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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/17666-8.txt b/17666-8.txt new file mode 100644 index 0000000..14e8638 --- /dev/null +++ b/17666-8.txt @@ -0,0 +1,4853 @@ +The Project Gutenberg eBook, Lucia Rudini, by Martha Trent + + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + + + + +Title: Lucia Rudini + Somewhere in Italy + + +Author: Martha Trent + + + +Release Date: February 2, 2006 [eBook #17666] + +Language: English + +Character set encoding: ISO-8859-1 + + +***START OF THE PROJECT GUTENBERG EBOOK LUCIA RUDINI*** + + +E-text prepared by Al Haines + + + +Note: Project Gutenberg also has an HTML version of this + file which includes the original illustrations. + See 17666-h.htm or 17666-h.zip: + (https://www.gutenberg.org/dirs/1/7/6/6/17666/17666-h/17666-h.htm) + or + (https://www.gutenberg.org/dirs/1/7/6/6/17666/17666-h.zip) + + + + + +LUCIA RUDINI + +Somewhere in Italy + +by + +MARTHA TRENT + +Illustrated by Chas. L. Wrenn + + + + + + + +[Illustration: Cover art--Lucia Rudini.] + + + +[Frontispiece: "My pet, see how you frightened +the brave Austrian soldier"] + + + + +New York +Barse & Hopkins +Publishers +Copyright, 1918 +by +Barse & Hopkins + + + + +DEDICATED TO + +R. J. U. + + + + +CONTENTS + + +CHAPTER + + I CELLINO + II MARIA + III BEFORE DAYBREAK + IV LOST + V IN THE TOOL SHED + VI GARIBALDI PERFORMS + VII THE BEGGAR + VIII THE SURPRISE ATTACK + IX THE BRIDGE + X GARIBALDI, STRETCHER-BEARER + XI THE AMERICAN + XII A REUNION + XIII AN INTERRUPTED DREAM + XIV THE FAIRY GODFATHER + XV EXCITING NEWS + XVI THE KING + XVII GOOD-BY TO CELLINO + XVIII IN THE GARDEN + XIX BACK TO FIGHT + XX AN INTERRUPTED SAIL + XXI THE END OF THE STORY + + + + +ILLUSTRATIONS + + +"'My pet, see how you frightened the brave + Austrian soldier'" . . . . . . _Frontispiece_ + +"The Soldiers came and chattered and laughed" + +"Together they drove the goats before them" + +"Lucia and Garibaldi toiled up the hill, each one + using every bit of their strength" + + + + +LUCIA RUDINI + + +CHAPTER I + +CELLINO + +Lucia Rudini folded her arms across her gaily-colored bodice, tilted +her dark head to one side and laughed. + +"I see you, little lazy bones," she said. "Wake up!" + +A small body curled into a ball in the grass at her feet moved +slightly, and a sleepy voice whimpered, "Oh, Lucia, go away. I was +having such a nice dream about our soldiers up there, and I was just +killing a whole regiment of Austrians, and now you come and spoil it." + +A curly black head appeared above the tops of the flowers, and two +reproachful brown eyes stared up at her. + +Lucia laughed again. "Poor Beppino, some one is always disturbing your +fine dreams, aren't they? But come now, I have something far better +than dreams for you," she coaxed. + +"What?" Beppi was on his feet in an instant, and the sleepy look +completely disappeared. + +"Ha, ha, now you are curious," Lucia teased, "aren't you? Well, you +shan't see what I have, until you promise to do what I ask." + +Beppi's round eyes narrowed, and a cunning expression appeared in their +velvety depth. + +"I suppose I am not to tell Nana that you left the house before sunrise +this morning," he said. + +Lucia looked at him for a brief moment in startled surprise, then she +replied quickly, "No, that is not it at all. What harm would it do if +you told Nana? I am often up before sunrise." + +"Yes, but you don't go to the mountains," Beppi interrupted. "Oh, I +saw you walking smack into the guns. What were you doing?" He dropped +his threatening tone, so incongruous with his tiny body, and coaxed +softly, "please tell me, sister mine." + +"Silly head!" Lucia was breathing freely again, "there is nothing to +tell. I heard the guns all night, and they made me restless, so I went +for a walk. Go and tell Nana if you like, I don't care." + +Beppi's small mind returned to the subject at hand. + +"Then if it isn't that, what is it you want me to do?" he inquired, and +continued without giving his sister time to reply. "It's to take care +of them, I suppose," he grumbled, pointing a browned berry-stained +little finger at a herd of goats that were grazing contentedly a little +farther down the slope. + +"Yes, that's it, and good care of them too," Lucia replied. "You are +not to go to sleep again, remember, and be sure and watch Garibaldi, or +she will stray away and get lost." + +"And a good riddance too," Beppi commented under his breath. + +He did not share in the general admiration for the "Illustrious and +Gentile Seņora Garibaldi," the favorite goat of his sister's herd. +Perhaps the vivid recollection of Garibaldi's hard head may have +accounted for his aversion. Lucia heard his remark and was quick to +defend her pet. + +"Aren't you ashamed to speak so?" she exclaimed, "I've a good mind not +to give you the candy after all." + +"Oh, Lucia, please, please!" Beppi begged. "I will take such good care +of them, I promise, and if you like, I will pick the tenderest grass +for old crosspatch," he added grudgingly. + +Lucia smiled in triumph, and from the pocket of her dress she pulled +out a small pink paper bag. + +"Here you are then," she said; "and I won't be away very long. I am +just going to see Maria for a few minutes." + +Beppi caught the bag as she tossed it, and lingered over the opening of +it. He wanted to prolong his pleasure as long as possible. Candy in +war times was a treat and one that the Rudinis seldom indulged in. + +As if to echo his thoughts, Lucia called back over her shoulder as she +walked away, "Don't eat them fast, for they are the last you will get +for a long time." + +Beppi did not bother to reply, but he acted on the advice, and selected +a big lemon drop that looked hard and everlasting, and set about +sucking it contentedly. + +Lucia walked quickly over the grass to a small white-washed cottage a +little distance away. She approached it from the side and peeked +through one of the tiny windows. Old Nana Rudini, her grandmother, was +sitting in a low chair beside the table in the low-ceilinged room. Her +head nodded drowsily, and the white lace that she was making lay +neglected in her lap. Lucia smiled to herself in satisfaction and +stole gently away from the window. + +The Rudinis lived about a mile beyond the north gate of Cellino, an old +Italian town built on the summit of a hill. Cellino was not +sufficiently important to appear in the guide books, but it boasted of +two possessions above its neighbors,--a beautiful old church opposite +the market place, and a broad stone wall that dated back to the days of +Roman supremacy. It was still in perfect preservation, and completely +surrounded the town giving it the appearance of a mediaeval fortress, +rather than a twentieth century village. Two roads led to it, one from +the south through the Porto Romano, and one from the north, up-hill and +from the valley below. It was up the latter that Lucia walked. She +was in a hurry and she swung along with a firm, graceful step, her +head, crowned by its heavy dark hair, held high and her shoulders +straight. + +The soldier on guard at the gate watched her as she drew nearer. She +was a pleasing picture in her bright-colored gown against the glaring +sun on the dusty white road. Roderigo Vicello had only arrived that +morning in Cellino, and Lucia was not the familiar little figure to him +that she was to the other soldiers. But she was none the less welcome +for that, after the monotony of the day, and Roderigo as she came +nearer straightened up self-consciously and tilted his black patent +leather hat with its rakish cluster of cock feathers a little more to +one side. + +"Good day, Seņorina," he said smiling, as Lucia paused in the grateful +shadow of the wall to catch her breath. + +"Good day to you," she replied good-naturedly. + +"You're new, aren't you? I never saw you before. Where is Paolo?" + +"Paolo and his regiment go up to the front this afternoon," Roderigo +replied. "We have just come to relieve them for a short time, then we +too will follow." + +Lucia nodded. "You come from the south, don't you?" she inquired, +looking at him with frank admiration; "from near Napoli I should guess +by your speech." + +Roderigo laughed. "You guess right, I do, and now it is my turn to ask +questions. Where do you come from?" + +"Down there about a mile," Lucia pointed, "in the white cottage by the +road." + +Roderigo looked at the dark hair and eyes and the gaudily colored dress +before him, and shook his head. + +"Now perhaps," he admitted, "but you were born in the south where the +sun really shines and the sky is blue and not a dull gray, or else +where did you come by those eyes and those straight shoulders?" + +Lucia looked up at the dazzling sky above her and laughed. + +"And I suppose that spot is Napoli," she teased. "Well, you don't +guess as well as I do, for I was born here and I have lived here all my +life." + +"'All my life,'" Roderigo mimicked. "How very long you make that +sound, Seņorina, and yet you look no older than my little sister." + +Lucia drew herself up to her full height and did not deign a direct +reply. + +"Fourteen years is a long time, Seņor," she said gravely, "when you +have many worries." + +"But you are too young to have many worries," Roderigo protested; "or I +beg your pardon, perhaps you have some one up there?" he pointed to the +north, where the high peaks of the Alps were visible at no great +distance. + +"No, not now," Lucia replied; "for my father was killed a year ago." + +Roderigo was silent for a little, then he raised one shoulder in a +characteristic shrug. + +"War," he said slowly. "We all have our turn." + +Lucia nodded and returned almost at once to her gay mood. + +"But you are still wondering how I got my black hair and eyes up here," +she laughed. + +"Well, I will tell you. My mother came from your beautiful Napoli, and +Nana, that is my grandmother, says I inherited my foolish love of gay +clothes from her. Nana does not like gay clothes, but my father always +liked me to wear them." + +"Then your mother is dead too?" Roderigo asked respectfully. + +"When I was a little girl, and when Beppino was a tiny baby. Beppi is +my little brother," Lucia explained. + +Roderigo's eyes were shining with delight. There was something in +Lucia's soft tones that filled his homesick heart with joy. She was so +different from most of the girls from the north, with their strange +high voices and unfriendly manners. If she wasn't exactly from the +south she was near it. He wanted to sit down beside her and tell her +all about his home and his family, for he was very young and very +homesick, but Lucia decreed otherwise. + +"Now do see what you have done," she scolded suddenly. "You have kept +me talking here until the sun is well down, and I will have to hurry if +I want to see Maria and return home before Nana misses me. So much for +gabbing on the high road with some one who should be watching for +suspicious spies instead of asking questions," she finished with a +provoking toss of her head. + +Which sentence, considering that she had asked the first questions +herself, was unjust. Roderigo, however, did not seem to resent the +blame laid upon him. He did not even offer to contradict, but watched +Lucia until she disappeared around a corner a few streets beyond the +gate, and then he turned resolutely about and scanned the road with +searching determination, as if he really believed that the open, +smiling country about him might be concealing a spy. + +When Lucia disappeared around the comer of the narrow street that led +to the market place, she stopped long enough to laugh softly to herself. + +"The great silly! He took all the blame himself instead of boxing my +ears for being impertinent. A fine soldier he'll make! If I can scare +him, what will the guns do?" she said aloud, and then with a roguish +gleam of mischief in her eyes she hurried on. + +The narrow side streets through which she passed were almost deserted, +but when she reached the market place it was thronged with people. +Every one was out to look at the new troops, and in the little square +the great white umbrellas over the market stalls were surrounded by +soldiers. Their picturesque uniforms added a gala note to the +commonplace little scene. + +Lucia elbowed her way through the jostling, laughing men to a certain +umbrella, a little to one side of the open space left clear before the +church. + + + + +CHAPTER II + +MARIA + +A neatly-dressed, dumpy little woman in a black dress and shawl sat +beneath it, and behind a row of stone crocks beside her was a young +girl several years older than Lucia, who ladled out cupfuls of the milk +that the crocks contained, and gave them, always accompanied by a shy +little smile, to the soldiers in return for their pennies. She was +Maria Rudini, Lucia's cousin, a pretty, gentle-featured girl with shy, +bewildered eyes. + +People often spoke of her quiet loveliness until they saw her younger +cousin. Then their attention was apt to be diverted, for Maria's +delicate charms seemed pale beside Lucia's southern beauty, and in the +same manner her courage grew less. Although she was three years older, +Maria never questioned Lucia's authority to lead. + +When Lucia's father had died, the kindly heart of Maria's mother had +prompted her to offer her home to his children, but Lucia had declined +the offer. She said she would undertake the support of old Nana and +Beppi and herself. There was considerable disapproval over her +decision, but as was generally the case, Lucia had her own way. Her +method of wage-earning was a simple one. Her father had owned a herd +of goats and a garden, and the two had provided ample support for the +needs of the family. At his death Lucia, with characteristic +selection, had given up the garden and kept the goats. + +Every morning she milked them and carried the bright pails to town, +where her aunt sold them at her little stall along with cheese and +sausage. The profits wore not great, but they wore enough. + +"Is that the milk I brought in this morning?" Lucia asked incredulously +as she approached the stall. + +"No, no, my dear," her aunt replied, shaking her head. "You brought +scarcely two full pails, and they were gone before you had reached the +gate. We have had a great day, so many soldiers, it is a shame that +you cannot bring in more, for we could sell it. Just see, we had to +send to old Paolo's for this, and it is not as rich as yours of course, +for his poor beasts have only the weeds between the cobblestones to +eat." + +"That is because he is a lazy old man and won't take the trouble to +lead his herd out on the slopes to graze," Lucia replied. She put her +hands on her hips and swayed back and forth as she talked. It was a +little trait she had inherited from her mother, and one of her most +characteristic poses. + +"How well you look to-day!" Maria said, smiling. "I have been wishing +you would come, we are so busy--see, here come a group of soldiers all +together. Will you help me?" She held out a dipper with a long +handle, which Lucia accepted critically. + +"I don't like charging full price for this milk which is more like +water," she said. + +"Nonsense, child, it is business, the soldiers know no difference; it +is only your silly pride," her aunt scolded. She was a little in awe +of her determined niece, and very often she was provoked at her. + +"If you can't bring us more milk, we must do the best we can," she said +meaningly. "You used to bring us twice this much." + +Lucia shrugged her shoulders and tossed her head. "I can bring no more +than I bring," she said, and turned her attention to the soldiers +before her. + +But the explanation did not satisfy her thrifty aunt. She was no +authority on goats, but she had enough sense to know that the supply of +milk does not dwindle to one-half the usual quantity over night. Still +she did not voice her suspicions. + +Lucia and Maria were busy for the rest of the afternoon. Lucia's +flowered dress and brilliantly-colored bandana that she wore tied over +her head, were added attractions to Seņora Rudini's stall, and the +soldiers from the south came and chattered and laughed. + +[Illustration: "The soldiers came and chattered and laughed."] + +"What a pity we have no more," Maria said as the last crock was +emptied, and they set about preparing to return home. "We could go on +selling all night now that Lucia is here." + +"Well, it is high time to go home, I am tired," her mother replied +crossly. "Hurry with what you are doing." + +Lucia was busy closing the big umbrella. + +"It is late, I will have to hurry, or Beppi will have let all my goats +run away--he and his dreams. He is a lazy little one, but I can't bear +to scold him," she said. "He is too little to understand." + +Her aunt nodded. "Let him dream, but if you are not careful, he will +be badly spoiled." + +"No fear of that," Lucia replied, "while Nana has a word to say. She +is always for bringing him up properly, but little good it does. Now +we are ready, I will help you carry home your things, if you will let +Maria walk with me to the gate," Lucia bargained. + +"Oh, she may I suppose, though she should be at home helping me prepare +the dinner. I suppose you have some secrets between you that an old +grayhead can't hear," she grumbled good-naturedly. + +"Oh, yes a fine secret!" Lucia replied laughing, as she picked up the +greatest share of the burden and led the way. + +Maria and her mother lived in an old stone house that had once been a +palace. It was hardly palatial now, but it was very picturesque. It +housed five families besides the Rudinis, and in spite of the many +lines of wash that floated from its windows, it still retained enough +of its old grandeur to be an interesting spot to the occasional tourist +who visited Cellino. Maria and her mother were very proud of this +distinction. It made up somewhat for the loss of their house, which +they had been forced to leave, when six months before Maria's two +brothers had gone off to fight. + +The new quarters were not far from the market place and they soon +reached them. Their rooms were on the ground floor, and Lucia and +Maria made haste to drop what they were carrying and start off again at +a much slower pace for the gate. The sun was low in the west. It was +setting in a bank of golden clouds over the little river that ran +parallel with the west wall of the town. Lucia stopped to look at it. + +"Rain to-morrow, I suppose, by the look of those clouds," she said, a +real pucker of concern between her eyes. + +"And no wonder," Maria agreed, "with all this banging of guns one would +think it would rain all the time out of pity for so much suffering." + +"Now, Maria, don't begin to cry," Lucia protested not unkindly. "It +will do you no good, and it will only make things look worse than they +really are." + +"How can they?" Maria demanded, with more show of resentment than was +usual with her quiet acceptance of things. "Only this morning I sold +milk to such a sweet boy from the south. He had great sad, brown eyes +like yours, and he was very young and unhappy. His father and brother +were both killed, and now he is going." + +"But perhaps he won't be killed," Lucia said practically. "Anyway, he +will get a chance to do a little killing first, and surely that is +enough to satisfy any one, or ought to be." + +"Oh, Lucia you are cruel sometimes," Maria protested. "Who wants to +kill? Surely not these happy boys, and they don't want to be killed +either. It is all too terrible to think about, and you are an +unnatural girl to talk as you do. Why, I don't believe you have cried +once since the war began, even when the poor wounded were brought here, +and we saw their faces all shot away." + +Maria's anger rose as she talked, and Lucia listened curiously. It was +something new for Maria to take her to task. Her mind flew back over +the past year, and she saw herself with her face buried in the grass +and her hands clenched, and remembered her furious anger and her vows +of vengeance, but she had to admit that her cousin was right; she had +shed no tears. + +"We are not made the same way, I guess," she replied ruefully to +Maria's charges. "I cannot cry, I can only hate." + +"But hate won't do any good," Maria protested feebly. + +"It will do more than tears," Lucia replied shortly. + +They continued their walk in silence, now and then nodding to an +acquaintance or bowing respectfully to the Sisters of Charity who lived +at the big Convent just outside the Porto Romano, and who came to town +to take care of the sick and cheer the broken-hearted. When they +reached the north gate Lucia stopped. Roderigo was still on duty, but +this time he did not pause in his brisk walk up and down to chat. He +never even glanced in the girls' direction. + +Maria nodded towards him and whispered excitedly, "That is the boy I +was just now speaking of. Doesn't he look sad?" + +"No, he looks quite cross," Lucia replied in a voice loud enough to be +overheard, and her eyes sparkled with mischief as she added, "I wonder +if he will let me through the gate to get home." + +"May I pass, sir, please? I live a little beyond the wall, but I am +not a spy," she said with mock humility. + +Roderigo blushed. A soldier does not like to be made fun of, +particularly when some one else is present. + +"Pass," he said gruffly. + +Lucia laughed provokingly. + +"Good night, Maria," she said as she kissed her cousin. "Sweet dreams. +I may not be in very early in the morning, there is so much to do, you +know, but I will bring as much milk as possible," she finished. Then +without even a glance at Roderigo she walked through the gate and down +the wall. + +When she had walked for a little distance she looked back. Maria and +the soldier were in earnest conversation. Maria in her timid way was +apologizing for her cousin's rudeness, and Roderigo was beginning to +have doubts of the superiority of Southern beauty over the Northern, +particularly when a gentle spirit was added to the charm of the latter. +Lucia did not know she was the subject of their talk. She shrugged her +shoulders and turned her thoughts to a more important question that was +puzzling her. It was, how to slip out of the house the next morning +without disturbing the already suspicious Beppi. + + + + +CHAPTER III + +BEFORE DAYBREAK + +Lucia found Beppi asleep in the grass, curled up in the same position +that he had been in earlier in the day. One of his little hands had +tight hold of the precious pink bag, and a sticky smile of blissful +content turned up the corners of his full red lips. + +Lucia looked at him and shook her head. There might have been +twenty-seven instead of seven years between them, for there was +something protective in her expression. + +"Little lazy bones, asleep again!" she said, shaking him gently. + +Beppi stirred, one eye opened, and then with a sudden rush of memory he +sat up and began excitedly: "I just this minute fell asleep, just this +very second, truly, Lucia! I have watched the goats, oh, so carefully, +and they have not stirred,--see there they are only a little farther +away than when you left. I only closed my eyes because I thought I +might go on with that nice dream, but I didn't," he finished +sorrowfully. + +Lucia laughed. + +"Look at the sun," she pointed. "It is late, you should have driven +the goats home long ago. But I knew you would go to asleep after you +ate up all the candy, such a naughty little brother that you are. What +kind of a soldier would you make, I'd like to know, dreaming every few +minutes? Come along, get up,--we must hurry back to Nana, or she will +be worried." + +She took his hand and together they drove the goats before them to the +cottage. + +[Illustration: "Together they drove the goats before them."] + +Nana Rudini was waiting for them at the door. She was a little, +wrinkled-up, old woman with bright blue eyes and thin gray hair. She +spoke very seldom and always in a high querulous voice. + +"So you're back at last, are you?" she greeted, when the children were +within hearing. "Supper's been on the stove for too long. What kept +you?" + +"Very busy day, Nana," Lucia spoke in much the same tone she had used +towards Beppi. "I had to help Aunt and Maria at market. More troops +have arrived and the streets are crowded." + +"Oh, sister, you never told me that!" Beppi said accusingly. "Where +are they from?" + +"The south mostly," Lucia replied, "fine soldiers they are too, if you +can judge by their looks." + +"Which you can't," old Nana interrupted shortly. "Stop your talking +and come in to supper." + +"Right away," Lucia promised, and hurried off to shut up her goats in +the small, half-tumbled-down shack at the back of the cottage. + +Supper at the Rudinis consisted of boiled spaghetti, black bread and +cheese, with a cup full of milk apiece. It was not a very tempting +meal, but Lucia was hungry and ate with a hearty appetite. + +After the three bowls had been washed and put away in the cupboard, she +helped her grandmother undress, and settled her comfortably in the +green enameled bed with its brass trimmings, that occupied a good part +of the small room. Lucia's mother had brought it with her from Naples, +and it was the most cherished and admired article of furniture that the +Rudinis owned. + +"Are you comfortable, Nana?" Lucia inquired gently, as she smoothed the +fat, hard pillows in an attempt to make a rest for the old gray head. + +"Yes, go to bed, child," Nana replied, and without more ado she closed +her eyes and went to sleep. + +Lucia climbed up the ladder to the loft, and was soon cuddled down +beside Beppi in a bed of fresh straw. Though she persisted in her +determination that her grandmother sleep in state in the best bed, she +herself preferred a simple and softer resting place. + +"Tell me a story," Beppi demanded; "not about fairies and silly make +believes, but about soldiers." + +"But there are no pretty stories about soldiers, Beppino mio," Lucia +protested. + +"Who wants pretty stories!" Beppi replied scornfully. "_I_ don't--tell +me an exciting one about guns and war." + +"Very well I'll try, but be still," Lucia gave in, well knowing that +she would not have to go very far. + +"Once upon a time," she began, "there was a soldier. He had very big +eyes, and he came from the south where the sun is very warm and the sky +and the water are very, very blue." + +"Was he brave?" Beppi interrupted sleepily. + +"Oh, yes, he was very brave," Lucia replied hurriedly, "very brave, and +he loved his country more than anything else in the world." + +She waited but Beppi's voice commanded. + +"Go on, don't stop." + +"Well, one day he was sent to guard a gate of a city, and he walked up +and down before it with his gun on his shoulders, and no one could pass +him unless it was a friend." + +She paused again. Beppi was breathing regularly. + +"Old sleepy head!" Lucia whispered, and kissed him tenderly. + +The story was not continued and before many minutes she was fast asleep +herself. + +It was an hour before sunrise when she awoke. The air that found its +way into the little attic was damp and chill. Lucia crept out of bed, +being very careful not to disturb Beppi, and slipped hurriedly into her +clothes. With her shoes in her hand, she climbed gingerly down the +ladder past her sleeping grandmother and out to the shed. + +"Good morning, Garibaldi, how are you this morning?" she said as she +patted the stocky little neck of her pet. + +Garibaldi submitted to her caress with a condescension worthy of the +position her name gave her, and the other goats crowded to the open +door, eager to leave their cramped quarters. + +"Not yet, my dears," Lucia said softly, "it isn't time. Here, Esther, +I will milk you first. You must all be good to-day, and Garibaldi, I +don't want you to go running away if I have to leave you with Beppi," +she continued. "You're nothing but goats, of course, but you know +perfectly well that we are at war, and that you are very important, and +must do your part. Stop it, Miss, none of your pranks, I'm in a +hurry," she chided the refractory Esther for an attempt at playfulness. + +"There now, that's enough, I can't carry any more or I would. Two +pails only half full aren't much, but they help, I guess. Now if it +won't rain until I get there it will be all right, but I'll cover the +pails to be on the safer side." She found two covers and fitted them +securely over the pails. "Now children, good-by. Be good till I come +back, and don't go making any noise." + +She paused long enough to give Garibaldi a farewell pat and then left +the shed closing the door behind her. She looked up uneasily at the +cottage, but everything seemed to be very still, so she picked up her +pails and started off at as brisk a pace as possible. + +She followed the main road that looked unnaturally white and ghostly in +the pale dawn of the early morning. It was down hill for about a mile, +and traveling was comparatively easy at first, but when the road +reached the bottom of the valley it stopped and seemed to straggle off +into numerous little foot-paths. The broadest and most traveled +looking path Lucia followed, picking her way carefully for fear of +stumbling and thus losing some of the precious milk. + +The path led up the other side of the valley. It was a steep climb, +and Lucia was tired when she reached the top. She sat down for a while +to rest before going on the remainder of the way. The next path that +she took turned abruptly to the right, and led up an even steeper hill +to a tiny plateau above. From it one could look down on Cellino across +the valley. When Lucia reached it she put down her pails in the shade +of a big rock and looked about cautiously. + +Nothing seemed to stir. The guns were quiet and nothing in the +peaceful, secluded little spot suggested the close proximity of battle. +The only human touch in sight was a small scrap of paper, held down by +a stone on the flat rock above the pails. + +Lucia was not surprised, for she had done the same thing every morning +for a week now. She unfolded it. As she expected, she found four +brightly polished copper pennies and the words, "Thanks to the little +milk maid," written in heavy pencil. + +Lucia picked up the money and put it into her pocket, then with a +pencil that she had brought especially for the purpose she wrote, "You +are welcome, my friends; good luck!" below the message, and tucked the +paper back under the stone. Then with another curious look around, +which discovered nothing, she started back, this time running as fleet +and fast as any of her sure-footed little goats. + +She reached home before either Nana or Beppino were awake, and hurried +to finish her milking. When the scant breakfast was over, she was +ready to start for town with her pails. + +When she entered the market-place, it was to find a very different +scene from the one of the day before. The place was thronged with +soldiers, but they were not laughing and jesting; instead, little +groups congregated around the stalls and talked excitedly. Some of the +old women had covered their faces with their black aprons, and were +rocking back and forth on their chairs in an extremity of woe. + +There was an unnatural hush, and men and women alike lowered heir +voices instinctively as they talked. + +Lucia had seen the same thing many times before. She guessed, and +rightly too, that a battle was going on, and that news of some disaster +had reached the little town. She did not go at once to her aunt's +stall, but left her pails inside the big bronze door of the church, and +slipped quietly inside. The place was deserted, and the lofty dome was +in dark shadow. Long rays of pale yellow light from the morning sun +came through the narrow windows and made queer patches on the marble +floor. In the dim recesses of the little chapels tiny candles +flickered like stars in the dark. + +Lucia looked about her to make sure that she was alone, and then walked +quickly to one of the chapels and dropped four shining copper pennies +into the mite box that stood on a little shelf beside the altar. She +stayed only long enough to say a hasty little prayer, and then hurried +out again into the sunshine. The clouds of the night before and the +mist of the early morning had disappeared, and the market-place was +bathed in warm golden sunshine. + +Lucia picked up her pails and hurried to her aunt's stall. + +"Well, you are late," Maria said. "We thought you had stubbed your toe +and spilled all the milk." + +"And only two half-full pails again," Seņora Rudini grumbled. "But no +matter, we can get more from old Paolo. Have you heard the news?" she +asked abruptly. + +"No," Lucia replied indifferently. "What is it?" + +"A big gain by the enemy. They have taken thousands of our men, and +they say we may be ordered to leave Cellino at any minute." + +"Think of it! They are as near as that!" Maria said excitedly. "Oh if +we must move, where can we go to? I am so frightened." + +"Nonsense," Lucia spoke shortly. There was an angry gleam in her big +eyes and her cheeks flushed a dark red. + +"Leave Cellino, indeed! The very idea! Since when must Italians make +way for Austrians, I'd like to know?" + +"But if the enemy are advancing as they say," Maria protested +nervously, "we will either have to leave, or be shelled to death by +those dreadful guns." + +"Or be taken prisoners, and a nice thing that would be," her mother +added. "No, if the order to evacuate comes we must go at once. There +will be no time to spare. Other towns have been captured, and there is +only that between us." + +She pointed to the zigzag mountain peaks so short a distance beyond the +north gate. As if to give her words weight, a heavy thunder of guns +rumbled ominously. + +Maria shuddered. "There, that is ever so much nearer. Oh, I am +frightened,--something dreadful is happening over there just out of +sight." + +"Silly! those are our own guns. Ask any of our soldiers," Lucia said. + +"Here comes your guard, the handsome Roderigo Vicello, maybe he can +tell us. Good morning to you!" she called gayly and beckoned the +soldier to come to them. + +"I hope you are well this morning," Roderigo said respectfully, bowing +to Seņora Rudini. + +"Oh, we are well, but very frightened," Maria replied, trying hard to +imitate her cousin's gaiety. + +"Maria thinks that the guns we heard just now are Austrian, and I have +been trying to tell her that they are Italian. Which of us is right? +You are a soldier and ought to know." + +"Our guns, of course. They have a different sound," Roderigo explained +impressively. + +He had never been any nearer to the front than he was at this moment, +but he spoke with the assurance of an old soldier, partly to quiet +Maria's fears, but mostly to still his own nervous forebodings. It +would never do to let the little black-eyed Lucia see that he was even +a little afraid. + +"There, what did I tell you!" Lucia was triumphant. "I knew, but of +course you would not believe me. Now perhaps you will tell her that we +will not have to run away at a minute's notice, too?" + +She turned to Roderigo, but eager as he was to display his importance +he could not give the assurance she asked. The little knowledge that +he had, made him think that the evacuation was very likely to occur at +any day. + +He covered his fears, however, by replying vaguely: "One can never be +sure. War is war, and perhaps it may be necessary, as well as safer, +for you to leave for the time being." + +Lucia looked at him narrowly. + +"What makes you say that?" she demanded. "Have you heard any of the +officers talking?" + +"No, but this morning's news is very bad. We have our orders to be +ready to start at any moment." + +"Oh!" Maria caught her breath sharply, and her eyes filled with tears +as she looked at Roderigo shyly. + +He saw the tears in surprise, and a contented warmth settled around his +heart. He looked half expectantly at Lucia. Surely, if this calm, shy +girl of the north would shed a tear for him, she with the warm blood of +the south in her veins would weep. But Lucia's eyes were dry, and the +only expression he could find in them was envy. He turned away in +disgust. He did not admire too much courage in girls, for he was very +young and very sentimental, and he enjoyed being cried over. + +A bugle sounded from the other end of the street, and in an instant +everything was in confusion. The soldiers hurried to answer, and the +people crowded about to see what was going to happen. + +Lucia, eager and excited, snatched Maria's hand and pulled her into the +very center of the crowd. An officer, with the bugler beside him, read +an order from the steps of the town hall, an old gray stone building +that had stood in silent dignity at the end of the square for many +centuries. + +The girls were not near enough to hear the order, but they soon found +Roderigo in the excited mass of soldiers, and he explained it to them. + +"We are to leave for the front at once," he cried excitedly. "We have +not a moment to spare. Tavola has been captured by the enemy, and our +troops are retreating through the Pass." + +"The Saints preserve us!" Seņora Rudini covered her face with her apron +and cried. "My sons! My sons! Where are they, dead or prisoners?" + +"No, no, they are safe," Lucia protested. "They are with the Army. +Don't worry, when the reënforcements reach them they will go forward +again." + +But her aunt refused to be comforted. Everywhere in the street women +were calling excitedly, and a number of them besieged the officers for +information. + +The soldiers hurried to their billets and got together their kits. The +square buzzed and hummed with excitement and the guns kept up a steady +bass accompaniment. + +The bugle sounded a different order every little while. Some of the +more prudent women went home and began packing their household +treasures, but for the most part every one stayed in the market-place +and argued shrilly. + +"Come!" Lucia exclaimed, catching Maria's hand. "We can watch them +march off from the top of the wall by the gate." + +They ran quickly through the side streets, and by taking many turns +they at last reached the broad top of the wall, which they ran along +until they were just above the north gate. + +"Here they come!" Maria exclaimed. "I can hear them." + +The paved streets of the town rang with the heavy tramp, tramp of men +marching, and before long they appeared before the gate. The order to +walk four abreast was given. The men took their places, and then at a +brisk pace they marched through the old gate, a sea of bobbing black +hats and cock feathers. + +The townspeople followed to cheer them excitedly. Lucia and Maria +leaned dangerously over the edge of the wall in their attempt to +recognize the familiar faces under the hats. + +The soldiers looked up and called out gayly at sight of Lucia. She had +taken off her flowered kerchief and was waving it excitedly. The wind +caught her dark hair and blew it across her face, and her bright skirts +in the sunshine made a vivid spot of color against the stone wall. The +men turned often to look back at her as they marched along the wide +road. + +Maria did not lift her eyes from the sea of hats beneath her. She was +waiting for one face to look up. At last she had her wish. Roderigo's +place was towards the end of the column; when he walked under the gate +he looked up and smiled. It was a sad smile, full of regret. + +Without exactly meaning to, Maria dropped the flower she was wearing in +her bodice. Roderigo caught it and tucked it, Neapolitan fashion, +behind his ear, then he blew a kiss to Maria and marched on. + +Lucia watched the little scene. She was half amused and half +contemptuous. Her little heart under its gay bodice was filled with a +fine hate that left no room for pretty romance. + + + + +CHAPTER IV + +LOST + +When the soldiers had climbed out of sight into the mountains, Maria +walked slowly back to find her mother, and Lucia after a hurried +good-by ran home to tell Nana and Beppino the news. + +She was far more worried over the possible order to evacuate than she +would admit. As their cottage was the farthest north on the road, it +would be the nearest to the Austrian guns. Personally Lucia scorned +the very idea of the Austrian guns, but she could not help realizing +the danger to Nana and Beppino and Garibaldi. She was still undecided +what to do when she reached the cottage. + +Nana Rudini was standing in the doorway, shading her eyes with her +withered old hand, and staring intently in the direction that the +soldiers had taken. + +"Did you see the troops, Nana?" Lucia asked cheerfully. "They were a +fine lot, eh? I guess they will be able to stop the enemy from coming +any nearer." + +"Nearer?" queried Nana, "what are you saying?" + +"We have had bad luck," Lucia explained. "Tavola has been captured, +and our soldiers are retreating. In town they say we may have to +evacuate before to-morrow." + +The old woman received the news without comment, but a look of despair +came into her usually bright eyes, and for the moment made them tragic. +Long years before, when Austria had crossed the mountains and entered +Cellino, she had been a young girl. Now in her old age they were to +come again, and there was no reason to hope that this time they would +be less brutal in their triumph than they had been formerly. The +memory of their brutality was still a vivid one. + +"We will leave at once," she said at last, and her decision was so +unexpected, that Lucia gasped in surprise. + +"Leave? But, Nana, where will we go? What will become of our things?" +she exclaimed. "Surely we had better wait at least until we are +ordered out." + +"No, we will leave at once," Nana replied firmly. "The order may come +too late, as it did before. What do those boys who swagger about in +men's places know about the enemy? There is not one that can remember +them. But I, old Nana, have known them and their ways, and I say we +must go at once." + +Lucia looked at the new light of determination in her grandmother's +eyes, and realized with a shock of surprise that to protest would be +useless. + +"Where is Beppi?" she asked. "I will go and find him." + +"With the goats," Nana replied. "Call him, I will go in and start +packing." + +Lucia ran around the house and off to the sunny slope where she had +left Beppi a few hours before. She saw the flock of goats grazing, and +called, "Beppino mio, where are you?" + +No one answered her. She hurried on, believing him to have fallen +asleep. + +"Beppi!" she shouted, "I have something exciting to tell you. Stop +hiding from me." + +She waited, but still no answer came. + +In a sudden frenzy of fear she began running aimlessly up and down the +hillside, and looking down into the tall grasses, but there was no sign +of Beppi. There were no trees or houses in sight, no place that he +could hide behind, nearer than the mountain path at the foot of the +valley. + +Lucia looked about her despairingly, then she went over to the goats. +Garibaldi was not there. + +"She has strayed away, and Beppi has gone after her," she said aloud in +relief, and returned to the cottage. + +Nana nodded when she explained. She was busy tying up the household +treasures in sheets, and Lucia helped her. + +Every few minutes she would go to the door and call, but Beppi did not +reply. The afternoon wore on slowly and a bank of rain clouds hid the +sun. Lucia's confidence gave way to her first feeling of terror, and +Nana was growing impatient. + +"Where can he be?" Lucia exclaimed. "I am frightened, he has been gone +so long." + +Nana shook her head. "He was off after the soldiers, I suppose," she +replied. "He is always disobeying--no good will come to him and his +naughty ways." + +Lucia's eyes flashed. + +"He is not naughty," she protested angrily, "and he may be lost this +very minute. Anyway I am going to find him and I am not coming home +until I do. If you are afraid to stay here go to Maria, she and aunt +will look after you, and when I find Beppi I will meet you there." + +Nana Rudini protested excitedly, but Lucia did not wait to hear what +she said. She ran out of the house and down the road towards the +footpath. She had no idea of where she was going, but fear lead her +on. Beppi, her adored little brother, and Garibaldi were lost, and she +was going to find them. + +At the end of the road she paused and looked ahead of her. The sky was +dark with rain-clouds and thunder rumbled in the west, an echo of the +guns. Lucia took the path that she had taken early that morning, and +as she climbed up the steep ascent she called and shouted. Her own +voice came back to her from the flat rocks ahead, but there was no +sound of Beppi. + +Instead of going on to the little plateau where she left her pails, she +branched off to the left. It was hard climbing, and after repeated +shouts of "Beppi," she sat down and tried to think. + +Big drops of rain were beginning to fall, and with the sun out of sight +the fall air was damp and cold. She pulled her thin shawl around her +shoulders and shivered. + +"If Garibaldi ran away she came up here; she always does," she argued +to herself. "She loves to climb, and she must have come this way in +the hope of finding grass. Up above, and a little over to the left, +there is a sort of sheltered spot. Perhaps--" she did not finish the +thought, but jumped up and started to climb. + +She hunted until she discovered a way to find the spot. It was not +difficult, for she knew every foot of the mountains from long +association. But Beppi was not to be seen, nor was Garibaldi. Lucia +stopped, discouraged. Fear and helplessness were getting the better of +her, and she would most likely have given way to the tears she so +despised had her eye not caught sight of a tuft of fur on the ground. +She seized upon it eagerly. It was without doubt part of Garibaldi's +shaggy coat. + +With a cry of joy she started off up the tiny trail that led higher up +into the rocks. + +"Beppi, Beppi!" she called, and stopped. Still no answer, but she was +not discouraged for the guns were making so much noise that she +realized her voice could not carry any great distance. + +The rain was coming down in earnest now, and it was hard to keep from +losing her footing on the slippery rocks. She stumbled on regardless +of the danger, hoping against hope that she had chosen the right path, +and that each step was bringing her nearer to Beppi. Between calling +and climbing, she was tired, and she stopped for a moment to catch her +breath. + +A sound, faint but unmistakable, reached her. + +"Naa, Naa!" + +Garibaldi was complaining about the weather, at no very great distance +away from her. + +In her relief Lucia laughed excitedly. + +"Beppi, Beppi, where are you?" she shouted, and waited eagerly for a +reply, but none came. She looked puzzled and then Garibaldi answered +her: + +"Naa! Naa!" + +The sound came from directly over her head, and she climbed up the +steep rock as fast as she could. Garibaldi was standing at the opening +of a cave. Lucia ran to her. + +"Oh, my pet, I have found you at last. Where is Beppi?" she cried. +Garibaldi did not exactly reply, but she stepped a little to one side, +and Lucia saw Beppino curled up on a bed of dry leaves sheltered and +snug from the storm, and sleeping quite as contentedly as he did on the +mattress in the attic at home. + +Lucia ran to him and shook him. He opened his eyes, and a dazed look +came into them, then he said: + +"Oh, yes, I remember, it began to rain and we were lost, your old +crosspatch Garibaldi and I, so I found this nice little place, and I +was going to pretend that I was a gypsy brigand, but I fell asleep." + +Lucia was far too happy to attempt the scolding that she knew Beppi +deserved. She picked him up in her arms, and hugged and kissed him, +then she encircled Garibaldi's neck and kissed her too. + +"My darlings, I thought you were both lost. What a terrible fright you +have given me! But we are safe now, and we will wait until sunrise +to-morrow, and then we will go home," she said happily. + +"I saw the soldiers go away," Beppi said, pushing her face from him as +she tried to kiss him again, "and they looked so fine with their shiny +hats. It was while I looked at them that old crosspatch ran away. I +did have a chase, I can tell you, she had such a big start." + +"Are you very hungry, little one?" Lucia asked gently. "I should have +brought bread with me, but I did not think." + +Beppi giggled, and from the pocket of his little tunic he produced the +pink paper bag. + +"Two left," he announced as he opened it, "and both long ones. Here's +yours and here's mine. Garibaldi's been eating grass all day, so she's +not hungry." + +Lucia accepted the candy, and they both had a drink of milk. Then +Beppi snuggled down in his sister's arms and his eyelids grew heavy. + +"Go on with that story," he said, "the one about the soldier at the +gate." + +Lucia smiled in the dark and hugged him tight. The guns were silent, +and only occasional peals of thunder broke the stillness. + +"Well, one day," she began, "a very cross girl came to the gate, and +the soldier who was always on the lookout for the stolen princess +stopped her and spoke to her. But the cross girl was feeling very mean +indeed, and she teased the soldier and made him very unhappy. But +later on in the afternoon she was ashamed, and so she found the nice +girl who was really the stolen princess, and took her with her to the +gate, and the soldier--" + +Lucia broke off and sat up suddenly to listen. A queer "rat, tat, +tat," detached itself from the other night noises. Beppi was sound +asleep, and she rolled him gently into the nest of leaves, then she +listened again. The sound came again. + +"Rat, tat, tat." It was a sharp staccato hammering, muffled by the +wall of rock behind her. + +She stood up and crept softly to the mouth of the cave. + +The wind and the rain made such a noise that she could hear nothing, +and it was already too dark to distinguish anything but the vaguest +outlines. She crept back into the shelter, believing that she had just +imagined what she had heard, but she had not taken her place beside +Beppi before she heard it again--a persistent "rat, tat, tat," too +metallic and too regular to be accounted for by a natural cause. + +Lucia's mind was alert at once. She put her ear up against the rock +and listened again. Muffled sounds too indistinct to recognize came to +her. Whatever they were, they were not far off, and right in a line +with the back of the cave. + +Lucia thought of several explanations, but could accept none of them. +She tried to argue against her fears by saying over and over again that +if it was a sound made by men, those men were surely Italian soldiers, +but her arguments could not still the frightened beating of her heart, +as the voice became more distinct. She was filled with terror. + +Rumors of underground tunnels and mines blowing off whole mountain +tops, that she had heard from the soldiers, came back to her and left +her cold with fear. + +Beppi had rolled over beside the goat for warmth, and was sleeping +soundly. Lucia looked at him and then went once more to the mouth of +the cave. + +The cold rain in her face gave her back her courage, and she felt her +way around the cliff and up between the crevices of the two rocks, +until she was on the roof of the cave. It was flat and the ground +seemed to stretch out level for quite a distance before her. She +listened for a moment, but the rain beating down made it impossible for +her to distinguish any other sound. + +She lay down flat on the wet ground, and crawled forward for a few +feet, then listened again. At first she heard only the rain and the +wind, but after a little wait there was a muffled bang as if a bomb had +exploded deep down in the earth, and the ground beneath her trembled. + +Lucia sprang to her feet and ran terrified back to the cave. It was +fortunate that she was as sure-footed as her goats, for the way was +steep and slippery, and she did not pause to take care. + +Over in the cave, with her hand on Beppi's curly head, she sat down to +think. Her mind was not capable of arriving at any logical +explanation. Two thoughts stood out clearly and beyond doubt. First, +the enemy was doing something of which the Italians were unaware, and +second, the Italians must be warned before it was too late. That she +must warn them she realized at once, but the way was not easy to +determine. + +The mountains were tricky. From one side they might look deserted, and +yet a whole army could be in hiding just over the other side. The +giant peaks formed formidable and wellnigh impassable barriers between +one range and the next. Lucia had seen the troops disappear that +morning, as if the great rocks had opened and devoured them, and she +knew that at this moment they might be within a half a mile of her, but +where to begin to find them she did not know. + +The close proximity of the Austrians frightened her, and she was afraid +to go off at random, or even to call. Throughout the night she tried +to think and plan as she sat up with her back against the rock +listening for the rat, tat, tat, which began again after she returned +to the cave, and continued at regular intervals. + +Before dawn the rain stopped and the wind blew the clouds away. At the +first streak of light Lucia stole softly away from the sleeping Beppi +and Garibaldi, and crept down the tiny path to the plateau below. Once +there she was on familiar ground and even in the pale light she could +tell her way. + +During the night she had decided to go to the rock where she took her +milk in the morning, surely the mysterious hand that left the pennies +for her would be there, and she was determined, to wait for him. + +She reached the spot without encountering any difficulties, and sat +down to wait. The sun rose east of Cellino, and she watched it as it +climbed over the hill and lighted the windows of the church with its +yellow low rays. + +All the world looked as if it had just been bathed and freshly clothed +to step out glistening and very clean to greet the day. The air was +chilly, but so fresh and sweet that Lucia took long grateful breaths of +it. She was just wondering how long she would have to wait, when a +stone rolled down beside her and hit her foot. She jumped and turned +around. A soldier with a broad smile that showed all his fine white +teeth was climbing down towards her. + +Lucia put her fingers to her lip to caution silence, and his smile +changed to a look of sudden anxiety. + +"What is it?" he demanded. + +"Don't make any noise," Lucia warned. "Listen to me." + +She told him all that she had discovered during the night. + +"Are you sure of what you say?" the soldier questioned her seriously. + +"Oh, yes, sir, I tell you I crawled out and listened. The sound was +very near." + +"Can you show me the place?" + +"Yes, yes, I have just come from there, but it is a slippery climb." +Lucia looked at him interrogatively. + +The man nodded. "Never mind that, lead the way." + +Lucia did not hesitate, but hurried back along the rocks, choosing the +safest footholds and sometimes leaving her companion far behind. + +When she reached the little grassy plateau, she stopped and pointed. +"It is above here, sir." + +She started to ascend, and the soldier followed in silence. When they +reached the cave she pointed to the back wall and said: "Listen there." + +The soldier was so tall that he had to stoop down before he could +enter, but he was very careful to be quiet and not disturb the still +sleeping Beppi. + +He put his ear to the wall and Lucia watched him excitedly. By the +expression of his face she knew he was hearing the "rat, tat, tat." + +"Can you show me the place where you thought you heard the explosion?" +he whispered. + +Lucia nodded and beckoned to him to follow. In her eagerness she +forgot that he could not climb as nimbly as she could, and she was on +the roof of the cave before he had started to ascend. + +It was fortunate that she was, for not ten feet ahead of her, crawling +along the ground, his helmet shining in the sun, was a soldier in the +Austrian uniform. + + + + +CHAPTER V + +IN THE TOOL SHED + +At sight of her he jumped to his feet. + +"Halt!" he commanded, unnecessarily, for Lucia was far too frightened +to move. + +She was thinking of the soldier whose head would appear at any moment +over the ledge of rock behind, and her one wish was to stop him. + +"I won't move, sir!" she cried loudly, "I see you have a big gun and I +am all alone." She spoke in Italian, but the Austrian seemed to +understand. + +"What are you doing prowling around here at this time of day?" he +demanded angrily, speaking to her in her own language. + +"Oh, sir, I am lost," Lucia replied, not daring to look below her. "My +goat wandered away in the storm and I came out to find her, and now I +am very, very far away from home." + +She walked towards the man as she spoke. She was terrified for fear he +would discover the cave below her. + +"Where did you sleep?" he demanded. + +"Oh, I have not slept, sir. See my dress it is wet from the rain, +there is no shelter anywhere, and the wind and the rain frightened me +so I did not know where I was, and I was afraid to stay still." + +The Austrian eyed her suspiciously. + +"Why didn't you go to the soldiers and ask for shelter?" he inquired +harshly. + +"The soldiers?" Lucia's brown eyes opened wide in surprise. "But +there are no soldiers near here. They are miles away with the guns. +How could I reach them? My home is over there," she pointed in the +opposite direction from the cave, "and I think I will go back to it, +now that it is day." + +"Oh, no, you won't," the Austrian replied. "You'll come with me." + +"But why, what have I done?" Lucia inquired. + +"That's not the point," the soldier replied. "You're an Italian, and +if I let you go you'll run home and tell all the troops in the town +that I was here. Oh, no, my little lady, we can't allow that--you're +coming along with me." + +His lordly tone and the sneer on his lips infuriated Lucia. She +thought all danger of his discovering the cave was over, so she replied +angrily. "And suppose I won't come? Don't think you can frighten me, +for you can't. I tell you, I won't go a step with you." + +The Austrian was about to reply, when a sound that had been so welcome +only a few hours ago struck terror to Lucia's ears. + +"Naa, Naa!" + +"What's that?" the soldier jumped nervously. He was startled and +frightened. Lucia saw it and her own courage returned. + +"My goat," she said as Garibaldi appeared above the rock. + +Lucia ran to him. + +"My pet, here you are, I have found you at last. Where have you been? +you are a bad girl. See how you frightened the brave Austrian soldier." + +The sarcasm and scorn in her voice were unmistakable. The soldier was +indignant. + +"Here, that is enough from you. Come along, I will take you where they +will teach you better manners." + +He caught her roughly by the shoulder, and Lucia went with him only too +gladly. If she could get him well away from the cave, it would be time +enough to think of herself. She, had no doubt that she would be able +to run away from him later on. + +As they walked along the noise underground grew louder. Every now and +then the man would turn and look at her suspiciously. He did not speak +to her, however, and they walked for quite a distance in silence. When +Lucia considered that they had gone far enough she stopped. + +"Where are you taking me?" she demanded with spirit. + +"Never mind, you come along," the man replied impatiently. "Time +enough for you to know when we get there." + +"But I won't go any further." Lucia was determined. "Do you think +that I will be taken prisoner by an Austrian? Never!" + +Her eyes blazed indignantly. She planned so many times just what she +would do, if she was ever brought face to face with her hated enemy, +that the feeling of helplessness that she felt under the big man's hand +infuriated her. + +"Come along, I will not speak again," the Austrian commanded, and once +more Lucia went on, unable to withstand the strength of his arm. + +The flat ground ended abruptly, and they had to climb down jagged +rocks. Lucia thought that her chance of escape had come, but the +Austrian never lessened his hold on her arm. + +They had traveled this far without meeting any one. The only signs of +life had been the mysterious noise underground, and the click of +Garibaldi's sharp hoofs as they hit the stone. + +When they reached a certain point the soldier stopped. "If you make +any noise," he said roughly, "I will have to shoot you." + +Lucia opened her mouth to scream, but before the sound came she changed +her mind. A new and splendid idea had just come to her. She stopped +holding back and walked obediently beside her guard. They did not go +very far, before he told her to lie down and crawl, and before she +realized where she was going, she was in a deep trench that ran along +the base of the rock and was completely hidden from sight. + +Garibaldi followed them, picking her way daintily, and stopping every +now and then to let out a mournful "Naa!" The Austrian did not seem to +hear her. If he did, he paid no attention, but led Lucia hurriedly +along the dark passage. + +They had not gone far before a sentry stopped them. Lucia's guard said +something to him that she could not understand. The sentry +disappeared, to return in a few minutes with another man. From the +respectful salutes that he received, Lucia decided he must be a very +high officer. More talk followed which she could not understand, and +then her guard turned to her. + +"Follow me," he directed, and led her out of the passage across a +stretch of open ground, and over to a shed. Another soldier opened the +door, and before Lucia quite got her breath, she heard the key turn in +a lock and the thud, thud of the men's boots as they marched away. + + + + +CHAPTER VI + +GARIBALDI PERFORMS + +The shed had been hastily put together, and served as a place for picks +and shovels. There were so many of them, in fact, that Lucia at first +had difficulty in finding a place to stand, but by rearranging them she +cleared a portion of the floor and sat down to think. + +The shed was by no means airtight, for the boards had been nailed up so +far apart that not only did the air and light enter between the cracks, +but it was also possible for Lucia to see everything that was going on +about her. + +At first it looked as if the soldiers were just hurrying about +aimlessly, but by watching them closely, especially the guard that had +caught her, she saw that they were preparing to leave. + +A bugle sounded from a dugout at the end of the passage, and all the +soldiers in sight fell into marching order and waited at attention. +Then the officer who had ordered Lucia shut up in the tool-house, gave +them some orders that she could not understand. + +One soldier came over to the shed and unlocked the door. He beckoned +Lucia to step outside, and as the men filed past the door he handed +each one a pick and shovel. When they had all received them, and Lucia +expected to return, the Captain spoke to her. His Italian was so very +bad she pretended not to understand. + +"What is your name?" was his first question. + +Lucia shook her head. + +"Your name?" he persisted. "Marie, Louise, Josephine?" + +"No, Seņor," Lucia replied bewildered. + +"Well then, what is it?" + +"I don't understand." + +"Your name?" + +"No, Seņor." + +"Your name? Have you no sense--stupid!" The Captain's patience was +fast giving way. + +Now to call an Italian stupid is the worst possible insult, and Lucia's +cheeks flushed hotly. She was very angry, and she determined not to +reply now at any cost. She shook her head therefore, and a very +stubborn and unpromising light came into her brown eyes. + +The Captain looked at her in disgust. + +"Well, I suppose your name does not matter anyway," he said gruffly. +"Where do you live?" + +Another shake of the small black head, and an expressive shrug. + +"You live in Cellino, so why not say so? Come, no more sulking. If +you won't answer me of your own free will, you must be made to answer." + +"No, Seņor," Lucia smiled provokingly. + +"No--what in thunder do you mean?" + +"No, Seņor," there was not a trace of impertinence in her face. + +The officer looked at her in despair. + +"Do you, or don't you understand what I am saying?" he demanded. + +"No, Seņor," Lucia reiterated. + +"Where is the soldier who found this girl?" the Captain shouted to an +orderly. + +Lucia did not understand what he said, but she knew that her captor was +well out of sight with his pick and shovel by now, and in all +probability would not return and give her away, and she was beginning +to enjoy the part of a "stupid." + +Just as the Captain turned to continue his questioning, Garibaldi, who +had been grazing about unmolested at a little distance from the shed, +saw Lucia and came bounding over to her. In her delight at finding her +young mistress she very nearly succeeded in butting over the officer. + +Lucia had difficulty in repressing a smile, but she put her arms around +the goat's neck and patted her. + +"Does that animal belong to you?" The Captain demanded, puffing a +little in the effort to retain his balance. + +Lucia only smiled and nodded. Garibaldi kicked up her heels in an +ecstasy of joy and sent the soft mud flying. The Captain's anger broke +all bounds. + +"Take that animal and shoot her," he demanded, but before the soldier +could obey, he withdrew the order. "Tie her to the tree instead, we +may be able to milk her," he said. + +The soldier nodded and advanced towards Garibaldi with ponderous +assurance, but Garibaldi was not going to be tied, she preferred her +freedom. She was not, however, unwilling to play a friendly game of +tag; it was her favorite sport and she was very proficient in it. When +the big soldier would come within reach of her, she would lower her +head and duck under his arm, and before the astonished pursuer could +collect his wits and look around, she would be browsing innocently +close by. + +This game kept up for a long time. The men who were in sight dropped +what they were doing and made an admiring circle; even the Captain had +to smile. Lucia wanted to laugh outright, but she managed to keep her +face set in grave lines. + +At last the soldier gave up the chase and retired among the jeers of +his comrades to the side lines. The Captain saw an opportunity to +amuse his men, and perhaps end their grumbling for the time being. He +offered a reward to the man that could catch the goat. + +First one soldier and then another attempted it, but none of them +succeeded. After a while the fun of the chase wore off for Garibaldi, +and she became angry. She had a little trick of butting that had won +her Beppi's dislike, and she used it to the discomfiture of the +Austrian army. + +Lucia saw them one after another rub their shins and their knees, for +although Garibaldi did not have horns, her head was very, very hard +indeed, and she was afraid that some one of them might grow angry and +hurt her pet. She looked at the officer and pointed to the goat. + +"I can catch her," she said simply. + +"Well, do it then," the Captain replied. + +Lucia called softly and made a queer clicking noise. Garibaldi stopped +butting, and walked soberly over to her. She smiled good-naturedly at +the men, and tied the rope that one of them handed to her around the +goat's neck. One of the soldiers pointed to a tree behind the shed, +and she tied the rope securely around it Garibaldi protested mildly, +but she patted her and left her lying contentedly in the mud. + +She took time to look hastily about her before returning to the shed. +The tree to which the goat was tied was on the edge of a steep hill +that fell away abruptly from the little clearing. + +Lucia looked down it, and could hardly believe her eyes; for there, far +below, was a silver stream glistening in the sunshine, and she realized +with a sense of thankfulness that it could be no other than the little +river that flowed below the west wall of Cellino, and right under the +windows of the Convent. If she could only get away, it would be an +easier matter to go back that way, than over the dangerous route by +which she had come. But she was not very eager to return at once, for +the idea that had come to her earlier in the day still tempted her to +wait and listen. + +When she returned to the shed the Captain was nowhere in sight, and one +of the soldiers pointed to the open door. She nodded and walked in, +the key grated in the lock, and she was once more a prisoner. + + + + +CHAPTER VII + +THE BEGGAR + +As the sun rose higher, a quiet settled over the clearing. The men +talked and smoked, and the Captain read a newspaper at the door of his +dugout. + +No one bothered Lucia, and she kept very quiet. She had had nothing to +eat since the night before and she was very hungry, but she would not +for the world ask her enemies for food. She was not above accepting +it, however, when a little before noon one of the soldiers brought her +a hard and tasteless biscuit and a cup of water. She ate greedily, and +then tired out from so much excitement she fell asleep. + +She awoke an hour later to a scene of activity. She could see through +the peek-hole that the Captain was consulting his watch every little +while, and the men were hurrying about excitedly. They all looked up +at a certain mountain above with suspicious eyes, and Lucia could tell +by the tone of their voices that they were angry about something. + +A few minutes later the arrival of a very muddy and tired soldier from +the opposite direction created a diversion. He saluted the Captain and +handed him a message. Whatever the message was, it pleased the +Captain, for he brought his fist down on his knee and laughed. Then he +gave some very long; and to Lucia, unintelligible orders, and the men +lost some of their ugly rebellious look. + +He chose two soldiers from the group before him, and motioned them into +his dugout. Lucia tried to make something out of the strange words +that the other men spoke, but she could not. They were eagerly +questioning the messenger and giving him food and water. He was +answering them, and from the expression of their faces his replies were +not cheering. At last he stood up, shrugged his shoulders and for the +first time noticed Garibaldi. + +The other soldiers explained, and Lucia knew they were discussing her +when they pointed to the shed. The messenger evidently suggested +milking the goat, for after a little laughing and jesting, one of the +men took a pail and approached Garibaldi. + +Now, no one had ever milked Garibaldi in all her life but Lucia, and +from the disastrous attempts on the part of the soldiers it was evident +that no one was ever going to, if that very particular animal could +prevent it, and she seemed quite able to, to judge from the results. + +Lucia watching through the cracks in the shed laughed softly to +herself. She was not surprised when, a few minutes later, one of the +men opened the door and told her to come out. + +He could not speak Italian and he resorted to the sign language. Lucia +nodded in understanding. She might have pretended blank stupidity, but +she wanted some milk herself, and this was a good way to get it. +Besides, she decided that she would do something to make it impossible +for them to lock her up again on her return. + +Garibaldi stood quite still as she milked her, and submitted meekly to +her affectionate pats. + +The messenger drank greedily from the pail, and when he had finished +there seemed to be nothing else for Lucia to do but return to the shed. +She walked back to the door as slowly as possible, and looked hard at +the lock. It was just an ordinary padlock and it hung open on the +rusty catch. She looked quickly at the men behind her. They were busy +talking, and did not appear to be paying any attention to her. + +Very quickly, without seeming to do it, she touched the padlock; it +swung on the catch, and then fell into the mud. Lucia put her foot +over it and ground it in with her heel. + +When the soldier remembered her a few minutes later, and came over to +shut the door, he grumbled at the loss of the lock, but he did not +apparently connect her with its disappearance, nor did he bother much +about looking for it. He shut the door and walked back to join the +group that still surrounded the messenger. + +Lucia sat