about
+her, and even her despairing calm was stirred a little. Never had she
+seen or dreamed of a room like this. She grasped no details; her
+bewildered eyes saw them all melting into each other, combining newly
+and vanishing like kaleidoscopic pictures&mdash;folds and gleaming
+stretches of crimson damask and velvet, the dark polish of precious
+woods, spots and arabesques of gold and the satin shimmer of
+wall-paper, lights and shades of steel engravings, and elegant and
+graceful lady-treasures of gilded books and work-boxes and vases on
+shelf and tables. There was even a little piano, the only one in the
+village, with slender, fluted legs, and a mother-of-pearl garland
+over the key-board.</p>
+
+<p>&ldquo;I have had this all newly furnished for you. I hope it may
+please you,&rdquo; said Lot; and he looked at Madelon with hollow,
+wistful eyes.</p>
+
+<p>That brought her to herself. &ldquo;It is very pretty,&rdquo; she
+replied, and turned away.</p>
+
+<p>Lot sighed. &ldquo;Well, I have something more to show you,&rdquo;
+said he, and went forlornly before her, stooping weakly and coughing
+now and then, into the great middle room of the house, which was
+fitted up with carven oak which Governor Winthrop might have used.
+Here, too, Lot lighted all the branches of the candelabra on the
+shelf; and the great buffet directly responded with the dazzling
+white glitter of silver from the cream-jugs and ewers and spoons
+thereon.</p>
+
+<p>Then Lot threw open the fine carved doors of the cupboard, and the
+shelves were covered with precious blue china, brought from over
+seas, and wine-glasses like bubbles of crystal, and decanters as
+graceful as plumes.</p>
+
+<p>&ldquo;Do you like it, Madelon?&rdquo; Lot asked; and Madelon
+replied, as before, that it was pretty.</p>
+
+<p>Lot showed Madelon all the wealth of his house before they
+returned to the sitting-room. Much had been there from his father's
+day, but much had been added to please this bride, who looked at it
+more coldly and with less part in it than she would have looked at
+the treasures in a merchant's windows. She saw, unmoved by any pride
+of possession, great canopied bedsteads, and chests of drawers whose
+carven tops reached the ceiling, and mirrors in gilded frames. She
+saw marvellous stores of linen damask napery in such delicate and
+graceful designs, from foreign looms, as she had never dreamed. She
+saw an India shawl, and lengths of silk and satin and velvet, and
+turned away from it all to the obstinate contemplation and endurance
+of her own misery.</p>
+
+<p>At last Lot led the way back to the sitting-room. He set the
+candle on the shelf, and gave a strange, beseeching glance around the
+room at his books. It was as if he besought, with the irrationality
+of grief, those only friends he fairly knew for help and
+sympathy.</p>
+
+<p>Then he turned to Madelon and laid a hand on each of her
+shoulders, and looked at her. &ldquo;No, there is no need now,&rdquo;
+he said, when she would have shrunk away from him; and something in
+his voice hushed her, and she stood still.</p>
+
+<p>&ldquo;Madelon,&rdquo; said Lot Gordon, &ldquo;tell me true, as
+before God. You are a woman, and always, I have heard, a woman takes
+comfort and pleasure in life with such gear as I have shown you,
+alone, even if she has little else. Would not all this give you some
+little happiness, even as my wife, Madelon?&rdquo;</p>
+
+<p>Madelon looked at Lot and hesitated. She had a feeling that her
+word of reply would stab him more cruelly than her knife had
+done.</p>
+
+<p>&ldquo;Madelon, tell me!&rdquo;</p>
+
+<p>&ldquo;Will you have the truth?&rdquo;</p>
+
+<p>Lot nodded.</p>
+
+<p>&ldquo;No, Lot.&rdquo;</p>
+
+<p>&ldquo;Madelon, I can buy you more than all this. Are you
+sure?&rdquo;</p>
+
+<p>&ldquo;Yes.&rdquo;</p>
+
+<p>Lot gave a great sigh. &ldquo;Dearly bought possessions are worse
+than poverty, you hold,&rdquo; said he. &ldquo;Then, Madelon, there
+is no sweetening in all this for your bondage?&rdquo;</p>
+
+<p>She shook her head. &ldquo;I shall do my duty, as I have
+promised,&rdquo; she said. &ldquo;All this is useless. Let me go,
+Lot.&rdquo;</p>
+
+<p>&ldquo;Madelon!&rdquo;</p>
+
+<p>She looked up in his face, and a strange awe came over her at the
+look in it. A more secret lurking-place than any of the little wild
+things that he loved to discover had the self in Lot Gordon, and
+Madelon saw it for the first time, and perhaps he, also.</p>
+
+<p>&ldquo;True love exists not unless it can do away with the desire
+of possession. I love you, Madelon,&rdquo; said Lot; and then he let
+go of her shoulders and went over to the mantel-shelf, and leaned
+against it, with his head bent.</p>
+
+<p>Madelon, all bewildered and trembling, stared at him.</p>
+
+<p>&ldquo;I&mdash;don't think I know what you mean,&rdquo; she gasped
+out, finally.</p>
+
+<p>&ldquo;You are&mdash;free,&rdquo; said Lot.</p>
+
+<h4 align="center">Chapter XXII</h4>
+
+<p>That year, spring seemed to break over the village in a day, like
+a green flood. All at once people's thoughts were interrupted, and
+their eyes turned from selfish joys or pains by the emerald flash of
+fields and hill-sides in the morning sun, and the white flutter of
+flowering boughs past their windows like the festal garments of
+unexpected guests.</p>
+
+<p>The first week in May, the cherry-trees were in blossom, and the
+alders and shad bushes were white in the borders of the woods against
+the filmy green of the birches. The young women got out their summer
+muslins, and trimmed their bonnets anew; their faces, all unknown to
+themselves, took on a new meaning of the spring, like new flowers,
+and the young men looked after them as they passed as if they were
+strangers in the village.</p>
+
+<p>On the afternoon of Wednesday, in the first week of May, Eugene
+Hautville strolled across-lots over to the village. Through the
+fields north of the Hautville place there was an old foot-path to the
+former site of an old homestead, long ago burned to the ground and
+its ashes dissipated on winds long died away. The oldest inhabitants
+in the village barely remembered the house that used to stand there.
+The slant of its roof crossed their minds dimly when they spoke of
+it: they could not agree as to whether it had faced north or south.
+It might have seemed almost fabulous, had it not been for the thicket
+of old lilacs purpling with bloom every spring, which had first grown
+before its windows, and the perennial houseleek which had clustered
+round the door.</p>
+
+<p>Then, too, east of where the house had stood there was an old
+apple orchard, the trees thereof bent to the ground like distorted
+old men, and, when spring came, bearing scarcely one bough of pink
+bloom, among others shaggy with gray moss like the beard of age.</p>
+
+<p>Then, also, the lane still remained which had stretched, in days
+gone by, from the northward of the old house to the highway. The lane
+had divided the fields of the old landowners, and had been the
+thoroughfare for the dwellers in the house when they went to meeting
+and to mill.</p>
+
+<p>The Hautvilles often used it in the summer-time for a short-cut to
+the village. Eugene went along this foot-path, which was in its way a
+little humble track of history of simple village life, passed the
+site of the house, and then struck into the lane. It stretched before
+him like a shaft of green light. The afternoon sun shone through
+young willow-leaves, transparent like green glass. Low overhead hung
+rosy tassels from out-reaching boughs of maples. Between the trees,
+the flowering alders seemed gleaming out of sight before him like the
+white skirts of maidens. Here and there the ground was blue with
+violets. Eugene picked some half mechanically, as he went along, and
+made a little nosegay, with some sprigs of alder. He was half through
+the lane, and had just emerged from a clump of alders, when he saw
+Dorothy Fair coming. She gave a start when she saw him appear with a
+great jostling of white branches, and made as if she would have fled;
+then she held up her head with gentle dignity and advanced, lifting
+her lady-skirts with dainty fingers on either side. Mistress Dorothy,
+being weary of fine needle-work upon her bridal linen, had come out a
+little way to take the air, and naturally enough had chosen for her
+walk this sweet lane, which opened upon the highway a stone's-throw
+below her house.</p>
+
+<p>If Eugene Hautville, at sight of her, felt a quaking of his
+spirit, and would also fain have fled, he made no sign, but walked on
+proudly like a prince, with a bold yet graceful swing of his stalwart
+shoulders. And when he and Dorothy met, he bowed low before her, and
+she courtesied and he bade her good-day quite clearly, and she
+murmured a response with pretty, prim lips; and they would have
+passed on had not both, as if constrained by hands of force upon
+their necks, raised their faces and looked of a sudden into each
+other eyes with that same old look which they had exchanged in the
+meeting-house long ago.</p>
+
+<p>Dorothy Fair wore on that day a thin wool gown of a mottled blue
+color like a dapple of spring violets. It was laid across her bosom
+in smooth plaits, and showed at the throat her finely wrought lace
+kerchief. The sun was so warm that she had put on her white straw hat
+with blue ribbons, and her soft curls flowed from under it to her
+blue belt ribbon. She wore, too, her little black-silk apron,
+cunningly worked in the corners with flowers in colored silks.
+Dorothy looked up in Eugene Hautville's face, and he looked down at
+her, for a force against which they had come into the world unarmed
+constrained them. Then she bent her head before him until he could
+see nothing but the white slant of her hat, and caught at her silk
+apron as if she would hide her face with that also.</p>
+
+<p>Eugene stood still looking at her, his face radiant and glowing
+red. &ldquo;Dorothy!&rdquo; he stammered, and then Dorothy
+straightened herself suddenly, though she kept her face averted,
+flung up her head, caught up her blue skirts again, and made as if
+she would pass on without another word. Eugene, with his face all at
+once white, and his head proudly raise, stood aside to let her pass.
+&ldquo;'Tis a warm day for the season,&rdquo; he said, with his old
+graceful courtesy. But Dorothy looked up at him again as she neared
+him in passing, and her sweet mouth was quivering like a frightened
+baby's, and the tears were in her blue eyes, and no man who loved her
+could have let her go by; and certainly not this fiery young Eugene.
+Suddenly, and with seemingly no more involvement of wills or ethics
+than the alders in their blossoming, the two were in each other's
+arms, and their lips were meeting in kisses.</p>
+
+<p>This fair and demure daughter of Puritans might well, as she stood
+there in her lover's embrace, being already, as she was, the
+betrothed bride of another, have been accounted fickle and false, but
+perhaps in a sense she was not. Never had she forgot or been untrue
+to her first love-dreams, which Eugene had caused, but had held to
+them with that mild negative obstinacy of her nature which she could
+not herself overcome. Now it was to her as if she were reconciled to
+her true lover, and was faithful instead of false; and less false she
+surely was to her own self.</p>
+
+<p>Right contentedly had she loved for a time Burr's love for her and
+his tenderness, and had been stirred thereby to passion, but now she
+loved this other man for something better than her own sweet image in
+his eyes.</p>
+
+<p>Never a word she said, but her hat slipped down on her shoulders,
+hanging by its blue strings, and she let her head lie on Eugene's
+shoulder, with a strange sense of wontedness and of remembering
+something which had never been.</p>
+
+<p>And, also, all Eugene's fond words in her ear seemed to her like
+the strains of old songs which were past her memory. Burr's, although
+she had listened happily, had never seemed to her like that.</p>
+
+<p>They stood together so for a few minutes, while the alder-flowers
+shook out sweetness, as from perfumed garments, at their side, and a
+bee who had left his hive and winter honey, and made that day another
+surprise of spring, hummed from one white raceme to another and then
+was away, disappearing in the blue air with a last gleam of filmy
+wing as behind a sapphire wall.</p>
+
+<p>Neither of the lovers had knowingly heard the bee's hum, but when
+it ceased the silence seemed to make an accusing sense audible to
+them. They let each other go and stood apart guiltily, as if some one
+had entered the lane and was spying upon them.</p>
+
+<p>Dorothy spoke first, without raising her pale little face, all
+drooped round with her curls. &ldquo;What shall I do?&rdquo; she
+said, like a child. She was trembling, and could scarcely control her
+tongue.</p>
+
+<p>Eugene made no reply. He stood looking moodily at the ground,
+where his nosegay of violets and alders was all scattered and
+trampled.</p>
+
+<p>Suddenly he had the feeling as of a thief in another man's garden,
+and a shame before Dorothy herself came over him. Eugene Hautville's
+principles of honor, in spite of his fiery nature, read like a
+primer, with no subtleties of evasion therein. Here was another man's
+betrothed, and he had wooed her away! He had kissed her lips, which
+were vowed to another. He had wronged her and Burr Gordon also.
+Strangely enough, Dorothy's own responsibility never occurred to him
+at all; he never dreamed of blaming her for falsity either to himself
+or Burr. That little fair trembling creature, clad like a violet in
+her mottled blue, seemed to him at once above and below all questions
+of personal agency. She bloomed like a flower in her garden,
+infinitely finer than those who wrangled around her and strove to
+gather her, and yet in a measure helpless before them.</p>
+
+<p>In a moment Dorothy answered her question negatively herself:
+&ldquo;I will not marry Burr,&rdquo; she said, without raising her
+head, and yet with that tone of voice which accompanies a lift of
+chin and stiffening of the neck muscles.</p>
+
+<p>Eugene looked at her, and extended his arms as if he would take
+her to him again; then drew them back. &ldquo;I do not know what to
+counsel you,&rdquo; he said, slowly. Then his eyes fell before the
+sudden shame and distress in Dorothy's.</p>
+
+<p>&ldquo;You do not know what do counsel me!&rdquo; she cried.
+&ldquo;Then you do not&mdash;care&mdash;&rdquo; Tears rolled over
+her cheeks, and Eugene gathered her into his arms again, and laid his
+cheek against her fair head, and soothed her as he would have soothed
+a child. &ldquo;There, there,&rdquo; he whispered, &ldquo;it is not
+that, it is not that, sweet. I would die for you, I love you so! It
+is not that, but you are the promised wife of another man. How can I
+turn a thief even for you, Dorothy? How can I bid you be false, and
+forswear yourself? There's honor as well as love, child.&rdquo;</p>
+
+<p>&ldquo;But love is honor,&rdquo; said Dorothy.</p>
+
+<p>&ldquo;Not for a man,&rdquo; said Eugene.</p>
+
+<p>Then she clung to him softly and modestly, and sobbed, and he
+kissed her hair and whispered in one breath that she was all his own,
+and in another that he knew not what to do, and was near distracted
+between his love and his sense of honor, until Dorothy said something
+which set him pleading for his rival whether he would or no, for the
+sake of stern justice.</p>
+
+<p>&ldquo;I am afraid of him, I am afraid of Burr,&rdquo; Dorothy
+whispered in his ear. &ldquo;How could I have married him, when I was
+so afraid, even if you had not come?&rdquo;</p>
+
+<p>&ldquo;Afraid?&rdquo;</p>
+
+<p>&ldquo;<em>You&mdash;know&mdash;what&mdash;they said&mdash;Burr
+did!</em>&rdquo;</p>
+
+<p>Eugene held her away from him by her slender arms, and looked at
+her. &ldquo;You did not believe that?&rdquo;</p>
+
+<p>&ldquo;He would not tell me he was innocent, even when I begged
+him so.&rdquo;</p>
+
+<p>&ldquo;You knew he was.&rdquo;</p>
+
+<p>&ldquo;Why did he not tell me, when I begged him so?&rdquo; she
+said, and the soft unyielding in her tone was absolute.</p>
+
+<p>&ldquo;Dorothy!&rdquo;</p>
+
+<p>&ldquo;I am so afraid&mdash;you don't know,&rdquo; she whispered,
+piteously.</p>
+
+<p>&ldquo;But&mdash;you know Burr was cleared.&rdquo;</p>
+
+<p>&ldquo;Yes, I know, but even now he will not tell me on the Bible,
+as I asked him, that he is innocent.&rdquo;</p>
+
+<p>&ldquo;Dorothy, he <em>is</em> innocent,&rdquo; Eugene said, with
+solemn and bitter emphasis of which she knew not the full
+meaning.</p>
+
+<p>&ldquo;Then why does he not swear that he is, to me?&rdquo; Back
+went Dorothy always, in all reasoning, to the starting-point in her
+own mind.</p>
+
+<p>&ldquo;I tell you he is, child. It has been proven so.&rdquo;</p>
+
+<p>&ldquo;Then why&mdash;&rdquo; Dorothy began, but Eugene
+interrupted her in her circle. &ldquo;There is no more cause for you
+to fear him than me,&rdquo; he said almost harshly, in his stern
+resolve to be just. Then Dorothy turned on him with sudden passion.
+&ldquo;I am afraid,&rdquo; she cried out, &ldquo;I shall always be
+afraid; even if he were to swear to me now that he is innocent, I
+shall always be afraid, for I coupled him with that awful deed once
+in my thoughts, and I cannot separate him from it forever. He will
+always hold the knife in his hand; even if it were not for you, I
+should be near mad with fear. I bid black Phyllis stay by the door
+when he comes.&rdquo;</p>
+
+<p>&ldquo;Dorothy!&rdquo;</p>
+
+<p>&ldquo;Yes, I do. What my mind has once laid hold of, that it will
+not let go. I cannot separate him from my old thought of him. I have
+tried to be faithful, and true, but even had he sworn to me that he
+was innocent, the fear would have remained. Save me from
+him&mdash;oh, Eugene, save me!&rdquo;</p>
+
+<p>But Eugene put her quite away from him, and looked at her almost
+sternly. His honor held the reins now in good earnest. The suspicion
+of Madelon, which he had never owned to himself, became a certainty.
+He defended his rival as strenuously as he would have defended
+himself, since it involved truth to himself. &ldquo;I swear to you,
+Dorothy Fair,&rdquo; he said, &ldquo;that Burr Gordon is innocent,
+and that your fear of him is groundless.&rdquo;</p>
+
+<p>Dorothy looked at him with dilated eyes. She said not a word, but
+her mind travelled its circle again.</p>
+
+<p>&ldquo;It is so,&rdquo; said Eugene; &ldquo;I know it.&rdquo;</p>
+
+<p>Still Dorothy looked at him.</p>
+
+<p>&ldquo;All my heart is yours,&rdquo; Eugene went on, &ldquo;but I
+would rather it broke, and yours too, before I counselled you to be
+false to a man for a reason like that.&rdquo;</p>
+
+<p>A flush came over Dorothy's face. She pulled her straw hat from
+her shoulders to her head, and tied the blue strings under her chin.
+She gathered up daintily a fold of her blue mottled skirt on either
+side. &ldquo;Then I will marry Burr this day week,&rdquo; she said.
+&ldquo;I will endeavor to be a good and true wife to him, and I pray
+you to forget if you can what has passed between us
+to-day.&rdquo;</p>
+
+<p>She said this as calmly and authoritatively as her father could
+have said it in the pulpit, and courtesied slightly, then went on
+down the lane and out into the open beyond, with a soft tilt of her
+blue skirts and as gently proud a carriage as when she walked into
+the meeting-house of a Sabbath.</p>
+
+<p>Eugene said not a word to stop her, but stood staring after her.
