diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 04:51:30 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 04:51:30 -0700 |
| commit | 8b0882f0becdece796bf7c44e69014f7f5d38742 (patch) | |
| tree | 8ce05c145fd386e8ae1b24fb5a2e8af7d73f8a6c | |
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 17606-8.txt | 1307 | ||||
| -rw-r--r-- | 17606-8.zip | bin | 0 -> 22269 bytes | |||
| -rw-r--r-- | 17606-h.zip | bin | 0 -> 1976815 bytes | |||
| -rw-r--r-- | 17606-h/17606-h.htm | 1737 | ||||
| -rw-r--r-- | 17606-h/images/plate01.jpg | bin | 0 -> 74680 bytes | |||
| -rw-r--r-- | 17606-h/images/plate02.jpg | bin | 0 -> 148300 bytes | |||
| -rw-r--r-- | 17606-h/images/plate03.jpg | bin | 0 -> 144025 bytes | |||
| -rw-r--r-- | 17606-h/images/plate04.jpg | bin | 0 -> 179564 bytes | |||
| -rw-r--r-- | 17606-h/images/plate05.jpg | bin | 0 -> 172918 bytes | |||
| -rw-r--r-- | 17606-h/images/plate06.jpg | bin | 0 -> 174239 bytes | |||
| -rw-r--r-- | 17606-h/images/plate07.jpg | bin | 0 -> 69705 bytes | |||
| -rw-r--r-- | 17606-h/images/plate08.jpg | bin | 0 -> 56817 bytes | |||
| -rw-r--r-- | 17606-h/images/plate09.jpg | bin | 0 -> 168971 bytes | |||
| -rw-r--r-- | 17606-h/images/plate10.jpg | bin | 0 -> 92503 bytes | |||
| -rw-r--r-- | 17606-h/images/plate11.jpg | bin | 0 -> 68346 bytes | |||
| -rw-r--r-- | 17606-h/images/plate12.jpg | bin | 0 -> 83204 bytes | |||
| -rw-r--r-- | 17606-h/images/plate13.jpg | bin | 0 -> 58264 bytes | |||
| -rw-r--r-- | 17606-h/images/plate14.jpg | bin | 0 -> 104756 bytes | |||
| -rw-r--r-- | 17606-h/images/plate15.jpg | bin | 0 -> 159394 bytes | |||
| -rw-r--r-- | 17606-h/images/plate16.jpg | bin | 0 -> 61423 bytes | |||
| -rw-r--r-- | 17606-h/images/plate17.jpg | bin | 0 -> 173555 bytes | |||
| -rw-r--r-- | 17606.txt | 1307 | ||||
| -rw-r--r-- | 17606.zip | bin | 0 -> 22253 bytes | |||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 |
26 files changed, 4367 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/17606-8.txt b/17606-8.txt new file mode 100644 index 0000000..6720aed --- /dev/null +++ b/17606-8.txt @@ -0,0 +1,1307 @@ +Project Gutenberg's Throwing-sticks in the National Museum, by Otis T. Mason + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Throwing-sticks in the National Museum + Third Annual Report of the Bureau of Ethnology to the + Secretary of the Smithsonian Institution, 1883-'84, + Government Printing Office, Washington, 1890, pages 279-289 + +Author: Otis T. Mason + +Release Date: January 25, 2006 [EBook #17606] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK THROWING-STICKS *** + + + + +Produced by A www.PGDP.net Volunteer, Suzanne Lybarger, +Jeannie Howse and the Online Distributed Proofreading Team +at http://www.pgdp.net (This file was produced from images +generously made available by the Canadian Institute for +Historical Microreproductions (www.canadiana.org)) + + + + + + + * * * * * + + +--------------------------------------------------------------+ + | Transcriber's Note: | + | A number of obvious typographical errors have | + | been corrected in this text. | + | For a complete list, please see the bottom of this document. | + +--------------------------------------------------------------+ + + * * * * * + + + + + +SMITHSONIAN INSTITUTION. +UNITED STATES NATIONAL MUSEUM. + + +THROWING-STICKS IN THE NATIONAL +MUSEUM. + + +OTIS T. MASON, +_Curator of the Department of Ethnology_ + + +From the Report of the Smithsonian Institution, 1883-'84, +Part II, pages 279-289, and plates I-XVII + +WASHINGTON: +GOVERNMENT PRINTING OFFICE. +1890. + + + + +I.--THROWING-STICKS IN THE NATIONAL MUSEUM. + +By Otis T. Mason. + + +Col. Lane Fox tells us there are three areas of the throwing-stick: +Australia, where it is simply an elongated spindle with a hook at the +end; the country of the Conibos and the Purus, on the Upper Amazon, +where the implement resembles that of the Australians, and the +hyperborean regions of North America. + +It is of this last group that we shall now speak, since the National +Museum possesses only two specimens from the first-named area and none +whatever from the second. + +The researches and collections of Bessels, Turner, Boas, Hall, Mintzner, +Kennicott, Ray, Murdoch, Nelson, Herendeen, and Dall, to all of whom I +acknowledge my obligations, enable me to compare widely separated +regions of the hyperborean area, and to distinguish these regions by the +details in the structure of the throwing-stick. + +The method of holding the throwing-stick is indicated in Fig. 1 by a +drawing of H.W. Elliott. The Eskimo is just in the act of launching the +light seal harpoon. The barbed point will fasten itself into the animal, +detach itself from the ivory foreshaft, and unwind the rawhide or sinew +line, which is securely tied to both ends of the light wooden shaft by a +martingale device. The heavy ivory foreshaft will cause the shaft to +assume an upright position in the water, and the whole will act as a +drag to impede the progress of the game. The same idea of impeding +progress and of retrieving is carried out by a multitude of devices not +necessary to mention here. + +The Eskimo spend much time in their skin kyaks, from which it would be +difficult to launch an arrow from a bow, or a harpoon from the unsteady, +cold, and greasy hand. This device of the throwing-stick, therefore, is +the substitute for the bow or the sling, to be used in the kyak, by a +people who cannot procure the proper materials for a heavier +lance-shaft, or at least whose environment is prejudicial to the use of +such a weapon. Just as soon as we pass Mount St. Elias going southward, +the throwing-stick, plus the spear or dart of the Eskimo and the Aleut, +gives place to the harpoon with a long, heavy, cedar shaft, weighing 15 +or 20 pounds, whose momentum from both hands of the Indian, without the +throw-stick, exceeds that of the Eskimo and Aleut darts and harpoons, +with the additional velocity imparted by the throwing-stick. It must not +be forgotten, also, that the kyak is a very frail, unsteady thing, and +therefore not much of the momentum of the body can be utilized, as it is +by the Northwest Indians in making a lunge with a heavy shaft. The +throwing-stick is also said by some arctic voyagers to be useful in +giving directness of aim. Perhaps no other savage device comes so near +in this respect to a gun barrel or the groove of a bow-gun. Its greatest +advantages, however, are the firm grip which it gives in handling a +harpoon or dart, and the longer time which it permits the hunter to +apply the force of his arm to the propulsion of his weapon. Having +practiced with a throwing-stick somewhat, I have imagined also that +there was a certain amount of leverage acquired by the particular method +of holding the stick and straightening the arm, as in a toggle joint. +That implement, which seems so simple, and which is usually mentioned +and dismissed in a word, possesses several marks or organs, which help +to distinguish the locality in which each form occurs, as well as to +define the associations of the implement as regards the weapon thrown +from it and the game pursued. These marks are: + +1. Shape, or general outline in face and side view, and size. + +2. Handle, the part grasped in the hand. + +3. Thumb-groove or thumb-lock, provision for the firm and comfortable +insertion of the phalanx and ball of the thumb. + +4. Finger-grooves, provision for each finger according to its use in the +manipulation of the implement. + +5. Finger-pegs, little plugs of wood or ivory to give more certain grip +for the fingers and to prevent their slipping. The devices for the +fingers are the more necessary where the hands are cold and everything +is covered with grease. + +6. Finger-tip cavities, excavations on the front face of the implement, +into which the tips of the three last fingers descend to assist in +grasping and to afford a rest on the back of these fingers for the +weapon shaft. + +7. Index-finger cavity or hole, provision for the insertion of the index +finger, which plays a very important part in the use of the +throwing-stick. + +8. Spear shaft groove, in which the shaft of the weapon lies, as an +arrow or bolt in the groove of a bow-gun. + +9. Hook or spur, provision for seizing the butt end of the weapon while +it is being launched. These may be ridges left in the wood by +excavation, or pieces of wood, bone, ivory, &c., inserted. The size and +shape of this part, and the manner of insertion, are also worthy of +notice. + +10. Edges: this feature is allied to the form and not to the function of +the implement. + +11. Faces: upper, on which the weapon rests; lower, into which the index +finger is inserted. + +The figures illustrating this article are drawn to a scale indicated by +inch marks in the margin, every dot on the line standing for an inch. + +By the presence or absence, by the number or the shape of some of these +marks or structural characteristics, the type and locality can be easily +detected. The Eskimo have everywhere bows and arrows for land hunting, +the former made of several pieces of bone lashed together, or of a piece +of driftwood lashed and re-enforced with sinew. The arrows are of +endless variety. + +It should also be noticed that the kind of game and the season of the +year, the shape and size of the spear accompanying the stick, and the +bare or gloved hand, are all indicated by language expressed in various +parts of this wonderful throwing-stick. + + +GREENLAND TYPE. + +The Greenland throwing-stick is a long, flat trapezoid, slightly ridged +along the back (Fig. 2). It has no distinct handle at the wide end, +although it will be readily seen that the expanding of this part secures +a firm grip. A chamfered groove on one side for the thumb, and a smaller +groove on the other side for the index finger, insure the implement +against slipping from the hunter's grasp. Marks 5, 6, 7 of the series on +page 280 are wanting in the Greenland type. The shaft-groove, in which +lies the shaft of the great harpoon, is wide, deep, and rounded at the +bottom. There is no hook, as in all the other types, to fit the end of +the harpoon shaft, but in its stead are two holes, one in the front end +of the shaft-groove, between the thumb-groove and the finger-groove, +with an ivory eyelet or grommet for a lining, the other at the distal +end of the shaft-groove, in the ivory piece which is ingeniously +inserted there to form that extremity. This last-mentioned hole is not +cylindrical like the one in front, but is so constructed as to allow the +shaft-peg to slide off easily. These holes exactly fit two ivory pegs +projecting from the harpoon shaft. When the hunter has taken his +throwing-stick in his hand he lays his harpoon shaft upon it so that the +pegs will fall in the two little holes of the stick. By a sudden jerk of +his hand the harpoon is thrown forward and released, the pegs drawing +out of the holes in the stick. At the front end of the throwing-stick a +narrow piece of ivory is pegged to prevent splitting. As before +intimated, this type of throwing-stick is radically different from all +others in its adjustment to the pegs on the heavy harpoon. In all other +examples in the world the hook or spur is on the stick and not on the +weapon. + + +UNGAVA TYPE. + +One specimen from Fort Chimo in this region, southeast of Hudson Bay, +kindly lent by Mr. Lucien Turner, is very interesting, having little +relation with that from Greenland (which is so near geographically), and +connecting itself with all the other types as far as Kadiak, in Alaska +(Fig. 3). The outline of the implement is quite elaborate and +symmetrical, resembling at the hook end a fiddle-head, and widening +continuously by lateral and facial curves to the front, where it is thin +and flat. A slight rounded notch for the thumb, and a longer chamfer for +three fingers, form the handle. Marks 5 and 6 are wanting. The cavity +for the index finger extends quite through the implement, as it does in +all cases where it is on the side of the harpoon-shaft groove, and not +directly under it. The shaft groove is shallow, and the hook at the +lower extremity is formed by a piece of ivory inserted in a parallel +groove in the fiddle-head and fastened with pegs. It is as though a +saw-cut one-eighth inch wide had been made longitudinally through the +fiddle-head and one-half inch beyond, and the space had been filled with +a plate of ivory pared down flush with the wood all round, excepting at +the projection left to form the hook or spur for the harpoon shaft. This +peg or spur fits in a small hole in the butt of the harpoon or spear +shaft and serves to keep the weapon in its place until it is launched +from the hand. The Ungava spear is heavier than that of the western +Eskimo, hence the stick and its spur are proportionately larger. It is +well to observe carefully the purport of the spur. A javelin, assegai, +or other weapon hurled from the hand is seized in the center of gravity. +The Greenland spears have the pegs for the throwing-stick sometimes at +the center of gravity, sometimes at the butt end. In all other uses of +the throwing-stick the point of support is behind the center of gravity, +and if the weapon is not fastened in its groove it cannot be hurled. +This fastening is accomplished by the backward leaning of the peg in the +Greenland example, and by the spur on the distal end of the +throwing-stick in all other cases. + + +CUMBERLAND GULF TYPE. + +The Cumberland Gulf type is the clumsiest throwing-stick in the Museum, +and Dr. Franz Boas recognizes it as a faithful sample of those in use +throughout Baffin Land (Fig. 4). + +In general style it resembles Mr. Turner's specimens from Ungava; but +every part is coarser and heavier. It is made of oak, probably obtained +from a whaling vessel. Instead of the fiddle-head at the distal end we +have a declined and thickened prolongation of the stick without +ornament. There is no distinct handle, but provision is made for the +thumb by a deep, sloping groove; for the index-finger by a perforation, +and for the other three fingers by separate grooves. These give a +splendid grip for the hunter, but the extraordinary width of the handle +is certainly a disadvantage. There are two longitudinal grooves on the +upper face; the principal one is squared to receive the rectangular +shaft of the bird spear; the other is chipped out for the tips of the +fingers, which do not reach across to the harpoon shaft, owing to the +clumsy width of the throwing-stick. In this example, the hook for the +end of the bird-spear shaft is the canine tooth of some animal driven +into the wood at the distal end of the long-shaft groove. + + +FURY AND HECLA STRAITS TYPE. + +In Parry's Second Voyage (p. 508) is described a throwing-stick of +Igloolik, 18 inches long, grooved for the shaft of the bird-spear, and +having a spike for the hole of the shaft, and a groove for the thumb and +for the fingers. The index-finger hole is not mentioned, but more than +probably it existed, since it is nowhere else wanting between Ungava and +Cape Romanzoff in Alaska. This form, if properly described by Parry, is +between the Ungava and the Cumberland Gulf specimen, having no kinship +with the throwing-stick of Greenland. The National Museum should possess +an example of throwing-stick from the Fury and Hecla Straits. + + +ANDERSON RIVER TYPE. + +The Anderson River throwing-stick (and we should include the Mackenzie +River district) is a very primitive affair in the National Museum, being +only a tapering flat stick of hard wood (Fig. 5). Marks 2, 3, 4, 5, and +6 are wanting. The index-finger cavity is large and eccentric and +furnishes a firm hold. The shaft-groove is a rambling shallow slit, not +over half an inch wide. There is no hook or spur of foreign material +inserted for the spear end; but simply an excavation of the hard wood +which furnishes an edge to catch a notch in the end of the dart. Only +one specimen has been collected from this area for the National Museum; +therefore it is unsafe to make it typical, but the form is so unique +that it is well to notice that the throwing-stick in Eskimoland has its +simplest form in the center and not in the extremities of its whole +area. It is as yet unsafe to speculate concerning the origin of this +implement. A rude form is as likely to be a degenerate son as to be the +relic of a barbaric ancestry. Among the theories of origin respecting +the Eskimo, that which claims for them a more southern habitat long ago +is of great force. If, following retreating ice, they first struck the +frozen ocean at the mouth of Mackenzie's River and then invented the +kyak and the throwing-stick, thence we may follow both of these in two +directions as they depart from a single source. + + +POINT BARROW TYPE. + +Through the kindness of Mr. John Murdoch, I have examined a number from +this locality, all alike, collected in the expedition of Lieutenant Ray, +U.S.A. (Fig. 6). They are all of soft wood, and in general outline they +resemble a tall amphora, bisected, or with a slice cut out of the middle +longitudinally. There is a distinct "razor-strop" handle, while in those +previously described the handle is scarcely distinct from the body. +Marks 3, 4, 5, and 6 are wanting. The index-finger hole is very large +and eccentric, forming the handle of the "amphora." The groove for the +harpoon or spear-shaft commences opposite the index-finger cavity as a +shallow depression, and deepens gradually to its other extremity, where +the hook for the spear-shaft is formed by an ivory peg. This form is +structurally almost the same as the Anderson River type, only it is much +better finished. + + +KOTZEBUE SOUND TYPE. + +The Kotzebue Sound type is an elongated truncated pyramid, or obelisk, +fluted on all sides (Fig. 7). The handle is in the spiral shape so +frequent in Eskimo skin-scrapers from Norton Sound and vicinity, and +exactly fits the thumb and the last three fingers. Marks 5 and 6 are +wanting. The index cavity is a _cul de sac_, into which the forefinger +is to be hooked when the implement is in use. Especial attention is +called to this characteristic because it occurs here for the first time +and will not be seen again after we pass Cape Vancouver. From Ungava to +Point Barrow the index-finger hole is eccentric and the finger passes +quite through the implement and to the right of the harpoon or +spear-shaft. In the Kotzebue type the index finger cavity is subjacent +to the spear-shaft groove, consequently the forefinger would be wounded +or at least in the way by passing through the stick. The spear or +harpoon-shaft groove is wide and shallow and passes immediately over the +index cavity. The hook is of ivory and stands up above the wood. It +needs only to be mentioned that this type, as well as those with +eccentric forefinger perforations are used with the naked hand. + +In the quarto volume of Beechey's Voyage, page 324, is mentioned a +throwing-stick from Eschscholtz Bay, with a hole for the forefinger and +a notch for the thumb, the spear being placed in the