diff options
Diffstat (limited to 'old/1762.txt')
| -rw-r--r-- | old/1762.txt | 1223 |
1 files changed, 1223 insertions, 0 deletions
diff --git a/old/1762.txt b/old/1762.txt new file mode 100644 index 0000000..924a64f --- /dev/null +++ b/old/1762.txt @@ -0,0 +1,1223 @@ +The Project Gutenberg EBook of The Consul, by Richard Harding Davis + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Consul + +Author: Richard Harding Davis + +Posting Date: November 17, 2008 [EBook #1762] +Release Date: May, 1999 + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK THE CONSUL *** + + + + +Produced by Aaron Cannon + + + + + +THE CONSUL + +By Richard Harding Davis + + + +For over forty years, in one part of the world or another, old man +Marshall had, served his country as a United States consul. He had +been appointed by Lincoln. For a quarter of a century that fact was his +distinction. It was now his epitaph. But in former years, as each new +administration succeeded the old, it had again and again saved his +official head. When victorious and voracious place-hunters, searching +the map of the world for spoils, dug out his hiding-place and demanded +his consular sign as a reward for a younger and more aggressive party +worker, the ghost of the dead President protected him. In the State +Department, Marshall had become a tradition. "You can't touch Him!" +the State Department would say; "why, HE was appointed by Lincoln!" +Secretly, for this weapon against the hungry headhunters, the department +was infinitely grateful. Old man Marshall was a consul after its own +heart. Like a soldier, he was obedient, disciplined; wherever he was +sent, there, without question, he would go. Never against exile, against +ill-health, against climate did he make complaint. Nor when he was moved +on and down to make way for some ne'er-do-well with influence, with a +brother-in-law in the Senate, with a cousin owning a newspaper, with +rich relatives who desired him to drink himself to death at the expense +of the government rather than at their own, did old man Marshall point +to his record as a claim for more just treatment. + +And it had been an excellent record. His official reports, in a quaint, +stately hand, were models of English; full of information, intelligent, +valuable, well observed. And those few of his countrymen, who stumbled +upon him in the out-of-the-world places to which of late he had been +banished, wrote of him to the department in terms of admiration and awe. +Never had he or his friends petitioned for promotion, until it was +at last apparent that, save for his record and the memory of his dead +patron, he had no friends. But, still in the department the tradition +held and, though he was not advanced, he was not dismissed. + +"If that old man's been feeding from the public trough ever since the +Civil War," protested a "practical" politician, "it seems to me, Mr. +Secretary, that he's about had his share. Ain't it time he give some +one else a bite? Some of us that has, done the work, that has borne the +brunt----" + +"This place he now holds," interrupted the Secretary of State suavely, +"is one hardly commensurate with services like yours. I can't pronounce +the name of it, and I'm not sure just where it is, but I see that, of +the last six consuls we sent there, three resigned within a month and +the other three died of yellow-fever. Still, if you insist----" + +The practical politician reconsidered hastily. "I'm not the sort," +he protested, "to turn out a man appointed by our martyred President. +Besides, he's so old now, if the fever don't catch him, he'll die of old +age, anyway." + +The Secretary coughed uncomfortably. "And they say," he murmured, +"republics are ungrateful." + +"I don't quite get that," said the practical politician. + +Of Porto Banos, of the Republic of Colombia, where as consul Mr. +Marshall was upholding the dignity of the United States, little could +be said except that it possessed a sure harbor. When driven from the +Caribbean Sea by stress of weather, the largest of ocean tramps, and +even battle-ships, could find in its protecting arms of coral a safe +shelter. But, as young Mr. Aiken, the wireless operator, pointed out, +unless driven by a hurricane and the fear of death, no one ever visited +it. Back of the ancient wharfs, that dated from the days when Porto +Banos was a receiver of stolen goods for buccaneers and pirates, were +rows of thatched huts, streets, according to the season, of dust or +mud, a few iron-barred, jail-like barracks, customhouses, municipal +buildings, and the whitewashed adobe houses of the consuls. The backyard +of the town was a swamp. Through this at five each morning a rusty +engine pulled a train of flat cars to the base of the mountains, and, if +meanwhile the rails had not disappeared into the swamp, at five in the +evening brought back the flat cars laden with odorous coffeesacks. + +In the daily life of Porto Banos, waiting for the return of the train, +and betting if it would return, was the chief interest. Each night the +consuls, the foreign residents, the wireless operator, the manager of +the rusty railroad met for dinner. There at the head of the long table, +by virtue of his years, of his courtesy and distinguished manner, of his +office, Mr. Marshall presided. Of the little band of exiles he was +the chosen ruler. His rule was gentle. By