+All his study of his Shakespeare helped him not to an understanding
+of this one girl, whom he saw with love-dimmed eyes. This sudden
+abetting on her part of his resolve gave him a sense of earthquake
+and revolution, yet he did not call her back or follow her.</p>
+
+<p>He proceeded through the lane to the highway, then a few yards
+farther to the store, to get his Boston weekly paper. The mail had
+come in. On this warm spring day the loafers on the boxes and barrels
+within the store had crawled out to the bench on the piazza and sat
+there in a row. All mental states have their illustrative lives of
+body. This shabby row leaned and lopped and settled upon themselves,
+into all the lines and curves and downward slants of laziness, and
+with rank tobacco-smoke curling about them, like the very languid
+breath of it. However, when Eugene Hautville drew near, there was a
+slight shuffling stir; a drawling hum of conversation ceased, and
+when he entered the store their eyes followed him, bright with
+furtive attention. The mill of gossip had ground slowly in this heavy
+spring atmosphere, but it had ground steadily. They had been
+discussing Madelon Hautville and the breaking off of her marriage
+with Lot Gordon. It was village property by this time, and all
+tongues were exercised over it.</p>
+
+<p>&ldquo;Why ain't Lot Gordon goin' to marry her?&rdquo; they asked
+each other, and exchanged answering looks of dark suspicion. The
+reason for not marrying which Lot used every means in his power to
+promulgate&mdash;his fast-failing health&mdash;gained little
+credence. The story came directly from the doctor's wife that Lot
+Gordon was no worse than he had been for the last ten years, and was
+likely to live ten years to come. Margaret Bean was said to have told
+a neighboring woman, who told another, who in her turn told another,
+and so started an endless chain of good authority, that Lot Gordon
+had never coughed so little as he did this spring, and &ldquo;ate
+like a pig.&rdquo; He was, it is true, never seen on the highway,
+but there were those who said he was abroad again in his old woodland
+haunts.</p>
+
+<p>&ldquo;Guess he didn't change his mind about havin' Mad'lon
+Hautville 'cause he was so much worse than common,&rdquo; they said;
+&ldquo;guess when the time drawed near he was afraid.&rdquo;
+Margaret Bean was, furthermore, on good authority reported to have
+intimated that never, if Madelon had come to that house while she was
+in it, would she and her husband have gone to bed without the
+scissors in the latch of their bedroom door.</p>
+
+<p>Lot Gordon, who had forsworn himself to save Madelon, was now, by
+his last sacrifice for her, bidding fair to prove what her own
+assertions had failed to do&mdash;her guilt. He crept out secretly
+into cover of the woods, now and then, on a mild day; he could not
+deny himself that. But otherwise he stayed close, and coughed hard
+when there were listening ears, and complained like any old woman of
+his increasing aches and pains. Still his cunning availed little,
+although he did not dream of it.</p>
+
+<p>He went not among the gossips himself, and no one as yet had
+ventured to approach him with the rumor that was fast gaining
+ground.</p>
+
+<p>No one had ventured to broach the matter to the Hautville men, for
+obvious reasons. &ldquo;I wouldn't vally your skin if that fellar
+overheard what you was sayin' of when he come up the road, Joe
+Simpson,&rdquo; one loafer drawled to another, when Eugene left the
+store that afternoon and had disappeared going the long way home.</p>
+
+<p>&ldquo;Hush up, will ye!&rdquo; whispered the other, glancing
+around pale under his unshaven beard as if he feared Eugene might yet
+be there. The Hautville men, however, hearing nothing, and saying
+nothing about the matter to each other, had always, among themselves,
+a subtle exchange of uneasy thought concerning it. If one sat moodily
+by and moved out of her way without a word while Madelon prepared a
+meal, the others knew what it meant. They also knew well the meaning
+of each other's glances at her, and sudden lowering of brows. Madelon
+herself did not know. When she had come home that Sunday night, and
+announced that she was not going to be married at all, she had not
+understood the sharp questioning, and then the stern quiet that
+followed upon it. She had told them simply that Lot said that his
+lungs were gone; that he had ascertained the fact himself through his
+own knowledge of medicine; that he could only live a wreck of a man,
+if at all, and, knowing it was so, had made up his mind that he would
+not marry.</p>
+
+<p>Lot had indeed told her so, and had made her believe it, doing
+away with much of the force of his giving her up for the sake of his
+love. It is difficult in any case for one to understand fully the
+love to which he cannot respond, for involuntarily the heart averts
+itself from it like an ear or an eye, and misses it like the highest
+notes of music and colors of the spectrum.</p>
+
+<p>Madelon had stared dumbly at Lot when he told her she was free,
+and for a moment indeed had struggled with a consciousness which
+would have stirred her at least into pity and gratitude and remorse,
+which she had never known, had not Lot recovered himself and spoken
+again in his old manner. He tapped himself on his hollow chest.
+&ldquo;After all,&rdquo; he said, &ldquo;'tis best you are not
+seduced like most of your sex into making the accessories of life
+supply the lack of the primal needs of it, into taking sugar instead
+of bread, and weakening your stomach and your understanding. 'Tis
+best for you and best for me, and best for those that might come
+after us. Treasure of house and land and fine apparel and furnishings
+may be a goodly inheritance, but our heirs would thank us more for
+power to draw the breath of life freely, and you would do better
+without a gown to your back, or a shoe to your foot, and a mate that
+was not half a dead man; and I should do better alone in my anteroom
+of the tomb than with another life to disturb the peace of it, and
+rouse me to efforts which will send me farther on.&rdquo;</p>
+
+<p>Madelon had stared at him, not knowing what to say, with
+compassion, and yet with growing conviction of his selfish ends,
+which disturbed it.</p>
+
+<p>Lot tapped his chest again. &ldquo;My lungs are gone,&rdquo; he
+said, shortly; &ldquo;I need no doctor to tell me. I know enough of
+physics myself to send the whole village stumbling, instead of
+racing, into their graves, if I choose to use it. My lungs are gone,
+and you are well quit of me, and I of a foolish undertaking, though
+of a charming bride. Now, go your way, child, and take up your maiden
+dreams again, for all me.&rdquo;</p>
+
+<p>Madelon looked at him proudly, although she was half dazed by what
+she heard. &ldquo;I care nothing for all the fine things you have
+shown me,&rdquo; said she, &ldquo;and I have told you truly always
+that I do not care for you, but I will keep my promise to marry you
+unless you yourself bid me to break it.&rdquo;</p>
+
+<p>&ldquo;I bid you to break it,&rdquo; said Lot, steadily, and his
+eyes met hers, and his old mocking smile played over his white face.
+Then suddenly he bent over with his racking cough, and Madelon made a
+step towards him, but he motioned her away.
+&ldquo;Good-night&mdash;child,&rdquo; he gasped out.</p>
+
+<p>Then Madelon had gone home and told her father and brothers, and
+thought their strange reception of the news due to anything but the
+truth. She had told them that she was guilty of wounding Lot Gordon
+almost to death. That they should now be rendered uneasy by
+suspicions, when she had given them actual knowledge, was something
+beyond her imagination. She fancied rather that they considered Lot
+had treated her badly, or else that she had a longing love for Burr,
+and, perhaps, had herself broken off her match with his cousin on
+that account. She strove hard to bear herself in such a manner that
+they should not think that. She put on as gay a face as she could
+muster, and even took, beside the dress, a little blue-silk mantle to
+embroider for Dorothy Fair's wedding outfit, and sang over it as she
+worked.</p>
+
+<p>Still, in a way, although her pride led her to it, her singing and
+her gayety were no pretence, for Madelon, through much suffering, had
+reached that growth in love which enabled her to see over her own
+self and her own needs. That knife-thrust she had meant for her lover
+had stilled forever the jealous temper in her own heart, and she
+fairly dreamed as she embroidered Dorothy's bridal mantle some dreams
+of happiness that might have been Burr's; so filled was she with
+purest love for him that his imagination possessed her own.</p>
+
+<h4 align="center">Chapter XXIII</h4>
+
+<p>It was told on good authority in the village that Parson Fair had
+paid all Burr Gordon's back interest money on his mortgage, and so
+released him from the danger of foreclosure; and then on equally good
+authority it was denied. There was much discussion over it, but one
+day the loafers in the store arrived at the truth. Parson Fair had
+indeed offered to pay the interest, and Burr had declined. He had
+also refused to live with his bride in his father-in-law's house, and
+when Parson Fair had, with his gracefully austere manner, intimated
+that he should be unwilling to place his daughter in such uncertain
+shelter, had replied harshly that Dorothy should have a roof over her
+head of his own providing while he lived; when he was dead it would
+be time to talk about her father's.</p>
+
+<p>When Burr had gone to Lot Gordon and offered to part with a small
+wood-lot of his, with a quantity of half-grown wood thereon, at
+two-thirds of its real value to pay the interest, Margaret Bean had
+listened at the door, and thus the story.</p>
+
+<p>&ldquo;It is a sacrifice of a full third of its value, you know
+well enough,&rdquo; Burr had said, standing moodily before his
+cousin. &ldquo;If I could wait for the growth of the wood, 'twould
+bring much more, but I'll call it even on the interest I owe you, if
+you will. This is the last foot of land I own clear.&rdquo;</p>
+
+<p>For answer Lot had bidden Burr open his desk and bring him a
+certain paper from a certain corner. Then Margaret Bean had opened
+the door a crack, and had with her two peering eyes seen Lot Gordon
+take his pen in hand and write upon the paper, and show it to his
+cousin Burr.</p>
+
+<p>&ldquo;Very well,&rdquo; said Burr, &ldquo;I will go home and get
+the deed of the wood-lot,&rdquo; and motioned towards the door, which
+drew to in a soft panic as if with the wind.</p>
+
+<p>&ldquo;Stop,&rdquo; said Lot; and Margaret Bean paused in her
+flight, and laid her ear to the door again. &ldquo;I don't want your
+woodland,&rdquo; said Lot. &ldquo;The interest is paid without it. It
+is your wedding-gift.&rdquo;</p>
+
+<p>&ldquo;Why should you do this? I did not ask you to,&rdquo; Burr
+returned, almost defiantly; and Margaret Bean had felt indignant at
+his unthankfulness.</p>
+
+<p>&ldquo;You can take from your kinsman what you could not take from
+Parson Fair,&rdquo; replied Lot. &ldquo;I hear you will not go to
+nest in Parson Fair's snug roof-tree, with your pretty bird,
+either.&rdquo;</p>
+
+<p>&ldquo;I will die before I will take my wife under any roof but my
+own,&rdquo; cried Burr, fiercely, &ldquo;and I want no gifts from you
+either. I am not turned beggar from any one yet. You shall take the
+woodland.&rdquo;</p>
+
+<p>Lot waved his hand as if he swept the woodland, with all its
+half-grown trees, out of his horizon. &ldquo;And yet,&rdquo; he said,
+&ldquo;I thought 'twas what you left the other for. I should have
+said 'twas but your wage that was offered you;&rdquo; and he smiled
+at his cousin.</p>
+
+<p>&ldquo;What do you mean, Lot Gordon?&rdquo;</p>
+
+<p>Lot looked at him with sharp interest. &ldquo;Was there another
+leaf of you to read when I thought I was at the end,&rdquo; said he,
+&ldquo;or were you writ in such plain characters that I put in
+somewhat of my own imaginings to give substance to them? Are you
+better, and worse, than I thought you, cousin? Do you love this
+flower that has her counterpart in all the gardens of the world, that
+is as sweet and no sweeter, that you can replace when she dies by
+stooping and picking, better than the one which has thorns enough to
+kill and sweetness enough to pay for death, and whose bloom you can
+never match?&rdquo;</p>
+
+<p>&ldquo;I don't know what you mean,&rdquo; Burr said, impatiently
+and angrily; and Margaret Bean outside the door wagged her head in
+scornful assent.</p>
+
+<p>&ldquo;Then you loved Dorothy Fair better than Madelon Hautville,
+and 'twas not her place and money that turned you her way,&rdquo;
+said Lot, as if he were translating; and he kept his keen eyes on the
+other's face.</p>
+
+<p>Burr's face flashed white. &ldquo;What right have you to question
+me like this?&rdquo; he demanded.</p>
+
+<p>&ldquo;But you would not take the price, after all,&rdquo; said
+Lot, as if he had been answered, instead of questioned. Then he
+looked up at his cousin with something like kindness in his blue
+eyes. &ldquo;It proves the truth of what I've thought before,&rdquo;
+he said, &ldquo;that oftentimes a man has to sting his own honor with
+his own deeds to know 'tis in him.&rdquo;</p>
+
+<p>&ldquo;My honor is my own lookout,&rdquo; Burr said, harshly.</p>
+
+<p>&ldquo;And you've looked out for it better than I thought,&rdquo;
+Lot returned.</p>
+
+<p>Burr made another motion towards the door. &ldquo;I can't stand
+here any longer,&rdquo; he said. &ldquo;I'll go for the deed.&rdquo;
+Margaret Bean, moving as softly as she could in her starched
+draperies, fled back to the kitchen.</p>
+
+<p>&ldquo;Wait a minute,&rdquo; Lot said.</p>
+
+<p>&ldquo;Well,&rdquo; returned Burr, impatiently.</p>
+
+<p>Lot got up, went over to the mantel-shelf, and stood there a
+minute, leaning against it, his face hidden. When he looked at Burr
+again he was so white that his cousin started. &ldquo;Are you
+sick?&rdquo; he cried, with harsh concern.</p>
+
+<p>Lot smiled with stiff lips. &ldquo;Only with the life-sickness
+that smites the child when it enters the world, and makes it weep
+with its first breath,&rdquo; he answered.</p>
+
+<p>&ldquo;If you want to say anything to me, Lot, talk like a man,
+and not a book,&rdquo; Burr cried out, with another step towards the
+door; and yet he spoke kindly enough, for there was something in his
+cousin's face which aroused his pity.</p>
+
+<p>&ldquo;It is not&mdash;&rdquo; began Lot, and stopped, and caught
+his breath. Burr watched him half alarmed; he looked in mortal agony.
+Lot clutched the carven edge of the mantel-shelf, then loosened his
+fingers. &ldquo;If,&rdquo; he said, brokenly, looking at Burr with
+the eyes of one who awaits a mortal blow, &ldquo;you
+want&mdash;Madelon&mdash;it is not&mdash;too late. She&mdash;I know
+how she feels&mdash;towards you.&rdquo;</p>
+
+<p>Burr turned white, as he stared at him. &ldquo;She&mdash;she was
+going to marry you!&rdquo; he said with a sneer.</p>
+
+<p>&ldquo;Do&mdash;you know why?&rdquo;</p>
+
+<p>Burr shook his head, still staring at his cousin.</p>
+
+<p>&ldquo;It was the price of&mdash;your&mdash;acquittal.&rdquo;</p>
+
+<p>Burr did not move his eyes from Lot's face. He looked as if he
+were reading something there writ in startling characters, against
+which his whole soul leaped up in incredulity. &ldquo;My God, I
+see!&rdquo; he groaned out slowly, at length. And then he said,
+sharply, &ldquo;But&mdash;you were going to marry her. Why did you
+give her up?&rdquo;</p>
+
+<p>&ldquo;I loved her,&rdquo; Lot said, simply. His white face
+worked.</p>
+
+<p>&ldquo;But now&mdash;you&mdash;ask me to&mdash;&rdquo;</p>
+
+<p>&ldquo;I love her!&rdquo; Lot said again, with a gasp.</p>
+
+<p>Burr strode forward, quite up to his cousin, and grasped his hand
+warmly for the first time in his life. &ldquo;Before the Lord,
+Lot,&rdquo; he said, huskily, &ldquo;'twas you, and not me, she
+should have fancied in the first of it.&rdquo;</p>
+
+<p>&ldquo;It is neither you nor me, nor any other man, that she will
+ever love as he is,&rdquo; Lot said, shortly, straightening himself,
+for jealousy stung him hard.</p>
+
+<p>&ldquo;What do you mean?&rdquo;</p>
+
+<p>&ldquo;Woman reverses creation. She is a sublimated particle of a
+man, and she builds a god from her own superstructure, and clothes
+him with any image whom she chooses. She chose yours. Live up to her
+thought of you, if you can.&rdquo;</p>
+
+<p>Burr dropped his cousin's hand, and surveyed him with that
+impatient wonder which he always felt when he used his favorite
+symbolic speech. &ldquo;There's no question of my living up to the
+thought of any woman's but my wife's,&rdquo; he said, bitterly, and
+turned away.</p>
+
+<p>&ldquo;There's no knowing to what stature even a Dorothy Fair may
+raise a man in her mind. You may not be able to grow to
+that.&rdquo;</p>
+
+<p>&ldquo;It is all I shall attempt.&rdquo;</p>
+
+<p>Then Lot spoke again, in that short-breathed voice of his,
+straining between the syllables. &ldquo;Be sure&mdash;that you
+do&mdash;what&mdash;you will not&mdash;regret. Honor is
+not&mdash;always what we&mdash;think it.&rdquo;</p>
+
+<p>&ldquo;I have my own conception of it at least, and that I live up
+to. 'Tis high time,&rdquo; said Burr, with a kind of proud scorn of
+himself in his voice.</p>
+
+<p>&ldquo;Madelon Hautville&mdash;loves&mdash;you.&rdquo;</p>
+
+<p>&ldquo;She does not, after all this.&rdquo;</p>
+
+<p>&ldquo;She does!&rdquo;</p>
+
+<p>Burr stood straight and firm before his cousin, like a soldier.
+&ldquo;If she does,&rdquo; said he, &ldquo;and if she loved me with
+the love of ten lives instead of one, and I her, as perhaps I do,
+this last word of mine I will keep!&rdquo; Then he went out with not
+another word, and presently returned with the deed of his little
+wooded property, which, however, his cousin Lot finally persuaded him
+to keep, as Margaret Bean gathered at the door, whither she had
+ventured again.</p>
+
+<p>The loafers knew it all by nightfall, the news having been brought
+to the store by old Luke Basset, who had gotten it from Margaret
+Bean's husband. In a day or two they knew more from the same source.