groove and embraced +by the middle finger and the thumb. This last assertion is very +important. When I first began to examine a large number of the +implements, I could not explain the cavities for the finger-tips until +this note suggested that the shaft rides outside of and not under the +fingers. To test the matter I had a throwing-stick made to fit my hand, +and found that the spear could get no start if clamped close to the +throwing-stick by all the fingers; but if allowed to rest on the back of +the fingers or a part of them, and it is held fast, by the thumb and +middle finger, it had just that small rise which gave it a start from +the propelling instrument. + +In the national collection is a specimen marked Russian America, +collected by Commodore John Rodgers, resembling in many respects the +Kotzebue Sound type. The handle is of the same razor-strop shape, but on +the upper side are three deep depressions for the finger-tips. In +several of the objects already described provision is made for the tips +of the last three fingers by means of a gutter or slight indentations. +But in no other examples is there such pronounced separation of the +fingers. In very many of the Norton Sound skin-dressers, composed of a +stone blade and ivory handle, the fingers are separated in exactly the +same manner. These skin-dressers are from the area just south of +Kotzebue Sound. The back of the Rodgers specimen is ornamented in its +lower half by means of grooves. In its upper half are represented the +legs and feet of some animal carved out in a graceful manner. The +index-finger cavity is central and is seen on the upper side by a very +slight rectangular perforation, which, however, does not admit the +extrusion of any part of the index-finger. The upper surface is formed +by two inclined planes meeting in the center. Along this central ridge +is excavated the groove for the spear-shaft, deep at its lower end and +quite running out at its upper extremity. The hook for the end of the +harpoon-shaft in this specimen resembles that seen on the +throwing-sticks of the region south of Cape Vancouver. The whole +execution of this specimen is so much superior to that of any other in +the Museum and the material so different as to create the suspicion that +it was made by a white man, with steel tools (Fig 8). + + +EASTERN SIBERIAN TYPE. + +The National Museum has no throwing-stick from this region, but +Nordenskjöld figures one in the Voyage of Vega (p. 477, Fig. 5), which +is as simple as the one from Anderson River, excepting that the former +has a hook of ivory, while the latter has a mere excavation to receive +the cavity on the end of the weapon. Nordenskjöld's bird-spear +accompanying the stick has a bulb or enlargement of the shaft at the +point opposite the handle of the throwing-stick, which is new to the +collection of the National Museum. Indeed, a systematic study should now +be made of the Siberian throwing-sticks to decide concerning the +commercial relationships if not the consanguinities of the people of +that region. + + +PORT CLARENCE AND CAPE NOME TYPE. + +The specimens from this area are more or less spatulate in form, but +very irregular, with the handle varying from that of the razor-strop to +the spiral, twisted form of the Eskimo skin-scraper (Fig. 9). On the +whole, these implements are quite similar to the next group. A section +across the middle of the implement would be trapezoidal with incurved +sides. In two of the specimens not figured these curved sides are +brought upward until they join the upper surface, making a graceful +ornament. The handles are not symmetrical, the sides for the thumb being +shaved out so as to fit the muscles conveniently. Places for the fingers +are provided thus: There is an index-finger cavity quite through the +stick indeed, but the index-finger catches in the interior of the wood +and does not pass through as in the eastern Arctic types. The middle +finger rests against an ivory or wooden peg. This is the first +appearance of this feature. It will be noted after this on all the +throwing-sticks as the most prominent feature until we come to Kadiak, +but the Unalashkans do not use it on their throwing-sticks. Cavities for +the three last finger-tips are not always present, and the hooks at the +distal ends for the extremities of the weapons are very large plugs of +wood or ivory and have beveled edges rather than points for the +reception of the butt end of the weapon to be thrown. + + +NORTON SOUND TYPES. + +These types extend from Cape Darby around to Cape Dyer, including part +of Kaviagmut, the Mahlemut, the Unaligmut, and the Ekogmut area of Dall, +and extending up the Yukon River as far as the Eskimo, who use this +weapon. The characteristics are the same as those of the last named +area, excepting that in many specimens there are two finger-pegs instead +of one, the first peg inclosing the middle finger, the second the +ring-finger and the little finger (Figs. 10-13). A single specimen +collected by Lucien Turner at Saint Michael's has no index cavity, the +forefinger resting on the first peg and the other three fingers passing +between this and the outer peg (Fig. 14). Another specimen of Nelson's, +marked Sabotinsky, has the index-finger cavity and one finger-peg. The +finger-tip cavity on the upper surface of the handle forms the figure of +a water-bird, in which the heart is connected with the mouth by a curved +line, just as in the pictography of the more southern Indians. + +The Yukon River Eskimo use a throwing-stick quite similar to the Norton +Sound type. The characteristics are very pronounced. Thumb-groove deep, +index-finger cavity so long as to include the first joint. The hook for +the spear-end formed by the edge of a plug of hard wood. The middle +finger is separated by a deep groove and peg. The ring and little finger +are inclosed by the peg and a sharp projection at the upper end of the +handle. + + +NUNIVAK ISLAND AND CAPE VANCOUVER TYPE. + +In this region a great change comes over the throwing-stick, just as +though it had been stopped by Cape Romanzoff, or new game had called for +modification, or a mixing of new peoples had modified their tools (Figs. +15-17). The index-finger cavity and the hole for the index finger are +here dropped entirely, after extending from Greenland uninterruptedly to +Cape Romanzoff. The handle is conspicuously wide, while the body of the +implement is very slender and light. The thumb-groove is usually +chamfered out very thoroughly so as to fit the flexor muscle +conveniently. There are frequently finger-grooves and finger-tip +cavities in addition to the pegs. The cavity for the index finger having +disappeared, provision is made for that important part of the hand by a +separate peg and groove. The middle finger is also pegged off, and the +last two fingers have to shift for themselves. The hook for the shaft of +the weapon has a fine point like a little bead, the whole implement +being adapted to the light seal-harpoon darts. Mr. Dall collected a +large number of two-pegged sticks from Nunivak Island and four +three-pegged sticks labeled the same. Mr. Nelson also collected four +three-pegged sticks, but labels them Kushunuk; Cape Vancouver, on the +mainland opposite Nunivak (Fig. 17). In these three-pegged sticks the +ring-finger and the little finger are inclosed together. This should be +compared with Mr. Turner's Saint Michael specimen, in which the last +three fingers are inclosed together (Fig. 14). It remains to be seen and +is worthy of investigation whether crossing a narrow channel would add a +peg to the throwing-stick. One of these Nunivak specimens is +left-handed. + + +BRISTOL BAY TYPE. + +The throwing-stick from Bristol Bay resembles in general characteristics +those from Nunivak Island and Cape Vancouver. In outline it has the +shape of the broadsword. Its cross-section is bayonet-shaped. It has no +distinct handle beyond a slight projection from the end. The +thumb-groove is shallow and chamfered on the lower side to fit exactly. +There is a long, continuous notch for the four fingers, in which the +index finger and the middle finger are set off by pegs. There is a +depression, more or less profound, to receive the tips of the fingers. +The groove for the harpoon or spear-shaft is at the lower extremity and +runs out entirely near the index finger. The ivory plug at its lower +extremity is beveled to receive a notch in the end of the spear or +harpoon shaft (Figs. 18-19). + +A freshly-made implement, looking as if cut out by machinery, resembling +closely those just described, is labeled Kadiak. The constant traffic +between Bristol Bay and Kadiak, across the Alaskan peninsula, may +account for the great similarity of these implements. Furthermore, since +the natives in this region and southward have been engaged for more than +a century in fur-sealing for the whites, there is not the slightest +doubt that implements made by whites have been introduced and slightly +modified by the wearer to fit his hand. + + +KADIAK OR UNALASHKA TYPE. + +In the National Museum are four throwing-sticks, one of them +left-handed, exactly alike--two of them marked Kadiak and two Unalashka +(Figs. 20-22). They return to the more primitive type of the area from +Kotzebue Sound to Greenland, indicating that the implement culminated in +Norton Sound. In outline this southern form is thin and straight-sided, +and those in possession are all of hard wood. The back is carved in +ridges to fit the palm of the hand and muscles of the thumb. There is no +thumb-groove, the eccentric index-finger hole of the Northern and +Eastern Eskimo is present in place of the central cavity of the area +from Kotzebue Sound to Cape Vancouver, and there is a slight groove for +the middle finger. Marks 5 and 6 are wanting. The shaft-groove is very +slight, even at its lower extremity, and runs out in a few inches toward +the handle. The hook for the end of the weapon resembles that of +Nunivak, but is more rounded at the point. Of the Eskimo of Prince +William Sound, the extreme southern area of the Eskimo on the Pacific, +Captain Cook says, in the narrative of his last voyage: "Their longer +darts are thrown by means of a piece of wood about a foot long, with a +small groove in the middle which receives the dart. At the bottom is a +hole for the reception of one finger, which enables them to grasp the +piece of wood much firmer and to throw with greater force." Captain +Cook's implement corresponds exactly to the specimens just described and +renders it probable that this thin, parallel-sided, shallow-grooved +throwing-stick, with index-finger hole placed at one side of the +spear-shaft groove, extended all along the southern border of Eskimoland +as far as the Aleuts of Unalashka and Attoo. In addition to the +information furnished by the specimens in hand, Dr. Stejneger describes +a similar stick in use in the island of Attoo. On the contrary, Mr. +Elliott assures me that Aleutian fur-sealers of Pribylov Island use +throwing-sticks precisely similar to those of Norton Sound and Nunivak. + +This list might be extended further by reference to authorities, but +that is from the purpose of this article and the series of ethnological +papers commenced in this volume. The most perfect throwing-stick of all +is that of the Mahlemut, in Norton Sound, in which are present the +handle, thumb-groove, finger-grooves, and pegs, cavities for the +finger-tips, index finger cavity, shaft-groove, and hook for the +harpoon. In short, all the characteristics present on the rest are +combined here. + +Classifications of these implements may be varied according to the organ +selected. As to the hook for the attachment of the weapon, in Greenland +this is on the shaft, in all other parts of the world it is on the +throwing-stick. As to the index finger, there is for its reception, from +Point Barrow to Greenland, an eccentric hole quite through which the +finger passes. From Kotzebue Sound to Norton Sound there is a central +pocket on the back of the weapon, directly under the groove, for the +shaft of the weapon to receive the index finger. From Cape Vancouver to +Bristol Bay an ivory or wooden peg serves this purpose. At Kadiak and +Unalashka the eccentric index-finger hole returns. + +It is more than probable that further investigation will destroy some of +the types herein enumerated or merge two more of them into one; but it +will not destroy the fact that in changing from one environment to +another the hyperboreans were driven to modify their throwing-stick. + +A still more interesting inquiry is that concerning the origin of the +implement. It is hardly to be supposed that the simplest type, that of +Anderson River, was invented at once in its present form, for the +Australian form is ruder still, having neither hole for the index finger +nor groove for the weapon shaft. When we recall that the chief benefit +conferred by the throwing-stick is the ability to grasp firmly and +launch truly a greasy weapon from a cold hand, we naturally ask, have +the Eskimo any other device for the same purpose? They have. On the +shaft of the light-seal harpoon, thrown without the stick, and on the +heavy, ivory-weighted walrus-harpoon-shaft an ivory hand-rest is lashed +just behind the center of gravity. This little object is often +beautifully carved and prevents effectually the hand from slipping on +the shaft, even with the greatest lunge of the hunter. From this object +to the throwing-stick the way may be long and crooked, or there may be +no way at all. So far as the National Museum is concerned there is +nothing to guide us over this waste of ignorance. + + +THROWING-STICKS IN THE U.S. NATIONAL MUSEUM. + + +------+------------------------------------------+---------------------- +No. | Locality. | Collector. +------+------------------------------------------+---------------------- +32995 | Norton's Sound, Alaska | E.W. Nelson. +30013 | Cumberland Gulf | W.A. Mintzner, U.S.N. +33942 | Norton's Sound, Alaska | E.W. Nelson. +33897 | do. | Do. +33960 | do. | Do. +24336 | Saint Michael's Sound, Alaska | Lucien M. Turner. +24337 | do. | Do. +24338 | do. | Do. +46052 | Port Clarence, Alaska | W.H. Dall. +46053 | do. | Do. +49036 | Rasbonisky, L. Yukon | E.W. Nelson. +38849 | Yukon River | Do. +38605 | do. | Do. +36014 | Kushunuk, Sabotnisky, Alaska | Do. +36018 | Kuskunuk, Alaska | Do. +49001 | Sabotnisky, Alaska | Do. +49002 | do. | Do. +73327 | Unalashka | Catlin. + 2267 | Anderson River | R. Kennicott. +90467 | Ugashak | William J. Fisher. +44392 | Cape Nome, Alaska | E.W. Nelson. +72519 | Cook's Inlet | William J. Fisher. +16242 | Nunivak Island, Alaska | W.H. Dall. +16238 | do. | Do. +74126 | Holsteinberg, Greenland | George Merchant, jr. +12981 | Unalashka | W.H. Dall. +89901 | Point Barrow, Alaska | Lieut. P.H. Ray. +38669 | Chalitmut | E.W. Nelson. +24335 | Saint Michael's, Norton's Sound, Alaska | Lucien M. Turner. +33914 | do. | E.W. Nelson. + 7933 | Kadiak Island, Alaska | Dr. T.T. Minor, U.S.R.M. +36013 | Sabotnisky, Alaska | E.W. Nelson. +72398 | Bristol Bay, Alaska | Charles L. McKay. +16244 | Nunivak Island, Alaska | W.H. Dall. +11346 | Bristol Bay, Alaska | Vincent Colyer. +16235 | Kotzebue Sound, Alaska | E.P. Herenden. +15641 | Nunivak, Alaska | W.H. Dall. +16237 | do. | Do. +16239 | do. | Do. +16076 | Unalashka, Aleutian Islands | Sylvanus Bailey. +15647 | Nunivak, Alaska | W.H. Dall. +15645 | do. | Do. +16236 | do. | Do. +15642 | do. | Do. +15646 | do. | Do. +------+------------------------------------------+---------------------- + + +PLATE I. + +(Mason. Throwing-sticks.) + +Fig. 1. Eskimo launching a seal harpoon by means of the +throwing-stick. Mr. John Murdoch states that the hand is held much lower +by the Point Barrow Eskimo, the harpoon resting as low as the shoulder, +and that the movement of throwing the harpoon is quick, as in casting a +fly in fishing. + +[Illustration: Fig. 1. Eskimo using the throwing-stick.] + + +PLATE II. + +(Mason. Throwing-sticks.) + +Fig. 2. Greenland type of throwing-stick. The specific +characteristics are the broad form; the scanty grooves for thumb and +fingers; the absence of pegs, separate finger grooves, or index +perforation; but the most noteworthy are the two grommets or eyelets to +fit ivory pegs on the harpoon-shaft. The peculiar method of +strengthening the ends with ivory pieces should also be noted. From +Holsteinburg, Greenland, 1884. Catalogue number, 74126. + +[Illustration: Fig. 2. Greenland throwing-stick, back and +front.] + + +PLATE III. + +(Mason. Throwing-sticks.) + +Fig. 3. Ungava type of throwing-stick. The specific marks are +the general outline, especially the fiddle-head ornament at the bottom; +the bend upward at the lower extremity, the eccentric perforation for +the index finger, and the groove for three fingers. Collected at Ungava, +by Lucien M. Turner, 1884. Museum number, 76700. + +[Illustration: Fig. 3. Ungava throwing-stick, front and back.] + + +PLATE IV. + +(Mason. Throwing-sticks.) + +Fig. 4. Cumberland Gulf type of throwing-stick. The specific +marks are the broad clumsy form, the separate provision for the thumb +and each finger, the bent lower extremity, and the broad furrow for the +bird-spear. Accidental marks are the mending of the handle, the material +of the stick, and the canine tooth for the spur at the bottom of the +square groove. Collected in Cumberland Gulf, by W.A. Mintzer, in 1876. +Museum number, 30013. + +[Illustration: Fig. 4. Cumberland Gulf throwing-stick, back and +front.] + + +PLATE V. + +(Mason. Throwing-sticks.) + +Fig. 5. Anderson River type. The specific marks are the extreme +plainness of form, the lack of accommodations for the thumb and fingers, +excepting the eccentric index-finger hole, the poor groove for the +harpoon-shaft, and the absence of a hook or spur at the bottom of this +groove. The accidental marks are cuts running diagonally across the +back. In another specimen seen from the same locality the shaft groove +is squared after the manner of the Cumberland Gulf type. Collected at +the mouth of Anderson River, by R. Kennicott, in 1866. Museum number, +2267. + +Fig. 6. Point Barrow type. The specific marks are the distinct +handle without finger grooves, the very eccentric index-finger hole, the +method of inserting the spur for the shaft, and the harpoon-shaft groove +very shallow above and deep below. In the specimens shown by Mr. Murdoch +there is great uniformity of shape. Collected at Point Barrow, by Lieut. +P.H. Ray, in 1883. Museum number, 89902. + +[Illustration: Fig. 5. Anderson River throwing-stick, front and +back. +Fig. 6. Point Barrow throwing-stick, front and back.] + + +PLATE VI. + +(Mason. Throwing-sticks.) + +Fig. 7. Kotzebue Sound type. The specific marks are the twisted +handle, the broad shallow shaft groove, and, notably, the pocket for the +index-finger tip-visible on the lower side, but nearly absent from the +upper side, and lying directly under the shaft groove. In the examples +before noted all the holes for the index finger are to one side of