down again and watched the door of the Captain's dugout. She +had wondered all day what the smiling Italian soldier and Beppi had +done after she left. She knew that Beppi could easily find his way +back to the cottage, and in case Nana had already gone, and Lucia knew +that in spite of her threats she would not go off alone, he would go +into the town and some one would take care of him. + +As for the soldier, he would hear the rat, tat, tat, and know what it +meant, and return to his comrades for help. She listened, but there +was no sound of guns near enough to mean a fight close at hand. + +The thought puzzled her, but she dismissed it as the Captain and the +two soldiers came out of the dugout. The men looked cross and sullen, +but the Captain was still smiling. He walked over to the messenger, +handed him a folded paper, and the man disappeared as mysteriously as +he came. + +Lucia did not pay any attention to him, however, for she was interested +in the two soldiers. They were very busy buckling on their kit bags in +preparation for a departure. When they were ready, they stood at +attention before the Captain. After more orders from him, they started +off down the hill just back of the shed. + +Lucia guessed that they were going to the river, with a cold feeling +around her heart, she realized that they could go straight to the wall +of Cellino. She did not stop to consider the many sentries who walked +up and down the walls day and night, or the fact that two enemy +soldiers would hardly walk up and attempt to enter a town in broad +daylight. She only knew that the river led to Cellino, and that all +she loved most in the world was there. + +She was sick with fear. She looked back at the Captain; he was again +consulting his watch. The soldiers looked at him and fell to grumbling +again. After a moment of indecision he called to them. + +They stood up and saluted. He gave a very peremptory order, and in a +few minutes almost all of them had their guns on their shoulders, and +waited his next word. The Captain himself buckled on his revolver, and +the party started off at a brisk pace through the tunnel. + +Lucia watched them go. In a hazy way she realized that they were going +out in search of the men who had left earlier in the morning. This was +correct in part, but they were also going to look for another party of +men, the ones who had been responsible for the rat, tat, tat, Lucia had +heard. + +The diggers, led by her captor, had been sent out that morning to +relieve their comrades already at work. When none of them returned the +Captain grew anxious, and was himself leading the searching party. + +If Lucia had known, she would have realized that her Italian soldier +was in some way responsible for their absence, and she would have been +delighted. As it was, she dismissed the Captain with a shrug and +turned her attention to the few soldiers who remained. They were a +little distance from her, and most of them had their backs to her. + +Lucia determined to try to slip out unnoticed. She waited until they +were all talking at once. By their angry gestures they appeared to be +discussing something of great importance; none of them even glanced +towards the shed. + +Lucia pushed open the door very gently and waited. No one noticed it, +then she laid down flat and crawled out into the mud; it was slow work, +but in the end it proved the best way, for she reached the tree and +Garibaldi without being discovered. The shed hid her from sight. She +hurriedly untied the rope and freed the goat. It had never entered her +mind to escape and leave her behind. + +Garibaldi, free once more, ran down the steep hill her hoofs making no +more than a soft, pad, pad noise in the mud. Lucia dropped to the +ground again and crawled slowly after her. Below her, almost at the +river's edge, she could see the two soldiers slipping and stumbling +along. + +She wriggled on in the mud until she was well below the crest of the +hill, then she got up and began to run. She jumped from one rock to +the next, always keeping the two men in sight, but keeping under cover +herself. The men kept to the bank of the river and moved forward +cautiously. Lucia kept abreast of them, but stayed high up above their +heads. + +It was a long walk, for the river twisted and turned many times before +it reached the walls of Cellino. But it did not tire Lucia, as it did +the two men. They walked slower and slower as the afternoon wore on, +stopping every few minutes to rest and talk excitedly. + +At a little before sunset the guns grew louder and seemed to be much +nearer. All day there had been a dull rumble, but now they burst out +into a terrific roar. Lucia saw the men below her stop and look up. +They stood still for a long time, and then hurried on. Until now the +road had been deserted, but ahead at the end of a footbridge, just +around a sharp turn, Lucia, from her vantage point, could see another +figure. The soldiers could not have seen him, but when they reached +the turn of the road they both left the open and took cover in the +rocks above. + +Lucia watched narrowly. They did not stop as she half expected them to +do, but crept on until they were abreast of the man. He was a beggar +to judge by his shabby clothes, and he was apparently whiling away his +afternoon by staring into the river. + +Lucia's first thought was that the Austrians would shoot him. She +caught her breath sharply when a queer thing happened. One of the +soldiers picked up a stone and threw it down into the stream. + + + + +CHAPTER VIII + +THE SURPRISE ATTACK + +Without turning his head, the beggar picked up a stone and tossed it +into the river. He repeated this twice. + +Lucia watched, fascinated. The soldiers left their hiding-place and +came down to the road. The beggar took something out of the pocket of +his coat, handed it to one of the soldiers, and shuffled off in the +opposite direction. + +Lucia waited to see what the soldiers would do. She expected them to +return, but instead they waited until the beggar was out of sight, and +then hurried across the foot-bridge and plunged hurriedly into the +mountains opposite. + +Lucia caught sight of their shining helmets every now and then as they +climbed higher and higher, and finally disappeared. She was undecided +what to do, but after a little hesitation she determined to follow the +beggar. Now that the Austrians were out of sight there was no need for +her to avoid the open path, and she hurried to it and ran quickly in +the direction that the man had taken. She did not know where she was, +or how far she would have to go before she reached Cellino. She had +seen nothing of the town from the mountains, and she guessed that it +was much farther away than she had at first supposed. + +She walked on as fast as she could, keeping a sharp lookout for the +beggar, but he had apparently disappeared, for she could not find him +or any trace of him. + +It was late in the afternoon when she reached a part of the river that +was familiar to her, and with a start she realized that she was still a +good three miles from Cellino. She was very tired and very hungry, but +she sat down to consider the best plan to follow. She knew nothing of +what had passed between the men at the bridge, but she had sense enough +to realize that whatever it was, it was not for the good of the Italian +forces. + +Some one must be warned, and soon, for the speed of the Austrian +soldiers made her feel that the danger was imminent. + +"I will go on to town and warn them," she said aloud to Garibaldi, +"that is the best plan, and then I can find something to eat." + +She jumped up and started off with renewed energy. At a little path +that turned to the right she left the river and came out on the broad +road at the foot of a valley. It was not long after that, when she saw +the little white cottage ahead. The sight of it gave her courage. +There, at any rate, would be a human being to talk to, and bread to +eat. She ran the rest of the way, and did not pause until she was in +the little room. + +The sight that met her eyes sent a sudden damper over her spirits. +Everything was upside down. The green bed was stripped of its sheets, +and all the familiar ornaments had gone. Lucia stood dumbfounded +trying to realize that Nana had really gone. A feeling of loneliness +and despair made the tears come to her eyes. + +She clenched her fists and tried to swallow the lump in her throat, but +without success, the tears came in spite of her and in her +disappointment she threw herself down on the bed and sobbed. Fear got +the better of her, and in an agony of mind she imagined every possible +harm to Beppi. + +But she was not allowed to stay long in that state of mind, for +suddenly the guns broke into a terrible roar. The air was black with +smoke and the house trembled and rocked under her. + +She jumped up and ran to the window. Great volumes of smoke arose to +the east, and higher geysers of dirt and rock flew up into the air. + +"The Austrians!" Lucia did not stop to think in her fear. She dashed +out of the house and down the road in the opposite direction from the +town. Without realizing the personal danger to herself, she ran as +fast as she could. Fear and the noise of the exploding shells sent her +plunging ahead regardless of direction. + +Instinctively she took the path to the right at the foot of the village +and climbed up to the little plateau. She was directly under the fire +of her own guns, but the noise from both sides was so great that she +did not know it, and she forged ahead, shouting. In all the tumult she +could not even hear her own voice, but to shout relieved her nerves of +the terrible strain. + +When she reached the plateau she climbed on up, choosing the spot +where, earlier in the day, the Italian soldiers had come from, and +slipping and sliding, but always goaded on by fear, and the knowledge +that she must tell some one about the beggar, she kept on her way. + +She did not know how long she ran, or when it was that she stumbled, +but suddenly everything was black before her eyes, and the noise of the +guns was blotted out by the awful ringing in her ears. Then came +oblivion. + +When she next realized anything, she was conscious of some one bending +over her and holding a water bottle to her lips. She drank gratefully +and opened her eyes. The Italian soldier was beside her, and another +man was lying on the ground near her. + +"Give me something to eat," she said, trying to sit up, "or I will go +away again." Going away was the only way she knew of, to express the +sensation of fainting. + +The Italian took something out of his knapsack and gave it to her. +Lucia ate ravenously, and the queer feeling at the pit of her stomach +disappeared. + +"How did you escape?" he asked. + +The question brought back a sudden wave of memory, and Lucia jumped up +excitedly. + +"By the river road--two Austrians and a beggar--they met by the +foot-bridge, over there where the noise comes from; I saw them." She +recalled the facts jerkily. + +"Go on!" the Italian's eyes flashed. + +"The beggar gave the Austrians a paper, and they left with it and +climbed up into the mountains across the river. I could not follow +without being seen, and when I tried to find the beggar he had +disappeared. The river runs right under the wall." + +"Oh, look!" She stopped abruptly and put her hand over her eyes. + +A great cloud of fire followed a terrific report, and from the distance +of the hill it looked as if the whole town of Cellino was in flames. + +The Italian snatched a field glass that lay on the ground beside the +wounded man, and put it to his eyes. Then without a word he dashed +off. Lucia followed him. A giant tree grew between two huge rocks a +little further up the mountain, and the Italian climbed up it. + +Lucia watched him, and for the first time she noticed that several +wires were strung along and ended high up in its branches. She heard +the Italian calling some directions, and knew that a telephone must be +hidden somewhere in the tree. She could make nothing of the orders; +they were mostly numbers, and she waited impatiently until he returned +to her. + +"Stay here," he said quickly, "and lie down flat--don't move. The +Austrians are advancing on the other side of the river, and Cellino +will fall if the bridge is not blown up." + +"But who can get to it?" Lucia demanded. + +"I can; it is mined. If I can reach it we may drive them back." + +He did not wait to say more. + +Lucia watched him impatiently as he stumbled and slid clumsily down the +rough trail below her. The shells were coming nearer and nearer, and +the air was filled with brilliant fire. + +She watched the man every second, afraid to lose track of him. At the +base of the rock he fell. She caught her breath and shouted aloud when +he picked himself up and stumbled on. He reached the road and was just +starting across the little path that led to the river, when a shell +exploded so near him that the smoke hid him completely from view. + + + + +CHAPTER IX + +THE BRIDGE + +It was several minutes before Lucia saw him again; he was lying flat, a +little to one side of the road, and he was very still. She waited, +hoping against hope to see him move, and fighting against the horrible +thought that filled her mind. + +"He is dead," she exclaimed, terrified, "and they are moving; and the +bridge!" + +Without another thought she got up and very carefully started down the +descent, her mind concentrated on the bridge. She did not attempt to +go to the road, but kept to the shelter of the rocks, and a little to +one side of the fire. The shells were bursting all around her, but she +was above the range of the guns, and comparatively safe. + +She hurried as fast as she could, but it was hard to keep the +direction, in all the noise and blinding flames. She did not dare to +look towards Cellino, or think what that hideous column of smoke might +mean. + +At last she reached the river, and the bridge was in sight a little +distance ahead. It was an old stone bridge, and wide enough for men to +walk four abreast. At that point the river was very wide and the +bridge was made in three arches. It looked very substantial, and Lucia +stopped, suddenly terrified by the thought that she did not have the +slightest idea how or where to blow it up. + +She looked about her as if for inspiration. She found it in the moving +line of men just visible far above in the mountains. + +The Austrians! They were advancing, and the sudden realization of it +brought out all her courage and daring, and intensified the hatred in +her heart. + +"They shall not cross our bridge," she shouted defiantly, and raced +ahead regardless of the rain of shot and shell. + +But when she reached the bridge she stopped again, helpless and +completely baffled. The wall rose above her high and impregnable. A +little farther along, the window of the convent seemed to be ablaze +with light. The church had been struck, and Lucia could feel the heat +of the flames from where she stood. + +The North Gate seemed miles away, and she turned to the convent. She +knew there was a door that gave on to the river bank, and she ran +forward. She found it and pushed frantically against it. It was +locked, the only other opening being a window higher up. + +Lucia looked at it in despair. It was her only chance. The glass had +been smashed by the impact of the bursting shells and lay in broken +bits under her feet. She could just reach the ledge with her hands, +and the stone felt warm. The wall was rough and uneven, and after a +struggle she managed to find a foothold and pulled herself up. The +jagged glass still in the casement cut her hands, but she did not stop +to think about it. Once inside she ran along the dark corridor and up +the few steps that led to the first floor. The big iron doors were +open, and she caught her first sight of the town. + +The convent was just outside, and on the road that led south a great +stream of people carrying every size of bundles, was hurrying along. +Lucia recognized some of them, but the faces she most longed to see +were not there. + +She turned away, for the sight seemed to drain all her courage, and she +longed to run after them, but the memory of that moving mass of +soldiers made her true to her trust, and she hurried through the +convent, calling for aid. + +At the farthest door she discovered several of the sisters hurrying +about and trying to clear the big ward filled with wounded soldiers. +They had been brought in that morning, and some of them were very ill +indeed. The sisters were carrying them out on improvised stretchers. +Those who were able to stand up staggered along as best they could by +themselves. Lucia saw one boy leaning heavily against the door, and +ran to him. + +"Roderigo Vicello!" she exclaimed, when she looked up at him. + +Roderigo swayed and would have fallen if she had not supported him. + +"I can not go," he said weakly. "I am too tired, and I want to go. I +have watched her out of sight, but I am too tired to follow." + +Lucia looked at him intently. It seemed to her impossible that a man, +and a soldier, could bother to think of a girl at such a time. She +took his arm firmly and shook him. + +"Do you know how to blow up a bridge that is mined?" she demanded +excitedly. + +"Yes, pull out the pin," Roderigo replied, "if it is a time fuse," he +spoke slowly and painstakingly. + +"Pin?" Lucia exclaimed impatiently, "I don't understand, you will have +to come. Listen, the Austrians are just a little way off across the +river, they must not cross the bridge." + +Roderigo was alert at once. The light came back into his eyes and his +body stiffened. + +"What are you saying?" he demanded. "Do you mean, they are coming from +that side?" + +"Yes," Lucia exclaimed, "there is no time to spare; hurry, I will help +you." + +She put her strong, young arm about his waist, and by leaning most of +his weight on her shoulder he managed to crawl along. Lucia was half +crazy with impatience, but she suited her step to his, and helped him +all she could. + +At last they reached the lower door. She opened it hurriedly and the +bridge was in sight, but so were the Austrians. They were so near that +what had seemed one solid mass now resolved itself into individual +shapes. To Lucia it seemed as if a great sea of men were rushing down +upon them. + +The exertion from the walk made Roderigo sway, and just before they +reached the bridge he fell forward. Lucia crouched down beside him, +and begged and pulled until he was on the bridge. + +"Now where is it? Tell me what to do," she begged, "see they are +almost here." + +With a tremendous effort Roderigo pulled himself to the edge of the +bridge and located the mine. In a voice that was so weak that Lucia +could hardly hear it he gave the directions. Lucia obeyed. + +"When will it go off?" she demanded. "Will we have time to get away?" + +Roderigo shrugged his shoulders. + +"You will," he said. "Run as fast as you can, I don't know how long it +will take." + +Lucia did not wait to argue. She caught him under his arms and dragged +him back to the convent as fast as she could. + +Roderigo had given up all hope, but as they drew nearer to the door of +the convent, the wish to live asserted itself, and he got to his feet +and ran with Lucia. They did not stop until they were safe on the road +beyond. The last inhabitant of Cellino was out of sight, and it seemed +as if they were alone. + +They waited, Lucia supporting Roderigo's head in her arms. + +The explosion came, there was a crash, and then a great shaking of the +earth. Lucia listened, her eyes flashing. + +"Wait here," she said to Roderigo, "I will return at once." She ran +hurriedly back to the convent and down again to the door. + +The old bridge was ruined. Great pieces of it were torn out and had +fallen high on the banks. The center span was entirely gone, and the +river, broad and impassable, ran smoothly between the jagged ends. + +Lucia did not stand long in contemplation of the scene before her. She +hurried back to the road. A sister was beside Roderigo, and Lucia went +to her. + +"It is not safe back in there," she said, pointing to the convent. "A +shell may hit it." + +The sister nodded. + +"It hardly matters," she replied quietly. "No place is safe. We will +take him there; he is too ill to be carried far." + +Lucia agreed, and between them they carried the unconscious Roderigo +back to the ward and laid him gently on one of the beds. + +Sister Francesca turned back the cuffs of her robe and began doing what +she could. As she worked she talked. + +"We were all ordered to leave," she said; "but when we were well along +the road I turned back. It seemed so cowardly to go when we were most +needed. The rest thought that by night the Austrians would be in +possession, but I could not believe it." + +She was a little woman with a soft voice and big blue eyes, and she +spoke with such gentle assurance that Lucia felt comforted. + +"They will not come to-night," she said, "for the bridge is down, and +our troops will surely be able to force them back." + +Sister Francesca nodded. + +"I hope so. At any rate, there will be wounded and my place is here." + +At the word "wounded," the vivid picture of the smoke-choked valley, +the shell explosion, and the still form of the Italian soldier flashed +before Lucia's mind. + +"What am I doing here?" she said impatiently. "There are wounded now +and perhaps we can save them." + +She did not offer any further explanation, but slipped out of the big +room and hurried back to the road once more. + +The sun had set and twilight gleamed patchy through the clouds of +smoke. It was still light enough to see, and Lucia hurried to the +gate. The first sight that she had of Cellino made her stop and +shudder. The church was in ruins, and every pane of glass was broken +in the entire village. In their haste the refugees had thrown their +belongings out of their windows to the street below, and then had gone +off and left them. Great piles of furniture and broken china littered +the way, and stalls had been tipped over in the market place. + +No one stopped Lucia; the town was deserted. She ran hurriedly across +to the North Gate, afraid of the ghostly shadows and unnatural sights. +At the gate a splendid sight met her eyes. + +From the convent she had only seen the Austrians, the wall had cut off +her view of the west. But now she commanded a view of the whole field, +and to her joy the Italians were advancing as steadily from the west as +the Austrians from the east. They would meet at the river, and at the +memory of the bridge Lucia threw back her head and laughed. It was not +a merry laugh, but a grim triumphant one, and it held all the relief +that she felt. + +But, splendid as the sight before her was, she did not stay long to +look at it. Below, somewhere in the valley, the Italian soldier of the +shining white teeth and the pennies was lying wounded, or dead, and +nothing could make Lucia stop until she found him. + +The heavy artillery fire had let up a little, and the shells were not +quite so many. + +Lucia started to run. She had made up her mind earlier in the day that +if she moved fast enough she would escape being hurt. She +unconsciously blamed the slowness of the Italian soldier for his +injury. She passed her cottage half-way down the hill. It was still +standing, but a shell had dropped on the little goat-shed and blown it +to pieces. One of the uprights and the door, which was made of stout +branches lashed together with cord, still stood. The door flapped +drearily and added to the desolation of the scene. + +Lucia did not stop to investigate the damage, but hurried ahead. She +was afraid the light would fade before she reached the wounded soldier. + +At the end of the road in the bottom of the valley she was just between +both sides, the shells dropped all about her and she stood still, +bewildered and frightened. + +The high mountains on either side made sounding boards for the noise, +and the roar of the guns seemed to double in volume. + +"Lie down!" + +A voice almost under her foot made her jump, and she saw the Italian +soldier. She did as he commanded, and he pulled her towards him. + +He was very weak, and when he moved one leg dragged behind him. He +tried to crawl with Lucia into the shell hole close by. She saw what +he was doing and did her best to help. When they finally rolled down +into the shell hole, the man groaned. + +Lucia could feel that his forehead was wet with great drops of +perspiration. She found his water bottle and gave him a drink. + +"What's happened?" he asked, speaking close to her ear. + +Lucia told him as much as she knew. + +"Then the bridge has gone?" There was hope in his voice. + +"Gone for good. They can never cross it, and our men are just over +there." + +"How can I get you back?" she asked. "The convent is so far away." + +The soldier shook his head. "You can't. We are caught here between +the two fires, it would be certain death to move. What made you come +back?" + +"To find you," Lucia replied. "I could not come sooner, there was so +much to do. I even forgot you, but when I remembered, I ran all the +way and now I am helpless." + +"Don't give up," the Italian replied. "You must have courage for both +of us, for I am useless. My leg has been badly injured by a piece of +shell, and I cannot even crawl." + +"Then there is nothing to do but wait for the light," Lucia was +trembling all over. "Oh, what a long day it has been!" + +"But the dawn will come soon," the soldier tried to cheer her, "and +then perhaps the stretcher-bearers will find us. If they do not--" + +"If they do not, I will find a way to take you to the convent," Lucia +replied with sudden spirit, and with the same determination that had +resulted in her blowing up the bridge, she added to herself: + +"He shall not die!" + + + + +CHAPTER X + +GARIBALDI, STRETCHER-BEARER + +The long night set in, and the soldier, wearied from his long wait, +dropped to sleep in spite of the noise. Lucia's tired little body +rested, but her eyes never relaxed their watch in the darkness. + +The fire kept up steadily, and at irregular intervals a star-shell +would illuminate the high mountains. Towards midnight there was an +extra loud explosion, and once more the terrifying flames seemed to +encircle Cellino. + +Lucia wondered dully what had been struck. The church was gone, and +she supposed this was the town hall. It looked too near, as far as she +could judge, for the convent. + +Her ears were becoming accustomed to the sound, and she thought the +fire from both sides was being concentrated towards the south. The +shells near them lessened, and at last stopped. Before dawn the +Italian stirred, and called out in his sleep. + +Lucia spoke to him, but he did not answer; he was so exhausted that he +was soon unconscious again. + +Lucia watched the east, and tried to imagine Beppi safe and sound in a +town far away from this terrible din, but she could be sure of nothing. +She remembered Roderigo's words, 'She is safe,' and knew that he must +have meant Maria. Surely Beppi and Nana were with her and Aunt Rudini; +it could not be otherwise. + +With a guilty start she remembered Garibaldi. Where was she, and what +had become of her in all the terrors of yesterday? Lucia could not +remember having noticed her after she left the footbridge. Was she +safe in the mountains, or lying dead in a shell hole? + +"My Garibaldi, poor little one, she would not understand, and she will +think I neglected her." + +Tears of pity and weariness stung Lucia's cheeks. The thought of her +little goat, suffering and neglected, seemed to be more than she could +bear. She buried her head in her arm and cried softly. The tears were +a relief to her, and long after she had stopped sobbing they trickled +down her cheeks. + +She fell into a light doze now that her watch was so nearly ended, and +did not waken until the east was streaked with gray. She might not +have awakened then, had it not been for a cold, wet nose burrowing in +her neck, and a plaintive, "Naa, Naa!" + +She sat up suddenly to discover Garibaldi, covered with mud from her +ears to her tail, looking very woe-begone, standing beside her. +Regardless of the mud Lucia threw her arms around her pet, and for once +in her life the little goat seemed to return her caress. + +When Lucia lifted her head there was a smile on her lips, and the old +light of determination shone in her eyes. She got to her knees slowly +and looked about her. The guns were booming back and forth, but their +position seemed to be changed. The Austrian guns still sounded from +across the river, but their range was much farther south. + +Lucia looked towards the west. None of the guns that were there the +night before could be heard. With a throb of joy she realized that the +booming now came from the town. + +"Had the Italians crept up and into Cellino during the night?" The +very idea was so exciting that she could not rest until she made sure. + +She stood up and walked over to the road. The gate had an odd +appearance in the half light. She walked up the hill a little way, +rubbing her eyes as she went. Something behind the wall seemed to +appear suddenly, emit a puff of smoke, and then disappear. + +Lucia had never seen a big gun in her life, and she did not know that +one was hidden securely in the cover of the wall near the ruins of the +church, for so quietly had the great monster arrived, and so stealthily +had the soldiers worked, that its sudden appearance seemed almost a +miracle. + +Lucia put it down as one, and offered her prayer of thankfulness from +the middle of the muddy road. Then the work at hand took the place of +her surprise, and she ran back to her wounded soldier and roused him +gently. He opened his eyes; they were bright with fever, and he tossed +restlessly. + +Lucia tried to move him, but could not. He was very big, and she could +not pull him as she had the slender Roderigo. + +As she stopped to consider, the walls of Cellino suddenly seemed to let +loose a fury of smoke and flame. Nothing that had happened during the +day before equalled it. The big guns boomed and the smaller ones sent +out sharp, cracking noises that were even more terrifying. + +Poor Lucia dropped to her face again, and Garibaldi cowered beside her. + +Nothing seemed to happen. The shells did not fall near them as she had +expected, and after her first fright had passed, she got to her feet +again. + +Tugging at the soldier was useless, and an idea was forming in her +mind. She ran as fast as she could up the hill to the cottage, calling +Garibaldi to follow. + +At the shed she stopped and looked at the door. It was light, and she +soon tore it away from its support. Then she went into the cottage and +came back with a rope. She made a loop and put it over the goat's +head. Then with two long pieces she contrived a harness and hitched +the door to it. One end dragged on the ground, and the other was about +a foot above it. The rope was crossed on the goat's back and tied +firmly to the long ends of the door that did duty as shafts. Garibaldi +was too disheartened to protest, and Lucia had little trouble in +leading her down the hill. + +The soldier was delirious when she reached him, but he was so weak that +it was an easy matter to roll him on to the improvised stretcher. + +Lucia took hold of one shaft, and with Garibaldi pulling too, they +started off. + +It was a long and weary climb, but at last they reached the cottage. + +The terrible jolting had been agony for the soldier. He regained +consciousness on the way, and from time to time a groan escaped him. +But when he was in the house he did his best to smile, and crawled onto +the mattress that Lucia had pulled to the floor. + +She made haste to take off his knapsack, and under his direction she +dressed the ugly wound in his thigh. Her fingers, only used to rough +work, moved clumsily, but she managed to make him a little more +comfortable. He smiled up at her bravely. + +"Poor little one, you are tired. Go and eat," he whispered. And +Lucia, after she saw his head sink back on the pillow, found a stale +loaf of black bread and began to munch it slowly. + +The soldier pointed to his knapsack and told her to eat whatever she +found in it. + +"There should be some of my emergency rations left," he said faintly. + +Lucia found some dried beef and offered it to him, but he shook his +head and asked for a drink of water. She gave it to him, but his eyes +closed and his head fell back as he drank. She ate all the beef and a +cake of chocolate that she found; and then went to the door to look out. + +Cellino was enveloped in smoke and she could not see the gate. The +guns were barking, and little spurts of white smoke seemed to punctuate +each separate fire. Away to the east the enemy's guns were still +booming. + +Lucia realized that a hard battle was under way, and that it would be +useless to try to get help until there was a lull. She returned to the +room and looked down at the soldier. He was moaning softly, and his +eyes looked up at her beseechingly. + + + + +CHAPTER XI + +THE AMERICAN + +"Are you suffering very much?" she asked softly. + +The man nodded, his eyes closed, and a queer pallor came over his face. +Lucia was suddenly terrified. She felt very helpless in this battle +with death, but her determination never left her. + +She ran to the door. Poor Garibaldi was still standing hitched to the +stretcher. Lucia went to her and led her back to the door of the +cottage. She looked half-fearfully, half-angrily at the town above her. + +"He shall not die!" she said between her teeth, and went back into the +house. + +The transfer from the bed to the stretcher was very difficult to +manage, for the poor soldier was beyond helping himself. But Lucia +succeeded without hurting him too much, and once more the strange trio +started out on their climb. + +They were in no great danger, for only an occasional shell burst near +them. The fighting was going on below the east wall. Lucia and +Garibaldi toiled up the hill, each one using every bit of their +strength. + +[Illustration: "Lucia and Garibaldi toiled up the hill, each one using +every bit of their strength."] + +The soldier was limp and lifeless, his head rolled with every bump. He +looked like one dead, but Lucia refused even to consider such a +possibility. She urged Garibaldi on and tugged with determined +persistence. + +They were just below the wall when Lucia stopped to rest. The little +goat was staggering from the exertion, and she was out of breath. She +looked at the gate, it was only a little way off, but it seemed miles, +and she wondered if she could go on. + +She looked up at the wall. A man dressed in a uniform unlike the +Italian soldiers was looking down at her. Lucia called to him just as +he jumped to the ground. She held her breath expecting to see him +hurt, but he landed on his feet and ran to her. + +"For the love of Pete, what have you got there?" he asked in a language +that Lucia did not understand. + +She looked up at him bewildered. + +"I do not understand what you say, but the soldier is very sick. +Please help me carry him to the convent," she said hurriedly. + +"Hum, well you may be right," the big man laughed, "but I guess what +you want is help." + +He leaned over the wounded Italian. + +"Pretty far gone, but there's hope. Steady now, I've got you." He +lifted the man gently in his arms and carried him on his back. + +Lucia watched him with admiration shining in her eyes. She followed +with the goat through the gate. + +Once in the town she could hardly believe her eyes. Soldiers seemed to +be everywhere, shouting and calling from one to the other. She saw the +little guns that were making all the sharp, clicking noises, and she +knew that just below, and on the other side of the river, the Austrians +were fighting desperately. + +They passed many wounded as they hurried along, and to each one the big +man would call out cheerily. Lucia wished she could understand what he +said, or even what language he spoke. It was not German, of course, +and she did not think it was French. + +"Perhaps he was a tourist?" she asked him shyly, but he shook his head. + +"I don't get you, I'm sorry. I'm an American, you see." + +"Oh, Americano!" Lucia clapped her hands delightedly. "I am glad, I +thought so, American is the name of the tourists, just as I guessed," +she replied. "I have heard of Americans and I have seen some in the +summer, but they were not like you." + +She looked up in his face and smiled. + +The American did not understand a word of her Italian, but he saw the +smile, and answered it with a good-natured grin. + +"You're a funny kid," he said. "I wish I could find out what you are +talking about, and where you got ahold of that queer rig and the goat." + +They had reached the other gate by now, and they hurried through it and +to the convent. + +Several of the sisters had returned, and there were doctors and nurses +all busy in the long room where, the night before, Lucia had left +Roderigo and Sister Francesca. + +The American laid the soldier down on one of the beds, and hurried to +one of the doctors. + +"Saw this youngster dragging this man on a sort of stretcher hitched to +a goat," he said. "He's pretty bad. Better look at him." + +The doctor nodded. Lucia stood beside her soldier and waited. She was +almost afraid of what the doctor would say. He leaned over him and +began taking off his muddy uniform, while the American helped. When he +had examined the wound, he hurried over to a table and came back with a +queer looking instrument. To Lucia it looked like a small bottle +attached to a very long needle. + +"Don't, don't, you are cruel!" she protested, as he pushed it slowly +into the soldier. She put out her hand angrily, but the American +pulled her back. + +"It's all right," he said soothingly. "It's to make him well." + +Lucia shook her head, and the doctor turned to her. He spoke excellent +Italian. + +"It is to save his life, child, and it doesn't hurt him, I promise you. +Now tell me, where did you find him?" + +Lucia explained hurriedly. The story, as it came from her excited +lips, sounded like some wild, distorted dream. The doctor called to +Sister Francesca. + +"Is this child telling me the truth?" he asked wonderingly. + +"As far as I know," she said; "and that boy in the third cot blew up +the bridge. I know she went out to find the wounded." + +The doctor did not reply at once. He was hunting for the soldier's +identification tag. When he found it, he read it and whistled. + +"Captain Riccardi!" he exclaimed. "By Jove, we can't let him die." + +It could not be said that the doctor redoubled his efforts, for he was +working his best then, but he added perhaps a little more interest to +his work. + +The American helped him, and Lucia, at a word from Sister Francesca, +hurried to her and helped her with what she was doing. It was not +until many hours later that she stopped working, for more wounded were +being brought in every few minutes by the other stretcher-bearers, and +there was much to do. But at last there was a lull, and Lucia ran +through the long corridor and down to the door. + +She opened it a crack and looked out. Before her, stretched along the +banks of the river, were countless Austrian soldiers, staggering and +fighting in a wild attempt to run away from the guns in the wall that +mowed them down pitilessly. The officers tried to drive them on, but +the men were too terrified, they could not advance under such steady +fire. A little farther on, there was the beginning of a rude bridge. +The enemy had evidently tried to build it during the night, but had +been forced to abandon it after the Italians reached their new position. + +As Lucia watched, the men seemed to form in some sort of order, and +retreat back into the hills. Their guns stopped suddenly, and only the +Italian fire continued. + +It was a horrible scene, and in spite of the splendid knowledge that an +undisputed victory was theirs, Lucia turned away and closed the door +behind her. She ran up to the big door and out on the road. + +There were signs of the battle all about her in the big shell holes in +the road, and in the ruins still smoking inside the walls, but there +was no such sight as she had just witnessed, and she took a deep breath +of the warm fresh air. + + + + +CHAPTER XII + +A REUNION + +She shaded her eyes and looked down the road. + +Garibaldi, freed from her harness, was lying down in the sunshine, and +as Lucia watched her she saw a familiar figure running towards her. +She saw it stop and pat the goat. With a cry of joy she recognized +Maria, bedraggled and muddy, but without doubt Maria. She ran forward +to meet her. + +"Maria, where have you come from?" she called as the older girl threw +herself into her out-stretched arms and began to cry. + +"Oh, from miles and miles away! I have been running since late last +night," she sobbed. + +"But what has happened? Beppi, Nana, are they safe?" Lucia demanded. + +"Yes, yes, they are all safe with mother," Maria replied. + +"Then why did you come back?" Lucia persisted. + +"Oh, I could not bear it!" Maria tried to stifle her sobs. "All +yesterday, as we ran away from the guns, I kept thinking--back there, +there is work and I am running away. I knew that you were here, and I +thought you were killed. Nana was half crazy with fear and we could +get nothing out of her." + +"But Beppi, he is safe, and aunt is taking care of him?" Lucia insisted. + +"Oh, he is safe, of course, and so excited over his adventure, but he +was crying for you last night, and we had hard work to comfort him." + +Maria paused, and Lucia looked into her eyes. There was a question +there and she knew that her cousin did not give voice to it. She put +her arm around her and led her back towards the convent. + +"Come," she said, smiling with something of her old mischievousness. +"There is much to be done, and I will take you to Sister Francesca. +She will tell you where to begin." + +Maria followed her. + +Lucia went back to the ward and did not stop until she stood beside +Roderigo's bed. He was asleep, but his brows were drawn together in a +worried frown. Lucia put her finger on her lip and turned to her +cousin and pointed. Maria looked; a glad light came into her eyes, and +without a sound she fell on her knees beside the bed. + +Lucia left her and went over to Sister Francesca. She was awfully +tired, and her arms were numb, but she did not dare stop for fear she +would not be able to begin again. + +"What can I do?" she asked. + +Sister Francesca pointed to two empty buckets. "Go out to the well and +fill those. We need more water badly," she said, without looking up. + +Lucia picked up the pails and walked to the end of the room, through a +little side door and into a cloister. In the center of it was an old +well that she worked by turning an iron wheel. + +Lucia drew the water and poured it into her pails, and started back +with them. It had been all her tired arm could do to lift the empty +ones, but now each step made sharp pains go up to her shoulders. She +staggered along with them, fighting hard against the dizziness in her +head, but when she was half-way down the ward everything began to swim +before her. She swayed, lost her balance, and would have fallen had +not a strong arm caught her. The pails fell to the floor, the water +splashing over the tops. + +Through the singing in her ears she heard an angry voice. + +"Poor youngster, whoever sent her out for water? Seems to me she's +earned a rest. Here, sister, help me, will you?" + +Then Maria's soft voice came to her. + +"Lucia dear, don't look like that!" she cried excitedly. "Here, senor, +put her on the bed, so." + +She felt herself being lifted ever so gently, and then the soothing +comfort of a mattress and a pillow stole over her and she fell sound +asleep. + +She did not wake up until late in the afternoon. The sun was setting +and the long ward was in deep shadow. She opened her eyes for a minute +and then closed them again. She was too blissfully comfortable to make +any effort. + +She was conscious first of all of a strange quiet. The guns seemed to +have very nearly stopped, there was only a faint rumble in the +distance, and an occasional sputter from the guns near by. + +The enemy had retreated beyond, far into the hills, and for the time +being Cellino was safe. Lucia guessed as much and smiled to herself. + +People tiptoed about the room near her, and she could hear their voices +indistinctly. She did not try to hear what they said, she was too +tired to think. She snuggled closer in the soft pillows and sighed +contentedly, but before long a voice near her separated itself from the +rest, and she heard: + +"We will go to my beautiful Napoli, you and I, and I will show you the +water, blue as the sky, and we will be very happy, and by and by you +will forget this terrible war, as a baby forgets a bad dream." + +Lucia opened one eye and moved her head so that she could see the +speaker. He was Roderigo, of course, and he was holding Maria's hand +and talking very earnestly. + +Lucia eavesdropped shamelessly. She was curious to hear what her +cousin would say. + +"But surely you will not fight again!" Maria's voice was pleading. +"You are so sick, they will not send you back again." + +"But I must go back, my wound is not a bad one and I will be well in no +time, and I must go back. Think how foolish it would be, if I was to +say, 'Oh, yes, I fought for two days in the great war.' You would be +ashamed of me, and that little cousin of yours, Lucia, she would think +me a fine soldier." + +Lucia laughed aloud and the voices stopped. + +Maria's cheeks flushed and she jumped up. + +"Are you awake, dear?" she asked hurriedly, "then I will go and tell +Sister Francesca and the Doctor." + +She hurried off. Lucia sat up and looked at Roderigo. She was a sorry +sight in her muddy clothes, and her hair fell about her shoulders. + +"You are a fine soldier, Roderigo Vicello," she said impulsively, "and +I would say so if you had only fought for one day, for I know how brave +you are. But you are right to want to go back." + +"Yes, I am right," Roderigo replied. He stretched out his hand and +Lucia slipped hers into it. + +"We have been comrades, you and I," he said, "and we understand why." + +Lucia nodded gravely. She felt suddenly very proud. + +The Doctor came back a minute later with Maria. + +"Well, are you rested enough to be moved?" he asked, smiling. + +"Oh, yes I am quite all right," Lucia assured him. + +"Well, I wouldn't brag too much," the Doctor laughed. "You'll find you +are pretty shaky. Sister Francesca has a little room fixed for you and +some clean clothes; how does that sound?" + +Lucia smiled in reply, and the American came over at the Doctor's call. + +"Think you can manage to carry the little lady, Lathrop?" he asked. + +"Guess so." + +Lucia felt the strong arms lift her, as if she weighed no more than a +feather. He carried her down the ward and up a flight of stairs. +Sister Francesca was waiting for them at the door of the little room. +It had been one of the sister's cells. With her help Lucia was soon in +a coarse white nightgown and tucked in between clean sheets. + +The Doctor came in to see her a little later. + +"How is my soldier of the pennies?" she asked, and then as she realized +he would not understand she added, "the one I brought up the hill." + +"Oh, Captain Riccardi, he's still very ill, but he is going to pull +through all right." + +Lucia smiled. + +"Oh, I am glad," she said. "I was so afraid, he looked so queer." + +"Well, don't worry any more," the Doctor replied, "and now what do you +want?" + +Lucia sighed contentedly. + +"Something to eat, if you please," she said shyly, "I am very hungry." + + + + +CHAPTER XIII + +AN INTERRUPTED DREAM + +A week passed, a week of lazy luxury between cool linen sheets for +Lucia, and she enjoyed her rest to its fullest extent. Every one in +the convent, which was now a hospital, and running smoothly with +capable American nurses, made a great fuss over her, and she had so +much care that sometimes she was just the least bit bored. When the +week was over, and she was feeling herself again, she grew restless and +clamored to get up. Even the sheets, and the delicious things she had +to eat, could not keep her contented. At last the Doctor said she +might go out for a few hours into the sunshine, and the whole hospital +hummed with the news. + +Maria, in a white apron and cap, helped her dress, and went with her +down the stone steps and out into the convent garden. + +The first thing that met her eye was Garibaldi, clean and lazy, lying +contentedly in the sun. She came over and seemed delighted to see her +mistress once more. + +"But you are so clean, my pet!" Lucia exclaimed. "And your coat looks +as if it had been brushed," she added, wonderingly. + +Maria laughed. + +"It was. The big American, Seņor Lathrop, makes so much fuss over her, +you would think she was a fine horse." + +"What about Seņor Lathrop?" a laughing voice demanded. "Oh, drat this +language, I keep forgetting." He stopped and then said very slowly in +Italian: "Good morning, how are you this morning?" + +"Oh, I am very well, and you," Lucia replied, "you have been very good +to take such care of Garibaldi." + +"Garibaldi? I don't understand," Lathrop replied. + +Lucia pointed to the goat and said slowly. "That is her name." + +"Name! The goat's name Garibaldi!" Lathrop exclaimed, and added in +English, "Well I'll be darned!" + +"Not just Garibaldi," Lucia corrected him. "Her name is 'The +Illustrious and Gentile Seņora Guiseppe Garibaldi,' but we call her +Garibaldi for short." + +Lathrop understood enough of her reply to catch the name. He threw +back his head and laughed uproariously. + +"All that for a goat! No wonder she was a good sport with a name like +that to live up to!" + +He stood for a long time looking at the poor, shaggy animal before him, +then he laughed again and went into the convent. + +"He is a funny man," Lucia said wonderingly. "Why should he laugh +because of Garibaldi's name?" + +"Oh, he meant no disrespect," Maria reasoned. "Americans all laugh at +everything. The nurses are the same, they are always laughing. If +anything goes wrong and I want to stamp my foot, they laugh." + +Lucia was somewhat mollified. "What is the news?" she demanded, "I +have been up there in my little room for so long, no one would tell me +anything. Sister Francesca would smile and say, 'Everything is for the +best, dear child,' when I asked for news of the front, and I was +ashamed to ask again, but you tell me." + +"Oh, there is nothing but good news," Maria replied. "We are gaining +everywhere. The night after the battle, some of our soldiers built a +bridge over the river and crossed, and when the Austrians rallied for a +counter-charge they were ready for them and took them by surprise." + +Maria paused, and her eyes filled with tears. "And only think, Lucia, +if you had not destroyed the bridge and warned the Captain of the +beggar man, we might have been taken by surprise, and Cellino would be +an Austrian village. Oh, I tell you the ward rings with your praise. +The men talk of nothing else." + +"Nonsense, I did not do it alone. How about your Roderigo? He is the +one who deserves the praise. But tell me, how is my soldier of the +pennies? I am never sure that the Doctor tells me truly how he is." + +"Why do you call him 'your soldier of the pennies'?" Maria asked. "His +name is Captain Riccardi, and he is very brave. Every one knows about +him, and some of the boys say he is the bravest man in the Italian +army." + +"Perhaps he is," Lucia laughed, "but he is my soldier of the pennies, +just the same, that's the name I love him by." + +"But I don't understand," Maria protested, "did you know him before?" + +"Yes and no," Lucia teased. "I did not know his name, or what he +looked like, but I knew there was a soldier of the pennies somewhere." + +"But tell me," Maria begged. "I am so curious." + +Lucia laughed. "Very well, it is a queer thing. Listen. Do you +remember how for a few days about a week before this battle, I only +brought two pails of milk to your stall in the morning?" + +Maria nodded. + +"Well, the rest of the milk went to Captain Riccardi, but I did not +know it. You see, one day Garibaldi ran away and went far up into the +hills. I think the guns frightened her, and of course I went after +her. I found her on a little plateau quite far up, and because I was +tired I sat down to rest, keeping tight hold of her, you may be sure. +I was dreaming and thinking, and oh, a long way off, when suddenly I +heard a voice above me. I looked up; my, but I was frightened, I can +tell you, but I could see no one. The voice said: 'Little goat herder, +will you give me a drink of milk?'" + +Lucia stopped. + +"Go on!" Maria exclaimed. "What did you do?" + +"I am ashamed to say," Lucia replied, "I was so frightened that I ran +back down the mountain as if the evil spirit were after me, and I did +not stop until I was safe at home. Then I began to think. Of course, +at first I had thought only of an Austrian, but when I stopped to +think, I knew that Austrians don't speak such Italian--low and very +soft this was, as my mother used to speak, and your Roderigo. Well, +then of course, I wanted to die of shame; I had run away from one of +the soldiers. I thought about it all night, and I could not sleep. +Just before dawn I got up very softly and went down to the shed. I +filled two pails half-full and carried them up to the same place. + +"I could not see or hear any one, but I left them, and that afternoon I +went back to see if it had been taken away. There were the empty +pails, and beside them a strip of paper with four pennies wrapped up +inside. + +"After that, I took the milk up every day to the plateau, but I never +saw or heard the soldier again. Sometimes he would write me a little +note and say 'thank you,' to me, but always there was the money. So +that is why I called him my soldier of the pennies; do you see?" + +"Oh, yes, how splendid!" Maria was delighted. "And to think it was +Captain Riccardi all the time. No wonder now that he talks sometimes +in his sleep of the little goat-herder and her flowered dress. He was +an observer, Roderigo told me. That is a very important thing to be, +and he was hidden high up in a tree. That is why you did not see him." + +Lucia thought of the telephone. + +"I know now, of course, for I saw him climb up it and talk over the +wire to the soldiers miles away," she exclaimed. "But how could I +think to look in a tree for a soldier?" she laughed. + +A bell tinkled, and Maria sprang up. + +"I must go, it is my time to be on duty," she said, smoothing her apron +and settling her cap importantly, "I will come back when I can." + +Lucia looked envious. "Do not be long," she called after her. + +She settled back with a sigh, and the little goat came over to have her +neck patted. Lucia stroked it lovingly. + +"Garibaldi," she said aloud, "we are in a dream, you and I, and soon we +will both wake up and find ourselves back in the white cottage with +Nana scolding because we are late for supper. And we'll be sorry too, +won't we? For that will mean that the beautiful sheets and the soft +pillow will vanish the way they do in the fairy tales, and this lovely +garden will go too." + +"But what if there were another one to take its place?" a voice +inquired from the doorway. + + + + +CHAPTER XIV + +THE FAIRY GODFATHER + +Lucia turned and looked up quickly. She was startled and not a little +embarrassed at having her confidence overheard. + +Through the door that led from the ward the American was pushing a bed +on wheels. Lucia had seen that same bed many times before. It had +belonged to the old Mother Superior of the convent, and many a bright +morning she had seen it out in the garden as she sat at her desk in the +schoolroom above. + +She looked at the white pillow half expecting to see the old wrinkled +face of Mother Cecelia, but instead Captain Riccardi looked up at her +and smiled. + +"See, I've found you at last," he said, as Lathrop pushed the bed +beside Lucia's chair. "I was beginning to think that you were just a +dream child, and that I had imagined about the milk." + +Lucia laughed gayly. + +"No, Captain, that was not a dream, or I hope it wasn't, for if the +milk was not real then I dreamed about the pennies, and the sick +soldiers never got them." + +"Sick soldiers! Did you give away the money?" + +"Oh yes, sir, how could I keep it? I did not know you were a Captain, +I thought--" + +"You thought I was just a poor soldier, eh?" + +"Well, yes, if you will excuse me for saying so, I did, but anyway I +would not have kept the money." + +"Why not?" + +"How can you ask? Why because, to accept pay for something--and such a +little thing as a pail of milk--" + +"Two pails." + +"No, just one, they were only half-full, but no matter. I wanted to +give away the milk, not sell it, and so I put the pennies in the box at +church." + +"And all the time I thought you were perhaps buying pretty ribbons with +it." + +Captain Riccardi shook his head. "But I might have known better." + +"Ribbons!" Lucia scorned the idea. "What do I need with such +foolishness, with a war going on just under my nose! I had other +things to think about, I can tell you, and other ways to spend my +pennies." + +The Captain looked at her gravely. Then he took her hand and patted it +gently. + +"You are a brave and true little Italian," he said, "and I can never +hope to pay you for what you have done. You will have to look for your +reward in your own heart. It ought to be a very happy and contented +heart, I should think." + +Lucia's cheeks flushed with pride. + +"Oh, it is, Captain Riccardi," she said, "it is indeed, and I am quite +content. If you heard what I said just now about the dream, you must +not think that I don't want to go back to the cottage--I do, and I want +so much to see my Beppino and Nana again--only--" + +"Tell me about that 'only' Lucia," the Captain said gently. "That is +what I want to hear, and then perhaps I will have something to tell +you." + +"Oh, it is nothing but silliness," Lucia protested, "how can it matter?" + +"Never mind, tell me," the Captain insisted. + +"But you will laugh. What do big men know of fairy stories!" + +"Lots, sometimes--I believe in fairies." + +Lucia looked into the smiling eyes incredulously, "You, a soldier!" + +"Of course, haven't I told you that I thought you were a fairy when I +first saw you, and by the Saints, I did too. Do you know, I first +discovered you way down in the valley. You were with your goats. I +looked at you through my glass, and your pretty flowered dress, and the +kerchief you wore over your hair, made me think of the little girls at +home." + +"Ah, then you come from the south, too?" Lucia laughed. "I knew it." + +"How do you?" the Captain demanded. + +Lucia shook her head sadly. + +"No, my mother came from Napoli. When I was a little girl she used to +tell me all about the sunshine and the flowers, and the blue water in +the bay, and old grandfather Vesuvius always frowning and puffing in +the distance. Oh, I tell you I feel sometimes as if I had been there, +but, of course, that is silly," she broke off, laughing, "for I have +never been away from Cellino." + +"Would you like to go away to the south and live there?" Captain +Riccardi asked slowly. + +"Oh, yes, of course. I dream sometimes that I am a princess and that a +wicked fairy has turned me into a goat-herder and forced me to live +here where it is so very cold sometimes, and then I wish hard for a +good fairy to come and set me free, and take me on a magic carpet away +to a garden full of flowers. There," she smiled shyly, "that is what I +was thinking of out loud when you came a minute ago." + +The Captain did not laugh, except with his eyes. His voice was very +grave as he asked. + +"Wouldn't a prince or a fairy godfather do just as well?" + +"Oh, yes, even better," Lucia replied seriously. + +"Well then, what would you say if I told you that I am a fairy +godfather, and that I can spirit you to a garden even nicer than this, +where it is always summer?" + +"I would surely say you were telling me fairy tales," Lucia replied +frankly. + +The Captain laughed delightedly. + +"But I'm not, Lucia," he said seriously. "I'm telling you the truth. +Down in the south I have a big house set in the very heart of a +beautiful garden, and I live there all by myself." + +"Oh!" Lucia's big eyes were full of genuine sympathy. + +"A long time ago, I used to have a little sister like you, but she +died, and since then I have been ever and ever so lonely. How would +you like to come and be my sister? I'd take awfully good care of you, +and Garibaldi." + +For an instant Lucia's eyes danced with happiness, but it was only for +an instant, then her face fell. + +"Oh, I would like that Captain, so very much," she said, "but I could +not leave Beppino and Nana." + +Captain Riccardi looked at her in silence for a moment, then he said +slowly, "Of course, you couldn't. I forgot them for the moment. But +of course I meant to include them in the invitation. I am very fond of +Beppino already. We had quite a chat that day in the cave." + +"Oh, but you don't mean it!" Lucia jumped up excitedly. "To live with +you and Nana and Beppi and Garibaldi in a garden,--oh! but of course, +it is not so, and I shall presently wake up." + +"Wake up in the little white cottage and milk the goats and trudge to +town with the heavy pails?" the Captain said. + +Lucia nodded soberly. + +"Not it I can help it, you won't," he added with decision. "You'll +never do another stroke of hard work again." + +"But are there no goats in your garden to milk, and no work to do?" +Lucia looked bewildered. + +"Yes, but there's a lot of people to do it,--so many in fact, that all +you will have to do is to pick flowers and tell Beppi and me fairy +stories. Will you come?" + +"Oh!" Lucia stamped her foot. "If this is only a dream!" she +exclaimed half angrily, "I shall surely die of misery when I wake up." + +"It's no dream, little sister, it's true, and it won't be long before +you realize it. This leg is going to take a long time in healing, but +as soon as it is better we will go home, then when I am well enough to +go back to fight, you will stay in the garden and keep it looking +beautiful for me until I return." + +For a full moment Lucia stared into the Captain's eyes, while the +wonderful truth dawned on her, then her emotion being far beyond words, +she threw her arms around him and kissed him heartily. + + + + +CHAPTER XV + +EXCITING NEWS + +"Lucia, Lucia, such exciting news, come here at once!" Maria ran up +the stairs excitedly. + +Lucia, who was busy helping Sister Francesca put away the clean sheets, +dropped what she was doing and ran down the corridor. + +"What is it!" she demanded. "Have the Austrians surrendered?" + +"No," Maria stopped, breathless from her haste, "that is, not yet, +though Roderigo says--" + +"Oh, oh, oh!" Lucia protested. "Don't start on what Roderigo says, or +we will never learn the news." + +Maria pouted. "For that I have a good mind not to tell you," she +threatened. + +"Then I shall go downstairs myself and find out," Lucia replied, not +one whit disturbed. + +"Then I may as well tell you," Maria laughed, "for the ward hums with +it. The King is coming--think of it--he is coming to Cellino +to-morrow, and he is to go through the hospital and see all the +wounded. Only fancy, our King!" + +"Who told you?" Lucia's eyes flashed excitedly. Her loyal little +Italian heart beat with eager anticipation. + +"Do you suppose I can see him?" she demanded, "but of course, I must, +even if I have to hide under the Captain's bed. He is sure to stop and +speak to my Captain," she added with pride. + +"Oh, Roderigo says that he always stops and speaks to all the wounded +and shakes their hands, and is very kind and so sorry always when they +are badly hurt. Roderigo says he has talked to soldiers who have won +decorations, and the King himself pins them on--just think of it!" + +Lucia gave a profound sigh. + +"If he ever spoke to me," she said solemnly, "I would die of joy." + +It was several days after Lucia and the Captain had talked in the +garden, and Lucia was beginning to grow accustomed to the wonderful +idea. Her dreams were coming true at last, and she had to admit to +herself that she always believed that they would. Captain Riccardi was +truly a fairy godfather in her eyes, and she proved her gratitude for +his kindness in a hundred little ways a day. It never seemed to enter +her mind that all he was offering, wonderful as it was, could not pay +her for her courage in saving his life. + +She insisted upon laying all the credit on his shoulders, and with a +smile and a shrug the Captain accepted the double share, and determined +in his big heart to be worthy of it. + +When Lucia and Maria went down to the ward a little later, the patients +were indeed humming with the news. Every face wore a smile of keen +joy, and the nurses hurried about to be sure everything was in perfect +order. + +Lucia was well enough now to go wherever she pleased, and after she had +talked for a few minutes with Captain Riccardi, and made sure that +Maria had not exaggerated, she went out of the convent with the +intention of going into town. Some of the refugees had returned, but +so far there had been no news of Seņora Rudini, Nana, or Beppi, and she +was growing anxious. + +As she walked down the broad steps, she saw Lathrop coming towards her. +Lucia was particularly fond of the big American, and she smiled as she +saw him. + +"Hello!" he greeted. + +Lucia returned the salutation. + +"Do you know that the King is coming?" she demanded. + +Lathrop understood the word King, and as the town was talking of +nothing else he guessed what she meant. + +"Yes," he replied in Italian, "nice--glad--you." + +Lucia laughed. + +"Oh, but you are so funny. How I wish you could speak so that I could +understand you!" she said. + +Lathrop shook his head. "There she goes again, I didn't get even one +word this time." + +He put his hand in his pocket and drew out a letter. + +"See," he said, pointing to it. + +Lucia nodded. Lathrop scratched his head. + +"You--in--letter," he said painstakingly, "Girl, American." + +"Oh, you have put me in your letter? How nice!" Lucia said. "What did +you say?" + +"I get you, but I'm blest if I can tell you, and it's a shame, too. +You're such a little winner, you and your Mrs. Garibaldi, that I'd like +to be able to tell you so. But I guess it's hopeless." + +All of which Lucia listened to politely, but without the first idea of +its meaning. + +She nodded towards the gate and they walked towards it together. +Lathrop mailed his letter, and they stopped to look at the ruins. +Lucia questioned some soldiers who were clearing the streets as best +they could. + +The town hall, at the end of the market-place, was still standing, and +to-day it was draped in Italian flags. It looked older and more +dignified than ever, amid the ruins, and the flag floated bravely in +the crisp fall breeze. Lucia and Lathrop stopped to look at it. +Lucia's eyes sparkled and she threw an impulsive kiss towards it. +Lathrop saluted respectfully. + +As they turned to go back they noticed a crowd of soldiers and some of +the townspeople gathered about the gate. + +"What can the matter be?" Lucia exclaimed, hurrying forward. "Perhaps +it is the King." + +They ran to the gate and questioned some of the soldiers. + +"More refugees returning," one of them explained. "See there's a whole +line of them, it is a good sight, and a good time that they have +chosen. Now we will not look so like a deserted place when the King +comes." + +"Oh, perhaps some of them can give me news of Beppino," Lucia +exclaimed, forcing her way through the crowd. + +Almost the first person she saw as she ran down the road was Maria's +mother. She was walking along beside several other women, and with a +start Lucia realized that she looked thin and wan. + +"Aunt Rudini!" she called excitedly, "you are back at last. Oh, Maria +will be so glad!" + +Seņora Rudini looked up, fear and hope in her eyes. + +"Maria!" she exclaimed, "where is she?" + +"At the convent. She is helping to nurse the soldiers," Lucia replied. + +"Oh, and I thought she was dead or a prisoner. She lay down beside me +one night, and the next morning she was gone; I have been terrified." +The old woman was wringing her hands. + +"But she is safe, go and see," Lucia protested, "I have just left her." + +Maria's mother needed no urging, she ran as fast as her stiff joints +would allow towards the hospital. But she had not gone very far when +she returned. + +"I am a selfish old woman," she said, "thinking first of myself, when +of course you want news of Nana. Well, look yonder in that farm wagon." + +Lucia did not wait to hear more. She darted off and met the wagon +before it reached the turn in the road. + +"Beppi! Nana!" she called. + +The man who was driving stopped, and Nana slid down from the straw, +right into Lucia's waiting arms. She was so glad to see her, that she +could only babble foolishly. All during her long journey, and her stay +in strange villages, she had thought of nothing but Lucia in the hands +of the enemy, and she was nearly crazy with relief and joy to find her +safe again. + +At last Lucia quieted her. "Where is Beppino?" she asked, "surely he +is with you?" + +Something in the straw of the wagon moved, and the old driver pointed +his whip at a mop of black hair, and laughed. + +Beppi was asleep of course. Lucia's strong young arms lifted his +little body out, and hugged and kissed him. Beppi woke up, and at +sight of her he shouted with joy. + +It was a happy and excited family that walked through the town and down +to the little white cottage. + +Lucia had so much to say, and Nana would not listen nor believe all the +wonderful things she tried to tell her, but at last, from lack of +breath, she stopped exclaiming and crying, and Lucia pushed her gently +onto the green bed, took Beppi on her lap, and began the recital of her +wonderful news in earnest. + + + + +CHAPTER XVI + +THE KING + +"The King! The King!" + +"Viva! Viva!" A great cry rose within the walls of Cellino, and +swelled to a mighty cheer, as a gray automobile drove slowly through +the Porto Romano, and stopped in the market-place opposite the town +hall. + +The soldiers who had so bravely defended the town were lined up ready +for inspection, and as the King lifted his hand to salute the colors, a +silence, as profound and as moving as the cheer had been, fell over the +crowd. + +Lucia, with Beppi held tightly by the hand, was on the edge of the +crowd. She trembled with excitement as she looked at the greatest, and +best-loved man in all Italy. + +"See!" she whispered excitedly to Beppi, "that is the King--our King! +Look at him well, for we may never be lucky enough to see him again in +our whole lives." + +Beppi's big eyes were round with wonder. He looked. His gaze fastened +on the shining sword. Then the memory that he might some day be a +General returned to him, and he drew himself up very straight. As the +King passed on his inspection, his little hand went up in a smart +salute. + +His Majesty stopped, smiled, and returned the salute gravely. + +Beppi waited until he had walked on, then he buried his face in Lucia's +skirts, and wept from sheer joy. + +Lucia's pride knew no bounds. Her heart was beating wildly, but she +stood very still until the King went into the town hall, then she +picked Beppi up in her arms and ran excitedly across the town and out +to the convent. + +"We can see him again, darling, so stand very still," she said. "He is +coming to see the soldiers." + +They watched the gate eagerly, and before long the gray car came +through it very slowly. A crowd of people surrounded it, cheering and +throwing flowers. The King smiled and bowed to them all. Lucia's eyes +never left his face. Suddenly she saw him lean forward excitedly as +the big car stopped. Beppi tugged at her skirts. + +"Look at Garibaldi, she is blocking the way." + +Lucia looked, and to her horror she saw her pet standing in the middle +of the road, her four hoofs planted firmly in the mud, and her head +lowered. + +"Oh, the wretch," Lucia exclaimed, darting forward. "Come here at +once!" she called. + +Garibaldi looked around and obediently trotted