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+<?xml version="1.0" encoding="iso-8859-1"?>
+
+<!DOCTYPE html
+   PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+   "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml" lang="en">
+  <head>
+    <title>
+      History of Egypt Chaldea, Syria, Babylonia, and Assyria, by G. Maspero,
+      Volume 3
+    </title>
+    <style type="text/css" xml:space="preserve">
+
+    body { margin:5%; background:#faebd7; text-align:justify}
+    P { text-indent: 2em; margin-top: .25em; margin-bottom: .25em; }
+    H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+    hr  { width: 50%; text-align: center;}
+    .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
+    blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+    .mynote    {background-color: #DDE; color: #000; padding: .5em; margin-left: 20%; margin-right: 20%; font-family: sans-serif; font-size: 95%;}
+    .toc       { margin-left: 10%; margin-bottom: .75em;}
+    .toc2      { margin-left: 20%;}
+    .figleft   {float: left; margin-left: 0%; margin-right: 1%;}
+    .figright  {float: right; margin-right: 0%; margin-left: 1%;}
+    div.fig { display:block; margin:0 auto; text-align:center; }
+    pre     { font-family: Times; font-style: italic; font-size: 90%; margin-left: 10%;}
+
+</style>
+  </head>
+  <body>
+<pre xml:space="preserve">
+
+The Project Gutenberg EBook of History Of Egypt, Chald�a, Syria,
+Babylonia, and Assyria, Volume 3 (of 12), by G. Maspero
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: History Of Egypt, Chald�a, Syria, Babylonia, and Assyria, Volume 3 (of 12)
+
+Author: G. Maspero
+
+Editor: A.H. Sayce
+
+Translator: M.L. McClure
+
+Release Date: December 16, 2005 [EBook #17323]
+Last Updated: September 7, 2016
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK HISTORY OF EGYPT, CHALD�A ***
+
+
+
+
+Produced by David Widger
+
+
+
+
+
+</pre>
+
+    <p>
+      <br /> <br /> <br />
+    </p>
+    <div class="fig" style="width:80%;">
+      <img alt="spines (125K)" src="images/spines.jpg" width="100%" />
+    </div>
+    <p>
+      <br /> <br />
+    </p>
+    <div class="fig" style="width:80%;">
+      <img alt="cover (168K)" src="images/cover.jpg" width="100%" />
+    </div>
+    <p>
+      <br /> <br />
+    </p>
+    <h1>
+      HISTORY OF EGYPT <br /> <br /> CHALDEA, SYRIA, BABYLONIA, AND ASSYRIA
+    </h1>
+    <h2>
+      By G. MASPERO,
+    </h2>
+    <h4>
+      Honorable Doctor of Civil Laws, and Fellow of Queen&rsquo;s College, Oxford;<br />
+      Member of the Institute and Professor at the College of France.
+    </h4>
+    <p>
+      <br />
+    </p>
+    <h4>
+      Edited by A. H. SAYCE,<br /> Professor of Assyriology, Oxford.
+    </h4>
+    <h4>
+      Translated by M. L. McCLURE,<br /> Member of the Committee of the Egypt
+      Exploration Fund
+    </h4>
+    <p>
+      <br />
+    </p>
+    <h3>
+      CONTAINING OVER TWELVE HUNDRED COLORED PLATES AND ILLUSTRATIONS
+    </h3>
+    <h4>
+      Volume III.
+    </h4>
+    <h4>
+      LONDON <br /> THE GROLIER SOCIETY <br /> PUBLISHERS
+    </h4>
+    <p>
+      <br /> <br />
+    </p>
+    <hr />
+    <p>
+      <br /> <br /> <a name="linkimage-0001" id="linkimage-0001">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/frontispiece3.jpg" width="100%"
+       alt="Frontispiece El Hammam (the Bath) " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Boudier, after J. Dieulafoy. The vignette, which is
+     by Faucher-Gudin, is reproduced from an intaglio in the
+     Cabinet des M�dailles.
+</pre>
+    <p>
+      <br /> <br />
+    </p>
+    <div class="fig" style="width:80%;">
+      <img alt="titlepage (103K)" src="images/titlepage.jpg" width="100%" />
+    </div>
+    <p>
+      <br /> <br /> <br /> <br />
+    </p>
+    <hr />
+    <p>
+      <br /> <br />
+    </p>
+    <blockquote>
+      <p class="toc">
+        <big><b>CONTENTS</b></big>
+      </p>
+      <p>
+        <br />
+      </p>
+      <p class="toc">
+        <a href="#link2HCH0001"> CHAPTER I&mdash;ANCIENT CHALD�A </a>
+      </p>
+      <p class="toc">
+        <a href="#linkB2HCH0001"> CHAPTER II&mdash;THE TEMPLES AND THE GODS OF
+        CHALD�A </a>
+      </p>
+      <p class="toc">
+        <a href="#linkC2HCH0001"> CHAPTER III&mdash;CHALD�AN CIVILIZATION </a>
+      </p>
+      <p class="toc">
+        <a href="#linkC2H_APPE"> APPENDIX&mdash;THE PHARAOHS OF THE ANCIENT AND
+        MIDDLE EMPIRES </a>
+      </p>
+      <p>
+        <br /> <br />
+      </p>
+      <hr />
+      <p>
+        <br /> <br />
+      </p>
+      <p class="toc">
+        <big><b>List of Illustrations</b></big>
+      </p>
+      <p>
+        <br />
+      </p>
+      <p class="toc">
+        <a href="#linkimage-0001"> Frontispiece.jpg El Hammam (the Bath) </a>
+      </p>
+      <p class="toc">
+        <a href="#linkimage-0004"> 006.jpg One of the Eagle-headed Genii. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkimage-0005"> 009.jpg Bel-merodach, Armed With the
+        Thunderbolt, Does Battle With the Tumultuous Tiamat. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkimage-0006"> 011.jpg a Kufa Laden With Stones, and Manned
+        by A Crew Of Four Men. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkimage-0007"> 012.jpg the World As Conceived by The
+        Chald�ans </a>
+      </p>
+      <p class="toc">
+        <a href="#linkimage-0008"> 017.jpg a God-fish </a>
+      </p>
+      <p class="toc">
+        <a href="#linkimage-0009"> 025.jpg Gigantic Chald�an Reeds </a>
+      </p>
+      <p class="toc">
+        <a href="#linkimage-0010"> 027.jpg the Marshes About The Confluence of
+        The Kerkha And Tigris. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkimage-0011"> 030.jpg the Gathering of The Spathes Of The
+        Male Palm Tree </a>
+      </p>
+      <p class="toc">
+        <a href="#linkimage-0012"> 032.jpg a Winged Genius Holding in his Hand
+        the Spathe Of The Male Date-palm. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkimage-0013"> 033.jpg the Heavily Maned Lion Wounded by an
+        Arrow And Vomiting Blood. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkimage-0014"> 034.jpg the Urus in Act of Charging </a>
+      </p>
+      <p class="toc">
+        <a href="#linkimage-0015"> 035.jpg a Herd of Onagers Pursued by Dogs and
+        Wounded By Arrows. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkimage-0016"> 036.jpg the Chief Domestic Animals Op The
+        Regions of The Euphrates. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkimage-0017"> 037.jpg the Sow and Her Litter Making Their
+        Way Through A Bed of Reeds. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkimage-0018"> 040.jpg Map of Chald�a </a>
+      </p>
+      <p class="toc">
+        <a href="#linkimage-0019"> 042.jpg Two Fish-like Deities of the
+        Chald�ans. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkimage-0020"> 045.jpg Page With One of the Tablets Of The
+        Deluge Series. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkimage-0021"> 048.jpg Shamashnapishtim Shut Into the Ark.
+        </a>
+      </p>
+      <p class="toc">
+        <a href="#linkimage-0022"> 051.jpg the Jud� Mountains Sometimes
+        Identified With Tub Ntsib Mountains. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkimage-0023"> 057.jpg Gilgames Strangles a Lion. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkimage-0024"> 060.jpg Gilgames Fights, on the Left With a
+        Bull, On The Right With Eabani. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkimage-0025"> 068.jpg Gilgames and Eabani Fighting With
+        Monsters. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkimage-0026"> 071.jpg the Scorpion-men of The Mountains Of
+        M�shu."</a>
+      </p>
+      <p class="toc">
+        <a href="#linkimage-0027"> 073.jpg Gilgames and Arad-ea Navigating Their
+        Vessel. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkimage-0028"> 082.jpg Gilgames Struggles With a Lion </a>
+      </p>
+      <p class="toc">
+        <a href="#linkimage-0029"> 084.jpg Chronologic Table </a>
+      </p>
+      <p class="toc">
+        <a href="#linkimage-0030"> 085.jpg Table </a>
+      </p>
+      <p class="toc">
+        <a href="#linkimage-0031"> 086.jpg Table </a>
+      </p>
+      <p class="toc">
+        <a href="#linkimage-0032"> 087.jpg Table </a>
+      </p>
+      <p class="toc">
+        <a href="#linkimage-0033"> 96.jpg the Seal of Shargani-shar-ali:
+        Gilgames Waters The Celestial Ox. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkimage-0034"> 096a.jpg Painting in Color of Charioteer </a>
+      </p>
+      <p class="toc">
+        <a href="#linkimage-0035"> 097.jpg Page Image </a>
+      </p>
+      <p class="toc">
+        <a href="#linkimage-0036"> 098.jpg Page Image: the Arms Op The City and
+        Kings Of Lagash </a>
+      </p>
+      <p class="toc">
+        <a href="#linkimage-0037"> 099.jpg Fragment of Bas-relief by Urnin�,
+        King Of Lagash. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkimage-0038"> 101.jpg Idingiranagin Holding the Totem of
+        Lagash. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkimage-0039"> 102.jpg Idingiranagin in his Chariot Leading
+        His Troops. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkimage-0040"> 103.jpg Page Image. Vultures Feeding Upon the
+        Dead. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkimage-0041"> 104.jpg Piling up the Mound of The Dead After
+        The Battle. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkimage-0042"> 105.jpg King Urnina and his Family. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkimage-0043"> 108.jpg the Sacrifice </a>
+      </p>
+      <p class="toc">
+        <a href="#linkimage-0044"> 109.jpg Sitting Statue of Gudea </a>
+      </p>
+      <p class="toc">
+        <a href="#linkimage-0045"> 111.jpg Plan of the Ruins Of Mugh�er </a>
+      </p>
+      <p class="toc">
+        <a href="#linkimage-0046"> 112.jpg Statues from Telloh. And Head of One
+        Of The Statue of Gudea. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkimage-0047"> 114.jpg Plan of the Ruins Of Abu-shahreyn
+        </a>
+      </p>
+      <p class="toc">
+        <a href="#linkimage-0048"> 115.jpg an Arab Crossing the Tigris in a
+        &ldquo;kufa.&rdquo; </a>
+      </p>
+      <p class="toc">
+        <a href="#linkimage-0049"> 117.jpg an Assyrian Kelek Laden With
+        Building-stone. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkBimage-0001"> 001.jpg El Hammam (the Bath) </a>
+      </p>
+      <p class="toc">
+        <a href="#linkBimage-0005"> 124.jpg Chapter II </a>
+      </p>
+      <p class="toc">
+        <a href="#linkBimage-0006"> 126.jpg Plan of the Ruins Of Wakka </a>
+      </p>
+      <p class="toc">
+        <a href="#linkBimage-0007"> 128.jpg a Chald�an Stamped Brick. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkBimage-0008"> 134.jpg the Temple of Nannar at Uru,
+        Approximately Restored. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkBimage-0009"> 135.jpg the Temple of Uru in Its Present
+        State, According To Taylor </a>
+      </p>
+      <p class="toc">
+        <a href="#linkBimage-0010"> 136.jpg Further View of the Temple Of Uru
+        </a>
+      </p>
+      <p class="toc">
+        <a href="#linkBimage-0011"> 137.jpg Lion-headed Genius. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkBimage-0012"> 138.jpg the South-west Wind </a>
+      </p>
+      <p class="toc">
+        <a href="#linkBimage-0013"> 141.jpg Sin Delivered by Merodach from the
+        Assault of The Seven Evil Spirits. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkBimage-0014"> 142.jpg Struggle Between a Good and an Evil
+        Genius. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkBimage-0015"> 145.jpg the God Ningibsu, Patron of Lagash.
+        </a>
+      </p>
+      <p class="toc">
+        <a href="#linkBimage-0016"> 152.jpg the Adoration of The Mace and The
+        Whip. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkBimage-0017"> 153.jpg a Protecting Amulet. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkBimage-0018"> 169.jpg the God Sun Receives The Homage of
+        Two Worshippers. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkBimage-0019"> 170.jpg Shamash Sets Out, in the Morning,
+        from The Interior of the Heaven by The Eastern Gate. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkBimage-0020"> 171.jpg Shamash in his Shrine, His Emblem
+        Before Him On The Altar. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkBimage-0021"> 173.jpg Ishtar Holding Her Star Before Sin.
+        </a>
+      </p>
+      <p class="toc">
+        <a href="#linkBimage-0022"> 177.jpg the Birds of The Tempest </a>
+      </p>
+      <p class="toc">
+        <a href="#linkBimage-0023"> 178.jpg Ramman Armed With an Axe. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkBimage-0024"> 179.jpg Ramman, the God of Tempests and
+        Thunder. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkBimage-0025"> 186.jpg Shamash Fights With zu and the Storm
+        Birds. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkBimage-0026"> 186a.jpg the Plenisphere Taken from The
+        Temple Of Tentyra </a>
+      </p>
+      <p class="toc">
+        <a href="#linkBimage-0027"> 186b.jpg Text of the Plenisphere </a>
+      </p>
+      <p class="toc">
+        <a href="#linkBimage-0028"> 190.jpg Ishtar As a Warrior-goddess </a>
+      </p>
+      <p class="toc">
+        <a href="#linkBimage-0029"> 191.jpg Nebo </a>
+      </p>
+      <p class="toc">
+        <a href="#linkBimage-0030"> 203.jpg a Votary Led to the God To Receive
+        The Reward Of The Sacrifice </a>
+      </p>
+      <p class="toc">
+        <a href="#linkBimage-0031"> 204.jpg the Sacrifice: a Goat Presented to
+        Ishtar. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkBimage-0032"> 205.jpg the God Shamash Seizes With his Left
+        Hand The Smoke of the Sacrifice. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkBimage-0033"> 208.jpg Decorated Wrappings from a Mummy
+        (color) </a>
+      </p>
+      <p class="toc">
+        <a href="#linkBimage-0034"> 209.jpg Chald.an Coffin in the Form of a Jar
+        </a>
+      </p>
+      <p class="toc">
+        <a href="#linkBimage-0035"> 209a.jpg a Vaulted Tomb in Uru </a>
+      </p>
+      <p class="toc">
+        <a href="#linkBimage-0036"> 210.jpg Chald�an Tomb With Domed Roof. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkBimage-0037"> 111.jpg Chaldean Tomb With Flat Roof. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkBimage-0038"> 213.jpg the Interior of The Tomb </a>
+      </p>
+      <p class="toc">
+        <a href="#linkBimage-0039"> 220.jpg the Goddess Allat Passes Through The
+        Nether Regions in Her Bark. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkBimage-0040"> 221.jpg Nergal, the God of Hades; Back View.
+        </a>
+      </p>
+      <p class="toc">
+        <a href="#linkBimage-0041"> 226.jpg Ishtar Despoiled of Her Garments in
+        Hades </a>
+      </p>
+      <p class="toc">
+        <a href="#linkBimage-0042"> 229.jpg Dumuzi Rejuvenated on the Knees of
+        Ishtar. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkBimage-0043"> 233.jpg Etana Carried to Heaven by an Eagle.
+        </a>
+      </p>
+      <p class="toc">
+        <a href="#linkBimage-0044"> 230.jpg Endplate </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0005"> 239.jpg Chapter III. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0006"> 244.jpg the King Urnina Bearing The &ldquo;kufa.&rdquo;
+         </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0007"> 248.jpg the Plan of a Palace Built by Gudea.
+        </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0008"> 249.jpg Terra-cotta Barrel-right </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0009"> 250.jpg Plan of the Existing Buildings Of
+        Telloh. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0010"> 251.jpg Decoration of Coloured Cones on the
+        Fa�ade at Uruk </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0011"> 252.jpg Pilasters of the Facade Of Gudea&rsquo;s
+        Palace </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0012"> 255.jpg Stone Socket of One Of the Doors in
+        The Palace Of Gudea.( Right) </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0013"> 258.jpg Stand of Black Stone from the Palace
+        Of Telloh. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0014"> 262.jpg Female Servant Bare to the
+        Waist.(left) </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0015"> 262.jpg Costume of a Chald�n Lady (right)
+        </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0016"> 266.jpg a Soldier Bringing Prisoners and
+        Spoil. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0017"> 268.jpg Manuscript on Papyrus in
+        Heiroglyphics </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0018"> 271.jpg Page Image </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0019"> 272.jpg Page Image </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0020"> 274.jpg Page Image </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0021"> 276.jpg Tables </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0022"> 279.jpg the Tablet of Tell-sifr, Broken to
+        Show The Two Texts. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0023"> 280.jpg Tablet Bearing the Impress of a Seal
+        </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0024"> 294.jpg an Egyptian Slave Merchant </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0026"> 208a.jpg Chaldean Houses at Uru. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0027"> 208b Plans of Houses Excavated at Eridu and
+        Ubu. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0028"> 300.jpg Chald�an Household Utensils in
+        Terra-cotta </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0029"> 311a.jpg Chald�an Stone Implements. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0030"> 311b.jpg Chald�an Stone Hammer Bearing an
+        Inscription. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0031"> 312.jpg Chald�n Implements of Bronze </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0032"> 313.jpg Vase of Silver. And Bull Of Copper.
+        </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0033"> 315.jpg Chald�an Cylinder Exhibiting Traces
+        of The Different Tools Used by the Engraver </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0034"> 318.jpg Egyptian Manuscript </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0035"> 318-text.jpg Egyptian Manuscript </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0036"> 322.jpg the Michaux Stone (left) </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0037"> 323.jpg the Other Side of The Michaux Stone
+        (right) </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0038"> 324.jpg Two Rows of Shadufs on the Bank Of a
+        River. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0039"> 325.jpg Chald�an Farming Operations. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0040"> 327.jpg the Farm Oxen </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0041"> 329a.jpg Cooking: a Quarrel. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0042"> 329b.jpg Scenes of Pastoral Life in Chald�a.
+        </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0043"> 330.jpg Fight With a Lion </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0044"> 331.jpg the Dog in Tub Leash </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0045"> 332.jpg Chald�an Carrying a Fish. (left)
+        </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0046"> 333.jpg the Onager Taken With The Lasso.
+        </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0047"> 337.jpg Page Image </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0048"> 340.jpg Chald�an Map of the World. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0049"> 341.jpg Astronomical Table </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0050"> 352.jpg a Chald�an Amulet. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0051"> 354.jpg Magic Nail of Terra Cotta </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0052"> 355.jpg Egyptian Cornice Bearing the
+        Cartouches of Ramses I. </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0053"> 357.jpg Lists of the Pharaohs Of The Ancient
+        Empire </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0054"> 358.jpg Lists on the Monuments </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0055"> 359.jpg Lists on the Monuments </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0056"> 360.jpg Lists on the Monuments </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0057"> 361.jpg Lists on the Monuments </a>
+      </p>
+      <p class="toc">
+        <a href="#linkCimage-0058"> 362.jpg Tailpiece </a>
+      </p>
+    </blockquote>
+    <p>
+      <br /> <br />
+    </p>
+    <hr />
+    <p>
+      <br /> <br />
+    </p>
+    <div class="fig" style="width:80%;">
+      <img alt="preface1 (124K)" src="images/preface1.jpg" width="100%" />
+    </div>
+    <p>
+      <br /> <br />
+    </p>
+    <div class="fig" style="width:80%;">
+      <img alt="preface2 (90K)" src="images/preface2.jpg" width="100%" />
+    </div>
+    <p>
+      <br /> <br /> <br /> <br />
+    </p>
+    <div class="fig" style="width:80%;">
+      <img alt="003 (150K)" src="images/003.jpg" width="100%" />
+    </div>
+    <p>
+      <br /> <br /> <a name="link2HCH0001" id="link2HCH0001">
+      <!--  H2 anchor --> </a>
+    </p>
+    <div style="height: 4em;">
+      <br /><br /><br /><br />
+    </div>
+    <h2>
+      CHAPTER I&mdash;ANCIENT CHALD�A
+    </h2>
+    <p>
+      The Creation, the Deluge, the history of the gods&mdash;The country, its
+      cities its inhabitants, its early dynasties.
+    </p>
+    <p>
+      &ldquo;In the time when nothing which was called heaven existed above, and when
+      nothing below had as yet received the name of earth,* Apsu, the Ocean, who
+      first was their father, and Chaos-Ti�mat, who gave birth to them all,
+      mingled their waters in one, reeds which were not united, rushes which
+      bore no fruit.&rdquo; ** Life germinated slowly in this inert mass, in which the
+      elements of our world lay still in confusion: when at length it did spring
+      up, it was but feebly, and at rare intervals, through the hatching of
+      divine couples devoid of personality and almost without form. &ldquo;In the time
+      when the gods were not created, not one as yet, when they had neither been
+      called by their names, nor had their destinies been assigned to them by
+      fate, gods manifested themselves. Lakhmu and Lakhamu were the first to
+      appear, and waxed great for ages; then Anshar and Kishar were produced
+      after them. Days were added to days, and years were heaped upon years:
+      Anu, Inlil, and Ea were born in their turn, for Anshar and Kishar had
+      given them birth.&rdquo; As the generations emanated one from the other, their
+      vitality increased, and the personality of each became more clearly
+      defined; the last generation included none but beings of an original
+      character and clearly marked individuality. Anu, the sunlit sky by day,
+      the starlit firmament by night; Inlil-Bel, the king of the earth; Ea, the
+      sovereign of the waters and the personification of wisdom.*** Each of them
+      duplicated himself, Anu into Anat, Bel into Belit, Ea into Damkina, and
+      united himself to the spouse whom he had deduced from himself. Other
+      divinities sprang from these fruitful pairs, and the impulse once given,
+      the world was rapidly peopled by their descendants. Sin, Shamash, and
+      Kamman, who presided respectively over the moon, the sun, and the air,
+      were all three of equal rank; next came the lords of the planets, Ninib,
+      Merodach, Nergal, the warrior-goddess Ishtar, and Nebo; then a whole army
+      of lesser deities, who ranged themselves around Anu as round a supreme
+      master. Ti�mat, finding her domain becoming more and more restricted owing
+      to the activity of the others, desired to raise battalion against
+      battalion, and set herself to create unceasingly; but her offspring, made
+      in her own image, appeared like those incongruous phantoms which men see
+      in dreams, and which are made up of members borrowed from a score of
+      different animals. They appeared in the form of bulls with human heads, of
+      horses with the snouts of dogs, of dogs with quadruple bodies springing
+      from a single fish-like tail. Some of them had the beak of an eagle or a
+      hawk; others, four wings and two faces; others, the legs and horns of a
+      goat; others, again, the hind quarters of a horse and the whole body of a
+      man. Ti�mat furnished them with terrible weapons, placed them under the
+      command of her husband Kingu, and set out to war against the gods.
+    </p>
+<pre xml:space="preserve">
+     * In Chald�a, as in Egypt, nothing was supposed to have a
+     real existence until it had received its name: the sentence
+     quoted in the text means practically, that at that time
+     there was neither heaven nor earth.
+
+     ** Apsu has been transliterated kiracruv [in Greek], by the
+     author an extract from whose works has been preserved by
+     Damascius. He gives a different version of the tradition,
+     according to which the amorphous goddess Mummu-Ti�mat
+     consisted of two persons. The first, Tauth�, was the wife of
+     Apas�n; the second, Moymis, was the son of Apas�n and of
+     Tauth�. The last part of the sentence is very obscure in the
+     Assyrian text, and has been translated in a variety of
+     different ways. It seems to contain a comparison between
+     Aps� and Mummu-Ti�mat on the one hand, and the reeds and
+     clumps of rushes so common in Chald�a on the other; the two
+     divinities remain inert and unfruitful, like water-plants
+     which have not yet manifested their exuberant growth.
+
+     *** The first fragments of the Chald�an account of the
+     Creation were discovered by G. Smith, who described them in
+     the <i>Daily Telegraph</i> (of March 4, 1875), and published them
+     in the <i>Transactions of the Society of Biblical Arch�ology</i>,
+     and translated in his Chald�an account of Genesis all the
+     fragments with which he was acquainted; other fragments have
+     since been collected, but unfortunately not enough to enable
+     us to entirely reconstitute the legend. It covered at least
+     six tablets, possibly more. Portions of it have been
+     translated after Smith, by Talbot, by Oppert, by Lenormant,
+     by Schrader, by Sayce, by Jensen, by Winckler, by Zimmern,
+     and lastly by Del�tzsch. Since G. Smith wrote <i>The Chald�an
+     Account</i>, a fragment of a different version has been
+     considered to be a part of the dogma of the Creation, as it
+     was put forth at Kutha.
+</pre>
+    <p>
+      <a name="linkimage-0004" id="linkimage-0004">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/006.jpg" width="100%"
+       alt="006.jpg One of the Eagle-headed Genii. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin from an Assyrian bas-relief from
+     Khorsabad
+</pre>
+    <p>
+      At first they knew not whom to send against her. Anshar despatched his son
+      Anu; but Anu was afraid, and made no attempt to oppose her. He sent Ea;
+      but Ea, like Anu, grew pale with fear, and did not venture to attack her.
+      Merodach, the son of Ea, was the only one who believed himself strong
+      enough to conquer her. The gods, summoned to a solemn banquet in the
+      palace of Anshar, unanimously chose him to be their champion, and
+      proclaimed him king. &ldquo;Thou, thou art glorious among the great gods, thy
+      will is second to none, thy bidding is Anu; Marduk (Merodach), thou art
+      glorious among the great gods, thy will is second to none,* thy bidding is
+      Anu.** From this day, that which thou orderest may not be changed, the
+      power to raise or to abase shall be in thy hand, the word of thy mouth
+      shall endure, and thy commandment shall not meet with opposition. None of
+      the gods shall transgress thy law; but wheresoever a sanctuary of the gods
+      is decorated, the place where they shall give their oracles shall be thy
+      place.*** Marduk, it is thou who art our avenger! We bestow on thee the
+      attributes of a king; the whole of all that exists, thou hast it, and
+      everywhere thy word shall be exalted. Thy weapons shall not be turned
+      aside, they shall strike thy enemy. O master, who trusts in thee, spare
+      thou, his life; but the god who hath done evil, put out his life like
+      water. They clad their champion in a garment, and thus addressed him: &lsquo;Thy
+      will, master, shall be that of the gods. Speak the word, &lsquo;Let it be so,&rsquo;
+      it shall be so. Thus open thy mouth, this garment shall disappear; say
+      unto it, &lsquo;Return,&rsquo; and the garment shall be there.&rdquo; He spoke with his
+      lips, the garment disappeared; he said unto it, &ldquo;Return,&rdquo; and the garment
+      was restored.
+    </p>
+<pre xml:space="preserve">
+     * The Assyrian runs, &ldquo;thy destiny is second to none.&rdquo; This
+     refers not to the <i>destiny</i> of the god himself, but to the
+     fate which he allots to others. I have substituted, here and
+     elsewhere, for the word &ldquo;destiny,&rdquo; the special meaning of
+     which would not have been understood, the word &ldquo;will,&rdquo;
+      which, though it does not exactly reproduce the Assyrian
+     expression, avoids the necessity for paraphrases or formulas
+     calculated to puzzle the modern reader.
+
+     ** Or, to put it less concisely, &ldquo;When thou commandest, it
+     is Anu himself who commands,&rdquo; and the same blind obedience
+     must be paid to thee as to Anu.
+
+     *** The meaning is uncertain. The sentence seems to convey
+     that henceforth Merodach would be at home in all temples
+     that were constructed in honour of the other gods.
+</pre>
+    <p>
+      Merodach having been once convinced by this evidence that he had the power
+      of doing everything and of undoing everything at his pleasure, the gods
+      handed to him the sceptre, the throne, the crown, the insignia of supreme
+      rule, and greeted him with their acclamations: &ldquo;Be King!&mdash;Go! Cut
+      short the life of Ti�mat, and let the wind carry her blood to the hidden
+      extremities of the universe.&rdquo; * He equipped himself carefully for the
+      struggle. &ldquo;He made a bow and placed his mark upon it;&rdquo; ** he had a spear
+      brought to him and fitted a point to it; the god lifted the lance,
+      brandished it in his right hand, then hung the bow and quiver at his side.
+      He placed a thunderbolt before him, filled his body with a devouring
+      flame, then made a net in which to catch the anarchic Ti�mat; he placed
+      the four winds in such a way that she could not escape, south and north,
+      east and west, and with his own hand he brought them the net, the gift of
+      his father Anu. &ldquo;He created the hurricane, the evil wind, the storm, the
+      tempest, the four winds, the seven winds, the waterspout, the wind that is
+      second to none; then he let loose the winds he had created, all seven of
+      them, in order to bewilder the anarchic Ti�mat by charging behind her. And
+      the master of the waterspout raised his mighty weapon, he mounted his
+      chariot, a work without its equal, formidable; he installed himself
+      therein, tied the four reins to the side, and darted forth, pitiless,
+      torrent-like, swift.&rdquo;
+     </p>
+<pre xml:space="preserve">
+     * Sayce was the first, I believe, to cite, in connection
+     with this mysterious order, the passage in which Berossus
+     tells how the gods created men from a little clay, moistened
+     with the blood of the god B�los. Here there seems to be a
+     fear lest the blood of Ti�mat, mingling with the mud, should
+     produce a crop of monsters similar to those which the
+     goddess had already created; the blood, if carried to the
+     north, into the domain of the night, would there lose its
+     creative power, or the monsters who might spring from it
+     would at any rate remain strangers to the world of gods and
+     men.
+
+     ** &ldquo;Literally, he made his weapon known; &ldquo;perhaps it would
+     be better to interpret it, &ldquo;and he made it known that the
+     bow would henceforth be his distinctive weapon.&rdquo;
+ </pre>
+    <p>
+      <a name="linkimage-0005" id="linkimage-0005">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/009.jpg" width="100%"
+       alt="009.jpg Bel-merodach, Armed With the Thunderbolt, Does Battle With the Tumultuous Tiamat. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin from the bas-relief from Nimr�d
+     preserved in the British Museum.
+</pre>
+    <p>
+      He passed through the serried ranks of the monsters and penetrated as far
+      as Ti�mat, and provoked her with his cries. &ldquo;&lsquo;Thou hast rebelled against
+      the sovereignty of the gods, thou hast plotted evil against them, and hast
+      desired that my fathers should taste of thy malevolence; therefore thy
+      host shall be reduced to slavery, thy weapons shall be torn from thee.
+      Come, then, thou and I must give battle to one another!&rsquo; Ti�mat, when she
+      heard him, flew into a fury, she became mad with rage; then Ti�mat howled,
+      she raised herself savagely to her full height, and planted her feet
+      firmly on the earth. She pronounced an incantation, recited her formula,
+      and called to her aid the gods of the combat, both them and their weapons.
+      They drew near one to another, Ti�mat and Marduk, wisest of the gods: They
+      flung themselves into the combat, they met one another in the struggle.
+      Then the master unfolded his net and seized her; he caused the hurricane
+      which waited behind him to pass in front of him, and, when Ti�mat opened
+      her mouth to swallow him, he thrust the hurricane into it so that the
+      monster could not close her jaws again. The mighty wind filled her paunch,
+      her breast swelled, her maw was split. Marduk gave a straight thrust with
+      his lance, burst open the paunch, pierced the interior, tore the breast,
+      then bound the monster and deprived her of life. When he had vanquished
+      Ti�mat, who had been their leader, her army was disbanded, her host was
+      scattered, and the gods, her allies, who had marched beside her, trembled,
+      were scared, and fled.&rdquo; He seized hold of them, and of Kingu their chief,
+      and brought them bound in chains before the throne of his father.
+    </p>
+    <p>
+      He had saved the gods from ruin, but this was the least part of his task;
+      he had still to sweep out of space the huge carcase which encumbered it,
+      and to separate its ill-assorted elements, and arrange them afresh for the
+      benefit of the conquerors. He returned to Ti�mat whom he had bound in
+      chains. He placed his foot upon her, with his unerring knife he cut into
+      the upper part of her; then he cut the blood-vessels, and caused the blood
+      to be carried by the north wind to the hidden places. And the gods saw his
+      face, they rejoiced, they gave themselves up to gladness, and sent him a
+      present, a tribute of peace; then he recovered his calm, he contemplated
+      the corpse, raised it and wrought marvels.
+    </p>
+    <p>
+      <a name="linkimage-0006" id="linkimage-0006">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/011.jpg" width="100%"
+       alt="010.jpg a Kufa Laden With Stones, and Manned by A Crew Of Four Men. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from a bas-relief at Koyunjik.
+     Behind the <i>kufa</i> may be seen a fisherman seated astride on
+     an inflated skin with his fish-basket attached to his neck.
+</pre>
+    <p>
+      He split it in two as one does a fish for drying; then he hung up one of
+      the halves on high, which became the heavens; the other half he spread out
+      under his feet to form the earth, and made the universe such as men have
+      since known it. As in Egypt, the world was a kind of enclosed chamber
+      balanced on the bosom of the eternal waters.* The earth, which forms the
+      lower part of it, or floor, is something like an overturned boat in
+      appearance, and hollow underneath, not like one of the narrow skiffs in
+      use among other races, but a kufa, or kind of semicircular boat such as
+      the tribes of the Lower Euphrates have made use of from earliest antiquity
+      down to our own times.
+    </p>
+<pre xml:space="preserve">
+     * The description of the Egyptian world will be found in
+     vol. i. p. 21 of the present work. So far the only
+     systematic attempt to reconstruct the Chald�an world, since
+     Lenormant, has been made by Jensen, who, after examining all
+     the elements which went to compose it, one after another,
+     sums up in a few pages, and reproduces in a plate, the
+     principal results of his inquiry. It will be seen at a
+     glance how much I have taken from his work, and in what
+     respects the drawing here reproduced differs from his.
+</pre>
+    <p>
+      <a name="linkimage-0007" id="linkimage-0007">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/012.jpg" width="100%"
+       alt="012.jpg the World As Conceived by The Chald�ans " />
+    </div>
+    <p>
+      The earth rises gradually from the extremities to the centre, like a great
+      mountain, of which the snow-region, where the Euphrates finds its source,
+      approximately marks the summit. It was at first supposed to be divided
+      into seven zones, placed one on the top of the other along its sides, like
+      the stories of a temple; later on it was divided into four &ldquo;houses,&rdquo; each
+      of which, like the &ldquo;houses&rdquo; of Egypt, corresponded with one of the four
+      cardinal points, and was under the rule of particular gods. Near the foot
+      of the mountain, the edges of the so-called boat curve abruptly outwards,
+      and surround the earth with a continuous wall of uniform height having no
+      opening. The waters accumulated in the hollow thus formed, as in a ditch;
+      it was a narrow and mysterious sea, an ocean stream, which no living man
+      might cross save with permission from on high, and whose waves rigorously
+      separated the domain of men from the regions reserved to the gods. The
+      heavens rose above the &ldquo;mountain of the world&rdquo; like a boldly formed dome,
+      the circumference of which rested on the top of the wall in the same way
+      as the upper structures of a house rest on its foundations. Merodach
+      wrought it out of a hard resisting metal which shone brilliantly during
+      the day in the rays of the sun, and at night appeared only as a dark blue
+      surface, strewn irregularly with luminous stars. He left it quite solid in
+      the southern regions, but tunnelled it in the north, by contriving within
+      it a huge cavern which communicated with external space by means of two
+      doors placed at the east and the west.* The sun came forth each morning by
+      the first of these doors; he mounted to the zenith, following the internal
+      base of the cupola from east to south; then he slowly descended again to
+      the western door, and re-entered the tunnel in the firmament, where he
+      spent the night,** Merodach regulated the course of the whole universe on
+      the movements of the sun. He instituted the year and divided it into
+      twelve months. To each month he assigned three decans, each of whom
+      exercised his influence successively for a period of ten days; he then
+      placed the procession of the days under the authority of Nibiru, in order
+      that none of them should wander from his track and be lost. &ldquo;He lighted
+      the moon that she might rule the night, and made her a star of night that
+      she might indicate the days:*** &lsquo;From month to month, without ceasing,
+      shape thy disk,**** and at the beginning of the month kindle thyself in
+      the evening, lighting up thy horns so as to make the heavens
+      distinguishable; on the seventh day, show to me thy disk; and on the
+      fifteenth, let thy two halves be full from month to month.&rsquo;&rdquo; He cleared a
+      path for the planets, and four of them he entrusted to four gods; the
+      fifth, our Jupiter, he reserved for himself, and appointed him to be
+      shepherd of this celestial flock; in order that all the gods might have
+      their image visible in the sky, he mapped out on the vault of heaven
+      groups of stars which he allotted to them, and which seemed to men like
+      representations of real or fabulous beings, fishes with the heads of rams,
+      lions, bulls, goats and scorpions.
+    </p>
+<pre xml:space="preserve">
+     * Jensen has made a collection of the texts which speak of
+     the interior of the heavens (Kirib shami) and of their
+     aspect. The expressions which have induced many
+     Assyriologists to conclude that the heavens were divided
+     into different parts subject to different gods may be
+     explained without necessarily having recourse to this
+     hypothesis; the &ldquo;heaven of Ami,&rdquo; for instance, is an
+     expression which merely affirms Anu&rsquo;s sovereignty in the
+     heavens, and is only a more elegant way of designating the
+     heavens by the name of the god who rules them. The gates of
+     heaven are mentioned in the account of the Creation.
+
+     ** It is generally admitted that the Chald�ans believed that
+     the sun passed over the world in the daytime, and underneath
+     it during the night. The general resemblance of their theory
+     of the universe to the Egyptian theory leads me to believe
+     that they, no less than the Egyptians (cf. vol. i. pp. 24,
+     25, of the present work), for along time believed that the
+     sun and moon revolved round the earth in a horizontal plane.
+
+     *** This obscure phrase seems to be explained, if we
+     remember that the Chald�an, like the Egyptian day, dated
+     from the rising of one moon to the rising of the following
+     moon; for instance, from six o&rsquo;clock one evening to about
+     six o&rsquo;clock the next evening. The moon, the star of night,
+     thus marks the appearance of each day and &ldquo;indicates the
+     days.&rdquo;
+
+     **** The word here translated by &ldquo;disk&rdquo; is literally the
+     royal cap, decorated with horns, &ldquo;Agu,&rdquo; which Sin, the moon-
+     god, wears on his head.
+</pre>
+    <p>
+      The heavens having been put in order,* he set about peopling the earth,
+      and the gods, who had so far passively and perhaps powerlessly watched him
+      at his work, at length made up their minds to assist him. They covered the
+      soil with verdure, and all collectively &ldquo;made living beings of many kinds.
+      The cattle of the fields, the wild beasts of the fields, the reptiles of
+      the fields, they fashioned them and made of them creatures of life.&rdquo; **
+      According to one legend, these first animals had hardly left the hands of
+      their creators, when, not being able to withstand the glare of the light,
+      they fell dead one after the other. Then Merodach, seeing that the earth
+      was again becoming desolate, and that its fertility was of no use to any
+      one, begged his father Ea to cut off his head and mix clay with the blood
+      which welled from the trunk, then from this clay to fashion new beasts and
+      men, to whom the virtues of this divine blood would give the necessary
+      strength to enable them to resist the air and light. At first they led a
+      somewhat wretched existence, and &ldquo;lived without rule after the manner of
+      beasts. But, in the first year, appeared a monster endowed with human
+      reason named Oannes, who rose from out of the Erythraean sea, at the point
+      where it borders Babylonia. He had the whole body of a fish, but above his
+      fish&rsquo;s head he had another head which was that of a man, and human feet
+      emerged from beneath his fish&rsquo;s tail; he had a human voice, and his image
+      is preserved to this day. He passed the day in the midst of men without
+      taking any food; he taught them the use of letters, sciences and arts of
+      all kinds, the rules for the founding of cities, and the construction of
+      temples, the principles of law and of surveying; he showed them how to sow
+      and reap; he gave them all that contributes to the comforts of life. Since
+      that time nothing excellent has been invented. At sunset this monster
+      Oannes plunged back into the sea, and remained all night beneath the
+      waves, for he was amphibious. He wrote a book on the origin of things and
+      of civilization, which he gave to men.&rdquo; These are a few of the fables
+      which were current among the races of the Lower Euphrates with regard to
+      the first beginnings of the universe. That they possessed many other
+      legends of which we now know nothing is certain, but either they have
+      perished for ever, or the works in which they were recorded still await
+      discovery, it may be under the ruins of a palace or in the cupboards of
+      some museum.
+    </p>
+    <p>
+      * The arrangement of the heavens by Merodach is described at the end of
+      the fourth and beginning of the fifth tablets. The text, originally
+      somewhat obscure, is so mutilated in places that it is not always possible
+      to make out the sense with certainty.
+    </p>
+    <p>
+      ** The creation of the animals and then of man is related on the seventh
+      tablet, and on a tablet the place of which, in the series, is still
+      undetermined. I have been obliged to translate the text rather freely, so
+      as to make the meaning clear to the modern reader.
+    </p>
+    <p>
+      <a name="linkimage-0008" id="linkimage-0008">
+      <!-- IMG --></a>
+    </p>
+    <div class="figleft" style="width:30%;">
+      <img width="100%" src="images/017.jpg" alt="017.jpg a God-fish " />
+<pre xml:space="preserve">
+Drawn by Faucher-Gudin, from an
+Assyrian bas-relief from Nimr�d.
+</pre>
+    </div>
+    <p>
+      They do not seem to have conceived the possibility of an absolute
+      creation, by means of which the gods, or one of them, should have evolved
+      out of nothing all that exists: the creation was for them merely the
+      setting in motion of pre-existing elements, and the creator only an
+      organizer of the various materials floating in chaos. Popular fancy in
+      different towns varied the names of the creators and the methods employed
+      by them; as centuries passed on, a pile of vague, confused, and
+      contradictory traditions were amassed, no one of which was held to be
+      quite satisfactory, though all found partisans to support them. Just as in
+      Egypt, the theologians of local priesthoods endeavoured to classify them
+      and bring them into a kind of harmony: many they rejected and others they
+      recast in order to better reconcile their statements: they arranged them
+      in systems, from which they undertook to unravel, under inspiration from
+      on high, the true history of the universe. That which I have tried to set
+      forth above is very ancient, if, as is said to be the case, it was in
+      existence two or even three thousand years before our era; but the
+      versions of it which we possess were drawn up much later, perhaps not till
+      about the VIIth century B.C.* It had been accepted by the inhabitants of
+      Babylon because it flattered their religious vanity by attributing the
+      credit of having evolved order out of chaos to Merodach, the protector of
+      their city.** He it was whom the Assyrian scribes had raised to a position
+      of honour at the court of the last kings of Nineveh:*** it was Merodach&rsquo;s
+      name which Berossus inscribed at the beginning of his book, when he set
+      about relating to the Greeks the origin of the world according to the
+      Chaldeans, and the dawn of Babylonian civilization.
+    </p>
+<pre xml:space="preserve">
+     * The question as to whether the text was originally written
+     in Sumerian or in the Semitic tongue has frequently been
+     discussed; the form in which we have it at present is not
+     very old, and does not date much further back than the reign
+     of Assurbanipal, if it is not even contemporary with that
+     monarch. According to Sayce, the first version would date
+     back beyond the XXth century, to the reign of Khammurabi;
+     according to Jensen, beyond the XXXth century before our
+     era.
+
+     ** Sayce thinks that the myth originated at Eridu, on the
+     shores of the Persian Gulf, and afterwards received its
+     present form at Babylon, where the local schools of theology
+     adapted it to the god Merodach.
+
+     *** The tablets in which it is preserved for us come partly
+     from the library of Assurbanipal at Nineveh, partly from
+     that of the temple of Nebo at Borsippa; these latter are
+     more recent than the others, and seem to have been written
+     during the period of the Persian supremacy.
+</pre>
+    <p>
+      Like the Egyptian civilization, it had had its birth between the sea and
+      the dry land on a low, marshy, alluvial soil, flooded annually by the
+      rivers which traverse it, devastated at long intervals by tidal waves of
+      extraordinary violence. The Euphrates and the Tigris cannot be regarded as
+      mysterious streams like the Nile, whose source so long defied exploration
+      that people were tempted to place it beyond the regions inhabited by man.
+      The former rise in Armenia, on the slopes of the Niphates, one of the
+      chains of mountains which lie between the Black Sea and Mesopotamia, and
+      the only range which at certain points reaches the line of eternal snow.
+      At first they flow parallel to one another, the Euphrates from east to
+      west as far as Malatiyeh, the Tigris from the west towards the east in the
+      direction of Assyria. Beyond Malatiyeh, the Euphrates bends abruptly to
+      the south-west, and makes its way across the Taurus as though desirous of
+      reaching the Mediterranean by the shortest route, but it soon alters its
+      intention, and makes for the south-east in search of the Persian Gulf. The
+      Tigris runs in an oblique direction towards the south from the point where
+      the mountains open out, and gradually approaches the Euphrates. Near
+      Bagdad the two rivers are only a few leagues apart. However, they do not
+      yet blend their waters; after proceeding side by side for some twenty or
+      thirty miles, they again separate and only finally; unite at a point some
+      eighty leagues lower down. At the beginning of our geological period their
+      course was not such a long one. The sea then penetrated as far as lat.
+      33�, and was only arrested by the last undulations of the great plateau of
+      secondary formation, which descend from the mountain group of Armenia: the
+      two rivers entered the sea at a distance of about twenty leagues apart,
+      falling into a gulf bounded on the east by the last spurs of the mountains
+      of Iran, on the west by the sandy heights which border the margin of the
+      Arabian Desert.* They filled up this gulf with their alluvial deposit,
+      aided by the Adhem, the Diy�leh, the Kerkha, the Karun, and other rivers,
+      which at the end of long independent courses became tributaries of the
+      Tigris. The present beds of the two rivers, connected by numerous canals,
+      at length meet near the village of Kornah and form one single river, the
+      Shatt-el-Arab, which carries their waters to the sea. The mud with which
+      they are charged is deposited when it reaches their mouth, and accumulates
+      rapidly; it is said that the coast advances about a mile every seventy
+      years.** In its upper reaches the Euphrates collects a number of small
+      affluents, the most important of which, the Kara-Su, has often been
+      confounded with it. Near the middle of its course, the Sadjur on the right
+      bank carries into it the waters of the Taurus and the Amanus, on the left
+      bank the Balikh and the Khabur contribute those of the Karadja-Dagh; from
+      the mouth of the Khabur to the sea the Euphrates receives no further
+      affluent. The Tigris is fed on the left by the Bitlis-Khai, the two Zabs,
+      the Adhem, and the Diy�leh. The Euphrates is navigable from Sumeisat, the
+      Tigris from Mossul, both of them almost as soon as they leave the
+      mountains. They are subject to annual floods, which occur when the winter
+      snow melts on the higher ranges of Armenia. The Tigris, which rises from
+      the southern slope of the Niphates and has the more direct course, is the
+      first to overflow its banks, which it does at the beginning of March, and
+      reaches its greatest height about the 10th or 12th of May. The Euphrates
+      rises in the middle of March, and does not attain its highest level till
+      the close of May. From June onwards it falls with increasing rapidity; by
+      September all the water which has not been absorbed by the soil has
+      returned to the river-bed. The inundation does not possess the same
+      importance for the regions covered by it, that the rise of the Nile does
+      for Egypt. In fact, it does more harm than good, and the river-side
+      population have always worked hard to protect themselves from it and to
+      keep it away from their lands rather than facilitate its access to them;
+      they regard it as a sort of necessary evil to which they resign
+      themselves, while trying to minimize its effects.***
+    </p>
+<pre xml:space="preserve">
+     * This fact has been established by Ross and Lynch in two
+     articles in the <i>Journal of the Royal Geographical Society</i>,
+     vol. ix. pp. 446, 472. The Chald�ans and Assyrians called
+     the gulf into which the two rivers debouched, N�r Marr�tum,
+     or &ldquo;salt river,&rdquo; a name which they extended to the Chald�an
+     Sea, i.e. to the whole Persian Gulf.