+Lot Gordon had engaged his cousin to improve the Gordon acres which
+had been lying fallow for the last ten years. He had offered him a
+good salary. He wanted to carry out some new-fangled schemes which he
+had got out of books. Burr was going right to work; he had hired a
+man from New Salem to help him.</p>
+
+<p>People began to think better of Lot Gordon than they had ever
+done, and they looked at Burr with more respect. Many had considered
+that Dorothy Fair was not going to &ldquo;do very well.&rdquo;
+&ldquo;Guess if it wa'n't for her father, and the chance of Lot's
+dying, she'd have a pretty poor prospect,&rdquo; they had said. Now
+they agreed that &ldquo;Maybe Burr Gordon won't turn out so bad after
+all. Maybe he'll settle right down and go to work, and pay off his
+mortgage, when he gets married, and get a good living, even if Lot
+should hold out some time to come.&rdquo;</p>
+
+<p>They watched Burr as he swung up the street to Parson Fair's in
+the spring twilights, with admiration for his stalwart grace, and
+growing approval for those inner qualities which outward beauty
+sometimes but poorly indicates. They approved also of the temperate
+hours which he observed in his courting, for no one within eye-shot,
+or ear-shot, but knew when Parson Fair's front door closed behind
+him. Burr, during the last weeks before his marriage, never stayed
+much later than half-past nine or ten at his sweetheart's house, and,
+in truth, was not sorely tempted to do so. Mistress Dorothy in those
+days behaved in a manner which might well have aroused to rebellion a
+more ardent or a less determinately faithful lover. She had the
+candles lit early in the beautiful spring twilights, and then she sat
+and stitched and stitched upon her wedding finery, bending her fair
+face, half concealed by drooping curls, assiduously over it, having
+never a hand at liberty for a lover's caress, or an eye for his
+smiles. Then, too, when Burr took leave, she stood before him with
+such a strange effect of terror and hauteur that he could do no more
+than touch her lips as if she had been a timid child, and bid her
+good-night. Had Burr Gordon, in those days, been less aware of his
+own unfaithfulness and weariness, and less fiercely resolved not to
+yield to it, he might well have perceived Dorothy's. As it was he
+confused her coldness with his own, and attributed it to the change
+in his own heart, and not to that in hers. And even had he suspected
+it he would not have made the first motion for freedom, so desperate
+was his adherence to falsity for the sake of truth.</p>
+
+<p>Burr Gordon had at stake in this last more than any temporal good
+or ill of love. He had at stake his whole belief in himself, and he
+was also actuated by another motive which he scarcely admitted in his
+own thoughts.</p>
+
+<p>Convinced he was that Madelon Hautville, believing as she did that
+he had forsaken her for honest love of another, would hold him in
+utter scorn and contempt were she to discover him false to Dorothy as
+she had been to her; and his very love of her love, strangely enough,
+kept him true to her rival.</p>
+
+<p>So he went to see Dorothy, and found no fault with her coldness.
+The wedding preparations went on, and at last the day came.</p>
+
+<h4 align="center">Chapter XXIV</h4>
+
+<p>The wedding was to be at eight o'clock in the evening, and nearly
+all the village was bidden to it&mdash;even many of the Unitarian
+faction who had been Parson Fair's old parishioners. At half-past
+seven o'clock the street was full of people. The village women
+rustled through the soft dusk with silken whispers of wide best
+skirts. Young girls with spring buds in their hair flounced about
+with white muslins, and fluttering with ribbons, flitted along. The
+men, holding back firmly their best broadcloth shoulders, marched
+past in their creaking Sunday shoes. Before eight o'clock the fine
+old rooms in Parson Fair's house were lined with faces solemnly
+expectant, as the faces of simple country folk are wont to be before
+the great rites of love and death.</p>
+
+<p>The women sat with their mitted hands folded on their silken laps,
+their best brooches pinning decorously their fine-wrought
+neckerchiefs, their bosoms filled with sober knowledge and patient
+acquiescence. The young girls sat among them very still, with the
+stillness of unrest, like birds who alight only to fly, their soft
+cheeks burning, their necks and arms showing rosy through their
+laces, their little clasped fingers full of pulses, and their hearts
+tumultuous and stirred to imagination by the sweet surmise and
+ignorance of love. They looked seldom at the young men, and the young
+men at them, as they sat waiting. Still there were some who had
+learned in city schools the suavities which cover like clothes the
+primal emotions of life, and they moved about with exchanges of fine
+courtesies, while the others looked at them wondering.</p>
+
+<p>When the tall clock in the south room struck eight, there was a
+hush among these few who had learned to flock gracefully, chattering
+like birds, bearing always the same aspect to one another, without
+regard to selfish joys or pains. The lawyer's wife, in a grand gown
+and topknot of feathers, which she was said to have worn to a great
+party at the governor's house in Boston, composed to majestic
+approval her handsome florid face, and stood back with a white-gloved
+hand on an arm of each of her daughters, slender and pretty, and
+unshrinkingly radiant in the faces of the doctor's college-bred son
+and his visiting classmate. The doctor's wife, also, who had come of
+a grand family, and appeared always on festive occasions in some
+well-preserved splendor of her maiden days, which had been prolonged,
+drew back, spreading out with both hands a vast expanse of purple
+velvet skirt. She quite eclipsed as with a murky purple cloud the two
+meek elderly women and a timid young girl who sat behind her. They
+immediately peered around her sumptuous folds with anxious eyes lest
+they might lose sight of the bridal party; but the bridal party did
+not come.</p>
+
+<p>A passageway was left quite clear to the space between the windows
+on the west side of the room, where it was whispered the bride and
+groom were to stand, and the people all pressed back towards the
+walls; but no one came. A little hum of wondering conversation rose
+and fell again at fancied stirs of entrance. Folk hushed and nudged
+each other a dozen times, and craned their necks, and the clock
+struck the half-hour, and the bridal party had not come.</p>
+
+<p>In a great chair near the clear space between the windows sat the
+bridegroom's mother, with a large pearl brooch gleaming out of the
+black satin folds on her bosom. Her face, between long lace lappets,
+looked as clearly pallid and passively reflective as the pearls. Not
+a muscle stirred about her calm mouth and the smooth triangle of
+forehead between her curtain slants of gray hair. If she speculated
+deeply within herself, and was agitated over the delay, not a
+restless glance of her steadily mild eyes betrayed it.</p>
+
+<p>People wondered a little that she should not be busied about the
+bridal preparations, instead of waiting there like any other guest;
+but it was said that Dorothy had refused absolutely to have any
+helping hands but those of her old black slave woman about her. It
+was known, too, that Dorothy had only once taken tea with Burr's
+mother since the engagement, and everybody speculated as to how they
+would get on together. Dorothy had, in truth, received the rigorously
+courteous overtures of her future mother with the polite offishness
+of a scared but well-trained child, and the proud elder woman had not
+increased them.</p>
+
+<p>&ldquo;When she comes here to live I shall do my duty by her, but
+I shall not force myself upon her,&rdquo; she told Burr. Burr's
+mother had not seen any of the dainty bridal gewgaws, but that she
+kept to herself. People glanced frequently at her with questioning
+eyes as the time went on; but she sat there with the gleam of her
+personality as unchanged in her face as the gleam of the pearls on
+her bosom.</p>
+
+<p>&ldquo;Catch her looking flustered!&rdquo; one woman whispered to
+another. After the clock struck nine a long breath seemed to be drawn
+simultaneously by the company; it was quite audible. Then came a
+sharp hissing whisper of wonder and consternation; then a hush, and
+all faces turned towards the door. Burr Gordon, his face stern and
+white, stood there looking across at his mother. She rose at once and
+went to him with a stately glide, and they disappeared amid a
+distinct buzz of curiosity that could no longer be restrained.</p>
+
+<p>&ldquo;They've gone into the parson's study,&rdquo; whispered one
+to another. Some reported, upon the good authority of a neighbor's
+imagination, that Parson Fair had &ldquo;fallen down dead;&rdquo;
+some that Dorothy had fainted away; some that the black woman had
+killed her and her father.</p>
+
+<p>Meanwhile, Burr and his mother went into Parson Fair's study.
+There stood the minister by his desk, with his proudly gentle brow
+all furrowed, and his fine, long scholar-fingers clutching nervously
+at the back of his arm-chair. He cast one glance around as the door
+opened and shut, then looked away, then commanded himself with an
+effort, and stepped forward and bowed courteously to the woman in her
+black satin and pearls. Elvira Gordon looked from one to the other,
+and the two men followed her glances, and each waited for the other
+to speak.</p>
+
+<p>&ldquo;Where is she?&rdquo; she asked, finally.</p>
+
+<p>&ldquo;She is up in her chamber,&rdquo; replied Parson Fair, in a
+voice more strained with his own anxiety than it had ever been in the
+pulpit over the sins of his fellow-men. &ldquo;I know not what to say
+or do&mdash;I never thought that daughter of mine&mdash;she will not
+come&mdash;&rdquo;</p>
+
+<p>Then Elvira Gordon cast a quick, sharp glance at her son, which he
+met with proud misery and resentment. &ldquo;It is quite true,
+mother,&rdquo; he said. &ldquo;We have both tried, and she will not
+come.&rdquo;</p>
+
+<p>&ldquo;Perhaps a woman&mdash;&rdquo; said Parson Fair. &ldquo;I
+wish her mother were alive,&rdquo; he added, with a break in his
+voice.</p>
+
+<p>&ldquo;I will go and see her if you think it is best,&rdquo; said
+Mrs. Gordon. In her heart she rebelled bitterly against seeming to
+plead with this unwilling bride to come to her son. Had she not felt
+guilty for her son, with the conviction of his own secret deflection,
+she would never have mounted the spiral stairs to Dorothy Fair's
+chamber that night. Parson Fair led the way, and Burr followed. The
+people stood back with a kind of awed curiosity. Some of the young
+girls were quite pale, and their eyes were dilated. Folk longed to
+follow them up-stairs, but they did not dare.</p>
+
+<p>At the door of Dorothy's chamber crouched, like a fierce dog on
+guard, the great black African woman. When the three drew near she
+looked up at them with a hostile roll of savage eyes and a glitter of
+white teeth between thick lips. The parson advanced, and she sprang
+up and put her broad back against the door and rolled out defiance at
+him from under her burring tongue.</p>
+
+<p>But he continued to advance with unmoved front, as if she had been
+the Satanas of his orthodoxy, which, indeed, she did not faintly
+image. She moved aside with a savage sound in her throat, and he
+threw the door wide open. There sat Dorothy Fair before them at her
+dimity dressing-table, with all her slender body huddled forward and
+resting seemingly upon her two bare white arms, which encompassed her
+bowed head like sweet rings. Not a glimpse of Dorothy's face could be
+seen under the wide flow of her fair curls, which parted only a
+little over the curve of one pink shoulder. Dorothy wore her
+wedding-gown of embroidered India muslin; but her satin slippers were
+widely separated upon the floor, as if she had kicked them hither and
+thither; and on the bed, in a great, careless, fluffy heap, lay her
+wedding-veil, as if it had been tossed there.</p>
+
+<p>Elvira Gordon, at a signal from Parson Fair, entered the room past
+the sullen negress, who rolled her eyes and muttered low, and went
+close to the girl at the dressing-table.</p>
+
+<p>&ldquo;Dorothy!&rdquo; said Mrs. Gordon.</p>
+
+<p>Dorothy made no sign that she heard.</p>
+
+<p>&ldquo;Dorothy, do you know it is an hour after the time set for
+your wedding?&rdquo;</p>
+
+<p>Dorothy was so still that instinctively Mrs. Gordon bent close
+over her and listened; but she heard quite plainly the soft pant of
+her breath, and knew she had not fainted.</p>
+
+<p>Mrs. Gordon straightened herself and looked at her. It was strange
+how that delicate, girlish form under the soft flow of fair locks and
+muslin draperies should express, in all its half-suggested curves,
+such utter obstinacy that it might have been the passive
+unresponsiveness of marble. Even that soft tumult of agitated breath
+could not alter that impression. When Mrs. Gordon spoke again her
+words seemed to echo back in her own ears, as if she had spoken in an
+empty room.</p>
+
+<p>&ldquo;Dorothy Fair,&rdquo; said she, with a kind of solemn
+authority, &ldquo;neither I nor any other human being can look into
+your heart and see why you do this; and you owe it to my son, who has
+your solemn promise, and to your father, whose only child you are, to
+speak. If you are sick, say so; if at the last minute you have a
+doubt as to your affection for Burr, say so. My son will keep his
+promise to you with his life, but he will not force himself upon you
+against your wishes. You need fear nothing; but you must either speak
+and give us your reason for this, or get up and put on your
+wedding-veil and your shoes, and come down, where they have been
+waiting over an hour. You cannot put such a slight upon my son, or
+your father, or all these people, any longer. You do not think what
+you are doing, Dorothy.&rdquo;</p>
+
+<p>Mrs. Gordon's even, weighty voice softened to motherly appeal in
+the closing words. Dorothy remained quite silent and motionless. Then
+Burr gave a great sigh of impatient misery, and strode across to
+Dorothy, and bent low over her, touching her curls with his lips, and
+whispered. She did not stir. &ldquo;Won't you, Dorothy?&rdquo; he
+said, gently, then quite aloud; and then again, &ldquo;Have you
+forgotten what you promised me, Dorothy?&rdquo; and still again,
+&ldquo;Are you sick? Have I offended you in any way? Can't you tell
+me, Dorothy?&rdquo;</p>
+
+<p>At length, when Dorothy persisted in her silence, he stood back
+from her and spoke with his head proudly raised. &ldquo;I will say no
+more,&rdquo; he said; &ldquo;I have come here to keep my solemn
+promise, and be married to you, and here I will remain until you or
+your father bid me go, with something more than silence. That may be
+enough for my pride, but 'tis not enough for my honor. I will go back
+to your father's study, Dorothy, and wait there until you speak and
+tell me what you wish.&rdquo;</p>
+
+<p>Burr turned to go, but Parson Fair thrust out his arm before him
+to stop him, and himself came forward and grasped Dorothy, with
+hardly a gentle hand, by a slender arm. &ldquo;Daughter,&rdquo; said
+Parson Fair in a voice which Dorothy had never heard from his lips
+except when he addressed wayward sinners from the pulpit, &ldquo;I
+command you to stop this folly; stand up and finish dressing
+yourself, and go down-stairs and fulfil your promise to this man whom
+you have chosen.&rdquo; The black woman pressed forward, then stood
+back at a glance from her master's blue eyes.</p>
+
+<p>Dorothy did not stir; then her father spoke again, and his nervous
+hand tightened on her arm. &ldquo;Dorothy,&rdquo; said he, &ldquo;I
+command you to rise&rdquo;&mdash;and there was a great authority of
+fatherhood and priesthood in his voice, and even Dorothy was moved
+before it to respond, though not to yielding.</p>
+
+<p>Suddenly she jerked her arm away from her father's grasp, and
+stood up, with a convulsive flutter of her white plumage like a bird.
+She flung back her curls and disclosed her beautiful pale face, all
+strained to terrified resolve, and her dilated blue eyes &ldquo;I
+will not!&rdquo; she cried out, addressing her father alone, &ldquo;I
+will not, father. I have made up my mind that I will not.&rdquo;</p>
+
+<p>Then, as Parson Fair said not a word, only looked at her with
+stern questioning, she went on, shrill and fast, &ldquo;I will not;
+no, I will not! Nobody can make me! I thought I would, I thought I
+must, until this last. Now when it comes to this, I can do no more. I
+will not, father.&rdquo;</p>
+
+<p>&ldquo;Why?&rdquo; said Parson Fair.</p>
+
+<p>&ldquo;I would have kept my promise, father. I would have kept it,
+no matter if&mdash;I would have been faithful to him if
+he&mdash;&rdquo; Suddenly Dorothy turned on Burr with a gasp of
+terror and defiance. &ldquo;I would never have done this, you
+know,&rdquo; she cried; &ldquo;it would never have come to this, if
+you had spoken and told me you were innocent.&rdquo;</p>
+
+<p>&ldquo;What do you mean, child?&rdquo; said Parson Fair,
+sternly.</p>
+
+<p>&ldquo;He would not tell me that he did not stab his cousin
+Lot,&rdquo; replied Dorothy, setting her sweet mouth doggedly. Her
+blue eyes met her father's with shrinking and yet steadfast
+defiance.</p>
+
+<p>&ldquo;Dorothy,&rdquo; said he, &ldquo;do you not know that he is
+innocent by his cousin's own confession?&rdquo;</p>
+
+<p>&ldquo;Why, then, does he not say so?&rdquo; finished Dorothy.
+&ldquo;How do I know who did it? Madelon Hautville said she was
+guilty, then Lot Gordon; and Burr would not deny his guilt when I
+asked him. How do I know which? Madelon Hautville was trying to
+shield him; I am not blind. Then Lot liked her. How do I know
+which?&rdquo; Suddenly she cried out to Burr so loud that the people
+in the entry below heard her, &ldquo;Tell me now that you are
+innocent, and either your cousin Lot or Madelon Hautville
+guilty,&rdquo; she demanded. &ldquo;Tell me!&rdquo;</p>
+
+<p>Burr, white and rigid, looked at her, and made no reply.
+&ldquo;Tell me,&rdquo; she cried, in her sweet, shrill voice,
+&ldquo;tell me now that you did not stab your cousin Lot, and Madelon
+Hautville spoke the truth, and I will keep my promise to you, even if
+my heart is not yours.&rdquo;</p>
+
+<p>Parson Fair grasped his daughter's arm again. &ldquo;No man whom
+you have promised to wed should reply to such distrust as
+this,&rdquo; he said. &ldquo;Dorothy, I command you to go down-stairs
+and be married to this man.&rdquo;</p>
+
+<p>Then Dorothy broke away from him with a wild shriek. &ldquo;No, I
+will not marry this man with his cousin's blood on his soul! I will
+not, father; you shall not make me! I will not! Night and day I shall
+see that knife in his hand. I will not marry him, because he tried to
+kill his cousin Lot. I will not, I will not!&rdquo; The black woman
+pushed between them with a savage murmur of love and wrath, and
+caught her mistress in her arms, and crooned over her, like a wild
+thing over her young.</p>
+
+<p>&ldquo;There is no use in prolonging this, sir,&rdquo; Burr said
+to Parson Fair.</p>
+
+<p>The elder man looked at him with a strange mixture of helpless
+dignity and sympathy and wrath. &ldquo;You know that I have no share
+in this,&rdquo; he said, and he glanced almost piteously from Burr to
+his mother. &ldquo;I could never have believed that my
+daughter&mdash;&rdquo;</p>
+
+<p>&ldquo;We will say no more about it, sir,&rdquo; responded Burr.
+&ldquo;I hold neither you nor your daughter in any blame.&rdquo;
+Then he offered his arm to his mother, and the three went out and
+down-stairs, and the black woman clapped to the chamber door with a
+great jar upon her mistress, whose calm of obstinacy had broken into
+wailing hysterics which betokened no less stanchness. Parson Fair,
+Burr Gordon, and his mother, at the foot of the stairs among the
+curious wedding-guests, looked for a second at one another.</p>
+
+<p>The parson's fine state seemed to have deserted him. There were
+red spots on his pale cheeks. His long hands twitched nervously.