force of example he had made +existence in Porto Banos more possible. For women and children Porto +Banos was a death-trap, and before "old man Marshall" came there had +been no influence to remind the enforced bachelors of other days. + +They had lost interest, had grown lax, irritable, morose. Their white +duck was seldom white. Their cheeks were unshaven. When the sun sank +into the swamp and the heat still turned Porto Banos into a Turkish +bath, they threw dice on the greasy tables of the Cafe Bolivar for +drinks. The petty gambling led to petty quarrels; the drinks to fever. +The coming of Mr. Marshall changed that. His standard of life, his +tact, his worldly wisdom, his cheerful courtesy, his fastidious personal +neatness shamed the younger men; the desire to please him, to, stand +well in his good opinion, brought back pride and self-esteem. + +The lieutenant of her Majesty's gun-boat PLOVER noted the change. + +"Used to be," he exclaimed, "you couldn't get out of the Cafe Bolivar +without some one sticking a knife in you; now it's a debating club. +They all sit round a table and listen to an old gentleman talk world +politics." + +If Henry Marshall brought content to the exiles of Porto Banos, there +was little in return that Porto Banos could give to him. Magazines and +correspondents in six languages kept him in touch with those foreign +lands in which he had represented his country, but of the country he had +represented, newspapers and periodicals showed him only too clearly +that in forty years it had grown away from him, had changed beyond +recognition. + +When last he had called at the State Department, he had been made to +feel he was a man without a country, and when he visited his home town +in Vermont, he was looked upon as a Rip Van Winkle. Those of his boyhood +friends who were not dead had long thought of him as dead. And the +sleepy, pretty village had become a bustling commercial centre. In +the lanes where, as a young man, he had walked among wheatfields, +trolley-cars whirled between rows of mills and factories. The children +had grown to manhood, with children of their own. + +Like a ghost, he searched for house after house, where once he had been +made welcome, only to find in its place a towering office building. +"All had gone, the old familiar faces." In vain he scanned even the shop +fronts for a friendly, homelike name. Whether the fault was his, +whether he would better have served his own interests than those of his +government, it now was too late to determine. In his own home, he was a +stranger among strangers. In the service he had so faithfully followed, +rank by rank, he had been dropped, until now he, who twice had been a +consul-general, was an exile, banished to a fever swamp. The great Ship +of State had dropped him overside, had "marooned" him, and sailed away. + +Twice a day he walked along the shell road to the Cafe Bolivar, and back +again to the consulate. There, as he entered the outer office, Jose, the +Colombian clerk, would rise and bow profoundly. + +"Any papers for me to sign, Jose?" the consul would ask. + +"Not to-day, Excellency," the clerk would reply. Then Jose would return +to writing a letter to his lady-love; not that there was any-thing to +tell her, but because writing on the official paper of the consulate +gave him importance in his eyes, and in hers. And in the inner office +the consul would continue to gaze at the empty harbor, the empty coral +reefs, the empty, burning sky. + +The little band of exiles were at second break fast when the wireless +man came in late to announce that a Red D. boat and the island of +Curacao had both reported a hurricane coming north. Also, that much +concern was felt for the safety of the yacht SERAPIS. Three days before, +in advance of her coming, she had sent a wireless to Wilhelmstad, asking +the captain of the port to reserve a berth for her. She expected to +arrive the following morning. But for forty-eight hours nothing had +been heard from her, and it was believed she had been overhauled by the +hurricane. Owing to the presence on board of Senator Hanley, the closest +friend of the new President, the man who had made him president, much +concern was felt at Washington. To try to pick her up by wireless, the +gun-boat NEWARK had been ordered from Culebra, the cruiser RALEIGH, +with Admiral Hardy on board, from Colon. It was possible she would seek +shelter at Porto Banos. The consul was ordered to report. + +As Marshall wrote out his answer, the French consul exclaimed with +interest: + +"He is of importance, then, this senator?" he asked. "Is it that in your +country ships of war are at the service of a senator?" + +Aiken, the wireless operator, grinned derisively. + +"At the service of THIS senator, they are!" he answered. "They call him +the 'king-maker,' the man behind the throne." + +"But in your country," protested the Frenchman, "there is no throne. I +thought your president was elected by the people?" + +"That's what the people think," answered Aiken. "In God's country," +he explained, "the trusts want a rich man in the Senate, with the same +interests as their own, to represent them. They chose Hanley. He picked +out of the candidates for the presidency the man he thought would help +the interests. He nominated him, and the people voted for him. Hanley is +what we call a 'boss.'" + +The