+
+     ** Loftus estimated, about the middle of the last century,
+     the progress of alluvial deposit at about one English mile
+     in every seventy years; H. Rawlinson considers that the
+     progress must have been more considerable in ancient times,
+     and estimates it at an English mile in thirty years. Kiepert
+     thinks, taking the above estimate as a basis, that in the
+     sixth century before our era the fore-shore came from about
+     ten to twelve German miles (47 to 56 English) higher up than
+     the present fore-shore. G. Rawlinson estimates on his part
+     that between the thirtieth and twentieth centuries B.C., a
+     period in which he places the establishment of the first
+     Chald�an Empire, the fore-shore was more than 120 miles
+     above the mouth of Shatt-el-Arab, to the north of the
+     present village of Kornah.
+
+     *** Fr. Lenormant has energetically defended this hypothesis
+     in the majority of his works: it is set forth at some length
+     in his work on <i>La Langue primitive de la Chald�e</i>. Hommel,
+     on the other hand, maintains and strives to demonstrate
+     scientifically the relationship of the non-Semitic tongue
+     with Turkish.
+</pre>
+    <p>
+      The traveller Olivier noticed this, and writes as follows: &ldquo;The land there
+      is rather less fertile [than in Egypt], because it does not receive the
+      alluvial deposits of the rivers with the same regularity as that of the
+      Delta. It is necessary to irrigate it in order to render it productive,
+      and to protect it sedulously from the inundations which are too
+      destructive in their action and too irregular.&rdquo;
+     </p>
+    <p>
+      The first races to colonize this country of rivers, or at any rate the
+      first of which we can find traces, seem to have belonged to three
+      different types. The most important were the Semites, who spoke a dialect
+      akin to Aramaic, Hebrew, and Phoenician. It was for a long time supposed
+      that they came down from the north, and traces of their occupation have
+      been pointed out in Armenia in the vicinity of Ararat, or halfway down the
+      course of the Tigris, at the foot of the Gordysean mountains. It has
+      recently been suggested that we ought rather to seek for their place of
+      origin in Southern Arabia, and this view is gaining ground among the
+      learned. Side by side with these Semites, the monuments give evidence of a
+      race of ill-defined character, which some have sought, without much
+      success, to connect with the tribes of the Urall or Alta�; these people
+      are for the present provisionally called Sumerians.* They came, it would
+      appear, from some northern country; they brought with them from their
+      original home a curious system of writing, which, modified, transformed,
+      and adopted by ten different nations, has preserved for us all that we
+      know in regard to the majority of the empires which rose and fell in
+      Western Asia before the Persian conquest. Semite or Sumerian, it is still
+      doubtful which preceded the other at the mouths of the Euphrates. The
+      Sumerians, who were for a time all-powerful in the centuries before the
+      dawn of history, had already mingled closely with the Semites when we
+      first hear of them. Their language gave way to the Semitic, and tended
+      gradually to become a language of ceremony and ritual, which was at last
+      learnt less for everyday use, than for the drawing up of certain royal
+      inscriptions, or for the interpretation of very ancient texts of a legal
+      or sacred character. Their religion became assimilated to the religion,
+      and their gods identified with the gods, of the Semites. The process of
+      fusion commenced at such an early date, that nothing has really come down
+      to us from the time when the two races were strangers to each other. We
+      are, therefore, unable to say with certainty how much each borrowed from
+      the other, what each gave, or relinquished of its individual instincts and
+      customs. We must take and judge them as they come before us, as forming
+      one single nation, imbued with the same ideas, influenced in all their
+      acts by the same civilization, and possessed of such strongly marked
+      characteristics that only in the last days of their existence do we find
+      any appreciable change. In the course of the ages they had to submit to
+      the invasions and domination of some dozen different races, of whom some&mdash;Assyrians
+      and Chald�ans&mdash;were descended from a Semitic stock, while the others&mdash;Elamites,
+      Cossaaans, Persians, Macedonians, and Parthians&mdash;either were not
+      connected with them by any tie of blood, or traced their origin in some
+      distant manner to the Sumerian branch. They got quickly rid of a portion
+      of these superfluous elements, and absorbed or assimilated the rest; like
+      the Egyptians, they seem to have been one of those races which, once
+      established, were incapable of ever undergoing modification, and remained
+      unchanged from one end of their existence to the other.
+    </p>
+    <p>
+      * The name <i>Accadian</i> proposed by H. Rawlinson and by Hincks, and
+      adopted by Sayce, seems to have given way to <i>Sumerian</i>, the title
+      put forward by Oppert. The existence of the Sumerian or Sumero-Accadian
+      has been contested by Hal�vy in a number of noteworthy works. M. Hal�vy
+      wishes to recognize in the so-called Sumerian documents the Semitic tongue
+      of the ordinary inscriptions, but written in a priestly syllabic character
+      subject to certain rules; this would be practically a <i>cryptogram</i>,
+      or rather an <i>allogram</i>. M. Hal�vy won over Messrs. Guyard and Pognon
+      in France, Delitzsch and a part of the Delitzsch school in Germany, to his
+      view of the facts. The controversy, which has been carried on on both
+      sides with a somewhat unnecessary vehemence, still rages; it has been
+      simplified quite recently by Delitzcsh&rsquo;s return to the Sumerian theory.
+      Without reviewing the arguments in detail, and while doing full justice to
+      the profound learning displayed by M. Hal�vy, I feel forced to declare
+      with Tiele that his criticisms &ldquo;oblige scholars to carefully reconsider
+      all that has been taken as proved in these matters, but that they do not
+      warrant us in rejecting as untenable the hypothesis, still a very probable
+      one, according to which the difference in the graphic systems corresponds
+      to a real difference in. idiom.&rdquo;
+     </p>
+    <p>
+      Their country must have presented at the beginning very much the same
+      aspect of disorder and neglect which it offers to modern eyes. It was a
+      flat interminable moorland stretching away to the horizon, there to begin
+      again seemingly more limitless than ever, with, no rise or fall in the
+      ground to break the dull monotony; clumps of palm trees and slender
+      mimosas, intersected by lines of water gleaming in the distance, then long
+      patches of wormwood and mallow, endless vistas of burnt-up plain, more
+      palms and more mimosas, make up the picture of the land, whose uniform
+      soil consists of rich, stiff, heavy clay, split up by the heat of the sun
+      into a network of deep narrow fissures, from which the shrubs and wild
+      herbs shoot forth each year in spring-time. By an almost imperceptible
+      slope it falls gently away from north to south towards the Persian Gulf,
+      from east to west towards the Arabian plateau. The Euphrates flows through
+      it with unstable and changing course, between shifting banks which it
+      shapes and re-shapes from season to season.
+    </p>
+    <p>
+      <a name="linkimage-0009" id="linkimage-0009">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/025.jpg" width="100%"
+       alt="025.jpg Gigantic Chald�an Reeds " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from an Assyrian bas-relief of the
+     palace of Nimr�d.
+</pre>
+    <p>
+      The slightest impulse of its current encroaches on them, breaks through
+      them, and makes openings for streamlets, the majority of which are clogged
+      up and obliterated by the washing away of their margins, almost as rapidly
+      as they are formed. Others grow wider and longer, and, sending out
+      branches, are transformed into permanent canals or regular rivers,
+      navigable at certain seasons. They meet on the left bank detached
+      offshoots of the Tigris, and after wandering capriciously in the space
+      between the two rivers, at last rejoin their parent stream: such are the
+      Shatt-el-Ha� and the Shatt-en-Nil. The overflowing waters on the right
+      bank, owing to the fall of the land, run towards the low limestone hills
+      which shut in the basin of the Euphrates in the direction of the desert;
+      they are arrested at the foot of these hills, and are diverted on to the
+      low-lying ground, where they lose themselves in the morasses, or hollow
+      out a series of lakes along its borders, the largest of which,
+      Bahr-�-Nedj�f, is shut in on three sides by steep cliffs, and rises or
+      falls periodically with the floods. A broad canal, which takes its origin
+      in the direction of Hit at the beginning of the alluvial plain, bears with
+      it the overflow, and, skirting the lowest terraces of the Arabian chain,
+      runs almost parallel to the Euphrates. In proportion as the canal proceeds
+      southward the ground sinks still lower, and becomes saturated with the
+      overflowing waters, until, the banks gradually disappearing, the whole
+      neighbourhood is converted into a morass. The Euphrates and its branches
+      do not at all times succeed in reaching the sea: they are lost for the
+      most part in vast lagoons to which the tide comes up, and in its ebb bears
+      their waters away with it. Reeds grow there luxuriantly in enormous beds,
+      and reach sometimes a height of from thirteen to sixteen feet; banks of
+      black and putrid mud emerge amidst the green growth, and give off deadly
+      emanations. Winter is scarcely felt here: snow is unknown, hoar-frost is
+      rarely seen, but sometimes in the morning a thin film of ice covers the
+      marshes, to disappear under the first rays of the sun.*
+    </p>
+<pre xml:space="preserve">
+     * Loftus attributes the lowering of the temperature during
+     the winter to the wind blowing over a soil impregnated with
+     saltpetre. &ldquo;We were,&rdquo; he says, &ldquo;in a kind of immense
+     freezing chamber.&rdquo;
+ </pre>
+    <p>
+      <a name="linkimage-0010" id="linkimage-0010">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/027.jpg" width="100%"
+       alt="027.jpg the Marshes About The Confluence of The Kerkha And Tigris. " />
+    </div>
+<pre xml:space="preserve">
+
+     Drawn by Faucher-Gudin, from a sketch by J. Dieulafoy.
+For six weeks in November and December there is much rain: after this
+period there are only occasional showers, occurring at longer and longer
+intervals until May, when they entirely cease, and the summer sets in,
+to last until the following November. There are almost six continuous
+months of depressing and moist heat, which overcomes both men and
+animals and makes them incapable of any constant effort.* Sometimes
+a south or east wind suddenly arises, and bearing with it across the
+fields and canals whirlwinds of sand, burns up in its passage the little
+verdure which the sun had spared. Swarms of locusts follow in its train,
+and complete the work of devastation. A sound as of distant rain is at
+first heard, increasing in intensity as the creatures approach. Soon
+their thickly concentrated battalions fill the heavens on all sides,
+flying with slow and uniform motion at a great height. They at length
+alight, cover everything, devour everything, and, propagating their
+species, die within a few days: nothing, not a blade of vegetation,
+remains on the region where they alighted.
+
+     * Loftus says that he himself had witnessed in the
+     neighbourhood of Bagdad during the daytime birds perched on
+     the palm trees in an exhausted condition, and panting with
+     open beaks. The inhabitants of Bagdad during the summer pass
+     their nights on the housetops, and the hours of day in
+     passages within, expressly constructed to protect them from
+     the heat.
+</pre>
+    <p>
+      Notwithstanding these drawbacks, the country was not lacking in resources.
+      The soil was almost as fertile as the loam of Egypt, and, like the latter,
+      rewarded a hundredfold the labour of the inhabitants.* Among the wild
+      herbage which spreads over the country in the spring, and clothes it for a
+      brief season with flowers, it was found that some plants, with a little
+      culture, could be rendered useful to men and beasts. There were ten or
+      twelve different species of pulse to choose from&mdash;beans, &lsquo;lentils,
+      chick-peas, vetches, kidney beans, onions, cucumbers, egg-plants, &ldquo;gombo,&rdquo;
+       and pumpkins. From the seed of the sesame an oil was expressed which
+      served for food, while the castor-oil plant furnished that required for
+      lighting. The safflower and henna supplied the women with dyes for the
+      stuffs which they manufactured from hemp and flax. Aquatic plants were
+      more numerous than on the banks of the Nile, but they did not occupy such
+      an important place among food-stuffs. The &ldquo;lily bread&rdquo; of the Pharaohs
+      would have seemed meagre fare to people accustomed from early times to
+      wheaten bread. Wheat and barley are considered to be indigenous on the
+      plains of the Euphrates; it was supposed to be here that they were first
+      cultivated in Western Asia, and that they spread from hence to Syria,
+      Egypt, and the whole of Europe.** &ldquo;The soil there is so favourable to the
+      growth of cereals, that it yields usually two hundredfold, and in places
+      of exceptional fertility three hundredfold. The leaves of the wheat and
+      barley have a width of four digits. As for the millet and sesame, which in
+      altitude are as great as trees, I will not state their height, although I
+      know it from experience, being convinced that those who have not lived in
+      Babylonia would regard my statement with incredulity.&rdquo; Herodotus in his
+      enthusiasm exaggerated the matter, or perhaps, as a general rule, he
+      selected as examples the exceptional instances which had been mentioned to
+      him: at present wheat and barley give a yield to the husbandman of some
+      thirty or forty fold.
+    </p>
+<pre xml:space="preserve">
+     * Olivier, who was a physician and naturalist, and had
+     visited Egypt as well as Mesopotamia, thought that Babylonia
+     was somewhat less fertile than Egypt. Loftus, who was
+     neither, and had not visited Egypt, declares, on the
+     contrary, that the banks of the Euphrates are no less
+     productive than those of the Nile.
+
+     ** Native traditions collected by Berossus confirm this, and
+     the testimony of Olivier is usually cited as falling in with
+     that of the Chald�an writer. Olivier is considered, indeed,
+     to have discovered wild cereals in Mesopotamia. Pie only
+     says, however, that on the banks of the Euphrates above Anah
+     he had met with &ldquo;wheat, barley, and spelt in a kind of
+     ravine;&rdquo; from the context it clearly follows that these were
+     plants which had reverted to a wild state&mdash;instances of
+     which have been observed several times in Mesopotamia. A. de
+     Oandolle admitted the Mesopotamian origin of the various
+     species of wheat and barley.
+</pre>
+    <p>
+      <a name="linkimage-0011" id="linkimage-0011">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/030.jpg" width="100%"
+       alt="030.jpg the Gathering of The Spathes Of The Male Palm Tree " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from a cylinder in the Museum at the
+     Hague. The original measures almost an inch in height.
+</pre>
+    <p>
+      &ldquo;The date palm meets all the other needs of the population; they make from
+      it a kind of bread, wine, vinegar, honey, cakes, and numerous kinds of
+      stuffs; the smiths use the stones of its fruit for charcoal; these same
+      stones, broken and macerated, are given as a fattening food to cattle and
+      sheep.&rdquo; Such a useful tree was tended with a loving care, the vicissitudes
+      in its growth were observed, and its reproduction was facilitated by the
+      process of shaking the flowers of the male palm over those of the female:
+      the gods themselves had taught this artifice to men, and they were
+      frequently represented with a bunch of flowers in their right hand, in the
+      attitude assumed by a peasant in fertilizing a palm tree. Fruit trees were
+      everywhere mingled with ornamental trees&mdash;the fig, apple, almond,
+      walnut, apricot, pistachio, vine, with the plane tree, cypress, tamarisk,
+      and acacia; in the prosperous period of the country the plain of the
+      Euphrates was a great orchard which extended uninterruptedly from the
+      plateau of Mesopotamia to the shores of the Persian Gulf.
+    </p>
+    <p>
+      The flora would not have been so abundant if the fauna had been sufficient
+      for the supply of a large population. A considerable proportion of the
+      tribes on the Lower Euphrates lived for a long time on fish only. They
+      consumed them either fresh, salted, or smoked: they dried them in the sun,
+      crushed them in a mortar, strained the pulp through linen, and worked it
+      up into a kind of bread or into cakes. The barbel and carp attained a
+      great size in these sluggish waters, and if the Chal�ans, like the Arabs
+      who have succeeded them in these regions, clearly preferred these fish
+      above others, they did not despise at the same time such less delicate
+      species as the eel, murena, silurus, and even that singular gurnard whose
+      habits are an object of wonder to our naturalists. This fish spends its
+      existence usually in the water, but a life in the open air has no terrors
+      for it: it leaps out on the bank, climbs trees without much difficulty,
+      finds a congenial habitat on the banks of mud exposed by the falling tide,
+      and basks there in the sun, prepared to vanish in the ooze in the
+      twinkling of an eye if some approaching bird should catch sight of it.
+      Pelicans, herons, cranes, storks, cormorants, hundreds of varieties of
+      seagulls, ducks, swans, wild geese, secure in the possession of an
+      inexhaustible supply of food, sport and prosper among the reeds. The
+      ostrich, greater bustard, the common and red-legged partridge and quail,
+      find their habitat on the borders of the desert; while the thrush,
+      blackbird, ortolan, pigeon, and turtle-dove abound on every side, in spite
+      of daily onslaughts from eagles, hawks, and other birds of prey.
+    </p>
+    <p>
+      <a name="linkimage-0012" id="linkimage-0012">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/032.jpg" width="100%"
+       alt="032.jpg a Winged Genius Holding in his Hand the Spathe Of The Male Date-palm. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from a bas-relief from Nimr�d, in
+     the British Museum.
+</pre>
+    <p>
+      <a name="linkimage-0013" id="linkimage-0013">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/033.jpg" width="100%"
+       alt="033.jpg the Heavily Maned Lion Wounded by an Arrow And Vomiting Blood. " />
+    </div>
+    <p>
+      <a name="linkimage-0014" id="linkimage-0014">
+      <!-- IMG --></a>
+    </p>
+    <div class="figright" style="width:50%;">
+      <img width="100%" src="images/034.jpg"
+       alt="034.jpg the Urus in Act of Charging " />
+<pre xml:space="preserve">
+Drawn by Faucher-Gudin, from an Assyrian
+bas-relief from Nimr�d (Layard, Monuments
+of Nineveh, 1st series, pl. 11).
+</pre>
+    </div>
+    <p>
+      Snakes are found here and there, but they are for the most part of
+      innocuous species: three poisonous varieties only are known, and their
+      bite does not produce such terrible consequences as that of the horned
+      viper or Egyptian uraeus. There are two kinds of lion&mdash;one without
+      mane, and the other hooded, with a heavy mass of black and tangled hair:
+      the proper signification of the old Chald�an name was &ldquo;the great &lsquo;dog,&rdquo;
+       and they have, indeed, a greater resemblance to large dogs than to the red
+      lions of Africa.* They fly at the approach of man; they betake themselves
+      in the daytime to retreats among the marshes or in the thickets which
+      border the rivers, sallying forth at night, like the jackal, to scour the
+      country. Driven to bay, they turn upon the assailant and fight
+      desperately. The Chald�an kings, like the Pharaohs, did not shrink from
+      entering into a close conflict with them, and boasted of having rendered a
+      service to their subjects by the destruction of many of these beasts.
+    </p>
+<pre xml:space="preserve">
+* The Sumerian name of the lion is ur-malch &ldquo;the great dog.&rdquo; The best
+description of the first-mentioned species is still that of Olivier, who
+saw in the house o� the Pasha of Bagdad five of them in captivity; cf.
+Layard, Nineveh and Babylon, p. 487. Father Scheil tells me the lions
+have disappeared completely since the last twenty years.
+</pre>
+    <p>
+      <a name="linkimage-0015" id="linkimage-0015">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/035.jpg" width="100%"
+       alt="035.jpg a Herd of Onagers Pursued by Dogs and Wounded By Arrows. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from a bas-relief in the British
+     Museum.
+</pre>
+    <p>
+      The elephant seems to have roamed for some time over the steppes of the
+      middle Euphrates;* there is no indication of its presence after the XIIIth
+      century before our era, and from that time forward it was merely an object
+      of curiosity brought at great expense from distant countries. This is not
+      the only instance of animals which have disappeared in the course of
+      centuries; the rulers of Nineveh were so addicted to the pursuit of the
+      urus that they ended by exterminating it. Several sorts of panthers and
+      smaller felid� had their lairs in the thickets of Mesopotamia. The wild
+      ass and onager roamed in small herds between the Balikh and the Tigris.
+      Attempts were made, it would seem, at a very early period to tame them and
+      make use of them to draw chariots; but this attempt either did not succeed
+      at all, or issued in such uncertain results, that it was given up as soon
+      as other less refractory animals were made the subjects of successful
+      experiment.
+    </p>
+<pre xml:space="preserve">
+     * The existence of the elephant in Mesopotamia and Northern
+     Syria is well established by the Egyptian inscription of
+     Amenemhabi in the XVth century before our era.
+</pre>
+    <p>
+      <a name="linkimage-0016" id="linkimage-0016">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/036.jpg" width="100%"
+       alt="036.jpg the Chief Domestic Animals Op The Regions of The Euphrates. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from an Assyrian bas-relief from
+     Kouyunjik.
+</pre>
+    <p>
+      The wild boar, and his relative, the domestic hog, inhabited the morasses.
+      Assyrian sculptors amused themselves sometimes by representing long gaunt
+      sows making their way through the cane-brakes, followed by their
+      interminable offspring. The hog remained here, as in Egypt, in a
+      semi-tamed condition, and the people were possessed of only a small number
+      of domesticated animals besides the dog&mdash;namely, the ass, ox, goat,
+      and sheep; the horse and camel were at first unknown, and were introduced
+      at a later period.*
+    </p>
+    <p>
+      <a name="linkimage-0017" id="linkimage-0017">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/037.jpg" width="100%"
+       alt="037.jpg the Sow and Her Litter Making Their Way Through A Bed of Reeds. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from a bas-relief from Kouyunjik.
+
+     * The horse is denoted in the Assyrian texts by a group of
+     signs which mean &ldquo;the ass of the East,&rdquo; and the camel by
+     other signs in which the character for &ldquo;ass&rdquo; also appears.
+     The methods of rendering these two names show that the
+     subjects of them were unknown in the earliest times; the
+     epoch of their introduction is uncertain. A chariot drawn by
+     horses appears on the &ldquo;Stele of the Vultures.&rdquo; Camels are
+     mentioned among the booty obtained from the Bedouin of the
+     desert.
+</pre>
+    <p>
+      We know nothing of the efforts which the first inhabitants&mdash;Sumerians
+      and Semites&mdash;had to make in order to control the waters and to bring
+      the land under culture: the most ancient monuments exhibit them as already
+      possessors of the soil, and in a forward state of civilization.* Their
+      chief cities were divided into two groups: one in the south, in the
+      neighbourhood of the sea; the other in a northern direction, in the region
+      where the Euphrates and Tigris are separated from each other by merely a
+      narrow strip of land. The southern group consisted of seven, of which
+      Eridu lay nearest to the coast. This town stood on the left bank of the
+      Euphrates, at a point which is now called Abu-Shahrein. A little to the
+      west, on the opposite bank, but at some distance from the stream, the
+      mound of Mughe�r marks the site of Uru, the most important, if not the
+      oldest, of the southern cities. Lagash occupied the site of the modern
+      Telloh to the north of Eridu, not far from the Shatt-el-Ha�; Nisin and
+      Mar, Larsam and Uruk, occupied positions at short distances from each
+      other on the marshy ground which extends between the Euphrates and the
+      Shatt-en-N�l. The inscriptions mention here and there other less important
+      places, of which the ruins have not yet been discovered&mdash;Zirlab and
+      Shurippak, places of embarkation at the mouth of the Euphrates for the
+      passage of the Persian Gulf; and the island of Dilmun, situated some forty
+      leagues to the south in the centre of the Salt Sea,&mdash;&ldquo;Nar-Marratum.&rdquo;
+       The northern group comprised Nipur, the &ldquo;incomparable;&rdquo; Barsip, on the
+      branch which flows parallel to the Euphrates and falls into the
+      Bahr-�-Nedj�f; Babylon, the &ldquo;gate of the god,&rdquo; the &ldquo;residence of life,&rdquo;
+       the only metropolis of the Euphrates region of which posterity never lost
+      a reminiscence; Kishu, Kuta, Agade;** and lastly the two Sipparas, that of
+      Shamash and that of Anunit. The earliest Chald�an civilization was
+      confined almost entirely to the two banks of the Lower Euphrates: except
+      at its northern boundary, it did not reach the Tigris, and did not cross
+      this river. Separated from the rest of the world&mdash;on the east by the
+      marshes which border the river in its lower course, on the north by the
+      badly watered and sparsely inhabited table-land of Mesopotamia, on the
+      west by the Arabian desert&mdash;it was able to develop its civilization,
+      as Egypt had done, in an isolated area, and to follow out its destiny in
+      peace. The only point from which it might anticipate serious danger was on
+      the east, whence the Kashshi and the Elamites, organized into military
+      states, incessantly harassed it year after year by their attacks. The
+      Kashshi were scarcely better than half-civilized mountain hordes, but the
+      Elamites were advanced in civilization, and their capital, Susa, vied with
+      the richest cities of the Euphrates, Uru and Babylon, in antiquity and
+      magnificence.
+    </p>
+<pre xml:space="preserve">
+     * For an ideal picture of what may have been the beginnings
+     of that civilization, see Delitzsch, Die Entstehung des
+     �ltesten Schriflssystems, p. 214, et seq. I will not enter
+     into the question as to whether it did or did not come by
+     sea to the mouths of the Euphrates and Tigris. The legend of
+     the fish-god Oannes (Berossus, frag. 1), which seems to
+     conceal some indication on the subject, is merely a
+     mythological tradition, from which it would be wrong to
+     deduce historical conclusions.
+
+     ** Agade, or Agane, has been identified with one of the two
+     towns of which Sippara is made up, more especially with that
+     which was called Anunit Sippara; the reading Agadi, Agacle,
+     was especially assumed to lead to its identification with
+     the Accad of <i>Genesis x. 10</i>, and with the Akkad of native
+     tradition. This opinion has been generally abandoned by
+     Assyriologists, and Agane has not yet found a site. Was it
+     only a name for Babylon?
+</pre>
+    <p>
+      <a name="linkimage-0018" id="linkimage-0018">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/040.jpg" width="100%" alt="040.jpg Map of Chald�a " />
+    </div>
+    <p>
+      There was nothing serious to fear from the Guti, on the branch of the
+      Tigris to the north-east, or from the Shuti to the north of these; they
+      were merely marauding tribes, and, however troublesome they might be to
+      their neighbours in their devastating incursions, they could not
+      compromise the existence of the country, or bring it into subjection. It
+      would appear that the Chaldseans had already begun to encroach upon these
+      tribes and to establish colonies among them&mdash;El-Ashshur on the banks
+      of the Tigris, Harran on the furthest point of the Mesopotamian plain,
+      towards the sources of the Balikh. Beyond these were vague and unknown
+      regions&mdash;Tidanum, Martu, the sea of the setting sun, the vast
+      territories of Milukhkha and M�gan.* Egypt, from the time they were
+      acquainted with its existence, was a semi-fabulous country at the ends of
+      the earth.
+    </p>
+<pre xml:space="preserve">
+     * The question concerning Milukhkha and M�gan has exercised
+     Assyriologists for twenty years. The prevailing opinion
+     appears to be that which identifies M�gan with the Sinaitic
+     Peninsula, and Milukhkha with the country to the north of
+     M�gan as far as the Wady Arish and the Mediterranean; others
+     maintain, not the theory of Delitzsch, according to whom
+     M�gan and Milukhkha are synonyms for Shumir and Akkad, and
+     consequently two of the great divisions of Babylonia, but an
+     analogous hypothesis, in which they are regarded as
+     districts to the west of the Euphrates, either in Chald�an
+     regions or on the margin of the desert, or even in the
+     desert itself towards the Sinaitic Peninsula. What we know
+     of the texts induces me, in common with H. Rawlinson, to
+     place these countries on the shores of the Persian Gulf,
+     between the mouth of the Euphrates and the Bahrein islands;
+     possibly the Makse and the Melangitso of classical
+     historians and geographers were the descendants of the
+     people of M�gan (M�kan) and Milukhkha (Melugga), who had
+     been driven towards the entrance to the Persian Gulf by some
+     such event as the increase in these regions of the Kashdi
+     (Chald�ans). The names, emigrated to the western parts of
+     Arabia and to the Sinaitic Peninsula in after-times, as the
+     name of India passed to America in the XVIth century of our
+     era.
+</pre>
+    <p>
+      How long did it take to bring this people out of savagery, and to build up
+      so many flourishing cities? The learned did not readily resign themselves
+      to a confession of ignorance on the subject. As they had depicted the
+      primordial chaos, the birth of the gods, and their struggles over the
+      creation, so they related unhesitatingly everything which had happened
+      since the creation of mankind, and they laid claim to being able to
+      calculate the number of centuries which lay between their own day and the
+      origin of things. The tradition to which most credence was attached in the
+      Greek period at Babylon, that which has been preserved for us in the
+      histories of Berossue, asserts that there was a somewhat long interval
+      between the manifestation of Oannes and the foundation of a dynasty. The
+      first king was Al�ros of Babylon, a Chald�an of whom nothing is related
+      except that he was chosen by the divinity himself to be a shepherd of the
+      people. He reigned for ten sari, amounting in all to 36,000 years; for the
+      saros is 3600 years, the ner 600 years, and the soss 60 years.
+    </p>
+    <p>
+      <a name="linkimage-0019" id="linkimage-0019">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/042.jpg" width="100%"
+       alt="042.jpg Two Fish-like Deities of the Chald�ans. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from an intaglio in the British Museum.
+</pre>
+    <p>
+      After the death of Al�ros, his son Alaparos ruled for three sari, after
+      which Amillaros, of the city of Pantibibla, reigned thirteen sari. It was
+      under him that there issued from the Bed Sea a second Anned�tos,
+      resembling Oannes in his semi-divine shape, half man and half fish. After
+      him Ammenon, also from Pantibibla, a Chaldaean, ruled for a term of twelve
+      sari; under him, they say, the mysterious Oannes appeared. Afterwards
+      Amelagaros of Pantibibla governed for eighteen sari; then Davos, the
+      shepherd from Pantibibla, reigned ten sari: under him there issued from
+      the Red Sea a fourth Anned�tos, who had a form similar to the others,
+      being made up of man and fish. After him Bvedoranchos of Pantibibla
+      reigned for eighteen sari; in his time there issued yet another monster,
+      named An�daphos, from the sea. These various monsters developed carefully
+      and in detail that which Oannes had set forth in a brief way. Then
+      Amempsinos of Larancha, a Chal�an, reigned ten sari; and Obartes, also a
+      Chald�an, of Larancha, eight sari. Finally, on the death of Obartes, his
+      son Xisuthros held the sceptre for eighteen sari. It was under him that
+      the great deluge took place. Thus ten kings are to be reckoned in all, and
+      the duration of their combined reigns amounts to one hundred and twenty
+      sari. From the beginning of the world to the Deluge they reckoned 691,200
+      years, of which 259,200 had passed before the coming of Al�ros, and the
+      remaining 432,000 were generously distributed between this prince and his
+      immediate successors: the Greek and Latin writers had certainly a fine
+      occasion for amusement over these fabulous numbers of years which the
+      Chald�ans assigned to the lives and reigns of their first kings.
+    </p>
+    <p>
+      Men in the mean time became wicked; they lost the habit of offering
+      sacrifices to the gods, and the gods, justly indignant at this negligence,
+      resolved to be avenged.* Now, Shamashnapishtim I was reigning at this time
+      in Shurippak, the &ldquo;town of the ship:&rdquo; he and all his family were saved,
+      and he related afterwards to one of his descendants how Ea had snatched
+      him from the disaster which fell upon his people.** &ldquo;Shurippak, the city
+      which thou thyself knowest, is situated on the bank of the Euphrates; it
+      was already an ancient town when the hearts of the gods who resided in it
+      impelled them to bring the deluge upon it&mdash;the great gods as many as
+      they are; their father Anu, their counsellor Bel the warrior, their
+      throne-bearer Ninib, their prince Innugi. The master of wisdom, Ea, took
+      his seat with them,*** and, moved with pity, was anxious to warn
+      Shamashnapishtim, his servant, of the peril which threatened him;&rdquo; but it
+      was a very serious affair to betray to a mortal a secret of heaven, and as
+      he did not venture to do so in a direct manner, his inventive mind
+      suggested to him an artifice.
+    </p>
+<pre xml:space="preserve">
+     * The account of Bcrossus implies this as a cause of the
+     Deluge, since he mentions the injunction imposed upon the
+     survivors by a mysterious voice to be henceforward
+     respectful towards the gods, [Greek word]. The Chal�an
+     account considers the Deluge to have been sent as a
+     punishment upon men for their sins against the gods, since
+     it represents towards the end (cf. p. 52 of this History) Ea
+     as reproaching Bel for having confounded the innocent and
+     the guilty in one punishment.
+
+     ** The name of this individual has been read in various
+     ways: Shamashnapishtim, &ldquo;sun of life,&rdquo; Sitnapishtim, &ldquo;the
+     saved,&rdquo; and Pirnapishtim. In one passage at least we find,
+     in place of Shamashnapishtim, the name or epithet of
+     Aclrakhasis, or by inversion Khasisadra, which appears to
+     signify &ldquo;the very shrewd,&rdquo; and is explained by the skill
+     with which he interpreted the oracle of Ea. Khasisadra is
+     most probably the form which the Greeks have transcribed by
+     Xisuthros, Sisuthros, Sisithes.
+
+     *** The account of the Deluge covers the eleventh tablet of
+     the poem of Gilgames. The hero, threatened with death,
+     proceeds to rejoin his ancestor Shamashnapishtim to demand
+     from him the secret of immortality, and the latter tells him
+     the manner in which he escaped from the waters: he had saved
+     his life only at the expense of the destruction of men. The
+     text of it was published by Smith and by Haupt, fragment by
+     fragment, and then restored consecutively. The studies of
+     which it is the object would make a complete library. The
+     principal translations are those of Smith, of Oppert, of
+     Lenor-mant, of Haupt, of Jensen, of A. Jeremias, of
+     Sauveplane, and of Zimmern.
+</pre>
+    <p>
+      <a name="linkimage-0020" id="linkimage-0020">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/045.jpg" width="100%"
+       alt="045.jpg Page With One of the Tablets Of The Deluge Series. " />
+    </div>
+<pre xml:space="preserve">
+     Facsimile by Faucher-Gudin, from the photograph published by
+     G. Smith, Chald�an Account of the Deluge from terra-cotta
+     tablets found at Nineveh.
+</pre>
+    <p>
+      He confided to a hedge of reeds the resolution that had been adopted:*
+      &ldquo;Hedge, hedge, wall, wall! Hearken, hedge, and understand well, wall! Man
+      of Shurippak, son of Ubaratutu, construct a wooden house, build a ship,
+      abandon thy goods, seek life; throw away thy possessions, save thy life,
+      and place in the vessel all the seed of life. The ship which thou shalt
+      build, let its proportions be exactly measured, let its dimensions and
+      shape be well arranged, then launch it in the sea.&rdquo; Shamashnapishtim heard
+      the address to the field of reeds, or perhaps the reeds repeated it to
+      him. &ldquo;I understood it, and I said to my master Ea &lsquo;The command, O my
+      master, which thou hast thus enunciated, I myself will respect it, and I
+      will execute it: but what shall I say to the town, the people and the
+      elders?&rsquo;&rdquo; Ea opened his mouth and spake; he said to his servant: &ldquo;Answer
+      thus and say to them: &lsquo;Because Bel hates me, I will no longer dwell in
+      your town, and upon the land of Bel I will no longer lay my head, but I
+      will go upon the sea, and will dwell with Ea my master. Now Bel will make
+      rain to fall upon you, upon the swarm of birds and the multitude of
+      fishes, upon all the animals of the field, and upon all the crops; but Ea
+      will give you a sign: the god who rules the rain will cause to fall upon
+      you, on a certain evening, an abundant rain. When the dawn of the next day
+      appears, the deluge will begin, which will cover the earth and drown all
+      living things.&rsquo;&rdquo; Shamashnapishtim repeated the warning to the people, but
+      the people refused to believe it, and turned him into ridicule. The work
+      went rapidly forward: the hull was a hundred and forty cubits long, the
+      deck one hundred and forty broad; all the joints were caulked with pitch
+      and bitumen. A solemn festival was observed at its completion, and the
+      embarkation began.** &ldquo;All that I possessed I filled the ship with it all
+      that I had of silver, I filled it with it; all that I had of gold I filled
+      it with it, all that I had of the seed of life of every kind I filled it
+      with it; I caused all my family and my servants to go up into it; beasts
+      of the field, wild beasts of the field, I caused them to go up all
+      together. Shamash had given me a sign: &lsquo;When the god who rules the rain,
+      in the evening shall cause an abundant rain to fall, enter into the ship
+      and close thy door.&rsquo; The sign was revealed: the god who rules the rain
+      caused to fall one night an abundant rain. The day, I feared its dawning;
+      I feared to see the daylight; I entered into the ship and I shut the door;
+      that the ship might be guided, I handed over to Buzur-Bel, the pilot, the
+      great ark and its fortunes.&rdquo;
+     </p>
+<pre xml:space="preserve">
+     * The sense of this passage is far from being certain; I
+     have followed the interpretation proposed, with some
+     variations, by Pinches, by Haupt, and by Jensen. The
+     stratagem at once recalls the history of King Midas, and the
+     talking reeds which knew the secret of his ass&rsquo;s ears. In
+     the version of Berossus, it is Kronos who plays the part
+     here assigned to Ea in regard to Xisuthros.
+
+     ** The text is mutilated, and does not furnish enough
+     information to follow in every detail the building of the
+     ark. From what we can understand, the vessel of
+     Shamashnapishtim was a kind of immense kelek, decked, but
+     without masts or rigging of any sort. The text identifies
+     the festival celebrated by the hero before the embarkation
+     with the festival Akitu of Merodach, at Babylon, during
+     which &ldquo;Nebo, the powerful son, sailed from Borsippa to
+     Babylon in the bark of the river Asmu, of beauty.&rdquo; The
+     embarkation of Nebo and his voyage on the stream had
+     probably inspired the information according to which the
+     embarkation of Shamashnapishtim was made the occasion of a
+     festival Akitu, celebrated at Shurippak; the time of the
+     Babylonian festival was probably thought to coincide with
+     the anniversary of the Deluge.
+</pre>
+    <p>
+      &ldquo;As soon as the morning became clear, a black cloud arose from the
+      foundations of heaven. Bamman growled in its bosom; Nebo and Marduk ran
+      before it&mdash;ran like two throne-bearers over hill and dale. Nera the
+      Great tore up the stake to which the ark was moored. Ninib came up
+      quickly; he began the attack; the Anunnaki raised their torches and made
+      the earth to tremble at their brilliancy; the tempest of Ramman scaled the
+      heaven, changed all the light to darkness, flooded the earth like a lake.*
+      For a whole day the hurricane raged, and blew violently over the mountains
+      and over the country; the tempest rushed upon men like the shock of an
+      army, brother no longer beheld brother, men recognized each other no more.
+    </p>
+<pre xml:space="preserve">
+     * The progress of the tempest is described as the attack of
+     the gods, who had resolved on the destruction of men. Ramman
+     is the thunder which growls in the cloud; Nebo, Merodach,
+     Nera the Great (Nergal), and Ninib, denote the different
+     phases of the hurricane from the moment when the wind gets
+     up until it is at its height; the Anunnaki represent the
+     lightning which flashes carelessly across the heaven.
+</pre>
+    <p>
+      <a name="linkimage-0021" id="linkimage-0021">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/048.jpg" width="100%"
+       alt="048.jpg Shamashnapishtim Shut Into the Ark. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from a Chal�an intaglio.
+</pre>
+    <p>
+      In heaven, the gods were afraid of the deluge;* they betook themselves to
+      flight, they clambered to the firmament of Anu; the gods, howling like
+      dogs, cowered upon the parapet.** Ishtar wailed like a woman in travail;
+      she cried out, &ldquo;the lady of life, the goddess with the beautiful voice:
+      &lsquo;The past returns to clay, because I have prophesied evil before the gods!
+      Prophesying evil before the gods, I have counselled the attack to bring my
+      men to nothing; and these to whom I myself have given birth, where are
+      they? Like the spawn of fish they encumber the sea! &lsquo;The gods wept with
+      her over the affair of the Anunnaki;&rsquo; the gods, in the place where they
+      sat weeping, their lips were closed.&rdquo; It was not pity only which made
+      their tears to flow: there were mixed up with it feelings of regret and
+      fears for the future. Mankind once destroyed, who would then make the
+      accustomed offerings? The inconsiderate anger of Bel, while punishing the
+      impiety of their creatures, had inflicted injury upon themselves. &ldquo;Six
+      days and nights the wind continued, the deluge and the tempest raged. The
+      seventh day at daybreak the storm abated; the deluge, which had carried on
+      warfare like an army, ceased, the sea became calm and the hurricane
+      disappeared, the deluge ceased. I surveyed the sea with my eyes, raising
+      my voice; but all mankind had returned to clay, neither fields nor woods
+      could be distinguished.*** I opened the hatchway and the light fell upon
+      my face; I sank down, I cowered, I wept, and my tears ran down my cheeks
+      when I beheld the world all terror and all sea. At the end of twelve days,
+      a point of land stood up from the waters, the ship touched the land of
+      Nisir:**** the mountain of Nisir stopped the ship and permitted it to
+      float no longer. One day, two days, the mountain of Nisir stopped the ship
+      and permitted it to float no longer.
+    </p>
+<pre xml:space="preserve">
+     * The gods enumerated above alone took part in the drama of
+     the Deluge: they were the confederates and emissaries of
+     Bel. The others were present as spectators of the disaster,
+     and were terrified.
+
+     ** The upper part of the mountain wall is here referred to,
+     upon which the heaven is supported. There was a narrow space
+     between the escarpment and the place upon which the vault of
+     the firmament rested: the Babylonian poet represented the
+     gods as crowded like a pack of hounds upon this parapet, and
+     beholding from it the outburst of the tempest and the
+     waters.
+
+     ***The translation is uncertain: the text refers to a legend
+     which has not come down to us, in which Ishtar is related to
+     have counselled the destruction of men.
+
+     **** The Anunnaki represent here the evil genii whom the
+     gods that produced the deluge had let loose, and whom
+     Ramman, Nebo, Merodach, Nergal, and Ninib, all the followers
+     of Bel, had led to the attack upon men: the other deities
+     shared the fears and grief of Ishtar in regard to the
+     ravages which these Anunnaki had brought about (cf. below,
+     pp. 141-143 of this History).
+</pre>
+    <p>
+      Three days, four days, the mountain of Nisir* stopped the ship and
+      permitted it to float no longer. Five days, six days, the mountain of
+      Nisir stopped the ship and permitted it to float no longer. The seventh
+      day, at dawn, I took out a dove and let it go: the dove went, turned
+      about, and as there was no place to alight upon, came back. I took out a
+      swallow and let it go: the swallow went, turned about, and as there was no
+      place to alight upon, came back. I took out a raven and let it go: the
+      raven went, and saw that the water had abated, and came near the ship
+      flapping its wings, croaking, and returned no more.&rdquo; Shamashnapishtim
+      escaped from the deluge, but he did not know whether the divine wrath was
+      appeased, or what would be done with him when it became known that he
+      still lived.** He resolved to conciliate the gods by expiatory ceremonies.
+      &ldquo;I sent forth the inhabitants of the ark towards the four winds, I made an
+      offering, I poured out a propitiatory libation on the summit of the
+      mountain. I set up seven and seven vessels, and I placed there some
+      sweet-smelling rushes, some cedar-wood, and storax.&rdquo; He thereupon
+      re-entered the ship to await there the effect of his sacrifice.
+    </p>
+<pre xml:space="preserve">
+     * I have adopted, in the translation of this difficult
+     passage, the meaning suggested by Haupt, according to which
+     it ought to be translated, &ldquo;The field makes nothing more
+     than one with the mountain;&rdquo; that is to say, &ldquo;mountains and
+     fields are no longer distinguishable one from another.&rdquo; I
+     have merely substituted for mountain the version wood, piece
+     of land covered with trees, which Jensen has suggested.
+
+     ** The mountain of Nisir is replaced in the version of
+     Berossus by the Gordy�an mountains of classical geography; a
+     passage of Assur-nazir-pal informs us that it was situated
+     between the Tigris and the Great Zab, according to Delitzsch
+     between 35� and 36� N. latitude. The Assyrian-speaking
+     people interpreted the name as <i>Salvation</i>, and a play upon
+     words probably decided the placing upon its slopes the
+     locality where those <i>saved</i> from the deluge landed on the
+     abating of the waters. Fr. Lenormant proposes to identify it
+     with the peak Rowand�z.
+</pre>
+    <p>
+      The gods, who no longer hoped for such a wind-fall, accepted the sacrifice
+      with a wondering joy. &ldquo;The gods sniffed up the odour, the gods sniffed up
+      the excellent odour, the gods gathered like flies above the offering.
+      &ldquo;When Ishtar, the mistress of life, came in her turn, she held up the
+      great amulet which Anu had made for her.&rdquo; * She was still furious against
+      those who had determined upon the destruction of mankind, especially
+      against Bel: &ldquo;These gods, I swear it on the necklace of my neck! I will
+      not forget them; these days I will remember, and will not forget them for
+      ever. Let the other gods come quickly to take part in the offering. Bel
+      shall have no part in the offering, for he was not wise: but he has caused
+      the deluge, and he has devoted my people to destruction.&rdquo; Bel himself had
+      not recovered his temper: &ldquo;When he arrived in his turn and saw the ship,
+      he remained immovable before it, and his heart was filled with rage
+      against the gods of heaven. &lsquo;Who is he who has come out of it living? No
+      man must survive the destruction!&rsquo;&rdquo; The gods had everything to fear from
+      his anger: Ninib was eager to exculpate himself, and to put the blame upon
+      the right person. Ea did not disavow his acts: &ldquo;he opened his mouth and
+      spake; he said to Bel the warrior: &lsquo;Thou, the wisest among the gods, O
+      warrior, why wert thou not wise, and didst cause the deluge? The sinner,
+      make him responsible for his sin; the criminal, make him responsible for
+      his crime: but be calm, and do not cut off all; be patient, and do not
+      drown all. What was the good of causing the deluge? A lion had only to
+      come to decimate the people. What was the good of causing the deluge? A
+      leopard had only to come to decimate the people. What was the good of
+      causing the deluge? Famine had only to present itself to desolate the
+      country. What was the good of causing the deluge? Nera the Plague had only
+      to come to destroy the people. As for me, I did, not reveal the judgment
+      of the gods: I caused Khasisadra to dream a dream, and he became aware of
+      the judgment of the gods, and then he made his resolve.&rsquo;&rdquo; Bel was pacified
+      at the words of Ea: &ldquo;he went up into the interior of the ship; he took
+      hold of my hand and made me go up, even me; he made my wife go up, and he
+      pushed her to my side; he turned our faces towards him, he placed himself
+      between us, and blessed us: &lsquo;Up to this time Shamashnapishtim was a man:
+      henceforward let Shamashnapishtim and his wife be reverenced like us, the
+      gods, and let Shamashnapishtim dwell afar off, at the mouth of the seas,
+      and he carried us away and placed us afar off, at the mouth of the seas.&rsquo;&rdquo;
+       Another form of the legend relates that by an order of the god, Xisuthros,
+      before embarking, had buried in the town of Sippara all the books in which
+      his ancestors had set forth the sacred sciences&mdash;books of oracles and
+      omens, &ldquo;in which were recorded the beginning, the middle, and the end.
+      When he had disappeared, those of his companions who remained on board,
+      seeing that he did not return, went out and set off in search of him,
+      calling him by name. He did not show himself to them, but a voice from
+      heaven enjoined upon them to be devout towards the gods, to return to
+      Babylon and dig up the books in order that they might be handed down to
+      future generations; the voice also informed them that the country in which
+      they were was Armenia. They offered sacrifice in turn, they regained their
+      country on foot, they dug up the books of Sippara and wrote many more;
+      afterwards they refounded Babylon.&rdquo; It was even maintained in the time of
+      the Seleucido, that a portion of the ark existed on one of the summits of
+      the Gordy�an mountains.** Pilgrimages were made to it, and the faithful
+      scraped off the bitumen which covered it, to make out of it amulets of
+      sovereign virtue against evil spells.
+    </p>
+    <p>
+      <a name="linkimage-0022" id="linkimage-0022">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/051.jpg" width="100%"
+       alt="051.jpg the Judi Mountains Sometimes Identified With Tub Ntsib Mountains. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from a sketch by G. Smith, <i>Assyrian
+     Discoveries</i>, p. 108.