this +shaft groove. Collected in Kotzebue Sound, by E.P. Herendeen, in 1874. +Museum number, 16235. + +Fig. 8. The Rodgers type, so called because the locality is +doubtful. In specific characters it resembles Fig. 7. The differences +are the three cavities for finger tips in the handle, the shaft groove +very shallow and running out before reaching the index-finger cavity, +and the delicate hook for the spear shaft resembling those farther +south. Since writing this paper two throwing-sticks from Sitka have been +seen in many respects resembling this form, but covered all over their +surfaces with characteristic Thlinkit mythological figures, and having +iron hooks at the lower end of the shaft groove. Collected by Commodore +John Rodgers, in 1867. Museum number, 2533. + +[Illustration: Fig. 7. Kotzebue Sound throwing-stick, front and +back. +Fig. 8. The Commodore Rodgers throwing-stick, front and back.] + + +PLATE VII. + +(Mason. Throwing-sticks.) + +Fig. 9. The Port Clarence and Cape Nome type. The notable +characteristics are the occurrence of an ivory peg in the handle for the +middle finger, the very small size of the handle, and the central +index-finger pocket central in position but quite piercing the stick. +Collected by E.W. Nelson, at Cape Nome, in 1880. Museum number, 44392. + +[Illustration: Fig. 9. Port Clarence and Cape Nome +throwing-stick, front and back.] + + +PLATE VIII. + +(Mason. Throwing-sticks.) + +Fig. 10. Norton Sound type, single-pegged variety. Except in +the better finish, this type resembles the one last described. Collected +by L.M. Turner, at Saint Michael's Island, in 1876. Museum number, +24338. + +[Illustration: Fig. 10. Norton Sound throwing-stick, front and +back.] + + +PLATE IX. + +(Mason. Throwing-sticks.) + +Fig. 11. Norton Sound type, two-pegged variety. In all +respects, excepting the number of pegs, this resembles Figs. 9 and 10. +In all of them the peg at the bottom of the groove is very clumsy. +Collected in Norton Sound, by E.W. Nelson, in 1878. Museum number, +32995. + +Fig. 12. Throwing-stick from Sabotnisky, on the Lower Yukon. It +belongs to the Norton Sound type. The cavity on the upper side of the +handle for the finger-tips is remarkable for the carving of a bird +resembling figures seen on objects made by the Western Indians of the +United States. Collected by E.W. Nelson, at Sabotnisky, in 1879. Museum +number, 36013. + +[Illustration: Fig. 11. Norton Sound throwing-stick, front and +back. +Fig. 12. Sabotnisky throwing-stick, front and back.] + + +PLATE X. + +(Mason. Throwing-sticks.) + +Fig. 13. Specimen from Yukon River, belonging to the Northern +Sound one-pegged variety. Collected by E.W. Nelson, in 1879. Museum +number, 38849. + +[Illustration: Fig. 13. Yukon River throwing-stick, front and +back.] + + +PLATE XI. + +(Mason. Throwing-sticks.) + +Fig. 14. Throwing-stick from Saint Michael's. This specimen is +very noteworthy on account of the absence of the index-finger pocket, a +mark characteristic of the Vancouver type, Fig. 17. If the middle peg of +the Vancouver example were removed the resemblance would be close, but +the clumsy spur at the bottom of the shaft groove is Norton Sound rather +than Nunivak. Collected by Lucien M. Turner, at Saint Michael's, in +1876. Museum number, 24335. + +[Illustration: Fig. 14. Saint Michael's throwing-stick, front +and back.] + + +PLATE XII. + +(Mason. Throwing-sticks.) + +Fig. 15. Nunivak type. The characteristic marks are the absence +of any cavity for the index finger, the nicely-fitting handle, the +disposition of the finger-pegs, and the delicate point on the ivory spur +at the bottom of the shaft groove. Collected by W.H. Dall, at Nunivak +Island, in 1874. Museum number, 16239. (This specimen is left-handed.) + +[Illustration: Fig. 15. Nunivak Island throwing-stick, front +and back, left-handed.] + + +PLATE XIII. + +(Mason. Throwing-sticks.) + +Fig. 16. Specimen from Nunivak, right-handed. The cuts on the +front and back are noteworthy. Collected by W.H. Dall, at Nunivak +Island, in 1874. Museum number, 16238. + +[Illustration: Fig. 16. Nunivak Island throwing-stick, front +and back.] + + +PLATE XIV. + +(Mason. Throwing-sticks.) + +Fig. 17. Specimen from Cape Vancouver. In all respects it is +like those of Nunivak, excepting a peg-rest for the little finger. +Collected by E.W. Nelson, at Cape Vancouver, in 1879. Museum number, +38669. + +[Illustration: Fig. 17. Cape Vancouver throwing-stick, front +and back.] + + +PLATE XV. + +(Mason. Throwing-sticks.) + +Figs. 18, 19. Bristol Bay type. In no essential characters do +these sticks differ from those of Nunivak. The handle is smaller, and +they appear to have been made with steel tools. Fig. 18 collected by +C.L. McKay, at Bristol Bay, Alaska, in 1883. Museum number, 72398. Fig. +19 collected by William J. Fisher, at Kadiak, in 1884. Museum number, +90467. + +[Illustration: Fig. 18. Bristol Bay throwing-stick, front and +back. +Fig. 19. Bristol Bay throwing-stick, front and back.] + + +PLATE XVI. + +(Mason. Throwing-sticks.) + +Fig. 20. Unalashkan throwing-stick. It would be better to call +this form the Southern type. The noticeable features in all our +specimens are the parallel sides, the hard material, thinness, the +carving for the fingers, but above all the reappearance of the eccentric +cavity for the index finger. This cavity is not a great perforation, as +in the Point Barrow type, but an eccentric pocket, a compromise between +the Northern cavity and that of the East. Collected by Sylvanus Bailey, +at Unalashka, in 1874. Museum number, 16076. + +[Illustration: Fig. 20. Unalashkan throwing-stick, front and +back.] + + +PLATE XVII. + +(Mason. Throwing-sticks.) + +Figs. 21, 22. Throwing-sticks of the Southern type. Fig. 21 is +left-handed, collected by Dr. T.T. Minor, at Kadiak, in 1869. Museum +number, 7933. Fig. 22 collected by W.H. Dall, at Unalashka, in 1873. +Museum number, 12981. At Sitka two specimens were collected, +unfortunately not figured, with the following characters laid down in +the beginning of this paper: 1. Short, very narrow and deep, and carved +all over with devices. 2. No handle distinct from the body. 3, 4, 5, 6. +All wanting. 7. The index-finger cavity is near the center of the back, +very like a thimble. Indeed this is a very striking feature. 8. The +shaft groove occupies only the lower half of the upper surface. 9. The +spur for the end of the weapon shaft is a long piece of iron like a +knife-blade driven into the wood, with the edge toward the weapon +shaft. + +[Illustration: Fig. 21. Kadiak throwing-stick, front and back, +left handed. +Fig. 22. Unalashkan throwing-stick, front and back.] + + + * * * * * + +Typographical errors corrected in text: + +Page 282: "not fastened in its groove in cannot be hurled." changed to + "not fastened in its groove it cannot be hurled." +Page 286: Sabotinsky replaced with Sabotnisky. + + * * * * * + + + + + + +End of the Project Gutenberg EBook of Throwing-sticks in the National Museum, by +Otis T. Mason + +*** END OF THIS PROJECT GUTENBERG EBOOK THROWING-STICKS *** + +***** This file should be named 17606-8.txt or 17606-8.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/1/7/6/0/17606/ + +Produced by A www.PGDP.net Volunteer, Suzanne Lybarger, +Jeannie Howse and the Online Distributed Proofreading Team +at http://www.pgdp.net (This file was produced from images +generously made available by the Canadian Institute for +Historical Microreproductions (www.canadiana.org)) + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/17606-8.zip b/17606-8.zip Binary files differnew file mode 100644 index 0000000..9c3b432 --- /dev/null +++ b/17606-8.zip diff --git a/17606-h.zip b/17606-h.zip Binary files differnew file mode 100644 index 0000000..6ca4265 --- /dev/null +++ b/17606-h.zip diff --git a/17606-h/17606-h.htm b/17606-h/17606-h.htm new file mode 100644 index 0000000..2e00f12 --- /dev/null +++ b/17606-h/17606-h.htm @@ -0,0 +1,1737 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd"> +<html> + <head> + <meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" /> + <title> + The Project Gutenberg eBook of Throwing-Sticks in the National Museum by Otis T. Mason. + </title> + <style type="text/css"> +/*<![CDATA[ XML blockout */ +<!-- + P { margin-top: .5em; + text-align: justify; + margin-bottom: .5em; + text-indent: 1em; + } + H1 { + text-align: center; font-family: garamond, serif; /* all headings centered */ + } + H5,H6 { + text-align: center; font-family: garamond, serif; /* all headings centered */ + } + H2 { + text-align: center; font-family: garamond, serif; /* centered and coloured */ + } + H3 { + text-align: center; font-family: garamond, serif; /* centered and coloured */ + } + H4 { + text-align: center; font-family: garamond, serif; /* all headings centered */ + } + HR { width: 33%; + margin-top: 1em; + margin-bottom: 1em; + } + BODY{margin-left: 10%; + margin-right: 10%; + } + a {text-decoration: none} /* no lines under links */ + div.center {text-align: center;} + div.content {width: 69%; margin-left: auto; text-align: left;} + div.centered {text-align: center;} /* work around for IE centering with CSS problem part 1 */ + div.centered table {margin-left: auto; margin-right: auto; text-align: left;} /* work around for IE centering with CSS problem part 2 */ + + .cen {text-align: center; text-indent: 0em;} /* centering paragraphs */ + .hang {text-indent: -3em;} /* hanging indents */ + .sc {font-variant: small-caps; font-size: 95%;} /* small caps, normal size */ + .noin {text-indent: 0em;} /* no indenting */ + .block {margin-left: 10%; margin-right: 10%;} /* block indent */ + .right {text-align: right; padding-right: 2em;} /* right aligning paragraphs */ + .img {text-align: center; padding: 1em; margin-left: auto; margin-right: auto;} /* centering images */ + .tdc {text-align: center; border: 1px solid black;} /* top cell formatting */ + .tdr {text-align: left; vertical-align: top; padding-left: 1em; border-left: 1px solid black; border-right: 1px solid black; } /* right table cell formatting */ + .tdl {text-align: right; vertical-align: top; padding-right: 1em; border-left: 1px solid black; border-right: 1px solid black; } /* left table cell formatting */ + .tdm {text-align: left; vertical-align: top; padding-left: 1em; border-left: 1px solid black; border-right: 1px solid black; } /* right table cell formatting */ + .do {margin-left: 2em;} /* ditto comments in table */ + .tr {margin-left: 15%; margin-right: 15%; margin-top: 5%; margin-bottom: 5%; padding: 1em; background-color: #f6f2f2; color: black; border: dotted black 1px;} /* transcriber's notes */ + + .pagenum { /* uncomment the next line for invisible page numbers */ + /* visibility: hidden; */ + position: absolute; right: 2%; font-size: 75%; text-align: right;} /* page numbers */ + + .footnotes {border: dashed 1px;} + .footnote {margin-left: 10%; margin-right: 10%; font-size: 90%;} + .footnote .label {position: absolute; right: 84%; text-align: right;} + .fnanchor {vertical-align: text-top; font-size: .8em; text-decoration: none;} + + .poem {margin-left:10%; margin-right:10%; text-align: left;} + .poem br {display: none;} + .poem .stanza {margin: 1em 0em 1em 0em;} + .poem span {display: block; margin: 0; padding-left: 3em; text-indent: -3em;} + .poem span.i2 {display: block; margin-left: 2em;} + .poem span.i4 {display: block; margin-left: 4em;} + // --> + /* XML end ]]>*/ + </style> + </head> +<body> + + +<pre> + +Project Gutenberg's Throwing-sticks in the National Museum, by Otis T. Mason + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Throwing-sticks in the National Museum + Third Annual Report of the Bureau of Ethnology to the + Secretary of the Smithsonian Institution, 1883-'84, + Government Printing Office, Washington, 1890, pages 279-289 + +Author: Otis T. Mason + +Release Date: January 25, 2006 [EBook #17606] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK THROWING-STICKS *** + + + + +Produced by A www.PGDP.net Volunteer, Suzanne Lybarger, +Jeannie Howse and the Online Distributed Proofreading Team +at http://www.pgdp.net (This file was produced from images +generously made available by the Canadian Institute for +Historical Microreproductions (www.canadiana.org)) + + + + + + +</pre> + + +<br /> +<hr /> +<br /> + +<div class="tr"> +<p class="cen" style="font-weight: bold;">Transcriber's Note:</p> +<br /> +<p class="noin">A number of obvious typographical errors have been corrected in this text.<br /> +For a complete list, please see the <a href="#TN">bottom of this document</a>.</p> +</div> + +<br /> +<hr /> +<br /> + +<h2>SMITHSONIAN INSTITUTION.</h2> +<h3>UNITED STATES NATIONAL MUSEUM.</h3> +<br /> +<br /> +<br /> +<h1>THROWING-STICKS IN THE NATIONAL <br />MUSEUM.</h1> +<br /> +<br /> +<br /> +<h2>OTIS T. MASON,</h2> +<h4><i>Curator of the Department of Ethnology</i></h4> +<br /> +<br /> +<br /> +<h5>From the Report of the Smithsonian Institution, 1883-'84,<br /> +Part II, pages 279-289, and plates I-XVII</h5> +<br /> +<h5>WASHINGTON:<br /> +GOVERNMENT PRINTING OFFICE.<br /> +1890.</h5> + +<br /> +<hr /> +<br /> + +<span class='pagenum'><a name="Page_279" id="Page_279">[Pg 279]</a></span> +<h2>I.—THROWING-STICKS IN THE NATIONAL MUSEUM.</h2> + +<h3>By <span class="sc">Otis T. Mason</span>.</h3> +<br /> + +<p>Col. Lane Fox tells us there are three areas of the throwing-stick: +Australia, where it is simply an elongated spindle with a hook at the +end; the country of the Conibos and the Purus, on the Upper Amazon, +where the implement resembles that of the Australians, and the +hyperborean regions of North America.</p> + +<p>It is of this last group that we shall now speak, since the National +Museum possesses only two specimens from the first-named area and none +whatever from the second.</p> + +<p>The researches and collections of Bessels, Turner, Boas, Hall, Mintzner, +Kennicott, Ray, Murdoch, Nelson, Herendeen, and Dall, to all of whom I +acknowledge my obligations, enable me to compare widely separated +regions of the hyperborean area, and to distinguish these regions by the +details in the structure of the throwing-stick.</p> + +<p>The method of holding the throwing-stick is indicated in Fig. 1 by a +drawing of H.W. Elliott. The Eskimo is just in the act of launching the +light seal harpoon. The barbed point will fasten itself into the animal, +detach itself from the ivory foreshaft, and unwind the rawhide or sinew +line, which is securely tied to both ends of the light wooden shaft by a +martingale device. The heavy ivory foreshaft will cause the shaft to +assume an upright position in the water, and the whole will act as a +drag to impede the progress of the game. The same idea of impeding +progress and of retrieving is carried out by a multitude of devices not +necessary to mention here.</p> + +<p>The Eskimo spend much time in their skin kyaks, from which it would be +difficult to launch an arrow from a bow, or a harpoon from the unsteady, +cold, and greasy hand. This device of the throwing-stick, therefore, is +the substitute for the bow or the sling, to be used in the kyak, by a +people who cannot procure the proper materials for a heavier +lance-shaft, or at least whose environment is prejudicial to the use of +such a weapon. Just as soon as we pass Mount St. Elias going southward, +the throwing-stick, plus the spear or dart of the Eskimo and the Aleut, +gives place to the harpoon with a long, heavy, cedar shaft, weighing 15 +or 20 pounds, whose momentum from both hands of the Indian, without the +throw-stick, exceeds that of the Eskimo and Aleut darts <span class='pagenum'><a name="Page_280" id="Page_280">[Pg 280]</a></span>and harpoons, +with the additional velocity imparted by the throwing-stick. It must not +be forgotten, also, that the kyak is a very frail, unsteady thing, and +therefore not much of the momentum of the body can be utilized, as it is +by the Northwest Indians in making a lunge with a heavy shaft. The +throwing-stick is also said by some arctic voyagers to be useful in +giving directness of aim. Perhaps no other savage device comes so near +in this respect to a gun barrel or the groove of a bow-gun. Its greatest +advantages, however, are the firm grip which it gives in handling a +harpoon or dart, and the longer time which it permits the hunter to +apply the force of his arm to the propulsion of his weapon. Having +practiced with a throwing-stick somewhat, I have imagined also that +there was a certain amount of leverage acquired by the particular method +of holding the stick and straightening the arm, as in a toggle joint. +That implement, which seems so simple, and which is usually mentioned +and dismissed in a word, possesses several marks or organs, which help +to distinguish the locality in which each form occurs, as well as to +define the associations of the implement as regards the weapon thrown +from it and the game pursued. These marks are:</p> + +<p>1. Shape, or general outline in face and side view, and size.</p> + +<p>2. Handle, the part grasped in the hand.</p> + +<p>3. Thumb-groove or thumb-lock, provision for the firm and comfortable +insertion of the phalanx and ball of the thumb.</p> + +<p>4. Finger-grooves, provision for each finger according to its use in the +manipulation of the implement.</p> + +<p>5. Finger-pegs, little plugs of wood or ivory to give more certain grip +for the fingers and to prevent their slipping. The devices for the +fingers are the more necessary where the hands are cold and everything +is covered with grease.</p> + +<p>6. Finger-tip cavities, excavations on the front face of the implement, +into which the tips of the three last fingers descend to assist in +grasping and to afford a rest on the back of these fingers for the +weapon shaft.</p> + +<p>7. Index-finger cavity or hole, provision for the insertion of the index +finger, which plays a very important part in the use of the +throwing-stick.</p> + +<p>8. Spear shaft groove, in which the shaft of the weapon lies, as an +arrow or bolt in the groove of a bow-gun.</p> + +<p>9. Hook or spur, provision for seizing the butt end of the weapon while +it is being launched. These may be ridges left in the wood by +excavation, or pieces of wood, bone, ivory, &c., inserted. The size and +shape of this part, and the manner of insertion, are also worthy of +notice.</p> + +<p>10. Edges: this feature is allied to the form and not to the function of +the implement.</p> + +<p>11. Faces: upper, on which the weapon rests; lower, into which the index +finger is inserted.</p> + +<p><span class='pagenum'><a name="Page_281" id="Page_281">[Pg 281]</a></span>The figures illustrating this article are drawn to a scale indicated by +inch marks in the margin, every dot on the line standing for an inch.</p> + +<p>By the presence or absence, by the number or the shape of some of these +marks or structural characteristics, the type and locality can be easily +detected. The Eskimo have everywhere bows and arrows for land hunting, +the former made of several pieces of bone lashed together, or of a piece +of driftwood lashed and re-enforced with sinew. The arrows are of +endless variety.