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diff --git a/1741-0.txt b/1741-0.txt new file mode 100644 index 0000000..7f237c9 --- /dev/null +++ b/1741-0.txt @@ -0,0 +1,9413 @@ +The Project Gutenberg EBook of The White Moll, by Frank L. Packard + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The White Moll + +Author: Frank L. Packard + +Posting Date: November 23, 2008 [EBook #1741] +Release Date: May, 1999 +Last Updated: March 13, 2018 + + +Language: English + +Character set encoding: UTF-8 + +*** START OF THIS PROJECT GUTENBERG EBOOK THE WHITE MOLL *** + + + + +Produced by Polly Stratton + + + + + +THE WHITE MOLL + +By Frank Packard + + + + +CONTENTS + + CHAPTER + + I. NIGHT IN THE UNDERWORLD + + II. SEVEN-THREE-NINE + + III. ALIAS GYPSY NAN + + IV. THE ADVENTURER + + V. A SECOND VISITOR + + VI. THE RENDEZVOUS + + VII. FELLOW THIEVES + + VIII. THE CODE MESSAGE + + IX. ROOM NUMBER ELEVEN + + X. ON THE BRINK + + XI. SOME OF THE LESSER BREED + + XII. CROOKS vs. CROOKS + + XIII. THE DOOR ACROSS THE HALL + + XIV. THE LAME MAN + + XV. IN THE COUNCIL CHAMBER + + XVI. THE SECRET PANEL + + XVII. THE SILVER SPHINX + + XVIII. THE OLD SHED + + XIX. BREAD UPON THE WATERS + + XX. A LONE HAND + + XXI. THE RECKONING + + + + +I. NIGHT IN THE UNDERWORLD + +It was like some shadowy pantomime: The dark mouth of an alleyway thrown +into murky relief by the rays of a distant street lamp...the swift, +forward leap of a skulking figure...a girl's form swaying and struggling +in the man's embrace. Then, a pantomime no longer, there came a half +threatening, half triumphant oath; and then the girl's voice, quiet, +strangely contained, almost imperious: + +“Now, give me back that purse, please. Instantly!” The man, already +retreating into the alleyway, paused to fling back a jeering laugh. + +“Say, youse've got yer nerve, ain't youse!” + +The girl turned her head so that the rays of the street lamp, faint as +they were, fell full upon her, disclosing a sweet, oval face, out of +which the dark eyes gazed steadily at the man. + +And suddenly the man leaned forward, staring for an instant, and then +his hand went awkwardly to touch his cap. + +“De White Moll!” he mumbled deferentially. He pulled the peak of his +cap down over his eyes in a sort of shame-faced way, as though to avoid +recognition, and, stepping nearer, returned the purse. + +“'Scuse me, miss,” he said uneasily. “I didn't know it was youse--honest +to Gawd, I didn't! 'Scuse me, miss. Good-night!” + +For a moment the girl stood there motionless, looking down the alleyway +after the retreating figure. From somewhere in the distance came the +rumble of an elevated train. It drowned out the pound of the man's +speeding footsteps; it died away itself--and now there was no other +sound. A pucker, strangely wistful, curiously perturbed, came and +furrowed her forehead into little wrinkles, and then she turned and +walked slowly on along the deserted street. + +The White Moll! She shook her head a little. The attack had not unnerved +her. Why should it? It was simply that the man had not recognized her +at first in the darkness. The White Moll here at night in one of the +loneliest, as well as one of the most vicious and abandoned, quarters +of New York, was as safe and inviolate as--as--She shook her head again. +Her mind did not instantly suggest a comparison that seemed wholly +adequate. The pucker deepened, but the sensitive, delicately chiseled +lips parted now in a smile. Well, she was safer here than anywhere else +in the world, that was all. + +It was the first time that anything like this had happened, and, for the +very reason that it was unprecedented, it seemed to stir her memory now, +and awaken a dormant train of thought. The White Moll! She remembered +the first time she had ever been called by that name. It took her back +almost three years, and since that time, here in this sordid realm +of crime and misery, the name of Rhoda Gray, her own name, her actual +identity, seemed to have become lost, obliterated in that of the +White Moll. A “dip” had given it to her, and the underworld, quick and +trenchant in its “monikers,” had instantly ratified it. There was not +a crook or denizen of crimeland, probably, who did not know the White +Moll; there was, probably, not one to-day who knew, or cared, that she +was Rhoda Gray! + +She went on, traversing block after block, entering a less deserted, +though no less unsavory, neighborhood. Here, a saloon flung a sudden +glow of yellow light athwart the sidewalk as its swinging doors jerked +apart; and a form lurched out into the night; there, from a dance-hall +came the rattle of a tinny piano, the squeak of a raspy violin, a +high-pitched, hectic burst of laughter; while, flanking the street +on each side, like interjected inanimate blotches, rows of squalid +tenements and cheap, tumble-down frame houses silhouetted themselves in +broken, jagged points against the sky-line. And now and then a man spoke +to her--his untrained fingers fumbling in clumsy homage at the brim of +his hat. + +How strange a thing memory was! How strange, too, the coincidences that +sometimes roused it into activity! It was a man, a thief, just like the +man to-night, who had first brought her here into this shadowland of +crime. That was just before her father had died. Her father had been +a mining engineer, and, though an American, had been for many years +resident in South America as the representative of a large English +concern. He had been in ill health for a year down there, when, acting +on his physician's advice, he had come to New York for consultation, and +she had accompanied him. They had taken a little flat, the engineer had +placed himself in the hands of a famous specialist, and an operation had +been decided upon. And then, a few days prior to the date set for the +operation and before her father, who was still able to be about, had +entered the hospital, the flat had been broken into during the early +morning hours. The thief, obviously not counting on the engineer's +wakefulness, had been caught red-handed. At first defiant, the man had +finally broken down, and had told a miserable story. It was hackneyed +possibly, the same story told by a thousand others as a last defense in +the hope of inducing leniency through an appeal to pity, but somehow to +her that night the story had rung true. Pete McGee, alias the Bussard, +the man had said his name was. He couldn't get any work; there was the +shadow of a long abode in Sing Sing that lay upon him as a curse--a job +here to-day, his record discovered to-morrow, and the next day out on +the street again. It was very old, very threadbare, that story; there +were even the sick wife, the hungry, unclothed children; but to her it +had rung true. Her father had not placed the slightest faith in it, +and but for her intervention the Bussard would have been incontinently +consigned to the mercies of the police. + +Her face softened suddenly now as she walked along. She remembered well +that scene, when, at the end, she had written down the address the man +had given her. + +“Father is going to let you go, McGee, because I ask him to,” she had +said. “And to-morrow morning I will go to this address, and if I find +your story is true, as I believe it is, I will see what I can do for +you.” + +“It's true, miss, so help me God!” the man had answered brokenly. “Youse +come an' see. I'll be dere-an'-an'-God bless youse, miss!” + +And so they had let the man go free, and her father, with a whimsical, +tolerant smile, had shaken his head at her. “You'll never find that +address, Rhoda-or our friend the Bussard, either!” + +But she had found both the Bussard and the address, and destitution +and a squalor unspeakable. Pathetic still, but the vernacular of the +underworld where men called their women by no more gracious names than +“molls” and “skirts” no longer strange to her ears, there came to her +again now the Bussard's words in which he had paid her tribute on that +morning long ago, and with which he had introduced her to a shrunken +form that lay upon a dirty cot in the barefloored room: + +“Meet de moll I was tellin' youse about, Mag. She's white--all de way +up. She's white, Mag; she's a white moll--take it from me.” + +The White Moll! + +The firm little chin came suddenly upward; but into the dark eyes +unbidden came a sudden film and mist. Her father's health had been too +far undermined, and he had been unable to withstand the shock of the +operation, and he had died in the hospital. There weren't any relatives, +except distant ones on her mother's side, somewhere out in California, +whom she had never seen. She and her father had been all in all to each +other, chums, pals, comrades, since her mother's death many years ago. +She had gone everywhere with him save when the demands of her education +had necessarily kept them apart; she had hunted with him in South +America, ridden with him in sections where civilization was still in the +making, shared the crude, rough life of mining camps with him--and it +had seemed as though her life, too, had gone out with his. + +She brushed her hand hastily across her eyes. There hadn't been any +friends either, apart from a few of her father's casual business +acquaintances; no one else--except the Bussard. It was very strange! Her +reward for that one friendly act had come in a manner little expected, +and it had come very quickly. She had sought and found a genuine relief +from her own sorrow in doing what she could to alleviate the misery in +that squalid, one-room home. And then the sphere of her activities had +broadened, slowly at first, not through any preconceived intention +on her part, but naturally, and as almost an inevitable corollary +consequent upon her relations with the Bussard and his ill-fortuned +family. + +The Bussard's circle of intimates was amongst those who lay outside the +law, those who gambled for their livelihood by staking their wits, to +win against the toils of the police; and so, more and more, she had come +into close and intimate contact with the criminal element of New York, +until to-day, throughout its length and breadth, she was known, and, +she had reason to believe, was loved and trusted by every crook in the +underworld. It was a strange eulogy, self-pronounced! But it was none +the less true. Then, she had been Rhoda Gray; now, even the Bussard, +doubtless, had forgotten her name in the one with which he himself, at +that queer baptismal font of crimeland, had christened her--the White +Moll. It even went further than that. It embraced what might be called +the entourage of the underworld, the police and the social workers with +whom she inevitably came in contact. These, too, had long known her +as the White Moll, and had come, since she had volunteered no further +information, tacitly to accept her as such, and nothing more. + +Again she shook her head. It wasn't altogether a normal life. She was +only a woman, with all the aspirations of a woman, with all the yearning +of youth for its measure of gayety and pleasure. True, she had not made +a recluse of herself outside her work; but, equally, on the other hand, +she had not made any intimate friends in her own station in life. She +had never purposed continuing indefinitely the work she was doing, nor +did she now; but, little by little, it had forced its claims upon +her until those claims were not easy to ignore. Even though the +circumstances in which her father had left her were barely more than +sufficient for a modest little flat uptown, there was still always a +little surplus, and that surplus counted in certain quarters for very +much indeed. But it wasn't only that. The small amount of money that she +was able to spend in that way had little to do with it. The bonds which +linked her to the sordid surroundings that she had come to know so well +were stronger far than that. There wasn't any money involved in this +visit, for instance, that she was going now to make to Gypsy Nan. Gypsy +Nan was... + +Rhoda Gray had halted before the doorway of a small, hovel-like, +two-story building that was jammed in between two tenements, which, +relatively, in their own class, were even more disreputable than was the +little frame house itself. A secondhand-clothes store occupied a portion +of the ground floor, and housed the proprietor and his family as well, +permitting the rooms on the second floor to be “rented out”; the garret +above was the abode of Gypsy Nan. + +There was a separate entrance, apart from that into the +secondhand-clothes store, and she pushed this door open and stepped +forward into an absolutely black and musty-smelling hallway. By feeling +with her hands along the wall she reached the stairs and began to make +her way upward. She had found Gypsy Nan last night huddled in the lower +doorway, and apparently in a condition that was very much the worse +for wear. She had stopped and helped the woman upstairs to her garret, +whereupon Gypsy Nan, in language far more fervent than elegant, had +ordered her to begone, and had slammed the door in her face. + +Rhoda Gray smiled a little wearily, as, on the second floor now, she +groped her way to the rear, and began to mount a short, ladder-like +flight of steps to the attic. Gypsy Nan's lack of cordiality did not +absolve her, Rhoda Gray, from coming back to-night to see how the woman +was--to crowd one more visit on her already over-expanded list. She had +never had any personal knowledge of Gypsy Nan before, but, in a sense, +the woman was no stranger to her. Gypsy Nan was a character known +far and wide in the under-world as one possessing an insatiable and +unquenchable thirst. As to who she was, or what she was, or where she +got her money for the gin she bought, it was not in the ethics of +the Bad Lands to inquire. She was just Gypsy Nan. So that she did not +obtrude herself too obviously upon their notice, the police suffered +her; so that she gave the underworld no reason for complaint, the +underworld accepted her at face value as one of its own! + +There was no hallway here at the head of the ladder-like stairs, just a +sort of narrow platform in front of the attic door. Rhoda Gray, groping +out with her hands again, felt for the door, and knocked softly upon it. +There was no answer. She knocked again. Still receiving no reply, she +tried the door, found it unlocked, and, opening it, stood for an instant +on the threshold. A lamp, almost empty, ill-trimmed and smoking badly, +stood on a chair beside a cheap iron bed; it threw a dull, yellow glow +about its immediate vicinity, and threw the remainder of the garret into +deep, impenetrable shadows; but also it disclosed the motionless form of +a woman on the bed. + +Rhoda Gray's eyes darkened, as she closed the door behind her, and +stepped quickly forward to the bedside. For a moment she stood looking +down at the recumbent figure; at the matted tangle of gray-streaked +brown hair that straggled across a pillow which was none too clean; at +the heavy-lensed, old-fashioned, steel-bowed spectacles, awry now, that +were still grotesquely perched on the woman's nose; at the sallow face, +streaked with grime and dirt, as though it had not been washed for +months; at a hand, as ill-cared for, which lay exposed on the torn +blanket that did duty for a counterpane; at the dirty shawl that +enveloped the woman's shoulders, and which was tightly fastened around +Gypsy Nan's neck-and from the woman her eyes shifted to an empty bottle +on the floor that protruded from under the bed. + +“Nan!” she called sharply; and, stooping over, shook the woman's +shoulder. “Nan!” she repeated. There was something about the woman's +breathing that she did not like, something in the queer, pinched +condition of the other's face that suddenly frightened her. “Nan!” she +called again. + +Gypsy Nan opened her eyes, stared for a moment dully, then, in a +curiously quick, desperate way, jerked herself up on her elbow. + +“Youse get t'hell outer here!” she croaked. “Get out!” + +“I am going to,” said Rhoda Gray evenly. “And I'm going at once.” She +turned abruptly and walked toward the door. “I'm going to get a doctor. +You've gone too far this time, Nan, and--” + +“No, youse don't!” Gypsy Nan's voice rose in a sudden scream. She sat +bolt upright in bed, and pulled a revolver out from under the coverings. +“Youse don't bring no doctor here! See! Youse put a finger on dat door, +an' it won't be de door yousel'l go out by!” + +Rhoda Gray did not move. + +“Nan, put that revolver down!” she ordered quietly. “You don't know what +you are doing.” + +“Don't!” leered Gypsy Nan. The revolver held, swaying a little +unsteadily, on Rhoda Gray. There was silence for a moment; then Gypsy +Nan spoke again, evidently through dry lips, for she wet them again and +again with her tongue: “Say, youse are de White Moll, ain't youse?” + +“Yes,” said Rhoda Gray. + +Gypsy Nan appeared to ponder this for an instant. + +“Well den, come back here an' sit down on de foot of de bed,” she +commanded finally. + +Rhoda Gray obeyed without hesitation. There was nothing to do but humor +the woman in her present state, a state that seemed one bordering on +delirium and complete collapse. + +“Nan,” she said, “you--” + +“De White Moll!” mumbled Gypsy Nan. “I wonder if de dope dey hands out +about youse is all on de level? My Gawd, I wonder if wot dey says is +true?” + +“What do they say?” asked Rhoda Gray gently. + +Gypsy Nan lay back on her pillow as though her strength, over-taxed, had +failed her; her hand, though it still clutched the revolver, seemed to +have been dragged down by the weapon's weight, and now rested upon the +blanket. + +“Dey say,” said Gypsy Nan slowly, “dat youse knows more on de inside +here dan anybody else--t'ings youse got from de spacers' molls, an' from +de dips demselves when youse was lendin' dem a hand; dey say dere ain't +many youse couldn't send up de river just by liftin' yer finger, but dat +youse're straight, an' dat youse've kept yer map closed, an' dat youse' +re safe.” + +Rhoda Gray's dark eyes softened, as she leaned forward and laid a hand +gently over the one of Gypsy Nan that held the revolver. + +“It couldn't be any other way, could it, Nan?” she said simply. + +“Wot yer after?” demanded Gypsy Nan, with sudden mockery. “De gun? Well, +take it!” She let go her hold of the weapon. “But don't kid yerself dat +youse're kiddin' me into givin' it to youse because youse have got a +pretty smile an' a sweet voice! Savvy? I”--she choked suddenly, and +caught at her throat--“I guess youse're de only chance I got-dat's all.” + +“That's better,” said Rhoda Gray encouragingly. “And now you'll let me +go and get a doctor, won't you, Nan?” + +“Wait!” said Gypsy Nan hoarsely. “Youse're de only chance I got. Will +youse swear youse won't t'row me down if I tells youse somet'ing? I +ain't got no other way. Will youse swear youse'll see me through?” + +“Of course, Nan,” said Rhoda Gray soothingly. “Of course, I will, Nan. I +promise.” + +Gypsy Nan came up on her elbow. + +“Dat ain't good enough!” she cried out. “A promise ain't good enough! +For Gawd's sake, come across all de way! Swear youse'll keep mum an' see +me through!” + +“Yes, Nan”--Rhoda Gray's eyes smiled reassurance--“I swear it. But you +will be all right again in the morning.” + +“Will I? You think so, do you? Well, I can only say that I wish I did!” + +Rhoda Gray leaned sharply forward, staring in amazement at the figure +on the bed. The woman's voice was the same, it was still hoarse, still +heavy, and the words came with painful effort; but the English was +suddenly perfect now. + +“Nan, what is it? I don't understand!” she said tensely. “What do you +mean?” + +“You think you know what's the matter with me.” There was a curious +mockery in the weak voice. “You think I've drunk myself into this state. +You think I'm on the verge of the D.T.'s now. That empty bottle under +the bed proves it, doesn't it? And anybody around here will tell you +that Gypsy Nan has thrown enough empties out of the window there to +stock a bottle factory for years, some of them on the flat roof just +outside the window, some of them on the roof of the shed below, and some +of them down into the yard, just depending on how drunk she was and how +far she could throw. And that proves it, too, doesn't it? Well, maybe +it does, that's what I did it for; but I never touched the stuff, not a +drop of it, from the day I came here. I didn't dare touch it. I had to +keep my wits. Last night you thought I was drunk when you found me in +the doorway downstairs. I wasn't. I was too sick and weak to get up +here. I almost told you then, only I was afraid, and--and I thought that +perhaps I'd be all right to-day.” + +“Oh, I didn't know!” Rhoda Gray was on her knees beside the bed. There +was no room to question the truth of the woman's words, it was in Gypsy +Nan's eyes, in the struggling, labored voice. + +“Yes.” Gypsy Nan clutched at the shawl around her neck, and shivered. +“I thought I might be all right to-day, and that I'd get better. But I +didn't. And now I've got about a chance in a hundred. I know. It's my +heart.” + +“You mean you've been alone here, sick, since last night?” There was +anxiety, perplexity, in Rhoda Gray's face. “Why didn't you call some +one? Why did you even hold me back a few minutes ago, when you admit +yourself that you need immediate medical assistance so badly?” + +“Because,” said Gypsy Nan, “if I've got a chance at all, I'd finish it +for keeps if a doctor came here. I--I'd rather go out this way than +in that horrible thing they call the 'chair.' Oh, my God, don't you +understand that! I've seen pictures of it! It's a horrible thing--a +horrible thing--horrible!” + +“Nan”--Rhoda Gray steadied her voice--“you re delirious. You do not know +what you are saying. There isn't any horrible thing to frighten you. +Now you just lie quietly here. I'll only be a few minutes, and--” She +stopped abruptly as her wrists were suddenly imprisoned in a frantic +grip. + +“You swore it!” Gypsy Nan was whispering feverishly. “You swore it! They +say the White Moll never snitched. That's the one chance I've got, and +I'm going to take it. I'm not delirious--not yet. I wish to God it was +nothing more than that! Look!” + +With a low, startled cry, Rhoda Gray was on her feet. Gypsy Nan was +gone. A sweep of the woman's hand, and the spectacles were off, the +gray-streaked hair a tangled wig upon the pillow--and Rhoda Gray found +herself staring in a numbed sort of way at a dark-haired woman who could +not have been more than thirty, but whose face, with its streaks of +grime and dirt, looked grotesquely and incongruously old. + + + + +II. SEVEN--THREE--NINE + +For a moment neither spoke, then Gypsy Nan broke the silence with a +bitter laugh. She threw back the bedclothes, and, gripping at the edge +of the bed, sat up. + +“The White Moll!” The words rattled in her throat. A fleck of blood +showed on her lips. “Well, you know now! You're going to help me, aren't +you? I--I've got to get out of here--get to a hospital.” + +Rhoda Gray laid her hands firmly on the other's shoulders. + +“Get back into bed,” she said steadily. “Do you want to make yourself +worse? You'll kill yourself!” + +Gypsy Nan pushed her away. + +“Don't make me use up what little strength I've got left in talking,” + she cried out piteously, and suddenly wrung her hands together. “I'm +wanted by the police. If I'm caught, it's--it's that 'chair.' I couldn't +have a doctor brought here, could I? How long would it be before he saw +that Gypsy Nan was a fake? I can't let you go and have an ambulance, +say, come and get me, can I, even with the disguise hidden away? They'd +say this is where Gypsy Nan lives. There's something queer here. Where +is Gypsy Nan? I've got to get away from here--away from Gypsy Nan--don't +you understand? It's death one way; maybe it is the other, maybe it'll +finish me to get out of here, but it's the only thing left to do. I +thought some one, some one that I could trust, never mind who, would +have come to-day, but-but no one came, and--and maybe now it s too late, +but there's just the one chance, and I've got to take it.” Gypsy Nan +tore at the shawl around her throat as though it choked her, and +flung it from her shoulders. Her eyes were gleaming with an unhealthy, +feverish light. “Don't you see? We get out on the street. I collapse +there. You find me. I tell you my name is Charlotte Green. That's all +you know. There isn't much chance that anybody at the hospital +would recognize me. I've got money. I take a private room. Don't you +understand?” + +Rhoda Gray's face had gone a little white. There was no doubt about the +woman's serious condition, and yet--and yet--She stood there hesitant. +There must be some other way! It was not likely even that the woman had +strength enough to walk down the stairs to begin with. Strange things +had come to her in this world of shadow, but none before like this. If +the law got the woman it would cost the woman her life; if the woman did +not receive immediate and adequate medical assistance it would cost the +woman her life. Over and over in her brain, like a jangling refrain, +that thought repeated itself. It was not like her to stand hesitant +before any emergency, no matter what that emergency might be. She had +never done it before, but now... + +“For God's sake,” Gypsy Nan implored, “don't stand there looking at me! +Can't you understand? If I'm caught, I go out. Do you think I'd have +lived in this filthy hole if there had been any other way to save my +life? Are you going to let me die here like a dog? Get me my clothes; +oh, for God's sake, get them, and give me the one chance that's left!” + +A queer little smile came to Rhoda Gray's lips, and her shoulders +straightened back. + +“Where are your clothes?” she asked. + +“God bless you!” The tears were suddenly streaming down the grimy face. +“God bless the White Moll! It's true! It's true--all they said about +her!” The woman had lost control of herself. + +“Nan, keep your nerve!” ordered Rhoda Gray almost brutally. It was the +White Moll in another light now, cool, calm, collected, efficient. Her +eyes swept Gypsy Nan. The woman, who had obviously flung herself down +on the bed fully dressed the night before, was garbed in coarse, heavy +boots, the cheapest of stockings which were also sadly in need of +repair, a tattered and crumpled skirt of some rough material, and, +previously hidden by the shawl, a soiled, greasy and spotted black +blouse. Rhoda Gray's forehead puckered into a frown. “What about your +hands and face-they go with the clothes, don't they?” + +“It'll wash off,” whispered Gypsy Nan. “It's just some stuff I keep in a +box-over there--the ceiling-” Her voice trailed off weakly, then with +a desperate effort strengthened again. “The door! I forgot the door! +It isn't locked! Lock the door first! Lock the door! Then you take the +candle over there on the washstand, and--and I'll show you. You--you get +the things while I'm undressing. I--I can help myself that much.” + +Rhoda Gray crossed quickly to the door, turned the key in the lock, and +retraced her steps to the washstand that stood in the shadows against +the wall on the opposite side from the bed, and near the far end of the +garret. Here she found the short stub of a candle that was stuck in +the mouth of a gin bottle, and matches lying beside it. She lighted the +candle, and turned inquiringly to Gypsy Nan. + +The woman pointed to the end of the garret where the roof sloped sharply +down until, at the wall itself, it was scarcely four feet above the +floor. + +“Go down there. Right to the wall--in the center,” instructed Gypsy Nan +weakly. And then, as Rhoda Gray obeyed: “Now push up on that wide board +in the ceiling.” + +Rhoda Gray, already in a stooped position, reached up, and pushed at +a rough, unplaned board. It swung back without a sound, like a narrow +trap-door, until it rested in an upright position against the outer +frame of the house, disclosing an aperture through which, by standing +erect, Rhoda Gray easily thrust her head and shoulders. + +She raised the candle then through the opening--and suddenly her dark +eyes widened in amazement. It was a hiding place, not only ingenious, +but exceedingly generous in expanse. As far as one could reach the +ceiling metamorphosed itself into a most convenient shelf. And it had +been well utilized! It held a most astounding collection of +things. There was a cashbox, but the cashbox was apparently wholly +inadequate--there must have been thousands of dollars in those piles of +banknotes that were stacked beside it! There was a large tin box, the +cover off, containing some black, pastelike substance--the “stuff,” + presumably, that Gypsy Nan used on her face and hands. There was a +bunch of curiously formed keys, several boxes of revolver cartridges, +an electric flashlight, and a great quantity of the choicest brands +of tinned and bottled fruits and provisions--and a little to one side, +evidently kept ready for instant use, a suit of excellent material, +underclothing, silk stockings shoes and hat were neatly piled together. + +Rhoda Gray took the clothing, and went back to the bedside. Gypsy Nan +had made little progress in disrobing. It seemed about all the woman +could do to cling to the edge of the cot and sit upright. + +“What does all this mean, Nan,” she asked tensely; “all those things up +there--that money?” + +Gypsy Nan forced a twisted smile. + +“It means I know how bad I am, or I wouldn't have let you see what you +have,” she answered heavily. “It means that there isn't any other way. +Hurry! Get these things off! Get me dressed!” + +But it took a long time. Gypsy Nan seemed with every moment to grow +weaker. The lamp on the chair went out for want of oil. There was only +the guttering candle in the gin bottle to give light. It threw weird, +flickering shadows around the garret; it seemed to enhance the already +deathlike pallor of the woman, as, using the pitcher of water and the +basin from the washstand now, Rhoda Gray removed the grime from Gypsy +Nan's face and hands. + +It was done at last--and where there had once been Gypsy Nan, haglike +and repulsive, there was now a stylishly, even elegantly, dressed woman +of well under middle age. The transformation seemed to have acted as +a stimulant upon Gypsy Nan. She laughed with nervous hilarity she even +tried valiantly to put on a pair of new black kid gloves, but, failing +in this, pushed them unsteadily into the pocket of her coat. + +“I'm--I'm all right,” she asserted fiercely, as Rhoda Gray, pausing in +the act of gathering up the discarded garments, regarded her anxiously. +“Bring me a package of that money after you've put those things +away--yes, and you'll find a flashlight there. We'll need it going down +the stairs.” + +Rhoda Gray made no answer. There was no hesitation now in her actions, +as, to the pile of clothing in her arms, she added the revolver that lay +on the blanket, and, returning to the little trap-door in the ceiling, +hid them away; but her brain was whirling again in a turmoil of doubt. +This was madness, utter, stark, blind madness, this thing that she was +doing! It was suicide, literally that, nothing less than suicide for +one in Gypsy Nan's condition to attempt this thing. But the woman would +certainly die here, too, with out medical assistance--only there was the +police! Rhoda Gray's face, as she stood upright in the little aperture +again, throwing the wavering candle-rays around her, seemed suddenly +to have grown pinched and wan. The police! The police! It was her +conscience, then, that was gnawing at her--because of the police! +Was that it? Well, there was also, then, another side. Could she turn +informer, traitor, become a female Judas to a dying woman, who had +sobbed and thanked her Maker because she had found some one whom she +believed she could trust? That was a hideous and an abominable thing to +do! “You swore it! You swore you'd see me through!”--the words came +and rang insistently in her ears. The sweet, piquant little face set in +hard, determined lines. Mechanically she picked up the flashlight and a +package of the banknotes, lowered the board in the ceiling into place, +and returned to Gypsy Nan. + +“I'm ready, if there is no other way,” she said soberly, as she watched +the other tuck the money away inside her waist. “I said I would see you +through, and I will. But I doubt if you are strong enough, even with +what help I can give you, to get down the stairs, and even if you can, I +am afraid with all my soul of the consequences to you, and--” + +Gypsy Nan blew out the candle, and staggered to her feet. + +“There isn't any other way.” She leaned heavily on Rhoda Gray's arm. +“Can't you see that? Don't you think I know? Haven't you seen enough +here to convince you of that? I--I'm just spilling the dice for--for +perhaps the last time--but it's the only chance--the only chance. Go +on!” she urged tremulously. “Shoot the glim, and get me to the door. +And--and for the love of God, don't make a sound! It's all up if we're +seen going out!” + +The flashlight's ray danced in crazy gyrations as the two figures swayed +and crept across the garret. Rhoda Gray unlocked the door, and, as they +passed out, locked it again on the outside. + +“Hide the key!” whispered Gypsy Nan. “See--that crack in the floor under +the partition! Slip it in there!” + +The flashlight guiding her, Rhoda Gray stooped down to where, between +the rough attic flooring and the equally rough boarding of the garret +partition, there was a narrow space. She pushed the key in out of sight; +and then, with her arm around Gypsy Nan's waist, and with the flashlight +at cautious intervals winking ahead of her through the darkness, she +began to descend the stairs. + +It was slow work, desperately slow, both because they dared not make +the slightest noise, and because, too, as far as strength was concerned, +Gypsy Nan was close to the end of her endurance. Down one flight, and +then the other, they went, resting at every few steps, leaning back +against the wall, black shadows that merged with the blackness around +them, the flashlight used only when necessity compelled it, lest its +gleam might attract the attention of some other occupant of the house. +And at times Gypsy Nan's head lay cheek to Rhoda Gray's, and the other's +body grew limp and became a great weight, so heavy that it seemed she +could no longer support it. + +They gained the street door, hung there tensely for a moment to make +sure they were not observed by any chance passer-by, then stepped out on +the sidewalk. Gypsy Nan spoke then: + +“I--I can't go much farther,” she faltered. “But--but it doesn't matter +now we're out of the house--it doesn't matter where you find me--only +let's try a few steps more.” + +Rhoda Gray had slipped the flashlight inside her blouse. + +“Yes,” she said. Her breath was coming heavily. “It's all right, Nan. I +understand.” + +They walked on a little way up the block, and then Gypsy Nan's grasp +suddenly tightened on Rhoda Gray's arm. + +“Play the game!” Gypsy Nan's voice was scarcely audible. “You'll play +the game, won't you? You'll--you'll see me through. That's a good +name--as good as any--Charlotte Green--that's all you know--but--but +don't leave me alone with them--you--you'll come to the hospital with +me, won't you--I--” + +Gypsy Nan had collapsed in a heap on the sidewalk. + +Rhoda Gray glanced swiftly around her. In the squalid tenement before +which she stood there would be no help of the kind that was needed. +There would be no telephone in there by means of which she could summon +an ambulance. And then her glance rested on a figure far up the block +under a street lamp--a policeman. She bent hurriedly over the prostrate +woman, whispered a word of encouragement, and ran in the officer's +direction. + +As she drew closer to the policeman, she called out to him. He turned +and came running toward, and, as he reached her, after a sharp glance +into her face, touched his helmet respectfully. + +“What's wrong with the White Moll to-night?” he asked pleasantly. + +“There's--there's a woman down there”--Rhoda Gray was breathless from +her run--“on the sidewalk. She needs help at once.” + +“Drunk?” inquired the officer laconically. + +“No, I'm sure it's anything but that,” Rhoda Gray answered quickly. +“She appears to be very sick. I think you had better summon an ambulance +without delay.” + +“All right!” agreed the officer. “There's a patrol box down there in +the direction you came from. We'll have a look at her on the way.” He +started briskly forward with Rhoda Gray beside him. “Who is she d'ye +know?” he asked. + +“She said her name was Charlotte Green,” Rhoda Gray replied. “That's all +she could, or would, say about herself.” + +“Then she ain't a regular around here, or I guess you'd know her!” + grunted the policeman. + +Rhoda Gray made no answer. + +They reached Gypsy Nan. The officer bent over her, then picked her up +and carried her to the tenement doorway. + +“I guess you're right, all right! She's bad! I'll send in a call,” he +said, and started on the run down the street. + +Gypsy Nan had lost consciousness. Rhoda Gray settled herself on the +doorstep, supporting the woman's head in her lap. Her face had set +again in grim, hard, perplexed lines. There seemed something unnatural, +something menacingly weird, something even uncanny about it all. Perhaps +it was because it seemed as though she could so surely foresee the end. +Gypsy Nan would not live through the night. Something told her that. The +woman's masquerade, for whatever purpose it had been assumed, was over. +“You'll play the game, won't you? You'll see me through?” There seemed +something pitifully futile in those words now! + +The officer returned. + +“It's all right,” he said. “How's she seem?” + +Rhoda Gray shook her head. + +A passer-by stopped, asked what was the matter--and lingered curiously. +Another, and another, did the same. A little crowd collected. The +officer kept them back. Came then the strident clang of a gong and +the rapid beat of horses' hoofs. A white-coated figure jumped from +the ambulance, pushed his way forward, and bent over the form in Rhoda +Gray's lap. A moment more, and they were carrying Gypsy Nan to the +ambulance. + +Rhoda Gray spoke to the officer: + +“I think perhaps I had better go with her.” + +“Sure!” said the officer. + +She caught snatches of the officer's words, as he made a report to the +doctor: + +“Found her here in the street...Charlotte Green...nothing else...the +White Moll, straight as God makes 'em...she'll see the woman through.” + He turned to Rhoda Gray. “You can get in there with them, miss.” + +It took possibly ten minutes to reach the hospital, but, before that +time, Gypsy Nan, responding in a measure to stimulants, had regained +consciousness. She insisted on clinging to Rhoda Gray's hand as they +carried in the stretcher. + +“Don't leave me!” she pleaded. And then, for the first time, Gypsy Nan's +nerve seemed to fail her. “I--oh, my God--I--I don't want to die!” she +cried out. + +But a moment later, inside the hospital, as the admitting officer began +to ask questions of Rhoda Gray, Gypsy Nan had apparently recovered her +grip upon herself. + +“Ah, let her alone!” she broke in. “She doesn't know me any more than +you do. She found me on the street. But she was good to me, God bless +her!” + +“Your name's Charlotte Green? Yes?” The man nodded. “Where do you live?” + +“Wherever I like!” Gypsy Nan was snarling truculently now. “What's it +matter where I live? Don't you ever have any one come here without a +letter from the pastor of her church!” She pulled out the package of +banknotes. “You aren't going to get stuck. This'll see you through +whatever happens. Give me a--a private room, and”--her voice was +weakening rapidly--“and”--there came a bitter, facetious laugh--“the +best you've got.” Her voice was weakening rapidly. + +They carried her upstairs. She still insisted on clinging to Rhoda +Gray's hand. + +“Don't leave me!” she pleaded again, as they reached the door of a +private room, and Rhoda Gray disengaged her hand gently. + +“I'll stay outside here,” Rhoda Gray promised. “I won't go away without +seeing you again.” + +Rhoda Gray sat down on a settee in the hall. She glanced at her wrist +watch. It was five minutes of eleven. Doctors and nurses came and went +from the room. Then a great quiet seemed to settle down around her. A +half hour passed. A doctor went into the room, and presently came out +again. She intercepted him as he came along the corridor. + +He shook his head. + +She did not understand his technical explanation. There was something +about a clot and blood stoppage. But as she resumed her seat, she +understood very fully that the end was near. The woman was resting +quietly now, the doctor had said, but if she, Rhoda Gray, cared to wait, +she could see the other before leaving the hospital. + +And so she waited. She had promised Gypsy Nan she would. + +The minutes dragged along. A quarter of an hour passed. Still another. +Midnight came. Fifteen minutes more went by, and then a nurse came out +of the room, and, standing by the door, beckoned to Rhoda Gray. + +“She is asking for you,” the nurse said. “Please do not stay more than +a few minutes. I shall be outside here, and if you notice the slightest +change, call me instantly.” + +Rhoda Gray nodded. + +“I understand,” she said. + +The door closed softly behind her. She was smiling cheerily as she +crossed the room and bent over Gypsy Nan. + +The woman stretched out her hand. + +“The White Moll!” she whispered. “He told the truth, that bull +did--straight as they make 'em, and--” + +“Don't try to talk,” Rhoda Gray interrupted gently. “Wait until you are +a little stronger.” + +“Stronger!” Gypsy Nan shook her head. “Don't try to kid me! I know. They +told me. I'd have known it anyway. I'm going out.” + +Rhoda Gray found no answer for a moment. A great lump had risen in her +throat. Neither would she have needed to be told; she, too, would have +known it anyway--it was stamped in the gray pallor of the woman's face. +She pressed Gypsy Nan's hand. + +And then Gypsy Nan spoke again, a queer, yearning hesitancy in her +voice: + +“Do--do you believe in God?” + +“Yes,” said Rhoda Gray simply. + +Gypsy Nan closed her eyes. + +“Do--do you think there is a chance--even at the last--if--if, without +throwing down one's pals, one tries to make good?” + +“Yes,” said Rhoda Gray again. + +“Is the door closed?” Gypsy Nan attempted to raise herself on her elbow, +as though to see for herself. + +Rhoda Gray forced the other gently back upon the pillows. + +“It is closed,” she said. “You need not be afraid.” + +“What time is it?” demanded Gypsy Nan. + +Rhoda Gray looked at her watch. + +“Twenty-five minutes after twelve,” she answered. + +“There's time yet, then,” whispered Gypsy Nan. “There's time yet.” + She lay silent for a moment, then her hand closed tightly around Rhoda +Gray's. “Listen!” she said. “There's more about--about why I lived like +that than I told you. And--and I can't tell you now--I can't go out like +a yellow cur--I'm not going to snitch on anybody else just because I'm +through myself. But--but there's something on to-night that I'd--I'd +like to stop. Only the police, or anybody else, aren't to know anything +about it, because then they'd nip my friends. See? But you can do +it--easy. You can do it alone without anybody knowing. There's time yet. +They weren't going to pull it until halfpast one--and there won't be any +danger for you. All you've got to do is get the money before they do, +and then see that it goes back where it belongs to-morrow. Will you? You +don't want to see a crime committed to-night if--if you can stop it, do +you?” + +Rhoda Gray's face was grave. She hesitated for a moment. + +“I'll have to know more than that before I can answer you, Nan,” she +said. + +“It's the only way to stop it!” Gypsy Nan whispered feverishly. “I won't +split on my pals--I won't--I won't! But I trust you. Will you promise +not to snitch if I tell you how to stop it, even if you don't go there +yourself? I'm offering you a chance to stop a twenty-thousand-dollar +haul. If you don't promise it's got to go through, because I've got +to stand by the ones that were in it with me. I--I'd like to make +good--just--once. But I can't do it any other way. For God's sake, you +see that, don't you?” + +“Yes,” said Rhoda Gray in a low voice; “but the promise you ask for is +the same as though I promised to try to get the money you speak of. If I +knew what was going on, and did nothing, I would be an accomplice to the +crime, and guilty myself.” + +“But I can't do anything else!” Gypsy Nan was speaking with great +difficulty. “I won't get those that were with me in wrong--I won't! You +can prevent a crime to-night, if you will--you--you can help me to--to +make good.” + +Rhoda Gray's lips tightened, “Will you give me your word that I can do +what you suggest--that it is feasible, possible?” + +“Yes,” said Gypsy Nan. “You can do it easily, and--and it's safe. It--it +only wants a little nerve, and--and you've got that.” + +“I promise, then,” said Rhoda Gray. + +“Thank God!” Gypsy Nan pulled fiercely at Rhoda Gray's wrist. “Come +nearer-nearer! You know Skarbolov, old Skarbolov, who keeps the antique +store--on the street--around the corner from my place?” Rhoda Gray +nodded. + +“He's rich!” whispered Gypsy Nan. “Think of it! Him--rich! But he gets +the best of the Fifth Avenue crowd just because he keeps his joint in +that rotten hole. They think they're getting the real thing in antiques! +He's a queer old fool. Afraid people would know he had money if he kept +it in the bank--afraid of a bank, too. Understand? We found out that +every once in a while he'd change a lot of small bills for a big +one--five-hundred-dollar bills--thousand-dollar bills. That put us +wise. We began to watch him. It took months to find where he hid it. +We've spent night after night searching through his shop. You can get in +easily. There's no one there--upstairs is just a storage place for his +extra stock. There's a big padlock on the back door, but there's a false +link in the chain--count three links to the right from the padlock--we +put it there, and--” + +Gypsy Nan's voice had become almost inaudible. She pulled at Rhoda +Gray's wrist again, urging her closer. + +“Listen--quick! I--my strength!” she panted. “An antique he never +sells--old escritoire against rear wall--secret drawer--take out wide +middle drawer--reach in and rub your hand along the top--you'll feel +the spring. We waited to--to get--get counterfeits--put counterfeits +there--understand? Then he'd never know he'd been robbed--not for a +long time anyway--discovered perhaps when he was dead--old wife--suffer +then--I--got to make good--make good--I--” She came up suddenly on both +her elbows, the dark eyes staring wildly. “Yes, yes!” she whispered. +“Seven-three-nine! Look out!” Her voice rang with sudden terror, rising +almost to a scream. “Look out! Can't you understand, you fool! I've told +you! Seven-three-nine! Seven-three...” + +Rhoda Gray's arms had gone around the other's shoulders. She heard the +door open-and then a quick, light step. There wasn't any other sound +now. She made way mechanically for the nurse. And then, after a moment, +she rose from her knees. The nurse answered her unspoken question. + +“Yes; it's over.” + + + + +III. ALIAS GYPSY NAN + +Rhoda Gray went slowly from the room. In a curiously stunned sort of +way she reached the street, and for a few blocks walked along scarcely +conscious of the direction she was taking. Her mind was in turmoil. The +night seemed to have been one of harrowing hallucination; it seemed as +though it were utterly unreal, like one dreaming that one is dreaming. +And then, suddenly, she looked at her watch, and the straight little +shoulders squared resolutely back. The hallucination, if she chose to +call it that, was not yet over! It was twenty minutes of one, and there +was still Skarbolov's--and her promise. + +She quickened her pace. She did not like this promise that she had +made; but, on the other hand, she had not made it either lightly or +impulsively. She had no regrets on that score. She would make it again +under the same conditions. How could she have done otherwise? It would +have been to stand aside and permit a crime to be committed which she +was assured was easily within her power to prevent. What excuse could +she have had for that? Fear wasn't an excuse. She did not like the +thought of entering the back door of a store in the middle of the night +like a thief, and, like a thief, taking away that hidden money. She knew +she was going to be afraid, horribly afraid--it frightened her now--but +she could not let that fear make a moral coward of her. + +Her hands clenched at her sides. She would not allow herself to dwell +upon that phase of it! She was going to Skarbolov's, and that was all +there was to it. The only thing she really had to fear was that she +should lose even a single unnecessary moment in getting there. Halfpast +one, Gypsy Nan had said. That should give her ample time; but the +quicker she went, the wider the margin of safety. + +Her thoughts reverted to Gypsy Nan. What had the woman meant by her last +few wandering words? They had nothing to do with Skarbolov's, that was +certain; but the words came back now insistently. “Seven-three-nine.” + What did “seven-three-nine” mean? She shook her head helplessly. Well, +what did it matter? She dismissed further consideration of it. She +repeated to herself Gypsy Nan's directions for finding the spring of the +secret drawer. She forced herself to think of anything that would bar +the entry of that fear which stood lurking at the threshold of her mind. + +From time to time she consulted her watch--and each time hurried the +faster. + +It was five minutes past one when, stealing silently along a black lane, +and counting against the skyline the same number of buildings she had +previously counted on the street from the corner, she entered an equally +black yard, and reached the back door of Skarbolov's little store. She +felt out with her hands and found the padlock, and her fingers pressed +on the link in the chain that Gypsy Nan had described. It gave readily. +She slipped it free, and opened the door. There was faint, almost +inaudible, protesting creak from the hinges. She caught her breath +quickly. Had anybody heard it? It--it had seemed like a cannon shot. And +then her lips curled in sudden self-contempt. Who was there to hear it? + +She stepped forward, closed the door silently behind her, and drew +out her flashlight. The ray cut through the blackness. She was in what +seemed like a small, outer storeroom, that was littered with an untidy +collection of boxes, broken furniture, and odds and ends of all sorts. +Ahead of her was an open door, and, through this, the flashlight +disclosed the shop itself. She switched off the light now as she moved +forward-there were the front windows, and, used too freely, the light +might by some unlucky chance be noticed from the street. + +And now, in the darkness again, she reached the doorway of the shop. She +had not made any noise. She assured herself of that. She had never known +that she could move so silently before--and--and--Yes, she would fight +down this panic that was seizing her! She would! It would only take a +minute now--just another minute--if--if she would only keep her head and +her nerve. That was what Gypsy Nan had said. She only needed to keep her +nerve. She had never lost it in the face of many a really serious danger +when with her father--why should she now, when there was nothing but the +silence and the darkness to be afraid of! + +The flashlight went on again, its ray creeping inquisitively now along +the rear wall of the shop. It held finally on an escritoire over in the +far corner at her right. + +Once more the light went out. She moved swiftly across the floor, and +in a moment more was bending over the escritoire. And now, with her body +hiding the flashlight's rays from the front windows, she examined the +desk. It was an old-fashioned, spindle-legged affair, with a nest of +pigeonholes and multifarious little drawers. One of the drawers, wider +than any of the others, and in the center, was obviously the one to +which Gypsy Nan referred. She pulled out the drawer, and in the act +of reaching inside, suddenly drew back her hand. What was that? +Instinctively she switched off the flashlight, and stood tense and rigid +in the darkness. + +A minute passed-another. Still she listened. There was no +sound--unless--unless she could actually hear the beating of her heart. +Fancy! Imagination! The darkness played strange tricks! It--it wasn't so +easy to keep one' s nerve. She could have sworn that she had heard some +sort of movement back there down the shop. + +Angry with herself, she thrust her hand into the opening now and felt +hurriedly around. Yes, there it was! Her fingers touched what was +evidently a little knob or button. She pressed upon it. There was a +faint, answering click. She turned on the flashlight again. What +had before appeared to be nothing but one of the wide, pearl inlaid +partitions between two of the smaller drawers, was protruding invitingly +outward now by the matter of an inch or so. Rhoda Gray pulled it open. +It was very shallow, scarcely three-quarters of an inch in depth, but +it was quite long enough, and quite wide enough for its purpose! +Inside, there lay a little pile of banknotes, banknotes of very large +denomination--the one on top was a thousand-dollar bill. + +She reached in and took out the money-and then from Rhoda Gray's lips +there came a little cry, the flashlight dropped from her hand and +smashed to the floor, and she was clinging desperately to the edge of +the escritoire for support. The shop was flooded with light. Over by +the side wall, one hand still on the electric-light switch, the other +holding a leveled revolver, stood a man. + +And then the man spoke--with an oath--with curious amazement: + +“My God--a woman!” + +She did not speak, or stir. It seemed as though not fear, but horror +now, held her powerless to move her limbs. Her first swift brain-flash +had been that it was one of Gypsy Nan's accomplices here ahead of the +appointed time. That would have given her cause, all too much of cause, +for fear; but it was not one of Gypsy Nan's accomplices, and, far worse +than the fear of any physical attack upon her, was the sense of ruin and +disaster that the realization of a quite different and more desperate +situation brought her now. She knew the man. She had seen those square, +heavy, clamped jaws scores of times. Those sharp, restless black eyes +under over-hanging, shaggy eyebrows were familiar to the whole East +Side. It was Rorke--“Rough” Rorke, of headquarters. + +He came toward her, and halfway across the room another exclamation +burst from his lips; but this time it held a jeer, and in the jeer a +sort of cynical and savage triumph. + +“The White Moll!” + +He was close beside her now, and now he snatched from her hand the +banknotes that, all unconsciously, she had still been clutching tightly. + +“So this is what all the sweet charity's been about, eh?” he snapped. +“The White Moll, the Little Saint of the East Side, that lends a helping +hand to the crooks to get 'em back on the straight and narrow again! The +White Moll-hell! You crooked little devil!” + +Again she did not answer. Her mind was clear now, brutally clear, +brutally keen, brutally virile. What was there for her to say? She was +caught here at one o'clock in the morning after breaking into the place, +caught red-handed in the very act of taking the money. What story could +she tell that would clear her of that! That she had taken it so that +it wouldn't be stolen, and that she was going to give it back in the +morning? Was there anybody in the world credulous enough to believe +anything like that! Tell Gypsy Nan's story, all that had happened +to-night? Yes, she might have told that to-morrow, after she had +returned the money, and been believed. But now-no! It would even make +her appear in a still worse light. They would credit her with being a +member of this very gang to which Gypsy Nan belonged, one in the secrets +of an organized band of criminals, who was trying to clear her own +skirts at the expense of her confederates. Everything, every act of +hers to-night, pointed to that construction being placed upon her story, +pointed to duplicity. Why had she hidden the identity of Gypsy Nan? Why +had she not told the police that a crime was to be committed, and left +it to the police to frustrate it? It would fit in with the story, of +course--but the story was the result of having been caught in the act +of stealing twenty thousand dollars in cash! What was there to say--and, +above all, to this man, whose reputation for callous brutality in the +handling of those who fell into his hands had earned him the sobriquet +of “Rough” Rorke? Sick at heart, desperate, but with her hands clenched +now, she stood there, while the man felt unceremoniously over her +clothing for a concealed weapon. + +Finding none, he stooped, picked up the flashlight, tested it, and found +it broken from its fall. + +“Too bad you bust this, we'll have to go out in the dark after I switch +off the light,” he said with unpleasant facetiousness. “I didn't +have one with me, or time to get one, when I got tipped off there was +something doing here to-night.” He caught her ungently by the arm. +“Well, come along, my pretty lady! This'll make a stir, this will! The +White Moll!” He led her to the electric-light switch, turned off the +light, and, with his grasp tight upon her, made for the front door. He +chuckled in a sinister manner. “Say, you're a prize, you are! And pretty +clever, too, aren't you? I wasn't looking for a woman to pull this. The +White Moll! Some saint!” + +Rhoda Gray shivered. Disgrace, ruin, stared her in the face. A sea of +faces in a courtroom, morbid faces, hideous faces, leered at her. Gray +walls rose before her, walls that shut out sunshine and hope, pitiless, +cold things that seemed to freeze the blood in her veins. And to-night, +in just a few minutes more--a cell! + +From the street outside came the sound of some one making a cheery, but +evidently a somewhat inebriated, attempt to whistle some ragtime air. +It seemed to enhance her misery, to enhance by contrast in its care-free +cheeriness the despair and misery that were eating into her soul. +Her hands clenched and unclenched. If there were only a +chance--somewhere--somehow! If only she were not a woman! If she could +only fight this hulking form that gripped so brutally at her arm! + +Rough Rorke opened the door, and pulled her out to the street. She +shrank back instinctively. It was quite light here from a nearby street +lamp, and the owner of the whistle, a young man, fashionably dressed, +decidedly unsteady on his legs, and just opposite the door as they came +out, had stopped both his whistle and his progress along the street to +stare at them owlishly. + +“'Ullo!” said the young man thickly. “What'sh all this about--eh? +What'sh you two doing in that place this time of night--eh?” + +“Beat it!” ordered Rough Rorke curtly. + +“That'sh all right.” The young man came nearer. He balanced himself with +difficulty, but upon him there appeared to have descended suddenly a +vast dignity. “I'm--hic--law--'biding citizen. Gotta know. Gotta show +me. Damn funny--coming out of there this time of night! Eh--what'sh the +idea?” + +Rough Rorke, with his free hand, grabbed the young man by the shoulder +angrily. + +“Mind your own business, or you'll get into trouble!” he rasped out. +“I'm an officer, and this woman is under arrest. Beat it! D'ye hear? +Beat it--or I'll run you in, too!” + +“Is that'sh so!” The young man's tones expressed a fuddled defiance. He +rocked on his feet and stared from one to the other. “Shay, is that'sh +so! You will--eh? Gotta show me. How do I know you're--hic--officer? Eh? +More likely damned thief yourself! I--” + +The young man lurched suddenly and violently forward, breaking Rough +Rorke's grip on Rhoda Gray--and, as his arms swept out to grasp at the +detective in an apparently wild effort to preserve his balance, Rhoda +Gray felt a quick, significant push upon her shoulder. + +For the space of time it takes a watch to tick she stood startled and +amazed, and then, like a flash, she was speeding down the street. A roar +of rage, a burst of unbridled profanity went up from Rough Rorke behind +her; it was mingled with equally angry vituperation in the young man's +voice. She looked behind her. The two men were swaying around crazily in +each other's arms. She ran on--faster than she had ever run in her +life. The corner was not far ahead. Her brain was working with lightning +speed. Gypsy Nan's house was just around the corner. If she could get +out of sight--hide--it would... + +She glanced behind her again, as her ears caught the pound of racing +feet. The young man was sitting in the middle of the sidewalk, shaking +his fist; Rough Rorke, perhaps a bare fifty yards away, was chasing her +at top speed. + +Her face set hard. She could not out-run a man! There was only one hope +for her--just one--to gain Gypsy Nan's doorway before Rorke got around +the corner. + +A yard--another--still another! She swerved around the corner. And, +as she turned, she caught a glimpse of the detective. The man was +nearer--much nearer. But it was only a little way, just a little way, to +Gypsy Nan's--not so far as the distance between her and Rorke--and--and +if the man didn't gain too fast, then--then--A little cry of dismay came +with a new and terrifying thought. Quite apart from Rorke, some one else +might see her enter Gypsy Nan's! She strained her eyes in all directions +as she ran. There wasn't any one--she didn't see any one--only Rorke, +around the corner there, was bawling out at the top of his voice, +and--and... + +She flung herself against Gypsy Nan's door, stumbled in, and, closing +it, heard Rorke just swinging around the corner. Had he seen her? She +didn't know. She was panting, gasping for her breath. It seemed as +though her lungs would burst. She held her hand tightly to her bosom as +she made for the stairs--she mustn't make any noise--they mustn't +hear her breathing like that--they--they mustn't hear her going up the +stairs. + +How dark it was! If she could only see--so that she would be sure not +to stumble! She couldn't go fast now--she would make a noise if she did. +Stair after stair she climbed stealthily. Perhaps she was safe now--it +had taken her a long time to get up here to the second floor, and there +wasn't any sound yet from the street below. + +And now she mounted the short, ladder-like steps to the attic, and, +feeling with her hand for the crack in the flooring under the partition, +reached in for the key. As her fingers closed upon it, she choked back +a cry. Some one had been here! A piece of paper was wrapped around the +key. What did it mean? What did all these strange, yes, sinister, things +that had happened to-night mean? How had Rorke known that a robbery was +to be committed at Skarbolov's? Who was that man who had effected her +escape, and who, she knew now, was no more drunk than she was? Fast, +quick, piling one upon the other, the questions raced through her mind. + +She fought them back. There was no time for speculation now! There was +only one question that mattered: Was she safe? + +She stood up, thrust the paper for safe-keeping into her bosom, and +unlocked the door. If--if Rorke did not know that she had entered this +house here, she could remain hidden for a few hours; it would give her +time to think, and... + +It came this time, no strength of will would hold it back, a little +moan. The front door below had opened, a heavy footstep sounded in the +lower hall. She couldn't see, of course. But she knew. It was Rorke! She +heard him coming up the stairs. + +And then, in a flash, it seemed, her brain responded to her despairing +cry. There was still a way--a desperate one--but still a way--if there +was time! She darted inside the garret, locked the door, found the +matches and candle, and, running silently to the rear wall, pushed +up the board in the ceiling. In frantic haste she tore off her outer +garments, her stockings and shoes, pulled on the rough stockings and +coarse boots that Gypsy Nan had worn, slipped the other's greasy, +threadbare skirt over her head, and pinned the shawl tight about her +shoulders. There was a big, voluminous pocket in the skirt, and into +this she dropped Gypsy Nan's revolver, and the paper she had found +wrapped around the key. + +She could hear a commotion from below now. It was the one thing she had +counted upon. Rough Rorke might know she had entered the house, but he +could not know whereabouts in the house she was, and he would naturally +search each room as he came to it on the way up. She fitted the +gray-streaked wig of tangled, matted hair upon her head, plunged her +hand into the box that Gypsy Nan used for her make-up and daubed some +of the grime upon both hands and face, adjusted the spectacles upon her +nose, hid her own clothing, closed the narrow trap-door in the ceiling, +and ran back, carrying the candle, to the washstand. + +Here, there was a small and battered mirror, and more coolly, more +leisurely now, for the commotion still continued from the floor below, +she spread and rubbed in, as craftily as she could, the grime streaks +on her face and hands. It was neither artistic nor perfect, but in +the meager, flickering light now the face of Gypsy Nan seemed to stare +reassuringly back at her. It might not deceive any one in daylight--she +did not know, and it did not matter now--but with only this candle to +light the garret, since the lamp was empty, she could fairly count on +her identity not being questioned. + +She blew out the candle, left it on the washstand, because, if she could +help it, she did not want to risk having it lighted near the bed or +door, and, tiptoeing now, went to the door, unlocked it, then threw +herself down upon the bed. + +Possibly a minute went by, possibly two, and then there was a quick step +on the ladder-like stairs, the door handle was rattled violently, and +the door was flung open and slammed shut again. + +Rhoda Gray sat upright on the bed. It was her wits now, her wits against +Rough Rorke's; nothing else could save her. She could not even make out +the man's form, it was so dark; but, as he had not moved, she was quite +well aware that he was standing with his back to the door, evidently +trying to place his surroundings. + +It was Gypsy Nan, not Rhoda Gray, who spoke. + +“Who's dere?” she screeched. “D'ye hear, blast youse, who's dere?” + +Rough Rorke laughed gratingly. + +“That you, Nan, my dear?” + +“Who d'youse t'ink it is-me gran'mother?” demanded Rhoda Gray +caustically. “Who are youse?” + +“Rorke,” said Rorke shortly. “I guess you know, don't you?” + +“Is dat so?” snorted Rhoda Gray. “Well den, youse can beat it--hop +it--on de jump! Wot t'hell right have youse got bustin' into me room at +dis time of night--eh? I ain't done nothin'!” + +Rough Rorke, his feet scuffling to feel the way, came forward. + +“Cut it out!” he snarled. “I ain't the only visitor you've got! It's not +you I want; it's the White Moll.” + +“Wot's dat got to do wid me?” Rhoda Gray flung back hotly. “She ain't +here, is she?” + +“Yes, she's here!” Rough Rorke's voice held an ugly menace. “I lost +her around the corner, but a woman from a window across the street, who +heard the row, saw her run into this house. She ain't downstairs--so you +can figure the rest out the same way I do.” + +“De woman was kiddin' youse!” Rhoda Gray, alias Gypsy Nan, cackled +derisively. “Dere ain't nobody here but me.” + +“We'll see about that!” said Rough Rorke shortly. “Strike a light!” + +“Aw, strike it yerself!” retorted Rhoda Gray. “I ain't yer servant! +Dere's a candle over dere on de washstand against de wall, if youse +wants it.” + +A match crackled and spurted into flame; its light fell upon the lamp +standing on the chair beside the bed. Rough Rorke stepped toward it. + +“Dere ain't any oil in dat,” croaked Rhoda Gray. “Didn't I tell youse de +candle was over dere on de washstand, an'--” + +The words seemed to freeze in her throat, the chair, the lamp, the +shadowy figure of the man in the match flame to swirl before her eyes, +and a sick nausea to come upon her soul itself. With a short, triumphant +oath, Rough Rorke had stopped suddenly and reached in under the chair. +And now he was dangling a new, black kid glove in front of her. Caught! +Yes, she was caught! She remembered Gypsy Nan's attempt to put on her +gloves--one must have fallen to the floor unnoticed by either of them +when Gypsy Nan had thought to put them in her pocket! The man's voice +came to her as from some great distance: + +“So, she ain't here--ain't she! I'll teach you to lie to me! I'll--” The +match was dying out. Rorke raised it higher, and with the last flicker +located the washstand, and made toward it, obviously for the candle. + +Her wits against Rough Rorke's! Nothing else could save her! Failing to +find any one here but herself, certain now that the White Moll was here, +only a fool could have failed in his deduction--and Rough Rorke was +not a fool. Her wits against Rough Rorke's! There was the time left her +while the garret was still in darkness, just that, no more! + +With a quick spring she leaped from the bed, seized the chair, sending +the lamp to the floor, and, dragging the chair after her to make as much +noise and confusion as she could, she rushed for the door, screeching at +the top of her voice: + +“Run, dearie, run! Run!” She was scuffling with her feet, clattering the +chair, as she wrenched the door open. And then, in her own voice: “Nan, +I won't! I won't let you stand for this, I--” + +Then as Gypsy Nan again: “Run, dearie! Don't youse mind old Nan!” She +banged the door shut, locked it, and whipped out the key. It had taken +scarcely a second. She was still screeching at the top of her voice to +cover the absence of flying footers on the stairs. “Run, dearie, run! +Run!” + +And then, in the darkness, the candle still unlighted, Rough Rorke was +on her like a madman. With a sweep of his arm he sent her crashing to +the floor, and wrenched at the door. The next instant he was on her +again. + +“The key! Give me that key!” he roared. + +For answer she flung it from her. It fell with a tinkle on the floor at +the far end of the garret. The man was beside himself with rage. + +“Damn you, if I had time, I'd wring your neck for this, you she-devil!” + he bawled-and raced back, evidently for the candle on the washstand. + +Rhoda Gray, sprawled on the floor where he had thrown her, did not +move-except to take the revolver from the pocket of her dress. She was +crooning queerly to herself, as she watched Rough Rorke light the candle +and grope around on the floor: + +“She was good to me, de White Moll was. Jellies an' t'ings she brought +me, she did. An' Gypsy Nan don't ferret. Gypsy Nan don't--” + +She sat up suddenly, snarling. Rorke had found the key, left the bottle +with the short stub of guttering candle standing on the floor, and was +back again. + +“By God!” he gritted through his teeth, as he jabbed the key with +frantic haste into the lock. “I'll fix you for this!” He made a clutch +at her throat, as he swung the door open. + +She jerked herself backward, eluding him, her revolver leveled. + +“Youse keep yer dirty paws off me!” she screamed. “Yah, wot can youse +do! Wot do I care! She was good to me, she was, an--” + +Rough Rorke was gone-taking the stairs three and four at a time. Then +she heard the street door slam. + +She rose slowly to her feet--and suddenly reached out, grasping at the +door to steady herself. It seemed as though every muscle had gone limp, +as though her limbs had not strength to support her. And for a moment +she hung there, then she locked the door, staggered back, sank down +on the edge of the bed, and, with her chin in her hands, stared at +the guttering stub of candle. And presently, in an almost aimless, +mechanical way, she felt in her pocket for the piece of paper that she +had found wrapped around the key, and drew it out. There were three +figures scrawled upon it--nothing else. + + 7 3 9 + +She dropped her chin in her hands again, and stared again at the candle. +And after a while the candle went out. + + + + +IV. THE ADVENTURER + +Twenty-Four hours had passed. Twenty four hours! Was it no more than +that since--Rhoda Gray, in the guise of Gypsy Nan, as she sat on the +edge of the disreputable, poverty-stricken cot, grew suddenly tense, +holding her breath as she listened. The sound reached the attic so +faintly that it might be but the product solely of the imagination. +No--it came again! And it even defined itself now--a stealthy footstep +on the lower stairs. + +A small, leather-bound notebook, in which she had been engrossed, was +tucked instantly away under the soiled blanket, and she glanced sharply +around the garret. A new candle, which she had bought in the single +excursion she had ventured to make from the house during the day, was +stuck in the neck of the gin bottle, and burned now on the chair beside +her. She had not bought a new lamp--it gave too much light! The old one, +the pieces of it, lay over there, brushed into a heap in the corner on +the floor. + +The footstep became more audible. Her lips tightened a little. The +hour was late. It must be already after eleven o'clock. Her eyes grew +perturbed. Perhaps it was only one of the unknown tenants of the floor +below going to his or her room; but, on the other hand, no one had come +near the garret since last night, when that strange and, yes, sinister +trick of fate had thrust upon her the personality of Gypsy Nan, and it +was hoping for too much to expect such seclusion to obtain much longer. +There were too many who must be interested, vitally interested, in Gypsy +Nan! There was Rough Rorke, of headquarters; he had given no sign, but +that did not mean he had lost interest in Gypsy Nan. There was the death +of the real Gypsy Nan, which was pregnant with possibilities; and though +the newspapers, that she, Rhoda Gray, had bought and scanned with such +tragic eagerness, had said nothing about the death of one Charlotte +Green in the hospital, much less had given any hint that the identity +Gypsy Nan had risked so much to hide had been discovered, it did not +mean that the police, with their own ends in view, might not be fully +informed, and were but keeping their own counsel while they baited a +trap. + +Also, and even more to be feared, there were those of this criminal +organization to which Gypsy Nan had belonged, and to which she, Rhoda +Gray, through a sort of hideous proxy, now belonged herself! Sooner or +later, they must show their hands, and the test of her identity would +come. And here her danger was the greater because she did not know who +any of them were, unless the man who had stepped in between Rough Rorke +and herself last night was one of them--which was a question that had +harassed her all day. The man had been no more drunk than she had been, +and he had obviously only played the part to get her out of the clutches +of Rough Rorke; but, against this, he had seen her simply as herself +then, the White Moll, and what could the criminal associates of Gypsy +Nan have cared as to what became of the White Moll? + +A newspaper, to procure which had been the prime motive that had lured +her out of her retreat that afternoon, caught her eye now, and she +shivered a little as, from where it lay on the floor, the headlines +seemed to leer up at her, and mock, and menace her. “The White +Moll....The Saint of the East Side Exposed....Vicious Hypocrisy....Lowly +Charity for Years Cloaks a Consummate Thief...” They had not spared her! + +Her lips firmed suddenly, as she listened. The stealthy footfall had not +paused in the hall below. It was on the short, ladder-like steps now, +leading up here to the garret--and now it had halted outside her door, +and there came a low, insistent knocking on the panels. + +“Who's dere?” demanded Rhoda Gray, alias Gypsy Nan, in a grumbling tone, +as, getting up from the bed, she moved the chair noiselessly a few feet +farther away, so that the bed would be beyond the immediate radius of +the candle light. Then she shuffled across the floor to the door. “Who's +dere?” she demanded again, and her hand, deep in the voluminous pocket +of Gypsy Nan's greasy skirt, closed tightly around the stock of Gypsy +Nan's revolver. + +The voice that answered her expostulated in a plaintive whisper: + +“My dear lady! And after all the trouble I have taken to reach here +without being either seen or heard!” + +For an instant Rhoda Gray hesitated--there seemed something familiar +about the voice--then she unlocked the door, and retreated toward the +bed. + +The door opened and closed softly. Rhoda Gray, reaching the edge of the +bed, sat down. It was the fashionably-attired, immaculate young man, +who had saved her from Rough Rorke last night. She stared at him in +the faint light without a word. Her mind was racing in a mad turmoil of +doubt, uncertainty, fear. Was he one of the gang, or not? Was she, in +the role of Gypsy Nan, supposed to know him, or not? Did he know that +the real Gypsy Nan, too, had but played a part, and, therefore, when she +spoke must it be in the vernacular of the East Side--or not? And then +sudden enlightenment, with its incident relief, came to her. + +“My dear lady”--the young man's soft felt hat was under his arm, and he +was plucking daintily at the fingers of his yellow gloves as he removed +them--“I beg you to pardon the intrusion of a perfect stranger. I offer +you my very genuine apologies. My excuse is that I come from a--I hope I +am not overstepping the bounds in using the term--mutual friend.” Rhoda +Gray snorted disdainfully. + +“Aw, cut out de boudoir talk, an' get down to cases!” she croaked. “Who +are youse, anyway?” + +The young man had gray eyes--and they lighted up now humorously. + +“Boudoir? Ah--yes! Of course! Awfully neat!” His eyes, from the chair +that held the candle, strayed around the scantily furnished, murky +garret as though in search of a seat, and finally rested inquiringly on +Rhoda Gray. + +“Youse can put de candle on de floor, if youse like,” she said +grudgingly. “Dat's de only chair dere is.” + +“Thank you!” he said. + +Rhoda Gray watched him with puckered brow, as he placed the gin bottle +with its candle on the floor, and appropriated the chair. He might, +from his tone, have been thanking her for some priceless boon. He wore +a boutonniere. His clothes fitted him like gloves. He exuded a certain +studied, almost languid fastidiousness--that was wholly out of keeping +with the quick, daring, agile wit that he had exhibited the night +before. She found her hand toying unconsciously with the weapon in her +pocket. She was aware that she was fencing with unbuttoned foils. How +much did he know--about last night? + +“Well, why don't youse spill it?” she invited curtly. “Who are youse?” + +“Who am I?” He lifted the lapel of his coat, carrying the boutonniere to +his nose. “My dear lady, I am an adventurer.” + +“Youse don't say!” observed Rhoda Gray, alias Gypsy Nan. “An' wot's dat +w' en it's at home?” + +“In my case, first of all a gentleman, I trust,” he said pleasantly; +“after that, I do not quarrel with the accepted definition of the +term--though it is not altogether complimentary.” + +Rhoda Gray scowled. As Rhoda Gray, she might have answered him; as Gypsy +Nan, it was too subtle, and she was beyond her depth. + +“Youse look to me like a slick crook!” she said bluntly. + +“I will admit,” he said, “that I have at times, perhaps, taken liberties +with the law.” + +“Well, den,” she snapped, “cut out de high-brow stuff, an' come across +wid wot brought youse here. I ain't holdin' no reception. Who's de +friend youse was talkin' about?” + +The Adventurer looked around him, and lowered his voice. + +“The White Moll,” he said. + +Rhoda Gray eyed the man for a long minute; then she shook her head. + +“I take back wot I said about youse bein' a slick crook,” she announced +coolly. “I guess youse're a dick from headquarters. Well, youse have got +de wrong number--see? Me fingers are crossed. Try next door!” + +The Adventurer's eyes were fixed on the newspaper headlines on the +floor. He raised them now significantly to hers. + +“You helped her to get away from Rough Rorke last night,” he said +gently. “Well, so did I. I am very anxious to find the White Moll, and, +as I know of no other way except through you, I have got to make you +believe in me, if I can. Listen, my dear lady--and don't look at me so +suspiciously. I have already admitted that I have taken liberties with +the law. Let me add now that last night there was a little fortune of +quite a few thousand dollars that I had already made up my mind was +as good as in my pocket. I was on my way to get it--the newspaper +will already have given you the details--when I found that I had been +forestalled by the young lady, who, the papers say, is known as the +White Moll.” He smiled whimsically. “Even though one might be a slick +crook as you suggest, it is no reason why he should fail in his duty to +himself--as a gentleman. What other course was open to me? I discovered +a very charming young lady in the grip of a hulking police brute. She +also, apparently, took liberties with the law. There was a bond between +us. I--er--took it upon myself to do what I could. And, besides, I was +not insensible to the fact that I was under a certain obligation to her, +quixotic as it may sound, in view of the fact that we were evidently +competitors after the same game. You see, if she had not forestalled me +and been caught herself, I should most certainly have walked into the +trap that our friend of headquarters had prepared. I--er--as I say, did +what I could. She got away; but somehow Rough Rorke later discovered her +here in this room, I understand that he was not happy over the result; +that, thanks to you, she escaped again, and has not been heard of since.” + +Rhoda Gray dropped her chin in her grime-smeared hand, staring +speculatively at the other. The man sat there, apparently a +self-confessed crook and criminal, but, also, he sat there as the man +to whom she owed the fact that at the present moment she was not behind +prison bars. He proclaimed himself in the same breath both a thief and +a gentleman, as far as she could make out. They were characteristics +which, until now, she had never associated together; but now, curiously +enough, they did not seem so utterly at variance. Of course they were +at variance, must of necessity be so; but in the personality of this man +the incongruity seemed somehow lost. Perhaps it was a sense of gratitude +toward him that modified her views. He looked a gentleman. There was +something about him that appealed. The gray eyes seemed full of cool, +confident, self-possession; and, quiet as his manner was, she sensed a +latent dynamic something lurking near the surface all the time--that she +was conscious she would much prefer to have enlisted on her behalf than +against her. The strong, firm chin bore this out. He was not handsome, +but--with a sort of mental jerk, she forced her mind back to the stark +realities of her surroundings. She could not thank him for what he had +done last night. She could not tell him that she was the White Moll. +She could only play out the role of Gypsy Nan until--until--Her hand +tightened with a fierce, involuntary pressure upon her chin until it +brought a physical hurt. Until what? God alone knew what the end of this +miserable, impossible horror, in which she found herself engulfed, would +be! + +Her eyes sought his face again. The Adventurer was tactfully engaged +in carefully smoothing out the fingers of his yellow gloves. Thief +and gentleman, whatever he might be, whatever he might choose to call +himself, what, exactly, was it that had brought him here to-night? The +White Moll, he had said; but what did he want with the White Moll? + +He answered her unspoken question now, almost as though he had read her +thoughts. + +“She is very clever,” he said quietly. “She must be exceedingly clever +to have beaten the police the way she has for the last few years; +and--er--I worship at the shrine of cleverness--especially if it be +a woman's. The idea struck me last night that if she and I +should--er--pool our resources, we should not have to complain of the +reward.” + +“Oh, so youse wants to work wid her, eh?” sniffed Rhoda Gray. “So dat's +it, is it?” + +“Partially,” he said. “But, quite apart from that, the reason I want to +find her is because she is in very great danger. Clever as she is, it is +a very different matter to-day now that the police have found her out. +She has been forced into hiding, and, if alone and without any friend +to help her, her situation, to put it mildly, must be desperate in +the extreme. You befriended her last night, and I honor you for the +unselfishness with which you laid yourself open to the future attentions +of that animal Rorke, but that very fact has deprived her of what might +otherwise have been a refuge and a quite secure retreat here with you. I +do not wish to intrude, or force myself upon her, but I believe I could +be of very material help, and so I have come to you, as I have said, +because you are the only source through which I can hope to find +her, and because, through your act of last night, I know you to be a +trustworthy, and, perhaps, even an intimate, friend of hers.” + +“Aw, go on!” said Rhoda Gray, alias Gypsy Nan, deprecatingly. “Dat don't +prove nothin'! I'd have done as much for a stray cat if de bulls was +chasm' her. See? I told youse once youse had de wrong number. She didn't +leave no address. Dat's flat, an' dat's de end of it.” + +“I'm sorry,” said the Adventurer gravely. “Perhaps I haven't made out a +good enough case. Or perhaps, even believing me, you consider that +the White Moll, and not yourself, should be the judge as to whether my +services are acceptable or not?” + +“Youse can dope it out any way youse likes,” said Rhoda Gray +indifferently. “Me t'roat's gettin' hoarse tellin' youse dere's nothin' +doin'!” + +“I'm sorry,” said the Adventurer again. He smiled suddenly, and tucking +his gloves into his pocket, leaned forward and tore off a small piece +from the margin of the newspaper on the floor--but his head the while +was now cocked in a curious listening attitude in the direction of the +door. “You will pardon me, my dear lady, if I confess that, in spite of +what you say, I still harbor the belief that you know where to reach +the White Moll; and so--” He stopped abruptly, and she found his glance, +sharp and critical, upon her. “You are expecting a visitor, perhaps?” he +inquired softly. + +Rhoda Gray stared in genuine perplexity. + +“Wot's de answer?” she demanded. + +“There is some one on the stairs,” replied the Adventurer. + +Rhoda Gray listened--and her perplexity deepened. She could hear +nothing. + +“Youse must have good ears!” she scoffed. + +“I have,” returned the Adventurer coolly. “My hearing is one of the +resources that I wanted to pool with the White Moll.” + +“Well, den, mabbe it's Rough Rorke.” Her tone still held its scoffing +note; but her words voiced the genuine enough, that had come flashing +upon her. “An' if it is, after last night, an' he finds youse an' me +together, dere'll be--” + +“My dear lady,” interposed the Adventurer calmly, “if there were the +remotest possibility that it could be Rough Rorke, I would not be here.” + +“Wot do youse mean?” She had unconsciously towered her voice. + +The Adventurer shrugged his shoulders whimsically. He had laid the piece +of paper on his knee, and, with a small gold pencil which he had taken +from his pocket, was writing something upon it. + +“The fact that I can assure you that, whoever else it may be, the person +outside there cannot be Rough Rorke, is simply a proof that, if I had +the opportunity, I could be of real assistance to the White Moll,” + he said imperturbably. “Well”--a grim little smile flickered suddenly +across his lips--“do you hear any one now?” + +Quite low, but quite unmistakably, the short, ladder-like steps just +outside the door were voicing a creaky protest now as some one mounted +them. Rhoda Gray did not move. It seemed as though she could hear the +sudden thumping of her own heart. Who was it this time? How was she to +act? What was she to say? It was so easy to make the single little slip +of word or manner that would spell ruin and disaster. + +“Rubber heels and rubber soles,” murmured the Adventurer. “But, at that, +it is extremely well done.” He held out the torn piece of paper to Rhoda +Gray. + +“If”--he smiled significantly--“if, by any good fortune, you see the +White Moll again, please give her this and let her decide for herself. +It is a telephone number. She can always reach me there by asking +for--the Adventurer.” He was still extending the piece of paper. +“Quick!” he whispered, as the door knob rattled. + + + + +V. A SECOND VISITOR + +Mechanically Rhoda Gray thrust the paper into the pocket of her skirt. +The door swung open. A tall man, well dressed, as far as could be seen +in the uncertain light, a slouch hat pulled far down over his eyes, +stood on the threshold, surveying the interior of the garret. + +The Adventurer rose composedly to his feet--and moved slightly back out +of the direct radius of the candlelight. + +There was silence for a moment, and then the man in the doorway laughed +unpleasantly. + +“Hello!” he flung out harshly. “Who's the dude, Nan?” + +Rhoda Gray, on the edge of the bed, shrugged her shoulders. The +Adventurer was standing quite at his ease, his soft hat tucked under his +right arm, his hand thrust into the side pocket of his coat. She could +no longer see his face distinctly. + +“Well?” There was a snarl in the man's voice as he advanced from the +doorway. “You heard me, didn't you? Who is he?” + +“Why don't youse ask him yerself?” inquired Rhoda Gray truculently. “I +dunno.” + +“You don't, eh?” The man had halted close to where the candle stood on +the floor between himself and the Adventurer. “Well, then, I guess we'll +find out!” He was peering in the Adventurer's direction, and now there +came a sudden savage scowl to his face. “It seems to me I've seen those +clothes somewhere before, and I guess now we'll take a look at your face +so that there won't be any question about recognition the next time we +meet.” + +The Adventurer laughed softly. + +“There will be none on my part,” he said calmly. “It's Danglar, isn't +it? I am surely not mistaken. Parson Danglar, alias--ah! Please don't do +that!” + +It seemed to Rhoda Gray that it happened in the space of time it might +take a watch to tick: The newcomer stooping to the floor, and lifting +the candle with the obvious intention of thrusting it into the +Adventurer's face--a glint of metal, as the Adventurer whipped a +revolver from the side pocket of his coat--and then, how they got there +she could not tell, it was done so adroitly and swiftly, the thumb and +forefinger of the Adventurer's left hand had closed on the candle wick +and snuffed it out, and the garret was in darkness. + +There was a savage oath, a snarl of rage from the man whom the +Adventurer had addressed as Danglar; then an instant s silence; and then +the Adventurer's voice--from the doorway: + +“I beg of you not to vent your disappointment on the lady--Danglar. I +assure you that she is in no way responsible for my visit here, and, as +far as that goes, never saw me before in her life. Also, it is only fair +to tell you, in case you should consider leaving here too hurriedly, +that I am really not at all a bad shot--even in the dark. I bid you +good-night, Danglar--and you my dear lady!” + +Danglar's voice rose again in a flood of profane rage. He stumbled and +moved around in the dark. + +“Damn it!” he shouted. “Where are the matches? Where's the lamp? This +cursed candle's put enough to the bad already! Do you hear? Where's the +lamp?” + +“It's over dere on de floor, bust to pieces,” mumbled Rhoda Gray. +“Youse'll find the matches on de washstand, an--” + +“What's the idea?” There was a sudden, steel-like note dominating the +angry tones. “What are you handing me that hog-wash language for? Eh? +It's damned queer! There's been damned queer doings around here ever +since last night! See? What's the idea?” + +Rhoda Gray felt her face whiten in the darkness. It was the slip she +had feared; the slip that she had had to take the chance of making, and +which, if it were not retrieved, and instantly retrieved, now that it +was made, meant discovery, and after that--She shivered a little. + +“You needn't lose your head, just because you've lost your temper!” she +said tartly, in a guarded whisper. “The door into the hall is still wide +open, isn't it?” + +“Oh, all right!” he said, his tones a sort of sullen admission that her +retort was justified. “But even now your voice sounds off color.” + +Rhoda Gray bridled. + +“Does it?” she snapped at him. “I've got a cold. Maybe you'd get one +too, and maybe your voice would be off color, if you had to live in a +dump like this, and--” + +“Oh, all right, all right!” he broke in hurriedly. “For Heaven's sake +don't start a row! Forget it! See? Forget it!” He walked over to the +door, peered out, swore savagely to himself, shut the door, held the +candle up to circle the garret, and scowled as its rays fell upon the +shattered pieces of the lamp in the corner then, returning, he set the +candle down upon the chair and began to pace restlessly, three or four +steps each way, up and down in front of the bed. + +Rhoda Gray, from the edge of the bed, shifted back until her shoulders +rested against the wall. Danglar, too, was dressed like a gentleman--but +Danglar's face was not appealing. The little round black eyes were +shifty, they seemed to possess no pupils whatever, and they roved +constantly; there was a hard, unyielding thinness about the lips, and +the face itself was thin, almost gaunt, as though the skin had had to +accommodate itself to more than was expected of it, and was elastically +stretched over the cheek-bones. + +“Well, I'm listening!” jerked out the man abruptly. “You knew our game +at Skarbolov's was queered. You got the 'seven-three-nine,' didn't you?” + +“Yes, of course, I got it,” answered Rhoda Gray. “What about it?” + +“For two weeks now, yes, more than two weeks”--the man's voice rasped +angrily--“things have been going wrong, and some one has been butting in +and getting away with the goods under our noses. We know now, from last +night, that it must have been the White Moll, for one, though it's not +likely she worked all alone. Skeeny dropped to the fact that the police +were wise about Skarbolov's, and that's why we called it off, and the +'seven-three-nine' went out. They must have got wise through shadowing +the White Moll. See? Then they pinch her, but she makes her get-away, +and comes here, and, if the dope I've got is right, you hand Rough +Rorke one, and help her to beat it again. It looks blamed funny--doesn't +it?--when you come to consider that there's a leak somewhere!” + +“Is that so!” Rhoda Gray flashed back. “And did you know before last +night that it was the White Moll who was queering our game?” + +“If I had,” the man gritted between his teeth, “I'd--” + +“Well, then, how did you expect me to know it?” demanded Rhoda Gray +heatedly. “And if the White Moll happens to know Gypsy Nan, as she knows +everybody else through her jellies and custards and fake charity, and +happens to be near here when she gets into trouble, and beats it for +here with the police on her heels, and asks for help, what do you expect +Gypsy Nan's going to do if she wants to stand any chance of sticking +around these parts--as Gypsy Nan?” + +The man paused in his walk, and, jerking back his hat, drew his hand +nervously across his forehead. + +“You make me tired!” said Rhoda Gray wearily. “Do you think you could +find the door without too much trouble?” + +Danglar resumed his pacing back and forth, but more slowly now. + +“Oh, I know! I know, Bertha!” he burst out heavily. “I'm talking through +my hat. You've got the roughest job of any of us, old girl. Don't mind +what I'm saying. Something's badly wrong, and I'm half crazy. It's +certain now that the White Moll's the one that's been doing us, and what +I really came down here for to-night was to tell you that your job from +now on was to get the White Moll. You helped her last night. She doesn't +know you are anybody but Gypsy Nan, and so you're the one person in New +York she'll dare try to communicate with sooner or later. Understand? +That's what I came for, not to talk like a fool--but that fellow I found +here started me off. Who is he? What did he want?” + +“He wanted the White Moll, too,” said Rhoda Gray, with a short laugh. + +“Oh, he did, eh!” Danglar's lips twisted into a sudden, merciless smile. +“Well, go on! Who is he?” + +“I don't know who he is,” Rhoda Gray answered a little impatiently. “He +said he was an adventurer--if you can make anything out of that. He said +he got the White Moll away from Rough Rorke last night, after Rorke had +arrested her; and then he doped the rest out the same as you have--that +he could find the White Moll again through Gypsy Nan. I don't know what +he wanted her for.” + +“That's better!” snarled Danglar, the merciless smile still on his lips. +“I thought she must have had a pal, and we know now who her pal is. It's +open and shut that she's sitting so tight she hasn't been able to get +into touch with him, and that's what's worrying Mr. Adventurer.” + +Rhoda Gray, save for a nod of her head, made no answer. + +Danglar laughed suddenly, as though in relief; then, coming closer to +the bed, plunged his hand into his coat pocket, and tossed handful of +jewelry carelessly into Rhoda Gray's lap. + +“I feel better than I did!” he said, and laughed again. “It's a cinch +now that we'll get them both through you, and it s a cinch that the +White Moll won't cut in to-night. Put those sparklers away with the rest +until we get ready to 'fence' them.” + +Rhoda Gray did not speak. Mechanically, as though she were living +through some hideous nightmare, she began to scoop up the gems from her +lap and allow them to trickle back through her fingers. They flashed and +scintillated brilliantly, even in the meager light. They seemed alive +with some premonitory, baleful fire. + +“Yes, there's some pretty slick stuff there,” said Danglar, with an +appraising chuckle; “but there'll be something to-night that'll make all +that bunch look like chicken-feed. The boys are at work now, and we'll +have old Hayden-Bond's necklace in another hour. Skeeny's got the +Sparrow tied up in the old room behind Shluker's place, and once we're +sure there's no back-fire anywhere, the Sparrow will chirp his last +chirp.” He laughed out suddenly, and, leaning forward, clapped Rhoda +Gray exultantly on the shoulder. “It was like taking candy from +a kid! The Sparrow and the old man fell for the sick-mother, +needing-her-son-all-night stuff without batting a lid; but the Sparrow +hasn't been holding the old lady's hand at the bedside yet. We took care +of that.” + +Again Rhoda Gray made no comment. She wondered, as she gripped at the +rings and brooches in hand, so fiercely that the settings pricked into +the flesh, if her face mirrored in any way the cold, sick misery that +had suddenly taken possession of her soul. The Sparrow! She knew the +Sparrow; she knew the Sparrow's sick mother. That part of it was true. +The Sparrow did have an old mother who was sick. A fine old lady--finer +than the son--Finch, her name was. Indirectly, she knew old Hayden-Bond, +the millionaire, and--Almost subconsciously she was aware that Danglar +was speaking again. + +“I guess luck's breaking our way again,” he grinned. “The old boy paid +a hundred thousand cold for that necklace. You know how long we've been +waiting to get our hooks on it, and we've never had our eyes off his +house for two months. Well, it pays to wait, and it pays to do things +right. It broke our way at last to-night, all right, all right! To-day's +Saturday--and the safety deposit vaults aren't open on Sunday. Mrs. +Hayden-Bond's been away all week visiting, but she comes back to-morrow, +and there's some swell society fuss fixed for to-morrow night, and she +wants her necklace to make a splurge, so she writes Mr. H-hyphen-B, and +out it comes from the safety deposit vault, and into the library safe. +The old man isn't long on social stunts, and he's got pretty well set +in his habits; one of those must-have-nine-hours'-sleep bugs, and he's +always in bed by ten--when his wife'll let him. She being away to-night, +the boys were able to get to work early. They ought to be able to crack +that box without making any noise about it in an hour and a half at the +outside.” He pulled out his watch-and whistled low under his breath. +“It's a quarter after eleven now,” he said hurriedly, and moved abruptly +toward the door. “I can't stick around here any longer. I've got to be +on deck where they can slip me the 'white ones,' and then there's +Skeeny waiting for the word to bump off the Sparrow.” He jerked his hand +suddenly toward the jewels in her lap. “Salt those away before any more +adventurers blow in!” he said, half sharply, half jocularly. “And don't +let the White Moll slip you--at any cost. Remember! She's bound to come +to you again. Play her--and send out the call. You understand, don't +you? There's never been a yip out of the police. Our methods are too +good for that. Look at the Sparrow to-night. Where there's no chance +taken of suspicion going anywhere except where we lead it, there's +no chance of any trouble--for us! But this cursed she-fiend's another +story. We're not planting plum trees for her to pick any more of the +fruit. Understand?” + +She answered him mechanically. + +“Yes,” she said. + +“All right, then; that end of it is up to you,” he said significantly. +“You're clever, clever as the devil, Bertha. Use your brains now--we +need 'em. Good-night, old girl. See you later.” + +“Good-night,” said Rhoda Gray dully. + +The door closed. The short, ladder-like steps to the hallway below +creaked once, and then all was still. Danglar did have on rubber-soled +shoes. She sat upright, her hands, clenched now, pressed hard against +her throbbing temples. It wasn't true! None of this was true--this +hovel of a place, those jewels glinting like evil eyes in her lap; her +existence itself wasn't true; it was only her brain now, sick like her +soul, that conjured up these ugly phantoms with horrible, plausible +ingenuity. And then an inner voice seemed to answer her with a calmness +that was hideous in its finality. It was true. All of it was true. +Those words of Danglar, and their bald meaning, were true. Men did such +things; men made in the image of their Maker did such things. They were +going to kill a man to-night--an innocent man whom they had made their +pawn. + +She swept the jewels from her lap to the blanket, and rising, seized the +candle, went to the door, looked out, and, holding the candle high above +her head, peered down the stairs. Yes, he was gone. There was no one +there. + +She locked the door again, returned to the bed, set the candle down upon +the chair, and stood there, her face white and drawn, staring with wide, +tormented eyes about her. Murder. Danglar had spoken of it with inhuman +callousness--and had laughed at it. They were going to take a man's +life. And there was only herself, already driven to extremity, already +with her own back against the wall in an effort to save herself, only +herself to carry the burden of the responsibility of doing something-to +save a man's life. + +It seemed to plumb the depths of irony and mockery. She could not make +a move as Gypsy Nan. It would only result in their turning upon her, of +the discovery that she was not Gypsy Nan at all, of the almost certainty +that it would cost her her own life without saving the Sparrow's. That +way was closed to her from the start. As the White Moll, then? Outside +there in the great city, every plain-clothes man, every policeman on +every beat, was staring into every woman's face he met--searching for +the White Moll. + +She wrung her hands in cruel desperation. Even to her own problem she +had found no solution, though she had wrestled with it all last night, +and all through the day; no solution save the negative one of clinging +to this one refuge that remained to her, such as it was, temporarily. +She had found no solution to that; what solution was there to this! She +had thought of leaving the city as Gypsy Nan, and then somewhere far +away, of sloughing off the character of Gypsy Nan, and of resuming her +own personality again under an assumed name. But that would have meant +the loss of everything she had in life, her little patrimony, the +irredeemable stamp of shame upon the name she once had owned; and also +the constant fear and dread that at any moment the police net, wide as +the continent was wide, would close around her, as, sooner or later, it +was almost inevitable that it would close around her. It had seemed that +her only chance was to keep on striving to play the role of Gypsy Nan, +because it was these associates of Gypsy Nan who were at the bottom of +the crime of which she, Rhoda Gray, was held guilty, and because there +was always the hope that in this way, through confidences to a supposed +confederate, she could find the evidence that would convict those +actually guilty, and so prove her own innocence. But in holding to +the role of Gypsy Nan for the purpose of receiving those criminal +confidences, she had not thought of this--that upon her would rest the +moral responsibility of other crimes of which she would have knowledge, +and, least of all, that she should be faced with what lay before her +now, to-night, at the first contact with those who had been Gypsy Nan's +confederates. + +What was she to do? Upon her, and upon her alone, depended a man's life, +and, adding to her distraction, she knew the man--the Sparrow, who had +already done time; that was the vile ingenuity of it all. And there +would le corroborative evidence, of course; they would have seen to +that. If the Sparrow disappeared and was never heard of again, even a +child would deduce the assumption that the proceeds of the robbery had +disappeared with him. + +Her brain seemed to grow panicky. She was standing here helplessly. And +time, the one precious ally that she possessed, was slipping away from +her. She could not go to the police as Gypsy Nan--and, much less, as +the White Moll! She could not go to the police in any case, for the +“corroborative” evidence, that obviously must exist, unless Danglar and +those with him were fools, would indubitably damn the Sparrow to another +prison term, even supposing that through the intervention of the police +his life were saved. What was she to do? + +And then, for a moment, her eyes lighted in relief. The Adventurer! +She thrust her hand into the pocket of her skirt, and drew out the torn +piece of paper, and studied the telephone number upon it--and slowly the +hurt and misery came back into her eyes again. Who was he? He had told +her. An adventurer. He had given her to understand that he, if she had +not been just a few minutes ahead of him, would have taken that money +from Skarbolov's escritoire last night. Therefore he was a crook. +Danglar had said that some one had been getting in ahead of them lately +and snatching the plunder from under their noses; and Danglar now +believed that it had been the White Moll. A wan smile came to her lips. +Instead of the White Moll, it appeared to be quite obvious that it was +the Adventurer. It therefore appeared to be quite as obvious that the +man was a professional thief, and an extremely clever one, at that. She +dared not trust him. To enlist his aid she would have to explain +the gang's plot; and while the Adventurer might go to the Sparrow's +assistance, he might also be very much more interested in the diamond +necklace that was involved, and not be entirely averse to Danglar's plan +of using the Sparrow as a pawn, who, in that case, would make a very +convenient scapegoat for the Adventurer--instead of Danglar! She dared +not trust the man. She could not absolve her conscience by staking +another's life on a hazard, on the supposition that the Adventurer might +do this or that. It was not good enough. + +She was quick in her movements now. Subconsciously her decision had been +made. There was only one way--only one. She gathered up the jewels from +the bed and thrust them, with the Adventurer's torn piece of paper, into +her pocket. And now she reached for the little notebook that she had +hidden under the blanket. It contained the gang's secret code, and she +had found it in the cash box in Gypsy Nan's strange hiding place that +evening. Half running now, carrying the candle, she started toward the +lower end of the attic, where the roof sloped down to little more +than shoulder high. “Seven-Three-Nine!” Danglar had almost decoded the +message word for word in the course of his conversation. In the little +notebook, set against the figures, were the words: “Danger. The game +is off. Make no further move.” It was only one of many, that arbitrary +arrangement of figures, each combination having its own special +significance; but, besides these, there was the key to a complete +cipher into which any message might be coded, and--But why was her brain +swerving off at inconsequential tangents? What did a coder or code book, +matter at the present moment? + +She was standing under the narrow trap-door in the low ceiling now, and +now she pushed it up, and lifting the candle through the opening, set it +down on the inner surface of the ceiling, which, like some vast shelf, +Gypsy Nan had metamorphosed into that exhaustive storehouse of edibles, +of plunder--a curious and sinister collection that was eloquent of a +gauntlet long flung down against the law. She emptied the pocket of her +skirt, retaining only the revolver, and substituted the articles she had +removed with the tin box that contained the dark compound Gypsy Nan, and +she herself, as Gypsy Nan, had used to rob her face of youthfulness, and +give it the grimy, dissolute and haggard aspect which was so simple and +yet so efficient a disguise. + +She worked rapidly now, changing her clothes. She could not go, or act, +as Gypsy Nan; and so she must go in her own character, go as the White +Moll--because that was the lesser danger, the one that held the only +promise of success. There wasn't any other way. She could not very well +refuse to risk her capture by the police, could she, when by so doing +she might save another's life? She could not balance in cowardly +selfishness the possibility of a prison term for herself, hideous as +that might be, against the penalty of death that the Sparrow would pay +if she remained inactive. But she could not leave here as the White +Moll. Somewhere, somewhere out in the night, somewhere away from this +garret where all connection with it was severed, she must complete the +transformation from Gypsy Nan to the White Moll. She could only prepare +for that now as best she could. + +And there was not a moment to lose. The thought made her frantic. Over +her own clothes she put on again Gypsy Nan's greasy skirt, and drew on +again, over her own silk ones, Gypsy Nan's coarse stockings. She put on +Gypsy Nan's heavy and disreputable boots, and threw the old shawl again +over her head and shoulders. And then, with her hat--for the small shape +of which she breathed a prayer of thankfulness!--and her own shoes under +her arm and covered by the shawl, she took the candle again, closed the +trap-door, and stepped over to the washstand. Here, she dampened a +rag, that did duty as a facecloth, and thrust it into her pocket; then, +blowing out the candle, she groped her way to the door, locked it behind +her, and without any attempt at secrecy made her way downstairs. + + + + +VI. THE RENDEZVOUS + +Rhoda Gray's movements were a little unsteady as she stepped out on +the sidewalk. Gypsy Nan's accepted inebriety was not without its +compensation. It enabled her, as she swayed for a moment, to scrutinize +the street in all directions. Were any of Rough Rorke's men watching the +house? She did not know; she only knew that as far as she had been +able to discover, she had not been followed when she had gone out that +afternoon. Up the street, to her right, there were a few pedestrians; to +her left, as far as the corner, the block was clear. She turned in the +latter direction. She had noticed that afternoon that there was a lane +between Gypsy Nan's house and the corner; she gained this and slipped +into it unobserved. + +And now, in the comparative darkness, she hurried her steps. Somewhere +here in the lane she would make the transformation from Gypsy Nan to the +White Moll complete; it required only some place in which she could with +safety leave the garments that she discarded, and--Yes, this would do! A +tumble-down old shed, its battered door half open, ample proof that the +place was in disuse, intersected the line of high board fence on her +right. + +She stole inside. It was utterly dark, but she had no need for light. +It was a matter of perhaps three minutes; and then, the revolver +transferred to the pocket of her jacket, the stains removed from her +face by the aid of the damp cloth, her hands neatly gloved in black +kid, the skirt, boots, stockings, shawl, spectacles and wig of Gypsy Nan +carefully piled together and hidden in a hole under the rotting boards +of the floor, behind the door, she emerged as the White Moll, and went +on again. + +But at the end of the lane, where it met a cross street, and the street +lamp flung out an ominous challenge, and, dim though it was, seemed to +glare with the brightness of daylight, she faltered for a moment and +drew back. She knew where Shluker's place was, because she knew, as few +knew it, every nook and cranny in the East Side, and it was a long way +to that old junk shop, almost over to the East River, and--and there +would be lights like this one here that barred her exit from the lane, +thousands of them, lights all the way, and--and out there they were +searching everywhere, pitilessly, for the White Moll. + +And then, with her lips tightened, the straight little shoulders thrown +resolutely back, she slipped from the lane to the sidewalk, and, hugging +the shadows of the buildings, started forward. + +She was alert now in mind and body, every faculty strained and in +tension. It was a long way, and it would take a great while--by wide +detours, by lanes and alleyways, for only on those streets that were +relatively deserted and poorly lighted would she dare trust herself to +the open. And as she went along, now skirting the side of a street, now +through some black courtyard, now forced to take a fence, and taking it +with the agility born of the open, athletic life she had led with her +father in the mining camps of South America, now hiding at the mouth +of a lane waiting her chance to cross an intersecting street when +some receding footstep should have died away, the terror of delay +came gripping at her heart with an icy clutch, submerging the fear of +personal peril in the agony of dread that, with her progress so slow, +she would, after all, be too late. And at times she almost cried out in +her vexation and despair, as once, when crouched behind a door-stoop, +a policeman, not two yards from her, stood and twirled his night stick +under the street lamp while the minutes sped and raced themselves away. + +When she could run, she ran until it seemed her lungs must burst, but +it was slow progress at best, and always the terror grew upon her. Had +Danglar met the men yet who had looted the millionaire's safe? Had he +already joined Skeeny in that old room behind Shluker's place? Had the +Sparrow--She would not let her mind frame that question in concrete +words. The Sparrow! His real name was Martin, Martin Finch--Marty, +for short. Times without number she had visited the sick and widowed +mother--while the Sparrow had served a two-years' sentence for his first +conviction in safe-breaking. The Sparrow, from a first-class chauffeur +mechanic, had showed signs of becoming a first-class cracksman, it was +true; but the Sparrow was young, and she had never believed that he was +inherently bad. Her opinion had been confirmed when, some six months +ago, on his release, listening both to her own pleadings and to those of +his mother, the Sparrow had sworn that he would stick to the “straight +and narrow.” And Hayden-Bond, the millionaire, referred to by a good +many people as eccentric, had further proved his claims to eccentricity +in the eyes of a good many people by giving a prison bird a chance to +make an honest living, and had engaged the Sparrow as his chauffeur. It +was a vile and an abominable thing that they were doing, even if they +had not planned to culminate it with murder. What chance would the +Sparrow have had! + +It had taken a long time. She did not know how long, as, at last, she +stole unnoticed into a black and narrow driveway that led in, between +two blocks of down-at-the-heels tenements, to a courtyard in the rear. +Shluker had his junk shop here. Her lips pursed up as though defiant of +a tinge of perplexity that had suddenly taken possession of her. She did +not know Shluker, or anything about Shluker's place except its locality; +but surely “the old room behind Shluker's” was direction enough, +and--She had just emerged from the end of the driveway now, and now, +startled, she turned her head quickly, as she heard a brisk step turning +in from the street behind her. But in the darkness she could see no one, +and satisfied, therefore, that she in turn had not been seen, she moved +swiftly to one side, and crouched down against the rear wall of one of +the tenements. A long moment, that seemed an eternity, passed, and +then a man's form came out from the driveway, and started across the +courtyard. + +She drew in her breath sharply, a curious mingling of relief and a +sudden panic fear upon her. It was not so dark in the courtyard as it +had been in the driveway, and, unless she were strangely mistaken that +form out there was Danglar's. She watched him as he headed toward a +small building that loomed up like a black, irregular shadow across +the courtyard, and which was Shluker's shop--watched him in a tense, +fascinated way. She was in time, then--only--only somehow now her limbs +seemed to have become weak and powerless. It seemed suddenly as though +she craved with all her soul the protecting shadows of the tenement, +and that every impulse bade her cling there, flattened against the wall, +until she could make her escape. She was afraid now; she shrank from the +next step. It wasn't illogical. She had set out with a purpose in +view, and she had not been blind to the danger that she ran, but the +prospective and mental encounter with danger did not hold the terror +that the tangible, concrete and actual presence of that peril did--and +that was Danglar there. + +She felt her face whiten, and she felt the tremor of her lips, tightly +as they were drawn together. Yes, she was afraid, afraid in every fiber +of her being, but there was a difference, wasn't there, between being +afraid and being a coward? Her small, gloved hands clenched, her lips +parted slightly. She laughed a little now, low, without mirth. Upon what +she did or did not do, upon the margin between fear and cowardice as +applied to herself, there hung a man's life. Danglar was disappearing +around the side of Shluker's shop. She moved out from the wall, and +swiftly, silently, crossed the courtyard, gained the side of the junk +shop in turn, skirted it, and halted, listening, peering around her, +as she reached the rear corner of the building. A door closed somewhere +ahead of her; from above, upstairs, faint streaks of light showed +through the interstices of a shuttered window. + +She crept forward now, hugging the rear wall, reached a door-the one, +obviously, through which Danglar had disappeared, and which she +had heard as it was closed--tried the door, found it unlocked, and, +noiselessly, inch by inch, pushed it open; and a moment later, stepping +over the threshold, she closed it softly behind her. A dull glow of +light, emanating evidently from an open door above, disclosed the upper +portion of a stairway over on her left, but apart from that the place +was in blackness, and save that she knew, of course, she was in the rear +of Shluker's junk shop, she could form no idea of her surroundings. +But she could, at last, hear. Voices, one of which she recognized as +Danglar's, though she could not distinguish the words, reached her from +upstairs. + +Slowly, with