summaryrefslogtreecommitdiff
path: root/17825.txt
diff options
context:
space:
mode:
Diffstat (limited to '17825.txt')
-rw-r--r--17825.txt722
1 files changed, 722 insertions, 0 deletions
diff --git a/17825.txt b/17825.txt
new file mode 100644
index 0000000..bfc088b
--- /dev/null
+++ b/17825.txt
@@ -0,0 +1,722 @@
+The Project Gutenberg eBook, The Legend of the Bleeding-heart, by Annie
+Fellows Johnston
+
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+
+
+
+Title: The Legend of the Bleeding-heart
+
+
+Author: Annie Fellows Johnston
+
+
+
+Release Date: February 22, 2006 [eBook #17825]
+
+Language: English
+
+Character set encoding: ISO-646-US (US-ASCII)
+
+
+***START OF THE PROJECT GUTENBERG EBOOK THE LEGEND OF THE BLEEDING-HEART***
+
+
+E-text prepared by David Garcia, Sjaani, and the Project Gutenberg Online
+Distributed Proofreading Team (https://www.pgdp.net/) from page images
+generously made available by Kentuckiana Digital Library
+(http://kdl.kyvl.org/)
+
+
+
+Note: Project Gutenberg also has an HTML version of this
+ file which includes the original illustrations.
+ See 17825-h.htm or 17825-h.zip:
+ (https://www.gutenberg.org/dirs/1/7/8/2/17825/17825-h/17825-h.htm)
+ or
+ (https://www.gutenberg.org/dirs/1/7/8/2/17825/17825-h.zip)
+
+ Images of the original pages are available through the Electronic
+ Text Collection of Kentuckiana Digital Library. See
+ http://kdl.kyvl.org/cgi/t/text/text-idx?c=kyetexts;cc=kyetexts;xc=1&idno=B92-277-32008329&view=toc
+
+
+
+
+
+THE LEGEND OF THE BLEEDING-HEART
+
+by
+
+ANNIE FELLOWS JOHNSTON
+
+Author of "The Little Colonel Series," "Big
+Brother," "Joel: A Boy of Galilee,"
+"Keeping Tryst," etc.
+
+
+
+
+
+
+
+[Illustration: Olga, holding it in the hollow of
+her hands, offered him the water.]
+
+
+
+
+Boston
+L. C. Page & Company
+1907
+Copyright, 1900
+By L. C. Page & Company
+(Incorporated)
+Copyright, 1907
+By L. C. Page & Company
+(Incorporated)
+All rights reserved
+First Impression, July, 1907
+Colonial Press
+Electrotyped and Printed by C. H. Simonds & Co.
+Boston, U. S. A.
+
+
+
+
+IN MEMORY
+OF THE ONES THAT GREW
+SO LONG AGO,
+IN OLD "Aunt Nancy's" GARDEN.
+
+
+
+
+The Legend of the Bleeding-heart
+
+
+
+
+In days of old, when all things in the Wood had speech, there lived
+within its depths a lone Flax-spinner. She was a bent old creature, and
+ill to look upon, but all the tongues of all the forest leaves were ever
+kept a-wagging with the story of her kindly deeds. And even to this day
+they sometimes whisper low among themselves (because they fain would
+hold in mind so sweet a tale) the story of her kindness to the little
+orphan, Olga.
+
+'Twas no slight task the old Flax-spinner took upon herself, the day she
+brought the helpless child to share the shelter of her thatch. The Oak
+outside her door held up his arms in solemn protest.
+
+"Thou dost but waste thyself," he said. "Thy benefits will be forgot,
+thy labours unrequited. For Youth is ever but another title for
+Ingratitude."
+
+"Nay, friend," the old Flax-spinner said. "My little Olga will not be
+ungrateful and forgetful."
