summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--17481-8.txt12881
-rw-r--r--17481-8.zipbin0 -> 246502 bytes
-rw-r--r--17481.txt12881
-rw-r--r--17481.zipbin0 -> 246417 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
7 files changed, 25778 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/17481-8.txt b/17481-8.txt
new file mode 100644
index 0000000..88f3c23
--- /dev/null
+++ b/17481-8.txt
@@ -0,0 +1,12881 @@
+The Project Gutenberg eBook, The Parts Men Play, by Arthur Beverley
+Baxter, et al
+
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+
+
+
+Title: The Parts Men Play
+
+
+Author: Arthur Beverley Baxter
+
+
+
+Release Date: January 9, 2006 [eBook #17481]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+
+***START OF THE PROJECT GUTENBERG EBOOK THE PARTS MEN PLAY***
+
+
+E-text prepared by Al Haines
+
+
+
+THE PARTS MEN PLAY
+
+by
+
+ARTHUR BEVERLEY BAXTER
+
+Author of "The Blower of Bubbles"
+
+With Foreword by Lord Beaverbrook
+
+
+
+
+
+
+
+McClelland & Stewart
+Publishers ======== Toronto
+Copyright, Canada, 1920
+By McClelland & Stewart, Limited, Toronto
+
+
+
+
+
+ THIS BOOK IS DEDICATED
+
+ TO THE MEMORY OF MY FATHER
+
+ JAMES BENNETT BAXTER
+
+ WHO BELIEVED THOUGHT TO BE MORE IMPORTANT
+ THAN THINGS, AND WHO WENT THROUGH THIS
+ WORLD DISPENSING GENIAL PHILOSOPHY
+ AND KINDLY HUMOUR TO ALL
+ WHO CAME WITHIN
+ HIS CIRCLE
+
+
+
+
+FOREWORD.
+
+Mr. Baxter is my countryman, and, as a Canadian, I commend _The Parts
+Men Play_, not only for its literary vitality, but for the freshness of
+outlook with which the author handles Anglo-American susceptibilities.
+
+A Canadian lives in a kind of half-way house between Britain and the
+United States. He understands Canada by right of birth; he can
+sympathise with the American spirit through the closest knowledge born
+of contiguity; his history makes him understand Britain and the British
+Empire. He is, therefore, a national interpreter between the two
+sundered portions of the race.
+
+It is this rôle of interpreter that Mr. Baxter is destined to fill, a
+rôle for which he is peculiarly suited, not only by temperament, but by
+reason of his experiences gained from his entrance into the world of
+London journalism and English literature.
+
+I do not know in what order the chapters of _The Parts Men Play_ were
+written, but it seems to me that as Mr. Baxter gets to grip with the
+realities of his theme, he begins to lose a certain looseness of touch
+which marks his opening pages. If so, he is showing the power of
+development, and to the artist this power is everything. The writer
+who is without it is a mere static consciousness weaving words round
+the creatures of his own imagination. The man who has it possesses a
+future, because he is open to the teaching of experience. And among
+the men with a future I number Mr. Baxter.
+
+Throughout the book his pictures of life are certainly arresting--taken
+impartially both in Great Britain and America. What could be better
+than some of his descriptions?
+
+The speech of the American diplomat at a private dinner is the truest
+defence and explanation of America's delay in coming into the war that
+I remember to have read. The scene is set in the high light of
+excitement, and the rhetorical phrasing of the speech would do credit
+to a famous orator.
+
+But I fear that I may be giving the impression that _The Parts Men
+Play_ is merely a piece of propagandist fiction--something from which
+the natural man shrinks back with suspicion. Nothing could be farther
+from the truth. Mr. Baxter's strength lies in the rapid flow and sweep
+of his narrative. His characterisation is clear and firm in outline,
+but it is never pursued into those quicksands of minute analysis which
+too often impede the stream of good story-telling.
+
+I am glad that a Canadian novelist should have given us a book which
+supports the promise shown by the author in _The Blower of Bubbles_,
+and marks him out for a distinguished future.
+
+If in the course of a novel of action he has something to teach his
+British readers about the American temperament, and his American public
+about British mentality, so much the better.
+
+
+BEAVERBROOK.
+
+
+
+
+CONTENTS.
+
+
+CHAPTER
+
+ I. LADY DURWENT DECIDES ON A DINNER
+ II. CONCERNING LADY DURWENT'S FAMILY
+ III. ABOUT A TOWN HOUSE
+ IV. PROLOGUE TO A DINNER-PARTY
+ V. THE OLYMPIANS THUNDER
+ VI. A MORNING IN NOVEMBER
+ VII. THE CAFE ROUGE
+ VIII. INTERMEZZO
+ IX. A HOUSE-PARTY AT ROSELAWN
+ X. GATHERING SHADOWS
+ XI. THE RENDING OF THE VEIL
+ XII. THE HONOURABLE MALCOLM DURWENT STARTS ON A JOURNEY
+ XIII. THE MAN OF SOLITUDE
+ XIV. STRANGE CRAFT
+ XV. DICK DURWENT
+ XVI. THE FEMININE TOUCH
+ XVII. MOONLIGHT
+ XVIII. ELISE
+ XIX. EN VOYAGE
+ XX. THE GREAT NEUTRAL
+ XXI. A NIGHT IN JANUARY
+ XXII. THE CHALLENGE
+ XXIII. THE SMUGGLER BREED
+ XXIV. THE SENTENCE
+ XXV. THE FIGHT FOR THE BRIDGE
+ XXVI. THE END OF THE ROAD
+ XXVII. A LIGHT ON THE WATER
+
+
+
+
+THE PARTS MEN PLAY.
+
+
+CHAPTER I.
+
+LADY DURWENT DECIDES ON A DINNER.
+
+
+I.
+
+His Majesty's postmen were delivering mail. Through the gray grime of
+a November morning that left a taste of rust in the throat, the
+carriers of letters were bearing their cargo to all the corners of that
+world which is called London.
+
+There were letters from hospitals asking for funds; there were appeals
+from sick people seeking admission to hospital. There were long, legal
+letters and little, scented letters lying wonderingly together in the
+postman's bag. There were notes from tailors to gentlemen begging to
+remind them; and there were answers from gentlemen to their tailors, in
+envelopes bearing the crests of Pall Mail clubs, hinting of temporary
+embarrassment, but mentioning certain prospects that would shortly
+enable them to . . . .
+
+Fat, bulging envelopes, returning manuscripts with editors' regrets,
+were on their way to poor devils of scribblers living in the altitude
+of unrecognised genius and a garret. There were cringing, fawning
+epistles, written with a smirk and sealed with a scowl; some there were
+couched in a refinement of cruelty that cut like a knife.
+
+But, as unconcerned as tramps plying contraband between South America
+and Mexico, His Majesty's postmen were delivering His Majesty's mail,
+with never a thought of the play of human emotions lying behind the
+sealed lips of an envelope. If His Majesty's subjects insisted upon
+writing to one another, it was obvious that their letters, in some
+mysterious way become the property of His Majesty, had to be delivered.
+
+Thus it happened, on a certain November morning in the year 1913, that
+six dinner invitations, enclosed in small, square envelopes with a
+noble crest on the back, and large, unwieldy writing on the front, were
+being carried through His Majesty's fog to six addresses in the West
+End of London.
+
+Lady Durwent had decided to give a dinner.
+
+An ordinary hostess merely writes a carelessly formal note stating that
+she hopes the recipient will be able to dine with her on a certain
+evening. The form of her invitations varies as little as the
+conversation at her table. But Lady Durwent was _unusual_. For years
+she had endeavoured to impress the fact on London, and by careful
+attention to detail had at last succeeded in gaining that reputation.
+She was that _rara avis_ among the women of to-day--the hostess who
+knows her guests. She never asked any one to dine at her house without
+some definite purpose in mind--and, for that matter, her guests never
+dined with her except on the same terms.
+
+Therefore it came about that Lady Durwent's dinners were among the
+pleasantest things in town, and, true to her character of the
+_unusual_, she always worded her invitations with a nice discrimination
+dictated by the exact motive that prompted the sending.
+
+
+II.
+
+H. Stackton Dunckley looked up from his pillow as the man-servant who
+valeted for the gentlemen of the Jermyn Street Chambers drew aside a
+gray curtain and displayed the gray blanket of the atmosphere outside.
+
+'Good-morning, Watson,' said Mr. Dunckley in a voice which gave the
+impression that he had smoked too many cigars the previous evening--an
+impression considerably strengthened by the bilious appearance of his
+face.
+
+'Good-morning, sir. Will you have the _Times_ or the _Morning Post_?
+And here are your letters, sir.'
+
+The recumbent gentleman took the letters and waved them philosophically
+at the valet. 'Leave me to my thoughts,' he said thickly, but with
+considerable dignity. 'I am not interested in the squeaky jarring of
+the world revolving on its rusty axis.'
+
+Being an author, he almost invariably tried out his command of language
+in the morning, as a tenor essays two or three notes on rising, to make
+sure that his voice has not left him during his slumber.
+
+Mr. Watson bowed and withdrew. H. Stackton Dunckley lit a cigarette,
+opened the first letter, and read it.
+
+
+'8 CHELMSFORD GARDENS.
+
+'MY DEAR STACKY,--Next Friday I am giving a little dinner-party--just a
+few _unusual_ people--to meet an American author who has recently come
+to England. Do come; but, you brilliant man, don't be too caustic,
+will you?
+
+'Isn't it dreadful the way gossip is connecting our names? Supposing
+Lord Durwent should hear about it!--Until Friday,
+
+'SYBIL DURWENT.
+
+'P.S.--How is _the_ play coming on? Dinner will be at 8.30.'
+
+
+H. Stackton Dunckley put the letter down and sighed. He was an author
+who had been writing other men's ideas all his life, but without
+sufficient distinction to achieve either a success or a failure. He
+had gained some notoriety by his wife suing him for divorce; but when
+the Court granted her separation on the ground of desertion, it cleared
+him of the charge of infidelity--and of the chance of advertisement at
+the same moment. Later, by being a constant attendant on Lady Durwent,
+he almost succeeded in creating a scandal; but, to the great
+disappointment of them both, London flatly refused to believe there was
+anything wrong. For one thing, she was the daughter of a commoner--and
+the morality of the middle classes is a conviction solidly rooted in
+English society. And then there were his writings. How could one
+doubt the character of a man so dull?
+
+Undiscouraged, they still maintained their perfectly innocent
+friendship, and, like kittens playing with a spool, invested it with
+all the appearances of an intrigue.
+
+Dismissing his depressing thoughts, H. Stackton Dunckley noticed that
+his cigarette was out, and closing his eyes, fell asleep once more.
+
+
+III.
+
+Madame Carlotti, clothed in a kimono of emphatic shade, sat by the fire
+in her rooms in Knightsbridge and read her mail while sipping coffee.
+She was the wife of an Italian diplomat, a sort of wandering
+plenipotentiary who did business in every part of the world but London,
+and with every Government but that of Britain. It was the signora's
+somewhat incomprehensible complaint that her husband's duties forced
+her to live in that fog-bound metropolis, and having thus achieved the
+pedestal of a martyr, she poured abuse on everything English from
+climate to customs. Possessed of a certain social dexterity and the
+ability to make the most ordinary conversation seem to concern a
+forbidden topic, Madame Carlotti was in great demand as a guest, and
+abused more English habits and attended more dinner-parties than any
+other woman in London.
+
+From beneath seven tradesmen's letters she extracted one from Lady
+Durwent.
+
+
+'8 CHELMSFORD GARDENS,
+
+'DEAREST LUCIA,--I am counting on you for next Friday. A young
+American author studying England--I suppose like that Count
+Something-or-other in _Pickwick Papers_--is coming to dinner. I
+understand he drinks very little, so I am relying on you to thaw him.
+
+'Stackton Dunckley _insists_ upon coming, though I tell him that it is
+dangerous; and of course people are saying dreadful things, I know. He
+is _so_ persistent. There will be just half-a-dozen _unusual_ people
+there, my dear, so don't fail me. Dinner will be at 8.30.--So
+sincerely, SYBIL DERWENT.
+
+'P.S.--Don't you think you could make Stackton interested in you? Your
+husband is away so much.'
+
+
+Madame Carlotti smiled with her teeth and drank some very strong coffee.
+
+'It ees deefficult,' she said, with that seductive formation of the
+lips used by her countrywomen when speaking English, 'for a magnet to
+attract putty. Still--there ees the American. At least I shall not be
+altogether bored.'
+
+
+IV.
+
+That noon, in a restaurant of Chelsea, the district of Pensioners and
+Bohemians, two young gentlemen, considerably in need of renovation by
+both tailor and barber, met at a table and nodded gloomily. One was
+Johnston Smyth, an artist, who, finding himself possessed neither of a
+technique nor of the industry to acquire one, had evolved a
+super-futurist style that had made him famous in a night. He was
+spoken of as 'a new force;' it was prophesied that English Art would
+date from him. Unfortunately his friends neglected to buy his
+paintings, and as his art was a vivid one, consisting of vast
+quantities of colour splashed indiscriminately on the canvas, it took
+more than his available funds to purchase the accessories of his
+calling. He was tall, with expressive arms that were too long for his
+sleeves, and a nose that would have done credit to a field-marshal.
+
+The other was Norton Pyford, the modernist composer, who had developed
+the study of discord to such a point that his very features seemed to
+lack proportion, and when he smiled his face presented a lop-sided
+appearance. He had given a recital which set every one who is any one
+in London talking. There was but one drawback--they talked so much
+that he could persuade no one to listen, and he carried his discords
+about with him, like a bad half-crown, unable to rid himself of them.
+He was short, with a retreating forehead and an overhanging wealth of
+black, thread-like hair, gamely covering the retreat as best it could.
+
+'Hello, Smyth!' drawled the composer, who affected a manner of speech
+usually confined to footmen in the best families. 'Hah d' do?'
+
+'Topping, Pyford. How's things?'
+
+'Rotten.'
+
+'Same here.'
+
+'I say, you couldn't'----
+
+'Just what I was going to ask you.'
+
+The composer sighed; the artist echoed the sigh.
+
+'Have you seen Shaw's show?'
+
+'Awful, isn't it?'
+
+'Putrid--but the English don't'----
+
+'Ah! What a race!'
+
+'Just so. I say, are you going to Lady Durwent's on Friday?'
+
+'Yes, rather.'
+
+'Look here, old fellow--don't dress, eh?'
+
+'Right. Let's be natural--what? Just Bohemians.'
+
+'The very thing. By-the-by, you don't know a laundry that gives'----
+
+'No, I can't say I do.'
+
+'Well, so long.'
+
+'Good-bye.'
+
+'See you Friday.'
+
+'Right.'
+
+
+V.
+
+Mrs. Le Roy Jennings looked up from her task of drafting the new
+Resolution to be presented to Parliament by the League of Equal Sex
+Rights and Complete Emancipation for Women, as a diminutive,
+half-starved servant brought in a letter on a tray.
+
+Mrs. Jennings took the missive, and frowning threateningly at the girl,
+who withdrew to the dark recesses of the servants' quarters, opened it
+by slitting its throat with a terrific paper-knife.
+
+
+'8 CHELMSFORD GARDENS.
+
+'DEAR MRS LE ROY JENNINGS,--An American author is coming to dinner next
+Friday. There will just be a few _unusual_ people, and I have asked
+them for 8.30. I want him to meet one of England's intellectual women,
+and I _know_ he will be interested to hear of your ideas on the New
+Home.
+
+'My daughter joins with me in wishing you every success.--Until Friday,
+dear,
+
+'SYBIL DURWENT.'
+
+
+Mrs. Jennings, who had made a complete failure of her own home, and
+consequently felt qualified to interfere with all others, scribbled a
+hasty note of acceptance in a handwriting so forceful that on some
+words the pen slid off the paper completely.
+
+Then, with a look of profundity, she resumed the Resolution.
+
+
+VI.
+
+And so, by the medium of His Majesty's mail, a little group of actors
+were warned for a performance at Lady Durwent's house, No. 8 Chelmsford
+Gardens.
+
+Through the November fog the endless traffic of the streets was
+cautiously feeling its way along the diverging channels of the
+Metropolis--a snorting, sliding, impatient fleet of vehicles
+perpetually on their way, yet never seeming to get there. Taxi-cabs
+hugged the pavements, trying to penetrate the gloom with their meagre
+lights; omnibuses fretted and bullied their way, avoiding collision by
+inches, but struggling on and on as though their very existence
+depended on their reaching some place immediately or being interned for
+failure. Hansom-cabs, with ancient, glistening horses driven by
+ancient, glistening cabbies, felt for elbow-space in the throng of
+motor-vehicles. And on all sides the badinage of the streets, the
+eternal wordy conflict of London's mariners of traffic, rose in
+cheerful, insulting abundance.
+
+On the pavements pedestrians jostled each other--men with hands in
+their pockets and arms tight to their sides, women with piqued noses
+and hurrying steps; while sulky lamps offered half-hearted resistance
+to the conquering fog that settled over palaces, parks, and motley
+streets until it hugged the very Thames itself in unholy glee.
+
+And through the impenetrable mist of circumstance, the millions of
+souls that make up the great city pursued their millions of destinies,
+undeterred by biting cold and grisly fog. For it was a day in the life
+of England's capital; and every day there is a great human drama that
+must be played--a drama mingling tragedy and humour with no regard to
+values or proportion; a drama that does not end with death, but renews
+its plot with the breaking of every dawn; a drama knowing neither
+intermezzo nor respite: and the name of it is--LONDON.
+
+
+
+
+CHAPTER II
+
+CONCERNING LADY DURWENT'S FAMILY.
+
+
+I.
+
+Lady Durwent was rather a large woman, of middle age, with a high
+forehead unruffled by thought, and a clear skin unmarred by wrinkles.
+She had a cheerfulness that obtruded itself, like a creditor, at
+unpropitious moments; and her voice, though not displeasing, gave the
+impression that it might become volcanic at any moment. She also
+possessed a considerable theatrical instinct, with which she would
+frequently manoeuvre to the centre of the stage, to find, as often as
+not, that she had neglected the trifling matter of learning any lines.
+
+She was the daughter of an ironmonger in the north of England, whose
+father had been one of the last and most famous of a long line of
+smugglers. It was perhaps the inherited love of adventure that
+prompted the ironmonger, against his wife's violent protest, to invest
+the savings of a lifetime in an obscure Canadian silver-mine. To the
+surprise of every one (including its promoters), the mine produced
+high-grade ore in such abundance that the ironmonger became a man of
+means. Thereupon, at the instigation of his wife, they moved from
+their little town into the city of York, where he purchased a large,
+stuffily furnished house, sat on Boards, became a councillor, wore
+evening-dress for dinner, and died a death of absolute respectability.
+
+Before the final event he had the satisfaction of seeing his only child
+Sybil married to Arthur, Lord Durwent. (The evening-clothes for dinner
+were a direct result.) Lord Durwent was a well-behaved young man of
+unimpeachable character and family, and he was sincerely attracted by
+the agreeable expanse of lively femininity found in the fair Sybil.
+After a wedding that left her mother a triumphant wreck and appreciably
+hastened her father's demise, she was duly installed as the mistress of
+Roselawn, the Durwent family seat, and its tributary farms. The
+tenants gave her an address of welcome; her husband's mother gracefully
+retired to a villa in Sussex; the rector called and expressed
+gratification; the county families left their cards and inquired after
+her father, the ironmonger.
+
+Unfortunately the new Lady Durwent had the temperament neither of a
+poet nor of a lady of the aristocracy. She failed to hear the tongues
+in trees, and her dramatic sense was not satisfied with the little
+stage of curtsying tenantry and of gentlefolk who abhorred the very
+thought of anything theatrical in life.
+
+On the other hand, her husband was a man who was unhappy except on his
+estate. He thought along orthodox lines, and read with caution. He
+loved his lawns, his gardens, his horses, and his habits. He was a
+pillar of the church, and always read a portion of Scripture from the
+reading-desk on Sunday mornings. His wife he treated with simple
+courtesy as the woman who would give him an heir. If his mind had been
+a little more sensitive, Lord Durwent would have realised that he was
+asking a hurricane to be satisfied with the task of a zephyr.
+
+They had a son.
+
+The tenants presented him with a silver bowl; Lord Durwent presented
+them with a garden fête; and the parents presented the boy with the
+name of Malcolm.
+
+Two years later there came a daughter.
+
+The tenants gave her a silver plate; Lord Durwent gave them a garden
+fête; and he and his wife gave the girl the name of Elise.
+
+Three years later a second son appeared.
+
+There was a presentation, followed by a garden fête and a christening.
+The name was Richard.
+
+In course of time the elder son grew to that mental stature when the
+English parent feels the time is ripe to send him away to school. The
+ironmonger's daughter had the idea that Malcolm, being her son, was
+hers to mould.
+
+'My dear,' said Lord Durwent, exerting his authority almost for the
+first time, 'the boy is eight years of age, and no time must be lost in
+preparing him for Eton and inculcating into him those qualities which
+mark'----
+
+'But,' cried his wife with theatrical unrestraint, 'why send him to
+Eton? Why not wait until you see what he wants to be in the world?'
+
+Lord Durwent's face bore a look of unperturbed calm. 'When he is old
+enough, he must go to Eton, my dear, and acquire the qualities which
+will enable him to take over Roselawn at my death'----
+
+At this point Lady Durwent interrupted him with a tirade which, in
+common with a good many domestic unpleasantries, was born of much that
+was irrelevant, springing from sources not readily apparent. She
+abused the public-school system of England, and sneered at the county
+families which blessed the neighbourhood with their presence. She
+reviled Lord Durwent's habits, principally because they _were_ habits,
+and thought it was high time some Durwent grew up who wasn't just a
+'sticky, stuffy, starched, and bored porpoise--yes, PORPOISE!' (shaking
+her head as if to establish the metaphor against the whole of the
+English aristocracy). In short, it was the spirit of the Ironmonger
+castigating the Peerage, and at its conclusion Lady Durwent felt much
+abused, and quite pleased with her own rhetoric.
+
+Lord Durwent glanced for courage at an ancestor who looked
+magnificently down at him over a ruffle. He adjusted his own cravat
+and spoke in nicely modulated accents: 'Sybil, nothing can change me on
+this point. In spite of what you say, it is my intention to keep to
+the tradition of the Durwents, and that is that the occupant of
+Roselawn'----
+
+'What! am not I his mother?' cried the good woman, her hysteria having
+much the same effect on Lord Durwent's smoothly developing monologue as
+a heavy pail dropped by a stage-hand during Hamlet's soliloquy.
+
+'Sybil,' said Lord Durwent sternly, 'it was arranged at Malcolm's birth
+that he should go to Eton. I shall take him next Tuesday to a
+preparatory school, and you must excuse me if I refuse to discuss the
+matter further.'
+
+Lady Durwent rushed from the room and clasped her eldest child in her
+arms. That young gentleman, not knowing what had caused his mother's
+grief, sympathetically opened his throat and bellowed lustily, thereby
+shedding tears for positively the last time in his life.
+
+When he returned for the holidays a few months later, he was an
+excellent example of that precocity, the English schoolboy, who cloaks
+a juvenile mind with the pose of sophistication, and by twelve years of
+age achieves a code of thought and conduct that usually lasts him for
+the rest of his life. In vain the mother strove for her place in the
+sun; the rule of the masculine at Roselawn became adamant.
+
+Life in the Durwent _ménage_ developed into a thing of laws and customs
+dictated by the youthful despot, aided and abetted by his father. The
+sacred rites of 'what isn't done' were established, and the mother
+gradually found herself in the position of an outsider--a privileged
+outsider, it is true, yet little more than the breeder of a
+thoroughbred, admitted to the paddock to watch his horse run by its new
+owner.
+
+She vented her feelings in two or three tearful scenes, but she felt
+that they lacked spontaneity, and didn't really put her heart into them.
+
+During these struggles for her place in a Society that was probably
+more completely masculine in domination than any in the world (with the
+possible exception of that of the Turk), Lady Durwent was only dimly
+aware that her daughter was developing a personality which presented a
+much greater problem than that of the easily grooved Malcolm.
+
+The girl's hair was like burnished copper, and her cheeks were lit by
+two bits of scarlet that could be seen at a distance before her
+features were discernible. Her eyes were of a gray-blue that changed
+in shade with her swiftly varying moods. Her lower lip was full and
+red, the upper one firm and repressed with the dull crimson of a fading
+rose-petal. Her shapely arms and legs were restless, seemingly
+impatient to break into some quickly moving dance. She was
+extraordinarily alive. Vitality flashed from her with every gesture,
+and her mind, a thing of caprice and whim, knew no boundaries but those
+of imagination itself.
+
+Puzzled and entirely unable to understand anything so instinctive, Lady
+Durwent engaged a governess who was personally recommended by Lady
+Chisworth, whose friend the Countess of Oxeter had told her that the
+three daughters of the Duchess of Dulworth had all been entrusted to
+her care.
+
+In spite of this almost unexampled set of references, the governess was
+completely unable to cope with Elise Durwent. She taught her (among
+other things) decorum and French. Her pupil was openly irreverent
+about the first; and when the governess, after the time-honoured
+method, produced an endless vista of exceptions to the rule in French
+grammar, the girl balked. She was willing to compromise on _Avoir_,
+but mutinied outright at the ramifications of _Être_.
+
+Seeing that the child was making poor progress, and as it was out of
+the question to dismiss a governess who had been entrusted with the
+three daughters of the Duchess of Dulworth, Lady Durwent sent for
+reinforcement in the person of the organist of their church, and bade
+him teach Elise the art of the piano. With the dull lack of vision
+belonging to men of his type, he failed to recognise the spirit of
+music lying in her breast, merely waiting the call to spring into life.
+He knew that her home was one where music was unheard, and his method
+of unfolding to the girl the most spiritual and fundamental of all the
+arts was to give her SCALES. He was a kindly, well-intentioned fellow,
+and would not willingly have hurt a sparrow; but he took a nature
+doomed to suffer for lack of self-expression, and succeeded in walling
+up the great river of music which might have given her what she lacked.
+He hid the edifice and offered her scaffolding--then wondered.
+
+
+II.
+
+Elise was consistent in few things, but her love for Richard, the
+youngest of the family, was of a depth and a mature tenderness that
+never varied. Doomed to an insufficient will-power and an easy,
+plastic nature that lent itself readily to the abbreviation 'Dick,' he
+quickly succumbed to his fiery-tinted sister, and became a willing dupe
+in all her escapades.
+
+At her order he turned the hose on the head-gardener; when told to put
+mucilage on the rector's chair at dinner, he merely asked for the pot.
+On six different occasions she offered him soap, telling him it was
+toffy, and each time he bit of it generously and without suspicion.
+Every one else in the house represented law and order to him--Elise was
+the spirit of outlawry, and he her slave. She taught him a dance of
+her own invention entitled 'The Devil and the Maiden' (with a certain
+inconsistency casting him as the maiden and herself as the Devil), and
+frequently, when ordered to go to bed, they would descend to the
+servants' quarters and perform it to the great delight of the family
+retainers.
+
+A favourite haunt of theirs was the stables, where they would persuade
+the grooms to place them on their father's chargers; and they were
+frequent visitors at feeding-time, taking a never-ending delight in the
+gourmandism of the whinnying beasts, and finding particular joy in
+acquiring the language and the mannerisms of the stablemen, which they
+would reserve for, and solemnly use at, the next gathering of the
+neighbouring gentry.
+
+When Elise was ten and Dick seven, she read him highwaymen's tales
+until his large blue eyes almost escaped from their sockets. It was at
+the finish of one of these narratives of derring-do that she whispered
+temptation into his ear, with the result that they bided their
+opportunity, and, when the one groom on duty was asleep, repaired to
+the stables armed with a loaded shot-gun. After herculean efforts they
+succeeded in harnessing Lord Durwent's famous hunter with the saddle
+back to front, the curb-bit choking the horse's throat, the brow-band
+tightly strapped around the poor beast's nostrils, the surcingle
+trailing in the dust.
+
+With improvised masks over their faces, they mounted the steed and set
+out for adventure, the horse seeming to comprehend its strange burden
+and stepping as lightly as its tortures would permit, while the saddle
+slid cheerfully about its back, threatening any moment to roll the
+desperados on to the road.
+
+They had just emerged from the estate into the public highway, when a
+passing butcher's cart stopped their progress. The younger Durwent,
+who had been mastering the art of retaining his seat while his steed
+was in motion, was unprepared for its cessation, and promptly
+overbalanced over the horse's shoulder, reaching the road head first,
+and discharging a couple of pellets from the shotgun into a fleshy part
+of the butcher-boy's anatomy.
+
+The groom was dismissed; the butcher-boy received ten pounds; Richard
+(when it was certain that concussion of the brain was not going to
+materialise) was soundly whipped; and Elise was banished for
+forty-eight hours to her room, issuing with a carefully concocted plan
+to waylay the rector coming from church, steal the collection, and
+purchase with the ill-gotten gains the sole proprietary interests in
+the village sweet-shop.
+
+There is little doubt but that the _coup_ would have been attempted had
+not Lord Durwent decided that the influence of his sister was not good
+for Dick, and sent him to a preparatory school at Bexhill-on-Sea, there
+to imbibe sea-air and some little learning, and await his entrance into
+Eton.
+
+Robbed of her brother's stimulating loyalty, Elise relapsed into a
+sulky obedience to her governess and her mother. To their puny vision
+it seemed that her attitude towards them was one of haughty aloofness,
+and everything possible was done to subdue her spirit. Being unable to
+see that the child was lonely, and too proud to admit her craving for
+sympathetic companionship, they tried to tame the thoroughbred as they
+would a mule.
+
+Only when Dick returned for holidays would her petulant moods vanish,
+and in his company her old vitality sparkled like the noonday sun upon
+the ocean's surface. And if her affection for him knew no variation,
+his was no less true. The friendships and the adventures of school
+were forgotten in the comradeship of his sister as, over the fields of
+Roselawn or on the tennis-court, they would renew their childhood's
+hours. He taught her to throw a fly for trout, and she initiated him
+into the mysteries of answering the calls of birds in the woods.
+Mounted on a couple of ponies, they became familiar figures at the
+tenants' cottages, and though the spirit of outlawry mellowed with
+advancing years, Lady Durwent never saw them start away from the house
+without the uneasy feeling that there was more than a chance they would
+get into some mischief before they returned.
+
+In the meantime the elder son was bringing credit to his ancestors and
+himself. His accent became a thing of perfection, nicely nuanced, and
+entirely free of any emphasis or intensity that might rob it of its
+placid suggestion of good-breeding. His attitude towards the servants
+was one of pleasant dignity, and the tenantry all spoke of Master
+Malcolm as a fine young gentleman who would make a worthy ruler of
+Roselawn.
+
+Between him and Richard there was little love lost. The elder boy
+disapproved of his hoydenish sister, and sought at all times to shame
+her tempestuous nature by insistence on decorum in their relations.
+Richard, who invariably brought home adverse reports from school, could
+find no fault in his colourful sister, and blindly espoused her cause
+at all times.
+
+On one occasion, when Malcolm had been more than usually censorious,
+Dick challenged him to a fight. They adjourned to the seclusion of a
+small plot of grass by a great oak, where the Etonian knocked Dick down
+five times in succession, afterwards escorting him to the cook, who
+placed raw beefsteak on his eyes.
+
+It was characteristic of the worthy Richard that he bore his brother no
+malice whatever for the punishment. He had proposed the fight,
+conscious of the fact that he would be soundly beaten, but he was a bit
+of a Quixote--and a lady's name was involved.
+
+And no nurse ever tended a wounded hero more tenderly than the little
+copper-haired creature of impulse who bathed the battered face of poor
+Dick. Wilful and rebellious as she was, there was in Elise a deep well
+of love for her brother that no other being could fathom. And it was
+not his loyalty alone that had inspired it. Her solitary life had
+quickened her perceptive powers, and intuitively she knew that, in the
+years before him, her weak-willed, buoyant-natured brother would be
+unable to meet the cross-currents of his destiny and maintain a steady
+course.
+
+But he thought it was because of his swollen eyes that she cried.
+
+
+
+
+CHAPTER III.
+
+ABOUT A TOWN HOUSE.
+
+
+I.
+
+It was perhaps not inconsistent with the character of Lady Durwent
+that, although she had striven to secure the guiding of Malcolm's
+development, she should find herself totally devoid of any plan for the
+training of a daughter.
+
+Vaguely--and in this she mirrored thousands of other mothers--there was
+a hope in her heart that Elise would grow up pretty, virtuous, amiable,
+and would eventually marry well. It did not concern her that the girl
+was permeated with individuality, that the temperament of an artist lay
+behind the changing eyes in that restless, graceful figure. She could
+not see that her daughter had a delicate, wilful personality, which
+would rebel increasingly against the monotony of a social regime that
+planned the careers of its sons before they were born, and offered its
+daughters a mere incoherency of good intentions.
+
+Full of the swift imaginativeness which makes the feminine contribution
+to life so much a thing of charm and colour, Elise pursued the paths
+which Youth has for its own--those wonderful streets of fantasy that
+end with adolescence in Society's ugly fields of sign-posts.
+
+Lacking the companionship of others of a similar age, she wove her own
+conception of life, and dreamed of a world actuated by quick and
+generous emotions. With every pulsing beat of the warm blood coursing
+through her veins she demanded in her girl's mind that the world in
+which her many-sided self had been placed should yield the wines to
+satisfy the subtle shades of thirst produced by her insistent
+individuality.
+
+And the world offered her sign-posts. This must you do and thus must
+you talk; hither shall you go and here remain: these are the Arts with
+which you may enjoy a very slight acquaintance, but do not aspire to
+genuine accomplishment--leave that to common people; be lady-like, be
+calm and reserved; behold your brothers, how they swank!--but they are
+men, and this is England; desire nought but the protected privileges of
+your class, and in good season some youth of the same social stratum as
+yourself will marry you, and, lo! in place of being a daughter in a
+landed gentleman's house, you will be a wife.
+
+Into this little world of a kind-hearted, chivalrous aristocracy (whose
+greatest fault was their ignorance of the fact that the smallest
+upheaval in humanitarianism, no matter what distance away, registers on
+the seismograph of human destiny the world over) Elise Durwent found
+her path laid. Increasingly resentful, she trod it until she was
+fourteen years of age, when her mother, who had long been bored with
+country life, made an important decision--and purchased a town house.
+
+Having done this, Lady Durwent sent her daughter to a convent, a move
+which enabled her to get rid of the governess discreetly, and left her
+without family cares at all, as both boys were now at school.
+Unencumbered, therefore, she said _au revoir_ to Roselawn, and set her
+compass for No. 8 Chelmsford Gardens, London.
+
+
+II.
+
+Chelmsford Gardens is a row of dignified houses on Oxford Street--yet
+not on Oxford Street. A miniature park, some forty feet in depth, acts
+as a buffer-state between the street itself and the little group of
+town houses. It is an oasis in the great plains of London's dingy
+dwelling-places, a spot where the owners are rarely seen unless the
+season is at its height, when gaily cloaked women and stiff-bosomed men
+emerge at theatre-hour and are driven to the opera. Throughout the day
+the Gardens (probably so styled on account of the complete absence of
+horticultural embellishments) are as silent as the tomb; there is no
+sign of life except in the mornings, when a solemn butler or a
+uniformed parlour-maid appears for a moment at the door like some
+creature of the sea coming up for air, then unobtrusively retires.
+
+No. 8 was exactly like its neighbours, consisting of an exterior
+boasting a huge oak door, with cold, stone steps leading up to it, and
+an interior composed of rooms with very high ceilings, an insufficient
+and uncomfortable supply of furniture, large pictures and small grates,
+terrific beds and meagre chairs, and a general air of so much marble
+and bare floor that one could almost imagine that house-cleaning could
+be accomplished by turning on the hose.
+
+After Lady Durwent had taken possession she sent for her husband, but
+that gentleman reminded her that he was much happier at Roselawn,
+though he would be glad if she would keep a room for him when business
+at the 'House' or with his lawyers necessitated his presence in town.
+Unhampered, therefore, by a husband, Lady Durwent prepared to invade
+London Society, only to receive a shock at the very opening of the
+campaign.
+
+The Ironmonger had preceded her!
+
+It is one of the tragedies of the _élite_ that even peers are not
+equal. The law of class distinction, that amazing doctrine of
+timidity, penetrated even the oak door of 8 Chelmsford Gardens. The
+Ironmonger's daughter found that being the daughter of a man who had
+made an honest living rendered her socially the unequal of the
+daughters of men who, acting on a free translation of 'The earth is the
+Lord's,' had done nothing but inherit unearned substance.
+
+Then there was her cheerfulness, and the menacing voice!
+
+Turning from the aloofness of the exclusive, Lady Durwent thought of
+taking in famous performing Lions and feeding them. Unfortunately the
+market was too brisk, and the only Lion she could get was an Italian
+tenor from Covent Garden, who refused to roar, but left a poignant
+memory of garlic.
+
+It was then that a brilliant idea entered her brain. Lady Durwent
+decided to cultivate _unusual_ people.
+
+No longer would she batter at oak doors that refused to open; no more
+would she dangle morsels of food in front of overfed Lions. She would
+create a little Kingdom of remarkable people--not those acclaimed great
+by the mealy mob, but those whose genius was of so rare and subtle a
+growth that ordinary eyes could not detect it at all. Her only fear
+was that she might be unable to discover a sufficient number to create
+a really satisfactory _clientèle_.
+
+But she reckoned without her London.
+
+For every composer in the Metropolis who is trying to translate the
+music of the spheres, there are a dozen who can only voice the
+discordant jumble of their minds or ask the world to listen to the
+hollow echo of their creative vacuum. For every artist striving to
+catch some beauty of nature that he may revisualise it on canvas, there
+are a score whose eyes can only cling to the malformation of existence.
+For every writer toiling in the quiet hours to touch some poor, dumb
+heart-strings, or to open unseeing eyes to the joy of life, there are
+many whose gaze is never lifted from the gutter, so that, when they
+write, it is of the slime and the filth that they have smelt, crying to
+the world that the blue of the skies and the beauty of a rose are
+things engendered of sentimental minds unable to see the real, the
+vital things of life.
+
+To this community of _poseurs_ Lady Durwent jingled her town house and
+her title--and the response was instantaneous. She became the hostess
+of a series of dinner-parties which gradually made her the subject of
+paragraphs in the chatty columns of the press, and of whole chapters in
+the gossip of London's refined circles.
+
+Her natural cheerfulness expanded like a sunflower, and when her son
+Malcolm secured a commission in the --th Hussars, her triumph was
+complete. Even the staggering news that Dick had been taken away from
+Eton to avoid expulsion for drunkenness proved only a momentary cloud
+on the broad horizon of her contentment.
+
+When she was nineteen years of age Elise came to live with her mother,
+and as the fiery beauty of the child had mellowed into a sort of
+smouldering charm that owed something to the mystic atmosphere of
+convent life, Lady Durwent felt that an ally of importance had entered
+the arena.
+
+Thus four years passed, and in 1913 (had peeresses been in the habit of
+taking inventories) Lady Durwent could have issued a statement somewhat
+as follows:
+
+
+ ASSETS.
+
+ 1 Husband; a Peer.
+ 1 Son; aged twenty-five; decently popular with his regiment.
+ 1 Daughter; marriageable; aged twenty-three.
+ 1 Town House.
+ 1 Country Estate.
+ The goodwill of numerous _unusual_ people, and the envy of a
+ lot of minor Peeresses.
+
+
+ LIABILITIES.
+
+ 1 Son; aged twenty; at Cambridge; in perpetual trouble,
+ and would have been rusticated ere now had he not been the
+ son of a lord.
+ 1 Ironmonger.
+
+
+ * * * * * *
+
+'My dear,' said Lady Durwent, glancing at her daughter, who was reading
+a novel, 'hadn't you better go and dress?'
+
+'Is there a dinner-party to-night?' asked the girl without looking up.
+
+'Of course, Elise. Have you forgotten that Mr. Selwyn of New York will
+be here?'
+
+'Is he as tedious as Stackton Dunckley?'
+
+Lady Durwent frowned with vexation. 'My dear,' she said, 'you are very
+trying.'
+
+
+
+
+CHAPTER IV.
+
+PROLOGUE TO A DINNER-PARTY.
+
+
+I.
+
+Even _unusual_ dinner-parties begin like ordinary ones. There is the
+discomfiture of the guest who arrives first, subjected to his hostess's
+reassurances that he is not really early. After what seems an
+interminable length of time, during which a score of conversational
+topics are broached, and both hostess and guest are reduced to a state
+bordering on mutual animosity, the remainder of the party arrive _en
+masse_, as if by collusion. The butler (who likes to chew the cud of
+reflection between the announcements) is openly pained, while the
+distracted hostess must manage the introductions, and, as friendships
+are begun or enmities renewed, endeavour to initiate the new-comer into
+the subject of conversation immediately preceding his or her entrance.
+As the good woman's subconscious mind is in the kitchen, and as she is
+constantly interrupted by the necessity of greeting new arrivals, she
+usually succeeds in mystifying every one, and creating that atmosphere
+of 'nerves' so familiar to denizens of the best sets.
+
+But we had almost forgotten--there is always one guest who is late.
+
+The fateful hour mentioned in the dinner invitation arrives, strikes,
+and floats down the mists to the eerie catacombs of the Past. The
+hostess knows that the cook, with arms akimbo, is breathing rebellion,
+but tries to blot out the awful vision by an extra spurt of hollow
+gaiety.
+
+Ten minutes pass.
+
+Conversation flags. The portly bachelor who lives at his club wonders
+why he didn't have a chop before he came. His fellow-diners try to
+refrain from the topic, but it is as hopeless as trying to talk to an
+ex-convict without mentioning jails. Finally, in an abandon of
+desperation, they all turn inquiringly to the hostess, who, affecting
+an ease of manner, says pleasantly, 'Dear me! What _can_ have detained
+Mr. So-and-so? I wonder if we had better go in without him?'
+
+And then he arrives--the jackass--and in a sublime good-humour! He
+tells some cock-and-bull story about his taxi breaking down, and
+actually seems to think he's done rather a smart thing in turning up at
+all. In short, he brings in such an air of geniality and
+self-appreciation that the guest who arrived first has more than a
+notion to 'have him out' and send him to a region where dinner-parties
+are popularly supposed to be unknown.
+
+No--the lot of a lady who gives dinners is not a happy one.
+
+
+II.
+
+On this Friday night of November in the year 1918, Lady Durwent sat by
+the fire in the drawing-room and discussed music with Norton Pyford.
+Having sacrificed his watch on the altar of art, he had been compelled
+to rely on appetite, with the result that he arrived just as eight was
+striking. Lady Durwent did her best, but as she knew nothing of music,
+nor he anything of anything else, the situation was becoming difficult,
+when the entrance of Madame Carlotti brought welcome relief.
+
+That lady was wearing a yellow gown rather too tight for her, so that
+her somewhat ample flesh slightly overran the confines of the garment,
+giving the effect that she had grown up in the thing and was unable to
+shed it. This impression was heightened by a mannerism, repeated
+frequently during the evening, of grasping her very low bodice with her
+hands, exhausting her breath, pulling the bodice up, and compressing
+herself into it. It was an innocent enough performance, but invariably
+left the feeling that she should retire upstairs to do it.
+
+She wore a yellow flower in her hair; her stockings were a rich yellow
+with a superimposed pattern like strands of fine gold, and her dainty
+feet were enclosed in a pair of bronzed shoes. As her lips were
+heavily carmined and her eyes brilliantly dark, Madame Carlotti's was a
+distinctly illuminating presence.
+
+But the sunniness of her entrance was dimmed by the lack of audience.
+She had not expended her genius to throw it away on a strangely dressed
+young man whose hair fell straight and black over a large collar that
+had earned a holiday some days before, and whose velvet jacket was
+minus two buttons, the threads of which could still be seen,
+out-stretched, appealing for their owners' return.
+
+'Lucia, my dear,' said Lady Durwent, just like an ordinary hostess,
+'you look' (_sotto voce_) 'simply wonderful! I think you have met Mr.
+Norton Pyford, _the_ Norton Pyford, haven't you?'
+
+'Hah d' ye do?' said the Pyford.
+
+'Chairmed,' minced Madame Carlotti.
+
+'Lucia, take this chair by the fire. You must be frozen.'
+
+'Ah, _grazie_, Sybil. What a perfectly meeserable climate you have in
+this London!'
+
+'Just what I tha-a-y,' bleated Mr. Pyford, sinking into his chair in an
+apparently boneless heap. 'The other night, at a fella's
+thupper-party, I'----
+
+'MRS. LE ROY JENNINGS.'
+
+The resolutionist swept into the room clothed in black disorder, much
+as if she had started to dress in a fit of temper and had been
+overtaken by a gale.
+
+She knew Madame Carlotti.--She did _not_ know Mr. Norton Pyford, _the_
+Norton Pyford.--She was glad to know him.
+
+He muttered something inarticulate, and glancing at the ring of women
+about him, shrank into his clothes until his collar almost hid his
+lower lip.
+
+'We were discussing,' said Lady Durwent, vaguely relying on the last
+sounds retained by her ear--'discussing--suppers.'
+
+'Don't believe in 'em,' said Mrs. Jennings sternly; 'three regular
+meals--tea at eleven and four, and hot milk with a bit of ginger in it
+before retiring--are sufficient for any one.'
+
+The Italian took in the forceful figure of the New Woman and smiled
+with her teeth.
+
+'Madame Jennings,' she said, 'perhaps finds sufficient distraction in
+just ordinary life--and _una tazza di tè_. But we who are not
+so--_comment dirai-je?_--so self-complete must rely on frivolous things
+like _una buona cena_.'
+
+'Don't believe in 'em,' reiterated the resolutionist; 'three
+regular'----
+
+'_Ah, c'est mauvais_,' gesticulated Madame Carlotti, who alternated
+between Italian and French phrases in London, and kept her best English
+for the Continent.
+
+'Mr. Pyford,' put in Lady Durwent, descrying a storm on the yellow and
+black horizon, 'has just written'----
+
+'MR. H. STACKTON DUNCKLEY,' announced the butler, with an appropriate
+note of _mysterioso_. Lady Durwent summoned a blush, and rose to meet
+the ardent author, who was dressed in a characterless evening suit with
+disconsolate legs, and whose chin was heavily powdered to conceal the
+stubble of beard grown since morning.
+
+'You have come,' she said softly and dramatically.
+
+'I have,' said the writer, bowing low over her hand.
+
+'I rely on you to be discreet,' she murmured.
+
+'Eh?'
+
+'Discreet,' she coquetted. 'People will talk.'
+
+'Let them,' said Mr. Dunckley earnestly.
+
+'Madame Carlotti, I think you know Mr. Dunckley--H. Stackton
+Dunckley--and you too, Mrs. Le Roy Jennings; you clever people ought to
+be friends at once.--And I want you to meet Mr. Pyford, _the_'----
+
+'Hah d'ye do?'
+
+'How are you?'
+
+'Ro--splendid, thanks.'
+
+'We were discussing,' said Lady Durwent--'discussing'----
+
+'MR. AUSTIN SELWYN.'
+
+Every one turned to see the guest of the evening, as the hostess rose
+to meet him. He was a young man on the right side of thirty, with
+dark, closely brushed hair that thinned slightly at the temples. He
+was clean-shaven, and his light-brown eyes lay in a smiling setting of
+quizzical good-humour. He was of rather more than medium height, with
+well-poised shoulders; and though a firmness of lips and jaw gave a
+suggestion of hardness, the engaging youthfulness of his eyes and a
+hearty smile that crinkled the bridge of his nose left a pleasant
+impression of frankness, mingled with a certain _naïveté_.
+
+'Mr. Selwyn,' said Lady Durwent, 'I knew you would want to meet some of
+London's--I should say some of England's--accomplished people.'
+
+'_Oimè_! I am afraid that obleeterates me,' smiled Madame Carlotti,
+whose social charm was rising fast at the sight of a good-looking
+stranger.
+
+'No, indeed, Lucia,' effused the hostess. 'To be the personification
+of Italy in dreary London is more than an accomplishment; it--it'----
+
+'It is a boon,' said Dunckley, coming to the aid of his floundering
+loved one.
+
+'Exactly,' said Lady Durwent with a sigh of relief. 'Madame Lucia
+Carlotti--Mr. Selwyn of New York.'
+
+'_Buona sera, signora_.'
+
+'_Buona sera, signore_.'
+
+He stooped low and pressed a light kiss on the Neapolitan's hand, thus
+taking the most direct route obtainable by an Anglo-Saxon to the good
+graces of a woman of Italy.
+
+'How well you speak Italian!' cooed Madame Carlotti; 'so--like one of
+us.'
+
+The American bowed. It was rarely he achieved a reputation with so
+little effort.
+
+The remaining introductions were effected; the clock struck
+eight-thirty; and there followed an awkward silence, born of an
+absolute unanimity of thought.
+
+'Of course, you two authors,' said Lady Durwent, forcing a smile, 'knew
+of each other, anyway. It's like asking H. G. Wells if he ever heard
+of Mark Twain.'
+
+The smile in the American's eyes widened. 'Lady Durwent flatters me,'
+he said. 'I am not widely known in my own country, and can hardly
+expect that you should know of me on this side of the Atlantic.'
+
+'What,' said Mr. Dunckley--'what does New York think of "Precipitate
+Thoughts"?'
+
+The American considered quickly. He wished that in conversation, as
+well as in writing, people would use inverted commas.
+
+'Whose precipitate thoughts?' he ventured.
+
+'Mine,' said H. S. D., with ill-concealed importance.
+
+'Oh yes, of course,' said Selwyn, wondering how any one so stationary
+as the other could project anything precipitate. 'New York was keenly
+interested.'
+
+'Ah,' said the English author benignly, 'it is satisfactory to hear
+that. Of course, the great difference between there and here is that
+in New York one impresses: in London one is impressed.'
+
+An ominous silence followed this epigrammatic wisdom (which Dunckley
+had just heard from the lips of a poet who had succeeded in writing
+both an American and an English publishing house into bankruptcy) while
+the various members of the group pursued their trains of thought along
+the devious routes of their different mentalities.
+
+'Dear me!' said Lady Durwent anxiously, 'what _can_ have detained'----
+
+'MR. JOHNSTON SMYTH.'
+
+With a jerky action of the knees, the futurist briskly entered the room
+with all the easy confidence of a famous comedian following on the
+heels of a chorus announcing his arrival. He looked particularly long
+and cadaverous in an abrupt, sporting-artistic, blue jacket, with
+sleeves so short that when he waved his arms (which he did with almost
+every sentence) he reminded one of a juggler requesting his audience to
+notice that he has absolutely nothing up his sleeves.
+
+'Lady Durwent,' he exclaimed, striking an attitude and looking over his
+Cyrano-like nose with his right eye as if he were aligning the sights
+of a musket, 'don't tell me I'm late. If you do, I shall never speak
+to the Duke of Earldub again--never!'
+
+As he refused to move an inch until assured that he was not late, and
+as Lady Durwent was anxious to proceed with the main business of the
+evening (to say nothing of maintaining the friendship between Smyth and
+the Duke of Earldub, whose part in his dilatory arrival was rather
+vague), she granted the necessary pardon, whereupon he straightened his
+legs and winked long and solemnly at Norton Pyford.
+
+'Good gracious!' cried Lady Durwent just as she was about to suggest an
+exodus to the dining-room, 'I had forgotten all about Elise!' She
+hurriedly rang the bell, which was answered by the butler. 'Send word
+to Miss Elise that'----
+
+'Milady,' said the servitor, addressing an arc-light just over the
+door, 'she is descending the stairs this very minute.'
+
+
+III.
+
+There are moments when women appear at their best--fleeting moments
+that cannot be sustained. Sometimes it is a tremor of timidity that
+lends a fawn-like gentleness to their movements, and a frightened
+wistfulness to the eye, too subtle a thing of beauty to bear analysis
+in words. A sudden triumph, noble or ignoble, the conquering of a
+rival, the sound of a lover's voice, will flush the cheek and liberate
+the whole radiancy of a woman's being. Such moments come in every
+woman's life, when the quick impulse of emotion achieves an unconscious
+beauty that defies the ordinary standards of critical appreciation. It
+is that little instant that is the torch to light a lover's worship or
+a poet's verses--to send strange yearnings into a young man's breast
+and set an old man's memory philandering with the distant past.
+
+It was such a moment for Elise Durwent as she stood in the doorway, the
+overhanging arc touching her hair and shoulders with the high lights of
+some master's painting. Conversation ceased, and in every face there
+was the universal homage paid to beauty, even though it be tendered
+grudgingly.
+
+She was dressed in a gown of deep blue, that colour which renders its
+ageless tribute to the fair women of the world, and from her shoulders
+there hung a black net that subdued the colour of the gown and left the
+graceful suggestion of a cape.
+
+'I am so sorry, mother,' she said. 'I was reading, and quite forgot
+the time.'
+
+Austin Selwyn stroked the back of his head, then thrust both hands into
+his pockets. There was something in the girl's appearance and the
+contralto timbre of her voice that left him with the odd sensation that
+she was out of place in the room--that her real sphere was in the
+expanse of unbridled nature. He could see her wealth of copper-hued
+hair blown by the western wind; he could picture her joining in
+Spring's minuet of swaying rose-bushes.
+
+'My daughter Elise--Mr. Austin Selwyn.'
+
+He bowed as the words penetrated his thoughts; then, glancing up, he
+felt a sudden contraction of disappointment.
+
+The girl's eyes had narrowed, and were no longer sparkling, but
+steady--almost to the point of dullness; her lower lip was full, and
+too scarlet for the upper one, which chided its sister for the wanton
+admission of slumbering passion; and her voice was abrupt. He almost
+cried out '_Legato, legato_,' to coax back the lilt which had caressed
+his ear a moment before.
+
+He was dimly conscious that dinner was announced, and that amidst a
+babel of tongues he was being led by, or was leading, Lady Durwent into
+the dining-room. He heard the resolutionist and Dunckley both talking
+at once, and felt the melancholy languor of Pyford floating like
+incense through the air. He had an obscure recollection of sitting
+down next to his hostess; that the table, like Arthur's, was a round
+one; that Johnston Smyth was seated beside Miss Durwent and was ogling
+one of Lady Durwent's maids. Then he remembered that he had heard some
+voice in his ear for several minutes past, and, growing curious, took a
+surreptitious glance, to find that it belonged to Madame Carlotti.
+
+'Meester Selwyn,' she said indignantly, 'you have not been listening to
+me.'
+
+'That is true, signora,' he said; 'but I have been thinking of you.'
+
+'Yes?' she purred, leaning towards him. 'What did you thought?'
+
+He turned squarely to her in an impassioned counterfeit of frankness.
+'Are all Italian women beautiful?' he murmured.
+
+'Hush-sh!' Her hand touched his beneath the table, reprovingly and
+tenderly.
+
+'Mr. Selwyn,' said Lady Durwent, 'you have not tasted your soup.'
+
+
+
+
+CHAPTER V.
+
+THE OLYMPIANS THUNDER.
+
+
+I.
+
+Lady Durwent was blessed in the possession of a cook whose artistry was
+beyond question, if the same could not be said of the guests to whom
+she so frequently ministered. She was a descendant of the French, that
+race which makes everything tend towards development of the soul, and
+consequently looks upon a meal as something of a sacrament. She
+prepared a dinner with a balance of contrast and climax that a composer
+might show in writing a tone poem.
+
+On this eventful evening, therefore, the dinner-party, stimulated by
+her art and by potent wines (gazing with long-necked dignity at the
+autocratic whisky-decanter), rapidly assumed a crescendo and an
+accelerando--the two things for which a hostess listens.
+
+H. Stackton Dunckley had held the resolutionist in a duel of
+language--a combat with broadswords--and honours were fairly even. The
+short-sleeved Johnston Smyth had waged futurist warfare against the
+modernist Pyford, while the Honourable Miss Durwent sat helplessly
+between them, with as little chance of asserting her rights as the
+Dormouse at the Mad Hatter's tea-party. The American had held his own
+in badinage with the daughter of Italy on one side and his hostess on
+the other, the latter, however, being too skilled in entertaining to do
+more than murmur a few encouragements to the spontaneity that so
+palpably existed.
+
+'Let me see,' said Lady Durwent as the meal came to a close and the
+butler looked questioningly at her. 'Shall we'--she opened the caverns
+of her throat, producing a volume that instantly silenced every
+one--'SHALL WE HAVE COFFEE IN HERE OR IN THE DRAWING-ROOM? I suppose
+you gentlemen, as usual, want to chat over your port and cigars alone.'
+
+H. Stackton Dunckley protested that absence from the ladies, even for
+so short a time, would completely spoil his evening--receiving in
+reward a languorous glance from Lady Durwent. Johnston Smyth, who had
+done more than ample justice to the wines, offered to 'pink' at fifty
+yards any man who would consider the proposition for a moment. Only
+Norton Pyford, in a sort of befuddled gallantry, suggested that the
+ladies might have sentimental confidences to exchange, and leered
+amorously at Elise Durwent.
+
+'Well,' said Lady Durwent, 'I am sure we are all curious to hear what
+Mr. Selwyn thinks of England, so I think we shall have coffee here. Is
+it agreeable to every one?'
+
+Unanimous approval greeted the proposal, and, at a sign from the
+hostess, cigarettes, cigars, and coffee made their appearance, with the
+corresponding niceties of 'Just one, please,' 'Well, perhaps a
+cigarette might be enjoyable,' 'I know men like a cigar,' 'After you,
+old man,' and all those various utterances which tickle the ear,
+creating in the speaker's breast the feeling of saying the right thing
+and doing it rather well.
+
+Throughout the dinner the daughter of the house had sat practically
+without a remark, and even when chorus effects were achieved by the
+rest, remained with almost immobile features, merely glancing from one
+to another, momentarily interested or openly bored. Several times the
+American had looked furtively at the arresting face, marred by too
+apparent mental resentment, but the barricade of Johnston Smyth's
+angular personality had been too powerful for him to surmount with
+anything but the most superficial persiflage.
+
+He had watched her take a cigarette, accepting a light from Smyth, who
+surrounded the action with a ludicrous dignity, when she looked up and
+met his eyes.
+
+'Mr. Selwyn,' she said, speaking with the same rapidity of phrasing
+that had both held and exasperated him before, 'we are all waiting for
+the verdict of the Man from America.'
+
+'Over there,' he smiled, 'it is customary to take evidence before
+giving a verdict.'
+
+'Good,' boomed the resolutionist; 'very good!'
+
+'Then,' said Lady Durwent, 'we seven shall constitute a jury.'
+
+'Order!' Johnston Smyth rose to his feet and hammered the table with a
+bottle. '_Oyez, oyez_, you hereby swear that you shall well and truly
+try'----
+
+'Can't,' said Norton Pyford, pulling himself up; 'I'm prejudiced.'
+
+'For or against?'
+
+'Against the culprit.'
+
+'My discordant friend,' said Smyth, producing a second bottle from an
+unsuspected source and making it disappear mysteriously, 'means that he
+is prejudiced against England. Am I right, sir?'
+
+'Not exactly,' drawled the composer. 'I don't mind England--but I
+think the English are awful.'
+
+'That is a nice point,' said Lady Durwent.
+
+'Ah,' broke in Madame Carlotti, 'but, much as I detest the English, I
+hate England more. _Nom de Dieu_! I--a daughter of the Mediterranean,
+where the sun ees so rarely a stranger, and the sky and the water it
+ees always blue. In Italy one lives because she ees alive--it ees
+sufficient. Here it ees always gray, gray--always g-r-ray. When the
+sun comes--_sacramento_! he sees his mistake and goes queek away. Ah,
+Signor Selwyn, it ees _désolant_ that I am compelled to live here.'
+
+A roar of unfeeling laughter greeting her familiar plaint, Madame
+Carlotti took a hitch in her gown and reimprisoned some of her person
+which had escaped from custody.
+
+'Then,' said Johnston Smyth, 'if we are all of a mind, there is no need
+to have a trial. You have all seen the accusation in Mr. Selwyn's eye,
+you have considered the unbiassed evidence of the lovely Carlotti'----
+
+'But jurors can't give evidence,' muttered Mr. Dunckley.
+
+'My dear sir, I know she can't, but she did,' said Smyth triumphantly.
+'_Oyez, oyez_--all in favour'----
+
+'But,' interrupted the American, 'are we not to hear any one for the
+defence?'
+
+'No,' said Smyth, who was thoroughly happy as a self-constituted master
+of ceremonies. 'No one would accept the brief.'
+
+'Then,' said Selwyn, 'I apply for the post of counsel for the defence,
+for in the limited time I have been in your country I have seen much
+that appeals to me.'
+
+'Of course, it is a well-known fact,' said Dunckley sententiously,
+'that American humour relies on exaggeration.'
+
+'No, no,' said Johnston Smyth, hushing the voices with a _pianissimo_
+movement of his hands, 'it is not humour on Mr. Selwyn's part, but
+gratitude. In return for Christopher Columbus discovering America,
+this gentleman is going to repay the debt of the New World to the Old
+by discovering England.'
+
+'SHALL WE HAVE SOME PORT?' said Lady Durwent, opening the sluice-gates
+of her vocal production.
+
+
+II.
+
+'Speaking of America,' said Mrs. Le Roy Jennings a few minutes later,
+Johnston Smyth having sat down in order to do justice to the wine of
+Portugal, 'she is in the very vanguard of progress. Women have
+achieved an independence there unknown elsewhere in the world.'
+
+'That is true,' said Lady Durwent, who knew nothing whatever about it.
+
+'You are right,' said Madame Carlotti.
+
+'The other day in Paris I heard an American woman whistling. "Have you
+lost your dog?" I asked. "No," she says; "my husband."'
+
+A chorus of approval greeted this malicious sally, followed by the
+retailing of various anti-American anecdotes that made up in sting what
+they lacked in delicacy. These showed no signs of abatement until,
+slightly nettled, Selwyn put in an oar.
+
+'I had hoped,' he said, 'to find some illuminating points in the
+conversation to-night. But it seems as if you treat not only your own
+country in a spirit of caricature, but mine as well. We are a very
+young race, and we have the faults of youth; but, then, youth always
+has a future. It was a sort of post-graduate course to come to England
+and Europe to absorb some of the lore--or isn't it one of your poets
+who speaks of "The Spoils of Time"? Your past is so rich that
+naturally we look to you and Europe for the fundamental things of
+civilisation.'
+
+'And what have you found?' asked Elise Durwent.
+
+'Well,' said the American, 'much to admire--and much to deplore.'
+
+'In other words,' said Johnston Smyth, 'he has been to Edinburgh and to
+London.'
+
+'That is so,' smiled Selwyn; 'but I don't'----
+
+'All people,' said Smyth serenely, 'admire Edinburgh, but abuse London.
+Over here a man will jest about his religion or even his grandfather,
+but never about Edinburgh. On the other hand, as every one damns
+London, and as an Englishman is never so happy as when he has something
+on hand to grouse about, London's population has grown to some eight
+millions.'
+
+'I think, Mr. Smyth,' said Lady Durwent, 'that you are as much a
+philosopher as a painter.'
+
+'Lady Durwent,' said the futurist, 'all art is philosophy--even old
+Pyford's here, though his amounts almost to theology.'
+
+For a few minutes the conversation drifted in inconsequential channels
+until H. Stackton Dunckley becalmed everything with a laborious
+dissertation on the lack of literary taste in both England and America.
+Selwyn took the opportunity of studying the elusive beauty of Elise
+Durwent, which seemed to provoke the eye to admiration, yet fade into
+imperfection under a prolonged searching. Pyford grew sleepy, and even
+Smyth appeared a little melancholy, when, on a signal from Lady
+Durwent, brandy and liqueurs were served, checking Mr. Dunckley's
+oratory and reviving every one's spirits noticeably.
+
+'Mr. Selwyn,' said Mrs. Le Roy Jennings in her best manner, 'after you
+have subjected England to a microscopic examination for a sufficient
+length of time, you will discover that we are a nation of parasites.'
+
+'I would rather you said that than I, Mrs. Jennings.'
+
+'Parasites,' reiterated the speaker, fixing an eye on some point on the
+wall directly between Selwyn and the hostess. 'We sprawl over the
+world--why? To develop resources? No! It is to reap the natural
+growth of others' endeavours? Yes! The Englishman never creates. He
+is the world's greatest brigand'----
+
+'Too thoroughly masculine to be really cruel,' chimed in the
+irrepressible Smyth.
+
+'Brigand,' repeated Mrs. Jennings, not deigning the artist so much as a
+glance, 'skimming the earth of its surface riches, and rendering every
+place the poorer for his being there.'
+
+There was an awesome silence, which no one seemed courageous enough to
+break.
+
+'Yes,' said H. Stackton Dunckley finally, 'and in addition England is
+decadent.'
+
+'But, Mr. Selwyn'--again the American heard the voice of Elise Durwent,
+that quick intensity of speech that always left a moment of startled
+silence in its wake--'you have discovered something admirable about
+England. Won't you tell us what it is?'
+
+'Well,' he said, smiling, 'for one thing, no one can deny the beauty of
+your women.'
+
+'All decadent nations,' said H. Stackton Dunckley, 'produce beautiful
+women--it is one of the surest signs that they are going to pieces.
+The Romans did at the last, and Rome and England are parallel cases.
+As Mrs. Le Roy Jennings says, they are parasitic nations. What did the
+Romans add to Greek art? The Greeks had this'--he made an elliptical
+movement of his hands--'the Romans did that to it'--he described a
+circle, then shrugged his shoulders, convinced that he had said
+something crushing.
+
+'So you think English women beautiful, Mr. Selwyn?' said Lady Durwent,
+trying to retrieve the conversation from the slough of her inamorato's
+ponderosity.
+
+'Undoubtedly,' answered the American warmly. 'It is no doubt the
+out-of-door life they lead, and I suppose the moist climate has
+something to do with their wonderful complexions, but they are womanly
+as well, and their voices are lovely.'
+
+'I smell a rat,' said Smyth, who had in his mouth an unlit cigarette,
+which had fastened itself to his lip and bobbed up and down with his
+speech, like a miniature baton. 'When a man says a woman's voice is
+sweet, it means that she has bored him; that what she has to say
+interests him so little that he turns to contemplation of her voice.
+This American is a devilish cute fellow.'
+
+A babble of voices took up the charge and demanded immediate
+explanation.
+
+'To a certain extent,' said Selwyn stoutly, 'there is much in what Mr.
+Smyth says.'
+
+'List to the pigmy praising the oracle,' chanted the artist.
+
+'I do not think,' went on the American, 'that the English girls I have
+met are as bright or as clever as the cultured young women of the
+continent of America. In other words, with all her natural charm, the
+English girl does not edit herself well.'
+
+'In that,' said H. Stackton Dunckley, 'she reflects the breed. The
+Anglo-Saxon has an instinctive indifference to thought.'
+
+'As soon as an Englishman thinks,' minced Madame Carlotti, 'he leaves
+England with its _cattivo_ climate and goes to the Colonies. _C'est
+pourquoi_ the Empire ees so powerful--its brains are in the legs.'
+
+'Come, come,' laughed Selwyn, 'is there no one here but me who can
+discover any merit in Old England?'
+
+'Yes,' said Pyford gloomily; 'London is only seven hours from Paris.'
+
+'Ah--_Parigi_!' ejaculated Madame Carlotti with the fervour born of the
+feeling in all Latin women that Paris is their spiritual capital.
+
+'And yet,' said Selwyn, after a pause to see if Madame Carlotti's
+exuberance was going to develop any further, 'in literature, which I
+suppose is the natural art of the Anglo-Saxon temperament, we still
+look to you for the outstanding figures. With all our ability for
+writing short stories--and I think we are second only to the French in
+that--England still produces the foremost novelists. In the sustained
+effort required in the formation of a novel, England is yet first. Of
+course, musically, I think England is very near the bottom.'
+
+'And yet,' said Johnston Smyth, 'we are the only people in the world
+candid enough to have a monument to our lack of taste.'
+
+Every one looked at the artist, who stroked his left arm with the back
+of his right hand, like a barber sharpening a razor.
+
+'In that part of London known as Kingsway,' he said, 'there is a
+beautiful building called "The London Opera House"!' He thrust both
+hands out, palms upwards, as if the building itself rested on them.
+'It stands in a commanding position, with statues of the great
+composers gazing from the roof at the passing proletariat emanating
+from the Strand. Inside it is luxuriously equipped, as bents the home
+of Opera.'
+
+'Yes,' said the American, as the speaker paused.
+
+Smyth produced a watch from nowhere in particular. 'It is just past
+ten,' he said. 'I am not sure whether it is Charlie Chaplin or Mary
+Pickford showing on the screen at this hour, at the London Opera House.'
+
+A murmur of applause acknowledged the artist's well-planned climax. He
+looked about with a satisfied smile, then replaced the watch with the
+air of pocketing both it and the subject.
+
+'But--you have opera?' said Selwyn wonderingly.
+
+'Of course,' said Smyth; 'and where? In a vegetable-market. In Covent
+Garden. Yet England has been accused of hypocrisy! What other nation
+is so candid?'
+
+By one of those unspoken understandings that are the rules of mobs and
+dinner-parties, it was felt that the topic was ceasing to be exhaustive
+and becoming exhausting. Lady Durwent glanced, interrogatively about
+the table; Madame Carlotti took a hitch in her gown; Norton Pyford
+emptied his glass and sat pensively staring at it as if it had hardly
+done what he expected, but on the whole he felt inclined to forgive it;
+Johnston Smyth made a belated attempt to be sentimental with the
+Honourable Miss Durwent, whose lips, always at war with each other,
+merely parted in a smile that utterly failed to bring any sympathy from
+her eyes; Mrs. Le Roy Jennings took a last sip of coffee, and finding
+it quite cold, put it down with a gesture of finality.
+
+'Lady Durwent,' said Austin Selwyn--and the quality of his voice was
+lighter and more musical than it had been--'I suppose that a man who
+deliberately goes to a country to gather impressions lays himself open
+to the danger of being influenced by external things only. If I were
+to base my knowledge of England on what her people say of her, I think
+I should be justified in assuming that the century-old charge of her
+decadence is terribly true. Yet I claim to have something of an
+artist's sensitiveness to undercurrents, and it seems to me that there
+is a strong instinct of race over here--perhaps I express myself
+clumsily--but I think there is an England which has far more depth to
+it than your artists and writers realise. For some reason you all seem
+to want to deny that; and when, as to-night, it is my privilege to meet
+some of this country's expressionists, it appears that none has any
+intention of trying to reveal what is fine in your life as a
+people--you seek only to satirise, caricature, or damn altogether. If
+I believe my ears, there is nothing but stupidity and insularity in
+England. If I listen to my senses, to my subconscious mind, I feel
+that a great crisis would reveal that she is still the bed-rock of
+civilisation.'
+
+Madame Carlotti raised her glass.
+
+'To America's next ambassador to England!' she cried.
+
+
+III.
+
+The momentous evening was drawing to a close.
+
+Rain, in fitful gusts, had been besieging the windows, driven by an
+ill-tempered wind that blustered around the streets, darting up dark
+alleys, startling the sparks emerging from chimney-pots, roaring across
+the parks, slamming doors, and venting itself, every now and then, in
+an ill-natured howl.
+
+Inside the refuge of No. 8 Chelmsford Gardens a fire threw its merry
+warmth over the large music-room, and did its best to offset the
+tearful misery of the November night.
+
+Conversation had dwindled in energy with the closing hour of the
+affair, and seizing an auspicious moment, Norton Pyford had reached the
+piano, and for twenty minutes demonstrated the close relation of the
+chord of C Minor to the colour brown. Modernist music, acting on
+unusual souls as classical music on ordinary souls, stimulated the
+flagging conversational powers of the guests, and he was soon
+surrounded by a gesticulating group of dissenting or condoning critics.
+
+Selwyn noticed that Elise Durwent had not left her seat by the fire,
+and absenting himself from the harmonic debate, he took a chair by hers.
+
+'You are pensive, Miss Durwent,' he said.
+
+She smiled, with a slight suggestion of weariness, though her eyes had
+a softness he had not seen in them before.
+
+'I am very dull company to-night,' she said, 'but ever since I was a
+child, rain beating against the windows has always made me dreamy. I
+suppose I am old-fashioned, but it is sweeter music to me than Mr.
+Pyford's new harmonies.'
+
+He laughed, and leaning towards the fire, rubbed his hands
+meditatively. 'You must have found our talk wearisome at dinner,' he
+said.
+
+'No,' she answered, 'it was not so bad as usual. You introduced a note
+of sincerity that had all the effect of a novelty.'
+
+Her mannerism of swift and disjointed speech, which broke all her
+sentences into rapidly uttered phrases, again annoyed him. Though her
+voice was refined, it seemed to be acting at the behest of a whip-like
+brain, and she spoke as if desirous rather of provoking a retort than
+of establishing any sense of compatibility. Yet she was
+feminine--gloriously, delicately feminine. The finely moulded arms and
+the gracefulness of body, indicated rather than revealed beneath her
+blue gown, intrigued the eye and the senses, just as the swiftly spoken
+words challenged the brain and infused exasperation in the very midst
+of admiration. The complicated elements of the girl offered a peculiar
+fascination to the eternal instinct of study possessed by the young
+American author.
+
+'Miss Durwent,' he said, 'if I was sincere to-night, it was because you
+encouraged me to be so.'
+
+'But I said nothing.'
+
+'Nevertheless, you were the inspiration.'
+
+'I never knew a girl could accomplish so much by holding her tongue.'
+
+A crash of 'Bravos' broke from the group around the piano; Pyford had
+just scored a point.
+
+'You know,' resumed Selwyn thoughtfully, 'a man doesn't go to a
+dinner-party conscious of what he is going to say. It is the people he
+meets that produce ideas in him, many of which he had never thought of
+before.'
+
+She tapped the ground with her foot, and looked smilingly at his
+serious face. 'It is the reverse with me,' she said. 'I go out to
+dinner full of ideas, and the people I meet inspire a silence in me of
+unsuspected depth.'
+
+'May I smoke?' asked Selwyn, calling a halt in the verbal duel.
+
+'Certainly; I'll join you. Don't smoke your own cigarettes--there are
+some right in front of you.'
+
+He reached for a silver box, offered her a cigarette, and struck a
+match. As he leaned over her she raised her face to the light, and the
+blood mounted angrily to his head.
+
+Though a man accustomed to dissect rather than obey his passions, he
+possessed that universal quality of man which demands the weakness of
+the feminine nature in the woman who interests him. He will satirise
+that failing; if he be a writer, it will serve as an endless theme for
+light cynicism. He will deplore that a woman's brains are so submerged
+by her emotions; but let him meet one reversely constituted, and he
+steers his course in another direction with all possible speed.
+
+Selwyn had come to her with a comfortable, after-dinner desire for a
+_tête-à-tête_. He expected flattering questions about his writings,
+and would have enjoyed talking about them; instead of which this
+English girl with the crimson colouring and the maddening eyes had
+coolly kept him at a distance with her rapier brain. He felt a sudden
+indignation at her sexlessness, and struck a match for his own
+cigarette with such energy that it broke in two.
+
+'Miss Durwent,' he said suddenly, lighting another match, 'I want to
+see you again--soon.' He paused, astonished at his own abruptness, and
+an awkward smile expanded until it crinkled the very pinnacle of his
+nose.
+
+'I like you when you look like that,' she said. 'It was just like my
+brother Dick when he fell off a horse. By the way, do you ride?'
+
+'Yes,' he said, watching the cigarette-smoke curl towards the
+fireplace, 'though I prefer an amiable beast to a spirited one.'
+
+'Good!' she said, so quickly that it seemed like the thrust of a sword
+in tierce. 'You have the same taste in horses as in women. Most men
+have.'
+
+'Miss Durwent'--his face flushed angrily and his jaw stiffened--'I'll
+ride any horse you choose in England, and'----
+
+'And break the heart of the most vixenish maiden in London! You are a
+real American, after all. What is it you say over there? "Shake!"'
+
+She slapped her hand into his, and he held it in a strong grip.
+
+'But you _will_ let me see you again soon?'
+
+'Certainly.' She withdrew her hand from his with a firmness that had
+neither censure nor coquetry in it, and the heightened colour of her
+cheeks subsided with the sparkle of her eyes.
+
+'When?' he said.
+
+'To-morrow morning, if you like. I shall have horses here at eleven,
+and we can ride in the Row, providing you will put up with anything so
+quiet as our cattle.'
+
+'That is bully of you. I shall be here at eleven.'
+
+'I thought all Americans used slang,' she said.
+
+'You are the first English girl I have met,' he answered with
+extraordinary venom in his voice, 'who has not said "ripping."'
+
+ * * * * * *
+
+Twenty minutes later Austin Selwyn, unable to secure a taxi, tramped
+along Oxford Street towards his hotel. He had just reached the Circus
+when the malignant wind, hiding in ambush down Regent Street, rushed at
+him unawares and sent his hat roistering into the doorway of a store.
+With a frown, Selwyn stopped and stared at the truant.
+
+'Confound the wretched thing!' he said.
+
+
+
+
+CHAPTER VI.
+
+A MORNING IN NOVEMBER.
+
+
+I.
+
+Austin Selwyn rose from his bed and looked at Berners Street glistening
+in a sunlight that must have warmed the heart of Madame Carlotti
+herself. With a lazy pleasure in the process, he recalled the picture
+of Elise Durwent sitting in the dim shadows of the firelit room; he
+felt again the fragrance of her person as he leaned over her with the
+lighted match. On the canvas of his brain was thrown the rich
+colouring of the English girl, with the copper-hued luxury of hair and
+the eyes that seemed to steal some magic from the fire; and he saw
+again those warring lips, the crimson upper one chiding the passionate
+scarlet of its twin.
+
+Idly, while enjoying the unusual dissipation of a pre-breakfast
+cigarette, he tried to imagine the course of incident and heredity that
+had produced her strange personality. That there was a bitterness
+somewhere in her disposition was obvious; but it certainly could not
+have come from the mother, who was the soul of contentment. He found
+himself speculating on the peculiar quality of personality, that
+strange thing which makes an individual something apart from others of
+his kind, that gift which singles out a girl of ordinary appearance and
+leaves one of flawless beauty still wagging her pretty head in the
+front row of the chorus. From that point he began to speculate on the
+loneliness of personality, which so often robs its owner of the cheery
+companionship of commonplace people.
+
+On the whole, he regretted that he was going to see her again so soon.
+Her pertness, which had seemed fairly clever the previous night, would
+probably descend to triteness in the morning; he could even see her
+endeavouring to keep up the same exchange of short sentences. Bah! It
+was like a duel with toothpicks. The stolid respectability of Berners
+Street lent its aid to the conviction that the morning would hold
+nothing but anti-climax.
+
+And he was poet enough to prefer an unfinished sonnet to one with an
+inartistic ending.
+
+
+II.
+
+Austin Selwyn was twenty-six--an age which has something in common with
+almost every one of the seven celebrated by Shakespeare. Like most men
+in their twenties, he had the character of a chameleon, and adapted
+himself to his surroundings with almost uncanny facility. At college
+he had been an ardent member of a dozen cliques, even falling under the
+egotism of the men who dabbled in Spiritualism, but a clarity of
+thought and a strain of Dutch ancestry kept his feet on the earth when
+the rest of him showed signs of soaring.
+
+Some moderate wit had said of him at college that he was himself only
+twice a day--when he got up in the morning and when he went to bed at
+night. This Stevensonian theory was not quite true, for a chameleon
+does not cease to be a chameleon because it changes its colour.
+
+It was perhaps his susceptibility to the many vintages of existence
+that had impelled him to write, authors being more or less a natural
+result of the economic law of intake and output. As is the habit of
+most young writers, he wrote on various subjects, put enough material
+for a two-volume novel into a short story, and generally revelled in
+the prodigality of literary youth. He was prepared to be a social
+satirist, a chronicler of the Smart Set, a champion of the down-trodden
+masses, or a commercial essayist, according to the first public that
+showed appreciation of his work.
+
+Although he had lived in Boston, that city which claims so close an
+affinity to ancient Athens (as a matter of fact, has it not been said
+that Athens is the Boston of Europe?), he was drawn to the great vortex
+of New York, that mighty capital of modernism which sucks the best
+brains of an entire continent. For some time he wrote beneath his own
+standard and with considerable success. Following the example of
+several successful New York authors, he plunged into a hectic portrayal
+of 'high' society, a set of people that makes one wonder as to the
+exact meaning of the adjective. For a short space he came under the
+influence of the studied Bohemianism of 'Greenwich Village,' and wrote
+deucedly clever things for the applause of the villagers, then sneered
+at American taste because people in Arkansas did not like his work.
+Still retaining his love of Greenwichery, he next succumbed to the
+money lure of the motion-picture industry, which offered to buy the
+picture-rights of his stories, provided he would introduce into them
+the elements which go to make up successful American films.
+
+With the prospect of a bank president's income before him, he succeeded
+in writing his share of that form of American literature which has a
+certain love interest, almost obscured by a nasty sexual diagnosis, an
+element of comedy relief, and, above all, a passionate adherence to the
+craze of the moment--a work that fades from the mind with the closing
+of the book, as the memory of the author's name vanishes almost before
+the last sound of the earth dropped upon his coffin.
+
+He knew that there were sincere _literati_ writing of the abiding
+things that do not die with the passing of a season, but the clamour of
+commercialism drowned their voices. As though they were stocks upon an
+exchange, he heard the cries: 'Brown's getting five thousand dollars a
+month writing serials for Hitch's;' 'Smith sold two novels on synopsis
+for thirty thousand dollars;' 'Green's signed up with Tagwicks for four
+years at two thousand dollars a month writing problem novels.' Into
+the maelstrom of 'Dollars, Dollars, Dollars,' the sensitive brains of
+all America were drifting, throwing overboard ideals and aspirations in
+order to keep afloat in the swirling foam.
+
+And then--the Fates stooped and touched his destiny with a star.
+
+A New York publisher (one of that little group which has for its motto,
+'Art for Art's sake,' not 'Art, for God's sake!') noticed him, and
+spoke of literature as an expression of the soul, a thing not of a
+season or a decade, but as ageless as a painting.
+
+His ear caught the new song of attainment just as readily as it had
+received the chorus of 'Dollars.' He wrote a novel of New England
+life, full of faults, but vibrant with promise; and having gathered
+together quite a nice sum of money, he went to England, at the advice
+of the before-mentioned publisher, there and elsewhere in Europe to
+absorb the less oxygenic atmosphere of older civilisations, which still
+gives birth to the beginnings of things.
+
+Twice he had visited Paris. The first time, with the instinct of the
+tourist, he had discovered the vileness of the place--a discovery
+fairly easy of accomplishment. The second time he had ignored the
+tourist-stimulated aspect of Paris life, and had allowed his senses to
+absorb the soul of the Capital of all the Latins, the laboratory of
+civilisation. And he who has done that is never the same man again.
+Germany had ministered to his reason, and Italy to his emotions; but he
+found his greatest interest in London, which offered to him an endless
+inspiration of changing moods, of vagrant smells, and the effect of a
+stupendous drama of humanity.
+
+Under the spell of Europe's ageless artistry and the rich-hued meadows
+of England's literary past he had grown humble. The song of 'Dollars'
+was less clamorous than the echo of the ocean in the heart of a
+sea-shell. When he wrote, which was seldom, he approached his
+paper-littered desk as an artist does his canvas. It was the medium by
+which he might gain a modest niche in the Hall of the Immortals--or,
+failing that, his soul at least would be enriched by the sincerity of
+his endeavour.
+
+In that highly artistic frame of mind he suddenly secured the _entrée_
+into London Society. For some reason, as unaccountable as the reverse,
+a wave of popularity for Americans was breaking against the oak doors,
+and he was carried in on the crest. The result was not ennobling. The
+dormant instinct of satire leaped to life and the idealist became the
+jester.
+
+But then he was twenty-six and most agreeably susceptible to hap-hazard
+influence. Being a Bostonian, he acquitted himself with creditable
+_savoir faire_; and being an American, his appreciation of the
+ridiculous saved him from the quagmire of snobbery, though he made many
+friends and dined regularly with august people, whose family trees were
+so rich in growth that they lived in perpetual gloom from the foliage.
+
+Lady Durwent's dinner-party had been an expedition into the artistic
+fakery of London, and he would have dismissed the whole affair as a
+stimulating and amusing diversion from the ultra-aristocratic rut if
+the personality of Elise Durwent had not remained with him like a
+haunting melody.
+
+He looked at his watch. 'By Jove!' he muttered; 'it's nine o'clock;'
+and hurriedly completing his ablutions, he dressed and descended to
+breakfast.
+
+
+III.
+
+Into the row of splendidly inert houses known as Chelmsford Gardens,
+Austin Selwyn turned his course. A couple of saddle-horses were
+standing outside No. 8, held by a groom of expressionless countenance.
+From No. 3 a butler emerged, looked at the morning, and retired.
+Elsewhere inaction reigned.
+
+Ringing the bell, Selwyn was admitted into the music-room of the
+previous night's scene. The portrait of a famous Elizabethan beauty
+looked at him with plump and saucy arrogance. In place of the
+crackling fire a new one was laid, all orderly and proper, like a set
+of new resolutions. The genial disorder of the chairs, moved at the
+whim of the Olympians, had all been put straight, and the whole room
+possessed an air of studied correctness, as though it were anxious to
+forget the previous evening's laxity with the least possible delay.
+
+'Good-morning.'
+
+Elise Durwent swept into the room with an impression of boundless
+vitality. She was dressed in a black riding-habit with a divided
+skirt, from beneath which a pair of glistening riding-boots shone with
+a Cossack touch. Her copper hair, which was arranged to lie rather low
+at the back, was guarded by a sailor-hat that enhanced to the full the
+finely formed features and arched eyebrows. There was an extraordinary
+sense of youthfulness about her--not the youthfulness of immaturity,
+but the stimulating quality of the spirit.
+
+'I came here this morning,' began Selwyn vaguely, 'expecting'----
+
+'Expecting a frumpy, red-haired girl with a black derby hat down to her
+nose.'
+
+He bowed solemnly. 'Instead of which, I find--a Russian princess.'
+
+'You are a dear. You can't imagine how much thought I expended on this
+hat.'
+
+'It was worth it. You look absolutely'----
+
+'Just a minute, Mr. Selwyn. You are not going to tell me I look
+charming?'
+
+'That was my intention.'
+
+She sighed, with a pretty pretence at disappointment. 'That will cost
+me half-a-crown,' she said.
+
+'I beg your'----
+
+'Yes; I wagered myself two-and-six to a "bob" that you wouldn't use
+that word.'
+
+'It is really your fault that I did,' he said seriously.
+
+She curtsied daintily. 'I make money on Englishmen and lose it on
+Americans,' she said. 'I have a regular scale of bets. I give ten to
+one that an Englishman will say in the first ten minutes that I look
+"topping," five to one on "absolutely ripping" in the first thirty, and
+even money on "stunning" in the first hour.'
+
+His face, which had been portraying an amusing mixture of perplexity
+and admiration, broke into a smile which encompassed all his features.
+'Do all bets cease at the end of the first hour?' he asked.
+
+'Yes, ra-_ther_. An Englishman never pays compliments then, because he
+is used to you. Isn't it awful seeing people getting used to you?'
+
+'Do they ever?'
+
+'Umph'm. The only chance of bagging one of the nobility as a husband
+is to limit interviews to half-an-hour and never wear the same clothes
+twice. Startle him! Keep him startled! Save your most daring gown
+for the night you're going to make him propose, then wear white until
+the wedding. An Englishman will fall in love with a woman in scarlet,
+but he likes to think he's marrying one who wears white. Costume, my
+dear Americano--costume does it. Hence the close alliance between the
+nobility and the chorus. But come along; we're snubbing the sunlight.'
+
+With something like intoxication in his blood, he followed his
+imperious, high-spirited companion from the house. He hurried forward
+to help her to mount, but she had her foot in the stirrup and had swung
+herself into the saddle before he could reach her side. With less
+ease, but with creditable horse-management, Selwyn mounted the chestnut
+and drew alongside the bay, who was cavorting airily, as if to taunt
+the larger horse with the superior charm of the creature that bestrode
+him.
+
+'We'll be back, Smith, at twelve-thirty,' she called; and with the
+tossing of the horses' heads, resentful of the restraining reins, and
+the clattering of hoofs that struck sparks from the roadway, they made
+for the Park.
+
+
+IV.
+
+London is a stage that is always set. The youthful Dickens watching
+the murky Thames found the setting for his moments of horror, just as
+surely as cheery coach-houses, many of them but little changed to this
+day, bespoke the entrance of Wellers senior and junior. London gave to
+Wilde's exotic genius the scenes wherein his brilliantly futile
+characters played their wordy dramas; then, turning on the author,
+London's own vileness called to his. Thackeray the satirist needed no
+further inspiration than the nicely drawn distinction between Belgravia
+and Mayfair. Generous London refused nothing to the seeking mind. Nor
+is it more sparing to-day than it was in the past; it yields its
+inspiration to the gloom of Galsworthy, the pedagogic utterances of Mr.
+Wells, the brilliant restlessness of Arnold Bennett, and the
+ever-delightful humour of Punch.
+
+On this morning in November London was in a gracious mood, and Hyde
+Park, coloured with autumn's pensive melancholy, sparkled in the
+sunlight. Snowy bits of cloud raced across the sky, like sails against
+the blue of the ocean. November leaves, lying thick upon the grass,
+stirred into life, and for an hour imagined the fickle wind to be a
+harbinger of spring. Children, with laughter that knew no other cause
+than the exhilaration of the morning, played and romped, weaving dreams
+into their lives and their lives into dreams. Invalids in chairs
+leaned back upon their pillows and smiled. Something in the laughter
+of the children or the spirit of the wind had recalled their own
+careless moments of full-lived youth.
+
+Paris, despite your Bois de Boulogne; New York, for all the beauties of
+your Central Park and Riverside Drive--what have you to compare with
+London's parks on a sun-strewn morning in November?
+
+Reaching the tan-bark surface of Rotten Row, Selwyn and the English
+girl eased the reins and let the horses into a canter. With the motion
+of the strong-limbed chestnut the American felt a wave of exultation,
+and chuckled from no better cause than sheer enjoyment in the morning's
+mood of emancipation. He glanced at Elise Durwent, and saw that her
+eyes were sparkling like diamonds, and that the self-conscious bay was
+shaking his head and cantering so lightly that he seemed to be borne on
+the wings of the wind. Selwyn wished that he were a sculptor that he
+might make her image in bronze: he would call it 'Recalcitrant Autumn.'
+He even felt that he could burst into poetry. He wished----
+
+But then he was in the glorious twenties; and, after all, what has the
+gorged millionaire, rolling along in his beflowered, bewarmed,
+becushioned limousine, that can give one-tenth the pleasure of the grip
+on the withers of a spirited horse?
+
+Sometimes they walked their beasts, and chatted on such subjects as
+young people choose when spirits are high and care is on a vacation.
+They were experiencing that keenest of pleasures--joy in the _present_.
+
+They watched London Society equestrianising for the admiration of the
+less washed, who were gazing from chairs and benches, trying to tell
+from their appearance which was a duke and which merely 'mister'--and
+usually guessing quite wrongly. Ladies of title, some of them riding
+so badly that their steeds were goaded into foam by the incessant pull
+of the curb bit, trotted past young ladies and gentlemen with
+note-books, who had been sent by an eager Press to record the
+activities of the truly great. Handsome women rode in the Row with
+their children mounted on wiry ponies (always a charming sight); and
+middle-aged, angular females, wearing the customary riding-hat which
+reduces beauty to plainness and plainness to caricature, rode
+melancholy quadrupeds, determined to do that which is done by those who
+are of consequence in the world.
+
+But pleasures born of the passing hour, unlike those of the past or of
+anticipation, end with the striking of the clock. It seemed to Austin
+Selwyn that they had been riding only for the space of minutes, when
+Elise asked him the time.
+
+'It is twenty minutes to one,' he said. 'I had no idea time had passed
+so quickly.'
+
+'Nor I,' she answered. 'Just one more canter, and then we'll go.'
+
+The eager horses chafed at their bits, and pleaded, after the manner of
+their kind, to be allowed one mad gallop with heaving flanks and
+snorting triumph at the end; but decorum forbade, and contenting
+themselves with the agreeable counterfeit, Selwyn and the girl
+reluctantly turned from the Park towards home.
+
+The expressionless Smith was waiting for them, and looked at the two
+horses with that peculiar intolerance towards their riders which the
+very best groom in the world cannot refrain from showing.
+
+'Won't you come in and take the chance of what there is for lunch?' she
+said as Selwyn helped her to dismount.
+
+'N-no, thanks,' he said.
+
+She pouted, or pretended to. 'Now, why?' she said as Smith mounted the
+chestnut, and touching his hat, walked the horses away.
+
+'There is no reason,' he said, smiling, 'except---- Look here; will
+you come downtown and have dinner with me to-night?'
+
+'You Americans are refreshing,' she said, burrowing the toe of her
+riding-boot with the point of the crop, 'As a matter of fact, I have to
+go to dinner to-night at Lady Chisworth's.'
+
+'Then have a headache,' he persisted.
+
+'Please,' as her lips proceeded to form a negative.
+
+'Some one would see us, and Lady Chisworth would declare war.'
+
+'Then let us dine in some obscure restaurant in Soho.'
+
+'There's no such thing, old dear. Soho is always full of the best
+people dining incog. Almost the only place where you are free from
+your friends is Claridge's.'
+
+'Well'--his nose crinkled at her remark--'then let us go to Claridge's.
+Miss Durwent, I know I'm too persistent, but it would be a wonderful
+ending to a bully day. You know you'll be bored at Lady Chisworth's,
+and I shall be if you don't come.'
+
+'Humph!' She stood on the first of the stone steps, her agile
+gracefulness lending itself to the picture of healthy, roseate youth.
+
+'Where could we meet?'
+
+'Let me call for you.'
+
+'N-no. That wouldn't do.'
+
+'Would your mother object?'
+
+'Heavens, no!--but the servants would. You see, English morality is
+largely living up to your servants--and we met only last night.'
+
+'But you will come?' He crossed his hands behind his back and swung
+the crop against his boots.
+
+'Mr. Selwyn,' she said, 'your books should be very interesting.'
+
+'From now on they will be,' he said, 'if'----
+
+'All right,' she interrupted him with something of the staccato
+mannerism of the evening before. 'I'll motor down in my little car,
+and we'll go to the Café Rouge.'
+
+'Good--wherever that may be.'
+
+'No one has discovered it yet but me,' she said. 'Then I shall have a
+headache at four, and meet you outside Oxford Circus Tube at seven.'
+
+'You're a real sport, Miss Durwent.'
+
+'Ah, monsieur'--she smiled with a roguishness that completely unsettled
+him for the remainder of the day--'have you no sympathy for my
+headache?'
+
+
+
+
+CHAPTER VII.
+
+THE CAFÉ ROUGE.
+
+
+I.
+
+Monsieur Anton Beauchamp was the proprietor of the Café Rouge in
+London. Monsieur Anton Beauchamp was once proprietor of the Café Bleu
+in Paris.
+
+For many years he had cast envious eyes on London. Did not always his
+guests, those strange blonde people with the clothes like blankets, pay
+his prices without question? Did they not drink bad wine and never add
+the bill? _Pardi_! if he could have only English as patrons, madame
+and himself could purchase that wine-shop in the Bou' Mich', and never
+worry again.
+
+For years the thought of London haunted Anton; and then one day, in a
+superb moment of decision, he announced his intention of journeying
+thither. A large entourage followed him to the Gare du Nord, and, with
+much the same feelings as those of an explorer leaving for the North
+Pole, he bade a dramatic farewell, and almost missed his train by
+running back to give a final embrace to Madame Beauchamp.
+
+With no undue mishap he reached London the same night, and next day he
+lunched at a famous London restaurant. At night he dined at a
+fashionable establishment in Shaftesbury Avenue. In both places he
+received ordinary food served without distinction, reckoned up the
+bill, and found that in each case _l'addition_ was correct--and rushed
+madly back to Paris, where he sold the Café Bleu, packed up his
+belongings, and explained matters to his wife, doing all three things
+simultaneously.
+
+'The dinner,' he exclaimed in a fever of excitement, 'is served--so!
+As a funeral. I order what I like, and the waiter he stands there
+_comme un gendarme_, as if it is my name I give. "Any vegetables?"
+demands he. _Mon Dieu_! As if vegetables they are no more to him than
+so much--so much umbrellas. I say, "_Garçon, la carte des vins_!" and,
+quite correct, he hands it me with so many wines he has not got, just
+as in Paris, but--_que penses tu_?--he permits me to order what wine I
+choose, so--by myself. _C'est terrible_! I give him three pennies and
+say, "_Garçon_, for such stupidity you should pay the whole bill."'
+
+Monsieur Beauchamp was a man of shrewdness. He knew he could not
+compete with the established solidity of the Trocadero, the Ritz, the
+Piccadilly, or the garishness of Frascati's, so he purchased and
+remodelled an unobtrusive building in an unobtrusive street between
+Shaftesbury Avenue and Oxford Street, but clear of Soho and its
+adherents. He decorated the place in a rich red, and arranged some
+_cabinets particuliers_ upstairs, where, by the screening of a curtain,
+Madame the Wife and Monsieur the Lover could dine without molestation
+of vulgar eyes.
+
+Monsieur Beauchamp felt himself a benefactor, a missionary. He argued
+that the only reason Londoners were not so flirtatious as Parisians was
+lack of opportunity. He, the proprietor of the Café Rouge, would bring
+light to the inhabitants of the foggy city. To assist in this
+philanthropic work he brought with him an excellent cook, who had
+killed a dyspeptic Cabinet Minister by tempting him with dishes
+intended only for robust digestions, and three young and ambitious
+waiters; while madame engaged what unskilled labour was required.
+
+Unobtrusively they opened for business, for he knew that publicity
+would spoil his chance of success. (Once convince a Londoner that he
+is one of a select few who know a restaurant, and he will stand an hour
+waiting for a table.) The first customer to enter received such
+attention that he brought his family the next night. Monsieur
+Beauchamp issued orders that he should be snubbed. _Parbleu_! was the
+Café Rouge for _families_?
+
+Gradually the justification of Monsieur Beauchamp's policy became
+evident. Ladies of the Chorus brought their admirers there, and to the
+former Monsieur Beauchamp paid particular courtesy. Long study of
+feminine psychology had taught him that, whereas a woman may change her
+lover, she will not change her favourite café. Therefore, though the
+man may pay the bill, the woman is the one to please. Artists from
+Chelsea would come as well to the Café Rouge, celebrating the sale of a
+picture, and drinking plentifully to the confounding of all art
+critics. Also, the _cabinets particuliers_ were the scene of some
+exceedingly expensive and recherché dinners--and almost no one added
+the bill. When any one did, Monsieur Beauchamp was mortified, and
+invariably dismissed the same waiter on the spot--thereby gaining for
+himself and France a reputation for sterling integrity.
+
+'_Ma foi_! London may be gray,' thought Monsieur Beauchamp, 'but she
+pays well.'
+
+
+II.
+
+One November evening Monsieur Anton Beauchamp's critical eye noted the
+entrance of a dark-haired young man in well-fitting evening clothes,
+and with him a young lady whose deep-green cloak and white fur round
+the shoulders set off to perfection her radiant colouring and
+well-poised figure. Monsieur Beauchamp did not hesitate. After all,
+he was an artist, and subject to inspiration like other men of genius;
+so, hurrying downstairs, he waved the waiter aside, and greeted them
+with a bow which almost amounted to virtuosity.
+
+'_Bon soir, monsieur et madame_.' He cast an anxious glance about the
+café, which was two-thirds filled. 'This tabil will do?--_Ah, mais
+non_! He grew indignant at the very thought. '_Pardon, monsieur_,
+that one is very nice--_par ici_--_Non, non_! Ah--perhaps you would
+like a _cabinet particulier_?'
+
+The sirenic tone of voice and the gesture of his hands indicated the
+seraphic pleasure to be obtained only in one of those secluded spots.
+
+The American turned inquiringly to the girl.
+
+'When I was here before,' she said, 'I was at a table just upstairs to
+the right. Have you one there, Monsieur Beauchamp?'
+
+_Nom d'une pipe_! She knew him. And she was beautiful, this English
+lady. As he personally escorted them upstairs, with the importance of
+a Lord Chamberlain at a Court function, Monsieur Beauchamp speculated
+on the flirtatious potentialities of the young woman. If she were only
+clever enough to be fickle, what a source of profit she might be to the
+Café Rouge! And was she not in appearance much like Mademoiselle
+Valerie, for whom a member of the Chamber of Deputies had blown out the
+brains of Monsieur P---- de l'Académie Française?
+
+With the assistance of a waiter, he ushered them to a table almost
+hidden by a pillar, where a crimson-shaded light sent a soft glow that
+was guaranteed to make the most of a woman's eyes. Monsieur Beauchamp
+with his own hands brought them the menu card, while the waiter stood
+expectantly, crouched for an immediate start as soon as he received the
+signal. A small waitress appeared with the butter and rolls, and made
+her way underneath the arms of the proprietor and the waiter like a tug
+running round two ocean liners. Monsieur Beauchamp could recommend the
+_Barquettes Norvégienne_--No? Madame did not so desire? Of course
+not. He frowned terrifically at the waiter, who glared ferociously at
+the diminutive waitress. _Morbleu_! What imbecile suggested
+_Barquettes Norvégienne_? Monsieur Beauchamp mentioned other dishes as
+an overture to the meal, waxing increasingly wrathy towards the waiter
+on each veto. Ah! monsieur desired _Consommé Anton_. The proprietor's
+face beamed and his arms were outstretched towards heaven. That this
+gentleman should order _Consommé Anton_, the soup of which he alone
+knew the secret, and which had been named after himself! Truly, the
+life of a restaurateur was not without compensations. He turned on the
+waiter--but that worthy had darted away to execute the order.
+
+
+III.
+
+The soup appeared. Monsieur Beauchamp stood by with the attitude of an
+artist watching the hanging of his first painting in the Academy.
+
+'You might let me see the wine list,' said Selwyn.
+
+Monsieur Beauchamp struck an attitude of horror. Had it come to this
+in the Café Rouge, that a patron must _ask_ for the wine list?
+Brandishing his arms, he rushed from the table, almost colliding with
+the little waitress, flew downstairs to the very farthest table near
+the door, seized a wine card, and puffing generously, arrived with the
+trophy at the table, much as Rothschild's messenger must have reached
+London with the news that the British were winning at Waterloo. Having
+then succeeded in making the American order a red wine when he wanted
+white, Monsieur Beauchamp withdrew in a state of histrionic
+self-satisfaction.
+
+With a smile of relief Selwyn looked across the table at the girl.
+Even in the soft glow of the lamp, which made for flattery, it seemed
+to him that the vivacity of the morning had disappeared, and in its
+place was the petulance of the previous evening. Her eyes, which
+seemed when they were riding to have caught something of the alchemy of
+the skies, were steady and lighter in shade. Again he noticed the
+suggestion of discontent about the mouth, and the upper lip looked thin
+and lacking in colour.
+
+'It is your turn to-night to be pensive,' she said.
+
+'I was thinking,' he answered, 'that it is hardly twenty-four hours
+since we met, and yet I have as many impressions of you as an ordinary
+woman would give in six months. For instance, last night when you
+entered the room'----
+
+'But, Mr. Selwyn, any girl knows enough to arrive late when there is no
+woman within twenty years of her age in the room. The effect is
+certain.'
+
+There was no humour in her voice, but just a tone of weary, world-wise
+knowledge. A look of displeasure clouded his face.
+
+'Surely,' he said, 'with your qualities and appearance, you don't need
+such an elaborate technique.'
+
+'In a world where there is so little that is genuine, why should I
+debar myself from the pleasure of being a humbug?'
+
+'Come, come,' he said, smiling, 'you are not going to join the ranks of
+England's detractors?'
+
+She shrugged her shoulders. 'I'm certainly not going to become a
+professional critic like Stackton Dunckley, who hasn't even the excuse
+that he's an Irishman; or Lucia Carlotti, who hardly ever leaves London
+because her dinners cost her nothing. But I reserve the right of
+personal resentment.'
+
+
+IV.
+
+They were interrupted by a waiter, who removed the soup-plates with
+studied dexterity, and substituted _Tronçon de turbotin Duglère_;
+_pommes vapeur_, the dish which had delivered the fatal blow against
+the Cabinet Minister's digestive armour.
+
+'Perhaps I am too personal,' resumed Selwyn after the completion of
+this task, 'but last night one of the impressions I took away with me
+was your critical attitude towards your surroundings. Then this
+morning you were so completely'----
+
+'Charming?'
+
+'----bewitching,' he said, smiling, 'that I thought myself an idiot for
+the previous night's opinion. But, then, this evening'----
+
+'Mr. Selwyn, you are not going to tell me I'm disappointing, and we
+just finished with the soup?'
+
+More than her words, the forced rapidity with which she spoke nettled
+him. With bad taste perhaps, but still with well-meant sincerity, he
+was trying to elucidate the personality which had gripped him; while
+she, though seemingly having no objection to serving as a study for
+analysis, was constantly thrusting her deflecting sentences in his
+path. To him words were as clay to the sculptor. When he conversed he
+liked to choose his theme, then, by adroit use of language, bring his
+artistry to bear on the subject, accentuating a line here, introducing
+a note of subtlety elsewhere, amplifying, smoothing, finishing with the
+veneer of words the construction of his mind. Another quality in her
+that troubled him was the apparent rigidity of her thoughts. Not once
+did she give the impression that she was nursing an idea in the lap of
+her mentality, but always that she had arrived at a conclusion by an
+instantaneous process, which would not permit of retraction or
+expansion. As though by suggestion he could reduce her phrasing to a
+_tempo_ less quick, his own voice slowed to a drawl.
+
+'Miss Durwent,' he said, 'you are unique among the English girls I have
+met. I should think that contentment, almost reduced to placidity, is
+one of their outstanding characteristics.'
+
+'That is because you are a man, and with a stranger we have our company
+manners on. England is full of bitter, resentful women, but they don't
+cry about it. That's one result of our playing games like boys. We
+learn not to whine.'
+
+'I suppose the activities of your suffragettes are a sign of this
+unrest.'
+
+'Yes--though they don't know what is really the trouble. I do not
+think women should run the country, but I do feel that we should have
+something to say about our ordinary day-to-day lives. Man-made laws
+are stupid enough, but a man-made society is intolerable. Just a very
+little wine, please.'
+
+For a moment there was silence; then she continued: 'Oh, I suppose if
+it were all sifted down I should find that it is largely egotism on my
+part.'
+
+He waited, not wanting to alter her course by any injudicious comment.
+
+'Mr. Selwyn,' she said abruptly, 'do you feel that there is a Higher
+Purpose working through life?'
+
+'Y-yes,' he said, rather startled, 'I think there is.'
+
+'Sometimes I do,' she went on; 'then, again, I think we're here on this
+earth for no purpose at all. It often strikes me that Some One up
+above started humanity with a great idea, but lost interest in us.'
+
+'I think,' he said slowly, 'that every man has an instinctive feeling
+sometime in his life that he is a small part of a great plan that is
+working somehow towards the light.'
+
+'Yes. It's a comfortable thought. It's what makes good Christians
+enjoy their dinner without worrying too much about the poor.'
+
+He made no answer, though he was not one who often let an epigram go by
+without a counter-thrust; but he could see that the girl was struggling
+towards a sincerity of expression much as a frightened horse crosses a
+bridge which spans a roaring waterfall, ready to bolt at the first
+thing that affrights it.
+
+'Mr. Selwyn,' she said--and for the first time her words had something
+of a lilt and less incision--'do you think women are living the life
+intended for them?'
+
+'Why not?' he fenced.
+
+'Well, it seems to me that when any living creature is placed in the
+world it is given certain powers to use. You saw this morning how our
+horses wanted to race, and couldn't understand our holding them back.
+A mosquito bites because that's apparently its job in the world, and it
+doesn't know anything else. I was once told that if animals do not use
+some faculty they possess, in time Nature takes it away from them.'
+
+'You are quite a student of natural history, Miss Durwent.'
+
+'No--but every now and then mother unearths a man who teaches us
+something, like last night.'
+
+He acknowledged the compliment with a slight inclination of his head.
+The waiter leant expectantly beside him.
+
+'To descend from the metaphysical to the purely physical,' he said,
+glancing in some perplexity at the terrific nomenclature of Monsieur
+Beauchamp's dishes, 'do you think we might take a chance on this
+_Poulet reine aux primeurs; salade lorette_? I gather that it has
+something to do with chicken.'
+
+'It's rather artful of Monsieur Beauchamp to word it so we poor English
+can get that much, isn't it?'
+
+'Yes. He apparently acts on the principle that a little learning is a
+common thing.'
+
+
+V.
+
+As Selwyn gave the necessary order to the waiter, a noisy hubbub of
+laughter from an adjoining _cabinet particulier_ almost drowned his
+words. There was one woman's voice that was rasping and sustained with
+an abandon of vulgarity released by the potency of champagne.
+
+Elise Durwent looked across the table at her companion. 'Are you bored
+with all my talk?' she said. 'You Americans aren't nearly so candid
+about such things as Englishmen.'
+
+'On the contrary, Miss Durwent, I am deeply interested. Only, I am a
+little puzzled as to how you connect the usual functions of animals
+with woman's place in the world.'
+
+With an air of abstraction she drew some pattern on the table-cloth
+with the prongs of a fork. 'I don't know,' she said dreamily, 'that I
+can apply the argument correctly, 'but--Mr. Selwyn, when I was a child
+playing about with my little brother "Boy-blue"--that was a pet name I
+had for him--I was just as happy to be a girl as he was to be a boy. I
+think that is true of all children. But ask any woman which she would
+rather be, a man or a woman, and unless she is trying to make you fall
+in love with her she will say the former. That is not as it should be,
+but it's true. Yet, if we are part of your great plan working towards
+the light, we're entitled to the same share in life as you--more, if
+anything, because we perpetuate life and have more in common with all
+that it holds than men have. There, that is a long speech for me.'
+
+'Please don't stop.'
+
+There was a howl in a man's voice from the noisy _cabinet particulier_,
+followed by a laugh from the same woman as before, which set the teeth
+on edge.
+
+'That woman in there,' she went on, 'will partly show what I mean. In
+the beginning we were both given certain qualities. She has lost her
+modesty through disuse; I'm losing my womanliness and power of sympathy
+for the same reason. She's more candid about it, that's all. When
+Dick and I were youngsters I dreamed of life as Casim Baba's cave full
+of undiscovered treasures that would be endless. Now I look back upon
+those days as the only really happy ones I shall ever have.'
+
+'You are--how old?'
+
+'Twenty-three.'
+
+'You will grow less cynical as you grow older,' he said, from the
+altitude of twenty-six.
+
+'I agree,' she said. 'As, unlike the Japanese, we haven't the moral
+courage of suicide, I shall get used to the idea of being an
+Englishman's wife; of living in a calm routine of sport, bridge,
+week-ends, and small-talk--entertaining people who bore you, and in
+turn helping to bore those who entertain you. In time I'll forget that
+I was born, as most women are, with a fine perception of life's
+subtleties, and settle down to living year in and year out with no
+change except that each season you're less attractive and more petty.
+After a while I shall even get to like the calm level of being an
+Englishman's wife, and if I see any girl thinking as I do now, I'll
+know what a little fool she is. That's what happens to us--we get used
+to things. Those of us who don't, either get a divorce, or go to the
+devil, or just live out our little farce. It is a real tragedy of
+English life that women are losing through disuse the qualities that
+were given them. That is why an American like you comes here and says
+we do not edit ourselves cleverly.'
+
+The rapid succession of sentences came to an end, and the colour which
+had mounted to her cheeks slowly subsided.
+
+
+VI.
+
+'I feel,' he said, 'that I can only vaguely understand what you mean.
+But is it not possible that you are looking at it too much from the
+standpoint of an individualist?'
+
+'Women are all individualists,' she broke in; 'or they are until
+society breaks their spirit. This lumping of people into generations
+and tuning your son's brain to the same pitch as his medieval
+ancestors' doesn't interest women--that's man's performance. The great
+thing about a woman is her own life, isn't it? And the great event in
+a woman's life is when she has a child--because it's _hers_. This
+class and family stuff comes from men, because their names are
+perpetuated, not ours. There is no snobbery equal to men's; it is more
+noticeable with women, because it isn't instinctive with them, and they
+have to talk to show it.'
+
+'Then,' said Selwyn, 'in addition to an Irish Rebellion, we may look
+for one from English women?'
+
+'Yes. I don't know when, but it will come.'
+
+He produced a cigarette-case. 'Would you care for a cigarette now?' he
+asked.
+
+'No, thanks. But you smoke.'
+
+'Poor England!' he said in pretended seriousness, tapping the table
+with the end of the cigarette, 'with two revolutions on her hands, and
+neither party knowing what it wants.'
+
+'We may not know what we want,' she said, 'but, as an Irishman said the
+other day, "we won't be satisfied till we get it." If the rebellion of
+our women doesn't come, I prophesy that in a couple of thousand years,
+when the supermen inhabit the earth, they will find a sort of land
+mermaid with an expressionless face, perpetually going through the
+motion of dealing cards or drinking tea. Then some old fogy will spend
+ten years in research, and pronounce her an excellent example of the
+extinct race "_Femina Anglica_."'
+
+'As one of the tyrants who wishes you well,' said Selwyn, after a laugh
+in which she joined, 'may I be permitted to know what women want--or
+think they want?'
+
+'Mr. Selwyn, revolutions never come from people who think. That is why
+they are so terrible. The unhappiness of so many Englishwomen comes
+from the life which does not demand or permit the use of half the
+powers they possess. Nor does it satisfy half their longings. Such a
+condition produces either stagnation or revolution. Our ultimatum
+is--give us a life which demands all our resources and permits women
+unlimited opportunity for self-development.
+
+'And if the men cannot do this?'
+
+'The women will have to take charge.'
+
+'And when does the ultimatum expire?'
+
+She shrugged her shoulders.
+
+'When will the next great earthquake be?'
+
+
+VII.
+
+The noise of the party in the _cabinet particulier_ had been growing
+apace with the reinforcement of champagne-bottles. The strident
+laughter of the women dominated the lower level of men's voices, and
+there was a constant clinking of glasses, punctuated by the occasional
+drawing of a cork, which always whipped the gaiety to a feverish pitch.
+Monsieur Beauchamp rubbed his hands rather anxiously. He would have
+preferred a little more intrigue and not quite so much noise. But,
+then, was it not a testimony to his wine?--and certainly there would be
+an excellent bill.
+
+One of the men in the party called on some one for a song. There was a
+hammering on the table, a promise of a kiss in a girl's voice that
+trailed off into a tipsy giggle, the sound of shuffling chairs and
+accompanying hilarity as the singer was apparently hoisted on to the
+table. There came a crash of breaking glass as his foot collided with
+some dinner-things.
+
+Monsieur Beauchamp winced, but consoled himself with the reflection
+that he could charge what he wished for the damage. The voices were
+hushed at the order of the singer, who was trying to enunciate the
+title of his song.
+
+'I shall shing,' he said, with considerable difficulty, '"Moon, Moon,
+Boo--(hic)--Booful Moon," composhed by myself at the early age of
+sheven months. It ish very pash--pashesh--it ish very shad, so, if ye
+have tearsh, pre--(hic)--pare to shed 'em now.'
+
+There was loud applause, which the singer interrupted by commencing to
+sing in a bass voice that broke into falsetto with such frequency that
+it was difficult to tell which voice was the natural one. He started
+off the verse very stoutly, but was growing rather maudlin, when,
+reaching the chorus, he seemed to take on a new lease of vitality and
+bellowed quite lustily:
+
+
+ 'Moon, Moon, boo-oo-oo-ooful Moon,
+ Shining reshplendantly, radiant an' tenderly;
+ Moon, Moon, boo-oo--(hic)--booful Moon--
+ Tell her I shy for her, tell her I die for her,
+ Booful, BOO-OO-ooful Moon.
+
+
+'Now then, fellow Athenians, chorush, chorush!' With an indescribable
+medley of discordant howling the party broke into a series of 'Moon,
+Moon, boo-oo-ooful Moon,' which came to an abrupt ending as the singer
+fell back, apparently unconscious, in the arms of his friends. There
+was a murmuring of voices, and a waiter was sent for some water to
+revive the young man.
+
+Considerably disgusted at the ending to the incident, Selwyn, who had
+turned to look towards the _cabinet particulier_, once more sought his
+companion's eyes.
+
+Her face was white; there was not a vestige of colour in the cheeks.
+
+'Miss Durwent,' he gasped, 'you are not well.'
+
+'I am quite well,' she answered quickly, but her voice was weak and
+quivering. 'I--I thought I recognised the singer's voice. That was
+all.'
+
+The curtain of the _cabinet particulier_ was drawn aside, and two
+youths in evening-dress emerged, supporting between them the
+dishevelled singer, who was miserably drunk, and whose hat almost
+completely obscured his right eye. They were followed by three girls
+with untidy hair, whose flushed, rouged faces had been made grotesque
+by clumsy dabs of powder.
+
+The singer's hat fell off, and Monsieur Beauchamp, who was hovering
+about with the bill, had just stooped to recover it, when Selwyn heard,
+a suppressed cry of pain from Elise Durwent. Thrusting her chair away
+from her, she made for the emerging party, and halted them at the top
+of the stairway.
+
+'Dick!' she said breathlessly. 'Dick!'
+
+The drunken youth raised his heavy eyelids and looked with bewildered
+eyes at his sister. One of the girls tried to laugh, but there was
+something in the insane lightness of his eyes and the agony of hers
+that stifled the ribaldry in its birth. His face was as pale as hers,
+a pallor that was accentuated by dark hair, matted impotently over his
+forehead. But there was a careless, debonair charm about the fellow
+that made him stand out apart from the other revellers.
+
+'Hello, sis!' he muttered, trying to pull himself together. 'My li'l
+sister Elise--friends of mine here--forget their names, but jolly good
+fellosh--and ladies too; nice li'l ladies'----
+
+'Bravo, Durwent!' cried one of his friends, emitting a dismal howl of
+encouragement.
+
+'Dick! Boy-blue!' The breathy intensity of her voice seemed to rouse
+some latent manhood in her brother. He stiffened his shoulders and
+threw off his two supporting friends--a manoeuvre which enabled
+Monsieur Beauchamp to present his trifling bill to the more sober of
+the two. 'Why aren't you at Cambridge?'
+
+'Advice of conshul,' he muttered. 'Refushe to answer.' He shook his
+head solemnly from side to side.
+
+With a swift gesture she turned to the American. 'This is my brother,'
+she said, 'and I know where his rooms are in town. If you will bring
+my cloak, I'll get him to my car and take him home.'
+
+Selwyn nodded his understanding. He hardly knew what words he could
+speak that might not hurt her.
+
+'Listen, Dick dear,' she said, stepping very close to him and taking
+his hand in hers. 'Please don't say anything. Just come with me, and
+I'll take you to your rooms.'
+
+Through the befuddled wits of the young fellow came the sound of the
+voice that had dominated his childhood. He smelt the freshness of the
+long grass in the Roselawn meadows; with his disordered imagination he
+heard again the clattering of horses' hoofs on the country-road, and he
+saw his sister with her copper-tinted hair flung to the breeze. With a
+look of mixed wonder and pain in the yellowish blue of his eyes, he
+allowed her to take his arm, and together they went slowly downstairs
+and through the throng of diners craning their necks to see, while the
+party he had left emitted snorts and howls of contempt.
+
+Selwyn reached the door in time to help the drunken youth into the car,
+and then placed the cloak about Elise's shoulders. She put out her
+hand.
+
+'Good-night,' she said.
+
+'But you will permit me to come?' he said. 'I could be of assistance.'
+
+'No--no,' she said tensely, 'please--I want to be alone with him. Have
+no fear, Mr. Selwyn. Poor old Dick would do anything for me.'
+
+He held her hand in his. 'Miss Durwent,' he said, 'I cannot express
+what I mean. But if this makes any difference at all, it is only that
+I admire you infinitely more for'----
+
+'No--please--please say nothing more,' she cried with a sound of pain
+in her voice.
+
+'But may I come and see you again?'
+
+She withdrew her hand and pressed it against her brow.
+
+'Yes. I--I don't know. Good-night. Please don't say any more.' The
+words ended in a choking, tearless sob. She stepped into the car, and
+with no further sign to him threw in the clutch and started away.
+
+Huddled in the corner, his pale face glistening in the lamplight of the
+street, the Honourable Richard Durwent lay in a drunken sleep.
+
+
+
+
+CHAPTER VIII.
+
+INTERMEZZO.
+
+It was several months later--May 1914, to be precise--when Austin
+Selwyn made the determination, common to most men, to remain in for an
+evening and catch up in his correspondence.
+
+After the manner of his species, he produced a small army of letters
+from various pockets, and spreading them in a heap on his desk,
+proceeded to answer the more urgent, and postpone the less important to
+a further occasion when conscience would again overcome indolence. For
+an hour he wrote trivial politenesses to hostesses who had extended
+hospitality or were going to do so; there was a reply to a literary
+agent, one to a moving-picture concern, an answer to a critic, and a
+note of thanks to an admirer.
+
+Having disposed of these sundry matters, he sat back in his chair and
+read a long letter that had been enclosed in an envelope bearing the
+postage-stamp of the United States of America. At its finish he
+settled himself comfortably, lit a cigar, and, squaring his shoulders,
+wrote a reply to the Reverend Edgerton Forbes, Rector of St. Giles'
+Episcopal Church, Fifth Avenue, New York:
+
+
+'LONDON, _May 12, 1914_.
+
+'MY DEAR EDGE,--I've been supplying your friend the Devil with all
+sorts of cobblestones recently, but, my dear old boy, if I had written
+you every time I intended to, you would have had no time to prepare
+those knock-out sermons of yours.
+
+'In your letter you hint at possible heart entanglements for me. Has
+it not been said that to a writer all women are "copy"? Even when he
+falls in love, your author is so busy studying the symptoms that he
+usually fails to inform the lady until she has eloped with some other
+clown.
+
+'In fairness, however, I must admit that you were partly correct in
+your surmise. I almost fell in love last November with a girl who
+invariably angered me when I was with her, but clung to my mind next
+day like an unfinished plot. I saw her quite frequently up to
+February, when I went to the Continent, but have not called on her
+since my return.
+
+'I met her first at her mother's town house, where there were several
+people who admitted their greatness with an aplomb one was forced to
+admire. This girl sort of sat there and said nothing, but her silence
+had a good deal more in it than some of the talk. We had our first
+chat that night by the fire, next morning went riding in Rotten Row,
+and had dinner together the same night. Fast travelling, you say? On
+paper, yes; but actually I don't know the girl any better now than the
+night I met her. She's a strange creature--self-willed, fiery, sweet,
+and sometimes as clever as your Ancient Adversary. But friendship with
+her makes me think of the days when I was a kid. My great hobby was
+building sky-scrapers with blocks, and very laboriously I would erect
+the structure up to the point when "feeding-time" or "washing-time" or
+"being shown to the minister" used always to intervene. When I
+returned, the blocks had always fallen down. Well, friendship with
+Elise (pretty name, isn't it?) is not unlike my experience with the
+blocks. You can leave her, firmly convinced that at last you are on a
+basis of real understanding; and two or three days later, when you meet
+her again, you find all the blocks lying around in disorder. Instead
+of a friend, one is an esteemed acquaintance. The only way to win her,
+I suppose, would be to call at dawn and stay until midnight. It would
+be a bit trying, but I get awfully "fed up" (as they say over here)
+with being constantly recalled to the barrier.
+
+'Of course, you old humbug, I can see you pursing your lips and saying,
+"Does Austin really love her? If he did, he would be unable to see her
+faults." It's an exploded theory that love is blind. Good heavens! if
+a man in love can see in a girl beauty which doesn't exist, is there
+any reason to suppose he will be unable to see the faults that _do_?
+
+'But, candidly, I don't think I am in love with this young lady. I
+might be if I were given half a chance; but, then, emotional icebergs
+were always my specialty. I meet a dozen girls who treat me with a
+tender cordiality that is touching; then there comes into my course one
+who expresses a sort of friendly indifference, and there I stay
+scorching my wings or freezing my toes--whichever figure of speech you
+prefer.
+
+'She makes me think of a painting sometimes, one that changes in
+appearance with the varying lights and shadows of the sky. But, Edge,
+given the exact light that her beauty needs, she is a masterpiece. In
+some strange way her personality has given me a new pleasure in Corot
+and Diaz. It is difficult to explain, but it is so. I feel my powers
+of description are inadequate really to picture Elise to you. She is
+truly feminine, and yet when she is with other women her unique gift of
+personality makes them _merely_ feminine. "Lordy, Lordy," as a nigger
+of mine used to say, "dis am becomin' abtuse."
+
+'As a matter of fact, the girl is a result of conflicting elements of
+heredity. I haven't met her father, but I gather that he is a good old
+Tory of blameless respectability, and has a deep-seated disbelief in
+evolution. On the other hand, the girl's mother is rather a buxom and
+florid descendant of a vigorous North of England family, the former
+members of which, with the exception of her father, were highly
+esteemed smugglers. The lady's grandfather, Elise tells me, was known
+as "Gentleman Joe," and was as adventurous a cut-throat as a small
+boy's imagination could desire.
+
+'Well, Mr. Parson, you can imagine what happened when these conflicting
+elements of heredity were brought together. In the language of
+science, there was one negative result and two positive. The first
+mentioned is a son Malcolm, whom I have not met. He has a commission
+in the cavalry, is a devil at billiards, can't read a map, and rides
+like a Centaur.
+
+'Of the positive results it seems to me I may have already mentioned
+one--Elise. The other is Richard, the tragedy of the family. Poor
+Dick was practically kicked out of Eton for drunkenness when he was
+about sixteen. For the past year or so he has been at Cambridge, but
+he got in with a bad set there, and after several warnings has been
+"sent down"--or, in ordinary language, expelled. It appears that the
+old combination of "booze" and women got the better of him, though
+there's something oddly fine about the fellow too. He was hitting an
+awful pace at Cambridge, and when he tried to pass off a fourth-rate
+chorus-girl as the Duchess of Turveydrop, the axe descended. As the
+masquerading duchess was rather noisy and very "elevated," you can see
+that there must have been complications.
+
+'Of course, his governor was furious, and, settling a very small
+allowance on the poor beggar, turned him out of the family home, and
+forbade him to ever darken, &c., &c. (see, split infinitive and all,
+any "best seller" of a few years back).
+
+'Does this seem at all incongruous to you? These so-called aristocrats
+bring a son into existence, and, providing he's a decent-living,
+rule-abiding chap, he is sheltered from the world and kept for the
+enriching of their own hot-house of respectability. But--if one of
+them upsets the ash-can and otherwise messes up the family escutcheon,
+the father says, "You have disgraced our traditions. Get thee hence
+into the cold, outside world. After this you belong to it."
+
+'Damned generous of paterfamilias, isn't it? Only, as one of the cold,
+outside world, I can't help wondering why, if Milord is going to keep
+his good apples for himself, we should have to accept the rotten ones.
+
+'Concerning Cambridge--I spent a weekend there recently with Doug
+Watson of Boston, who is taking Engineering. Cambridge is quite a
+little community, as separate from the rest of England as the Channel
+Islands. On the Saturday evening I was there Watson took a punt, and
+with considerable dexterity piloted me along the Cam, with its green
+velvet banks and overhanging trees. The river is an exquisite thing,
+and there was a sensuous drowsiness in the beauty of the hour before
+dark.
+
+'The lawns from the backs of the colleges slope down to the river, and
+as we passed along we noticed group after group of students drinking
+coffee made in percolators in their possession. There was something
+almost pastoral in the sight of those young Britishers in such complete
+repose. Perhaps I should have enjoyed it all without question if it
+had not been that, a week before, I had visited a poor little
+Nonconformist preacher who labours on an empty stomach to a little
+congregation in a chain-making district. Edge, the sights I saw there
+were not good for any man to see and remain quiet. Women work at the
+fires when pregnant, and fuddle themselves with beer at night; the men
+are a shiftless lot, who spend their lives hand-in-hand with poverty
+and think only of beer, "baccy," and loafing. You know I'm no
+prohibitionist, but I hate to see beer the goal of men's ambitions. In
+one school there was a class with forty "backward" children. That's
+the kinder word, Edge, but the real one is "imbecile." Think of
+it--forty human destinies that must be lived out to a finish! They
+tell me that conditions are improving there. I hope so, in Heaven's
+name.
+
+'It was that visit I had in mind when punting along the Cam. A man is
+a fool to pit his little mind against so vast and wonderful an edifice
+as a great university like Cambridge, but one thought which occurred
+more than once to me was whether or not a man can be considered
+educated if he be ignorant of human misery existing beyond the college
+gates. In the Scottish universities the Professor of Latin is called
+Professor of Humanity. I wonder, Edge, if the time is not ripe for a
+chair of Humanity in a wider sense in all universities.
+
+'On Sunday we went to one of the churches, and, with eleven others,
+managed to present a formidable congregation of thirteen. The
+preacher's prayer, which he read, was a superb piece of work. He
+started off with the King and the Royal Family, passed on to titled and
+landed gentry, after them the higher orders of the clergy, leaders of
+the navy, the army, and all those in more or less authority, then the
+lower orders of the clergy, and after several categories I have
+forgotten, he reached the commoners, and (in an appropriate tone of
+voice) hoped we should live in peace, one with another.
+
+'Think of it, Edge, in this enlightened age! I wanted to go up to him
+after the service and ask him why he had left out the minor poets, but
+Doug stopped me--which is perhaps just as well. He might have added a
+prayer for Americans after the commoners.
+
+'Sometimes I think that the English Church is losing its grip. I don't
+mean that snobbery of the kind I have described is common, but in the
+development of Church character it seems to me that the truth of
+Christ's birth into a humble walk of life is drifting steadily farther
+from the clerical consciousness. The timid snobbery which permeates so
+much of English life, and reaches its wretched climax in the terms
+"working class" and "lower classes," finds condonement in the ranks of
+the clergy. Even in its humorous aspect, when Mrs. Retired Naval
+Officer starts to swank it over Mrs. Retired Army Officer (senior
+service, deah boy, y'know), and so on down the line, the local rector
+too often takes an active part in seeing that the various grades are
+punctiliously preserved. Of course, there are glorious exceptions to
+all this, and they are the men who count.
+
+'I suppose at home we are just as bad, and that even so democratic a
+preacher as yourself doesn't take supper on Sunday night with the
+poorest parishioner. Perhaps living in a strange country makes a man
+see many things he would not notice in his own.
+
+'To finish with Cambridge--we joined a party of two large punts on
+Sunday afternoon, and with about twelve college chaps and local
+(approved) girls we went for a picnic up the river. The girls were
+fairly pretty and terrifically energetic, insisting upon doing an equal
+share in the punting, and managing to look graceful while they
+manoeuvred the punts, which were really fair-sized barges. And when we
+reached the picnic-place, they made all the preparations, and waited on
+us as if we were royal invalids. Bless their hearts! Edge, to restore
+a man's natural vanity, commend me to life in England. Coming home we
+played the gramophone, and, with appropriate flirtation, floated nearly
+the whole way to the holding of hands and the hearing of music.
+
+'And, theologian as you are, if you deny the charm of that combination,
+I renounce you utterly.
+
+'Just one more Cambridge thought. (This letter has as many false
+endings as one of your sermons.) There were quite a number of native
+students from India in attendance, and I noticed that these men, many
+of them striking-looking fellows, were left pretty much to themselves.
+The English answer when spoken to, and offer that well-bred tolerance
+exerted by them so easily, but the Indian student must feel that he is
+not admitted on a footing of equality. I'm not certain that the dark
+races can be admitted as equals; but what effect on India will it have
+if these fellows are educated, then sent back with resentment
+fermenting their knowledge into sedition? It may be another case where
+the Englishman is instinctively right in his racial psychology; or,
+again, it may be a further example of his dislike to look facts
+squarely in the face.
+
+'Of course, we have our own racial problem, and have hardly made such a
+success of it that we can afford to offer advice.
+
+'Well, Edge, this letter has run on to too great a length to permit of
+any European treatment. That will have to wait. Of course, I have
+paid several visits to Paris, and understand as never before the
+saying: "Every man loves two countries--his own and France."
+
+'Edge, why is it that people who travel always have the worst
+characteristics of their nationality? On the Continent one sees
+Englishmen wearing clothes that I swear are never to be seen in
+England, and their women so often appear angular and semi-masculine,
+whereas at home--but, then, you know what an admirer I am of English
+women. And our own people are worse. Tell me: at home, when a
+gentleman talks to you, does he keep his cigar in his mouth and merely
+resonate through his nose? Or is that a mannerism acquired through
+travelling?
+
+'But enough, old boy. This has covered too vast an acreage of thought
+already. Oh yes--about my writing. I have been doing very little
+recently, but can feel the tide rising to that point where it will of
+necessity overflow the confines of my lethargy. I have had the honour
+of meeting several of the foremost writers here, and there is no
+question about it, they are doing excellent work. But I wish that I
+could feel a little more idealism in their work. The whole country
+here is parched for the lack of Heaven's moisture of idealism. People
+must have an objective in their lives, and the Arts should combine with
+the Church in creating it.
