summaryrefslogtreecommitdiff
path: root/1763-h
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 05:17:43 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 05:17:43 -0700
commitac3daf1faa3ba2e6f05e41c43c1a0a183bcab13e (patch)
tree00627be767f2c8d7fc106b0293ac1b43abe6c8ad /1763-h
initial commit of ebook 1763HEADmain
Diffstat (limited to '1763-h')
-rw-r--r--1763-h/1763-h.htm976
1 files changed, 976 insertions, 0 deletions
diff --git a/1763-h/1763-h.htm b/1763-h/1763-h.htm
new file mode 100644
index 0000000..84828f2
--- /dev/null
+++ b/1763-h/1763-h.htm
@@ -0,0 +1,976 @@
+<?xml version="1.0" encoding="utf-8"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml" lang="en">
+ <head>
+ <title>
+ The Nature Faker, by Richard Harding Davis
+ </title>
+ <style type="text/css" xml:space="preserve">
+
+ body { margin:5%; background:#faebd0; text-align:justify}
+ P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ .pagenum {display:inline; font-size: 70%; font-style:normal;
+ margin: 0; padding: 0; position: absolute; right: 1%;
+ text-align: right;}
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+
+</style>
+ </head>
+ <body>
+<pre xml:space="preserve">
+
+The Project Gutenberg EBook of The Nature Faker, by Richard Harding Davis
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Nature Faker
+
+Author: Richard Harding Davis
+
+Release Date: October 28, 2008 [EBook #1763]
+Last Updated: September 26, 2016
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE NATURE FAKER ***
+
+
+
+
+Produced by Aaron Cannon, and David Widger
+
+
+
+
+
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <h1>
+ THE NATURE FAKER
+ </h1>
+ <p>
+ <br />
+ </p>
+ <h2>
+ By Richard Harding Davis
+ </h2>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <p>
+ Richard Herrick was a young man with a gentle disposition, much money, and
+ no sense of humor. His object in life was to marry Miss Catherweight. For
+ three years she had tried to persuade him this could not be, and finally,
+ in order to convince him, married some one else. When the woman he loves
+ marries another man, the rejected one is popularly supposed to take to
+ drink or to foreign travel. Statistics show that, instead, he instantly
+ falls in love with the best friend of the girl who refused him. But, as
+ Herrick truly loved Miss Catherweight, he could not worship any other
+ woman, and so he became a lover of nature. Nature, he assured his men
+ friends, does not disappoint you. The more thought, care, affection you
+ give to nature, the more she gives you in return, and while, so he
+ admitted, in wooing nature there are no great moments, there are no
+ heart-aches. Jackson, one of the men friends, and of a frivolous
+ disposition, said that he also could admire a landscape, but he would
+ rather look at the beautiful eyes of a girl he knew than at the Lakes of
+ Killarney, with a full moon, a setting sun, and the aurora borealis for a
+ background. Herrick suggested that, while the beautiful eyes might seek
+ those of another man, the Lakes of Killarney would always remain where you
+ could find them. Herrick pursued his new love in Connecticut on an
+ abandoned farm which he converted into a &ldquo;model&rdquo; one. On it he established
+ model dairies and model incubators. He laid out old-fashioned gardens,
+ sunken gardens, Italian gardens, landscape gardens, and a game preserve.
+ </p>
+ <p>
+ The game preserve was his own especial care and pleasure. It consisted of
+ two hundred acres of dense forest and hills and ridges of rock. It was
+ filled with mysterious caves, deep chasms, tiny gurgling streams, nestling
+ springs, and wild laurel. It was barricaded with fallen tree-trunks and
+ moss-covered rocks that had never felt the foot of man since that foot had
+ worn a moccasin. Around the preserve was a high fence stout enough to keep
+ poachers on the outside and to persuade the wild animals that inhabited it
+ to linger on the inside. These wild animals were squirrels, rabbits, and
+ raccoons. Every day, in sunshine or in rain, entering through a private
+ gate, Herrick would explore this holy of holies. For such vermin as would
+ destroy the gentler animals he carried a gun. But it was turned only on
+ those that preyed upon his favorites. For hours he would climb through
+ this wilderness, or, seated on a rock, watch a bluebird building her nest
+ or a squirrel laying in rations against the coming of the snow. In time he
+ grew to think he knew and understood the inhabitants of this wild place of
+ which he was the overlord. He looked upon them not as his tenants but as
+ his guests. And when they fled from him in terror to caves and hollow
+ tree-trunks, he wished he might call them back and explain he was their
+ friend, that it was due to him they lived in peace. He was glad they were
+ happy. He was glad it was through him that, undisturbed, they could live
+ the simple life.
