summaryrefslogtreecommitdiff
path: root/17405-0.txt
diff options
context:
space:
mode:
Diffstat (limited to '17405-0.txt')
-rw-r--r--17405-0.txt1931
1 files changed, 1931 insertions, 0 deletions
diff --git a/17405-0.txt b/17405-0.txt
new file mode 100644
index 0000000..98ce972
--- /dev/null
+++ b/17405-0.txt
@@ -0,0 +1,1931 @@
+The Project Gutenberg eBook of The Art of War, by Sunzi
+
+This eBook is for the use of anyone anywhere in the United States and
+most other parts of the world at no cost and with almost no restrictions
+whatsoever. You may copy it, give it away or re-use it under the terms
+of the Project Gutenberg License included with this eBook or online at
+www.gutenberg.org. If you are not located in the United States, you
+will have to check the laws of the country where you are located before
+using this eBook.
+
+Title: The Art of War
+
+Author: Sunzi
+
+Release Date: December 28, 2005 [eBook #17405]
+[Most recently updated: October 30, 2021]
+
+Language: English
+
+Character set encoding: UTF-8
+
+
+*** START OF THE PROJECT GUTENBERG EBOOK THE ART OF WAR ***
+
+
+
+
+SUN TZU ON THE ART OF WAR
+
+THE OLDEST MILITARY TREATISE IN THE WORLD
+
+Translated from the Chinese
+
+By LIONEL GILES, M.A. (1910)
+
+
+ [This is the basic text of Sun Tzŭ on the Art of War. It was
+ extracted from Mr. Giles’ complete work as titled above. The
+ commentary itself, which, of course includes this work embedded
+ within it, has been released as Project Gutenberg’s eBook #132.]
+
+
+Contents
+
+ CHAPTER I. LAYING PLANS
+ CHAPTER II. WAGING WAR
+ CHAPTER III. ATTACK BY STRATAGEM
+ CHAPTER IV. TACTICAL DISPOSITIONS
+ CHAPTER V. ENERGY
+ CHAPTER VI. WEAK POINTS AND STRONG
+ CHAPTER VII. MANŒUVERING
+ CHAPTER VIII. VARIATION OF TACTICS
+ CHAPTER IX. THE ARMY ON THE MARCH
+ CHAPTER X. TERRAIN
+ CHAPTER XI. THE NINE SITUATIONS
+ CHAPTER XII. THE ATTACK BY FIRE
+ CHAPTER XIII. THE USE OF SPIES
+
+
+
+
+I. LAYING PLANS
+
+
+1. Sun Tzŭ said: The art of war is of vital importance to the State.
+
+2. It is a matter of life and death, a road either to safety or to
+ruin. Hence it is a subject of inquiry which can on no account be
+neglected.
+
+3. The art of war, then, is governed by five constant factors, to be
+taken into account in one’s deliberations, when seeking to determine
+the conditions obtaining in the field.
+
+4. These are: (1) The Moral Law; (2) Heaven; (3) Earth; (4) The
+Commander; (5) Method and discipline.
+
+5, 6. _The Moral Law_ causes the people to be in complete accord with
+their ruler, so that they will follow him regardless of their lives,
+undismayed by any danger.
+
+7. Heaven signifies night and day, cold and heat, times and seasons.
+
+8. Earth comprises distances, great and small; danger and security;
+open ground and narrow passes; the chances of life and death.
+
+9. The Commander stands for the virtues of wisdom, sincerity,
+benevolence, courage and strictness.
+
+10. By _Method and discipline_ are to be understood the marshalling of
+the army in its proper subdivisions, the gradations of rank among the
+officers, the maintenance of roads by which supplies may reach the
+army, and the control of military expenditure.
+
+11. These five heads should be familiar to every general: he who knows
+them will be victorious; he who knows them not will fail.
+
+12. Therefore, in your deliberations, when seeking to determine the
+military conditions, let them be made the basis of a comparison, in
+this wise:—
+
+13. (1) Which of the two sovereigns is imbued with the Moral law?
+(2) Which of the two generals has most ability?
+(3) With whom lie the advantages derived from Heaven and Earth?
+(4) On which side is discipline most rigorously enforced?
+(5) Which army is the stronger?
+(6) On which side are officers and men more highly trained?
+(7) In which army is there the greater constancy both in reward and
+punishment?
+
+14. By means of these seven considerations I can forecast victory or
+defeat.
+
+15. The general that hearkens to my counsel and acts upon it, will
+conquer: let such a one be retained in command! The general that
+hearkens not to my counsel nor acts upon it, will suffer defeat:—let
+such a one be dismissed!
+
+16. While heeding the profit of my counsel, avail yourself also of any
+helpful circumstances over and beyond the ordinary rules.
+
+17. According as circumstances are favourable, one should modify one’s
+plans.
+
+18. All warfare is based on deception.
+
+19. Hence, when able to attack, we must seem unable; when using our
+forces, we must seem inactive; when we are near, we must make the enemy
+believe we are far away; when far away, we must make him believe we are
+near.
+
+20. Hold out baits to entice the enemy. Feign disorder, and crush him.
+
+21. If he is secure at all points, be prepared for him. If he is in
+superior strength, evade him.
+
+22. If your opponent is of choleric temper, seek to irritate him.
+Pretend to be weak, that he may grow arrogant.
+
+23. If he is taking his ease, give him no rest. If his forces are
+united, separate them.
+
+24. Attack him where he is unprepared, appear where you are not
+expected.
+
+25. These military devices, leading to victory, must not be divulged
+beforehand.
+
+26. Now the general who wins a battle makes many calculations in his
+temple ere the battle is fought. The general who loses a battle makes
+but few calculations beforehand. Thus do many calculations lead to
+victory, and few calculations to defeat: how much more no calculation
+at all! It is by attention to this point that I can foresee who is
+likely to win or lose.
+
+
+
+
+II. WAGING WAR
+
+
+1. Sun Tzŭ said: In the operations of war, where there are in the field
+a thousand swift chariots, as many heavy chariots, and a hundred
+thousand mail-clad soldiers, with provisions enough to carry them a
+thousand _li_, the expenditure at home and at the front, including
+entertainment of guests, small items such as glue and paint, and sums
+spent on chariots and armour, will reach the total of a thousand ounces
+of silver per day. Such is the cost of raising an army of 100,000 men.
+
+2. When you engage in actual fighting, if victory is long in coming,
+the men’s weapons will grow dull and their ardour will be damped. If
+you lay siege to a town, you will exhaust your strength.
+
+3. Again, if the campaign is protracted, the resources of the State
+will not be equal to the strain.
+
+4. Now, when your weapons are dulled, your ardour damped, your strength
+exhausted and your treasure spent, other chieftains will spring up to
+take advantage of your extremity. Then no man, however wise, will be
+able to avert the consequences that must ensue.
+
+5. Thus, though we have heard of stupid haste in war, cleverness has
+never been seen associated with long delays.
+
+6. There is no instance of a country having benefited from prolonged
+warfare.
+
+7. It is only one who is thoroughly acquainted with the evils of war
+that can thoroughly understand the profitable way of carrying it on.
+
+8. The skilful soldier does not raise a second levy, neither are his
+supply-waggons loaded more than twice.
+
+9. Bring war material with you from home, but forage on the enemy. Thus
+the army will have food enough for its needs.
+
+10. Poverty of the State exchequer causes an army to be maintained by
+contributions from a distance. Contributing to maintain an army at a
+distance causes the people to be impoverished.
+
+11. On the other hand, the proximity of an army causes prices to go up;
+and high prices cause the people’s substance to be drained away.
+
+12. When their substance is drained away, the peasantry will be
+afflicted by heavy exactions.
+
+13, 14. With this loss of substance and exhaustion of strength, the
+homes of the people will be stripped bare, and three-tenths of their
+incomes will be dissipated; while Government expenses for broken
+chariots, worn-out horses, breast-plates and helmets, bows and arrows,
+spears and shields, protective mantlets, draught-oxen and heavy
+waggons, will amount to four-tenths of its total revenue.
+
+15. Hence a wise general makes a point of foraging on the enemy. One
+cartload of the enemy’s provisions is equivalent to twenty of one’s
+own, and likewise a single picul of his provender is equivalent to
+twenty from one’s own store.
+
+16. Now in order to kill the enemy, our men must be roused to anger;
+that there may be advantage from defeating the enemy, they must have
+their rewards.