off. The car started, +and the King waved especially to Lucia as he passed, but even so great +an honor could not compensate her. She was mortified to tears that her +goat should have been guilty of _lese majeste_. + +No entreaties on Beppi's part could make her stay to wait for the +King's return. She left him with a soldier, and went around the corner +of the convent, followed by the disgraced Garibaldi. + +She sat down on a bench and sighed. + +"Of course you're only a goat," she said scornfully, "but I did think +you had more sense than to do anything as terrible as that. Do you +know who that was that you made to stop? That was the King, do you +hear?" + +Garibaldi walked away indifferently. + +"Oh, I am disgusted with you forever," Lucia exclaimed with a shrug of +disdain. "You will stay here until he goes away again, and then I +shall take you home and tie you up." + +Garibaldi paid no attention to the threat. Perhaps she knew how empty +it would prove to be. + +"Lucia, Lucia, my child, where are you?" Sister Francesca's voice +trembled as she called. + +"Here I am, sister," Lucia jumped up. "Do you want me?" + +"Oh, my dear, I have looked everywhere for you. Come with me at once." + +Lucia followed, wondering at the expression in the nun's usually placid +face. But Sister Francesca did not stop to give any explanations. She +led the way hurriedly back to the front door, of the convent, and up +the steps through the ward of smiling men, and only stopped when she +reached the door of Captain Riccardi's private room. + +"Go in, my dear," she said, giving Lucia a little push. "The Captain +wants to speak to you." + +Lucia opened the door and found herself face to face with the King. + +She was too astonished, and far too thrilled to speak. She must have +shown some of her feeling in her eyes, for the Captain, who was in bed, +laughed. + +"Here she is, Your Majesty," he said. + +The King stepped forward and put his hand on her shoulder. + +"So you are the brave little girl whom I must thank for saving Captain +Riccardi's life, and for blowing up the bridge?" + +Lucia was still tongue-tied. She swallowed hard and tried to stop her +heart from beating so fast. + +"Yes, yes, sir--Your Majesty," she said at last. "I and Garibaldi." + +"Garibaldi?" The King could not restrain a smile. + +"The goat, sir," the Captain explained. + +"Oh, I see, and what did you say his name was?" + +"Garibaldi's a her, Your Majesty, and so she had to be Seņora +Garibaldi." + +Lucia was fast forgetting her embarrassment. + +"'The Illustrious and Gentile Seņora Guiseppi Garibaldi,' that's her +real name, but of course, it's too long for every day." + +"Yes, I should suppose so, particularly if you were in a hurry," the +King laughed softly. + +"Was that Seņora Garibaldi that we came nearly running over?" he asked. + +"Oh yes, it was, but please, Your Majesty, don't be angry with her. +You see, she really didn't know you were the King." + +"Angry, why I should say not. Before I leave, yon must introduce me to +her, I couldn't leave without seeing such a really important person." + +Lucia clapped her hands delightedly. + +"Oh, she will be so proud!" she exclaimed. + +The King turned to the officer who stood beside him and nodded, then he +shook Captain Riccardi's hand. "I congratulate you on the addition to +your household," he said, smiling. "Come with me, Lucia," he +continued, "I have something for you, and I want to give it to you +where all the soldiers can see." + +Lucia followed in a dream. She stood very still at the end of the +ward, and watched the men salute as the King stood before them. + +She did not hear what he said to them, for her head was swimming, but +she saw him turn to her, and her heart missed a beat as he pinned a +medal on her faded bodice. + +"In appreciation of your courage and loyalty," the King said, and +Lucia's eyes looked into his for a brief, but never-to-be-forgotten +moment. + + + + +CHAPTER XVII + +GOOD-BY TO CELLINO + +It was over a month before Captain Riccardi was well enough to be +moved, but at last the beautiful day for the departure for the south +came. + +"Do you really mean we are going?" Beppi demanded. + +"Of course we are, darling," Lucia replied, laughing. She was so +excited that she could hardly wait to dress Beppi and Nana with the +patience that such an undertaking required. Nana had a new dress, Aunt +Rudini made it with Maria's help, and though it was too somber for +Lucia's color loving eyes, it was a new dress and she fastened it on +Nana's bent shoulders with a glow of pride. + +"There now!" she exclaimed when it was on and Nana's stringy gray hair +had been reduced to some sort of order. + +"Turn around and let me see you." + +Nana turned. She was in a flutter of excitement, although she would +not have admitted it for the world. + +"Don't waste any more time over an old woman," she said, sharply. "I +am tidy and that is enough." + +"You are more than tidy, Nana, you look beautiful," Lucia exclaimed. +"Now do sit still and don't do anything." + +"There's nothing to be done that has not already been done," Nana +replied as she sat on the edge of the green bed and folded her hands on +her lap. Lucia nodded in satisfaction and turned her attention to +Beppi. + +He had a new suit too, and the broad sailor collar on it was +embroidered with emblems and stars. + +Beppi was delighted, and Lucia helped him on with it as he danced and +hopped, first on one foot and then to the other. + +"I'm a sailor," he announced, "a real sailor! See the bands on my arm." + +"Fickle one," Lucia protested as she tied the flaring red tie, with +loving fingers, "I thought you were going to be a soldier like our +Captain." + +Beppi thrust his small hands in his trouser pockets. + +"I am when I grow up," he replied seriously, "but I can be a sailor in +the meantime, can't I?" + +"Yes, of course," Lucia agreed, "and now put on your shoes, dear, it +must be late, and it would never do to keep the Captain waiting." + +"Go and dress yourself then," Nana said, "and don't make yourself look +too gay, it is not seemly." + +Lucia tossed her head and laughed. + +"Ah, but I will, my new bodice is so beautiful; all bright flowers, and +my skirt is blue--I know the Captain will like it--and we are going to +the South where all the girls wear bright colors--I expect my dress +will look very somber." + +Nana did not reply, she grumbled a little to herself, and Lucia pulled +out the drawer of the dresser and very carefully took out her new +possessions. She put them on slowly as if to prolong the pleasure. + +"When she was ready she looked at as much of herself as she could see +in the small mirror, and smiled happily. + +"I look very nice, I think," she said frankly. + +"Then we are ready," Nana exclaimed, getting up, "we had better start +up the hill." + +"Yes, do let's go," Beppi insisted, "I know we are going to be late." + +"Oh, but we have plenty of time," Lucia replied. "Go along both of +you, I will follow with Garibaldi." + +"Such foolishness," Nana grumbled, "to take a goat in a train; there +are many goats in the South. Why don't you wait until you get there +and leave Garibaldi to Maria with the rest?" + +Lucia looked at her grandmother in consternation, but she did not stop +to argue with her. She left the house and went to the shed; repaired +now enough to make a shelter to keep out the rain. + +Garibaldi was firmly tied to one of the posts. + +"Come, my pet," Lucia whispered, "we are going away and I have a ribbon +for your neck, see?" + +"Now come," she coaxed, "we must go up to the convent, that nice +American Mr. Lathrop is going to put you in a box. You won't like it, +poor dear, but it's the only way they let goats travel." + +Garibaldi seemed to understand something of the importance of the +occasion, for she walked along beside her little mistress with lowered +head. + +Lucia waited until Nana and Beppi had disappeared through the gate +before she started. She knew there was plenty of time and she wanted +to be alone. + +She stood in the doorway of the cottage and looked at the poor, tumbled +little room. She felt suddenly very forlorn and lonely. + +"Good-by, little room," she said softly, "I will never, never forget +you. It isn't as if you were going very far away from me for we have +given you to Maria, she and Roderigo will take good care of you, and +some day perhaps I will come back for a tiny visit," she said. + +A plaintive "Naa" from Garibaldi made her turn. As she left the room +her eyes lingered on the green bed. + +Captain Riccardi was sitting up, fully dressed, and waiting for them in +the garden of the convent. + +At sight of Lucia his eyes danced with fun. + +"Well, little sister of mine, how are you?" he greeted. + +"Oh, I am so excited, Seņor," Lucia replied. "Is it nearly time to go?" + +"No, not for a couple of hours," the Captain laughed. + +"Are we really going in an automobile?" Beppi demanded, "like the one +the King came in?" + +"Yes, just like that, and then we go in a train for a long time," the +Captain explained. + +"Do we _sleep_ in the train?" Beppi's eyes were as round as saucers. + +"No," the Captain shook his head, "we sleep in a lovely house that +belongs to a friend of mine in Rome." + +Beppi tried to be polite but Captain Riccardi saw the disappointment in +his eyes, and patted his small head. + +"Are you sorry?" he laughed. + +"Oh, no, he is not," Lucia contradicted hastily, "he will like sleeping +in Rome, won't you, my pet?" + +Beppi hung his head. "I will like it," he admitted, "but it will not +be as exciting as sleeping on a train." + +"No, of course it won't, but it will be lots more comfortable, and you +see I have to think of that," the Captain explained, "but I promise you +some day we will sleep in a train, and on a boat, or any old place you +like, how's that?" + +"I will tell you afterwards," Beppi replied noncommittally. + +"I must go and find Maria," Lucia said, "I have not told her half the +things I want to. She won't take proper care of my goats, I know, but +no matter, I will do my best to tell her what to do." + +She went into the convent. Maria was busy in the ward, but at Lucia's +beckon she left what she was doing and went to her. + +"Come over by Roderigo's bed," Lucia said, "we have only a little time +to talk before we leave." + +"Oh, but you must be excited!" Maria exclaimed. + +"Look at her eyes," Roderigo laughed, "of course she is." + +"Well, and why not," Lucia demanded, "wouldn't you be?" Roderigo +shivered. + +"If I were going this day, back to Napoli, I would die from joy," he +said. + +"Nonsense, that's what Lucia said about the King's speaking to her," +Maria reminded, "but she's still alive, and the King not only spoke to +her but kissed her too." + +"Do you know," Lucia said quietly, "sometimes I think perhaps I am dead +and this is Heaven." + +"Heaven!" Roderigo laughed, "never, it is much too cold, see the sick +yellow sun up there." He pointed to the window, "in Heaven the sun is +hot and the sky is blue, just as you will find it to-morrow. Oh, but I +envy you. What wouldn't I give--" He hesitated and looked at Maria, +"No, I would not go if I could; I am happy here." + +Maria's smile rewarded him. + +"But surely after the war," Lucia said, "you will both come to Napoli +to live." + +"Perhaps," Roderigo assented, "after the war." + +They were silent for a moment, aware for the first time of what the +coming separation would mean. Then Roderigo exclaimed gayly, + +"But how solemn we are! We must laugh. I tell you, Lucia, when you +see my old grandfather Vesuvius you must give him my best respects, for +mind if you are not respectful to him he may do you some harm." + +"Oh, I will be very careful," Lucia laughed, "but I will never call +that cross old, smoking mountain my grandfather, I can promise you +that." + +"Haven't you some friends that Lucia could see?" Maria inquired, "or +could she perhaps take a message to your family." + +"No." Roderigo shook his head, "she will not be near them, but +perhaps--" He turned to Lucia, "if you are ever walking along the +shore below Captain Riccardi's place, you may meet a soldier, an old +man with a scar on his face; if you do, he is my uncle Enrico." + +"But what does he do on the beach?" Maria inquired. + +"Oh, he watches to see that no one rows out to the boats in the bay +without a passport, there are plenty of men who would like to leave +without permission," Roderigo explained, "My uncle is there to keep +them safe in Italy." + +"Are they Austrians?" Lucia inquired. + +Roderigo winked. + +"They are Italian citizens on the face of things," he replied, "but in +their hearts--" An expressive gesture finished the sentence. + +Just as Maria was about to ask another question Beppi ran into the ward. + +"Lucia, Lucia, come quickly, the American is packing Garibaldi up in a +box, and you are missing all the fun." + +Lucia jumped up. + +"Oh I must go and help," she exclaimed, "I will see you again for +good-by." + +She followed Beppi to the garden and found Lathrop nailing on the top +to a big wooden crate. From between the slats Garibaldi looked out +reproachfully. + +Lucia petted and consoled her until it was time to go. + +Garibaldi left first in a wagon; she was going all the way by train. +Lucia had many misgivings but she watched the wagon out of sight with a +smile. + +Her thoughts were soon diverted by the arrival of a big automobile. +Captain Riccardi was helped in by the doctor and Lathrop, and after +repeated good-bys Lucia took her place beside him. + +The car started off slowly, they were going to take the train at a +point several miles south. + +Lucia watched the walls of Cellino grow dim against their background of +bare mountains. It was her first departure, and it marked a new period +in her life. + + + + +CHAPTER XVIII + +IN THE GARDEN + +"How does my little sister like her new home?" + +Captain Riccardi was sitting in a comfortable chair in the warmth and +sunshine of his garden. He looked very much stronger than on his +departure from Cellino. A month under the southern sky had done much +to make him well again, and as he sat looking at Lucia he was turning +over in his mind the possibility of returning to the front. Lucia was +picking flowers near him, she had a basket over her arm and a big pair +of scissors. + +Her cheeks, that had been so pale, were flushed and round, and an +expression of happy contentment took the place of the excited sparkle +in her eyes. + +She dropped down on the ground beside the Captain as he spoke, and +looked up at him. + +"That is the very first time you have asked me that," she said, "and we +have been here for a long time. You know I think it is very, very +wonderful, what could be more beautiful than this garden, but I am +getting lazy, the sun is so warm and there is so little to do." She +looked puzzled. + +"That's quite as it should be," the Captain replied, "you are too young +to work." + +"Oh, that is what you always say," Lucia protested, "I am too young and +Nana is too old, and Beppi--" + +"Beppi is too lazy," the Captain laughed, "he is always asleep under +the flower bushes, but tell me," he continued gravely, "are you ever +homesick?" + +"Homesick." Lucia considered for a moment, "For Maria, yes, but for +Cellino, no. I like to think of it, but I want always to live here." + +"Good," the Captain smiled, "then you won't mind my going away?" + +"Back to fight?" Lucia inquired. + +The Captain nodded. "My wound is healed and I am well enough; they +need all the men they can get up there, you know." + +"I know," Lucia looked very unhappy, "what terrible times there have +been since we came here; everything has gone wrong. Why I wonder, our +soldiers are as brave as ever. What has made us lose so much lately?" + +A baffled look stole over the Captain's face and he shook his head +sorrowfully. + +"No one knows, my dear," he said, "we have suffered terrible losses, +every plan that we make is known to the enemy." + +"Do you remember the beggar you saw on the road the day you followed +the two Austrian soldiers?" + +Lucia nodded. + +"Well, there are many men like that in Italy, some are disguised as +beggars and some as just working men, but they are everywhere, and +through them our plans are given to the enemy." + +"But surely the police could arrest them," Lucia protested, "they must +all be Austrians or Germans." + +"They are, of course, but they have lived here among us for so long +that it is hard to tell them from ourselves; they speak, act and look +as we do." + +"But they think as our enemies," Lucia added, "I understand. What very +bad men they must be, just to think that but for them we might have won +this horrible war by now." + +"Perhaps," the Captain agreed, "but if they are here and we can't find +them out then we must win the war in spite of them, and that is why I +am going back." + +"When?" Lucia asked. She was suddenly very unhappy for the memory of +the attack was still vivid, and she dreaded to think of her newly found +godfather's returning to the dangers and hardships of the front, but +she was too brave and too wise to say so. She kept a stiff upper lip +and her eyes were dry as they discussed the plans. + +"I think I will leave in a day or two now that my mind is made up," the +Captain said, "it will take me quite awhile to return to my Company, +and I may have to wait in Rome for orders, so the sooner I am off the +better." + +"Yes, I suppose so," Lucia replied slowly. "Oh, but how we will miss +you, I cannot bear to think," she added impulsively. + +"Then you must write to me often," the Captain laughed, "I get so few +letters and I will treasure them. I will want to know just how you and +Beppi and Nana spend each day, and what tricks Garibaldi is up to." + +"I shall tell you everything," Lucia promised, eagerly, "every tiny +little thing, and you will write back?" + +"Yes, as often as I can," the Captain promised. He got up from his +chair and started to walk toward the house. When he was halfway up the +path Beppi dashed through the garden gate and ran to him. + +"Oh, but I have had a fine morning," he declared, "you will never guess +where I have been." + +"You do look excited," the Captain smiled, "it must have been a very +nice place, tell us about it." + +"Then come back and sit down," Beppi insisted, taking his hand. The +Captain returned to his chair and Beppi perched on the arm of it. + +"Now begin," Lucia said, "we are listening." + +"Well," Beppi took a long breath. "This afternoon I was tired of +playing in the garden and I went out into the road. Nana was sound +asleep and did not hear me, and when I had walked a little ways I met +two boys; one of them was bigger than me and the other one was littler. +We said hello, and one of them asked me my name, and I told him, and +then the big one said he guessed I couldn't fight--" Beppi stopped and +turned two accusing eyes at Lucia, "that was because I had on these old +stockings. I told you, sister, that I'd be laughed at unless I went +barefoot, same as always." + +"Never mind about that," the Captain interposed, laughing, "tell us the +rest." + +"Well, I told him I could, and we did, of course, and I won," he +continued proudly, "and after that we were friends, and they asked me +if I'd ever been to the shore, and I said; not right to it, so they +took me. We went down a hill and pretty soon we were right by the +ocean, and the waves were coming in all frothy white on the blue water, +and I took off my shoes and stockings--" + +"Oh, Beppi," Lucia protested. + +"Yes, I did," Beppi repeated, "I certainly did and we had a fine time, +I can tell you, and here comes the exciting part. While we were on the +beach a soldier came along; he was walking on the wall and he had a big +gun. The two boys ran to him and I went with them. He asked me my +name and where I lived, and I told him, and he said he had a nephew in +the war, and one of the boys asked him how Roderigo Vicello was, and +when I heard that name I just shouted, 'Why I know him,' and then I +told them all about the bridge and the King giving Roderigo a medal, +and everything. They were all glad, I can tell you, and I guess these +boys won't say I can't fight again in a hurry," he added triumphantly. + +"Oh, that is exciting news!" Lucia exclaimed, "Roderigo told me he had +an uncle here. Did he have a big scar on his face, Beppino?" + +"Yes," Beppi replied eagerly, "he got it in the Tripoli war. He is a +very brave man, I think, but he says he'd rather fight than guard the +shore, but of course he has to do as he's told, because he's a soldier." + +"And I suppose that means you don't have to do what you're told until +you're one," the Captain laughed, "what will Nana say when she hears +you ran away?" + +"Who's going to tell her?" Beppi inquired, "Lucia won't, and I don't +think you will," he added with a mischievous twinkle in his eye. + +"No, I suppose I won't after that," the Captain replied, laughing, +"that is if you will promise to be very good and mind Lucia while I am +away." + +"Away?" Beppi queried, "where are you going?" + +"Back to fight," the Captain replied, "and perhaps I shall be gone for +a long, long time, and of course, while I am gone I shall expect you to +take care of your sister." + +"Oh, Lucia can take care of herself," Beppi laughed, "she always has, +and of Nana and me, too, but I'll be good if you say so, only can't I +go down to the shore once in a while?" + +"Of course, darling," Lucia answered for the Captain, "but you must +tell Nana where you are going." + +"No, I will tell you I think," Beppi said gravely. + +The Captain got up and he walked beside him to the house. There was a +chance that the bright sword might be taken from its chamois case, and +Beppi never missed a chance of seeing it if he could help it. + +Lucia, left alone in the garden, looked out over the low wall to the +west. The bay of Naples stretched out blue and glistening in the last +rays of the sun, and the gray of the old house took on a soft pink tint. + +"It is a fairy palace, I believe." Lucia buried her face in her basket +and whispered to the flowers. + +"I wonder if it will disappear when my fairy godfather goes away, or if +it will stay and be ours to keep for him until he comes back, for he +must come back, he must, he must, he must," she finished almost angrily. + + + + +CHAPTER XIX + +BACK TO FIGHT + +A big gray car, very like the one that had come to Cellino, drove up +before the door of the Riccardi villa two days later. + +The Captain, once his mind was made up, did not waste any time in +carrying out his plans. He was eager to rejoin his comrades in the +north, but when the time came to leave he was very sorry to say good-by +to Lucia. She had found a warm and secure spot in his big heart, and +he knew he would miss her gay chatter and the laughing expression of +her eyes. + +All the household were on the steps to say good-by, even Nana had been +prevailed upon to leave her seat in the garden by the well, and her +lace bobbins, long enough to see him off. + +Beppi danced about excitedly. "Oh, please hurry up and end the old +war," he cried impatiently, "and come back, we will be so lonely +without you. I promise to be very, very good." + +"That's right, and when I come home I shall bring you all the souvenirs +I promised; an Austrian helmet and a piece of shell," the Captain +replied. + +"And your sword, don't forget that," Beppi reminded him. + +"Oh no, of course I won't forget that," the Captain swung Beppi high in +the air above his head and kissed him, then he turned to Lucia. + +"I will be good too," she promised, laughing. + +"Of course you will, but you must be happy too, that is the most +important of all," the Captain said seriously. "Be sure and pick all +the flowers in the garden and stay out in the sunshine all day." + +"And may I take the flowers to the hospital?" Lucia asked, "we have so +many in the house, and the sick soldiers would love them so." + +"Yes, do what you like with them," the Captain replied, "but be +careful, don't do anything dangerous, you are such a spunky little +fire-brand, that I can't help worrying." + +"Oh, but you mustn't, I will be so very careful. Besides there is +nothing to do down here, it is not like Cellino." + +"Well, you can't always be sure," the Captain said, his eyes twinkling, +"if there was any danger you'd be sure to be in the heart of it." + +"No, I will close my eyes tight," Lucia promised, "and walk in the +other direction, that is, unless it was something very, very important." + +"I thought so. Well, I guess you'll be safe here, safer than you've +ever been before, anyway," the Captain said, "and now good-by." + +He kissed her low, broad forehead, very gently. + +"Good-by, fairy godfather, come back soon." Lucia tried not to let her +voice tremble. + +The Captain got into the car hurriedly. He waved to the group on the +steps until he was out of sight. + +Lucia went back into the house, but the spacious rooms and high +ceilings only added to her unhappiness. She almost longed for the +comfort of the tiny old cottage and the familiar sight of the green bed. + +She wandered about listlessly; she was quite alone. Nana had gone back +to her lace making, and Beppi was in the garden. The old man and his +wife--the Captain's faithful servants--were in the kitchen. + +In the library Lucia stopped before the rows of books and tried to read +their titles. But she gave it up and looked at the pictures, that +amused her for a little while, for she thought they were beautiful, but +she did not understand them. She could not give anything her undivided +attention for her thoughts were on the way with the Captain, and she +was fighting against the unhappiness that threatened to overpower her. + +"Surely he will come back," she said, to a copy of Andrea del Sarto's +St. John that hung above the mantel. "This cruel war has taken my real +father; it cannot take my godfather too." She gave herself a little +shake, "It is that I am lonely that I think such sad thoughts, I will +go out to the garden and pick flowers for the soldiers." + +Accordingly she found her basket and scissors and spent the rest of the +afternoon in the garden. When her basket was piled high she put on her +hat very carefully, regarding it from every angle of the Florentin +mirror. It was the first hat she had ever owned and she was very proud +of it. + +When it was tilted to her satisfaction she took up the basket and went +out by the garden gate. + +The hospital was a little over a mile away. Lucia had visited it with +Captain Riccardi. It had formerly been a private villa and its +terraced gardens went down to the water's edge. + +Lucia knew the way and she loitered along, enjoying the newness of the +scenes about her. Everything and everybody were so different, the +fishermen with their bright sashes and Roman striped stocking caps, the +old women and the young girls in their bright dresses, with great gold +loops hanging from their ears. Even the sound of their voices was +different as they called out greetings to one another. + +Lucia decided that the very first thing she would do when the Captain +came home would be to ask him for a pair of gold earrings. + +So occupied was she with her thoughts that she reached the gate to the +hospital before she realized it. She lifted the heavy knocker; an old +man opened the door. + +"This is not visiting day, little one," he said, as he looked down at +Lucia. + +"Oh, I am not visiting," she replied, "I brought these few flowers for +the sick soldiers; will you take them?" + +"Indeed I will." The old man held out his hand. "Do you want the +basket back again?" + +"Oh, no, there's no hurry for that, I will get it the next time I +come," Lucia replied. "I mean to bring flowers every day or two for +the soldiers." + +"That is very kind of you," the old man smiled, "I'll take these right +up." + +Lucia nodded and turned to go back along the road. The sun was setting +over the water, and below the bay beckoned invitingly. She looked and +decided to go home that way. + +She took a path that led to the water's edge. It was steep, for that +part of the coast rose high above the water. She was tired when she +reached the bottom and sat down to rest on the low stone wall. + +The soft lapping of the water made her drowsy, and she slipped to the +sand, leaned her head against the wall and closed her eyes. + +There was not a sound but the soothing voice of nature, the ripple of +the water, the sighing of the wind and the occasional cry of a sea bird. + +All the sounds together seemed to rock Lucia in a sort of lullaby, and +it was not many minutes before she was asleep. + +When she awoke it was quite dark and she was conscious of a difference +in the voice of the water. A heavy regular splash, splash, grew nearer +and nearer as she listened. If she had been accustomed to living near +the water she would have recognized it as the rhythmic stroke of oars, +but she did not, and it was not until a shape loomed up in the dusk a +little farther down the beach that she realized it was a boat. + +She got up and walked towards it. If it was a fisherman's boat she +wanted to see it, even if it meant being late to supper. + +But it was not a fisherman's boat, it was a light, high-sided row boat +and the man in it stood up and pushed forward on his stout oars. + +He made a landing on the sand before Lucia reached him, and he jumped +out hurriedly. + +Whatever his business was it occupied all his thoughts, for he did not +look to right or left but ran straight to the wall. Another figure +came out of the shadows to meet him. They spoke in whispers, but Lucia +was near enough to hear what they said. + +She listened out of curiosity for it struck her as being rather strange +that a man dressed in beautiful dark clothes, with a hat such as she +had seen the men in Rome wear, should be out on the beach whispering in +the shadow of the wall to a boatman. + +When she had listened she was even more surprised. + +"It's all right, I've fixed it, you can get aboard her at midnight." +The boatman's voice was husky and very mysterious. + +"Be sure and be here on time," the man replied, "this spot is safe, +wait until the guard has passed and then land. If there is any danger, +whistle." + +The boatman nodded. "It's a risky business," he objected. + +"You will be well paid for it," the man answered sharply. "Now go." + +Lucia watched him disappear into the dusk and waited until the boatman +had rowed out of sight. Then she straightened her hat and started for +home, thinking very hard as she hurried along. + + + + +CHAPTER XX + +AN INTERRUPTED SAIL + +When Lucia reached the road above she ran as fast as she could. She +had been so startled at what she had heard that her thoughts were +confused. But as she hurried along her mind cleared. + +"Perhaps they are all right, and the man is just going for a row," she +said to herself. But the memory of the boatman's words returned to her. + +"It's a risky business." + +She did her best to attach no importance to it, but back in her brain +was the firm conviction that the man with the hat was one of the +Austrians that Roderigo had spoken of. "An Italian citizen on the face +of things, but in their hearts--" Lucia instinctively mimicked +Roderigo's gesture. She knew too, that argue though she might, she +would interfere. + +When she reached the garden she heard Beppi crying and saw a light in +his window above. Beppi did not cry very often and by the sound she +thought he was in pain. + +She hurried into the house and ran upstairs. Nana met her at the door +of Beppi's room; she was wringing her hands. + +"So you are back," she cried, "well, praise the Saints for that, I +thought I should lose you both on the same day." + +"'Lose us,' what are you talking about?" Lucia demanded, pushing past +her to the bed. + +"Beppino mio, what has happened?" she asked, though there was little +need to question for a deep cut in Beppi's cheek, from which the blood +spurted freely, was answer enough. + +"My face, Lucia, it hurts me so, make it stop bleeding," Beppi pleaded, +"I fell on a big rock in the garden." + +"Caro mio, how long ago?" Lucia asked excitedly, "here quick, Nana, get +me some hot water, I will wash it as I saw Sister Veronica wash the +soldiers. There, there, darling, it will soon be better." + +With trembling fingers Nana and the old servant, Amelie, brought a +basin and a towel, and Lucia bathed the wound. It was a deep cut and +poor Beppi winced as the water touched it. + +After a little the blood stopped and Lucia bound up his head in soft +white cloths. + +"Stay by me," Beppi begged, "don't go way downstairs, I am afraid." + +"Poor angel," Amelie cried, "he won't be left alone; old Amelie will +bring up the little sister's dinner and she can eat by his bedside," +and she hurried off, crooning to herself as she went to the kitchen +below. + +Nana, now that she knew that Beppi was not going to die, started +scolding him for not looking where he was going, but Lucia sent her +downstairs. + +"He is too tired to listen to-night, Nana, and anyway he will be +careful. Do go away and rest a little, you must be tired." + +When Nana had left, Lucia returned to the bed and sat down. She did +not have any idea what time it was, and she knew that it would be +impossible to leave Beppi until he was quiet. She hardly touched the +tempting tray that Amelie brought her, and her voice trembled as she +asked what time it was. + +"Ten minutes after seven," Amelie told her after she had carefully +consulted the big hall clock. + +"Oh!" Lucia was surprised and relieved. She thought she must have +slept for hours, but now she realized that in reality she had only +dozed for a few minutes. + +She took Beppi's hand and set about putting him to sleep. It was a +difficult task. She told him story after story, but at the end of each +his eyes were bright and his demand for another one as insistent as +ever. + +Lucia kept time by the chimes of the clock, and at ten she turned out +the light. + +"I am coming to bed beside you," she explained as Beppi protested, "I +think the light will hurt your head." She took off her dress and +slipped on her nightgown. Beppi snuggled contentedly into her arm, and +she went on with her stories. + +"Sing to me," he asked at last, sleepily, "your song," and Lucia began +very softly to sing. + + "O'er sea the silver star brightly is glowing, + Rocked now the billows are. + Soft winds are blowing, + Come to my bark with me. + Come sail across the sea. + Santa Lucia, Santa Lucia." + + +Beppi's even breathing rewarded her efforts. She slipped her arm from +under his head and stole softly out of the room just as the clock +chimed eleven. She put on her dress hurriedly. + +The house was very still as she crept downstairs and out into the +garden. The stars were out and it was an easy matter to find her way. +She ran until she reached the path that led to the shore, then she +moved very cautiously. She hoped to reach the guard, tell him what she +had heard, and then go home, but when she reached the beach she +realized that she was too late. + +There was no guard in sight, but her ears detected the splash of oars, +and she knew that the boatman was coming. She crouched down beside the +wall and waited. She watched him pull his boat up on shore and then +walk swiftly off in the opposite direction from her. + +She did not know what to do, and she was frightened--badly frightened. +The broad shining water on one side and the hill on the other seemed to +hem her in, and she felt lost. It was not like the mountains of +Cellino, where she knew every path. + +She crouched down by the wall and waited. Another figure joined the +boatman, and they stood still, a little farther up the beach. Lucia +knew it was the man she had seen that afternoon, and she knew too that +in a very few seconds they would turn around and come back to the boat. + +With a courage born of fear she jumped up and before she quite realized +what she was doing she was tugging at the boat. + +It was not very high up on the beach for the boatman had left it so +that it would be easily shoved off. Fortunately the tide was going +out. Lucia's arms were strong and she pushed with a will. The boat +found the water and drifted silently away. + +Her feet were wet, but she did not realize it. She crept back to the +beach and flattened herself against the wall. The men returned. They +too kept in the shadow of the wall. It was not until they were almost +brushing against Lucia that the boatman noticed that his boat was gone. + +"The Saints preserve us!" he exclaimed. "It has been spirited away. I +knew I should be punished for doing such a black deed." + +"Spirits, nonsense!" the man spoke angrily. "It is your own stupid +carelessness, you did not pull it up on shore far enough. You +rattlebrain idiot, I've a good mind to kill you for this. See, there +is your boat out there--empty--go and get it. Do you hear?" + +"But how?" the boatman wrung his hands desperately. "I do not know how +to swim. I will die. Santa Lucia, Saint of sailormen, spare me," he +screamed as the man lifted his heavy cane to strike him. + +"Don't you dare strike that man!" Lucia exclaimed, "he did pull his +boat up on shore, but I pushed it off. I heard you this afternoon, and +I knew you wanted to go away to that big ship out there, and perhaps +sail to Austria. I know what you are, you two-faced man. You speak, +you laugh, you scold in Italian, and all the time your black heart is +Austrian." + +"You shall not go away from here. I, Lucia Rudini, tell you, you shall +not!" + +"Santa Lucia! A miracle!" The boatman trembled with fear, but the man +was not so superstitious. He caught Lucia's arm and shook her roughly. + +"You did it, you little fiend, well, you shall get what you deserve for +your meddling." He motioned to the frightened boatman. "Get me a +rope, I'll make a gag of my handkerchief; hurry man, if you are found +you will be shot." + +"But I dare not, I dare not, she is the spirit of Santa Lucia. She +came when I called. The Saints have mercy!" + +With a growl of disgust the man turned from him and caught both of +Lucia's wrists in his firm clasp. Then he lifted his cane. + +"She must not tell until we are well away," he said, and brought the +cane down heavily. It was his intention to stun Lucia, but he had +miscalculated when he expected her to stand still and receive the blow. + +She dodged to the right and began kicking and struggling. The boatman +wrung his hands and screamed for help. + +It was not many minutes before the guard, attracted by the noise, came +running towards them. The man's back was towards him, but Lucia saw +him and stopped struggling. + +The man raised his cane again but this time he stopped, because the +muzzle of a gun was pressing him between the shoulder blades. + +Lucia turned to the guard and explained hurriedly. In the starlight +she could see that he had a long scar across his face, and she felt +very secure. + +"I know your nephew, Roderigo," she ended, "he helped me blow up the +bridge in Cellino." + +The soldier nodded. + +"I know about that, Seņorina," he said respectfully, "and the rest of +your fine deeds. You were born for the work it seems. Move an inch +and off comes your head," he turned furiously on the man who had tried +to edge away. Then he continued in the soft, courteous tones he had +been using. "I hope some day you will do me the honor of telling me of +the attack yourself," he said. "It is sometimes very lonely here while +I am on guard." + +His gentle tone, and above all the flattering respect he showed, gave +Lucia back her courage. + +"Of course I will come," she said, "just as soon as my little brother +is better. He fell and cut his head, and, and--well, I guess I'd +better be going back, he may awaken and be frightened. Good night." + +"Good night, Seņorina," the soldier replied, "I am proud to have seen +you." + +"Now then,--" his voice became harsh again as he turned to his +prisoners, "go along, one wink of your eyelid in the wrong direction +and I will shoot." + +He marched them off quickly, and Lucia, because the affair seemed +finished, started for home. + + + + +CHAPTER XXI + +THE END OF THE STORY + +"Tell me a story," Beppi demanded when she was lying beside him once +more, "I'm all awake again and my face hurts." + +"What shall it be about?" Lucia asked, stroking his hair. She was +still trembling from the reaction of her adventure, and Beppi's warm +little body snuggled close in her arms was comforting. + +"Go on with the story about the soldier and the bad girl that teased +him, and the good girl that was the fairy princess." + +"Very well, but shut your eyes. Let me see," Lucia began, "the soldier +went off to the war, and when he came back he was wounded and the good +girl took care of him, and they decided to be married and live happily +ever after. And the bad girl when she saw the poor soldier wounded was +sorry she had teased him, and she never did it again. And because she +was good all kinds of nice things happened to her. She found her fairy +godfather, and he had a magic carpet, and first thing you know she was +in the middle of a beautiful garden with her little--" + +"Oh, bother, I knew that wasn't a real story," Beppi protested. "It's +just about Roderigo and Maria and the Captain and you. And oh, Lucia, +how silly you are, you called yourself the bad girl when really you're +the goodest in the whole world." + +"Am I, Beppino mio?" Lucia laughed. "I don't think so." + +"Well, I say you are," Beppi replied, drowsily, "and the Captain thinks +so too, so--" He dropped off to sleep. + +"I wonder if he would say so if he had seen me to-night," Lucia mused, +"I had to do it, it was the only way, but oh, dear, I do hope I don't +ever hear any more wicked men again." She yawned and looked towards +the window. The first gray light of dawn streaked the sky. + +"I guess I'll stay in the garden with Beppi and Nana and Garibaldi, and +wait for my fairy god-father's return," she said as she closed her eyes. + +As if to echo her words a faint "naa," came up from the stable yard +below. Garibaldi was agreeing with her mistress. + + + +***END OF THE PROJECT GUTENBERG EBOOK LUCIA RUDINI*** + + +******* This file should be named 17666-8.txt or 17666-8.zip ******* + + +This and all associated files of various formats will be found in: +https://www.gutenberg.org/dirs/1/7/6/6/17666 + + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. 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You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at <a href = "http://www.gutenberg.org">www.gutenberg.org</a></pre> +<p>Title: Lucia Rudini</p> +<p> Somewhere in Italy</p> +<p>Author: Martha Trent</p> +<p>Release Date: February 2, 2006 [eBook #17666]</p> +<p>Language: English</p> +<p>Character set encoding: ISO-8859-1</p> +<p>***START OF THE PROJECT GUTENBERG EBOOK LUCIA RUDINI***</p> +<br><br><center><h3>E-text prepared by Al Haines</h3></center><br><br> +<hr class="full" noshade> +<br> +<br> +<br> +<A NAME="img-cover"></A> +<CENTER> +<IMG SRC="images/img-cover.jpg" ALT="Cover art--Lucia Rudini" BORDER="2" WIDTH="242" HEIGHT="506"> +<H4> +[Illustration: Cover art—Lucia Rudini.] +</H4> +</CENTER> + +<BR><BR> + +<A NAME="img-front"></A> +<CENTER> +<IMG SRC="images/img-front.jpg" ALT=""My pet, see how you frightened the brave Austrian soldier"" BORDER="2" WIDTH="422" HEIGHT="612"> +<H4> +[Frontispiece: "My pet, see how you frightened the brave Austrian soldier"] +</H4> +</CENTER> + +<BR><BR><BR> + +<H1 ALIGN="center"> +LUCIA RUDINI +</H1> + +<H2 ALIGN="center"> +SOMEWHERE IN ITALY +</H2> + +<BR> + +<H4 ALIGN="center"> +BY +</H4> + +<H3 ALIGN="center"> +MARTHA TRENT +</H3> + +<BR><BR><BR> + +<H5 ALIGN="center"> +ILLUSTRATED BY +</H5> + +<H4 ALIGN="center"> +CHAS. L. WRENN +</H4> + +<BR><BR><BR> + +<H4 ALIGN="center"> +NEW YORK +<BR><BR> +BARSE & HOPKINS +<BR><BR> +PUBLISHERS +</H4> + +<BR><BR><BR> + +<H5 ALIGN="center"> +Copyright, 1918 +<BR><BR> +by +<BR><BR> +Barse & Hopkins +</H5> + +<BR><BR><BR> + +<H4 ALIGN="center"> +DEDICATED TO +<BR><BR> +R. J. U. +</H4> + +<BR><BR><BR> + +<H2 ALIGN="center"> +CONTENTS +</H2> + +<BR> + +<CENTER> + +<TABLE WIDTH="80%"> +<TR> +<TD ALIGN="right" VALIGN="top">CHAPTER</TD> +<TD ALIGN="left" VALIGN="top"> </TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">I </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap01">CELLINO</A></TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">II </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap02">MARIA</A></TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">III </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap03">BEFORE DAYBREAK</A></TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">IV </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap04">LOST</A></TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">V </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap05">IN THE TOOL SHED</A></TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">VI </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap06">GARIBALDI PERFORMS</A></TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">VII </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap07">THE BEGGAR</A></TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">VIII </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap08">THE SURPRISE ATTACK</A></TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">IX </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap09">THE BRIDGE</A></TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">X </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap10">GARIBALDI, STRETCHER-BEARER</A></TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">XI </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap11">THE AMERICAN</A></TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">XII </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap12">A REUNION</A></TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">XIII </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap13">AN INTERRUPTED DREAM</A></TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">XIV </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap14">THE FAIRY GODFATHER</A></TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">XV </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap15">EXCITING NEWS</A></TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">XVI </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap16">THE KING</A></TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">XVII </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap17">GOOD-BY TO CELLINO</A></TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">XVIII </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap18">IN THE GARDEN</A></TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">XIX </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap19">BACK TO FIGHT</A></TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">XX </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap20">AN INTERRUPTED SAIL</A></TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">XXI </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap21">THE END OF THE STORY</A></TD> +</TR> + +</TABLE> + +</CENTER> + +<BR><BR><BR> + +<H2 ALIGN="center"> +ILLUSTRATIONS +</H2> + +<H3> +<A HREF="#img-cover"> +Cover art - Lucia Rudini. +</A> +</H3> + +<H3> +<A HREF="#img-front"> +"'My pet, see how you frightened the brave<BR> +Austrian soldier'" . . . . . . <I>Frontispiece</I> +</A> +</H3> + +<H3> +<A HREF="#img-025"> +"The Soldiers came and chattered and laughed" +</A> +</H3> + +<H3> +<A HREF="#img-035"> +"Together they drove the goats before them" +</A> +</H3> + +<H3> +<A HREF="#img-127"> +"Lucia and Garibaldi toiled up the hill, each one<BR> +using every bit of their strength" +</A> +</H3> + +<BR><BR><BR> + +<A NAME="chap01"></A> +<H1 ALIGN="center"> +LUCIA RUDINI +</H1> + +<BR> + +<H3 ALIGN="center"> +CHAPTER I +</H3> + +<H3 ALIGN="center"> +CELLINO +</H3> + +<P> +Lucia Rudini folded her arms across her gaily-colored bodice, tilted +her dark head to one side and laughed. +</P> + +<P> +"I see you, little lazy bones," she said. "Wake up!" +</P> + +<P> +A small body curled into a ball in the grass at her feet moved +slightly, and a sleepy voice whimpered, "Oh, Lucia, go away. I was +having such a nice dream about our soldiers up there, and I was just +killing a whole regiment of Austrians, and now you come and spoil it." +</P> + +<P> +A curly black head appeared above the tops of the flowers, and two +reproachful brown eyes stared up at her. +</P> + +<P> +Lucia laughed again. "Poor Beppino, some one is always disturbing your +fine dreams, aren't they? But come now, I have something far better +than dreams for you," she coaxed. +</P> + +<P> +"What?" Beppi was on his feet in an instant, and the sleepy look +completely disappeared. +</P> + +<P> +"Ha, ha, now you are curious," Lucia teased, "aren't you? Well, you +shan't see what I have, until you promise to do what I ask." +</P> + +<P> +Beppi's round eyes narrowed, and a cunning expression appeared in their +velvety depth. +</P> + +<P> +"I suppose I am not to tell Nana that you left the house before sunrise +this morning," he said. +</P> + +<P> +Lucia looked at him for a brief moment in startled surprise, then she +replied quickly, "No, that is not it at all. What harm would it do if +you told Nana? I am often up before sunrise." +</P> + +<P> +"Yes, but you don't go to the mountains," Beppi interrupted. "Oh, I +saw you walking smack into the guns. What were you doing?" He dropped +his threatening tone, so incongruous with his tiny body, and coaxed +softly, "please tell me, sister mine." +</P> + +<P> +"Silly head!" Lucia was breathing freely again, "there is nothing to +tell. I heard the guns all night, and they made me restless, so I went +for a walk. Go and tell Nana if you like, I don't care." +</P> + +<P> +Beppi's small mind returned to the subject at hand. +</P> + +<P> +"Then if it isn't that, what is it you want me to do?" he inquired, and +continued without giving his sister time to reply. "It's to take care +of them, I suppose," he grumbled, pointing a browned berry-stained +little finger at a herd of goats that were grazing contentedly a little +farther down the slope. +</P> + +<P> +"Yes, that's it, and good care of them too," Lucia replied. "You are +not to go to sleep again, remember, and be sure and watch Garibaldi, or +she will stray away and get lost." +</P> + +<P> +"And a good riddance too," Beppi commented under his breath. +</P> + +<P> +He did not share in the general admiration for the "Illustrious and +Gentile Seņora Garibaldi," the favorite goat of his sister's herd. +Perhaps the vivid recollection of Garibaldi's hard head may have +accounted for his aversion. Lucia heard his remark and was quick to +defend her pet. +</P> + +<P> +"Aren't you ashamed to speak so?" she exclaimed, "I've a good mind not +to give you the candy after all." +</P> + +<P> +"Oh, Lucia, please, please!" Beppi begged. "I will take such good care +of them, I promise, and if you like, I will pick the tenderest grass +for old crosspatch," he added grudgingly. +</P> + +<P> +Lucia smiled in triumph, and from the pocket of her dress she pulled +out a small pink paper bag. +</P> + +<P> +"Here you are then," she said; "and I won't be away very long. I am +just going to see Maria for a few minutes." +</P> + +<P> +Beppi caught the bag as she tossed it, and lingered over the opening of +it. He wanted to prolong his pleasure as long as possible. Candy in +war times was a treat and one that the Rudinis seldom indulged in. +</P> + +<P> +As if to echo his thoughts, Lucia called back over her shoulder as she +walked away, "Don't eat them fast, for they are the last you will get +for a long time." +</P> + +<P> +Beppi did not bother to reply, but he acted on the advice, and selected +a big lemon drop that looked hard and everlasting, and set about +sucking it contentedly. +</P> + +<P> +Lucia walked quickly over the grass to a small white-washed cottage a +little distance away. She approached it from the side and peeked +through one of the tiny windows. Old Nana Rudini, her grandmother, was +sitting in a low chair beside the table in the low-ceilinged room. Her +head nodded drowsily, and the white lace that she was making lay +neglected in her lap. Lucia smiled to herself in satisfaction and +stole gently away from the window. +</P> + +<P> +The Rudinis lived about a mile beyond the north gate of Cellino, an old +Italian town built on the summit of a hill. Cellino was not +sufficiently important to appear in the guide books, but it boasted of +two possessions above its neighbors,—a beautiful old church opposite +the market place, and a broad stone wall that dated back to the days of +Roman supremacy. It was still in perfect preservation, and completely +surrounded the town giving it the appearance of a mediaeval fortress, +rather than a twentieth century village. Two roads led to it, one from +the south through the Porto Romano, and one from the north, up-hill and +from the valley below. It was up the latter that Lucia walked. She +was in a hurry and she swung along with a firm, graceful step, her +head, crowned by its heavy dark hair, held high and her shoulders +straight. +</P> + +<P> +The soldier on guard at the gate watched her as she drew nearer. She +was a pleasing picture in her bright-colored gown against the glaring +sun on the dusty white road. Roderigo Vicello had only arrived that +morning in Cellino, and Lucia was not the familiar little figure to him +that she was to the other soldiers. But she was none the less welcome +for that, after the monotony of the day, and Roderigo as she came +nearer straightened up self-consciously and tilted his black patent +leather hat with its rakish cluster of cock feathers a little more to +one side. +</P> + +<P> +"Good day, Seņorina," he said smiling, as Lucia paused in the grateful +shadow of the wall to catch her breath. +</P> + +<P> +"Good day to you," she replied good-naturedly. +</P> + +<P> +"You're new, aren't you? I never saw you before. Where is Paolo?" +</P> + +<P> +"Paolo and his regiment go up to the front this afternoon," Roderigo +replied. "We have just come to relieve them for a short time, then we +too will follow." +</P> + +<P> +Lucia nodded. "You come from the south, don't you?" she inquired, +looking at him with frank admiration; "from near Napoli I should guess +by your speech." +</P> + +<P> +Roderigo laughed. "You guess right, I do, and now it is my turn to ask +questions. Where do you come from?" +</P> + +<P> +"Down there about a mile," Lucia pointed, "in the white cottage by the +road." +</P> + +<P> +Roderigo looked at the dark hair and eyes and the gaudily colored dress +before him, and shook his head. +</P> + +<P> +"Now perhaps," he admitted, "but you were born in the south where the +sun really shines and the sky is blue and not a dull gray, or else +where did you come by those eyes and those straight shoulders?" +</P> + +<P> +Lucia looked up at the dazzling sky above her and laughed. +</P> + +<P> +"And I suppose that spot is Napoli," she teased. "Well, you don't +guess as well as I do, for I was born here and I have lived here all my +life." +</P> + +<P> +"'All my life,'" Roderigo mimicked. "How very long you make that +sound, Seņorina, and yet you look no older than my little sister." +</P> + +<P> +Lucia drew herself up to her full height and did not deign a direct +reply. +</P> + +<P> +"Fourteen years is a long time, Seņor," she said gravely, "when you +have many worries." +</P> + +<P> +"But you are too young to have many worries," Roderigo protested; "or I +beg your pardon, perhaps you have some one up there?" he pointed to the +north, where the high peaks of the Alps were visible at no great +distance. +</P> + +<P> +"No, not now," Lucia replied; "for my father was killed a year ago." +</P> + +<P> +Roderigo was silent for a little, then he raised one shoulder in a +characteristic shrug. +</P> + +<P> +"War," he said slowly. "We all have our turn." +</P> + +<P> +Lucia nodded and returned almost at once to her gay mood. +</P> + +<P> +"But you are still wondering how I got my black hair and eyes up here," +she laughed. +</P> + +<P> +"Well, I will tell you. My mother came from your beautiful Napoli, and +Nana, that is my grandmother, says I inherited my foolish love of gay +clothes from her. Nana does not like gay clothes, but my father always +liked me to wear them." +</P> + +<P> +"Then your mother is dead too?" Roderigo asked respectfully. +</P> + +<P> +"When I was a little girl, and when Beppino was a tiny baby. Beppi is +my little brother," Lucia explained. +</P> + +<P> +Roderigo's eyes were shining with delight. There was something in +Lucia's soft tones that filled his homesick heart with joy. She was so +different from most of the girls from the north, with their strange +high voices and unfriendly manners. If she wasn't exactly from the +south she was near it. He wanted to sit down beside her and tell her +all about his home and his family, for he was very young and very +homesick, but Lucia decreed otherwise. +</P> + +<P> +"Now do see what you have done," she scolded suddenly. "You have kept +me talking here until the sun is well down, and I will have to hurry if +I want to see Maria and return home before Nana misses me. So much for +gabbing on the high road with some one who should be watching for +suspicious spies instead of asking questions," she finished with a +provoking toss of her head. +</P> + +<P> +Which sentence, considering that she had asked the first questions +herself, was unjust. Roderigo, however, did not seem to resent the +blame laid upon him. He did not even offer to contradict, but watched +Lucia until she disappeared around a corner a few streets beyond the +gate, and then he turned resolutely about and scanned the road with +searching determination, as if he really believed that the open, +smiling country about him might be concealing a spy. +</P> + +<P> +When Lucia disappeared around the comer of the narrow street that led +to the market place, she stopped long enough to laugh softly to herself. +</P> + +<P> +"The great silly! He took all the blame himself instead of boxing my +ears for being impertinent. A fine soldier he'll make! If I can scare +him, what will the guns do?" she said aloud, and then with a roguish +gleam of mischief in her eyes she hurried on. +</P> + +<P> +The narrow side streets through which she passed were almost deserted, +but when she reached the market place it was thronged with people. +Every one was out to look at the new troops, and in the little square +the great white umbrellas over the market stalls were surrounded by +soldiers. Their picturesque uniforms added a gala note to the +commonplace little scene. +</P> + +<P> +Lucia elbowed her way through the jostling, laughing men to a certain +umbrella, a little to one side of the open space left clear before the +church. +</P> + +<BR><BR><BR> + +<A NAME="chap02"></A> +<H3 ALIGN="center"> +CHAPTER II +</H3> + +<H3 ALIGN="center"> +MARIA +</H3> + + +<P> +A neatly-dressed, dumpy little woman in a black dress and shawl sat +beneath it, and behind a row of stone crocks beside her was a young +girl several years older than Lucia, who ladled out cupfuls of the milk +that the crocks contained, and gave them, always accompanied by a shy +little smile, to the soldiers in return for their pennies. She was +Maria Rudini, Lucia's cousin, a pretty, gentle-featured girl with shy, +bewildered eyes. +</P> + +<P> +People often spoke of her quiet loveliness until they saw her younger +cousin. Then their attention was apt to be diverted, for Maria's +delicate charms seemed pale beside Lucia's southern beauty, and in the +same manner her courage grew less. Although she was three years older, +Maria never questioned Lucia's authority to lead. +</P> + +<P> +When Lucia's father had died, the kindly heart of Maria's mother had +prompted her to offer her home to his children, but Lucia had declined +the offer. She said she would undertake the support of old Nana and +Beppi and herself. There was considerable disapproval over her +decision, but as was generally the case, Lucia had her own way. Her +method of wage-earning was a simple one. Her father had owned a herd +of goats and a garden, and the two had provided ample support for the +needs of the family. At his death Lucia, with characteristic +selection, had given up the garden and kept the goats. +</P> + +<P> +Every morning she milked them and carried the bright pails to town, +where her aunt sold them at her little stall along with cheese and +sausage. The profits wore not great, but they wore enough. +</P> + +<P> +"Is that the milk I brought in this morning?" Lucia asked incredulously +as she approached the stall. +</P> + +<P> +"No, no, my dear," her aunt replied, shaking her head. "You brought +scarcely two full pails, and they were gone before you had reached the +gate. We have had a great day, so many soldiers, it is a shame that +you cannot bring in more, for we could sell it. Just see, we had to +send to old Paolo's for this, and it is not as rich as yours of course, +for his poor beasts have only the weeds between the cobblestones to +eat." +</P> + +<P> +"That is because he is a lazy old man and won't take the trouble to +lead his herd out on the slopes to graze," Lucia replied. She put her +hands on her hips and swayed back and forth as she talked. It was a +little trait she had inherited from her mother, and one of her most +characteristic poses. +</P> + +<P> +"How well you look to-day!" Maria said, smiling. "I have been wishing +you would come, we are so busy—see, here come a group of soldiers all +together. Will you help me?" She held out a dipper with a long +handle, which Lucia accepted critically. +</P> + +<P> +"I don't like charging full price for this milk which is more like +water," she said. +</P> + +<P> +"Nonsense, child, it is business, the soldiers know no difference; it +is only your silly pride," her aunt scolded. She was a little in awe +of her determined niece, and very often she was provoked at her. +</P> + +<P> +"If you can't bring us more milk, we must do the best we can," she said +meaningly. "You used to bring us twice this much." +</P> + +<P> +Lucia shrugged her shoulders and tossed her head. "I can bring no more +than I bring," she said, and turned her attention to the soldiers +before her. +</P> + +<P> +But the explanation did not satisfy her thrifty aunt. She was no +authority on goats, but she had enough sense to know that the supply of +milk does not dwindle to one-half the usual quantity over night. Still +she did not voice her suspicions. +</P> + +<P> +Lucia and Maria were busy for the rest of the afternoon. Lucia's +flowered dress and brilliantly-colored bandana that she wore tied over +her head, were added attractions to Seņora Rudini's stall, and the +soldiers from the south came and chattered and laughed. +</P> + +<A NAME="img-025"></A> +<CENTER> +<IMG SRC="images/img-025.jpg" ALT=""The soldiers came and chattered and laughed."" BORDER="2" WIDTH="412" HEIGHT="536"> +<H4> +[Illustration: "The soldiers came and chattered and laughed."] +</H4> +</CENTER> + +<P> +"What a pity we have no more," Maria said as the last crock was +emptied, and they set about preparing to return home. "We could go on +selling all night now that Lucia is here." +</P> + +<P> +"Well, it is high time to go home, I am tired," her mother replied +crossly. "Hurry with what you are doing." +</P> + +<P> +Lucia was busy closing the big umbrella. +</P> + +<P> +"It is late, I will have to hurry, or Beppi will have let all my goats +run away—he and his dreams. He is a lazy little one, but I can't bear +to scold him," she said. "He is too little to understand." +</P> + +<P> +Her aunt nodded. "Let him dream, but if you are not careful, he will +be badly spoiled." +</P> + +<P> +"No fear of that," Lucia replied, "while Nana has a word to say. She +is always for bringing him up properly, but little good it does. Now +we are ready, I will help you carry home your things, if you will let +Maria walk with me to the gate," Lucia bargained. +</P> + +<P> +"Oh, she may I suppose, though she should be at home helping me prepare +the dinner. I suppose you have some secrets between you that an old +grayhead can't hear," she grumbled good-naturedly. +</P> + +<P> +"Oh, yes a fine secret!" Lucia replied laughing, as she picked up the +greatest share of the burden and led the way. +</P> + +<P> +Maria and her mother lived in an old stone house that had once been a +palace. It was hardly palatial now, but it was very picturesque. It +housed five families besides the Rudinis, and in spite of the many +lines of wash that floated from its windows, it still retained enough +of its old grandeur to be an interesting spot to the occasional tourist +who visited Cellino. Maria and her mother were very proud of this +distinction. It made up somewhat for the loss of their house, which +they had been forced to leave, when six months before Maria's two +brothers had gone off to fight. +</P> + +<P> +The new quarters were not far from the market place and they soon +reached them. Their rooms were on the ground floor, and Lucia and +Maria made haste to drop what they were carrying and start off again at +a much slower pace for the gate. The sun was low in the west. It was +setting in a bank of golden clouds over the little river that ran +parallel with the west wall of the town. Lucia stopped to look at it. +</P> + +<P> +"Rain to-morrow, I suppose, by the look of those clouds," she said, a +real pucker of concern between her eyes. +</P> + +<P> +"And no wonder," Maria agreed, "with all this banging of guns one would +think it would rain all the time out of pity for so much suffering." +</P> + +<P> +"Now, Maria, don't begin to cry," Lucia protested not unkindly. "It +will do you no good, and it will only make things look worse than they +really are." +</P> + +<P> +"How can they?" Maria demanded, with more show of resentment than was +usual with her quiet acceptance of things. "Only this morning I sold +milk to such a sweet boy from the south. He had great sad, brown eyes +like yours, and he was very young and unhappy. His father and brother +were both killed, and now he is going." +</P> + +<P> +"But perhaps he won't be killed," Lucia said practically. "Anyway, he +will get a chance to do a little killing first, and surely that is +enough to satisfy any one, or ought to be." +</P> + +<P> +"Oh, Lucia you are cruel sometimes," Maria protested. "Who wants to +kill? Surely not these happy boys, and they don't want to be killed +either. It is all too terrible to think about, and you are an +unnatural girl to talk as you do. Why, I don't believe you have cried +once since the war began, even when the poor wounded were brought here, +and we saw their faces all shot away." +</P> + +<P> +Maria's anger rose as she talked, and Lucia listened curiously. It was +something new for Maria to take her to task. Her mind flew back over +the past year, and she saw herself with her face buried in the grass +and her hands clenched, and remembered her furious anger and her vows +of vengeance, but she had to admit that her cousin was right; she had +shed no tears. +</P> + +<P> +"We are not made the same way, I guess," she replied ruefully to +Maria's charges. "I cannot cry, I can only hate." +</P> + +<P> +"But hate won't do any good," Maria protested feebly. +</P> + +<P> +"It will do more than tears," Lucia replied shortly. +</P> + +<P> +They continued their walk in silence, now and then nodding to an +acquaintance or bowing respectfully to the Sisters of Charity who lived +at the big Convent just outside the Porto Romano, and who came to town +to take care of the sick and cheer the broken-hearted. When they +reached the north gate Lucia stopped. Roderigo was still on duty, but +this time he did not pause in his brisk walk up and down to chat. He +never even glanced in the girls' direction. +</P> + +<P> +Maria nodded towards him and whispered excitedly, "That is the boy I +was just now speaking of. Doesn't he look sad?" +</P> + +<P> +"No, he looks quite cross," Lucia replied in a voice loud enough to be +overheard, and her eyes sparkled with mischief as she added, "I wonder +if he will let me through the gate to get home." +</P> + +<P> +"May I pass, sir, please? I live a little beyond the wall, but I am +not a spy," she said with mock humility. +</P> + +<P> +Roderigo blushed. A soldier does not like to be made fun of, +particularly when some one else is present. +</P> + +<P> +"Pass," he said gruffly. +</P> + +<P> +Lucia laughed provokingly. +</P> + +<P> +"Good night, Maria," she said as she kissed her cousin. "Sweet dreams. +I may not be in very early in the morning, there is so much to do, you +know, but I will bring as much milk as possible," she finished. Then +without even a glance at Roderigo she walked through the gate and down +the wall. +</P> + +<P> +When she had walked for a little distance she looked back. Maria and +the soldier were in earnest conversation. Maria in her timid way was +apologizing for her cousin's rudeness, and Roderigo was beginning to +have doubts of the superiority of Southern beauty over the Northern, +particularly when a gentle spirit was added to the charm of the latter. +Lucia did not know she was the subject of their talk. She shrugged her +shoulders and turned her thoughts to a more important question that was +puzzling her. It was, how to slip out of the house the next morning +without disturbing the already suspicious Beppi. +</P> + +<BR><BR><BR> + +<A NAME="chap03"></A> +<H3 ALIGN="center"> +CHAPTER III +</H3> + +<H3 ALIGN="center"> +BEFORE DAYBREAK +</H3> + + +<P> +Lucia found Beppi asleep in the grass, curled up in the same position +that he had been in earlier in the day. One of his little hands had +tight hold of the precious pink bag, and a sticky smile of blissful +content turned up the corners of his full red lips. +</P> + +<P> +Lucia looked at him and shook her head. There might have been +twenty-seven instead of seven years between them, for there was +something protective in her expression. +</P> + +<P> +"Little lazy bones, asleep again!" she said, shaking him gently. +</P> + +<P> +Beppi stirred, one eye opened, and then with a sudden rush of memory he +sat up and began excitedly: "I just this minute fell asleep, just this +very second, truly, Lucia! I have watched the goats, oh, so carefully, +and they have not stirred,—see there they are only a little farther +away than when you left. I only closed my eyes because I thought I +might go on with that nice dream, but I didn't," he finished +sorrowfully. +</P> + +<P> +Lucia laughed. +</P> + +<P> +"Look at the sun," she pointed. "It is late, you should have driven +the goats home long ago. But I knew you would go to asleep after you +ate up all the candy, such a naughty little brother that you are. What +kind of a soldier would you make, I'd like to know, dreaming every few +minutes? Come along, get up,—we must hurry back to Nana, or she will +be worried." +</P> + +<P> +She took his hand and together they drove the goats before them to the +cottage. +</P> + +<A NAME="img-035"></A> +<CENTER> +<IMG SRC="images/img-035.jpg" ALT=""Together they drove the goats before them."" BORDER="2" WIDTH="412" HEIGHT="560"> +<H4> +[Illustration: "Together they drove the goats before them."] +</H4> +</CENTER> + +<P> +Nana Rudini was waiting for them at the door. She was a little, +wrinkled-up, old woman with bright blue eyes and thin gray hair. She +spoke very seldom and always in a high querulous voice. +</P> + +<P> +"So you're back at last, are you?" she greeted, when the children were +within hearing. "Supper's been on the stove for too long. What kept +you?" +</P> + +<P> +"Very busy day, Nana," Lucia spoke in much the same tone she had used +towards Beppi. "I had to help Aunt and Maria at market. More troops +have arrived and the streets are crowded." +</P> + +<P> +"Oh, sister, you never told me that!" Beppi said accusingly. "Where +are they from?" +</P> + +<P> +"The south mostly," Lucia replied, "fine soldiers they are too, if you +can judge by their looks." +</P> + +<P> +"Which you can't," old Nana interrupted shortly. "Stop your talking +and come in to supper." +</P> + +<P> +"Right away," Lucia promised, and hurried off to shut up her goats in +the small, half-tumbled-down shack at the back of the cottage. +</P> + +<P> +Supper at the Rudinis consisted of boiled spaghetti, black bread and +cheese, with a cup full of milk apiece. It was not a very tempting +meal, but Lucia was hungry and ate with a hearty appetite. +</P> + +<P> +After the three bowls had been washed and put away in the cupboard, she +helped her grandmother undress, and settled her comfortably in the +green enameled bed with its brass trimmings, that occupied a good part +of the small room. Lucia's mother had brought it with her from Naples, +and it was the most cherished and admired article of furniture that the +Rudinis owned. +</P> + +<P> +"Are you comfortable, Nana?" Lucia inquired gently, as she smoothed the +fat, hard pillows in an attempt to make a rest for the old gray head. +</P> + +<P> +"Yes, go to bed, child," Nana replied, and without more ado she closed +her eyes and went to sleep. +</P> + +<P> +Lucia climbed up the ladder to the loft, and was soon cuddled down +beside Beppi in a bed of fresh straw. Though she persisted in her +determination that her grandmother sleep in state in the best bed, she +herself preferred a simple and softer resting place. +</P> + +<P> +"Tell me a story," Beppi demanded; "not about fairies and silly make +believes, but about soldiers." +</P> + +<P> +"But there are no pretty stories about soldiers, Beppino mio," Lucia +protested. +</P> + +<P> +"Who wants pretty stories!" Beppi replied scornfully. "<I>I</I> don't—tell +me an exciting one about guns and war." +</P> + +<P> +"Very well I'll try, but be still," Lucia gave in, well knowing that +she would not have to go very far. +</P> + +<P> +"Once upon a time," she began, "there was a soldier. He had very big +eyes, and he came from the south where the sun is very warm and the sky +and the water are very, very blue." +</P> + +<P> +"Was he brave?" Beppi interrupted sleepily. +</P> + +<P> +"Oh, yes, he was very brave," Lucia replied hurriedly, "very brave, and +he loved his country more than anything else in the world." +</P> + +<P> +She waited but Beppi's voice commanded. +</P> + +<P> +"Go on, don't stop." +</P> + +<P> +"Well, one day he was sent to guard a gate of a city, and he walked up +and down before it with his gun on his shoulders, and no one could pass +him unless it was a friend." +</P> + +<P> +She paused again. Beppi was breathing regularly. +</P> + +<P> +"Old sleepy head!" Lucia whispered, and kissed him tenderly. +</P> + +<P> +The story was not continued and before many minutes she was fast asleep +herself. +</P> + +<P> +It was an hour before sunrise when she awoke. The air that found its +way into the little attic was damp and chill. Lucia crept out of bed, +being very careful not to disturb Beppi, and slipped hurriedly into her +clothes. With her shoes in her hand, she climbed gingerly down the +ladder past her sleeping grandmother and out to the shed. +</P> + +<P> +"Good morning, Garibaldi, how are you this morning?" she said as she +patted the stocky little neck of her pet. +</P> + +<P> +Garibaldi submitted to her caress with a condescension worthy of the +position her name gave her, and the other goats crowded to the open +door, eager to leave their cramped quarters. +</P> + +<P> +"Not yet, my dears," Lucia said softly, "it isn't time. Here, Esther, +I will milk you first. You must all be good to-day, and Garibaldi, I +don't want you to go running away if I have to leave you with Beppi," +she continued. "You're nothing but goats, of course, but you know +perfectly well that we are at war, and that you are very important, and +must do your part. Stop it, Miss, none of your pranks, I'm in a +hurry," she chided the refractory Esther for an attempt at playfulness. +</P> + +<P> +"There now, that's enough, I can't carry any more or I would. Two +pails only half full aren't much, but they help, I guess. Now if it +won't rain until I get there it will be all right, but I'll cover the +pails to be on the safer side." She found two covers and fitted them +securely over the pails. "Now children, good-by. Be good till I come +back, and don't go making any noise." +</P> + +<P> +She paused long enough to give Garibaldi a farewell pat and then left +the shed closing the door behind her. She looked up uneasily at the +cottage, but everything seemed to be very still, so she picked up her +pails and started off at as brisk a pace as possible. +</P> + +<P> +She followed the main road that looked unnaturally white and ghostly in +the pale dawn of the early morning. It was down hill for about a mile, +and traveling was comparatively easy at first, but when the road +reached the bottom of the valley it stopped and seemed to straggle off +into numerous little foot-paths. The broadest and most traveled +looking path Lucia followed, picking her way carefully for fear of +stumbling and thus losing some of the precious milk. +</P> + +<P> +The path led up the other side of the valley. It was a steep climb, +and Lucia was tired when she reached the top. She sat down for a while +to rest before going on the remainder of the way. The next path that +she took turned abruptly to the right, and led up an even steeper hill +to a tiny plateau above. From it one could look down on Cellino across +the valley. When Lucia reached it she put down her pails in the shade +of a big rock and looked about cautiously. +</P> + +<P> +Nothing seemed to stir. The guns were quiet and nothing in the +peaceful, secluded little spot suggested the close proximity of battle. +The only human touch in sight was a small scrap of paper, held down by +a stone on the flat rock above the pails. +</P> + +<P> +Lucia was not surprised, for she had done the same thing every morning +for a week now. She unfolded it. As she expected, she found four +brightly polished copper pennies and the words, "Thanks to the little +milk maid," written in heavy pencil. +</P> + +<P> +Lucia picked up the money and put it into her pocket, then with a +pencil that she had brought especially for the purpose she wrote, "You +are welcome, my friends; good luck!" below the message, and tucked the +paper back under the stone. Then with another curious look around, +which discovered nothing, she started back, this time running as fleet +and fast as any of her sure-footed little goats. +</P> + +<P> +She reached home before either Nana or Beppino were awake, and hurried +to finish her milking. When the scant breakfast was over, she was +ready to start for town with her pails. +</P> + +<P> +When she entered the market-place, it was to find a very different +scene from the one of the day before. The place was thronged with +soldiers, but they were not laughing and jesting; instead, little +groups congregated around the stalls and talked excitedly. Some of the +old women had covered their faces with their black aprons, and were +rocking back and forth on their chairs in an extremity of woe. +</P> + +<P> +There was an unnatural hush, and men and women alike lowered heir +voices instinctively as they talked. +</P> + +<P> +Lucia had seen the same thing many times before. She guessed, and +rightly too, that a battle was going on, and that news of some disaster +had reached the little town. She did not go at once to her aunt's +stall, but left her pails inside the big bronze door of the church, and +slipped quietly inside. The place was deserted, and the lofty dome was +in dark shadow. Long rays of pale yellow light from the morning sun +came through the narrow windows and made queer patches on the marble +floor. In the dim recesses of the little chapels tiny candles +flickered like stars in the dark. +</P> + +<P> +Lucia looked about her to make sure that she was alone, and then walked +quickly to one of the chapels and dropped four shining copper pennies +into the mite box that stood on a little shelf beside the altar. She +stayed only long enough to say a hasty little prayer, and then hurried +out again into the sunshine. The clouds of the night before and the +mist of the early morning had disappeared, and the market-place was +bathed in warm golden sunshine. +</P> + +<P> +Lucia picked up her pails and hurried to her aunt's stall. +</P> + +<P> +"Well, you are late," Maria said. "We thought you had stubbed your toe +and spilled all the milk." +</P> + +<P> +"And only two half-full pails again," Seņora Rudini grumbled. "But no +matter, we can get more from old Paolo. Have you heard the news?" she +asked abruptly. +</P> + +<P> +"No," Lucia replied indifferently. "What is it?" +</P> + +<P> +"A big gain by the enemy. They have taken thousands of our men, and +they say we may be ordered to leave Cellino at any minute." +</P> + +<P> +"Think of it! They are as near as that!" Maria said excitedly. "Oh if +we must move, where can we go to? I am so frightened." +</P> + +<P> +"Nonsense," Lucia spoke shortly. There was an angry gleam in her big +eyes and her cheeks flushed a dark red. +</P> + +<P> +"Leave Cellino, indeed! The very idea! Since when must Italians make +way for Austrians, I'd like to know?" +</P> + +<P> +"But if the enemy are advancing as they say," Maria protested +nervously, "we will either have to leave, or be shelled to death by +those dreadful guns." +</P> + +<P> +"Or be taken prisoners, and a nice thing that would be," her mother +added. "No, if the order to evacuate comes we must go at once. There +will be no time to spare. Other towns have been captured, and there is +only that between us." +</P> + +<P> +She pointed to the zigzag mountain peaks so short a distance beyond the +north gate. As if to give her words weight, a heavy thunder of guns +rumbled ominously. +</P> + +<P> +Maria shuddered. "There, that is ever so much nearer. Oh, I am +frightened,—something dreadful is happening over there just out of +sight." +</P> + +<P> +"Silly! those are our own guns. Ask any of our soldiers," Lucia said. +</P> + +<P> +"Here comes your guard, the handsome Roderigo Vicello, maybe he can +tell us. Good morning to you!" she called gayly and beckoned the +soldier to come to them. +</P> + +<P> +"I hope you are well this morning," Roderigo said respectfully, bowing +to Seņora Rudini. +</P> + +<P> +"Oh, we are well, but very frightened," Maria replied, trying hard to +imitate her cousin's gaiety. +</P> + +<P> +"Maria thinks that the guns we heard just now are Austrian, and I have +been trying to tell her that they are Italian. Which of us is right? +You are a soldier and ought to know." +</P> + +<P> +"Our guns, of course. They have a different sound," Roderigo explained +impressively. +</P> + +<P> +He had never been any nearer to the front than he was at this moment, +but he spoke with the assurance of an old soldier, partly to quiet +Maria's fears, but mostly to still his own nervous forebodings. It +would never do to let the little black-eyed Lucia see that he was even +a little afraid. +</P> + +<P> +"There, what did I tell you!" Lucia was triumphant. "I knew, but of +course you would not believe me. Now perhaps you will tell her that we +will not have to run away at a minute's notice, too?" +</P> + +<P> +She turned to Roderigo, but eager as he was to display his importance +he could not give the assurance she asked. The little knowledge that +he had, made him think that the evacuation was very likely to occur at +any day. +</P> + +<P> +He covered his fears, however, by replying vaguely: "One can never be +sure. War is war, and perhaps it may be necessary, as well as safer, +for you to leave for the time being." +</P> + +<P> +Lucia looked at him narrowly. +</P> + +<P> +"What makes you say that?" she demanded. "Have you heard any of the +officers talking?" +</P> + +<P> +"No, but this morning's news is very bad. We have our orders to be +ready to start at any moment." +</P> + +<P> +"Oh!" Maria caught her breath sharply, and her eyes filled with tears +as she looked at Roderigo shyly. +</P> + +<P> +He saw the tears in surprise, and a contented warmth settled around his +heart. He looked half expectantly at Lucia. Surely, if this calm, shy +girl of the north would shed a tear for him, she with the warm blood of +the south in her veins would weep. But Lucia's eyes were dry, and the +only expression he could find in them was envy. He turned away in +disgust. He did not admire too much courage in girls, for he was very +young and very sentimental, and he enjoyed being cried over. +</P> + +<P> +A bugle sounded from the other end of the street, and in an instant +everything was in confusion. The soldiers hurried to answer, and the +people crowded about to see what was going to happen. +</P> + +<P> +Lucia, eager and excited, snatched Maria's hand and pulled her into the +very center of the crowd. An officer, with the bugler beside him, read +an order from the steps of the town hall, an old gray stone building +that had stood in silent dignity at the end of the square for many +centuries. +</P> + +<P> +The girls were not near enough to hear the order, but they soon found +Roderigo in the excited mass of soldiers, and he explained it to them. +</P> + +<P> +"We are to leave for the front at once," he cried excitedly. "We have +not a moment to spare. Tavola has been captured by the enemy, and our +troops are retreating through the Pass." +</P> + +<P> +"The Saints preserve us!" Seņora Rudini covered her face with her apron +and cried. "My sons! My sons! Where are they, dead or prisoners?" +</P> + +<P> +"No, no, they are safe," Lucia protested. "They are with the Army. +Don't worry, when the reënforcements reach them they will go forward +again." +</P> + +<P> +But her aunt refused to be comforted. Everywhere in the street women +were calling excitedly, and a number of them besieged the officers for +information. +</P> + +<P> +The soldiers hurried to their billets and got together their kits. The +square buzzed and hummed with excitement and the guns kept up a steady +bass accompaniment. +</P> + +<P> +The bugle sounded a different order every little while. Some of the +more prudent women went home and began packing their household +treasures, but for the most part every one stayed in the market-place +and argued shrilly. +</P> + +<P> +"Come!" Lucia exclaimed, catching Maria's hand. "We can watch them +march off from the top of the wall by the gate." +</P> + +<P> +They ran quickly through the side streets, and by taking many turns +they at last reached the broad top of the wall, which they ran along +until they were just above the north gate. +</P> + +<P> +"Here they come!" Maria exclaimed. "I can hear them." +</P> + +<P> +The paved streets of the town rang with the heavy tramp, tramp of men +marching, and before long they appeared before the gate. The order to +walk four abreast was given. The men took their places, and then at a +brisk pace they marched through the old gate, a sea of bobbing black +hats and cock feathers. +</P> + +<P> +The townspeople followed to cheer them excitedly. Lucia and Maria +leaned dangerously over the edge of the wall in their attempt to +recognize the familiar faces under the hats. +</P> + +<P> +The soldiers looked up and called out gayly at sight of Lucia. She had +taken off her flowered kerchief and was waving it excitedly. The wind +caught her dark hair and blew it across her face, and her bright skirts +in the sunshine made a vivid spot of color against the stone wall. The +men turned often to look back at her as they marched along the wide +road. +</P> + +<P> +Maria did not lift her eyes from the sea of hats beneath her. She was +waiting for one face to look up. At last she had her wish. Roderigo's +place was towards the end of the column; when he walked under the gate +he looked up and smiled. It was a sad smile, full of regret. +</P> + +<P> +Without exactly meaning to, Maria dropped the flower she was wearing in +her bodice. Roderigo caught it and tucked it, Neapolitan fashion, +behind his ear, then he blew a kiss to Maria and marched on. +</P> + +<P> +Lucia watched the little scene. She was half amused and half +contemptuous. Her little heart under its gay bodice was filled with a +fine hate that left no room for pretty romance. +</P> + +<BR><BR><BR> + +<A NAME="chap04"></A> +<H3 ALIGN="center"> +CHAPTER IV +</H3> + +<H3 ALIGN="center"> +LOST +</H3> + + +<P> +When the soldiers had climbed out of sight into the mountains, Maria +walked slowly back to find her mother, and Lucia after a hurried +good-by ran home to tell Nana and Beppino the news. +</P> + +<P> +She was far more worried over the possible order to evacuate than she +would admit. As their cottage was the farthest north on the road, it +would be the nearest to the Austrian guns. Personally Lucia scorned +the very idea of the Austrian guns, but she could not help realizing +the danger to Nana and Beppino and Garibaldi. She was still undecided +what to do when she reached the cottage. +</P> + +<P> +Nana Rudini was standing in the doorway, shading her eyes with her +withered old hand, and staring intently in the direction that the +soldiers had taken. +</P> + +<P> +"Did you see the troops, Nana?" Lucia asked cheerfully. "They were a +fine lot, eh? I guess they will be able to stop the enemy from coming +any nearer." +</P> + +<P> +"Nearer?" queried Nana, "what are you saying?" +</P> + +<P> +"We have had bad luck," Lucia explained. "Tavola has been captured, +and our soldiers are retreating. In town they say we may have to +evacuate before to-morrow." +</P> + +<P> +The old woman received the news without comment, but a look of despair +came into her usually bright eyes, and for the moment made them tragic. +Long years before, when Austria had crossed the mountains and entered +Cellino, she had been a young girl. Now in her old age they were to +come again, and there was no reason to hope that this time they would +be less brutal in their triumph than they had been formerly. The +memory of their brutality was still a vivid one. +</P> + +<P> +"We will leave at once," she said at last, and her decision was so +unexpected, that Lucia gasped in surprise. +</P> + +<P> +"Leave? But, Nana, where will we go? What will become of our things?" +she exclaimed. "Surely we had better wait at least until we are +ordered out." +</P> + +<P> +"No, we will leave at once," Nana replied firmly. "The order may come +too late, as it did before. What do those boys who swagger about in +men's places know about the enemy? There is not one that can remember +them. But I, old Nana, have known them and their ways, and I say we +must go at once." +</P> + +<P> +Lucia looked at the new light of determination in her grandmother's +eyes, and realized with a shock of surprise that to protest would be +useless. +</P> + +<P> +"Where is Beppi?" she asked. "I will go and find him." +</P> + +<P> +"With the goats," Nana replied. "Call him, I will go in and start +packing." +</P> + +<P> +Lucia ran around the house and off to the sunny slope where she had +left Beppi a few hours before. She saw the flock of goats grazing, and +called, "Beppino mio, where are you?" +</P> + +<P> +No one answered her. She hurried on, believing him to have fallen +asleep. +</P> + +<P> +"Beppi!" she shouted, "I have something exciting to tell you. Stop +hiding from me." +</P> + +<P> +She waited, but still no answer came. +</P> + +<P> +In a sudden frenzy of fear she began running aimlessly up and down the +hillside, and looking down into the tall grasses, but there was no sign +of Beppi. There were no trees or houses in sight, no place that he +could hide behind, nearer than the mountain path at the foot of the +valley. +</P> + +<P> +Lucia looked about her despairingly, then she went over to the goats. +Garibaldi was not there. +</P> + +<P> +"She has strayed away, and Beppi has gone after her," she said aloud in +relief, and returned to the cottage. +</P> + +<P> +Nana nodded when she explained. She was busy tying up the household +treasures in sheets, and Lucia helped her. +</P> + +<P> +Every few minutes she would go to the door and call, but Beppi did not +reply. The afternoon wore on slowly and a bank of rain clouds hid the +sun. Lucia's confidence gave way to her first feeling of terror, and +Nana was growing impatient. +</P> + +<P> +"Where can he be?" Lucia exclaimed. "I am frightened, he has been gone +so long." +</P> + +<P> +Nana shook her head. "He was off after the soldiers, I suppose," she +replied. "He is always disobeying—no good will come to him and his +naughty ways." +</P> + +<P> +Lucia's eyes flashed. +</P> + +<P> +"He is not naughty," she protested angrily, "and he may be lost this +very minute. Anyway I am going to find him and I am not coming home +until I do. If you are afraid to stay here go to Maria, she and aunt +will look after you, and when I find Beppi I will meet you there." +</P> + +<P> +Nana Rudini protested excitedly, but Lucia did not wait to hear what +she said. She ran out of the house and down the road towards the +footpath. She had no idea of where she was going, but fear lead her +on. Beppi, her adored little brother, and Garibaldi were lost, and she +was going to find them. +</P> + +<P> +At the end of the road she paused and looked ahead of her. The sky was +dark with rain-clouds and thunder rumbled in the west, an echo of the +guns. Lucia took the path that she had taken early that morning, and +as she climbed up the steep ascent she called and shouted. Her own +voice came back to her from the flat rocks ahead, but there was no +sound of Beppi. +</P> + +<P> +Instead of going on to the little plateau where she left her pails, she +branched off to the left. It was hard climbing, and after repeated +shouts of "Beppi," she sat down and tried to think. +</P> + +<P> +Big drops of rain were beginning to fall, and with the sun out of sight +the fall air was damp and cold. She pulled her thin shawl around her +shoulders and shivered. +</P> + +<P> +"If Garibaldi ran away she came up here; she always does," she argued +to herself. "She loves to climb, and she must have come this way in +the hope of finding grass. Up above, and a little over to the left, +there is a sort of sheltered spot. Perhaps—" she did not finish the +thought, but jumped up and started to climb. +</P> + +<P> +She hunted until she discovered a way to find the spot. It was not +difficult, for she knew every foot of the mountains from long +association. But Beppi was not to be seen, nor was Garibaldi. Lucia +stopped, discouraged. Fear and helplessness were getting the better of +her, and she would most likely have given way to the tears she so +despised had her eye not caught sight of a tuft of fur on the ground. +She seized upon it eagerly. It was without doubt part of Garibaldi's +shaggy coat. +</P> + +<P> +With a cry of joy she started off up the tiny trail that led higher up +into the rocks. +</P> + +<P> +"Beppi, Beppi!" she called, and stopped. Still no answer, but she was +not discouraged for the guns were making so much noise that she +realized her voice could not carry any great distance. +</P> + +<P> +The rain was coming down in earnest now, and it was hard to keep from +losing her footing on the slippery rocks. She stumbled on regardless +of the danger, hoping against hope that she had chosen the right path, +and that each step was bringing her nearer to Beppi. Between calling +and climbing, she was tired, and she stopped for a moment to catch her +breath. +</P> + +<P> +A sound, faint but unmistakable, reached her. +</P> + +<P> +"Naa, Naa!" +</P> + +<P> +Garibaldi was complaining about the weather, at no very great distance +away from her. +</P> + +<P> +In her relief Lucia laughed excitedly. +</P> + +<P> +"Beppi, Beppi, where are you?" she shouted, and waited eagerly for a +reply, but none came. She looked puzzled and then Garibaldi answered +her: +</P> + +<P> +"Naa! Naa!" +</P> + +<P> +The sound came from directly over her head, and she climbed up the +steep rock as fast as she could. Garibaldi was standing at the opening +of a cave. Lucia ran to her. +</P> + +<P> +"Oh, my pet, I have found you at last. Where is Beppi?" she cried. +Garibaldi did not exactly reply, but she stepped a little to one side, +and Lucia saw Beppino curled up on a bed of dry leaves sheltered and +snug from the storm, and sleeping quite as contentedly as he did on the +mattress in the attic at home. +</P> + +<P> +Lucia ran to him and shook him. He opened his eyes, and a dazed look +came into them, then he said: +</P> + +<P> +"Oh, yes, I remember, it began to rain and we were lost, your old +crosspatch Garibaldi and I, so I found this nice little place, and I +was going to pretend that I was a gypsy brigand, but I fell asleep." +</P> + +<P> +Lucia was far too happy to attempt the scolding that she knew Beppi +deserved. She picked him up in her arms, and hugged and kissed him, +then she encircled Garibaldi's neck and kissed her too. +</P> + +<P> +"My darlings, I thought you were both lost. What a terrible fright you +have given me! But we are safe now, and we will wait until sunrise +to-morrow, and then we will go home," she said happily. +</P> + +<P> +"I saw the soldiers go away," Beppi said, pushing her face from him as +she tried to kiss him again, "and they looked so fine with their shiny +hats. It was while I looked at them that old crosspatch ran away. I +did have a chase, I can tell you, she had such a big start." +</P> + +<P> +"Are you very hungry, little one?" Lucia asked gently. "I should have +brought bread with me, but I did not think." +</P> + +<P> +Beppi giggled, and from the pocket of his little tunic he produced the +pink paper bag. +</P> + +<P> +"Two left," he announced as he opened it, "and both long ones. Here's +yours and here's mine. Garibaldi's been eating grass all day, so she's +not hungry." +</P> + +<P> +Lucia accepted the candy, and they both had a drink of milk. Then +Beppi snuggled down in his sister's arms and his eyelids grew heavy. +</P> + +<P> +"Go on with that story," he said, "the one about the soldier at the +gate." +</P> + +<P> +Lucia smiled in the dark and hugged him tight. The guns were silent, +and only occasional peals of thunder broke the stillness. +</P> + +<P> +"Well, one day," she began, "a very cross girl came to the gate, and +the soldier who was always on the lookout for the stolen princess +stopped her and spoke to her. But the cross girl was feeling very mean +indeed, and she teased the soldier and made him very unhappy. But +later on in the afternoon she was ashamed, and so she found the nice +girl who was really the stolen princess, and took her with her to the +gate, and the soldier—" +</P> + +<P> +Lucia broke off and sat up suddenly to listen. A queer "rat, tat, +tat," detached itself from the other night noises. Beppi was sound +asleep, and she rolled him gently into the nest of leaves, then she +listened again. The sound came again. +</P> + +<P> +"Rat, tat, tat." It was a sharp staccato hammering, muffled by the +wall of rock behind her. +</P> + +<P> +She stood up and crept softly to the mouth of the cave. +</P> + +<P> +The wind and the rain made such a noise that she could hear nothing, +and it was already too dark to distinguish anything but the vaguest +outlines. She crept back into the shelter, believing that she had just +imagined what she had heard, but she had not taken her place beside +Beppi before she heard it again—a persistent "rat, tat, tat," too +metallic and too regular to be accounted for by a natural cause. +</P> + +<P> +Lucia's mind was alert at once. She put her ear up against the rock +and listened again. Muffled sounds too indistinct to recognize came to +her. Whatever they were, they were not far off, and right in a line +with the back of the cave. +</P> + +<P> +Lucia thought of several explanations, but could accept none of them. +She tried to argue against her fears by saying over and over again that +if it was a sound made by men, those men were surely Italian soldiers, +but her arguments could not still the frightened beating of her heart, +as the voice became more distinct. She was filled with terror. +</P> + +<P> +Rumors of underground tunnels and mines blowing off whole mountain +tops, that she had heard from the soldiers, came back to her and left +her cold with fear. +</P> + +<P> +Beppi had rolled over beside the goat for warmth, and was sleeping +soundly. Lucia looked at him and then went once more to the mouth of +the cave. +</P> + +<P> +The cold rain in her face gave her back her courage, and she felt her +way around the cliff and up between the crevices of the two rocks, +until she was on the roof of the cave. It was flat and the ground +seemed to stretch out level for quite a distance before her. She +listened for a moment, but the rain beating down made it impossible for +her to distinguish any other sound. +</P> + +<P> +She lay down flat on the wet ground, and crawled forward for a few +feet, then listened again. At first she heard only the rain and the +wind, but after a little wait there was a muffled bang as if a bomb had +exploded deep down in the earth, and the ground beneath her trembled. +</P> + +<P> +Lucia sprang to her feet and ran terrified back to the cave. It was +fortunate that she was as sure-footed as her goats, for the way was +steep and slippery, and she did not pause to take care. +</P> + +<P> +Over in the cave, with her hand on Beppi's curly head, she sat down to +think. Her mind was not capable of arriving at any logical +explanation. Two thoughts stood out clearly and beyond doubt. First, +the enemy was doing something of which the Italians were unaware, and +second, the Italians must be warned before it was too late. That she +must warn them she realized at once, but the way was not easy to +determine. +</P> + +<P> +The mountains were tricky. From one side they might look deserted, and +yet a whole army could be in hiding just over the other side. The +giant peaks formed formidable and wellnigh impassable barriers between +one range and the next. Lucia had seen the troops disappear that +morning, as if the great rocks had opened and devoured them, and she +knew that at this moment they might be within a half a mile of her, but +where to begin to find them she did not know. +</P> + +<P> +The close proximity of the Austrians frightened her, and she was afraid +to go off at random, or even to call. Throughout the night she tried +to think and plan as she sat up with her back against the rock +listening for the rat, tat, tat, which began again after she returned +to the cave, and continued at regular intervals. +</P> + +<P> +Before dawn the rain stopped and the wind blew the clouds away. At the +first streak of light Lucia stole softly away from the sleeping Beppi +and Garibaldi, and crept down the tiny path to the plateau below. Once +there she was on familiar ground and even in the pale light she could +tell her way. +</P> + +<P> +During the night she had decided to go to the rock where she took her +milk in the morning, surely the mysterious hand that left the pennies +for her would be there, and she was determined, to wait for him. +</P> + +<P> +She reached the spot without encountering any difficulties, and sat +down to wait. The sun rose east of Cellino, and she watched it as it +climbed over the hill and lighted the windows of the church with its +yellow low rays. +</P> + +<P> +All the world looked as if it had just been bathed and freshly clothed +to step out glistening and very clean to greet the day. The air was +chilly, but so fresh and sweet that Lucia took long grateful breaths of +it. She was just wondering how long she would have to wait, when a +stone rolled down beside her and hit her foot. She jumped and turned +around. A soldier with a broad smile that showed all his fine white +teeth was climbing down towards her. +</P> + +<P> +Lucia put her fingers to her lip to caution silence, and his smile +changed to a look of sudden anxiety. +</P> + +<P> +"What is it?" he demanded. +</P> + +<P> +"Don't make any noise," Lucia warned. "Listen to me." +</P> + +<P> +She told him all that she had discovered during the night. +</P> + +<P> +"Are you sure of what you say?" the soldier questioned her seriously. +</P> + +<P> +"Oh, yes, sir, I tell you I crawled out and listened. The sound was +very near." +</P> + +<P> +"Can you show me the place?" +</P> + +<P> +"Yes, yes, I have just come from there, but it is a slippery climb." +Lucia looked at him interrogatively. +</P> + +<P> +The man nodded. "Never mind that, lead the way." +</P> + +<P> +Lucia did not hesitate, but hurried back along the rocks, choosing the +safest footholds and sometimes leaving her companion far behind. +</P> + +<P> +When she reached the little grassy plateau, she stopped and pointed. +"It is above here, sir." +</P> + +<P> +She started to ascend, and the soldier followed in silence. When they +reached the cave she pointed to the back wall and said: "Listen there." +</P> + +<P> +The soldier was so tall that he had to stoop down before he could +enter, but he was very careful to be quiet and not disturb the still +sleeping Beppi. +</P> + +<P> +He put his ear to the wall and Lucia watched him excitedly. By the +expression of his face she knew he was hearing the "rat, tat, tat." +</P> + +<P> +"Can you show me the place where you thought you heard the explosion?" +he whispered. +</P> + +<P> +Lucia nodded and beckoned to him to follow. In her eagerness she +forgot that he could not climb as nimbly as she could, and she was on +the roof of the cave before he had started to ascend. +</P> + +<P> +It was fortunate that she was, for not ten feet ahead of her, crawling +along the ground, his helmet shining in the sun, was a soldier in the +Austrian uniform. +</P> + +<BR><BR><BR> + +<A NAME="chap05"></A> +<H3 ALIGN="center"> +CHAPTER V +</H3> + +<H3 ALIGN="center"> +IN THE TOOL SHED +</H3> + + +<P> +At sight of her he jumped to his feet. +</P> + +<P> +"Halt!" he commanded, unnecessarily, for Lucia was far too frightened +to move. +</P> + +<P> +She was thinking of the soldier whose head would appear at any moment +over the ledge of rock behind, and her one wish was to stop him. +</P> + +<P> +"I won't move, sir!" she cried loudly, "I see you have a big gun and I +am all alone." She spoke in Italian, but the Austrian seemed to +understand. +</P> + +<P> +"What are you doing prowling around here at this time of day?" he +demanded angrily, speaking to her in her own language. +</P> + +<P> +"Oh, sir, I am lost," Lucia replied, not daring to look below her. "My +goat wandered away in the storm and I came out to find her, and now I +am very, very far away from home." +</P> + +<P> +She walked towards the man as she spoke. She was terrified for fear he +would discover the cave below her. +</P> + +<P> +"Where did you sleep?" he demanded. +</P> + +<P> +"Oh, I have not slept, sir. See my dress it is wet from the rain, +there is no shelter anywhere, and the wind and the rain frightened me +so I did not know where I was, and I was afraid to stay still." +</P> + +<P> +The Austrian eyed her suspiciously. +</P> + +<P> +"Why didn't you go to the soldiers and ask for shelter?" he inquired +harshly. +</P> + +<P> +"The soldiers?" Lucia's brown eyes opened wide in surprise. "But +there are no soldiers near here. They are miles away with the guns. +How could I reach them? My home is over there," she pointed in the +opposite direction from the cave, "and I think I will go back to it, +now that it is day." +</P> + +<P> +"Oh, no, you won't," the Austrian replied. "You'll come with me." +</P> + +<P> +"But why, what have I done?" Lucia inquired. +</P> + +<P> +"That's not the point," the soldier replied. "You're an Italian, and +if I let you go you'll run home and tell all the troops in the town +that I was here. Oh, no, my little lady, we can't allow that—you're +coming along with me." +</P> + +<P> +His lordly tone and the sneer on his lips infuriated Lucia. She +thought all danger of his discovering the cave was over, so she replied +angrily. "And suppose I won't come? Don't think you can frighten me, +for you can't. I tell you, I won't go a step with you." +</P> + +<P> +The Austrian was about to reply, when a sound that had been so welcome +only a few hours ago struck terror to Lucia's ears. +</P> + +<P> +"Naa, Naa!" +</P> + +<P> +"What's that?" the soldier jumped nervously. He was startled and +frightened. Lucia saw it and her own courage returned. +</P> + +<P> +"My goat," she said as Garibaldi appeared above the rock. +</P> + +<P> +Lucia ran to him. +</P> + +<P> +"My pet, here you are, I have found you at last. Where have you been? +you are a bad girl. See how you frightened the brave Austrian soldier." +</P> + +<P> +The sarcasm and scorn in her voice were unmistakable. The soldier was +indignant. +</P> + +<P> +"Here, that is enough from you. Come along, I will take you where they +will teach you better manners." +</P> + +<P> +He caught her roughly by the shoulder, and Lucia went with him only too +gladly. If she could get him well away from the cave, it would be time +enough to think of herself. She, had no doubt that she would be able +to run away from him later on. +</P> + +<P> +As they walked along the noise underground grew louder. Every now and +then the man would turn and look at her suspiciously. He did not speak +to her, however, and they walked for quite a distance in silence. When +Lucia considered that they had gone far enough she stopped. +</P> + +<P> +"Where are you taking me?" she demanded with spirit. +</P> + +<P> +"Never mind, you come along," the man replied impatiently. "Time +enough for you to know when we get there." +</P> + +<P> +"But I won't go any further." Lucia was determined. "Do you think +that I will be taken prisoner by an Austrian? Never!" +</P> + +<P> +Her eyes blazed indignantly. She planned so many times just what she +would do, if she was ever brought face to face with her hated enemy, +that the feeling of helplessness that she felt under the big man's hand +infuriated her. +</P> + +<P> +"Come along, I will not speak again," the Austrian commanded, and once +more Lucia went on, unable to withstand the strength of his arm. +</P> + +<P> +The flat ground ended abruptly, and they had to climb down jagged +rocks. Lucia thought that her chance of escape had come, but the +Austrian never lessened his hold on her arm. +</P> + +<P> +They had traveled this far without meeting any one. The only signs of +life had been the mysterious noise underground, and the click of +Garibaldi's sharp hoofs as they hit the stone. +</P> + +<P> +When they reached a certain point the soldier stopped. "If you make +any noise," he said roughly, "I will have to shoot you." +</P> + +<P> +Lucia opened her mouth to scream, but before the sound came she changed +her mind. A new and splendid idea had just come to her. She stopped +holding back and walked obediently beside her guard. They did not go +very far, before he told her to lie down and crawl, and before she +realized where she was going, she was in a deep trench that ran along +the base of the rock and was completely hidden from sight. +</P> + +<P> +Garibaldi followed them, picking her way daintily, and stopping every +now and then to let out a mournful "Naa!" The Austrian did not seem to +hear her. If he did, he paid no attention, but led Lucia hurriedly +along the dark passage. +</P> + +<P> +They had not gone far before a sentry stopped them. Lucia's guard said +something to him that she could not understand. The sentry +disappeared, to return in a few minutes with another man. From the +respectful salutes that he received, Lucia decided he must be a very +high officer. More talk followed which she could not understand, and +then her guard turned to her. +</P> + +<P> +"Follow me," he directed, and led her out of the passage across a +stretch of open ground, and over to a shed. Another soldier opened the +door, and before Lucia quite got her breath, she heard the key turn in +a lock and the thud, thud of the men's boots as they marched away. +</P> + +<BR><BR><BR> + +<A NAME="chap06"></A> +<H3 ALIGN="center"> +CHAPTER VI +</H3> + +<H3 ALIGN="center"> +GARIBALDI PERFORMS +</H3> + + +<P> +The shed had been hastily put together, and served as a place for picks +and shovels. There were so many of them, in fact, that Lucia at first +had difficulty in finding a place to stand, but by rearranging them she +cleared a portion of the floor and sat down to think. +</P> + +<P> +The shed was by no means airtight, for the boards had been nailed up so +far apart that not only did the air and light enter between the cracks, +but it was also possible for Lucia to see everything that was going on +about her. +</P> + +<P> +At first it looked as if the soldiers were just hurrying about +aimlessly, but by watching them closely, especially the guard that had +caught her, she saw that they were preparing to leave. +</P> + +<P> +A bugle sounded from a dugout at the end of the passage, and all the +soldiers in sight fell into marching order and waited at attention. +Then the officer who had ordered Lucia shut up in the tool-house, gave +them some orders that she could not understand. +</P> + +<P> +One soldier came over to the shed and unlocked the door. He beckoned +Lucia to step outside, and as the men filed past the door he handed +each one a pick and shovel. When they had all received them, and Lucia +expected to return, the Captain spoke to her. His Italian was so very +bad she pretended not to understand. +</P> + +<P> +"What is your name?" was his first question. +</P> + +<P> +Lucia shook her head. +</P> + +<P> +"Your name?" he persisted. "Marie, Louise, Josephine?" +</P> + +<P> +"No, Seņor," Lucia replied bewildered. +</P> + +<P> +"Well then, what is it?" +</P> + +<P> +"I don't understand." +</P> + +<P> +"Your name?" +</P> + +<P> +"No, Seņor." +</P> + +<P> +"Your name? Have you no sense—stupid!" The Captain's patience was +fast giving way. +</P> + +<P> +Now to call an Italian stupid is the worst possible insult, and Lucia's +cheeks flushed hotly. She was very angry, and she determined not to +reply now at any cost. She shook her head therefore, and a very +stubborn and unpromising light came into her brown eyes. +</P> + +<P> +The Captain looked at her in disgust. +</P> + +<P> +"Well, I suppose your name does not matter anyway," he said gruffly. +"Where do you live?" +</P> + +<P> +Another shake of the small black head, and an expressive shrug. +</P> + +<P> +"You live in Cellino, so why not say so? Come, no more sulking. If +you won't answer me of your own free will, you must be made to answer." +</P> + +<P> +"No, Seņor," Lucia smiled provokingly. +</P> + +<P> +"No—what in thunder do you mean?" +</P> + +<P> +"No, Seņor," there was not a trace of impertinence in her face. +</P> + +<P> +The officer looked at her in despair. +</P> + +<P> +"Do you, or don't you understand what I am saying?" he demanded. +</P> + +<P> +"No, Seņor," Lucia reiterated. +</P> + +<P> +"Where is the soldier who found this girl?" the Captain shouted to an +orderly. +</P> + +<P> +Lucia did not understand what he said, but she knew that her captor was +well out of sight with his pick and shovel by now, and in all +probability would not return and give her away, and she was beginning +to enjoy the part of a "stupid." +</P> + +<P> +Just as the Captain turned to continue his questioning, Garibaldi, who +had been grazing about unmolested at a little distance from the shed, +saw Lucia and came bounding over to her. In her delight at finding her +young mistress she very nearly succeeded in butting over the officer. +</P> + +<P> +Lucia had difficulty in repressing a smile, but she put her arms around +the goat's neck and patted her. +</P> + +<P> +"Does that animal belong to you?" The Captain demanded, puffing a +little in the effort to retain his balance. +</P> + +<P> +Lucia only smiled and nodded. Garibaldi kicked up her heels in an +ecstasy of joy and sent the soft mud flying. The Captain's anger broke +all bounds. +</P> + +<P> +"Take that animal and shoot her," he demanded, but before the soldier +could obey, he withdrew the order. "Tie her to the tree instead, we +may be able to milk her," he said. +</P> + +<P> +The soldier nodded and advanced towards Garibaldi with ponderous +assurance, but Garibaldi was not going to be tied, she preferred her +freedom. She was not, however, unwilling to play a friendly game of +tag; it was her favorite sport and she was very proficient in it. When +the big soldier would come within reach of her, she would lower her +head and duck under his arm, and before the astonished pursuer could +collect his wits and look around, she would be browsing innocently +close by. +</P> + +<P> +This game kept up for a long time. The men who were in sight dropped +what they were doing and made an admiring circle; even the Captain had +to smile. Lucia wanted to laugh outright, but she managed to keep her +face set in grave lines. +</P> + +<P> +At last the soldier gave up the chase and retired among the jeers of +his comrades to the side lines. The Captain saw an opportunity to +amuse his men, and perhaps end their grumbling for the time being. He +offered a reward to the man that could catch the goat. +</P> + +<P> +First one soldier and then another attempted it, but none of them +succeeded. After a while the fun of the chase wore off for Garibaldi, +and she became angry. She had a little trick of butting that had won +her Beppi's dislike, and she used it to the discomfiture of the +Austrian army. +</P> + +<P> +Lucia saw them one after another rub their shins and their knees, for +although Garibaldi did not have horns, her head was very, very hard +indeed, and she was afraid that some one of them might grow angry and +hurt her pet. She looked at the officer and pointed to the goat. +</P> + +<P> +"I can catch her," she said simply. +</P> + +<P> +"Well, do it then," the Captain replied. +</P> + +<P> +Lucia called softly and made a queer clicking noise. Garibaldi stopped +butting, and walked soberly over to her. She smiled good-naturedly at +the men, and tied the rope that one of them handed to her around the +goat's neck. One of the soldiers pointed to a tree behind the shed, +and she tied the rope securely around it Garibaldi protested mildly, +but she patted her and left her lying contentedly in the mud. +</P> + +<P> +She took time to look hastily about her before returning to the shed. +The tree to which the goat was tied was on the edge of a steep hill +that fell away abruptly from the little clearing. +</P> + +<P> +Lucia looked down it, and could hardly believe her eyes; for there, far +below, was a silver stream glistening in the sunshine, and she realized +with a sense of thankfulness that it could be no other than the little +river that flowed below the west wall of Cellino, and right under the +windows of the Convent. If she could only get away, it would be an +easier matter to go back that way, than over the dangerous route by +which she had come. But she was not very eager to return at once, for +the idea that had come to her earlier in the day still tempted her to +wait and listen. +</P> + +<P> +When she returned to the shed the Captain was nowhere in sight, and one +of the soldiers pointed to the open door. She nodded and walked in, +the key grated in the lock, and she was once more a prisoner. +</P> + +<BR><BR><BR> + +<A NAME="chap07"></A> +<H3 ALIGN="center"> +CHAPTER VII +</H3> + +<H3 ALIGN="center"> +THE BEGGAR +</H3> + + +<P> +As the sun rose higher, a quiet settled over the clearing. The men +talked and smoked, and the Captain read a newspaper at the door of his +dugout. +</P> + +<P> +No one bothered Lucia, and she kept very quiet. She had had nothing to +eat since the night before and she was very hungry, but she would not +for the world ask her enemies for food. She was not above accepting +it, however, when a little before noon one of the soldiers brought her +a hard and tasteless biscuit and a cup of water. She ate greedily, and +then tired out from so much excitement she fell asleep. +</P> + +<P> +She awoke an hour later to a scene of activity. She could see through +the peek-hole that the Captain was consulting his watch every little +while, and the men were hurrying about excitedly. They all looked up +at a certain mountain above with suspicious eyes, and Lucia could tell +by the tone of their voices that they were angry about something. +</P> + +<P> +A few minutes later the arrival of a very muddy and tired soldier from +the opposite direction created a diversion. He saluted the Captain and +handed him a message. Whatever the message was, it pleased the +Captain, for he brought his fist down on his knee and laughed. Then he +gave some very long; and to Lucia, unintelligible orders, and the men +lost some of their ugly rebellious look. +</P> + +<P> +He chose two soldiers from the group before him, and motioned them into +his dugout. Lucia tried to make something out of the strange words +that the other men spoke, but she could not. They were eagerly +questioning the messenger and giving him food and water. He was +answering them, and from the expression of their faces his replies were +not cheering. At last he stood up, shrugged his shoulders and for the +first time noticed Garibaldi. +</P> + +<P> +The other soldiers explained, and Lucia knew they were discussing her +when they pointed to the shed. The messenger evidently suggested +milking the goat, for after a little laughing and jesting, one of the +men took a pail and approached Garibaldi. +</P> + +<P> +Now, no one had ever milked Garibaldi in all her life but Lucia, and +from the disastrous attempts on the part of the soldiers it was evident +that no one was ever going to, if that very particular animal could +prevent it, and she seemed quite able to, to judge from the results. +</P> + +<P> +Lucia watching through the cracks in the shed laughed softly to +herself. She was not surprised when, a few minutes later, one of the +men opened the door and told her to come out. +</P> + +<P> +He could not speak Italian and he resorted to the sign language. Lucia +nodded in understanding. She might have pretended blank stupidity, but +she wanted some milk herself, and this was a good way to get it. +Besides, she decided that she would do something to make it impossible +for them to lock her up again on her return. +</P> + +<P> +Garibaldi stood quite still as she milked her, and submitted meekly to +her affectionate pats. +</P> + +<P> +The messenger drank greedily from the pail, and when he had finished +there seemed to be nothing else for Lucia to do but return to the shed. +She walked back to the door as slowly as possible, and looked hard at +the lock. It was just an ordinary padlock and it hung open on the +rusty catch. She looked quickly at the men behind her. They were busy +talking, and did not appear to be paying any attention to her. +</P> + +<P> +Very quickly, without seeming to do it, she touched the padlock; it +swung on the catch, and then fell into the mud. Lucia put her foot +over it and ground it in with her heel. +</P> + +<P> +When the soldier remembered her a few minutes later, and came over to +shut the door, he grumbled at the loss of the lock, but he did not +apparently connect her with its disappearance, nor did he bother much +about looking for it. He shut the door and walked back to join the +group that still surrounded the messenger. +</P> + +<P> +Lucia sat down again and watched the door of the Captain's dugout. She +had wondered all day what the smiling Italian soldier and Beppi had +done after she left. She knew that Beppi could easily find his way +back to the cottage, and in case Nana had already gone, and Lucia knew +that in spite of her threats she would not go off alone, he would go +into the town and some one would take care of him. +</P> + +<P> +As for the soldier, he would hear the rat, tat, tat, and know what it +meant, and return to his comrades for help. She listened, but there +was no sound of guns near enough to mean a fight close at hand. +</P> + +<P> +The thought puzzled her, but she dismissed it as the Captain and the +two soldiers came out of the dugout. The men looked cross and sullen, +but the Captain was still smiling. He walked over to the messenger, +handed him a folded paper, and the man disappeared as mysteriously as +he came. +</P> + +<P> +Lucia did not pay any attention to him, however, for she was interested +in the two soldiers. They were very busy buckling on their kit bags in +preparation for a departure. When they were ready, they stood at +attention before the Captain. After more orders from him, they started +off down the hill just back of the shed. +</P> + +<P> +Lucia guessed that they were going to the river, with a cold feeling +around her heart, she realized that they could go straight to the wall +of Cellino. She did not stop to consider the many sentries who walked +up and down the walls day and night, or the fact that two enemy +soldiers would hardly walk up and attempt to enter a town in broad +daylight. She only knew that the river led to Cellino, and that all +she loved most in the world was there. +</P> + +<P> +She was sick with fear. She looked back at the Captain; he was again +consulting his watch. The soldiers looked at him and fell to grumbling +again. After a moment of indecision he called to them. +</P> + +<P> +They stood up and saluted. He gave a very peremptory order, and in a +few minutes almost all of them had their guns on their shoulders, and +waited his next word. The Captain himself buckled on his revolver, and +the party started off at a brisk pace through the tunnel. +</P> + +<P> +Lucia watched them go. In a hazy way she realized that they were going +out in search of the men who had left earlier in the morning. This was +correct in part, but they were also going to look for another party of +men, the ones who had been responsible for the rat, tat, tat, Lucia had +heard. +</P> + +<P> +The diggers, led by her captor, had been sent out that morning to +relieve their comrades already at work. When none of them returned the +Captain grew anxious, and was himself leading the searching party. +</P> + +<P> +If Lucia had known, she would have realized that her Italian soldier +was in some way responsible for their absence, and she would have been +delighted. As it was, she dismissed the Captain with a shrug and +turned her attention to the few soldiers who remained. They were a +little distance from her, and most of them had their backs to her. +</P> + +<P> +Lucia determined to try to slip out unnoticed. She waited until they +were all talking at once. By their angry gestures they appeared to be +discussing something of great importance; none of them even glanced +towards the shed. +</P> + +<P> +Lucia pushed open the door very gently and waited. No one noticed it, +then she laid down flat and crawled out into the mud; it was slow work, +but in the end it proved the best way, for she reached the tree and +Garibaldi without being discovered. The shed hid her from sight. She +hurriedly untied the rope and freed the goat. It had never entered her +mind to escape and leave her behind. +</P> + +<P> +Garibaldi, free once more, ran down the steep hill her hoofs making no +more than a soft, pad, pad noise in the mud. Lucia dropped to the +ground again and crawled slowly after her. Below her, almost at the +river's edge, she could see the two soldiers slipping and stumbling +along. +</P> + +<P> +She wriggled on in the mud until she was well below the crest of the +hill, then she got up and began to run. She jumped from one rock to +the next, always keeping the two men in sight, but keeping under cover +herself. The men kept to the bank of the river and moved forward +cautiously. Lucia kept abreast of them, but stayed high up above their +heads. +</P> + +<P> +It was a long walk, for the river twisted and turned many times before +it reached the walls of Cellino. But it did not tire Lucia, as it did +the two men. They walked slower and slower as the afternoon wore on, +stopping every few minutes to rest and talk excitedly. +</P> + +<P> +At a little before sunset the guns grew louder and seemed to be much +nearer. All day there had been a dull rumble, but now they burst out +into a terrific roar. Lucia saw the men below her stop and look up. +They stood still for a long time, and then hurried on. Until now the +road had been deserted, but ahead at the end of a footbridge, just +around a sharp turn, Lucia, from her vantage point, could see another +figure. The soldiers could not have seen him, but when they reached +the turn of the road they both left the open and took cover in the +rocks above. +</P> + +<P> +Lucia watched narrowly. They did not stop as she half expected them to +do, but crept on until they were abreast of the man. He was a beggar +to judge by his shabby clothes, and he was apparently whiling away his +afternoon by staring into the river. +</P> + +<P> +Lucia's first thought was that the Austrians would shoot him. She +caught her breath sharply when a queer thing happened. One of the +soldiers picked up a stone and threw it down into the stream. +</P> + +<BR><BR><BR> + +<A NAME="chap08"></A> +<H3 ALIGN="center"> +CHAPTER VIII +</H3> + +<H3 ALIGN="center"> +THE SURPRISE ATTACK +</H3> + + +<P> +Without turning his head, the beggar picked up a stone and tossed it +into the river. He repeated this twice. +</P> + +<P> +Lucia watched, fascinated. The soldiers left their hiding-place and +came down to the road. The beggar took something out of the pocket of +his coat, handed it to one of the soldiers, and shuffled off in the +opposite direction. +</P> + +<P> +Lucia waited to see what the soldiers would do. She expected them to +return, but instead they waited until the beggar was out of sight, and +then hurried across the foot-bridge and plunged hurriedly into the +mountains opposite. +</P> + +<P> +Lucia caught sight of their shining helmets every now and then as they +climbed higher and higher, and finally disappeared. She was undecided +what to do, but after a little hesitation she determined to follow the +beggar. Now that the Austrians were out of sight there was no need for +her to avoid the open path, and she hurried to it and ran quickly in +the direction that the man had taken. She did not know where she was, +or how far she would have to go before she reached Cellino. She had +seen nothing of the town from the mountains, and she guessed that it +was much farther away than she had at first supposed. +</P> + +<P> +She walked on as fast as she could, keeping a sharp lookout for the +beggar, but he had apparently disappeared, for she could not find him +or any trace of him. +</P> + +<P> +It was late in the afternoon when she reached a part of the river that +was familiar to her, and with a start she realized that she was still a +good three miles from Cellino. She was very tired and very hungry, but +she sat down to consider the best plan to follow. She knew nothing of +what had passed between the men at the bridge, but she had sense enough +to realize that whatever it was, it was not for the good of the Italian +forces. +</P> + +<P> +Some one must be warned, and soon, for the speed of the Austrian +soldiers made her feel that the danger was imminent. +</P> + +<P> +"I will go on to town and warn them," she said aloud to Garibaldi, +"that is the best plan, and then I can find something to eat." +</P> + +<P> +She jumped up and started off with renewed energy. At a little path +that turned to the right she left the river and came out on the broad +road at the foot of a valley. It was not long after that, when she saw +the little white cottage ahead. The sight of it gave her courage. +There, at any rate, would be a human being to talk to, and bread to +eat. She ran the rest of the way, and did not pause until she was in +the little room. +</P> + +<P> +The sight that met her eyes sent a sudden damper over her spirits. +Everything was upside down. The green bed was stripped of its sheets, +and all the familiar ornaments had gone. Lucia stood dumbfounded +trying to realize that Nana had really gone. A feeling of loneliness +and despair made the tears come to her eyes. +</P> + +<P> +She clenched her fists and tried to swallow the lump in her throat, but +without success, the tears came in spite of her and in her +disappointment she threw herself down on the bed and sobbed. Fear got +the better of her, and in an agony of mind she imagined every possible +harm to Beppi. +</P> + +<P> +But she was not allowed to stay long in that state of mind, for +suddenly the guns broke into a terrible roar. The air was black with +smoke and the house trembled and rocked under her. +</P> + +<P> +She jumped up and ran to the window. Great volumes of smoke arose to +the east, and higher geysers of dirt and rock flew up into the air. +</P> + +<P> +"The Austrians!" Lucia did not stop to think in her fear. She dashed +out of the house and down the road in the opposite direction from the +town. Without realizing the personal danger to herself, she ran as +fast as she could. Fear and the noise of the exploding shells sent her +plunging ahead regardless of direction. +</P> + +<P> +Instinctively she took the path to the right at the foot of the village +and climbed up to the little plateau. She was directly under the fire +of her own guns, but the noise from both sides was so great that she +did not know it, and she forged ahead, shouting. In all the tumult she +could not even hear her own voice, but to shout relieved her nerves of +the terrible strain. +</P> + +<P> +When she reached the plateau she climbed on up, choosing the spot +where, earlier in the day, the Italian soldiers had come from, and +slipping and sliding, but always goaded on by fear, and the knowledge +that she must tell some one about the beggar, she kept on her way. +</P> + +<P> +She did not know how long she ran, or when it was that she stumbled, +but suddenly everything was black before her eyes, and the noise of the +guns was blotted out by the awful ringing in her ears. Then came +oblivion. +</P> + +<P> +When she next realized anything, she was conscious of some one bending +over her and holding a water bottle to her lips. She drank gratefully +and opened her eyes. The Italian soldier was beside her, and another +man was lying on the ground near her. +</P> + +<P> +"Give me something to eat," she said, trying to sit up, "or I will go +away again." Going away was the only way she knew of, to express the +sensation of fainting. +</P> + +<P> +The Italian took something out of his knapsack and gave it to her. +Lucia ate ravenously, and the queer feeling at the pit of her stomach +disappeared. +</P> + +<P> +"How did you escape?" he asked. +</P> + +<P> +The question brought back a sudden wave of memory, and Lucia jumped up +excitedly. +</P> + +<P> +"By the river road—two Austrians and a beggar—they met by the +foot-bridge, over there where the noise comes from; I saw them." She +recalled the facts jerkily. +</P> + +<P> +"Go on!" the Italian's eyes flashed. +</P> + +<P> +"The beggar gave the Austrians a paper, and they left with it and +climbed up into the mountains across the river. I could not follow +without being seen, and when I tried to find the beggar he had +disappeared. The river runs right under the wall." +</P> + +<P> +"Oh, look!" She stopped abruptly and put her hand over her eyes. +</P> + +<P> +A great cloud of fire followed a terrific report, and from the distance +of the hill it looked as if the whole town of Cellino was in flames. +</P> + +<P> +The Italian snatched a field glass that lay on the ground beside the +wounded man, and put it to his eyes. Then without a word he dashed +off. Lucia followed him. A giant tree grew between two huge rocks a +little further up the mountain, and the Italian climbed up it. +</P> + +<P> +Lucia watched him, and for the first time she noticed that several +wires were strung along and ended high up in its branches. She heard +the Italian calling some directions, and knew that a telephone must be +hidden somewhere in the tree. She could make nothing of the orders; +they were mostly numbers, and she waited impatiently until he returned +to her. +</P> + +<P> +"Stay here," he said quickly, "and lie down flat—don't move. The +Austrians are advancing on the other side of the river, and Cellino +will fall if the bridge is not blown up." +</P> + +<P> +"But who can get to it?" Lucia demanded. +</P> + +<P> +"I can; it is mined. If I can reach it we may drive them back." +</P> + +<P> +He did not wait to say more. +</P> + +<P> +Lucia watched him impatiently as he stumbled and slid clumsily down the +rough trail below her. The shells were coming nearer and nearer, and +the air was filled with brilliant fire. +</P> + +<P> +She watched the man every second, afraid to lose track of him. At the +base of the rock he fell. She caught her breath and shouted aloud when +he picked himself up and stumbled on. He reached the road and was just +starting across the little path that led to the river, when a shell +exploded so near him that the smoke hid him completely from view. +</P> + +<BR><BR><BR> + +<A NAME="chap09"></A> +<H3 ALIGN="center"> +CHAPTER IX +</H3> + +<H3 ALIGN="center"> +THE BRIDGE +</H3> + + +<P> +It was several minutes before Lucia saw him again; he was lying flat, a +little to one side of the road, and he was very still. She waited, +hoping against hope to see him move, and fighting against the horrible +thought that filled her mind. +</P> + +<P> +"He is dead," she exclaimed, terrified, "and they are moving; and the +bridge!" +</P> + +<P> +Without another thought she got up and very carefully started down the +descent, her mind concentrated on the bridge. She did not attempt to +go to the road, but kept to the shelter of the rocks, and a little to +one side of the fire. The shells were bursting all around her, but she +was above the range of the guns, and comparatively safe. +</P> + +<P> +She hurried as fast as she could, but it was hard to keep the +direction, in all the noise and blinding flames. She did not dare to +look towards Cellino, or think what that hideous column of smoke might +mean. +</P> + +<P> +At last she reached the river, and the bridge was in sight a little +distance ahead. It was an old stone bridge, and wide enough for men to +walk four abreast. At that point the river was very wide and the +bridge was made in three arches. It looked very substantial, and Lucia +stopped, suddenly terrified by the thought that she did not have the +slightest idea how or where to blow it up. +</P> + +<P> +She looked about her as if for inspiration. She found it in the moving +line of men just visible far above in the mountains. +</P> + +<P> +The Austrians! They were advancing, and the sudden realization of it +brought out all her courage and daring, and intensified the hatred in +her heart. +</P> + +<P> +"They shall not cross our bridge," she shouted defiantly, and raced +ahead regardless of the rain of shot and shell. +</P> + +<P> +But when she reached the bridge she stopped again, helpless and +completely baffled. The wall rose above her high and impregnable. A +little farther along, the window of the convent seemed to be ablaze +with light. The church had been struck, and Lucia could feel the heat +of the flames from where she stood. +</P> + +<P> +The North Gate seemed miles away, and she turned to the convent. She +knew there was a door that gave on to the river bank, and she ran +forward. She found it and pushed frantically against it. It was +locked, the only other opening being a window higher up. +</P> + +<P> +Lucia looked at it in despair. It was her only chance. The glass had +been smashed by the impact of the bursting shells and lay in broken +bits under her feet. She could just reach the ledge with her hands, +and the stone felt warm. The wall was rough and uneven, and after a +struggle she managed to find a foothold and pulled herself up. The +jagged glass still in the casement cut her hands, but she did not stop +to think about it. Once inside she ran along the dark corridor and up +the few steps that led to the first floor. The big iron doors were +open, and she caught her first sight of the town. +</P> + +<P> +The convent was just outside, and on the road that led south a great +stream of people carrying every size of bundles, was hurrying along. +Lucia recognized some of them, but the faces she most longed to see +were not there. +</P> + +<P> +She turned away, for the sight seemed to drain all her courage, and she +longed to run after them, but the memory of that moving mass of +soldiers made her true to her trust, and she hurried through the +convent, calling for aid. +</P> + +<P> +At the farthest door she discovered several of the sisters hurrying +about and trying to clear the big ward filled with wounded soldiers. +They had been brought in that morning, and some of them were very ill +indeed. The sisters were carrying them out on improvised stretchers. +Those who were able to stand up staggered along as best they could by +themselves. Lucia saw one boy leaning heavily against the door, and +ran to him. +</P> + +<P> +"Roderigo Vicello!" she exclaimed, when she looked up at him. +</P> + +<P> +Roderigo swayed and would have fallen if she had not supported him. +</P> + +<P> +"I can not go," he said weakly. "I am too tired, and I want to go. I +have watched her out of sight, but I am too tired to follow." +</P> + +<P> +Lucia looked at him intently. It seemed to her impossible that a man, +and a soldier, could bother to think of a girl at such a time. She +took his arm firmly and shook him. +</P> + +<P> +"Do you know how to blow up a bridge that is mined?" she demanded +excitedly. +</P> + +<P> +"Yes, pull out the pin," Roderigo replied, "if it is a time fuse," he +spoke slowly and painstakingly. +</P> + +<P> +"Pin?" Lucia exclaimed impatiently, "I don't understand, you will have +to come. Listen, the Austrians are just a little way off across the +river, they must not cross the bridge." +</P> + +<P> +Roderigo was alert at once. The light came back into his eyes and his +body stiffened. +</P> + +<P> +"What are you saying?" he demanded. "Do you mean, they are coming from +that side?" +</P> + +<P> +"Yes," Lucia exclaimed, "there is no time to spare; hurry, I will help +you." +</P> + +<P> +She put her strong, young arm about his waist, and by leaning most of +his weight on her shoulder he managed to crawl along. Lucia was half +crazy with impatience, but she suited her step to his, and helped him +all she could. +</P> + +<P> +At last they reached the lower door. She opened it hurriedly and the +bridge was in sight, but so were the Austrians. They were so near that +what had seemed one solid mass now resolved itself into individual +shapes. To Lucia it seemed as if a great sea of men were rushing down +upon them. +</P> + +<P> +The exertion from the walk made Roderigo sway, and just before they +reached the bridge he fell forward. Lucia crouched down beside him, +and begged and pulled until he was on the bridge. +</P> + +<P> +"Now where is it? Tell me what to do," she begged, "see they are +almost here." +</P> + +<P> +With a tremendous effort Roderigo pulled himself to the edge of the +bridge and located the mine. In a voice that was so weak that Lucia +could hardly hear it he gave the directions. Lucia obeyed. +</P> + +<P> +"When will it go off?" she demanded. "Will we have time to get away?" +</P> + +<P> +Roderigo shrugged his shoulders. +</P> + +<P> +"You will," he said. "Run as fast as you can, I don't know how long it +will take." +</P> + +<P> +Lucia did not wait to argue. She caught him under his arms and dragged +him back to the convent as fast as she could. +</P> + +<P> +Roderigo had given up all hope, but as they drew nearer to the door of +the convent, the wish to live asserted itself, and he got to his feet +and ran with Lucia. They did not stop until they were safe on the road +beyond. The last inhabitant of Cellino was out of sight, and it seemed +as if they were alone. +</P> + +<P> +They waited, Lucia supporting Roderigo's head in her arms. +</P> + +<P> +The explosion came, there was a crash, and then a great shaking of the +earth. Lucia listened, her eyes flashing. +</P> + +<P> +"Wait here," she said to Roderigo, "I will return at once." She ran +hurriedly back to the convent and down again to the door. +</P> + +<P> +The old bridge was ruined. Great pieces of it were torn out and had +fallen high on the banks. The center span was entirely gone, and the +river, broad and impassable, ran smoothly between the jagged ends. +</P> + +<P> +Lucia did not stand long in contemplation of the scene before her. She +hurried back to the road. A sister was beside Roderigo, and Lucia went +to her. +</P> + +<P> +"It is not safe back in there," she said, pointing to the convent. "A +shell may hit it." +</P> + +<P> +The sister nodded. +</P> + +<P> +"It hardly matters," she replied quietly. "No place is safe. We will +take him there; he is too ill to be carried far." +</P> + +<P> +Lucia agreed, and between them they carried the unconscious Roderigo +back to the ward and laid