+&ldquo;I will&mdash;inform them,&rdquo; he said, huskily, at length,
+but Burr moved before him. &ldquo;No, sir; I will do it,&rdquo; he
+said.</p>
+
+<p>Then he strode into the great north parlor, where the more
+important guests were assembled, and where he and Dorothy were to
+have been married. He stood alone in the clear space between the
+windows, and knew, as the eyes of the people met his, that they had
+heard Dorothy's last wild cry, and knew why she would not marry him.
+He stood for a second facing them all before he spoke, and in spite
+of the shame of rejection which he felt heaped upon him by them all,
+and a subtler shame arising from his own heart, in spite of the fact
+that he could not offer any defense, or do aught but bend his back to
+the full weight of his humiliation, he had a certain majesty of
+demeanor. Revolt at humiliation alone precipitates the full measure
+of it, and the strength which survives defeat, even of one's own
+convictions, is of a good quality. Silence under wrongful accusation
+gives the bearing of a hero.</p>
+
+<p>There was a hush over the assembly so complete that it seemed as
+if the very personalities of the listeners were drawn back from
+self-consciousness to give free scope for sound. When Burr spoke,
+everybody heard.</p>
+
+<p>&ldquo;The marriage between Dorothy Fair and myself is broken
+off,&rdquo; was all he said. Then he went out of the room as proudly
+as if his bride had been by his side, through the entry to the study.
+Parson Fair and his mother were there. &ldquo;They know it,&rdquo; he
+announced, quite calmly; then he took his fine wedding-hat from the
+table.</p>
+
+<p>&ldquo;Where are you going?&rdquo; his mother demanded,
+quickly.</p>
+
+<p>&ldquo;To walk a little way.&rdquo; Burr turned to Parson Fair.
+&ldquo;I beg you not to feel that you must deal severely with your
+daughter for this,&rdquo; he said, &ldquo;for she does not deserve
+it. She was justified in asking what she did, and in feeling distrust
+that I did not answer.&rdquo;</p>
+
+<p>&ldquo;If a wife's faith cannot survive her husband's silence,
+then is she no true spouse, and 'twas the part of a man not to
+answer,&rdquo; said this Parson Fair, who had all his life followed
+in most roads the lead of his womankind, and not known it, so much
+state had he been allowed in his captivity.</p>
+
+<p>&ldquo;She was justified,&rdquo; said Burr, &ldquo;and I beg you,
+sir, not to visit any displeasure upon her. I have not at any time
+been worthy of her, although God knows had she not cast me off, and
+did not this last, with what I remember now of her manner for the
+last few weeks, make me sure that her heart is no longer mine, I
+would have lived my life for her, as best I could; and will now,
+should she say the word.&rdquo;</p>
+
+<p>With that, Burr Gordon thrust on his wedding-hat, and was out of
+the study and out of the south door of the house.</p>
+
+<h4 align="center">Chapter XXV</h4>
+
+<p>In the yard was drawn up in state, behind the five white horses,
+the grand old Gordon coach, which had not been used before since the
+death of Lot's father. Lot had insisted upon furnishing the coach and
+the horses for his cousin's wedding. The man who stood by the horses'
+heads looked up at Burr in a dazed way when he came out of the house
+and spoke to him.</p>
+
+<p>&ldquo;When my mother is ready you can take her home,
+Silas,&rdquo; said Burr. &ldquo;Then drive over to my cousin's, and
+put up the coach and the horses.&rdquo;</p>
+
+<p>The man gasped and looked at him. &ldquo;Do you hear what I
+say?&rdquo; said Burr, shortly.</p>
+
+<p>The man gave an affirmative grunt, and strove to speak, but Burr
+cut him short. &ldquo;Look out for that bad place in the road, before
+you get to the bridge,&rdquo; he said, and went on out of the yard.
+The road was suddenly full of departing wedding-guests, fluttering
+along with shrill clatter of persistently individual notes, like a
+flock of birds.</p>
+
+<p>Burr, out of the yard, passed along through their midst with a
+hasty yet dignified pace. He said to himself that he would not seem
+to be running away. He looked neither to the right nor left, except
+to avoid collisions with silken and muslin petticoats, yet he was
+conscious of the hush of voices as he passed, and knew that they all
+recognized him in the broad moonlight.</p>
+
+<p>When he reached the lane which led across-lots to the old place,
+he plunged into it by a sudden impulse. He went half-way down its
+leafy tunnel; then he stopped and sat down on a great stone which had
+fallen off the bordering wall.</p>
+
+<p>Great spiritual as well as great physical catastrophes stun for a
+while, and there is after both a coming to one's self and an
+examining one's faculties, as well as one's bones, to see if they be
+still in working order. Burr Gordon, sitting there on his stone of
+meditation, in the moonlit dapple of the lane, came slowly to a full
+realization of himself in his change of state, and strove to make
+sure what power of action he had left under these new conditions.</p>
+
+<p>His first thought was a cowardly one&mdash;that he would sell out,
+or rather give up his estate to his cousin, take his mother, and turn
+his back upon the village altogether. He knew what he had to expect.
+He tasted well in advance the miserable and half ludicrous shame of a
+man who has been openly jilted by a woman. He tasted, too, the
+covertly whispered suspicion which had perhaps never quite departed,
+and which now was surely raised to new life by Dorothy's loud cries
+of accusation. He knew that he was utterly defenceless under both
+shame and suspicion, being fettered fast by his own tardy but stern
+sense of duty and loyalty. It seemed to him at first that he would be
+crippled beyond cure in his whole life if he should stay where he
+was; and then he felt the spring of the fighting instinct within him,
+and said proudly to himself that he would turn his back upon nothing.
+He would brave it all.</p>
+
+<p>There was a light wind, and now and then the young trees in the
+lane were driven into a soft tumult of whispering leaves. Burr did
+not notice when into this voice of the wind and this noise as of a
+crowd of softly scurrying ghosts there came a crisp rustle of muslin
+and a quick footstep up the lane. He only looked up when Madelon
+Hautville stopped before him and looked at him with incredulous
+alarm, as if she could not believe the evidence of her own eyes.</p>
+
+<p>Dressed like a bride herself was Madelon Hautville, in a sheer
+white gown, which she had fashioned for herself out of an old crape
+shawl which had belonged to her mother, and cunningly wrought with
+great garlands of red flowers. She was going to Burr Gordon's
+wedding, not knowing the lateness of the hour; for her brother
+Richard had played a trick upon her, and set back the clock two
+hours, when to his great wrath she would not stay at home. The others
+were half in favor of her going, thinking that it showed her pride;
+but Richard was sorely set against it, and watched his chance, and
+slipped back the hands of the clock that she should be too late to
+see the wedding of the man who had forsaken her.</p>
+
+<p>Madelon looked at Burr, and he at her, and neither spoke. Then,
+when she saw surely who it was, she cried out half in wonder and half
+chidingly, as if she had been his mother reproaching him for his
+tardiness: &ldquo;What are you doing here, Burr Gordon? Do you know
+'tis nearly eight o'clock, and time for your wedding?&rdquo;</p>
+
+<p>&ldquo;'Tis nearly ten,&rdquo; said Burr, &ldquo;and there is no
+wedding.&rdquo;</p>
+
+<p>&ldquo;Nearly ten?&rdquo;</p>
+
+<p>&ldquo;Yes.&rdquo;</p>
+
+<p>&ldquo;But 'twas not eight by our clock.&rdquo;</p>
+
+<p>Burr took out the great gold timepiece which had belonged to his
+father, and held it towards her, and she saw the face plainly in the
+moonlight.</p>
+
+<p>&ldquo;What does this mean?&rdquo; she said; and then she cried,
+half shrinking away from him, &ldquo;Are you married then? Where is
+she?&rdquo;</p>
+
+<p>&ldquo;Dorothy Fair is at home in her chamber, and I am not
+married, and never shall be.&rdquo;</p>
+
+<p>&ldquo;Why&mdash;what does this mean, Burr Gordon?&rdquo;</p>
+
+<p>&ldquo;She will not have me, and&mdash;no blame to her.&rdquo;</p>
+
+<p>&ldquo;Will not have you, and the people there, and the hour set!
+Will not have you? Burr, she shall have you! I promise you she shall.
+I will go talk to her. She is a child, and she does not know&mdash;I
+can make her listen. She shall have you, Burr. I will go this minute,
+and talk to her, and do you come after me.&rdquo;</p>
+
+<p>Madelon gave a forward bound, like a deer, but Burr sprang up and
+caught her by the arm. &ldquo;Why do you stop me, Burr Gordon?&rdquo;
+she cried, trying to wrest her arm away.</p>
+
+<p>&ldquo;Do you think I have no manhood left, Madelon Hautville,
+that I will let you, <em>you</em> beg a woman who does not love me to
+marry me?&rdquo;</p>
+
+<p>&ldquo;She does love you, she shall love you!&rdquo;</p>
+
+<p>&ldquo;I tell you she does not!&rdquo; Burr spoke with a
+bitterness which might well have come from slighted love, and,
+indeed, so complex and contradictory are the workings of the mind of
+a man, and so strong is the bent when once set in one direction, that
+not loving Dorothy Fair, and loving this other woman with his whole
+heart, he yet felt for the moment that he would rather his marriage
+had taken place and he were not free. His freedom, which he knew was
+a shame to welcome, galled him for the time worse than a chain, and
+he felt more injured than if he had loved this girl who had jilted
+him; for something which was more precious to him than love had been
+slighted and made for naught.</p>
+
+<p>&ldquo;She does&mdash;you are mad, Burr Gordon! She was all ready
+to marry you. She came to me to help on her wedding-clothes. She was
+all smiling and pleased. How could she be pleased over her
+wedding-clothes if she did not love you? She does, Burr! She is a
+child&mdash;I can talk to her. I will make her. Let me go, Burr! You
+wait here, and not fret. Oh, how pale you look! I tell you, you shall
+have her, Burr!&rdquo;</p>
+
+<p>&ldquo;I tell you, Madelon, she does not love me, and I will not
+have you go.&rdquo;</p>
+
+<p>Madelon stood looking at him, her face all at once changing
+curiously as if from some revelation from within. She remembered
+suddenly that old scene with Eugene, and a suspicion seized her.
+&ldquo;There's somebody else!&rdquo; she cried out, fiercely.
+&ldquo;There's no truth in her. If she thinks&mdash;she shall
+not&mdash;nor he&mdash;I will not have it so!&rdquo;</p>
+
+<p>&ldquo;For God's sake, Madelon, don't!&rdquo; said Burr, not
+fairly comprehending what she said. He sat down again upon the stone,
+and leaned his head upon his hands. In truth he felt dazed and
+helpless, as if he had reached suddenly the mouth of many roads and
+knew not which to take. The intricacy of the situation was fairly
+paralyzing to an order of mind like his, which was wont to grasp,
+though shrewdly enough, only the straight course of cause and effect.
+He revolved dizzily in his mind the fact that he could not tell
+Madelon the reason which Dorothy had given for her rejection of him,
+and the conviction was fast gaining upon him that it was not the true
+and only reason. He held fiercely to his loyalty to Madelon, and his
+shammed loyalty to Dorothy, and his slipping clutch of loyalty to
+himself, and knew not what to say nor what course to take.</p>
+
+<p>Madelon, as he settled back upon the stone and bowed his head,
+made towards him one of those motions which the body has kept intact
+from the primitive order of things, when it was free to obey Love;
+then she stood back and looked at him a moment, while indignation and
+that compassion which is the very holiness of love swelled high
+within her. Then suddenly she leaned forward against him in her white
+robes, with the soft impetus of a white flowering tree driven by the
+wind, and put her arms around him, and drew his unhappy head against
+her bosom, and stroked his hair, and poured out in broken words her
+wrath against Dorothy Fair, and her pity for him. And all this she
+did in utter self-despite and forgetfulness, not caring if he should
+discover how great her love for him still was, believing fully that
+his whole heart had belonged to the other girl, and was breaking for
+her, and arguing thence no good for herself.</p>
+
+<p>&ldquo;She shall never marry him, that I swear to you,
+Burr,&rdquo; she cried, passionately, &ldquo;and in time she may turn
+to you again; there is no faith in her.&rdquo;</p>
+
+<p>Burr listened a while bewildered, not fully knowing nor asking
+what she meant, letting his head rest against her bosom, as if he
+were a child whom she comforted.</p>
+
+<p>&ldquo;Burr, you shall have her, you shall have her yet!&rdquo;
+she said, over and over, as if Dorothy were a sweetmeat for which he
+longed, until at last a great shame and resolution seemed to go over
+him like a wave, and he put her away and rose up.</p>
+
+<p>&ldquo;Madelon,&rdquo; he said, &ldquo;you don't know. Listen. You
+will scorn me after this&mdash;you will never look at me again, but
+listen: Dorothy must never know, for all the slight of this last must
+come from her and not from me, since she is a woman and I a man; but
+you shall know the whole truth. I never loved Dorothy Fair, Madelon,
+not as I love you, as God is my witness. She was pretty to look at,
+and I liked&mdash;but you cannot understand the weakness of a man
+that makes him ashamed of himself. I left you, and&mdash;I
+went&mdash;courting her because she was Parson Fair's only daughter,
+and I was poor, and that was not all the reason. I liked her pretty
+face and her pretty ways well enough, but all the time it was you and
+you alone in my heart; and, knowing that, I left you, though I was a
+man. I turned Judas to my own self, and denied and would have sold
+the best that was in me. Now you know the truth, Madelon
+Hautville.&rdquo;</p>
+
+<p>Madelon looked at him. Her lips parted, as if her breath came
+hard.</p>
+
+<p>Burr made as if to pass on without another word, but she held out
+her hand to stop him, though she did not touch him.</p>
+
+<p>&ldquo;Stop, Burr,&rdquo; she said, with a strange, almost
+oratorical manner, that he had never seen in her before. It was
+almost as if she mounted before his eyes a platform of her own love
+and higher purposes. &ldquo;Listen to me,&rdquo; she said.
+&ldquo;That night when I was in such terrible anger with you that for
+a second I would have killed you, I put it out of your power forever
+to do anything that could turn me against you again. I broke my own
+spirit that night, Burr. The wrong I would have done you outweighs
+all you ever have done or ever can do me. There is no wrong in this
+world that you can do me, if I will not take it so; and as for the
+wrong you may have done yourself&mdash;that only makes me more
+faithful to you, Burr.&rdquo;</p>
+
+<p>Burr stood looking at her, speechless. It was to him as if he saw
+the true inner self of the girl, which he had dimly known by
+half-revealings but had never truly seen before. For a minute it was
+not Madelon Hautville in flesh and blood who stood before him, but
+the ghost of her, made evident by her love for him; and his very
+heart seemed to melt within him with shame and wonder and worship.
+&ldquo;Oh, Madelon!&rdquo; he gasped out, at length.</p>
+
+<p>But Madelon turned away then. &ldquo;You must go home now,&rdquo;
+said she, &ldquo;and I must. Good-night, Burr.&rdquo;</p>
+
+<p>&ldquo;Good-night,&rdquo; said Burr, as if he repeated it at her
+bidding.</p>
+
+<p>Then they passed without touching each other. Madelon went home
+down the lane, across the fields, and Burr went out in the silent
+street, whence all the wedding-guests had departed, and homeward
+also.</p>
+
+<h4 align="center">Chapter XXVI</h4>
+
+<p>In this little Vermont village, lying among peacefully sloping
+hills, away from boisterous river-courses, there was small chance of
+those physical convulsions which sometimes disturb the quiet of
+generations. The roar of a spring freshet never smote the ears of the
+dwellers therein, and the winters passed with no danger of
+avalanches. From its sheltered situation destructive storms seldom
+launched themselves upon it; the oldest inhabitant could remember
+little injury from lightning or hail or wind.</p>
+
+<p>However, there is no village in this world so sheltered in
+situation that it is not exposed to the full brunt of the great
+forces of human passion, when they lash themselves at times into the
+fury of storm. It was here in this little village of Ware Centre,
+which could never know flood or volcanic fire, as if a sort of
+spiritual whirlpool had appeared suddenly in its midst. The thoughts
+of all the people, lying down upon their pillows, or rising for their
+daily tasks, centred upon it, and it was as if the minds of all were
+prone upon the edge of it, gazing curiously into the vortex.</p>
+
+<p>The Sunday after Burr Gordon's disastrous wedding-day the faces of
+all the people on their way to meeting wore the same expression, in
+different degrees of intensity. One emotion of strained curiosity and
+wonder made one family of the whole village. The people thought and
+spoke of only one subject; they asked each other one
+question&mdash;&ldquo;Will any of them be at meeting?&rdquo; The
+Unitarian church was nearly deserted that Sunday, for Parson Fair's
+former parishioners returned to their old gathering place, under
+stronger pressure, for the time, than religious tenets.</p>
+
+<p>It was a burning day for May&mdash;as hot as midsummer. The
+flowers were blossoming visibly under the eyes of the people, but
+they did not notice. They flocked into the meeting-house and looked
+about them, all with the same expression in their eyes.</p>
+
+<p>When Burr Gordon and his mother entered, a thrill seemed to pass
+through the whole congregation. Nobody had thought they would come.