+
+17. Therefore in chariot fighting, when ten or more chariots have been
+taken, those should be rewarded who took the first. Our own flags
+should be substituted for those of the enemy, and the chariots mingled
+and used in conjunction with ours. The captured soldiers should be
+kindly treated and kept.
+
+18. This is called, using the conquered foe to augment one’s own
+strength.
+
+19. In war, then, let your great object be victory, not lengthy
+campaigns.
+
+20. Thus it may be known that the leader of armies is the arbiter of
+the people’s fate, the man on whom it depends whether the nation shall
+be in peace or in peril.
+
+
+
+
+III. ATTACK BY STRATAGEM
+
+
+1. Sun Tzŭ said: In the practical art of war, the best thing of all is
+to take the enemy’s country whole and intact; to shatter and destroy it
+is not so good. So, too, it is better to capture an army entire than to
+destroy it, to capture a regiment, a detachment or a company entire
+than to destroy them.
+
+2. Hence to fight and conquer in all your battles is not supreme
+excellence; supreme excellence consists in breaking the enemy’s
+resistance without fighting.
+
+3. Thus the highest form of generalship is to baulk the enemy’s plans;
+the next best is to prevent the junction of the enemy’s forces; the
+next in order is to attack the enemy’s army in the field; and the worst
+policy of all is to besiege walled cities.
+
+4. The rule is, not to besiege walled cities if it can possibly be
+avoided. The preparation of mantlets, movable shelters, and various
+implements of war, will take up three whole months; and the piling up
+of mounds over against the walls will take three months more.
+
+5. The general, unable to control his irritation, will launch his men
+to the assault like swarming ants, with the result that one-third of
+his men are slain, while the town still remains untaken. Such are the
+disastrous effects of a siege.
+
+6. Therefore the skilful leader subdues the enemy’s troops without any
+fighting; he captures their cities without laying siege to them; he
+overthrows their kingdom without lengthy operations in the field.
+
+7. With his forces intact he will dispute the mastery of the Empire,
+and thus, without losing a man, his triumph will be complete. This is
+the method of attacking by stratagem.
+
+8. It is the rule in war, if our forces are ten to the enemy’s one, to
+surround him; if five to one, to attack him; if twice as numerous, to
+divide our army into two.
+
+9. If equally matched, we can offer battle; if slightly inferior in
+numbers, we can avoid the enemy; if quite unequal in every way, we can
+flee from him.
+
+10. Hence, though an obstinate fight may be made by a small force, in
+the end it must be captured by the larger force.
+
+11. Now the general is the bulwark of the State: if the bulwark is
+complete at all points; the State will be strong; if the bulwark is
+defective, the State will be weak.
+
+12. There are three ways in which a ruler can bring misfortune upon his
+army:—
+
+13. (1) By commanding the army to advance or to retreat, being ignorant
+of the fact that it cannot obey. This is called hobbling the army.
+
+14. (2) By attempting to govern an army in the same way as he
+administers a kingdom, being ignorant of the conditions which obtain in
+an army. This causes restlessness in the soldier’s minds.
+
+15. (3) By employing the officers of his army without discrimination,
+through ignorance of the military principle of adaptation to
+circumstances. This shakes the confidence of the soldiers.
+
+16. But when the army is restless and distrustful, trouble is sure to
+come from the other feudal princes. This is simply bringing anarchy
+into the army, and flinging victory away.
+
+17. Thus we may know that there are five essentials for victory:
+(1) He will win who knows when to fight and when not to fight.
+(2) He will win who knows how to handle both superior and inferior
+forces.
+(3) He will win whose army is animated by the same spirit throughout
+all its ranks.
+(4) He will win who, prepared himself, waits to take the enemy
+unprepared.
+(5) He will win who has military capacity and is not interfered with by
+the sovereign.
+Victory lies in the knowledge of these five points.
+
+18. Hence the saying: If you know the enemy and know yourself, you need
+not fear the result of a hundred battles. If you know yourself but not
+the enemy, for every victory gained you will also suffer a defeat. If
+you know neither the enemy nor yourself, you will succumb in every
+battle.
+
+
+
+
+IV. TACTICAL DISPOSITIONS
+
+
+1. Sun Tzŭ said: The good fighters of old first put themselves beyond
+the possibility of defeat, and then waited for an opportunity of
+defeating the enemy.
+
+2. To secure ourselves against defeat lies in our own hands, but the
+opportunity of defeating the enemy is provided by the enemy himself.
+
+3. Thus the good fighter is able to secure himself against defeat, but
+cannot make certain of defeating the enemy.
+
+4. Hence the saying: One may _know_ how to conquer without being able
+to _do_ it.
+
+5. Security against defeat implies defensive tactics; ability to defeat
+the enemy means taking the offensive.
+
+6. Standing on the defensive indicates insufficient strength;
+attacking, a superabundance of strength.
+
+7. The general who is skilled in defence hides in the most secret
+recesses of the earth; he who is skilled in attack flashes forth from
+the topmost heights of heaven. Thus on the one hand we have ability to
+protect ourselves; on the other, a victory that is complete.
+
+8. To see victory only when it is within the ken of the common herd is
+not the acme of excellence.
+
+9. Neither is it the acme of excellence if you fight and conquer and
+the whole Empire says, “Well done!”
+
+10. To lift an autumn hair is no sign of great strength; to see sun and
+moon is no sign of sharp sight; to hear the noise of thunder is no sign
+of a quick ear.
+
+11. What the ancients called a clever fighter is one who not only wins,
+but excels in winning with ease.
+
+12. Hence his victories bring him neither reputation for wisdom nor
+credit for courage.
+
+13. He wins his battles by making no mistakes. Making no mistakes is
+what establishes the certainty of victory, for it means conquering an
+enemy that is already defeated.
+
+14. Hence the skilful fighter puts himself into a position which makes
+defeat impossible, and does not miss the moment for defeating the
+enemy.
+
+15. Thus it is that in war the victorious strategist only seeks battle
+after the victory has been won, whereas he who is destined to defeat
+first fights and afterwards looks for victory.
+
+16. The consummate leader cultivates the moral law, and strictly
+adheres to method and discipline; thus it is in his power to control
+success.
+
+17. In respect of military method, we have, firstly, Measurement;
+secondly, Estimation of quantity; thirdly, Calculation; fourthly,
+Balancing of chances; fifthly, Victory.
+
+18. Measurement owes its existence to Earth; Estimation of quantity to
+Measurement; Calculation to Estimation of quantity; Balancing of
+chances to Calculation; and Victory to Balancing of chances.
+
+19. A victorious army opposed to a routed one, is as a pound’s weight
+placed in the scale against a single grain.
+
+20. The onrush of a conquering force is like the bursting of pent-up
+waters into a chasm a thousand fathoms deep. So much for tactical
+dispositions.
+
+
+
+
+V. ENERGY
+
+
+1. Sun Tzŭ said: The control of a large force is the same principle as
+the control of a few men: it is merely a question of dividing up their
+numbers.
+
+2. Fighting with a large army under your command is nowise different
+from fighting with a small one: it is merely a question of instituting
+signs and signals.
+
+3. To ensure that your whole host may withstand the brunt of the
+enemy’s attack and remain unshaken—this is effected by manœuvers direct
+and indirect.
+
+4. That the impact of your army may be like a grindstone dashed against
+an egg—this is effected by the science of weak points and strong.
+
+5. In all fighting, the direct method may be used for joining battle,
+but indirect methods will be needed in order to secure victory.
+
+6. Indirect tactics, efficiently applied, are inexhaustible as Heaven
+and Earth, unending as the flow of rivers and streams; like the sun and
+moon, they end but to begin anew; like the four seasons, they pass away
+but to return once more.
+
+7. There are not more than five musical notes, yet the combinations of
+these five give rise to more melodies than can ever be heard.
+
+8. There are not more than five primary colours (blue, yellow, red,
+white, and black), yet in combination they produce more hues than can
+ever be seen.
+
+9. There are not more than five cardinal tastes (sour, acrid, salt,
+sweet, bitter), yet combinations of them yield more flavours than can
+ever be tasted.
+
+10. In battle, there are not more than two methods of attack—the direct
+and the indirect; yet these two in combination give rise to an endless
+series of manœuvers.
+
+11. The direct and the indirect lead on to each other in turn. It is
+like moving in a circle—you never come to an end. Who can exhaust the
+possibilities of their combination?