him gently on one of the beds. +</P> + +<P> +Sister Francesca turned back the cuffs of her robe and began doing what +she could. As she worked she talked. +</P> + +<P> +"We were all ordered to leave," she said; "but when we were well along +the road I turned back. It seemed so cowardly to go when we were most +needed. The rest thought that by night the Austrians would be in +possession, but I could not believe it." +</P> + +<P> +She was a little woman with a soft voice and big blue eyes, and she +spoke with such gentle assurance that Lucia felt comforted. +</P> + +<P> +"They will not come to-night," she said, "for the bridge is down, and +our troops will surely be able to force them back." +</P> + +<P> +Sister Francesca nodded. +</P> + +<P> +"I hope so. At any rate, there will be wounded and my place is here." +</P> + +<P> +At the word "wounded," the vivid picture of the smoke-choked valley, +the shell explosion, and the still form of the Italian soldier flashed +before Lucia's mind. +</P> + +<P> +"What am I doing here?" she said impatiently. "There are wounded now +and perhaps we can save them." +</P> + +<P> +She did not offer any further explanation, but slipped out of the big +room and hurried back to the road once more. +</P> + +<P> +The sun had set and twilight gleamed patchy through the clouds of +smoke. It was still light enough to see, and Lucia hurried to the +gate. The first sight that she had of Cellino made her stop and +shudder. The church was in ruins, and every pane of glass was broken +in the entire village. In their haste the refugees had thrown their +belongings out of their windows to the street below, and then had gone +off and left them. Great piles of furniture and broken china littered +the way, and stalls had been tipped over in the market place. +</P> + +<P> +No one stopped Lucia; the town was deserted. She ran hurriedly across +to the North Gate, afraid of the ghostly shadows and unnatural sights. +At the gate a splendid sight met her eyes. +</P> + +<P> +From the convent she had only seen the Austrians, the wall had cut off +her view of the west. But now she commanded a view of the whole field, +and to her joy the Italians were advancing as steadily from the west as +the Austrians from the east. They would meet at the river, and at the +memory of the bridge Lucia threw back her head and laughed. It was not +a merry laugh, but a grim triumphant one, and it held all the relief +that she felt. +</P> + +<P> +But, splendid as the sight before her was, she did not stay long to +look at it. Below, somewhere in the valley, the Italian soldier of the +shining white teeth and the pennies was lying wounded, or dead, and +nothing could make Lucia stop until she found him. +</P> + +<P> +The heavy artillery fire had let up a little, and the shells were not +quite so many. +</P> + +<P> +Lucia started to run. She had made up her mind earlier in the day that +if she moved fast enough she would escape being hurt. She +unconsciously blamed the slowness of the Italian soldier for his +injury. She passed her cottage half-way down the hill. It was still +standing, but a shell had dropped on the little goat-shed and blown it +to pieces. One of the uprights and the door, which was made of stout +branches lashed together with cord, still stood. The door flapped +drearily and added to the desolation of the scene. +</P> + +<P> +Lucia did not stop to investigate the damage, but hurried ahead. She +was afraid the light would fade before she reached the wounded soldier. +</P> + +<P> +At the end of the road in the bottom of the valley she was just between +both sides, the shells dropped all about her and she stood still, +bewildered and frightened. +</P> + +<P> +The high mountains on either side made sounding boards for the noise, +and the roar of the guns seemed to double in volume. +</P> + +<P> +"Lie down!" +</P> + +<P> +A voice almost under her foot made her jump, and she saw the Italian +soldier. She did as he commanded, and he pulled her towards him. +</P> + +<P> +He was very weak, and when he moved one leg dragged behind him. He +tried to crawl with Lucia into the shell hole close by. She saw what +he was doing and did her best to help. When they finally rolled down +into the shell hole, the man groaned. +</P> + +<P> +Lucia could feel that his forehead was wet with great drops of +perspiration. She found his water bottle and gave him a drink. +</P> + +<P> +"What's happened?" he asked, speaking close to her ear. +</P> + +<P> +Lucia told him as much as she knew. +</P> + +<P> +"Then the bridge has gone?" There was hope in his voice. +</P> + +<P> +"Gone for good. They can never cross it, and our men are just over +there." +</P> + +<P> +"How can I get you back?" she asked. "The convent is so far away." +</P> + +<P> +The soldier shook his head. "You can't. We are caught here between +the two fires, it would be certain death to move. What made you come +back?" +</P> + +<P> +"To find you," Lucia replied. "I could not come sooner, there was so +much to do. I even forgot you, but when I remembered, I ran all the +way and now I am helpless." +</P> + +<P> +"Don't give up," the Italian replied. "You must have courage for both +of us, for I am useless. My leg has been badly injured by a piece of +shell, and I cannot even crawl." +</P> + +<P> +"Then there is nothing to do but wait for the light," Lucia was +trembling all over. "Oh, what a long day it has been!" +</P> + +<P> +"But the dawn will come soon," the soldier tried to cheer her, "and +then perhaps the stretcher-bearers will find us. If they do not—" +</P> + +<P> +"If they do not, I will find a way to take you to the convent," Lucia +replied with sudden spirit, and with the same determination that had +resulted in her blowing up the bridge, she added to herself: +</P> + +<P> +"He shall not die!" +</P> + +<BR><BR><BR> + +<A NAME="chap10"></A> +<H3 ALIGN="center"> +CHAPTER X +</H3> + +<H3 ALIGN="center"> +GARIBALDI, STRETCHER-BEARER +</H3> + + +<P> +The long night set in, and the soldier, wearied from his long wait, +dropped to sleep in spite of the noise. Lucia's tired little body +rested, but her eyes never relaxed their watch in the darkness. +</P> + +<P> +The fire kept up steadily, and at irregular intervals a star-shell +would illuminate the high mountains. Towards midnight there was an +extra loud explosion, and once more the terrifying flames seemed to +encircle Cellino. +</P> + +<P> +Lucia wondered dully what had been struck. The church was gone, and +she supposed this was the town hall. It looked too near, as far as she +could judge, for the convent. +</P> + +<P> +Her ears were becoming accustomed to the sound, and she thought the +fire from both sides was being concentrated towards the south. The +shells near them lessened, and at last stopped. Before dawn the +Italian stirred, and called out in his sleep. +</P> + +<P> +Lucia spoke to him, but he did not answer; he was so exhausted that he +was soon unconscious again. +</P> + +<P> +Lucia watched the east, and tried to imagine Beppi safe and sound in a +town far away from this terrible din, but she could be sure of nothing. +She remembered Roderigo's words, 'She is safe,' and knew that he must +have meant Maria. Surely Beppi and Nana were with her and Aunt Rudini; +it could not be otherwise. +</P> + +<P> +With a guilty start she remembered Garibaldi. Where was she, and what +had become of her in all the terrors of yesterday? Lucia could not +remember having noticed her after she left the footbridge. Was she +safe in the mountains, or lying dead in a shell hole? +</P> + +<P> +"My Garibaldi, poor little one, she would not understand, and she will +think I neglected her." +</P> + +<P> +Tears of pity and weariness stung Lucia's cheeks. The thought of her +little goat, suffering and neglected, seemed to be more than she could +bear. She buried her head in her arm and cried softly. The tears were +a relief to her, and long after she had stopped sobbing they trickled +down her cheeks. +</P> + +<P> +She fell into a light doze now that her watch was so nearly ended, and +did not waken until the east was streaked with gray. She might not +have awakened then, had it not been for a cold, wet nose burrowing in +her neck, and a plaintive, "Naa, Naa!" +</P> + +<P> +She sat up suddenly to discover Garibaldi, covered with mud from her +ears to her tail, looking very woe-begone, standing beside her. +Regardless of the mud Lucia threw her arms around her pet, and for once +in her life the little goat seemed to return her caress. +</P> + +<P> +When Lucia lifted her head there was a smile on her lips, and the old +light of determination shone in her eyes. She got to her knees slowly +and looked about her. The guns were booming back and forth, but their +position seemed to be changed. The Austrian guns still sounded from +across the river, but their range was much farther south. +</P> + +<P> +Lucia looked towards the west. None of the guns that were there the +night before could be heard. With a throb of joy she realized that the +booming now came from the town. +</P> + +<P> +"Had the Italians crept up and into Cellino during the night?" The +very idea was so exciting that she could not rest until she made sure. +</P> + +<P> +She stood up and walked over to the road. The gate had an odd +appearance in the half light. She walked up the hill a little way, +rubbing her eyes as she went. Something behind the wall seemed to +appear suddenly, emit a puff of smoke, and then disappear. +</P> + +<P> +Lucia had never seen a big gun in her life, and she did not know that +one was hidden securely in the cover of the wall near the ruins of the +church, for so quietly had the great monster arrived, and so stealthily +had the soldiers worked, that its sudden appearance seemed almost a +miracle. +</P> + +<P> +Lucia put it down as one, and offered her prayer of thankfulness from +the middle of the muddy road. Then the work at hand took the place of +her surprise, and she ran back to her wounded soldier and roused him +gently. He opened his eyes; they were bright with fever, and he tossed +restlessly. +</P> + +<P> +Lucia tried to move him, but could not. He was very big, and she could +not pull him as she had the slender Roderigo. +</P> + +<P> +As she stopped to consider, the walls of Cellino suddenly seemed to let +loose a fury of smoke and flame. Nothing that had happened during the +day before equalled it. The big guns boomed and the smaller ones sent +out sharp, cracking noises that were even more terrifying. +</P> + +<P> +Poor Lucia dropped to her face again, and Garibaldi cowered beside her. +</P> + +<P> +Nothing seemed to happen. The shells did not fall near them as she had +expected, and after her first fright had passed, she got to her feet +again. +</P> + +<P> +Tugging at the soldier was useless, and an idea was forming in her +mind. She ran as fast as she could up the hill to the cottage, calling +Garibaldi to follow. +</P> + +<P> +At the shed she stopped and looked at the door. It was light, and she +soon tore it away from its support. Then she went into the cottage and +came back with a rope. She made a loop and put it over the goat's +head. Then with two long pieces she contrived a harness and hitched +the door to it. One end dragged on the ground, and the other was about +a foot above it. The rope was crossed on the goat's back and tied +firmly to the long ends of the door that did duty as shafts. Garibaldi +was too disheartened to protest, and Lucia had little trouble in +leading her down the hill. +</P> + +<P> +The soldier was delirious when she reached him, but he was so weak that +it was an easy matter to roll him on to the improvised stretcher. +</P> + +<P> +Lucia took hold of one shaft, and with Garibaldi pulling too, they +started off. +</P> + +<P> +It was a long and weary climb, but at last they reached the cottage. +</P> + +<P> +The terrible jolting had been agony for the soldier. He regained +consciousness on the way, and from time to time a groan escaped him. +But when he was in the house he did his best to smile, and crawled onto +the mattress that Lucia had pulled to the floor. +</P> + +<P> +She made haste to take off his knapsack, and under his direction she +dressed the ugly wound in his thigh. Her fingers, only used to rough +work, moved clumsily, but she managed to make him a little more +comfortable. He smiled up at her bravely. +</P> + +<P> +"Poor little one, you are tired. Go and eat," he whispered. And +Lucia, after she saw his head sink back on the pillow, found a stale +loaf of black bread and began to munch it slowly. +</P> + +<P> +The soldier pointed to his knapsack and told her to eat whatever she +found in it. +</P> + +<P> +"There should be some of my emergency rations left," he said faintly. +</P> + +<P> +Lucia found some dried beef and offered it to him, but he shook his +head and asked for a drink of water. She gave it to him, but his eyes +closed and his head fell back as he drank. She ate all the beef and a +cake of chocolate that she found; and then went to the door to look out. +</P> + +<P> +Cellino was enveloped in smoke and she could not see the gate. The +guns were barking, and little spurts of white smoke seemed to punctuate +each separate fire. Away to the east the enemy's guns were still +booming. +</P> + +<P> +Lucia realized that a hard battle was under way, and that it would be +useless to try to get help until there was a lull. She returned to the +room and looked down at the soldier. He was moaning softly, and his +eyes looked up at her beseechingly. +</P> + +<BR><BR><BR> + +<A NAME="chap11"></A> +<H3 ALIGN="center"> +CHAPTER XI +</H3> + +<H3 ALIGN="center"> +THE AMERICAN +</H3> + + +<P> +"Are you suffering very much?" she asked softly. +</P> + +<P> +The man nodded, his eyes closed, and a queer pallor came over his face. +Lucia was suddenly terrified. She felt very helpless in this battle +with death, but her determination never left her. +</P> + +<P> +She ran to the door. Poor Garibaldi was still standing hitched to the +stretcher. Lucia went to her and led her back to the door of the +cottage. She looked half-fearfully, half-angrily at the town above her. +</P> + +<P> +"He shall not die!" she said between her teeth, and went back into the +house. +</P> + +<P> +The transfer from the bed to the stretcher was very difficult to +manage, for the poor soldier was beyond helping himself. But Lucia +succeeded without hurting him too much, and once more the strange trio +started out on their climb. +</P> + +<P> +They were in no great danger, for only an occasional shell burst near +them. The fighting was going on below the east wall. Lucia and +Garibaldi toiled up the hill, each one using every bit of their +strength. +</P> + +<A NAME="img-127"></A> +<CENTER> +<IMG SRC="images/img-127.jpg" ALT=""Lucia and Garibaldi toiled up the hill, each one using every bit of their strength."" BORDER="2" WIDTH="412" HEIGHT="557"> +<H4> +[Illustration: "Lucia and Garibaldi toiled up the hill, <BR> +each one using every bit of their strength."] +</H4> +</CENTER> + +<P> +The soldier was limp and lifeless, his head rolled with every bump. He +looked like one dead, but Lucia refused even to consider such a +possibility. She urged Garibaldi on and tugged with determined +persistence. +</P> + +<P> +They were just below the wall when Lucia stopped to rest. The little +goat was staggering from the exertion, and she was out of breath. She +looked at the gate, it was only a little way off, but it seemed miles, +and she wondered if she could go on. +</P> + +<P> +She looked up at the wall. A man dressed in a uniform unlike the +Italian soldiers was looking down at her. Lucia called to him just as +he jumped to the ground. She held her breath expecting to see him +hurt, but he landed on his feet and ran to her. +</P> + +<P> +"For the love of Pete, what have you got there?" he asked in a language +that Lucia did not understand. +</P> + +<P> +She looked up at him bewildered. +</P> + +<P> +"I do not understand what you say, but the soldier is very sick. +Please help me carry him to the convent," she said hurriedly. +</P> + +<P> +"Hum, well you may be right," the big man laughed, "but I guess what +you want is help." +</P> + +<P> +He leaned over the wounded Italian. +</P> + +<P> +"Pretty far gone, but there's hope. Steady now, I've got you." He +lifted the man gently in his arms and carried him on his back. +</P> + +<P> +Lucia watched him with admiration shining in her eyes. She followed +with the goat through the gate. +</P> + +<P> +Once in the town she could hardly believe her eyes. Soldiers seemed to +be everywhere, shouting and calling from one to the other. She saw the +little guns that were making all the sharp, clicking noises, and she +knew that just below, and on the other side of the river, the Austrians +were fighting desperately. +</P> + +<P> +They passed many wounded as they hurried along, and to each one the big +man would call out cheerily. Lucia wished she could understand what he +said, or even what language he spoke. It was not German, of course, +and she did not think it was French. +</P> + +<P> +"Perhaps he was a tourist?" she asked him shyly, but he shook his head. +</P> + +<P> +"I don't get you, I'm sorry. I'm an American, you see." +</P> + +<P> +"Oh, Americano!" Lucia clapped her hands delightedly. "I am glad, I +thought so, American is the name of the tourists, just as I guessed," +she replied. "I have heard of Americans and I have seen some in the +summer, but they were not like you." +</P> + +<P> +She looked up in his face and smiled. +</P> + +<P> +The American did not understand a word of her Italian, but he saw the +smile, and answered it with a good-natured grin. +</P> + +<P> +"You're a funny kid," he said. "I wish I could find out what you are +talking about, and where you got ahold of that queer rig and the goat." +</P> + +<P> +They had reached the other gate by now, and they hurried through it and +to the convent. +</P> + +<P> +Several of the sisters had returned, and there were doctors and nurses +all busy in the long room where, the night before, Lucia had left +Roderigo and Sister Francesca. +</P> + +<P> +The American laid the soldier down on one of the beds, and hurried to +one of the doctors. +</P> + +<P> +"Saw this youngster dragging this man on a sort of stretcher hitched to +a goat," he said. "He's pretty bad. Better look at him." +</P> + +<P> +The doctor nodded. Lucia stood beside her soldier and waited. She was +almost afraid of what the doctor would say. He leaned over him and +began taking off his muddy uniform, while the American helped. When he +had examined the wound, he hurried over to a table and came back with a +queer looking instrument. To Lucia it looked like a small bottle +attached to a very long needle. +</P> + +<P> +"Don't, don't, you are cruel!" she protested, as he pushed it slowly +into the soldier. She put out her hand angrily, but the American +pulled her back. +</P> + +<P> +"It's all right," he said soothingly. "It's to make him well." +</P> + +<P> +Lucia shook her head, and the doctor turned to her. He spoke excellent +Italian. +</P> + +<P> +"It is to save his life, child, and it doesn't hurt him, I promise you. +Now tell me, where did you find him?" +</P> + +<P> +Lucia explained hurriedly. The story, as it came from her excited +lips, sounded like some wild, distorted dream. The doctor called to +Sister Francesca. +</P> + +<P> +"Is this child telling me the truth?" he asked wonderingly. +</P> + +<P> +"As far as I know," she said; "and that boy in the third cot blew up +the bridge. I know she went out to find the wounded." +</P> + +<P> +The doctor did not reply at once. He was hunting for the soldier's +identification tag. When he found it, he read it and whistled. +</P> + +<P> +"Captain Riccardi!" he exclaimed. "By Jove, we can't let him die." +</P> + +<P> +It could not be said that the doctor redoubled his efforts, for he was +working his best then, but he added perhaps a little more interest to +his work. +</P> + +<P> +The American helped him, and Lucia, at a word from Sister Francesca, +hurried to her and helped her with what she was doing. It was not +until many hours later that she stopped working, for more wounded were +being brought in every few minutes by the other stretcher-bearers, and +there was much to do. But at last there was a lull, and Lucia ran +through the long corridor and down to the door. +</P> + +<P> +She opened it a crack and looked out. Before her, stretched along the +banks of the river, were countless Austrian soldiers, staggering and +fighting in a wild attempt to run away from the guns in the wall that +mowed them down pitilessly. The officers tried to drive them on, but +the men were too terrified, they could not advance under such steady +fire. A little farther on, there was the beginning of a rude bridge. +The enemy had evidently tried to build it during the night, but had +been forced to abandon it after the Italians reached their new position. +</P> + +<P> +As Lucia watched, the men seemed to form in some sort of order, and +retreat back into the hills. Their guns stopped suddenly, and only the +Italian fire continued. +</P> + +<P> +It was a horrible scene, and in spite of the splendid knowledge that an +undisputed victory was theirs, Lucia turned away and closed the door +behind her. She ran up to the big door and out on the road. +</P> + +<P> +There were signs of the battle all about her in the big shell holes in +the road, and in the ruins still smoking inside the walls, but there +was no such sight as she had just witnessed, and she took a deep breath +of the warm fresh air. +</P> + +<BR><BR><BR> + +<A NAME="chap12"></A> +<H3 ALIGN="center"> +CHAPTER XII +</H3> + +<H3 ALIGN="center"> +A REUNION +</H3> + + +<P> +She shaded her eyes and looked down the road. +</P> + +<P> +Garibaldi, freed from her harness, was lying down in the sunshine, and +as Lucia watched her she saw a familiar figure running towards her. +She saw it stop and pat the goat. With a cry of joy she recognized +Maria, bedraggled and muddy, but without doubt Maria. She ran forward +to meet her. +</P> + +<P> +"Maria, where have you come from?" she called as the older girl threw +herself into her out-stretched arms and began to cry. +</P> + +<P> +"Oh, from miles and miles away! I have been running since late last +night," she sobbed. +</P> + +<P> +"But what has happened? Beppi, Nana, are they safe?" Lucia demanded. +</P> + +<P> +"Yes, yes, they are all safe with mother," Maria replied. +</P> + +<P> +"Then why did you come back?" Lucia persisted. +</P> + +<P> +"Oh, I could not bear it!" Maria tried to stifle her sobs. "All +yesterday, as we ran away from the guns, I kept thinking—back there, +there is work and I am running away. I knew that you were here, and I +thought you were killed. Nana was half crazy with fear and we could +get nothing out of her." +</P> + +<P> +"But Beppi, he is safe, and aunt is taking care of him?" Lucia insisted. +</P> + +<P> +"Oh, he is safe, of course, and so excited over his adventure, but he +was crying for you last night, and we had hard work to comfort him." +</P> + +<P> +Maria paused, and Lucia looked into her eyes. There was a question +there and she knew that her cousin did not give voice to it. She put +her arm around her and led her back towards the convent. +</P> + +<P> +"Come," she said, smiling with something of her old mischievousness. +"There is much to be done, and I will take you to Sister Francesca. +She will tell you where to begin." +</P> + +<P> +Maria followed her. +</P> + +<P> +Lucia went back to the ward and did not stop until she stood beside +Roderigo's bed. He was asleep, but his brows were drawn together in a +worried frown. Lucia put her finger on her lip and turned to her +cousin and pointed. Maria looked; a glad light came into her eyes, and +without a sound she fell on her knees beside the bed. +</P> + +<P> +Lucia left her and went over to Sister Francesca. She was awfully +tired, and her arms were numb, but she did not dare stop for fear she +would not be able to begin again. +</P> + +<P> +"What can I do?" she asked. +</P> + +<P> +Sister Francesca pointed to two empty buckets. "Go out to the well and +fill those. We need more water badly," she said, without looking up. +</P> + +<P> +Lucia picked up the pails and walked to the end of the room, through a +little side door and into a cloister. In the center of it was an old +well that she worked by turning an iron wheel. +</P> + +<P> +Lucia drew the water and poured it into her pails, and started back +with them. It had been all her tired arm could do to lift the empty +ones, but now each step made sharp pains go up to her shoulders. She +staggered along with them, fighting hard against the dizziness in her +head, but when she was half-way down the ward everything began to swim +before her. She swayed, lost her balance, and would have fallen had +not a strong arm caught her. The pails fell to the floor, the water +splashing over the tops. +</P> + +<P> +Through the singing in her ears she heard an angry voice. +</P> + +<P> +"Poor youngster, whoever sent her out for water? Seems to me she's +earned a rest. Here, sister, help me, will you?" +</P> + +<P> +Then Maria's soft voice came to her. +</P> + +<P> +"Lucia dear, don't look like that!" she cried excitedly. "Here, senor, +put her on the bed, so." +</P> + +<P> +She felt herself being lifted ever so gently, and then the soothing +comfort of a mattress and a pillow stole over her and she fell sound +asleep. +</P> + +<P> +She did not wake up until late in the afternoon. The sun was setting +and the long ward was in deep shadow. She opened her eyes for a minute +and then closed them again. She was too blissfully comfortable to make +any effort. +</P> + +<P> +She was conscious first of all of a strange quiet. The guns seemed to +have very nearly stopped, there was only a faint rumble in the +distance, and an occasional sputter from the guns near by. +</P> + +<P> +The enemy had retreated beyond, far into the hills, and for the time +being Cellino was safe. Lucia guessed as much and smiled to herself. +</P> + +<P> +People tiptoed about the room near her, and she could hear their voices +indistinctly. She did not try to hear what they said, she was too +tired to think. She snuggled closer in the soft pillows and sighed +contentedly, but before long a voice near her separated itself from the +rest, and she heard: +</P> + +<P> +"We will go to my beautiful Napoli, you and I, and I will show you the +water, blue as the sky, and we will be very happy, and by and by you +will forget this terrible war, as a baby forgets a bad dream." +</P> + +<P> +Lucia opened one eye and moved her head so that she could see the +speaker. He was Roderigo, of course, and he was holding Maria's hand +and talking very earnestly. +</P> + +<P> +Lucia eavesdropped shamelessly. She was curious to hear what her +cousin would say. +</P> + +<P> +"But surely you will not fight again!" Maria's voice was pleading. +"You are so sick, they will not send you back again." +</P> + +<P> +"But I must go back, my wound is not a bad one and I will be well in no +time, and I must go back. Think how foolish it would be, if I was to +say, 'Oh, yes, I fought for two days in the great war.' You would be +ashamed of me, and that little cousin of yours, Lucia, she would think +me a fine soldier." +</P> + +<P> +Lucia laughed aloud and the voices stopped. +</P> + +<P> +Maria's cheeks flushed and she jumped up. +</P> + +<P> +"Are you awake, dear?" she asked hurriedly, "then I will go and tell +Sister Francesca and the Doctor." +</P> + +<P> +She hurried off. Lucia sat up and looked at Roderigo. She was a sorry +sight in her muddy clothes, and her hair fell about her shoulders. +</P> + +<P> +"You are a fine soldier, Roderigo Vicello," she said impulsively, "and +I would say so if you had only fought for one day, for I know how brave +you are. But you are right to want to go back." +</P> + +<P> +"Yes, I am right," Roderigo replied. He stretched out his hand and +Lucia slipped hers into it. +</P> + +<P> +"We have been comrades, you and I," he said, "and we understand why." +</P> + +<P> +Lucia nodded gravely. She felt suddenly very proud. +</P> + +<P> +The Doctor came back a minute later with Maria. +</P> + +<P> +"Well, are you rested enough to be moved?" he asked, smiling. +</P> + +<P> +"Oh, yes I am quite all right," Lucia assured him. +</P> + +<P> +"Well, I wouldn't brag too much," the Doctor laughed. "You'll find you +are pretty shaky. Sister Francesca has a little room fixed for you and +some clean clothes; how does that sound?" +</P> + +<P> +Lucia smiled in reply, and the American came over at the Doctor's call. +</P> + +<P> +"Think you can manage to carry the little lady, Lathrop?" he asked. +</P> + +<P> +"Guess so." +</P> + +<P> +Lucia felt the strong arms lift her, as if she weighed no more than a +feather. He carried her down the ward and up a flight of stairs. +Sister Francesca was waiting for them at the door of the little room. +It had been one of the sister's cells. With her help Lucia was soon in +a coarse white nightgown and tucked in between clean sheets. +</P> + +<P> +The Doctor came in to see her a little later. +</P> + +<P> +"How is my soldier of the pennies?" she asked, and then as she realized +he would not understand she added, "the one I brought up the hill." +</P> + +<P> +"Oh, Captain Riccardi, he's still very ill, but he is going to pull +through all right." +</P> + +<P> +Lucia smiled. +</P> + +<P> +"Oh, I am glad," she said. "I was so afraid, he looked so queer." +</P> + +<P> +"Well, don't worry any more," the Doctor replied, "and now what do you +want?" +</P> + +<P> +Lucia sighed contentedly. +</P> + +<P> +"Something to eat, if you please," she said shyly, "I am very hungry." +</P> + +<BR><BR><BR> + +<A NAME="chap13"></A> +<H3 ALIGN="center"> +CHAPTER XIII +</H3> + +<H3 ALIGN="center"> +AN INTERRUPTED DREAM +</H3> + + +<P> +A week passed, a week of lazy luxury between cool linen sheets for +Lucia, and she enjoyed her rest to its fullest extent. Every one in +the convent, which was now a hospital, and running smoothly with +capable American nurses, made a great fuss over her, and she had so +much care that sometimes she was just the least bit bored. When the +week was over, and she was feeling herself again, she grew restless and +clamored to get up. Even the sheets, and the delicious things she had +to eat, could not keep her contented. At last the Doctor said she +might go out for a few hours into the sunshine, and the whole hospital +hummed with the news. +</P> + +<P> +Maria, in a white apron and cap, helped her dress, and went with her +down the stone steps and out into the convent garden. +</P> + +<P> +The first thing that met her eye was Garibaldi, clean and lazy, lying +contentedly in the sun. She came over and seemed delighted to see her +mistress once more. +</P> + +<P> +"But you are so clean, my pet!" Lucia exclaimed. "And your coat looks +as if it had been brushed," she added, wonderingly. +</P> + +<P> +Maria laughed. +</P> + +<P> +"It was. The big American, Seņor Lathrop, makes so much fuss over her, +you would think she was a fine horse." +</P> + +<P> +"What about Seņor Lathrop?" a laughing voice demanded. "Oh, drat this +language, I keep forgetting." He stopped and then said very slowly in +Italian: "Good morning, how are you this morning?" +</P> + +<P> +"Oh, I am very well, and you," Lucia replied, "you have been very good +to take such care of Garibaldi." +</P> + +<P> +"Garibaldi? I don't understand," Lathrop replied. +</P> + +<P> +Lucia pointed to the goat and said slowly. "That is her name." +</P> + +<P> +"Name! The goat's name Garibaldi!" Lathrop exclaimed, and added in +English, "Well I'll be darned!" +</P> + +<P> +"Not just Garibaldi," Lucia corrected him. "Her name is 'The +Illustrious and Gentile Seņora Guiseppe Garibaldi,' but we call her +Garibaldi for short." +</P> + +<P> +Lathrop understood enough of her reply to catch the name. He threw +back his head and laughed uproariously. +</P> + +<P> +"All that for a goat! No wonder she was a good sport with a name like +that to live up to!" +</P> + +<P> +He stood for a long time looking at the poor, shaggy animal before him, +then he laughed again and went into the convent. +</P> + +<P> +"He is a funny man," Lucia said wonderingly. "Why should he laugh +because of Garibaldi's name?" +</P> + +<P> +"Oh, he meant no disrespect," Maria reasoned. "Americans all laugh at +everything. The nurses are the same, they are always laughing. If +anything goes wrong and I want to stamp my foot, they laugh." +</P> + +<P> +Lucia was somewhat mollified. "What is the news?" she demanded, "I +have been up there in my little room for so long, no one would tell me +anything. Sister Francesca would smile and say, 'Everything is for the +best, dear child,' when I asked for news of the front, and I was +ashamed to ask again, but you tell me." +</P> + +<P> +"Oh, there is nothing but good news," Maria replied. "We are gaining +everywhere. The night after the battle, some of our soldiers built a +bridge over the river and crossed, and when the Austrians rallied for a +counter-charge they were ready for them and took them by surprise." +</P> + +<P> +Maria paused, and her eyes filled with tears. "And only think, Lucia, +if you had not destroyed the bridge and warned the Captain of the +beggar man, we might have been taken by surprise, and Cellino would be +an Austrian village. Oh, I tell you the ward rings with your praise. +The men talk of nothing else." +</P> + +<P> +"Nonsense, I did not do it alone. How about your Roderigo? He is the +one who deserves the praise. But tell me, how is my soldier of the +pennies? I am never sure that the Doctor tells me truly how he is." +</P> + +<P> +"Why do you call him 'your soldier of the pennies'?" Maria asked. "His +name is Captain Riccardi, and he is very brave. Every one knows about +him, and some of the boys say he is the bravest man in the Italian +army." +</P> + +<P> +"Perhaps he is," Lucia laughed, "but he is my soldier of the pennies, +just the same, that's the name I love him by." +</P> + +<P> +"But I don't understand," Maria protested, "did you know him before?" +</P> + +<P> +"Yes and no," Lucia teased. "I did not know his name, or what he +looked like, but I knew there was a soldier of the pennies somewhere." +</P> + +<P> +"But tell me," Maria begged. "I am so curious." +</P> + +<P> +Lucia laughed. "Very well, it is a queer thing. Listen. Do you +remember how for a few days about a week before this battle, I only +brought two pails of milk to your stall in the morning?" +</P> + +<P> +Maria nodded. +</P> + +<P> +"Well, the rest of the milk went to Captain Riccardi, but I did not +know it. You see, one day Garibaldi ran away and went far up into the +hills. I think the guns frightened her, and of course I went after +her. I found her on a little plateau quite far up, and because I was +tired I sat down to rest, keeping tight hold of her, you may be sure. +I was dreaming and thinking, and oh, a long way off, when suddenly I +heard a voice above me. I looked up; my, but I was frightened, I can +tell you, but I could see no one. The voice said: 'Little goat herder, +will you give me a drink of milk?'" +</P> + +<P> +Lucia stopped. +</P> + +<P> +"Go on!" Maria exclaimed. "What did you do?" +</P> + +<P> +"I am ashamed to say," Lucia replied, "I was so frightened that I ran +back down the mountain as if the evil spirit were after me, and I did +not stop until I was safe at home. Then I began to think. Of course, +at first I had thought only of an Austrian, but when I stopped to +think, I knew that Austrians don't speak such Italian—low and very +soft this was, as my mother used to speak, and your Roderigo. Well, +then of course, I wanted to die of shame; I had run away from one of +the soldiers. I thought about it all night, and I could not sleep. +Just before dawn I got up very softly and went down to the shed. I +filled two pails half-full and carried them up to the same place. +</P> + +<P> +"I could not see or hear any one, but I left them, and that afternoon I +went back to see if it had been taken away. There were the empty +pails, and beside them a strip of paper with four pennies wrapped up +inside. +</P> + +<P> +"After that, I took the milk up every day to the plateau, but I never +saw or heard the soldier again. Sometimes he would write me a little +note and say 'thank you,' to me, but always there was the money. So +that is why I called him my soldier of the pennies; do you see?" +</P> + +<P> +"Oh, yes, how splendid!" Maria was delighted. "And to think it was +Captain Riccardi all the time. No wonder now that he talks sometimes +in his sleep of the little goat-herder and her flowered dress. He was +an observer, Roderigo told me. That is a very important thing to be, +and he was hidden high up in a tree. That is why you did not see him." +</P> + +<P> +Lucia thought of the telephone. +</P> + +<P> +"I know now, of course, for I saw him climb up it and talk over the +wire to the soldiers miles away," she exclaimed. "But how could I +think to look in a tree for a soldier?" she laughed. +</P> + +<P> +A bell tinkled, and Maria sprang up. +</P> + +<P> +"I must go, it is my time to be on duty," she said, smoothing her apron +and settling her cap importantly, "I will come back when I can." +</P> + +<P> +Lucia looked envious. "Do not be long," she called after her. +</P> + +<P> +She settled back with a sigh, and the little goat came over to have her +neck patted. Lucia stroked it lovingly. +</P> + +<P> +"Garibaldi," she said aloud, "we are in a dream, you and I, and soon we +will both wake up and find ourselves back in the white cottage with +Nana scolding because we are late for supper. And we'll be sorry too, +won't we? For that will mean that the beautiful sheets and the soft +pillow will vanish the way they do in the fairy tales, and this lovely +garden will go too." +</P> + +<P> +"But what if there were another one to take its place?" a voice +inquired from the doorway. +</P> + +<BR><BR><BR> + +<A NAME="chap14"></A> +<H3 ALIGN="center"> +CHAPTER XIV +</H3> + +<H3 ALIGN="center"> +THE FAIRY GODFATHER +</H3> + + +<P> +Lucia turned and looked up quickly. She was startled and not a little +embarrassed at having her confidence overheard. +</P> + +<P> +Through the door that led from the ward the American was pushing a bed +on wheels. Lucia had seen that same bed many times before. It had +belonged to the old Mother Superior of the convent, and many a bright +morning she had seen it out in the garden as she sat at her desk in the +schoolroom above. +</P> + +<P> +She looked at the white pillow half expecting to see the old wrinkled +face of Mother Cecelia, but instead Captain Riccardi looked up at her +and smiled. +</P> + +<P> +"See, I've found you at last," he said, as Lathrop pushed the bed +beside Lucia's chair. "I was beginning to think that you were just a +dream child, and that I had imagined about the milk." +</P> + +<P> +Lucia laughed gayly. +</P> + +<P> +"No, Captain, that was not a dream, or I hope it wasn't, for if the +milk was not real then I dreamed about the pennies, and the sick +soldiers never got them." +</P> + +<P> +"Sick soldiers! Did you give away the money?" +</P> + +<P> +"Oh yes, sir, how could I keep it? I did not know you were a Captain, +I thought—" +</P> + +<P> +"You thought I was just a poor soldier, eh?" +</P> + +<P> +"Well, yes, if you will excuse me for saying so, I did, but anyway I +would not have kept the money." +</P> + +<P> +"Why not?" +</P> + +<P> +"How can you ask? Why because, to accept pay for something—and such a +little thing as a pail of milk—" +</P> + +<P> +"Two pails." +</P> + +<P> +"No, just one, they were only half-full, but no matter. I wanted to +give away the milk, not sell it, and so I put the pennies in the box at +church." +</P> + +<P> +"And all the time I thought you were perhaps buying pretty ribbons with +it." +</P> + +<P> +Captain Riccardi shook his head. "But I might have known better." +</P> + +<P> +"Ribbons!" Lucia scorned the idea. "What do I need with such +foolishness, with a war going on just under my nose! I had other +things to think about, I can tell you, and other ways to spend my +pennies." +</P> + +<P> +The Captain looked at her gravely. Then he took her hand and patted it +gently. +</P> + +<P> +"You are a brave and true little Italian," he said, "and I can never +hope to pay you for what you have done. You will have to look for your +reward in your own heart. It ought to be a very happy and contented +heart, I should think." +</P> + +<P> +Lucia's cheeks flushed with pride. +</P> + +<P> +"Oh, it is, Captain Riccardi," she said, "it is indeed, and I am quite +content. If you heard what I said just now about the dream, you must +not think that I don't want to go back to the cottage—I do, and I want +so much to see my Beppino and Nana again—only—" +</P> + +<P> +"Tell me about that 'only' Lucia," the Captain said gently. "That is +what I want to hear, and then perhaps I will have something to tell +you." +</P> + +<P> +"Oh, it is nothing but silliness," Lucia protested, "how can it matter?" +</P> + +<P> +"Never mind, tell me," the Captain insisted. +</P> + +<P> +"But you will laugh. What do big men know of fairy stories!" +</P> + +<P> +"Lots, sometimes—I believe in fairies." +</P> + +<P> +Lucia looked into the smiling eyes incredulously, "You, a soldier!" +</P> + +<P> +"Of course, haven't I told you that I thought you were a fairy when I +first saw you, and by the Saints, I did too. Do you know, I first +discovered you way down in the valley. You were with your goats. I +looked at you through my glass, and your pretty flowered dress, and the +kerchief you wore over your hair, made me think of the little girls at +home." +</P> + +<P> +"Ah, then you come from the south, too?" Lucia laughed. "I knew it." +</P> + +<P> +"How do you?" the Captain demanded. +</P> + +<P> +Lucia shook her head sadly. +</P> + +<P> +"No, my mother came from Napoli. When I was a little girl she used to +tell me all about the sunshine and the flowers, and the blue water in +the bay, and old grandfather Vesuvius always frowning and puffing in +the distance. Oh, I tell you I feel sometimes as if I had been there, +but, of course, that is silly," she broke off, laughing, "for I have +never been away from Cellino." +</P> + +<P> +"Would you like to go away to the south and live there?" Captain +Riccardi asked slowly. +</P> + +<P> +"Oh, yes, of course. I dream sometimes that I am a princess and that a +wicked fairy has turned me into a goat-herder and forced me to live +here where it is so very cold sometimes, and then I wish hard for a +good fairy to come and set me free, and take me on a magic carpet away +to a garden full of flowers. There," she smiled shyly, "that is what I +was thinking of out loud when you came a minute ago." +</P> + +<P> +The Captain did not laugh, except with his eyes. His voice was very +grave as he asked. +</P> + +<P> +"Wouldn't a prince or a fairy godfather do just as well?" +</P> + +<P> +"Oh, yes, even better," Lucia replied seriously. +</P> + +<P> +"Well then, what would you say if I told you that I am a fairy +godfather, and that I can spirit you to a garden even nicer than this, +where it is always summer?" +</P> + +<P> +"I would surely say you were telling me fairy tales," Lucia replied +frankly. +</P> + +<P> +The Captain laughed delightedly. +</P> + +<P> +"But I'm not, Lucia," he said seriously. "I'm telling you the truth. +Down in the south I have a big house set in the very heart of a +beautiful garden, and I live there all by myself." +</P> + +<P> +"Oh!" Lucia's big eyes were full of genuine sympathy. +</P> + +<P> +"A long time ago, I used to have a little sister like you, but she +died, and since then I have been ever and ever so lonely. How would +you like to come and be my sister? I'd take awfully good care of you, +and Garibaldi." +</P> + +<P> +For an instant Lucia's eyes danced with happiness, but it was only for +an instant, then her face fell. +</P> + +<P> +"Oh, I would like that Captain, so very much," she said, "but I could +not leave Beppino and Nana." +</P> + +<P> +Captain Riccardi looked at her in silence for a moment, then he said +slowly, "Of course, you couldn't. I forgot them for the moment. But +of course I meant to include them in the invitation. I am very fond of +Beppino already. We had quite a chat that day in the cave." +</P> + +<P> +"Oh, but you don't mean it!" Lucia jumped up excitedly. "To live with +you and Nana and Beppi and Garibaldi in a garden,—oh! but of course, +it is not so, and I shall presently wake up." +</P> + +<P> +"Wake up in the little white cottage and milk the goats and trudge to +town with the heavy pails?" the Captain said. +</P> + +<P> +Lucia nodded soberly. +</P> + +<P> +"Not it I can help it, you won't," he added with decision. "You'll +never do another stroke of hard work again." +</P> + +<P> +"But are there no goats in your garden to milk, and no work to do?" +Lucia looked bewildered. +</P> + +<P> +"Yes, but there's a lot of people to do it,—so many in fact, that all +you will have to do is to pick flowers and tell Beppi and me fairy +stories. Will you come?" +</P> + +<P> +"Oh!" Lucia stamped her foot. "If this is only a dream!" she +exclaimed half angrily, "I shall surely die of misery when I wake up." +</P> + +<P> +"It's no dream, little sister, it's true, and it won't be long before +you realize it. This leg is going to take a long time in healing, but +as soon as it is better we will go home, then when I am well enough to +go back to fight, you will stay in the garden and keep it looking +beautiful for me until I return." +</P> + +<P> +For a full moment Lucia stared into the Captain's eyes, while the +wonderful truth dawned on her, then her emotion being far beyond words, +she threw her arms around him and kissed him heartily. +</P> + +<BR><BR><BR> + +<A NAME="chap15"></A> +<H3 ALIGN="center"> +CHAPTER XV +</H3> + +<H3 ALIGN="center"> +EXCITING NEWS +</H3> + + +<P> +"Lucia, Lucia, such exciting news, come here at once!" Maria ran up +the stairs excitedly. +</P> + +<P> +Lucia, who was busy helping Sister Francesca put away the clean sheets, +dropped what she was doing and ran down the corridor. +</P> + +<P> +"What is it!" she demanded. "Have the Austrians surrendered?" +</P> + +<P> +"No," Maria stopped, breathless from her haste, "that is, not yet, +though Roderigo says—" +</P> + +<P> +"Oh, oh, oh!" Lucia protested. "Don't start on what Roderigo says, or +we will never learn the news." +</P> + +<P> +Maria pouted. "For that I have a good mind not to tell you," she +threatened. +</P> + +<P> +"Then I shall go downstairs myself and find out," Lucia replied, not +one whit disturbed. +</P> + +<P> +"Then I may as well tell you," Maria laughed, "for the ward hums with +it. The King is coming—think of it—he is coming to Cellino +to-morrow, and he is to go through the hospital and see all the +wounded. Only fancy, our King!" +</P> + +<P> +"Who told you?" Lucia's eyes flashed excitedly. Her loyal little +Italian heart beat with eager anticipation. +</P> + +<P> +"Do you suppose I can see him?" she demanded, "but of course, I must, +even if I have to hide under the Captain's bed. He is sure to stop and +speak to my Captain," she added with pride. +</P> + +<P> +"Oh, Roderigo says that he always stops and speaks to all the wounded +and shakes their hands, and is very kind and so sorry always when they +are badly hurt. Roderigo says he has talked to soldiers who have won +decorations, and the King himself pins them on—just think of it!" +</P> + +<P> +Lucia gave a profound sigh. +</P> + +<P> +"If he ever spoke to me," she said solemnly, "I would die of joy." +</P> + +<P> +It was several days after Lucia and the Captain had talked in the +garden, and Lucia was beginning to grow accustomed to the wonderful +idea. Her dreams were coming true at last, and she had to admit to +herself that she always believed that they would. Captain Riccardi was +truly a fairy godfather in her eyes, and she proved her gratitude for +his kindness in a hundred little ways a day. It never seemed to enter +her mind that all he was offering, wonderful as it was, could not pay +her for her courage in saving his life. +</P> + +<P> +She insisted upon laying all the credit on his shoulders, and with a +smile and a shrug the Captain accepted the double share, and determined +in his big heart to be worthy of it. +</P> + +<P> +When Lucia and Maria went down to the ward a little later, the patients +were indeed humming with the news. Every face wore a smile of keen +joy, and the nurses hurried about to be sure everything was in perfect +order. +</P> + +<P> +Lucia was well enough now to go wherever she pleased, and after she had +talked for a few minutes with Captain Riccardi, and made sure that +Maria had not exaggerated, she went out of the convent with the +intention of going into town. Some of the refugees had returned, but +so far there had been no news of Seņora Rudini, Nana, or Beppi, and she +was growing anxious. +</P> + +<P> +As she walked down the broad steps, she saw Lathrop coming towards her. +Lucia was particularly fond of the big American, and she smiled as she +saw him. +</P> + +<P> +"Hello!" he greeted. +</P> + +<P> +Lucia returned the salutation. +</P> + +<P> +"Do you know that the King is coming?" she demanded. +</P> + +<P> +Lathrop understood the word King, and as the town was talking of +nothing else he guessed what she meant. +</P> + +<P> +"Yes," he replied in Italian, "nice—glad—you." +</P> + +<P> +Lucia laughed. +</P> + +<P> +"Oh, but you are so funny. How I wish you could speak so that I could +understand you!" she said. +</P> + +<P> +Lathrop shook his head. "There she goes again, I didn't get even one +word this time." +</P> + +<P> +He put his hand in his pocket and drew out a letter. +</P> + +<P> +"See," he said, pointing to it. +</P> + +<P> +Lucia nodded. Lathrop scratched his head. +</P> + +<P> +"You—in—letter," he said painstakingly, "Girl, American." +</P> + +<P> +"Oh, you have put me in your letter? How nice!" Lucia said. "What did +you say?" +</P> + +<P> +"I get you, but I'm blest if I can tell you, and it's a shame, too. +You're such a little winner, you and your Mrs. Garibaldi, that I'd like +to be able to tell you so. But I guess it's hopeless." +</P> + +<P> +All of which Lucia listened to politely, but without the first idea of +its meaning. +</P> + +<P> +She nodded towards the gate and they walked towards it together. +Lathrop mailed his letter, and they stopped to look at the ruins. +Lucia questioned some soldiers who were clearing the streets as best +they could. +</P> + +<P> +The town hall, at the end of the market-place, was still standing, and +to-day it was draped in Italian flags. It looked older and more +dignified than ever, amid the ruins, and the flag floated bravely in +the crisp fall breeze. Lucia and Lathrop stopped to look at it. +Lucia's eyes sparkled and she threw an impulsive kiss towards it. +Lathrop saluted respectfully. +</P> + +<P> +As they turned to go back they noticed a crowd of soldiers and some of +the townspeople gathered about the gate. +</P> + +<P> +"What can the matter be?" Lucia exclaimed, hurrying forward. "Perhaps +it is the King." +</P> + +<P> +They ran to the gate and questioned some of the soldiers. +</P> + +<P> +"More refugees returning," one of them explained. "See there's a whole +line of them, it is a good sight, and a good time that they have +chosen. Now we will not look so like a deserted place when the King +comes." +</P> + +<P> +"Oh, perhaps some of them can give me news of Beppino," Lucia +exclaimed, forcing her way through the crowd. +</P> + +<P> +Almost the first person she saw as she ran down the road was Maria's +mother. She was walking along beside several other women, and with a +start Lucia realized that she looked thin and wan. +</P> + +<P> +"Aunt Rudini!" she called excitedly, "you are back at last. Oh, Maria +will be so glad!" +</P> + +<P> +Seņora Rudini looked up, fear and hope in her eyes. +</P> + +<P> +"Maria!" she exclaimed, "where is she?" +</P> + +<P> +"At the convent. She is helping to nurse the soldiers," Lucia replied. +</P> + +<P> +"Oh, and I thought she was dead or a prisoner. She lay down beside me +one night, and the next morning she was gone; I have been terrified." +The old woman was wringing her hands. +</P> + +<P> +"But she is safe, go and see," Lucia protested, "I have just left her." +</P> + +<P> +Maria's mother needed no urging, she ran as fast as her stiff joints +would allow towards the hospital. But she had not gone very far when +she returned. +</P> + +<P> +"I am a selfish old woman," she said, "thinking first of myself, when +of course you want news of Nana. Well, look yonder in that farm wagon." +</P> + +<P> +Lucia did not wait to hear more. She darted off and met the wagon +before it reached the turn in the road. +</P> + +<P> +"Beppi! Nana!" she called. +</P> + +<P> +The man who was driving stopped, and Nana slid down from the straw, +right into Lucia's waiting arms. She was so glad to see her, that she +could only babble foolishly. All during her long journey, and her stay +in strange villages, she had thought of nothing but Lucia in the hands +of the enemy, and she was nearly crazy with relief and joy to find her +safe again. +</P> + +<P> +At last Lucia quieted her. "Where is Beppino?" she asked, "surely he +is with you?" +</P> + +<P> +Something in the straw of the wagon moved, and the old driver pointed +his whip at a mop of black hair, and laughed. +</P> + +<P> +Beppi was asleep of course. Lucia's strong young arms lifted his +little body out, and hugged and kissed him. Beppi woke up, and at +sight of her he shouted with joy. +</P> + +<P> +It was a happy and excited family that walked through the town and down +to the little white cottage. +</P> + +<P> +Lucia had so much to say, and Nana would not listen nor believe all the +wonderful things she tried to tell her, but at last, from lack of +breath, she stopped exclaiming and crying, and Lucia pushed her gently +onto the green bed, took Beppi on her lap, and began the recital of her +wonderful news in earnest. +</P> + +<BR><BR><BR> + +<A NAME="chap16"></A> +<H3 ALIGN="center"> +CHAPTER XVI +</H3> + +<H3 ALIGN="center"> +THE KING +</H3> + + +<P> +"The King! The King!" +</P> + +<P> +"Viva! Viva!" A great cry rose within the walls of Cellino, and +swelled to a mighty cheer, as a gray automobile drove slowly through +the Porto Romano, and stopped in the market-place opposite the town +hall. +</P> + +<P> +The soldiers who had so bravely defended the town were lined up ready +for inspection, and as the King lifted his hand to salute the colors, a +silence, as profound and as moving as the cheer had been, fell over the +crowd. +</P> + +<P> +Lucia, with Beppi held tightly by the hand, was on the edge of the +crowd. She trembled with excitement as she looked at the greatest, and +best-loved man in all Italy. +</P> + +<P> +"See!" she whispered excitedly to Beppi, "that is the King—our King! +Look at him well, for we may never be lucky enough to see him again in +our whole lives." +</P> + +<P> +Beppi's big eyes were round with wonder. He looked. His gaze fastened +on the shining sword. Then the memory that he might some day be a +General returned to him, and he drew himself up very straight. As the +King passed on his inspection, his little hand went up in a smart +salute. +</P> + +<P> +His Majesty stopped, smiled, and returned the salute gravely. +</P> + +<P> +Beppi waited until he had walked on, then he buried his face in Lucia's +skirts, and wept from sheer joy. +</P> + +<P> +Lucia's pride knew no bounds. Her heart was beating wildly, but she +stood very still until the King went into the town hall, then she +picked Beppi up in her arms and ran excitedly across the town and out +to the convent. +</P> + +<P> +"We can see him again, darling, so stand very still," she said. "He is +coming to see the soldiers." +</P> + +<P> +They watched the gate eagerly, and before long the gray car came +through it very slowly. A crowd of people surrounded it, cheering and +throwing flowers. The King smiled and bowed to them all. Lucia's eyes +never left his face. Suddenly she saw him lean forward excitedly as +the big car stopped. Beppi tugged at her skirts. +</P> + +<P> +"Look at Garibaldi, she is blocking the way." +</P> + +<P> +Lucia looked, and to her horror she saw her pet standing in the middle +of the road, her four hoofs planted firmly in the mud, and her head +lowered. +</P> + +<P> +"Oh, the wretch," Lucia exclaimed, darting forward. "Come here at +once!" she called. +</P> + +<P> +Garibaldi looked around and obediently trotted off. The car started, +and the King waved especially to Lucia as he passed, but even so great +an honor could not compensate her. She was mortified to tears that her +goat should have been guilty of <I>lese majeste</I>. +</P> + +<P> +No entreaties on Beppi's part could make her stay to wait for the +King's return. She left him with a soldier, and went around the corner +of the convent, followed by the disgraced Garibaldi. +</P> + +<P> +She sat down on a bench and sighed. +</P> + +<P> +"Of course you're only a goat," she said scornfully, "but I did think +you had more sense than to do anything as terrible as that. Do you +know who that was that you made to stop? That was the King, do you +hear?" +</P> + +<P> +Garibaldi walked away indifferently. +</P> + +<P> +"Oh, I am disgusted with you forever," Lucia exclaimed with a shrug of +disdain. "You will stay here until he goes away again, and then I +shall take you home and tie you up." +</P> + +<P> +Garibaldi paid no attention to the threat. Perhaps she knew how empty +it would prove to be. +</P> + +<P> +"Lucia, Lucia, my child, where are you?" Sister Francesca's voice +trembled as she called. +</P> + +<P> +"Here I am, sister," Lucia jumped up. "Do you want me?" +</P> + +<P> +"Oh, my dear, I have looked everywhere for you. Come with me at once." +</P> + +<P> +Lucia followed, wondering at the expression in the nun's usually placid +face. But Sister Francesca did not stop to give any explanations. She +led the way hurriedly back to the front door, of the convent, and up +the steps through the ward of smiling men, and only stopped when she +reached the door of Captain Riccardi's private room. +</P> + +<P> +"Go in, my dear," she said, giving Lucia a little push. "The Captain +wants to speak to you." +</P> + +<P> +Lucia opened the door and found herself face to face with the King. +</P> + +<P> +She was too astonished, and far too thrilled to speak. She must have +shown some of her feeling in her eyes, for the Captain, who was in bed, +laughed. +</P> + +<P> +"Here she is, Your Majesty," he said. +</P> + +<P> +The King stepped forward and put his hand on her shoulder. +</P> + +<P> +"So you are the brave little girl whom I must thank for saving Captain +Riccardi's life, and for blowing up the bridge?" +</P> + +<P> +Lucia was still tongue-tied. She swallowed hard and tried to stop her +heart from beating so fast. +</P> + +<P> +"Yes, yes, sir—Your Majesty," she said at last. "I and Garibaldi." +</P> + +<P> +"Garibaldi?" The King could not restrain a smile. +</P> + +<P> +"The goat, sir," the Captain explained. +</P> + +<P> +"Oh, I see, and what did you say his name was?" +</P> + +<P> +"Garibaldi's a her, Your Majesty, and so she had to be Seņora +Garibaldi." +</P> + +<P> +Lucia was fast forgetting her embarrassment. +</P> + +<P> +"'The Illustrious and Gentile Seņora Guiseppi Garibaldi,' that's her +real name, but of course, it's too long for every day." +</P> + +<P> +"Yes, I should suppose so, particularly if you were in a hurry," the +King laughed softly. +</P> + +<P> +"Was that Seņora Garibaldi that we came nearly running over?" he asked. +</P> + +<P> +"Oh yes, it was, but please, Your Majesty, don't be angry with her. +You see, she really didn't know you were the King." +</P> + +<P> +"Angry, why I should say not. Before I leave, yon must introduce me to +her, I couldn't leave without seeing such a really important person." +</P> + +<P> +Lucia clapped her hands delightedly. +</P> + +<P> +"Oh, she will be so proud!" she exclaimed. +</P> + +<P> +The King turned to the officer who stood beside him and nodded, then he +shook Captain Riccardi's hand. "I congratulate you on the addition to +your household," he said, smiling. "Come with me, Lucia," he +continued, "I have something for you, and I want to give it to you +where all the soldiers can see." +</P> + +<P> +Lucia followed in a dream. She stood very still at the end of the +ward, and watched the men salute as the King stood before them. +</P> + +<P> +She did not hear what he said to them, for her head was swimming, but +she saw him turn to her, and her heart missed a beat as he pinned a +medal on her faded bodice. +</P> + +<P> +"In appreciation of your courage and loyalty," the King said, and +Lucia's eyes looked into his for a brief, but never-to-be-forgotten +moment. +</P> + +<BR><BR><BR> + +<A NAME="chap17"></A> +<H3 ALIGN="center"> +CHAPTER XVII +</H3> + +<H3 ALIGN="center"> +GOOD-BY TO CELLINO +</H3> + + +<P> +It was over a month before Captain Riccardi was well enough to be +moved, but at last the beautiful day for the departure for the south +came. +</P> + +<P> +"Do you really mean we are going?" Beppi demanded. +</P> + +<P> +"Of course we are, darling," Lucia replied, laughing. She was so +excited that she could hardly wait to dress Beppi and Nana with the +patience that such an undertaking required. Nana had a new dress, Aunt +Rudini made it with Maria's help, and though it was too somber for +Lucia's color loving eyes, it was a new dress and she fastened it on +Nana's bent shoulders with a glow of pride. +</P> + +<P> +"There now!" she exclaimed when it was on and Nana's stringy gray hair +had been reduced to some sort of order. +</P> + +<P> +"Turn around and let me see you." +</P> + +<P> +Nana turned. She was in a flutter of excitement, although she would +not have admitted it for the world. +</P> + +<P> +"Don't waste any more time over an old woman," she said, sharply. "I +am tidy and that is enough." +</P> + +<P> +"You are more than tidy, Nana, you look beautiful," Lucia exclaimed. +"Now do sit still and don't do anything." +</P> + +<P> +"There's nothing to be done that has not already been done," Nana +replied as she sat on the edge of the green bed and folded her hands on +her lap. Lucia nodded in satisfaction and turned her attention to +Beppi. +</P> + +<P> +He had a new suit too, and the broad sailor collar on it was +embroidered with emblems and stars. +</P> + +<P> +Beppi was delighted, and Lucia helped him on with it as he danced and +hopped, first on one foot and then to the other. +</P> + +<P> +"I'm a sailor," he announced, "a real sailor! See the bands on my arm." +</P> + +<P> +"Fickle one," Lucia protested as she tied the flaring red tie, with +loving fingers, "I thought you were going to be a soldier like our +Captain." +</P> + +<P> +Beppi thrust his small hands in his trouser pockets. +</P> + +<P> +"I am when I grow up," he replied seriously, "but I can be a sailor in +the meantime, can't I?" +</P> + +<P> +"Yes, of course," Lucia agreed, "and now put on your shoes, dear, it +must be late, and it would never do to keep the Captain waiting." +</P> + +<P> +"Go and dress yourself then," Nana said, "and don't make yourself look +too gay, it is not seemly." +</P> + +<P> +Lucia tossed her head and laughed. +</P> + +<P> +"Ah, but I will, my new bodice is so beautiful; all bright flowers, and +my skirt is blue—I know the Captain will like it—and we are going to +the South where all the girls wear bright colors—I expect my dress +will look very somber." +</P> + +<P> +Nana did not reply, she grumbled a little to herself, and Lucia pulled +out the drawer of the dresser and very carefully took out her new +possessions. She put them on slowly as if to prolong the pleasure. +</P> + +<P> +"When she was ready she looked at as much of herself as she could see +in the small mirror, and smiled happily. +</P> + +<P> +"I look very nice, I think," she said frankly. +</P> + +<P> +"Then we are ready," Nana exclaimed, getting up, "we had better start +up the hill." +</P> + +<P> +"Yes, do let's go," Beppi insisted, "I know we are going to be late." +</P> + +<P> +"Oh, but we have plenty of time," Lucia replied. "Go along both of +you, I will follow with Garibaldi." +</P> + +<P> +"Such foolishness," Nana grumbled, "to take a goat in a train; there +are many goats in the South. Why don't you wait until you get there +and leave Garibaldi to Maria with the rest?" +</P> + +<P> +Lucia looked at her grandmother in consternation, but she did not stop +to argue with her. She left the house and went to the shed; repaired +now enough to make a shelter to keep out the rain. +</P> + +<P> +Garibaldi was firmly tied to one of the posts. +</P> + +<P> +"Come, my pet," Lucia whispered, "we are going away and I have a ribbon +for your neck, see?" +</P> + +<P> +"Now come," she coaxed, "we must go up to the convent, that nice +American Mr. Lathrop is going to put you in a box. You won't like it, +poor dear, but it's the only way they let goats travel." +</P> + +<P> +Garibaldi seemed to understand something of the importance of the +occasion, for she walked along beside her little mistress with lowered +head. +</P> + +<P> +Lucia waited until Nana and Beppi had disappeared through the gate +before she started. She knew there was plenty of time and she wanted +to be alone. +</P> + +<P> +She stood in the doorway of the cottage and looked at the poor, tumbled +little room. She felt suddenly very forlorn and lonely. +</P> + +<P> +"Good-by, little room," she said softly, "I will never, never forget +you. It isn't as if you were going very far away from me for we have +given you to Maria, she and Roderigo will take good care of you, and +some day perhaps I will come back for a tiny visit," she said. +</P> + +<P> +A plaintive "Naa" from Garibaldi made her turn. As she left the room +her eyes lingered on the green bed. +</P> + +<P> +Captain Riccardi was sitting up, fully dressed, and waiting for them in +the garden of the convent. +</P> + +<P> +At sight of Lucia his eyes danced with fun. +</P> + +<P> +"Well, little sister of mine, how are you?" he greeted. +</P> + +<P> +"Oh, I am so excited, Seņor," Lucia replied. "Is it nearly time to go?" +</P> + +<P> +"No, not for a couple of hours," the Captain laughed. +</P> + +<P> +"Are we really going in an automobile?" Beppi demanded, "like the one +the King came in?" +</P> + +<P> +"Yes, just like that, and then we go in a train for a long time," the +Captain explained. +</P> + +<P> +"Do we <I>sleep</I> in the train?" Beppi's eyes were as round as saucers. +</P> + +<P> +"No," the Captain shook his head, "we sleep in a lovely house that +belongs to a friend of mine in Rome." +</P> + +<P> +Beppi tried to be polite but Captain Riccardi saw the disappointment in +his eyes, and patted his small head. +</P> + +<P> +"Are you sorry?" he laughed. +</P> + +<P> +"Oh, no, he is not," Lucia contradicted hastily, "he will like sleeping +in Rome, won't you, my pet?" +</P> + +<P> +Beppi hung his head. "I will like it," he admitted, "but it will not +be as exciting as sleeping on a train." +</P> + +<P> +"No, of course it won't, but it will be lots more comfortable, and you +see I have to think of that," the Captain explained, "but I promise you +some day we will sleep in a train, and on a boat, or any old place you +like, how's that?" +</P> + +<P> +"I will tell you afterwards," Beppi replied noncommittally. +</P> + +<P> +"I must go and find Maria," Lucia said, "I have not told her half the +things I want to. She won't take proper care of my goats, I know, but +no matter, I will do my best to tell her what to do." +</P> + +<P> +She went into the convent. Maria was busy in the ward, but at Lucia's +beckon she left what she was doing and went to her. +</P> + +<P> +"Come over by Roderigo's bed," Lucia said, "we have only a little time +to talk before we leave." +</P> + +<P> +"Oh, but you must be excited!" Maria exclaimed. +</P> + +<P> +"Look at her eyes," Roderigo laughed, "of course she is." +</P> + +<P> +"Well, and why not," Lucia demanded, "wouldn't you be?" Roderigo +shivered. +</P> + +<P> +"If I were going this day, back to Napoli, I would die from joy," he +said. +</P> + +<P> +"Nonsense, that's what Lucia said about the King's speaking to her," +Maria reminded, "but she's still alive, and the King not only spoke to +her but kissed her too." +</P> + +<P> +"Do you know," Lucia said quietly, "sometimes I think perhaps I am dead +and this is Heaven." +</P> + +<P> +"Heaven!" Roderigo laughed, "never, it is much too cold, see the sick +yellow sun up there." He pointed to the window, "in Heaven the sun is +hot and the sky is blue, just as you will find it to-morrow. Oh, but I +envy you. What wouldn't I give—" He hesitated and looked at Maria, +"No, I would not go if I could; I am happy here." +</P> + +<P> +Maria's smile rewarded him. +</P> + +<P> +"But surely after the war," Lucia said, "you will both come to Napoli +to live." +</P> + +<P> +"Perhaps," Roderigo assented, "after the war." +</P> + +<P> +They were silent for a moment, aware for the first time of what the +coming separation would mean. Then Roderigo exclaimed gayly, +</P> + +<P> +"But how solemn we are! We must laugh. I tell you, Lucia, when you +see my old grandfather Vesuvius you must give him my best respects, for +mind if you are not respectful to him he may do you some harm." +</P> + +<P> +"Oh, I will be very careful," Lucia laughed, "but I will never call +that cross old, smoking mountain my grandfather, I can promise you +that." +</P> + +<P> +"Haven't you some friends that Lucia could see?" Maria inquired, "or +could she perhaps take a message to your family." +</P> + +<P> +"No." Roderigo shook his head, "she will not be near them, but +perhaps—" He turned to Lucia, "if you are ever walking along the +shore below Captain Riccardi's place, you may meet a soldier, an old +man with a scar on his face; if you do, he is my uncle Enrico." +</P> + +<P> +"But what does he do on the beach?" Maria inquired. +</P> + +<P> +"Oh, he watches to see that no one rows out to the boats in the bay +without a passport, there are plenty of men who would like to leave +without permission," Roderigo explained, "My uncle is there to keep +them safe in Italy." +</P> + +<P> +"Are they Austrians?" Lucia inquired. +</P> + +<P> +Roderigo winked. +</P> + +<P> +"They are Italian citizens on the face of things," he replied, "but in +their hearts—" An expressive gesture finished the sentence. +</P> + +<P> +Just as Maria was about to ask another question Beppi ran into the ward. +</P> + +<P> +"Lucia, Lucia, come quickly, the American is packing Garibaldi up in a +box, and you are missing all the fun." +</P> + +<P> +Lucia jumped up. +</P> + +<P> +"Oh I must go and help," she exclaimed, "I will see you again for +good-by." +</P> + +<P> +She followed Beppi to the garden and found Lathrop nailing on the top +to a big wooden crate. From between the slats Garibaldi looked out +reproachfully. +</P> + +<P> +Lucia petted and consoled her until it was time to go. +</P> + +<P> +Garibaldi left first in a wagon; she was going all the way by train. +Lucia had many misgivings but she watched the wagon out of sight with a +smile. +</P> + +<P> +Her thoughts were soon diverted by the arrival of a big automobile. +Captain Riccardi was helped in by the doctor and Lathrop, and after +repeated good-bys Lucia took her place beside him. +</P> + +<P> +The car started off slowly, they were going to take the train at a +point several miles south. +</P> + +<P> +Lucia watched the walls of Cellino grow dim against their background of +bare mountains. It was her first departure, and it marked a new period +in her life. +</P> + +<BR><BR><BR> + +<A NAME="chap18"></A> +<H3 ALIGN="center"> +CHAPTER XVIII +</H3> + +<H3 ALIGN="center"> +IN THE GARDEN +</H3> + + +<P> +"How does my little sister like her new home?" +</P> + +<P> +Captain Riccardi was sitting in a comfortable chair in the warmth and +sunshine of his garden. He looked very much stronger than on his +departure from Cellino. A month under the southern sky had done much +to make him well again, and as he sat looking at Lucia he was turning +over in his mind the possibility of returning to the front. Lucia was +picking flowers near him, she had a basket over her arm and a big pair +of scissors. +</P> + +<P> +Her cheeks, that had been so pale, were flushed and round, and an +expression of happy contentment took the place of the excited sparkle +in her