Frenchman looked inquiringly at Marshall. + +"The position of the boss is the more dangerous," said Marshall gravely, +"because it is unofficial, because there are no laws to curtail his +powers. Men like Senator Hanley are a menace to good government. They +see in public office only a reward for party workers." + +"That's right," assented Aiken. "Your forty years' service, Mr. Consul, +wouldn't count with Hanley. If he wanted your job, he'd throw you out as +quick as he would a drunken cook." + +Mr. Marshall flushed painfully, and the French consul hastened to +interrupt. + +"Then, let us pray," he exclaimed, with fervor, "that the hurricane has +sunk the SERAPIS, and all on board." + +Two hours later, the SERAPIS, showing she had met the hurricane and had +come out second best, steamed into the harbor. + +Her owner was young Herbert Livingstone, of Washington. He once had +been in the diplomatic service, and, as minister to The Hague, wished to +return to it. In order to bring this about he had subscribed liberally +to the party campaign fund. + +With him, among other distinguished persons, was the all-powerful +Hanley. The kidnapping of Hanley for the cruise, in itself, demonstrated +the ability of Livingstone as a diplomat. It was the opinion of +many that it would surely lead to his appointment as a minister +plenipotentiary. Livingstone was of the same opinion. He had not lived +long in the nation's capital without observing the value of propinquity. +How many men he knew were now paymasters, and secretaries of legation, +solely because those high in the government met them daily at the +Metropolitan Club, and preferred them in almost any other place. And if, +after three weeks as his guest on board what the newspapers called his +floating palace, the senator could refuse him even the prize, legation +of Europe, there was no value in modest merit. As yet, Livingstone +had not hinted at his ambition. There was no need. To a statesman of +Hanley's astuteness, the largeness of Livingstone's contribution to the +campaign fund was self-explanatory. + +After her wrestling-match with the hurricane, all those on board the +SERAPIS seemed to find in land, even in the swamp land of Porto Banos, +a compelling attraction. Before the anchors hit the water, they were +in the launch. On reaching shore, they made at once for the consulate. +There were many cables they wished to start on their way by wireless; +cables to friends, to newspapers, to the government. + +Jose, the Colombian clerk, appalled by the unprecedented invasion of +visitors, of visitors so distinguished, and Marshall, grateful for a +chance to serve his fellow-countrymen, and especially his countrywomen, +were ubiquitous, eager, indispensable. At Jose's desk the great senator, +rolling his cigar between his teeth, was using, to Jose's ecstasy, +Jose's own pen to write a reassuring message to the White House. At +the consul's desk a beautiful creature, all in lace and pearls, was +struggling to compress the very low opinion she held of a hurricane +into ten words. On his knee, Henry Cairns, the banker, was inditing +instructions to his Wall Street office, and upon himself Livingstone +had taken the responsibility of replying to the inquiries heaped upon +Marshall's desk, from many newspapers. + +It was just before sunset, and Marshall produced his tea things, and the +young person in pearls and lace, who was Miss Cairns, made tea for the +women, and the men mixed gin and limes with tepid water. The consul +apologized for proposing a toast in which they could not join. He begged +to drink to those who had escaped the perils of the sea. Had they been +his oldest and nearest friends, his little speech could not have been +more heart-felt and sincere. To his distress, it moved one of the ladies +to tears, and in embarrassment he turned to the men. + +"I regret there is no ice," he said, "but you know the rule of the +tropics; as soon as a ship enters port, the ice-machine bursts." + +"I'll tell the steward to send you some, sir," said Livingstone, "and as +long as we're here." + +The senator showed his concern. + +"As long as we're here?" he gasped. + +"Not over two days," answered the owner nervously. "The chief says +it will take all of that to get her in shape. As you ought to know, +Senator, she was pretty badly mauled." + +The senator gazed blankly out of the window. Beyond it lay the naked +coral reefs, the empty sky, and the ragged palms of Porto Banos. + +Livingstone felt that his legation was slipping from him. + +"That wireless operator," he continued hastily, "tells me there is a +most amusing place a few miles down the coast, Las Bocas, a sort of +Coney Island, where the government people go for the summer. There's +surf bathing and roulette and cafes chantants. He says there's some +Spanish dancers----" + +The guests of the SERAPIS exclaimed with interest; the senator smiled. +To Marshall the general enthusiasm over the thought of a ride on a +merry-go-round suggested that the friends of Mr. Livingstone had found +their own society far from satisfying. + +Greatly encouraged, Livingstone continued, with enthusiasm: + +"And that wireless man said," he added, "that with the launch we can +get there in half an hour. We might run down after dinner." He turned to +Marshall. + +"Will you join us, Mr. Consul?" he asked, "and dine with us, first?" + +Marshall