</p> + +<p>It should also be noticed that the kind of game and the season of the +year, the shape and size of the spear accompanying the stick, and the +bare or gloved hand, are all indicated by language expressed in various +parts of this wonderful throwing-stick.</p> +<br /> + +<h4>GREENLAND TYPE.</h4> + +<p>The Greenland throwing-stick is a long, flat trapezoid, slightly ridged +along the back (Fig. 2). It has no distinct handle at the wide end, +although it will be readily seen that the expanding of this part secures +a firm grip. A chamfered groove on one side for the thumb, and a smaller +groove on the other side for the index finger, insure the implement +against slipping from the hunter's grasp. Marks 5, 6, 7 of the series on +page 280 are wanting in the Greenland type. The shaft-groove, in which +lies the shaft of the great harpoon, is wide, deep, and rounded at the +bottom. There is no hook, as in all the other types, to fit the end of +the harpoon shaft, but in its stead are two holes, one in the front end +of the shaft-groove, between the thumb-groove and the finger-groove, +with an ivory eyelet or grommet for a lining, the other at the distal +end of the shaft-groove, in the ivory piece which is ingeniously +inserted there to form that extremity. This last-mentioned hole is not +cylindrical like the one in front, but is so constructed as to allow the +shaft-peg to slide off easily. These holes exactly fit two ivory pegs +projecting from the harpoon shaft. When the hunter has taken his +throwing-stick in his hand he lays his harpoon shaft upon it so that the +pegs will fall in the two little holes of the stick. By a sudden jerk of +his hand the harpoon is thrown forward and released, the pegs drawing +out of the holes in the stick. At the front end of the throwing-stick a +narrow piece of ivory is pegged to prevent splitting. As before +intimated, this type of throwing-stick is radically different from all +others in its adjustment to the pegs on the heavy harpoon. In all other +examples in the world the hook or spur is on the stick and not on the +weapon.</p> +<br /> + +<h4>UNGAVA TYPE.</h4> + +<p>One specimen from Fort Chimo in this region, southeast of Hudson Bay, +kindly lent by Mr. Lucien Turner, is very interesting, having little +relation with that from Greenland (which is so near geographically), and +connecting itself with all the other types as far as Kadiak, in <span class='pagenum'><a name="Page_282" id="Page_282">[Pg 282]</a></span>Alaska +(Fig. 3). The outline of the implement is quite elaborate and +symmetrical, resembling at the hook end a fiddle-head, and widening +continuously by lateral and facial curves to the front, where it is thin +and flat. A slight rounded notch for the thumb, and a longer chamfer for +three fingers, form the handle. Marks 5 and 6 are wanting. The cavity +for the index finger extends quite through the implement, as it does in +all cases where it is on the side of the harpoon-shaft groove, and not +directly under it. The shaft groove is shallow, and the hook at the +lower extremity is formed by a piece of ivory inserted in a parallel +groove in the fiddle-head and fastened with pegs. It is as though a +saw-cut one-eighth inch wide had been made longitudinally through the +fiddle-head and one-half inch beyond, and the space had been filled with +a plate of ivory pared down flush with the wood all round, excepting at +the projection left to form the hook or spur for the harpoon shaft. This +peg or spur fits in a small hole in the butt of the harpoon or spear +shaft and serves to keep the weapon in its place until it is launched +from the hand. The Ungava spear is heavier than that of the western +Eskimo, hence the stick and its spur are proportionately larger. It is +well to observe carefully the purport of the spur. A javelin, assegai, +or other weapon hurled from the hand is seized in the center of gravity. +The Greenland spears have the pegs for the throwing-stick sometimes at +the center of gravity, sometimes at the butt end. In all other uses of +the throwing-stick the point of support is behind the center of gravity, +and if the weapon is not fastened in its groove it cannot be hurled. +This fastening is accomplished by the backward leaning of the peg in the +Greenland example, and by the spur on the distal end of the +throwing-stick in all other cases.</p> +<br /> + +<h4>CUMBERLAND GULF TYPE.</h4> + +<p>The Cumberland Gulf type is the clumsiest throwing-stick in the Museum, +and Dr. Franz Boas recognizes it as a faithful sample of those in use +throughout Baffin Land (Fig. 4).</p> + +<p>In general style it resembles Mr. Turner's specimens from Ungava; but +every part is coarser and heavier. It is made of oak, probably obtained +from a whaling vessel. Instead of the fiddle-head at the distal end we +have a declined and thickened prolongation of the stick without +ornament. There is no distinct handle, but provision is made for the +thumb by a deep, sloping groove; for the index-finger by a perforation, +and for the other three fingers by separate grooves. These give a +splendid grip for the hunter, but the extraordinary width of the handle +is certainly a disadvantage. There are two longitudinal grooves on the +upper face; the principal one is squared to receive the rectangular +shaft of the bird spear; the other is chipped out for the tips of the +fingers, which do not reach across to the harpoon shaft, owing to the +clumsy width of the throwing-stick. In this example, the hook for the +<span class='pagenum'><a name="Page_283" id="Page_283">[Pg 283]</a></span>end of the bird-spear shaft is the canine tooth of some animal driven +into the wood at the distal end of the long-shaft groove.</p> +<br /> + +<h4>FURY AND HECLA STRAITS TYPE.</h4> + +<p>In Parry's Second Voyage (p. 508) is described a throwing-stick of +Igloolik, 18 inches long, grooved for the shaft of the bird-spear, and +having a spike for the hole of the shaft, and a groove for the thumb and +for the fingers. The index-finger hole is not mentioned, but more than +probably it existed, since it is nowhere else wanting between Ungava and +Cape Romanzoff in Alaska. This form, if properly described by Parry, is +between the Ungava and the Cumberland Gulf specimen, having no kinship +with the throwing-stick of Greenland. The National Museum should possess +an example of throwing-stick from the Fury and Hecla Straits.</p> +<br /> + +<h4>ANDERSON RIVER TYPE.</h4> + +<p>The Anderson River throwing-stick (and we should include the Mackenzie +River district) is a very primitive affair in the National Museum, being +only a tapering flat stick of hard wood (Fig. 5). Marks 2, 3, 4, 5, and +6 are wanting. The index-finger cavity is large and eccentric and +furnishes a firm hold. The shaft-groove is a rambling shallow slit, not +over half an inch wide. There is no hook or spur of foreign material +inserted for the spear end; but simply an excavation of the hard wood +which furnishes an edge to catch a notch in the end of the dart. Only +one specimen has been collected from this area for the National Museum; +therefore it is unsafe to make it typical, but the form is so unique +that it is well to notice that the throwing-stick in Eskimoland has its +simplest form in the center and not in the extremities of its whole +area. It is as yet unsafe to speculate concerning the origin of this +implement. A rude form is as likely to be a degenerate son as to be the +relic of a barbaric ancestry. Among the theories of origin respecting +the Eskimo, that which claims for them a more southern habitat long ago +is of great force. If, following retreating ice, they first struck the +frozen ocean at the mouth of Mackenzie's River and then invented the +kyak and the throwing-stick, thence we may follow both of these in two +directions as they depart from a single source.</p> +<br /> + +<h4>POINT BARROW TYPE.</h4> + +<p>Through the kindness of Mr. John Murdoch, I have examined a number from +this locality, all alike, collected in the expedition of Lieutenant Ray, +U.S.A. (Fig. 6). They are all of soft wood, and in general outline they +resemble a tall amphora, bisected, or with a slice cut out of the middle +longitudinally. There is a distinct "razor-strop" handle, while in those +previously described the handle is scarcely distinct from the body. +Marks 3, 4, 5, and 6 are wanting. The index-finger hole is very large +and eccentric, forming the handle of the "amphora." The <span class='pagenum'><a name="Page_284" id="Page_284">[Pg 284]</a></span>groove for the +harpoon or spear-shaft commences opposite the index-finger cavity as a +shallow depression, and deepens gradually to its other extremity, where +the hook for the spear-shaft is formed by an ivory peg. This form is +structurally almost the same as the Anderson River type, only it is much +better finished.</p> +<br /> + +<h4>KOTZEBUE SOUND TYPE.</h4> + +<p>The Kotzebue Sound type is an elongated truncated pyramid, or obelisk, +fluted on all sides (Fig. 7). The handle is in the spiral shape so +frequent in Eskimo skin-scrapers from Norton Sound and vicinity, and +exactly fits the thumb and the last three fingers. Marks 5 and 6 are +wanting. The index cavity is a <i>cul de sac</i>, into which the forefinger +is to be hooked when the implement is in use. Especial attention is +called to this characteristic because it occurs here for the first time +and will not be seen again after we pass Cape Vancouver. From Ungava to +Point Barrow the index-finger hole is eccentric and the finger passes +quite through the implement and to the right of the harpoon or +spear-shaft. In the Kotzebue type the index finger cavity is subjacent +to the spear-shaft groove, consequently the forefinger would be wounded +or at least in the way by passing through the stick. The spear or +harpoon-shaft groove is wide and shallow and passes immediately over the +index cavity. The hook is of ivory and stands up above the wood. It +needs only to be mentioned that this type, as well as those with +eccentric forefinger perforations are used with the naked hand.</p> + +<p>In the quarto volume of Beechey's Voyage, page 324, is mentioned a +throwing-stick from Eschscholtz Bay, with a hole for the forefinger and +a notch for the thumb, the spear being placed in the groove and embraced +by the middle finger and the thumb. This last assertion is very +important. When I first began to examine a large number of the +implements, I could not explain the cavities for the finger-tips until +this note suggested that the shaft rides outside of and not under the +fingers. To test the matter I had a throwing-stick made to fit my hand, +and found that the spear could get no start if clamped close to the +throwing-stick by all the fingers; but if allowed to rest on the back of +the fingers or a part of them, and it is held fast, by the thumb and +middle finger, it had just that small rise which gave it a start from +the propelling instrument.</p> + +<p>In the national collection is a specimen marked Russian America, +collected by Commodore John Rodgers, resembling in many respects the +Kotzebue Sound type. The handle is of the same razor-strop shape, but on +the upper side are three deep depressions for the finger-tips. In +several of the objects already described provision is made for the tips +of the last three fingers by means of a gutter or slight indentations. +But in no other examples is there such pronounced separation of the +fingers. In very many of the Norton Sound skin-dressers, composed of a +stone blade and ivory handle, the fingers are separated in exactly <span class='pagenum'><a name="Page_285" id="Page_285">[Pg 285]</a></span>the +same manner. These skin-dressers are from the area just south of +Kotzebue Sound. The back of the Rodgers specimen is ornamented in its +lower half by means of grooves. In its upper half are represented the +legs and feet of some animal carved out in a graceful manner. The +index-finger cavity is central and is seen on the upper side by a very +slight rectangular perforation, which, however, does not admit the +extrusion of any part of the index-finger. The upper surface is formed +by two inclined planes meeting in the center. Along this central ridge +is excavated the groove for the spear-shaft, deep at its lower end and +quite running out at its upper extremity. The hook for the end of the +harpoon-shaft in this specimen resembles that seen on the +throwing-sticks of the region south of Cape Vancouver. The whole +execution of this specimen is so much superior to that of any other in +the Museum and the material so different as to create the suspicion that +it was made by a white man, with steel tools (Fig 8).</p> +<br /> + +<h4>EASTERN SIBERIAN TYPE.</h4> + +<p>The National Museum has no throwing-stick from this region, but +Nordenskjöld figures one in the Voyage of Vega (p. 477, Fig. 5), which +is as simple as the one from Anderson River, excepting that the former +has a hook of ivory, while the latter has a mere excavation to receive +the cavity on the end of the weapon. Nordenskjöld's bird-spear +accompanying the stick has a bulb or enlargement of the shaft at the +point opposite the handle of the throwing-stick, which is new to the +collection of the National Museum. Indeed, a systematic study should now +be made of the Siberian throwing-sticks to decide concerning the +commercial relationships if not the consanguinities of the people of +that region.</p> +<br /> + +<h4>PORT CLARENCE AND CAPE NOME TYPE.</h4> + +<p>The specimens from this area are more or less spatulate in form, but +very irregular, with the handle varying from that of the razor-strop to +the spiral, twisted form of the Eskimo skin-scraper (Fig. 9). On the +whole, these implements are quite similar to the next group. A section +across the middle of the implement would be trapezoidal with incurved +sides. In two of the specimens not figured these curved sides are +brought upward until they join the upper surface, making a graceful +ornament. The handles are not symmetrical, the sides for the thumb being +shaved out so as to fit the muscles conveniently. Places for the fingers +are provided thus: There is an index-finger cavity quite through the +stick indeed, but the index-finger catches in the interior of the wood +and does not pass through as in the eastern Arctic types. The middle +finger rests against an ivory or wooden peg. This is the first +appearance of this feature. It will be noted after this on all the +throwing-sticks as the most prominent feature until we come to Kadiak, +but the Unalashkans do not use it on their throwing-sticks. Cavities for +the three last finger-tips are not always present, and the hooks at the +<span class='pagenum'><a name="Page_286" id="Page_286">[Pg 286]</a></span>distal ends for the extremities of the weapons are very large plugs of +wood or ivory and have beveled edges rather than points for the +reception of the butt end of the weapon to be thrown.</p> +<br /> + +<h4>NORTON SOUND TYPES.</h4> + +<p>These types extend from Cape Darby around to Cape Dyer, including part +of Kaviagmut, the Mahlemut, the Unaligmut, and the Ekogmut area of Dall, +and extending up the Yukon River as far as the Eskimo, who use this +weapon. The characteristics are the same as those of the last named +area, excepting that in many specimens there are two finger-pegs instead +of one, the first peg inclosing the middle finger, the second the +ring-finger and the little finger (Figs. 10-13). A single specimen +collected by Lucien Turner at Saint Michael's has no index cavity, the +forefinger resting on the first peg and the other three fingers passing +between this and the outer peg (Fig. 14). Another specimen of Nelson's, +marked Sabotinsky, has the index-finger cavity and one finger-peg. The +finger-tip cavity on the upper surface of the handle forms the figure of +a water-bird, in which the heart is connected with the mouth by a curved +line, just as in the pictography of the more southern Indians.</p> + +<p>The Yukon River Eskimo use a throwing-stick quite similar to the Norton +Sound type. The characteristics are very pronounced. Thumb-groove deep, +index-finger cavity so long as to include the first joint. The hook for +the spear-end formed by the edge of a plug of hard wood. The middle +finger is separated by a deep groove and peg. The ring and little finger +are inclosed by the peg and a sharp projection at the upper end of the +handle.</p> +<br /> + +<h4>NUNIVAK ISLAND AND CAPE VANCOUVER TYPE.</h4> + +<p>In this region a great change comes over the throwing-stick, just as +though it had been stopped by Cape Romanzoff, or new game had called for +modification, or a mixing of new peoples had modified their tools (Figs. +15-17). The index-finger cavity and the hole for the index finger are +here dropped entirely, after extending from Greenland uninterruptedly to +Cape Romanzoff. The handle is conspicuously wide, while the body of the +implement is very slender and light. The thumb-groove is usually +chamfered out very thoroughly so as to fit the flexor muscle +conveniently. There are frequently finger-grooves and finger-tip +cavities in addition to the pegs. The cavity for the index finger having +disappeared, provision is made for that important part of the hand by a +separate peg and groove. The middle finger is also pegged off, and the +last two fingers have to shift for themselves. The hook for the shaft of +the weapon has a fine point like a little bead, the whole implement +being adapted to the light seal-harpoon darts. Mr. Dall collected a +large number of two-pegged sticks from Nunivak Island and four +three-pegged sticks labeled the same. Mr. Nelson also collected four +three-pegged sticks, but labels them Kushunuk; Cape Vancouver, on <span class='pagenum'><a name="Page_287" id="Page_287">[Pg 287]</a></span>the +mainland opposite Nunivak (Fig. 17). In these three-pegged sticks the +ring-finger and the little finger are inclosed together. This should be +compared with Mr. Turner's Saint Michael specimen, in which the last +three fingers are inclosed together (Fig. 14). It remains to be seen and +is worthy of investigation whether crossing a narrow channel would add a +peg to the throwing-stick. One of these Nunivak specimens is +left-handed.</p> +<br /> + +<h4>BRISTOL BAY TYPE.</h4> + +<p>The throwing-stick from Bristol Bay resembles in general characteristics +those from Nunivak Island and Cape Vancouver. In outline it has the +shape of the broadsword. Its cross-section is bayonet-shaped. It has no +distinct handle beyond a slight projection from the end. The +thumb-groove is shallow and chamfered on the lower side to fit exactly. +There is a long, continuous notch for the four fingers, in which the +index finger and the middle finger are set off by pegs. There is a +depression, more or less profound, to receive the tips of the fingers. +The groove for the harpoon or spear-shaft is at the lower extremity and +runs out entirely near the index finger. The ivory plug at its lower +extremity is beveled to receive a notch in the end of the spear or +harpoon shaft (Figs. 18-19).