eyes. +</P> + +<P> +She dropped down on the ground beside the Captain as he spoke, and +looked up at him. +</P> + +<P> +"That is the very first time you have asked me that," she said, "and we +have been here for a long time. You know I think it is very, very +wonderful, what could be more beautiful than this garden, but I am +getting lazy, the sun is so warm and there is so little to do." She +looked puzzled. +</P> + +<P> +"That's quite as it should be," the Captain replied, "you are too young +to work." +</P> + +<P> +"Oh, that is what you always say," Lucia protested, "I am too young and +Nana is too old, and Beppi—" +</P> + +<P> +"Beppi is too lazy," the Captain laughed, "he is always asleep under +the flower bushes, but tell me," he continued gravely, "are you ever +homesick?" +</P> + +<P> +"Homesick." Lucia considered for a moment, "For Maria, yes, but for +Cellino, no. I like to think of it, but I want always to live here." +</P> + +<P> +"Good," the Captain smiled, "then you won't mind my going away?" +</P> + +<P> +"Back to fight?" Lucia inquired. +</P> + +<P> +The Captain nodded. "My wound is healed and I am well enough; they +need all the men they can get up there, you know." +</P> + +<P> +"I know," Lucia looked very unhappy, "what terrible times there have +been since we came here; everything has gone wrong. Why I wonder, our +soldiers are as brave as ever. What has made us lose so much lately?" +</P> + +<P> +A baffled look stole over the Captain's face and he shook his head +sorrowfully. +</P> + +<P> +"No one knows, my dear," he said, "we have suffered terrible losses, +every plan that we make is known to the enemy." +</P> + +<P> +"Do you remember the beggar you saw on the road the day you followed +the two Austrian soldiers?" +</P> + +<P> +Lucia nodded. +</P> + +<P> +"Well, there are many men like that in Italy, some are disguised as +beggars and some as just working men, but they are everywhere, and +through them our plans are given to the enemy." +</P> + +<P> +"But surely the police could arrest them," Lucia protested, "they must +all be Austrians or Germans." +</P> + +<P> +"They are, of course, but they have lived here among us for so long +that it is hard to tell them from ourselves; they speak, act and look +as we do." +</P> + +<P> +"But they think as our enemies," Lucia added, "I understand. What very +bad men they must be, just to think that but for them we might have won +this horrible war by now." +</P> + +<P> +"Perhaps," the Captain agreed, "but if they are here and we can't find +them out then we must win the war in spite of them, and that is why I +am going back." +</P> + +<P> +"When?" Lucia asked. She was suddenly very unhappy for the memory of +the attack was still vivid, and she dreaded to think of her newly found +godfather's returning to the dangers and hardships of the front, but +she was too brave and too wise to say so. She kept a stiff upper lip +and her eyes were dry as they discussed the plans. +</P> + +<P> +"I think I will leave in a day or two now that my mind is made up," the +Captain said, "it will take me quite awhile to return to my Company, +and I may have to wait in Rome for orders, so the sooner I am off the +better." +</P> + +<P> +"Yes, I suppose so," Lucia replied slowly. "Oh, but how we will miss +you, I cannot bear to think," she added impulsively. +</P> + +<P> +"Then you must write to me often," the Captain laughed, "I get so few +letters and I will treasure them. I will want to know just how you and +Beppi and Nana spend each day, and what tricks Garibaldi is up to." +</P> + +<P> +"I shall tell you everything," Lucia promised, eagerly, "every tiny +little thing, and you will write back?" +</P> + +<P> +"Yes, as often as I can," the Captain promised. He got up from his +chair and started to walk toward the house. When he was halfway up the +path Beppi dashed through the garden gate and ran to him. +</P> + +<P> +"Oh, but I have had a fine morning," he declared, "you will never guess +where I have been." +</P> + +<P> +"You do look excited," the Captain smiled, "it must have been a very +nice place, tell us about it." +</P> + +<P> +"Then come back and sit down," Beppi insisted, taking his hand. The +Captain returned to his chair and Beppi perched on the arm of it. +</P> + +<P> +"Now begin," Lucia said, "we are listening." +</P> + +<P> +"Well," Beppi took a long breath. "This afternoon I was tired of +playing in the garden and I went out into the road. Nana was sound +asleep and did not hear me, and when I had walked a little ways I met +two boys; one of them was bigger than me and the other one was littler. +We said hello, and one of them asked me my name, and I told him, and +then the big one said he guessed I couldn't fight—" Beppi stopped and +turned two accusing eyes at Lucia, "that was because I had on these old +stockings. I told you, sister, that I'd be laughed at unless I went +barefoot, same as always." +</P> + +<P> +"Never mind about that," the Captain interposed, laughing, "tell us the +rest." +</P> + +<P> +"Well, I told him I could, and we did, of course, and I won," he +continued proudly, "and after that we were friends, and they asked me +if I'd ever been to the shore, and I said; not right to it, so they +took me. We went down a hill and pretty soon we were right by the +ocean, and the waves were coming in all frothy white on the blue water, +and I took off my shoes and stockings—" +</P> + +<P> +"Oh, Beppi," Lucia protested. +</P> + +<P> +"Yes, I did," Beppi repeated, "I certainly did and we had a fine time, +I can tell you, and here comes the exciting part. While we were on the +beach a soldier came along; he was walking on the wall and he had a big +gun. The two boys ran to him and I went with them. He asked me my +name and where I lived, and I told him, and he said he had a nephew in +the war, and one of the boys asked him how Roderigo Vicello was, and +when I heard that name I just shouted, 'Why I know him,' and then I +told them all about the bridge and the King giving Roderigo a medal, +and everything. They were all glad, I can tell you, and I guess these +boys won't say I can't fight again in a hurry," he added triumphantly. +</P> + +<P> +"Oh, that is exciting news!" Lucia exclaimed, "Roderigo told me he had +an uncle here. Did he have a big scar on his face, Beppino?" +</P> + +<P> +"Yes," Beppi replied eagerly, "he got it in the Tripoli war. He is a +very brave man, I think, but he says he'd rather fight than guard the +shore, but of course he has to do as he's told, because he's a soldier." +</P> + +<P> +"And I suppose that means you don't have to do what you're told until +you're one," the Captain laughed, "what will Nana say when she hears +you ran away?" +</P> + +<P> +"Who's going to tell her?" Beppi inquired, "Lucia won't, and I don't +think you will," he added with a mischievous twinkle in his eye. +</P> + +<P> +"No, I suppose I won't after that," the Captain replied, laughing, +"that is if you will promise to be very good and mind Lucia while I am +away." +</P> + +<P> +"Away?" Beppi queried, "where are you going?" +</P> + +<P> +"Back to fight," the Captain replied, "and perhaps I shall be gone for +a long, long time, and of course, while I am gone I shall expect you to +take care of your sister." +</P> + +<P> +"Oh, Lucia can take care of herself," Beppi laughed, "she always has, +and of Nana and me, too, but I'll be good if you say so, only can't I +go down to the shore once in a while?" +</P> + +<P> +"Of course, darling," Lucia answered for the Captain, "but you must +tell Nana where you are going." +</P> + +<P> +"No, I will tell you I think," Beppi said gravely. +</P> + +<P> +The Captain got up and he walked beside him to the house. There was a +chance that the bright sword might be taken from its chamois case, and +Beppi never missed a chance of seeing it if he could help it. +</P> + +<P> +Lucia, left alone in the garden, looked out over the low wall to the +west. The bay of Naples stretched out blue and glistening in the last +rays of the sun, and the gray of the old house took on a soft pink tint. +</P> + +<P> +"It is a fairy palace, I believe." Lucia buried her face in her basket +and whispered to the flowers. +</P> + +<P> +"I wonder if it will disappear when my fairy godfather goes away, or if +it will stay and be ours to keep for him until he comes back, for he +must come back, he must, he must, he must," she finished almost angrily. +</P> + +<BR><BR><BR> + +<A NAME="chap19"></A> +<H3 ALIGN="center"> +CHAPTER XIX +</H3> + +<H3 ALIGN="center"> +BACK TO FIGHT +</H3> + + +<P> +A big gray car, very like the one that had come to Cellino, drove up +before the door of the Riccardi villa two days later. +</P> + +<P> +The Captain, once his mind was made up, did not waste any time in +carrying out his plans. He was eager to rejoin his comrades in the +north, but when the time came to leave he was very sorry to say good-by +to Lucia. She had found a warm and secure spot in his big heart, and +he knew he would miss her gay chatter and the laughing expression of +her eyes. +</P> + +<P> +All the household were on the steps to say good-by, even Nana had been +prevailed upon to leave her seat in the garden by the well, and her +lace bobbins, long enough to see him off. +</P> + +<P> +Beppi danced about excitedly. "Oh, please hurry up and end the old +war," he cried impatiently, "and come back, we will be so lonely +without you. I promise to be very, very good." +</P> + +<P> +"That's right, and when I come home I shall bring you all the souvenirs +I promised; an Austrian helmet and a piece of shell," the Captain +replied. +</P> + +<P> +"And your sword, don't forget that," Beppi reminded him. +</P> + +<P> +"Oh no, of course I won't forget that," the Captain swung Beppi high in +the air above his head and kissed him, then he turned to Lucia. +</P> + +<P> +"I will be good too," she promised, laughing. +</P> + +<P> +"Of course you will, but you must be happy too, that is the most +important of all," the Captain said seriously. "Be sure and pick all +the flowers in the garden and stay out in the sunshine all day." +</P> + +<P> +"And may I take the flowers to the hospital?" Lucia asked, "we have so +many in the house, and the sick soldiers would love them so." +</P> + +<P> +"Yes, do what you like with them," the Captain replied, "but be +careful, don't do anything dangerous, you are such a spunky little +fire-brand, that I can't help worrying." +</P> + +<P> +"Oh, but you mustn't, I will be so very careful. Besides there is +nothing to do down here, it is not like Cellino." +</P> + +<P> +"Well, you can't always be sure," the Captain said, his eyes twinkling, +"if there was any danger you'd be sure to be in the heart of it." +</P> + +<P> +"No, I will close my eyes tight," Lucia promised, "and walk in the +other direction, that is, unless it was something very, very important." +</P> + +<P> +"I thought so. Well, I guess you'll be safe here, safer than you've +ever been before, anyway," the Captain said, "and now good-by." +</P> + +<P> +He kissed her low, broad forehead, very gently. +</P> + +<P> +"Good-by, fairy godfather, come back soon." Lucia tried not to let her +voice tremble. +</P> + +<P> +The Captain got into the car hurriedly. He waved to the group on the +steps until he was out of sight. +</P> + +<P> +Lucia went back into the house, but the spacious rooms and high +ceilings only added to her unhappiness. She almost longed for the +comfort of the tiny old cottage and the familiar sight of the green bed. +</P> + +<P> +She wandered about listlessly; she was quite alone. Nana had gone back +to her lace making, and Beppi was in the garden. The old man and his +wife—the Captain's faithful servants—were in the kitchen. +</P> + +<P> +In the library Lucia stopped before the rows of books and tried to read +their titles. But she gave it up and looked at the pictures, that +amused her for a little while, for she thought they were beautiful, but +she did not understand them. She could not give anything her undivided +attention for her thoughts were on the way with the Captain, and she +was fighting against the unhappiness that threatened to overpower her. +</P> + +<P> +"Surely he will come back," she said, to a copy of Andrea del Sarto's +St. John that hung above the mantel. "This cruel war has taken my real +father; it cannot take my godfather too." She gave herself a little +shake, "It is that I am lonely that I think such sad thoughts, I will +go out to the garden and pick flowers for the soldiers." +</P> + +<P> +Accordingly she found her basket and scissors and spent the rest of the +afternoon in the garden. When her basket was piled high she put on her +hat very carefully, regarding it from every angle of the Florentin +mirror. It was the first hat she had ever owned and she was very proud +of it. +</P> + +<P> +When it was tilted to her satisfaction she took up the basket and went +out by the garden gate. +</P> + +<P> +The hospital was a little over a mile away. Lucia had visited it with +Captain Riccardi. It had formerly been a private villa and its +terraced gardens went down to the water's edge. +</P> + +<P> +Lucia knew the way and she loitered along, enjoying the newness of the +scenes about her. Everything and everybody were so different, the +fishermen with their bright sashes and Roman striped stocking caps, the +old women and the young girls in their bright dresses, with great gold +loops hanging from their ears. Even the sound of their voices was +different as they called out greetings to one another. +</P> + +<P> +Lucia decided that the very first thing she would do when the Captain +came home would be to ask him for a pair of gold earrings. +</P> + +<P> +So occupied was she with her thoughts that she reached the gate to the +hospital before she realized it. She lifted the heavy knocker; an old +man opened the door. +</P> + +<P> +"This is not visiting day, little one," he said, as he looked down at +Lucia. +</P> + +<P> +"Oh, I am not visiting," she replied, "I brought these few flowers for +the sick soldiers; will you take them?" +</P> + +<P> +"Indeed I will." The old man held out his hand. "Do you want the +basket back again?" +</P> + +<P> +"Oh, no, there's no hurry for that, I will get it the next time I +come," Lucia replied. "I mean to bring flowers every day or two for +the soldiers." +</P> + +<P> +"That is very kind of you," the old man smiled, "I'll take these right +up." +</P> + +<P> +Lucia nodded and turned to go back along the road. The sun was setting +over the water, and below the bay beckoned invitingly. She looked and +decided to go home that way. +</P> + +<P> +She took a path that led to the water's edge. It was steep, for that +part of the coast rose high above the water. She was tired when she +reached the bottom and sat down to rest on the low stone wall. +</P> + +<P> +The soft lapping of the water made her drowsy, and she slipped to the +sand, leaned her head against the wall and closed her eyes. +</P> + +<P> +There was not a sound but the soothing voice of nature, the ripple of +the water, the sighing of the wind and the occasional cry of a sea bird. +</P> + +<P> +All the sounds together seemed to rock Lucia in a sort of lullaby, and +it was not many minutes before she was asleep. +</P> + +<P> +When she awoke it was quite dark and she was conscious of a difference +in the voice of the water. A heavy regular splash, splash, grew nearer +and nearer as she listened. If she had been accustomed to living near +the water she would have recognized it as the rhythmic stroke of oars, +but she did not, and it was not until a shape loomed up in the dusk a +little farther down the beach that she realized it was a boat. +</P> + +<P> +She got up and walked towards it. If it was a fisherman's boat she +wanted to see it, even if it meant being late to supper. +</P> + +<P> +But it was not a fisherman's boat, it was a light, high-sided row boat +and the man in it stood up and pushed forward on his stout oars. +</P> + +<P> +He made a landing on the sand before Lucia reached him, and he jumped +out hurriedly. +</P> + +<P> +Whatever his business was it occupied all his thoughts, for he did not +look to right or left but ran straight to the wall. Another figure +came out of the shadows to meet him. They spoke in whispers, but Lucia +was near enough to hear what they said. +</P> + +<P> +She listened out of curiosity for it struck her as being rather strange +that a man dressed in beautiful dark clothes, with a hat such as she +had seen the men in Rome wear, should be out on the beach whispering in +the shadow of the wall to a boatman. +</P> + +<P> +When she had listened she was even more surprised. +</P> + +<P> +"It's all right, I've fixed it, you can get aboard her at midnight." +The boatman's voice was husky and very mysterious. +</P> + +<P> +"Be sure and be here on time," the man replied, "this spot is safe, +wait until the guard has passed and then land. If there is any danger, +whistle." +</P> + +<P> +The boatman nodded. "It's a risky business," he objected. +</P> + +<P> +"You will be well paid for it," the man answered sharply. "Now go." +</P> + +<P> +Lucia watched him disappear into the dusk and waited until the boatman +had rowed out of sight. Then she straightened her hat and started for +home, thinking very hard as she hurried along. +</P> + +<BR><BR><BR> + +<A NAME="chap20"></A> +<H3 ALIGN="center"> +CHAPTER XX +</H3> + +<H3 ALIGN="center"> +AN INTERRUPTED SAIL +</H3> + + +<P> +When Lucia reached the road above she ran as fast as she could. She +had been so startled at what she had heard that her thoughts were +confused. But as she hurried along her mind cleared. +</P> + +<P> +"Perhaps they are all right, and the man is just going for a row," she +said to herself. But the memory of the boatman's words returned to her. +</P> + +<P> +"It's a risky business." +</P> + +<P> +She did her best to attach no importance to it, but back in her brain +was the firm conviction that the man with the hat was one of the +Austrians that Roderigo had spoken of. "An Italian citizen on the face +of things, but in their hearts—" Lucia instinctively mimicked +Roderigo's gesture. She knew too, that argue though she might, she +would interfere. +</P> + +<P> +When she reached the garden she heard Beppi crying and saw a light in +his window above. Beppi did not cry very often and by the sound she +thought he was in pain. +</P> + +<P> +She hurried into the house and ran upstairs. Nana met her at the door +of Beppi's room; she was wringing her hands. +</P> + +<P> +"So you are back," she cried, "well, praise the Saints for that, I +thought I should lose you both on the same day." +</P> + +<P> +"'Lose us,' what are you talking about?" Lucia demanded, pushing past +her to the bed. +</P> + +<P> +"Beppino mio, what has happened?" she asked, though there was little +need to question for a deep cut in Beppi's cheek, from which the blood +spurted freely, was answer enough. +</P> + +<P> +"My face, Lucia, it hurts me so, make it stop bleeding," Beppi pleaded, +"I fell on a big rock in the garden." +</P> + +<P> +"Caro mio, how long ago?" Lucia asked excitedly, "here quick, Nana, get +me some hot water, I will wash it as I saw Sister Veronica wash the +soldiers. There, there, darling, it will soon be better." +</P> + +<P> +With trembling fingers Nana and the old servant, Amelie, brought a +basin and a towel, and Lucia bathed the wound. It was a deep cut and +poor Beppi winced as the water touched it. +</P> + +<P> +After a little the blood stopped and Lucia bound up his head in soft +white cloths. +</P> + +<P> +"Stay by me," Beppi begged, "don't go way downstairs, I am afraid." +</P> + +<P> +"Poor angel," Amelie cried, "he won't be left alone; old Amelie will +bring up the little sister's dinner and she can eat by his bedside," +and she hurried off, crooning to herself as she went to the kitchen +below. +</P> + +<P> +Nana, now that she knew that Beppi was not going to die, started +scolding him for not looking where he was going, but Lucia sent her +downstairs. +</P> + +<P> +"He is too tired to listen to-night, Nana, and anyway he will be +careful. Do go away and rest a little, you must be tired." +</P> + +<P> +When Nana had left, Lucia returned to the bed and sat down. She did +not have any idea what time it was, and she knew that it would be +impossible to leave Beppi until he was quiet. She hardly touched the +tempting tray that Amelie brought her, and her voice trembled as she +asked what time it was. +</P> + +<P> +"Ten minutes after seven," Amelie told her after she had carefully +consulted the big hall clock. +</P> + +<P> +"Oh!" Lucia was surprised and relieved. She thought she must have +slept for hours, but now she realized that in reality she had only +dozed for a few minutes. +</P> + +<P> +She took Beppi's hand and set about putting him to sleep. It was a +difficult task. She told him story after story, but at the end of each +his eyes were bright and his demand for another one as insistent as +ever. +</P> + +<P> +Lucia kept time by the chimes of the clock, and at ten she turned out +the light. +</P> + +<P> +"I am coming to bed beside you," she explained as Beppi protested, "I +think the light will hurt your head." She took off her dress and +slipped on her nightgown. Beppi snuggled contentedly into her arm, and +she went on with her stories. +</P> + +<P> +"Sing to me," he asked at last, sleepily, "your song," and Lucia began +very softly to sing. +</P> + +<P CLASS="poem"> +"O'er sea the silver star brightly is glowing,<BR> +Rocked now the billows are.<BR> +Soft winds are blowing,<BR> +Come to my bark with me.<BR> +Come sail across the sea.<BR> +Santa Lucia, Santa Lucia." +</P> + +<BR> + +<P> +Beppi's even breathing rewarded her efforts. She slipped her arm from +under his head and stole softly out of the room just as the clock +chimed eleven. She put on her dress hurriedly. +</P> + +<P> +The house was very still as she crept downstairs and out into the +garden. The stars were out and it was an easy matter to find her way. +She ran until she reached the path that led to the shore, then she +moved very cautiously. She hoped to reach the guard, tell him what she +had heard, and then go home, but when she reached the beach she +realized that she was too late. +</P> + +<P> +There was no guard in sight, but her ears detected the splash of oars, +and she knew that the boatman was coming. She crouched down beside the +wall and waited. She watched him pull his boat up on shore and then +walk swiftly off in the opposite direction from her. +</P> + +<P> +She did not know what to do, and she was frightened—badly frightened. +The broad shining water on one side and the hill on the other seemed to +hem her in, and she felt lost. It was not like the mountains of +Cellino, where she knew every path. +</P> + +<P> +She crouched down by the wall and waited. Another figure joined the +boatman, and they stood still, a little farther up the beach. Lucia +knew it was the man she had seen that afternoon, and she knew too that +in a very few seconds they would turn around and come back to the boat. +</P> + +<P> +With a courage born of fear she jumped up and before she quite realized +what she was doing she was tugging at the boat. +</P> + +<P> +It was not very high up on the beach for the boatman had left it so +that it would be easily shoved off. Fortunately the tide was going +out. Lucia's arms were strong and she pushed with a will. The boat +found the water and drifted silently away. +</P> + +<P> +Her feet were wet, but she did not realize it. She crept back to the +beach and flattened herself against the wall. The men returned. They +too kept in the shadow of the wall. It was not until they were almost +brushing against Lucia that the boatman noticed that his boat was gone. +</P> + +<P> +"The Saints preserve us!" he exclaimed. "It has been spirited away. I +knew I should be punished for doing such a black deed." +</P> + +<P> +"Spirits, nonsense!" the man spoke angrily. "It is your own stupid +carelessness, you did not pull it up on shore far enough. You +rattlebrain idiot, I've a good mind to kill you for this. See, there +is your boat out there—empty—go and get it. Do you hear?" +</P> + +<P> +"But how?" the boatman wrung his hands desperately. "I do not know how +to swim. I will die. Santa Lucia, Saint of sailormen, spare me," he +screamed as the man lifted his heavy cane to strike him. +</P> + +<P> +"Don't you dare strike that man!" Lucia exclaimed, "he did pull his +boat up on shore, but I pushed it off. I heard you this afternoon, and +I knew you wanted to go away to that big ship out there, and perhaps +sail to Austria. I know what you are, you two-faced man. You speak, +you laugh, you scold in Italian, and all the time your black heart is +Austrian." +</P> + +<P> +"You shall not go away from here. I, Lucia Rudini, tell you, you shall +not!" +</P> + +<P> +"Santa Lucia! A miracle!" The boatman trembled with fear, but the man +was not so superstitious. He caught Lucia's arm and shook her roughly. +</P> + +<P> +"You did it, you little fiend, well, you shall get what you deserve for +your meddling." He motioned to the frightened boatman. "Get me a +rope, I'll make a gag of my handkerchief; hurry man, if you are found +you will be shot." +</P> + +<P> +"But I dare not, I dare not, she is the spirit of Santa Lucia. She +came when I called. The Saints have mercy!" +</P> + +<P> +With a growl of disgust the man turned from him and caught both of +Lucia's wrists in his firm clasp. Then he lifted his cane. +</P> + +<P> +"She must not tell until we are well away," he said, and brought the +cane down heavily. It was his intention to stun Lucia, but he had +miscalculated when he expected her to stand still and receive the blow. +</P> + +<P> +She dodged to the right and began kicking and struggling. The boatman +wrung his hands and screamed for help. +</P> + +<P> +It was not many minutes before the guard, attracted by the noise, came +running towards them. The man's back was towards him, but Lucia saw +him and stopped struggling. +</P> + +<P> +The man raised his cane again but this time he stopped, because the +muzzle of a gun was pressing him between the shoulder blades. +</P> + +<P> +Lucia turned to the guard and explained hurriedly. In the starlight +she could see that he had a long scar across his face, and she felt +very secure. +</P> + +<P> +"I know your nephew, Roderigo," she ended, "he helped me blow up the +bridge in Cellino." +</P> + +<P> +The soldier nodded. +</P> + +<P> +"I know about that, Seņorina," he said respectfully, "and the rest of +your fine deeds. You were born for the work it seems. Move an inch +and off comes your head," he turned furiously on the man who had tried +to edge away. Then he continued in the soft, courteous tones he had +been using. "I hope some day you will do me the honor of telling me of +the attack yourself," he said. "It is sometimes very lonely here while +I am on guard." +</P> + +<P> +His gentle tone, and above all the flattering respect he showed, gave +Lucia back her courage. +</P> + +<P> +"Of course I will come," she said, "just as soon as my little brother +is better. He fell and cut his head, and, and—well, I guess I'd +better be going back, he may awaken and be frightened. Good night." +</P> + +<P> +"Good night, Seņorina," the soldier replied, "I am proud to have seen +you." +</P> + +<P> +"Now then,—" his voice became harsh again as he turned to his +prisoners, "go along, one wink of your eyelid in the wrong direction +and I will shoot." +</P> + +<P> +He marched them off quickly, and Lucia, because the affair seemed +finished, started for home. +</P> + +<BR><BR><BR> + +<A NAME="chap21"></A> +<H3 ALIGN="center"> +CHAPTER XXI +</H3> + +<H3 ALIGN="center"> +THE END OF THE STORY +</H3> + + +<P> +"Tell me a story," Beppi demanded when she was lying beside him once +more, "I'm all awake again and my face hurts." +</P> + +<P> +"What shall it be about?" Lucia asked, stroking his hair. She was +still trembling from the reaction of her adventure, and Beppi's warm +little body snuggled close in her arms was comforting. +</P> + +<P> +"Go on with the story about the soldier and the bad girl that teased +him, and the good girl that was the fairy princess." +</P> + +<P> +"Very well, but shut your eyes. Let me see," Lucia began, "the soldier +went off to the war, and when he came back he was wounded and the good +girl took care of him, and they decided to be married and live happily +ever after. And the bad girl when she saw the poor soldier wounded was +sorry she had teased him, and she never did it again. And because she +was good all kinds of nice things happened to her. She found her fairy +godfather, and he had a magic carpet, and first thing you know she was +in the middle of a beautiful garden with her little—" +</P> + +<P> +"Oh, bother, I knew that wasn't a real story," Beppi protested. "It's +just about Roderigo and Maria and the Captain and you. And oh, Lucia, +how silly you are, you called yourself the bad girl when really you're +the goodest in the whole world." +</P> + +<P> +"Am I, Beppino mio?" Lucia laughed. "I don't think so." +</P> + +<P> +"Well, I say you are," Beppi replied, drowsily, "and the Captain thinks +so too, so—" He dropped off to sleep. +</P> + +<P> +"I wonder if he would say so if he had seen me to-night," Lucia mused, +"I had to do it, it was the only way, but oh, dear, I do hope I don't +ever hear any more wicked men again." She yawned and looked towards +the window. The first gray light of dawn streaked the sky. +</P> + +<P> +"I guess I'll stay in the garden with Beppi and Nana and Garibaldi, and +wait for my fairy god-father's return," she said as she closed her eyes. +</P> + +<P> +As if to echo her words a faint "naa," came up from the stable yard +below. Garibaldi was agreeing with her mistress. +</P> + +<BR><BR><BR><BR> + +<hr class="full" noshade> +<p>***END OF THE PROJECT GUTENBERG EBOOK LUCIA RUDINI***</p> +<p>******* This file should be named 17666-h.txt or 17666-h.zip *******</p> +<p>This and all associated files of various formats will be found in:<br /> +<a href="http://www.gutenberg.org/dirs/1/7/6/6/17666">http://www.gutenberg.org/1/7/6/6/17666</a></p> +<p>Updated editions will replace the previous one--the old editions +will be renamed.</p> + +<p>Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. 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You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + + + + +Title: Lucia Rudini + Somewhere in Italy + + +Author: Martha Trent + + + +Release Date: February 2, 2006 [eBook #17666] + +Language: English + +Character set encoding: ISO-646-US (US-ASCII) + + +***START OF THE PROJECT GUTENBERG EBOOK LUCIA RUDINI*** + + +E-text prepared by Al Haines + + + +Note: Project Gutenberg also has an HTML version of this + file which includes the original illustrations. + See 17666-h.htm or 17666-h.zip: + (https://www.gutenberg.org/dirs/1/7/6/6/17666/17666-h/17666-h.htm) + or + (https://www.gutenberg.org/dirs/1/7/6/6/17666/17666-h.zip) + + + + + +LUCIA RUDINI + +Somewhere in Italy + +by + +MARTHA TRENT + +Illustrated by Chas. L. Wrenn + + + + + + + +[Illustration: Cover art--Lucia Rudini.] + + + +[Frontispiece: "My pet, see how you frightened +the brave Austrian soldier"] + + + + +New York +Barse & Hopkins +Publishers +Copyright, 1918 +by +Barse & Hopkins + + + + +DEDICATED TO + +R. J. U. + + + + +CONTENTS + + +CHAPTER + + I CELLINO + II MARIA + III BEFORE DAYBREAK + IV LOST + V IN THE TOOL SHED + VI GARIBALDI PERFORMS + VII THE BEGGAR + VIII THE SURPRISE ATTACK + IX THE BRIDGE + X GARIBALDI, STRETCHER-BEARER + XI THE AMERICAN + XII A REUNION + XIII AN INTERRUPTED DREAM + XIV THE FAIRY GODFATHER + XV EXCITING NEWS + XVI THE KING + XVII GOOD-BY TO CELLINO + XVIII IN THE GARDEN + XIX BACK TO FIGHT + XX AN INTERRUPTED SAIL + XXI THE END OF THE STORY + + + + +ILLUSTRATIONS + + +"'My pet, see how you frightened the brave + Austrian soldier'" . . . . . . _Frontispiece_ + +"The Soldiers came and chattered and laughed" + +"Together they drove the goats before them" + +"Lucia and Garibaldi toiled up the hill, each one + using every bit of their strength" + + + + +LUCIA RUDINI + + +CHAPTER I + +CELLINO + +Lucia Rudini folded her arms across her gaily-colored bodice, tilted +her dark head to one side and laughed. + +"I see you, little lazy bones," she said. "Wake up!" + +A small body curled into a ball in the grass at her feet moved +slightly, and a sleepy voice whimpered, "Oh, Lucia, go away. I was +having such a nice dream about our soldiers up there, and I was just +killing a whole regiment of Austrians, and now you come and spoil it." + +A curly black head appeared above the tops of the flowers, and two +reproachful brown eyes stared up at her. + +Lucia laughed again. "Poor Beppino, some one is always disturbing your +fine dreams, aren't they? But come now, I have something far better +than dreams for you," she coaxed. + +"What?" Beppi was on his feet in an instant, and the sleepy look +completely disappeared. + +"Ha, ha, now you are curious," Lucia teased, "aren't you? Well, you +shan't see what I have, until you promise to do what I ask." + +Beppi's round eyes narrowed, and a cunning expression appeared in their +velvety depth. + +"I suppose I am not to tell Nana that you left the house before sunrise +this morning," he said. + +Lucia looked at him for a brief moment in startled surprise, then she +replied quickly, "No, that is not it at all. What harm would it do if +you told Nana? I am often up before sunrise." + +"Yes, but you don't go to the mountains," Beppi interrupted. "Oh, I +saw you walking smack into the guns. What were you doing?" He dropped +his threatening tone, so incongruous with his tiny body, and coaxed +softly, "please tell me, sister mine." + +"Silly head!" Lucia was breathing freely again, "there is nothing to +tell. I heard the guns all night, and they made me restless, so I went +for a walk. Go and tell Nana if you like, I don't care." + +Beppi's small mind returned to the subject at hand. + +"Then if it isn't that, what is it you want me to do?" he inquired, and +continued without giving his sister time to reply. "It's to take care +of them, I suppose," he grumbled, pointing a browned berry-stained +little finger at a herd of goats that were grazing contentedly a little +farther down the slope. + +"Yes, that's it, and good care of them too," Lucia replied. "You are +not to go to sleep again, remember, and be sure and watch Garibaldi, or +she will stray away and get lost." + +"And a good riddance too," Beppi commented under his breath. + +He did not share in the general admiration for the "Illustrious and +Gentile Senora Garibaldi," the favorite goat of his sister's herd. +Perhaps the vivid recollection of Garibaldi's hard head may have +accounted for his aversion. Lucia heard his remark and was quick to +defend her pet. + +"Aren't you ashamed to speak so?" she exclaimed, "I've a good mind not +to give you the candy after all." + +"Oh, Lucia, please, please!" Beppi begged. "I will take such good care +of them, I promise, and if you like, I will pick the tenderest grass +for old crosspatch," he added grudgingly. + +Lucia smiled in triumph, and from the pocket of her dress she pulled +out a small pink paper bag. + +"Here you are then," she said; "and I won't be away very long. I am +just going to see Maria for a few minutes." + +Beppi caught the bag as she tossed it, and lingered over the opening of +it. He wanted to prolong his pleasure as long as possible. Candy in +war times was a treat and one that the Rudinis seldom indulged in. + +As if to echo his thoughts, Lucia called back over her shoulder as she +walked away, "Don't eat them fast, for they are the last you will get +for a long time." + +Beppi did not bother to reply, but he acted on the advice, and selected +a big lemon drop that looked hard and everlasting, and set about +sucking it contentedly. + +Lucia walked quickly over the grass to a small white-washed cottage a +little distance away. She approached it from the side and peeked +through one of the tiny windows. Old Nana Rudini, her grandmother, was +sitting in a low chair beside the table in the low-ceilinged room. Her +head nodded drowsily, and the white lace that she was making lay +neglected in her lap. Lucia smiled to herself in satisfaction and +stole gently away from the window. + +The Rudinis lived about a mile beyond the north gate of Cellino, an old +Italian town built on the summit of a hill. Cellino was not +sufficiently important to appear in the guide books, but it boasted of +two possessions above its neighbors,--a beautiful old church opposite +the market place, and a broad stone wall that dated back to the days of +Roman supremacy. It was still in perfect preservation, and completely +surrounded the town giving it the appearance of a mediaeval fortress, +rather than a twentieth century village. Two roads led to it, one from +the south through the Porto Romano, and one from the north, up-hill and +from the valley below. It was up the latter that Lucia walked. She +was in a hurry and she swung along with a firm, graceful step, her +head, crowned by its heavy dark hair, held high and her shoulders +straight. + +The soldier on guard at the gate watched her as she drew nearer. She +was a pleasing picture in her bright-colored gown against the glaring +sun on the dusty white road. Roderigo Vicello had only arrived that +morning in Cellino, and Lucia was not the familiar little figure to him +that she was to the other soldiers. But she was none the less welcome +for that, after the monotony of the day, and Roderigo as she came +nearer straightened up self-consciously and tilted his black patent +leather hat with its rakish cluster of cock feathers a little more to +one side. + +"Good day, Senorina," he said smiling, as Lucia paused in the grateful +shadow of the wall to catch her breath. + +"Good day to you," she replied good-naturedly. + +"You're new, aren't you? I never saw you before. Where is Paolo?" + +"Paolo and his regiment go up to the front this afternoon," Roderigo +replied. "We have just come to relieve them for a short time, then we +too will follow." + +Lucia nodded. "You come from the south, don't you?" she inquired, +looking at him with frank admiration; "from near Napoli I should guess +by your speech." + +Roderigo laughed. "You guess right, I do, and now it is my turn to ask +questions. Where do you come from?" + +"Down there about a mile," Lucia pointed, "in the white cottage by the +road." + +Roderigo looked at the dark hair and eyes and the gaudily colored dress +before him, and shook his head. + +"Now perhaps," he admitted, "but you were born in the south where the +sun really shines and the sky is blue and not a dull gray, or else +where did you come by those eyes and those straight shoulders?" + +Lucia looked up at the dazzling sky above her and laughed. + +"And I suppose that spot is Napoli," she teased. "Well, you don't +guess as well as I do, for I was born here and I have lived here all my +life." + +"'All my life,'" Roderigo mimicked. "How very long you make that +sound, Senorina, and yet you look no older than my little sister." + +Lucia drew herself up to her full height and did not deign a direct +reply. + +"Fourteen years is a long time, Senor," she said gravely, "when you +have many worries." + +"But you are too young to have many worries," Roderigo protested; "or I +beg your pardon, perhaps you have some one up there?" he pointed to the +north, where the high peaks of the Alps were visible at no great +distance. + +"No, not now," Lucia replied; "for my father was killed a year ago." + +Roderigo was silent for a little, then he raised one shoulder in a +characteristic shrug. + +"War," he said slowly. "We all have our turn." + +Lucia nodded and returned almost at once to her gay mood. + +"But you are still wondering how I got my black hair and eyes up here," +she laughed. + +"Well, I will tell you. My mother came from your beautiful Napoli, and +Nana, that is my grandmother, says I inherited my foolish love of gay +clothes from her. Nana does not like gay clothes, but my father always +liked me to wear them." + +"Then your mother is dead too?" Roderigo asked respectfully. + +"When I was a little girl, and when Beppino was a tiny baby. Beppi is +my little brother," Lucia explained. + +Roderigo's eyes were shining with delight. There was something in +Lucia's soft tones that filled his homesick heart with joy. She was so +different from most of the girls from the north, with their strange +high voices and unfriendly manners. If she wasn't exactly from the +south she was near it. He wanted to sit down beside her and tell her +all about his home and his family, for he was very young and very +homesick, but Lucia decreed otherwise. + +"Now do see what you have done," she scolded suddenly. "You have kept +me talking here until the sun is well down, and I will have to hurry if +I want to see Maria and return home before Nana misses me. So much for +gabbing on the high road with some one who should be watching for +suspicious spies instead of asking questions," she finished with a +provoking toss of her head. + +Which sentence, considering that she had asked the first questions +herself, was unjust. Roderigo, however, did not seem to resent the +blame laid upon him. He did not even offer to contradict, but watched +Lucia until she disappeared around a corner a few streets beyond the +gate, and then he turned resolutely about and scanned the road with +searching determination, as if he really believed that the open, +smiling country about him might be concealing a spy. + +When Lucia disappeared around the comer of the narrow street that led +to the market place, she stopped long enough to laugh softly to herself. + +"The great silly! He took all the blame himself instead of boxing my +ears for being impertinent. A fine soldier he'll make! If I can scare +him, what will the guns do?" she said aloud, and then with a roguish +gleam of mischief in her eyes she hurried on. + +The narrow side streets through which she passed were almost deserted, +but when she reached the market place it was thronged with people. +Every one was out to look at the new troops, and in the little square +the great white umbrellas over the market stalls were surrounded by +soldiers. Their picturesque uniforms added a gala note to the +commonplace little scene. + +Lucia elbowed her way through the jostling, laughing men to a certain +umbrella, a little to one side of the open space left clear before the +church. + + + + +CHAPTER II + +MARIA + +A neatly-dressed, dumpy little woman in a black dress and shawl sat +beneath it, and behind a row of stone crocks beside her was a young +girl several years older than Lucia, who ladled out cupfuls of the milk +that the crocks contained, and gave them, always accompanied by a shy +little smile, to the soldiers in return for their pennies. She was +Maria Rudini, Lucia's cousin, a pretty, gentle-featured girl with shy, +bewildered eyes. + +People often spoke of her quiet loveliness until they saw her younger +cousin. Then their attention was apt to be diverted, for Maria's +delicate charms seemed pale beside Lucia's southern beauty, and in the +same manner her courage grew less. Although she was three years older, +Maria never questioned Lucia's authority to lead. + +When Lucia's father had died, the kindly heart of Maria's mother had +prompted her to offer her home to his children, but Lucia had declined +the offer. She said she would undertake the support of old Nana and +Beppi and herself. There was considerable disapproval over her +decision, but as was generally the case, Lucia had her own way. Her +method of wage-earning was a simple one. Her father had owned a herd +of goats and a garden, and the two had provided ample support for the +needs of the family. At his death Lucia, with characteristic +selection, had given up the garden and kept the goats. + +Every morning she milked them and carried the bright pails to town, +where her aunt sold them at her little stall along with cheese and +sausage. The profits wore not great, but they wore enough. + +"Is that the milk I brought in this morning?" Lucia asked incredulously +as she approached the stall. + +"No, no, my dear," her aunt replied, shaking her head. "You brought +scarcely two full pails, and they were gone before you had reached the +gate. We have had a great day, so many soldiers, it is a shame that +you cannot bring in more, for we could sell it. Just see, we had to +send to old Paolo's for this, and it is not as rich as yours of course, +for his poor beasts have only the weeds between the cobblestones to +eat." + +"That is because he is a lazy old man and won't take the trouble to +lead his herd out on the slopes to graze," Lucia replied. She put her +hands on her hips and swayed back and forth as she talked. It was a +little trait she had inherited from her mother, and one of her most +characteristic poses. + +"How well you look to-day!" Maria said, smiling. "I have been wishing +you would come, we are so busy--see, here come a group of soldiers all +together. Will you help me?" She held out a dipper with a long +handle, which Lucia accepted critically. + +"I don't like charging full price for this milk which is more like +water," she said. + +"Nonsense, child, it is business, the soldiers know no difference; it +is only your silly pride," her aunt scolded. She was a little in awe +of her determined niece, and very often she was provoked at her. + +"If you can't bring us more milk, we must do the best we can," she said +meaningly. "You used to bring us twice this much." + +Lucia shrugged her shoulders and tossed her head. "I can bring no more +than I bring," she said, and turned her attention to the soldiers +before her. + +But the explanation did not satisfy her thrifty aunt. She was no +authority on goats, but she had enough sense to know that the supply of +milk does not dwindle to one-half the usual quantity over night. Still +she did not voice her suspicions. + +Lucia and Maria were busy for the rest of the afternoon. Lucia's +flowered dress and brilliantly-colored bandana that she wore tied over +her head, were added attractions to Senora Rudini's stall, and the +soldiers from the south came and chattered and laughed. + +[Illustration: "The soldiers came and chattered and laughed."] + +"What a pity we have no more," Maria said as the last crock was +emptied, and they set about preparing to return home. "We could go on +selling all night now that Lucia is here." + +"Well, it is high time to go home, I am tired," her mother replied +crossly. "Hurry with what you are doing." + +Lucia was busy closing the big umbrella. + +"It is late, I will have to hurry, or Beppi will have let all my goats +run away--he and his dreams. He is a lazy little one, but I can't bear +to scold him," she said. "He is too little to understand." + +Her aunt nodded. "Let him dream, but if you are not careful, he will +be badly spoiled." + +"No fear of that," Lucia replied, "while Nana has a word to say. She +is always for bringing him up properly, but little good it does. Now +we are ready, I will help you carry home your things, if you will let +Maria walk with me to the gate," Lucia bargained. + +"Oh, she may I suppose, though she should be at home helping me prepare +the dinner. I suppose you have some secrets between you that an old +grayhead can't hear," she grumbled good-naturedly. + +"Oh, yes a fine secret!" Lucia replied laughing, as she picked up the +greatest share of the burden and led the way. + +Maria and her mother lived in an old stone house that had once been a +palace. It was hardly palatial now, but it was very picturesque. It +housed five families besides the Rudinis, and in spite of the many +lines of wash that floated from its windows, it still retained enough +of its old grandeur to be an interesting spot to the occasional tourist +who visited Cellino. Maria and her mother were very proud of this +distinction. It made up somewhat for the loss of their house, which +they had been forced to leave, when six months before Maria's two +brothers had gone off to fight. + +The new quarters were not far from the market place and they soon +reached them. Their rooms were on the ground floor, and Lucia and +Maria made haste to drop what they were carrying and start off again at +a much slower pace for the gate. The sun was low in the west. It was +setting in a bank of golden clouds over the little river that ran +parallel with the west wall of the town. Lucia stopped to look at it. + +"Rain to-morrow, I suppose, by the look of those clouds," she said, a +real pucker of concern between her eyes. + +"And no wonder," Maria agreed, "with all this banging of guns one would +think it would rain all the time out of pity for so much suffering." + +"Now, Maria, don't begin to cry," Lucia protested not unkindly. "It +will do you no good, and it will only make things look worse than they +really are." + +"How can they?" Maria demanded, with more show of resentment than was +usual with her quiet acceptance of things. "Only this morning I sold +milk to such a sweet boy from the south. He had great sad, brown eyes +like yours, and he was very young and unhappy. His father and brother +were both killed, and now he is going." + +"But perhaps he won't be killed," Lucia said practically. "Anyway, he +will get a chance to do a little killing first, and surely that is +enough to satisfy any one, or ought to be." + +"Oh, Lucia you are cruel sometimes," Maria protested. "Who wants to +kill? Surely not these happy boys, and they don't want to be killed +either. It is all too terrible to think about, and you are an +unnatural girl to talk as you do. Why, I don't believe you have cried +once since the war began, even when the poor wounded were brought here, +and we saw their faces all shot away." + +Maria's anger rose as she talked, and Lucia listened curiously. It was +something new for Maria to take her to task. Her mind flew back over +the past year, and she saw herself with her face buried in the grass +and her hands clenched, and remembered her furious anger and her vows +of vengeance, but she had to admit that her cousin was right; she had +shed no tears. + +"We are not made the same way, I guess," she replied ruefully to +Maria's charges. "I cannot cry, I can only hate." + +"But hate won't do any good," Maria protested feebly. + +"It will do more than tears," Lucia replied shortly. + +They continued their walk in silence, now and then nodding to an +acquaintance or bowing respectfully to the Sisters of Charity who lived +at the big Convent just outside the Porto Romano, and who came to town +to take care of the sick and cheer the broken-hearted. When they +reached the north gate Lucia stopped. Roderigo was still on duty, but +this time he did not pause in his brisk walk up and down to chat. He +never even glanced in the girls' direction. + +Maria nodded towards him and whispered excitedly, "That is the boy I +was just now speaking of. Doesn't he look sad?" + +"No, he looks quite cross," Lucia replied in a voice loud enough to be +overheard, and her eyes sparkled with mischief as she added, "I wonder +if he will let me through the gate to get home." + +"May I pass, sir, please? I live a little beyond the wall, but I am +not a spy," she said with mock humility. + +Roderigo blushed. A soldier does not like to be made fun of, +particularly when some one else is present. + +"Pass," he said gruffly. + +Lucia laughed provokingly. + +"Good night, Maria," she said as she kissed her cousin. "Sweet dreams. +I may not be in very early in the morning, there is so much to do, you +know, but I will bring as much milk as possible," she finished. Then +without even a glance at Roderigo she walked through the gate and down +the wall. + +When she had walked for a little distance she looked back. Maria and +the soldier were in earnest conversation. Maria in her timid way was +apologizing for her cousin's rudeness, and Roderigo was beginning to +have doubts of the superiority of Southern beauty over the Northern, +particularly when a gentle spirit was added to the charm of the latter. +Lucia did not know she was the subject of their talk. She shrugged her +shoulders and turned her thoughts to a more important question that was +puzzling her. It was, how to slip out of the house the next morning +without disturbing the already suspicious Beppi. + + + + +CHAPTER III + +BEFORE DAYBREAK + +Lucia found Beppi asleep in the grass, curled up in the same position +that he had been in earlier in the day. One of his little hands had +tight hold of the precious pink bag, and a sticky smile of blissful +content turned up the corners of his full red lips. + +Lucia looked at him and shook her head. There might have been +twenty-seven instead of seven years between them, for there was +something protective in her expression. + +"Little lazy bones, asleep again!" she said, shaking him gently. + +Beppi stirred, one eye opened, and then with a sudden rush of memory he +sat up and began excitedly: "I just this minute fell asleep, just this +very second, truly, Lucia! I have watched the goats, oh, so carefully, +and they have not stirred,--see there they are only a little farther +away than when you left. I only closed my eyes because I thought I +might go on with that nice dream, but I didn't," he finished +sorrowfully. + +Lucia laughed. + +"Look at the sun," she pointed. "It is late, you should have driven +the goats home long ago. But I knew you would go to asleep after you +ate up all the candy, such a naughty little brother that you are. What +kind of a soldier would you make, I'd like to know, dreaming every few +minutes? Come along, get up,--we must hurry back to Nana, or she will +be worried." + +She took his hand and together they drove the goats before them to the +cottage. + +[Illustration: "Together they drove the goats before them."] + +Nana Rudini was waiting for them at the door. She was a little, +wrinkled-up, old woman with bright blue eyes and thin gray hair. She +spoke very seldom and always in a high querulous voice. + +"So you're back at last, are you?" she greeted, when the children were +within hearing. "Supper's been on the stove for too long. What kept +you?" + +"Very busy day, Nana," Lucia spoke in much the same tone she had used +towards Beppi. "I had to help Aunt and Maria at market. More troops +have arrived and the streets are crowded." + +"Oh, sister, you never told me that!" Beppi said accusingly. "Where +are they from?" + +"The south mostly," Lucia replied, "fine soldiers they are too, if you +can judge by their looks." + +"Which you can't," old Nana interrupted shortly. "Stop your talking +and come in to supper." + +"Right away," Lucia promised, and hurried off to shut up her goats in +the small, half-tumbled-down shack at the back of the cottage. + +Supper at the Rudinis consisted of boiled spaghetti, black bread and +cheese, with a cup full of milk apiece. It was not a very tempting +meal, but Lucia was hungry and ate with a hearty appetite. + +After the three bowls had been washed and put away in the cupboard, she +helped her grandmother undress, and settled her comfortably in the +green enameled bed with its brass trimmings, that occupied a good part +of the small room. Lucia's mother had brought it with her from Naples, +and it was the most cherished and admired article of furniture that the +Rudinis owned. + +"Are you comfortable, Nana?" Lucia inquired gently, as she smoothed the +fat, hard pillows in an attempt to make a rest for the old gray head. + +"Yes, go to bed, child," Nana replied, and without more ado she closed +her eyes and went to sleep. + +Lucia climbed up the ladder to the loft, and was soon cuddled down +beside Beppi in a bed of fresh straw. Though she persisted in her +determination that her grandmother sleep in state in the best bed, she +herself preferred a simple and softer resting place. + +"Tell me a story," Beppi demanded; "not about fairies and silly make +believes, but about soldiers." + +"But there are no pretty stories about soldiers, Beppino mio," Lucia +protested. + +"Who wants pretty stories!" Beppi replied scornfully. "_I_ don't--tell +me an exciting one about guns and war." + +"Very well I'll try, but be still," Lucia gave in, well knowing that +she would not have to go very far. + +"Once upon a time," she began, "there was a soldier. He had very big +eyes, and he came from the south where the sun is very warm and the sky +and the water are very, very blue." + +"Was he brave?" Beppi interrupted sleepily. + +"Oh, yes, he was very brave," Lucia replied hurriedly, "very brave, and +he loved his country more than anything else in the world." + +She waited but Beppi's voice commanded. + +"Go on, don't stop." + +"Well, one day he was sent to guard a gate of a city, and he walked up +and down before it with his gun on his shoulders, and no one could pass +him unless it was a friend." + +She paused again. Beppi was breathing regularly. + +"Old sleepy head!" Lucia whispered, and kissed him tenderly. + +The story was not continued and before many minutes she was fast asleep +herself. + +It was an hour before sunrise when she awoke. The air that found its +way into the little attic was damp and chill. Lucia crept out of bed, +being very careful not to disturb Beppi, and slipped hurriedly into her +clothes. With her shoes in her hand, she climbed gingerly down the +ladder past her sleeping grandmother and out to the shed. + +"Good morning, Garibaldi, how are you this morning?" she said as she +patted the stocky little neck of her pet. + +Garibaldi submitted to her caress with a condescension worthy of the +position her name gave her, and the other goats crowded to the open +door, eager to leave their cramped quarters. + +"Not yet, my dears," Lucia said softly, "it isn't time. Here, Esther, +I will milk you first. You must all be good to-day, and Garibaldi, I +don't want you to go running away if I have to leave you with Beppi," +she continued. "You're nothing but goats, of course, but you know +perfectly well that we are at war, and that you are very important, and +must do your part. Stop it, Miss, none of your pranks, I'm in a +hurry," she chided the refractory Esther for an attempt at playfulness. + +"There now, that's enough, I can't carry any more or I would. Two +pails only half full aren't much, but they help, I guess. Now if it +won't rain until I get there it will be all right, but I'll cover the +pails to be on the safer side." She found two covers and fitted them +securely over the pails. "Now children, good-by. Be good till I come +back, and don't go making any noise." + +She paused long enough to give Garibaldi a farewell pat and then left +the shed closing the door behind her. She looked up uneasily at the +cottage, but everything seemed to be very still, so she picked up her +pails and started off at as brisk a pace as possible. + +She followed the main road that looked unnaturally white and ghostly in +the pale dawn of the early morning. It was down hill for about a mile, +and traveling was comparatively easy at first, but when the road +reached the bottom of the valley it stopped and seemed to straggle off +into numerous little foot-paths. The broadest and most traveled +looking path Lucia followed, picking her way carefully for fear of +stumbling and thus losing some of the precious milk. + +The path led up the other side of the valley. It was a steep climb, +and Lucia was tired when she reached the top. She sat down for a while +to rest before going on the remainder of the way. The next path that +she took turned abruptly to the right, and led up an even steeper hill +to a tiny plateau above. From it one could look down on Cellino across +the valley. When Lucia reached it she put down her pails in the shade +of a big rock and looked about cautiously. + +Nothing seemed to stir. The guns were quiet and nothing in the +peaceful, secluded little spot suggested the close proximity of battle. +The only human touch in sight was a small scrap of paper, held down by +a stone on the flat rock above the pails. + +Lucia was not surprised, for she had done the same thing every morning +for a week now. She unfolded it. As she expected, she found four +brightly polished copper pennies and the words, "Thanks to the little +milk maid," written in heavy pencil. + +Lucia picked up the money and put it into her pocket, then with a +pencil that she had brought especially for the purpose she wrote, "You +are welcome, my friends; good luck!" below the message, and tucked the +paper back under the stone. Then with another curious look around, +which discovered nothing, she started back, this time running as fleet +and fast as any of her sure-footed little goats. + +She reached home before either Nana or Beppino were awake, and hurried +to finish her milking. When the scant breakfast was over, she was +ready to start for town with her pails. + +When she entered the market-place, it was to find a very different +scene from the one of the day before. The place was thronged with +soldiers, but they were not laughing and jesting; instead, little +groups congregated around the stalls and talked excitedly. Some of the +old women had covered their faces with their black aprons, and were +rocking back and forth on their chairs in an extremity of woe. + +There was an unnatural hush, and men and women alike lowered heir +voices instinctively as they talked. + +Lucia had seen the same thing many times before. She guessed, and +rightly too, that a battle was going on, and that news of some disaster +had reached the little town. She did not go at once to her aunt's +stall, but left her pails inside the big bronze door of the church, and +slipped quietly inside. The place was deserted, and the lofty dome was +in dark shadow. Long rays of pale yellow light from the morning sun +came through the narrow windows and made queer patches on the marble +floor. In the dim recesses of the little chapels tiny candles +flickered like stars in the dark. + +Lucia looked about her to make sure that she was alone, and then walked +quickly to one of the chapels and dropped four shining copper pennies +into the mite box that stood on a little shelf beside the altar. She +stayed only long enough to say a hasty little prayer, and then hurried +out again into the sunshine. The clouds of the night before and the +mist of the early morning had disappeared, and the market-place was +bathed in warm golden sunshine. + +Lucia picked up her pails and hurried to her aunt's stall. + +"Well, you are late," Maria said. "We thought you had stubbed your toe +and spilled all the milk." + +"And only two half-full pails again," Senora Rudini grumbled. "But no +matter, we can get more from old Paolo. Have you heard the news?" she +asked abruptly. + +"No," Lucia replied indifferently. "What is it?" + +"A big gain by the enemy. They have taken thousands of our men, and +they say we may be ordered to leave Cellino at any minute." + +"Think of it! They are as near as that!" Maria said excitedly. "Oh if +we must move, where can we go to? I am so frightened." + +"Nonsense," Lucia spoke shortly. There was an angry gleam in her big +eyes and her cheeks flushed a dark red. + +"Leave Cellino, indeed! The very idea! Since when must Italians make +way for Austrians, I'd like to know?" + +"But if the enemy are advancing as they say," Maria protested +nervously, "we will either have to leave, or be shelled to death by +those dreadful guns." + +"Or be taken prisoners, and a nice thing that would be," her mother +added. "No, if the order to evacuate comes we must go at once. There +will be no time to spare. Other towns have been captured, and there is +only that between us." + +She pointed to the zigzag mountain peaks so short a distance beyond the +north gate. As if to give her words weight, a heavy thunder of guns +rumbled ominously. + +Maria shuddered. "There, that is ever so much nearer. Oh, I am +frightened,--something dreadful is happening over there just out of +sight." + +"Silly! those are our own guns. Ask any of our soldiers," Lucia said. + +"Here comes your guard, the handsome Roderigo Vicello, maybe he can +tell us. Good morning to you!" she called gayly and beckoned the +soldier to come to them. + +"I hope you are well this morning," Roderigo said respectfully, bowing +to Senora Rudini. + +"Oh, we are well, but very frightened," Maria replied, trying hard to +imitate her cousin's gaiety. + +"Maria thinks that the guns we heard just now are Austrian, and I have +been trying to tell her that they are Italian. Which of us is right? +You are a soldier and ought to know." + +"Our guns, of course. They have a different sound," Roderigo explained +impressively. + +He had never been any nearer to the front than he was at this moment, +but he spoke with the assurance of an old soldier, partly to quiet +Maria's fears, but mostly to still his own nervous forebodings. It +would never do to let the little black-eyed Lucia see that he was even +a little afraid. + +"There, what did I tell you!" Lucia was triumphant. "I knew, but of +course you would not believe me. Now perhaps you will tell her that we +will not have to run away at a minute's notice, too?" + +She turned to Roderigo, but eager as he was to display his importance +he could not give the assurance she asked. The little knowledge that +he had, made him think that the evacuation was very likely to occur at +any day. + +He covered his fears, however, by replying vaguely: "One can never be +sure. War is war, and perhaps it may be necessary, as well as safer, +for you to leave for the time being." + +Lucia looked at him narrowly. + +"What makes you say that?" she demanded. "Have you heard any of the +officers talking?" + +"No, but this morning's news is very bad. We have our orders to be +ready to start at any moment." + +"Oh!" Maria caught her breath sharply, and her eyes filled with tears +as she looked at Roderigo shyly. + +He saw the tears in surprise, and a contented warmth settled around his +heart. He looked half expectantly at Lucia. Surely, if this calm, shy +girl of the north would shed a tear for him, she with the warm blood of +the south in her veins would weep. But Lucia's eyes were dry, and the +only expression he could find in them was envy. He turned away in +disgust. He did not admire too much courage in girls, for he was very +young and very sentimental, and he enjoyed being cried over. + +A bugle sounded from the other end of the street, and in an instant +everything was in confusion. The soldiers hurried to answer, and the +people crowded about to see what was going to happen. + +Lucia, eager and excited, snatched Maria's hand and pulled her into the +very center of the crowd. An officer, with the bugler beside him, read +an order from the steps of the town hall, an old gray stone building +that had stood in silent dignity at the end of the square for many +centuries. + +The girls were not near enough to hear the order, but they soon found +Roderigo in the excited mass of soldiers, and he explained it to them. + +"We are to leave for the front at once," he cried excitedly. "We have +not a moment to spare. Tavola has been captured by the enemy, and our +troops are retreating through the Pass." + +"The Saints preserve us!" Senora Rudini covered her face with her apron +and cried. "My sons! My sons! Where are they, dead or prisoners?" + +"No, no, they are safe," Lucia protested. "They are with the Army. +Don't worry, when the reenforcements reach them they will go forward +again." + +But her aunt refused to be comforted. Everywhere in the street women +were calling excitedly, and a number of them besieged the officers for +information. + +The soldiers hurried to their billets and got together their kits. The +square buzzed and hummed with excitement and the guns kept up a steady +bass accompaniment. + +The bugle sounded a different order every little while. Some of the +more prudent women went home and began packing their household +treasures, but for the most part every one stayed in the market-place +and argued shrilly. + +"Come!" Lucia exclaimed, catching Maria's hand. "We can watch them +march off from the top of the wall by the gate." + +They ran quickly through the side streets, and by taking many turns +they at last reached the broad top of the wall, which they ran along +until they were just above the north gate. + +"Here they come!" Maria exclaimed. "I can hear them." + +The paved streets of the town rang with the heavy tramp, tramp of men +marching, and before long they appeared before the gate. The order to +walk four abreast was given. The men took their places, and then at a +brisk pace they marched through the old gate, a sea of bobbing black +hats and cock feathers. + +The townspeople followed to cheer them excitedly. Lucia and Maria +leaned dangerously over the edge of the wall in their attempt to +recognize the familiar faces under the hats. + +The soldiers looked up and called out gayly at sight of Lucia. She had +taken off her flowered kerchief and was waving it excitedly. The wind +caught her dark hair and blew it across her face, and her bright skirts +in the sunshine made a vivid spot of color against the stone wall. The +men turned often to look back at her as they marched along the wide +road. + +Maria did not lift her eyes from the sea of hats beneath her. She was +waiting for one face to look up. At last she had her wish. Roderigo's +place was towards the end of the column; when he walked under the gate +he looked up and smiled. It was a sad smile, full of regret. + +Without exactly meaning to, Maria dropped the flower she was wearing in +her bodice. Roderigo caught it and tucked it, Neapolitan fashion, +behind his ear, then he blew a kiss to Maria and marched on. + +Lucia watched the little scene. She was half amused and half +contemptuous. Her little heart under its gay bodice was filled with a +fine hate that left no room for pretty romance. + + + + +CHAPTER IV + +LOST + +When the soldiers had climbed out of sight into the mountains, Maria +walked slowly back to find her mother, and Lucia after a hurried +good-by ran home to tell Nana and Beppino the news. + +She was far more worried over the possible order to evacuate than she +would admit. As their cottage was the farthest north on the road, it +would be the nearest to the Austrian guns. Personally Lucia scorned +the very idea of the Austrian guns, but she could not help realizing +the danger to Nana and Beppino and Garibaldi. She was still undecided +what to do when she reached the cottage. + +Nana Rudini was standing in the doorway, shading her eyes with her +withered old hand, and staring intently in the direction that the +soldiers had taken. + +"Did you see the troops, Nana?" Lucia asked cheerfully. "They were a +fine lot, eh? I guess they will be able to stop the enemy from coming +any nearer." + +"Nearer?" queried Nana, "what are you saying?" + +"We have had bad luck," Lucia explained. "Tavola has been captured, +and our soldiers are retreating. In town they say we may have to +evacuate before to-morrow." + +The old woman received the news without comment, but a look of despair +came into her usually bright eyes, and for the moment made them tragic. +Long years before, when Austria had crossed the mountains and entered +Cellino, she had been a young girl. Now in her old age they were to +come again, and there was no reason to hope that this time they would +be less brutal in their triumph than they had been formerly. The +memory of their brutality was still a vivid one. + +"We will leave at once," she said at last, and her decision was so +unexpected, that Lucia gasped in surprise. + +"Leave? But, Nana, where will we go? What will become of our things?" +she exclaimed. "Surely we had better wait at least until we are +ordered out." + +"No, we will leave at once," Nana replied firmly. "The order may come +too late, as it did before. What do those boys who swagger about in +men's places know about the enemy? There is not one that can remember +them. But I, old Nana, have known them and their ways, and I say we +must go at once." + +Lucia looked at the new light of determination in her grandmother's +eyes, and realized with a shock of surprise that to protest would be +useless. + +"Where is Beppi?" she asked. "I will go and find him." + +"With the goats," Nana replied. "Call him, I will go in and start +packing." + +Lucia ran around the house and off to the sunny slope where she had +left Beppi a few hours before. She saw the flock of goats grazing, and +called, "Beppino mio, where are you?" + +No one answered