+
+All hedged about with loving care, the orphan grew to gracious
+maidenhood, and felt no lack of father, mother, brother or sister. In
+every way the old Flax-spinner took their places. But many were the
+sacrifices that she made to keep her fed and warmly clad, and every time
+she went without herself that Olga might receive a greater share,
+Wiseacre Oak looked down and frowned and shook his head.
+
+Then would the old dame hasten to her inner room, and there she pricked
+herself with her spindle, until a great red drop of her heart's blood
+fell into her trembling hand. With witchery of words she blew upon it,
+and rolled it in her palm, and muttering, turned and turned and turned
+it. And as the spell was laid upon it, it shrivelled into a tiny round
+ball like a seed, and she strung it on a thread where were many others
+like it, saying, "By this she will remember. She will not be ungrateful
+and forgetful."
+
+So years went by, and Olga grew in goodness and in beauty, and helped
+the old Flax-spinner in her tasks as blithely and as willingly as if
+she were indeed her daughter. Every morning she brought water from the
+spring, gathered the wild fruits of the woods, and spread the linen on
+the grass to bleach. At such times would the bent old foster-mother hold
+herself erect, and call up to the Oak, "Dost see? Thou'rt wrong! Youth
+is _not_ another title for Ingratitude."
+
+"Thou hast not lived as long as I," would be the only answer.
+
+One day as Olga was wandering by the spring, searching for watercresses,
+the young Prince of the castle rode by on his prancing charger. A
+snow-white plume waved in his hat, and a shining silver bugle hung from
+his shoulder, for he had been following the chase.
+
+He was thirsty and tired, and asked for a drink, but there was no cup
+with which to dip the water from the spring. But Olga caught the drops
+as they bubbled out from the spring, holding them in the hollow of her
+beautiful white hands, and reaching up to where he sat, offered him the
+sparkling water. So gracefully was it done, that the Prince was charmed
+by her modest manner as well as her lovely face, and baring his head
+when he had slaked his thirst, he touched the white hands with his lips.
+
+Before he rode away he asked her name and where she lived. The next day
+a courier in scarlet and gold stopped at the door of the cottage and
+invited Olga to the castle. Princesses and royal ladies from all over
+the realm were to be entertained there, seven days and seven nights.
+Every night a grand ball was to be given, and Olga was summoned to each
+of the balls. It was because of her pleasing manner and her great
+beauty that she had been bidden.
+
+The old Flax-spinner courtesied low to the courier and promised that
+Olga should be at the castle without fail.
+
+"But, good dame," cried Olga, when the courier had gone, "prithee tell
+me why thou didst make such a promise, knowing full well this gown of
+tow is all I own. Wouldst have me stand before the Prince in beggar's
+garb? Better to bide at home for aye than be put to shame before such
+guests."
+
+"Have done, my child!" the old dame said. "Thou shalt wear a court robe
+of the finest. Years have I toiled to have it ready, but that is naught.
+I loved thee as my own."
+
+Then once more the old Flax-spinner went into her inner room, and
+pricked herself with her spindle till another great red drop of her
+heart's blood fell into her trembling hand. With witchery of words she
+blew upon it, and rolled it in her palm, and muttering, turned and
+turned and turned it. And as the spell was laid upon it, it shrivelled
+into a tiny round ball like a seed, and she strung it on to a thread,
+where were many others like it. Seventy times seven was the number of
+beads on this strange rosary.
+
+When the night of the first ball rolled around, Olga combed her long
+golden hair and twined it with a wreath of snowy water-lilies, and then
+she stood before the old dame in her dress of tow. To her wonderment
+and grief she saw there was no silken robe in waiting, only a string of
+beads to clasp around her white throat. Each bead in the necklace was
+like a little shrivelled seed, and Olga's eyes filled with tears of
+disappointment.
+
+"Obey me and all will be well," said the old woman.
+
+"When thou reachest the castle gate clasp one bead in thy fingers and
+say:
+
+ "'For love's sweet sake, in my hour of need,
+ Blossom and deck me, little seed.'