+
+     * We are ignorant of the object which the goddess lifted up:
+     it may have been the sceptre surmounted by a radiating star,
+     such as we see on certain cylinders. Several Assyriologists
+     translate it arrows or lightning. Ishtar is, in fact, an
+     armed goddess who throws the arrow or lightning made by her
+     father Anu, the heaven.
+
+     ** Bekossus, fragm. xv. The legend about the remains of the
+     ark has passed into Jewish tradition concerning the Deluge.
+     Nicholas of Damascus relates, like Berossus, that they were
+     still to be seen on the top of Mount Baris. From that time
+     they have been continuously seen, sometimes on one peak and
+     sometimes on another. In the last century they were pointed
+     out to Chardin, and the memory of them has not died out in
+     our own century. Discoveries of charcoal and bitumen, such
+     as those made at Gebel Jud�, upon one of the mountains
+     identified with Nisir, probably explain many of these local
+     traditions.
+</pre>
+    <p>
+      The chronicle of these fabulous times placed, soon after the abating of
+      the waters, the foundation of a new dynasty, as extraordinary or almost as
+      extraordinary in character as that before the flood. According to Berossus
+      it was of Chald�an origin, and comprised eighty-six kings, who bore rule
+      during 34,080 years; the first two, Evechous and Khomasbelos, reigned 2400
+      and 2700 years, while the later reigns did not exceed the ordinary limits
+      of human life. An attempt was afterwards made to harmonize them with
+      probability: the number of kings was reduced to six, and their combined
+      reigns to 225 years. This attempt arose from a misapprehension of their
+      true character; names and deeds, everything connected with them belongs to
+      myth and fiction only, and is irreducible to history proper. They supplied
+      to priests and poets material for scores of different stories, of which
+      several have come down to us in fragments. Some are short, and serve as
+      preambles to prayers or magical formulas; others are of some length, and
+      may pass for real epics. The gods intervene in them, and along with kings
+      play an important part. It is Nera, for instance, the lord of the plague,
+      who declares war against mankind in order to punish them for having
+      despised the authority of Anu. He makes Babylon to feel his wrath first:
+      &ldquo;The children of Babel, they were as birds, and the bird-catcher, thou
+      wert he! thou takest them in the net, thou enclosest them, thou decimatest
+      them&mdash;hero Nera!&rdquo; One after the other he attacks the mother cities of
+      the Euphrates and obliges them to render homage to him&mdash;even Uruk,
+      &ldquo;the dwelling of Anu and Ishtar&mdash;the town of the priestesses, of the
+      <i>almehs</i>, and the sacred courtesans; &ldquo;then he turns upon the foreign
+      nations and carries his ravages as far as Phoenicia. In other fragments,
+      the hero Etana makes an attempt to raise himself to heaven, and the eagle,
+      his companion, flies away with him, without, however, being able to bring
+      the enterprise to a successful issue. Nimrod and his exploits are known to
+      us from the Bible.* &ldquo;He was a mighty hunter before the Lord: wherefore it
+      is said, Even as Nimrod the mighty hunter before the Lord. And the
+      beginning of his kingdom was Babel, and Erech, and Accad, and Calneh, in
+      the land of Shinar.&rdquo; Almost all the characteristics which are attributed
+      by Hebrew tradition to Nimrod we find in G-ilgames, King of Uruk and
+      descendant of the Shamashnapishtim who had witnessed the deluge.**
+    </p>
+<pre xml:space="preserve">
+     * Genesis x. 9, 10. Among the Jews and Mussulmans a complete
+     cycle of legends have developed around Nimrod. He built the
+     Tower of Babel; he threw Abraham into a fiery furnace, and
+     he tried to mount to heaven on the back of an eagle. Sayce
+     and Grivel saw in Nimrod an heroic form of Merodach, the god
+     of Babylonia: the majority of living Assyriologists prefer
+     to follow Smith&rsquo;s example, and identify him with the hero
+     Gilgames.
+
+     ** The name of this hero is composed of three signs, which
+     Smith provisionally rendered Isdubar&mdash;a reading which,
+     modified into Gishdhubar, Gistubar, is still retained by
+     many Assyriologists. There have been proposed one after
+     another the renderings Dhubar, Namr�du, Anamarutu, Numarad,
+     Namrasit, all of which exhibit in the name of the hero that
+     of Nimrod. Pinches discovered, in 1890, what appears to be
+     the true signification of the three signs,Gilgamesh,
+     Gilgames; Sayce and Oppert have compared this name with that
+     of Gilgamos, a Babylonian hero, of whom. �lian has preserved
+     the memory. A. Jeremias continued to reject both the reading
+     and the identification.
+</pre>
+    <p>
+      Several copies of a poem, in which an unknown scribe had celebrated his
+      exploits, existed about the middle of the VIIth century before our era in
+      the Royal Library at Nineveh; they had been transcribed by order of
+      Assur-banipal from a more ancient copy, and the fragments of them which
+      have come down to us, in spite of their lacunae, enable us to restore the
+      original text, if not in its entirety, at least in regard to the
+      succession of events. They were divided into twelve episodes corresponding
+      with the twelve divisions of the year, and the ancient Babylonian author
+      was guided in his choice of these divisions by something more than mere
+      chance. Gilgames, at first an ordinary mortal under the patronage of the
+      gods, had himself become a god and son of the goddess Aruru: &ldquo;he had seen
+      the abyss, he had learned everything that is kept secret and hidden, he
+      had even made known to men what had taken place before the deluge.&rdquo; The
+      sun, who had protected him in his human condition, had placed him beside
+      himself on the judgment-seat, and delegated to him authority to pronounce
+      decisions from which there was no appeal: he was, as it were, a sun on a
+      small scale, before whom the kings, princes, and great ones of the earth
+      humbly bowed their heads.* The scribes had, therefore, some authority for
+      treating the events of his life after the model of the year, and for
+      expressing them in twelve chants, which answered to the annual course of
+      the sun through the twelve months.
+    </p>
+<pre xml:space="preserve">
+     * The identity of Gilgames with the Accadian fire-god, or
+     rather with the sun, was recognized from the first by H.
+     Rawlinson, and has been accepted since by almost all
+     Assyriologists. A tablet brought back by G. Smith, called
+     attention to by Fr. Delitzsch, and published by Haupt,
+     contains the remains of a hymn addressed to Gilgames, &ldquo;the
+     powerful king, the king of the Spirits of the Earth.&rdquo;
+ </pre>
+    <p>
+      The whole story is essentially an account of his struggles with Ishtar,
+      and the first pages reveal him as already at issue with the goddess. His
+      portrait, such as the monuments have preserved it for us, is singularly
+      unlike the ordinary type: one would be inclined to regard it as
+      representing an individual of a different race, a survival of some very
+      ancient nation which had held rule on the plains of the Euphrates before
+      the arrival of the Sumerian or Semitic* tribes.
+    </p>
+<pre xml:space="preserve">
+     * Smith (The Chald�an Account of Genesis, p. 194) remarked
+     the difference between the representations of Gilgames and
+     the typical Babylonian: he concluded from this that the hero
+     was of Ethiopian origin. Hommel declares that his features
+     have neither a Sumerian nor Semitic aspect, and that they
+     raise an insoluble question in ethnology.
+</pre>
+    <p>
+      <a name="linkimage-0023" id="linkimage-0023">
+      <!-- IMG --></a>
+    </p>
+    <div class="figleft" style="width:30%;">
+      <img width="100%" src="images/057.jpg"
+       alt="057.jpg Gilgames Strangles a Lion. " />
+<pre xml:space="preserve">
+Drawn by Faucher-Gudin,
+from an Assyrian bas-relief
+from Khorsabad, in the
+Museum of the Louvre
+</pre>
+    </div>
+    <p>
+      His figure is tall, broad, muscular to an astonishing degree, and
+      expresses at once vigour and activity; his head is massive, bony, almost
+      square, with a somewhat flattened face, a large nose, and prominent
+      cheek-bones, the whole framed by an abundance of hair, and a thick beard
+      symmetrically curled. All the young men of Uruk, the well-protected, were
+      captivated by the prodigious strength and beauty of the hero; the elders
+      of the city betook themselves to Ishtar to complain of the state of
+      neglect to which the young generation had relegated them. &ldquo;He has no
+      longer a rival in their hearts, but thy subjects are led to battle, and
+      Gilgames does not send one child back to his father. Night and day they
+      cry after him: &lsquo;It is he the shepherd of Uruk, the well-protected, he is
+      its shepherd and master, he the powerful, the perfect and the wise.&rsquo;&rdquo; Even
+      the women did not escape the general enthusiasm: &ldquo;he leaves not a single
+      virgin to her mother, a single daughter to a warrior, a single wife to her
+      master. Ishtar heard their complaint, the gods heard it, and cried with a
+      loud voice to Aruru: &lsquo;It is thou, Aruru, who hast given him birth; create
+      for him now his fellow, that he may be able to meet him on a day when it
+      pleaseth him, in order that they may fight with each other and Uruk may be
+      delivered.&lsquo;When Aruru heard them, she created in her heart a man of Anu.
+      Aruru washed her hands, took a bit of clay, cast it upon the earth,
+      kneaded it and created Babani, the warrior, the exalted scion, the man of
+      Ninib, whose whole body is covered with hair, whose tresses are as long as
+      those of a woman; the locks of his hair bristle on his head like those on
+      the corn-god; he is clad in a vestment like that of the god of the fields;
+      he browses with the gazelles, he quenches his thirst with the beasts of
+      the field, he sports with the beasts of the waters.&rdquo; Frequent
+      representations of Eabani are found upon the monuments; he has the horns
+      of a goat, the legs and tail of a bull.* He possessed not only the
+      strength of a brute, but his intelligence also embraced all things, the
+      past and the future: he would probably have triumphed over Gilgames if
+      Shamash had not succeeded in attaching them to one another by an
+      indissoluble tie of friendship. The difficulty was to draw these two
+      future friends together, and to bring them face to face without their
+      coming to blows; the god sent his courier Sa�du, the hunter, to study the
+      habits of the monster, and to find out the necessary means to persuade him
+      to come down peaceably to Uruk. &ldquo;Sa�du, the hunter, proceeded to meet
+      Eabani near the entrance of the watering-place. One day, two days, three
+      days, Eabani met him at the entrance of the watering-place. He perceived
+      Sa�du, and his countenance darkened: he entered the enclosure, he became
+      sad, he groaned, he cried with a loud voice, his heart was heavy, his
+      features were distorted, sobs burst from his breast. The hunter saw from a
+      distance that his face was inflamed with anger,&rdquo; and judging it more
+      prudent not to persevere farther in his enterprise, returned to impart to
+      the god what he had observed.
+    </p>
+<pre xml:space="preserve">
+     * Smith was the first, I believe, to compare his form to
+     that of a satyr or faun; this comparison is rendered more
+     probable by the fact that the modern inhabitants of Chald�a
+     believe in the existence of similar monsters. A. Jeremias
+     places Eabani alongside Priapus, who is generally a god of
+     the fields, and a clever soothsayer. Following out these
+     ideas, we might compare our Eabani with the Graico-Roman
+     Proteus, who pastures the flocks of the sea, and whom it was
+     necessary to pursue and seize by force or cunning words to
+     compel him to give oracular predictions.
+</pre>
+    <p>
+      <a name="linkimage-0024" id="linkimage-0024">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/060.jpg" width="100%"
+       alt="060.jpg Gilgames Fights, on the Left With a Bull, On The Right With Eabani. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from a Chald�an intaglio in the
+     Museum at the Hague. The original measures about 1 7/10 inch
+     in height.
+</pre>
+    <p>
+      &ldquo;I was afraid,&rdquo; said he, in finishing his narrative,* &ldquo;and I did not
+      approach him. He had filled up the pit which I had dug to trap him, he
+      broke the nets which I had spread, he delivered from my hands the cattle
+      and the beasts of the field, he did not allow me to search the country
+      through.&rdquo; Shamash thought that where the strongest man might fail by the
+      employment of force, a woman might possibly succeed by the attractions of
+      pleasure; he commanded Sa�du to go quickly to Uruk and there to choose
+      from among the priestesses of Ishtar one of the most beautiful.** The
+      hunter presented himself before Grilgames, recounted to him his
+      adventures, and sought his permission to take away with him one of the
+      sacred courtesans. &ldquo;&lsquo;Go, my hunter, take the priestess; when the beasts
+      come to the watering-place, let her display her beauty; he will see her,
+      he will approach her, and his beasts that troop around him will be
+      scattered.&rsquo;&rdquo;*** The hunter went, he took with him the priestess, he took
+      the straight road; the third day they arrived at the fatal plain. The
+      hunter and the priestess sat down to rest; one day, two days, they sat at
+      the entrance of the watering-place from whose waters Eabani drank along
+      with the animals, where he sported with the beasts of the water.
+    </p>
+<pre xml:space="preserve">
+     * Haupt, Das Babylonische Nimrodepos, p. 9, 11. 42-50. The
+     beginning of each line is destroyed, and the translation of
+     the whole is only approximate.
+
+     ** The priestesses of Ishtar were young and beautiful women,
+     devoted to the service of the goddess and her worshippers.
+     Besides the title <i>qadishtu,</i> priestess, they bore various
+     names, <i>kizireti, ukhati, kharim�ti</i>; the priestess who
+     accompanied Sa�du was an <i>ukhat</i>.
+
+     *** As far as can be guessed from the narrative, interrupted
+     as it is by so many lacun�, the power of Eabani over the
+     beasts of the field seems to have depended on his
+     continence. From the moment in which he yields to his
+     passions the beasts fly from him as they would do from an
+     ordinary mortal; there is then no other resource for him but
+     to leave the solitudes to live among men in towns. This
+     explains the means devised by Shamash against him: cf. in
+     the <i>Arabian Nights</i> the story of Shehabeddin.
+</pre>
+    <p>
+      &ldquo;When Eabani arrived, he who dwells in the mountains, and who browses upon
+      the grass like the gazelles, who drinks with the animals, who sports with
+      the beasts of the water, the priestess saw the satyr.&rdquo; She was afraid and
+      blushed, but the hunter recalled her to her duty. &ldquo;It is he, priestess.
+      Undo thy garment, show him thy form, that he may be taken with thy beauty;
+      be not ashamed, but deprive him of his soul. He perceives thee, he is
+      rushing towards thee, arrange thy garment; he is coming upon thee, receive
+      him with every art of woman; his beasts which troop around him will be
+      scattered, and he will press thee to his breast.&rdquo; The priestess did as she
+      was commanded; she received him with every art of woman, and he pressed
+      her to his breast. Six days and seven nights, Eabani remained near the
+      priestess, his well-beloved. When he got tired of pleasure he turned his
+      face towards his cattle, and he saw that the gazelles had turned aside and
+      that the beasts of the field had fled far from him. Eabani was alarmed, he
+      fell into a swoon, his knees became stiff because his cattle had fled from
+      him. While he lay as if dead, he heard the voice of the priestess: he
+      recovered his senses, he came to himself full of love; he seated himself
+      at the feet of the priestess, he looked into her face, and while the
+      priestess spoke his ears listened. For it was to him the priestess spoke&mdash;to
+      him, Eabani. &ldquo;Thou who art superb, Eabani, as a god, why dost thou live
+      among the beasts of the field? Come, I will conduct thee to Uruk the
+      well-protected, to the glorious house, the dwelling of Anu and Ishtar&mdash;to
+      the place where is Gilgames, whose strength is supreme, and who, like a
+      Urus, excels the heroes in strength.&rdquo; While she thus spoke to him, he hung
+      upon her words, he the wise of heart, he realized by anticipation a
+      friend. Eabani said to the priestess: &ldquo;Let us go, priestess; lead me to
+      the glorious and holy abode of Anu and Ishtar&mdash;to the place where is
+      Gilgames, whose strength is supreme, and who, like a Urus, prevails over
+      the heroes by his strength. I will fight with him and manifest to him my
+      power; I will send forth a panther against Uruk, and he must struggle with
+      it.&rdquo; * The priestess conducted her prisoner to Uruk, but the city at that
+      moment was celebrating the festival of Tammuz, and Gilgames did not care
+      to interrupt the solemnities in order to face the tasks to which Eabani
+      had invited him: what was the use of such trials since the gods themselves
+      had deigned to point out to him in a dream the line of conduct he was to
+      pursue, and had taken up the cause of their children. Shamash, in fact,
+      began the instruction of the monster, and sketched an alluring picture of
+      the life which awaited him if he would agree not to return to his mountain
+      home. Not only would the priestess belong to him for ever, having none
+      other than him for husband, but Gilgames would shower upon him riches and
+      honours. &ldquo;He will give thee wherein to sleep a great bed cunningly
+      wrought; he will seat thee on his divan, he will give thee a place on his
+      left hand, and the princes of the earth shall kiss thy feet, the people of
+      Uruk shall grovel on the ground before thee.&rdquo; It was by such flatteries
+      and promises for the future that Gilgames gained the affection of his
+      servant Eabani, whom he loved for ever.
+    </p>
+<pre xml:space="preserve">
+     * I have softened down a good deal the account of the
+     seduction, which is described with a sincerity and precision
+     truly primitive.
+</pre>
+    <p>
+      Shamash had reasons for being urgent. Khumbaba, King of Elam, had invaded
+      the country of the Euphrates, destroyed the temples, and substituted for
+      the national worship the cult of foreign deities;* the two heroes in
+      concert could alone check his advance, and kill him. They collected their
+      troops, set out on the march, having learned from a female magician that
+      the enemy had concealed himself in a sacred grove. They entered it in
+      disguise, &ldquo;and stopped in rapture for a moment before the cedar trees;
+      they contemplated the height of them, they contemplated the thickness of
+      them; the place where Khumbaba was accustomed to walk up and down with
+      rapid strides, alleys were made in it, paths kept up with great care. They
+      saw at length the hill of cedars, the abode of the gods, the sanctuary of
+      Irnini, and before the hill, a magnificent cedar, and pleasant grateful
+      shade.&rdquo; They surprised Khumbaba at the moment when he was about to take
+      his outdoor exercise, cut off his head, and came back in triumph to
+      Uruk.** &ldquo;Gilgames brightened his weapons, he polished his weapons. He put
+      aside his war-harness, he put on his white garments, he adorned himself
+      with the royal insignia, and bound on the diadem: Gilgames put his tiara
+      on his head, and bound on his diadem.&rdquo;
+     </p>
+<pre xml:space="preserve">
+     * Khumbaba contains the name of the Elamite god, Khumba,
+     whichenters into the composition of names of towns, like Ti-
+     Khumbi; or into those of princes, as Khumbanigash,
+     Khumbasundasa, Khumbasidh. The comparison between Khumbaba
+     and Combabos, the hero of a singular legend, current in the
+     second century of our era, does not seem to be admissible,
+     at least for the present. The names agree well in sound,
+     but, as Oppert has rightly said, no event in the history of
+     Combabos finds a counterpart in anything we know of that of
+     Khumbaba up to the present.
+
+     ** G. Smith places at this juncture Gilgames&rsquo;s accession to
+     the throne; this is not confirmed by the fragments of the
+     text known up to the present, and it is not even certain
+     that the poem relates anywhere the exaltation and coronation
+     of the hero. It would appear even that Gilgames is
+     recognized from the beginning as King of Uruk, the well-
+     protected.
+</pre>
+    <p>
+      Ishtar saw him thus adorned, and the same passion consumed her which
+      inflames mortals.* &ldquo;To the love of Gilgames she raised her eyes, the
+      mighty Ishtar, and she said, &lsquo;Come, Gilgames, be my husband, thou! Thy
+      love, give it to me, as a gift to me, and thou shalt be my spouse, and I
+      shall be thy wife. I will place thee in a chariot of lapis and gold, with
+      golden wheels and mountings of onyx: thou shalt be drawn in it by great
+      lions, and thou shalt enter our house with the odorous incense of
+      cedar-wood. When thou shalt have entered our house, all the country by the
+      sea shall embrace thy feet, kings shall bow down before thee, the nobles
+      and the great ones, the gifts of the mountains and of the plain they will
+      bring to thee as tribute. Thy oxen shall prosper, thy sheep shall be
+      doubly fruitful, thy mules shall spontaneously come under the yoke, thy
+      chariot-horse shall be strong and shall galop, thy bull under the yoke
+      shall have no rival.&rsquo;&rdquo; Gilgames repels this unexpected declaration with a
+      mixed feeling of contempt and apprehension: he abuses the goddess, and
+      insolently questions her as to what has become of her mortal husbands
+      during her long divine life. &ldquo;Tammuz, the spouse of thy youth, thou hast
+      condemned him to weep from year to year.** Nilala, the spotted
+      sparrow-hawk, thou lovedst him, afterward thou didst strike him and break
+      his wing: he continues in the wood and cries: &lsquo;O, my wings!&rsquo; *** Thou didst
+      afterwards love a lion of mature strength, and then didst cause him to be
+      rent by blows, seven at a time.**** Thou lovedst also a stallion
+      magnificent in the battle; thou didst devote him to death by the goad and
+      whip: thou didst compel him to galop for ten leagues, thou didst devote
+      him to exhaustion and thirst, thou didst devote to tears his mother
+      Silili.
+    </p>
+<pre xml:space="preserve">
+     * Ishtar&rsquo;s declaration to Gilgames and the hero&rsquo;s reply have
+     been frequently translated and summarized since the
+     discovery of the poem. Smith thought to connect this episode
+     with the &ldquo;Descent of Ishtar to Hades,&rdquo; which we shall meet
+     with further on in this History, but his opinion is no
+     longer accepted. The &ldquo;Descent of Ishtar&rdquo; in its present
+     condition is the beginning of a magical formula: it has
+     nothing to do with the acts of Gilgames.
+
+     ** Tammuz-Adonis is the only one known to us among this long
+     list of the lovers of the goddess. The others must have been
+     fairly celebrated among the Chald�ans, since the few words
+     devoted to each is sufficient to recall them to the memory
+     of the reader, but we have not as yet found anything
+     bearing upon their adventures in the table of the ancient
+     Chald�o-Assyrian classics, which had been copied out by a
+     Ninevite scribe for the use of Assur-bani-pal, the title of
+     the poems is wanting.
+
+     *** The text gives <i>kapp�</i>, and the legend evidently refers
+     to a bird whose cry resembles the word meaning &ldquo;my
+     wings.&rdquo; The spotted sparrow-hawk utters a cry which may be
+     strictly understood and interpreted in this way.
+
+     **** This is evidently the origin of our fable of the
+     &ldquo;Amorous Lion.&rdquo;
+ </pre>
+    <p>
+      Thou didst also love the shepherd Tabulu, who lavished incessantly upon
+      thee the smoke of sacrifices, and daily slaughtered goats to thee; thou
+      didst strike him and turn him into a leopard; his own servants went in
+      pursuit of him, and his dogs followed his trail.* Thou didst love
+      Ishullanu, thy father&rsquo;s gardener, who ceaselessly brought thee presents of
+      fruit, and decorated every day thy table. Thou raisedst thine eyes to him,
+      thou seizedst him: &lsquo;My Ishullanu, we shall eat melons, then shalt thou
+      stretch forth thy hand and remove that which separates us.&rsquo; Ishullanu said
+      to thee: &lsquo;I, what dost thou require from me? O my mother, prepare no food
+      for me, I myself will not eat: anything I should eat would be for me a
+      misfortune and a curse, and my body would be stricken by a mortal
+      coldness.&rsquo; Then thou didst hear him and didst become angry, thou didst
+      strike him, thou didst transform him into a dwarf, thou didst set him up
+      on the middle of a couch; he could not rise up, he could not get down from
+      where he was. Thou lovest me now, afterwards thou wilt strike me as thou
+      didst these.&rdquo; **
+    </p>
+<pre xml:space="preserve">
+     * The changing of a lover, by the goddess or sorceress
+     who loves him, into a beast, occurs pretty frequently in
+     Oriental tales; as to the man changed by Ishtar into a
+     brute, which she caused to be torn by his own hounds, we may
+     compare the classic story of Artemis surprised at her bath
+     by Actseon.
+
+     ** As to the misfortune of Ishullanu, we may compare the
+     story in the <i>Abrabian Nights</i> of the Fisherman and the
+     Genie shut up in the leaden bottle. The king of the Black
+     Islands was transformed into a statue from the waist to the
+     feet by the sorceress, whom he had married and afterwards
+     offended; he remained lying on a bed, from which he could
+     not get down, and the unfaithful one came daily to whip him.
+</pre>
+    <p>
+      &ldquo;When Ishtar heard him, she fell into a fury, she ascended to heaven. The
+      mighty Ishtar presented herself before her father Anu, before her mother
+      Anatu she presented herself, and said: &lsquo;My father, Grilgames has despised
+      me. Grilgames has enumerated my unfaithfulnesses, my unfaithfulnesses and
+      my ignominies.&rsquo; Anu opened his mouth and spake to the mighty Ishtar:
+      &lsquo;Canst thou not remain quiet now that Gilgames has enumerated to thee thy
+      unfaithfulnesses, thy unfaithfulnesses and ignominies?&rsquo;&rdquo; But she refused
+      to allow the outrage to go unpunished. She desired her father to make a
+      celestial urus who would execute her vengeance on the hero; and, as he
+      hesitated, she threatened to destroy every living thing in the entire
+      universe by suspending the impulses of desire, and the effect of love. Anu
+      finally gives way to her rage: he creates a frightful urus, whose ravages
+      soon rendered uninhabitable the neighbourhood of Uruk the well-protected.
+      The two heroes, Gilgames and Eabani, touched by the miseries and terror of
+      the people, set out on the chase, and hastened to rouse the beast from its
+      lair on the banks of the Euphrates in the marshes, to which it resorted
+      after each murderous onslaught.
+    </p>
+    <p>
+      <a name="linkimage-0025" id="linkimage-0025">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/068.jpg" width="100%"
+       alt="068.jpg Gilgames and Eabani Fighting With Monsters. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from a Chald�an intaglio in the New
+     York Museum. The original is about an inch and a half in
+     height.
+</pre>
+    <p>
+      A troop of three hundred valiant warriors penetrated into the thickets in
+      three lines to drive the animal towards the heroes. The beast with head
+      lowered charged them; but Eabani seized it with one hand by the right
+      horn, and with the other by the tail, and forced it to rear. Gilgames at
+      the same instant, seizing it by the leg, plunged his dagger into its
+      heart. The beast being despatched, they celebrated their victory by a
+      sacrifice of thanksgiving, and poured out a libation to Sharnash, whose
+      protection had not failed them in this last danger. Ishtar, her projects
+      of vengeance having been defeated, &ldquo;ascended the ramparts of Uruk the
+      well-protected. She sent forth a loud cry, she hurled forth a malediction:
+      &lsquo;Cursed be Gilgames, who has insulted me, and who has killed the celestial
+      urus.&rsquo; Eabani heard these words of Ishtar, he tore a limb from the
+      celestial urus and threw it in the face of the goddess: &lsquo;Thou also I will
+      conquer, and I will treat thee like him: I will fasten the curse upon thy
+      sides.&rsquo; Ishtar assembled her priestesses, her female votaries, her
+      frenzied women, and together they intoned a dirge over the limb of the
+      celestial urus. Gilgames assembled all the turners in ivory, and the
+      workmen were astonished at the enormous size of the horns; they were worth
+      thirty <i>mim�</i> of lapis, their diameter was a half-cubit, and both of
+      them could contain six measures of oil.&rdquo; He dedicated them to Shamash, and
+      suspended them on the corners of the altar; then he washed his hands in
+      the Euphrates, re-entered Uruk, and passed through the streets in triumph.
+      A riotous banquet ended the day, but on that very night Eabani felt
+      himself haunted by an inexplicable and baleful dream, and fortune
+      abandoned the two heroes. Gilgames had cried in the intoxication of
+      success to the women of Uruk: &ldquo;Who shines forth among the valiant? Who is
+      glorious above all men? Gilgames shines forth among the valiant, Gilgames
+      is glorious above all men.&rdquo; Ishtar made him feel her vengeance in the
+      destruction of that beauty of which he was so proud; she covered him with
+      leprosy from head to foot, and made him an object of horror to his friends
+      of the previous day. A life of pain and a frightful death&mdash;he alone
+      could escape them who dared to go to the confines of the world in quest of
+      the Fountain of Youth and the Tree of Life which were said to be there
+      hidden; but the road was rough, unknown, beset by dangers, and no one of
+      those who had ventured upon it had ever returned. Gilgames resolved to
+      brave every peril rather than submit to his fate, and proposed this fresh
+      adventure to his friend Eabani, who, notwithstanding his sad forebodings,
+      consented to accompany him. They killed a tiger on the way, but Eabani was
+      mortally wounded in a struggle in which they engaged in the neighbourhood
+      of Nipur, and breathed his last after an agony of twelve days&rsquo; duration.
+    </p>
+    <p>
+      &ldquo;Gilgames wept bitterly over his friend Eabani, grovelling on the bare
+      earth.&rdquo; The selfish fear of death struggled in his spirit with regret at
+      having lost so dear a companion, a tried friend in so many encounters. &ldquo;I
+      do not wish to die like Eabani: sorrow has entered my heart, the fear of
+      death has taken possession of me, and I am overcome. But I will go with
+      rapid steps to the strong Shamashnapishtim, son of Ubaratutu, to learn
+      from him how to become immortal.&rdquo; He leaves the plain of the Euphrates, he
+      plunges boldly into the desert, he loses himself for a whole day amid
+      frightful solitudes. &ldquo;I reached at nightfall a ravine in the mountain, I
+      beheld lions and trembled, but I raised my face towards the moon-god, and
+      I prayed: my supplication ascended even to the father of the gods, and he
+      extended over me his protection.&rdquo; A vision from on high revealed to him
+      the road he was to take. With axe and dagger in hand, he reached the
+      entrance of a dark passage leading into the mountain of M�shu,* &ldquo;whose
+      gate is guarded day and night by supernatural beings.&rdquo;
+     </p>
+<pre xml:space="preserve">
+     * The land of M�shu is the land to the west of the
+     Euphrates, coterminous on one part with the northern regions
+     of the Red Sea, on the other with the Persian Gulf; the name
+     appears to be preserved in that of the classic Mesene, and
+     possibly in the land of Massa of the Hebrews.
+</pre>
+    <p>
+      <a name="linkimage-0026" id="linkimage-0026">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/071.jpg" width="100%"
+       alt="071.jpg the Scorpion-men of The Mountains Of M�shu. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from an Assyrian intaglio.
+</pre>
+    <p>
+      &ldquo;The scorpion-men, of whom the stature extends upwards as far as the
+      supports of heaven, and of whom the breasts descend as low as Hades, guard
+      the door. The terror which they inspire strikes down like a thunderbolt;
+      their look kills, their splendour confounds and overturns the mountains;
+      they watch over the sun at his rising and setting. Grilgames perceived
+      them, and his features were distorted with fear and horror; their savage
+      appearance disturbed his mind. The scorpion-man said to his wife: &lsquo;He who
+      comes towards us, his body is marked by the gods.&lsquo;* The scorpion-woman
+      replied to him: &lsquo;In his mind he is a god, in his mortal covering he is a
+      man.&rsquo; The scorpion-man spoke and said: &lsquo;It is as the father of the gods,
+      has commanded, he has travelled over distant regions before joining us,
+      thee and me.&rsquo;&rdquo; Gilgames learns that the guardians are not evilly disposed
+      towards him, and becomes reassured, tell them his misfortunes and implores
+      permission to pass beyond them so as to reach &ldquo;Sha-mashnapishtim, his
+      father, who was translated to the gods, and who has at his disposal both
+      life and death.&rdquo; The scorpion-man in vain shows to him the perils before
+      him, of which the horrible darkness enveloping the M�shu mountains is not
+      the least: Gilgames proceeds through the depths of the darkness for long
+      hours, and afterwards comes out in the neighbourhood of a marvellous
+      forest upon the shore of the ocean which encircles the world. One tree
+      especially excites his wonder: &ldquo;As soon as he sees it he runs towards it.
+      Its fruits are so many precious stones, its boughs are splendid to look
+      upon, for the branches are weighed down with lapis, and their fruits are
+      superb.&rdquo; When his astonishment had calmed down, Gilgames begins to grieve,
+      and to curse the ocean which stays his steps. &ldquo;Sabitu, the virgin who is
+      seated on the throne of the seas,&rdquo; perceiving him from a distance, retires
+      at first to her castle, and barricades herself within it. He calls out to
+      her from the strand, implores and threatens her in turn, adjures her to
+      help him in his voyage. &ldquo;If it can be done, I will cross the sea; if it
+      cannot be done, I will lay me down on the land to die.&rdquo; The goddess is at
+      length touched by his tears. &ldquo;Gilgames, there has never been a passage
+      hither, and no one from time immemorial has been able to cross the sea.
+      Shamash the valiant crossed the sea; after Shamash, who can cross it? The
+      crossing is troublesome, the way difficult, perilous the Water of Death,
+      which, like a bolt, is drawn between thee and thy aim. Even if, Gilgames,
+      thou didst cross the sea, what wouldest thou do on arriving at the Water
+      of Death?&rdquo; Arad-Ea, Shamashnapishtim&rsquo;s mariner, can alone bring the
+      enterprise to a happy ending: &ldquo;if it is possible, thou shalt cross the sea
+      with him; if it is not possible, thou shalt retrace thy steps.&rdquo;
+     </p>
+    <p>
+      * We must not forget that Gilgames is covered with leprosy; this is the
+      disease with which the Chald�an gods mark their enemies when they wish to
+      punish them in a severe fashion.
+    </p>
+    <p>
+      <a name="linkimage-0027" id="linkimage-0027">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/073.jpg" width="100%"
+       alt="073.jpg Gilgames and Arad-ea Navigating Their Vessel. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from a Chald�an intaglio in the
+     British Museum. The original measures a little over an inch.
+</pre>
+    <p>
+      Arad-Ea and the hero took ship: forty days&rsquo; tempestuous cruising brought
+      them to the Waters of Death, which with a supreme effort they passed.
+      Beyond these they rested on their oars and loosed their girdles: the happy
+      island rose up before them, and Shamashnapishtim stood upon the shore,
+      ready to answer the questions of his grandson.
+    </p>
+    <p>
+      None but a god dare enter his mysterious paradise: the bark bearing an
+      ordinary mortal must stop at some distance from the shore, and the
+      conversation is carried on from on board. Gilgames narrated once more the
+      story of his life, and makes known the object of his visit;
+      Shamashnapishtim answers him stoically that death follows from an
+      inexorable law, to which it is better to submit with a good grace.
+      &ldquo;However long the time we shall build houses, however long the time we
+      shall put our seal to contracts, however long the time brothers shall
+      quarrel with each other, however long the time there shall be hostility
+      between kings, however long the time rivers shall overflow their banks, we
+      shall not be able to portray any image of death. When the spirits salute a
+      man at his birth, then the genii of the earth, the great gods, Mamitu the
+      moulder of destinies, all of them together assign a fate to him, they
+      determine for him his life and death; but the day of his death remains
+      unknown to him.&rdquo; Gilgames thinks, doubtless, that his forefather is
+      amusing himself at his expense in preaching resignation, seeing that he
+      himself had been able to escape this destiny. &ldquo;I look upon thee,
+      Shamashnapishtim, and thy appearance has not changed: thou art like me and
+      not different, thou art like me and I am like thee. Thou wouldest be
+      strong enough of heart to enter upon a combat, to judge by thy appearance;
+      tell me, then, how thou hast obtained this existence among the gods to
+      which thou hast aspired?&rdquo; Shamashnapishtim yields to his wish, if only to
+      show him how abnormal his own case was, and indicate the merits which had
+      marked him out for a destiny superior to that of the common herd of
+      humanity. He describes the deluge to him, and relates how he was able to
+      escape from it by the favour of Ea, and how by that of Bel he was made
+      while living a member of the army of the gods. &ldquo;&lsquo;And now,&rsquo; he adds, &lsquo;as
+      far as thou art concerned, which one of the Gods will bestow upon thee the
+      strength to obtain the life which thou seekest? Come, go to sleep!&rsquo; Six
+      days and seven nights he is as a man whose strength appears suspended, for
+      sleep has fallen upon him like a blast of wind. Shamashnapishtim spoke to
+      his wife: &lsquo;Behold this man who asks for life, and upon whom sleep has
+      fallen like a blast of wind.&rsquo; The wife answers Shamashnapishtim, the man
+      of distant lands: &lsquo;Cast a spell upon him, this man, and he will eat of the
+      magic broth; and the road by which he has come, he will retrace it in
+      health of body; and the great gate through which he has come forth, he
+      will return by it to his country.&rsquo; Shamashnapishtim spoke to his wife:
+      &lsquo;The misfortunes of this man distress thee: very well, cook the broth, and
+      place it by his head.&rsquo; And while Gilgames still slept on board his vessel,
+      the material for the broth was gathered; on the second day it was picked,
+      on the third it was steeped, on the fourth Shamashnapishtim prepared his
+      pot, on the fifth he put into it &lsquo;Senility,&rsquo; on the sixth the broth was
+      cooked, on the seventh he cast his spell suddenly on his man, and the
+      latter consumed the broth. Then Gilgames spoke to Shamashnapishtim, the
+      inhabitant of distant lands: &lsquo;I hesitated, slumber laid hold of me; thou
+      hast cast a spell upon me, thou hast given me the broth.&rsquo;&rdquo; The effect
+      would not have been lasting, if other ceremonies had not followed in
+      addition to this spell from the sorcerer&rsquo;s kitchen: Gilgames after this
+      preparation could now land upon the shore of the happy island and purify
+      himself there. Shamashnapishtim confided this business to his mariner
+      Arad-Ea: &ldquo;&lsquo;The man whom thou hast brought, his body is covered with
+      ulcers, the leprous scabs have spoiled the beauty of his body. Take him,
+      Arad-Ea, lead him to the place of purification, let him wash his ulcers
+      white as snow in the water, let him get rid of his scabs, and let the sea
+      bear them away so that at length his body may appear healthy. He will then
+      change the fillet which binds his brows, and the loin-cloth which hides
+      his nakedness: until he returns to his country, until he reaches the end
+      of his journey, let him by no means put off the loin-cloth, however
+      ragged; then only shall he have always a clean one.&rsquo; Then Arad-Ea took him
+      and conducted him to the place of purification: he washed his ulcers white
+      as snow in the water, he got rid of his scabs, and the sea carried them
+      away, so that at length his body appeared healthy. He changed the fillet
+      which bound his brows, the loincloth which hid his nakedness: until he
+      should reach the end of his journey, he was not to put off the loin-cloth,
+      however ragged; then alone was he to have a clean one.&rdquo; The cure effected,
+      Gilgames goes again on board his bark, and returns to the place where
+      Shamashnapishtim was awaiting him.
+    </p>
+    <p>
+      Shamashnapishtim would not send his descendant back to the land of the
+      living without making him a princely present. &ldquo;His wife spoke to him, to
+      him Shamashnapishtim, the inhabitant of distant lands: &lsquo;Gilgames has come,
+      he is comforted, he is cured; what wilt thou give to him, now that he is
+      about to return to his country?&rsquo; He took the oars, Gilgames, he brought
+      the bark near the shore, and Shamashnapishtim spoke to him, to Gilgames:
+      &lsquo;Gilgames, thou art going from here comforted; what shall I give thee, now
+      that thou art about to return to thy country? I am about to reveal to
+      thee, Gilgames, a secret, and the judgment of the gods I am about to tell
+      it thee. There is a plant similar to the hawthorn in its flower, and whose
+      thorns prick like the viper. If thy hand can lay hold of that plant
+      without being torn, break from it a branch, and bear it with thee; it will
+      secure for thee an eternal youth.&lsquo;Gilgames gathers the branch, and in his
+      joy plans with Arad-Ea future enterprises: &lsquo;Arad-Ea, this plant is the
+      plant of renovation, by which a man obtains life; I will bear it with me
+      to Uruk the well-protected, I will cultivate a bush from it, I will cut
+      some of it, and its name shall be, &ldquo;the old man becomes young by it;&rdquo; I
+      will eat of it, and I shall repossess the vigour of my youth.&rsquo;&rdquo; He
+      reckoned without the gods, whose jealous minds will not allow men to
+      participate in their privileges. The first place on which they set foot on
+      shore, &ldquo;he perceived a well of fresh water, went down to it, and whilst he
+      was drawing water, a serpent came out of it, and snatched from him the
+      plant, yea&mdash;the serpent rushed out and bore away the plant, and while
+      escaping uttered a malediction. That day Gilgames sat down, he wept, and
+      his tears streamed down his cheeks he said to the mariner Arad-Ba: &lsquo;What
+      is the use, Arad-Ea, of my renewed strength; what is the use of my heart&rsquo;s
+      rejoicing in my return to life? It is not myself I have served; it is this
+      earthly lion I have served. Hardly twenty leagues on the road, and he for
+      himself alone has already taken possession of the plant. As I opened the
+      well, the plant was lost to me, and the genius of the fountain took
+      possession of it: who am I that I should tear it from him?&rsquo;&rdquo; He re-embarks
+      in sadness, he re-enters Uruk the well-protected, and at length begins to
+      think of celebrating the funeral solemnities of Eabani, to whom he was not
+      able to show respect at the time of his death. He supervises them, fulfils
+      the rites, intones the final chant: &ldquo;The temples, thou shalt enter them no
+      more; the white vestments, thou shalt no longer put them on; the
+      sweet-smelling ointments, thou shalt no longer anoint thyself with them to
+      envelop thee with their perfume. Thou shalt no longer press thy bow to the
+      ground to bend it, but those that the bow has wounded shall surround thee;
+      thou no longer holdest thy sceptre in thy hand, but spectres fascinate
+      thee; thou no longer adornest thy feet with wings, thou no longer givest
+      forth a sound upon the earth. Thy wife whom thou lovedst thou embracest
+      her no more; thy wife whom thou hatedst thou beatest her no more. Thy
+      daughter whom thou lovedst thou embracest her no more; thy daughter whom
+      thou hatedst, thou beatest her no more. The resounding earth lies heavy
+      upon thee, she who is dark, she who is dark, Tjinazu the mother, she who
+      is dark, whose side is-not veiled with splendid vestments, whose bosom,
+      like a new-born animal, is not covered. Eabani has descended from the
+      earth to Hades; it is not the messenger of Nergal the implacable who has
+      snatched him away, it is not the plague which has carried him off, it is
+      not consumption that has carried him off, it is the earth which has
+      carried him off; it is not the field of battle which has carried him off,
+      it is the earth which has carried him off!&rdquo; Gilgames dragged himself along
+      from temple to temple, repeating his complaint before Bel and before Sin,
+      and at length threw himself at the feet of the god of the Dead, Nergal:
+      &ldquo;&lsquo;Burst open the sepulchral cavern, open the ground, that the spirit of
+      Eabani may issue from the soil like a blast of wind.&rsquo; As soon as Nergal
+      the valiant heard him, he burst open the sepulchral vault, he opened the
+      earth, he caused the spirit of Eabani to issue from the earth like a blast
+      of wind.&rdquo; Gilgames interrogates him, and asks him with anxiety what the
+      state of the dead may be: &ldquo;&lsquo;Tell, my friend, tell, my friend, open the
+      earth and what thou seest tell it.&rsquo;&mdash;&lsquo;I cannot tell it thee, my
+      friend, I cannot tell it thee; if I should open the earth before thee, if
+      I were to tell to thee that which I have seen, terror would overthrow
+      thee, thou wouldest faint away, thou wouldest weep.&rsquo;&mdash;&lsquo;Terror will
+      overthrow me, I shall faint away, I shall weep, but tell it to me.&rsquo;&rdquo; And
+      the ghost depicts for him the sorrows of the abode and the miseries of the
+      shades. Those only enjoy some happiness who have fallen with arms in their
+      hands, and who have been solemnly buried after the fight; the manes
+      neglected by their relatives succumb to hunger and thirst.* &ldquo;On a sleeping
+      couch he lies, drinking pure water, he who has been killed in battle.
+      &lsquo;Thou hast seen him?&rsquo;&mdash;&lsquo;I have seen him; his father and his mother
+      support his head, and his wife bends over him wailing.&rsquo; &lsquo;But he whose body
+      remains forgotten in the fields,&mdash;thou hast seen him?&rsquo;&mdash;&lsquo;I have
+      seen him; his soul has no rest at all in the earth.&rsquo; &lsquo;He whose soul no one
+      cares for,&mdash;thou hast seen him?&rsquo;&mdash;&lsquo;I have seen him; the dregs of
+      the cup, the remains of a repast, that which is thrown among the refuse of
+      the street, that is what he has to nourish him.&rsquo;&rdquo; This poem did not
+      proceed in its entirety, or at one time, from the imagination of a single
+      individual. Each episode of it answers to some separate legend concerning
+      Gilgames, or the origin of Uruk the well-protected: the greater part
+      preserves under a later form an air of extreme antiquity, and, if the
+      events dealt with have not a precise bearing on the life of a king, they
+      paint in a lively way the vicissitudes of the life of the people.** These
+      lions, leopards, or gigantic uruses with which Grilgames and his faithful
+      Eabani carry on so fierce a warfare, are not, as is sometimes said,
+      mythological animals.
+    </p>
+<pre xml:space="preserve">
+     * Cf. vol. i. pp. 160, 161 of this History for analogous
+     ideas among the Egyptians as to the condition of the dead
+     who were neglected by their relatives: the Egyptian double
+     had to live on the same refuse as the Chald�an soul.
+
+     ** G. Smith, identifying Gilgames with Nimrod, believes, on
+     the other hand, that Nimrod was a real king, who reigned in
+     Mesopotamia about 2250 B.C.; the poem contains, according to
+     him, episodes, more or less embellished, in the life of the
+     sovereign.
+</pre>
+    <p>
+      Similar monsters, it was believed, appeared from time to time in the
+      marshes of Chald�a, and gave proof of their existence to the inhabitants
+      of neighbouring villages by such ravages as real lions and tigers commit
+      in India or the Sahara. It was the duty of chiefs on the border lands of
+      the Euphrates, as on the banks of the Nile, as among all peoples still
+      sunk in semi-barbarism, to go forth to the attack of these beasts
+      single-handed, and to sacrifice themselves one after the other, until one
+      of them more fortunate or stronger than the rest should triumph over these
+      mischievous brutes. The kings of Babylon and Nineveh in later times
+      converted into a pleasure that which had been an official duty of their
+      early predecessors: Gilgames had not yet arrived at that stage, and the
+      seriousness, not to speak of the fear, with which he entered on the fight
+      with such beasts, is an evidence of the early date of the portions of his
+      history which are concerned with his hunting exploits. The scenes are
+      represented on the seals of princes who reigned prior to the year 3000
+      B.C., and the work of the ancient engraver harmonizes so perfectly with
+      the description of the comparatively modern scribe that it seems like an
+      anticipated illustration of the latter; the engravings represent so
+      persistently and with so little variation the images of the monsters, and
+      those of Gilgames and his faithful Eabani, that the corresponding episodes
+      in the poem must have already existed as we know them, if not in form, at
+      least in their main drift. Other portions of the poem are more recent, and
+      it would seem that the expedition against Khumbaba contains allusions to
+      the Elamite* invasions from which Chald�a had suffered so much towards the
+      XXth century before our era. The traditions which we possess of the times
+      following the Deluge, embody, like the adventures of Gilganes, very
+      ancient elements, which the scribes or narrators wove together in a more
+      or less skilful manner around the name of some king or divinity.
+    </p>
+<pre xml:space="preserve">
+     * Smith thought he could restore from the poem a part of
+     Chald�an history: he supposed Izdubar-Nimrod to have been,
+     about 2250, the liberator of Babylon, oppressed by Elam, and
+     the date of the foundation of a great Babylonian empire to
+     have coincided with his victory over the Elamites. The
+     annals of Assurbanipal show us, in fact, that an Elamite
+     king, Kudurnankhundi, had pillaged Uruk about 2280 B.C., and
+     had transported to Susa a statue of the goddess Ishtar.
+</pre>
+    <p>
+      <a name="linkimage-0028" id="linkimage-0028">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/082.jpg" width="100%"
+       alt="082.jpg Gilgames Struggles With a Lion " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from a Chald�an intaglio in the
+     British Museum. The original measures about 1 2/5 inch in
+     height.