+Mrs. Gordon, gliding with even pace, softly murmurous in her Sunday
+silk, followed her son, who walked with brave front, although he was
+undeniably pale, up the aisle to their pew. He stood about to let his
+mother enter, meeting the eyes of the people as he did so; then sat
+down himself, and a long glance and a long nudge of shoulders passed
+over the meeting-house. Burr and his mother both knew it, but she sat
+in undisturbed serenity of pallor, and he stirred not a muscle,
+though a red spot blazed out on each cheek.</p>
+
+<p>Madelon Hautville sat in the singing seats, but he never looked at
+her nor she at him. There were curious eyes upon her also, for people
+wondered if Burr would turn to her now Dorothy Fair had jilted him;
+but she did not know it. She heeded nobody but Burr, though she did
+not look at him, and when she stood up in the midst of her brothers
+and sang, she sang neither to the Lord nor to the people, but to this
+one weak and humiliated man whom she loved. The people thought that
+she had never sung so before, recognizing, though ignorantly, that
+she struck that great chord of the heart whose capability of sound
+was in them also. For the time she stood before and led all the
+actors in that small drama of human life which was on the village
+stage, and in which she took involuntary part; and the audience saw
+and heard nobody but her.</p>
+
+<p>Burr, stiff as a soldier, at the end of his pew, felt his heart
+leap to hope and resolve through the sound of this woman's voice in
+the old orthodox hymns, and laid hold unknowingly, by means of it, of
+the love and force which are at the roots of things for the
+strengthening of the world. With weak and false starts and tardy
+retrogrades he had woven around his feet a labyrinth of crossing
+paths of life, but now, of a sudden, he saw clearly his way out. He
+trampled down the scruples which hampered and blinded him like thorns
+and had their roots in a false pride of honor, and recognized that
+divine call of love to worship which simplifies all perplexities. He
+would take that girl singing yonder for is wife, if she were indeed
+so generous-minded after all, not now, but later, when there could be
+no possibility of slight to Dorothy Fair. His honest work in the
+world he would do, were it in the ploughshares or the wayside
+ditches, with no striving for aggrandizement through untoward ways,
+and so would he humbly attain the full dignity of his being.</p>
+
+<p>When Madelon Hautville stopped singing not one in the
+meeting-house had seen Burr Gordon stir, but the soul in him had
+surely turned and faced about with a great rending as of swathing
+wills that bound it.</p>
+
+<p>Parson Fair preached that morning. Great had been the speculation
+as to whether he would or not. When he stood up in his pulpit and
+faced the crowded pews and the steely glances of curious eyes through
+the shifting flutter of fans, he was as austerely composed as ever;
+but a buzzing whisper went through the audience like a veritable bee
+of gossip. &ldquo;He looks dreadful,&rdquo; they hissed in each
+other's ears, with nudges and nods.</p>
+
+<p>All the principal participants in the village commotion were there
+except Lot Gordon and Dorothy Fair. Dorothy had not come, in spite of
+her father's stern commands, and sterner they had been than any
+commands of his to his beloved child before. Dorothy had cowered
+before her father, in utter misery and trepidation, after the company
+had left that wedding-night, but yielded she had not&mdash;only
+fallen ill again of that light fever which so easily beset her under
+stress of mind.</p>
+
+<p>That Sunday morning, striving to rise and go to meeting as her
+father said, and being in truth willing enough, since she had a
+terrified longing to see Eugene Hautville in the choir and ascertain
+if he were angry or glad, she fell back weak and dizzy on her
+pillows, and the doctor was called. Dorothy's fever ran lightly, as
+all ailments of hers, whether mental or physical, were wont to do;
+and yet she had a delicacy of organization which caused her to be
+shaken sorely by slight causes. A butterfly may not have the capacity
+for despair, but the touch of a finger can crush it; and had it more
+capacity, there would be no butterflies.</p>
+
+<p>It was a full month before Dorothy was able to go out of doors,
+and all that time the gossips were cheated out of the sight of her,
+and her father was constrained to treat her with a sort of
+conscience-stricken tenderness, in spite of her grave fault. Her
+mother had never risen from a fever which seemed akin to this; and
+Dorothy, in spite of his stern Puritan creed, was yet dearer to him
+than that abstraction of her which he deemed her soul.</p>
+
+<p>Looking at the girl, flushed softly with fever, her blue eyes
+shining like jewels, as she lay in her white nest, he knew that he
+loved her life more fiercely than he judged her sins. He would turn
+his back upon her and go out of her chamber, his black height bowed
+like a penitent, and down to his study, and wrestle there upon his
+knees for hours with that earthly and natural love which he accounted
+as of the Tempter, yet might after all have been an angel, and of the
+Lord. And when Dorothy came weakly down-stairs at last, with the
+great black woman guarding her steps as if she were a baby, he found
+not in himself the power of stern counsel and reproof which he had
+decided upon when she should have left her chamber.</p>
+
+<p>All the neighbors knew when Dorothy Fair first stepped her foot
+out of doors, and told one another suspiciously that she did not look
+very sick, and that they guessed she might have come out sooner, and
+gone to meeting, had she been so minded.</p>
+
+<p>And in truth the girl, beyond slight deflections in the curves of
+her soft cheeks, and a wistful enlarging and brightening of her blue
+eyes, as in thoughtful shadows, was not much changed. The first
+Sunday when she appeared in the meeting-house she wore, to the
+delight and scandal of the women, one of the new gowns and hats of
+her bridal outfit. Dorothy Fair, in a great plumed hat of peach-blow
+silk, in a pearly silk gown and pink-silk mitts, in a white-muslin
+pelerine all wrought with cunning needlework, sat in the parson's
+pew, and uplifted her lovely face towards her father in the pulpit,
+and nobody knew how her whole mind and fancy were set, not upon the
+sermon, but upon Eugene Hautville in the singing-seats behind her.
+And nobody dreamed how, as she sat there, she held before her face,
+as it were, a sort of mental hand-mirror, in which she could see her
+head of fair curls, her peach-blow hat, and her slender white-muslin
+shoulders reflected from Eugene's dark eyes. The fall of every curl
+had she studied well that morning, and the folds of the muslin
+pelerine over her shoulders. And when the congregation arose for the
+hymns and faced about towards the singers, then did Dorothy let her
+blue eyes seek, with an innocent unconsciousness, as of blue flowers,
+which would have deceived the very elect, Eugene's face.</p>
+
+<p>But his black eyes met hers with no more fiery glances. Eugene
+never even looked at her, but sang, with stern averted face, which
+was paler and thinner than Dorothy's, though he had had no illness
+save of the spirit. In vain Dorothy sought his eyes, with her blue
+appealing ones, during every hymn; in vain once or twice during the
+sermon she even cast a glance around her shoulder with a slight fling
+of her curls aside, and a little shiver, as if she felt a draught.
+Eugene never looked her way that she could see.</p>
+
+<p>When the long service was over, Dorothy, with sly, watchful eyes,
+quickened her pace, and strove so to manage that she and Eugene
+should emerge from the meeting-house side by side. But he was
+striding far ahead, with never a backward glance, when she came out,
+lifting daintily her pearly skirts. Burr was near her, but him she
+never thought of, even to avoid, and his mother's stately aside
+movement was not even seen by her. She courtesied prettily to those
+who met her face to face, from force of habit, and went on thinking
+of no one but Eugene.</p>
+
+<p>Again, in the afternoon, Dorothy went to meeting, though her
+pulses began to beat, with a slight return of the fever, and again
+she strove with her cunning maiden wiles to attract this obdurate
+Eugene, and again in vain. That night Dorothy lay and wept awhile
+before she fell asleep, and dreamed that she and Eugene were
+a-walking in the lane and that he kissed her. And when she awoke,
+blushing in the darkness, she resolved that she would go a-walking in
+the lane on every pleasant day, in the hope that the dream might come
+true.</p>
+
+<p>And Mistress Dorothy Fair, with many eyes in the neighbors'
+windows watching, went pacing slowly, for her delicate limbs as yet
+did not bear her strongly, day after day down the road and into the
+lane, and, with frequent rests upon wayside stones, to the farther
+end of it. And yet she did not meet Eugene therein, and her dream did
+not come true.</p>
+
+<p>But it happened at last, about the middle of the month of June,
+when the great red and white roses in the dooryards were in such full
+bloom that in another day they would be past it and fall, that
+Dorothy and Eugene met in the lane; for there is room enough in time
+for most dreams to come true, and for the others there is
+eternity.</p>
+
+<p>That afternoon Dorothy had gone forth as usual, but she said to
+herself that he would not come; and half-way down the lane she ceased
+peering into the green distances for him, and sat herself down on a
+stone, and leaned back against the trunk of a young maple, and shut
+her eyes wearily, and told herself in a sort of sad penitence that
+she would look no more for him, for he would not come.</p>
+
+<p>The grass in the lane was grown long now, with a pink mist over
+the top of it; the trees at the sides leaned together heavy with
+foliage, and the bordering walls were all hidden under bushes and
+vines. Everywhere on bush and vine were spikes and corymbs of lusty
+blossoms. Birds were calling to their mates and their young; the
+locusts were shrilling out of depths of sunlight. Dorothy, in the
+midst of this uncontrolled passion of summer, was herself in utter
+tune and harmony with it. She was just as sweet and gracefully
+courtesying among her sisters as any flower among the host of the
+field; and she had silently and inconsequently, like the flower, her
+own little lust of life and bloom which none could overcome, and
+against which she could know no religion. This Dorothy, meekly
+leaning her slender shoulders against the maple-tree, with her blue
+eyes closed, and her little hands folded in her lap, could no more
+develop into aught towards which she herself inclined not than a
+daisy plant out in the field could grow a clover blossom. Moreover
+her heart, which had after all enough of the sweetness of love in it,
+opened or shut like the cup of a sensitive plant, with seemingly no
+volition of hers; therefore was she in a manner innocently helpless
+and docile before her own emotions and her own destiny.</p>
+
+<p>She sat still a few minutes and kept her eyes closed. Then she
+thought she heard a stir down the lane, but she would not open her
+eyes to look, so sadly and impatiently sure was she that he would not
+come. Even when she knew there was a footstep drawing near she would
+not look. She kept her eyes closed, and made as if she were asleep;
+and some one passed her, and she would not look, so sure was she that
+it was not Eugene.</p>
+
+<p>But that afternoon Eugene Hautville, who had gone all this time
+the long way to the village, felt his own instincts, or the natural
+towardness of his heart, too strong for him. Often, watching from a
+distance across the fields, he had seen a pale flutter of skirts in
+the lane, and knew well enough that Dorothy was there, and had turned
+back; but this time he walked on. When he came to Dorothy he cast one
+glance at her, then set his face sternly and kept on, with his heart
+pulling him back at every step. Dorothy did not open her eyes until
+he had fairly passed her, and then she looked and saw him going away
+from her without a word. Then she gave a little cry that no one could
+have interpreted with any written language. She called not Eugene by
+his name; she said no word; but her heart gave that ancient cry for
+its lover which was before all speech; and that human love-call
+drowned out suddenly all the others.</p>
+
+<p>But when Eugene stopped and turned, Dorothy blushed so before his
+eyes that her very neck and arms glowed pink through her lace tucker
+and sleeves. She shrank away, twisting herself and hiding her face,
+so that he could see naught of her but the flow of her muslin skirts
+and her curling fair locks.</p>
+
+<p>Eugene stood a minute looking at her. His dark face was as red as
+Dorothy's. He made a motion towards her, then drew back and held up
+his head resolutely.</p>
+
+<p>&ldquo;It is a pleasant day,&rdquo; he said, as if they were
+exchanging the everyday courtesies of life; and then when she made no
+reply, he added that he hoped she was quite recovered from her
+sickness.</p>
+
+<p>And then he was pressing on again, white in the face now and
+wrestling fiercely with himself that he might, as it were, pass his
+own heart which stood in the way; but Dorothy rose up, with a sob,
+and pressed before him, touching his arm with her slender one in her
+lace sleeve, and shaking out like any flower the rose and lavender
+scent in her garments.</p>
+
+<p>&ldquo;I want to speak to you,&rdquo; she said, and strove in vain
+to command her voice.</p>
+
+<p>Eugene bowed and tried to smile, and waited, and looked above her
+head, through the tree branches into the field.</p>
+
+<p>&ldquo;I want to know if&mdash;you are angry with me
+because&mdash;I would not&mdash;marry Burr,&rdquo; said Dorothy,
+catching her breath between her words.</p>
+
+<p>&ldquo;I told you that you had no reason&mdash;that he was not
+guilty,&rdquo; Eugene said, with a kind of stern doggedness; and
+still he did not look at her.</p>
+
+<p>&ldquo;I could not marry&mdash;him,&rdquo; Dorothy panted,
+softly.</p>
+
+<p>&ldquo;I told you you had no reason,&rdquo; Eugene said again, as
+if he were saying a lesson that he had taught himself.</p>
+
+<p>&ldquo;Are you angry&mdash;with me because I could not marry
+him?&rdquo; Dorothy asked, with her soft persistency in her own line
+of thought, and not his.</p>
+
+<p>Then Eugene in desperation looked down at her, and saw her face
+worn into sweet wistfulness by her illness, her dilated eyes and lips
+parted and quivering into sobs, like a baby's.</p>
+
+<p>&ldquo;I am not angry, but I encourage no woman to be false to her
+betrothal vows,&rdquo; he said, and strove to make his voice hard;
+but Dorothy bent her head, and the sobs came, and he took her in his
+arms.</p>
+
+<p>&ldquo;Are you angry with me?&rdquo; Dorothy sobbed, piteously,
+against his breast.</p>
+
+<p>&ldquo;No, not with you, but myself,&rdquo; said Eugene. &ldquo;It
+is all with myself. I will take the blame of it all, sweet,&rdquo;
+and he smoothed her hair and kissed her and held her close and tried
+to comfort her; and it seemed to him that he could indeed take all
+the blame of her inconstancy and distrust, and could even bear his
+self-reproach for her sake, so much he loved her.</p>
+
+<p>&ldquo;I would not have married Burr&mdash;even if&mdash;he had
+told me&mdash;he was innocent,&rdquo; Dorothy said, after a while.
+She was hushing her sobs, and her very soul was smiling within her
+for joy as Eugene's fond whispers reached her ears.</p>
+
+<p>&ldquo;Why?&rdquo; said Eugene.</p>
+
+<p>&ldquo;Because&mdash;you came first&mdash;when you looked at me in
+the meeting-house,&rdquo; Dorothy whispered back. Then she suddenly
+lifted her face a little, and looked up at him, with one soft flushed
+cheek crushed against his breast, and Eugene bent his face down to
+hers. They stood so, and for a minute had, indeed, the whole world to
+their two selves, for love as well as death has the power of
+annihilation; and then there was a stir in the lane, a crisp rustle
+of petticoats and a hiss of whispering voices; and they started and
+fell apart. There in the lane before them, their eyes as keen as
+foxes, with the scent of curiosity and gossip, their cheeks red with
+the shame of it, and their lips forming into apologetic and terrified
+smiles, stood Margaret Bean and two others&mdash;the tavern-keeper's
+wife and the wife of the man who kept the village store.</p>
+
+<p>For a second the three women fairly cowered beneath Eugene
+Hautville's eyes, and Margaret Bean began to stammer as if her old
+tongue were palsied. Then Eugene collected himself, made them one of
+his courtly bows, turned to Dorothy with another, offered her his
+arm, and walked away with her out of the lane, before the eyes of the
+prying gossips.</p>
+
+<h4 align="center">Chapter XXVII</h4>
+
+<p>It was four o'clock that summer afternoon when the three
+women&mdash;Margaret Bean, the tavern-keeper's wife, and the
+storekeeper's wife&mdash;who had followed Dorothy and Eugene into the
+lane to pry upon them set forth to communicate by word of mouth the
+scandalous proceedings they had witnessed; and long before midnight
+all the village knew. The women crept cautiously at a good distance
+behind Dorothy and Eugene out of the lane, and watched, with
+incredulous eyes turning to each other for confirmation, the pair
+walk into Parson Fair's house together. Then they could do no more,
+since their ears were not long enough, and each went her way to tell
+what she had seen.</p>
+
+<p>All the neighbors knew when Eugene Hautville left Parson Fair's
+house that afternoon, but their knowledge stopped there. Nobody ever
+discovered just what was said within those four walls when
+Dorothy&mdash;who, soft plumaged though she was, had flown in the
+faces of all her decorous feminine antecedents and her goodly
+teaching&mdash;confronted her father with her new lover at her
+side.</p>
+
+<p>It was safe enough to assume, for one who knew her and them well,
+that the two men did finally turn and protect her and shelter her
+each against himself, and his own despite, as well as one another.
+After that Eugene Hautville was seen every Sunday night and twice in
+the week going into Parson Fair's house, and the candles burned late
+in the north parlor.</p>
+
+<p>The banns were published in a month's time. Some accounted it
+unseemly haste, after the other banns which had come to naught, and
+some said 'twas better so, and they blamed not Parson Fair for
+placing such a flighty and jilting maid safe within the pale of
+wedlock&mdash;and they guessed he was thankful enough to find a
+husband for her, even if 'twas one of the Hautvilles.</p>
+
+<p>However, Eugene was held in somewhat more of esteem than the
+others, since he had in his own right a snug little sum in bank which
+had come to him from an uncle whose name he bore. When it was known
+that Eugene had bought the old Squire Damon place, a goodly house
+with a box-bordered front walk, and a pillared front door, and would
+take his bride home to it, public favor became quite strong for him.