+
+12. The onset of troops is like the rush of a torrent which will even
+roll stones along in its course.
+
+13. The quality of decision is like the well-timed swoop of a falcon
+which enables it to strike and destroy its victim.
+
+14. Therefore the good fighter will be terrible in his onset, and
+prompt in his decision.
+
+15. Energy may be likened to the bending of a crossbow; decision, to
+the releasing of the trigger.
+
+16. Amid the turmoil and tumult of battle, there may be seeming
+disorder and yet no real disorder at all; amid confusion and chaos,
+your array may be without head or tail, yet it will be proof against
+defeat.
+
+17. Simulated disorder postulates perfect discipline; simulated fear
+postulates courage; simulated weakness postulates strength.
+
+18. Hiding order beneath the cloak of disorder is simply a question of
+subdivision; concealing courage under a show of timidity presupposes a
+fund of latent energy; masking strength with weakness is to be effected
+by tactical dispositions.
+
+19. Thus one who is skilful at keeping the enemy on the move maintains
+deceitful appearances, according to which the enemy will act. He
+sacrifices something, that the enemy may snatch at it.
+
+20. By holding out baits, he keeps him on the march; then with a body
+of picked men he lies in wait for him.
+
+21. The clever combatant looks to the effect of combined energy, and
+does not require too much from individuals. Hence his ability to pick
+out the right men and utilise combined energy.
+
+22. When he utilises combined energy, his fighting men become as it
+were like unto rolling logs or stones. For it is the nature of a log or
+stone to remain motionless on level ground, and to move when on a
+slope; if four-cornered, to come to a standstill, but if round-shaped,
+to go rolling down.
+
+23. Thus the energy developed by good fighting men is as the momentum
+of a round stone rolled down a mountain thousands of feet in height. So
+much on the subject of energy.
+
+
+
+
+VI. WEAK POINTS AND STRONG
+
+
+1. Sun Tzŭ said: Whoever is first in the field and awaits the coming of
+the enemy, will be fresh for the fight; whoever is second in the field
+and has to hasten to battle, will arrive exhausted.
+
+2. Therefore the clever combatant imposes his will on the enemy, but
+does not allow the enemy’s will to be imposed on him.
+
+3. By holding out advantages to him, he can cause the enemy to approach
+of his own accord; or, by inflicting damage, he can make it impossible
+for the enemy to draw near.
+
+4. If the enemy is taking his ease, he can harass him; if well supplied
+with food, he can starve him out; if quietly encamped, he can force him
+to move.
+
+5. Appear at points which the enemy must hasten to defend; march
+swiftly to places where you are not expected.
+
+6. An army may march great distances without distress, if it marches
+through country where the enemy is not.
+
+7. You can be sure of succeeding in your attacks if you only attack
+places which are undefended.You can ensure the safety of your defence
+if you only hold positions that cannot be attacked.
+
+8. Hence that general is skilful in attack whose opponent does not know
+what to defend; and he is skilful in defence whose opponent does not
+know what to attack.
+
+9. O divine art of subtlety and secrecy! Through you we learn to be
+invisible, through you inaudible; and hence we can hold the enemy’s
+fate in our hands.
+
+10. You may advance and be absolutely irresistible, if you make for the
+enemy’s weak points; you may retire and be safe from pursuit if your
+movements are more rapid than those of the enemy.
+
+11. If we wish to fight, the enemy can be forced to an engagement even
+though he be sheltered behind a high rampart and a deep ditch. All we
+need do is attack some other place that he will be obliged to relieve.
+
+12. If we do not wish to fight, we can prevent the enemy from engaging
+us even though the lines of our encampment be merely traced out on the
+ground. All we need do is to throw something odd and unaccountable in
+his way.
+
+13. By discovering the enemy’s dispositions and remaining invisible
+ourselves, we can keep our forces concentrated, while the enemy’s must
+be divided.
+
+14. We can form a single united body, while the enemy must split up
+into fractions. Hence there will be a whole pitted against separate
+parts of a whole, which means that we shall be many to the enemy’s few.
+
+15. And if we are able thus to attack an inferior force with a superior
+one, our opponents will be in dire straits.
+
+16. The spot where we intend to fight must not be made known; for then
+the enemy will have to prepare against a possible attack at several
+different points; and his forces being thus distributed in many
+directions, the numbers we shall have to face at any given point will
+be proportionately few.
+
+17. For should the enemy strengthen his van, he will weaken his rear;
+should he strengthen his rear, he will weaken his van; should he
+strengthen his left, he will weaken his right; should he strengthen his
+right, he will weaken his left. If he sends reinforcements everywhere,
+he will everywhere be weak.
+
+18. Numerical weakness comes from having to prepare against possible
+attacks; numerical strength, from compelling our adversary to make
+these preparations against us.
+
+19. Knowing the place and the time of the coming battle, we may
+concentrate from the greatest distances in order to fight.
+
+20. But if neither time nor place be known, then the left wing will be
+impotent to succour the right, the right equally impotent to succour
+the left, the van unable to relieve the rear, or the rear to support
+the van. How much more so if the furthest portions of the army are
+anything under a hundred _li_ apart, and even the nearest are separated
+by several _li!_
+
+21. Though according to my estimate the soldiers of Yüeh exceed our own
+in number, that shall advantage them nothing in the matter of victory.
+I say then that victory can be achieved.
+
+22. Though the enemy be stronger in numbers, we may prevent him from
+fighting. Scheme so as to discover his plans and the likelihood of
+their success.
+
+23. Rouse him, and learn the principle of his activity or inactivity.
+Force him to reveal himself, so as to find out his vulnerable spots.
+
+24. Carefully compare the opposing army with your own, so that you may
+know where strength is superabundant and where it is deficient.
+
+25. In making tactical dispositions, the highest pitch you can attain
+is to conceal them; conceal your dispositions, and you will be safe
+from the prying of the subtlest spies, from the machinations of the
+wisest brains.
+
+26. How victory may be produced for them out of the enemy’s own
+tactics—that is what the multitude cannot comprehend.
+
+27. All men can see the tactics whereby I conquer, but what none can
+see is the strategy out of which victory is evolved.
+
+28. Do not repeat the tactics which have gained you one victory, but
+let your methods be regulated by the infinite variety of circumstances.
+
+29. Military tactics are like unto water; for water in its natural
+course runs away from high places and hastens downwards.
+
+30. So in war, the way is to avoid what is strong and to strike at what
+is weak.
+
+31. Water shapes its course according to the nature of the ground over
+which it flows; the soldier works out his victory in relation to the
+foe whom he is facing.
+
+32. Therefore, just as water retains no constant shape, so in warfare
+there are no constant conditions.
+
+33. He who can modify his tactics in relation to his opponent and
+thereby succeed in winning, may be called a heaven-born captain.
+
+34. The five elements (water, fire, wood, metal, earth) are not always
+equally predominant; the four seasons make way for each other in turn.
+There are short days and long; the moon has its periods of waning and
+waxing.
+
+
+
+
+VII. MANŒUVERING
+
+
+1. Sun Tzŭ said: In war, the general receives his commands from the
+sovereign.
+
+2. Having collected an army and concentrated his forces, he must blend
+and harmonise the different elements thereof before pitching his camp.
+
+3. After that, comes tactical manœuvering, than which there is nothing
+more difficult. The difficulty of tactical manœuvering consists in
+turning the devious into the direct, and misfortune into gain.
+
+4. Thus, to take a long and circuitous route, after enticing the enemy
+out of the way, and though starting after him, to contrive to reach the
+goal before him, shows knowledge of the artifice of _deviation_.
+
+5. Manœuvering with an army is advantageous; with an undisciplined
+multitude, most dangerous.
+
+6. If you set a fully equipped army in march in order to snatch an
+advantage, the chances are that you will be too late. On the other
+hand, to detach a flying column for the purpose involves the sacrifice
+of its baggage and stores.
+
+7. Thus, if you order your men to roll up their buff-coats, and make
+forced marches without halting day or night, covering double the usual
+distance at a stretch, doing a hundred _li_ in order to wrest an
+advantage, the leaders of all your three divisions will fall into the
+hands of the enemy.
+
+8. The stronger men will be in front, the jaded ones will fall behind,
+and on this plan only one-tenth of your army will reach its
+destination.
+
+9. If you march fifty _li_ in order to outmanœuver the enemy, you will
+lose the leader of your first division, and only half your force will
+reach the goal.