her. She hurried on, believing him to have fallen +asleep. + +"Beppi!" she shouted, "I have something exciting to tell you. Stop +hiding from me." + +She waited, but still no answer came. + +In a sudden frenzy of fear she began running aimlessly up and down the +hillside, and looking down into the tall grasses, but there was no sign +of Beppi. There were no trees or houses in sight, no place that he +could hide behind, nearer than the mountain path at the foot of the +valley. + +Lucia looked about her despairingly, then she went over to the goats. +Garibaldi was not there. + +"She has strayed away, and Beppi has gone after her," she said aloud in +relief, and returned to the cottage. + +Nana nodded when she explained. She was busy tying up the household +treasures in sheets, and Lucia helped her. + +Every few minutes she would go to the door and call, but Beppi did not +reply. The afternoon wore on slowly and a bank of rain clouds hid the +sun. Lucia's confidence gave way to her first feeling of terror, and +Nana was growing impatient. + +"Where can he be?" Lucia exclaimed. "I am frightened, he has been gone +so long." + +Nana shook her head. "He was off after the soldiers, I suppose," she +replied. "He is always disobeying--no good will come to him and his +naughty ways." + +Lucia's eyes flashed. + +"He is not naughty," she protested angrily, "and he may be lost this +very minute. Anyway I am going to find him and I am not coming home +until I do. If you are afraid to stay here go to Maria, she and aunt +will look after you, and when I find Beppi I will meet you there." + +Nana Rudini protested excitedly, but Lucia did not wait to hear what +she said. She ran out of the house and down the road towards the +footpath. She had no idea of where she was going, but fear lead her +on. Beppi, her adored little brother, and Garibaldi were lost, and she +was going to find them. + +At the end of the road she paused and looked ahead of her. The sky was +dark with rain-clouds and thunder rumbled in the west, an echo of the +guns. Lucia took the path that she had taken early that morning, and +as she climbed up the steep ascent she called and shouted. Her own +voice came back to her from the flat rocks ahead, but there was no +sound of Beppi. + +Instead of going on to the little plateau where she left her pails, she +branched off to the left. It was hard climbing, and after repeated +shouts of "Beppi," she sat down and tried to think. + +Big drops of rain were beginning to fall, and with the sun out of sight +the fall air was damp and cold. She pulled her thin shawl around her +shoulders and shivered. + +"If Garibaldi ran away she came up here; she always does," she argued +to herself. "She loves to climb, and she must have come this way in +the hope of finding grass. Up above, and a little over to the left, +there is a sort of sheltered spot. Perhaps--" she did not finish the +thought, but jumped up and started to climb. + +She hunted until she discovered a way to find the spot. It was not +difficult, for she knew every foot of the mountains from long +association. But Beppi was not to be seen, nor was Garibaldi. Lucia +stopped, discouraged. Fear and helplessness were getting the better of +her, and she would most likely have given way to the tears she so +despised had her eye not caught sight of a tuft of fur on the ground. +She seized upon it eagerly. It was without doubt part of Garibaldi's +shaggy coat. + +With a cry of joy she started off up the tiny trail that led higher up +into the rocks. + +"Beppi, Beppi!" she called, and stopped. Still no answer, but she was +not discouraged for the guns were making so much noise that she +realized her voice could not carry any great distance. + +The rain was coming down in earnest now, and it was hard to keep from +losing her footing on the slippery rocks. She stumbled on regardless +of the danger, hoping against hope that she had chosen the right path, +and that each step was bringing her nearer to Beppi. Between calling +and climbing, she was tired, and she stopped for a moment to catch her +breath. + +A sound, faint but unmistakable, reached her. + +"Naa, Naa!" + +Garibaldi was complaining about the weather, at no very great distance +away from her. + +In her relief Lucia laughed excitedly. + +"Beppi, Beppi, where are you?" she shouted, and waited eagerly for a +reply, but none came. She looked puzzled and then Garibaldi answered +her: + +"Naa! Naa!" + +The sound came from directly over her head, and she climbed up the +steep rock as fast as she could. Garibaldi was standing at the opening +of a cave. Lucia ran to her. + +"Oh, my pet, I have found you at last. Where is Beppi?" she cried. +Garibaldi did not exactly reply, but she stepped a little to one side, +and Lucia saw Beppino curled up on a bed of dry leaves sheltered and +snug from the storm, and sleeping quite as contentedly as he did on the +mattress in the attic at home. + +Lucia ran to him and shook him. He opened his eyes, and a dazed look +came into them, then he said: + +"Oh, yes, I remember, it began to rain and we were lost, your old +crosspatch Garibaldi and I, so I found this nice little place, and I +was going to pretend that I was a gypsy brigand, but I fell asleep." + +Lucia was far too happy to attempt the scolding that she knew Beppi +deserved. She picked him up in her arms, and hugged and kissed him, +then she encircled Garibaldi's neck and kissed her too. + +"My darlings, I thought you were both lost. What a terrible fright you +have given me! But we are safe now, and we will wait until sunrise +to-morrow, and then we will go home," she said happily. + +"I saw the soldiers go away," Beppi said, pushing her face from him as +she tried to kiss him again, "and they looked so fine with their shiny +hats. It was while I looked at them that old crosspatch ran away. I +did have a chase, I can tell you, she had such a big start." + +"Are you very hungry, little one?" Lucia asked gently. "I should have +brought bread with me, but I did not think." + +Beppi giggled, and from the pocket of his little tunic he produced the +pink paper bag. + +"Two left," he announced as he opened it, "and both long ones. Here's +yours and here's mine. Garibaldi's been eating grass all day, so she's +not hungry." + +Lucia accepted the candy, and they both had a drink of milk. Then +Beppi snuggled down in his sister's arms and his eyelids grew heavy. + +"Go on with that story," he said, "the one about the soldier at the +gate." + +Lucia smiled in the dark and hugged him tight. The guns were silent, +and only occasional peals of thunder broke the stillness. + +"Well, one day," she began, "a very cross girl came to the gate, and +the soldier who was always on the lookout for the stolen princess +stopped her and spoke to her. But the cross girl was feeling very mean +indeed, and she teased the soldier and made him very unhappy. But +later on in the afternoon she was ashamed, and so she found the nice +girl who was really the stolen princess, and took her with her to the +gate, and the soldier--" + +Lucia broke off and sat up suddenly to listen. A queer "rat, tat, +tat," detached itself from the other night noises. Beppi was sound +asleep, and she rolled him gently into the nest of leaves, then she +listened again. The sound came again. + +"Rat, tat, tat." It was a sharp staccato hammering, muffled by the +wall of rock behind her. + +She stood up and crept softly to the mouth of the cave. + +The wind and the rain made such a noise that she could hear nothing, +and it was already too dark to distinguish anything but the vaguest +outlines. She crept back into the shelter, believing that she had just +imagined what she had heard, but she had not taken her place beside +Beppi before she heard it again--a persistent "rat, tat, tat," too +metallic and too regular to be accounted for by a natural cause. + +Lucia's mind was alert at once. She put her ear up against the rock +and listened again. Muffled sounds too indistinct to recognize came to +her. Whatever they were, they were not far off, and right in a line +with the back of the cave. + +Lucia thought of several explanations, but could accept none of them. +She tried to argue against her fears by saying over and over again that +if it was a sound made by men, those men were surely Italian soldiers, +but her arguments could not still the frightened beating of her heart, +as the voice became more distinct. She was filled with terror. + +Rumors of underground tunnels and mines blowing off whole mountain +tops, that she had heard from the soldiers, came back to her and left +her cold with fear. + +Beppi had rolled over beside the goat for warmth, and was sleeping +soundly. Lucia looked at him and then went once more to the mouth of +the cave. + +The cold rain in her face gave her back her courage, and she felt her +way around the cliff and up between the crevices of the two rocks, +until she was on the roof of the cave. It was flat and the ground +seemed to stretch out level for quite a distance before her. She +listened for a moment, but the rain beating down made it impossible for +her to distinguish any other sound. + +She lay down flat on the wet ground, and crawled forward for a few +feet, then listened again. At first she heard only the rain and the +wind, but after a little wait there was a muffled bang as if a bomb had +exploded deep down in the earth, and the ground beneath her trembled. + +Lucia sprang to her feet and ran terrified back to the cave. It was +fortunate that she was as sure-footed as her goats, for the way was +steep and slippery, and she did not pause to take care. + +Over in the cave, with her hand on Beppi's curly head, she sat down to +think. Her mind was not capable of arriving at any logical +explanation. Two thoughts stood out clearly and beyond doubt. First, +the enemy was doing something of which the Italians were unaware, and +second, the Italians must be warned before it was too late. That she +must warn them she realized at once, but the way was not easy to +determine. + +The mountains were tricky. From one side they might look deserted, and +yet a whole army could be in hiding just over the other side. The +giant peaks formed formidable and wellnigh impassable barriers between +one range and the next. Lucia had seen the troops disappear that +morning, as if the great rocks had opened and devoured them, and she +knew that at this moment they might be within a half a mile of her, but +where to begin to find them she did not know. + +The close proximity of the Austrians frightened her, and she was afraid +to go off at random, or even to call. Throughout the night she tried +to think and plan as she sat up with her back against the rock +listening for the rat, tat, tat, which began again after she returned +to the cave, and continued at regular intervals. + +Before dawn the rain stopped and the wind blew the clouds away. At the +first streak of light Lucia stole softly away from the sleeping Beppi +and Garibaldi, and crept down the tiny path to the plateau below. Once +there she was on familiar ground and even in the pale light she could +tell her way. + +During the night she had decided to go to the rock where she took her +milk in the morning, surely the mysterious hand that left the pennies +for her would be there, and she was determined, to wait for him. + +She reached the spot without encountering any difficulties, and sat +down to wait. The sun rose east of Cellino, and she watched it as it +climbed over the hill and lighted the windows of the church with its +yellow low rays. + +All the world looked as if it had just been bathed and freshly clothed +to step out glistening and very clean to greet the day. The air was +chilly, but so fresh and sweet that Lucia took long grateful breaths of +it. She was just wondering how long she would have to wait, when a +stone rolled down beside her and hit her foot. She jumped and turned +around. A soldier with a broad smile that showed all his fine white +teeth was climbing down towards her. + +Lucia put her fingers to her lip to caution silence, and his smile +changed to a look of sudden anxiety. + +"What is it?" he demanded. + +"Don't make any noise," Lucia warned. "Listen to me." + +She told him all that she had discovered during the night. + +"Are you sure of what you say?" the soldier questioned her seriously. + +"Oh, yes, sir, I tell you I crawled out and listened. The sound was +very near." + +"Can you show me the place?" + +"Yes, yes, I have just come from there, but it is a slippery climb." +Lucia looked at him interrogatively. + +The man nodded. "Never mind that, lead the way." + +Lucia did not hesitate, but hurried back along the rocks, choosing the +safest footholds and sometimes leaving her companion far behind. + +When she reached the little grassy plateau, she stopped and pointed. +"It is above here, sir." + +She started to ascend, and the soldier followed in silence. When they +reached the cave she pointed to the back wall and said: "Listen there." + +The soldier was so tall that he had to stoop down before he could +enter, but he was very careful to be quiet and not disturb the still +sleeping Beppi. + +He put his ear to the wall and Lucia watched him excitedly. By the +expression of his face she knew he was hearing the "rat, tat, tat." + +"Can you show me the place where you thought you heard the explosion?" +he whispered. + +Lucia nodded and beckoned to him to follow. In her eagerness she +forgot that he could not climb as nimbly as she could, and she was on +the roof of the cave before he had started to ascend. + +It was fortunate that she was, for not ten feet ahead of her, crawling +along the ground, his helmet shining in the sun, was a soldier in the +Austrian uniform. + + + + +CHAPTER V + +IN THE TOOL SHED + +At sight of her he jumped to his feet. + +"Halt!" he commanded, unnecessarily, for Lucia was far too frightened +to move. + +She was thinking of the soldier whose head would appear at any moment +over the ledge of rock behind, and her one wish was to stop him. + +"I won't move, sir!" she cried loudly, "I see you have a big gun and I +am all alone." She spoke in Italian, but the Austrian seemed to +understand. + +"What are you doing prowling around here at this time of day?" he +demanded angrily, speaking to her in her own language. + +"Oh, sir, I am lost," Lucia replied, not daring to look below her. "My +goat wandered away in the storm and I came out to find her, and now I +am very, very far away from home." + +She walked towards the man as she spoke. She was terrified for fear he +would discover the cave below her. + +"Where did you sleep?" he demanded. + +"Oh, I have not slept, sir. See my dress it is wet from the rain, +there is no shelter anywhere, and the wind and the rain frightened me +so I did not know where I was, and I was afraid to stay still." + +The Austrian eyed her suspiciously. + +"Why didn't you go to the soldiers and ask for shelter?" he inquired +harshly. + +"The soldiers?" Lucia's brown eyes opened wide in surprise. "But +there are no soldiers near here. They are miles away with the guns. +How could I reach them? My home is over there," she pointed in the +opposite direction from the cave, "and I think I will go back to it, +now that it is day." + +"Oh, no, you won't," the Austrian replied. "You'll come with me." + +"But why, what have I done?" Lucia inquired. + +"That's not the point," the soldier replied. "You're an Italian, and +if I let you go you'll run home and tell all the troops in the town +that I was here. Oh, no, my little lady, we can't allow that--you're +coming along with me." + +His lordly tone and the sneer on his lips infuriated Lucia. She +thought all danger of his discovering the cave was over, so she replied +angrily. "And suppose I won't come? Don't think you can frighten me, +for you can't. I tell you, I won't go a step with you." + +The Austrian was about to reply, when a sound that had been so welcome +only a few hours ago struck terror to Lucia's ears. + +"Naa, Naa!" + +"What's that?" the soldier jumped nervously. He was startled and +frightened. Lucia saw it and her own courage returned. + +"My goat," she said as Garibaldi appeared above the rock. + +Lucia ran to him. + +"My pet, here you are, I have found you at last. Where have you been? +you are a bad girl. See how you frightened the brave Austrian soldier." + +The sarcasm and scorn in her voice were unmistakable. The soldier was +indignant. + +"Here, that is enough from you. Come along, I will take you where they +will teach you better manners." + +He caught her roughly by the shoulder, and Lucia went with him only too +gladly. If she could get him well away from the cave, it would be time +enough to think of herself. She, had no doubt that she would be able +to run away from him later on. + +As they walked along the noise underground grew louder. Every now and +then the man would turn and look at her suspiciously. He did not speak +to her, however, and they walked for quite a distance in silence. When +Lucia considered that they had gone far enough she stopped. + +"Where are you taking me?" she demanded with spirit. + +"Never mind, you come along," the man replied impatiently. "Time +enough for you to know when we get there." + +"But I won't go any further." Lucia was determined. "Do you think +that I will be taken prisoner by an Austrian? Never!" + +Her eyes blazed indignantly. She planned so many times just what she +would do, if she was ever brought face to face with her hated enemy, +that the feeling of helplessness that she felt under the big man's hand +infuriated her. + +"Come along, I will not speak again," the Austrian commanded, and once +more Lucia went on, unable to withstand the strength of his arm. + +The flat ground ended abruptly, and they had to climb down jagged +rocks. Lucia thought that her chance of escape had come, but the +Austrian never lessened his hold on her arm. + +They had traveled this far without meeting any one. The only signs of +life had been the mysterious noise underground, and the click of +Garibaldi's sharp hoofs as they hit the stone. + +When they reached a certain point the soldier stopped. "If you make +any noise," he said roughly, "I will have to shoot you." + +Lucia opened her mouth to scream, but before the sound came she changed +her mind. A new and splendid idea had just come to her. She stopped +holding back and walked obediently beside her guard. They did not go +very far, before he told her to lie down and crawl, and before she +realized where she was going, she was in a deep trench that ran along +the base of the rock and was completely hidden from sight. + +Garibaldi followed them, picking her way daintily, and stopping every +now and then to let out a mournful "Naa!" The Austrian did not seem to +hear her. If he did, he paid no attention, but led Lucia hurriedly +along the dark passage. + +They had not gone far before a sentry stopped them. Lucia's guard said +something to him that she could not understand. The sentry +disappeared, to return in a few minutes with another man. From the +respectful salutes that he received, Lucia decided he must be a very +high officer. More talk followed which she could not understand, and +then her guard turned to her. + +"Follow me," he directed, and led her out of the passage across a +stretch of open ground, and over to a shed. Another soldier opened the +door, and before Lucia quite got her breath, she heard the key turn in +a lock and the thud, thud of the men's boots as they marched away. + + + + +CHAPTER VI + +GARIBALDI PERFORMS + +The shed had been hastily put together, and served as a place for picks +and shovels. There were so many of them, in fact, that Lucia at first +had difficulty in finding a place to stand, but by rearranging them she +cleared a portion of the floor and sat down to think. + +The shed was by no means airtight, for the boards had been nailed up so +far apart that not only did the air and light enter between the cracks, +but it was also possible for Lucia to see everything that was going on +about her. + +At first it looked as if the soldiers were just hurrying about +aimlessly, but by watching them closely, especially the guard that had +caught her, she saw that they were preparing to leave. + +A bugle sounded from a dugout at the end of the passage, and all the +soldiers in sight fell into marching order and waited at attention. +Then the officer who had ordered Lucia shut up in the tool-house, gave +them some orders that she could not understand. + +One soldier came over to the shed and unlocked the door. He beckoned +Lucia to step outside, and as the men filed past the door he handed +each one a pick and shovel. When they had all received them, and Lucia +expected to return, the Captain spoke to her. His Italian was so very +bad she pretended not to understand. + +"What is your name?" was his first question. + +Lucia shook her head. + +"Your name?" he persisted. "Marie, Louise, Josephine?" + +"No, Senor," Lucia replied bewildered. + +"Well then, what is it?" + +"I don't understand." + +"Your name?" + +"No, Senor." + +"Your name? Have you no sense--stupid!" The Captain's patience was +fast giving way. + +Now to call an Italian stupid is the worst possible insult, and Lucia's +cheeks flushed hotly. She was very angry, and she determined not to +reply now at any cost. She shook her head therefore, and a very +stubborn and unpromising light came into her brown eyes. + +The Captain looked at her in disgust. + +"Well, I suppose your name does not matter anyway," he said gruffly. +"Where do you live?" + +Another shake of the small black head, and an expressive shrug. + +"You live in Cellino, so why not say so? Come, no more sulking. If +you won't answer me of your own free will, you must be made to answer." + +"No, Senor," Lucia smiled provokingly. + +"No--what in thunder do you mean?" + +"No, Senor," there was not a trace of impertinence in her face. + +The officer looked at her in despair. + +"Do you, or don't you understand what I am saying?" he demanded. + +"No, Senor," Lucia reiterated. + +"Where is the soldier who found this girl?" the Captain shouted to an +orderly. + +Lucia did not understand what he said, but she knew that her captor was +well out of sight with his pick and shovel by now, and in all +probability would not return and give her away, and she was beginning +to enjoy the part of a "stupid." + +Just as the Captain turned to continue his questioning, Garibaldi, who +had been grazing about unmolested at a little distance from the shed, +saw Lucia and came bounding over to her. In her delight at finding her +young mistress she very nearly succeeded in butting over the officer. + +Lucia had difficulty in repressing a smile, but she put her arms around +the goat's neck and patted her. + +"Does that animal belong to you?" The Captain demanded, puffing a +little in the effort to retain his balance. + +Lucia only smiled and nodded. Garibaldi kicked up her heels in an +ecstasy of joy and sent the soft mud flying. The Captain's anger broke +all bounds. + +"Take that animal and shoot her," he demanded, but before the soldier +could obey, he withdrew the order. "Tie her to the tree instead, we +may be able to milk her," he said. + +The soldier nodded and advanced towards Garibaldi with ponderous +assurance, but Garibaldi was not going to be tied, she preferred her +freedom. She was not, however, unwilling to play a friendly game of +tag; it was her favorite sport and she was very proficient in it. When +the big soldier would come within reach of her, she would lower her +head and duck under his arm, and before the astonished pursuer could +collect his wits and look around, she would be browsing innocently +close by. + +This game kept up for a long time. The men who were in sight dropped +what they were doing and made an admiring circle; even the Captain had +to smile. Lucia wanted to laugh outright, but she managed to keep her +face set in grave lines. + +At last the soldier gave up the chase and retired among the jeers of +his comrades to the side lines. The Captain saw an opportunity to +amuse his men, and perhaps end their grumbling for the time being. He +offered a reward to the man that could catch the goat. + +First one soldier and then another attempted it, but none of them +succeeded. After a while the fun of the chase wore off for Garibaldi, +and she became angry. She had a little trick of butting that had won +her Beppi's dislike, and she used it to the discomfiture of the +Austrian army. + +Lucia saw them one after another rub their shins and their knees, for +although Garibaldi did not have horns, her head was very, very hard +indeed, and she was afraid that some one of them might grow angry and +hurt her pet. She looked at the officer and pointed to the goat. + +"I can catch her," she said simply. + +"Well, do it then," the Captain replied. + +Lucia called softly and made a queer clicking noise. Garibaldi stopped +butting, and walked soberly over to her. She smiled good-naturedly at +the men, and tied the rope that one of them handed to her around the +goat's neck. One of the soldiers pointed to a tree behind the shed, +and she tied the rope securely around it Garibaldi protested mildly, +but she patted her and left her lying contentedly in the mud. + +She took time to look hastily about her before returning to the shed. +The tree to which the goat was tied was on the edge of a steep hill +that fell away abruptly from the little clearing. + +Lucia looked down it, and could hardly believe her eyes; for there, far +below, was a silver stream glistening in the sunshine, and she realized +with a sense of thankfulness that it could be no other than the little +river that flowed below the west wall of Cellino, and right under the +windows of the Convent. If she could only get away, it would be an +easier matter to go back that way, than over the dangerous route by +which she had come. But she was not very eager to return at once, for +the idea that had come to her earlier in the day still tempted her to +wait and listen. + +When she returned to the shed the Captain was nowhere in sight, and one +of the soldiers pointed to the open door. She nodded and walked in, +the key grated in the lock, and she was once more a prisoner. + + + + +CHAPTER VII + +THE BEGGAR + +As the sun rose higher, a quiet settled over the clearing. The men +talked and smoked, and the Captain read a newspaper at the door of his +dugout. + +No one bothered Lucia, and she kept very quiet. She had had nothing to +eat since the night before and she was very hungry, but she would not +for the world ask her enemies for food. She was not above accepting +it, however, when a little before noon one of the soldiers brought her +a hard and tasteless biscuit and a cup of water. She ate greedily, and +then tired out from so much excitement she fell asleep. + +She awoke an hour later to a scene of activity. She could see through +the peek-hole that the Captain was consulting his watch every little +while, and the men were hurrying about excitedly. They all looked up +at a certain mountain above with suspicious eyes, and Lucia could tell +by the tone of their voices that they were angry about something. + +A few minutes later the arrival of a very muddy and tired soldier from +the opposite direction created a diversion. He saluted the Captain and +handed him a message. Whatever the message was, it pleased the +Captain, for he brought his fist down on his knee and laughed. Then he +gave some very long; and to Lucia, unintelligible orders, and the men +lost some of their ugly rebellious look. + +He chose two soldiers from the group before him, and motioned them into +his dugout. Lucia tried to make something out of the strange words +that the other men spoke, but she could not. They were eagerly +questioning the messenger and giving him food and water. He was +answering them, and from the expression of their faces his replies were +not cheering. At last he stood up, shrugged his shoulders and for the +first time noticed Garibaldi. + +The other soldiers explained, and Lucia knew they were discussing her +when they pointed to the shed. The messenger evidently suggested +milking the goat, for after a little laughing and jesting, one of the +men took a pail and approached Garibaldi. + +Now, no one had ever milked Garibaldi in all her life but Lucia, and +from the disastrous attempts on the part of the soldiers it was evident +that no one was ever going to, if that very particular animal could +prevent it, and she seemed quite able to, to judge from the results. + +Lucia watching through the cracks in the shed laughed softly to +herself. She was not surprised when, a few minutes later, one of the +men opened the door and told her to come out. + +He could not speak Italian and he resorted to the sign language. Lucia +nodded in understanding. She might have pretended blank stupidity, but +she wanted some milk herself, and this was a good way to get it. +Besides, she decided that she would do something to make it impossible +for them to lock her up again on her return. + +Garibaldi stood quite still as she milked her, and submitted meekly to +her affectionate pats. + +The messenger drank greedily from the pail, and when he had finished +there seemed to be nothing else for Lucia to do but return to the shed. +She walked back to the door as slowly as possible, and looked hard at +the lock. It was just an ordinary padlock and it hung open on the +rusty catch. She looked quickly at the men behind her. They were busy +talking, and did not appear to be paying any attention to her. + +Very quickly, without seeming to do it, she touched the padlock; it +swung on the catch, and then fell into the mud. Lucia put her foot +over it and ground it in with her heel. + +When the soldier remembered her a few minutes later, and came over to +shut the door, he grumbled at the loss of the lock, but he did not +apparently connect her with its disappearance, nor did he bother much +about looking for it. He shut the door and walked back to join the +group that still surrounded the messenger. + +Lucia sat down again and watched the door of the Captain's dugout. She +had wondered all day what the smiling Italian soldier and Beppi had +done after she left. She knew that Beppi could easily find his way +back to the cottage, and in case Nana had already gone, and Lucia knew +that in spite of her threats she would not go off alone, he would go +into the town and some one would take care of him. + +As for the soldier, he would hear the rat, tat, tat, and know what it +meant, and return to his comrades for help. She listened, but there +was no sound of guns near enough to mean a fight close at hand. + +The thought puzzled her, but she dismissed it as the Captain and the +two soldiers came out of the dugout. The men looked cross and sullen, +but the Captain was still smiling. He walked over to the messenger, +handed him a folded paper, and the man disappeared as mysteriously as +he came. + +Lucia did not pay any attention to him, however, for she was interested +in the two soldiers. They were very busy buckling on their kit bags in +preparation for a departure. When they were ready, they stood at +attention before the Captain. After more orders from him, they started +off down the hill just back of the shed. + +Lucia guessed that they were going to the river, with a cold feeling +around her heart, she realized that they could go straight to the wall +of Cellino. She did not stop to consider the many sentries who walked +up and down the walls day and night, or the fact that two enemy +soldiers would hardly walk up and attempt to enter a town in broad +daylight. She only knew that the river led to Cellino, and that all +she loved most in the world was there. + +She was sick with fear. She looked back at the Captain; he was again +consulting his watch. The soldiers looked at him and fell to grumbling +again. After a moment of indecision he called to them. + +They stood up and saluted. He gave a very peremptory order, and in a +few minutes almost all of them had their guns on their shoulders, and +waited his next word. The Captain himself buckled on his revolver, and +the party started off at a brisk pace through the tunnel. + +Lucia watched them go. In a hazy way she realized that they were going +out in search of the men who had left earlier in the morning. This was +correct in part, but they were also going to look for another party of +men, the ones who had been responsible for the rat, tat, tat, Lucia had +heard. + +The diggers, led by her captor, had been sent out that morning to +relieve their comrades already at work. When none of them returned the +Captain grew anxious, and was himself leading the searching party. + +If Lucia had known, she would have realized that her Italian soldier +was in some way responsible for their absence, and she would have been +delighted. As it was, she dismissed the Captain with a shrug and +turned her attention to the few soldiers who remained. They were a +little distance from her, and most of them had their backs to her. + +Lucia determined to try to slip out unnoticed. She waited until they +were all talking at once. By their angry gestures they appeared to be +discussing something of great importance; none of them even glanced +towards the shed. + +Lucia pushed open the door very gently and waited. No one noticed it, +then she laid down flat and crawled out into the mud; it was slow work, +but in the end it proved the best way, for she reached the tree and +Garibaldi without being discovered. The shed hid her from sight. She +hurriedly untied the rope and freed the goat. It had never entered her +mind to escape and leave her behind. + +Garibaldi, free once more, ran down the steep hill her hoofs making no +more than a soft, pad, pad noise in the mud. Lucia dropped to the +ground again and crawled slowly after her. Below her, almost at the +river's edge, she could see the two soldiers slipping and stumbling +along. + +She wriggled on in the mud until she was well below the crest of the +hill, then she got up and began to run. She jumped from one rock to +the next, always keeping the two men in sight, but keeping under cover +herself. The men kept to the bank of the river and moved forward +cautiously. Lucia kept abreast of them, but stayed high up above their +heads. + +It was a long walk, for the river twisted and turned many times before +it reached the walls of Cellino. But it did not tire Lucia, as it did +the two men. They walked slower and slower as the afternoon wore on, +stopping every few minutes to rest and talk excitedly. + +At a little before sunset the guns grew louder and seemed to be much +nearer. All day there had been a dull rumble, but now they burst out +into a terrific roar. Lucia saw the men below her stop and look up. +They stood still for a long time, and then hurried on. Until now the +road had been deserted, but ahead at the end of a footbridge, just +around a sharp turn, Lucia, from her vantage point, could see another +figure. The soldiers could not have seen him, but when they reached +the turn of the road they both left the open and took cover in the +rocks above. + +Lucia watched narrowly. They did not stop as she half expected them to +do, but crept on until they were abreast of the man. He was a beggar +to judge by his shabby clothes, and he was apparently whiling away his +afternoon by staring into the river. + +Lucia's first thought was that the Austrians would shoot him. She +caught her breath sharply when a queer thing happened. One of the +soldiers picked up a stone and threw it down into the stream. + + + + +CHAPTER VIII + +THE SURPRISE ATTACK + +Without turning his head, the beggar picked up a stone and tossed it +into the river. He repeated this twice. + +Lucia watched, fascinated. The soldiers left their hiding-place and +came down to the road. The beggar took something out of the pocket of +his coat, handed it to one of the soldiers, and shuffled off in the +opposite direction. + +Lucia waited to see what the soldiers would do. She expected them to +return, but instead they waited until the beggar was out of sight, and +then hurried across the foot-bridge and plunged hurriedly into the +mountains opposite. + +Lucia caught sight of their shining helmets every now and then as they +climbed higher and higher, and finally disappeared. She was undecided +what to do, but after a little hesitation she determined to follow the +beggar. Now that the Austrians were out of sight there was no need for +her to avoid the open path, and she hurried to it and ran quickly in +the direction that the man had taken. She did not know where she was, +or how far she would have to go before she reached Cellino. She had +seen nothing of the town from the mountains, and she guessed that it +was much farther away than she had at first supposed. + +She walked on as fast as she could, keeping a sharp lookout for the +beggar, but he had apparently disappeared, for she could not find him +or any trace of him. + +It was late in the afternoon when she reached a part of the river that +was familiar to her, and with a start she realized that she was still a +good three miles from Cellino. She was very tired and very hungry, but +she sat down to consider the best plan to follow. She knew nothing of +what had passed between the men at the bridge, but she had sense enough +to realize that whatever it was, it was not for the good of the Italian +forces. + +Some one must be warned, and soon, for the speed of the Austrian +soldiers made her feel that the danger was imminent. + +"I will go on to town and warn them," she said aloud to Garibaldi, +"that is the best plan, and then I can find something to eat." + +She jumped up and started off with renewed energy. At a little path +that turned to the right she left the river and came out on the broad +road at the foot of a valley. It was not long after that, when she saw +the little white cottage ahead. The sight of it gave her courage. +There, at any rate, would be a human being to talk to, and bread to +eat. She ran the rest of the way, and did not pause until she was in +the little room. + +The sight that met her eyes sent a sudden damper over her spirits. +Everything was upside down. The green bed was stripped of its sheets, +and all the familiar ornaments had gone. Lucia stood dumbfounded +trying to realize that Nana had really gone. A feeling of loneliness +and despair made the tears come to her eyes. + +She clenched her fists and tried to swallow the lump in her throat, but +without success, the tears came in spite of her and in her +disappointment she threw herself down on the bed and sobbed. Fear got +the better of her, and in an agony of mind she imagined every possible +harm to Beppi. + +But she was not allowed to stay long in that state of mind, for +suddenly the guns broke into a terrible roar. The air was black with +smoke and the house trembled and rocked under her. + +She jumped up and ran to the window. Great volumes of smoke arose to +the east, and higher geysers of dirt and rock flew up into the air. + +"The Austrians!" Lucia did not stop to think in her fear. She dashed +out of the house and down the road in the opposite direction from the +town. Without realizing the personal danger to herself, she ran as +fast as she could. Fear and the noise of the exploding shells sent her +plunging ahead regardless of direction. + +Instinctively she took the path to the right at the foot of the village +and climbed up to the little plateau. She was directly under the fire +of her own guns, but the noise from both sides was so great that she +did not know it, and she forged ahead, shouting. In all the tumult she +could not even hear her own voice, but to shout relieved her nerves of +the terrible strain. + +When she reached the plateau she climbed on up, choosing the spot +where, earlier in the day, the Italian soldiers had come from, and +slipping and sliding, but always goaded on by fear, and the knowledge +that she must tell some one about the beggar, she kept on her way. + +She did not know how long she ran, or when it was that she stumbled, +but suddenly everything was black before her eyes, and the noise of the +guns was blotted out by the awful ringing in her ears. Then came +oblivion. + +When she next realized anything, she was conscious of some one bending +over her and holding a water bottle to her lips. She drank gratefully +and opened her eyes. The Italian soldier was beside her, and another +man was lying on the ground near her. + +"Give me something to eat," she said, trying to sit up, "or I will go +away again." Going away was the only way she knew of, to express the +sensation of fainting. + +The Italian took something out of his knapsack and gave it to her. +Lucia ate ravenously, and the queer feeling at the pit of her stomach +disappeared. + +"How did you escape?" he asked. + +The question brought back a sudden wave of memory, and Lucia jumped up +excitedly. + +"By the river road--two Austrians and a beggar--they met by the +foot-bridge, over there where the noise comes from; I saw them." She +recalled the facts jerkily. + +"Go on!" the Italian's eyes flashed. + +"The beggar gave the Austrians a paper, and they left with it and +climbed up into the mountains across the river. I could not follow +without being seen, and when I tried to find the beggar he had +disappeared. The river runs right under the wall." + +"Oh, look!" She stopped abruptly and put her hand over her eyes. + +A great cloud of fire followed a terrific report, and from the distance +of the hill it looked as if the whole town of Cellino was in flames. + +The Italian snatched a field glass that lay on the ground beside the +wounded man, and put it to his eyes. Then without a word he dashed +off. Lucia followed him. A giant tree grew between two huge rocks a +little further up the mountain, and the Italian climbed up it. + +Lucia watched him, and for the first time she noticed that several +wires were strung along and ended high up in its branches. She heard +the Italian calling some directions, and knew that a telephone must be +hidden somewhere in the tree. She could make nothing of the orders; +they were mostly numbers, and she waited impatiently until he returned +to her. + +"Stay here," he said quickly, "and lie down flat--don't move. The +Austrians are advancing on the other side of the river, and Cellino +will fall if the bridge is not blown up." + +"But who can get to it?" Lucia demanded. + +"I can; it is mined. If I can reach it we may drive them back." + +He did not wait to say more. + +Lucia watched him impatiently as he stumbled and slid clumsily down the +rough trail below her. The shells were coming nearer and nearer, and +the air was filled with brilliant fire. + +She watched the man every second, afraid to lose track of him. At the +base of the rock he fell. She caught her breath and shouted aloud when +he picked himself up and stumbled on. He reached the road and was just +starting across the little path that led to the river, when a shell +exploded so near him that the smoke hid him completely from view. + + + + +CHAPTER IX + +THE BRIDGE + +It was several minutes before Lucia saw him again; he was lying flat, a +little to one side of the road, and he was very still. She waited, +hoping against hope to see him move, and fighting against the horrible +thought that filled her mind. + +"He is dead," she exclaimed, terrified, "and they are moving; and the +bridge!" + +Without another thought she got up and very carefully started down the +descent, her mind concentrated on the bridge. She did not attempt to +go to the road, but kept to the shelter of the rocks, and a little to +one side of the fire. The shells were bursting all around her, but she +was above the range of the guns, and comparatively safe. + +She hurried as fast as she could, but it was hard to keep the +direction, in all the noise and blinding flames. She did not dare to +look towards Cellino, or think what that hideous column of smoke might +mean. + +At last she reached the river, and the bridge was in sight a little +distance ahead. It was an old stone bridge, and wide enough for men to +walk four abreast. At that point the river was very wide and the +bridge was made in three arches. It looked very substantial, and Lucia +stopped, suddenly terrified by the thought that she did not have the +slightest idea how or where to blow it up. + +She looked about her as if for inspiration. She found it in the moving +line of men just visible far above in the mountains. + +The Austrians! They were advancing, and the sudden realization of it +brought out all her courage and daring, and intensified the hatred in +her heart. + +"They shall not cross our bridge," she shouted defiantly, and raced +ahead regardless of the rain of shot and shell. + +But when she reached the bridge she stopped again, helpless and +completely baffled. The wall rose above her high and impregnable. A +little farther along, the window of the convent seemed to be ablaze +with light. The church had been struck, and Lucia could feel the heat +of the flames from where she stood. + +The North Gate seemed miles away, and she turned to the convent. She +knew there was a door that gave on to the river bank, and she ran +forward. She found it and pushed frantically against it. It was +locked, the only other opening being a window higher up. + +Lucia looked at it in despair. It was her only chance. The glass had +been smashed by the impact of the bursting shells and lay in broken +bits under her feet. She could just reach the ledge with her hands, +and the stone felt warm. The wall was rough and uneven, and after a +struggle she managed to find a foothold and pulled herself up. The +jagged glass still in the casement cut her hands, but she did not stop +to think about it. Once inside she ran along the dark corridor and up +the few steps that led to the first floor. The big iron doors were +open, and she caught her first sight of the town. + +The convent was just outside, and on the road that led south a great +stream of people carrying every size of bundles, was hurrying along. +Lucia recognized some of them, but the faces she most longed to see +were not there. + +She turned away, for the sight seemed to drain all her courage, and she +longed to run after them, but the memory of that moving mass of +soldiers made her true to her trust, and she hurried through the +convent, calling for aid. + +At the farthest door she discovered several of the sisters hurrying +about and trying to clear the big ward filled with wounded soldiers. +They had been brought in that morning, and some of them were very ill +indeed. The sisters were carrying them out on improvised stretchers. +Those who were able to stand up staggered along as best they could by +themselves. Lucia saw one boy leaning heavily against the door, and +ran to him. + +"Roderigo Vicello!" she exclaimed, when she looked up at him. + +Roderigo swayed and would have fallen if she had not supported him. + +"I can not go," he said weakly. "I am too tired, and I want to go. I +have watched her out of sight, but I am too tired to follow." + +Lucia looked at him intently. It seemed to her impossible that a man, +and a soldier, could bother to think of a girl at such a time. She +took his arm firmly and shook him. + +"Do you know how to blow up a bridge that is mined?" she demanded +excitedly. + +"Yes, pull out the pin," Roderigo replied, "if it is a time fuse," he +spoke slowly and painstakingly. + +"Pin?" Lucia exclaimed impatiently, "I don't understand, you will have +to come. Listen, the Austrians are just a little way off across the +river, they must not cross the bridge." + +Roderigo was alert at once. The light came back into his eyes and his +body stiffened. + +"What are you saying?" he demanded. "Do you mean, they are coming from +that side?" + +"Yes," Lucia exclaimed, "there is no time to spare; hurry, I will help +you." + +She put her strong, young arm about his waist, and by leaning most of +his weight on her shoulder he managed to crawl along. Lucia was half +crazy with impatience, but she suited her step to his, and helped him +all she could. + +At last they reached the lower door. She opened it hurriedly and the +bridge was in sight, but so were the Austrians. They were so near that +what had seemed one solid mass now resolved itself into individual +shapes. To Lucia it seemed as if a great sea of men were rushing down +upon them. + +The exertion from the walk made Roderigo sway, and just before they +reached the bridge he fell forward. Lucia crouched down beside him, +and begged and pulled until he was on the bridge. + +"Now where is it? Tell me what to do," she begged, "see they are +almost here." + +With a tremendous effort Roderigo pulled himself to the edge of the +bridge and located the mine. In a voice that was so weak that Lucia +could hardly hear it he gave the directions. Lucia obeyed. + +"When will it go off?" she demanded. "Will we have time to get away?" + +Roderigo shrugged his shoulders. + +"You will," he said. "Run as fast as you can, I don't know how long it +will take." + +Lucia did not wait to argue. She caught him under his arms and dragged +him back to the convent as fast as she could. + +Roderigo had given up all hope, but as they drew nearer to the door of +the convent, the wish to live asserted itself, and he got to his feet +and ran with Lucia. They did not stop until they were safe on the road +beyond. The last inhabitant of Cellino was out of sight, and it seemed +as if they were alone. + +They waited, Lucia supporting Roderigo's head in her arms. + +The explosion came, there was a crash, and then a great shaking of the +earth. Lucia listened, her eyes flashing. + +"Wait here," she said to Roderigo, "I will return at once." She ran +hurriedly back to the convent and down again to the door. + +The old bridge was ruined. Great pieces of it were torn out and had +fallen high on the banks. The center span was entirely gone, and the +river, broad and impassable, ran smoothly between the jagged ends. + +Lucia did not stand long in contemplation of the scene before her. She +hurried back to the road. A sister was beside Roderigo, and Lucia went +to her. + +"It is not safe back in there," she said, pointing to the convent. "A +shell may hit it." + +The sister nodded. + +"It hardly matters," she replied quietly. "No place is safe. We will +take him there; he is too ill to be carried far." + +Lucia agreed, and between them they carried the unconscious Roderigo +back to the ward and laid him gently on one of the beds. + +Sister Francesca turned back the cuffs of her robe and began doing what +she could. As she worked she talked. + +"We were all ordered to leave," she said; "but when we were well along +the road I turned back. It seemed so cowardly to go when we were most +needed. The rest thought that by night the Austrians would be in +possession, but I could not believe it." + +She was a little woman with a soft voice and big blue eyes, and she +spoke with such gentle assurance that Lucia felt comforted. + +"They will not come to-night," she said, "for the bridge is down, and +our troops will surely be able to force them back." + +Sister Francesca nodded. + +"I hope so. At any rate, there will be wounded and my place is here." + +At the word "wounded," the vivid picture of the smoke-choked valley, +the shell explosion, and the still form of the Italian soldier flashed +before Lucia's mind. + +"What am I doing here?" she said impatiently. "There are wounded now +and perhaps we can save them." + +She did not offer any further explanation, but slipped out of the big +room and hurried back to the road once more. + +The sun had set and twilight gleamed patchy through the clouds of +smoke. It was still light enough to see, and Lucia hurried to the +gate. The first sight that she had of Cellino made her stop and +shudder. The church was in ruins, and every pane of glass was broken +in the entire village. In their haste the refugees had thrown their +belongings out of their windows to the street below, and then had gone +off and left them. Great piles of furniture and broken china littered +the way, and stalls had been tipped over in the market place. + +No one stopped Lucia; the town was deserted. She ran hurriedly across +to the North Gate, afraid of the ghostly shadows and unnatural sights. +At the gate a splendid sight met her eyes. + +From the convent she had only seen the Austrians, the wall had cut off +her view of the west. But now she commanded a view of the whole field, +and to her joy the Italians were advancing as steadily from the west as +the Austrians from the east. They would meet at the river, and at the +memory of the bridge Lucia threw back her head and laughed. It was not +a merry laugh, but a grim triumphant one, and it held all the relief +that she felt. + +But, splendid as the sight before her was, she did not stay long to +look at it. Below, somewhere in the valley, the Italian soldier of the +shining white teeth and the pennies was lying wounded, or dead, and +nothing could make Lucia stop until she found him. + +The heavy artillery fire had let up a little, and the shells were not +quite so many. + +Lucia started to run. She had made up her mind earlier in the day that +if she moved fast enough she would escape being hurt. She +unconsciously blamed the slowness of the Italian soldier for his +injury. She passed her cottage half-way down the hill. It was still +standing, but a shell had dropped on the little goat-shed and blown it +to pieces. One of the uprights and the door, which was made of stout +branches lashed together with cord, still stood. The door flapped +drearily and added to the desolation of the scene. + +Lucia did not stop to investigate the damage, but hurried ahead. She +was afraid the light would fade before she reached the wounded soldier. + +At the end of the road in the bottom of the valley she was just between +both sides, the shells dropped all about her and she stood still, +bewildered and frightened. + +The high mountains on either side made sounding boards for the noise, +and the roar of the guns seemed to double in volume. + +"Lie down!" + +A voice almost under her foot made her jump, and she saw the Italian +soldier. She did as he commanded, and he pulled her towards him. + +He was very weak, and when he moved one leg dragged behind him. He +tried to crawl with Lucia into the shell hole close by. She saw what +he was doing and did her best to help. When they finally rolled down +into the shell hole, the man groaned. + +Lucia could feel that his forehead was wet with great drops of +perspiration. She found his water bottle and gave him a drink. + +"What's happened?" he asked, speaking close to her ear. + +Lucia told him as much as she knew. + +"Then the bridge has gone?" There was hope in his voice. + +"Gone for good. They can never cross it, and our men are just over +there." + +"How can I get you back?" she asked. "The convent is so far away." + +The soldier shook his head. "You can't. We are caught here between +the two fires, it would be certain death to move. What made you come +back?" + +"To find you," Lucia replied. "I could not come sooner, there was so +much to do. I even forgot you, but when I remembered, I ran all the +way and now I am helpless." + +"Don't give up," the Italian replied. "You must have courage for both +of us, for I am useless. My leg has been badly injured by a piece of +shell, and I cannot even crawl." + +"Then there is nothing to do but wait for the light," Lucia was +trembling all over. "Oh, what a long day it has been!" + +"But the dawn will come soon," the soldier tried to cheer her, "and +then perhaps the stretcher-bearers will find us. If they do not--" + +"If they do not, I will find a way to take you to the convent," Lucia +replied with sudden spirit, and with the same determination that had +resulted in her blowing up the bridge, she added to herself: + +"He shall not die!" + + + + +CHAPTER X + +GARIBALDI, STRETCHER-BEARER + +The long night set in, and the soldier, wearied from his long wait, +dropped to sleep in spite of the noise. Lucia's tired little body +rested, but her eyes never relaxed their watch in the darkness. + +The fire kept up steadily, and at irregular intervals a star-shell +would illuminate the high mountains. Towards midnight there was an +extra loud explosion, and once more the terrifying flames seemed to +encircle Cellino. + +Lucia wondered dully what had been struck. The church was gone, and +she supposed this was the town hall. It looked too near, as far as she +could judge, for the convent. + +Her ears were becoming accustomed to the sound, and she thought the +fire from both sides was being concentrated towards the south. The +shells near them lessened, and at last stopped. Before dawn the +Italian stirred, and called out in his sleep. + +Lucia spoke to him, but he did not answer; he was so exhausted that he +was soon unconscious again. + +Lucia watched the east, and tried to imagine Beppi safe and sound in a +town far away from this terrible din, but she could be sure of nothing. +She remembered Roderigo's words, 'She is safe,' and knew that he must +have meant Maria. Surely Beppi and Nana were with her and Aunt Rudini; +it could not be otherwise. + +With a guilty start she remembered Garibaldi. Where was she, and what +had become of her in all the terrors of yesterday? Lucia could not +remember having noticed her after she left the footbridge. Was she +safe in the mountains, or lying dead in a shell hole? + +"My Garibaldi, poor little one, she would not understand, and she will +think I neglected her." + +Tears of pity and weariness stung Lucia's cheeks. The thought of her +little goat, suffering and neglected, seemed to be more than she could +bear. She buried her head in her arm and cried softly. The tears were +a relief to her, and long after she had stopped sobbing they trickled +down her cheeks. + +She fell into a light doze now that her watch was so nearly ended, and +did not waken until the east was streaked with gray. She might not +have awakened then, had it not been for a cold, wet nose burrowing in +her neck, and a plaintive, "Naa, Naa!" + +She sat up suddenly to discover Garibaldi, covered with mud from her +ears to her tail, looking very woe-begone, standing beside her. +Regardless of the mud Lucia threw her arms around her pet, and for once +in her life the little goat seemed to return her caress. + +When Lucia lifted her head there was a smile on her lips, and the old +light of determination shone in her eyes. She got to her knees slowly +and looked about her. The guns were booming back and forth, but their +position seemed to be changed. The Austrian guns still sounded from +across the river, but their range was much farther south. + +Lucia looked towards the west. None of the guns that were there the +night before could be heard. With a throb of joy she realized that the +booming now came from the town. + +"Had the Italians crept up and into Cellino during the night?" The +very idea was so exciting that she could not rest until she made sure. + +She stood up and walked over to the road. The gate had an odd +appearance in the half light. She walked up the hill a little way, +rubbing her eyes as she went. Something behind the wall seemed to +appear suddenly, emit a puff of smoke, and then disappear. + +Lucia had never seen a big gun in her life, and she did not know that +one was hidden securely in the cover of the wall near the ruins of the +church, for so quietly had the great monster arrived, and so stealthily +had the soldiers worked, that its sudden appearance seemed almost a +miracle. + +Lucia put it down as one, and offered her prayer of thankfulness from +the middle of the muddy road. Then the work at hand took the place of +her surprise, and she ran back to her wounded soldier and roused him +gently. He opened his eyes; they were bright with fever, and he tossed +restlessly. + +Lucia tried to move him, but could not. He was very big, and she could +not pull him as she had the slender Roderigo. + +As she stopped to consider, the walls of Cellino suddenly seemed to let +loose a fury of smoke and flame. Nothing that had happened during the +day before equalled it. The big guns boomed and the smaller ones sent +out sharp, cracking noises that were even more terrifying. + +Poor Lucia dropped to her face again, and Garibaldi cowered beside her. + +Nothing seemed to happen. The shells did not fall near them as she had +expected, and after her first fright had passed, she got to her feet +again. + +Tugging at the soldier was useless, and an idea was forming in her +mind. She ran as fast as she could up the hill to the cottage, calling +Garibaldi to follow. + +At the shed she stopped and looked at the door. It was light, and she +soon tore it away from its support. Then she went into the cottage and +came back with a rope. She made a loop and put it over the goat's +head. Then with two long pieces she contrived a harness and hitched +the door to it. One end dragged on the ground, and the other was about +a foot above it. The rope was crossed on the goat's back and tied +firmly to the long ends of the door that did duty as shafts. Garibaldi +was too disheartened to protest, and Lucia had little trouble in +leading her down the hill. + +The soldier was delirious when she reached him, but he was so weak that +it was an easy matter to roll him on to the improvised stretcher. + +Lucia took hold of one shaft, and with Garibaldi pulling too, they +started off. + +It was a long and weary climb, but at last they reached the cottage. + +The terrible jolting had been agony for the soldier. He regained +consciousness on the way, and from time to time a groan escaped him. +But when he was in the house he did his best to smile, and crawled onto +the mattress that Lucia had pulled to the floor. + +She made haste to take off his knapsack, and under his direction she +dressed the ugly wound in his thigh. Her fingers, only used to rough +work, moved clumsily, but she managed to make him a little more +comfortable. He smiled up at her bravely. + +"Poor little one, you are tired. Go and eat," he whispered. And +Lucia, after she saw his head sink back on the pillow, found a stale +loaf of black bread and began to munch it slowly. + +The soldier pointed to his knapsack and told her to eat whatever she +found in it. + +"There should be some of my emergency rations left," he said faintly. + +Lucia found some dried beef and offered it to him, but he shook his +head and asked for a drink of water. She gave it to him, but his eyes +closed and his head fell back as he drank. She ate all the beef and a +cake of chocolate that she found; and then went to the door to look out. + +Cellino was enveloped in smoke and she could not see the gate. The +guns were barking, and little spurts of white smoke seemed to punctuate +each separate fire. Away to the east the enemy's guns were still +booming. + +Lucia realized that a hard battle was under way, and that it would be +useless to try to get help until there was a lull. She returned to the +room and looked down at the soldier. He was moaning softly, and his +eyes looked up at her beseechingly. + + + + +CHAPTER XI + +THE AMERICAN + +"Are you suffering very much?" she asked softly. + +The man nodded, his eyes closed, and a queer pallor came over his face. +Lucia was suddenly terrified. She felt very helpless in this battle +with death, but her determination never left her. + +She ran to the door. Poor Garibaldi was still standing hitched to the +stretcher. Lucia went to her and led her back to the door of the +cottage. She looked half-fearfully, half-angrily at the town above her. + +"He shall not die!" she said between her teeth, and went back into the +house. + +The transfer from the bed to the stretcher was very difficult to +manage, for the poor soldier was beyond helping himself. But Lucia +succeeded without hurting him too much, and once more the strange trio +started out on their climb. + +They were in no great danger, for only an occasional shell burst near +them. The fighting was going on below the east wall. Lucia and +Garibaldi toiled up the hill, each one using every bit of their +strength. + +[Illustration: "Lucia and Garibaldi toiled up the hill, each one using +every bit of their strength."] + +The soldier was limp and lifeless, his head rolled with every bump. He +looked like one dead, but Lucia refused even to consider such a +possibility. She urged Garibaldi on and tugged with determined +persistence. + +They were just below the wall when Lucia stopped to rest. The little +goat was staggering from the exertion, and she was out of breath. She +looked at the gate, it was only a little way off, but it seemed miles, +and she wondered if she could go on. + +She looked up at the wall. A man dressed in a uniform unlike the +Italian soldiers was looking down at her. Lucia called to him just as +he jumped to the ground. She held her breath expecting to see him +hurt, but he landed on his feet and ran to her. + +"For the love of Pete, what have you got there?" he asked in a language +that Lucia did not understand. + +She looked up at him bewildered. + +"I do not understand what you say, but the soldier is very sick. +Please help me carry him to the convent," she said hurriedly. + +"Hum, well you may be right," the big man laughed, "but I guess what +you want is help." + +He leaned over the wounded Italian. + +"Pretty far gone, but there's hope. Steady now, I've got you." He +lifted the man gently in his arms and carried him on his back. + +Lucia watched him with admiration shining in her eyes. She followed +with the goat through the gate. + +Once in the town she could hardly believe her eyes. Soldiers seemed to +be everywhere, shouting and calling from one to the other. She saw the +little guns that were making all the sharp, clicking noises, and she +knew that just below, and on the other side of the river, the Austrians +were fighting desperately. + +They passed many wounded as they hurried along, and to each one the big +man would call out cheerily. Lucia wished she could understand what he +said, or even what language he spoke. It was not German, of course, +and she did not think it was French. + +"Perhaps he was a tourist?" she asked him shyly, but he shook his head. + +"I don't get you, I'm sorry. I'm an American, you see." + +"Oh, Americano!" Lucia clapped her hands delightedly. "I am glad, I +thought so, American is the name of the tourists, just as I guessed," +she replied. "I have heard of Americans and I have seen some in the +summer, but they were not like you." + +She looked up in his face and smiled. + +The American did not understand a word of her Italian, but he saw the +smile, and answered it with a good-natured grin. + +"You're a funny kid," he said. "I wish I could find out what you are +talking about, and where you got ahold of that queer rig and the goat." + +They had reached the other gate by now, and they hurried through it and +to the convent. + +Several of the sisters had returned, and there were doctors and nurses +all busy in the long room where, the night before, Lucia had left +Roderigo and Sister Francesca. + +The American laid the soldier down on one of the beds, and hurried to +one of the doctors. + +"Saw this youngster dragging this man on a sort of stretcher hitched to +a goat," he said. "He's pretty bad. Better look at him." + +The doctor nodded. Lucia stood beside her soldier and waited. She was +almost afraid of what the doctor would say. He leaned over him and +began taking off his muddy uniform, while the American helped. When he +had examined the wound, he hurried over to a table and came back with a +queer looking instrument. To Lucia it looked like a small bottle +attached to a very long needle. + +"Don't, don't, you are cruel!" she protested, as he pushed it slowly +into the soldier. She put out her hand angrily, but the American +pulled her back. + +"It's all right," he said soothingly. "It's to make him well." + +Lucia shook her head, and the doctor turned to her. He spoke excellent +Italian. + +"It is to save his life, child, and it doesn't hurt him, I promise you. +Now tell me, where did you find him?" + +Lucia explained hurriedly. The story, as it came from her excited +lips, sounded like some wild, distorted dream. The doctor called to +Sister Francesca. + +"Is this child telling me the truth?" he asked wonderingly. + +"As far as I know," she said; "and that boy in the third cot blew up +the bridge. I know she went out to find the wounded." + +The doctor did not reply at once. He was hunting for the soldier's +identification tag. When he found it, he read it and whistled. + +"Captain Riccardi!" he exclaimed. "By Jove, we can't let him die." + +It could not be said that the doctor redoubled his efforts, for he was +working his best then, but he added perhaps a little more interest to +his work. + +The American helped him, and Lucia, at a word from Sister Francesca, +hurried to her and helped her with what she was doing. It was not +until many hours later that she stopped working, for more wounded were +being brought in every few minutes by the other stretcher-bearers, and +there was much to do. But at last there was a lull, and Lucia ran +through the long corridor and down to the door. + +She opened it a crack and looked out. Before her, stretched along the +banks of the river, were countless Austrian soldiers, staggering and +fighting in a wild attempt to run away from the guns in the wall that +mowed them down pitilessly. The officers tried to drive them on, but +the men were too terrified, they could not advance under such steady +fire. A little farther on, there was the beginning of a rude bridge. +The enemy had evidently tried to build it during the night, but had +been forced to abandon it after the Italians reached their new position. + +As Lucia watched, the men seemed to form in some sort of order, and +retreat back into the hills. Their guns stopped suddenly, and only the +Italian fire continued. + +It was a horrible scene, and in spite of the splendid knowledge that an +undisputed victory was theirs, Lucia turned away and closed the door +behind her. She ran up to the big door and out on the road. + +There were signs of the battle all about her in the big shell holes in +the road, and in the ruins still smoking inside the walls, but there +was no such sight as she had just witnessed, and she took a deep breath +of the warm fresh air. + + + + +CHAPTER XII + +A REUNION + +She shaded her eyes and looked down the road. + +Garibaldi, freed from her harness, was lying down in the sunshine, and +as Lucia watched her she saw a familiar figure running towards her. +She saw it stop and pat the goat. With a cry of joy she recognized +Maria, bedraggled and muddy, but without doubt Maria. She ran forward +to meet her. + +"Maria, where have you come from?" she called as the older girl threw +herself into her out-stretched arms and began to cry. + +"Oh, from miles and miles away! I have been running since late last +night," she sobbed. + +"But what has happened? Beppi, Nana, are they safe?" Lucia demanded. + +"Yes, yes, they are all safe with mother," Maria replied. + +"Then why did you come back?" Lucia persisted. + +"Oh, I could not bear it!" Maria tried to stifle her sobs. "All +yesterday, as we ran away from the guns, I kept thinking--back there, +there is work and I am running away. I knew that you were here, and I +thought you were killed. Nana was half crazy with fear and we could +get nothing out of her." + +"But Beppi, he is safe, and aunt is taking care of him?" Lucia insisted. + +"Oh, he is safe, of course, and so excited over his adventure, but he +was crying for you last night, and we had hard work to comfort him." + +Maria paused, and Lucia looked into her eyes. There was a question +there and she knew that her cousin did not give voice to it. She put +her arm around her and led her back towards the convent. + +"Come," she said, smiling with something of her old mischievousness. +"There is much to be done, and I will take you to Sister Francesca. +She will tell you where to begin." + +Maria followed her. + +Lucia went back to the ward and did not stop until she stood beside +Roderigo's bed. He was asleep, but his brows were drawn together in a +worried frown. Lucia put her finger on her lip and turned to her +cousin and pointed. Maria looked; a glad light came into her eyes, and +without a sound she fell on her knees beside the bed. + +Lucia left her and went over to Sister Francesca. She was awfully +tired, and