+Folk opined that he would, even if he was a Hautville, make full as
+good a husband as Burr, and that Dorothy Fair would have the best of
+the bargain all around. While many held Dorothy in slight esteem for
+her instability and delicacy, and thought she was no desirable
+helpmeet for any man, some were of the opinion that she had shown
+praiseworthy judgment and shrewdness in jilting Burr for Eugene.</p>
+
+<p>Dorothy this time made small show of her wedding, and was married
+in her father's study with only the necessary witnesses and no
+guests. Eugene Hautville had chafed. Dorothy also, with her feminine
+desire for all minor details of happiness, was aggrieved that she
+could never now appear before the public gaze in all the splendor of
+her wedding-gear. But Parson Fair stood firm for once, and would have
+it so.</p>
+
+<p>All the watchful neighbors saw was, after nightfall and moonrise,
+Parson Fair's door open, and the bride and groom appear for a second
+in a golden shaft of light which flashed into gloom at the closing of
+the door, and left there two shadows, as if the story of their life
+and love had already been told and passed into history. And then the
+neighbors saw them move up the road with long vanishing flutters of
+the bride's white draperies, and the great black woman, steadying a
+basket against her hip, in their wake, following her mistress like a
+faithful dog, with perhaps the most unselfish love of all.</p>
+
+<p>The black woman favored Eugene more than she had ever favored
+Burr, perhaps because she was a true slave of love, and leaned with
+the secret leanings of her mistress's heart against all words of
+mouth, obeying her commands with a fuller understanding of them than
+Dorothy herself.</p>
+
+<p>When this new lover came a-courting, the African woman had always
+greeted him at the door with that wide, sudden smile of hers, at once
+simple, like a child's, and wild, like the grin of an animal; and her
+voice, in her thick jargon, was nearly as softly rich to him as to
+Dorothy. Moreover she kept no longer jealous watch at the door of the
+room where the lovers sat, and was fond of treating the young man
+with little cakes which she made with honey, whose like was to be
+eaten nowhere else in the village.</p>
+
+<p>After Dorothy and Eugene were wedded they faded into comparative
+insignificance in the thoughts of the villagers, which were then
+centred upon Burr Gordon and Madelon. The curtain went down upon
+Eugene and his bride as upon any pair of wedded lovers in his
+Shakespeare book.</p>
+
+<p>Burr was in exceedingly ill repute, but he did not himself know
+it. Many of his old friends treated him coolly, but he attributed
+that to the embarrassed sympathy and constraint which they naturally
+felt towards him in his position. He thought they avoided him because
+they knew well that he would suspect even friendliness lest it
+contain a pity which would hurt his pride; and he thanked them for
+it. But the truth was, that outcry of Dorothy's against him on the
+wedding-night had lashed up into a hurricane all the suspicions which
+Lot's avowal had stilled. They did away easily enough with the force
+of Lot's statement, for there are many theories to furnish skin-fits
+for every difficulty, if one searches in the infinity of
+possibilities.</p>
+
+<p>Lot's true reason none fathomed, for it was beyond their
+sounding-lines of selfish curiosity; but they found another which
+seemed to meet the needs of the case as well.</p>
+
+<p>Lot, they said, had bargained with Burr to give up all claim to
+Madelon, and he would set him free by confessing an attempt at
+suicide. Margaret Bean, it was reported, had seen the letter which
+Lot had written to Burr in prison. When Madelon, who, half crazed by
+anxiety about her lover, had wrongfully accused herself to save him,
+had seen him turn to her rival and scorn her after his release, she
+had accepted Lot in a rage of pride and jealousy, as he had planned
+for her to do. The breaking off of the marriage betwixt her and Lot
+they mostly attributed to the simple cause he had mentioned&mdash;his
+failing health&mdash;though some thought that he had hesitated about
+marrying into the Hautville family when it came to it.</p>
+
+<p>Suspicion had been for a time somewhat hushed against Madelon, the
+more so that she had been seen, since Dorothy had jilted Burr, to
+pass him with scarcely a nod, and was popularly supposed to hold an
+Indian grudge against him, and to be still anxious to wed his cousin
+Lot.</p>
+
+<p>However, the tide soon turned again. On the Sunday after the banns
+between Dorothy and Eugene had been published, Burr had been seen to
+walk home openly with Madelon from evening meeting; and it was soon
+known that he was courting her regularly.</p>
+
+<p>Then darker whispers were circulated. People said now that they
+were accomplices in attempted crime. That black atmosphere of
+suspicion and hatred, which gathers nowhere more easily than in a New
+England town, was thick around Burr and Madelon. They breathed,
+though as yet it was in less degree, the same noxious air as did the
+persecuted Quakers and witches of bygone times. The gases which lie
+at the bottom of human souls, which gossip and suspicious
+imaginations upstir, are deadlier than those at the bottoms of old
+wells. Still Madelon and Burr knew nothing of it, nor Burr's mother,
+nor Lot, nor any of the Hautville men. The attitude of Madelon's
+father and brothers towards herself and Burr had done much to
+strengthen suspicion. High voices and strange remarks had been
+overheard by folk strolling casually, of a pleasant evening, past the
+Hautville house.</p>
+
+<p>In truth, at first old David Hautville and all his sons except
+Eugene had risen against Burr and Madelon, all their pride in arms
+that she should return to this man who had once forsaken her for
+another. But later they had yielded, for their pride was undermined
+by their own gloomy convictions as to Madelon, which they confided
+not to one another. However, the boy Richard still greeted Burr
+surlily, with a fierce black flash under frowning brows, and scarcely
+spoke to Madelon at all until the day before her marriage. That was
+set some two months after Dorothy's.</p>
+
+<p>Burr and Madelon, during the days of their betrothal, were as
+closely beset by spies on every hand as a party of Madelon's old
+kindred might have been, encamped in a wooded country, where every
+bush veiled savage eyes and every tree stood in front of a foeman,
+but they did not know it. Folk knew when Mrs. Gordon went to visit
+her son's betrothed, though 'twas on a dark evening. They knew what
+she wore, and how long she stayed. They knew when Madelon returned
+her visit; they knew, to remember, in many cases, more details of
+their daily lives than Burr and Madelon themselves.</p>
+
+<p>Madelon had few wedding preparations to make. The wedding-garments
+which she had stitched with sorrow for her marriage with Lot would
+serve her now. She employed her time in increasing still further the
+household stores of linen for her father's and brothers' use, when
+she should be gone, and in making a great stock of sweet-sauce,
+jelly, and cordials from the fruits and berries of the season.</p>
+
+<p>One afternoon in late summer, when the high blackberries were
+ripe, Madelon set forth with a great basket on her arm. A fine
+cordial, good for many ills, she knew how to make from the berries,
+and had planned to brew a goodly quantity this year. She went down
+the road a way, then over some bars, with her hands on the highest
+and a spring like a willow branch set free, across a pasture where
+some red cows were grazing, then over another set of bars, into a
+rough and shaggy land sloping gradually into a hill. Here the high
+blackberries grew in great thorny thickets, and Madelon pressed among
+them warily and began picking. She had not picked long&mdash;indeed
+the bottom of her basket was not covered&mdash;when she heard a
+rustle in the bushes behind her and looked over her shoulder
+hurriedly, and there was Lot Gordon.</p>
+
+<p>Lot came forward from a cluster of young firs, parting the rank
+undergrowth with the careless wonted movement of one who steers his
+way among his own household goods. Well used to all the wild disorder
+of out-doors was Lot Gordon, and could have picked his way of a dark
+night among the stones and bushes and trees of many a pasture and
+woodland. Moreover, Lot, uprising from the great nest which he had
+hollowed out for himself from a sweet fern growth under the balsam
+firs, exhaling their fragrant breath of healing, and coming into
+sight, made better show than he had ever done in his own book-walled
+study.</p>
+
+<p>Here, where the minds of other men swerved him and incited him
+not, where only Nature herself held him in leading-strings with
+unsearchable might or was laid bare before his daring eyes and many a
+secret discovered, Lot Gordon gained his best grace of home. The
+balsam firs framed him with more truth than the door of his own
+dwelling. To Madelon, as he came out from them, he looked more a man
+than he had ever done; for all unconsciously to her mind of strong
+and simple bent, he had seemed at times scarce a man but rather some
+strange character from a book, which had gotten life through too
+strong imagining.</p>
+
+<p>Moreover to-day his likeness to Burr came out strongly. Madelon
+saw the cant of his head and swing of his shoulders, with a half
+sense of shame that he was not Burr, and yet with a sudden
+understanding of him that she had never felt before. She had not seen
+him since her betrothal to Burr. She thought to herself that he was
+thinner, and that the red flush on his cheeks was the flush of fever
+and not of the summer sun.</p>
+
+<p>&ldquo;How do you do, Lot?&rdquo; she said. Madelon's cheeks were
+a splendid red; her green sunbonnet hung by its strings low on her
+neck, and her head, with black hair clinging to her temples in moist
+rings, was thrust out from the green tangle of vines like a flower.
+When Lot did not answer at once, but stood pale and trembling, as if
+an icy wind had struck him, before her, she pulled the pricking vines
+loose from her dress, and came out. &ldquo;How do you do, Lot?&rdquo;
+she said, again. Still Lot did not answer, and after a minute she
+turned with impatient dignity as if to enter her fastness again; but
+then Lot spoke.</p>
+
+<p>&ldquo;Like mankind,&rdquo; he said, &ldquo;'tis not well, and it
+tends to death, but we were born with a lash at our backs to do
+it.&rdquo;</p>
+
+<p>Madelon knit her brows impatiently, for this was his old talk,
+that savored to her of ink and parchment and thoughts laid up in
+studied guise, like mummies. Then she noted his poor face, and again
+the look like Burr, which caused her heart to melt with the fancy of
+her love in like case, and she said, with that gracious kindness
+which became her well, that it was a pleasant day, and the smell of
+the balsam fir was good for him.</p>
+
+<p>But Lot looked at her with his great eyes set in hungry hollows,
+and answered her in that stilted speech which she liked not, trying
+to smile his old mocking smile with his poor lips, which only
+trembled like a child's when tears are coming. &ldquo;There are
+rivers of honey and gardens of spices, and branches dropping
+balm,&rdquo; said Lot, &ldquo;where a man can walk but his soul
+cannot follow him. His soul waits outside and strives to taste the
+sweet when he swallows it, and smell the balm and the spices when he
+breathes them in, but cannot; and that is only good for a man which
+is good for his soul.&rdquo;</p>
+
+<p>&ldquo;I don't know what you mean,&rdquo; said Madelon,
+shortly.</p>
+
+<p>&ldquo;I mean that I am outside all the good of this world, since
+the one good which I crave and cannot have is the gate to all the
+rest,&rdquo; said Lot. Then suddenly he cried out passionately,
+lifting up his face to the sky, &ldquo;O God, why need it be so? Why
+need a man be a bond-slave to one hunger? Why need this one woman be
+the angel with the flaming sword before all the little pleasures I
+used to taste and love? Why need she come between me and the breath
+of the woods, and the incense of the fields, and their secrets which
+were to me before my own, so I can take no more delight in
+them?&rdquo;</p>
+
+<p>Madelon looked at him half in pity, half in proud resentment.
+&ldquo;If it is so,&rdquo; she said, &ldquo;it was not of my own
+accord I came; you know that, Lot Gordon. I meant no harm to you, and
+the harm that I did you brought upon yourself. I would not have come
+here to-day if I had known you were here and that it would disturb
+you.&rdquo;</p>
+
+<p>&ldquo;You could not have helped coming,&rdquo; said Lot. &ldquo;I
+have been here since morning, and you have been here all the
+while.&rdquo;</p>
+
+<p>&ldquo;Why do you talk so, Lot Gordon?&rdquo; cried Madelon,
+angrily, for Lot's covert meanings fretted her straightforwardness
+beyond endurance. &ldquo;You know that I have just come
+here!&rdquo;</p>
+
+<p>&ldquo;You came here when I did,&rdquo; said Lot, &ldquo;when the
+fields were dewy. You held up your skirts and stepped daintily. I
+went ahead and you followed, high-kilted, pointing your steps among
+the wet grasses like a dove. Had I looked over my shoulder I could
+have seen you, but I looked not lest the power of flight might be in
+you like the dove.&rdquo;</p>
+
+<p>&ldquo;I shall go away if you talk like this. I will not stay here
+and listen to it; you know I was not here,&rdquo; said Madelon, and
+she paled a little, for she almost thought, used to his fanciful talk
+though she were, that Lot had gone mad.</p>
+
+<p>&ldquo;We walked towards the sun,&rdquo; persisted Lot, &ldquo;but
+you were in my shadow and needed not to cast down your eyes. I saw
+some red flowers, but I did not pick them for you, and I heard you
+stop and break the stems as you came after. When we reached the shade
+of the firs there I sat down, but I left the space there, where the
+needles are smoothest and thickest, for you, and there you sat too,
+all day.&rdquo;</p>
+
+<p>&ldquo;Lot Gordon!&rdquo;</p>
+
+<p>&ldquo;You need not mind, Madelon, for all day I looked not over
+my shoulder once. I saw not your face, nor touched your lips, nor
+your hand, nor even the fold of your dress. I harmed you not, even in
+my dreams, dear.&rdquo;</p>
+
+<p>Madelon, standing quite free of the clinging blackberry vines,
+held up her dark head like an empress, and looked at him. In truth
+she felt little pity for Lot Gordon then, for she liked not being
+made to follow other than Burr even in a man's dreams. Still, when
+she spoke it was not unkindly, for in spite of this jealousy of
+herself for Burr, and in spite of her inability to understand such
+worship of herself, when she was spent in worship of another, she
+remembered how she had nearly taken the life of this man, and how he
+had striven to shield her, though against her will, and on hard and
+selfish conditions, and how he had at last sacrificed himself to set
+her free.</p>
+
+<p>&ldquo;Lot,&rdquo; said she, &ldquo;there must be no more of this.
+I am almost your cousin's wife. You have no right.&rdquo; And then
+she repeated it passionately. &ldquo;I say you have no right to love
+me like this, if I do not love you, Lot Gordon. I will have no other
+man but Burr think me at his heels. I will follow him till the day of
+my death, but no other. I would only have married you to save his
+life&mdash;you know that. You know I never loved you. You have no
+right.&rdquo;</p>
+
+<p>&ldquo;The right of love is every man's who sets not himself
+before it,&rdquo; returned Lot, with sad dignity. &ldquo;I will not
+yield that even for love of you, Madelon; but myself shall be pushed
+yet farther out of sight, I promise you, and you shall be pestered no
+more, child. Go on with your berry-picking.&rdquo;</p>
+
+<p>A great mound of rock uplifted itself like the swelling crouch of
+some fossil animal among the sweet ferns and the wild scramble of
+vines. Lot sank down upon it panting for breath. He leaned his head
+wearily forward between his hands, his elbows resting on his
+knees.</p>
+
+<p>Madelon looked at him hesitatingly; she opened her mouth as if to
+speak, then was silent. She looked at the high vines, black with
+fruit, then at the field beyond, as if half minded to go away and
+leave them.</p>
+
+<p>Finally she fell to picking again without a word. Lot coughed
+once, but he did not speak. Madelon kept glancing at him as she
+picked. Compunction and pity softened more and more her fiery heart,
+the more so since she felt the guilt of happiness in the face of the
+woe of another upon her. Finally she said, with that fond reversion
+to the little homely truths and waysides of life with which the
+feminine mind strives often to comfort, that she would put up for him
+a jug of her blackberry cordial, and furthermore that she hoped his
+cough was better. She said it with half-constrained kindness, not
+looking up from her berry-picking; but Lot lifted his head and
+thanked her and said the cough was nearly cured, with eagerness to
+respond to grace, like a child who has been chidden.</p>
+
+<p>Then he watched her with bright eyes as she picked, his breath
+coming hard and quick. &ldquo;Madelon!&rdquo; he said, and
+stopped.</p>
+
+<p>&ldquo;What, Lot?&rdquo;</p>
+
+<p>&ldquo;You remember&mdash;the gewgaws which I&mdash;showed you,
+Madelon&mdash;the feathers and ribbons and satins, and the other
+things? You cared not for them then. Will you have them now, for your
+wedding-gift?&rdquo;</p>
+
+<p>&ldquo;No, Lot,&rdquo; said Madelon, quickly. &ldquo;I thank you,
+but I cannot take them; I have enough.&rdquo;</p>
+
+<p>&ldquo;Why not?&rdquo;</p>
+
+<p>&ldquo;I have enough.&rdquo;</p>
+
+<p>&ldquo;There is no need for you to tell me why,&rdquo; said Lot.
+&ldquo;A woman like you would almost veil herself from her own eyes
+for the sake of a lover, so great is her jealousy. The thoughts and
+the dreams with which I bought the gewgaws profane them in your eyes
+while I am alive.&rdquo;</p>
+
+<p>&ldquo;I do not need them, and I cannot take them, Lot,&rdquo;
+said Madelon, steadily.</p>
+
+<p>Lot said no more. He leaned his head upon his hands again. Madelon
+could hear his panting breath. She resolved that she would go away
+across the fields, down the road a piece, to another berry patch that
+she knew of. Still she did not go. One of those impulses which seem
+to come from authority outside one's self, or else from some hidden
+springs of motion which we know not of, had seized her. She looked at
+Lot and moved softly away a few steps, holding her skirts clear of
+the vines. Then she paused and looked again, and was away again. Her
+face was resolute and wary, as if she saw something which she feared
+and loathed, and yet would brave. Then she went close to Lot, and
+stood still over him a minute.</p>
+
+<p>&ldquo;Lot,&rdquo; she said.</p>
+
+<p>He looked up at her, wonderingly. &ldquo;Are you sick,
+Madelon?&rdquo; he cried, and would have risen, but she motioned him
+back and spoke, turning her face away the while.</p>
+
+<p>&ldquo;Once I asked Burr to give me the kiss that I would have
+killed him for,&rdquo; said she, in a voice so sharpened by her
+stress of spirit that it might have come out of the flames of
+martyrdom. &ldquo;Now I ask you to give me the kiss that I almost
+took your life for.&rdquo;</p>
+
+<p>&ldquo;Madelon!&rdquo;</p>
+
+<p>&ldquo;It is all I can do to make amends,&rdquo; said she. Then
+she looked full at him, and did not shrink when she met his eyes,
+though her face grew white before the mad longing in them.</p>
+
+<p>Lot stood up and leaned towards her, and she stood waiting. Then
+he threw out his hands, as if he would push her back, and turned
+away. &ldquo;You owe me no amends,&rdquo; he said, hoarsely.
+&ldquo;The wound that you gave me was my just desert for striving to
+take what you were not willing to give.&rdquo;</p>
+
+<p>&ldquo;Your life is your life,&rdquo; said she, steadily,
+&ldquo;and I almost took it away from you. I would do this in token
+of repentance for that and whatever other harm I have done you
+unwittingly.&rdquo;</p>
+
+<p>&ldquo;You owe me no amends, and I will take none,&rdquo; said
+Lot, again.</p>
+
+<p>Then he faced about towards her, and she started and looked at
+him, wondering and half in awe, for suddenly the love in the heart of
+the man showed itself in his face like a light, and it was almost as
+if she saw, unbelieving and denying, her own transfigured image in
+his eyes.</p>
+
+<p>&ldquo;Good-bye, Madelon,&rdquo; said Lot.</p>
+
+<p>&ldquo;Good-bye,&rdquo; she returned, faintly, and looked at him
+for the first time in all her life without the thought of Burr
+between them.</p>
+
+<p>But that Lot did not know, and stood a moment gazing at her as a
+man gazes at one beloved under the shadow of long parting, striving
+to gain possession of somewhat to hold and cherish aside from the
+conditions of the flesh. Then he said good-bye again, and went away,
+with that soft winding glide of his through the underbrush which he
+might have learned from the wild dwellers in the woods, and was out
+of sight through the violet glooms of the firs.</p>
+
+<h4 align="center">Chapter XXVIII</h4>
+
+<p>The night before Madelon was married, as if by some tacit
+understanding of peace and harmony, the Hautvilles came together for
+a concert in the great living-room. Not one had said to another,
+&ldquo;This is Madelon's last night at home, and we have been wroth
+with her; let us bury the hatchet, and raise our voices with one
+accord in our old songs;&rdquo; but one impulse had seemed to move
+them all, as one wind moves the forest trees who are kin to one
+another, and they were all together at twilight, even Eugene and his
+bride.</p>
+
+<p>Burr Gordon came also, but he and Madelon did not sit apart that
+evening. The weather was cool, even for late September, and an early
+frost was threatened. A great fire blazed on the hearth. Burr and
+Dorothy, on the settle in the chimney-corner, listened to the
+Hautville chorus, and Burr looked always at Madelon and Dorothy at
+Eugene. The Hautvilles stood together before the fire, old David with
+his bass-viol at his side, like the wife of his bosom; Louis holding
+his violin on his shoulder, like a child, pressing his dark cheek
+against it, and Eugene and Abner and Richard and Madelon uplifting
+their voices in the old songs and fugues.</p>
+
+<p>The doors and windows were shut. Nobody heard nor saw Lot Gordon
+when he crept like a fox round the house, and came under a window and
+rested his chin on the sill and remained there looking at Madelon.