+
+10. If you march thirty _li_ with the same object, two-thirds of your
+army will arrive.
+
+11. We may take it then that an army without its baggage-train is lost;
+without provisions it is lost; without bases of supply it is lost.
+
+12. We cannot enter into alliances until we are acquainted with the
+designs of our neighbours.
+
+13. We are not fit to lead an army on the march unless we are familiar
+with the face of the country—its mountains and forests, its pitfalls
+and precipices, its marshes and swamps.
+
+14. We shall be unable to turn natural advantages to account unless we
+make use of local guides.
+
+15. In war, practise dissimulation, and you will succeed. Move only if
+there is a real advantage to be gained.
+
+16. Whether to concentrate or to divide your troops, must be decided by
+circumstances.
+
+17. Let your rapidity be that of the wind, your compactness that of the
+forest.
+
+18. In raiding and plundering be like fire, in immovability like a
+mountain.
+
+19. Let your plans be dark and impenetrable as night, and when you
+move, fall like a thunderbolt.
+
+20. When you plunder a countryside, let the spoil be divided amongst
+your men; when you capture new territory, cut it up into allotments for
+the benefit of the soldiery.
+
+21. Ponder and deliberate before you make a move.
+
+22. He will conquer who has learnt the artifice of deviation. Such is
+the art of manœuvering.
+
+23. The Book of Army Management says: On the field of battle, the
+spoken word does not carry far enough: hence the institution of gongs
+and drums. Nor can ordinary objects be seen clearly enough: hence the
+institution of banners and flags.
+
+24. Gongs and drums, banners and flags, are means whereby the ears and
+eyes of the host may be focussed on one particular point.
+
+25. The host thus forming a single united body, is it impossible either
+for the brave to advance alone, or for the cowardly to retreat alone.
+This is the art of handling large masses of men.
+
+26. In night-fighting, then, make much use of signal-fires and drums,
+and in fighting by day, of flags and banners, as a means of influencing
+the ears and eyes of your army.
+
+27. A whole army may be robbed of its spirit; a commander-in-chief may
+be robbed of his presence of mind.
+
+28. Now a soldier’s spirit is keenest in the morning; by noonday it has
+begun to flag; and in the evening, his mind is bent only on returning
+to camp.
+
+29. A clever general, therefore, avoids an army when its spirit is
+keen, but attacks it when it is sluggish and inclined to return. This
+is the art of studying moods.
+
+30. Disciplined and calm, to await the appearance of disorder and
+hubbub amongst the enemy:—this is the art of retaining self-possession.
+
+31. To be near the goal while the enemy is still far from it, to wait
+at ease while the enemy is toiling and struggling, to be well-fed while
+the enemy is famished:—this is the art of husbanding one’s strength.
+
+32. To refrain from intercepting an enemy whose banners are in perfect
+order, to refrain from attacking an army drawn up in calm and confident
+array:—this is the art of studying circumstances.
+
+33. It is a military axiom not to advance uphill against the enemy, nor
+to oppose him when he comes downhill.
+
+34. Do not pursue an enemy who simulates flight; do not attack soldiers
+whose temper is keen.
+
+35. Do not swallow a bait offered by the enemy. Do not interfere with
+an army that is returning home.
+
+36. When you surround an army, leave an outlet free. Do not press a
+desperate foe too hard.
+
+37. Such is the art of warfare.
+
+
+
+
+VIII. VARIATION OF TACTICS
+
+
+1. Sun Tzŭ said: In war, the general receives his commands from the
+sovereign, collects his army and concentrates his forces.
+
+2. When in difficult country, do not encamp. In country where high
+roads intersect, join hands with your allies. Do not linger in
+dangerously isolated positions. In hemmed-in situations, you must
+resort to stratagem. In a desperate position, you must fight.
+
+3. There are roads which must not be followed, armies which must be not
+attacked, towns which must not be besieged, positions which must not be
+contested, commands of the sovereign which must not be obeyed.
+
+4. The general who thoroughly understands the advantages that accompany
+variation of tactics knows how to handle his troops.
+
+5. The general who does not understand these, may be well acquainted
+with the configuration of the country, yet he will not be able to turn
+his knowledge to practical account.
+
+6. So, the student of war who is unversed in the art of war of varying
+his plans, even though he be acquainted with the Five Advantages, will
+fail to make the best use of his men.
+
+7. Hence in the wise leader’s plans, considerations of advantage and of
+disadvantage will be blended together.
+
+8. If our expectation of advantage be tempered in this way, we may
+succeed in accomplishing the essential part of our schemes.
+
+9. If, on the other hand, in the midst of difficulties we are always
+ready to seize an advantage, we may extricate ourselves from
+misfortune.
+
+10. Reduce the hostile chiefs by inflicting damage on them; and make
+trouble for them, and keep them constantly engaged; hold out specious
+allurements, and make them rush to any given point.
+
+11. The art of war teaches us to rely not on the likelihood of the
+enemy’s not coming, but on our own readiness to receive him; not on the
+chance of his not attacking, but rather on the fact that we have made
+our position unassailable.
+
+12. There are five dangerous faults which may affect a general:
+(1) Recklessness, which leads to destruction;
+(2) cowardice, which leads to capture;
+(3) a hasty temper, which can be provoked by insults;
+(4) a delicacy of honour which is sensitive to shame;
+(5) over-solicitude for his men, which exposes him to worry and
+trouble.
+
+13. These are the five besetting sins of a general, ruinous to the
+conduct of war.
+
+14. When an army is overthrown and its leader slain, the cause will
+surely be found among these five dangerous faults. Let them be a
+subject of meditation.
+
+
+
+
+IX. THE ARMY ON THE MARCH
+
+
+1. Sun Tzŭ said: We come now to the question of encamping the army, and
+observing signs of the enemy. Pass quickly over mountains, and keep in
+the neighbourhood of valleys.
+
+2. Camp in high places, facing the sun. Do not climb heights in order
+to fight. So much for mountain warfare.
+
+3. After crossing a river, you should get far away from it.
+
+4. When an invading force crosses a river in its onward march, do not
+advance to meet it in mid-stream. It will be best to let half the army
+get across, and then deliver your attack.
+
+5. If you are anxious to fight, you should not go to meet the invader
+near a river which he has to cross.
+
+6. Moor your craft higher up than the enemy, and facing the sun. Do not
+move up-stream to meet the enemy. So much for river warfare.
+
+7. In crossing salt-marshes, your sole concern should be to get over
+them quickly, without any delay.
+
+8. If forced to fight in a salt-marsh, you should have water and grass
+near you, and get your back to a clump of trees. So much for operations
+in salt-marshes.
+
+9. In dry, level country, take up an easily accessible position with
+rising ground to your right and on your rear, so that the danger may be
+in front, and safety lie behind. So much for campaigning in flat
+country.
+
+10. These are the four useful branches of military knowledge which
+enabled the Yellow Emperor to vanquish four several sovereigns.
+
+11. All armies prefer high ground to low, and sunny places to dark.
+
+12. If you are careful of your men, and camp on hard ground, the army
+will be free from disease of every kind, and this will spell victory.
+
+13. When you come to a hill or a bank, occupy the sunny side, with the
+slope on your right rear. Thus you will at once act for the benefit of
+your soldiers and utilise the natural advantages of the ground.
+
+14. When, in consequence of heavy rains up-country, a river which you
+wish to ford is swollen and flecked with foam, you must wait until it
+subsides.
+
+15. Country in which there are precipitous cliffs with torrents running
+between, deep natural hollows, confined places, tangled thickets,
+quagmires and crevasses, should be left with all possible speed and not
+approached.
+
+16. While we keep away from such places, we should get the enemy to
+approach them; while we face them, we should let the enemy have them on
+his rear.
+
+17. If in the neighbourhood of your camp there should be any hilly
+country, ponds surrounded by aquatic grass, hollow basins filled with
+reeds, or woods with thick undergrowth, they must be carefully routed
+out and searched; for these are places where men in ambush or insidious
+spies are likely to be lurking.
+
+18. When the enemy is close at hand and remains quiet, he is relying on
+the natural strength of his position.
+
+19. When he keeps aloof and tries to provoke a battle, he is anxious
+for the other side to advance.
+
+20. If his place of encampment is easy of access, he is tendering a
+bait.