infinite care, she crossed to the stairs, and on hands and +knees now, lest she should make a sound, began to crawl upward. And a +little way up, panic fear seized upon her again, and her heart stood +still, and she turned a miserable face in the darkness back toward the +door below, and fought against the impulse to retreat again. + +And then she heard Danglar speak, and from her new vantage point his +words came to her distinctly this time: + +“Good work, Skeeny! You've got the Sparrow nicely trussed up, I see. +Well, he'll do as he is for a while there. I told the boys to hold off a +bit. It's safer to wait an hour or two yet, before moving him away from +here and bumping him off.” + +“Two jobs instead of one!” a surly voice answered. “We might just as +well have finished him and slipped him away for keeps when we first got +our hooks on him.” + +“Got a little sick of your wood-carving, while you stuck around by your +lonesome and watched him--eh?” Danglar's tones were jocularly facetious. +“Don't grouch, Skeeny! We're not killing for fun--it doesn't pay. +Supposing anything had broken wrong up the Avenue--eh? We wouldn't have +had our friend the Sparrow there for the next time we tried it!” + +There was something abhorrently callous in the laugh that followed. It +seemed to fan into flame a smoldering fire of passionate anger in Rhoda +Gray's soul. And before it panic fled. Her hand felt upward for the next +stair-tread, and she crept on again, as a face seemed to rise before +her--not the Sparrow's face--a woman's face. It was a face that was +crowned with very thin white hair, and its eyes were the saddest she had +ever seen, and yet they were brave, steady old eyes that had not lost +their faith; nor had the old, care-lined face itself, in spite of +suffering, lost its gentleness and sweetness. And then suddenly it +seemed to change, that face, and become wreathed in smiles, and happy +tears to run coursing down the wrinkled cheeks. Yes, she remembered! It +had brought the tears to her own eyes. It was the night that the wayward +Sparrow, home from the penitentiary, on his knees, his head buried in +his mother's lap, had sworn that he would go straight. + +Fear! It seemed as though she never had known, never could know +fear--that only a merciless, tigerish, unbridled fury had her in its +thrall. And she went on up, step after step, as Danglar spoke again: + +“There's nothing to it! The Sparrow there fell for the telephone when +Stevie played the doctor. And old Hayden-Bond of course grants his +prison-bird chauffeur's request to spend the night with his mother, who +the doctor says is taken worse, because the old guy knows there is a +mother who really is sick. Only Mr. Hayden-Bond, and the police with +him, will maybe figure it a little differently in the morning when they +find the safe looted, and that the Sparrow, instead of ever going near +the poor old dame, has flown the coop and can't be found. And in case +there's any lingering doubt in their minds, that piece of paper with the +grease-smudges and the Sparrow's greasy finger-prints on it, that you +remember we copped a few days ago in the garage, will set them straight. +The Cricket slipped it in among the papers he pulled out of the safe +and tossed around on the floor. It looks as though a tool had been wiped +with it while the safe was being cracked, and that it got covered over +by the stuff that was emptied out, and had been forgotten. I guess they +won't be long in comparing the finger-prints with the ones the Sparrow +kindly left with them when they measured him for his striped suit the +time they sent him up the river--eh?” + +Rhoda Gray could see now. Her eyes were on a level with the landing, and +diagonally across from the head of the stairs was the open doorway of a +lighted room. She could not see all of the interior, but she could see +quite enough. Two men sat, side face to her, one at each end of a rough, +deal table--Danglar, and an ugly, pock-marked, unshaven man, in a peaked +cap that was drawn down over his eyes, who whittled at a stick with a +huge jack-knife. The latter was Skeeny, obviously; and the jack-knife +and the stick, quite as obviously, explained Danglar's facetious +reference to wood-carving. And then her eyes shifted, and widened as +they rested on a huddled form that she could see by looking under and +beyond the table, and that lay sprawled out against the far wall of the +room. + +Skeeny pushed the peak of his cap back with the point of his +knife-blade. + +“What's the haul size up at?” he demanded. “Anything in the safe besides +the shiners?” + +“A few hundred dollars,” Danglar replied. “I don't know exactly how +much. I told the Cricket to divide it up among the boys who did the +rough work. That's good enough, isn't it, Skeeny? It gives you a little +extra. You'll get yours.” + +Skeeny grunted compliance. + +“Well, let's have a look at the white ones, then,” he said. + +Rhoda Gray was standing upright in the little hallway now, and now, +pressed close against the wall, she edged toward the door-jamb. And a +queer, grim little smile came and twisted the sensitive lips, as she +drew her revolver from her pocket. The merciless, pitiless way in which +the newspapers had flayed the White Moll was not, after all, to be +wholly regretted! The cool, clever resourcefulness, the years of +reckless daring attributed to the White Moll, would stand her in good +stead now. Everybody on the East Side knew her by sight. These men knew +her. It was not merely a woman ambitiously attempting to beard two men +who, perhaps, holding her sex in contempt in an adventure of this +kind, might throw discretion to the winds and give scant respect to her +revolver, for behind the muzzle of that revolver was the reputation of +the White Moll. They would take her at face value--as one who not only +knew how to use that revolver, but as one who would not hesitate an +instant to do so. + +From the room she heard Skeeny whistle low under his breath, as though +in sudden and amazed delight--and then she was standing full in the open +doorway, and her revolver in her outflung, gloved hand covered the two +men at the table. + +There was a startled cry from Skeeny, a scintillating flash of light as +a magnificent string of diamonds fell from his hand to the table. But +Danglar did not move or speak; only his lips twitched, and a queer +whiteness came and spread itself over his face. + +“Put up your hands-both of you!” she ordered, in a low, tense voice. + +It was Skeeny who spoke, as both men obeyed her. “The White Moll, so +help me!” he mumbled, and swallowed hard. + +Danglar's eyes never seemed to leave her face, and they narrowed now, +full of hatred and a fury that lie made no attempt to conceal. She +smiled at him coldly. She quite understood! He had already complained +that evening that the White Moll for the last few weeks had been robbing +them of the fruits of their laboriously planned schemes. And now-again! +Well, she would not dispel his illusion! He had given the White Moll +that role--and it was the safest role to play. + +She stepped forward now, and with her free hand suddenly pulled the +table toward her out of their reach; and then, as she picked up the +necklace, she appeared for the first time to become aware of the +presence of the huddled form on the floor near the wall. She could see +that the Sparrow was bound and gagged, and as he squirmed now he turned +his face toward her. + +“Why, it's the Sparrow, isn't it?” she exclaimed sharply; then, evenly, +to the two men: “I had no idea you were so hospitable! Push your chairs +closer together--with your feet, not your hands! You are easier to watch +if you are not too far apart.” + +Dangler complied sullenly. Skeeny, over the scraping of his chair legs, +cursed in a sort of unnerved abandon, as he obeyed her. + +“Thank you!” said Rhoda Gray pleasantly--and calmly tucked the necklace +into her bodice. + +The act seemed to rouse Danglar to the last pitch of fury. The blood +rushed in an angry tide to his face, and, suffusing, purpled his cheeks. + +“This isn't the first crack you've made!” he flung out hoarsely. “You've +been getting wise to a whole lot lately somehow, you and that dude pal +of yours, but you'll pay for it, you female devil! Understand? By God, +you'll pay for it! I promise you that you'll pray yet on your bended +knees for the chance to take your own life! Do you hear?” + +“I hear,” said Rhoda Gray coldly. + +She picked up the jack-knife from the table, and keeping both men +covered, stepped backward to the wall. Here, kneeling, she reached +behind her with her left hand, and felt for, and cut the heavy cord that +bound the Sparrow's arms; then, pushing the knife into the Sparrow's +hands that he might free himself from the rest of his bonds, she stood +up again. + +A moment more, and the Sparrow, rubbing the circulation back into his +wrists, stood beside her. There was a look on the young, white face that +was not good to see. He circled dry lips with the tip of his tongue and +then his thumb began to feel over the blade of the big jack-knife in a +sort of horribly supercritical appraisal of its edge. He spoke thickly +for the gag that had been in his mouth. + +“You dirty skates!” he whispered. “You were going to bump me off, were +you? You planted me cold, did you? Oh, hell!” His laugh, like the laugh +of one insane, jangling, discordant, rang through the room. “Well, +it's my turn now, and”--his body was coiling itself in a slow, curious, +almost snake-like fashion--“and you'll--” + +Rhoda Gray laid her hand on the Sparrow's arm. + +“Not that way, Marty,” she said quietly. She smiled thinly at Danglar, +who, with genuinely frightened eyes now, seemed fascinated by the +Sparrow's movements. “I wouldn't care to have anything happen to Mr. +Danglar--yet. He has been invaluable to me, and I am sure he will be +again.” + +The Sparrow brushed his hands across his eyes, and stared at her. He +licked his lips again. He appeared to be obsessed with the knife-blade +in his hand--dazed in a strange way to all else. + +“There's enough cord there for both of them,” said Rhoda Gray crisply. +“Tie them in their chairs, Marty.” + +For a moment the Sparrow hesitated; and then, with a sort of queer +reluctancy, he dropped the knife on the table, and went and picked up +the strands of cord from the floor. + +No one spoke. The Sparrow, with twitching lips as he worked, and worked +not gently, bound first Danglar and then Skeeny to their respective +chairs. Skeeny for the most part kept his eyes on the floor, casting +only furtive glances at Rhoda Gray's revolver muzzle. But Danglar was +smiling now. He had very white teeth. There was something of primal, +insensate fury in the hard-drawn, parted lips. Somehow he seemed to +remind Rhoda Gray of a beast, stung to madness, but impotent behind the +bars of its cage, as it showed its fangs. + +“We'll go now, Marty,” she said softly, as the Sparrow finished. + +She motioned the Sparrow with an imperious little nod of her head to the +door. And then, following the other, she backed to the door herself, and +halted an instant on the threshold. + +“It has been a very profitable evening, Mr. Danglar,” she said coolly. +“I have you to thank for it. When your friends come, which I think I +heard you say would be in another hour or so, I hope you will not fail +to convey to them my--” + +“You she-fiend!” Danglar had found his voice again. “You'll crawl for +this! Do you understand? and I'll show you inside of twenty-four hours +what you're up against, you--you--” His voice broke in its fury. The +veins were standing out on the side of his neck like whipcords. He could +just move his forearms a little, and his hands reached out toward her, +curved like claws. “I'll--” + +But Rhoda Gray had closed the door behind her, and, with the Sparrow, +was retreating down the stairs. + + + + +VII. FELLOW THIEVES + +Reaching the courtyard, Rhoda Gray led the way without a word through +the driveway, and finding the street clear, hurried on rapidly. Her +mind, strangely stimulated, was working in quick, incisive flashes. +Her work was not yet done. The Sparrow was safe, as far as his life was +concerned; but her possession of even the necklace would not save the +Sparrow from the law. There was the money that was gone from the safe. +She could not recover that, but--yes, dimly, she began to see a way. She +swerved suddenly from the sidewalk as she came to an alleyway--which had +been her objective--and drew the Sparrow in with her out of sight of the +street. + +The Sparrow gripped at her hand. + +“The White Moll!” he whispered brokenly. “God bless the White Moll! I +ain't had a chance to say it before. You saved my life, and I--I--” + +In the semi-darkness she leaned forward and laid her fingers gently over +the Sparrow's lips. + +“And there's no time to say it now, Marty,” she said quickly. “You are +not out of this yet.” + +He swept his hand across his eyes. + +“I know it,” he said. “I got to get those shiners back up there somehow, +and I got to get that paper they planted on me.” + +She shook her head. + +“Even that wouldn't clear you,” she said. “The safe has been looted of +money, as well; and you can't replace that. Even with only the money +gone, who would they first naturally suspect? You are known as a +safe-breaker; you have served a term for it. You asked for a night off +to stay with your mother who is sick. You left Mr. Hayden-Bond's, we'll +say, at seven or eight o'clock. It's after midnight now. How long would +it take them to find out that between eight and midnight you had not +only never been near your mother, but could not prove an alibi of any +sort? If you told the truth it would sound absurd. No one in their sober +senses would believe you.” + +The Sparrow looked at her miserably. + +“My God!” he faltered. He wet his lips. “That's true.” + +“Marty,” she said quietly, “did you read in the papers that I had been +arrested last night for theft, caught with the goods on me, but had +escaped?” + +The Sparrow hesitated. + +“Yes, I did,” he said. And then, earnestly: “But I don't believe it!” + +“It was true, though, Marty--all except that I wasn't a thief,” she said +as quietly as before. “What I want to know is, in spite of that, would +you trust me with what is left to be done to-night, if I tell you that I +believe I can get you out of this?” + +“Sure, I would!” he said simply. “I don't know how you got wise about +all this, or how you got to know about that necklace, but any of our +crowd would trust you to the limit. Sure, I'd trust you! You bet your +life!” + +“Thank you, Marty,” she said. “Well, then, how do you get into Mr. +Hayden-Bond's house when, for instance, you are out late at night?” + +“I've got a key to the garage,” he answered. “The garage is attached to +the house, though it opens on the side street.” + +She held Out her hand. + +The Sparrow fished in his pocket, and extended the key without +hesitation. + +“It's for the small door, of course,” he explained. + +“You haven't got a flashlight, I suppose?” she smiled. + +“Sure! There's plenty of 'em! Each car's got one with its tools under +the back seat.” + +She nodded. + +“And now, the library,” she said. “What part of the house is it in? How +is it situated?” + +“It's on the ground floor at the back,” he told her. “The little short +passage from the garage opens on the kitchen, then the pantry, and then +there's a little cross hallway, and the dining-room is on the left, and +the library on the right. But ain't I going with you?” + +She shook her head again. + +“You're going home, Marty--after you've sent me a taxicab. If you were +seen in that neighborhood now, let alone by any chance seen in the +house, nothing could save you. You understand that, don't you? Now, +listen! Find a taxi, and send it here. Tell the chauffeur to pick me up, +and drive me to the corner of the cross street, one block in the rear of +Mr. Hayden-Bond's residence. Don't mention Hayden-Bond's name. Give the +chauffeur simply street directions. Be careful that he is some one who +doesn't know you. Tell him he will be well paid--and give him this to +begin with.” She thrust a banknote into the Sparrow's hand. “You're sure +to find one at some all-night cabaret around here. And remember, +when you go home afterward, not a word to your mother! And not a word +to-morrow, or ever-to any one! You've simply done as you told your +employer you were going to do--spent the night at home.” + +“But you,” he burst out, and his words choked a little. “I--I can't let +you go, and--” + +“You said you would trust me, Marty,” she said. “And if you want to help +me, as well, don't waste another moment. I shall need every second I +have got. Quick! Hurry!” + +“But--” + +She pushed him toward the street. + +“Run!” she said tensely. “Hurry, Marty, hurry!” + +She drew back into the shadows. She was alone now. The Sparrow's racing +footsteps died away on the pavement. Her mind reverted to the plan +that she had dimly conceived. It became detailed, concrete now, as the +minutes passed. And then she heard a car coming along the previously +deserted street, and she stepped out on the sidewalk. It was the taxi. + +“You know where to go, don't you?” she said to the chauffeur, as the cab +drew up at the curb, and the man leaned out and opened the door. + +“Yes'm,” he said. + +“Please drive fast, then,” she said, as she stepped in. + +The taxi shot out from the curb, and rattled forward at a rapid pace. +Rhoda Gray settled back on the cushions. A half whimsical, half weary +little smile touched her lips. It was much easier, and infinitely safer, +this mode of travel, than that of her earlier experience that evening; +but, earlier that evening, she had had no one to go to a cab rank +for her, and she had not dared to appear in the open and hail one for +herself. The smile vanished, and the lips became, pursed and grim. Her +mind was back on that daring, and perhaps a little dangerous, plan, that +she meant to put into execution. Block after block was traversed. It +was a long way uptown, but the chauffeur's initial and generous tip was +bearing fruit. The man was losing no time. + +Rhoda Gray calculated that they had been a little under half an hour in +making the trip, when the taxi finally drew up and stopped at a corner, +and the chauffeur, again leaning out, opened the door. + +“Wait for me,” she instructed, and handed the man another tip--and, with +a glance about her to get her location, she hurried around the corner, +and headed up the cross street. + +She had only a block now to go to reach the Hayden-Bond mansion on the +corner of Fifth Avenue ahead--less than that to reach the garage, +which opened on the cross street here. She had little fear of personal +identification now. Here in this residential section and at this hour of +night, it was like a silent and deserted city; even Fifth Avenue, just +ahead, for all its lights, was one of the loneliest places at this hour +in all New York. True, now and then, a car might race up or down the +great thoroughfare, or a belated pedestrian's footsteps ring and echo +hollow on the pavement, where but a few hours before the traffic-squad +struggled valiantly, and sometimes vainly, with the congestion--but that +was all. + +She could make out the Hayden-Bond mansion on the corner ahead of her +now, and now she was abreast of the rather ornate and attached little +building, that was obviously the garage. She drew the key from her +pocket, and glanced around her. There was no one in sight. She stepped +swiftly to the small door that flanked the big double ones where the +cars went in and out, opened it, closed it behind her, and locked it. + +For a moment, her eyes unaccustomed to the darkness, she could see +nothing; and then a car, taking the form of a grotesque, looming shadow, +showed in front of her. She moved toward it, felt her way into +the tonneau, lifted up the back seat, and, groping around, found a +flashlight. She meant to hurry now. She did not mean to let that nervous +dread, that fear, that was quickening her pulse now, have time to get +the better of her. She located the door that led to the house, and in +another moment, the short passage behind her, she was in the kitchen, +the flashlight winking cautiously around her. She paused to listen here. +There was not a sound. + +She went on again--through a swinging pantry door with extreme care, and +into a small hall. “On the right,” the Sparrow had said. Yes, here +it was; a door that opened on the rear of the library, evidently. She +listened again. There was no sound--save the silence, that seemed to +grow loud now, and palpitate, and make great noises. And now, in spite +of herself, her breath was coming in quick, hard little catches, and the +flashlight's ray, that she sent around her, wavered and was not steady. +She bit her lips, as she switched off the light. Why should she be +afraid of this, when in another five minutes she meant to invite +attention! + +She pushed the door in front of her open, found it hung with a heavy +portiere inside, brushed the portiere aside, stepped through into the +room, stood still and motionless to listen once more, and then the +flashlight circled inquisitively about her. + +It was the library. Her eyes widened a little. At her left, over against +the wall, the mangled door of a safe stood wide open, and the floor for +a radius of yards around was littered with papers and documents. The +flashlight's ray lifted, and she followed it with her eyes as it made +the circuit of the walls. Opposite the safe, and quite near the doorway +in which she stood, was a window recess, portiered; diagonally across +from her was another door that led, presumably, into the main hall +of the house; the walls were tapestried, and hung here and there with +clusters of ancient trophies, great metal shields, and swords, and +curious arms, that gave a sort of barbaric splendor to the luxurious +furnishings of the apartment. + +She worked quickly now. In a moment she was at the window portieres, +and, drawing these aside, she quietly raised the window, and looked out. +The window was on the side of the house away from the cross street, and +she nodded her head reassuringly to herself as she noted that it gave on +a narrow strip of grass, it could not be called lawn, that separated the +Hayden-Bond mansion from the house next door; that the window was little +more than shoulder-high from the ground; and that the Avenue was within +easy and inviting reach along that little strip of grass between the two +houses. + +She left the window open, and retraced her steps across the room, going +now to the littered mass of papers on the floor near the safe. She began +to search carefully amongst them. She smiled a little curiously as +she came across the plush-lined jeweler's case that had contained the +necklace, and which had evidently been contemptuously discarded by the +Cricket and his confederates; but it took her longer to find the paper +for which she was searching. And then she came upon it--a grease-smeared +advertisement for some automobile appliances, a well-defined greasy +finger-print at one edge--and thrust the paper into her pocket. + +And now suddenly her heartbeat began to quicken again until its thumping +became tumultuous. She was ready now. She looked around her, using +the flashlight, and her eyes rested appraisingly on one of the great +clusters of shields and arms that hung low down on the wall between the +window and the door by which she had entered. Yes, that would do. Her +lips tightened. It would have been so easy if there had not been that +cash to account for! She could replace the necklace, but she could not +replace the cash--and one, as far as the Sparrow was concerned, was as +bad as the other. But there was a way, and it was simple enough. She +whispered to herself that it was not, after all, very dangerous, that +the cards were all in her own hands. She had only to pull down those +shields with a clatter to the floor, which would arouse some one of the +household, and as that some one reached the library door and opened +it, she would be disappearing through the window, and the necklace, as +though it had slipped from her pocket or grasp in her wild effort to +escape, would be lying behind her on the floor. They would see that +it was not the Sparrow; and there would be no question as to where the +money was gone, since the money had not been dropped. There was the +interval, of course, that must elapse between the accident that knocked +the shields from the wall and the time it would take any of the inmates +to reach the library, an interval in which a thief might reasonably be +expected to have had time enough to get away without being seen; but +the possibility that she had not fully accomplished her ends when the +accident occurred, and that she had stayed to make frantic and desperate +efforts to do so right up to the last moment, would account for that. + +She moved now to an electric-light switch, and turned on the light. +They must be able to see beyond any question of doubt that the person +escaping through the window was not the Sparrow. What was she afraid of +now, just at the last! There was an actual physical discomfort in the +furious thumping of that cowardly little heart of hers. It was the only +way. And it was worth it. And it was not so very dangerous. People, +aroused out of bed, could not follow her in their night clothes; and in +a matter of but a few minutes, before the police notified by telephone +could become a factor in the affair, she would have run the block down +the Avenue, and then the other block down the cross street, then back to +the taxi, and be whirling safely downtown. + +Yes, she was ready! She nodded her head sharply, as though in imperative +self-command, and running back, her footfalls soundless on the rich, +heavy rug, she picked up the plush-lined necklace case. She dropped this +again, open, on the floor, halfway between the safe and the window. With +the case apparently burst open as it fell, and the necklace also on the +floor, the stage would be set! She felt inside her bodice, drew out the +necklace--and as she stood there holding it, and as it caught the light +and flashed back its fire and life from a thousand facets, a numbness +seemed to come stealing over her, and a horror, and a great fear, and a +dismay that robbed her of power of movement until it seemed that she was +rooted to the spot, and a low, gasping cry came from her lips. Her eyes, +wide with their alarm, were fixed on the window. There was a man's +face there, just above the sill--and now a man's form swung through the +window, and dropped lightly to the floor inside the room. And she stared +in horrified fascination, and could not move. It was the Adventurer. + +“It's Miss Gray, isn't it? The White Moll?” he murmured amiably. “I've +been trying to find you all night. What corking luck! You remember me, +don't you? Last night, you know.” + +She did not answer. His eyes had shifted from her face to the glittering +river of gems in her hand. + +“I see,” he smiled, “that you are ahead of me again. Well, it is the +fortune of war, Miss Gray. I do not complain.” + +She found her voice at last; and, quick as a flash, as he advanced a +step, she dropped the necklace into her pocket, and her revolver was in +her hand. + +“W--what are you doing here?” she whispered. + +He shrugged his shoulders expressively. + +“I take it that we are both in the same boat,” he said pleasantly. + +“In the same boat?” she echoed dully. She remembered his conversation +with her a few hours ago, when he had believed he was talking to Gypsy +Nan. And now he stood before her for the second time a self-confessed +thief. In the same boat-fellow-thieves! A certain cold composure came to +her. “You mean you came to steal this necklace? Well, you shall not have +it! And, furthermore, you have no right to class me with yourself as a +thief.” + +He had a whimsical and very engaging smile. His eyebrows lifted. + +“Miss Gray perhaps forgets last night,” he suggested. + +“No, I do not forget last night,” she said slowly, “And I do not forget +that I owe you very much for what you did. And that is one reason why I +warn you at once that, as far as the necklace is concerned, it will +do you no good to build any hopes on the supposition that we are +fellow-thieves, and that I am likely either to part with it, or, through +gratitude, share it. In spite of appearances last night, I was not a +thief.” + +“And to-night, Miss Gray--in spite of appearances?” he challenged. + +He was regarding her with eyes that, while they appraised shrewdly, +held a lurking hint of irony in their depths. And somehow, suddenly, +self-proclaimed crook though she held him to be, she found herself +seized with an absurd, unreasonable, but nevertheless passionate, desire +to make good her words. + +“Yes, and to-night, too!” she asserted. “I did not steal this necklace. +I--never mind how--I--I got it. It was planned to put the theft on an +innocent man's shoulders. I was trying to thwart that plan. Whether you +believe me or not, I did not come here to steal the necklace; I came +here to return it.” + +“Quite so! Of course!” acknowledged the Adventurer softly. “I am afraid +I interrupted you, then, in the act of returning it. Might I suggest, +therefore, Miss Gray, that as it's a bit dangerous to linger around here +unnecessarily, you carry out your intentions with all possible haste, +and get away.” + +“And you?” she queried evenly. + +“Myself, of course, as well.” He shrugged his shoulders philosophically. +“Under the circumstances, as a gentleman--will you let me say I prefer +that word to the one I know you are substituting for it--what else can I +do?” + +She bit her lips. Was he mocking her? The gray eyes were inscrutable +now. + +“Then please do not let me detain you!” she said sharply. “And in my +turn, let me advise you to go at once. I intend to knock one of +those shields down from the wall before I go, in order to arouse the +household. I will, however, in part payment for last night, allow you +three full minutes from the time you climb out of that window, so that +you may have ample time to get away.” + +He stared at her in frank bewilderment. + +“Good Lord!” he gasped. “You--you're joking, Miss Gray.” + +“No, I am not,” she replied coolly. “Far from it! There was money stolen +that I cannot replace, and the theft of the money would be put upon +the same innocent shoulders. I see no other way than the one I have +mentioned. If whoever runs into this room is permitted to get a glimpse +of me, and is given the impression that the necklace, which I shall +leave on the floor, was dropped in my haste, the supposition remains +that, at least, I got away with the money. I am certainly not the +innocent man who has been used as the pawn; and if I am recognized as +the White Moll, what does it matter--after last night?” + +He took a step toward her impetuously--and stopped quite as impetuously. +Her revolver had swung to a level with his head. + +“Pardon me!” he said. + +“Not at all!” she said caustically. + +For the first time, as she watched him warily, the Adventurer appeared +to lose some of his self-assurance. He shifted a little uneasily on +his feet, and the corners of his eyes puckered into a nest of perturbed +wrinkles. + +“I say, Miss Gray, you can't mean this!” he protested. “You're not +serious!” + +“I have told you that I am,” she answered steadily. “Those three minutes +that I gave you are going fast.” + +“Then look here!” he exclaimed earnestly. “I'll tell you something. I +said I had been trying to find you to-night. It was the truth. I went to +Gypsy Nan's--and might have been spared my pains. I told her about last +night, and that I knew you were in danger, and that I wanted to help +you. I mention this so that you will understand that I am not just +speaking on the spur of the moment, now that I have an opportunity of +repeating that offer in person.” + +She looked at him impassively for a moment. He had neglected to state +that he had also told Gypsy Nan he desired to enter into a partnership +with her--in crime. + +“It is very kind of you,” she said sweetly. “I presume, then, that you +have some suggestion to make?” + +“Only what any--may I say it?--gentleman would suggest under the +circumstances. It is far too dangerous a thing for a woman to attempt; +it would be much less dangerous for me. I realize that you are in +earnest now, and I will agree to carry out your plan in every detail +once I am satisfied that you are safely away.” + +“The idea being,” she observed monotonously, “that, being safely away, +and the necklace being left safely on the floor, you are left safely in +possession of--the necklace. Well, my answer is--no!” + +His face hardened a little. + +“I'm sorry, then,” he said. “For in that case, in so far as your project +is concerned, I, too, must say--no!” + +It was an impasse. She studied his face, the strong jaw set a little +now, the lips molded in sterner lines, and for all her outward show of +composure, she knew a sick dismay. And for a moment she neither moved +nor spoke. What he would do next, she did not know; but she knew +quite well that he had not the slightest intention of leaving her here +undisturbed to carry out her plan, unless--unless, somehow, she could +outwit him. She bit her lips again. And then inspiration came. She +turned, and with a sudden leap gained the wall, and the next instant, +holding him back with her revolver as she reached up with her left hand, +she caught at the great metal shield with its encircling cluster of +small arms, and wrenched it from its fastenings. It crashed to the floor +with a din infernal that, in the night silence, went racketing through +the house like the reverberations of an explosion. + +“My God, what have you done!” he cried out hoarsely. + +“What I said I'd do!” she answered. She was white-faced, frightened at +her own act, fighting to maintain her nerve. “You'll go now, I imagine!” + she flung at him passionately. “You haven't much time.” + +“No!” he said. His composure was instantly at command again. “No,” + he repeated steadily; “not until after you have gone. I +refuse--positively--to let you run any such risk as that. It is far too +dangerous.” + +“Yes, you will!” she burst out wildly. “You will! You must! You shall! +I--I--” The house itself seemed suddenly to have awakened. From above +doors opened and closed. Indistinctly there came the sound of a voice. +She clenched her hand in anguished desperation. “Go, you--you coward!” + she whispered frantically. + +“Miss Gray, for God's sake, do as I tell you!” he said between his +teeth. “You don't realize the danger. It's not the pursuit. They are not +coming down here unarmed after that racket. I know that you came in by +that door there. Go out that way. I will play the game for you. I swear +it!” + +There were footsteps, plainly audible now, out in the main hall. + +“Quick!” he urged. “Are we both to be caught? See!” He backed suddenly +toward the window. + +“See! I am too far away now to touch that necklace before they get here. +Throw it down, and get behind the portiere of the rear door!” + +Mechanically she was retreating. They were almost at the other door now, +those footsteps outside in the main hall. With a backward spring she +reached the portiere. The door handle across the room rattled. She +glanced at the Adventurer. He was close to the window. It was true, +he could not get the necklace and at the same time hope to escape. She +whipped it from her pocket, tossed it from her to the floor near the +plush-lined case--and slipped behind the portiere. + +The door opposite to her was wrenched violently open. She could +see through the corner of the portiere. There was a sharp, excited +exclamation, as a gray-haired man, in pajamas, evidently Mr. Hayden-Bond +himself, sprang into the room. He was followed by another man in equal +dishabille. + +And the Adventurer was leaping for the window. + +There was a blinding flash, the roar of a report, as the millionaire +flung up a revolver and fired; it was echoed by the splatter and tinkle +of falling glass. The Adventurer was astride the window sill now, his +face deliberately and unmistakably in view. + +“A foot too high, and a bit to the right!” said the Adventurer +debonairly--and the window sill was empty. + +Rhoda Gray stole silently through the doorway behind her. She could hear +the millionaire and his companion, the butler, probably, rush across the +library to the window. As she gained the pantry, she heard another shot. +Tight-lipped, using her flashlight, she ran through the kitchen. In a +moment more, she was standing at the garage door, listening, peering +furtively outside. The street itself was empty; there were shouts, +though, from the direction of the Avenue. She stepped out on the side +street, and walking composedly that she might not attract attention, +though very impulse urged her to run with frantic haste, she reached the +corner and the waiting taxicab. She gave the chauffeur an address that +would bring her to the street in the rear of Gypsy Nan's and within +reach of the lane where she had left her clothes, and, with an +injunction to hurry, sprang into the cab. + +And then for a long time she sat there with her hands tightly clasped in +her lap. Her mind, her brain, her very soul itself seemed in chaos and +turmoil. There was the Sparrow, who was safe; and Danglar, who would +move heaven and hell to get her now; and the Adventurer, who--Her mind +seemed to grope around in cycles; it seemed to moil on and on and arrive +at nothing. The Adventurer had played the game--perhaps because he had +had to; but he had not risked that revolver shot in her stead because +he had had to. Who was he? How had he come there? How had he found her +there? How had he known that she had entered by that rear door behind +the portiere? She remembered how that he had offered not a single +explanation. + +Almost mechanically she dismissed the taxi when at last it stopped; +and almost mechanically, as Gypsy Nan, some ten minutes later, she let +herself into the garret, and lighted the candle. She was conscious, as +she hid the White Moll's clothes away, that she was thankful she had +regained in safety even the questionable sanctuary of this wretched +place; but, strangely, thoughts of her own peril seemed somehow to be +temporarily relegated to the background. + +She flung herself down on the bed--it was not Gypsy Nan's habit to +undress--and blew out the light. But she could not sleep. And hour after +hour in the darkness she tossed unrestfully. It was very strange! It +was not as it had been last night. It was not the impotent, frantic +rebellion against the horrors of her own situation, nor the fear and +terror of it, that obsessed her to-night. It was the Adventurer who +plagued her. + + + + +VIII. THE CODE MESSAGE + +It was strange! Most strange! Three days had passed, and to Gypsy Nan's +lodging no one had come. The small crack under the partition that had +been impressed into service as a letter-box had remained empty. There +had been no messages--nothing--only a sinister, brooding isolation. +Since the night Rhoda Gray had left Danglar, balked, almost a madman in +his fury, in the little room over Shluker's junk shop, Danglar had not +been seen--nor the Adventurer--nor even Rough Rorke. Her only visitant +since then had been an ugly premonition of impending peril, which came +and stalked like a hideous ghost about the bare and miserable garret, +and which woke her at night with its whispering voice--which was the +voice of intuition. + +Rhoda Gray drew her shawl closer around her shoulders and shivered, as +now, from shuffling down the block in the guise of Gypsy Nan, she halted +before the street door of what fate, for the moment, had thrust upon her +as a home; and shivered again, as, with abhorrence, she pushed the door +open and stepped forward into the black, unlighted hallway. Soul, mind +and body were in revolt to-night. Even faith, the simple faith in God +that she had known since childhood, was wavering. There seemed nothing +but horror around her, a mental horror, a physical horror; and the sole +means of even momentary relief and surcease from it had been a pitiful +prowling around the streets, where even the fresh air seemed to be +denied to her, for it was tainted with the smells of squalor that ruled, +rampant, in that neighborhood. + +And to-night, stronger than ever, intuition and premonition of +approaching danger lay heavy upon her, and oppressed her with a sense of +nearness. She was not a coward; but she was afraid. Danglar would leave +no stone unturned to get the White Moll. He had said so. She remembered +the threat he had made--it had lived in her woman's soul ever since that +night. Better anything than to fall into Danglar's hands! She caught her +breath a little, and shivered again as she groped her way up the dark +stairs. But, then, she never would fall into Danglar's power. There was +always an alternative. Yes, it was quite as bad as that--death at her +own hands was preferable. Balked, outwitted, the plans of the criminal +coterie, of which Danglar appeared to be the head, rendered again and +again abortive, and believing it all due to the White Moll, all of +Danglar's shrewd, unscrupulous cunning would be centered on the task +of running her down; and if, added to this, he discovered that she +was masquerading as Gypsy Nan, one of their own inner circle, it mean +that--She closed her lips in a hard, tight line. She did not want +to think of it. She had fought all day, and the days before, against +thinking about it, but premonition had crept upon her stronger and +stronger, until to-night, now, it seemed as though her mind could dwell +on nothing else. + +On the landing, she paused suddenly and listened. The street door had +opened and closed, and now a footstep sounded on the stairs behind her. +She went on again along the hall, feeling her way; and reaching the +short, ladder-like steps to the garret, she began to mount them. Who +was it there behind her? One of the unknown lodgers on the lower floor, +or--? She could not see, of course. It was pitch black. But she could +hear. And as she knelt now on the narrow landing, and felt with her +fingers along the floor for the aperture, where, imitating the custom +of Gypsy Nan, she had left her key when she went out, she heard the +footsteps coming steadily on, passing the doors below her, and making +toward the garret ladder. And then, stifling a startled little cry, her +hand closed on the key, and closed, as it had closed on that first night +when she had returned here in the role of Gypsy Nan, on a piece of +paper wrapped around the key. The days of isolation were ended with +climacteric effect; the pendulum had swung full the other way--to-night +there was both a visitor and a message! + +The paper detached from the key and thrust into her bodice, she stood up +quickly. A form, looming up even in the darkness, showed on the garret +stairs. “Who's dere?” she croaked. + +“It's all right,” a voice answered in low tones. “You were just ahead of +me on the street. I saw you come in. It's Pierre.” + +Pierre! So that was his name! It was only the voice she recognized. +Pierre--Danglar! She fumbled for the keyhole, found it, and inserted the +key. “Well, how's Bertha to-night?” + +There seemed to be a strange exhilaration in the man's voice. He was +standing beside her now, close beside her, and now his hand played with +a curiously caressing motion on her shoulder. The touch seemed to scorch +and burn her. Who was this Danglar, who was Pierre to her, and to whom +she was Bertha? Her breath came quickly in spite of herself; there came, +too, a frenzy of aversion, and impulsively she flung his hand away, and +with the door unlocked now, stepped from him into the garret. + +“Feeling a bit off color, eh?” he said with a short laugh, as he +followed her, and shut the door behind him. “Well, I don't know as I +blame you. But, look here, old girl, have a heart! It's not my fault. +I know what you're grouching about--it's because I haven't been around +much lately. But you ought to know well enough that I couldn't help it. +Our game has been crimped lately at every turn by that she-devil, the +White Moll, and that dude pal of hers.” He laughed out again--in +savage menace now. “I've been busy. Understand, Bertha? It was either +ourselves, or them. We've got to go under--or they have. And we won't! I +promise you that! Things'll break a little better before long, and I'll +make it up to you.” + +She could not see him in the blackness of the garret. She breathed a +prayer of gratitude that he could not see her. Her face, in spite of +Gipsy Nan's disguising grime, must be white, white as death itself. It +seemed to plumb some infamous depth from which her soul recoiled, this +apology of his for his neglect of her. And then her hands at her +sides curled into tight-clenched little fists as she strove to control +herself. His words, at least, supplied her with her cue. + +“Of course!” she said tartly, but in perfect English--the vernacular of +Gypsy Nan was not for Danglar, for she remembered only too well how +once before it had nearly tripped her up. “But you didn't come here to +apologize! What is it you want?” + +“Ah, I say, Bertha!” he said appeasingly. “Cut that out! I couldn't help +being away, I tell you. Of course, I didn't come here to apologize--I +thought you'd understand well enough without that. The gang's out of +cash, and I came to tap the reserves. Let me have a package of the long +green, Bertha.” + +It was a moment before she spoke. Her woman's instinct prompted her to +let down the bars between them in no single degree, that her protection +lay in playing up to the full what Danglar, jumping at conclusions, had +assumed was a grouch at his neglect. Also, her mind worked quickly. +Her own clothes were no longer in the secret hiding place here in +the garret; they were out there in that old shed in the lane. It was +perfectly safe, then, to let Danglar go to the hiding place himself, +assuming that he knew where it was--which, almost of necessity, he must. + +“Oh!” she said ungraciously. “Well, you know where it is, don't you? +Suppose you go and get it yourself!” + +“All right!” returned Danglar, a sullenness creeping into his voice. +“Have it your own way, Bertha! I haven't got time to-night to coax +you out of your tantrums. That's what you want, but I haven't got +time--to-night.” + +She did not answer. + +A match crackled in Danglar's hand; the flames spurted up through the +darkness. Danglar made his way over to the rickety washstand, found the +candle that was stuck in the neck of the gin bottle, lighted it, held +the candle above his head, and stared around the garret. + +“Why the devil don't you get another lamp?” he grumbled--and started +toward the rear of the garret. + +Rhoda Gray watched him silently. She did not care to explain that she +had not replaced the lamp for the very simple reason that it gave far +too much light here in the garret to be safe--for her! She watched him, +with her hand in the pocket of her greasy skirt clutched around another +legacy of Gypsy Nan--her revolver. And now she became conscious that +from the moment she had entered the garret, her fingers, hidden in that +pocket, had sought and clung to the weapon. The man filled her with +detestation and fear; and somehow she feared him more now in what he was +trying to make an ingratiating mood, than she had feared him in the full +flood of his rage and anger that other night at Shluker's place. + +She drew back a little toward the cot bed against the wall, drew back to +give him free passage to the door when he should return again, her eyes +still holding on the far end of the garret, where, with the slope of the +roof, the ceiling was no more than shoulder high. There seemed something +horribly weird and grotesque in the scene before her. He had pushed the +narrow trap-door in the ceiling upward, and had thrust candle and +head through the opening, and the faint yellow light, seeping back and +downward in flickering, uncertain rays, suggested the impression of +a gruesome, headless figure standing there hazily outlined in the +surrounding murk. It chilled her; she clutched at her shawl, drew it +more closely about her, and edged still nearer to the wall. + +And then Danglar closed the trap-door again, and came back with the +candle in one hand, and one of the bulky packages of banknotes from the +hiding place in the other. He set the candle down on the washstand, and +began to distribute the money through his various pockets. + +He was smiling with curious complacency. + +“It was your job to play the spider to the White Moll if she ever showed +up again here in your parlor,” he said. “Maybe somebody tipped her off +to keep away, maybe she was too wily; but, anyway, since you have not +sent out any word, it is evident that our little plans along that +line didn't work, since she has failed to come back to pay a call of +gratitude to you. I don't suppose there's anything to add to that, eh, +Bertha? No report to make?” + +“No,” said Rhoda Gray shortly. “I haven't any report to make.” + +“Well, no matter!” said Danglar. He laughed out shortly. “There are +other ways! She's had her fling at our expense; it's her turn to pay +now.” He laughed again--and in the laugh now there was something +both brutal in its menace, and sinister in its suggestion of gloating +triumph. + +“What do you mean?” demanded Rhoda Gray quickly. “What are you going to +do?” + +“Get her!” said Danglar. The man's passion flamed up suddenly; he spoke +through his closed teeth. “Get her! I made her a little promise. I'm +going to keep it! Understand?” + +“You've been saying that for quite a long time,” retorted Rhoda Gray +coolly. “But the 'getting' has been all the other way so far. How are +you going to get her?” + +Danglar's little black eyes narrowed, and he thrust his head forward and +out from his shoulders savagely. In the flickering candle light, with +contorted face and snarling lips, he looked again the beast to which she +had once likened him. + +“Never mind how I'm going to get her!” he flung out, with an oath. “I +told you I'd been busy. That's enough! You'll see--” + +Rhoda Gray, in the semi-darkness, shrugged her shoulders. Was the man, +prompted by rage and fury, simply making wild threats, or had he at last +some definite and perhaps infallible plan that he purposed putting into +operation? She did not know; and, much as it meant to her, she did +not dare take the risk of arousing suspicion by pressing the question. +Failing, then, to obtain any intimation of what he meant to do, the next +thing most to be desired was to get rid of him. + +“You've got the money. That's what you came for, wasn't it?” she +suggested coldly. + +He stared at her for a moment, and then his face gradually lost its +scowl. + +“You're a rare one, Bertha!” he exclaimed admiringly. “Yes; I've got the +money--and I'm going. In fact, I'm in a hurry, so don't worry! You got +the dope, like everybody else, for to-night, didn't you? It was sent out +two hours ago.” + +The dope! It puzzled her for the fraction of a second--and then she +remembered the paper she had thrust into the bodice of her dress. She +had not read it. She lunged a little in the dark. + +“Yes,” she said curtly. + +“All right!” he said-and moved toward the door. “That explains why I'm +in a hurry--and why I can't stop to oil that grouch out of you. But I'll +keep my promise to you, too, old girl. I'll make up the last few days to +you. Have a heart, eh, Bertha! 