+She wore that night a soft gown of crimson wool, which clung about
+her limbs and her bosom, and showed her bare throat swelling with
+song into new curves which were indeed those of music itself. Lot, as
+he looked at her, saw her with the full meaning of her beauty as
+never Burr could, and as she could never see herself, for there is no
+looking-glass on earth like a vain love when it rises above the
+slight of its own desire. Greater praise than she would ever know
+again in her whole life went up for Madelon outside that window, as
+she sang, but she neither knew it nor missed anything when Lot went
+away.</p>
+
+<p>At ten o'clock the concert ceased. Lot slunk away noiselessly, and
+soon Eugene and Dorothy went home, and Burr, lingering for a
+good-night kiss or two in the door.</p>
+
+<p>Madelon set bread to rise that night, and fulfilled her little
+round of nightly tasks for the last time. Her father and brothers
+went to bed and left her there&mdash;all but Richard. He remained in
+a corner of the settle, his slim length flung out carelessly, his
+head tipped back as if he were asleep; but his black eyes flashed
+bright under their lids at his sister whenever she did not look at
+him. Madelon said not a word until her tasks were done; then she came
+and stood in front of Richard, and looked at him, frowning a little,
+for her pride was stung at his treatment of her, but holding out her
+hand. &ldquo;Can't you bid me good-night, Richard?&rdquo; said she,
+and tried to smile at him with that old loving comradeship which he
+had disowned.</p>
+
+<p>The boy maintained his sullen silence for a moment, and Madelon
+waited. Then suddenly he cried, &ldquo;Good-night,&rdquo; with sharp
+intonations, like the response of a surly dog, and sprang up and
+thrust something hard into her hand, with such roughness that it hurt
+her, and she started.</p>
+
+<p>&ldquo;'Tis a wedding-present for you,&rdquo; Richard said,
+savagely, with averted face. &ldquo;I thought the one I gave you
+before would not serve for two weddings. Though there be but one
+bride, there should be different gifts.&rdquo;</p>
+
+<p>Madelon gave one look at Richard; then she opened her hand, and
+there on her reddened palm lay a little gold pencil, which the boy
+must have spent all his little savings to buy. Madelon held it out to
+him. &ldquo;Take it back,&rdquo; said she; &ldquo;I want no presents
+with words like that to sweeten them.&rdquo;</p>
+
+<p>Richard's clenched hand hung by his side. He shook his head
+sullenly.</p>
+
+<p>&ldquo;Take it!&rdquo; said Madelon; but he made no motion to do
+so.</p>
+
+<p>&ldquo;Then I shall let it fall on the floor,&rdquo; said
+Madelon.</p>
+
+<p>&ldquo;Let it,&rdquo; returned Richard, and forthwith the little
+gold pencil rolled on the floor under the settle, and Madelon turned
+away with a white face. But before she had reached the door Richard
+was at her side and his hand on her arm. &ldquo;Oh, Madelon!&rdquo;
+he said, striving to keep the sobs back. Then Madelon turned and laid
+a hand on each of his shoulders, and held him away, looking at
+him.</p>
+
+<p>&ldquo;Why did you speak to me like that?&rdquo; said she; and
+then, without waiting for an answer, drew the boy's head down to her
+bosom, and held it there a moment, stroking his hair. &ldquo;If ever
+you are sick after I am gone,&rdquo; said she, &ldquo;I will come and
+take care of you; and if you don't get good things to eat I will see
+to that, too;&rdquo; and then she kissed Richard's dark head, and put
+him away gently, bidding him with a tender laugh &ldquo;not to be a
+baby,&rdquo; and went over to the settle and picked up the little
+gold pencil, and praised it and said she would treasure it all her
+life.</p>
+
+<p>And then she bade Richard follow her into the best room, and
+opened the carved oak chest and displayed six beautiful shirts made
+of linen, which she had herself spun and woven and wrought with
+finest needlework in bands and bosoms, for a parting gift to him,
+because he was the nearest of all her brothers, though she must not
+say so. &ldquo;The others have shirts enough,&rdquo; said she;
+&ldquo;I have seen to that, for I have meant to do my duty to you
+all, but none of the others have bosoms and wristbands stitched like
+these, and the linen is extra fine.&rdquo;</p>
+
+<p>That night Richard would not go to his chamber, which he shared
+with his brother Louis, lest he wake and spy his face flushed with
+tears, but crept stealthily back down-stairs, and, all unbeknown to
+any one, lay all night on the settle in the living-room. He slept
+little, and often waked and wept in the darkness like a child rather
+than one of the fiery Hautville brothers.</p>
+
+<p>When wrath with a beloved one is stilled in the human heart and
+love takes its place, it is with a threefold increase, a great
+rending of spirit, and a cruel turning of weapons against one's self.
+Richard was one who would always deal with entireties, being capable
+of no divisions nor subtleties of praise or blame. Whereas his anger
+had been fierce against his sister that she should love and marry the
+man who had flouted her, now it was turned wholly against himself for
+his injustice and ill-treatment of her. He racked himself with the
+memory of his surly words and looks; and those six shirts of fine
+linen, with the cunning needlework in band and bosom, seemed the
+veritable scriptural coals of fire on his head. Also good and simple
+reasons for his sister's course came to him as he lay there and
+influenced him still more. &ldquo;She had it in her mind to kill him,
+though 'twas the other she struck,&rdquo; he said to himself;
+&ldquo;'tis only fit that she should make amends to him for that and
+keep his house for him, and bake and brew and spin and weave for
+him.&rdquo; Richard in the darkness nodded his head in agreement
+with his own argument, and yet he hated Burr as well as ever, and the
+next morning when he saw him stand beside his sister before Parson
+Fair, he clenched his slender brown hands until the sinews stood out,
+and his black eyes still flashed hostility at him. Yet when he looked
+at Madelon's face his own softened, and he set his mouth hard to keep
+back the quiver in it. Madelon wore not the silk of green and gold in
+which she had planned to be wedded to Lot; that she could not bring
+her mind to do, since the old wretched dreams and imaginations seemed
+to cling to the garment and desecrate it for this. She wore instead a
+sober gown of a satin sheen with the rich purplish-red hue of a plum,
+which set off the dark bloom of her face by suggestion rather than
+contrast; but all the boy Richard noted of her costume was his little
+gold pencil slung on the long gold chain around her neck.</p>
+
+<p>Madelon and Burr were married quite early in the morning, in the
+best room of the Hautville house, and nobody outside the two families
+was bidden to the wedding. After the marriage the bride tied on a
+white-muslin apron and passed cake and currant wine; and the great
+Hautvilles sitting in sober state around the room, Elvira Gordon in
+her black satin and pearls, pretty Dorothy, and Parson Fair
+partook.</p>
+
+<p>Then the bride went up to her chamber and put on a pelisse of
+stuff like her gown, lined with canary-colored satin, and a little
+cap of otter and a great muff which she had fashioned herself out of
+skins which her brothers had brought home, and took over her arm,
+since the day was frosty, a long tippet of otter which she could wind
+round her throat, if need be, and came down all equipped for her
+wedding-journey.</p>
+
+<p>In front of the Hautville house stood waiting a smart chaise with
+a fine young horse in the shafts, and the bride and groom came out
+and got in and drove away. But first, while Burr was gathering up the
+reins, David Hautville's hoarse voice through the open door besought
+him to wait, and presently the old man came striding forth with the
+skin of a mighty bear which he had slain single-handed years ago, and
+which had been his chiefest treasure next to his viol ever since,
+kept beside his bed, whence no one dared remove it. He flung it up
+into the chaise, and tucked it well in over his daughter's knees.
+&ldquo;Oh, father, I will not take your bearskin!&rdquo; Madelon
+cried, and the tears came into her eyes, for this touched her more
+than anything; and the memory of aught that she had ever lacked in
+tenderness towards them all seemed to smite her in the face.</p>
+
+<p>&ldquo;'Tis a sharp day for the time of year, and there'll be a
+frost to-night,&rdquo; was all old David Hautville said, and strode
+back into the house, keeping his face well turned away.</p>
+
+<p>The horse that Burr drove was a young animal that he had purchased
+lately. It was of the stock of the Morgans, and stood with the
+faithfulness of a sentinel; but when the signal to start was given
+stepped out proudly as if to a battle charge, with eager tossings of
+heavy mane and high flings of knees and hoofs; and yet, when fairly
+on the road, never broke the swift precision of his course.</p>
+
+<p>&ldquo;He's got a fine horse there,&rdquo; Abner Hautville said,
+in his emphatic bass, as he watched them out of sight; and he further
+declared that for his part he would be willing to trade the roan for
+him. Then the boy Richard turned upon him, with a cry that was
+something between a sob and an oath: &ldquo;Yes, trade off the roan
+and all we've got left to him, I'll warrant ye will!&rdquo; he choked
+out. Then he was gone, pelting off madly across the fields, with his
+bold and innocent young heart, that had as yet known no fiercer
+passion than this for his sister, all aflame with grief and angry
+jealousy, as of one who sees his best haled off before his eyes, and
+still with awed submission to a power which he recognizes and
+understands not.</p>
+
+<h4 align="center">Chapter XXIX</h4>
+
+<p>As Burr and Madelon, setting forth on their wedding-journey, drove
+down the village street, they met many whom they knew; and had it not
+been for their self-engrossment they could not have failed to notice
+and wonder at the cold greetings they received, and the many averted
+faces which greeted them not at all.</p>
+
+<p>Indeed, Burr did remark upon it when they met Daniel Plympton, who
+nodded with a surly air and turned his fat and pleasant countenance
+resolutely away, with a gesture that seemed to belie his own
+identity.</p>
+
+<p>&ldquo;What's come across Dan'l?&rdquo; he said, laughing, for at
+that time coldness from the outside world seemed but provocative of
+amusement. Then he sang out gayly to the Morgan horse, and they flew
+along the road, under the outreaching branches, red and gold and
+russet, past old landmarks and houses and more familiar faces which
+bore strange looks towards them, and yet surprised them not, for a
+strangeness was over all the old sights and ways for them both. To
+the bride and groom, riding through the village where they had been
+born and bred, and whence all their earthly imaginations had sprung,
+came an experience like a resurrection. They saw it all: the paths
+their feet had trodden, the doors they had entered, the friends they
+had known from childhood, but all seemed no longer the same, since
+their own conditions of life had changed; and change in one's self is
+the vital spring of change in all besides.</p>
+
+<p>As they rode along old associations lost their holds over them in
+their new world, which was the outcome of the old, and would in its
+turn wax old again. Burr looked at his own home, as he went by, as if
+he had never seen it; even his memory of himself and his childhood
+days was dim, and he and Madelon, glancing at Lot's windows and
+having his image forced, as it were, upon their consciousness,
+regarded it as they might have done an actor in some old drama of
+history in which they also had taken part, but which had long since
+passed off the stage.</p>
+
+<p>They left the house behind and were swiftly out of sight, over the
+crest of a long hill with a great spread of golden maple branches
+closing after them like a curtain, and neither of them dreamed in
+what straits Lot Gordon lay behind his vacant windows&mdash;and all
+through this love and bliss and paradise of theirs.</p>
+
+<p>The smart chaise and the Morgan horse had scarcely disappeared
+before Margaret Bean came hurriedly out of Lot Gordon's house and
+went rattling in her starched draperies towards the village; and soon
+after that the doctor was seen driving thither furiously in his
+tilting sulky, while windows were opened and spying heads thrust out
+all along his course.</p>
+
+<p>An hour later everybody knew that Lot Gordon, some said by a fall
+in climbing over a stone wall, some said by a severe fit of coughing,
+had caused his old wound to beset him again with danger of his life.
+That night, indeed, the tide of rancorous gossip swelled high. The
+spirit of persecution and righteous retribution which finds easy
+birth in New England villages was fast getting to itself feet and
+hands and tongue and a whole body of active powers.</p>
+
+<p>A stormy bridal night had Burr and Madelon known had they been at
+home; and had Lot Gordon died during the next three days, in which he
+lay in imminent danger, there had been fleet horses on the track of
+the swift Morgan, and the wedding-journey had come to a close.</p>
+
+<p>Yet the Hautville men heard nothing of the bitterness which was
+gathering towards Madelon and Burr, for people, fearing their fierce
+tempers, hesitated until the time was come to disclose it to them.
+Even old Luke Basset dared not carry news to them. The tongues were
+always hushed when one of them drew near; and as for Eugene, who,
+having a wife, might perhaps have discovered it, he and Dorothy took
+the stage coach for Boston the day after the marriage, and were
+paying a visit at Dorothy's aunt's there.</p>
+
+<p>After three days Lot Gordon was reported to be no longer hovering
+between life and death, and yet it was said on good authority,
+through the doctor's wife in fact, that he might at any time, by an
+injudicious step or a harder coughing-spell, end his life through the
+opening of that old wound, for which they held either Madelon or
+Burr, or perhaps both, accountable; and public indignation swelled
+higher and higher. It was resolved that when the bridal couple
+returned a constant espionage should be kept upon them, and in case
+of Lot's death active measures should be taken.</p>
+
+<p>&ldquo;We ain't goin' to have a man murdered to death in our midst
+by no French and Injuns nowadays and let it slide,&rdquo; proclaimed
+a fiery spirit in the store one night. Then when the door opened and
+Abner Hautville, dark and warlike in his carriage as any fighting
+chief, appeared, the man asked ostentatiously for a &ldquo;quart of
+m'lasses, and not so black and gritty as the last was nuther,&rdquo;
+transferring the rancor in his tone to an inoffensive object with
+Machiavellian policy.</p>
+
+<p>However, Margaret Bean's husband was in the store that night, and
+heard it all. He had been sent thither for a half-pound of ginger,
+and told not to linger; but linger he did, disposing his old bones
+with a stiff fling upon a handy half-barrel and listening to every
+word with a shrewd sense, for which no one would have given him
+credit, that he could by repetition and enlargement, if necessary,
+appease his wife's wrath at his delay. The workings of the human mind
+towards selfish ends even in the simplest organization have an art
+beyond all mechanism, and can astonish the wisest when revealed.</p>
+
+<p>Nobody who saw old man Bean pottering homeward that night, his
+back bent with age, yet moving with a childlike shuffle, carrying his
+parcel of ginger with tight clutch lest he drop it, like one whose
+weariness of body must make up for feebleness of mind, dreamed what a
+diplomat he was in his humble walk of life, and what an adept still
+in doubles and turns and twists and dodges towards his own petty
+ends.</p>
+
+<p>A sweeter morsel than any sugar old man Bean, overborne with a
+sense of naughtiness and disobedience, like a child, carried home to
+his wife to quiet her chiding tongue.</p>
+
+<p>Hardly had he entered the door when he heard afar the swift rattle
+of her starched skirts, like a very warning note of hostility, and
+cut in ahead of her reproaches with a triumphant manner.</p>
+
+<p>&ldquo;Pretty doin's there's goin' to be,&rdquo; said he;
+&ldquo;never was nothin' like it in this town. That's what I stayed
+for. Thought ye'd orter know.&rdquo;</p>
+
+<p>&ldquo;What do you mean?&rdquo; asked Margaret Bean, staring.</p>
+
+<p>&ldquo;Ye know what the doctor says about <em>him</em>?&rdquo;
+The old man jerked his head towards the door.</p>
+
+<p>Margaret nodded.</p>
+
+<p>&ldquo;Well, they're goin' to have 'em both hung for murder the
+minute he draws his last breath.&rdquo;</p>
+
+<p>&ldquo;Can't till they're tried,&rdquo; said Margaret, with a
+sniff of scorn at her husband's lack of legal knowledge.</p>
+
+<p>&ldquo;Well, they're goin' to clap 'em into jail the minute they
+git home, an' keep 'em there till they can hang 'em,&rdquo; persisted
+old man Bean.</p>
+
+<p>&ldquo;They ain't.&rdquo;</p>
+
+<p>&ldquo;I tell ye they are!&rdquo;</p>
+
+<p>Old man Bean had a cup of tea, plentifully sweetened with
+molasses, made from the ginger which he had purchased, and went to
+bed happy and peaceful, as one who has worked innocently and well his
+small powers to his own advantage; and soon after that Lot also heard
+the news which he had brought.</p>
+
+<p>Margaret Bean said to herself that it was her duty; and her duty,
+and a great devouring thirst of curiosity, overcame her natural fear
+of injuring the sick man.</p>
+
+<p>Lot Gordon was still in bed, but propped up on pillows, with a
+candle on the stand at his side, reading one of his leather-covered
+books. Margaret Bean shrank back when she had delivered herself of
+her news, for the flash in Lot's eyes was like lightning; and she
+waited in trembling certainty as for thunder.</p>
+
+<p>&ldquo;I tell ye 'tis a lie!&rdquo; cried Lot Gordon. &ldquo;Do ye
+hear, 'tis a lie! Go yourself and tell them so from me. The wound has
+naught to do with this. It was naught but a scratch, for I had not
+courage enough to strike deep, much as I wanted to be quit of the
+world and the fools in it. Go you down to the store and tell the
+gossips that have no affairs of their own, and must needs pry on
+their neighbors so. Dare any one of them to turn knife on his own
+flesh for the first time and strike deeper! The next time I'll do
+better. Tell them so! The fools! Sodom and Gomorrah, and fire from
+Heaven for wickedness! Lord, why not fire from Heaven for damned
+foolishness, that does more harm to the world than the shattering of
+all the commandments into stone-dust!&rdquo;</p>
+
+<p>&ldquo;I felt that 'twas my duty to let you know, sir,&rdquo;
+stammered Margaret Bean, backing farther and farther away from
+him.</p>
+
+<p>&ldquo;Tell the fools that I say, and I'll swear to it, and so
+will the doctor swear, that 'twas not the wound that has been my
+ailment, but my cursed lungs; but if 'twas 'twould be naught to them,
+for I struck the blow myself. I tell you that neither the one nor the
+other of them struck the blow&mdash;it was I. Do you hear? It was
+I!&rdquo;</p>
+
+<p>&ldquo;Yes, sir,&rdquo; said Margaret Bean, trembling, her eyes
+big, her white face elongated in her starched cap ruffles.</p>