</p> + +<p>A freshly-made implement, looking as if cut out by machinery, resembling +closely those just described, is labeled Kadiak. The constant traffic +between Bristol Bay and Kadiak, across the Alaskan peninsula, may +account for the great similarity of these implements. Furthermore, since +the natives in this region and southward have been engaged for more than +a century in fur-sealing for the whites, there is not the slightest +doubt that implements made by whites have been introduced and slightly +modified by the wearer to fit his hand.</p> +<br /> + +<h4>KADIAK OR UNALASHKA TYPE.</h4> + +<p>In the National Museum are four throwing-sticks, one of them +left-handed, exactly alike—two of them marked Kadiak and two Unalashka +(Figs. 20-22). They return to the more primitive type of the area from +Kotzebue Sound to Greenland, indicating that the implement culminated in +Norton Sound. In outline this southern form is thin and straight-sided, +and those in possession are all of hard wood. The back is carved in +ridges to fit the palm of the hand and muscles of the thumb. There is no +thumb-groove, the eccentric index-finger hole of the Northern and +Eastern Eskimo is present in place of the central cavity of the area +from Kotzebue Sound to Cape Vancouver, and there is a slight groove for +the middle finger. Marks 5 and 6 are wanting. The shaft-groove is very +slight, even at its lower extremity, and runs out in a few inches toward +the handle. The hook for the end of the weapon resembles that of +Nunivak, but is more rounded at the point. Of the Eskimo of Prince +William Sound, the extreme southern area of the Eskimo on the Pacific, +Captain Cook says, in the narrative of his last voyage: <span class='pagenum'><a name="Page_288" id="Page_288">[Pg 288]</a></span>"Their longer +darts are thrown by means of a piece of wood about a foot long, with a +small groove in the middle which receives the dart. At the bottom is a +hole for the reception of one finger, which enables them to grasp the +piece of wood much firmer and to throw with greater force." Captain +Cook's implement corresponds exactly to the specimens just described and +renders it probable that this thin, parallel-sided, shallow-grooved +throwing-stick, with index-finger hole placed at one side of the +spear-shaft groove, extended all along the southern border of Eskimoland +as far as the Aleuts of Unalashka and Attoo. In addition to the +information furnished by the specimens in hand, Dr. Stejneger describes +a similar stick in use in the island of Attoo. On the contrary, Mr. +Elliott assures me that Aleutian fur-sealers of Pribylov Island use +throwing-sticks precisely similar to those of Norton Sound and Nunivak.</p> + +<p>This list might be extended further by reference to authorities, but +that is from the purpose of this article and the series of ethnological +papers commenced in this volume. The most perfect throwing-stick of all +is that of the Mahlemut, in Norton Sound, in which are present the +handle, thumb-groove, finger-grooves, and pegs, cavities for the +finger-tips, index finger cavity, shaft-groove, and hook for the +harpoon. In short, all the characteristics present on the rest are +combined here.</p> + +<p>Classifications of these implements may be varied according to the organ +selected. As to the hook for the attachment of the weapon, in Greenland +this is on the shaft, in all other parts of the world it is on the +throwing-stick. As to the index finger, there is for its reception, from +Point Barrow to Greenland, an eccentric hole quite through which the +finger passes. From Kotzebue Sound to Norton Sound there is a central +pocket on the back of the weapon, directly under the groove, for the +shaft of the weapon to receive the index finger. From Cape Vancouver to +Bristol Bay an ivory or wooden peg serves this purpose. At Kadiak and +Unalashka the eccentric index-finger hole returns.</p> + +<p>It is more than probable that further investigation will destroy some of +the types herein enumerated or merge two more of them into one; but it +will not destroy the fact that in changing from one environment to +another the hyperboreans were driven to modify their throwing-stick.</p> + +<p>A still more interesting inquiry is that concerning the origin of the +implement. It is hardly to be supposed that the simplest type, that of +Anderson River, was invented at once in its present form, for the +Australian form is ruder still, having neither hole for the index finger +nor groove for the weapon shaft. When we recall that the chief benefit +conferred by the throwing-stick is the ability to grasp firmly and +launch truly a greasy weapon from a cold hand, we naturally ask, have +the Eskimo any other device for the same purpose? They have. On the +shaft of the light-seal harpoon, thrown without the stick, and on the +heavy, ivory-weighted walrus-harpoon-shaft an ivory hand-rest is lashed +just behind the center of gravity. This little object is often +beautifully <span class='pagenum'><a name="Page_289" id="Page_289">[Pg 289]</a></span>carved and prevents effectually the hand from slipping on +the shaft, even with the greatest lunge of the hunter. From this object +to the throwing-stick the way may be long and crooked, or there may be +no way at all. So far as the National Museum is concerned there is +nothing to guide us over this waste of ignorance.</p> +<br /> + +<h4>THROWING-STICKS IN THE U.S. NATIONAL MUSEUM.</h4> + +<div class="centered"> +<table border="0" cellpadding="2" cellspacing="0" width="80%" summary="Table of Contents" style="border: solid 1pt black;"> + <tr style="line-height: 2em;"> + <td class="tdc" width="15%">No.</td> + <td class="tdc" width="45%">Locality.</td> + <td class="tdc" width="40%">Collector.</td> + </tr> + <tr> + <td class="tdl" style="border-top: 1px solid black;"><br />32995</td> + <td class="tdm" style="border-top: 1px solid black;"><br />Norton's Sound, Alaska</td> + <td class="tdr" style="border-top: 1px solid black;"><br />E.W. Nelson.</td> + </tr> + <tr> + <td class="tdl">30013</td> + <td class="tdm">Cumberland Gulf</td> + <td class="tdr">W.A. Mintzner, U.S.N.</td> + </tr> + <tr> + <td class="tdl">33942</td> + <td class="tdm">Norton's Sound, Alaska</td> + <td class="tdr">E.W. Nelson.</td> + </tr> + <tr> + <td class="tdl">33897</td> + <td class="tdm"><span class="do">do.</span></td> + <td class="tdr"><span class="do">Do.</span></td> + </tr> + <tr> + <td class="tdl">33960</td> + <td class="tdm"><span class="do">do.</span></td> + <td class="tdr"><span class="do">Do.</span></td> + </tr> + <tr> + <td class="tdl">24336</td> + <td class="tdm">Saint Michael's Sound, Alaska</td> + <td class="tdr">Lucien M. Turner.</td> + </tr> + <tr> + <td class="tdl">24337</td> + <td class="tdm"><span class="do">do.</span></td> + <td class="tdr"><span class="do">Do.</span></td> + </tr> + <tr> + <td class="tdl">24338</td> + <td class="tdm"><span class="do">do.</span></td> + <td class="tdr"><span class="do">Do.</span></td> + </tr> + <tr> + <td class="tdl">46052</td> + <td class="tdm">Port Clarence, Alaska</td> + <td class="tdr">W.H. Dall.</td> + </tr> + <tr> + <td class="tdl">46053</td> + <td class="tdm"><span class="do">do.</span></td> + <td class="tdr"><span class="do">Do.</span></td> + </tr> + <tr> + <td class="tdl">49036</td> + <td class="tdm">Rasbonisky, L. Yukon</td> + <td class="tdr">E.W. Nelson.</td> + </tr> + <tr> + <td class="tdl">38849</td> + <td class="tdm">Yukon River</td> + <td class="tdr"><span class="do">Do.</span></td> + </tr> + <tr> + <td class="tdl">38605</td> + <td class="tdm"><span class="do">do.</span></td> + <td class="tdr"><span class="do">Do.</span></td> + </tr> + <tr> + <td class="tdl">36014</td> + <td class="tdm">Kushunuk, Sabotnisky, Alaska</td> + <td class="tdr"><span class="do">Do.</span></td> + </tr> + <tr> + <td class="tdl">36018</td> + <td class="tdm">Kuskunuk, Alaska</td> + <td class="tdr"><span class="do">Do.</span></td> + </tr> + <tr> + <td class="tdl">49001</td> + <td class="tdm">Sabotnisky, Alaska</td> + <td class="tdr"><span class="do">Do.</span></td> + </tr> + <tr> + <td class="tdl">49002</td> + <td class="tdm"><span class="do">do.</span></td> + <td class="tdr"><span class="do">Do.</span></td> + </tr> + <tr> + <td class="tdl">73327</td> + <td class="tdm">Unalashka</td> + <td class="tdr">Catlin.</td> + </tr> + <tr> + <td class="tdl"> 2267</td> + <td class="tdm">Anderson River</td> + <td class="tdr">R. Kennicott.</td> + </tr> + <tr> + <td class="tdl">90467</td> + <td class="tdm">Ugashak</td> + <td class="tdr">William J. Fisher.</td> + </tr> + <tr> + <td class="tdl">44392</td> + <td class="tdm">Cape Nome, Alaska</td> + <td class="tdr">E.W. Nelson.</td> + </tr> + <tr> + <td class="tdl">72519</td> + <td class="tdm">Cook's Inlet</td> + <td class="tdr">William J. Fisher.</td> + </tr> + <tr> + <td class="tdl">16242</td> + <td class="tdm">Nunivak Island, Alaska</td> + <td class="tdr">W.H. Dall.</td> + </tr> + <tr> + <td class="tdl">16238</td> + <td class="tdm"><span class="do">do.</span></td> + <td class="tdr"><span class="do">Do.</span></td> + </tr> + <tr> + <td class="tdl">74126</td> + <td class="tdm">Holsteinberg, Greenland</td> + <td class="tdr">George Merchant, jr.</td> + </tr> + <tr> + <td class="tdl">12981</td> + <td class="tdm">Unalashka</td> + <td class="tdr">W.H. Dall.</td> + </tr> + <tr> + <td class="tdl">89901</td> + <td class="tdm">Point Barrow, Alaska</td> + <td class="tdr">Lieut. P.H. Ray.</td> + </tr> + <tr> + <td class="tdl">38669</td> + <td class="tdm">Chalitmut</td> + <td class="tdr">E.W. Nelson.</td> + </tr> + <tr> + <td class="tdl">24335</td> + <td class="tdm">Saint Michael's, Norton's Sound, Alaska</td> + <td class="tdr">Lucien M. Turner.</td> + </tr> + <tr> + <td class="tdl">33914</td> + <td class="tdm"><span class="do">do.</span></td> + <td class="tdr">E.W. Nelson.</td> + </tr> + <tr> + <td class="tdl">7933</td> + <td class="tdm">Kadiak Island, Alaska</td> + <td class="tdr">Dr. T.T. Minor, U.S.R.M.</td> + </tr> + <tr> + <td class="tdl">36013</td> + <td class="tdm">Sabotnisky, Alaska</td> + <td class="tdr">E.W. Nelson.</td> + </tr> + <tr> + <td class="tdl">72398</td> + <td class="tdm">Bristol Bay, Alaska</td> + <td class="tdr">Charles L. McKay.</td> + </tr> + <tr> + <td class="tdl">16244</td> + <td class="tdm">Nunivak Island, Alaska</td> + <td class="tdr">W.H. Dall.</td> + </tr> + <tr> + <td class="tdl">11346</td> + <td class="tdm">Bristol Bay, Alaska</td> + <td class="tdr">Vincent Colyer.</td> + </tr> + <tr> + <td class="tdl">16235</td> + <td class="tdm">Kotzebue Sound, Alaska</td> + <td class="tdr">E.P. Herenden.</td> + </tr> + <tr> + <td class="tdl">15641</td> + <td class="tdm">Nunivak, Alaska</td> + <td class="tdr">W.H. Dall.</td> + </tr> + <tr> + <td class="tdl">16237</td> + <td class="tdm"><span class="do">do.</span></td> + <td class="tdr"><span class="do">Do.</span></td> + </tr> + <tr> + <td class="tdl">16239</td> + <td class="tdm"><span class="do">do.</span></td> + <td class="tdr"><span class="do">Do.</span></td> + </tr> + <tr> + <td class="tdl">16076</td> + <td class="tdm">Unalashka, Aleutian Islands</td> + <td class="tdr">Sylvanus Bailey.</td> + </tr> + <tr> + <td class="tdl">15647</td> + <td class="tdm">Nunivak, Alaska</td> + <td class="tdr">W.H. Dall.</td> + </tr> + <tr> + <td class="tdl">15645</td> + <td class="tdm"><span class="do">do.</span></td> + <td class="tdr"><span class="do">Do.</span></td> + </tr> + <tr> + <td class="tdl">16236</td> + <td class="tdm"><span class="do">do.</span></td> + <td class="tdr"><span class="do">Do.</span></td> + </tr> + <tr> + <td class="tdl">15642</td> + <td class="tdm"><span class="do">do.</span></td> + <td class="tdr"><span class="do">Do.</span></td> + </tr> + <tr> + <td class="tdl" style="border-bottom: 1px solid black;">15646<br /><br /></td> + <td class="tdm" style="border-bottom: 1px solid black;"><span class="do">do.</span><br /><br /></td> + <td class="tdr" style="border-bottom: 1px solid black;"><span class="do">Do.</span><br /><br /></td> + </tr> +</table> +</div> + +<br /> +<br /> +<hr /> +<br /> + +<h4>PLATE I.</h4> + +<p class="cen">(Mason. Throwing-sticks.)</p> + +<div class="block"> +<p class="hang"><span class="sc">Fig. 1.</span> Eskimo launching a seal harpoon by means of the +throwing-stick. Mr. John Murdoch states that the hand is held much lower +by the Point Barrow Eskimo, the harpoon resting as low as the shoulder, +and that the movement of throwing the harpoon is quick, as in casting a +fly in fishing.</p></div> + +<br /> + +<div class="img"> +<a href="images/plate01.jpg"> +<img border="0" src="images/plate01.jpg" width="70%" alt="Plate 1" /></a><br /><br /> +<div class="block"> +<p class="cen" style="margin-top: .2em;"><span class="sc">Fig. 1.</span> Eskimo using the throwing-stick.</p> +</div></div> + + +<h4>PLATE II.</h4> + +<p class="cen">(Mason. Throwing-sticks.)</p> + +<div class="block"> +<p class="hang"><span class="sc">Fig. 2.</span> Greenland type of throwing-stick. The specific +characteristics are the broad form; the scanty grooves for thumb and +fingers; the absence of pegs, separate finger grooves, or index +perforation; but the most noteworthy are the two grommets or eyelets to +fit ivory pegs on the harpoon-shaft. The peculiar method of +strengthening the ends with ivory pieces should also be noted. From +Holsteinburg, Greenland, 1884. Catalogue number, 74126.</p></div> + +<br /> + +<div class="img"> +<a href="images/plate02.jpg"> +<img border="0" src="images/plate02.jpg" width="40%" alt="Plate 2" /></a><br /><br /> +<div class="block"> +<p class="cen" style="margin-top: .2em;"><span class="sc">Fig. 2.</span> Greenland throwing-stick, back and +front.</p> +</div></div> + + +<h4>PLATE III.</h4> + +<p class="cen">(Mason. Throwing-sticks.)</p> + +<div class="block"> +<p class="hang"><span class="sc">Fig. 3.</span> Ungava type of throwing-stick. The specific marks are +the general outline, especially the fiddle-head ornament at the bottom; +the bend upward at the lower extremity, the eccentric perforation for +the index finger, and the groove for three fingers. Collected at Ungava, +by Lucien M. Turner, 1884. Museum number, 76700.</p></div> + +<br /> + +<div class="img"> +<a href="images/plate03.jpg"> +<img border="0" src="images/plate03.jpg" width="40%" alt="Plate 3" /></a><br /><br /> +<div class="block"> +<p class="cen" style="margin-top: .2em;"><span class="sc">Fig. 3.</span> Ungava throwing-stick, front and back.</p> +</div></div> + + +<h4>PLATE IV.</h4> + +<p class="cen">(Mason. Throwing-sticks.)</p> + +<div class="block"> +<p class="hang"><span class="sc">Fig. 4.</span> Cumberland Gulf type of throwing-stick. The specific +marks are the broad clumsy form, the separate provision for the thumb +and each finger, the bent lower extremity, and the broad furrow for the +bird-spear. Accidental marks are the mending of the handle, the material +of the stick, and the canine tooth for the spur at the bottom of the +square groove. Collected in Cumberland Gulf, by W.A. Mintzer, in 1876. +Museum number, 30013.</p></div> + +<br /> + +<div class="img"> +<a href="images/plate04.jpg"> +<img border="0" src="images/plate04.jpg" width="40%" alt="Plate 4" /></a><br /><br /> +<div class="block"> +<p class="cen" style="margin-top: .2em;"><span class="sc">Fig. 4.</span> Cumberland Gulf throwing-stick, back and front.</p> +</div></div> + + +<h4>PLATE V.</h4> + +<p class="cen">(Mason. Throwing-sticks.)</p> + +<div class="block"> +<p class="hang"><span class="sc">Fig. 5.</span> Anderson River type. The specific marks are the extreme +plainness of form, the lack of accommodations for the thumb and fingers, +excepting the eccentric index-finger hole, the poor groove for the +harpoon-shaft, and the absence of a hook or spur at the bottom of this +groove. The accidental marks are cuts running diagonally across the +back. In another specimen seen from the same locality the shaft groove +is squared after the manner of the Cumberland Gulf type. Collected at +the mouth of Anderson River, by R. Kennicott, in 1866. Museum number, +2267.</p> + +<p class="hang"><span class="sc">Fig. 6.</span> Point Barrow type. The specific marks are the distinct +handle without finger grooves, the very eccentric index-finger hole, the +method of inserting the spur for the shaft, and the harpoon-shaft groove +very shallow above and deep below. In the specimens shown by Mr. Murdoch +there is great uniformity of shape. Collected at Point Barrow, by Lieut. +P.H. Ray, in 1883. Museum number, 89902.</p></div> + +<br /> + +<div class="img"> +<a href="images/plate05.jpg"> +<img border="0" src="images/plate05.jpg" width="45%" alt="Plate 5" /></a><br /><br /> +<div class="block"> +<p class="cen" style="margin-top: .2em;"><span class="sc">Fig. 5.</span> Anderson River throwing-stick, front and +back.<br /> +<span class="sc">Fig. 6.</span> Point Barrow throwing-stick, front and back.</p> +</div></div> + + +<h4>PLATE VI.</h4> + +<p class="cen">(Mason. Throwing-sticks.)</p> + +<div class="block"> +<p class="hang"><span class="sc">Fig. 7.</span> Kotzebue Sound type. The specific marks are the twisted +handle, the broad shallow shaft groove, and, notably, the pocket for the +index-finger tip-visible on the lower side, but nearly absent from the +upper side, and lying directly under the shaft groove. In the examples +before noted all the holes for the index finger are to one side of this +shaft groove. Collected in Kotzebue Sound, by E.P. Herendeen, in 1874. +Museum number, 16235.</p> + +<p class="hang"><span class="sc">Fig. 8.</span> The Rodgers type, so called because the locality is +doubtful. In specific characters it resembles Fig. 7. The differences +are the three cavities for finger tips in the handle, the shaft groove +very shallow and running out before reaching the index-finger cavity, +and the delicate hook for the spear shaft resembling those farther +south. Since writing this paper two throwing-sticks from Sitka have been +seen in many respects resembling this form, but covered all over their +surfaces with characteristic Thlinkit mythological figures, and having +iron hooks at the lower end of the shaft groove. Collected by Commodore +John Rodgers, in 1867. Museum number, 2533.</p></div> + +<br /> + +<div class="img"> +<a href="images/plate06.jpg"> +<img border="0" src="images/plate06.jpg" width="45%" alt="Plate 6" /></a><br /><br /> +<div class="block"> +<p class="cen" style="margin-top: .2em;"><span class="sc">Fig. 7.</span> Kotzebue Sound throwing-stick, front and +back.<br /> +<span class="sc">Fig. 8.</span> The Commodore Rodgers throwing-stick, front and back.</p> +</div></div> + + +<h4>PLATE VII.</h4> + +<p class="cen">(Mason. Throwing-sticks.)</p> + +<div class="block"> +<p class="hang"><span class="sc">Fig. 9.</span> The Port Clarence and Cape Nome type. The notable +characteristics are the occurrence of an ivory peg in the handle for the +middle finger, the very small size of the handle, and the central +index-finger pocket central in position but quite piercing the stick. +Collected by E.W. Nelson, at Cape Nome, in 1880. Museum number, 44392.