'Night!” + +She did not answer him. It seemed as though an unutterable dread had +suddenly been lifted from her, as he passed out of the door and began +to descend the steps to the hall below. Her “grouch,” he had called +it. Well, it had served its purpose! It was just as well that he should +think so! She followed to the door, and deliberately slammed it with a +bang. And from below, his laugh, more an amused chuckle, echoed back and +answered her. + +And then, for a long time she stood there by the door, a little weak +with the revulsion of relief upon her, her hands pressed hard against +her temples, staring unseeingly about the garret. He was gone. He filled +her with terror. Every instinct she possessed, every fiber of her being +revolted against him. He was gone. Yes, he was gone--for the time being. +But--but what was the end of all this to be? + +She shook her head after a moment, shook it helplessly and wearily, as, +finally, she walked over to the washstand, took the piece of paper from +the bodice of her dress, and spread it out under the candle light. A +glance showed her that it was in cipher. There was the stub of a pencil, +she remembered, in the washstand drawer, and, armed with this, and a +piece of wrapping paper that had once enveloped one of Gypsy Nan's gin +bottles, she took up the candle, crossed the garret, and sat down on the +edge of the cot, placing the candle on the chair in front of her. + +If the last three days had been productive of nothing else, they had at +least furnished her with the opportunity of studying the notebook she +had found in the secret hiding place, and of making herself conversant +with the gang's cipher; and she now set to work upon it. It was a +numerical cipher. Each letter of the alphabet in regular rotation was +represented by its corresponding numeral; a zero was employed to set off +one letter from another, and the addition of the numerals between the +zeros indicated the number of the letter involved. Also, there being but +twenty-six letters in the alphabet, it was obvious that the addition of +three nines, which was twenty-seven, could not represent any letter, +and the combination of 999 was therefore used to precede any of the +arbitrary groups of numerals which were employed to express phrases and +sentences, such as the 739 that she had found scrawled on the piece of +paper around her key on the first night she had come here, and which, +had it been embodied in a message and not preceded by the 999, would +have meant simply the addition of seven, three and nine, that is, +nineteen--and therefore would indicate the nineteenth letter of the +alphabet, S. + +Rhoda Gray copied the first line of the message on the piece of wrapping +paper: + + 321010333203202306663103330111102210444202101112052110761 + + +Adding the numerals between the zeros, and giving to each its +corresponding letter, she set down the result: + + 6010110505022090405014030509014 + f a k e e v i d e n c e i n + +It was then but a matter of grouping the letters into words; and, +decoded, the first line read: + + Fake evidence in...... + +She worked steadily on. It was a lengthy message, and it took her a long +time. It was an hour, perhaps more, after Danglar had gone, before she +had completed her task; and then, after that, she sat for still a long +time staring, not at the paper on the chair before her, but at the +flickering shadows thrown by the candle on the opposite wall. + +Queer and strange were the undercurrents and the cross-sections of +life that were to be found, amazingly contradictory, amazingly +incomprehensible, once one scratched beneath the surface of the poverty +and the squalor, and, yes, the crime, amongst the hiving thousands of +New York's East Side! In the days--not so very long ago--when, as +the White Moll, she had worked amongst these classes, she had on one +occasion, when he was sick, even kept old Viner in food. She had not, at +the time, failed to realize that the man was grasping, rapacious, even +unthankful, but she had little dreamed that he was a miser worth fifty +thousand dollars! + +Her mind swerved off suddenly at a tangent. The tentacles of this crime +octopus, of which Danglar seemed to be the head, reached far and into +most curious places to fasten and hold and feed on the progeny of human +foibles! She could not help wondering where the lair was from which +emanated the efficiency and system that, as witness this code message +to-night, kept its members, perhaps widely scattered, fully informed of +its every movement. + +She shook her head. That was something she had not yet learned; but it +was something she must learn if ever she hoped to obtain the evidence +that would clear her of the crime that circumstances had fastened upon +her. And yet she had made no move in that direction, because--well, +because, so far, it had seemed all she could do to protect and safeguard +herself in her present miserable existence and surroundings, which, +abhorrent as they were, alone stood between her and a prison cell. + +Her forehead gathered into little furrows; and, reverting to the code +message, her thoughts harked back to a well-known crime, the authorship +of which still remained a mystery, and which had stirred the East Side +some two years ago. A man--in the vernacular of the underworld a “stage +hand”--by the name of Kroner, credited with having a large amount of +cash, the proceeds of some nefarious transaction, in his possession +on the night in question, was found murdered in his room in an old and +tumble-down tenement of unsavory reputation. The police net had gathered +in some of the co-tenants on suspicion; Nicky Viner, referred to in the +code message, amongst them. But nothing had come of the investigation. +There had been no charge of collusion between the suspects; but Perlmer, +a shyster lawyer, had acted for them all collectively, and, one and all, +they had been discharged. In what degree Perlmer's services had been of +actual value had never been ascertained, for the police, through lack +of evidence, had been obliged to drop the case; but the underworld had +whispered to itself. There was such a thing as suppressing evidence, +and Perlmer was known to have the cunning of a fox, and a code of morals +that never stood in the way, or restricted him in any manner. + +The code message threw a new light on all this. Perlmer must have known +that old Nicky Viner had money, for, according to the code message, +Perlmer prepared a fake set of affidavits and forged a chain of fake +evidence with which he had blackmailed Nicky Viner ever since; and Nicky +Viner, known as a dissolute, shady character, innocent enough of the +crime, but afraid because his possession of money if made public would +tell against him, and frightened because he had already been arrested +once on suspicion for that very crime, had whimpered--and paid. And +then, somehow, Danglar and the gang had discovered that the old, seedy, +stoop-shouldered, bearded, down-at-the-heels Nicky Viner was not all +that he seemed; that he was a miser, and had a hoard of fifty thousand +dollars--and Danglar and the gang had set out to find that hoard and +appropriate it. Only they had not succeeded. But in their search they +had stumbled upon Perlmer's trail, and that was the key to the plan they +had afoot to-night. If Perlmer's fake and manufactured affidavits were +clever enough and convincing enough to wring money out of Viner for +Perlmer, they were more than enough to enable Danglar, employed as +Danglar would employ them, to wring from Nicky Viner the secret of where +the old miser hid his wealth; for Viner would understand that Danglar +was not hampered by having to safeguard himself on account of having +been originally connected with the case in a legal capacity, or any +capacity, and therefore in demanding all or nothing, would have no cause +for hesitation, failing to get what he wanted, in turning the evidence +over to the police. In other words, where Perlmer had to play his man +cautiously and get what he could, Danglar could go the limit and get +all. As it stood, then, Danglar and the gang had not found out the +location of that hoard; but they had found out where Perlmer kept his +spurious papers--stuffed in at the back of the bottom drawer of his desk +in his office, practically forgotten, practically useless to Perlmer +any more, for, having once shown them to Viner, there was no occasion +to call them into service again unless Viner showed signs of getting +a little out of hand and it became necessary to apply the screws once +more. + +For the rest, it was a very simple matter. Perlmer had an office in a +small building on lower Sixth Avenue, and it was his custom to go to +his office in the evenings and remain there until ten o'clock or so. +The plan then, according to the code message, was to loot Perlmer's +desk some time after the man had gone home for the night, and then, at +midnight, armed with the false documents, to beard old Nicky Viner in +his miserable quarters over on the East Side, and extort from the old +miser the neat little sum that Danglar estimated would amount to some +fifty thousand dollars in cash. + +Rhoda Gray's face was troubled and serious. She found herself wishing +for a moment that she had never decoded the message. But she shook her +head in sharp self-protest the next instant. True, she would have evaded +the responsibility that the criminal knowledge now in her possession had +brought her; but she would have done so, in that case, deliberately at +the expense of her own self-respect. It would not have excused her +in her own soul to have sat staring at a cipher message that she was +satisfied was some criminal plot, and have refused to decode it simply +because she was afraid a sense of duty would involve her in an effort to +frustrate it. To have sat idly by under those circumstances would have +been as reprehensible--and even more cowardly--than it would be to sit +idly by now that she knew what was to take place. And on that latter +score to-night there was no argument with herself. She found herself +accepting the fact that she would act, and act promptly, as the only +natural corollary to the fact that she was in a position to do so. +Perhaps it was that way to-night, not only because she had on a previous +occasion already fought this principle of duty out with herself, but +because to-night, unlike that other night, the way and the means seemed +to present no insurmountable difficulties, and because she was now far +better prepared, and free from all the perplexing, though enormously +vital, little details that had on the former occasion reared themselves +up in mountainous aspect before her. The purchase of a heavy veil, for +instance, the day after the Hayden-Bond affair, would enable her now to +move about the city in the clothes of the White Moll practically at will +and without fear of detection. And, further, the facilities for making +that change, the change from Gypsy Nan to the White Moll, were now +already at hand--in the little old shed down the lane. + +And as far as any actual danger that she might incur to-night was +concerned, it was not great. She was not interested in the fifty +thousand dollars in an intrinsic sense; she was interested only in +seeing that old Nicky Viner, unappealing, yes, and almost repulsive both +in personality and habits as the man was, was not blackmailed out of +it; that Danglar, yes, and hereafter, Perlmer too, should not prey +like vultures on the man, and rob him of what was rightfully his. +If, therefore, she secured those papers from Perlmer's desk, it +automatically put an end to Danglar's scheme to-night; and if, later, +she saw to it that those papers came into Viner's possession, that, too, +automatically ended Perlmer's persecutions. Indeed, there seemed little +likelihood of any danger or risk at all. It could not be quite ten o +clock yet; and it was not likely that whoever was delegated by Danglar +to rob Perlmer's office would go there much before eleven anyway, since +they would naturally allow for the possibility that Perlmer might stay +later in his office than usual, a contingency that doubtless accounted +for midnight being set as the hour at which they proposed to lay old +Nicky Viner by the heels. Therefore, it seemed almost a certainty +that she would reach there, not only first, but with ample time at her +disposal to secure the papers and get away again without interruption. +She might even, perhaps, reach the office before Perlmer himself had +left--it was still quite early enough for that--but in that case she +need only remain on watch until the lawyer had locked up and gone away. +Nor need even the fact that the office would be locked dismay her. +In the secret hiding-place here in the garret, among those many other +evidences of criminal activity, was the collection of skeleton keys, +and--she was moving swiftly around the attic now, physically as active +as her thoughts. + +It was not like that other night. There were few preparations to make. +She had only to secure the keys and a flashlight, and to take with her +the damp cloth that would remove the grime streaks from her face, and +the box of composition that would enable her to replace them when she +came back--and five minutes later she was on the street, making her way +toward the lane, and, specifically, toward the deserted shed where she +had hidden away her own clothing. + + + + +IX. ROOM NUMBER ELEVEN + +Another five minutes, and in her own personality now, a slim, trim +figure, neatly gloved, the heavy veil affording ample protection to her +features, Rhoda Gray emerged from the shed and the lane, and started +rapidly toward lower Sixth Avenue. And as she walked, her mind, released +for the moment from the consideration of her immediate venture, began +again, as it had so many times in the last three days, its striving +and its searching after some loophole of escape from her own desperate +situation. But only, as it ever did, confusion came--a chaos of things, +contributory things and circumstances, and the personalities of those +with whom this impossible existence had thrown her into contact. Little +by little she was becoming acquainted with the personnel of the gang--in +an impersonal way, mostly. Apart from Danglar, there was Shluker, who +must of necessity be one of them; and Skeeny, the man who had been with +Danglar in Shluker's room; and the Cricket, whom she had never seen; and +besides these, there were those who were mentioned in the cipher message +to-night, and detailed to the performance of the various acts and scenes +that were to lead up to the final climax--which, she supposed, was the +object and reason for the cipher message, in order that even those not +actually employed might be thoroughly conversant with the entire plan, +and ready to act intelligently if called upon. For there were others, of +course, as witness herself, or, rather, Gypsy Nan, whose personality she +had so unwillingly usurped. + +It was vital, necessary, that she should know them all, and more than +in that impersonal way, if she counted upon ever freeing herself of the +guilt attributed to her. For she could see no other way but one--that +of exposing and proving the guilt of this vile clique who now surrounded +her, and who had actually instigated and planned the crime of which she +was accused. And it was not an easy task! + +And then there were those outside this unholy circle who kept forcing +their existence upon her consciousness, because they, too, played an +intimate part in the sordid drama which revolved around her, and whose +end she could not foresee. There was, for instance--the Adventurer. She +drew in her breath quickly. She felt the color creep slowly upward, and +tinge her throat and cheeks--and then the little chin, strong and firm, +was lifted in a sort of self-defiant challenge. True, the man had been a +great deal in her thoughts, but that was only because her curiosity was +piqued, and because on two occasions now she had had very real cause for +gratitude to him. If it had not been for the Adventurer, she would even +now be behind prison bars. Why shouldn't she think of him? She was +not an ingrate! Why shouldn't she be interested? There was something +piquantly mysterious about the man--who called himself an adventurer. +She would even have given a good deal to know who he really was, and how +he, too, came to be so conversant with Danglar's plans as fast as they +were matured, and why, on those two particular occasions, he had not +only gone out of his way to be of service to her, but had done so at +very grave risk to himself. Of course, she was interested in him--in +that way. How could she help it? But in any other way--the little chin +was still tilted defiantly upward--even the suggestion was absurd. The +man might be chivalrous, courageous, yes, outwardly, even a gentleman in +both manner and appearance; he might be all those things, and, indeed, +was--but he was a thief, a professional thief and crook. It seemed +very strange, of course; but she was judging him, not alone from the +circumstances under which they had met and been together, but from what +he had given her to understand about himself. + +The defiance went suddenly from her face; and, for a moment, her +lips quivered a little helplessly. It was all so very strange, and so +forbidding, and--and, perhaps she hadn't the stout heart that a man +would have--but she did not understand, and she could not see her way +through the darkness that was like a pall wrapped about her--and it was +hard just to grope out amidst surroundings that revolted her and made +her soul sick. It was hard to do this and--and still keep her courage +and her faith. + +She shook her head presently as she went along, shook it reprovingly at +herself, and the little shoulders squared resolutely back. There must +be, and there would be, a way out of it all, and meanwhile her position, +bad as it was, was not without, at least, a certain compensation. There +had been the Sparrow the other night whom she had been able to save, +and to-night there was Nicky Viner. She could not be blind to that. Who +knew! It might be for just such very purposes that her life had been +turned into these new channels! + +She looked around her sharply now. She had reached the lower section +of Sixth Avenue. Perlmer's office, according to the address given, was +still a little farther on. She walked briskly. It was very different +to-night, thanks to her veil! It had been horrible that other night, +when she had ventured out as the White Moll and had been forced to keep +to the dark alleyways and lanes, and the unfrequented streets! + +And now, through a jeweler's window, she noted the time, and knew a +further sense of relief. It was even earlier than she had imagined. It +was not quite ten o'clock; she would, at least, be close on the heels of +Perlmer's departure from his office, if not actually ahead of time, and +therefore she would be first on the scene, and--yes, this was the place; +here was Perlmer's name amongst those on the name-plate at the street +entrance of a small three-story building. + +She entered the hallway, and found it deserted. It was a rather dirty +and unkempt place, and very poorly lighted--a single incandescent alone +burned in the hall. Perlmer's room, so the name-plate indicated, was +Number Eleven, and on the next floor. + +She mounted the stairs, and paused on the landing to look around her +again. Here, too, the hallway was lighted by but a single lamp; and +here, too, an air of desertion was in evidence. The office tenants, it +was fairly obvious, were not habitual night workers, for not a ray of +light came from any of the glass-paneled doors that flanked both sides +of the passage. She nodded her head sharply in satisfaction. It was +equally obvious that Perlmer had already gone. It would take her but a +moment, then, unless the skeleton keys gave her trouble. She had never +used a key of that sort, but--She moved quietly down the hallway, and, +looking quickly about her to assure herself again that she was not +observed, stopped before the door of Room Number Eleven. + +A moment she hung there, listening; then she slipped the skeleton keys +from her pocket, and, in the act of inserting one of them tentatively +into the keyhole, she tried the door--and with a little gasp of surprise +returned the keys hurriedly to her pocket. The door was unlocked; it had +even opened an inch already under her hand. + +Again she looked around her, a little startled now; and instinctively +her hand in her pocket exchanged the keys for her revolver. But she +saw nothing, heard nothing; and it was certainly dark inside there, and +therefore only logical to conclude that the room was unoccupied. + +Reassured, she pushed the door cautiously and noiselessly open, and +stepped inside, and closed the door behind her. She stood still for an +instant, and then the round, white ray of her flashlight went dancing +inquisitively around the office. It was a medium-sized room, far +from ornate in its appointments, bare floored, the furniture of the +cheapest--Perlmer's clientele did not insist on oriental rugs and +mahogany! + +Her appraisal of the room, however, was but cursory. She was interested +only in the flat-topped desk in front of her. She stepped quickly around +it--and stopped-and a low cry of dismay came from her as she stared at +the floor. The lower drawer had been completely removed, and now lay +upturned beside the swivel chair, its contents strewn around in all +directions. + +And for a moment she stared at the scene, nonplused, discomfited. She +had been so sure that she would be first--and she had not been first. +There was no need to search amongst those papers on the floor. They told +their own story. The ones she wanted were already gone. + +In a numbed way, mechanically, she retreated to the door; and, with the +flashlight playing upon it, she noticed for the first time that the +lock had been roughly forced. It was but corroborative of the despoiled +drawer; and, at the same time, the obvious reason why the door had not +been relocked when whoever had come here had gone out again. + +Whoever had come here! She could have laughed out hysterically. Was +there any doubt as to who it was? One of Danglar's emissaries; the +Cricket, perhaps-or perhaps even Danglar himself! They had seen to it +that lack of prompt action, at least, would not be the cause of marring +their plans. + +A little dazed, overwrought, confused at the ground being cut from under +her where she had been so confident of a sure footing, she made her way +out of the building, and to the street--and for a block walked almost +aimlessly along. And then suddenly she turned hurriedly into a cross +street, and headed over toward the East Side. The experience had +not been a pleasant one, and it had upset most thoroughly all her +calculations; but it was very far, after all, from being disastrous. +It meant simply that she must now find Nicky Viner himself and warn +the man, and there was ample time in which to do that. The code message +specifically stated midnight as the hour at which they proposed to favor +old Viner with their unhallowed attentions, and as it was but a little +after ten now, she had nearly a full two hours in which to accomplish +what should not take her more than a few minutes. + +Rhoda Gray's lips tightened a little, as she hurried along. Old Nicky +Viner still lived in the same disreputable tenement in which he had +lived on the night of that murder two years ago, and she could not ward +off the thought that it had been--yes, and was--an ideal place for a +murder, from the murderer's standpoint! The neighborhood was one of the +toughest in New York, and the tenement itself was frankly nothing more +than a den of crooks. True, she had visited there more than once, had +visited Nicky Viner there; but she had gone there then as the White +Moll, to whom even the most abandoned would have touched his cap. +To-night it was very different--she went there as a woman. And +yet, after all--she amended her own thoughts, smiling a little +seriously--surely she could disclose herself as the White Moll there +again to-night if the actual necessity arose, for surely crooks, +pokegetters, shillabers and lags though they were, and though the place +teemed with the dregs of the underworld, no one of them, even for the +reward that might be offered, would inform against her to the police! +And yet--again the mental pendulum swung the other way--she was not so +confident of that as she would like to be. In a general way there could +be no question but that she could count on the loyalty of those who +lived there; but there were always those upon whom one could never +count, those who were dead to all sense of loyalty, and alive only to +selfish gain and interest--a human trait that, all too unfortunately, +was not confined to those alone who lived in that shadowland outside +the law. Her face, beneath the thick veil, relaxed a little. Well, she +certainly did not intend to make a test case of it and disclose herself +there as the White Moll, if she could help it! She would enter the +tenement unnoticed if she could, and make her way to Nicky Viner's two +miserable rooms on the second floor as secretively as she could. And, +knowing the place as she did, she was quite satisfied that, if she +were careful enough and cautious enough, she could both enter and leave +without being seen by any one except, of course, Nicky Viner. + +She walked on quickly. Five minutes, ten minutes passed; and now, in a +narrow street, lighted mostly by the dull, yellow glow that seeped +up from the sidewalk through basement entrances, queer and forbidding +portals to sinister interiors, or filtered through the dirty windows +of uninviting little shops that ran the gamut from Chinese laundries +to oyster dens, she halted, drawn back in the shadows of a doorway, and +studied a tenement building that was just ahead of her. That was where +old Nicky Viner lived. A smile of grim whimsicality touched her lips. +Not a light showed in the place from top to bottom. From its exterior it +might have been uninhabited, even long deserted. But to one who knew, it +was quite the normal condition, quite what one would expect. Those who +lived there confined their activities mostly to the night; and their +exodus to their labors began when the labors of the world at large +ended--with the fall of darkness. + +For a little while she watched the place, and kept glancing up and down +the street; and then, seizing her opportunity when for half a block or +more the street was free of pedestrians, she stole forward and reached +the tenement door. It was half open, and she slipped quickly inside into +the hall. + +She stood here for a moment motionless; listening, striving to +accommodate her eyes to the darkness, and instinctively her hand went to +her pocket for the reassuring touch of her revolver. It was black back +there in the hallway of Gypsy Nan's lodging; she had not thought that +any greater degree of blackness could exist; but it was blacker here. +Only the sense of touch promised to be of any avail. If one could have +moved as noiselessly as a shadow moves, one could have passed another +within arm's-length unseen. And so she listened, listened intently. +And there was very little sound. Once she detected a footstep from the +interior of some room as it moved across a bare floor; once she heard +a door creak somewhere upstairs; and once, from some indeterminate +direction, she thought she heard voices whispering together for a +moment. + +She moved suddenly then, abruptly, almost impulsively, but careful +not to make the slightest noise. She dared not remain another instant +inactive. It was what she had expected, what she had counted upon as an +ally, this darkness, but she was not one who laughed, even in daylight, +at its psychology. It was beginning to attack her now; her imagination +to magnify even the actual dangers that she knew to be around her. And +she must fight it off before it got a hold upon her, and before panic +voices out of the blackness began to shriek and clamor in her ears, as +she knew they would do with pitifully little provocation, urging her to +turn and flee incontinently. + +The staircase, she remembered, was at her right; and feeling out before +her with her hands, she reached the stairs, and began to mount them. +She went slowly, very slowly. They were bare, the stairs, and unless one +were extremely careful they would creak out through the silence with a +noise that could be heard from top to bottom of the tenement. But she +was not making any noise; she dared not make any noise. + +Halfway up she halted and pressed her body close against the wall. Was +that somebody coming? She held her breath in expectation. There wasn't +a sound now, but she could have sworn she had heard a footstep on the +hallway above, or on the upper stairs. She bit her lips in vexation. +Panic noises! That's what they were! That, and the thumping of her +heart! Why was it that alarms and exaggerated fancies came and tried to +unnerve her? What, after all, was there really to be afraid of? She +had almost a clear two hours before she need even anticipate any actual +danger here, and, if Nicky Viner were in, she would be away from the +tenement again in another fifteen minutes at the latest. + +Rhoda Gray went on again, and gaining the landing, halted once more. +And here she smiled at herself with the tolerant chiding she would have +accorded a child that was frightened without warrant. She could account +for those whisperings and that footstep now. The door to the left, the +one next to Nicky Viner's squalid, two-room apartment, was evidently +partially open, and occasionally some one moved within; and the voices +came from there too, and, low-toned to begin with, were naturally +muffled into whispers by the time they reached her. + +She had only, then, to step the five or six feet across the narrow hall +in order to reach Nicky Viner's door, and unless by some unfortunate +chance whoever was in that room happened to come out into the hall at +the same moment, she would--Yes, it was all right! She was trying Nicky +Viner's door now. It was unlocked, and as she opened it for the space of +a crack, there showed a tiny chink of light, so faint and meager that +it seemed to shrink timorously back again as though put to rout by the +massed blackness--but it was enough to evidence the fact that Nicky +Viner was at home. It was all simple enough now. Old Viner would +undoubtedly make some exclamation at her sudden and stealthy entrance, +but once she was inside without those in the next room either having +heard or seen her, it would not matter. + +Another inch she pushed the door open, another--and then another. And +then quickly, silently, she tip-toed over the threshold and closed the +door softly behind her. The light came from the inner room and shone +through the connecting door, which was open, and there was movement from +within, and a low, growling voice, petulant, whining, as though an old +man were mumbling complainingly to himself. She smiled coldly. It was +very like Nicky Viner--it was a habit of his to talk to himself, she +remembered. And, also, she had never heard Nicky Viner do anything else +but grumble and complain. + +But she could not see fully into the other room, only into a corner of +it, for the two doors were located diagonally across from one another, +and her hand, in a startled way, went suddenly to her lips, as though +mechanically to help choke back and stifle the almost overpowering +impulse to cry out that arose within her. Nicky Viner was not alone in +there! A figure had come into her line of vision in that other room, +not Nicky Viner, not any of the gang--and she stared now in incredulous +amazement, scarcely able to believe her eyes. And then, suddenly cool +and self-possessed again, relieved in a curious way because the element +of personal danger was as a consequence eliminated, she began to +understand why she had been forestalled in her efforts at Perlmer's +office when she had been so sure that she would be first upon the scene. +It was not Danglar, or the Cricket, or Skeeny, or any of the band who +had forestalled her--it was the Adventurer. That was the Adventurer +standing in there now, side face to her, in Nicky Viner's inner room! + + + + +X. ON THE BRINK + +Rhoda Gray moved quietly, inch by inch, along the side of the wall to +gain a point of vantage more nearly opposite the lighted doorway. And +then she stopped again. She could see quite clearly now--that is, there +was nothing now to obstruct her view; but the light was miserable and +poor, and the single gas-jet that wheezed and flickered did little more +than disperse the shadows from its immediate neighborhood in that inner +room. But she could see enough--she could see the bent and ill-clad +figure of Nicky Viner, as she remembered him, an old, gray-bearded man, +wringing his hands in groveling misery, while the mumbling voice, now +whining and pleading, now servile, now plucking up courage to indulge +in abuse, kept on without even, it seemed, a pause for breath. And she +could see the Adventurer, quite unmoved, quite debonair, a curiously +patient smile on his face, standing there, much nearer to her, his right +hand in the side pocket of his coat, a somewhat significant habit of +his, his left hand holding a sheaf of folded, legal-looking documents. + +And then she heard the Adventurer speak. + +“What a flow of words!” said the Adventurer, in a bored voice. “You will +forgive me, my dear Mr. Viner, if I appear to be facetious, which I am +not--but money talks.” + +“You are a thief, a robber!” The old gray-bearded figure rocked on its +feet and kept wringing its hands. “Get out of here! Get out! Do you +hear? Get out! You come to steal from a poor old man, and--” + +“Must we go all over that again?” interrupted the Adventurer wearily. +“I have not come to steal anything; I have simply come to sell you these +papers, which I am quite sure, once you control yourself and give the +matter a little calm consideration, you are really most anxious to +buy--at any price. + +“It's a lie!” the other croaked hoarsely. “Those papers are a lie! I +am innocent. And I haven't got any money. None! I haven't any. I am +poor--an old man--and poor.” + +Rhoda Gray felt the blood flush hotly to her cheeks. Somehow she could +feel no sympathy for that cringing figure in there; but she felt a hot +resentment toward that dapper, immaculately dressed and self-possessed +young man, who stood there, silently now, tapping the papers with +provoking coolness against the edge of the plain deal table in front of +him. And somehow the resentment seemed to take a most peculiar phase. +She resented the fact that she should feel resentment, no matter what +the man did or said. It was as though, instead of anger, impersonal +anger, at this low, miserable act of his, she felt ashamed of him. Her +hand clenched fiercely as she crouched there against the wall. It wasn't +true! She felt nothing of the sort! Why should she be ashamed of him? +What was he to her? He was frankly a thief, wasn't he? And he was at his +pitiful calling now--down to the lowest dregs of it. What else did she +expect? Because he had the appearance of a gentleman, was it that her +sense of gratitude for what she owed him had made her, deep down in her +soul, actually cherish the belief that he really was one--made her hope +it, and nourish that hope into belief? Tighter her hand clenched. Her +lips parted, and her breath came in short, hard inhalations. Was it +true? Was it all only an added misery, where it had seemed there could +be none to add to her life in these last few days? Was it true that +there was no price she would not have paid to have found him in any role +but this abased one that he was playing now? + +The Adventurer broke the silence. + +“Quite so, my dear Mr. Viner!” he agreed smoothly. “It would appear, +then, from what you say that I have been mistaken--even stupidly so, I +am afraid. And in that case, I can only apologize for my intrusion, and, +as you so delicately put it, get out.” He slipped the papers, with a +philosophic shrug of his shoulders, into his inside coat pocket, and +took a backward step toward the door. “I bid you good-night, then, Mr. +Viner. The papers, as you state, are doubtless of no value to you, so +you can, of course, have no objection to my handing them over to the +police, who--” + +“No, no! Wait! Wait!” the other whispered wildly. “Wait!” + +“Ah!” murmured the Adventurer. + +“I--I'll”--the bent old figure was clawing at his beard--“I'll--” + +“Buy them?” suggested the Adventurer pleasantly. + +“Yes, I'll--I'll buy them. I--I've got a little money, only a little, +all I've been able to save in years, a--a hundred dollars. + +“How much did you say?” inquired the Adventurer coldly. + +“Two hundred.” The voice was a maudlin whine. + +The Adventurer took another backward step toward the door. + +“Three hundred!” + +Another step. + +“Five--a thousand!” + +The Adventurer laughed suddenly. + +“That's better!” he said. “Where you keep a thousand, you keep the rest. +Where is the thousand, Mr. Viner?” + +The bent figure hesitated a moment; and then, with what sounded like a +despairing cry, pointed to the table. + +“It's there,” he whimpered. “God's curses on you, for the thief you +are.” + +Rhoda Gray found her eyes fixed in sudden, strained fascination on the +table--as, she imagined, the Adventurer's were too. It was bare of any +covering, nor were there any articles on its surface, nor, as far as she +could see, was there any drawer. And now the Adventurer, his right hand +still in his coat pocket, and bulging there where she knew quite well +it grasped his revolver, stepped abruptly to the table, facing the other +with the table between them. + +The bent old figure still hesitated, and then, with the despairing cry +again, grasped at the top of the table, and jerked it toward him. The +surface seemed to slide sideways a little way, a matter of two or three +inches, and then stick there; but the Adventurer, in an instant, had +thrust the fingers of his left hand into the crevice. He drew out a +number of loose banknotes, and thrust his fingers in again for a further +supply. + +“Open it wider!” he commanded curtly. + +“I--I'm trying to,” the other mumbled, and bent down to peer under the +table. “It's stuck. The catch is underneath, and--” + +It seemed to Rhoda Gray, gazing into that dimly lighted room, as though +she were suddenly held spellbound as in some horrible and amazing +trance. Like a hideous jack-in-the-box the gray head popped above the +level of the table again, and quick as a flash, a revolver was +thrust into the Adventurer's face; and the Adventurer, caught at +a disadvantage, since his hand in his coat pocket was below the +intervening table top, stood there as though instantaneously transformed +into some motionless, inanimate thing, his fingers still gripping at +another sheaf of banknotes that he had been in the act of scooping out +from the narrow aperture. + +And then again Rhoda Gray stared, and stared now as though bereft of her +senses; and upon her crept, cold and deadly, a fear and a terror that +seemed to engulf her very soul itself. That head that looked like a +jack-in-the-box was gone; the gray beard seemed suddenly to be shorn +away, and the gray hair too, and to fall and flutter to the table, and +the bent shoulders were not bent any more, and it wasn't Nicky Viner at +all--only a clever, a wonderfully clever, impersonation that had been +helped out by the poor and meager light. And terror gripped at her +again, for it wasn't Nicky Viner. Those narrowed eyes, that leering, +gloating face, those working lips were Danglar's. + +And, as from some far distance, dulled because her consciousness was +dulled, she heard Danglar speak. + +“Perhaps you'll take your hand out of that right-hand coat pocket of +yours now!” sneered Danglar. “And take it out--empty!” + +The Adventurer's face, as nearly as Rhoda Gray could see, had not moved +a muscle. He obeyed now, coolly, with a shrug of his shoulders. + +Danglar appeared to experience no further trouble with the surface of +the table now. He suddenly jerked it almost off, displaying what Rhoda +Gray now knew to be the remainder of the large package of banknotes he +had taken from the garret earlier in the evening. + +“Help yourself to the rest!” he invited caustically. “There isn't fifty +thousand there, but you are quite welcome to all there is--in return for +those papers.” + +The Adventurer was apparently obsessed with an inspection of his finger +nails; he began to polish those of one hand with the palm of the other. + +“Quite so, Danglar!” he said coolly. “I admit it--I am ashamed of +myself. I hate to think that I could be caught by you; but I suppose I +can find some self-extenuating circumstances. You seem to have risen to +an amazingly higher order of intelligence. In fact, for you, Danglar, +it is not at all bad!” He went on polishing his nails. “Would you mind +taking that thing out of my face? Even you ought to be able to handle it +effectively a few inches farther away.” + +Under the studied insult Danglar's face had grown a mottled red. + +“Damn you!” he snarled. “I'll take it away when I get good and ready; +and by that time I'll have you talking out of the other side of your +mouth! See? Do you know what you're up against, you slick dude?” + +“I have a fairly good imagination,” replied the Adventurer smoothly. + +“You have, eh?” mimicked Danglar wickedly. “Well, you don't need to +imagine anything! I'll give you the straight goods so's there won't +be any chance of a mistake. And never mind about the higher order of +intelligence! It was high enough, and a little to spare, to make you +walk into the trap! I hoped I'd get you both, you and your she-pal, the +White Moll; that you'd come here together--but I'm not kicking. It's a +pretty good start to get you!” + +“Is it necessary to make a speech?” complained the Adventurer +monotonously. “I can't help listening, of course.” + +“You can make up your mind for yourself when I'm through--whether +it's necessary or not!” retorted Danglar viciously. “I've got a little +proposition to put up to you, and maybe it'll help you to add two and +two together if I let you see all the cards. Understand? You've had your +run of luck lately, quite a bit of it, haven't you, you and the White +Moll? Well, it's my turn now! You've been queering our game to the +limit, curse you!” Danglar thrust his working face a little farther over +the table, and nearer to the Adventurer. “Well, what was the answer? +Where did you get the dope you made your plays with? It was a cinch, +wasn't it, that there was a leak somewhere in our own crowd?” He laughed +out suddenly. “You poor fool! Did you think you could pull that sort of +stuff forever? Did you? Well, then, how do you like the 'leak' to-night? +You get the idea, don't you? Everybody, every last soul that is in +with us, got the details of what they thought was a straight play +to-night--and it leaked to you, as I knew it would; and you walked into +the trap, as I knew you would, because the bait was good and juicy, and +looked the easiest thing to annex that ever happened. Fifty thousand +dollars! Fifty thousand--nothing! All you had to do was to get a few +papers that it wouldn't bother any crook to get, even a near--crook like +you, and then come here and screw the money out of a helpless old man, +who was supposed to have been discovered to be a miser. Easy, wasn't it? +Only Nicky Viner wasn't a miser! We chose Nicky because of what happened +two years ago. It made things look pretty near right, didn't it? Looked +straight, that part about Perlmer, too, didn't it? That was the come-on. +Perlmer never saw those papers you've got there in your pocket. I doped +them out, and we planted them nice and handy where you could get them +without much trouble in the drawer of Perlmer's desk, and--” + +“It's a long story,” interrupted the Adventurer, with quiet insolence. + +“It's got a short ending,” said Danglar, with an ugly leer. “We could +have bumped you off when you went for those papers, but if you went +that far you'd come farther, and that wasn't the place to do it, and we +couldn't cover ourselves there the way we could here. This is the place. +We brought that trick table here a while ago, as soon as we had got rid +of Nicky Viner. That was the only bit of stage setting we had to do +to make the story ring true right up to the curtain, in case it was +necessary. It wouldn't have been necessary if you and the White Moll +had both come together, for then you would neither of you have got any +further than that other room. It would have ended there. But we weren't +taking any chances. I'll pay you the compliment of admitting that we +weren't counting on getting you off your guard any too easily if, as +it happened, you came alone, for, being alone, or if either of you were +alone, there was that little proposition that had to be settled, instead +of just knocking you on the head out there in the dark in that other +room; and so, as I say, we weren't overlooking any bets on account of +the little trouble it took to plant that table and the money. We +tried to think of everything!” Danglar paused for a moment to mock the +Adventurer with narrowed eyes. “That's the story; here's the end. I +hoped I'd get you both together, you and the White Moll. I didn't. But +I've got you. I didn't get you both--and that's what gives you a chance +for your life, because she's worth more to us than you are. If you'd +been together, you would have gone out-together. As it is, I'll see that +you don't do any more harm anyway, but you get one chance. Where is she? +If you answer that, you will, of course, answer a minor question and +locate that 'leak', for me, that I was speaking about a moment ago. But +we'll take the main thing first. And you can take your choice between a +bullet and a straight answer. Where is the White Moll?” + +Rhoda Gray's hand felt Out along the wall for support. Was this a dream, +some ghastly, soul-terrifying nightmare! Danglar! Those working lips! +That callous viciousness, that leer in the degenerate face. It seemed +to bring a weakness to her limbs, and seek to rob her of the strength to +stand. She could not even hope against hope; she knew that Danglar was +in deadly earnest. Danglar would not have the slightest compunction, let +alone hesitation, in carrying out his threat. Terrified now, her eyes +sought the Adventurer. Didn't the Adventurer know Danglar as she +knew him, didn't he realize that there was deadly earnestness behind +Danglar's words? Was the man mad, that he stood there utterly unmoved, +as though he had no consideration on earth other than those carefully +manicured finger nails of his! + +And then Danglar spoke again. + +“Do you notice anything special about this gun I'm holding on you?” he +demanded, in low menace. + +The Adventurer did not even look up. + +“Oh, yes,” he said indifferently. “I fancy you got it out of a dime +novel, didn't you? One of those silencer things.” + +“Yes,” said Danglar grimly; “one of those silencer things. Where is +she?” + +The Adventurer made no answer. + +The color in Danglar's face deepened. + +“I'll make things even a little plainer to you,” he said with brutal +coolness. “There are two men in our organization from whom it is +absolutely impossible that that leak could have come. Those two men +followed you from Perlmer's office to this place. They are in the next +room now waiting for me to get through with you, and ready for anything +if they are needed. But they won't be needed. That's not the way it +works out. This gun won't make much noise, and it isn't likely to arouse +the inmates of this dive, but even if it does, it doesn't matter very +much--we aren't going out by the front door. The two of them, the minute +they hear the shot, slip in here, and lock the door--you see it's got a +good, husky bolt on it--and then we beat it by the fire escape that +runs past that window there. Get the idea? And don't kid yourself into +thinking that I am taking any risk with the consequences on account of +the coroner having got busy because a man was found here dead on the +floor. Nicky Viner stands for that. It isn't the first time he's been +suspected of murder. See? Nicky was easy. He'd crawl on his hands and +knees from the Battery to Harlem any time if you held a little money +in front of his nose. He's been fooled up to the eyes with a faked-up +message that he's to deliver secretly to some faked-up crooks out West. +He's just about starting away on the train now. And that's where the +police nab him--running away from the murder he's pulled in his room +here to-night. Looks kind of bad for Nicky Viner--eh? We should worry! +It cost a hundred dollars and his ticket. Cheap, wasn't it? I guess +you're worth that much to us.” + +A dull horror seized upon Rhoda Gray. It seemed to clog and confuse +her mind. She fought it frantically, striving to think, and to think +clearly. Every detail seemed to have been planned with Satanic foresight +and ingenuity, and yet--and yet--Yes, in one little thing, Danglar had +made a mistake. That was why she was here now; that was why those men in +that next room had not been out in the hall on guard, or even out in the +street on watch for her. Danglar had naturally gone upon the supposition +that the Adventurer and herself worked hand in glove; whereas they were +as much in the dark concerning each other's movements as Danglar himself +was. Therefore Danglar, and logically enough from his viewpoint, had +jumped to the conclusion that, since they had not come together, +only one of them, the Adventurer, was acting in the affair to-night, +and--Danglar's voice was rasping in her ears. + +“I'm not going to stay here all night!” he snarled. “You've got one +chance. I've told you what it is. You're lucky to have it. We'd sooner +have you out of the way for keeps. I'd rather drop you in your tracks +than let you live. Where is the White Moll?” + +The Adventurer was side face to the doorway again, and Rhoda Gray saw +him smile contemptuously at Danglar now. + +“Really,” he said blandly, “I haven't the slightest idea in the world.” + +Danglar laughed ironically. + +“You lie!” he flung out hoarsely. “Do you think you can get away with +that? Well, think again! Sooner or later, it will be all the same +whether you talk or not. We caught you to-night in a trap; we'll catch +her in another. Our hand doesn't show here. She'll think that Nicky +Viner was a little too much for you, that's all. Come on, now--quick! +Are you fool enough to misunderstand? The 'don't know' stuff won't get +you by!” + +“The misunderstanding seems to be on your side.” There was a cold, +irritating deliberation in the Adventurer's voice. “I repeat that I do +not know where the young lady you refer to could be found; but I did not +make that statement with any idea that you would believe it. To a cur, +I suppose it is necessary to add that, even if I did know, I should take +pleasure in seeing you damned before I told you.” + +Danglar's face was like a devil's. His revolver held a steady bead on +the Adventurer's head. + +“I'll give you a last chance.” He spoke through closed teeth. “I'll fire +when I count three. One!” + +A horrible fascination held Rhoda Gray. If she cried out, it was more +likely than not to cause Danglar to fire on the instant. It would not +save the Adventurer in any case. It would be but the signal, too, for +those two men in the next room to rush in here. + +“Two!” + +It seemed as though, not in the hope that it would do any good, but +because she was going mad with horror, that she would scream out until +the place rang and rang again with her outcries. Even her soul was in +frantic panic. Quick! Quick! She must act! She must! But how? Was there +only one way? She was conscious that she had drawn her revolver as +though by instinct. Danglar's life, or the Adventurer's! But she shrank +from taking life. Her lips were breathing a prayer. They had called her +a crack shot back there in South America, when she had hunted and ridden +with her father. It was easy enough to hit Danglar, but that might mean +Danglar's life; it was not so easy to hit Danglar's arm, or Danglar's +hand, or the revolver Danglar held, and if she risked that and missed, +she... + +“Thr--” + +There was the roar of a report that went racketing through the silence +like a cannon shot, and the short, vicious tongue-flame from Rhoda +Gray's revolver muzzle stabbed through the black. There was a scream of +mingled surprise and fury, and the revolver in Danglar's hand clattered +to the floor. She saw the Adventurer spring, quick as a panther, at the +other, and saw him whip blow after blow with terrific force full into +Danglar's face; she heard a rush of feet coming from the corridor behind +her; and she flung herself forward into the inner room, and, panting, +snatched at the door and slammed it shut, and groping for the bolt, +found it, and shot it home in its grooves. + +And she stood there, weak for the moment, and drew her hand across her +eyes--and behind her they pounded on the door, and there came a burst +of oaths; and in front of her the Adventurer was smiling gravely as +he covered Danglar with Danglar's own revolver; and Danglar, as though +dazed and half stunned from the blows he had received, rocked unsteadily +upon his feet. And then her eyes widened a little. The pounding on the +door, the shouts, the noise, was beginning to arouse what inmates there +were in the tenement, and there wasn't an instant to lose--but the +Adventurer now was calmly gathering up, to the last one, and pocketing +them, the banknotes with which Danglar had baited his trap. And as he +crammed the money into his pockets, he spoke to her, with a curious +softness, a great, strange gentleness in his voice: + +“I owe you my life, Miss Gray. That was a wonderful shot. You knocked +the revolver from his hand without even grazing his fingers. A very +wonderful shot, and--will you let me say it?--you are a very wonderful +woman.” + +“Oh, quick!” she whispered wildly. “I am afraid this door will not +hold.” + +“There is the window, and the fire escape, so our friend here was good +enough to inform me,” said the Adventurer, as he composedly pocketed the +last dollar. “Will you open the window, Miss Gray, if you please? I am +afraid I hit Mr. Danglar a little ungently, and as he is still somewhat +groggy, I fancy he will need a little assistance. I imagine”--he caught +Danglar suddenly by the collar of his coat as Rhoda Gray ran to the +window and flung it up, and rushed the man unceremoniously across the +room--“I imagine it would be a mistake to leave him behind. He might +open the door, or even be unpleasant enough to throw something down on +us from above; also he should serve us very well as a hostage. Will you +go first, please, Miss Gray?” + +She climbed quickly over the sill to the iron platform. Danglar was +dragged through by the Adventurer, mumbling, and evidently still in a +half-dazed condition. Windows were opening here and there. From back +inside the room, the blows rained more heavily upon the door--and now +there came the rip and rend of wood, as though a panel had crashed in. + +“Hurry, please, Miss Gray!” prompted the Adventurer. + +It was dark, almost too dark to see her footing. She felt her way down. +It was only one story above the ground, and it did not take long; but it +seemed hours since she had fired that shot, though she knew the time +had been measured by scarcely more than a minute. And now, on the lower +platform, waiting for that queer, double, twisting shadow of the two men +to join her, she heard the Adventurers s voice ring out sharply: + +“This is your chance, Danglar! I didn't waste the time to bring you +along because it afforded me any amusement. They've found their heads at +last, and gone to the next window, instead of wasting time on that +door. They can't reach the fire escape there, but if they fire a single +shot--you go out! You'd better tell them so--and tell them quick!” + +And then Danglar's voice shrieked out in sudden, “for God's sake, don't +fire!” + +They were all on the lower platform together now. The Adventurer was +pressing the muzzle of his revolver into the small of Danglar's back, +and was still supporting the man by the collar of his coat. + +“I think,” said the Adventurer abruptly, “that we can now dispense with +Mr. Danglar's services, and I am sure a little cool night air out here +on the fire escape will do him good. Miss Gray--would you mind?--there's +a pair of handcuffs in my left-hand coat pocket.” + +Handcuffs! She could have laughed out idiotically. Handcuffs! They +seemed the most incongruous things in the world for the Adventurer to +have, and--She felt mechanically in his pocket, and handed them to him. + +There was a click as a cuff was snapped over Danglar's wrist, another as +the other cuff was snapped shut around the iron hand-railing of the fire +escape. The act seemed to arouse Danglar, both mentally and physically. +He tore and wrenched at the steel links now, and burst suddenly, raving, +into oaths. + +“Hold your tongue, Danglar!” ordered the Adventurer in cold menace; +and as the other, cowed, obeyed, the Adventurer swung himself over the +platform and dropped to the ground. “Come, Miss Gray. Drop! I'll catch +you!” he called in a low voice. “One step takes us around the corner of +the tenement into the lane, and Mr. Danglar won't let them fire at us +before we can make that--when we could still fire at him!” + +She obeyed him, swinging at arm's-length. She felt his hands fold about +her in a firm grasp as she let go her hold, and she caught her breath +suddenly, she did not know why, and felt the hot blood sweep her +face--and then she was standing on the ground. + +“Now!” he whispered. “Together!” + +They sped around the corner of the tenement. A yell from Danglar +followed them. An echoing yell from above answered--and then a fusillade +of abortive shots, and the sound as of boot heels clattering on the iron +rungs of the fire escape; and then, more faintly, for they were putting +distance behind them as fast as they could run, an excited outburst of +profanity and exclamations. + +“They won't follow!” panted the Adventurer. “Those shots of theirs +outdoors will have alarmed the police, and they'll try and get Danglar +free first. It's lucky your shot inside wasn't heard by the patrolman +on the beat. I was afraid of that. But we're safe now--from Danglar's +crowd, at least.” + +But still they ran. They crossed an intersecting street, and continued +on along the lane; then swerving into the next intersecting street, +moderated their pace to a rapid walk--and stopped finally only as Rhoda +Gray drew suddenly into the shadows of another alley-way, and held out +her hand. They were both safe now, as he had said. And there were so +many reasons why, though her resolution faltered a little, she should +go the rest of the way alone. She was not sure that she trusted this +strange “gentleman,” who was a thief with his pockets crammed even now +with the money that had lured him almost to his death; but, too, she was +not altogether sure that she distrusted him. But all that was secondary. +She must, as soon as she could, get back to Gypsy Nan's garret. Like +that other night, she dared not take the risk that Danglar, by any +chance, might return there--and find her gone after what had just +happened. The man would be beside himself with fury, suspicious of +everything-and suspicion would be fatal in its consequences for her. +And so she must go. And she could not become Gypsy Nan again with the +Adventurer looking on! + +“We part here,” she said a little unsteadily. “Good-night!” + +“Oh, I say, Miss Gray!” he protested quickly. “You don't mean that! Why, +look here, I haven't had a chance to tell you what I think, or what I +feel, about what you've done to-night--for me.” + +She shook her head. + +“There is nothing you need say,” she answered quietly. “We are only +quits. You have done quite as much for me.” + +“But, see here, Miss Gray!” he pleaded. “Can't we come to some +understanding? We seem to have a jolly lot in common. Is it +quite necessary, really necessary, that you should keep me off at +arm's-length? Couldn't you let down the bars just a little? Couldn't +you tell me, for instance, where I could find you in case of--real +necessity?” + +She shook her head again. + +“No,” she said. “It is impossible.” + +He drew a little closer. A sudden earnestness deepened his voice, made +it rasp a little, as though it were not wholly within control. + +“And suppose, Miss Gray, that I refuse to leave you, or to let you go, +now that I have you here, unless you give me more of your confidence? +What then?” + +“The other night,” she said slowly, “you informed me, among other +things, that you were a gentleman. I believed the other things.” + +He did not answer for a moment--and then he smiled whimsically. + +“You score, Miss Gray,” he murmured. + +“Good night, then!” she said again. “I will go by the alley here; you by +the street.” + +“No! Wait!” he said gravely. “If nothing will change your mind--and I +shall not be importunate, for, as we have met three times now through +the same peculiar chain of circumstances, I know we shall meet again--I +have something to tell you, before you go. As you already know, I went +to Gypsy Nan's the night after I first saw you, because I felt you +needed help. I went there in the hope that she would know where to find +you, and, failing in that, I left a message for you in the hope that, +since she had tricked Rorke in your behalf, you would find means of +communicating with her again. But all that is entirely changed now. Your +participation in that Hayden-Bond affair the other night makes Gypsy +Nan's place the last in all New York to which you should go.” + +Rhoda Gray stared through the semi-darkness, suddenly startled, +searching the Adventurer's face. + +“What do you mean?” she demanded quickly. + +“Just this,” he answered. “That where before I hoped you would go there, +I have spent nearly all the time since then in haunting the vicinity of +Gypsy Nan's house to warn you away in case you should try to reach her.” + +“I--I don't understand,” she said a little uncertainly. + +“It is simple enough,” he said. “Gypsy Nan is now one of those you have +most to fear. Gypsy Nan is merely a disguise. She is no more Gypsy Nan +than you are.” + +Rhoda Gray caught her breath. + +“Not Gypsy Nan!” she repeated--and fought to keep her voice in control. +“Who is she, then?” + +The Adventurer laughed shortly. + +“She is quite closely connected with that gentleman we left airing +himself on the fire escape,” he said grimly. “Gypsy Nan is Danglar's +wife.” + +It was very strange, very curious--the alleyway seemed suddenly to be +revolving around and around, and it seemed to bring her a giddiness and +a faintness. The Adventurer was standing there before her, but she did +not see him any more; she could only see, as from a brink upon which she +tottered, a gulf, abysmal in its horror, that yawned before her. + +“Thank you--thank you for the warning.” Was that her voice speaking +so calmly and dispassionately? “I will remember it. But I must go now. +Good-night again!” + +He said something. She did not know what. She only knew that she was +hurrying along the alleyway now, and that he had made no effort to stop +her, and that she was grateful to him for that, and that her composure, +strained to the breaking point, would have given away if she had +remained with him another instant. Danglar's wife! It was dark here in +the alley-way, and she did not know where it led to. But did it +matter? And she stumbled as she went along. But it was not the physical +inability to see that made her stumble--it was a brain-blindness that +fogged her soul itself. His wife! Gypsy Nan was Danglar's wife. + + + + +XI. SOME OF THE LESSER BREED + +Danglar's wife! It had been a night of horror; a night without sleep; +a night, after the guttering candle had gone out, when the blackness of +the garret possessed added terrors created by an imagination which ran +riot, and which she could not control. She could have fled from it, +screaming in panic-stricken hysteria--but there had been no other place +as safe as that was. Safe! The word seemed to reach the uttermost depths +of irony. Safe! Well, it was true, wasn't it? + +She had not wanted to return there; her soul itself had revolted against +it; but she had dared to do nothing else. And all through that night, +huddled on the edge of the cot bed, her fingers clinging tenaciously to +her revolver as though afraid for even an instant to relinquish it from +her grasp, listening, listening, always listening for a footstep that +might come up from that dark hall below, the footstep that would +climax all the terrors that had surged upon her, her mind had kept on +reiterating, always reiterating those words of the Adventurer--“Gypsy +Nan is Danglar's wife.” + +And they were still with her, those words. Daylight had come again, and +passed again, and it was evening once more; but those words remained, +insensible to change, immutable in their foreboding. And Rhoda Gray, as +Gypsy Nan, shuddered now as she scuffled along a shabby street deep in +the heart of the East Side. She was Danglar's wife--by proxy. At dawn +that morning when the gray had come creeping into the miserable attic +through the small and dirty window panes, she had fallen on her knees +and thanked God she had been spared that footstep. It was strange! She +had poured out her soul in passionate thankfulness then that Danglar +had not come--and now she was deliberately on her way to seek Danglar +himself! But the daylight had done more than disperse the actual, +physical darkness of the past night; it had brought, if not a measure of +relief, at least a sense of guidance, and the final decision, perilous +though it was, which she meant now to put into execution. + +There was no other way--unless she were willing to admit defeat, to give +up everything, her own good name, her father's name, to run from it all +and live henceforth in hiding in some obscure place far away, branded +in the life she would have left behind her as a despicable criminal and +thief. And she could not, would not, do this while her intuition, at +least, inspired her with the faith to believe that there was still a +chance of clearing herself. It was the throw of the dice, perhaps--but +there was no other way. Danglar, and those with him, were at the bottom +of the crime of which she was held guilty. She could not go on as she +had been doing, merely in the hope of stumbling upon some clew that +would serve to exonerate her. There was not time enough for that. +Danglar's trap set for herself and the Adventurer last night in old +Nicky Viner's room proved that. And the fact that the woman who +had originally masqueraded as Gypsy Nan--as she, Rhoda Gray, was +masquerading now--was Danglar's wife, proved it a thousandfold more. She +could no longer remain passive, arguing with herself that it took all +her wits and all her efforts to maintain herself in the role of Gypsy +Nan, which temporarily was all that stood between her and prison bars. +To do so meant the certainty of disaster sooner or later, and if it +meant that, the need for immediate action of an offensive sort was +imperative. + +And so her mind was made up. Her only chance was to find her way into +the full intimacy of the criminal band of which Danglar was apparently +the head; to search out its lair and its personnel; to reach to the +heart of it; to know Danglar's private movements, and to discover where +he lived so that she might watch him. It surely was not such a hopeless +task! True, she knew by name and sight scarcely more than three of this +crime clique, but at least she had a starting point from which to work. +There was Shluker's junk shop where she had turned the tables on Danglar +and Skeeny on the night they had planned to make the Sparrow their pawn. +It was obvious, therefore, that Shluker himself, the proprietor of the +junk shop, was one of the organization. She was going to Shluker's now. + +Rhoda Gray halted suddenly, and stared wonderingly a little way up the +block ahead of her. As though by magic a crowd was collecting around +the doorway of a poverty-stricken, tumble-down frame house that made +the corner of an alleyway. And where but an instant before the street's +jostling humanity had been immersed in its wrangling with the push-cart +men who lined the curb, the carts were now deserted by every one save +their owners, whose caution exceeded their curiosity--and the crowd grew +momentarily larger in front of the house. + +She drew Gypsy Nan's black, greasy shawl a little more closely around +her shoulders, and moved forward again. And now, on the outskirts of the +crowd, she could see quite plainly. There were two or three low steps +that led up to the doorway, and a man and woman were standing there. The +woman was wretchedly dressed, but with most strange incongruity she held +in her hand, obviously subconsciously, obviously quite oblivious of it, +a huge basket full to overflowing with, as nearly as Rhoda Gray could +judge, all sorts of purchases, as though out of the midst of abject +poverty a golden shower had suddenly descended upon her. And she was +gray, and well beyond middle age, and crying bitterly; and her free +hand, whether to