+
+'Of course, there is an amazing amount of drivel written over here,
+most of which, I think, would never get past the office-boy of an
+American publication. The English short story and the English
+music-hall are things to be avoided.
+
+'Before I end, have you seen Gerard Van Derwater recently? I heard
+that he joined the diplomatic service at Washington after leaving
+college. I often think of him with his strange pallor, but suggestion
+of brooding strength. Did it ever strike you that every one respected
+him, and yet he really never had a close friend? It always seemed to
+me that he carried about with him a sense of impending tragedy. Find
+out what he is doing, and let me know.
+
+'Well, old boy, in another few months I shall pack up and return to
+America, and once more woo the elusive editor. I am looking forward to
+our sitting by your fireside and, through the cloud of tobacco-smoke,
+weaving again our old romances. I am really proud of you, Edgerton,
+and know that you must be a tremendous power for good.
+
+'A letter any time addressed c/o The Royal Automobile Club, Pall Mall,
+will find me.--As ever, your old chum,
+
+'AUSTIN SELWYN.'
+
+
+ * * * * * *
+
+The writer addressed an envelope, inserted the letter, sealed and
+stamped it, then yawned lazily. Gathering his outgoing correspondence
+and the old letters, he took his hat and sauntered into the street,
+conscious of having done his duty--also that he had unearthed some
+thoughts the existence of which he had not suspected beneath the
+surface shrubbery of everyday existence.
+
+
+
+
+CHAPTER IX.
+
+A HOUSE-PARTY AT ROSELAWN.
+
+
+I.
+
+As is the habit of the year, June followed May, and in its turn gave
+way to the yellow hours of July. Lady Durwent, wearying of London and
+its triumphs, returned to Roselawn to share the solitary, rural reign
+of her husband.
+
+As she drove in a sumptuous car through the village and into the wide
+confines of the estate she purred with contentment. Men doffed their
+caps, women curtsied, and the country-side mingled its smile with
+theirs. It was not unlike the return of a conqueror from a campaign
+abroad, and after the incognito forced by London on all but the most
+journalised duchesses, it was distinctly pleasant to be acknowledged by
+every one she passed.
+
+In this most amiable of moods she dined with her husband, and was so
+vivacious that, looking at her over his glass of port, he thought how
+little she had changed since, years before, she had first affected his
+subnormal pulse. Together they wandered over the lawns, and he showed
+the improvements wrought since her last visit. She gave the
+head-gardener the benefit of her unrestricted smile, and shed among all
+the retainers a bountiful largesse of good-humour.
+
+Still noting the beauties of Roselawn, they discussed their children.
+She learned that Malcolm was on leave from the --th Hussars, and was
+golfing in, and yachting off, Scotland with scions of the Scottish
+nobility. The mention of Dick brought a pang to her heart, and a cloud
+that marred the serenity of her husband's brow. Lord Durwent regretted
+the necessity of his actions, but the boy had proved himself a 'waster'
+and a 'rotter.' He had been given every chance, and had persistently
+disgraced the family name. If he would go to Canada or Australia, he
+could have money for the passage; otherwise----
+
+After that imperialistic pronouncement, Lord Durwent turned to more
+congenial topics, and spoke of additions to the stables and
+improvements to the church. His wife answered mechanically, and it was
+many minutes before the heart-hunger for the blue-eyed Dick was lulled.
+She said nothing, for the development of her sons' lives had long since
+passed from her to a system, but in the seclusion of their country home
+the domestic tragedy made a deeper inroad on her feelings than it had
+done in London.
+
+It was perhaps not unnatural that they barely spoke of Elise at all.
+She was visiting a county family in the north, and would be home in a
+couple of days. As there was no immediate suitor on the horizon, what
+more was there to be said of the daughter of the house?
+
+Next morning Lady Durwent was still amiable, but rather dull. The
+following day she was frankly bored. On Sunday, during the sermon, she
+planned a house-party; and so, in due course, invitations were issued,
+and accepted or regretfully declined. She possessed sufficient sense
+of the fitness of things to refrain from transplanting any of her
+_unusual_ varieties from their native soil, but asked only those
+persons whose family connections ensured a proper tone to the affair.
+
+Perhaps it was just a kindly thought on her part to ask Austin Selwyn.
+It may have been the desire of having an author to lend an exotic touch
+to the gathering. Or, being a woman, she may have wanted an American
+to see her at the head of the table in two widely different settings.
+
+Perhaps it was all three motives.
+
+
+II.
+
+In preparation for the arrival of guests, 'a certain liveliness'
+pervaded the tranquil atmosphere of Roselawn. The tennis-court was
+rolled and marked; fishing-tackle was inspected and repaired; in view
+of the possibility of dancing, the piano was tuned; bridge deficiencies
+were made good at the local stationer's; and gardeners and gamekeepers
+hurried about their tasks, while flapping game-birds signalled to
+trembling trout that the enemy was mobilising for the yearly campaign.
+
+Roselawn differed little from the hundreds of English country-houses,
+the seclusion and invulnerability of which have played so great a part
+in forming the English character. A lodge at the entrance to the
+estate supplied a medieval sense of challenge to the outside world, and
+the beautifully kept hedges at the side of the mile-long carriage-drive
+gave that feeling of retirement and emancipation from the world so much
+desired by tranquil minds.
+
+It was the setting to produce a poet, or a race of Tories. Once within
+the embracing solitude of Roselawn, the discordant jangling of common
+people worrying about their long hours of work or the right to give
+their offspring a decent chance in the world became a distant murmur,
+no more unpleasant or menacing than the whang of a wasp outside the
+window.
+
+Not that the inhabitants of Roselawn were any more callous or selfish
+than others of their class, for the record of the Durwent family was by
+no means devoid of kindly and knightly deeds. Tenantry lying ill were
+always the recipients of studied thoughtfulness from the lord and lady
+of the place, and servants who had served both long and faithfully
+could look forward to a decent pension until death sent them to the
+great equality of the next world.
+
+If one could trace the history of the Durwent family from the
+beginning, it would be seen that among the victims of a hereditary
+system there must be numbered many of the aristocracy themselves.
+Caricaturists and satirists, who smear the many with the weaknesses of
+the few, would have us believe that the son of a lord is no better than
+the son of a fool; yet, if the vaults of some of the old families were
+to unfold their century-hugged secrets, it would be seen that, as
+Gray's country churchyard might hold some mute inglorious Milton, so
+might these vaults hold the ashes of many a splendid brain ruined by
+the genial absurdity of 'class' wherein it had been placed. A boy with
+a title suspended over his head like the sword of Damocles may enter
+life's arena armed with great aspirations and the power to bring a
+depth of human understanding to earth's problems, but what chance has
+he against the ring of antagonists who confront him? Flunkeyism,
+'swank,' the timid worship of the peerage, the leprosy of social
+hypocrisy, all sap his strength, as barnacles clinging to the keel of a
+ship lessen her speed with each recurring voyage.
+
+It is not that the hereditary system injures directly; its crime lies
+in what it engenders--the pestilence of snobbery, which poisons nearly
+all who come into contact with it, titled and untitled, frocked and
+unfrocked, washed and unwashed. The very servants create a comic-opera
+set of rules for their below-stairs life, and the man who has butlered
+for a lord, even if the latter be the greatest fool of his day, looks
+with scorn upon the valet of some lesser fellow who, perchance, is
+forced to make a living by his brains.
+
+
+III.
+
+The house at Roselawn was large, and, with its ivy-covered exterior,
+presented a spectacle of considerable beauty. The front was in the
+form of a 'hollow square,' creating an imposing courtyard, and giving
+the windows of the library and the drawing-room ample opportunity for
+sunshine. From these windows there was a charming vista of well-kept
+lawns, margined with gardens possessed of a hundred tones of exquisite
+colour. At the back of the house the windows looked out on receding
+meadows that melted into the solidarity of woods.
+
+The drawing-room (Lady Durwent tried to designate it 'the music-room,'
+but the older name persisted) had all the conglomeration of contents
+which is at once the charm and the drawback of English country homes.
+Furniture of various periods indulged in mute and elegant warfare.
+Scattered in graceful disorder about the room were relics procured by
+an ancestor who had been to Japan; there was a Spanish bowl gathered by
+Lord Dudley Durwent; there was an Italian tapestry, an Indian tomahawk,
+a Chinese sword that had beheaded real Chinamen, all procured by Lord
+Dingwall Durwent in the eighteenth century. There was a massive Louis
+Seize table and a frail Louis Quinze chair; a slice of Chippendale
+here, and a bit of Sheraton there; portraits of ancestors who fought at
+Quebec, Waterloo, Sebastopol, and a very military-looking gentleman on
+a terrific horse, who had done all his fighting in Pall Mall clubs.
+There were 'oils' purchased by Durwents who liked to patronise the
+arts, and 'waters' by Durwents who didn't like oils.
+
+And year after year, generation after generation, the ancient
+drawing-room received its additional impedimenta without so much as a
+creak of protest.
+
+In the impressive seclusion of Roselawn, therefore, the house-party
+began to gather. They were an admirably assorted group of people who
+never objected to being bored, providing it was accomplished in an
+atmosphere of good breeding. The soothing balm of the Roselawn meadows
+offered its potency of healing to fatigued minds or weary bodies, but,
+like the fragrance of the unseen flower, it was wasted on the desert
+air. Lady Durwent's guests had not been using either their brains or
+their bodies to a point where honest fatigue would seek healing in the
+perfume of clover. If a hundred gamins from Whitechapel's crowded
+misery had been brought from London and let loose in summer's
+sweet-scented prodigality, the incense of fields and flowers might have
+brought sparkle to young eyes dull with the wretchedness of poverty,
+and colour to pale, unnourished cheeks. But Lord and Lady Durwent,
+denying themselves the luxury of such a treat, asked people who lived
+in the country to come and enjoy the country.
+
+The pleasure of their guests was about as keen as would be that of a
+party of bricklayers invited by a fellow-labourer to spend a Saturday
+with him laying bricks.
+
+
+IV.
+
+To the insatiable curiosity of Austin Selwyn the party presented an
+infinite chance for study, as well as an unlooked-for opportunity to
+meet Elise Durwent under circumstances which should either cement their
+friendship or else demonstrate its utter impracticability.
+
+He listened to the chat of men who did the same things all the year
+round with the same people, and he wondered a little at their
+persistency in conversing at all. They rarely disagreed on anything,
+partly because they were all of the same political faith, and it seemed
+an understood thing that, so far as it was humanly possible, no one
+would introduce any subject which would entail controversy. When
+Selwyn, who was almost too thorough a believer in the productive powers
+of fiction, used to drop conversational depth-bombs, they treated him
+with easy tolerance as one who was entitled to his racial
+peculiarities. Sometimes they would even put to sea clinging to the
+raft of one of his ideas, but one by one would grow numb and drop off
+into the waters of mental indifference. They had a nice sense of
+satire, and it was a delight for the American to indulge in an easy,
+inconsequential banter which was full of humour without being labelled
+funny; but it used to fill him with sorrow to see many of his best
+controversial subjects punctured by a lazily conceived play of words.
+He felt that, coming from the New World, he was in a position to give
+knowledge for knowledge, but his fellow-guests were impervious to his
+geographical qualifications, and persisted in their pleasant task of
+rolling vocabulary along the straight grooved channels of their
+well-bred thoughts.
+
+The women were less of a type, but their little lives were so lacking
+in horizon that they seemed to live in a perpetual atmosphere of
+personalities. As pretty much the same topics of conversation did them
+for a whole season, they were not unlike a travelling theatrical
+company producing the one show wherever they went. One woman
+occasioned some mirth to Selwyn by her familiarity with the obscure
+royalties of Europe, whom she thrust forward on every possible
+occasion. On dowager-duchesses and retired empresses she was without
+parallel, and she went through life expressing perpetual regret that
+she had not known you were going to Ruritania, because she would have
+insisted upon your calling on her friend the Empress Lizajania.
+
+It was perhaps an unfortunate circumstance that had brought together a
+group of women none of whom was artistically accomplished, although
+they were by no means lacking in social charm. Music for them was not
+a refreshing stream which ran by the road of everyday life, but
+something which was to be heard at the Opera, and which enjoyed a close
+alliance with sables and diamond tiaras. Pictures were of the Academy,
+and, like all the best people, they invariably said, 'Have you seen
+this year's show at Burlington House? My dear, it's frightful.' Nor
+did they neglect literature in their curriculum. Though literature
+lacks a yearly exhibition, such as is possessed by music and painting,
+they made it a subject for gossip, and denounced H. G. Wells as a
+'bounder.' 'I never read him, Mr. Selwyn,' said the obscure-royalist
+person. 'My cousin the Duchess of Atwater met him, and says--well,
+really, she says he's quite impossible.'
+
+With a mixture of wonder and amusement Selwyn watched the spectacle of
+these people of more than average education and intelligence contenting
+themselves with a perpetual routine of small-talk and genteel
+insularity, and he wondered how it was that a race so gifted with the
+blessed quality of humour could evolve a state of society offering such
+a butt to the shafts of ridicule.
+
+He liked Lord Durwent, whose unfailing gentleness and courtesy would
+have stamped him as a gentleman in any walk of life. Although his mind
+was comparatively unimpressionable to new ideas, it was saturated with
+the qualities of integrity and fairness, and in his attitude towards
+every one of his guests there was an old-world dignity, born of the
+respect in which he held both himself and them. The study of this man
+moving contentedly about his daily tasks, never making any one's day
+harder by reason of his passing that way, was the first jolt Selwyn had
+received in his gathering arraignment against English social life. By
+way of contrast he pictured certain successful gentlemen of his
+acquaintance in America, and the vision was not flattering to his
+national self-esteem.
+
+He also enjoyed the refreshing vitality of Lady Durwent, who never
+quite lost her optimism no matter how tight was the grip of good form;
+and he admired without stint the devotion of every one, regardless of
+sex, to sport. Throughout the day there were constant expeditions that
+necessitated long, invigorating hours in the open air; and it seemed to
+the American that they were never so free from affectation, that the
+comradeship between the men and the women was never so marked, as when
+they were indulging their wise instinct for out-of-door sports.
+
+He had been at Roselawn a couple of days before he had a chance to do
+more than observe Elise Durwent as one of the party. She had been his
+partner at tennis and bridge, and a dozen times he had exchanged light
+talk with her, but there was always about her the defensive shield of
+impersonal cordiality. When he spoke to her it was almost in a drawl,
+but no matter to what a lackadaisical level he reduced his voice, her
+replies were always punctuated by a retort that had in it the sense of
+sting, as Alfio in _Cavalleria Rusticana_ accompanies his song with the
+crack of a driving-whip.
+
+He watched her with the men of the party, and wondered at their
+good-natured endurance of her sharpness, as reckless as it was
+disturbing; and he saw that her inclusion among the women made them
+less at ease and disinclined to chatter. No matter what group she
+joined, she was never of it; and even when it was obvious that she was
+doing everything in her power to reduce her personality to the pitch of
+the others, her individuality branded her as something apart.
+
+Studying her, partly subconsciously and partly with the keen
+observation prompted by the attraction she held for him, Selwyn began
+to feel the loneliness of the girl. Not once did he see the melting of
+eyes which comes when one person finds close affinity in the
+understanding of a friend. When she spoke at the table her suddenness
+always left a silence in its wake. At bridge her moves were so
+spasmodic that, when opposite dummy, she seemed to play the two cards
+with a simultaneous movement. The same mannerisms were in her outdoor
+games, a second service at tennis often following a faulty first so
+rapidly that her opponent would sometimes be almost unaware that more
+than one ball had been played.
+
+Selwyn's original feeling of exasperation mellowed to one of genuine
+pity in contemplation of her solitary life--a life directed by a
+restless energy that only grew in intensity with the deepening
+realisation of her purposelessness. Yet she was so confident in her
+bearing, and so capable of foiling with repartee any approach of his,
+that he contented himself with a studied politeness that was no more
+personal than the grief of an undertaker at a funeral.
+
+
+V.
+
+One evening, after dressing for dinner, Selwyn found that he had
+half-an-hour to fill in, and as the smell of grass was scenting the
+air, he sauntered from the house and strolled across the lawn to a path
+which led to the trout-stream.
+
+His mind was drowsy with a thousand half-formed ideas that lazily lay
+in the pan of his brain waiting the reveille of thought. A skylark
+twitted earth's creatures from its aerial height. A cow, munching in
+endless meditation on its unfretful existence, emitted a philosophic
+moo.
+
+Selwyn smiled, and let his mind wander listlessly through the fields of
+his impressions. He thought of Britain, and wondered what there is in
+the magic of that little island that fastens on one's heart-strings
+even while the brain is pounding insistent criticism. For the first
+time the insidious beauty of Roselawn's tranquillity was cloying the
+energy of his mind--a mind that never gave him rest, but was always
+questioning and seeking the truth in every phase of human endeavour.
+The peacefulness of the twilight hour was lulling his mental faculties,
+and the perfumes of summer's zenith were stirring his senses like music
+of the Nile.
+
+As though he were picturing inhabitants of another world, he conjured
+to his vision the feverish traffic of New York, deluged with human
+beings belched from their million occupations into the glare of
+lunch-hour. It gave him a strange sensation of being among the gods to
+be able to look at the lowering sun and know that at the same moment it
+held New York in the pitiless heat of midday. . . . And he wondered
+dreamily why people lived such a mockery of existence as in its
+towering streets. The pastoral atmosphere was so perfect, so
+completely soothing in its cool fragrance of evening, that he thought
+if he could only remain there, away from the conflict of the world, he
+could write of such things as only poets dream and painters see.
+
+He had readied the stream, and was about to retrace his steps, when he
+heard the rustle of a dress, and coming round a bend in the path he saw
+Elise Durwent. She was in an evening gown that looked oddly exotic in
+those surroundings, and, still in a haze of reverie, he stood in
+perplexed silence until she stopped opposite him.
+
+'Have I interrupted the muse?' she said.
+
+'On the contrary, you have awakened it. I was just thinking how vivid
+you looked with that setting of overhanging bushes and the background
+of fields. I--I think it must have been your gown that gave such a
+quaintly incongruous effect.'
+
+'And, of course, there is nothing incongruous in a dinner-jacket near a
+trout-stream? If I were an artist I should paint you, and call the
+picture "Despondency."'
+
+'Well,' he smiled, 'that would be an improvement on most Academy
+titles. An ordinary artist would simply name it "Young Gentleman by
+Trout-Stream." Haven't you often gone through a gallery picturing all
+sorts of dramatic meanings in paintings, only to have your illusions
+shattered by the catalogue?'
+
+She nodded. 'You have expressed no surprise at my coming,' she said
+abruptly. 'Are women in the habit of tracking you in this way?'
+
+'I'm sorry,' he answered, lazily thrusting his hands into his pockets.
+'As a matter of fact you are never very far from my thoughts. Perhaps
+that is why I felt no surprise.'
+
+'How are you enjoying your visit?'
+
+'Tremendously.'
+
+'How do you like the guests?'
+
+'Is this a catechism, Miss Durwent?'
+
+She shrugged her shoulders and pulled a leaf from a bush. 'I was
+wondering,' she said, 'whether they bored you as much as me.'
+
+'Why,' he said with a slight laugh, 'to be frank, people never bore me.
+The moment they become tedious they are of interest to me as a study in
+tediousness.'
+
+'Just the same,' she said quickly, 'as when a woman interests you she
+becomes an object of analysis. I wish I could detach myself like that.'
+
+'And yet,' he said gently, wondering at the intensity of her eyes, 'I
+should have thought you possessed the gift of detachment to a greater
+degree than I. You always seem separate and distinct from your
+associates.'
+
+She said nothing in reply, and as if by tacit agreement they started
+back along the path. He did not break the silence, feeling that words
+might be provocative of a retort that would dispel the growing feeling
+of mutual confidence.
+
+'No,' she said, after a long pause, 'I do not possess the power of
+detachment. It's just that I don't mix well. Have you read Robert
+Service's poem about the men that don't fit in?'
+
+'Yes.'
+
+'Well, it's far worse for the women who don't. A man can go out and
+try to find some place for himself. We have simply to stay and endure
+things.'
+
+Half in compassion he watched her from the corner of his eye, but again
+refrained from saying anything. He felt intuitively that she was
+trying to break down the barrier of impersonality, but he knew that she
+must do it in her own way of timid starts and quick withdrawals.
+
+Although her movements were more restricted by her gown than when she
+wore ordinary walking-garments, her vitality and limitless energy lent
+a lilt to her step, and even touched the shoulders with a suggestion of
+restless virility. When she walked there was an imperious tilt to her
+head; but no matter how carefully planned her toilette, or how cleverly
+her coiffure might have been arranged by her maid, there was nearly
+always some stray bit of colour or carelessly chosen flower that
+combined with her nature in a suggestion of outlawry: the same instinct
+of rebellion that had dominated her brother Dick during their
+childhood. Inside the house she would sometimes look, in her quickly
+changing moods, as if she were some creature of Nature imprisoned
+within the walls.
+
+Selwyn wondered if heredity, in one of its strange jests, had recalled
+the spirit of the smuggler ancestor and recast it into the soul of the
+girl.
+
+They were nearing the house, when, emerging upon a clearing, they came
+to a rustic bench looking across a short field lined with shrubbery.
+
+'Let us sit down a minute,' she said. 'We can hear the dinner-gong
+from here.'
+
+He took his seat beside her, and dreamily watched the yellow rays of
+the sun casting their receding tints along the bushes opposite them.
+It was strangely quiet, and the hum of insects seemed like a soft
+orchestral accompaniment to the crickets' song.
+
+'It is not very sporting of me, Mr. Selwyn,' she said softly, but with
+her old staccato mannerism, 'to force my mood on you like this. I did
+it once before--that dreadful night at the Café Rouge--and I know that
+you must think it is just selfishness on my part that makes me so
+unhappy. But--you know I never had a real friend--except little
+Dick--and I felt to-night as if I had lost all my courage about life.
+That's why I followed you. I knew you would be patient and kind.'
+
+'My dear girl,' said Selwyn gently, speaking almost listlessly for fear
+the smouldering power of retort should be fanned into being, 'for
+months I have been hoping that some day we should be able to talk like
+this, as friends. Perhaps it was my fault, but there always seemed a
+sort of third-person-singular attitude in our talk, as if we were
+speaking at each other, which served to block our friendship from
+becoming anything of value to each other. Naturally I have seen that
+you are not happy, though there have been moments when you were the
+very personification of light-hearted ness, and I have known for a long
+time that the motif of your whole nature is resentment. Believe me,
+Miss Durwent, if I could be a friend--and I mean that to the last
+ditch--I should be deeply grateful for the privilege.'
+
+'Thanks,' she said simply, and placing her hand in his, let it remain
+there.
+
+The hot blood of his impressionable nature mounted to his cheeks, and
+his heart was aflame with a sudden intoxication of desire. But
+chivalry told him how much it had cost this girl, whose whole being
+rebelled at the thought of being physically conquered, to show such a
+mark of confidence. And reason warned him that any triumph he might
+obtain would be only for the moment. He watched the flight of a hawk
+in the sky--and his lips were parched and hot.
+
+'For a long time,' she said, 'I have had a growing sensation of
+suffocation in life. It's stifling me. When I look ahead and see
+nothing but this kind of life--visiting, visiting, entertaining,
+entertaining, listening to that endless talk in London--well, I think I
+understand why some women go to the devil. At least there's something
+genuine about sin.'
+
+A rabbit leaped from a bush opposite as though it bad seen something
+terrifying, and scampered madly across the field to some burrowed
+refuge by a great oak. Selwyn felt the hand in his tighten
+convulsively.
+
+'Look!' she cried. 'Austin--look!'
+
+Her face blanched with sudden alarm. He sprang to his feet.
+
+'What is it?' he cried.
+
+'The bush--there--where the rabbit darted out.'
+
+He looked at the spot indicated by her trembling hand, but the
+dwindling sunlight had just passed it, and he could see nothing but a
+clump of shrubbery.
+
+'It was a man,' she said, her voice shaking querulously. 'I saw his
+face. He was crouching there and watching us.'
+
+Selwyn frowned. 'Some poacher fellow,' he said, 'that's all. At any
+rate, I'll make sure.'
+
+He started for the bush, when, with a tearful laugh, she stopped him,
+her hands clinging to his arm.
+
+'No--no,' she said swiftly, 'it's nothing. It was just my nerves.
+There is no one there. The rabbit startled me.'
+
+He hesitated momentarily, then, turning to her, gripped her arms with
+his hands. A great feeling of pity for the high-strung girl welled up
+in him, and he wished that it were possible to impart some of his own
+strength to her. 'Elise,' he began hoarsely, his whole being in a
+cloud of passion through which his brain slashed its lightning shafts
+of warning--'Elise'----
+
+The hall gong, growing in a clamant intensity, rang out on the quiet
+air. With the lightness of a fawn she released herself from his grip,
+and gathering her skirts in her hand, moved towards the path. 'Come
+along,' she cried; 'we shall be late for dinner.'
+
+He followed her slowly, his hands in his pockets and his mind besieged
+with countless thoughts. As he crossed the lawn he looked up.
+
+From a window in the tower of Roselawn there was shining an angry,
+blood-red reflection of the sun's dying moments.
+
+
+VI.
+
+It was a few minutes after midnight when the party at Roselawn retired
+to their rooms. There had been an impromptu dance, following some
+spirited bridge, and there was more than the usual chaffing and
+laughter as the guests dispersed to the various wings of the house.
+
+Tired with the many events of the day, the American quickly undressed,
+and soothed by the comfort of cool sheets, lay in that relaxation of
+mind and body which prefaces the panacea of sleep. With half-closed
+eyes and drowsy semi-consciousness he heard the sounds of life growing
+less and less in the roomy passages of Roselawn, as his mind lingered
+over the burning memory of Elise's proximity a few hours before. He
+felt again the perfume of her hair and the radiant freshness of her
+womanhood, with its inexplicable sense of spring-time. And memory,
+with its power of exquisite torture, recalled to his mind the
+questioning eyes and the trembling, beckoning lips.
+
+The soft chime of a clock downstairs sounded the passing of another
+hour. Its murmuring echo died to a silence unbroken by any sound save
+that of the summer breeze playing about the eaves and towers of the
+house.
+
+Minutes passed. His thoughts blurred into the gathering shadows of
+sleep.
+
+Of a sudden he was awake, his eyes staring into the dark, his whole
+body nervously, acutely, on the alert. He had heard a cry--of a
+nightjar--but so strange and eerie that it made him hold his breath.
+
+The call was repeated. An owl answered with a creepy cry of alarm.
+Selwyn muttered impatiently at the trick played upon him by his nerves,
+and turning over, was about to settle again to slumber, when he heard a
+door softly opening. Light footsteps passed in the hall, stopping at
+each creaking board as though suspicious that some one might hear; then
+their sound was lost in the thick carpet of the stairway.
+
+For a minute there was complete silence. He heard from below the
+cautious opening of the side-door leading to the lawn.
+
+Wondering what mischief was on foot, he rose from his bed, and peering
+through the window, tried to penetrate the gloom. A sullen sky kept
+the stars imprisoned behind deep banks of clouds, and only the trees,
+by reason of their solid blackness, were discernible in the darkness of
+the night. Slipping on a dressing-gown, he stealthily left his room,
+and creeping downstairs, found the open door. Emerging on the lawn, he
+looked quickly about.
+
+Beneath a near-by tree he saw a woman in white, and the figure of a man
+pleading for something. Suddenly Selwyn saw the woman take some
+article from around her neck and hand it to the man. The fellow took
+it, and seemed to be turning away, when, with a suppressed sob, she
+caught him in her arms, murmuring incoherent endearments through her
+tears.
+
+The black scudding clouds left the sky-clear for a moment overhead--and
+Selwyn felt a contraction of pain in his heart.
+
+The woman was Elise, and the man--her brother Dick.
+
+
+
+
+CHAPTER X.
+
+GATHERING SHADOWS.
+
+
+I.
+
+Breakfast at Roselawn was a studiously inconsequential meal. Places
+were set as usual by the servants, but the viands and the paraphernalia
+necessary for their preparation were placed on a separate table in the
+alcove by the great window overlooking the lawn. Having performed this
+duty, the servants did nothing more; but one could not help feeling
+that they were just outside the door, like a group of prompters, ready
+to render instantaneous assistance should the amateurs falter.
+
+Lord Durwent made a kindly and efficient supervisor of the commissariat
+table, and--there was no question of it--could boil an egg with any one
+in the county. And the guests plying between the source of supply and
+the breakfast-table proper created a vagabondish camping-out air of
+geniality that did much to dispel the natural stiffness of the morning
+intercourse. As the meal had no formal opening, every one arrived at
+any time during the breakfast period, and though constant apologies
+were offered for the frequent interruptions to Lord Durwent's own meal,
+it could be seen that his enjoyment of buffet proprietorship was almost
+a professional one.
+
+Lady Durwent's part in the function was to supervise the coffee, and
+ask each guest how he or she had slept, expressing regret that the
+night had not been cooler, warmer, calmer, or fresher, according to the
+polite customs of social dialogue at breakfast.
+
+At nine-fifteen the papers used to arrive from the village, always
+causing a flutter of excitement. The sense of solitude at Roselawn
+made the outside world something so remote and apart that there was
+genuine curiosity to discover what the deuce it had been doing with
+itself during the house-party's retreat.
+
+Lord Durwent read the _Morning Post_ as a sort of 'prairie oyster' or
+'bromo-seltzer.' It settled him. There was something about that
+journal's editorial page and its dignified treatment of events that
+made Roselawn seem the embodiment of British principle. Being a man
+who prided himself on a catholicity of view-point, he also subscribed
+to the _Daily Mail_--that frivolous young thing that has as many
+editions as a _débutante_ has frocks, and by its super-delicate
+apparatus at Carmelite House can detect a popular clamour before it is
+louder than a kitten's miaow.
+
+As a concession to the ladies of the household, he took, in addition,
+the _Daily Sketch_ and the _Daily Mirror_, those two energetic
+illustrated papers, which, benefiting from the remarkable geographical
+fact that every place of consequence in England is exactly two hours
+from London, are able to offer photos of riders in Rotten How, bathers
+at Brighton, rowers at Oxford, and foreign monarchs walking at Windsor,
+the very morning after all these remarkable persons have astonished the
+world by riding, bathing, rowing, or walking.
+
+But to Lord Durwent these papers and the _Daily Mail_ were but
+interludes. The _Morning Post_ was the real business of life, and
+after reading through its solid columns of type, he enjoyed the
+sensation of somehow having done something for his country.
+
+
+II.
+
+It was just before the arrival of the morning papers that Selwyn
+descended to the dining-room. Helping himself to porridge, he answered
+Lady Durwent's polite conventional questions.
+
+'And _how_ did you sleep?' asked his hostess, putting into the inquiry
+that artistic personal touch which made it seem as if this were the
+first time she had asked the question, and he the first guest to whom
+it had been propounded.
+
+'Lady Durwent,' he answered, smiling, 'I haven't the faintest idea.'
+
+'Then,' said his hostess, triumphantly explaining the obvious, 'you
+must have slept well.'
+
+Selwyn thought that when he answered Lady Durwent's query a quick look
+of relief had passed across the face of Elise. It was for her peace of
+mind he had lied, as into the hours of dawn he had lain awake, trying
+to unravel the meaning of the nocturnal scene. He knew that her
+prodigal brother had been forbidden the ancestral home, but it was
+hardly necessary that he should lie in hiding like a negro slave
+dreading the hounds upon his track. And yet, as he recalled the sudden
+glimpse of Dick's face, Selwyn remembered that there had been a hunted
+look in the dark-shadowed, luminous eyes. Vaguely he felt that this
+new development would hinder the understanding reached by Elise and
+himself during the evening. If only he could go to her and offer his
+help or solace; or if she would come to him frankly and let him share
+the unhappy secret, whatever it was, it might prove a bond of
+comradeship instead of another element to deepen her consciousness of
+aloofness.
+
+Still churning these various thoughts, he smiled his greetings to her,
+and affecting an easy unconcern, took his part in the fashionable
+agricultural conversation which marks the morning intercourse of
+country-living gentle-folk. If it had not been that the pigs mentioned
+were Lord Fitz-Guff's, and the cabbages Lady Dingworthy's--and the
+accents of the speakers beyond question--Selwyn could have imagined
+that he was sitting around Hank Myer's stove in Doanville, N.Y.,
+listening to the gossip of the local Doanvillians on earth's produce.
+
+'Ah,' said Lord Durwent, sighting a messenger from over the egg-timer,
+'here are the papers.'
+
+Directly afterwards the butler entered with the four morning journals,
+solemnly presented them to his master (with a little more dignity than
+a Foreign Minister displays in handing the ambassador of an enemy
+country his passports), then made his exit with his eyes sedately
+raised, to avoid noting more than was necessary of the 'behind-stage'
+aspect of his domain.
+
+'Hello!' said Lord Durwent, perusing the _Morning Post_; 'what's this?
+Austria has delivered an ultimatum to Servia.'
+
+'What!' cried one of the ladies; 'over that unpronounceable
+assassination?'
+
+'Dear me!' said the woman who kept record of retired royalties, 'that
+will upset my dear friend Empress----'
+
+But her voice was lost in the clamour, as every one, deserting
+breakfast, crowded about Lord Durwent, and half in jest demanded to
+know what the ramshackle empire had to say for itself.
+
+In a voice that grew tremulous with anger, the host read the details,
+point by point, and as the seriousness of the thing broke upon the
+hearers, even the very lightest tongues were for the moment stilled.
+
+With a frown the nobleman looked up as he reached the end of the
+ultimatum, in which one nation, for its pride, demanded that another
+should hand over its honour, debased and shackled.
+
+'It is infamous,' said Lord Durwent.
+
+'I tell you what,' said a bland youth named Maynard, who was always in
+high spirits at breakfast, bored at lunch, 'frightfully bucked' by a
+cup of tea at four, and invariably sentimental after dinner; 'it would
+do these nasty little Balkans a lot of good to hold 'em all under water
+for about three minutes--what?'
+
+'But this is more than a Balkan quarrel,' said Lord Durwent.
+
+'Balkan quarrels always are,' said the youth amiably.
+
+In a chorus of quick questions and answers, in which surmise and
+conjecture played ducks and drakes with fact, the party divided into
+two camps, the majority taking the stand that it was a local affair and
+would lead to nothing; the minority, led by a retired army captain
+called Fensome, reading a dark augury for the future. In the midst of
+all the chaffing Selwyn noticed, however, that the placidity of decorum
+had been dropped, and both men and women were leaning forward in the
+unaccustomed stimulus of their brains rallying to meet a new and
+powerful situation.
+
+The men did not lose that note of easy banter which seemed the rule
+when women were present, but in the faces of the little group who
+contended that danger was ahead he could detect the stiffening of the
+jaw and the steadying of the eye which come to those who see events
+riding towards them with the threat of a prairie fire driven by a wind.
+
+'But, good heavens!' said Selwyn, in answer to some one's prophecy that
+war would result, 'surely the big nations can stop it. Germany and you
+and America--we three won't let Austria cut Servia's throat in full
+daylight.'
+
+The retired army captain turned a monocle on him. 'You have been in
+Germany, Mr. Selwyn?'
+
+'Yes, just recently.'
+
+'Did you ever hear them toasting _Der Tag_? My friend, it has
+arrived.--Durwent, old boy, if you will excuse me, I think I shall go
+to town at noon. If my old bones aren't lying, the thing which a few
+of us fossils have been preaching to deaf ears has come to pass, and
+there may be a job for a belivered old devil like me yet.'
+
+'But,' cried Lady Durwent, whose easily roused theatrical instinct gave
+her the delightful sensation of presiding at a meeting of the Cabinet,
+'what have we to do with Austria and Servia?'
+
+'Hear, hear,' said the bland youth. 'Let 'em hop aboard each other if
+they like. I think it would be deucedly splendid for us to have
+another war; we're all fed up--aren't we?--with just enjoying
+ourselves. But I don't see how we can intrude into those blighters'
+little show.'
+
+'Exactly,' said Selwyn; 'it's an isolated incident in European affairs.
+In what possible way can it lead to a rupture between Britain and
+Germany, as Captain Fensome here predicts?'
+
+The officer referred to shrugged his shoulders. 'It's fairly simple,'
+he said. 'If, as I think, Germany is behind all this, Servia will
+appeal to Russia; and remember that the Great Bear is mother to all the
+Slavs. There will, of course, be jockeying for position, bluff,
+bravado, and all the rest of it; but France is bound to act with
+Russia, and with all that explosive hanging around it will be strange
+if some spark doesn't fall among it.'
+
+'But what has that to do with England?'
+
+'Nothing and everything. The greatest hope of maintaining peace lies
+with Great Britain. If we had the army we should have, I don't think
+there would be a war; but, thanks to our ostrich temperament, we are
+reduced to a handful of men and our action is robbed of everything but
+merely moral strength.'
+
+'But that is a tremendous factor,' said Selwyn.
+
+'Yes,' admitted the other dryly; 'but I prefer guns.'
+
+'Then you don't think Britain powerful enough to steady the situation
+if it comes?'
+
+'N-no. Not unless'---- The monocle dropped from the speaker's eye,
+and with annoying coolness he paused to replace it. 'Do you think
+America will swallow her doctrine and throw in her lot with us?'
+
+Selwyn bit his lip to keep himself from too impetuous an answer. For
+the first time he felt an envy for the cool imperturbability of the
+Island Race.
+
+'If you ask me,' he said, 'whether America will plunge into war at the
+bidding of a group of diplomats who shuffle the nations like a pack of
+cards, then I say no. If you older nations over here allow this thing
+to come to a crisis with a rattling of swords and "_Hock der Kaiser!_"
+and "Britannia Rules the Waves," count us out. But should the occasion
+arise when palpable injustice is being done, and the soul of Britain
+calls to the soul of America that Right must be maintained, then the
+Republic that was born--if you will permit me to say so--born out of
+its resentment against injustice will act instantly.'
+
+'Supposing,' said the other, 'that Germany invades Belgium?'
+
+'But--I understand that Germany has guaranteed Belgium's neutrality.'
+
+The ex-officer showed no signs of having heard him, but shook his head
+impatiently as one does when annoyed by a fly. 'Supposing,' he
+repeated, 'that Germany invades Belgium.'
+
+'In that case,' said Selwyn sternly, 'America will be the first to
+protest.'
+
+'To protest?'
+
+'And fight,' said the American, swallowing a desire to hurl a plate at
+the monocle.
+
+'You will pardon me,' said Lord Durwent, 'but I do not think we can
+expect America to become mixed up in this thing. She has her own
+problems of the New World, and it is too much to hope that she is going
+to come over here and become embroiled in a European conflict.'
+
+'But, dad,' said Elise Durwent, speaking for the first time, 'if, as
+Mr. Selwyn says, it is clear that a wrong is being committed, America
+will insist upon acting.'
+
+'Oh, I don't know,' broke in the youth who was always lively at
+breakfast, but who was beginning to be bored; 'it's one thing to get
+waxy about your own corns, and quite another when they're on some other
+blighter's foot--what? I mean, you chaps over there got awfully hot
+under the collar when dear old Georgius Rex--Heaven rest his
+soul!--tried to jump down your throat with both spurs on and gallop
+your little tum-tums out. But the question is, does it hurt in the
+same place if old Frankie-Joseph of Austria pinks Thingmabob of Servia
+underneath the fifth rib--what, what?'
+
+'Is Britain great enough for such a situation?' asked Selwyn,
+repressing a smile. 'Would she accept Belgium's crisis as her own?'
+
+'Oh, that's another thing,' said the young man a little uncomfortably.
+'We've signed the bally thing, and of course we'll play the game,
+and'----
+
+'As Maynard says,' interrupted the former army man, 'it's a bigger
+thing for America than for us. Mind you, I don't say we need America
+to help us to make war, but we do need her help if war is to be
+averted; and any move of such a nature on her part demands what you
+author fellows would call "a high degree of altruism." How's that,
+Durwent, for a chap who never reads anything but the _Pink Un_?'
+
+'Oh, well,' said Lady Durwent complacently, 'it's probably all a storm
+in a teacup, anyway. Some Austrian diplomat has been jilted for a
+Servian, I suppose. Isn't that the way wars always happen?' and she
+sighed heavily, recalling to her mind the classic features of H.
+Stackton Dunckley.
+
+'That's what I say,' said the bright youth of the morning splendour.
+'Why make a horse cross a bridge if it won't drink? Here goes--heads,
+a European war; tails, another thousand years of peace.--Ah, tough
+luck, Fensome, old son; it's tails.'
+
+'Then let's begin the thousand years with some tennis,' cried Elise,
+whose eyes were sparkling, 'immediately after breakfast.'
+
+'Shall us? Let's,' cried the talkative Maynard. 'So lay on,
+comrades--the victuals are waiting--and "damned be he that first cries,
+'Hold, enough!"'
+
+
+III.
+
+With an animated burst of chatter the house-party had given itself over
+to a thorough enjoyment of the remainder of breakfast. Ultimatums and
+the alarums of war vanished into thin air, like mists dispelled by the
+sun. The serious face of the ex-officer and the unwonted air of
+distraction on Lord Durwent's countenance were the only indications
+that the morning was different from any other. Tongues and hearts were
+light, and airy bubbles of badinage were blown into space for the
+delectation of all who cared to look.
+
+It was during a fashionable monologue of the Court-Circular lady that
+Maynard, the man of moods, who was sitting next to Selwyn, leaned over
+and whispered, 'Get hold of the _Sketch_. It's on your right. Pretend
+you're looking at the pictures. I've got the _Mirror_.'
+
+Wondering what asinine prank was in the young man's mind, but not
+wanting to disturb the monologuist by untimely controversy, Selwyn
+reached for the _Sketch_, and assumed a deep interest in the very
+latest picture of London's very latest stage favourite who could
+neither sing, dance, nor act, and was tremendously popular.
+
+'Excuse me, Lady Durwent,' said the gilded youth when a lull permitted
+him to speak, 'but would you pass the _Daily Mail_, please?'
+
+'My dear Horace,' said Elise, 'you haven't taken to reading the _Mail_?'
+
+'No, dear one. Heaven forbid! I merely write for it.'
+
+'What!' There was an _ensemble_ of astonishment.
+
+'Ra-ther. I sent their contributed page a scholarly little thing from
+my pen entitled "Should One Kiss in the Park?" If it's in I get three
+guineas, and I'm going to start for Fiji to escape old Fensome's war.'
+
+'Mr. Selwyn,' said Lady Durwent, passing the journal along, 'you have a
+rival.'
+
+With an air of considerable embarrassment the fair-haired contributor
+to newspapers opened the pages of the _Daily Mail_, but protesting that
+he was too bashful to endure the gaze of the curious, he begged
+permission to retire to the library, there to search in privacy for his
+literary child.
+
+'I say, Selwyn,' he said, 'you come along too if you're through
+pecking. Nothing like having the opinion of an expert, even if he is
+jealous.'
+
+With a promise to return immediately and read the effort aloud, the two
+men left the table and adjourned to the adjoining room. With a frown
+of impatience Selwyn was about to demand the reason for his inclusion
+in the silly affair, when the other stopped him with a gesture and
+closed the door.
+
+'Quick!' he said. 'Grab that knife--here's the _Sketch_. Look through
+it for anything about Dick Durwent.'
+
+Seeing that the other was serious, Selwyn spread the paper before him
+and hurriedly searched its columns.
+
+'Great Scott!' he cried. 'Here it'----
+
+'Sh-sh! Hurry up and cut it out. Right. I'll fix up the _Mirror_ in
+the same way. Now skim through the _Mail_. Got it? By Jove! damn
+near a whole column. Here'--Maynard ran the knife down the side of the
+column. 'Now then, old Fensome has promised to get the thing out of
+the _Post_, and to tell Lord Durwent before he goes to town. But he
+mustn't hear of it this way, and those women are not to know a word
+about it while they're in the house.'
+
+Selwyn nodded and looked at the ragged clippings in his hand:
+
+
+ 'ATTEMPTED MURDER IN WEST END.'
+ 'WELL-KNOWN NOBLEMAN ATTACKED BY PEER'S SON.'
+ 'QUARREL OVER DEMI-MONDAINE.'
+
+
+'Gad, those are juicy lines, aren't they?' said Maynard. 'Won't some
+of our worthy citizens lick their chops over them, and point to the
+depravity of the upper classes? Do you know Dick Durwent?'
+
+'I have seen him a couple of times.'
+
+'Awfully decent chap. Screw loose, you know, and punishes his Scotch
+no end, but a topping fellow underneath. I don't know who the bit of
+fluff is that they're fighting about, but you can wager a quid to a bob
+that Dick thought he was doing her a good turn.'
+
+'I wonder who the nobleman is.'
+
+'Can't say, I'm sure. Probably he can't either just now, seeing what
+Durwent did to him. Of course, it's a rotten thing to say, but if the
+blighter's really going to die, I hope he's one of the seventeen who
+stand between me and the Earldom of Forth.'
+
+There was a knock at the door, and an inquiry regarding the newly
+discovered author.
+
+'Coming,' called Maynard, reaching for the _Daily Mail_. 'Shove those
+clippings in your pocket, Selwyn, and for the love of Allah help me to
+select something here that I can pretend to have written. Fortunately
+I can play the blithering idiot without much trouble.'
+
+
+
+
+CHAPTER XI.
+
+THE RENDING OF THE VEIL.
+
+
+I.
+
+The house-party at Roselawn had hurriedly broken up, and only Selwyn
+remained. In view of the scandal about Dick Durwent, although it was not
+spoken of by any one, he felt that it would have been more delicate to
+leave with the other guests. But it seemed as if the Durwents dreaded to
+be alone. His presence gave an impersonal shield behind which they could
+seek shelter from each other, and they urged him so earnestly to remain
+that it would have been ungracious to refuse.
+
+It was the evening of August 4th, and the family circle, reduced to four,
+had just finished dinner. There had been only one topic of
+conversation--there could be but one. Britain had given Germany until
+midnight (Central European time) to guarantee withdrawal from Belgium.
+
+After dinner the family adjourned for coffee to the living-room, and, as
+was his custom, Lord Durwent proffered his guest a cigar.
+
+'No, thanks,' said Selwyn. 'If you will excuse me, I think I will do
+without a smoke just now.--Lady Durwent, do you mind if I go to my room
+for half-an-hour? There are one or two matters I must attend to.'
+
+Half-way up the stairs he changed his mind, and went out on the lawn
+instead. Darkness was setting in with swiftly gathering shadows, and he
+found the cool evening air a slight solace to a brow that was weary with
+conflicting thoughts.
+
+America had not acted. There towards the west his great country lay
+wrapped in ocean's aloofness. The pointed doubts of the ex-army captain
+had been confirmed--America had stood aside. Well, why shouldn't she!
+It was all very well, he argued, for Britain to pose as a protector of
+Belgium, but she could not afford to do otherwise. It was simply
+European politics all over again, and the very existence of America
+depended on her complete isolation from the Old World.
+
+Yet Germany had sworn to observe Belgium's neutrality, and at that very
+moment her guns were battering the little nation to bits. Was that just
+a European affair, or did it amount to a world issue?
+
+If only Roosevelt were in power! . . . Who was this man Wilson, anyway?
+Could anything good come out of Princeton? . . . In spite of himself,
+Selwyn laughed to find how much of the Harvard tradition remained.
+
+If America had only spoken. If she had at least recorded her protest.
+Supposing Germany won. . . .
+
+Supposing----
+
+He kicked at a twig that lay in his path, and recalled the wonderful
+regiments that he had seen march past the Kaiser only three months ago.
+Who was going to stop that mighty empire? Effeminate France? Insular,
+ease-loving England?
+
+Passing the stables, he started nervously at hearing his name spoken.
+
+'Good-evening, Mr. Selwyn. It's pleasant out o' doors, sir.'
+
+It was Mathews, the head-groom of the Durwents.
+
+'Yes,' said the American, pausing, 'very pleasant.'
+
+'It looks sort of as if we was going to 'ave some ditherin's wi' Germany,
+Mr. Selwyn.'
+
+'It does. I don't see how war can be averted now.'
+
+'It's funny Mister Malcolm ain't 'ome yet, sir. Has 'is moberlizin'
+orders came?'
+
+'There's a War Office telegram in the house. I suppose his instructions
+are in it.'
+
+The groom shook his head and swung philosophically on his heels. He was
+a broad-faced man of nearly fifty, with an honest simplicity of
+countenance and manner engendered of long service where master and man
+live in a relation of mutual confidence. He sucked meditatively at a
+corn-cob pipe, and Selwyn, changing his mind about a cigar, produced a
+case from his pocket.
+
+'Have one, Mathews?' he asked.
+
+'No, thank 'ee, sir. I'm a man o' easy-goin' 'abits, and likes me old
+pipe and me old woman likewise, both being sim'lar and the same.'
+
+With which profound thought he drew a long breath of smoke and sent it on
+the air, to follow his philosophy to whatever place words go to.
+
+'If Germany and us puts on the gloves,' ruminated Mathews, 'I'll be real
+sorry Mas'r Dick ain't 'ere. He's a rare lad, 'e is--one o' the right
+breed, and no argifyin' can prove contrariwise. I always was fond o'
+Mas'r Dick, I was, since 'e was so high, and used to come in 'ere and ask
+me to learn 'im how to swear proper like a groom. Ah, a fine lad 'e was;
+and--criky!--'e were a lovely sight on a hoss. Mister Malcolm 'e's a
+fine rider hisself, but just a little stiff to my fancy, conseckens o'
+sittin' up on parade with them there Hussars o' hisn. But Mas'r Dick--he
+were part o' the hoss, he were, likewise and sim'lar.'
+
+Selwyn nodded and smoked in silence. He was rather glad to have run into
+the garrulous groom. The steady stream of inelegant English helped to
+ease the torture of his mind.
+
+'Has milord said anything about the hosses, Mr. Selwyn?'
+
+'No. What do you mean?'
+
+'Nothing much, sir, excep' that it's just what you can expeck from a
+gen'l'man like him. He comes in 'ere this arternoon and says to me,
+"Mathews," he says, "if this 'ere war comes about it'll be a long one,
+and make no mistake, so I estermate we'd better give the Government our
+hosses right away, in course keepin' old Ned for to drive." Never
+twigged an eyelash, he didn't. No, sir. Just up and tells it to me like
+I'm a-doin' to you. "Then," I says, "you won't be wanting me no longer,
+milord?" And he says, "Mathews, as long as there's a home for me,
+there's one for you," and he clapped me on my shoulder likewise as if him
+and me were ekals. It kind o' done me in, it did, what with the prospick
+o' losin' my hosses--them as I'd raised since they was runnin' around
+arter their mothers like young galathumpians--and what with his speakin'
+so fair and kindly like. Well--criky!--I could ha' swore; I felt so bad.'
+
+'It will be a great loss for Lord Durwent to lose his stable.'
+
+'Ah, that it will. But this arternoon, arter what I'm a-tellin' you, he
+just goes through with me and says, "Nell's lookin' pretty fit," or
+"How's Prince's bad knee?" just as if nothink had happened at all. I
+says to myself, "Milord, you're a thoroughbred, you are," for he makes me
+think o' Mister Malcolm's bull-terrier, he do. Breed? That there dog
+has a ancestry as would do credit to a Egyptian mummy. I've seen Mister
+Malcolm take a whip arter the dog had got among the chickens or took a
+bite out o' the game-keeper's leg, him never liking the game-keeper,
+conseckens o' his being bow-legged and having a contrary dispersition,
+and do you think that there dog would let a whimper out o' him? No, sir.
+He would just turn his eye on Mister Malcolm and sorter say, "All right,
+thrash away. I may hev my little weaknesses, but, thank Gord! I come of
+a distinkished fam'ly."'
+
+They smoked in silence for a few minutes.
+
+'No, sir,' resumed the groom, pushing his hat back in order to scratch
+his head, 'he never whimpered, did milord; but I saw when he got opposite
+Mas'r Dick's old mare Princess that he felt kind o' bad, and he didn't
+say much for the better part o' a minute. Mr. Selwyn, I'm a bit creaky
+in my jints and ain't as frisky as I were, but I'd be werry much obliged
+to be sent over to this 'ere war and see if I couldn't put a bullet or
+two in some o' them there sausage-eaters.'
+
+'Well,' said the American moodily, 'you may get your chance.'
+
+'Thank 'ee, sir. I hope so, sir.'
+
+'Good-night, Mathews.'
+
+'Good-night, sir. Thank 'ee, sir.'
+
+Selwyn moved off into the network of shadows. Looking back once, he saw
+the weather-beaten groom with hands on his hips, tilting himself to and
+fro in benicotined enjoyment of some odd strain of philosophy. Good
+heavens! was that the way men went to war,--as if it were a hunt with an
+equal chance of being the hound or the hare? 'Sausage-eaters'--what a
+phrase to describe those eagle-helmeted supermen of Prussia's cavalry!
+And this little island of pipe-smoking, country-side philosophers and
+pampered, sport-loving youth--this was the country, heart of a crumbling
+empire, that had ordered the gray torrent of Germany to alter its course
+and flow back to its own confines. It was absurd. It was grotesque. It
+was a sporting thing to do, but would it mean the collapse of the
+sprawling, disjointed British Empire, linked together by a flimsy
+tradition of loyalty to the Crown?
+
+Scotland would be faithful, not so much to England as to her own
+instincts. Even if England were the heart of things, Scotland was the
+brain, and more than any other part supplied the driving-power for the
+wheels of empire. But what of rebellious Ireland and the distant
+Dominions isolated by the seas? Would they seize this moment of
+Britain's mad impetuosity and declare for their own independence? It was
+the history of nations--and did not history repeat itself?
+
+Canada, of course, would be governed in her actions by the mighty
+neighbouring Republic. That was inevitable when the young Dominion's
+life was so dominated by that of the United States. But what of the
+others? . . .
+
+Thus for half-an-hour queried the man from America. He was about to turn
+into the house, when he glanced once more in the direction of the
+stables. It was too dark to distinguish anything, but there was the glow
+from Mathews's pipe as it faintly lit the surrounding darkness.
+
+
+II.
+
+Eleven o'clock.
+
+'Austin.'
+
+He had been sitting in the library talking to Lord Durwent, but the
+latter had just left the room to answer a phone-call from London. Elise,
+who had been playing the gramophone in the music-room, shut the
+instrument off and hurried to the American's side.
+
+'Yes, Elise?' He tried to rise, but she pressed him back and sat on the
+arm of the huge chair, looking down at him with a face that was glowing
+with excitement. Her eyes were like jewels of fate lit from within by
+some magic flame, and a mutinous lock of hair fell on the side of her
+face, almost touching the crimson lips. There was so much magnetism in
+her beauty, such a heaven in the unconquered warmth of her impetuous
+being, that Selwyn gripped the arms of his chair to help to restrain the
+mad impulse to grasp her in his arms and smother those lips and the
+flushed, satin cheeks in a tempest of kisses.
+
+'Yes, Elise?' he repeated, clearing his throat.
+
+'Listen, Austin. I can't stay inside any longer. I think my blood is on
+fire. Will you come with me to the village?'
+
+'At eleven o'clock?'
+
+'Yes. The news from London will reach the village first, and I want to
+be there when it comes. We shall have to hurry if we are to make it in
+time.'
+
+'I'm at your service, Elise.'
+
+'Right-o. I'll let the mater know. I'll just run upstairs and put
+something easy on, and I'll meet you at the front of the house. You had
+better change too.'
+
+A few minutes later she joined him on the lawn. They had just reached
+the road which led to the porter's lodge, when, without a word of
+warning, she grasped his hand, and, half-running, half-dancing, pulled
+him forward at a rapid pace. With a laugh he joined in her mood, and,
+running side by side, they sped along the drive, while startled rabbits
+leaped across their path, and melancholy owls hooted disapprobation. As
+if the fumes of madness had mounted even to the skies, dark flecks of
+cloud raced headlong across the starry heavens.
+
+They were mad. The world was mad. He wondered whether his brain might
+be playing some prank, and this absurd thing of two young people laughing
+and running to discover whether or not a nation was at war would prove a
+pointless jest of unsound imagination.
+
+'Come along,' she cried. 'You're dragging.'
+
+Then it wasn't a dream. The sound of her voice whipped the wandering
+fantasies of his brain into coherency. With a shout he jumped forward,
+and ran as he had not done since that one great game when, as a 'scrub,'
+he had his chance against Yale.
+
+'Oh-oh-oh,' she laughed, 'I'm--winded.'
+
+He caught her up in his arms as if her weight were no more than a
+child's, and carried her forward a hundred paces. His strength was
+limitless. He felt as if his body would never again know the lassitude
+of fatigue.
+
+His pulses were throbbing with double fever: that of the world and his
+own hot love for her. Yes, it was love. What a fool he had been ever to
+doubt it! His last thoughts at night were of her; the last word
+whispered was her name; the last picture shrouded by the approaching
+mists of sleep was of her face. What was morning but a sunlit moment
+that meant Elise? What was the day, what were the years, what was life,
+but one great moment to be lived for Elise--Elise?
+
+'Put me down, Austin. There! you'll be tired.'
+
+'Tired!'
+
+But her feet had touched the ground, and she was away again by herself,
+like a tantalising sprite of the woods. The errant lock had been joined
+in its mutiny by a wealth of dark-hued, auburn hair, blowing free in the
+reckless summer breeze.
+
+Out of the estate and along the highway, shadowed by tall bushes; past
+cottages hiding in snug retreat of vines and flowers; past the
+cross-roads, with their sign-post standing like a gibbet waiting its
+prize; past the inn on the outskirts of the village, with its creaking
+sign, and its neighing horses in the stable; past the church on the rise
+of the hill, with its graveyard and its ivy-covered steeple--and then the
+village.
+
+Gathered in the square they could see a group of people listening to a
+man who was reading something aloud.
+
+'It's the rector,' said Elise. 'Let us wait a minute. Can you hear what
+he is saying?'
+
+The voice had stopped, and the crowd broke into a cheer that echoed
+strangely on the night-air. It had hardly died away when a quavering,
+high-pitched voice started 'God Save the King,' and with a sturdy
+indifference to pitch the rest followed, the octogenarian who had begun
+it sounding clear above the others as he half-whistled and half-sang the
+anthem through his two remaining teeth.
+
+'That's old Hills!' cried Elise, laughing hysterically. 'He was at
+Sebastopol.'
+
+The crowd was coming away.
+
+Some were boisterous, others silent. A girl was laughing, but there was
+a strange look in her eyes. Bounding ahead in high appreciation of the
+village's nocturnal behaviour, a nondescript hound was preceding an
+elderly widow who was weeping quietly as with faltering step she clung to
+the arm of her son, who was carrying himself with a new erectness.
+
+Behind them walked Mathews the groom, corn-cob pipe and all, shaking his
+head argumentatively and squaring his shoulders.
+
+An Empire had declared war.
+
+
+III.
+
+Elise entered the post-office to telephone the news to Roselawn, and
+Selwyn was left alone. It was only for a few minutes, but in that brief
+space of time his whole being underwent a vital crisis, which was not
+only to change the course of his own life, but was to affect thousands
+who would never meet him.
+
+The creative mind is ever elusive and unexpected in its workings. In it
+the masculine and feminine temperaments are fused. It leaps to
+conclusions--erroneous maybe, but sustained by the feminine conviction
+that what is instinctive must be true. Selwyn's was essentially a
+creative mind, prone to emotionalism and to inspiration. With men of his
+type logic is largely retrogressive: the conclusion is reached first; the
+reasons follow.
+
+A few days before his imagination had been strangely stirred by the
+swiftness of thought which at twilight in England could visualise New
+York at noon. Simple though the scientific explanation might be, it had
+left him with a sense of detachment, almost as if he were on Olympus and
+the world spread out below for him to gaze upon.
+
+That feeling now returned with redoubled force.
+
+The group of villagers had parted into many human fragments. He could
+hear the hearty invitation of the innkeeper for all boon spirits to join
+him, free of expense--and regardless of the liquor laws--in a pint of
+bitter, to drink confusion to the enemy. But to Selwyn they seemed
+creatures of another planet--or, rather, that he was the visitor in a
+world of strange inhabitants.
+
+All the resentfulness of an idealist whose ancestry was steeped in
+liberty of action rose to a fury at this unwarrantable interference of
+war with the lives of men--a fury maddened by his feeling of utter
+impotence. Was it possible, he argued, that a group of men drunk with
+pomp and lust of conquest could wreck the whole fabric of civilisation?
+What of science and education? Had they risen only to be the playthings
+of madmen? What kind of a world was it that allowed such things?
+
+Was it possible, however, that this war was different from any other?
+Granted that Austria had willed the crushing of Servia, and that Germany
+was instigator of the crime--had not the rest of the world proved false
+to their creeds by allowing the war-hunger of the Central Powers to
+achieve its aim? Supposing France, Britain, America, and Italy had
+joined in an immediate warning to Germany and Austria that if they did
+not desist from their malpractices the area of their countries would be
+declared a plague-spot, commercial intercourse with the outside world
+would be brought to an end, and their citizens treated as lepers. If
+that had been done, men could have gone on leading the lives to which
+they had been called, and by sheer cumulative effect could have exerted a
+moral pressure on the war-lust of Germany that would have been
+irresistible.
+
+Yet, like a bull that sees red, the nations had rushed madly at each
+other, thirsting to gore each other's vitals with their horns. Men of
+peaceful vocations were at that very moment slaughtering their
+brother-men. It was wrong--hideously wrong!
+
+And the charge of responsibility could not be laid at the door of those
+idiots of Emperors. Their crime was evil enough, but the responsibility
+for war was with the people who allowed themselves to be led to murder by
+a mad, jingoistic patriotism. Supposing that when Europe was mobilising,
+the people of Great Britain had sent a message to the Germans: 'Brothers,
+justice must be done and malefactors punished. Fearing nothing but the
+universal conscience, we refuse to fight with you, but demand in
+humanity's name that you join with us in establishing the permanent
+supremacy of Right.' Some such message as that coming from a Power
+steeped in a great past would have been ashes to smother the smouldering
+flames of world-war.
+
+But there was no machinery for such a thing. There was no method by
+which the great heart of one country could speak with that of another.
+Our obsolete diplomatic envoys, the errand-boys of international
+politics, were mere artifices, tending to cement rather than to dispel
+the mutual distrust of nations. What, then, stood in the way of
+world-understanding? What was the cause of the blindness which permitted
+men to be led like dumb cattle to the slaughter?
+
+_Ignorance_.
+
+That was the answer to it all. It was ignorance that kept a nation
+unaware of its own highest destiny; it was ignorance that fomented
+trouble among the peoples of the earth. Suffering, sickness, crime,
+tyranny, war, were all growths whose roots were buried in ignorance and
+sucked its vile nourishment.
+
+An impetuous wave of loyalty towards his own country swept over Austin
+Selwyn at the thought. Other peoples had declared war on each other:
+America by her silence had declared war on Ignorance. He felt a sudden
+shame for his previous doubts. He saw clearly that his great
+continent-country was a rock to which the other baffled, despairing
+nations might cling when disaster overtook them.
+
+And as he was joined by Elise Durwent, the American swore an eternal oath
+of vengeance against Ignorance.
+
+
+IV.
+
+With her arm in his, their subdued voices trembling with the repression
+of emotion, they retraced their steps. Back past the church with its
+white gravestones so curiously peaceful in the midst of it all; past the
+inn, jovial with light and the clamour of village oracles; past the
+forge, with its lifeless fires a presage of things to come; past the
+cross-roads, where the sign-post, silhouetted against the sky, seemed no
+longer a gibbet, but a crucifix; past cottages stirring with unaccustomed
+life, unconscious of the unbidden guest that was soon to knock with
+ghostly fingers at almost every door.
+
+Along the quiet English lane they walked, but though the closeness of the
+girl beside him was ministering to the senses, his mind remained so
+clutched in the grip of thought that his head throbbed with pain with
+each step of his foot jarring upon the road.
+
+They had reached the entrance to the estate and were nearing the house,
+when his reverie was broken by the sound of a quivering breath and a
+trembling of the hand on his arm. Like a conflagration that is already
+out of control, his brain flared into further revolt with the stimulus of
+a new resentment--he had not thought of woman's part in the thing.
+
+'Elise,' he cried, 'this is monstrous. It is only the vile selfishness
+of men that makes it possible. They are not giving a thought to the
+women, yet you are the real sufferers. Now I know what you meant when
+you said that women don't have their place in the world. If they did,
+this never could have happened; for their hearts would never permit the
+men that are born of women to slaughter each other like bestial savages.
+Now is the time for you to speak. This is the hour for your rebellion.
+Let the whole world of women rise in a body and denounce this inhuman,
+insufferable wrong. If your rebellion is ever to come, let it come now.'
+
+The hand on his arm was wrenched free, and Elise stood facing him with
+fury in her eyes.
+
+'Are you mad, Mr. Selwyn? Or is this your idea of a joke?'
+
+He stared at her, dumbfounded. Her eyes were glowing, and her lips were
+parched with the fever of the breath passing through them.
+
+'A joke?' he said. 'Great heavens! Do you think I would jest on such a
+subject?'
+
+'But---- You mean that we women should organise, rise up, to hinder our
+men from going to war?'
+
+'Doesn't your heart tell you how infamous war is?'
+
+'What does that matter?'
+
+'But, Elise,' he pleaded desperately, 'some one must be great enough to
+rise to the new citizenship of the world even if martyrdom be the
+condition of enrolment. It is far, far harder than snatching a musket
+and sweeping on with the mob, but it is for people like you and me to
+have the courage to try to stem this flood of ignorance, to stop this
+butchery of women's hearts.'
+
+'Women's hearts!' She laughed hysterically. 'And you believe that you
+understand women! Do you think war appals us? Do you think because we
+may shed tears that it is from self-pity? Rubbish! There are thousands
+of us to-night who could almost shout for joy.'
+
+'Elise!'
+
+'I mean it. Don't you see that to-night our whole life has been changed?
+Men are going to die--horribly, cruelly--but they're going to play the
+parts of men. Don't you understand what that means to us? _We're part
+of it all_. It was the women who gave them birth. It was the women who
+reared them, then lost them in ordinary life--and now it's all justified.
+They can't go to war without us. We're partners at last. Do you think
+women are afraid of war? Why, the glory of it is in our very blood.'
+
+'But,' cried Selwyn, 'you can't think what you are saying.'
+
+'I don't want to. All I know is that I could sing and dance and go mad
+for the wonder of it all.'
+
+He took a step forward and grasped both her wrists in his hands.
+
+'Listen to me,' he said, his jaw stiffening as he spoke; 'some of us have
+got to keep our sanity in this crisis. You know better than I, for you
+have described it to me, that this country has been darkened with
+ignorance just as Germany and the rest have been. This is the climax of
+it all--and you're going to help it on, instead of having the courage to
+take your stand. Elise, to-night I pledged my whole life to a crusade
+against the darkness that men are forced to endure. It is going to be a
+long fight, and perhaps a hopeless one, although some day, somehow, the
+cause must win. And I need your inspiration. Oh, my dear, my dear, you
+must know how much I love you. Every minute that you're away I'm hungry
+for you. When we were together that evening by the stream I longed so to
+take you in my arms that my heart ached with the repression I forced on
+myself. I have known that there were a thousand difficulties in the way,
+and I was not going to speak, but the other night when you met your
+brother by the oak'----
+
+'Oh! you were spying.'
+
+'It was an accident. I said nothing to you about it, but I thought that
+perhaps you needed me a little, that it might be my privilege to share
+your sorrow. And to-night, dear, I know that together we could work and
+live, and be a tremendous power for good.'
+
+Her face, which had gone strangely pale, was darkened by a return of the
+crimson flush.
+
+'Do you think I'd marry you,' she exclaimed scornfully--'a man who
+counsels treason?'
+
+'I counsel loyalty to the higher citizenship.'
+
+'H'mm!' Her shoulders contracted, and forcing her wrists free of his
+hands, she looked haughtily into his burning eyes. 'You had better go
+back to America and tell them there of this ignorant little island whose
+men are so crude and stupid that when the King calls they go to war.'
+
+'Elise'----
+
+'I would rather marry the poorest groom in our stables than you. He
+would at least be a man.'
+
+'I have not deserved this, Elise. God knows I am no more a coward than
+other men, but I feel that I have seen a great truth which demands my
+loyalty.'
+
+'It is easier to be loyal to a truth than to a country.'
+
+'You know you are wrong when you say that. Come--we are both unnerved
+to-night. Perhaps I was injudicious to speak at a time when I should
+have known that you would be overwrought, but I could not keep back the
+love which you must have read'----
+
+'Please, Mr. Selwyn, you must never mention that again. I don't want to
+marry you. I don't want to marry any one. I always said that a women's
+rebellion would come, and I feel in my blood that it has started
+to-night. I don't know how, or when, or where, but I am going to join it
+and'----
+
+'Then you agree with me?' he cried eagerly. 'You feel that the women of
+this country should rise, and try to prevent this catastrophe?'
+
+'You fool,' she said, half in pity, but with a sneer; 'you poor blind
+American! Yes, there's going to be a revolution against conventions,
+Society, customs, morality, for all I know. They're all going overboard.
+We've hoisted the black flag to-night, but with one, and only one,
+object--to help Britain and the men of Britain to fight!'
+
+ * * * * * *
+
+And the British Fleet, at the King's command, was steaming out into the
+night.
+
+
+
+
+CHAPTER XII.
+
+THE HONOURABLE MALCOLM DURWENT STARTS ON A JOURNEY.
+
+
+I.
+
+An early morning mist hung over the fields of Roselawn. From his nest in
+the branches of a tree, a bird chirruped dubiously, as though to assure
+himself even against his better judgment that the rain was only a threat.
+The woods which bordered the meadows were blurred into a foreboding,
+formless black, like a fringe of mourning, and the distant hills stood
+sentinels at the sepulchre of nature.
+
+Flowers, rearing their lovely necks for the first caress of the sun,
+drooped disconsolately, their petals like the lips of a maid who has
+waited in vain for the coming of her lover. Cattle in the fields moved
+restlessly from one spot to another, finding the grass sour and
+unpalatable. Through the damp-charged air the melancholy plaint of a
+single cow sounded like the warning of rocks on a foggy coast.
+
+In the air which was unstirred by a breath of wind the very buildings of
+Roselawn seemed strangely motionless, with their roofs glistening in
+their covering of moisture. And through an archway of trees the distant
+spire of the church on the hill rose above the mist as a symbol held
+aloft by some smoke-shrouded martyr of the past.
+
+A hound with apologetic tail came stealthily from the house and made for
+the cover of the stables. A horse rattled its headstall and pawed the
+flooring with a restless hoof.
+
+With a feeling of chill in the air, Selwyn rose at seven, and dressing
+himself quickly, left the house for a walk before breakfast. His body
+was fatigued from the long vigil of the mind which had kept at bay all
+but a short hour of sleep, but he felt the necessity of exercise, as
+though in the striding of limbs his torturing thoughts might lessen their
+thumbscrew grip.
+
+His feet grew heavy in the thick dew of the grass, as he plunged across
+the fields to a path which led through the woods, where squirrels,
+coquetting with the intruder, dared him to follow to the summit of the
+oaks.
+
+Heedless of the morning's melancholy, yet unconsciously soothed by its
+calm solace, he went briskly forward, and his blood, sluggish from
+inaction, leaped through his veins and coloured the shadowed pallor of
+his face with a glow of warmth.
+
+He had lost her.
+
+That was the dominant note of his thoughts. What a jest the Fates had
+prepared for him that the very moment when the incoherencies of his life
+were crystallised by a great flash of truth--the very moment when he had
+felt the overwhelming impulse to consecrate his life in a crusade against
+Ignorance--that same instant should witness the snapping of the silk
+threads of his love!
+
+How scornful she had been--as if he were something unclean, too low a
+thing for her to touch! This girl, whom he had pitied for her
+loneliness--this woman who had ridiculed the life of England and declared
+that it was stifling her--had said that the glory of war was in her
+blood. She had called him a fool because he dared to say that carnage
+was wrong. He had thought her an advanced thinker; she was a reactionary
+of the most pronounced type.
+
+A feeling of fury whipped his pulses. Confound her and her unbridled
+tongue! What a fool he had been to woo her! One might as well try to
+coax a wild horse into submission. She would have to be conquered; she
+should be brought into subjugation by the stronger will of a man, for
+only through surrender would she achieve her own happiness. At present
+she resented equally the conquering of herself physically and mentally.
+For her own sake she must be taught the perversion of her outlook on life.
+
+And Austin Selwyn, the idealist, little thought that he was applying to
+Elise Durwent the same philosophy as Prussia was applying to Europe.
+
+But of one thing he was certain--much as he loved her (and at the thought
+his heart grew heavy with longing), his words on war had not been the
+idle declaimings of a sophist. There was a higher citizenship; the world
+was wrong to allow this war; and ignorance was the foe of mankind.
+
+He would not withdraw from that platform. Duty was not something from
+which a man could step lightly aside. All his writings, all his
+thoughts, all his half-worked-out philosophies had been but training for
+this great moment. And now that it had come he would not prove renegade.
+
+He would write with the language of inspiration. The agony of Man would
+be his spur, so that neither fatigue nor indifference could impede his
+labours. With the tears of the world he would pen such works that people
+everywhere would see the beacon-light of truth, and by it steer their
+troubled course.
+
+Five miles he covered in little more than an hour, and with the returning
+sense of strength his purpose grew in firmness.
+
+The call of the Universal Mind had penetrated through the labyrinth of
+life as the sound of the hunting-horn through leafy woods. There must be
+millions, he knew, who were of that great unison, kept from _ensemble_ by
+the absence of co-ordination, by the lack of self-expression. It might
+not be for him to do more than help to light the torch, but, once lit, it
+would burst into flame, and the man to carry it would then come forward,
+as he had always done since ages immemorial when a world-crisis called
+for a world-man.
+
+A sudden weakness crept into his blood. He was nearing home, and in a
+few minutes would see her again. If only he could have left the previous
+night on some pretext--but now he would have to wait until the afternoon
+at least. How strange it was to think of losing her! How wedded his
+subconscious thoughts had been to living out the future with her as his
+revelation of Heaven's poetry! Would he have the courage to maintain his
+purpose, or, at the sight of her, would he throw himself at her feet,
+and, admitting failure, plead for mercy to the vanquished?
+
+No. A thousand times no. Anything but that.
+
+Reaching the clearing in the woods, he paused as the ivy-covered towers
+of Roselawn were presented to his gaze. With a characteristic working of
+his shoulders he drew himself to his full height, and his jaws and lips
+were set in implacable determination.
+
+The mist still clung to the earth, but over the north-east tower of
+Roselawn he could see the sun, monstrous and red, looming with its sullen
+threat of heat.
+
+
+II.
+
+It was nearing the end of a breakfast that had been trying for every one.
+Lord Durwent's usual kindly affability was overcast by a fresh worry--the
+non-appearance of his son Malcolm. Four telegrams had been despatched to
+Scotland, but no answer had come. Elise had been gay and talkative with
+a forced vivacity; and Lady Durwent had been bordering on hysteria. Not
+that the dear lady was of sufficient depth to be profoundly moved by the
+world's tragedy, but her unsatisfied sense of the dramatic gave her a new
+thrill every time she said, 'WE ARE AT WAR--THINK OF IT!' as if she were
+afraid that without her reminder they might forget the fact.
+
+Selwyn sat in almost complete silence, merely acknowledging Lady
+Durwent's proclamations of a state of war by appropriate acquiescence,
+but his eyes remained fixed on the table. He could not trust them to
+look at Elise for fear they should prove traitor and sue for an ignoble
+peace. As for her, she met the situation with a smile, using woman's
+instinct of protection to assume a cloak behind which her real feelings
+were concealed.
+
+They had just risen from the table, when the sound of a motor-car was
+heard in the courtyard, and Elise hurried to the window.
+
+'It's Malcolm, dad,' she said.
+
+More in hysteria than ever, Lady Durwent hurried from the room, followed
+more slowly by her husband and her daughter, and greeting the Honourable
+Malcolm at the door, smothered him in a melodramatic embrace.
+
+'My dear, brave Malcolm,' she cried.
+
+With as good grace as possible the young man submitted to the maternal
+endearments, disengaging her arms as soon as he decently could.
+
+'Where's the governor?' he asked. 'Ah, there you are.--Hello,
+Elise!--I'm frightfully sorry, pater,' he went on, shaking hands with
+Lord Durwent and patting his sister on the shoulder, 'about those
+telegrams of yours, but we were on M'Gregor's yacht miles from nowhere,
+and didn't even know the dear old war was on until a fishing-johnny told
+us. Are my orders here?'
+
+'Yes,' answered Lord Durwent; 'there are two telegrams for you. One came
+last night, and one this morning. I will just go into the library and
+fetch them.'
+
+'But, Malcolm,' said Lady Durwent, 'let me introduce our guest, Mr.
+Selwyn of New York.
+
+The young Englishman smiled with rather an attractive air of
+embarrassment. 'I'm frightfully sorry,' he said amiably, proffering his
+hand, 'I didn't see you there. Have you had any kind of a time? It's
+rather a bore being inland in the summer, don't you think?'
+
+'I have enjoyed myself very much,' said the American, 'in spite of the
+tragic end to my visit.'
+
+'Eh,' said the Honourable Malcolm, startled by the seriousness of the
+other's voice, 'what's that? Ah yes--you mean the war. Excuse me if I
+look at these, won't you?--Thanks, pater.'
+
+'WE ARE AT WAR----THINK OF IT!' cried Lady Durwent in a gust of emotion,
+assuming the duties of a Greek chorus while her son examined the
+telegrams brought by her husband.
+
+'Well, well!' said the cavalry lieutenant, reading the first message,
+which was signed by the adjutant of his regiment; 'dear old Agitato. How
+he does love sending out those sweet little things: "Leave cancelled;
+return at once"! Ah, my word! "Secret and Confidential"--good old War
+Office. What a rag they'll have now running their pet little regiments
+all over the world! Humph! By Jove! we're to move to-morrow. Good
+work! Let me see, pater. What train can I catch to town? I must throw
+a few things together'--he looked at his watch--'but I'll be in heaps of
+time for the 11.50. The Agitato always has a late lunch and never drinks
+less than three glasses of port, so I'll throw myself on his full stomach
+and squeal for mercy for being late. I say, pater, do come up while I
+toss a few unnecessaries into my case.--That's right, Brown; put my bag
+in my room. And, Brown, you might put some vaseline on those golf-clubs.
+I sha'n't be wanting them for some little time.--Come along,
+pater.--Excuse me, Mr.--Mr.'----
+
+'SELWYN,' cried Lady Durwent.
+
+'Mr. Selwyn, I'll see you later, eh?'
+
+'The old nobleman ascended the stairs with his son, and the agreeable
+chatter of the younger man, with its references to 'topping sport' and
+'absolutely ripping weather,' came to an end as they disappeared along
+the western wing of the house. Lady Durwent, wiping her eyes, went into
+the library, and Selwyn, who was not particularly enamoured of solitude
+and its attending tyranny of thoughts, followed her.
+
+Elise, who had stood in mute contemplation of her brother, neither
+addressing a remark nor being addressed, hesitated momentarily, then went
+into the drawing-room by herself and closed the door.
+
+'Oh, Mr. Selwyn,' said Lady Durwent, breathing heavily, 'you have no idea
+what a mother's feelings are at a time like this.'
+
+'I can only sympathise most sincerely,' said the American gravely.
+
+'He has been such a good boy,' she said vaguely, 'and so devoted to his
+mother.'
+
+'I can see that, Lady Durwent.'
+
+'I shall never forget,' she went on, her own words creating a deliciously
+dramatic trembling in her bosom, 'how he wept when his father insisted
+upon his leaving home for school. It was all I could do to console the
+child; and when he came home for the holidays he was just my shadow.'
+
+At that satisfactory thought (though Selwyn was a little puzzled at the
+picture of the diminutive Malcolm serving as a shadow for Lady Durwent's
+bulk) she expanded into a smile, but immediately corrected the error with
+a burst of unrestrained grief.
+
+'THINK OF IT, MR. SELWYN,' she cried, reversing the formula--'WE ARE AT
+WAR!'
+
+He murmured assent. 'I am afraid, Lady Durwent,' he said, 'that I must
+return to London this afternoon.'
+
+'Oh, Mr. Selwyn!'
+
+'Yes, I must. I have a great deal of work before me, and only the
+cordiality of your welcome and the pleasure I have felt in being here
+would have allowed me to stay so long. You have been wonderfully kind,
+and perhaps the fact that I was here when war broke out will lend a
+special significance to our friendship for the future.'
+
+'Oh, I shall never forget you,' murmured his hostess, whose emotions were
+so near the surface that almost any remark was sufficient to tap them.
+'You have been the truest of friends, and Elise is so fond of you.'
+
+'I am very fond of Elise,' blurted Selwyn, feeling his cheeks grow red.
+'Her companionship and inspiration were something'----
+
+'Ye-es.' An instinct of caution plugged the emotional channel. Lady
+Durwent saw that she had been indiscreet. It was not in her plan of
+things that her daughter should become enamoured of a commoner. Selwyn
+was all very well for company, and no doubt his books were very good, but
+Elise Durwent would have to marry in her own station of life.
+
+'You feel that you must go this afternoon?' said the Ironmonger's
+daughter dismally, but with an inflection that made it more a reminder
+than a question.
+
+'Yes, Lady Durwent,' he answered, with a cynical smile creeping into his
+lips, which seemed thin and almost cruel. 'I shall catch the 3.50.'
+
+'Then you must come again and see us sometime, Mr. Selwyn,' she said,
+with that vagueness of date used by polite persons when they don't mean a
+thing. Lady Durwent rose with great dignity. 'Will you excuse me, Mr.
+Selwyn? I always meet my housekeeper at ten to discuss domestic matters.
+Elise is somewhere around. Is it too damp for tennis?'
+
+She paused at the door. She had to. It is one of the traditions of the
+stage that a player must stop at the exit and utter one compelling,
+terrific sentence.
+
+'WE ARE AT WAR,' she cried--'TH'----
+
+'Think of it!' he said maliciously, bowing and closing the door after her.
+
+
+III.
+
+Going to his room, Selwyn packed his own bags, dispensing with the
+services of the valet, and with more than one sigh of regret glanced
+about at the luxury which he was soon to quit. The great bed with its
+snowy billows of comfort; the reading-lamp on the little table with the
+motley collection of books borrowed from the library with the very best
+intentions--books which had hardly been opened before sleep would
+obliterate everything from his sight; that merry picture of the two
+medieval enthusiasts playing chess, and those jolly Dickensian paintings
+of huntsmen at luncheon with grinning waiters and ubiquitous dogs. What
+a charm they all had! What a merry little spot England had been in those
+good old days!
+
+A ray of sunshine stole through the curtains as if it were not quite sure
+of its welcome, and shyly rested against the farthest wall of the room.
+With an exclamation of pleasure Selwyn threw open the window and looked
+out upon the lawns.
+
+The sun had won its battle, and the countryside was cleared of the
+invading mist, which was ingloriously retreating to its own territory
+behind the distant hills. There was a sparkle in the air, and the rich
+colourings of the flowers vied with each other in Beauty's quarrel. The
+birds flew from tree to tree, singing their paean of the sun's victory,
+and a light summer breeze was scattering perfume over the earth.
+
+As a sick man emerging from a fever, Selwyn let the refreshing vigour of
+the morning lave his temples with its potency. Looking towards the
+stables, he saw Mathews, the groom, come out of his domain to cast an
+approving glance on Nature's performance. Selwyn decided that he would
+go and say good-bye to the fellow. There was something both sturdy and
+picturesque about him, and the American presumed that even the head-groom
+of the Durwents would not be averse to a ten-shilling gratuity. He
+therefore left his room, and reaching the lawn, strolled over to the
+stables.
+
+'Good-morning, Mr. Selwyn,' said the groom cheerily, touching his
+forehead in a semi-nautical greeting.
+
+'Good-day, Mathews. How are all your family this morning?'
+
+'Meaning the hosses, sir, or opposite-like, my old mare and her colt?
+Likewise and sim'lar, and no disrespeck meant, meaning my old woman and
+little Wellington.'
+
+'Well,' Selwyn smiled at the worthy man's ramifications, 'I did mean the
+horses, but I am even more anxious to know how Mrs. Mathews is.'
+
+'She's a-bloomin', Mr. Selwyn, she is. When I sees 'er t' other night
+dancin' at the village, I says to myself, "Criky! If she hain't got a
+action like a young filly!" Real proud I was of 'er, and 'er being no
+two-year-old neither, but opposite-wise free of the rheumatiz, as is
+getting into my withers like.'
+
+'And how is--did you say his name was Wellington?'
+
+'That's 'is 'andle, Mr. Selwyn, conseckens o' 'is being born with the
+largest nose I ever sees on a hoffspring o' his age. He's only four year
+and a little better, but--criky!--if 'e ain't the knowingest little colt
+as ever I raised! When my old woman gives 'im 'is bath 'e goes "Hiss-ss,
+hiss-ss," just like a proper groom rubbin' down a hoss. But 'e's a
+hunfeeling wretch, 'e is, for when I goes 'ome arter feedin'-time o'
+nights, and thinks I'll just smoke a quiet pipe, 'e ups and says,
+"Lincoln Steeplechase, guv'nor, and I'm a-riding you." And there he has
+everything around the room--'is little table and chairs and toy pianner,
+and I've got to jump over 'em on my 'ands and knees with that there
+wicious scoundrel a-sitting on my neck and yelling, "Come on, you d--d
+old slow-coach! Wot did I give you them oats for?" Now I puts it to
+you, Mr. Selwyn, if a himp as makes 'is fayther jump over a toy pianner
+is the kind o' child as is like to be a comfort to a feller in 'is old
+age.'
+
+With which harrowing query the groom slapped his pipe on his heel and
+blew violently through it to try to disguise his gratification at the
+paternal reminiscence.
+
+'I don't think I've seen all the horses,' said Selwyn. 'Can you spare a
+few minutes to show them to me?'
+
+'Wi' all the pleasure in life, sir. Come in, sir. I know it ain't
+becomin' o' me for to boast,' said the groom as they entered the
+building, 'but if there's a better stable o' hosses than them there, then
+my name ain't Mathews, nor is my Christian names William John neither.
+There ain't many in England as knows a hoss quicker 'an me, Mr. Selwyn,
+though I says it that shouldn't ought to, but I knows a hoss just as soon
+as I sets eyes on 'im. Milord, 'e's just a small bit better, though
+likewise and sim'lar we usually thinks exac'ly the same. Only once we
+disergreed on a hoss. I says it were wicious, and 'e said as 'ow it
+weren't. So we bought it.'
+
+'And who was right?'
+
+'Well, sir, I sort of estermate as 'ow 'e was, for just arter we got 'im
+Mas'r Dick, who ain't afraid o' any beast as walks on four legs, took 'im
+out for a airing. Well, sir, that hoss--powerful brute 'e were, with a
+eye like Sin--goes along like as if 'e 'adn't a evil thought in 'is 'ead;
+but all on a sudden 'e comes to a ditch, and sort o' rolls Mas'r Dick
+into it, and bungs 'is 'ead against a stone.'
+
+'Then he was vicious, after all?'
+
+'No, sir--that's the extr'ord'nary part of it. He comes right back to
+the stables to me and pulls up short. I goes up and looks into that
+there sinful eye. "You hulk o' misery," I says; "you willainous son of a
+abandoned sire!" You know, sir, I always likes to make a hoss feel real
+bad by telling him what's what, for they got intelligence. Mr. Selwyn, I
+should say, by Criky! a 'uman being ain't in the same stall as a hoss for
+intelligence.'
+
+'I think you may be right,' said Selwyn decisively.
+
+'May be? There ain't no doubt about it nowise.'
+
+'And what happened to your horse?'
+
+'Ah yes, sir. Well, sir, I gets on 'im, and pullin' 'is face around by
+'is ear, I give 'im another look in 'is sinful eye. "Where's Mas'r
+Dick?" I says. And--criky!--off 'e goes, lickerty-split, like as if we
+was entered for the Derby, and, sure enough, 'e stops right at the ditch
+where Mas'r Dick was a-lying all peaceful and muddy like a stiff un.
+Well, sir, I gets off and lifts 'im up, and then mounts be'ind 'im, and
+that there hoss 'e never moved until I tells 'im, and then 'e goes home
+so smooth-like that a old lady could 'ave rid 'im and done 'er knitting
+sim'lar. And arter that 'e were as gentle as a lamb, 'e were--and there
+'e is right afore your eyes, Mr. Selwyn. He's a old hoss now, and ain't
+much to look on, but every morning when I comes in 'e takes a look with
+that there bad eye o' hisn and says, just like I says to 'im that day,
+"Where's Mas'r Dick?" I sometimes feels so sorry for the old feller that
+I swears something horrible just to cheer 'im up.'
+
+With considerable interest, though with a certain doubt as to the strict
+authenticity of the narrative, the American looked at the horse, which,
+after a melancholy survey of the visitors, vented its grief in an attempt
+to bite a large-sized slice from the neck of a neighbour.
+
+'Nah, then, you ---- ---- ----,' remarked Mathews unfeelingly, catching
+the old beast a resounding thump on the rump with a stick he carried.
+'That'll learn you, you old hulk o' misery.'
+
+'There's a beautiful mare, said the American, pausing at the stall of a
+superb charger whose graceful limbs and shapely neck spoke of speed and
+spirit.
+
+'Ah! Now that there is a beauty and no mistake. She's got the spirit of
+a young pup, but is as amiable and sweet-tempered as a angel. She's
+Mister Malcolm's hunter, she is, and 'is favourite in the whole stables.
+He never rides anything but 'er to hounds; leastways, 'e never did but
+once, and then Nell--that's 'er name--Nell was took so sick with frettin'
+that she kicked a groom as 'ad come to feed 'er clean across the floor
+agin' that there far wall. Never I see a feller so put out as that there
+groom--never. Well, sir, she wouldn't let no one come nigh 'er, and just
+as we was thinkin' as 'ow we'd 'ave to forcible-feed 'er, in comes Mister
+Malcolm. She 'ears 'im, but don't make no sign, and just as 'e comes up
+close she lets fling 'er 'eels at 'is 'ead. But 'e was watchin' for it,
+and just says "Nellie" kind o' sorrowful and reproachful, sim'lar to the
+prodigal son returnin' to 'is aged fayther. Well, sir, the mare she just
+gives in at the knees and rubbed 'er nose agin' 'im, and says just as
+plain as Scripter that she was real sorry, and 'oped 'e 'd forget it as
+one gen'l'man to a lady.'
+
+With sundry anecdotes of a like nature, Mathews guided the visitor past
+the long line of stalls, whose inhabitants kept their stately heads
+turned to gratify the insatiable curiosity of the equine. To the weary
+mind of the American there was an agreeable balm in the groom's fund of
+anecdote, and even in the odoriferousness of the stable itself.
+
+Reaching the end of that line, Mathews proposed that before they went any
+farther they should go to an adjoining shed and inspect a litter of
+little hounds that were blinking in amazement at their second day's view
+of the world. From a near-by kennel there was the discordant yelping of
+a dozen hounds, and between the two places a kitten was performing its
+toilet with arrogant indifference to the canine threat.
+
+They were just about to retrace their steps, when Selwyn felt Mathews's
+hand on his arm.
+
+'Sh-sh!' the groom whispered. 'There's Mister Malcolm a-come to say
+good-bye to Nellie. I knew 'e would, sir. She'd ha' fretted 'er heart
+out if 'e hadn't.'
+
+
+IV.
+
+Selwyn looked down the stable, and in the dull light he saw the Hussar
+officer standing in the stall by the mare, crooning some endearing words,
+while the beast, in her delight, rubbed her face against his clothes and
+whinnied her plea to be taken for a gallop over the fields.
+
+Not wanting to disturb him, or give the impression that he had been
+watching, Selwyn softly withdrew by a door near the dogs, and after
+giving Mathews a half-sovereign, made a circuit of the lawns and
+approached the house as if he were coming from the woods. As he did so
+young Durwent emerged from the stables, followed by a collie-dog that
+jumped and frolicked about him as he walked. Noticing the American,
+Malcolm crossed over to where he stood, proffering a cigarette.
+
+'Have a gasper, Selwyn?' he asked.
+
+'Thanks very much. I suppose it will be some time before the British
+Army will get into action?'
+
+'I don't know, I'm sure,' answered Durwent, holding a match for the
+other, 'but three weeks at the outside ought to see us over there and
+ready.'
+
+'The Germans have a tremendous start.'
+
+'Yes, haven't they? Damned plucky of Belgium to try to hold them up,
+isn't it? Though, of course, you can't expect the Belgian johnnies to
+keep them back more than a few days.'
+
+'You think, then, that she will be conquered?'
+
+'Ra-ther. That's a cert. But I don't think it will be for long.'
+
+'You mean that the British will drive the Germans back?'
+
+'Not all at once, but sooner or later. Of course, I'm an awful muff on
+strategy--always was--but the general idea seems to be that we go over
+now and stop the bounders, and then our dear old citizens gird up their
+loins, train themselves as soldiers, and chase the Germans back to
+Berlin.'
+
+'But--isn't it an open secret that your regular army is very small? Can
+you seriously expect to stop that huge force once it sweeps through
+Belgium?'
+
+The Englishman picked up a stone and sent it hurtling across the lawn for
+the collie to chase.
+
+'Ever play "Rugger"?' he asked.
+
+'Rugby? Yes.'
+
+'Then you've often seen a little chap bring a big one an awful cropper.'
+
+'That is true, but the cases are hardly parallel.'
+
+'Perhaps not,' said the other, rather relieved at not having to maintain
+the analogy any further; 'but, then, the beauty of being a junior officer
+is that one doesn't have to worry. I wouldn't be in old man French's
+shoes for a million quid, but for us subaltern johnnies it looks as if
+we'll have some great sport.'
+
+As the two young men, almost of an age, stood on the rich carpet of the
+lawn with their figures outlined against the open background of the
+fields, they presented a strange contrast. The Englishman was dressed in
+a rough, brown tweed, and though there was a looseness about his
+shoulders that almost amounted to slouchiness, they gave a suggestion of
+latent strength that could be instantly galvanised into great power.
+When he moved, either to throw something for his dog or just to break the
+monotony of standing, his movements were slow and deliberate, and he took
+a long pace with a slight inclination towards the side, as is the habit
+of cavalrymen and sailors. His eyes were a clear, unsubtle blue, and
+though his skin was tanned from exposure to the elements, its texture was
+unspoiled. His hair was light brown, and, while closely cropped, in
+keeping with military tradition, was naturally of thick growth; in the
+centre where it was parted there was more than a tendency towards curls.
+From his lip a slight moustache was trained to point upwards at the ends,
+and beneath the tan of his face could be seen the glow of health, token
+of a decent mode of living and a life spent out of doors.
+
+There was a frankness of countenance, a certain humour which one felt
+would rarely rise above banter, and the whole bearing was manly and
+attractive. But search the features as he would, Selwyn could not
+discover any lurking traces of undiscovered personality. Malcolm's very
+frankness seemed to rob him of possession of any hidden, unexpected vein
+of individuality. He was essentially a type, and of as clear Anglo-Saxon
+origin as if he were living in the days before his breed was modified by
+inter-association with other tribes.
+
+Selwyn recalled the words of Mathews: 'Milord, you're a thoroughbred, you
+are.' This youth was of a race of thoroughbreds. Maternal heredity had
+skipped him altogether; he was a Durwent of Durwents, and heir to all the
+distinction and lack of distinction which marked the long line of that
+family.
+
+And opposite him was an American whose two generations of Republican
+ancestry led to the paths of Dutch and Irish parentage. Selwyn had never
+tried to discover the cause why his paternal ancestor had left the Green
+Island, or his maternal ancestor the land of dikes and windmills; it was
+sufficient that, out of resentment against conditions either avoidable or
+unavoidable, each had resolved to endure the ordeal of making his way in
+a land of strangers. Austin Selwyn bore the marks of that inheritance no
+less clearly than Malcolm Durwent bore the marks of his. In his features
+there was a certain repose, as became the part-son of a race that had
+produced the art of Rembrandt, but there was a roving Celtic strain as
+well that hid itself by turn in his eyes, in his lips, in his smile, in
+the lines of his frown. In contrast to the clear Saxon steadiness of
+Malcolm Durwent, his own face was constantly touched by lights and
+shadows of his mind, lit by the incessant prompting of his thoughts that
+demanded their answer to the riddle of life.
+
+Although his build was fairly powerful, Selwyn's well-knit shoulders and
+alert movements of body spoke of a physique that was always tuned to
+pitch, but one missed the impression of limitless endurance which lay
+behind the easy carelessness of Malcolm Durwent's pose.
+
+'I want to ask you, Durwent,' said the American, 'more from the
+stand-point of a writer than anything else, if these men of yours who are
+going out to fight are actuated by a great sense of patriotism, or a
+feeling that the liberty of the world depends on them or--well, in other
+words, I am trying to discover what it is that makes you men face death
+as if it were a game.'
+
+'My dear chap,' said the Englishman, with a slightly embarrassed smile,
+'there again we leave it to the fellows higher up. Naturally, if Britain
+goes to war, it isn't up to her army to question it one way or another.
+Of course, back in our heads we like to feel that she is in the
+right--but, then, I don't think Britain would ever do the rotten thing;
+do you?'
+
+'N--no, I suppose not.'
+
+'You see, a chap can't help looking at it a bit like a game, for there's
+Belgium doing an absolutely sporting thing, and there isn't one of us
+that isn't straining at the bit to get over and give them a hand.'
+
+With a slight blush at this admission of fervour, the Englishman grasped
+his collie-dog by the forepaws and rolled him on his back.
+
+'But,' said Selwyn, unwilling to let the bone of discussion drop while
+there was one shred of knowledge clinging to it, 'supposing that Britain
+were in the wrong and you fellows knew it, yet you were ordered to
+war--what then?'
+
+His companion laughed and thrust his hands in his pockets.
+
+'Oh, we'd fight anyway; and after we had knocked the other chap out we'd
+tell him how sorry we were, then go back and hang the bounders who had
+brought the thing on. But then, you see, you're riding the wrong horse,
+because soldiering's my job, and I was always an awful muff when it came
+to jawing on matters I don't know anything about. You had better get
+hold of some of our politician johnnies; they've always got ideas on
+things.'
+
+
+V.
+
+A little later the Honourable Malcolm Durwent left Roselawn in a
+motor-car.
+
+As it rounded the curve in the drive he turned and waved at the little
+group who were standing in the courtyard, and then he was lost to sight.
+And in the hearts of each of the three there was a poignant grief. Lord
+Durwent's head was bowed with regret that at Britain's call he had been
+able to give one only of his two sons. Dry-eyed, but with aching heart,
+Elise stood with an overwhelming remorse that she had never really known
+her elder brother. And Lady Durwent, free of all theatricalism, was dumb
+with the mother's pain of losing her first-born.
+
+And as the heir to Roselawn went to war, so did the sons of every old
+family in the Island Kingdom. In something of the spirit of sport, yet
+carrying beneath their cheeriness the high purpose of ageless chivalry,
+the blue-eyed youth of Britain went out with a smile upon their lips to
+play their little parts in the great jest of the gods.
+
+Not with the cry of 'Liberty!' or 'Freedom!' but merely as heirs to
+British traditions, they took the field. Of a race that acts more on
+instinct than on reason, they were true to their vision of Britain, and
+asking no better fate than to die in her service, they helped to stem the
+Prussian flood while home after home, in its ivy-covered seclusion,
+learned that the last son, like his brothers, had 'played the game' to a
+finish.
+
+Let the men who cry for the remodelling of Britain--and progress must
+have an unimpeded channel--let them try to bring to their minds the
+Britain that men saw in August 1914, when catastrophe yawned in her path.
+That picture holds the secret for the Great Britain of the future.
+
+
+VI.
+
+It was almost the last day in August, when the little British Army was
+fighting desperately against unthinkable odds, that a brigade of cavalry
+made a brave but futile charge to try to break the German grip. The --th
+Hussars was one of the regiments that took part, and only a remnant
+returned.
+
+Staring with fixed, unseeing eyes at the blue of the sky, which was not
+unlike the colour of his eyes, the Honourable Malcolm Durwent lay on the
+field of battle, with a bullet through his heart.
+
+
+
+
+CHAPTER XIII.
+
+THE MAN OF SOLITUDE.
+
+
+I.
+
+In a large room overlooking St. James's Square a man sat writing. In
+the shaded light his face showed haggard, and his eyes gleamed with the
+brilliancy of one whose blood is lit with a fever.
+
+The clocks had just struck nine when he paused in his work, and
+crossing to the French windows, which opened on a little terrace,
+looked out at the darkened square. The restless music of London's life
+played on his tired pulses. He heard the purring of limousines gliding
+into Pall Mall, and the vibrato of taxi-cabs whipped into action by the
+piercing blast of club-porters' whistles. The noise of horses' hoofs
+on the pavement echoed among the roof-tops of the houses, and beneath
+those outstanding sounds was the quiet staccato of endless passing
+feet, losing itself in the murmur of the November wind as it searched
+among the dead leaves lying in the little park.
+
+He had remained there only a few minutes, when, as though he had lost
+too much time already, the writer returned to the table and resumed his
+pen.
+
+There was a knock at the door, and he looked up with a start. 'Come
+in,' he said; and a man-servant entered.
+
+'Will you be wanting anything, Mr. Selwyn?'
+
+'No, Smith.'
+
+'You haven't been out to dinner, sir.'
+
+'I am not hungry.'
+
+'Better let me make you a cup of tea with some toast, and perhaps boil
+an egg.'
+
+'N--no, thanks, Smith. Well, perhaps you might make some coffee, with
+a little buttered toast, and just leave them here.'
+
+'Very good, sir.'
+
+Although less than a year had elapsed since Austin Selwyn had first
+dined at Lady Durwent's home, experience, which is more cruel than
+time, had marked him as a decade of ordinary life could not have done.
+His mind had been subjected to a burning ordeal since summer, and his
+drawn features and shadowed eyes showed the signs of inward conflict.
+
+As he had said of himself, all his previous experiences and education
+were but a novitiate in preparation for the great moment when truth
+challenged his consciousness and illuminated a path for him to follow.
+From an intellectual dilettante, a connoisseur of the many fruits which
+grace life's highway, he had become a single-purposed man aflame with
+burning idealism. From the sources of heredity the spirit of the
+Netherlands fighting against the yoke of Spain, and the instinct of
+revolt which lies in every Celtic breast, flowed and mingled with his
+own newly awakened passion for world-freedom.
+
+He had left Roselawn with a formal good-bye taken of the whole family
+together. He had avoided the eyes of Elise, and she had made no
+attempt to alter the impersonal nature of the parting. Reaching
+London, he had been offered these rooms in St. James's Square by an
+American, resident in London, whose business compelled him to go to New
+York for an indefinite period. As Selwyn felt the need for absolute
+aloofness, he had gladly accepted.
+
+Hardly waiting to unpack his 'grips,' he at once began his battle of
+the written word, his crusade against the origin and the fruits of
+Ignorance as shown by the war.
+
+Always a writer of sure technique and facile vocabulary, he let the
+intensity of his spirit focus on the subject. He knew that to make his
+voice heard above the clamour of war his language must have the
+transcendent quality of inspiration. No composer searching for the
+_motif_ of a great moving theme ever approached his instrument with
+deeper emotional artistry than Selwyn brought to bear on the language
+which was to ring out his message.
+
+He felt that words were potential jewels which, when once the rays of
+his mind had played upon them, would be lit with the fire of magic.
+Words of destiny like blood-hued rubies; words fraught with ominous
+opal warning; words that glittered with the biting brilliance of
+diamonds--they were his to link together with thought: he was their
+master. The necromancy of language was his to conjure with.
+
+Day after day, and into the long hours of the night, he wrote,
+destroying pages as he read them, refining, changing, rewriting, always
+striving for results which would show no signs of construction, but
+only breathe with life. When fatigue sounded its warnings he
+disregarded them, and spurred himself on with the thought of the
+thousands dying daily at the front. He saw no one. His former London
+acquaintances were engrossed in affairs of war, and made no attempt to
+seek him out. It was his custom to have breakfast and luncheon in his
+rooms; at dinner-time he would traverse the streets until he found some
+little-used restaurant, and then, selecting a deserted corner, would
+eat his meal alone. The walk there and back to his rooms was the only
+exercise he permitted himself, except occasionally, when, late at
+night, cramped fingers and bloodshot eyes would no longer obey the
+lashing of the will, and he would venture out for an hour's stroll
+through night-shrouded London.
+
+Prowling about from square to square, through deserted alleys, and by
+slumbering parks, he would feel the cumulative destinies of the
+millions of sleeping souls bearing on his consciousness. Solitude in a
+metropolis, unlike that of the country, which merely lulls or tends to
+the purifying of thought, intensifies the moods of a man like strong
+liquor. He who lives alone among millions courts all the mad fancies
+that his brain is heir to. Insanity, perversion, incoherent idealism,
+fanaticism--these are the offspring of unnatural detachment from one's
+fellows, and in turn give birth to the black moods of revolt against
+each and every thing that is.
+
+Living as he did in a sort of ecstasy by reason of his suddenly
+realised world-citizenship, Selwyn's incipient feeling of godlikeness
+developed still further under the spell of isolation. The fact that he
+trod the realm of thought, while all around him men and women grappled
+with the problems of war, only accentuated this condition of mind.
+
+He suffered--that was true. He missed the companionship of kindred
+spirits, and sometimes his memory would play truant, recalling the
+pleasant glitter of sterling silver and conversational electroplate
+which accompanied his former London dinner-parties. He did not dare to
+think of Elise at all. She was the intoxicating climax of his past
+life. She was the blending of his life's melodies into a brief, tender
+nocturne of love that his heart would never hear again.
+
+In place of all that, he had the spiritual vanity of martyrdom. Few
+voyagers but have felt the exultation of mid-ocean: that desire of the
+soul to leap the distance to the skies and claim its kinship to the
+stars. It comes to men on the Canadian prairies; it throbs in one's
+blood when the summit of a mountain is reached; it is borne on the
+wings of the twilight harmonies in a lonely forest.
+
+Unknown to himself, perhaps, that was Selwyn's compensation. From his
+hermit's seclusion in the great metropolis he felt the thrill of one
+who challenges the gods.
+
+
+II.
+
+His man-servant had hardly left the room when the bell in the front
+hall rang, and Smith reappeared to announce a visitor.
+
+'Who is it?' asked Selwyn.
+
+'A Mr. Watson, sir.'
+
+'I wonder if it can be Doug Watson of Cambridge. Bring him right up.'
+
+A moment later a young man entered the cosily shaded room, and they met
+with the hearty hand-clasp and the sincere good-feeling which come when
+a man who is abroad meets a friend who is a fellow-countryman. The
+new-comer was younger than Selwyn, and though of lighter complexion and
+hair, was unmistakably American in appearance. Like the author, he was
+clean-shaven, but there was more repose in the features. His face was
+broad, and in the poise of his head and thick neck there was the clear
+impression of great physical and mental driving-power. Although still
+a student, the mark of the engineer was strongly stamped on him. He
+was of the type that spans a great river with a bridge; that glories in
+the overcoming of obstacles by sheer domination of will.
+
+'Well, Doug,' said Selwyn as they drew their chairs up to the fire,
+'when did you leave Cambridge?'
+
+'Last week,' said the other. 'I couldn't stand it any longer with
+every one gone. I don't think that one of the bunch I played around
+with is there now.'
+
+'That was a bully week-end I had with you at the university.'
+
+'We sure had a good time, didn't we?'
+
+'But how did you know I was here?'
+
+'Jarvis sent me a note that he and his wife were running hack to New
+York, and that you were taking his rooms. Damn fine place, isn't it?
+There's a woman's touch all over here. But you're looking precious
+seedy.'
+
+'I feel all right.'
+
+'You don't look it.'
+
+'I have been very busy, Doug.'
+
+'Glad to hear it. Putting over a killing in the literature game?'
+
+'The biggest thing yet,' said Selwyn, opening a drawer and searching
+for the cigars. 'I am making a sincere attempt to write something
+which will sway people. Have one of these?'
+
+'Thanks. I guess I'd better smoke one while I have the chance. It
+might get the sergeant-major's goat if he found a buck private smoking
+half-crown cigars.'
+
+'You haven't joined the army?'
+
+'Not yet; but I shall to-morrow. You can do it by graft, old boy. For
+three weeks I've courted a colonel's daughter so as to get next to the
+old man, and to-morrow I receive my reward. I am to become a
+full-fledged Tommy Atkins.'
+
+'And the daughter?'
+
+The younger man grinned and cut off the end of his cigar with a
+pocket-knife. 'Can you see the colonel's daughter "walking out" with a
+Tommy? My dear Austin, patriotism excuses much, but the social code
+must be maintained. I'd render that in Latin if I wasn't so rusty on
+languages. What are the chances of your coming along with me tomorrow?'
+
+Selwyn reached for an ash-tray and matches.
+
+'America is neutral,' he said quietly.
+
+'America is not neutral,' replied Watson with a decisiveness that one
+would hardly have suspected to lie beneath the calm exterior and the
+veneer of good-breeding polished by Cambridge associations--a veneer
+that made his occasional lapses into crudity of language seem oddly out
+of place. 'The German-Americans, the Irish-Americans, the
+Jewish-Americans, the God-knows-who-else-Americans may be neutral, but
+the America of Washington and Lincoln, the America of Lee and Grant,
+isn't neutral. Not by a long sight.'
+
+'Doug,' said Selwyn reproachfully, 'you are the last man I thought
+would be caught by this flag-waving, drum-beating stuff.'
+
+The younger man's brows puckered as he looked through the haze of
+tobacco-smoke at his host. 'Austin,' he said abruptly, 'you've
+changed.'
+
+'Yes,' said Selwyn thoughtfully. He was going to say more, but,
+changing his mind, remained silent.
+
+'I thought you looked different,' went on Watson. 'What's up?'
+
+Selwyn's eyes narrowed and his lips and jaw stiffened resolutely. 'I
+am writing,' he said, enunciating each word distinctly, 'in the hope of
+arousing the slumbering conscience of the world against this war.'
+
+'Canute the Second,' commented Watson dryly.
+
+'Doug,' said the other, frowning, 'I deserve better than sarcasm from
+you.'
+
+'I'm sorry,' said Watson with a laugh, 'but I can't just get this new
+Austin Selwyn right off the bat. Of course war is wrong--any boob
+knows that--but what can you hope to do with writing about it?'
+
+Selwyn rose to his feet, and thrusting his hands in his pockets, strode
+up and down the room. 'What can I hope to do?' he said. 'Remove the
+scales from the eyes of the blind; recall to life the spirit of
+universal brotherhood; destroy ignorance instead of destroying life.'
+
+'Some platform!' said Watson, making rings of tobacco-smoke.
+
+'Take yourself, for example,' said Selwyn vehemently, pausing in his
+walk and pointing towards the younger man. 'You are a man of
+international experience and university education. On the surface you
+have the attributes of a man of thought. You are one that the world
+has a right to expect will take the correct stand on great human
+questions. Yet the moment the barriers are down and jingoism floods
+the earth you give up without a struggle and join the great mass of the
+world's driftwood.'
+
+'H'm,' mused Watson, 'so that's your tack, eh?'
+
+'I tell you, Doug, you have no right to fight in this war.'
+
+'Thanks.'
+
+'You should have the courage to keep out of it. Even assuming that
+Germany is wholly in the wrong and Britain completely in the right,
+can't you see that when the Kaiser and his advisers said, "Let there be
+war," you and I and the millions of men in every country who believe in
+justice and Christianity should have risen up and answered, "_You shall
+not have war_"?'
+
+Watson rose to his feet, and crossing to the fireplace, flicked the ash
+from his cigar, and leaned lazily against the stone shelf. 'You're a
+member of the Royal Automobile Club, aren't you?' he drawled.
+
+Selwyn nodded and resumed his nervous walk.
+
+'Take my advice, Austin. Every time you feel that kind of dope
+mounting to your head, trot across the road to the club and have a swim
+in their tank. You'd be surprised how it would bring you down to
+earth.'
+
+'You talk like a child,' said Selwyn angrily.
+
+'Well,' retorted the other, 'that's better than talking like an old
+woman.'
+
+With an impatient movement of his shoulders the younger man left the
+fireplace, and walking over to the piano, picked up a Hawaiian ukulele
+which had been left there by Mrs. Jarvis. Getting the pitch from the
+piano, while Selwyn continued his restless march up and down the room,
+he studiously occupied himself with tuning the instrument, then
+strummed a few chords with his fingers.
+
+'Sorry not to fit in with your peace-brother-peace stuff,' said Watson
+amiably, strumming a recent rag-time melody with a certain amount of
+dexterity, 'but I always played you for a real white man at college.'
+
+'Doug,' said Selwyn, stopping his walk and sitting on the arm of a big
+easy-chair, 'if there is a coward in this room, it's you.'
+
+The haunting music of the ukulele was the only response.
+
+'Here you are at Cambridge--an American,' went on Selwyn. 'Just
+because the set you know enlists with an accompaniment of
+tub-thumping'----
+
+'That isn't the way the English do things,' said Watson without pausing
+in his playing.
+
+'My dear fellow,' said Selwyn, 'don't let the pose of modesty fool you
+over here. They profess to hold up their hands in horror when we get
+hold of megaphones and roar about "The Star-Spangled Banner," but what
+of the phrases, "The Empire on which the sun never sets," "What we have
+we'll hold," "Mistress of the Seas"? Is there so much difference
+between the Kaiser's "_Ich und Gott_" and the Englishman's "God of our
+far-flung battle-line"? Jingoism! We're amateurs in America compared
+with the British--and you're caught by it all.'
+
+'Nothing of the sort,' said Watson, putting down the ukulele. 'All I
+know is that Germany runs amuck and gives a mighty good imitation of
+hell let loose. I am not discounting the wonderful bravery of France
+and Belgium, but you know that the hope of everything lies right in
+this country here. Well, that's good enough for me. I'm a hundred per
+cent. American, but right now I'm willing to throw over my citizenship
+in the United States and join this Empire that's got the guts to go to
+war.'
+
+'Listen, Doug,' said Selwyn, moving over to the younger man and placing
+his hands on his shoulders; 'can't you see that Germany is not the
+menace? She is only a symptom of it. War, not Germany, is the real
+enemy. I admire your pluck: my regret is that you are so blind. The
+whole world is turning murder loose; it is prostituting Christian
+civilisation to the war-lust--and you imagine that by slaughter Right
+may prevail. The tragic fallacy of the ages has been that men, instead
+of destroying evil, have destroyed each other. If every criminal in
+the world were executed, would crime end? Then, do you think the
+annihilation of this or that army will abolish war?'
+
+'I haven't your gift of plausible argument,' said Watson, 'and I
+suppose that theoretically you are sound in everything you say. Yet,
+instinctively, I know that I am doing the right thing.'
+
+'A woman's reasoning, Doug.' Selwyn relit his cigar, which had gone
+out. 'For a few days after the outbreak of war I will admit that I
+doubted, myself, and wondered if, after all, there was a universal
+heart-beat. Then came the news of the silent march of those thousands
+of women down Fifth Avenue, marching to the beat of muffled drums as a
+protest against war--not against Germany--higher than that. It was a
+symbol that the cry of Rachel for her children still rings through the
+centuries. It was the heart of America's women calling to the mothers
+of France, Germany, and Britain against this butchery of their sons.'
+
+Selwyn sank into a chair, and a look of weariness succeeded the
+momentary flush of excitement.
+
+'That ended my last doubt,' he went on quietly. 'I knew then that if I
+could summon the necessary language to express the vision I saw, my
+message would sound clear above the guns. I completed three
+articles--"A Fool There Was," "When Hell Laughed," and "Gods of
+Jingoism." I gave them to my London agent, but you would have thought
+they held germs of disease. He brought them back to me, and said that
+no one would dare to publish them in England. In other words, the
+English couldn't stand the truth. I sent them on to New York. This is
+my agent's reply.'
+
+He took a letter from a file on the table and handed it to his guest.
+'Read it,' he said.
+
+With an inscrutable smile the Cambridge-American looked at the paper
+and read:
+
+
+'NEW YORK, _10th October 1914_.
+
+DEAR MR. SELWYN,--You will be pleased to know that I have succeeded in
+placing your articles "When Hell Laughed," "A Fool There Was," and
+"Gods of Jingoism" with a prominent newspaper syndicate. The price
+paid was $800 each, and I herewith remit my cheque for $2160, having
+deducted the usual commission. I have every reason to believe that any
+further articles you send will meet with a ready market, especially if
+they follow along the same lines of exposing the utter futility of war.
+As a matter of fact, this syndicate is prepared to pay even a higher
+price if these articles, which will be published all over the United
+States, meet with the approval they confidently expect.
+
+'Assuring you of my desire to be of service to you, I remain, yours
+very sincerely,
+
+'S. T. LYONS.'
+
+
+'Very nice, too,' murmured Watson at the conclusion of the letter.
+'Who says that high ideals don't pay?'
+
+'What do you mean?' said Selwyn sternly. The younger man got up from
+his chair and looked at his watch. 'Don't get shirty,' he said. 'I
+was only thinking that 800 per is a fairly healthy figure for that
+dope.'
+
+'I don't give a damn for the money,' said Selwyn hotly, 'except that it
+shows there is a demand in America for the truth. Britain has always
+been afraid to face facts. Thank God, America isn't.'
+
+'Well,' said Watson with a slight yawn, 'it's quite obvious that we're
+as far apart as the poles on that question, so I think I'll cut along.'
+
+'Stay and have a cup of coffee. There's some being made; it will be
+here in a minute.'
+
+'No, thanks. To be brutally frank, Austin, the ozone around here is a
+little too rarefied for me. I'm going out to a cab-stand somewhere to
+have a sandwich and a cup of tea with any Cockney who hasn't joined the
+Citizenship of the World.'
+
+With the shadows under his eyes more pronounced than before, but with
+the unchanging look of determination, Selwyn helped the younger man on
+with his coat, and handed him his hat and stick. 'I am sorry you won't
+stay,' he said calmly, 'for your abuse and sarcasm are nothing to me.
+When I took this step I foresaw the consequences, and, believe me, I
+have suffered so much already that the loss of another friend means
+very little.'
+
+The powerfully built young American twirled his hat uncomfortably
+between his fingers. 'Look here, Austin,' he said vehemently, 'why in
+blazes can't you get all that hot air out of your system? Come
+on--meet me to-morrow, and we'll join up together. It'll be all kinds
+of experience, you'll get wagon-loads of copy, and when it's all over
+you'll feel like a man instead of a sissy.'
+
+With a tired, patient smile Selwyn put out his hand. 'Good-night,
+Doug,' he said. 'I hope you come through all right.'
+
+When he heard the door close downstairs as Watson went out, Selwyn
+re-entered the room. The light of the electric lamp glaring on his
+manuscript pained his eyes, and he turned it out, leaving the room in
+the dim light of the fire. The man-servant entered with a tray.
+
+'Will you have the light on, sir?'
+
+'No, thanks, Smith. Just leave the things on the table.'
+
+'Thank you, sir. Good-night, sir.'
+
+'Good-night, Smith.'
+
+The room was strangely, awesomely quiet. There was no sound from the
+deserted square; only the windows shook a little in the breeze. He
+reached for the ukulele, and staring dreamily into the fire, picked
+softly at the strings until he found four notes that blended
+harmoniously.
+
+The fire slowly faded from his gaze, and in its place, by memory's
+alchemy, came the vision of _her_ face--a changing vision, one moment
+mocking as when he first met her, turning to a look of pain as when she
+spoke of Dick, and then resolving into the wistful tenderness that had
+crept into her eyes that evening by the trout-stream--a tenderness that
+vanished before the expression of scorn she had shown that fateful
+August night.
+
+The night stole wearily on, but still Selwyn sat in the shadowy
+darkness, occasionally strumming the one chord on the strings, like a
+worshipper keeping vigil at some heathen shrine and offering the
+incense of soft music.
+
+
+
+
+CHAPTER XIV.
+
+STRANGE CRAFT.
+
+
+I.
+
+One slushy night in December Selwyn was returning from a solitary
+dinner at a modest Holborn restaurant, when a damp sleet began to fall,
+making the sickly street-lamps darker still, and defying the protection
+of mufflers and heavy coats. With hat pulled over his eyes and hands
+immersed in the pockets of his coat, he made his way through the
+throng, while the raucous voices of news-venders cried out the latest
+tidings from the front.
+
+To escape the proximity of the crowds and the nerve-shaking noises of
+traffic, he turned down a wide thoroughfare, and eventually emerged on
+Fleet Street. Again the seething discontent of rumbling omnibuses and
+hurrying crowds irritated him, and crossing to Bouverie Street, where
+Mr. Punch looks out on England with his genial satire, he followed its
+quiet channel until he reached the Thames.
+
+In contrast to the throbbing arteries of Holborn and Fleet Street, the
+river soothed his nerves and lent tranquillity to his mind. Following
+the Embankment, which was shrouded in heavy darkness, he reached the
+spot where Cleopatra's Needle, which once looked on the majesty of
+ancient Egypt, stands, a sentinel of incongruity, on the edge of
+London's river. Giving way to a momentary whim, Selwyn paused, and
+finding a spot that was sheltered from the sleet, sat down and leaned
+against the monument.
+
+In the masque of night he could just make out the sketchy forms of a
+river-barge and two steamers anchored a few yards out. From their
+masts he could see the dull glow of red where a meagre lamp was hung,
+and he heard the hoarse voice of a man calling out to some one across
+the river. As if in answer, the rattle of a chain came from the deck
+of some unseen craft, like a lonely felon in a floating prison.
+
+The river's mood was so in keeping with his own that Selwyn's senses
+experienced a numbing pleasure; the ghostly mariners of the night, the
+motionless ships at their moorings, the eerie hissing of the sleet upon
+the water, combined to form a drug that left his eyelids heavy with
+drowsy contentment.
+
+How long he had remained there he could not have stated, when from the
+steps beneath him, leading towards the water, he heard a man's slovenly
+voice.
+
+'Are you going to stay the night here?'
+
+As apparently the remark was intended for him, Selwyn leaned forward
+and peered in the direction from which the voice had come. At the foot
+of the dripping steps he could just make out a huddled figure.
+
+'If you're putting up here,' went on the speaker, 'we had better pool
+resources. I've got a cape, and if you have a coat we can make a
+decent shift of it. Two sleep warmer than one on a night like this.'
+
+In spite of the sluggish manner of speech, Selwyn could detect a faint
+intonation which bespoke a man of breeding. He tried to discern the
+features, but they were completely hidden beneath the pall of night.
+
+'Well,' said the voice, 'are you deaf?'
+
+'I am not staying here for the night,' answered Selwyn.
+
+'Then why the devil didn't you say that before?' For a moment the
+fellow's voice was energised by a touch of brusqueness, but before the
+last words were finished it had lapsed into the dull heaviness of
+physical lethargy. 'Tell me,' said the stranger, after a silence of
+several minutes, 'how is the war going on?'
+
+'You probably know as much as I.'
+
+'Not likely. I've been beating back from China for three months in a
+more or less derelict tramp. Chased into every blessed little port,
+losing our way, and cruising for days without water--we were a fine
+family of blackguards, and no mistake. Grog could be had for the
+asking, and a scrap for less than that; but I'd as lief not ship on the
+_Nancy Hawkins_ again.'
+
+Selwyn leaned back against the obelisk and speculated idly on the
+strange personality hidden in the dark recess of the descending stairs.
+It was not difficult to tell that, though he spoke of himself as a
+sailor, sailoring was not his calling. There was a subtle cadence of
+refinement in his voice, an arresting lilt on certain words, that
+remained on the air after the words had ended.
+
+'Did the Germans get to Paris?'
+
+'No,' said Selwyn; 'though they were very near it.'
+
+'Good! How did our chaps do?'
+
+'I believe they fought very bravely, but were pretty well wiped out.'
+
+'I suppose so,' said the other quietly--'wiped out, eh? Tell me--did
+the Colonies throw in their lot with us?'
+
+'All of them,' said Selwyn, 'even including South Africa.'
+
+'What about Canada?'
+
+'She has over thirty thousand men in England now, ready to cross.'
+
+'Splendid!' muttered the fellow. 'So they're British after all, in
+spite of the Yankees beside them. . . . The cubs didn't leave the old
+mother to fight alone, eh? Jove! but it's something to be an
+Englishman today, isn't it?'
+
+Selwyn made no response, but his brow contracted with the thought that
+even the flotsam, the dregs thrown up on the river's bank, were imbued
+with the overwhelming instinct of jingoism. He glanced up from the
+steps, and saw on either side of the obelisk a sphinx, woman-headed,
+with the body of a lioness, monuments to the memory of Cleopatra. How
+little had been accomplished by humanity since the first sphinx had
+gazed upon the sands of Egypt! It had seen the treachery and the lust
+of Antony, the slaughter of men by men led blindly to the
+carnage. . . . Was not the smile, perhaps, its hoarded knowledge of
+the futility of the ages?
+
+'Can you give me a match?' asked the man from the steps. 'Everything
+on me is soaked. I'll come up if you have one, but I don't want to
+shift otherwise.'
+
+'Don't bother,' said Selwyn, getting up and stamping his feet to
+restore their warmth. 'I'll bring you one, and then I'll have to move
+along.'
+
+He produced a silver match-box, and feeling his way carefully down the
+slippery steps, handed it to the stranger. Acknowledging the action
+with a murmur of thanks, the fellow took it, and making a protection
+with his cape, struck a match to light his pipe. It flickered for a
+moment and flared up, illuminating his features grotesquely.
+
+Selwyn uttered a sharp ejaculation of surprise and stepped back a pace.
+'Durwent!' he cried.
+
+'Eh?' snapped the other, dropping the match on the wet stone, where it
+went out with a faint splutter. 'What's your game?'
+
+'I could not see you before,' said the American quickly; 'but though I
+heard your voice only once, there was something about it I remembered.'
+
+The Englishman struck a second match, and with a casual air of
+indifference lit his pipe.
+
+'Thanks,' he said, handing the box to the American. Selwyn reached
+forward to take it, when suddenly his wrists were caught in a grip of
+steel.
+
+'Damn you!' said Dick Durwent hotly, springing to his feet. 'Are you
+tracking me? I didn't come back to be caught like a rat. Are you a
+detective? If you are, by George! I'll drown you in the river.'
+
+'Don't be a fool,' said Selwyn, writhing in pain with the other's
+torture.
+
+'Who are you?'
+
+'My name is Selwyn. I am an American; a friend of your mother and your
+sister.'
+
+'Where have you seen me before?'
+
+'At the Café Rouge--a year ago.' Beads of perspiration stood out on
+Selwyn's head, and his body was faint with the pain of his twisted
+wrists.
+
+'You're not lying?' said Dick Durwent, slowly relaxing his grip, and
+peering into the American's eyes. 'No. I seem to remember you
+somewhere with Elise. I'm sorry.' He released the clutch completely,
+and resumed his seat on the steps. 'I hope I didn't hurt you.'
+
+'No,' said Selwyn, rubbing each wrist in turn to help to restore the
+circulation.
+
+Durwent laughed grimly. 'It's a wonder I didn't break something,' he
+said. 'Once more--I'm sorry. But you can understand the risk I am
+running in returning here with the police wanting me. They're not
+going to get me if I can help it.'
+
+'Why didn't you stay away?'
+
+'With the Old Country at war! Not likely. Do you think I should ever
+have gone if I had known what was going to happen?'
+
+'What are your plans?'
+
+'Fight,' said the other briefly. 'Somewhere--somehow. I'll get into a
+recruiting line about dawn to-morrow. . . . But--what can you tell me
+about Elise?'
+
+'I have neither seen nor heard of her since August,' said Selwyn,
+wondering at the calm level of his own voice in spite of tumultuous
+heart-beats.
+
+'Too bad. Then you don't know anything about the rest?'
+
+'No. I'---- He paused awkwardly. 'I suppose you haven't heard about
+your brother?'
+
+There was no response, but Selwyn could feel the Englishman's eyes
+steeled on his face. 'He was killed,' he went on slowly, 'last August.'
+
+Still there was no sound from the younger son, now heir to his father's
+title and estates. For the first time Selwyn caught the ripple of the
+river's current eddying about the steps at the bottom. From the great
+bridges spanning the river there was the distant thunder of lumbering
+traffic.
+
+'I understand that he died very bravely,' said the American in an
+attempt to ease the intensity of the silence.
+
+'Yes,' muttered Durwent dreamily, 'he would. . . . So old Malcolm is
+dead. . . . Somehow, I always looked on his soldiering as a joke. I
+never thought that those fellows in the Regulars would ever really go
+to war. . . . Yet, when the time came, he was ready, and I was
+skulking off to China like a thief in the night.'
+
+The Englishman's voice was so low that it seemed as if he were talking
+more to himself than to his listener.
+
+'What happened to that swine?' he ejaculated suddenly. 'I mean the one
+I almost killed. By any chance, did he die?'
+
+'I saw in a paragraph last week,' said Selwyn, 'that he was out on
+crutches for the first time. The paper also commented on your complete
+disappearance.'
+
+'I wish I had killed him,' said the young man grimly. 'If I ever get a
+chance I'll tell you about him. I was drunk at the time--that's what
+saved his life. If I had been sober I should have finished him. Well,
+it's a damp night, my friend, and I won't keep you any longer from a
+decent billet.'
+
+'Look here, Durwent,' said Selwyn; 'come along to my rooms. You're
+soaked to the skin, and I could give you a change and a shakedown for
+the night.'
+
+'Thanks very much; but I'm accustomed to this kind of thing.'
+
+'You won't be seen,' urged Selwyn. 'I have accepted so much from your
+family that you would do me a kindness in coming.'
+
+'Well, I must say I'm not married to this place. If you don't mind
+taking in a disreputable wharf-rat'----
+
+'That's the idea,' said Selwyn, helping him to his feet. The
+Englishman shivered slightly.
+
+'You haven't a flask, have you?' he queried. 'I didn't know how cold I
+was.'
+
+'I haven't anything with me,' said the American; 'but I can give you a
+whisky and something to eat at my rooms.'
+
+'Right! Thanks very much.'
+
+Tucking the cape under his arm, and shaking his waterproof cap to clear
+it of water, Dick Durwent followed the American on to the Embankment,
+where the two sphinxes of Egypt squatted, silent sentinels.
+
+
+II.
+
+To avoid the crowds as much as possible, the two men followed the
+Embankment, and had reached the Houses of Parliament, intending to make
+a detour into St. James's Square, when Selwyn felt a hand upon his
+shoulder. He turned quickly about, and Durwent moved off to one side
+to be out of the light of a lamp.
+
+'Sweet son of liberty,' said the new-comer, 'how fares it?'
+
+It was Johnston Smyth, more airily shabby than ever. Over his head he
+held an umbrella in such disrepair that the material hung from the ribs
+in shreds. A profuse black tie hid any sign of shirt, and both the
+legs of his trousers and the sleeves of his coat seemed to have shrunk
+considerably with the damp.
+
+'How are you?' said Selwyn, shaking hands.
+
+'Temperamentally on tap; artistically beyond question; gastronomically
+unsatisfied.' At this concise statement of his condition, Smyth took
+off his hat, gazed at it as if he had been previously unaware of its
+existence, and replaced it on the very back of his head.
+
+'Things are not going too well, then?' said Selwyn, glancing anxiously
+towards Durwent, and wondering how he could get rid of the garrulous
+artist.
+
+'Not going well?' Smyth straightened his right leg and relaxed the
+left one. 'In the last three weeks a pair of pyjamas, my other coat,
+two borrowed umbrellas, and a set of cuff-links have gone. If things
+go much better I shall have to live in a tub like Diogenes. But--do
+the honours, Selwyn.'
+
+'I beg your pardon,' said the American. 'Mr--Mr. Sherwood,' he went
+on, taking the first name that came to his lips, 'allow me to introduce
+Mr. Johnston Smyth.'
+
+'How are you?' said the artist, making an elaborate bow and seizing the
+other's hand.
+
+'As you may have gathered from my costume and the ventilated condition
+of my umbrella, I am not in that state of funds which lends
+tranquillity to the mind and a glow of contentment to the bosom. Yet
+you see before you a man--if I may be permitted a sporting
+expression--who has set the pace to the artists of England. I am glad
+to know you. Our mutual friend from Old Glory has done himself proud.'
+
+With which flourish Smyth left off shaking hands and closed his
+umbrella, immediately opening it and putting it up again. Dick Durwent
+replaced his hands in his pockets, and Selwyn heard his quivering
+breath as he shivered with cold.
+
+'However,' went on the loquacious artist, 'though my art has been
+heralded as a triumph, though it has filled columns of the press,
+though my admirers can be found on every page of the directory, I can
+only say, like our ancient enemy across the Channel after Austerlitz,
+"Another such victory and I am ruined!" . . . Selwyn, shall we indulge
+in the erstwhile drop?'
+
+'Have you a flask?' broke in Durwent, his dull eyes lighting greedily.
+
+'I think not,' said Smyth, handing the umbrella to Selwyn, and
+carefully searching all his pockets. 'I am afraid my valet has
+neglected that essential part of a gentleman's wardrobe. But what do
+you say, gentlemen, to a short pilgrimage to Archibald's?'
+
+'No, Smyth,' said the American, putting his hand in Durwent's arm.