+
+21. Movement amongst the trees of a forest shows that the enemy is
+advancing. The appearance of a number of screens in the midst of thick
+grass means that the enemy wants to make us suspicious.
+
+22. The rising of birds in their flight is the sign of an ambuscade.
+Startled beasts indicate that a sudden attack is coming.
+
+23. When there is dust rising in a high column, it is the sign of
+chariots advancing; when the dust is low, but spread over a wide area,
+it betokens the approach of infantry. When it branches out in different
+directions, it shows that parties have been sent to collect firewood. A
+few clouds of dust moving to and fro signify that the army is
+encamping.
+
+24. Humble words and increased preparations are signs that the enemy is
+about to advance. Violent language and driving forward as if to the
+attack are signs that he will retreat.
+
+25. When the light chariots come out first and take up a position on
+the wings, it is a sign that the enemy is forming for battle.
+
+26. Peace proposals unaccompanied by a sworn covenant indicate a plot.
+
+27. When there is much running about and the soldiers fall into rank,
+it means that the critical moment has come.
+
+28. When some are seen advancing and some retreating, it is a lure.
+
+29. When the soldiers stand leaning on their spears, they are faint
+from want of food.
+
+30. If those who are sent to draw water begin by drinking themselves,
+the army is suffering from thirst.
+
+31. If the enemy sees an advantage to be gained and makes no effort to
+secure it, the soldiers are exhausted.
+
+32. If birds gather on any spot, it is unoccupied. Clamour by night
+betokens nervousness.
+
+33. If there is disturbance in the camp, the general’s authority is
+weak. If the banners and flags are shifted about, sedition is afoot. If
+the officers are angry, it means that the men are weary.
+
+34. When an army feeds its horses with grain and kills its cattle for
+food, and when the men do not hang their cooking-pots over the
+camp-fires, showing that they will not return to their tents, you may
+know that they are determined to fight to the death.
+
+35. The sight of men whispering together in small knots or speaking in
+subdued tones points to disaffection amongst the rank and file.
+
+36. Too frequent rewards signify that the enemy is at the end of his
+resources; too many punishments betray a condition of dire distress.
+
+37. To begin by bluster, but afterwards to take fright at the enemy’s
+numbers, shows a supreme lack of intelligence.
+
+38. When envoys are sent with compliments in their mouths, it is a sign
+that the enemy wishes for a truce.
+
+39. If the enemy’s troops march up angrily and remain facing ours for a
+long time without either joining battle or taking themselves off again,
+the situation is one that demands great vigilance and circumspection.
+
+40. If our troops are no more in number than the enemy, that is amply
+sufficient; it only means that no direct attack can be made. What we
+can do is simply to concentrate all our available strength, keep a
+close watch on the enemy, and obtain reinforcements.
+
+41. He who exercises no forethought but makes light of his opponents is
+sure to be captured by them.
+
+42. If soldiers are punished before they have grown attached to you,
+they will not prove submissive; and, unless submissive, then will be
+practically useless. If, when the soldiers have become attached to you,
+punishments are not enforced, they will still be useless.
+
+43. Therefore soldiers must be treated in the first instance with
+humanity, but kept under control by means of iron discipline. This is a
+certain road to victory.
+
+44. If in training soldiers commands are habitually enforced, the army
+will be well-disciplined; if not, its discipline will be bad.
+
+45. If a general shows confidence in his men but always insists on his
+orders being obeyed, the gain will be mutual.
+
+
+
+
+X. TERRAIN
+
+
+1. Sun Tzŭ said: We may distinguish six kinds of terrain, to wit: (1)
+Accessible ground; (2) entangling ground; (3) temporising ground; (4)
+narrow passes; (5) precipitous heights; (6) positions at a great
+distance from the enemy.
+
+2. Ground which can be freely traversed by both sides is called
+_accessible_.
+
+3. With regard to ground of this nature, be before the enemy in
+occupying the raised and sunny spots, and carefully guard your line of
+supplies. Then you will be able to fight with advantage.
+
+4. Ground which can be abandoned but is hard to re-occupy is called
+_entangling_.
+
+5. From a position of this sort, if the enemy is unprepared, you may
+sally forth and defeat him. But if the enemy is prepared for your
+coming, and you fail to defeat him, then, return being impossible,
+disaster will ensue.
+
+6. When the position is such that neither side will gain by making the
+first move, it is called temporising ground.
+
+7. In a position of this sort, even though the enemy should offer us an
+attractive bait, it will be advisable not to stir forth, but rather to
+retreat, thus enticing the enemy in his turn; then, when part of his
+army has come out, we may deliver our attack with advantage.
+
+8. With regard to _narrow passes_, if you can occupy them first, let
+them be strongly garrisoned and await the advent of the enemy.
+
+9. Should the enemy forestall you in occupying a pass, do not go after
+him if the pass is fully garrisoned, but only if it is weakly
+garrisoned.
+
+10. With regard to _precipitous heights_, if you are beforehand with
+your adversary, you should occupy the raised and sunny spots, and there
+wait for him to come up.
+
+11. If the enemy has occupied them before you, do not follow him, but
+retreat and try to entice him away.
+
+12. If you are situated at a great distance from the enemy, and the
+strength of the two armies is equal, it is not easy to provoke a
+battle, and fighting will be to your disadvantage.
+
+13. These six are the principles connected with Earth. The general who
+has attained a responsible post must be careful to study them.
+
+14. Now an army is exposed to six several calamities, not arising from
+natural causes, but from faults for which the general is responsible.
+These are: (1) Flight; (2) insubordination; (3) collapse; (4) ruin; (5)
+disorganisation; (6) rout.
+
+15. Other conditions being equal, if one force is hurled against
+another ten times its size, the result will be the _flight_ of the
+former.
+
+16. When the common soldiers are too strong and their officers too
+weak, the result is _insubordination_. When the officers are too strong
+and the common soldiers too weak, the result is _collapse_.
+
+17. When the higher officers are angry and insubordinate, and on
+meeting the enemy give battle on their own account from a feeling of
+resentment, before the commander-in-chief can tell whether or no he is
+in a position to fight, the result is _ruin_.
+
+18. When the general is weak and without authority; when his orders are
+not clear and distinct; when there are no fixed duties assigned to
+officers and men, and the ranks are formed in a slovenly haphazard
+manner, the result is utter _disorganisation_.
+
+19. When a general, unable to estimate the enemy’s strength, allows an
+inferior force to engage a larger one, or hurls a weak detachment
+against a powerful one, and neglects to place picked soldiers in the
+front rank, the result must be a _rout_.
+
+20. These are six ways of courting defeat, which must be carefully
+noted by the general who has attained a responsible post.
+
+21. The natural formation of the country is the soldier’s best ally;
+but a power of estimating the adversary, of controlling the forces of
+victory, and of shrewdly calculating difficulties, dangers and
+distances, constitutes the test of a great general.
+
+22. He who knows these things, and in fighting puts his knowledge into
+practice, will win his battles. He who knows them not, nor practises
+them, will surely be defeated.
+
+23. If fighting is sure to result in victory, then you must fight, even
+though the ruler forbid it; if fighting will not result in victory,
+then you must not fight even at the ruler’s bidding.
+
+24. The general who advances without coveting fame and retreats without
+fearing disgrace, whose only thought is to protect his country and do
+good service for his sovereign, is the jewel of the kingdom.
+
+25. Regard your soldiers as your children, and they will follow you
+into the deepest valleys; look on them as your own beloved sons, and
+they will stand by you even unto death.
+
+26. If, however, you are indulgent, but unable to make your authority
+felt; kind-hearted, but unable to enforce your commands; and incapable,
+moreover, of quelling disorder: then your soldiers must be likened to
+spoilt children; they are useless for any practical purpose.
+
+27. If we know that our own men are in a condition to attack, but are
+unaware that the enemy is not open to attack, we have gone only halfway
+towards victory.
+
+28. If we know that the enemy is open to attack, but are unaware that
+our own men are not in a condition to attack, we have gone only halfway
+towards victory.
+
+29. If we know that the enemy is open to attack, and also know that our
+men are in a condition to attack, but are unaware that the nature of
+the ground makes fighting impracticable, we have still gone only
+halfway towards victory.
+
+30. Hence the experienced soldier, once in motion, is never bewildered;
+once he has broken camp, he is never at a loss.
+
+31. Hence the saying: If you know the enemy and know yourself, your
+victory will not stand in doubt; if you know Heaven and know Earth, you
+may make your victory complete.