+ </p>
+ <p>
+ His fall came through ambition. Herrick himself attributed it to his too
+ great devotion to nature and nature&rsquo;s children. Jackson, he of the
+ frivolous mind, attributed it to the fact that any man is sure to come to
+ grief who turns from the worship of God&rsquo;s noblest handiwork, by which
+ Jackson meant woman, to worship chipmunks and Plymouth Rock hens. One
+ night Jackson lured Herrick into New York to a dinner and a music hall. He
+ invited also one Kelly, a mutual friend of a cynical and combative
+ disposition. Jackson liked to hear him and Herrick abuse each other, and
+ always introduced subjects he knew would cause each to lose his temper.
+ </p>
+ <p>
+ But, on this night, Herrick needed no goading. He was in an ungrateful
+ mood. Accustomed to food fresh from the soil and the farmyard, he sneered
+ at hothouse asparagus, hothouse grapes, and cold-storage quail. At the
+ music hall he was even more difficult. In front of him sat a stout lady
+ who when she shook with laughter shed patchouli and a man who smoked
+ American cigarettes. At these and the steam heat, the nostrils of Herrick,
+ trained to the odor of balsam and the smoke of open wood fires, took
+ offense. He refused to be amused. The monologue artist, in whom Jackson
+ found delight, caused Herrick only to groan; the knockabout comedians he
+ hoped would break their collar-bones; the lady who danced Salome, and who
+ fascinated Kelly, Herrick prayed would catch pneumonia and die of it. And
+ when the drop rose upon the Countess Zichy&rsquo;s bears, his dissatisfaction
+ reached a climax.
+ </p>
+ <p>
+ There were three bears&mdash;a large papa bear, a mamma bear, and the baby
+ bear. On the programme they were described as Bruno, Clara, and Ikey. They
+ were of a dusty brown, with long, curling noses tipped with white, and
+ fat, tan-colored bellies. When father Bruno, on his hind legs and bare
+ feet, waddled down the stage, he resembled a Hebrew gentleman in a brown
+ bathing suit who had lost his waist-line. As he tripped doubtfully
+ forward, with mincing steps, he continually and mournfully wagged his
+ head. He seemed to be saying: &ldquo;This water is much too cold for me.&rdquo; The
+ mamma bear was dressed in a poke bonnet and white apron, and resembled the
+ wolf who frightened Little Red Riding-Hood, and Ikey, the baby bear, wore
+ rakishly over one eye the pointed cap of a clown. To those who knew their
+ vaudeville, this was indisputable evidence that Ikey would furnish the
+ comic relief. Nor did Ikey disappoint them. He was a wayward son. When his
+ parents were laboriously engaged in a boxing-match, or dancing to the
+ &ldquo;Merry Widow Waltz,&rdquo; or balancing on step-ladders, Ikey, on all fours,
+ would scamper to the foot-lights and, leaning over, make a swift grab at
+ the head of the first trombone. And when the Countess Zichy, apprised by
+ the shouts of the audience of Ikey&rsquo;s misconduct, waved a toy whip, Ikey
+ would gallop back to his pedestal and howl at her. To every one, except
+ Herrick and the first trombone, this playfulness on the part of Ikey
+ furnished great delight.
+ </p>
+ <p>
+ The performances of the bears ended with Bruno and Clara dancing heavily
+ to the refrain of the &ldquo;Merry Widow Waltz,&rdquo; while Ikey pretended to conduct
+ the music of the orchestra. On the final call, Madame Zichy threw to each
+ of the animals a beer bottle filled with milk; and the gusto with which
+ the savage-looking beasts uncorked the bottles and drank from them greatly
+ amused the audience. Ikey, standing on his hind legs, his head thrown
+ back, with both paws clasping the base of the bottle, shoved the neck far
+ down his throat, and then, hurling it from him, and cocking his clown&rsquo;s
+ hat over his eyes, gave a masterful imitation of a very intoxicated bear.