accepted with genuine pleasure. It had been many months +since he had sat at table with his own people. But he shook his head +doubtfully. + +"I was wondering about Las Bocas," he explained, "if your going there +might not get you in trouble at the next port. With a yacht, I think it +is different, but Las Bocas is under quarantine." + +There was a chorus of exclamations. + +"It's not serious," Marshall explained. "There was bubonic plague there, +or something like it. You would be in no danger from that. It is only +that you might be held up by the regulations. Passenger steamers +can't land any one who has been there at any other port of the +West Indies. The English are especially strict. The Royal Mail won't +even receive any one on board here without a certificate from the +English consul saying he has not visited Las Bocas. For an American +they would require the same guarantee from me. But I don't think the +regulations extend to yachts. I will inquire. I don't wish to deprive +you of any of the many pleasures of Porto Banos," he added, smiling, +"but if you were refused a landing at your next port I would blame +myself." + +"It's all right," declared Livingstone decidedly. "It's just as you say; +yachts and warships are exempt. Besides, I carry my own doctor, and if +he won't give us a clean bill of health, I'll make him walk the plank. +At eight, then, at dinner. I'll send the cutter for you. I can't give +you a salute, Mr. Consul, but you shall have all the side boys I can +muster." + +Those from the yacht parted from their consul in the most friendly +spirit. + +"I think he's charming!" exclaimed Miss Cairns. "And did you notice his +novels? They were in every language. It must be terribly lonely down +here, for a man like that." + +"He's the first of our consuls we've met on this trip," growled her +father, "that we've caught sober." + +"Sober!" exclaimed his wife indignantly. + +"He's one of the Marshalls of Vermont. I asked him." + +"I wonder," mused Hanley, "how much the place is worth? Hamilton, one of +the new senators, has been deviling the life out of me to send his son +somewhere. Says if he stays in Washington he'll disgrace the family. I +should think this place would drive any man to drink himself to death in +three months, and young Hamilton, from what I've seen of him, ought to +be able to do it in a week. That would leave the place open for the next +man." + +"There's a postmaster in my State thinks he carried it." The senator +smiled grimly. "He has consumption, and wants us to give him a +consulship in the tropics. I'll tell him I've seen Porto Banos, and that +it's just the place for him." + +The senator's pleasantry was not well received. But Miss Cairns alone +had the temerity to speak of what the others were thinking. + +"What would become of Mr. Marshall?" she asked. The senator smiled +tolerantly. + +"I don't know that I was thinking of Mr. Marshall," he said. "I can't +recall anything he has done for this administration. You see, Miss +Cairns," he explained, in the tone of one addressing a small child, +"Marshall has been abroad now for forty years, at the expense of the +taxpayers. Some of us think men who have lived that long on their +fellow-countrymen had better come home and get to work." + +Livingstone nodded solemnly in assent. He did not wish a post abroad at +the expense of the taxpayers. He was willing to pay for it. And then, +with "ex-Minister" on his visiting cards, and a sense of duty well +performed, for the rest of his life he could join the other expatriates +in Paris. + +Just before dinner, the cruiser RALEIGH having discovered the +whereabouts of the SERAPIS by wireless, entered the harbor, and Admiral +Hardy came to the yacht to call upon the senator, in whose behalf he +had been scouring the Caribbean Seas. Having paid his respects to that +personage, the admiral fell boisterously upon Marshall. + +The two old gentlemen were friends of many years. They had met, +officially and unofficially, in many strange parts of the world. To +each the chance reunion was a piece of tremendous good fortune. And +throughout dinner the guests of Livingstone, already bored with each +other, found in them and their talk of former days new and delightful +entertainment. So much so that when, Marshall having assured them that +the local quarantine regulations did not extend to a yacht, the men +departed for Las Bocas, the women insisted that he and admiral remain +behind. + +It was for Marshall a wondrous evening. To foregather with his old +friend whom he had known since Hardy was a mad midshipman, to sit at +the feet of his own charming countrywomen, to listen to their soft, +modulated laughter, to note how quickly they saw that to him the evening +was a great event, and with what tact each contributed to make it the +more memorable; all served to wipe out the months of bitter loneliness, +the stigma of failure, the sense of undeserved neglect. In the +moonlight, on the cool quarter-deck, they sat, in a half-circle, each +of the two friends telling tales out of school, tales of which the +other was the hero or the victim, "inside" stories of great occasions, +ceremonies, bombardments, unrecorded "shirt-sleeve" diplomacy. + +Hardy had helped to open the Suez Canal. Marshall had assisted the Queen +of Madagascar to escape from the French invaders. On the Barbary Coast +Hardy had chased pirates. In Edinburgh Marshall had played chess with +Carlyle. He had seen Paris in mourning in the days of the siege, Paris +in terror in the days of the Commune; he had known Garibaldi, Gambetta, +the younger Dumas, the creator of Pickwick. + +"Do you remember that time in Tangier," the admiral urged, "when I was a +midshipman, and got into the bashaw's harem?" + +"Do you remember how I got you out? Marshall replied grimly. + +"And," demanded Hardy, "do you remember when Adelina Patti paid a visit +to the KEARSARGE at Marseilles in '65--George Dewey was our second +officer--and you were bowing and backing away from her, and you backed +into an open hatch, and she said 'my French isn't up to it' what was it +she said?" + +"I didn't hear it," said Marshall; "I was too far down the hatch." + +"Do you mean the old KEARSARGE?" asked Mrs. Cairns. "Were you in the +service then, Mr. Marshall?" + +With loyal pride in his friend, the admiral answered for him: + +"He was our consul-general at Marseilles!" + +There was an uncomfortable moment. Even those denied imagination could +not escape the contrast, could see in their mind's eye the great harbor +of Marseilles, crowded with the shipping of the world, surrounding +it the beautiful city, the rival of Paris to the north, and on the +battleship the young consul-general making his bow to the young Empress +of Song. And now, before their actual eyes, they saw the village of +Porto Banos, a black streak in the night, a row of mud shacks, at the +end of the wharf a single lantern yellow in the clear moonlight. + +Later in the evening Miss Cairns led the admiral to one side. + +"Admiral," she began eagerly, "tell me about your friend. Why is he +here? Why don't they give him a place worthy of him? I've seen many of +our representatives abroad, and I know we cannot afford to waste men +like that." The girl exclaimed indignantly: "He's one of the most +interesting men I've ever met! He's lived everywhere, known every one. +He's a distinguished man, a cultivated man; even I can see he knows his +work, that he's a diplomat, born, trained, that he's----" The admiral +interrupted with a growl. + +"You don't have to tell ME about Henry," he protested. "I've known Henry +twenty-five years. If Henry got his deserts," he exclaimed hotly, "he +wouldn't be a consul on this coral reef; he'd be a minister in Europe. +Look at me! We're the same age. We started together. When Lincoln sent +him to Morocco as consul, he signed my commission as a midshipman. +Now I'm an admiral. Henry has twice my brains and he's been a +consul-general, and he's HERE, back at the foot of the ladder!" + +"Why?" demanded the girl. + +"Because the navy is a service and the consular service isn't a service. +Men like Senator Hanley use it to pay their debts. While Henry's been +serving his country abroad, he's lost his friends, lost his 'pull.' +Those politicians up at Washington have no use for him. They don't +consider that a consul like Henry can make a million dollars for his +countrymen. He can keep them from shipping goods where there's no +market, show them where there is a market." The admiral snorted +contemptuously. "You don't have to tell ME the value of a good consul. +But those politicians don't consider that. They only see that he has +a job worth a few hundred dollars, and they want it, and if he hasn't +other politicians to protect him, they'll take it." The girl raised her +head. + +"Why don't you speak to the senator?" she asked. "Tell him you've known +him for years, that----" + +"Glad to do it!" exclaimed the admiral heartily. "It won't be the first +time. But Henry mustn't know. He's too confoundedly touchy. He hates the +IDEA of influence, hates men like Hanley, who abuse it. If he thought +anything was given to him except on his merits, he wouldn't take it." + +"Then we won't tell him," said the girl. For a moment she hesitated. + +"If I spoke to Mr. Hanley," she asked, "told him what I learned to-night +of Mr. Marshall, would it have any effect?" + +"Don't know how it will affect Hanley," said the sailor, "but if you +asked me to make anybody a consul-general, I'd make him an ambassador." + +Later in the evening Hanley and Livingstone were seated alone on +deck. The visit to Las Bocas had not proved amusing, but, much to +Livingstone's relief, his honored guest was now in good-humor. He took +his cigar from his lips, only to sip at a long cool drink. He was in a +mood flatteringly confidential and communicative. + +"People have the strangest idea of what I can do for them," he laughed. +It was his pose to pretend he was without authority. "They believe I've +only to wave a wand, and get them anything they want. I thought I'd be +safe from them on board a yacht." + +Livingstone, in ignorance of what was coming, squirmed apprehensively. + +"But it seems," the senator went on, "I'm at the mercy of a conspiracy. +The women folk want me to do something for this fellow Marshall. If they +had their way, they'd send him to the Court of St. James. And old Hardy, +too, tackled me about him. So did Miss Cairns. And then Marshall himself +got me behind the wheel-house, and I thought he was going to tell me how +good he was, too! But he didn't." + +As though the joke were on himself, the senator laughed appreciatively. + +"Told me, instead, that Hardy ought to be a