</p></div> + +<br /> + +<div class="img"> +<a href="images/plate07.jpg"> +<img border="0" src="images/plate07.jpg" width="32%" alt="Plate 7" /></a><br /><br /> +<div class="block"> +<p class="cen" style="margin-top: .2em;"><span class="sc">Fig. 9.</span> Port Clarence and Cape Nome +throwing-stick, front and back.</p> +</div></div> + + +<h4>PLATE VIII.</h4> + +<p class="cen">(Mason. Throwing-sticks.)</p> + +<div class="block"> +<p class="hang"><span class="sc">Fig. 10.</span> Norton Sound type, single-pegged variety. Except in +the better finish, this type resembles the one last described. Collected +by L.M. Turner, at Saint Michael's Island, in 1876. Museum number, +24338.</p></div> + +<br /> + +<div class="img"> +<a href="images/plate08.jpg"> +<img border="0" src="images/plate08.jpg" width="28%" alt="Plate 8" /></a><br /><br /> +<div class="block"> +<p class="cen" style="margin-top: .2em;"><span class="sc">Fig. 10.</span> Norton Sound throwing-stick, front and +back.</p> +</div></div> + + +<h4>PLATE IX.</h4> + +<p class="cen">(Mason. Throwing-sticks.)</p> + +<div class="block"> +<p class="hang"><span class="sc">Fig. 11.</span> Norton Sound type, two-pegged variety. In all +respects, excepting the number of pegs, this resembles Figs. 9 and 10. +In all of them the peg at the bottom of the groove is very clumsy. +Collected in Norton Sound, by E.W. Nelson, in 1878. Museum number, +32995.</p> + +<p class="hang"><span class="sc">Fig. 12.</span> Throwing-stick from Sabotnisky, on the Lower Yukon. It +belongs to the Norton Sound type. The cavity on the upper side of the +handle for the finger-tips is remarkable for the carving of a bird +resembling figures seen on objects made by the Western Indians of the +United States. Collected by E.W. Nelson, at Sabotnisky, in 1879. Museum +number, 36013.</p></div> + +<br /> + +<div class="img"> +<a href="images/plate09.jpg"> +<img border="0" src="images/plate09.jpg" width="50%" alt="Plate 9" /></a><br /><br /> +<div class="block"> +<p class="cen" style="margin-top: .2em;"><span class="sc">Fig. 11.</span> Norton Sound throwing-stick, front and +back.<br /> +<span class="sc">Fig. 12.</span> Sabotnisky throwing-stick, front and back.</p> +</div></div> + + + +<h4>PLATE X.</h4> + +<p class="cen">(Mason. Throwing-sticks.)</p> + +<div class="block"> +<p class="hang"><span class="sc">Fig. 13.</span> Specimen from Yukon River, belonging to the Northern +Sound one-pegged variety. Collected by E.W. Nelson, in 1879. Museum +number, 38849.</p></div> + +<br /> + +<div class="img"> +<a href="images/plate10.jpg"> +<img border="0" src="images/plate10.jpg" width="28%" alt="Plate 10" /></a><br /><br /> +<div class="block"> +<p class="cen" style="margin-top: .2em;"><span class="sc">Fig. 13.</span> Yukon River throwing-stick, front and back.</p> +</div></div> + + + +<h4>PLATE XI.</h4> + +<p class="cen">(Mason. Throwing-sticks.)</p> + +<div class="block"> +<p class="hang"><span class="sc">Fig. 14.</span> Throwing-stick from Saint Michael's. This specimen is +very noteworthy on account of the absence of the index-finger pocket, a +mark characteristic of the Vancouver type, Fig. 17. If the middle peg of +the Vancouver example were removed the resemblance would be close, but +the clumsy spur at the bottom of the shaft groove is Norton Sound rather +than Nunivak. Collected by Lucien M. Turner, at Saint Michael's, in +1876. Museum number, 24335.</p></div> + +<br /> + +<div class="img"> +<a href="images/plate11.jpg"> +<img border="0" src="images/plate11.jpg" width="28%" alt="Plate 11" /></a><br /><br /> +<div class="block"> +<p class="cen" style="margin-top: .2em;"><span class="sc">Fig. 14.</span> Saint Michael's throwing-stick, front and back.</p> +</div></div> + + +<h4>PLATE XII.</h4> + +<p class="cen">(Mason. Throwing-sticks.)</p> + +<div class="block"> +<p class="hang"><span class="sc">Fig. 15.</span> Nunivak type. The characteristic marks are the absence +of any cavity for the index finger, the nicely-fitting handle, the +disposition of the finger-pegs, and the delicate point on the ivory spur +at the bottom of the shaft groove. Collected by W.H. Dall, at Nunivak +Island, in 1874. Museum number, 16239. (This specimen is left-handed.)</p></div> + +<br /> + +<div class="img"> +<a href="images/plate12.jpg"> +<img border="0" src="images/plate12.jpg" width="29%" alt="Plate 12" /></a><br /><br /> +<div class="block"> +<p class="cen" style="margin-top: .2em;"><span class="sc">Fig. 15.</span> Nunivak Island throwing-stick, front and back, left-handed.</p> +</div></div> + + +<h4>PLATE XIII.</h4> + +<p class="cen">(Mason. Throwing-sticks.)</p> + +<div class="block"> +<p class="hang"><span class="sc">Fig. 16.</span> Specimen from Nunivak, right-handed. The cuts on the +front and back are noteworthy. Collected by W.H. Dall, at Nunivak +Island, in 1874. Museum number, 16238.</p></div> + +<br /> + +<div class="img"> +<a href="images/plate13.jpg"> +<img border="0" src="images/plate13.jpg" width="26%" alt="Plate 13" /></a><br /><br /> +<div class="block"> +<p class="cen" style="margin-top: .2em;"><span class="sc">Fig. 16.</span> Nunivak Island throwing-stick, front and back.</p> +</div></div> + + +<h4>PLATE XIV.</h4> + +<p class="cen">(Mason. Throwing-sticks.)</p> + +<div class="block"> +<p class="hang"><span class="sc">Fig. 17.</span> Specimen from Cape Vancouver. In all respects it is +like those of Nunivak, excepting a peg-rest for the little finger. +Collected by E.W. Nelson, at Cape Vancouver, in 1879. Museum number, +38669.</p></div> + +<br /> + +<div class="img"> +<a href="images/plate14.jpg"> +<img border="0" src="images/plate14.jpg" width="30%" alt="Plate 14" /></a><br /><br /> +<div class="block"> +<p class="cen" style="margin-top: .2em;"><span class="sc">Fig. 17.</span> Cape Vancouver throwing-stick, front and back.</p> +</div></div> + + +<h4>PLATE XV.</h4> + +<p class="cen">(Mason. Throwing-sticks.)</p> + +<div class="block"> +<p class="hang"><span class="sc">Figs. 18, 19.</span> Bristol Bay type. In no essential characters do +these sticks differ from those of Nunivak. The handle is smaller, and +they appear to have been made with steel tools. Fig. 18 collected by +C.L. McKay, at Bristol Bay, Alaska, in 1883. Museum number, 72398. Fig. +19 collected by William J. Fisher, at Kadiak, in 1884. Museum number, +90467.</p></div> + +<br /> + +<div class="img"> +<a href="images/plate15.jpg"> +<img border="0" src="images/plate15.jpg" width="46%" alt="Plate 15" /></a><br /><br /> +<div class="block"> +<p class="cen" style="margin-top: .2em;"><span class="sc">Fig. 18.</span> Bristol Bay throwing-stick, front and back.<br /> +<span class="sc">Fig. 19.</span> Bristol Bay throwing-stick, front and back. +</p> +</div></div> + + +<h4>PLATE XVI.</h4> + +<p class="cen">(Mason. Throwing-sticks.)</p> + +<div class="block"> +<p class="hang"><span class="sc">Fig. 20.</span> Unalashkan throwing-stick. It would be better to call +this form the Southern type. The noticeable features in all our +specimens are the parallel sides, the hard material, thinness, the +carving for the fingers, but above all the reappearance of the eccentric +cavity for the index finger. This cavity is not a great perforation, as +in the Point Barrow type, but an eccentric pocket, a compromise between +the Northern cavity and that of the East. Collected by Sylvanus Bailey, +at Unalashka, in 1874. Museum number, 16076.</p></div> + +<br /> + +<div class="img"> +<a href="images/plate16.jpg"> +<img border="0" src="images/plate16.jpg" width="23%" alt="Plate 16" /></a><br /><br /> +<div class="block"> +<p class="cen" style="margin-top: .2em;"><span class="sc">Fig. 20.</span> Unalashkan throwing-stick, front and back.</p> +</div></div> + + +<h4>PLATE XVII.</h4> + +<p class="cen">(Mason. Throwing-sticks.)</p> + +<div class="block"> +<p class="hang"><span class="sc">Figs. 21, 22.</span> Throwing-sticks of the Southern type. Fig. 21 is +left-handed, collected by Dr. T.T. Minor, at Kadiak, in 1869. Museum +number, 7933. Fig. 22 collected by W.H. Dall, at Unalashka, in 1873. +Museum number, 12981. At Sitka two specimens were collected, +unfortunately not figured, with the following characters laid down in +the beginning of this paper: 1. Short, very narrow and deep, and carved +all over with devices. 2. No handle distinct from the body. 3, 4, 5, 6. +All wanting. 7. The index-finger cavity is near the center of the back, +very like a thimble. Indeed this is a very striking feature. 8. The +shaft groove occupies only the lower half of the upper surface. 9. The +spur for the end of the weapon shaft is a long piece of iron like a +knife-blade driven into the wood, with the edge toward the weapon +shaft.</p></div> + +<br /> + +<div class="img"> +<a href="images/plate17.jpg"> +<img border="0" src="images/plate17.jpg" width="45%" alt="Plate 17" /></a><br /><br /> +<div class="block"> +<p class="cen" style="margin-top: .2em;"><span class="sc">Fig. 21.</span> Kadiak throwing-stick, front and back, left handed.<br /> +<span class="sc">Fig. 22.</span> Unalashkan throwing-stick, front and back.</p> +</div></div> + + +<br /> +<br /> +<br /> +<br /> +<hr /> +<br /> +<br /> + +<div class="tr"> +<p class="cen"><a name="TN" id="TN"></a>Typographical errors corrected in text:</p> +<br /> +<p style="margin-left: 5em; text-indent: -5em;">Page 282: not fastened in its groove in cannot be hurled." changed to "not fastened in its groove it cannot be hurled."</p> +<p class="noin">Page 286: Sabotinsky replaced with Sabotnisky.</p> +</div> + +<br /> +<br /> +<hr /> +<br /> + + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of Throwing-sticks in the National Museum, by +Otis T. Mason + +*** END OF THIS PROJECT GUTENBERG EBOOK THROWING-STICKS *** + +***** This file should be named 17606-h.htm or 17606-h.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/1/7/6/0/17606/ + +Produced by A www.PGDP.net Volunteer, Suzanne Lybarger, +Jeannie Howse and the Online Distributed Proofreading Team +at http://www.pgdp.net (This file was produced from images +generously made available by the Canadian Institute for +Historical Microreproductions (www.canadiana.org)) + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + +</body> +</html> diff --git a/17606-h/images/plate01.jpg b/17606-h/images/plate01.jpg Binary files differnew file mode 100644 index 0000000..8b449b9 --- /dev/null +++ b/17606-h/images/plate01.jpg diff --git a/17606-h/images/plate02.jpg b/17606-h/images/plate02.jpg Binary files differnew file mode 100644 index 0000000..b8e1a26 --- /dev/null +++ b/17606-h/images/plate02.jpg diff --git a/17606-h/images/plate03.jpg b/17606-h/images/plate03.jpg Binary files differnew file mode 100644 index 0000000..43fc08d --- /dev/null +++ b/17606-h/images/plate03.jpg diff --git a/17606-h/images/plate04.jpg b/17606-h/images/plate04.jpg Binary files differnew file mode 100644 index 0000000..363f7c2 --- /dev/null +++ b/17606-h/images/plate04.jpg diff --git a/17606-h/images/plate05.jpg b/17606-h/images/plate05.jpg Binary files differnew file mode 100644 index 0000000..07322bc --- /dev/null +++ b/17606-h/images/plate05.jpg diff --git a/17606-h/images/plate06.jpg b/17606-h/images/plate06.jpg Binary files differnew file mode 100644 index 0000000..3bfd042 --- /dev/null +++ b/17606-h/images/plate06.jpg diff --git a/17606-h/images/plate07.jpg b/17606-h/images/plate07.jpg Binary files differnew file mode 100644 index 0000000..39905e0 --- /dev/null +++ b/17606-h/images/plate07.jpg diff --git a/17606-h/images/plate08.jpg b/17606-h/images/plate08.jpg Binary files differnew file mode 100644 index 0000000..3abb60c --- /dev/null +++ b/17606-h/images/plate08.jpg diff --git a/17606-h/images/plate09.jpg b/17606-h/images/plate09.jpg Binary files differnew file mode 100644 index 0000000..b03dab0 --- /dev/null +++ b/17606-h/images/plate09.jpg diff --git a/17606-h/images/plate10.jpg b/17606-h/images/plate10.jpg Binary files differnew file mode 100644 index 0000000..32f9374 --- /dev/null +++ b/17606-h/images/plate10.jpg diff --git a/17606-h/images/plate11.jpg b/17606-h/images/plate11.jpg Binary files differnew file mode 100644 index 0000000..7e59bcb --- /dev/null +++ b/17606-h/images/plate11.jpg diff --git a/17606-h/images/plate12.jpg b/17606-h/images/plate12.jpg Binary files differnew file mode 100644 index 0000000..5dd643b --- /dev/null +++ b/17606-h/images/plate12.jpg diff --git a/17606-h/images/plate13.jpg b/17606-h/images/plate13.jpg Binary files differnew file mode 100644 index 0000000..c87e6fb --- /dev/null +++ b/17606-h/images/plate13.jpg diff --git a/17606-h/images/plate14.jpg b/17606-h/images/plate14.jpg Binary files differnew file mode 100644 index 0000000..ca9c2ba --- /dev/null +++ b/17606-h/images/plate14.jpg diff --git a/17606-h/images/plate15.jpg b/17606-h/images/plate15.jpg Binary files differnew file mode 100644 index 0000000..33d7787 --- /dev/null +++ b/17606-h/images/plate15.jpg diff --git a/17606-h/images/plate16.jpg b/17606-h/images/plate16.jpg Binary files differnew file mode 100644 index 0000000..67d934e --- /dev/null +++ b/17606-h/images/plate16.jpg diff --git a/17606-h/images/plate17.jpg b/17606-h/images/plate17.jpg Binary files differnew file mode 100644 index 0000000..01e7152 --- /dev/null +++ b/17606-h/images/plate17.jpg diff --git a/17606.txt b/17606.txt new file mode 100644 index 0000000..3c97fec --- /dev/null +++ b/17606.txt @@ -0,0 +1,1307 @@ +Project Gutenberg's Throwing-sticks in the National Museum, by Otis T. Mason + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Throwing-sticks in the National Museum + Third Annual Report of the Bureau of Ethnology to the + Secretary of the Smithsonian Institution, 1883-'84, + Government Printing Office, Washington, 1890, pages 279-289 + +Author: Otis T. Mason + +Release Date: January 25, 2006 [EBook #17606] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK THROWING-STICKS *** + + + + +Produced by A www.PGDP.net Volunteer, Suzanne Lybarger, +Jeannie Howse and the Online Distributed Proofreading Team +at http://www.pgdp.net (This file was produced from images +generously made available by the Canadian Institute for +Historical Microreproductions (www.canadiana.org)) + + + + + + + * * * * * + + +--------------------------------------------------------------+ + | Transcriber's Note: | + | A number of obvious typographical errors have | + | been corrected in this text. | + | For a complete list, please see the bottom of this document. | + +--------------------------------------------------------------+ + + * * * * * + + + + + +SMITHSONIAN INSTITUTION. +UNITED STATES NATIONAL MUSEUM. + + +THROWING-STICKS IN THE NATIONAL +MUSEUM. + + +OTIS T. MASON, +_Curator of the Department of Ethnology_ + + +From the Report of the Smithsonian Institution, 1883-'84, +Part II, pages 279-289, and plates I-XVII + +WASHINGTON: +GOVERNMENT PRINTING OFFICE. +1890. + + + + +I.--THROWING-STICKS IN THE NATIONAL MUSEUM. + +By Otis T. Mason. + + +Col. Lane Fox tells us there are three areas of the throwing-stick: +Australia, where it is simply an elongated spindle with a hook at the +end; the country of the Conibos and the Purus, on the Upper Amazon, +where the implement resembles that of the Australians, and the +hyperborean regions of North America. + +It is of this last group that we shall now speak, since the National +Museum possesses only two specimens from the first-named area and none +whatever from the second. + +The researches and collections of Bessels, Turner, Boas, Hall, Mintzner, +Kennicott, Ray, Murdoch, Nelson, Herendeen, and Dall, to all of whom I +acknowledge my obligations, enable me to compare widely separated +regions of the hyperborean area, and to distinguish these regions by the +details in the structure of the throwing-stick. + +The method of holding the throwing-stick is indicated in Fig. 1 by a +drawing of H.W. Elliott. The Eskimo is just in the act of launching the +light seal harpoon. The barbed point will fasten itself into the animal, +detach itself from the ivory foreshaft, and unwind the rawhide or sinew +line, which is securely tied to both ends of the light wooden shaft by a +martingale device. The heavy ivory foreshaft will cause the shaft to +assume an upright position in the water, and the whole will act as a +drag to impede the progress of the game. The same idea of impeding +progress and of retrieving is carried out by a multitude of devices not +necessary to mention here. + +The Eskimo spend much time in their skin kyaks, from which it would be +difficult to launch an arrow from a bow, or a harpoon from the unsteady, +cold, and greasy hand. This device of the throwing-stick, therefore, is +the substitute for the bow or the sling, to be used in the kyak, by a +people who cannot procure the proper materials for a heavier +lance-shaft, or at least whose environment is prejudicial to the use of +such a weapon. Just as soon as we pass Mount St. Elias going southward, +the throwing-stick, plus the spear or dart of the Eskimo and the Aleut, +gives place to the harpoon with a long, heavy, cedar shaft, weighing 15 +or 20 pounds, whose momentum from both hands of the Indian, without the +throw-stick, exceeds that of the Eskimo and Aleut darts and harpoons, +with the additional velocity imparted by the throwing-stick. It must not +be forgotten, also, that the kyak is a very frail, unsteady thing, and +therefore not much of the momentum of the body can be utilized, as it is +by the Northwest Indians in making a lunge with a heavy shaft. The +throwing-stick is also said by some arctic voyagers to be useful in +giving directness of aim. Perhaps no other savage device comes so near +in this respect to a gun barrel or the groove of a bow-gun. Its greatest +advantages, however, are the firm grip which it gives in handling a +harpoon or dart, and the longer time which it permits the hunter to +apply the force of his arm to the propulsion of his weapon. Having +practiced with a throwing-stick somewhat, I have imagined also that +there was a certain amount of leverage acquired by the particular method +of holding the stick and straightening the arm, as in a toggle joint. +That implement, which seems so simple, and which is usually mentioned +and dismissed in a word, possesses several marks or organs, which help +to distinguish the locality in which each form occurs, as well as to +define the associations of the implement as regards the weapon thrown +from it and the game pursued. These marks are: + +1. Shape, or general outline in face and side view, and size. + +2. Handle, the part grasped in the hand. + +3. Thumb-groove or thumb-lock, provision for the firm and comfortable +insertion of the phalanx and ball of the thumb. + +4. Finger-grooves, provision for each finger according to its use in the +manipulation of the implement. + +5. Finger-pegs, little plugs of wood or ivory to give more certain grip +for the fingers and to prevent their slipping. The devices for the +fingers are the more necessary where the hands are cold and everything +is covered with grease. + +6. Finger-tip cavities, excavations on the front face of the implement, +into which the tips of the three