+ </p>
+ <p>
+ &ldquo;That,&rdquo; exclaimed Herrick hotly, &ldquo;is a degrading spectacle. It degrades
+ the bear and degrades me and you.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, it bores me,&rdquo; said Kelly.
+ </p>
+ <p>
+ &ldquo;If you understood nature,&rdquo; retorted Herrick, &ldquo;and nature&rsquo;s children, it
+ would infuriate you.&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t go to a music hall to get infuriated,&rdquo; said Kelly.
+ </p>
+ <p>
+ &ldquo;Trained dogs I don&rsquo;t mind,&rdquo; exclaimed Herrick. &ldquo;Dogs are not wild
+ animals. The things they&rsquo;re trained to do are of USE. They can guard the
+ house, or herd sheep. But a bear is a wild beast. Always will be a wild
+ beast. You can&rsquo;t train him to be of use. It&rsquo;s degrading to make him ride a
+ bicycle. I hate it! If I&rsquo;d known there were to be performing bears
+ to-night, I wouldn&rsquo;t have come!&rdquo;
+ </p>
+ <p>
+ &ldquo;And if I&rsquo;d known you were to be here to-night, I wouldn&rsquo;t have come!&rdquo;
+ said Kelly. &ldquo;Where do we go to next?&rdquo;
+ </p>
+ <p>
+ They went next to a restaurant in a gayly decorated cellar. Into this
+ young men like themselves and beautiful ladies were so anxious to hurl
+ themselves that to restrain them a rope was swung across the entrance and
+ page boys stood on guard. When a young man became too anxious to spend his
+ money, the page boys pushed in his shirt front. After they had fought
+ their way to a table, Herrick ungraciously remarked he would prefer to sup
+ in a subway station. The people, he pointed out, would be more human, the
+ decorations were much of the same Turkish-bath school of art, and the air
+ was no worse.
+ </p>
+ <p>
+ &ldquo;Cheer up, Clarence!&rdquo; begged Jackson, &ldquo;you&rsquo;ll soon be dead. To-morrow
+ you&rsquo;ll be back among your tree-toads and sunsets. And, let us hope,&rdquo; he
+ sighed, &ldquo;no one will try to stop you!&rdquo;
+ </p>
+ <p>
+ &ldquo;What worries me is this,&rdquo; explained Herrick. &ldquo;I can&rsquo;t help thinking that,
+ if one night of this artificial life is so hard upon me, what must it be
+ to those bears!&rdquo;
+ </p>
+ <p>
+ Kelly exclaimed, with exasperation: &ldquo;Confound the bears!&rdquo; he cried. &ldquo;If
+ you must spoil my supper weeping over animals, weep over cart-horses. They
+ work. Those bears are loafers. They&rsquo;re as well fed as pet canaries.
+ They&rsquo;re aristocrats.&rdquo;
+ </p>
+ <p>
+ &ldquo;But it&rsquo;s not a free life!&rdquo; protested Herrick. &ldquo;It&rsquo;s not the life they
+ love.&rdquo;
+ </p>
+ <p>
+ &ldquo;It&rsquo;s a darned sight better,&rdquo; declared Kelly, &ldquo;than sleeping in a damp
+ wood, eating raw blackberries&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;The more you say,&rdquo; retorted Herrick, &ldquo;the more you show you know nothing
+ whatsoever of nature&rsquo;s children and their habits.&rdquo;
+ </p>
+ <p>
+ &ldquo;And all you know of them,&rdquo; returned Kelly, &ldquo;is that a cat has nine lives,
+ and a barking dog won&rsquo;t bite. You&rsquo;re a nature faker.&rdquo; Herrick refused to
+ be diverted.
+ </p>
+ <p>
+ &ldquo;It hurt me,&rdquo; he said. &ldquo;They were so big, and good-natured, and helpless.
+ I&rsquo;ll bet that woman beats them! I kept thinking of them as they were in
+ the woods, tramping over the clean pine needles, eating nuts, and&mdash;and
+ honey, and&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Buns!&rdquo; suggested Jackson.