support herself or with the instinctive idea of +supporting her companion, was clutched tightly around the man's +shoulders. And the man rocked unsteadily upon his feet. He was tall +and angular, and older than the woman, and cadaverous of feature, and +miserably thin of shoulder, and blood trickled over his forehead and +down one ashen, hollow cheek--and above the excited exclamations of the +crowd Rhoda Gray heard him cough. + +Rhoda Gray glanced around her. Where scarcely a second before she had +been on the outer fringe of the crowd, she now appeared to be in the +very center of it. Women were pushing up behind her, women who wore +shawls as she did, only the shawls were mostly of gaudy colors; and +men pushed up behind her, mostly men of swarthy countenance, who wore +circlets of gold in their ears; and, brushing her skirts, seeking +vantage points, ragged, ill-clad children wriggled and wormed their way +deeper into the press. It was a crowd composed almost entirely of the +foreign element which inhabited that quarter--and the crowd chattered +and gesticulated with ever-increasing violence. She did not understand. +And she could not see so well now. That pitiful tableau in the doorway +was being shut out from her by a man, directly in front of her, who had +hoisted a half-naked tot of three or four to a reserved seat upon his +head. + +And then a young man, one whom, from her years in the Bad Lands as the +White Moll, she recognized as a hanger-on at a gambling hell in the +Chatham Square district, came toward her, plowing his way, contemptuous +of obstructions, out of the crowd. + +Rhoda Gray, as Gypsy Nan, hailed him out of the corner of her mouth. + +“Say, wot's de row?” she demanded. + +The young man grinned. + +“Somebody pinched a million from de old guy!” He shifted his cigarette +with a deft movement of his tongue from one side of his mouth to the +other, and grinned again. “Can youse beat it! Accordin' to him, he had +enough coin to annex de whole of Noo Yoik! De moll's his wife. He went +out to hell-an'-gone somewhere for a few years huntin' gold while de +old girl starved. Den back he comes an' blows in to-day wid his pockets +full, an' de old girl grabs a handful, an' goes out to buy up all de +grub in sight 'cause she ain't had none for so long. An' w'en she comes +back she finds de old geezer gagged an' tied in a chair, an' some guy's +hit him a crack on de bean an' flown de coop wid de mazuma. But youse +had better get out of here before youse gets run over! Dis ain't no +place for an old skirt like youse. De bulls'll be down here on de hop in +a minute, an' w'en dis mob starts sprinklin' de street wid deir fleetin' +footsteps, youse are likely to get hurt. See?” The young man started +to force his way through the crowd again. “Youse had better cut loose, +mother!” he warned over his shoulder. + +It was good advice. Rhoda Gray took it. She had scarcely reached the +next block when the crowd behind her was being scattered pell-mell and +without ceremony in all directions by the police, as the young man had +predicted. She went on. There was nothing that she could do. The man's +face and the woman's face haunted her. They had seemed stamped with such +abject misery and despair. But there was nothing that she could do. It +was one of those sore and grievous cross-sections out of the lives +of the swarming thousands down here in this quarter which she knew +so intimately and so well. And there were so many, many of those +cross-sections! Once, in a small, pitifully meager and restricted way, +she had been able to help some of these hurt lives, but now--Her lips +tightened a little. She was going to Shluker's junk shop. + +Her forehead gathered in little furrows as she walked along. She had +weighed the pros and cons of this visit a hundred times already during +the day; but even so, instinctively to reassure herself lest some +apparently minor, but nevertheless fatally vital, point might have been +overlooked, her mind reverted to it again. From Shluker's viewpoint, +whether Gypsy Nan was in the habit of mingling with or visiting the +other members of the gang or not--a matter upon which she could not even +hazard a guess--her visit to-night must appear entirely logical. There +was last night--and, a natural corollary, her equally natural anxiety on +her supposed husband's account, providing, of course, that Shluker was +aware that Gypsy Nan was Danglar's wife. But even if Shluker did not +know that, he knew at least that Gypsy Nan was one of the gang, and, as +such, he must equally accept it as natural that she should be anxious +and disturbed over what had happened. She would be on safe ground either +way. She would pretend to know only what had appeared in the papers; +in other words, that the police, attracted to the spot by the sound of +revolver shots, had found Danglar handcuffed to the fire escape of a +well-known thieves' resort in an all too well-known and questionable +locality. + +A smile came spontaneously. It was quite true. That was where the +Adventurer had left Danglar--handcuffed to the fire escape! The smile +vanished. The humor of the situation was not long-lived; it ended there. +Danglar was as cunning as the proverbial fox; and Danglar, at that +moment, in desperate need of explaining his predicament in some +plausible way to the police, had, as the expression went, run true to +form. Danglar's story, as reported by the papers, even rose above his +own high-water mark of vicious cunning, because it played upon a chord +that appealed instantly to the police; and it rang true, not only +because what the police could find out about him made it likely, +but also because it contained a modicum of truth in itself; and, +furthermore, Danglar had scored on still another count in that his story +must stimulate the police into renewed activities as his unsuspecting +allies in the one thing, the one aim and object that, at that moment, +must obsess him above all others--the discovery of herself, the White +Moll. + +It was ingeniously simple, Danglar's smooth and oily lie! He had been +walking along the street, he had stated, when he saw a woman, as she +passed under a street lamp, who he thought resembled the White Moll. +To make sure, he followed her--at a safe distance, as he believed. She +entered the tenement. He hesitated. He knew the reputation of the +place, which bore out his first impression that the woman was the one +he thought she was; but he did not want to make a fool of himself by +calling in the police until he was positive of her identity, so he +finally followed her inside, and heard her go upstairs, and crept up +after her in the dark. And then, suddenly, he was set upon and hustled +into a room. It was the White Moll, all right; and the shots came from +her companion, a man whom he described minutely--the description +being that of the Adventurer, of course. They seemed to think that he, +Danglar, was a plain-clothes man, and tried to sicken him of his job by +frightening him. And then they forced him through the window and down +the fire escape, and fastened him there with handcuffs to mock the +police, and the White Moll's companion had deliberately fired some more +shots to make sure of bringing the police to the scene, and then the two +of them had run for it. + +Rhoda Gray's eyes darkened angrily. The newspapers said that Danglar had +been temporarily held by the police, though his story was believed to be +true, for certainly the man would make no mistake as to the identity of +the White Moll, since his life, what the police could find out about it, +coincided with his own statements, and he would naturally therefore have +seen her many times in the Bad Lands when she was working there under +cover of her despicable role of sweet and innocent charity. Danglar had +made no pretensions to self-righteousness--he was too cute for that. He +admitted that he had no “specific occupation,” that he hung around the +gambling hells a good deal, that he followed the horses--that, frankly, +he lived by his wits. He had probably given some framed-up address to +the police, but, if so, the papers had not stated where it was. Rhoda +Gray's face, under the grime of Gypsy Nan's disguise, grew troubled +and perplexed. Neither had the papers, even the evening papers, stated +whether Danglar had as yet been released--they had devoted the rest of +their space to the vilification of the White Moll. They had demanded +in no uncertain tones a more conclusive effort on the part of the +authorities to bring her, and with her now the man in the case, as they +called the Adventurer, to justice, and... + +The thought of the Adventurer caused her mind to swerve sharply off at +a tangent. Where he had piqued and aroused her curiosity before, he +now, since last night, seemed more complex a character than ever. It +was strange, most strange, the way their lives, his and hers, had become +interwoven! She had owed him much; but last night she had repaid him and +squared accounts. She had told him so. She owed him nothing more. If a +sense of gratitude had once caused her to look upon him with--with--She +bit her lips. What was the use of that? Had it become so much a part of +her life, so much a habit, this throwing of dust in the eyes of others, +this constant passing of herself off for some one else, this constant +deception, warranted though it might be, that she must now seek to +deceive herself! Why not frankly admit to her own soul, already in the +secret, that she cared in spite of herself--for a thief? Why not admit +that a great hurt had come, one that no one but herself would ever know, +a hurt that would last for always because it was a wound that could +never be healed? + +A thief! She loved a thief. She had fought a bitter, stubborn battle +with her common sense to convince herself that he was not a thief. +She had snatched hungrily at the incident that centered around those +handcuffs, so opportunely produced from the Adventurer's pocket. She had +tried to argue that those handcuffs not only suggested, but proved, he +was a police officer in disguise, working on some case in which Danglar +and the gang had been mixed up; and, as she tried to argue in this wise, +she tried to shut her eyes to the fact that the same pocket out of which +the handcuffs came was at exactly the same moment the repository of as +many stolen banknotes as it would hold. She had tried to argue that the +fact that he was so insistently at work to defeat Danglar's plans was +in his favor; but that argument, like all others, came quickly and +miserably to grief. Where the “leak” was, as Danglar called it, that +supplied the Adventurer with foreknowledge of the gang's movements, she +had no idea, save that perhaps the Adventurer and some traitor in the +gang were in collusion for their own ends--and that certainly did not +lift the Adventurer to any higher plane, or wash from him the stigma of +thief. + +She clenched her hands. It was all an attempt at argument without the +basis of a single logical premise. It was silly and childish! Why hadn't +the man been an ordinary, plain, common thief and criminal--and looked +like one? She would never have been attracted to him then even through +gratitude! Why should he have all the graces and ear-marks of breeding? +Why should he have all the appearances of gentleman? It seemed a +needlessly cruel and additional blow that fate had dealt her, when +already she was living through days and nights of fear, of horror, of +trepidation, so great that at times it seemed she would literally lose +her reason. If he had not looked, yes, and at times, acted, so much like +a thorough-bred gentleman, there would never have come to her this hurt, +this gulf between them that could not now be spanned, and in a personal +way she would never have cared because he was--a thief. + +Her mental soliloquy ended abruptly. She had reached the narrow driveway +that led in, between the two blocks of down-at-the-heels tenements, to +the courtyard at the rear that harbored Shluker's junk shop. And now, +unlike that other night when she had first paid a visit to the place, +she made no effort at concealment as she entered the driveway. She +walked quickly, and as she emerged into the courtyard itself she saw a +light in the window of the junk shop. + +Rhoda Gray nodded her head. It was still quite early, still almost +twilight--not more than eight o'clock. Back there, on that squalid +doorstep where the old woman and the old man had stood, it had still +been quite light. The long summer evening had served at least to sear, +somehow, those two faces upon her mind. It was singular that they should +intrude themselves at this moment! She had been thinking, hadn't she, +that at this hour she might naturally expect to find Shluker still in +his shop? That was why she had come so early--since she had not cared to +come in full daylight. Well, if that light meant anything, he was there. + +She felt her pulse quicken perceptibly as she crossed the courtyard, and +reached the shop. The door was open, and she stepped inside. It was +a dingy place, filthy, and littered, without the slightest attempt at +order, with a heterogeneous collection of, it seemed, every article one +could think of, from scraps of old iron and bundles of rags to cast-off +furniture that was in an appalling state of dissolution. The light, that +of a single and dim incandescent, came from the interior of what was +apparently the “office” of the establishment, a small, glassed-in +partition affair, at the far end of the shop. + +Her first impression had been that there was no one in the shop, but +now, from the other side of the glass partition, she caught sight of +a bald head, and became aware that a pair of black eyes were fixed +steadily upon her, and that the occupant was beckoning to her with his +hand to come forward. + +She scuffled slowly, but without hesitation, up the shop. She intended +to employ the vernacular that was part of the disguise of Gypsy Nan. +If Shluker, for that was certainly Shluker there, gave the slightest +indication that he took it amiss, her explanation would come glibly and +logically enough--she had to be careful; how was she supposed to know +whether there was any one else about, or not! + +“'Ello!” she said curtly, as she reached the doorway of the little +office, and paused on the threshold. Shifty little black eyes met hers, +as the bald head fringed with untrimmed gray hair, was lifted from a +battered desk, and the wizened face of an old man was disclosed under +the rays of the tin-shaded lamp. He grinned suddenly, showing discolored +teeth--and instinctively she drew back a little. He was an uninviting +and exceedingly disreputable old creature. + +“You, eh, Nan!” he grunted. “So you've come to see old Jake Shluker, +have you? 'Tain't often you come! And what's brought you, eh?” + +“I can read, can't I?” Rhoda Gray glanced furtively around her, then +leaned toward the other. “Say, wot's de lay? I been scared stiff all +day. Is dat straight wot de papers said about youse-know-who gettin' +pinched?” + +A scowl settled over Shluker's features as he nodded. + +“Yes; it's straight enough,” he answered. “Damn 'em, one and all! But +they let him out again.” + +“Dat's de stuff!” applauded Rhoda Gray earnestly. “Where is he, den?” + +Shluker shook his head. + +“He didn't say,” said Shluker. + +“He didn't say?” echoed Rhoda Gray, a little tartly. “Wot d'youse mean, +he didn't say? Have youse seen him?” + +Shluker jerked his hand toward the telephone instrument on the desk. + +“He was talkin' to me a little while ago.” + +“Well, den”--Rhoda Gray risked a more peremptory tone--“where is he?” + +Shluker shook his head again. + +“I dunno,” he said. “I'm tellin' you, he didn't say.” + +Rhoda Gray studied the wizened and repulsive old creature, that, huddled +in his chair in the dirty, boxed-in little office, made her think of +some crafty old spider lurking in its web for unwary prey. Was the man +lying to her? Was he in any degree suspicious? Why should he be? He +had given not the slightest sign that her uncouth language was either +unexpected or unnecessary. Perhaps to Shluker, and perhaps to all the +rest of the gang--except Danglar!--Gypsy Nan was accepted at face +value as just Gypsy Nan; and, if that were so, the idea of playing up +a natural wifely anxiety on Danglar's behalf could not be used unless +Shluker gave her a lead in that direction. But, all that apart, she was +getting nowhere. She bit her lips in disappointment. She had counted a +great deal on this Shluker here, and Shluker was not proving the fount +of information, far from it, that she had hoped he would. + +She tried again-even more peremptorily than before. + +“Aw, open up!” she snapped. “Wot's de use bein' a clam! Youse heard me, +didn't youse? Where is he?” + +Shluker leaned abruptly forward, and looked at her in a suddenly +perturbed way. + +“Is there anything wrong?” he asked in a tense, lowered voice. “What +makes you so anxious to know?” + +Rhoda Gray laughed shortly. + +“Nothin'!” she answered coolly. “I told youse once, didn't I? I got a +scare readin' dem papers--an' I ain't over it yet. Dat's wot I want to +know for, an' youse seem afraid to open up!” + +Shluker sank back again in his chair with an air of relief. + +“Oh!” he ejaculated. “Well, that's all right, then. You were beginning +to give me a scare, too. I ain't playin' the clam, and I dunno where he +is; but I can tell you there's nothing to worry you any more about the +rest of it. He was after the White Moll last night, and it didn't come +off. They pulled one on him instead, and fastened him to the fire escape +the way the papers said. Skeeny and the Cricket, who were in on the play +with him, didn't have time to get him loose before the bulls got there. +So Danglar told them to beat it, and he handed the cops the story that +was in the papers. He got away with it, all right, and they let go him +to-day; but he phoned a little while ago that they were still stickin' +around kind of close to him, and that I was to pass the word that the +lid was to go down tight for the next few days, and--” + +Shluker stopped abruptly as the telephone rang, and reached for the +instrument. + +Rhoda Gray fumbled unnecessarily with her shawl, as the other answered +the call. Failure! A curious bitterness came to her. Her plan then, for +to-night it least, was a failure. Shluker did not know where Danglar +was. She was quite convinced of that. Shluker was--She glanced suddenly +at the wizened little old man. From an ordinary tone, Shluker' s voice +had risen sharply in protest about something. She listened now: + +“No, no; it does not matter what it is! + +“What?...No! I tell you, no! Nothing! Not to-night! Those are the +orders....No, I don't know! Nan is here now....Eh?....You'll pay for +it if you do!” Shluker was snarling threateningly now. “What?....Well, +then, wait! I'll come over....No, you can bet I won't be long! You wait! +Understand?” + +He banged the receiver on the hook, and got up from his chair hurriedly. + +“Fools!” he muttered savagely. “No, I won't be long gettin' there!” He +grabbed Rhoda Gray's arm. “Yes, and you come, too! You will help me put +a little sense into their heads, if it is possible--eh? The fools!” + +The man was violently excited. He half pulled Rhoda Gray down the length +of the shop to the front door. Puzzled, bewildered, a little uneasy, she +watched him lock the door, and then followed him across the courtyard, +while he continued to mutter constantly to himself. + +“Wot's de matter?” she asked him twice. + +But it was not until they had reached the street, and Shluker was +hurrying along as fast as he could walk, that he answered her. + +“It's the Pug and Pinkie Bonn!” he jerked out angrily. “They're in the +Pug's room. Pinkie went back there after telephonin'. They've nosed +out something they want to put through. The fools! And after last +night nearly havin' finished everything! I told 'em--you heard me--that +everybody's to keep under cover now. But they think they've got a soft +thing, and they say they're goin' to it. I've got to put a crimp in it, +and you've got to help me. Y'understand, Nan?” + +“Yes,” she said mechanically. + +Her mind was working swiftly. The night, after all, perhaps, was not to +be so much of a failure! To get into intimate touch with all the members +of the clique was equally one of her objects, and, failing Danglar +himself to-night, here was an “open sesame” to the re-treat of two of +the others. She would never have a better chance, or one in which risk +and danger, under the chaperonage, as it were, of Shluker here, were, +if not entirely eliminated, at least reduced to an apparently negligible +minimum. Yes; she would go. To refuse was to turn her back on her own +proposed line of action, and on the decision which she had made herself. + + + + +XII. CROOKS Vs. CROOKS + +It was not far. Shluker, hastening along, still muttering to himself, +turned into a cross street some two blocks away, and from there again +into a lane; and, a moment later, led the way through a small door +in the fence that hung, battered and half open, on sagging and broken +hinges. Rhoda Gray's eyes traveled sharply around her in all directions. +It was still light enough to see fairly well, and she might at some +future time find the bearings she took now to be of inestimable worth. +Not that there was much to remark! They crossed a diminutive and +disgustingly dirty backyard, whose sole reason for existence seemed to +be that of a receptacle for old tin cans, and were confronted by the +rear of what appeared to be a four-story tenement. There was a back door +here, and, on the right of the door, fronting the yard, a single window +that was some four or five feet from the level of the ground. + +Shluker, without hesitation, opened the back door, shut it behind them, +led the way along a black, unlighted hall, and halting before a door +well toward the front of the building, knocked softly upon it--giving +two raps, a single rap, and then two more in quick succession. There +was no answer. He knocked again in precisely the same manner, and then +a footstep sounded from within, and the door was flung open. “Fools!” + growled Shluker in greeting, as they stepped inside and the door was +closed again. “A pair of brainless fools!” + +There were two men there. They paid Shluker scant attention. They both +grinned at Rhoda Gray through the murky light supplied by a wheezy and +wholly inadequate gas-jet. + +“Hello, Nan!” gibed the smaller of the two. “Who let you out?” + +“Aw, forget it!” croaked Rhoda Gray. + +Shluker took up the cudgels. + +“You close your face, Pinkie!” he snapped. “Get down to cases! Do you +think I got nothing else to do but chase you two around like a couple +of puppy dogs that haven't got sense enough to take care of themselves? +Wasn't what I told you over the phone enough without me havin' to come +here?” + +“Nix on that stuff!” returned the one designated as Pinkie +imperturbably. “Say, you'll be glad you come when we lets you in on +a little piece of easy money. We ain't askin' your advice; all we're +askin' you to do is frame up the alibi, same as usual, for me an' the +Pug here in case we wants it.” + +Shluker shook his fist. + +“Frame nothing!” he spluttered angrily. “Ain't I tellin' you that the +orders are not to make a move, that everything is off for a few days? +That's the word I got a little while ago, and the Seven-Three-Nine is +goin' out now. Nan'll tell you the same thing.” + +“Sure!” corroborated Rhoda Gray, picking up the obvious cue. “Dat's de +straight goods.” + +The two men were lounging beside a table that stood at the extreme end +of the room, and now for a moment they whispered together. And, as they +whispered, Rhoda Gray found her first opportunity to take critical stock +both of her surroundings and of the two men themselves. Pinkie, a short, +slight little man, she dismissed with hardly a glance; he was the common +type, with low, vicious cunning stamped all over his face--an ordinary +rat of the underworld. But her glance rested longer on his companion. +The Pug was indeed entitled to his moniker! His face made her think of +one. It seemed to be all screwed up out of shape. Perhaps the eye-patch +over the right eye helped a little to put the finishing touch of +repulsiveness upon a countenance already most unpleasant. The celluloid +eye-patch, once flesh-colored, was now so dirty and smeared that its +original color was discernible only in spots, and the once white elastic +cord that circled his head and kept the patch in place was in equal +disrepute. A battered slouch hat came to the level of the eye-patch in +a forbidding sort of tilt. His left eyelid drooped until it was scarcely +open at all, and fluttered continually. One nostril of his nose was +entirely closed; and his mouth seemed to be twisted out of shape, so +that, even when in repose, the lips never entirely met at one corner. +And his ears, what she could see of them in the poor light, and on +account of the slouch hat, seemed to bear out the low-type criminal +impression the man gave her, in that they lay flat back against his +head. + +She turned her eyes away with a little shudder of repulsion, and gave +her attention to an inspection of the room. There was no window, +except a small one high up in the right-hand partition wall. She quite +understood what that meant. It was common enough, and all too unsanitary +enough, in these old and cheap tenements; the window gave, not on the +out-of-doors, but on a light-well. For the rest, it was a room she +had seen a thousand times before--carpetless, unfurnished save for the +barest necessities, dirt everywhere, unkempt. + +Pinkie Bonn broke in abruptly upon her inspection. + +“That's all right!” he announced airily. “We'll let Nan in on it, too. +The Pug an' me figures she can give us a hand.” + +Shluker's wizened little face seemed suddenly to go purple. + +“Are you tryin' to make a fool of me?” he half screamed. “Or can't you +understand English? D'ye want me to keep on tellin' you till I'm hoarse +that there ain't nobody goin' in with you, because you am't goin' in +yourself! See? Understand that? There's nothing doin' to-night for +anybody--and that means you!” + +“Aw, shut up, Shluker!” It was the Pug now, a curious whispering +sibilancy in his voice, due no doubt to the disfigurement of his lips. +“Give Pinkie a chance to shoot his spiel before youse injure yerself +throwin' a fit! Go on, Pinkie, spill it.” + +“Sure!” said Pinkie eagerly. “Listen, Shluk! It ain't any crib we're +wantin' to crack, or nothin' like that. It's just a couple of crooks +that won't dare open their yaps to the bulls, 'cause what we're after +'ll be what they'll have pinched themselves. See?” + +Shluker's face lost some of its belligerency, and in its place a dawning +interest came. + +“What's that?” he demanded cautiously. “What crooks?” + +“French Pete an' Marny Day,” said Pinkie--and grinned. + +“Oh!” Shluker's eyebrows went up. He looked at the Pug, and the Pug +winked knowingly with his half-closed left eyelid. Shluker reached out +for a chair, and, finding it suspiciously wobbly, straddled it warily. +“Mabbe I've been in wrong,” he admitted. “What's the lay?” + +“Me,” said Pinkie, “I was down to Charlie's this afternoon havin' a +little lay-off, an'--” + +“One of these days,” interrupted Shluker sharply, “you'll go out +like”--he snapped his fingers--“that!” “Can't you leave the stuff +alone?” + +“I got to have me bit of coke,” Pinkie answered, with a shrug of his +shoulders. “An', anyway, I'm no pipe-hitter. + +“It's all the same whatever way you take it!” retorted Shluker. “Well, +go on with your story. You went down to Charlie's dope parlors, and +jabbed a needle into yourself, or took it some other old way. I get you! +What happened then?” + +“It was about an hour ago,” resumed Pinkie Bonn with undisturbed +complacency. “Just as I was beatin' it out of there by the cellar, I +hears some whisperin' as I was passin' one of the end doors. Savvy? I +hadn't made no noise, an' they hadn't heard me. I gets a peek in, 'cause +the door's cracked. It was French Pete an' Marny Day. I listens. An' +after about two seconds I was goin' shaky for fear some one would come +along an' I wouldn't get the whole of it. Take it from me, Shluk, it was +some goods!” + +Shluker grunted noncommittingly. + +“Well, go on!” he prompted. + +“I didn't get all the fine points,” grinned Pinkie; “but I got enough. +There was a guy by the name of Dainey who used to live somewhere on the +East Side here, an' he used to work in some sweat-shop, an' he worked +till he got pretty old, an' then his lungs, or something, went bad on +him, an' he went broke. An' the doctor said he had to beat it out of +here to a more salubrious climate. Some nut filled his ear full 'bout +gold huntin' up in Alaska, an' he fell for it. He chewed it over with +his wife, an' she was for it too, 'cause the doctor 'd told her her old +man would bump off if he stuck around here, an' they hadn't any money +to get away together. She figured she could get along workin' out by the +day till he came back a millionaire; an' old Dainey started off. + +“I dunno how he got there. I'm just fillin' in what I hears French Pete +an' Marny talkin' about. I guess mostly he beat his way there ridin' the +rods; but, anyway, he got there. See? An' then he goes down sick there +again, an' a hospital, or some outfit, has to take care of him for a +couple of years; an' back here the old woman got kind of feeble an' on +her uppers, an there was hell to pay, an'--” + +“Wot's bitin' youse, Nan?” The Pug's lisping whisper broke sharply in +upon Pinkie Bonn's story. + +Rhoda Gray started. She was conscious now that she had been leaning +forward, staring in a startled way at Pinkie as he talked; conscious now +that for a moment she had forgotten--that she was Gypsy Nan. But she was +mistress of herself on the instant, and she scowled blackly at the Pug. + +“Mabbe it's me soft heart dat's touched!” she flung out acidly. “Youse +close yer trap, an' let Pinkie talk!” + +“Yes, shut up!” said Pinkie. “What was I sayin'? Oh, yes! An' then the +old guy makes a strike. Can you beat it! I dunno nothing about the way +they pull them things, but he's off by his lonesome out somewhere, an' +he finds gold, an' stakes out his claim, but he takes sick again an' +can't work it, an' it's all he can do to get back alive to civilization. +He keeps his mouth shut for a while, figurin' he'll get strong again, +but it ain't no good, an' he gets a letter from the old woman tellin' +how bad she is, an' then he shows some of the stuff he'd found. After +that there's nothing to it! Everybody's beatin' it for the place; but, +at that, old Dainey comes out of it all right, an' goes crazy with joy +'cause some guy offers him twenty-five thousand bucks for his claim, an' +throws in the expenses home for good luck. He gets the money in cash, +twenty-five one-thousand-dollar bills, an' the chicken feed for the +expenses, an' starts for back here an' the old woman. But this time he +don't keep his mouth shut about it when he'd have been better off if he +had. See? He was tellin' about it on the train. I guess he was tellin' +about it all the way across. But, anyway, he tells about it comm' from +Philly this afternoon, an' French Pete an' Marny Day happens to be on +the train, an' they hears it, an' frames it up to annex the coin before +morning, 'cause he's got in too late to get the money into any bank +to-day.” + +Pinkie Bonn paused, and stuck his tongue significantly in his cheek. + +Shluker was rubbing his hands together now in a sort of unctuous way. + +“It sounds pretty good,” he murmured; “only there's Danglar--” + +“Youse leave Danglar to me!” broke in the Pug. “As soon as we hands one +to dem two boobs an' gets de cash, Pinkie can beat it back here wid de +coin an wait fer me while I finds Danglar an' squares it wid him. He +ain't goin' to put up no holler at dat. We ain't runnin' de gang into +nothin'. Dis is private business--see? So youse just take a sneak wid +yerself, an' fix a nice little alibi fer us so's we won't be takin' any +chances.” + +Shluker frowned. + +“But what's the good of that?” he demurred. “French Pete and Marny Day +'ll see you anyway.” + +“Will dey!” scoffed the Pug. “Guess once more! A coupla handkerchiefs +over our mugs is good enough fer dem, if youse holds yer end up. An' dey +wouldn't talk fer publication, anyway, would dey?” + +Shluker smiled now-almost ingratiatingly. + +“And how much is my end worth?” he inquired softly. + +“One of dem thousand-dollar engravin's,” stated the Pug promptly. “An' +Pinkie'll run around an' slip it to youse before mornin'.” + +“All right,” said Shluker, after a moment. “It's half past eight now. +From nine o'clock on, you can beat any jury in New York to it that you +were both at the same old place--as long as you keep decently under +cover. That'll do, won't it? I'll fix it. But I don't see--” + +Rhoda Gray, as Gypsy Nan, for the first time projected herself into the +discussion. She cackled suddenly in jeering mirth. + +“I t'ought something was wrong wid her!” whispered the Pug with mock +anxiety. “Mabbe she ain't well! Tell us about it, Nan!” + +“When I do,” she said complacently, “mabbe youse'll smile out of de +other corner of dat mouth of yers!” She turned to Shluker. “Youse +needn't lay awake waitin' fer dat thousand, Shluker, 'cause youse'll +never see it. De little game's all off--'cause it's already been pulled. +See? Dere was near a riot as I passes along a street goin' to yer place, +an' I gets piped off to wot's up, an' it's de same story dat Pinkie's +told, an' de crib's cracked, an' de money's gone--dat's all.” + +Shluker's face fell. + +“I said you were fools when I first came in here!” he burst out +suddenly, wheeling on Pinkie Bonn and the Pug. “I'm sure of it now. I +was wonderin a minute ago how you were goin' to keep your lamps on Pete +and Marny from here, or know when they were goin' to pull their stunt, +or where to find 'em.” + +Pinkie Bonn, ignoring Shluker, leaned toward Rhoda Gray. + +“Say, Nan, is that straight?” he inquired anxiously. “You sure?” + +“Sure, I'm sure!” Rhoda Gray asserted tersely. The one thought in her +head now was that her information would naturally deprive these men here +of any further interest in the matter, and that she would get away as +quickly as possible, and, in some way or other, see that the police were +tipped off to the fact that it was French Pete and Marny Day who had +taken the old couple's money. Those two old faces rose before her again +now--blotting out most curiously the face of Pinkie Bonn just in front +of her. She felt strangely glad--glad that she had heard all of old +Dainey's story, because she could see now an ending to it other than +the miserable, hopeless one of despair that she had read in the Daineys' +faces just a little while ago. “Sure, I'm sure!” she repeated with +finality. + +“How long ago was it?” prodded Pinkie. + +“I dunno,” she answered. “I just went to Shluker's, an' den we comes +over here. Youse can figure it fer yerself.” + +And then Rhoda Gray stared at the other--with sudden misgiving. Pinkie +Bonn's face was suddenly wreathed in smiles. + +“I'll answer you now, Shluk,” he grinned. “What do you think? That +we're nuts, me an' Pug? Well, forget it! We didn't have to stick around +watchin' Pete an' Marny; we just had to wait until they had collected +the dough. That was the most trouble we had--wonderin' when that +would be. Well, we don't have to wonder any more. We know now that the +cherries are ripe. See? An' now we'll go an' pick 'em! Where? Where d'ye +suppose? Down to Charlie's, of course! I hears 'em talkin' about that, +too. They ain't so foolish! They're out for an alibi themselves. Get the +idea? They was to sneak out of Charlie's without anybody seem' 'em, +an' if everything broke right for 'em, they was to sneak back again an' +spend the night there. No, they ain't so foolish--I guess they ain't! +There ain't no place in New York you can get in an' out of without +nobody knowin' it like Charlie's, if you know the way, an--” + +“Aw, write de rest of it down in yer memoirs!” interposed the Pug +impatiently--and moved toward the door. “It's all right, Shluker--all +de way. Now, everybody beat it, an' get on de job. Nan, youse sticks wid +Pinkie an' me.” + +Rhoda Gray, her mind in confusion, found herself being crowded hurriedly +through the doorway by the three men. Still in a mentally confused +condition, she found herself, a few minutes later--Shluker having parted +company with them--walking along the street between Pinkie Bonn and +the Pug. She was fighting desperately to obtain a rip upon herself. The +information she had volunteered had had an effect diametrically opposite +to that which she had intended. She seemed terribly impotent; as though +she were being swept from her feet and borne onward by some swift and +remorseless current, whether she would or no. + +The Pug, in his curious whisper, was talking to her: “Pinkie knows de +way in. We don't want any row in dere, on account of Charlie. We ain't +fer puttin' his place on de rough, an' gettin' him raided by de bulls. +Charlie's all to de good. See? Well, dat's wot 'd likely happen if +me an' Pinkie busts in on Pete an' Marny widout sendin' in our +visitin'-cards first, polite-like. Dey would pull deir guns, an' though +we'd get de coin just de same, dere'd be hell to pay fer Charlie, an' de +whole place 'd go up in fireworks right off de bat. Well, dis is where +youse come in. Youse are de visitin'-card. Youse gets into deir bunk +room, pretendin' youse have made a mistake, an' youse leaves de door +open behind youse. Dey don't know youse, an', bein' a woman, dey won't +pull no gun on youse. An' den youse breaks it gently to dem dat dere's +a coupla gents outside, an' just about den dey looks up an' sees me an' +Pinkie an' our guns-an' I guess dat's all. Get it?” + +“Sure!” mumbled Rhoda Gray. + +The Pug talked on. She did not hear him. It seemed as though her brain +ached literally with an acute physical pain. What was she to do? What +could she do? She must do something! There must be some way to save +herself from being drawn into the very center of this vortex toward +which she was being swept closer with every second that passed. Those +two old faces, haggard in their despair and misery, rose before her +again. She felt her heart sink. She had counted, only a few moments +before, on getting their money back for them--through the police. The +police! How could she get any word to the police now, without first +getting away from these two men here? And suppose she did get away, +and found some means of communicating with the authorities, it would be +Pinkie Bonn here, and the Pug, who would fall into the meshes of the law +quite as much as would French Pete and Marny Day; and to have Pinkie and +the Pug apprehended now, just as they seemed to be opening the gateway +for her into the inner secrets of the gang, meant ruin to her own hopes +and plans. And to refuse to go on with them now, as one of them, would +certainly excite their suspicions--and suspicion of Gypsy Nan was the +end of everything for her. + +Her hands, under her shawl, clenched until the nails bit into her palms. +Couldn't she do anything? And there was the money, too, for those two +old people. Wasn't there any--She caught her breath. Yes, yes! Perhaps +there was a way to save the money; yes, and at the same time to place +herself on a firmer footing of intimacy with these two men here--if she +went on with this. But--She shook her head. She could not afford “buts” + now; they must take care of themselves afterwards. She would play Gypsy +Nan now without reservation. These two men here, like Shluker, were +obviously ignorant that Gypsy Nan was Danglar's wife; so she was--Pinkie +Bonn's hand was on her arm. She had stumbled. + +“Look out for yourself!” he cautioned under his breath. “Don't make a +sound!” + +They had drawn into a very dark and narrow area way between two +buildings, and now Pinkie kept his touch upon her as he led the way +along. What was this “Charlie's”? She did not know, except that, +from what had been said, it was a drug dive of some kind, patronized +extensively by the denizens of the underworld. She did not know where +she was now, save that she had suddenly left one of the out-of-the--way +East Side streets. + +Pinkie halted suddenly, and, bending down, lifted up what was evidently +a half section of the folding trapdoor to a cellar entrance. + +“There's only a few of us regulars wise to this,” whispered Pinkie. +“Watch yourself! There's five steps. Count 'em, so's you won't trip. +Keep hold of me all the way. An' nix on the noise, or we won't get away +with it inside. Leave the trap open, Pug, for our getaway. We ain't +goin' to be long. Come on!” + +It was horribly dark. Rhoda Gray, with her hand on Pinkie Bonn's +shoulder, descended the five steps. She felt the Pug keeping touch +behind by holding the corner of her shawl. They went forward softly, +slowly, stealthily. She felt her knees shake a little, and suddenly +panic seized her, and she wanted to scream out. What was she doing? +Where was she going? Was she mad, that she had ventured into this trap +of blackness? Blackness! It was hideously black. She looked behind her. +She could not see the Pug, close as he was to her; and dark as she had +thought it outside there at the cellar entrance, it appeared by contrast +to have been light, for she could even distinguish now the opening +through which they had come. + +They were in a cellar that was damp underfoot, and the soft earth +deadened all sound as they walked upon it--and they seemed to be walking +on interminably. It was too far--much too far! She felt her nerve +failing her. She looked behind her again. That opening, still +discernible to her straining eyes, beckoned her, lured her. Better to... + +Pinkie had halted again. She bumped into him. And then she felt his lips +press against her ear. + +“Here we are!” he breathed. “They got the end room on the right, so's +they could get in an' out with out bein' seen, an so's even Charlie'd +swear they was here all the time. You're too old a bird to fall down, +Nan. If the door's locked, knock--an' give 'em any old kind of a song +an' dance till you gets 'em off their guard. The Pug an' me 'll see you +through. Go it!” + +Before Rhoda Gray could reply, Pinkie had stepped suddenly to one +side. A door in front of her, a sliding door it seemed to be, opened +noiselessly, and she could see a faintly lighted, narrow, and very short +passage ahead of her. It appeared to make a right-angled turn just a few +yards in, and what light there was seemed to filter in from around the +corner. And on each side of the passage, before it made the turn, there +was a door, and from the one on the right, through a cracked panel, a +tiny thread of light seeped out. + +Her lips moved silently. After all, it was not so perilous. Nobody would +be hurt. Pinkie and the Pug would cover those two men in there--and take +the money--and run for it--and... + +The Pug gave her an encouraging push from behind. + +She moved forward mechanically. There were many sounds now, but they +came muffled and indeterminate from around that corner ahead--all save +a low murmuring of voices from the door with the cracked panel on the +right. + +It was only a few feet. She found herself crouched before the door--but +she did not knock upon it. Instead, her blood seemed suddenly to run +cold in her veins, and she beckoned frantically to her two companions. +She could see through the crack in the panel. There were two men in +there, French Pete and Marny Day undoubtedly, and they sat on opposite +sides of a table, and a lamp burned on the table, and one of the men +was counting out a sheaf of crisp yellow-back banknotes--but the other, +while apparently engrossed in the first man's occupation, and while he +leaned forward in apparent eagerness, was edging one hand stealthily +toward the lamp, and his other hand, hidden from his companion's view +by the table, was just drawing a revolver from his pocket. There was no +mistaking the man's murderous intentions. A dull horror, that numbed her +brain, seized upon Rhoda Gray; the low-type brutal faces under the rays +of the lamp seemed to assume the aspect of two monstrous gargoyles, and +to spin around and around before her vision; and then--it could only +have been but the fraction of a second since she had begun to beckon to +Pinkie and the Pug--she felt herself pulled unceremoniously away from +the door, and the Pug leaned forward in her place, his eyes to the crack +in the panel. + +She heard a low, quick-muttered exclamation from the Pug; and then +suddenly, as the lamp was obviously extinguished, that crack of light +in the panel had vanished. But in an instant, curiously like a jagged +lightning flash, light showed through the crack again--and vanished +again. It was the flash of a revolver shot from within, and the roar of +the report came now like the roll of thunder on its heels. + +Rhoda Gray was back against the opposite wall. She saw the Pug fling +himself against the door. It was a flimsy affair. It crashed inward. She +heard him call to Pinkie: + +“Shoot yer flash on de table, an' grab de coin! I'll fix de other guy!” + +Were eternities passing? Her eyes were fascinated by the interior beyond +that broken door. It was utterly dark inside there, save that the ray +of a flashlight played now on the table, and a hand reached out and +snatched up a scattered sheaf of banknotes; and on the outer edge of the +ray two shadowy forms struggled and one went down. Then the flashlight +went out She heard the Pug speak: + +“Beat it!” + +Commotion came now; cries and footsteps from around that corner in the +passage. The Pug grasped her by the shoulders, and rushed her back into +the cellar. She was conscious, it seemed, only in a dazed and mechanical +way. There were men in the passage running toward them--and then the +passage had disappeared. Pinkie Bonn had shut the connecting door. + +“Hop it like blazes!” whispered the Pug, as they ran for the faint +glimmer of light that located the cellar exit. “Separate de minute we're +outside!” he ordered. “Dere's murder in dere. Pete shot Marny. I put +Pete to sleep wid a punch on de jaw; but de bunch knows now some one +else was dere, an' Pete'll swear it was us, though he don't know who we +was dat did de shootin'. I gotta make dis straight right off de bat wid +Danglar.” His whispering voice was labored, panting; they were climbing +up the steps now. “Youse take de money to my room, Pinkie, an' wait +fer me. I won't be much more'n half an hour. Nan, youse beat it fer yer +garret, an' stay dere!” + +They were outside. The Pug had disappeared in the darkness. Pinkie was +closing, and evidently fastening, the trap-door. + +“The other way, Nan!” he flung out, as she started to run. “That takes +you to the other street, an' they can't get around that way without +goin' around the whole block. Me for a fence I knows about, an' we gives +'em the merry laugh! Go on!” + +She ran--ran breathlessly, stumbling, half falling, her hands stretched +out before her to serve almost in lieu of eyes, for she could make out +scarcely anything in front of her. She emerged upon a street. It seemed +abnormal, the quiet, the lack of commotion, the laughter, the unconcern +in the voices of the passers-by among whom she suddenly found herself. +She hurried from the neighborhood. + + + + +XIII. THE DOOR ACROSS THE HALL + +It was many blocks away before calmness came again to Rhoda Gray, +and before it seemed, even, that her brain would resume its normal +functions; but with the numbed horror once gone, there came in its +place, like some surging tide, a fierce virility that would not be +denied. The money! The old couple on that doorstep, stripped of their +all! Wasn't that one reason why she had gone on with Pinkie Bonn and +the Pug? Hadn't she seen a way, or at least a chance, to get that money +back? + +Rhoda Gray looked quickly about her. On the corner ahead she saw a drug +store, and started briskly in that direction. Yes, there was a way! The +idea had first come to her from the Pug's remark to Shluker that, after +they had secured the money, Pinkie would return with it to the Pug's +room, while the Pug would go and square things with Danglar. And also, +at the same time, that same remark of the Pug's had given rise to a +hope that she might yet trace Danglar to night through the Pug--but the +circumstances and happenings of the last few minutes had shattered that +hope utterly. And so there remained the money. And, as she had walked +with Pinkie and the Pug a little while ago, knowing that Pinkie would, +if they were successful, carry the money back to the Pug's room, just +as was being done now precisely in accordance with the Pug's original +intentions, she had thought of the Adventurer. It had seemed the only +way then; it seemed the only way now--despite the fact that she would be +hard put to it to answer the Adventurer if he thought to ask her how, or +by what means, she was in possession of the information that enabled +her to communicate with him. But she must risk that--put him off, if +necessary, through the plea of haste, and on the ground that there was +not time to-night for an unnecessary word. He had given her, believing +her to be Gypsy Nan, his telephone number, which she, in turn, was to +transmit to the White Moll--in other words, herself! But the White +Moll, so he believed, had never received that message--and it must +of necessity be as the White Moll that she must communicate with him +to-night! It would be hard to explain--she meant to evade it. The one +vital point was that she remembered the telephone number he had given +her that night when he and Danglar had met in the garret. She was not +likely to have forgotten it! + +Rhoda Gray, alias Gypsy Nan, scuffled along. Was she inconsistent? The +Adventurer would be in his element in going to the Pug's room, and in +relieving Pinkie Bonn of that money; but the Adventurer, too, was +a thief-wasn't he? Why, then, did she propose, for her mind was now +certainly made up as to her course of action, to trust a thief to +recover that money for her? + +She smiled a little wearily as she reached the drug store, stepped into +the telephone booth, and gave central her call. Trust a thief! No, it +wasn't because her heart prompted her to believe in him; it was because +her head assured her she was safe in doing so. She could trust him in an +instance such as this because--well, because once before, for her sake +he had foregone the opportunity of appropriating a certain diamond +necklace worth a hundred times the sum that she would ask him--yes, if +necessary, for her sake--to recover to-night. There was no... + +She was listening in a startled way now at the instrument. Central had +given her “information”; and “information” was informing her that the +number she had asked for had been disconnected. + +She hung up the receiver, and went out again to the street in a dazed +and bewildered way. And then suddenly a smile of bitter self-derision +crossed her lips. She had been a fool! There was no softer word--a fool! +Why had she not stopped to think? She understood now! On the night the +Adventurer had confided that telephone number to her as Gypsy Nan, he +had had every reason to believe that Gypsy Nan would, as she had already +apparently done, befriend the White Moll even to the extent of accepting +no little personal risk in so doing. But since then things had taken a +very different turn. The White Moll was now held by the gang, of which +Gypsy Nan was supposed to be a member, to be the one who had of late +profited by the gang's plans to the gang's discomfiture; and the +Adventurer was ranked but little lower in the scale of hatred, since +they counted him to be the White Moll's accomplice. Knowing this, +therefore, the first thing the Adventurer would naturally do would be to +destroy the clew, in the shape of that telephone number, that would lead +to his whereabouts, and which he of course believed he had put into the +gang's hands when he had confided in Gypsy Nan. Had he not told her, no +later than last night, that Gypsy Nan was her worst enemy? He did not +know, did he, that Gypsy Nan and the White Moll were one! And so that +telephone had been disconnected--and to-night, now, just when she needed +help at a crucial moment, when she had counted upon the Adventurer to +supply it, there was no Adventurer, no means of reaching him, and no +means any more of knowing where he was! + +Rhoda Gray walked on along the street, her lips tight, her face drawn +and hard. Failing the Adventurer, there remained--the police. If she +telephoned the police and sent them to the Pug's room, they would of a +certainty recover the money, and with equal certainty restore it to its +rightful owners. She had already thought of that when she had been with +Pinkie and the Pug, and had been loath even then to take such a step +because it seemed to spell ruin to her own personal plans; but now there +was another reason, and one far more cogent, why she should not do +so. There had been murder committed back there in that underground +drug-dive, and of that murder Pinkie Bonn was innocent; but if Pinkie +were found in possession of that money, and French Pete, to save his own +skin from the consequences of a greater crime, admitted to its original +theft, Pinkie would be convicted out of hand, for there were the others +in that dive, who had come running along the passage, to testify that +an attack had been made on the door of French Pete and Marny Day's +room, and that the thieves and murderers had fled through the cellar and +escaped. + +Her lips pressed harder together. And so there was no Adventurer upon +whom she could call, and no police, and no one in all the millions in +this great pulsing city to whom she could appeal; and so there remained +only--herself. + +Well, she could do it, couldn't she? Not as Gypsy Nan, of course--but as +the White Moll. It would be worth it, wouldn't it? If she were sincere, +and not a moral hypocrite in her sympathy for those two outraged old +people in the twilight of their lives, and if she were not a moral +coward, there remained no question as to what her decision should be. + +Her mind began to mull over the details. Subconsciously, since the +moment she had made her escape from that cellar, she found now that she +had been walking in the direction of the garret that sheltered her as +Gypsy Nan. In another five minutes she could reach that deserted shed in +the lane behind Gypsy Nan's house where her own clothes were hidden, +and it would take her but a very few minutes more to effect the +transformation from Gypsy Nan to the White Moll. And then, in another +ten minutes, she should be back again at the Pug's room. The Pug had +said he would not be much more than half an hour, but, as nearly as she +could calculate it, that would still give her from five to ten minutes +alone with Pinkie Bonn. It was enough--more than enough. The prestige of +the White Moll would do the rest. A revolver in the hands of the White +Moll would insure instant and obedient respect from Pinkie Bonn, or +any other member of the gang under similar conditions. And so--and +so--it--would not be difficult. Only there was a queer fluttering at her +heart now, and her breath came in hard, short little inhalations. And +she spoke suddenly to herself: + +“I'm glad,” she whispered, “I'm glad I saw those two old faces on that +doorstep, because--because, if I hadn't, I--I would be afraid.” + +The minutes passed. The dissolute figure of an old hag disappeared, like +a deeper shadow in the blackness of a lane, through the broken door of +a deserted shed; presently a slim, neat little figure, heavily veiled, +emerged. Again the minutes passed. And now the veiled figure let herself +in through the back door of the Pug's lodging house, and stole softly +down the dark hall, and halted before the Pug's door. It was the White +Moll now. + +From under the door, at the ill-fitting threshold, there showed a +thin line of light. Rhoda Gray, with her ear against the door panel, +listened. There was no sound of voices from within. Pinkie Bonn, then, +was still alone, and still waiting for the Pug. She glanced sharply +around her. There was only darkness. Her gloved right hand was hidden in +the folds of her skirt; she raised her left hand and knocked softly upon +the door-two raps, one rap, two raps. She repeated it. And as it had +been with Shluker, so it was now with her. A footstep crossed the floor +within, the key turned in the lock, and the door was flung open. + +“All right, Pug,” said Pinkie Bonn, “I--” + +The man's words ended in a gasp of surprised amazement. With a quick +step forward, Rhoda Gray was in the room. Her revolver, suddenly +outflung, covered the other; and her free hand, reaching behind her, +closed and locked the door again. + +There was an almost stupid look of bewilderment on Pinkie Bonn's face. + +Rhoda Gray threw back her veil. + +“My Gawd!” mumbled Pinkie Bonn--and licked his lips. “The White Moll!” + +“Yes!” said Rhoda Gray tersely. “Put your hands up over your head and go +over there and stand against the wall--with your face to it!” + +Pinkie Bonn, like an automaton moved purely by mechanical means, obeyed. + +Rhoda Gray followed him, and with the muzzle of her revolver pressed +into the small of the man's back, felt rapidly over his clothes with her +left hand for the bulge of his revolver. She found and possessed herself +of the weapon, and, stepping back, ordered him to turn around again. + +“I haven't much time,” she said icily. “I'll trouble you now for the +cash you took from Marny Day and French Pete.” + +“My Gawd!” he mumbled again. “You know about that!” + +“Quick!” she said imperatively. “Put it on the table there, and then go +back again to the wall!” + +Pinkie Bonn fumbled in his pocket. His face was white, almost chalky +white, and it held fear; but its dominant expression was one of helpless +stupefaction. He placed the sheaf of banknotes on the table, and +shuffled back again to the wall. + +Rhoda Gray picked up the money, and retreated to the door. Still facing +the man, working with her left hand behind her back, she unlocked the +door again, and this time removed the key from the lock. + +“You are quite safe here,” she observed evenly, “since there appears to +be no window through which you could get out; but you might make it a +little unpleasant for me if you gave the alarm and aroused the other +occupants of the house before I had got well away. I dare say that was +in your mind, but”--she opened the door slightly, and inserted the key +on the outer side--“I am quite sure you will reconsider any such +intentions--Pinkie. It would be a very disastrous thing for you if +I were caught. Somebody is 'wanted' for the murder of Marny Day at +Charlie's a little while ago, and a jury would undoubtedly decide that +the guilty man was the one who broke in the door there and stole the +money. And if I were caught and were obliged to confess that I got it +from you, and French Pete swore that it was whoever broke into the room +that shot his pal, it might go hard with you, Pinkie--don't you think +so?” She smiled coldly at the man's staring eyes and dropped jaw. +“Good-night, Pinkie; I know you won't make any noise,” she said +softly--and suddenly opened the door, and in a flash stepped back into +the hall, and closed and locked the door, and whipped out the key from +the lock. + +And inside Pinkie Bonn made no sound. + +It was done now. Rhoda Gray drew in her breath in a great choking gasp +of relief. She found herself trembling violently. She found her limbs +were bearing her none too steadily, as she began to grope her way now +along the black hall toward the back door. But it was done now, and--No, +she was not safe away, even yet! Some one was coming in through that +back door just ahead of her; or, at least, she heard voices out there. + +She was just at the end of the hall now. There was no time to go back +and risk the front entrance. She darted across the hall to the opposite +side from that of the Pug's room, because on that side the opening of +the door would not necessarily expose her, and crouched down in the +corner. It was black here, perhaps black enough to escape observation. +She listened, her heart beating wildly. The voices outside continued. +Why were they lingering there? Why didn't they do one thing or the +other--either go away, or come in? There