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authorpgww <pgww@lists.pglaf.org>2025-09-17 07:24:54 -0700
committerpgww <pgww@lists.pglaf.org>2025-09-17 07:24:54 -0700
commitf07af28bec623321ad52723df45e1e43240d06e2 (patch)
tree9e59ffde972087de18a7a7655f9f9cd04162afa8 /174-h
parent1ca65f5f94527c4ca723bb22f43115df68f115dc (diff)
add coverHEADmain
Diffstat (limited to '174-h')
-rw-r--r--174-h/174-h.htm109
-rw-r--r--174-h/images/cover.jpgbin0 -> 251863 bytes
2 files changed, 54 insertions, 55 deletions
diff --git a/174-h/174-h.htm b/174-h/174-h.htm
index 9e8b0c0..e49607e 100644
--- a/174-h/174-h.htm
+++ b/174-h/174-h.htm
@@ -1,12 +1,11 @@
-<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
-"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
-<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+<!DOCTYPE html>
+<html lang="en">
<head>
-<meta http-equiv="Content-Type" content="text/html;charset=utf-8" />
-<meta http-equiv="Content-Style-Type" content="text/css" />
+<meta charset="utf-8">
<title>The Picture of Dorian Gray | Project Gutenberg</title>
+<link rel="icon" href="images/cover.jpg" type="image/x-cover">
-<style type="text/css">
+<style>
body { margin-left: 10%;
margin-right: 10%;
@@ -75,11 +74,11 @@ a:hover {color:red}
<h2 class="no-break">by Oscar Wilde</h2>
-<hr />
+<hr >
<h2>Contents</h2>
-<table summary="" style="">
+<table>
<tr>
<td> <a href="#chap00">THE PREFACE</a></td>
@@ -169,7 +168,7 @@ a:hover {color:red}
<div class="chapter">
-<h2><a name="chap00"></a>THE PREFACE</h2>
+<h2><a id="chap00"></a>THE PREFACE</h2>
<p>
The artist is the creator of beautiful things. To reveal art and conceal the
@@ -231,7 +230,7 @@ OSCAR WILDE
<div class="chapter">
-<h2><a name="chap01"></a>CHAPTER I.</h2>
+<h2><a id="chap01"></a>CHAPTER I.</h2>
<p>
The studio was filled with the rich odour of roses, and when the light summer
@@ -882,7 +881,7 @@ Hallward by the arm, he almost led him into the house.
<div class="chapter">
-<h2><a name="chap02"></a>CHAPTER II.</h2>
+<h2><a id="chap02"></a>CHAPTER II.</h2>
<p>
As they entered they saw Dorian Gray. He was seated at the piano, with his back
@@ -1780,7 +1779,7 @@ look of pain came into his face.
<div class="chapter">
-<h2><a name="chap03"></a>CHAPTER III.</h2>
+<h2><a id="chap03"></a>CHAPTER III.</h2>
<p>
At half-past twelve next day Lord Henry Wotton strolled from Curzon Street over
@@ -2471,7 +2470,7 @@ with me, if you care to.&rdquo;
<div class="chapter">
-<h2><a name="chap04"></a>CHAPTER IV.</h2>
+<h2><a id="chap04"></a>CHAPTER IV.</h2>
<p>
One afternoon, a month later, Dorian Gray was reclining in a luxurious
@@ -3254,7 +3253,7 @@ to tell him that he was engaged to be married to Sibyl Vane.
<div class="chapter">
-<h2><a name="chap05"></a>CHAPTER V.</h2>
+<h2><a id="chap05"></a>CHAPTER V.</h2>
<p>
&ldquo;Mother, Mother, I am so happy!&rdquo; whispered the girl, burying her
@@ -3925,7 +3924,7 @@ She felt that they would all laugh at it some day.
<div class="chapter">
-<h2><a name="chap06"></a>CHAPTER VI.</h2>
+<h2><a id="chap06"></a>CHAPTER VI.</h2>
<p>
&ldquo;I suppose you have heard the news, Basil?&rdquo; said Lord Henry that
@@ -4343,7 +4342,7 @@ seemed to him that he had grown years older.