+ </p>
+ <p>
+ &ldquo;I can&rsquo;t forget them,&rdquo; said Herrick. &ldquo;It&rsquo;s going to haunt me, to-morrow,
+ when I&rsquo;m back in the woods; I&rsquo;ll think of those poor beasts capering in a
+ hot theatre, when they ought to be out in the open as God meant they&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, then,&rdquo; protested Kelly, &ldquo;take &lsquo;em to the open. And turn &lsquo;em loose!
+ And I hope they bite YOU!&rdquo;
+ </p>
+ <p>
+ At this Herrick frowned so deeply that Kelly feared he had gone too far.
+ Inwardly, he reproved himself for not remembering that his friend lacked a
+ sense of humor. But Herrick undeceived him.
+ </p>
+ <p>
+ &ldquo;You are right!&rdquo; he exclaimed. &ldquo;To-morrow I will buy those bears, take
+ them to the farm, and turn them loose!&rdquo;
+ </p>
+ <p>
+ No objections his friend could offer could divert him from his purpose.
+ When they urged that to spend so much money in such a manner was
+ criminally wasteful, he pointed out that he was sufficiently rich to
+ indulge any extravagant fancy, whether in polo ponies or bears; when they
+ warned him that if he did not look out the bears would catch him alone in
+ the woods, and eat him, he retorted that the bears were now educated to a
+ different diet; when they said he should consider the peace of mind of his
+ neighbors, he assured them the fence around his game preserve would
+ restrain an elephant.
+ </p>
+ <p>
+ &ldquo;Besides,&rdquo; protested Kelly, &ldquo;what you propose to do is not only
+ impracticable, but it&rsquo;s cruelty to animals. A domesticated animal can&rsquo;t
+ return to a state of nature, and live.&rdquo;
+ </p>
+ <p>
+ &ldquo;Can&rsquo;t it?&rdquo; jeered Herrick. &ldquo;Did you ever read &lsquo;The Call of the Wild&rsquo;?&rdquo;
+ </p>
+ <p>
+ &ldquo;Did you ever read,&rdquo; retorted Kelly, &ldquo;what happened at the siege of
+ Ladysmith when the oats ran low and they drove the artillery horses out to
+ grass? They starved, that&rsquo;s all. And if you don&rsquo;t feed your bears on milk
+ out of a bottle they&rsquo;ll starve too.&rdquo;
+ </p>
+ <p>
+ &ldquo;That&rsquo;s what will happen,&rdquo; cried Jackson; &ldquo;those bears have forgotten what
+ a pine forest smells like. Maybe it&rsquo;s a pity, but it&rsquo;s the fact. I&rsquo;ll bet
+ if you could ask them whether they&rsquo;d rather sleep in a cave on your farm
+ or be headliners in vaudeville, they&rsquo;d tell you they were &lsquo;devoted to
+ their art.&rsquo;&rdquo;
+ </p>
+ <p>
+ &ldquo;Why!&rdquo; exclaimed Kelly, &ldquo;they&rsquo;re so far from nature that if they didn&rsquo;t
+ have that colored boy to comb and brush them twice a day they&rsquo;d be ashamed
+ to look each other in the eyes.&rdquo;
+ </p>
+ <p>
+ &ldquo;And another thing,&rdquo; continued Jackson, &ldquo;trained animals love to &lsquo;show
+ off.&rsquo; They&rsquo;re children. Those bears ENJOY doing those tricks. They ENJOY
+ the applause. They enjoy dancing to the &lsquo;Merry Widow Waltz.&rsquo; And if you
+ lock them up in your jungle, they&rsquo;ll get so homesick that they&rsquo;ll give a
+ performance twice a day to the squirrels and woodpeckers.&rdquo;
+ </p>
+ <p>
+ &ldquo;It&rsquo;s just as hard to unlearn a thing as to learn it,&rdquo; said Kelly
+ sententiously. &ldquo;You can&rsquo;t make a man who has learned to wear shoes enjoy
+ going around in his bare feet.&rdquo;
+ </p>
+ <p>
+ &ldquo;Rot!&rdquo; cried Herrick. &ldquo;Look at me. Didn&rsquo;t I love New York? I loved it so I
+ never went to bed for fear I&rsquo;d miss something. But when I went &lsquo;Back to
+ the Land,&rsquo; did it take me long to fall in love with the forests and the