+
+<p>&ldquo;Go to bed!&rdquo; said Lot, savagely, and the old woman
+scuttled out, glad to be gone.</p>
+
+<p>Never before had Lot addressed her so. &ldquo;I believe he did do
+it himself,&rdquo; she told her husband next morning, for she could
+not wake him to intelligence that night; &ldquo;he's jest ugly 'nough
+to.&rdquo;</p>
+
+<p>The next day at early dawn Lot's bell, which was kept on his stand
+beside the bed, in case he should be worse in the night and need
+assistance, tinkled sharply.</p>
+
+<p>&ldquo;Send your husband after the doctor,&rdquo; Lot ordered,
+peremptorily, when Margaret answered it; and presently early risers
+saw old man Bean advancing in a rapid shuffle towards the doctor's,
+and soon the doctor himself whirled past, his back bent to the rapid
+motion of his gig. The report that Lot Gordon was worse went through
+the village like wildfire. A crowd collected in the store as soon as
+the shutters were down; there was a knot of men before the lawyer's
+office waiting for him to come; and several hot-headed young fellows
+pressed into the stable and urged upon Silas Beers that he should
+keep the old white racer in readiness for an emergency that day, and
+also several others which, if not as fleet, had good staying
+powers.</p>
+
+<p>When the doctor entered Lot Gordon's chamber Margaret Bean
+followed, tremblingly officious, in his wake, with a bowl and spoon
+in hand.</p>
+
+<p>&ldquo;I want to see the doctor alone,&rdquo; said Lot; and the
+old woman retreated before his coldly imperious order. &ldquo;Stay
+out in the kitchen,&rdquo; ordered Lot, further, &ldquo;and don't
+come through the entry; I shall hear you if you do.&rdquo;</p>
+
+<p>&ldquo;Yes, sir,&rdquo; replied Margaret Bean, and obeyed, nor
+dared listen at the door, as was her wont, so terrified was she lest
+Lot could indeed hear and had heard in times past.</p>
+
+<p>The doctor, redolent of herbs and drugs, set his medicine-chest on
+the floor, and advanced upon Lot, who waved him back with a
+half-laugh.</p>
+
+<p>&ldquo;Lord, let's have none of that nonsense this morning,&rdquo;
+he said. &ldquo;Sit down; I want to talk to you.&rdquo;</p>
+
+<p>The doctor was gray and unshaven and haggard as ever, from a
+midnight vigil, the crumbs of his hasty breakfast were on his
+waistcoat; his eyes were bright as steel under heavy, frowning
+brows.</p>
+
+<p>&ldquo;Are ye worse? Has it come on again?&rdquo; he demanded.</p>
+
+<p>&ldquo;No; sit down.&rdquo;</p>
+
+<p>The doctor snatched up his medicine-chest with a surly
+exclamation.</p>
+
+<p>&ldquo;Where are you going?&rdquo; asked Lot.</p>
+
+<p>&ldquo;Back to my breakfast. I'll not be called out for nothing by
+you or any other man after I've been out all night. If you want a
+gossip, get the parson; he's got time enough on his hands. A man
+don't have to work so many hours a day saving souls as he does saving
+bodies.&rdquo;</p>
+
+<p>Lot laughed. &ldquo;And neither souls nor bodies saved by either
+of you, after all,&rdquo; said he, &ldquo;for the Lord saves the one,
+if he has so ordained it; and as for the other, your nostrums only
+work so long as death does not choose to come.&rdquo;</p>
+
+<p>&ldquo;Have it your own way; save your own soul and your own body,
+as ye please, for all me,&rdquo; said the doctor, who was adjudged
+capable when crossed of being surly to a dying man; and he made for
+the door.</p>
+
+<p>&ldquo;For God's sake stop,&rdquo; cried Lot, &ldquo;and come back
+here and listen! I did not call you for nothing. The lives and deaths
+of more than one are at stake; come back here!&rdquo;</p>
+
+<p>The doctor clamped his medicine-chest hard on the floor. &ldquo;Be
+quick about it, then,&rdquo; said he, and sat down in a chair at
+Lot's bedside.</p>
+
+<p>Lot fumbled under his pillow and produced a folded paper which he
+handed to the doctor. &ldquo;I want you to sign this,&rdquo; said
+he.</p>
+
+<p>The doctor scowled over the paper, got out his iron-bowed
+spectacles, adjusted them, and read aloud:</p>
+
+<p>&ldquo;I, Justinus Emmons, practising doctor of medicine, do
+hereby declare that the death of Lot Gordon of Ware Centre will, when
+it takes place, be due to phthisis, and phthisis alone, and not in
+any degree, however small, to the wound inflicted by himself some
+months since. And, furthermore, I declare that his death will follow
+from the natural progress of the disease of phthisis, which has not
+in any respect been accelerated by his self-inflicted
+wound.&rdquo;</p>
+
+<p>&ldquo;You want me to sign this, do you?&rdquo; said the
+doctor.</p>
+
+<p>&ldquo;I will call in Margaret Bean and her husband for
+witnesses,&rdquo; said Lot.</p>
+
+<p>&ldquo;You think I am going to sign this?&rdquo;</p>
+
+<p>&ldquo;I want it in addition to the certificate of the cause of
+death which you will have to make out after my decease. 'Tis an
+unnecessary formality, but I would have it so,&rdquo; Lot
+returned.</p>
+
+<p>The doctor dashed the paper on the bed. &ldquo;If you think I am
+going to subscribe to a lie for you, or any other man, you're
+mistaken,&rdquo; he cried. &ldquo;It was enough for me to hold my
+tongue when you made that fool statement of yours that wouldn't have
+deceived a man with the brains of an ox.&rdquo;</p>
+
+<p>&ldquo;My death will be due to phthisis; my left lung is almost
+consumed, and you know it,&rdquo; affirmed Lot.</p>
+
+<p>&ldquo;And I tell you,&rdquo; said the doctor, stoutly,
+&ldquo;that your death from phthisis might not have occurred for ten
+years to come. Does a tree die because half its boughs are gone? When
+you die, you die of that wound. The evil was greater than I thought
+at the time. It takes less to kill a diseased man than a sound
+one.&rdquo;</p>
+
+<p>&ldquo;Then my death will be due to my disease and not to my
+wound, if it would not have killed a sound man,&rdquo; cried Lot,
+eagerly.</p>
+
+<p>&ldquo;I tell you, your death will be due to that wound that
+Madelon Hautville, with maybe your cousin at her back, gave
+you.&rdquo;</p>
+
+<p>Lot's face glared white at the doctor. &ldquo;I gave the wound to
+myself!&rdquo;</p>
+
+<p>The doctor laughed.</p>
+
+<p>&ldquo;I tell you, I gave the wound myself!&rdquo;</p>
+
+<p>&ldquo;Take your wound into court, and see what they
+say.&rdquo;</p>
+
+<p>&ldquo;What do you mean?&rdquo;</p>
+
+<p>&ldquo;I'll give any man who will stab himself in just the same
+place, with the knife held in just the same way, every dollar I have
+in the world.&rdquo;</p>
+
+<p>&ldquo;You can't prove it.&rdquo;</p>
+
+<p>&ldquo;I can prove it.&rdquo;</p>
+
+<p>&ldquo;I can do away with your proof,&rdquo; said Lot, in a
+strange voice. The doctor looked at him sharply.</p>
+
+<p>&ldquo;Then you will not sign this paper?&rdquo; Lot said,
+presently.</p>
+
+<p>&ldquo;No, I will not; and I tell you, once for all, when you die
+I make out my certificate as it should be.&rdquo;</p>
+
+<p>&ldquo;How?&rdquo;</p>
+
+<p>&ldquo;By a wound from a knife or other sharp instrument,
+inflicted by a person or persons unknown.&rdquo;</p>
+
+<p>Lot's face, towards the doctor, looked as if death had already
+struck it; but he spoke firmly. &ldquo;How long will it be,
+first?&rdquo; he asked.</p>
+
+<p>&ldquo;I don't know.&rdquo;</p>
+
+<p>&ldquo;Approximate.&rdquo;</p>
+
+<p>&ldquo;A false step may do it.&rdquo;</p>
+
+<p>&ldquo;I can lie still!&rdquo;</p>
+
+<p>&ldquo;A coughing-spell may do it.&rdquo;</p>
+
+<p>&ldquo;I will not cough!&rdquo;</p>
+
+<p>&ldquo;More than that, a thought may do it, if it stirs your heart
+too much. I tell you as I should want to be told myself: your life
+hangs by a thread.&rdquo;</p>
+
+<p>&ldquo;Sometimes a thread does not break,&rdquo; Lot said, with a
+meditative light in his eyes.</p>
+
+<p>&ldquo;That's true enough.&rdquo;</p>
+
+<p>&ldquo;This may not.&rdquo;</p>
+
+<p>&ldquo;True enough.&rdquo;</p>
+
+<p>&ldquo;How long will you give it to last, before you sign this
+paper?&rdquo;</p>
+
+<p>&ldquo;A year.&rdquo;</p>
+
+<p>&ldquo;Then you will sign this if I live a year from
+to-day?&rdquo;</p>
+
+<p>&ldquo;No, I will not sign it, for you may have another stab on
+New-year's day, if you seem likely to live so long,&rdquo; said the
+doctor, shortly; &ldquo;but I will promise you not to make out your
+certificate of death from this wound.&rdquo;</p>
+
+<p>&ldquo;How great a chance of life have I?&rdquo; Lot asked,
+hoarsely, after a minute's pause.</p>
+
+<p>&ldquo;Small.&rdquo;</p>
+
+<p>&ldquo;Yet there is one?&rdquo;</p>
+
+<p>&ldquo;Yes.&rdquo;</p>
+
+<p>The doctor opened his chest, and began selecting some bottles.</p>
+
+<p>&ldquo;I want no more of your nostrums,&rdquo; said Lot.</p>
+
+<p>&ldquo;Very well,&rdquo; said the doctor, replacing the bottles.
+&ldquo;I would not make out that certificate sooner than
+necessary&mdash;that is all.&rdquo;</p>
+
+<p>&ldquo;Dose death and go to the root of the matter,&rdquo; said
+Lot. &ldquo;Then you won't sign this paper?&rdquo;</p>
+
+<p>&ldquo;No,&rdquo; replied the doctor, with a great emphasis of
+negation.</p>
+
+<p>&ldquo;There is one thing you will do,&rdquo; said he.</p>
+
+<p>&ldquo;What?&rdquo; asked the doctor, suspiciously.</p>
+
+<p>&ldquo;If I die within a year, to your truest belief, from any
+other cause than this wound now in my side you will say
+so.&rdquo;</p>
+
+<p>&ldquo;Of course I will do that,&rdquo; replied the doctor,
+staring at him.</p>
+
+<p>&ldquo;And you will in such a case let this wound drop into
+oblivion, you will hold your peace concerning it, &lsquo;forever
+after?&rsquo;&rdquo;</p>
+
+<p>&ldquo;Of course I will.&rdquo;</p>
+
+<p>&ldquo;Swear to it?&rdquo;</p>
+
+<p>&ldquo;I swear. But what in&mdash;&rdquo;</p>
+
+<p>Lot smiled. &ldquo;Some time, when you have leisure, write a
+treatise on &lsquo;Who killed the man?&rsquo;&rdquo; he said, as if
+to turn the subject, &ldquo;and keep going back to first causes.
+You'll find startling results; you may decide that 'twas your duty to
+sign the paper.&rdquo;</p>
+
+<p>&ldquo;I have no time for treatises,&rdquo; returned the doctor,
+gruffly.</p>
+
+<p>&ldquo;You may trace the killing back to yourself.&rdquo;</p>
+
+<p>&ldquo;I'm not afraid of it. Good-day.&rdquo;</p>
+
+<p>&ldquo;Shake hands with me, doctor,&rdquo; pleaded Lot, with a
+curious change of tone, &ldquo;to show you bear no grudge for the
+breakfast you lost.&rdquo;</p>
+
+<p>The doctor stared a second, then went up to him with extended
+hand, looking at him seriously. He thought Lot's illness had begun to
+affect his mind.</p>
+
+<p>&ldquo;Keep yourself quiet, and you may outlive the best of
+us,&rdquo; he said, soothingly, as if to a child or a woman, shook
+Lot's lean hand kindly, repeated his good-day, and was gone.</p>
+
+<p>Lot waited until he heard the outer door close. Then he tinkled
+his bell for Margaret Bean. &ldquo;When are they coming home?&rdquo;
+he asked, shortly, when she stood beside him.</p>
+
+<p>&ldquo;His mother said she was expectin' of 'em
+Saturday.&rdquo;</p>
+
+<p>&ldquo;Get my clothes out of the closet, will you,&rdquo; said
+Lot.</p>
+
+<p>&ldquo;You ain't a-goin' to get up?&rdquo;</p>
+
+<p>&ldquo;Yes, I'm better; get the clothes.&rdquo;</p>
+
+<p>When Margaret Bean had laid the clothes out ready for him, and was
+gone, Lot laid still a moment, reflecting, with his eyes on the
+ceiling. He wished to cough, but with an effort he checked it,
+gasping once or twice. &ldquo;Saturday,&rdquo; he said, aloud.
+&ldquo;To-day is Wednesday&mdash;three days. Can I wait?&rdquo; He
+paused; then as if answering another self, he said, &ldquo;No; I
+could die a thousand deaths in that time. I can't wait.&rdquo;</p>
+
+<p>Lot Gordon got up, moving by inches, with infinite care and pains,
+dressed himself, crawled out of his bedroom into his library, which
+was adjoining, and sat down at his desk. Margaret Bean came timidly
+to the door, and inquired if he did not want some breakfast. She had
+to repeat her query three times, he was writing so busily, and then
+he answered her &ldquo;no&rdquo; as if his thoughts were elsewhere.
+The old woman hungrily eyed the paper upon which he was scribbling,
+and went away with lingering backward glances.</p>
+
+<p>Lot Gordon, bending painfully over his desk, using his quill pen,
+with wary motions of hand and wrist alone, that he might not jar his
+wounded side, wrote a letter to the bride upon her
+wedding-journey.</p>
+
+<p>&ldquo;Madelon,&rdquo; wrote Lot, &ldquo;I pray you to pardon what
+I have done, and what I am about to do. The danger of
+blood-guiltiness and death have I brought upon you, and I now save
+you in the only way I know. I pray you, when you read this, and know
+what I have done, that you think of me with what charity you may, and
+that the love which caused the deed may be its saving
+grace.&rdquo;</p>
+
+<p>Lot sat looking at what he had written for a moment, then tore it
+up, and wrote again:</p>
+
+<p>&ldquo;Madelon,&mdash;Alive I claimed nothing, dead I claim your
+memory, for the sake of the love for which I died.&rdquo;</p>
+
+<p>And, after a moment, tore up that also.</p>
+
+<p>And then he wrote again, with quivering lips, yet breathing
+guardedly:</p>
+
+<p>&ldquo;Madelon,&mdash;The love that was set betwixt man and woman
+that the race might not die is one love, but there is another. That
+have I found and found through you, and bless you for it, though
+death be needful to its keeping. There is another birth than that of
+the flesh, through this so great love, which can upon itself beget
+immortality of love unto the understanding of all which is above. A
+greater end of love than the life of worlds there is, which is love
+itself. That end have I attained through this great love in my own
+soul which you have shown me, else should I have never known it
+there, and died so, having lived to myself alone, and been no true
+lover. <br>&nbsp;&nbsp;&nbsp;&ldquo;Lot Gordon.&rdquo;</p>
+
+<p>And hesitated, reading it over; but at length tore that into
+shreds, and wrote yet again:</p>
+
+<p>&ldquo;Dear Child,&mdash;I pray you when I am gone that you wear
+the pretty gowns and the trinkets which I offered you once, for I
+would fain give you for your happiness more than my poor
+life.&rdquo;</p>
+
+<p>Tears of self-pity fell from Lot's eyes as he wrote the last; then
+he laughed scornfully at himself, and tore that up. &ldquo;Self dies
+hard,&rdquo; said he.</p>
+
+<p>He wrote no more to Madelon, but now to Burr:</p>
+
+<p>&ldquo;Dear Cousin,&rdquo; he wrote, &ldquo;I have this day
+discovered that my life is in imminent danger from the wound. If my
+death comes in that wise there will be trouble. I take the only way
+to save her, but I pray you, upon your honor, that you do not let her
+know, for even your love cannot sweeten her life fully for her if she
+knows; for love has taught me the heart of this woman. To you alone,
+for the sake of the honor of our blood, which has never been shed by
+our own hands before, I disclose this; for I would be set right in
+the eyes of one man when I am dead.&rdquo;</p>
+
+<p>Lot Gordon pondered long over that; but finally tore up that as he
+had torn the others, and gathered up all the fragments and crawled
+across the room with them, and threw them on the hearthfire.</p>
+
+<p>Then, leaving them blazing there, he returned to his desk, and
+wrote:</p>
+
+<p>&ldquo;<em>To all whom it may concern, or to all whom in their own
+estimation it may concern, this:</em></p>
+
+<p>&ldquo;I, Lot Gordon, of Ware Centre, being weary of life, which
+is a dream, have resolved to force the waking. Having once before
+attempted in vain to take my life, I now attempt it again, and this
+time not in vain, for my hand has grown skilful with practice. I take
+my life because of no wrong done me by man or woman, nor because of
+any vain love; I take it solely because my days upon this earth being
+numbered through my distress of the lungs, I have not the courage to
+see death approach by inches, and prefer to meet him at one bound. I
+have lived unto myself, with no man accountable, and I die unto
+myself, with no man accountable; and this is the truth with my last
+breath. <br>&nbsp;&nbsp;&nbsp;&ldquo;Lot Gordon.&rdquo;</p>
+
+<p>This last Lot folded neatly and addressed it &ldquo;To my
+fellow-townsmen,&rdquo; and laid it in a conspicuous place on his
+desk, and then wrote on another sheet and put that in his pocket.
+Then he opened a drawer of the desk, and took out all the trinkets
+which he had offered Madelon, in their pretty cases, and with them in
+his hands crept out of the room, and up-stairs, into the chamber
+which he had caused to be decked out so newly and grandly when he had
+thought to marry her. There was a great carven chest in a corner of
+the room, which Lot unlocked, and took from thence all those rich
+fabrics which he had bought for Madelon. And then he laid them
+all&mdash;the silken stuffs and plumes and fine linens and
+jewels&mdash;out on the great bed, under the grand canopy, and placed
+on the top the sheet of paper on which he had last written,
+&ldquo;For Madelon Gordon.&rdquo;</p>
+
+<p>Margaret Bean had listened when Lot climbed the stairs. She heard
+him when he came down again, entered his library, and shut the door.
+She waited a long time. For some reason which she did not herself
+know she felt cold with terror. She would not let her husband leave
+her alone in the kitchen for a moment. At last, when it was nearly
+noon, she bade him keep close at her heels, and went to the library
+door and knocked, and when no answer came, knocked again and again
+and again, louder and louder and louder. Then she made her husband
+open the door, with fierce urgings, and peered around his shoulder
+into the room. Then she gave one great shriek, and caught the old man
+by the arm with a frantic clutch, and was out of the house with him
+and screaming up the street.</p>
+
+<p>Saturday morning Burr and Madelon came riding into the village. As
+they passed up the street everybody whom they met saluted them with a
+manner which had in it something respectful, apologetic, and solemn.
+The lovers felt no wonder at such return of cordiality, seeing in
+everything but reflections of their own moods, and knew not what it
+meant until they reached home.</p>
+
+<p>Then Elvira Gordon, meeting them at the door, told them that Lot
+was dead by his own hand, by a knife-thrust which crossed the old
+wound in his side; and she dwelt upon the reason for his deed: that
+he had been slowly dying from the disease of his lungs, and had not
+the courage to die by inches, which reason now all the town believed,
+since the doctor had said no word in contradiction, and never would,
+being mindful of his oath.</p>
+
+<p>Madelon listened, white and still, saying not a word; and she said
+nothing when, up in their chamber, whither she went to take off her
+bonnet, Burr, who had followed, took her in his arms, and they stood
+together, looking at each other and trembling. Knowing not, and never
+to know, the whole which he had done for them, they yet knew enough.
+Suddenly, in the light of their own love another greater showed
+revealed; and each exalted the image of Lot Gordon above the other,
+and was acquaint with the spirit of what he had written and kept
+back; for love that so outspeeds self and death needs no speech nor
+written sign to prove its being.</p>
+
+<p align="center">THE END</p>
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of Madelon, by Mary E. Wilkins Freeman
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