+'For certain reasons, Mr. Sherwood'----
+
+'Ha!' said Smyth, with a dramatic pose of his legs, 'Archibald is the
+soul of discretion. Compared to him, an Egyptian mummy is a pithy
+paragrapher. _Mes amis_, Archibald's is just across the bridge, and I
+can assure you that the Twilight Tinkle, in which I have the honour to
+have collaborated, is guaranteed to change the most elongated
+countenance of glum into a globular surface of blithesome joy.'
+
+'No,' began Selwyn impatiently.
+
+'Let us try it,' said Durwent eagerly. 'I think this chill has got
+into my blood. I'd give a lot for a shot of rum or brandy.'
+
+'We can have anything in my rooms,' protested the American. 'You want
+to get your wet things off--and, besides, it's a risk going in there.'
+
+'No risk--no risk,' said Durwent, laughing foolishly and rubbing his
+hands together.--'Where is this hole, Smyth?'
+
+'Gentlemen,' said the artist, 'after the custom of these military days,
+I urge you "fall in."'
+
+Getting in the centre and adjusting his hat at a precipitate angle on
+the extreme left of his head, Smyth took Dick Durwent's arm, and
+extending the other to Selwyn, marched the pair across the bridge,
+holding the absurd umbrella over each in turn as if it offered some
+real resistance to the scurvy downpour.
+
+
+III.
+
+'This way, gentlemen,' said Smyth, leading them up an alley, across a
+court, and into a lane. 'Permit me to welcome you to Archibald's.'
+
+They entered a dimly lit tavern, where a dozen or so men sat about the
+room at little tables. Instead of the usual pictures one sees in such
+places, pictures of dancers with expressive legs, and race-horses with
+expressive faces, the walls were hung with dusty signed portraits of
+authors, artists, and actors, most of whom had attained distinction
+during the previous half-century. Sir Henry Irving as Othello held the
+place of honour over the bar, with Garrick as his _vis-à-vis_ on the
+opposite wall. The divine Sarah cast the spell of her eternal youth on
+all who gathered there; and Lewis Waller, with eyes intent on his
+sword-handle, seemed oblivious to the close proximity of Lily Langtry
+and Ellen Terry, those empresses of the dual realms of Beauty and
+Intelligence. Without any companion portrait, the puffy sensuality of
+Oscar Wilde held a prominent place. And between the spectacled face of
+Rudyard Kipling on one side and the author of _Peter Pan_ on the other,
+Forbes-Robertson in the garb of the Melancholy Dane looked out with his
+fine nobility of countenance. The room was heavy with tobacco-smoke,
+which seemed to have been accumulating for years, and to have darkened
+the very beams of the ceiling. Over the floor a liberal coating of
+sawdust was sprinkled.
+
+'Strange place, this,' whispered Johnston Smyth as they took a table in
+an unfrequented corner. 'It's an understood thing that the habitués of
+Archibald's are trailers in the race of life. If you have a fancy for
+human nature, gentlemen, this is the shop to come to. We've got some
+queer goods on the shelves--newspaper men with no newspapers to write
+for; authors that think out new plots every night and forget 'em by
+morning; playwrights that couldn't afford the pit in the Old Vic.--Do
+you see that old chap over there?'
+
+'The little man,' said Selwyn, 'with the strange smile?'
+
+'That's right. He's been writing a play now for twenty years, but
+hasn't had time to finish the last act. "There's no hurry," he says;
+"true art will not permit of haste"--and the joke of it is that he has
+a cough that'll give him his own curtain long before he ever writes it
+on his play. There he goes now.'
+
+The old playwright had been seized with a paroxysm of coughing that
+took his meagre storehouse of breath. Weakly striking at his breast,
+he shook and quivered in the clutch of the thing, leaning back
+exhausted when it had passed, but never once losing the odd, whimsical
+smile.
+
+'What about something to drink?' broke in Dick Durwent hurriedly, his
+eyes narrowing.
+
+'Directly,' said Smyth, beckoning to the proprietor, a small man, who,
+in spite of his years and an oblong head undecorated by a single hair,
+appeared strangely fresh and unworried, as if he had been sleeping for
+fifty years in a cellar, and had just come up to view the attending
+changes.
+
+'Archibald,' said Smyth, 'these are my friends the Duke of Arkansas and
+Sir Plumtree Crabapple.'
+
+The extraordinary little man smiled toothlessly and fingered his tray.
+
+'Gentlemen,' said Smyth, 'name your brands.'
+
+'Give me a double brandy,' said Durwent, blowing on his chilled
+fingers. 'Better make it two doubles in a large glass.'
+
+'Soda, sir?' queried the proprietor in a high-pitched, tranquil voice.
+
+'No,' said Durwent. 'You can bring a little water in a separate glass.'
+
+'What is your pleasure, your Grace?' said Smyth, addressing the
+American. 'If you will do Archibald and myself the honour of trying
+the Twilight Tinkle, it would be an event of importance to us both.'
+
+'Anything at all,' said Selwyn, sick at heart as he saw the nervous
+interlocked fingers of Dick Durwent pressed together with such
+intensity that they were left white and bloodless.
+
+'This is a little slice of London's life,' said Smyth after he had
+given the order, crossing his left leg over the right, 'that you
+visitors would never find. You hear about the chaps who succeed and
+those who come a cropper, but these are the poor beggars who never had
+a chance to do either. There's genius in this room, gentlemen, but
+it's genius that started swimming up-stream with a millstone round its
+neck.'
+
+With a profound shaking of the head, Smyth straightened his left leg,
+and after carefully taking in its shape with partially closed eyes, he
+replaced it on its fellow.
+
+'How do they live?' queried Selwyn.
+
+'Scavengers,' said Smyth laconically. 'Scavengers to success. Do you
+see that fellow there with the poached eyes and a four-days' beard?'
+
+Selwyn looked to the spot indicated by Smyth, and saw a heavily built
+man with a pale, dissipated face, who was fingering an empty glass and
+leering cynically with some odd trend of thought. It was a face that
+gripped the attention, for written on it was talent--immense talent.
+It was a face that openly told its tale of massive, misdirected power
+of mentality, fuddled but not destroyed by alcohol.
+
+'That's Laurence De Foe,' said Smyth; 'a queer case altogether.
+Barnardo boy--doesn't know who his parents were, but claims direct
+descent from Charlemagne. He's never really drunk, but no one ever saw
+him sober. If he wanted to, he could write better than any man in
+London. Last year, when the critics scored Welland's play _Salvage_
+for its rotten climax, the author himself came to De Foe. All night
+they sat in his stuffy room, and when Welland went away he had a play
+that made his name for ever. I could tell you of two of the heavy
+artillery among the London leader-writers who always bring their big
+stuff to De Foe before they fire it. Last July, when the war was
+making its preliminary bow, and Hemphill was thundering those
+editorials of his that warned the Old Lion he would have to wake up and
+clean the jungle, Hemphill was simply the errand urchin. There's the
+man who wrote "To Arms, England!" one day after the Austrian note to
+Serbia. Hemphill got the credit and the money--but Laurence De Foe did
+it.'
+
+Smyth's stream of narrative, which carried considerably less
+impedimenta of caricature and persiflage than was usual with him, came
+to an end with the arrival of two Twilight Tinkles and a generous-sized
+tumbler, more than half-full of brandy. After an elaborate search of
+his coat and trousers pockets to locate a five-pound note, Smyth was
+forced to allow Selwyn to pay for the refreshment, promising to knock
+him up before six next morning and repay him.
+
+'Well, gentlemen,' said the conscientious artist, 'here's success to
+crime!'
+
+Not waiting to honour the misanthropic toast, Dick Durwent had reached
+greedily for his glass, and poured its contents down his throat. With
+a heavy sigh of gratification, he leaned back in his chair, and the
+pallor of his cheeks showing beneath the weather-beaten surface of tan
+was flecked with patches of colour. For an instant only his eyes went
+yellow, as on the night at the Café Rouge; but the horrible glare died
+out, and was succeeded by the calm, blue tranquillity that had reigned
+before.
+
+'By St. George!' said Smyth admiringly, 'but we have no amateur with
+us, Selwyn.'
+
+The solitary figure of De Foe, who had been watching them, left his
+table, and lurching over to them, stood swaying unevenly.
+
+'_Bon soir_, gentlemen,' he said, speaking with the deep sonorousness
+which comes of long saturation of the vocal cords with undiluted
+spirits, 'I think one or two of these faces are new to Archibald's. Am
+I right?'
+
+'Yes, sir,' said Smyth, rising. 'Permit me, Mr. De Foe, to
+introduce'----
+
+The writer stopped him with a slow, majestic movement of the hand.
+'What care I who they are?' he said heavily. 'Names mean
+nothing--pretty labels on empty vessels. By what right do these
+gentlemen invade the sanctity of Archibald's?' He drew a chair near
+them and sat down sullenly, hanging his arm over the back. 'Do I see
+aright?' he queried thickly, opening his eyes with difficulty, and
+revealing their lustreless shade. 'There are three of you? Humph!
+The one I know--a clumsy dauber in a smudgy world.'
+
+Smyth nodded delightedly to his companions to indicate that the
+compliment was intended for him.
+
+'Or your friends,' went on the heavy resonant voice, 'one has the face
+of a dreamer. Come, sir, tell me of these dreams that are keeping you
+awake of nights. I am descended from Joseph by the line of
+Charlemagne, and I have it in my power to interpret them. Are you a
+writer?'
+
+'I am,' said Selwyn calmly.
+
+'You are not English. You haven't the leathery composure of our race.'
+
+'I am an American.'
+
+'I thought as much. You show the smug complacency of your nation. How
+dare you write, sir? What do you know of life?'
+
+'We have learned something on that subject,' said Selwyn with a slight
+smile, 'even over there. You see, we have the mistakes of your older
+countries by which we can profit.'
+
+'Bah!' said the other contemptuously. 'Cant--platitudes--words! Since
+when have either nations or individuals learned from the mistakes of
+others? Take you three. Which of you lies closest to life? Which of
+you has drunk experience to the dregs? The dauber?--You,
+author-dreamer, fired by the passion of a robin for a cherry?--No,
+neither of you. . . . That boy there--that youngster with the blue
+eyes of a girl; he is the one to teach--not you. He has the stamp of
+failure on him. Welcome, sir--the Prince of Failures welcomes you to
+Archibald's.'
+
+He lurched forward and extended an unsteady hand to Dick Durwent, who
+rose slowly from his chair to take it. As Selwyn watched the two men
+standing with clasped hands over the table, he felt his heart-strings
+contract with pain.
+
+Although separated by more than thirty years, there was a cruel
+similarity in the pair--in the half-bravado, half-timorous poise of the
+head; in the droop of sensuous lips; in the dark hair of each, matted
+over pallid foreheads. It was as if De Foe had summoned some black art
+to show the future held in the lap of the gods for the youngest Durwent.
+
+'My boy,' said De Foe drunkenly, but with a moving tenderness, 'life
+has refused me much, but it has left me the power to read a man's soul
+in his eyes. The world brands you as a beaten man--and by men's
+standards it is right. But Laurence De Foe can read beyond those
+sea-blue eyes of yours; he it is who knows that behind them lies the
+gallant soul of a gallant gentleman. End your days in a gutter or on
+the gibbet--what matters it where the actor sleeps when the drama is
+done?--but to-night you have done great honour to the Prince of
+Failures by letting him grasp your hand.'
+
+He slowly released the young man's hand, and turned wearily away as
+Durwent sank into his chair, his eyes staring into filmy space. Moving
+clumsily across the room, De Foe reached the bar and ordered a drink.
+When it had been poured out for him he turned about, and, leaning back
+lazily, looked around the room, with his eyes almost hidden by the
+close contraction of thick, black eyelashes. Such was the unique power
+of his personality that the disjointed threads of conversation at the
+various tables wound to a single end as if by a signal.
+
+'_Mes amis_,' said De Foe--and his voice was low and sonorous--'I see
+before me many, like myself, who have left behind them futures where
+other men left only pasts. I see before me many, like myself, who had
+the gift of creating exquisite, soul-stirring works of art and
+literature. But because we were not content to be mere mouthy clowns,
+with pen or brush, jabbering about the play of life, we have paid the
+penalty for thinking we could be both subject and painter, author and
+actor. Because we chose to live, we have failed. The world goes on
+applauding its successful charlatans, its puny-visioned authors pouring
+their thoughts of sawdust in the reeking trough of popularity; while
+we, who know the taste of every bitter herb in all experience--we are
+thrust aside as failures. . . . But the gift of prophecy is on me
+to-night. There is a youth here who has a soul capable of scaling
+heights where none of us could follow--and a soul that could sink to
+depths that few of us have known. He is one of us, and he has chosen
+to fight for England. I can see the glory of his death written in his
+eyes. Gentlemen--you who are adrift with uncharted destinies--drink to
+the boy of the sea-blue eyes. May he die worthy of himself and of us.'
+
+Throughout the dimly lit room every one rose to his feet, incoherently
+echoing the last words of the speaker. . . . Still with the filmy
+wistfulness about his eyes and a tired, weary smile, Dick Durwent sat
+in his chair beating a listless tattoo on the table with his hand.
+
+From across the room came the sound of the old playwright's hacking
+cough.
+
+
+
+
+CHAPTER XV.
+
+DICK DURWENT.
+
+
+I.
+
+Late that night Selwyn lay in his bed and listened to the softened
+tones of his two guests conversing in the living-room, Johnston Smyth
+having conceived such an attachment to his newly found friend that it
+was quite impossible to persuade him to leave. At his own request,
+blankets had been spread for Durwent on the floor, and after a hot bath
+he had rolled up for the night close to the fire. Johnston Smyth had
+also disdained the offer of a bed and ensconced himself on the couch,
+where he lay on his back and uttered vagrant philosophies on a vast
+number of subjects.
+
+Wishing his strangely assorted guests a good night's repose, Selwyn had
+retired to his own room shortly after midnight, but, tired as he was,
+sleep refused to come. Like an etcher planning a series of scenes to
+be depicted, his mind summoned the various incidents of the night in a
+tedious cycle. The huddled figure at the foot of Cleopatra's steps;
+the fantastic airiness of Smyth with his shredded umbrella; the smoky
+atmosphere of Archibald's, with its strange gathering of derelicts; the
+two chance acquaintances spending the night in the adjoining room--what
+vivid, disjointed cameos they were! If there was such a thing as Fate,
+what meaning could there be in their having met? Or was their meeting
+as purposeless as that of which some poet had once written--two pieces
+of plank-wood touching in mid-ocean and drifting eternally?
+
+It seemed that the low voices of the others had been going on for more
+than an hour when the sense of absolute stillness told Selwyn that he
+must have fallen asleep for an interval. He listened for their voices,
+but nothing could be heard except the sleet driven against the windows,
+and a far-away clock striking the hour of two.
+
+Wondering if his visitors were comfortable, he rose from his bed, and
+creeping softly to the living-room door, opened it enough to look in.
+
+Smyth's heavy breathing, not made any lighter by his having his head
+completely covered by bed-clothes, indicated that the futurist was in
+the realm of Morpheus. Durwent was curled up cosily by the fire, the
+blankets over him rising and subsiding slightly, conforming to his
+deep, tranquil breaths.
+
+In the light of the fire, and with the warm glow of the skin caused by
+its heat and the refreshing bath, the pallor of dissipation had left
+the boy's face. In the musing curve of his full-blooded lips and in
+the corners of his closed eyes there was just the suggestion of a
+smile--the smile of a child tired from play. There was such refinement
+in the delicate nostrils dilating almost imperceptibly with the intake
+of each breath, and such spiritual smoothness in his brow contrasting
+with the glowing tincture of his face, that to the man looking down on
+him he seemed like a youth of some idyl, who could never have known the
+invasion of one sordid thought.
+
+A feeling of infinite compassion came over Selwyn. He rebelled against
+the cruelty of vice that could fasten its claws on anything so fine,
+when there was so much human decay to feed upon.
+
+The eyelids parted a little, and Selwyn stepped back towards the door.
+
+'Hullo, Selwyn, old boy!' murmured Durwent dreamily. 'Is it time to
+get up?'
+
+'No,' whispered Selwyn. 'I didn't mean to wake you.'
+
+Durwent smiled deprecatingly and reached sleepily for the other's hand.
+'It's awfully decent of you to take me in like this,' he said.
+
+There was a simplicity in his gesture, a child-like sincerity in his
+voice, that made Selwyn accept the hand-clasp, unable to utter the
+words which came to his lips.
+
+'Selwyn,' said Dick, keeping his face turned towards the fire, 'are you
+likely to see Elise soon?'
+
+'I hardly think so,' said the American, kneeling down and stirring the
+coals with the poker.
+
+'If you do, please don't tell her I've come back. She thinks I'm in
+the Orient somewhere, and if she knew I was joining up she would worry.
+I suppose I shall always be "Boy-blue" to her, and never anything
+older.'
+
+Selwyn replaced the poker and sat down on a cushion that was on the
+floor.
+
+'It may be a rotten thing to say,' resumed the younger man, speaking
+slowly, 'but she was more of a mother to me than my mother was. As far
+back as I can remember she was the one person who believed in me. The
+rest never did. When I was a kid at prep. school and brought home bad
+reports, every one seemed to think me an outsider--that I wasn't
+conforming--and I began to believe it. Only Elise never changed. She
+was the one of the whole family who didn't want me to be somebody or
+something else. You can hardly believe what that meant to me in those
+days. It was a little world I lived in, but to my youngster's eyes it
+looked as if everything and every person were on one side, doubting me,
+and Elise was on the other, believing in me. . . . I'm not whining,
+Selwyn, or saying that any one's to blame for my life except myself,
+but I do believe that if Elise and I had been kept together I might not
+have turned out such a rotter. Sometimes, too, I wonder if it wouldn't
+have been better for her. She never made many friends--and looking
+back, I think the poor little girl has had a lonely time of it.'
+
+He relapsed into silence and shifted his head wearily on the pillow.
+Johnston Smyth murmured something muffled and unintelligible in his
+sleep. Selwyn placed some new lumps of coal on the fire, the flames
+licking them eagerly as the sharp crackle of escaping gases punctured
+the sleep-laden air.
+
+'It does sound rather like whining to say it,' said Durwent without
+opening his eyes, 'but after I was rusticated at Cambridge I tried to
+travel straight. If I had gone then to the Colonies I might have made
+a man of myself, but I hung around too long, and got mixed up with one
+of the rottenest sets in London. I went awfully low, Selwyn, but booze
+had me by the neck, and my conscience wasn't working very hard either.
+And then another woman helped me. She was one of those who aren't
+admitted among decent people. She came of poor family, and had made a
+fairly good name for herself on the stage, and was absolutely straight
+until she met that blackguard Moorewell about three years ago.'
+
+'The man you nearly killed?'
+
+'Yes. At any rate, she and I fell in love with each other. I know
+it's all damned sordid, but we were both outcasts, and, as that chap
+said to-night, it's the people who have failed who lie closest to life.
+Once more a woman believed in me, and I believed in a woman. We
+planned to get married. We were going away under another name, to make
+a new world for ourselves. For weeks I never touched a drop, and it
+seemed at last that I could see--just a little light ahead. You don't
+know what that means, Selwyn, when a man is absolutely down.'
+
+The smile had died out in the speaker's face and given way to a cold,
+gray mist of pain.
+
+'Moorewell heard about it,' went on Durwent, 'and though the blackguard
+had discarded her, he grew jealous, and began his devilry again. She
+did not tell me, but I know for a long time she was as true to me as I
+was to her. Then they went to Paris--I believe he promised to marry
+her there. A week later I got a letter from her, begging forgiveness.
+He had left her, she said, and she was going away where I should never
+find her again. My first impulse was to follow her--and then I started
+to drink. God! what nights those were! I waited my time. I watched
+Moorewell until one night I knew he was alone. I forced an entrance,
+and caught him in his library. . . . As I said before, I was drunk;
+and that's what saved his life. I thought at the time he was dead; and
+having no money, I caught a late train, and hid all night and next day
+in the woods at Roselawn. Three times I saw Elise, but she was never
+alone; but that night I called her with a cry of the night-jar which
+she had taught me. She came out, and I told her as much as I could;
+and with her necklace I raised some money and got away.'
+
+Again the murmured words came to a close. Selwyn searched his mind for
+some comment to make, but none would come. He could not offer sympathy
+or condolence--Durwent wasn't seeking that. It was impossible to
+condemn, or to suggest a new start in life, because the young fellow
+was not trying to justify his actions. Yet it seemed such a tragedy to
+look helplessly on without one effort to change the floating course of
+the driftwood.
+
+'Durwent,' he said haltingly, 'it's not too late for you to start over
+again. If you will go to America, I have friends there who would give
+you every opening and'----
+
+'You're an awfully decent chap,' said Durwent, once more touching
+Selwyn's hand with his; 'but I shall not come back from the war. I
+felt _that_ the moment I stepped on shore yesterday. I felt it again
+when that fellow spoke to me in the tavern. It may come soon, or it
+may be a long time, but this is the end.'
+
+'No, no,' said Selwyn earnestly; 'all that's the effect of your chill.
+It has left you depressed.'
+
+'You don't understand,' said the lad, smiling with closed eyes, 'or you
+wouldn't say that. I said before that it means a lot, when a man's
+down, to be able to see a little light ahead. . . . I can see that now
+again. . . . It doesn't matter what I've been or done--I can go out
+there now, and die like a gentleman. War gives us poor devils that
+chance. . . . You know what I mean. My life has been no damned use to
+any one, Selwyn, but they won't care about that in France. To die in
+the trenches--that's my last chance to do something . . . to do
+something that counts.'
+
+Selwyn leaned over and patted the lad on his shoulder. 'Dick,' he
+said, 'wait until the morning, and all these fancies will clear from
+your mind. We'll discuss everything then together.'
+
+The musing smile lingered again about the boy's lips.
+
+'You're tired out, old man,' went on the American. 'I shouldn't have
+waked you. Good-night.'
+
+The other stopped him from rising by catching his arm with his hand.
+'Do you mind,' said Dick, his eyes opening wide, 'just staying here
+until I go to sleep? . . . There are all sorts of wild things going
+through my head to-night . . . waves pounding, pounding, pounding. It
+never stops, Selwyn. . . . And I seem to hear shouts a long way
+off--like smugglers landing their stuff in the dark. I'm an awful
+idiot to talk like this, old boy, but I've lost my courage a bit.'
+
+And so for nearly half-an-hour the American remained watching by the
+lad as sleep hovered about and gradually settled on him.
+
+As Selwyn quietly stole from the room the City's clocks were striking
+three.
+
+
+II.
+
+It was after nine o'clock when Selwyn woke from a deep, refreshing
+sleep. Hurrying into the other room, he found no sign of his guests.
+
+'When did these gentlemen leave?' he asked of his servant, who had
+answered his ring.
+
+'It must have been about six o'clock, sir. I heard the door open and
+shut then.'
+
+'Why didn't you call me?'
+
+'I wasn't wanting to disturb you, sir. It's the first good sleep
+you've had for a long time.'
+
+It was true. The sinking of himself into the personality of another
+man had released the fetters of his intensive egotism. For a whole
+night he had forgotten, or at least neglected, his world-mission in
+simple solicitude for one who had fallen by the wayside.
+
+After the stimulus of a cold shower and a hearty breakfast, he resumed
+his crusade against the entrenched forces of Ignorance, but in spite of
+the utmost effort in concentration, the memory of the lonely figure by
+the Thames intruded constantly on his mind. It was not only that Dick
+was the brother of Elise--although Selwyn's longing for her had become
+a dull pain that was never completely buried beneath his thoughts; nor
+was it merely the unconscious charm possessed by the boy, a charm that
+seized on the very heart-strings. To the American the real cruelty of
+the thing lay in the existence of a Society that could first debase so
+fine a creature, and then make no effort to retrieve or to atone for
+its crime.
+
+Putting aside the day's work he had planned, he flung his mind into the
+arena of England's social conditions. Exerting to the full his gift of
+mental discipline, he rejected the promptings of prejudice and of
+sentiment, and brought his sense of analysis to bear on his subject
+with the cold, callous detachment of a scientist studying some cosmic
+phenomenon.
+
+For more than an hour his brain skirmished for an opening, until,
+spreading the blank sheets of paper before him, he wrote: 'THE ISLAND
+OF DARKNESS.' Tilting his chair back, he surveyed the title critically.
+
+'Yes,' he said aloud, squaring his shoulders resolutely, 'I have
+generalised long enough. Without malice, but without restraint, I will
+trace the contribution of Britain towards the world's débâcle.'
+
+With gathering rapidity and intensity he covered page after page with
+finely worded paragraphs. He summoned the facts of history, and
+churning them with his conceptions of humanity's duty to humanity,
+poured out a flood of ideas, from which he chose the best. Infatuated
+by the richness of the stream, he created such a powerful sequence of
+facts that the British began to loom up as a reactionary tribe fighting
+a rearguard action throughout the ages against the advancing hosts of
+enlightenment. The Island of Britain, the 'Old Country,' as its people
+called it, began to shape in his eyes like a hundred-taloned monster
+sprawling over the whole earth. This was the nation which had forced
+opium on China, ruled India by tyranny, blustered and bullied America
+into rebellion, conquered South Africa at the behest of business
+interests. . . . Those and endless others were the counts against
+Britain in the open court of history.
+
+And if those had been her crimes in the international sphere, what
+better record could she show in the management of human affairs at
+home? She had clung to the feudal idea of class distinction, only
+surrendering a few outposts reluctantly to the imperious onslaught of
+time; she had maintained a system of public schools which produced
+first-class snobs and third-rate scholars; she had ignored the rights
+of women until in very desperation they had resorted to the crudities
+of violence in order to achieve some outlet for the pent-up uselessness
+and directionlessness of their sex; she had tolerated vile living
+conditions for the poor, and had forced men and women to work under
+conditions which were degrading and an insult to their Maker. . . .
+One by one these dragons reared their heads and fell to the gleaming
+Excalibur of the author.
+
+Selwyn made one vital error--he mistook facts for truth. He forgot
+that a sequence of facts, each one absolutely accurate in itself, may,
+when pieced together, create a fabric of falsehood.
+
+There were many contributing influences to Austin Selwyn's denunciation
+of Britain that morning. Although he had ordered sentiment and
+prejudice to leave his mind unclogged, these two passions cannot be
+dismissed by mere will-power.
+
+He was keenly moved by the meeting with Dick Durwent, and, almost
+unknown to himself, his love for Elise was a smouldering fever whose
+fumes mounted to his head. Love is so overpowering that it overlaps
+the confines of hate, and his hunger for her was mixed with an almost
+savage desire to conquer her, force homage from her. And she was
+English!
+
+In addition to these undercurrents affecting his thoughts, there was
+the dislike towards England which lies dormant in so many American
+breasts. Gloss it over as they will, no political _entente_ can do
+away with the mutual dislike of Americans and Englishmen. It is a
+thing which cannot be eradicated in a day, but will die the sooner for
+exposure to the light, being an ugly growth of swampy prejudice and
+evil-smelling provincialism that needs the darkness and the damp for
+life.
+
+Mingling these subconscious elements with those of logic and reason,
+Selwyn wrote for two days, almost without an hour's rest, and when it
+was finished 'The Island of Darkness' was a powerful, vivid, passionate
+arraignment of England, the heart of the British Empire. It was
+clever, full of big thoughts, and glowed with the genius of a man who
+had made language his slave.
+
+It lacked only one ingredient, a simple thing at best--_Truth_.
+
+But that is the tragedy of idealism, which studies the world as a
+crystal-gazer reading the forces of destiny in a piece of glass.
+
+
+III.
+
+A week later, in the early afternoon, Selwyn was going up Whitehall,
+when he heard the sound of pipes, and turned with the crowd to gaze.
+With rhythmic pomposity a pipe-major was twirling a staff, while a band
+of pipes and drums blared out a Scottish battle-song on the frosty air.
+Following them in formation of fours were five or six hundred men in
+civilian clothes, attested recruits on their way to training-centres.
+
+With the intellectual appetite of the psychologist, Selwyn looked
+searchingly at the faces of the strangely assorted crowd, and the
+contrasts offered would have satisfied the most rapacious student of
+human nature.
+
+His eyes seized on one well-built, well-groomed man of thirty odd years
+whose slight stoop and cultured air of tolerance marked him a ''Varsity
+man' as plainly as cap and gown could have done. Just behind him a
+costermonger in a riot of buttons was indulging in philosophic quips of
+a cheerfully vulgar nature. A few yards back a massive labourer with
+clear untroubled eye and powerful muscles stood out like a superior
+being to the three who were alongside. Half-way a poet marched. What
+form his poesy took--whether he expressed beauty in words, or, catching
+the music of the western wind, wove it into a melody, or whether he
+just dreamed and never told of what he dreamed--it matters not; he was
+a poet. His step, his dreamy eyes, the poise of his forehead raised
+slightly towards the skies, were things which showed his personality as
+clearly as the mighty forearm or the plethora of buttons bespoke the
+labourer or the costermonger.
+
+With a great sense of pity the American watched them pass, while the
+skirl of the bagpipes lessened in the distance. In spite of the
+dissimilarity of type, there was a community of shyness that embraced
+almost every one--a silent plea not to be mistaken for heroes. As they
+passed the Horse Guards and saw the two sentries astride their horses
+still as statues (their glorious trappings, breastplates, helmets, and
+swords, the embodiment of spectacular militarism) an apologetic,
+humorous smile was on the face of almost every recruit. The sight was
+a familiar enough one to the large majority, but in the presence of
+those grim, superb cavalrymen they felt the self-conscious
+embarrassment of small boys about to enter a room full of their elders.
+
+In its own way it was Britain's mob saying to Britain's Regulars that
+it was to be hoped no one would think they imagined themselves soldiers
+in the real sense of the word.
+
+But to Selwyn the noise of their marching feet on the roadway had the
+ominous sound of the roll of the tumbrils, bearing their victims to the
+guillotine.
+
+The procession was nearly ended and he was about to turn away, when his
+eye was attracted by a peculiar pair of knees encased in trousers that
+were much too tight, working jerkily from side to side as their owner
+marched. Although his face was almost hidden by reason of his vagabond
+hat being completely on one side, it was not difficult to recognise the
+futurist, Johnston Smyth. He appeared to be in rare form, as an
+admiring group of fellow-recruits in his immediate vicinity were almost
+doubled up with laughter, and even the grizzled Highland sergeant
+marching sternly in the rear had such difficulty in suppressing a loud
+guffaw that his face was a mottled purple.
+
+And marching beside the humorist, with a slouch-cap low over his eyes,
+was the lad who was known as 'Boy-blue.'
+
+
+IV.
+
+_As this tale of the parts men play unfolds itself a passing thought
+comes._
+
+_From the standpoint of fairness, economics, and efficiency,
+conscription should have been Britain's first move. But nations, like
+individuals, have great moments that reveal the inner character and
+leave beacons blazing on the hills of history._
+
+_In a war in which every nation was the loser, Britain can at least
+reclaim from the wreckage the memory of that glorious hour when the
+Angelus of patriotism rang over the Empire, and men of every creed,
+pursuit, and condition dropped their tasks and sank themselves in the
+great consecration of service._
+
+_What is the paltry glory of a bloody victory or the passing sting of a
+defeat?_
+
+_War is base, senseless, and degrading--that was one truth that Selwyn
+did recognise; but what he failed to see was that in the midst of all
+the foulness there lay some glorious gems. When battles are forgotten
+and war is remembered as a hideous anachronism of the past, our
+children and their children will bow in reverence to that stone set
+high in Britain's diadem_--THEY SERVED.
+
+
+
+
+CHAPTER XVI.
+
+THE FEMININE TOUCH.
+
+
+I.
+
+In a small South Kensington flat a young woman was seated before a
+mirror, adding to her beauty with those artifices which are supposed to
+lure the male to helpless capitulation. Two candles gave a shadowy,
+mysterious charm to the reflection--a quality somewhat lacking in the
+original--and it was impossible for its owner to look on the picture of
+pensive eyelashes, radiant eyes, and warm cheeks without a murmur of
+admiration. She smiled once to estimate the exact amount of teeth that
+should be shown; she leaned forward and looked yearningly, soulfully,
+into the brown eyes in the glass. With a sigh of satisfaction she lit a
+cigarette from one of the candles, and leaning back, watched the smoke
+passing across the face of the reflection.
+
+'Hello, Elise!' said the beauty casually, as the door opened and Elise
+Durwent entered, dressed in the uniform of an ambulance-driver.
+
+'You'll find the room standing on its head, but chuck those things
+anywhere.'
+
+'Going out again?' asked the new-comer, stepping over several feminine
+garments that had been thrown on the floor.
+
+'Just a dance up the street--in Jimmy Goodall's studio. Listen, old
+thing; do put on some water. I'm croaking for a cup of tea.'
+
+Without any comment, Elise went into the adjoining room, used as a
+kitchen, while the voluptuary dabbed clouds of powder over her neck and
+shoulders. With a tired listlessness, Elise returned and sank into a
+chair, from the back of which an underskirt was hanging disconsolately.
+
+'You didn't do the breakfast-dishes, Marian.'
+
+'Didn't I? Oh, well, they're not very dirty. Had a rotten day at the
+garage?'
+
+'It was rather long.'
+
+'You're a chump for doing it. Working for your country's all very well,
+but wait until after the war and see if the girl who's spoiled her hands
+has a chance with the men. Why don't you wangle leave like I do? You
+can pull old Huggin's leg any day in the week--and he likes it. All you
+have to do is to lean on his shoulder and say you won't give up--you
+simply _won't_. Aren't men a scream?'
+
+'I suppose so,' said Elise after a pause. 'Who is your cavalier
+to-night?'
+
+'Horry.'
+
+'Horace Maynard?'
+
+'Absolutely. You know him, don't you, Elise?'
+
+'Yes. He was visiting at our place in the country when war broke out.
+When is he going back to France?'
+
+'Monday.'
+
+'He's been dancing pretty constant attendance, hasn't he?'
+
+'Ra-_ther_. He says if I don't write him every day after he buzzes back,
+he'll stick his head over the parapet and spoil a Hun bullet.'
+
+'Those things come easily to Horace.'
+
+'Oh, do they? I notice he doesn't go to you to say them.'
+
+'No,' said Elise with a smile, 'that is so. Think of the thrills I miss.'
+
+'Now don't get sarcastic. If Horry wants to make a fuss over me, that's
+his business.'
+
+'What about your husband at the front?'
+
+'My husband and I understand each other perfectly,' said the girl,
+glancing critically at the picture of two parted, carmined lips in the
+mirror. 'He wouldn't want me to be lonely. He knows I have my boy
+friends, and he's not such a fool as to be jealous. You want to wake up,
+Elise--things have changed. A woman who sticks at home and meets her
+darling hubby at night with half-a-dozen squalling kids and a pair of
+carpet slippers--no thanks! The war has shown that women are going to
+have just as much liberty as the men. We've taken it; and I tell you the
+men like us all the better for it.'
+
+'You think that because every man you meet kisses you.'
+
+'Elise!'
+
+'Good heavens! Don't they?'
+
+'Well, I never! Anyhow, what if they do? Is there any harm in it?'
+
+Elise smiled and shook her head. 'None, my dear Marian,' she said.
+'There is no possible harm in it. There's no harm in anything now. The
+old idea that a woman's purity and modesty---- But what's the use of
+saying that to you? Of course you're right. Who wants to stay at home
+with a lot of little brats, if you can have a dozen men a week standing
+you dinners, and mauling you like a bargee, and'----
+
+'Elise!'
+
+'There's the water getting near the boil.' Elise rose with a strange
+little laugh and looked at a yellow silk stocking which dangled over the
+side of a wicker table. As if trying to solve a conundrum, she glanced
+from it to the shapely form of the young woman at her toilet. 'When the
+war's over,' she said ruminatingly, 'and our men find what kind of girls
+they married when they were on leave'----
+
+'There you go again. For Heaven's sake, Elise, if you can't attract men
+yourself, don't nag a girl who does. You're positively sexless. The way
+you talk'----
+
+'There's the water. When Horace comes I don't want to see him.'
+
+'I guess he can live without it,' said the patriotic, leave-wangling
+war-worker, with an angry glance at Elise as she disappeared into the
+kitchen. Catching a glimpse of the frown in the mirror, she checked it,
+and once more leaned towards the reflection as if she would kiss the
+alluring lips that beckoned coaxingly in the glass.
+
+
+II.
+
+Marian had gone, radiant, and exulting in her radiance; and Elise sat by
+the meagre fire trying to take interest in a novel. Although she had
+found it easy to be confident and self-assertive when the other girl was
+there, the solitariness of the flat and the silence of the street
+undermined her courage. The dragging minutes, the meaningless
+pages. . . . She wished that even Marian were there in all her
+complacent vulgarity.
+
+Although she had drawn many people to her, the passing of the years had
+left Elise practically friendless. It was easy for her to attract with
+her gift of intense personality; but the very quality that attracted was
+the one that eventually repelled. The impossibility of forgetting
+herself, of losing herself in the intimacies of friendship, made her own
+personality a thing which was stifling her life. Since she was a child
+she had craved for understanding and sympathy, but nature and her
+upbringing had made it impossible for her to accept them when they were
+offered. Lacking the power of self-expression, and consequently
+self-forgetfulness, her own individuality oppressed her. It was like an
+iron mask which she could not remove, and which no one could penetrate.
+
+Going to London soon after the outbreak of war, she had been taken on the
+strength of a motor-ambulance garage; and to be near her work she had
+leased a small flat in Park Walk, sharing it by turn with various
+companion drivers. Although her desire to be of service was the prime
+reason of her action, it was with unconcealed joy that she had thrown off
+the restraints of home. Freedom of action, a respite from the petty
+gossip of her mother's set, had loomed up as the portals to a new life.
+The thought of sharing the discomforts and the privileges of patriotic
+work with young women who had broken the shackles of convention was a
+prospect that thrilled her.
+
+To her amazement, she discovered that the feminine nature alters little
+with environment. It was true, her new companions had broken with all
+the previous conceptions of decorum, but they had used their newly found
+liberty to enslave themselves still further with the idea of
+man-conquest. Officers--callow, heroic, squint-eyed, supercilious,
+superb, of any and every Allied country--officers were the quarry, and
+they the hunters. To love or not to love? Their talks, their thoughts,
+their lives concerned little else. They fought for the attentions of men
+like starving sparrows for crumbs.
+
+In such an environment, where she had hoped to lose the burden of
+persistent self, Elise found emancipation farther away than ever. The
+_abandon_ of the others first created a reversion to prudery in her
+breast, and then developed a cynical indifference. The others treated
+her with friendly insouciance. Had she been ill, or had she met with an
+accident, there was probably not one who wouldn't have proved herself a
+'ministering angel.' As it was, they largely ignored her, indulging the
+instinct of inhumanity which so often is woman's attitude towards woman.
+
+So she sat alone, the Elise who had always been so resolute and
+independent, feeling very small and pathetic, yearning for far-off
+things--utterly lonesome, and a little inclined to cry.
+
+The words of the book grew dim, and her thoughts drifted towards Austin
+Selwyn. He had been contemptible! A pacifist! His idealism was a pose
+to try to ennoble utter cowardice. At a time when men's blood ran high
+he had prated of brotherhood, and peace, and suggested that the infamous
+Hun had a soul! How she hated him! . . . And when she had finished with
+that thought her heart's yearning returned more cruelly than before.
+
+That evening by the trout-stream when she had seen Dick hiding in the
+bush, Selwyn had caught her when she had almost swooned. He had gripped
+her arms with his hands, and, quivering with emotion, had lent his
+strength to her. At the memory the crimson of her cheeks deepened. They
+had been so close to each other. His burning eyes, his lips trembling
+with passion--what strange impulse in her heart had made her thrill with
+a heavenly exhilaration? For that instant while his hands had gripped
+her a glorious vista had appeared before her eyes--a world of dreams
+where the tyranny of self could not enter. For that one instant her
+whole soul had leaped in response to his strong tenderness.
+
+She tried to dismiss the recollection as an admission of cowardice
+engendered of the night's mood. But she could not do away with the
+memories which lingered obstinately. Not since the days when Dick had
+offered his blind loyalty had any one tried to understand her as Austin
+Selwyn had done. She was grateful for that. She might even have valued
+his friendship if he had not been so despicable that awful night. To
+insult her with his talk of pacifism, and then, heedless of her
+intensity, to propose to her! She could not forgive him for that. She
+was glad her words had stung him!
+
+Minutes passed. The fire would not answer to any attention, but sulkily
+lived out its little hour. The evening seemed interminable.
+
+It was shortly after ten o'clock when there was a knock at the door, and
+Elise hurried to open it, thinking there might be a message from the
+garage.
+
+'It's only me, Elise,' said a familiar voice.
+
+'Oh!--Horace,' she laughed. 'What's the trouble? Did Marian leave
+anything behind?'
+
+'No. I was just absolutely fed up; and when she told me you were here
+alone, I thought I'd jolly well come down and talk to you.'
+
+'Good! Come in. You mustn't stay long, though. Please don't notice
+this horrible mess.'
+
+In sheer pleasure at the breaking of the solitude, her vivacity made her
+eyes sparkle with life. Her sentences were crisp and rapid, and as she
+led the young officer to a seat by the fire it would have been difficult
+for Elise herself to think that a few minutes before she had been
+helplessly and lonesomely on the brink of tears.
+
+'How is the dance going on up the street?' she asked, as Maynard inserted
+a cigarette between his lips without lighting it.
+
+'It's a poisonous affair.'
+
+'Poor boy!'
+
+'I'm fed up, Elise. I'm--I'm _gorged_. When I heard you were down here,
+I said, "By George! I'll go and see her. I can talk to Elise. She's
+got some sense."'
+
+'What a thing to say about a woman!'
+
+'Don't chaff me, Elise. I can't stand it. I'm frightfully
+upset--really.'
+
+'What has Marian been doing to you?''
+
+'Nothing, except making a blithering ass of me. You know, I was
+fearfully keen on her, and I've passed up all sorts of fluff so as to do
+the decent; but when that brute Heckles-Jennings advised me to-night to
+be sure and sit out a dance with Marian because she was such hot stuff,
+he said . . . Of course, he's an outsider and all that, and I told him
+to go to hell--but you don't blame me for feeling cut up, do you, Elise?'
+
+'Didn't you know she was that kind?'
+
+'What kind?'
+
+'Oh--the--the universal kisser--the complete osculator--the'----
+
+'I say'----
+
+'But surely you don't think you are the only one she has made a fool of?
+To begin with, there's her husband in France--a brother-officer, Horace.'
+
+Maynard wriggled uneasily, sliding down the chair in the movement until
+his knees were very near his chin.
+
+'He's a rotter, Elise.'
+
+'Do you know him?'
+
+'N-no. But Marian says he absolutely neglects her. He's one of those
+cold-blooded fish--doesn't understand her a bit. After all'--the extra
+vehemence shifted him another few inches, so that he presented an
+extraordinary figure, like the hump of a dromedary--'women must have
+sympathy. They need it. They'----
+
+'Oh, Horace!' Elise burst into a laugh. 'Are there really some of you
+left? How refreshing! Why don't you put it on your card: "2nd Lt.
+Horace Maynard, Grenadier Guards, soul-mate by appointment"?'
+
+'I wish you wouldn't laugh like that.'
+
+He was a picture of such utter dejection that, checking her mirth, Elise
+laid her hand on his arm. 'Sorry, Horace. You know, if it hadn't been
+for this war we might never have known how _nice_ our men are. I only
+wonder how it is that the women have the heart to make such fools of you.'
+
+The unhappy warrior pulled himself up to a fairly upright posture and
+tapped his cigarette against the palm of his hand. 'I'm glad,' he said
+with a slight blush, 'that you don't quite put me down as a rotter. I
+don't know what's come over us all. Before the war, when you met a
+chap's wife--well, hang it all!--she was his wife, and that was all there
+was about it. But nowadays'----
+
+'I know, Horace, it's a miserable business altogether--partly war
+hysteria, and partly the fact that women can't stand independence, I
+suppose. Marian's a splendid type of the female war-shirker. You know
+she's married; yet, because she lets you maul her'----
+
+'I say, Elise!'
+
+'----and she murmurs pathetically that her husband in France neglects
+her--at least, that's what she tells you. When she was dressing to-night
+Marian said that she and her husband absolutely trusted each other.'
+
+'By Jove! You don't mean that?'
+
+'She also said that all men, including you, were a scream. Probably she
+considers you a perfect shriek.'
+
+Trembling with indignation, Maynard suddenly collapsed like a punctured
+balloon and relapsed dejectedly into his recumbent attitude. 'What an
+ass I have been!' he lamented sorrowfully. 'What a sublime ass! And
+Marian--the little devil!'
+
+'Rubbish!'
+
+'Eh? I suppose you think I am an idiot for---- Well, perhaps you're
+right.'
+
+For a couple of minutes nothing was said, and the melancholy lover, with
+his chin resting on his chest, ruminated over his unhappy affair.
+
+'Hang it all!' he said at last, hesitatingly, 'when a chap gets leave
+from the front he's--he's sort of woman-hungry. You don't know what it
+feels like, after getting away from all that mud and corruption, to hear
+a girl's voice--one of our own. It goes to the head like bubbly. It's
+a--a dream come true. There's just the two things in your life--eight or
+nine months in the trenches; then a fortnight with the company of women
+again. It's awfully soppy to talk like this'----
+
+'No, it isn't, Horace. It's the biggest compliment ever paid our women.
+I only wish we could try to be what you boys picture us. That's what
+makes me feel like drowning Marian every few days. Horace, I'm proud of
+you.'
+
+She patted his hand which was grasping the arm of the chair, and he
+blushed a hearty red.
+
+'Elise!' He sat bolt-upright. 'By gad! I never knew it until this
+minute. _You_ are the woman I ought to marry. You are far too good and
+clever and all that; but, by Jove! I could do something in the world if I
+had you to work for. Don't stop me, Elise. I am serious. I should have
+known all along'----
+
+'Horace, Horace!' Hardly knowing whether to laugh or to cry, Elise put
+her hand over his mouth and checked the amorous torrent. 'You're a
+perfect dear,' she said, 'and I'm ever so grateful'----
+
+'But'----
+
+'But you mustn't be silly. This is only the reaction from Marian.'
+
+'It's nothing of the sort,' he blurted, putting aside her hand. 'I--I
+really do--I love you. You're different from any other girl I ever met.'
+
+'My dear, you mustn't say such things. You know you don't love me as you
+will the right girl when you meet her.'
+
+He got out of the chair by getting over its arm. 'I beg your pardon,
+Elise,' he said, not without a certain shy dignity. 'I meant every word
+I said--but I suppose there's some one else.'
+
+'Only a dream-man, Horace.'
+
+'What about that American?'
+
+'What--American?' Her agitation was something she could hardly have
+explained.
+
+'That author-fellow at Roselawn. He was frightfully keen on you. I
+remember half-a-dozen times when he would be talking to us, and if you
+came in he'd go as mum as an oyster, and just follow you with his eyes.
+Is _he_ the chap, Elise?'
+
+'Good gracious!'--she forced a laugh-- 'why, I don't even know where he
+is.'
+
+'Don't you? He's in London; I can tell you that much. Last month in
+France I ran across that Doosenberry-Jewdrop fellow---you know--the
+futurist artist.'
+
+'Do you mean Johnston Smyth?'
+
+'That's the chap.'
+
+'I didn't know he was in France.'
+
+'Rather. I thought your brother would have told you.'
+
+'_My brother?_' There was not a vestige of colour in her cheeks. 'What
+do you mean?'
+
+Maynard scratched the back of his head. 'Smyth told me,' he said,
+wondering at the cause of her agitation, 'that Dick and he enlisted
+together some months ago. By Jove! I remember now. He told me that
+this American fellow put them up at his rooms in St. James's Square one
+night. Smyth didn't know who Dick was until they got to France. He was
+travelling under the name of Sherlock, or Shylock, or Sherwood'----
+
+'I--I thought Dick was in China.' She wrung her hands nervously. 'You
+didn't see him?'
+
+'No. That's all I know about him, except that he was transferred to some
+other battalion than Dinglederry Smyth's.'
+
+She went over to a table and took a piece of notepaper from a drawer.
+'Mr. Selwyn used to belong to the R.A.C.,' she said quickly. 'Would you
+do me a favour, Horace dear?'
+
+He murmured his desire to be of service in any capacity. Hesitating a
+moment, she wrote hurriedly:
+
+
+'_4th March 1915_, 2lA PARK WALK.
+
+'DEAR MR. SELWYN,--Will you please come and see me as soon as you can? I
+am not on night-duty this week.--Yours sincerely, ELISE DURWENT.'
+
+
+She sealed the envelope and handed it to Maynard. 'Please find out from
+the R.A.C. where he is, and ask them to send this note to him. I am
+ever so grateful, Horace.'
+
+'I suppose,' he said, looking at the envelope, 'that this means the--the
+finish of my chances?'
+
+She answered the question by wishing him good luck in France, but there
+was a strange tremulousness in the softly spoken words.
+
+He put out his hand shyly. 'Good-night, old girl,' he said, smiling with
+a sort of rueful boyishness.
+
+She took his proffered hand, and then, obeying an impulse, stooped and
+pressed her burning cheek against it. 'Good-night, Horace,' she said
+softly. 'I hope you'll come back safe to be a fine husband for some nice
+girl.'
+
+When he had gone, and his footsteps died away, she returned to the table.
+Burying her face in her hands, she fought back the tears which surged to
+the surface. Her love for Dick, her own loneliness, a mad joy in the
+thought of seeing Selwyn again, a motherly pity for Maynard, a fury
+towards Marian, an incomprehensible yearning--she felt that her heart was
+bursting, but could not have said herself whether it was with grief or
+with joy.
+
+
+III.
+
+From the time that Austin Selwyn received the note there was nothing else
+in his mind--as in Elise's--but the coming meeting. As playwrights
+planning a scene, each went through the encounter in prospect a dozen
+times, reading into it the play of emotions which was almost certain to
+dominate the affair. Although completely ignorant of her motive in
+writing to him, Selwyn invented a hundred different reasons--only to
+discard them all. Nor was Elise more able to satisfy herself as to the
+outcome of the meeting. It was not his actions that were difficult to
+forecast, but her own. Would her dislike of him be intensified? Would
+she experience again the momentary rapture of that summer afternoon?
+
+It was fortunate that another lover had appeared for Marian, so that the
+desertion of Maynard did not leave her moping untidily about the place.
+She was one of those women who are so singularly lacking in
+self-sufficiency that, except when in the company of men, they are as
+fiat as champagne from which the sparkle has departed.
+
+It so happened, therefore, that Elise was again alone the following
+evening, dreading Selwyn's arrival, yet impatient of delay.
+
+A few minutes after eight she heard him knock, and going to the street
+door, opened it for him. The night was a vapourish, miserable one,
+blurring his figure into indistinctness, and when he spoke his voice was
+hoarse, as though the damp tendrils of the mist had penetrated to his
+throat.
+
+Answering something to his greeting, she led him through the hall into
+the sitting-room. He paused as he entered. Without looking back, she
+crossed to the fireplace, and kneeling down, stirred the fire.
+
+'May I help?'
+
+'No, thanks. I prefer to do it.'
+
+Her answer had followed so swiftly on his question that he stopped in the
+act of stepping forward. She looked over her shoulder with a swift,
+searching glance.
+
+His face was a tired gray, and the silk scarf thrown about his neck
+looked oddly vivid against the black evening-clothes and overcoat. But
+if his face suggested weariness, his eyes were alive with dynamic force.
+The intensity of the man's personality strangely moved Elise. She felt
+the presence of a mind and a body vibrating with tremendous purpose--a
+man who drew vitality from others, yet charged them in return with his
+own greater store.
+
+To her he seemed to have divorced himself from type--he had lost even the
+usual characteristics of race. With the thought, she wondered how far
+his solitary life had effected the transition, if his idealism had
+brought him loneliness.
+
+'Won't you sit down?' she said hesitatingly.
+
+He acquiesced, and took a seat in the chair from which Maynard had run
+the emotional gamut the previous evening.
+
+'You look pale,' she said, drawing a chair near the fire. 'I hope you
+have not been unwell.'
+
+'No--no; it is merely that I have been so little out of doors. I could
+not gather from your note what kind of work you were engaged in. I see
+you are an ambulance-driver. I congratulate you.'
+
+His voice conveyed nothing but polite interest in an obvious situation.
+With over-sensitive apprehension she listened for any suggestion of
+sarcasm that lay behind his words, but she could detect nothing beyond
+mere impersonal courtesy--that, and a far-off weariness, as of one who
+has passed the borders of fatigue.
+
+'I wrote to your mother,' he said, 'when I heard of your elder brother's
+death. It must have been a great grief to you all.'
+
+She did not answer him. His manner was so cold that he might have been
+deliberately disposing of a number of prepared comments rendered
+imperative by the laws of polite intercourse.
+
+'Why didn't you let us know you had seen Dick?' she said abruptly.
+
+'Then--you have heard?' He raised his eyebrows in surprise.
+
+'Only last night, by the merest accident. He might have been killed in
+France, and we should never have known about it.' Her words were
+resentful and swift. 'Will you please tell me about him?'
+
+Omitting the incident of Archibald's tavern, Selwyn told of the chance
+meeting with Dick, the encounter with Johnston Smyth, the night at the
+rooms in St. James's Square, and the subsequent glimpse of them marching
+through Whitehall.
+
+'Your brother asked me to say nothing,' he said calmly. 'That is one of
+the reasons why I did not let you know.'
+
+'Had Dick changed at all?' she asked, trying to make her words as
+listless as his. 'I wish that you would tell me something that he said.
+You must know more about him than just'----
+
+'I don't think he had changed,' said Selwyn; and for the first time his
+voice was tinged with compassion. 'He spoke of you with a kind of
+worship. I suppose you know how he idolises you.'
+
+His dark eyes looked at her through partially closed eyelashes, but only
+the manner in which her fingers compressed the fold of her skirt betrayed
+the turmoil of her feelings.
+
+'Is that all you can tell me?'
+
+'That is all.' He made no attempt to elaborate the conversation or to
+introduce any new theme. The scene which had promised to be so dramatic
+was actually dragging with uncomfortable silences. She waited long
+enough for him to speak, but when he remained silent--it was a sardonic
+silence to her--she rose from the chair with the manner of one who has
+determined to bring an interview to a close.
+
+'Thank you for coming so promptly,' she said. 'I am most grateful for
+your kindness to Dick--and I know enough of the law to realise that you
+were taking a risk in hiding him.'
+
+'It was nothing at all,' he said. He looked at her for an indication
+that her questions were at an end.
+
+'I hope you will be able to get a taxi,' she ventured helplessly.
+
+For the first time he smiled, and she reddened with mortification. He
+had been so cool and unyielding, so bloodless, that he had forced her to
+a disadvantage. She knew he could not be ignorant of the strain of the
+affair on her, yet he had done nothing to ease it. If she could have
+projected her mind into his, she would have seen that his conduct was as
+inexplicable to himself as to her. He knew he was hurting her. Perhaps
+it was because her warm lips and crimson cheeks were creating a torment
+in his soul that he could not curb the impulse to wound her. It may have
+been the subconscious knowledge that where one can hurt one can conquer
+that dominated his actions. While she resented the invulnerability with
+which he guarded his own feelings, it is probable that any different
+attitude on his part would have brought forth a more active unkindness on
+hers. When men and women love, strange paradoxes are found.
+
+They went to the door together, and in the brighter light of the hall
+Elise saw for the first time that he was considerably thinner, and that
+his brow was like marble. She felt a little stab of pity for him,
+forgetting his own lack of sympathy towards herself; she caught a faint
+realisation of what he must have endured for it to have marked him so
+indelibly.
+
+'Don't you think,' she said, 'that you ought to go to the seaside for a
+while? You are not looking at all well.'
+
+His lips grew firmer, but there was a curious look in his eyes as he
+turned towards her. 'I have work to do here,' he said crisply.
+
+'I know--but surely'----
+
+'In London,' he said--and there was a suggestion of the fanatic's ecstasy
+in his voice--'it is impossible to forget life. I don't want my mind
+soothed or lulled. You can always hear the challenge of the human
+destiny in London. It cries out to you everywhere. It'---- He had held
+his head erect, and had spoken louder than was his custom; but, checking
+himself, he made a queer, dramatic gesture with his hands.
+
+The fire of his spirit swept over her. Once more she stood close to him,
+as she had done so many times in her thoughts. She did not know whether
+she loved or detested him. She was fascinated--trembling--longing for
+him to force her to surrender in his arms--knowing that she would hate
+him if he did. She gave a little cry as Selwyn, almost as if he read her
+conflicting thoughts, took her arms with his hands once more.
+
+'If we had both been English,' he said, and his voice was so parched that
+it seemed to have been scorched by his spirit, 'or if we had met in other
+times than these, things might have been different. I know what you
+think of me for the work I am doing, but it would be as impossible for me
+to give it up as for you to think as I do. We come of two different
+worlds, you and I. . . . I am sorry we have met to-night. For me, at
+least, it has reopened old wounds. And it is all so useless.'
+
+She made no reply; but as his eyes were lowered to her face, and he saw
+once more the trembling lips, her unsoiled womanliness, her whole vivid,
+lonely, gripping charm, a look of suffering crossed his face. He
+realised the hopelessness of it all, but the admission was like tearing
+out a thread which had been woven into the whole scheme of his being.
+
+'We both have our work to do,' he said wearily, letting his arms drop to
+his side.
+
+'Good-night.'
+
+She answered, but did not give him her hand. With a repetition of the
+farewell he left her, and she walked musingly into the room again. She
+felt a flush of anger at his daring to say their friendship was
+impossible, when she had not even suggested that it could ever be
+resumed. His vanity knew no bounds. She was furious at having let him
+hold her as he did--even more furious with the knowledge that she would
+not have resisted if he had kissed her.
+
+
+
+
+CHAPTER XVII.
+
+MOONLIGHT.
+
+
+I.
+
+Two summers came and went, and the little park in St. James's Square
+rested once more beneath its covering of autumn leaves.
+
+Selwyn, who was still occupying the rooms of the absent New Yorker, was
+looking over his morning mail. The thinning of his hair at the temples
+was more pronounced, and here and there was the warning of premature
+gray. He had lost flesh, but his face had steadied into a set
+grimness, and his mouth had the firmness of one who had fought a long
+uphill fight.
+
+Looking through a heavy mail, he extracted a letter from his New York
+agent:
+
+
+'_Oct. 2nd, 1916_.
+
+'DEAR MR. SELWYN,--You will be interested to know that the
+extraordinary sensation caused by your writings in America has resulted
+in the sale of them to Mr. J. V. Schneider for foreign rights. They
+have been translated, and will shortly appear in the press of Spain,
+Norway, Holland, and the various states of South America.
+
+'It would be impossible for me to forward more than a small percentage
+of the comments of our press on your work, but in my whole literary
+experience I don't remember any writer who has caused such a storm of
+comment on every appearance as you. As you can see by the selection I
+have made, the papers are by no means entirely favourable. I feel that
+you should know that you are openly accused of pro-Germanism, of being
+a conscientious objector, &c., &c.--all of which, of course, means
+excellent advertisement.
+
+'I have had many inquiries as to whether you would care to conduct a
+lecture-tour. There is a Mr. C. B. Benjamin, who is financially
+interested in Mr. Schneider's affairs, and who is willing to pay you
+almost anything within reason, if you care to state your terms.
+
+'Of course, the most discussed article of all is "The Island of
+Darkness," in which you accuse Britain of contributing so largely
+towards bringing about the present war. The German-American
+organisations and the strong Irish section here were especially
+jubilant, and every one concedes that it has awakened a great deal of
+resentment against Britain that had been forgotten since the beginning
+of the war. Even your detractors admit that "The Island of Darkness"
+will live as a literary classic.
+
+'Your first ten articles have been made into book form under the title
+_America's War_, and are selling most satisfactorily. The first
+edition has gone into 40,000 copies. The attached clipping from the
+_New York Express_ is fairly typical of the reception given the book by
+the pro-Entente press.
+
+'Your September statement will go forward to-morrow with cheque
+covering foreign rights, royalties, &c.--I am, Mr. Selwyn, yours very
+truly,
+
+S. T. LYONS.'
+
+
+With hardly more than a merely casual interest, Selwyn glanced at the
+clipping attached to the letter. It was from the editorial page of the
+_Express_.
+
+
+'THE MENACE OF SELWYN.
+
+'In 1912 Austin Selwyn was known as a younger member of New York's
+writing fraternity. He had done one or two good things and several
+mediocre ones, but promised to reach the doubtful altitude of
+best-sellership without difficulty. To-day Selwyn is the mouthpiece of
+neutrality. He has preached it in a language that will not permit of
+indifference. He has succeeded in surrounding his doubtful idealism
+with a vigour that commands attention, even if not respect. Right in
+the heart of London he is turning out insidious propaganda which is
+being seized upon by every neutral American who has his own reasons for
+wanting us to keep out of war. It would be absurd to say that one
+man's writing could in itself sway a great nation, but nevertheless it
+is a vehicle which is being used to the limit by every pro-German
+agency in this free land.
+
+'Truly we are a strange people. We have a President who deliberately
+cuts his political throat with a phrase, "too proud to fight;" but
+because we think Wilson is a greater man than he himself knows, we sew
+up the cut and send him back for another term. In the same way,
+although every red-blooded American has in his heart been at war with
+Germany since the _Lusitania_, we permit this man Selwyn to go on
+cocaining the conscience of our people until our flag, which we have
+loved to honour, is beginning to be a thing of shame. He should be
+brought back from England and interned here with a few "neutral"
+German-Americans. He certainly can write, and perhaps from confinement
+he might give us a second _De Profundis_. His book, _America's War_,
+which is now on the market, is a series of arguments showing that
+America is at war with the causes of the war. It is a nice conceit.
+Our advice is to add the book to your library--but don't read it for
+ten years. In that time it will be interesting to see the work of a
+brilliant mind prostituted (and in this we are placing the most
+charitable construction on Mr. Selwyn's motives) by intellectual
+perversion.'
+
+
+Without the expression of his face undergoing any change, Selwyn
+carefully placed the letter on his file, and took from the envelope a
+number of American press clippings. Choosing them at random, he
+contented himself with reading the headings:
+
+
+'Author of "The Island of Darkness" again hits out.'
+
+'"Britain has thrived on European medievalism," says Austin Selwyn.'
+
+'More hot air from the super-Selwyn.'
+
+'Selwyn is the spokesman for enlightened America.'
+
+'Masterful thinker, masterful writer, is the author of "The Island of
+Darkness."'
+
+'What does Selwyn receive from Germany?'
+
+'The arch-hypocrite of American letters.'
+
+
+With a shrug of his shoulders he threw them to one side. 'A pack of
+hounds,' he muttered, 'howling at the moon!'
+
+He leaned back in his chair and pondered over the written word that
+could leap such spaces and carry his message into countries which he
+had never seen. It was with a deeper emotion than just the author's
+pleasure at recognition that he visualised his ancestor leaving Holland
+for the New World, and the strange trend of events which was resulting
+in the emigrant's descendant sending back to the Netherlands his call
+to higher and world citizenship.
+
+Still ruminating over the power that had become his, he noticed a
+letter, on the envelope of which was written 'On Active Service,' and
+breaking the seal, found that it was from Douglas Watson, written at a
+British hospital in France. As Selwyn read it the impassiveness of his
+face gave way to a look of trouble. For the first time in many months
+there was the quick play of expression about his lips and his eyes that
+had always differentiated him from those about him.
+
+At the conclusion of the letter he put it down, and crossing to the
+French windows, leaned against them, while his fingers drummed
+nervously on the glass. With a gesture of impatience, as though he
+resented its having been written at all, he picked up the letter once
+more, and turning the pages, quickly reached the part which had
+affected him so:
+
+
+'They tell me I'm going to lose my arm, and that I'm out of it; but
+they're wrong. I'm going back to America just as soon as they will let
+me, and I'm going to tell them at home what this war is about. And,
+what's more, I'm going to tell them what war is. It isn't great armies
+moving wonderfully forward "as if on parade," as some of these
+newspaper fellows tell you. It's a putrid, rotten business. After
+Loos dead men and horses rotted for days in the sun. War's not a thing
+of glory; it's rats and vermin and filth and murder. Three weeks ago I
+killed a German. He hadn't a chance to get his gun up before I stuck
+him with my bayonet like a pig. As he fell his helmet rolled off; he
+was about eighteen, with sort of golden hair, and light, light blue
+eyes. I've been through some hell, Austin, but when I saw his face I
+cried like a kid. To you that's another argument for our remaining
+neutral. To me that poor little Fritzie is the very reason America
+should have been in it from the first. Can't you see that this
+Prussian outfit is not only murdering Frenchmen and Russians and
+Britishers, but is murdering her own men as well? If America had been
+in the war it would have been over now, and every day she holds back
+means so many more of the best men in the world dead.
+
+'For the love of Mike, Austin, clear your brains. I have seen your
+stuff in American papers sent over to me, and it's vile rot. Tomorrow
+they're going to take my left arm from me, but'----
+
+
+Selwyn crumpled the letter in his hand and hurled it into the
+fireplace. Plunging his hands into his pockets, he paced the room as
+he had done that night when Watson had called to tell him he was going
+to enlist. He was seized with an incoherent fury at it all--the
+inhumanity of it--the degradation of the whole thing. But through the
+formless cloud of his thoughts there gleamed the one incessant phrase
+'about eighteen, with sort of golden hair, and light, light blue eyes.'
+Why should that groove his consciousness so deeply? He had heard,
+unmoved, of the death of Malcolm Durwent. A month ago he had read how
+Captain Fensome, of Lady Durwent's house-party, had been killed trying
+to rescue his servant in No Man's Land. The sight of Dick Durwent and
+Johnston Smyth marching away had been only a spur to more intensive
+writing. Then why should that haltingly worded sentence lie like ice
+against his heart?
+
+A sharp pain shot through his head.
+
+Stopping his walk, he leaned once more against the windows, and rested
+his hot face on the grateful coolness of the glass.
+
+What, he questioned, had he accomplished, after all? He had gained the
+ears of millions, but the war was no nearer a close. America was
+neutral--that was true. _But why was America neutral_? Had he falsely
+idealised his own country? Was her aloofness from the world-war the
+result of a passionate, overwhelming realisation of her God-deputed
+destiny, as he had imagined?
+
+Hitherto he had paid no attention to the writings in the English press
+chronicling the passing of the world's gold reserve from London to New
+York. He had ignored the evidence of nation-wide prosperity from the
+Atlantic coast to San Francisco. All such things he had dismissed as
+unavoidable, unsought material results of America's spiritual
+neutrality.
+
+Yet, while the wheels of prosperity were turning at such a pitch, there
+was a boy lying dead--about eighteen.
+
+He beat his fist into the palm of his hand. Who was this Schneider who
+had purchased the foreign rights of his articles? What sort of a man
+was this Benjamin who wanted him to lecture? Were they, as he had
+supposed, men of vision who wished to co-operate in achieving the great
+unison of Right? . . . Or were they . . . ?
+
+The thought was hideous. Was it possible that those writings, born of
+his mental torture, robbing him of every friend he valued---was it
+thinkable that they had been used for gross purposes?
+
+His fingers again played rapidly against the windows as he wrestled
+with the sudden ugly suspicion. At last, utterly exhausted, he sank
+into a chair.
+
+'There is only one thing I can do,' he said decisively; 'return to
+America at once. If, as I have thought, her neutrality is in tune with
+the highest; if my fellow-countrymen are imbued with such a spirit of
+infinite mercifulness that from them will flow the healing streams to
+cure the wounds of bleeding Europe, then I have carried a lamp whose
+light reflects the face of God. . . . But if . . .'
+
+
+II.
+
+That night a glorious moonlight silvered the roof-tops of old London,
+touching its jumbled architecture with fantastic beauty.
+
+Vagrant towers and angular church spires, uninspired statuary, and
+weary, smoke-darkened trees shed their garments of commonplaceness and
+shimmered like the mosques and turrets of an enchanted city.
+
+It was one of those nights that are sent to remind us that Beauty still
+lives; a night to challenge our mad whirl of bargaining and barter, to
+urge us to raise our eyes from the grubbing crawling of avarice; a
+night to awaken old memories, and to stir the pent-up streams of poetry
+lying asleep in every breast.
+
+It was a moonlight that descended on Old England's troubled heart as a
+benediction. Her rivers were glimmering paths winding about the
+country-side; her villages and her heavy-scented country lanes shared
+its caress with open meadows and murky cities. The sea, binding the
+little islands in its turbulent immensity, drew the night's beauty to
+its bosom, and the spray of foam rising from the surf was a shower of
+star-dust leaping towards the moon.
+
+As a weary traveller drinks thirstily at a pool, Selwyn wandered about
+the streets trembling with emotion in the breathless ecstasy of the
+night. All day the conjured picture of the German boy, guilty of no
+crime save blind devotion to his Fatherland, had haunted him like the
+eyes of a murdered man. It had robbed him of the power of constructive
+thought, and stopped his writing with the decisiveness of a sword
+descending on his wrist; it had made the food on his table tasteless,
+and given him a dread of the solitude of his rooms.
+
+With nerves that contracted at every untoward sound, he had gone out at
+dark, and gradually the peacefulness of the night had soothed and
+calmed him as the dew of dusk cools the earth after the heat of a
+summer's day. The familiar strains of Beethoven's 'Moonlight Sonata'
+came to his mind, and as he walked he idly traced the different
+movements of the music in the moods of the evening's witchery.
+
+His steps, like his thoughts, pursued a tangled course, and led him
+into the prosaic brick-and-mortar monotony of Bayswater, but the moon
+was lavish in her generosity, and strewed his path with glinting
+strands of light. He paused in a quiet square to get his bearings.
+There was the heavy smell of fallen leaves from the gardens on the
+other side of the railing.
+
+His mind was still playing the slow minor theme of the sonata's opening
+movement.
+
+Suddenly the air was shattered with the noise of warning guns. As if
+released by a single switch, a dozen searchlights sprang into the sky,
+crossing and blending in a swerving glare. There was the piercing
+warning of bugles and the heavy booming of maroons.
+
+Dazed by the swiftness of it all, Selwyn leaned against the low iron
+fence. A Boy Scout whirled past on a bicycle, his bugle hoarse and
+discordant; an old woman went whimpering by, hatless, with a protesting
+child in her arms; an ambulance, clanging its gong, rounded the corner
+with reckless speed; a mightier searchlight than any of the rest swept
+the sky in great circles.
+
+It seemed only a matter of seconds, though in reality much longer, when
+the American heard a faint crunching sound in the distance, followed by
+a deep, sullen thud. In rapid succession came three more, and the
+defence guns of London burst into action, changing the night into
+Bedlam.
+
+Still motionless, he listened, awe-struck, to the din of the weird
+battle with an unseen foe, when the cough of exploding shells in the
+air grew appreciably louder. Raising a whirlwind of dust, a motor-car
+swerved dangerously into the square, and with a roar sped up the road,
+carrying to their aerodrome three British airmen. As if driven by a
+gale, the battle of the clouds drew nearer and nearer, the whine and
+barking of the shells like a pack of dogs trying to repel some monster
+of the jungle.
+
+There was a deafening crash.
+
+Selwyn was thrown against the fence, and almost buried beneath a shower
+of bricks and earth. With the roar of a rushing waterfall in his ears,
+and blood streaming from a wound in his forehead, he sank to his knees
+and for a moment lost consciousness; but mastering his weakness, he
+staggered to his feet and looked wildly about. On the other side of
+the street, where there had been a house, there was a smoking chaos. A
+little crowd had appeared seemingly from the bowels of the earth, and a
+woman was shrieking horribly.
+
+Selwyn wiped his forehead with his hand and gazed stupidly at the blood
+which covered it. The roar of the guns was louder than it had yet
+been, and from a few streets away came the crunch of another bomb,
+shaking the earth with the explosion which followed. Selwyn leaned
+impotently against a post, and a quivering uncanny laugh broke from his
+lips. It was all so grotesque, so absurd. _Human beings didn't do
+such things_. It was a joke--a mad jest. He held his sides and
+laughed with uncontrollable mirth.
+
+Then his whole form became rigid in a moment. A man had shouted
+something. There had been a wail from the crowd. Was it true? Some
+one buried alive--a little girl?
+
+With a blasphemous curse Selwyn staggered across the road, and roughly
+elbowing his way through the crowd, found a solitary policeman,
+hindered by willing undirected hands, digging in the wreckage as best
+he could, while a couple of women sobbed hysterically and wrung their
+hands.
+
+Those who watched hardly knew what had happened, but they saw a
+hatless, bleeding figure appear, and, with the incision of snapping
+hawsers, question the policeman and the weeping women. They heard his
+quick commands to the men, and saw him jump into the centre of the
+debris. With the instantaneous recognition of leadership his helpers
+threw themselves to the work with a frenzy of determination. Lifting,
+digging, pulling with torn hands and arms that ached with strain, they
+struggled furiously towards the spot where it was known the girl was
+buried. They were like starving wolves tearing at the carcass of an
+animal. They yelled encouragement and fought through the chaos--and
+still the stranger whipped them into madness with his cries.
+
+There in the smoke and the choking dust Austin Selwyn shook in the grip
+of the greatest emotion he had ever known. A girl was buried--a
+fraction of a minute might mean her life. With hot breath and pulses
+on fire, he led his unknown men through the choking ruins to where one
+small, insignificant life was imprisoned.
+
+An ambulance sounded its gong, and drew up by the crowd; the storm of
+the guns continued to rage, but no one thought of anything but the
+fight of those men for one little unknown life.
+
+At last. They had uncovered a great iron beam which had struck on a
+stone foundation and left a zone of safety beneath. Eager hands
+gripped it, dragging it aside, and there was hardly a sound as the
+stranger lowered himself into the chasm. A minute later he reappeared,
+and a shout broke from the on-lookers. He was carrying a little form
+in his arms.
+
+But when they saw his face a hush fell on every one. She was dead.
+
+Wild-eyed, with the ghastliness of his pallor showing through the
+coating of grime and blood, Austin Selwyn stood in the ruins of the
+house, and the brown tresses of the child fell over his arm.
+
+Kind hands were stretched out to him, but he shook them off angrily.
+He was talking to the thing in his arms--muttering, crooning something.
+
+Slowly he raised his face to the skies. In the glare of the
+searchlights a gleaming, silvery, oblong-shaped form was turning and
+twisting like an animal at bay. They heard him catch his breath; then
+their blood was frozen by a choking, heart-rending cry of agony and
+rage.
+
+It was the cry of the crystal-gazer who has had his crystal dashed from
+his eyes, to find himself in the presence of murder.
+
+The crowd remained mute, helpless and frightened at the spectacle, when
+they saw a young woman approach him, a woman dressed in the khaki
+uniform of an ambulance-driver.
+
+'Austin,' they heard her say, 'please give me the little girl.'
+
+With a stupid smile he handed the child to her, and she laid it on a
+stretcher. When it had been taken away, she took Selwyn's hand in hers
+and led him, unresisting, to the ambulance.
+
+
+
+
+CHAPTER XVIII.
+
+ELISE.
+
+
+I.
+
+Early next morning, in a large military ward of a London hospital, Austin
+Selwyn woke from a sleep that had been charged with black dreams, and
+tried to recall the events leading to his present whereabouts.
+
+By slow, tortuous process he reconstructed the previous evening as far as
+the moment when he had heard the warning guns. After that the incidents
+grew dim, and faded into incoherency. He seemed to remember rushing
+somewhere in a motor-vehicle. He distinctly recalled seeing a policeman
+in Trafalgar Square. Yes, that was very clear--quite the most vivid
+impression of the whole night, indeed. He would hang on to that
+policeman.
+
+With the care of an Arctic explorer establishing his base before going
+farther into _terra incognita_, he attached the threads of his wandering
+mind to that limb of the law, and groped in all the directions of his
+memory's compass. But it was of no avail. Tired out with the futile
+efforts he had made, his bandaged head sank back in the pillows, and the
+vivid policeman in Trafalgar Square was reluctantly surrendered as a
+negligible means of solution.
+
+When he next awoke, it was to the sound of many voices. There were two
+that were very close--one on either side of him, in fact. Affecting
+sleep, Selwyn listened carefully.
+
+'Wot's that you say, Jock?' said a Cockney voice to his left.
+
+'I was obsairvin',' said the other, 'that Number Twenty-sax is occupied
+this mornin'.'
+
+'Ow yus, so it is. I was 'oping as 'ow me pal the Duke of Mudturtle
+would buy the plice next to mine. But he don't look a bad cove, wot you
+can see under 'is farncy 'ead-dress.'
+
+'I dinna think he can be o' the airmy. His skin's as pale as a lassie in
+love.'
+
+'In the army, Jock? Don't hinsult 'im. 'E's one of the 'eroes of the
+'ome front--hindispensibles, they calls 'em.'
+
+'Weel, weel, noo,' expostulated the Scot, 'dinna tak' ower muckle for
+granted. We canna a' gang tae the war, or wha wud bide at hame an' mak
+the whusky?'
+
+'By Gar!' said a third patient opposite, sitting up suddenly and speaking
+in the disjointed but strangely musical dialect of the French-Canadian,
+'she is a wise feller, dis Scoachie.'
+
+'Bonn swoir, Frenchy,' said the Cockney graciously. ''Ow alley you
+mantenongs?'
+
+'Verra good, Tommee. How is de godam bow bells?'
+
+'Well, the last toime I sees me old side-kick the Lord Mayor, 'e says as
+'ow they was took by a Canadian for a soovenir.'
+
+'Na,' said the Scotsman reprovingly; 'I'm thinkin' yon's exaggerated.'
+
+'By Gar!' said the French-Canadian. 'See, the orderly come now with
+water for shav'. Back in de bush or on de long portage I shav' once,
+twice, perhaps tree time a month. Always before I meet my leetle girl I
+shav'. But when I say good-bye and go to war--by gollies! de army make
+me for do it every day. My officier, he say, "What for you no shav' dis
+morning?" "Sair," I say, "I no kees de Boche--I keel him." He say
+noding to dat excep', "Look at you. I shav' every day. Do you preten' I
+doan' fight?" "Well," I say, "if de cap feets you, smoke it." And for
+no reason he give me tree time extra for carry de godam ration.'
+
+At this stage the arrival of wash-basins interrupted further anecdote and
+philosophy, and the entire ward became animated with soldiers performing
+their ablutions, some sitting up in bed, others on the edge of their
+beds, and a few so weak that they could just turn painfully on their side
+and wait for other hands to help.
+
+A burst of hearty greetings told Selwyn that some one must have entered
+the ward, and a few minutes later he felt the presence of a nurse beside
+him.
+
+'Good-morning,' she said, gently touching him on the shoulder. 'How is
+your head feeling?'
+
+He opened his eyes and looked into the face bending over his. 'I think
+it's all right,' he said weakly. 'But, nurse, won't you tell me how I
+got here?'
+
+She dipped a cloth into a basin and bathed his hands and face.
+
+'You were hit by a piece of shrapnel in last night's air-raid. I wasn't
+on duty when you came in, but the night-sister said you were quite
+delirious--though you seem ever so much better this morning, don't you?
+I'll take your temperature, and after you've had some breakfast I'll put
+a new dressing on your wound.'
+
+She was just going to insert the thermometer between his lips, when he
+stopped her with his hand. 'Nurse,' he said, 'why was I brought
+here--among soldiers?'
+
+'Because every hospital is filled to overflowing. The casualties are so
+heavy just now.' Her voice was still kind, but there was a look of
+resentment in her eyes at his question.
+
+'Please don't misunderstand me,' said Selwyn wearily. 'It is only the
+feeling that I have no right here. This cot should be for a soldier, and
+I'm a civilian. I'm an American, and--and if you only knew'----
+
+'Just a minute, now, until we get this temperature, and then you can tell
+me all about it.'
+
+With his lips silenced, but his doubts by no means so, he watched her
+move down the ward in commencement of the countless duties of her day.
+She was a woman of thirty-three or thirty-four years, still young, and
+possessed of a womanliness that softened her whole appearance with a
+tranquil restfulness. But beneath her eyes and in the texture of the
+skin faint wrinkles were showing, thinly pencilled protests against
+overwork, that no treatment could ever eradicate. On the red collar of
+her uniform was a badge which told that she had gone to France with the
+first little army of Regulars in 1914.
+
+Noting her calloused hands and the too rapid approach of life's
+midsummer, Selwyn watched her, and wondered what recompense could be
+offered for those things. In ordinary life, given the privileges and the
+opportunities which she deserved, she would have been another of those
+glorious English women whose beauty is nearest the rose. She would have
+been a wife to grace any home, and as a mother her charm would have been
+twofold. But for more than two years incessant toil and endless
+suffering had been the companions of her days, and the not over-strong
+body was giving to the ordeal.
+
+But as his heavy thoughts drifted slowly through this channel, he saw
+grinning patients who were well enough get out of bed to help her. As if
+she carried some magic gem of happiness, her soft voice and deft touch
+brought smiles to eyes that had been scorched in the flames of hell. Men
+looked up, and seeing her, believed once more in life; and hope crept
+into their hearts. Men in the great shadowy valley murmured like a
+child in its sleep when a ray of morning sunshine, stealing through the
+curtains, plays upon its face.
+
+And of the many things which Selwyn learned that day, one was that those
+ministering angels, those women of limitless spirit and sympathy, have
+memories of mute, unspoken gratitude, beside which the proudest triumphs
+of the greatest beauties are but the tawdry, tinsel glory of a pantomime
+queen.
+
+
+II.
+
+After the nurse had taken the thermometer from Selwyn and marked his
+temperature on a chart which she placed beside him, breakfast was brought
+in, and he was propped up with pillows.
+
+'Guid-mornin',' said the Highlander. 'I hope ye're nane the waur o' your
+expeerience.'
+
+'Not 'im,' broke in the Cockney, eating his porridge with great relish.
+'It done 'im good.'
+
+'I am very well,' said Selwyn haltingly. 'I hope my arrival did not
+disturb any of you last night.'
+
+At the sound of his carefully nuanced Bostonian accent there was a
+violent dumb-play of smoothing the hair and arranging the coats of
+pyjamas, while one Tommy placed a penny in his eye in lieu of a monocle.
+
+'I was 'oping,' said the Cockney, with a solemn wink to the gathering,
+'as 'ow Number 26 would be took by a toff, and, blime, if it ain't! It
+were gettin' blinkin' lonesome for me with only Jock 'ere and Frenchy
+opposite, who ain't bad blokes in their wy, but orful crude for my
+likin'.'
+
+'Where did it hit ye?' asked the Scot encouragingly.
+
+'On the head,' said Selwyn, pointing to his bandage.
+
+'Mon, mon, that's apt to be dangerous.'
+
+'Nah then!' cried the Cockney, reaching for his temperature-chart, 'we'll
+open the mornink proper with the 'Ymn of 'Ate. In cise you don't know
+the piece, m'lud, you can read it off your temperacher-ticket. Steady
+now--everybody got a full breath? Gow!'
+
+With great zest all the patients who were able to sit up broke into a
+discordant jumble of scales as they followed the course of their
+temperatures up and down the chart. Gradually, one by one, they fell out
+and resumed their breakfast, until the Scotsman was the only one singing.
+
+'Ye ken,' he said, pausing temporarily and looking at Selwyn, 'yon should
+be rendered wi' proper deegnity.' With which explanatory comment he
+finished the last six notes, and solemnly replaced the chart on the ledge
+behind him, as if it were a copy of Handel's _Messiah_.
+
+The last note had hardly died away when a violent controversy broke out
+between a pair of Australian soldiers on one side and almost the entire
+ward on the other. The thing had started by one of the Anzacs venturing
+the modest opinion that if Britain had had a million Australian troops,
+they, the present gathering, would be 'hoch, hoching' in Berlin
+(apparently a delightful prospect) instead of being cooped up in a London
+hospital.
+
+The little Cockney was just going to utter a crushing sarcasm, the
+French-Canadian had taken in a perfectly stupendous breath, the
+Highlander was calmly tasting the flavour of his own reply, when the
+impending torrent was broken by the entrance of the chaplain, who wished
+every one a somewhat sanctimonious 'Good-day.'
+
+'I shall read,' he said, putting on a pair of glasses, 'the latest
+_communiqué_ from the front. We have done very well. The news is quite
+good--quite good. "_This morning, on a front of three miles, after an
+intense artillery preparation, the Australians_"'----
+
+''OORAY!' roared the Cockney.
+
+The glasses popped off the chaplain's startled nose, and he just managed
+by a brilliant bit of juggling to rescue them before they reached the
+floor.
+
+'I--I,' he ventured, smiling blandly, 'am delighted at your enthusiasm,
+but you did not let me finish. "_This morning_"--um, um, ah--"_three
+miles_"--um, um, yes--"_three miles, after an intense artillery
+preparation, the Australians_"'----
+
+''OORAY!' It was a deafening roar from the whole crowd.
+
+'"_The Australians_"'----
+
+'OORAY!'
+
+'"_The_"'----
+
+'Oo'----
+
+Really, men, you must control yourselves. We are all glad and sustained
+by any victory, however slight, but you must not give way to unmeaning
+boisterousness. "_This morning, on a front of three miles, after an
+intense artillery preparation, the Australians_"'----
+
+There was a medley of submerged, prolonged snores. The chaplain looked
+up indignantly. With the exception of Selwyn and the two Australians,
+every one had followed the lead of the Cockney and disappeared underneath
+the bed-clothes.
+
+'This,' said the good man--'this frivolity at such a harrowing moment in
+our country's destiny is neither seemly nor respectful. Cheerfulness is
+admirable, until it descends to horseplay.'
+
+With which parting salvo the worthy chaplain, who had never been to
+France, and who was doing the best he could according to his clerical
+upbringing, left his unruly flock, taking the _communiqué_ with him.
+
+A little later the doctor made his rounds, pronouncing Selwyn's wound as
+not dangerous, but assuring him he was lucky to be alive. Another inch
+either way and---- Passing on to the Scotsman, he stayed a considerable
+length of time; but as the screen was set for the examination, the
+American had no way of knowing its nature.
+
+And so, with constant badinage, seldom brilliant, but never unkind, the
+morning wore on. It was nearly noon when Selwyn saw a wheeled stretcher
+brought into the ward and the Highlander lifted on to it.
+
+'Jock,' said the little Cockney, 'I 'opes as 'ow everythink will come out
+orlright.'
+
+'By Gar, Scoachie!' cried the French-Canadian, 'I am sorree. You are one
+dam fine feller, Scoachie.'
+
+'Dinna worry yersel's,' said the man from the North. 'I'm rare an' lucky
+that it's to be ma richt leg an' no the left, for that richt shank o'
+mine was aye a wee thing crookit at the knee, and didna dae credit tae
+the airchitecture o' tither ane.'
+
+Thus, amid the rough encouragement of his fellows, and by no means
+unconscious of the dignity of his position, the Highland soldier was
+taken away to the operating-room.
+
+The French-Canadian made a remark to Selwyn, but it was not until the
+second repetition that he heard him.
+
+
+III.
+
+About three o'clock that afternoon a little stream of visitors began to
+arrive, and Thomas Atkins, with his extraordinary adaptability, gravely,
+if somewhat inaccurately, answered the catechism of well-meaning old
+ladies, and flirted heartily and openly with giggling 'flappers.'
+
+To the visitors, however, Austin Selwyn paid no heed. He was enduring
+the lassitude which follows a fever. He knew that the crisis had come,
+the hour when he must face fairly the crash and ruin of his work; but he
+put it off as something to which his brain was unequal. Like slow
+drifting wisps of cloud, different phrases and incidents floated across
+his mind, shadows of things that had left a clear imprint upon his
+senses. With the odd vagrancy of an undirected mind, he found himself
+recalling a few of Hamlet's lines, and smiled wanly to think how, after
+all those years, the immortal Shakespeare could still give words to his
+own thoughts: 'This goodly frame, the earth, seems to me a sterile
+promontory; this most excellent canopy, the air, . . . this brave
+overhanging firmament--this majestical roof fretted with golden fire,
+why, it appears no other thing to me than a foul and pestilent
+congregation of vapours.'
+
+The wings of memory bore him back to Harvard, where once in a scene from
+_Hamlet_ he had mouthed those very words, little dreaming that in a few
+short years he would lose the sense of euphony in the cruel realisation
+of their meaning.
+
+Then, before he saw her or heard her step, he knew that SHE had come.
+His heart quickened, and his breathing was tremulous with mingled
+emotions.
+
+'Well,' she said, coming to his bedside and offering her hand, 'how is
+the invalid?'
+
+'Elise,' he said, 'it is wonderful of you to come.' He looked at her
+khaki uniform, at the driver's cap which imprisoned her hair. 'Now,' he
+went on dreamily, 'it all comes back to me. It was you who brought me
+here.'
+
+'Had you forgotten that already?' she said, bringing a chair to the
+bedside.
+
+'I couldn't remember,' he answered weakly. 'All I know is that I was
+walking alone--and there came a blank. When I woke up I was here with a
+head that didn't feel quite like my own. But I knew, somehow, that you
+had been with me.'
+
+'What does the doctor say about your wound?'
+
+'It is not serious.'
+
+'You have heard since what happened?'
+
+'Yes.'
+
+'It was absolutely topping the way you fought for that child's life.'
+
+He made a deprecatory gesture, and for a moment conversation ceased. He
+was wondering at her voice. A subtle change had come over it. Her words
+were just as uncomfortably rapid as in the first days of their
+friendship, but there was a hidden quality caught by his ear which he
+could not analyse. Looking at her with eyes that had waited so long for
+her coming, he felt once more the affinity she held with things of
+nature. Her presence obliterated everything else. They were alone--the
+two of them. The hospital, London, the world, were dimmed to a distant
+background.
+
+'After such a night,' he said, 'it is very kind of you to make this
+effort.'
+
+'Not at all. We're cousins, you know.'
+
+'I--I don't'----
+
+'The Americans and the English, I mean. Relatives always go to each
+others' funerals, so I thought I might stretch a point and take in the
+hospital.'
+
+'Oh! That was all?'
+
+'Goodness, no! You automatically became a protégé of mine when I picked
+you up last night. Isn't that a horrid expression?--but frightfully
+fashionable these unmoral days.'
+
+'You must excuse me,' he said slowly, 'but I was foolish enough to think
+you came here because--well, because you wanted to.'
+
+'So I did. An air-raid casualty is ever so much more romantic than a
+wounded soldier. If he lives through it, he always proposes the very
+next day either to the nurse or to the ambulance-driver, whereas a Tommy,
+after his third wound, becomes so _blasé_.'
+
+'You shouldn't torture me,' he said, wincing noticeably under the
+incision of her words.
+
+Just for a fleeting instant her eyes were softened with a tender look of
+self-reproach. His heart warmed at the sight, but before he could
+convince himself that it was not a creation of his own fancy, it had
+passed, and once more she was holding him at bay with her impersonal
+abruptness.
+
+'Will you tell me about yourself?' he urged. 'Please.'
+
+'What do you want to know?'
+
+'Everything--everything!' he blurted out, impetuously leaning forward.
+'My heavens! Don't you know how I've longed and waited for this moment
+ever since that night at your flat? I want to hear all about you--what
+you've done, where you've been, and--and in what mysterious way you've
+changed.'
+
+'Have I changed?'
+
+'Of course you have. You're trying to appear just as you were when we
+first met, but you can't do it. Even if I hadn't noticed the difference
+in you, I should have known that no one could live through these times
+and remain the same.'
+
+'Why not? Haven't you?'
+
+He laughed grimly, and his head sank back on the pillows. 'I want to
+know all about you, Elise,' he repeated dully.
+
+'Very well.' She smoothed her skirt with her hands, and folded them
+Quakeress-fashion.
+
+'As you know, I once had a flat in Park Walk--which I shared with various
+and variegated female patriots, also engaged in guiding the destinies of
+motor-cars. Edna was the first one to follow Marian, after she and I
+quarrelled; but Edna couldn't break herself of the habit of wandering
+into the Ritz for luncheon every second day with only a shilling in her
+pocket.'
+
+'But I don't see how'----
+
+'You poor innocent! Some one always paid--don't worry. So we parted
+company on that issue, and I asked Mabel to take Edna's place. Mabel was
+frightfully nice, but took to opium cigarettes, and then to heroin. She
+disappeared one night, and never came back. Poor girl! Her going made
+room for Lily, who read the very nicest modern novels, and always cried
+through the love scenes. I wish you could have seen her sitting up in
+bed reading a book, eating chocolates, and sobbing like a crocodile.
+Lily had only one weakness--marrying Flying Corps officers. It was
+really the army's fault giving two of her husbands leave at the same
+time.'
+
+Selwyn frowned, 'What a dreadful experience!' he said.
+
+'Oh, I don't know.' She gave a little shrug of her shoulders, but the
+spirit of badinage had vanished both from her face and from her voice.
+'It didn't take long to lose most of one's illusions. It is one thing to
+meet people as Lord Durwent's daughter, and quite another as a free-lance
+ambulance-driver. I've seen what people really are since I've been on my
+own, and I'm sick of the whole thing.'
+
+'You don't mean that, Elise?'
+
+'I do. Men are rotten, and women are cats.'
+
+He smiled quizzically, but she kept her eyes averted from his. It almost
+appeared as if she were determined to retain her pose of callousness at
+any effort, but his sense of psychology told him that his first
+conjecture was correct. The girl who had endured was trying to hide
+herself behind the personality of her old self.
+
+'My dear girl,' he said slowly, 'it is an old trick of women to talk for
+the purpose of convincing themselves. I don't care what you have
+seen--you could not have passed through the ordeal of these long months
+and believe in your innermost soul that either men or women are rotten.
+In many ways I feel as if what little knowledge I possess dates from last
+night; and I have learned things about men right here in this ward to-day
+that have made me humble. These chaps that we call ignorant, the lower
+classes--why, they are superb, wonderful. I tell you they have greatness
+in them. I wish you could have seen them'----
+
+'Haven't I seen them,' she cried, with a little catch in her throat,
+'hundreds and hundreds of times? Almost every day, and at all hours of
+the night, I've gone to meet the Red Cross trains. I have seen men die
+while being lifted out of the ambulance--men who would try to smile their
+thanks to us just before the end came. I have'---- She caught her hands
+in a tight grip, and her eyes welled with tears. 'But they're just
+jingoes, I suppose,' she said, blending a scornfulness with her repressed
+grief.
+
+'I have deserved this,' said Selwyn, his face drawn. 'Nothing that you
+can say is half so bitter as my thoughts.'
+
+'I didn't mean to hurt you,' she said.
+
+'If ever a man was sincere, I was, Elise. Since I left you at Roselawn I
+have followed the one path, thinking there was a great light ahead. Now
+I am afraid that, perhaps, it was only a mirage.'
+
+'No, it wasn't,' she replied vehemently. 'I hated you for thinking
+English women would not aid their men to fight, and I wanted never to see
+you again. But do you remember when I said that the glory of war was in
+women's blood? There was a certain amount of truth in it at the
+beginning; for when I first saw the wounded arrive I was madly excited.
+I wanted to shout and cheer. But as the months have gone on, and I have
+seen our soldiers maimed and bleeding and suffering, while thousands of
+their women at home have simply broken loose and lost all sense of
+decency or self-respect--oh, what's the use?'
+
+'But you mustn't forget the women who have done such great things for the
+country.'
+
+'I know--but what's it all for? Since this battle of the Somme our
+casualties have been frightful, and every day means so many of our real
+men killed, and so many more shirkers and rotters in proportion to carry
+on the life of England. We've had our women's revolution all right.
+There are not many of the old barriers left; but what a mess we have made
+of our freedom! When I think of all that, and then recall what you said
+about war, I know that you were right, and we were wrong.'
+
+'You are wonderfully brave,' said Selwyn, 'not only for having done so
+much, but in telling me that.'
+
+'No,' she said, lowering her eyes to the gloves which she held in her
+hand; 'I have lost all my courage. Every night I feel as if another day
+of meeting the wounded will kill me. . . . If it could only end!
+Anything would be better than these awful casualty lists.'
+
+'Elise'--he raised himself on his elbow and leaned towards her--'you
+prove yourself a woman when you say that; but you're wrong. I can't give
+my reasons yet, but since last night I have been seeing clearer and
+clearer that Britain not only must not lose, but must _win_. I know
+other men have said it ten thousand times, but only to-day have I begun
+to see that, in its own strange, unidealistic manner, this Empire is
+fighting for civilisation.'
+
+'Then'--her eyes were lit with sudden, glistening radiancy--'then you
+don't think our men have died uselessly?'
+
+'I could not believe in God,' he answered, wondering at the calm
+certainty of his voice uttering things which would have infuriated him a
+few hours before, 'if I thought that this war's dead had fallen for
+nothing.' His hand, which had been raised in gesture, fell limply on the
+bed. 'Up to yesterday,' he went on slowly, 'I reasoned truth; to-day--I
+feel truth. I wonder if it is not always so, that higher knowledge
+begins with the end of reasoning.'
+
+For a couple of minutes neither spoke, and his head was throbbing with
+anvil-beats. Twice she started to speak, but stopped each time as though
+distrustful of her own words.
+
+'I am going back to America, Elise.' His dreamy eyes were gazing beyond
+her into the distance, or he might have noted that the colour in her
+cheeks fluctuated suddenly and the fingers on her gloves tightened.
+
+'Why?' There was nothing in her voice to indicate anything but casual
+interest.
+
+'I must go back,' he said, leaning towards her--'back to my own country.
+You don't understand. . . . There comes a moment when every fibre of a
+man's being craves for his own people, for the very air that he breathed
+as a boy. All these wasted months and last night's climax of damnable
+murder have left me dazed. I am floundering hopelessly--but at home I
+shall be able to clear my mind of its mists and see this whole thing as
+it really is.'
+
+A wall of pain pressed against his head, and his face went gray with
+agony. In an instant she was standing over him arranging his pillows,
+and soothing his temples with the gentle pressure of her hands.
+
+For the first time in many months he knew the help and compassion of a
+woman--and the woman was Elise. He was weak from loss of blood, weary
+from the long travail of the mind, and her presence, with its indefinable
+fragrance of clover and morning flowers, was as exquisite music to his
+senses.
+
+'If you only knew,' he murmured, 'how I have longed for this moment. It
+has been very lonely for me--and I have wanted you so much, Elise. God!
+I've wanted you until I had to struggle to keep from crying out your name
+in the very streets. Forgive me talking like this.' He groped for her
+hand and held it tightly in his. 'I never had any right to tell you what
+you meant to me--and less now than before--but when I come back'----
+
+'You will never come back.' She laughed with a strange tremulousness,
+but in her eyes there was something of the scorn she had shown towards
+him at Roselawn.
+
+'You are wrong,' he said; 'I must'----
+
+'You are an American,' she answered quickly, 'and that comes first with
+you. Your country has nothing to do with this war, and you are going
+back to it. You will stay there. I know you will.'
+
+With his old decisive mannerism he sat up, and his eyes flashed with
+vigour.
+
+'I will come back,' he said firmly. 'Life has separated us--it has not
+been your fault or mine--but some day, Elise, when I get my grip on
+things again, I shall come to you, and you will have to listen. We need
+each other, and nothing on the earth can alter that'----
+
+'Except America!' She laughed again, and withdrew her hand from his.
+
+'Elise!' he cried, reaching towards her, 'listen to me'----
+
+The Cockney patient leaned over with a bag in his hand. ''Ave a gripe?'
+he said genially.
+
+'No, th'---- began Selwyn.
+
+'Thanks so much,' said Elise, taking the bag and picking a small cluster
+for the American, afterwards handing the bag back to the Tommy.
+
+''Ave a few yourself, won't yer?' said the warrior.
+
+'May I?'
+
+''Ere,' said the Cockney, with mock brusqueness. 'Tike a bunch.'
+
+Perhaps from the very intensity of their previous talk, the threads
+snapped, and her quickly uttered sentences, with the accompanying sparkle
+in her eyes, showed him that he could hope for little more than badinage
+for the rest of her visit. Almost as if she desired to eradicate the
+memory of her emotional admission, she gave her vivacity full play. For
+a few minutes he tried to bring back the close intimacy of their souls,
+but she fenced him off, and met his heart-hungry glances with the gayest
+of smiles.
+
+Roselawn, she told him, had been transformed into a convalescent home,
+and Lord and Lady Durwent were living in one of the wings. Practically
+all the servants had enlisted or gone into war-work; and even Mathews,
+the groom, after perjuring himself before a whole regiment of army
+doctors, had been accepted (with grave official doubts) for military
+service.
+
+Interspersed with these details she recounted incidents of her London
+life as an ambulance-driver, and it was all her listener could do to
+follow the swift irrelevance of her course. Only once did she pause
+when, in answer to his question, she told him she had heard nothing of
+Dick.
+
+
+IV.
+
+A few minutes later she rose to go.
+
+'I have stayed much too long,' she said. 'I do hope you'll get better
+quickly.'
+
+He took her hand in his, but made no attempt to translate the meaning of
+the moment into language. He had worked against her country; while she
+plied her rounds of mercy, he had written on the debasement and the
+fallacy of it all. Lying in the wreck of his idealism, in the grip of
+physical pain, dreading the torture of his own thoughts, could he express
+what her coming had meant? He wanted to tell her of his heart-hunger, of
+his loneliness, his gratitude, understanding, reverence, and, above all,
+of his love. There was so much that it made him silent.
+
+'Good-bye, Elise,' he said.
+
+'Good-bye,' she answered.
+
+That was the end. Of such paltry substance are words.
+
+'By Gar!' said the French-Canadian, looking after her as she disappeared
+down the ward, 'she mak me tink of my leetle girl Marie; only Marie,
+mebbe, is only so high, _comme ça_, and got de black hair, so! I am
+homeseek. Yes. It mak me verra homeseek. _Godam_!'
+
+
+V.
+
+She did not come again. Every morning his heart quickened with hope, and
+each afternoon grew heavy with discouragement as the hours passed by
+without the step he listened for. The arrival of the mail was an instant
+of mad expectancy and mute resignation. But every day carried its cargo
+of renewed hope, and he grudged the very hours of sleep that separated
+him from it.
+
+He wrote to her three times--pleaded with her to come again. He begged
+forgiveness for omitted or committed things which might have hurt her,
+but no reply came. He thought of writing to Roselawn, fancying she might
+have gone there, but he was certain that before the letter could reach
+her she would have come again, and they would only laugh at the idea of
+any misunderstanding.
+
+He blamed himself for a hundred imaginary crimes. He had not asked her
+if she would return. Perhaps he had carelessly uttered words that
+wounded her. He knew her pride; knew that after their parting at the
+flat it must have been hard for her to make the first move towards
+reconciliation--and she might have mistaken his joy for petty personal
+triumph.
+
+Or--had he been an utter fool? Was this her punishment of him? With the
+consummate artistry of her sex, had she simulated sympathy and
+forbearance to make his torture all the more exquisite? He dismissed the
+suggestion as something vile, but, feeding on his doubts and longings, it
+grew stronger and more insistent with every hour's passing. A hundred
+times a day he closed his eyes and lived the sweet memory of her visit;
+but with the gathering arraignments of his doubts, he wondered if it had
+all been the studied act of the English girl's reprisal on the American
+who had dared to challenge her nation.
+
+Weary, weary hours--the inactivity of the body lending fuel to the flames
+of his mind. He determined to dismiss her from his thoughts, and with
+his power of mental discipline he reduced his mood to one of mute
+resignation.
+
+Then the thought of America came to him, and he was seized with an
+impetuous craving for his own country, his own land, where men's natures
+were broad and mountainous, like America itself. He pictured New York
+towering into the skies, the charming homes of Boston, where so many
+happy hours had been spent in genial, cultured controversy. He smelt the
+ozone of the West, where sandy plains melted into the horizon; where men
+lived in the open, and a man was your friend for no better reason than
+that he was following the same trail as yourself.
+
+America. . . . He was impatient now of every day that kept him in
+England. He felt that his emotions, his brain, his convictions would all
+be rudderless until he breathed once more the air of the New World, with
+its vassal oceans bringing tribute to both Eastern and Western coasts.
+
+He would not call himself a failure or a success until he looked on his
+handiwork in the light of the great Republic. As his ancestors leaving
+the shores of Holland and Ireland, as millions of men and women had done
+with the Old World dwindling away in the distance, he looked towards
+America for the answer to existence.
+
+Ten days after his admission he was allowed to leave the hospital for his
+rooms in St. James's Square.
+
+He took his leave of the little group who had been his companions
+for the time--the little Cockney with his incessant exuberance; the
+French-Canadian, picturesque of language and imagination; the one
+remaining Australian, vigorous of thought and forceful of temperament;
+the nurse, carrying Florence Nightingale's lamp through the
+blackness of war. He tried to say a little of what was bursting for
+utterance, but they only laughed and fenced it off. They wished him
+'Cheerio--good-bye--good luck;' and he wondered if the whole realm of
+lived or written drama held any farewell more sublimely expressive of a
+great people enduring to the uttermost.
+
+His servant had a taxi-cab waiting for him. Driving first to a
+florist's, he purchased roses for the nurse; then, stopping at a
+tobacconist's, he left a generous order for all the occupants of the
+ward. After that he went directly to the American Consul's office and
+made arrangements for his return to New York.
+
+
+VI.
+
+It was late in December when, driving to Waterloo to catch the boat-train
+to Southampton, Selwyn was held up in the Strand by the crush of people
+welcoming the arrival of Red Cross trains from the front.
+
+Leaning out of the window, he watched the motor-cars and ambulances
+coming out from the station courtyard, while London's people, as they had
+done from the beginning, welcomed the unknown wounded with waving
+handkerchiefs and flowers, with hearts that wept and faces that bravely
+smiled.
+
+With a suppressed cry, Selwyn opened the door and leaped into the crowd.
+He had seen her driving one of the ambulances, and he fought his way
+furiously through the human mass to the open roadway. But it was
+useless. The ambulance had disappeared.
+
+Struggling back to the taxi, he re-entered it, and turning round, made
+for Waterloo Bridge by way of the Embankment.
+
+
+
+
+CHAPTER XIX.
+
+EN VOYAGE.
+
+From a sheltered position on the hurricane-deck, Austin Selwyn watched
+the curtain of night descending on England's coast. Portsmouth, with
+its thousand naval activities, was already lost to view off the ship's
+stern; and the Isle of Wight was but a dark margin on the water's edge.
+
+Not a light was to be seen on shore. Like an uninhabited island,
+England lay in the mingled menace and protection of the sea, while
+unseen eyes kept their endless vigil.
+
+The vibration from the ship's engines told him she was gathering speed.
+Impatient of the six days that must elapse before harbour could be
+reached, he walked to the front of the deck and watched the officers on
+the bridge peering into the darkness ahead.
+
+When he retraced his steps he could no longer distinguish land. Two
+searchlights playing on the surface of the water revealed a cruiser
+steaming silently out to sea.
+
+A feeble star appeared in the sky.
+
+ * * * * * *
+
+Mid-ocean.
+
+A clear winter sunlight touching the green, swirling water with strands
+of yellow gold; a wind sweeping the ship's decks, blowing boisterously
+down companion-ways and along the corridors; a few shimmering
+snowflakes from an almost cloudless sky; everywhere the vastness of
+ocean. And the ship buffeting its way towards the New World.
+
+Mid-ocean.
+
+ * * * * * *
+
+The City of New York.
+
+Anchored down the bay just after sunset, Selwyn watched the great
+metropolis as her form was vitalised with a million lights. From the
+ship's side, it seemed to the eyes watching the birth of New York's
+night that the buildings had come to the very water's edge to gaze into
+its depths, and see their own reflection.
+
+Here and there in the outline of great buildings a mammoth structure
+raised its head above all others, losing itself in the foam of light
+that floated mist-like over the city's towering majesty.
+
+For more than two hours Selwyn remained motionless in the thrill of
+patriotism. The burst of light challenging the reign of darkness was a
+symbol to him. The Old World was crouching in darkness, fingering and
+fearing the assassin's knife. . . . But America was the Spirit of
+Light.
+
+How many times, he thought, emigrants must have looked on just as he
+was doing! How many times that sight must have brought hope to weary,
+discouraged souls that never thought to hope again!
+
+To the idealist returning to his own country, New York was not a
+citadel guarding the entrance to a Nation, but a gateway opening to the
+Continent of Opportunity.
+
+
+
+
+CHAPTER XX.
+
+THE GREAT NEUTRAL.
+
+
+I.
+
+One afternoon a tall, heavily built young man entered his house on
+128th Street, New York, and after divesting himself of his coat and
+hat, rubbed his hands in genial appreciation of his own hearth and the
+exclusion of the raw outside air. He was dressed in a gray lounge
+suit, a clerical collar alone denoting his vocation.
+
+'There's a gentleman in your room, Mr. Forbes,' said his housekeeper,
+appearing from the kitchen. 'He said he was an old friend, and would
+wait.'
+
+'What's his name?'
+
+'Mr. Selwyn, sir.'
+
+'Austin Selwyn? By George!' Taking the stairs three at a time, the
+energetic clergyman burst into the library and advanced with both hands
+outstretched. 'For the love of Pete!' he ejaculated most unclerically.
+'How are you, my boy? Let me have a look at you. Still the same old
+Sel, eh? A little thinner, I think, and not quite so much hair--humph!
+Sit down; have that easy-chair; tell me all about yourself. Well,
+well! this is an unexpected treat.'
+
+The Rev. Edgerton Forbes, who had been looking Selwyn over after the
+custom of tailors about to offer sartorial advice, ceased his
+inspection, and shook hands all over again.
+
+'Edge,' said Selwyn, speaking for the first time, 'you can't imagine
+what your welcome means to me.'
+
+'My dear boy, you never doubted its warmth?'
+
+'Yes I did, old man--after what I've been writing.'
+
+The athletic clergyman laughed uproariously. 'I suppose you're a
+dyed-in-the-wool Englishman now, and want your cup of tea. Well, I'll
+join you.--Mrs. Perkins.' Going to the door, he gave the necessary
+orders, and returned rubbing his hands, and venting his surplus energy
+in a variety of hearty noises expressive of pleasure at seeing his old
+friend.
+
+'Now, start at the beginning,' he said, 'and give me everything. The
+semaphore's up, and there's a clear track ahead.'
+
+'But I want to know about things here first.'
+
+'After you, my son. Put it over now. By the way, that's a nasty scar
+on your head. How did you get it?'
+
+In a few words Selwyn traced the course of events which had led to his
+crusade against Ignorance, a crusade which had in an inexplicable way
+turned particularly against England. He spoke of Doug Watson's letter
+with its description of the slaughtered German boy, and he told of the
+air-raid in the moonlight, the climax to his long orgy of idealism. He
+touched lightly and humorously on his hospital experience, but not once
+did he mention the inner secret of his heart. To the whole recital
+Forbes listened with a genuineness and a bigness of sympathy which
+seemed to belong to his body as well as his mind.
+
+'That is pretty well everything,' said Selwyn. 'I have come back here,
+humble and perplexed, to try to get my bearings. There have been two
+men financing my stuff, and they must account to me for the uses to
+which they have put it. Edge, I was sincere. Not one word was written
+but I put my very life-blood into it.'
+
+The arrival of tea put a temporary stop to the author's
+self-revelation, and his host busied himself with his hospitable duties.
+
+Selwyn passed his hand querulously over his face. The clergyman looked
+at him with a feeling of pervading compassion.
+
+'I was going to ask about Gerard Van Derwater,' said Selwyn, 'How is
+he?'
+
+'Van's very well. He is in the Intelligence Division right here in New
+York.'
+
+'I heard he was engaged to Marjory Shoreham.'
+
+'Yes--he was. They broke it off a few weeks ago; or, rather, she did.'
+
+'I am sorry to hear that,' said Selwyn earnestly. 'I always liked her
+immensely, and I was glad that poor old Van had been the lucky suitor.
+You remember how I used to say that he always carried a certain
+atmosphere of impending tragedy, although he was never gloomy or moody
+about it.'
+
+'Well, Austin, I think the tragedy has come.'
+
+'I must see him,' said Selwyn. 'In coming back here, you and he were
+the two I wanted most to meet. I knew that neither of you would
+withdraw your friendship without good reason; but also I knew you would
+tell me bluntly where I stood. Why did Marjory break off with Van?'
+
+The clergyman told what he knew, and at the conclusion of the story
+Selwyn rose to his feet.
+
+'I must see Van at once,' he said. 'There's more in this than appears
+on the surface. If you will give me his number, I'll find out when we
+can get together.'
+
+Receiving the necessary information, Selwyn went downstairs to the
+telephone, returning in a couple of minutes to the den.
+
+'I just caught him,' he said to his host, 'and I am going to his rooms
+at nine tonight.'
+
+'Good work. Now sit down and tell me about the English. You'll find
+me the most attentive audience you ever had.'
+
+
+II.
+
+It was theatre-time when Selwyn left his hotel and walked over to
+Broadway. That diagonal, much-advertised avenue of Gotham was ablaze
+with light. From shop windows, from illuminated signs, from office
+buildings, street-cars, and motors, the carnival of theatre-hour was
+lit with glaring brilliancy. Women, in all the semi-barbaric
+costliness with which their sex loves to adorn itself of a night,
+stepped from limousines with their tiny silvery feet twinkling beneath
+the load of gorgeous furs and vivid opera-cloaks; while well-groomed
+men, in the smart insignificance of their evening clothes, guided the
+perilous passage of their fair consorts from the motor's step to the
+pavement.
+
+Momentarily reduced to the democracy of pedestrianism, they would lose
+themselves in the surging mob of passers-by--shop-girls on their way to
+a cinema; rural visitors shocked and thrilled with everything;
+keen-faced, black-haired Jews speculating on life's profits;
+sallow-faced, lustrous-eyed girls hungry for romance, imagining every
+begowned woman to be an adventuress, and every man a Prince Charming;
+here and there an Irish policeman, proving that his people can control
+any country but their own. Of such threads is woven the pattern of New
+York's theatre-hour on Broadway.
+
+From sheer inability to stem the traffic, Selwyn stepped into a
+doorway. On the opposite side of the street a theatrical sign
+announced that 'Lulu' was 'the biggest, most stupendous, comedy of the
+season.' He wondered what constituted largeness in a comedy. Surely
+not the author's wit! Before he could formulate a solution of the
+mystery, a great overhead sign suddenly ignited with the searching
+question--
+
+ DO YOU CHEW SWORDSAFE'S GUM?
+
+
+Hastily detaching his mind from the biggest, most stupendous, comedy of
+the season, he stared at the interrogation of the gum company. It
+suddenly disappeared, however, and then he saw that, like the goblins
+who chased the small boy who was lost, the business interests of New
+York had assumed a violent interest in his personal habits. What
+underwear did he buy? Did he know that Hot-door's shaving-soap was
+used by 76 per cent. of the entire manhood of America? There was only
+one place humanly conceivable where lingerie could be purchased; to
+prove it, the illuminated signboard promptly showed a lady in a costume
+usually confined to boudoirs. To equalise the immodesty of the sexes,
+a near male neighbour, at a height of two hundred odd feet, did an
+electrified turn by putting on and taking off a pair of
+trousers-suspenders.
+
+
+ DO YOU CHEW SWORDSAFE'S GUM?
+
+That was the question. What importance could a mere war have in
+comparison with that? Blinking in the glare, Selwyn left the doorway
+and made for Madison Avenue, where Van Derwater's rooms were.
+
+The clocks were just striking nine when he reached the number he
+wanted, and a negro servant led him upstairs. As Selwyn entered Van
+Derwater rose from his chair and greeted him with a restrained
+courtliness that was gentlemanly to a degree, but had an instantly
+chilling effect on the visitor. It was the room the owner used for
+lounging or reading, and the only light was the shaded one on the table.
+
+Van Derwater had just passed thirty, but the premature thinness of his
+hair in front, the listless droop of his heavy shoulders, and the
+bluish pallor about his firm jaw contrived to make him appear older
+than he was. There was a kindliness in the wrinkles about his eyes,
+and his mouth, though solid, was not lacking in indications of
+intuitive understanding. It was perhaps the formality of his bearing,
+the stiffness of his body from the hips, that gave him the air of one
+who belonged by right to a past and more ceremonious age.
+
+Although Van Derwater encouraged his guest, after the exchange of
+greetings, to talk of his voyage and its attendant experiences, Selwyn
+was aware that he was placing a cold impersonal wall between them. His
+old friend was interested, courteous, intellectually even cordial, but
+Selwyn knew he was being kept at a distance. He forced the talk to old
+intimacies--recalled the game when, together, they had crossed Yale's
+line in the closing moments of the great Rugby match--brought back a
+host of joint experiences, trivial in themselves, but hallowed by time.
+
+Van Derwater remembered them all. For each one he had the slight smile
+of his mouth and the quizzical weariness of his eyes; but when the
+conversation would droop after each outburst of reminiscence, he would
+not make the least attempt to lift it up again. Finally, being
+convinced that nothing could come of so bloodless a meeting, Selwyn
+dropped the impersonal mask.
+
+'I was mighty sorry,' he said, 'to hear that you and Marjory have
+broken off your engagement.'
+
+'It was her wish: not mine.' Van Derwater's voice was deep and rich,
+but almost monotonous in its lack of inflection.
+
+'I was talking to Forbes to-day,' went on Selwyn tenaciously. 'He had
+been to see Marjory.'
+
+'Yes?'
+
+'Marjory told him that you didn't care enough for her to go overseas.
+I should think she would realise that such a matter concerns you only.'
+
+'Not a bit of it.' For the first time the other's manner showed signs
+of vitality. 'It means everything to her. She wants to feel that the
+man she marries is big enough to go and help France. I admire her for
+it. I wish there were more women with her character.'
+
+Selwyn shifted his chair uneasily. 'But--I don't understand,' he
+stammered. 'You told her you wouldn't go.'
+
+'Well, what of it?'
+
+'Look here, Van,' said Selwyn vehemently; 'we have been friends for
+many years. I came to you to-night because my whole career is at a
+standstill. I want to tell you everything--I must do it--but I can't
+as long as you withhold your confidence. It isn't curiosity on my
+part--you know that. I want to bring back the old sense of
+understanding we once had.'
+
+'You haven't changed,' said Van Derwater, an inscrutable smile playing
+about his mouth. 'You always had a habit of piercing people's moods,
+no matter what defence they put up. But if you want candour, I'll tell
+you frankly I am sorry you came here this evening. I knew that it
+would be difficult to keep from hurting you, and for old-times' sake I
+didn't want to do that. As you know, I have never made friends. You
+and Forbes were the nearest thing to it, and I suppose you two meant
+more than I would ever care to admit. You might ring the bell over
+your head. The fire needs more coal.'
+
+As the negro obeyed his master's instructions and stoked the fire into
+vigour, the two friends sat without speaking. Selwyn was mute with
+apprehension of what he was to hear; the older man was dreading the
+words he had to utter. To certain strong natures it is more painful to
+inflict than to receive a wound.
+
+'If you want my story,' resumed the host, after the servant had left
+the room, 'and as you are concerned you have a right to hear it, this
+is how it goes. I went into the diplomatic service. Then I met
+Marjory. I needn't say what that meant to me. For the first time, I
+think, I knew what living was. Shortly after came the war. At first I
+thought that if America remained neutral as a country, it was not up to
+individuals to quarrel with that attitude. Then came the _Lusitania_.
+I wanted to go over at once, but hated to suggest it to Marjory. One
+night, though, to my delight, the plucky little girl mentioned it
+herself. I hurried back to Washington and offered my resignation, but
+the chief urged me to remain three months longer, saying that I was
+absolutely necessary in the reorganisation of a certain branch of the
+Intelligence Division in New York. To cut the story short, months and
+months went on, and they refused to release me. As a matter of fact I
+was directing an investigation into German foreign diplomacy that was
+of so delicate a nature I dared not mention it to Marjory. At its
+conclusion I went to Washington and demanded that they let me go--I
+gave my exact reason. The chief said he would give me a reply in a
+week; but I told him that, no matter what he wrote, I would go at the
+expiration of that time. It was while I was waiting for the answer
+that Marjory said it rested with me whether or not the engagement was
+to be broken. I told her that I should be able to state my position in
+a couple of days. Well, the letter came. Perhaps you had better see
+it. You can read it to yourself.'
+
+He went to his desk, and searching among the papers, produced a
+correspondence-form bearing an official stamp. He handed it to Selwyn.
+
+
+'WASHINGTON, November 2, 1916.
+
+'_Personal and Confidential_.
+
+'MY DEAR VAN DERWATER,--As a boyhood friend of your father's I have
+been most anxious to accede to your request for release from your
+present duties. I may say that in my desire to do the fairest thing by
+you, I went so far as to place the facts of the matter before the
+President himself. He agreed with me that your services entitled you
+to every possible consideration; but he also pointed out that the
+intimate knowledge of our secret diplomacy which you have gained marks
+you as too valuable a man to let go lightly. I finally secured his
+consent, but an hour later he sent for me again. It was to talk over a
+new enemy that has arisen in this fight of the present administration
+to weld the conflicting elements of our nation into a single-thinking
+whole. I refer to the ultra-pacifist section which has grown so large
+recently.
+
+'You told me once that you knew this fellow, Austin Selwyn. I am sorry
+to set friend against friend, but his influence over the cultured and
+pacifist elements has to be met sternly and at once. We cannot take
+personal action against him, because he is within his rights as a
+citizen of a neutral country; but nevertheless his writings are proving
+a strong disrupting force--stronger, in fact, than many of the clumsier
+methods employed by subjects of belligerent nations.
+
+'Word has reached us that in all probability this nation will be faced
+shortly with the most momentous decision of the war. Therefore I must
+insist that you take charge of the anti-disruptionist propaganda. I
+shall be in New York next Wednesday, and will discuss with you the
+methods by which we can stem the tide of disloyal pacificism as
+exemplified by this man Selwyn.
+
+'We have no hold over you, my boy; but in the name of this great
+Republic which is struggling against such odds for unification of her
+national life, I bid you remain at your post. I know that the son of
+my old friend Colonel Van Derwater will not question an order.--Yours
+faithfully,
+
+A. WALTER GALLEY.'
+
+
+As Selwyn finished the letter, a flush swept into his cheeks and his
+jaw stiffened with his old fighting mannerism.
+
+'This is infamous!' he cried hotly. 'Do you accuse me of disloyalty to
+my own country?'
+
+'I do,' said Van Derwater calmly.
+
+Selwyn's fists clenched with fury. 'Van,' he said, his voice quivering
+with suppressed passion, 'I may have been blind--I can see where I have
+injured you and many others--but when you or Galley say that I have
+been trying to disrupt America, you lie. There is no one more
+passionately devoted to his country than I.'
+
+'Which is your country?' said Van Derwater.
+
+Through the dim light of the room the eyes of the two men met.
+Selwyn's were blazing like hot coals; Van Derwater's were cold and
+steely.
+
+'What have I done,' said Selwyn, twice checking himself before he could
+trust his voice, 'but tried to show that war is wrong--that men without
+quarrel are killing each other now--that every nation has contributed
+to this terrible thing by its ignorance? What is there in that which
+merits the name of traitor?'
+
+Van Derwater shrugged his shoulders, and taking a book from the table,
+idly studied its cover. 'Since the war began,' he said, his tones calm
+and low, 'the United States has been trying to speak with one voice,
+the voice of a united people. It was the plain duty of every American
+to aid the Administration in that. Instead, what have we found?
+Pro-Germans plotting outrage, and pro-Britishers casting slurs;
+conspiracy, political blackmailing, financial pressure--everywhere she
+has looked, this country has found within her borders the factors of
+disruption. We have fought them all. We have refused to be bullied or
+cajoled into choosing a false national destiny. At the moment that we
+seem to have accomplished something--with Europe looking to us for the
+final decision that must come--you, and others of your kind, contrive
+to poison the great educated, decent-thinking class that we always
+thought secure. Your cry of "Peace--peace--at any price let us have
+peace," has done its work. Consciously or unconsciously, Austin, you
+have been a traitor.'
+
+Selwyn rose furiously to his feet. 'This is the end of our
+friendship,' he said, with his voice almost choking, and his shoulders
+chafing under the passion which possessed him. 'Your chief has chosen
+to name me as a reason for keeping you in America, and so it is I who
+have come between you and Marjory. For that I am sorry. But when you
+question my loyalty to America--that is the finish.'
+
+Van Derwater had also risen to his feet and with the utmost courtesy
+listened to Selwyn's outburst. More than ever there was a mystic
+atmosphere of the Past in his bearing. He might have been a diplomat
+of the sixteenth century bidding adieu to a thwarted enemy
+plenipotentiary.
+
+'Austin,' he said, with the merest inclination of his head, and his
+arms hanging wearily by his sides, 'we live in difficult times.'
+
+With an angry gesture, Selwyn left the room, and taking his coat and
+hat from the negro, went again into the street.
+
+Closing his study door, Van Derwater moved slowly to his chair, and
+lifting his book, opened it. For a long time he gazed at the open page
+without reading a line. 'Difficult times,' he murmured.
+
+
+III.
+
+Still in the grip of uncontrollable fury, Selwyn stamped his way
+through the streets. Colliding heavily with a passer-by, he turned and
+cursed him for his clumsiness. He cherished a mad desire to return to
+Van Derwater's rooms and force an apology by violence. He had expected
+criticism, reproach, even abuse; but that any man should brand him
+treasonous! . . .
+
+He spat into the gutter, and a sound that was almost a snarl escaped
+from his throat. He stopped, irresolute, and the wound in his head
+burst into a violent pain. He leaned against a post until the agony
+had passed, and once more he made for Broadway. At the sight of his
+face glowing-red with passion, girls tittered and men drew aside.
+
+Crossing the road, he stood to let a street-car pass, its covered
+wheels giving an odd resemblance to an armoured car, when an extra
+burst of light made him look up.
+
+It was the gum advertisement again.
+
+
+
+
+CHAPTER XXI.
+
+A NIGHT IN JANUARY.
+
+
+I.
+
+Next morning, when Selwyn left his hotel, a few desultory snowflakes
+were falling through the air, and moistly expiring on the asphalt
+pavements. It lacked a few minutes of nine, and the thousands who man
+the machinery of New York's business were hurrying to their appointed
+places. People who had to catch trains were hurrying to stations; and
+people who had nowhere to go were hurrying still faster. Taxi-cabs
+were rushing people across the city; and other taxi-cabs were rushing
+them back again. The overhead railway was rattling and roaring its
+noisy way; the surface cars were clattering and clanging through the
+traffic; and every half-minute the subways were belching up cargoes of
+toilers into the open air.
+
+New York was in a hurry.
+
+All night the great engine of a million parts had lain idle, but
+morning was the signal that every wheel must leap into action again,
+driven by the inexhaustible army of human souls. Hurry, noise,
+clamour, greed, fever, progress. . . . Another day had dawned!
+
+Crossing Broadway to reach Fourth Avenue, Selwyn could not repress a
+smile at the stricken glory of the great Midway. The illuminated signs
+that had searched the secret crevices of the mind, and had aided the
+iridescent foam seen from the harbour, looked tawdry and vulgar, like a
+circus on a rainy morning. Even the theatres, with their sign-borne
+superlatives, were garish and illusion-shattering. There was almost an
+apologetic air about the bill-boards proclaiming their nightly offering
+to be the 'biggest ever.'
+
+Selwyn began to resent that word 'biggest.' One of the sad things
+about America is that she started out to make language her slave--only
+to find that it is becoming her master.
+
+Entering a great office-building, he consulted the directory-board, and
+was swooped up to the twenty-fourth floor in a non-stop elevator.
+Finding the room of his literary agent, he went in, but a young lady
+told him Mr. Lyons was in Chicago.
+
+'It doesn't matter,' said Selwyn. 'I shall see him when he returns.
+But I want a couple of addresses. Have you the file of letters to me?
+Austin Selwyn is my name.'
+
+The young lady was gratifyingly flustered at the announcement, and by
+her haste to produce the required letters indicated the esteem in which
+her employer held the author.
+
+'It was early last September,' said he. 'Mr. Lyons mentioned two
+names: a Mr. Schneider, who purchased the foreign rights of my stuff;
+and some one who wanted me to lecture--yes, that is the letter. Could
+you give me the addresses of these gentlemen?'
+
+She wrote them on a card and gave it to him. 'Mr. J. V. Schneider,'
+she said, 'is in the Standard Exchange Building, just one block below
+here; and Mr. C. B. Benjamin is on 28th Street, in the United
+Manufacturing Corporation.'
+
+Thanking her for her courtesy, Selwyn left the office, and going
+directly to Mr. Schneider's place of business, sent in his card. He
+was ushered through a large room where a dozen typewriters were
+clicking noisily, and reaching the private office of Mr. Schneider,
+found himself in the presence of a small, crafty-faced man, whose oily
+smile and air of deference did not harmonise with his eyes, which were
+as shifty and gleaming as those of a rat. He shook hands with his
+visitor, and then clawed at the papers on his desk with moist fingers
+that were abnormally long.
+
+'Vell, Mister Selvyn,' said Mr. Schneider gutturally, 'to vot do I
+attribute dis honour? Have a cigar--sit down.'
+
+'May I break the rule of your office?' said the author, indicating a
+sign on the wall which read: 'NIX ON THE WAR.' 'If you will be so
+kind, I want to speak of matters not far removed from that subject.'
+
+Mr. Schneider shifted his cigar to the corner of his mouth, and laughed
+immoderately.
+
+'Ha, ha, ha!' he roared, leaning forward, and thrusting a long, dirty
+finger into Selwyn's chest. 'That is vot I call mine adjustable creed.
+For most peoples vot gom' here--Nix. But for fine fellers like you'----
+
+With a greasy chuckle, he mounted his chair and turned the sign about.
+On the reverse side there was a coat-of-arms, and the words:
+'DEUTSCHLAND ÜBER ALLES.'
+
+'Vot you tink?' grinned Mr. Schneider, speaking from the altitude of
+the chair. 'Goot, ugh?' He turned the thing about and stepped down
+again, wringing his hands in huge enjoyment of the whole thing. 'You
+can spik blainly, Mister Selvyn,' he went on amiably. 'Ve unnerstan'
+each odder, hein? Von't you smoke one of dem cigars?'
+
+'No,' said Selwyn. He looked at the little man for about ten seconds,
+then, crossing to the wall, wrenched the sign away, nail and all.
+
+'Here, here,' protested Mr. Schneider, backing warily to the door, 'vot
+for you do dis? Vot you mean, you great big fourflusher?'
+
+The young man eyed the sign and then the German's head, apparently with
+the idea of bringing them together. Mr. Schneider further developed
+his plan of retreat by taking a grasp of the door-handle.
+
+'That's for people who say "Nix on the War,"' said Selwyn, breaking the
+sign in his hands as if it were made of matchwood. 'And this is for
+your damned Deutschland!'
+
+He broke the remainder over his knee, and threw the pieces on the flat
+desk, upsetting an ink-bottle, the contents of which dripped juicily to
+the floor.
+
+'But ain't you,' said Mr. Schneider, in a voice that was almost a
+squeal--'don't you got no resbect for Chermany? Only yesterday der
+ambassador, he tole me that after the var, for all you wrote to help
+der Faderland, der Kaiser, himself, vill on you bestow'----
+
+Before the speaker could acquaint the author with the exact nature of
+the honour in store for him, Selwyn had seized him by the coat-lapels,
+and was shaking him so violently that Mr. Schneider's natural talent
+for double-facedness was developed to a pitch where an observant
+looker-on might have counted at least five of him vibrating at once.
+
+'You dirty little hound,' said Selwyn, without relaxing in the least
+the shaking process, 'if you ever use my name again, or send out
+anything written, or supposed to be written, by me, I'll'----
+
+For once words failed him, and lifting the little man almost off the
+floor, he deposited him violently on his own desk, in the midst of the
+pool formed by the ink.
+
+'Nix on the war!' snorted Selwyn defiantly, putting on his hat. He was
+going to add a few more crushing remarks, but, altering his mind, went
+out, slamming the door so violently that all the typewriters engaged in
+sending out German propaganda were startled into an instant of silence.
+
+As for Mr. Schneider, he sat still amidst the wreck of his desk,
+pondering over a famous definition of war given by an American general
+named Sherman.
+
+
+II.
+
+Without waiting to catch the driver's eye, the impetuous idealist
+overtook an empty taxi-cab, and jumped into it.
+
+'United Manufacturing, 28th Street,' he called. 'Make it fast.'
+
+On arrival at his destination he found that Mr. C. B. Benjamin was the
+president of the United Manufacturing Corporation, which--so a large
+calendar stated--was the biggest business of its kind in the universe.
+It had more branches, more output, more character, more push than any
+other three enterprises in America.
+
+Mr. Benjamin was in, but could be seen only by appointment, so said a
+sleek-haired young man of immaculate dress.
+
+'Give him that card, and tell him I want to see him _at once_,' said
+Selwyn, with a forcefulness that caused a look of pain to cross the
+young man's countenance.
+
+'Please sit down,' he said, 'and I'll see what I can do.'
+
+As a result of his efforts, Selwyn received a summons to go right
+in--which he did, going past a number of people who had various big
+propositions to put before the big man when they could gain his ear.
+
+'Good-morning, Mr. Selwyn,' said the president, a smartly dressed Jew,
+with a shrewd face and an unquestionable dignity of manner. 'You have
+returned to America, I see.'
+
+'Yes, Mr. Benjamin. Do you mind if I come right down to business?'