+ green fields? It took me a week. I go to bed now the same day I get up,
+ and I&rsquo;ve passed on my high hat and frock coat to a scarecrow. And I&rsquo;ll bet
+ you when those bears once scent the wild woods they&rsquo;ll stampede for them
+ like Croker going to a third alarm.&rdquo;
+ </p>
+ <p>
+ &ldquo;And I repeat,&rdquo; cried Kelly, &ldquo;you are a nature faker. And I&rsquo;ll leave it to
+ the bears to prove it.&rdquo;
+ </p>
+ <p>
+ &ldquo;We have done our best,&rdquo; sighed Jackson. &ldquo;We have tried to save him money
+ and trouble. And now all he can do for us in return is to give us seats
+ for the opening performance.&rdquo;
+ </p>
+ <p>
+ What the bears cost Herrick he never told. But it was a very large sum. As
+ the Countess Zichy pointed out, bears as bears, in a state of nature, are
+ cheap. If it were just a bear he wanted, he himself could go to Pike
+ County, Pennsylvania, and trap one. What he was paying for, she explained,
+ was the time she had spent in educating the Bruno family, and added to
+ that the time during which she must now remain idle while she educated
+ another family.
+ </p>
+ <p>
+ Herrick knew for what he was paying. It was the pleasure of rescuing
+ unwilling slaves from bondage. As to their expensive education, if they
+ returned to a state of ignorance as rapidly as did most college graduates
+ he knew, he would be satisfied. Two days later, when her engagement at the
+ music hall closed, Madame Zichy reluctantly turned over her pets to their
+ new manager. With Ikey she was especially loath to part.
+ </p>
+ <p>
+ &ldquo;I&rsquo;ll never get one like him,&rdquo; she wailed, &ldquo;Ikey is the funniest
+ four-legged clown in America. He&rsquo;s a natural-born comedian. Folks think I
+ learn him those tricks, but it&rsquo;s all his own stuff. Only last week we was
+ playing Paoli&rsquo;s in Bridgeport, and when I was putting Bruno through the
+ hoops, Ikey runs to the stage-box and grabs a pound of caramels out of a
+ girl&rsquo;s lap-and swallows the box. And in St. Paul, if the trombone hadn&rsquo;t
+ worn a wig, Ikey would have scalped him. Say, it was a scream! When the
+ audience see the trombone snatched bald-headed, and him trying to get back
+ his wig, and Ikey chewing it, they went crazy. You can&rsquo;t learn a bear
+ tricks like that. It&rsquo;s just genius. Some folks think I taught him to act
+ like he was intoxicated, but he picked that up, too, all by himself,
+ through watching my husband. And Ikey&rsquo;s very fond of beer on his own
+ account. If I don&rsquo;t stop them, the stage hands would be always slipping
+ him drinks. I hope you won&rsquo;t give him none.&rdquo;
+ </p>
+ <p>
+ &ldquo;I will not!&rdquo; said Herrick.
+ </p>
+ <p>
+ The bears, Ikey in one cage and Bruno and Clara in another, travelled by
+ express to the station nearest the Herrick estate. There they were
+ transferred to a farm wagon, and grumbling and growling, and with Ikey
+ howling like an unspanked child, they were conveyed to the game preserve.
+ At the only gate that entered it, Kelly and Jackson and a specially
+ invited house party of youths and maidens were gathered to receive them.
+ At a greater distance stood all of the servants and farm hands, and as the
+ wagon backed against the gate, with the door of Ikey&rsquo;s cage opening
+ against it, the entire audience, with one accord, moved solidly to the
+ rear. Herrick, with a pleased but somewhat nervous smile, mounted the
+ wagon. But before he could unlock the cage Kelly demanded to be heard. He
+ insisted that, following the custom of all great artists, the bears should
+ give a farewell performance.