wasn't any too much time! The +Pug might be back at any minute now. Perhaps one of those people out +there was the Pug! Perhaps it would be better after all to run back and +go out by the front door, risky as that would be. No, her escape in that +direction now was cut off, too! + +She shrank as far back into the corner as she could. The door of the end +room on this side of the hall had opened, and now a man stepped out and +closed the door behind him. Would he see her? She held her breath. No! +It--it was all right. He was walking away from her toward the front +of the hall. And now for a moment it seemed as though she had lost her +senses, as though her brain were playing some mad, wild trick upon her. +Wasn't that the Pug's door before which the man had stopped? Yes, yes! +And he seemed to have a key to it, for he did not knock, and the door +was opening, and now for an instant, just an instant, the light fell +upon the man as he stepped with a quick, lightning-like movement inside, +and she saw his face. It was the Adventurer. + +She stifled a little cry. Her brain was in turmoil. And now the back +door was opening. They--they might see her here! And--yes--it was +safer--safer to act on the sudden inspiration that had come to her. The +door of the room from which the Adventurer had emerged was almost +within reach; and he had not locked it as he had gone out--she had +subconsciously noted that fact. And she understood why he had not +now--that he had safeguarded himself against the loss of even the second +or two it would have taken him to unlock it when he ran back for cover +again from the Pug's room. Yes-that room! It was the safest thing she +could do. She could even get out that way, for it must be the room with +the low window, which she remembered gave on the back yard, and--She +darted silently forward, and, as the back door opened, slipped into the +room the Adventurer had just vacated. + +It was pitch black. She must not make a sound; but, equally, she must +not lose a second. What was taking place in the Pug's room between +Pinkie Bonn and the Adventurer she did not know. But the Adventurer was +obviously on one of his marauding expeditions, and he might stay +there no more than a minute or two once he found out that he had been +forestalled. She must hurry--hurry! + +She felt her way forward in what she believed to be the direction of +the window. She ran against the bed. But this afforded her something by +which to guide herself. She kept her touch upon it, her hand trailing +along its edge. And then, halfway down its length, what seemed to be a +piece of string caught in her extended, groping fingers. It seemed to +cling, but also to yield most curiously, as she tried to shake it off; +and then something, evidently from under the mattress, came away with a +little jerk, and remained, suspended, in her hand. + +It didn't matter, did it? Nothing mattered except to reach the window. +Yes, here it was now! And the roller shade was drawn down; that was why +the room was so dark. She raised the shade quickly--and suddenly stood +there as though transfixed, her face paling, as in the faint light by +the window she gazed, fascinated, at the object that still dangled by a +cord from her hand. + +And it seemed as if an inner darkness were suddenly riven as by a bolt +of lightning--a hundred things, once obscure and incomprehensible, were +clear now, terribly clear. She understood now how the Adventurer was +privy to all the inner workings of the organization; she understood now +how it was, and why, the Adventurer had a room so close to that other +room across the hall. That dangling thing on an elastic cord was a +smeared and dirty celluloid eye-patch that had once been flesh-colored! +The Adventurer and the Pug were one! + + +Her wits! Quick! He must not know! In a frenzy of haste she ran for the +bed, and slipped the eye-patch in under the mattress again; and then, +still with frenzied speed, she climbed to the window sill, drew the +roller shade down again behind her, and dropped to the ground. + +Through the back yard and lane she gained the street, and sped on +along the street--but her thoughts outpaced her hurrying footsteps. +How minutely every detail of the night now seemed to explain itself +and dovetail with every other one! At the time, when Shluker had been +present, it had struck her as a little forced and unnecessary that the +Pug should have volunteered to seek out Danglar with explanations after +the money had been secured. But she understood now the craft and guile +that lay behind his apparently innocent plan. The Adventurer needed both +time and an alibi, and also he required an excuse for making Pinkie Bonn +the custodian of the stolen money, and of getting Pinkie alone with +that money in the Pug's room. Going to Danglar supplied all this. He had +hurried back, changed in that room from the Pug to the Adventurer, and +proposed in the latter character to relieve Pinkie of the money, to +return then across the hall, become the Pug again, and then go back, +as though he had just come from Danglar, to find his friend and ally, +Pinkie Bonn, robbed by their mutual arch-enemy--the Adventurer! + +The Pug-the Adventurer! She did not quite seem to grasp its significance +as applied to her in a personal way. It seemed to branch out into +endless ramifications. She could not somehow think logically, coolly +enough now, to decide what this meant in a concrete way to her, and her +to-morrow, and the days after the to-morrow. + +She hurried on. To-night, as she would lay awake through the hours that +were to come, for sleep was a thing denied, perhaps a clearer +vision would be given her. For the moment there--there was something +else--wasn't there? The money that belonged to the old couple. + +She hurried on. She came again to the street where the old couple lived. +It was a dirty street, and from the curb she stooped and picked up a +dirty piece of old newspaper. She wrapped the banknotes in the paper. + +There were not many people on the street as she neared the mean little +frame house, but she loitered until for the moment the immediate +vicinity was deserted; then she slipped into the alleyway, and stole +close to the side window, through which, she had noted from the street, +there shone a light. Yes, they were there, the two of them--she could +see them quite distinctly even through the shutters. + +She went back to the front door then, and knocked. And presently the old +woman came and opened the door. + +“This is yours,” Rhoda said, and thrust the package into the woman's +hand. And as the woman looked from her to the package uncomprehendingly, +Rhoda Gray flung a quick “good-night” over her shoulder, and ran down +the steps again. + +But a few moments later she stole back, and stood for an instant once +more by the shuttered window in the alleyway. And suddenly her eyes grew +dim. She saw an old man, white and haggard, with bandaged head, sitting +in a chair, the tears streaming down his face; and on the floor, her +face hidden on the other's knees, a woman knelt--and the man's hand +stroked and stroked the thin gray hair on the woman' s head. + +And Rhoda Gray turned away. And out in the street her face was lifted +and she looked upward, and there were myriad stars. And there seemed a +beauty in them that she had never seen before, and a great, comforting +serenity. And they seemed to promise something--that through the window +of that stark and evil garret to which she was going now, they would +keep her dreaded vigil with her until morning came again. + + + + +XIV. THE LAME MAN + +Another night--another day! And the night again had been without rest, +lest Danglar's dreaded footstep come upon her unawares; and the day +again had been one of restless, abortive activity, now prowling the +streets as Gypsy Nan, now returning to the garret to fling herself upon +the cot in the hope that in daylight, when she might risk it, sleep +would come, but it had been without avail, for, in spite of physical +weariness, it seemed to Rhoda Gray as though her tortured mind would +never let her sleep again. Danglar's wife! That was the horror that was +in her brain, yes, and in her soul, and that would not leave her. + +And now night was coming upon her once more. It had even begun to grow +dark here on the lower stairway that led up to that wretched, haunted +garret above where in the shadows stark terror lurked. Strange! Most +strange! She feared the night--and yet she welcomed it. In a little +while, when it grew a little darker, she would steal out again and take +up her work once more. It was only during the night, under the veil of +darkness, that she could hope to make any progress in reaching to the +heart and core of this criminal clique which surrounded her, whose +members accepted her as Gypsy Nan, and, therefore, as one of themselves, +and who would accord to her, if they but even suspected her to be the +White Mall, less mercy than would be shown to a mad dog. + +She climbed the stairs. Fear was upon her now, because fear was +always there, and with it was abhorrence and loathing at the frightful +existence fate had thrust upon her; but, somehow, to-night she was not +so depressed, not so hopeless, as she had been the night before. There +had been a little success; she had come a little farther along the way; +she knew a little more than she had known before of the inner workings +of the gang who were at the bottom of the crime of which she herself +was accused. She knew now the Adventurer's secret, that the Pug and the +Adventurer were one; and she knew where the Adventurer lived, now in +one character, now in the other, in those two rooms almost opposite each +other across that tenement hall. + +And so it seemed that she had the right to hope, even though there were +still so many things she did not know, that if she allowed her mind to +dwell upon that phase of it, it staggered her--where those code messages +came from, and how; why Rough Rorke of headquarters had never made a +sign since that first night; why the original Gypsy Nan, who was dead +now, had been forced into hiding with the death penalty of the +law hanging over her; why Danglar, though Gypsy Nan's husband, was +comparatively free. These, and a myriad other things! But she counted +now upon her knowledge of the Adventurer's secret to force from him +everything he knew; and, with that to work on, a confession from some of +the gang in corroboration that would prove the authorship of the crime +of which she had seemingly been caught in the act of committing. + +Yes, she was beginning to see the way at last--through the Adventurer. +It seemed a sure and certain way. If she presented herself before him as +Gypsy Nan, whom he believed to be not only one of the gang, but actually +Danglar's wife, and let him know that she was aware of the dual role +he was playing, and that the information he thus acquired as the Pug +he turned to his own account and to the undoing of the gang, he must of +necessity be at her mercy. Her mercy! What exquisite irony! Her mercy! +The man her heart loved; the thief her common sense abhorred! What +irony! When she, too, played a double role; when in their other +characters, that of the Adventurer and the White Moll, he and she were +linked together by the gang as confederates, whereas, in truth, they +were wider apart than the poles of the earth! + +Her mercy! How merciful would she be--to the thief she loved? He knew, +he must know, all the inner secrets of the gang. She smiled wanly now +as she reached the landing. Would he know that in the last analysis her +threat would be only an idle one; that, though her future, her safety, +her life depended on obtaining the evidence she felt he could supply, +her threat would be empty, and that she was powerless--because she loved +him. But he did not know she loved him--she was Gypsy Nan. If she kept +her secret, if he did not penetrate her disguise as she had penetrated +his, if she were Gypsy Nan and Danglar's wife to him, her threat would +be valid enough, and--and he would be at her mercy! + +A flush, half shamed, half angry, dyed the grime that was part of Gypsy +Nan's disguise upon her face. What was she saying to herself? What was +she thinking? That he did not know she loved him! How would he? How +could he? Had a word, an act, a single look of hers ever given him a +hint that, when she had been with him as the White Moll, she cared! +It was unjust, unfair, to fling such a taunt at herself. It seemed as +though she had lost nearly everything in life, but she had not yet lost +her womanliness and her pride. + +She had certainly lost her senses, though! Even if that word, that look, +that act had passed between them, between the Adventurer and the White +Moll, he still did not know that Gypsy Nan was the White Moll--and that +was the one thing now that he must not know, and... + +Rhoda Gray halted suddenly, and stared along the hallway ahead of her, +and up the short, ladder-like steps that led to the garret. Her ears--or +was it fancy?--had caught what sounded like a low knocking up there upon +her door. Yes, it came again now distinctly. It was dusk outside; in +here, in the hall, it was almost dark. Her eyes strained through the +murk. She was not mistaken. Something darker than the surrounding +darkness, a form, moved up there. + +The knocking ceased, and now the form seemed to bend down and grope +along the floor; and then, an instant later, it began to descend the +ladder-like steps--and abruptly Rhoda Gray, too, moved forward. It +wasn't Danglar. That was what had instantly taken hold of her mind, and +she knew a sudden relief now. The man on the stairs--she could see that +it was a man now--though he moved silently, swayed in a grotesquely +jerky way as though he were lame. It wasn't Danglar! She would go to +any length to track Danglar to his lair; but not here--here in the +darkness--here in the garret. Here she was afraid of him with a deadly +fear; here alone with him there would be a thousand chances of exposure +incident to the slightest intimacy he might show the woman whom he +believed to be his wife--a thousand chances here against hardly one in +any other environment or situation. But the man on the stairs wasn't +Danglar. + +She halted now and uttered a sharp exclamation, as though she had caught +sight of the man for the first time. + +The other, too, had halted--at the foot of the stairs. A plaintive drawl +reached her: + +“Don't screech, Bertha! It's only your devoted brother-in-law. Curse +your infernal ladder, and my twisted back!” + +Danglar's brother! Bertha! She snatched instantly at the cue with an +inward gasp of thankfulness. She would not make the mistake of using the +vernacular behind which Gypsy Nan sheltered herself. Here was some one +who knew that Gypsy Nan was but a role. But she had to remember that her +voice was slightly hoarse; that her voice, at least, could not sacrifice +its disguise to any one. Danglar had been a little suspicious of it +until she had explained that she was suffering from a cold. + +“Oh!” she said calmly. “It's you, is it? And what brought you here?” + +“What do you suppose?” he complained irritably. “The same old thing, all +I'm good for--to write out code messages and deliver them like an errand +boy! It's a sweet job, isn't it? How'd you like to be a deformed little +cripple?” + +She did not answer at once. The night seemed suddenly to be opening +some strange, even premonitory, vista. The code messages! Their mode of +delivery! Here was the answer! + +“Maybe I'd like it better than being Gypsy Nan!” she flung back +significantly. + +He laughed out sharply. + +“I'd like to trade with you,” he said, a quick note of genuine envy +in his voice. “You can pitch away your clothes; I can't pitch away +a crooked spine. And, anyway, after to-night, you'll be living swell +again.” + +She leaned toward him, staring at him in the semi-darkness. That +premonitory vista was widening; his words seemed suddenly to set her +brain in tumult. After to-night! She was to resume, after to-night, the +character that was supposed to lay behind the disguise of Gypsy Nan! She +was to resume her supposedly true character--that of Pierre Danglar's +wife! + +“What do you mean?” she demanded tensely. + +“Aw, come on!” he said abruptly. “This isn't the place to talk. Pierre +wants you at once. That's what the message was for. I thought you were +out, and I left it in the usual place so you'd get it the minute you got +back and come along over. So, come on now with me.” + +He was moving down the hallway, blotching like some misshapen toad in +the shadowy light, lurching in his walk, that was, nevertheless, almost +uncannily noiseless. Mechanically she followed him. She was trying to +think; striving frantically to bring her wits to play on this sudden and +unexpected denouement. It was obvious that he was taking her to Danglar. +She had striven desperately last night to run Danglar to earth in +his lair. And here was a self-appointed guide! And yet her emotions +conflicted and her brain was confused. It was what she wanted, what +through bitter travail of mind she had decided must be her course; but +she found herself shrinking from it with dread and fear now that it +promised to become a reality. It was not like last night when of her own +initiative she had sought to track Danglar, for then she had started +out with a certain freedom of action that held in reserve a freedom +to retreat if it became necessary. To-night it was as though she were +deprived of that freedom, and being led into what only too easily might +develop into a trap from which she could not retreat or escape. + +Suppose she refused to go? + +They had reached the street now, and now she obtained a better view of +the misshapen thing that lurched jerkily along beside her. The man was +deformed, miserably deformed. He walked most curiously, half bent over; +and one arm, the left, seemed to swing helplessly, and the left hand was +like a withered thing. Her eyes sought the other's face. It was an old +face, much older than Danglar's, and it was white and pinched and drawn; +and in the dark eyes, as they suddenly darted a glance at her, she read +a sullen, bitter brooding and discontent. She turned her head away. It +was not a pleasant face; it struck her as being both morbid and cruel to +a degree. + +Suppose she refused to go? + +“What did you mean by 'after to-night'?” she asked again. + +“You'll see,” he answered. “Pierre'll tell you. You're in luck, that's +all. The whole thing that has kept you under cover has bust wide open +your way, and you win. And Pierre's going through for a clean-up. +To-morrow you can swell around in a limousine again. And maybe you'll +come around and take me for a drive, if I dress up, and promise to hide +in a corner of the back seat so's they won't see your handsome friend!” + +The creature flung a bitter smile at her, and lurched on. + +He had told her what she wanted to know--more than she had hoped for. +The mystery that surrounded the character of Gypsy Nan, the evidence of +the crime at which the woman who had originated that role had hinted +on the night she died, and which must necessarily involve Danglar, was +hers, Rhoda Gray's, now for the taking. As well go and give herself up +to the police as the White Moll and have done with it all, as to refuse +to seize the opportunity which fate, evidently in a kindlier mood toward +her now, was offering her at this instant. It promised her the hold upon +Danglar that she needed to force an avowal of her own innocence, the +very hold that she had but a few minutes before been hoping she could +obtain through the Adventurer. + +There was no longer any question as to whether she would go or not. + +Her hand groped down under the shabby black shawl into the wide, +voluminous pocket of her greasy skirt. Yes, her revolver was there. She +knew it was there, but the touch of her fingers upon it seemed to bring +a sense of reassurance. She was perhaps staking her all in accompanying +this cripple here to-night--she did not need to be told that--but there +was a way of escape at the last if she were cornered and caught. Her +fingers played with the weapon. If the worst came to the worst she would +never be at Danglar's mercy while she possessed that revolver and, if +the need came, turned it upon herself. + +They walked on rapidly; the lurching figure beside her covering the +ground at an astounding rate of speed. The man made no effort to talk. +She was glad of it. She need not be so anxiously on her guard as would +be the case if a conversation were carried on, and she, who knew so much +and yet so pitifully little, must weigh her every word, and feel her way +with every sentence. And besides, too, it gave her time to think. Where +were they going? What sort of a place was it, this headquarters of the +gang? For it must be the headquarters, since it was from there the code +messages would naturally emanate, and this deformed creature, from what +he had said, was the “secretary” of the nefarious clique that was ruled +by his brother. And was luck really with her at last? Suppose she had +been but a few minutes later in reaching Gypsy Nan's house, and had +found, instead of this man here, only the note instructing her to go and +meet Danglar! What would she have done? What explanation could she have +made for her nonappearance? Her hands would have been tied. She would +have been helpless. She could not have answered the summons, for she +could have had no idea where this gang-lair was; and the note certainly +would not contain such details as street and number, which she was +obviously supposed to know. She smiled a little grimly to herself. +Yes, it seemed as though fortune were beginning to smile upon her +again--fortune, at least, had supplied her with a guide. + +The twisted figure walked on the inside of the sidewalk, and curiously +seemed to seek as much as possible the protecting shadows of the +buildings, and invariably shrank back out of the way of the passers-by +they met. She watched him narrowly as they went along. What was +he afraid of? Recognition? It puzzled her for a time, and then +she understood: It was not fear of recognition; the sullen, almost +belligerent stare with which he met the eyes of those with whom he +came into close contact belied that. The man was morbidly, abnormally +sensitive of his deformity. + +They turned at last into one of the East Side cross streets, and her +guide halted finally on a corner in front of a little shop that was +closed and dark. She stared curiously as the man unlocked the door. +Perhaps, after all, she had been woefully mistaken. It did not look at +all the kind of place where crimes that ran the gamut of the decalogue +were hatched, at all the sort of place that was the council chamber +of perhaps the most cunning, certainly the most cold-blooded and +unscrupulous, band of crooks that New York had ever harbored. And +yet--why not? Wasn't there the essence of cunning in that very fact? Who +would suspect anything of the sort from a ramshackle, two-story little +house like this, whose front was a woe-begone little store, the proceeds +of which might just barely keep the body and soul of its proprietor +together? + +The man fumbled with the lock. There was not a single light showing from +the place, but in the dwindling rays of a distant street lamp she could +see the meager window display through the filthy, unwashed panes. It was +evidently a cheap and tawdry notion store, well suited to its locality. +There were toys of the cheapest variety, stationery of the same grade, +cheap pipes, cigarettes, tobacco, candy--a package of needles. + +“Go on in!” grunted the man, as he pushed the door--which seemed to +shriek out unduly on its hinges--wide open. “If anybody sees the door +open, they'll be around wanting to buy a paper of pins--curse 'em!--and +I ain't open to-night.” He snarled as he shut and locked the door. +“Pierre says you're grouching about your garret. How about me, and this +job? You get out of yours to-night for keeps. What about me? I can't do +anything but act as a damned blind for the rest of you with this fool +store, just because I was born a freak that every gutter-snipe on the +street yells at!” + +Rhoda Gray did not answer. + +“Well, go on!” snapped the man. “What are you standing there for? One +would think you'd never been here before!” + +Go on! Where? She had not the faintest idea. It was quite dark inside +here in the shop. She could barely make out the outline of the other's +figure. + +“You're in a sweet temper to-night, aren't you?” she said tartly. “Go +on, yourself! I'm waiting for you to get through your speech.” + +He moved brusquely past her, with an angry grunt. Rhoda Gray followed +him. They passed along a short, narrow space, evidently between a +low counter and a shelved wall, and then the man opened a door, and, +shutting it again behind them, moved forward once more. She could +scarcely see him at all now; it was more the sound of his footsteps +than anything else that guided her. And then suddenly another door was +opened, and a soft, yellow light streamed out through the doorway, and +she found that she was standing in an intervening room between the shop +and the room ahead of her. She felt her pulse quicken, and it seemed as +though her heart began to thump almost audibly. Danglar! She could see +Danglar seated at a table in there. She clenched her hands under her +shawl. She would need all her wits now. She prayed that there was not +too much light in that room yonder. + + + + +XV. IN THE COUNCIL CHAMBER + +The man with the withered hand had passed through into the other room. +She heard them talking together, as she followed. She forced herself to +walk with as nearly a leisurely defiant air as she could. The last time +she had been with Danglar--as Gypsy Nan--she had, in self-protection, +forbidding intimacy, played up what he called her “grouch” at his +neglect of her. + +She paused in the doorway. Halfway across the room, at the table, +Danglar's gaunt, swarthy face showed under the rays of a shaded oil +lamp. Behind her spectacles, she met his small, black ferret eyes +steadily. + +“Hello, Bertha!” he called out cheerily. “How's the old girl to-night?” + He rose from his seat to come toward her. “And how's the cold?” + +Rhoda Gray scowled at him. + +“Worse!” she said curtly-and hoarsely. “And a lot you care! I could have +died in that hole, for all you knew!” She pushed him irritably away, as +he came near her. “Yes, that's what I said! And you needn't start any +cooing game now! Get down to cases!” She jerked her hand toward the +twisted figure that had slouched into a chair beside the table. “He says +you've got it doped out to pull something that will let me out of this +Gypsy Nan stunt. Another bubble, I suppose!” She shrugged her +shoulders, glanced around her, and, locating a chair--not too near the +table--seated herself indifferently. “I'm getting sick of bubbles!” she +announced insolently. “What's this one?” + +He stood there for a moment biting at his lips, hesitant between anger +and tolerant amusement; and then, the latter evidently gaining the +ascendency, he too shrugged his shoulders, and with a laugh returned to +his chair. + +“You're a rare one, Bertha!” he said coolly. “I thought you'd be wild +with delight. I guess you're sick, all right--because usually you're +pretty sensible. I've tried to tell you that it wasn't my fault I +couldn't go near you, and that I had to keep away from--” + +“What's the use of going over all that again?” she interrupted tartly. +“I guess I--” + +“Oh, all right!” said Danglar hurriedly. “Don't start a row! After +to-night I've an idea you'll be sweet enough to your husband, and I'm +willing to wait. Matty maybe hasn't told you the whole of it.” + +Matty! So that was the deformed creature's name. She glanced at him. He +was grinning broadly. A family squabble seemed to afford him amusement. +Her eyes shifted and made a circuit of the room. It was poverty-stricken +in appearance, bare-floored, with the scantiest and cheapest of +furnishings, its one window tightly shuttered. + +“Maybe not,” she said carelessly. + +“Well, then, listen, Bertha!” Danglar's voice was lowered earnestly. +“We've uncovered the Nabob's stuff! Do you get me? Every last one of the +sparklers!” + +Rhoda Gray's eyes went back to the deformed creature at Danglar's side, +as the man laughed out abruptly. + +“Yes,” grinned Matty Danglar, “and they weren't in the empty money-belt +that you beat it with like a scared cat after croaking Deemer!” + +How queer and dim the light seemed to go suddenly--or was it a blur +before her own eyes? She said nothing. Her mind seemed to be groping its +way out of darkness toward some faint gleam of light showing in the +far distance. She heard Danglar order his brother savagely to hold his +tongue. That was curious, too, because she was grateful for the man's +gibe. Gypsy Nan, in her proper person, had murdered a man named Deemer +in an effort to secure--Danglar's voice came again: + +“Well, to-night we'll get that stuff, all of it--it's worth a cool +half million; and to-night we'll get Mr. House-Detective Cloran for +keeps--bump him off. That cleans everything up. How does that strike +you, Bertha?” + +Rhoda Gray's hands under her shawl locked tightly together. Her +premonition had not betrayed her. She was face to face to-night with the +beginning of the end. + +“It sounds fine!” she said derisively. + +Danglar's eyes narrowed for an instant; and then he laughed. + +“You're a rare one, Bertha!” he ejaculated again. “You don't seem to put +much stock in your husband lately.” + +“Why should I?” she inquired imperturbably. “Things have been breaking +fine, haven't they?--only not for us!” She cleared her throat as though +it were an effort to talk. “I'm not going crazy with joy till I've been +shown.” + +Danglar leaned suddenly over the table. + +“Well, come and look at the cards, then,” he said impressively. “Pull +your chair up to the table, and I'll tell you.” + +Rhoda Gray tilted her chair, instead, nonchalantly back against the +wall--it was quite light enough where she was! + +“I can hear you from here,” she said coolly. “I'm not deaf, and I guess +Matty's suite is safe enough so that you won't have to whisper all the +time!” + +The deformed creature at the table chortled again. + +Danglar scowled. + +“Damn you, Bertha!” he flung out savagely. “I could wring that neck of +yours sometimes, and--” + +“I know you could, Pierre,” she interposed sweetly. “That's what I like +about you--you're so considerate of me! But suppose you get down to +cases. What's the story about those sparklers? And what's the game +that's going to let me shed this Gypsy Nan stuff for keeps?” + +“I'll tell her, Pierre,” grinned the deformed one. “It'll keep you two +from spitting at one another; and neither of you have got all night +to stick around here.” He swung his withered hand suddenly across the +table, and as suddenly all facetiousness was gone both from his voice +and manner. “Say, you listen hard, Bertha! What Pierre's telling you is +straight. You and him can kiss and make up to-morrow or the next day, or +whenever you damned please; but to-night there ain't any more time for +scrapping. Now, listen! I handed you a rap about beating it with the +empty money-belt the night you croaked Deemer with an overdose of +knockout drops in the private dining-room up at the Hotel Marwitz, but +you forget that! I ain't for starting any argument about that. None of +us blames you. We thought the stuff was in the belt, too. And none of +us blames you for making a mistake and going too strong with the drops, +either; anybody might do that. And I'll say now that I take my hat off +to you for the way you locked Cloran into the room with the dead man, +and made your escape when Cloran had you dead to rights for the murder; +and I'll say, too, that the way you've played Gypsy Nan and saved your +skin, and ours too, is as slick a piece of work as has ever been pulled +in the underworld. That puts us straight, you and me, don't it, Bertha?” + +Rhoda Gray blinked at the man through her spectacles; her brain was +whirling in a mad turmoil. “I always liked you, Matty,” she whispered +softly. + +Danglar was lolling back in his chair, blowing smoke rings into the air. +She caught his eyes fixed quizzically upon her. + +“Go on, Matty!” he prompted. “You'll have her in a good humor, if you're +not careful!” + +“We were playing more or less blind after that.” The withered hand +traced an aimless pattern on the table with its crooked and half-closed +fingers, and the man's face was puckered into a shrewd, reminiscent +scowl. “The papers couldn't get a lead on the motive for the murder, and +the police weren't talking for publication. Not a word about the Rajah's +jewels. Washington saw to that! A young potentate's son, practically +the guest of the country, touring about in a special for the sake of his +education, and dashed near 'ending it in the river out West if it hadn't +been for the rescue you know about, wouldn't look well in print; so +there wasn't anything said about the slather of gems that was the reward +of heroism from a grateful nabob, and we didn't get any help that way. +All we knew was that Deemer came East with the jewels, presumably to +cash in on them, and it looked as though Deemer were pretty clever; +that he wore the money-belt for a stall, and that he had the sparklers +safe somewhere else all the time. And I guess we all got to figuring +it that way, because the fact that nothing was said about any theft was +strictly along the lines the police were working anyway, and a was a +toss-up that they hadn't found the stuff among his effects. Get me?” + +Get him! This wasn't real, was it, this room here; those two figures +sitting there under that shaded lamp? Something cold, an icy grip, +seemed to seize at her heart, as in a surge there swept upon her the +full appreciation of her peril through these confidences to which she +was listening. A word, in act, some slightest thing, might so easily +betray her; and then--Her fingers under the shawl and inside the wide +pocket of her greasy skirt, clutched at her revolver. Thank God for +that! It would at least be merciful! She nodded her head mechanically. + +“But the police didn't find the jewels--because they weren't there to be +found. Somebody got in ahead of us. Pinched 'em, understand, may be only +a few hours before you got in your last play, and, from the way you say +Deemer acted, before he was wise to the fact that he'd been robbed.” + +Rhoda Gray let her chair come sharply down to the floor. She must play +her role of “Bertha” now as she never had before. Here was a question +that she could not only ask with safety, but one that was obviously +expected. + +“Who was it?” she demanded breathlessly. + +“She's coming to life!” murmured Danglar, through a haze of cigarette +smoke. “I thought you'd wake up after a while, Bertha. This is the big +night, old girl, as you'll find out before we're through.” + +“Who was it?” she repeated with well-simulated impatience. + +“I guess she'll listen to me now,” said Danglar, with a little chuckle. +“Don't over-tax yourself any more, Matty. I'll tell you, Bertha; and it +will perhaps make you feel better to know it took the slickest dip New +York ever knew to beat you to the tape. It was Angel Jack, alias the +Gimp.” + +“How do you know?” Rhoda Gray demanded. + +“Because,” said Danglar, and lighted another cigarette, “he died +yesterday afternoon up in Sing Sing.” + +She could afford to show her frank bewilderment. Her brows knitted into +furrows, as she stared at Danglar. + +“You--you mean he confessed?” she said. + +“The Angel? Never!” Danglar laughed grimly, and shook his head. “Nothing +like that! It was a question of playing one 'fence' against another. You +know that Witzer, who's handled all our jewelry for us, has been on the +look-out for any stones that might have come from that collection. +Well, this afternoon he passed the word to me that he'd been offered the +finest unset emerald he'd ever seen, and that it had come to him through +old Jake Luertz's runner, a very innocent-faced young man who is known +to the trade as the Crab.” + +Danglar paused--and laughed again. Unconsciously Rhoda Gray drew her +shawl a little closer about her shoulders. It seemed to bring a chill +into the room, that laugh. Once before, on another night, Danglar had +laughed, and, with his parted lips, she had likened him to a beast +showing its fangs. He looked it now more than ever. For all his ease of +voice and manner, he was in deadly earnest; and if there was merriment +in his laugh, it but seemed to enhance the menace and the promise of +unholy purpose that lurked in the cold glitter of his small, black eyes. + +“It didn't take long to get hold of the Crab”--Danglar was rubbing his +hands together softly--“and the emerald with him. We got him where we +could put the screws on without arousing the neighborhood.” + +“Another murder, I suppose!” Rhoda Gray flung out the words crossly. + +“Oh, no,” said Danglar pleasantly. “He squealed before it came to that. +He's none the worse for wear, and he'll be turned loose in another hour +or so, as soon as we're through at old Jake Luertz's. He's no more good +to us. He came across all right--after he was properly frightened. He's +been with old Jake as a sort of familiar for the last six years, and--” + +“He'd have sold his soul out, he was so scared!” The withered hand on +the table twitched; the deformed creature's face was twisted into a +grimace; and the man was chuckling with unhallowed mirth, as though +unable to contain himself at, presumably, the recollection of a scene +which he had witnessed himself. “He was down on his knees and clawing +out with his hands for mercy, and he squealed like a rat. 'It's the +sixth panel in the bedroom upstairs,' he says; 'it's all there. But for +God's sake don't tell Jake I told. It's the sixth panel. Press the knot +in the sixth panel that--'” He stopped abruptly. + +Danglar had pulled out his watch and with exaggerated patience was +circling the crystal with his thumb. + +“Are you all through, Matty?” he inquired monotonously. “I think you +said something a little while ago about wasting time. Bertha's looking +bored; and, besides, she's got a little job of her own on for to-night.” + He jerked his watch back into his pocket, and turned to Rhoda Gray +again. “The only one who knew all the details Angel Jack, and he'll +never tell now because he's dead. Whether he came down from the West +with Deemer or not, or how he got wise to the stones, I don't know. But +he got the stones, all right. And then he tumbled to the fact that the +police were pushing him hard for another job he was 'wanted' for, and +he had to get those stones out of sight in a hurry. He made a package +of them and slipped them to old Luertz, who had always done his business +for him, to keep for him; and before he could duck, the bulls had him +for that other job. Angel Jack went up the river. See? Old Jake didn't +know what was in that package; but he knew better than to monkey with +it, because he always thought something of his own skin. He knew Angel +Jack, and he knew what would happen if he didn't have that package ready +to hand back the day Angel Jack got out of Sing Sing. Understand? But +yesterday Angel Jack died-without a will; and old Jake appointed himself +sole executor-without bonds! He opened that package, figured he'd begin +turning it into money--and that's how we get our own back again. Old +Jake will get a fake message to-night calling him out of the house on an +errand uptown; and about ten o'clock Pinkie Bonn and the Pug will pay a +visit there in his absence, and--well, it looks good, don't it, Bertha, +after two years?” + +Rhoda Gray was crouched down in her chair. She shrugged her shoulders +now, and infused a sullen note into her voice. + +“Yes, it's fine!” she sniffed. “I'll be rolling in wealth in my +garret--which will do me a lot of good! That doesn't separate me from +these rags, and the hell I've lived, does it--after two years?” + +“I'm coming to that,” said Danglar, with his short, grating laugh. +“We've as good as got the stones now, and we're going through to-night +for a clean-up of all that old mess. We stake the whole thing. Get +me, Bertha--the whole thing! I'm showing my hand for the first time. +Cloran's the man that's making you wear those clothes; Cloran's the only +one who could go into the witness box and swear that you were the woman +who murdered Deemer; and Cloran's the man who has been working his head +off for two years to find you. We've tried a dozen times to bump him +off in a way that would make his death appear to be due purely to an +accident, and we didn't get away with it; but we can afford to leave the +'accident' out of it to-night, and go through for keeps--and that's what +we're going to do. And once he's out of the way--by midnight--you can +heave Gypsy Nan into the discard.” + +It seemed to Rhoda Gray that horror had suddenly taken a numbing hold +upon her sensibilities. Danglar was talking about murdering some man, +wasn't he, so that she could resume again the personality of a woman who +was dead? Hysterical laughter rose to her lips. It was only by a +frantic effort of will that she controlled herself. She seemed to speak +involuntarily, doubtful almost that it was her own voice she heard. + +“I'm listening,” she said; “but I wouldn't be too sure. Cloran's a wary +bird, and there's the White Moll.” + +She caught her breath. What suicidal inspiration had prompted her to say +that! Had what she had been listening to here, the horror of it, indeed +turned her brain and robbed her of her wits to the extent that she +should invite exposure? Danglar's face had gone a mottled purple; the +misshapen thing at Danglar's side was leering at her most curiously. + +It was a moment before Danglar spoke; and then his hand, clenched until +the white of the knuckles showed, pounded upon the table to punctuate +his words. + +“Not to-night!” he rasped out with an oath. “There's not a chance that +she's in on this to-night--the she-devil! But she's next! With this +cleaned up, she's next! If it takes the last dollar of to-night's haul, +and five years to do it, I'll get her, and get--” + +“Sure!” mumbled Rhoda Gray hurriedly. “But you needn't get excited! +I was only thinking of her because she's queered us till I've got my +fingers crossed, that's all. Go on about Cloran.” + +Danglar's composure did not return on the instant. He gnawed at his lips +for a moment before he spoke. + +“All right!” he jerked out finally. “Let it go at that! I told you the +other night in the garret that things were beginning to break our way, +and that you wouldn't have to stay there much longer, but I didn't tell +you how or why--you wouldn't give me a chance. I'll tell you now; and +it's the main reason why I've kept away from you lately. I couldn't +take a chance of Cloran getting wise to that garret and Gypsy Nan.” He +grinned suddenly. “I've been cultivating Cloran myself for the last two +weeks. We're quite pals! I'm for playing the luck every time! When +the jewels showed up to-day, I figured that to-night's the night--see? +Cloran and I are going to supper together at the Silver Sphinx at about +eleven o'clock--and this is where you shed the Gypsy Nan stuff, and show +up as your own sweet self. Cloran'll be glad to meet you!” + +She stared at him in genuine perplexity and amazement. + +“Show myself to Cloran!” she ejaculated heavily. “I don't get you!” + +“You will in a minute,” said Danglar softly. “You're the bait--see? +Cloran and I will be at supper and watching the fox-trotters. You blow +in and show yourself--I don't need to tell you how, you're clever enough +at that sort of thing yourself--and the minute he recognizes you as +the woman he's been looking for that murdered Deemer, you pretend to +recognize him for the first time too, and then you beat it like you had +the scare of your life for the door. He'll follow you on the jump. I +don't know what it's all about, and I sit tight, and that lets me out. +And now get this! There'll be two taxicabs outside. If there's more than +two, it's the first two I'm talking about. You jump into the one at the +head of the line. Cloran won't need any invitation to grab the second +one and follow you. That's all! It's the last ride he'll take. It'll be +our boys, and not chauffeurs, who'll be driving those cars to-night, +and they've got their orders where to go. Cloran won't come back. +Understand, Bertha'?” + +There was only one answer to make, only one answer that she dared make. +She made it mechanically, though her brain reeled. A man named +Cloran was to be murdered; and she was to show herself as this--this +Bertha--and... + +“Yes,” she said. + +“Good!” said Danglar. He pulled out his watch again. “All right, then! +We've been here long enough.” He rose briskly. “It's time to make a +move. You hop it back to the garret, and get rid of that fancy dress. +I've got to meet Cloran uptown first. Come on, Matty, let us out.” + +The place stifled her. She got up and moved quickly through the +intervening room. She heard Danglar and his crippled brother talking +earnestly together as they followed her. And then the cripple brushed +by her in the darkness, and opened the front door--and Danglar had drawn +her to him in a quick embrace. She did not struggle; she dared not. Her +heart seemed to stand still. Danglar was whispering in her ear: + +“I promised I'd make it up to you, Bertha, old girl. You'll see--after +to-night. We'll have another honey-moon. You go on ahead now--I can't be +seen with Gypsy Nan. And don't be late--the Silver Sphinx at eleven.” + +She ran out on the street. Her fingers mechanically clutched at her +shawl to loosen it around her throat. It seemed as though she were +choking, that she could not breathe. The man's touch upon her had seemed +like contact with some foul and loathsome thing; the scene in that room +back there like some nightmare of horror from which she could not awake. + + + + +XVI. THE SECRET PANEL + +Rhoda Gray hurried onward, back toward the garret, her mind in riot and +dismay. It was not only the beginning of the end; it was very near the +end! What was she to do? The Silver Sphinx--at eleven! That was the +end--after eleven--wasn't it? She could impersonate Gypsy Nan; she could +not, if she would, impersonate the woman who was dead! And then, too, +there were the stolen jewels at old Jake Luertz's! She could not turn +to the police for help there, because then the Pug might fall into their +hands, and--and the Pug was--was the Adventurer. + +And then a sort of fatalistic calm fell upon her. If the masquerade was +over, if the end had come, there remained only one thing for her to +do. There were no risks too desperate to take now. It was she who must +strike, and strike first. Those jewels in old Luertz's bedroom became +suddenly vital to her. They were tangible evidence. With those jewels +in her possession she should be able to force Danglar to his knees. +She could get them--before Pinkie Bonn and the Pug--if she hurried. +Afterward she would know where to find Danglar--at the Silver Sphinx. +Nothing would happen to Cloran, because, through her failure to +cooperate, the plan would be abortive; but, veiled, as the White Moll, +she could pick up Danglar's trail again there. Yes, it would be the +end--one way or the other--between eleven o'clock and daylight! + +She quickened her steps. Old Luertz was to be inveigled away from his +home about ten o'clock. At a guess, she made it only a little after nine +now. She would need the skeleton keys in order to get into old Luertz's +place, and, yes, she would need a flashlight, too. Well, she would have +time enough to get them, and time enough, then, to run to the deserted +shed in the lane behind the garret and change her clothes. + +Rhoda Gray, as Gypsy Nan, went on as speedily as she dared without +inviting undue attention to herself, reached the garret, secured the +articles she sought, hurried out again, and went down the lane in the +rear to the deserted shed. She remained longer here than in the attic, +perhaps ten minutes, working mostly in the darkness, risking the +flashlight only when it was imperative; and then, the metamorphosis +complete, a veiled figure, in her own person, as Rhoda Gray, the White +Moll, she was out on the street again, and hastening back in the same +general direction from which she had just come. + +She knew old Jake Luertz's place, and she knew the man himself very +intimately by reputation. There were few such men and such places that +she could have escaped knowing in the years of self-appointed service +that she had given to the worst, and perhaps therefore the most needy, +element in New York. The man ostensibly conducted a little secondhand +store; in reality he probably “shoved” more stolen goods for his +clientele, which at one time or another undoubtedly embraced nearly +every crook in the underworld, than any other “fence” in New York. She +knew him for an oily, cunning old fox who lived alone in the two rooms +over his miserable store--unless, of late, his young henchman, the Crab, +had taken to living with him; though, as far as that was concerned, it +mattered little to-night, since the Crab, for the moment, thanks to the +gang, was eliminated from consideration. + +She reached the secondhand store--and walked on past it. There was a +light upstairs in the front window. Old Luertz therefore had not yet +gone out in response to the gang's fake message. She knew old Luertz's +reputation far too well for that; the man would never go out and leave a +gas jet burning--which he would have to pay for! + +There was nothing to do but wait. Rhoda Gray sought the shelter of a +doorway across the street. She was nervously impatient now. The +minutes dragged along. Why didn't 'the man hurry and go out? “About ten +o'clock,” Danglar had said--but that was very indefinite. Pinkie Bonn +and the Pug might be as late as that; but, equally, they might be +earlier! + +It seemed an interminable time. And then, her eyes strained across the +street upon that upper window, she drew still farther back into the +protecting shadows of the doorway. The light had gone out. + +A moment more passed. The street door of the house opposite to her--a +door separate from that of the secondhand store-opened, and a bent, +gray-bearded man, stepped out, peered around, locked the door behind +him, and scuffled down the street. + +Rhoda Gray scanned the dingy and ill-lighted little street. It was +virtually deserted. She crossed the road, and stepped into the doorway +from which the old “fence” had just emerged. It was dark here, well out +of the direct radius of the nearest street lamp, and, with luck, there +was no reason why she should be observed--if she did not take too long +in opening the door! She had never actually used a skeleton key in her +life before, and... + +She inserted one of her collection of keys in the lock. It would not +work. She tried another, and still another-with mounting anxiety and +perplexity. Suppose that--yes! The door was open now! With a quick +glance over her shoulder, scanning the street in both directions to make +sure that she was not observed, she stepped inside, closed the door, and +locked it again. + +Her flashlight stabbed through the darkness. Narrow stairs immediately +in front of her led upward; at her right was a connecting door to the +secondhand shop. Without an instant's hesitation she ran up the stairs. +There was no need to observe caution since the place was temporarily +untenanted; there was need only of haste. She opened the door at the +head of the stairs, and, with a quick, eager nod of satisfaction, as the +flashlight swept the interior, stepped over the threshold. It was the +room she sought--old Luertz's bedroom. + +And now the flashlight played inquisitively about her. The bed occupied +a position by the window; across one corner of the room was a cretonne +hanging, that evidently did service as a wardrobe; across another corner +was a large and dilapidated washstand; there were a few chairs, and a +threadbare carpet; and, opposite the bed, another door, closed, which +obviously led into the front room. + +Rhoda Gray stepped to this door, opened it, and peered in. She was not +concerned that it was evidently used for kitchen, dining-room and +the stowage of everything that overflowed from the bedroom; she was +concerned only with the fact that it offered no avenue through which +any added risk or danger might reach her. She closed the door as she +had found it, and gave her attention now to the walls of old Luertz's +bedroom. + +She smiled a little whimsically. The Crab had used a somewhat dignified +term when he had referred to “panels.” True, the walls were of stained +wood, but the wood was of the cheapest variety of matched boards, and +the stain was of but a single coat, and a very meager one at that! The +smile faded. There were a good many knots; and there were four corners +to the room, and therefore eight boards, each one of which would answer +to the description of being the “sixth panel.” + +She went to the corner nearest her, and dropped down on her knees. As +well start with this one! She had not dared press Danglar, or Danglar's +deformed brother, for more definite directions, had she? She counted the +boards quickly from the corner to her right; and then, the flashlight +playing steadily, she began to press first one knot after another, in +the board before her, working from the bottom up. There were many knots; +she went over each one with infinite care. There was no result. + +She turned then to the sixth board from the corner to her left. The +result was the same. She stood up, her brows puckered, a sense of +anxious impatience creeping upon her. She had been quite a while over +even these two boards, and it might be any one of the remaining six! + +Her eyes traversed the room, following the ray of the flashlight. If she +only knew which one, it would--Was it an inspiration? Her eyes had fixed +on the cretonne hanging across one of the far corners from the door, and +she moved toward it now quickly. The hanging might very well serve for +an other purpose than that of merely a wardrobe! It seemed suddenly +to be the most likely of the four corners because it was ingeniously +concealed. + +She parted the hanging. A heterogeneous collection of clothing hung +from pegs and nails. Eagerly, hastily now, she brushed these aside, and, +close to the wall, dropped down on her knees again. The minutes passed. +Twice she went over the sixth board from the corner to her right. She +felt so sure now that it was this corner. And then, still eagerly, she +turned to the corresponding board at her left. + +It was warm and close here. The clothing hanging from the pegs and nails +enveloped her, and, with the cretonne hanging itself, shut out the air, +what little of it there was, that circulated through the room. + +Over the board, from the tiniest knot to the largest, her fingers +pressed carefully. Had she missed one anywhere? She must have missed +one! She was sure the panel in question was here behind this hanging. +Well, she would try again, and... + +What was that? + +In an instant the flashlight in her hand was out, and she was listening +tensely. Yes, there was a footstep--two of them--not only on the stairs, +but already just outside the door. It seemed as though a deadly fear, +cold and numbing, settled upon her and robbed her of even the power of +movement. She was caught! If it was Pinkie Bonn and the Pug, and if this +corner hid the secret panel as she still believed it did, this was +the first place to which they would come, and they would find her here +amongst the clothing--which had evidently been the cause of deadening +any sound on those stairs out there until it was too late. + +She held her breath, her hands tight upon her bosom. There was no time +to reach the sanctuary of the other room--the footsteps were already +crossing the threshold from the head of the stairs. And then a voice +reached her--the Pug's. It was the Pug and Pinkie Bonn. + +“Strike a light, Pinkie! Dere's no use messin' around wid a flash. De +old geezer'll be back on de hop de minute he finds out he's been bunked, +an' de quicker we work de better.” + +A match crackled into flame. An air-choked gas jet, with a protesting +hiss, was lighted. And then Rhoda Gray's drawn face relaxed a little, +and a strange, mirthless smile came hovering over her lips. What was she +afraid of? The Pug was the Adventurer, wasn't he? This was one of the +occasions when he could not escape the entanglements of the gang, and +must work for the gang instead of appropriating all the loot for his own +personal and nefarious ends; but he was the Adventurer. The White Moll +need not fear him, even though he appeared, linked with Pinkie Bonn, in +the role of the Pug! So there was only Pinkie Bonn to fear. + +Rhoda Gray took her revolver from her pocket. She was well armed--and +in more than a material sense. The Adventurer did not know that she was +aware of the Pug's identity. Her smile, still mirthless, deepened. +She might even turn the tables upon them, and still secure the stolen +stones. She had turned the tables upon Pinkie Bonn last night; to-night, +if she used her wits, she could do it again! + +And then, suddenly, she stifled an exclamation, as the Pug's voice +reached her again: + +“Wot are youse gapin' about? Dere ain't anything else worth pinchin' +around here except wot's in de old gent's safety vault. Get a move on! +We ain't got all night! It's de corner behind de washstand. Give us a +hand to move de furniture!” + +It wasn't here behind the cretonne hanging! Rhoda Gray bit her lips in +a crestfallen little way. Well, her supposition had been natural enough, +hadn't it? And she would have tried every corner before she was through +if she had had the opportunity. + +She moved now slightly, without a sound, parting the clothing away from +in front of her, and moving the cretonne hanging by the fraction of an +inch where it touched the side wall of the room. And now she could see +the Pug, with his dirty and discolored celluloid eye-patch, and his +ingeniously contorted face; and she could see Pinkie Bonn's pasty-white, +drug-stamped countenance. + +It was not a large room. The two men in the opposite corner along the +wall from her were scarcely more than ten feet away. They swung the +washstand out from the wall, and the Pug, going in behind it, began +to work on one of the wall boards. Pinkie Bonn, an unlighted cigarette +dangling from his lip, leaned over the washstand watching his companion. + +A minute passed--another. It was still in the room, except only for +the distant sounds of the world outside--a clatter of wheels upon the +pavement, the muffled roar of the elevated, the clang of a trolley bell. +And then the Pug began to mutter to himself. Rhoda Gray smiled a little +grimly. She was not the only one, it would appear, who experienced +difficulty with old Jake Luertz's crafty hiding place! + +“Say, dis is de limit!” the Pug growled out suddenly. “Dere's more +damned knots in dis board dan I ever save in any piece of wood in me +life before, an'--” He drew back abruptly from the wall, twisting his +head sharply around. “D'ye hear dat, Pinkie!” he whispered tensely. +“Quick! Put out de light! Quick! Dere's some one down at de front door!” + +Rhoda Gray felt the blood ebb from her face. She had heard nothing save +the rattle and bump of a wagon along the street below; but she had had +reason to appreciate on a certain occasion before that the Pug, alias +the Adventurer, was possessed of a sense of hearing that was abnormally +acute. If it was some one else--who was it? What would it mean to her? +What complication here in this room would result? What... + +The light was out. Pinkie Bonn had stepped silently across the room to +the gas jet near the door. Her eyes, strained, she could just make out +the Adventurer's form kneeling by the wall, and then--was she mad! +Was the faint night-light of the city filtering in through the window +mocking her? The Adventurer, hidden from his companion by the washstand, +was working swiftly and without a sound--or else it was a phantasm of +shadows that tricked her! A door in the wall opened; the Adventurer +thrust in his hand, drew out a package, and, leaning around, slipped it +quickly into the bottom of the washstand, where, with its little doors, +there was a most convenient and very commodious apartment. He turned +again then, seemed to take something from his pocket and place it in the +opening in the wall, and then the panel closed. + +It had taken scarcely more than a second. + +Rhoda Gray brushed her hand across her eyes. No, it wasn't a phantasm! +She had misjudged the Adventurer--quite misjudged him! The Adventurer, +even with one of the gang present--to furnish an unimpeachable alibi +for him!