+
+Straightway right royally shalt thou be clad. But remember carefully the
+charm. Only to the magic words, 'For love's sweet sake' will the
+necklace give up its treasures. If thou shouldst forget, then thou must
+be doomed always to wear thy gown of tow."
+
+So Olga sped on her moon-lighted way through the forest until she came
+to the castle gate. There she paused, and grasping a bead of the strange
+necklace between her fingers, repeated the old dame's charm:
+
+ "For love's sweet sake, in my hour of need,
+ Blossom and deck me, little seed."
+
+Immediately the bead burst with a little puff as if a seed pod had
+snapped asunder. A faint perfume surrounded her, rare and subtle as if
+it had been blown across from some flower of Eden. Olga looked down and
+found herself enveloped in a robe of such delicate texture, that it
+seemed soft as a rose-leaf and as airy as pink clouds that sometimes
+float across the sunset. The water-lilies in her hair had become a
+coronal of opals.
+
+When she entered the great ball-room, the Prince of the castle started
+up from his throne in amazement. Never before had he seen such a vision
+of loveliness. "Surely," said he, "some rose of Paradise hath found a
+soul and drifted earthward to blossom here." And all that night he had
+eyes for none but her.
+
+The next night Olga started again to the castle in her dress of tow, and
+at the gate she grasped the second bead in her fingers, repeating the
+charm. This time the pale yellow of the daffodils seemed to have woven
+itself into a cloth of gold for her adorning. It was like a shimmer of
+moon-beams, and her hair held the diamond flashings of a hundred tiny
+stars.
+
+That night the Prince paid her so many compliments and singled her out
+so often to bestow his favours, that Olga's head was turned. She tossed
+it proudly, and quite scorned the thought of the humble cottage which
+had given her shelter so long. The next day when she had returned to
+her gown of tow and was no longer a haughty court lady, but only Olga,
+the Flax-spinner's maiden, she repined at her lot. Frowning, she carried
+the water from the spring. Frowning, she gathered the cresses and
+plucked the woodland fruit. And then she sat all day by the spring,
+refusing to spread the linen on the grass to bleach.
+
+She was discontented with the old life of toil, and pouted crossly
+because duties called her when she wanted to do nothing but sit idly
+dreaming of the gay court scenes in which she had taken a bright brief
+part. The old Flax-spinner's fingers trembled as she spun, when she saw
+the frowns, for she had given of her heart's blood to buy happiness for
+this maiden she loved, and well she knew there can be no happiness where
+frowns abide. She felt that her years of sacrifice had been in vain, but
+when the Oak wagged his head she called back waveringly, "My little Olga
+will not be ungrateful and forgetful!"
+
+That night outside the castle gate, Olga paused. She had forgotten the
+charm. The day's discontent had darkened her memory as storm-clouds
+darken the sky. But she grasped her necklace imperiously.
+
+"Deck me at once!" she cried in a haughty tone. "Clothe me more
+beautifully than mortal maid was ever clad before, so that I may find
+favour in the Prince's sight and become the bride of the castle! I would
+that I were done for ever with the spindle and the distaff!"
+
+But the moon went under a cloud and the wind began to moan around the
+turrets. The black night hawks in the forest flapped their wings
+warningly, and the black bats flitted low around her head.
+
+"Obey me at once!" she cried angrily, stamping her foot and jerking at
+the necklace. But the string broke, and the beads went rolling away in
+the darkness in every direction and were lost--all but one, which she
+held clasped in her hand.
+
+Then Olga wept at the castle gate; wept outside in the night and the
+darkness, in her peasant's garb of tow. But after awhile through her
+sobbing, stole the answering sob of the night wind.
+
+"Hush-sh!" it seemed to say. "Sh-sh! Never a heart can come to harm, if
+the lips but speak the old dame's charm."