+ </p>
+ <p>
+ He begged that Bruno and Clara might be permitted to dance together. He
+ pointed out that this would be the last time they could listen to the
+ strains of the &ldquo;Merry Widow Waltz.&rdquo; He called upon everybody present to
+ whistle it.
+ </p>
+ <p>
+ The suggestion of an open-air performance was received coldly. At the
+ moment no one seemed able to pucker his lips into a whistle, and some even
+ explained that with that famous waltz they were unfamiliar.
+ </p>
+ <p>
+ One girl attained an instant popularity by pointing out that the bears
+ could waltz just as well on one side of the fence as the other. Kelly,
+ cheated of his free performance, then begged that before Herrick condemned
+ the bears to starve on acorns, he should give them a farewell drink, and
+ Herrick, who was slightly rattled, replied excitedly that he had not
+ ransomed the animals only to degrade them. The argument was interrupted by
+ the French chef falling out of a tree. He had climbed it, he explained, in
+ order to obtain a better view.
+ </p>
+ <p>
+ When, in turn, it was explained to him that a bear also could climb a
+ tree, he remembered he had left his oven door open. His departure reminded
+ other servants of duties they had neglected, and one of the guests, also,
+ on remembering he had put in a long-distance call, hastened to the house.
+ Jackson suggested that perhaps they had better all return with him, as the
+ presence of so many people might frighten the bears. At the moment he
+ spoke, Ikey emitted a hideous howl, whether of joy or rage no one knew,
+ and few remained to find out. It was not until Herrick had investigated
+ and reported that Ikey was still behind the bars that the house party
+ cautiously returned. The house party then filed a vigorous protest. Its
+ members, with Jackson as spokesman, complained that Herrick was relying
+ entirely too much on his supposition that the bears would be anxious to
+ enter the forest. Jackson pointed out that, should they not care to do so,
+ there was nothing to prevent them from doubling back under the wagon; in
+ which case the house party and all of the United States lay before them.
+ It was not until a lawn-tennis net and much chicken wire was stretched in
+ intricate thicknesses across the lower half of the gate that Herrick was
+ allowed to proceed. Unassisted, he slid back the cage door, and without a
+ moment&rsquo;s hesitation Ikey leaped from the wagon through the gate and into
+ the preserve. For an instant, dazed by the sudden sunlight, he remained
+ motionless, and then, after sniffing delightedly at the air, stuck his
+ nose deep into the autumn leaves. Turning on his back, he luxuriously and
+ joyfully kicked his legs, and rolled from side to side.
+ </p>
+ <p>
+ Herrick gave a shout of joy and triumph. &ldquo;What did I tell you!&rdquo; he called.
+ &ldquo;See how he loves it! See how happy he is.&rdquo;
+ </p>
+ <p>
+ &ldquo;Not at all,&rdquo; protested Kelly. &ldquo;He thought you gave him the sign to &lsquo;roll
+ over.&rsquo; Tell him to &lsquo;play dead,&rsquo; and he&rsquo;ll do that.&rdquo; &ldquo;Tell ALL the bears to
+ &lsquo;play dead,&rsquo;&rdquo; begged Jackson, &ldquo;until I&rsquo;m back in the billiard-room.&rdquo;
+ </p>
+ <p>
+ Flushed with happiness, Herrick tossed Ikey&rsquo;s cage out of the wagon, and
+ opened the door of the one that held Bruno and Clara. On their part, there
+ was a moment of doubt. As though suspecting a trap, they moved to the edge
+ of the cage, and gazed critically at the screen of trees and tangled vines
+ that rose before them.
+ </p>
+ <p>
+ &ldquo;They think it&rsquo;s a new backdrop,&rdquo; explained Kelly.
+ </p>
+ <p>
+ But the delight with which Ikey was enjoying his bath in the autumn leaves
+ was not lost upon his parents. Slowly and clumsily they dropped to the
+ ground. As though they expected to be recalled, each turned to look at the
+ group of people who had now run to peer through the wire meshes of the
+ fence. But, as no one spoke and no one signalled, the three bears, in
+ single file, started toward the edge of the forest. They had of cleared
+ space to cover only a little distance, and at each step, as though fearful
+ they would be stopped and punished, one or the other turned his head. But
+ no one halted them. With quickening footsteps the bears, now almost at a
+ gallop, plunged forward. The next instant they were lost to sight, and
+ only the crackling of the underbrush told that they had come into their
+ own.