+
+'Mind? How else could I have built up the United Manufacturing
+Corporation? Have a cigar?'
+
+'No, thanks. Mr. Benjamin, you wrote my agent that you wanted me to
+lecture on the fallacy of war.'
+
+'Sure,' said the president.
+
+'May I ask why?'
+
+Mr. Benjamin removed his spectacles and wiped them carefully. Putting
+them on, he surveyed his visitor through them. After that he took them
+off again, and winked confidentially. 'Mr. Selwyn,' he chuckled, 'you
+ain't a child, and I see that I can't put over any sob stuff with you.
+I told your agent I would pay him real money for you to lecture. Well,
+take it from me, when the president of the United Manufacturing
+Corporation pays out any of his greenbacks he don't expect nothing for
+something, eh?'
+
+'I don't understand you--yet,' said Selwyn quietly.
+
+Mr. Benjamin leaned back in his swivel-chair and cut the end of a cigar
+with a little silver knife. 'Business,' he said, 'is business, eh?'
+
+'Agreed,' was the terse response. 'I am still waiting to know why you
+offered your money to me.'
+
+Mr. Benjamin leaned forward, and taking up his glasses, waved them
+hypnotically at the young man. 'Simply business,' he said. 'Same with
+you--same with me. You write all this dope against war--why? Because
+you know there's big money in it. I pay you to lecture because you can
+help to keep America out of the war. In 1913 I was worth two hundred
+thousand dollars. To-day I have ten million. We are wise men, Mr.
+Selwyn, both of us. While all the rest of the peoples fight, you and I
+make money.'
+
+As if his bones were aching with fatigue, Austin Selwyn rose wearily to
+his feet, and, without comment, walked slowly out of the office. But
+the clerks noticed that his face was ashy-pale, like that of a prisoner
+who has received the maximum sentence of the law.
+
+
+III.
+
+The days that followed were the bitterest Austin Selwyn had ever known.
+
+It is not in the plan of the Great Dramatist that men shall look on
+life and not play a part. It is true that there are a few who escape
+the call-boy's summons, and gaze on human existence much as a passing
+pageant, but even for them is the knowledge that there is a moment
+called Death when every man must take the stage.
+
+For years Austin Selwyn had stood apart, mingling with those who were
+enduring the sword-thrusts of fate, as an author chats with the players
+on the stage between the acts. Even the great tragedy of war had
+served only to enrich the processes of his mind. It is true he had
+known compassion, sorrow, and anger through it, but they were only
+counterfeit emotions, born of the grip of war on his imagination.
+
+But at last life had reached out its talons and grasped him. Every
+human experience he had avoided, he was now to know, multiplied.
+Stripped of his last hope of justifying his idealism, he saw remorse,
+discouragement, a sense of utter futility, the scorn of friends, the
+applause of traitors--he saw them all as shadows closing into blackness
+ahead of him.
+
+He tried to return to England, but passport difficulties were made
+insurmountable. He went to Boston, only to find that those he valued
+turned against him, and those he detested welcomed him as comrade. He
+returned to New York, but every avenue of activity was closed to him,
+save the one he had chosen for himself--that of world-pacificism.
+
+He had always been a man of strong, underlying passions, and in his
+veins there was the hot undissipated blood of youth; but his brain had
+been the controlling force in every action of his life. Hitherto he
+had never questioned its complete mastery; but as he pondered over his
+fall he knew that it was his brain that had ridden him to it. He no
+longer trusted its workings. It had proved rebel and brought him to
+disaster.
+
+And with that inner challenge came the supreme ordeal of his life.
+
+As rivers, held imprisoned by winter, will burst their confines in the
+spring and overrun the land, all the passions which had been cooled and
+tempered by his intellectual discipline swarmed through his arteries in
+revolt. No longer was the brain dominating the body; instead, he was
+on fire with a hundred mad flames of desire, springing from sources he
+knew nothing of. They clung to him by day and haunted him at night.
+They sang to him that vice had its own heaven, as well as hell--that
+licentiousness held forgetfulness. He heard whispers in the air that
+there were drugs which opened perfumed caves of delight, and secret
+places where sin was made beautiful with mystic music and incense of
+flowers.
+
+When conscience--or whatever it is in us that combats desire--urged him
+to close his ears to the voices, he cursed it for a meddlesome thing.
+Since Life had thrown down the gauntlet, he would take it up! If he
+had to travel the chambers of disgrace and discouragement, he would go
+on to the halls of sensual abandonment. Life had torn aside the
+curtain--it was for him to search the recesses of experience.
+
+
+IV.
+
+One night towards the end of January Selwyn had tried to sleep, but the
+furies of desire called to him in the dark. He got up and dressed. He
+did not know where he was going, but he knew that his steps would be
+guided to adventure, to oblivion.
+
+There was a drizzling rain falling, and, with his coat buttoned close
+about his throat, he walked from street to street, his breath
+quickening with the ecstasy of sensual surrender which had at last come
+to him. Men spoke to him from dark corners; women called at him as he
+passed; he caught faint glimmers down murky alleys, where opium was
+opening the gates to bliss and perdition; but, with a step that was
+agile and graceful, he went on, his arteries tingling in anticipation
+of the senses' gratification. Once a mongrel slunk out of a lane, and
+he called to it. It crawled up to him, and he stooped down to stroke
+its head, when, with a yelp of terror, it leaped out of his reach and
+ran back into the lane. As if it was the best of jests, he laughed
+aloud, and picking up a stone, sent it hurtling after the cur. Then he
+was suddenly afraid. The loneliness of the spot--the horrors lurking
+in the dark--the dog's howl and his own meaningless laughter. He felt
+a fear of night--of himself. He hurried on, but it was not until he
+reached a lighted street of shops that his courage returned, and with
+the courage his fever of desire, greater than before.
+
+An extra burst of rain warned him to seek shelter, and hurrying down
+the street, he paused under the canopy of a shabby theatre. There was
+one other person there--a woman. She came over to speak to him; but
+when she saw the mad gleam of his eyes she drew back, and, with a
+frightened exclamation, pressed her hand against her breast.
+
+He made an ironic bow, then, with a smile, looked up at her, and she
+heard him utter an ejaculation of amazement.
+
+For a moment he had fancied that it might be true. The likeness was
+uncanny! The burnished-copper hair, the silk-fringed eyes, the poise
+of her head, the tapering fingers--even in the scarlet of her rouged
+cheeks, there was a similarity to the high colouring of the English
+girl. What a jest of the Fates--that they should cast this poor
+creature of New York's streets in the same mould with her who was the
+very spirit of chastity!
+
+'What a mockery!' he muttered aloud. 'What a hideous mockery!'
+
+He was touched with sudden pity. Perhaps this woman had been born with
+the same spirit of rebellion as Elise. Perhaps her poor mind had never
+been developed, and so she had succumbed to the current of
+circumstance. She might have been the plaything of environment. The
+wound in his head was hurting again, and he covered the scar with his
+moist hand. Horrible as it seemed, this creature had brought Elise to
+him once more--Elise, and everything she meant. He wanted to cry out
+her name. His hands were stretched forward as if they could bridge the
+sea between them.
+
+Like a man emerging from a trance, he looked dreamily about him--at the
+street running with streams of water--at the silent theatre--at the
+woman. A weakness came over him, and his pulses were fluttering and
+unsteady.
+
+A peddler of umbrellas passed, and Selwyn purchased one for a dollar.
+
+'Won't you take this?' he asked, stepping over to the woman, who
+cringed nervously. 'It is raining hard, and you will need it.'
+
+She took the thing, and looked up at him wonderingly, like a child that
+has received a caress where it expected a blow.
+
+'Say,' she said, in a queer nasal whine, 'I thought you was a devil
+when I seen you a minute ago. Honest--you frightened me.'
+
+He said nothing.
+
+'Why'--there was a weak quaver in her whine, and she caught his wrist
+with her hand--'why, you're kind--and I thought you was a devil. Gee!
+ain't it funny?'
+
+With a shrill laugh that set his teeth on edge, she put up the umbrella
+and walked out into the rain. And only a passing policeman saw, by the
+light of a lamp, that her eyes were glistening.
+
+Selwyn remained where he was, blinking stupidly into the rain-soaked
+night, as one who has been walking in his sleep and has waked at the
+edge of an abyss.
+
+
+
+
+CHAPTER XXII.
+
+THE CHALLENGE.
+
+
+I.
+
+It was nearly noon next day before Selwyn woke from a heavy, dreamless
+sleep. Both in mind and in body there was the listlessness which follows
+the passing of a crisis, but for the first time in many days he felt the
+impulse to face life again, to accept its bludgeonings, unflinching.
+
+He was almost fully dressed, when a messenger arrived with a letter. It
+was from Edgerton Forbes.
+
+
+'MY DEAR AUSTIN,--I have been trying to get hold of you for the past
+week, but you are as elusive as a hundred-dollar bill. Douglas Watson
+has returned from the front, minus an arm, and he has asked as many
+ex-Harvard men as possible to meet him at the University Club. We are
+having dinner there to-night in one of the smaller rooms, and I want you
+to come with me. I'll pick you up at your hotel at seven, and we can
+walk over. If it is all right, send word by the messenger.--As ever,
+FORBES.'
+
+
+Selwyn's first instinct was to refuse. He had no desire to meet Watson
+again just yet, nor did he want to face men with whom he had lived at
+Harvard. But the thought of another lonely night arose--night, with its
+germs of madness.
+
+'Tell Mr. Forbes,' he said, 'that I shall expect him at seven.'
+
+A few minutes before the time arranged the clergyman called, and they
+started for the club. The air was raw and chilling, and people were
+hurrying through the streets, taking no heed of the illuminated shop
+windows, tempting the eye of woman and the purse of man. In almost every
+towering building the lights of offices were gleaming, as tired,
+routine-chained staffs worked on into the night tabulating and recording
+the ever-increasing prosperity of the times.
+
+The times!
+
+Ordinary forms of greeting had changed to mutual congratulations on
+affluence. Anecdotes of business men were no longer of struggle and
+privation, but of record outputs and maximum prices. Theatres, cafés,
+cinema palaces, churches, hotels--they had never seen such times.
+Success was in the very dampness of the air as thousands of people looked
+at it from the cosy interior of limousines, people who had never aspired
+higher than an occasional taxi-cab. The times! Dollars multiplied and
+begat great families of dollars--and Broadway glittered as never before.
+
+It is difficult to state what trend of thought made conversation between
+the friends difficult, but after two or three desultory attempts they
+walked on without speaking. As they were entering the majestic portals
+of the club, Selwyn was reminded of a question he had intended all day to
+ask.
+
+'Edge,' he said, 'have you heard anything of Marjory Shoreham?'
+
+'She sailed two weeks ago for France,' answered the clergyman.
+
+They were directed to an upper floor, where they found a hundred or so
+guests who claimed Harvard as their _alma mater_. Although most of his
+old acquaintances were quite cordial, Selwyn felt oddly self-conscious.
+He caught sight of Gerard Van Derwater with his impassive courtliness
+dominating a group of active but less impressive men; and behind them he
+saw Douglas Watson of Cambridge surrounded by a dozen guests; but he
+pleaded a headache to Forbes, and sought a secluded corner, where he
+remained until dinner was announced.
+
+Like all affairs where men are alone and the charming artifices of
+femininity are missing, there was a severity and a formality which did
+not disappear until the ministrations of wine and food had engendered a
+glow which did away with shyness. The table was arranged in the form of
+the letter U, with Watson beside the chairman at the head.
+
+Towards the end of the dinner conversation and hilarity were growing
+apace. Men were forgetting the scramble of existence in the recollection
+of old college days, when their blood was like wine and the world a thing
+of adventure. Mellowed by retrospect, they laughed over incidents that
+had caused heart-burnings at the time; and as they laughed more than one
+felt a swelling of the throat. It was, perhaps, just an odd streak of
+sentiment (and the man who is without such is a sorry spectacle); or it
+may have been the memory of ideals, aspirations, dreams--left behind the
+college gates.
+
+'Gentlemen.' The chairman had risen to his feet. Cigars were lit; and
+he was greeted with the usual applause. 'Gentlemen, we have gathered
+here at short notice to welcome an old boy of Harvard--Douglas Watson.
+He has a message which he wants to deliver to us, and not only because he
+is one with us in tradition would we listen, but his empty sleeve is a
+mute testimony that he has fought in a cause which--though not our
+own--is one which I know has the sympathy of every man in this room. I
+shall not detain you, gentlemen, but ask your most attentive hearing for
+Mr. Watson.'
+
+As the guest of the evening rose to speak he was greeted with prolonged
+applause, which broke into 'For he's a jolly good fellow,' and ended in a
+college football yell. During it Selwyn sat motionless, his alert mind
+trying to decipher the difference between Watson's face and the others.
+It was not only that they were, almost without exception, clean-shaven,
+and that Watson wore a small military moustache; the dissimilarity went
+beyond that. Although he was obviously nervous, Watson's eyes looked
+steadily ahead as those of a man who has faced death and looked on things
+that never were intended for human vision. It had left him aged--not
+aged as with years, but by an experience which made all the keen-faced
+men about him seem clever precocities whose mentalities had outstripped
+the growth of their souls.
+
+And studying this phenomenon, Selwyn became conscious of the American
+business face.
+
+Although differing in colouring and shape, practically every face showed
+lips thin and straight, eyes narrowing and restlessly on the _qui vive_,
+the nervous, muscular tension from the battle for supremacy in feverish
+competition, the dull, leaden complexion of those who disregard the
+sunshine--these combined in a clear impression of extraordinary abilities
+and capacities with which to meet the affairs of the day. What one
+missed in all their faces was a sense of the centuries.
+
+No--not in all. At the table opposite to Selwyn was Gerard Van Derwater,
+whose self-composure and air of formal courtliness made him, as always, a
+man of distinctive, almost lonely, personality.
+
+'Thank you very much,' said Watson, as the applause and singing died
+away. His fingers pressed nervously on the table, and his first words
+were uneven and jerky. 'I needn't tell you I am not a speaker. I have a
+great message for you chaps, but I may not be able to express it. That
+was my reason for asking to speak to ex-Harvard men. I did it because I
+knew I should have men who thought as I did--men who looked on things in
+the same way as myself. I knew you would be patient with me, and I was
+certain you would give an answer to the question which I bring from
+France.'
+
+He paused momentarily, and shifted his position, but his face had gained
+in determination. A few of his listeners encouraged him audibly, but the
+remainder waited to see what lay behind the intensity of his manner.
+
+'I don't want pity for my wound,' he resumed. 'The soldier who comes out
+of this war with only the loss of an arm is lucky. Put that aside. I
+want you to listen to me as an American who loves his country just as you
+do, and who once was proud to be an American.'
+
+He raised his head defiantly, and when he spoke again, the indecision and
+the faltering had vanished.
+
+'Gentlemen, the question I bring is from France to America. It is more
+than a question; it is a challenge. It is not sent from one Government
+to another Government, but from the heart of France to the conscience of
+America. They don't understand. Month after month the women there are
+seeing their sons and husbands killed, their homes destroyed, and no end
+in sight. And every day they are asking, "Will America never come?" My
+God! I've seen that question on a thousand faces of women who have lost
+everything but their hope in this country. I used to tell them to
+wait--it would come. I said it had to come. When the Hun sank the
+_Lusitania_ I was glad, for at last, I told them, America would act. Do
+you know what the British Tommies were saying about you as we took our
+turn in the line and read in the papers how Wilson was _conversing_ with
+Germany about that outrage? I could have killed some of them for what
+they said, for I was still proud of my nationality; but time went on and
+the French people asked "When?" and the British Tommy laughed.
+
+'If I'm hurting any of you chaps, think of what I felt. One night behind
+the lines a soldiers' concert-party gave a show. Two of the comedians
+were gagging, and one asked the other if he knew what the French flag
+stood for, and he said, "Yes--liberty." His companion then asked him if
+he knew what the British flag stood for, and he replied, "Yes--freedom."
+"Then," said the first comedian, "what does the American flag stand for?"
+"I can't just say," said the other one, "but I know that it has stood a
+hell of a lot for two years." The crowd roared--officers and men alike.
+I wanted to get up and fight the whole outfit; but what could I have said
+in defence of this nation? America--our country here--has become a
+vulgar joke in men's mouths.'
+
+He stopped abruptly, and poured himself out a glass of water. No one
+made a sound. There was hot resentment on nearly every face, but they
+would hear him out without interruption.
+
+'The educated classes of England,' he went on, 'are different in their
+methods, but they mean the same thing. They say it is America's business
+to decide for herself, but the Englishman conveys what he means in his
+voice, not in his words. When I was hit, I swore I would come back here
+and find out what had changed the nation I knew in the old days into a
+thing too yellow to hit hack. Mr. Chairman, you said I had fought in a
+cause that is not yours. I beg to differ. There are hundreds of
+Americans fighting to-night in France. They're with the
+Canadians--they're with the French--they're with the British. Ask them
+if this cause isn't ours. I lay beside a Princeton grad. in hospital.
+He had been hit, serving with the Durhams. "I'm never going back to
+America," he said. "I couldn't stand it." As a matter of fact, he
+died--but I don't think you like that picture any more than I do.'
+
+Bringing his fist down on the table with a crash, Watson leaned forward,
+and with flashing eyes poured out a stream of words in which reproach,
+taunts, accusations, and pleading were weirdly mixed. He told them they
+should remove the statue of Liberty and substitute one of Pontius Pilate.
+In a voice choking with emotion, he asked what they had done with the
+soul left them by the Fathers of the Republic. He pictured the British
+troops holding on with nothing but their indomitable cheeriness, and
+dying as if it were the greatest of jokes. In one sentence he visualised
+Arras with refugees fleeing from it, and New York glittering with
+prosperity. With no relevancy other than that born of his tempestuous
+sincerity, he thrust his words at them with a ring and an incision as
+though he were in the midst of an engagement.
+
+'That is all,' he said when he had spoken for twenty minutes. 'In the
+name of those Americans who have died with the Allies, in the name of the
+_Lusitania's_ murdered, in the name of civilisation, I ask, _What have
+you done with America's soul?_'
+
+He sat down amidst a strained silence. Everywhere men's faces were
+twitching with repressed fury. Some were livid, and others bit their
+lips to keep back the hot words that clamoured for utterance. The
+chairman made no attempt to rise, but by a subconscious unanimity of
+thought every eye was turned to the one man whose appearance had
+undergone no change. As if he had been listening to the legal
+presentation of an impersonal case, Gerard Van Derwater leaned back in
+his chair with the same courtly detachment he had shown from the
+beginning of the affair.
+
+
+II.
+
+'Mr. Van Derwater,' said the chairman hoarsely; and a murmur indicated
+that he had voiced the wish of the gathering.
+
+Slowly, almost ponderously, the diplomat rose, bowing to the chairman and
+then to Watson, who was looking straight ahead, his face flushed crimson.
+
+'Mr. Chairman--Mr. Watson--Gentlemen,' said Van Derwater. He stroked his
+chin meditatively, and looked calmly about as though leisurely recalling
+a titbit of anecdote or quotation. 'Our friend from overseas has not
+erred on the side of subterfuge. He has been frank--excellently frank.
+He has told us that this Republic has become a jest, and that we are
+responsible. I assume from several of your faces that you are not
+pleased with the truth. Surely you did not need Mr. Watson to tell you
+what they are saying in England and France. That has been
+obvious--unpleasantly obvious--and, I suppose, obviously unpleasant.'
+
+He smiled with a little touch of irony, and leaning forward, flicked the
+ash from his cigar on to a plate.
+
+'Mr. Watson,' he resumed, 'has asked what we have done with America's
+soul. That is a telling phrase, and I should like to meet it with an
+equally telling one; but this is not a matter of phraseology, but of the
+deepest thought. Gentlemen, if you will, look back with me over the
+brief history of this Republic. There are great truths hidden in the
+Past.
+
+'In 1778 Monsieur Turgot wrote that America was the hope of the human
+race--that the earth could see consolation in the thought of the asylum
+at last open to the down-trodden of all nations. Three years later the
+Abbé Taynals, writing of the American Revolution, said: "At the sound of
+the snapping chains our own fetters seem to grow lighter, and we imagine
+for a moment that the air we breathe grows purer at the news that the
+universe counts some tyrants the less." Ten years after that the editor
+Prudhomme declared: "Philosophy and America have brought about the French
+Revolution."
+
+'I will not weary you, gentlemen, with further extracts, but I ask you to
+note--_and this is something which many of our public men have forgotten
+to-day_--that at the very commencement of our career we were inextricably
+involved with European affairs. Entangling alliances--no! But
+segregation--impossible!'
+
+For an instant his cold, academic manner was galvanised into emphasis.
+His listeners, who were still smarting under Watson's words, and had been
+restless at the unimpassioned tone of Van Derwater's reply, began to feel
+the grip of his slowly developing logic.
+
+'Thus,' the speaker went on, 'at the commencement, our national destiny
+became a thing dominated by the philosophy of humanitarianism. When we
+had shed our swaddling-clothes and taken form as a people, the issue of
+the North and the South began to rise. Because of his realisation of the
+part America had to play in human affairs, Lincoln, the great-hearted
+Lincoln, said we must have war. Against the counsel of his Cabinet,
+loathing everything that had to do with bloodshed, this man of the people
+declared that there could be no North or South, but only America. And to
+secure that he plunged this country into a four years' war--four years of
+untold suffering and terrible bravery. When, during the struggle,
+Lincoln was informed that peace could be had by dropping the question of
+the slaves' emancipation, his answer was the proclamation that all men
+were free. With his great heart bleeding, he said, "The war must go on."
+Philosophy and America brought on the French Revolution. Philosophy and
+humanitarianism brought on the war of North and South.
+
+'The psychology of America, which had been hidden beneath the physical
+side of our rebellion, took definite form as a result. The gates of the
+country were open to the entire world. The down-trodden, the persecuted,
+the discouraged, the helpless, no matter of what creed or nationality,
+saw the rainbow of hope. By hundreds of thousands they poured into this
+country. Slav and Teuton, Galician, Italian, Belgian, Jew, in an endless
+stream they came to America, and, true to Washington and Lincoln, she
+received them with the words, "Welcome--free men." And so we shouldered
+the burdens of the Past, and men who had been slaves--white as well as
+black--drank of freedom.'
+
+There was no applause, but men were leaning forward, afraid they might
+miss a single word. Van Derwater's depth of human understanding, his
+lack of passion, his solitariness that had been likened to an air of
+impending tragedy, held his listeners with a magic no one could have
+explained. He might have come as a spirit of times that had passed, so
+charged with the ages was his strange, powerful personality.
+
+'From an open sky,' he continued, 'came the present war. The older
+nations, knit by tradition and startled by its imminence, flew to arms at
+a word from their leaders. France, who had been our friend, looked to
+us; but what was our position? In fifty tongues our citizens cried out
+that it was to escape war that they had come to America. Could we tell
+the Jew that Russia, which had persecuted him to the point of madness,
+was on the side of mercy? Could we convince the Teuton that his
+Fatherland had become suddenly peopled with savages? Could we say to the
+Irishman, bitterly antagonistic to England, that Britain was fighting for
+the liberation of small nations? Could we ask the Greek, the Pole, the
+Galician, to go back to the continent from which they had come, and give
+their blood that the old order of things might go on?
+
+'But, you ask, what of the real American, descended from the men who
+fought in the War of Independence and the Civil War. Yes--what of him?
+From earliest boyhood he has been taught that Britain is our traditional
+enemy. To secure existence we had to fight her. To maintain existence
+we fought her again in 1812. When we were locked in a death-struggle
+with the rebellious South, she tried to hurt our cause--although history
+will show that the real heart of Britain was solidly with the North. In
+our short life as a people we find that, always, the enemy is Britain.
+In one day could we change the teaching of a lifetime? The soul of
+America was not dead, but it was buried beneath the conflicting elements
+in which lay her ultimate strength, but her present weakness.
+
+'What, then, was the situation? Events had outridden our national
+development. Whether it could have been avoided or not I do not know.
+Whether our education was at fault, or whether materialism had made us
+blind--these things I cannot tell you. I only know that this war found
+us potentially a nation, but actually a babel of tongues. Without
+philosophy and humanitarianism this nation could not go to war--and in
+those two things we were not ready.
+
+'I do not belittle the many gallant men who have left these shores to
+fight with the Allies, but I say that in a world-crisis the voices of
+individuals cannot be heard unless they speak through the medium of their
+nationality. The question from France is not "Will Americans never
+come?" but "Will America never come?" When the war found the
+Americanisation of our people unfinished, it became the duty of every
+loyal man in the Republic to give his very life-blood to achieve
+solidarity. Do you think we could not see that the Allies were fighting
+our battle? It was impossible for this nation that had shouldered the
+problems of the Old World not to see it; so we began the education of all
+our people. We could have hurled this nation into war at almost any hour
+by an appeal to national dignity, but our destiny was imperative in its
+demands. Not in heat, which would be bound to cool; not in revenge,
+which would soon be forgotten; but by philosophy and humanitarianism
+alone could this great Republic go to war.
+
+'Yet, when this Administration looked for help, what did it find? The
+two races that come to this country and never help its Americanisation
+are the Germans and the English. They remain true to their former
+citizenship, and they die true to them. Gentlemen, that must not be
+again. America will always be open to the world, but he who passes
+within these gates to live must accept responsibilities as well as
+privileges.
+
+'I am almost finished. For two years and a half we have fought against
+the disintegrating forces within our country. We have endured the sneers
+of belligerents, the insults of Germany, and the tolerance of
+Britain--and still we have fought on. Literally we were struggling, as
+did our forefathers, for nationhood. But let me ask Mr. Watson if our
+psychological unpreparedness was entirely our fault. When Britain allied
+herself with Russia, did she give a thought to the effect it would have
+on the American mind? To us, Russia was the last stronghold of barbaric
+despotism, and yet Britain made that alliance, identifying herself with
+the forces of reaction. I do not say that we would have entered into a
+similar or any agreement with Britain, but there are alliances of the
+spirit far more binding than the most solemn treaties. I accuse Britain
+of failing to make the advances toward a spiritual covenant with the
+United States, in which lay--and still lies--the hope of this world.'
+
+A messenger had entered the room and handed a note to the chairman. It
+was passed along to Van Derwater's place and left in front of him. He
+took it up without opening it, and fingered it idly as he spoke.
+
+'A nation does not need to be at war,' he went on, 'to find that traitors
+are in her midst. The struggle of this Administration for unity of
+thought has been thwarted right and left by men of no vision, men drunk
+with greed, men blinded with education and so-called idealism. Mr.
+Watson, you ask what we have done with America's soul. I will tell you
+what we have done _for_ it. There are many of us in this room who have
+given everything we have--our time, our friends, and things which we
+valued more than life--because we have respected the trust imposed on us
+of maintaining America's destiny. I am sorry for your empty sleeve. But
+let me assure you that we, also, have known suffering. Because we
+believe in America--_first, last, and always in America_--we have stayed
+here, enduring sneers and contumely, in order that when America speaks it
+will be like the sound of a rushing cataract--one voice, one heart, but
+the voice and heart of Humanity. In no other way can America go to war.
+. . . And until that moment arrives I shall wear this garb of neutrality
+as proudly as any soldier his uniform of honour.'
+
+He sat down, and in an instant the whole crowd was on its feet. Men
+cheered and shouted, and, unashamed, tears ran down many faces. With his
+heart pounding and his eyes blinded with emotion, Selwyn did not make a
+move. He could only watch, through the mist, the figure of Gerard Van
+Derwater with its cloak of loneliness. He saw him look down at the
+message and break the seal of the envelope. He saw a flush of colour
+sweep into the pallid cheeks and then recede again. Still with the air
+of calmness and self-control, Van Derwater rose again to his feet.
+'Gentlemen,' he said. The room was hushed instantly and every face was
+turned towards him. 'Gentlemen, I have received a message from my
+headquarters. Germany has announced the resumption of unrestricted
+submarine warfare.'
+
+For a moment the room swam before Selwyn's eyes. The shouts and
+exclamations of the others seemed to come from a distance. And suddenly
+he found that he was on his feet. His eyes were like brilliants and his
+voice rang out above all the other sounds.
+
+'Van!' he cried, 'does this mean war--at last?'
+
+With steady, unchanging demeanour his former friend looked at him.
+'Yes,' he said. 'At last.'
+
+And as they watched they saw Van Derwater's hands contract, and for a
+moment that passed as quickly as it came his whole being shook in a
+convulsive tremor of feeling. Then, in a silence that was poignant, he
+sank slowly into his chair, his shoulders drooping, listless and weary.
+With eyes that were seeing into some secret world of their own he gazed
+dreamily across the room, and a smile crept into his face--a smile of one
+who sees the dawn after a long, bitter night.
+
+'Thank God,' he said, with lips that trembled oddly. 'Thank God.'
+
+
+
+
+CHAPTER XXIII.
+
+THE SMUGGLER BREED.
+
+
+I.
+
+On an April evening, fifteen months later, a certain liveliness could
+have been noted in the vicinity of Drury Lane Theatre. The occasion
+was another season of opera in English, and as the offering for the
+night was _Madam Butterfly_, the usual heterogeneous fraternity of
+Puccini-worshippers were gathering in large numbers.
+
+Although the splendour of Covent Garden (which had been closed for the
+war) was missing, the boxes held their modicum of brilliantly dressed
+women; and through the audience there was a considerable sprinkling of
+soldiers, mostly from the British Dominions and America, grasping
+hungrily at one of the few war-time London theatrical productions that
+did not engender a deep and lasting melancholy--to say nothing of a
+deep and lasting doubt of English humour and English delicacy.
+
+In one of the upper boxes Lady Erskin had a small unescorted party.
+Lady Erskin herself was a plump little miniature who was rather
+exercised over the dilemma of whether to display a huge feathery fan
+and obliterate herself, or to sacrifice the fan to the glory of being
+stared at by common people. With her was her sister, the wife of a
+country rector, who assumed such an elaborate air of _ennui_ that any
+one could have told it was her first time in a box. Between them was
+Lady Erskin's rather pretty daughter, and behind her, with all her
+vivid personality made glorious in its setting of velvety cloak and
+creamy gown, was Elise Durwent, enjoying a three days' respite from her
+long tour of duty.
+
+The lights went out, and with the rising of the curtain the little
+drama of tenderness and cruelty held the stage. From the distance,
+Butterfly could be heard approaching, her voice coming nearer as the
+typical Puccini progressions followed her ascent. There was the
+marriage, the cursing of Butterfly by the Bonze, and the exquisite love
+duet, so full of passionate _abandon_, and yet shaded with such
+delicacy. At the conclusion of the act, where the orchestra adds its
+overpowering _tour de force_ to the singers', the audience burst into
+applause that lasted for several minutes. It was the spontaneous
+gratitude of hundreds of war-tired souls whose bonds had been relaxed
+for an hour by the magic touch of music.
+
+'Do you think the tenor is good-looking?' asked Lady Erskin of no one
+in particular.
+
+'Who is that in the opposite box, with the leopard's skin on her
+shoulders?' queried the rector's wife.
+
+'I think Butterfly is topping,' said Lady Erskin's daughter. 'I always
+weep buckets in the second act.'
+
+'I should like to die to music like that,' said Elise, almost to
+herself.
+
+
+II.
+
+Close by a communication-trench, Dick Durwent stood shivering in the
+cool night-air. He was waiting to go forward on sentry-duty, the
+remainder of the relief having gathered at the other end of the
+reserve-trench in which he was standing; but though it was spring,
+there was a chill and a dampness in the air that seemed to breathe from
+the pores of the mutilated earth. A desultory shelling was going on,
+but for a week past a comparative calm had succeeded the hideous
+nightmare of March and early April, when Germany had so nearly swept
+the board clean of stakes.
+
+He heard the voices of a carrying-party coming up, and suddenly he
+crouched low. There was a horrible whine, growing to a shriek--and a
+shell burst a few yards away. Shaken and almost deafened, Durwent
+remained where he was until he saw an object roll nearly to his feet.
+It was a jar of rum that was being brought up for issue. He lifted the
+thing up, and again he shivered in the raw air like one sickening of
+the ague. Quick as the thought itself, he put the jar down, and
+seizing his water-bottle, emptied its contents on the ground. Kneeling
+down, he filled it with rum, and leaving the jar lying at such an angle
+that it would appear to have spilled a certain amount, he hurriedly
+joined the rest of the relief warned for duty.
+
+Dick had been on guard in the front line for an hour, when he received
+word that a patrol was going out. A moment later they passed him, an
+officer and two men, and he saw them quietly climb over the parapet
+which had been hastily improvised when the battalion took over the
+position. They had been gone only a couple of minutes when
+pistol-shots rang out, and the flares thrown up revealed a shadowy
+fight between two patrols that had met in the dark. The firing
+stopped, and Durwent's eyes, staring into the blackness, saw two men
+crouching low and dragging something after them. He challenged, to
+find that it was the patrol returning, and that the one they were
+bringing back was the officer, killed.
+
+The trench was so narrow that they could not carry him back, and they
+left the body lying on the parapet until a stretcher could be fetched.
+
+Dulled as he had become to terrible sights, the horror of that silent,
+grotesque figure began to freeze Dick Durwent's blood. A few minutes
+before it had been a thing of life. It had loved and hated and
+laughed; its veins had coursed with the warm blood of youth; and there
+it sprawled, a ghastly jumble of arms and legs--motionless, silent,
+_dead_. He tried to keep his eyes turned away, but it haunted him.
+When he stared straight ahead into the dark it beckoned to him--he
+could see the fingers twitching! And not till he crept near could he
+be satisfied that, after all, it had not moved.
+
+'Sherwood!' He heard a quivering voice to his right. It was the
+nearest sentry, an eighteen-year-old boy, who had called him by the
+name given him by Austin Selwyn, the name under which he had enlisted.
+
+'What's the matter?' called Durwent.
+
+Without his rifle, the little chap stumbled towards him, and, dark as
+it was, Dick could see that his face was livid and his eyes were wide
+with terror.
+
+'Sherwood,' whimpered the boy, 'I can't stand it--I've lost my
+nerve. . . . That thing there--there. . . . It moves. It's dead, and
+it moves. . . . Look, it's grinning at me now! I'm going back. I
+can't stay here--I can't.'
+
+'Steady, steady,' said Durwent, gripping the boy by the shoulder and
+shaking him roughly. 'Pull yourself together. Don't be a kid. You've
+seen far worse than this and never turned a hair.'
+
+'I can't help it,' whined the boy. 'There's dead men walking out there
+all over. Can't you see them? They whisper in the dark--I can hear
+them all the time. I'm going back.'
+
+'You can't, you little idiot. They'll shoot you.'
+
+'I don't care. Let them shoot.'
+
+'Where's your rifle? Get back to your post. If you're caught like
+this, there'll be a firing-party at daybreak for you.'
+
+'I don't care,' cried the lad hysterically. 'They can't keep me here.
+I'm going'----
+
+'Here'---- Throwing the young fellow against the parapet and holding
+him there by leaning heavily against him, Durwent felt for his
+water-bottle and withdrew the stopper. 'Drink this,' he said, forcing
+the mouth of the flask between the boy's lips. 'Take a shot of rum.
+It will put the guts back into you.'
+
+The young soldier choked with the burning liquid, and tears oozed from
+his eyes, but the chill of the body passed, and with it the chill of
+cowardice. With a half-whimper, half-laugh, he forced a silly, coarse
+jest from his lips. 'Where did you get it, Sherwood?'
+
+'Never mind,' said Dick. 'Come on now. Back you go--and stick it out.'
+
+
+III.
+
+The second act of _Madam Butterfly_ was in progress.
+
+With the sure touch of high artistry, both composer and librettist had
+delineated the result of Pinkerton's faithlessness--a faithlessness
+that was obvious to every one but Cho-cho-san, who still believed that
+her husband would return with the roses. Firm in her trust, she
+pictured to Sazuki the day when he would come, 'a little speck in the
+distance, climbing the hillock'--how she would wait 'a bit to tease him
+and a bit so as not to die at our first meeting'--ending with the
+triumphant assurance (born of her woman's intuition, which, alas!
+proves so frequently unreliable) that it would all come to pass as she
+told. She _knew_ it.
+
+And so to the visit of the American consul, who tries to tell her that
+her husband has written that he has tired of her--she, poor soul,
+reading in his words the message that he still loves her. Then the
+final tableau of the act with Butterfly, her baby and Sazuki standing
+at the Shosi facing the distant harbour where his ship has just been
+signalled. Softly the humming of the priests at worship ceases, and
+the curtain descends on what must always remain a masterpiece of
+delicate pathos--a story that will never lose its appeal while woman's
+trust in man lends its charm to drab existence.
+
+'The tenor didn't come in at all in that act,' said Lady Erskin.
+
+'Really,' said the rector's wife, fixing her lorgnette on the opposite
+box, 'that person with the leopard's skin looks absolutely like a
+cannibal.'
+
+'I'm just swimming in tears,' was the comment of Lady Erskin's daughter.
+
+Elise said nothing; nor did she hear them speak. Her heart was
+fluttering wildly, and her hands were clasped tightly together. She
+had heard a far-away cry--and the voice was Dick's.
+
+
+IV.
+
+The raw air of the night, the dread of that loathsome, silent thing,
+the haunting terror of the boy's eyes a few minutes before, the whine
+of shells, all bored their way into Dick Durwent's brain. He began to
+tremble. With every bit of will-power he fought it off, but he felt
+the fumes of madness coming over him.
+
+For days on end he had had no rest. In the Fifth Army _débâcle_ of
+March his battalion had been one of the first to break, although
+remnants had fought as few men had ever fought before; and when they
+had been reorganised they were moved back into the line, undermanned,
+ill-equipped, and branded with disgrace. It was the culmination of
+three years' service at the front, and his nerves were at the
+breaking-point. Mounds of earth ahead of him, and gnarled, dismembered
+trees, began to take the ghostly shapes that the frightened boy had
+told of.
+
+Mumbling meaningless things, he reached for his water-bottle and poured
+a mouthful of rum down his throat. It set his heart beating more
+firmly, and his blood was no longer like ice in a sluggish river. He
+replaced the stopper and resumed his watch, but every fibre of his body
+was craving for more of the alcohol. With set teeth he struggled for
+self-control, but every instinct was fighting against him. He took
+another sip, then a long draught of the scorching liquid, and leaned
+against the parapet. He pressed his hot face against the damp earth,
+and burrowed his fingers into it in a frenzied effort for self-mastery.
+Again he drank, and his mouth burned with the stuff. His head was
+swimming, and he could hear surf breaking on a rocky coast. The dead
+man was grinning at him, but death no longer held any terrors for him.
+He raised the bottle in a mock toast and drank greedily of the rum
+again.
+
+The pounding of the waves puzzled him. He could not remember that they
+were near any water. But more and more distinctly he could hear the
+roll of surf dashed into spray against the shore. . . . It was
+strange. . . . Once more he pressed the bottle to his lips, and it set
+his very arteries on fire. Yes. Over to the left he could see the
+glimmer of the ocean. There was a light; some one was beside it. It
+was Elise! She was giving a signal. That was it--the smugglers were
+landing their contraband, and she was signalling that all was clear.
+
+He looked over to the dead man. The corpse was rising to its feet. It
+had all been a hoax on its part--it was an excise officer. His eyes
+were fixed on the light, too. His men would be near, and they would
+capture Elise--and afterwards the smugglers, led by their
+great-grandfather. He would have to warn her. He couldn't shout, for
+that would give everything away. He would crawl near to her first.
+
+He finished the rum, draining the bottle to the last drop, and started
+to creep along the trench, his heavy, powerless limbs carrying him only
+inches where his imagination made it yards. He looked back once. The
+dead man was following him. It had become a race between himself and a
+corpse. He kept his eye on the light. He could see Elise quite
+plainly. She was looking out towards the sea.
+
+Feeling his muscles growing weaker, and fearful that the dead man would
+overtake him, he struggled to his feet and clapped his hands to his
+mouth.
+
+'_Elise_!' he yelled. '_Elise_!'
+
+And with the roar of surf in his ears, he sank to the ground in a
+drunken stupor.
+
+
+V.
+
+The last act of _Madam Butterfly_ was ending. The cruel little
+story wound to a close with the return of Pinkerton and his
+sympathy-uninspiring American wife, and then the suicide of
+Butterfly--the logical, but comparatively unmoving, finale to the opera.
+
+But Elise neither saw the actors nor heard the music. With her hands
+covering her eyes, she had been listening for the voice of Dick. She
+could hear it, distant and faint, growing nearer, as if he were coming
+towards her through a forest. There was in it a despair she had never
+heard before. He was in danger--where or how she could not fathom--but
+over the surging music of the orchestra she could hear the voice of
+Boy-blue crying through the infinity of space.
+
+The opera was over, and there was a storm of applause that developed
+into an ovation.
+
+'The tenor isn't really handsome, after all,' said Lady Erskin.
+
+'I think the women of to-day are shameless,' said the rector's wife,
+casting a last indignant glance at the box across the theatre.
+
+'I feel a perfect rag,' said Lady Erskin's daughter. 'Good heavens!
+Elise, what's the matter?'
+
+'Nothing. I--I don't know,' Elise answered, looking up with
+terror-stricken eyes. 'I'm just overwrought. That's all.'
+
+'You poor dear!' said Lady Erskin. 'You shouldn't take the opera so
+seriously. After all, it didn't really happen--and I have no doubt in
+real life the tenor is quite a model husband, with at least ten
+children.'
+
+
+VI.
+
+'Drunk,' said the company commander, stooping over the prostrate body
+of Dick Durwent. 'He was all right when he took over. Where did he
+get the stuff?'
+
+'Smell that, sir,' said the subaltern of the night, handing him a
+water-bottle.
+
+'Humph! This looks bad. Have him carried to the rear and placed under
+arrest.'
+
+
+
+
+CHAPTER XXIV.
+
+THE SENTENCE.
+
+
+I.
+
+On the outskirts of a village near the junction of the British and
+French armies, two guards with loaded rifles kept watch at the doors of
+a hut. The warm sunlight of May was bathing the fields in gold, where
+here and there a peasant woman could be seen sprinkling seed into the
+furrows. Across a field, cutting its way through a farmyard, a light
+railway carried its occasional wobbling, narrow-gauged traffic; and
+outside half-a-dozen huts soldiers were lolling in the warmth of early
+afternoon, polishing accoutrements and exchanging the lazy philosophy
+of men resting after herculean tasks. Elsewhere there was no sign of
+war. Cattle browsed about the meadows, and the villagers, long since
+grown used to the presence of foreign soldiers, pursued their endless
+duties.
+
+A sergeant walked briskly from a cottage in the village and went
+directly to the field where lay the hut guarded by the sentries. 'Fall
+in outside!' he said sharply, opening the door.
+
+Bareheaded, and with his dark hair seeming to cast the shadows that had
+gathered beneath his eyes, Dick Durwent emerged and took his place
+between the guards.
+
+'To receive the sentence of the court,' said the sergeant in answer to
+his questioning glance. 'Escort and prisoner--'shun! Right turn!
+Quick march!'
+
+Past the lounging soldiers to the road, and on to the village, they
+marched. Women glanced up, curious as to the meaning of the little
+procession, but with a shrug of their shoulders resumed their work, and
+soon forgot all about it. The escort halted outside the cottage from
+which the sergeant had come, and he entered it alone. A minute later
+he reappeared, and marched prisoner and guards into the room where the
+court-martial had been held that morning. The three officers were
+sitting in the same places--a lieutenant-colonel, whose set, sun-tanned
+face told nothing; a captain, whose firmness of jaw and steadiness of
+eye could not hide his twitching lip; and a subaltern, pale as Dick
+Durwent himself.
+
+As president of the court, the senior officer handed a sealed envelope
+to the prisoner. Not a word was spoken on either side. The sergeant's
+command rang out, and the noise of metalled heels upon the floor was
+startlingly loud.
+
+Still without a word, carrying the unread sentence in his hand, Durwent
+was marched back to the hut. Again the women cast curious glances, and
+a little urchin in a cocked-hat stood at the salute as they passed.
+
+When he was alone once more, Dick broke the seal of the envelope, and
+without his face altering, except that the shadows grew darker beneath
+his eyes, he read the finding of the court.
+
+He was to be shot.
+
+He read it twice. With a long, quivering intake of the breath, he tore
+the thing slowly into a dozen pieces and threw them into a corner.
+
+Walking to the end of the hut, he leaned against the ledge of a little
+window, and looked out towards the horizon where the great blue of the
+sky stooped to earth. There was the laughter of soldiers, and from an
+adjoining meadow came the neighing of a restive horse. The sunlight
+deepened, and from a hundred branches birds were trilling welcome to
+the promise of another summer.
+
+Two hours passed. The warmth of early afternoon was giving way to the
+cool mood of twilight--but the solitary figure had not moved.
+
+
+II.
+
+Nine days had passed when a motor-lorry drew up on the road, and the
+same sergeant ordered Dick Durwent to take his place outside the hut
+with his escort. The prisoner asked as to his destination, and was
+told that the sentence, having been confirmed, was to be promulgated
+before his unit.
+
+They had been travelling for half-an-hour when they reached a field in
+which Durwent saw two companies of his battalion drawn up in the form
+of a hollow square. Faint with shame, staggering under the hideous
+cruelty of the whole thing, he was marched into the centre and ordered
+to take a pace forward, while the commanding officer read the sentence
+of court-martial to the men: that Private Sherwood, being found guilty
+of drunkenness while on guard--it being further proved that he had
+obtained unlawful possession of the liquor--was to be shot at dawn, and
+that the sentence would be carried out the following morning.
+
+Although his senses reeled with the shock and ignominy of it all, the
+prisoner's bearing showed no sign of it. With his head erect, he
+looked into the faces of the men whom he had lived and slept and fought
+beside; men with whom he had shared privation and danger; men who had
+been his comrades through it all. But as he searched their faces he
+felt an overpowering loneliness. In the eyes of every one there was
+horror; To be killed in battle--what was that? But to be shot like a
+cur in the grizzly morning! Yet their horror, their anger, was against
+the military law, and was born of a fear that the same thing might come
+to them. It was that which cut him to the quick. It was not that _he_
+was to be shot the next day, but that _they_ might meet a similar fate.
+That was the fear which drove the blood from their cheeks and left
+their lips parted in awe.
+
+And then he saw a face which almost broke down his manhood, and sent
+scalding tears to the very brink. It was the face of the lad he had
+saved from deserting that terrible night. The boy's agony was for him
+alone; it was pleading for understanding; it was trying to tell him
+that he would never forget--that the condemned man would not go to his
+death unmourned by one human heart.
+
+
+III.
+
+It was his last night. All evening the chaplain had been with him,
+offering the solace of divine mercy and forgiveness; but though he was
+grateful for the good man's ministrations, Durwent felt that he wanted
+to be alone. He hardly knew why; but there were many things to think
+of, things which would be remembered more easily if he were by himself.
+Towards eleven o'clock he made the request of the chaplain, who left
+him, promising to return shortly after midnight; and, with his hands
+clasped behind his back, Dick walked slowly up and down the hut.
+
+His mind journeyed to Roselawn--and Elise. At least--and at the
+thought he struck his hands together with joy--she would never know.
+She would think he had died in China. For several minutes he walked
+without his thoughts taking any other form than that, but gradually the
+realisation of his surroundings began to leave him. He was roaming
+through the woods with Elise; they were climbing a great tree for
+birds' eggs; they were casting flies for trout in the stream that ran
+through their estate; they were riding across country on ponies that
+whinnied with pleasure at the feel of the soft turf. But wherever his
+hungry imagination painted her, there was in her face the womanly
+tenderness that had always been hers in their companionship.
+
+He stopped in his walk and pressed his clenched fingers against his
+lips. She had always believed in him. Through all the hell in which
+the Fates had cast his destiny, she had been one star towards which he
+could grope. But now--a drunkard--a renegade soldier of a renegade
+battalion--to be shot. He had killed her trust! The horrors of the
+night closed on him like hounds on a dying stag.
+
+Uttering a dull cry of agony, he staggered across the hut with
+outstretched hands--and in the darkness his poor disordered fancy saw
+once more the vision of his sister's face. It was as he had seen her
+when, as a boy bruised by life, he had gone to her for solace. She had
+not changed. She could not change. Her eyes, her lips, were saying
+that in the morning she would stand beside him, holding his hand in
+hers, until the levelled rifles severed his soul and his body for
+eternity.
+
+He sank to his knees, and for the first time in many years he prayed.
+It was a prayer to an unknown God, in words that were meaningless,
+disjointed things. It was a soul crying out to its source, a soul
+struggling towards the throne of Eternal Justice, through a darkness
+lit only by a sister's love and the gratitude of an eighteen-year-old
+boy saved from shameful death.
+
+The commands of the sergeant of the guard could be heard as sentries
+were changed. Durwent rose to his feet and tried to look from the
+window, but the night was as black as the grave which had already been
+dug for him. Once more there was no sound but the wind moaning about
+the deserted fields.
+
+'Mas'r Dick.'
+
+Dick's body grew rigid. Was it a prank of his mind, or had he really
+heard the words?
+
+'Mas'r Dick.'
+
+The door had opened an inch. His heart beat wildly, and he crouched
+close to the crevice.
+
+'Mathews!' he gasped.
+
+'Sh-sh.' An admonishing hand touched him. 'Come close, sir. This is
+a dirty business, Mas'r Dick. If you hear me cough noticeable, get
+back and pretend like you're asleep.'
+
+'But--but, in God's name, what are you doing there?'
+
+'I'm a-guardin' you, sir. Sh-sh.'
+
+The old groom moved a couple of paces away from the door, humming a
+song about a coachman who loved a turnkey's daughter. Almost mad with
+excitement, Dick stood in the darkness of the hut with his outstretched
+arms shaking and quivering. He was afraid he would shout, and bit his
+finger-nails to help to repress the wild desire.
+
+'Mas'r Dick.'
+
+In an instant he was crouching again by the door.
+
+'There'll be a orficer's inspection,' whispered the sentry, 'a minute
+or two arter midnight. When that there little ceremony has took place,
+you and me is goin' for a walk.'
+
+'Where?'
+
+'Anywheres, Mas'r Dick.'
+
+'You mean--to escape?'
+
+'Precisely so, sir.'
+
+For a moment his pulses beat furiously with hope; but the realisation
+of what it meant for the old groom killed it like a sudden frost. 'No,
+Mathews,' he whispered. 'It isn't fair to you. I am not going to try
+to escape. Give me your hand; I want to say good-bye.'
+
+For answer, the imperturbable Mathews moved off again, and, in a soft
+but most unmusical bass, sang the second verse about the amorous
+coachman and the susceptible turnkey's daughter. Dick listened,
+hanging greedily on every little sound with its atmosphere of Roselawn.
+
+'Mas'r Dick.' Mathews had returned. 'No argifyin' won't get you
+nowhere. If I have to knock you atwixt the ears and drag you out by
+the 'eels, you're comin' out o' that there stall to-night. I ain't
+goin' for to see a Durwent made a target of. No, sir; not if I have to
+blow the whole army up, and them frog-eaters along with 'em. Close
+that door, Mas'r Dick. I've got a contrary temper, and can't stand no
+argifyin' like. Close that door, sir.'
+
+Almost crazed with excitement, Dick strode about the hut. Even if he
+were to get away, the chances of capture were overwhelming. But--to be
+shot in an open fight for freedom! That would be a thousand times
+better than death by an open grave. Freedom! The word was
+intoxication. To breathe the air of heaven once again--to feel the
+canopy of the stars--to smell the musk of flowers and new grass! If
+only for an hour; yet, what an hour!
+
+And then the chance, remote, but still within the realm of possibility,
+of reaching the front line, where men died like men. Of all the
+desires he had ever known, none had gripped him like the longing for
+battle, where death and honour were inseparable.
+
+But once more the thought of Mathews chilled his purpose. It would
+mean penal servitude or worse for the old groom, and he was not going
+to be the means of ruining him for his faithfulness. He could not
+stoop so low as that.
+
+These and a hundred similar thoughts flashed through his mind, and he
+was no nearer their solution when the door was opened and a sergeant
+shouted a command. He started. For a second he thought that dawn
+might be breaking, and that his hour had arrived; but an officer came
+up the steps, and he saw with a quiver of relief that it was the
+nightly inspection.
+
+'Everything all right?'
+
+'Yes, sir,' he answered.
+
+'Where's the chaplain?'
+
+'He'll be back directly, sir.'
+
+'Food all right--everything possible being done for you?'
+
+'I have no complaints, sir.'
+
+In the light of the lamp held by the sergeant the two men looked at
+each other. Without saying anything more, the officer glanced about
+the hut. 'That will do, sergeant.--Good-night.'
+
+'Good-night, sir,' answered Durwent.
+
+The officer had hardly reached the door, where the sergeant had
+preceded him with the light, when he turned back impulsively and put
+out his hand. 'I suppose this sort of thing is necessary,' he said
+hoarsely; 'but it's a damned rotten affair altogether.'
+
+They clasped hands; and turning on his heel, the officer left the hut.
+
+'Take every precaution, sergeant,' Dick heard him say; 'and send a
+runner to the chaplain with my compliments. Tell him he must not leave
+the prisoner.'
+
+'Very good, sir.'
+
+Silence again--and the crunching of the sentries' heels on the sparsely
+sprinkled gravel. The ordeal was becoming unbearable. Dick feared the
+passing of the minutes which would bring back the chaplain, and yet
+every minute seemed an eternity. The conflict ravaged his very soul.
+Was he to take the chance offered him by the strangest trick of
+Destiny, or remain and die like a rat caught in a trap?
+
+'Mas'r Dick.'
+
+The door was quietly opened. The old groom's hand fell on his arm and
+drew him firmly outwards. He tried to pull back, but with unexpected
+strength the older man exerted pressure, until Dick found himself
+outside.
+
+It was so dark that he could not see a yard ahead of him as Mathews,
+retaining his grip on his companion's arm, led him towards the road.
+They were nearly clear of the field, when the groom stopped abruptly,
+and they lay flat on the ground. It was the orderly officer and the
+sergeant returning from the inspection of a hut some distance off.
+
+'Sentry.' The officer had paused opposite the hut where the prisoner
+had been.
+
+'Yes, sir,' came the answer from the soldier still on guard at the
+other door.
+
+'Has the chaplain returned?'
+
+'Not yet, sir.'
+
+With an impatient exclamation, the officer went on towards the village;
+and gaining their feet, the two men reached the road.
+
+'There's a path alongside, sir,' whispered Mathews, 'and you and me is
+goin' to put as much terry-firmy atwixt this village and us as our four
+legs can do. Now, sir, we're off!'
+
+With lowered heads, they broke into a run. Stumbling over unseen
+stones, lacerating their hands and faces against bushes which over-hung
+the path, they ran on into the dark. Once a staff car passed them, and
+they huddled in a ditch; but it was only for a few seconds, and they
+were up again. Unless they were unfortunate enough to run right into
+the arms of the military police, the night was offering every chance of
+success. A barking dog warned them that they had come to the outskirts
+of another village. Leaving the road, they circled the place by
+tortuously making their way through uneven fields, until they thought
+it safe once more to take the path. On they ran--past silent
+fields--by streams--by murky swamps.
+
+Towards dawn Dick was faint with fatigue. The ordeal of the last month
+had cruelly sapped his vitality, and as he ran he found himself
+stumbling to his knees.
+
+'Hold hard, sir,' said the groom, who was leading. 'Another mile or
+so, and you and me, sir, will breathe ourselves proper.'
+
+Only another mile--but a mile of utter anguish. Twice Dick fell, and
+the second time he could not rise without assistance.
+
+'Mas'r Dick,' pleaded the groom, 'look 'ee, sir. Up yonder hill
+somewheres about I knows there is a cornfield, for I have noted it many
+a time. 'We can't hide here, sir, in this stubble. Lean on me, Mas'r
+Dick--that's the way. Now, sir, for England, 'ome, and beauty.'
+
+Struggling to retain his consciousness, Dick limped beside the old
+servitor, until, gaining the hill, they saw an abandoned cornfield.
+There was a roll of guns as they made their way into the field, and
+through the dense blackness of the night a few streaks of gray could be
+seen towards the east.
+
+Without a sound, Dick sank to the ground in complete exhaustion. The
+groom unstrapped his own greatcoat, which had been carried rolled, and
+covered the lad with it. Taking a thermos bottle from his haversack,
+he poured some hot tea between Dick's lips, and saw a little glow of
+warmth creep into the cheeks.
+
+'Now, sir,' he said, 'take a bit 'o' this sandwich. 'Ave another swig
+o' the tea. Bless my heart, sir, won't them fellers be surprised when
+they finds as how they ain't got no corpse for their funeral? That's
+better, sir. I will say about army tea that even if it ain't what my
+old woman would make, it's rare an' strong, Mas'r Dick--rare an' strong
+an' powerful, likewise and sim'lar.'
+
+'Mathews,' said Dick weakly, 'how was it--you were on guard--last
+night? Was it just an accident?'
+
+'Yes, sir. Just a accident. Well, not precisely a accident neither,
+sir. I be what the War Office calls "a headquarter troop," and do odd
+jobs behind the lines. Sometimes I dig graves, and other times I be a
+officer's servant, and likewise do a turn o' sentry-go. Well, sir,
+when I heard that you was a prisoner and was goin' for to be shot, I
+persuades the corp'l to put me on guard, exchangin' a diggin' job with
+a bloke by the name o' Griggs, so as not to incormode the records o'
+the War Office. That's all, sir. There I were, and here we be; and
+arter you've had a sleep, you and me will have a jaw on our immed'ate
+future. 'Ave a good snooze, Mas'r Dick, and I'll keep an eye trimmed
+on the road.'
+
+With the same boyishness he had shown that night in Selwyn's rooms,
+Dick put out his hand and pressed the old groom's arm. With a paternal
+air, Mathews patted the hand with his own and reached for his pipe,
+explaining that he would steal a smoke before daylight. But the lad
+did not hear him. He was lost in a deep, dreamless sleep.
+
+
+
+
+CHAPTER XXV.
+
+THE FIGHT FOR THE BRIDGE.
+
+
+I.
+
+It was nearly noon when the tired youth awoke. He looked wonderingly
+about, and there was a haunting fear in his light eyes, like those of a
+stag that dreads the hunters. From the north there came the sound of
+drum-fire, a weird, almost tedious, rhythm of guns working at a feverish
+pace; and the near-by road was a mass of jumbled traffic. Ambulances,
+supply-wagons, field-artillery, lorries, with jingling harness or
+snorting engines--streams of vehicles moved slowly up and down their
+channel. At a reckless speed motorcyclists, carrying urgent messages,
+swerved through it all; and in the ditches that ran alongside, refugees
+were stumbling on, fleeing from the new terror, their crouching,
+misshapen figures like players from a grotesque drama of the Macabre.
+
+'The sausage-eaters,' said Mathews philosophically, 'must be feelin'
+their oats, sir.'
+
+At the sound of the familiar voice the fear passed from Dick's face.
+Memory had returned, and he smiled, though his body trembled as if with a
+chill. 'I'm starved,' he said, 'and I have nothing with me. How long
+did I sleep, Mathews?'
+
+'Pretty near seven hours, Mas'r Dick. Here you are, sir--feedin'-time,
+and the bugle's went.'
+
+He handed Durwent a sandwich, which the young man devoured ravenously,
+washing it down with some cold tea. Mathews also munched at a sandwich,
+and through the cornstalks they watched the two currents of war-traffic
+eddying past each other. There was a roar of engines behind them, and,
+flying low, a formation of sixteen British aeroplanes made in a straight
+line for the battle area.
+
+With a map which the groom had thoughtfully borrowed from an officer the
+previous day, Dick managed to gain fairly accurate information as to
+their position. By calculation he figured out that they had travelled
+seventeen or eighteen miles during the night, and identifying the main
+road on which they had come, he saw that after two or three miles it
+would take a rectangular turn to the right, running parallel to the line
+of battle. Four miles to the south-east of the turning-point there was a
+river, and this the fugitives decided to reach that night.
+
+'If we can locate that,' said Dick eagerly, 'it is bound to lead us into
+the French lines.'
+
+'Werry good, sir,' said the groom, with an air of resignation. His
+contempt for maps and their unintelligibility was deep-rooted, but if his
+young master thought he could locate a river with one, he would keep an
+open mind on the subject until it had, at least, been given a fair trial.
+
+'You see,' said Durwent, 'a great many of these troops on the road are
+French, so when we follow that route we must get into French territory.'
+
+'Yezzir,' said Mathews profoundly. 'I won't go for to say as 'ow you
+mayn't be right. All the same, Mas'r Dick, when it comes to enterin' the
+ring wi' them sausage-eaters I'd raither 'ave a dozen Lancashire or Devon
+lads about me than all the Frenchies you could put in Hyde Park. It
+ain't that these here spec'mens don't 'ave a good sound heart as far as
+standin' up and takin' knocks is concerned, but they be too frisky and
+skittish for my likin'. I see 'em all wavin' their arms like as if a
+carriage and pair has run away, and talkin' all at once and together,
+likewise and sim'lar. Wot's more, they does it in a lingo that no one
+can't go for to make out, not even a Frenchy hisself, because I never see
+one Frog listenin' to another--did you, sir? Wot's more, sir, they gets
+all of a lather over things which is only fit for women-folk to worry
+on--such as w'ether a hen has laid its egg reg'lar; or the coffee, was it
+black enough? From wot I see as puts a Frog in a dither, I sez to myself
+that if you was to take him to a real hoss-race, he'd never see the
+finish. No, sir; he'd be dead o' heart-failure afore the hosses was off.'
+
+Dick smiled at the tremendous seriousness of the old groom, and lay back
+wearily on the ground. 'We had better both turn in for another nap,' he
+said. 'We'll need all our strength to-night, and if we stay awake we're
+sure to get hungry.'
+
+'Werry sound advice, Mas'r Dick,' said Mathews. 'But would I be
+presumin', sir, to ask you a favour? I got a letter yesterday from my
+old woman, and wot with her writin' and me bein' nought o' a scholar, I
+was wonderin', Mas'r Dick, if you would just acquaint me with any fac's
+that you might think the old girl would like me for to know.'
+
+'Willingly,' said Dick, taking a sealed letter from the groom, who
+squatted solemnly on the ground, assuming an air of deep contemplation,
+as one who has to give an opinion on a hitherto unread masterpiece.
+
+'It begins,' said Dick, with some difficulty making out the writing,
+which was extremely small in some words and very large in others, and
+punctuated mainly with blots--'"Dear Daddy"'----
+
+'That,' said Mathews, 'is conseckens o' me bein' sire to little
+Wellington.'
+
+'Oh yes,' said Dick. '"Dear Daddy, ther ain't nothing to tell you
+Wellington has took the mumps and the cat had some more kittens"'----
+
+'That's a werry remark'ble cat,' observed Mathews. 'I never see a animal
+so ambitious. Wot does the old girl say Wellington has took?'
+
+'Mumps.'
+
+'By Criky! I hope it don't go for to make his nose no bigger. Wot a
+infant he is! Mumps! Go on, Mas'r Dick--the old girl's doin' fine.'
+
+'"The day,"' resumed Dick--'"the day afor Tuesday come last week"'----
+
+'Don't pull up, sir,' said Mathews as Dick paused to re-read the puzzling
+words. 'You has to take my old woman at a good clip to get her
+meanin'--but you'll find it hid somewere, Mas'r Dick. I never see the
+old girl come a cropper yet.'
+
+With this to guide him, the reader found his place again with the aid of
+a blot, a half-inch square, which surrounded the first word. '"The day
+afor Tuesday,"' he went on, '"come last week Wellington and the rector's
+boy Charlie fit."'
+
+'Werry good,' said Mathews approvingly.
+
+'"Wellington's nose were badly done in and he looks awful bad but the
+rector's boy"'----
+
+'Wot does she say about him?' asked Mathews, staring into space.
+
+'"The rector's boy could not see out of neither eye for 3 days."'
+
+Repressing a chuckle by a great effort, Mathews hastily fumbled for his
+corncob pipe, and placing it unlit in his mouth, continued to look into
+space with a face that was almost purple from smothered exuberance.
+
+'"Milord and Lady,"' resumed Dick, '"is just the same and Milord always
+asks how you was and will I remember him to you."'
+
+'A thoroughbred--that's wot he is,' said Mathews, apparently addressing
+the distant refugees.
+
+'"Miss Elise was heer last week and is that sweet grown that all the
+woonded tommies fit with pillos to see who wud propos to her. There
+ain't no news. Bertha the skullery maid marrid a hyland soldier and they
+are going for to keep a sweet-shop after the war. Wellington sprayned
+his ankil yesterday by clyming out of the windo where I had locked him in
+as he has the mumps."'
+
+'Wot a infant!' commented Mathews admiringly.
+
+'"I am sending you a parsil and a picter of me and Wellington. We are
+very lonesum, daddy, and I'll be reel glad when the war is over and you
+come back. It is awful lonesum and Wellington is to. This morning he
+cut his hand trying to carv our best chair into the shape of a horse. I
+am feeling fine and hope the reumatiz don't worry you no more. With
+heeps of love from me and Wellington, your wife, Maggie."'
+
+It was a strange contrast in faces as the young man folded the letter and
+handed it back. In the countenance of the groom there was a sturdy pride
+in the epistolary achievement of his wife--a pride which he made a
+violent but unsuccessful effort to conceal. In the pale, handsome face
+of the young aristocrat there was a whimsical pathos. By the picture
+conjured up in the crudely written letter he had seen his parents, his
+sister, the humble cottage of the groom, and the wife's faithfulness and
+cheeriness. He had seen them, not as separate things, but hallowed and
+unified by a common sacrifice for England.
+
+For the first time since his escape Dick Durwent regretted it. He could
+see no safety ahead for Mathews, no matter how long they evaded arrest.
+Although a cool, fretful wind was blowing over the fields, the warm noon
+sun made his eyelids heavy.
+
+Against the wish of the groom, he insisted upon spreading the greatcoat
+over them both, and in a few minutes master and man were resting side by
+side as comrades.
+
+'Mathews,' said Dick quietly.
+
+'Yezzir?'
+
+'Give me your word that if you ever reach England you will never tell my
+family about this. They don't know I am in France, and'----
+
+'Mum as a oyster, sir--that's the ticket. Werry good, Mas'r Dick. A
+oyster it is.'
+
+Ten minutes had passed without either of them speaking, when Mathews
+partially raised himself on one elbow. 'If women,' he said ruminatingly,
+'was to have votes, my old girl would run for Parlyment, sure as
+skittles. I wonder, Mas'r Dick, if a feller who courted a girl in good
+faith, and arter a few years found she were Prime Minister of
+England--would that constitoot grounds for divorce?'
+
+But Dick was asleep, and dreaming of days when happiness was in the air
+one breathed; when brother and sister had revelled in nature's carnival
+of seasons. After several minutes' contemplation of the uncertainty of
+married life, the old groom followed him into a slumber which was
+unattended by dreams, but did not lack a sonorous serenade.
+
+
+II.
+
+The night was streaked with tragedy as the fugitives stole to the road.
+The drum-fire of the guns had grown to a roar, through which there came
+the blast and the crash of siege artillery, shaking the earth to its very
+foundations, as if the gases of hell had ignited and were bursting
+through. As though by lightning striking low, the night was lit with
+flashes illuminating the fields and the roads about; and shells were
+screaming and whining through the air, winged, blood-sucking monsters
+crying for their prey. Across a yellow moon broken clouds were driven on
+a gale that whipped the dust of the roads into moaning whirlpools.
+
+Dense traffic moved sullenly on, the ghostly figures of drivers astride
+horses that whinnied in terror of the night. Not a light was shown.
+There were only the glimpses of the sickly moonlight and the flame-red
+flashes of the guns; and, unnoticed, Durwent and the groom followed
+beside a lorry.
+
+Once, as they strode forward in the roar and horror of the dark, they
+heard the explosion of a shell that, by a trick of ill-luck, had found
+the road. There followed the shriek of wounded horses, quick commands
+penetrating the darkness. Corpses of men, dead horses, and shattered
+vehicles were drawn aside, and the long line that had been halted for
+four minutes closed the gap and moved on.
+
+When they reached the turn in the road, they left the shadowy procession
+and made for the river by following a soft wagon-path that cut across the
+fields. For two hours they hurried on through the night's madness. More
+than once they were almost thrown to the ground by the terrific explosion
+of heavy guns that had taken up positions by the path; and by the flashes
+in the fields they could see the weird figures of the gunners toiling at
+their work of death.
+
+As they neared the river they caught a glimpse of coloured flares not far
+ahead, and there came a momentary lull in the confused bombardment.
+
+'Listen!' cried Dick.
+
+From somewhere on the banks of the river there was the sound of
+rifle-fire, and the rat-tat-tat-tat of machine-guns, like the rattle of
+riveters at work on a steel structure.
+
+Following a tow-path which ran by the river, they appeared to be entering
+a zone of comparative quiet. Although the sound of rifle-fire grew more
+clear, the noise of the guns came from behind them, but to the right and
+the left. For an hour they ran rapidly forward, and it seemed that the
+tide of battle had swept to the north, leaving this area denuded of
+troops. They saw neither guns nor infantry, although a renewed burst of
+machine-gun fire told them they were nearing their unknown destination.
+
+They had not started from their hiding-place until nearly midnight, and
+as they reached a slight rise of the ground they could see that the
+darkness was slowly lifting with day's approach.
+
+'See, sir,' said the groom, pointing ahead, 'yonder side o' the river to
+the right.'
+
+'I can't see anything,'
+
+'Look 'ee, Mas'r Dick. Follow the river. I think that that there gray
+streak is a bridge.'
+
+It was not until they had gone ahead a considerable distance that Durwent
+could make out a heavy bridge spanning the river, which ran with a swift
+current, and was more than two hundred feet in width. A blurring red was
+tinting the black clouds in the east as they crept along the path, when
+they heard a sharp challenge.
+
+'Friends,' cried Dick, and halted.
+
+'Stand still until I give you the once over.' An American corporal, who
+had apparently been running and was out of breath, came up to them,
+carrying a revolver, and looked closely into their faces.
+
+'What are you doing here?' he asked.
+
+'Stragglers,' answered Durwent, 'separated from our unit.'
+
+'Where in Samhill is the rest of your army?'
+
+'There are no troops back here for ten miles,' answered Dick.
+
+The American took off his helmet and wiped his brow.
+
+'Jumping Jehosophat!' he exclaimed ruefully, 'do I have to marathon ten
+miles and back? They sure are generous with exercise in the army. Say,
+you guys--if you're on the level about being stragglers, and want a real
+honest-to-God showdown scrap, you hike over that bridge. Do you see that
+big tree over in the bush? Can you make it out? Well, when you get
+across the river, just line your lamps on that tree, and after half a
+mile or so you'll come to a sunken road. Report to Major Van Derwater,
+and tell him you're the only army M'Goorty--that's me--has found so far.
+And tell him I'll discover the French admiral who is supposed to be
+bringing up reinforcements, if I have to search this whole one-horse
+country for him. You'd better get a move on before the light comes up,
+for, believe me, Lizzie, those Boches can shoot, and if ever they see you
+coming across that bridge you may as well kiss yourselves good-bye.'
+
+Having delivered himself of this expressive monologue, the corporal
+replaced the revolver in its holster and took a seaman's hitch in his
+breeches. Again the machine-guns spat out, the sound seeming to be borne
+on the wind as the bullets traversed the air.
+
+'Gosh!' said the corporal, 'but I'd give a year's tips to see that scrap
+out. They had the bulge on us by about three to one, and we had to back
+up to keep the line straight, but now we're holding them great.
+Say--we've got a bunch of bowhunks there who could shoot the wart off a
+snail. Some scrap, believe me. Well, so long.'
+
+He had just started off at a run, when he stopped and turned round. 'If
+you ever come to New York, look me up at the Belmont. I'm a waiter
+there, and I can put you wise to a lot of things. Chin, Chin!'
+
+'Cheerio,' answered Dick, as the energetic corporal disappeared.
+
+'I'm gettin' 'ard o' 'earin',' said the old groom. 'Leastways I ain't
+sure I 'eerd 'im correct. Wot did 'e say?'
+
+'Mathews!'--Dick turned to his servant, and his voice shook with
+excitement--'there's a battle going on the other side of the river, and
+we're to report to Major Van Derwater. By heavens, Mathews! I feel
+half-mad with joy. They didn't get us after all, did they? We sha'n't
+be shot like curs, at any rate. Think of it, old man--we've won out!
+They can't stop us now'---- His words stopped suddenly. 'Mathews,' he
+said, 'you must not come. Stay here, and join the reinforcements when
+they turn up. You have to consider your wife and little Wellington.'
+
+For answer the groom started along the path towards the bridge, and
+Durwent was forced to break into a run before he could head him off.
+
+'Mathews,' he said sternly.
+
+'Mas'r Dick,' replied the groom, snorting violently, 'you shouldn't go
+for to insult me. Beggin' your pardon and meanin' no disrespeck, this
+here war is as much mine as yourn. Orders or no orders, I'm agoin' to
+have a howd'ee with them sausage-eaters, and, as that there free-spoke
+young gen'l'man observed, the bridge ain't exactly a chancery in the
+daylight. Come along, sir; argifyin' don't get nowhere.'
+
+Realising that further expostulation was useless, Dick followed the groom
+to the bridge. As they crossed it he noted that it was strongly built of
+steel, with supports that would bear the heaviest of weights. Gaining
+the opposite side, they waited as Dick took his bearings by the tree; and
+crossing a hard, chalky field, they stole towards the sunken road. They
+could hear the occasional crack of a rifle, and there was the _ping_ of a
+bullet passing over their heads as they pressed on through the lightening
+gloom.
+
+'Halt!'
+
+A voice rang out, and they were questioned as to their identity. On
+being ordered to advance, they jumped down into a sunken road which
+constituted an admirable trench, and were at once surrounded by American
+soldiers.
+
+'I was ordered to report to Major Van Derwater,' said Durwent.
+
+They were asked various questions, and were then escorted a few yards to
+the right, where an officer was looking over the bank which hid the road.
+
+'British stragglers, sir,' said the sergeant who had taken charge of them.
+
+'What unit are you from?' asked the officer.
+
+His voice was calm and deep, but gave no indication as to how he felt
+disposed towards the two fugitives. In answer to his question Dick gave
+the name of his battalion, and Mathews did the same.
+
+'How did you know my name?'
+
+'We met your corporal, sir,' said Durwent.
+
+'Where are your rifles?'
+
+'Lost them, sir.'
+
+'In what engagement were you cut off from your units?'
+
+Dick tried to reply, but not only was he ignorant of the locality through
+which he had travelled, but his soul burned with resentment at being
+forced into lying. Mathews said nothing, and seemed quite untroubled.
+He was prepared to accept his young master's choice of engagements for
+his own, no matter where or when it might have taken place.
+
+'I don't like this,' said the officer. 'These men are a long way from
+the British lines, and are either deserters or worse. Guard them
+closely, and if things get hot, tie their arms together so they will give
+no trouble.'
+
+'Very good, sir,' answered the sergeant, preparing to lead them away; but
+Durwent, whose blood, had run cold with dismay at the officer's words,
+struggled forward.
+
+'Sir,' he cried, 'if you think I'm not to be trusted, give me a dirty
+job--anything. A bombing-raid, or a patrol--I'll do anything at all,
+sir, if you'll only give me a chance.'
+
+'Well spoke, Mas'r Dick,' said Mathews proudly. 'Werry well spoke
+indeed.'
+
+The officer, who had been about to issue a peremptory order, stopped at
+the sturdy honesty of the groom's voice. 'Send for Captain Selwyn,' he
+said. 'You will find him at the creek.'
+
+
+III.
+
+By a creek that trickled across the road, Captain Austin Selwyn was
+watching the brushwood which concealed the enemy. Beside him, lining the
+bank, every available man was on the alert, waiting the developments
+which would follow the raising of night's curtain. In the misty gray of
+dawn they looked fabulous in size, and indistinct.
+
+The night in January at the University Club in New York had marked a
+reconciliation between Selwyn and Van Derwater. With the issue between
+America and Germany so clearly defined, they had both lent their voices
+to the insistent demand for war. At first people had been incredulous,
+and hazarded the guess that the young author was endeavouring to cover
+his own tracks; but when he enlisted in the ranks at the outbreak of
+hostilities, they made a popular hero of him. They spoke of him as the
+Spirit of the Cause; but he paid little attention to the clamour. His
+joy in the prospect of action, and the release from all his mental
+tortures, had produced in him a kind of frenzy, that crystallised into an
+intense hatred of Germany.
+
+The pendulum had swung to its extreme. Once a man animated with a
+passionate humanitarianism, in whom the spirit of universal brotherhood
+burned with an inextinguishable force, he had become a creature drunk
+with lust for revenge. Patriotism, Justice, Freedom--they were all
+catch-words to hide the brutal, primeval instinct to kill.
+
+In the little thought which he permitted himself, Selwyn argued that the
+ignorance of many nations had made war possible, but only Germany had
+been vile enough to try to exploit it for the achievement of world-power.
+For that reason alone she was a thing of detestation.
+
+His enthusiasm and quickly acquired knowledge of army routine marked him
+for promotion. He was given a commission, and at the request of Van
+Derwater was attached to the same regiment as himself. Together they had
+crossed to France, and were among the first American troops in action.
+
+In the months that followed, Selwyn had revelled in the carnage and the
+excitement of war. He was reckless to the point of bravado, and his keen
+dramatic instinct drove him into unnecessary escapades where his senses
+could enjoy a thrill not far removed from insanity. Only when out of the
+line, when the mockery and the hideousness of the whole thing demanded
+his mind's solution, would the mood of despondency return. But in the
+trenches he knew neither pity nor fear. Men fought for the privilege of
+serving under him, and with their instinct for euphony and love of the
+bizarre gave him the name of 'Hell-fire.' He gloried in the physical
+ascendancy of it all--in the dangers--in the discomforts. He was an
+instrument of revenge, a weapon without feeling.
+
+On the other hand, Van Derwater had undergone no appreciable change. He
+carried himself with the same dignity and formality as in his days at
+Washington--except when emergency would scatter the wits of his
+fellow-officers, and he would suddenly become a dynamic force, vigorous
+in conception and swift of action. Yet success or failure left him
+unmoved, once a crisis had passed. His men respected but did not
+understand him. They wove a legend about his name. They said he had
+come to France wanting to be killed, but that no bullet could touch him.
+And even those who scoffed, when they saw him, unruffled and strangely
+solitary, moving about with almost ironic contempt of danger, wondered if
+there might not be some truth in the story.
+
+'Major Van Derwater would like to speak to you right away, sir.'
+
+Telling a non-commissioned officer to take his place, Selwyn followed the
+messenger along the road until they came to the spot which Van Derwater
+had chosen for his headquarters. Daylight was emerging from its retreat,
+and there was the promise of a warm day in the glowing east.
+
+'You sent for me, sir?' he said.
+
+'Yes. You might question these two British stragglers. Their story is
+not straight, but they seem decent enough fellows. If you are not
+satisfied'----
+
+He was interrupted by an exclamation of astonishment from Selwyn, who had
+noticed the Englishmen for the first time.
+
+'Great Scott!' gasped Selwyn. 'Dick Durwent!'
+
+Dick looked up, and at the sight of the American's face he uttered a cry
+of relief. 'Is that really you, Selwyn? What luck! You remember
+Mathews at Roselawn, don't you? You can say'----
+
+'Good-mornin', sir,' said the unperturbed groom. 'This is a werry
+pleasant surprise, to be sure. How are you, sir?'
+
+'Van,' said Selwyn, after shaking hands with them both, 'this is Lord
+Durwent's son, and the other is his groom, Mathews. I will vouch for
+them absolutely.'
+
+'Good!' Van Derwater slightly inclined his head as an indication that he
+was satisfied. 'We need every man. You had better take them in your
+section and equip them with rifles from casualties.'
+
+
+IV.
+
+A few minutes later, after he had procured food for the two men, who were
+growing faint with hunger, Selwyn resumed his post. The heavy grass
+fringing the bank made it possible to keep watch without being directly
+exposed as a target; but beyond a desultory rifle-fire about a mile on
+their right, there was no indication of enemy activity.
+
+When Durwent had been equipped with a steel helmet and a rifle, Selwyn
+called him over to his side, and as concisely as possible explained the
+military situation. In the German attack against the French forces (with
+which the Americans were brigaded) the line had been swept back. Deep
+salients had been driven in on both their flanks, but orders had been
+received to hold the bridge at all costs, as, if a counter-attack could
+be launched, it would be an enfilading one made by troops brought across
+the river. Relying on their machine-gun and rifle fire to overcome the
+Americans' resistance, the enemy's artillery had been drawn into the
+deepening salients; but in spite of all-day fighting the straggling line
+had held.
+
+After a few questions from Durwent they relapsed into silence, gazing at
+the undulating expanse of country revealed by the ascending sun.
+
+'Selwyn.' Dick cleared his throat nervously. 'I must tell you the
+truth. You were decent enough to stand sponsor for Mathews and me, and I
+want you to know everything. The major was right. We're not
+stragglers--we're deserters.'
+
+Selwyn made no comment, and both men stared fixedly through the long
+grass that drooped with heavy dew.
+
+'Yesterday morning,' said Durwent dully, 'I was to have been shot. I was
+drunk in the line, and deserved it. It's no use trying to excuse myself.
+I fancy my nerves were a bit gone after what we'd been through the last
+few months, but---- Well, I suppose I am simply a failure, as that chap
+said in London--there isn't much more to it than that. By a queer deal
+of the cards, Mathews was on guard, and helped me to escape. It was
+rotten of me to let him take the chance; but it's been that way all
+through. Even at the end of everything--after being a waster and a
+rotter since I was a kid--I have to drag this poor chap down with me.
+Promise, Selwyn, if you come out of this alive, that you'll fight his
+case for him.'
+
+Selwyn murmured assent, but he was trying to shake off a haunting feeling
+that was enveloping him like a mist--a feeling that everything the young
+Englishman was saying he had heard before. It left him dazed, and made
+Durwent's voice sound far away. He tried to dismiss it as an illogical
+prank of the mind, but the thing was relentless. He could not rid
+himself of the thought that sometime in the past--months, years, perhaps
+centuries ago--this pitiful scene had been enacted before.
+
+It chilled his soul with its presage of disaster. He saw the hand of
+destiny, and everything in him rebelled against the inexorable cruelty of
+it all. It was infamous that any life should be dominated by a whim of
+the Fates; that any creature should enter this world with a silken cord
+about his throat. Destiny. Does it mould our lives; or do our lives,
+inundated with the forces of heredity, mould our destinies? He tried to
+grapple with the thought; but through the pain and confusion of his mind
+he could only feel the presence of unseen fingers spelling out the words
+written in a hidden past.
+
+'I wonder,' said Durwent, after a pause of several minutes, during which
+neither had spoken, 'what happens when this is finished.'
+
+'Do you mean--after death?' said Selwyn, forcing his mind clear of its
+clouds.
+
+Durwent nodded and leaned wearily with his arms on the bank. 'I tried to
+think it out the night before I was to be shot,' he said. 'I can't just
+say what I did think--but I know there's something after this world.
+Selwyn, is there a God? I wonder if there will be another chance for the
+men who have made a mess of things here.'
+
+The American turned towards the young fellow, whose pale face looked
+singularly boyish, and had a wistfulness that touched him to his very
+heart. Durwent was gazing over the grass into the distance, oblivious of
+everything about him, and in the blue of his eyes, which borrowed lustre
+from the morning, there was the mysticism of one who is searching for the
+land which lies beyond this life's horizon.
+
+'I wonder,' repeated Durwent dreamily.
+
+Selwyn tried to frame words for a reply, but skilled as he was in the
+interpretation of thought, he was dumb in confession of his faith. He
+longed to speak the things which might have brought comfort to the lad's
+harassed soul, but everything which came to him, echoing from his former
+years, was so inadequate, so tinctured with smug complacency. Was there
+a God?
+
+The question left him mute.
+
+'There are times,' went on Durwent, almost to himself, 'when my head is
+full of strange fancies--when I'm listening to music--or at dawn like
+this. While I was under arrest, a little French girl who had heard I was
+to die brought some flowers she had picked for me. When I think of that
+girl, and her flowers, and Elise, and the faithfulness of old Mathews, I
+do believe there is some kind of a God. . . . Selwyn'--unconsciously his
+hands stretched forward supplicatingly--'surely these things can't
+die? . . . There's been so much that's ugly and lonely in my life. . . .
+Don't you believe that we fellows who have failed will be able to have a
+little of the things we've missed down here?'
+
+'Dick,' said Selwyn hoarsely, 'I believe'----
+
+The words faltered on his lips, and in silence the two men stood together
+in the presence of the day's birth. There was a strange calm in the air.
+The dew on the grass caught a faint sparkle from a ray of sunlight that
+penetrated the eastern skies.
+
+
+V.
+
+'_The Boches, sir! They're coming!_'
+
+The sergeant's warning rang out, and in an instant the air was shattered
+with battle. Protected by the fire from a nest of machine-guns, the
+Germans launched a converging attack towards the bridge. Waiting until
+the advancing troops were too close to permit the aid of their own
+machine-gun fire, the Americans poured a deadly hail of bullets into
+their ranks. The attack broke, but fresh troops were thrown in, and the
+line was penetrated at several points.
+
+Van Derwater rallied his men, directed the defence, and time after time
+organised or led counter-attacks which restored their position. His
+voice rose sonorously above everything. Hearing it, and seeing his
+powerful figure oblivious to the bullets which stung the air all about
+him, his men yelled that they could never be beaten so long as he led
+them.
+
+Half-mad with excitement, Selwyn repelled the attacks on his sector,
+though his casualties were heavy and ammunition was running low.
+Durwent's mood of reverie had passed, and he fought with limitless
+energy. Once, when the Huns had penetrated the road, one of their
+officers levelled a revolver on him, but discharged the bullet into the
+ground as the butt of Mathews's rifle was brought smashing on his wrist.
+The old groom followed his master with eyes that saw only the danger
+hanging over him. For his own safety he gave no care, but wherever Dick
+stepped or turned, the groom was by his side, with his large, rough face
+set in a look that was like that of a mastiff protecting its young.
+
+As waves breaking against a rock, the Huns retreated, rallied, and
+attacked again and again, and each time the resistance was less
+formidable as the heroic little band grew smaller and the ugly story
+passed that ammunition was giving out.
+
+They had just thrown back an assault, and Van Derwater had sent for his
+section commanders to advise an attack on the enemy in preference to
+waiting to be wiped out with no chance of successful resistance, when he
+heard a shout, and bullets spat over their heads. Turning swiftly about,
+they saw a tank lurching across the bridge. Amidst wild shouting from
+the Americans, the clumsy landship stumbled towards them, with bullets
+glancing harmlessly off its metal carcass. Lumbering on to the road, the
+tank stopped astride it.
+
+In almost complete forgetfulness of the impending enemy attack, the
+jubilant Americans crowded about the machine and cheered its occupants to
+the echo, as a small door was opened and two French faces could be seen.
+In a few words Van Derwater explained the situation, receiving the
+discouraging information that no troops were anywhere near the vicinity.
+The tank had been discovered by the ex-Belmont waiter and sent on to the
+bridge.
+
+'Pass word along,' said Van Derwater crisply, 'to prepare for an attack.
+The tank will go first, and when it is astride their machine-gun position
+we will go forward and drive them out of the brushwood into the
+open.--Messieurs, the machine-guns are gathered there--straight across,
+about forty yards from the great tree.'
+
+The Frenchmen tried to locate the spot indicated, but were obviously
+puzzled and too excited to listen attentively. Van Derwater was about to
+repeat his instructions, when Dick Durwent shouldered his way into the
+group. Men's voices were hushed at the sight of his blazing eyes.
+
+In a bound he was on the bank, and stood exposed to the enemy's fire.
+With something that was like a laugh and yet had an unearthly quality
+about it, he threw his helmet off and stood bareheaded in the golden
+sunlight. '_En avant, messieurs_!' he cried. '_Suivez-moi_!'
+
+There was a grinding of the gears and a roar of machinery as the tank
+reared its head and lunged after him.
+
+'Stop that man, Selwyn!'
+
+Van Derwater's voice rang out just in time. The old groom had scrambled
+to the bank to follow his master, but four hands grasped him and pulled
+him back. With a moan he clung to the bank, following Dick with his
+eyes. And his face was the colour of ashes.
+
+With their voices almost rising to a scream, the chafing Americans
+watched the Englishman walk towards the enemy lines. Bullets bit the
+ground near his feet, but, untouched, he went on, with the metal monster
+following behind. Once he fell, and a hush came over the watchers; but
+he rose and limped on. His face pale and grim, Van Derwater moved among
+his men, urging them to wait; but they cursed and yelled at the delay.
+
+Again Dick fell, and with difficulty stumbled to his feet. For a moment
+he swayed as if a heavy gale were blowing against him, and as his face
+turned towards his comrades they could see his lips parted in a strange
+smile. Raising his arm like one who is invoking vengeance, he staggered
+on, and by some miracle reached the very edge of the enemy's position.
+There he collapsed, but rising once more, pointed ahead, and lurched
+forward on his face.
+
+With a roar the American torrent burst its bounds and swept towards the
+enemy. Selwyn leaped in advance of his men, his voice uttering a long,
+pulsating cry, like a bloodhound that has found its trail.
+
+He did not see, over towards the centre, that Van Derwater had stopped
+half-way and had fallen to his knees, both hands covering his eyes.
+
+
+
+
+CHAPTER XXVI.
+
+THE END OF THE ROAD.
+
+
+I.
+
+One noonday in the November of 1918 a taxi-cab drew up at the
+Washington Inn, a hostelry erected in St. James's Square for American
+officers. An officer emerged, and walking with the aid of a stout
+Malacca cane, followed his kit into the place.
+
+It was Austin Selwyn, who a few days before had come from France, where
+he had hovered for a long time in the borderland between life and
+death. Although he had been severely wounded, it was the nervous
+strain of the previous four years that told most heavily against him.
+Week after week he lay, listless and almost unconscious; but gradually
+youth had reasserted itself, and the lassitude began to disappear with
+the return of strength. The horrors through which he had passed were
+softened by the merciful effect of time, and as the reawakened streams
+of vitality flowed through his veins, his eyes were kindled once more
+with the magic of alert expression.
+
+Having secured a cubicle and indulged in a light luncheon, he went for
+a stroll into the street. Looking up, he saw the windows of the rooms
+where he had spent such lonely, bitter hours crusading against the
+world's ignorance. It was all so distant, so far in the past, that it
+was like returning to a boyhood's haunt after the lapse of many years.
+
+Going into Pall Mall, he felt a curiosity to see the Royal Automobile
+Club again. He entered its busy doors, and passing through to the
+lounge, took a seat in a corner. The place was full of officers, most
+of them Canadians on leave; but here and there in the huge room he
+caught a glimpse of sturdy old civilian members, well past the sixty
+mark, fighting Foch's amazing victories anew over their port and cigars.
+
+Inciting his eyes roam about the place, Selwyn noticed a group of six
+or seven subalterns surrounding a Staff officer, the whole party
+indulging in explosive merriment apparently over the quips of the
+betabbed gentleman in the centre. Selwyn shifted his chair to get a
+better view of the official humorist, but he could only make out a
+tunic well covered with foreign decorations. A moment later one of the
+subalterns shifted his position, and Selwyn could see that the
+much-decorated officer was wearing an enormous pair of spurs that would
+have done admirably for a wicked baron in a pantomime. But his knees!
+Superbly cut as were his breeches, they could not disguise those
+expressive knees.
+
+Selwyn called a waitress over. 'Can you tell me,' he said, 'who that
+officer is in the centre of the room--that Staff officer?'
+
+'Him? Oh, that's Colonel Johnston Smyth of the War Office.'
+
+'Colonel--Johnston Smyth!' Selwyn repeated the words mechanically.
+
+'That's him himself, sir. Will you have anything to drink?'
+
+'I think I had better,' said Selwyn.
+
+About ten minutes later, after perpetrating a jest which completely
+convulsed his auditors, the War Office official rose to his feet,
+endeavoured to adjust a monocle--with no success--smoothed his tunic,
+winked long and expressively, and with an air of melancholy dignity
+made for the door, with the admiring pack following close behind.
+
+'Good-day, colonel,' said Selwyn, crossing the room and just managing
+to intercept the great man.
+
+The ex-artist inclined his head with that nice condescension of the
+great who realise that they must be known by many whom it is impossible
+for themselves to know, when he noticed the features of the American.
+'My sainted uncle!' he exclaimed; 'if it isn't my old sparring-partner
+from Old Glory!--Gentlemen, permit me to introduce to you the brains,
+lungs, and liver of the American Army.'
+
+The subalterns acknowledged the introduction with the utmost
+cordiality, suggesting that they should return to the lounge and
+inundate the vitals of the American Army with liquid refreshment; but
+Selwyn pleaded an excuse, and with many 'Cheerios' the happy-go-lucky
+youngsters moved on, enjoying to the limit their hard-earned leave from
+the front.
+
+'May I offer my congratulations?' said Selwyn.
+
+'Come outside,' said the colonel.
+
+They adjourned to the terrace, and Smyth placed his hand in the other's
+arm. 'Do you know who I am?' he said.
+
+'Eh?' said Selwyn, rather bewildered by the mysterious nature of the
+question.
+
+'I, my dear Americano, am A.D. Super-Camouflage Department, War
+Office.' The colonel chuckled delightedly, but checking himself,
+reared his neck with almost Roman hauteur. 'I have one major, two
+captains, five subalterns, and eleven flappers, whose sole duty is to
+keep people from seeing me.'
+
+'Why?' asked the American.
+
+'I don't know,' said the colonel; 'but it's a fine system.'
+
+'You have done wonderfully well.'
+
+'Moderately so,' said the A.D. Super-Camouflage Department. 'I have
+been decorated by eleven foreign Governments and given an honorary
+degree by an American university. I also drive the largest car in
+London.'
+
+'You amaze me.'
+
+'As an opener,' said the colonel, forgetting his dignity in the recital
+of his greatness, 'I am in enormous demand. I can open a ball, a
+bottle, or a bazaar with any man in the country.'
+
+'But,' said Selwyn, 'how did it all come about?'
+
+'Ah!' exclaimed Smyth, glancing up and down the terrace after the
+manner of a stage villain. 'Three years ago I was an officer's
+servant. I polished my subaltern-fellow's buttons, cleaned his boots,
+and mended his unmentionables. One day this young gentleman and myself
+were billeted on an old French artist. When I saw those canvases, I
+felt the old Adam in me thirsting for expression. Before all I am an
+artist! I made a bargain with the old Parley-vous--a pair of my young
+officer's boots for two canvases and the use of his paints. Agreed.
+On the one I did a ploughman wending his weary thingumbob home--you
+know. The following day happened to be my precious young officer's
+birthday, and we celebrated it in style. I would not say he was an
+expert with his Scotch, but he was very game--very game indeed. After
+I had put him to bed, I determined to paint my second masterpiece, "St.
+George to the Rescue!" I did it--and fell asleep where I sat. When I
+woke next morning, imagine my astonishment! I had done both paintings
+on the one canvas! The ploughman was toddling along to the left, and
+St George was hoofing it to the right, but the effect one got was that
+a milk-wagon was going straight up the centre. It gave me an idea. I
+waited for my leave, and took the painting to the War Office. I told
+them if they would give me enough paint I could so disguise the British
+Army that it would all appear to be marching sideways. That tickled
+the "brass hats." They could see my argument in a minute. They knew
+that if you could only get a whole army going sideways the war was won.
+I was put on the Staff and given a free hand, and in a very short time
+was placed in complete charge of the super-camouflage policy of the
+Allies. The testimonials, my dear chap, have been most gratifying. We
+have undisputed evidence of an Australian offering a carrot to a
+siege-gun under the impression it was a mule. There was a Staff car
+which we painted so that it would appear to be going backwards, and the
+only way that a certain Scottish general would ride in it was by
+sitting the wrong way, with his knees over the back. In fact, my dear
+sir, if the war only lasts another year, I shall reduce the whole thing
+to a pastime, blending all the best points of "Blind Man's Buff" with
+"Button, button, who's got the button?"'
+
+Having reached this satisfactory climax, the worthy colonel shifted his
+cap to the extreme side of his head, and walked jauntily along with his
+knees performing a variety of acrobatic wriggles.
+
+'I am most gratified,' said Selwyn, repressing a smile. 'I had no
+idea, when I saw you and poor Dick Durwent marching away together, that
+you would rise to such fame.'
+
+'Alas, poor Durwent!' cried Smyth, pulling his cap forward to a
+dignified angle. 'I never knew who he was until we got to France. You
+passed him along as Sherwood, you know. His people are frightfully cut
+up about him.'
+
+'They heard of his death, of course?'
+
+'It isn't that, old son; it's the horrible disgrace. It only leaked
+out a couple of weeks ago from one of his battalion, but it's common
+property now. The old boy was absolutely done in--looked twenty years
+older.'
+
+'What has leaked out?' said Selwyn, stopping in his walk.
+
+'Didn't you hear? Durwent was shot by court-martial--drunk, they say,
+in the line.'
+
+Selwyn's hand gripped his arm. 'Where is Lord Durwent now?' he said
+breathlessly.
+
+'In the country, I believe. But why so agitated, my Americano?'
+
+There was no answer. As fast as his weary limbs could take him, Selwyn
+was making for the door.
+
+
+II.
+
+It was nearly eight o'clock that night when Selwyn alighted from a
+train at the village where he and Elise had heard the fateful
+announcement of war. He walked through the quaint street, silent and
+deserted in the November night. Except for two or three people at the
+station, there was no one to be seen as his footsteps on the cobbled
+road knocked with their echo against the casement windows of the
+slumbering dwellings. Reaching the inn, he bargained for a conveyance,
+and after taking a little food, and arranging for a room, he went
+outside again, and climbed into a dogcart which had been made ready.
+
+After three or four futile attempts at conversation, the driver retired
+behind his own thoughts, and left the American to the reverie forced on
+him by every familiar thing looming out of the shadows. There was not
+a turn of the road, not one rising slope, that did not mean some memory
+of Elise. The very night itself, drowsy with the music of the breeze
+and the heavy perfume of late autumn, was nature's frame encircling her
+personality. He had dreaded going because of the longings which were
+certain to be reawakened, but he had not known that in the secret
+crevices of his soul there had been left such sleeping memories that
+rustling bushes and silent meadows would make him want to cry aloud her
+name.
+
+He told himself that she must be in London, and had forgotten him--and
+that it was better so. But the night and the darkened road would not
+be denied. They held the very essence of her being, and left him weak
+with the ecstasy of his emotion.
+
+At the lodge gate they found a soldier, who allowed them to pass, and
+they drove on towards the house. So vivid was the sense of her
+presence that he almost thought he saw her and himself running
+hand-in-hand together again down the road. By that oak he had picked
+her up in his arms--and he wondered at the human mind which can find
+torture and joy in the one recollection.
+
+Driving into the courtyard, he told the man to wait, and knocked at the
+great central door. An orderly admitted him, and took him to a nurse,
+who offered to lead him to the wing occupied by Lord and Lady Durwent.
+With wondering eyes he glanced at the transformation of the rooms once
+so familiar to him. There were beds even in the halls, and everywhere
+soldiers in hospital-blue were combining in a cheerful noise which was
+sufficient indication that their convalescence was progressing
+favourably. In the music-room a local concert-party (including the
+organist who had tried to teach Elise the piano) were giving an
+entertainment, with the utmost satisfaction to themselves and the
+patients.
+
+The nurse led him upstairs and knocked at a door. On receiving a
+summons to enter she went in, and a moment later emerged again.
+
+'Will you please go in?' she said.
+
+Thanking her for her trouble, Selwyn stepped into the room, which was
+lit only by the light from a log-fire, beside which Lord Durwent and
+his wife were seated. Lady Durwent, who had just come from her nightly
+grand-duchess parade of the patients, was busying herself with her
+knitting, and was in obvious good spirits. Lord Durwent rose as Selwyn
+entered, and the good lady dramatically dropped her knitting on the
+floor.
+
+'Mister Selwyn!' she exclaimed. 'This is an unexpected pleasure!'
+
+The American bowed cordially over her proffered hand; but when he
+turned to acknowledge the old nobleman's greeting he was struck silent.
+No tree withered by a frost ever showed its hurt more clearly than did
+Lord Durwent. Although he stood erect in body, and summoned the gentle
+courtesy which was inseparable from his nature, his whole bearing was
+as of one whom life has cut across the face with a knotted whip,
+leaving an open cut. He had thought to live his days in the seclusion
+of Roselawn, but destiny had spared him nothing.
+
+'Have you had dinner?' asked Lord Durwent. 'We are strictly rationed,
+but I think the larder still holds something for a welcome guest.'
+
+'Isn't the war dreadful?' said Lady Durwent gustily.
+
+'I had something to eat at the inn,' said Selwyn, 'so I hope you won't
+bother about me.'
+
+The older man was going to press his hospitality further, but as it was
+obvious from the American's manner that he had come for a special
+purpose, he merely indicated a chair near the fire.
+
+'You move stiffly,' he said. 'Have you been wounded?'
+
+'Yes,' said Selwyn, continuing to stand; 'but there are no permanent
+ill effects, luckily. Lord Durwent, I came from London to-day to speak
+about your son Dick.'
+
+At the sound of the name Lady Durwent checked a violent sob, which was
+of double inspiration--grief for her son and pity for her own pride.
+Her husband showed no sign that he had heard, but ran his hand slowly
+down the arm of his chair.
+
+And, for the first time, Selwyn became conscious of her presence--Elise
+had come noiselessly into the room, and was standing in the shadows.
+She walked slowly towards him.
+
+'Is it necessary,' she said, with an imperious tilt of her head, 'to
+talk of my brother? We all know what happened.'
+
+By the firelight he saw that, only less noticeably than in her father's
+case, she too had been stricken. Her rich-hued beauty, which had
+become so intense with her spiritual development, bore the marks of
+silent agony. In her eyes there was pain.
+
+'Without wishing to appear discourteous,' said Lord Durwent, 'I think
+my daughter is right. My family has been one that always put honour
+first. My son Malcolm maintained that tradition to the end. My
+younger son broke it. And it is perhaps as well that our title becomes
+extinct with my death. If you don't mind, we would rather not speak of
+the matter further.'
+
+'He was such a kind boy--they both were,' sobbed Lady Durwent in an
+enveloping hysteria, 'and so devoted to their mother.'
+
+Putting Elise gently to one side, Selwyn faced her father.
+
+'Lord Durwent,' he said, 'I was with your son when he was killed. In
+the long line of your family, sir, not one has died more gloriously.'
+
+Lord Durwent's hands gripped the arms of his chair, and Lady Durwent
+looked wildly up through her tears. Elise stood pale and motionless.
+
+'It is true,' said Selwyn. 'I tell you'----
+
+'There is nothing,' said the older man-- 'there can be nothing for you
+to tell that would make our shame any the less. My son was shot'----
+
+'Lord Durwent'----
+
+'----shot for disgracing his uniform. That he was brave or fearless at
+the end cannot alter that truth.'
+
+'Elise!' Selwyn turned from Lord Durwent, and his clenched hands were
+stretched supplicatingly towards her. 'Your brother was not shot by
+the British. He was killed as he went out alone and in the open
+against the German machine-guns.'
+
+'What are you saying?' Lord Durwent half rose from his chair. 'Why do
+you bring such rumours? What proof is there'----
+
+'Would I come here at this time,' said Selwyn desperately, 'with
+rumours? Do you think I have so little sympathy for what you must
+feel? I saw your son killed, sir. It was in the early morning, and he
+went to his death as you would have had him go. As you know he did go,
+Elise.'
+
+
+III.
+
+In a voice that shook with feeling he told of the fight for the bridge;
+how Dick, and Mathews, who had saved him, reached the Americans; of the
+desperate hand-to-hand fighting; how the groom had guarded his young
+master; the impending disaster; and the death of Dick.
+
+'It meant more than just our lives,' he concluded, in a silence so
+acute that the crackling of the logs startled the air like
+pistol-shots, 'for as Dick fell we went forward and gained the
+brushwood. Less than three hours afterwards the French arrived, and
+largely by the use of that bridge a heavy counter-attack was launched.
+We buried Dick where he fell--and, Lord Durwent, it is not often that
+men weep. The French general, to whom the tank officer had made his
+report, pinned this on your son's breast, and then gave it to me to
+have it forwarded to you. He asked me to convey his message: "That the
+soil of France was richer for having taken so brave a man to its
+heart."'
+
+He handed a medal of the _Croix de Guerre_ to Lord Durwent, who held it
+for several moments in the palm of his hand. From the distant parts of
+the house came the noise of singing soldiers, and a gust of wind
+rattled the windows as it blew about the great old mansion. Elise had
+not moved, but through her tears an overwhelming triumph was shining.
+
+'And Mathews?' asked Lord Durwent slowly.
+
+'We found him after the attack,' the American answered. 'He must have
+dragged himself several yards after he had been hit, and was lying
+unconscious, with his hand stretched out to touch Dick's boot. Have
+you heard nothing from him, sir?'
+
+'Nothing.'
+
+Again there was a silence fraught with such intensity that Selwyn
+thought the very beating of his pulses could be heard. At last Lord
+Durwent rose, and with an air of deepest respect placed the medal in
+the hands of his wife. Her theatricalism was mute in a sorrow that was
+free from shame.
+
+'Captain Selwyn,' said Lord Durwent, 'we shall never forget.'
+
+Feeling that his presence was making the situation only the more acute,
+Selwyn pleaded the excuse of the waiting horse to hasten his departure.
+
+'But you will stay here for the night?' said Lady Durwent.
+
+'No--thank you very much. I have left my haversack at the inn; and,
+besides, I must catch the 7.45 train to London in the morning to keep
+an important appointment. Good-night, Lady Durwent.'
+
+Amidst subdued but earnest good wishes from the peer and his wife, he
+wished them good-bye and turned to Elise.
+
+'Good-night,' he said, his face flaming suddenly red.
+
+'Good-night,' she answered, taking his proffered hand.
+
+'I shall go with you,' said Lord Durwent.
+
+The two men walked through the corridors, which were growing quieter as
+the night advanced, and, with another exchange of farewells, Selwyn
+went out into the dark.
+
+He was weak from the ordeal through which he had passed, and both his
+mind and his body were bordering on exhaustion. He called to the
+sleeping driver, who in turn roused the horse from a similar condition,
+but just as the wheels grinding on the gravel were opposite him Selwyn
+heard the door open and the rustle of skirts.
+
+'Austin!' cried Elise, running through the dark.
+
+He almost stumbled as he went towards her, and caught her arms in his
+hands.
+
+'I didn't want you to go,' she said breathlessly, 'without saying
+thanks. If Boy-blue had really been shot as they said, I--I'----
+
+She did not finish the sentence, but clasping his hand, pressed it
+twice to her burning lips.
+
+'Elise,' he cried brokenly--but she had freed herself and was making
+for the door.
+
+No longer weary, but with every artery of his body on fire with
+uncontrollable love for her, he intercepted the girl. 'Elise,' he
+cried, 'I thought I could go from here and carry my heart-hunger with
+me--but now I can't. I can't do it.'
+
+'You went away to America.' Her flashing eyes held his in a burning
+reproach. 'You did not need me then--and you don't now.'
+
+'But--you didn't care? You never came back to the hospital, and I
+wrote to you every day. Tell me, Elise, did you really care--a little?'
+
+'Yes, I did--more than I would admit to myself. But you didn't. All
+you could think of was going back to America.'
+
+'But, my dearest'--his heart was throbbing with a tumultuous joy--'if I
+had only known. There was so much work for me to do in America'----
+
+'You will always have work to do. You don't need me. I shouldn't have
+come out to-night. Please let me go.'
+
+'Then you don't care--now?'
+
+'No. You have your work to do still. You said yourself that we come
+of different worlds'----
+
+'Elise, my darling'--he caught her hands in his and forced her towards
+him--'what does that matter--what can anything matter when we need each
+other so much? I have nothing to offer you--not so much as when we
+first met--but with your help, dear heart, I'll start again. We can do
+so much together. Elise--I hardly know what I am saying--but you do
+understand, don't you? I can't live without you. Tell me that you
+still care a little. Tell me'----
+
+Her hands were pressed against his coat, forcing him away from her,
+when, with a strange little cry, she nestled into his arms and hid her
+face against his breast.
+
+For a moment he doubted that it could be true, and then a feeling of
+infinite tenderness swept everything else aside. It was not a time for
+words or hot caresses to declare his passion. He stooped down and
+pressed his lips against her hair in silent reverence. She was his.
+This woman against his breast, this girl whose being held the mystery
+and the charm of life, was his. The arms that held her to him pressed
+more tightly, as if jealous of the years they had been robbed of her.
+
+'I must go in,' she whispered.
+
+He led her to the door, her hand in his, but though he longed to take
+her in a passionate embrace, he knew instinctively that her surrender
+was so spiritual a thing that he must accept it as the gift of an
+unopened spirit-flower.
+
+'Good-night, dear.' She paused at the door, then raised her face to
+his.
+
+Their lips met in the first kiss.
+
+
+IV.
+
+The following Saturday Selwyn met Elise at Waterloo, and with her hand
+on his arm they walked through London's happy streets.
+
+It was 9th November.
+
+News had come that the Germans had entered the French lines to receive
+the armistice terms, and hard on that was the official report that the
+German Emperor had abdicated.
+
+London--great London--whose bosom had sustained the shocks, the hopes,
+the cruelties of war, was bathed in a noble sunlight. For all its
+incongruities and jumbled architecture, it has great moments that no
+other city knows; and as Selwyn and Elise made their way through the
+crowds, there was an indefinable majesty that lay like a golden robe
+over the whole metropolis.
+
+Above St. Paul's there floated shining gray airships, escorted by
+encircling aeroplanes. Hope--dumb hope--was abroad. Not in an
+abandonment of ecstasy, or of garish vulgarity which was soon to
+follow, but in a spirit of proud sorrow, Londoners raised their eyes to
+the skies. Passengers on omnibuses looked with new gratitude at the
+plucky girls in charge who had carried on so long. People stood aside
+to let wounded soldiers pass, and old men touched their hats to them.
+The heart of London beat in unison with the great heart of humanity.
+
+From crowded streets, from domes and spires and open parks, there
+soared to heaven a mighty _Gloria--gloria in excelsis_.'
+
+After a lunch, during which they were both shy and extraordinarily
+happy, they took a taxi-cab and drove to a house in Bedford Square.
+
+Leaving Elise, Selwyn knocked at the door, and was admitted to a room
+where a girl in an American nurse's outdoor costume waited for him.
+
+'I got your letter in answer to mine, Austin,' said she, giving him
+both her hands, 'and I am all ready. Did you see him?'
+
+'I did--yesterday afternoon. But, Marjory, I told him nothing of you,
+and if you want to withdraw there is yet time. Have you really thought
+what this means to you?'
+
+Her only answer was a patient smile as she opened the door and led him
+outside.
+
+'Elise,' said Selwyn, as they entered the cab, 'I want to introduce
+Miss Marjory Shoreham of New York.'
+
+'Austin has told me all about you,' said Elise, 'and I think you are
+wonderfully brave.'
+
+She took the nurse's hand and held it tightly in hers as the car drove
+towards Waterloo.
+
+An hour later they reached a Sussex station, and hiring a conveyance,
+drove to a charming country home which was owned by a Mr. Redwood, whom
+Selwyn had met on board ship. A servant told them as they drove up to
+the door that the master of the house had gone to the village, but that
+they were to come in and make themselves at home.
+
+As he helped the girls to alight Selwyn heard the nurse catch her
+breath with a spasm of pain. He glanced over his shoulder and saw a
+man standing on the lawn facing the sun, which was reaching the west
+with the passing of afternoon.
+
+'Please remain here,' said Selwyn, 'and I will motion you when to come.'
+
+He walked towards the solitary figure, who heard him, and turned a
+little to greet him.
+
+'Is that you, Austin?'
+
+'Yes, Van,' answered Selwyn. 'How could you tell?'
+
+With his old kindly, tired smile the ex-diplomat put out his hand,
+which Selwyn gripped heartily.
+
+'I suppose it is nature's compensation,' said Van Derwater calmly.
+'Now that I cannot see, footsteps and voices seem to mean so much more.
+I was just thinking before you came that, though I have seen it a
+thousand times, I have never _felt_ the sun in the west before.
+Look--I can feel it on my face from over there. Sir Redwood tells me
+that the news from France is excellent.'
+
+'It is,' said Selwyn. 'I think the end is only a matter of hours.'
+
+'A matter of hours; and after that--peace. Austin, I haven't much to
+live for. It was in my stars, I suppose, that I should walk alone; but
+there is one fear which haunts me--that all this may be for
+nothing--for nothing. If I thought that on my blindness and the
+suffering of all these other men a structure could be built where
+Britain and America and France would clasp the torch of humanity
+together, I would welcome this darkness as few men ever welcomed the
+light. But it is a terrible thought--that people may forget; that
+civilisation might make no attempt to atone for her murdered dead.'
+
+He smiled again, and fumbling for Selwyn's shoulder, patted it, as if
+to say he was not to be taken too seriously.
+
+'The world must have looked wonderful to-day in this sunlight,' he went
+on. 'Do you know, I hardly dare think of the spring at all. I
+sometimes feel that I could never look upon the green of a meadow
+again, and live.'
+
+Selwyn had beckoned to the nurse, who was coming across the lawn
+towards them.
+
+'Van,' he said, taking his friend's arm, 'don't be too surprised, will
+you? But--but an old friend has come back to you.'
+
+'Who is it?' Van Derwater's form became rigid. 'I can hear a step,
+Austin! Austin, where are you? What is this you're doing to me?
+Speak, man--would you drive me mad?'
+
+Without a sound the girl had clutched his hand and had fallen on her
+knees at his feet.
+
+'Marjory!' With a pitiful joy he felt her hair and face with his hand,
+and in his weakness he almost fell. Vainly he protested that she must
+go away, that he could not let her share his tragedy. Her only answer
+was his name murmured over and over again.
+
+Creeping silently away, Selwyn rejoined Elise. Once they looked back.
+The girl was in Van Derwater's arms, and his face was raised towards
+the sun which he was nevermore to see. But on that face was written a
+happiness that comes to few men in this world.
+
+
+
+
+CHAPTER XXVII.
+
+A LIGHT ON THE WATER.
+
+
+I.
+
+A sulky winter came hard upon November, and the war of armies was
+succeeded by the war of diplomats.
+
+One day in January the same vehicle that had driven Selwyn to Roselawn
+deposited another visitor there. He was a sturdy, well-set-up fellow,
+but a thinness and a certain pallor in the cheeks conflicted with their
+natural weather-beaten texture.
+
+The morose driver helped him to alight, and handed him his crutches,
+which he took with a snort of disapproval. He made his way at a
+dignified pace around the drive, pausing _en route_ to look at the
+gables and wings of Roselawn as one who returns to familiar scenes
+after a long absence.
+
+Without encountering any one he reached the stables, and opening a
+door, mounted the stairs that led to the dwelling-quarters above.
+
+There was no one in the cosy dining-room, and sitting down, he hammered
+the floor with his crutch. The homely sound of dishes being washed
+ceased suddenly in the adjoining room, and Mrs. Mathews threw open the
+door.
+
+'Who is it?' she cried.
+
+'Me,' said Mathews.
+
+Uttering a pious exclamation that reflected both doubt and confidence
+in the all-wise workings of Providence, his wife fell heavily upon him,
+with strong symptoms of hysteria.
+
+'Heavenly hope!' she cried, after her exuberance permitted of speech;
+'so you've come home?'
+
+'I hev,' said her husband solemnly; 'and I'm werry pleased to observe
+you so fit, m'dear. Is the offspring a-takin' his oats reg'lar?'
+
+'Lord!' said Mrs. Mathews irrelevantly, subsiding into a chair, 'I
+thought you was dead. You never writ.'
+
+'That,' said Mathews, 'was conseckens of a understanding clear and
+likewise to the point, atwixt me and Mas'r Dick. "Mum's the word," sez
+he. "Mum's the word," sez I. And that there was as it should be, no
+argifyin' provin' contrairiwise. But Milord he found me out, and sez
+as how he knows it all, and would I come home?--which, bein' free from
+horspital, I likewise does. Now, m' dear, if you will proceed with any
+nooz I would be much obliged to draw up a little forrader, as it were.'
+
+'Did Milord tell you about Miss Elise?' said his wife, after much
+thought. 'She's gone and got herself engaged.'
+
+'To who?'
+
+'Captain Selwyn. Him as was visiting here when the war begun.'
+
+'Now that there,' said Mathews, nodding his head slowly and admiringly,
+'_is_ nooz. That there is what a feller likes to hear from his old
+woman. You're a-doin' fine.'
+
+'The wedding,' went on his wife, her eyes sparkling with the universal
+feminine excitement about such matters, 'is next week, and Wellington
+is bespoke for to pump the organ. Ain't that wonderful grand?'
+
+'That,' said Mathews with great dignity, 'is werry gratifyin' to a
+parent, that is. Pump the organ at a weddin'! I hopes he won't go for
+to do nothing to give inconwenience to the parties concerned. Where is
+he, old girl?'
+
+'Upstairs in bed, daddy, with the whooping-cough something horrid.'
+
+'Wot a infant!' commented the groom proudly. 'I never see such a
+offspring for his age--never. Whoopin'-cough something horrid? Well,
+well!'
+
+For a full minute he reflected with such apparent satisfaction on his
+son and heir's vulnerability to human ailments that there is no telling
+when he would have left off, if his reverie had not been broken by his
+wife placing a pipe in his hands and a bowl on the table.
+
+'It was always waiting on you, daddy,' said the good woman. 'I sez to
+Wellington, "That's his favourite, it is, and we'll always have it
+ready for him when he comes home."'
+
+Without any display of emotion or undue haste, the old groom filled the
+pipe, lit it, drew a long breath of smoke, and slowly blew it into the
+air, regarding his good partner throughout with a look that clearly
+showed the importance he attached to the experiment.
+
+He took a second puff, raised his eyes from hers to the ceiling, and
+his broad face crinkled into a grin, the like of which his wife had
+never seen before on his countenance.
+
+'Old girl,' he said, 'when I sees you first I sez, "There's the filly
+for my money;" and so you was. And, by Criky! you and me hevn't
+reached the last jump yet--no, sir. Give me a kiss. . . .
+Thar--that's werry "bon," as them queer-spoke Frenchies would say. M'
+dear, I hev some nooz for _you_ now.'
+
+He puffed tantalisingly at the pipe, and surveyed his wife's intense
+curiosity with studied approbation.
+
+'When Milord come to see me last week,' he said, measuring the words
+slowly, 'he tells me as how he won't go for to hev no more hosses, and
+conseckens o' me bein' all bunged up by them sausage-eaters, he sez as
+how would I like to be the landlord o' "The Hares and Fox" in the
+village, him havin' bought the same, and would I go for to tell you as
+a surprise, likewise and sim'lar?'
+
+'Heavenly hope!' cried the good woman, bursting into tears; 'if that
+ain't marvellous grand!'
+
+'That,' said Mathews, beckoning for her to hand him his crutches, 'is
+what Milord has done for you and me. And, missus, as long as there's a
+drop in the cellar none o' the soldier-lads in the village will go for
+to want a pint o' bitter nohow. Now, old girl, if you'll give a leg up
+we'll go and see how the infant is lookin'.'
+
+
+II.
+
+A few days later, in the chapel decked with flowers, the marriage of
+Selwyn and Elise took place.
+
+In spite of her disappointment that Elise was not marrying a title,
+Lady Durwent rose superbly to the occasion. She led the weeping and
+the laughing with the utmost heartiness, and recalled her own wedding
+so eloquently and vividly that those who didn't know about the
+Ironmonger supposed she must have been the daughter of a marchioness at
+least, and was probably related to royalty.
+
+Just before the ceremony itself the youthful Wellington, who had
+confounded science by a remarkable recovery from his ailment, was
+confronted with the offer of half-a-crown if he acquitted himself well,
+and threatened with corporal punishment if he didn't. With this double
+stimulus, he pumped without cessation and with such heartiness that the
+rector's words were at times hardly audible above the sound of air
+escaping from the bellows--necessitating a punitive expedition on the
+part of the sexton, and engendering in Wellington a permanent mistrust
+in the justice of human affairs.
+
+Late in the afternoon bride and groom left for London, on their way to
+America.
+
+When the train came in and they had entered their compartment, Selwyn,
+with feelings that left him dumb, looked out at the little group who
+had come to say farewell.
+
+Lord Durwent stood with his unchangeable air of gentleness and
+courtesy, but in his eyes there was the look of a man for whom life
+holds only memories. Lady Durwent alternated dramatically between
+advice and tears; and Mathews stood proudly beside his wife (whose hat
+was of most marvellous size and colours), nodding his head sagaciously,
+and uttering as much philosophy in five minutes as falls to the lot of
+most men in a decade.
+
+And so, with his wife's hand trembling on his arm, Austin Selwyn leaned
+from the window and waved good-bye to the little English village.
+
+
+III.
+
+A year went by, and, with the passing of winter, Selwyn and Elise, in
+their home at Long Island, watched the budding promise of another
+spring.
+
+Their home was by the sea, and in the presence of that great majestic
+force they had lived as man and wife, taking up the broken threads of
+life, and knitting them together for the future.
+
+The task of resuming his literary work had been next to impossible for
+Selwyn. He had tried to mould the destinies of nations--and they had
+fallen back upon him, crushing him. His thoughts cried out for
+utterance, but self-distrust robbed him of courage. Months went by,
+and his chafing, restless longing for self-expression grew more intense
+and more intolerable.
+
+And then the woman who was his wife lost her own yoke of self-restraint
+in solicitude for him. Timidly, hesitatingly at first, she invaded the
+precincts of his mind. With subtle persistence, yet never seeming to
+force her way, she wove her personality about his like a web of silken
+thread. Her purity of thought, her innate artistry, her depth of
+feeling, played on his spirit like dew upon the parched earth.
+
+As the passing hours took their course, each nature unconsciously gave
+to the other the freedom that comes only with surrender. His strength
+and his care for her liberated her womanhood, and, like a flower that
+has lived in shadow, her soul blossomed to fullness in that warmth.
+
+And his troubled mind, directionless, yet rebellious of inaction, found
+again the meaning and the hidden truths of life, then gained the
+courage to be life's interpreter.
+
+Once more Austin Selwyn wrote.
+
+One evening towards the summer Elise was sitting on the veranda, when
+he came from his study and joined her. The first pale stars were
+shining through a sheen of blue that rose from the horizon in an
+encircling, shimmering mist.
+
+'Are you through with your writing?' she said.
+
+'Not yet,' he answered, sitting beside her; 'but I could not resist the
+call of you and this wonderful night.'
+
+'Isn't it glorious?' she said softly, taking his hand in hers. 'I
+think that blue over the sea must be like the Arabian desert at night
+when the camel-trains rest on their way. Don't you love the sound of
+the waves?'
+
+With a little sigh she leaned her head on his shoulder, and he held her
+close to him.
+
+'Happy, Elise?'
+
+'So happy,' she whispered, 'that I am afraid some day I shall find it
+isn't true.'
+
+He laughed gently, and for a few moments neither spoke, held by the
+wonderful intimacy of the spirit that does not need words for
+understanding.
+
+'Austin dear,' she said at length, 'before you came out I was counting
+the stars--and playing with dreams. Don't think me silly, will you?
+But I was planning, if we have a son, what I should like to call him.'
+
+'I think I know,' he said, pressing his lips against her hair. 'Dick?'
+
+'And Gerard for his second name. I should want him to be strong and
+true like Gerard--but he must have Dick's eyes and Dick's smile. But,
+then, I want so much for this dream-boy of ours--for, most of all, he
+must be like my husband.'
+
+With a sudden shyness she hid her face against his breast, and he ran
+his hand caressingly over her arm, which was like cool velvet to the
+touch.
+
+The glimmering stars grew stronger, and a breeze from the sea crept
+murmuringly over the spring-scented fields.
+
+'There are times,' he said, 'when I long for the power to reach out for
+the great truths that lie hidden in space and in the silence of a night
+like this--to put them in such simple language that every one could
+read and understand. If I could only translate the wonder of you and
+the spirit of the sea into words.'
+
+She looked up into his face, and something of the mystic blue of the
+skies lay in the depths of her eyes.
+
+
+IV.
+
+Late that night he resumed work in his study, but a thousand memories
+and fancies came crowding to his mind. He tried to shake them off, but
+they clung to him--memories of the war--memories of the times when the
+world was drunk with passion. He heard, as if afar off, the whine and
+shriek of shells, and he saw the dead--grotesque, silent, horrible.
+
+That was the great absurdity--_the dead_.
+
+It was hopeless to write. He was no longer pilot of his thoughts.
+
+He rose to his feet and threw open the door with an impatient desire
+for fresh air. Though the cool breeze refreshed his temples, the
+restlessness of his mind was only increased by the hush of nature's
+nocturne, through which the sound of the sea came like a drone.
+
+Beneath the canopy of that same sky the dead were lying. Across the
+seas a breeze of spring was stealing about the graves, as now it played
+about his face.
+
+What was his part towards them--to mourn, and fill his life with
+useless melancholy? To forget, and turn his face towards the future?
+
+Forget . . . ?
+
+'There are times'--he found himself repeating mechanically the words
+which, a few hours before, he had spoken to Elise--'when I long for the
+power to reach out for the great truths--hidden in space--and in the
+silence of the night.'
+
+Suddenly his brow grew calm. The baffled, questioning look left his
+eyes, and he smiled strangely.
+
+Closing the door, he turned back to his desk, and taking the pen,
+looked for a full minute at the paper before him.
+
+'_To My Unborn Son_.'
+
+He gazed at what he had written as though the words had appeared of
+their own volition.
+
+'_To My Unborn Son_.'
+
+With a far-away dreaminess in his eyes he dipped his pen in the ink and
+commenced to write:
+
+'Somewhere beyond the borders of life you are waiting. I cannot speak
+to you, nor look on your face, but the love of a father for his child
+can penetrate the eternal mysteries of the unknown. To those who love
+there is no death; and in the hearts of parents, children live long
+before they are born.
+
+'My son, this letter that I write now to you will lie hidden and unseen
+by other eyes until the time when you alone shall read it. I shall be
+changed by then: like the world, I may forget; but you, my son, must
+read these words, and know that they are truth--truth as unchangeable
+as the tides of the sea, or the hours of dawn and sunset.
+
+'_Civilisation has murdered ten million men_.
+
+'The human mind cannot encompass that. It is beyond its comprehension,
+so it is trying to forget.
+
+'Ten million men--murdered.
+
+'Read these words, my son, written in the hush of night, when men's
+souls stand revealed.
+
+'Nearly six years ago there came the war. History will prove this or
+that responsibility for it, but the civilisation that made war possible
+is itself responsible. The nations sprang to arms; but soon, by that
+strange destiny which seems to guide mankind, the issue was one not of
+nations against nations, but of Humanity against Germany. Do not ask
+me how the land of Goethe, Schiller, and Beethoven became so vile. I
+only know that Germany was the champion of evil, and on Britain and
+France men's hopes were rested.
+
+'America held aloof. When this is read by you, my son, you will have
+known the noble thrill of patriotism, the pride of race and
+citizenship. But it is because of that that you must read what I write
+now about the country I love best.
+
+'Less than any other nation, America is to be blamed for the war. Her
+life was separate from the older world, and the spoils of victory made
+no appeal. Yet this great Republic, born of man's desire for freedom,
+remained silent even when the whole world saw that the war was one of
+Justice against Evil. Men, like myself, were blind, and fed the flames
+of ignorance with ignorance. Others knew we were not ready, and called
+upon us to prepare; and others made great fortunes while Youth went to
+its Cross.
+
+'Month after month passed by, and Britain and her Allies fought
+Humanity's fight; and the murder of men went on.
+
+'At last we came of age, and our young men stormed across the seas, not
+to save America--for we had nothing to fear--but to rid the world of an
+intolerable curse. Look fearlessly at the truth, but do not forget
+that when we went it was for an ideal--just as years before, when North
+and South fought the issue of preserving the Union, the impulse that
+drove our fathers on to their deaths was their souls' demand of freedom
+for the negro. By her delay was America defamed; by the spirit of her
+coming was she great.'
+
+Selwyn put down his pen, and rested his head between his hands. Ten
+minutes passed before he looked up and began to write again.
+
+'The war is over. _America is debtor to the world_. Read this, my
+son, with both humility and pride--humility that it is so, pride that
+we yet can pay.
+
+'Those awful years while we stood apart, the homes of Britain gave
+their sons--the sons for whom their parents yearned, as I am yearning
+now for you. Through Britain's broken hearts, and through the grief of
+women throughout the world, the youth of America were saved. I know
+that we have our thousands of stricken homes and ruined lives, but the
+end of the war left America debtor to civilisation, even though she
+gave the strength which brought the war to an end.
+
+'Faced with our indebtedness, what did we do?
+
+'Europe lay stricken. The spectres of ruin, starvation, anarchy,
+hovered about her form. The world was through with war; men groped for
+light; and from the peoples of the earth a universal cry went up that
+these things must not be.
+
+'It was our chance. We still were strong. We held the charter of
+mankind within our hands, and men looked to us. Over prostrate Europe
+the conquering nations gathered, and men in all the distant corners of
+the earth listened for the voice of him who would cry in the wilderness
+that a new age was born.
+
+'Vital days went by. At last the man who spoke for us outlined his
+plan that all the Powers of the world should join together in a
+covenant that war should be no more.
+
+'Men waited, and still waited. The plan was argued, ridiculed,
+applauded--and sucked of its inspiration by talk. Already the agony of
+Man was hardening into the cynicism of despair. Nations that had bled
+together grew wary and drew apart.
+
+'And still men waited, for they knew that only America's voice could
+allay the clamour. Then we spoke. Angered by the methods of our
+leader, angered by the spirit of revenge that was settling over Europe,
+angered by delay, once more we failed to see the great truths written
+across the face of the sun.
+
+'America--debtor to the world--America cried out that she alone of all
+the nations would stand aloof. Let history gloss it over as it will,
+we held back the hand of succour that Europe craved for.
+
+'From the land of scented mists came the Japanese; from Greece, that
+once was first in all the arts; from South America and the countries of
+Europe, men gathered to the League of Nations, hoping, groping for the
+light--_and we were not there_.
+
+'As I write to you, my son, the League is an impotent, powerless thing,
+at which the men who know only nationality and not humanity sneer and
+make jest. The body is there--America alone could be the heart.
+
+'Bloodless, helpless, it is in semblance a living thing, but all men
+know it has no life, and already the diplomats who have no other way
+are using it as a shield for their methods that cannot bear the light.
+
+'My son, in the hush and loneliness of night, ponder over these words.
+Because of those things, avoidable and unavoidable, that kept us
+silent; because so many of us were false to the trusteeship that fell
+on our generation; because we had not learned that America was greater
+than Americans, but tried to imprison the spirit of the Republic within
+the little confines of our souls--because of these things thousands of
+men were foully done to death. How many Miltons, how many Lincolns,
+were crucified in that army of the young?
+
+'_We must repay_. Our destiny is clear, and no people can thwart its
+destiny without the gravest danger. Our duty is to restore. Whatever
+our resources, in things material or of the spirit, this generation and
+yours and the generation to follow must give unsparingly. Our minds
+and hearts must turn to Europe, for only in service to mankind can
+America fulfil that for which she was created.
+
+'Across the seas lies England. She has done much that is unworthy of
+her in the past; she has much to teach and much to learn; but within
+the heart of Old England there is majestic grandeur and great
+mercifulness, and with that heart ours must beat in unison. The solemn
+splendour of Britain's sacrifice must never be forgotten.
+
+'Believe in life, my son. Believe in men. Take on my charge and fight
+the flames of Ignorance, not as I did, but with the power of Reason and
+of Right. The universal mind is still alive. Trust in it as Wagner
+when he wrote his music, as Shelley when he sang of beauty, as
+Washington when he founded this great Republic. Men speak through
+their nationalities, but in every country of the world there is an
+aristocracy of thought; and if you have the power, I charge you work
+towards the end when that great aristocracy will flood the earth with
+splendour and Ignorance will be no more.
+
+'These words I leave with you, my son, on this silent night in May.
+Perhaps you will never read them. Perhaps you will live only in our
+two hearts. But on the borders of life we reach out for you, praying
+that you may come to stay the hunger of our hearts, to be our living
+son.'
+
+Selwyn dropped his pen and rose slowly from his chair. Passing his
+hand across his brow, he went to the door, and opening it, looked out.
+
+From the thin crescent of a waning moon, a narrow path of light was
+glimmering on the water.