vice-admiral." + +Livingstone, also, laughed, with the satisfied air of one who cannot be +tricked. + +"They fixed it up between them," he explained, "each was to put in a +good word for the other." He nodded eagerly. "That's what I think." + +There were moments during the cruise when Senator Hanley would have +found relief in dropping his host overboard. With mock deference, the +older man inclined his head. + +"That's what you think, is it?" he asked. "Livingstone," he added, "you +certainly are a great judge of men!" + +The next morning, old man Marshall woke with a lightness at his heart +that had been long absent. For a moment, conscious only that he was +happy, he lay between sleep and waking, frowning up at his canopy of +mosquito net, trying to realize what change had come to him. Then he +remembered. His old friend had returned. New friends had come into his +life and welcomed him kindly. He was no longer lonely. As eager as a +boy, he ran to the window. He had not been dreaming. In the harbor lay +the pretty yacht, the stately, white-hulled war-ship. The flag that +drooped from the stern of each caused his throat to tighten, brought +warm tears to his eyes, fresh resolve to his discouraged, troubled +spirit. When he knelt beside his bed, his heart poured out his thanks in +gratitude and gladness. + +While he was dressing, a blue-jacket brought a note from the admiral. +It invited him to tea on board the war-ship, with the guests of the +SERAPIS. His old friend added that he was coming to lunch with his +consul, and wanted time reserved for a long talk. The consul agreed +gladly. He was in holiday humor. The day promised to repeat the good +moments of the night previous. + +At nine o'clock, through the open door of the consulate, Marshall saw +Aiken, the wireless operator, signaling from the wharf excitedly to +the yacht, and a boat leave the ship and return. Almost immediately the +launch, carrying several passengers, again made the trip shoreward. + +Half an hour later, Senator Hanley, Miss Cairns, and Livingstone came +up the waterfront, and entering the consulate, seated themselves around +Marshall's desk. Livingstone was sunk in melancholy. The senator, +on the contrary, was smiling broadly. His manner was one of distinct +relief. He greeted the consul with hearty good-humor. + +"I'm ordered home!" he announced gleefully. Then, remembering the +presence of Livingstone, he hastened to add: "I needn't say how sorry I +am to give up my yachting trip, but orders are orders. The President," +he explained to Marshall, "cables me this morning to come back and +take my coat off." The prospect, as a change from playing bridge on a +pleasure boat, seemed far from depressing him. + +"Those filibusters in the Senate," he continued genially, "are making +trouble again. They think they've got me out of the way for another +month, but they'll find they're wrong. When that bill comes up, they'll +find me at the old stand and ready for business!" Marshall did not +attempt to conceal his personal disappointment. + +"I am so sorry you are leaving," he said; "selfishly sorry, I mean. I'd +hoped you all would be here for several days." He looked inquiringly +toward Livingstone. + +"I understood the SERAPIS was disabled," he explained. + +"She is," answered Hanley. "So's the RALEIGH. At a pinch, the admiral +might have stretched the regulations and carried me to Jamaica, but +the RALEIGH's engines are knocked about too. I've GOT to reach Kingston +Thursday. The German boat leaves there Thursday for New York. At first +it looked as though I couldn't do it, but we find that the Royal Mail +is due to-day, and she can get to Kingston Wednesday night. It's a great +piece of luck. I wouldn't bother you with my troubles," the senator +explained pleasantly, "but the agent of the Royal Mail here won't sell +me a ticket until you've put your seal to this." He extended a piece of +printed paper. + +As Hanley had been talking, the face of the consul had grown grave. He +accepted the paper, but did not look at it. Instead, he regarded the +senator with troubled eyes. When he spoke, his tone was one of genuine +concern. + +"It is most unfortunate," he said. "But I am afraid the ROYAL MAIL will +not take you on board. Because of Las Bocas," he explained. "If we had +only known!" he added remorsefully. "It is MOST unfortunate." + +"Because of Las Bocas?" echoed Hanley. + +"You don't mean they'll refuse to take me to Jamaica because I spent +half an hour at the end of a wharf listening to a squeaky gramophone?" + +"The trouble," explained Marshall, "is this: if they carried you, all +the other passengers would be held in quarantine for ten days, and there +are fines to pay, and there would be difficulties over the mails. But," +he added hopefully, "maybe the regulations have been altered. I will see +her captain, and tell him----" + +"See her captain!" objected Hanley. "Why see the captain? He doesn't +know I've been to that place. Why tell him? All I need is a clean bill +of health from you. That's all HE wants. You have only to sign that +paper." Marshall regarded the senator with surprise. + +"But I can't," he said. + +"You can't? Why not?" + +"Because it certifies to the fact that you have not visited Las Bocas. +Unfortunately, you have visited Las Bocas." + +The senator had been walking up and down the room. Now he seated +himself, and stared