--was plucking the gang's fruit again for his own and undivided +enrichment! + +Pinkie Bonn's voice came in a guarded whisper from the doorway. + +“I don't hear nothin'!” said Pinkie Bonn anxiously. + +The Pug tiptoed across the room, and joined his companion. She could not +see them now, but apparently they stood together by the door listening. +They stood there for a long time. Occasionally she heard them whisper to +each other; and then finally the Pug spoke in a less guarded voice. + +“All right,” he said. “I guess me nerves are gettin' de creeps. Shoot de +light on again, an' let's get back on de job. An' youse can take a turn +dis time pushin' de knots, Pinkie; mabbe youse'll have better luck.” + +The light went on again. Both men came back across the room, and now +Pinkie Bonn knelt at the wall while the Pug leaned over the washstand +watching him. Pinkie Bonn was not immediately successful; the Pug's +nerves, of which he had complained, appeared shortly to get the better +of him. + +“Fer Gawd's sake, hurry up!” he urged irritably. “Or else lemme take +another crack at it, Pinkie, an'...” + +A low, triumphant exclamation came from Pinkie Bonn, as the small door +in the wall swung suddenly open. + +“There she is, my bucko!” he grinned. “Some nifty vault, eh? The old +guy-” He stopped. He had thrust in his hand, and drawn it out again. His +fingers gripped a sheet of notepaper--but he was seemingly unconscious +of that fact. He was leaning forward, staring into the aperture. “It's +empty!” he choked. + +“Wot's dat?” cried the Pug, and sprang to his companion's side. +“Youse're crazy, Pinkie!” He thrust his head toward the opening--and then +turned and stared for a moment helplessly at Pinkie Bonn. “So help me!” + he said heavily. “It's--it's empty.” He shook his fist suddenly. “De +Crab's handed us one, dat's wot! But de Crab'll get his fer--” + +“It wasn't the Crab!” Pinkie Bonn was stuttering his words. He stood, +jaws dropped, his eyes glued now on the paper in his hand. + +The Pug, his face working, the personification of baffled rage and +intolerance, leered at Pinkie Bonn. “Well, who was it, den?” he snarled. + +Pinkie Bonn licked his lips. + +“The White Moll!” He licked his lips again. + +“De White Moll!” echoed the Pug incredulously. + +“Yes,” said Pinkie Bonn. “Listen to what's on this paper that I fished +out of there I Listen! She's got all the nerve of the devil! 'With +thanks, and my most grateful appreciation--the White Moll.'” + +The Pug snatched the paper from Pinkie Bonn's hand, as though to assure +himself that it was true. Rhoda Gray smiled faintly. It was good acting, +very excellently done--seeing that the Pug had written the note and +placed it in the hiding place himself! + +“My God!” mumbled Pinkie Bonn thickly. “I ain't afraid of most things, +but I'm gettin' scared of her. She ain't human. Last night you know what +happened, and the night before, and--” He gulped suddenly. “Let's get +out of here!” he said hurriedly. The Pug made no reply, except for a +muttered growl of assent and a nod of his head. + +The two men crossed the room. The light went out. Their footsteps echoed +back as they descended the stairs, then died away. + +And then Rhoda Gray moved for the first time. She brushed aside the +cretonne hanging, ran to the washstand, possessed herself of the package +she had seen the Pug place there, and then made her way, cautious now of +the slightest sound, downstairs. + +She tried the door that led into the secondhand shop from the hall, +found it unlocked, and with a little gasp of relief slipped through, and +closed it gently behind her. She did not dare risk the front entrance. +Pinkie Bonn and the Pug were not far enough away yet, and she did not +dare wait until they were. Too bulky to take the risk of attempting +to conceal it about his person while with Pinkie Bonn, the Pug, it was +obvious, would come back alone for that package, and it was equally +obvious that he would not be long in doing so. There was old Luertz's +return that he would have to anticipate. It would not take wits nearly +so sharp as those possessed by the Pug to find an excuse for separating +promptly from Pinkie Bonn! + +Rhoda Gray groped her way down the shop, groped her way to a back door, +unbolted it, working by the sense of touch, and let herself out into a +back yard. Five minutes later she was blocks away, and hurrying rapidly +back toward the deserted shed in the lane behind Gypsy Nan's garret. + +Her lips formed into a tight little curve as she went along. There was +still work to do to-night--if this package really contained the stolen +legacy of gems left by Angel Jack. She had first of all to reach a place +where she could examine the package with safety; then a place to hide it +where it would be secure; and then--Danglar! + +She gained the lane, stole along it, and disappeared into the shed +through the broken door that hung, partially open, on sagging hinges. +Here she sought a corner, and crouched down so that her body would +smother any reflection from her flashlight. And now, eagerly, +feverishly, she began to undo the package; and then, a moment later, she +gazed, stupefied and amazed, at what lay before her. Precious stones, +scores of them, nestled on a bed of cotton; they were of all colors and +of all sizes--but each one of them seemed to pulsate and throb, and from +some wondrous, glorious depth of its own to fling back from the white +ray upon it a thousand rays in return, as though into it had been +breathed a living and immortal fire. + +And Rhoda Gray, crouched there, stared--until suddenly she grew afraid, +and suddenly with a shudder she wrapped the package up again. These were +the stones for whose fabulous worth the woman whose personality she, +Rhoda Gray, had usurped, had murdered a man; these were the stones which +were indirectly the instrumentality--since but for them Gypsy Nan would +never have existed--that made her, Rhoda Gray, to-night, now, at this +very moment, a hunted thing, homeless, friendless, fighting for her very +life against police and underworld alike! + +She rose abruptly to her feet. She had no longer any need of a +flashlight. There was even light of a sort in the place--she could +see the stars through the jagged holes in the roof, and through one of +these, too, the moonlight streamed in. The shed was all but crumbling +in a heap. Underfoot, what had once been flooring, was now but rotting, +broken boards. Under one of these, beside the clothing of Gypsy Nan +which she had discarded but a little while before, she deposited the +package; then stepped out into the lane, and from there to the street +again. + +And now she became suddenly conscious of a great and almost overpowering +physical weariness. She did not quite understand at first, unless it +was to be attributed to the reaction from the last few hours--and then, +smiling wanly to herself, she remembered. For two nights she had not +slept. It seemed very strange. That was it, of course, though she was +not in the least sleepy now--just tired, just near the breaking point. + +But she must go on. To-night was the end, anyhow. To-night, failing to +keep her appointment as “Bertha,” the crash must come; but before it +came, as the White Moll, armed with the knowledge of the crime that had +driven Danglar's wife into hiding, and which was Danglar's crime too, +and with the evidence in the shape of those jewels in her possession, +she and Danglar would meet somewhere--alone. Before the law got him, +when he would be close-mouthed and struggling with all his cunning to +keep the evidence of other crimes from piling up against him and damning +whatever meager chances he might have to escape the penalty for Deemer's +murder, she meant--yes, even if she pretended to compound a felony +with him--to force or to inveigle from him, it mattered little which, a +confession of the authorship and details of the scheme to rob Skarbolov +that night when she, Rhoda Gray, in answer to a dying woman's pleading, +had tried to forestall the plan, and had been caught, apparently, in the +very act of committing the robbery herself! With that confession in her +possession, with the identity of the unknown woman who had died in the +hospital that night established, her own story would be believed. + +And so, if she were weary, what did it matter? It was only until +morning. Danglar was at the Silver Sphinx now with the man he meant that +she should help him murder, only--only that plan would fail, because +there would be no “Bertha” to lure the man to his death, and she, Rhoda +Gray, had only to keep track of Danglar until somewhere, where he lived +perhaps, she should have that final scene, that final reckoning with him +alone. + +It was a long way to the Silver Sphinx, which she knew, as every one in +the underworld, and every one in New York who was addicted to slumming +knew, was a combination dance-hall and restaurant in the Chatham Square +district. She tried to find a taxi, but with out avail. A clock in a +jeweler's window which she passed showed her that it was ten minutes +after eleven. She had had no idea that it was so late. At eleven, +Danglar had said. Danglar would be growing restive! She took the +elevated. If she could risk the protection of her veil in the Silver +Sphinx, she could risk it equally in an elevated train! + +But, in spite of the elevated, it was, she knew, well on towards half +past eleven when she finally came down the street in front of the Silver +Sphinx. From under her veil, she glanced, half curiously, half in a +sort of grim irony, at the taxis lined up before the dancehall. The two +leading cars were not taxis at all, though they bore the ear-marks, with +their registers, of being public vehicles for hire; they were large, +roomy, powerful, and looked, with their hoods up, like privately owned +motors. Well, it was of little account! She shrugged her shoulders, +as--she mounted the steps of the dance-hall. Neither “Bertha” nor Cloran +would use those cars to-night! + + + + +XVII. THE SILVER SPHINX + +A Bedlam of noise smote Rhoda Gray's ears as she entered the Silver +Sphinx. A jazz band was in full swing; on the polished section of the +floor in the center, a packed mass of humanity swirled and gyrated +and wriggled in the contortions of the “latest” dance, and laughed +and howled immoderately; and around the sides of the room, the waiters +rushed this way and that amongst the crowded tables, mopping at their +faces with their aprons. It seemed as though confusion itself held sway! + +Rhoda Gray scanned the occupants of the tables. The Silver Sphinx was +particularly riotous to-night, wasn't it? Yes, she understood! A great +many of the men were wearing little badges. Some society or other was +celebrating--and was doing it with abandon. Most of the men were half +drunk. It was certainly a free-and-easy night! Everything went! + +Danglar! Yes, 'there he was--quite close to her, only a few tables +away--and beside him sat a heavy built, clean-shaven man of middle age. +That would be Cloran, of course--the man who was to have been lured +to his death. And Danglar was nervous and uneasy, she could see. His +fingers were drumming a tattoo on the table; his eyes were roving +furtively about the room; and he did not seem to be paying any but the +most distrait attention to his companion, who was talking to him. + +Rhoda Gray sank quickly into a vacant chair. Three men, linked arm in +arm, and decidedly more than a little drunk, were approaching her. She +turned her head away to avoid attracting their attention. It was too +free and easy here to-night, and she began to regret her temerity at +having ventured inside; she would better, perhaps, have waited until +Danglar came out--only there were two exits, and she might have missed +him--and... + +A cold fear upon her, she shrank back in her chair. The three men had +halted at the table, and were clustered around her. They began a jocular +quarrel amongst themselves as to who should dance with her. Her heart +was pounding. She stood up, and pushed them away. + +“Oh, no, you don't!” hiccoughed one of the three. “Gotta see +your--hic!--pretty face, anyhow!” + +She put up her hands frantically and clutched at her veil--but just an +instant too late to save it from being wrenched aside. Wildly her eyes +flew to Danglar. His attention had been attracted by the scene. She saw +him rise from his seat; she saw his eyes widen--and then, stumbling over +his chair in his haste, he made toward her. Danglar had recognized the +White Moll! + +She turned and ran. Fear, horror, desperation, lent her strength. It was +not like this that she had counted on her reckoning with Danglar! She +brushed the roisterers aside, and darted for the door. Over her shoulder +she glimpsed Danglar following her. She reached the door, burst through +a knot of people there, and, her torn veil clutched in her hand, dashed +down the steps. She could only run--run, and pray that in some way she +might escape. + +And then a mad exultation came upon her. She saw the man in the +chauffeur's seat of the first car in the line lean out and swing the +door open. And in a flash she grasped the situation. The man was waiting +for just this--for a woman to come running for her life down the steps +of the Silver Sphinx. She put her hand up to her face, hiding it with +the torn veil, raced for the car, and flung herself into the tonneau. + +The door slammed. The car leaped from the curb. Danglar was coming down +the steps. She heard him shout. The chauffeur, in a startled way, leaned +out, as he evidently recognized Danglar's voice--but Rhoda Gray was +mistress of herself now. The tonneau of the car was not separated from +the driver's seat, and bending forward, she wrenched her revolver from +her pocket, and pressed the muzzle of her weapon to the back of the +man's neck. + +“Don't stop!” she gasped, struggling for her breath. “Go on! Quick!” + +The man, with a frightened oath, obeyed. The car gained speed. A glance +through the window behind showed Danglar climbing into the other car. + +And then for a moment Rhoda Gray sat there fighting for her +self-control, with the certain knowledge in her soul that upon her +wits, and her wits alone, her life depended now. She studied the car's +mechanism over the chauffeur's shoulder, even as she continued to hold +her revolver pressed steadily against the back of the man's neck. +She could drive a car--she could drive this one. The presence of this +chauffeur, one of the gang, was an added menace; there were too many +tricks he might play before she could forestall them, any one of which +would deliver her into the hands of Danglar behind there--an apparently +inadvertent stoppage due to traffic, for instance, that would bring +the pursuing car alongside--that, or a dozen other things which would +achieve the same end. + +“Open the door on your side!” she commanded abruptly. “And get +out--without slowing the car! Do you understand?” + +He turned his head for a half incredulous, half frightened look at her. +She met his eyes steadily--the torn veil, quite discarded now, was in +her pocket. She did not know the man; but it was quite evident from the +almost ludicrous dismay which spread over his face that he knew her. + +“The--the White Moll!” he stammered. “It's the White Moll!” + +“Jump!” she ordered imperatively--and her revolver pressed still more +significantly against the man's flesh. + +He seemed in even frantic haste to obey her. He whipped the door open, +and, before she could reach to the wheel, he had leaped to the street. +The car swerved sharply. She flung herself over into the vacated seat, +and snatched at the wheel barely in time to prevent the machine from +mounting the curb. + +She looked around again through the window of the hood. The man had +swung aboard Danglar's car, which was only a few yards behind. + +Rhoda Gray drove steadily. Here in the city streets her one aim must be +never to let the other car come abreast of her; but she could prevent +that easily enough by watching Danglar's movements, and cutting across +in front of him if he attempted anything of the sort. But ultimately +what was she to do? How was she to escape? Her hands gripped and +clenched in a sudden, almost panic-like desperation at the wheel. Turn +suddenly around a corner, and jump from the car herself? It was useless +to attempt it; they would keep too close behind to give her a chance +to get out of sight. Well, then, suppose she jumped from the car, and +trusted herself to the protection of the people on the street. She shook +her head grimly. Danglar, she knew only too well, would risk anything, +go to any length, to put an end to the White Moll. He would not hesitate +an instant to shoot her down as she jumped and he would be fairly safe +himself in doing it. A few revolver shots from a car that speeded away +in the darkness offered an even chance of escape. And yet, unless she +forced an issue such as that, she knew that Danglar would not resort to +firing at her here in the city. He would want to be sure that was the +only chance he had of getting her, before he accepted the risk that he +would run of being caught for it by the police. + +She found herself becoming strangely, almost unnaturally, cool and +collected now. The one danger, greater than all others, that menaced her +was a traffic block that would cause her to stop, and allow those in the +other car behind to rush in upon her as she sat here at the wheel. And +sooner or later, if she stayed in the city, a block such as that was +inevitable. She must get out of the city, then. It was only to invite +another risk, the risk that Danglar was in the faster car of the two but +there was no other way. + +She drove more quickly, made her way to the Bridge, and crossed it. The +car behind followed with immutable persistence. It made no effort to +close the short gap between them; but, neither, on the other hand, did +it permit that gap to widen. + +They passed through Brooklyn; and then, reaching the outskirts, Rhoda +Gray, with headlights streaming into the black, with an open Long Island +road before her, flung her throttle wide, and the car leaped like a +thing of life into the night. It was a sudden start, it gained her a +hundred yards but that was all. + +The wind tore at her and whipped her face; the car rocked and reeled as +in some mad frenzy. There was not much traffic, but such as there was +it cleared away from before her as if by magic, as, seeking shelter from +the wild meteoric thing running amuck, the few vehicles, motor or horse, +that she encountered hugged; the edge of the road, and the wind whisked +to her ears fragments of shouts and execrations. Again and again she +looked back two fiery balls of light blazed behind her always those same +two fiery balls. + +She neither gained nor lost. Rigid, like steel, her little figure was +crouched over the wheel. She did not know the road. She knew nothing +save that she was racing for her life. She did not know the end; she +could not see the end. Perhaps there would be some merciful piece of +luck for her that would win her through a break-down to that roaring +thing, with its eyes that were balls of fire, behind. + +She passed through a town with lighted streets and lighted windows or +was it only imagination? It was gone again, anyhow, and there was just +black road ahead. Over the roar of the car and the sweep of the wind, +then, she caught, or fancied she caught, a series of faint reports. She +looked behind her. Yes, they were firing now. Little flashes leaped out +above and at the sides of those blazing headlights. + +How long was it since she had left the Silver Sphinx? Minutes or hours +would not measure it, would they? But it could not last much longer! +She was growing very tired; the strain upon her arms, yes, and upon her +eyes, was becoming unbearable. She swayed a little in her seat, and the +car swerved, and she jerked it back again into the straight. She began +to laugh a little hysterically and then, suddenly, she straightened up, +tense and alert once more. + +That swerve was the germ of an inspiration! It took root swiftly now. It +was desperate--but she was desperate. She could not drive much more, or +much longer like this. Mind and body were almost undone. And, besides, +she was not outdistancing that car behind there by a foot; and sooner or +later they would hit her with one of their shots, or, perhaps what they +were really trying to do, puncture one of her tires. + +Again she glanced over her shoulder. Yes, Danglar was just far enough +behind to make the plan possible. She began to allow the car to swerve +noticeably at intervals, as though she were weakening and the car was +getting beyond her control--which was, indeed, almost too literally the +case. And now it seemed to her that each time she swerved there came an +exultant shout from the car behind. Well, she asked for nothing better; +that was what she was trying to do, wasn't it?--inspire them with the +belief that she was breaking under the strain. + +Her eyes searched anxiously down the luminous pathway made by her +high-powered headlights. If only she could reach a piece of road that +combined two things--an embankment of some sort, and a curve just sharp +enough to throw those headlights behind off at a tangent for an instant +as they rounded it, too, in following her. + +A minute, two, another passed. And then Rhoda Gray, tight-lipped, her +face drawn hard, as her own headlights suddenly edged away from the road +and opened what looked like a deep ravine on her left, while the road +curved to the right, flung a frenzied glance back of her. It was her +chance--her one chance. Danglar was perhaps a little more than a hundred +yards in the rear. Yes--now! His headlights were streaming out on her +left as he, too, touched the curve. The right-hand side of her car, the +right-hand side of the road were in blackness. She checked violently, +almost to a stop, then instantly opened the throttle wide once more, +wrenching the wheel over to head the machine for the ravine; and before +the car picked up its momentum again, she dropped from the right-hand +side, darted to the far edge of the road, and flung herself flat down +upon the ground. + +The great, black body of her car seemed to sail out into nothingness +like some weird aerial monster, the headlights streaming uncannily +through space--then blackness--and a terrific crash. + +And now the other car had come to a stop almost opposite where she +lay. Danglar and the two chauffeurs, shouting at each other in wild +excitement, leaped out and rushed to the edge of the embankment. And +then suddenly the sky grew red as a great tongue-flame shot up from +below. It outlined the forms of the three men as they stood there, +until, abruptly, as though with one accord, they rushed pell-mell down +the embankment toward the burning wreckage. And as they disappeared from +sight Rhoda Gray jumped to her feet, sprang for Danglar's car, flung +herself into the driver's seat, and the car shot forward again along the +road. + +A shout, a wild chorus of yells, the reports of a fusillade of shots +reached her; she caught a glimpse of forms running insanely after her +along the edge of the embankment--then silence save for the roar of the +speeding car. + +She drove on and on. Somewhere, nearing a town, she saw a train in the +distance coming in her direction. She reached the station first, and +left the car standing there, and, with the torn veil over her face +again, took the train. + +She was weak, undone, exhausted. Even her mind refused its functions +further. It was only in a subconscious way she realized that, where she +had thought never to go to the garret again, the garret and the role of +Gypsy Nan were, more than ever now, her sole refuge. The plot against +Cloran had failed, but they could not blame that on “Bertha's” + non-appearance; and since it had failed she would not now be expected +to assume the dead woman's personality. True, she had not, as had been +arranged, reached the Silver Sphinx at eleven, but there were a hundred +excuses she could give to account for her being late in keeping the +appointment so that she had arrived just in time, say, to see Danglar +dash wildly in pursuit of a woman who had jumped into the car that she +was supposed to take! + +The garret! The garret again--and Gypsy Nan! Her surroundings seemed +to become a blank to her; her actions to be prompted by some purely +mechanical sense. She was conscious only that finally, after an +interminable time, she was in New York again; and after that, long, +long after that, dressed as Gypsy Nan, she was stumbling up the dark, +ladder-like steps to the attic. + +How her footsteps dragged! She opened the door, staggered inside, locked +the door again, and staggered toward the cot, and dropped upon it; and +the gray dawn came in with niggardly light through the grimy little +window panes, as though timorously inquisitive of this shawled and +dissolute figure prone and motionless, this figure who in other dawns +had found neither sleep nor rest--this figure who lay there now as one +dead. + + + + +XVIII. THE OLD SHED + +Rhoda Gray opened her eyes, and, from the cot upon which she lay, stared +with drowsy curiosity around the garret--and in another instant was +sitting bolt upright, alert and tense, as the full flood of memory swept +upon her. + +There was still a meager light creeping in through the small, grimy +window panes, but it was the light of waning day. She must have slept, +then, all through the morning and the afternoon, slept the dead, heavy +sleep of exhaustion from the moment she had flung herself down here a +few hours before daybreak. + +She rose impulsively to her feet. It was strange that she had not been +disturbed, that no one had come to the garret! The recollection of the +events of the night before were crowding themselves upon her now. In +view of last night, in view of her failure to keep that appointment in +the role of Danglar's wife, it was very strange indeed that she had been +left undisturbed! + +Subconsciously she was aware that she was hungry, that it was long since +she had eaten, and, almost mechanically, she prepared herself something +now from the store the garret possessed; but, even as she ate, her mind +was far from thoughts of food. From the first night she had come here +and self-preservation had thrust this miserable role of Gypsy Nan upon +her, from that first night and from the following night when, to save +the Sparrow, she had been whirled into the vortex of the gang's criminal +activities, her mind raced on through the sequence of events that seemed +to have spanned some vast, immeasurable space of time until they had +brought her to--last night. + +Last night! She had thought it was the end last night, but instead--The +dark eyes grew suddenly hard and intent. Yes, she had counted upon last +night, when, with the necessary proof in her possession with which to +confront Danglar with the crime of murder, she could wring from the man +all that now remained necessary to substantiate her own story and clear +herself in the eyes of the law of that robbery at Skarbolov's antique +store of which she was held guilty--and instead she had barely escaped +with her life. That was the story of last night. + +Her eyes grew harder. Well, the way was still open, wasn't it? Last +night had changed nothing in that respect. To-night, as the White Moll, +she had only to find and corner Danglar as she had planned to do last +night. She had still only to get the man alone somewhere. + +Rhoda Gray's hands clenched tightly. That was all that was +necessary--just the substantiation of her own story that the plot to rob +Skarbolov lay at the door of Danglar and his gang; or, rather, perhaps, +that the plot was in existence before she had ever heard of Skarbolov. +It would prove her own statement of what the dying woman had said. It +would exonerate her from guilt; it would prove that, rather than having +any intention of committing crime, she had taken the only means within +her power of preventing one. The real Gypsy Nan, Danglar's wife, who +had died that night, bad, even in eleventh-hour penitence, refused to +implicate her criminal associates. There was a crime projected which, +unless she, Rhoda Gray, would agree to forestall it in person and would +give her oath not to warn the police about it and so put the actual +criminals in jeopardy, would go on to its fulfillment! + +She remembered that night in the hospital. The scene came vividly before +her now. The woman's pleading, the woman's grim loyalty even in death to +her pals. She, Rhoda Gray, had given her oath. + +It became necessary only to substantiate those facts. Danglar could be +made to do it. She had now in her possession the evidence that would +convict him of complicity in the murder of Deemer, and for which +murder the original Gypsy Nan had gone into hiding; she even had in her +possession the missing jewels that had prompted that murder; she had, +too, the evidence now to bring the entire gang to justice for their +myriad depredations; she knew where their secret hoard of ill-gotten +gains was hidden--here in this attic, behind that ingeniously contrived +trap-door in the ceiling. She knew all this; and this information placed +before the police, providing only it was backed by the proof that the +scheme to rob Skarbolov was to be carried out by the gang, as she, Rhoda +Gray, would say the dying woman had informed her, would be more than +enough to clear her. She had not had this proof on that first night when +she had snatched at the mantle of Gypsy Nan as the sole means of escape +from Rough Rorke, of headquarters; she did not have it now--but she +would have it, stake all and everything in life she had to have it, for +it, in itself, literally meant everything and all--and Danglar would +make a written confession, or else--or else--She smiled mirthlessly. +That was all! Last night she had failed. To-night she would not fail. +Before morning came, if it were humanly within her power, she and +Danglar would have played out their game--to the end. + +And now a pucker came and gathered her forehead into little furrows, and +anxiety and perplexity crept into her eyes. Another thought tormented +her. In the exposure that was to come the Adventurer, alias the Pug, was +involved. Was there any way to save the man to whom she owed so much, +the splendidly chivalrous, high-couraged gentleman she loved, the thief +she abhorred? + +She pushed the remains of her frugal meal away from her, stood up +abruptly from the rickety washstand at which she had been seated, and +commenced to pace nervously up and down the stark, bare garret. Where +was the line of demarcation between right and wrong? Was it a grievous +sin, or an infinitely human thing to do, to warn the man she loved, and +give him a chance to escape the net she meant to furnish the police? He +was a thief, even a member of the gang--though he used the gang as his +puppets. Did ethics count when one who had stood again and again between +her and peril was himself in danger now? Would it be a righteous thing, +or an act of despicable ingratitude, to trap him with the rest? + +She laughed out shortly. Warn him! Of course, she would warn him! But +then--what? She shivered a little, and her face grew drawn and tired. +It was the old, old story of the pitcher and the well. It was almost +inevitable that sooner or later, for some crime or another, the man she +loved would be caught at last, and would spend the greater portion of +his days behind prison bars. That was what the love that had come into +her life held as its promise to her! It was terrible enough without her +agency being the means of placing him there! + +She did not want to think about it. She forced her mind into other +channels, though they were scarcely less disquieting. Why was it that +during the day just past there had been not a sign from Danglar or any +one of the gang, when every plan of theirs had gone awry last night, and +she had failed to keep her appointment in the role of Danglar's wife? +Why was it? What did it mean? Surely Danglar would never allow what had +happened to pass unchallenged, and--was that some one now? + +She halted suddenly by the door to listen, her hand going instinctively +to the wide, voluminous pocket of her greasy skirt for her revolver. +Yes, there was a footstep in the hall below, but it was descending +now to the ground floor, not coming up. She even heard the street door +close, but still she hung there in a strained, tense way, and into her +face there came creeping a gray dismay. Her pocket was empty. + +The revolver was gone! Its loss, pregnant with a hundred ominous +possibilities, seemed to bring a panic fear upon her, holding her for a +moment inert--and then she rushed frantically to the cot. Perhaps it had +fallen out of her pocket during the hours she had lain there asleep. +She searched the folds of the soiled and crumpled blanket, that was the +cot's sole covering, then snatched the blanket completely off the cot +and shook it; and then, down on her knees, she searched the floor under +the cot. There was no sign of the revolver. + +Rhoda Gray stood up, and stared in a stunned way about her. Was this, +then, the explanation of her having seemingly been left undisturbed +here all through the day? Had some one, after all, been here, and--? She +shook her head suddenly with a quick, emphatic gesture of dissent. +The door was still locked, she could see the key on the inside; and, +besides, as a theory, it wasn't logical. They wouldn't have taken her +revolver and left her placidly asleep! + +The loss of the revolver was a vital matter. It was her one safeguard; +the one means by which she could first gain and afterwards hold the +whip-hand over Danglar in the interview she proposed to have with him; +the one means of escape, the last resort, if she herself were cornered +and fell into his power. It had sustained her more than once, that +resolution to turn it against herself if she were in extremity. It meant +everything to her, that weapon, and it was gone now; but the panic that +had seized upon her was gone too, and she could think rationally and +collectively again. + +Last night, or rather this morning, when she had made her way back to +the shed out there in the lane behind the garret, she had been in a +state of almost utter exhaustion. She had changed from the clothes of +the White Moll to those of Gypsy Nan, but she must have done so almost +mechanically for she had no concrete recollection of it. It was quite +likely then, even more than probable, that she had left the revolver in +the pocket of her other clothes; for she had certainly had, not only her +revolver, but her flashlight and her skeleton keys with her when she had +visited old Luertz's place last night, and later on too, when she had +jumped into that automobile in front of the Silver Sphinx, she had had +her revolver, for she had used it to force the chauffeur out of the +car--and she had no one of those articles now. + +Of course! That was it! She stepped impulsively to the door, and, +opening it, made her way quickly down the stairs to the street. The +revolver was undoubtedly in the pocket of her other skirt, and she felt +a surge of relief sweep upon her; but a sense of relief was far from +enough. She would not feel safe until the weapon was again in her +possession, and intuitively she felt that she had no time to lose in +securing it. She had already been left too long alone not to make a +break in that unaccountable isolation they had accorded her as something +to be expected at any moment. She hurried now down the street to the +lane that intervened between Gypsy Nan's house and the next corner, +glanced quickly about her, and, seeing no one in her immediate vicinity, +slipped into the lane. She gained the deserted shed some fifty yards +along the lane, entered through the broken door that hung, half open, on +sagging hinges, and, dropping on her knees, reached in under the decayed +and rotting flooring. She pushed aside impatiently the package of +jewels, at whose magnificence she had gazed awe-struck and bewildered +the night before, and drew out the bundle that comprised her own +clothing. Her hand sought the pocket eagerly. Yes, it was here--at least +the flashlight was, and so were the skeleton keys. That was what had +happened! She had been near utter collapse last night, and she had +forgotten, and--Rhoda Gray, unconscious even that she still held the +clothing in her hands, rose mechanically to her feet. There was a sudden +weariness in her eyes as she stared unseeingly about her. Yes, the +flashlight and the keys were here--but the revolver was not! Her brain +harked back in lightning flashes over the events of the preceding night. +She must have lost it somewhere, then. Where? She had had it in the +automobile, that she knew positively; but after that she did not +remember, unless--yes, it must have been that! When she had jumped from +the car and flung herself down at the roadside! It must have fallen out +of her pocket then. + +Her heart seemed to stand still. Suppose they had found it! They would +certainly recognize it as belonging to Gypsy Nan! They were not fools. +The deduction would be obvious--the identity of the White Moll would +be solved. Was that why no one had apparently come near her? Were they +playing at cat-and-mouse, watching her before they struck, so that she +would lead them to those jewels under the flooring here that were worth +a king's ransom? They certainly believed that the White Moll had them. +The Adventurer's note, so ironically true, that he had intended as an +alibi for himself, and which he had exchanged for the package in old +Luertz's place, would have left no doubt in their minds but that the +stones were in her possession. Was that it? Were they--She held her +breath. It seemed as though suddenly her limbs were refusing to support +her weight. In the soft earth outside she had heard no step, but she saw +now a shadow fall athwart the half-open door-way. There was no time to +move, even had she been capable of action. It seemed as though even +her soul had turned to stone, and, with the White Moll's clothes in her +hands, she stood there staring at the doorway, and something that was +greater than fear, because it mingled horror, ugly and forbidding, +fell upon her. It was still just light enough to see. The shadow moved +forward and came inside. She wanted to scream, to rush madly in retreat +to the farthest corner of the shed; but she could not move. It was +Danglar who was standing there. He seemed to sway a little on his feet, +and the dark, sinister face seemed blotched, and he seemed to smile as +though possessed of some unholy and perverted sense of humor. + +She was helpless, at his mercy, unarmed, saved for her wits. Her wits! +Were wits any longer of avail? She could believe nothing else now except +that he had been watching her--before he struck. + +“What are you doing here, and what are those clothes you've got in your +hands?” he rasped out. + +She could only fence for time in the meager hope that some loophole +would present itself. She forced an assumed defiance into her tones and +manner, that was in keeping with the sort of armed truce, which, from +her first meeting with Danglar, she had inaugurated as a barrier between +them. + +“You have asked me two questions,” she said tartly. “Which one do you +want me to answer first?” + +“Look here,” he snapped, “you cut that out! There's one or two things +need explaining--see? What are those clothes?” + +Her wits! Perhaps he did not know as much as she was afraid he did! She +seemed to have become abnormally contained, her mind abnormally acute +and active. It was not likely that the woman, his wife, whom he believed +she was, had worn her own clothes in his presence since the day, some +two years ago, when she had adopted the disguise of Gypsy Nan; and she, +Rhoda Gray, remembered that on the night Gypsy Nan, re-assuming her true +personality, had gone to the hospital, the woman's clothes, like these +she held now, had been of dark material. It was not likely that a man +would be able to differentiate between those clothes and the clothes of +the White Moll, especially as the latter hung folded in her hands now, +and even though he had seen them on her at the Silver Sphinx last night. + +“What clothes do you suppose they are but my own?--though I haven't had +a chance to wear them much lately!” she countered crisply. + +He scowled at her speculatively. + +“What are you doing with them out here in this hole, then?” he demanded. + +“I had to wear them last night, hadn't I?” she retorted. “I'd have +looked well coming out of Gypsy Nan's garret dressed as myself if +any one had seen me!” She scowled at him in turn. She was beginning to +believe that he had not even an inkling of her identity. Her safest play +was to stake everything on that belief. “Say, what's the matter with +you?” she inquired disdainfully. “I came out here and changed last +night; and I changed into these rags I'm wearing now when I got back +again; and I left my own clothes here because I was expecting to get +word that I could put them on again soon for keeps--though I might have +known from past experience that something would queer the fine promises +you made at Matty's last night! And the reason I'm out here now is +because I left some things in the pocket, amongst them”--she stared at +him mockingly--“my marriage certificate.” + +Danglar's face blackened. + +“Curse you!” he burst out angrily. “When you get your tantrums on, +you've got a tongue, haven't you! You'd have been wearing your clothes +now, if you'd have done as you were told. You're the one that queered +things last night.” His voice was rising; he was rocking even more +unsteadily upon his feet. “Why in hell weren't you at the Silver +Sphinx?” + +Rhoda Gray squinted at him through Gypsy Nan's spectacles. She knew +an hysterical impulse to laugh outright in the sure consciousness of +supremacy over him now. The man had been drinking. He was by no means +drunk; but, on the other hand, he was by no means sober--and she was +certain now that, though she did not know how he had found her here in +the shed, not the slightest suspicion of her had entered his mind. + +“I was at the Silver Sphinx,” she announced coolly. + +“You lie!” he said hoarsely. “You weren't! I told you to be there at +eleven, and you weren't. You lie! What are you lying to me for--eh? I'll +find out, you--you--” + +Rhoda Gray dashed the clothes down on the floor at her feet, and faced +the man as though suddenly overcome in turn herself with passion, +shaking both closed fists at him. + +“Don't you talk to me like that, Pierre Danglar!” she shrilled. “I lie, +do I? Well, I'll prove to you I don't! You said you were going to have +supper with Cloran at about eleven o'clock, and perhaps I was a few +minutes after that, but maybe you think it's easy to get all this Gypsy +Nan stuff off me face and all, and rig up in my own clothes that I +haven't seen for so long it's a wonder they hold together at all. I lie, +do I? Well, just as I got to the Silver Sphinx, I saw a woman breaking +her neck to get down the steps with you after her. She jumped into the +automobile it was doped out I was to take, and you jumped into the other +one, and both beat it down the street. I thought you'd gone crazy. I was +afraid that Cloran would come out and recognize me, so I turned and ran, +too. The safest thing I could do was to get back into the Gypsy Nan +game again, and that's what I did. And I've been lying low ever since, +waiting to get word from some of you, and not a soul came near me. +You're a nice lot, you are! And now you come sneaking here and call me a +liar! How'd you get to this shed, anyway?” + +Danglar pushed his hand in a heavy, confused way across his eyes. + +“My God!” he said heavily. “So that's it, is it?” His voice became +suddenly conciliating in its tones. “Look here, Bertha, old girl, don't +get sore. I didn't understand, see? And there was a whole lot that +looked queer. We even lost the jewels at old Luertz's last night. Do you +know who that woman was? It was the White Moll! She led us a chase all +over Long Island, and--” + +“The White Moll!” ejaculated Rhoda Gray. And then her laugh, short and +jeering, rang out. The tables were turned. She had him on the defensive +now. “You needn't tell me I She got away again, of course! Why don't you +hire a detective to help you? You make me weary! So, it was the White +Moll, was it? Well, I'm listening--only I'd like to know first how you +got here to this shed.” + +“There's nothing in that!” he answered impatiently. “There's something +more important to talk about. I was coming over to the garret, and just +as I reached the corner I saw you go into the lane. I followed you; +that's all there is to that.” + +“Oh!” she sniffed. She stared at him for a moment. There was something +in which there was the uttermost of irony now, it seemed, in this +meeting between them. Last night she had striven to meet him alone, and +she had meant to devote to-night to the same purpose; and she was here +with him now, and in a place than which, in her wildest hopes, she +could have imagined one no better suited to the reckoning she would have +demanded and forced. And she was helpless, powerless to make use of it. +She was unarmed. Her revolver was gone. Without that to protect her, at +an intimation that she was the White Moll she would never leave the shed +alive. The spot would be quite as ideal under those circumstances +for him, as it would have been under other circumstances for her. She +shrugged her shoulders. Danglar's continued silence evidently invited +further comment on her part. “Oh!” she sniffed again. “And I suppose, +then, that you have been chasing the White Moll ever since last night at +eleven, and that's why you didn't get around sooner to allay my fears, +even though you knew I must be half mad with anxiety at the way things +broke last night. She'll have us down and out for keeps if you haven't +got brains enough to beat her. How much longer is this thing going on?” + +Danglar's little black eyes narrowed. She caught a sudden glint of +triumph in them. It was Danglar now who laughed. + +“Not much longer!” His voice was arrogant with malicious satisfaction. +“The luck had to turn, hadn't it? Well, it's turned! I've got the White +Moll at last!” + +She felt the color leave her face. It seemed as though something had +closed with an icy clutch upon her heart. She had heard aright, hadn't +she?--that he had said he had got the White Moll at last. And there was +no mistaking the mans s sinister delight in making that announcement. +Had she been premature, terribly premature, in assuring herself that her +identity was still safe as far as he was concerned? Did it mean that, +after all, he had been playing at cat-and-mouse with her, as she had at +first feared? + +“You--you've got the White Moll?” She forced the words from her lips, +striving to keep her voice steady and in control, and to infuse into it +an ironical incredulity. + +“Sure!” he said complacently. “The showdown comes to-night. In another +hour or so we'll have her where we want her, and--” + +“Oh!” She laughed almost hysterically in relief. “I thought so! You +haven't got her yet. You're only going to get her--in another hour or +so! You make me tired! It's always in 'another hour or so' with you--and +it never comes off!” + +Danglar scowled at her under the taunt. + +“It'll come off this time!” he snarled in savage menace. “You hold that +tongue of yours! Yes, it'll come off! And when it does”--a sweep of fury +sent the red into his working face--“I'll keep the promise I made her +once--that she'd wish she had never been born! D'ye hear, Bertha?” + +“I hear,” she said indifferently. “But would you mind telling me how you +are going to do it? I might believe you then--perhaps!” + +“Damn you, Bertha!” he exploded. “Sometimes I'd like to wring that +pretty neck of yours; and sometimes!”--he moved suddenly toward her--“I +would sell my soul for you, and--” + +She retreated from him coolly. + +“Never mind about that! This isn't a love scene!” she purred +caustically. “And as for the other, save it for the White Moll. What +makes you think you've got her at last?” + +“I don't think--I know.” He stood gnawing at his lips, eying her +uncertainly, half angrily, half hungrily. And then he shrugged his +shoulders. “Listen!” he said. “I've got some one else, too! And I know +now where the leak that's queered every one of our games and put the +White Moll wise to every one of our plans beforehand has come from. I +guess you'll believe me now, won't you? We've got that dude pal of +hers fastened up tighter than the night he fastened me with his cursed +handcuffs! Do you know who that same dude pal is?” He laughed in an +ugly, immoderate way. “You don't, of course, so I'll tell you. It's the +Pug!” Rhoda Gray did not answer. It was growing dark here in the shed +now--perhaps that was why the man's form blended suddenly into the +doorway and wall, and blurred before her. She tried to think, but there +seemed to have fallen upon her a numbed and agonized stupefaction. There +was no confusing this issue. Danglar had found out that the Adventurer +was the Pug. And it meant--oh, what did it mean? They would kill him. Of +course, they would kill him! The Adventurer, discovered, would be safer +at the mercy of a pack of starved pumas, and... + +“I thought that would hold you!” said Danglar with brutal serenity. +“That's why I didn't get around till now. I didn't get back from that +chase until daylight--the she-fiend stole our car--and then I went to +bed to get a little sleep. About three o'clock this afternoon Pinkie +Bonn woke me up. He was half batty with excitement. He said he was over +in the tenement in the Pug's room. The Pug wasn't in, and Pinkie was +waiting for him, and then all of a sudden he heard a woman screaming +like mad from somewhere. He went to the door and looked out, and saw +a man dash out of a room across the hall, and burst in the door of the +next room. There was a woman in there with her clothes on fire. She'd +upset a coal-oil stove, or something. The man Pinkie had seen beats the +fire out, and everybody in the tenement begins to collect around the +door. And then Pinkie goes pop-eyed. The man's face was the face of the +White Moll's dude pal--but he had on the Pug's clothes. Pinkie's a wise +guy. He slips away to me without getting himself in the limelight or +spilling any beans. And I didn't ask him if he'd been punching the +needle again overtime, either. It fitted like a glove with what happened +at old Luertz's last night. You don't know about that. Pinkie and this +double-crossing snitch went there--and only found a note from the White +Moll. He'd tipped her off before, of course, and the note made a nice +little play so's he'd be safe himself with us. Well, that's about all. +We had to get him--where we wanted him--and we got him. We waited until +he showed up again as the Pug, and then we put over a frame-up deal on +him that got him to go over to that old iron plant in Harlem, you know, +behind Jake Malley's saloon, where we had it fixed to hand Cloran his +last night--and the Pug's there now. He's nicely gagged, and tied, and +quite safe. The plant's been shut down for the last two months, and +there's only the watchman there, and he's 'squared.' We gave the Pug two +hours of solitary confinement to think it over and come across. We just +asked him for the White Moll's address, so's we could get her and the +sparklers she swiped at Old Luertz's place last night.” + +Still Rhoda Gray did not speak for a moment. She seemed to be held in +thrall by both terror and a sickening dismay. It did not seem real, +her surroundings here, this man, and the voice that was gloatingly +pronouncing the death sentence upon the man who had come unbidden into +her life, and into her heart, the man she loved. Yes, she understood! +Danglar's words had been plain enough. The Adventurer had been +trapped--not through Danglar's cunning, or lack of cunning on the +Adventurer's own part, but through force of circumstances that had +caused him to fling all thought of self-consideration to the winds in +an effort to save another's life. Her hands, hidden in the folds of her +skirt, clenched until they hurt. And it was another self, it seemed, +subconsciously enacting the role of Gypsy Nan, alias Danglar's wife, who +spoke at last. + +“You are a fool! You are all fools!” she cried tempestuously. “What do +you expect to gain by that? Do you imagine you can make the Pug come +across with any information by a threat to kill him if he doesn't? You +tried that once. You had him cold, or at least you thought you had, and +so did he, that night in old Nicky Viner's room, and he laughed at you +even when he expected you to fire the next second. He's not likely to +have changed any since then, is he?” + +“No,” said Danglar, with a vicious chuckle; “and that's why I'm not +trying the same game twice. That's why we've got him over in the old +iron plant now.” + +There was something she did not like in Danglar's voice, something of +ominous assurance, something that startled her. + +“What do you mean?” she demanded sharply. + +“It's a lonely place,” said Danglar complacently. “There's no one around +but the watchman, and he's an old friend of Shluker's; and it's so roomy +over there that no one could expect him to be everywhere at once. See? +That let's him out. He's been well greased, and he won't know anything. +Don't you worry, old girl! That's what I came here for--to tell you that +everything is all right, after all. The Pug will talk. Maybe he wouldn't +if he just had his choice between that and the quick, painless end that +a bullet would bring; but there are some things that a man can't stand. +Get me? We'll try a few of those on the Pug, and, believe me, before +we're through, there won't be any secrets wrapped up in his bosom.” + +Rhoda Gray stood motionless. Thank God it had grown dark--dark enough to +hide the whiteness that she knew had crept over her face, and the horror +that had crept into her eyes. “You mean”--her voice was very low--“you +mean you're going to torture him into talking?” + +“Sure!” said Danglar. “What do you think!” + +“And after that?” + +“We bump him off, of course,” said Danglar callously. “He knows all +about us, don't he? And I guess we'll square up on what's coming to him! +He's put the crimp into us for the last time!” Danglar's voice pitched +suddenly hoarse in fury. “That's a hell of a question to ask! What do +you think we'd do with a yellow cur that's double-crossed us like that?” + +Plead for the Adventurer's life? It was useless; it was worse than +useless--it would only arouse suspicion toward herself. From the +standpoint of any one of the gang, the Adventurer's life was forfeit. +Her mind was swift, cruelly swift, in its workings now. There came the +prompting to disclose her own identity to tell Danglar that he need not +go to the Adventurer to discover the whereabouts of the White Moll, that +she was here now before him; there came the prompting to offer herself +in lieu of the man she loved. But that, too, was useless, and worse than +useless; they would still do away with the Adventurer because he had +been the Pug, and the only chance he now had, as represented by whatever +she might be able to do, would be gone, since she would but have +delivered herself into their hands. + +She drew back suddenly. Danglar had stepped toward her. She was unable +to avoid him, and his arm encircled her waist. She shivered as the +pressure of his arm tightened. + +“It's all right, old girl!” he said exuberantly. “You've been through +hell, you have; but it's all right at last. You leave it to me! Your +husband's got a kiss to make up for every drop of that grease you've had +to put on the prettiest face in New York.” + +It seemed as though she must scream out. It was hideous. She could not +force herself to endure it another instant even for safety's safe. She +pushed him away. It was unbearable--at any risk, cost what it might. +Mind, soul and body recoiled from the embrace. + +“Leave me alone!” she panted. “You've been drinking. Leave me alone!” + +He drew back, and laughed. + +“Not very much,” he said. “The celebration hasn't started yet, and +you'll be in on that. I guess your nerves have been getting shaky +lately, haven't they? Well, you can figure on the swellest rest-cure you +ever heard of, Bertha. Take it from me! We're going down to keep the Pug +company presently. You blow around to Matty's about midnight and get the +election returns. We'll finish the job after that by getting Cloran +out of the road some way before morning, and that will let you out for +keeps--there won't be any one left to recognize the woman who was with +Deemer the night he shuffled out.” He backed to the doorway. “Get me? +Come over to Matty's and see the rajah's sparklers about midnight. We'll +have 'em then--and the she-fiend, too. So long, Bertha!” + +She scarcely heard him; she answered mechanically. + +“Good-night,” she said. + + + + +XIX. DREAD UPON THE WATERS + +For a moment after Danglar had gone, Rhoda Gray stood motionless; and +then, the necessity for instant action upon her, she moved quickly +toward the doorway herself. There was only one thing she could do, just +one; but she must be sure first that Danglar was well started on his +way. She reached the doorway, looked out--and suddenly caught her breath +in a low, quick inhalation, In the semi-darkness she could just make out +Danglar's form, perhaps twenty-five yards away now, heading along the +lane toward the street; but behind Danglar, at a well-guarded distance +in the rear, hugging the shadows of the fence, she saw the form of +another man. Her brows knitted in a perplexed and anxious frown. The +second man was undoubtedly following Danglar. That was evident. But why? +Who was it? What did it mean? + +She retreated back into the shed, and commenced hastily to disrobe and +dress again in her own clothes, which she had flung down upon the +floor. In the last analysis, did it matter who it was that was following +Danglar--even if it were one of the police? For, supposing that the man +who was shadowing Danglar was a plain-clothes man, and suppose he even +followed Danglar and the rest of the gang to the old iron plant, and +suppose that with the necessary assistance he rounded them all up, and +in that sense effected the Adventurer's rescue, it scarcely meant a +better fate for the Adventurer! It simply meant that the Adventurer, as +one of the gang, and against whom every one of the rest would testify as +the sole means left to them of wreaking their vengeance upon one who had +tricked and outwitted them again and again for his own ends, would stand +his trial with the others, and with the others go behind prison bars for +a long term of years. + +She hurried now, completing the last touches that transformed her from +Gypsy Nan into the veiled figure of the White Moll, stepped out into +the lane, and walking rapidly, reached the street and headed, not in the +direction of Harlem, but deeper over into the East Side. Even as Danglar +had been speaking she had realized that, for the Adventurer's own sake, +and irrespective of what any premature disclosure of her own identity +to the authorities might mean to her, she could not call upon the police +for aid. There was only one way, just one--to go herself, to reach the +Adventurer herself before Danglar returned there and had an opportunity +of putting his worse than murderous intentions into effect. + +Well, she was going there, wasn't she? And if she lost no time she +should be there easily ahead of them, and her chances would be excellent +of releasing the Adventurer with very little risk. From what Danglar +had said, the Adventurer was there alone. Once tied and gagged there had +been no need to leave anybody to guard him, save that the watchman would +ordinarily serve to keep any one off the premises, which was all that +was necessary. But that he had been left at all worried her greatly. He +had, of course, already refused to talk. What they had done to him she +did not know, but the 'solitary confinement' Danglar had referred to +was undoubtedly the first step in their efforts to break his spirit. Her +lips tightened as she went along. Surely she could accomplish it! She +had but to evade the watchman--only, first, the lost revolver, the one +safeguard against an adverse turn of fortune, must be replaced, and that +was where she was going now. She knew, from her associations with the +underworld as the White Moll in the old days, where such things could be +purchased and no questions asked, if one were known. And she was known +in the establishment to which she was going, for evil days had once +fallen upon its proprietor, one “Daddy” Jacques, in that he had incurred +the enmity of certain of his own ilk in the underworld, and on a certain +night, which he would not be likely to forget, she had stood between him +and a manhandling that would probably have cost him his life, and--Yes, +this was the place. + +She entered a dirty-windowed, small and musty pawnshop. A little old +man, almost dwarf-like in stature, with an unkempt, tawny beard, who +wore a greasy and ill-fitting suit, and upon whose bald head was perched +an equally greasy skull cap, gazed at her inquiringly from behind the +counter. + +“I want a gun, and a good one, please,” she said, after a glance around +her to assure herself that they were alone. + +The other squinted at her through his spectacles, as he shook his head. + +“I haven't got any, lady,” he answered. “We're not allowed to sell them +without--” + +“Oh, yes, you have, Daddy,” she contradicted quietly, as she raised her +veil. “And quick, please; I'm in a hurry.” + +The little old man leaned forward, staring at her for a moment as though +fascinated; and then his hand, in a fumbling way, removed the skull +cap from his bead. There was a curious, almost wistful reverence in his +voice as he spoke. + +“The White Moll!” he said. + +“Yes,” she smiled. “But the gun, Daddy. Quick! I haven't an instant to +lose.” + +“Yes, yes!” he said eagerly--and shuffled away. + +He was back in a moment, an automatic in his hand. + +“It's loaded, of course?” she said, as she took the weapon. She slipped +it into her pocket as he nodded affirmatively. “How much, Daddy?” + +“The White Moll!” He seemed still under the spell of amazement. “It is +nothing. There is no charge. It is nothing, of course.” + +“Thank you, Daddy!” she said softly--and laid a bill upon the counter, +and stepped back to the door. “Good-night!” she smiled. + +She heard him call to her; but she was already on the street again, +and hurrying along. She felt better, somehow, in a mental way, for that +little encounter with the shady old pawnbroker. She was not so much +alone, perhaps, as she had thought; there were many, perhaps, even if +they were of the underworld, who had not swerved from the loyalty they +had once professed to the White Moll. + +It brought a new train of thought, and she paused suddenly in her walk. +She might rally around her some of those underworld intimates upon whose +allegiance she felt she could depend, and use them now, to-night, in +behalf of the Adventurer; she would be sure then to be a match for +Danglar, no matter what turn affairs took. And then, with an impatient +shake of her head, she hurried on again. There was no time for that. It +would take a great deal of time to find and pick her men; she had even +wasted time herself, where there was no time to spare, in the momentary +pause during which she had given the thought consideration. + +She reached the nearest subway station, which was her objective, and +boarded a Harlem train, satisfied that her heavy veil would protect her +against recognition. Unobtrusively she took a window seat. No one paid +her any attention. Hours passed, it seemed to her impatience, while the +black walls rushed by, punctuated by occasional scintillating signal +lights, and, at longer intervals, by the fuller glare from the station +platforms. + +In the neighborhood of 125th street she left the train, and, entering +the first drug store she found, consulted a directory. She did not know +this section of New York at all; she did not know either the location or +the firm name of the iron plant to which Danglar, assuming naturally, of +course, that she was conversant with it, had referred; and she did not +care to ask to be directed to Jake Malley's saloon, which was the only +clew she had to guide her. The problem, however, did not appear to be +a very difficult one. She found the saloon's address, and, asking the +clerk to direct her to the street indicated, left the drug store again. + +But, after all, it was not so easy; no easier than for one unacquainted +with any locality to find one's way about. Several times she found +herself at fault, and several times she was obliged to ask directions +again. She had begun to grow panicky with fear and dread at the time she +had lost, before, finally, she found the saloon. She was quite sure that +it was already more than half an hour since she had left the drug store; +and that half an hour might easily mean the difference between safety +and disaster, not only for the Adventurer, but for herself as well. +Danglar might have been in no particular hurry, and he would probably +have gone first to whatever rendezvous he had appointed for those of the +gang selected to accompany him, but even to have done so in a leisurely +way would surely not have taken more than that half hour! + +Yes, that was Jake Malley's saloon now, across the road from her, but +she could not recall the time that was already lost! They might be there +now--ahead of her. + +She quickened her steps almost to a run. There should be no difficulty +in finding the iron plant now. “Behind Jake Malley's saloon,” Danglar +had said. She turned down the cross street, passed the side entrance to +the saloon, and hastened along. The locality was lonely, deserted, and +none too well lighted. The arc lamps, powerful enough in themselves, +were so far apart that they left great areas of shadow, almost +blackness, between them. And the street too was very narrow, and the +buildings, such as they were, were dark and unlighted--certainly it was +not a residential district! + +And now she became aware that she was close to the river, for the sound +of a passing craft caught her attention. Of course! She understood now. +The iron plant, for shipping facilities, was undoubtedly on the bank of +the river itself, and--yes, this was it, wasn't it?