+ </p>
+ <p>
+ Herrick dropped to the ground and locked himself inside the preserve.
+ </p>
+ <p>
+ &ldquo;I&rsquo;m going after them,&rdquo; he called, &ldquo;to see what they&rsquo;ll do.&rdquo;
+ </p>
+ <p>
+ There was a frantic chorus of entreaties.
+ </p>
+ <p>
+ &ldquo;Don&rsquo;t be an ass!&rdquo; begged Jackson. &ldquo;They&rsquo;ll eat you.&rdquo; Herrick waved his
+ hand reassuringly.
+ </p>
+ <p>
+ &ldquo;They won&rsquo;t even see me,&rdquo; he explained. &ldquo;I can find my way about this
+ place better than they can. And I&rsquo;ll keep to windward of them, and watch
+ them. Go to the house,&rdquo; he commanded. &ldquo;I&rsquo;ll be with you in an hour, and
+ report.&rdquo;
+ </p>
+ <p>
+ It was with real relief that, on assembling for dinner, the house party
+ found Herrick, in high spirits, with the usual number of limbs, and
+ awaiting them. The experiment had proved a great success. He told how,
+ unheeded by the bears, he had, without difficulty, followed in their
+ tracks. For an hour he had watched them. No happy school-children, let
+ loose at recess, could have embraced their freedom with more obvious
+ delight. They drank from the running streams, for honey they explored the
+ hollow tree-trunks, they sharpened their claws on moss-grown rocks, and
+ among the fallen oak leaves scratched violently for acorns. So satisfied
+ was Herrick with what he had seen, with the success of his experiment, and
+ so genuine and unselfish was he in the thought of the happiness he had
+ brought to the beasts of the forests, that for him no dinner ever passed
+ more pleasantly. Miss Waring, who sat next to her host, thought she had
+ seldom met a man with so kind and simple a nature. She rather resented the
+ fact, and she was inwardly indignant that so much right feeling and
+ affection could be wasted on farmyard fowls, and four-footed animals. She
+ felt sure that some nice girl, seated at the other end of the table,
+ smiling through the light of the wax candles upon Herrick, would soon make
+ him forget his love of &ldquo;Nature and Nature&rsquo;s children.&rdquo; She even saw
+ herself there, and this may have made her exhibit more interest in
+ Herrick&rsquo;s experiment than she really felt. In any event, Herrick found her
+ most sympathetic&rsquo; and when dinner was over carried her off to a corner of
+ the terrace. It was a warm night in early October, and the great woods of
+ the game preserve that stretched below them were lit with a full moon.
+ </p>
+ <p>
+ On his way to the lake for a moonlight row with one of the house party who
+ belonged to that sex that does not row, but looks well in the moon-light,
+ Kelly halted, and jeered mockingly.
+ </p>
+ <p>
+ &ldquo;How can you sit there,&rdquo; he demanded, &ldquo;while those poor beasts are
+ freezing in a cave, with not even a silk coverlet or a pillow-sham. You
+ and your valet ought to be down there now carrying them pajamas.&rdquo;
+ </p>
+ <p>
+ &ldquo;Kelly,&rdquo; declared Herrick, unruffled in his moment of triumph, &ldquo;I hate to
+ say, &lsquo;I told you so,&rsquo; but you force me. Go away,&rdquo; he commanded. &ldquo;You have
+ neither imagination nor soul.&rdquo;
+ </p>
+ <p>
+ &ldquo;And that&rsquo;s true,&rdquo; he assured Miss Waring, as Kelly and his companion left
+ them. &ldquo;Now, I see nothing in what I accomplished that is ridiculous. Had
+ you watched those bears as I did, you would have felt that sympathy that
+ exists between all who love the out-of-door life. A dog loves to see his
+ master pick up his stick and his hat to take him for a walk, and the man
+ enjoys seeing the dog leaping and quartering the fields before him. They
+ are both the happier. At least I am happier to-night, knowing those bears
+ are at peace and at home, than I would be if I thought of them being
+ whipped through their tricks in a dirty theatre.&rdquo; Herrick pointed to the
+ great forest trees of the preserve, their tops showing dimly in the mist
+ of moonlight. &ldquo;Somewhere, down in that valley,&rdquo; he murmured, &ldquo;are three
+ happy animals. They are no longer slaves and puppets&mdash;they are their
+ own masters. For the rest of their lives they can sleep on pine needles
+ and dine on nuts and honey. No one shall molest them, no one shall force
+ them through degrading tricks. Hereafter they can choose their life, and
+ their own home among the rocks, and the&mdash;&mdash;&rdquo; Herrick&rsquo;s words
+ were frozen on his tongue. From the other end of the terrace came a scream
+ so fierce, so long, so full of human suffering, that at the sound the
+ blood of all that heard it turned to water. It was so appalling that for
+ an instant no one moved, and then from every part of the house, along the
+ garden walks, from the servants&rsquo; quarters, came the sound of pounding
+ feet. Herrick, with Miss Waring clutching at his sleeve, raced toward the
+ other end of the terrace. They had not far to go. Directly in front of
+ them they saw what had dragged from the very soul of the woman the scream
+ of terror.