+</pre>
+    <p>
+      The fabulous chronicle of the cities of the Euphrates existed, therefore,
+      in a piecemeal condition&mdash;in the memory of the people or in the books
+      of the priests&mdash;before even their primitive history began; the
+      learned who collected it later on had only to select some of the materials
+      with which it furnished them, in order to form out of them a connected
+      narrative, in which the earliest ages were distinguished from the most
+      recent only in the assumption of more frequent and more direct
+      interpositions of the powers of heaven in the affairs of men. Every city
+      had naturally its own version, in which its own protecting deities, its
+      heroes and princes, played the most important parts. That of Babylon threw
+      all the rest into the shade; not that it was superior to them, but because
+      this city had speedily become strong enough to assert its political
+      supremacy over the whole region of the Euphrates. Its scribes were
+      accustomed to see their master treat the lords of other towns as subjects
+      or vassals. They fancied that this must have always been the case, and
+      that from its origin Babylon had been recognized as the queen-city to
+      which its contemporaries rendered homage. They made its individual annals
+      the framework for the history of the entire country, and from the
+      succession of its princely families on the throne, diverse as they were in
+      origin, they constructed a complete canon of the kings of Chald�a.
+    </p>
+    <p>
+      But the manner of grouping the names and of dividing the dynasties varied
+      according to the period in which the lists were drawn up, and at the
+      present time we are in possession of at least two systems which the
+      Babylonian historians attempted to construct. Berossus, who communicated
+      one of them to the Greeks about the beginning of the IInd century B.C.,
+      would not admit more than eight dynasties in the period of thirty-six
+      thousand years between the Deluge and the Persian invasion. The lists,
+      which he had copied from originals in the cuneiform character, have
+      suffered severely at the hands of his abbreviators, who omitted the
+      majority of the names which seemed to them very barbarous in form, while
+      those who copied these abbreviated lists have made such further havoc with
+      them that they are now for the most part unintelligible. Modern criticism
+      has frequently attempted to restore them, with varying results; the
+      reconstruction here given, which passes for the most probable, is not
+      equally certain in all its parts:&mdash;*
+    </p>
+    <p>
+      <a name="linkimage-0029" id="linkimage-0029">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/084.jpg" width="100%" alt="084.jpg Chronologic Table " />
+    </div>
+    <p>
+      It was not without reason that Berossus and his authorities had put the
+      sum total of reigns at thirty-six thousand years; this number falls in
+      with a certain astrological period, during which the gods had granted to
+      the Chald�ans glory, prosperity, and independence, and whose termination
+      coincided with the capture of Babylon by Cyrus.** Others before them had
+      employed the same artifice, but they reckoned ten dynasties in the place
+      of the eight accepted by Berossus:&mdash;
+    </p>
+<pre xml:space="preserve">
+     * After the example of G. B. Niebuhr, Gutschmid admitted
+     here, as Oppert did, 45 Assyrians; he based his view on
+     Herodotus, in which it is said that the Assyrians held sway
+     in Asia for 520 years, until its conquest by the Medes. Upon
+     the improbability of this opinion, see Schrader&rsquo;s
+     demonstration.
+
+     ** The existence of this astronomical or astrological scheme
+     on which Berossus founded his chronology, was pointed out by
+     Brandis, afterwards by Gutschmid; it is now generally
+     accepted.
+</pre>
+    <p>
+      <a name="linkimage-0030" id="linkimage-0030">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/085.jpg" width="100%" alt="085.jpg Table " />
+    </div>
+    <p>
+      Attempts have been made to bring the two lists* into harmony, with varying
+      results; in my opinion, a waste of time and labour. For even comparatively
+      recent periods of their history, the Chald�ans, like the Egyptians, had to
+      depend upon a collection of certain abbreviated, incoherent, and often
+      contradictory documents, from which they found it difficult to make a
+      choice: they could not, therefore, always come to an agreement when they
+      wished to determine how many dynasties had succeeded each other during
+      these doubtful epochs, how many kings were included in each dynasty, and
+      what length of reign was to be assigned to each king. We do not know the
+      motives which influenced Berossus in his preference of one tradition over
+      others; perhaps he had no choice in the matter, and that of which he
+      constituted himself the interpr�ter was the only one which was then known.
+      In any case, the tradition he followed forms a system which we cannot,
+      modify without misinterpreting the intention of those who drew it up or
+      who have handed it down to us. We must accept or reject it just as it is,
+      in its entirety and without alteration: to attempt to adapt it to the
+      testimony of the monuments would be equivalent to the creation of a new
+      system, and not to the correction simply of the old one. The right course
+      is to put it aside for the moment, and confine ourselves to the original
+      lists whose fragments have come down to us: they do not furnish us, it is
+      true, with a history of Chald�a such as it unfolded itself from age to
+      age, but they teach us what the later Chald�ans knew, or thought they
+      knew, of that history. Still it is wise to treat them with some reserve,
+      and not to forget that if they agree with each other in the main, they
+      differ frequently in details. Thus the small dynasties, which are called
+      the VIth and VIIth, include the same number of kings on both the tablets
+      which establish their existence, but the number of years assigned to the
+      names of the kings and the total years of each dynasty vary a little from
+      one another:&mdash;
+    </p>
+<pre xml:space="preserve">
+     * The first document having claim to the title of Royal
+     Canon was found among the tablets of the British Museum, and
+     was published by G. Smith. The others were successively
+     discovered by Pinches; some erroneous readings in them have
+     been corrected by Fr. Delitzsch, and an exact edition has
+     been published by Knudtzon. Smith&rsquo;s list is the fragment of
+     a chronicle in which the VIth, VIIth, and VIIIth dynasties
+     only are almost complete. One of Pinches&rsquo;s lists consists
+     merely of a number of royal names not arranged in any
+     consistent order, and containing their non-Semitic as well
+     as their Semitic forms. The other two lists are actual
+     canons, giving the names of the kings and the years of their
+     reigns; unfortunately they are much mutilated, and the
+     lacun� in them cannot yet be filled up. All of them have
+     been translated by Sayce.
+</pre>
+    <p>
+      <a name="linkimage-0031" id="linkimage-0031">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/086.jpg" width="100%" alt="086.jpg Table " />
+    </div>
+    <p>
+      <a name="linkimage-0032" id="linkimage-0032">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/087.jpg" width="100%" alt="087.jpg Table " />
+    </div>
+    <p>
+      Is the difference in the calculations the fault of the scribes, who, in
+      mechanically copying and recopying, ended by fatally altering the figures?
+      Or is it to be explained by some circumstance of which we are ignorant&mdash;an
+      association on the throne, of which the duration is at one time neglected
+      with regard to one of the co-regents, and at another time with regard to
+      the other; or was it owing to a question of legitimacy, by which,
+      according to the decision arrived at, a reign was prolonged or
+      abbreviated? Cotemporaneous monuments will some day, perhaps, enable us to
+      solve the problem which the later Chald�ans did not succeed in clearing
+      up. While awaiting the means to restore a rigorously exact chronology, we
+      must be content with the approximate information furnished by the tablets
+      as to the succession of the Babylonian kings.
+    </p>
+    <p>
+      Actual history occupied but a small space in the lists&mdash;barely twenty
+      centuries out of a whole of three hundred and sixty: beyond the historic
+      period the imagination was given a free rein, and the few facts which were
+      known disappeared almost completely under the accumulation of mythical
+      narratives and popular stories. It was not that the documents were
+      entirely wanting, for the Chald�ans took a great interest in their past
+      history, and made a diligent search for any memorials of it. Each time
+      they succeeded in disinterring an inscription from the ruins of a town,
+      they were accustomed to make-several copies of it, and to deposit them
+      among the archives, where they would be open to the examination of their
+      archaeologists.* When a prince undertook the rebuilding of a temple, he
+      always made excavations under the first courses of the ancient structure
+      in order to recover the documents which preserved the memory of its
+      foundation: if he discovered them, he recorded on the new cylinders, in
+      which he boasted of his own work, the name of the first builder, and
+      sometimes the number of years which had elapsed since its erection.**
+    </p>
+<pre xml:space="preserve">
+     * We have a considerable number of examples of copies of
+     ancient texts made in this manner. For instance, the
+     dedication of a temple at Uruk by King Singashid, copied by
+     the scribe Nabubalatsuikbi, son of Mizira� (&ldquo;the Egyptian
+     &ldquo;), for the temple of Ezida; the legendary history of King
+     Sargon of Agad�, copied from the inscription on the base of
+     his statue, of which there will be further mention (pp. 91-
+     93 of this History); a dedication of the King Khammurabi;
+     the inscription of Agumkakrimi, which came from the library
+     of Assurbanipal.
+
+     ** Nabonidos, for instance, the last king of Babylon before
+     the Persian conquest, has left us a memorial of his
+     excavations. He found in this manner the cylinders of
+     Shagashaltiburiash at Sippara, those of Khammurabi, and
+     those of Naramsin.
+</pre>
+    <p>
+      We act in a similar way to-day, and our excavations, like those of the
+      Chaldaeans, end in singularly disconnected results: the materials which
+      the earth yields for the reconstruction of the first centuries consist
+      almost entirely of mutilated records of local dynasties, isolated names of
+      sovereigns, dedications of temples to gods, on sites no longer
+      identifiable, of whose nature we know nothing, and too brief allusions to
+      conquests or victories over vaguely designated nations.* The population
+      was dense and life active in the plains of the Lower Euphrates. The cities
+      in this region formed at their origin so many individual and, for the most
+      part, petty states, whose kings and patron gods claimed to be independent
+      of all the neighbouring kings and gods: one city, one god, one lord&mdash;this
+      was the rule here as in the ancient feudal districts from which the nomes
+      of Egypt arose. The strongest of these principalities imposed its laws
+      upon the weakest: formed into unions of two or three under a single ruler,
+      they came to constitute a dozen kingdoms of almost equal strength on the
+      banks of the Euphrates. On the north we are acquainted with those of
+      Agad�, Babylon, Kuta, Kharsag-Kalama, and that of Kishu, which comprised a
+      part of Mesopotamia and possibly the distant fortress of Harran: petty as
+      these States were, their rulers attempted to conceal their weakness by
+      assuming such titles as &ldquo;Kings of the Four Houses of the World,&rdquo; &ldquo;Kings of
+      the Universe,&rdquo; &ldquo;Kings of Shumir and Akkad.&rdquo; Northern Babylonia seems to
+      have possessed a supremacy amongst them. We are probably wise in not
+      giving too much credit to the fragmentary tablet which assigns to it a
+      dynasty of kings, of which we have no confirmatory information from other
+      sources&mdash;Amilgula, Shamashnazir, Amilsin, and several others: this
+      list, however, places among these phantom rulers one individual at least,
+      Shargina-Sharrukin, who has left us material evidences of his existence.
+      This Sargon the Elder, whose complete name is Shargani-shar-ali, was the
+      son of a certain Ittibel, who does not appear to have been king. At first
+      his possessions were confined to the city of Agad� and some undetermined
+      portions of the environs of Babylon, but he soon succeeded in annexing
+      Babylon itself, Sippara, K�shu, Uruk, Kuta, and Nipur: the contemporary
+      records attest his conquest of Elam, Guti, and even of the far-off land of
+      Syria, which was already known to him under the name of Amuru. His
+      activity as a builder was in no way behind his warlike zeal. He built
+      Ekur, the sanctuary of Bel in Nipur, and the great temple Eulbar in Agad�,
+      in honour of Anunit, the goddess presiding over the morning star. He
+      erected in Babylon a palace which afterwards became a royal burying-place.
+      He founded a new capital, a city which he peopled with families brought
+      from Kishu and Babylon: for a long time after his day it bore the name
+      which he bestowed upon it, Dur-Sharruk�n. This sums up all the positive
+      knowledge we have about him, and the later Chaldseans seem not to have
+      been much better informed than ourselves.
+    </p>
+<pre xml:space="preserve">
+     * The earliest Assyriologists, H. Rawlinson, Oppert,
+     considered the local kings as having been, for the most
+     part, kings of all Chald�a, and placed them in succession
+     one after the other in the framework of the most ancient
+     dynasties of Berossus. The merit of having established the
+     existence of series of local dynasties, and of having given
+     to Chald�an history its modern form, belongs to G. Smith.
+     Smith&rsquo;s idea was adopted by Menant, by Delitzsch-Murdter, by
+     Tiele, by Winckler, and by all Assyriologists, with
+     modifications suggested by the progress of decipherment.
+</pre>
+    <p>
+      They filled up the lacunae of his history with legends. As he seemed to
+      them to have appeared suddenly on the scene, without any apparent
+      connection with the king who preceded him, they assumed that he was a
+      usurper of unknown origin, irregularly introduced by the favour of the
+      gods into the lawful series of kings. An inscription engraved, it was
+      said, on one of his statues, and afterwards, about the VIIth century B.C.,
+      copied and deposited in the library of Nineveh, related at length the
+      circumstances of his mysterious birth. &ldquo;Sharruk�n, the mighty king, the
+      king of Agad�, am I. My mother was a princess; my father, I did not know
+      him; the brother of my father lived in the mountains. My town was
+      Azupir�ni, which is situated on the bank of the Euphrates. My mother, the
+      princess, conceived me, and secretly gave birth to me: she placed me in a
+      basket of reeds, she shut up the mouth of it with bitumen, she abandoned
+      me to the river, which did not overwhelm me. The river bore me; it brought
+      me to Akki, the drawer of water. Akki, the drawer of water, received me in
+      the goodness of his heart; Akki, the drawer of water, made me a gardener.
+      As gardener, the goddess Ishtar loved me, and during forty-four years I
+      held royal sway; I commanded the Black Heads,* and ruled them.&rdquo; This is no
+      unusual origin for the founders of empires and dynasties; witness the
+      cases of Cyrus and Bomulus.* Sargon, like Moses, and many other heroes of
+      history or fable, is exposed to the waters: he owes his safety to a poor
+      fellah who works his shadouf on the banks of the Euphrates to water the
+      fields, and he passes his infancy in obscurity, if not in misery. Having
+      reached the age of manhood, Ishtar falls in love with him as she did with
+      his fellow-craftsman, the gardener Ishullanu, and he becomes king, we know
+      not by what means.
+    </p>
+<pre xml:space="preserve">
+     * The phrase &ldquo;Black Heads,&rdquo; <i>nishi salmat hahhadi</i>, has been
+     taken in an ethnological sense as designating one of the
+     races of Chald�a, the Semitic; other Assyriologists consider
+     it as denoting mankind in general. The latter meaning seems
+     the more probable.
+
+     ** Smith had already compared the infancy of Sargon with
+     that of Moses; the comparison with Cyrus, Bacchus, and
+     Romulus was made by Talbot. Traditions of the same kind are
+     frequent in history or folk-tales.
+</pre>
+    <p>
+      The same inscription which reveals the romance of his youth, recounts the
+      successes of his manhood, and boasts of the uniformly victorious issue of
+      his warlike exploits. Owing to lacunae, the end of the account is in the
+      main wanting, and we are thus prevented from following the development of
+      his career, but other documents come to the rescue and claim to furnish
+      its most important vicissitudes. He had reduced the cities of the Lower
+      Euphrates, the island of Dilmun, Dur�lu, Elam, the country of Kazalla: he
+      had invaded Syria, conquered Phoenicia, crossed the arm of the sea which
+      separates Cyprus from the coast, and only returned to his palace after an
+      absence of three years, and after having erected his statues on the Syrian
+      coast. He had hardly settled down to rest when a rebellion broke out
+      suddenly; the chiefs of Chald�a formed a league against him, and blockaded
+      him in Agad�: Ishtar, exceptionally faithful to the end, obtains for him
+      the victory, and he comes out of a crisis, in which he might have been
+      utterly ruined, with a more secure position than ever. All these events
+      are regarded as having occurred sometime about 3800 B.C., at a period when
+      the VIth dynasty was flourishing in Egypt. Some of them have been proved
+      to be true by recent discoveries, and the rest are not at all improbable
+      in themselves, though the work in which they are recorded is a later
+      astrological treatise. The writer was anxious to prove, by examples drawn
+      from the chronicles, the use of portents of victory or defeat, of civic
+      peace or rebellion&mdash;portents which he deduced from the configuration
+      of the heavens on the various days of the month: by going back as far as
+      Sargon of Agad� for his instances, he must have at once increased the
+      respect for himself on account of his knowledge of antiquity, and the
+      difficulty which the common herd must have felt in verifying his
+      assertions. His zeal in collecting examples was probably stimulated by the
+      fact that some of the exploits which he attributes to the ancient Sargon
+      had been recently accomplished by a king of the same name: the brilliant
+      career of Sargon of Agad� would seem to have been in his estimation
+      something like an anticipation of the still more glorious life of the
+      Sargon of Nineveh.* What better proof of the high veneration in which the
+      learned men of Assyria held the memory of the ancient Chald�an conqueror?
+      Naramsin, who succeeded Sargon about 3750 B.C.** inherited his authority,
+      and to some extent his renown.
+    </p>
+<pre xml:space="preserve">
+     * Hommel (Gescamede, p. 307) believes that the life of our
+     Sargon was modelled, not on the Assyrian Sargon, but on a
+     second Sargon, whom he places about 2000 B.C. Tiele refuses
+     to accept the hypothesis, but his objections are not
+     weighty, in my opinion; Hilprecht and Sayce accepted the
+     authenticity of the facts in their details, and the recent
+     discoveries have shown that they were right in so doing.
+     There is a distant resemblance between the life of the
+     legendary Sargon and the account of the victories of Ramses
+     II. ending in a conspiracy on his return.
+</pre>
+<pre xml:space="preserve">
+     ** The date of Naramsin is given us by the cylinder of
+     Nabonidos, who is cited lower down. It was discovered by
+     Pinches. Its authenticity is maintained by Oppert, by
+     Latrille, by Tiele, by Hommel, who felt at first some
+     hesitation, by Delitzsch-Murdter; it has been called in
+     question, with hesitation, by Ed. Meyer, and more boldly by
+     Winckler. There is at present no serious reason to question
+     its accuracy, at least relatively, except the instinctive
+     repugnance of modern critics to consider as legitimate,
+     dates which carry them back further into the past than they
+     are accustomed to go.
+</pre>
+    <p>
+      The astrological tablets assert that he attacked the city of Apirak, on
+      the borders of Elam, killed the Sing, Rish-ramman, and led the people away
+      into slavery. He conquered at least part, if not the whole of Elam, and
+      one of the few monuments which have come down to us was raised at Sippara
+      in commemoration of his prowess against the mountaineers of the Zagros. He
+      is represented on it overpowering their chief: his warriors follow after
+      him and charge up the hill, carrying everything before their steady
+      onslaught. Another of his warlike expeditions is said to have had as its
+      field of operations a district of M�gan, which, in the view of the writer,
+      undoubtedly represented the Sinaitic Peninsula and perhaps Egypt. This
+      expedition against M�gan no doubt took place, and one of the few monuments
+      of Naramsin which have reached us refers to it. Other inscriptions tell us
+      incidentally that Naramsin reigned over the &ldquo;four Houses of the world,&rdquo;
+       Babylon, Sippara, Nipur, and Lagash. Like his father, he had worked at the
+      building of the Ekur of Nipur and the Bulbar of Agad�; he erected,
+      moreover, at his own cost, the temple of the Sun at Sippara.* The latter
+      passed through many and varied vicissitudes. Restored, enlarged, ruined on
+      several occasions, the date of its construction and the name of its
+      founder were lost in the course of ages.
+    </p>
+<pre xml:space="preserve">
+     * The text giving us this information is that in which
+     Nabonidos affirms that Naramsin, son of Sargon of Agad�, had
+     founded the temple of the Sun at Sippara, 3200 years before
+     himself, which would give us 3750 B.C. for the reign of
+     Naramsin.
+</pre>
+    <p>
+      The last independent King of Babylon, Nabona�d [Nabonidos], at length
+      discovered the cylinders in which Naramsin, son of Sargon, had signified
+      to posterity all that he had done towards the erection of a temple worthy
+      of the deity to the god of Sippara: &ldquo;for three thousand two hundred years
+      not one of the kings had been able to find them.&rdquo; We have no means of
+      judging what these edifices were like for which the Chald�ans themselves
+      showed such veneration; they have entirely disappeared, or, if anything
+      remains of them, the excavations hitherto carried out have not revealed
+      it. Many small objects, however, which have accidentally escaped
+      destruction give us a fair idea of the artists who lived in Babylon at
+      this time, and of their skill in handling the graving-tool and chisel. An
+      alabaster vase with the name of Naramsin, and a mace-head of exquisitely
+      veined marble, dedicated by Shargani-shar-ali to the sun-god of Sippara,
+      are valued only on account of the beauty of the material and the rarity of
+      the inscription; but a porphyry cylinder, which belonged to Ibnishar,
+      scribe of the above-named Shargani, must be ranked among the masterpieces
+      of Oriental engraving. It represents the hero Gilgames, kneeling and
+      holding with both hands a spherically shaped vase, from which flow two
+      copious jets forming a stream running through the country; an ox, armed
+      with a pair of gigantic crescent-shaped horns, throws back its head to
+      catch one of the jets as it falls. Everything in this little specimen is
+      equally worthy of admiration&mdash;the purity of outline, the skilful and
+      delicate cutting of the intaglio, the fidelity of the action, and the
+      accuracy of form. A fragment of a bas-relief of the reign of Naramsin
+      shows that the sculptors were not a bit behind the engravers of gems. This
+      consists now only of a single figure, a god, who is standing on the right,
+      wearing a conical head-dress and clothed in a hairy garment which leaves
+      his right arm free. The legs are wanting, the left arm and the hair are
+      for the most part broken away, while the features have also suffered; its
+      distinguishing characteristic is a sublety of workmanship which is lacking
+      in the artistic products of a later age. The outline stands out from the
+      background with a rare delicacy, the details of the muscles being in no
+      sense exaggerated: were it not for the costume and pointed beard, one
+      would fancy it a specimen of Egyptian work of the best Memphite period.
+    </p>
+    <p>
+      <a name="linkimage-0033" id="linkimage-0033">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/096.jpg" width="100%"
+       alt="96.jpg the Seal of Shargani-shar-ali: Gilgames Waters The Celestial Ox. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from Menant.
+</pre>
+    <p>
+      One is almost tempted to believe in the truth of the tradition which
+      ascribes to Naramsin the conquest of Egypt, or of the neighbouring
+      countries.
+    </p>
+    <p>
+      <a name="linkimage-0034" id="linkimage-0034">
+      <!-- IMG --></a> <a href="images/096a.jpg">ENLARGE TO FULL SIZE</a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img alt="096a-th (125K)" src="images/096a-th.jpg" width="100%" />
+    </div>
+    <p>
+      <br />
+    </p>
+<pre xml:space="preserve">
+     Drawn by Boudier, from a photograph published by Father
+     Schiel.
+</pre>
+    <p>
+      <a name="linkimage-0035" id="linkimage-0035">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/097.jpg" width="100%" alt="097.jpg Page Image " />
+    </div>
+    <p>
+      Did Sargon and Naramsin live at so early a date as that assigned to them
+      by Nabonidos? The scribes who assisted the kings of the second Babylonian
+      empire in their archaeological researches had perhaps insufficient reasons
+      for placing the date of these kings so far back in the misty past: should
+      evidence of a serious character A constrain us to attribute to them a
+      later origin, we ought not to be surprised. In the mean time our best
+      course is to accept the opinion of the Chald�ans, and to leave Sargon and
+      Naramsin in the century assigned to them by Nabonidos, although from this
+      point they look down as from a high eminence upon all the rest of Chald�an
+      antiquity. Excavations have brought to light several personages of a
+      similar date, whether a little earlier, or a little later:
+      Bingani-sharali, Man-ish-turba, and especially Alusharshid, who lived at
+      Kishu and Nipur, and gained victories over Elam.
+    </p>
+    <p>
+      <a name="linkimage-0036" id="linkimage-0036">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/098.jpg" width="100%"
+       alt="098.jpg Page Image: the Arms Op The City and Kings Of Lagash " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from a bas-relief from Lagash, now
+     in the Louvre
+</pre>
+    <p>
+      After this glimpse of light on these shadowy kings darkness once more
+      closes in upon us, and conceals from us the majority of the sovereigns who
+      ruled afterwards in Babylon. The facts and names which can be referred
+      with certainty to the following centuries belong not to Babylon, but to
+      the southern States, Lagash, Uruk, Uru, Nishin, and Larsam. The national
+      writers had neglected these principalities; we possess neither a resume of
+      their chronicles nor a list of their dynasties, and the inscriptions which
+      speak of their the arms of the city gods and princes are still very rare
+      and kings of Lagash. Lagash, as far as our evidence goes, was, perhaps,
+      the most illustrious of all these cities.* It occupied the heart of the
+      country, and its site covered both sides of the Shatt-el-Ha�; the Tigris
+      separated it on the east from Anshan, the westernmost of the Elamite
+      districts, with which it carried on a perpetual frontier war.
+    </p>
+<pre xml:space="preserve">
+     * We are indebted almost exclusively to the researches of M.
+     de Sarzec, and his discoveries at Telloh, for what we know
+     of it. The results of his excavations, acquired by the
+     French government, are now in the Louvre. The description of
+     the ruins, the text of the inscriptions, and an account of
+     the statues and other objects found in the course of the
+     work, have been published by Heuzey-Sakzec, <i>D�couvertes en
+     Chald�e</i>. The name of the ancient town has been read
+     Sirpurla, Zirgulla, etc.
+</pre>
+    <p>
+      All parts of the country were not equally fertile: the fruitful and
+      well-cultivated district in the neighbourhood of the Shatt-el-Ha� gave
+      place to impoverished lands ending to the eastward, finally in swampy
+      marshes, which with great difficulty furnished means of sustenance to a
+      poor and thinly scattered population of fisher-folk.
+    </p>
+    <p>
+      <a name="linkimage-0037" id="linkimage-0037">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/099.jpg" width="100%"
+       alt="099.jpg Fragment of Bas-relief by Urnina, King Of Lagash. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from a stone in the Louvre.
+</pre>
+    <p>
+      The capital, built on the left bank of the river, stretched out to the
+      north-east and south-west a distance of some five miles. It was not so
+      much a city as an agglomeration of large villages, each grouped around a
+      temple or palace&mdash;Uruazagga, Gishgalla, G-irsu, Nina, and Lagash,
+      which latter imposed its name upon the whole. A branch of the river
+      Shatt-el-Ha� protected it on the south, and supplied the village of Nin�
+      with water; no trace of an inclosing wall has been found, and the temples
+      and palaces seem to have served as refuges in case of attack. It had as
+      its arms, or totem, a double-headed eagle standing on a lion passant, or
+      on two demi-lions placed back to back. Its chief god was called Ningirsu,
+      that is, the lord of Girsu, where his temple stood: his companion Bau, and
+      his associates Ninagal, Innanna and Ninsia, were the deities of the other
+      divisions of the city. The princes were first called kings, but afterwards
+      vicegerents&mdash;<i>patesi</i>&mdash;when they came under the suzerainty
+      of a more powerful king, the King of Uruk or of Babylon.
+    </p>
+    <p>
+      The earlier history of this remarkable town is made up of the scanty
+      memoirs of its rulers, together with those of the princes of Gishban&mdash;&ldquo;the
+      land of the Bow,&rdquo; of which Ishin seems to have been the principal town. A
+      very ancient document states, that, at the instigation of Inlil, the god
+      of Nipur, the local deities, Ningirsu and Kirsig, set up a boundary
+      between the two cities. In the course of time, Meshilim, a king of Kishu,
+      which, before the rise of Agad�, was the chief town in those parts,
+      extended his dominion over Lagash and erected his stele at its border;
+      Ush, vicegerent of Gishban, however, removed it, and had to suffer defeat
+      before he would recognize the new order of things. After the lapse of some
+      years, of which we possess no records, we find the mention of a certain
+      Urukagina, who assumes the title of king: he restored or enlarged several
+      temples, and dug the canal which supplied the town of Nina with water. A
+      few generations later we find the ruling authority in the hands of a
+      certain Urnin�, whose father Ninigaldun and grandfather Gurshar received
+      no titles&mdash;a fact which proves that they could not have been reigning
+      sovereigns. Urnin� appears to have been of a peaceful and devout
+      disposition, as the inscriptions contain frequent references to the
+      edifices he had erected in honour of the gods, the sacred objects he had
+      dedicated to them, and the timber for building purposes which he had
+      brought from M�gan, but there is no mention in them of any war. His son
+      Akurgal was also a builder of temples, but his grandson Idingiranagin, who
+      succeeded Akurgal, was a warlike and combative prince.
+    </p>
+    <p>
+      <a name="linkimage-0038" id="linkimage-0038">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/101.jpg" width="100%"
+       alt="101.jpg Idingiranagin Holding the Totem of Lagash. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from the bas-relief F2 in the
+     Louvre.
+</pre>
+    <p>
+      It seems probable that, about that time, the kingdom of Gishban had become
+      a really powerful state. It had triumphed not only over Babylonia proper,
+      but over Kish, Uru, Uruk, and Larsam, while one of its sovereigns had
+      actually established his rule in some parts of Northern Syria.
+      Idingiranagin vanquished the troops of Gishban, and there is now in the
+      Louvre a trophy which he dedicated in the temple of Ninglrsu on his return
+      from the campaign.
+    </p>
+<pre xml:space="preserve">
+     * Hilpeecht, Bab. Expcd. of the Univ. of Pennsylvania, vol.
+     i., 2nd part, p. 47 sqq.
+</pre>
+    <p>
+      <a name="linkimage-0039" id="linkimage-0039">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/102.jpg" width="100%"
+       alt="102.jpg Idingiranagin in his Chariot Leading His Troops. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from a bas-relief in the Louvre. The
+     attendant standing behind the king has been obliterated, but
+     we see clearly the contour of his shoulder, and his hands
+     holding the reins. It is a large stele of close-grained
+     white limestone, rounded at the top, and covered with scenes
+     and inscriptions on both its faces. One of these faces
+     treats only of religious subjects. Two warlike goddesses,
+     crowned with plumed head-dresses and crescent-shaped horns,
+     are placed before a heap of weapons and various other
+     objects, which probably represent some of the booty
+     collected in the campaign. It would appear that they
+     accompany a tall figure of a god or king, possibly that of
+     the deity Ningirsu, patron of Lagash and its kings. Ningirsu
+     raises in one hand an ensign, of which the staff bears at
+     the top the royal totem, the eagle with outspread wings
+     laying hold by his talons of two half-lions back to back;
+     with the other hand he brings a, club down heavily upon a
+     group of prisoners, who struggle at his feet in the meshes
+     of a large net.
+</pre>
+    <p>
+      <a name="linkimage-0040" id="linkimage-0040">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/103.jpg" width="100%"
+       alt="103.jpg Page Image. Vultures Feeding Upon the Dead. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from the fragment of a bas-relief in
+     the Louvre. This is the human sacrifice after the victory,
+     such as we find it in Egypt&mdash;the offering to the national
+     god of a tenth of the captives, who struggle in vain to
+     escape from fate. On the other stele the battle is at its
+     height. Idingiranagin, standing upright in his chariot,
+     which is guided by an attendant, charges the enemy at the
+     head of his troops, and the plain is covered with corpses
+     cut down by his fierce blows: a flock of vultures accompany
+     him, and peck at each other in their struggles over the
+     arms, legs, and decapitated heads of the vanquished. Victory
+     once secured, he retraces his steps to bestow funeral
+     honours upon the dead.
+</pre>
+    <p>
+      <a name="linkimage-0041" id="linkimage-0041">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/104.jpg" width="100%"
+       alt="104.jpg Piling up the Mound of The Dead After The Battle. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from the fragment of a bas-relief in
+     the Louvre. The bodies raised regularly in layers form an
+     enormous heap: priests or soldiers wearing loin-cloths mount
+     to its top, where they pile the offerings and the earth
+     which are to form the funerary mound. The sovereign,
+     moreover, has, in honour of the dead, consigned to execution
+     some of the prisoners, and deigns to kill with his own hand
+     one of the principal chiefs of the enemy.
+</pre>
+    <p>
+      The design and execution of these scenes are singularly rude; men and
+      beasts&mdash;indeed, all the figures&mdash;have exaggerated proportions,
+      uncouth forms, awkward positions, and an uncertain and heavy gait. The war
+      ended in a treaty concluded with Enakalli, vicegerent of Grishban, by
+      which Lagash obtained considerable advantages. Idingiranagin replaced the
+      stele of Meshilim, overthrown by one of Enakalli&rsquo;s predecessors, and dug a
+      ditch from the Euphrates to the provinces of Guedln to serve henceforth as
+      a boundary. He further levied a tribute of corn for the benefit of the
+      goddess Nina and her consort Ningirsu, and applied the spoils of the
+      campaign to the building of new sanctuaries for the patron-gods of his
+      city.
+    </p>
+    <p>
+      <a name="linkimage-0042" id="linkimage-0042">
+      <!-- IMG --></a>
+    </p>
+    <div class="figright" style="width:50%;">
+      <img width="100%" src="images/105.jpg"
+       alt="105.jpg King Urnina and his Family. " />
+<pre xml:space="preserve">
+Drawn by Faucher-Gudin, from
+a bas-relief in the Louvre.
+</pre>
+    </div>
+    <p>
+      His reign was, on the whole, a glorious and successful one. He conquered
+      the mountain district of Elam, rescued Uruk and Uru, which had both fallen
+      into the hands of the people of Gishban, organized an expedition against
+      the town of Az and killed its vicegerent, in addition to which he burnt
+      Arsua, and devastated the district of Mishime. He next directed an attack
+      against Zuran, king of Udban, and, by vanquishing this Prince on the field
+      of battle, he extended his dominion over nearly the whole of Babylonia.
+    </p>
+    <p>
+      The prosperity of his dynasty was subjected to numerous and strange
+      vicissitudes. Whether it was that its resources were too feeble to stand
+      the exigencies and strain of war for any length of time, or that intestine
+      strife had been the chief cause of its decline, we cannot say. Its kings
+      married many wives and became surrounded with a numerous progeny: Urnin�
+      had at least four sons. They often entrusted to their children or their
+      sons-in-law the government of the small towns which together made up the
+      city: these represented so many temporary fiefs, of which the holders were
+      distinguished by the title of &ldquo;vicegerents.&rdquo; This dismemberment of the
+      supreme authority in the interest of princes, who believed for the most
+      part that they had stronger claims to the throne than its occupant, was
+      attended with dangers to peace and to the permanence of the dynasty. The
+      texts furnish us with evidence of the existence of at least half a dozen
+      descendants of Akurgal&mdash;Inannatuma I., Intemena, his grandson
+      Inannatuma II, all of whom seem to have been vigorous rulers who
+      energetically maintained the supremacy of their city over the neighbouring
+      estates. Inannatuma I., however, proved no match in the end against
+      Urlamma, the vicegerent of Gishban, and lost part, at least, of the
+      territory acquired by Idingiranagin, but his son Intemena defeated Urlamma
+      on the banks of the Lumasirta Canal, and, having killed or deposed him,
+      gave the vicegerency of Gishban to a certain Hi, priest of Ninab, who
+      remained his loyal vassal to the end of his days. With his aid Intemena
+      restored the stelae and walls which had been destroyed during the war; he
+      also cleared out the old canals and dug new ones, the most important of
+      which was apparently an arm of the Shatt-el-Hai, and ran from the
+      Euphrates to the Tigris, through the very centre of the domains of Ghirsu.
+    </p>
+    <p>
+      Other kings and vicegerents of doubtful sequence were followed lastly by
+      Urbau and his son Gudea. These were all piously devoted to Ningirsu in
+      general, and in particular to the patron of their choice from among the
+      divinities of the country&mdash;Papsukal, Dunziranna, and Nin�gal. They
+      restored and enriched the temples of these gods: they dedicated to them
+      statues or oblation vases for the welfare of themselves and their
+      families. It would seem, if we are to trust the accounts which they give
+      of themselves, that their lives were passed in profound peace, without
+      other care than that of fulfilling their duties to heaven and its
+      ministers. Their actual condition, if we could examine it, would doubtless
+      appear less agreeable and especially less equable; revolutions in the
+      palace would not be wanting, nor struggles with the other peoples of
+      Chald�a, with Susiana and even more distant nations. When Agad� rose into
+      power in Northern Babylonia, they fell under its rule, and one of them,
+      Lugal-ushum-gal, acknowledged himself a dependant of Sargon. On the
+      decline of Agade, and when that city was superseded by Uru in the hegemony
+      of Babylonia proper, the vicegerents of Lagash were transferred with the
+      other great towns to the jurisdiction of Uru, and flourished under the
+      supremacy of the new dynasty.
+    </p>
+    <p>
+      Grudea, son of Urbau, who, if not the most powerful of its princes, is at
+      least the sovereign of whom we possess the greatest number of monuments,
+      captured the town of Anshan in Elam, and this is probably not the only
+      campaign in which he took part, for he speaks of his success in an
+      incidental manner, and as if he were in a hurry to pass to more
+      interesting subjects.
+    </p>
+    <p>
+      <a name="linkimage-0043" id="linkimage-0043">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/108.jpg" width="100%" alt="108.jpg the Sacrifice " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from a stone in the Louvre.
+</pre>
+    <p>
+      That which seemed to him important in his reign, and which especially
+      called forth the recognition of posterity, was the number of his pious
+      foundations, distinguished as they were by beauty and magnificence. The
+      gods themselves had inspired him in his devout undertakings, and had even
+      revealed to him the plans which he was to carry out. An old man of
+      venerable aspect appeared to him in a vision, and commanded him to build a
+      temple: as he did not know with whom he had to do, Nina his mother
+      informed him that it was his brother, the god Ningirsu. This having been
+      made clear, a young woman furnished with style and writing tablet was
+      presented to him&mdash;Nisaba, the sister of Nina; she made a drawing in
+      his presence, and put before him the complete model of a building. He set
+      to work on it <i>con amore</i>, and sent for materials to the most distant
+      countries&mdash;to M�gan, Amanus, the Lebanon, and into the mountains
+      which separate the valley of the Upper Tigris from that of the Euphrates.
+    </p>
+    <p>
+      <a name="linkimage-0044" id="linkimage-0044">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/109.jpg" width="100%"
+       alt="109.jpg Sitting Statue of Gudea " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin
+</pre>
+    <p>
+      The sanctuaries which he decorated, and of which he felt so proud, are
+      to-day mere heaps of bricks, now returned to their original clay; but many
+      of the objects which he placed in them, and especially the statues, have
+      traversed the centuries without serious damage before finding a
+      resting-place in the Louvre. The sculptors of Lagash, after the time of
+      Idingi-ranagin, had been instructed in a good school, and had learned
+      their business. Their bas-reliefs are not so good as those of Naramsin;
+      the execution of them is not so refined, the drawing less delicate, and
+      the modelling of the parts not so well thought out. A good illustration of
+      their work is the fragment of a square stele which represents a scene of
+      offering or sacrifice. We see in the lower part of the picture a female
+      singer, who is accompanied by a musician, playing on a lyre ornamented
+      with the head of an ox, and a bull in the act of walking. In the upper
+      part an individual advances, clad in a fringed mantle, and bearing in his
+      right hand a kind of round paten, and in his left a short staff. An
+      acolyte follows him, his arms brought up to his breast, while another
+      individual marks, by clapping his hands, the rhythm of the ode which a
+      singer like the one below is reciting. The fragment is much abraded, and
+      its details, not being clearly exhibited, have rather to be guessed at;
+      but the defaced aspect which time has produced is of some service to it,
+      since it conceals in some respect the rudeness of its workmanship. The
+      statues, on the other hand, bear evidence of a precision of chiselling and
+      a skill beyond question. Not that there are no faults to be found in the
+      work. They are squat, thick, and heavy in form, and seem oppressed by the
+      weight of the woollen covering with which the Chaldeans enveloped
+      themselves; when viewed closely, they excite at once the wonder and
+      repulsion of an eye accustomed to the delicate grace, and at times
+      somewhat slender form, which usually characterized the good statues of the
+      ancient and middle empire of Egypt. But when we have got over the effect
+      of first impressions, we can but admire the audacity with which the
+      artists attacked their material. This is of hard dolerite, offering great
+      resistance to the tool&mdash;harder, perhaps, than the diorite out of
+      which the Memphite sculptor had to cut his Khephren: they succeeded in
+      mastering it, and in handling it as freely as if it were a block of
+      limestone or marble.
+    </p>
+    <p>
+      <a name="linkimage-0045" id="linkimage-0045">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/111.jpg" width="100%"
+       alt="111.jpg Plan of the Ruins Of Mugh�er " />
+    </div>
+    <p>
+      The surface of the breast and back, the muscular development of the
+      shoulders and arms, the details of the hands and feet, all the nude
+      portions, are treated at once with a boldness and attention to minutiae
+      rarely met with in similar works. The pose is lacking in variety; the
+      individual, whether male or female, is sometimes represented standing and
+      sometimes sitting on a low seat, the legs brought together, the bust
+      rising squarely from the hips, the hands crossed upon the breast, in a
+      posture of submission or respectful adoration. The mantle passes over the
+      left shoulder, leaving the right free, and is fastened on the right
+      breast, the drapery displaying awkward and inartistic folds: the latter
+      widens in the form of a funnel from top to bottom, being bell-shaped
+      around the lower part of the body, and barely leaves the ankles exposed.
+    </p>
+    <p>
+      <a name="linkimage-0046" id="linkimage-0046">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/112.jpg" width="100%"
+       alt="112.jpg Statues from Telloh. And Head of One Of The Statue of Gudea. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from Heuzey-Sarzec.
+</pre>
+    <p>
+      All the large statues to be seen at the Louvre have lost their heads;
+      fortunately we possess a few separate heads. Some are completely shaven,
+      others wear a kind of turban affording shade to the forehead and eyes;
+      among them all we see the same qualities and defects which we find in the
+      bodies: a hardness of expression, heaviness, absence of vivacity, and yet
+      withal a vigour of reproduction and an accurate knowledge of human
+      anatomy. These are instances of what could be accomplished in a city of
+      secondary rank; better things were doubtless produced in the great cities,
+      such as Uru and Babylon. Chald�an art, as we are able to catch a glimpse
+      of it in the monuments of Lagash, had neither the litheness, nor
+      animation, nor elegance of the Egyptian, but it was nevertheless not
+      lacking in force, breadth, and originality. Urningirsu succeeded his
+      father Gudea, to be followed rapidly by several successive vicegerents,
+      ending, it would appear, in Gala-lama. Their inscriptions are short and
+      insignificant, and show that they did not enjoy the same resources or the
+      same favour which enabled Gudea to reign gloriously. The prosperity of
+      Lagash decreased steadily under their administration, and they were all
+      the humble vassals of the King of Uru, Dungi, son of Urbau; a fact which
+      tends to make us regard Urbau as having been the suzerain upon whom Gudea
+      himself was dependent. Uru, the only city among those of Lower Chald�a
+      which stands on the right bank of the Euphrates, was a small but strong
+      place, and favourably situated for becoming one of the commercial and
+      industrial centres in these distant ages. The Wady Eummein, not far
+      distant, brought to it the riches of Central and Southern Arabia, gold,
+      precious stones, gums, and odoriferous resins for the exigencies of
+      worship. Another route, marked out by wells, traversed the desert to the
+      land of the semi-fabulous M�shu, and from thence perhaps penetrated as far
+      as Southern Syria and the Sinaitic Peninsula&mdash;M�gan and Milukhkha on
+      the shores of the Red Sea: this was not the easiest but it was the most
+      direct route for those bound for Africa, and products of Egypt were no
+      doubt carried along it in order to reach in the shortest time the markets
+      of Uru. The Euphrates now runs nearly five miles to the north of the town,
+      but from the regions bordering the Black Sea.
+    </p>
+    <p>
+      <a name="linkimage-0047" id="linkimage-0047">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/114.jpg" width="100%"
+       alt="114.jpg Plan of the Ruins Of Abu-shahreyn " />
+    </div>
+    <p>
+      In ancient times it was not so distant, but passed almost by its gates.
+      The cedars, cypresses, and pines of Amamis and the Lebanon,the limestones,
+      marbles, and hard stones of Upper Syria, were brought down to it by boat;
+      and probably also metals&mdash; iron, copper and lead.
+    </p>
+    <p>
+      The Shatt-el-Ha�, moreover, poured its waters into the Euphrates almost
+      opposite the city, and opened up to it commercial relations with the Upper
+      and Middle Tigris. And this was not all; whilst some of its boatmen used
+      its canals and rivers as highways, another section made their way to the
+      waters of the Persian Gulf and traded with the ports on its coast. Eridu,
+      the only city which could have barred their access to the sea, was a town
+      given up to religion, and existed only for its temples and its gods. It
+      was not long before it fell under the influence of its powerful neighbour,
+      becoming the first port of call for vessels proceeding up the Euphrates.
+    </p>
+    <p>
+      <a name="linkimage-0048" id="linkimage-0048">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/115.jpg" width="100%"
+       alt="115.jpg an Arab Crossing the Tigris in a &lsquo;kufa.&rsquo; " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from a sketch by Chesney.
+</pre>
+    <p>
+      In the time of the Greeks and Romans the Chaldaeans were accustomed to
+      navigate the Tigris either in round flat-bottomed boats, of little draught&mdash;&ldquo;kufas,&rdquo;
+       in fact&mdash;or on rafts placed upon inflated skins, exactly similar in
+      appearance and construction to the &ldquo;keleks&rdquo; of our own day. These keleks
+      were as much at home on the sea as upon the river, and they may still be
+      found in the Persian Gulf engaged in the coasting trade. Doubtless many of
+      these were included among the vessels of Uru mentioned in the texts, but
+      there were also among the latter those long large rowing-boats with curved
+      stem and stern, Egyptian in their appearance, which are to be found
+      roughly incised on some ancient cylinders. These primitive fleets were not
+      disposed to risk the navigation of the open sea. They preferred to proceed
+      slowly along the shore, hugging it in all cases, except when it was
+      necessary to reach some group of neighbouring islands; many days of
+      navigation were thus required to make a passage which one of our smallest
+      sail-boats would effect in a few hours, and at the end of their longest
+      voyages they were not very distant from their point of departure. It would
+      be a great mistake to suppose them capable of sailing round Arabia and of
+      fetching blocks of stone by sea from the Sinaitic Peninsula; such an
+      expedition, which would have been dangerous even for Greek or Roman
+      Galleys, would have been simply impossible for them. If they ever crossed
+      the Strait of Ormuzd, it was an exceptional thing, their ordinary voyages
+      being confined within the limits of the gulf. The merchants of Uru were
+      accustomed to visit regularly the island of Dilmun, the land of M�gan, the
+      countries of Milukhkha and Gub�n; from these places they brought cargoes
+      of diorite for their sculptors, building-timber for their architects,
+      perfumes and metals transported from Yemen by land, and possibly pearls
+      from the Bahrein Islands. They encountered serious rivalry from the
+      sailors of Dilmun and M�gan, whose maritime tribes were then as now
+      accustomed to scour the seas. The risk was great for those who set out on
+      such expeditions, perhaps never to return, but the profit was
+      considerable.
+    </p>
+    <p>
+      <a name="linkimage-0049" id="linkimage-0049">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/117.jpg" width="100%"
+       alt="117.jpg an Assyrian Kelek Laden With Building-stone. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from a bas-relief from &ldquo;Kouyunjik&rdquo;
+      (Layard, <i>The Monuments of Nineveh</i>, 2nd series, pi. 13; cf.
+     Place, <i>Ninive et l&rsquo;Assyrie</i>, pl. 43, No. 1.)
+</pre>
+    <p>
+      Uru, enriched by its commerce, was soon in a position to subjugate the
+      petty neighbouring states&mdash;Uruk, Larsam, Lagash, and Nipur. Its
+      territory formed a fairly extended sovereignty, whose lords entitled
+      themselves kings of Shumir and Akkad, and ruled over all Southern Chald�a
+      for many centuries.
+    </p>
+    <p>
+      Several of these kings, the Lugalkigubnidudu and the Lugalkisalsi, of whom
+      some monuments have been preserved to us, seem to have extended their
+      influence beyond these limits prior to the time of Sargon the Elder; and
+      we can date the earliest of them with tolerable probability. Urbau reigned
+      some time about 2900 B.C. He was an energetic builder, and material traces
+      of his activity are to be found everywhere throughout the country. The
+      temple of the Sun at Larsam, the temple of Nina in Uruk, and the temples
+      of Inlilla and Ninlilla in Nipur were indebted to him for their origin or
+      restoration: he decorated or repaired all structures which were not of his
+      own erection: in Uru itself the sanctuary of the moon-god owes its
+      foundation to him, and the fortifications of the city were his work.