--this picket fence +that began to parallel the right-hand side of the street, and enclose, +seemingly, a very large area. She halted and stared at it--and suddenly +her heart sank with a miserable sense of impotence and dismay. Yes, this +was the place beyond question. Through the picket fence she could make +out the looming shadows of many buildings, and spidery iron structures +that seemed to cobweb the darkness, and--and--Her face mirrored her +misery. She had thought of a single building. Where, inside there, +amongst all those rambling structures, with little time, perhaps none at +all, to search, was she to find the Adventurer? + +She did not try to answer her own question--she was afraid that her +dismay would get the better of her if she hesitated for an instant. She +crossed the street, choosing a spot between two of the arc lamps where +the shadows were blackest. It was a high fence, but not too high to +climb. She reached up, preparatory to pulling herself to the top--and +drew back with a stifled cry. She was too late, then--already too late! +They were here ahead of her--and on guard after all! A man's form, +appearing suddenly out of the darkness but a few feet away, was making +quickly toward her. She wrenched her automatic from her pocket. The +touch of the weapon in her hand restored her self-control. + +“Don't come any nearer!” she cried out sharply. “I will fire if you do!” + +And then the man spoke. + +“It's you, ain't it?” he called in guarded eagerness. “It's the White +Moll, ain't it? Thank God, it's you!” + +Her extended hand with the automatic fell to her side. She had +recognized his voice. It wasn't Danglar, it wasn't one of the gang, or +the watchman who was no better than an accomplice; it was Marty Finch, +alias the Sparrow. + +“Marty!” she exclaimed. “You! What are you doing here?” + +“I'm here to keep you from goin' in there!” he answered excitedly. +“And--and, say, I was afraid I was too late. Don't you go in there! For +God's sake, don't you go! They're layin' a trap for you! They're goin' +to bump you off! I know all about it!” + +“You know? What do you mean?” she asked quickly. “How do you know?” + +“I quit my job a few days after that fellow you called Danglar tried +to murder me that night you saved me,” said the Sparrow, with a savage +laugh. “I knew he had it in for you, and I guess I had something comm' +to him on my own account too, hadn't I? That's the job I've been on +ever since--tryin' to find the dirty pup. And I found him! But it wasn't +until to-night, though you can believe me there weren't many joints in +the old town where I didn't look for him. My luck turned to-night. I +spotted him comin' out of Italian Joe's bar. See? I followed him. After +a while he slips into a lane, and from the street I saw him go into a +shed there. I worked my way up quiet, and got as near as I dared without +bein' heard and seen, and I listened. He was talkin' to a woman. I +couldn't hear everything they said, and they quarreled a lot; but I +heard him say something about framin' up a job to get somebody down to +the old iron plant behind Jake Malley's saloon and bump 'em off, and I +heard him say there wouldn't be any White Moll by morning, and I put two +and two together and beat it for here.” + +Rhoda Gray reached out and caught the Sparrow's hand. + +“Thank you, Marty! You haven't got it quite right--though, thank Heaven, +you got it the way you did, since you are here now!” she said fervently. +“It wasn't me, it wasn't the White Moll, they expected to get here; it's +the man who helped me that night to clear you of the Hayden-Bond robbery +that Danglar meant to make you shoulder. He risked his life to do it, +Marty. They've got him a prisoner somewhere in there; and they're +coming back to--to torture him into telling them where I am, and--and +afterwards to do away with him. That's why I'm here, Marty--to get him +away, if I can, before they come back.” + +The Sparrow whistled low under his breath. + +“Well, then, I guess it's my hunt too,” he said coolly. “And I guess +this is where a prison bird horns in with the goods. Ever since +I've been looking for that Danglar guy, I've been carryin' a full +kit--because I didn't know what might break, or what kind of a mess +I might want to get out of. Come on! We ain't got no time. There's +a couple of broken pickets down there. We might be seen climbin' the +fence. Come on!” + +Bread upon the waters! With a sense of warm gratitude upon her, Rhoda +Gray followed the ex-convict. They made their way through the fence. +A long, low building, a storage shed evidently, showed a few yards in +front of them. It seemed to be quite close to the river, for now she +could see the reflection of lights from here and there playing on the +black, mirror-like surface of the water. Farther on, over beyond the +shed, the yard of the plant, dotted with other buildings and those +spidery iron structures which she had previously noticed, stretched away +until it was lost in the darkness. Here, however, within the radius of +one of the street arc lamps it was quite light. + +Rhoda Gray had paused in almost hopeless indecision as to how or where +to begin her search, when the Sparrow spoke again. + +“It looks like we got a long hunt,” whispered the Sparrow; “but a few +minutes before you came, a guy with a lantern comes from over across the +yard there and nosed around that shed, and acted kind of queer, and I +could see him stick his head up against them side doors there as +though he was listenin' for something inside. Does that wise you up to +anything?” + +“Yes!” she breathed tensely. “That was the watchman. He's one of them. +The man we want is in that shed beyond a doubt. Hurry, Marty--hurry!” + +They ran together now, and reached the double side-door. It was +evidently for freight purposes only, and probably barred on the inside, +for they found there was no way of opening it from without. + +“There must be an entrance,” she said feverishly--and led the way toward +the front of the building in the direction away from the river. “Yes, +here it is!” she exclaimed, as they rounded the end of the shed. + +She tried the door. It was locked. She felt in her pocket for her +skeleton keys, for she had not been unprepared for just such an +emergency, but the Sparrow brushed her aside. + +“Leave it to me!” he said quickly. “I'll pick that lock like one +o'clock! It won't take me more'n a minute.” + +Rhoda Gray did not stand and watch him. Minutes were priceless things, +and she could put the minute he asked for to better advantage than by +idling it away. With an added injunction to hurry and that she would be +back in an instant, she was already racing around the opposite side of +the shed. If they were pressed, cornered, by the arrival of Danglar, it +might well mean the difference between life and death to all of them if +she had an intimate knowledge of the surroundings. + +She was running at top speed. Halfway down the length of the shed she +tripped and fell over some object. She pushed it aside as she rose. It +was an old iron casting, more bulky in shape than in weight, though +she found it none too light to lift comfortably. She ran on. A wharf +projected out, she found, from this end of the shed. At the edge, she +peered over. It was quite light here again; away from the protecting +shadows of the shed, the rays of the arc lamp played without hindrance +on the wharf just as they did on the shed's side door. Below, some +ten or twelve feet below, and at the corner of the wharf, a boat, or, +rather, a sort of scow, for it was larger than a boat though oars lay +along its thwarts, was moored. It was partly decked over, and she could +see a small black opening into the forward end of it, though the opening +itself was almost hidden by a heap of tarpaulin, or sailcloth, or +something of the kind, that lay in the bottom of the craft. She nodded +her head. They might all of them use that boat to advantage! + +Rhoda Gray turned and ran back. The Sparrow, with a grunt of +satisfaction, was just opening the door. She stepped through the +doorway. The Sparrow followed. + +“Close it!” said Rhoda Gray, under her breath. She felt her heart beat +quicken, the blood flood her face and then recede. Her imagination had +suddenly become too horribly vivid. Suppose they--they had already gone +farther than... + +With an effort she controlled herself--and the round, white ray of her +flashlight swept the place. A moment more, and, with a low cry, she +was running forward to where, on the floor near the wall of the shed +opposite the side door, she made out the motionless form of a man. She +reached him, and dropped on her knees beside him. It was the Adventurer. +She spoke to him. He did not answer. And then she remembered what +Danglar had said, and she saw that he was gagged. But--but she was not +sure that was the reason why he did not answer. The flashlight in her +hand wavered unsteadily as it played over him. Perhaps the whiteness of +the ray itself exaggerated it, but his face held a deathly pallor; +his eyes were closed; and his hands and feet were twisted cruelly and +tightly bound. + +“Give me your knife--quick--Sparrow!” she called. “Then go and keep +watch just outside.” + +The Sparrow handed her his knife, and hurried back to the door. + +She worked in the darkness now. She could not use both hands and still +hold the flashlight; and, besides, with the door partially open now +where the Sparrow was on guard there was always the chance, if Danglar +and those of the gang with him were already in the vicinity, of the +light bringing them all the more quickly to the scene. + +Again she spoke to the Adventurer, as she removed the gag--and a fear +that made her sick at heart seized up on her. There was still no answer. +And now, as she worked, cutting at the cords on his hands and feet, the +love that she knew for the man, its restraint broken by the sense of +dread and fear at his condition, rose dominant within her, and impulse +that she could not hold in least took possession of her, and in the +darkness, since he would not know, and there was none to see, she bent +her head, and, half crying, her lips pressed upon his forehead. + +She drew back startled, a crimson in her face that the darkness hid. +What had she done? Did he know? Had he returned to consciousness, if he +really had been unconscious, in time to know? She could not see; but she +knew his eyes had opened. + +She worked frantically with the bonds. He was free now. She cast them +off. + +He spoke then--thickly, with great difficulty. + +“It's you, the White Moll, isn't it?” + +“Yes,” she answered. + +He raised himself up on his elbow, only to fall back with a suppressed +groan. + +“I don't know how you found me, but get away at once--for God's sake, +get away!” he cried. “Danglar'll be here at any minute. It's you he +wants. He thinks you know where some--some jewels are, and that I--I--” + +“I know all about Danglar,” she said hurriedly. “And I know all about +the jewels, for I've got them myself.” + +He was up on his knees now, swaying there. She caught at his shoulder to +support him. + +“You!” he cried out incredulously. “You--you've got them? Say that +again! You--you've--” + +“Yes,” she said, and with an effort steadied her voice. He--he was +a thief. Cost her what it might, with all its bitter hurt, she must +remember that, even--even if she had forgotten once. “Yes,” she said. +“And I mean to turn them over to the police, and expose every one of +Danglar's gang. I--you are entitled to a chance; you once stood between +me and the police. I can do no less by you. I couldn't turn the police +loose on the gang without giving you warning, for, you see, I know you +are the Pug.” + +“Good God!” he stammered. “You know that, too?” + +“Try and walk,” she said breathlessly. “There isn't any time. And once +you are away from here, remember that when Danglar is in the hands of +the police he will take the only chance for revenge he has left, and +give the police all the information he can, so that they will get you +too.” + +He stumbled pitifully. + +“I can't walk much yet.” He was striving to speak coolly. “They trussed +me up a bit, you know--but I'll be all right in a little while when I +get the cramps out of my joints and the circulation back. And so, Miss +Gray, won't you please go at once? I'm free now, and I'll manage all +right, and--” + +The Sparrow came running back from the door. + +“They're comm'!” he said excitedly. “They're comm' from a different way +than we came in. I saw 'em sway up there across the yard for a second +when they showed up under a patch of light from an arc lamp on the other +street. There's three of 'em. We got about a couple of minutes, and--” + +“Get those side doors open! Quick! And no noise!”' ordered Rhoda Gray +tersely. And then to the Adventurer: “Try--try and walk! I'll help you.” + +The Adventurer made a desperate attempt at a few steps. It was miserably +slow. At that rate Danglar would be upon them before they could even +cross the shed itself. + +“I can crawl faster,” laughed the Adventurer with bitter whimsicality. +“Give me your revolver, Miss Gray, and you two go--and God bless you!” + +The Sparrow was opening the side door, but she realized now that even +if they could carry the Adventurer they could not get away in time. +Her mind itself seemed stunned for an instant--and then, in a lightning +flash, inspiration came. She remembered that iron casting, and the +wharf, and the other side of the shed in shadow. It was desperate, +perhaps almost hopeless, but it was the only way that gave the +Adventurer a chance for his life. + +She spoke rapidly. The little margin of time they had must be narrowing +perilously. + +“Marty, help this gentleman! Crawl to the street, if you have to. The +only thing is that you are not to make the slightest noise, and--” + +“What are you going to do?” demanded the Adventurer hoarsely. + +“I'm going to take the only chance there is for all of us,” she +answered. + +She started toward the front door of the shed; but he reached out and +held her back. + +“You are going to take the only chance there is for me!” he cried +brokenly. “You're going out there--where they are. Oh, my God! I know! +You love me! I--I was only half conscious, but I am sure you kissed me +a little while ago. And but for this you would never have known that I +knew it, because, please God, whatever else I am, I am not coward enough +to take that advantage of you. But I love you, too! Rhoda! I have the +right to speak, the right our love gives me. You are not to go--that +way. Run--run through the side door there--they will not see you.” + +She was trembling. Repudiate her love? Tell him there could be nothing +between them because he was a thief? She might never live to see him +again. Her soul was in riot, the blood flaming hot in her cheeks. He was +clinging to her arm. She tore herself forcibly away. The seconds were +counting now. She tried to bid him good-by, but the words choked in her +throat. She found herself running for the front door. + +“Sparrow--quick! Do as I told you!” she half sobbed over her +shoulder--and opening the door, stepped out and dosed it behind her. + + + + +XX. A LONE HAND + +And now Rhoda Gray was in the radius of the arc lamp, and distinctly +visible to any one coming down the yard. How near were they? Yes, she +saw them now--three forms-perhaps a little more than a hundred yards +away. She moved a few steps deliberately toward them, as though quite +unconscious of their presence; and then, as a shout from one of them +announced that she was seen, she halted, hesitated as though surprised, +terrified and uncertain, and, as they sprang forward, she turned and +ran--making for the side of the shed away from the side door. + +A voice rang out--Danglar's: + +“By God, it's the White Moll!” + +It was the only way! She had the pack in cry now. They would pay no +attention to the Adventurer while the White Moll was seemingly almost +within their grasp. If she could only hold them now for a little +while--just a little while--the Adventurer wasn't hurt--only cramped and +numbed--he would be all right again and able to take care of himself in +a little while--and meanwhile the Sparrow would help him to get away. + +She was running with all her speed. She heard them behind her--the +pound, pound, pound of feet. She had gained the side of the shed. The +light from the arc lamp was shut off from her now, and they would only +be able to see her, she knew, as a dim, fleeting shadow. Where was that +iron casting? Pray God, it was heavy enough; and pray God, it was not +too heavy! Yes, here it was! She pretended to stumble--and caught the +thing up in her arms. An exultant cry went up from behind her as she +appeared to fall--oaths, a chorus of them, as she went on again. + +They had not gained on her before; but with the weight in her arms, +especially as she was obliged to carry it awkwardly in order to shield +it from their view with her body, she could not run so fast now, and +they were beginning to close up on her. But she was on the wharf now, +and there was not much farther to go, and--and surely she could hold all +the lead she needed until she reached the edge. + +The light from the arc lamp held her in view again out here on the wharf +where she was clear of the shed; but she knew they would not fire at her +except as a last resort. They could not afford to sound an alarm that +would attract notice to the spot--when they had, or believed they had, +both the Adventurer and the White Moll within their grasp now. + +She was running now with short, hard, panting gasps. There were still +five yards to go-three-one! She looked around her like a hunted animal +at bay, as she reached the end of the wharf and stood there poised at +the edge. Yes, thank God, they were still far enough behind to give her +the few seconds she needed! She cried out loudly as though in despair +and terror--and sprang from the edge of the wharf. And as she sprang she +dropped the casting; but even as it struck the water with a loud +splash, Rhoda Gray, in frantic haste, was crawling in through the little +locker-like opening under the decked-over bow of the half scow, half +boat into which she had leaped. And quick as a flash, huddled inside, +she reached out and drew the heap of what proved to be sailcloth nearer +to her to cover the opening-and lay still. + +A few seconds passed; then she heard them at the edge of the wharf, and +heard Danglar s voice. + +“Watch where she comes up! She can't get away!” + +A queer, wan smile twisted Rhoda Gray's lips. The casting had served her +well; the splash had been loud enough! She listened, straining her ears +to catch every sound from above. It was miserably small this hiding +place into which she had crawled, scarcely large enough to hold her--she +was beginning to be painfully cramped and uncomfortable already. + +Another voice, that she recognized as Pinkie Bonn's now, reached her: + +“It's damned hard to spot anything out there; the water's blacker'n +hell.” + +Came a savage and impatient oath from Danglar. + +“She's got to come up, ain't she--or drown!” he rasped. “Maybe she's +swum under the wharf, or maybe she's swum under water far enough out +so's we can't see her from here. Anyway, jump into that boat there, and +we'll paddle around till we get her.” + +Rhoda Gray held her breath. The boat rocked violently as, one after +another, the men jumped into it. Her right hand was doubled under her, +it was hard to reach her pocket and her automatic. She moved a little; +they were cursing, splashing with their oars, making too much noise to +hear any slight rustle that she might make. + +A minute, two, went by. She had her automatic now, and she lay there, +grim-lipped, waiting. Even if they found her now, she had her own way +out; and by now, beyond any question, the Adventurer and the Sparrow +would have reached the street, and, even if they had to hide out there +somewhere until the Adventurer had recovered the use of his limbs, they +would be safe. + +She could not see, of course. Once the boat bumped, and again. They were +probably searching around under the wharf. She could not hear what they +said, for they were keeping quiet now, talking in whispers--so as not to +give her warning of their whereabouts undoubtedly! + +The time dragged on. Her cramped position was bringing her excruciating +agony now. She could understand how the Adventurer, in far worse case +in the brutal position in which they had bound him, had fainted. She +was afraid she would faint herself--it was not only the pain, but it was +terribly close in the confined space, and her head was swimming. + +Occasionally the oars splashed; and then, after an interminable time, +the men, as though hopeless of success, and as though caution were no +longer of any service, began to talk louder. + +The third man was Shluker. She recognized his voice, too. + +“It's no use!” he snarled. “If she's a good swimmer, she could get +across the river easy. She's got away; that's sure. What the hell's +the good of this? We're playing the fool. Beat it back! She was nosing +around the shed. How do we know she didn't let the Pug loose before we +saw her?” + +Pinkie Bonn whined: + +“If he's gone too, we're crimped! The whole works is bust up! The Pug +knows everything, where our money is, an' everything. They'll have us +cold!” + +“Close your face, Pinkie!” It was Danglar speaking, his voice hoarse +with uncontrollable rage. “Go on back, then, Shluker. Quick!” + +Rhoda Gray heard the hurried splashing of the oars now; and presently +she felt the bumping of the boat against the wharf, and its violent +rocking as the men climbed out of it again. But she did not move--save +with her hand to push the folds of sailcloth a cautious inch or two away +from the opening. It did not ease the agony she was suffering from +her cramped position, but it gave her fresher air, and she could hear +better--the ring of their boot-heels on the wharf above, for instance. + +The footsteps died away. There was silence then for a moment; and then, +faintly, from the direction of the shed, there came a chorus of baffled +rage and execration. She smiled a little wearily to herself. It was all +right. That was what she wanted to know. The Adventurer had got away. + +Still she lay there. She dared not leave the boat yet; but she could +change her position now. She crawled half out from under the docking, +and lay with her head on the sailcloth. It was exquisite relief! They +could not come back along the wharf without her hearing them, and she +could retreat under the decking again in an instant, if necessary. + +Voices reached her now occasionally from the direction of the shed. +Finally a silence fell. The minutes passed--ten--fifteen--twenty of +them. And then Rhoda Gray climbed warily to the wharf, made her way +warily past the shed, and gained the road--and three-quarters of an hour +later, in another shed, in the lane behind the garret, she was changing +quickly into the rags of Gypsy Nan again. + +It was almost the end now. To-night, she would keep the appointment +Danglar had given her--and keep it ahead of time. It was almost the end. +Her lips set tightly. The Adventurer had been warned. There was nothing +now to stand in the way of her going to the police, save only the +substantiation of that one point in her own story which Danglar must +supply. + +Her transformation completed, she reached in under the flooring and +took out the package of jewels--they would help very materially when she +faced Danglar!--and, though it was somewhat large, tucked it inside +her blouse. It could not be noticed. The black, greasy shawl hid it +effectively. + +She stepped out into the lane, and from there to the street, and began +to make her way across town. She did not have to search for Danglar +to-night. She was to meet him at Matty's at midnight, and it was not +more than halfpast eleven now. Three hours and a half! Was that all +since at eight o'clock, as nearly as she could place it, he had left +her in the lane? It seemed as many years; but it was only twenty minutes +after eleven, she had noticed, when she had left the subway on her +return a few minutes ago. Her hand clenched suddenly. She was to meet +him at Matty's--and, thereafter, if it took all night, she would not +leave him until she had got him alone somewhere and disclosed herself. +The man was a coward in soul. She could trust to the effect upon him of +an automatic in the hands of the White Mall to make him talk. + +Rhoda Gray walked quickly. It was not very far. She turned the corner +into the street where Danglar's deformed brother, Matty, cloaked the +executive activities of the gang with his cheap little notion store--and +halted abruptly. The store was just ahead of her, and Danglar himself, +coming out, had just closed the door. + +He saw her, and stepping instantly to her side, grasped her arm roughly +and wheeled her about. + +“Come on!” he said--and a vicious oath broke from his lips. + +The man was in a towering, ungovernable passion. She cast a furtive +glance at his face. She had seen him before in anger; but now, with his +lips drawn back and working, his whole face contorted, he seemed utterly +beside himself. + +“What's the matter?” she inquired innocently. “Wouldn't the Pug talk, or +is it a case of 'another hour or so,' and--” + +He swung on her furiously. + +“Hold your cursed tongue!” he flared. “You'll snicker on the wrong side +of your face this time!” He gulped, stared at her threateningly, and +quickened his step, forcing her to keep pace with him. But he spoke +again after a minute, savagely, bitterly, but more in control of +himself. “The Pug got away. The White Moll queered us again. But it's +worse than that. The game's up! I told you to be here at midnight. It's +only half past eleven yet. I figured you would still be over in the +garret, and I was going there for you. That's where we're going now. +There's no chance at those rajah's jewels now; there's no chance of +fixing Cloran so's you can swell it around in the open again--the only +chance we've got is to save what we can and beat it!” + +She did not need to simulate either excitement or disquiet. + +“What is it? What's happened?” she asked tensely. + +“The gang's thrown us down!” he said between his teeth. “They're scared; +they've got cold feet--they're going to quit. Shluker and Pinkie were +with me at the iron plant. We went back to Matty's from there. Matty's +with them, too. They say the Pug knows every one of us, and every game +we've pulled, and that in revenge for our trying to murder him he'll +wise up the police--that he could do it easily enough without getting +nipped himself, by sending them a letter, or even telephoning the names +and addresses of the whole layout. They're scared--he curs! They say +he knows where all our coin is too; and they're for splitting it up +to-night, and ducking it out of New York for a while to get under +cover.” He laughed out suddenly, raucously. “They will--eh? I'll show +them--the yellow-streaked pups! They wouldn't listen to me--and it meant +that you and I were thrown down for fair. If we're caught, it's the +chair. I'll show them! When I saw it wasn't any use trying to get them +to stick, I pretended to agree with them. See? I said they could go +around and dig up the rest of the gang, and if the others felt the +same way about it, they were all to come over to the garret, and I'd be +waiting for them,--and we'd split up the swag, and everybody'd be on his +own after that.” Again he laughed out raucously. “It'll take them half +an hour to get together--but it won't take that long for us to grab all +that's worth grabbing out of that trap-door, and making our getaway. +See? I'll teach them to throw Pierre Danglar down! Come on, hurry!” + +“Sure!” she mumbled mechanically. + +Her mind was sifting, sorting, weighing what he had said. She was not +surprised. She remembered Pinkie Bonn's outburst in the boat. She walked +on beside Danglar. The man was muttering and cursing under his breath. +Well, why shouldn't she appear to fall in with his plans? Under what +choicer surroundings could she get him alone than in the garret? And +half an hour would be ample time for her, too! Yes, yes, she began to +see! With Danglar, when she had got what she wanted out of him herself, +held up at the point of her automatic, she could back to the door and +lock him in there--and notify the police--and the police would not only +get Danglar and the ill-gotten hoard hidden in the ceiling behind that +trap-door, but they would get all the rest of the gang as the latter +in due course appeared on the scene. Yes, why not? She experienced an +exhilaration creeping upon her; she even increased, unconsciously, the +rapid pace which Danglar had set. + +“That's the stuff!” he grunted in savage approval. “We need every minute +we've got.” + +They reached the house where once--so long ago now, it seemed!--Rhoda +Gray had first found the original Gypsy Nan; and, Danglar leading, +mounted the dark, narrow stairway to the hall above, and from there up +the short, ladder-like steps to the garret. He groped in the aperture +under the partition for the key, opened the door, and stepped inside. +Rhoda Gray, following, removed the key, inserted it on the inside of +the door, and, as she too entered, locked the door behind her. It was +pitch-black here in the attic. Her face was set now, her lips firm. She +had been waiting for this, hadn't she? It was near the end at last. +She had Danglar--alone. But not in the darkness! He was too tricky! She +crossed the garret to where the candle-stub, stuck in the neck of the +gin bottle, stood on the rickety washstand. + +“Come over here and light the candle,” she said. “I can't find my +matches.” + +Her hand was in the pocket of her skirt now, her fingers tight-closed on +the stock of her automatic, as he shuffled his way across the attic to +her side. A match spurted into flame; the candle wick flickered, then +steadied, dispersing little by little, as it grew brighter, the nearer +shadows--and there came a startled cry from Danglar--and Rhoda Gray, the +weapon in her pocket forgotten, was staring as though stricken of her +senses across the garret. The Adventurer was sitting on the edge of +the cot, and a revolver in his hand held a steady bead upon Danglar and +herself.. + + + + +XXI. THE RECKONING + +It was the Adventurer who spoke first. + +“Both of you! What charming luck!” he murmured whimsically. “You'll +forgive the intrusion won't you? A friend of mine, the Sparrow by +name--I think you are acquainted with him, Danglar--was good enough +to open the door for me, and lock it again on the outside. You see, I +didn't wish to cause you any alarm through a premature suspicion that +you might have a guest!” His voice hardened suddenly as he rose from the +cot, and, though he limped badly, stepped quickly toward them. “Don't +move, Danglar--or you, Mrs. Danglar!” he ordered sharply--and with a +lightning movement of his hand felt for, and whipped Danglar's revolver +from the latter's pocket. “Pardon me!” he said--and his hand was in and +out of Rhoda Gray's pocket. He tossed the two weapons coolly over onto +the cot. “Well, Danglar,” he smiled grimly, “there's quite a change in +the last few hours, isn't there?” + +Danglar made no answer. His face was ashen; his little black eyes, like +those of a cornered rat, and as though searching for some avenue of +escape, were darting hunted glances all around the garret. + +Rhoda Gray, the first shock of surprise gone, leaned back against the +washstand with an air of composure that she did not altogether feel. +What was the Adventurer going to do? True, she need have no fear of +personal violence--she had only to disclose herself. But--but there were +other considerations. She saw that reckoning of her own with Danglar at +an end, though--yes!--perhaps the Adventurer would become her ally in +that matter. But, then, there was something else. The Adventurer was +a thief, and she could not let him get away with those packages of +banknotes up there behind the trap-door in the ceiling, if she could +help it. That was perhaps what he had come for, and--and--Her mind +seemed to tumble into chaos. She did not know what to do. She stared at +the Adventurer. He was still dressed as the Pug, though the eye-patch +was gone, and there was no longer any sign of the artificial facial +disfigurements. + +The Adventurer spoke again. + +“Won't you sit down--Mrs. Danglar?” He pushed the single chair the +garret possessed toward her--and shrugged his shoulders as she +remained motionless. “You'll pardon me, then, if I sit down myself.” + He appropriated the chair, and faced them, his revolver dangling +with ominous carelessness in his hand. “I've had a rather upsetting +experience this evening, and I am afraid I am still a little the worse +for it--as perhaps you know, Danglar?” + +“You damned traitor!” Danglar burst out wildly. “I--I--” + +“Quite so!” said the Adventurer smoothly. “But we'll get to that in a +minute. Do you mind if I inflict a little story on you? I promise you +it won't take long. It's a little personal history which I think will +be interesting to you both; but, in any case, as my hosts, I am sure you +will be polite enough to listen. It concerns the murder of a man named +Deemer; but in order that you may understand my interest in the matter, +I must go back quite a little further. Perhaps I even ought to introduce +myself. My name, my real name, you know, is David Holt. My father was +in the American Consular service in India when I was about ten. He +eventually left it and went into business there through the advice of a +very warm friend of his, a certain very rich and very powerful rajah +in the State of Chota Nagpur in the Province of Bengal, where we then +lived. I became an equally intimate friend of the rajah's son, and--do I +bore you, Danglar?” + +Danglar was like a crouched animal, his head drawn into his shoulders, +his hands behind him with fingers twisting and gripping at the edge of +the washstand. + +“What's your proposition?” he snarled. “Curse you, name your price, and +have done with it! You're as big a crook as I am!” + +“You are impatient!” The Adventurer's shoulders went up again. “In due +time the rajah decided that a trip through Europe and back home through +America would round out his son's education, and broaden and fit him for +his future duties in a way that nothing else would. It was also decided, +I need hardly say to my intense delight, that I should accompany him. +We come now to our journey through the United States--you see, Danglar, +that I am omitting everything but the essential details. In a certain +city in the Middle West--I think you will remember it well, Danglar--the +young rajah met with an accident. He was out riding in the outskirts of +the city. His horse took fright and dashed for the river-bank. He was an +excellent horseman, but, pitched from his seat, his foot became tangled +in the stirrup, and as he hung there head down, a blow from he horse's +hoof rendered him unconscious, and he was being dragged along, when +a man by the name of Deemer, at the risk of his own life, saved the +rajah's son. The horse plunged over the bank and into the water with +both of them. They were both nearly drowned. Deemer, let me say in +passing, did one of the bravest things that any man ever did. Submerged, +half drowned himself, he stayed with the maddened animal until he had +succeeded in freeing the unconscious man. All this was some two years +ago.” + +The Adventurer paused. + +Rhoda Gray, hanging on his words, was leaning tensely forward--it seemed +as though some great, dawning wonderment was lifting her out of herself, +making her even unconscious of her surroundings. + +“The rajah's son remained at the hotel there for several days to +recuperate,” continued the Adventurer deliberately; “and during that +time he saw a great deal of Deemer, and, naturally, so did I. And, +incidentally, Danglar, though I thought nothing much of it then, I saw +something of you; and something of Mrs. Danglar there, too, though--if +she will permit me to say it--in a more becoming costume than she is now +wearing!” Once more he shrugged his shoulders as Danglar snarled. “Yes, +yes; I will hurry. I am almost through. While it was not made public +throughout the country, inasmuch as the rajah's son was more or less an +official guest of the government, the details of the accident were of +course known locally, as also was the fact that the young rajah in token +of his gratitude had presented Deemer with a collection of jewels of +almost priceless worth. We resumed our journey; Deemer, who was a man in +very moderate circumstances, and who had probably never had any means +in his life before, went to New York, presumably to have his first real +holiday, and, as it turned out, to dispose of the stones, or at least +a portion of them. When we reached the coast we received two advices +containing very ill news. The first was an urgent message to return +instantly to India on account of the old rajah's serious illness; the +second was to the effect that Deemer had been murdered by a woman in New +York, and that the jewels had been stolen.” + +Again the Adventurer paused, and, eying Danglar, smiled--not pleasantly. + +“I will not attempt to explain to you,” he went on, “the young rajah's +feelings when he heard that the gift he had given Deemer in return for +his own life had cost Deemer his. Nor will I attempt to explain the +racial characteristics of the people of whom the young rajah was +one, and who do not lightly forget or forgive. But an eye for an eye, +Danglar--you will understand that. If it cost all he had, there should +be justice. He could not stay himself; and so I stayed-because he made +me swear I would, and because he made me swear that I would never allow +the chase to lag until the murderers were found. + +“And so I came East again. I remembered you, Danglar--that on several +occasions when I had come upon Deemer unawares, you, sometimes +accompanied by a woman, and sometimes not, had been lurking in the +background. I went to Cloran, the house detective at the hotel here in +New York where Deemer was murdered. He described the woman. She was the +same woman that had been with you. I went to the authorities and showed +my credentials, with which the young rajah had seen to it I was supplied +from very high sources indeed. I did not wish to interfere with the +authorities in their handling of the case; but, on the other hand, I had +no wish to sit down idly and watch them, and it was necessary therefore +that I should protect myself in anything I did. I also made myself +known to one of New York's assistant district attorneys, who was an old +friend of my father's. And then, Danglar, I started out after you. + +“I discovered you after about a month; then I wormed myself into your +gang as the Pug. That took about a year. I was almost another year with +you as an accepted member of the gang. You know what happened +during that period. A little while ago I found out that the woman we +wanted--with you, Danglar--was your wife, living in hiding in this +garret as Gypsy Nan. But the jewels themselves were still missing. +To-night they are not. A--a friend of mine, one very much misjudged +publicly, I might say, has them, and has told me they would be handed to +the police. + +“And so, Danglar, after coming here to-night, I sent the Sparrow out +to gather together a few of the authorities who are interested in the +case--my friend the assistant district attorney; Cloran, the house +detective; Rough Rorke of headquarters, who on one occasion was very +much interested in Gypsy Nan; and enough men to make the round of +arrests. They should be conveniently hidden across the road now, and +waiting for my signal. My idea, you see, was to allow Mrs. Danglar to +enter here without having her suspicions aroused, and to see that +she did not get away again if she arrived before those who are duly +qualified--which I am not--to arrest her did; also, in view of what +transpired earlier this evening, I must confess I was a little anxious +about those several years' accumulation of stolen funds up there in the +ceiling. As I said at the beginning, I hardly expected the luck to get +you both at the same time; though we should have got you, Danglar, and +every one of the rest of the gang before morning, and--” + +“You,” Rhoda Gray whispered, “you--are not a thief!” Brain and soul +seemed on fire. It seemed as though she had striven to voice those +words a dozen times since he had been speaking, but that she had been +afraid--afraid that this was not true, this great, wonderful thing, that +it could not be true. “You--you are not a--a thief!” + +The Adventurer's face lost its immobility. He half rose from his chair, +staring at her in a startled way--but it was Danglar now who spoke. + +“It's a lie!” he screamed out. “It's a lie!” The man's reason appeared +to be almost unhinged; a mad terror seemed to possess him. “It's all a +lie! I never heard of this rajah bunk before in my life! I never heard +of Deemer, or any jewels before. You lie! I tell you, you lie! You can't +prove it; you can't--” + +“But I can,” said Rhoda Gray in a low voice. The shawl fell from her +shoulders; from her blouse she took the package of jewels and held them +out to the Adventurer. “Here are the stones. I got them from where you +had put them in old Luertz's room. I was hidden there all the time last +night.” She was removing her spectacles and her wig of tangled gray hair +as she spoke, and now she turned her face full upon Danglar. “I heard +you discuss Deemer's murder with your brother last night, and plan to +get rid of Cloran, who you thought was the only existing witness you +need fear, and--” + +“Great God!” The Adventurer cried out. “You--Rhoda! The White Moll! I--I +don't understand, though I can see you are not the woman who originally +masqueraded as Gypsy Nan, for I knew her, as I said, by sight.” + +He was on his feet now, his face aflame with a great light. He took a +step toward her. + +“Wait!” she said hurriedly. She glanced at Danglar. The man's face was +blanched, his body seemed to have shriveled up, and there was a light +in his eyes as they held upon her that was near to the borderland of +insanity. “That night at Skarbolov's!” she said, and tried to hold her +voice in control. “Gypsy Nan, this man's wife, died that night in the +hospital. I had found her here sick, and I had promised not to divulge +her secret. I helped her get to the hospital. She was dying; she was +penitent in a way; she wanted to prevent a crime that she said was to be +perpetrated that night, but she would not inform on her accomplices. She +begged me to forestall them, and return the money anonymously the next +day. That was the choice I had--either to allow the crime to be carried +out, or else swear to act alone in return for the information that would +enable me to keep the money away from the thieves without bringing the +police into it. I--I was caught. You--you saved me from Rough Rorke, but +he followed me. I put on Gypsy Nan's clothes, and managed to outwit +him. I had had no opportunity to return the money, which would have been +proof of my innocence; the only way I could prove it, then, was to try +and find the authors of the crime myself. I--I have lived since then as +Gypsy Nan, fighting this hideous gang of Danglar's here to try and save +myself, and--and to-night I thought I could see my way clear. I--I knew +enough at last about this man to make him give me a written statement +that it was a pre-arranged plan to rob Skarbolov. That would +substantiate my story. And”--she looked again at Danglar; the man +was still crouched there, eying her with that same mad light in his +eyes--“and he must be made to--to do it now for--” + +“But why didn't you ask me?” cried the Adventurer. “You knew me as the +Pug, and therefore must have believed that I, too, know all about it.” + +“Yes,” she said, and turned her head away to hide the color she felt was +mounting to her cheeks. “I--I thought of that. But I thought you were a +thief, and--and your testimony wouldn't have been much good unless, with +it, I could have handed you, too, over to the police, as I intended to +do with Danglar; and--and--I--I couldn't do that, and--Oh, don't you +see?” she ended desperately. + +“Rhoda! Rhoda!” There was a glad, buoyant note in the Adventurer's +voice. “Yes, I see! Well, I can prove it for you now without any of +those fears on my behalf to worry you! I went to Skarbolov's myself, +knowing their plans, to do exactly what you did. I did not know you +then, and, as Rough Rorke, who was there because, as I heard later, +his suspicions had been aroused through seeing some of the gang lurking +around the back door in the lane the night before, had taken the actual +money from you, I contrived to let you get away, because I was afraid +that you were some new factor in the game, some member of the gang that +I did not know about, and that I must watch, too! Don't you understand? +The jewels were still missing. I had not got the general warning that +was sent out to the gang that night to lay low, for at the last moment +it seems that Danglar here found out that Rough Rorke had suspicions +about Skarbolov's place.” He came close to her--and with the muzzle of +his revolver he pushed Danglar's huddled figure back a little further +against the washstand. “Rhoda--you are clear. The assistant district +attorney who had your case is the one I spoke of a few minutes ago. That +night at Hayden-Bond's, though I did not understand fully, I knew +that you were the bravest, truest little woman into whom God had ever +breathed the breath of life. I told him the next day there was some +mistake, something strange behind it all. I told him what happened at +Hayden-Bond's. He agreed with me. You have never been indicted. Your +case has never come before the grand jury. And it never will now! Rhoda! +Rhoda! Thank God for you! Thank God it has all come out right, and--” + +A peal of laughter, mad, insane, horrible in its perverted mirth, rang +through the garret. Danglar's hands were creeping queerly up to his +temples. And then, oblivious evidently in his frenzy of the revolver in +the Adventurer's hand, and his eye catching the weapons that lay upon +the cot, he made a sudden dash in that direction--and Rhoda Gray, +divining his intention, sprang for the cot, too, at the same time. But +Danglar never reached his objective. As Rhoda Gray caught up the weapons +and thrust them into her pocket, she heard Danglar's furious snarl, +and whirling around, she saw the two men locked and struggling in each +other's embrace. + +The Adventurer's voice reached her, quick, imperative: + +“Show the candle at the window, Rhoda! The Sparrow is waiting for it in +the yard below. Then open the door for them.” + +A sudden terror and fear seized her. The Adventurer was not fit, after +what he had been through to-night to cope with Danglar. He had been +limping badly even a few minutes ago. It seemed to her, as she rushed +across the garret and snatched up the candle, that Danglar was getting +the best of it even now. And the Adventurer could have shot him down, +and been warranted in doing it! She reached the window, waved the candle +frantically several times across the pane, then setting the candle down +on the window ledge, she ran for the door. + +She looked back again, as she turned the key in the lock. With a crash, +pitching over the chair, both men went to the floor--and the Adventurer +was underneath. She cried out in alarm, and wrenched the door open--and +stood for an instant there on the threshold in a startled way. + +They couldn't be coming already! The Sparrow hadn't had time even to +get out of the yard. But there were footsteps in the hall below, many of +them. She stepped out on the landing; it was too dark to see, but... + +A sudden yell as she showed even in the faint light of the open garret +door, the quicker rush of feet, reached her from below. + +“The White Moll! That's her! The White Moll!” She flung herself flat +down, wrenching both the automatic and the revolver from her pocket. She +understood now! That was Pinkie Bonn's voice. It was the gang arriving +to divide up the spoils, not the Sparrow and the police. Her mind was +racing now with lightning speed. If they got her, they would get the +Adventurer in there, too, before the police could intervene. She +must hold this little landing where she lay now, hold those short, +ladder-like steps that the oncoming footsteps from below there had +almost reached. + +She fired once--twice--again; but high, over their heads, to check the +rush. + +Yells answered her. A vicious tongue-flame from a revolver, another +and another, leaped out at her from the black below; the spat, spat of +bullets sounded from behind her as they struck the walls. + +Again she fired. They were at least more cautious now in their rush--no +one seemed anxious to be first upon the stairs. She cast a wild glance +through the open door into the garret at her side. The two forms in +there, on their feet again, were spinning around and around with +the strange, lurching gyrations of automatons--and then she saw the +Adventurer whip a terrific blow to Danglar's face--and Danglar fall and +lie still--and the Adventurer come leaping toward her. + +But faces were showing now above the level of the floor, and there was +suddenly an increased uproar from further back in the rear until it +seemed that pandemonium itself were loosed. + +“It's the police! The police behind us!” she heard Shluker's voice +shriek out. + +She jumped to her feet. Two of the gang had reached the landing and were +smashing at the Adventurer. There seemed to be a swirling mob in riot +there below. The Adventurer was fighting like a madman. It was hand to +hand now. + +“Quick! Quick!” she cried to the Adventurer. “Jump back through the +door.” + +“Oh, no, you don't!” It was Skeeny--she could see the man's brutal face +now. “Oh, no, you don't, you she-devil!” he shouted, and, over-reaching +the Adventurer's guard, struck at her furiously with his clubbed +revolver. + +It struck her a glancing blow on the head, and she reeled and staggered, +but recovered herself. And now it seemed as though it were another +battle that she fought--and one more desperate; a battle to fight back +a horrible giddiness from overpowering her, and with which her brain was +swimming, to fight it back for just a second, the fraction of a second +that was needed until--until--“Jump!” she cried again, and staggered +over the threshold, and, as the Adventurer leaped backward beside her, +she slammed the door, and locked it--and slid limply to the floor. + +When she regained consciousness she was lying on the cot. It seemed very +still, very quiet in the garret. She opened her eyes. It--it must be +all right, for that was the Sparrow standing there watching her, and +shifting nervously from foot to foot, wasn't it? He couldn't be there, +otherwise. She held out her hand. + +“Marty,” she said, and smiled with trembling lips, “we--we owe you a +great deal.” + +The Sparrow gulped. + +“Gee, you're all right again! They said it wasn't nothin', but you had +me scared worse'n down at the iron plant when I had to do the rough act +with that gent friend of yours to stop him from crawlin' after you and +fightin' it out, and queerin' the whole works. You don't owe me nothin', +Miss Gray; and, besides, I'm gettin' a lot more than is comm' to me, +'cause that same gent friend of yours there says I'm goin' to horn in +on the rewards, and I guess that's goin' some, for they got the whole +outfit from Danglar down, and the stuff up in the ceiling there, too.” + +She turned her head. The Adventurer was coming toward the cot. + +“Better?” he called cheerily. + +“Yes,” she said. “Quite! Only I--I'd like to get away from here, from +this--this horrible place at once, and back to--to my flat if they'll +let me. Are--are they all gone?” + +The Adventurer's gray eyes lighted with a whimsical smile. + +“Nearly all!” he said softly. “And--er--Sparrow, suppose you go and find +a taxi!” + +“Me? Sure! Of course! Sure!” said the Sparrow hurriedly, and retreated +through the door. + +She felt the blood flood her face, and she tried to avert it. + +He bent his head close to hers. + +“Rhoda,” his voice was low, passionate, “I--” + +“Wait!” she said. “Your friend--the assistant district attorney--did he +come?” + +“Yes,” said the Adventurer. “But I shooed them all out, as soon as +we found you were not seriously hurt. I thought you had had enough +excitement for one night. He wants to see you in the morning.” + +“To see me”--she rose up anxiously on her elbow--“in the morning?” + +He was smiling at her. His hands reached out and took her face between +them, and made her look at him. + +“Rhoda,” he said gently, “I knew to-night in the iron plant that you +cared. I told him so. What he wants to see you for is to tell you that +he thinks I am the luckiest man in all the world. You are clear, dear. +Even Rough Rorke is singing your praises; he says you are the only woman +who ever put one over on him.” + +She did not answer for a moment; and then with a little sob of glad +surrender she buried her face on his shoulder. + +“It--it is very wonderful,” she said brokenly, “for--for even we, you +and I, each thought the other a--a thief.” + +“And so we were, thank God!” he whispered--and lifted her head until now +his lips met hers. “We were both thieves, Rhoda, weren't we? And, please +God, we will be all our lives--for we have stolen each other's heart.” + + + + + +End of the Project Gutenberg EBook of The White Moll, by Frank L. Packard + +*** END OF THIS PROJECT GUTENBERG EBOOK THE WHITE MOLL *** + +***** This file should be named 1741-0.txt or 1741-0.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/1/7/4/1741/ + +Produced by Polly Stratton + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. 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