+
+
+
+
+XI. THE NINE SITUATIONS
+
+
+1. Sun Tzŭ said: The art of war recognises nine varieties of ground:
+(1) Dispersive ground; (2) facile ground; (3) contentious ground; (4)
+open ground; (5) ground of intersecting highways; (6) serious ground;
+(7) difficult ground; (8) hemmed-in ground; (9) desperate ground.
+
+2. When a chieftain is fighting in his own territory, it is dispersive
+ground.
+
+3. When he has penetrated into hostile territory, but to no great
+distance, it is facile ground.
+
+4. Ground the possession of which imports great advantage to either
+side, is contentious ground.
+
+5. Ground on which each side has liberty of movement is open ground.
+
+6. Ground which forms the key to three contiguous states, so that he
+who occupies it first has most of the Empire at his command, is ground
+of intersecting highways.
+
+7. When an army has penetrated into the heart of a hostile country,
+leaving a number of fortified cities in its rear, it is serious ground.
+
+8. Mountain forests, rugged steeps, marshes and fens—all country that
+is hard to traverse: this is difficult ground.
+
+9. Ground which is reached through narrow gorges, and from which we can
+only retire by tortuous paths, so that a small number of the enemy
+would suffice to crush a large body of our men: this is hemmed in
+ground.
+
+10. Ground on which we can only be saved from destruction by fighting
+without delay, is desperate ground.
+
+11. On dispersive ground, therefore, fight not. On facile ground, halt
+not. On contentious ground, attack not.
+
+12. On open ground, do not try to block the enemy’s way. On ground of
+intersecting highways, join hands with your allies.
+
+13. On serious ground, gather in plunder. In difficult ground, keep
+steadily on the march.
+
+14. On hemmed-in ground, resort to stratagem. On desperate ground,
+fight.
+
+15. Those who were called skilful leaders of old knew how to drive a
+wedge between the enemy’s front and rear; to prevent co-operation
+between his large and small divisions; to hinder the good troops from
+rescuing the bad, the officers from rallying their men.
+
+16. When the enemy’s men were scattered, they prevented them from
+concentrating; even when their forces were united, they managed to keep
+them in disorder.
+
+17. When it was to their advantage, they made a forward move; when
+otherwise, they stopped still.
+
+18. If asked how to cope with a great host of the enemy in orderly
+array and on the point of marching to the attack, I should say: “Begin
+by seizing something which your opponent holds dear; then he will be
+amenable to your will.”
+
+19. Rapidity is the essence of war: take advantage of the enemy’s
+unreadiness, make your way by unexpected routes, and attack unguarded
+spots.
+
+20. The following are the principles to be observed by an invading
+force: The further you penetrate into a country, the greater will be
+the solidarity of your troops, and thus the defenders will not prevail
+against you.
+
+21. Make forays in fertile country in order to supply your army with
+food.
+
+22. Carefully study the well-being of your men, and do not overtax
+them. Concentrate your energy and hoard your strength. Keep your army
+continually on the move, and devise unfathomable plans.
+
+23. Throw your soldiers into positions whence there is no escape, and
+they will prefer death to flight. If they will face death, there is
+nothing they may not achieve. Officers and men alike will put forth
+their uttermost strength.
+
+24. Soldiers when in desperate straits lose the sense of fear. If there
+is no place of refuge, they will stand firm. If they are in the heart
+of a hostile country, they will show a stubborn front. If there is no
+help for it, they will fight hard.
+
+25. Thus, without waiting to be marshalled, the soldiers will be
+constantly on the _qui vive;_ without waiting to be asked, they will do
+your will; without restrictions, they will be faithful; without giving
+orders, they can be trusted.
+
+26. Prohibit the taking of omens, and do away with superstitious
+doubts. Then, until death itself comes, no calamity need be feared.
+
+27. If our soldiers are not overburdened with money, it is not because
+they have a distaste for riches; if their lives are not unduly long, it
+is not because they are disinclined to longevity.
+
+28. On the day they are ordered out to battle, your soldiers may weep,
+those sitting up bedewing their garments, and those lying down letting
+the tears run down their cheeks. But let them once be brought to bay,
+and they will display the courage of a Chu or a Kuei.
+
+29. The skilful tactician may be likened to the _shuai-jan_. Now the
+_shuai-jan_ is a snake that is found in the Ch‘ang mountains. Strike at
+its head, and you will be attacked by its tail; strike at its tail, and
+you will be attacked by its head; strike at its middle, and you will be
+attacked by head and tail both.
+
+30. Asked if an army can be made to imitate the _shuai-jan_, I should
+answer, Yes. For the men of Wu and the men of Yüeh are enemies; yet if
+they are crossing a river in the same boat and are caught by a storm,
+they will come to each other’s assistance just as the left hand helps
+the right.
+
+31. Hence it is not enough to put one’s trust in the tethering of
+horses, and the burying of chariot wheels in the ground.
+
+32. The principle on which to manage an army is to set up one standard
+of courage which all must reach.
+
+33. How to make the best of both strong and weak—that is a question
+involving the proper use of ground.
+
+34. Thus the skilful general conducts his army just as though he were
+leading a single man, willy-nilly, by the hand.
+
+35. It is the business of a general to be quiet and thus ensure
+secrecy; upright and just, and thus maintain order.
+
+36. He must be able to mystify his officers and men by false reports
+and appearances, and thus keep them in total ignorance.
+
+37. By altering his arrangements and changing his plans, he keeps the
+enemy without definite knowledge. By shifting his camp and taking
+circuitous routes, he prevents the enemy from anticipating his purpose.
+
+38. At the critical moment, the leader of an army acts like one who has
+climbed up a height and then kicks away the ladder behind him. He
+carries his men deep into hostile territory before he shows his hand.
+
+39. He burns his boats and breaks his cooking-pots; like a shepherd
+driving a flock of sheep, he drives his men this way and that, and none
+knows whither he is going.
+
+40. To muster his host and bring it into danger:—this may be termed the
+business of the general.
+
+41. The different measures suited to the nine varieties of ground; the
+expediency of aggressive or defensive tactics; and the fundamental laws
+of human nature: these are things that must most certainly be studied.
+
+42. When invading hostile territory, the general principle is, that
+penetrating deeply brings cohesion; penetrating but a short way means
+dispersion.
+
+43. When you leave your own country behind, and take your army across
+neighbourhood territory, you find yourself on critical ground. When
+there are means of communication on all four sides, the ground is one
+of intersecting highways.
+
+44. When you penetrate deeply into a country, it is serious ground.
+When you penetrate but a little way, it is facile ground.
+
+45. When you have the enemy’s strongholds on your rear, and narrow
+passes in front, it is hemmed-in ground. When there is no place of
+refuge at all, it is desperate ground.
+
+46. Therefore, on dispersive ground, I would inspire my men with unity
+of purpose. On facile ground, I would see that there is close
+connection between all parts of my army.
+
+47. On contentious ground, I would hurry up my rear.
+
+48. On open ground, I would keep a vigilant eye on my defences. On
+ground of intersecting highways, I would consolidate my alliances.
+
+49. On serious ground, I would try to ensure a continuous stream of
+supplies. On difficult ground, I would keep pushing on along the road.
+
+50. On hemmed-in ground, I would block any way of retreat. On desperate
+ground, I would proclaim to my soldiers the hopelessness of saving
+their lives.
+
+51. For it is the soldier’s disposition to offer an obstinate
+resistance when surrounded, to fight hard when he cannot help himself,
+and to obey promptly when he has fallen into danger.
+
+52. We cannot enter into alliance with neighbouring princes until we
+are acquainted with their designs. We are not fit to lead an army on
+the march unless we are familiar with the face of the country—its
+mountains and forests, its pitfalls and precipices, its marshes and
+swamps. We shall be unable to turn natural advantages to account unless
+we make use of local guides.
+
+53. To be ignorant of any one of the following four or five principles
+does not befit a warlike prince.
+
+54. When a warlike prince attacks a powerful state, his generalship
+shows itself in preventing the concentration of the enemy’s forces. He
+overawes his opponents, and their allies are prevented from joining
+against him.
+
+55. Hence he does not strive to ally himself with all and sundry, nor
+does he foster the power of other states. He carries out his own secret
+designs, keeping his antagonists in awe. Thus he is able to capture
+their cities and overthrow their kingdoms.