+      Dungi, his son, was an indefatigable bricklayer, like his father: he
+      completed the sanctuary of the moon-god, and constructed buildings in
+      Uruk, Lagash, and Kutha. There is no indication in the inscriptions of his
+      having been engaged in any civil struggle or in war with a foreign nation;
+      we should make a serious mistake, however, if we concluded from this
+      silence that peace was not disturbed in his time. The tie which bound
+      together the petty states of which Uru was composed was of the slightest.
+      The sovereign could barely claim as his own more than the capital and the
+      district surrounding it; the other cities recognized his authority, paid
+      him tribute, did homage to him in religious matters, and doubtless
+      rendered him military service also, but each one of them nevertheless
+      maintained its particular constitution and obeyed its hereditary lords.
+      These lords, it is true, lost their title of king, which now belonged
+      exclusively to their suzerain, and each one had to be content in his
+      district with the simple designation of &ldquo;vicegerent;&rdquo; but having once
+      fulfilled their feudal obligations, they had absolute power over their
+      ancient domains, and were able to transmit to their progeny the
+      inheritance they had received from their fathers. Gudea probably, and most
+      certainly his successors, ruled in this way over Lagash, as a fief
+      depending on the crown of Uru. After the manner of the Egyptian barons,
+      the vassals of the kings of Chaldaea submitted to the control of their
+      suzerain without resenting his authority as long as they felt the curbing
+      influence of a strong hand: but on the least sign of feebleness in their
+      master they reasserted themselves, and endeavoured to recover their
+      independence. A reign of any length was sure to be disturbed by rebellions
+      sometimes difficult to repress: if we are ignorant of any such, it is
+      owing to the fact that inscriptions hitherto discovered are found upon
+      objects upon which an account of a battle would hardly find a fitting
+      place, such as bricks from a temple, votive cones or cylinders of
+      terra-cotta, amulets or private seals. We are still in ignorance as to
+      Dungi&rsquo;s successors, and the number of years during which this first
+      dynasty was able to prolong its existence. We can but guess that its
+      empire broke up by disintegration after a period of no long duration. Its
+      cities for the most part became emancipated, and their rulers proclaimed
+      themselves kings once more. We see that the kingdom of Amnanu, for
+      instance, was established on the left bank of the Euphrates, with Uruk as
+      its capital, and that three successive sovereigns at least&mdash;of whom
+      Singashid seems to have been the most active&mdash;were able to hold their
+      own there. Uru had still, however, sufficient prestige and wealth to make
+      it the actual metropolis of the entire country. No one could become the
+      legitimate lord of Shumir and Accad before he had been solemnly enthroned
+      in the temple at Uru. For many centuries every ambitious kinglet in turn
+      contended for its possession and made it his residence. The first of
+      these, about 2500 B.C., were the lords of Nishin, Libitanunit, Gamiladar,
+      Ined�n, Burs�n I., and Ismid�gan: afterwards, about 2400 B.C., Gungunum of
+      Nipur made himself master of it. The descendants of Gungunum, amongst
+      others Burs�n II., Gimils�n, In�sin, reigned gloriously for a few years.
+      Their records show that they conquered not only a part of Elam, but part
+      of Syria. They were dispossessed in their turn by a family belonging to
+      L�rsam, whose two chief representatives, as far as we know, were Nurramman
+      and his son Sinidinnam (about 2300 B.C.). Naturally enough, Sinidinnam was
+      a builder or repairer of temples, but he added to such work the clearing
+      of the Shatt-el-Ha� and the excavation of a new canal giving a more direct
+      communication between the Shatt and the Tigris, and in thus controlling
+      the water-system of the country became worthy of being considered one of
+      the benefactors of Chald�a.
+    </p>
+    <p>
+      We have here the mere dust of history, rather than history itself: here an
+      isolated individual makes his appearance in the record of his name, to
+      vanish when we attempt to lay hold of him; there, the stem of a dynasty
+      which breaks abruptly off, pompous preambles, devout formulas, dedications
+      of objects or buildings, here and there the account of some battle, or the
+      indication of some foreign country with which relations of friendship or
+      commerce were maintained&mdash;these are the scanty materials out of which
+      to construct a connected narrative. Egypt has not much more to offer us in
+      regard to many of her Pharaohs, but we have in her case at least the
+      ascertained framework of her dynasties, in which each fact and each new
+      name falls eventually, and after some uncertainty, into its proper place.
+      The main outlines of the picture are drawn with sufficient exactitude to
+      require no readjustment, the groups are for the most part in their fitting
+      positions, the blank spaces or positions not properly occupied are
+      gradually restricted, and filled in from day to day; the expected moment
+      is in sight when, the arrangement of the whole being accomplished, it will
+      be necessary only to fill in the details. In the case of Chald�a the
+      framework itself is wanting, and expedients must be resorted to in order
+      to classify the elements entering into its composition. Narams�n is in his
+      proper place, or nearly so; but as for Gudea, what interval separates him
+      from Narams�n, and at what distance from Gudea are we to place the kings
+      of Uru? The beginnings of Chald�a have merely a provisional history: the
+      facts in it are certain, but the connection of the facts with one another
+      is too often a matter of speculation. The arrangement which is put forward
+      at present can be regarded only as probable, but it would be difficult to
+      propose a better until the excavations have furnished us with fresh
+      material; it must be accepted merely as an attempt, without pledging to it
+      our confidence on the one hand, or regarding it with scepticism on the
+      other. <br /> <br /> ========================= <a name="linkBimage-0001"
+       id="linkBimage-0001">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/frontispiece3.jpg" width="100%"
+       alt="Frontispiece El Hammam (the Bath) " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Boudier, after J. Dieulafoy. The vignette, which is
+     by Faucher-Gudin, is reproduced from an intaglio in the
+     Cabinet des M�dailles.
+</pre>
+    <p>
+      <br /> <br />
+    </p>
+    <hr />
+    <p>
+      <br /> <br />
+    </p>
+    <p>
+      <i><b>THE CONSTRUCTION AND REVENUES OF THE TEMPLES&mdash;THE POPULAR GODS
+      AND THE THEOLOGICAL TRIADS&mdash;&mdash;THE DEAD AND HADES</b></i>.
+    </p>
+    <p>
+      <i> Chald�an cities: the resemblance of their ruins to natural mounds
+      caused by their exclusive use of brick as a building material&mdash;Their
+      city walls: the temples and local gods; reconstruction of their history by
+      means of the stamped bricks of which they were built&mdash;The two types
+      of ziggur�t: the arrangement of the temple of Nannar at Uru.</i>
+    </p>
+    <p>
+      <i>The tribes of the Chald�an gods&mdash;Genii hostile to men, their
+      monstrous shapes; the south-west wind; friendly genii&mdash;The Seven, and
+      their attacks on the moon-god; Gibil, the fire-god, overcomes them and
+      their snares&mdash;The Sumerian gods; Ningirsu: the difficulty of defining
+      them and of understanding the nature of them; they become merged in the
+      Semitic deities.</i>
+    </p>
+    <p>
+      <i>Characteristics and dispositions of the Chald�an gods&mdash;the
+      goddesses, like women of the harem, are practically nonentities; Mylitta
+      and her meretricious rites&mdash;The divine aristocracy and its principal
+      representatives: their relations to the earth, oracles, speaking statues,
+      household gods&mdash;The gods of each city do not exclude those of
+      neighbouring cities: their alliances and their borrowings from one another&mdash;The
+      sky-gods and the earth-gods, the sidereal gods: the moon and the sun.</i>
+    </p>
+    <p>
+      <i>The feudal gods: several among them unite to govern the world; the two
+      triads of Eridu&mdash;The supreme triad: Anu the heaven; Bel the earth and
+      his fusion with the Babylonian Merodach; Ea, the god of the waters&mdash;The
+      second triad: Sin the moon and Shamash the sun; substitution of Bamman for
+      Ishtar in this triad; the winds and the legend of Adapa, the attributes of
+      Ramman&mdash;The addition of goddesses to these two triads; the
+      insignificant position which they occupy.</i>
+    </p>
+    <p>
+      <i>The assembly of the gods governs the world: the bird Zu steals the
+      tablets of destiny&mdash;Destinies are written in the heavens and
+      determined by the movements of the stars; comets and their presiding
+      deities, Nebo and Ishtai&mdash;The numerical value of the gods&mdash;The
+      arrangement of the temples, the local priesthood, festivals, revenues of
+      the gods and gifts made to them&mdash;Sacrifices, the expiation of crimes&mdash;Death
+      and the future of the soul&mdash;Tombs and the cremation of the dead; the
+      royal sepulchres and funerary rites&mdash;Hades and its sovereigns:
+      Nergal, All�t, the descent of Ishtar into the infernal regions, and the
+      possibility of a resurrection The invocation of the dead&mdash;The
+      ascension of Etana.</i>
+    </p>
+    <p>
+      <br /> <br />
+    </p>
+    <div class="fig" style="width:80%;">
+      <img alt="122 (36K)" src="images/122.jpg" width="100%" />
+    </div>
+    <p>
+      <br /> <br />
+    </p>
+    <div class="fig" style="width:80%;">
+      <img alt="123 (142K)" src="images/123.jpg" width="100%" />
+    </div>
+    <p>
+      <br /> <br /> <a name="linkBimage-0005" id="linkBimage-0005">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/124.jpg" width="100%" alt="124.jpg Chapter II " />
+    </div>
+    <p>
+      <br /> <br />
+    </p>
+    <hr />
+    <p>
+      <br /> <br /> <a name="linkB2HCH0001" id="linkB2HCH0001">
+      <!--  H2 anchor --> </a> <br /> <br />
+    </p>
+    <div class="fig" style="width:80%;">
+      <img alt="125 (174K)" src="images/125.jpg" width="100%" />
+    </div>
+    <p>
+      <br /> <br />
+    </p>
+    <h2>
+      CHAPTER II&mdash;THE TEMPLES AND THE GODS OF CHALD�A
+    </h2>
+    <p>
+      <i>The construction and revenues of the temples&mdash;Popular gods and
+      theological triads&mdash;The dead and Hades</i>.
+    </p>
+    <p>
+      The cities of the Euphrates attract no attention, like those of the Nile,
+      by the magnificence of their ruins, which are witnesses, even after
+      centuries of neglect, to the activity of a powerful and industrious
+      people: on the contrary, they are merely heaps of rubbish in which no
+      architectural outline can be distinguished&mdash;mounds of stiff and
+      greyish clay, cracked by the sun, washed into deep crevasses by the rain,
+      and bearing no apparent traces of the handiwork of man.
+    </p>
+    <p>
+      <a name="linkBimage-0006" id="linkBimage-0006">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/126.jpg" width="100%"
+       alt="126.jpg Plan of the Ruins Of Wakka " />
+    </div>
+    <p>
+      In the estimation of the Chald�an architects, stone was a material of
+      secondary consideration: as it was necessary to bring it from a great
+      distance and at considerable expense, they used it very sparingly, and
+      then merely for lintels, uprights, thresholds, for hinges on which to hang
+      their doors, for dressings in some of their state apartments, in cornices
+      or sculptured friezes on the external walls of their buildings; and even
+      then its employment suggested rather that of a band of embroidery
+      carefully disposed on some garment to relieve the plainness of the
+      material. Crude brick, burnt brick, enamelled brick, but always and
+      everywhere brick was the principal element in their construction. The soil
+      of the marshes or of the plains, separated from the pebbles and foreign
+      substances which it contained, mixed with grass or chopped straw,
+      moistened with water, and assiduously trodden underfoot, furnished the
+      ancient builders with materials of incredible tenacity. This was moulded
+      into thin square bricks, eight inches to a foot across, and three to four
+      inches thick, but rarely larger: they were stamped on the flat side, by
+      means of an incised wooden block, with the name of the reigning sovereign,
+      and were then dried in the sun.* A layer of fine mortar or of bitumen was
+      sometimes spread between the courses, or handfuls of reeds would be strewn
+      at intervals between the brickwork to increase the cohesion: more
+      frequently the crude bricks were piled one upon another, and their natural
+      softness and moisture brought about their rapid agglutination.** As the
+      building proceeded, the weight of the courses served to increase still
+      further the adherence of the layers: the walls soon became consolidated
+      into a compact mass, in which the horizontal strata were distinguishable
+      only by the varied tints of the clay used to make the different relays of
+      bricks.
+    </p>
+<pre xml:space="preserve">
+     * The making of bricks for the Assyrian monuments of the
+     time of the Sargonids has been minutely described by Place,
+     <i>Ninive et l&rsquo;Assyrie</i>, vol. i. pp. 211-214. The methods of
+     procedure were exactly the same as those used under the
+     earliest king known, as has been proved by the examination
+     of the bricks taken from the monuments of Uru and Lagash.
+
+     ** This method of building was noticed by classical writers.
+     The word &ldquo;Bowarieh,&rdquo; borne by several ancient mounds in
+     Chaldoa, signifies, properly speaking, a mat of reeds; it is
+     applied only to such buildings as are apparently constructed
+     with alternate layers of brick and dried reeds. The
+     proportion of these layers differs in certain localities: in
+     the ruins of the ancient temple of Belos at Babylon, now
+     called the &ldquo;Mujelibeh,&rdquo; the lines of straw and reeds run
+     uninterruptedly between each course of bricks; in the ruins
+     of Akkerkuf, they only occur at wider intervals&mdash;according
+     to Niebuhr and Ives, every seventh or eighth course;
+     according to Raymond, every seventh course, or sometimes
+     every fifth or sixth course, but in these cases the layer of
+     reeds becomes 3 1/2 to 3 3/4 inches wide. H. Rawlin-son
+     thinks, on the other hand, that all the monuments in which
+     we find layers of straw and reeds between the brick courses
+     belong to the Parthian period.
+</pre>
+    <p>
+      <a name="linkBimage-0007" id="linkBimage-0007">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/128.jpg" width="100%"
+       alt="128.jpg a Chald�an Stamped Brick. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from a brick preserved in the
+     Louvre. The bricks bearing historical inscriptions, which
+     are sometimes met with, appear to have been mostly ex-voto
+     offerings placed somewhere prominently, and not building
+     materials hidden in the masonry.
+</pre>
+    <p>
+      Monuments constructed of such a plastic material required constant
+      attention and frequent repairs, to keep them in good condition: after a
+      few years of neglect they became quite disfigured, the houses suffered a
+      partial dissolution in every storm, the streets were covered with a
+      coating of fine mud, and the general outline of the buildings and
+      habitations grew blurred and defaced. Whilst in Egypt the main features of
+      the towns are still traceable above ground, and are so well preserved in
+      places that, while excavating them, we are carried away from the present
+      into the world of the past, the Chald�an cities, on the contrary, are so
+      overthrown and seem to have returned so thoroughly to the dust from which
+      their founders raised them, that the most patient research and the most
+      enlightened imagination can only imperfectly reconstitute their
+      arrangement.
+    </p>
+    <p>
+      The towns were not enclosed within those square or rectangular enclosures
+      with which the engineers of the Pharaohs fortified their strongholds. The
+      ground-plan of Uru was an oval, that of Larsam formed almost a circle upon
+      the soil, while Uruk and Eridu resembled in shape a sort of irregular
+      trapezium. The curtain of the citadel looked down on the plain from a
+      great height, so that the defenders were almost out of reach of the arrows
+      or slings of the besiegers: the remains of the ramparts at Uruk at the
+      present day are still forty to fifty feet high, and twenty or more feet in
+      thickness at the top. Narrow turrets projected at intervals of every fifty
+      feet along the face of the wall: the excavations have not been
+      sufficiently pursued to permit of our seeing what system of defence was
+      applied to the entrances. The area described by these cities was often
+      very large, but the population in them was distributed very unequally; the
+      temples in the different quarters formed centres around which were
+      clustered the dwellings of the inhabitants, sometimes densely packed, and
+      elsewhere thinly scattered. The largest and richest of these temples was
+      usually reserved for the principal deity, whose edifices were being
+      continually decorated by the ruling princes, and the extent of whose ruins
+      still attracts the traveller. The walls, constructed and repaired with
+      bricks stamped with the names of lords of the locality, contain in
+      themselves alone an almost complete history. Did Urbau, we may ask, found
+      the ziggurat of Nannar in Uru? We meet with his bricks at the base of the
+      most ancient portions of the building, and we moreover learn, from
+      cylinders unearthed not far from it, that &ldquo;for Nannar, the powerful bull
+      of Anu, the son of Bel, his King, Urbau, the brave hero, King of Uru, had
+      built E-Timila, his favourite temple.&rdquo; The bricks of his son Dungi are
+      found mixed with his own, while here and there other bricks belonging to
+      subsequent kings, with cylinders, cones, and minor objects, strewn between
+      the courses, mark restorations at various later periods. What is true of
+      one Chald�an city is equally true of all of them, and the dynasties of
+      Uruk and of Lagash, like those of Uru, can be reconstructed from the
+      revelations of their brickwork. The lords of heaven promised to the lords
+      of the earth, as a reward of their piety, both glory and wealth in this
+      life, and an eternal fame after death: they have, indeed, kept their word.
+      The majority of the earliest Chald�an heroes would be unknown to us, were
+      it not for the witness of the ruined sanctuaries which they built, and
+      that which they did in the service of their heavenly patrons has alone
+      preserved their names from oblivion. Their most extravagant devotion,
+      however, cost them less money and effort than that of the Pharaohs their
+      contemporaries. While the latter had to bring from a distance, even from
+      the remotest parts of the desert, the different kinds of stone which they
+      considered worthy to form part of the decoration of the houses of their
+      gods, the Chald�an kings gathered up outside their very doors the
+      principal material for their buildings: should they require any other
+      accessories, they could obtain, at the worst, hard stone for their statues
+      and thresholds in M�gan and Milukhkha, and beams of cedar and cypress in
+      the forests of the Amanus and the Upper Tigris. Under these conditions a
+      temple was soon erected, and its construction did not demand centuries of
+      continuous labour, like the great limestone and granite sanctuaries of
+      Egypt: the same ruler who laid the first brick, almost always placed the
+      final one, and succeeding generations had only to keep the building in
+      ordinary repair, without altering its original plan. The work of
+      construction was in almost every case carried out all at one time,
+      designed and finished from the drawings of one architect, and bears traces
+      but rarely of those deviations from the earlier plans which sometimes make
+      the comprehension of the Theban temples so difficult a matter: if the
+      state of decay of certain parts, or more often inadequate excavation,
+      frequently prevent us from appreciating their details, we can at least
+      reinstate their general outline with tolerable accuracy.
+    </p>
+    <p>
+      While the Egyptian temple was spread superficially over a large area, the
+      Chal�an temple strove to attain as high an elevation as possible. The
+      &ldquo;ziggurats,&rdquo; whose angular profile is a special characteristic of the
+      landscapes of the Euphrates, were composed of several immense cubes, piled
+      up on one another, and diminishing in size up to the small shrine by which
+      they were crowned and wherein the god himself was supposed to dwell. There
+      are two principal types of these ziggurats. In the first, for which the
+      builders of Lower Chald�a showed a marked preference, the vertical axis,
+      common to all the superimposed stories, did not pass through the centre of
+      the rectangle which served as the base of the whole building; it was
+      carried back and placed near to one of the narrow ends of the base, so
+      that the back elevation of the temple rose abruptly in steep narrow ledges
+      above the plain, while the terraces of the front broadened out into wide
+      platforms. The stories are composed of solid blocks of crude brick; up to
+      the present, at least, no traces of internal chambers have been found.*
+      The chapel on the summit could not contain more than one apartment: an
+      altar stood before the door, and access to it was obtained by a straight
+      external staircase, interrupted at each terrace by a more or less spacious
+      landing.** The second type of temple frequently found in Northern Chald�a
+      was represented by a building on a square base with seven stories, all of
+      equal height, connected by one or two lateral staircases, having on the
+      summit, the pavilion of the god; this is the &ldquo;terraced tower&rdquo; which
+      excited the admiration of the Greeks at Babylon, and of which the temple
+      of Bel was the most remarkable example. The ruins of it still exist, but
+      it has been so frequently and so completely restored in the course of
+      ages, that it is impossible to say how much now remains of the original
+      construction. We know of several examples, however, of the other type of
+      ziggurat&mdash;one at Uru, another at Bridu, a third at Uruk, without
+      mentioning those which have not as yet been methodically explored. None of
+      them rises directly from the surface of the ground, but they are all built
+      on a raised platform, which consequently places the foundations of the
+      temple nearly on a level with the roofs of the surrounding houses. The
+      raised platform of the temple of Nannar at Uru still measures 20 feet in
+      height, and its four angles are orientated exactly to the four cardinal
+      points. Its fa�ade was approached by an inclined plane, or by a flight of
+      low steps, and the summit, which was surrounded by a low balustrade, was
+      paved with enormous burnt bricks. On this terrace, processions at solemn
+      festivals would have ample space to perform their evolutions. The lower
+      story of the temple occupies a parallelogram of 198 feet in length by 173
+      feet in width, and rises about 27 feet in height.
+    </p>
+<pre xml:space="preserve">
+     * Perrot-Ohipiez admit that between the first and second
+     story there was a sort of plinth seven feet in height which
+     corresponded to the foundation platform below the first
+     story. It appears to me, as it did to Loftus, that the slope
+     which now separates the two vertical masses of brickwork &ldquo;is
+     accidental, and owes its existence to the destruction of the
+     upper portion of the second story.&rdquo; Taylor mentions only two
+     stories, and evidently considers the slope in question to be
+     a bank of rubbish.
+
+     ** Perrot-Chipiez place the staircase leading from the
+     ground-level to the terrace inside the building&mdash;&ldquo;an
+     arrangement which would have the advantage of not
+     interfering with the outline of this immense platform, and
+     would not detract from the strength and solidity of its
+     appearance;&rdquo; Reber proposes a different combination. At Uru,
+     the whole staircase projects in front of the platform and
+     &ldquo;loads up to the edge of the basement of the second story,&rdquo;
+      then continues as an inclined plane from the edge of the
+     first story to the terrace of the second, forming one single
+     staircase, perhaps of the same width as this second story,
+     leading from the base to the summit of the building.
+</pre>
+    <p>
+      <a name="linkBimage-0008" id="linkBimage-0008">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/134.jpg" width="100%"
+       alt="134.jpg the Temple of Nannar at Uru, Approximately Restored. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin. The restoration differs from that
+     proposed by Perrot-Chipiez. I have made it by working out
+     the description taken down on the spot by Taylor.
+</pre>
+    <p>
+      The central mass of crude brick has preserved its casing of red tiles,
+      cemented with bitumen, almost intact up to the top; it is strengthened by
+      buttresses&mdash;nine on the longer and six on the shorter sides&mdash;projecting
+      about a foot, which relieve its rather bare surface. The second story
+      rises to the height of only 20 feet above, the first, and when intact
+      could not have been more than 26 to 30 feet high.* Many bricks bearing the
+      stamp of Dungi are found among the materials used in the latest
+      restoration, which took place about the VIth century before our era; they
+      have a smooth surface, are broken here and there by air-holes, and their
+      very simplicity seems to bear witness to the fact that Nabonidos confined
+      himself to the task of merely restoring things to the state in which the
+      earlier kings of Uru had left them.**
+    </p>
+    <p>
+      <a name="linkBimage-0009" id="linkBimage-0009">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/135.jpg" width="100%"
+       alt="135.jpg the Temple of Uru in Its Present State, According To Taylor " />
+    </div>
+<pre xml:space="preserve">
+     Facsimile, by Faucher-Gudin, of the drawing published by
+     Taylor.
+</pre>
+<pre xml:space="preserve">
+     * At the present time 14 feet high, plus 5 feet of rubbish,
+     119 feet long, 75 feet wide (Loftus, <i>Travels and Researches
+     in Olialdsea and Susiana</i>, p. 129).
+
+     ** The cylinders of Nabonidos describing the restoration of
+     the temple were found at the four angles of the second story
+     by Taylor.
+</pre>
+    <p>
+      Till within the last century, traces of a third story to this temple might
+      have been distinguished; unlike the lower ones, it was not of solid
+      brickwork, but contained at least one chamber: this was the Holy of
+      Holies, the sanctuary of Nannar. The external walls were covered with pale
+      blue enamelled tiles, having a polished surface. The interior was panelled
+      with cedar or cypress&mdash;rare woods procured as articles of commerce
+      from the peoples of the North and West; this woodwork was inlaid in parts
+      with thin leaves of gold, alternating with panels of mosaics composed of
+      small pieces of white marble, alabaster, onyx, and agate, cut and
+      polished.
+    </p>
+    <p>
+      <a name="linkBimage-0010" id="linkBimage-0010">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/136.jpg" width="100%"
+       alt="136.jpg Further View of the Temple Of Uru " />
+    </div>
+<pre xml:space="preserve">
+     In Its Present State, According To Loftus. Drawn by
+     Bouchier, from Loftus.
+</pre>
+    <p>
+      Here stood the statue of Nannar, one of those stiff and conventionalized
+      figures in the traditional pose handed down from generation to generation,
+      and which lingered even in the Chald�an statues of Greek times. The spirit
+      of the god dwelt within it in the same way as the double resided in the
+      Egyptian idols, and from thence he watched over the restless movements of
+      the people below, the noise of whose turmoil scarcely reached him at that
+      elevation. The gods of the Euphrates, like those of the Nile, constituted
+      a countless multitude of visible and invisible beings, distributed into
+      tribes and empires throughout all the regions of the universe. A
+      particular function or occupation formed, so to speak, the principality of
+      each one, in which he worked with an indefatigable zeal, under the orders
+      of his respective prince or king; but, whereas in Egypt they were on the
+      whole friendly to man, or at the best indifferent in regard to him, in
+      Chald�a they for the most part pursued him with an implacable hatred, and
+      only seemed to exist in order to destroy him. These monsters of alarming
+      aspect, armed with knives and lances, whom the theologians of Heliopolis
+      and Thebes confined within the caverns of Hades in the depths of eternal
+      darkness, were believed by the Chald�ans to be let loose in broad daylight
+      over the earth,&mdash;such were the &ldquo;gallu&rdquo; and the &ldquo;mas-kim,&rdquo; the &ldquo;�lu&rdquo;
+       and the &ldquo;utukku,&rdquo; besides a score of other demoniacal tribes bearing
+      curious and mysterious names.
+    </p>
+    <p>
+      <a name="linkBimage-0011" id="linkBimage-0011">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/137.jpg" width="100%" alt="137.jpg Lion-headed Genius. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from a small terra-cotta figure of
+     the Assyrian period, and now in the Louvre. It was one of
+     the figures buried under the threshold of one of the gates
+     of the town at Khorsabad, to keep off baleful influences.
+</pre>
+    <p>
+      Some floated in the air and presided over the unhealthy winds. The
+      South-West Wind, the most cruel of them all, stalked over the solitudes of
+      Arabia, whence he suddenly issued during the most oppressive months of the
+      year: he collected round him as he passed the malarial vapours given off
+      by the marshes under the heat of the sun, and he spread them over the
+      country, striking down in his violence not only man and beast, but
+      destroying harvests, pasturage, and even trees.
+    </p>
+    <p>
+      <a name="linkBimage-0012" id="linkBimage-0012">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/138.jpg" width="100%" alt="138.jpg the South-west Wind " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from the bronze original now in the
+     Louvre. The latter museum and the British Museum possess
+     several other figures of the same demon.
+</pre>
+    <p>
+      The genii of fevers and madness crept in silently everywhere, insidious
+      and traitorous as they were. The plague alternately slumbered or made
+      furious onslaughts among crowded populations. Imps haunted the houses,
+      goblins wandered about the water&rsquo;s edge, ghouls lay in wait for travellers
+      in unfrequented places, and the dead quitting their tombs in the night
+      stole stealthily among the living to satiate themselves with their blood.
+      The material shapes attributed to these murderous beings were supposed to
+      convey to the eye their perverse and ferocious characters. They were
+      represented as composite creatures in whom the body of a man would be
+      joined grotesquely to the limbs of animals in the most unexpected
+      combinations. They worked in as best they could, birds&rsquo; claws, fishes&rsquo;
+      scales, a bull&rsquo;s tail, several pairs of wings, the head of a lion,
+      vulture, hyaena, or wolf; when they left the creature a human head, they
+      made it as hideous and distorted as possible. The South-West Wind was
+      distinguished from all the rest by the multiplicity of the incongruous
+      elements of which his person was composed. His dog-like body was supported
+      upon two legs terminating in eagle&rsquo;s claws; in addition to his arms, which
+      were furnished with sharp talons, he had four outspread wings, two of
+      which fell behind him, while the other two rose up and surrounded his
+      head; he had a scorpion&rsquo;s tail, a human face with large goggle-eyes, bushy
+      eyebrows, fleshless cheeks, and retreating lips, showing a formidable row
+      of threatening teeth, while from his flattened skull protruded the horns
+      of a goat: the entire combination was so hideous, that it even alarmed the
+      god and put him to flight, when he was unexpectedly confronted with his
+      own portrait. There was no lack of good genii to combat this deformed and
+      vicious band. They too were represented as monsters, but monsters of a
+      fine and noble bearing,&mdash;griffins, winged lions, lion-headed men, and
+      more especially those splendid human-headed bulls, those &ldquo;lamassi&rdquo; crowned
+      with mitres, whose gigantic statues kept watch before the palace and
+      temple gates. Between these two races hostility was constantly displayed:
+      restrained at one point, it broke out afresh at another, and the evil
+      genii, invariably beaten, as invariably refused to accept their defeat.
+      Man, less securely armed against them than were the gods, was ever meeting
+      with them. &ldquo;Up there, they are howling, here they lie in wait,&mdash;they
+      are great worms let loose by heaven&mdash;powerful ones whose clamour
+      rises above the city&mdash;who pour water in torrents from heaven, sons
+      who have come out of the bosom of the earth.&mdash;They twine around the
+      high rafters, the great rafters, like a crown;&mdash;they take their way
+      from house to house,&mdash;for the door cannot stop them, nor bar the way,
+      nor repulse them,&mdash;for they creep like a serpent under the door&mdash;they
+      insinuate themselves like the air between the folding doors,&mdash;they
+      separate the bride from the embraces of the bridegroom,&mdash;they snatch
+      the child from between the knees of the man,&mdash;they entice the unwary
+      from out of his fruitful house,&mdash;they are the threatening voice which
+      pursues him from behind.&rdquo; Their malice extended even to animals: &ldquo;They
+      force the raven to fly away on the wing,&mdash;and they make the swallow
+      to escape from its nest;&mdash;they cause the bull to flee, they cause the
+      lamb to flee&mdash;they, the bad demons who lay snares.&rdquo;
+     </p>
+    <p>
+      The most audacious among them did not fear at times to attack the gods of
+      light; on one occasion, in the infancy of the world, they had sought to
+      dispossess them and reign in their stead. Without any warning they had
+      climbed the heavens, and fallen upon Sin, the moon-god; they had repulsed
+      Shamash, the Sun, and Eamman, both of whom had come to the rescue; they
+      had driven Ishtar and Anu from their thrones: the whole firmament would
+      have become a prey to them, had not Bel and Nusku, Ea and Merodach,
+      intervened at the eleventh hour, and succeeded in hurling them down to the
+      earth, after a terrible battle. They never completely recovered from this
+      reverse, and the gods raised up as rivals to them a class of friendly
+      genii&mdash;the &ldquo;Igigi,&rdquo; who were governed by five heavenly Anunnas.
+    </p>
+    <p>
+      <a name="linkBimage-0013" id="linkBimage-0013">
+      <!-- IMG --></a>
+    </p>
+    <div class="figright" style="width:40%;">
+      <img width="100%" src="images/141.jpg"
+       alt="141.jpg Sin Delivered by Merodach from the Assault of The Seven Evil Spirits." />
+    </div>
+    <p>
+      The earthly Anunnas, the Anunnaki, had as their chiefs seven sons of Bel,
+      with bodies of lions, tigers, and serpents: &ldquo;the sixth was a tempestuous
+      wind which obeyed neither god nor king,&mdash;the seventh, a whirlwind, a
+      desolating storm which destroys everything,&rdquo;&mdash;&ldquo;Seven, seven,&mdash;in
+      the depth of the abyss of waters they are seven,&mdash;and destroyers of
+      heaven they are seven.&mdash;They have grown up in the depths of the
+      abyss, in the palace;&mdash;males they are not, females they are not,&mdash;they
+      are storms which pass quickly.&mdash;They take no wife, they give birth to
+      no child,&mdash;they know neither compassion nor kindness,&mdash;they
+      listen to no prayer nor supplication.&mdash;As wild horses they are born
+      in the mountains,&mdash;they are the enemies of Ba,&mdash;they are the
+      agents of the gods;&mdash;they are evil, they are evil&mdash;and they are
+      seven, they are seven, they are twice seven.&rdquo; Man, if reduced to his own
+      resources, could have no chance of success in struggling against beings
+      who had almost reduced the gods to submission. He invoked in his defence
+      the help of the whole universe, the spirits of heaven and earth, the
+      spirit of Bel and of Belit, that of Ninib and of Nebo, those of Sin, of
+      Ishtar, and of Bamman; but Gibir or Gibil, the Lord of Fire, was the most
+      powerful auxiliary in this incessant warfare. The offspring of night and
+      of dark waters, the Anunnaki had no greater enemy than fire; whether
+      kindled on the household hearth or upon the altars, its appearance put
+      them to flight and dispelled their power.
+    </p>
+<pre xml:space="preserve">
+     1. Drawn by Faucher-Gudin, from an Assyrian intaglio published
+     by Layard.
+</pre>
+    <p>
+      <a name="linkBimage-0014" id="linkBimage-0014">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/142.jpg" width="100%"
+       alt="142.jpg Struggle Between a Good and an Evil Genius. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from Layard.
+</pre>
+    <p>
+      &ldquo;Gibil, renowned hero in the land,&mdash;valiant, son of the Abyss,
+      exalted in the land,&mdash;Gibil, thy clear flame, breaking forth,&mdash;when
+      it lightens up the darkness,&mdash;assigns to all that bears a name its
+      own destiny. &mdash;The copper and tin, it is thou who dost mix them,&mdash;gold
+      and silver, it is thou who meltest them,&mdash;thou art the companion of
+      the goddess Ninkasi&mdash;thou art he who exposes his breast to the
+      nightly enemy!&mdash;Cause then the limbs of man, son of his god, to
+      shine,&mdash;make him to be bright like the sky,&mdash;may he shine like
+      the earth,&mdash;may he be bright like the interior of the heavens,&mdash;may
+      the evil word be kept far from him,&rdquo; and with it the malignant spirits.
+      The very insistence with which help is claimed against the Anunnaki shows
+      how much their power was dreaded. The Chaldean felt them everywhere about
+      him, and could not move without incurring the danger of coming into
+      contact with them. He did not fear them so much during the day, as the
+      presence of the luminary deities in the heavens reassured him; but the
+      night belonged to them, and he was open to their attacks. If he lingered
+      in the country at dusk, they were there, under the hedges, behind walls
+      and trunks of trees, ready to rush out upon him at every turn. If he
+      ventured after sundown into the streets of his village or town, he again
+      met with them quarrelling with dogs over the offal on a rubbish heap,
+      crouched in the shelter of a doorway, lying hidden in corners where the
+      shadows were darkest. Even when barricaded within his house, under the
+      immediate protection of his domestic idols, these genii still threatened
+      him and left him not a moment&rsquo;s repose.* The number of them was so great
+      that he was unable to protect himself adequately from all of them: when he
+      had disarmed the greater portion of them, there were always several
+      remaining against whom he had forgotten to take necessary precautions.
+      What must have been the total of the subordinate genii, when, towards the
+      IXth century before our era, the official census of the invisible beings
+      stated the number of the great gods in heaven and earth to be sixty-five
+      thousand!**
+    </p>
+<pre xml:space="preserve">
+     * The presence of the evil spirits everywhere is shown,
+     among other magical formulas, by the incantation in
+     Rawlinson, <i>Cun, Ins. W. As.</i>, vol. ii. pi. 18, where we
+     find enumerated at length the places from which they are to
+     be kept out. The magician closes the house to them, the
+     hedge which surrounds the house, the yoke laid upon the
+     oxen, the tomb, the prison, the well, the furnace, the
+     shade, the vase for libation, the ravines, the valleys, the
+     mountains, the door.
+
+     ** Assurnazirpal, King of Assyria, speaks in one of his
+     inscriptions of these sixty-five thousand great gods of
+     heaven and earth.
+</pre>
+    <p>
+      We are often much puzzled to say what these various divinities, whose
+      names we decipher on the monuments, could possibly have represented. The
+      sovereigns of Lagash addressed their prayers to Ningirsu, the valiant
+      champion of Inlil; to Ninursag, the lady of the terrestrial mountain: to
+      Ninsia, the lord of fate; to the King Ninagal; to Inzu, of whose real name
+      no one has an idea; to Inanna, the queen of battles; to Pasag, to Galalim,
+      to Dunshagana, to Ninmar, to Ningishzida. Gudea raised temples to them in
+      all the cities over which his authority extended, and he devoted to these
+      pious foundations a yearly income out of his domain land or from the
+      spoils of his wars. &ldquo;Gudea, the &lsquo;vicegerent&rsquo; of Lagash, after having built
+      the temple Ininnu for Ningirsu, constructed a treasury; a house decorated
+      with sculptures, such as no &lsquo;vicegerent&rsquo; had ever before constructed for
+      Ningirsu; he constructed it for him, he wrote his name in it, he made in
+      it all that was needful, and he executed faithfully all the words from the
+      mouth of Ningirsu.&rdquo; The dedication of these edifices was accompanied with
+      solemn festivals, in which the whole population took an active part.
+      &ldquo;During seven years no grain was ground, and the maidservant was the equal
+      of her mistress, the slave walked beside his master, and in my town the
+      weak rested by the side of the strong.&rdquo; Henceforward Gudea watched
+      scrupulously lest anything impure should enter and mar the sanctity of the
+      place.
+    </p>
+    <p>
+      <a name="linkBimage-0015" id="linkBimage-0015">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/145.jpg" width="100%"
+       alt="145.jpg the God Ningibsu, Patron of Lagash. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from Heuzey-Sarzec. The attribution
+     of this figure to Ningirsu is very probable, but not wholly
+     certain.
+</pre>
+    <p>
+      Those we have enumerated were the ancient Sumerian divinities, but the
+      characteristics of most of them would have been lost to us, had we not
+      learned, by means of other documents, to what gods the Semites assimilated
+      them, gods who are better known and who are represented under a less
+      barbarous aspect. Ningirsu, the lord of the division of Lagash which was
+      called Girsu, was identified with Ninib; Inlil is Bel, Ninursag is Beltis,
+      Inzu is Sin, Inanna is Ishtar, and so on with the rest. The cultus of
+      each, too, was not a local cultus, confined to some obscure corner of the
+      country; they all were rulers over the whole of Chald�a, in the north as
+      in the south, at Uruk, at Urn, at Larsam, at Nipur, even in Babylon
+      itself. Inlil was the ruler of the earth and of Hades, Babbar was the sun,
+      Inzu the moon, Inanna-Antmit the morning and evening star and the goddess
+      or love, at a time when two distinct religious and two rival groups of
+      gods existed side by side on the banks of the Euphrates. The Sumerian
+      language is for us, at the present day, but a collection of strange names,
+      of whose meaning and pronunciation we are often ignorant. We may well ask
+      what beings and beliefs were originally hidden under these barbaric
+      combinations of syllables which are constantly recurring in the
+      inscriptions of the oldest dynasties, such as Pasag, Dunshagana, Dumuzi-.
+      Zuaba, and a score of others. The priests of subsequent times claimed to
+      define exactly the attributes of each of them, and probably their
+      statements are, in the main, correct. But it is impossible for us to gauge
+      the motives which determined the assimilation of some of these divinities,
+      the fashion in which it was carried out, the mutual concessions which
+      Semite and Sumerian must have made before they could arrive at an
+      understanding, and before the primitive characteristics of each deity were
+      softened down or entirely effaced in the process. Many of these divine
+      personages, such as Ea, Merodach, Ishtar, are so completely transformed,
+      that we may well ask to which of the two peoples they owed their origin.
+      The Semites finally gained the ascendency over their rivals, and the
+      Sumerian gods from thenceforward preserved an independent existence only
+      in connection with magic, divination, and the science of foretelling
+      events, and also in the formulas of exorcists and physicians, to which the
+      harshness of their names lent a greater weight. Elsewhere it was Bel and
+      Sin, Shamash and Eamman, who were universally worshipped, but a Bel, a
+      Sin, a Shamash, who still betrayed traces of their former connection with
+      the Sumerian Inlil and Inzu, with Babbar and Mermer. In whatever language,
+      however, they were addressed, by whatever name they were called upon, they
+      did not fail to hear and grant a favourable reply to the appeals of the
+      faithful.
+    </p>
+    <p>
+      Whether Sumerian or Semitic, the gods, like those of Egypt, were not
+      abstract personages, guiding in a metaphysical fashion the forces of
+      nature. Each of them contained in himself one of the principal elements of
+      which our universe is composed,&mdash;earth, water, sky, sun, moon, and
+      the stars which moved around the terrestrial mountain. The succession of
+      natural phenomena with them was not the result of unalterable laws; it was
+      due entirely to a series of voluntary acts, accomplished by beings of
+      different grades of intelligence and power. Every part of the great whole
+      is represented by a god, a god who is a man, a Chald�an, who, although of
+      a finer and more lasting nature than other Chald�ans, possesses
+      nevertheless the same instincts and is swayed by the same passions. He is,
+      as a rule, wanting in that somewhat lithe grace of form, and in that
+      rather easy-going good-nature, which were the primary characteristics of
+      the Egyptian gods: the Chald�an divinity has the broad shoulders, the
+      thick-set figure and projecting muscles of the people over whom he rules;
+      he has their hasty and violent temperament, their coarse sensuality, their
+      cruel and warlike propensities, their boldness in conceiving undertakings,
+      and their obstinate tenacity in carrying them out. Their goddesses are
+      modelled on the tyra of the Chald�n women, or, more properly speaking, on
+      that of their queens. The majority of them do not quit the harem, and have
+      no other ambition than to become speedily the mother of a numerous
+      offspring. Those who openly reject the rigid constraints of such a life,
+      and who seek to share the rank of the gods, seem to lose all
+      self-restraint when they put off the veil: like Ishtar, they exchange a
+      life of severe chastity for the lowest debauchery, and they subject their
+      followers to the same irregular life which they themselves have led.
+      &ldquo;Every woman born in the country must enter once during her lifetime the
+      enclosure of the temple of Aphrodite, must there sit down and unite
+      herself to a stranger. Many who are wealthy are too proud to mix with the
+      rest, and repair thither in closed chariots, followed by a considerable
+      train of slaves. The greater number seat themselves on the sacred
+      pavement, with a cord twisted about their heads,&mdash;and there is always
+      a great crowd there, coming and going; the women being divided by ropes
+      into long lanes, down which strangers pass to make their choice. A woman
+      who has once taken her place here cannot return home until a stranger has
+      thrown into her lap a silver coin, and has led her away with him beyond
+      the limits of the sacred enclosure. As he throws the money he pronounces
+      these words: &lsquo;May the goddess Mylitta make thee happy! &lsquo;&mdash;Now, among
+      the Assyrians, Aphrodite is called Mylitta. The silver coin may be of any
+      value, but none may refuse it, that is forbidden by the law, for, once
+      thrown, it is sacred. The woman follows the first man who throws her the
+      money, and repels no one. When once she has accompanied him, and has thus
+      satisfied the goddess, she returns to her home, and from thenceforth,
+      however large the sum offered to her, she will yield to no one. The women
+      who are tall or beautiful soon return to their homes, but those who are
+      ugly remain a long time before they are able to comply with the law; some
+      of them are obliged to wait three or four years within the enclosure.&rdquo; *
+      This custom still existed in the Vth century before our era, and the
+      Greeks who visited Babylon about that time found it still in full force.
+    </p>
+<pre xml:space="preserve">
+     * Herodotus, i. 199: of. Stabo, xvi. p. 1058, who probably
+     has merely quoted this passage from Herodotus, or some
+     writer who copied from Herodotus. We meet with a direct
+     allusion to this same custom in the Bible, in the <i>Book of
+     Barueh</i>; &ldquo;The women also, with cords about them, sitting in
+     the ways, burn bran for perfume; but if any of them, drawn
+     by some that passeth by, lie with him, she reproacheth her
+     fellow, that she was not thought as worthy as herself, nor
+     her cord broken.&rdquo;
+ </pre>
+    <p>
+      The gods, who had begun by being the actual material of the element which
+      was their attribute, became successively the spirit of it, then its
+      ruler.* They continued at first to reside in it, but in the course of time
+      they were separated from it, and each was allowed to enter the domain of
+      another, dwell in it, and even command it, as they could have done in
+      their own, till finally the greater number of them were identified with
+      the firmament.
+    </p>
+<pre xml:space="preserve">
+     * Pk. Lbnoemant, <i>La Magie chez les Chald�ens</i>, p. 144, et
+     seq., where the author shows how Anu, after having at
+     first been the Heaven itself, the starry vault stretched
+     above the earth, became successively the Spirit of Heaven
+     (<i>Zi-ana</i>), and finally the supreme ruler of the world:
+     according to Lenormant, it was the Semites in particular who
+     transformed the primitive spirit into an actual god-king.
+</pre>
+    <p>
+      Bel, the lord of the earth, and Ea, the ruler of the waters, passed info
+      the heavens, which did not belong to them, and took their places beside
+      Ami: the pathways were pointed out which they had made for themselves
+      across the celestial vault, in order to inspect their kingdoms from the
+      exalted heights to which they had been raised; that of Bel was in the
+      Tropic of Cancer, that of Ea in the Tropic of Capricorn. They gathered
+      around them all the divinities who could easily be abstracted from the
+      function or object to which they were united, and they thus constituted a
+      kind of divine aristocracy, comprising all the most powerful beings who
+      guided the fortunes of the world. The number of them was considerable, for
+      they reckoned seven supreme and magnificent gods, fifty great gods of
+      heaven and earth, three hundred celestial spirits, and six hundred
+      terrestrial spirits. Each of them deputed representatives here below, who
+      received the homage of mankind for him, and signified to them his will.
+      The god revealed himself in dreams to his seers and imparted to them the
+      course of coming events,* or, in some cases, inspired them suddenly and
+      spoke by their mouth: their utterances, taken down and commented on by
+      their assistants, were regarded as infallible oracles. But the number of
+      mortal men possessing adequate powers, and gifted with sufficiently acute
+      senses to bear without danger the near presence of a god, was necessarily
+      limited; communications were, therefore, more often established by means
+      of various objects, whose grosser substance lessened for human
+      intelligence and flesh and blood the dangers of direct contact with an
+      immortal. The statues hidden in the recesses of the temples or erected on
+      the summits of the &ldquo;ziggurats&rdquo; became imbued, by virtue of their
+      consecration, with the actual body of the god whom they represented, and
+      whose name was written either on the base or garment of the statue.** The
+      sovereign who dedicated them, summoned them to speak in the days to come,
+      and from thenceforth they spoke: when they were interrogated according to
+      the rite instituted specially for each one, that part of the celestial
+      soul, which by means of the prayers had been attracted to and held captive
+      by the statue, could not refuse to reply.** Were there for this purpose
+      special images, as in Egypt, which were cleverly contrived so as to emit
+      sounds by the pulling of a string by the hidden prophet? Voices resounded
+      at night in the darkness of the sanctuaries, and particularly when a king
+      came there to prostrate himself for the purpose of learning the future:
+      his rank alone, which raised him halfway to heaven, prepared him to
+      receive the word from on high by the mouth of the image.