+
+
+
+***END OF THE PROJECT GUTENBERG EBOOK THE PARTS MEN PLAY***
+
+
+******* This file should be named 17481-8.txt or 17481-8.zip *******
+
+
+This and all associated files of various formats will be found in:
+http://www.gutenberg.org/dirs/1/7/4/8/17481
+
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://www.gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.gutenberg.org/fundraising/pglaf.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://www.gutenberg.org/about/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://www.gutenberg.org/fundraising/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit:
+http://www.gutenberg.org/fundraising/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
diff --git a/17481-8.zip b/17481-8.zip
new file mode 100644
index 0000000..4202a06
--- /dev/null
+++ b/17481-8.zip
Binary files differ
diff --git a/17481.txt b/17481.txt
new file mode 100644
index 0000000..513eeaf
--- /dev/null
+++ b/17481.txt
@@ -0,0 +1,12881 @@
+The Project Gutenberg eBook, The Parts Men Play, by Arthur Beverley
+Baxter, et al
+
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+
+
+
+Title: The Parts Men Play
+
+
+Author: Arthur Beverley Baxter
+
+
+
+Release Date: January 9, 2006 [eBook #17481]
+
+Language: English
+
+Character set encoding: ISO-646-US (US-ASCII)
+
+
+***START OF THE PROJECT GUTENBERG EBOOK THE PARTS MEN PLAY***
+
+
+E-text prepared by Al Haines
+
+
+
+THE PARTS MEN PLAY
+
+by
+
+ARTHUR BEVERLEY BAXTER
+
+Author of "The Blower of Bubbles"
+
+With Foreword by Lord Beaverbrook
+
+
+
+
+
+
+
+McClelland & Stewart
+Publishers ======== Toronto
+Copyright, Canada, 1920
+By McClelland & Stewart, Limited, Toronto
+
+
+
+
+
+ THIS BOOK IS DEDICATED
+
+ TO THE MEMORY OF MY FATHER
+
+ JAMES BENNETT BAXTER
+
+ WHO BELIEVED THOUGHT TO BE MORE IMPORTANT
+ THAN THINGS, AND WHO WENT THROUGH THIS
+ WORLD DISPENSING GENIAL PHILOSOPHY
+ AND KINDLY HUMOUR TO ALL
+ WHO CAME WITHIN
+ HIS CIRCLE
+
+
+
+
+FOREWORD.
+
+Mr. Baxter is my countryman, and, as a Canadian, I commend _The Parts
+Men Play_, not only for its literary vitality, but for the freshness of
+outlook with which the author handles Anglo-American susceptibilities.
+
+A Canadian lives in a kind of half-way house between Britain and the
+United States. He understands Canada by right of birth; he can
+sympathise with the American spirit through the closest knowledge born
+of contiguity; his history makes him understand Britain and the British
+Empire. He is, therefore, a national interpreter between the two
+sundered portions of the race.
+
+It is this role of interpreter that Mr. Baxter is destined to fill, a
+role for which he is peculiarly suited, not only by temperament, but by
+reason of his experiences gained from his entrance into the world of
+London journalism and English literature.
+
+I do not know in what order the chapters of _The Parts Men Play_ were
+written, but it seems to me that as Mr. Baxter gets to grip with the
+realities of his theme, he begins to lose a certain looseness of touch
+which marks his opening pages. If so, he is showing the power of
+development, and to the artist this power is everything. The writer
+who is without it is a mere static consciousness weaving words round
+the creatures of his own imagination. The man who has it possesses a
+future, because he is open to the teaching of experience. And among
+the men with a future I number Mr. Baxter.
+
+Throughout the book his pictures of life are certainly arresting--taken
+impartially both in Great Britain and America. What could be better
+than some of his descriptions?
+
+The speech of the American diplomat at a private dinner is the truest
+defence and explanation of America's delay in coming into the war that
+I remember to have read. The scene is set in the high light of
+excitement, and the rhetorical phrasing of the speech would do credit
+to a famous orator.
+
+But I fear that I may be giving the impression that _The Parts Men
+Play_ is merely a piece of propagandist fiction--something from which
+the natural man shrinks back with suspicion. Nothing could be farther
+from the truth. Mr. Baxter's strength lies in the rapid flow and sweep
+of his narrative. His characterisation is clear and firm in outline,
+but it is never pursued into those quicksands of minute analysis which
+too often impede the stream of good story-telling.
+
+I am glad that a Canadian novelist should have given us a book which
+supports the promise shown by the author in _The Blower of Bubbles_,
+and marks him out for a distinguished future.
+
+If in the course of a novel of action he has something to teach his
+British readers about the American temperament, and his American public
+about British mentality, so much the better.
+
+
+BEAVERBROOK.
+
+
+
+
+CONTENTS.
+
+
+CHAPTER
+
+ I. LADY DURWENT DECIDES ON A DINNER
+ II. CONCERNING LADY DURWENT'S FAMILY
+ III. ABOUT A TOWN HOUSE
+ IV. PROLOGUE TO A DINNER-PARTY
+ V. THE OLYMPIANS THUNDER
+ VI. A MORNING IN NOVEMBER
+ VII. THE CAFE ROUGE
+ VIII. INTERMEZZO
+ IX. A HOUSE-PARTY AT ROSELAWN
+ X. GATHERING SHADOWS
+ XI. THE RENDING OF THE VEIL
+ XII. THE HONOURABLE MALCOLM DURWENT STARTS ON A JOURNEY
+ XIII. THE MAN OF SOLITUDE
+ XIV. STRANGE CRAFT
+ XV. DICK DURWENT
+ XVI. THE FEMININE TOUCH
+ XVII. MOONLIGHT
+ XVIII. ELISE
+ XIX. EN VOYAGE
+ XX. THE GREAT NEUTRAL
+ XXI. A NIGHT IN JANUARY
+ XXII. THE CHALLENGE
+ XXIII. THE SMUGGLER BREED
+ XXIV. THE SENTENCE
+ XXV. THE FIGHT FOR THE BRIDGE
+ XXVI. THE END OF THE ROAD
+ XXVII. A LIGHT ON THE WATER
+
+
+
+
+THE PARTS MEN PLAY.
+
+
+CHAPTER I.
+
+LADY DURWENT DECIDES ON A DINNER.
+
+
+I.
+
+His Majesty's postmen were delivering mail. Through the gray grime of
+a November morning that left a taste of rust in the throat, the
+carriers of letters were bearing their cargo to all the corners of that
+world which is called London.
+
+There were letters from hospitals asking for funds; there were appeals
+from sick people seeking admission to hospital. There were long, legal
+letters and little, scented letters lying wonderingly together in the
+postman's bag. There were notes from tailors to gentlemen begging to
+remind them; and there were answers from gentlemen to their tailors, in
+envelopes bearing the crests of Pall Mail clubs, hinting of temporary
+embarrassment, but mentioning certain prospects that would shortly
+enable them to . . . .
+
+Fat, bulging envelopes, returning manuscripts with editors' regrets,
+were on their way to poor devils of scribblers living in the altitude
+of unrecognised genius and a garret. There were cringing, fawning
+epistles, written with a smirk and sealed with a scowl; some there were
+couched in a refinement of cruelty that cut like a knife.
+
+But, as unconcerned as tramps plying contraband between South America
+and Mexico, His Majesty's postmen were delivering His Majesty's mail,
+with never a thought of the play of human emotions lying behind the
+sealed lips of an envelope. If His Majesty's subjects insisted upon
+writing to one another, it was obvious that their letters, in some
+mysterious way become the property of His Majesty, had to be delivered.
+
+Thus it happened, on a certain November morning in the year 1913, that
+six dinner invitations, enclosed in small, square envelopes with a
+noble crest on the back, and large, unwieldy writing on the front, were
+being carried through His Majesty's fog to six addresses in the West
+End of London.
+
+Lady Durwent had decided to give a dinner.
+
+An ordinary hostess merely writes a carelessly formal note stating that
+she hopes the recipient will be able to dine with her on a certain
+evening. The form of her invitations varies as little as the
+conversation at her table. But Lady Durwent was _unusual_. For years
+she had endeavoured to impress the fact on London, and by careful
+attention to detail had at last succeeded in gaining that reputation.
+She was that _rara avis_ among the women of to-day--the hostess who
+knows her guests. She never asked any one to dine at her house without
+some definite purpose in mind--and, for that matter, her guests never
+dined with her except on the same terms.
+
+Therefore it came about that Lady Durwent's dinners were among the
+pleasantest things in town, and, true to her character of the
+_unusual_, she always worded her invitations with a nice discrimination
+dictated by the exact motive that prompted the sending.
+
+
+II.
+
+H. Stackton Dunckley looked up from his pillow as the man-servant who
+valeted for the gentlemen of the Jermyn Street Chambers drew aside a
+gray curtain and displayed the gray blanket of the atmosphere outside.
+
+'Good-morning, Watson,' said Mr. Dunckley in a voice which gave the
+impression that he had smoked too many cigars the previous evening--an
+impression considerably strengthened by the bilious appearance of his
+face.
+
+'Good-morning, sir. Will you have the _Times_ or the _Morning Post_?
+And here are your letters, sir.'
+
+The recumbent gentleman took the letters and waved them philosophically
+at the valet. 'Leave me to my thoughts,' he said thickly, but with
+considerable dignity. 'I am not interested in the squeaky jarring of
+the world revolving on its rusty axis.'
+
+Being an author, he almost invariably tried out his command of language
+in the morning, as a tenor essays two or three notes on rising, to make
+sure that his voice has not left him during his slumber.
+
+Mr. Watson bowed and withdrew. H. Stackton Dunckley lit a cigarette,
+opened the first letter, and read it.
+
+
+'8 CHELMSFORD GARDENS.
+
+'MY DEAR STACKY,--Next Friday I am giving a little dinner-party--just a
+few _unusual_ people--to meet an American author who has recently come
+to England. Do come; but, you brilliant man, don't be too caustic,
+will you?
+
+'Isn't it dreadful the way gossip is connecting our names? Supposing
+Lord Durwent should hear about it!--Until Friday,
+
+'SYBIL DURWENT.
+
+'P.S.--How is _the_ play coming on? Dinner will be at 8.30.'
+
+
+H. Stackton Dunckley put the letter down and sighed. He was an author
+who had been writing other men's ideas all his life, but without
+sufficient distinction to achieve either a success or a failure. He
+had gained some notoriety by his wife suing him for divorce; but when
+the Court granted her separation on the ground of desertion, it cleared
+him of the charge of infidelity--and of the chance of advertisement at
+the same moment. Later, by being a constant attendant on Lady Durwent,
+he almost succeeded in creating a scandal; but, to the great
+disappointment of them both, London flatly refused to believe there was
+anything wrong. For one thing, she was the daughter of a commoner--and
+the morality of the middle classes is a conviction solidly rooted in
+English society. And then there were his writings. How could one
+doubt the character of a man so dull?
+
+Undiscouraged, they still maintained their perfectly innocent
+friendship, and, like kittens playing with a spool, invested it with
+all the appearances of an intrigue.
+
+Dismissing his depressing thoughts, H. Stackton Dunckley noticed that
+his cigarette was out, and closing his eyes, fell asleep once more.
+
+
+III.
+
+Madame Carlotti, clothed in a kimono of emphatic shade, sat by the fire
+in her rooms in Knightsbridge and read her mail while sipping coffee.
+She was the wife of an Italian diplomat, a sort of wandering
+plenipotentiary who did business in every part of the world but London,
+and with every Government but that of Britain. It was the signora's
+somewhat incomprehensible complaint that her husband's duties forced
+her to live in that fog-bound metropolis, and having thus achieved the
+pedestal of a martyr, she poured abuse on everything English from
+climate to customs. Possessed of a certain social dexterity and the
+ability to make the most ordinary conversation seem to concern a
+forbidden topic, Madame Carlotti was in great demand as a guest, and
+abused more English habits and attended more dinner-parties than any
+other woman in London.
+
+From beneath seven tradesmen's letters she extracted one from Lady
+Durwent.
+
+
+'8 CHELMSFORD GARDENS,
+
+'DEAREST LUCIA,--I am counting on you for next Friday. A young
+American author studying England--I suppose like that Count
+Something-or-other in _Pickwick Papers_--is coming to dinner. I
+understand he drinks very little, so I am relying on you to thaw him.
+
+'Stackton Dunckley _insists_ upon coming, though I tell him that it is
+dangerous; and of course people are saying dreadful things, I know. He
+is _so_ persistent. There will be just half-a-dozen _unusual_ people
+there, my dear, so don't fail me. Dinner will be at 8.30.--So
+sincerely, SYBIL DERWENT.
+
+'P.S.--Don't you think you could make Stackton interested in you? Your
+husband is away so much.'
+
+
+Madame Carlotti smiled with her teeth and drank some very strong coffee.
+
+'It ees deefficult,' she said, with that seductive formation of the
+lips used by her countrywomen when speaking English, 'for a magnet to
+attract putty. Still--there ees the American. At least I shall not be
+altogether bored.'
+
+
+IV.
+
+That noon, in a restaurant of Chelsea, the district of Pensioners and
+Bohemians, two young gentlemen, considerably in need of renovation by
+both tailor and barber, met at a table and nodded gloomily. One was
+Johnston Smyth, an artist, who, finding himself possessed neither of a
+technique nor of the industry to acquire one, had evolved a
+super-futurist style that had made him famous in a night. He was
+spoken of as 'a new force;' it was prophesied that English Art would
+date from him. Unfortunately his friends neglected to buy his
+paintings, and as his art was a vivid one, consisting of vast
+quantities of colour splashed indiscriminately on the canvas, it took
+more than his available funds to purchase the accessories of his
+calling. He was tall, with expressive arms that were too long for his
+sleeves, and a nose that would have done credit to a field-marshal.
+
+The other was Norton Pyford, the modernist composer, who had developed
+the study of discord to such a point that his very features seemed to
+lack proportion, and when he smiled his face presented a lop-sided
+appearance. He had given a recital which set every one who is any one
+in London talking. There was but one drawback--they talked so much
+that he could persuade no one to listen, and he carried his discords
+about with him, like a bad half-crown, unable to rid himself of them.
+He was short, with a retreating forehead and an overhanging wealth of
+black, thread-like hair, gamely covering the retreat as best it could.
+
+'Hello, Smyth!' drawled the composer, who affected a manner of speech
+usually confined to footmen in the best families. 'Hah d' do?'
+
+'Topping, Pyford. How's things?'
+
+'Rotten.'
+
+'Same here.'
+
+'I say, you couldn't'----
+
+'Just what I was going to ask you.'
+
+The composer sighed; the artist echoed the sigh.
+
+'Have you seen Shaw's show?'
+
+'Awful, isn't it?'
+
+'Putrid--but the English don't'----
+
+'Ah! What a race!'
+
+'Just so. I say, are you going to Lady Durwent's on Friday?'
+
+'Yes, rather.'
+
+'Look here, old fellow--don't dress, eh?'
+
+'Right. Let's be natural--what? Just Bohemians.'
+
+'The very thing. By-the-by, you don't know a laundry that gives'----
+
+'No, I can't say I do.'
+
+'Well, so long.'
+
+'Good-bye.'
+
+'See you Friday.'
+
+'Right.'
+
+
+V.
+
+Mrs. Le Roy Jennings looked up from her task of drafting the new
+Resolution to be presented to Parliament by the League of Equal Sex
+Rights and Complete Emancipation for Women, as a diminutive,
+half-starved servant brought in a letter on a tray.
+
+Mrs. Jennings took the missive, and frowning threateningly at the girl,
+who withdrew to the dark recesses of the servants' quarters, opened it
+by slitting its throat with a terrific paper-knife.
+
+
+'8 CHELMSFORD GARDENS.
+
+'DEAR MRS LE ROY JENNINGS,--An American author is coming to dinner next
+Friday. There will just be a few _unusual_ people, and I have asked
+them for 8.30. I want him to meet one of England's intellectual women,
+and I _know_ he will be interested to hear of your ideas on the New
+Home.
+
+'My daughter joins with me in wishing you every success.--Until Friday,
+dear,
+
+'SYBIL DURWENT.'
+
+
+Mrs. Jennings, who had made a complete failure of her own home, and
+consequently felt qualified to interfere with all others, scribbled a
+hasty note of acceptance in a handwriting so forceful that on some
+words the pen slid off the paper completely.
+
+Then, with a look of profundity, she resumed the Resolution.
+
+
+VI.
+
+And so, by the medium of His Majesty's mail, a little group of actors
+were warned for a performance at Lady Durwent's house, No. 8 Chelmsford
+Gardens.
+
+Through the November fog the endless traffic of the streets was
+cautiously feeling its way along the diverging channels of the
+Metropolis--a snorting, sliding, impatient fleet of vehicles
+perpetually on their way, yet never seeming to get there. Taxi-cabs
+hugged the pavements, trying to penetrate the gloom with their meagre
+lights; omnibuses fretted and bullied their way, avoiding collision by
+inches, but struggling on and on as though their very existence
+depended on their reaching some place immediately or being interned for
+failure. Hansom-cabs, with ancient, glistening horses driven by
+ancient, glistening cabbies, felt for elbow-space in the throng of
+motor-vehicles. And on all sides the badinage of the streets, the
+eternal wordy conflict of London's mariners of traffic, rose in
+cheerful, insulting abundance.
+
+On the pavements pedestrians jostled each other--men with hands in
+their pockets and arms tight to their sides, women with piqued noses
+and hurrying steps; while sulky lamps offered half-hearted resistance
+to the conquering fog that settled over palaces, parks, and motley
+streets until it hugged the very Thames itself in unholy glee.
+
+And through the impenetrable mist of circumstance, the millions of
+souls that make up the great city pursued their millions of destinies,
+undeterred by biting cold and grisly fog. For it was a day in the life
+of England's capital; and every day there is a great human drama that
+must be played--a drama mingling tragedy and humour with no regard to
+values or proportion; a drama that does not end with death, but renews
+its plot with the breaking of every dawn; a drama knowing neither
+intermezzo nor respite: and the name of it is--LONDON.
+
+
+
+
+CHAPTER II
+
+CONCERNING LADY DURWENT'S FAMILY.
+
+
+I.
+
+Lady Durwent was rather a large woman, of middle age, with a high
+forehead unruffled by thought, and a clear skin unmarred by wrinkles.
+She had a cheerfulness that obtruded itself, like a creditor, at
+unpropitious moments; and her voice, though not displeasing, gave the
+impression that it might become volcanic at any moment. She also
+possessed a considerable theatrical instinct, with which she would
+frequently manoeuvre to the centre of the stage, to find, as often as
+not, that she had neglected the trifling matter of learning any lines.
+
+She was the daughter of an ironmonger in the north of England, whose
+father had been one of the last and most famous of a long line of
+smugglers. It was perhaps the inherited love of adventure that
+prompted the ironmonger, against his wife's violent protest, to invest
+the savings of a lifetime in an obscure Canadian silver-mine. To the
+surprise of every one (including its promoters), the mine produced
+high-grade ore in such abundance that the ironmonger became a man of
+means. Thereupon, at the instigation of his wife, they moved from
+their little town into the city of York, where he purchased a large,
+stuffily furnished house, sat on Boards, became a councillor, wore
+evening-dress for dinner, and died a death of absolute respectability.
+
+Before the final event he had the satisfaction of seeing his only child
+Sybil married to Arthur, Lord Durwent. (The evening-clothes for dinner
+were a direct result.) Lord Durwent was a well-behaved young man of
+unimpeachable character and family, and he was sincerely attracted by
+the agreeable expanse of lively femininity found in the fair Sybil.
+After a wedding that left her mother a triumphant wreck and appreciably
+hastened her father's demise, she was duly installed as the mistress of
+Roselawn, the Durwent family seat, and its tributary farms. The
+tenants gave her an address of welcome; her husband's mother gracefully
+retired to a villa in Sussex; the rector called and expressed
+gratification; the county families left their cards and inquired after
+her father, the ironmonger.
+
+Unfortunately the new Lady Durwent had the temperament neither of a
+poet nor of a lady of the aristocracy. She failed to hear the tongues
+in trees, and her dramatic sense was not satisfied with the little
+stage of curtsying tenantry and of gentlefolk who abhorred the very
+thought of anything theatrical in life.
+
+On the other hand, her husband was a man who was unhappy except on his
+estate. He thought along orthodox lines, and read with caution. He
+loved his lawns, his gardens, his horses, and his habits. He was a
+pillar of the church, and always read a portion of Scripture from the
+reading-desk on Sunday mornings. His wife he treated with simple
+courtesy as the woman who would give him an heir. If his mind had been
+a little more sensitive, Lord Durwent would have realised that he was
+asking a hurricane to be satisfied with the task of a zephyr.
+
+They had a son.
+
+The tenants presented him with a silver bowl; Lord Durwent presented
+them with a garden fete; and the parents presented the boy with the
+name of Malcolm.
+
+Two years later there came a daughter.
+
+The tenants gave her a silver plate; Lord Durwent gave them a garden
+fete; and he and his wife gave the girl the name of Elise.
+
+Three years later a second son appeared.
+
+There was a presentation, followed by a garden fete and a christening.
+The name was Richard.
+
+In course of time the elder son grew to that mental stature when the
+English parent feels the time is ripe to send him away to school. The
+ironmonger's daughter had the idea that Malcolm, being her son, was
+hers to mould.
+
+'My dear,' said Lord Durwent, exerting his authority almost for the
+first time, 'the boy is eight years of age, and no time must be lost in
+preparing him for Eton and inculcating into him those qualities which
+mark'----
+
+'But,' cried his wife with theatrical unrestraint, 'why send him to
+Eton? Why not wait until you see what he wants to be in the world?'
+
+Lord Durwent's face bore a look of unperturbed calm. 'When he is old
+enough, he must go to Eton, my dear, and acquire the qualities which
+will enable him to take over Roselawn at my death'----
+
+At this point Lady Durwent interrupted him with a tirade which, in
+common with a good many domestic unpleasantries, was born of much that
+was irrelevant, springing from sources not readily apparent. She
+abused the public-school system of England, and sneered at the county
+families which blessed the neighbourhood with their presence. She
+reviled Lord Durwent's habits, principally because they _were_ habits,
+and thought it was high time some Durwent grew up who wasn't just a
+'sticky, stuffy, starched, and bored porpoise--yes, PORPOISE!' (shaking
+her head as if to establish the metaphor against the whole of the
+English aristocracy). In short, it was the spirit of the Ironmonger
+castigating the Peerage, and at its conclusion Lady Durwent felt much
+abused, and quite pleased with her own rhetoric.
+
+Lord Durwent glanced for courage at an ancestor who looked
+magnificently down at him over a ruffle. He adjusted his own cravat
+and spoke in nicely modulated accents: 'Sybil, nothing can change me on
+this point. In spite of what you say, it is my intention to keep to
+the tradition of the Durwents, and that is that the occupant of
+Roselawn'----
+
+'What! am not I his mother?' cried the good woman, her hysteria having
+much the same effect on Lord Durwent's smoothly developing monologue as
+a heavy pail dropped by a stage-hand during Hamlet's soliloquy.
+
+'Sybil,' said Lord Durwent sternly, 'it was arranged at Malcolm's birth
+that he should go to Eton. I shall take him next Tuesday to a
+preparatory school, and you must excuse me if I refuse to discuss the
+matter further.'
+
+Lady Durwent rushed from the room and clasped her eldest child in her
+arms. That young gentleman, not knowing what had caused his mother's
+grief, sympathetically opened his throat and bellowed lustily, thereby
+shedding tears for positively the last time in his life.
+
+When he returned for the holidays a few months later, he was an
+excellent example of that precocity, the English schoolboy, who cloaks
+a juvenile mind with the pose of sophistication, and by twelve years of
+age achieves a code of thought and conduct that usually lasts him for
+the rest of his life. In vain the mother strove for her place in the
+sun; the rule of the masculine at Roselawn became adamant.
+
+Life in the Durwent _menage_ developed into a thing of laws and customs
+dictated by the youthful despot, aided and abetted by his father. The
+sacred rites of 'what isn't done' were established, and the mother
+gradually found herself in the position of an outsider--a privileged
+outsider, it is true, yet little more than the breeder of a
+thoroughbred, admitted to the paddock to watch his horse run by its new
+owner.
+
+She vented her feelings in two or three tearful scenes, but she felt
+that they lacked spontaneity, and didn't really put her heart into them.
+
+During these struggles for her place in a Society that was probably
+more completely masculine in domination than any in the world (with the
+possible exception of that of the Turk), Lady Durwent was only dimly
+aware that her daughter was developing a personality which presented a
+much greater problem than that of the easily grooved Malcolm.
+
+The girl's hair was like burnished copper, and her cheeks were lit by
+two bits of scarlet that could be seen at a distance before her
+features were discernible. Her eyes were of a gray-blue that changed
+in shade with her swiftly varying moods. Her lower lip was full and
+red, the upper one firm and repressed with the dull crimson of a fading
+rose-petal. Her shapely arms and legs were restless, seemingly
+impatient to break into some quickly moving dance. She was
+extraordinarily alive. Vitality flashed from her with every gesture,
+and her mind, a thing of caprice and whim, knew no boundaries but those
+of imagination itself.
+
+Puzzled and entirely unable to understand anything so instinctive, Lady
+Durwent engaged a governess who was personally recommended by Lady
+Chisworth, whose friend the Countess of Oxeter had told her that the
+three daughters of the Duchess of Dulworth had all been entrusted to
+her care.
+
+In spite of this almost unexampled set of references, the governess was
+completely unable to cope with Elise Durwent. She taught her (among
+other things) decorum and French. Her pupil was openly irreverent
+about the first; and when the governess, after the time-honoured
+method, produced an endless vista of exceptions to the rule in French
+grammar, the girl balked. She was willing to compromise on _Avoir_,
+but mutinied outright at the ramifications of _Etre_.
+
+Seeing that the child was making poor progress, and as it was out of
+the question to dismiss a governess who had been entrusted with the
+three daughters of the Duchess of Dulworth, Lady Durwent sent for
+reinforcement in the person of the organist of their church, and bade
+him teach Elise the art of the piano. With the dull lack of vision
+belonging to men of his type, he failed to recognise the spirit of
+music lying in her breast, merely waiting the call to spring into life.
+He knew that her home was one where music was unheard, and his method
+of unfolding to the girl the most spiritual and fundamental of all the
+arts was to give her SCALES. He was a kindly, well-intentioned fellow,
+and would not willingly have hurt a sparrow; but he took a nature
+doomed to suffer for lack of self-expression, and succeeded in walling
+up the great river of music which might have given her what she lacked.
+He hid the edifice and offered her scaffolding--then wondered.
+
+
+II.
+
+Elise was consistent in few things, but her love for Richard, the
+youngest of the family, was of a depth and a mature tenderness that
+never varied. Doomed to an insufficient will-power and an easy,
+plastic nature that lent itself readily to the abbreviation 'Dick,' he
+quickly succumbed to his fiery-tinted sister, and became a willing dupe
+in all her escapades.
+
+At her order he turned the hose on the head-gardener; when told to put
+mucilage on the rector's chair at dinner, he merely asked for the pot.
+On six different occasions she offered him soap, telling him it was
+toffy, and each time he bit of it generously and without suspicion.
+Every one else in the house represented law and order to him--Elise was
+the spirit of outlawry, and he her slave. She taught him a dance of
+her own invention entitled 'The Devil and the Maiden' (with a certain
+inconsistency casting him as the maiden and herself as the Devil), and
+frequently, when ordered to go to bed, they would descend to the
+servants' quarters and perform it to the great delight of the family
+retainers.
+
+A favourite haunt of theirs was the stables, where they would persuade
+the grooms to place them on their father's chargers; and they were
+frequent visitors at feeding-time, taking a never-ending delight in the
+gourmandism of the whinnying beasts, and finding particular joy in
+acquiring the language and the mannerisms of the stablemen, which they
+would reserve for, and solemnly use at, the next gathering of the
+neighbouring gentry.
+
+When Elise was ten and Dick seven, she read him highwaymen's tales
+until his large blue eyes almost escaped from their sockets. It was at
+the finish of one of these narratives of derring-do that she whispered
+temptation into his ear, with the result that they bided their
+opportunity, and, when the one groom on duty was asleep, repaired to
+the stables armed with a loaded shot-gun. After herculean efforts they
+succeeded in harnessing Lord Durwent's famous hunter with the saddle
+back to front, the curb-bit choking the horse's throat, the brow-band
+tightly strapped around the poor beast's nostrils, the surcingle
+trailing in the dust.
+
+With improvised masks over their faces, they mounted the steed and set
+out for adventure, the horse seeming to comprehend its strange burden
+and stepping as lightly as its tortures would permit, while the saddle
+slid cheerfully about its back, threatening any moment to roll the
+desperados on to the road.
+
+They had just emerged from the estate into the public highway, when a
+passing butcher's cart stopped their progress. The younger Durwent,
+who had been mastering the art of retaining his seat while his steed
+was in motion, was unprepared for its cessation, and promptly
+overbalanced over the horse's shoulder, reaching the road head first,
+and discharging a couple of pellets from the shotgun into a fleshy part
+of the butcher-boy's anatomy.
+
+The groom was dismissed; the butcher-boy received ten pounds; Richard
+(when it was certain that concussion of the brain was not going to
+materialise) was soundly whipped; and Elise was banished for
+forty-eight hours to her room, issuing with a carefully concocted plan
+to waylay the rector coming from church, steal the collection, and
+purchase with the ill-gotten gains the sole proprietary interests in
+the village sweet-shop.
+
+There is little doubt but that the _coup_ would have been attempted had
+not Lord Durwent decided that the influence of his sister was not good
+for Dick, and sent him to a preparatory school at Bexhill-on-Sea, there
+to imbibe sea-air and some little learning, and await his entrance into
+Eton.
+
+Robbed of her brother's stimulating loyalty, Elise relapsed into a
+sulky obedience to her governess and her mother. To their puny vision
+it seemed that her attitude towards them was one of haughty aloofness,
+and everything possible was done to subdue her spirit. Being unable to
+see that the child was lonely, and too proud to admit her craving for
+sympathetic companionship, they tried to tame the thoroughbred as they
+would a mule.
+
+Only when Dick returned for holidays would her petulant moods vanish,
+and in his company her old vitality sparkled like the noonday sun upon
+the ocean's surface. And if her affection for him knew no variation,
+his was no less true. The friendships and the adventures of school
+were forgotten in the comradeship of his sister as, over the fields of
+Roselawn or on the tennis-court, they would renew their childhood's
+hours. He taught her to throw a fly for trout, and she initiated him
+into the mysteries of answering the calls of birds in the woods.
+Mounted on a couple of ponies, they became familiar figures at the
+tenants' cottages, and though the spirit of outlawry mellowed with
+advancing years, Lady Durwent never saw them start away from the house
+without the uneasy feeling that there was more than a chance they would
+get into some mischief before they returned.
+
+In the meantime the elder son was bringing credit to his ancestors and
+himself. His accent became a thing of perfection, nicely nuanced, and
+entirely free of any emphasis or intensity that might rob it of its
+placid suggestion of good-breeding. His attitude towards the servants
+was one of pleasant dignity, and the tenantry all spoke of Master
+Malcolm as a fine young gentleman who would make a worthy ruler of
+Roselawn.
+
+Between him and Richard there was little love lost. The elder boy
+disapproved of his hoydenish sister, and sought at all times to shame
+her tempestuous nature by insistence on decorum in their relations.
+Richard, who invariably brought home adverse reports from school, could
+find no fault in his colourful sister, and blindly espoused her cause
+at all times.
+
+On one occasion, when Malcolm had been more than usually censorious,
+Dick challenged him to a fight. They adjourned to the seclusion of a
+small plot of grass by a great oak, where the Etonian knocked Dick down
+five times in succession, afterwards escorting him to the cook, who
+placed raw beefsteak on his eyes.
+
+It was characteristic of the worthy Richard that he bore his brother no
+malice whatever for the punishment. He had proposed the fight,
+conscious of the fact that he would be soundly beaten, but he was a bit
+of a Quixote--and a lady's name was involved.
+
+And no nurse ever tended a wounded hero more tenderly than the little
+copper-haired creature of impulse who bathed the battered face of poor
+Dick. Wilful and rebellious as she was, there was in Elise a deep well
+of love for her brother that no other being could fathom. And it was
+not his loyalty alone that had inspired it. Her solitary life had
+quickened her perceptive powers, and intuitively she knew that, in the
+years before him, her weak-willed, buoyant-natured brother would be
+unable to meet the cross-currents of his destiny and maintain a steady
+course.
+
+But he thought it was because of his swollen eyes that she cried.
+
+
+
+
+CHAPTER III.
+
+ABOUT A TOWN HOUSE.
+
+
+I.
+
+It was perhaps not inconsistent with the character of Lady Durwent
+that, although she had striven to secure the guiding of Malcolm's
+development, she should find herself totally devoid of any plan for the
+training of a daughter.
+
+Vaguely--and in this she mirrored thousands of other mothers--there was
+a hope in her heart that Elise would grow up pretty, virtuous, amiable,
+and would eventually marry well. It did not concern her that the girl
+was permeated with individuality, that the temperament of an artist lay
+behind the changing eyes in that restless, graceful figure. She could
+not see that her daughter had a delicate, wilful personality, which
+would rebel increasingly against the monotony of a social regime that
+planned the careers of its sons before they were born, and offered its
+daughters a mere incoherency of good intentions.
+
+Full of the swift imaginativeness which makes the feminine contribution
+to life so much a thing of charm and colour, Elise pursued the paths
+which Youth has for its own--those wonderful streets of fantasy that
+end with adolescence in Society's ugly fields of sign-posts.
+
+Lacking the companionship of others of a similar age, she wove her own
+conception of life, and dreamed of a world actuated by quick and
+generous emotions. With every pulsing beat of the warm blood coursing
+through her veins she demanded in her girl's mind that the world in
+which her many-sided self had been placed should yield the wines to
+satisfy the subtle shades of thirst produced by her insistent
+individuality.
+
+And the world offered her sign-posts. This must you do and thus must
+you talk; hither shall you go and here remain: these are the Arts with
+which you may enjoy a very slight acquaintance, but do not aspire to
+genuine accomplishment--leave that to common people; be lady-like, be
+calm and reserved; behold your brothers, how they swank!--but they are
+men, and this is England; desire nought but the protected privileges of
+your class, and in good season some youth of the same social stratum as
+yourself will marry you, and, lo! in place of being a daughter in a
+landed gentleman's house, you will be a wife.
+
+Into this little world of a kind-hearted, chivalrous aristocracy (whose
+greatest fault was their ignorance of the fact that the smallest
+upheaval in humanitarianism, no matter what distance away, registers on
+the seismograph of human destiny the world over) Elise Durwent found
+her path laid. Increasingly resentful, she trod it until she was
+fourteen years of age, when her mother, who had long been bored with
+country life, made an important decision--and purchased a town house.
+
+Having done this, Lady Durwent sent her daughter to a convent, a move
+which enabled her to get rid of the governess discreetly, and left her
+without family cares at all, as both boys were now at school.
+Unencumbered, therefore, she said _au revoir_ to Roselawn, and set her
+compass for No. 8 Chelmsford Gardens, London.
+
+
+II.
+
+Chelmsford Gardens is a row of dignified houses on Oxford Street--yet
+not on Oxford Street. A miniature park, some forty feet in depth, acts
+as a buffer-state between the street itself and the little group of
+town houses. It is an oasis in the great plains of London's dingy
+dwelling-places, a spot where the owners are rarely seen unless the
+season is at its height, when gaily cloaked women and stiff-bosomed men
+emerge at theatre-hour and are driven to the opera. Throughout the day
+the Gardens (probably so styled on account of the complete absence of
+horticultural embellishments) are as silent as the tomb; there is no
+sign of life except in the mornings, when a solemn butler or a
+uniformed parlour-maid appears for a moment at the door like some
+creature of the sea coming up for air, then unobtrusively retires.
+
+No. 8 was exactly like its neighbours, consisting of an exterior
+boasting a huge oak door, with cold, stone steps leading up to it, and
+an interior composed of rooms with very high ceilings, an insufficient
+and uncomfortable supply of furniture, large pictures and small grates,
+terrific beds and meagre chairs, and a general air of so much marble
+and bare floor that one could almost imagine that house-cleaning could
+be accomplished by turning on the hose.
+
+After Lady Durwent had taken possession she sent for her husband, but
+that gentleman reminded her that he was much happier at Roselawn,
+though he would be glad if she would keep a room for him when business
+at the 'House' or with his lawyers necessitated his presence in town.
+Unhampered, therefore, by a husband, Lady Durwent prepared to invade
+London Society, only to receive a shock at the very opening of the
+campaign.
+
+The Ironmonger had preceded her!
+
+It is one of the tragedies of the _elite_ that even peers are not
+equal. The law of class distinction, that amazing doctrine of
+timidity, penetrated even the oak door of 8 Chelmsford Gardens. The
+Ironmonger's daughter found that being the daughter of a man who had
+made an honest living rendered her socially the unequal of the
+daughters of men who, acting on a free translation of 'The earth is the
+Lord's,' had done nothing but inherit unearned substance.
+
+Then there was her cheerfulness, and the menacing voice!
+
+Turning from the aloofness of the exclusive, Lady Durwent thought of
+taking in famous performing Lions and feeding them. Unfortunately the
+market was too brisk, and the only Lion she could get was an Italian
+tenor from Covent Garden, who refused to roar, but left a poignant
+memory of garlic.
+
+It was then that a brilliant idea entered her brain. Lady Durwent
+decided to cultivate _unusual_ people.
+
+No longer would she batter at oak doors that refused to open; no more
+would she dangle morsels of food in front of overfed Lions. She would
+create a little Kingdom of remarkable people--not those acclaimed great
+by the mealy mob, but those whose genius was of so rare and subtle a
+growth that ordinary eyes could not detect it at all. Her only fear
+was that she might be unable to discover a sufficient number to create
+a really satisfactory _clientele_.
+
+But she reckoned without her London.
+
+For every composer in the Metropolis who is trying to translate the
+music of the spheres, there are a dozen who can only voice the
+discordant jumble of their minds or ask the world to listen to the
+hollow echo of their creative vacuum. For every artist striving to
+catch some beauty of nature that he may revisualise it on canvas, there
+are a score whose eyes can only cling to the malformation of existence.
+For every writer toiling in the quiet hours to touch some poor, dumb
+heart-strings, or to open unseeing eyes to the joy of life, there are
+many whose gaze is never lifted from the gutter, so that, when they
+write, it is of the slime and the filth that they have smelt, crying to
+the world that the blue of the skies and the beauty of a rose are
+things engendered of sentimental minds unable to see the real, the
+vital things of life.
+
+To this community of _poseurs_ Lady Durwent jingled her town house and
+her title--and the response was instantaneous. She became the hostess
+of a series of dinner-parties which gradually made her the subject of
+paragraphs in the chatty columns of the press, and of whole chapters in
+the gossip of London's refined circles.
+
+Her natural cheerfulness expanded like a sunflower, and when her son
+Malcolm secured a commission in the --th Hussars, her triumph was
+complete. Even the staggering news that Dick had been taken away from
+Eton to avoid expulsion for drunkenness proved only a momentary cloud
+on the broad horizon of her contentment.
+
+When she was nineteen years of age Elise came to live with her mother,
+and as the fiery beauty of the child had mellowed into a sort of
+smouldering charm that owed something to the mystic atmosphere of
+convent life, Lady Durwent felt that an ally of importance had entered
+the arena.
+
+Thus four years passed, and in 1913 (had peeresses been in the habit of
+taking inventories) Lady Durwent could have issued a statement somewhat
+as follows:
+
+
+ ASSETS.
+
+ 1 Husband; a Peer.
+ 1 Son; aged twenty-five; decently popular with his regiment.
+ 1 Daughter; marriageable; aged twenty-three.
+ 1 Town House.
+ 1 Country Estate.
+ The goodwill of numerous _unusual_ people, and the envy of a
+ lot of minor Peeresses.
+
+
+ LIABILITIES.
+
+ 1 Son; aged twenty; at Cambridge; in perpetual trouble,
+ and would have been rusticated ere now had he not been the
+ son of a lord.
+ 1 Ironmonger.
+
+
+ * * * * * *
+
+'My dear,' said Lady Durwent, glancing at her daughter, who was reading
+a novel, 'hadn't you better go and dress?'
+
+'Is there a dinner-party to-night?' asked the girl without looking up.
+
+'Of course, Elise. Have you forgotten that Mr. Selwyn of New York will
+be here?'
+
+'Is he as tedious as Stackton Dunckley?'
+
+Lady Durwent frowned with vexation. 'My dear,' she said, 'you are very
+trying.'
+
+
+
+
+CHAPTER IV.
+
+PROLOGUE TO A DINNER-PARTY.
+
+
+I.
+
+Even _unusual_ dinner-parties begin like ordinary ones. There is the
+discomfiture of the guest who arrives first, subjected to his hostess's
+reassurances that he is not really early. After what seems an
+interminable length of time, during which a score of conversational
+topics are broached, and both hostess and guest are reduced to a state
+bordering on mutual animosity, the remainder of the party arrive _en
+masse_, as if by collusion. The butler (who likes to chew the cud of
+reflection between the announcements) is openly pained, while the
+distracted hostess must manage the introductions, and, as friendships
+are begun or enmities renewed, endeavour to initiate the new-comer into
+the subject of conversation immediately preceding his or her entrance.
+As the good woman's subconscious mind is in the kitchen, and as she is
+constantly interrupted by the necessity of greeting new arrivals, she
+usually succeeds in mystifying every one, and creating that atmosphere
+of 'nerves' so familiar to denizens of the best sets.
+
+But we had almost forgotten--there is always one guest who is late.
+
+The fateful hour mentioned in the dinner invitation arrives, strikes,
+and floats down the mists to the eerie catacombs of the Past. The
+hostess knows that the cook, with arms akimbo, is breathing rebellion,
+but tries to blot out the awful vision by an extra spurt of hollow
+gaiety.
+
+Ten minutes pass.
+
+Conversation flags. The portly bachelor who lives at his club wonders
+why he didn't have a chop before he came. His fellow-diners try to
+refrain from the topic, but it is as hopeless as trying to talk to an
+ex-convict without mentioning jails. Finally, in an abandon of
+desperation, they all turn inquiringly to the hostess, who, affecting
+an ease of manner, says pleasantly, 'Dear me! What _can_ have detained
+Mr. So-and-so? I wonder if we had better go in without him?'
+
+And then he arrives--the jackass--and in a sublime good-humour! He
+tells some cock-and-bull story about his taxi breaking down, and
+actually seems to think he's done rather a smart thing in turning up at
+all. In short, he brings in such an air of geniality and
+self-appreciation that the guest who arrived first has more than a
+notion to 'have him out' and send him to a region where dinner-parties
+are popularly supposed to be unknown.
+
+No--the lot of a lady who gives dinners is not a happy one.
+
+
+II.
+
+On this Friday night of November in the year 1918, Lady Durwent sat by
+the fire in the drawing-room and discussed music with Norton Pyford.
+Having sacrificed his watch on the altar of art, he had been compelled
+to rely on appetite, with the result that he arrived just as eight was
+striking. Lady Durwent did her best, but as she knew nothing of music,
+nor he anything of anything else, the situation was becoming difficult,
+when the entrance of Madame Carlotti brought welcome relief.
+
+That lady was wearing a yellow gown rather too tight for her, so that
+her somewhat ample flesh slightly overran the confines of the garment,
+giving the effect that she had grown up in the thing and was unable to
+shed it. This impression was heightened by a mannerism, repeated
+frequently during the evening, of grasping her very low bodice with her
+hands, exhausting her breath, pulling the bodice up, and compressing
+herself into it. It was an innocent enough performance, but invariably
+left the feeling that she should retire upstairs to do it.
+
+She wore a yellow flower in her hair; her stockings were a rich yellow
+with a superimposed pattern like strands of fine gold, and her dainty
+feet were enclosed in a pair of bronzed shoes. As her lips were
+heavily carmined and her eyes brilliantly dark, Madame Carlotti's was a
+distinctly illuminating presence.
+
+But the sunniness of her entrance was dimmed by the lack of audience.
+She had not expended her genius to throw it away on a strangely dressed
+young man whose hair fell straight and black over a large collar that
+had earned a holiday some days before, and whose velvet jacket was
+minus two buttons, the threads of which could still be seen,
+out-stretched, appealing for their owners' return.
+
+'Lucia, my dear,' said Lady Durwent, just like an ordinary hostess,
+'you look' (_sotto voce_) 'simply wonderful! I think you have met Mr.
+Norton Pyford, _the_ Norton Pyford, haven't you?'
+
+'Hah d' ye do?' said the Pyford.
+
+'Chairmed,' minced Madame Carlotti.
+
+'Lucia, take this chair by the fire. You must be frozen.'
+
+'Ah, _grazie_, Sybil. What a perfectly meeserable climate you have in
+this London!'
+
+'Just what I tha-a-y,' bleated Mr. Pyford, sinking into his chair in an
+apparently boneless heap. 'The other night, at a fella's
+thupper-party, I'----
+
+'MRS. LE ROY JENNINGS.'
+
+The resolutionist swept into the room clothed in black disorder, much
+as if she had started to dress in a fit of temper and had been
+overtaken by a gale.
+
+She knew Madame Carlotti.--She did _not_ know Mr. Norton Pyford, _the_
+Norton Pyford.--She was glad to know him.
+
+He muttered something inarticulate, and glancing at the ring of women
+about him, shrank into his clothes until his collar almost hid his
+lower lip.
+
+'We were discussing,' said Lady Durwent, vaguely relying on the last
+sounds retained by her ear--'discussing--suppers.'
+
+'Don't believe in 'em,' said Mrs. Jennings sternly; 'three regular
+meals--tea at eleven and four, and hot milk with a bit of ginger in it
+before retiring--are sufficient for any one.'
+
+The Italian took in the forceful figure of the New Woman and smiled
+with her teeth.
+
+'Madame Jennings,' she said, 'perhaps finds sufficient distraction in
+just ordinary life--and _una tazza di te_. But we who are not
+so--_comment dirai-je?_--so self-complete must rely on frivolous things
+like _una buona cena_.'
+
+'Don't believe in 'em,' reiterated the resolutionist; 'three
+regular'----
+
+'_Ah, c'est mauvais_,' gesticulated Madame Carlotti, who alternated
+between Italian and French phrases in London, and kept her best English
+for the Continent.
+
+'Mr. Pyford,' put in Lady Durwent, descrying a storm on the yellow and
+black horizon, 'has just written'----
+
+'MR. H. STACKTON DUNCKLEY,' announced the butler, with an appropriate
+note of _mysterioso_. Lady Durwent summoned a blush, and rose to meet
+the ardent author, who was dressed in a characterless evening suit with
+disconsolate legs, and whose chin was heavily powdered to conceal the
+stubble of beard grown since morning.
+
+'You have come,' she said softly and dramatically.
+
+'I have,' said the writer, bowing low over her hand.
+
+'I rely on you to be discreet,' she murmured.
+
+'Eh?'
+
+'Discreet,' she coquetted. 'People will talk.'
+
+'Let them,' said Mr. Dunckley earnestly.
+
+'Madame Carlotti, I think you know Mr. Dunckley--H. Stackton
+Dunckley--and you too, Mrs. Le Roy Jennings; you clever people ought to
+be friends at once.--And I want you to meet Mr. Pyford, _the_'----
+
+'Hah d'ye do?'
+
+'How are you?'
+
+'Ro--splendid, thanks.'
+
+'We were discussing,' said Lady Durwent--'discussing'----
+
+'MR. AUSTIN SELWYN.'
+
+Every one turned to see the guest of the evening, as the hostess rose
+to meet him. He was a young man on the right side of thirty, with
+dark, closely brushed hair that thinned slightly at the temples. He
+was clean-shaven, and his light-brown eyes lay in a smiling setting of
+quizzical good-humour. He was of rather more than medium height, with
+well-poised shoulders; and though a firmness of lips and jaw gave a
+suggestion of hardness, the engaging youthfulness of his eyes and a
+hearty smile that crinkled the bridge of his nose left a pleasant
+impression of frankness, mingled with a certain _naivete_.
+
+'Mr. Selwyn,' said Lady Durwent, 'I knew you would want to meet some of
+London's--I should say some of England's--accomplished people.'
+
+'_Oime_! I am afraid that obleeterates me,' smiled Madame Carlotti,
+whose social charm was rising fast at the sight of a good-looking
+stranger.
+
+'No, indeed, Lucia,' effused the hostess. 'To be the personification
+of Italy in dreary London is more than an accomplishment; it--it'----
+
+'It is a boon,' said Dunckley, coming to the aid of his floundering
+loved one.
+
+'Exactly,' said Lady Durwent with a sigh of relief. 'Madame Lucia
+Carlotti--Mr. Selwyn of New York.'
+
+'_Buona sera, signora_.'
+
+'_Buona sera, signore_.'
+
+He stooped low and pressed a light kiss on the Neapolitan's hand, thus
+taking the most direct route obtainable by an Anglo-Saxon to the good
+graces of a woman of Italy.
+
+'How well you speak Italian!' cooed Madame Carlotti; 'so--like one of
+us.'
+
+The American bowed. It was rarely he achieved a reputation with so
+little effort.
+
+The remaining introductions were effected; the clock struck
+eight-thirty; and there followed an awkward silence, born of an
+absolute unanimity of thought.
+
+'Of course, you two authors,' said Lady Durwent, forcing a smile, 'knew
+of each other, anyway. It's like asking H. G. Wells if he ever heard
+of Mark Twain.'
+
+The smile in the American's eyes widened. 'Lady Durwent flatters me,'
+he said. 'I am not widely known in my own country, and can hardly
+expect that you should know of me on this side of the Atlantic.'
+
+'What,' said Mr. Dunckley--'what does New York think of "Precipitate
+Thoughts"?'
+
+The American considered quickly. He wished that in conversation, as
+well as in writing, people would use inverted commas.
+
+'Whose precipitate thoughts?' he ventured.
+
+'Mine,' said H. S. D., with ill-concealed importance.
+
+'Oh yes, of course,' said Selwyn, wondering how any one so stationary
+as the other could project anything precipitate. 'New York was keenly
+interested.'
+
+'Ah,' said the English author benignly, 'it is satisfactory to hear
+that. Of course, the great difference between there and here is that
+in New York one impresses: in London one is impressed.'
+
+An ominous silence followed this epigrammatic wisdom (which Dunckley
+had just heard from the lips of a poet who had succeeded in writing
+both an American and an English publishing house into bankruptcy) while
+the various members of the group pursued their trains of thought along
+the devious routes of their different mentalities.
+
+'Dear me!' said Lady Durwent anxiously, 'what _can_ have detained'----
+
+'MR. JOHNSTON SMYTH.'
+
+With a jerky action of the knees, the futurist briskly entered the room
+with all the easy confidence of a famous comedian following on the
+heels of a chorus announcing his arrival. He looked particularly long
+and cadaverous in an abrupt, sporting-artistic, blue jacket, with
+sleeves so short that when he waved his arms (which he did with almost
+every sentence) he reminded one of a juggler requesting his audience to
+notice that he has absolutely nothing up his sleeves.
+
+'Lady Durwent,' he exclaimed, striking an attitude and looking over his
+Cyrano-like nose with his right eye as if he were aligning the sights
+of a musket, 'don't tell me I'm late. If you do, I shall never speak
+to the Duke of Earldub again--never!'
+
+As he refused to move an inch until assured that he was not late, and
+as Lady Durwent was anxious to proceed with the main business of the
+evening (to say nothing of maintaining the friendship between Smyth and
+the Duke of Earldub, whose part in his dilatory arrival was rather
+vague), she granted the necessary pardon, whereupon he straightened his
+legs and winked long and solemnly at Norton Pyford.
+
+'Good gracious!' cried Lady Durwent just as she was about to suggest an
+exodus to the dining-room, 'I had forgotten all about Elise!' She
+hurriedly rang the bell, which was answered by the butler. 'Send word
+to Miss Elise that'----
+
+'Milady,' said the servitor, addressing an arc-light just over the
+door, 'she is descending the stairs this very minute.'
+
+
+III.
+
+There are moments when women appear at their best--fleeting moments
+that cannot be sustained. Sometimes it is a tremor of timidity that
+lends a fawn-like gentleness to their movements, and a frightened
+wistfulness to the eye, too subtle a thing of beauty to bear analysis
+in words. A sudden triumph, noble or ignoble, the conquering of a
+rival, the sound of a lover's voice, will flush the cheek and liberate
+the whole radiancy of a woman's being. Such moments come in every
+woman's life, when the quick impulse of emotion achieves an unconscious
+beauty that defies the ordinary standards of critical appreciation. It
+is that little instant that is the torch to light a lover's worship or
+a poet's verses--to send strange yearnings into a young man's breast
+and set an old man's memory philandering with the distant past.
+
+It was such a moment for Elise Durwent as she stood in the doorway, the
+overhanging arc touching her hair and shoulders with the high lights of
+some master's painting. Conversation ceased, and in every face there
+was the universal homage paid to beauty, even though it be tendered
+grudgingly.
+
+She was dressed in a gown of deep blue, that colour which renders its
+ageless tribute to the fair women of the world, and from her shoulders
+there hung a black net that subdued the colour of the gown and left the
+graceful suggestion of a cape.
+
+'I am so sorry, mother,' she said. 'I was reading, and quite forgot
+the time.'
+
+Austin Selwyn stroked the back of his head, then thrust both hands into
+his pockets. There was something in the girl's appearance and the
+contralto timbre of her voice that left him with the odd sensation that
+she was out of place in the room--that her real sphere was in the
+expanse of unbridled nature. He could see her wealth of copper-hued
+hair blown by the western wind; he could picture her joining in
+Spring's minuet of swaying rose-bushes.
+
+'My daughter Elise--Mr. Austin Selwyn.'
+
+He bowed as the words penetrated his thoughts; then, glancing up, he
+felt a sudden contraction of disappointment.
+
+The girl's eyes had narrowed, and were no longer sparkling, but
+steady--almost to the point of dullness; her lower lip was full, and
+too scarlet for the upper one, which chided its sister for the wanton
+admission of slumbering passion; and her voice was abrupt. He almost
+cried out '_Legato, legato_,' to coax back the lilt which had caressed
+his ear a moment before.
+
+He was dimly conscious that dinner was announced, and that amidst a
+babel of tongues he was being led by, or was leading, Lady Durwent into
+the dining-room. He heard the resolutionist and Dunckley both talking
+at once, and felt the melancholy languor of Pyford floating like
+incense through the air. He had an obscure recollection of sitting
+down next to his hostess; that the table, like Arthur's, was a round
+one; that Johnston Smyth was seated beside Miss Durwent and was ogling
+one of Lady Durwent's maids. Then he remembered that he had heard some
+voice in his ear for several minutes past, and, growing curious, took a
+surreptitious glance, to find that it belonged to Madame Carlotti.
+
+'Meester Selwyn,' she said indignantly, 'you have not been listening to
+me.'
+
+'That is true, signora,' he said; 'but I have been thinking of you.'
+
+'Yes?' she purred, leaning towards him. 'What did you thought?'
+
+He turned squarely to her in an impassioned counterfeit of frankness.
+'Are all Italian women beautiful?' he murmured.
+
+'Hush-sh!' Her hand touched his beneath the table, reprovingly and
+tenderly.
+
+'Mr. Selwyn,' said Lady Durwent, 'you have not tasted your soup.'
+
+
+
+
+CHAPTER V.
+
+THE OLYMPIANS THUNDER.
+
+
+I.
+
+Lady Durwent was blessed in the possession of a cook whose artistry was
+beyond question, if the same could not be said of the guests to whom
+she so frequently ministered. She was a descendant of the French, that
+race which makes everything tend towards development of the soul, and
+consequently looks upon a meal as something of a sacrament. She
+prepared a dinner with a balance of contrast and climax that a composer
+might show in writing a tone poem.
+
+On this eventful evening, therefore, the dinner-party, stimulated by
+her art and by potent wines (gazing with long-necked dignity at the
+autocratic whisky-decanter), rapidly assumed a crescendo and an
+accelerando--the two things for which a hostess listens.
+
+H. Stackton Dunckley had held the resolutionist in a duel of
+language--a combat with broadswords--and honours were fairly even. The
+short-sleeved Johnston Smyth had waged futurist warfare against the
+modernist Pyford, while the Honourable Miss Durwent sat helplessly
+between them, with as little chance of asserting her rights as the
+Dormouse at the Mad Hatter's tea-party. The American had held his own
+in badinage with the daughter of Italy on one side and his hostess on
+the other, the latter, however, being too skilled in entertaining to do
+more than murmur a few encouragements to the spontaneity that so
+palpably existed.
+
+'Let me see,' said Lady Durwent as the meal came to a close and the
+butler looked questioningly at her. 'Shall we'--she opened the caverns
+of her throat, producing a volume that instantly silenced every
+one--'SHALL WE HAVE COFFEE IN HERE OR IN THE DRAWING-ROOM? I suppose
+you gentlemen, as usual, want to chat over your port and cigars alone.'
+
+H. Stackton Dunckley protested that absence from the ladies, even for
+so short a time, would completely spoil his evening--receiving in
+reward a languorous glance from Lady Durwent. Johnston Smyth, who had
+done more than ample justice to the wines, offered to 'pink' at fifty
+yards any man who would consider the proposition for a moment. Only
+Norton Pyford, in a sort of befuddled gallantry, suggested that the
+ladies might have sentimental confidences to exchange, and leered
+amorously at Elise Durwent.
+
+'Well,' said Lady Durwent, 'I am sure we are all curious to hear what
+Mr. Selwyn thinks of England, so I think we shall have coffee here. Is
+it agreeable to every one?'
+
+Unanimous approval greeted the proposal, and, at a sign from the
+hostess, cigarettes, cigars, and coffee made their appearance, with the
+corresponding niceties of 'Just one, please,' 'Well, perhaps a
+cigarette might be enjoyable,' 'I know men like a cigar,' 'After you,
+old man,' and all those various utterances which tickle the ear,
+creating in the speaker's breast the feeling of saying the right thing
+and doing it rather well.
+
+Throughout the dinner the daughter of the house had sat practically
+without a remark, and even when chorus effects were achieved by the
+rest, remained with almost immobile features, merely glancing from one
+to another, momentarily interested or openly bored. Several times the
+American had looked furtively at the arresting face, marred by too
+apparent mental resentment, but the barricade of Johnston Smyth's
+angular personality had been too powerful for him to surmount with
+anything but the most superficial persiflage.
+
+He had watched her take a cigarette, accepting a light from Smyth, who
+surrounded the action with a ludicrous dignity, when she looked up and
+met his eyes.
+
+'Mr. Selwyn,' she said, speaking with the same rapidity of phrasing
+that had both held and exasperated him before, 'we are all waiting for
+the verdict of the Man from America.'
+
+'Over there,' he smiled, 'it is customary to take evidence before
+giving a verdict.'
+
+'Good,' boomed the resolutionist; 'very good!'
+
+'Then,' said Lady Durwent, 'we seven shall constitute a jury.'
+
+'Order!' Johnston Smyth rose to his feet and hammered the table with a
+bottle. '_Oyez, oyez_, you hereby swear that you shall well and truly
+try'----
+
+'Can't,' said Norton Pyford, pulling himself up; 'I'm prejudiced.'
+
+'For or against?'
+
+'Against the culprit.'
+
+'My discordant friend,' said Smyth, producing a second bottle from an
+unsuspected source and making it disappear mysteriously, 'means that he
+is prejudiced against England. Am I right, sir?'
+
+'Not exactly,' drawled the composer. 'I don't mind England--but I
+think the English are awful.'
+
+'That is a nice point,' said Lady Durwent.
+
+'Ah,' broke in Madame Carlotti, 'but, much as I detest the English, I
+hate England more. _Nom de Dieu_! I--a daughter of the Mediterranean,
+where the sun ees so rarely a stranger, and the sky and the water it
+ees always blue. In Italy one lives because she ees alive--it ees
+sufficient. Here it ees always gray, gray--always g-r-ray. When the
+sun comes--_sacramento_! he sees his mistake and goes queek away. Ah,
+Signor Selwyn, it ees _desolant_ that I am compelled to live here.'
+
+A roar of unfeeling laughter greeting her familiar plaint, Madame
+Carlotti took a hitch in her gown and reimprisoned some of her person
+which had escaped from custody.
+
+'Then,' said Johnston Smyth, 'if we are all of a mind, there is no need
+to have a trial. You have all seen the accusation in Mr. Selwyn's eye,
+you have considered the unbiassed evidence of the lovely Carlotti'----
+
+'But jurors can't give evidence,' muttered Mr. Dunckley.
+
+'My dear sir, I know she can't, but she did,' said Smyth triumphantly.
+'_Oyez, oyez_--all in favour'----
+
+'But,' interrupted the American, 'are we not to hear any one for the
+defence?'
+
+'No,' said Smyth, who was thoroughly happy as a self-constituted master
+of ceremonies. 'No one would accept the brief.'
+
+'Then,' said Selwyn, 'I apply for the post of counsel for the defence,
+for in the limited time I have been in your country I have seen much
+that appeals to me.'
+
+'Of course, it is a well-known fact,' said Dunckley sententiously,
+'that American humour relies on exaggeration.'
+
+'No, no,' said Johnston Smyth, hushing the voices with a _pianissimo_
+movement of his hands, 'it is not humour on Mr. Selwyn's part, but
+gratitude. In return for Christopher Columbus discovering America,
+this gentleman is going to repay the debt of the New World to the Old
+by discovering England.'
+
+'SHALL WE HAVE SOME PORT?' said Lady Durwent, opening the sluice-gates
+of her vocal production.
+
+
+II.
+
+'Speaking of America,' said Mrs. Le Roy Jennings a few minutes later,
+Johnston Smyth having sat down in order to do justice to the wine of
+Portugal, 'she is in the very vanguard of progress. Women have
+achieved an independence there unknown elsewhere in the world.'
+
+'That is true,' said Lady Durwent, who knew nothing whatever about it.
+
+'You are right,' said Madame Carlotti.
+
+'The other day in Paris I heard an American woman whistling. "Have you
+lost your dog?" I asked. "No," she says; "my husband."'
+
+A chorus of approval greeted this malicious sally, followed by the
+retailing of various anti-American anecdotes that made up in sting what
+they lacked in delicacy. These showed no signs of abatement until,
+slightly nettled, Selwyn put in an oar.
+
+'I had hoped,' he said, 'to find some illuminating points in the
+conversation to-night. But it seems as if you treat not only your own
+country in a spirit of caricature, but mine as well. We are a very
+young race, and we have the faults of youth; but, then, youth always
+has a future. It was a sort of post-graduate course to come to England
+and Europe to absorb some of the lore--or isn't it one of your poets
+who speaks of "The Spoils of Time"? Your past is so rich that
+naturally we look to you and Europe for the fundamental things of
+civilisation.'
+
+'And what have you found?' asked Elise Durwent.
+
+'Well,' said the American, 'much to admire--and much to deplore.'
+
+'In other words,' said Johnston Smyth, 'he has been to Edinburgh and to
+London.'
+
+'That is so,' smiled Selwyn; 'but I don't'----
+
+'All people,' said Smyth serenely, 'admire Edinburgh, but abuse London.
+Over here a man will jest about his religion or even his grandfather,
+but never about Edinburgh. On the other hand, as every one damns
+London, and as an Englishman is never so happy as when he has something
+on hand to grouse about, London's population has grown to some eight
+millions.'
+
+'I think, Mr. Smyth,' said Lady Durwent, 'that you are as much a
+philosopher as a painter.'
+
+'Lady Durwent,' said the futurist, 'all art is philosophy--even old
+Pyford's here, though his amounts almost to theology.'
+
+For a few minutes the conversation drifted in inconsequential channels
+until H. Stackton Dunckley becalmed everything with a laborious
+dissertation on the lack of literary taste in both England and America.
+Selwyn took the opportunity of studying the elusive beauty of Elise
+Durwent, which seemed to provoke the eye to admiration, yet fade into
+imperfection under a prolonged searching. Pyford grew sleepy, and even
+Smyth appeared a little melancholy, when, on a signal from Lady
+Durwent, brandy and liqueurs were served, checking Mr. Dunckley's
+oratory and reviving every one's spirits noticeably.
+
+'Mr. Selwyn,' said Mrs. Le Roy Jennings in her best manner, 'after you
+have subjected England to a microscopic examination for a sufficient
+length of time, you will discover that we are a nation of parasites.'
+
+'I would rather you said that than I, Mrs. Jennings.'
+
+'Parasites,' reiterated the speaker, fixing an eye on some point on the
+wall directly between Selwyn and the hostess. 'We sprawl over the
+world--why? To develop resources? No! It is to reap the natural
+growth of others' endeavours? Yes! The Englishman never creates. He
+is the world's greatest brigand'----
+
+'Too thoroughly masculine to be really cruel,' chimed in the
+irrepressible Smyth.
+
+'Brigand,' repeated Mrs. Jennings, not deigning the artist so much as a
+glance, 'skimming the earth of its surface riches, and rendering every
+place the poorer for his being there.'
+
+There was an awesome silence, which no one seemed courageous enough to
+break.
+
+'Yes,' said H. Stackton Dunckley finally, 'and in addition England is
+decadent.'
+
+'But, Mr. Selwyn'--again the American heard the voice of Elise Durwent,
+that quick intensity of speech that always left a moment of startled
+silence in its wake--'you have discovered something admirable about
+England. Won't you tell us what it is?'
+
+'Well,' he said, smiling, 'for one thing, no one can deny the beauty of
+your women.'
+
+'All decadent nations,' said H. Stackton Dunckley, 'produce beautiful
+women--it is one of the surest signs that they are going to pieces.
+The Romans did at the last, and Rome and England are parallel cases.
+As Mrs. Le Roy Jennings says, they are parasitic nations. What did the
+Romans add to Greek art? The Greeks had this'--he made an elliptical
+movement of his hands--'the Romans did that to it'--he described a
+circle, then shrugged his shoulders, convinced that he had said
+something crushing.
+
+'So you think English women beautiful, Mr. Selwyn?' said Lady Durwent,
+trying to retrieve the conversation from the slough of her inamorato's
+ponderosity.
+
+'Undoubtedly,' answered the American warmly. 'It is no doubt the
+out-of-door life they lead, and I suppose the moist climate has
+something to do with their wonderful complexions, but they are womanly
+as well, and their voices are lovely.'
+
+'I smell a rat,' said Smyth, who had in his mouth an unlit cigarette,
+which had fastened itself to his lip and bobbed up and down with his
+speech, like a miniature baton. 'When a man says a woman's voice is
+sweet, it means that she has bored him; that what she has to say
+interests him so little that he turns to contemplation of her voice.
+This American is a devilish cute fellow.'
+
+A babble of voices took up the charge and demanded immediate
+explanation.
+
+'To a certain extent,' said Selwyn stoutly, 'there is much in what Mr.
+Smyth says.'
+
+'List to the pigmy praising the oracle,' chanted the artist.
+
+'I do not think,' went on the American, 'that the English girls I have
+met are as bright or as clever as the cultured young women of the
+continent of America. In other words, with all her natural charm, the
+English girl does not edit herself well.'
+
+'In that,' said H. Stackton Dunckley, 'she reflects the breed. The
+Anglo-Saxon has an instinctive indifference to thought.'
+
+'As soon as an Englishman thinks,' minced Madame Carlotti, 'he leaves
+England with its _cattivo_ climate and goes to the Colonies. _C'est
+pourquoi_ the Empire ees so powerful--its brains are in the legs.'
+
+'Come, come,' laughed Selwyn, 'is there no one here but me who can
+discover any merit in Old England?'
+
+'Yes,' said Pyford gloomily; 'London is only seven hours from Paris.'
+
+'Ah--_Parigi_!' ejaculated Madame Carlotti with the fervour born of the
+feeling in all Latin women that Paris is their spiritual capital.
+
+'And yet,' said Selwyn, after a pause to see if Madame Carlotti's
+exuberance was going to develop any further, 'in literature, which I
+suppose is the natural art of the Anglo-Saxon temperament, we still
+look to you for the outstanding figures. With all our ability for
+writing short stories--and I think we are second only to the French in
+that--England still produces the foremost novelists. In the sustained
+effort required in the formation of a novel, England is yet first. Of
+course, musically, I think England is very near the bottom.'
+
+'And yet,' said Johnston Smyth, 'we are the only people in the world
+candid enough to have a monument to our lack of taste.'
+
+Every one looked at the artist, who stroked his left arm with the back
+of his right hand, like a barber sharpening a razor.
+
+'In that part of London known as Kingsway,' he said, 'there is a
+beautiful building called "The London Opera House"!' He thrust both
+hands out, palms upwards, as if the building itself rested on them.
+'It stands in a commanding position, with statues of the great
+composers gazing from the roof at the passing proletariat emanating
+from the Strand. Inside it is luxuriously equipped, as bents the home
+of Opera.'
+
+'Yes,' said the American, as the speaker paused.
+
+Smyth produced a watch from nowhere in particular. 'It is just past
+ten,' he said. 'I am not sure whether it is Charlie Chaplin or Mary
+Pickford showing on the screen at this hour, at the London Opera House.'
+
+A murmur of applause acknowledged the artist's well-planned climax. He
+looked about with a satisfied smile, then replaced the watch with the
+air of pocketing both it and the subject.
+
+'But--you have opera?' said Selwyn wonderingly.
+
+'Of course,' said Smyth; 'and where? In a vegetable-market. In Covent
+Garden. Yet England has been accused of hypocrisy! What other nation
+is so candid?'
+
+By one of those unspoken understandings that are the rules of mobs and
+dinner-parties, it was felt that the topic was ceasing to be exhaustive
+and becoming exhausting. Lady Durwent glanced, interrogatively about
+the table; Madame Carlotti took a hitch in her gown; Norton Pyford
+emptied his glass and sat pensively staring at it as if it had hardly
+done what he expected, but on the whole he felt inclined to forgive it;
+Johnston Smyth made a belated attempt to be sentimental with the
+Honourable Miss Durwent, whose lips, always at war with each other,
+merely parted in a smile that utterly failed to bring any sympathy from
+her eyes; Mrs. Le Roy Jennings took a last sip of coffee, and finding
+it quite cold, put it down with a gesture of finality.
+
+'Lady Durwent,' said Austin Selwyn--and the quality of his voice was
+lighter and more musical than it had been--'I suppose that a man who
+deliberately goes to a country to gather impressions lays himself open
+to the danger of being influenced by external things only. If I were
+to base my knowledge of England on what her people say of her, I think
+I should be justified in assuming that the century-old charge of her
+decadence is terribly true. Yet I claim to have something of an
+artist's sensitiveness to undercurrents, and it seems to me that there
+is a strong instinct of race over here--perhaps I express myself
+clumsily--but I think there is an England which has far more depth to
+it than your artists and writers realise. For some reason you all seem
+to want to deny that; and when, as to-night, it is my privilege to meet
+some of this country's expressionists, it appears that none has any
+intention of trying to reveal what is fine in your life as a
+people--you seek only to satirise, caricature, or damn altogether. If
+I believe my ears, there is nothing but stupidity and insularity in
+England. If I listen to my senses, to my subconscious mind, I feel
+that a great crisis would reveal that she is still the bed-rock of
+civilisation.'
+
+Madame Carlotti raised her glass.
+
+'To America's next ambassador to England!' she cried.
+
+
+III.
+
+The momentous evening was drawing to a close.
+
+Rain, in fitful gusts, had been besieging the windows, driven by an
+ill-tempered wind that blustered around the streets, darting up dark
+alleys, startling the sparks emerging from chimney-pots, roaring across
+the parks, slamming doors, and venting itself, every now and then, in
+an ill-natured howl.
+
+Inside the refuge of No. 8 Chelmsford Gardens a fire threw its merry
+warmth over the large music-room, and did its best to offset the
+tearful misery of the November night.
+
+Conversation had dwindled in energy with the closing hour of the
+affair, and seizing an auspicious moment, Norton Pyford had reached the
+piano, and for twenty minutes demonstrated the close relation of the
+chord of C Minor to the colour brown. Modernist music, acting on
+unusual souls as classical music on ordinary souls, stimulated the
+flagging conversational powers of the guests, and he was soon
+surrounded by a gesticulating group of dissenting or condoning critics.
+
+Selwyn noticed that Elise Durwent had not left her seat by the fire,
+and absenting himself from the harmonic debate, he took a chair by hers.
+
+'You are pensive, Miss Durwent,' he said.
+
+She smiled, with a slight suggestion of weariness, though her eyes had
+a softness he had not seen in them before.
+
+'I am very dull company to-night,' she said, 'but ever since I was a
+child, rain beating against the windows has always made me dreamy. I
+suppose I am old-fashioned, but it is sweeter music to me than Mr.
+Pyford's new harmonies.'
+
+He laughed, and leaning towards the fire, rubbed his hands
+meditatively. 'You must have found our talk wearisome at dinner,' he
+said.
+
+'No,' she answered, 'it was not so bad as usual. You introduced a note
+of sincerity that had all the effect of a novelty.'
+
+Her mannerism of swift and disjointed speech, which broke all her
+sentences into rapidly uttered phrases, again annoyed him. Though her
+voice was refined, it seemed to be acting at the behest of a whip-like
+brain, and she spoke as if desirous rather of provoking a retort than
+of establishing any sense of compatibility. Yet she was
+feminine--gloriously, delicately feminine. The finely moulded arms and
+the gracefulness of body, indicated rather than revealed beneath her
+blue gown, intrigued the eye and the senses, just as the swiftly spoken
+words challenged the brain and infused exasperation in the very midst
+of admiration. The complicated elements of the girl offered a peculiar
+fascination to the eternal instinct of study possessed by the young
+American author.
+
+'Miss Durwent,' he said, 'if I was sincere to-night, it was because you
+encouraged me to be so.'
+
+'But I said nothing.'
+
+'Nevertheless, you were the inspiration.'
+
+'I never knew a girl could accomplish so much by holding her tongue.'
+
+A crash of 'Bravos' broke from the group around the piano; Pyford had
+just scored a point.
+
+'You know,' resumed Selwyn thoughtfully, 'a man doesn't go to a
+dinner-party conscious of what he is going to say. It is the people he
+meets that produce ideas in him, many of which he had never thought of
+before.'
+
+She tapped the ground with her foot, and looked smilingly at his
+serious face. 'It is the reverse with me,' she said. 'I go out to
+dinner full of ideas, and the people I meet inspire a silence in me of
+unsuspected depth.'
+
+'May I smoke?' asked Selwyn, calling a halt in the verbal duel.
+
+'Certainly; I'll join you. Don't smoke your own cigarettes--there are
+some right in front of you.'
+
+He reached for a silver box, offered her a cigarette, and struck a
+match. As he leaned over her she raised her face to the light, and the
+blood mounted angrily to his head.
+
+Though a man accustomed to dissect rather than obey his passions, he
+possessed that universal quality of man which demands the weakness of
+the feminine nature in the woman who interests him. He will satirise
+that failing; if he be a writer, it will serve as an endless theme for
+light cynicism. He will deplore that a woman's brains are so submerged
+by her emotions; but let him meet one reversely constituted, and he
+steers his course in another direction with all possible speed.
+
+Selwyn had come to her with a comfortable, after-dinner desire for a
+_tete-a-tete_. He expected flattering questions about his writings,
+and would have enjoyed talking about them; instead of which this
+English girl with the crimson colouring and the maddening eyes had
+coolly kept him at a distance with her rapier brain. He felt a sudden
+indignation at her sexlessness, and struck a match for his own
+cigarette with such energy that it broke in two.
+
+'Miss Durwent,' he said suddenly, lighting another match, 'I want to
+see you again--soon.' He paused, astonished at his own abruptness, and
+an awkward smile expanded until it crinkled the very pinnacle of his
+nose.
+
+'I like you when you look like that,' she said. 'It was just like my
+brother Dick when he fell off a horse. By the way, do you ride?'
+
+'Yes,' he said, watching the cigarette-smoke curl towards the
+fireplace, 'though I prefer an amiable beast to a spirited one.'
+
+'Good!' she said, so quickly that it seemed like the thrust of a sword
+in tierce. 'You have the same taste in horses as in women. Most men
+have.'
+
+'Miss Durwent'--his face flushed angrily and his jaw stiffened--'I'll
+ride any horse you choose in England, and'----
+
+'And break the heart of the most vixenish maiden in London! You are a
+real American, after all. What is it you say over there? "Shake!"'
+
+She slapped her hand into his, and he held it in a strong grip.
+
+'But you _will_ let me see you again soon?'
+
+'Certainly.' She withdrew her hand from his with a firmness that had
+neither censure nor coquetry in it, and the heightened colour of her
+cheeks subsided with the sparkle of her eyes.
+
+'When?' he said.
+
+'To-morrow morning, if you like. I shall have horses here at eleven,
+and we can ride in the Row, providing you will put up with anything so
+quiet as our cattle.'
+
+'That is bully of you. I shall be here at eleven.'
+
+'I thought all Americans used slang,' she said.
+
+'You are the first English girl I have met,' he answered with
+extraordinary venom in his voice, 'who has not said "ripping."'
+
+ * * * * * *
+
+Twenty minutes later Austin Selwyn, unable to secure a taxi, tramped
+along Oxford Street towards his hotel. He had just reached the Circus
+when the malignant wind, hiding in ambush down Regent Street, rushed at
+him unawares and sent his hat roistering into the doorway of a store.
+With a frown, Selwyn stopped and stared at the truant.
+
+'Confound the wretched thing!' he said.
+
+
+
+
+CHAPTER VI.
+
+A MORNING IN NOVEMBER.
+
+
+I.
+
+Austin Selwyn rose from his bed and looked at Berners Street glistening
+in a sunlight that must have warmed the heart of Madame Carlotti
+herself. With a lazy pleasure in the process, he recalled the picture
+of Elise Durwent sitting in the dim shadows of the firelit room; he
+felt again the fragrance of her person as he leaned over her with the
+lighted match. On the canvas of his brain was thrown the rich
+colouring of the English girl, with the copper-hued luxury of hair and
+the eyes that seemed to steal some magic from the fire; and he saw
+again those warring lips, the crimson upper one chiding the passionate
+scarlet of its twin.
+
+Idly, while enjoying the unusual dissipation of a pre-breakfast
+cigarette, he tried to imagine the course of incident and heredity that
+had produced her strange personality. That there was a bitterness
+somewhere in her disposition was obvious; but it certainly could not
+have come from the mother, who was the soul of contentment. He found
+himself speculating on the peculiar quality of personality, that
+strange thing which makes an individual something apart from others of
+his kind, that gift which singles out a girl of ordinary appearance and
+leaves one of flawless beauty still wagging her pretty head in the
+front row of the chorus. From that point he began to speculate on the
+loneliness of personality, which so often robs its owner of the cheery
+companionship of commonplace people.
+
+On the whole, he regretted that he was going to see her again so soon.
+Her pertness, which had seemed fairly clever the previous night, would
+probably descend to triteness in the morning; he could even see her
+endeavouring to keep up the same exchange of short sentences. Bah! It
+was like a duel with toothpicks. The stolid respectability of Berners
+Street lent its aid to the conviction that the morning would hold
+nothing but anti-climax.
+
+And he was poet enough to prefer an unfinished sonnet to one with an
+inartistic ending.
+
+
+II.
+
+Austin Selwyn was twenty-six--an age which has something in common with
+almost every one of the seven celebrated by Shakespeare. Like most men
+in their twenties, he had the character of a chameleon, and adapted
+himself to his surroundings with almost uncanny facility. At college
+he had been an ardent member of a dozen cliques, even falling under the
+egotism of the men who dabbled in Spiritualism, but a clarity of
+thought and a strain of Dutch ancestry kept his feet on the earth when
+the rest of him showed signs of soaring.
+
+Some moderate wit had said of him at college that he was himself only
+twice a day--when he got up in the morning and when he went to bed at
+night. This Stevensonian theory was not quite true, for a chameleon
+does not cease to be a chameleon because it changes its colour.
+
+It was perhaps his susceptibility to the many vintages of existence
+that had impelled him to write, authors being more or less a natural
+result of the economic law of intake and output. As is the habit of
+most young writers, he wrote on various subjects, put enough material
+for a two-volume novel into a short story, and generally revelled in
+the prodigality of literary youth. He was prepared to be a social
+satirist, a chronicler of the Smart Set, a champion of the down-trodden
+masses, or a commercial essayist, according to the first public that
+showed appreciation of his work.
+
+Although he had lived in Boston, that city which claims so close an
+affinity to ancient Athens (as a matter of fact, has it not been said
+that Athens is the Boston of Europe?), he was drawn to the great vortex
+of New York, that mighty capital of modernism which sucks the best
+brains of an entire continent. For some time he wrote beneath his own
+standard and with considerable success. Following the example of
+several successful New York authors, he plunged into a hectic portrayal
+of 'high' society, a set of people that makes one wonder as to the
+exact meaning of the adjective. For a short space he came under the
+influence of the studied Bohemianism of 'Greenwich Village,' and wrote
+deucedly clever things for the applause of the villagers, then sneered
+at American taste because people in Arkansas did not like his work.
+Still retaining his love of Greenwichery, he next succumbed to the
+money lure of the motion-picture industry, which offered to buy the
+picture-rights of his stories, provided he would introduce into them
+the elements which go to make up successful American films.
+
+With the prospect of a bank president's income before him, he succeeded
+in writing his share of that form of American literature which has a
+certain love interest, almost obscured by a nasty sexual diagnosis, an
+element of comedy relief, and, above all, a passionate adherence to the
+craze of the moment--a work that fades from the mind with the closing
+of the book, as the memory of the author's name vanishes almost before
+the last sound of the earth dropped upon his coffin.
+
+He knew that there were sincere _literati_ writing of the abiding
+things that do not die with the passing of a season, but the clamour of
+commercialism drowned their voices. As though they were stocks upon an
+exchange, he heard the cries: 'Brown's getting five thousand dollars a
+month writing serials for Hitch's;' 'Smith sold two novels on synopsis
+for thirty thousand dollars;' 'Green's signed up with Tagwicks for four
+years at two thousand dollars a month writing problem novels.' Into
+the maelstrom of 'Dollars, Dollars, Dollars,' the sensitive brains of
+all America were drifting, throwing overboard ideals and aspirations in
+order to keep afloat in the swirling foam.
+
+And then--the Fates stooped and touched his destiny with a star.
+
+A New York publisher (one of that little group which has for its motto,
+'Art for Art's sake,' not 'Art, for God's sake!') noticed him, and
+spoke of literature as an expression of the soul, a thing not of a
+season or a decade, but as ageless as a painting.
+
+His ear caught the new song of attainment just as readily as it had
+received the chorus of 'Dollars.' He wrote a novel of New England
+life, full of faults, but vibrant with promise; and having gathered
+together quite a nice sum of money, he went to England, at the advice
+of the before-mentioned publisher, there and elsewhere in Europe to
+absorb the less oxygenic atmosphere of older civilisations, which still
+gives birth to the beginnings of things.
+
+Twice he had visited Paris. The first time, with the instinct of the
+tourist, he had discovered the vileness of the place--a discovery
+fairly easy of accomplishment. The second time he had ignored the
+tourist-stimulated aspect of Paris life, and had allowed his senses to
+absorb the soul of the Capital of all the Latins, the laboratory of
+civilisation. And he who has done that is never the same man again.
+Germany had ministered to his reason, and Italy to his emotions; but he
+found his greatest interest in London, which offered to him an endless
+inspiration of changing moods, of vagrant smells, and the effect of a
+stupendous drama of humanity.
+
+Under the spell of Europe's ageless artistry and the rich-hued meadows
+of England's literary past he had grown humble. The song of 'Dollars'
+was less clamorous than the echo of the ocean in the heart of a
+sea-shell. When he wrote, which was seldom, he approached his
+paper-littered desk as an artist does his canvas. It was the medium by
+which he might gain a modest niche in the Hall of the Immortals--or,
+failing that, his soul at least would be enriched by the sincerity of
+his endeavour.
+
+In that highly artistic frame of mind he suddenly secured the _entree_
+into London Society. For some reason, as unaccountable as the reverse,
+a wave of popularity for Americans was breaking against the oak doors,
+and he was carried in on the crest. The result was not ennobling. The
+dormant instinct of satire leaped to life and the idealist became the
+jester.
+
+But then he was twenty-six and most agreeably susceptible to hap-hazard
+influence. Being a Bostonian, he acquitted himself with creditable
+_savoir faire_; and being an American, his appreciation of the
+ridiculous saved him from the quagmire of snobbery, though he made many
+friends and dined regularly with august people, whose family trees were
+so rich in growth that they lived in perpetual gloom from the foliage.
+
+Lady Durwent's dinner-party had been an expedition into the artistic
+fakery of London, and he would have dismissed the whole affair as a
+stimulating and amusing diversion from the ultra-aristocratic rut if
+the personality of Elise Durwent had not remained with him like a
+haunting melody.
+
+He looked at his watch. 'By Jove!' he muttered; 'it's nine o'clock;'
+and hurriedly completing his ablutions, he dressed and descended to
+breakfast.
+
+
+III.
+
+Into the row of splendidly inert houses known as Chelmsford Gardens,
+Austin Selwyn turned his course. A couple of saddle-horses were
+standing outside No. 8, held by a groom of expressionless countenance.
+From No. 3 a butler emerged, looked at the morning, and retired.
+Elsewhere inaction reigned.
+
+Ringing the bell, Selwyn was admitted into the music-room of the
+previous night's scene. The portrait of a famous Elizabethan beauty
+looked at him with plump and saucy arrogance. In place of the
+crackling fire a new one was laid, all orderly and proper, like a set
+of new resolutions. The genial disorder of the chairs, moved at the
+whim of the Olympians, had all been put straight, and the whole room
+possessed an air of studied correctness, as though it were anxious to
+forget the previous evening's laxity with the least possible delay.
+
+'Good-morning.'
+
+Elise Durwent swept into the room with an impression of boundless
+vitality. She was dressed in a black riding-habit with a divided
+skirt, from beneath which a pair of glistening riding-boots shone with
+a Cossack touch. Her copper hair, which was arranged to lie rather low
+at the back, was guarded by a sailor-hat that enhanced to the full the
+finely formed features and arched eyebrows. There was an extraordinary
+sense of youthfulness about her--not the youthfulness of immaturity,
+but the stimulating quality of the spirit.
+
+'I came here this morning,' began Selwyn vaguely, 'expecting'----
+
+'Expecting a frumpy, red-haired girl with a black derby hat down to her
+nose.'
+
+He bowed solemnly. 'Instead of which, I find--a Russian princess.'
+
+'You are a dear. You can't imagine how much thought I expended on this
+hat.'
+
+'It was worth it. You look absolutely'----
+
+'Just a minute, Mr. Selwyn. You are not going to tell me I look
+charming?'
+
+'That was my intention.'
+
+She sighed, with a pretty pretence at disappointment. 'That will cost
+me half-a-crown,' she said.
+
+'I beg your'----
+
+'Yes; I wagered myself two-and-six to a "bob" that you wouldn't use
+that word.'
+
+'It is really your fault that I did,' he said seriously.
+
+She curtsied daintily. 'I make money on Englishmen and lose it on
+Americans,' she said. 'I have a regular scale of bets. I give ten to
+one that an Englishman will say in the first ten minutes that I look
+"topping," five to one on "absolutely ripping" in the first thirty, and
+even money on "stunning" in the first hour.'
+
+His face, which had been portraying an amusing mixture of perplexity
+and admiration, broke into a smile which encompassed all his features.
+'Do all bets cease at the end of the first hour?' he asked.
+
+'Yes, ra-_ther_. An Englishman never pays compliments then, because he
+is used to you. Isn't it awful seeing people getting used to you?'
+
+'Do they ever?'
+
+'Umph'm. The only chance of bagging one of the nobility as a husband
+is to limit interviews to half-an-hour and never wear the same clothes
+twice. Startle him! Keep him startled! Save your most daring gown
+for the night you're going to make him propose, then wear white until
+the wedding. An Englishman will fall in love with a woman in scarlet,
+but he likes to think he's marrying one who wears white. Costume, my
+dear Americano--costume does it. Hence the close alliance between the
+nobility and the chorus. But come along; we're snubbing the sunlight.'
+
+With something like intoxication in his blood, he followed his
+imperious, high-spirited companion from the house. He hurried forward
+to help her to mount, but she had her foot in the stirrup and had swung
+herself into the saddle before he could reach her side. With less
+ease, but with creditable horse-management, Selwyn mounted the chestnut
+and drew alongside the bay, who was cavorting airily, as if to taunt
+the larger horse with the superior charm of the creature that bestrode
+him.
+
+'We'll be back, Smith, at twelve-thirty,' she called; and with the
+tossing of the horses' heads, resentful of the restraining reins, and
+the clattering of hoofs that struck sparks from the roadway, they made
+for the Park.
+
+
+IV.
+
+London is a stage that is always set. The youthful Dickens watching
+the murky Thames found the setting for his moments of horror, just as
+surely as cheery coach-houses, many of them but little changed to this
+day, bespoke the entrance of Wellers senior and junior. London gave to
+Wilde's exotic genius the scenes wherein his brilliantly futile
+characters played their wordy dramas; then, turning on the author,
+London's own vileness called to his. Thackeray the satirist needed no
+further inspiration than the nicely drawn distinction between Belgravia
+and Mayfair. Generous London refused nothing to the seeking mind. Nor
+is it more sparing to-day than it was in the past; it yields its
+inspiration to the gloom of Galsworthy, the pedagogic utterances of Mr.
+Wells, the brilliant restlessness of Arnold Bennett, and the
+ever-delightful humour of Punch.
+
+On this morning in November London was in a gracious mood, and Hyde
+Park, coloured with autumn's pensive melancholy, sparkled in the
+sunlight. Snowy bits of cloud raced across the sky, like sails against
+the blue of the ocean. November leaves, lying thick upon the grass,
+stirred into life, and for an hour imagined the fickle wind to be a
+harbinger of spring. Children, with laughter that knew no other cause
+than the exhilaration of the morning, played and romped, weaving dreams
+into their lives and their lives into dreams. Invalids in chairs
+leaned back upon their pillows and smiled. Something in the laughter
+of the children or the spirit of the wind had recalled their own
+careless moments of full-lived youth.
+
+Paris, despite your Bois de Boulogne; New York, for all the beauties of
+your Central Park and Riverside Drive--what have you to compare with
+London's parks on a sun-strewn morning in November?
+
+Reaching the tan-bark surface of Rotten Row, Selwyn and the English
+girl eased the reins and let the horses into a canter. With the motion
+of the strong-limbed chestnut the American felt a wave of exultation,
+and chuckled from no better cause than sheer enjoyment in the morning's
+mood of emancipation. He glanced at Elise Durwent, and saw that her
+eyes were sparkling like diamonds, and that the self-conscious bay was
+shaking his head and cantering so lightly that he seemed to be borne on
+the wings of the wind. Selwyn wished that he were a sculptor that he
+might make her image in bronze: he would call it 'Recalcitrant Autumn.'
+He even felt that he could burst into poetry. He wished----
+
+But then he was in the glorious twenties; and, after all, what has the
+gorged millionaire, rolling along in his beflowered, bewarmed,
+becushioned limousine, that can give one-tenth the pleasure of the grip
+on the withers of a spirited horse?
+
+Sometimes they walked their beasts, and chatted on such subjects as
+young people choose when spirits are high and care is on a vacation.
+They were experiencing that keenest of pleasures--joy in the _present_.
+
+They watched London Society equestrianising for the admiration of the
+less washed, who were gazing from chairs and benches, trying to tell
+from their appearance which was a duke and which merely 'mister'--and
+usually guessing quite wrongly. Ladies of title, some of them riding
+so badly that their steeds were goaded into foam by the incessant pull
+of the curb bit, trotted past young ladies and gentlemen with
+note-books, who had been sent by an eager Press to record the
+activities of the truly great. Handsome women rode in the Row with
+their children mounted on wiry ponies (always a charming sight); and
+middle-aged, angular females, wearing the customary riding-hat which
+reduces beauty to plainness and plainness to caricature, rode
+melancholy quadrupeds, determined to do that which is done by those who
+are of consequence in the world.
+
+But pleasures born of the passing hour, unlike those of the past or of
+anticipation, end with the striking of the clock. It seemed to Austin
+Selwyn that they had been riding only for the space of minutes, when
+Elise asked him the time.
+
+'It is twenty minutes to one,' he said. 'I had no idea time had passed
+so quickly.'
+
+'Nor I,' she answered. 'Just one more canter, and then we'll go.'
+
+The eager horses chafed at their bits, and pleaded, after the manner of
+their kind, to be allowed one mad gallop with heaving flanks and
+snorting triumph at the end; but decorum forbade, and contenting
+themselves with the agreeable counterfeit, Selwyn and the girl
+reluctantly turned from the Park towards home.
+
+The expressionless Smith was waiting for them, and looked at the two
+horses with that peculiar intolerance towards their riders which the
+very best groom in the world cannot refrain from showing.
+
+'Won't you come in and take the chance of what there is for lunch?' she
+said as Selwyn helped her to dismount.
+
+'N-no, thanks,' he said.
+
+She pouted, or pretended to. 'Now, why?' she said as Smith mounted the
+chestnut, and touching his hat, walked the horses away.
+
+'There is no reason,' he said, smiling, 'except---- Look here; will
+you come downtown and have dinner with me to-night?'
+
+'You Americans are refreshing,' she said, burrowing the toe of her
+riding-boot with the point of the crop, 'As a matter of fact, I have to
+go to dinner to-night at Lady Chisworth's.'
+
+'Then have a headache,' he persisted.
+
+'Please,' as her lips proceeded to form a negative.
+
+'Some one would see us, and Lady Chisworth would declare war.'
+
+'Then let us dine in some obscure restaurant in Soho.'
+
+'There's no such thing, old dear. Soho is always full of the best
+people dining incog. Almost the only place where you are free from
+your friends is Claridge's.'
+
+'Well'--his nose crinkled at her remark--'then let us go to Claridge's.
+Miss Durwent, I know I'm too persistent, but it would be a wonderful
+ending to a bully day. You know you'll be bored at Lady Chisworth's,
+and I shall be if you don't come.'
+
+'Humph!' She stood on the first of the stone steps, her agile
+gracefulness lending itself to the picture of healthy, roseate youth.
+
+'Where could we meet?'
+
+'Let me call for you.'
+
+'N-no. That wouldn't do.'
+
+'Would your mother object?'
+
+'Heavens, no!--but the servants would. You see, English morality is
+largely living up to your servants--and we met only last night.'
+
+'But you will come?' He crossed his hands behind his back and swung
+the crop against his boots.
+
+'Mr. Selwyn,' she said, 'your books should be very interesting.'
+
+'From now on they will be,' he said, 'if'----
+
+'All right,' she interrupted him with something of the staccato
+mannerism of the evening before. 'I'll motor down in my little car,
+and we'll go to the Cafe Rouge.'
+
+'Good--wherever that may be.'
+
+'No one has discovered it yet but me,' she said. 'Then I shall have a
+headache at four, and meet you outside Oxford Circus Tube at seven.'
+
+'You're a real sport, Miss Durwent.'
+
+'Ah, monsieur'--she smiled with a roguishness that completely unsettled
+him for the remainder of the day--'have you no sympathy for my
+headache?'
+
+
+
+
+CHAPTER VII.
+
+THE CAFE ROUGE.
+
+
+I.
+
+Monsieur Anton Beauchamp was the proprietor of the Cafe Rouge in
+London. Monsieur Anton Beauchamp was once proprietor of the Cafe Bleu
+in Paris.
+
+For many years he had cast envious eyes on London. Did not always his
+guests, those strange blonde people with the clothes like blankets, pay
+his prices without question? Did they not drink bad wine and never add
+the bill? _Pardi_! if he could have only English as patrons, madame
+and himself could purchase that wine-shop in the Bou' Mich', and never
+worry again.
+
+For years the thought of London haunted Anton; and then one day, in a
+superb moment of decision, he announced his intention of journeying
+thither. A large entourage followed him to the Gare du Nord, and, with
+much the same feelings as those of an explorer leaving for the North
+Pole, he bade a dramatic farewell, and almost missed his train by
+running back to give a final embrace to Madame Beauchamp.
+
+With no undue mishap he reached London the same night, and next day he
+lunched at a famous London restaurant. At night he dined at a
+fashionable establishment in Shaftesbury Avenue. In both places he
+received ordinary food served without distinction, reckoned up the
+bill, and found that in each case _l'addition_ was correct--and rushed
+madly back to Paris, where he sold the Cafe Bleu, packed up his
+belongings, and explained matters to his wife, doing all three things
+simultaneously.
+
+'The dinner,' he exclaimed in a fever of excitement, 'is served--so!
+As a funeral. I order what I like, and the waiter he stands there
+_comme un gendarme_, as if it is my name I give. "Any vegetables?"
+demands he. _Mon Dieu_! As if vegetables they are no more to him than
+so much--so much umbrellas. I say, "_Garcon, la carte des vins_!" and,
+quite correct, he hands it me with so many wines he has not got, just
+as in Paris, but--_que penses tu_?--he permits me to order what wine I
+choose, so--by myself. _C'est terrible_! I give him three pennies and
+say, "_Garcon_, for such stupidity you should pay the whole bill."'
+
+Monsieur Beauchamp was a man of shrewdness. He knew he could not
+compete with the established solidity of the Trocadero, the Ritz, the
+Piccadilly, or the garishness of Frascati's, so he purchased and
+remodelled an unobtrusive building in an unobtrusive street between
+Shaftesbury Avenue and Oxford Street, but clear of Soho and its
+adherents. He decorated the place in a rich red, and arranged some
+_cabinets particuliers_ upstairs, where, by the screening of a curtain,
+Madame the Wife and Monsieur the Lover could dine without molestation
+of vulgar eyes.
+
+Monsieur Beauchamp felt himself a benefactor, a missionary. He argued
+that the only reason Londoners were not so flirtatious as Parisians was
+lack of opportunity. He, the proprietor of the Cafe Rouge, would bring
+light to the inhabitants of the foggy city. To assist in this
+philanthropic work he brought with him an excellent cook, who had
+killed a dyspeptic Cabinet Minister by tempting him with dishes
+intended only for robust digestions, and three young and ambitious
+waiters; while madame engaged what unskilled labour was required.
+
+Unobtrusively they opened for business, for he knew that publicity
+would spoil his chance of success. (Once convince a Londoner that he
+is one of a select few who know a restaurant, and he will stand an hour
+waiting for a table.) The first customer to enter received such
+attention that he brought his family the next night. Monsieur
+Beauchamp issued orders that he should be snubbed. _Parbleu_! was the
+Cafe Rouge for _families_?
+
+Gradually the justification of Monsieur Beauchamp's policy became
+evident. Ladies of the Chorus brought their admirers there, and to the
+former Monsieur Beauchamp paid particular courtesy. Long study of
+feminine psychology had taught him that, whereas a woman may change her
+lover, she will not change her favourite cafe. Therefore, though the
+man may pay the bill, the woman is the one to please. Artists from
+Chelsea would come as well to the Cafe Rouge, celebrating the sale of a
+picture, and drinking plentifully to the confounding of all art
+critics. Also, the _cabinets particuliers_ were the scene of some
+exceedingly expensive and recherche dinners--and almost no one added
+the bill. When any one did, Monsieur Beauchamp was mortified, and
+invariably dismissed the same waiter on the spot--thereby gaining for
+himself and France a reputation for sterling integrity.
+
+'_Ma foi_! London may be gray,' thought Monsieur Beauchamp, 'but she
+pays well.'
+
+
+II.
+
+One November evening Monsieur Anton Beauchamp's critical eye noted the
+entrance of a dark-haired young man in well-fitting evening clothes,
+and with him a young lady whose deep-green cloak and white fur round
+the shoulders set off to perfection her radiant colouring and
+well-poised figure. Monsieur Beauchamp did not hesitate. After all,
+he was an artist, and subject to inspiration like other men of genius;
+so, hurrying downstairs, he waved the waiter aside, and greeted them
+with a bow which almost amounted to virtuosity.
+
+'_Bon soir, monsieur et madame_.' He cast an anxious glance about the
+cafe, which was two-thirds filled. 'This tabil will do?--_Ah, mais
+non_! He grew indignant at the very thought. '_Pardon, monsieur_,
+that one is very nice--_par ici_--_Non, non_! Ah--perhaps you would
+like a _cabinet particulier_?'
+
+The sirenic tone of voice and the gesture of his hands indicated the
+seraphic pleasure to be obtained only in one of those secluded spots.
+
+The American turned inquiringly to the girl.
+
+'When I was here before,' she said, 'I was at a table just upstairs to
+the right. Have you one there, Monsieur Beauchamp?'
+
+_Nom d'une pipe_! She knew him. And she was beautiful, this English
+lady. As he personally escorted them upstairs, with the importance of
+a Lord Chamberlain at a Court function, Monsieur Beauchamp speculated
+on the flirtatious potentialities of the young woman. If she were only
+clever enough to be fickle, what a source of profit she might be to the
+Cafe Rouge! And was she not in appearance much like Mademoiselle
+Valerie, for whom a member of the Chamber of Deputies had blown out the
+brains of Monsieur P---- de l'Academie Francaise?
+
+With the assistance of a waiter, he ushered them to a table almost
+hidden by a pillar, where a crimson-shaded light sent a soft glow that
+was guaranteed to make the most of a woman's eyes. Monsieur Beauchamp
+with his own hands brought them the menu card, while the waiter stood
+expectantly, crouched for an immediate start as soon as he received the
+signal. A small waitress appeared with the butter and rolls, and made
+her way underneath the arms of the proprietor and the waiter like a tug
+running round two ocean liners. Monsieur Beauchamp could recommend the
+_Barquettes Norvegienne_--No? Madame did not so desire? Of course
+not. He frowned terrifically at the waiter, who glared ferociously at
+the diminutive waitress. _Morbleu_! What imbecile suggested
+_Barquettes Norvegienne_? Monsieur Beauchamp mentioned other dishes as
+an overture to the meal, waxing increasingly wrathy towards the waiter
+on each veto. Ah! monsieur desired _Consomme Anton_. The proprietor's
+face beamed and his arms were outstretched towards heaven. That this
+gentleman should order _Consomme Anton_, the soup of which he alone
+knew the secret, and which had been named after himself! Truly, the
+life of a restaurateur was not without compensations. He turned on the
+waiter--but that worthy had darted away to execute the order.
+
+
+III.
+
+The soup appeared. Monsieur Beauchamp stood by with the attitude of an
+artist watching the hanging of his first painting in the Academy.
+
+'You might let me see the wine list,' said Selwyn.
+
+Monsieur Beauchamp struck an attitude of horror. Had it come to this
+in the Cafe Rouge, that a patron must _ask_ for the wine list?
+Brandishing his arms, he rushed from the table, almost colliding with
+the little waitress, flew downstairs to the very farthest table near
+the door, seized a wine card, and puffing generously, arrived with the
+trophy at the table, much as Rothschild's messenger must have reached
+London with the news that the British were winning at Waterloo. Having
+then succeeded in making the American order a red wine when he wanted
+white, Monsieur Beauchamp withdrew in a state of histrionic
+self-satisfaction.
+
+With a smile of relief Selwyn looked across the table at the girl.
+Even in the soft glow of the lamp, which made for flattery, it seemed
+to him that the vivacity of the morning had disappeared, and in its
+place was the petulance of the previous evening. Her eyes, which
+seemed when they were riding to have caught something of the alchemy of
+the skies, were steady and lighter in shade. Again he noticed the
+suggestion of discontent about the mouth, and the upper lip looked thin
+and lacking in colour.
+
+'It is your turn to-night to be pensive,' she said.
+
+'I was thinking,' he answered, 'that it is hardly twenty-four hours
+since we met, and yet I have as many impressions of you as an ordinary
+woman would give in six months. For instance, last night when you
+entered the room'----
+
+'But, Mr. Selwyn, any girl knows enough to arrive late when there is no
+woman within twenty years of her age in the room. The effect is
+certain.'
+
+There was no humour in her voice, but just a tone of weary, world-wise
+knowledge. A look of displeasure clouded his face.
+
+'Surely,' he said, 'with your qualities and appearance, you don't need
+such an elaborate technique.'
+
+'In a world where there is so little that is genuine, why should I
+debar myself from the pleasure of being a humbug?'
+
+'Come, come,' he said, smiling, 'you are not going to join the ranks of
+England's detractors?'
+
+She shrugged her shoulders. 'I'm certainly not going to become a
+professional critic like Stackton Dunckley, who hasn't even the excuse
+that he's an Irishman; or Lucia Carlotti, who hardly ever leaves London
+because her dinners cost her nothing. But I reserve the right of
+personal resentment.'
+
+
+IV.
+
+They were interrupted by a waiter, who removed the soup-plates with
+studied dexterity, and substituted _Troncon de turbotin Duglere_;
+_pommes vapeur_, the dish which had delivered the fatal blow against
+the Cabinet Minister's digestive armour.
+
+'Perhaps I am too personal,' resumed Selwyn after the completion of
+this task, 'but last night one of the impressions I took away with me
+was your critical attitude towards your surroundings. Then this
+morning you were so completely'----
+
+'Charming?'
+
+'----bewitching,' he said, smiling, 'that I thought myself an idiot for
+the previous night's opinion. But, then, this evening'----
+
+'Mr. Selwyn, you are not going to tell me I'm disappointing, and we
+just finished with the soup?'
+
+More than her words, the forced rapidity with which she spoke nettled
+him. With bad taste perhaps, but still with well-meant sincerity, he
+was trying to elucidate the personality which had gripped him; while
+she, though seemingly having no objection to serving as a study for
+analysis, was constantly thrusting her deflecting sentences in his
+path. To him words were as clay to the sculptor. When he conversed he
+liked to choose his theme, then, by adroit use of language, bring his
+artistry to bear on the subject, accentuating a line here, introducing
+a note of subtlety elsewhere, amplifying, smoothing, finishing with the
+veneer of words the construction of his mind. Another quality in her
+that troubled him was the apparent rigidity of her thoughts. Not once
+did she give the impression that she was nursing an idea in the lap of
+her mentality, but always that she had arrived at a conclusion by an
+instantaneous process, which would not permit of retraction or
+expansion. As though by suggestion he could reduce her phrasing to a
+_tempo_ less quick, his own voice slowed to a drawl.
+
+'Miss Durwent,' he said, 'you are unique among the English girls I have
+met. I should think that contentment, almost reduced to placidity, is
+one of their outstanding characteristics.'
+
+'That is because you are a man, and with a stranger we have our company
+manners on. England is full of bitter, resentful women, but they don't
+cry about it. That's one result of our playing games like boys. We
+learn not to whine.'
+
+'I suppose the activities of your suffragettes are a sign of this
+unrest.'
+
+'Yes--though they don't know what is really the trouble. I do not
+think women should run the country, but I do feel that we should have
+something to say about our ordinary day-to-day lives. Man-made laws
+are stupid enough, but a man-made society is intolerable. Just a very
+little wine, please.'
+
+For a moment there was silence; then she continued: 'Oh, I suppose if
+it were all sifted down I should find that it is largely egotism on my
+part.'
+
+He waited, not wanting to alter her course by any injudicious comment.
+
+'Mr. Selwyn,' she said abruptly, 'do you feel that there is a Higher
+Purpose working through life?'
+
+'Y-yes,' he said, rather startled, 'I think there is.'
+
+'Sometimes I do,' she went on; 'then, again, I think we're here on this
+earth for no purpose at all. It often strikes me that Some One up
+above started humanity with a great idea, but lost interest in us.'
+
+'I think,' he said slowly, 'that every man has an instinctive feeling
+sometime in his life that he is a small part of a great plan that is
+working somehow towards the light.'
+
+'Yes. It's a comfortable thought. It's what makes good Christians
+enjoy their dinner without worrying too much about the poor.'
+
+He made no answer, though he was not one who often let an epigram go by
+without a counter-thrust; but he could see that the girl was struggling
+towards a sincerity of expression much as a frightened horse crosses a
+bridge which spans a roaring waterfall, ready to bolt at the first
+thing that affrights it.
+
+'Mr. Selwyn,' she said--and for the first time her words had something
+of a lilt and less incision--'do you think women are living the life
+intended for them?'
+
+'Why not?' he fenced.
+
+'Well, it seems to me that when any living creature is placed in the
+world it is given certain powers to use. You saw this morning how our
+horses wanted to race, and couldn't understand our holding them back.
+A mosquito bites because that's apparently its job in the world, and it
+doesn't know anything else. I was once told that if animals do not use
+some faculty they possess, in time Nature takes it away from them.'
+
+'You are quite a student of natural history, Miss Durwent.'
+
+'No--but every now and then mother unearths a man who teaches us
+something, like last night.'
+
+He acknowledged the compliment with a slight inclination of his head.
+The waiter leant expectantly beside him.
+
+'To descend from the metaphysical to the purely physical,' he said,
+glancing in some perplexity at the terrific nomenclature of Monsieur
+Beauchamp's dishes, 'do you think we might take a chance on this
+_Poulet reine aux primeurs; salade lorette_? I gather that it has
+something to do with chicken.'
+
+'It's rather artful of Monsieur Beauchamp to word it so we poor English
+can get that much, isn't it?'
+
+'Yes. He apparently acts on the principle that a little learning is a
+common thing.'
+
+
+V.
+
+As Selwyn gave the necessary order to the waiter, a noisy hubbub of
+laughter from an adjoining _cabinet particulier_ almost drowned his
+words. There was one woman's voice that was rasping and sustained with
+an abandon of vulgarity released by the potency of champagne.
+
+Elise Durwent looked across the table at her companion. 'Are you bored
+with all my talk?' she said. 'You Americans aren't nearly so candid
+about such things as Englishmen.'
+
+'On the contrary, Miss Durwent, I am deeply interested. Only, I am a
+little puzzled as to how you connect the usual functions of animals
+with woman's place in the world.'
+
+With an air of abstraction she drew some pattern on the table-cloth
+with the prongs of a fork. 'I don't know,' she said dreamily, 'that I
+can apply the argument correctly, 'but--Mr. Selwyn, when I was a child
+playing about with my little brother "Boy-blue"--that was a pet name I
+had for him--I was just as happy to be a girl as he was to be a boy. I
+think that is true of all children. But ask any woman which she would
+rather be, a man or a woman, and unless she is trying to make you fall
+in love with her she will say the former. That is not as it should be,
+but it's true. Yet, if we are part of your great plan working towards
+the light, we're entitled to the same share in life as you--more, if
+anything, because we perpetuate life and have more in common with all
+that it holds than men have. There, that is a long speech for me.'
+
+'Please don't stop.'
+
+There was a howl in a man's voice from the noisy _cabinet particulier_,
+followed by a laugh from the same woman as before, which set the teeth
+on edge.
+
+'That woman in there,' she went on, 'will partly show what I mean. In
+the beginning we were both given certain qualities. She has lost her
+modesty through disuse; I'm losing my womanliness and power of sympathy
+for the same reason. She's more candid about it, that's all. When
+Dick and I were youngsters I dreamed of life as Casim Baba's cave full
+of undiscovered treasures that would be endless. Now I look back upon
+those days as the only really happy ones I shall ever have.'
+
+'You are--how old?'
+
+'Twenty-three.'
+
+'You will grow less cynical as you grow older,' he said, from the
+altitude of twenty-six.
+
+'I agree,' she said. 'As, unlike the Japanese, we haven't the moral
+courage of suicide, I shall get used to the idea of being an
+Englishman's wife; of living in a calm routine of sport, bridge,
+week-ends, and small-talk--entertaining people who bore you, and in
+turn helping to bore those who entertain you. In time I'll forget that
+I was born, as most women are, with a fine perception of life's
+subtleties, and settle down to living year in and year out with no
+change except that each season you're less attractive and more petty.
+After a while I shall even get to like the calm level of being an
+Englishman's wife, and if I see any girl thinking as I do now, I'll
+know what a little fool she is. That's what happens to us--we get used
+to things. Those of us who don't, either get a divorce, or go to the
+devil, or just live out our little farce. It is a real tragedy of
+English life that women are losing through disuse the qualities that
+were given them. That is why an American like you comes here and says
+we do not edit ourselves cleverly.'
+
+The rapid succession of sentences came to an end, and the colour which
+had mounted to her cheeks slowly subsided.
+
+
+VI.
+
+'I feel,' he said, 'that I can only vaguely understand what you mean.
+But is it not possible that you are looking at it too much from the
+standpoint of an individualist?'
+
+'Women are all individualists,' she broke in; 'or they are until
+society breaks their spirit. This lumping of people into generations
+and tuning your son's brain to the same pitch as his medieval
+ancestors' doesn't interest women--that's man's performance. The great
+thing about a woman is her own life, isn't it? And the great event in
+a woman's life is when she has a child--because it's _hers_. This
+class and family stuff comes from men, because their names are
+perpetuated, not ours. There is no snobbery equal to men's; it is more
+noticeable with women, because it isn't instinctive with them, and they
+have to talk to show it.'
+
+'Then,' said Selwyn, 'in addition to an Irish Rebellion, we may look
+for one from English women?'
+
+'Yes. I don't know when, but it will come.'
+
+He produced a cigarette-case. 'Would you care for a cigarette now?' he
+asked.
+
+'No, thanks. But you smoke.'
+
+'Poor England!' he said in pretended seriousness, tapping the table
+with the end of the cigarette, 'with two revolutions on her hands, and
+neither party knowing what it wants.'
+
+'We may not know what we want,' she said, 'but, as an Irishman said the
+other day, "we won't be satisfied till we get it." If the rebellion of
+our women doesn't come, I prophesy that in a couple of thousand years,
+when the supermen inhabit the earth, they will find a sort of land
+mermaid with an expressionless face, perpetually going through the
+motion of dealing cards or drinking tea. Then some old fogy will spend
+ten years in research, and pronounce her an excellent example of the
+extinct race "_Femina Anglica_."'
+
+'As one of the tyrants who wishes you well,' said Selwyn, after a laugh
+in which she joined, 'may I be permitted to know what women want--or
+think they want?'
+
+'Mr. Selwyn, revolutions never come from people who think. That is why
+they are so terrible. The unhappiness of so many Englishwomen comes
+from the life which does not demand or permit the use of half the
+powers they possess. Nor does it satisfy half their longings. Such a
+condition produces either stagnation or revolution. Our ultimatum
+is--give us a life which demands all our resources and permits women
+unlimited opportunity for self-development.
+
+'And if the men cannot do this?'
+
+'The women will have to take charge.'
+
+'And when does the ultimatum expire?'
+
+She shrugged her shoulders.
+
+'When will the next great earthquake be?'
+
+
+VII.
+
+The noise of the party in the _cabinet particulier_ had been growing
+apace with the reinforcement of champagne-bottles. The strident
+laughter of the women dominated the lower level of men's voices, and
+there was a constant clinking of glasses, punctuated by the occasional
+drawing of a cork, which always whipped the gaiety to a feverish pitch.
+Monsieur Beauchamp rubbed his hands rather anxiously. He would have
+preferred a little more intrigue and not quite so much noise. But,
+then, was it not a testimony to his wine?--and certainly there would be
+an excellent bill.
+
+One of the men in the party called on some one for a song. There was a
+hammering on the table, a promise of a kiss in a girl's voice that
+trailed off into a tipsy giggle, the sound of shuffling chairs and
+accompanying hilarity as the singer was apparently hoisted on to the
+table. There came a crash of breaking glass as his foot collided with
+some dinner-things.
+
+Monsieur Beauchamp winced, but consoled himself with the reflection
+that he could charge what he wished for the damage. The voices were
+hushed at the order of the singer, who was trying to enunciate the
+title of his song.
+
+'I shall shing,' he said, with considerable difficulty, '"Moon, Moon,
+Boo--(hic)--Booful Moon," composhed by myself at the early age of
+sheven months. It ish very pash--pashesh--it ish very shad, so, if ye
+have tearsh, pre--(hic)--pare to shed 'em now.'
+
+There was loud applause, which the singer interrupted by commencing to
+sing in a bass voice that broke into falsetto with such frequency that
+it was difficult to tell which voice was the natural one. He started
+off the verse very stoutly, but was growing rather maudlin, when,
+reaching the chorus, he seemed to take on a new lease of vitality and
+bellowed quite lustily:
+
+
+ 'Moon, Moon, boo-oo-oo-ooful Moon,
+ Shining reshplendantly, radiant an' tenderly;
+ Moon, Moon, boo-oo--(hic)--booful Moon--
+ Tell her I shy for her, tell her I die for her,
+ Booful, BOO-OO-ooful Moon.
+
+
+'Now then, fellow Athenians, chorush, chorush!' With an indescribable
+medley of discordant howling the party broke into a series of 'Moon,
+Moon, boo-oo-ooful Moon,' which came to an abrupt ending as the singer
+fell back, apparently unconscious, in the arms of his friends. There
+was a murmuring of voices, and a waiter was sent for some water to
+revive the young man.
+
+Considerably disgusted at the ending to the incident, Selwyn, who had
+turned to look towards the _cabinet particulier_, once more sought his
+companion's eyes.
+
+Her face was white; there was not a vestige of colour in the cheeks.
+
+'Miss Durwent,' he gasped, 'you are not well.'
+
+'I am quite well,' she answered quickly, but her voice was weak and
+quivering. 'I--I thought I recognised the singer's voice. That was
+all.'
+
+The curtain of the _cabinet particulier_ was drawn aside, and two
+youths in evening-dress emerged, supporting between them the
+dishevelled singer, who was miserably drunk, and whose hat almost
+completely obscured his right eye. They were followed by three girls
+with untidy hair, whose flushed, rouged faces had been made grotesque
+by clumsy dabs of powder.
+
+The singer's hat fell off, and Monsieur Beauchamp, who was hovering
+about with the bill, had just stooped to recover it, when Selwyn heard,
+a suppressed cry of pain from Elise Durwent. Thrusting her chair away
+from her, she made for the emerging party, and halted them at the top
+of the stairway.
+
+'Dick!' she said breathlessly. 'Dick!'
+
+The drunken youth raised his heavy eyelids and looked with bewildered
+eyes at his sister. One of the girls tried to laugh, but there was
+something in the insane lightness of his eyes and the agony of hers
+that stifled the ribaldry in its birth. His face was as pale as hers,
+a pallor that was accentuated by dark hair, matted impotently over his
+forehead. But there was a careless, debonair charm about the fellow
+that made him stand out apart from the other revellers.
+
+'Hello, sis!' he muttered, trying to pull himself together. 'My li'l
+sister Elise--friends of mine here--forget their names, but jolly good
+fellosh--and ladies too; nice li'l ladies'----
+
+'Bravo, Durwent!' cried one of his friends, emitting a dismal howl of
+encouragement.
+
+'Dick! Boy-blue!' The breathy intensity of her voice seemed to rouse
+some latent manhood in her brother. He stiffened his shoulders and
+threw off his two supporting friends--a manoeuvre which enabled
+Monsieur Beauchamp to present his trifling bill to the more sober of
+the two. 'Why aren't you at Cambridge?'
+
+'Advice of conshul,' he muttered. 'Refushe to answer.' He shook his
+head solemnly from side to side.
+
+With a swift gesture she turned to the American. 'This is my brother,'
+she said, 'and I know where his rooms are in town. If you will bring
+my cloak, I'll get him to my car and take him home.'
+
+Selwyn nodded his understanding. He hardly knew what words he could
+speak that might not hurt her.
+
+'Listen, Dick dear,' she said, stepping very close to him and taking
+his hand in hers. 'Please don't say anything. Just come with me, and
+I'll take you to your rooms.'
+
+Through the befuddled wits of the young fellow came the sound of the
+voice that had dominated his childhood. He smelt the freshness of the
+long grass in the Roselawn meadows; with his disordered imagination he
+heard again the clattering of horses' hoofs on the country-road, and he
+saw his sister with her copper-tinted hair flung to the breeze. With a
+look of mixed wonder and pain in the yellowish blue of his eyes, he
+allowed her to take his arm, and together they went slowly downstairs
+and through the throng of diners craning their necks to see, while the
+party he had left emitted snorts and howls of contempt.
+
+Selwyn reached the door in time to help the drunken youth into the car,
+and then placed the cloak about Elise's shoulders. She put out her
+hand.
+
+'Good-night,' she said.
+
+'But you will permit me to come?' he said. 'I could be of assistance.'
+
+'No--no,' she said tensely, 'please--I want to be alone with him. Have
+no fear, Mr. Selwyn. Poor old Dick would do anything for me.'
+
+He held her hand in his. 'Miss Durwent,' he said, 'I cannot express
+what I mean. But if this makes any difference at all, it is only that
+I admire you infinitely more for'----
+
+'No--please--please say nothing more,' she cried with a sound of pain
+in her voice.
+
+'But may I come and see you again?'
+
+She withdrew her hand and pressed it against her brow.
+
+'Yes. I--I don't know. Good-night. Please don't say any more.' The
+words ended in a choking, tearless sob. She stepped into the car, and
+with no further sign to him threw in the clutch and started away.
+
+Huddled in the corner, his pale face glistening in the lamplight of the
+street, the Honourable Richard Durwent lay in a drunken sleep.
+
+
+
+
+CHAPTER VIII.
+
+INTERMEZZO.
+
+It was several months later--May 1914, to be precise--when Austin
+Selwyn made the determination, common to most men, to remain in for an
+evening and catch up in his correspondence.
+
+After the manner of his species, he produced a small army of letters
+from various pockets, and spreading them in a heap on his desk,
+proceeded to answer the more urgent, and postpone the less important to
+a further occasion when conscience would again overcome indolence. For
+an hour he wrote trivial politenesses to hostesses who had extended
+hospitality or were going to do so; there was a reply to a literary
+agent, one to a moving-picture concern, an answer to a critic, and a
+note of thanks to an admirer.
+
+Having disposed of these sundry matters, he sat back in his chair and
+read a long letter that had been enclosed in an envelope bearing the
+postage-stamp of the United States of America. At its finish he
+settled himself comfortably, lit a cigar, and, squaring his shoulders,
+wrote a reply to the Reverend Edgerton Forbes, Rector of St. Giles'
+Episcopal Church, Fifth Avenue, New York:
+
+
+'LONDON, _May 12, 1914_.
+
+'MY DEAR EDGE,--I've been supplying your friend the Devil with all
+sorts of cobblestones recently, but, my dear old boy, if I had written
+you every time I intended to, you would have had no time to prepare
+those knock-out sermons of yours.
+
+'In your letter you hint at possible heart entanglements for me. Has
+it not been said that to a writer all women are "copy"? Even when he
+falls in love, your author is so busy studying the symptoms that he
+usually fails to inform the lady until she has eloped with some other
+clown.
+
+'In fairness, however, I must admit that you were partly correct in
+your surmise. I almost fell in love last November with a girl who
+invariably angered me when I was with her, but clung to my mind next
+day like an unfinished plot. I saw her quite frequently up to
+February, when I went to the Continent, but have not called on her
+since my return.
+
+'I met her first at her mother's town house, where there were several
+people who admitted their greatness with an aplomb one was forced to
+admire. This girl sort of sat there and said nothing, but her silence
+had a good deal more in it than some of the talk. We had our first
+chat that night by the fire, next morning went riding in Rotten Row,
+and had dinner together the same night. Fast travelling, you say? On
+paper, yes; but actually I don't know the girl any better now than the
+night I met her. She's a strange creature--self-willed, fiery, sweet,
+and sometimes as clever as your Ancient Adversary. But friendship with
+her makes me think of the days when I was a kid. My great hobby was
+building sky-scrapers with blocks, and very laboriously I would erect
+the structure up to the point when "feeding-time" or "washing-time" or
+"being shown to the minister" used always to intervene. When I
+returned, the blocks had always fallen down. Well, friendship with
+Elise (pretty name, isn't it?) is not unlike my experience with the
+blocks. You can leave her, firmly convinced that at last you are on a
+basis of real understanding; and two or three days later, when you meet
+her again, you find all the blocks lying around in disorder. Instead
+of a friend, one is an esteemed acquaintance. The only way to win her,
+I suppose, would be to call at dawn and stay until midnight. It would
+be a bit trying, but I get awfully "fed up" (as they say over here)
+with being constantly recalled to the barrier.
+
+'Of course, you old humbug, I can see you pursing your lips and saying,
+"Does Austin really love her? If he did, he would be unable to see her
+faults." It's an exploded theory that love is blind. Good heavens! if
+a man in love can see in a girl beauty which doesn't exist, is there
+any reason to suppose he will be unable to see the faults that _do_?
+
+'But, candidly, I don't think I am in love with this young lady. I
+might be if I were given half a chance; but, then, emotional icebergs
+were always my specialty. I meet a dozen girls who treat me with a
+tender cordiality that is touching; then there comes into my course one
+who expresses a sort of friendly indifference, and there I stay
+scorching my wings or freezing my toes--whichever figure of speech you
+prefer.
+
+'She makes me think of a painting sometimes, one that changes in
+appearance with the varying lights and shadows of the sky. But, Edge,
+given the exact light that her beauty needs, she is a masterpiece. In
+some strange way her personality has given me a new pleasure in Corot
+and Diaz. It is difficult to explain, but it is so. I feel my powers
+of description are inadequate really to picture Elise to you. She is
+truly feminine, and yet when she is with other women her unique gift of
+personality makes them _merely_ feminine. "Lordy, Lordy," as a nigger
+of mine used to say, "dis am becomin' abtuse."
+
+'As a matter of fact, the girl is a result of conflicting elements of
+heredity. I haven't met her father, but I gather that he is a good old
+Tory of blameless respectability, and has a deep-seated disbelief in
+evolution. On the other hand, the girl's mother is rather a buxom and
+florid descendant of a vigorous North of England family, the former
+members of which, with the exception of her father, were highly
+esteemed smugglers. The lady's grandfather, Elise tells me, was known
+as "Gentleman Joe," and was as adventurous a cut-throat as a small
+boy's imagination could desire.
+
+'Well, Mr. Parson, you can imagine what happened when these conflicting
+elements of heredity were brought together. In the language of
+science, there was one negative result and two positive. The first
+mentioned is a son Malcolm, whom I have not met. He has a commission
+in the cavalry, is a devil at billiards, can't read a map, and rides
+like a Centaur.
+
+'Of the positive results it seems to me I may have already mentioned
+one--Elise. The other is Richard, the tragedy of the family. Poor
+Dick was practically kicked out of Eton for drunkenness when he was
+about sixteen. For the past year or so he has been at Cambridge, but
+he got in with a bad set there, and after several warnings has been
+"sent down"--or, in ordinary language, expelled. It appears that the
+old combination of "booze" and women got the better of him, though
+there's something oddly fine about the fellow too. He was hitting an
+awful pace at Cambridge, and when he tried to pass off a fourth-rate
+chorus-girl as the Duchess of Turveydrop, the axe descended. As the
+masquerading duchess was rather noisy and very "elevated," you can see
+that there must have been complications.
+
+'Of course, his governor was furious, and, settling a very small
+allowance on the poor beggar, turned him out of the family home, and
+forbade him to ever darken, &c., &c. (see, split infinitive and all,
+any "best seller" of a few years back).
+
+'Does this seem at all incongruous to you? These so-called aristocrats
+bring a son into existence, and, providing he's a decent-living,
+rule-abiding chap, he is sheltered from the world and kept for the
+enriching of their own hot-house of respectability. But--if one of
+them upsets the ash-can and otherwise messes up the family escutcheon,
+the father says, "You have disgraced our traditions. Get thee hence
+into the cold, outside world. After this you belong to it."
+
+'Damned generous of paterfamilias, isn't it? Only, as one of the cold,
+outside world, I can't help wondering why, if Milord is going to keep
+his good apples for himself, we should have to accept the rotten ones.
+
+'Concerning Cambridge--I spent a weekend there recently with Doug
+Watson of Boston, who is taking Engineering. Cambridge is quite a
+little community, as separate from the rest of England as the Channel
+Islands. On the Saturday evening I was there Watson took a punt, and
+with considerable dexterity piloted me along the Cam, with its green
+velvet banks and overhanging trees. The river is an exquisite thing,
+and there was a sensuous drowsiness in the beauty of the hour before
+dark.
+
+'The lawns from the backs of the colleges slope down to the river, and
+as we passed along we noticed group after group of students drinking
+coffee made in percolators in their possession. There was something
+almost pastoral in the sight of those young Britishers in such complete
+repose. Perhaps I should have enjoyed it all without question if it
+had not been that, a week before, I had visited a poor little
+Nonconformist preacher who labours on an empty stomach to a little
+congregation in a chain-making district. Edge, the sights I saw there
+were not good for any man to see and remain quiet. Women work at the
+fires when pregnant, and fuddle themselves with beer at night; the men
+are a shiftless lot, who spend their lives hand-in-hand with poverty
+and think only of beer, "baccy," and loafing. You know I'm no
+prohibitionist, but I hate to see beer the goal of men's ambitions. In
+one school there was a class with forty "backward" children. That's
+the kinder word, Edge, but the real one is "imbecile." Think of
+it--forty human destinies that must be lived out to a finish! They
+tell me that conditions are improving there. I hope so, in Heaven's
+name.
+
+'It was that visit I had in mind when punting along the Cam. A man is
+a fool to pit his little mind against so vast and wonderful an edifice
+as a great university like Cambridge, but one thought which occurred
+more than once to me was whether or not a man can be considered
+educated if he be ignorant of human misery existing beyond the college
+gates. In the Scottish universities the Professor of Latin is called
+Professor of Humanity. I wonder, Edge, if the time is not ripe for a
+chair of Humanity in a wider sense in all universities.
+
+'On Sunday we went to one of the churches, and, with eleven others,
+managed to present a formidable congregation of thirteen. The
+preacher's prayer, which he read, was a superb piece of work. He
+started off with the King and the Royal Family, passed on to titled and
+landed gentry, after them the higher orders of the clergy, leaders of
+the navy, the army, and all those in more or less authority, then the
+lower orders of the clergy, and after several categories I have
+forgotten, he reached the commoners, and (in an appropriate tone of
+voice) hoped we should live in peace, one with another.
+
+'Think of it, Edge, in this enlightened age! I wanted to go up to him
+after the service and ask him why he had left out the minor poets, but
+Doug stopped me--which is perhaps just as well. He might have added a
+prayer for Americans after the commoners.
+
+'Sometimes I think that the English Church is losing its grip. I don't
+mean that snobbery of the kind I have described is common, but in the
+development of Church character it seems to me that the truth of
+Christ's birth into a humble walk of life is drifting steadily farther
+from the clerical consciousness. The timid snobbery which permeates so
+much of English life, and reaches its wretched climax in the terms
+"working class" and "lower classes," finds condonement in the ranks of
+the clergy. Even in its humorous aspect, when Mrs. Retired Naval
+Officer starts to swank it over Mrs. Retired Army Officer (senior
+service, deah boy, y'know), and so on down the line, the local rector
+too often takes an active part in seeing that the various grades are
+punctiliously preserved. Of course, there are glorious exceptions to
+all this, and they are the men who count.
+
+'I suppose at home we are just as bad, and that even so democratic a
+preacher as yourself doesn't take supper on Sunday night with the
+poorest parishioner. Perhaps living in a strange country makes a man
+see many things he would not notice in his own.
+
+'To finish with Cambridge--we joined a party of two large punts on
+Sunday afternoon, and with about twelve college chaps and local
+(approved) girls we went for a picnic up the river. The girls were
+fairly pretty and terrifically energetic, insisting upon doing an equal
+share in the punting, and managing to look graceful while they
+manoeuvred the punts, which were really fair-sized barges. And when we
+reached the picnic-place, they made all the preparations, and waited on
+us as if we were royal invalids. Bless their hearts! Edge, to restore
+a man's natural vanity, commend me to life in England. Coming home we
+played the gramophone, and, with appropriate flirtation, floated nearly
+the whole way to the holding of hands and the hearing of music.
+
+'And, theologian as you are, if you deny the charm of that combination,
+I renounce you utterly.
+
+'Just one more Cambridge thought. (This letter has as many false
+endings as one of your sermons.) There were quite a number of native
+students from India in attendance, and I noticed that these men, many
+of them striking-looking fellows, were left pretty much to themselves.
+The English answer when spoken to, and offer that well-bred tolerance
+exerted by them so easily, but the Indian student must feel that he is
+not admitted on a footing of equality. I'm not certain that the dark
+races can be admitted as equals; but what effect on India will it have
+if these fellows are educated, then sent back with resentment
+fermenting their knowledge into sedition? It may be another case where
+the Englishman is instinctively right in his racial psychology; or,
+again, it may be a further example of his dislike to look facts
+squarely in the face.
+
+'Of course, we have our own racial problem, and have hardly made such a
+success of it that we can afford to offer advice.
+
+'Well, Edge, this letter has run on to too great a length to permit of
+any European treatment. That will have to wait. Of course, I have
+paid several visits to Paris, and understand as never before the
+saying: "Every man loves two countries--his own and France."
+
+'Edge, why is it that people who travel always have the worst
+characteristics of their nationality? On the Continent one sees
+Englishmen wearing clothes that I swear are never to be seen in
+England, and their women so often appear angular and semi-masculine,
+whereas at home--but, then, you know what an admirer I am of English
+women. And our own people are worse. Tell me: at home, when a
+gentleman talks to you, does he keep his cigar in his mouth and merely
+resonate through his nose? Or is that a mannerism acquired through
+travelling?
+
+'But enough, old boy. This has covered too vast an acreage of thought
+already. Oh yes--about my writing. I have been doing very little
+recently, but can feel the tide rising to that point where it will of
+necessity overflow the confines of my lethargy. I have had the honour
+of meeting several of the foremost writers here, and there is no
+question about it, they are doing excellent work. But I wish that I
+could feel a little more idealism in their work. The whole country
+here is parched for the lack of Heaven's moisture of idealism. People
+must have an objective in their lives, and the Arts should combine with
+the Church in creating it.
+
+'Of course, there is an amazing amount of drivel written over here,
+most of which, I think, would never get past the office-boy of an
+American publication. The English short story and the English
+music-hall are things to be avoided.