last fingers descend to assist in +grasping and to afford a rest on the back of these fingers for the +weapon shaft. + +7. Index-finger cavity or hole, provision for the insertion of the index +finger, which plays a very important part in the use of the +throwing-stick. + +8. Spear shaft groove, in which the shaft of the weapon lies, as an +arrow or bolt in the groove of a bow-gun. + +9. Hook or spur, provision for seizing the butt end of the weapon while +it is being launched. These may be ridges left in the wood by +excavation, or pieces of wood, bone, ivory, &c., inserted. The size and +shape of this part, and the manner of insertion, are also worthy of +notice. + +10. Edges: this feature is allied to the form and not to the function of +the implement. + +11. Faces: upper, on which the weapon rests; lower, into which the index +finger is inserted. + +The figures illustrating this article are drawn to a scale indicated by +inch marks in the margin, every dot on the line standing for an inch. + +By the presence or absence, by the number or the shape of some of these +marks or structural characteristics, the type and locality can be easily +detected. The Eskimo have everywhere bows and arrows for land hunting, +the former made of several pieces of bone lashed together, or of a piece +of driftwood lashed and re-enforced with sinew. The arrows are of +endless variety. + +It should also be noticed that the kind of game and the season of the +year, the shape and size of the spear accompanying the stick, and the +bare or gloved hand, are all indicated by language expressed in various +parts of this wonderful throwing-stick. + + +GREENLAND TYPE. + +The Greenland throwing-stick is a long, flat trapezoid, slightly ridged +along the back (Fig. 2). It has no distinct handle at the wide end, +although it will be readily seen that the expanding of this part secures +a firm grip. A chamfered groove on one side for the thumb, and a smaller +groove on the other side for the index finger, insure the implement +against slipping from the hunter's grasp. Marks 5, 6, 7 of the series on +page 280 are wanting in the Greenland type. The shaft-groove, in which +lies the shaft of the great harpoon, is wide, deep, and rounded at the +bottom. There is no hook, as in all the other types, to fit the end of +the harpoon shaft, but in its stead are two holes, one in the front end +of the shaft-groove, between the thumb-groove and the finger-groove, +with an ivory eyelet or grommet for a lining, the other at the distal +end of the shaft-groove, in the ivory piece which is ingeniously +inserted there to form that extremity. This last-mentioned hole is not +cylindrical like the one in front, but is so constructed as to allow the +shaft-peg to slide off easily. These holes exactly fit two ivory pegs +projecting from the harpoon shaft. When the hunter has taken his +throwing-stick in his hand he lays his harpoon shaft upon it so that the +pegs will fall in the two little holes of the stick. By a sudden jerk of +his hand the harpoon is thrown forward and released, the pegs drawing +out of the holes in the stick. At the front end of the throwing-stick a +narrow piece of ivory is pegged to prevent splitting. As before +intimated, this type of throwing-stick is radically different from all +others in its adjustment to the pegs on the heavy harpoon. In all other +examples in the world the hook or spur is on the stick and not on the +weapon. + + +UNGAVA TYPE. + +One specimen from Fort Chimo in this region, southeast of Hudson Bay, +kindly lent by Mr. Lucien Turner, is very interesting, having little +relation with that from Greenland (which is so near geographically), and +connecting itself with all the other types as far as Kadiak, in Alaska +(Fig. 3). The outline of the implement is quite elaborate and +symmetrical, resembling at the hook end a fiddle-head, and widening +continuously by lateral and facial curves to the front, where it is thin +and flat. A slight rounded notch for the thumb, and a longer chamfer for +three fingers, form the handle. Marks 5 and 6 are wanting. The cavity +for the index finger extends quite through the implement, as it does in +all cases where it is on the side of the harpoon-shaft groove, and not +directly under it. The shaft groove is shallow, and the hook at the +lower extremity is formed by a piece of ivory inserted in a parallel +groove in the fiddle-head and fastened with pegs. It is as though a +saw-cut one-eighth inch wide had been made longitudinally through the +fiddle-head and one-half inch beyond, and the space had been filled with +a plate of ivory pared down flush with the wood all round, excepting at +the projection left to form the hook or spur for the harpoon shaft. This +peg or spur fits in a small hole in the butt of the harpoon or spear +shaft and serves to keep the weapon in its place until it is launched +from the hand. The Ungava spear is heavier than that of the western +Eskimo, hence the stick and its spur are proportionately larger. It is +well to observe carefully the purport of the spur. A javelin, assegai, +or other weapon hurled from the hand is seized in the center of gravity. +The Greenland spears have the pegs for the throwing-stick sometimes at +the center of gravity, sometimes at the butt end. In all other uses of +the throwing-stick the point of support is behind the center of gravity, +and if the weapon is not fastened in its groove it cannot be hurled. +This fastening is accomplished by the backward leaning of the peg in the +Greenland example, and by the spur on the distal end of the +throwing-stick in all other cases. + + +CUMBERLAND GULF TYPE. + +The Cumberland Gulf type is the clumsiest throwing-stick in the Museum, +and Dr. Franz Boas recognizes it as a faithful sample of those in use +throughout Baffin Land (Fig. 4). + +In general style it resembles Mr. Turner's specimens from Ungava; but +every part is coarser and heavier. It is made of oak, probably obtained +from a whaling vessel. Instead of the fiddle-head at the distal end we +have a declined and thickened prolongation of the stick without +ornament. There is no distinct handle, but provision is made for the +thumb by a deep, sloping groove; for the index-finger by a perforation, +and for the other three fingers by separate grooves. These give a +splendid grip for the hunter, but the extraordinary width of the handle +is certainly a disadvantage. There are two longitudinal grooves on the +upper face; the principal one is squared to receive the rectangular +shaft of the bird spear; the other is chipped out for the tips of the +fingers, which do not reach across to the harpoon shaft, owing to the +clumsy width of the throwing-stick. In this example, the hook for the +end of the bird-spear shaft is the canine tooth of some animal driven +into the wood at the distal end of the long-shaft groove. + + +FURY AND HECLA STRAITS TYPE. + +In Parry's Second Voyage (p. 508) is described a throwing-stick of +Igloolik, 18 inches long, grooved for the shaft of the bird-spear, and +having a spike for the hole of the shaft, and a groove for the thumb and +for the fingers. The index-finger hole is not mentioned, but more than +probably it existed, since it is nowhere else wanting between Ungava and +Cape Romanzoff in Alaska. This form, if properly described by Parry, is +between the Ungava and the Cumberland Gulf specimen, having no kinship +with the throwing-stick of Greenland. The National Museum should possess +an example of throwing-stick from the Fury and Hecla Straits. + + +ANDERSON RIVER TYPE. + +The Anderson River throwing-stick (and we should include the Mackenzie +River district) is a very primitive affair in the National Museum, being +only a tapering flat stick of hard wood (Fig. 5). Marks 2, 3, 4, 5, and +6 are wanting. The index-finger cavity is large and eccentric and +furnishes a firm hold. The shaft-groove is a rambling shallow slit, not +over half an inch wide. There is no hook or spur of foreign material +inserted for the spear end; but simply an excavation of the hard wood +which furnishes an edge to catch a notch in the end of the dart. Only +one specimen has been collected from this area for the National Museum; +therefore it is unsafe to make it typical, but the form is so unique +that it is well to notice that the throwing-stick in Eskimoland has its +simplest form in the center and not in the extremities of its whole +area. It is as yet unsafe to speculate concerning the origin of this +implement. A rude form is as likely to be a degenerate son as to be the +relic of a barbaric ancestry. Among the theories of origin respecting +the Eskimo, that which claims for them a more southern habitat long ago +is of great force. If, following retreating ice, they first struck the +frozen ocean at the mouth of Mackenzie's River and then invented the +kyak and the throwing-stick, thence we may follow both of these in two +directions as they depart from a single source. + + +POINT BARROW TYPE. + +Through the kindness of Mr. John Murdoch, I have examined a number from +this locality, all alike, collected in the expedition of Lieutenant Ray, +U.S.A. (Fig. 6). They are all of soft wood, and in general outline they +resemble a tall amphora, bisected, or with a slice cut out of the middle +longitudinally. There is a distinct "razor-strop" handle, while in those +previously described the handle is scarcely distinct from the body. +Marks 3, 4, 5, and 6 are wanting. The index-finger hole is very large +and eccentric, forming the handle of the "amphora." The groove for the +harpoon or spear-shaft commences opposite the index-finger cavity as a +shallow depression, and deepens gradually to its other extremity, where +the hook for the spear-shaft is formed by an ivory peg. This form is +structurally almost the same as the Anderson River type, only it is much +better finished. + + +KOTZEBUE SOUND TYPE. + +The Kotzebue Sound type is an elongated truncated pyramid, or obelisk, +fluted on all sides (Fig. 7). The handle is in the spiral shape so +frequent in Eskimo skin-scrapers from Norton Sound and vicinity, and +exactly fits the thumb and the last three fingers. Marks 5 and 6 are +wanting. The index cavity is a _cul de sac_, into which the forefinger +is to be hooked when the implement is in use. Especial attention is +called to this characteristic because it occurs here for the first time +and will not be seen again after we pass Cape Vancouver. From Ungava to +Point Barrow the index-finger hole is eccentric and the finger passes +quite through the implement and to the right of the harpoon or +spear-shaft. In the Kotzebue type the index finger cavity is subjacent +to the spear-shaft groove, consequently the forefinger would be wounded +or at least in the way by passing through the stick. The spear or +harpoon-shaft groove is wide and shallow and passes immediately over the +index cavity. The hook is of ivory and stands up above the wood. It +needs only to be mentioned that this type, as well as those with +eccentric forefinger perforations are used with the naked hand. + +In the quarto volume of Beechey's Voyage, page 324, is mentioned a +throwing-stick from Eschscholtz Bay, with a hole for the forefinger and +a notch for the thumb, the spear being placed in the groove and embraced +by the middle finger and the thumb. This last assertion is very +important. When I first began to examine a large number of the +implements, I could not explain the cavities for the finger-tips until +this note suggested that the shaft rides outside of and not under the +fingers. To test the matter I had a throwing-stick made to fit my hand, +and found that the spear could get no start if clamped close to the +throwing-stick by all the fingers; but if allowed to rest on the back of +the fingers or a part of them, and it is held fast, by the thumb and +middle finger, it had just that small rise which gave it a start from +the propelling instrument. + +In the national collection is a specimen marked Russian America, +collected by Commodore John Rodgers, resembling in many respects the +Kotzebue Sound type. The handle is of the same razor-strop shape, but on +the upper side are three deep depressions for the finger-tips. In +several of the objects already described provision is made for the tips +of the last three fingers by means of a gutter or slight indentations. +But in no other examples is there such pronounced separation of the +fingers. In very many of the Norton Sound skin-dressers, composed of a +stone blade and ivory handle, the fingers are separated in exactly the +same manner. These skin-dressers are from the area just south of +Kotzebue Sound. The back of the Rodgers specimen is ornamented in its +lower half by means of grooves. In its upper half are represented the +legs and feet of some animal carved out in a graceful manner. The +index-finger cavity is central and is seen on the upper side by a very +slight rectangular perforation, which, however, does not admit the +extrusion of any part of the index-finger. The upper surface is formed +by two inclined planes meeting in the center. Along this central ridge +is excavated the groove for the spear-shaft, deep at its lower end and +quite running out at its upper extremity. The hook for the end of the +harpoon-shaft in this specimen resembles that seen on the +throwing-sticks of the region south of Cape Vancouver. The whole +execution of this specimen is so much superior to that of any other in +the Museum and the material so different as to create the suspicion that +it was made by a white man, with steel tools (Fig 8). + + +EASTERN SIBERIAN TYPE. + +The National Museum has no throwing-stick from this region, but +Nordenskjoeld figures one in the Voyage of Vega (p. 477, Fig. 5), which +is as simple as the one from Anderson River, excepting that the former +has a hook of ivory, while the latter has a mere excavation to receive +the cavity on the end of the weapon. Nordenskjoeld's bird-spear +accompanying the stick has a bulb or enlargement of the shaft at the +point opposite the handle of the throwing-stick, which is new to the +collection of the National Museum. Indeed, a systematic study should now +be made of the Siberian throwing-sticks to decide concerning the +commercial relationships if not the consanguinities of the people of +that region. + + +PORT CLARENCE AND CAPE NOME TYPE. + +The specimens from this area are more or less spatulate in form, but +very irregular, with the handle varying from that of the razor-strop to +the spiral, twisted form of the Eskimo skin-scraper (Fig. 9). On the +whole, these implements are quite similar to the next group. A section +across the middle of the implement would be trapezoidal with incurved +sides. In two of the specimens not figured these curved sides are +brought upward until they join the upper surface, making a graceful +ornament. The handles are not symmetrical, the sides for the thumb being +shaved out so as to fit the muscles conveniently. Places for the fingers +are provided thus: There is an index-finger cavity quite through the +stick indeed, but the index-finger catches in the interior of the wood +and does not pass through as in the eastern Arctic types. The middle +finger rests against an ivory or wooden peg. This is the first +appearance of this feature. It will be noted after this on all the +throwing-sticks as the most prominent feature until we come to Kadiak, +but the Unalashkans do not use it on their throwing-sticks. Cavities for +the three last finger-tips are not always present, and the hooks at the +distal ends for the extremities of the weapons are very large plugs of +wood or ivory and have beveled edges rather than points for the +reception of the butt end of the weapon to be thrown. + + +NORTON SOUND TYPES. + +These types extend from Cape Darby around to Cape Dyer, including part +of Kaviagmut, the Mahlemut, the Unaligmut, and the Ekogmut area of Dall, +and extending up the Yukon River as far as the Eskimo, who use this +weapon. The characteristics are the same as those of the last named +area, excepting that in many specimens there are two finger-pegs instead +of one, the first peg inclosing the middle finger, the second the +ring-finger and the little finger (Figs. 10-13). A single specimen +collected by Lucien Turner at Saint Michael's has no index cavity, the +forefinger resting on the first peg and the other three fingers passing +between this and the outer peg (Fig. 14). Another specimen of Nelson's, +marked Sabotinsky, has the index-finger cavity and one finger-peg. The +finger-tip cavity on the upper surface of the handle forms the figure of +a water-bird, in which the heart is connected with the mouth by a curved +line, just as in the pictography of the more southern Indians. + +The Yukon River Eskimo use a throwing-stick quite similar to the Norton +Sound type. The characteristics are very pronounced. Thumb-groove deep, +index-finger cavity so long as to include the first joint. The hook for +the spear-end formed by the edge of a plug of hard wood. The middle +finger is separated by a deep groove and peg. The ring and little finger +are inclosed by the peg and a sharp projection at the upper end of the +handle. + + +NUNIVAK ISLAND AND CAPE VANCOUVER TYPE. + +In this region a great change comes over the throwing-stick, just as +though it had been stopped by Cape Romanzoff, or new game had called for +modification, or a mixing of new peoples had modified their tools (Figs. +15-17). The index-finger cavity and the hole for the index finger are +here dropped entirely, after extending from Greenland uninterruptedly to +Cape Romanzoff. The handle is conspicuously wide, while the body of the +implement is very slender and light. The thumb-groove is usually +chamfered out very thoroughly so as to fit the flexor muscle +conveniently. There are frequently finger-grooves and finger-tip +cavities in addition to the pegs. The cavity for the index finger having +disappeared, provision is made for that important part of the hand by a +separate peg and groove. The middle finger is also pegged off, and the +last two fingers have to shift for themselves. The hook for the shaft of +the weapon has a fine point like a little bead, the whole implement +being adapted to the light seal-harpoon darts. Mr. Dall collected a +large number of two-pegged sticks from Nunivak Island and four +three-pegged sticks labeled the same. Mr. Nelson also collected four +three-pegged sticks, but labels them Kushunuk; Cape Vancouver, on the +mainland opposite Nunivak (Fig. 17). In these three-pegged sticks the +ring-finger and the little finger are inclosed together. This should be +compared with Mr. Turner's Saint Michael specimen, in which the last +three fingers are inclosed together (Fig. 14). It remains to be seen and +is worthy of investigation whether crossing a narrow channel would add a +peg to the throwing-stick. One of these Nunivak specimens is +left-handed. + + +BRISTOL BAY TYPE. + +The throwing-stick from Bristol Bay resembles in general characteristics +those from Nunivak Island and Cape