+    </p>
+<pre xml:space="preserve">
+     * A prophetic dream is mentioned upon, one of the statues of
+     Telloh. In the records of Assurbanipal we find mention of
+     several &ldquo;seers&rdquo;&mdash;<i>shabru</i>&mdash;one of whom predicts the
+     general triumph of the king over his enemies, and of whom
+     another announces in the name of Ishtar the victory over the
+     Elamites and encourages the Assyrian army to cross a torrent
+     swollen by rains, while a third sees in a dream the defeat
+     and death of the King of Elam. These &ldquo;seers&rdquo; are mentioned in
+     the texts of Gudea with the prophetesses &ldquo;who tell the
+     message&rdquo; of the gods.
+
+     ** In a formula drawn up against evil spirits, for the
+     purpose of making talismanic figures for the protection of
+     houses, it is said of Merodach that he &ldquo;inhabits the image&rdquo;
+      &mdash;<i>ashibu salam</i>&mdash;which has been made of him by the magician.
+
+     ** This is what Gudea says, when, describing his own statue
+     which he had placed in the temple of Telloh, he adds that
+     &ldquo;he gave the order to the statue: &lsquo;To the statue of my king,
+     speak!&rsquo;&rdquo; The statue of the king, inspired by that of the
+     god, would thenceforth speak when interrogated according to
+     the formularies. Cf. what is said of the divine or royal
+     statues dedicated in the temples of Egypt, vol. i. pp. 169,
+     170. A number of oracles regularly obtained in the time of
+     Asarhaddon and Assurbanabal have been published by Knudtzon.
+</pre>
+    <p>
+      <a name="linkBimage-0016" id="linkBimage-0016">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/152.jpg" width="100%"
+       alt="152.jpg the Adoration of The Mace and The Whip. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from the Chald�an intaglio
+     reproduced in Heuzey-Sarzec, <i>D�couvertes en Chald�e</i>, pl.
+     30bis, No. 13b.
+</pre>
+    <p>
+      More frequently a priest, accustomed from childhood to the office,
+      possessed the privilege of asking the desired questions and of
+      interpreting to the faithful the various signs by means of which the
+      divine will was made known. The spirit of the god inspired, moreover,
+      whatever seemed good to him, and frequently entered into objects where we
+      should least have expected to find it. It animated stones, particularly
+      such as fell from heaven; also trees, as, for example, the tree of Eridu
+      which pronounced oracles; and, besides the battle-mace, with a granite
+      head fixed on a wooden handle, the axe of Ramman, lances made on the model
+      of Gilgames&rsquo; fairy javelin, which came and went at its master&rsquo;s orders,
+      without needing to be touched. Such objects, when it was once ascertained
+      that they were imbued with the divine spirit, were placed upon the altar
+      and worshipped with as much veneration as were the statues themselves.
+    </p>
+    <p>
+      <a name="linkBimage-0017" id="linkBimage-0017">
+      <!-- IMG --></a>
+    </p>
+    <div class="figright" style="width:20%;">
+      <img width="100%" src="images/153.jpg" alt="153.jpg a Protecting Amulet. " />
+    </div>
+    <p>
+      Animals never became objects of habitual worship as in Egypt: some of
+      them, however, such as the bull and lion, were closely allied to the gods,
+      and birds unconsciously betrayed by their flight or cries the secrets of
+      futurity.* In addition to all these, each family possessed its household
+      gods, to whom its members recited prayers and poured libations night and
+      morning, and whose statues set up over the domestic hearth defended it
+      from the snares of the evil ones.** The State religion, which all the
+      inhabitants of the same city, from the king down to the lowest slave, were
+      solemnly bound to observe, really represented to the Chald�ans but a tithe
+      of their religious life: it included some dozen gods, no doubt the most
+      important, but it more or less left out of account all the others, whose
+      anger, if aroused by neglect, might become dangerous. The private devotion
+      of individuals supplemented the State religion by furnishing worshippers
+      for most of the neglected divinities, and thus compensated for what was
+      lacking in the official public worship of the community.
+    </p>
+    <p>
+      If the idea of uniting all these divine beings into a single supreme one,
+      who would combine within himself all their elements and the whole of their
+      powers, ever for a moment crossed the mind of some Chald�an theologian, it
+      never spread to the people as a whole. Among all the thousands of tablets
+      or inscribed stones on which we find recorded prayers and magical
+      formulas, we have as yet discovered no document treating of the existence
+      of a supreme god, or even containing the faintest allusion to a divine
+      unity. We meet indeed with many passages in which this or that divinity
+      boasts of his power, eloquently depreciating that of his rivals, and
+      ending his discourse with the injunction to worship him alone: &ldquo;Man who
+      shall come after, trust in Nebo, trust in no other god!&rdquo; The very
+      expressions which are used, commanding future races to abandon the rest of
+      the immortals in favour of Nebo, prove that even those who prided
+      themselves on being worshippers of one god realized how far they were from
+      believing in the unity of God. They strenuously asserted that the idol of
+      their choice was far superior to many others, but it never occurred to
+      them to proclaim that he had absorbed them all into himself, and that he
+      remained alone in his glory, contemplating the world, his creature. Side
+      by side with those who expressed this belief in Nebo, an inhabitant of
+      Babylon would say as much and more of Merodach, the patron of his
+      birthplace, without, however, ceasing to believe in the actual
+      independence and royalty of Nebo. &ldquo;When thy power manifests itself, who
+      can withdraw himself from it?&mdash;Thy word is a powerful net which thou
+      spreadest in heaven and over the earth:&mdash;it falls upon the sea, and
+      the sea retires,&mdash;it falls upon the plain, and the fields make great
+      mourning,&mdash;it falls upon the upper waters of the Euphrates, and the
+      word of Merodach stirs up the flood in them.&mdash;O Lord, thou art
+      sovereign, who can resist thee?&mdash;Merodach, among the gods who bear a
+      name, thou art sovereign.&rdquo; Merodach is for his worshippers the king of the
+      gods, he is not the sole god. Each of the chief divinities received in a
+      similar manner the assurance of his omnipotence, but, for all that, his
+      most zealous followers never regarded them as the only God, beside whom
+      there was none other, and whose existence and rule precluded those of any
+      other. The simultaneous elevation of certain divinities to the supreme
+      rank had a reactionary influence on the ideas held with regard to the
+      nature of each. Anu, Bel, and Ea, not to mention others, had enjoyed at
+      the outset but a limited and incomplete personality, confined to a single
+      concept, and were regarded as possessing only such attributes as were
+      indispensable to the exercise of their power within a prescribed sphere,
+      whether in heaven, or on the earth, or in the waters; as each in his turn
+      gained the ascendency over his rivals, he became invested with the
+      qualities which were exercised by the others in their own domain. His
+      personality became enlarged, and instead of remaining merely a god of
+      heaven or earth or of the waters, he became god of all three
+      simultaneously. Anu reigned in the province of Bel or of Ea as he ruled in
+      his own; Bel joined to his own authority that of Anu and Ea; Ea treated
+      Anu and Bel with the same absence of ceremony which they had shown to him,
+      and added their supremacy to his own. The personality of each god was
+      thenceforward composed of many divers elements: each preserved a nucleus
+      of his original being, but superadded to this were the peculiar
+      characteristics of all the gods above whom he had been successively
+      raised. Anu took to himself somewhat of the temperaments of Bel and of Ea,
+      and the latter in exchange borrowed from him many personal traits. The
+      same work of levelling which altered the characteristics of the Egyptian
+      divinities, and transformed them little by little into local variants of
+      Osiris and the Sun, went on as vigorously among the Chald�an gods: those
+      who were incarnations of the earth, the waters, the stars, or the heavens,
+      became thenceforth so nearly allied to each other that we are tempted to
+      consider them as being doubles of a single god, worshipped under different
+      names in different localities. Their primitive forms can only be clearly
+      distinguished when they are stripped of the uniform in which they are all
+      clothed.
+    </p>
+<pre xml:space="preserve">
+     * Animal forms are almost always restricted either to the
+     genii, the constellations, or the secondary forms of the
+     greater divinities: Ea, however, is represented by a man
+     with a fish&rsquo;s tail, or as a man clothed with a fish-skin,
+     which would appear to indicate that at the outset he was
+     considered to be an actual fish.
+
+     ** The images of these gods acted as amulets, and the fact
+     of their presence alone repelled the evil spirits. At
+     Khorsabad they were found buried under the threshold of the
+     city gates. A bilingual tablet in the British Museum has
+     preserved for us the formula of consecration which was
+     supposed to invest these protecting statuettes with divine
+     powers.
+
+     3. Drawn by Faucher-Gudin, from the terra-cotta figurine of
+     Assyrian date now in the Louvre.
+
+</pre>
+    <p>
+      The sky-gods and the earth-gods had been more numerous at the outset than
+      they were subsequently. We recognize as such Anu, the immovable firmament,
+      and the ancient Bel, the lord of men and of the soil on which they live,
+      and into whose bosom they return after, death; but there were others, who
+      in historic times had partially or entirely lost their primitive
+      character,&mdash;such as Nergal, Ninib, Dumuzi; or, among the goddesses,
+      Damkina, Esharra, and even Ishtar herself, who, at the beginning of their
+      existence, had represented only the earth, or one of its most striking
+      aspects. For instance, Nergal and Ninib were the patrons of agriculture
+      and protectors of the soil, Dumuzi was the ground in spring whose garment
+      withered at the first approach of summer, Damkina was the leafy mould in
+      union with fertilizing moisture, Esharra was the field whence sprang the
+      crops, Ishtar was the clod which again grew green after the heat of the
+      dog days and the winter frosts. All these beings had been forced to submit
+      in a greater or less degree to the fate which among most primitive races
+      awaits those older earth-gods, whose manifestations are usually too vague
+      and shadowy to admit of their being grasped or represented by any precise
+      imagery without limiting and curtailing their spheres. New deities had
+      arisen of a more definite and tangible kind, and hence more easily
+      understood, and having a real or supposed province which could be more
+      easily realized, such as the sun, the moon, and the fixed or wandering
+      stars. The moon is the measure of time; it determines the months, leads
+      the course of the years, and the entire life of mankind and of great
+      cities depends upon the regularity of its movements: the Chald�ans,
+      therefore, made it, or rather the spirit which animated it, the father and
+      king of the gods; but its suzerainty was everywhere a conventional rather
+      than an actual superiority, and the sun, which in theory was its vassal,
+      attracted more worshippers than the pale and frigid luminary. Some adored
+      the sun under its ordinary title of Shamash, corresponding to the Egyptian
+      R�; others designated it as Merodach, Ninib, Nergal, Dumuzi, not to
+      mention other less usual appellations. Nergal in the beginning had nothing
+      in common with Ninib, and Merodach differed alike from Shamash, Ninib,
+      Nergal, and Dumuzi; but the same movement which instigated the fusion of
+      so many Egyptian divinities of diverse nature, led the gods of the
+      Chald�ans to divest themselves little by little of their individuality and
+      to lose themselves in the sun. Each one at first became a complete sun,
+      and united in himself all the innate virtues of the sun&mdash;its
+      brilliancy and its dominion over the world, its gentle and beneficent
+      heat, its fertilizing warmth, its goodness and justice, its emblematic
+      character of truth and peace; besides the incontestable vices which darken
+      certain phases of its being&mdash;the fierceness of its rays at midday and
+      in summer, the inexorable strength of its will, its combative temperament,
+      its irresistible harshness and cruelty. By degrees they lost this uniform
+      character, and distributed the various attributes among themselves. If
+      Shamash continued to be the sun in general, Ninib restricted himself,
+      after the example of the Egyptian Harmakhis, to being merely the rising
+      and setting sun, the sun on the two horizons. Nergal became the feverish
+      and destructive summer sun.* Merodach was transformed into the youthful
+      sun of spring and early morning;** Dumuzi, like Merodach, became the sun
+      before the summer. Their moral qualities naturally were affected by the
+      process of restriction which had been applied to their physical being, and
+      the external aspect now assigned to each in accordance with their several
+      functions differed considerably from that formerly attributed to the
+      unique type from which they had sprung. Ninib was represented as valiant,
+      bold, and combative; he was a soldier who dreamed but of battle and great
+      feats of arms. Nergal united a crafty fierceness to his bravery: not
+      content with being lord of battles, he became the pestilence which breaks
+      out unexpectedly in a country, the death which comes like a thief, and
+      carries off his prey before there is time to take up arms against him.
+      Merodach united wisdom with courage and strength: he attacked the wicked,
+      protected the good, and used his power in the cause of order and justice.
+      A very ancient legend, which was subsequently fully developed among the
+      Canaanites, related the story of the unhappy passion of Ishtar for Dumuzi.
+      The goddess broke out yearly into a fresh frenzy, but the tragic death of
+      the hero finally moderated the ardour of her devotion. She wept
+      distractedly for him, went to beg the lords of the infernal regions for
+      his return, and brought him back triumphantly to the earth: every year
+      there was a repetition of the same passionate infatuation, suddenly
+      interrupted by the same mourning. The earth was united to the young sun
+      with every recurring spring, and under the influence of his caresses
+      became covered with verdure; then followed autumn and winter, and the sun,
+      grown old, sank into the tomb, from whence his mistress had to call him
+      up, in order to plunge afresh with him by a common impulse into the joys
+      and sorrows of another year.
+    </p>
+<pre xml:space="preserve">
+     * The solar character of Nergal, at least in later times, is
+     admitted, but with restrictions, by all Assyriologists. The
+     evident connection between him and Ninib, of which we have
+     proofs, was the ground of Delitzsch&rsquo;s theory that he was
+     likewise the burning and destructive sun, and also of
+     Jensen&rsquo;s analogous concept of a midday and summer sun.
+
+     ** Pr. Lenormant seems to have been the first to distinguish
+     in Merodach, besides the god of the planet Jupiter, a solar
+     personage. This notion, which has been generally admitted by
+     most Assyriologists, has been defined with greater
+     exactitude by Jensen, who is inclined to see in Merodach
+     both the morning sun and the spring sun; and this is the
+     opinion held at present.
+</pre>
+    <p>
+      The differences between the gods were all the more accentuated, for the
+      reason that many who had a common origin were often separated from one
+      another by, relatively speaking, considerable distances. Having divided
+      the earth&rsquo;s surface between them, they formed, as in Egypt, a complete
+      feudal system, whose chiefs severally took up their residence in a
+      particular city. Anu was worshipped in Uruk, Enlil-Bel reigned in Nipur,
+      Eridu belonged to Ea, the lord of the waters. The moon-god, Sin, alone
+      governed two large fiefs, Uru in the extreme south, and Harran towards the
+      extreme north-west; Shamash had Larsam and one of the Sipparas for his
+      dominion, and the other sun-gods were not less well provided for, Nergal
+      possessing Kutha, Zamama having Kish, Ninib side by side with Bel reigning
+      in Nipur, while Merodach ruled at Babylon. Each was absolute master in his
+      own territory, and it is quite exceptional to find two of them co-regnant
+      in one locality, as were Ninib and Bel at Nipur, or Ea and Ishtar in Uruk;
+      not that they raised any opposition on principle to the presence of a
+      stranger divinity in their dominions, but they welcomed them only under
+      the titles of allies or subjects. Each, moreover, had fair play, and Nebo
+      or Shamash, after having filled the <i>r�le</i> of sovereign at Borsippa
+      or at Larsam, did not consider it derogatory to his dignity to accept a
+      lower rank in Babylon or at Uru. Hence all the feudal gods played a double
+      part, and had, as it were, a double civil portion&mdash;that of suzerain
+      in one or two localities, and that of vassals everywhere else&mdash;and
+      this dual condition was the surest guarantee not only of their prosperity,
+      but of their existence. Sin would have run great risk of sinking into
+      oblivion if his resources had been confined to the subventions from his
+      domain temples of Harran and Uru. Their impoverishment would in such case
+      have brought about his complete failure: after having enjoyed an existence
+      amid riches and splendour in the beginning of history, he would have ended
+      his life in a condition of misery and obscurity. But the sanctuaries
+      erected to him in the majority of the other cities, the honours which
+      these bestowed upon him, and the offerings which they made to him,
+      compensated him for the poverty and neglect which he experienced in his
+      own domains; and he was thus able to maintain his divine dignity on a
+      suitable footing. All the gods were, therefore, worshipped by the
+      Chaldeans, and the only difference among them in this respect arose from
+      the fact that some exalted one special deity above the others. The gods of
+      the richest and most ancient principalities naturally enjoyed the greatest
+      popularity. The greatness of Uru had been the source of Sin&rsquo;s prestige,
+      and Merodach owed his prosperity to the supremacy which Babylon had
+      acquired over the districts of the north. Merodach was regarded as the son
+      of Ba, as the star which had risen from the abyss to illuminate the world,
+      and to confer upon mankind the decrees of eternal wisdom. He was
+      proclaimed as lord&mdash;&ldquo;b�lu&rdquo;&mdash;<i>par excellence</i>, in comparison
+      with whom all other lords sank into insignificance, and this title soon
+      procured for him a second, which was no less widely recognized than the
+      first: he was spoken of everywhere as the Bel of Babylon, Bel-Merodach&mdash;before
+      whom Bel of Nipur was gradually thrown into the shade. The relations
+      between these feudal deities were not always pacific: jealousies arose
+      among them like those which disturbed the cities over which they ruled;
+      they conspired against each other, and on occasions broke out into open
+      warfare. Instead of forming a coalition against the evil genii who
+      threatened their rule, and as a consequence tended to bring everything
+      into jeopardy, they sometimes made alliances with these malign powers and
+      mutually betrayed each other. Their history, if we could recover it in its
+      entirety, would be marked by as violent deeds as those which distinguished
+      the princes and kings who worshipped them. Attempts were made, however,
+      and that too from an early date, to establish among them a hierarchy like
+      that which existed among the great ones of the earth. The faithful, who,
+      instead of praying to each one separately, preferred to address them all,
+      invoked them always in the same order: they began with Anu, the heaven,
+      and followed with Bel, Ea, Sin, Shamash, and Bamman. They divided these
+      six into two groups of three, one trio consisting of Anu, Bel, and Ea, the
+      other of Sin, Shamash, and Bamman. All these deities were associated with
+      Southern Chaldoa, and the system which grouped them must have taken its
+      rise in this region, probably at Uruk, whose patron Anu V occupied the
+      first rank among them. The theologians who classified them in this manner
+      seem never to have dreamt of explaining, like the authors of the
+      Heliopolitan Ennead, the successive steps in their creation: these triads
+      were not, moreover, copies of the human family, consisting of a father and
+      mother whose marriage brings into the world a new being. Others had
+      already given an account of the origin of things, and of Merodach&rsquo;s
+      struggles with chaos; these theologians accepted the universe as it was,
+      already made, and contented themselves with summing up its elements by
+      enumerating the gods which actuated them.* They assigned the first place
+      to those elements which make the most forcible impression upon man&mdash;beginning
+      with Anu, for the heaven was the god of their city; following with Bel of
+      Nipur, the earth which from all antiquity has been associated with the
+      heaven; and concluding with Ea of Eridu, the terrestrial waters and
+      primordial Ocean whence Anu and Bel, together with all living creatures,
+      had sprung&mdash;Ea being a god whom, had they not been guided by local
+      vanity, they would have made sovereign lord of all. Anu owed his supremacy
+      to an historical accident rather than a religious conception: he held his
+      high position, not by his own merits, but because the prevailing theology
+      of an early period had been the work of his priesthood.
+    </p>
+<pre xml:space="preserve">
+     * I know of Sayce only who has endeavoured to explain the
+     historical formation of the triads. They are considered by
+     him as of Accadian origin, and probably began in an
+     astronomical triad, composed of the moon-god, the sun-god,
+     and the evening star, Sin, Shamash, and Ishtar; alongside
+     this elementary trinity, &ldquo;the only authentic one to be found
+     in the religious faith of primitive Chald�a,&rdquo; the Semites
+     may have placed the cosmogonical trinity of Anu, Bel, and
+     Ea, formed by the reunion of the gods of Uruk, Nipur, and
+     Eridu.
+</pre>
+    <p>
+      The characters of the three personages who formed the supreme triad can be
+      readily deduced from the nature of the elements which they represent. Anu
+      is the heaven itself&mdash;&ldquo;ana&rdquo;&mdash;the immense vault which spreads
+      itself above our heads, clear during the day when glorified by the sun,
+      obscure and strewn with innumerable star clusters during the night.
+      Afterwards it becomes the spirit which animates the firmament, or the god
+      which rules it: he resides in the north towards the pole, and the ordinary
+      route chosen by him when inspecting his domain is that marked out by our
+      ecliptic. He occupies the high regions of the universe, sheltered from
+      winds and tempests, in an atmosphere always serene, and a light always
+      brilliant. The terrestrial gods and those of middle-space take refuge in
+      this &ldquo;heaven of Anu,&rdquo; when they are threatened by any great danger, but
+      they dare not penetrate its depths, and stop, shortly after passing its
+      boundary, on the ledge which supports the vault, where they loll and howl
+      like dogs. It is but rarely that it may be entered, and then only by the
+      highly privileged&mdash;kings whose destiny marked them out for
+      admittance, and heroes who have fallen valiantly on the field of battle.
+      In his remote position on unapproachable summits Anu seems to participate
+      in the calm and immobility of his dwelling. If he is quick in forming an
+      opinion and coming to a conclusion, he himself never puts into execution
+      the plans which he has matured or the judgments which he has pronounced:
+      he relieves himself of the trouble of acting, by assigning the duty to
+      Bel-Merodach, Ea, or Eamman, and he often employs inferior genii to
+      execute his will. &ldquo;They are seven, the messengers of Anu their king; it is
+      they who from town to town raise the stormy wind; they are the south wind
+      which drives mightily in the heavens; they are the destroying clouds which
+      overturn the heavens; they are the rapid tempests which bring darkness in
+      the midst of clear day, they roam here and there with the wicked wind and
+      the ill-omened hurricane.&rdquo; Anu sends forth all the gods as he pleases,
+      recalls them again, and then, to make them his pliant instruments,
+      enfeebles their personality, reducing it to nothing by absorbing it into
+      his own. He blends himself with them, and their designations seem to be
+      nothing more than doublets of his own: he is Anu the Lakhmu who appeared
+      on the first days of creation; Ahu Ur�sh or Ninib is the sun-warrior of
+      Nipur; and Anu is also the eagle Alala whom Ishtar enfeebled by her
+      caresses. Anu regarded in this light ceases to be the god <i>par
+      excellence</i>: he becomes the only chief god, and the idea of authority
+      is so closely attached to his name that the latter alone is sufficient in
+      common speech to render the idea of God. Bel would have been entirely
+      thrown into the shade by him, as the earth-gods generally are by the
+      sky-gods, if it had not been that he was confounded with his namesake
+      Bel-Merodach of Babylon: to this alliance he owed to the end the safety of
+      his life, in presence of Anu. Ea was the most active and energetic member
+      of the triad.* As he represented the bottomless abyss, the dark waters
+      which had filled the universe until the day of the creation, there had
+      been attributed to him a complete knowledge of the past, present, and
+      future, whose germs had lain within him, as in a womb. The attribute of
+      supreme wisdom was revered in Ea, the lord of spells and charms, to which
+      gods and men were alike subject: no strength could prevail against his
+      strength, no voice against his voice: when once he opened his mouth to
+      give a decision, his will became law, and no one might gainsay it. If a
+      peril should arise against which the other gods found themselves impotent,
+      they resorted to him immediately for help, which was never refused. He had
+      saved Shamashnapishtirn from the Deluge; every day he freed his votaries
+      from sickness and the thousand demons which were the causes of it. He was
+      a potter, and had modelled men out of the clay of the plains. From him
+      smiths and workers in gold obtained the art of rendering malleable and of
+      fashioning the metals. Weavers and stone-cutters, gardeners, husbandmen,
+      and sailors hailed him as their teacher and patron. From his incomparable
+      knowledge the scribes derived theirs, and physicians and wizards invoked
+      spirits in his name alone by the virtue of prayers which he had
+      condescended to teach them.
+    </p>
+<pre xml:space="preserve">
+     * The name of this god was read &ldquo;Nisrok&rdquo; by Oppert,
+     &ldquo;Nouah&rdquo; by Hincks and Lenormant. The true reading is Ia, Ea,
+     usually translated &ldquo;house,&rdquo; &ldquo;water-house&rdquo;; this is a popular
+     interpretation which appears to have occurred to the
+     Chald�ans from the values of the signs entering into the
+     name of the god. From the outset H. Rawlinson recognized in
+     Ea, which he read Hea, Hoa, the divinity presiding over the
+     abyss of waters; he compared him with the serpent of Holy
+     Scripture, in its relation to the Tree of Knowledge and the
+     Tree of Life, and deduced therefrom his character of lord of
+     wisdom. His position as lord of the primordial waters, from
+     which all things proceeded, clearly denned by Lenormant, is
+     now fully recognized. His name was transcribed A�s by
+     Damascius, a form which is not easily explained; the most
+     probable hypothesis is that of Hommel who considers Aos as a
+     shortened form of Ia�s = Ia, Ea.
+</pre>
+    <p>
+      Subordinate to these limitless and vague beings, the theologians placed
+      their second triad, made up of gods of restricted power and invariable
+      form. They recognized in the unswerving regularity with which the moon
+      waxed and waned, or with which the sun rose and set every day, a proof of
+      their subjection to the control of a superior will, and they signalized
+      this dependence by making them sons of one or other of the three great
+      gods. Sin was the offspring of Bel, Shamash of Sin, Kamman of Anu. Sin was
+      indebted for this primacy among the subordinate divinities to the
+      preponderating influence which Uru exercised over Southern Chald�a. Mar,
+      where Ramman was the chief deity, never emerged from its obscurity, and
+      Larsam acquired supremacy only many centuries after its neighbour, and did
+      not succeed in maintaining it for any length of time. The god of the
+      suzerain city necessarily took precedence of those of the vassal towns,
+      and when once his superiority was admitted by the people, he was able to
+      maintain his place in spite of all political revolutions. Sin was called
+      in Uru, &ldquo;Uruki,&rdquo; or &ldquo;Nannar the glorious,&rdquo; and his priests sometimes
+      succeeded in identifying him with Anu. &ldquo;Lord, prince of the gods, who
+      alone in heaven and earth is exalted,&mdash;father Nannar, lord of the
+      hosts of heaven, prince of the gods,&mdash;father Nannar, lord, great Anu,
+      prince of the gods,&mdash;father Nannar, lord, moon-god, prince of the
+      gods,&mdash;father Nannar, lord of Uni, prince of the gods....&mdash;Lord,
+      thy deity fills the far-off heavens, like the vast sea, with reverential
+      fear! Master of the earth, thou who fixest there the boundaries [of the
+      towns] and assignest to them their names,&mdash;father, begetter of gods
+      and men, who establishest for them dwellings and institutest for them that
+      which is good, who proclaimest royalty and bestowest the exalted sceptre
+      on those whose destiny was determined from distant times,&mdash;chief,
+      mighty, whose heart is great, god whom no one can name, whose limbs are
+      steadfast, whose knees never bend, who preparest the paths of thy brothers
+      the gods....&mdash;In heaven, who is supreme? As for thee, it is thou
+      alone who art supreme! As for thee, thy decree is made known in heaven,
+      and the Igigi bow their faces!&mdash;As for thee, thy decree is made known
+      upon earth, and the spirits of the abyss kiss the dust!&mdash;As for thee,
+      thy decree blows above like the wind, and stall and pasture become
+      fertile!&mdash;As for thee, thy decree is accomplished upon earth below,
+      and the grass and green things grow!&mdash;As for thee, thy degree is seen
+      in the cattle-folds and in the lairs of the wild beasts, and it multiplies
+      living things!&mdash;As for thee, thy decree has called into being equity
+      and justice, and the peoples have promulgated thy law!&mdash;As for thee,
+      thy decree, neither in the far-off heaven, nor in the hidden depths of the
+      earth, can any one recognize it!&mdash;As for thee, thy decree, who can
+      learn it, who can try conclusions with it?&mdash;O Lord, mighty in heaven,
+      sovereign upon earth, among the gods thy brothers, thou hast no rival.&rdquo;
+       Outside Uru and Harran, Sin did not obtain this rank of creator and ruler
+      of things; he was simply the moon-god, and was represented in human form,
+      usually accompanied by a thin crescent, upon which he sometimes stands
+      upright, sometimes appears with the bust only rising out of it, in royal
+      costume and pose.
+    </p>
+    <p>
+      <a name="linkBimage-0018" id="linkBimage-0018">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/169.jpg" width="100%"
+       alt="169.jpg the God Sun Receives The Homage of Two Worshippers. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from a heliogravure by Menant.
+</pre>
+    <p>
+      His mitre is so closely associated with him that it takes his place on the
+      astrological tablets; the name he bears&mdash;&ldquo;agu&rdquo;&mdash;often indicates
+      the moon regarded simply as a celestial body and without connotation of
+      deity. Babbar-Shamash, &ldquo;the light of the gods, his fathers,&rdquo; &ldquo;the
+      illustrious scion of Sin,&rdquo; passed the night in the depths of the north,
+      behind the polished metal walls which shut in the part of the firmament
+      visible to human eyes.
+    </p>
+    <p>
+      <a name="linkBimage-0019" id="linkBimage-0019">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/170.jpg" width="100%"
+       alt="170.jpg Shamash Sets Out, in the Morning, from The Interior of the Heaven by The Eastern Gate. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from a Chald�an intaglio of green
+     jasper in the Louvre. The original measures about 1 3/10
+     inch in height.
+</pre>
+    <p>
+      As soon as the dawn had opened the gates for him, he rose in the east all
+      aflame, his club in his hand, and he set forth on his headlong course over
+      the chain of mountains which surrounds the world;* six hours later he had
+      attained the limit of his journey towards the south, he then continued his
+      journey to the west, gradually lessening his heat, and at length
+      re-entered his accustomed resting-place by the western gate, there to
+      remain until the succeeding morning. He accomplished his journey round the
+      earth in a chariot conducted by two charioteers, and drawn by two vigorous
+      onagers, &ldquo;whose legs never grew weary;&rdquo; the flaming disk which was seen
+      from earth was one of the wheels of his chariot.**
+    </p>
+<pre xml:space="preserve">
+     * His course along the embankment which runs round the
+     celestial vault was the origin of the title, <i>Line of Union
+     between Heaven and Earth</i>; he moved, in fact, where the
+     heavens and the earth come into contact, and appeared to
+     weld them into one by the circle of fire which he described.
+     Another expression of this idea occurs in the preamble of
+     Nergal and Ninib, who were called &ldquo;the separators&rdquo;; the
+     course of the sun might, in fact, be regarded as separating,
+     as well as uniting, the two parts of the universe.
+
+     ** The disk has sometimes four, sometimes eight rays
+     inscribed on it, indicating wheels with four or eight spokes
+     respectively. Rawlinson supposed &ldquo;that these two figures
+     indicate a distinction between the male and female power of
+     the deity, the disk with four rays symbolizing Shamash, the
+     orb with eight rays being the emblem of Ai, Gula, or
+     Anunit.&rdquo;
+ </pre>
+    <p>
+      <a name="linkBimage-0020" id="linkBimage-0020">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/171.jpg" width="100%"
+       alt="171.jpg Shamash in his Shrine, His Emblem Before Him On The Altar. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from a photograph by Rassam. The
+     busts of the two deities on the front of the roof of the
+     shrine are the two charioteers of the sun; they uphold and
+     guide the rayed disk upon the altar. Cf. in the Assyrian
+     period the winged disk led with cords by two genii.
+</pre>
+    <p>
+      As soon as he appeared he was hailed with the chanting of hymns: &ldquo;O Sun,
+      thou appearest on the foundation of the heavens,&mdash;thou drawest back
+      the bolts which bar the scintillating heavens, thou openest the gate of
+      the heavens! O Sun, thou raisest thy head above the earth,&mdash;Sun, thou
+      extendest over the earth the brilliant vaults of the heavens.&rdquo; The powers
+      of darkness fly at his approach or take refuge in their mysterious
+      caverns, for &ldquo;he destroys the wicked, he scatters them, the omens and
+      gloomy portents, dreams, and wicked ghouls&mdash;he converts evil to good,
+      and he drives to their destruction the countries and men&mdash;who devote
+      themselves to black magic.&rdquo; In addition to natural light, he sheds upon
+      the earth truth and justice abundantly; he is the &ldquo;high judge&rdquo; before whom
+      everything makes obeisance, his laws never waver, his decrees are never
+      set at naught. &ldquo;O Sun, when thou goest to rest in the middle of the
+      heavens&mdash;may the bars of the bright heaven salute thee in peace, and
+      may the gate of heaven bless thee!&mdash;May Misharu, thy well-beloved
+      servant, guide aright thy progress, so that on Rbarra, the seat of thy
+      rule, thy greatness may rise, and that A, thy cherished spouse, may
+      receive thee joyfully! May thy glad heart find in her thy rest!&mdash;May
+      the food of thy divinity be brought to thee by her,&mdash;warrior, hero,
+      sun, and may she increase thy vigour;&mdash;lord of Ebarra, when thou
+      ap-proachest, mayest thou direct thy course aright!&mdash;-0 Sun, urge
+      rightly thy way along the fixed road determined for thee,&mdash;O Sun,
+      thou who art the judge of the land, and the arbiter of its laws!&rdquo;
+     </p>
+    <p>
+      It would appear that the triad had begun by having in the third place a
+      goddess, Ishtar of Dilbat. Ishtar is the evening star which precedes the
+      appearance of the moon, and the morning star which heralds the approach of
+      the sun: the brilliance of its light justifies the choice which made it an
+      associate of the greater heavenly bodies. &ldquo;In the days of the past.... Ea
+      charged Sin, Shamash, and Ishtar with the ruling of the firmament of
+      heaven; he distributed among them, with Anu, the command of the army of
+      heaven, and among these three gods, his children, he apportioned the day
+      and the night, and compelled them to work ceaselessly.&rdquo;
+     </p>
+    <p>
+      <a name="linkBimage-0021" id="linkBimage-0021">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/173.jpg" width="100%"
+       alt="173.jpg Ishtar Holding Her Star Before Sin. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from an intaglio at Rome.
+</pre>
+    <p>
+      Ishtar was separated from her two companions, when the group of the
+      planets was definitely organized and claimed the adoration of the devout;
+      the theologians then put in her place an individual of a less original
+      aspect, Ramman. Ramman embraced within him the elements of many very
+      ancient genii, all of whom had been set over the atmosphere, and the
+      phenomena which are daily displayed in it&mdash;wind, rain, and thunder.
+      These genii occupied an important place in the popular religion which had
+      been cleverly formulated by the theologians of Uruk, and there have come
+      down to us many legends in which their incarnations play a part. They are
+      usually represented as enormous birds flocking on their swift wings from
+      below the horizon, and breathing flame or torrents of water upon the
+      countries over which they hovered. The most terrible of them was Zu, who
+      presided over tempests: he gathered the clouds together, causing them to
+      burst in torrents of rain or hail; he let loose the winds and lightnings,
+      and nothing remained standing where he had passed. He had a numerous
+      family: among them cross-breeds of extraordinary species which would
+      puzzle a modern naturalist, but were matters of course to the ancient
+      priests. His mother Siris, lady of the rain and clouds, was a bird like
+      himself; but Zu had as son a vigorous bull, which, pasturing in the
+      meadows, scattered abundance and fertility around him. The caprices of
+      these strange beings, their malice, and their crafty attacks, often
+      brought upon them vexatious misfortunes. Shutu, the south wind, one day
+      beheld Adapa, one of the numerous offspring of Ea, fishing in order to
+      provide food for his family. In spite of his exalted origin, Adapa was no
+      god; he did not possess the gift of immortality, and he was not at liberty
+      to appear in the presence of Anu in heaven. He enjoyed, nevertheless,
+      certain privileges, thanks to his familiar intercourse with his father Ea,
+      and owing to his birth he was strong enough to repel the assaults of more
+      than one deity. When, therefore, Shutu, falling upon him unexpectedly, had
+      overthrown him, his anger knew no bounds: &ldquo;&lsquo;Shutu, thou hast overwhelmed
+      me with thy hatred, great as it is,&mdash;I will break thy wings! &lsquo;Having
+      thus spoken with his mouth unto Shutu, Adapa broke his wings. For seven
+      days,&mdash;Shutu breathed no longer upon the earth.&rdquo; Anu, being disturbed
+      at this quiet, which seemed to him not very consonant with the meddling
+      temperament of the wind, made inquiries as to its cause through his
+      messenger Ilabr�t. &ldquo;His messenger Ilabr�t answered him: &lsquo;My master,&mdash;Adapa,
+      the son of Ea, has broken Shutu&rsquo;s wings.&rsquo;&mdash;Anu, when he heard these
+      words, cried out: &lsquo;Help!&rsquo;&rdquo; and he sent to Ea Barku, the genius of the
+      lightning, with an order to bring the guilty one before him. Adapa was not
+      quite at his ease, although he had right on his side; but Ea, the
+      cleverest of the immortals, prescribed a line of conduct for him. He was
+      to put on at once a garment of mourning, and to show himself along with
+      the messenger at the gates of heaven. Having arrived there, he would not
+      fail to meet the two divinities who guarded them,&mdash;Dumuzi and
+      Gishzida: &ldquo;&lsquo;In whose honour this garb, in whose honour, Adapa, this
+      garment of mourning?&rsquo; &lsquo;On our earth two gods have disappeared&mdash;it is
+      on this account I am as I am.&rsquo; Dumuzi and Gishzida will look at each
+      other,* they will begin to lament, they will say a friendly word&mdash;to
+      the god Anu for thee, they will render clear the countenance of Anu,&mdash;in
+      thy favour. When thou shalt appear before the face of Anu, the food of
+      death, it shall be offered to thee, do not eat it. The drink of death, it
+      shall be offered to thee, drink it not. A garment, it shall be offered to
+      the, put it on. Oil, it shall be offered to thee, anoint thyself with it.
+      The command I have given thee observe it well.&rsquo;&rdquo;
+     </p>
+<pre xml:space="preserve">
+     * Dumuzi and Gishzida are the two gods whom Adapa indicates
+     without naming them; insinuating that he has put on mourning
+     on their account, Adapa is secure of gaining their sympathy,
+     and of obtaining their intervention with the god Anu in his
+     favour. As to Dumuzi, see pp. 158, 159 of the present work;
+     the part played by Gishzida, as well as the event noted in
+     the text regarding him, is unknown.
+</pre>
+    <p>
+      Everything takes place as Ea had foreseen. Dumuzi and Gishzida welcome the
+      poor wretch, speak in his favour, and present him: &ldquo;as he approached, Anu
+      perceived him, and said to him: &lsquo;Come, Adapa, why didst thou break the
+      wings of Shutu?&rsquo; Adapa answered Anu: &lsquo;My lord,&mdash;for the household of
+      my lord Ea, in the middle of the sea,&mdash;-I was fishing, and the sea
+      was all smooth.&mdash;Shutu breathed, he, he overthrew me, and I plunged
+      into the abode of fish. Hence the anger of my heart,&mdash;that he might
+      not begin again his acts of ill will,&mdash;I broke his wings.&rsquo;&rdquo; Whilst he
+      pleaded his cause the furious heart of Anu became calm. The presence of a
+      mortal in the halls of heaven was a kind of sacrilege, to be severely
+      punished unless the god should determine its expiation by giving the
+      philtre of immortality to the intruder. Anu decided on the latter course,
+      and addressed Adapa: &ldquo;&lsquo;Why, then, did Ea allow an unclean mortal to see&mdash;the
+      interior of heaven and earth?&rsquo; He handed him a cup, he himself reassured
+      him.&mdash;&lsquo;We, what shall we give him? The food of life&mdash;take some
+      to him that he may eat.&rsquo; The food of life, some was taken to him, but he
+      did not eat of it. The water of life, some was taken to him, but he drank
+      not of it. A garment, it was taken to him, and he put it on. Oil, some was
+      taken to him, and he anointed himself with it.&rdquo; Anu looked upon him; he
+      lamented over him: &ldquo;&lsquo;Well, Adapa, why hast thou not eaten&mdash;why hast
+      thou not drunk? Thou shalt not now have eternal life.&rsquo; Ea, my lord, has
+      commanded me: thou shalt not eat, thou shalt not drink.&rdquo; Adapa thus lost,
+      by remembering too well the commands of his father, the opportunity which
+      was offered to him of rising to the rank of the immortals; Anu sent him
+      back to his home just as he had come, and Shutu had to put up with his
+      broken wings.
+    </p>
+    <p>
+      Bamman absorbed one after the other all these genii of tempest and
+      contention, and out of their combined characters his own personality of a
+      hundred diverse aspects was built up.
+    </p>
+    <p>
+      <a name="linkBimage-0022" id="linkBimage-0022">
+      <!-- IMG --></a>
+    </p>
+    <div class="figleft" style="width:40%;">
+      <img width="100%" src="images/177.jpg"
+       alt="177.jpg the Birds of The Tempest " />
+    </div>
+    <p>
+      He was endowed with the capricious and changing disposition of the element
+      incarnate in him, and passed from tears to laughter, from anger to calm,
+      with a promptitude which made him one of the most disconcerting deities.
+      The tempest was his favourite r�le. Sometimes he would burst suddenly on
+      the heavens at the head of a troop of savage subordinates, whose chiefs
+      were known as Matu, the squall, and Barku, the lightning; sometimes these
+      were only the various manifestations of his own nature, and it was he
+      himself who was called Matu and Barku. He collected the clouds, sent forth
+      the thunder-bolt, shook the mountains, and &ldquo;before his rage and violence,
+      his bellowings, his thunder, the gods of heaven arose to the firmament&mdash;the
+      gods of the earth sank into the earth&rdquo; in their terror. The monuments
+      represent him as armed for battle with club, axe, or the two-bladed
+      flaming sword which was usually employed to signify the thunderbolt. As he
+      destroyed everything in his blind rage, the kings of Chald�a were
+      accustomed to invoke him against their enemies, and to implore him to
+      &ldquo;hurl the hurricane upon the rebel peoples and the insubordinate nations.&rdquo;
+       When his wrath was appeased, and he had returned to more gentle ways, his
+      kindness knew no limits. From having been the waterspout which overthrew
+      the forests, he became the gentle breeze which caresses and refreshes
+      them: with his warm showers he fertilizes the fields: he lightens the air
+      and tempers the summer heat.
+    </p>
+<pre xml:space="preserve">
+     1. Drawn by Faucher-Gudin, from a Chald�an cylinder in the
+     Museum of New York. Lenormant, in a long article, which he
+     published under the pseudonym of Mansell, fancied he
+     recognized here the encounter between Sabitum and Gilgames
+     on the shores of the Ocean.
+</pre>
+    <p>
+      He causes the rivers to swell and overflow their banks; he pours out the
+      waters over the fields, he makes channels for them, he directs them to
+      every place where the need of water is felt.
+    </p>
+    <p>
+      But his fiery temperament is stirred up by the slightest provocation, and
+      then &ldquo;his flaming sword scatters pestilence over the land: he destroys the
+      harvest, brings the ingathering to nothing, tears up trees, and beats down
+      and roots up the corn.&rdquo;
+     </p>
+    <p>
+      <a name="linkBimage-0024" id="linkBimage-0024">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/179.jpg" width="100%"
+       alt="179.jpg Ramman, the God of Tempests and Thunder. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from Layard. Properly speaking, this
+     is a Susian deity brought by the soldiers of Assurbanipal
+     into Assyria, but it carries the usual insignia of Ramman.
+</pre>
+    <p>
+      <a name="linkBimage-0023" id="linkBimage-0023">
+      <!-- IMG --></a>
+    </p>
+    <div class="figright" style="width:30%;">
+      <img width="100%" src="images/178.jpg"
+       alt="178.jpg Ramman Armed With an Axe. " />
+    </div>
+    <p>
+      In a word, the second triad formed a more homogeneous whole when Ishtar
+      still belonged to it, and it is entirely owing to the presence of this
+      goddess in it that we are able to understand its plan and purpose; it was
+      essentially astrological, and it was intended that none should be enrolled
+      in it but the manifest leaders of the constellations. Ramman, on the
+      contrary, had nothing to commend him for a position alongside the moon and
+      sun; he was not a celestial body, he had no definitely shaped form, but
+      resembled an aggregation of gods rather than a single deity. By the
+      addition of Ramman to the triad, the void occasioned by the removal of
+      Ishtar was filled up in a blundering way. We must, however, admit that the
+      theologians must have found it difficult to find any one better fitted for
+      the purpose: when Venus was once set along with the rest of the planets,
+      there was nothing left in the heavens which was sufficiently brilliant to
+      replace her worthily. The priests were compelled to take the most powerful
+      deity they knew after the other five&mdash;the lord of the atmosphere and
+      the thunder.*
+    </p>
+    <p>
+      The gods of the triads were married, but their goddesses for the most part
+      had neither the liberty nor the important functions of the Egyptian
+      goddesses.** They were content, in their modesty, to be eclipsed behind
+      the personages of their husbands, and to spend their lives in the shade,
+      as the women of Asiatic countries still do. It would appear, moreover,
+      that there was no trouble taken about them until it was too late&mdash;when
+      it was desired, for instance, to explain the affiliation of the immortals.
+      Anu and Bel were bachelors to start with. When it was determined to assign
+      to them female companions, recourse was had to the procedure adopted by
+      the Egyptians in a similar case: there was added to their names the
+      distinctive suffix of the feminine gender, and in this manner two
+      grammatical goddesses were formed, Anat and Belit, whose dispositions give
+      some indications of this accidental birth. There was always a vague
+      uncertainty about the parts they had to play, and their existence itself
+      was hardly more than a seeming one. Anat sometimes represented a feminine
+      heaven, and differed from Anu only in her sex. At times she was regarded
+      as the antithesis of Anu, i.e. as the earth in contradistinction to the
+      heaven. Belit, as far as we can distinguish her from other persons to whom
+      the title &ldquo;lady&rdquo; was attributed, shared with Bel the rule over the earth
+      and the regions of darkness where the dead were confined. The wife of Ea
+      was distinguished by a name which was not derived from that of her
+      husband, but she was not animated by a more intense vitality than Anat or
+      Belit: she was called Damkina, the lady of the soil, and she personified
+      in an almost passive manner the earth united to the water which fertilized
+      it. The goddesses of the second triad were perhaps rather less artificial
+      in their functions. Ningal, doubtless, who ruled along with Sin at Uru,
+      was little more than an incarnate epithet. Her name means &ldquo;the great
+      lady,&rdquo; &ldquo;the queen,&rdquo; and her person is the double of that of her husband;
+      as he is the man-moon, she is the woman-moon, his beloved, and the mother
+      of his children Shamash and Ishtar. But A or Sirrida enjoyed an
+      indisputable authority alongside Shamash: she never lost sight of the fact
+      that she had been a sun like Shamash, a disk-god before she was
+      transformed into a goddess. Shamash, moreover, was surrounded by an actual
+      harem, of which Sirrid� was the acknowledged queen, as he himself was its
+      king, and among its members Gula, the great, and Anunit, the daughter of
+      Sin, the morning star, found a place. Shala, the compassionate, was also
+      included among them; she was subsequently bestowed upon Ramman. They were
+      all goddesses of ancient lineage, and each had been previously worshipped
+      on her own account when the Sumerian people held sway in Chald�a: as soon
+      as the Semites gained the upper hand, the powers of these female deities
+      became enfeebled, and they were distributed among the gods. There was but
+      one of them, Nana, the doublet of Ishtar, who had succeeded in preserving
+      her liberty: when her companions had been reduced to comparative
+      insignificance, she was still acknowledged as queen and mistress in her
+      city of Eridu. The others, notwithstanding the enervating influence to
+      which they were usually subject in the harem, experienced at times
+      inclinations to break into rebellion, and more than one of them, shaking
+      off the yoke of her lord, had proclaimed her independence: Anunit, for
+      instance, tearing herself away from the arms of Shamash, had vindicated,
+      as his sister and his equal, her claim to the half of his dominion.
+      Sippara was a double city, or rather there were two neighbouring Sippar�s,
+      one distinguished as the city of the Sun, &ldquo;Sippara sha Shamash,&rdquo; while the
+      other gave lustre to Anunit in assuming the designation of &ldquo;Sippara sha
+      Anunitum.&rdquo; Rightly interpreted, these family arrangements of the gods had
+      but one reason for their existence&mdash;the necessity of explaining
+      without coarseness those parental connections which the theological
+      classification found it needful to establish between the deities
+      constituting the two triads. In Chald�a as in Egypt there was no
+      inclination to represent the divine families as propagating their species
+      otherwise than by the procedure observed in human families: the union of
+      the goddesses with the gods thus legitimated their offspring.