<div class="chapter">
-<h2><a name="chap07"></a>CHAPTER VII.</h2>
+<h2><a id="chap07"></a>CHAPTER VII.</h2>
<p>
For some reason or other, the house was crowded that night, and the fat Jew
@@ -4435,9 +4434,9 @@ on Romeo. The few words she had to speak&mdash;
</p>
<p class="poem">
-Good pilgrim, you do wrong your hand too much,<br />
-    Which mannerly devotion shows in this;<br />
-For saints have hands that pilgrims&rsquo; hands do touch,<br />
+Good pilgrim, you do wrong your hand too much,<br >
+    Which mannerly devotion shows in this;<br >
+For saints have hands that pilgrims&rsquo; hands do touch,<br >
    And palm to palm is holy palmers&rsquo; kiss&mdash;
</p>
@@ -4468,8 +4467,8 @@ had to say. The beautiful passage&mdash;
</p>
<p class="poem">
-Thou knowest the mask of night is on my face,<br />
-Else would a maiden blush bepaint my cheek<br />
+Thou knowest the mask of night is on my face,<br >
+Else would a maiden blush bepaint my cheek<br >
For that which thou hast heard me speak to-night&mdash;
</p>
@@ -4480,12 +4479,12 @@ balcony and came to those wonderful lines&mdash;
</p>
<p class="poem">
-Although I joy in thee,<br />
-I have no joy of this contract to-night:<br />
-It is too rash, too unadvised, too sudden;<br />
-Too like the lightning, which doth cease to be<br />
-Ere one can say, &ldquo;It lightens.&rdquo; Sweet, good-night!<br />
-This bud of love by summer&rsquo;s ripening breath<br />
+Although I joy in thee,<br >
+I have no joy of this contract to-night:<br >
+It is too rash, too unadvised, too sudden;<br >
+Too like the lightning, which doth cease to be<br >
+Ere one can say, &ldquo;It lightens.&rdquo; Sweet, good-night!<br >
+This bud of love by summer&rsquo;s ripening breath<br >
May prove a beauteous flower when next we meet&mdash;
</p>
@@ -4876,7 +4875,7 @@ flowers about her.
<div class="chapter">
-<h2><a name="chap08"></a>CHAPTER VIII.</h2>
+<h2><a id="chap08"></a>CHAPTER VIII.</h2>
<p>
It was long past noon when he awoke. His valet had crept several times on
@@ -5533,7 +5532,7 @@ chair.
<div class="chapter">
-<h2><a name="chap09"></a>CHAPTER IX.</h2>
+<h2><a id="chap09"></a>CHAPTER IX.</h2>
<p>
As he was sitting at breakfast next morning, Basil Hallward was shown into the
@@ -6045,7 +6044,7 @@ friends had access.
<div class="chapter">
-<h2><a name="chap10"></a>CHAPTER X.</h2>
+<h2><a id="chap10"></a>CHAPTER X.</h2>
<p>
When his servant entered, he looked at him steadfastly and wondered if he had
@@ -6456,7 +6455,7 @@ passed into the dining-room.
<div class="chapter">
-<h2><a name="chap11"></a>CHAPTER XI.</h2>
+<h2><a id="chap11"></a>CHAPTER XI.</h2>
<p>
For years, Dorian Gray could not free himself from the influence of this book.
@@ -7138,7 +7137,7 @@ beautiful.
<div class="chapter">
-<h2><a name="chap12"></a>CHAPTER XII.</h2>
+<h2><a id="chap12"></a>CHAPTER XII.</h2>
<p>
It was on the ninth of November, the eve of his own thirty-eighth birthday, as
@@ -7469,7 +7468,7 @@ not have to read long.&rdquo;
<div class="chapter">
-<h2><a name="chap13"></a>CHAPTER XIII.</h2>
+<h2><a id="chap13"></a>CHAPTER XIII.</h2>
<p>
He passed out of the room and began the ascent, Basil Hallward following close
@@ -7849,7 +7848,7 @@ Mayfair.&rdquo; Yes; that was the man he wanted.