+
+56. Bestow rewards without regard to rule, issue orders without regard
+to previous arrangements; and you will be able to handle a whole army
+as though you had to do with but a single man.
+
+57. Confront your soldiers with the deed itself; never let them know
+your design. When the outlook is bright, bring it before their eyes;
+but tell them nothing when the situation is gloomy.
+
+58. Place your army in deadly peril, and it will survive; plunge it
+into desperate straits, and it will come off in safety.
+
+59. For it is precisely when a force has fallen into harm’s way that is
+capable of striking a blow for victory.
+
+60. Success in warfare is gained by carefully accommodating ourselves
+to the enemy’s purpose.
+
+61. By persistently hanging on the enemy’s flank, we shall succeed in
+the long run in killing the commander-in-chief.
+
+62. This is called ability to accomplish a thing by sheer cunning.
+
+63. On the day that you take up your command, block the frontier
+passes, destroy the official tallies, and stop the passage of all
+emissaries.
+
+64. Be stern in the council-chamber, so that you may control the
+situation.
+
+65. If the enemy leaves a door open, you must rush in.
+
+66. Forestall your opponent by seizing what he holds dear, and subtly
+contrive to time his arrival on the ground.
+
+67. Walk in the path defined by rule, and accommodate yourself to the
+enemy until you can fight a decisive battle.
+
+68. At first, then, exhibit the coyness of a maiden, until the enemy
+gives you an opening; afterwards emulate the rapidity of a running
+hare, and it will be too late for the enemy to oppose you.
+
+
+
+
+XII. THE ATTACK BY FIRE
+
+
+1. Sun Tzŭ said: There are five ways of attacking with fire. The first
+is to burn soldiers in their camp; the second is to burn stores; the
+third is to burn baggage-trains; the fourth is to burn arsenals and
+magazines; the fifth is to hurl dropping fire amongst the enemy.
+
+2. In order to carry out an attack, we must have means available. The
+material for raising fire should always be kept in readiness.
+
+3. There is a proper season for making attacks with fire, and special
+days for starting a conflagration.
+
+4. The proper season is when the weather is very dry; the special days
+are those when the moon is in the constellations of the Sieve, the
+Wall, the Wing or the Cross-bar; for these four are all days of rising
+wind.
+
+5. In attacking with fire, one should be prepared to meet five possible
+developments:
+
+6. (1) When fire breaks out inside the enemy’s camp, respond at once
+with an attack from without.
+
+7. (2) If there is an outbreak of fire, but the enemy’s soldiers remain
+quiet, bide your time and do not attack.
+
+8. (3) When the force of the flames has reached its height, follow it
+up with an attack, if that is practicable; if not, stay where you are.
+
+9. (4) If it is possible to make an assault with fire from without, do
+not wait for it to break out within, but deliver your attack at a
+favourable moment.
+
+10. (5) When you start a fire, be to windward of it. Do not attack from
+the leeward.
+
+11. A wind that rises in the daytime lasts long, but a night breeze
+soon falls.
+
+12. In every army, the five developments connected with fire must be
+known, the movements of the stars calculated, and a watch kept for the
+proper days.
+
+13. Hence those who use fire as an aid to the attack show intelligence;
+those who use water as an aid to the attack gain an accession of
+strength.
+
+14. By means of water, an enemy may be intercepted, but not robbed of
+all his belongings.
+
+15. Unhappy is the fate of one who tries to win his battles and succeed
+in his attacks without cultivating the spirit of enterprise; for the
+result is waste of time and general stagnation.
+
+16. Hence the saying: The enlightened ruler lays his plans well ahead;
+the good general cultivates his resources.
+
+17. Move not unless you see an advantage; use not your troops unless
+there is something to be gained; fight not unless the position is
+critical.
+
+18. No ruler should put troops into the field merely to gratify his own
+spleen; no general should fight a battle simply out of pique.
+
+19. If it is to your advantage, make a forward move; if not, stay where
+you are.
+
+20. Anger may in time change to gladness; vexation may be succeeded by
+content.
+
+21. But a kingdom that has once been destroyed can never come again
+into being; nor can the dead ever be brought back to life.
+
+22. Hence the enlightened ruler is heedful, and the good general full
+of caution. This is the way to keep a country at peace and an army
+intact.
+
+
+
+
+XIII. THE USE OF SPIES
+
+
+1. Sun Tzŭ said: Raising a host of a hundred thousand men and marching
+them great distances entails heavy loss on the people and a drain on
+the resources of the State. The daily expenditure will amount to a
+thousand ounces of silver. There will be commotion at home and abroad,
+and men will drop down exhausted on the highways. As many as seven
+hundred thousand families will be impeded in their labor.
+
+2. Hostile armies may face each other for years, striving for the
+victory which is decided in a single day. This being so, to remain in
+ignorance of the enemy’s condition simply because one grudges the
+outlay of a hundred ounces of silver in honours and emoluments, is the
+height of inhumanity.
+
+3. One who acts thus is no leader of men, no present help to his
+sovereign, no master of victory.
+
+4. Thus, what enables the wise sovereign and the good general to strike
+and conquer, and achieve things beyond the reach of ordinary men, is
+_foreknowledge_.
+
+5. Now this foreknowledge cannot be elicited from spirits; it cannot be
+obtained inductively from experience, nor by any deductive calculation.
+
+6. Knowledge of the enemy’s dispositions can only be obtained from
+other men.
+
+7. Hence the use of spies, of whom there are five classes: (1) Local
+spies; (2) inward spies; (3) converted spies; (4) doomed spies; (5)
+surviving spies.
+
+8. When these five kinds of spy are all at work, none can discover the
+secret system. This is called “divine manipulation of the threads.” It
+is the sovereign’s most precious faculty.
+
+9. Having _local spies_ means employing the services of the inhabitants
+of a district.
+
+10. Having _inward spies_, making use of officials of the enemy.
+
+11. Having _converted spies_, getting hold of the enemy’s spies and
+using them for our own purposes.
+
+12. Having _doomed spies_, doing certain things openly for purposes of
+deception, and allowing our own spies to know of them and report them
+to the enemy.
+
+13. _Surviving spies_, finally, are those who bring back news from the
+enemy’s camp.
+
+14. Hence it is that with none in the whole army are more intimate
+relations to be maintained than with spies. None should be more
+liberally rewarded. In no other business should greater secrecy be
+preserved.
+
+15. Spies cannot be usefully employed without a certain intuitive
+sagacity.
+
+16. They cannot be properly managed without benevolence and
+straightforwardness.
+
+17. Without subtle ingenuity of mind, one cannot make certain of the
+truth of their reports.
+
+18. Be subtle! be subtle! and use your spies for every kind of
+business.
+
+19. If a secret piece of news is divulged by a spy before the time is
+ripe, he must be put to death together with the man to whom the secret
+was told.
+
+20. Whether the object be to crush an army, to storm a city, or to
+assassinate an individual, it is always necessary to begin by finding
+out the names of the attendants, the aides-de-camp, the door-keepers
+and sentries of the general in command. Our spies must be commissioned
+to ascertain these.
+
+21. The enemy’s spies who have come to spy on us must be sought out,
+tempted with bribes, led away and comfortably housed. Thus they will
+become converted spies and available for our service.
+
+22. It is through the information brought by the converted spy that we
+are able to acquire and employ local and inward spies.
+
+23. It is owing to his information, again, that we can cause the doomed
+spy to carry false tidings to the enemy.
+
+24. Lastly, it is by his information that the surviving spy can be used
+on appointed occasions.
+
+25. The end and aim of spying in all its five varieties is knowledge of
+the enemy; and this knowledge can only be derived, in the first
+instance, from the converted spy. Hence it is essential that the
+converted spy be treated with the utmost liberality.
+
+26. Of old, the rise of the Yin dynasty was due to I Chih who had
+served under the Hsia. Likewise, the rise of the Chou dynasty was due
+to Lü Ya who had served under the Yin.
+
+27. Hence it is only the enlightened ruler and the wise general who
+will use the highest intelligence of the army for purposes of spying
+and thereby they achieve great results. Spies are a most important
+element in war, because on them depends an army’s ability to move.
+
+
+
+
+*** END OF THE PROJECT GUTENBERG EBOOK THE ART OF WAR ***
+
+Updated editions will replace the previous one--the old editions will
+be renamed.