at Marshall curiously. + +"It's like this, Mr. Marshall," he began quietly. "The President desires +my presence in Washington, thinks I can be of some use to him there in +helping carry out certain party measures--measures to which he pledged +himself before his election. Down here, a British steamship line has +laid down local rules which, in my case anyway, are ridiculous. The +question is, are you going to be bound by the red tape of a ha'penny +British colony, or by your oath to the President of the United States?" + +The sophistry amused Marshall. He smiled good-naturedly and shook his +head. + +"I'm afraid, Senator," he said, "that way of putting it is hardly +fair. Unfortunately, the question is one of fact. I will explain to the +captain----" + +"You will explain nothing to the captain!" interrupted Hanley. "This +is a matter which concerns no one but our two selves. I am not asking +favors of steamboat captains. I am asking an American consul to assist +an American citizen in trouble, and," he added, with heavy sarcasm, +"incidentally, to carry out the wishes of his President." + +Marshall regarded the senator with an expression of both surprise and +disbelief. + +"Are you asking me to put my name to what is not so?" he said. "Are you +serious?" + +"That paper, Mr. Marshall," returned Hanley steadily, "is a mere form, +a piece of red tape. There's no more danger of my carrying the plague to +Jamaica than of my carrying a dynamite bomb. You KNOW that." + +"I DO know that," assented Marshall heartily. "I appreciate your +position, and I regret it exceedingly. You are the innocent victim of a +regulation which is a wise regulation, but which is most unfair to you. +My own position," he added, "is not important, but you can believe me, +it is not easy. It is certainly no pleasure for me to be unable to help +you." + +Hanley was leaning forward, his hands on his knees, his eyes watching +Marshall closely. "Then you refuse?" he said. "Why?" + +Marshall regarded the senator steadily. His manner was untroubled. The +look he turned upon Hanley was one of grave disapproval. + +"You know why," he answered quietly. "It is impossible." + +In sudden anger Hanley rose. Marshall, who had been seated behind his +desk, also rose. For a moment, in silence, the two men confronted each +other. Then Hanley spoke; his tone was harsh and threatening. + +"Then I am to understand," he exclaimed, "that you refuse to carry out +the wishes of a United States Senator and of the President of the United +States?" + +In front of Marshall, on his desk, was the little iron stamp of the +consulate. Protectingly, almost caressingly, he laid his hand upon it. + +"I refuse," he corrected, "to place the seal of this consulate on a +lie." + +There was a moment's pause. Miss Cairns, unwilling to remain, and +unable to withdraw, clasped her hands unhappily and stared at the floor. +Livingstone exclaimed in indignant protest. Hanley moved a step nearer +and, to emphasize what he said, tapped his knuckles on the desk. With +the air of one confident of his advantage, he spoke slowly and softly. + +"Do you appreciate," he asked, "that, while you may be of some +importance down here in this fever swamp, in Washington I am supposed +to carry some weight? Do you appreciate that I am a senator from a State +that numbers four millions of people, and that you are preventing me +from serving those people?" + +Marshall inclined his head gravely and politely. + +"And I want you to appreciate," he said, "that while I have no weight +at Washington, in this fever swamp I have the honor to represent eighty +millions of people, and as long as that consular sign is over my door +I don't intend to prostitute it for YOU, or the President of the United +States, or any one of those eighty millions." + + +Of the two men, the first to lower his eyes was Hanley. He laughed +shortly, and walked to the door. There he turned, and indifferently, as +though the incident no longer interested him, drew out his watch. + +"Mr. Marshall," he said, "if the cable is working, I'll take your tin +sign away from you by sunset." + +For one of Marshall's traditions, to such a speech there was no answer +save silence. He bowed, and, apparently serene and undismayed, resumed +his seat. From the contest, judging from the manner of each, it was +Marshall, not Hanley, who had emerged victorious. + +But Miss Cairns was not deceived. Under the unexpected blow, Marshall +had turned older. His clear blue eyes had grown less alert, his broad +shoulders seemed to stoop. In sympathy, her own eyes filled with sudden +tears. + +"What will you do?" she whispered. + +"I don't know what I shall do," said Marshall simply. "I should have +liked to have resigned. It's a prettier finish. After forty years--to be +dismissed by cable is--it's a poor way of ending it." + +Miss Cairns rose and walked to the door. There she turned and looked +back. + +"I am sorry," she said. And both understood that in saying no more than +that she had best shown her sympathy. + +An hour later the sympathy of Admiral Hardy was expressed more directly. + +"If he comes on board my ship," roared that gentleman, "I'll push him +down an ammunition hoist and break his damned neck!" + +Marshall laughed delightedly. The loyalty of his old friend was never so +welcome. + +"You'll treat him with every courtesy," he said. "The only