+    </p>
+<pre xml:space="preserve">
+     * Their embarrassment is shown in the way in which they have
+     classed this god. In the original triad, Ishtar, being the
+     smallest of the three heavenly bodies, naturally took the
+     third place. Ramman, on the contrary, had natural affinities
+     with the elemental group, and belonged to Anu, Bel, Ea,
+     rather than to Sin and Shamash. So we find him sometimes in
+     the third place, sometimes in the first of the second triad,
+     and this post of eminence is so natural to him, that
+     Assyriologists have preserved it from the beginning, and
+     describe the triad as composed, not of Sin, Shamash, and
+     Ramman, but of Ramman, Sin, and Shamash, or even of Sin,
+     Ramman, and Shamash.
+
+     1. Drawn by Faucher-Gudin, from a sketch by Loftus. The
+     original, a small stele of terra-cotta, is in the British
+     Museum. The date of this representation is uncertain. Ramman
+     stands upon the mountain which supports the heaven.
+
+     ** The passive and almost impersonal character of the
+     majority of the Babylonian and Assyrian goddesses is well
+     known. The majority must have been independent at the
+     outset, in the Sumerian period, and were married later on,
+     under the influence of Semitic ideas.
+</pre>
+    <p>
+      The triads were, therefore, nothing more than theological fictions. Each
+      of them was really composed of six members, and it was thus really a
+      council of twelve divinities which the priests of Uruk had instituted to
+      attend to the affairs of the universe; with this qualification, that the
+      feminine half of the assembly rarely asserted itself, and contributed but
+      an insignificant part to the common work. When once the great divisions
+      had been arranged, and the principal functionaries designated, it was
+      still necessary to work out the details, and to select v agents to
+      preserve an order among them. Nothing happens by chance in this world, and
+      the most insignificant events are determined by previsional arrangements,
+      and decisions arrived at a long time previously. The gods assembled every
+      morning in a hall, situated near the gates of the sun in the east, and
+      there deliberated on the events of the day. The sagacious Ea submitted to
+      them the fates which are about to be fulfilled, and caused a record of
+      them to be made in the chamber of destiny on tablets which Shamash or
+      Merodach carried with them to scatter everywhere on his way; but he who
+      should be lucky enough to snatch these tablets from him would make himself
+      master of the world for that day. This misfortune had arisen only once, at
+      the beginning of the ages. Zu, the storm-bird, who lives with his wife and
+      children on Mount Sabu under the protection of Bel, and who from this
+      elevation pounces down upon the country to ravage it, once took it into
+      his head to make himself equal to the supreme gods. He forced his way at
+      an early hour into the chamber of destiny before the sun had risen: he
+      perceived within it the royal insignia of Bel, &ldquo;the mitre of his power,
+      the garment of his divinity,&mdash;the fatal tablets of his divinity, Zu
+      perceived them. He perceived the father of the gods, the god who is the
+      tie between heaven and earth,&mdash;and the desire of ruling took
+      possession of his heart;&mdash;yea, Zu perceived the father of the gods,
+      the god who is the tie between heaven and earth,&mdash;and the desire of
+      ruling took possession of his heart,&mdash;&lsquo;I will take the fatal tablets
+      of the gods, I myself,&mdash;and the oracles of all the gods, it is I who
+      will give them forth;&mdash;I will install myself on the throne, I will
+      send forth decrees,&mdash;I will manage the whole of the Igigi.&rsquo;&mdash;And
+      his heart plotted warfare;&mdash;lying in wait on the threshold of the
+      hall, he watched for the dawn.&mdash;When Bel had poured out the shining
+      waters,&mdash;had installed himself on the throne, and donned the crown,
+      Zu took away the fatal tablets from his hand,&mdash;he seized power, and
+      the authority to give forth decrees,&mdash;the god Zu, he flew away and
+      concealed himself in the mountains.&rdquo; Bel immediately cried out, he was
+      inflamed with anger, and ravaged the world with the fire of his wrath.
+      &ldquo;Anu opened his mouth, he spake,&mdash;he said to the gods his offspring:&mdash;&lsquo;Who
+      will conquer the god Zu?&mdash;He will make his name great in every land.&rsquo;&mdash;Bamman,
+      the supreme, the son of Anu, was called, and Anu himself gave to him his
+      orders;&mdash;yea, Bamman, the supreme, the son of Anu, was called, and
+      Anu himself gave to him his orders.&mdash;&lsquo;Go, my son Kamman, the valiant,
+      since nothing resists thy attack;&mdash;conquer Zu by thine arm, and thy
+      name shall be great among the great gods,&mdash;among the gods, thy
+      brothers, thou shalt have no equal: sanctuaries shall be built to thee,
+      and if thou buildest for thyself thy cities in the &ldquo;four houses of the
+      world,&rdquo; * &mdash;thy cities shall extend over all the terrestrial mountain!
+      &lsquo;Be valiant, then, in the sight of the gods, and may thy name be strong.&rsquo;
+      Bamman answers, he addresses this bpeech to Anu his father:&mdash;&lsquo;Father,
+      who will go to the inaccessible mountains? Who is the equal of Zu among
+      the gods, thy offspring? He has carried off in his hand the fatal tablets,&mdash;he
+      has seized power and authority to give forth decrees,&mdash;Zu thereupon
+      flew away and hid himself in his mountain.&mdash;Now, the word of his
+      mouth is like that of the god who unites heaven and earth;&mdash;-my power
+      is no more than clay,&mdash;and all the gods must bow before him.&rsquo;&rdquo; Anu
+      sent for the god Bara, the son of Ishtar, to help him, and exhorted him in
+      the same language he had addressed to Ramman: Bara refused to attempt the
+      enterprise. Shamash, called in his turn, at length consented to set out
+      for Mount Sabu: he triumphed over the storm-bird, tore the fatal tablets
+      from him, and brought him before Ea as a prisoner.
+    </p>
+<pre xml:space="preserve">
+     * Literally, &ldquo;Construct thy cities in the four regions of
+     the world (cf. pp. 12, 13 of the present work), and thy
+     cities will extend to the mountain of the earth.&rdquo; Anu would
+     appear to have promised to Ramman a monopoly; if he wished
+     to build cities which would recognize him as their patron,
+     these cities will cover the entire earth.
+</pre>
+    <p>
+      <a name="linkBimage-0025" id="linkBimage-0025">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/186.jpg" width="100%"
+       alt="186.jpg Shamash Fights With zu and the Storm Birds. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from Layard.
+</pre>
+    <p>
+      <a name="linkBimage-0026" id="linkBimage-0026">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/186a.jpg" width="100%"
+       alt="186a.jpg the Plenisphere Taken from The Temple Of Tentyra " />
+    </div>
+    <p>
+      <a name="linkBimage-0027" id="linkBimage-0027">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/186a-text.jpg" width="100%"
+       alt="186a-text.jpg Text of the Plenisphere " />
+    </div>
+    <p>
+      The sun of the complete day, the sun in the full possession of his
+      strength, could alone win back the attributes of power which the morning
+      sun had allowed himself to be despoiled of. From that time forth the
+      privilege of delivering immortal decrees to mortals was never taken out of
+      the hands of the gods of light.
+    </p>
+    <p>
+      Destinies once fixed on the earth became a law&mdash;&ldquo;mamit&rdquo;&mdash;a good
+      or bad fate, from which no one could escape, but of which any one might
+      learn the disposition beforehand if he were capable of interpreting the
+      formulas of it inscribed on the book of the sky. The stars, even those
+      which were most distant from the earth, were not unconcerned in the events
+      which took place upon it. They were so many living beings endowed with
+      various characteristics, and their rays as they passed across the
+      celestial spaces exercised from above an active control on everything they
+      touched. Their influences became modified, increased or weakened according
+      to the intensity with which they shed them, according to the respective
+      places they occupied in the firmament, and according to the hour of the
+      night and the month of the year in which they rose or set. Each division
+      of time, each portion of space, each category of existences&mdash;and in
+      each category each individual&mdash;was placed under their rule and was
+      subject to their implacable tyranny. The infant was born their slave, and
+      continued in this condition of slavery until his life&rsquo;s end: the star
+      which was in the ascendent at the instant of his birth became his star,
+      and ruled his destiny. The Chald�ans, like the Egyptians, fancied they
+      discerned in the points of light which illuminate the nightly sky, the
+      outline of a great number of various figures&mdash;men, animals, monsters,
+      real and imaginary objects, a lance, a bow, a fish, a scorpion, ears of
+      wheat, a bull, and a lion. The majority of these were spread out above
+      their heads on the surface of the celestial vault; but twelve of these
+      figures, distinguishable by their brilliancy, were arranged along the
+      celestial horizon in the pathway of the sun, and watched over his daily
+      course along the walls of the world. These divided this part of the sky
+      into as many domains or &ldquo;houses,&rdquo; in which they exercised absolute
+      authority, and across which the god could not go without having previously
+      obtained their consent, or having brought them into subjection beforehand.
+      This arrangement is a reminiscence of the wars by which Bel-Merodach, the
+      divine bull, the god of Babylon, had succeeded in bringing order out of
+      chaos: he had not only killed Ti�mat, but he had overthrown and subjugated
+      the monsters which led the armies of darkness. He meets afresh, every year
+      and every day, on the confines of heaven and earth, the scorpion-men of
+      his ancient enemy, the fish with heads of men or goats, and many more. The
+      twelve constellations were combined into a zodiac, whose twelve signs,
+      transmitted to the Greeks and modified by them, may still be read on our
+      astronomical charts. The constellations, immovable, or actuated by a slow
+      motion, in longitude only, contain the problems of the future, but they
+      are not sufficient of themselves alone to furnish man with the solution of
+      these problems. The heavenly bodies capable of explaining them, the real
+      interpreters of destiny, were at first the two divinities who rule the
+      empires of night and day&mdash;the moon and the sun; afterwards there took
+      part in this work of explanation the five planets which we call Jupiter,
+      Venus, Saturn, Mars, and Mercury, or rather the five gods who actuate
+      them, and who have controlled their course from the moment of creation&mdash;Merodach,
+      Ishtar, Ninib, Nergal, and Nebo. The planets seemed to traverse the
+      heavens in every direction, to cross their own and each other&rsquo;s paths, and
+      to approach the fixed stars or recede from them; and the species of
+      rhythmical dance in which they are carried unceasingly across the
+      celestial spaces revealed to men, if they examined it attentively, the
+      irresistible march of their own destinies, as surely as if they had made
+      themselves master of the fatal tablets of Shamash, and could spell them
+      out line by line.
+    </p>
+    <p>
+      The Chald�ns were disposed to regard the planets as perverse sheep who had
+      escaped from the fold of the stars to wander wilfully in search of
+      pasture.* At first they were considered to be so many sovereign deities,
+      without other function than that of running through the heavens and
+      furnishing there predictions of the future; afterwards two of them
+      descended to the earth, and received upon it the homage of men* &mdash;Ishtar
+      from the inhabitants of the city of Dilbat, and Nebo* from those of
+      Borsippa. Nebo assumed the <i>r�le</i> of a soothsayer and a prophet. He
+      knew and foresaw everything, and was ready to give his advice upon any
+      subject: he was the inventor of the method of making clay tablets, and of
+      writing upon them. Ishtar was a combination of contradictory
+      characteristics.****
+    </p>
+<pre xml:space="preserve">
+     * Their generic name, read as &ldquo;lubat,&rdquo; in Sumero-Accadian,
+     &ldquo;bibbu&rdquo; in Semitic speech (Fr. Lenormant, <i>Essai de
+     Commentaire de B�rose</i>, pp. 370, 371), denoted a quadruped,
+     the species of which Lenormant was not able to define;
+     Jensen (<i>Die Kosmologie</i>, pp. 95-99) identified it with the
+     sheep and the ram. At the end of the account of the
+     creation, Merodach-Jupiter is compared with a shepherd who
+     feeds the flock of the gods on the pastures of heaven (cf.
+     p. 15 of the present work).
+
+     ** The site of Dilbat is unknown: it has been sought in the
+     neighbourhood of Kishu and Babylon (Delitzsch, <i>Wo lag das
+     Paradies?</i> p. 219); it is probable that it was in the
+     suburbs of Sippara. The name given to the goddess was
+     transcribed AeXckit (Hesychius, <i>sub voce</i>), and signifies
+     the herald, the messenger of the day.
+
+     *** The r�le of Nebo was determined by the early
+     Assyriologists (Rawlin-son, <i>On the Religion of the
+     Babylonians and Assyrians</i>, pp. 523-52G; Oppeet, <i>Exp�dition
+     en M�sopotamie</i>, vol. ii. p. 257; Lenormant, <i>Essai de
+     Commentaire de B�rose</i>, pp. 114-116). He owed his functions
+     partly to his alliance with other gods (Sayce, <i>Religion of
+     the Ancient Babylonians</i>, pp. 118, 119).
+
+     **** See the chapter devoted by Sayce to the consideration
+     of Ishtar in his Religion of the Ancient Babylonians (IV.
+     Tammuz and Ishtar, p. 221, et seq.), and the observations
+     made by Jeremias on the subject in the sequel of his
+     Izdubar-Nimrod (Ishtar-Astarte im Izdubar-Epos), pp. 56-66.
+</pre>
+    <p>
+      <a name="linkBimage-0028" id="linkBimage-0028">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/190.jpg" width="100%"
+       alt="190.jpg Ishtar As a Warrior-goddess " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from a heliogravure in M�nant&rsquo;s
+     <i>Recherches sur la Glyptique orientale</i>.
+</pre>
+    <p>
+      In Southern Chald�a she was worshipped under the name of Nan�, the supreme
+      mistress.* The identity of this lady of the gods, &ldquo;B�lit-il�nit,&rdquo; the
+      Evening Star, with Anunit, the Morning Star, was at first ignored, and
+      hence two distinct goddesses were formed from the twofold manifestation of
+      a single deity: having at length discovered their error, the Chald�ans
+      merged these two beings in one, and their names became merely two
+      different designations for the same star under a twofold aspect. The
+      double character, however, which had been attributed to them continued to
+      be attached to the single personality.
+    </p>
+<pre xml:space="preserve">
+     * With regard to Nana, consult, with reserve, Fk. Lenormant,
+     Essai de Commentaire de B�rose, pp. 100-103, 378, 379, where
+     the identity of Ishtar and Nana is still unrecognized.
+</pre>
+    <p>
+      <a name="linkBimage-0029" id="linkBimage-0029">
+      <!-- IMG --></a>
+    </p>
+    <div class="figleft" style="width:20%;">
+      <img width="100%" src="images/191.jpg" alt="191.jpg Nebo " />
+    </div>
+    <p>
+      The Evening Star had symbolized the goddess of love, who attracted the
+      sexes towards one another, and bound them together by the chain of desire;
+      the Morning Star, on the other hand, was regarded as the cold-blooded and
+      cruel warrior who despised the pleasures of love and rejoiced in warfare:
+      Ishtar thus combined in her person chastity and lasciviousness, kindness
+      and ferocity, and a peaceful and warlike disposition, but this incongruity
+      in her characteristics did not seem to disconcert the devotion of her
+      worshippers. The three other planets would have had a wretched part to
+      play in comparison with Nebo and Ishtar, if they had not been placed under
+      new patronage. The secondary solar gods, Merodach, Ninib, and Nergal, led,
+      if we examine their r�le carefully, but an incomplete existence: they were
+      merely portions of the sun, while Shamash represented the entire orb. What
+      became of them apart from the moment in the day and year in which they
+      were actively engaged in their career? Where did they spend their nights,
+      the hours during which Shamash had retired into the firmament, and lay
+      hidden behind the mountains of the north? As in Egypt the Horuses
+      identified at first with the sun became at length the rulers of the
+      planets, so in Chald�a the three suns of Ninib, Merodach, and Nergal
+      became respectively assimilated to Saturn, Jupiter, and Mars;* and this
+      identification was all the more easy in the case of Saturn, as he had been
+      considered from the beginning as a bull belonging to Shamash.
+      Henceforward, therefore, there was a group of five powerful gods&mdash;distributed
+      among the stars of heaven, and having abodes also in the cities of the
+      earth&mdash;whose function it was to announce the destinies of the
+      universe. Some, deceived by the size and brilliancy of Jupiter, gave the
+      chief command to Merodach, and this opinion naturally found a welcome
+      reception at Babylon, of which he was the feudal deity. Others, taking
+      into account only the preponderating influence exercised by the planets
+      over the fortunes of men, accorded the primacy to Ninib, placing Merodach
+      next, followed respectively by Ishtar, Nergal, and Nebo. The five planets,
+      like the six triads, were not long before they took to themselves
+      consorts, if indeed they had not already been married before they were
+      brought together in a collective whole. Ninib chose for wife, in the first
+      place, Bau, the daughter of Anu, the mistress of Uru, highly venerated
+      from the most remote times; afterwards Gula, the queen of physicians,
+      whose wisdom alleviated the ills of humanity, and who was one of the
+      goddesses sometimes placed in the harem of Shamash himself. Merodach
+      associated with him Zirbanit, the fruitful, who secures from generation to
+      generation the permanence and increase of living beings. Nergal
+      distributed his favours sometimes to Laz, and sometimes to Esharra, who
+      was, like himself, warlike and always victorious in battle. Nebo provided
+      himself with a mate in Tashmit, the great bride, or even in Ishtar
+      herself. But Ishtar could not be content with a single husband: after she
+      had lost Dumuzi-Tammuz, the spouse of her youth, she gave herself freely
+      to the impulses of her passions, distributing her favours to men as well
+      as gods, and was sometimes subject to be repelled with contempt by the
+      heroes upon whom she was inclined to bestow her love. The five planets
+      came thus to be actually ten, and advantage was taken of these alliances
+      to weave fresh schemes of affiliation: Nebo was proclaimed to be the son
+      of Merodach and Zirbanit, Merodach the son of Ba, and Ninib the offspring
+      of Bel and Esharra.
+    </p>
+<pre xml:space="preserve">
+
+     1. Drawn by Faucher-Gudin, from an Assyrian statue in alabaster
+     in the British Museum.
+
+     * Ishtar, Nebo, Sin, and Shamash being heavenly bodies, to
+     begin with, and the other great gods, Anu, Bel, Ea, and
+     Ramman having their stars in the heavens, the Chald�ans
+     were led by analogy to ascribe to the gods which represented
+     the phases of the sun, Merodach, Ninib, and Nergal, three
+     stars befitting their importance, i.e. three planets.
+</pre>
+    <p>
+      There were two councils, one consisting of twelve members, the other of
+      ten; the former was composed of the most popular gods of Southern Chald�a,
+      representing the essential elements of the world, while the latter
+      consisted of the great deities of Northern Chald�a, whose function it was
+      to regulate or make known the destinies of men. The authors of this
+      system, who belonged to Southern Chald�a, naturally gave the position to
+      their patron gods, and placed the twelve above the ten. It is well known
+      that Orientals display a great respect for numbers, and attribute to them
+      an almost irresistible power; we can thus understand how it was that the
+      Chald�ans applied them to designate their divine masters, and we may
+      calculate from these numbers the estimation in which each of these masters
+      was held. The goddesses had no value assigned to them in this celestial
+      arithmetic, Ishtar excepted, who was not a mere duplication, more or less
+      ingenious, of a previously existing deity, but possessed from the
+      beginning an independent life, and could thus claim to be called goddess
+      in her own right. The members of the two triads were arranged on a
+      descending scale, Anu taking the highest place: the scale was considered
+      to consist of a soss of sixty units in length, and each of the deities who
+      followed Anu was placed ten of these units below his predecessor, Bel at
+      50 units, Ea at 40, Sin at 30, Shamash at 20, Ramman at 10 or 6. The gods
+      of the planets were not arranged in a regular series like those of the
+      triads, but the numbers attached to them expressed their proportionate
+      influence on terrestrial affairs: to Ninib was assigned the same number as
+      had been given to Bel, 50, to Merodach perhaps 25, to Ishtar 15, to Nergal
+      12, and to Nebo 10. The various spirits were also fractionally estimated,
+      but this as a class, and not as individuals: the priests would not have
+      known how to have solved the problem if they had been obliged to ascribe
+      values to the infinity of existences.* As the Heliopolitans were obliged
+      to eliminate from the Ennead many feudal divinities, so the Chald�ans had
+      left out of account many of their sovereign deities, especially goddesses,
+      Bau of Uru, Nana of Uruk, and All�t; or if they did introduce them into
+      their calculations, it was by a subterfuge, by identifying them with other
+      goddesses, to whom places had been already assigned; Bau being thus
+      coupled with Ohila, Nana with Ishtar, and All�t with Ninhl-Beltis. If
+      figures had been assigned to the latter proportionate to the importance of
+      the parts they played, and the number of their votaries, how comes it that
+      they were excluded from the cycle of the great gods? They were actually
+      placed alongside rather than below the two councils, and without
+      insistence upon the rank which they enjoyed in the hierarchy. But the
+      confusion which soon arose among divinities of identical or analogous
+      nature opened the way for inserting all the neglected personalities in the
+      framework already prepared for them. A sky-god, like Dagan, would mingle
+      naturally with Anu, and enjoy like honours with him. The gods of all ranks
+      associated with the sun or fire, Nusku, Gibil, and Dumuzi, who had not
+      been at first received among the privileged group, obtained a place there
+      by virtue of their assimilation to Shamash, and his secondary forms,
+      Bel-Merodach, Ninib, and Nergal. Ishtar absorbed all her companions, and
+      her name put in the plural, Ishtarati, &ldquo;the Ishtars,&rdquo; embraced all
+      goddesses in general, just as the name Hani took in all the gods. Thanks
+      to this compromise, the system flourished, and was widely accepted: local
+      vanity was always able to find a means for placing in a prominent place
+      within it the feudal deity, and for reconciling his pretensions to the
+      highest rank with the order of precedence laid down by the theologians of
+      Uruk. The local god was always the king of the gods, the father of the
+      gods, he who was worshipped above the others in everyday life, and whose
+      public cult constituted the religion of the State or city.
+    </p>
+<pre xml:space="preserve">
+     * As far as we can at present determine, the most ancient
+     series established was that of the planetary gods, whose
+     values, following each other irregularly, are not calculated
+     on a scheme of mathematical progression, but according to
+     the empirical importance, which a study of predictions had
+     ascribed to each planet. The regular series, that of the
+     great gods, bears in its regularity the stamp of its later
+     introduction: it was instituted after the example of the
+     former, but with corrections of what seemed capricious, and
+     fixing the interval between the gods always at the same
+     figure.
+</pre>
+    <p>
+      The temples were miniature reproductions of the arrangement of the
+      universe. The &ldquo;ziggurat&rdquo; represented in its form the mountain of the
+      world, and the halls ranged at its feet resembled approximately the
+      accessory parts of the world: the temple of Merodach at Babylon comprised
+      them all up to the chambers of fate, where the sun received every morning
+      the tablets of destiny. The name often indicated the nature of the patron
+      deity or one of his attributes: the temple of Shamash at Larsam, for
+      instance was called E-Babbara, &ldquo;the house of the sun,&rdquo; and that of Nebo at
+      Borsippa, E-Zida, &ldquo;the eternal house.&rdquo; No matter where the sanctuary of a
+      specific god might be placed, it always bore the same name; Shamash, for
+      example, dwelt at Sippara as at Larsam in an E-Babbara. In Chald�a, as in
+      Egypt, the king or chief of the State was the priest <i>par excellence</i>,
+      and the title of &ldquo;vicegerent,&rdquo; so frequent in the early period, shows that
+      the chief was regarded as representing the divinity among his own people;
+      but a priestly body, partly hereditary, partly selected, fulfilled for him
+      his daily sacerdotal functions, and secured the regularity of the
+      services. A chief priest&mdash;&ldquo;ishshakku&rdquo;&mdash;was at their head, and
+      his principal duty was the pouring out of the libation. Each temple had
+      its &ldquo;ishshakku,&rdquo; but he who presided over the worship of the feudal deity
+      took precedence of all the others in the city, as in the case of the chief
+      priests of Bel-Merodach at Babylon, of Sin at Uru, and of Shamash at
+      Larsam or Sippara. He presided over various categories of priests and
+      priestesses whose titles and positions in the hierarchy are not well
+      known. The &ldquo;sangutu&rdquo; appear to have occupied after him the most important
+      place, as chamberlains attached to the house of the god, and as his
+      liegemen. To some of these was entrusted the management of the harem of
+      the god, while others were overseers of the remaining departments of his
+      palace. The &ldquo;k�pu&rdquo; and the &ldquo;shatammu&rdquo; were especially charged with the
+      management of his financial interests, while the &ldquo;pashishu&rdquo; anointed with
+      holy and perfumed oil his statues of stone, metal, or wood, the votive
+      stel� set up in the chapels, and the objects used in worship and
+      sacrifice, such as the great basins, the &ldquo;seas&rdquo; of copper which contained
+      the water employed in the ritual ablutions, and the victims led to the
+      altar. After these came a host of officials, butchers and their
+      assistants, soothsayers, augurs, prophets,&mdash;in fact, all the
+      attendants that the complicated rites, as numerous in Chald�a as in Egypt,
+      required, not to speak of the bands of women and men who honoured the god
+      in meretricious rites. Occupation for this motley crowd was never lacking.
+      Every day and almost every hour a fresh ceremony required the services of
+      one or other member of the staff, from the monarch himself, or his deputy
+      in the temple, down to the lowest sacristan. The 12th of the month Blul
+      was set apart at Babylon for the worship of Bel and Beltis: the sovereign
+      made a donation to them according as he was disposed, and then celebrated
+      before them the customary sacrifices, and if he raised his hand to plead
+      for any favour, he obtained it without fail. The 13th was dedicated to the
+      moon, the supreme god; the 14th to Beltis and Nergal; the 15th to Shamash;
+      the 16th was a fast in honour of Merodach and Zirbanit; the 17th was the
+      annual festival of Nebo and Tashmit; the 18th was devoted to the laudation
+      of Sin and Shamash; while the 19th was a &ldquo;white day&rdquo; for the great goddess
+      Gula. The whole year was taken up in a way similar to this casual specimen
+      from the calendar. The kings, in founding a temple, not only bestowed upon
+      it the objects and furniture required for present exigencies, such as
+      lambs and oxen, birds, fish, bread, liquors, incense, and odoriferous
+      essences; they assigned to it an annual income from the treasury, slaves,
+      and cultivated lands; and their royal successors were accustomed to renew
+      these gifts or increase them on every opportunity. Every victorious
+      campaign brought him his share in the spoils and captives; every fortunate
+      or unfortunate event which occurred in connection with the State or royal
+      family meant an increase in the gifts to the god, as an act of
+      thanksgiving on the one hand for the divine favour, or as an offering on
+      the other to appease the wrath of the god. Gold, silver, copper,
+      lapis-lazuli, gems and precious woods, accumulated in the sacred treasury;
+      fields were added to fields, flocks to flocks, slaves to slaves; and the
+      result of such increase would in a few generations have made the
+      possessions of the god equal to those of the reigning sovereign, if the
+      attacks of neighbouring peoples had not from time to time issued in the
+      loss of a part of it, or if the king himself had not, under financial
+      pressure, replenished his treasury at the expense of the priests. To
+      prevent such usurpations as far as possible, maledictions were hurled at
+      every one who should dare to lay a sacrilegious hand on the least object
+      belonging to the divine domain; it was predicted of such &ldquo;that he would be
+      killed like an ox in the midst of his prosperity, and slaughtered like a
+      wild urus in the fulness of his strength!... May his name be effaced from
+      his stel� in the temple of his god! May his god see pitilessly the
+      disaster of his country, may the god ravage his land with the waters of
+      heaven, ravage it with the waters of the earth. May he be pursued as a
+      nameless wretch, and his seed fall under servitude! May this man, like
+      every one who acts adversely to his master, find nowhere a refuge, afar
+      off, under the vault of the skies or in any abode of man whatsoever.&rdquo;
+       These threats, terrible as they were, did not succeed in deterring the
+      daring, and the mighty men of the time were willing to brave them, when
+      their interests promoted them. Gulkishar, Lord of the &ldquo;land of the sea,&rdquo;
+       had vowed a wheat-field to Nina, his lady, near the town of Deri, on the
+      Tigris. Seven hundred years later, in the reign of Belnadinabal,
+      Ekarraka�s, governor of B�tsinmagir, took possession of it, and added it
+      to the provincial possessions, contrary to all equity. The priest of the
+      goddess appealed to the king, and prostrating himself before the throne
+      with many prayers and mystic formulas, begged for the restitution of the
+      alienated land. Belnadinabal acceded to the request, and renewed the
+      imprecations which had been inserted on the original deed of gift: &ldquo;If
+      ever, in the course of days, the man of law, or the governor of a suzerain
+      who will superintend the town of B�tsinmagir, fears the vengeance of the
+      god Zikum or the goddess Nina, may then Zikum and Nina, the mistress of
+      the goddesses, come to him with the benediction of the prince of the gods;
+      may they grant to him the destiny of a happy life, and may they accord to
+      him days of old age, and years of uprightness! But as for thee, who hast a
+      mind to change this, step not across its limits, do not covet the land:
+      hate evil and love justice.&rdquo; If all sovereigns were not so accommodating
+      in their benevolence as Belnadinabal, the piety of private individuals,
+      stimulated by fear, would be enough to repair the loss, and frequent
+      legacies would soon make up for the detriment caused to the temple
+      possessions by the enemy&rsquo;s sword or the rapacity of an unscrupulous lord.
+      The residue, after the vicissitudes of revolutions, was increased and
+      diminished from time to time, to form at length in the city an
+      indestructible fief whose administration was a function of the chief
+      priest for life, and whose revenue furnished means in abundance for the
+      personal exigencies of the gods as well as the support of his ministers.
+    </p>
+    <p>
+      This was nothing more than justice would prescribe. A loyal and universal
+      faith would not only acknowledge the whole world to be the creation of the
+      gods, but also their inalienable domain. It belonged to them at the
+      beginning; every one in the State of which the god was the sovereign lord,
+      all those, whether nobles or serfs, vicegerents or kings, who claimed to
+      have any possession in it, were but ephemeral lease-holders of portions of
+      which they fancied themselves the owners. Donations to the temples were,
+      therefore, nothing more than voluntary restitutions, which the gods
+      consented to accept graciously, deigning to be well pleased with the
+      givers, when, after all-, they might have considered the gifts as merely
+      displays of strict honesty, which merited neither recognition nor thanks.
+      They allowed, however, the best part of their patrimony to remain in the
+      hands of strangers, and they contented themselves with what the pretended
+      generosity of the faithful might see fit to assign to them. Of their
+      lands, some were directly cultivated by the priests themselves; others
+      were leased to lay people of every rank, who took off the shoulders of the
+      priesthood all the burden of managing them, while rendering at the same
+      time the profit that accrued from them; others were let at a fixed rent
+      according to contract. The tribute of dates, corn, and fruit, which was
+      rendered to the temples to celebrate certain commemorative ceremonies in
+      the honour of this or that deity, were fixed charges upon certain lands,
+      which at length usually fell entirely into the hands of the priesthood as
+      mortmain possessions. These were the sources of the fixed revenues of the
+      gods, by means of which they and their people were able to live, if not
+      luxuriously, at least in a manner befitting their dignity. The offerings
+      and sacrifices were a kind of windfall, of which the quantity varied
+      strangely with the seasons; at certain times few were received, while at
+      other times there was a superabundance. The greatest portion of them was
+      consumed on the spot by the officials of the sanctuary; the part which
+      could be preserved without injury was added to the produce of the domain,
+      and constituted a kind of reserve for a rainy day, or was used to produce
+      more of its kind. The priests made great profit out of corn and metals,
+      and the skill with which they conducted commercial operations in silver
+      was so notorious that no private person hesitated to entrust them with the
+      management of his capital: they were the intermediaries between lenders
+      and borrowers, and the commissions which they obtained in these
+      transactions was not the smallest or the least certain of their profits.
+      They maintained troops of slaves, labourers, gardeners, workmen, and even
+      women-singers and sacred courtesans of which mention has been made above,
+      all of whom either worked directly for them in their several trades, or
+      were let out to those who needed their services. The god was not only the
+      greatest cultivator in the State after the king, sometimes even excelling
+      him in this respect, but he was also the most active manufacturer, and
+      many of the utensils in daily use, as well as articles of luxury,
+      proceeded from his workshops. His possessions secured for him a paramount
+      authority in the city, and also an influence in the councils of the king:
+      the priests who represented him on earth thus became mixed up in State
+      affairs, and exercised authority on his behalf in the same measure as the
+      officers of the crown.
+    </p>
+    <p>
+      <a name="linkBimage-0030" id="linkBimage-0030">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/203.jpg" width="100%"
+       alt="203.jpg a Votary Led to the God To Receive The Reward Of The Sacrifice " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from a Chald�an intaglio in the
+     Berlin Museum.
+</pre>
+    <p>
+      He, had, indeed, as much need of riches and renown as the least of his
+      clients. As he was subject to all human failings, and experienced all the
+      appetites of mankind, he had to be nourished, clothed, and amused, and
+      this could be done only at great expense. The stone or wooden statues
+      erected to him in the sanctuaries furnished him with bodies, which he
+      animated with his breath, and accredited to his clients as the receivers
+      of all things needful to him in his mysterious kingdom. The images of the
+      gods were clothed in vestments, they were anointed with odoriferous oils,
+      covered with jewels, served with food and drink; and during these
+      operations the divinities themselves, above in the heaven, or down in the
+      abyss, or in the bosom of the earth, were arrayed in garments, their
+      bodies were perfumed with unguents, and their appetites fully satisfied:
+      all that was further required for this purpose was the offering of
+      sacrifices together with prayers and prescribed rites. The priest began by
+      solemnly inviting the gods to the feast: as soon as they sniffed from afar
+      the smell of the good cheer that awaited them, they ran &ldquo;like a swarm of
+      flies&rdquo; and prepared themselves to partake of it.
+    </p>
+    <p>
+      <a name="linkBimage-0031" id="linkBimage-0031">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/204.jpg" width="100%"
+       alt="204.jpg the Sacrifice: a Goat Presented to Ishtar. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from an Assyrian intaglio
+     illustrated in A. Rich, <i>Narrative of a Journey to the Site
+     of Babylon in 1811</i>. The sacrifice of the goat, or rather
+     its presentation to the god, is not infrequently represented
+     on the Assyrian bas-reliefs.
+</pre>
+    <p>
+      The supplications having been heard, water was brought to the gods for the
+      necessary ablutions before a repast. &ldquo;Wash thy hands, cleanse thy hands,&mdash;may
+      the gods thy brothers wash their hands!&mdash;From a clean dish eat a pure
+      repast,&mdash;from a clean cup drink pure water.&rdquo; The statue, from the
+      rigidity of the material out of which it was carved, was at a loss how to
+      profit by the exquisite things which had been lavished upon it: the
+      difficulty was removed by the opening of its mouth at the moment of
+      consecration, thus enabling it to partake of the good fare to its
+      satisfaction.* The banquet lasted a long time, and consisted of every
+      delicacy which the culinary skill of the time could prepare: the courses
+      consisted of dates, wheaten flour, honey, butter, various kinds of wines,
+      and fruits, together with roast and boiled meats.
+    </p>
+<pre xml:space="preserve">
+     * This operation, which was also resorted to in Egypt in the
+     case of the statues of the gods and deceased persons, is
+     clearly indicated in a text of the second Chald�an empire
+     published in <i>W. A. Insc</i>, vol. iv. pi. 25. The priest who
+     consecrates an image makes clear in the first place that
+     &ldquo;its mouth not being open it can partake of no refreshment:
+     it neither eats food nor drinks water.&rdquo; Thereupon he performs
+     certain rites, which he declares were celebrated, if not at
+     that moment, at least for the first time by Ea himself: &ldquo;Ea
+     has brought thee to thy glorious place,&mdash;to thy glorious
+     place he has brought thee,&mdash;brought thee with his splendid
+     hand,&mdash;brought also butter and honey;&mdash;<i>he has poured
+     consecrated water into thy mouth&mdash;and by magic has opened
+     thy mouth.</i>&rdquo; Henceforward the statue can eat and drink like
+     an ordinary living being the meat and beverages offered to
+     it during the sacrifice.
+</pre>
+    <p>
+      <a name="linkBimage-0032" id="linkBimage-0032">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/205.jpg" width="100%"
+       alt="205.jpg the God Shamash Seizes With his Left Hand The Smoke of the Sacrifice. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from a Chald�an intaglio pointed out
+     by Heuzey-Sarzcc; the original is in the Louvre. The scene
+     depicted behind Shamash deals with a legend still unknown. A
+     goddess, pursued by a genius with a double face, has taken
+     refuge under a tree, which bows down to protect her; while
+     the monster endeavours to break down the obstacle branch by
+     branch, a god rises from the stem and hands to the goddess a
+     stone-headed mace to protect her against her enemy.
+</pre>
+    <p>
+      In the most ancient times it would appear that even human sacrifices were
+      offered, but this custom was obsolete except on rare occasions, and lambs,
+      oxen, sometimes swine&rsquo;s flesh, formed the usual elements of the sacrifice.
+      The gods seized as it arose from the altar the unctuous smoke, and fed on
+      it with delight. When they had finished their repast, the supplication of
+      a favour was adroitly added, to which they gave a favourable hearing.
+      Services were frequent in the temples: there was one in the morning and
+      another in the evening on ordinary days, in addition to those which
+      private individuals might require at any hour of the day. The festivals
+      assigned to the local god and his colleagues, together with the acts of
+      praise in which the whole nation joined, such as that of the New Year,
+      required an abundance of extravagant sacrifices, in which the blood of the
+      victims flowed like water. Days of sorrow and mourning alternated with
+      these days of joy, during which the people and the magnates gave
+      themselves up to severe fasting and acts of penitence. The Chaldeans had a
+      lively sense of human frailty, and of the risks entailed upon the sinner
+      by disobedience to the gods. The dread of sinning haunted them during
+      their whole life; they continually subjected the motives of their actions
+      to a strict scrutiny, and once self-examination had revealed to them the
+      shadow of an evil intent, they were accustomed to implore pardon for it in
+      a humble manner. &ldquo;Lord, my sins are many, great are my misdeeds!&mdash;O
+      my god, my sins are many, great my misdeeds!&mdash;O my goddess, my sins
+      are many, great my misdeeds!&mdash;I have committed faults and I knew them
+      not; I have committed sin and I knew it not; I have fed upon misdeeds and
+      I knew them not; I have walked in omissions and I knew them not.&mdash;The
+      lord, in the anger of his heart, he has stricken me,&mdash;the god, in the
+      wrath of his heart, has abandoned me,&mdash;Ishtar is enraged against me,
+      and has treated me harshly!&mdash;I make an effort, and no one offers me a
+      hand,&mdash;I weep, and no one comes to me,&mdash;I cry aloud, and no one
+      hears me:&mdash;I sink under affliction, I am overwhelmed, I can no longer
+      raise up my head,&mdash;I turn to my merciful god to call upon him, and I
+      groan!... Lord reject not thy servant,&mdash;and if he is hurled into the
+      roaring waters, stretch to him thy hand;&mdash;the sins I have committed,
+      have mercy upon them,&mdash;the misdeeds I have committed, scatter them to
+      the winds&mdash;and my numerous faults, tear them to pieces like a
+      garment.&rdquo; Sin in the eyes of the Chald�an was not, as with us, an
+      infirmity of the soul; it assaulted the body like an actual virus, and the
+      fear of physical suffering or death engendered by it, inspired these
+      complaints with a note of sincerity which cannot be mistaken.
+    </p>
+    <p>
+      Every individual is placed, from the moment of his birth, under the
+      protection of a god and goddess, of whom he is the servant, or rather the
+      son, and whom he never addresses otherwise than as his god and his
+      goddess. These deities accompany him night and day, not so much to protect
+      him from visible dangers, as to guard him from the invisible beings which
+      ceaselessly hover round him, and attack him on every side. If he is
+      devout, piously disposed towards his divine patrons and the deities of his
+      country, if he observes the prescribed rites, recites the prayers,
+      performs the sacrifices&mdash;in a word, if he acts rightly&mdash;their
+      aid is never lacking; they bestow upon him a numerous posterity, a happy
+      old age, prolonged to the term fixed by fate, when he must resign himself
+      to close his eyes for ever to the light of day. If, on the contrary, he is
+      wicked, violent, one whose word cannot be trusted, &ldquo;his god cuts him down
+      like a reed,&rdquo; extirpates his race, shortens his days, delivers him over to
+      demons who possess themselves of his body and afflict it with sicknesses
+      before finally despatching him. Penitence is of avail against the evil of
+      sin, and serves to re-establish a right course of life, but its efficacy
+      is not permanent, and the moment at last arrives in which death, getting
+      the upper hand, carries its victim away. The Chald�ans had not such clear
+      ideas as to what awaited them in the other world as the Egyptians
+      possessed: whilst the tomb, the mummy, the perpetuity of the funeral
+      revenues, and the safety of the double, were the engrossing subjects in
+      Egypt, the Chald�an texts are almost entirely silent as to the condition
+      of the soul, and the living seem to have had no further concern about the
+      dead than to get rid of them as quickly and as completely as possible.
+      They did not believe that everything was over at the last breath, but they
+      did not on that account think that the fate of that which survived was
+      indissolubly associated with the perishable part, and that the disembodied
+      soul was either annihilated or survived, according as the flesh in which
+      it was sustained was annihilated or survived in the tomb. The soul was
+      doubtless not utterly unconcerned about the fate of the <i>larva</i> it
+      had quitted: its pains were intensified on being despoiled of its earthly
+      case if the latter were mutilated, or left without sepulture, a prey to
+      the fowls, of the air. This feeling, however, was not sufficiently
+      developed to create a desire for escape from corruption entirely, and to
+      cause a resort to the mummifying process of the Egyptians.
+    </p>
+    <p>
+      <a name="linkBimage-0033" id="linkBimage-0033">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/208.jpg" width="100%"
+       alt="208.jpg Decorated Wrappings from a Mummy (color) " />
+    </div>
+    <p>
+      The Chald�ans did not subject the body, therefore, to those injections, to
+      those prolonged baths in preserving fluids, to that laborious swaddling
+      which rendered it indestructible; whilst the family wept and lamented, old
+      women who exercised the sad function of mourners washed the dead body,
+      perfumed it, clad it in its best apparel, painted its cheeks, blackened
+      its eyelids, placed a collar on its neck, rings on its fingers, arranged
+      its arms upon its breast, and stretched it on a bed, setting up at its
+      head a little altar for the customary offerings of water, incense, and
+      cakes.
+    </p>
+    <p>
+      <a name="linkBimage-0034" id="linkBimage-0034">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/209a.jpg" width="100%"
+       alt="209a.jpg Chaldean Coffin in the Form of a Jar " />
+    </div>
+    <p>
+      <a name="linkBimage-0035" id="linkBimage-0035">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/209b.jpg" width="100%"
+       alt="209b.jpg a Vaulted Tomb in Uru " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from a sketch by Taylor.
+</pre>
+    <p>
+      <a name="linkBimage-0036" id="linkBimage-0036">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/210.jpg" width="100%"
+       alt="210.jpg Chald�an Tomb With Domed Roof. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from a sketch by Taylor.
+</pre>
+    <p>
+      Evil spirits, prowled incessantly around the dead bodies of the Chald�ans,
+      either to feed upon them, or to use them in their sorcery: should they
+      succeed in slipping into a corpse, from that moment it could be
+      metamorphosed into a vampire, and return to the world to suck the blood of
+      the living. The Chald�ans were, therefore, accustomed to invite by prayers
+      beneficent genii and gods to watch over the dead. Two of these would take
+      their invisible places at the head and foot of the bed, and wave their
+      hands in the act of blessing: these were the vassals of Ea, and, like
+      their master, were usually clad in fish-skins. Others placed themselves in
+      the sepulchral chamber, and stood ready to strike any one who dared to
+      enter: these had human figures, or lions&rsquo; heads joined to the bodies of
+      men. Others, moreover, hovered over the house in order to drive off the
+      spectres who might endeavour to enter through the roof. During the last
+      hours in which the dead body remained among its kindred, it reposed under
+      the protection of a legion of gods.
+    </p>
+    <p>
+      We must not expect to find on the plains of the Euphrates the rock-cut
+      tombs, the mastabas or pyramids, of Egypt. No mountain chain ran on either
+      side of the river, formed of rock soft enough to be cut and hollowed
+      easily into chambers or sepulchral halls, and at the same time
+      sufficiently hard to prevent the tunnels once cut from falling in.
+    </p>
+    <p>
+      <a name="linkBimage-0037" id="linkBimage-0037">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/211.jpg" width="100%"
+       alt="211.jpg Chaldean Tomb With Flat Roof. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from a sketch by Taylor.
+</pre>
+    <p>
+      The alluvial soil upon which the Chald�an cities were built, far from,
+      preserving the dead body, rapidly decomposed it under the influence of
+      heat and moisture: vaults constructed in it would soon be invaded by water
+      in spite of masonry; paintings and sculpture would soon be eaten away by
+      nitre, and the funereal furniture and the coffin quickly destroyed. The
+      dwelling-house of the Chald�an dead could not, therefore, properly be
+      called, as those of Egypt, an &ldquo;eternal house.&rdquo; It was constructed of dried
+      or burnt brick, and its form varied much from the most ancient times.
+      Sometimes it was a great vaulted chamber, the courses forming the roof
+      being arranged corbel-wise, and contained the remains of one or two bodies
+      walled up within it.* At other times it consisted merely of an earthen
+      jar, in which the corpse had been inserted in a bent-up posture, or was
+      composed of two enormous cylindrical jars, which, when united and cemented
+      with bitumen, formed a kind of barrel around the body. Other tombs are
+      represented by wretched structures, sometimes oval and sometimes round in
+      shape, placed upon a brick base and covered by a flat or domed roof. The
+      interior was not of large dimensions, and to enter it was necessary to
+      stoop to a creeping posture. The occupant of the smallest chambers was
+      content to have with him his linen, his ornaments, some bronze arrowheads,
+      and metal or clay vessels. Others contained furniture which, though not as
+      complete as that found in Egyptian sepulchres, must have ministered to all
+      the needs of the spirit. The body was stretched, fully clothed, upon a mat
+      impregnated with bitumen, the head supported by a cushion or flat brick,**
+      the arms laid across the breast, and the shroud adjusted by bands to the
+      loins and legs. Sometimes the corpse was placed on its left side, with the
+      legs slightly bent, and the right hand, extending over the left shoulder,
+      was inserted into a vase, as if to convey the contents to the mouth.
+    </p>
+<pre xml:space="preserve">
+     * Vaulted chambers are confined chiefly to the ancient
+     cemeteries of Uru at Mugheir; they are rather over six to
+     seven feet long, with a breadth of five and a half feet. The
+     walls are not quite perpendicular, but are somewhat splayed
+     up to two-thirds of their height, where they begin to narrow
+     into the vaulted roof.
+
+     ** The object placed under the head of the skeleton is the
+     dried brick mentioned in the text; the vessel to which the
+     hand is stretched out was of copper; the other vessels were
+     of earthenware, and contained water, or dates, of which the
+     stones were found. The small cylinders on the side were of
+     stone; the two large cylinders, between the copper vessel
+     and those of earthenware, were pieces of bamboo, of whose
+     use we are ignorant.
+</pre>
+    <p>
+      <a name="linkBimage-0038" id="linkBimage-0038">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/213.jpg" width="100%"
+       alt="213.jpg the Interior of The Tomb " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from a sketch by Taylor
+</pre>
+    <p>
+      Clay jars and dishes, arranged around the body, contained the food and
+      drink required for the dead man&rsquo;s daily fare&mdash;his favourite wine,
+      dates, fish, fowl, game, occasionally also a boar&rsquo;s head&mdash;and even
+      stone representations of provisions, which, like those of Egypt, were
+      lasting substitutes for the reality. The dead man required weapons also to
+      enable him to protect his food-store, and his lance, javelins and baton of
+      office were placed alongside him, together with a cylinder bearing his
+      name, which he had employed as his seal in his lifetime. Beside the body
+      of a woman or young girl was arranged an abundance of spare ornaments,
+      flowers, scent-bottles, combs, cosmetic pencils, and cakes of the black
+      paste with which they were accustomed to paint the eyebrows and the edges
+      of the eyelids.