+
+Creating the works from print editions not protected by U.S. copyright
+law means that no one owns a United States copyright in these works,
+so the Foundation (and you!) can copy and distribute it in the
+United States without permission and without paying copyright
+royalties. Special rules, set forth in the General Terms of Use part
+of this license, apply to copying and distributing Project
+Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
+concept and trademark. Project Gutenberg is a registered trademark,
+and may not be used if you charge for an eBook, except by following
+the terms of the trademark license, including paying royalties for use
+of the Project Gutenberg trademark. If you do not charge anything for
+copies of this eBook, complying with the trademark license is very
+easy. You may use this eBook for nearly any purpose such as creation
+of derivative works, reports, performances and research. Project
+Gutenberg eBooks may be modified and printed and given away--you may
+do practically ANYTHING in the United States with eBooks not protected
+by U.S. copyright law. Redistribution is subject to the trademark
+license, especially commercial redistribution.
+
+START: FULL LICENSE
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full
+Project Gutenberg-tm License available with this file or online at
+www.gutenberg.org/license.
+
+Section 1. General Terms of Use and Redistributing Project
+Gutenberg-tm electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or
+destroy all copies of Project Gutenberg-tm electronic works in your
+possession. If you paid a fee for obtaining a copy of or access to a
+Project Gutenberg-tm electronic work and you do not agree to be bound
+by the terms of this agreement, you may obtain a refund from the
+person or entity to whom you paid the fee as set forth in paragraph
+1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this
+agreement and help preserve free future access to Project Gutenberg-tm
+electronic works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the
+Foundation" or PGLAF), owns a compilation copyright in the collection
+of Project Gutenberg-tm electronic works. Nearly all the individual
+works in the collection are in the public domain in the United
+States. If an individual work is unprotected by copyright law in the
+United States and you are located in the United States, we do not
+claim a right to prevent you from copying, distributing, performing,
+displaying or creating derivative works based on the work as long as
+all references to Project Gutenberg are removed. Of course, we hope
+that you will support the Project Gutenberg-tm mission of promoting
+free access to electronic works by freely sharing Project Gutenberg-tm
+works in compliance with the terms of this agreement for keeping the
+Project Gutenberg-tm name associated with the work. You can easily
+comply with the terms of this agreement by keeping this work in the
+same format with its attached full Project Gutenberg-tm License when
+you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are
+in a constant state of change. If you are outside the United States,
+check the laws of your country in addition to the terms of this
+agreement before downloading, copying, displaying, performing,
+distributing or creating derivative works based on this work or any
+other Project Gutenberg-tm work. The Foundation makes no
+representations concerning the copyright status of any work in any
+country other than the United States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other
+immediate access to, the full Project Gutenberg-tm License must appear
+prominently whenever any copy of a Project Gutenberg-tm work (any work
+on which the phrase "Project Gutenberg" appears, or with which the
+phrase "Project Gutenberg" is associated) is accessed, displayed,
+performed, viewed, copied or distributed:
+
+ This eBook is for the use of anyone anywhere in the United States and
+ most other parts of the world at no cost and with almost no
+ restrictions whatsoever. You may copy it, give it away or re-use it
+ under the terms of the Project Gutenberg License included with this
+ eBook or online at www.gutenberg.org. If you are not located in the
+ United States, you will have to check the laws of the country where
+ you are located before using this eBook.
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is
+derived from texts not protected by U.S. copyright law (does not
+contain a notice indicating that it is posted with permission of the
+copyright holder), the work can be copied and distributed to anyone in
+the United States without paying any fees or charges. If you are
+redistributing or providing access to a work with the phrase "Project
+Gutenberg" associated with or appearing on the work, you must comply
+either with the requirements of paragraphs 1.E.1 through 1.E.7 or
+obtain permission for the use of the work and the Project Gutenberg-tm
+trademark as set forth in paragraphs 1.E.8 or 1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any
+additional terms imposed by the copyright holder. Additional terms
+will be linked to the Project Gutenberg-tm License for all works
+posted with the permission of the copyright holder found at the
+beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including
+any word processing or hypertext form. However, if you provide access
+to or distribute copies of a Project Gutenberg-tm work in a format
+other than "Plain Vanilla ASCII" or other format used in the official
+version posted on the official Project Gutenberg-tm website
+(www.gutenberg.org), you must, at no additional cost, fee or expense
+to the user, provide a copy, a means of exporting a copy, or a means
+of obtaining a copy upon request, of the work in its original "Plain
+Vanilla ASCII" or other form. Any alternate format must include the
+full Project Gutenberg-tm License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works
+provided that:
+
+* You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is owed
+ to the owner of the Project Gutenberg-tm trademark, but he has
+ agreed to donate royalties under this paragraph to the Project
+ Gutenberg Literary Archive Foundation. Royalty payments must be paid
+ within 60 days following each date on which you prepare (or are
+ legally required to prepare) your periodic tax returns. Royalty
+ payments should be clearly marked as such and sent to the Project
+ Gutenberg Literary Archive Foundation at the address specified in
+ Section 4, "Information about donations to the Project Gutenberg
+ Literary Archive Foundation."
+
+* You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or destroy all
+ copies of the works possessed in a physical medium and discontinue
+ all use of and all access to other copies of Project Gutenberg-tm
+ works.
+
+* You provide, in accordance with paragraph 1.F.3, a full refund of
+ any money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days of
+ receipt of the work.
+
+* You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project
+Gutenberg-tm electronic work or group of works on different terms than
+are set forth in this agreement, you must obtain permission in writing
+from the Project Gutenberg Literary Archive Foundation, the manager of
+the Project Gutenberg-tm trademark. Contact the Foundation as set
+forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+works not protected by U.S. copyright law in creating the Project
+Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
+electronic works, and the medium on which they may be stored, may
+contain "Defects," such as, but not limited to, incomplete, inaccurate
+or corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged disk or
+other medium, a computer virus, or computer codes that damage or
+cannot be read by your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium
+with your written explanation. The person or entity that provided you
+with the defective work may elect to provide a replacement copy in
+lieu of a refund. If you received the work electronically, the person
+or entity providing it to you may choose to give you a second
+opportunity to receive the work electronically in lieu of a refund. If
+the second copy is also defective, you may demand a refund in writing
+without further opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
+OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of
+damages. If any disclaimer or limitation set forth in this agreement
+violates the law of the state applicable to this agreement, the
+agreement shall be interpreted to make the maximum disclaimer or
+limitation permitted by the applicable state law. The invalidity or
+unenforceability of any provision of this agreement shall not void the
+remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in
+accordance with this agreement, and any volunteers associated with the
+production, promotion and distribution of Project Gutenberg-tm
+electronic works, harmless from all liability, costs and expenses,
+including legal fees, that arise directly or indirectly from any of
+the following which you do or cause to occur: (a) distribution of this
+or any Project Gutenberg-tm work, (b) alteration, modification, or
+additions or deletions to any Project Gutenberg-tm work, and (c) any
+Defect you cause.
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of
+computers including obsolete, old, middle-aged and new computers. It
+exists because of the efforts of hundreds of volunteers and donations
+from people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future
+generations. To learn more about the Project Gutenberg Literary
+Archive Foundation and how your efforts and donations can help, see
+Sections 3 and 4 and the Foundation information page at
+www.gutenberg.org
+
+Section 3. Information about the Project Gutenberg Literary
+Archive Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non-profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg Literary
+Archive Foundation are tax deductible to the full extent permitted by
+U.S. federal laws and your state's laws.
+
+The Foundation's business office is located at 809 North 1500 West,
+Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
+to date contact information can be found at the Foundation's website
+and official page at www.gutenberg.org/contact
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without
+widespread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine-readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To SEND
+DONATIONS or determine the status of compliance for any particular
+state visit www.gutenberg.org/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations. To
+donate, please visit: www.gutenberg.org/donate
+
+Section 5. General Information About Project Gutenberg-tm electronic works
+
+Professor Michael S. Hart was the originator of the Project
+Gutenberg-tm concept of a library of electronic works that could be
+freely shared with anyone. For forty years, he produced and
+distributed Project Gutenberg-tm eBooks with only a loose network of
+volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as not protected by copyright in
+the U.S. unless a copyright notice is included. Thus, we do not
+necessarily keep eBooks in compliance with any particular paper
+edition.
+
+Most people start at our website which has the main PG search
+facility: www.gutenberg.org
+
+This website includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+