Vancouver. In outline it has the +shape of the broadsword. Its cross-section is bayonet-shaped. It has no +distinct handle beyond a slight projection from the end. The +thumb-groove is shallow and chamfered on the lower side to fit exactly. +There is a long, continuous notch for the four fingers, in which the +index finger and the middle finger are set off by pegs. There is a +depression, more or less profound, to receive the tips of the fingers. +The groove for the harpoon or spear-shaft is at the lower extremity and +runs out entirely near the index finger. The ivory plug at its lower +extremity is beveled to receive a notch in the end of the spear or +harpoon shaft (Figs. 18-19). + +A freshly-made implement, looking as if cut out by machinery, resembling +closely those just described, is labeled Kadiak. The constant traffic +between Bristol Bay and Kadiak, across the Alaskan peninsula, may +account for the great similarity of these implements. Furthermore, since +the natives in this region and southward have been engaged for more than +a century in fur-sealing for the whites, there is not the slightest +doubt that implements made by whites have been introduced and slightly +modified by the wearer to fit his hand. + + +KADIAK OR UNALASHKA TYPE. + +In the National Museum are four throwing-sticks, one of them +left-handed, exactly alike--two of them marked Kadiak and two Unalashka +(Figs. 20-22). They return to the more primitive type of the area from +Kotzebue Sound to Greenland, indicating that the implement culminated in +Norton Sound. In outline this southern form is thin and straight-sided, +and those in possession are all of hard wood. The back is carved in +ridges to fit the palm of the hand and muscles of the thumb. There is no +thumb-groove, the eccentric index-finger hole of the Northern and +Eastern Eskimo is present in place of the central cavity of the area +from Kotzebue Sound to Cape Vancouver, and there is a slight groove for +the middle finger. Marks 5 and 6 are wanting. The shaft-groove is very +slight, even at its lower extremity, and runs out in a few inches toward +the handle. The hook for the end of the weapon resembles that of +Nunivak, but is more rounded at the point. Of the Eskimo of Prince +William Sound, the extreme southern area of the Eskimo on the Pacific, +Captain Cook says, in the narrative of his last voyage: "Their longer +darts are thrown by means of a piece of wood about a foot long, with a +small groove in the middle which receives the dart. At the bottom is a +hole for the reception of one finger, which enables them to grasp the +piece of wood much firmer and to throw with greater force." Captain +Cook's implement corresponds exactly to the specimens just described and +renders it probable that this thin, parallel-sided, shallow-grooved +throwing-stick, with index-finger hole placed at one side of the +spear-shaft groove, extended all along the southern border of Eskimoland +as far as the Aleuts of Unalashka and Attoo. In addition to the +information furnished by the specimens in hand, Dr. Stejneger describes +a similar stick in use in the island of Attoo. On the contrary, Mr. +Elliott assures me that Aleutian fur-sealers of Pribylov Island use +throwing-sticks precisely similar to those of Norton Sound and Nunivak. + +This list might be extended further by reference to authorities, but +that is from the purpose of this article and the series of ethnological +papers commenced in this volume. The most perfect throwing-stick of all +is that of the Mahlemut, in Norton Sound, in which are present the +handle, thumb-groove, finger-grooves, and pegs, cavities for the +finger-tips, index finger cavity, shaft-groove, and hook for the +harpoon. In short, all the characteristics present on the rest are +combined here. + +Classifications of these implements may be varied according to the organ +selected. As to the hook for the attachment of the weapon, in Greenland +this is on the shaft, in all other parts of the world it is on the +throwing-stick. As to the index finger, there is for its reception, from +Point Barrow to Greenland, an eccentric hole quite through which the +finger passes. From Kotzebue Sound to Norton Sound there is a central +pocket on the back of the weapon, directly under the groove, for the +shaft of the weapon to receive the index finger. From Cape Vancouver to +Bristol Bay an ivory or wooden peg serves this purpose. At Kadiak and +Unalashka the eccentric index-finger hole returns. + +It is more than probable that further investigation will destroy some of +the types herein enumerated or merge two more of them into one; but it +will not destroy the fact that in changing from one environment to +another the hyperboreans were driven to modify their throwing-stick. + +A still more interesting inquiry is that concerning the origin of the +implement. It is hardly to be supposed that the simplest type, that of +Anderson River, was invented at once in its present form, for the +Australian form is ruder still, having neither hole for the index finger +nor groove for the weapon shaft. When we recall that the chief benefit +conferred by the throwing-stick is the ability to grasp firmly and +launch truly a greasy weapon from a cold hand, we naturally ask, have +the Eskimo any other device for the same purpose? They have. On the +shaft of the light-seal harpoon, thrown without the stick, and on the +heavy, ivory-weighted walrus-harpoon-shaft an ivory hand-rest is lashed +just behind the center of gravity. This little object is often +beautifully carved and prevents effectually the hand from slipping on +the shaft, even with the greatest lunge of the hunter. From this object +to the throwing-stick the way may be long and crooked, or there may be +no way at all. So far as the National Museum is concerned there is +nothing to guide us over this waste of ignorance. + + +THROWING-STICKS IN THE U.S. NATIONAL MUSEUM. + + +------+------------------------------------------+---------------------- +No. | Locality. | Collector. +------+------------------------------------------+---------------------- +32995 | Norton's Sound, Alaska | E.W. Nelson. +30013 | Cumberland Gulf | W.A. Mintzner, U.S.N. +33942 | Norton's Sound, Alaska | E.W. Nelson. +33897 | do. | Do. +33960 | do. | Do. +24336 | Saint Michael's Sound, Alaska | Lucien M. Turner. +24337 | do. | Do. +24338 | do. | Do. +46052 | Port Clarence, Alaska | W.H. Dall. +46053 | do. | Do. +49036 | Rasbonisky, L. Yukon | E.W. Nelson. +38849 | Yukon River | Do. +38605 | do. | Do. +36014 | Kushunuk, Sabotnisky, Alaska | Do. +36018 | Kuskunuk, Alaska | Do. +49001 | Sabotnisky, Alaska | Do. +49002 | do. | Do. +73327 | Unalashka | Catlin. + 2267 | Anderson River | R. Kennicott. +90467 | Ugashak | William J. Fisher. +44392 | Cape Nome, Alaska | E.W. Nelson. +72519 | Cook's Inlet | William J. Fisher. +16242 | Nunivak Island, Alaska | W.H. Dall. +16238 | do. | Do. +74126 | Holsteinberg, Greenland | George Merchant, jr. +12981 | Unalashka | W.H. Dall. +89901 | Point Barrow, Alaska | Lieut. P.H. Ray. +38669 | Chalitmut | E.W. Nelson. +24335 | Saint Michael's, Norton's Sound, Alaska | Lucien M. Turner. +33914 | do. | E.W. Nelson. + 7933 | Kadiak Island, Alaska | Dr. T.T. Minor, U.S.R.M. +36013 | Sabotnisky, Alaska | E.W. Nelson. +72398 | Bristol Bay, Alaska | Charles L. McKay. +16244 | Nunivak Island, Alaska | W.H. Dall. +11346 | Bristol Bay, Alaska | Vincent Colyer. +16235 | Kotzebue Sound, Alaska | E.P. Herenden. +15641 | Nunivak, Alaska | W.H. Dall. +16237 | do. | Do. +16239 | do. | Do. +16076 | Unalashka, Aleutian Islands | Sylvanus Bailey. +15647 | Nunivak, Alaska | W.H. Dall. +15645 | do. | Do. +16236 | do. | Do. +15642 | do. | Do. +15646 | do. | Do. +------+------------------------------------------+---------------------- + + +PLATE I. + +(Mason. Throwing-sticks.) + +Fig. 1. Eskimo launching a seal harpoon by means of the +throwing-stick. Mr. John Murdoch states that the hand is held much lower +by the Point Barrow Eskimo, the harpoon resting as low as the shoulder, +and that the movement of throwing the harpoon is quick, as in casting a +fly in fishing. + +[Illustration: Fig. 1. Eskimo using the throwing-stick.] + + +PLATE II. + +(Mason. Throwing-sticks.) + +Fig. 2. Greenland type of throwing-stick. The specific +characteristics are the broad form; the scanty grooves for thumb and +fingers; the absence of pegs, separate finger grooves, or index +perforation; but the most noteworthy are the two grommets or eyelets to +fit ivory pegs on the harpoon-shaft. The peculiar method of +strengthening the ends with ivory pieces should also be noted. From +Holsteinburg, Greenland, 1884. Catalogue number, 74126. + +[Illustration: Fig. 2. Greenland throwing-stick, back and +front.] + + +PLATE III. + +(Mason. Throwing-sticks.) + +Fig. 3. Ungava type of throwing-stick. The specific marks are +the general outline, especially the fiddle-head ornament at the bottom; +the bend upward at the lower extremity, the eccentric perforation for +the index finger, and the groove for three fingers. Collected at Ungava, +by Lucien M. Turner, 1884. Museum number, 76700. + +[Illustration: Fig. 3. Ungava throwing-stick, front and back.] + + +PLATE IV. + +(Mason. Throwing-sticks.) + +Fig. 4. Cumberland Gulf type of throwing-stick. The specific +marks are the broad clumsy form, the separate provision for the thumb +and each finger, the bent lower extremity, and the broad furrow for the +bird-spear. Accidental marks are the mending of the handle, the material +of the stick, and the canine tooth for the spur at the bottom of the +square groove. Collected in Cumberland Gulf, by W.A. Mintzer, in 1876. +Museum number, 30013. + +[Illustration: Fig. 4. Cumberland Gulf throwing-stick, back and +front.] + + +PLATE V. + +(Mason. Throwing-sticks.) + +Fig. 5. Anderson River type. The specific marks are the extreme +plainness of form, the lack of accommodations for the thumb and fingers, +excepting the eccentric index-finger hole, the poor groove for the +harpoon-shaft, and the absence of a hook or spur at the bottom of this +groove. The accidental marks are cuts running diagonally across the +back. In another specimen seen from the same locality the shaft groove +is squared after the manner of the Cumberland Gulf type. Collected at +the mouth of Anderson River, by R. Kennicott, in 1866. Museum number, +2267. + +Fig. 6. Point Barrow type. The specific marks are the distinct +handle without finger grooves, the very eccentric index-finger hole, the +method of inserting the spur for the shaft, and the harpoon-shaft groove +very shallow above and deep below. In the specimens shown by Mr. Murdoch +there is great uniformity of shape. Collected at Point Barrow, by Lieut. +P.H. Ray, in 1883. Museum number, 89902. + +[Illustration: Fig. 5. Anderson River throwing-stick, front and +back. +Fig. 6. Point Barrow throwing-stick, front and back.] + + +PLATE VI. + +(Mason. Throwing-sticks.) + +Fig. 7. Kotzebue Sound type. The specific marks are the twisted +handle, the broad shallow shaft groove, and, notably, the pocket for the +index-finger tip-visible on the lower side, but nearly absent from the +upper side, and lying directly under the shaft groove. In the examples +before noted all the holes for the index finger are to one side of this +shaft groove. Collected in Kotzebue Sound, by E.P. Herendeen, in 1874. +Museum number, 16235. + +Fig. 8. The Rodgers type, so called because the locality is +doubtful. In specific characters it resembles Fig. 7. The differences +are the three cavities for finger tips in the handle, the shaft groove +very shallow and running out before reaching the index-finger cavity, +and the delicate hook for the spear shaft resembling those farther +south. Since writing this paper two throwing-sticks from Sitka have been +seen in many respects resembling this form, but covered all over their +surfaces with characteristic Thlinkit mythological figures, and having +iron hooks at the lower end of the shaft groove. Collected by Commodore +John Rodgers, in 1867. Museum number, 2533. + +[Illustration: Fig. 7. Kotzebue Sound throwing-stick, front and +back. +Fig. 8. The Commodore Rodgers throwing-stick, front and back.] + + +PLATE VII. + +(Mason. Throwing-sticks.) + +Fig. 9. The Port Clarence and Cape Nome type. The notable +characteristics are the occurrence of an ivory peg in the handle for the +middle finger, the very small size of the handle, and the central +index-finger pocket central in position but quite piercing the stick. +Collected by E.W. Nelson, at Cape Nome, in 1880. Museum number, 44392. + +[Illustration: Fig. 9. Port Clarence and Cape Nome +throwing-stick, front and back.] + + +PLATE VIII. + +(Mason. Throwing-sticks.) + +Fig. 10. Norton Sound type, single-pegged variety. Except in +the better finish, this type resembles the one last described. Collected +by L.M. Turner, at Saint Michael's Island, in 1876. Museum number, +24338. + +[Illustration: Fig. 10. Norton Sound throwing-stick, front and +back.] + + +PLATE IX. + +(Mason. Throwing-sticks.) + +Fig. 11. Norton Sound type, two-pegged variety. In all +respects, excepting the number of pegs, this resembles Figs. 9 and 10. +In all of them the peg at the bottom of the groove is very clumsy. +Collected in Norton Sound, by E.W. Nelson, in 1878. Museum number, +32995. + +Fig. 12. Throwing-stick from Sabotnisky, on the Lower Yukon. It +belongs to the Norton Sound type. The cavity on the upper side of the +handle for the finger-tips is remarkable for the carving of a bird +resembling figures seen on objects made by the Western Indians of the +United States. Collected by E.W. Nelson, at Sabotnisky, in 1879. Museum +number, 36013. + +[Illustration: Fig. 11. Norton Sound throwing-stick, front and +back. +Fig. 12. Sabotnisky throwing-stick, front and back.] + + +PLATE X. + +(Mason. Throwing-sticks.) + +Fig. 13. Specimen from Yukon River, belonging to the Northern +Sound one-pegged variety. Collected by E.W. Nelson, in 1879. Museum +number, 38849. + +[Illustration: Fig. 13. Yukon River throwing-stick, front and +back.] + + +PLATE XI. + +(Mason. Throwing-sticks.) + +Fig. 14. Throwing-stick from Saint Michael's. This specimen is +very noteworthy on account of the absence of the index-finger pocket, a +mark characteristic of the Vancouver type, Fig. 17. If the middle peg of +the Vancouver example were removed the resemblance would be close, but +the clumsy spur at the bottom of the shaft groove is Norton Sound rather +than Nunivak. Collected by Lucien M. Turner, at Saint Michael's, in +1876. Museum number, 24335. + +[Illustration: Fig. 14. Saint Michael's throwing-stick, front +and back.] + + +PLATE XII. + +(Mason. Throwing-sticks.) + +Fig. 15. Nunivak type. The characteristic marks are the absence +of any cavity for the index finger, the nicely-fitting handle, the +disposition of the finger-pegs, and the delicate point on the ivory spur +at the bottom of the shaft groove. Collected by W.H. Dall, at Nunivak +Island, in 1874. Museum number, 16239. (This specimen is left-handed.) + +[Illustration: Fig. 15. Nunivak Island throwing-stick, front +and back, left-handed.] + + +PLATE XIII. + +(Mason. Throwing-sticks.) + +Fig. 16. Specimen from Nunivak, right-handed. The cuts on the +front and back are noteworthy. Collected by W.H. Dall, at Nunivak +Island, in 1874. Museum number, 16238. + +[Illustration: Fig. 16. Nunivak Island throwing-stick, front +and back.] + + +PLATE XIV. + +(Mason. Throwing-sticks.) + +Fig. 17. Specimen from Cape Vancouver. In all respects it is +like those of Nunivak, excepting a peg-rest for the little finger. +Collected by E.W. Nelson, at Cape Vancouver, in 1879. Museum number, +38669. + +[Illustration: Fig. 17. Cape Vancouver throwing-stick, front +and back.] + + +PLATE XV. + +(Mason. Throwing-sticks.) + +Figs. 18, 19. Bristol Bay type. In no essential characters do +these sticks differ from those of Nunivak. The handle is smaller, and +they appear to have been made with steel tools. Fig. 18 collected by +C.L. McKay, at Bristol Bay, Alaska, in 1883. Museum number, 72398. Fig. +19 collected by William J. Fisher, at Kadiak, in 1884. Museum number, +90467. + +[Illustration: Fig. 18. Bristol Bay throwing-stick, front and +back. +Fig. 19. Bristol Bay throwing-stick, front and back.] + + +PLATE XVI. + +(Mason. Throwing-sticks.) + +Fig. 20. Unalashkan throwing-stick. It would be better to call +this form the Southern type. The noticeable features in all our +specimens are the parallel sides, the hard material, thinness, the +carving for the fingers, but above all the reappearance of the eccentric +cavity for the index finger. This cavity is not a great perforation, as +in the Point Barrow type, but an eccentric pocket, a compromise between +the Northern cavity and that of the East. Collected by Sylvanus Bailey, +at Unalashka, in 1874. Museum number, 16076. + +[Illustration: Fig. 20. Unalashkan throwing-stick, front and +back.] + + +PLATE XVII. + +(Mason. Throwing-sticks.) + +Figs. 21, 22. Throwing-sticks of the Southern type. Fig. 21 is +left-handed, collected by Dr. T.T. Minor, at Kadiak, in 1869. Museum +number, 7933. Fig. 22 collected by W.H. Dall, at Unalashka, in 1873. +Museum number, 12981. At Sitka two specimens were collected, +unfortunately not figured, with the following characters laid down in +the beginning of this paper: 1. Short, very narrow and deep, and carved +all over with devices. 2. No handle distinct from the body. 3, 4, 5, 6. +All wanting. 7. The index-finger cavity is near the center of the back, +very like a thimble. Indeed this is a very striking feature. 8. The +shaft groove occupies only the lower half of the upper surface. 9. The +spur for the end of the weapon shaft is a long piece of iron like a +knife-blade driven into the wood, with the edge toward the weapon +shaft. + +[Illustration: Fig. 21. Kadiak throwing-stick, front and back, +left handed. +Fig. 22. Unalashkan throwing-stick, front and back.] + + + * * * * * + +Typographical errors corrected in text: + +Page 282: "not fastened in its groove in cannot be hurled." changed to + "not fastened in its groove it cannot be hurled." +Page 286: Sabotinsky replaced with Sabotnisky. + + * * * * * + + + + + + +End of the Project Gutenberg EBook of Throwing-sticks in the National Museum, by +Otis T. Mason + +*** END OF THIS PROJECT GUTENBERG EBOOK THROWING-STICKS *** + +***** This file should be named 17606.txt or 17606.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/1/7/6/0/17606/ + +Produced by A www.PGDP.net Volunteer, Suzanne Lybarger, +Jeannie Howse and the Online Distributed Proofreading Team +at http://www.pgdp.net (This file was produced from images +generously made available by the Canadian Institute for +Historical Microreproductions (www.canadiana.org)) + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/17606.zip b/17606.zip Binary files differnew file mode 100644 index 0000000..dd7a17e --- /dev/null +++ b/17606.zip diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..6814bb0 --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #17606 (https://www.gutenberg.org/ebooks/17606) |