+
+'Before I end, have you seen Gerard Van Derwater recently? I heard
+that he joined the diplomatic service at Washington after leaving
+college. I often think of him with his strange pallor, but suggestion
+of brooding strength. Did it ever strike you that every one respected
+him, and yet he really never had a close friend? It always seemed to
+me that he carried about with him a sense of impending tragedy. Find
+out what he is doing, and let me know.
+
+'Well, old boy, in another few months I shall pack up and return to
+America, and once more woo the elusive editor. I am looking forward to
+our sitting by your fireside and, through the cloud of tobacco-smoke,
+weaving again our old romances. I am really proud of you, Edgerton,
+and know that you must be a tremendous power for good.
+
+'A letter any time addressed c/o The Royal Automobile Club, Pall Mall,
+will find me.--As ever, your old chum,
+
+'AUSTIN SELWYN.'
+
+
+ * * * * * *
+
+The writer addressed an envelope, inserted the letter, sealed and
+stamped it, then yawned lazily. Gathering his outgoing correspondence
+and the old letters, he took his hat and sauntered into the street,
+conscious of having done his duty--also that he had unearthed some
+thoughts the existence of which he had not suspected beneath the
+surface shrubbery of everyday existence.
+
+
+
+
+CHAPTER IX.
+
+A HOUSE-PARTY AT ROSELAWN.
+
+
+I.
+
+As is the habit of the year, June followed May, and in its turn gave
+way to the yellow hours of July. Lady Durwent, wearying of London and
+its triumphs, returned to Roselawn to share the solitary, rural reign
+of her husband.
+
+As she drove in a sumptuous car through the village and into the wide
+confines of the estate she purred with contentment. Men doffed their
+caps, women curtsied, and the country-side mingled its smile with
+theirs. It was not unlike the return of a conqueror from a campaign
+abroad, and after the incognito forced by London on all but the most
+journalised duchesses, it was distinctly pleasant to be acknowledged by
+every one she passed.
+
+In this most amiable of moods she dined with her husband, and was so
+vivacious that, looking at her over his glass of port, he thought how
+little she had changed since, years before, she had first affected his
+subnormal pulse. Together they wandered over the lawns, and he showed
+the improvements wrought since her last visit. She gave the
+head-gardener the benefit of her unrestricted smile, and shed among all
+the retainers a bountiful largesse of good-humour.
+
+Still noting the beauties of Roselawn, they discussed their children.
+She learned that Malcolm was on leave from the --th Hussars, and was
+golfing in, and yachting off, Scotland with scions of the Scottish
+nobility. The mention of Dick brought a pang to her heart, and a cloud
+that marred the serenity of her husband's brow. Lord Durwent regretted
+the necessity of his actions, but the boy had proved himself a 'waster'
+and a 'rotter.' He had been given every chance, and had persistently
+disgraced the family name. If he would go to Canada or Australia, he
+could have money for the passage; otherwise----
+
+After that imperialistic pronouncement, Lord Durwent turned to more
+congenial topics, and spoke of additions to the stables and
+improvements to the church. His wife answered mechanically, and it was
+many minutes before the heart-hunger for the blue-eyed Dick was lulled.
+She said nothing, for the development of her sons' lives had long since
+passed from her to a system, but in the seclusion of their country home
+the domestic tragedy made a deeper inroad on her feelings than it had
+done in London.
+
+It was perhaps not unnatural that they barely spoke of Elise at all.
+She was visiting a county family in the north, and would be home in a
+couple of days. As there was no immediate suitor on the horizon, what
+more was there to be said of the daughter of the house?
+
+Next morning Lady Durwent was still amiable, but rather dull. The
+following day she was frankly bored. On Sunday, during the sermon, she
+planned a house-party; and so, in due course, invitations were issued,
+and accepted or regretfully declined. She possessed sufficient sense
+of the fitness of things to refrain from transplanting any of her
+_unusual_ varieties from their native soil, but asked only those
+persons whose family connections ensured a proper tone to the affair.
+
+Perhaps it was just a kindly thought on her part to ask Austin Selwyn.
+It may have been the desire of having an author to lend an exotic touch
+to the gathering. Or, being a woman, she may have wanted an American
+to see her at the head of the table in two widely different settings.
+
+Perhaps it was all three motives.
+
+
+II.
+
+In preparation for the arrival of guests, 'a certain liveliness'
+pervaded the tranquil atmosphere of Roselawn. The tennis-court was
+rolled and marked; fishing-tackle was inspected and repaired; in view
+of the possibility of dancing, the piano was tuned; bridge deficiencies
+were made good at the local stationer's; and gardeners and gamekeepers
+hurried about their tasks, while flapping game-birds signalled to
+trembling trout that the enemy was mobilising for the yearly campaign.
+
+Roselawn differed little from the hundreds of English country-houses,
+the seclusion and invulnerability of which have played so great a part
+in forming the English character. A lodge at the entrance to the
+estate supplied a medieval sense of challenge to the outside world, and
+the beautifully kept hedges at the side of the mile-long carriage-drive
+gave that feeling of retirement and emancipation from the world so much
+desired by tranquil minds.
+
+It was the setting to produce a poet, or a race of Tories. Once within
+the embracing solitude of Roselawn, the discordant jangling of common
+people worrying about their long hours of work or the right to give
+their offspring a decent chance in the world became a distant murmur,
+no more unpleasant or menacing than the whang of a wasp outside the
+window.
+
+Not that the inhabitants of Roselawn were any more callous or selfish
+than others of their class, for the record of the Durwent family was by
+no means devoid of kindly and knightly deeds. Tenantry lying ill were
+always the recipients of studied thoughtfulness from the lord and lady
+of the place, and servants who had served both long and faithfully
+could look forward to a decent pension until death sent them to the
+great equality of the next world.
+
+If one could trace the history of the Durwent family from the
+beginning, it would be seen that among the victims of a hereditary
+system there must be numbered many of the aristocracy themselves.
+Caricaturists and satirists, who smear the many with the weaknesses of
+the few, would have us believe that the son of a lord is no better than
+the son of a fool; yet, if the vaults of some of the old families were
+to unfold their century-hugged secrets, it would be seen that, as
+Gray's country churchyard might hold some mute inglorious Milton, so
+might these vaults hold the ashes of many a splendid brain ruined by
+the genial absurdity of 'class' wherein it had been placed. A boy with
+a title suspended over his head like the sword of Damocles may enter
+life's arena armed with great aspirations and the power to bring a
+depth of human understanding to earth's problems, but what chance has
+he against the ring of antagonists who confront him? Flunkeyism,
+'swank,' the timid worship of the peerage, the leprosy of social
+hypocrisy, all sap his strength, as barnacles clinging to the keel of a
+ship lessen her speed with each recurring voyage.
+
+It is not that the hereditary system injures directly; its crime lies
+in what it engenders--the pestilence of snobbery, which poisons nearly
+all who come into contact with it, titled and untitled, frocked and
+unfrocked, washed and unwashed. The very servants create a comic-opera
+set of rules for their below-stairs life, and the man who has butlered
+for a lord, even if the latter be the greatest fool of his day, looks
+with scorn upon the valet of some lesser fellow who, perchance, is
+forced to make a living by his brains.
+
+
+III.
+
+The house at Roselawn was large, and, with its ivy-covered exterior,
+presented a spectacle of considerable beauty. The front was in the
+form of a 'hollow square,' creating an imposing courtyard, and giving
+the windows of the library and the drawing-room ample opportunity for
+sunshine. From these windows there was a charming vista of well-kept
+lawns, margined with gardens possessed of a hundred tones of exquisite
+colour. At the back of the house the windows looked out on receding
+meadows that melted into the solidarity of woods.
+
+The drawing-room (Lady Durwent tried to designate it 'the music-room,'
+but the older name persisted) had all the conglomeration of contents
+which is at once the charm and the drawback of English country homes.
+Furniture of various periods indulged in mute and elegant warfare.
+Scattered in graceful disorder about the room were relics procured by
+an ancestor who had been to Japan; there was a Spanish bowl gathered by
+Lord Dudley Durwent; there was an Italian tapestry, an Indian tomahawk,
+a Chinese sword that had beheaded real Chinamen, all procured by Lord
+Dingwall Durwent in the eighteenth century. There was a massive Louis
+Seize table and a frail Louis Quinze chair; a slice of Chippendale
+here, and a bit of Sheraton there; portraits of ancestors who fought at
+Quebec, Waterloo, Sebastopol, and a very military-looking gentleman on
+a terrific horse, who had done all his fighting in Pall Mall clubs.
+There were 'oils' purchased by Durwents who liked to patronise the
+arts, and 'waters' by Durwents who didn't like oils.
+
+And year after year, generation after generation, the ancient
+drawing-room received its additional impedimenta without so much as a
+creak of protest.
+
+In the impressive seclusion of Roselawn, therefore, the house-party
+began to gather. They were an admirably assorted group of people who
+never objected to being bored, providing it was accomplished in an
+atmosphere of good breeding. The soothing balm of the Roselawn meadows
+offered its potency of healing to fatigued minds or weary bodies, but,
+like the fragrance of the unseen flower, it was wasted on the desert
+air. Lady Durwent's guests had not been using either their brains or
+their bodies to a point where honest fatigue would seek healing in the
+perfume of clover. If a hundred gamins from Whitechapel's crowded
+misery had been brought from London and let loose in summer's
+sweet-scented prodigality, the incense of fields and flowers might have
+brought sparkle to young eyes dull with the wretchedness of poverty,
+and colour to pale, unnourished cheeks. But Lord and Lady Durwent,
+denying themselves the luxury of such a treat, asked people who lived
+in the country to come and enjoy the country.
+
+The pleasure of their guests was about as keen as would be that of a
+party of bricklayers invited by a fellow-labourer to spend a Saturday
+with him laying bricks.
+
+
+IV.
+
+To the insatiable curiosity of Austin Selwyn the party presented an
+infinite chance for study, as well as an unlooked-for opportunity to
+meet Elise Durwent under circumstances which should either cement their
+friendship or else demonstrate its utter impracticability.
+
+He listened to the chat of men who did the same things all the year
+round with the same people, and he wondered a little at their
+persistency in conversing at all. They rarely disagreed on anything,
+partly because they were all of the same political faith, and it seemed
+an understood thing that, so far as it was humanly possible, no one
+would introduce any subject which would entail controversy. When
+Selwyn, who was almost too thorough a believer in the productive powers
+of fiction, used to drop conversational depth-bombs, they treated him
+with easy tolerance as one who was entitled to his racial
+peculiarities. Sometimes they would even put to sea clinging to the
+raft of one of his ideas, but one by one would grow numb and drop off
+into the waters of mental indifference. They had a nice sense of
+satire, and it was a delight for the American to indulge in an easy,
+inconsequential banter which was full of humour without being labelled
+funny; but it used to fill him with sorrow to see many of his best
+controversial subjects punctured by a lazily conceived play of words.
+He felt that, coming from the New World, he was in a position to give
+knowledge for knowledge, but his fellow-guests were impervious to his
+geographical qualifications, and persisted in their pleasant task of
+rolling vocabulary along the straight grooved channels of their
+well-bred thoughts.
+
+The women were less of a type, but their little lives were so lacking
+in horizon that they seemed to live in a perpetual atmosphere of
+personalities. As pretty much the same topics of conversation did them
+for a whole season, they were not unlike a travelling theatrical
+company producing the one show wherever they went. One woman
+occasioned some mirth to Selwyn by her familiarity with the obscure
+royalties of Europe, whom she thrust forward on every possible
+occasion. On dowager-duchesses and retired empresses she was without
+parallel, and she went through life expressing perpetual regret that
+she had not known you were going to Ruritania, because she would have
+insisted upon your calling on her friend the Empress Lizajania.
+
+It was perhaps an unfortunate circumstance that had brought together a
+group of women none of whom was artistically accomplished, although
+they were by no means lacking in social charm. Music for them was not
+a refreshing stream which ran by the road of everyday life, but
+something which was to be heard at the Opera, and which enjoyed a close
+alliance with sables and diamond tiaras. Pictures were of the Academy,
+and, like all the best people, they invariably said, 'Have you seen
+this year's show at Burlington House? My dear, it's frightful.' Nor
+did they neglect literature in their curriculum. Though literature
+lacks a yearly exhibition, such as is possessed by music and painting,
+they made it a subject for gossip, and denounced H. G. Wells as a
+'bounder.' 'I never read him, Mr. Selwyn,' said the obscure-royalist
+person. 'My cousin the Duchess of Atwater met him, and says--well,
+really, she says he's quite impossible.'
+
+With a mixture of wonder and amusement Selwyn watched the spectacle of
+these people of more than average education and intelligence contenting
+themselves with a perpetual routine of small-talk and genteel
+insularity, and he wondered how it was that a race so gifted with the
+blessed quality of humour could evolve a state of society offering such
+a butt to the shafts of ridicule.
+
+He liked Lord Durwent, whose unfailing gentleness and courtesy would
+have stamped him as a gentleman in any walk of life. Although his mind
+was comparatively unimpressionable to new ideas, it was saturated with
+the qualities of integrity and fairness, and in his attitude towards
+every one of his guests there was an old-world dignity, born of the
+respect in which he held both himself and them. The study of this man
+moving contentedly about his daily tasks, never making any one's day
+harder by reason of his passing that way, was the first jolt Selwyn had
+received in his gathering arraignment against English social life. By
+way of contrast he pictured certain successful gentlemen of his
+acquaintance in America, and the vision was not flattering to his
+national self-esteem.
+
+He also enjoyed the refreshing vitality of Lady Durwent, who never
+quite lost her optimism no matter how tight was the grip of good form;
+and he admired without stint the devotion of every one, regardless of
+sex, to sport. Throughout the day there were constant expeditions that
+necessitated long, invigorating hours in the open air; and it seemed to
+the American that they were never so free from affectation, that the
+comradeship between the men and the women was never so marked, as when
+they were indulging their wise instinct for out-of-door sports.
+
+He had been at Roselawn a couple of days before he had a chance to do
+more than observe Elise Durwent as one of the party. She had been his
+partner at tennis and bridge, and a dozen times he had exchanged light
+talk with her, but there was always about her the defensive shield of
+impersonal cordiality. When he spoke to her it was almost in a drawl,
+but no matter to what a lackadaisical level he reduced his voice, her
+replies were always punctuated by a retort that had in it the sense of
+sting, as Alfio in _Cavalleria Rusticana_ accompanies his song with the
+crack of a driving-whip.
+
+He watched her with the men of the party, and wondered at their
+good-natured endurance of her sharpness, as reckless as it was
+disturbing; and he saw that her inclusion among the women made them
+less at ease and disinclined to chatter. No matter what group she
+joined, she was never of it; and even when it was obvious that she was
+doing everything in her power to reduce her personality to the pitch of
+the others, her individuality branded her as something apart.
+
+Studying her, partly subconsciously and partly with the keen
+observation prompted by the attraction she held for him, Selwyn began
+to feel the loneliness of the girl. Not once did he see the melting of
+eyes which comes when one person finds close affinity in the
+understanding of a friend. When she spoke at the table her suddenness
+always left a silence in its wake. At bridge her moves were so
+spasmodic that, when opposite dummy, she seemed to play the two cards
+with a simultaneous movement. The same mannerisms were in her outdoor
+games, a second service at tennis often following a faulty first so
+rapidly that her opponent would sometimes be almost unaware that more
+than one ball had been played.
+
+Selwyn's original feeling of exasperation mellowed to one of genuine
+pity in contemplation of her solitary life--a life directed by a
+restless energy that only grew in intensity with the deepening
+realisation of her purposelessness. Yet she was so confident in her
+bearing, and so capable of foiling with repartee any approach of his,
+that he contented himself with a studied politeness that was no more
+personal than the grief of an undertaker at a funeral.
+
+
+V.
+
+One evening, after dressing for dinner, Selwyn found that he had
+half-an-hour to fill in, and as the smell of grass was scenting the
+air, he sauntered from the house and strolled across the lawn to a path
+which led to the trout-stream.
+
+His mind was drowsy with a thousand half-formed ideas that lazily lay
+in the pan of his brain waiting the reveille of thought. A skylark
+twitted earth's creatures from its aerial height. A cow, munching in
+endless meditation on its unfretful existence, emitted a philosophic
+moo.
+
+Selwyn smiled, and let his mind wander listlessly through the fields of
+his impressions. He thought of Britain, and wondered what there is in
+the magic of that little island that fastens on one's heart-strings
+even while the brain is pounding insistent criticism. For the first
+time the insidious beauty of Roselawn's tranquillity was cloying the
+energy of his mind--a mind that never gave him rest, but was always
+questioning and seeking the truth in every phase of human endeavour.
+The peacefulness of the twilight hour was lulling his mental faculties,
+and the perfumes of summer's zenith were stirring his senses like music
+of the Nile.
+
+As though he were picturing inhabitants of another world, he conjured
+to his vision the feverish traffic of New York, deluged with human
+beings belched from their million occupations into the glare of
+lunch-hour. It gave him a strange sensation of being among the gods to
+be able to look at the lowering sun and know that at the same moment it
+held New York in the pitiless heat of midday. . . . And he wondered
+dreamily why people lived such a mockery of existence as in its
+towering streets. The pastoral atmosphere was so perfect, so
+completely soothing in its cool fragrance of evening, that he thought
+if he could only remain there, away from the conflict of the world, he
+could write of such things as only poets dream and painters see.
+
+He had readied the stream, and was about to retrace his steps, when he
+heard the rustle of a dress, and coming round a bend in the path he saw
+Elise Durwent. She was in an evening gown that looked oddly exotic in
+those surroundings, and, still in a haze of reverie, he stood in
+perplexed silence until she stopped opposite him.
+
+'Have I interrupted the muse?' she said.
+
+'On the contrary, you have awakened it. I was just thinking how vivid
+you looked with that setting of overhanging bushes and the background
+of fields. I--I think it must have been your gown that gave such a
+quaintly incongruous effect.'
+
+'And, of course, there is nothing incongruous in a dinner-jacket near a
+trout-stream? If I were an artist I should paint you, and call the
+picture "Despondency."'
+
+'Well,' he smiled, 'that would be an improvement on most Academy
+titles. An ordinary artist would simply name it "Young Gentleman by
+Trout-Stream." Haven't you often gone through a gallery picturing all
+sorts of dramatic meanings in paintings, only to have your illusions
+shattered by the catalogue?'
+
+She nodded. 'You have expressed no surprise at my coming,' she said
+abruptly. 'Are women in the habit of tracking you in this way?'
+
+'I'm sorry,' he answered, lazily thrusting his hands into his pockets.
+'As a matter of fact you are never very far from my thoughts. Perhaps
+that is why I felt no surprise.'
+
+'How are you enjoying your visit?'
+
+'Tremendously.'
+
+'How do you like the guests?'
+
+'Is this a catechism, Miss Durwent?'
+
+She shrugged her shoulders and pulled a leaf from a bush. 'I was
+wondering,' she said, 'whether they bored you as much as me.'
+
+'Why,' he said with a slight laugh, 'to be frank, people never bore me.
+The moment they become tedious they are of interest to me as a study in
+tediousness.'
+
+'Just the same,' she said quickly, 'as when a woman interests you she
+becomes an object of analysis. I wish I could detach myself like that.'
+
+'And yet,' he said gently, wondering at the intensity of her eyes, 'I
+should have thought you possessed the gift of detachment to a greater
+degree than I. You always seem separate and distinct from your
+associates.'
+
+She said nothing in reply, and as if by tacit agreement they started
+back along the path. He did not break the silence, feeling that words
+might be provocative of a retort that would dispel the growing feeling
+of mutual confidence.
+
+'No,' she said, after a long pause, 'I do not possess the power of
+detachment. It's just that I don't mix well. Have you read Robert
+Service's poem about the men that don't fit in?'
+
+'Yes.'
+
+'Well, it's far worse for the women who don't. A man can go out and
+try to find some place for himself. We have simply to stay and endure
+things.'
+
+Half in compassion he watched her from the corner of his eye, but again
+refrained from saying anything. He felt intuitively that she was
+trying to break down the barrier of impersonality, but he knew that she
+must do it in her own way of timid starts and quick withdrawals.
+
+Although her movements were more restricted by her gown than when she
+wore ordinary walking-garments, her vitality and limitless energy lent
+a lilt to her step, and even touched the shoulders with a suggestion of
+restless virility. When she walked there was an imperious tilt to her
+head; but no matter how carefully planned her toilette, or how cleverly
+her coiffure might have been arranged by her maid, there was nearly
+always some stray bit of colour or carelessly chosen flower that
+combined with her nature in a suggestion of outlawry: the same instinct
+of rebellion that had dominated her brother Dick during their
+childhood. Inside the house she would sometimes look, in her quickly
+changing moods, as if she were some creature of Nature imprisoned
+within the walls.
+
+Selwyn wondered if heredity, in one of its strange jests, had recalled
+the spirit of the smuggler ancestor and recast it into the soul of the
+girl.
+
+They were nearing the house, when, emerging upon a clearing, they came
+to a rustic bench looking across a short field lined with shrubbery.
+
+'Let us sit down a minute,' she said. 'We can hear the dinner-gong
+from here.'
+
+He took his seat beside her, and dreamily watched the yellow rays of
+the sun casting their receding tints along the bushes opposite them.
+It was strangely quiet, and the hum of insects seemed like a soft
+orchestral accompaniment to the crickets' song.
+
+'It is not very sporting of me, Mr. Selwyn,' she said softly, but with
+her old staccato mannerism, 'to force my mood on you like this. I did
+it once before--that dreadful night at the Cafe Rouge--and I know that
+you must think it is just selfishness on my part that makes me so
+unhappy. But--you know I never had a real friend--except little
+Dick--and I felt to-night as if I had lost all my courage about life.
+That's why I followed you. I knew you would be patient and kind.'
+
+'My dear girl,' said Selwyn gently, speaking almost listlessly for fear
+the smouldering power of retort should be fanned into being, 'for
+months I have been hoping that some day we should be able to talk like
+this, as friends. Perhaps it was my fault, but there always seemed a
+sort of third-person-singular attitude in our talk, as if we were
+speaking at each other, which served to block our friendship from
+becoming anything of value to each other. Naturally I have seen that
+you are not happy, though there have been moments when you were the
+very personification of light-hearted ness, and I have known for a long
+time that the motif of your whole nature is resentment. Believe me,
+Miss Durwent, if I could be a friend--and I mean that to the last
+ditch--I should be deeply grateful for the privilege.'
+
+'Thanks,' she said simply, and placing her hand in his, let it remain
+there.
+
+The hot blood of his impressionable nature mounted to his cheeks, and
+his heart was aflame with a sudden intoxication of desire. But
+chivalry told him how much it had cost this girl, whose whole being
+rebelled at the thought of being physically conquered, to show such a
+mark of confidence. And reason warned him that any triumph he might
+obtain would be only for the moment. He watched the flight of a hawk
+in the sky--and his lips were parched and hot.
+
+'For a long time,' she said, 'I have had a growing sensation of
+suffocation in life. It's stifling me. When I look ahead and see
+nothing but this kind of life--visiting, visiting, entertaining,
+entertaining, listening to that endless talk in London--well, I think I
+understand why some women go to the devil. At least there's something
+genuine about sin.'
+
+A rabbit leaped from a bush opposite as though it bad seen something
+terrifying, and scampered madly across the field to some burrowed
+refuge by a great oak. Selwyn felt the hand in his tighten
+convulsively.
+
+'Look!' she cried. 'Austin--look!'
+
+Her face blanched with sudden alarm. He sprang to his feet.
+
+'What is it?' he cried.
+
+'The bush--there--where the rabbit darted out.'
+
+He looked at the spot indicated by her trembling hand, but the
+dwindling sunlight had just passed it, and he could see nothing but a
+clump of shrubbery.
+
+'It was a man,' she said, her voice shaking querulously. 'I saw his
+face. He was crouching there and watching us.'
+
+Selwyn frowned. 'Some poacher fellow,' he said, 'that's all. At any
+rate, I'll make sure.'
+
+He started for the bush, when, with a tearful laugh, she stopped him,
+her hands clinging to his arm.
+
+'No--no,' she said swiftly, 'it's nothing. It was just my nerves.
+There is no one there. The rabbit startled me.'
+
+He hesitated momentarily, then, turning to her, gripped her arms with
+his hands. A great feeling of pity for the high-strung girl welled up
+in him, and he wished that it were possible to impart some of his own
+strength to her. 'Elise,' he began hoarsely, his whole being in a
+cloud of passion through which his brain slashed its lightning shafts
+of warning--'Elise'----
+
+The hall gong, growing in a clamant intensity, rang out on the quiet
+air. With the lightness of a fawn she released herself from his grip,
+and gathering her skirts in her hand, moved towards the path. 'Come
+along,' she cried; 'we shall be late for dinner.'
+
+He followed her slowly, his hands in his pockets and his mind besieged
+with countless thoughts. As he crossed the lawn he looked up.
+
+From a window in the tower of Roselawn there was shining an angry,
+blood-red reflection of the sun's dying moments.
+
+
+VI.
+
+It was a few minutes after midnight when the party at Roselawn retired
+to their rooms. There had been an impromptu dance, following some
+spirited bridge, and there was more than the usual chaffing and
+laughter as the guests dispersed to the various wings of the house.
+
+Tired with the many events of the day, the American quickly undressed,
+and soothed by the comfort of cool sheets, lay in that relaxation of
+mind and body which prefaces the panacea of sleep. With half-closed
+eyes and drowsy semi-consciousness he heard the sounds of life growing
+less and less in the roomy passages of Roselawn, as his mind lingered
+over the burning memory of Elise's proximity a few hours before. He
+felt again the perfume of her hair and the radiant freshness of her
+womanhood, with its inexplicable sense of spring-time. And memory,
+with its power of exquisite torture, recalled to his mind the
+questioning eyes and the trembling, beckoning lips.
+
+The soft chime of a clock downstairs sounded the passing of another
+hour. Its murmuring echo died to a silence unbroken by any sound save
+that of the summer breeze playing about the eaves and towers of the
+house.
+
+Minutes passed. His thoughts blurred into the gathering shadows of
+sleep.
+
+Of a sudden he was awake, his eyes staring into the dark, his whole
+body nervously, acutely, on the alert. He had heard a cry--of a
+nightjar--but so strange and eerie that it made him hold his breath.
+
+The call was repeated. An owl answered with a creepy cry of alarm.
+Selwyn muttered impatiently at the trick played upon him by his nerves,
+and turning over, was about to settle again to slumber, when he heard a
+door softly opening. Light footsteps passed in the hall, stopping at
+each creaking board as though suspicious that some one might hear; then
+their sound was lost in the thick carpet of the stairway.
+
+For a minute there was complete silence. He heard from below the
+cautious opening of the side-door leading to the lawn.
+
+Wondering what mischief was on foot, he rose from his bed, and peering
+through the window, tried to penetrate the gloom. A sullen sky kept
+the stars imprisoned behind deep banks of clouds, and only the trees,
+by reason of their solid blackness, were discernible in the darkness of
+the night. Slipping on a dressing-gown, he stealthily left his room,
+and creeping downstairs, found the open door. Emerging on the lawn, he
+looked quickly about.
+
+Beneath a near-by tree he saw a woman in white, and the figure of a man
+pleading for something. Suddenly Selwyn saw the woman take some
+article from around her neck and hand it to the man. The fellow took
+it, and seemed to be turning away, when, with a suppressed sob, she
+caught him in her arms, murmuring incoherent endearments through her
+tears.
+
+The black scudding clouds left the sky-clear for a moment overhead--and
+Selwyn felt a contraction of pain in his heart.
+
+The woman was Elise, and the man--her brother Dick.
+
+
+
+
+CHAPTER X.
+
+GATHERING SHADOWS.
+
+
+I.
+
+Breakfast at Roselawn was a studiously inconsequential meal. Places
+were set as usual by the servants, but the viands and the paraphernalia
+necessary for their preparation were placed on a separate table in the
+alcove by the great window overlooking the lawn. Having performed this
+duty, the servants did nothing more; but one could not help feeling
+that they were just outside the door, like a group of prompters, ready
+to render instantaneous assistance should the amateurs falter.
+
+Lord Durwent made a kindly and efficient supervisor of the commissariat
+table, and--there was no question of it--could boil an egg with any one
+in the county. And the guests plying between the source of supply and
+the breakfast-table proper created a vagabondish camping-out air of
+geniality that did much to dispel the natural stiffness of the morning
+intercourse. As the meal had no formal opening, every one arrived at
+any time during the breakfast period, and though constant apologies
+were offered for the frequent interruptions to Lord Durwent's own meal,
+it could be seen that his enjoyment of buffet proprietorship was almost
+a professional one.
+
+Lady Durwent's part in the function was to supervise the coffee, and
+ask each guest how he or she had slept, expressing regret that the
+night had not been cooler, warmer, calmer, or fresher, according to the
+polite customs of social dialogue at breakfast.
+
+At nine-fifteen the papers used to arrive from the village, always
+causing a flutter of excitement. The sense of solitude at Roselawn
+made the outside world something so remote and apart that there was
+genuine curiosity to discover what the deuce it had been doing with
+itself during the house-party's retreat.
+
+Lord Durwent read the _Morning Post_ as a sort of 'prairie oyster' or
+'bromo-seltzer.' It settled him. There was something about that
+journal's editorial page and its dignified treatment of events that
+made Roselawn seem the embodiment of British principle. Being a man
+who prided himself on a catholicity of view-point, he also subscribed
+to the _Daily Mail_--that frivolous young thing that has as many
+editions as a _debutante_ has frocks, and by its super-delicate
+apparatus at Carmelite House can detect a popular clamour before it is
+louder than a kitten's miaow.
+
+As a concession to the ladies of the household, he took, in addition,
+the _Daily Sketch_ and the _Daily Mirror_, those two energetic
+illustrated papers, which, benefiting from the remarkable geographical
+fact that every place of consequence in England is exactly two hours
+from London, are able to offer photos of riders in Rotten How, bathers
+at Brighton, rowers at Oxford, and foreign monarchs walking at Windsor,
+the very morning after all these remarkable persons have astonished the
+world by riding, bathing, rowing, or walking.
+
+But to Lord Durwent these papers and the _Daily Mail_ were but
+interludes. The _Morning Post_ was the real business of life, and
+after reading through its solid columns of type, he enjoyed the
+sensation of somehow having done something for his country.
+
+
+II.
+
+It was just before the arrival of the morning papers that Selwyn
+descended to the dining-room. Helping himself to porridge, he answered
+Lady Durwent's polite conventional questions.
+
+'And _how_ did you sleep?' asked his hostess, putting into the inquiry
+that artistic personal touch which made it seem as if this were the
+first time she had asked the question, and he the first guest to whom
+it had been propounded.
+
+'Lady Durwent,' he answered, smiling, 'I haven't the faintest idea.'
+
+'Then,' said his hostess, triumphantly explaining the obvious, 'you
+must have slept well.'
+
+Selwyn thought that when he answered Lady Durwent's query a quick look
+of relief had passed across the face of Elise. It was for her peace of
+mind he had lied, as into the hours of dawn he had lain awake, trying
+to unravel the meaning of the nocturnal scene. He knew that her
+prodigal brother had been forbidden the ancestral home, but it was
+hardly necessary that he should lie in hiding like a negro slave
+dreading the hounds upon his track. And yet, as he recalled the sudden
+glimpse of Dick's face, Selwyn remembered that there had been a hunted
+look in the dark-shadowed, luminous eyes. Vaguely he felt that this
+new development would hinder the understanding reached by Elise and
+himself during the evening. If only he could go to her and offer his
+help or solace; or if she would come to him frankly and let him share
+the unhappy secret, whatever it was, it might prove a bond of
+comradeship instead of another element to deepen her consciousness of
+aloofness.
+
+Still churning these various thoughts, he smiled his greetings to her,
+and affecting an easy unconcern, took his part in the fashionable
+agricultural conversation which marks the morning intercourse of
+country-living gentle-folk. If it had not been that the pigs mentioned
+were Lord Fitz-Guff's, and the cabbages Lady Dingworthy's--and the
+accents of the speakers beyond question--Selwyn could have imagined
+that he was sitting around Hank Myer's stove in Doanville, N.Y.,
+listening to the gossip of the local Doanvillians on earth's produce.
+
+'Ah,' said Lord Durwent, sighting a messenger from over the egg-timer,
+'here are the papers.'
+
+Directly afterwards the butler entered with the four morning journals,
+solemnly presented them to his master (with a little more dignity than
+a Foreign Minister displays in handing the ambassador of an enemy
+country his passports), then made his exit with his eyes sedately
+raised, to avoid noting more than was necessary of the 'behind-stage'
+aspect of his domain.
+
+'Hello!' said Lord Durwent, perusing the _Morning Post_; 'what's this?
+Austria has delivered an ultimatum to Servia.'
+
+'What!' cried one of the ladies; 'over that unpronounceable
+assassination?'
+
+'Dear me!' said the woman who kept record of retired royalties, 'that
+will upset my dear friend Empress----'
+
+But her voice was lost in the clamour, as every one, deserting
+breakfast, crowded about Lord Durwent, and half in jest demanded to
+know what the ramshackle empire had to say for itself.
+
+In a voice that grew tremulous with anger, the host read the details,
+point by point, and as the seriousness of the thing broke upon the
+hearers, even the very lightest tongues were for the moment stilled.
+
+With a frown the nobleman looked up as he reached the end of the
+ultimatum, in which one nation, for its pride, demanded that another
+should hand over its honour, debased and shackled.
+
+'It is infamous,' said Lord Durwent.
+
+'I tell you what,' said a bland youth named Maynard, who was always in
+high spirits at breakfast, bored at lunch, 'frightfully bucked' by a
+cup of tea at four, and invariably sentimental after dinner; 'it would
+do these nasty little Balkans a lot of good to hold 'em all under water
+for about three minutes--what?'
+
+'But this is more than a Balkan quarrel,' said Lord Durwent.
+
+'Balkan quarrels always are,' said the youth amiably.
+
+In a chorus of quick questions and answers, in which surmise and
+conjecture played ducks and drakes with fact, the party divided into
+two camps, the majority taking the stand that it was a local affair and
+would lead to nothing; the minority, led by a retired army captain
+called Fensome, reading a dark augury for the future. In the midst of
+all the chaffing Selwyn noticed, however, that the placidity of decorum
+had been dropped, and both men and women were leaning forward in the
+unaccustomed stimulus of their brains rallying to meet a new and
+powerful situation.
+
+The men did not lose that note of easy banter which seemed the rule
+when women were present, but in the faces of the little group who
+contended that danger was ahead he could detect the stiffening of the
+jaw and the steadying of the eye which come to those who see events
+riding towards them with the threat of a prairie fire driven by a wind.
+
+'But, good heavens!' said Selwyn, in answer to some one's prophecy that
+war would result, 'surely the big nations can stop it. Germany and you
+and America--we three won't let Austria cut Servia's throat in full
+daylight.'
+
+The retired army captain turned a monocle on him. 'You have been in
+Germany, Mr. Selwyn?'
+
+'Yes, just recently.'
+
+'Did you ever hear them toasting _Der Tag_? My friend, it has
+arrived.--Durwent, old boy, if you will excuse me, I think I shall go
+to town at noon. If my old bones aren't lying, the thing which a few
+of us fossils have been preaching to deaf ears has come to pass, and
+there may be a job for a belivered old devil like me yet.'
+
+'But,' cried Lady Durwent, whose easily roused theatrical instinct gave
+her the delightful sensation of presiding at a meeting of the Cabinet,
+'what have we to do with Austria and Servia?'
+
+'Hear, hear,' said the bland youth. 'Let 'em hop aboard each other if
+they like. I think it would be deucedly splendid for us to have
+another war; we're all fed up--aren't we?--with just enjoying
+ourselves. But I don't see how we can intrude into those blighters'
+little show.'
+
+'Exactly,' said Selwyn; 'it's an isolated incident in European affairs.
+In what possible way can it lead to a rupture between Britain and
+Germany, as Captain Fensome here predicts?'
+
+The officer referred to shrugged his shoulders. 'It's fairly simple,'
+he said. 'If, as I think, Germany is behind all this, Servia will
+appeal to Russia; and remember that the Great Bear is mother to all the
+Slavs. There will, of course, be jockeying for position, bluff,
+bravado, and all the rest of it; but France is bound to act with
+Russia, and with all that explosive hanging around it will be strange
+if some spark doesn't fall among it.'
+
+'But what has that to do with England?'
+
+'Nothing and everything. The greatest hope of maintaining peace lies
+with Great Britain. If we had the army we should have, I don't think
+there would be a war; but, thanks to our ostrich temperament, we are
+reduced to a handful of men and our action is robbed of everything but
+merely moral strength.'
+
+'But that is a tremendous factor,' said Selwyn.
+
+'Yes,' admitted the other dryly; 'but I prefer guns.'
+
+'Then you don't think Britain powerful enough to steady the situation
+if it comes?'
+
+'N-no. Not unless'---- The monocle dropped from the speaker's eye,
+and with annoying coolness he paused to replace it. 'Do you think
+America will swallow her doctrine and throw in her lot with us?'
+
+Selwyn bit his lip to keep himself from too impetuous an answer. For
+the first time he felt an envy for the cool imperturbability of the
+Island Race.
+
+'If you ask me,' he said, 'whether America will plunge into war at the
+bidding of a group of diplomats who shuffle the nations like a pack of
+cards, then I say no. If you older nations over here allow this thing
+to come to a crisis with a rattling of swords and "_Hock der Kaiser!_"
+and "Britannia Rules the Waves," count us out. But should the occasion
+arise when palpable injustice is being done, and the soul of Britain
+calls to the soul of America that Right must be maintained, then the
+Republic that was born--if you will permit me to say so--born out of
+its resentment against injustice will act instantly.'
+
+'Supposing,' said the other, 'that Germany invades Belgium?'
+
+'But--I understand that Germany has guaranteed Belgium's neutrality.'
+
+The ex-officer showed no signs of having heard him, but shook his head
+impatiently as one does when annoyed by a fly. 'Supposing,' he
+repeated, 'that Germany invades Belgium.'
+
+'In that case,' said Selwyn sternly, 'America will be the first to
+protest.'
+
+'To protest?'
+
+'And fight,' said the American, swallowing a desire to hurl a plate at
+the monocle.
+
+'You will pardon me,' said Lord Durwent, 'but I do not think we can
+expect America to become mixed up in this thing. She has her own
+problems of the New World, and it is too much to hope that she is going
+to come over here and become embroiled in a European conflict.'
+
+'But, dad,' said Elise Durwent, speaking for the first time, 'if, as
+Mr. Selwyn says, it is clear that a wrong is being committed, America
+will insist upon acting.'
+
+'Oh, I don't know,' broke in the youth who was always lively at
+breakfast, but who was beginning to be bored; 'it's one thing to get
+waxy about your own corns, and quite another when they're on some other
+blighter's foot--what? I mean, you chaps over there got awfully hot
+under the collar when dear old Georgius Rex--Heaven rest his
+soul!--tried to jump down your throat with both spurs on and gallop
+your little tum-tums out. But the question is, does it hurt in the
+same place if old Frankie-Joseph of Austria pinks Thingmabob of Servia
+underneath the fifth rib--what, what?'
+
+'Is Britain great enough for such a situation?' asked Selwyn,
+repressing a smile. 'Would she accept Belgium's crisis as her own?'
+
+'Oh, that's another thing,' said the young man a little uncomfortably.
+'We've signed the bally thing, and of course we'll play the game,
+and'----
+
+'As Maynard says,' interrupted the former army man, 'it's a bigger
+thing for America than for us. Mind you, I don't say we need America
+to help us to make war, but we do need her help if war is to be
+averted; and any move of such a nature on her part demands what you
+author fellows would call "a high degree of altruism." How's that,
+Durwent, for a chap who never reads anything but the _Pink Un_?'
+
+'Oh, well,' said Lady Durwent complacently, 'it's probably all a storm
+in a teacup, anyway. Some Austrian diplomat has been jilted for a
+Servian, I suppose. Isn't that the way wars always happen?' and she
+sighed heavily, recalling to her mind the classic features of H.
+Stackton Dunckley.
+
+'That's what I say,' said the bright youth of the morning splendour.
+'Why make a horse cross a bridge if it won't drink? Here goes--heads,
+a European war; tails, another thousand years of peace.--Ah, tough
+luck, Fensome, old son; it's tails.'
+
+'Then let's begin the thousand years with some tennis,' cried Elise,
+whose eyes were sparkling, 'immediately after breakfast.'
+
+'Shall us? Let's,' cried the talkative Maynard. 'So lay on,
+comrades--the victuals are waiting--and "damned be he that first cries,
+'Hold, enough!"'
+
+
+III.
+
+With an animated burst of chatter the house-party had given itself over
+to a thorough enjoyment of the remainder of breakfast. Ultimatums and
+the alarums of war vanished into thin air, like mists dispelled by the
+sun. The serious face of the ex-officer and the unwonted air of
+distraction on Lord Durwent's countenance were the only indications
+that the morning was different from any other. Tongues and hearts were
+light, and airy bubbles of badinage were blown into space for the
+delectation of all who cared to look.
+
+It was during a fashionable monologue of the Court-Circular lady that
+Maynard, the man of moods, who was sitting next to Selwyn, leaned over
+and whispered, 'Get hold of the _Sketch_. It's on your right. Pretend
+you're looking at the pictures. I've got the _Mirror_.'
+
+Wondering what asinine prank was in the young man's mind, but not
+wanting to disturb the monologuist by untimely controversy, Selwyn
+reached for the _Sketch_, and assumed a deep interest in the very
+latest picture of London's very latest stage favourite who could
+neither sing, dance, nor act, and was tremendously popular.
+
+'Excuse me, Lady Durwent,' said the gilded youth when a lull permitted
+him to speak, 'but would you pass the _Daily Mail_, please?'
+
+'My dear Horace,' said Elise, 'you haven't taken to reading the _Mail_?'
+
+'No, dear one. Heaven forbid! I merely write for it.'
+
+'What!' There was an _ensemble_ of astonishment.
+
+'Ra-ther. I sent their contributed page a scholarly little thing from
+my pen entitled "Should One Kiss in the Park?" If it's in I get three
+guineas, and I'm going to start for Fiji to escape old Fensome's war.'
+
+'Mr. Selwyn,' said Lady Durwent, passing the journal along, 'you have a
+rival.'
+
+With an air of considerable embarrassment the fair-haired contributor
+to newspapers opened the pages of the _Daily Mail_, but protesting that
+he was too bashful to endure the gaze of the curious, he begged
+permission to retire to the library, there to search in privacy for his
+literary child.
+
+'I say, Selwyn,' he said, 'you come along too if you're through
+pecking. Nothing like having the opinion of an expert, even if he is
+jealous.'
+
+With a promise to return immediately and read the effort aloud, the two
+men left the table and adjourned to the adjoining room. With a frown
+of impatience Selwyn was about to demand the reason for his inclusion
+in the silly affair, when the other stopped him with a gesture and
+closed the door.
+
+'Quick!' he said. 'Grab that knife--here's the _Sketch_. Look through
+it for anything about Dick Durwent.'
+
+Seeing that the other was serious, Selwyn spread the paper before him
+and hurriedly searched its columns.
+
+'Great Scott!' he cried. 'Here it'----
+
+'Sh-sh! Hurry up and cut it out. Right. I'll fix up the _Mirror_ in
+the same way. Now skim through the _Mail_. Got it? By Jove! damn
+near a whole column. Here'--Maynard ran the knife down the side of the
+column. 'Now then, old Fensome has promised to get the thing out of
+the _Post_, and to tell Lord Durwent before he goes to town. But he
+mustn't hear of it this way, and those women are not to know a word
+about it while they're in the house.'
+
+Selwyn nodded and looked at the ragged clippings in his hand:
+
+
+ 'ATTEMPTED MURDER IN WEST END.'
+ 'WELL-KNOWN NOBLEMAN ATTACKED BY PEER'S SON.'
+ 'QUARREL OVER DEMI-MONDAINE.'
+
+
+'Gad, those are juicy lines, aren't they?' said Maynard. 'Won't some
+of our worthy citizens lick their chops over them, and point to the
+depravity of the upper classes? Do you know Dick Durwent?'
+
+'I have seen him a couple of times.'
+
+'Awfully decent chap. Screw loose, you know, and punishes his Scotch
+no end, but a topping fellow underneath. I don't know who the bit of
+fluff is that they're fighting about, but you can wager a quid to a bob
+that Dick thought he was doing her a good turn.'
+
+'I wonder who the nobleman is.'
+
+'Can't say, I'm sure. Probably he can't either just now, seeing what
+Durwent did to him. Of course, it's a rotten thing to say, but if the
+blighter's really going to die, I hope he's one of the seventeen who
+stand between me and the Earldom of Forth.'
+
+There was a knock at the door, and an inquiry regarding the newly
+discovered author.
+
+'Coming,' called Maynard, reaching for the _Daily Mail_. 'Shove those
+clippings in your pocket, Selwyn, and for the love of Allah help me to
+select something here that I can pretend to have written. Fortunately
+I can play the blithering idiot without much trouble.'
+
+
+
+
+CHAPTER XI.
+
+THE RENDING OF THE VEIL.
+
+
+I.
+
+The house-party at Roselawn had hurriedly broken up, and only Selwyn
+remained. In view of the scandal about Dick Durwent, although it was not
+spoken of by any one, he felt that it would have been more delicate to
+leave with the other guests. But it seemed as if the Durwents dreaded to
+be alone. His presence gave an impersonal shield behind which they could
+seek shelter from each other, and they urged him so earnestly to remain
+that it would have been ungracious to refuse.
+
+It was the evening of August 4th, and the family circle, reduced to four,
+had just finished dinner. There had been only one topic of
+conversation--there could be but one. Britain had given Germany until
+midnight (Central European time) to guarantee withdrawal from Belgium.
+
+After dinner the family adjourned for coffee to the living-room, and, as
+was his custom, Lord Durwent proffered his guest a cigar.
+
+'No, thanks,' said Selwyn. 'If you will excuse me, I think I will do
+without a smoke just now.--Lady Durwent, do you mind if I go to my room
+for half-an-hour? There are one or two matters I must attend to.'
+
+Half-way up the stairs he changed his mind, and went out on the lawn
+instead. Darkness was setting in with swiftly gathering shadows, and he
+found the cool evening air a slight solace to a brow that was weary with
+conflicting thoughts.
+
+America had not acted. There towards the west his great country lay
+wrapped in ocean's aloofness. The pointed doubts of the ex-army captain
+had been confirmed--America had stood aside. Well, why shouldn't she!
+It was all very well, he argued, for Britain to pose as a protector of
+Belgium, but she could not afford to do otherwise. It was simply
+European politics all over again, and the very existence of America
+depended on her complete isolation from the Old World.
+
+Yet Germany had sworn to observe Belgium's neutrality, and at that very
+moment her guns were battering the little nation to bits. Was that just
+a European affair, or did it amount to a world issue?
+
+If only Roosevelt were in power! . . . Who was this man Wilson, anyway?
+Could anything good come out of Princeton? . . . In spite of himself,
+Selwyn laughed to find how much of the Harvard tradition remained.
+
+If America had only spoken. If she had at least recorded her protest.
+Supposing Germany won. . . .
+
+Supposing----
+
+He kicked at a twig that lay in his path, and recalled the wonderful
+regiments that he had seen march past the Kaiser only three months ago.
+Who was going to stop that mighty empire? Effeminate France? Insular,
+ease-loving England?
+
+Passing the stables, he started nervously at hearing his name spoken.
+
+'Good-evening, Mr. Selwyn. It's pleasant out o' doors, sir.'
+
+It was Mathews, the head-groom of the Durwents.
+
+'Yes,' said the American, pausing, 'very pleasant.'
+
+'It looks sort of as if we was going to 'ave some ditherin's wi' Germany,
+Mr. Selwyn.'
+
+'It does. I don't see how war can be averted now.'
+
+'It's funny Mister Malcolm ain't 'ome yet, sir. Has 'is moberlizin'
+orders came?'
+
+'There's a War Office telegram in the house. I suppose his instructions
+are in it.'
+
+The groom shook his head and swung philosophically on his heels. He was
+a broad-faced man of nearly fifty, with an honest simplicity of
+countenance and manner engendered of long service where master and man
+live in a relation of mutual confidence. He sucked meditatively at a
+corn-cob pipe, and Selwyn, changing his mind about a cigar, produced a
+case from his pocket.
+
+'Have one, Mathews?' he asked.
+
+'No, thank 'ee, sir. I'm a man o' easy-goin' 'abits, and likes me old
+pipe and me old woman likewise, both being sim'lar and the same.'
+
+With which profound thought he drew a long breath of smoke and sent it on
+the air, to follow his philosophy to whatever place words go to.
+
+'If Germany and us puts on the gloves,' ruminated Mathews, 'I'll be real
+sorry Mas'r Dick ain't 'ere. He's a rare lad, 'e is--one o' the right
+breed, and no argifyin' can prove contrariwise. I always was fond o'
+Mas'r Dick, I was, since 'e was so high, and used to come in 'ere and ask
+me to learn 'im how to swear proper like a groom. Ah, a fine lad 'e was;
+and--criky!--'e were a lovely sight on a hoss. Mister Malcolm 'e's a
+fine rider hisself, but just a little stiff to my fancy, conseckens o'
+sittin' up on parade with them there Hussars o' hisn. But Mas'r Dick--he
+were part o' the hoss, he were, likewise and sim'lar.'
+
+Selwyn nodded and smoked in silence. He was rather glad to have run into
+the garrulous groom. The steady stream of inelegant English helped to
+ease the torture of his mind.
+
+'Has milord said anything about the hosses, Mr. Selwyn?'
+
+'No. What do you mean?'
+
+'Nothing much, sir, excep' that it's just what you can expeck from a
+gen'l'man like him. He comes in 'ere this arternoon and says to me,
+"Mathews," he says, "if this 'ere war comes about it'll be a long one,
+and make no mistake, so I estermate we'd better give the Government our
+hosses right away, in course keepin' old Ned for to drive." Never
+twigged an eyelash, he didn't. No, sir. Just up and tells it to me like
+I'm a-doin' to you. "Then," I says, "you won't be wanting me no longer,
+milord?" And he says, "Mathews, as long as there's a home for me,
+there's one for you," and he clapped me on my shoulder likewise as if him
+and me were ekals. It kind o' done me in, it did, what with the prospick
+o' losin' my hosses--them as I'd raised since they was runnin' around
+arter their mothers like young galathumpians--and what with his speakin'
+so fair and kindly like. Well--criky!--I could ha' swore; I felt so bad.'
+
+'It will be a great loss for Lord Durwent to lose his stable.'
+
+'Ah, that it will. But this arternoon, arter what I'm a-tellin' you, he
+just goes through with me and says, "Nell's lookin' pretty fit," or
+"How's Prince's bad knee?" just as if nothink had happened at all. I
+says to myself, "Milord, you're a thoroughbred, you are," for he makes me
+think o' Mister Malcolm's bull-terrier, he do. Breed? That there dog
+has a ancestry as would do credit to a Egyptian mummy. I've seen Mister
+Malcolm take a whip arter the dog had got among the chickens or took a
+bite out o' the game-keeper's leg, him never liking the game-keeper,
+conseckens o' his being bow-legged and having a contrary dispersition,
+and do you think that there dog would let a whimper out o' him? No, sir.
+He would just turn his eye on Mister Malcolm and sorter say, "All right,
+thrash away. I may hev my little weaknesses, but, thank Gord! I come of
+a distinkished fam'ly."'
+
+They smoked in silence for a few minutes.
+
+'No, sir,' resumed the groom, pushing his hat back in order to scratch
+his head, 'he never whimpered, did milord; but I saw when he got opposite
+Mas'r Dick's old mare Princess that he felt kind o' bad, and he didn't
+say much for the better part o' a minute. Mr. Selwyn, I'm a bit creaky
+in my jints and ain't as frisky as I were, but I'd be werry much obliged
+to be sent over to this 'ere war and see if I couldn't put a bullet or
+two in some o' them there sausage-eaters.'
+
+'Well,' said the American moodily, 'you may get your chance.'
+
+'Thank 'ee, sir. I hope so, sir.'
+
+'Good-night, Mathews.'
+
+'Good-night, sir. Thank 'ee, sir.'
+
+Selwyn moved off into the network of shadows. Looking back once, he saw
+the weather-beaten groom with hands on his hips, tilting himself to and
+fro in benicotined enjoyment of some odd strain of philosophy. Good
+heavens! was that the way men went to war,--as if it were a hunt with an
+equal chance of being the hound or the hare? 'Sausage-eaters'--what a
+phrase to describe those eagle-helmeted supermen of Prussia's cavalry!
+And this little island of pipe-smoking, country-side philosophers and
+pampered, sport-loving youth--this was the country, heart of a crumbling
+empire, that had ordered the gray torrent of Germany to alter its course
+and flow back to its own confines. It was absurd. It was grotesque. It
+was a sporting thing to do, but would it mean the collapse of the
+sprawling, disjointed British Empire, linked together by a flimsy
+tradition of loyalty to the Crown?
+
+Scotland would be faithful, not so much to England as to her own
+instincts. Even if England were the heart of things, Scotland was the
+brain, and more than any other part supplied the driving-power for the
+wheels of empire. But what of rebellious Ireland and the distant
+Dominions isolated by the seas? Would they seize this moment of
+Britain's mad impetuosity and declare for their own independence? It was
+the history of nations--and did not history repeat itself?
+
+Canada, of course, would be governed in her actions by the mighty
+neighbouring Republic. That was inevitable when the young Dominion's
+life was so dominated by that of the United States. But what of the
+others? . . .
+
+Thus for half-an-hour queried the man from America. He was about to turn
+into the house, when he glanced once more in the direction of the
+stables. It was too dark to distinguish anything, but there was the glow
+from Mathews's pipe as it faintly lit the surrounding darkness.
+
+
+II.
+
+Eleven o'clock.
+
+'Austin.'
+
+He had been sitting in the library talking to Lord Durwent, but the
+latter had just left the room to answer a phone-call from London. Elise,
+who had been playing the gramophone in the music-room, shut the
+instrument off and hurried to the American's side.
+
+'Yes, Elise?' He tried to rise, but she pressed him back and sat on the
+arm of the huge chair, looking down at him with a face that was glowing
+with excitement. Her eyes were like jewels of fate lit from within by
+some magic flame, and a mutinous lock of hair fell on the side of her
+face, almost touching the crimson lips. There was so much magnetism in
+her beauty, such a heaven in the unconquered warmth of her impetuous
+being, that Selwyn gripped the arms of his chair to help to restrain the
+mad impulse to grasp her in his arms and smother those lips and the
+flushed, satin cheeks in a tempest of kisses.
+
+'Yes, Elise?' he repeated, clearing his throat.
+
+'Listen, Austin. I can't stay inside any longer. I think my blood is on
+fire. Will you come with me to the village?'
+
+'At eleven o'clock?'
+
+'Yes. The news from London will reach the village first, and I want to
+be there when it comes. We shall have to hurry if we are to make it in
+time.'
+
+'I'm at your service, Elise.'
+
+'Right-o. I'll let the mater know. I'll just run upstairs and put
+something easy on, and I'll meet you at the front of the house. You had
+better change too.'
+
+A few minutes later she joined him on the lawn. They had just reached
+the road which led to the porter's lodge, when, without a word of
+warning, she grasped his hand, and, half-running, half-dancing, pulled
+him forward at a rapid pace. With a laugh he joined in her mood, and,
+running side by side, they sped along the drive, while startled rabbits
+leaped across their path, and melancholy owls hooted disapprobation. As
+if the fumes of madness had mounted even to the skies, dark flecks of
+cloud raced headlong across the starry heavens.
+
+They were mad. The world was mad. He wondered whether his brain might
+be playing some prank, and this absurd thing of two young people laughing
+and running to discover whether or not a nation was at war would prove a
+pointless jest of unsound imagination.
+
+'Come along,' she cried. 'You're dragging.'
+
+Then it wasn't a dream. The sound of her voice whipped the wandering
+fantasies of his brain into coherency. With a shout he jumped forward,
+and ran as he had not done since that one great game when, as a 'scrub,'
+he had his chance against Yale.
+
+'Oh-oh-oh,' she laughed, 'I'm--winded.'
+
+He caught her up in his arms as if her weight were no more than a
+child's, and carried her forward a hundred paces. His strength was
+limitless. He felt as if his body would never again know the lassitude
+of fatigue.
+
+His pulses were throbbing with double fever: that of the world and his
+own hot love for her. Yes, it was love. What a fool he had been ever to
+doubt it! His last thoughts at night were of her; the last word
+whispered was her name; the last picture shrouded by the approaching
+mists of sleep was of her face. What was morning but a sunlit moment
+that meant Elise? What was the day, what were the years, what was life,
+but one great moment to be lived for Elise--Elise?
+
+'Put me down, Austin. There! you'll be tired.'
+
+'Tired!'
+
+But her feet had touched the ground, and she was away again by herself,
+like a tantalising sprite of the woods. The errant lock had been joined
+in its mutiny by a wealth of dark-hued, auburn hair, blowing free in the
+reckless summer breeze.
+
+Out of the estate and along the highway, shadowed by tall bushes; past
+cottages hiding in snug retreat of vines and flowers; past the
+cross-roads, with their sign-post standing like a gibbet waiting its
+prize; past the inn on the outskirts of the village, with its creaking
+sign, and its neighing horses in the stable; past the church on the rise
+of the hill, with its graveyard and its ivy-covered steeple--and then the
+village.
+
+Gathered in the square they could see a group of people listening to a
+man who was reading something aloud.
+
+'It's the rector,' said Elise. 'Let us wait a minute. Can you hear what
+he is saying?'
+
+The voice had stopped, and the crowd broke into a cheer that echoed
+strangely on the night-air. It had hardly died away when a quavering,
+high-pitched voice started 'God Save the King,' and with a sturdy
+indifference to pitch the rest followed, the octogenarian who had begun
+it sounding clear above the others as he half-whistled and half-sang the
+anthem through his two remaining teeth.
+
+'That's old Hills!' cried Elise, laughing hysterically. 'He was at
+Sebastopol.'
+
+The crowd was coming away.
+
+Some were boisterous, others silent. A girl was laughing, but there was
+a strange look in her eyes. Bounding ahead in high appreciation of the
+village's nocturnal behaviour, a nondescript hound was preceding an
+elderly widow who was weeping quietly as with faltering step she clung to
+the arm of her son, who was carrying himself with a new erectness.
+
+Behind them walked Mathews the groom, corn-cob pipe and all, shaking his
+head argumentatively and squaring his shoulders.
+
+An Empire had declared war.
+
+
+III.
+
+Elise entered the post-office to telephone the news to Roselawn, and
+Selwyn was left alone. It was only for a few minutes, but in that brief
+space of time his whole being underwent a vital crisis, which was not
+only to change the course of his own life, but was to affect thousands
+who would never meet him.
+
+The creative mind is ever elusive and unexpected in its workings. In it
+the masculine and feminine temperaments are fused. It leaps to
+conclusions--erroneous maybe, but sustained by the feminine conviction
+that what is instinctive must be true. Selwyn's was essentially a
+creative mind, prone to emotionalism and to inspiration. With men of his
+type logic is largely retrogressive: the conclusion is reached first; the
+reasons follow.
+
+A few days before his imagination had been strangely stirred by the
+swiftness of thought which at twilight in England could visualise New
+York at noon. Simple though the scientific explanation might be, it had
+left him with a sense of detachment, almost as if he were on Olympus and
+the world spread out below for him to gaze upon.
+
+That feeling now returned with redoubled force.
+
+The group of villagers had parted into many human fragments. He could
+hear the hearty invitation of the innkeeper for all boon spirits to join
+him, free of expense--and regardless of the liquor laws--in a pint of
+bitter, to drink confusion to the enemy. But to Selwyn they seemed
+creatures of another planet--or, rather, that he was the visitor in a
+world of strange inhabitants.
+
+All the resentfulness of an idealist whose ancestry was steeped in
+liberty of action rose to a fury at this unwarrantable interference of
+war with the lives of men--a fury maddened by his feeling of utter
+impotence. Was it possible, he argued, that a group of men drunk with
+pomp and lust of conquest could wreck the whole fabric of civilisation?
+What of science and education? Had they risen only to be the playthings
+of madmen? What kind of a world was it that allowed such things?
+
+Was it possible, however, that this war was different from any other?
+Granted that Austria had willed the crushing of Servia, and that Germany
+was instigator of the crime--had not the rest of the world proved false
+to their creeds by allowing the war-hunger of the Central Powers to
+achieve its aim? Supposing France, Britain, America, and Italy had
+joined in an immediate warning to Germany and Austria that if they did
+not desist from their malpractices the area of their countries would be
+declared a plague-spot, commercial intercourse with the outside world
+would be brought to an end, and their citizens treated as lepers. If
+that had been done, men could have gone on leading the lives to which
+they had been called, and by sheer cumulative effect could have exerted a
+moral pressure on the war-lust of Germany that would have been
+irresistible.
+
+Yet, like a bull that sees red, the nations had rushed madly at each
+other, thirsting to gore each other's vitals with their horns. Men of
+peaceful vocations were at that very moment slaughtering their
+brother-men. It was wrong--hideously wrong!
+
+And the charge of responsibility could not be laid at the door of those
+idiots of Emperors. Their crime was evil enough, but the responsibility
+for war was with the people who allowed themselves to be led to murder by
+a mad, jingoistic patriotism. Supposing that when Europe was mobilising,
+the people of Great Britain had sent a message to the Germans: 'Brothers,
+justice must be done and malefactors punished. Fearing nothing but the
+universal conscience, we refuse to fight with you, but demand in
+humanity's name that you join with us in establishing the permanent
+supremacy of Right.' Some such message as that coming from a Power
+steeped in a great past would have been ashes to smother the smouldering
+flames of world-war.
+
+But there was no machinery for such a thing. There was no method by
+which the great heart of one country could speak with that of another.
+Our obsolete diplomatic envoys, the errand-boys of international
+politics, were mere artifices, tending to cement rather than to dispel
+the mutual distrust of nations. What, then, stood in the way of
+world-understanding? What was the cause of the blindness which permitted
+men to be led like dumb cattle to the slaughter?
+
+_Ignorance_.
+
+That was the answer to it all. It was ignorance that kept a nation
+unaware of its own highest destiny; it was ignorance that fomented
+trouble among the peoples of the earth. Suffering, sickness, crime,
+tyranny, war, were all growths whose roots were buried in ignorance and
+sucked its vile nourishment.
+
+An impetuous wave of loyalty towards his own country swept over Austin
+Selwyn at the thought. Other peoples had declared war on each other:
+America by her silence had declared war on Ignorance. He felt a sudden
+shame for his previous doubts. He saw clearly that his great
+continent-country was a rock to which the other baffled, despairing
+nations might cling when disaster overtook them.
+
+And as he was joined by Elise Durwent, the American swore an eternal oath
+of vengeance against Ignorance.
+
+
+IV.
+
+With her arm in his, their subdued voices trembling with the repression
+of emotion, they retraced their steps. Back past the church with its
+white gravestones so curiously peaceful in the midst of it all; past the
+inn, jovial with light and the clamour of village oracles; past the
+forge, with its lifeless fires a presage of things to come; past the
+cross-roads, where the sign-post, silhouetted against the sky, seemed no
+longer a gibbet, but a crucifix; past cottages stirring with unaccustomed
+life, unconscious of the unbidden guest that was soon to knock with
+ghostly fingers at almost every door.
+
+Along the quiet English lane they walked, but though the closeness of the
+girl beside him was ministering to the senses, his mind remained so
+clutched in the grip of thought that his head throbbed with pain with
+each step of his foot jarring upon the road.
+
+They had reached the entrance to the estate and were nearing the house,
+when his reverie was broken by the sound of a quivering breath and a
+trembling of the hand on his arm. Like a conflagration that is already
+out of control, his brain flared into further revolt with the stimulus of
+a new resentment--he had not thought of woman's part in the thing.
+
+'Elise,' he cried, 'this is monstrous. It is only the vile selfishness
+of men that makes it possible. They are not giving a thought to the
+women, yet you are the real sufferers. Now I know what you meant when
+you said that women don't have their place in the world. If they did,
+this never could have happened; for their hearts would never permit the
+men that are born of women to slaughter each other like bestial savages.
+Now is the time for you to speak. This is the hour for your rebellion.
+Let the whole world of women rise in a body and denounce this inhuman,
+insufferable wrong. If your rebellion is ever to come, let it come now.'
+
+The hand on his arm was wrenched free, and Elise stood facing him with
+fury in her eyes.
+
+'Are you mad, Mr. Selwyn? Or is this your idea of a joke?'
+
+He stared at her, dumbfounded. Her eyes were glowing, and her lips were
+parched with the fever of the breath passing through them.
+
+'A joke?' he said. 'Great heavens! Do you think I would jest on such a
+subject?'
+
+'But---- You mean that we women should organise, rise up, to hinder our
+men from going to war?'
+
+'Doesn't your heart tell you how infamous war is?'
+
+'What does that matter?'
+
+'But, Elise,' he pleaded desperately, 'some one must be great enough to
+rise to the new citizenship of the world even if martyrdom be the
+condition of enrolment. It is far, far harder than snatching a musket
+and sweeping on with the mob, but it is for people like you and me to
+have the courage to try to stem this flood of ignorance, to stop this
+butchery of women's hearts.'
+
+'Women's hearts!' She laughed hysterically. 'And you believe that you
+understand women! Do you think war appals us? Do you think because we
+may shed tears that it is from self-pity? Rubbish! There are thousands
+of us to-night who could almost shout for joy.'
+
+'Elise!'
+
+'I mean it. Don't you see that to-night our whole life has been changed?
+Men are going to die--horribly, cruelly--but they're going to play the
+parts of men. Don't you understand what that means to us? _We're part
+of it all_. It was the women who gave them birth. It was the women who
+reared them, then lost them in ordinary life--and now it's all justified.
+They can't go to war without us. We're partners at last. Do you think
+women are afraid of war? Why, the glory of it is in our very blood.'
+
+'But,' cried Selwyn, 'you can't think what you are saying.'
+
+'I don't want to. All I know is that I could sing and dance and go mad
+for the wonder of it all.'
+
+He took a step forward and grasped both her wrists in his hands.
+
+'Listen to me,' he said, his jaw stiffening as he spoke; 'some of us have
+got to keep our sanity in this crisis. You know better than I, for you
+have described it to me, that this country has been darkened with
+ignorance just as Germany and the rest have been. This is the climax of
+it all--and you're going to help it on, instead of having the courage to
+take your stand. Elise, to-night I pledged my whole life to a crusade
+against the darkness that men are forced to endure. It is going to be a
+long fight, and perhaps a hopeless one, although some day, somehow, the
+cause must win. And I need your inspiration. Oh, my dear, my dear, you
+must know how much I love you. Every minute that you're away I'm hungry
+for you. When we were together that evening by the stream I longed so to
+take you in my arms that my heart ached with the repression I forced on
+myself. I have known that there were a thousand difficulties in the way,
+and I was not going to speak, but the other night when you met your
+brother by the oak'----
+
+'Oh! you were spying.'
+
+'It was an accident. I said nothing to you about it, but I thought that
+perhaps you needed me a little, that it might be my privilege to share
+your sorrow. And to-night, dear, I know that together we could work and
+live, and be a tremendous power for good.'
+
+Her face, which had gone strangely pale, was darkened by a return of the
+crimson flush.
+
+'Do you think I'd marry you,' she exclaimed scornfully--'a man who
+counsels treason?'
+
+'I counsel loyalty to the higher citizenship.'
+
+'H'mm!' Her shoulders contracted, and forcing her wrists free of his
+hands, she looked haughtily into his burning eyes. 'You had better go
+back to America and tell them there of this ignorant little island whose
+men are so crude and stupid that when the King calls they go to war.'
+
+'Elise'----
+
+'I would rather marry the poorest groom in our stables than you. He
+would at least be a man.'
+
+'I have not deserved this, Elise. God knows I am no more a coward than
+other men, but I feel that I have seen a great truth which demands my
+loyalty.'
+
+'It is easier to be loyal to a truth than to a country.'
+
+'You know you are wrong when you say that. Come--we are both unnerved
+to-night. Perhaps I was injudicious to speak at a time when I should
+have known that you would be overwrought, but I could not keep back the
+love which you must have read'----
+
+'Please, Mr. Selwyn, you must never mention that again. I don't want to
+marry you. I don't want to marry any one. I always said that a women's
+rebellion would come, and I feel in my blood that it has started
+to-night. I don't know how, or when, or where, but I am going to join it
+and'----
+
+'Then you agree with me?' he cried eagerly. 'You feel that the women of
+this country should rise, and try to prevent this catastrophe?'
+
+'You fool,' she said, half in pity, but with a sneer; 'you poor blind
+American! Yes, there's going to be a revolution against conventions,
+Society, customs, morality, for all I know. They're all going overboard.
+We've hoisted the black flag to-night, but with one, and only one,
+object--to help Britain and the men of Britain to fight!'
+
+ * * * * * *
+
+And the British Fleet, at the King's command, was steaming out into the
+night.
+
+
+
+
+CHAPTER XII.
+
+THE HONOURABLE MALCOLM DURWENT STARTS ON A JOURNEY.
+
+
+I.
+
+An early morning mist hung over the fields of Roselawn. From his nest in
+the branches of a tree, a bird chirruped dubiously, as though to assure
+himself even against his better judgment that the rain was only a threat.
+The woods which bordered the meadows were blurred into a foreboding,
+formless black, like a fringe of mourning, and the distant hills stood
+sentinels at the sepulchre of nature.
+
+Flowers, rearing their lovely necks for the first caress of the sun,
+drooped disconsolately, their petals like the lips of a maid who has
+waited in vain for the coming of her lover. Cattle in the fields moved
+restlessly from one spot to another, finding the grass sour and
+unpalatable. Through the damp-charged air the melancholy plaint of a
+single cow sounded like the warning of rocks on a foggy coast.
+
+In the air which was unstirred by a breath of wind the very buildings of
+Roselawn seemed strangely motionless, with their roofs glistening in
+their covering of moisture. And through an archway of trees the distant
+spire of the church on the hill rose above the mist as a symbol held
+aloft by some smoke-shrouded martyr of the past.
+
+A hound with apologetic tail came stealthily from the house and made for
+the cover of the stables. A horse rattled its headstall and pawed the
+flooring with a restless hoof.
+
+With a feeling of chill in the air, Selwyn rose at seven, and dressing
+himself quickly, left the house for a walk before breakfast. His body
+was fatigued from the long vigil of the mind which had kept at bay all
+but a short hour of sleep, but he felt the necessity of exercise, as
+though in the striding of limbs his torturing thoughts might lessen their
+thumbscrew grip.
+
+His feet grew heavy in the thick dew of the grass, as he plunged across
+the fields to a path which led through the woods, where squirrels,
+coquetting with the intruder, dared him to follow to the summit of the
+oaks.
+
+Heedless of the morning's melancholy, yet unconsciously soothed by its
+calm solace, he went briskly forward, and his blood, sluggish from
+inaction, leaped through his veins and coloured the shadowed pallor of
+his face with a glow of warmth.
+
+He had lost her.
+
+That was the dominant note of his thoughts. What a jest the Fates had
+prepared for him that the very moment when the incoherencies of his life
+were crystallised by a great flash of truth--the very moment when he had
+felt the overwhelming impulse to consecrate his life in a crusade against
+Ignorance--that same instant should witness the snapping of the silk
+threads of his love!
+
+How scornful she had been--as if he were something unclean, too low a
+thing for her to touch! This girl, whom he had pitied for her
+loneliness--this woman who had ridiculed the life of England and declared
+that it was stifling her--had said that the glory of war was in her
+blood. She had called him a fool because he dared to say that carnage
+was wrong. He had thought her an advanced thinker; she was a reactionary
+of the most pronounced type.
+
+A feeling of fury whipped his pulses. Confound her and her unbridled
+tongue! What a fool he had been to woo her! One might as well try to
+coax a wild horse into submission. She would have to be conquered; she
+should be brought into subjugation by the stronger will of a man, for
+only through surrender would she achieve her own happiness. At present
+she resented equally the conquering of herself physically and mentally.
+For her own sake she must be taught the perversion of her outlook on life.
+
+And Austin Selwyn, the idealist, little thought that he was applying to
+Elise Durwent the same philosophy as Prussia was applying to Europe.
+
+But of one thing he was certain--much as he loved her (and at the thought
+his heart grew heavy with longing), his words on war had not been the
+idle declaimings of a sophist. There was a higher citizenship; the world
+was wrong to allow this war; and ignorance was the foe of mankind.
+
+He would not withdraw from that platform. Duty was not something from
+which a man could step lightly aside. All his writings, all his
+thoughts, all his half-worked-out philosophies had been but training for
+this great moment. And now that it had come he would not prove renegade.
+
+He would write with the language of inspiration. The agony of Man would
+be his spur, so that neither fatigue nor indifference could impede his
+labours. With the tears of the world he would pen such works that people
+everywhere would see the beacon-light of truth, and by it steer their
+troubled course.
+
+Five miles he covered in little more than an hour, and with the returning
+sense of strength his purpose grew in firmness.
+
+The call of the Universal Mind had penetrated through the labyrinth of
+life as the sound of the hunting-horn through leafy woods. There must be
+millions, he knew, who were of that great unison, kept from _ensemble_ by
+the absence of co-ordination, by the lack of self-expression. It might
+not be for him to do more than help to light the torch, but, once lit, it
+would burst into flame, and the man to carry it would then come forward,
+as he had always done since ages immemorial when a world-crisis called
+for a world-man.
+
+A sudden weakness crept into his blood. He was nearing home, and in a
+few minutes would see her again. If only he could have left the previous
+night on some pretext--but now he would have to wait until the afternoon
+at least. How strange it was to think of losing her! How wedded his
+subconscious thoughts had been to living out the future with her as his
+revelation of Heaven's poetry! Would he have the courage to maintain his
+purpose, or, at the sight of her, would he throw himself at her feet,
+and, admitting failure, plead for mercy to the vanquished?
+
+No. A thousand times no. Anything but that.
+
+Reaching the clearing in the woods, he paused as the ivy-covered towers
+of Roselawn were presented to his gaze. With a characteristic working of
+his shoulders he drew himself to his full height, and his jaws and lips
+were set in implacable determination.
+
+The mist still clung to the earth, but over the north-east tower of
+Roselawn he could see the sun, monstrous and red, looming with its sullen
+threat of heat.
+
+
+II.
+
+It was nearing the end of a breakfast that had been trying for every one.
+Lord Durwent's usual kindly affability was overcast by a fresh worry--the
+non-appearance of his son Malcolm. Four telegrams had been despatched to
+Scotland, but no answer had come. Elise had been gay and talkative with
+a forced vivacity; and Lady Durwent had been bordering on hysteria. Not
+that the dear lady was of sufficient depth to be profoundly moved by the
+world's tragedy, but her unsatisfied sense of the dramatic gave her a new
+thrill every time she said, 'WE ARE AT WAR--THINK OF IT!' as if she were
+afraid that without her reminder they might forget the fact.
+
+Selwyn sat in almost complete silence, merely acknowledging Lady
+Durwent's proclamations of a state of war by appropriate acquiescence,
+but his eyes remained fixed on the table. He could not trust them to
+look at Elise for fear they should prove traitor and sue for an ignoble
+peace. As for her, she met the situation with a smile, using woman's
+instinct of protection to assume a cloak behind which her real feelings
+were concealed.
+
+They had just risen from the table, when the sound of a motor-car was
+heard in the courtyard, and Elise hurried to the window.
+
+'It's Malcolm, dad,' she said.
+
+More in hysteria than ever, Lady Durwent hurried from the room, followed
+more slowly by her husband and her daughter, and greeting the Honourable
+Malcolm at the door, smothered him in a melodramatic embrace.
+
+'My dear, brave Malcolm,' she cried.
+
+With as good grace as possible the young man submitted to the maternal
+endearments, disengaging her arms as soon as he decently could.
+
+'Where's the governor?' he asked. 'Ah, there you are.--Hello,
+Elise!--I'm frightfully sorry, pater,' he went on, shaking hands with
+Lord Durwent and patting his sister on the shoulder, 'about those
+telegrams of yours, but we were on M'Gregor's yacht miles from nowhere,
+and didn't even know the dear old war was on until a fishing-johnny told
+us. Are my orders here?'
+
+'Yes,' answered Lord Durwent; 'there are two telegrams for you. One came
+last night, and one this morning. I will just go into the library and
+fetch them.'
+
+'But, Malcolm,' said Lady Durwent, 'let me introduce our guest, Mr.
+Selwyn of New York.
+
+The young Englishman smiled with rather an attractive air of
+embarrassment. 'I'm frightfully sorry,' he said amiably, proffering his
+hand, 'I didn't see you there. Have you had any kind of a time? It's
+rather a bore being inland in the summer, don't you think?'
+
+'I have enjoyed myself very much,' said the American, 'in spite of the
+tragic end to my visit.'
+
+'Eh,' said the Honourable Malcolm, startled by the seriousness of the
+other's voice, 'what's that? Ah yes--you mean the war. Excuse me if I
+look at these, won't you?--Thanks, pater.'
+
+'WE ARE AT WAR----THINK OF IT!' cried Lady Durwent in a gust of emotion,
+assuming the duties of a Greek chorus while her son examined the
+telegrams brought by her husband.
+
+'Well, well!' said the cavalry lieutenant, reading the first message,
+which was signed by the adjutant of his regiment; 'dear old Agitato. How
+he does love sending out those sweet little things: "Leave cancelled;
+return at once"! Ah, my word! "Secret and Confidential"--good old War
+Office. What a rag they'll have now running their pet little regiments
+all over the world! Humph! By Jove! we're to move to-morrow. Good
+work! Let me see, pater. What train can I catch to town? I must throw
+a few things together'--he looked at his watch--'but I'll be in heaps of
+time for the 11.50. The Agitato always has a late lunch and never drinks
+less than three glasses of port, so I'll throw myself on his full stomach
+and squeal for mercy for being late. I say, pater, do come up while I
+toss a few unnecessaries into my case.--That's right, Brown; put my bag
+in my room. And, Brown, you might put some vaseline on those golf-clubs.
+I sha'n't be wanting them for some little time.--Come along,
+pater.--Excuse me, Mr.--Mr.'----
+
+'SELWYN,' cried Lady Durwent.
+
+'Mr. Selwyn, I'll see you later, eh?'
+
+'The old nobleman ascended the stairs with his son, and the agreeable
+chatter of the younger man, with its references to 'topping sport' and
+'absolutely ripping weather,' came to an end as they disappeared along
+the western wing of the house. Lady Durwent, wiping her eyes, went into
+the library, and Selwyn, who was not particularly enamoured of solitude
+and its attending tyranny of thoughts, followed her.
+
+Elise, who had stood in mute contemplation of her brother, neither
+addressing a remark nor being addressed, hesitated momentarily, then went
+into the drawing-room by herself and closed the door.
+
+'Oh, Mr. Selwyn,' said Lady Durwent, breathing heavily, 'you have no idea
+what a mother's feelings are at a time like this.'
+
+'I can only sympathise most sincerely,' said the American gravely.
+
+'He has been such a good boy,' she said vaguely, 'and so devoted to his
+mother.'
+
+'I can see that, Lady Durwent.'
+
+'I shall never forget,' she went on, her own words creating a deliciously
+dramatic trembling in her bosom, 'how he wept when his father insisted
+upon his leaving home for school. It was all I could do to console the
+child; and when he came home for the holidays he was just my shadow.'
+
+At that satisfactory thought (though Selwyn was a little puzzled at the
+picture of the diminutive Malcolm serving as a shadow for Lady Durwent's
+bulk) she expanded into a smile, but immediately corrected the error with
+a burst of unrestrained grief.
+
+'THINK OF IT, MR. SELWYN,' she cried, reversing the formula--'WE ARE AT
+WAR!'
+
+He murmured assent. 'I am afraid, Lady Durwent,' he said, 'that I must
+return to London this afternoon.'
+
+'Oh, Mr. Selwyn!'
+
+'Yes, I must. I have a great deal of work before me, and only the
+cordiality of your welcome and the pleasure I have felt in being here
+would have allowed me to stay so long. You have been wonderfully kind,
+and perhaps the fact that I was here when war broke out will lend a
+special significance to our friendship for the future.'
+
+'Oh, I shall never forget you,' murmured his hostess, whose emotions were
+so near the surface that almost any remark was sufficient to tap them.
+'You have been the truest of friends, and Elise is so fond of you.'
+
+'I am very fond of Elise,' blurted Selwyn, feeling his cheeks grow red.
+'Her companionship and inspiration were something'----
+
+'Ye-es.' An instinct of caution plugged the emotional channel. Lady
+Durwent saw that she had been indiscreet. It was not in her plan of
+things that her daughter should become enamoured of a commoner. Selwyn
+was all very well for company, and no doubt his books were very good, but
+Elise Durwent would have to marry in her own station of life.
+
+'You feel that you must go this afternoon?' said the Ironmonger's
+daughter dismally, but with an inflection that made it more a reminder
+than a question.
+
+'Yes, Lady Durwent,' he answered, with a cynical smile creeping into his
+lips, which seemed thin and almost cruel. 'I shall catch the 3.50.'
+
+'Then you must come again and see us sometime, Mr. Selwyn,' she said,
+with that vagueness of date used by polite persons when they don't mean a
+thing. Lady Durwent rose with great dignity. 'Will you excuse me, Mr.
+Selwyn? I always meet my housekeeper at ten to discuss domestic matters.
+Elise is somewhere around. Is it too damp for tennis?'
+
+She paused at the door. She had to. It is one of the traditions of the
+stage that a player must stop at the exit and utter one compelling,
+terrific sentence.
+
+'WE ARE AT WAR,' she cried--'TH'----
+
+'Think of it!' he said maliciously, bowing and closing the door after her.
+
+
+III.
+
+Going to his room, Selwyn packed his own bags, dispensing with the
+services of the valet, and with more than one sigh of regret glanced
+about at the luxury which he was soon to quit. The great bed with its
+snowy billows of comfort; the reading-lamp on the little table with the
+motley collection of books borrowed from the library with the very best
+intentions--books which had hardly been opened before sleep would
+obliterate everything from his sight; that merry picture of the two
+medieval enthusiasts playing chess, and those jolly Dickensian paintings
+of huntsmen at luncheon with grinning waiters and ubiquitous dogs. What
+a charm they all had! What a merry little spot England had been in those
+good old days!
+
+A ray of sunshine stole through the curtains as if it were not quite sure
+of its welcome, and shyly rested against the farthest wall of the room.
+With an exclamation of pleasure Selwyn threw open the window and looked
+out upon the lawns.
+
+The sun had won its battle, and the countryside was cleared of the
+invading mist, which was ingloriously retreating to its own territory
+behind the distant hills. There was a sparkle in the air, and the rich
+colourings of the flowers vied with each other in Beauty's quarrel. The
+birds flew from tree to tree, singing their paean of the sun's victory,
+and a light summer breeze was scattering perfume over the earth.
+
+As a sick man emerging from a fever, Selwyn let the refreshing vigour of
+the morning lave his temples with its potency. Looking towards the
+stables, he saw Mathews, the groom, come out of his domain to cast an
+approving glance on Nature's performance. Selwyn decided that he would
+go and say good-bye to the fellow. There was something both sturdy and
+picturesque about him, and the American presumed that even the head-groom
+of the Durwents would not be averse to a ten-shilling gratuity. He
+therefore left his room, and reaching the lawn, strolled over to the
+stables.
+
+'Good-morning, Mr. Selwyn,' said the groom cheerily, touching his
+forehead in a semi-nautical greeting.
+
+'Good-day, Mathews. How are all your family this morning?'
+
+'Meaning the hosses, sir, or opposite-like, my old mare and her colt?
+Likewise and sim'lar, and no disrespeck meant, meaning my old woman and
+little Wellington.'
+
+'Well,' Selwyn smiled at the worthy man's ramifications, 'I did mean the
+horses, but I am even more anxious to know how Mrs. Mathews is.'
+
+'She's a-bloomin', Mr. Selwyn, she is. When I sees 'er t' other night
+dancin' at the village, I says to myself, "Criky! If she hain't got a
+action like a young filly!" Real proud I was of 'er, and 'er being no
+two-year-old neither, but opposite-wise free of the rheumatiz, as is
+getting into my withers like.'
+
+'And how is--did you say his name was Wellington?'
+
+'That's 'is 'andle, Mr. Selwyn, conseckens o' 'is being born with the
+largest nose I ever sees on a hoffspring o' his age. He's only four year
+and a little better, but--criky!--if 'e ain't the knowingest little colt
+as ever I raised! When my old woman gives 'im 'is bath 'e goes "Hiss-ss,
+hiss-ss," just like a proper groom rubbin' down a hoss. But 'e's a
+hunfeeling wretch, 'e is, for when I goes 'ome arter feedin'-time o'
+nights, and thinks I'll just smoke a quiet pipe, 'e ups and says,
+"Lincoln Steeplechase, guv'nor, and I'm a-riding you." And there he has
+everything around the room--'is little table and chairs and toy pianner,
+and I've got to jump over 'em on my 'ands and knees with that there
+wicious scoundrel a-sitting on my neck and yelling, "Come on, you d--d
+old slow-coach! Wot did I give you them oats for?" Now I puts it to
+you, Mr. Selwyn, if a himp as makes 'is fayther jump over a toy pianner
+is the kind o' child as is like to be a comfort to a feller in 'is old
+age.'
+
+With which harrowing query the groom slapped his pipe on his heel and
+blew violently through it to try to disguise his gratification at the
+paternal reminiscence.
+
+'I don't think I've seen all the horses,' said Selwyn. 'Can you spare a
+few minutes to show them to me?'
+
+'Wi' all the pleasure in life, sir. Come in, sir. I know it ain't
+becomin' o' me for to boast,' said the groom as they entered the
+building, 'but if there's a better stable o' hosses than them there, then
+my name ain't Mathews, nor is my Christian names William John neither.
+There ain't many in England as knows a hoss quicker 'an me, Mr. Selwyn,
+though I says it that shouldn't ought to, but I knows a hoss just as soon
+as I sets eyes on 'im. Milord, 'e's just a small bit better, though
+likewise and sim'lar we usually thinks exac'ly the same. Only once we
+disergreed on a hoss. I says it were wicious, and 'e said as 'ow it
+weren't. So we bought it.'
+
+'And who was right?'
+
+'Well, sir, I sort of estermate as 'ow 'e was, for just arter we got 'im
+Mas'r Dick, who ain't afraid o' any beast as walks on four legs, took 'im
+out for a airing. Well, sir, that hoss--powerful brute 'e were, with a
+eye like Sin--goes along like as if 'e 'adn't a evil thought in 'is 'ead;
+but all on a sudden 'e comes to a ditch, and sort o' rolls Mas'r Dick
+into it, and bungs 'is 'ead against a stone.'
+
+'Then he was vicious, after all?'
+
+'No, sir--that's the extr'ord'nary part of it. He comes right back to
+the stables to me and pulls up short. I goes up and looks into that
+there sinful eye. "You hulk o' misery," I says; "you willainous son of a
+abandoned sire!" You know, sir, I always likes to make a hoss feel real
+bad by telling him what's what, for they got intelligence. Mr. Selwyn, I
+should say, by Criky! a 'uman being ain't in the same stall as a hoss for
+intelligence.'
+
+'I think you may be right,' said Selwyn decisively.
+
+'May be? There ain't no doubt about it nowise.'
+
+'And what happened to your horse?'
+
+'Ah yes, sir. Well, sir, I gets on 'im, and pullin' 'is face around by
+'is ear, I give 'im another look in 'is sinful eye. "Where's Mas'r
+Dick?" I says. And--criky!--off 'e goes, lickerty-split, like as if we
+was entered for the Derby, and, sure enough, 'e stops right at the ditch
+where Mas'r Dick was a-lying all peaceful and muddy like a stiff un.
+Well, sir, I gets off and lifts 'im up, and then mounts be'ind 'im, and
+that there hoss 'e never moved until I tells 'im, and then 'e goes home
+so smooth-like that a old lady could 'ave rid 'im and done 'er knitting
+sim'lar. And arter that 'e were as gentle as a lamb, 'e were--and there
+'e is right afore your eyes, Mr. Selwyn. He's a old hoss now, and ain't
+much to look on, but every morning when I comes in 'e takes a look with
+that there bad eye o' hisn and says, just like I says to 'im that day,
+"Where's Mas'r Dick?" I sometimes feels so sorry for the old feller that
+I swears something horrible just to cheer 'im up.'
+
+With considerable interest, though with a certain doubt as to the strict
+authenticity of the narrative, the American looked at the horse, which,
+after a melancholy survey of the visitors, vented its grief in an attempt
+to bite a large-sized slice from the neck of a neighbour.
+
+'Nah, then, you ---- ---- ----,' remarked Mathews unfeelingly, catching
+the old beast a resounding thump on the rump with a stick he carried.
+'That'll learn you, you old hulk o' misery.'
+
+'There's a beautiful mare, said the American, pausing at the stall of a
+superb charger whose graceful limbs and shapely neck spoke of speed and
+spirit.
+
+'Ah! Now that there is a beauty and no mistake. She's got the spirit of
+a young pup, but is as amiable and sweet-tempered as a angel. She's
+Mister Malcolm's hunter, she is, and 'is favourite in the whole stables.
+He never rides anything but 'er to hounds; leastways, 'e never did but
+once, and then Nell--that's 'er name--Nell was took so sick with frettin'
+that she kicked a groom as 'ad come to feed 'er clean across the floor
+agin' that there far wall. Never I see a feller so put out as that there
+groom--never. Well, sir, she wouldn't let no one come nigh 'er, and just
+as we was thinkin' as 'ow we'd 'ave to forcible-feed 'er, in comes Mister
+Malcolm. She 'ears 'im, but don't make no sign, and just as 'e comes up
+close she lets fling 'er 'eels at 'is 'ead. But 'e was watchin' for it,
+and just says "Nellie" kind o' sorrowful and reproachful, sim'lar to the
+prodigal son returnin' to 'is aged fayther. Well, sir, the mare she just
+gives in at the knees and rubbed 'er nose agin' 'im, and says just as
+plain as Scripter that she was real sorry, and 'oped 'e 'd forget it as
+one gen'l'man to a lady.'
+
+With sundry anecdotes of a like nature, Mathews guided the visitor past
+the long line of stalls, whose inhabitants kept their stately heads
+turned to gratify the insatiable curiosity of the equine. To the weary
+mind of the American there was an agreeable balm in the groom's fund of
+anecdote, and even in the odoriferousness of the stable itself.
+
+Reaching the end of that line, Mathews proposed that before they went any
+farther they should go to an adjoining shed and inspect a litter of
+little hounds that were blinking in amazement at their second day's view
+of the world. From a near-by kennel there was the discordant yelping of
+a dozen hounds, and between the two places a kitten was performing its
+toilet with arrogant indifference to the canine threat.
+
+They were just about to retrace their steps, when Selwyn felt Mathews's
+hand on his arm.
+
+'Sh-sh!' the groom whispered. 'There's Mister Malcolm a-come to say
+good-bye to Nellie. I knew 'e would, sir. She'd ha' fretted 'er heart
+out if 'e hadn't.'
+
+
+IV.
+
+Selwyn looked down the stable, and in the dull light he saw the Hussar
+officer standing in the stall by the mare, crooning some endearing words,
+while the beast, in her delight, rubbed her face against his clothes and
+whinnied her plea to be taken for a gallop over the fields.
+
+Not wanting to disturb him, or give the impression that he had been
+watching, Selwyn softly withdrew by a door near the dogs, and after
+giving Mathews a half-sovereign, made a circuit of the lawns and
+approached the house as if he were coming from the woods. As he did so
+young Durwent emerged from the stables, followed by a collie-dog that
+jumped and frolicked about him as he walked. Noticing the American,
+Malcolm crossed over to where he stood, proffering a cigarette.
+
+'Have a gasper, Selwyn?' he asked.
+
+'Thanks very much. I suppose it will be some time before the British
+Army will get into action?'
+
+'I don't know, I'm sure,' answered Durwent, holding a match for the
+other, 'but three weeks at the outside ought to see us over there and
+ready.'
+
+'The Germans have a tremendous start.'
+
+'Yes, haven't they? Damned plucky of Belgium to try to hold them up,
+isn't it? Though, of course, you can't expect the Belgian johnnies to
+keep them back more than a few days.'
+
+'You think, then, that she will be conquered?'
+
+'Ra-ther. That's a cert. But I don't think it will be for long.'
+
+'You mean that the British will drive the Germans back?'
+
+'Not all at once, but sooner or later. Of course, I'm an awful muff on
+strategy--always was--but the general idea seems to be that we go over
+now and stop the bounders, and then our dear old citizens gird up their
+loins, train themselves as soldiers, and chase the Germans back to
+Berlin.'
+
+'But--isn't it an open secret that your regular army is very small? Can
+you seriously expect to stop that huge force once it sweeps through
+Belgium?'
+
+The Englishman picked up a stone and sent it hurtling across the lawn for
+the collie to chase.
+
+'Ever play "Rugger"?' he asked.
+
+'Rugby? Yes.'
+
+'Then you've often seen a little chap bring a big one an awful cropper.'
+
+'That is true, but the cases are hardly parallel.'
+
+'Perhaps not,' said the other, rather relieved at not having to maintain
+the analogy any further; 'but, then, the beauty of being a junior officer
+is that one doesn't have to worry. I wouldn't be in old man French's
+shoes for a million quid, but for us subaltern johnnies it looks as if
+we'll have some great sport.'
+
+As the two young men, almost of an age, stood on the rich carpet of the
+lawn with their figures outlined against the open background of the
+fields, they presented a strange contrast. The Englishman was dressed in
+a rough, brown tweed, and though there was a looseness about his
+shoulders that almost amounted to slouchiness, they gave a suggestion of
+latent strength that could be instantly galvanised into great power.
+When he moved, either to throw something for his dog or just to break the
+monotony of standing, his movements were slow and deliberate, and he took
+a long pace with a slight inclination towards the side, as is the habit
+of cavalrymen and sailors. His eyes were a clear, unsubtle blue, and
+though his skin was tanned from exposure to the elements, its texture was
+unspoiled. His hair was light brown, and, while closely cropped, in
+keeping with military tradition, was naturally of thick growth; in the
+centre where it was parted there was more than a tendency towards curls.
+From his lip a slight moustache was trained to point upwards at the ends,
+and beneath the tan of his face could be seen the glow of health, token
+of a decent mode of living and a life spent out of doors.
+
+There was a frankness of countenance, a certain humour which one felt
+would rarely rise above banter, and the whole bearing was manly and
+attractive. But search the features as he would, Selwyn could not
+discover any lurking traces of undiscovered personality. Malcolm's very
+frankness seemed to rob him of possession of any hidden, unexpected vein
+of individuality. He was essentially a type, and of as clear Anglo-Saxon
+origin as if he were living in the days before his breed was modified by
+inter-association with other tribes.
+
+Selwyn recalled the words of Mathews: 'Milord, you're a thoroughbred, you
+are.' This youth was of a race of thoroughbreds. Maternal heredity had
+skipped him altogether; he was a Durwent of Durwents, and heir to all the
+distinction and lack of distinction which marked the long line of that
+family.
+
+And opposite him was an American whose two generations of Republican
+ancestry led to the paths of Dutch and Irish parentage. Selwyn had never
+tried to discover the cause why his paternal ancestor had left the Green
+Island, or his maternal ancestor the land of dikes and windmills; it was
+sufficient that, out of resentment against conditions either avoidable or
+unavoidable, each had resolved to endure the ordeal of making his way in
+a land of strangers. Austin Selwyn bore the marks of that inheritance no
+less clearly than Malcolm Durwent bore the marks of his. In his features
+there was a certain repose, as became the part-son of a race that had
+produced the art of Rembrandt, but there was a roving Celtic strain as
+well that hid itself by turn in his eyes, in his lips, in his smile, in
+the lines of his frown. In contrast to the clear Saxon steadiness of
+Malcolm Durwent, his own face was constantly touched by lights and
+shadows of his mind, lit by the incessant prompting of his thoughts that
+demanded their answer to the riddle of life.
+
+Although his build was fairly powerful, Selwyn's well-knit shoulders and
+alert movements of body spoke of a physique that was always tuned to
+pitch, but one missed the impression of limitless endurance which lay
+behind the easy carelessness of Malcolm Durwent's pose.
+
+'I want to ask you, Durwent,' said the American, 'more from the
+stand-point of a writer than anything else, if these men of yours who are
+going out to fight are actuated by a great sense of patriotism, or a
+feeling that the liberty of the world depends on them or--well, in other
+words, I am trying to discover what it is that makes you men face death
+as if it were a game.'
+
+'My dear chap,' said the Englishman, with a slightly embarrassed smile,
+'there again we leave it to the fellows higher up. Naturally, if Britain
+goes to war, it isn't up to her army to question it one way or another.
+Of course, back in our heads we like to feel that she is in the
+right--but, then, I don't think Britain would ever do the rotten thing;
+do you?'
+
+'N--no, I suppose not.'
+
+'You see, a chap can't help looking at it a bit like a game, for there's
+Belgium doing an absolutely sporting thing, and there isn't one of us
+that isn't straining at the bit to get over and give them a hand.'
+
+With a slight blush at this admission of fervour, the Englishman grasped
+his collie-dog by the forepaws and rolled him on his back.
+
+'But,' said Selwyn, unwilling to let the bone of discussion drop while
+there was one shred of knowledge clinging to it, 'supposing that Britain
+were in the wrong and you fellows knew it, yet you were ordered to
+war--what then?'
+
+His companion laughed and thrust his hands in his pockets.
+
+'Oh, we'd fight anyway; and after we had knocked the other chap out we'd
+tell him how sorry we were, then go back and hang the bounders who had
+brought the thing on. But then, you see, you're riding the wrong horse,
+because soldiering's my job, and I was always an awful muff when it came
+to jawing on matters I don't know anything about. You had better get
+hold of some of our politician johnnies; they've always got ideas on
+things.'
+
+
+V.
+
+A little later the Honourable Malcolm Durwent left Roselawn in a
+motor-car.
+
+As it rounded the curve in the drive he turned and waved at the little
+group who were standing in the courtyard, and then he was lost to sight.
+And in the hearts of each of the three there was a poignant grief. Lord
+Durwent's head was bowed with regret that at Britain's call he had been
+able to give one only of his two sons. Dry-eyed, but with aching heart,
+Elise stood with an overwhelming remorse that she had never really known
+her elder brother. And Lady Durwent, free of all theatricalism, was dumb
+with the mother's pain of losing her first-born.
+
+And as the heir to Roselawn went to war, so did the sons of every old
+family in the Island Kingdom. In something of the spirit of sport, yet
+carrying beneath their cheeriness the high purpose of ageless chivalry,
+the blue-eyed youth of Britain went out with a smile upon their lips to
+play their little parts in the great jest of the gods.
+
+Not with the cry of 'Liberty!' or 'Freedom!' but merely as heirs to
+British traditions, they took the field. Of a race that acts more on
+instinct than on reason, they were true to their vision of Britain, and
+asking no better fate than to die in her service, they helped to stem the
+Prussian flood while home after home, in its ivy-covered seclusion,
+learned that the last son, like his brothers, had 'played the game' to a
+finish.
+
+Let the men who cry for the remodelling of Britain--and progress must
+have an unimpeded channel--let them try to bring to their minds the
+Britain that men saw in August 1914, when catastrophe yawned in her path.
+That picture holds the secret for the Great Britain of the future.
+
+
+VI.
+
+It was almost the last day in August, when the little British Army was
+fighting desperately against unthinkable odds, that a brigade of cavalry
+made a brave but futile charge to try to break the German grip. The --th
+Hussars was one of the regiments that took part, and only a remnant
+returned.
+
+Staring with fixed, unseeing eyes at the blue of the sky, which was not
+unlike the colour of his eyes, the Honourable Malcolm Durwent lay on the
+field of battle, with a bullet through his heart.
+
+
+
+
+CHAPTER XIII.
+
+THE MAN OF SOLITUDE.
+
+
+I.
+
+In a large room overlooking St. James's Square a man sat writing. In
+the shaded light his face showed haggard, and his eyes gleamed with the
+brilliancy of one whose blood is lit with a fever.
+
+The clocks had just struck nine when he paused in his work, and
+crossing to the French windows, which opened on a little terrace,
+looked out at the darkened square. The restless music of London's life
+played on his tired pulses. He heard the purring of limousines gliding
+into Pall Mall, and the vibrato of taxi-cabs whipped into action by the
+piercing blast of club-porters' whistles. The noise of horses' hoofs
+on the pavement echoed among the roof-tops of the houses, and beneath
+those outstanding sounds was the quiet staccato of endless passing
+feet, losing itself in the murmur of the November wind as it searched
+among the dead leaves lying in the little park.
+
+He had remained there only a few minutes, when, as though he had lost
+too much time already, the writer returned to the table and resumed his
+pen.
+
+There was a knock at the door, and he looked up with a start. 'Come
+in,' he said; and a man-servant entered.
+
+'Will you be wanting anything, Mr. Selwyn?'
+
+'No, Smith.'
+
+'You haven't been out to dinner, sir.'
+
+'I am not hungry.'
+
+'Better let me make you a cup of tea with some toast, and perhaps boil
+an egg.'
+
+'N--no, thanks, Smith. Well, perhaps you might make some coffee, with
+a little buttered toast, and just leave them here.'
+
+'Very good, sir.'
+
+Although less than a year had elapsed since Austin Selwyn had first
+dined at Lady Durwent's home, experience, which is more cruel than
+time, had marked him as a decade of ordinary life could not have done.
+His mind had been subjected to a burning ordeal since summer, and his
+drawn features and shadowed eyes showed the signs of inward conflict.
+
+As he had said of himself, all his previous experiences and education
+were but a novitiate in preparation for the great moment when truth
+challenged his consciousness and illuminated a path for him to follow.
+From an intellectual dilettante, a connoisseur of the many fruits which
+grace life's highway, he had become a single-purposed man aflame with
+burning idealism. From the sources of heredity the spirit of the
+Netherlands fighting against the yoke of Spain, and the instinct of
+revolt which lies in every Celtic breast, flowed and mingled with his
+own newly awakened passion for world-freedom.
+
+He had left Roselawn with a formal good-bye taken of the whole family
+together. He had avoided the eyes of Elise, and she had made no
+attempt to alter the impersonal nature of the parting. Reaching
+London, he had been offered these rooms in St. James's Square by an
+American, resident in London, whose business compelled him to go to New
+York for an indefinite period. As Selwyn felt the need for absolute
+aloofness, he had gladly accepted.
+
+Hardly waiting to unpack his 'grips,' he at once began his battle of
+the written word, his crusade against the origin and the fruits of
+Ignorance as shown by the war.
+
+Always a writer of sure technique and facile vocabulary, he let the
+intensity of his spirit focus on the subject. He knew that to make his
+voice heard above the clamour of war his language must have the
+transcendent quality of inspiration. No composer searching for the
+_motif_ of a great moving theme ever approached his instrument with
+deeper emotional artistry than Selwyn brought to bear on the language
+which was to ring out his message.
+
+He felt that words were potential jewels which, when once the rays of
+his mind had played upon them, would be lit with the fire of magic.
+Words of destiny like blood-hued rubies; words fraught with ominous
+opal warning; words that glittered with the biting brilliance of
+diamonds--they were his to link together with thought: he was their
+master. The necromancy of language was his to conjure with.
+
+Day after day, and into the long hours of the night, he wrote,
+destroying pages as he read them, refining, changing, rewriting, always
+striving for results which would show no signs of construction, but
+only breathe with life. When fatigue sounded its warnings he
+disregarded them, and spurred himself on with the thought of the
+thousands dying daily at the front. He saw no one. His former London
+acquaintances were engrossed in affairs of war, and made no attempt to
+seek him out. It was his custom to have breakfast and luncheon in his
+rooms; at dinner-time he would traverse the streets until he found some
+little-used restaurant, and then, selecting a deserted corner, would
+eat his meal alone. The walk there and back to his rooms was the only
+exercise he permitted himself, except occasionally, when, late at
+night, cramped fingers and bloodshot eyes would no longer obey the
+lashing of the will, and he would venture out for an hour's stroll
+through night-shrouded London.
+
+Prowling about from square to square, through deserted alleys, and by
+slumbering parks, he would feel the cumulative destinies of the
+millions of sleeping souls bearing on his consciousness. Solitude in a
+metropolis, unlike that of the country, which merely lulls or tends to
+the purifying of thought, intensifies the moods of a man like strong
+liquor. He who lives alone among millions courts all the mad fancies
+that his brain is heir to. Insanity, perversion, incoherent idealism,
+fanaticism--these are the offspring of unnatural detachment from one's
+fellows, and in turn give birth to the black moods of revolt against
+each and every thing that is.
+
+Living as he did in a sort of ecstasy by reason of his suddenly
+realised world-citizenship, Selwyn's incipient feeling of godlikeness
+developed still further under the spell of isolation. The fact that he
+trod the realm of thought, while all around him men and women grappled
+with the problems of war, only accentuated this condition of mind.
+
+He suffered--that was true. He missed the companionship of kindred
+spirits, and sometimes his memory would play truant, recalling the
+pleasant glitter of sterling silver and conversational electroplate
+which accompanied his former London dinner-parties. He did not dare to
+think of Elise at all. She was the intoxicating climax of his past
+life. She was the blending of his life's melodies into a brief, tender
+nocturne of love that his heart would never hear again.
+
+In place of all that, he had the spiritual vanity of martyrdom. Few
+voyagers but have felt the exultation of mid-ocean: that desire of the
+soul to leap the distance to the skies and claim its kinship to the
+stars. It comes to men on the Canadian prairies; it throbs in one's
+blood when the summit of a mountain is reached; it is borne on the
+wings of the twilight harmonies in a lonely forest.
+
+Unknown to himself, perhaps, that was Selwyn's compensation. From his
+hermit's seclusion in the great metropolis he felt the thrill of one
+who challenges the gods.
+
+
+II.
+
+His man-servant had hardly left the room when the bell in the front
+hall rang, and Smith reappeared to announce a visitor.
+
+'Who is it?' asked Selwyn.
+
+'A Mr. Watson, sir.'
+
+'I wonder if it can be Doug Watson of Cambridge. Bring him right up.'
+
+A moment later a young man entered the cosily shaded room, and they met
+with the hearty hand-clasp and the sincere good-feeling which come when
+a man who is abroad meets a friend who is a fellow-countryman. The
+new-comer was younger than Selwyn, and though of lighter complexion and
+hair, was unmistakably American in appearance. Like the author, he was
+clean-shaven, but there was more repose in the features. His face was
+broad, and in the poise of his head and thick neck there was the clear
+impression of great physical and mental driving-power. Although still
+a student, the mark of the engineer was strongly stamped on him. He
+was of the type that spans a great river with a bridge; that glories in
+the overcoming of obstacles by sheer domination of will.
+
+'Well, Doug,' said Selwyn as they drew their chairs up to the fire,
+'when did you leave Cambridge?'
+
+'Last week,' said the other. 'I couldn't stand it any longer with
+every one gone. I don't think that one of the bunch I played around
+with is there now.'
+
+'That was a bully week-end I had with you at the university.'
+
+'We sure had a good time, didn't we?'
+
+'But how did you know I was here?'
+
+'Jarvis sent me a note that he and his wife were running hack to New
+York, and that you were taking his rooms. Damn fine place, isn't it?
+There's a woman's touch all over here. But you're looking precious
+seedy.'
+
+'I feel all right.'
+
+'You don't look it.'
+
+'I have been very busy, Doug.'
+
+'Glad to hear it. Putting over a killing in the literature game?'
+
+'The biggest thing yet,' said Selwyn, opening a drawer and searching
+for the cigars. 'I am making a sincere attempt to write something
+which will sway people. Have one of these?'
+
+'Thanks. I guess I'd better smoke one while I have the chance. It
+might get the sergeant-major's goat if he found a buck private smoking
+half-crown cigars.'
+
+'You haven't joined the army?'
+
+'Not yet; but I shall to-morrow. You can do it by graft, old boy. For
+three weeks I've courted a colonel's daughter so as to get next to the
+old man, and to-morrow I receive my reward. I am to become a
+full-fledged Tommy Atkins.'
+
+'And the daughter?'
+
+The younger man grinned and cut off the end of his cigar with a
+pocket-knife. 'Can you see the colonel's daughter "walking out" with a
+Tommy? My dear Austin, patriotism excuses much, but the social code
+must be maintained. I'd render that in Latin if I wasn't so rusty on
+languages. What are the chances of your coming along with me tomorrow?'
+
+Selwyn reached for an ash-tray and matches.
+
+'America is neutral,' he said quietly.
+
+'America is not neutral,' replied Watson with a decisiveness that one
+would hardly have suspected to lie beneath the calm exterior and the
+veneer of good-breeding polished by Cambridge associations--a veneer
+that made his occasional lapses into crudity of language seem oddly out
+of place. 'The German-Americans, the Irish-Americans, the
+Jewish-Americans, the God-knows-who-else-Americans may be neutral, but
+the America of Washington and Lincoln, the America of Lee and Grant,
+isn't neutral. Not by a long sight.'
+
+'Doug,' said Selwyn reproachfully, 'you are the last man I thought
+would be caught by this flag-waving, drum-beating stuff.'
+
+The younger man's brows puckered as he looked through the haze of
+tobacco-smoke at his host. 'Austin,' he said abruptly, 'you've
+changed.'
+
+'Yes,' said Selwyn thoughtfully. He was going to say more, but,
+changing his mind, remained silent.
+
+'I thought you looked different,' went on Watson. 'What's up?'
+
+Selwyn's eyes narrowed and his lips and jaw stiffened resolutely. 'I
+am writing,' he said, enunciating each word distinctly, 'in the hope of
+arousing the slumbering conscience of the world against this war.'
+
+'Canute the Second,' commented Watson dryly.
+
+'Doug,' said the other, frowning, 'I deserve better than sarcasm from
+you.'
+
+'I'm sorry,' said Watson with a laugh, 'but I can't just get this new
+Austin Selwyn right off the bat. Of course war is wrong--any boob
+knows that--but what can you hope to do with writing about it?'
+
+Selwyn rose to his feet, and thrusting his hands in his pockets, strode
+up and down the room. 'What can I hope to do?' he said. 'Remove the
+scales from the eyes of the blind; recall to life the spirit of
+universal brotherhood; destroy ignorance instead of destroying life.'
+
+'Some platform!' said Watson, making rings of tobacco-smoke.
+
+'Take yourself, for example,' said Selwyn vehemently, pausing in his
+walk and pointing towards the younger man. 'You are a man of
+international experience and university education. On the surface you
+have the attributes of a man of thought. You are one that the world
+has a right to expect will take the correct stand on great human
+questions. Yet the moment the barriers are down and jingoism floods
+the earth you give up without a struggle and join the great mass of the
+world's driftwood.'
+
+'H'm,' mused Watson, 'so that's your tack, eh?'
+
+'I tell you, Doug, you have no right to fight in this war.'
+
+'Thanks.'
+
+'You should have the courage to keep out of it. Even assuming that
+Germany is wholly in the wrong and Britain completely in the right,
+can't you see that when the Kaiser and his advisers said, "Let there be
+war," you and I and the millions of men in every country who believe in
+justice and Christianity should have risen up and answered, "_You shall
+not have war_"?'
+
+Watson rose to his feet, and crossing to the fireplace, flicked the ash
+from his cigar, and leaned lazily against the stone shelf. 'You're a
+member of the Royal Automobile Club, aren't you?' he drawled.
+
+Selwyn nodded and resumed his nervous walk.
+
+'Take my advice, Austin. Every time you feel that kind of dope
+mounting to your head, trot across the road to the club and have a swim
+in their tank. You'd be surprised how it would bring you down to
+earth.'
+
+'You talk like a child,' said Selwyn angrily.
+
+'Well,' retorted the other, 'that's better than talking like an old
+woman.'
+
+With an impatient movement of his shoulders the younger man left the
+fireplace, and walking over to the piano, picked up a Hawaiian ukulele
+which had been left there by Mrs. Jarvis. Getting the pitch from the
+piano, while Selwyn continued his restless march up and down the room,
+he studiously occupied himself with tuning the instrument, then
+strummed a few chords with his fingers.
+
+'Sorry not to fit in with your peace-brother-peace stuff,' said Watson
+amiably, strumming a recent rag-time melody with a certain amount of
+dexterity, 'but I always played you for a real white man at college.'
+
+'Doug,' said Selwyn, stopping his walk and sitting on the arm of a big
+easy-chair, 'if there is a coward in this room, it's you.'
+
+The haunting music of the ukulele was the only response.
+
+'Here you are at Cambridge--an American,' went on Selwyn. 'Just
+because the set you know enlists with an accompaniment of
+tub-thumping'----
+
+'That isn't the way the English do things,' said Watson without pausing
+in his playing.
+
+'My dear fellow,' said Selwyn, 'don't let the pose of modesty fool you
+over here. They profess to hold up their hands in horror when we get
+hold of megaphones and roar about "The Star-Spangled Banner," but what
+of the phrases, "The Empire on which the sun never sets," "What we have
+we'll hold," "Mistress of the Seas"? Is there so much difference
+between the Kaiser's "_Ich und Gott_" and the Englishman's "God of our
+far-flung battle-line"? Jingoism! We're amateurs in America compared
+with the British--and you're caught by it all.'
+
+'Nothing of the sort,' said Watson, putting down the ukulele. 'All I
+know is that Germany runs amuck and gives a mighty good imitation of
+hell let loose. I am not discounting the wonderful bravery of France
+and Belgium, but you know that the hope of everything lies right in
+this country here. Well, that's good enough for me. I'm a hundred per
+cent. American, but right now I'm willing to throw over my citizenship
+in the United States and join this Empire that's got the guts to go to
+war.'
+
+'Listen, Doug,' said Selwyn, moving over to the younger man and placing
+his hands on his shoulders; 'can't you see that Germany is not the
+menace? She is only a symptom of it. War, not Germany, is the real
+enemy. I admire your pluck: my regret is that you are so blind. The
+whole world is turning murder loose; it is prostituting Christian
+civilisation to the war-lust--and you imagine that by slaughter Right
+may prevail. The tragic fallacy of the ages has been that men, instead
+of destroying evil, have destroyed each other. If every criminal in
+the world were executed, would crime end? Then, do you think the
+annihilation of this or that army will abolish war?'
+
+'I haven't your gift of plausible argument,' said Watson, 'and I
+suppose that theoretically you are sound in everything you say. Yet,
+instinctively, I know that I am doing the right thing.'
+
+'A woman's reasoning, Doug.' Selwyn relit his cigar, which had gone
+out. 'For a few days after the outbreak of war I will admit that I
+doubted, myself, and wondered if, after all, there was a universal
+heart-beat. Then came the news of the silent march of those thousands
+of women down Fifth Avenue, marching to the beat of muffled drums as a
+protest against war--not against Germany--higher than that. It was a
+symbol that the cry of Rachel for her children still rings through the
+centuries. It was the heart of America's women calling to the mothers
+of France, Germany, and Britain against this butchery of their sons.'
+
+Selwyn sank into a chair, and a look of weariness succeeded the
+momentary flush of excitement.
+
+'That ended my last doubt,' he went on quietly. 'I knew then that if I
+could summon the necessary language to express the vision I saw, my
+message would sound clear above the guns. I completed three
+articles--"A Fool There Was," "When Hell Laughed," and "Gods of
+Jingoism." I gave them to my London agent, but you would have thought
+they held germs of disease. He brought them back to me, and said that
+no one would dare to publish them in England. In other words, the
+English couldn't stand the truth. I sent them on to New York. This is
+my agent's reply.'
+
+He took a letter from a file on the table and handed it to his guest.
+'Read it,' he said.
+
+With an inscrutable smile the Cambridge-American looked at the paper
+and read:
+
+
+'NEW YORK, _10th October 1914_.
+
+DEAR MR. SELWYN,--You will be pleased to know that I have succeeded in
+placing your articles "When Hell Laughed," "A Fool There Was," and
+"Gods of Jingoism" with a prominent newspaper syndicate. The price
+paid was $800 each, and I herewith remit my cheque for $2160, having
+deducted the usual commission. I have every reason to believe that any
+further articles you send will meet with a ready market, especially if
+they follow along the same lines of exposing the utter futility of war.
+As a matter of fact, this syndicate is prepared to pay even a higher
+price if these articles, which will be published all over the United
+States, meet with the approval they confidently expect.
+
+'Assuring you of my desire to be of service to you, I remain, yours
+very sincerely,
+
+'S. T. LYONS.'
+
+
+'Very nice, too,' murmured Watson at the conclusion of the letter.
+'Who says that high ideals don't pay?'
+
+'What do you mean?' said Selwyn sternly. The younger man got up from
+his chair and looked at his watch. 'Don't get shirty,' he said. 'I
+was only thinking that 800 per is a fairly healthy figure for that
+dope.'
+
+'I don't give a damn for the money,' said Selwyn hotly, 'except that it
+shows there is a demand in America for the truth. Britain has always
+been afraid to face facts. Thank God, America isn't.'
+
+'Well,' said Watson with a slight yawn, 'it's quite obvious that we're
+as far apart as the poles on that question, so I think I'll cut along.'
+
+'Stay and have a cup of coffee. There's some being made; it will be
+here in a minute.'
+
+'No, thanks. To be brutally frank, Austin, the ozone around here is a
+little too rarefied for me. I'm going out to a cab-stand somewhere to
+have a sandwich and a cup of tea with any Cockney who hasn't joined the
+Citizenship of the World.'
+
+With the shadows under his eyes more pronounced than before, but with
+the unchanging look of determination, Selwyn helped the younger man on
+with his coat, and handed him his hat and stick. 'I am sorry you won't
+stay,' he said calmly, 'for your abuse and sarcasm are nothing to me.
+When I took this step I foresaw the consequences, and, believe me, I
+have suffered so much already that the loss of another friend means
+very little.'
+
+The powerfully built young American twirled his hat uncomfortably
+between his fingers. 'Look here, Austin,' he said vehemently, 'why in
+blazes can't you get all that hot air out of your system? Come
+on--meet me to-morrow, and we'll join up together. It'll be all kinds
+of experience, you'll get wagon-loads of copy, and when it's all over
+you'll feel like a man instead of a sissy.'
+
+With a tired, patient smile Selwyn put out his hand. 'Good-night,
+Doug,' he said. 'I hope you come through all right.'
+
+When he heard the door close downstairs as Watson went out, Selwyn
+re-entered the room. The light of the electric lamp glaring on his
+manuscript pained his eyes, and he turned it out, leaving the room in
+the dim light of the fire. The man-servant entered with a tray.
+
+'Will you have the light on, sir?'
+
+'No, thanks, Smith. Just leave the things on the table.'
+
+'Thank you, sir. Good-night, sir.'
+
+'Good-night, Smith.'
+
+The room was strangely, awesomely quiet. There was no sound from the
+deserted square; only the windows shook a little in the breeze. He
+reached for the ukulele, and staring dreamily into the fire, picked
+softly at the strings until he found four notes that blended
+harmoniously.
+
+The fire slowly faded from his gaze, and in its place, by memory's
+alchemy, came the vision of _her_ face--a changing vision, one moment
+mocking as when he first met her, turning to a look of pain as when she
+spoke of Dick, and then resolving into the wistful tenderness that had
+crept into her eyes that evening by the trout-stream--a tenderness that
+vanished before the expression of scorn she had shown that fateful
+August night.
+
+The night stole wearily on, but still Selwyn sat in the shadowy
+darkness, occasionally strumming the one chord on the strings, like a
+worshipper keeping vigil at some heathen shrine and offering the
+incense of soft music.
+
+
+
+
+CHAPTER XIV.
+
+STRANGE CRAFT.
+
+
+I.
+
+One slushy night in December Selwyn was returning from a solitary
+dinner at a modest Holborn restaurant, when a damp sleet began to fall,
+making the sickly street-lamps darker still, and defying the protection
+of mufflers and heavy coats. With hat pulled over his eyes and hands
+immersed in the pockets of his coat, he made his way through the
+throng, while the raucous voices of news-venders cried out the latest
+tidings from the front.
+
+To escape the proximity of the crowds and the nerve-shaking noises of
+traffic, he turned down a wide thoroughfare, and eventually emerged on
+Fleet Street. Again the seething discontent of rumbling omnibuses and
+hurrying crowds irritated him, and crossing to Bouverie Street, where
+Mr. Punch looks out on England with his genial satire, he followed its
+quiet channel until he reached the Thames.
+
+In contrast to the throbbing arteries of Holborn and Fleet Street, the
+river soothed his nerves and lent tranquillity to his mind. Following
+the Embankment, which was shrouded in heavy darkness, he reached the
+spot where Cleopatra's Needle, which once looked on the majesty of
+ancient Egypt, stands, a sentinel of incongruity, on the edge of
+London's river. Giving way to a momentary whim, Selwyn paused, and
+finding a spot that was sheltered from the sleet, sat down and leaned
+against the monument.
+
+In the masque of night he could just make out the sketchy forms of a
+river-barge and two steamers anchored a few yards out. From their
+masts he could see the dull glow of red where a meagre lamp was hung,
+and he heard the hoarse voice of a man calling out to some one across
+the river. As if in answer, the rattle of a chain came from the deck
+of some unseen craft, like a lonely felon in a floating prison.
+
+The river's mood was so in keeping with his own that Selwyn's senses
+experienced a numbing pleasure; the ghostly mariners of the night, the
+motionless ships at their moorings, the eerie hissing of the sleet upon
+the water, combined to form a drug that left his eyelids heavy with
+drowsy contentment.
+
+How long he had remained there he could not have stated, when from the
+steps beneath him, leading towards the water, he heard a man's slovenly
+voice.
+
+'Are you going to stay the night here?'
+
+As apparently the remark was intended for him, Selwyn leaned forward
+and peered in the direction from which the voice had come. At the foot
+of the dripping steps he could just make out a huddled figure.
+
+'If you're putting up here,' went on the speaker, 'we had better pool
+resources. I've got a cape, and if you have a coat we can make a
+decent shift of it. Two sleep warmer than one on a night like this.'
+
+In spite of the sluggish manner of speech, Selwyn could detect a faint
+intonation which bespoke a man of breeding. He tried to discern the
+features, but they were completely hidden beneath the pall of night.
+
+'Well,' said the voice, 'are you deaf?'
+
+'I am not staying here for the night,' answered Selwyn.
+
+'Then why the devil didn't you say that before?' For a moment the
+fellow's voice was energised by a touch of brusqueness, but before the
+last words were finished it had lapsed into the dull heaviness of
+physical lethargy. 'Tell me,' said the stranger, after a silence of
+several minutes, 'how is the war going on?'
+
+'You probably know as much as I.'
+
+'Not likely. I've been beating back from China for three months in a
+more or less derelict tramp. Chased into every blessed little port,
+losing our way, and cruising for days without water--we were a fine
+family of blackguards, and no mistake. Grog could be had for the
+asking, and a scrap for less than that; but I'd as lief not ship on the
+_Nancy Hawkins_ again.'
+
+Selwyn leaned back against the obelisk and speculated idly on the
+strange personality hidden in the dark recess of the descending stairs.
+It was not difficult to tell that, though he spoke of himself as a
+sailor, sailoring was not his calling. There was a subtle cadence of
+refinement in his voice, an arresting lilt on certain words, that
+remained on the air after the words had ended.
+
+'Did the Germans get to Paris?'
+
+'No,' said Selwyn; 'though they were very near it.'
+
+'Good! How did our chaps do?'
+
+'I believe they fought very bravely, but were pretty well wiped out.'
+
+'I suppose so,' said the other quietly--'wiped out, eh? Tell me--did
+the Colonies throw in their lot with us?'
+
+'All of them,' said Selwyn, 'even including South Africa.'
+
+'What about Canada?'
+
+'She has over thirty thousand men in England now, ready to cross.'
+
+'Splendid!' muttered the fellow. 'So they're British after all, in
+spite of the Yankees beside them. . . . The cubs didn't leave the old
+mother to fight alone, eh? Jove! but it's something to be an
+Englishman today, isn't it?'
+
+Selwyn made no response, but his brow contracted with the thought that
+even the flotsam, the dregs thrown up on the river's bank, were imbued
+with the overwhelming instinct of jingoism. He glanced up from the
+steps, and saw on either side of the obelisk a sphinx, woman-headed,
+with the body of a lioness, monuments to the memory of Cleopatra. How
+little had been accomplished by humanity since the first sphinx had
+gazed upon the sands of Egypt! It had seen the treachery and the lust
+of Antony, the slaughter of men by men led blindly to the
+carnage. . . . Was not the smile, perhaps, its hoarded knowledge of
+the futility of the ages?
+
+'Can you give me a match?' asked the man from the steps. 'Everything
+on me is soaked. I'll come up if you have one, but I don't want to
+shift otherwise.'
+
+'Don't bother,' said Selwyn, getting up and stamping his feet to
+restore their warmth. 'I'll bring you one, and then I'll have to move
+along.'
+
+He produced a silver match-box, and feeling his way carefully down the
+slippery steps, handed it to the stranger. Acknowledging the action
+with a murmur of thanks, the fellow took it, and making a protection
+with his cape, struck a match to light his pipe. It flickered for a
+moment and flared up, illuminating his features grotesquely.
+
+Selwyn uttered a sharp ejaculation of surprise and stepped back a pace.
+'Durwent!' he cried.
+
+'Eh?' snapped the other, dropping the match on the wet stone, where it
+went out with a faint splutter. 'What's your game?'
+
+'I could not see you before,' said the American quickly; 'but though I
+heard your voice only once, there was something about it I remembered.'
+
+The Englishman struck a second match, and with a casual air of
+indifference lit his pipe.
+
+'Thanks,' he said, handing the box to the American. Selwyn reached
+forward to take it, when suddenly his wrists were caught in a grip of
+steel.
+
+'Damn you!' said Dick Durwent hotly, springing to his feet. 'Are you
+tracking me? I didn't come back to be caught like a rat. Are you a
+detective? If you are, by George! I'll drown you in the river.'
+
+'Don't be a fool,' said Selwyn, writhing in pain with the other's
+torture.
+
+'Who are you?'
+
+'My name is Selwyn. I am an American; a friend of your mother and your
+sister.'
+
+'Where have you seen me before?'
+
+'At the Cafe Rouge--a year ago.' Beads of perspiration stood out on
+Selwyn's head, and his body was faint with the pain of his twisted
+wrists.
+
+'You're not lying?' said Dick Durwent, slowly relaxing his grip, and
+peering into the American's eyes. 'No. I seem to remember you
+somewhere with Elise. I'm sorry.' He released the clutch completely,
+and resumed his seat on the steps. 'I hope I didn't hurt you.'
+
+'No,' said Selwyn, rubbing each wrist in turn to help to restore the
+circulation.
+
+Durwent laughed grimly. 'It's a wonder I didn't break something,' he
+said. 'Once more--I'm sorry. But you can understand the risk I am
+running in returning here with the police wanting me. They're not
+going to get me if I can help it.'
+
+'Why didn't you stay away?'
+
+'With the Old Country at war! Not likely. Do you think I should ever
+have gone if I had known what was going to happen?'
+
+'What are your plans?'
+
+'Fight,' said the other briefly. 'Somewhere--somehow. I'll get into a
+recruiting line about dawn to-morrow. . . . But--what can you tell me
+about Elise?'
+
+'I have neither seen nor heard of her since August,' said Selwyn,
+wondering at the calm level of his own voice in spite of tumultuous
+heart-beats.
+
+'Too bad. Then you don't know anything about the rest?'
+
+'No. I'---- He paused awkwardly. 'I suppose you haven't heard about
+your brother?'
+
+There was no response, but Selwyn could feel the Englishman's eyes
+steeled on his face. 'He was killed,' he went on slowly, 'last August.'
+
+Still there was no sound from the younger son, now heir to his father's
+title and estates. For the first time Selwyn caught the ripple of the
+river's current eddying about the steps at the bottom. From the great
+bridges spanning the river there was the distant thunder of lumbering
+traffic.
+
+'I understand that he died very bravely,' said the American in an
+attempt to ease the intensity of the silence.
+
+'Yes,' muttered Durwent dreamily, 'he would. . . . So old Malcolm is
+dead. . . . Somehow, I always looked on his soldiering as a joke. I
+never thought that those fellows in the Regulars would ever really go
+to war. . . . Yet, when the time came, he was ready, and I was
+skulking off to China like a thief in the night.'
+
+The Englishman's voice was so low that it seemed as if he were talking
+more to himself than to his listener.
+
+'What happened to that swine?' he ejaculated suddenly. 'I mean the one
+I almost killed. By any chance, did he die?'
+
+'I saw in a paragraph last week,' said Selwyn, 'that he was out on
+crutches for the first time. The paper also commented on your complete
+disappearance.'
+
+'I wish I had killed him,' said the young man grimly. 'If I ever get a
+chance I'll tell you about him. I was drunk at the time--that's what
+saved his life. If I had been sober I should have finished him. Well,
+it's a damp night, my friend, and I won't keep you any longer from a
+decent billet.'
+
+'Look here, Durwent,' said Selwyn; 'come along to my rooms. You're
+soaked to the skin, and I could give you a change and a shakedown for
+the night.'
+
+'Thanks very much; but I'm accustomed to this kind of thing.'
+
+'You won't be seen,' urged Selwyn. 'I have accepted so much from your
+family that you would do me a kindness in coming.'
+
+'Well, I must say I'm not married to this place. If you don't mind
+taking in a disreputable wharf-rat'----
+
+'That's the idea,' said Selwyn, helping him to his feet. The
+Englishman shivered slightly.
+
+'You haven't a flask, have you?' he queried. 'I didn't know how cold I
+was.'
+
+'I haven't anything with me,' said the American; 'but I can give you a
+whisky and something to eat at my rooms.'
+
+'Right! Thanks very much.'
+
+Tucking the cape under his arm, and shaking his waterproof cap to clear
+it of water, Dick Durwent followed the American on to the Embankment,
+where the two sphinxes of Egypt squatted, silent sentinels.
+
+
+II.
+
+To avoid the crowds as much as possible, the two men followed the
+Embankment, and had reached the Houses of Parliament, intending to make
+a detour into St. James's Square, when Selwyn felt a hand upon his
+shoulder. He turned quickly about, and Durwent moved off to one side
+to be out of the light of a lamp.
+
+'Sweet son of liberty,' said the new-comer, 'how fares it?'
+
+It was Johnston Smyth, more airily shabby than ever. Over his head he
+held an umbrella in such disrepair that the material hung from the ribs
+in shreds. A profuse black tie hid any sign of shirt, and both the
+legs of his trousers and the sleeves of his coat seemed to have shrunk
+considerably with the damp.
+
+'How are you?' said Selwyn, shaking hands.
+
+'Temperamentally on tap; artistically beyond question; gastronomically
+unsatisfied.' At this concise statement of his condition, Smyth took
+off his hat, gazed at it as if he had been previously unaware of its
+existence, and replaced it on the very back of his head.
+
+'Things are not going too well, then?' said Selwyn, glancing anxiously
+towards Durwent, and wondering how he could get rid of the garrulous
+artist.
+
+'Not going well?' Smyth straightened his right leg and relaxed the
+left one. 'In the last three weeks a pair of pyjamas, my other coat,
+two borrowed umbrellas, and a set of cuff-links have gone. If things
+go much better I shall have to live in a tub like Diogenes. But--do
+the honours, Selwyn.'
+
+'I beg your pardon,' said the American. 'Mr--Mr. Sherwood,' he went
+on, taking the first name that came to his lips, 'allow me to introduce
+Mr. Johnston Smyth.'
+
+'How are you?' said the artist, making an elaborate bow and seizing the
+other's hand.
+
+'As you may have gathered from my costume and the ventilated condition
+of my umbrella, I am not in that state of funds which lends
+tranquillity to the mind and a glow of contentment to the bosom. Yet
+you see before you a man--if I may be permitted a sporting
+expression--who has set the pace to the artists of England. I am glad
+to know you. Our mutual friend from Old Glory has done himself proud.'
+
+With which flourish Smyth left off shaking hands and closed his
+umbrella, immediately opening it and putting it up again. Dick Durwent
+replaced his hands in his pockets, and Selwyn heard his quivering
+breath as he shivered with cold.
+
+'However,' went on the loquacious artist, 'though my art has been
+heralded as a triumph, though it has filled columns of the press,
+though my admirers can be found on every page of the directory, I can
+only say, like our ancient enemy across the Channel after Austerlitz,
+"Another such victory and I am ruined!" . . . Selwyn, shall we indulge
+in the erstwhile drop?'
+
+'Have you a flask?' broke in Durwent, his dull eyes lighting greedily.
+
+'I think not,' said Smyth, handing the umbrella to Selwyn, and
+carefully searching all his pockets. 'I am afraid my valet has
+neglected that essential part of a gentleman's wardrobe. But what do
+you say, gentlemen, to a short pilgrimage to Archibald's?'
+
+'No, Smyth,' said the American, putting his hand in Durwent's arm.