her arms were numb, but she did not dare stop for fear she +would not be able to begin again. + +"What can I do?" she asked. + +Sister Francesca pointed to two empty buckets. "Go out to the well and +fill those. We need more water badly," she said, without looking up. + +Lucia picked up the pails and walked to the end of the room, through a +little side door and into a cloister. In the center of it was an old +well that she worked by turning an iron wheel. + +Lucia drew the water and poured it into her pails, and started back +with them. It had been all her tired arm could do to lift the empty +ones, but now each step made sharp pains go up to her shoulders. She +staggered along with them, fighting hard against the dizziness in her +head, but when she was half-way down the ward everything began to swim +before her. She swayed, lost her balance, and would have fallen had +not a strong arm caught her. The pails fell to the floor, the water +splashing over the tops. + +Through the singing in her ears she heard an angry voice. + +"Poor youngster, whoever sent her out for water? Seems to me she's +earned a rest. Here, sister, help me, will you?" + +Then Maria's soft voice came to her. + +"Lucia dear, don't look like that!" she cried excitedly. "Here, senor, +put her on the bed, so." + +She felt herself being lifted ever so gently, and then the soothing +comfort of a mattress and a pillow stole over her and she fell sound +asleep. + +She did not wake up until late in the afternoon. The sun was setting +and the long ward was in deep shadow. She opened her eyes for a minute +and then closed them again. She was too blissfully comfortable to make +any effort. + +She was conscious first of all of a strange quiet. The guns seemed to +have very nearly stopped, there was only a faint rumble in the +distance, and an occasional sputter from the guns near by. + +The enemy had retreated beyond, far into the hills, and for the time +being Cellino was safe. Lucia guessed as much and smiled to herself. + +People tiptoed about the room near her, and she could hear their voices +indistinctly. She did not try to hear what they said, she was too +tired to think. She snuggled closer in the soft pillows and sighed +contentedly, but before long a voice near her separated itself from the +rest, and she heard: + +"We will go to my beautiful Napoli, you and I, and I will show you the +water, blue as the sky, and we will be very happy, and by and by you +will forget this terrible war, as a baby forgets a bad dream." + +Lucia opened one eye and moved her head so that she could see the +speaker. He was Roderigo, of course, and he was holding Maria's hand +and talking very earnestly. + +Lucia eavesdropped shamelessly. She was curious to hear what her +cousin would say. + +"But surely you will not fight again!" Maria's voice was pleading. +"You are so sick, they will not send you back again." + +"But I must go back, my wound is not a bad one and I will be well in no +time, and I must go back. Think how foolish it would be, if I was to +say, 'Oh, yes, I fought for two days in the great war.' You would be +ashamed of me, and that little cousin of yours, Lucia, she would think +me a fine soldier." + +Lucia laughed aloud and the voices stopped. + +Maria's cheeks flushed and she jumped up. + +"Are you awake, dear?" she asked hurriedly, "then I will go and tell +Sister Francesca and the Doctor." + +She hurried off. Lucia sat up and looked at Roderigo. She was a sorry +sight in her muddy clothes, and her hair fell about her shoulders. + +"You are a fine soldier, Roderigo Vicello," she said impulsively, "and +I would say so if you had only fought for one day, for I know how brave +you are. But you are right to want to go back." + +"Yes, I am right," Roderigo replied. He stretched out his hand and +Lucia slipped hers into it. + +"We have been comrades, you and I," he said, "and we understand why." + +Lucia nodded gravely. She felt suddenly very proud. + +The Doctor came back a minute later with Maria. + +"Well, are you rested enough to be moved?" he asked, smiling. + +"Oh, yes I am quite all right," Lucia assured him. + +"Well, I wouldn't brag too much," the Doctor laughed. "You'll find you +are pretty shaky. Sister Francesca has a little room fixed for you and +some clean clothes; how does that sound?" + +Lucia smiled in reply, and the American came over at the Doctor's call. + +"Think you can manage to carry the little lady, Lathrop?" he asked. + +"Guess so." + +Lucia felt the strong arms lift her, as if she weighed no more than a +feather. He carried her down the ward and up a flight of stairs. +Sister Francesca was waiting for them at the door of the little room. +It had been one of the sister's cells. With her help Lucia was soon in +a coarse white nightgown and tucked in between clean sheets. + +The Doctor came in to see her a little later. + +"How is my soldier of the pennies?" she asked, and then as she realized +he would not understand she added, "the one I brought up the hill." + +"Oh, Captain Riccardi, he's still very ill, but he is going to pull +through all right." + +Lucia smiled. + +"Oh, I am glad," she said. "I was so afraid, he looked so queer." + +"Well, don't worry any more," the Doctor replied, "and now what do you +want?" + +Lucia sighed contentedly. + +"Something to eat, if you please," she said shyly, "I am very hungry." + + + + +CHAPTER XIII + +AN INTERRUPTED DREAM + +A week passed, a week of lazy luxury between cool linen sheets for +Lucia, and she enjoyed her rest to its fullest extent. Every one in +the convent, which was now a hospital, and running smoothly with +capable American nurses, made a great fuss over her, and she had so +much care that sometimes she was just the least bit bored. When the +week was over, and she was feeling herself again, she grew restless and +clamored to get up. Even the sheets, and the delicious things she had +to eat, could not keep her contented. At last the Doctor said she +might go out for a few hours into the sunshine, and the whole hospital +hummed with the news. + +Maria, in a white apron and cap, helped her dress, and went with her +down the stone steps and out into the convent garden. + +The first thing that met her eye was Garibaldi, clean and lazy, lying +contentedly in the sun. She came over and seemed delighted to see her +mistress once more. + +"But you are so clean, my pet!" Lucia exclaimed. "And your coat looks +as if it had been brushed," she added, wonderingly. + +Maria laughed. + +"It was. The big American, Senor Lathrop, makes so much fuss over her, +you would think she was a fine horse." + +"What about Senor Lathrop?" a laughing voice demanded. "Oh, drat this +language, I keep forgetting." He stopped and then said very slowly in +Italian: "Good morning, how are you this morning?" + +"Oh, I am very well, and you," Lucia replied, "you have been very good +to take such care of Garibaldi." + +"Garibaldi? I don't understand," Lathrop replied. + +Lucia pointed to the goat and said slowly. "That is her name." + +"Name! The goat's name Garibaldi!" Lathrop exclaimed, and added in +English, "Well I'll be darned!" + +"Not just Garibaldi," Lucia corrected him. "Her name is 'The +Illustrious and Gentile Senora Guiseppe Garibaldi,' but we call her +Garibaldi for short." + +Lathrop understood enough of her reply to catch the name. He threw +back his head and laughed uproariously. + +"All that for a goat! No wonder she was a good sport with a name like +that to live up to!" + +He stood for a long time looking at the poor, shaggy animal before him, +then he laughed again and went into the convent. + +"He is a funny man," Lucia said wonderingly. "Why should he laugh +because of Garibaldi's name?" + +"Oh, he meant no disrespect," Maria reasoned. "Americans all laugh at +everything. The nurses are the same, they are always laughing. If +anything goes wrong and I want to stamp my foot, they laugh." + +Lucia was somewhat mollified. "What is the news?" she demanded, "I +have been up there in my little room for so long, no one would tell me +anything. Sister Francesca would smile and say, 'Everything is for the +best, dear child,' when I asked for news of the front, and I was +ashamed to ask again, but you tell me." + +"Oh, there is nothing but good news," Maria replied. "We are gaining +everywhere. The night after the battle, some of our soldiers built a +bridge over the river and crossed, and when the Austrians rallied for a +counter-charge they were ready for them and took them by surprise." + +Maria paused, and her eyes filled with tears. "And only think, Lucia, +if you had not destroyed the bridge and warned the Captain of the +beggar man, we might have been taken by surprise, and Cellino would be +an Austrian village. Oh, I tell you the ward rings with your praise. +The men talk of nothing else." + +"Nonsense, I did not do it alone. How about your Roderigo? He is the +one who deserves the praise. But tell me, how is my soldier of the +pennies? I am never sure that the Doctor tells me truly how he is." + +"Why do you call him 'your soldier of the pennies'?" Maria asked. "His +name is Captain Riccardi, and he is very brave. Every one knows about +him, and some of the boys say he is the bravest man in the Italian +army." + +"Perhaps he is," Lucia laughed, "but he is my soldier of the pennies, +just the same, that's the name I love him by." + +"But I don't understand," Maria protested, "did you know him before?" + +"Yes and no," Lucia teased. "I did not know his name, or what he +looked like, but I knew there was a soldier of the pennies somewhere." + +"But tell me," Maria begged. "I am so curious." + +Lucia laughed. "Very well, it is a queer thing. Listen. Do you +remember how for a few days about a week before this battle, I only +brought two pails of milk to your stall in the morning?" + +Maria nodded. + +"Well, the rest of the milk went to Captain Riccardi, but I did not +know it. You see, one day Garibaldi ran away and went far up into the +hills. I think the guns frightened her, and of course I went after +her. I found her on a little plateau quite far up, and because I was +tired I sat down to rest, keeping tight hold of her, you may be sure. +I was dreaming and thinking, and oh, a long way off, when suddenly I +heard a voice above me. I looked up; my, but I was frightened, I can +tell you, but I could see no one. The voice said: 'Little goat herder, +will you give me a drink of milk?'" + +Lucia stopped. + +"Go on!" Maria exclaimed. "What did you do?" + +"I am ashamed to say," Lucia replied, "I was so frightened that I ran +back down the mountain as if the evil spirit were after me, and I did +not stop until I was safe at home. Then I began to think. Of course, +at first I had thought only of an Austrian, but when I stopped to +think, I knew that Austrians don't speak such Italian--low and very +soft this was, as my mother used to speak, and your Roderigo. Well, +then of course, I wanted to die of shame; I had run away from one of +the soldiers. I thought about it all night, and I could not sleep. +Just before dawn I got up very softly and went down to the shed. I +filled two pails half-full and carried them up to the same place. + +"I could not see or hear any one, but I left them, and that afternoon I +went back to see if it had been taken away. There were the empty +pails, and beside them a strip of paper with four pennies wrapped up +inside. + +"After that, I took the milk up every day to the plateau, but I never +saw or heard the soldier again. Sometimes he would write me a little +note and say 'thank you,' to me, but always there was the money. So +that is why I called him my soldier of the pennies; do you see?" + +"Oh, yes, how splendid!" Maria was delighted. "And to think it was +Captain Riccardi all the time. No wonder now that he talks sometimes +in his sleep of the little goat-herder and her flowered dress. He was +an observer, Roderigo told me. That is a very important thing to be, +and he was hidden high up in a tree. That is why you did not see him." + +Lucia thought of the telephone. + +"I know now, of course, for I saw him climb up it and talk over the +wire to the soldiers miles away," she exclaimed. "But how could I +think to look in a tree for a soldier?" she laughed. + +A bell tinkled, and Maria sprang up. + +"I must go, it is my time to be on duty," she said, smoothing her apron +and settling her cap importantly, "I will come back when I can." + +Lucia looked envious. "Do not be long," she called after her. + +She settled back with a sigh, and the little goat came over to have her +neck patted. Lucia stroked it lovingly. + +"Garibaldi," she said aloud, "we are in a dream, you and I, and soon we +will both wake up and find ourselves back in the white cottage with +Nana scolding because we are late for supper. And we'll be sorry too, +won't we? For that will mean that the beautiful sheets and the soft +pillow will vanish the way they do in the fairy tales, and this lovely +garden will go too." + +"But what if there were another one to take its place?" a voice +inquired from the doorway. + + + + +CHAPTER XIV + +THE FAIRY GODFATHER + +Lucia turned and looked up quickly. She was startled and not a little +embarrassed at having her confidence overheard. + +Through the door that led from the ward the American was pushing a bed +on wheels. Lucia had seen that same bed many times before. It had +belonged to the old Mother Superior of the convent, and many a bright +morning she had seen it out in the garden as she sat at her desk in the +schoolroom above. + +She looked at the white pillow half expecting to see the old wrinkled +face of Mother Cecelia, but instead Captain Riccardi looked up at her +and smiled. + +"See, I've found you at last," he said, as Lathrop pushed the bed +beside Lucia's chair. "I was beginning to think that you were just a +dream child, and that I had imagined about the milk." + +Lucia laughed gayly. + +"No, Captain, that was not a dream, or I hope it wasn't, for if the +milk was not real then I dreamed about the pennies, and the sick +soldiers never got them." + +"Sick soldiers! Did you give away the money?" + +"Oh yes, sir, how could I keep it? I did not know you were a Captain, +I thought--" + +"You thought I was just a poor soldier, eh?" + +"Well, yes, if you will excuse me for saying so, I did, but anyway I +would not have kept the money." + +"Why not?" + +"How can you ask? Why because, to accept pay for something--and such a +little thing as a pail of milk--" + +"Two pails." + +"No, just one, they were only half-full, but no matter. I wanted to +give away the milk, not sell it, and so I put the pennies in the box at +church." + +"And all the time I thought you were perhaps buying pretty ribbons with +it." + +Captain Riccardi shook his head. "But I might have known better." + +"Ribbons!" Lucia scorned the idea. "What do I need with such +foolishness, with a war going on just under my nose! I had other +things to think about, I can tell you, and other ways to spend my +pennies." + +The Captain looked at her gravely. Then he took her hand and patted it +gently. + +"You are a brave and true little Italian," he said, "and I can never +hope to pay you for what you have done. You will have to look for your +reward in your own heart. It ought to be a very happy and contented +heart, I should think." + +Lucia's cheeks flushed with pride. + +"Oh, it is, Captain Riccardi," she said, "it is indeed, and I am quite +content. If you heard what I said just now about the dream, you must +not think that I don't want to go back to the cottage--I do, and I want +so much to see my Beppino and Nana again--only--" + +"Tell me about that 'only' Lucia," the Captain said gently. "That is +what I want to hear, and then perhaps I will have something to tell +you." + +"Oh, it is nothing but silliness," Lucia protested, "how can it matter?" + +"Never mind, tell me," the Captain insisted. + +"But you will laugh. What do big men know of fairy stories!" + +"Lots, sometimes--I believe in fairies." + +Lucia looked into the smiling eyes incredulously, "You, a soldier!" + +"Of course, haven't I told you that I thought you were a fairy when I +first saw you, and by the Saints, I did too. Do you know, I first +discovered you way down in the valley. You were with your goats. I +looked at you through my glass, and your pretty flowered dress, and the +kerchief you wore over your hair, made me think of the little girls at +home." + +"Ah, then you come from the south, too?" Lucia laughed. "I knew it." + +"How do you?" the Captain demanded. + +Lucia shook her head sadly. + +"No, my mother came from Napoli. When I was a little girl she used to +tell me all about the sunshine and the flowers, and the blue water in +the bay, and old grandfather Vesuvius always frowning and puffing in +the distance. Oh, I tell you I feel sometimes as if I had been there, +but, of course, that is silly," she broke off, laughing, "for I have +never been away from Cellino." + +"Would you like to go away to the south and live there?" Captain +Riccardi asked slowly. + +"Oh, yes, of course. I dream sometimes that I am a princess and that a +wicked fairy has turned me into a goat-herder and forced me to live +here where it is so very cold sometimes, and then I wish hard for a +good fairy to come and set me free, and take me on a magic carpet away +to a garden full of flowers. There," she smiled shyly, "that is what I +was thinking of out loud when you came a minute ago." + +The Captain did not laugh, except with his eyes. His voice was very +grave as he asked. + +"Wouldn't a prince or a fairy godfather do just as well?" + +"Oh, yes, even better," Lucia replied seriously. + +"Well then, what would you say if I told you that I am a fairy +godfather, and that I can spirit you to a garden even nicer than this, +where it is always summer?" + +"I would surely say you were telling me fairy tales," Lucia replied +frankly. + +The Captain laughed delightedly. + +"But I'm not, Lucia," he said seriously. "I'm telling you the truth. +Down in the south I have a big house set in the very heart of a +beautiful garden, and I live there all by myself." + +"Oh!" Lucia's big eyes were full of genuine sympathy. + +"A long time ago, I used to have a little sister like you, but she +died, and since then I have been ever and ever so lonely. How would +you like to come and be my sister? I'd take awfully good care of you, +and Garibaldi." + +For an instant Lucia's eyes danced with happiness, but it was only for +an instant, then her face fell. + +"Oh, I would like that Captain, so very much," she said, "but I could +not leave Beppino and Nana." + +Captain Riccardi looked at her in silence for a moment, then he said +slowly, "Of course, you couldn't. I forgot them for the moment. But +of course I meant to include them in the invitation. I am very fond of +Beppino already. We had quite a chat that day in the cave." + +"Oh, but you don't mean it!" Lucia jumped up excitedly. "To live with +you and Nana and Beppi and Garibaldi in a garden,--oh! but of course, +it is not so, and I shall presently wake up." + +"Wake up in the little white cottage and milk the goats and trudge to +town with the heavy pails?" the Captain said. + +Lucia nodded soberly. + +"Not it I can help it, you won't," he added with decision. "You'll +never do another stroke of hard work again." + +"But are there no goats in your garden to milk, and no work to do?" +Lucia looked bewildered. + +"Yes, but there's a lot of people to do it,--so many in fact, that all +you will have to do is to pick flowers and tell Beppi and me fairy +stories. Will you come?" + +"Oh!" Lucia stamped her foot. "If this is only a dream!" she +exclaimed half angrily, "I shall surely die of misery when I wake up." + +"It's no dream, little sister, it's true, and it won't be long before +you realize it. This leg is going to take a long time in healing, but +as soon as it is better we will go home, then when I am well enough to +go back to fight, you will stay in the garden and keep it looking +beautiful for me until I return." + +For a full moment Lucia stared into the Captain's eyes, while the +wonderful truth dawned on her, then her emotion being far beyond words, +she threw her arms around him and kissed him heartily. + + + + +CHAPTER XV + +EXCITING NEWS + +"Lucia, Lucia, such exciting news, come here at once!" Maria ran up +the stairs excitedly. + +Lucia, who was busy helping Sister Francesca put away the clean sheets, +dropped what she was doing and ran down the corridor. + +"What is it!" she demanded. "Have the Austrians surrendered?" + +"No," Maria stopped, breathless from her haste, "that is, not yet, +though Roderigo says--" + +"Oh, oh, oh!" Lucia protested. "Don't start on what Roderigo says, or +we will never learn the news." + +Maria pouted. "For that I have a good mind not to tell you," she +threatened. + +"Then I shall go downstairs myself and find out," Lucia replied, not +one whit disturbed. + +"Then I may as well tell you," Maria laughed, "for the ward hums with +it. The King is coming--think of it--he is coming to Cellino +to-morrow, and he is to go through the hospital and see all the +wounded. Only fancy, our King!" + +"Who told you?" Lucia's eyes flashed excitedly. Her loyal little +Italian heart beat with eager anticipation. + +"Do you suppose I can see him?" she demanded, "but of course, I must, +even if I have to hide under the Captain's bed. He is sure to stop and +speak to my Captain," she added with pride. + +"Oh, Roderigo says that he always stops and speaks to all the wounded +and shakes their hands, and is very kind and so sorry always when they +are badly hurt. Roderigo says he has talked to soldiers who have won +decorations, and the King himself pins them on--just think of it!" + +Lucia gave a profound sigh. + +"If he ever spoke to me," she said solemnly, "I would die of joy." + +It was several days after Lucia and the Captain had talked in the +garden, and Lucia was beginning to grow accustomed to the wonderful +idea. Her dreams were coming true at last, and she had to admit to +herself that she always believed that they would. Captain Riccardi was +truly a fairy godfather in her eyes, and she proved her gratitude for +his kindness in a hundred little ways a day. It never seemed to enter +her mind that all he was offering, wonderful as it was, could not pay +her for her courage in saving his life. + +She insisted upon laying all the credit on his shoulders, and with a +smile and a shrug the Captain accepted the double share, and determined +in his big heart to be worthy of it. + +When Lucia and Maria went down to the ward a little later, the patients +were indeed humming with the news. Every face wore a smile of keen +joy, and the nurses hurried about to be sure everything was in perfect +order. + +Lucia was well enough now to go wherever she pleased, and after she had +talked for a few minutes with Captain Riccardi, and made sure that +Maria had not exaggerated, she went out of the convent with the +intention of going into town. Some of the refugees had returned, but +so far there had been no news of Senora Rudini, Nana, or Beppi, and she +was growing anxious. + +As she walked down the broad steps, she saw Lathrop coming towards her. +Lucia was particularly fond of the big American, and she smiled as she +saw him. + +"Hello!" he greeted. + +Lucia returned the salutation. + +"Do you know that the King is coming?" she demanded. + +Lathrop understood the word King, and as the town was talking of +nothing else he guessed what she meant. + +"Yes," he replied in Italian, "nice--glad--you." + +Lucia laughed. + +"Oh, but you are so funny. How I wish you could speak so that I could +understand you!" she said. + +Lathrop shook his head. "There she goes again, I didn't get even one +word this time." + +He put his hand in his pocket and drew out a letter. + +"See," he said, pointing to it. + +Lucia nodded. Lathrop scratched his head. + +"You--in--letter," he said painstakingly, "Girl, American." + +"Oh, you have put me in your letter? How nice!" Lucia said. "What did +you say?" + +"I get you, but I'm blest if I can tell you, and it's a shame, too. +You're such a little winner, you and your Mrs. Garibaldi, that I'd like +to be able to tell you so. But I guess it's hopeless." + +All of which Lucia listened to politely, but without the first idea of +its meaning. + +She nodded towards the gate and they walked towards it together. +Lathrop mailed his letter, and they stopped to look at the ruins. +Lucia questioned some soldiers who were clearing the streets as best +they could. + +The town hall, at the end of the market-place, was still standing, and +to-day it was draped in Italian flags. It looked older and more +dignified than ever, amid the ruins, and the flag floated bravely in +the crisp fall breeze. Lucia and Lathrop stopped to look at it. +Lucia's eyes sparkled and she threw an impulsive kiss towards it. +Lathrop saluted respectfully. + +As they turned to go back they noticed a crowd of soldiers and some of +the townspeople gathered about the gate. + +"What can the matter be?" Lucia exclaimed, hurrying forward. "Perhaps +it is the King." + +They ran to the gate and questioned some of the soldiers. + +"More refugees returning," one of them explained. "See there's a whole +line of them, it is a good sight, and a good time that they have +chosen. Now we will not look so like a deserted place when the King +comes." + +"Oh, perhaps some of them can give me news of Beppino," Lucia +exclaimed, forcing her way through the crowd. + +Almost the first person she saw as she ran down the road was Maria's +mother. She was walking along beside several other women, and with a +start Lucia realized that she looked thin and wan. + +"Aunt Rudini!" she called excitedly, "you are back at last. Oh, Maria +will be so glad!" + +Senora Rudini looked up, fear and hope in her eyes. + +"Maria!" she exclaimed, "where is she?" + +"At the convent. She is helping to nurse the soldiers," Lucia replied. + +"Oh, and I thought she was dead or a prisoner. She lay down beside me +one night, and the next morning she was gone; I have been terrified." +The old woman was wringing her hands. + +"But she is safe, go and see," Lucia protested, "I have just left her." + +Maria's mother needed no urging, she ran as fast as her stiff joints +would allow towards the hospital. But she had not gone very far when +she returned. + +"I am a selfish old woman," she said, "thinking first of myself, when +of course you want news of Nana. Well, look yonder in that farm wagon." + +Lucia did not wait to hear more. She darted off and met the wagon +before it reached the turn in the road. + +"Beppi! Nana!" she called. + +The man who was driving stopped, and Nana slid down from the straw, +right into Lucia's waiting arms. She was so glad to see her, that she +could only babble foolishly. All during her long journey, and her stay +in strange villages, she had thought of nothing but Lucia in the hands +of the enemy, and she was nearly crazy with relief and joy to find her +safe again. + +At last Lucia quieted her. "Where is Beppino?" she asked, "surely he +is with you?" + +Something in the straw of the wagon moved, and the old driver pointed +his whip at a mop of black hair, and laughed. + +Beppi was asleep of course. Lucia's strong young arms lifted his +little body out, and hugged and kissed him. Beppi woke up, and at +sight of her he shouted with joy. + +It was a happy and excited family that walked through the town and down +to the little white cottage. + +Lucia had so much to say, and Nana would not listen nor believe all the +wonderful things she tried to tell her, but at last, from lack of +breath, she stopped exclaiming and crying, and Lucia pushed her gently +onto the green bed, took Beppi on her lap, and began the recital of her +wonderful news in earnest. + + + + +CHAPTER XVI + +THE KING + +"The King! The King!" + +"Viva! Viva!" A great cry rose within the walls of Cellino, and +swelled to a mighty cheer, as a gray automobile drove slowly through +the Porto Romano, and stopped in the market-place opposite the town +hall. + +The soldiers who had so bravely defended the town were lined up ready +for inspection, and as the King lifted his hand to salute the colors, a +silence, as profound and as moving as the cheer had been, fell over the +crowd. + +Lucia, with Beppi held tightly by the hand, was on the edge of the +crowd. She trembled with excitement as she looked at the greatest, and +best-loved man in all Italy. + +"See!" she whispered excitedly to Beppi, "that is the King--our King! +Look at him well, for we may never be lucky enough to see him again in +our whole lives." + +Beppi's big eyes were round with wonder. He looked. His gaze fastened +on the shining sword. Then the memory that he might some day be a +General returned to him, and he drew himself up very straight. As the +King passed on his inspection, his little hand went up in a smart +salute. + +His Majesty stopped, smiled, and returned the salute gravely. + +Beppi waited until he had walked on, then he buried his face in Lucia's +skirts, and wept from sheer joy. + +Lucia's pride knew no bounds. Her heart was beating wildly, but she +stood very still until the King went into the town hall, then she +picked Beppi up in her arms and ran excitedly across the town and out +to the convent. + +"We can see him again, darling, so stand very still," she said. "He is +coming to see the soldiers." + +They watched the gate eagerly, and before long the gray car came +through it very slowly. A crowd of people surrounded it, cheering and +throwing flowers. The King smiled and bowed to them all. Lucia's eyes +never left his face. Suddenly she saw him lean forward excitedly as +the big car stopped. Beppi tugged at her skirts. + +"Look at Garibaldi, she is blocking the way." + +Lucia looked, and to her horror she saw her pet standing in the middle +of the road, her four hoofs planted firmly in the mud, and her head +lowered. + +"Oh, the wretch," Lucia exclaimed, darting forward. "Come here at +once!" she called. + +Garibaldi looked around and obediently trotted off. The car started, +and the King waved especially to Lucia as he passed, but even so great +an honor could not compensate her. She was mortified to tears that her +goat should have been guilty of _lese majeste_. + +No entreaties on Beppi's part could make her stay to wait for the +King's return. She left him with a soldier, and went around the corner +of the convent, followed by the disgraced Garibaldi. + +She sat down on a bench and sighed. + +"Of course you're only a goat," she said scornfully, "but I did think +you had more sense than to do anything as terrible as that. Do you +know who that was that you made to stop? That was the King, do you +hear?" + +Garibaldi walked away indifferently. + +"Oh, I am disgusted with you forever," Lucia exclaimed with a shrug of +disdain. "You will stay here until he goes away again, and then I +shall take you home and tie you up." + +Garibaldi paid no attention to the threat. Perhaps she knew how empty +it would prove to be. + +"Lucia, Lucia, my child, where are you?" Sister Francesca's voice +trembled as she called. + +"Here I am, sister," Lucia jumped up. "Do you want me?" + +"Oh, my dear, I have looked everywhere for you. Come with me at once." + +Lucia followed, wondering at the expression in the nun's usually placid +face. But Sister Francesca did not stop to give any explanations. She +led the way hurriedly back to the front door, of the convent, and up +the steps through the ward of smiling men, and only stopped when she +reached the door of Captain Riccardi's private room. + +"Go in, my dear," she said, giving Lucia a little push. "The Captain +wants to speak to you." + +Lucia opened the door and found herself face to face with the King. + +She was too astonished, and far too thrilled to speak. She must have +shown some of her feeling in her eyes, for the Captain, who was in bed, +laughed. + +"Here she is, Your Majesty," he said. + +The King stepped forward and put his hand on her shoulder. + +"So you are the brave little girl whom I must thank for saving Captain +Riccardi's life, and for blowing up the bridge?" + +Lucia was still tongue-tied. She swallowed hard and tried to stop her +heart from beating so fast. + +"Yes, yes, sir--Your Majesty," she said at last. "I and Garibaldi." + +"Garibaldi?" The King could not restrain a smile. + +"The goat, sir," the Captain explained. + +"Oh, I see, and what did you say his name was?" + +"Garibaldi's a her, Your Majesty, and so she had to be Senora +Garibaldi." + +Lucia was fast forgetting her embarrassment. + +"'The Illustrious and Gentile Senora Guiseppi Garibaldi,' that's her +real name, but of course, it's too long for every day." + +"Yes, I should suppose so, particularly if you were in a hurry," the +King laughed softly. + +"Was that Senora Garibaldi that we came nearly running over?" he asked. + +"Oh yes, it was, but please, Your Majesty, don't be angry with her. +You see, she really didn't know you were the King." + +"Angry, why I should say not. Before I leave, yon must introduce me to +her, I couldn't leave without seeing such a really important person." + +Lucia clapped her hands delightedly. + +"Oh, she will be so proud!" she exclaimed. + +The King turned to the officer who stood beside him and nodded, then he +shook Captain Riccardi's hand. "I congratulate you on the addition to +your household," he said, smiling. "Come with me, Lucia," he +continued, "I have something for you, and I want to give it to you +where all the soldiers can see." + +Lucia followed in a dream. She stood very still at the end of the +ward, and watched the men salute as the King stood before them. + +She did not hear what he said to them, for her head was swimming, but +she saw him turn to her, and her heart missed a beat as he pinned a +medal on her faded bodice. + +"In appreciation of your courage and loyalty," the King said, and +Lucia's eyes looked into his for a brief, but never-to-be-forgotten +moment. + + + + +CHAPTER XVII + +GOOD-BY TO CELLINO + +It was over a month before Captain Riccardi was well enough to be +moved, but at last the beautiful day for the departure for the south +came. + +"Do you really mean we are going?" Beppi demanded. + +"Of course we are, darling," Lucia replied, laughing. She was so +excited that she could hardly wait to dress Beppi and Nana with the +patience that such an undertaking required. Nana had a new dress, Aunt +Rudini made it with Maria's help, and though it was too somber for +Lucia's color loving eyes, it was a new dress and she fastened it on +Nana's bent shoulders with a glow of pride. + +"There now!" she exclaimed when it was on and Nana's stringy gray hair +had been reduced to some sort of order. + +"Turn around and let me see you." + +Nana turned. She was in a flutter of excitement, although she would +not have admitted it for the world. + +"Don't waste any more time over an old woman," she said, sharply. "I +am tidy and that is enough." + +"You are more than tidy, Nana, you look beautiful," Lucia exclaimed. +"Now do sit still and don't do anything." + +"There's nothing to be done that has not already been done," Nana +replied as she sat on the edge of the green bed and folded her hands on +her lap. Lucia nodded in satisfaction and turned her attention to +Beppi. + +He had a new suit too, and the broad sailor collar on it was +embroidered with emblems and stars. + +Beppi was delighted, and Lucia helped him on with it as he danced and +hopped, first on one foot and then to the other. + +"I'm a sailor," he announced, "a real sailor! See the bands on my arm." + +"Fickle one," Lucia protested as she tied the flaring red tie, with +loving fingers, "I thought you were going to be a soldier like our +Captain." + +Beppi thrust his small hands in his trouser pockets. + +"I am when I grow up," he replied seriously, "but I can be a sailor in +the meantime, can't I?" + +"Yes, of course," Lucia agreed, "and now put on your shoes, dear, it +must be late, and it would never do to keep the Captain waiting." + +"Go and dress yourself then," Nana said, "and don't make yourself look +too gay, it is not seemly." + +Lucia tossed her head and laughed. + +"Ah, but I will, my new bodice is so beautiful; all bright flowers, and +my skirt is blue--I know the Captain will like it--and we are going to +the South where all the girls wear bright colors--I expect my dress +will look very somber." + +Nana did not reply, she grumbled a little to herself, and Lucia pulled +out the drawer of the dresser and very carefully took out her new +possessions. She put them on slowly as if to prolong the pleasure. + +"When she was ready she looked at as much of herself as she could see +in the small mirror, and smiled happily. + +"I look very nice, I think," she said frankly. + +"Then we are ready," Nana exclaimed, getting up, "we had better start +up the hill." + +"Yes, do let's go," Beppi insisted, "I know we are going to be late." + +"Oh, but we have plenty of time," Lucia replied. "Go along both of +you, I will follow with Garibaldi." + +"Such foolishness," Nana grumbled, "to take a goat in a train; there +are many goats in the South. Why don't you wait until you get there +and leave Garibaldi to Maria with the rest?" + +Lucia looked at her grandmother in consternation, but she did not stop +to argue with her. She left the house and went to the shed; repaired +now enough to make a shelter to keep out the rain. + +Garibaldi was firmly tied to one of the posts. + +"Come, my pet," Lucia whispered, "we are going away and I have a ribbon +for your neck, see?" + +"Now come," she coaxed, "we must go up to the convent, that nice +American Mr. Lathrop is going to put you in a box. You won't like it, +poor dear, but it's the only way they let goats travel." + +Garibaldi seemed to understand something of the importance of the +occasion, for she walked along beside her little mistress with lowered +head. + +Lucia waited until Nana and Beppi had disappeared through the gate +before she started. She knew there was plenty of time and she wanted +to be alone. + +She stood in the doorway of the cottage and looked at the poor, tumbled +little room. She felt suddenly very forlorn and lonely. + +"Good-by, little room," she said softly, "I will never, never forget +you. It isn't as if you were going very far away from me for we have +given you to Maria, she and Roderigo will take good care of you, and +some day perhaps I will come back for a tiny visit," she said. + +A plaintive "Naa" from Garibaldi made her turn. As she left the room +her eyes lingered on the green bed. + +Captain Riccardi was sitting up, fully dressed, and waiting for them in +the garden of the convent. + +At sight of Lucia his eyes danced with fun. + +"Well, little sister of mine, how are you?" he greeted. + +"Oh, I am so excited, Senor," Lucia replied. "Is it nearly time to go?" + +"No, not for a couple of hours," the Captain laughed. + +"Are we really going in an automobile?" Beppi demanded, "like the one +the King came in?" + +"Yes, just like that, and then we go in a train for a long time," the +Captain explained. + +"Do we _sleep_ in the train?" Beppi's eyes were as round as saucers. + +"No," the Captain shook his head, "we sleep in a lovely house that +belongs to a friend of mine in Rome." + +Beppi tried to be polite but Captain Riccardi saw the disappointment in +his eyes, and patted his small head. + +"Are you sorry?" he laughed. + +"Oh, no, he is not," Lucia contradicted hastily, "he will like sleeping +in Rome, won't you, my pet?" + +Beppi hung his head. "I will like it," he admitted, "but it will not +be as exciting as sleeping on a train." + +"No, of course it won't, but it will be lots more comfortable, and you +see I have to think of that," the Captain explained, "but I promise you +some day we will sleep in a train, and on a boat, or any old place you +like, how's that?" + +"I will tell you afterwards," Beppi replied noncommittally. + +"I must go and find Maria," Lucia said, "I have not told her half the +things I want to. She won't take proper care of my goats, I know, but +no matter, I will do my best to tell her what to do." + +She went into the convent. Maria was busy in the ward, but at Lucia's +beckon she left what she was doing and went to her. + +"Come over by Roderigo's bed," Lucia said, "we have only a little time +to talk before we leave." + +"Oh, but you must be excited!" Maria exclaimed. + +"Look at her eyes," Roderigo laughed, "of course she is." + +"Well, and why not," Lucia demanded, "wouldn't you be?" Roderigo +shivered. + +"If I were going this day, back to Napoli, I would die from joy," he +said. + +"Nonsense, that's what Lucia said about the King's speaking to her," +Maria reminded, "but she's still alive, and the King not only spoke to +her but kissed her too." + +"Do you know," Lucia said quietly, "sometimes I think perhaps I am dead +and this is Heaven." + +"Heaven!" Roderigo laughed, "never, it is much too cold, see the sick +yellow sun up there." He pointed to the window, "in Heaven the sun is +hot and the sky is blue, just as you will find it to-morrow. Oh, but I +envy you. What wouldn't I give--" He hesitated and looked at Maria, +"No, I would not go if I could; I am happy here." + +Maria's smile rewarded him. + +"But surely after the war," Lucia said, "you will both come to Napoli +to live." + +"Perhaps," Roderigo assented, "after the war." + +They were silent for a moment, aware for the first time of what the +coming separation would mean. Then Roderigo exclaimed gayly, + +"But how solemn we are! We must laugh. I tell you, Lucia, when you +see my old grandfather Vesuvius you must give him my best respects, for +mind if you are not respectful to him he may do you some harm." + +"Oh, I will be very careful," Lucia laughed, "but I will never call +that cross old, smoking mountain my grandfather, I can promise you +that." + +"Haven't you some friends that Lucia could see?" Maria inquired, "or +could she perhaps take a message to your family." + +"No." Roderigo shook his head, "she will not be near them, but +perhaps--" He turned to Lucia, "if you are ever walking along the +shore below Captain Riccardi's place, you may meet a soldier, an old +man with a scar on his face; if you do, he is my uncle Enrico." + +"But what does he do on the beach?" Maria inquired. + +"Oh, he watches to see that no one rows out to the boats in the bay +without a passport, there are plenty of men who would like to leave +without permission," Roderigo explained, "My uncle is there to keep +them safe in Italy." + +"Are they Austrians?" Lucia inquired. + +Roderigo winked. + +"They are Italian citizens on the face of things," he replied, "but in +their hearts--" An expressive gesture finished the sentence. + +Just as Maria was about to ask another question Beppi ran into the ward. + +"Lucia, Lucia, come quickly, the American is packing Garibaldi up in a +box, and you are missing all the fun." + +Lucia jumped up. + +"Oh I must go and help," she exclaimed, "I will see you again for +good-by." + +She followed Beppi to the garden and found Lathrop nailing on the top +to a big wooden crate. From between the slats Garibaldi looked out +reproachfully. + +Lucia petted and consoled her until it was time to go. + +Garibaldi left first in a wagon; she was going all the way by train. +Lucia had many misgivings but she watched the wagon out of sight with a +smile. + +Her thoughts were soon diverted by the arrival of a big automobile. +Captain Riccardi was helped in by the doctor and Lathrop, and after +repeated good-bys Lucia took her place beside him. + +The car started off slowly, they were going to take the train at a +point several miles south. + +Lucia watched the walls of Cellino grow dim against their background of +bare mountains. It was her first departure, and it marked a new period +in her life. + + + + +CHAPTER XVIII + +IN THE GARDEN + +"How does my little sister like her new home?" + +Captain Riccardi was sitting in a comfortable chair in the warmth and +sunshine of his garden. He looked very much stronger than on his +departure from Cellino. A month under the southern sky had done much +to make him well again, and as he sat looking at Lucia he was turning +over in his mind the possibility of returning to the front. Lucia was +picking flowers near him, she had a basket over her arm and a big pair +of scissors. + +Her cheeks, that had been so pale, were flushed and round, and an +expression of happy contentment took the place of the excited sparkle +in her eyes. + +She dropped down on the ground beside the Captain as he spoke, and +looked up at him. + +"That is the very first time you have asked me that," she said, "and we +have been here for a long time. You know I think it is very, very +wonderful, what could be more beautiful than this garden, but I am +getting lazy, the sun is so warm and there is so little to do." She +looked puzzled. + +"That's quite as it should be," the Captain replied, "you are too young +to work." + +"Oh, that is what you always say," Lucia protested, "I am too young and +Nana is too old, and Beppi--" + +"Beppi is too lazy," the Captain laughed, "he is always asleep under +the flower bushes, but tell me," he continued gravely, "are you ever +homesick?" + +"Homesick." Lucia considered for a moment, "For Maria, yes, but for +Cellino, no. I like to think of it, but I want always to live here." + +"Good," the Captain smiled, "then you won't mind my going away?" + +"Back to fight?" Lucia inquired. + +The Captain nodded. "My wound is healed and I am well enough; they +need all the men they can get up there, you know." + +"I know," Lucia looked very unhappy, "what terrible times there have +been since we came here; everything has gone wrong. Why I wonder, our +soldiers are as brave as ever. What has made us lose so much lately?" + +A baffled look stole over the Captain's face and he shook his head +sorrowfully. + +"No one knows, my dear," he said, "we have suffered terrible losses, +every plan that we make is known to the enemy." + +"Do you remember the beggar you saw on the road the day you followed +the two Austrian soldiers?" + +Lucia nodded. + +"Well, there are many men like that in Italy, some are disguised as +beggars and some as just working men, but they are everywhere, and +through them our plans are given to the enemy." + +"But surely the police could arrest them," Lucia protested, "they must +all be Austrians or Germans." + +"They are, of course, but they have lived here among us for so long +that it is hard to tell them from ourselves; they speak, act and look +as we do." + +"But they think as our enemies," Lucia added, "I understand. What very +bad men they must be, just to think that but for them we might have won +this horrible war by now." + +"Perhaps," the Captain agreed, "but if they are here and we can't find +them out then we must win the war in spite of them, and that is why I +am going back." + +"When?" Lucia asked. She was suddenly very unhappy for the memory of +the attack was still vivid, and she dreaded to think of her newly found +godfather's returning to the dangers and hardships of the front, but +she was too brave and too wise to say so. She kept a stiff upper lip +and her eyes were dry as they discussed the plans. + +"I think I will leave in a day or two now that my mind is made up," the +Captain said, "it will take me quite awhile to return to my Company, +and I may have to wait in Rome for orders, so the sooner I am off the +better." + +"Yes, I suppose so," Lucia replied slowly. "Oh, but how we will miss +you, I cannot bear to think," she added impulsively. + +"Then you must write to me often," the Captain laughed, "I get so few +letters and I will treasure them. I will want to know just how you and +Beppi and Nana spend each day, and what tricks Garibaldi is up to." + +"I shall tell you everything," Lucia promised, eagerly, "every tiny +little thing, and you will write back?" + +"Yes, as often as I can," the Captain promised. He got up from his +chair and started to walk toward the house. When he was halfway up the +path Beppi dashed through the garden gate and ran to him. + +"Oh, but I have had a fine morning," he declared, "you will never guess +where I have been." + +"You do look excited," the Captain smiled, "it must have been a very +nice place, tell us about it." + +"Then come back and sit down," Beppi insisted, taking his hand. The +Captain returned to his chair and Beppi perched on the arm of it. + +"Now begin," Lucia said, "we are listening." + +"Well," Beppi took a long breath. "This afternoon I was tired of +playing in the garden and I went out into the road. Nana was sound +asleep and did not hear me, and when I had walked a little ways I met +two boys; one of them was bigger than me and the other one was littler. +We said hello, and one of them asked me my name, and I told him, and +then the big one said he guessed I couldn't fight--" Beppi stopped and +turned two accusing eyes at Lucia, "that was because I had on these old +stockings. I told you, sister, that I'd be laughed at unless I went +barefoot, same as always." + +"Never mind about that," the Captain interposed, laughing, "tell us the +rest." + +"Well, I told him I could, and we did, of course, and I won," he +continued proudly, "and after that we were friends, and they asked me +if I'd ever been to the shore, and I said; not right to it, so they +took me. We went down a hill and pretty soon we were right by the +ocean, and the waves were coming in all frothy white on the blue water, +and I took off my shoes and stockings--" + +"Oh, Beppi," Lucia protested. + +"Yes, I did," Beppi repeated, "I certainly did and we had a fine time, +I can tell you, and here comes the exciting part. While we were on the +beach a soldier came along; he was walking on the wall and he had a big +gun. The two boys ran to him and I went with them. He asked me my +name and where I lived, and I told him, and he said he had a nephew in +the war, and one of the boys asked him how Roderigo Vicello was, and +when I heard that name I just shouted, 'Why I know him,' and then I +told them all about the bridge and the King giving Roderigo a medal, +and everything. They were all glad, I can tell you, and I guess these +boys won't say I can't fight again in a hurry," he added triumphantly. + +"Oh, that is exciting news!" Lucia exclaimed, "Roderigo told me he had +an uncle here. Did he have a big scar on his face, Beppino?" + +"Yes," Beppi replied eagerly, "he got it in the Tripoli war. He is a +very brave man, I think, but he says he'd rather fight than guard the +shore, but of course he has to do as he's told, because he's a soldier." + +"And I suppose that means you don't have to do what you're told until +you're one," the Captain laughed, "what will Nana say when she hears +you ran away?" + +"Who's going to tell her?" Beppi inquired, "Lucia won't, and I don't +think you will," he added with a mischievous twinkle in his eye. + +"No, I suppose I won't after that," the Captain replied, laughing, +"that is if you will promise to be very good and mind Lucia while I am +away." + +"Away?" Beppi queried, "where are you going?" + +"Back to fight," the Captain replied, "and perhaps I shall be gone for +a long, long time, and of course, while I am gone I shall expect you to +take care of your sister." + +"Oh, Lucia can take care of herself," Beppi laughed, "she always has, +and of Nana and me, too, but I'll be good if you say so, only can't I +go down to the shore once in a while?" + +"Of course, darling," Lucia answered for the Captain, "but you must +tell Nana where you are going." + +"No, I will tell you I think," Beppi said gravely. + +The Captain got up and he walked beside him to the house. There was a +chance that the bright sword might be taken from its chamois case, and +Beppi never missed a chance of seeing it if he could help it. + +Lucia, left alone in the garden, looked out over the low wall to the +west. The bay of Naples stretched out blue and glistening in the last +rays of the sun, and the gray of the old house took on a soft pink tint. + +"It is a fairy palace, I believe." Lucia buried her face in her basket +and whispered to the flowers. + +"I wonder if it will disappear when my fairy godfather goes away, or if +it will stay and be ours to keep for him until he comes back, for he +must come back, he must, he must, he must," she finished almost angrily. + + + + +CHAPTER XIX + +BACK TO FIGHT + +A big gray car, very like the one that had come to Cellino, drove up +before the door of the Riccardi villa two days later. + +The Captain, once his mind was made up, did not waste any time in +carrying out his plans. He was eager to rejoin his comrades in the +north, but when the time came to leave he was very sorry to say good-by +to Lucia. She had found a warm and secure spot in his big heart, and +he knew he would miss her gay chatter and the laughing expression of +her eyes. + +All the household were on the steps to say good-by, even Nana had been +prevailed upon to leave her seat in the garden by the well, and her +lace bobbins, long enough to see him off. + +Beppi danced about excitedly. "Oh, please hurry up and end the old +war," he cried impatiently, "and come back, we will be so lonely +without you. I promise to be very, very good." + +"That's right, and when I come home I shall bring you all the souvenirs +I promised; an Austrian helmet and a piece of shell," the Captain +replied. + +"And your sword, don't forget that," Beppi reminded him. + +"Oh no, of course I won't forget that," the Captain swung Beppi high in +the air above his head and kissed him, then he turned to Lucia. + +"I will be good too," she promised, laughing. + +"Of course you will, but you must be happy too, that is the most +important of all," the Captain said seriously. "Be sure and pick all +the flowers in the garden and stay out in the sunshine all day." + +"And may I take the flowers to the hospital?" Lucia asked, "we have so +many in the house, and the sick soldiers would love them so." + +"Yes, do what you like with them," the Captain replied, "but be +careful, don't do anything dangerous, you are such a spunky little +fire-brand, that I can't help worrying." + +"Oh, but you mustn't, I will be so very careful. Besides there is +nothing to do down here, it is not like Cellino." + +"Well, you can't always be sure," the Captain said, his eyes twinkling, +"if there was any danger you'd be sure to be in the heart of it." + +"No, I will close my eyes tight," Lucia promised, "and walk in the +other direction, that is, unless it was something very, very important." + +"I thought so. Well, I guess you'll be safe here, safer than you've +ever been before, anyway," the Captain said, "and now good-by." + +He kissed her low, broad forehead, very gently. + +"Good-by, fairy godfather, come back soon." Lucia tried not to let her +voice tremble. + +The Captain got into the car hurriedly. He waved to the group on the +steps until he was out of sight. + +Lucia went back into the house, but the spacious rooms and high +ceilings only added to her unhappiness. She almost longed for the +comfort of the tiny old cottage and the familiar sight of the green bed. + +She wandered about listlessly; she was quite alone. Nana had gone back +to her lace making, and Beppi was in the garden. The old man and his +wife--the Captain's faithful servants--were in the kitchen. + +In the library Lucia stopped before the rows of books and tried to read +their titles. But she gave it up and looked at the pictures, that +amused her for a little while, for she thought they were beautiful, but +she did not understand them. She could not give anything her undivided +attention for her thoughts were on the way with the Captain, and she +was fighting against the unhappiness that threatened to overpower her. + +"Surely he will come back," she said, to a copy of Andrea del Sarto's +St. John that hung above the mantel. "This cruel war has taken my real +father; it cannot take my godfather too." She gave herself a little +shake, "It is that I am lonely that I think such sad thoughts, I will +go out to the garden and pick flowers for the soldiers." + +Accordingly she found her basket and scissors and spent the rest of the +afternoon in the garden. When her basket was piled high she put on her +hat very carefully, regarding it from every angle of the Florentin +mirror. It was the first hat she had ever owned and she was very proud +of it. + +When it was tilted to her satisfaction she took up the basket and went +out by the garden gate. + +The hospital was a little over a mile away. Lucia had visited it with +Captain Riccardi. It had formerly been a private villa and its +terraced gardens went down to the water's edge. + +Lucia knew the way and she loitered along, enjoying the newness of the +scenes about her. Everything and everybody were so different, the +fishermen with their bright sashes and Roman striped stocking caps, the +old women and the young girls in their bright dresses, with great gold +loops hanging from their ears. Even the sound of their voices was +different as they called out greetings to one another. + +Lucia decided that the very first thing she would do when the Captain +came home would be to ask him for a pair of gold earrings. + +So occupied was she with her thoughts that she reached the gate to the +hospital before she realized it. She lifted the heavy knocker; an old +man opened the door. + +"This is not visiting day, little one," he said, as he looked down at +Lucia. + +"Oh, I am not visiting," she replied, "I brought these few flowers for +the sick soldiers; will you take them?" + +"Indeed I will." The old man held out his hand. "Do you want the +basket back again?" + +"Oh, no, there's no hurry for that, I will get it the next time I +come," Lucia replied. "I mean to bring flowers every day or two for +the soldiers." + +"That is very kind of you," the old man smiled, "I'll take these right +up." + +Lucia nodded and turned to go back along the road. The sun was setting +over the water, and below the bay beckoned invitingly. She looked and +decided to go home that way. + +She took a path that led to the water's edge. It was steep, for that +part of the coast rose high above the water. She was tired when she +reached the bottom and sat down to rest on the low stone wall. + +The soft lapping of the water made her drowsy, and she slipped to the +sand, leaned her head against the wall and closed her eyes. + +There was not a sound but the soothing voice of nature, the ripple of +the water, the sighing of the wind and the occasional cry of a sea bird. + +All the sounds together seemed to rock Lucia in a sort of lullaby, and +it was not many minutes before she was asleep. + +When she awoke it was quite dark and she was conscious of a difference +in the voice of the water. A heavy regular splash, splash, grew nearer +and nearer as she listened. If she had been accustomed to living near +the water she would have recognized it as the rhythmic stroke of oars, +but she did not, and it was not until a shape loomed up in the dusk a +little farther down the beach that she realized it was a boat. + +She got up and walked towards it. If it was a fisherman's boat she +wanted to see it, even if it meant being late to supper. + +But it was not a fisherman's boat, it was a light, high-sided row boat +and the man in it stood up and pushed forward on his stout oars. + +He made a landing on the sand before Lucia reached him, and he jumped +out hurriedly. + +Whatever his business was it occupied all his thoughts, for he did not +look to right or left but ran straight to the wall. Another figure +came out of the shadows to meet him. They spoke in whispers, but Lucia +was near enough to hear what they said. + +She listened out of curiosity for it struck her as being rather strange +that a man dressed in beautiful dark clothes, with a hat such as she +had seen the men in Rome wear, should be out on the beach whispering in +the shadow of the wall to a boatman. + +When she had listened she was even more surprised. + +"It's all right, I've fixed it, you can get aboard her at midnight." +The boatman's voice was husky and very mysterious. + +"Be sure and be here on time," the man replied, "this spot is safe, +wait until the guard has passed and then land. If there is any danger, +whistle." + +The boatman nodded. "It's a risky business," he objected. + +"You will be well paid for it," the man answered sharply. "Now go." + +Lucia watched him disappear into the dusk and waited until the boatman +had rowed out of sight. Then she straightened her hat and started for +home, thinking very hard as she hurried along. + + + + +CHAPTER XX + +AN INTERRUPTED SAIL + +When Lucia reached the road above she ran as fast as she could. She +had been so startled at what she had heard that her thoughts were +confused. But as she hurried along her mind cleared. + +"Perhaps they are all right, and the man is just going for a row," she +said to herself. But the memory of the boatman's words returned to her. + +"It's a risky business." + +She did her best to attach no importance to it, but back in her brain +was the firm conviction that the man with the hat was one of the +Austrians that Roderigo had spoken of. "An Italian citizen on the face +of things, but in their hearts--" Lucia instinctively mimicked +Roderigo's gesture. She knew too, that argue though she might, she +would interfere. + +When she reached the garden she heard Beppi crying and saw a light in +his window above. Beppi did not cry very often and by the sound she +thought he was in pain. + +She hurried into the house and ran upstairs. Nana met her at the door +of Beppi's room; she was wringing her hands. + +"So you are back," she cried, "well, praise the Saints for that, I +thought I should lose you both on the same day." + +"'Lose us,' what are you talking about?" Lucia demanded, pushing past +her to the bed. + +"Beppino mio, what has happened?" she asked, though there was little +need to question for a deep cut in Beppi's cheek, from which the blood +spurted freely, was answer enough. + +"My face, Lucia, it hurts me so, make it stop bleeding," Beppi pleaded, +"I fell on a big rock in the garden." + +"Caro mio, how long ago?" Lucia asked excitedly, "here quick, Nana, get +me some hot water, I will wash it as I saw Sister Veronica wash the +soldiers. There, there, darling, it will soon be better." + +With trembling fingers Nana and the old servant, Amelie, brought a +basin and a towel, and Lucia bathed the wound. It was a deep cut and +poor Beppi winced as the water touched it. + +After a little the blood stopped and Lucia bound up his head in soft +white cloths. + +"Stay by me," Beppi begged, "don't go way downstairs, I am afraid." + +"Poor angel," Amelie cried, "he won't be left alone; old Amelie will +bring up the little sister's dinner and she can eat by his bedside," +and she hurried off, crooning to herself as she went to the kitchen +below. + +Nana, now that she knew that Beppi was not going to die, started +scolding him for not looking where he was going, but Lucia sent her +downstairs. + +"He is too tired to listen to-night, Nana, and anyway he will be +careful. Do go away and rest a little, you must be tired." + +When Nana had left, Lucia returned to the bed and sat down. She did +not have any idea what time it was, and she knew that it would be +impossible to leave Beppi until he was quiet. She hardly touched the +tempting tray that Amelie brought her, and her voice trembled as she +asked what time it was. + +"Ten minutes after seven," Amelie told her after she had carefully +consulted the big hall clock. + +"Oh!" Lucia was surprised and relieved. She thought she must have +slept for hours, but now she realized that in reality she had only +dozed for a few minutes. + +She took Beppi's hand and set about putting him to sleep. It was a +difficult task. She told him story after story, but at the end of each +his eyes were bright and his demand for another one as insistent as +ever. + +Lucia kept time by the chimes of the clock, and at ten she turned out +the light. + +"I am coming to bed beside you," she explained as Beppi protested, "I +think the light will hurt your head." She took off her dress and +slipped on her nightgown. Beppi snuggled contentedly into her arm, and +she went on with her stories. + +"Sing to me," he asked at last, sleepily, "your song," and Lucia began +very softly to sing. + + "O'er sea the silver star brightly is glowing, + Rocked now the billows are. + Soft winds are blowing, + Come to my bark with me. + Come sail across the sea. + Santa Lucia, Santa Lucia." + + +Beppi's even breathing rewarded her efforts. She slipped her arm from +under his head and stole softly out of the room just as the clock +chimed eleven. She put on her dress hurriedly. + +The house was very still as she crept downstairs and out into the +garden. The stars were out and it was an easy matter to find her way. +She ran until she reached the path that led to the shore, then she +moved very cautiously. She hoped to reach the guard, tell him what she +had heard, and then go home, but when she reached the beach she +realized that she was too late. + +There was no guard in sight, but her ears detected the splash of oars, +and she knew that the boatman was coming. She crouched down beside the +wall and waited. She watched him pull his boat up on shore and then +walk swiftly off in the opposite direction from her. + +She did not know what to do, and she was frightened--badly frightened. +The broad shining water on one side and the hill on the other seemed to +hem her in, and she felt lost. It was not like the mountains of +Cellino, where she knew every path. + +She crouched down by the wall and waited. Another figure joined the +boatman, and they stood still, a little farther up the beach. Lucia +knew it was the man she had seen that afternoon, and she knew too that +in a very few seconds they would turn around and come back to the boat. + +With a courage born of fear she jumped up and before she quite realized +what she was doing she was tugging at the boat. + +It was not very high up on the beach for the boatman had left it so +that it would be easily shoved off. Fortunately the tide was going +out. Lucia's arms were strong and she pushed with a will. The boat +found the water and drifted silently away. + +Her feet were wet, but she did not realize it. She crept back to the +beach and flattened herself against the wall. The men returned. They +too kept in the shadow of the wall. It was not until they were almost +brushing against Lucia that the boatman noticed that his boat was gone. + +"The Saints preserve us!" he exclaimed. "It has been spirited away. I +knew I should be punished for doing such a black deed." + +"Spirits, nonsense!" the man spoke angrily. "It is your own stupid +carelessness, you did not pull it up on shore far enough. You +rattlebrain idiot, I've a good mind to kill you for this. See, there +is your boat out there--empty--go and get it. Do you hear?" + +"But how?" the boatman wrung his hands desperately. "I do not know how +to swim. I will die. Santa Lucia, Saint of sailormen, spare me," he +screamed as the man lifted his heavy cane to strike him. + +"Don't you dare strike that man!" Lucia exclaimed, "he did pull his +boat up on shore, but I pushed it off. I heard you this afternoon, and +I knew you wanted to go away to that big ship out there, and perhaps +sail to Austria. I know what you are, you two-faced man. You speak, +you laugh, you scold in Italian, and all the time your black heart is +Austrian." + +"You shall not go away from here. I, Lucia Rudini, tell you, you shall +not!" + +"Santa Lucia! A miracle!" The boatman trembled with fear, but the man +was not so superstitious. He caught Lucia's arm and shook her roughly. + +"You did it, you little fiend, well, you shall get what you deserve for +your meddling." He motioned to the frightened boatman. "Get me a +rope, I'll make a gag of my handkerchief; hurry man, if you are found +you will be shot." + +"But I dare not, I dare not, she is the spirit of Santa Lucia. She +came when I called. The Saints have mercy!" + +With a growl of disgust the man turned from him and caught both of +Lucia's wrists in his firm clasp. Then he lifted his cane. + +"She must not tell until we are well away," he said, and brought the +cane down heavily. It was his intention to stun Lucia, but he had +miscalculated when he expected her to stand still and receive the blow. + +She dodged to the right and began kicking and struggling. The boatman +wrung his hands and screamed for help. + +It was not many minutes before the guard, attracted by the noise, came +running towards them. The man's back was towards him, but Lucia saw +him and stopped struggling. + +The man raised his cane again but this time he stopped, because the +muzzle of a gun was pressing him between the shoulder blades. + +Lucia turned to the guard and explained hurriedly. In the starlight +she could see that he had a long scar across his face, and she felt +very secure. + +"I know your nephew, Roderigo," she ended, "he helped me blow up the +bridge in Cellino." + +The soldier nodded. + +"I know about that, Senorina," he said respectfully, "and the rest of +your fine deeds. You were born for the work it seems. Move an inch +and off comes your head," he turned furiously on the man who had tried +to edge away. Then he continued in the soft, courteous tones he had +been using. "I hope some day you will do me the honor of telling me of +the attack yourself," he said. "It is sometimes very lonely here while +I am on guard." + +His gentle tone, and above all the flattering respect he showed, gave +Lucia back her courage. + +"Of course I will come," she said, "just as soon as my little brother +is better. He fell and cut his head, and, and--well, I guess I'd +better be going back, he may awaken and be frightened. Good night." + +"Good night, Senorina," the soldier replied, "I am proud to have seen +you." + +"Now then,--" his voice became harsh again as he turned to his +prisoners, "go along, one wink of your eyelid in the wrong direction +and I will shoot." + +He marched them off quickly, and Lucia, because the affair seemed +finished, started for home. + + + + +CHAPTER XXI + +THE END OF THE STORY + +"Tell me a story," Beppi demanded when she was lying beside him once +more, "I'm all awake again and my face hurts." + +"What shall it be about?" Lucia asked, stroking his hair. She was +still trembling from the reaction of her adventure, and Beppi's warm +little body snuggled close in her arms was comforting. + +"Go on with the story about the soldier and the bad girl that teased +him, and the good girl that was the fairy princess." + +"Very well, but shut your eyes. Let me see," Lucia began, "the soldier +went off to the war, and when he came back he was wounded and the good +girl took care of him, and they decided to be married and live happily +ever after. And the bad girl when she saw the poor soldier wounded was +sorry she had teased him, and she never did it again. And because she +was good all kinds of nice things happened to her. She found her fairy +godfather, and he had a magic carpet, and first thing you know she was +in the middle of a beautiful garden with her little--" + +"Oh, bother, I knew that wasn't a real story," Beppi protested. "It's +just about Roderigo and Maria and the Captain and you. And oh, Lucia, +how silly you are, you called yourself the bad girl when really you're +the goodest in the whole world." + +"Am I, Beppino mio?" Lucia laughed. "I don't think so." + +"Well, I say you are," Beppi replied, drowsily, "and the Captain thinks +so too, so--" He dropped off to sleep. + +"I wonder if he would say so if he had seen me to-night," Lucia mused, +"I had to do it, it was the only way, but oh, dear, I do hope I don't +ever hear any more wicked men again." She yawned and looked towards +the window. The first gray light of dawn streaked the sky. + +"I guess I'll stay in the garden with Beppi and Nana and Garibaldi, and +wait for my fairy god-father's return," she said as she closed her eyes. + +As if to echo her words a faint "naa," came up from the stable yard +below. Garibaldi was agreeing with her mistress. + + + +***END OF THE PROJECT GUTENBERG EBOOK LUCIA RUDINI*** + + +******* This file should be named 17666.txt or 17666.zip ******* + + +This and all associated files of various formats will be found in: +https://www.gutenberg.org/dirs/1/7/6/6/17666 + + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. 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