+ </p>
+ <p>
+ The drawing-room opened upon the terrace, and, seated at the piano,
+ Jackson had been playing for those in the room to dance. The windows to
+ the terrace were open. The terrace itself was flooded with moonlight.
+ Seeking the fresh air, one of the dancers stepped from the drawing-room to
+ the flags outside. She had then raised the cry of terror and fallen in a
+ faint. What she had seen, Herrick a moment later also saw. On the terrace
+ in the moon-light, Bruno and Clara, on their hind legs, were solemnly
+ waltzing. Neither the scream nor the cessation of the music disturbed
+ them. Contentedly, proudly, they continued to revolve in hops and leaps.
+ From their happy expression, it was evident they not only were enjoying
+ themselves, but that they felt they were greatly affording immeasurable
+ delight to others. Sick at heart, furious, bitterly hurt, with roars of
+ mocking laughter in his ears, Herrick ran toward the stables for help. At
+ the farther end of the terrace the butler had placed a tray of liqueurs,
+ whiskeys, and soda bottles. His back had been turned for only a few
+ moments, but the time had sufficed.
+ </p>
+ <p>
+ Lolling with his legs out, stretched in a wicker chair, Herrick beheld the
+ form of Ikey. Between his uplifted paws he held aloof the base of a
+ decanter; between his teeth, and well jammed down his throat, was the long
+ neck of the bottle. From it issued the sound of gentle gurgling. Herrick
+ seized the decanter and hurled it crashing upon the terrace. With
+ difficulty Ikey rose. Swaying and shaking his head reproachfully, he gave
+ Herrick a perfectly accurate imitation of an intoxicated bear.
+ </p>
+ <p>
+ <br /><br /><br /><br />
+ </p>
+<pre xml:space="preserve">
+
+
+
+
+
+End of Project Gutenberg&rsquo;s The Nature Faker, by Richard Harding Davis
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE NATURE FAKER ***
+
+***** This file should be named 1763-h.htm or 1763-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/1/7/6/1763/
+
+Produced by Aaron Cannon, and David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase &ldquo;Project
+Gutenberg&rdquo;), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. &ldquo;Project Gutenberg&rdquo; is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation (&ldquo;the Foundation&rdquo;
+ or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase &ldquo;Project Gutenberg&rdquo; appears, or with which the phrase &ldquo;Project
+Gutenberg&rdquo; is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase &ldquo;Project Gutenberg&rdquo; associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+&ldquo;Plain Vanilla ASCII&rdquo; or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original &ldquo;Plain Vanilla ASCII&rdquo; or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, &ldquo;Information about donations to
+ the Project Gutenberg Literary Archive Foundation.&rdquo;
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+&ldquo;Defects,&rdquo; such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &ldquo;Right
+of Replacement or Refund&rdquo; described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you &lsquo;AS-IS&rsquo; WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm&rsquo;s
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation&rsquo;s EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state&rsquo;s laws.
+
+The Foundation&rsquo;s principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation&rsquo;s web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+ </body>
+</html>