+'For certain reasons, Mr. Sherwood'----
+
+'Ha!' said Smyth, with a dramatic pose of his legs, 'Archibald is the
+soul of discretion. Compared to him, an Egyptian mummy is a pithy
+paragrapher. _Mes amis_, Archibald's is just across the bridge, and I
+can assure you that the Twilight Tinkle, in which I have the honour to
+have collaborated, is guaranteed to change the most elongated
+countenance of glum into a globular surface of blithesome joy.'
+
+'No,' began Selwyn impatiently.
+
+'Let us try it,' said Durwent eagerly. 'I think this chill has got
+into my blood. I'd give a lot for a shot of rum or brandy.'
+
+'We can have anything in my rooms,' protested the American. 'You want
+to get your wet things off--and, besides, it's a risk going in there.'
+
+'No risk--no risk,' said Durwent, laughing foolishly and rubbing his
+hands together.--'Where is this hole, Smyth?'
+
+'Gentlemen,' said the artist, 'after the custom of these military days,
+I urge you "fall in."'
+
+Getting in the centre and adjusting his hat at a precipitate angle on
+the extreme left of his head, Smyth took Dick Durwent's arm, and
+extending the other to Selwyn, marched the pair across the bridge,
+holding the absurd umbrella over each in turn as if it offered some
+real resistance to the scurvy downpour.
+
+
+III.
+
+'This way, gentlemen,' said Smyth, leading them up an alley, across a
+court, and into a lane. 'Permit me to welcome you to Archibald's.'
+
+They entered a dimly lit tavern, where a dozen or so men sat about the
+room at little tables. Instead of the usual pictures one sees in such
+places, pictures of dancers with expressive legs, and race-horses with
+expressive faces, the walls were hung with dusty signed portraits of
+authors, artists, and actors, most of whom had attained distinction
+during the previous half-century. Sir Henry Irving as Othello held the
+place of honour over the bar, with Garrick as his _vis-a-vis_ on the
+opposite wall. The divine Sarah cast the spell of her eternal youth on
+all who gathered there; and Lewis Waller, with eyes intent on his
+sword-handle, seemed oblivious to the close proximity of Lily Langtry
+and Ellen Terry, those empresses of the dual realms of Beauty and
+Intelligence. Without any companion portrait, the puffy sensuality of
+Oscar Wilde held a prominent place. And between the spectacled face of
+Rudyard Kipling on one side and the author of _Peter Pan_ on the other,
+Forbes-Robertson in the garb of the Melancholy Dane looked out with his
+fine nobility of countenance. The room was heavy with tobacco-smoke,
+which seemed to have been accumulating for years, and to have darkened
+the very beams of the ceiling. Over the floor a liberal coating of
+sawdust was sprinkled.
+
+'Strange place, this,' whispered Johnston Smyth as they took a table in
+an unfrequented corner. 'It's an understood thing that the habitues of
+Archibald's are trailers in the race of life. If you have a fancy for
+human nature, gentlemen, this is the shop to come to. We've got some
+queer goods on the shelves--newspaper men with no newspapers to write
+for; authors that think out new plots every night and forget 'em by
+morning; playwrights that couldn't afford the pit in the Old Vic.--Do
+you see that old chap over there?'
+
+'The little man,' said Selwyn, 'with the strange smile?'
+
+'That's right. He's been writing a play now for twenty years, but
+hasn't had time to finish the last act. "There's no hurry," he says;
+"true art will not permit of haste"--and the joke of it is that he has
+a cough that'll give him his own curtain long before he ever writes it
+on his play. There he goes now.'
+
+The old playwright had been seized with a paroxysm of coughing that
+took his meagre storehouse of breath. Weakly striking at his breast,
+he shook and quivered in the clutch of the thing, leaning back
+exhausted when it had passed, but never once losing the odd, whimsical
+smile.
+
+'What about something to drink?' broke in Dick Durwent hurriedly, his
+eyes narrowing.
+
+'Directly,' said Smyth, beckoning to the proprietor, a small man, who,
+in spite of his years and an oblong head undecorated by a single hair,
+appeared strangely fresh and unworried, as if he had been sleeping for
+fifty years in a cellar, and had just come up to view the attending
+changes.
+
+'Archibald,' said Smyth, 'these are my friends the Duke of Arkansas and
+Sir Plumtree Crabapple.'
+
+The extraordinary little man smiled toothlessly and fingered his tray.
+
+'Gentlemen,' said Smyth, 'name your brands.'
+
+'Give me a double brandy,' said Durwent, blowing on his chilled
+fingers. 'Better make it two doubles in a large glass.'
+
+'Soda, sir?' queried the proprietor in a high-pitched, tranquil voice.
+
+'No,' said Durwent. 'You can bring a little water in a separate glass.'
+
+'What is your pleasure, your Grace?' said Smyth, addressing the
+American. 'If you will do Archibald and myself the honour of trying
+the Twilight Tinkle, it would be an event of importance to us both.'
+
+'Anything at all,' said Selwyn, sick at heart as he saw the nervous
+interlocked fingers of Dick Durwent pressed together with such
+intensity that they were left white and bloodless.
+
+'This is a little slice of London's life,' said Smyth after he had
+given the order, crossing his left leg over the right, 'that you
+visitors would never find. You hear about the chaps who succeed and
+those who come a cropper, but these are the poor beggars who never had
+a chance to do either. There's genius in this room, gentlemen, but
+it's genius that started swimming up-stream with a millstone round its
+neck.'
+
+With a profound shaking of the head, Smyth straightened his left leg,
+and after carefully taking in its shape with partially closed eyes, he
+replaced it on its fellow.
+
+'How do they live?' queried Selwyn.
+
+'Scavengers,' said Smyth laconically. 'Scavengers to success. Do you
+see that fellow there with the poached eyes and a four-days' beard?'
+
+Selwyn looked to the spot indicated by Smyth, and saw a heavily built
+man with a pale, dissipated face, who was fingering an empty glass and
+leering cynically with some odd trend of thought. It was a face that
+gripped the attention, for written on it was talent--immense talent.
+It was a face that openly told its tale of massive, misdirected power
+of mentality, fuddled but not destroyed by alcohol.
+
+'That's Laurence De Foe,' said Smyth; 'a queer case altogether.
+Barnardo boy--doesn't know who his parents were, but claims direct
+descent from Charlemagne. He's never really drunk, but no one ever saw
+him sober. If he wanted to, he could write better than any man in
+London. Last year, when the critics scored Welland's play _Salvage_
+for its rotten climax, the author himself came to De Foe. All night
+they sat in his stuffy room, and when Welland went away he had a play
+that made his name for ever. I could tell you of two of the heavy
+artillery among the London leader-writers who always bring their big
+stuff to De Foe before they fire it. Last July, when the war was
+making its preliminary bow, and Hemphill was thundering those
+editorials of his that warned the Old Lion he would have to wake up and
+clean the jungle, Hemphill was simply the errand urchin. There's the
+man who wrote "To Arms, England!" one day after the Austrian note to
+Serbia. Hemphill got the credit and the money--but Laurence De Foe did
+it.'
+
+Smyth's stream of narrative, which carried considerably less
+impedimenta of caricature and persiflage than was usual with him, came
+to an end with the arrival of two Twilight Tinkles and a generous-sized
+tumbler, more than half-full of brandy. After an elaborate search of
+his coat and trousers pockets to locate a five-pound note, Smyth was
+forced to allow Selwyn to pay for the refreshment, promising to knock
+him up before six next morning and repay him.
+
+'Well, gentlemen,' said the conscientious artist, 'here's success to
+crime!'
+
+Not waiting to honour the misanthropic toast, Dick Durwent had reached
+greedily for his glass, and poured its contents down his throat. With
+a heavy sigh of gratification, he leaned back in his chair, and the
+pallor of his cheeks showing beneath the weather-beaten surface of tan
+was flecked with patches of colour. For an instant only his eyes went
+yellow, as on the night at the Cafe Rouge; but the horrible glare died
+out, and was succeeded by the calm, blue tranquillity that had reigned
+before.
+
+'By St. George!' said Smyth admiringly, 'but we have no amateur with
+us, Selwyn.'
+
+The solitary figure of De Foe, who had been watching them, left his
+table, and lurching over to them, stood swaying unevenly.
+
+'_Bon soir_, gentlemen,' he said, speaking with the deep sonorousness
+which comes of long saturation of the vocal cords with undiluted
+spirits, 'I think one or two of these faces are new to Archibald's. Am
+I right?'
+
+'Yes, sir,' said Smyth, rising. 'Permit me, Mr. De Foe, to
+introduce'----
+
+The writer stopped him with a slow, majestic movement of the hand.
+'What care I who they are?' he said heavily. 'Names mean
+nothing--pretty labels on empty vessels. By what right do these
+gentlemen invade the sanctity of Archibald's?' He drew a chair near
+them and sat down sullenly, hanging his arm over the back. 'Do I see
+aright?' he queried thickly, opening his eyes with difficulty, and
+revealing their lustreless shade. 'There are three of you? Humph!
+The one I know--a clumsy dauber in a smudgy world.'
+
+Smyth nodded delightedly to his companions to indicate that the
+compliment was intended for him.
+
+'Or your friends,' went on the heavy resonant voice, 'one has the face
+of a dreamer. Come, sir, tell me of these dreams that are keeping you
+awake of nights. I am descended from Joseph by the line of
+Charlemagne, and I have it in my power to interpret them. Are you a
+writer?'
+
+'I am,' said Selwyn calmly.
+
+'You are not English. You haven't the leathery composure of our race.'
+
+'I am an American.'
+
+'I thought as much. You show the smug complacency of your nation. How
+dare you write, sir? What do you know of life?'
+
+'We have learned something on that subject,' said Selwyn with a slight
+smile, 'even over there. You see, we have the mistakes of your older
+countries by which we can profit.'
+
+'Bah!' said the other contemptuously. 'Cant--platitudes--words! Since
+when have either nations or individuals learned from the mistakes of
+others? Take you three. Which of you lies closest to life? Which of
+you has drunk experience to the dregs? The dauber?--You,
+author-dreamer, fired by the passion of a robin for a cherry?--No,
+neither of you. . . . That boy there--that youngster with the blue
+eyes of a girl; he is the one to teach--not you. He has the stamp of
+failure on him. Welcome, sir--the Prince of Failures welcomes you to
+Archibald's.'
+
+He lurched forward and extended an unsteady hand to Dick Durwent, who
+rose slowly from his chair to take it. As Selwyn watched the two men
+standing with clasped hands over the table, he felt his heart-strings
+contract with pain.
+
+Although separated by more than thirty years, there was a cruel
+similarity in the pair--in the half-bravado, half-timorous poise of the
+head; in the droop of sensuous lips; in the dark hair of each, matted
+over pallid foreheads. It was as if De Foe had summoned some black art
+to show the future held in the lap of the gods for the youngest Durwent.
+
+'My boy,' said De Foe drunkenly, but with a moving tenderness, 'life
+has refused me much, but it has left me the power to read a man's soul
+in his eyes. The world brands you as a beaten man--and by men's
+standards it is right. But Laurence De Foe can read beyond those
+sea-blue eyes of yours; he it is who knows that behind them lies the
+gallant soul of a gallant gentleman. End your days in a gutter or on
+the gibbet--what matters it where the actor sleeps when the drama is
+done?--but to-night you have done great honour to the Prince of
+Failures by letting him grasp your hand.'
+
+He slowly released the young man's hand, and turned wearily away as
+Durwent sank into his chair, his eyes staring into filmy space. Moving
+clumsily across the room, De Foe reached the bar and ordered a drink.
+When it had been poured out for him he turned about, and, leaning back
+lazily, looked around the room, with his eyes almost hidden by the
+close contraction of thick, black eyelashes. Such was the unique power
+of his personality that the disjointed threads of conversation at the
+various tables wound to a single end as if by a signal.
+
+'_Mes amis_,' said De Foe--and his voice was low and sonorous--'I see
+before me many, like myself, who have left behind them futures where
+other men left only pasts. I see before me many, like myself, who had
+the gift of creating exquisite, soul-stirring works of art and
+literature. But because we were not content to be mere mouthy clowns,
+with pen or brush, jabbering about the play of life, we have paid the
+penalty for thinking we could be both subject and painter, author and
+actor. Because we chose to live, we have failed. The world goes on
+applauding its successful charlatans, its puny-visioned authors pouring
+their thoughts of sawdust in the reeking trough of popularity; while
+we, who know the taste of every bitter herb in all experience--we are
+thrust aside as failures. . . . But the gift of prophecy is on me
+to-night. There is a youth here who has a soul capable of scaling
+heights where none of us could follow--and a soul that could sink to
+depths that few of us have known. He is one of us, and he has chosen
+to fight for England. I can see the glory of his death written in his
+eyes. Gentlemen--you who are adrift with uncharted destinies--drink to
+the boy of the sea-blue eyes. May he die worthy of himself and of us.'
+
+Throughout the dimly lit room every one rose to his feet, incoherently
+echoing the last words of the speaker. . . . Still with the filmy
+wistfulness about his eyes and a tired, weary smile, Dick Durwent sat
+in his chair beating a listless tattoo on the table with his hand.
+
+From across the room came the sound of the old playwright's hacking
+cough.
+
+
+
+
+CHAPTER XV.
+
+DICK DURWENT.
+
+
+I.
+
+Late that night Selwyn lay in his bed and listened to the softened
+tones of his two guests conversing in the living-room, Johnston Smyth
+having conceived such an attachment to his newly found friend that it
+was quite impossible to persuade him to leave. At his own request,
+blankets had been spread for Durwent on the floor, and after a hot bath
+he had rolled up for the night close to the fire. Johnston Smyth had
+also disdained the offer of a bed and ensconced himself on the couch,
+where he lay on his back and uttered vagrant philosophies on a vast
+number of subjects.
+
+Wishing his strangely assorted guests a good night's repose, Selwyn had
+retired to his own room shortly after midnight, but, tired as he was,
+sleep refused to come. Like an etcher planning a series of scenes to
+be depicted, his mind summoned the various incidents of the night in a
+tedious cycle. The huddled figure at the foot of Cleopatra's steps;
+the fantastic airiness of Smyth with his shredded umbrella; the smoky
+atmosphere of Archibald's, with its strange gathering of derelicts; the
+two chance acquaintances spending the night in the adjoining room--what
+vivid, disjointed cameos they were! If there was such a thing as Fate,
+what meaning could there be in their having met? Or was their meeting
+as purposeless as that of which some poet had once written--two pieces
+of plank-wood touching in mid-ocean and drifting eternally?
+
+It seemed that the low voices of the others had been going on for more
+than an hour when the sense of absolute stillness told Selwyn that he
+must have fallen asleep for an interval. He listened for their voices,
+but nothing could be heard except the sleet driven against the windows,
+and a far-away clock striking the hour of two.
+
+Wondering if his visitors were comfortable, he rose from his bed, and
+creeping softly to the living-room door, opened it enough to look in.
+
+Smyth's heavy breathing, not made any lighter by his having his head
+completely covered by bed-clothes, indicated that the futurist was in
+the realm of Morpheus. Durwent was curled up cosily by the fire, the
+blankets over him rising and subsiding slightly, conforming to his
+deep, tranquil breaths.
+
+In the light of the fire, and with the warm glow of the skin caused by
+its heat and the refreshing bath, the pallor of dissipation had left
+the boy's face. In the musing curve of his full-blooded lips and in
+the corners of his closed eyes there was just the suggestion of a
+smile--the smile of a child tired from play. There was such refinement
+in the delicate nostrils dilating almost imperceptibly with the intake
+of each breath, and such spiritual smoothness in his brow contrasting
+with the glowing tincture of his face, that to the man looking down on
+him he seemed like a youth of some idyl, who could never have known the
+invasion of one sordid thought.
+
+A feeling of infinite compassion came over Selwyn. He rebelled against
+the cruelty of vice that could fasten its claws on anything so fine,
+when there was so much human decay to feed upon.
+
+The eyelids parted a little, and Selwyn stepped back towards the door.
+
+'Hullo, Selwyn, old boy!' murmured Durwent dreamily. 'Is it time to
+get up?'
+
+'No,' whispered Selwyn. 'I didn't mean to wake you.'
+
+Durwent smiled deprecatingly and reached sleepily for the other's hand.
+'It's awfully decent of you to take me in like this,' he said.
+
+There was a simplicity in his gesture, a child-like sincerity in his
+voice, that made Selwyn accept the hand-clasp, unable to utter the
+words which came to his lips.
+
+'Selwyn,' said Dick, keeping his face turned towards the fire, 'are you
+likely to see Elise soon?'
+
+'I hardly think so,' said the American, kneeling down and stirring the
+coals with the poker.
+
+'If you do, please don't tell her I've come back. She thinks I'm in
+the Orient somewhere, and if she knew I was joining up she would worry.
+I suppose I shall always be "Boy-blue" to her, and never anything
+older.'
+
+Selwyn replaced the poker and sat down on a cushion that was on the
+floor.
+
+'It may be a rotten thing to say,' resumed the younger man, speaking
+slowly, 'but she was more of a mother to me than my mother was. As far
+back as I can remember she was the one person who believed in me. The
+rest never did. When I was a kid at prep. school and brought home bad
+reports, every one seemed to think me an outsider--that I wasn't
+conforming--and I began to believe it. Only Elise never changed. She
+was the one of the whole family who didn't want me to be somebody or
+something else. You can hardly believe what that meant to me in those
+days. It was a little world I lived in, but to my youngster's eyes it
+looked as if everything and every person were on one side, doubting me,
+and Elise was on the other, believing in me. . . . I'm not whining,
+Selwyn, or saying that any one's to blame for my life except myself,
+but I do believe that if Elise and I had been kept together I might not
+have turned out such a rotter. Sometimes, too, I wonder if it wouldn't
+have been better for her. She never made many friends--and looking
+back, I think the poor little girl has had a lonely time of it.'
+
+He relapsed into silence and shifted his head wearily on the pillow.
+Johnston Smyth murmured something muffled and unintelligible in his
+sleep. Selwyn placed some new lumps of coal on the fire, the flames
+licking them eagerly as the sharp crackle of escaping gases punctured
+the sleep-laden air.
+
+'It does sound rather like whining to say it,' said Durwent without
+opening his eyes, 'but after I was rusticated at Cambridge I tried to
+travel straight. If I had gone then to the Colonies I might have made
+a man of myself, but I hung around too long, and got mixed up with one
+of the rottenest sets in London. I went awfully low, Selwyn, but booze
+had me by the neck, and my conscience wasn't working very hard either.
+And then another woman helped me. She was one of those who aren't
+admitted among decent people. She came of poor family, and had made a
+fairly good name for herself on the stage, and was absolutely straight
+until she met that blackguard Moorewell about three years ago.'
+
+'The man you nearly killed?'
+
+'Yes. At any rate, she and I fell in love with each other. I know
+it's all damned sordid, but we were both outcasts, and, as that chap
+said to-night, it's the people who have failed who lie closest to life.
+Once more a woman believed in me, and I believed in a woman. We
+planned to get married. We were going away under another name, to make
+a new world for ourselves. For weeks I never touched a drop, and it
+seemed at last that I could see--just a little light ahead. You don't
+know what that means, Selwyn, when a man is absolutely down.'
+
+The smile had died out in the speaker's face and given way to a cold,
+gray mist of pain.
+
+'Moorewell heard about it,' went on Durwent, 'and though the blackguard
+had discarded her, he grew jealous, and began his devilry again. She
+did not tell me, but I know for a long time she was as true to me as I
+was to her. Then they went to Paris--I believe he promised to marry
+her there. A week later I got a letter from her, begging forgiveness.
+He had left her, she said, and she was going away where I should never
+find her again. My first impulse was to follow her--and then I started
+to drink. God! what nights those were! I waited my time. I watched
+Moorewell until one night I knew he was alone. I forced an entrance,
+and caught him in his library. . . . As I said before, I was drunk;
+and that's what saved his life. I thought at the time he was dead; and
+having no money, I caught a late train, and hid all night and next day
+in the woods at Roselawn. Three times I saw Elise, but she was never
+alone; but that night I called her with a cry of the night-jar which
+she had taught me. She came out, and I told her as much as I could;
+and with her necklace I raised some money and got away.'
+
+Again the murmured words came to a close. Selwyn searched his mind for
+some comment to make, but none would come. He could not offer sympathy
+or condolence--Durwent wasn't seeking that. It was impossible to
+condemn, or to suggest a new start in life, because the young fellow
+was not trying to justify his actions. Yet it seemed such a tragedy to
+look helplessly on without one effort to change the floating course of
+the driftwood.
+
+'Durwent,' he said haltingly, 'it's not too late for you to start over
+again. If you will go to America, I have friends there who would give
+you every opening and'----
+
+'You're an awfully decent chap,' said Durwent, once more touching
+Selwyn's hand with his; 'but I shall not come back from the war. I
+felt _that_ the moment I stepped on shore yesterday. I felt it again
+when that fellow spoke to me in the tavern. It may come soon, or it
+may be a long time, but this is the end.'
+
+'No, no,' said Selwyn earnestly; 'all that's the effect of your chill.
+It has left you depressed.'
+
+'You don't understand,' said the lad, smiling with closed eyes, 'or you
+wouldn't say that. I said before that it means a lot, when a man's
+down, to be able to see a little light ahead. . . . I can see that now
+again. . . . It doesn't matter what I've been or done--I can go out
+there now, and die like a gentleman. War gives us poor devils that
+chance. . . . You know what I mean. My life has been no damned use to
+any one, Selwyn, but they won't care about that in France. To die in
+the trenches--that's my last chance to do something . . . to do
+something that counts.'
+
+Selwyn leaned over and patted the lad on his shoulder. 'Dick,' he
+said, 'wait until the morning, and all these fancies will clear from
+your mind. We'll discuss everything then together.'
+
+The musing smile lingered again about the boy's lips.
+
+'You're tired out, old man,' went on the American. 'I shouldn't have
+waked you. Good-night.'
+
+The other stopped him from rising by catching his arm with his hand.
+'Do you mind,' said Dick, his eyes opening wide, 'just staying here
+until I go to sleep? . . . There are all sorts of wild things going
+through my head to-night . . . waves pounding, pounding, pounding. It
+never stops, Selwyn. . . . And I seem to hear shouts a long way
+off--like smugglers landing their stuff in the dark. I'm an awful
+idiot to talk like this, old boy, but I've lost my courage a bit.'
+
+And so for nearly half-an-hour the American remained watching by the
+lad as sleep hovered about and gradually settled on him.
+
+As Selwyn quietly stole from the room the City's clocks were striking
+three.
+
+
+II.
+
+It was after nine o'clock when Selwyn woke from a deep, refreshing
+sleep. Hurrying into the other room, he found no sign of his guests.
+
+'When did these gentlemen leave?' he asked of his servant, who had
+answered his ring.
+
+'It must have been about six o'clock, sir. I heard the door open and
+shut then.'
+
+'Why didn't you call me?'
+
+'I wasn't wanting to disturb you, sir. It's the first good sleep
+you've had for a long time.'
+
+It was true. The sinking of himself into the personality of another
+man had released the fetters of his intensive egotism. For a whole
+night he had forgotten, or at least neglected, his world-mission in
+simple solicitude for one who had fallen by the wayside.
+
+After the stimulus of a cold shower and a hearty breakfast, he resumed
+his crusade against the entrenched forces of Ignorance, but in spite of
+the utmost effort in concentration, the memory of the lonely figure by
+the Thames intruded constantly on his mind. It was not only that Dick
+was the brother of Elise--although Selwyn's longing for her had become
+a dull pain that was never completely buried beneath his thoughts; nor
+was it merely the unconscious charm possessed by the boy, a charm that
+seized on the very heart-strings. To the American the real cruelty of
+the thing lay in the existence of a Society that could first debase so
+fine a creature, and then make no effort to retrieve or to atone for
+its crime.
+
+Putting aside the day's work he had planned, he flung his mind into the
+arena of England's social conditions. Exerting to the full his gift of
+mental discipline, he rejected the promptings of prejudice and of
+sentiment, and brought his sense of analysis to bear on his subject
+with the cold, callous detachment of a scientist studying some cosmic
+phenomenon.
+
+For more than an hour his brain skirmished for an opening, until,
+spreading the blank sheets of paper before him, he wrote: 'THE ISLAND
+OF DARKNESS.' Tilting his chair back, he surveyed the title critically.
+
+'Yes,' he said aloud, squaring his shoulders resolutely, 'I have
+generalised long enough. Without malice, but without restraint, I will
+trace the contribution of Britain towards the world's debacle.'
+
+With gathering rapidity and intensity he covered page after page with
+finely worded paragraphs. He summoned the facts of history, and
+churning them with his conceptions of humanity's duty to humanity,
+poured out a flood of ideas, from which he chose the best. Infatuated
+by the richness of the stream, he created such a powerful sequence of
+facts that the British began to loom up as a reactionary tribe fighting
+a rearguard action throughout the ages against the advancing hosts of
+enlightenment. The Island of Britain, the 'Old Country,' as its people
+called it, began to shape in his eyes like a hundred-taloned monster
+sprawling over the whole earth. This was the nation which had forced
+opium on China, ruled India by tyranny, blustered and bullied America
+into rebellion, conquered South Africa at the behest of business
+interests. . . . Those and endless others were the counts against
+Britain in the open court of history.
+
+And if those had been her crimes in the international sphere, what
+better record could she show in the management of human affairs at
+home? She had clung to the feudal idea of class distinction, only
+surrendering a few outposts reluctantly to the imperious onslaught of
+time; she had maintained a system of public schools which produced
+first-class snobs and third-rate scholars; she had ignored the rights
+of women until in very desperation they had resorted to the crudities
+of violence in order to achieve some outlet for the pent-up uselessness
+and directionlessness of their sex; she had tolerated vile living
+conditions for the poor, and had forced men and women to work under
+conditions which were degrading and an insult to their Maker. . . .
+One by one these dragons reared their heads and fell to the gleaming
+Excalibur of the author.
+
+Selwyn made one vital error--he mistook facts for truth. He forgot
+that a sequence of facts, each one absolutely accurate in itself, may,
+when pieced together, create a fabric of falsehood.
+
+There were many contributing influences to Austin Selwyn's denunciation
+of Britain that morning. Although he had ordered sentiment and
+prejudice to leave his mind unclogged, these two passions cannot be
+dismissed by mere will-power.
+
+He was keenly moved by the meeting with Dick Durwent, and, almost
+unknown to himself, his love for Elise was a smouldering fever whose
+fumes mounted to his head. Love is so overpowering that it overlaps
+the confines of hate, and his hunger for her was mixed with an almost
+savage desire to conquer her, force homage from her. And she was
+English!
+
+In addition to these undercurrents affecting his thoughts, there was
+the dislike towards England which lies dormant in so many American
+breasts. Gloss it over as they will, no political _entente_ can do
+away with the mutual dislike of Americans and Englishmen. It is a
+thing which cannot be eradicated in a day, but will die the sooner for
+exposure to the light, being an ugly growth of swampy prejudice and
+evil-smelling provincialism that needs the darkness and the damp for
+life.
+
+Mingling these subconscious elements with those of logic and reason,
+Selwyn wrote for two days, almost without an hour's rest, and when it
+was finished 'The Island of Darkness' was a powerful, vivid, passionate
+arraignment of England, the heart of the British Empire. It was
+clever, full of big thoughts, and glowed with the genius of a man who
+had made language his slave.
+
+It lacked only one ingredient, a simple thing at best--_Truth_.
+
+But that is the tragedy of idealism, which studies the world as a
+crystal-gazer reading the forces of destiny in a piece of glass.
+
+
+III.
+
+A week later, in the early afternoon, Selwyn was going up Whitehall,
+when he heard the sound of pipes, and turned with the crowd to gaze.
+With rhythmic pomposity a pipe-major was twirling a staff, while a band
+of pipes and drums blared out a Scottish battle-song on the frosty air.
+Following them in formation of fours were five or six hundred men in
+civilian clothes, attested recruits on their way to training-centres.
+
+With the intellectual appetite of the psychologist, Selwyn looked
+searchingly at the faces of the strangely assorted crowd, and the
+contrasts offered would have satisfied the most rapacious student of
+human nature.
+
+His eyes seized on one well-built, well-groomed man of thirty odd years
+whose slight stoop and cultured air of tolerance marked him a ''Varsity
+man' as plainly as cap and gown could have done. Just behind him a
+costermonger in a riot of buttons was indulging in philosophic quips of
+a cheerfully vulgar nature. A few yards back a massive labourer with
+clear untroubled eye and powerful muscles stood out like a superior
+being to the three who were alongside. Half-way a poet marched. What
+form his poesy took--whether he expressed beauty in words, or, catching
+the music of the western wind, wove it into a melody, or whether he
+just dreamed and never told of what he dreamed--it matters not; he was
+a poet. His step, his dreamy eyes, the poise of his forehead raised
+slightly towards the skies, were things which showed his personality as
+clearly as the mighty forearm or the plethora of buttons bespoke the
+labourer or the costermonger.
+
+With a great sense of pity the American watched them pass, while the
+skirl of the bagpipes lessened in the distance. In spite of the
+dissimilarity of type, there was a community of shyness that embraced
+almost every one--a silent plea not to be mistaken for heroes. As they
+passed the Horse Guards and saw the two sentries astride their horses
+still as statues (their glorious trappings, breastplates, helmets, and
+swords, the embodiment of spectacular militarism) an apologetic,
+humorous smile was on the face of almost every recruit. The sight was
+a familiar enough one to the large majority, but in the presence of
+those grim, superb cavalrymen they felt the self-conscious
+embarrassment of small boys about to enter a room full of their elders.
+
+In its own way it was Britain's mob saying to Britain's Regulars that
+it was to be hoped no one would think they imagined themselves soldiers
+in the real sense of the word.
+
+But to Selwyn the noise of their marching feet on the roadway had the
+ominous sound of the roll of the tumbrils, bearing their victims to the
+guillotine.
+
+The procession was nearly ended and he was about to turn away, when his
+eye was attracted by a peculiar pair of knees encased in trousers that
+were much too tight, working jerkily from side to side as their owner
+marched. Although his face was almost hidden by reason of his vagabond
+hat being completely on one side, it was not difficult to recognise the
+futurist, Johnston Smyth. He appeared to be in rare form, as an
+admiring group of fellow-recruits in his immediate vicinity were almost
+doubled up with laughter, and even the grizzled Highland sergeant
+marching sternly in the rear had such difficulty in suppressing a loud
+guffaw that his face was a mottled purple.
+
+And marching beside the humorist, with a slouch-cap low over his eyes,
+was the lad who was known as 'Boy-blue.'
+
+
+IV.
+
+_As this tale of the parts men play unfolds itself a passing thought
+comes._
+
+_From the standpoint of fairness, economics, and efficiency,
+conscription should have been Britain's first move. But nations, like
+individuals, have great moments that reveal the inner character and
+leave beacons blazing on the hills of history._
+
+_In a war in which every nation was the loser, Britain can at least
+reclaim from the wreckage the memory of that glorious hour when the
+Angelus of patriotism rang over the Empire, and men of every creed,
+pursuit, and condition dropped their tasks and sank themselves in the
+great consecration of service._
+
+_What is the paltry glory of a bloody victory or the passing sting of a
+defeat?_
+
+_War is base, senseless, and degrading--that was one truth that Selwyn
+did recognise; but what he failed to see was that in the midst of all
+the foulness there lay some glorious gems. When battles are forgotten
+and war is remembered as a hideous anachronism of the past, our
+children and their children will bow in reverence to that stone set
+high in Britain's diadem_--THEY SERVED.
+
+
+
+
+CHAPTER XVI.
+
+THE FEMININE TOUCH.
+
+
+I.
+
+In a small South Kensington flat a young woman was seated before a
+mirror, adding to her beauty with those artifices which are supposed to
+lure the male to helpless capitulation. Two candles gave a shadowy,
+mysterious charm to the reflection--a quality somewhat lacking in the
+original--and it was impossible for its owner to look on the picture of
+pensive eyelashes, radiant eyes, and warm cheeks without a murmur of
+admiration. She smiled once to estimate the exact amount of teeth that
+should be shown; she leaned forward and looked yearningly, soulfully,
+into the brown eyes in the glass. With a sigh of satisfaction she lit a
+cigarette from one of the candles, and leaning back, watched the smoke
+passing across the face of the reflection.
+
+'Hello, Elise!' said the beauty casually, as the door opened and Elise
+Durwent entered, dressed in the uniform of an ambulance-driver.
+
+'You'll find the room standing on its head, but chuck those things
+anywhere.'
+
+'Going out again?' asked the new-comer, stepping over several feminine
+garments that had been thrown on the floor.
+
+'Just a dance up the street--in Jimmy Goodall's studio. Listen, old
+thing; do put on some water. I'm croaking for a cup of tea.'
+
+Without any comment, Elise went into the adjoining room, used as a
+kitchen, while the voluptuary dabbed clouds of powder over her neck and
+shoulders. With a tired listlessness, Elise returned and sank into a
+chair, from the back of which an underskirt was hanging disconsolately.
+
+'You didn't do the breakfast-dishes, Marian.'
+
+'Didn't I? Oh, well, they're not very dirty. Had a rotten day at the
+garage?'
+
+'It was rather long.'
+
+'You're a chump for doing it. Working for your country's all very well,
+but wait until after the war and see if the girl who's spoiled her hands
+has a chance with the men. Why don't you wangle leave like I do? You
+can pull old Huggin's leg any day in the week--and he likes it. All you
+have to do is to lean on his shoulder and say you won't give up--you
+simply _won't_. Aren't men a scream?'
+
+'I suppose so,' said Elise after a pause. 'Who is your cavalier
+to-night?'
+
+'Horry.'
+
+'Horace Maynard?'
+
+'Absolutely. You know him, don't you, Elise?'
+
+'Yes. He was visiting at our place in the country when war broke out.
+When is he going back to France?'
+
+'Monday.'
+
+'He's been dancing pretty constant attendance, hasn't he?'
+
+'Ra-_ther_. He says if I don't write him every day after he buzzes back,
+he'll stick his head over the parapet and spoil a Hun bullet.'
+
+'Those things come easily to Horace.'
+
+'Oh, do they? I notice he doesn't go to you to say them.'
+
+'No,' said Elise with a smile, 'that is so. Think of the thrills I miss.'
+
+'Now don't get sarcastic. If Horry wants to make a fuss over me, that's
+his business.'
+
+'What about your husband at the front?'
+
+'My husband and I understand each other perfectly,' said the girl,
+glancing critically at the picture of two parted, carmined lips in the
+mirror. 'He wouldn't want me to be lonely. He knows I have my boy
+friends, and he's not such a fool as to be jealous. You want to wake up,
+Elise--things have changed. A woman who sticks at home and meets her
+darling hubby at night with half-a-dozen squalling kids and a pair of
+carpet slippers--no thanks! The war has shown that women are going to
+have just as much liberty as the men. We've taken it; and I tell you the
+men like us all the better for it.'
+
+'You think that because every man you meet kisses you.'
+
+'Elise!'
+
+'Good heavens! Don't they?'
+
+'Well, I never! Anyhow, what if they do? Is there any harm in it?'
+
+Elise smiled and shook her head. 'None, my dear Marian,' she said.
+'There is no possible harm in it. There's no harm in anything now. The
+old idea that a woman's purity and modesty---- But what's the use of
+saying that to you? Of course you're right. Who wants to stay at home
+with a lot of little brats, if you can have a dozen men a week standing
+you dinners, and mauling you like a bargee, and'----
+
+'Elise!'
+
+'There's the water getting near the boil.' Elise rose with a strange
+little laugh and looked at a yellow silk stocking which dangled over the
+side of a wicker table. As if trying to solve a conundrum, she glanced
+from it to the shapely form of the young woman at her toilet. 'When the
+war's over,' she said ruminatingly, 'and our men find what kind of girls
+they married when they were on leave'----
+
+'There you go again. For Heaven's sake, Elise, if you can't attract men
+yourself, don't nag a girl who does. You're positively sexless. The way
+you talk'----
+
+'There's the water. When Horace comes I don't want to see him.'
+
+'I guess he can live without it,' said the patriotic, leave-wangling
+war-worker, with an angry glance at Elise as she disappeared into the
+kitchen. Catching a glimpse of the frown in the mirror, she checked it,
+and once more leaned towards the reflection as if she would kiss the
+alluring lips that beckoned coaxingly in the glass.
+
+
+II.
+
+Marian had gone, radiant, and exulting in her radiance; and Elise sat by
+the meagre fire trying to take interest in a novel. Although she had
+found it easy to be confident and self-assertive when the other girl was
+there, the solitariness of the flat and the silence of the street
+undermined her courage. The dragging minutes, the meaningless
+pages. . . . She wished that even Marian were there in all her
+complacent vulgarity.
+
+Although she had drawn many people to her, the passing of the years had
+left Elise practically friendless. It was easy for her to attract with
+her gift of intense personality; but the very quality that attracted was
+the one that eventually repelled. The impossibility of forgetting
+herself, of losing herself in the intimacies of friendship, made her own
+personality a thing which was stifling her life. Since she was a child
+she had craved for understanding and sympathy, but nature and her
+upbringing had made it impossible for her to accept them when they were
+offered. Lacking the power of self-expression, and consequently
+self-forgetfulness, her own individuality oppressed her. It was like an
+iron mask which she could not remove, and which no one could penetrate.
+
+Going to London soon after the outbreak of war, she had been taken on the
+strength of a motor-ambulance garage; and to be near her work she had
+leased a small flat in Park Walk, sharing it by turn with various
+companion drivers. Although her desire to be of service was the prime
+reason of her action, it was with unconcealed joy that she had thrown off
+the restraints of home. Freedom of action, a respite from the petty
+gossip of her mother's set, had loomed up as the portals to a new life.
+The thought of sharing the discomforts and the privileges of patriotic
+work with young women who had broken the shackles of convention was a
+prospect that thrilled her.
+
+To her amazement, she discovered that the feminine nature alters little
+with environment. It was true, her new companions had broken with all
+the previous conceptions of decorum, but they had used their newly found
+liberty to enslave themselves still further with the idea of
+man-conquest. Officers--callow, heroic, squint-eyed, supercilious,
+superb, of any and every Allied country--officers were the quarry, and
+they the hunters. To love or not to love? Their talks, their thoughts,
+their lives concerned little else. They fought for the attentions of men
+like starving sparrows for crumbs.
+
+In such an environment, where she had hoped to lose the burden of
+persistent self, Elise found emancipation farther away than ever. The
+_abandon_ of the others first created a reversion to prudery in her
+breast, and then developed a cynical indifference. The others treated
+her with friendly insouciance. Had she been ill, or had she met with an
+accident, there was probably not one who wouldn't have proved herself a
+'ministering angel.' As it was, they largely ignored her, indulging the
+instinct of inhumanity which so often is woman's attitude towards woman.
+
+So she sat alone, the Elise who had always been so resolute and
+independent, feeling very small and pathetic, yearning for far-off
+things--utterly lonesome, and a little inclined to cry.
+
+The words of the book grew dim, and her thoughts drifted towards Austin
+Selwyn. He had been contemptible! A pacifist! His idealism was a pose
+to try to ennoble utter cowardice. At a time when men's blood ran high
+he had prated of brotherhood, and peace, and suggested that the infamous
+Hun had a soul! How she hated him! . . . And when she had finished with
+that thought her heart's yearning returned more cruelly than before.
+
+That evening by the trout-stream when she had seen Dick hiding in the
+bush, Selwyn had caught her when she had almost swooned. He had gripped
+her arms with his hands, and, quivering with emotion, had lent his
+strength to her. At the memory the crimson of her cheeks deepened. They
+had been so close to each other. His burning eyes, his lips trembling
+with passion--what strange impulse in her heart had made her thrill with
+a heavenly exhilaration? For that instant while his hands had gripped
+her a glorious vista had appeared before her eyes--a world of dreams
+where the tyranny of self could not enter. For that one instant her
+whole soul had leaped in response to his strong tenderness.
+
+She tried to dismiss the recollection as an admission of cowardice
+engendered of the night's mood. But she could not do away with the
+memories which lingered obstinately. Not since the days when Dick had
+offered his blind loyalty had any one tried to understand her as Austin
+Selwyn had done. She was grateful for that. She might even have valued
+his friendship if he had not been so despicable that awful night. To
+insult her with his talk of pacifism, and then, heedless of her
+intensity, to propose to her! She could not forgive him for that. She
+was glad her words had stung him!
+
+Minutes passed. The fire would not answer to any attention, but sulkily
+lived out its little hour. The evening seemed interminable.
+
+It was shortly after ten o'clock when there was a knock at the door, and
+Elise hurried to open it, thinking there might be a message from the
+garage.
+
+'It's only me, Elise,' said a familiar voice.
+
+'Oh!--Horace,' she laughed. 'What's the trouble? Did Marian leave
+anything behind?'
+
+'No. I was just absolutely fed up; and when she told me you were here
+alone, I thought I'd jolly well come down and talk to you.'
+
+'Good! Come in. You mustn't stay long, though. Please don't notice
+this horrible mess.'
+
+In sheer pleasure at the breaking of the solitude, her vivacity made her
+eyes sparkle with life. Her sentences were crisp and rapid, and as she
+led the young officer to a seat by the fire it would have been difficult
+for Elise herself to think that a few minutes before she had been
+helplessly and lonesomely on the brink of tears.
+
+'How is the dance going on up the street?' she asked, as Maynard inserted
+a cigarette between his lips without lighting it.
+
+'It's a poisonous affair.'
+
+'Poor boy!'
+
+'I'm fed up, Elise. I'm--I'm _gorged_. When I heard you were down here,
+I said, "By George! I'll go and see her. I can talk to Elise. She's
+got some sense."'
+
+'What a thing to say about a woman!'
+
+'Don't chaff me, Elise. I can't stand it. I'm frightfully
+upset--really.'
+
+'What has Marian been doing to you?''
+
+'Nothing, except making a blithering ass of me. You know, I was
+fearfully keen on her, and I've passed up all sorts of fluff so as to do
+the decent; but when that brute Heckles-Jennings advised me to-night to
+be sure and sit out a dance with Marian because she was such hot stuff,
+he said . . . Of course, he's an outsider and all that, and I told him
+to go to hell--but you don't blame me for feeling cut up, do you, Elise?'
+
+'Didn't you know she was that kind?'
+
+'What kind?'
+
+'Oh--the--the universal kisser--the complete osculator--the'----
+
+'I say'----
+
+'But surely you don't think you are the only one she has made a fool of?
+To begin with, there's her husband in France--a brother-officer, Horace.'
+
+Maynard wriggled uneasily, sliding down the chair in the movement until
+his knees were very near his chin.
+
+'He's a rotter, Elise.'
+
+'Do you know him?'
+
+'N-no. But Marian says he absolutely neglects her. He's one of those
+cold-blooded fish--doesn't understand her a bit. After all'--the extra
+vehemence shifted him another few inches, so that he presented an
+extraordinary figure, like the hump of a dromedary--'women must have
+sympathy. They need it. They'----
+
+'Oh, Horace!' Elise burst into a laugh. 'Are there really some of you
+left? How refreshing! Why don't you put it on your card: "2nd Lt.
+Horace Maynard, Grenadier Guards, soul-mate by appointment"?'
+
+'I wish you wouldn't laugh like that.'
+
+He was a picture of such utter dejection that, checking her mirth, Elise
+laid her hand on his arm. 'Sorry, Horace. You know, if it hadn't been
+for this war we might never have known how _nice_ our men are. I only
+wonder how it is that the women have the heart to make such fools of you.'
+
+The unhappy warrior pulled himself up to a fairly upright posture and
+tapped his cigarette against the palm of his hand. 'I'm glad,' he said
+with a slight blush, 'that you don't quite put me down as a rotter. I
+don't know what's come over us all. Before the war, when you met a
+chap's wife--well, hang it all!--she was his wife, and that was all there
+was about it. But nowadays'----
+
+'I know, Horace, it's a miserable business altogether--partly war
+hysteria, and partly the fact that women can't stand independence, I
+suppose. Marian's a splendid type of the female war-shirker. You know
+she's married; yet, because she lets you maul her'----
+
+'I say, Elise!'
+
+'----and she murmurs pathetically that her husband in France neglects
+her--at least, that's what she tells you. When she was dressing to-night
+Marian said that she and her husband absolutely trusted each other.'
+
+'By Jove! You don't mean that?'
+
+'She also said that all men, including you, were a scream. Probably she
+considers you a perfect shriek.'
+
+Trembling with indignation, Maynard suddenly collapsed like a punctured
+balloon and relapsed dejectedly into his recumbent attitude. 'What an
+ass I have been!' he lamented sorrowfully. 'What a sublime ass! And
+Marian--the little devil!'
+
+'Rubbish!'
+
+'Eh? I suppose you think I am an idiot for---- Well, perhaps you're
+right.'
+
+For a couple of minutes nothing was said, and the melancholy lover, with
+his chin resting on his chest, ruminated over his unhappy affair.
+
+'Hang it all!' he said at last, hesitatingly, 'when a chap gets leave
+from the front he's--he's sort of woman-hungry. You don't know what it
+feels like, after getting away from all that mud and corruption, to hear
+a girl's voice--one of our own. It goes to the head like bubbly. It's
+a--a dream come true. There's just the two things in your life--eight or
+nine months in the trenches; then a fortnight with the company of women
+again. It's awfully soppy to talk like this'----
+
+'No, it isn't, Horace. It's the biggest compliment ever paid our women.
+I only wish we could try to be what you boys picture us. That's what
+makes me feel like drowning Marian every few days. Horace, I'm proud of
+you.'
+
+She patted his hand which was grasping the arm of the chair, and he
+blushed a hearty red.
+
+'Elise!' He sat bolt-upright. 'By gad! I never knew it until this
+minute. _You_ are the woman I ought to marry. You are far too good and
+clever and all that; but, by Jove! I could do something in the world if I
+had you to work for. Don't stop me, Elise. I am serious. I should have
+known all along'----
+
+'Horace, Horace!' Hardly knowing whether to laugh or to cry, Elise put
+her hand over his mouth and checked the amorous torrent. 'You're a
+perfect dear,' she said, 'and I'm ever so grateful'----
+
+'But'----
+
+'But you mustn't be silly. This is only the reaction from Marian.'
+
+'It's nothing of the sort,' he blurted, putting aside her hand. 'I--I
+really do--I love you. You're different from any other girl I ever met.'
+
+'My dear, you mustn't say such things. You know you don't love me as you
+will the right girl when you meet her.'
+
+He got out of the chair by getting over its arm. 'I beg your pardon,
+Elise,' he said, not without a certain shy dignity. 'I meant every word
+I said--but I suppose there's some one else.'
+
+'Only a dream-man, Horace.'
+
+'What about that American?'
+
+'What--American?' Her agitation was something she could hardly have
+explained.
+
+'That author-fellow at Roselawn. He was frightfully keen on you. I
+remember half-a-dozen times when he would be talking to us, and if you
+came in he'd go as mum as an oyster, and just follow you with his eyes.
+Is _he_ the chap, Elise?'
+
+'Good gracious!'--she forced a laugh-- 'why, I don't even know where he
+is.'
+
+'Don't you? He's in London; I can tell you that much. Last month in
+France I ran across that Doosenberry-Jewdrop fellow---you know--the
+futurist artist.'
+
+'Do you mean Johnston Smyth?'
+
+'That's the chap.'
+
+'I didn't know he was in France.'
+
+'Rather. I thought your brother would have told you.'
+
+'_My brother?_' There was not a vestige of colour in her cheeks. 'What
+do you mean?'
+
+Maynard scratched the back of his head. 'Smyth told me,' he said,
+wondering at the cause of her agitation, 'that Dick and he enlisted
+together some months ago. By Jove! I remember now. He told me that
+this American fellow put them up at his rooms in St. James's Square one
+night. Smyth didn't know who Dick was until they got to France. He was
+travelling under the name of Sherlock, or Shylock, or Sherwood'----
+
+'I--I thought Dick was in China.' She wrung her hands nervously. 'You
+didn't see him?'
+
+'No. That's all I know about him, except that he was transferred to some
+other battalion than Dinglederry Smyth's.'
+
+She went over to a table and took a piece of notepaper from a drawer.
+'Mr. Selwyn used to belong to the R.A.C.,' she said quickly. 'Would you
+do me a favour, Horace dear?'
+
+He murmured his desire to be of service in any capacity. Hesitating a
+moment, she wrote hurriedly:
+
+
+'_4th March 1915_, 2lA PARK WALK.
+
+'DEAR MR. SELWYN,--Will you please come and see me as soon as you can? I
+am not on night-duty this week.--Yours sincerely, ELISE DURWENT.'
+
+
+She sealed the envelope and handed it to Maynard. 'Please find out from
+the R.A.C. where he is, and ask them to send this note to him. I am
+ever so grateful, Horace.'
+
+'I suppose,' he said, looking at the envelope, 'that this means the--the
+finish of my chances?'
+
+She answered the question by wishing him good luck in France, but there
+was a strange tremulousness in the softly spoken words.
+
+He put out his hand shyly. 'Good-night, old girl,' he said, smiling with
+a sort of rueful boyishness.
+
+She took his proffered hand, and then, obeying an impulse, stooped and
+pressed her burning cheek against it. 'Good-night, Horace,' she said
+softly. 'I hope you'll come back safe to be a fine husband for some nice
+girl.'
+
+When he had gone, and his footsteps died away, she returned to the table.
+Burying her face in her hands, she fought back the tears which surged to
+the surface. Her love for Dick, her own loneliness, a mad joy in the
+thought of seeing Selwyn again, a motherly pity for Maynard, a fury
+towards Marian, an incomprehensible yearning--she felt that her heart was
+bursting, but could not have said herself whether it was with grief or
+with joy.
+
+
+III.
+
+From the time that Austin Selwyn received the note there was nothing else
+in his mind--as in Elise's--but the coming meeting. As playwrights
+planning a scene, each went through the encounter in prospect a dozen
+times, reading into it the play of emotions which was almost certain to
+dominate the affair. Although completely ignorant of her motive in
+writing to him, Selwyn invented a hundred different reasons--only to
+discard them all. Nor was Elise more able to satisfy herself as to the
+outcome of the meeting. It was not his actions that were difficult to
+forecast, but her own. Would her dislike of him be intensified? Would
+she experience again the momentary rapture of that summer afternoon?
+
+It was fortunate that another lover had appeared for Marian, so that the
+desertion of Maynard did not leave her moping untidily about the place.
+She was one of those women who are so singularly lacking in
+self-sufficiency that, except when in the company of men, they are as
+fiat as champagne from which the sparkle has departed.
+
+It so happened, therefore, that Elise was again alone the following
+evening, dreading Selwyn's arrival, yet impatient of delay.
+
+A few minutes after eight she heard him knock, and going to the street
+door, opened it for him. The night was a vapourish, miserable one,
+blurring his figure into indistinctness, and when he spoke his voice was
+hoarse, as though the damp tendrils of the mist had penetrated to his
+throat.
+
+Answering something to his greeting, she led him through the hall into
+the sitting-room. He paused as he entered. Without looking back, she
+crossed to the fireplace, and kneeling down, stirred the fire.
+
+'May I help?'
+
+'No, thanks. I prefer to do it.'
+
+Her answer had followed so swiftly on his question that he stopped in the
+act of stepping forward. She looked over her shoulder with a swift,
+searching glance.
+
+His face was a tired gray, and the silk scarf thrown about his neck
+looked oddly vivid against the black evening-clothes and overcoat. But
+if his face suggested weariness, his eyes were alive with dynamic force.
+The intensity of the man's personality strangely moved Elise. She felt
+the presence of a mind and a body vibrating with tremendous purpose--a
+man who drew vitality from others, yet charged them in return with his
+own greater store.
+
+To her he seemed to have divorced himself from type--he had lost even the
+usual characteristics of race. With the thought, she wondered how far
+his solitary life had effected the transition, if his idealism had
+brought him loneliness.
+
+'Won't you sit down?' she said hesitatingly.
+
+He acquiesced, and took a seat in the chair from which Maynard had run
+the emotional gamut the previous evening.
+
+'You look pale,' she said, drawing a chair near the fire. 'I hope you
+have not been unwell.'
+
+'No--no; it is merely that I have been so little out of doors. I could
+not gather from your note what kind of work you were engaged in. I see
+you are an ambulance-driver. I congratulate you.'
+
+His voice conveyed nothing but polite interest in an obvious situation.
+With over-sensitive apprehension she listened for any suggestion of
+sarcasm that lay behind his words, but she could detect nothing beyond
+mere impersonal courtesy--that, and a far-off weariness, as of one who
+has passed the borders of fatigue.
+
+'I wrote to your mother,' he said, 'when I heard of your elder brother's
+death. It must have been a great grief to you all.'
+
+She did not answer him. His manner was so cold that he might have been
+deliberately disposing of a number of prepared comments rendered
+imperative by the laws of polite intercourse.
+
+'Why didn't you let us know you had seen Dick?' she said abruptly.
+
+'Then--you have heard?' He raised his eyebrows in surprise.
+
+'Only last night, by the merest accident. He might have been killed in
+France, and we should never have known about it.' Her words were
+resentful and swift. 'Will you please tell me about him?'
+
+Omitting the incident of Archibald's tavern, Selwyn told of the chance
+meeting with Dick, the encounter with Johnston Smyth, the night at the
+rooms in St. James's Square, and the subsequent glimpse of them marching
+through Whitehall.
+
+'Your brother asked me to say nothing,' he said calmly. 'That is one of
+the reasons why I did not let you know.'
+
+'Had Dick changed at all?' she asked, trying to make her words as
+listless as his. 'I wish that you would tell me something that he said.
+You must know more about him than just'----
+
+'I don't think he had changed,' said Selwyn; and for the first time his
+voice was tinged with compassion. 'He spoke of you with a kind of
+worship. I suppose you know how he idolises you.'
+
+His dark eyes looked at her through partially closed eyelashes, but only
+the manner in which her fingers compressed the fold of her skirt betrayed
+the turmoil of her feelings.
+
+'Is that all you can tell me?'
+
+'That is all.' He made no attempt to elaborate the conversation or to
+introduce any new theme. The scene which had promised to be so dramatic
+was actually dragging with uncomfortable silences. She waited long
+enough for him to speak, but when he remained silent--it was a sardonic
+silence to her--she rose from the chair with the manner of one who has
+determined to bring an interview to a close.
+
+'Thank you for coming so promptly,' she said. 'I am most grateful for
+your kindness to Dick--and I know enough of the law to realise that you
+were taking a risk in hiding him.'
+
+'It was nothing at all,' he said. He looked at her for an indication
+that her questions were at an end.
+
+'I hope you will be able to get a taxi,' she ventured helplessly.
+
+For the first time he smiled, and she reddened with mortification. He
+had been so cool and unyielding, so bloodless, that he had forced her to
+a disadvantage. She knew he could not be ignorant of the strain of the
+affair on her, yet he had done nothing to ease it. If she could have
+projected her mind into his, she would have seen that his conduct was as
+inexplicable to himself as to her. He knew he was hurting her. Perhaps
+it was because her warm lips and crimson cheeks were creating a torment
+in his soul that he could not curb the impulse to wound her. It may have
+been the subconscious knowledge that where one can hurt one can conquer
+that dominated his actions. While she resented the invulnerability with
+which he guarded his own feelings, it is probable that any different
+attitude on his part would have brought forth a more active unkindness on
+hers. When men and women love, strange paradoxes are found.
+
+They went to the door together, and in the brighter light of the hall
+Elise saw for the first time that he was considerably thinner, and that
+his brow was like marble. She felt a little stab of pity for him,
+forgetting his own lack of sympathy towards herself; she caught a faint
+realisation of what he must have endured for it to have marked him so
+indelibly.
+
+'Don't you think,' she said, 'that you ought to go to the seaside for a
+while? You are not looking at all well.'
+
+His lips grew firmer, but there was a curious look in his eyes as he
+turned towards her. 'I have work to do here,' he said crisply.
+
+'I know--but surely'----
+
+'In London,' he said--and there was a suggestion of the fanatic's ecstasy
+in his voice--'it is impossible to forget life. I don't want my mind
+soothed or lulled. You can always hear the challenge of the human
+destiny in London. It cries out to you everywhere. It'---- He had held
+his head erect, and had spoken louder than was his custom; but, checking
+himself, he made a queer, dramatic gesture with his hands.
+
+The fire of his spirit swept over her. Once more she stood close to him,
+as she had done so many times in her thoughts. She did not know whether
+she loved or detested him. She was fascinated--trembling--longing for
+him to force her to surrender in his arms--knowing that she would hate
+him if he did. She gave a little cry as Selwyn, almost as if he read her
+conflicting thoughts, took her arms with his hands once more.
+
+'If we had both been English,' he said, and his voice was so parched that
+it seemed to have been scorched by his spirit, 'or if we had met in other
+times than these, things might have been different. I know what you
+think of me for the work I am doing, but it would be as impossible for me
+to give it up as for you to think as I do. We come of two different
+worlds, you and I. . . . I am sorry we have met to-night. For me, at
+least, it has reopened old wounds. And it is all so useless.'
+
+She made no reply; but as his eyes were lowered to her face, and he saw
+once more the trembling lips, her unsoiled womanliness, her whole vivid,
+lonely, gripping charm, a look of suffering crossed his face. He
+realised the hopelessness of it all, but the admission was like tearing
+out a thread which had been woven into the whole scheme of his being.
+
+'We both have our work to do,' he said wearily, letting his arms drop to
+his side.
+
+'Good-night.'
+
+She answered, but did not give him her hand. With a repetition of the
+farewell he left her, and she walked musingly into the room again. She
+felt a flush of anger at his daring to say their friendship was
+impossible, when she had not even suggested that it could ever be
+resumed. His vanity knew no bounds. She was furious at having let him
+hold her as he did--even more furious with the knowledge that she would
+not have resisted if he had kissed her.
+
+
+
+
+CHAPTER XVII.
+
+MOONLIGHT.
+
+
+I.
+
+Two summers came and went, and the little park in St. James's Square
+rested once more beneath its covering of autumn leaves.
+
+Selwyn, who was still occupying the rooms of the absent New Yorker, was
+looking over his morning mail. The thinning of his hair at the temples
+was more pronounced, and here and there was the warning of premature
+gray. He had lost flesh, but his face had steadied into a set
+grimness, and his mouth had the firmness of one who had fought a long
+uphill fight.
+
+Looking through a heavy mail, he extracted a letter from his New York
+agent:
+
+
+'_Oct. 2nd, 1916_.
+
+'DEAR MR. SELWYN,--You will be interested to know that the
+extraordinary sensation caused by your writings in America has resulted
+in the sale of them to Mr. J. V. Schneider for foreign rights. They
+have been translated, and will shortly appear in the press of Spain,
+Norway, Holland, and the various states of South America.
+
+'It would be impossible for me to forward more than a small percentage
+of the comments of our press on your work, but in my whole literary
+experience I don't remember any writer who has caused such a storm of
+comment on every appearance as you. As you can see by the selection I
+have made, the papers are by no means entirely favourable. I feel that
+you should know that you are openly accused of pro-Germanism, of being
+a conscientious objector, &c., &c.--all of which, of course, means
+excellent advertisement.
+
+'I have had many inquiries as to whether you would care to conduct a
+lecture-tour. There is a Mr. C. B. Benjamin, who is financially
+interested in Mr. Schneider's affairs, and who is willing to pay you
+almost anything within reason, if you care to state your terms.
+
+'Of course, the most discussed article of all is "The Island of
+Darkness," in which you accuse Britain of contributing so largely
+towards bringing about the present war. The German-American
+organisations and the strong Irish section here were especially
+jubilant, and every one concedes that it has awakened a great deal of
+resentment against Britain that had been forgotten since the beginning
+of the war. Even your detractors admit that "The Island of Darkness"
+will live as a literary classic.
+
+'Your first ten articles have been made into book form under the title
+_America's War_, and are selling most satisfactorily. The first
+edition has gone into 40,000 copies. The attached clipping from the
+_New York Express_ is fairly typical of the reception given the book by
+the pro-Entente press.
+
+'Your September statement will go forward to-morrow with cheque
+covering foreign rights, royalties, &c.--I am, Mr. Selwyn, yours very
+truly,
+
+S. T. LYONS.'
+
+
+With hardly more than a merely casual interest, Selwyn glanced at the
+clipping attached to the letter. It was from the editorial page of the
+_Express_.
+
+
+'THE MENACE OF SELWYN.
+
+'In 1912 Austin Selwyn was known as a younger member of New York's
+writing fraternity. He had done one or two good things and several
+mediocre ones, but promised to reach the doubtful altitude of
+best-sellership without difficulty. To-day Selwyn is the mouthpiece of
+neutrality. He has preached it in a language that will not permit of
+indifference. He has succeeded in surrounding his doubtful idealism
+with a vigour that commands attention, even if not respect. Right in
+the heart of London he is turning out insidious propaganda which is
+being seized upon by every neutral American who has his own reasons for
+wanting us to keep out of war. It would be absurd to say that one
+man's writing could in itself sway a great nation, but nevertheless it
+is a vehicle which is being used to the limit by every pro-German
+agency in this free land.
+
+'Truly we are a strange people. We have a President who deliberately
+cuts his political throat with a phrase, "too proud to fight;" but
+because we think Wilson is a greater man than he himself knows, we sew
+up the cut and send him back for another term. In the same way,
+although every red-blooded American has in his heart been at war with
+Germany since the _Lusitania_, we permit this man Selwyn to go on
+cocaining the conscience of our people until our flag, which we have
+loved to honour, is beginning to be a thing of shame. He should be
+brought back from England and interned here with a few "neutral"
+German-Americans. He certainly can write, and perhaps from confinement
+he might give us a second _De Profundis_. His book, _America's War_,
+which is now on the market, is a series of arguments showing that
+America is at war with the causes of the war. It is a nice conceit.
+Our advice is to add the book to your library--but don't read it for
+ten years. In that time it will be interesting to see the work of a
+brilliant mind prostituted (and in this we are placing the most
+charitable construction on Mr. Selwyn's motives) by intellectual
+perversion.'
+
+
+Without the expression of his face undergoing any change, Selwyn
+carefully placed the letter on his file, and took from the envelope a
+number of American press clippings. Choosing them at random, he
+contented himself with reading the headings:
+
+
+'Author of "The Island of Darkness" again hits out.'
+
+'"Britain has thrived on European medievalism," says Austin Selwyn.'
+
+'More hot air from the super-Selwyn.'
+
+'Selwyn is the spokesman for enlightened America.'
+
+'Masterful thinker, masterful writer, is the author of "The Island of
+Darkness."'
+
+'What does Selwyn receive from Germany?'
+
+'The arch-hypocrite of American letters.'
+
+
+With a shrug of his shoulders he threw them to one side. 'A pack of
+hounds,' he muttered, 'howling at the moon!'
+
+He leaned back in his chair and pondered over the written word that
+could leap such spaces and carry his message into countries which he
+had never seen. It was with a deeper emotion than just the author's
+pleasure at recognition that he visualised his ancestor leaving Holland
+for the New World, and the strange trend of events which was resulting
+in the emigrant's descendant sending back to the Netherlands his call
+to higher and world citizenship.
+
+Still ruminating over the power that had become his, he noticed a
+letter, on the envelope of which was written 'On Active Service,' and
+breaking the seal, found that it was from Douglas Watson, written at a
+British hospital in France. As Selwyn read it the impassiveness of his
+face gave way to a look of trouble. For the first time in many months
+there was the quick play of expression about his lips and his eyes that
+had always differentiated him from those about him.
+
+At the conclusion of the letter he put it down, and crossing to the
+French windows, leaned against them, while his fingers drummed
+nervously on the glass. With a gesture of impatience, as though he
+resented its having been written at all, he picked up the letter once
+more, and turning the pages, quickly reached the part which had
+affected him so:
+
+
+'They tell me I'm going to lose my arm, and that I'm out of it; but
+they're wrong. I'm going back to America just as soon as they will let
+me, and I'm going to tell them at home what this war is about. And,
+what's more, I'm going to tell them what war is. It isn't great armies
+moving wonderfully forward "as if on parade," as some of these
+newspaper fellows tell you. It's a putrid, rotten business. After
+Loos dead men and horses rotted for days in the sun. War's not a thing
+of glory; it's rats and vermin and filth and murder. Three weeks ago I
+killed a German. He hadn't a chance to get his gun up before I stuck
+him with my bayonet like a pig. As he fell his helmet rolled off; he
+was about eighteen, with sort of golden hair, and light, light blue
+eyes. I've been through some hell, Austin, but when I saw his face I
+cried like a kid. To you that's another argument for our remaining
+neutral. To me that poor little Fritzie is the very reason America
+should have been in it from the first. Can't you see that this
+Prussian outfit is not only murdering Frenchmen and Russians and
+Britishers, but is murdering her own men as well? If America had been
+in the war it would have been over now, and every day she holds back
+means so many more of the best men in the world dead.
+
+'For the love of Mike, Austin, clear your brains. I have seen your
+stuff in American papers sent over to me, and it's vile rot. Tomorrow
+they're going to take my left arm from me, but'----
+
+
+Selwyn crumpled the letter in his hand and hurled it into the
+fireplace. Plunging his hands into his pockets, he paced the room as
+he had done that night when Watson had called to tell him he was going
+to enlist. He was seized with an incoherent fury at it all--the
+inhumanity of it--the degradation of the whole thing. But through the
+formless cloud of his thoughts there gleamed the one incessant phrase
+'about eighteen, with sort of golden hair, and light, light blue eyes.'
+Why should that groove his consciousness so deeply? He had heard,
+unmoved, of the death of Malcolm Durwent. A month ago he had read how
+Captain Fensome, of Lady Durwent's house-party, had been killed trying
+to rescue his servant in No Man's Land. The sight of Dick Durwent and
+Johnston Smyth marching away had been only a spur to more intensive
+writing. Then why should that haltingly worded sentence lie like ice
+against his heart?
+
+A sharp pain shot through his head.
+
+Stopping his walk, he leaned once more against the windows, and rested
+his hot face on the grateful coolness of the glass.
+
+What, he questioned, had he accomplished, after all? He had gained the
+ears of millions, but the war was no nearer a close. America was
+neutral--that was true. _But why was America neutral_? Had he falsely
+idealised his own country? Was her aloofness from the world-war the
+result of a passionate, overwhelming realisation of her God-deputed
+destiny, as he had imagined?
+
+Hitherto he had paid no attention to the writings in the English press
+chronicling the passing of the world's gold reserve from London to New
+York. He had ignored the evidence of nation-wide prosperity from the
+Atlantic coast to San Francisco. All such things he had dismissed as
+unavoidable, unsought material results of America's spiritual
+neutrality.
+
+Yet, while the wheels of prosperity were turning at such a pitch, there
+was a boy lying dead--about eighteen.
+
+He beat his fist into the palm of his hand. Who was this Schneider who
+had purchased the foreign rights of his articles? What sort of a man
+was this Benjamin who wanted him to lecture? Were they, as he had
+supposed, men of vision who wished to co-operate in achieving the great
+unison of Right? . . . Or were they . . . ?
+
+The thought was hideous. Was it possible that those writings, born of
+his mental torture, robbing him of every friend he valued---was it
+thinkable that they had been used for gross purposes?
+
+His fingers again played rapidly against the windows as he wrestled
+with the sudden ugly suspicion. At last, utterly exhausted, he sank
+into a chair.
+
+'There is only one thing I can do,' he said decisively; 'return to
+America at once. If, as I have thought, her neutrality is in tune with
+the highest; if my fellow-countrymen are imbued with such a spirit of
+infinite mercifulness that from them will flow the healing streams to
+cure the wounds of bleeding Europe, then I have carried a lamp whose
+light reflects the face of God. . . . But if . . .'
+
+
+II.
+
+That night a glorious moonlight silvered the roof-tops of old London,
+touching its jumbled architecture with fantastic beauty.
+
+Vagrant towers and angular church spires, uninspired statuary, and
+weary, smoke-darkened trees shed their garments of commonplaceness and
+shimmered like the mosques and turrets of an enchanted city.
+
+It was one of those nights that are sent to remind us that Beauty still
+lives; a night to challenge our mad whirl of bargaining and barter, to
+urge us to raise our eyes from the grubbing crawling of avarice; a
+night to awaken old memories, and to stir the pent-up streams of poetry
+lying asleep in every breast.
+
+It was a moonlight that descended on Old England's troubled heart as a
+benediction. Her rivers were glimmering paths winding about the
+country-side; her villages and her heavy-scented country lanes shared
+its caress with open meadows and murky cities. The sea, binding the
+little islands in its turbulent immensity, drew the night's beauty to
+its bosom, and the spray of foam rising from the surf was a shower of
+star-dust leaping towards the moon.
+
+As a weary traveller drinks thirstily at a pool, Selwyn wandered about
+the streets trembling with emotion in the breathless ecstasy of the
+night. All day the conjured picture of the German boy, guilty of no
+crime save blind devotion to his Fatherland, had haunted him like the
+eyes of a murdered man. It had robbed him of the power of constructive
+thought, and stopped his writing with the decisiveness of a sword
+descending on his wrist; it had made the food on his table tasteless,
+and given him a dread of the solitude of his rooms.
+
+With nerves that contracted at every untoward sound, he had gone out at
+dark, and gradually the peacefulness of the night had soothed and
+calmed him as the dew of dusk cools the earth after the heat of a
+summer's day. The familiar strains of Beethoven's 'Moonlight Sonata'
+came to his mind, and as he walked he idly traced the different
+movements of the music in the moods of the evening's witchery.
+
+His steps, like his thoughts, pursued a tangled course, and led him
+into the prosaic brick-and-mortar monotony of Bayswater, but the moon
+was lavish in her generosity, and strewed his path with glinting
+strands of light. He paused in a quiet square to get his bearings.
+There was the heavy smell of fallen leaves from the gardens on the
+other side of the railing.
+
+His mind was still playing the slow minor theme of the sonata's opening
+movement.
+
+Suddenly the air was shattered with the noise of warning guns. As if
+released by a single switch, a dozen searchlights sprang into the sky,
+crossing and blending in a swerving glare. There was the piercing
+warning of bugles and the heavy booming of maroons.
+
+Dazed by the swiftness of it all, Selwyn leaned against the low iron
+fence. A Boy Scout whirled past on a bicycle, his bugle hoarse and
+discordant; an old woman went whimpering by, hatless, with a protesting
+child in her arms; an ambulance, clanging its gong, rounded the corner
+with reckless speed; a mightier searchlight than any of the rest swept
+the sky in great circles.
+
+It seemed only a matter of seconds, though in reality much longer, when
+the American heard a faint crunching sound in the distance, followed by
+a deep, sullen thud. In rapid succession came three more, and the
+defence guns of London burst into action, changing the night into
+Bedlam.
+
+Still motionless, he listened, awe-struck, to the din of the weird
+battle with an unseen foe, when the cough of exploding shells in the
+air grew appreciably louder. Raising a whirlwind of dust, a motor-car
+swerved dangerously into the square, and with a roar sped up the road,
+carrying to their aerodrome three British airmen. As if driven by a
+gale, the battle of the clouds drew nearer and nearer, the whine and
+barking of the shells like a pack of dogs trying to repel some monster
+of the jungle.
+
+There was a deafening crash.
+
+Selwyn was thrown against the fence, and almost buried beneath a shower
+of bricks and earth. With the roar of a rushing waterfall in his ears,
+and blood streaming from a wound in his forehead, he sank to his knees
+and for a moment lost consciousness; but mastering his weakness, he
+staggered to his feet and looked wildly about. On the other side of
+the street, where there had been a house, there was a smoking chaos. A
+little crowd had appeared seemingly from the bowels of the earth, and a
+woman was shrieking horribly.
+
+Selwyn wiped his forehead with his hand and gazed stupidly at the blood
+which covered it. The roar of the guns was louder than it had yet
+been, and from a few streets away came the crunch of another bomb,
+shaking the earth with the explosion which followed. Selwyn leaned
+impotently against a post, and a quivering uncanny laugh broke from his
+lips. It was all so grotesque, so absurd. _Human beings didn't do
+such things_. It was a joke--a mad jest. He held his sides and
+laughed with uncontrollable mirth.
+
+Then his whole form became rigid in a moment. A man had shouted
+something. There had been a wail from the crowd. Was it true? Some
+one buried alive--a little girl?
+
+With a blasphemous curse Selwyn staggered across the road, and roughly
+elbowing his way through the crowd, found a solitary policeman,
+hindered by willing undirected hands, digging in the wreckage as best
+he could, while a couple of women sobbed hysterically and wrung their
+hands.
+
+Those who watched hardly knew what had happened, but they saw a
+hatless, bleeding figure appear, and, with the incision of snapping
+hawsers, question the policeman and the weeping women. They heard his
+quick commands to the men, and saw him jump into the centre of the
+debris. With the instantaneous recognition of leadership his helpers
+threw themselves to the work with a frenzy of determination. Lifting,
+digging, pulling with torn hands and arms that ached with strain, they
+struggled furiously towards the spot where it was known the girl was
+buried. They were like starving wolves tearing at the carcass of an
+animal. They yelled encouragement and fought through the chaos--and
+still the stranger whipped them into madness with his cries.
+
+There in the smoke and the choking dust Austin Selwyn shook in the grip
+of the greatest emotion he had ever known. A girl was buried--a
+fraction of a minute might mean her life. With hot breath and pulses
+on fire, he led his unknown men through the choking ruins to where one
+small, insignificant life was imprisoned.
+
+An ambulance sounded its gong, and drew up by the crowd; the storm of
+the guns continued to rage, but no one thought of anything but the
+fight of those men for one little unknown life.
+
+At last. They had uncovered a great iron beam which had struck on a
+stone foundation and left a zone of safety beneath. Eager hands
+gripped it, dragging it aside, and there was hardly a sound as the
+stranger lowered himself into the chasm. A minute later he reappeared,
+and a shout broke from the on-lookers. He was carrying a little form
+in his arms.
+
+But when they saw his face a hush fell on every one. She was dead.
+
+Wild-eyed, with the ghastliness of his pallor showing through the
+coating of grime and blood, Austin Selwyn stood in the ruins of the
+house, and the brown tresses of the child fell over his arm.
+
+Kind hands were stretched out to him, but he shook them off angrily.
+He was talking to the thing in his arms--muttering, crooning something.
+
+Slowly he raised his face to the skies. In the glare of the
+searchlights a gleaming, silvery, oblong-shaped form was turning and
+twisting like an animal at bay. They heard him catch his breath; then
+their blood was frozen by a choking, heart-rending cry of agony and
+rage.
+
+It was the cry of the crystal-gazer who has had his crystal dashed from
+his eyes, to find himself in the presence of murder.
+
+The crowd remained mute, helpless and frightened at the spectacle, when
+they saw a young woman approach him, a woman dressed in the khaki
+uniform of an ambulance-driver.
+
+'Austin,' they heard her say, 'please give me the little girl.'
+
+With a stupid smile he handed the child to her, and she laid it on a
+stretcher. When it had been taken away, she took Selwyn's hand in hers
+and led him, unresisting, to the ambulance.
+
+
+
+
+CHAPTER XVIII.
+
+ELISE.
+
+
+I.
+
+Early next morning, in a large military ward of a London hospital, Austin
+Selwyn woke from a sleep that had been charged with black dreams, and
+tried to recall the events leading to his present whereabouts.
+
+By slow, tortuous process he reconstructed the previous evening as far as
+the moment when he had heard the warning guns. After that the incidents
+grew dim, and faded into incoherency. He seemed to remember rushing
+somewhere in a motor-vehicle. He distinctly recalled seeing a policeman
+in Trafalgar Square. Yes, that was very clear--quite the most vivid
+impression of the whole night, indeed. He would hang on to that
+policeman.
+
+With the care of an Arctic explorer establishing his base before going
+farther into _terra incognita_, he attached the threads of his wandering
+mind to that limb of the law, and groped in all the directions of his
+memory's compass. But it was of no avail. Tired out with the futile
+efforts he had made, his bandaged head sank back in the pillows, and the
+vivid policeman in Trafalgar Square was reluctantly surrendered as a
+negligible means of solution.
+
+When he next awoke, it was to the sound of many voices. There were two
+that were very close--one on either side of him, in fact. Affecting
+sleep, Selwyn listened carefully.
+
+'Wot's that you say, Jock?' said a Cockney voice to his left.
+
+'I was obsairvin',' said the other, 'that Number Twenty-sax is occupied
+this mornin'.'
+
+'Ow yus, so it is. I was 'oping as 'ow me pal the Duke of Mudturtle
+would buy the plice next to mine. But he don't look a bad cove, wot you
+can see under 'is farncy 'ead-dress.'
+
+'I dinna think he can be o' the airmy. His skin's as pale as a lassie in
+love.'
+
+'In the army, Jock? Don't hinsult 'im. 'E's one of the 'eroes of the
+'ome front--hindispensibles, they calls 'em.'
+
+'Weel, weel, noo,' expostulated the Scot, 'dinna tak' ower muckle for
+granted. We canna a' gang tae the war, or wha wud bide at hame an' mak
+the whusky?'
+
+'By Gar!' said a third patient opposite, sitting up suddenly and speaking
+in the disjointed but strangely musical dialect of the French-Canadian,
+'she is a wise feller, dis Scoachie.'
+
+'Bonn swoir, Frenchy,' said the Cockney graciously. ''Ow alley you
+mantenongs?'
+
+'Verra good, Tommee. How is de godam bow bells?'
+
+'Well, the last toime I sees me old side-kick the Lord Mayor, 'e says as
+'ow they was took by a Canadian for a soovenir.'
+
+'Na,' said the Scotsman reprovingly; 'I'm thinkin' yon's exaggerated.'
+
+'By Gar!' said the French-Canadian. 'See, the orderly come now with
+water for shav'. Back in de bush or on de long portage I shav' once,
+twice, perhaps tree time a month. Always before I meet my leetle girl I
+shav'. But when I say good-bye and go to war--by gollies! de army make
+me for do it every day. My officier, he say, "What for you no shav' dis
+morning?" "Sair," I say, "I no kees de Boche--I keel him." He say
+noding to dat excep', "Look at you. I shav' every day. Do you preten' I
+doan' fight?" "Well," I say, "if de cap feets you, smoke it." And for
+no reason he give me tree time extra for carry de godam ration.'
+
+At this stage the arrival of wash-basins interrupted further anecdote and
+philosophy, and the entire ward became animated with soldiers performing
+their ablutions, some sitting up in bed, others on the edge of their
+beds, and a few so weak that they could just turn painfully on their side
+and wait for other hands to help.
+
+A burst of hearty greetings told Selwyn that some one must have entered
+the ward, and a few minutes later he felt the presence of a nurse beside
+him.
+
+'Good-morning,' she said, gently touching him on the shoulder. 'How is
+your head feeling?'
+
+He opened his eyes and looked into the face bending over his. 'I think
+it's all right,' he said weakly. 'But, nurse, won't you tell me how I
+got here?'
+
+She dipped a cloth into a basin and bathed his hands and face.
+
+'You were hit by a piece of shrapnel in last night's air-raid. I wasn't
+on duty when you came in, but the night-sister said you were quite
+delirious--though you seem ever so much better this morning, don't you?
+I'll take your temperature, and after you've had some breakfast I'll put
+a new dressing on your wound.'
+
+She was just going to insert the thermometer between his lips, when he
+stopped her with his hand. 'Nurse,' he said, 'why was I brought
+here--among soldiers?'
+
+'Because every hospital is filled to overflowing. The casualties are so
+heavy just now.' Her voice was still kind, but there was a look of
+resentment in her eyes at his question.
+
+'Please don't misunderstand me,' said Selwyn wearily. 'It is only the
+feeling that I have no right here. This cot should be for a soldier, and
+I'm a civilian. I'm an American, and--and if you only knew'----
+
+'Just a minute, now, until we get this temperature, and then you can tell
+me all about it.'
+
+With his lips silenced, but his doubts by no means so, he watched her
+move down the ward in commencement of the countless duties of her day.
+She was a woman of thirty-three or thirty-four years, still young, and
+possessed of a womanliness that softened her whole appearance with a
+tranquil restfulness. But beneath her eyes and in the texture of the
+skin faint wrinkles were showing, thinly pencilled protests against
+overwork, that no treatment could ever eradicate. On the red collar of
+her uniform was a badge which told that she had gone to France with the
+first little army of Regulars in 1914.
+
+Noting her calloused hands and the too rapid approach of life's
+midsummer, Selwyn watched her, and wondered what recompense could be
+offered for those things. In ordinary life, given the privileges and the
+opportunities which she deserved, she would have been another of those
+glorious English women whose beauty is nearest the rose. She would have
+been a wife to grace any home, and as a mother her charm would have been
+twofold. But for more than two years incessant toil and endless
+suffering had been the companions of her days, and the not over-strong
+body was giving to the ordeal.
+
+But as his heavy thoughts drifted slowly through this channel, he saw
+grinning patients who were well enough get out of bed to help her. As if
+she carried some magic gem of happiness, her soft voice and deft touch
+brought smiles to eyes that had been scorched in the flames of hell. Men
+looked up, and seeing her, believed once more in life; and hope crept
+into their hearts. Men in the great shadowy valley murmured like a
+child in its sleep when a ray of morning sunshine, stealing through the
+curtains, plays upon its face.
+
+And of the many things which Selwyn learned that day, one was that those
+ministering angels, those women of limitless spirit and sympathy, have
+memories of mute, unspoken gratitude, beside which the proudest triumphs
+of the greatest beauties are but the tawdry, tinsel glory of a pantomime
+queen.
+
+
+II.
+
+After the nurse had taken the thermometer from Selwyn and marked his
+temperature on a chart which she placed beside him, breakfast was brought
+in, and he was propped up with pillows.
+
+'Guid-mornin',' said the Highlander. 'I hope ye're nane the waur o' your
+expeerience.'
+
+'Not 'im,' broke in the Cockney, eating his porridge with great relish.
+'It done 'im good.'
+
+'I am very well,' said Selwyn haltingly. 'I hope my arrival did not
+disturb any of you last night.'
+
+At the sound of his carefully nuanced Bostonian accent there was a
+violent dumb-play of smoothing the hair and arranging the coats of
+pyjamas, while one Tommy placed a penny in his eye in lieu of a monocle.
+
+'I was 'oping,' said the Cockney, with a solemn wink to the gathering,
+'as 'ow Number 26 would be took by a toff, and, blime, if it ain't! It
+were gettin' blinkin' lonesome for me with only Jock 'ere and Frenchy
+opposite, who ain't bad blokes in their wy, but orful crude for my
+likin'.'
+
+'Where did it hit ye?' asked the Scot encouragingly.
+
+'On the head,' said Selwyn, pointing to his bandage.
+
+'Mon, mon, that's apt to be dangerous.'
+
+'Nah then!' cried the Cockney, reaching for his temperature-chart, 'we'll
+open the mornink proper with the 'Ymn of 'Ate. In cise you don't know
+the piece, m'lud, you can read it off your temperacher-ticket. Steady
+now--everybody got a full breath? Gow!'
+
+With great zest all the patients who were able to sit up broke into a
+discordant jumble of scales as they followed the course of their
+temperatures up and down the chart. Gradually, one by one, they fell out
+and resumed their breakfast, until the Scotsman was the only one singing.
+
+'Ye ken,' he said, pausing temporarily and looking at Selwyn, 'yon should
+be rendered wi' proper deegnity.' With which explanatory comment he
+finished the last six notes, and solemnly replaced the chart on the ledge
+behind him, as if it were a copy of Handel's _Messiah_.
+
+The last note had hardly died away when a violent controversy broke out
+between a pair of Australian soldiers on one side and almost the entire
+ward on the other. The thing had started by one of the Anzacs venturing
+the modest opinion that if Britain had had a million Australian troops,
+they, the present gathering, would be 'hoch, hoching' in Berlin
+(apparently a delightful prospect) instead of being cooped up in a London
+hospital.
+
+The little Cockney was just going to utter a crushing sarcasm, the
+French-Canadian had taken in a perfectly stupendous breath, the
+Highlander was calmly tasting the flavour of his own reply, when the
+impending torrent was broken by the entrance of the chaplain, who wished
+every one a somewhat sanctimonious 'Good-day.'
+
+'I shall read,' he said, putting on a pair of glasses, 'the latest
+_communique_ from the front. We have done very well. The news is quite
+good--quite good. "_This morning, on a front of three miles, after an
+intense artillery preparation, the Australians_"'----
+
+''OORAY!' roared the Cockney.
+
+The glasses popped off the chaplain's startled nose, and he just managed
+by a brilliant bit of juggling to rescue them before they reached the
+floor.
+
+'I--I,' he ventured, smiling blandly, 'am delighted at your enthusiasm,
+but you did not let me finish. "_This morning_"--um, um, ah--"_three
+miles_"--um, um, yes--"_three miles, after an intense artillery
+preparation, the Australians_"'----
+
+''OORAY!' It was a deafening roar from the whole crowd.
+
+'"_The Australians_"'----
+
+'OORAY!'
+
+'"_The_"'----
+
+'Oo'----
+
+Really, men, you must control yourselves. We are all glad and sustained
+by any victory, however slight, but you must not give way to unmeaning
+boisterousness. "_This morning, on a front of three miles, after an
+intense artillery preparation, the Australians_"'----
+
+There was a medley of submerged, prolonged snores. The chaplain looked
+up indignantly. With the exception of Selwyn and the two Australians,
+every one had followed the lead of the Cockney and disappeared underneath
+the bed-clothes.
+
+'This,' said the good man--'this frivolity at such a harrowing moment in
+our country's destiny is neither seemly nor respectful. Cheerfulness is
+admirable, until it descends to horseplay.'
+
+With which parting salvo the worthy chaplain, who had never been to
+France, and who was doing the best he could according to his clerical
+upbringing, left his unruly flock, taking the _communique_ with him.
+
+A little later the doctor made his rounds, pronouncing Selwyn's wound as
+not dangerous, but assuring him he was lucky to be alive. Another inch
+either way and---- Passing on to the Scotsman, he stayed a considerable
+length of time; but as the screen was set for the examination, the
+American had no way of knowing its nature.
+
+And so, with constant badinage, seldom brilliant, but never unkind, the
+morning wore on. It was nearly noon when Selwyn saw a wheeled stretcher
+brought into the ward and the Highlander lifted on to it.
+
+'Jock,' said the little Cockney, 'I 'opes as 'ow everythink will come out
+orlright.'
+
+'By Gar, Scoachie!' cried the French-Canadian, 'I am sorree. You are one
+dam fine feller, Scoachie.'
+
+'Dinna worry yersel's,' said the man from the North. 'I'm rare an' lucky
+that it's to be ma richt leg an' no the left, for that richt shank o'
+mine was aye a wee thing crookit at the knee, and didna dae credit tae
+the airchitecture o' tither ane.'
+
+Thus, amid the rough encouragement of his fellows, and by no means
+unconscious of the dignity of his position, the Highland soldier was
+taken away to the operating-room.
+
+The French-Canadian made a remark to Selwyn, but it was not until the
+second repetition that he heard him.
+
+
+III.
+
+About three o'clock that afternoon a little stream of visitors began to
+arrive, and Thomas Atkins, with his extraordinary adaptability, gravely,
+if somewhat inaccurately, answered the catechism of well-meaning old
+ladies, and flirted heartily and openly with giggling 'flappers.'
+
+To the visitors, however, Austin Selwyn paid no heed. He was enduring
+the lassitude which follows a fever. He knew that the crisis had come,
+the hour when he must face fairly the crash and ruin of his work; but he
+put it off as something to which his brain was unequal. Like slow
+drifting wisps of cloud, different phrases and incidents floated across
+his mind, shadows of things that had left a clear imprint upon his
+senses. With the odd vagrancy of an undirected mind, he found himself
+recalling a few of Hamlet's lines, and smiled wanly to think how, after
+all those years, the immortal Shakespeare could still give words to his
+own thoughts: 'This goodly frame, the earth, seems to me a sterile
+promontory; this most excellent canopy, the air, . . . this brave
+overhanging firmament--this majestical roof fretted with golden fire,
+why, it appears no other thing to me than a foul and pestilent
+congregation of vapours.'
+
+The wings of memory bore him back to Harvard, where once in a scene from
+_Hamlet_ he had mouthed those very words, little dreaming that in a few
+short years he would lose the sense of euphony in the cruel realisation
+of their meaning.
+
+Then, before he saw her or heard her step, he knew that SHE had come.
+His heart quickened, and his breathing was tremulous with mingled
+emotions.
+
+'Well,' she said, coming to his bedside and offering her hand, 'how is
+the invalid?'
+
+'Elise,' he said, 'it is wonderful of you to come.' He looked at her
+khaki uniform, at the driver's cap which imprisoned her hair. 'Now,' he
+went on dreamily, 'it all comes back to me. It was you who brought me
+here.'
+
+'Had you forgotten that already?' she said, bringing a chair to the
+bedside.
+
+'I couldn't remember,' he answered weakly. 'All I know is that I was
+walking alone--and there came a blank. When I woke up I was here with a
+head that didn't feel quite like my own. But I knew, somehow, that you
+had been with me.'
+
+'What does the doctor say about your wound?'
+
+'It is not serious.'
+
+'You have heard since what happened?'
+
+'Yes.'
+
+'It was absolutely topping the way you fought for that child's life.'
+
+He made a deprecatory gesture, and for a moment conversation ceased. He
+was wondering at her voice. A subtle change had come over it. Her words
+were just as uncomfortably rapid as in the first days of their
+friendship, but there was a hidden quality caught by his ear which he
+could not analyse. Looking at her with eyes that had waited so long for
+her coming, he felt once more the affinity she held with things of
+nature. Her presence obliterated everything else. They were alone--the
+two of them. The hospital, London, the world, were dimmed to a distant
+background.
+
+'After such a night,' he said, 'it is very kind of you to make this
+effort.'
+
+'Not at all. We're cousins, you know.'
+
+'I--I don't'----
+
+'The Americans and the English, I mean. Relatives always go to each
+others' funerals, so I thought I might stretch a point and take in the
+hospital.'
+
+'Oh! That was all?'
+
+'Goodness, no! You automatically became a protege of mine when I picked
+you up last night. Isn't that a horrid expression?--but frightfully
+fashionable these unmoral days.'
+
+'You must excuse me,' he said slowly, 'but I was foolish enough to think
+you came here because--well, because you wanted to.'
+
+'So I did. An air-raid casualty is ever so much more romantic than a
+wounded soldier. If he lives through it, he always proposes the very
+next day either to the nurse or to the ambulance-driver, whereas a Tommy,
+after his third wound, becomes so _blase_.'
+
+'You shouldn't torture me,' he said, wincing noticeably under the
+incision of her words.
+
+Just for a fleeting instant her eyes were softened with a tender look of
+self-reproach. His heart warmed at the sight, but before he could
+convince himself that it was not a creation of his own fancy, it had
+passed, and once more she was holding him at bay with her impersonal
+abruptness.
+
+'Will you tell me about yourself?' he urged. 'Please.'
+
+'What do you want to know?'
+
+'Everything--everything!' he blurted out, impetuously leaning forward.
+'My heavens! Don't you know how I've longed and waited for this moment
+ever since that night at your flat? I want to hear all about you--what
+you've done, where you've been, and--and in what mysterious way you've
+changed.'
+
+'Have I changed?'
+
+'Of course you have. You're trying to appear just as you were when we
+first met, but you can't do it. Even if I hadn't noticed the difference
+in you, I should have known that no one could live through these times
+and remain the same.'
+
+'Why not? Haven't you?'
+
+He laughed grimly, and his head sank back on the pillows. 'I want to
+know all about you, Elise,' he repeated dully.
+
+'Very well.' She smoothed her skirt with her hands, and folded them
+Quakeress-fashion.
+
+'As you know, I once had a flat in Park Walk--which I shared with various
+and variegated female patriots, also engaged in guiding the destinies of
+motor-cars. Edna was the first one to follow Marian, after she and I
+quarrelled; but Edna couldn't break herself of the habit of wandering
+into the Ritz for luncheon every second day with only a shilling in her
+pocket.'
+
+'But I don't see how'----
+
+'You poor innocent! Some one always paid--don't worry. So we parted
+company on that issue, and I asked Mabel to take Edna's place. Mabel was
+frightfully nice, but took to opium cigarettes, and then to heroin. She
+disappeared one night, and never came back. Poor girl! Her going made
+room for Lily, who read the very nicest modern novels, and always cried
+through the love scenes. I wish you could have seen her sitting up in
+bed reading a book, eating chocolates, and sobbing like a crocodile.
+Lily had only one weakness--marrying Flying Corps officers. It was
+really the army's fault giving two of her husbands leave at the same
+time.'
+
+Selwyn frowned, 'What a dreadful experience!' he said.
+
+'Oh, I don't know.' She gave a little shrug of her shoulders, but the
+spirit of badinage had vanished both from her face and from her voice.
+'It didn't take long to lose most of one's illusions. It is one thing to
+meet people as Lord Durwent's daughter, and quite another as a free-lance
+ambulance-driver. I've seen what people really are since I've been on my
+own, and I'm sick of the whole thing.'
+
+'You don't mean that, Elise?'
+
+'I do. Men are rotten, and women are cats.'
+
+He smiled quizzically, but she kept her eyes averted from his. It almost
+appeared as if she were determined to retain her pose of callousness at
+any effort, but his sense of psychology told him that his first
+conjecture was correct. The girl who had endured was trying to hide
+herself behind the personality of her old self.
+
+'My dear girl,' he said slowly, 'it is an old trick of women to talk for
+the purpose of convincing themselves. I don't care what you have
+seen--you could not have passed through the ordeal of these long months
+and believe in your innermost soul that either men or women are rotten.
+In many ways I feel as if what little knowledge I possess dates from last
+night; and I have learned things about men right here in this ward to-day
+that have made me humble. These chaps that we call ignorant, the lower
+classes--why, they are superb, wonderful. I tell you they have greatness
+in them. I wish you could have seen them'----
+
+'Haven't I seen them,' she cried, with a little catch in her throat,
+'hundreds and hundreds of times? Almost every day, and at all hours of
+the night, I've gone to meet the Red Cross trains. I have seen men die
+while being lifted out of the ambulance--men who would try to smile their
+thanks to us just before the end came. I have'---- She caught her hands
+in a tight grip, and her eyes welled with tears. 'But they're just
+jingoes, I suppose,' she said, blending a scornfulness with her repressed
+grief.
+
+'I have deserved this,' said Selwyn, his face drawn. 'Nothing that you
+can say is half so bitter as my thoughts.'
+
+'I didn't mean to hurt you,' she said.
+
+'If ever a man was sincere, I was, Elise. Since I left you at Roselawn I
+have followed the one path, thinking there was a great light ahead. Now
+I am afraid that, perhaps, it was only a mirage.'
+
+'No, it wasn't,' she replied vehemently. 'I hated you for thinking
+English women would not aid their men to fight, and I wanted never to see
+you again. But do you remember when I said that the glory of war was in
+women's blood? There was a certain amount of truth in it at the
+beginning; for when I first saw the wounded arrive I was madly excited.
+I wanted to shout and cheer. But as the months have gone on, and I have
+seen our soldiers maimed and bleeding and suffering, while thousands of
+their women at home have simply broken loose and lost all sense of
+decency or self-respect--oh, what's the use?'
+
+'But you mustn't forget the women who have done such great things for the
+country.'
+
+'I know--but what's it all for? Since this battle of the Somme our
+casualties have been frightful, and every day means so many of our real
+men killed, and so many more shirkers and rotters in proportion to carry
+on the life of England. We've had our women's revolution all right.
+There are not many of the old barriers left; but what a mess we have made
+of our freedom! When I think of all that, and then recall what you said
+about war, I know that you were right, and we were wrong.'
+
+'You are wonderfully brave,' said Selwyn, 'not only for having done so
+much, but in telling me that.'
+
+'No,' she said, lowering her eyes to the gloves which she held in her
+hand; 'I have lost all my courage. Every night I feel as if another day
+of meeting the wounded will kill me. . . . If it could only end!
+Anything would be better than these awful casualty lists.'
+
+'Elise'--he raised himself on his elbow and leaned towards her--'you
+prove yourself a woman when you say that; but you're wrong. I can't give
+my reasons yet, but since last night I have been seeing clearer and
+clearer that Britain not only must not lose, but must _win_. I know
+other men have said it ten thousand times, but only to-day have I begun
+to see that, in its own strange, unidealistic manner, this Empire is
+fighting for civilisation.'
+
+'Then'--her eyes were lit with sudden, glistening radiancy--'then you
+don't think our men have died uselessly?'
+
+'I could not believe in God,' he answered, wondering at the calm
+certainty of his voice uttering things which would have infuriated him a
+few hours before, 'if I thought that this war's dead had fallen for
+nothing.' His hand, which had been raised in gesture, fell limply on the
+bed. 'Up to yesterday,' he went on slowly, 'I reasoned truth; to-day--I
+feel truth. I wonder if it is not always so, that higher knowledge
+begins with the end of reasoning.'
+
+For a couple of minutes neither spoke, and his head was throbbing with
+anvil-beats. Twice she started to speak, but stopped each time as though
+distrustful of her own words.
+
+'I am going back to America, Elise.' His dreamy eyes were gazing beyond
+her into the distance, or he might have noted that the colour in her
+cheeks fluctuated suddenly and the fingers on her gloves tightened.
+
+'Why?' There was nothing in her voice to indicate anything but casual
+interest.
+
+'I must go back,' he said, leaning towards her--'back to my own country.
+You don't understand. . . . There comes a moment when every fibre of a
+man's being craves for his own people, for the very air that he breathed
+as a boy. All these wasted months and last night's climax of damnable
+murder have left me dazed. I am floundering hopelessly--but at home I
+shall be able to clear my mind of its mists and see this whole thing as
+it really is.'
+
+A wall of pain pressed against his head, and his face went gray with
+agony. In an instant she was standing over him arranging his pillows,
+and soothing his temples with the gentle pressure of her hands.
+
+For the first time in many months he knew the help and compassion of a
+woman--and the woman was Elise. He was weak from loss of blood, weary
+from the long travail of the mind, and her presence, with its indefinable
+fragrance of clover and morning flowers, was as exquisite music to his
+senses.
+
+'If you only knew,' he murmured, 'how I have longed for this moment. It
+has been very lonely for me--and I have wanted you so much, Elise. God!
+I've wanted you until I had to struggle to keep from crying out your name
+in the very streets. Forgive me talking like this.' He groped for her
+hand and held it tightly in his. 'I never had any right to tell you what
+you meant to me--and less now than before--but when I come back'----
+
+'You will never come back.' She laughed with a strange tremulousness,
+but in her eyes there was something of the scorn she had shown towards
+him at Roselawn.
+
+'You are wrong,' he said; 'I must'----
+
+'You are an American,' she answered quickly, 'and that comes first with
+you. Your country has nothing to do with this war, and you are going
+back to it. You will stay there. I know you will.'
+
+With his old decisive mannerism he sat up, and his eyes flashed with
+vigour.
+
+'I will come back,' he said firmly. 'Life has separated us--it has not
+been your fault or mine--but some day, Elise, when I get my grip on
+things again, I shall come to you, and you will have to listen. We need
+each other, and nothing on the earth can alter that'----
+
+'Except America!' She laughed again, and withdrew her hand from his.
+
+'Elise!' he cried, reaching towards her, 'listen to me'----
+
+The Cockney patient leaned over with a bag in his hand. ''Ave a gripe?'
+he said genially.
+
+'No, th'---- began Selwyn.
+
+'Thanks so much,' said Elise, taking the bag and picking a small cluster
+for the American, afterwards handing the bag back to the Tommy.
+
+''Ave a few yourself, won't yer?' said the warrior.
+
+'May I?'
+
+''Ere,' said the Cockney, with mock brusqueness. 'Tike a bunch.'
+
+Perhaps from the very intensity of their previous talk, the threads
+snapped, and her quickly uttered sentences, with the accompanying sparkle
+in her eyes, showed him that he could hope for little more than badinage
+for the rest of her visit. Almost as if she desired to eradicate the
+memory of her emotional admission, she gave her vivacity full play. For
+a few minutes he tried to bring back the close intimacy of their souls,
+but she fenced him off, and met his heart-hungry glances with the gayest
+of smiles.
+
+Roselawn, she told him, had been transformed into a convalescent home,
+and Lord and Lady Durwent were living in one of the wings. Practically
+all the servants had enlisted or gone into war-work; and even Mathews,
+the groom, after perjuring himself before a whole regiment of army
+doctors, had been accepted (with grave official doubts) for military
+service.
+
+Interspersed with these details she recounted incidents of her London
+life as an ambulance-driver, and it was all her listener could do to
+follow the swift irrelevance of her course. Only once did she pause
+when, in answer to his question, she told him she had heard nothing of
+Dick.
+
+
+IV.
+
+A few minutes later she rose to go.
+
+'I have stayed much too long,' she said. 'I do hope you'll get better
+quickly.'
+
+He took her hand in his, but made no attempt to translate the meaning of
+the moment into language. He had worked against her country; while she
+plied her rounds of mercy, he had written on the debasement and the
+fallacy of it all. Lying in the wreck of his idealism, in the grip of
+physical pain, dreading the torture of his own thoughts, could he express
+what her coming had meant? He wanted to tell her of his heart-hunger, of
+his loneliness, his gratitude, understanding, reverence, and, above all,
+of his love. There was so much that it made him silent.
+
+'Good-bye, Elise,' he said.
+
+'Good-bye,' she answered.
+
+That was the end. Of such paltry substance are words.
+
+'By Gar!' said the French-Canadian, looking after her as she disappeared
+down the ward, 'she mak me tink of my leetle girl Marie; only Marie,
+mebbe, is only so high, _comme ca_, and got de black hair, so! I am
+homeseek. Yes. It mak me verra homeseek. _Godam_!'
+
+
+V.
+
+She did not come again. Every morning his heart quickened with hope, and
+each afternoon grew heavy with discouragement as the hours passed by
+without the step he listened for. The arrival of the mail was an instant
+of mad expectancy and mute resignation. But every day carried its cargo
+of renewed hope, and he grudged the very hours of sleep that separated
+him from it.
+
+He wrote to her three times--pleaded with her to come again. He begged
+forgiveness for omitted or committed things which might have hurt her,
+but no reply came. He thought of writing to Roselawn, fancying she might
+have gone there, but he was certain that before the letter could reach
+her she would have come again, and they would only laugh at the idea of
+any misunderstanding.
+
+He blamed himself for a hundred imaginary crimes. He had not asked her
+if she would return. Perhaps he had carelessly uttered words that
+wounded her. He knew her pride; knew that after their parting at the
+flat it must have been hard for her to make the first move towards
+reconciliation--and she might have mistaken his joy for petty personal
+triumph.
+
+Or--had he been an utter fool? Was this her punishment of him? With the
+consummate artistry of her sex, had she simulated sympathy and
+forbearance to make his torture all the more exquisite? He dismissed the
+suggestion as something vile, but, feeding on his doubts and longings, it
+grew stronger and more insistent with every hour's passing. A hundred
+times a day he closed his eyes and lived the sweet memory of her visit;
+but with the gathering arraignments of his doubts, he wondered if it had
+all been the studied act of the English girl's reprisal on the American
+who had dared to challenge her nation.
+
+Weary, weary hours--the inactivity of the body lending fuel to the flames
+of his mind. He determined to dismiss her from his thoughts, and with
+his power of mental discipline he reduced his mood to one of mute
+resignation.
+
+Then the thought of America came to him, and he was seized with an
+impetuous craving for his own country, his own land, where men's natures
+were broad and mountainous, like America itself. He pictured New York
+towering into the skies, the charming homes of Boston, where so many
+happy hours had been spent in genial, cultured controversy. He smelt the
+ozone of the West, where sandy plains melted into the horizon; where men
+lived in the open, and a man was your friend for no better reason than
+that he was following the same trail as yourself.
+
+America. . . . He was impatient now of every day that kept him in
+England. He felt that his emotions, his brain, his convictions would all
+be rudderless until he breathed once more the air of the New World, with
+its vassal oceans bringing tribute to both Eastern and Western coasts.
+
+He would not call himself a failure or a success until he looked on his
+handiwork in the light of the great Republic. As his ancestors leaving
+the shores of Holland and Ireland, as millions of men and women had done
+with the Old World dwindling away in the distance, he looked towards
+America for the answer to existence.
+
+Ten days after his admission he was allowed to leave the hospital for his
+rooms in St. James's Square.
+
+He took his leave of the little group who had been his companions
+for the time--the little Cockney with his incessant exuberance; the
+French-Canadian, picturesque of language and imagination; the one
+remaining Australian, vigorous of thought and forceful of temperament;
+the nurse, carrying Florence Nightingale's lamp through the
+blackness of war. He tried to say a little of what was bursting for
+utterance, but they only laughed and fenced it off. They wished him
+'Cheerio--good-bye--good luck;' and he wondered if the whole realm of
+lived or written drama held any farewell more sublimely expressive of a
+great people enduring to the uttermost.
+
+His servant had a taxi-cab waiting for him. Driving first to a
+florist's, he purchased roses for the nurse; then, stopping at a
+tobacconist's, he left a generous order for all the occupants of the
+ward. After that he went directly to the American Consul's office and
+made arrangements for his return to New York.
+
+
+VI.
+
+It was late in December when, driving to Waterloo to catch the boat-train
+to Southampton, Selwyn was held up in the Strand by the crush of people
+welcoming the arrival of Red Cross trains from the front.
+
+Leaning out of the window, he watched the motor-cars and ambulances
+coming out from the station courtyard, while London's people, as they had
+done from the beginning, welcomed the unknown wounded with waving
+handkerchiefs and flowers, with hearts that wept and faces that bravely
+smiled.
+
+With a suppressed cry, Selwyn opened the door and leaped into the crowd.
+He had seen her driving one of the ambulances, and he fought his way
+furiously through the human mass to the open roadway. But it was
+useless. The ambulance had disappeared.
+
+Struggling back to the taxi, he re-entered it, and turning round, made
+for Waterloo Bridge by way of the Embankment.
+
+
+
+
+CHAPTER XIX.
+
+EN VOYAGE.
+
+From a sheltered position on the hurricane-deck, Austin Selwyn watched
+the curtain of night descending on England's coast. Portsmouth, with
+its thousand naval activities, was already lost to view off the ship's
+stern; and the Isle of Wight was but a dark margin on the water's edge.
+
+Not a light was to be seen on shore. Like an uninhabited island,
+England lay in the mingled menace and protection of the sea, while
+unseen eyes kept their endless vigil.
+
+The vibration from the ship's engines told him she was gathering speed.
+Impatient of the six days that must elapse before harbour could be
+reached, he walked to the front of the deck and watched the officers on
+the bridge peering into the darkness ahead.
+
+When he retraced his steps he could no longer distinguish land. Two
+searchlights playing on the surface of the water revealed a cruiser
+steaming silently out to sea.
+
+A feeble star appeared in the sky.
+
+ * * * * * *
+
+Mid-ocean.
+
+A clear winter sunlight touching the green, swirling water with strands
+of yellow gold; a wind sweeping the ship's decks, blowing boisterously
+down companion-ways and along the corridors; a few shimmering
+snowflakes from an almost cloudless sky; everywhere the vastness of
+ocean. And the ship buffeting its way towards the New World.
+
+Mid-ocean.
+
+ * * * * * *
+
+The City of New York.
+
+Anchored down the bay just after sunset, Selwyn watched the great
+metropolis as her form was vitalised with a million lights. From the
+ship's side, it seemed to the eyes watching the birth of New York's
+night that the buildings had come to the very water's edge to gaze into
+its depths, and see their own reflection.
+
+Here and there in the outline of great buildings a mammoth structure
+raised its head above all others, losing itself in the foam of light
+that floated mist-like over the city's towering majesty.
+
+For more than two hours Selwyn remained motionless in the thrill of
+patriotism. The burst of light challenging the reign of darkness was a
+symbol to him. The Old World was crouching in darkness, fingering and
+fearing the assassin's knife. . . . But America was the Spirit of
+Light.
+
+How many times, he thought, emigrants must have looked on just as he
+was doing! How many times that sight must have brought hope to weary,
+discouraged souls that never thought to hope again!
+
+To the idealist returning to his own country, New York was not a
+citadel guarding the entrance to a Nation, but a gateway opening to the
+Continent of Opportunity.
+
+
+
+
+CHAPTER XX.
+
+THE GREAT NEUTRAL.
+
+
+I.
+
+One afternoon a tall, heavily built young man entered his house on
+128th Street, New York, and after divesting himself of his coat and
+hat, rubbed his hands in genial appreciation of his own hearth and the
+exclusion of the raw outside air. He was dressed in a gray lounge
+suit, a clerical collar alone denoting his vocation.
+
+'There's a gentleman in your room, Mr. Forbes,' said his housekeeper,
+appearing from the kitchen. 'He said he was an old friend, and would
+wait.'
+
+'What's his name?'
+
+'Mr. Selwyn, sir.'
+
+'Austin Selwyn? By George!' Taking the stairs three at a time, the
+energetic clergyman burst into the library and advanced with both hands
+outstretched. 'For the love of Pete!' he ejaculated most unclerically.
+'How are you, my boy? Let me have a look at you. Still the same old
+Sel, eh? A little thinner, I think, and not quite so much hair--humph!
+Sit down; have that easy-chair; tell me all about yourself. Well,
+well! this is an unexpected treat.'
+
+The Rev. Edgerton Forbes, who had been looking Selwyn over after the
+custom of tailors about to offer sartorial advice, ceased his
+inspection, and shook hands all over again.
+
+'Edge,' said Selwyn, speaking for the first time, 'you can't imagine
+what your welcome means to me.'
+
+'My dear boy, you never doubted its warmth?'
+
+'Yes I did, old man--after what I've been writing.'
+
+The athletic clergyman laughed uproariously. 'I suppose you're a
+dyed-in-the-wool Englishman now, and want your cup of tea. Well, I'll
+join you.--Mrs. Perkins.' Going to the door, he gave the necessary
+orders, and returned rubbing his hands, and venting his surplus energy
+in a variety of hearty noises expressive of pleasure at seeing his old
+friend.
+
+'Now, start at the beginning,' he said, 'and give me everything. The
+semaphore's up, and there's a clear track ahead.'
+
+'But I want to know about things here first.'
+
+'After you, my son. Put it over now. By the way, that's a nasty scar
+on your head. How did you get it?'
+
+In a few words Selwyn traced the course of events which had led to his
+crusade against Ignorance, a crusade which had in an inexplicable way
+turned particularly against England. He spoke of Doug Watson's letter
+with its description of the slaughtered German boy, and he told of the
+air-raid in the moonlight, the climax to his long orgy of idealism. He
+touched lightly and humorously on his hospital experience, but not once
+did he mention the inner secret of his heart. To the whole recital
+Forbes listened with a genuineness and a bigness of sympathy which
+seemed to belong to his body as well as his mind.
+
+'That is pretty well everything,' said Selwyn. 'I have come back here,
+humble and perplexed, to try to get my bearings. There have been two
+men financing my stuff, and they must account to me for the uses to
+which they have put it. Edge, I was sincere. Not one word was written
+but I put my very life-blood into it.'
+
+The arrival of tea put a temporary stop to the author's
+self-revelation, and his host busied himself with his hospitable duties.
+
+Selwyn passed his hand querulously over his face. The clergyman looked
+at him with a feeling of pervading compassion.
+
+'I was going to ask about Gerard Van Derwater,' said Selwyn, 'How is
+he?'
+
+'Van's very well. He is in the Intelligence Division right here in New
+York.'
+
+'I heard he was engaged to Marjory Shoreham.'
+
+'Yes--he was. They broke it off a few weeks ago; or, rather, she did.'
+
+'I am sorry to hear that,' said Selwyn earnestly. 'I always liked her
+immensely, and I was glad that poor old Van had been the lucky suitor.
+You remember how I used to say that he always carried a certain
+atmosphere of impending tragedy, although he was never gloomy or moody
+about it.'
+
+'Well, Austin, I think the tragedy has come.'
+
+'I must see him,' said Selwyn. 'In coming back here, you and he were
+the two I wanted most to meet. I knew that neither of you would
+withdraw your friendship without good reason; but also I knew you would
+tell me bluntly where I stood. Why did Marjory break off with Van?'
+
+The clergyman told what he knew, and at the conclusion of the story
+Selwyn rose to his feet.
+
+'I must see Van at once,' he said. 'There's more in this than appears
+on the surface. If you will give me his number, I'll find out when we
+can get together.'
+
+Receiving the necessary information, Selwyn went downstairs to the
+telephone, returning in a couple of minutes to the den.
+
+'I just caught him,' he said to his host, 'and I am going to his rooms
+at nine tonight.'
+
+'Good work. Now sit down and tell me about the English. You'll find
+me the most attentive audience you ever had.'
+
+
+II.
+
+It was theatre-time when Selwyn left his hotel and walked over to
+Broadway. That diagonal, much-advertised avenue of Gotham was ablaze
+with light. From shop windows, from illuminated signs, from office
+buildings, street-cars, and motors, the carnival of theatre-hour was
+lit with glaring brilliancy. Women, in all the semi-barbaric
+costliness with which their sex loves to adorn itself of a night,
+stepped from limousines with their tiny silvery feet twinkling beneath
+the load of gorgeous furs and vivid opera-cloaks; while well-groomed
+men, in the smart insignificance of their evening clothes, guided the
+perilous passage of their fair consorts from the motor's step to the
+pavement.
+
+Momentarily reduced to the democracy of pedestrianism, they would lose
+themselves in the surging mob of passers-by--shop-girls on their way to
+a cinema; rural visitors shocked and thrilled with everything;
+keen-faced, black-haired Jews speculating on life's profits;
+sallow-faced, lustrous-eyed girls hungry for romance, imagining every
+begowned woman to be an adventuress, and every man a Prince Charming;
+here and there an Irish policeman, proving that his people can control
+any country but their own. Of such threads is woven the pattern of New
+York's theatre-hour on Broadway.
+
+From sheer inability to stem the traffic, Selwyn stepped into a
+doorway. On the opposite side of the street a theatrical sign
+announced that 'Lulu' was 'the biggest, most stupendous, comedy of the
+season.' He wondered what constituted largeness in a comedy. Surely
+not the author's wit! Before he could formulate a solution of the
+mystery, a great overhead sign suddenly ignited with the searching
+question--
+
+ DO YOU CHEW SWORDSAFE'S GUM?
+
+
+Hastily detaching his mind from the biggest, most stupendous, comedy of
+the season, he stared at the interrogation of the gum company. It
+suddenly disappeared, however, and then he saw that, like the goblins
+who chased the small boy who was lost, the business interests of New
+York had assumed a violent interest in his personal habits. What
+underwear did he buy? Did he know that Hot-door's shaving-soap was
+used by 76 per cent. of the entire manhood of America? There was only
+one place humanly conceivable where lingerie could be purchased; to
+prove it, the illuminated signboard promptly showed a lady in a costume
+usually confined to boudoirs. To equalise the immodesty of the sexes,
+a near male neighbour, at a height of two hundred odd feet, did an
+electrified turn by putting on and taking off a pair of
+trousers-suspenders.
+
+
+ DO YOU CHEW SWORDSAFE'S GUM?
+
+That was the question. What importance could a mere war have in
+comparison with that? Blinking in the glare, Selwyn left the doorway
+and made for Madison Avenue, where Van Derwater's rooms were.
+
+The clocks were just striking nine when he reached the number he
+wanted, and a negro servant led him upstairs. As Selwyn entered Van
+Derwater rose from his chair and greeted him with a restrained
+courtliness that was gentlemanly to a degree, but had an instantly
+chilling effect on the visitor. It was the room the owner used for
+lounging or reading, and the only light was the shaded one on the table.
+
+Van Derwater had just passed thirty, but the premature thinness of his
+hair in front, the listless droop of his heavy shoulders, and the
+bluish pallor about his firm jaw contrived to make him appear older
+than he was. There was a kindliness in the wrinkles about his eyes,
+and his mouth, though solid, was not lacking in indications of
+intuitive understanding. It was perhaps the formality of his bearing,
+the stiffness of his body from the hips, that gave him the air of one
+who belonged by right to a past and more ceremonious age.
+
+Although Van Derwater encouraged his guest, after the exchange of
+greetings, to talk of his voyage and its attendant experiences, Selwyn
+was aware that he was placing a cold impersonal wall between them. His
+old friend was interested, courteous, intellectually even cordial, but
+Selwyn knew he was being kept at a distance. He forced the talk to old
+intimacies--recalled the game when, together, they had crossed Yale's
+line in the closing moments of the great Rugby match--brought back a
+host of joint experiences, trivial in themselves, but hallowed by time.
+
+Van Derwater remembered them all. For each one he had the slight smile
+of his mouth and the quizzical weariness of his eyes; but when the
+conversation would droop after each outburst of reminiscence, he would
+not make the least attempt to lift it up again. Finally, being
+convinced that nothing could come of so bloodless a meeting, Selwyn
+dropped the impersonal mask.
+
+'I was mighty sorry,' he said, 'to hear that you and Marjory have
+broken off your engagement.'
+
+'It was her wish: not mine.' Van Derwater's voice was deep and rich,
+but almost monotonous in its lack of inflection.
+
+'I was talking to Forbes to-day,' went on Selwyn tenaciously. 'He had
+been to see Marjory.'
+
+'Yes?'
+
+'Marjory told him that you didn't care enough for her to go overseas.
+I should think she would realise that such a matter concerns you only.'
+
+'Not a bit of it.' For the first time the other's manner showed signs
+of vitality. 'It means everything to her. She wants to feel that the
+man she marries is big enough to go and help France. I admire her for
+it. I wish there were more women with her character.'
+
+Selwyn shifted his chair uneasily. 'But--I don't understand,' he
+stammered. 'You told her you wouldn't go.'
+
+'Well, what of it?'
+
+'Look here, Van,' said Selwyn vehemently; 'we have been friends for
+many years. I came to you to-night because my whole career is at a
+standstill. I want to tell you everything--I must do it--but I can't
+as long as you withhold your confidence. It isn't curiosity on my
+part--you know that. I want to bring back the old sense of
+understanding we once had.'
+
+'You haven't changed,' said Van Derwater, an inscrutable smile playing
+about his mouth. 'You always had a habit of piercing people's moods,
+no matter what defence they put up. But if you want candour, I'll tell
+you frankly I am sorry you came here this evening. I knew that it
+would be difficult to keep from hurting you, and for old-times' sake I
+didn't want to do that. As you know, I have never made friends. You
+and Forbes were the nearest thing to it, and I suppose you two meant
+more than I would ever care to admit. You might ring the bell over
+your head. The fire needs more coal.'
+
+As the negro obeyed his master's instructions and stoked the fire into
+vigour, the two friends sat without speaking. Selwyn was mute with
+apprehension of what he was to hear; the older man was dreading the
+words he had to utter. To certain strong natures it is more painful to
+inflict than to receive a wound.
+
+'If you want my story,' resumed the host, after the servant had left
+the room, 'and as you are concerned you have a right to hear it, this
+is how it goes. I went into the diplomatic service. Then I met
+Marjory. I needn't say what that meant to me. For the first time, I
+think, I knew what living was. Shortly after came the war. At first I
+thought that if America remained neutral as a country, it was not up to
+individuals to quarrel with that attitude. Then came the _Lusitania_.
+I wanted to go over at once, but hated to suggest it to Marjory. One
+night, though, to my delight, the plucky little girl mentioned it
+herself. I hurried back to Washington and offered my resignation, but
+the chief urged me to remain three months longer, saying that I was
+absolutely necessary in the reorganisation of a certain branch of the
+Intelligence Division in New York. To cut the story short, months and
+months went on, and they refused to release me. As a matter of fact I
+was directing an investigation into German foreign diplomacy that was
+of so delicate a nature I dared not mention it to Marjory. At its
+conclusion I went to Washington and demanded that they let me go--I
+gave my exact reason. The chief said he would give me a reply in a
+week; but I told him that, no matter what he wrote, I would go at the
+expiration of that time. It was while I was waiting for the answer
+that Marjory said it rested with me whether or not the engagement was
+to be broken. I told her that I should be able to state my position in
+a couple of days. Well, the letter came. Perhaps you had better see
+it. You can read it to yourself.'
+
+He went to his desk, and searching among the papers, produced a
+correspondence-form bearing an official stamp. He handed it to Selwyn.
+
+
+'WASHINGTON, November 2, 1916.
+
+'_Personal and Confidential_.
+
+'MY DEAR VAN DERWATER,--As a boyhood friend of your father's I have
+been most anxious to accede to your request for release from your
+present duties. I may say that in my desire to do the fairest thing by
+you, I went so far as to place the facts of the matter before the
+President himself. He agreed with me that your services entitled you
+to every possible consideration; but he also pointed out that the
+intimate knowledge of our secret diplomacy which you have gained marks
+you as too valuable a man to let go lightly. I finally secured his
+consent, but an hour later he sent for me again. It was to talk over a
+new enemy that has arisen in this fight of the present administration
+to weld the conflicting elements of our nation into a single-thinking
+whole. I refer to the ultra-pacifist section which has grown so large
+recently.
+
+'You told me once that you knew this fellow, Austin Selwyn. I am sorry
+to set friend against friend, but his influence over the cultured and
+pacifist elements has to be met sternly and at once. We cannot take
+personal action against him, because he is within his rights as a
+citizen of a neutral country; but nevertheless his writings are proving
+a strong disrupting force--stronger, in fact, than many of the clumsier
+methods employed by subjects of belligerent nations.
+
+'Word has reached us that in all probability this nation will be faced
+shortly with the most momentous decision of the war. Therefore I must
+insist that you take charge of the anti-disruptionist propaganda. I
+shall be in New York next Wednesday, and will discuss with you the
+methods by which we can stem the tide of disloyal pacificism as
+exemplified by this man Selwyn.
+
+'We have no hold over you, my boy; but in the name of this great
+Republic which is struggling against such odds for unification of her
+national life, I bid you remain at your post. I know that the son of
+my old friend Colonel Van Derwater will not question an order.--Yours
+faithfully,
+
+A. WALTER GALLEY.'
+
+
+As Selwyn finished the letter, a flush swept into his cheeks and his
+jaw stiffened with his old fighting mannerism.
+
+'This is infamous!' he cried hotly. 'Do you accuse me of disloyalty to
+my own country?'
+
+'I do,' said Van Derwater calmly.
+
+Selwyn's fists clenched with fury. 'Van,' he said, his voice quivering
+with suppressed passion, 'I may have been blind--I can see where I have
+injured you and many others--but when you or Galley say that I have
+been trying to disrupt America, you lie. There is no one more
+passionately devoted to his country than I.'
+
+'Which is your country?' said Van Derwater.
+
+Through the dim light of the room the eyes of the two men met.
+Selwyn's were blazing like hot coals; Van Derwater's were cold and
+steely.
+
+'What have I done,' said Selwyn, twice checking himself before he could
+trust his voice, 'but tried to show that war is wrong--that men without
+quarrel are killing each other now--that every nation has contributed
+to this terrible thing by its ignorance? What is there in that which
+merits the name of traitor?'
+
+Van Derwater shrugged his shoulders, and taking a book from the table,
+idly studied its cover. 'Since the war began,' he said, his tones calm
+and low, 'the United States has been trying to speak with one voice,
+the voice of a united people. It was the plain duty of every American
+to aid the Administration in that. Instead, what have we found?
+Pro-Germans plotting outrage, and pro-Britishers casting slurs;
+conspiracy, political blackmailing, financial pressure--everywhere she
+has looked, this country has found within her borders the factors of
+disruption. We have fought them all. We have refused to be bullied or
+cajoled into choosing a false national destiny. At the moment that we
+seem to have accomplished something--with Europe looking to us for the
+final decision that must come--you, and others of your kind, contrive
+to poison the great educated, decent-thinking class that we always
+thought secure. Your cry of "Peace--peace--at any price let us have
+peace," has done its work. Consciously or unconsciously, Austin, you
+have been a traitor.'
+
+Selwyn rose furiously to his feet. 'This is the end of our
+friendship,' he said, with his voice almost choking, and his shoulders
+chafing under the passion which possessed him. 'Your chief has chosen
+to name me as a reason for keeping you in America, and so it is I who
+have come between you and Marjory. For that I am sorry. But when you
+question my loyalty to America--that is the finish.'
+
+Van Derwater had also risen to his feet and with the utmost courtesy
+listened to Selwyn's outburst. More than ever there was a mystic
+atmosphere of the Past in his bearing. He might have been a diplomat
+of the sixteenth century bidding adieu to a thwarted enemy
+plenipotentiary.
+
+'Austin,' he said, with the merest inclination of his head, and his
+arms hanging wearily by his sides, 'we live in difficult times.'
+
+With an angry gesture, Selwyn left the room, and taking his coat and
+hat from the negro, went again into the street.
+
+Closing his study door, Van Derwater moved slowly to his chair, and
+lifting his book, opened it. For a long time he gazed at the open page
+without reading a line. 'Difficult times,' he murmured.
+
+
+III.
+
+Still in the grip of uncontrollable fury, Selwyn stamped his way
+through the streets. Colliding heavily with a passer-by, he turned and
+cursed him for his clumsiness. He cherished a mad desire to return to
+Van Derwater's rooms and force an apology by violence. He had expected
+criticism, reproach, even abuse; but that any man should brand him
+treasonous! . . .
+
+He spat into the gutter, and a sound that was almost a snarl escaped
+from his throat. He stopped, irresolute, and the wound in his head
+burst into a violent pain. He leaned against a post until the agony
+had passed, and once more he made for Broadway. At the sight of his
+face glowing-red with passion, girls tittered and men drew aside.
+
+Crossing the road, he stood to let a street-car pass, its covered
+wheels giving an odd resemblance to an armoured car, when an extra
+burst of light made him look up.
+
+It was the gum advertisement again.
+
+
+
+
+CHAPTER XXI.
+
+A NIGHT IN JANUARY.
+
+
+I.
+
+Next morning, when Selwyn left his hotel, a few desultory snowflakes
+were falling through the air, and moistly expiring on the asphalt
+pavements. It lacked a few minutes of nine, and the thousands who man
+the machinery of New York's business were hurrying to their appointed
+places. People who had to catch trains were hurrying to stations; and
+people who had nowhere to go were hurrying still faster. Taxi-cabs
+were rushing people across the city; and other taxi-cabs were rushing
+them back again. The overhead railway was rattling and roaring its
+noisy way; the surface cars were clattering and clanging through the
+traffic; and every half-minute the subways were belching up cargoes of
+toilers into the open air.
+
+New York was in a hurry.
+
+All night the great engine of a million parts had lain idle, but
+morning was the signal that every wheel must leap into action again,
+driven by the inexhaustible army of human souls. Hurry, noise,
+clamour, greed, fever, progress. . . . Another day had dawned!
+
+Crossing Broadway to reach Fourth Avenue, Selwyn could not repress a
+smile at the stricken glory of the great Midway. The illuminated signs
+that had searched the secret crevices of the mind, and had aided the
+iridescent foam seen from the harbour, looked tawdry and vulgar, like a
+circus on a rainy morning. Even the theatres, with their sign-borne
+superlatives, were garish and illusion-shattering. There was almost an
+apologetic air about the bill-boards proclaiming their nightly offering
+to be the 'biggest ever.'
+
+Selwyn began to resent that word 'biggest.' One of the sad things
+about America is that she started out to make language her slave--only
+to find that it is becoming her master.
+
+Entering a great office-building, he consulted the directory-board, and
+was swooped up to the twenty-fourth floor in a non-stop elevator.
+Finding the room of his literary agent, he went in, but a young lady
+told him Mr. Lyons was in Chicago.
+
+'It doesn't matter,' said Selwyn. 'I shall see him when he returns.
+But I want a couple of addresses. Have you the file of letters to me?
+Austin Selwyn is my name.'
+
+The young lady was gratifyingly flustered at the announcement, and by
+her haste to produce the required letters indicated the esteem in which
+her employer held the author.
+
+'It was early last September,' said he. 'Mr. Lyons mentioned two
+names: a Mr. Schneider, who purchased the foreign rights of my stuff;
+and some one who wanted me to lecture--yes, that is the letter. Could
+you give me the addresses of these gentlemen?'
+
+She wrote them on a card and gave it to him. 'Mr. J. V. Schneider,'
+she said, 'is in the Standard Exchange Building, just one block below
+here; and Mr. C. B. Benjamin is on 28th Street, in the United
+Manufacturing Corporation.'
+
+Thanking her for her courtesy, Selwyn left the office, and going
+directly to Mr. Schneider's place of business, sent in his card. He
+was ushered through a large room where a dozen typewriters were
+clicking noisily, and reaching the private office of Mr. Schneider,
+found himself in the presence of a small, crafty-faced man, whose oily
+smile and air of deference did not harmonise with his eyes, which were
+as shifty and gleaming as those of a rat. He shook hands with his
+visitor, and then clawed at the papers on his desk with moist fingers
+that were abnormally long.
+
+'Vell, Mister Selvyn,' said Mr. Schneider gutturally, 'to vot do I
+attribute dis honour? Have a cigar--sit down.'
+
+'May I break the rule of your office?' said the author, indicating a
+sign on the wall which read: 'NIX ON THE WAR.' 'If you will be so
+kind, I want to speak of matters not far removed from that subject.'
+
+Mr. Schneider shifted his cigar to the corner of his mouth, and laughed
+immoderately.
+
+'Ha, ha, ha!' he roared, leaning forward, and thrusting a long, dirty
+finger into Selwyn's chest. 'That is vot I call mine adjustable creed.
+For most peoples vot gom' here--Nix. But for fine fellers like you'----
+
+With a greasy chuckle, he mounted his chair and turned the sign about.
+On the reverse side there was a coat-of-arms, and the words:
+'DEUTSCHLAND UeBER ALLES.'
+
+'Vot you tink?' grinned Mr. Schneider, speaking from the altitude of
+the chair. 'Goot, ugh?' He turned the thing about and stepped down
+again, wringing his hands in huge enjoyment of the whole thing. 'You
+can spik blainly, Mister Selvyn,' he went on amiably. 'Ve unnerstan'
+each odder, hein? Von't you smoke one of dem cigars?'
+
+'No,' said Selwyn. He looked at the little man for about ten seconds,
+then, crossing to the wall, wrenched the sign away, nail and all.
+
+'Here, here,' protested Mr. Schneider, backing warily to the door, 'vot
+for you do dis? Vot you mean, you great big fourflusher?'
+
+The young man eyed the sign and then the German's head, apparently with
+the idea of bringing them together. Mr. Schneider further developed
+his plan of retreat by taking a grasp of the door-handle.
+
+'That's for people who say "Nix on the War,"' said Selwyn, breaking the
+sign in his hands as if it were made of matchwood. 'And this is for
+your damned Deutschland!'
+
+He broke the remainder over his knee, and threw the pieces on the flat
+desk, upsetting an ink-bottle, the contents of which dripped juicily to
+the floor.
+
+'But ain't you,' said Mr. Schneider, in a voice that was almost a
+squeal--'don't you got no resbect for Chermany? Only yesterday der
+ambassador, he tole me that after the var, for all you wrote to help
+der Faderland, der Kaiser, himself, vill on you bestow'----
+
+Before the speaker could acquaint the author with the exact nature of
+the honour in store for him, Selwyn had seized him by the coat-lapels,
+and was shaking him so violently that Mr. Schneider's natural talent
+for double-facedness was developed to a pitch where an observant
+looker-on might have counted at least five of him vibrating at once.
+
+'You dirty little hound,' said Selwyn, without relaxing in the least
+the shaking process, 'if you ever use my name again, or send out
+anything written, or supposed to be written, by me, I'll'----
+
+For once words failed him, and lifting the little man almost off the
+floor, he deposited him violently on his own desk, in the midst of the
+pool formed by the ink.
+
+'Nix on the war!' snorted Selwyn defiantly, putting on his hat. He was
+going to add a few more crushing remarks, but, altering his mind, went
+out, slamming the door so violently that all the typewriters engaged in
+sending out German propaganda were startled into an instant of silence.
+
+As for Mr. Schneider, he sat still amidst the wreck of his desk,
+pondering over a famous definition of war given by an American general
+named Sherman.
+
+
+II.
+
+Without waiting to catch the driver's eye, the impetuous idealist
+overtook an empty taxi-cab, and jumped into it.
+
+'United Manufacturing, 28th Street,' he called. 'Make it fast.'
+
+On arrival at his destination he found that Mr. C. B. Benjamin was the
+president of the United Manufacturing Corporation, which--so a large
+calendar stated--was the biggest business of its kind in the universe.
+It had more branches, more output, more character, more push than any
+other three enterprises in America.
+
+Mr. Benjamin was in, but could be seen only by appointment, so said a
+sleek-haired young man of immaculate dress.
+
+'Give him that card, and tell him I want to see him _at once_,' said
+Selwyn, with a forcefulness that caused a look of pain to cross the
+young man's countenance.
+
+'Please sit down,' he said, 'and I'll see what I can do.'
+
+As a result of his efforts, Selwyn received a summons to go right
+in--which he did, going past a number of people who had various big
+propositions to put before the big man when they could gain his ear.
+
+'Good-morning, Mr. Selwyn,' said the president, a smartly dressed Jew,
+with a shrewd face and an unquestionable dignity of manner. 'You have
+returned to America, I see.'
+
+'Yes, Mr. Benjamin. Do you mind if I come right down to business?'
+
+'Mind? How else could I have built up the United Manufacturing
+Corporation? Have a cigar?'