<div class="chapter">
-<h2><a name="chap14"></a>CHAPTER XIV.</h2>
+<h2><a id="chap14"></a>CHAPTER XIV.</h2>
<p>
At nine o&rsquo;clock the next morning his servant came in with a cup of
@@ -7942,19 +7941,19 @@ till he came to those lovely stanzas upon Venice:
</p>
<p class="poem">
-Sur une gamme chromatique,<br />
-    Le sein de perles ruisselant,<br />
-La Vénus de l&rsquo;Adriatique<br />
-    Sort de l&rsquo;eau son corps rose et blanc.<br />
-<br />
-Les dômes, sur l&rsquo;azur des ondes<br />
-    Suivant la phrase au pur contour,<br />
-S&rsquo;enflent comme des gorges rondes<br />
-    Que soulève un soupir d&rsquo;amour.<br />
-<br />
-L&rsquo;esquif aborde et me dépose,<br />
-    Jetant son amarre au pilier,<br />
-Devant une façade rose,<br />
+Sur une gamme chromatique,<br >
+    Le sein de perles ruisselant,<br >
+La Vénus de l&rsquo;Adriatique<br >
+    Sort de l&rsquo;eau son corps rose et blanc.<br >
+<br >
+Les dômes, sur l&rsquo;azur des ondes<br >
+    Suivant la phrase au pur contour,<br >
+S&rsquo;enflent comme des gorges rondes<br >
+    Que soulève un soupir d&rsquo;amour.<br >
+<br >
+L&rsquo;esquif aborde et me dépose,<br >
+    Jetant son amarre au pilier,<br >
+Devant une façade rose,<br >
    Sur le marbre d&rsquo;un escalier.
</p>
@@ -7970,7 +7969,7 @@ Leaning back with half-closed eyes, he kept saying over and over to himself:
</p>
<p class="poem">
-&ldquo;Devant une façade rose,<br />
+&ldquo;Devant une façade rose,<br >
Sur le marbre d&rsquo;un escalier.&rdquo;
</p>
@@ -8510,7 +8509,7 @@ gone.
<div class="chapter">
-<h2><a name="chap15"></a>CHAPTER XV.</h2>
+<h2><a id="chap15"></a>CHAPTER XV.</h2>
<p>
That evening, at eight-thirty, exquisitely dressed and wearing a large
@@ -9048,7 +9047,7 @@ rapidly towards the river.
<div class="chapter">
-<h2><a name="chap16"></a>CHAPTER XVI.</h2>
+<h2><a id="chap16"></a>CHAPTER XVI.</h2>
<p>
A cold rain began to fall, and the blurred street-lamps looked ghastly in the
@@ -9530,7 +9529,7 @@ Dorian Gray had disappeared. When he looked back, the woman had vanished also.
<div class="chapter">
-<h2><a name="chap17"></a>CHAPTER XVII.</h2>
+<h2><a id="chap17"></a>CHAPTER XVII.</h2>
<p>
A week later Dorian Gray was sitting in the conservatory at Selby Royal,
@@ -10080,7 +10079,7 @@ white handkerchief, he had seen the face of James Vane watching him.
<div class="chapter">
-<h2><a name="chap18"></a>CHAPTER XVIII.</h2>
+<h2><a id="chap18"></a>CHAPTER XVIII.</h2>
<p>
The next day he did not leave the house, and, indeed, spent most of the time in
@@ -10656,7 +10655,7 @@ eyes were full of tears, for he knew he was safe.
<div class="chapter">
-<h2><a name="chap19"></a>CHAPTER XIX.</h2>
+<h2><a id="chap19"></a>CHAPTER XIX.</h2>
<p>
&ldquo;There is no use your telling me that you are going to be good,&rdquo;
@@ -10902,7 +10901,7 @@ play&mdash;Hamlet, I think&mdash;how do they run?&mdash;
</p>
<p class="poem">
-&ldquo;Like the painting of a sorrow,<br />
+&ldquo;Like the painting of a sorrow,<br >
A face without a heart.&rdquo;
</p>
@@ -11107,7 +11106,7 @@ he had something more to say. Then he sighed and went out.
<div class="chapter">
-<h2><a name="chap20"></a>CHAPTER XX.</h2>
+<h2><a id="chap20"></a>CHAPTER XX.</h2>
<p>
It was a lovely night, so warm that he threw his coat over his arm and did not
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