satisfaction +he gets out of this is to see that he has hurt me. We will not give him +that satisfaction." + +But Marshall found that to conceal his wound was more difficult than +he had anticipated. When, at tea time, on the deck of the war-ship, he +again met Senator Hanley and the guests of the SERAPIS, he could not +forget that his career had come to an end. There was much to remind +him that this was so. He was made aware of it by the sad, sympathetic +glances of the women; by their tactful courtesies; by the fact that +Livingstone, anxious to propitiate Hanley, treated him rudely; by the +sight of the young officers, each just starting upon a career of honor, +and possible glory, as his career ended in humiliation; and by the big +war-ship herself, that recalled certain crises when he had only to press +a button and war-ships had come at his bidding. + +At five o'clock there was an awkward moment. The Royal Mail boat, having +taken on her cargo, passed out of the harbor on her way to Jamaica, and +dipped her colors. Senator Hanley, abandoned to his fate, observed her +departure in silence. + +Livingstone, hovering at his side, asked sympathetically: "Have they +answered your cable, sir?" "They have," said Hanley gruffly. + +"Was it--was it satisfactory?" pursued the diplomat. "It WAS," said the +senator, with emphasis. + +Far from discouraged, Livingstone continued his inquiries. + +"And when," he asked eagerly, "are you going to tell him?" + +"Now!" said the senator. + +The guests were leaving the ship. When all were seated in the admiral's +steam launch, the admiral descended the accommodation ladder and himself +picked up the tiller ropes. + +"Mr. Marshall," he called, "when I bring the launch broadside to the +ship and stop her, you will stand ready to receive the consul's salute." + +Involuntarily, Marshall uttered an exclamation of protest. He had +forgotten that on leaving the war-ship, as consul, he was entitled to +seven guns. Had he remembered, he would have insisted that the ceremony +be omitted. He knew that the admiral wished to show his loyalty, knew +that his old friend was now paying him this honor only as a rebuke to +Hanley. But the ceremony was no longer an honor. Hanley had made of it a +mockery. It served only to emphasize what had been taken from him. But, +without a scene, it now was too late to avoid it. The first of the seven +guns had roared from the bow, and, as often he had stood before, as +never he would so stand again, Marshall took his place at the gangway +of the launch. His eyes were fixed on the flag, his gray head was +uncovered, his hat was pressed above his heart. + +For the first time since Hanley had left the consulate, he fell into +sudden terror lest he might give way to his emotions. Indignant at the +thought, he held himself erect. His face was set like a mask, his eyes +were untroubled. He was determined they should not see that he was +suffering. + +Another gun spat out a burst of white smoke, a stab of flame. There was +an echoing roar. Another and another followed. Marshall counted seven, +and then, with a bow to the admiral, backed from the gangway. + +And then another gun shattered the hot, heavy silence. Marshall, +confused, embarrassed, assuming he had counted wrong, hastily returned +to his place. But again before he could leave it, in savage haste a +ninth gun roared out its greeting. He could not still be mistaken. He +turned appealingly to his friend. The eyes of the admiral were fixed +upon the war-ship. Again a gun shattered the silence. Was it a jest? +Were they laughing at him? Marshall flushed miserably. He gave a swift +glance toward the others. They were smiling. Then it was a jest. Behind +his back, something of which they all were cognizant was going forward. +The face of Livingstone alone betrayed a like bewilderment to his own. +But the others, who knew, were mocking him. + +For the thirteenth time a gun shook the brooding swamp land of Porto +Banos. And then, and not until then, did the flag crawl slowly from the +mast-head. Mary Cairns broke the tenseness by bursting into tears. But +Marshall saw that every one else, save she and Livingstone, were still +smiling. Even the bluejackets in charge of the launch were grinning +at him. He was beset by smiling faces. And then from the war-ship, +unchecked, came, against all regulations, three long, splendid cheers. + +Marshall felt his lips quivering, the warm tears forcing their way to +his eyes. He turned beseechingly to his friend. His voice trembled. + +"Charles," he begged, "are they laughing at me?" + +Eagerly, before the other would answer, Senator Hanley tossed his cigar +into the water and, scrambling forward, seized Marshall by the hand. + +"Mr. Marshall," he cried, "our President has great faith in Abraham +Lincoln's judgment of men. And this salute means that this morning +he appointed you our new minister to The Hague. I'm one of those +politicians who keeps his word. I TOLD YOU I'd take your tin sign away +from you by sunset. I've done it!" + + + + + +End of the Project Gutenberg EBook of The Consul, by Richard Harding Davis + +*** END OF THIS PROJECT GUTENBERG EBOOK THE CONSUL *** + +***** This file should be named 1762.txt or 1762.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/1/7/6/1762/ + +Produced by Aaron Cannon + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. |