+
+'No, thanks. Mr. Benjamin, you wrote my agent that you wanted me to
+lecture on the fallacy of war.'
+
+'Sure,' said the president.
+
+'May I ask why?'
+
+Mr. Benjamin removed his spectacles and wiped them carefully. Putting
+them on, he surveyed his visitor through them. After that he took them
+off again, and winked confidentially. 'Mr. Selwyn,' he chuckled, 'you
+ain't a child, and I see that I can't put over any sob stuff with you.
+I told your agent I would pay him real money for you to lecture. Well,
+take it from me, when the president of the United Manufacturing
+Corporation pays out any of his greenbacks he don't expect nothing for
+something, eh?'
+
+'I don't understand you--yet,' said Selwyn quietly.
+
+Mr. Benjamin leaned back in his swivel-chair and cut the end of a cigar
+with a little silver knife. 'Business,' he said, 'is business, eh?'
+
+'Agreed,' was the terse response. 'I am still waiting to know why you
+offered your money to me.'
+
+Mr. Benjamin leaned forward, and taking up his glasses, waved them
+hypnotically at the young man. 'Simply business,' he said. 'Same with
+you--same with me. You write all this dope against war--why? Because
+you know there's big money in it. I pay you to lecture because you can
+help to keep America out of the war. In 1913 I was worth two hundred
+thousand dollars. To-day I have ten million. We are wise men, Mr.
+Selwyn, both of us. While all the rest of the peoples fight, you and I
+make money.'
+
+As if his bones were aching with fatigue, Austin Selwyn rose wearily to
+his feet, and, without comment, walked slowly out of the office. But
+the clerks noticed that his face was ashy-pale, like that of a prisoner
+who has received the maximum sentence of the law.
+
+
+III.
+
+The days that followed were the bitterest Austin Selwyn had ever known.
+
+It is not in the plan of the Great Dramatist that men shall look on
+life and not play a part. It is true that there are a few who escape
+the call-boy's summons, and gaze on human existence much as a passing
+pageant, but even for them is the knowledge that there is a moment
+called Death when every man must take the stage.
+
+For years Austin Selwyn had stood apart, mingling with those who were
+enduring the sword-thrusts of fate, as an author chats with the players
+on the stage between the acts. Even the great tragedy of war had
+served only to enrich the processes of his mind. It is true he had
+known compassion, sorrow, and anger through it, but they were only
+counterfeit emotions, born of the grip of war on his imagination.
+
+But at last life had reached out its talons and grasped him. Every
+human experience he had avoided, he was now to know, multiplied.
+Stripped of his last hope of justifying his idealism, he saw remorse,
+discouragement, a sense of utter futility, the scorn of friends, the
+applause of traitors--he saw them all as shadows closing into blackness
+ahead of him.
+
+He tried to return to England, but passport difficulties were made
+insurmountable. He went to Boston, only to find that those he valued
+turned against him, and those he detested welcomed him as comrade. He
+returned to New York, but every avenue of activity was closed to him,
+save the one he had chosen for himself--that of world-pacificism.
+
+He had always been a man of strong, underlying passions, and in his
+veins there was the hot undissipated blood of youth; but his brain had
+been the controlling force in every action of his life. Hitherto he
+had never questioned its complete mastery; but as he pondered over his
+fall he knew that it was his brain that had ridden him to it. He no
+longer trusted its workings. It had proved rebel and brought him to
+disaster.
+
+And with that inner challenge came the supreme ordeal of his life.
+
+As rivers, held imprisoned by winter, will burst their confines in the
+spring and overrun the land, all the passions which had been cooled and
+tempered by his intellectual discipline swarmed through his arteries in
+revolt. No longer was the brain dominating the body; instead, he was
+on fire with a hundred mad flames of desire, springing from sources he
+knew nothing of. They clung to him by day and haunted him at night.
+They sang to him that vice had its own heaven, as well as hell--that
+licentiousness held forgetfulness. He heard whispers in the air that
+there were drugs which opened perfumed caves of delight, and secret
+places where sin was made beautiful with mystic music and incense of
+flowers.
+
+When conscience--or whatever it is in us that combats desire--urged him
+to close his ears to the voices, he cursed it for a meddlesome thing.
+Since Life had thrown down the gauntlet, he would take it up! If he
+had to travel the chambers of disgrace and discouragement, he would go
+on to the halls of sensual abandonment. Life had torn aside the
+curtain--it was for him to search the recesses of experience.
+
+
+IV.
+
+One night towards the end of January Selwyn had tried to sleep, but the
+furies of desire called to him in the dark. He got up and dressed. He
+did not know where he was going, but he knew that his steps would be
+guided to adventure, to oblivion.
+
+There was a drizzling rain falling, and, with his coat buttoned close
+about his throat, he walked from street to street, his breath
+quickening with the ecstasy of sensual surrender which had at last come
+to him. Men spoke to him from dark corners; women called at him as he
+passed; he caught faint glimmers down murky alleys, where opium was
+opening the gates to bliss and perdition; but, with a step that was
+agile and graceful, he went on, his arteries tingling in anticipation
+of the senses' gratification. Once a mongrel slunk out of a lane, and
+he called to it. It crawled up to him, and he stooped down to stroke
+its head, when, with a yelp of terror, it leaped out of his reach and
+ran back into the lane. As if it was the best of jests, he laughed
+aloud, and picking up a stone, sent it hurtling after the cur. Then he
+was suddenly afraid. The loneliness of the spot--the horrors lurking
+in the dark--the dog's howl and his own meaningless laughter. He felt
+a fear of night--of himself. He hurried on, but it was not until he
+reached a lighted street of shops that his courage returned, and with
+the courage his fever of desire, greater than before.
+
+An extra burst of rain warned him to seek shelter, and hurrying down
+the street, he paused under the canopy of a shabby theatre. There was
+one other person there--a woman. She came over to speak to him; but
+when she saw the mad gleam of his eyes she drew back, and, with a
+frightened exclamation, pressed her hand against her breast.
+
+He made an ironic bow, then, with a smile, looked up at her, and she
+heard him utter an ejaculation of amazement.
+
+For a moment he had fancied that it might be true. The likeness was
+uncanny! The burnished-copper hair, the silk-fringed eyes, the poise
+of her head, the tapering fingers--even in the scarlet of her rouged
+cheeks, there was a similarity to the high colouring of the English
+girl. What a jest of the Fates--that they should cast this poor
+creature of New York's streets in the same mould with her who was the
+very spirit of chastity!
+
+'What a mockery!' he muttered aloud. 'What a hideous mockery!'
+
+He was touched with sudden pity. Perhaps this woman had been born with
+the same spirit of rebellion as Elise. Perhaps her poor mind had never
+been developed, and so she had succumbed to the current of
+circumstance. She might have been the plaything of environment. The
+wound in his head was hurting again, and he covered the scar with his
+moist hand. Horrible as it seemed, this creature had brought Elise to
+him once more--Elise, and everything she meant. He wanted to cry out
+her name. His hands were stretched forward as if they could bridge the
+sea between them.
+
+Like a man emerging from a trance, he looked dreamily about him--at the
+street running with streams of water--at the silent theatre--at the
+woman. A weakness came over him, and his pulses were fluttering and
+unsteady.
+
+A peddler of umbrellas passed, and Selwyn purchased one for a dollar.
+
+'Won't you take this?' he asked, stepping over to the woman, who
+cringed nervously. 'It is raining hard, and you will need it.'
+
+She took the thing, and looked up at him wonderingly, like a child that
+has received a caress where it expected a blow.
+
+'Say,' she said, in a queer nasal whine, 'I thought you was a devil
+when I seen you a minute ago. Honest--you frightened me.'
+
+He said nothing.
+
+'Why'--there was a weak quaver in her whine, and she caught his wrist
+with her hand--'why, you're kind--and I thought you was a devil. Gee!
+ain't it funny?'
+
+With a shrill laugh that set his teeth on edge, she put up the umbrella
+and walked out into the rain. And only a passing policeman saw, by the
+light of a lamp, that her eyes were glistening.
+
+Selwyn remained where he was, blinking stupidly into the rain-soaked
+night, as one who has been walking in his sleep and has waked at the
+edge of an abyss.
+
+
+
+
+CHAPTER XXII.
+
+THE CHALLENGE.
+
+
+I.
+
+It was nearly noon next day before Selwyn woke from a heavy, dreamless
+sleep. Both in mind and in body there was the listlessness which follows
+the passing of a crisis, but for the first time in many days he felt the
+impulse to face life again, to accept its bludgeonings, unflinching.
+
+He was almost fully dressed, when a messenger arrived with a letter. It
+was from Edgerton Forbes.
+
+
+'MY DEAR AUSTIN,--I have been trying to get hold of you for the past
+week, but you are as elusive as a hundred-dollar bill. Douglas Watson
+has returned from the front, minus an arm, and he has asked as many
+ex-Harvard men as possible to meet him at the University Club. We are
+having dinner there to-night in one of the smaller rooms, and I want you
+to come with me. I'll pick you up at your hotel at seven, and we can
+walk over. If it is all right, send word by the messenger.--As ever,
+FORBES.'
+
+
+Selwyn's first instinct was to refuse. He had no desire to meet Watson
+again just yet, nor did he want to face men with whom he had lived at
+Harvard. But the thought of another lonely night arose--night, with its
+germs of madness.
+
+'Tell Mr. Forbes,' he said, 'that I shall expect him at seven.'
+
+A few minutes before the time arranged the clergyman called, and they
+started for the club. The air was raw and chilling, and people were
+hurrying through the streets, taking no heed of the illuminated shop
+windows, tempting the eye of woman and the purse of man. In almost every
+towering building the lights of offices were gleaming, as tired,
+routine-chained staffs worked on into the night tabulating and recording
+the ever-increasing prosperity of the times.
+
+The times!
+
+Ordinary forms of greeting had changed to mutual congratulations on
+affluence. Anecdotes of business men were no longer of struggle and
+privation, but of record outputs and maximum prices. Theatres, cafes,
+cinema palaces, churches, hotels--they had never seen such times.
+Success was in the very dampness of the air as thousands of people looked
+at it from the cosy interior of limousines, people who had never aspired
+higher than an occasional taxi-cab. The times! Dollars multiplied and
+begat great families of dollars--and Broadway glittered as never before.
+
+It is difficult to state what trend of thought made conversation between
+the friends difficult, but after two or three desultory attempts they
+walked on without speaking. As they were entering the majestic portals
+of the club, Selwyn was reminded of a question he had intended all day to
+ask.
+
+'Edge,' he said, 'have you heard anything of Marjory Shoreham?'
+
+'She sailed two weeks ago for France,' answered the clergyman.
+
+They were directed to an upper floor, where they found a hundred or so
+guests who claimed Harvard as their _alma mater_. Although most of his
+old acquaintances were quite cordial, Selwyn felt oddly self-conscious.
+He caught sight of Gerard Van Derwater with his impassive courtliness
+dominating a group of active but less impressive men; and behind them he
+saw Douglas Watson of Cambridge surrounded by a dozen guests; but he
+pleaded a headache to Forbes, and sought a secluded corner, where he
+remained until dinner was announced.
+
+Like all affairs where men are alone and the charming artifices of
+femininity are missing, there was a severity and a formality which did
+not disappear until the ministrations of wine and food had engendered a
+glow which did away with shyness. The table was arranged in the form of
+the letter U, with Watson beside the chairman at the head.
+
+Towards the end of the dinner conversation and hilarity were growing
+apace. Men were forgetting the scramble of existence in the recollection
+of old college days, when their blood was like wine and the world a thing
+of adventure. Mellowed by retrospect, they laughed over incidents that
+had caused heart-burnings at the time; and as they laughed more than one
+felt a swelling of the throat. It was, perhaps, just an odd streak of
+sentiment (and the man who is without such is a sorry spectacle); or it
+may have been the memory of ideals, aspirations, dreams--left behind the
+college gates.
+
+'Gentlemen.' The chairman had risen to his feet. Cigars were lit; and
+he was greeted with the usual applause. 'Gentlemen, we have gathered
+here at short notice to welcome an old boy of Harvard--Douglas Watson.
+He has a message which he wants to deliver to us, and not only because he
+is one with us in tradition would we listen, but his empty sleeve is a
+mute testimony that he has fought in a cause which--though not our
+own--is one which I know has the sympathy of every man in this room. I
+shall not detain you, gentlemen, but ask your most attentive hearing for
+Mr. Watson.'
+
+As the guest of the evening rose to speak he was greeted with prolonged
+applause, which broke into 'For he's a jolly good fellow,' and ended in a
+college football yell. During it Selwyn sat motionless, his alert mind
+trying to decipher the difference between Watson's face and the others.
+It was not only that they were, almost without exception, clean-shaven,
+and that Watson wore a small military moustache; the dissimilarity went
+beyond that. Although he was obviously nervous, Watson's eyes looked
+steadily ahead as those of a man who has faced death and looked on things
+that never were intended for human vision. It had left him aged--not
+aged as with years, but by an experience which made all the keen-faced
+men about him seem clever precocities whose mentalities had outstripped
+the growth of their souls.
+
+And studying this phenomenon, Selwyn became conscious of the American
+business face.
+
+Although differing in colouring and shape, practically every face showed
+lips thin and straight, eyes narrowing and restlessly on the _qui vive_,
+the nervous, muscular tension from the battle for supremacy in feverish
+competition, the dull, leaden complexion of those who disregard the
+sunshine--these combined in a clear impression of extraordinary abilities
+and capacities with which to meet the affairs of the day. What one
+missed in all their faces was a sense of the centuries.
+
+No--not in all. At the table opposite to Selwyn was Gerard Van Derwater,
+whose self-composure and air of formal courtliness made him, as always, a
+man of distinctive, almost lonely, personality.
+
+'Thank you very much,' said Watson, as the applause and singing died
+away. His fingers pressed nervously on the table, and his first words
+were uneven and jerky. 'I needn't tell you I am not a speaker. I have a
+great message for you chaps, but I may not be able to express it. That
+was my reason for asking to speak to ex-Harvard men. I did it because I
+knew I should have men who thought as I did--men who looked on things in
+the same way as myself. I knew you would be patient with me, and I was
+certain you would give an answer to the question which I bring from
+France.'
+
+He paused momentarily, and shifted his position, but his face had gained
+in determination. A few of his listeners encouraged him audibly, but the
+remainder waited to see what lay behind the intensity of his manner.
+
+'I don't want pity for my wound,' he resumed. 'The soldier who comes out
+of this war with only the loss of an arm is lucky. Put that aside. I
+want you to listen to me as an American who loves his country just as you
+do, and who once was proud to be an American.'
+
+He raised his head defiantly, and when he spoke again, the indecision and
+the faltering had vanished.
+
+'Gentlemen, the question I bring is from France to America. It is more
+than a question; it is a challenge. It is not sent from one Government
+to another Government, but from the heart of France to the conscience of
+America. They don't understand. Month after month the women there are
+seeing their sons and husbands killed, their homes destroyed, and no end
+in sight. And every day they are asking, "Will America never come?" My
+God! I've seen that question on a thousand faces of women who have lost
+everything but their hope in this country. I used to tell them to
+wait--it would come. I said it had to come. When the Hun sank the
+_Lusitania_ I was glad, for at last, I told them, America would act. Do
+you know what the British Tommies were saying about you as we took our
+turn in the line and read in the papers how Wilson was _conversing_ with
+Germany about that outrage? I could have killed some of them for what
+they said, for I was still proud of my nationality; but time went on and
+the French people asked "When?" and the British Tommy laughed.
+
+'If I'm hurting any of you chaps, think of what I felt. One night behind
+the lines a soldiers' concert-party gave a show. Two of the comedians
+were gagging, and one asked the other if he knew what the French flag
+stood for, and he said, "Yes--liberty." His companion then asked him if
+he knew what the British flag stood for, and he replied, "Yes--freedom."
+"Then," said the first comedian, "what does the American flag stand for?"
+"I can't just say," said the other one, "but I know that it has stood a
+hell of a lot for two years." The crowd roared--officers and men alike.
+I wanted to get up and fight the whole outfit; but what could I have said
+in defence of this nation? America--our country here--has become a
+vulgar joke in men's mouths.'
+
+He stopped abruptly, and poured himself out a glass of water. No one
+made a sound. There was hot resentment on nearly every face, but they
+would hear him out without interruption.
+
+'The educated classes of England,' he went on, 'are different in their
+methods, but they mean the same thing. They say it is America's business
+to decide for herself, but the Englishman conveys what he means in his
+voice, not in his words. When I was hit, I swore I would come back here
+and find out what had changed the nation I knew in the old days into a
+thing too yellow to hit hack. Mr. Chairman, you said I had fought in a
+cause that is not yours. I beg to differ. There are hundreds of
+Americans fighting to-night in France. They're with the
+Canadians--they're with the French--they're with the British. Ask them
+if this cause isn't ours. I lay beside a Princeton grad. in hospital.
+He had been hit, serving with the Durhams. "I'm never going back to
+America," he said. "I couldn't stand it." As a matter of fact, he
+died--but I don't think you like that picture any more than I do.'
+
+Bringing his fist down on the table with a crash, Watson leaned forward,
+and with flashing eyes poured out a stream of words in which reproach,
+taunts, accusations, and pleading were weirdly mixed. He told them they
+should remove the statue of Liberty and substitute one of Pontius Pilate.
+In a voice choking with emotion, he asked what they had done with the
+soul left them by the Fathers of the Republic. He pictured the British
+troops holding on with nothing but their indomitable cheeriness, and
+dying as if it were the greatest of jokes. In one sentence he visualised
+Arras with refugees fleeing from it, and New York glittering with
+prosperity. With no relevancy other than that born of his tempestuous
+sincerity, he thrust his words at them with a ring and an incision as
+though he were in the midst of an engagement.
+
+'That is all,' he said when he had spoken for twenty minutes. 'In the
+name of those Americans who have died with the Allies, in the name of the
+_Lusitania's_ murdered, in the name of civilisation, I ask, _What have
+you done with America's soul?_'
+
+He sat down amidst a strained silence. Everywhere men's faces were
+twitching with repressed fury. Some were livid, and others bit their
+lips to keep back the hot words that clamoured for utterance. The
+chairman made no attempt to rise, but by a subconscious unanimity of
+thought every eye was turned to the one man whose appearance had
+undergone no change. As if he had been listening to the legal
+presentation of an impersonal case, Gerard Van Derwater leaned back in
+his chair with the same courtly detachment he had shown from the
+beginning of the affair.
+
+
+II.
+
+'Mr. Van Derwater,' said the chairman hoarsely; and a murmur indicated
+that he had voiced the wish of the gathering.
+
+Slowly, almost ponderously, the diplomat rose, bowing to the chairman and
+then to Watson, who was looking straight ahead, his face flushed crimson.
+
+'Mr. Chairman--Mr. Watson--Gentlemen,' said Van Derwater. He stroked his
+chin meditatively, and looked calmly about as though leisurely recalling
+a titbit of anecdote or quotation. 'Our friend from overseas has not
+erred on the side of subterfuge. He has been frank--excellently frank.
+He has told us that this Republic has become a jest, and that we are
+responsible. I assume from several of your faces that you are not
+pleased with the truth. Surely you did not need Mr. Watson to tell you
+what they are saying in England and France. That has been
+obvious--unpleasantly obvious--and, I suppose, obviously unpleasant.'
+
+He smiled with a little touch of irony, and leaning forward, flicked the
+ash from his cigar on to a plate.
+
+'Mr. Watson,' he resumed, 'has asked what we have done with America's
+soul. That is a telling phrase, and I should like to meet it with an
+equally telling one; but this is not a matter of phraseology, but of the
+deepest thought. Gentlemen, if you will, look back with me over the
+brief history of this Republic. There are great truths hidden in the
+Past.
+
+'In 1778 Monsieur Turgot wrote that America was the hope of the human
+race--that the earth could see consolation in the thought of the asylum
+at last open to the down-trodden of all nations. Three years later the
+Abbe Taynals, writing of the American Revolution, said: "At the sound of
+the snapping chains our own fetters seem to grow lighter, and we imagine
+for a moment that the air we breathe grows purer at the news that the
+universe counts some tyrants the less." Ten years after that the editor
+Prudhomme declared: "Philosophy and America have brought about the French
+Revolution."
+
+'I will not weary you, gentlemen, with further extracts, but I ask you to
+note--_and this is something which many of our public men have forgotten
+to-day_--that at the very commencement of our career we were inextricably
+involved with European affairs. Entangling alliances--no! But
+segregation--impossible!'
+
+For an instant his cold, academic manner was galvanised into emphasis.
+His listeners, who were still smarting under Watson's words, and had been
+restless at the unimpassioned tone of Van Derwater's reply, began to feel
+the grip of his slowly developing logic.
+
+'Thus,' the speaker went on, 'at the commencement, our national destiny
+became a thing dominated by the philosophy of humanitarianism. When we
+had shed our swaddling-clothes and taken form as a people, the issue of
+the North and the South began to rise. Because of his realisation of the
+part America had to play in human affairs, Lincoln, the great-hearted
+Lincoln, said we must have war. Against the counsel of his Cabinet,
+loathing everything that had to do with bloodshed, this man of the people
+declared that there could be no North or South, but only America. And to
+secure that he plunged this country into a four years' war--four years of
+untold suffering and terrible bravery. When, during the struggle,
+Lincoln was informed that peace could be had by dropping the question of
+the slaves' emancipation, his answer was the proclamation that all men
+were free. With his great heart bleeding, he said, "The war must go on."
+Philosophy and America brought on the French Revolution. Philosophy and
+humanitarianism brought on the war of North and South.
+
+'The psychology of America, which had been hidden beneath the physical
+side of our rebellion, took definite form as a result. The gates of the
+country were open to the entire world. The down-trodden, the persecuted,
+the discouraged, the helpless, no matter of what creed or nationality,
+saw the rainbow of hope. By hundreds of thousands they poured into this
+country. Slav and Teuton, Galician, Italian, Belgian, Jew, in an endless
+stream they came to America, and, true to Washington and Lincoln, she
+received them with the words, "Welcome--free men." And so we shouldered
+the burdens of the Past, and men who had been slaves--white as well as
+black--drank of freedom.'
+
+There was no applause, but men were leaning forward, afraid they might
+miss a single word. Van Derwater's depth of human understanding, his
+lack of passion, his solitariness that had been likened to an air of
+impending tragedy, held his listeners with a magic no one could have
+explained. He might have come as a spirit of times that had passed, so
+charged with the ages was his strange, powerful personality.
+
+'From an open sky,' he continued, 'came the present war. The older
+nations, knit by tradition and startled by its imminence, flew to arms at
+a word from their leaders. France, who had been our friend, looked to
+us; but what was our position? In fifty tongues our citizens cried out
+that it was to escape war that they had come to America. Could we tell
+the Jew that Russia, which had persecuted him to the point of madness,
+was on the side of mercy? Could we convince the Teuton that his
+Fatherland had become suddenly peopled with savages? Could we say to the
+Irishman, bitterly antagonistic to England, that Britain was fighting for
+the liberation of small nations? Could we ask the Greek, the Pole, the
+Galician, to go back to the continent from which they had come, and give
+their blood that the old order of things might go on?
+
+'But, you ask, what of the real American, descended from the men who
+fought in the War of Independence and the Civil War. Yes--what of him?
+From earliest boyhood he has been taught that Britain is our traditional
+enemy. To secure existence we had to fight her. To maintain existence
+we fought her again in 1812. When we were locked in a death-struggle
+with the rebellious South, she tried to hurt our cause--although history
+will show that the real heart of Britain was solidly with the North. In
+our short life as a people we find that, always, the enemy is Britain.
+In one day could we change the teaching of a lifetime? The soul of
+America was not dead, but it was buried beneath the conflicting elements
+in which lay her ultimate strength, but her present weakness.
+
+'What, then, was the situation? Events had outridden our national
+development. Whether it could have been avoided or not I do not know.
+Whether our education was at fault, or whether materialism had made us
+blind--these things I cannot tell you. I only know that this war found
+us potentially a nation, but actually a babel of tongues. Without
+philosophy and humanitarianism this nation could not go to war--and in
+those two things we were not ready.
+
+'I do not belittle the many gallant men who have left these shores to
+fight with the Allies, but I say that in a world-crisis the voices of
+individuals cannot be heard unless they speak through the medium of their
+nationality. The question from France is not "Will Americans never
+come?" but "Will America never come?" When the war found the
+Americanisation of our people unfinished, it became the duty of every
+loyal man in the Republic to give his very life-blood to achieve
+solidarity. Do you think we could not see that the Allies were fighting
+our battle? It was impossible for this nation that had shouldered the
+problems of the Old World not to see it; so we began the education of all
+our people. We could have hurled this nation into war at almost any hour
+by an appeal to national dignity, but our destiny was imperative in its
+demands. Not in heat, which would be bound to cool; not in revenge,
+which would soon be forgotten; but by philosophy and humanitarianism
+alone could this great Republic go to war.
+
+'Yet, when this Administration looked for help, what did it find? The
+two races that come to this country and never help its Americanisation
+are the Germans and the English. They remain true to their former
+citizenship, and they die true to them. Gentlemen, that must not be
+again. America will always be open to the world, but he who passes
+within these gates to live must accept responsibilities as well as
+privileges.
+
+'I am almost finished. For two years and a half we have fought against
+the disintegrating forces within our country. We have endured the sneers
+of belligerents, the insults of Germany, and the tolerance of
+Britain--and still we have fought on. Literally we were struggling, as
+did our forefathers, for nationhood. But let me ask Mr. Watson if our
+psychological unpreparedness was entirely our fault. When Britain allied
+herself with Russia, did she give a thought to the effect it would have
+on the American mind? To us, Russia was the last stronghold of barbaric
+despotism, and yet Britain made that alliance, identifying herself with
+the forces of reaction. I do not say that we would have entered into a
+similar or any agreement with Britain, but there are alliances of the
+spirit far more binding than the most solemn treaties. I accuse Britain
+of failing to make the advances toward a spiritual covenant with the
+United States, in which lay--and still lies--the hope of this world.'
+
+A messenger had entered the room and handed a note to the chairman. It
+was passed along to Van Derwater's place and left in front of him. He
+took it up without opening it, and fingered it idly as he spoke.
+
+'A nation does not need to be at war,' he went on, 'to find that traitors
+are in her midst. The struggle of this Administration for unity of
+thought has been thwarted right and left by men of no vision, men drunk
+with greed, men blinded with education and so-called idealism. Mr.
+Watson, you ask what we have done with America's soul. I will tell you
+what we have done _for_ it. There are many of us in this room who have
+given everything we have--our time, our friends, and things which we
+valued more than life--because we have respected the trust imposed on us
+of maintaining America's destiny. I am sorry for your empty sleeve. But
+let me assure you that we, also, have known suffering. Because we
+believe in America--_first, last, and always in America_--we have stayed
+here, enduring sneers and contumely, in order that when America speaks it
+will be like the sound of a rushing cataract--one voice, one heart, but
+the voice and heart of Humanity. In no other way can America go to war.
+. . . And until that moment arrives I shall wear this garb of neutrality
+as proudly as any soldier his uniform of honour.'
+
+He sat down, and in an instant the whole crowd was on its feet. Men
+cheered and shouted, and, unashamed, tears ran down many faces. With his
+heart pounding and his eyes blinded with emotion, Selwyn did not make a
+move. He could only watch, through the mist, the figure of Gerard Van
+Derwater with its cloak of loneliness. He saw him look down at the
+message and break the seal of the envelope. He saw a flush of colour
+sweep into the pallid cheeks and then recede again. Still with the air
+of calmness and self-control, Van Derwater rose again to his feet.
+'Gentlemen,' he said. The room was hushed instantly and every face was
+turned towards him. 'Gentlemen, I have received a message from my
+headquarters. Germany has announced the resumption of unrestricted
+submarine warfare.'
+
+For a moment the room swam before Selwyn's eyes. The shouts and
+exclamations of the others seemed to come from a distance. And suddenly
+he found that he was on his feet. His eyes were like brilliants and his
+voice rang out above all the other sounds.
+
+'Van!' he cried, 'does this mean war--at last?'
+
+With steady, unchanging demeanour his former friend looked at him.
+'Yes,' he said. 'At last.'
+
+And as they watched they saw Van Derwater's hands contract, and for a
+moment that passed as quickly as it came his whole being shook in a
+convulsive tremor of feeling. Then, in a silence that was poignant, he
+sank slowly into his chair, his shoulders drooping, listless and weary.
+With eyes that were seeing into some secret world of their own he gazed
+dreamily across the room, and a smile crept into his face--a smile of one
+who sees the dawn after a long, bitter night.
+
+'Thank God,' he said, with lips that trembled oddly. 'Thank God.'
+
+
+
+
+CHAPTER XXIII.
+
+THE SMUGGLER BREED.
+
+
+I.
+
+On an April evening, fifteen months later, a certain liveliness could
+have been noted in the vicinity of Drury Lane Theatre. The occasion
+was another season of opera in English, and as the offering for the
+night was _Madam Butterfly_, the usual heterogeneous fraternity of
+Puccini-worshippers were gathering in large numbers.
+
+Although the splendour of Covent Garden (which had been closed for the
+war) was missing, the boxes held their modicum of brilliantly dressed
+women; and through the audience there was a considerable sprinkling of
+soldiers, mostly from the British Dominions and America, grasping
+hungrily at one of the few war-time London theatrical productions that
+did not engender a deep and lasting melancholy--to say nothing of a
+deep and lasting doubt of English humour and English delicacy.
+
+In one of the upper boxes Lady Erskin had a small unescorted party.
+Lady Erskin herself was a plump little miniature who was rather
+exercised over the dilemma of whether to display a huge feathery fan
+and obliterate herself, or to sacrifice the fan to the glory of being
+stared at by common people. With her was her sister, the wife of a
+country rector, who assumed such an elaborate air of _ennui_ that any
+one could have told it was her first time in a box. Between them was
+Lady Erskin's rather pretty daughter, and behind her, with all her
+vivid personality made glorious in its setting of velvety cloak and
+creamy gown, was Elise Durwent, enjoying a three days' respite from her
+long tour of duty.
+
+The lights went out, and with the rising of the curtain the little
+drama of tenderness and cruelty held the stage. From the distance,
+Butterfly could be heard approaching, her voice coming nearer as the
+typical Puccini progressions followed her ascent. There was the
+marriage, the cursing of Butterfly by the Bonze, and the exquisite love
+duet, so full of passionate _abandon_, and yet shaded with such
+delicacy. At the conclusion of the act, where the orchestra adds its
+overpowering _tour de force_ to the singers', the audience burst into
+applause that lasted for several minutes. It was the spontaneous
+gratitude of hundreds of war-tired souls whose bonds had been relaxed
+for an hour by the magic touch of music.
+
+'Do you think the tenor is good-looking?' asked Lady Erskin of no one
+in particular.
+
+'Who is that in the opposite box, with the leopard's skin on her
+shoulders?' queried the rector's wife.
+
+'I think Butterfly is topping,' said Lady Erskin's daughter. 'I always
+weep buckets in the second act.'
+
+'I should like to die to music like that,' said Elise, almost to
+herself.
+
+
+II.
+
+Close by a communication-trench, Dick Durwent stood shivering in the
+cool night-air. He was waiting to go forward on sentry-duty, the
+remainder of the relief having gathered at the other end of the
+reserve-trench in which he was standing; but though it was spring,
+there was a chill and a dampness in the air that seemed to breathe from
+the pores of the mutilated earth. A desultory shelling was going on,
+but for a week past a comparative calm had succeeded the hideous
+nightmare of March and early April, when Germany had so nearly swept
+the board clean of stakes.
+
+He heard the voices of a carrying-party coming up, and suddenly he
+crouched low. There was a horrible whine, growing to a shriek--and a
+shell burst a few yards away. Shaken and almost deafened, Durwent
+remained where he was until he saw an object roll nearly to his feet.
+It was a jar of rum that was being brought up for issue. He lifted the
+thing up, and again he shivered in the raw air like one sickening of
+the ague. Quick as the thought itself, he put the jar down, and
+seizing his water-bottle, emptied its contents on the ground. Kneeling
+down, he filled it with rum, and leaving the jar lying at such an angle
+that it would appear to have spilled a certain amount, he hurriedly
+joined the rest of the relief warned for duty.
+
+Dick had been on guard in the front line for an hour, when he received
+word that a patrol was going out. A moment later they passed him, an
+officer and two men, and he saw them quietly climb over the parapet
+which had been hastily improvised when the battalion took over the
+position. They had been gone only a couple of minutes when
+pistol-shots rang out, and the flares thrown up revealed a shadowy
+fight between two patrols that had met in the dark. The firing
+stopped, and Durwent's eyes, staring into the blackness, saw two men
+crouching low and dragging something after them. He challenged, to
+find that it was the patrol returning, and that the one they were
+bringing back was the officer, killed.
+
+The trench was so narrow that they could not carry him back, and they
+left the body lying on the parapet until a stretcher could be fetched.
+
+Dulled as he had become to terrible sights, the horror of that silent,
+grotesque figure began to freeze Dick Durwent's blood. A few minutes
+before it had been a thing of life. It had loved and hated and
+laughed; its veins had coursed with the warm blood of youth; and there
+it sprawled, a ghastly jumble of arms and legs--motionless, silent,
+_dead_. He tried to keep his eyes turned away, but it haunted him.
+When he stared straight ahead into the dark it beckoned to him--he
+could see the fingers twitching! And not till he crept near could he
+be satisfied that, after all, it had not moved.
+
+'Sherwood!' He heard a quivering voice to his right. It was the
+nearest sentry, an eighteen-year-old boy, who had called him by the
+name given him by Austin Selwyn, the name under which he had enlisted.
+
+'What's the matter?' called Durwent.
+
+Without his rifle, the little chap stumbled towards him, and, dark as
+it was, Dick could see that his face was livid and his eyes were wide
+with terror.
+
+'Sherwood,' whimpered the boy, 'I can't stand it--I've lost my
+nerve. . . . That thing there--there. . . . It moves. It's dead, and
+it moves. . . . Look, it's grinning at me now! I'm going back. I
+can't stay here--I can't.'
+
+'Steady, steady,' said Durwent, gripping the boy by the shoulder and
+shaking him roughly. 'Pull yourself together. Don't be a kid. You've
+seen far worse than this and never turned a hair.'
+
+'I can't help it,' whined the boy. 'There's dead men walking out there
+all over. Can't you see them? They whisper in the dark--I can hear
+them all the time. I'm going back.'
+
+'You can't, you little idiot. They'll shoot you.'
+
+'I don't care. Let them shoot.'
+
+'Where's your rifle? Get back to your post. If you're caught like
+this, there'll be a firing-party at daybreak for you.'
+
+'I don't care,' cried the lad hysterically. 'They can't keep me here.
+I'm going'----
+
+'Here'---- Throwing the young fellow against the parapet and holding
+him there by leaning heavily against him, Durwent felt for his
+water-bottle and withdrew the stopper. 'Drink this,' he said, forcing
+the mouth of the flask between the boy's lips. 'Take a shot of rum.
+It will put the guts back into you.'
+
+The young soldier choked with the burning liquid, and tears oozed from
+his eyes, but the chill of the body passed, and with it the chill of
+cowardice. With a half-whimper, half-laugh, he forced a silly, coarse
+jest from his lips. 'Where did you get it, Sherwood?'
+
+'Never mind,' said Dick. 'Come on now. Back you go--and stick it out.'
+
+
+III.
+
+The second act of _Madam Butterfly_ was in progress.
+
+With the sure touch of high artistry, both composer and librettist had
+delineated the result of Pinkerton's faithlessness--a faithlessness
+that was obvious to every one but Cho-cho-san, who still believed that
+her husband would return with the roses. Firm in her trust, she
+pictured to Sazuki the day when he would come, 'a little speck in the
+distance, climbing the hillock'--how she would wait 'a bit to tease him
+and a bit so as not to die at our first meeting'--ending with the
+triumphant assurance (born of her woman's intuition, which, alas!
+proves so frequently unreliable) that it would all come to pass as she
+told. She _knew_ it.
+
+And so to the visit of the American consul, who tries to tell her that
+her husband has written that he has tired of her--she, poor soul,
+reading in his words the message that he still loves her. Then the
+final tableau of the act with Butterfly, her baby and Sazuki standing
+at the Shosi facing the distant harbour where his ship has just been
+signalled. Softly the humming of the priests at worship ceases, and
+the curtain descends on what must always remain a masterpiece of
+delicate pathos--a story that will never lose its appeal while woman's
+trust in man lends its charm to drab existence.
+
+'The tenor didn't come in at all in that act,' said Lady Erskin.
+
+'Really,' said the rector's wife, fixing her lorgnette on the opposite
+box, 'that person with the leopard's skin looks absolutely like a
+cannibal.'
+
+'I'm just swimming in tears,' was the comment of Lady Erskin's daughter.
+
+Elise said nothing; nor did she hear them speak. Her heart was
+fluttering wildly, and her hands were clasped tightly together. She
+had heard a far-away cry--and the voice was Dick's.
+
+
+IV.
+
+The raw air of the night, the dread of that loathsome, silent thing,
+the haunting terror of the boy's eyes a few minutes before, the whine
+of shells, all bored their way into Dick Durwent's brain. He began to
+tremble. With every bit of will-power he fought it off, but he felt
+the fumes of madness coming over him.
+
+For days on end he had had no rest. In the Fifth Army _debacle_ of
+March his battalion had been one of the first to break, although
+remnants had fought as few men had ever fought before; and when they
+had been reorganised they were moved back into the line, undermanned,
+ill-equipped, and branded with disgrace. It was the culmination of
+three years' service at the front, and his nerves were at the
+breaking-point. Mounds of earth ahead of him, and gnarled, dismembered
+trees, began to take the ghostly shapes that the frightened boy had
+told of.
+
+Mumbling meaningless things, he reached for his water-bottle and poured
+a mouthful of rum down his throat. It set his heart beating more
+firmly, and his blood was no longer like ice in a sluggish river. He
+replaced the stopper and resumed his watch, but every fibre of his body
+was craving for more of the alcohol. With set teeth he struggled for
+self-control, but every instinct was fighting against him. He took
+another sip, then a long draught of the scorching liquid, and leaned
+against the parapet. He pressed his hot face against the damp earth,
+and burrowed his fingers into it in a frenzied effort for self-mastery.
+Again he drank, and his mouth burned with the stuff. His head was
+swimming, and he could hear surf breaking on a rocky coast. The dead
+man was grinning at him, but death no longer held any terrors for him.
+He raised the bottle in a mock toast and drank greedily of the rum
+again.
+
+The pounding of the waves puzzled him. He could not remember that they
+were near any water. But more and more distinctly he could hear the
+roll of surf dashed into spray against the shore. . . . It was
+strange. . . . Once more he pressed the bottle to his lips, and it set
+his very arteries on fire. Yes. Over to the left he could see the
+glimmer of the ocean. There was a light; some one was beside it. It
+was Elise! She was giving a signal. That was it--the smugglers were
+landing their contraband, and she was signalling that all was clear.
+
+He looked over to the dead man. The corpse was rising to its feet. It
+had all been a hoax on its part--it was an excise officer. His eyes
+were fixed on the light, too. His men would be near, and they would
+capture Elise--and afterwards the smugglers, led by their
+great-grandfather. He would have to warn her. He couldn't shout, for
+that would give everything away. He would crawl near to her first.
+
+He finished the rum, draining the bottle to the last drop, and started
+to creep along the trench, his heavy, powerless limbs carrying him only
+inches where his imagination made it yards. He looked back once. The
+dead man was following him. It had become a race between himself and a
+corpse. He kept his eye on the light. He could see Elise quite
+plainly. She was looking out towards the sea.
+
+Feeling his muscles growing weaker, and fearful that the dead man would
+overtake him, he struggled to his feet and clapped his hands to his
+mouth.
+
+'_Elise_!' he yelled. '_Elise_!'
+
+And with the roar of surf in his ears, he sank to the ground in a
+drunken stupor.
+
+
+V.
+
+The last act of _Madam Butterfly_ was ending. The cruel little
+story wound to a close with the return of Pinkerton and his
+sympathy-uninspiring American wife, and then the suicide of
+Butterfly--the logical, but comparatively unmoving, finale to the opera.
+
+But Elise neither saw the actors nor heard the music. With her hands
+covering her eyes, she had been listening for the voice of Dick. She
+could hear it, distant and faint, growing nearer, as if he were coming
+towards her through a forest. There was in it a despair she had never
+heard before. He was in danger--where or how she could not fathom--but
+over the surging music of the orchestra she could hear the voice of
+Boy-blue crying through the infinity of space.
+
+The opera was over, and there was a storm of applause that developed
+into an ovation.
+
+'The tenor isn't really handsome, after all,' said Lady Erskin.
+
+'I think the women of to-day are shameless,' said the rector's wife,
+casting a last indignant glance at the box across the theatre.
+
+'I feel a perfect rag,' said Lady Erskin's daughter. 'Good heavens!
+Elise, what's the matter?'
+
+'Nothing. I--I don't know,' Elise answered, looking up with
+terror-stricken eyes. 'I'm just overwrought. That's all.'
+
+'You poor dear!' said Lady Erskin. 'You shouldn't take the opera so
+seriously. After all, it didn't really happen--and I have no doubt in
+real life the tenor is quite a model husband, with at least ten
+children.'
+
+
+VI.
+
+'Drunk,' said the company commander, stooping over the prostrate body
+of Dick Durwent. 'He was all right when he took over. Where did he
+get the stuff?'
+
+'Smell that, sir,' said the subaltern of the night, handing him a
+water-bottle.
+
+'Humph! This looks bad. Have him carried to the rear and placed under
+arrest.'
+
+
+
+
+CHAPTER XXIV.
+
+THE SENTENCE.
+
+
+I.
+
+On the outskirts of a village near the junction of the British and
+French armies, two guards with loaded rifles kept watch at the doors of
+a hut. The warm sunlight of May was bathing the fields in gold, where
+here and there a peasant woman could be seen sprinkling seed into the
+furrows. Across a field, cutting its way through a farmyard, a light
+railway carried its occasional wobbling, narrow-gauged traffic; and
+outside half-a-dozen huts soldiers were lolling in the warmth of early
+afternoon, polishing accoutrements and exchanging the lazy philosophy
+of men resting after herculean tasks. Elsewhere there was no sign of
+war. Cattle browsed about the meadows, and the villagers, long since
+grown used to the presence of foreign soldiers, pursued their endless
+duties.
+
+A sergeant walked briskly from a cottage in the village and went
+directly to the field where lay the hut guarded by the sentries. 'Fall
+in outside!' he said sharply, opening the door.
+
+Bareheaded, and with his dark hair seeming to cast the shadows that had
+gathered beneath his eyes, Dick Durwent emerged and took his place
+between the guards.
+
+'To receive the sentence of the court,' said the sergeant in answer to
+his questioning glance. 'Escort and prisoner--'shun! Right turn!
+Quick march!'
+
+Past the lounging soldiers to the road, and on to the village, they
+marched. Women glanced up, curious as to the meaning of the little
+procession, but with a shrug of their shoulders resumed their work, and
+soon forgot all about it. The escort halted outside the cottage from
+which the sergeant had come, and he entered it alone. A minute later
+he reappeared, and marched prisoner and guards into the room where the
+court-martial had been held that morning. The three officers were
+sitting in the same places--a lieutenant-colonel, whose set, sun-tanned
+face told nothing; a captain, whose firmness of jaw and steadiness of
+eye could not hide his twitching lip; and a subaltern, pale as Dick
+Durwent himself.
+
+As president of the court, the senior officer handed a sealed envelope
+to the prisoner. Not a word was spoken on either side. The sergeant's
+command rang out, and the noise of metalled heels upon the floor was
+startlingly loud.
+
+Still without a word, carrying the unread sentence in his hand, Durwent
+was marched back to the hut. Again the women cast curious glances, and
+a little urchin in a cocked-hat stood at the salute as they passed.
+
+When he was alone once more, Dick broke the seal of the envelope, and
+without his face altering, except that the shadows grew darker beneath
+his eyes, he read the finding of the court.
+
+He was to be shot.
+
+He read it twice. With a long, quivering intake of the breath, he tore
+the thing slowly into a dozen pieces and threw them into a corner.
+
+Walking to the end of the hut, he leaned against the ledge of a little
+window, and looked out towards the horizon where the great blue of the
+sky stooped to earth. There was the laughter of soldiers, and from an
+adjoining meadow came the neighing of a restive horse. The sunlight
+deepened, and from a hundred branches birds were trilling welcome to
+the promise of another summer.
+
+Two hours passed. The warmth of early afternoon was giving way to the
+cool mood of twilight--but the solitary figure had not moved.
+
+
+II.
+
+Nine days had passed when a motor-lorry drew up on the road, and the
+same sergeant ordered Dick Durwent to take his place outside the hut
+with his escort. The prisoner asked as to his destination, and was
+told that the sentence, having been confirmed, was to be promulgated
+before his unit.
+
+They had been travelling for half-an-hour when they reached a field in
+which Durwent saw two companies of his battalion drawn up in the form
+of a hollow square. Faint with shame, staggering under the hideous
+cruelty of the whole thing, he was marched into the centre and ordered
+to take a pace forward, while the commanding officer read the sentence
+of court-martial to the men: that Private Sherwood, being found guilty
+of drunkenness while on guard--it being further proved that he had
+obtained unlawful possession of the liquor--was to be shot at dawn, and
+that the sentence would be carried out the following morning.
+
+Although his senses reeled with the shock and ignominy of it all, the
+prisoner's bearing showed no sign of it. With his head erect, he
+looked into the faces of the men whom he had lived and slept and fought
+beside; men with whom he had shared privation and danger; men who had
+been his comrades through it all. But as he searched their faces he
+felt an overpowering loneliness. In the eyes of every one there was
+horror; To be killed in battle--what was that? But to be shot like a
+cur in the grizzly morning! Yet their horror, their anger, was against
+the military law, and was born of a fear that the same thing might come
+to them. It was that which cut him to the quick. It was not that _he_
+was to be shot the next day, but that _they_ might meet a similar fate.
+That was the fear which drove the blood from their cheeks and left
+their lips parted in awe.
+
+And then he saw a face which almost broke down his manhood, and sent
+scalding tears to the very brink. It was the face of the lad he had
+saved from deserting that terrible night. The boy's agony was for him
+alone; it was pleading for understanding; it was trying to tell him
+that he would never forget--that the condemned man would not go to his
+death unmourned by one human heart.
+
+
+III.
+
+It was his last night. All evening the chaplain had been with him,
+offering the solace of divine mercy and forgiveness; but though he was
+grateful for the good man's ministrations, Durwent felt that he wanted
+to be alone. He hardly knew why; but there were many things to think
+of, things which would be remembered more easily if he were by himself.
+Towards eleven o'clock he made the request of the chaplain, who left
+him, promising to return shortly after midnight; and, with his hands
+clasped behind his back, Dick walked slowly up and down the hut.
+
+His mind journeyed to Roselawn--and Elise. At least--and at the
+thought he struck his hands together with joy--she would never know.
+She would think he had died in China. For several minutes he walked
+without his thoughts taking any other form than that, but gradually the
+realisation of his surroundings began to leave him. He was roaming
+through the woods with Elise; they were climbing a great tree for
+birds' eggs; they were casting flies for trout in the stream that ran
+through their estate; they were riding across country on ponies that
+whinnied with pleasure at the feel of the soft turf. But wherever his
+hungry imagination painted her, there was in her face the womanly
+tenderness that had always been hers in their companionship.
+
+He stopped in his walk and pressed his clenched fingers against his
+lips. She had always believed in him. Through all the hell in which
+the Fates had cast his destiny, she had been one star towards which he
+could grope. But now--a drunkard--a renegade soldier of a renegade
+battalion--to be shot. He had killed her trust! The horrors of the
+night closed on him like hounds on a dying stag.
+
+Uttering a dull cry of agony, he staggered across the hut with
+outstretched hands--and in the darkness his poor disordered fancy saw
+once more the vision of his sister's face. It was as he had seen her
+when, as a boy bruised by life, he had gone to her for solace. She had
+not changed. She could not change. Her eyes, her lips, were saying
+that in the morning she would stand beside him, holding his hand in
+hers, until the levelled rifles severed his soul and his body for
+eternity.
+
+He sank to his knees, and for the first time in many years he prayed.
+It was a prayer to an unknown God, in words that were meaningless,
+disjointed things. It was a soul crying out to its source, a soul
+struggling towards the throne of Eternal Justice, through a darkness
+lit only by a sister's love and the gratitude of an eighteen-year-old
+boy saved from shameful death.
+
+The commands of the sergeant of the guard could be heard as sentries
+were changed. Durwent rose to his feet and tried to look from the
+window, but the night was as black as the grave which had already been
+dug for him. Once more there was no sound but the wind moaning about
+the deserted fields.
+
+'Mas'r Dick.'
+
+Dick's body grew rigid. Was it a prank of his mind, or had he really
+heard the words?
+
+'Mas'r Dick.'
+
+The door had opened an inch. His heart beat wildly, and he crouched
+close to the crevice.
+
+'Mathews!' he gasped.
+
+'Sh-sh.' An admonishing hand touched him. 'Come close, sir. This is
+a dirty business, Mas'r Dick. If you hear me cough noticeable, get
+back and pretend like you're asleep.'
+
+'But--but, in God's name, what are you doing there?'
+
+'I'm a-guardin' you, sir. Sh-sh.'
+
+The old groom moved a couple of paces away from the door, humming a
+song about a coachman who loved a turnkey's daughter. Almost mad with
+excitement, Dick stood in the darkness of the hut with his outstretched
+arms shaking and quivering. He was afraid he would shout, and bit his
+finger-nails to help to repress the wild desire.
+
+'Mas'r Dick.'
+
+In an instant he was crouching again by the door.
+
+'There'll be a orficer's inspection,' whispered the sentry, 'a minute
+or two arter midnight. When that there little ceremony has took place,
+you and me is goin' for a walk.'
+
+'Where?'
+
+'Anywheres, Mas'r Dick.'
+
+'You mean--to escape?'
+
+'Precisely so, sir.'
+
+For a moment his pulses beat furiously with hope; but the realisation
+of what it meant for the old groom killed it like a sudden frost. 'No,
+Mathews,' he whispered. 'It isn't fair to you. I am not going to try
+to escape. Give me your hand; I want to say good-bye.'
+
+For answer, the imperturbable Mathews moved off again, and, in a soft
+but most unmusical bass, sang the second verse about the amorous
+coachman and the susceptible turnkey's daughter. Dick listened,
+hanging greedily on every little sound with its atmosphere of Roselawn.
+
+'Mas'r Dick.' Mathews had returned. 'No argifyin' won't get you
+nowhere. If I have to knock you atwixt the ears and drag you out by
+the 'eels, you're comin' out o' that there stall to-night. I ain't
+goin' for to see a Durwent made a target of. No, sir; not if I have to
+blow the whole army up, and them frog-eaters along with 'em. Close
+that door, Mas'r Dick. I've got a contrary temper, and can't stand no
+argifyin' like. Close that door, sir.'
+
+Almost crazed with excitement, Dick strode about the hut. Even if he
+were to get away, the chances of capture were overwhelming. But--to be
+shot in an open fight for freedom! That would be a thousand times
+better than death by an open grave. Freedom! The word was
+intoxication. To breathe the air of heaven once again--to feel the
+canopy of the stars--to smell the musk of flowers and new grass! If
+only for an hour; yet, what an hour!
+
+And then the chance, remote, but still within the realm of possibility,
+of reaching the front line, where men died like men. Of all the
+desires he had ever known, none had gripped him like the longing for
+battle, where death and honour were inseparable.
+
+But once more the thought of Mathews chilled his purpose. It would
+mean penal servitude or worse for the old groom, and he was not going
+to be the means of ruining him for his faithfulness. He could not
+stoop so low as that.
+
+These and a hundred similar thoughts flashed through his mind, and he
+was no nearer their solution when the door was opened and a sergeant
+shouted a command. He started. For a second he thought that dawn
+might be breaking, and that his hour had arrived; but an officer came
+up the steps, and he saw with a quiver of relief that it was the
+nightly inspection.
+
+'Everything all right?'
+
+'Yes, sir,' he answered.
+
+'Where's the chaplain?'
+
+'He'll be back directly, sir.'
+
+'Food all right--everything possible being done for you?'
+
+'I have no complaints, sir.'
+
+In the light of the lamp held by the sergeant the two men looked at
+each other. Without saying anything more, the officer glanced about
+the hut. 'That will do, sergeant.--Good-night.'
+
+'Good-night, sir,' answered Durwent.
+
+The officer had hardly reached the door, where the sergeant had
+preceded him with the light, when he turned back impulsively and put
+out his hand. 'I suppose this sort of thing is necessary,' he said
+hoarsely; 'but it's a damned rotten affair altogether.'
+
+They clasped hands; and turning on his heel, the officer left the hut.
+
+'Take every precaution, sergeant,' Dick heard him say; 'and send a
+runner to the chaplain with my compliments. Tell him he must not leave
+the prisoner.'
+
+'Very good, sir.'
+
+Silence again--and the crunching of the sentries' heels on the sparsely
+sprinkled gravel. The ordeal was becoming unbearable. Dick feared the
+passing of the minutes which would bring back the chaplain, and yet
+every minute seemed an eternity. The conflict ravaged his very soul.
+Was he to take the chance offered him by the strangest trick of
+Destiny, or remain and die like a rat caught in a trap?
+
+'Mas'r Dick.'
+
+The door was quietly opened. The old groom's hand fell on his arm and
+drew him firmly outwards. He tried to pull back, but with unexpected
+strength the older man exerted pressure, until Dick found himself
+outside.
+
+It was so dark that he could not see a yard ahead of him as Mathews,
+retaining his grip on his companion's arm, led him towards the road.
+They were nearly clear of the field, when the groom stopped abruptly,
+and they lay flat on the ground. It was the orderly officer and the
+sergeant returning from the inspection of a hut some distance off.
+
+'Sentry.' The officer had paused opposite the hut where the prisoner
+had been.
+
+'Yes, sir,' came the answer from the soldier still on guard at the
+other door.
+
+'Has the chaplain returned?'
+
+'Not yet, sir.'
+
+With an impatient exclamation, the officer went on towards the village;
+and gaining their feet, the two men reached the road.
+
+'There's a path alongside, sir,' whispered Mathews, 'and you and me is
+goin' to put as much terry-firmy atwixt this village and us as our four
+legs can do. Now, sir, we're off!'
+
+With lowered heads, they broke into a run. Stumbling over unseen
+stones, lacerating their hands and faces against bushes which over-hung
+the path, they ran on into the dark. Once a staff car passed them, and
+they huddled in a ditch; but it was only for a few seconds, and they
+were up again. Unless they were unfortunate enough to run right into
+the arms of the military police, the night was offering every chance of
+success. A barking dog warned them that they had come to the outskirts
+of another village. Leaving the road, they circled the place by
+tortuously making their way through uneven fields, until they thought
+it safe once more to take the path. On they ran--past silent
+fields--by streams--by murky swamps.
+
+Towards dawn Dick was faint with fatigue. The ordeal of the last month
+had cruelly sapped his vitality, and as he ran he found himself
+stumbling to his knees.
+
+'Hold hard, sir,' said the groom, who was leading. 'Another mile or
+so, and you and me, sir, will breathe ourselves proper.'
+
+Only another mile--but a mile of utter anguish. Twice Dick fell, and
+the second time he could not rise without assistance.
+
+'Mas'r Dick,' pleaded the groom, 'look 'ee, sir. Up yonder hill
+somewheres about I knows there is a cornfield, for I have noted it many
+a time. 'We can't hide here, sir, in this stubble. Lean on me, Mas'r
+Dick--that's the way. Now, sir, for England, 'ome, and beauty.'
+
+Struggling to retain his consciousness, Dick limped beside the old
+servitor, until, gaining the hill, they saw an abandoned cornfield.
+There was a roll of guns as they made their way into the field, and
+through the dense blackness of the night a few streaks of gray could be
+seen towards the east.
+
+Without a sound, Dick sank to the ground in complete exhaustion. The
+groom unstrapped his own greatcoat, which had been carried rolled, and
+covered the lad with it. Taking a thermos bottle from his haversack,
+he poured some hot tea between Dick's lips, and saw a little glow of
+warmth creep into the cheeks.
+
+'Now, sir,' he said, 'take a bit 'o' this sandwich. 'Ave another swig
+o' the tea. Bless my heart, sir, won't them fellers be surprised when
+they finds as how they ain't got no corpse for their funeral? That's
+better, sir. I will say about army tea that even if it ain't what my
+old woman would make, it's rare an' strong, Mas'r Dick--rare an' strong
+an' powerful, likewise and sim'lar.'
+
+'Mathews,' said Dick weakly, 'how was it--you were on guard--last
+night? Was it just an accident?'
+
+'Yes, sir. Just a accident. Well, not precisely a accident neither,
+sir. I be what the War Office calls "a headquarter troop," and do odd
+jobs behind the lines. Sometimes I dig graves, and other times I be a
+officer's servant, and likewise do a turn o' sentry-go. Well, sir,
+when I heard that you was a prisoner and was goin' for to be shot, I
+persuades the corp'l to put me on guard, exchangin' a diggin' job with
+a bloke by the name o' Griggs, so as not to incormode the records o'
+the War Office. That's all, sir. There I were, and here we be; and
+arter you've had a sleep, you and me will have a jaw on our immed'ate
+future. 'Ave a good snooze, Mas'r Dick, and I'll keep an eye trimmed
+on the road.'
+
+With the same boyishness he had shown that night in Selwyn's rooms,
+Dick put out his hand and pressed the old groom's arm. With a paternal
+air, Mathews patted the hand with his own and reached for his pipe,
+explaining that he would steal a smoke before daylight. But the lad
+did not hear him. He was lost in a deep, dreamless sleep.
+
+
+
+
+CHAPTER XXV.
+
+THE FIGHT FOR THE BRIDGE.
+
+
+I.
+
+It was nearly noon when the tired youth awoke. He looked wonderingly
+about, and there was a haunting fear in his light eyes, like those of a
+stag that dreads the hunters. From the north there came the sound of
+drum-fire, a weird, almost tedious, rhythm of guns working at a feverish
+pace; and the near-by road was a mass of jumbled traffic. Ambulances,
+supply-wagons, field-artillery, lorries, with jingling harness or
+snorting engines--streams of vehicles moved slowly up and down their
+channel. At a reckless speed motorcyclists, carrying urgent messages,
+swerved through it all; and in the ditches that ran alongside, refugees
+were stumbling on, fleeing from the new terror, their crouching,
+misshapen figures like players from a grotesque drama of the Macabre.
+
+'The sausage-eaters,' said Mathews philosophically, 'must be feelin'
+their oats, sir.'
+
+At the sound of the familiar voice the fear passed from Dick's face.
+Memory had returned, and he smiled, though his body trembled as if with a
+chill. 'I'm starved,' he said, 'and I have nothing with me. How long
+did I sleep, Mathews?'
+
+'Pretty near seven hours, Mas'r Dick. Here you are, sir--feedin'-time,
+and the bugle's went.'
+
+He handed Durwent a sandwich, which the young man devoured ravenously,
+washing it down with some cold tea. Mathews also munched at a sandwich,
+and through the cornstalks they watched the two currents of war-traffic
+eddying past each other. There was a roar of engines behind them, and,
+flying low, a formation of sixteen British aeroplanes made in a straight
+line for the battle area.
+
+With a map which the groom had thoughtfully borrowed from an officer the
+previous day, Dick managed to gain fairly accurate information as to
+their position. By calculation he figured out that they had travelled
+seventeen or eighteen miles during the night, and identifying the main
+road on which they had come, he saw that after two or three miles it
+would take a rectangular turn to the right, running parallel to the line
+of battle. Four miles to the south-east of the turning-point there was a
+river, and this the fugitives decided to reach that night.
+
+'If we can locate that,' said Dick eagerly, 'it is bound to lead us into
+the French lines.'
+
+'Werry good, sir,' said the groom, with an air of resignation. His
+contempt for maps and their unintelligibility was deep-rooted, but if his
+young master thought he could locate a river with one, he would keep an
+open mind on the subject until it had, at least, been given a fair trial.
+
+'You see,' said Durwent, 'a great many of these troops on the road are
+French, so when we follow that route we must get into French territory.'
+
+'Yezzir,' said Mathews profoundly. 'I won't go for to say as 'ow you
+mayn't be right. All the same, Mas'r Dick, when it comes to enterin' the
+ring wi' them sausage-eaters I'd raither 'ave a dozen Lancashire or Devon
+lads about me than all the Frenchies you could put in Hyde Park. It
+ain't that these here spec'mens don't 'ave a good sound heart as far as
+standin' up and takin' knocks is concerned, but they be too frisky and
+skittish for my likin'. I see 'em all wavin' their arms like as if a
+carriage and pair has run away, and talkin' all at once and together,
+likewise and sim'lar. Wot's more, they does it in a lingo that no one
+can't go for to make out, not even a Frenchy hisself, because I never see
+one Frog listenin' to another--did you, sir? Wot's more, sir, they gets
+all of a lather over things which is only fit for women-folk to worry
+on--such as w'ether a hen has laid its egg reg'lar; or the coffee, was it
+black enough? From wot I see as puts a Frog in a dither, I sez to myself
+that if you was to take him to a real hoss-race, he'd never see the
+finish. No, sir; he'd be dead o' heart-failure afore the hosses was off.'
+
+Dick smiled at the tremendous seriousness of the old groom, and lay back
+wearily on the ground. 'We had better both turn in for another nap,' he
+said. 'We'll need all our strength to-night, and if we stay awake we're
+sure to get hungry.'
+
+'Werry sound advice, Mas'r Dick,' said Mathews. 'But would I be
+presumin', sir, to ask you a favour? I got a letter yesterday from my
+old woman, and wot with her writin' and me bein' nought o' a scholar, I
+was wonderin', Mas'r Dick, if you would just acquaint me with any fac's
+that you might think the old girl would like me for to know.'
+
+'Willingly,' said Dick, taking a sealed letter from the groom, who
+squatted solemnly on the ground, assuming an air of deep contemplation,
+as one who has to give an opinion on a hitherto unread masterpiece.
+
+'It begins,' said Dick, with some difficulty making out the writing,
+which was extremely small in some words and very large in others, and
+punctuated mainly with blots--'"Dear Daddy"'----
+
+'That,' said Mathews, 'is conseckens o' me bein' sire to little
+Wellington.'
+
+'Oh yes,' said Dick. '"Dear Daddy, ther ain't nothing to tell you
+Wellington has took the mumps and the cat had some more kittens"'----
+
+'That's a werry remark'ble cat,' observed Mathews. 'I never see a animal
+so ambitious. Wot does the old girl say Wellington has took?'
+
+'Mumps.'
+
+'By Criky! I hope it don't go for to make his nose no bigger. Wot a
+infant he is! Mumps! Go on, Mas'r Dick--the old girl's doin' fine.'
+
+'"The day,"' resumed Dick--'"the day afor Tuesday come last week"'----
+
+'Don't pull up, sir,' said Mathews as Dick paused to re-read the puzzling
+words. 'You has to take my old woman at a good clip to get her
+meanin'--but you'll find it hid somewere, Mas'r Dick. I never see the
+old girl come a cropper yet.'
+
+With this to guide him, the reader found his place again with the aid of
+a blot, a half-inch square, which surrounded the first word. '"The day
+afor Tuesday,"' he went on, '"come last week Wellington and the rector's
+boy Charlie fit."'
+
+'Werry good,' said Mathews approvingly.
+
+'"Wellington's nose were badly done in and he looks awful bad but the
+rector's boy"'----
+
+'Wot does she say about him?' asked Mathews, staring into space.
+
+'"The rector's boy could not see out of neither eye for 3 days."'
+
+Repressing a chuckle by a great effort, Mathews hastily fumbled for his
+corncob pipe, and placing it unlit in his mouth, continued to look into
+space with a face that was almost purple from smothered exuberance.
+
+'"Milord and Lady,"' resumed Dick, '"is just the same and Milord always
+asks how you was and will I remember him to you."'
+
+'A thoroughbred--that's wot he is,' said Mathews, apparently addressing
+the distant refugees.
+
+'"Miss Elise was heer last week and is that sweet grown that all the
+woonded tommies fit with pillos to see who wud propos to her. There
+ain't no news. Bertha the skullery maid marrid a hyland soldier and they
+are going for to keep a sweet-shop after the war. Wellington sprayned
+his ankil yesterday by clyming out of the windo where I had locked him in
+as he has the mumps."'
+
+'Wot a infant!' commented Mathews admiringly.
+
+'"I am sending you a parsil and a picter of me and Wellington. We are
+very lonesum, daddy, and I'll be reel glad when the war is over and you
+come back. It is awful lonesum and Wellington is to. This morning he
+cut his hand trying to carv our best chair into the shape of a horse. I
+am feeling fine and hope the reumatiz don't worry you no more. With
+heeps of love from me and Wellington, your wife, Maggie."'
+
+It was a strange contrast in faces as the young man folded the letter and
+handed it back. In the countenance of the groom there was a sturdy pride
+in the epistolary achievement of his wife--a pride which he made a
+violent but unsuccessful effort to conceal. In the pale, handsome face
+of the young aristocrat there was a whimsical pathos. By the picture
+conjured up in the crudely written letter he had seen his parents, his
+sister, the humble cottage of the groom, and the wife's faithfulness and
+cheeriness. He had seen them, not as separate things, but hallowed and
+unified by a common sacrifice for England.
+
+For the first time since his escape Dick Durwent regretted it. He could
+see no safety ahead for Mathews, no matter how long they evaded arrest.
+Although a cool, fretful wind was blowing over the fields, the warm noon
+sun made his eyelids heavy.
+
+Against the wish of the groom, he insisted upon spreading the greatcoat
+over them both, and in a few minutes master and man were resting side by
+side as comrades.
+
+'Mathews,' said Dick quietly.
+
+'Yezzir?'
+
+'Give me your word that if you ever reach England you will never tell my
+family about this. They don't know I am in France, and'----
+
+'Mum as a oyster, sir--that's the ticket. Werry good, Mas'r Dick. A
+oyster it is.'
+
+Ten minutes had passed without either of them speaking, when Mathews
+partially raised himself on one elbow. 'If women,' he said ruminatingly,
+'was to have votes, my old girl would run for Parlyment, sure as
+skittles. I wonder, Mas'r Dick, if a feller who courted a girl in good
+faith, and arter a few years found she were Prime Minister of
+England--would that constitoot grounds for divorce?'
+
+But Dick was asleep, and dreaming of days when happiness was in the air
+one breathed; when brother and sister had revelled in nature's carnival
+of seasons. After several minutes' contemplation of the uncertainty of
+married life, the old groom followed him into a slumber which was
+unattended by dreams, but did not lack a sonorous serenade.
+
+
+II.
+
+The night was streaked with tragedy as the fugitives stole to the road.
+The drum-fire of the guns had grown to a roar, through which there came
+the blast and the crash of siege artillery, shaking the earth to its very
+foundations, as if the gases of hell had ignited and were bursting
+through. As though by lightning striking low, the night was lit with
+flashes illuminating the fields and the roads about; and shells were
+screaming and whining through the air, winged, blood-sucking monsters
+crying for their prey. Across a yellow moon broken clouds were driven on
+a gale that whipped the dust of the roads into moaning whirlpools.
+
+Dense traffic moved sullenly on, the ghostly figures of drivers astride
+horses that whinnied in terror of the night. Not a light was shown.
+There were only the glimpses of the sickly moonlight and the flame-red
+flashes of the guns; and, unnoticed, Durwent and the groom followed
+beside a lorry.
+
+Once, as they strode forward in the roar and horror of the dark, they
+heard the explosion of a shell that, by a trick of ill-luck, had found
+the road. There followed the shriek of wounded horses, quick commands
+penetrating the darkness. Corpses of men, dead horses, and shattered
+vehicles were drawn aside, and the long line that had been halted for
+four minutes closed the gap and moved on.
+
+When they reached the turn in the road, they left the shadowy procession
+and made for the river by following a soft wagon-path that cut across the
+fields. For two hours they hurried on through the night's madness. More
+than once they were almost thrown to the ground by the terrific explosion
+of heavy guns that had taken up positions by the path; and by the flashes
+in the fields they could see the weird figures of the gunners toiling at
+their work of death.
+
+As they neared the river they caught a glimpse of coloured flares not far
+ahead, and there came a momentary lull in the confused bombardment.
+
+'Listen!' cried Dick.
+
+From somewhere on the banks of the river there was the sound of
+rifle-fire, and the rat-tat-tat-tat of machine-guns, like the rattle of
+riveters at work on a steel structure.
+
+Following a tow-path which ran by the river, they appeared to be entering
+a zone of comparative quiet. Although the sound of rifle-fire grew more
+clear, the noise of the guns came from behind them, but to the right and
+the left. For an hour they ran rapidly forward, and it seemed that the
+tide of battle had swept to the north, leaving this area denuded of
+troops. They saw neither guns nor infantry, although a renewed burst of
+machine-gun fire told them they were nearing their unknown destination.
+
+They had not started from their hiding-place until nearly midnight, and
+as they reached a slight rise of the ground they could see that the
+darkness was slowly lifting with day's approach.
+
+'See, sir,' said the groom, pointing ahead, 'yonder side o' the river to
+the right.'
+
+'I can't see anything,'
+
+'Look 'ee, Mas'r Dick. Follow the river. I think that that there gray
+streak is a bridge.'
+
+It was not until they had gone ahead a considerable distance that Durwent
+could make out a heavy bridge spanning the river, which ran with a swift
+current, and was more than two hundred feet in width. A blurring red was
+tinting the black clouds in the east as they crept along the path, when
+they heard a sharp challenge.
+
+'Friends,' cried Dick, and halted.
+
+'Stand still until I give you the once over.' An American corporal, who
+had apparently been running and was out of breath, came up to them,
+carrying a revolver, and looked closely into their faces.
+
+'What are you doing here?' he asked.
+
+'Stragglers,' answered Durwent, 'separated from our unit.'
+
+'Where in Samhill is the rest of your army?'
+
+'There are no troops back here for ten miles,' answered Dick.
+
+The American took off his helmet and wiped his brow.
+
+'Jumping Jehosophat!' he exclaimed ruefully, 'do I have to marathon ten
+miles and back? They sure are generous with exercise in the army. Say,
+you guys--if you're on the level about being stragglers, and want a real
+honest-to-God showdown scrap, you hike over that bridge. Do you see that
+big tree over in the bush? Can you make it out? Well, when you get
+across the river, just line your lamps on that tree, and after half a
+mile or so you'll come to a sunken road. Report to Major Van Derwater,
+and tell him you're the only army M'Goorty--that's me--has found so far.
+And tell him I'll discover the French admiral who is supposed to be
+bringing up reinforcements, if I have to search this whole one-horse
+country for him. You'd better get a move on before the light comes up,
+for, believe me, Lizzie, those Boches can shoot, and if ever they see you
+coming across that bridge you may as well kiss yourselves good-bye.'
+
+Having delivered himself of this expressive monologue, the corporal
+replaced the revolver in its holster and took a seaman's hitch in his
+breeches. Again the machine-guns spat out, the sound seeming to be borne
+on the wind as the bullets traversed the air.
+
+'Gosh!' said the corporal, 'but I'd give a year's tips to see that scrap
+out. They had the bulge on us by about three to one, and we had to back
+up to keep the line straight, but now we're holding them great.
+Say--we've got a bunch of bowhunks there who could shoot the wart off a
+snail. Some scrap, believe me. Well, so long.'
+
+He had just started off at a run, when he stopped and turned round. 'If
+you ever come to New York, look me up at the Belmont. I'm a waiter
+there, and I can put you wise to a lot of things. Chin, Chin!'
+
+'Cheerio,' answered Dick, as the energetic corporal disappeared.
+
+'I'm gettin' 'ard o' 'earin',' said the old groom. 'Leastways I ain't
+sure I 'eerd 'im correct. Wot did 'e say?'
+
+'Mathews!'--Dick turned to his servant, and his voice shook with
+excitement--'there's a battle going on the other side of the river, and
+we're to report to Major Van Derwater. By heavens, Mathews! I feel
+half-mad with joy. They didn't get us after all, did they? We sha'n't
+be shot like curs, at any rate. Think of it, old man--we've won out!
+They can't stop us now'---- His words stopped suddenly. 'Mathews,' he
+said, 'you must not come. Stay here, and join the reinforcements when
+they turn up. You have to consider your wife and little Wellington.'
+
+For answer the groom started along the path towards the bridge, and
+Durwent was forced to break into a run before he could head him off.
+
+'Mathews,' he said sternly.
+
+'Mas'r Dick,' replied the groom, snorting violently, 'you shouldn't go
+for to insult me. Beggin' your pardon and meanin' no disrespeck, this
+here war is as much mine as yourn. Orders or no orders, I'm agoin' to
+have a howd'ee with them sausage-eaters, and, as that there free-spoke
+young gen'l'man observed, the bridge ain't exactly a chancery in the
+daylight. Come along, sir; argifyin' don't get nowhere.'
+
+Realising that further expostulation was useless, Dick followed the groom
+to the bridge. As they crossed it he noted that it was strongly built of
+steel, with supports that would bear the heaviest of weights. Gaining
+the opposite side, they waited as Dick took his bearings by the tree; and
+crossing a hard, chalky field, they stole towards the sunken road. They
+could hear the occasional crack of a rifle, and there was the _ping_ of a
+bullet passing over their heads as they pressed on through the lightening
+gloom.
+
+'Halt!'
+
+A voice rang out, and they were questioned as to their identity. On
+being ordered to advance, they jumped down into a sunken road which
+constituted an admirable trench, and were at once surrounded by American
+soldiers.
+
+'I was ordered to report to Major Van Derwater,' said Durwent.
+
+They were asked various questions, and were then escorted a few yards to
+the right, where an officer was looking over the bank which hid the road.
+
+'British stragglers, sir,' said the sergeant who had taken charge of them.
+
+'What unit are you from?' asked the officer.
+
+His voice was calm and deep, but gave no indication as to how he felt
+disposed towards the two fugitives. In answer to his question Dick gave
+the name of his battalion, and Mathews did the same.
+
+'How did you know my name?'
+
+'We met your corporal, sir,' said Durwent.
+
+'Where are your rifles?'
+
+'Lost them, sir.'
+
+'In what engagement were you cut off from your units?'
+
+Dick tried to reply, but not only was he ignorant of the locality through
+which he had travelled, but his soul burned with resentment at being
+forced into lying. Mathews said nothing, and seemed quite untroubled.
+He was prepared to accept his young master's choice of engagements for
+his own, no matter where or when it might have taken place.
+
+'I don't like this,' said the officer. 'These men are a long way from
+the British lines, and are either deserters or worse. Guard them
+closely, and if things get hot, tie their arms together so they will give
+no trouble.'
+
+'Very good, sir,' answered the sergeant, preparing to lead them away; but
+Durwent, whose blood, had run cold with dismay at the officer's words,
+struggled forward.
+
+'Sir,' he cried, 'if you think I'm not to be trusted, give me a dirty
+job--anything. A bombing-raid, or a patrol--I'll do anything at all,
+sir, if you'll only give me a chance.'
+
+'Well spoke, Mas'r Dick,' said Mathews proudly. 'Werry well spoke
+indeed.'
+
+The officer, who had been about to issue a peremptory order, stopped at
+the sturdy honesty of the groom's voice. 'Send for Captain Selwyn,' he
+said. 'You will find him at the creek.'
+
+
+III.
+
+By a creek that trickled across the road, Captain Austin Selwyn was
+watching the brushwood which concealed the enemy. Beside him, lining the
+bank, every available man was on the alert, waiting the developments
+which would follow the raising of night's curtain. In the misty gray of
+dawn they looked fabulous in size, and indistinct.
+
+The night in January at the University Club in New York had marked a
+reconciliation between Selwyn and Van Derwater. With the issue between
+America and Germany so clearly defined, they had both lent their voices
+to the insistent demand for war. At first people had been incredulous,
+and hazarded the guess that the young author was endeavouring to cover
+his own tracks; but when he enlisted in the ranks at the outbreak of
+hostilities, they made a popular hero of him. They spoke of him as the
+Spirit of the Cause; but he paid little attention to the clamour. His
+joy in the prospect of action, and the release from all his mental
+tortures, had produced in him a kind of frenzy, that crystallised into an
+intense hatred of Germany.
+
+The pendulum had swung to its extreme. Once a man animated with a
+passionate humanitarianism, in whom the spirit of universal brotherhood
+burned with an inextinguishable force, he had become a creature drunk
+with lust for revenge. Patriotism, Justice, Freedom--they were all
+catch-words to hide the brutal, primeval instinct to kill.
+
+In the little thought which he permitted himself, Selwyn argued that the
+ignorance of many nations had made war possible, but only Germany had
+been vile enough to try to exploit it for the achievement of world-power.
+For that reason alone she was a thing of detestation.
+
+His enthusiasm and quickly acquired knowledge of army routine marked him
+for promotion. He was given a commission, and at the request of Van
+Derwater was attached to the same regiment as himself. Together they had
+crossed to France, and were among the first American troops in action.
+
+In the months that followed, Selwyn had revelled in the carnage and the
+excitement of war. He was reckless to the point of bravado, and his keen
+dramatic instinct drove him into unnecessary escapades where his senses
+could enjoy a thrill not far removed from insanity. Only when out of the
+line, when the mockery and the hideousness of the whole thing demanded
+his mind's solution, would the mood of despondency return. But in the
+trenches he knew neither pity nor fear. Men fought for the privilege of
+serving under him, and with their instinct for euphony and love of the
+bizarre gave him the name of 'Hell-fire.' He gloried in the physical
+ascendancy of it all--in the dangers--in the discomforts. He was an
+instrument of revenge, a weapon without feeling.
+
+On the other hand, Van Derwater had undergone no appreciable change. He
+carried himself with the same dignity and formality as in his days at
+Washington--except when emergency would scatter the wits of his
+fellow-officers, and he would suddenly become a dynamic force, vigorous
+in conception and swift of action. Yet success or failure left him
+unmoved, once a crisis had passed. His men respected but did not
+understand him. They wove a legend about his name. They said he had
+come to France wanting to be killed, but that no bullet could touch him.
+And even those who scoffed, when they saw him, unruffled and strangely
+solitary, moving about with almost ironic contempt of danger, wondered if
+there might not be some truth in the story.
+
+'Major Van Derwater would like to speak to you right away, sir.'
+
+Telling a non-commissioned officer to take his place, Selwyn followed the
+messenger along the road until they came to the spot which Van Derwater
+had chosen for his headquarters. Daylight was emerging from its retreat,
+and there was the promise of a warm day in the glowing east.
+
+'You sent for me, sir?' he said.
+
+'Yes. You might question these two British stragglers. Their story is
+not straight, but they seem decent enough fellows. If you are not
+satisfied'----
+
+He was interrupted by an exclamation of astonishment from Selwyn, who had
+noticed the Englishmen for the first time.
+
+'Great Scott!' gasped Selwyn. 'Dick Durwent!'
+
+Dick looked up, and at the sight of the American's face he uttered a cry
+of relief. 'Is that really you, Selwyn? What luck! You remember
+Mathews at Roselawn, don't you? You can say'----
+
+'Good-mornin', sir,' said the unperturbed groom. 'This is a werry
+pleasant surprise, to be sure. How are you, sir?'
+
+'Van,' said Selwyn, after shaking hands with them both, 'this is Lord
+Durwent's son, and the other is his groom, Mathews. I will vouch for
+them absolutely.'
+
+'Good!' Van Derwater slightly inclined his head as an indication that he
+was satisfied. 'We need every man. You had better take them in your
+section and equip them with rifles from casualties.'
+
+
+IV.
+
+A few minutes later, after he had procured food for the two men, who were
+growing faint with hunger, Selwyn resumed his post. The heavy grass
+fringing the bank made it possible to keep watch without being directly
+exposed as a target; but beyond a desultory rifle-fire about a mile on
+their right, there was no indication of enemy activity.
+
+When Durwent had been equipped with a steel helmet and a rifle, Selwyn
+called him over to his side, and as concisely as possible explained the
+military situation. In the German attack against the French forces (with
+which the Americans were brigaded) the line had been swept back. Deep
+salients had been driven in on both their flanks, but orders had been
+received to hold the bridge at all costs, as, if a counter-attack could
+be launched, it would be an enfilading one made by troops brought across
+the river. Relying on their machine-gun and rifle fire to overcome the
+Americans' resistance, the enemy's artillery had been drawn into the
+deepening salients; but in spite of all-day fighting the straggling line
+had held.
+
+After a few questions from Durwent they relapsed into silence, gazing at
+the undulating expanse of country revealed by the ascending sun.
+
+'Selwyn.' Dick cleared his throat nervously. 'I must tell you the
+truth. You were decent enough to stand sponsor for Mathews and me, and I
+want you to know everything. The major was right. We're not
+stragglers--we're deserters.'
+
+Selwyn made no comment, and both men stared fixedly through the long
+grass that drooped with heavy dew.
+
+'Yesterday morning,' said Durwent dully, 'I was to have been shot. I was
+drunk in the line, and deserved it. It's no use trying to excuse myself.
+I fancy my nerves were a bit gone after what we'd been through the last
+few months, but---- Well, I suppose I am simply a failure, as that chap
+said in London--there isn't much more to it than that. By a queer deal
+of the cards, Mathews was on guard, and helped me to escape. It was
+rotten of me to let him take the chance; but it's been that way all
+through. Even at the end of everything--after being a waster and a
+rotter since I was a kid--I have to drag this poor chap down with me.
+Promise, Selwyn, if you come out of this alive, that you'll fight his
+case for him.'
+
+Selwyn murmured assent, but he was trying to shake off a haunting feeling
+that was enveloping him like a mist--a feeling that everything the young
+Englishman was saying he had heard before. It left him dazed, and made
+Durwent's voice sound far away. He tried to dismiss it as an illogical
+prank of the mind, but the thing was relentless. He could not rid
+himself of the thought that sometime in the past--months, years, perhaps
+centuries ago--this pitiful scene had been enacted before.
+
+It chilled his soul with its presage of disaster. He saw the hand of
+destiny, and everything in him rebelled against the inexorable cruelty of
+it all. It was infamous that any life should be dominated by a whim of
+the Fates; that any creature should enter this world with a silken cord
+about his throat. Destiny. Does it mould our lives; or do our lives,
+inundated with the forces of heredity, mould our destinies? He tried to
+grapple with the thought; but through the pain and confusion of his mind
+he could only feel the presence of unseen fingers spelling out the words
+written in a hidden past.
+
+'I wonder,' said Durwent, after a pause of several minutes, during which
+neither had spoken, 'what happens when this is finished.'
+
+'Do you mean--after death?' said Selwyn, forcing his mind clear of its
+clouds.
+
+Durwent nodded and leaned wearily with his arms on the bank. 'I tried to
+think it out the night before I was to be shot,' he said. 'I can't just
+say what I did think--but I know there's something after this world.
+Selwyn, is there a God? I wonder if there will be another chance for the
+men who have made a mess of things here.'
+
+The American turned towards the young fellow, whose pale face looked
+singularly boyish, and had a wistfulness that touched him to his very
+heart. Durwent was gazing over the grass into the distance, oblivious of
+everything about him, and in the blue of his eyes, which borrowed lustre
+from the morning, there was the mysticism of one who is searching for the
+land which lies beyond this life's horizon.
+
+'I wonder,' repeated Durwent dreamily.
+
+Selwyn tried to frame words for a reply, but skilled as he was in the
+interpretation of thought, he was dumb in confession of his faith. He
+longed to speak the things which might have brought comfort to the lad's
+harassed soul, but everything which came to him, echoing from his former
+years, was so inadequate, so tinctured with smug complacency. Was there
+a God?
+
+The question left him mute.
+
+'There are times,' went on Durwent, almost to himself, 'when my head is
+full of strange fancies--when I'm listening to music--or at dawn like
+this. While I was under arrest, a little French girl who had heard I was
+to die brought some flowers she had picked for me. When I think of that
+girl, and her flowers, and Elise, and the faithfulness of old Mathews, I
+do believe there is some kind of a God. . . . Selwyn'--unconsciously his
+hands stretched forward supplicatingly--'surely these things can't
+die? . . . There's been so much that's ugly and lonely in my life. . . .
+Don't you believe that we fellows who have failed will be able to have a
+little of the things we've missed down here?'
+
+'Dick,' said Selwyn hoarsely, 'I believe'----
+
+The words faltered on his lips, and in silence the two men stood together
+in the presence of the day's birth. There was a strange calm in the air.
+The dew on the grass caught a faint sparkle from a ray of sunlight that
+penetrated the eastern skies.
+
+
+V.
+
+'_The Boches, sir! They're coming!_'
+
+The sergeant's warning rang out, and in an instant the air was shattered
+with battle. Protected by the fire from a nest of machine-guns, the
+Germans launched a converging attack towards the bridge. Waiting until
+the advancing troops were too close to permit the aid of their own
+machine-gun fire, the Americans poured a deadly hail of bullets into
+their ranks. The attack broke, but fresh troops were thrown in, and the
+line was penetrated at several points.
+
+Van Derwater rallied his men, directed the defence, and time after time
+organised or led counter-attacks which restored their position. His
+voice rose sonorously above everything. Hearing it, and seeing his
+powerful figure oblivious to the bullets which stung the air all about
+him, his men yelled that they could never be beaten so long as he led
+them.
+
+Half-mad with excitement, Selwyn repelled the attacks on his sector,
+though his casualties were heavy and ammunition was running low.
+Durwent's mood of reverie had passed, and he fought with limitless
+energy. Once, when the Huns had penetrated the road, one of their
+officers levelled a revolver on him, but discharged the bullet into the
+ground as the butt of Mathews's rifle was brought smashing on his wrist.
+The old groom followed his master with eyes that saw only the danger
+hanging over him. For his own safety he gave no care, but wherever Dick
+stepped or turned, the groom was by his side, with his large, rough face
+set in a look that was like that of a mastiff protecting its young.
+
+As waves breaking against a rock, the Huns retreated, rallied, and
+attacked again and again, and each time the resistance was less
+formidable as the heroic little band grew smaller and the ugly story
+passed that ammunition was giving out.
+
+They had just thrown back an assault, and Van Derwater had sent for his
+section commanders to advise an attack on the enemy in preference to
+waiting to be wiped out with no chance of successful resistance, when he
+heard a shout, and bullets spat over their heads. Turning swiftly about,
+they saw a tank lurching across the bridge. Amidst wild shouting from
+the Americans, the clumsy landship stumbled towards them, with bullets
+glancing harmlessly off its metal carcass. Lumbering on to the road, the
+tank stopped astride it.
+
+In almost complete forgetfulness of the impending enemy attack, the
+jubilant Americans crowded about the machine and cheered its occupants to
+the echo, as a small door was opened and two French faces could be seen.
+In a few words Van Derwater explained the situation, receiving the
+discouraging information that no troops were anywhere near the vicinity.
+The tank had been discovered by the ex-Belmont waiter and sent on to the
+bridge.
+
+'Pass word along,' said Van Derwater crisply, 'to prepare for an attack.
+The tank will go first, and when it is astride their machine-gun position
+we will go forward and drive them out of the brushwood into the
+open.--Messieurs, the machine-guns are gathered there--straight across,
+about forty yards from the great tree.'
+
+The Frenchmen tried to locate the spot indicated, but were obviously
+puzzled and too excited to listen attentively. Van Derwater was about to
+repeat his instructions, when Dick Durwent shouldered his way into the
+group. Men's voices were hushed at the sight of his blazing eyes.
+
+In a bound he was on the bank, and stood exposed to the enemy's fire.
+With something that was like a laugh and yet had an unearthly quality
+about it, he threw his helmet off and stood bareheaded in the golden
+sunlight. '_En avant, messieurs_!' he cried. '_Suivez-moi_!'
+
+There was a grinding of the gears and a roar of machinery as the tank
+reared its head and lunged after him.
+
+'Stop that man, Selwyn!'
+
+Van Derwater's voice rang out just in time. The old groom had scrambled
+to the bank to follow his master, but four hands grasped him and pulled
+him back. With a moan he clung to the bank, following Dick with his
+eyes. And his face was the colour of ashes.
+
+With their voices almost rising to a scream, the chafing Americans
+watched the Englishman walk towards the enemy lines. Bullets bit the
+ground near his feet, but, untouched, he went on, with the metal monster
+following behind. Once he fell, and a hush came over the watchers; but
+he rose and limped on. His face pale and grim, Van Derwater moved among
+his men, urging them to wait; but they cursed and yelled at the delay.
+
+Again Dick fell, and with difficulty stumbled to his feet. For a moment
+he swayed as if a heavy gale were blowing against him, and as his face
+turned towards his comrades they could see his lips parted in a strange
+smile. Raising his arm like one who is invoking vengeance, he staggered
+on, and by some miracle reached the very edge of the enemy's position.
+There he collapsed, but rising once more, pointed ahead, and lurched
+forward on his face.
+
+With a roar the American torrent burst its bounds and swept towards the
+enemy. Selwyn leaped in advance of his men, his voice uttering a long,
+pulsating cry, like a bloodhound that has found its trail.
+
+He did not see, over towards the centre, that Van Derwater had stopped
+half-way and had fallen to his knees, both hands covering his eyes.
+
+
+
+
+CHAPTER XXVI.
+
+THE END OF THE ROAD.
+
+
+I.
+
+One noonday in the November of 1918 a taxi-cab drew up at the
+Washington Inn, a hostelry erected in St. James's Square for American
+officers. An officer emerged, and walking with the aid of a stout
+Malacca cane, followed his kit into the place.
+
+It was Austin Selwyn, who a few days before had come from France, where
+he had hovered for a long time in the borderland between life and
+death. Although he had been severely wounded, it was the nervous
+strain of the previous four years that told most heavily against him.
+Week after week he lay, listless and almost unconscious; but gradually
+youth had reasserted itself, and the lassitude began to disappear with
+the return of strength. The horrors through which he had passed were
+softened by the merciful effect of time, and as the reawakened streams
+of vitality flowed through his veins, his eyes were kindled once more
+with the magic of alert expression.
+
+Having secured a cubicle and indulged in a light luncheon, he went for
+a stroll into the street. Looking up, he saw the windows of the rooms
+where he had spent such lonely, bitter hours crusading against the
+world's ignorance. It was all so distant, so far in the past, that it
+was like returning to a boyhood's haunt after the lapse of many years.
+
+Going into Pall Mall, he felt a curiosity to see the Royal Automobile
+Club again. He entered its busy doors, and passing through to the
+lounge, took a seat in a corner. The place was full of officers, most
+of them Canadians on leave; but here and there in the huge room he
+caught a glimpse of sturdy old civilian members, well past the sixty
+mark, fighting Foch's amazing victories anew over their port and cigars.
+
+Inciting his eyes roam about the place, Selwyn noticed a group of six
+or seven subalterns surrounding a Staff officer, the whole party
+indulging in explosive merriment apparently over the quips of the
+betabbed gentleman in the centre. Selwyn shifted his chair to get a
+better view of the official humorist, but he could only make out a
+tunic well covered with foreign decorations. A moment later one of the
+subalterns shifted his position, and Selwyn could see that the
+much-decorated officer was wearing an enormous pair of spurs that would
+have done admirably for a wicked baron in a pantomime. But his knees!
+Superbly cut as were his breeches, they could not disguise those
+expressive knees.
+
+Selwyn called a waitress over. 'Can you tell me,' he said, 'who that
+officer is in the centre of the room--that Staff officer?'
+
+'Him? Oh, that's Colonel Johnston Smyth of the War Office.'
+
+'Colonel--Johnston Smyth!' Selwyn repeated the words mechanically.
+
+'That's him himself, sir. Will you have anything to drink?'
+
+'I think I had better,' said Selwyn.
+
+About ten minutes later, after perpetrating a jest which completely
+convulsed his auditors, the War Office official rose to his feet,
+endeavoured to adjust a monocle--with no success--smoothed his tunic,
+winked long and expressively, and with an air of melancholy dignity
+made for the door, with the admiring pack following close behind.
+
+'Good-day, colonel,' said Selwyn, crossing the room and just managing
+to intercept the great man.
+
+The ex-artist inclined his head with that nice condescension of the
+great who realise that they must be known by many whom it is impossible
+for themselves to know, when he noticed the features of the American.
+'My sainted uncle!' he exclaimed; 'if it isn't my old sparring-partner
+from Old Glory!--Gentlemen, permit me to introduce to you the brains,
+lungs, and liver of the American Army.'
+
+The subalterns acknowledged the introduction with the utmost
+cordiality, suggesting that they should return to the lounge and
+inundate the vitals of the American Army with liquid refreshment; but
+Selwyn pleaded an excuse, and with many 'Cheerios' the happy-go-lucky
+youngsters moved on, enjoying to the limit their hard-earned leave from
+the front.
+
+'May I offer my congratulations?' said Selwyn.
+
+'Come outside,' said the colonel.
+
+They adjourned to the terrace, and Smyth placed his hand in the other's
+arm. 'Do you know who I am?' he said.
+
+'Eh?' said Selwyn, rather bewildered by the mysterious nature of the
+question.
+
+'I, my dear Americano, am A.D. Super-Camouflage Department, War
+Office.' The colonel chuckled delightedly, but checking himself,
+reared his neck with almost Roman hauteur. 'I have one major, two
+captains, five subalterns, and eleven flappers, whose sole duty is to
+keep people from seeing me.'
+
+'Why?' asked the American.
+
+'I don't know,' said the colonel; 'but it's a fine system.'
+
+'You have done wonderfully well.'
+
+'Moderately so,' said the A.D. Super-Camouflage Department. 'I have
+been decorated by eleven foreign Governments and given an honorary
+degree by an American university. I also drive the largest car in
+London.'
+
+'You amaze me.'
+
+'As an opener,' said the colonel, forgetting his dignity in the recital
+of his greatness, 'I am in enormous demand. I can open a ball, a
+bottle, or a bazaar with any man in the country.'
+
+'But,' said Selwyn, 'how did it all come about?'
+
+'Ah!' exclaimed Smyth, glancing up and down the terrace after the
+manner of a stage villain. 'Three years ago I was an officer's
+servant. I polished my subaltern-fellow's buttons, cleaned his boots,
+and mended his unmentionables. One day this young gentleman and myself
+were billeted on an old French artist. When I saw those canvases, I
+felt the old Adam in me thirsting for expression. Before all I am an
+artist! I made a bargain with the old Parley-vous--a pair of my young
+officer's boots for two canvases and the use of his paints. Agreed.
+On the one I did a ploughman wending his weary thingumbob home--you
+know. The following day happened to be my precious young officer's
+birthday, and we celebrated it in style. I would not say he was an
+expert with his Scotch, but he was very game--very game indeed. After
+I had put him to bed, I determined to paint my second masterpiece, "St.
+George to the Rescue!" I did it--and fell asleep where I sat. When I
+woke next morning, imagine my astonishment! I had done both paintings
+on the one canvas! The ploughman was toddling along to the left, and
+St George was hoofing it to the right, but the effect one got was that
+a milk-wagon was going straight up the centre. It gave me an idea. I
+waited for my leave, and took the painting to the War Office. I told
+them if they would give me enough paint I could so disguise the British
+Army that it would all appear to be marching sideways. That tickled
+the "brass hats." They could see my argument in a minute. They knew
+that if you could only get a whole army going sideways the war was won.
+I was put on the Staff and given a free hand, and in a very short time
+was placed in complete charge of the super-camouflage policy of the
+Allies. The testimonials, my dear chap, have been most gratifying. We
+have undisputed evidence of an Australian offering a carrot to a
+siege-gun under the impression it was a mule. There was a Staff car
+which we painted so that it would appear to be going backwards, and the
+only way that a certain Scottish general would ride in it was by
+sitting the wrong way, with his knees over the back. In fact, my dear
+sir, if the war only lasts another year, I shall reduce the whole thing
+to a pastime, blending all the best points of "Blind Man's Buff" with
+"Button, button, who's got the button?"'
+
+Having reached this satisfactory climax, the worthy colonel shifted his
+cap to the extreme side of his head, and walked jauntily along with his
+knees performing a variety of acrobatic wriggles.
+
+'I am most gratified,' said Selwyn, repressing a smile. 'I had no
+idea, when I saw you and poor Dick Durwent marching away together, that
+you would rise to such fame.'
+
+'Alas, poor Durwent!' cried Smyth, pulling his cap forward to a
+dignified angle. 'I never knew who he was until we got to France. You
+passed him along as Sherwood, you know. His people are frightfully cut
+up about him.'
+
+'They heard of his death, of course?'
+
+'It isn't that, old son; it's the horrible disgrace. It only leaked
+out a couple of weeks ago from one of his battalion, but it's common
+property now. The old boy was absolutely done in--looked twenty years
+older.'
+
+'What has leaked out?' said Selwyn, stopping in his walk.
+
+'Didn't you hear? Durwent was shot by court-martial--drunk, they say,
+in the line.'
+
+Selwyn's hand gripped his arm. 'Where is Lord Durwent now?' he said
+breathlessly.
+
+'In the country, I believe. But why so agitated, my Americano?'
+
+There was no answer. As fast as his weary limbs could take him, Selwyn
+was making for the door.
+
+
+II.
+
+It was nearly eight o'clock that night when Selwyn alighted from a
+train at the village where he and Elise had heard the fateful
+announcement of war. He walked through the quaint street, silent and
+deserted in the November night. Except for two or three people at the
+station, there was no one to be seen as his footsteps on the cobbled
+road knocked with their echo against the casement windows of the
+slumbering dwellings. Reaching the inn, he bargained for a conveyance,
+and after taking a little food, and arranging for a room, he went
+outside again, and climbed into a dogcart which had been made ready.
+
+After three or four futile attempts at conversation, the driver retired
+behind his own thoughts, and left the American to the reverie forced on
+him by every familiar thing looming out of the shadows. There was not
+a turn of the road, not one rising slope, that did not mean some memory
+of Elise. The very night itself, drowsy with the music of the breeze
+and the heavy perfume of late autumn, was nature's frame encircling her
+personality. He had dreaded going because of the longings which were
+certain to be reawakened, but he had not known that in the secret
+crevices of his soul there had been left such sleeping memories that
+rustling bushes and silent meadows would make him want to cry aloud her
+name.
+
+He told himself that she must be in London, and had forgotten him--and
+that it was better so. But the night and the darkened road would not
+be denied. They held the very essence of her being, and left him weak
+with the ecstasy of his emotion.
+
+At the lodge gate they found a soldier, who allowed them to pass, and
+they drove on towards the house. So vivid was the sense of her
+presence that he almost thought he saw her and himself running
+hand-in-hand together again down the road. By that oak he had picked
+her up in his arms--and he wondered at the human mind which can find
+torture and joy in the one recollection.
+
+Driving into the courtyard, he told the man to wait, and knocked at the
+great central door. An orderly admitted him, and took him to a nurse,
+who offered to lead him to the wing occupied by Lord and Lady Durwent.
+With wondering eyes he glanced at the transformation of the rooms once
+so familiar to him. There were beds even in the halls, and everywhere
+soldiers in hospital-blue were combining in a cheerful noise which was
+sufficient indication that their convalescence was progressing
+favourably. In the music-room a local concert-party (including the
+organist who had tried to teach Elise the piano) were giving an
+entertainment, with the utmost satisfaction to themselves and the
+patients.
+
+The nurse led him upstairs and knocked at a door. On receiving a
+summons to enter she went in, and a moment later emerged again.
+
+'Will you please go in?' she said.
+
+Thanking her for her trouble, Selwyn stepped into the room, which was
+lit only by the light from a log-fire, beside which Lord Durwent and
+his wife were seated. Lady Durwent, who had just come from her nightly
+grand-duchess parade of the patients, was busying herself with her
+knitting, and was in obvious good spirits. Lord Durwent rose as Selwyn
+entered, and the good lady dramatically dropped her knitting on the
+floor.
+
+'Mister Selwyn!' she exclaimed. 'This is an unexpected pleasure!'
+
+The American bowed cordially over her proffered hand; but when he
+turned to acknowledge the old nobleman's greeting he was struck silent.
+No tree withered by a frost ever showed its hurt more clearly than did
+Lord Durwent. Although he stood erect in body, and summoned the gentle
+courtesy which was inseparable from his nature, his whole bearing was
+as of one whom life has cut across the face with a knotted whip,
+leaving an open cut. He had thought to live his days in the seclusion
+of Roselawn, but destiny had spared him nothing.
+
+'Have you had dinner?' asked Lord Durwent. 'We are strictly rationed,
+but I think the larder still holds something for a welcome guest.'
+
+'Isn't the war dreadful?' said Lady Durwent gustily.
+
+'I had something to eat at the inn,' said Selwyn, 'so I hope you won't
+bother about me.'
+
+The older man was going to press his hospitality further, but as it was
+obvious from the American's manner that he had come for a special
+purpose, he merely indicated a chair near the fire.
+
+'You move stiffly,' he said. 'Have you been wounded?'
+
+'Yes,' said Selwyn, continuing to stand; 'but there are no permanent
+ill effects, luckily. Lord Durwent, I came from London to-day to speak
+about your son Dick.'
+
+At the sound of the name Lady Durwent checked a violent sob, which was
+of double inspiration--grief for her son and pity for her own pride.
+Her husband showed no sign that he had heard, but ran his hand slowly
+down the arm of his chair.
+
+And, for the first time, Selwyn became conscious of her presence--Elise
+had come noiselessly into the room, and was standing in the shadows.
+She walked slowly towards him.
+
+'Is it necessary,' she said, with an imperious tilt of her head, 'to
+talk of my brother? We all know what happened.'
+
+By the firelight he saw that, only less noticeably than in her father's
+case, she too had been stricken. Her rich-hued beauty, which had
+become so intense with her spiritual development, bore the marks of
+silent agony. In her eyes there was pain.
+
+'Without wishing to appear discourteous,' said Lord Durwent, 'I think
+my daughter is right. My family has been one that always put honour
+first. My son Malcolm maintained that tradition to the end. My
+younger son broke it. And it is perhaps as well that our title becomes
+extinct with my death. If you don't mind, we would rather not speak of
+the matter further.'
+
+'He was such a kind boy--they both were,' sobbed Lady Durwent in an
+enveloping hysteria, 'and so devoted to their mother.'
+
+Putting Elise gently to one side, Selwyn faced her father.
+
+'Lord Durwent,' he said, 'I was with your son when he was killed. In
+the long line of your family, sir, not one has died more gloriously.'
+
+Lord Durwent's hands gripped the arms of his chair, and Lady Durwent
+looked wildly up through her tears. Elise stood pale and motionless.
+
+'It is true,' said Selwyn. 'I tell you'----
+
+'There is nothing,' said the older man-- 'there can be nothing for you
+to tell that would make our shame any the less. My son was shot'----
+
+'Lord Durwent'----
+
+'----shot for disgracing his uniform. That he was brave or fearless at
+the end cannot alter that truth.'
+
+'Elise!' Selwyn turned from Lord Durwent, and his clenched hands were
+stretched supplicatingly towards her. 'Your brother was not shot by
+the British. He was killed as he went out alone and in the open
+against the German machine-guns.'
+
+'What are you saying?' Lord Durwent half rose from his chair. 'Why do
+you bring such rumours? What proof is there'----
+
+'Would I come here at this time,' said Selwyn desperately, 'with
+rumours? Do you think I have so little sympathy for what you must
+feel? I saw your son killed, sir. It was in the early morning, and he
+went to his death as you would have had him go. As you know he did go,
+Elise.'
+
+
+III.
+
+In a voice that shook with feeling he told of the fight for the bridge;
+how Dick, and Mathews, who had saved him, reached the Americans; of the
+desperate hand-to-hand fighting; how the groom had guarded his young
+master; the impending disaster; and the death of Dick.
+
+'It meant more than just our lives,' he concluded, in a silence so
+acute that the crackling of the logs startled the air like
+pistol-shots, 'for as Dick fell we went forward and gained the
+brushwood. Less than three hours afterwards the French arrived, and
+largely by the use of that bridge a heavy counter-attack was launched.
+We buried Dick where he fell--and, Lord Durwent, it is not often that
+men weep. The French general, to whom the tank officer had made his
+report, pinned this on your son's breast, and then gave it to me to
+have it forwarded to you. He asked me to convey his message: "That the
+soil of France was richer for having taken so brave a man to its
+heart."'
+
+He handed a medal of the _Croix de Guerre_ to Lord Durwent, who held it
+for several moments in the palm of his hand. From the distant parts of
+the house came the noise of singing soldiers, and a gust of wind
+rattled the windows as it blew about the great old mansion. Elise had
+not moved, but through her tears an overwhelming triumph was shining.
+
+'And Mathews?' asked Lord Durwent slowly.
+
+'We found him after the attack,' the American answered. 'He must have
+dragged himself several yards after he had been hit, and was lying
+unconscious, with his hand stretched out to touch Dick's boot. Have
+you heard nothing from him, sir?'
+
+'Nothing.'
+
+Again there was a silence fraught with such intensity that Selwyn
+thought the very beating of his pulses could be heard. At last Lord
+Durwent rose, and with an air of deepest respect placed the medal in
+the hands of his wife. Her theatricalism was mute in a sorrow that was
+free from shame.
+
+'Captain Selwyn,' said Lord Durwent, 'we shall never forget.'
+
+Feeling that his presence was making the situation only the more acute,
+Selwyn pleaded the excuse of the waiting horse to hasten his departure.
+
+'But you will stay here for the night?' said Lady Durwent.
+
+'No--thank you very much. I have left my haversack at the inn; and,
+besides, I must catch the 7.45 train to London in the morning to keep
+an important appointment. Good-night, Lady Durwent.'
+
+Amidst subdued but earnest good wishes from the peer and his wife, he
+wished them good-bye and turned to Elise.
+
+'Good-night,' he said, his face flaming suddenly red.
+
+'Good-night,' she answered, taking his proffered hand.
+
+'I shall go with you,' said Lord Durwent.
+
+The two men walked through the corridors, which were growing quieter as
+the night advanced, and, with another exchange of farewells, Selwyn
+went out into the dark.
+
+He was weak from the ordeal through which he had passed, and both his
+mind and his body were bordering on exhaustion. He called to the
+sleeping driver, who in turn roused the horse from a similar condition,
+but just as the wheels grinding on the gravel were opposite him Selwyn
+heard the door open and the rustle of skirts.
+
+'Austin!' cried Elise, running through the dark.
+
+He almost stumbled as he went towards her, and caught her arms in his
+hands.
+
+'I didn't want you to go,' she said breathlessly, 'without saying
+thanks. If Boy-blue had really been shot as they said, I--I'----
+
+She did not finish the sentence, but clasping his hand, pressed it
+twice to her burning lips.
+
+'Elise,' he cried brokenly--but she had freed herself and was making
+for the door.
+
+No longer weary, but with every artery of his body on fire with
+uncontrollable love for her, he intercepted the girl. 'Elise,' he
+cried, 'I thought I could go from here and carry my heart-hunger with
+me--but now I can't. I can't do it.'
+
+'You went away to America.' Her flashing eyes held his in a burning
+reproach. 'You did not need me then--and you don't now.'
+
+'But--you didn't care? You never came back to the hospital, and I
+wrote to you every day. Tell me, Elise, did you really care--a little?'
+
+'Yes, I did--more than I would admit to myself. But you didn't. All
+you could think of was going back to America.'
+
+'But, my dearest'--his heart was throbbing with a tumultuous joy--'if I
+had only known. There was so much work for me to do in America'----
+
+'You will always have work to do. You don't need me. I shouldn't have
+come out to-night. Please let me go.'
+
+'Then you don't care--now?'
+
+'No. You have your work to do still. You said yourself that we come
+of different worlds'----
+
+'Elise, my darling'--he caught her hands in his and forced her towards
+him--'what does that matter--what can anything matter when we need each
+other so much? I have nothing to offer you--not so much as when we
+first met--but with your help, dear heart, I'll start again. We can do
+so much together. Elise--I hardly know what I am saying--but you do
+understand, don't you? I can't live without you. Tell me that you
+still care a little. Tell me'----
+
+Her hands were pressed against his coat, forcing him away from her,
+when, with a strange little cry, she nestled into his arms and hid her
+face against his breast.
+
+For a moment he doubted that it could be true, and then a feeling of
+infinite tenderness swept everything else aside. It was not a time for
+words or hot caresses to declare his passion. He stooped down and
+pressed his lips against her hair in silent reverence. She was his.
+This woman against his breast, this girl whose being held the mystery
+and the charm of life, was his. The arms that held her to him pressed
+more tightly, as if jealous of the years they had been robbed of her.
+
+'I must go in,' she whispered.
+
+He led her to the door, her hand in his, but though he longed to take
+her in a passionate embrace, he knew instinctively that her surrender
+was so spiritual a thing that he must accept it as the gift of an
+unopened spirit-flower.
+
+'Good-night, dear.' She paused at the door, then raised her face to
+his.
+
+Their lips met in the first kiss.
+
+
+IV.
+
+The following Saturday Selwyn met Elise at Waterloo, and with her hand
+on his arm they walked through London's happy streets.
+
+It was 9th November.
+
+News had come that the Germans had entered the French lines to receive
+the armistice terms, and hard on that was the official report that the
+German Emperor had abdicated.
+
+London--great London--whose bosom had sustained the shocks, the hopes,
+the cruelties of war, was bathed in a noble sunlight. For all its
+incongruities and jumbled architecture, it has great moments that no
+other city knows; and as Selwyn and Elise made their way through the
+crowds, there was an indefinable majesty that lay like a golden robe
+over the whole metropolis.
+
+Above St. Paul's there floated shining gray airships, escorted by
+encircling aeroplanes. Hope--dumb hope--was abroad. Not in an
+abandonment of ecstasy, or of garish vulgarity which was soon to
+follow, but in a spirit of proud sorrow, Londoners raised their eyes to
+the skies. Passengers on omnibuses looked with new gratitude at the
+plucky girls in charge who had carried on so long. People stood aside
+to let wounded soldiers pass, and old men touched their hats to them.
+The heart of London beat in unison with the great heart of humanity.
+
+From crowded streets, from domes and spires and open parks, there
+soared to heaven a mighty _Gloria--gloria in excelsis_.'
+
+After a lunch, during which they were both shy and extraordinarily
+happy, they took a taxi-cab and drove to a house in Bedford Square.
+
+Leaving Elise, Selwyn knocked at the door, and was admitted to a room
+where a girl in an American nurse's outdoor costume waited for him.
+
+'I got your letter in answer to mine, Austin,' said she, giving him
+both her hands, 'and I am all ready. Did you see him?'
+
+'I did--yesterday afternoon. But, Marjory, I told him nothing of you,
+and if you want to withdraw there is yet time. Have you really thought
+what this means to you?'
+
+Her only answer was a patient smile as she opened the door and led him
+outside.
+
+'Elise,' said Selwyn, as they entered the cab, 'I want to introduce
+Miss Marjory Shoreham of New York.'
+
+'Austin has told me all about you,' said Elise, 'and I think you are
+wonderfully brave.'
+
+She took the nurse's hand and held it tightly in hers as the car drove
+towards Waterloo.
+
+An hour later they reached a Sussex station, and hiring a conveyance,
+drove to a charming country home which was owned by a Mr. Redwood, whom
+Selwyn had met on board ship. A servant told them as they drove up to
+the door that the master of the house had gone to the village, but that
+they were to come in and make themselves at home.
+
+As he helped the girls to alight Selwyn heard the nurse catch her
+breath with a spasm of pain. He glanced over his shoulder and saw a
+man standing on the lawn facing the sun, which was reaching the west
+with the passing of afternoon.
+
+'Please remain here,' said Selwyn, 'and I will motion you when to come.'
+
+He walked towards the solitary figure, who heard him, and turned a
+little to greet him.
+
+'Is that you, Austin?'
+
+'Yes, Van,' answered Selwyn. 'How could you tell?'
+
+With his old kindly, tired smile the ex-diplomat put out his hand,
+which Selwyn gripped heartily.
+
+'I suppose it is nature's compensation,' said Van Derwater calmly.
+'Now that I cannot see, footsteps and voices seem to mean so much more.
+I was just thinking before you came that, though I have seen it a
+thousand times, I have never _felt_ the sun in the west before.
+Look--I can feel it on my face from over there. Sir Redwood tells me
+that the news from France is excellent.'
+
+'It is,' said Selwyn. 'I think the end is only a matter of hours.'
+
+'A matter of hours; and after that--peace. Austin, I haven't much to
+live for. It was in my stars, I suppose, that I should walk alone; but
+there is one fear which haunts me--that all this may be for
+nothing--for nothing. If I thought that on my blindness and the
+suffering of all these other men a structure could be built where
+Britain and America and France would clasp the torch of humanity
+together, I would welcome this darkness as few men ever welcomed the
+light. But it is a terrible thought--that people may forget; that
+civilisation might make no attempt to atone for her murdered dead.'
+
+He smiled again, and fumbling for Selwyn's shoulder, patted it, as if
+to say he was not to be taken too seriously.
+
+'The world must have looked wonderful to-day in this sunlight,' he went
+on. 'Do you know, I hardly dare think of the spring at all. I
+sometimes feel that I could never look upon the green of a meadow
+again, and live.'
+
+Selwyn had beckoned to the nurse, who was coming across the lawn
+towards them.
+
+'Van,' he said, taking his friend's arm, 'don't be too surprised, will
+you? But--but an old friend has come back to you.'
+
+'Who is it?' Van Derwater's form became rigid. 'I can hear a step,
+Austin! Austin, where are you? What is this you're doing to me?
+Speak, man--would you drive me mad?'
+
+Without a sound the girl had clutched his hand and had fallen on her
+knees at his feet.
+
+'Marjory!' With a pitiful joy he felt her hair and face with his hand,
+and in his weakness he almost fell. Vainly he protested that she must
+go away, that he could not let her share his tragedy. Her only answer
+was his name murmured over and over again.
+
+Creeping silently away, Selwyn rejoined Elise. Once they looked back.
+The girl was in Van Derwater's arms, and his face was raised towards
+the sun which he was nevermore to see. But on that face was written a
+happiness that comes to few men in this world.
+
+
+
+
+CHAPTER XXVII.
+
+A LIGHT ON THE WATER.
+
+
+I.
+
+A sulky winter came hard upon November, and the war of armies was
+succeeded by the war of diplomats.
+
+One day in January the same vehicle that had driven Selwyn to Roselawn
+deposited another visitor there. He was a sturdy, well-set-up fellow,
+but a thinness and a certain pallor in the cheeks conflicted with their
+natural weather-beaten texture.
+
+The morose driver helped him to alight, and handed him his crutches,
+which he took with a snort of disapproval. He made his way at a
+dignified pace around the drive, pausing _en route_ to look at the
+gables and wings of Roselawn as one who returns to familiar scenes
+after a long absence.
+
+Without encountering any one he reached the stables, and opening a
+door, mounted the stairs that led to the dwelling-quarters above.
+
+There was no one in the cosy dining-room, and sitting down, he hammered
+the floor with his crutch. The homely sound of dishes being washed
+ceased suddenly in the adjoining room, and Mrs. Mathews threw open the
+door.
+
+'Who is it?' she cried.
+
+'Me,' said Mathews.
+
+Uttering a pious exclamation that reflected both doubt and confidence
+in the all-wise workings of Providence, his wife fell heavily upon him,
+with strong symptoms of hysteria.
+
+'Heavenly hope!' she cried, after her exuberance permitted of speech;
+'so you've come home?'
+
+'I hev,' said her husband solemnly; 'and I'm werry pleased to observe
+you so fit, m'dear. Is the offspring a-takin' his oats reg'lar?'
+
+'Lord!' said Mrs. Mathews irrelevantly, subsiding into a chair, 'I
+thought you was dead. You never writ.'
+
+'That,' said Mathews, 'was conseckens of a understanding clear and
+likewise to the point, atwixt me and Mas'r Dick. "Mum's the word," sez
+he. "Mum's the word," sez I. And that there was as it should be, no
+argifyin' provin' contrairiwise. But Milord he found me out, and sez
+as how he knows it all, and would I come home?--which, bein' free from
+horspital, I likewise does. Now, m' dear, if you will proceed with any
+nooz I would be much obliged to draw up a little forrader, as it were.'
+
+'Did Milord tell you about Miss Elise?' said his wife, after much
+thought. 'She's gone and got herself engaged.'
+
+'To who?'
+
+'Captain Selwyn. Him as was visiting here when the war begun.'
+
+'Now that there,' said Mathews, nodding his head slowly and admiringly,
+'_is_ nooz. That there is what a feller likes to hear from his old
+woman. You're a-doin' fine.'
+
+'The wedding,' went on his wife, her eyes sparkling with the universal
+feminine excitement about such matters, 'is next week, and Wellington
+is bespoke for to pump the organ. Ain't that wonderful grand?'
+
+'That,' said Mathews with great dignity, 'is werry gratifyin' to a
+parent, that is. Pump the organ at a weddin'! I hopes he won't go for
+to do nothing to give inconwenience to the parties concerned. Where is
+he, old girl?'
+
+'Upstairs in bed, daddy, with the whooping-cough something horrid.'
+
+'Wot a infant!' commented the groom proudly. 'I never see such a
+offspring for his age--never. Whoopin'-cough something horrid? Well,
+well!'
+
+For a full minute he reflected with such apparent satisfaction on his
+son and heir's vulnerability to human ailments that there is no telling
+when he would have left off, if his reverie had not been broken by his
+wife placing a pipe in his hands and a bowl on the table.
+
+'It was always waiting on you, daddy,' said the good woman. 'I sez to
+Wellington, "That's his favourite, it is, and we'll always have it
+ready for him when he comes home."'
+
+Without any display of emotion or undue haste, the old groom filled the
+pipe, lit it, drew a long breath of smoke, and slowly blew it into the
+air, regarding his good partner throughout with a look that clearly
+showed the importance he attached to the experiment.
+
+He took a second puff, raised his eyes from hers to the ceiling, and
+his broad face crinkled into a grin, the like of which his wife had
+never seen before on his countenance.
+
+'Old girl,' he said, 'when I sees you first I sez, "There's the filly
+for my money;" and so you was. And, by Criky! you and me hevn't
+reached the last jump yet--no, sir. Give me a kiss. . . .
+Thar--that's werry "bon," as them queer-spoke Frenchies would say. M'
+dear, I hev some nooz for _you_ now.'
+
+He puffed tantalisingly at the pipe, and surveyed his wife's intense
+curiosity with studied approbation.
+
+'When Milord come to see me last week,' he said, measuring the words
+slowly, 'he tells me as how he won't go for to hev no more hosses, and
+conseckens o' me bein' all bunged up by them sausage-eaters, he sez as
+how would I like to be the landlord o' "The Hares and Fox" in the
+village, him havin' bought the same, and would I go for to tell you as
+a surprise, likewise and sim'lar?'
+
+'Heavenly hope!' cried the good woman, bursting into tears; 'if that
+ain't marvellous grand!'
+
+'That,' said Mathews, beckoning for her to hand him his crutches, 'is
+what Milord has done for you and me. And, missus, as long as there's a
+drop in the cellar none o' the soldier-lads in the village will go for
+to want a pint o' bitter nohow. Now, old girl, if you'll give a leg up
+we'll go and see how the infant is lookin'.'
+
+
+II.
+
+A few days later, in the chapel decked with flowers, the marriage of
+Selwyn and Elise took place.
+
+In spite of her disappointment that Elise was not marrying a title,
+Lady Durwent rose superbly to the occasion. She led the weeping and
+the laughing with the utmost heartiness, and recalled her own wedding
+so eloquently and vividly that those who didn't know about the
+Ironmonger supposed she must have been the daughter of a marchioness at
+least, and was probably related to royalty.
+
+Just before the ceremony itself the youthful Wellington, who had
+confounded science by a remarkable recovery from his ailment, was
+confronted with the offer of half-a-crown if he acquitted himself well,
+and threatened with corporal punishment if he didn't. With this double
+stimulus, he pumped without cessation and with such heartiness that the
+rector's words were at times hardly audible above the sound of air
+escaping from the bellows--necessitating a punitive expedition on the
+part of the sexton, and engendering in Wellington a permanent mistrust
+in the justice of human affairs.
+
+Late in the afternoon bride and groom left for London, on their way to
+America.
+
+When the train came in and they had entered their compartment, Selwyn,
+with feelings that left him dumb, looked out at the little group who
+had come to say farewell.
+
+Lord Durwent stood with his unchangeable air of gentleness and
+courtesy, but in his eyes there was the look of a man for whom life
+holds only memories. Lady Durwent alternated dramatically between
+advice and tears; and Mathews stood proudly beside his wife (whose hat
+was of most marvellous size and colours), nodding his head sagaciously,
+and uttering as much philosophy in five minutes as falls to the lot of
+most men in a decade.
+
+And so, with his wife's hand trembling on his arm, Austin Selwyn leaned
+from the window and waved good-bye to the little English village.
+
+
+III.
+
+A year went by, and, with the passing of winter, Selwyn and Elise, in
+their home at Long Island, watched the budding promise of another
+spring.
+
+Their home was by the sea, and in the presence of that great majestic
+force they had lived as man and wife, taking up the broken threads of
+life, and knitting them together for the future.
+
+The task of resuming his literary work had been next to impossible for
+Selwyn. He had tried to mould the destinies of nations--and they had
+fallen back upon him, crushing him. His thoughts cried out for
+utterance, but self-distrust robbed him of courage. Months went by,
+and his chafing, restless longing for self-expression grew more intense
+and more intolerable.
+
+And then the woman who was his wife lost her own yoke of self-restraint
+in solicitude for him. Timidly, hesitatingly at first, she invaded the
+precincts of his mind. With subtle persistence, yet never seeming to
+force her way, she wove her personality about his like a web of silken
+thread. Her purity of thought, her innate artistry, her depth of
+feeling, played on his spirit like dew upon the parched earth.
+
+As the passing hours took their course, each nature unconsciously gave
+to the other the freedom that comes only with surrender. His strength
+and his care for her liberated her womanhood, and, like a flower that
+has lived in shadow, her soul blossomed to fullness in that warmth.
+
+And his troubled mind, directionless, yet rebellious of inaction, found
+again the meaning and the hidden truths of life, then gained the
+courage to be life's interpreter.
+
+Once more Austin Selwyn wrote.
+
+One evening towards the summer Elise was sitting on the veranda, when
+he came from his study and joined her. The first pale stars were
+shining through a sheen of blue that rose from the horizon in an
+encircling, shimmering mist.
+
+'Are you through with your writing?' she said.
+
+'Not yet,' he answered, sitting beside her; 'but I could not resist the
+call of you and this wonderful night.'
+
+'Isn't it glorious?' she said softly, taking his hand in hers. 'I
+think that blue over the sea must be like the Arabian desert at night
+when the camel-trains rest on their way. Don't you love the sound of
+the waves?'
+
+With a little sigh she leaned her head on his shoulder, and he held her
+close to him.
+
+'Happy, Elise?'
+
+'So happy,' she whispered, 'that I am afraid some day I shall find it
+isn't true.'
+
+He laughed gently, and for a few moments neither spoke, held by the
+wonderful intimacy of the spirit that does not need words for
+understanding.
+
+'Austin dear,' she said at length, 'before you came out I was counting
+the stars--and playing with dreams. Don't think me silly, will you?
+But I was planning, if we have a son, what I should like to call him.'
+
+'I think I know,' he said, pressing his lips against her hair. 'Dick?'
+
+'And Gerard for his second name. I should want him to be strong and
+true like Gerard--but he must have Dick's eyes and Dick's smile. But,
+then, I want so much for this dream-boy of ours--for, most of all, he
+must be like my husband.'
+
+With a sudden shyness she hid her face against his breast, and he ran
+his hand caressingly over her arm, which was like cool velvet to the
+touch.
+
+The glimmering stars grew stronger, and a breeze from the sea crept
+murmuringly over the spring-scented fields.
+
+'There are times,' he said, 'when I long for the power to reach out for
+the great truths that lie hidden in space and in the silence of a night
+like this--to put them in such simple language that every one could
+read and understand. If I could only translate the wonder of you and
+the spirit of the sea into words.'
+
+She looked up into his face, and something of the mystic blue of the
+skies lay in the depths of her eyes.
+
+
+IV.
+
+Late that night he resumed work in his study, but a thousand memories
+and fancies came crowding to his mind. He tried to shake them off, but
+they clung to him--memories of the war--memories of the times when the
+world was drunk with passion. He heard, as if afar off, the whine and
+shriek of shells, and he saw the dead--grotesque, silent, horrible.
+
+That was the great absurdity--_the dead_.
+
+It was hopeless to write. He was no longer pilot of his thoughts.
+
+He rose to his feet and threw open the door with an impatient desire
+for fresh air. Though the cool breeze refreshed his temples, the
+restlessness of his mind was only increased by the hush of nature's
+nocturne, through which the sound of the sea came like a drone.
+
+Beneath the canopy of that same sky the dead were lying. Across the
+seas a breeze of spring was stealing about the graves, as now it played
+about his face.
+
+What was his part towards them--to mourn, and fill his life with
+useless melancholy? To forget, and turn his face towards the future?
+
+Forget . . . ?
+
+'There are times'--he found himself repeating mechanically the words
+which, a few hours before, he had spoken to Elise--'when I long for the
+power to reach out for the great truths--hidden in space--and in the
+silence of the night.'
+
+Suddenly his brow grew calm. The baffled, questioning look left his
+eyes, and he smiled strangely.
+
+Closing the door, he turned back to his desk, and taking the pen,
+looked for a full minute at the paper before him.
+
+'_To My Unborn Son_.'
+
+He gazed at what he had written as though the words had appeared of
+their own volition.
+
+'_To My Unborn Son_.'
+
+With a far-away dreaminess in his eyes he dipped his pen in the ink and
+commenced to write:
+
+'Somewhere beyond the borders of life you are waiting. I cannot speak
+to you, nor look on your face, but the love of a father for his child
+can penetrate the eternal mysteries of the unknown. To those who love
+there is no death; and in the hearts of parents, children live long
+before they are born.
+
+'My son, this letter that I write now to you will lie hidden and unseen
+by other eyes until the time when you alone shall read it. I shall be
+changed by then: like the world, I may forget; but you, my son, must
+read these words, and know that they are truth--truth as unchangeable
+as the tides of the sea, or the hours of dawn and sunset.
+
+'_Civilisation has murdered ten million men_.
+
+'The human mind cannot encompass that. It is beyond its comprehension,
+so it is trying to forget.
+
+'Ten million men--murdered.
+
+'Read these words, my son, written in the hush of night, when men's
+souls stand revealed.
+
+'Nearly six years ago there came the war. History will prove this or
+that responsibility for it, but the civilisation that made war possible
+is itself responsible. The nations sprang to arms; but soon, by that
+strange destiny which seems to guide mankind, the issue was one not of
+nations against nations, but of Humanity against Germany. Do not ask
+me how the land of Goethe, Schiller, and Beethoven became so vile. I
+only know that Germany was the champion of evil, and on Britain and
+France men's hopes were rested.
+
+'America held aloof. When this is read by you, my son, you will have
+known the noble thrill of patriotism, the pride of race and
+citizenship. But it is because of that that you must read what I write
+now about the country I love best.
+
+'Less than any other nation, America is to be blamed for the war. Her
+life was separate from the older world, and the spoils of victory made
+no appeal. Yet this great Republic, born of man's desire for freedom,
+remained silent even when the whole world saw that the war was one of
+Justice against Evil. Men, like myself, were blind, and fed the flames
+of ignorance with ignorance. Others knew we were not ready, and called
+upon us to prepare; and others made great fortunes while Youth went to
+its Cross.
+
+'Month after month passed by, and Britain and her Allies fought
+Humanity's fight; and the murder of men went on.
+
+'At last we came of age, and our young men stormed across the seas, not
+to save America--for we had nothing to fear--but to rid the world of an
+intolerable curse. Look fearlessly at the truth, but do not forget
+that when we went it was for an ideal--just as years before, when North
+and South fought the issue of preserving the Union, the impulse that
+drove our fathers on to their deaths was their souls' demand of freedom
+for the negro. By her delay was America defamed; by the spirit of her
+coming was she great.'
+
+Selwyn put down his pen, and rested his head between his hands. Ten
+minutes passed before he looked up and began to write again.
+
+'The war is over. _America is debtor to the world_. Read this, my
+son, with both humility and pride--humility that it is so, pride that
+we yet can pay.
+
+'Those awful years while we stood apart, the homes of Britain gave
+their sons--the sons for whom their parents yearned, as I am yearning
+now for you. Through Britain's broken hearts, and through the grief of
+women throughout the world, the youth of America were saved. I know
+that we have our thousands of stricken homes and ruined lives, but the
+end of the war left America debtor to civilisation, even though she
+gave the strength which brought the war to an end.
+
+'Faced with our indebtedness, what did we do?
+
+'Europe lay stricken. The spectres of ruin, starvation, anarchy,
+hovered about her form. The world was through with war; men groped for
+light; and from the peoples of the earth a universal cry went up that
+these things must not be.
+
+'It was our chance. We still were strong. We held the charter of
+mankind within our hands, and men looked to us. Over prostrate Europe
+the conquering nations gathered, and men in all the distant corners of
+the earth listened for the voice of him who would cry in the wilderness
+that a new age was born.
+
+'Vital days went by. At last the man who spoke for us outlined his
+plan that all the Powers of the world should join together in a
+covenant that war should be no more.
+
+'Men waited, and still waited. The plan was argued, ridiculed,
+applauded--and sucked of its inspiration by talk. Already the agony of
+Man was hardening into the cynicism of despair. Nations that had bled
+together grew wary and drew apart.
+
+'And still men waited, for they knew that only America's voice could
+allay the clamour. Then we spoke. Angered by the methods of our
+leader, angered by the spirit of revenge that was settling over Europe,
+angered by delay, once more we failed to see the great truths written
+across the face of the sun.
+
+'America--debtor to the world--America cried out that she alone of all
+the nations would stand aloof. Let history gloss it over as it will,
+we held back the hand of succour that Europe craved for.
+
+'From the land of scented mists came the Japanese; from Greece, that
+once was first in all the arts; from South America and the countries of
+Europe, men gathered to the League of Nations, hoping, groping for the
+light--_and we were not there_.
+
+'As I write to you, my son, the League is an impotent, powerless thing,
+at which the men who know only nationality and not humanity sneer and
+make jest. The body is there--America alone could be the heart.
+
+'Bloodless, helpless, it is in semblance a living thing, but all men
+know it has no life, and already the diplomats who have no other way
+are using it as a shield for their methods that cannot bear the light.
+
+'My son, in the hush and loneliness of night, ponder over these words.
+Because of those things, avoidable and unavoidable, that kept us
+silent; because so many of us were false to the trusteeship that fell
+on our generation; because we had not learned that America was greater
+than Americans, but tried to imprison the spirit of the Republic within
+the little confines of our souls--because of these things thousands of
+men were foully done to death. How many Miltons, how many Lincolns,
+were crucified in that army of the young?
+
+'_We must repay_. Our destiny is clear, and no people can thwart its
+destiny without the gravest danger. Our duty is to restore. Whatever
+our resources, in things material or of the spirit, this generation and
+yours and the generation to follow must give unsparingly. Our minds
+and hearts must turn to Europe, for only in service to mankind can
+America fulfil that for which she was created.
+
+'Across the seas lies England. She has done much that is unworthy of
+her in the past; she has much to teach and much to learn; but within
+the heart of Old England there is majestic grandeur and great
+mercifulness, and with that heart ours must beat in unison. The solemn
+splendour of Britain's sacrifice must never be forgotten.
+
+'Believe in life, my son. Believe in men. Take on my charge and fight
+the flames of Ignorance, not as I did, but with the power of Reason and
+of Right. The universal mind is still alive. Trust in it as Wagner
+when he wrote his music, as Shelley when he sang of beauty, as
+Washington when he founded this great Republic. Men speak through
+their nationalities, but in every country of the world there is an
+aristocracy of thought; and if you have the power, I charge you work
+towards the end when that great aristocracy will flood the earth with
+splendour and Ignorance will be no more.
+
+'These words I leave with you, my son, on this silent night in May.
+Perhaps you will never read them. Perhaps you will live only in our
+two hearts. But on the borders of life we reach out for you, praying
+that you may come to stay the hunger of our hearts, to be our living
+son.'
+
+Selwyn dropped his pen and rose slowly from his chair. Passing his
+hand across his brow, he went to the door, and opening it, looked out.
+
+From the thin crescent of a waning moon, a narrow path of light was
+glimmering on the water.
+
+
+
+***END OF THE PROJECT GUTENBERG EBOOK THE PARTS MEN PLAY***
+
+
+******* This file should be named 17481.txt or 17481.zip *******
+
+
+This and all associated files of various formats will be found in:
+http://www.gutenberg.org/dirs/1/7/4/8/17481
+
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://www.gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.gutenberg.org/fundraising/pglaf.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://www.gutenberg.org/about/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://www.gutenberg.org/fundraising/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit:
+http://www.gutenberg.org/fundraising/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
diff --git a/17481.zip b/17481.zip
new file mode 100644
index 0000000..72e6180
--- /dev/null
+++ b/17481.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..9c1feaf
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #17481 (https://www.gutenberg.org/ebooks/17481)