+
+The voice of the night wind sounded so much like the voice of the old
+Flax-spinner, that Olga was startled and looked around wonderingly. Then
+suddenly she seemed to see the thatched cottage and the bent form of the
+lonely old woman at the wheel. All the years in which the good dame had
+befriended her seemed to rise up in a row, and out of each one called a
+thousand kindnesses as with one voice: "How canst thou forget us, Olga?
+We were done for love's sweet sake, and that alone!"
+
+Then was Olga sorry and ashamed that she had been so proud and
+forgetful, and she wept again. The tears seemed to clear her vision, for
+now she saw plainly that through no power of her own could she wrest
+strange favours from fortune. Only the power of the old charm could make
+them hers. She remembered it then, and holding fast the one bead in her
+hand, she repeated humbly:
+
+ "For love's sweet sake, in my hour of need,
+ Blossom and deck me, little seed."
+
+Lo, as the words left her lips, the moon shone out from behind the
+clouds above the dark forest. There was a fragrance of lilies all
+about, and a gossamer gown floated around her, whiter than the whiteness
+of the fairest lily. It was fine like the finest lace the frost-elves
+weave, and softer than the softest ermine of the snow. On her long
+golden hair gleamed a coronet of pearls.
+
+So beautiful, so dazzling was she as she entered the castle door, that
+the Prince came down to meet her, and kneeling, kissed her hand and
+claimed her as his bride. Then came the bishop in his mitre, and led her
+to the throne, and before them all the Flax-spinner's maiden was married
+to the Prince, and made the Princess Olga.
+
+Then until the seven days and seven nights were done, the revels lasted
+in the castle. And in the merriment the old Flax-spinner was again
+forgotten. Her kindness of the past, her loneliness in the present had
+no part in the thoughts of the Princess Olga.
+
+All night the old Oak, tapping on the thatch, called down, "Thou'rt
+forgotten! Thou'rt forgotten!"
+
+But the beads that had rolled away in the darkness, buried themselves in
+the earth, and took root, and sprang up, as the old woman knew they
+would do. There at the castle gate they bloomed, a strange, strange
+flower, for on every stem hung a row of little bleeding hearts.
+
+One day the Princess Olga, seeing them from her window, went down to
+them in wonderment.
+
+"What do you here?" she cried, for in her forest life she'd learned all
+speech of bird and beast and plant.
+
+"We bloom for love's sweet sake," they answered. "We have sprung from
+the old Flax-spinner's gift--the necklace thou didst break and scatter.
+From her heart's best blood she gave it, and her heart still bleeds to
+think she is forgotten."
+
+Then they began to tell the story of the old dame's sacrifices, all the
+seventy times seven that she had made for the sake of the maiden, and
+Olga grieved as she listened, that she could have been so ungrateful.
+Then she brought the Prince to hear the story of the strange, strange
+flowers, and when he had heard, together they went to the lowly cottage
+and fetched the old Flax-spinner to the castle, there to live out all
+her days in ease and contentment.
+
+"See now," she whispered to the Oak at parting, but sturdily he held his
+ground, persisting, "Thou _wouldst_ have been forgotten, save for that
+miracle of bloom."
+
+_And still the flower we call BLEEDING-HEART blooms on by cottage walls
+and castle gardens, to waken all the world to grateful memories. And
+ever it doth bring to mind the lonely hearts that bleed because they are
+forgotten, and all they sacrificed for love's sweet sake, to give us
+happiness._
+
+
+
+***END OF THE PROJECT GUTENBERG EBOOK THE LEGEND OF THE BLEEDING-HEART***
+
+
+******* This file should be named 17825.txt or 17825.zip *******
+
+
+This and all associated files of various formats will be found in:
+https://www.gutenberg.org/dirs/1/7/8/2/17825
+
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://www.gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.gutenberg.org/fundraising/pglaf.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://www.gutenberg.org/about/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://www.gutenberg.org/fundraising/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit:
+https://www.gutenberg.org/fundraising/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+