+    </p>
+    <p>
+      Cremation seems in many cases to have been preferred to burial in a tomb.
+      The funeral pile was constructed at some distance from the town, on a
+      specially reserved area in the middle of the marshes. The body, wrapped up
+      in coarse matting, was placed upon a heap of reeds and rushes saturated
+      with bitumen: a brick wall, coated with moist clay, was built around this
+      to circumscribe the action of the flames, and, the customary prayers
+      having been recited, the pile was set on fire, masses of fresh material,
+      together with the funerary furniture and usual viaticum, being added to
+      the pyre. When the work of cremation was considered to be complete, the
+      fire was extinguished, and an examination made of the residue. It
+      frequently happened that only the most accessible and most easily
+      destroyed parts of the body had been attacked by the flames, and that
+      there remained a black and disfigured mass which the fire had not
+      consumed. The previously prepared coating of mud was then made to furnish
+      a clay covering for the body, so as to conceal the sickening spectacle
+      from the view of the relatives and spectators. Sometimes, however, the
+      furnace accomplished its work satisfactorily, and there was nothing to be
+      seen at the end but greasy ashes and scraps of calcined bones. The remains
+      were frequently left where they were, and the funeral pile became their
+      tomb. They were, however, often collected and disposed of in a manner
+      which varied with their more or less complete combustion. Bodies
+      insufficiently burnt were interred in graves, or in public chapels; while
+      the ashes of those fully cremated, together with the scraps of bones and
+      the <i>d�bris</i> of the offerings, were placed in long urns. The heat had
+      contorted the weapons and half melted the vessels of copper; and the
+      deceased was thus obliged to be content with the fragments only of the
+      things provided for him. These were, however, sufficient for the purpose,
+      and his possessions, once put to the test of the flames, now accompanied
+      him whither he went: water alone was lacking, but provision was made for
+      this by the construction on the spot of cisterns to collect it. For this
+      purpose several cylinders of pottery, some twenty inches broad, were
+      inserted in the ground one above the other from a depth of from ten to
+      twelve feet, and the last cylinder, reaching the level of the ground, was
+      provided with a narrow neck, through which the rainwater or infiltrations
+      from the river flowed into this novel cistern. Many examples of these are
+      found in one and the same chamber,* thus giving the soul an opportunity of
+      finding water in one or other of them. The tombs at Uruk, arranged closely
+      together with coterminous walls, and gradually covered by the sand or by
+      the accumulation and <i>d�bris</i> of new tombs, came at length to form an
+      actual mound. In cities where space was less valuable, and where they were
+      free to extend, the tombs quickly disappeared without leaving any vestiges
+      above the surface, and it would now be necessary to turn up a great deal
+      of rubbish before discovering their remains. The Chald�a of to-day
+      presents the singular aspect of a country almost without cemeteries, and
+      one would be inclined to think that its ancient inhabitants had taken
+      pains to hide them.** The sepulture of royal personages alone furnishes us
+      with monuments of which we can determine the site. At Babylon these were
+      found in the ancient palaces in which the living were no longer inclined
+      to dwell: that of Shargina, for instance, furnished a burying-place for
+      kings more than two thousand years after the death of its founder. The
+      chronicles devoutly indicate the spot where each monarch, when his earthly
+      reign was over, found a last resting-place; and where, as the subject of a
+      ceremonial worship similar to that of Egypt, his memory was preserved from
+      the oblivion which had overtaken most of his illustrious subjects.
+    </p>
+<pre xml:space="preserve">
+     * The German expedition of 1886-87 found four of these
+     reservoirs in a single chamber, and nine distributed in the
+     chambers of a house entirely devoted to the burial of the
+     dead.
+
+     ** Various explanations have been offered to account for
+     this absence of tombs, Without mentioning the desperate
+     attempt to get rid of the difficulty by the assumption that
+     the dead bodies were cast into the river, Loftus thinks that
+     the Chald�ans and Assyrians were accustomed to send them to
+     some sanctuary in Southern Chald�a, especially to Uru and
+     Uruk, whose vast cemeteries, he contends, would have
+     absorbed during the centuries the greater part of the
+     Euphratean population; his opinion has been adopted by some
+     historians, and, as far only as the later period is
+     concerned, by Hommel.
+</pre>
+    <p>
+      The dead man, or rather that part of him which survived&mdash;his &ldquo;ekimmu&rdquo;&mdash;dwelt
+      in the tomb, and it was for his comfort that there were provided, at the
+      time of sepulture or cremation, the provisions and clothing, the ornaments
+      and weapons, of which he was considered to stand in need. Furnished with
+      these necessities by his children and heirs, he preserved for the donors
+      the same affection which he had felt for them in his lifetime, and gave
+      evidence of it in every way he could, watching over their welfare, and
+      protecting them from malign influences. If they abandoned or forgot him,
+      he avenged himself for their neglect by returning to torment them in their
+      homes, by letting sickness attack them, and by ruining them with his
+      imprecations: he became thus no less hurtful than the &ldquo;luminous ghost&rdquo; of
+      the Egyptians, and if he were accidentally deprived of sepulture, he would
+      not be merely a plague to his relations, but a danger to the entire city.
+      The dead, who were unable to earn an honest living, showed little pity to
+      those who were in the same position as themselves: when a new-comer
+      arrived among them without prayers, libations, or offerings, they declined
+      to receive him, and would not give him so much as a piece of bread out of
+      their meagre store. The spirit of the unburied dead man, having neither
+      place of repose nor means of subsistence, wandered through the town and
+      country, occupied with no other thought than that of attacking and robbing
+      the living. He it was who, gliding into the house during the night,
+      revealed himself to its inhabitants with such a frightful visage as to
+      drive them distracted with terror. Always on the watch, no sooner does he
+      surprise one of his victims than he falls upon him, &ldquo;his head against his
+      victim&rsquo;s head, his hand against his hand, his foot against his foot.&rdquo; He
+      who has been thus attacked, whether man or beast, would undoubtedly perish
+      if magic were not able to furnish its all-powerful defence against this
+      deadly embrace.* This human survival, who is so forcibly represented both
+      in his good and evil aspects, was nevertheless nothing more than a sort of
+      vague and fluid existence&mdash;a double, in fact, analogous in appearance
+      to that of the Egyptians.
+    </p>
+<pre xml:space="preserve">
+     * The majority of the spells employed against sickness
+     contain references to the spirits against which they
+     contend&mdash;&ldquo;the wicked ekimmu who oppresses men during the
+     night,&rdquo; or simply &ldquo;the wicked ekimmu,&rdquo; the ghost.
+</pre>
+    <p>
+      With the faculty of roaming at will through space, and of going forth from
+      and returning to his abode, it was impossible to regard him as condemned
+      always to dwell in the case of terra-cotta in which his body lay
+      mouldering: he was transferred, therefore, or rather he transferred
+      himself, into the dark land&mdash;the Aralu&mdash;situated very far away&mdash;according
+      to some, beneath the surface of the earth; according to others, in the
+      eastern or northern extremities of the universe. A river which opens into
+      this region and separates it from the sunlit earth, finds its source in
+      the primordial waters into whose bosom this world of ours is plunged. This
+      dark country is surrounded by seven high walls, and is approached through
+      seven gates, each of which is guarded by a pitiless warder. Two deities
+      rule within it&mdash;Nergal, &ldquo;the lord of the great city,&rdquo; and
+      Beltis-Allat, &ldquo;the lady of the great land,&rdquo; whither everything which has
+      breathed in this world descends after death. A legend relates that All�t,
+      called in Sumerian Erishkigal, reigned alone in Hades, and was invited by
+      the gods to a feast which they had prepared in heaven. Owing to her hatred
+      of the light, she sent a refusal by her messenger Narntar, who acquitted
+      himself on this mission with such a bad grace, that Ann and Ea were
+      incensed against his mistress, and commissioned Nergal to descend and
+      chastise her; he went, and finding the gates of hell open, dragged the
+      queen by her hair from the throne, and was about to decapitate her, but
+      she mollified him by her prayers, and saved her life by becoming his wife.
+      The nature of Nergal fitted him well to play the part of a prince of the
+      departed: for he was the destroying sun of summer, and the genius of
+      pestilence and battle. His functions, however, in heaven and earth took up
+      so much of his time that he had little leisure to visit his nether
+      kingdom, and he was consequently obliged to content himself with the <i>r�le</i>
+      of providing subjects for it by despatching thither the thousands of
+      recruits which he gathered daily from the abodes of men or from the field
+      of battle. All�t was the actual sovereign of the country. She was
+      represented with the body of a woman, ill-formed and shaggy, the grinning
+      muzzle of a lion, and the claws of a bird of prey. She brandished in each
+      hand a large serpent&mdash;a real animated javelin, whose poisonous bite
+      inflicted a fatal wound upon the enemy. Her children were two lions, which
+      she is represented as suckling, and she passed through her empire, not
+      seated in the saddle, but standing upright or kneeling on the back of a
+      horse, which seems oppressed by her weight. Sometimes she set out on an
+      expedition upon the river which communicates with the countries of light,
+      in order to meet the procession of newly arrived souls ceaselessly
+      despatched to her: she embarked in this case upon an enchanted vessel,
+      which made its way without sail or oars, its prow projecting like the beak
+      of a bird, and its stern terminating in the head of an ox. She overcomes
+      all resistance, and nothing can escape from her: the gods themselves can
+      pass into her empire only on the condition of submitting to death like
+      mortals, and of humbly avowing themselves her slaves.
+    </p>
+    <p>
+      <a name="linkBimage-0039" id="linkBimage-0039">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/220.jpg" width="100%"
+       alt="220.jpg the Goddess Allat Passes Through The Nether Regions in Her Bark. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from a bronze plaque of which an
+     engraving was published by Clermont-Ganneau. The original,
+     which belonged to M. P�reti�, is now in the collection of M.
+     de Clercq
+</pre>
+    <p>
+      <a name="linkBimage-0040" id="linkBimage-0040">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/221.jpg" width="100%"
+       alt="221.jpg Nergal, the God of Hades; Back View. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin. This is the back of the bronze plate
+     represented on the preceding page; the animal-head of the
+     god appears in relief at the top of the illustration.
+</pre>
+    <p>
+      The warders at the gates despoiled the new-comers of everything which they
+      had brought with them, and conducted them in a naked condition before
+      All�t, who pronounced sentence upon them, and assigned to each his place
+      in the nether world. The good or evil committed on earth by such souls was
+      of little moment in determining the sentence: to secure the favour of the
+      judge, it was of far greater importance to have exhibited devotion to the
+      gods and to All�t herself, to have lavished sacrifices and offerings upon
+      them and to have enriched their temples. The souls which could not justify
+      themselves were subjected to horrible punishment: leprosy consumed them to
+      the end of time, and the most painful maladies attacked them, to torture
+      them ceaselessly without any hope of release. Those who were fortunate
+      enough to be spared from her rage, dragged out a miserable and joyless
+      existence. They were continually suffering from the pangs of thirst and
+      hunger, and found nothing to satisfy their appetites but clay and dust.
+      They shivered with cold, and they obtained no other garment to protect
+      them than mantles of feathers&mdash;the great silent wings of the
+      night-birds, invested with which they fluttered about and filled the air
+      with their screams. This gloomy and cruel conception of ordinary life in
+      this strange kingdom was still worse than the idea formed of the existence
+      in the tomb to which it succeeded. In the cemetery the soul was, at least,
+      alone with the dead body; in the house of All�t, on the contrary, it was
+      lost as it were among spirits as much afflicted as itself, and among the
+      genii born of darkness. None of these genii had a simple form, or
+      approached the human figure in shape; each individual was a hideous medley
+      of human and animal parts, in which the most repellent features were
+      artistically combined. Lions&rsquo; heads stood out from the bodies of
+      scorpion-tailed jackals, whose feet were armed with eagles&rsquo; claws: and
+      among such monsters the genii of pestilence, fever, and the south-west
+      wind took the chief place. When once the dead had become naturalized among
+      this terrible population, they could not escape from their condition,
+      unless by the exceptional mandate of the gods above. They possessed no
+      recollection of what they had done upon earth. Domestic affection,
+      friendships, and the memory of good offices rendered to one another,&mdash;all
+      were effaced from their minds: nothing remained there but an inexpressible
+      regret at having been exiled from the world of light, and an excruciating
+      desire to reach it once more. The threshold of Allat&rsquo;s palace stood upon a
+      spring which had the property of restoring to life all who bathed in it or
+      drank of its waters: they gushed forth as soon as the stone was raised,
+      but the earth-spirits guarded it with a jealous care, and kept at a
+      distance all who attempted to appropriate a drop of it. They permitted
+      access to it only by order of Ea himself, or one of the supreme gods, and
+      even then with a rebellious heart at seeing their prey escape them.
+      Ancient legends related how the shepherd Dumuzi, son of Ea and Damkina,
+      having excited the love of Ishtar while he was pasturing his flocks under
+      the mysterious tree of Eridu, which covers the earth with its shade, was
+      chosen by the goddess from among all others to be the spouse of her youth,
+      and how, being mortally wounded by a wild boar, he was cast into the
+      kingdom of Allat. One means remained by which he might be restored to the
+      light of day: his wounds must be washed in the waters of the wonderful
+      spring, and Ishtar resolved to go in quest of this marvellous liquid. The
+      undertaking was fraught with danger, for no one might travel to the
+      infernal regions without having previously gone through the extreme
+      terrors of death, and even the gods themselves could not transgress this
+      fatal law. &ldquo;To the land without return, to the land which thou knowest&mdash;Ishtar,
+      the daughter of Sin, turned her thoughts: she, the daughter of Sin, turned
+      her thoughts&mdash;to the house of darkness, the abode of Irkalla&mdash;to
+      the house from which he who enters can never emerge&mdash;to the path upon
+      which he who goes shall never come back&mdash;to the house into which he
+      who enters bids farewell to the light&mdash;the place where dust is
+      nourishment and clay is food; the light is not seen, darkness is the
+      dwelling, where the garments are the wings of birds&mdash;where dust
+      accumulates on door and bolt.&rdquo; Ishtar arrives at the porch, she knocks at
+      it, she addresses the guardian in an imperious voice: &ldquo;&lsquo;Guardian of the
+      waters, open thy gate&mdash;open thy gate that I may enter, even I.&mdash;If
+      thou openest not the door that I may enter, even I,&mdash;I will burst
+      open the door, I will break the bars, I will break the threshold, I will
+      burst in the panels, I will excite the dead that they may eat the living,&mdash;and
+      the dead shall be more numerous than the living.&rsquo;&mdash;The guardian
+      opened his mouth and spake, he announced to the mighty Ishtar: &lsquo;Stop, O
+      lady, and do not overturn the door until I go and apprise the Queen All�t
+      of thy name.&rsquo; Allat hesitates, and then gives him permission to receive
+      the goddess: &lsquo;Go, guardian, open the gate to her&mdash;but treat her
+      according to the ancient laws. Mortals enter naked into the world, and
+      naked must they leave it: and since Ishtar has decided to accept their
+      lot, she too must be prepared to divest herself of her garments.&rsquo;&rdquo; The
+      guardian went, he opened his mouth: &lsquo;Enter, my lady, and may Kutha rejoice&mdash;may
+      the palace and the land without return exult in thy presence! &lsquo;He causes
+      her to pass through the first gate, divests her, removes the great crown
+      from her head:&mdash;&lsquo;Why, guardian, dost thou remove the great crown from
+      my head?&rsquo;&mdash;&lsquo;Enter, my lady, such is the law of All�t.&rsquo; The second
+      gate, he causes her to pass through it, he divests her&mdash;removes the
+      rings from her ears:&mdash;&lsquo;Why, guardian, dost thou remove the rings from
+      my ears?&rsquo;&mdash;&lsquo;Enter, my lady, such is the law of All�t.&rsquo;&rdquo; And from gate
+      to gate he removes some ornament from the distressed lady&mdash;now her
+      necklace with its attached amulets, now the tunic which covers her bosom,
+      now her enamelled girdle, her bracelets, and the rings on her ankles: and
+      at length, at the seventh gate, takes from her her last covering. When she
+      at length arrives in the presence of Allat, she throws herself upon her in
+      order to wrest from her in a terrible struggle the life of Dumuzi; but
+      Allat sends for Namtar, her messenger of misfortune, to punish, the
+      rebellious Ishtar. &ldquo;Strike her eyes with the affliction of the eyes&mdash;strike
+      her loins with the affliction of the loins&mdash;strike her feet with the
+      affliction of the feet&mdash;strike her heart with the affliction of the
+      heart&mdash;strike her head with the affliction of the head&mdash;strike
+      violently at her, at her whole body!&rdquo; While Ishtar was suffering the
+      torments of the infernal regions, the world of the living was wearing
+      mourning on account of her death. In the absence of the goddess of love,
+      the rites of love could no longer be performed. The passions of animals
+      and men were suspended. If she did not return quickly to the daylight, the
+      races of men and animals would become extinct, the earth would become a
+      desert, and the gods would have neither votaries nor offerings.
+    </p>
+    <p>
+      <a name="linkBimage-0041" id="linkBimage-0041">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/226.jpg" width="100%"
+       alt="226.jpg Ishtar Despoiled of Her Garments in Hades " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from a Chald�an intaglio in the
+     Hague Museum. Salomon Reinach has demonstrated that the
+     naked figure is not the goddess herself, but a statue of the
+     goddess which was adored in one of the temples.
+</pre>
+    <p>
+      &ldquo;Papsukal, the servant of the great gods, tore his face before Shamash&mdash;clothed
+      in mourning, filled with sorrow. Shamash went&mdash;he wept in the
+      presence of Sin, his father,&mdash;and his tears flowed in the presence of
+      Ea, the king:&mdash;&lsquo;Ishtar has gone down into the earth, and she has not
+      come up again!&mdash;And ever since Ishtar has descended into the land
+      without return... [the passions of men and beasts have been suspended]...
+      the master goes to sleep while giving his command, the servant goes to
+      sleep on his duty.&rsquo;&rdquo; The resurrection of the goddess is the only remedy
+      for such ills, but this is dependent upon the resurrection of Damuzi:
+      Ishtar will never consent to reappear in the world, if she cannot bring
+      back her husband with her. Ea, the supreme god, the infallible executor of
+      the divine will&mdash;he who alone can modify the laws imposed upon
+      creation&mdash;at length decides to accord to her what she desires. &ldquo;Ea,
+      in the wisdom of his heart, formed a male being,&mdash;formed
+      Uddushun�mir, the servant of the gods:&mdash;&lsquo;Go then, Uddushun�mir, turn
+      thy face towards the gate of the land without return; &mdash;the seven
+      gates of the land without return&mdash;may they become open at thy
+      presence&mdash;may All�t behold thee, and rejoice in thy presence! When
+      her heart shall be calm, and her wrath appeased, charm her in the name of
+      the great gods&mdash;turn thy thoughts to the spring&rsquo;&mdash;&lsquo;May the
+      spring, my lady, give me of its waters that I may drink of them.&rsquo;&rdquo; All�t
+      broke out into a terrible rage, when she saw herself obliged to yield to
+      her rival; &ldquo;she beat her sides, she gnawed her fingers,&rdquo; she broke out
+      into curses against the messenger of misfortune. &ldquo;&lsquo;Thou hast expressed to
+      me a wish which should not be made!&mdash;Fly, Uddushun�mir, or I will
+      shut thee up in the great prison&mdash;the mud of the drains of the city
+      shall be thy food&mdash;the gutters of the town shall be thy drink&mdash;the
+      shadow of the walls shall be thy abode&mdash;the thresholds shall be thy
+      habitation&mdash;confinement and isolation shall weaken thy strength.&rsquo;&rdquo;*
+      She is obliged to obey, notwithstanding; she calls her messenger Namtar
+      and commands him to make all the preparations for resuscitating the
+      goddess. It was necessary to break the threshold of the palace in order to
+      get at the spring, and its waters would have their full effect only in
+      presence of the Anunnas. &ldquo;Namtar went, he rent open the eternal palace,&mdash;he
+      twisted the uprights so that the stones of the threshold trembled;&mdash;he
+      made the Anunnaki come forth, and seated them on thrones of gold,&mdash;he
+      poured upon Ishtar the waters of life, and brought her away.&rdquo; She received
+      again at each gate the articles of apparel she had abandoned in her
+      passage across the seven circles of hell: as soon as she saw the daylight
+      once more, it was revealed to her that the fate of her husband was
+      henceforward in her own hands. Every year she must bathe him in pure
+      water, and anoint him with the most precious perfumes, clothe him in a
+      robe of mourning, and play to him sad airs upon a crystal flute, whilst
+      her priestesses intoned their doleful chants, and tore their breasts in
+      sorrow: his heart would then take fresh life, and his youth flourish once
+      more, from springtime to springtime, as long as she should celebrate on
+      his behalf the ceremonies already prescribed by the deities of the
+      infernal world.
+    </p>
+<pre xml:space="preserve">
+     * It follows from this passage that Ishtar could be
+     delivered only at the cost of another life: it was for this
+     reason, doubtless, that Ea, instead of sending the ordinary
+     messenger of the gods, created a special messenger. All�t,
+     furious at the insignificance of the victim sent to her,
+     contents herself with threatening Uddushan�mir with an
+     ignominious treatment if he does not escape as quickly as
+     possible.
+</pre>
+    <p>
+      Dumuzi was a god, the lover, moreover, of a goddess, and the deity
+      succeeded where mortals failed.* Ea, Nebo, Gula, Ishtar, and their fellows
+      possessed, no doubt, the faculty of recalling the dead to life, but they
+      rarely made use of it on behalf of their creatures, and their most pious
+      votaries pleaded in vain from temple to temple for the resurrection of
+      their dead friends; they could never obtain the favour which had been
+      granted by All�t to Dumuzi.
+    </p>
+<pre xml:space="preserve">
+     * Merodach is called &ldquo;the merciful one who takes pleasure in
+     raising the dead to life,&rdquo; and &ldquo;the lord of the pure
+     libation,&rdquo; the &ldquo;merciful one who has power to give life.&rdquo; In
+     Jeremias may be found the list of the gods who up to the
+     present are known to have had the power to resuscitate the
+     dead; it is probable that this power belonged to all the
+     gods and goddesses of the first rank.
+</pre>
+    <p>
+      <a name="linkBimage-0042" id="linkBimage-0042">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/229.jpg" width="100%"
+       alt="229.jpg Dumuzi Rejuvenated on the Knees of Ishtar. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from a Chald�an intaglio.
+</pre>
+    <p>
+      When the dead body was once placed in the tomb, it rose up no more, it
+      could no more be reinstated in the place in the household it had lost, it
+      never could begin once more a new earthly existence. The necromancers,
+      indeed, might snatch away death&rsquo;s prey for a few moments. The earth gaped
+      at the words of their invocations, the soul burst forth like a puff of
+      wind and answered gloomily the questions proposed to it; but when the
+      charm was once broken, it had to retrace its steps to the country without
+      return, to be plunged once more in darkness. This prospect of a dreary and
+      joyless eternity was not so terrifying to the Chald�ans as it was to the
+      Egyptians. The few years of their earthly existence were of far more
+      concern to them than the endless ages which were to begin their monotonous
+      course on the morrow of their funeral. The sum of good and evil fortune
+      assigned to them by destiny they preferred to spend continuously in the
+      light of day on the fair plains of the Euphrates and Tigris: if they were
+      to economize during this period with the view of laying up a posthumous
+      treasure of felicity, their store would have no current value beyond the
+      tomb, and would thus become so much waste. The gods, therefore, whom they
+      served faithfully would recoup them, here in their native city, with
+      present prosperity, with health, riches, power, glory, and a numerous
+      offspring, for the offerings of their devotion; while, if they irritated
+      the deities by their shortcomings, they had nothing to expect but
+      overwhelming calamities and sufferings. The gods would &ldquo;cut them down like
+      a reed,&rdquo; and their &ldquo;names would be annihilated, their seed destroyed;&mdash;they
+      would end their days in affliction and hunger,&mdash;their dead bodies
+      would be at the mercy of chance, and would receive no sepulture.&rdquo; They
+      were content to resign themselves, therefore, to the dreary lot of eternal
+      misery which awaited them after death, provided they enjoyed in this world
+      a long and prosperous existence. Some of them felt and rebelled against
+      the injustice of the idea, which assigned one and the same fate, without
+      discrimination, to the coward and the hero killed on the battle-field, to
+      the tyrant and the mild ruler of his people, to the wicked and the
+      righteous. These therefore supposed that the gods would make distinctions,
+      that they would separate such heroes from the common herd, welcome them in
+      a fertile, sunlit island, separated from the abode of men by the waters of
+      death&mdash;the impassable river which leads to the house of All�t. The
+      tree of life flourished there, the spring of life poured forth there its
+      revivifying waters; thither Ea transferred Xisuthros after the Deluge;
+      Gilgames saw the shores of this island and returned from it, strong and
+      healthy as in the days of his youth. The site of this region of delights
+      was at first placed in the centre of the marshes of the Euphrates, where
+      this river flows into the sea; afterwards when the country became better
+      known, it was transferred beyond the ocean. In proportion as the limits of
+      the Chald�an horizon were thrust further and further away by mercantile or
+      warlike expeditions, this mysterious island was placed more and more to
+      the east, afterwards to the north, and at length at a distance so great
+      that it tended to vanish altogether. As a final resource, the gods of
+      heaven themselves became the hosts, and welcomed into their own kingdom
+      the purified souls of the heroes.
+    </p>
+    <p>
+      These souls were not so securely isolated from humanity that the
+      inhabitants of the world were not at times tempted to rejoin them before
+      their last hour had come. Just as Gilgames had dared of old the dangers of
+      the desert and the ocean in order to discover the island of Khasisadra, so
+      Etana darted through the air in order to ascend to the sky of Anu, to
+      become incorporated while still living in the choir of the blessed. The
+      legend gives an account of his friendship with the eagle of Shamash, and
+      of the many favours he had obtained from and rendered to the bird. It
+      happened at last, that his wife could not bring forth the son which lay in
+      her womb; the hero, addressing himself to the eagle, asked from her the
+      plant which alleviates the birth-pangs of women and facilitates their
+      delivery. This was only to be found, however, in the heaven of Anu, and
+      how could any one run the risk of mounting so high, without being
+      destroyed on the way by the anger of the gods? The eagle takes pity upon
+      the sorrow of his comrade, and resolves to attempt the enterprise with
+      him. &ldquo;&lsquo;Friend,&rsquo; she says, &lsquo;banish the cloud from thy face! Come, and I
+      will carry thee to the heaven of the god Anu. Place thy breast against my
+      breast&mdash;place thy two hands upon the pinions of my wings&mdash;place
+      thy side against my side.&rsquo; He places his breast against the breast of the
+      eagle, he places his two hands upon the pinions of the wings, he places
+      his side against her side;&mdash;he adjusts himself firmly, and his weight
+      was great.&rdquo; The Chald�an artists have more than once represented the
+      departure of the hero. They exhibit him closely attached to the body of
+      his ally, and holding her in a strong embrace. A first flight has already
+      lifted them above the earth, and the shepherds scattered over the country
+      are stupefied at the unaccustomed sight: one announces the prodigy to
+      another, while their dogs seated at their feet extend their muzzles as if
+      in the act of howling with terror. &ldquo;For the space of a double hour the
+      eagle bore him&mdash;then the eagle spake to him, to him Etana: &lsquo;Behold,
+      my friend, the earth what it is; regard the sea which the ocean contains!
+      See, the earth is no more than a mountain, and the sea is no more than a
+      lake.&rsquo; The space of a second double hour she bore him, then the eagle
+      spake to him, to him Etana: &lsquo;Behold, my friend, the earth what it is; the
+      sea appears as the girdle of the earth! &lsquo;The space of a third double hour
+      she bore him, then the eagle spake to him, to him Etana: &lsquo;See, my friend,
+      the earth, what it is:&mdash;the sea is no more than the rivulet made by a
+      gardener.&rsquo;&rdquo;
+     </p>
+    <p>
+      <a name="linkBimage-0043" id="linkBimage-0043">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/233.jpg" width="100%"
+       alt="233.jpg Etana Carried to Heaven by an Eagle. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from a Chald�an intaglio.
+</pre>
+    <p>
+      &ldquo;They at length arrive at the heaven of Anu, and rest there for a moment.
+      Etana sees around him nothing but empty space&mdash;no living thing within
+      it&mdash;not even a bird: he is struck with terror, but the eagle
+      reassures him, and tells him to proceed on his way to the heaven of
+      Ishtar. &ldquo;&lsquo;Come, my friend, let me bear thee to Ishtar,&mdash;and I will
+      place thee near Ishtar, the lady,&mdash;and at the feet of Ishtar, the
+      lady, thou shalt throw thyself.&mdash;Place thy side against my side,
+      place thy hands on the pinions of my wings.&rsquo; The space of a double hour
+      she bore him: &lsquo;Friend, behold the earth what it is.&mdash;The face of the
+      earth stretches out quite flat&mdash;and the sea is no greater than a
+      mere.&rsquo; The space of a second double hour she bore him: &lsquo;Friend, behold the
+      earth what it is,&mdash;the earth is no more than a square plot in a
+      garden, and the great sea is not greater than a puddle of water.&rsquo;&rdquo; At the
+      third hour Etana lost courage, and cried, &ldquo;Stop!&rdquo; and the eagle
+      immediately descended again; but, Etana&rsquo;s strength being exhausted, he let
+      go his hold, and was dashed to pieces on the ground.
+    </p>
+    <p>
+      The eagle escaped unhurt this time, but she soon suffered a more painful
+      death than that of Etana. She was at war with the serpent, though the
+      records which we as yet possess do not vouchsafe the reason, when she
+      discovered in the roots of a tree the nest in which her enemy concealed
+      its brood. She immediately proposed to her young ones to pounce down upon
+      the growing snakes; one of her eaglets, wiser than the rest, reminded her
+      that they were under the protection of Shamash, the great righter of
+      wrongs, and cautioned her against any transgression of the divine laws.
+      The old eagle felt herself wiser than her son, and rebuked him after the
+      manner of wise mothers: she carried away the serpent&rsquo;s young, and gave
+      them as food to her own brood. The hissing serpent crawled as far as
+      Shamash, crying for vengeance: &ldquo;The evil she has done me, Shamash&mdash;behold
+      it! Come to my help, Shamash! thy net is as wide as the earth&mdash;thy
+      snares reach to the distant mountain&mdash;who can escape thy net?&mdash;The
+      criminal Zu, Zu who was the first to act wickedly, did he escape it?&rdquo;
+       Shamash refused to interfere personally, but he pointed out to the serpent
+      an artifice by which he might satisfy his vengeance as securely as if
+      Shamash himself had accomplished it. &ldquo;Set out upon the way, ascend the
+      mountain,&mdash;and conceal thyself in a dead bull;&mdash;make an incision
+      in his inside&mdash;tear open his belly,&mdash;take up thy abode&mdash;establish
+      thyself in his belly. All the birds of the air will pounce upon it....&mdash;and
+      the eagle herself will come with them, ignorant that thou art within it;&mdash;she
+      will wish to possess herself of the flesh, she will come swiftly&mdash;she
+      will think of nothing but the entrails within. As soon as she begins to
+      attack the inside, seize her by her wings, beat down her wings, the
+      pinions of her wings and her claws, tear her and throw her into a ravine
+      of the mountain, that she may die there a death of hunger and thirst.&rdquo;
+     </p>
+    <p>
+      The serpent did as Shamash advised, and the birds of the air began to
+      flock round the carcase in which she was hidden. The eagle came with the
+      rest, and at first kept aloof, looking for what should happen. When she
+      saw that the birds flew away unharmed all fear left her. In vain did the
+      wise eaglet warn her of the danger that was lurking within the prey; she
+      mocked at him and his predictions, dug her beak into the carrion, and the
+      serpent leaping out seized her by the wing. Then &ldquo;the eagle her mouth
+      opened, and spake unto the snake, &lsquo;Have mercy upon me, and according to
+      thy pleasure a gift I will lavish upon thee!&rsquo; The snake opened her mouth
+      and spake unto the eagle, &lsquo;Did I release thee, Shamash would take part
+      against me; and the doom would fall upon me, which now I fulfil upon
+      thee.&rsquo; She tore out her wings, her feathers, her pinions; she tore her to
+      pieces, she threw her into a cleft, and there she died a death of hunger
+      and of thirst.&rdquo;
+     </p>
+    <p>
+      The gods allowed no living being to penetrate with impunity into their
+      empire: he who was desirous of ascending thither, however brave he might
+      be, could do so only by death. The mass of humanity had no pretensions to
+      mount so high. Their religion gave them the choice between a perpetual
+      abode in the tomb, or confinement in the prison of All�t; if at times they
+      strove to escape from these alternatives, and to picture otherwise their
+      condition in the world beyond, their ideas as to the other life continued
+      to remain vague, and never approached the minute precision of the Egyptian
+      conception. The cares of the present life were too absorbing to allow them
+      leisure to speculate upon the conditions of a future existence.
+    </p>
+    <p>
+      <a name="linkBimage-0044" id="linkBimage-0044">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/236.jpg" width="100%" alt="236.jpg Endplate " />
+    </div>
+    <p>
+      <br /> ============================== <a name="linkCimage-0001"
+       id="linkCimage-0001">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/frontispiece3.jpg" width="100%"
+       alt="Frontispiece El Hammam (the Bath) " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Boudier, after J. Dieulafoy. The vignette, which is
+     by Faucher-Gudin, is reproduced from an intaglio in the
+     Cabinet des M�dailles.
+</pre>
+    <p>
+      <br /> <br />
+    </p>
+    <hr />
+    <p>
+      <br /> <br />
+    </p>
+    <div class="fig" style="width:80%;">
+      <img alt="237 (112K)" src="images/237.jpg" width="100%" />
+    </div>
+    <p>
+      <br /> <br />
+    </p>
+    <div class="fig" style="width:80%;">
+      <img alt="238 (62K)" src="images/238.jpg" width="100%" />
+    </div>
+    <p>
+      <br /> <br />
+    </p>
+    <hr />
+    <p>
+      <br /> <br />
+    </p>
+    <p>
+      <i>CHALD�AN CIVILIZATION&mdash;ROYALTY&mdash;THE CONSTITUTION OF THE
+      FAMILY AND ITS PROPERTY&mdash;CHALMAN COMMERCE AND INDUSTRY.</i>
+    </p>
+    <p>
+      <i>The kings not gods, but the vicegerents of the gods: their sacerdotal
+      character&mdash;The queens and the women of the royal family: the sons and
+      the order of succession to the throne&mdash;The royal palaces: description
+      of the palace of Gudea at Lagash, the fa�ades, the zigur�t, the private
+      apartments, the furniture, the external decoration&mdash;Costume of the
+      men and women: the employees of the palace and the method of royal
+      administration; the military and the great lords.</i>
+    </p>
+    <p>
+      <i>The scribe and the clay books.&mdash;Cuneiform writing: its
+      hieroglyphic origin; the Protean character of the sounds which may be
+      assigned to the ideograms, grammatical tablets, and dictionaries&mdash;Their
+      contracts, and their numerous copies of them: the finger-nail mark, the
+      seal.</i>
+    </p>
+    <p>
+      <i>The constitution of the family: the position held by the wife&mdash;Marriage,
+      the contract, the religious ceremonies&mdash;Divorce: the rights of
+      wealthy women; woman and marriage among the lower classes&mdash;Adopted
+      children, their position in the family; ordinary motives for adoption&mdash;Slaves,
+      their condition, their enfranchisement.</i>
+    </p>
+    <p>
+      <i>The Chald�an towns: the aspect and distribution of the houses, domestic
+      life&mdash;The family patrimony: division of the inheritance&mdash;Lending
+      on usury, the rate of interest, commercial intercourse by land and sea&mdash;Trade
+      corporations: brick-making, industrial implements in stone and metal,
+      goldsmiths, engravers of cylinders, weavers; the state of the working
+      classes.</i>
+    </p>
+    <p>
+      <i>Farming and cultivation of the ground: landmarks, slaves, and
+      agricultural labourers&mdash;Scenes of pastoral life: fishing, hunting&mdash;Archaic
+      literature; positive sciences: arithmetic and geometry, astronomy and
+      astrology, the science of foretelling the future&mdash;The physician;
+      magic and its influence on neighbouring countries.</i>
+    </p>
+    <p>
+      <br /> <br />
+    </p>
+    <hr />
+    <p>
+      <br /> <br /> <a name="linkCimage-0005" id="linkCimage-0005">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/239.jpg" width="100%" alt="239.jpg Chapter III. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Boudier, from the sketch by Loftus. The initial
+     vignette, which is by Faucher-Gudin, represents a royal
+     figure kneeling and holding a large nail in both hands. The
+     nail serves to keep the figure fixed firmly in the earth. It
+     is a reproduction of the bronze figurine in the Louvre,
+     already published by Heuzey-Sakzeo, <i>D�couvertes en
+     Chald�e</i>, pl. 28, No. 4.
+</pre>
+    <p>
+      <a name="linkC2HCH0001" id="linkC2HCH0001">
+      <!--  H2 anchor --> </a>
+    </p>
+    <div style="height: 4em;">
+      <br /><br /><br /><br />
+    </div>
+    <h2>
+      CHAPTER III&mdash;CHALD�AN CIVILIZATION
+    </h2>
+    <p>
+      <i>Royalty&mdash;The constitution of the family and its property&mdash;Chald�an
+      commerce and industry</i>.
+    </p>
+    <p>
+      The Chald�an kings, unlike their contemporaries the Pharaohs, rarely put
+      forward any pretensions to divinity. They contented themselves with
+      occupying an intermediate position between their subjects and the gods,
+      and for the purpose of mediation they believed themselves to be endowed
+      with powers not possessed by ordinary mortals. They sometimes designated
+      themselves the sons of Ea, or of N�nsun, or some other deity, but this
+      involved no belief in a divine parentage, and was merely pious hyperbole:
+      they entertained no illusions with regard to any descent from a god or
+      even from one of his doubles, but they desired to be recognized as his
+      vicegerents here below, as his prophets, his well-beloved, his pastors,
+      elected by him to rule his human flocks, or as priests devotedly attached
+      to his service. While, however, the ordinary priest chose for himself a
+      single master to whom he devoted himself, the priest-king exercised
+      universal sacerdotal functions and claimed to be pontiff of all the
+      national religions. His choice naturally was directed by preference to the
+      patrons of his city, those who had raised his ancestors from the dust, and
+      had exalted him to the supreme rank, but there were other divinities who
+      claimed their share of his homage and expected of him a devotion suited to
+      their importance. If he had attempted to carry out these duties personally
+      in detail, he would have had to spend his whole life at the foot of the
+      altar; even when he had delegated as many of them as he could to the
+      regular clergy, there still remained sufficient to occupy a large part of
+      his time. Every month, every day, brought its inevitable round of
+      sacrifices, prayers, and processions. On the 1st of the second Elul, the
+      King of Babylon had to present a gazelle without blemish to Sin; he then
+      made an offering of his own choosing to Shamash, and cut the throats of
+      his victims before the god. These ceremonies were repeated on the 2nd
+      without any alteration, but from the 3rd to the 12th they took place
+      during the night, before the statues of Merodach and Ishtar, in turn with
+      those of Nebo and Tashmit, of Mullil and Ninlil, of Eamman and of
+      Zirbanit; sometimes at the rising of a particular constellation&mdash;as,
+      for instance, that of the Great Bear, or that of the sons of Ishtar;
+      sometimes at the moment when the moon &ldquo;raised above the earth her luminous
+      crown.&rdquo; On such a date a penitential psalm or a litany was to be recited;
+      at another time it was forbidden to eat of meat either cooked or smoked,
+      to change the body-linen, to wear white garments, to drink medicine, to
+      sacrifice, to put forth an edict, or to drive out in a chariot. Not only
+      at Babylon, but everywhere else, obedience to the religious rites weighed
+      heavily on the local princes; at Uru, at Lagash, at Nipur, and in the
+      ruling cities of Upper and Lower Chald�a. The king, as soon as he
+      succeeded to the throne, repaired to the temple to receive his solemn
+      investiture, which differed in form according to the gods he worshipped:
+      at Babylon, he addressed himself to the statue of Bel-Merodach in the
+      first days of the month Nisan which followed his accession, and he &ldquo;took
+      him by the hands&rdquo; to do homage to him. From thenceforth, he officiated for
+      Merodach here below, and the scrupulously minute devotions, which daily
+      occupied hours of his time, were so many acts of allegiance which his
+      fealty as a vassal constrained him to perform to his suzerain. They were,
+      in fact, analogous to the daily audiences demanded of a great lord by his
+      steward, for the purpose of rendering his accounts and of informing him of
+      current business: any interruption not justified by a matter of supreme
+      importance would be liable to be interpreted as a want of respect or as
+      revealing an inclination to rebel. By neglecting the slightest ceremonial
+      detail the king would arouse the suspicions of the gods, and excite their
+      anger against himself and his subjects: the people had, therefore, a
+      direct interest in his careful fulfilment of the priestly functions, and
+      his piety was not the least of his virtues in their eyes. All other
+      virtues&mdash;bravery, equity, justice&mdash;depended on it, and were only
+      valuable from the divine aid which piety obtained for them. The gods and
+      heroes of the earliest ages had taken upon themselves the task of
+      protecting the faithful from all their enemies, whether men or beasts. If
+      a lion decimated their flocks, or a urus of gigantic size devastated their
+      crops, it was the king&rsquo;s duty to follow the example of his fabulous
+      predecessors and to set out and overcome them. The enterprise demanded all
+      the more courage and supernatural help, since these beasts were believed
+      to be no mere ordinary animals, but were looked on as instruments of
+      divine wrath the cause of which was often unknown, and whoever assailed
+      these monsters, provoked not only them but the god who instigated them.
+      Piety and confidence in the patron of the city alone sustained the king
+      when he set forth to drive the animal back to its lair; he engaged in
+      close combat with it, and no sooner had he pierced it with his arrows or
+      his lance, or felled it with axe and dagger, than he hastened to pour a
+      libation upon it, and to dedicate it as a trophy in one of the temples.
+      His exalted position entailed on him no less perils in time of war: if he
+      did not personally direct the first attacking column, he placed himself at
+      the head of the band composed of the flower of the army, whose charge at
+      an opportune moment was wont to secure the victory.
+    </p>
+    <p>
+      What would have been the use of his valour, if the dread of the gods had
+      not preceded his march, and if the light of their countenances had not
+      struck terror into the ranks of the enemy? As soon as he had triumphed by
+      their command, he sought before all else to reward them amply for the
+      assistance they had given him. He poured a tithe of the spoil into the
+      coffers of their treasury, he made over a part of the conquered country to
+      their domain, he granted them a tale of the prisoners to cultivate their
+      lands or to work at their buildings. Even the idols of the vanquished
+      shared the fate of their people: the king tore them from the sanctuaries
+      which had hitherto sheltered them, and took them as prisoners in his train
+      to form a court of captive gods about his patron divinity. Shamash, the
+      great judge of heaven, inspired him with justice, and the prosperity which
+      his good administration obtained for the people was less the work of the
+      sovereign than that of the immortals.
+    </p>
+    <p>
+      We know too little of the inner family life of the kings, to attempt to
+      say how they were able to combine the strict sacerdotal obligations
+      incumbent on them with the routine of daily life. We merely observe that
+      on great days of festival or sacrifice, when they themselves officiated,
+      they laid aside all the insignia of royalty during the ceremony and were
+      clad as ordinary priests. We see them on such occasions represented with
+      short-cut hair and naked breast, the loin-cloth about their waist,
+      advancing foremost in the rank, carrying the heavily laden &ldquo;kufa,&rdquo; or reed
+      basket, as if they were ordinary slaves; and, as a fact, they had for the
+      moment put aside their sovereignty and were merely temple servants, or
+      slaves appearing before their divine master to do his bidding, and
+      disguising themselves for the nonce in the garb of servitors. The wives of
+      the sovereign do not seem to have been invested with that semi-sacred
+      character which led the Egyptian women to be associated with the devotions
+      of the man, and made them indispensable auxiliaries in all religious
+      ceremonies; they did not, moreover, occupy that important position side by
+      side with the man which the Egyptian law assigned to the queens of the
+      Pharaohs. Whereas the monuments on the banks of the Nile reveal to us
+      princesses sharing the throne of their husbands whom they embrace with a
+      gesture of frank affection, in Chald�a the wives of the prince, his
+      mother, sisters, daughters, and even his slaves, remain invisible to
+      posterity.
+    </p>
+    <p>
+      <a name="linkCimage-0006" id="linkCimage-0006">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/244.jpg" width="100%"
+       alt="244.jpg the King Urnina Bearing The &lsquo;kufa.&rsquo; " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from Heuzey Sarzec.
+</pre>
+    <p>
+      The harem in which they were shut up by custom, rarely opened its doors:
+      the people seldom caught sight of them, their relatives spoke of them as
+      little as possible, those in power avoided associating them in any public
+      acts of worship or government, and we could count on our fingers the
+      number of those whom the inscriptions mention by name. Some of them were
+      drawn from the noble families of the capital, others came from the
+      kingdoms of Chald�a or from foreign courts; a certain number never rose
+      above the condition of mere concubines, many assumed the title of queen,
+      while almost all served as living pledges of alliances made with rival
+      states, or had been given as hostages at the concluding of a peace on the
+      termination of a war.* As the kings, who put forward no pretensions to a
+      divine origin, were not constrained, after the fashion of the Pharaohs, to
+      marry their sisters in order to keep up the purity of their race, it was
+      rare to find one among their wives who possessed an equal right to the
+      crown with themselves: such a case could be found only in troublous times,
+      when an aspirant to the throne, of base extraction, legitimated his
+      usurpation by marrying a sister or daughter of his predecessor.
+    </p>
+<pre xml:space="preserve">
+     * Political marriage-alliances between Egypt and Chald�a
+     were of frequent occurrence, according to the Tel el-Amarna
+     tablets, and at a later period between Chald�a and Assyria;
+     among the few queens of the very earliest times, the wife of
+     Nammaghani is the daughter of Urbau, vicegerent of Lagash,
+     and consequently the cousin or niece of her husband, while
+     the wife of Rimsin appears to be the daughter of a nobleman
+     of the name of Rimnannar.
+</pre>
+    <p>
+      <a name="linkCimage-0008" id="linkCimage-0008">
+      <!-- IMG --></a>
+    </p>
+    <div class="figleft" style="width:30%;">
+      <img width="100%" src="images/249.jpg"
+       alt="249.jpg Terra-cotta Barrel-right " />
+<pre xml:space="preserve">
+Drawn by Faucher-Gudin,
+from the facsimile by Place.
+</pre>
+    </div>
+    <p>
+      The original status of the mother almost always determined that of her
+      children, and the sons of a princess were born princes, even if their
+      father were of obscure or unknown origin.* These princes exercised
+      important functions at court, or they received possessions which they
+      administered under the suzerainty of the head of the family; the daughters
+      were given to foreign kings, or to scions of the most distinguished
+      families. The sovereign was under no obligation to hand down his crown to
+      any particular member of his family; the eldest son usually succeeded him,
+      but the king could, if he preferred, select his favourite child as his
+      successor even if he happened to be the youngest, or the only one born of
+      a slave. As soon as the sovereign had made known his will, the custom of
+      primogeniture was set aside, and his word became law. We can well imagine
+      the secret intrigues formed both by mothers and sons to curry favour with
+      the father and bias his choice; we can picture the jealousy with which
+      they mutually watched each other, and the bitter hatred which any
+      preference shown to one would arouse in the breasts of all the others.
+      Often brothers who had been disappointed in their expectations would
+      combine secretly against the chosen or supposed heir; a conspiracy would
+      break out, and the people suddenly learn that their ruler of yesterday had
+      died by the hand of an assassin and that a new one filled his place.
+    </p>
+    <p>
+      Sometimes discontent spread beyond the confines of the palace, the army
+      became divided into two hostile camps, the citizens took the side of one
+      or other of the aspirants, and civil war raged for several years till some
+      decisive action brought it to a close. Meantime tributary vassals took
+      advantage of the consequent disorder to shake off the yoke, the Blamites
+      and various neighbouring cities joined in the dispute and ranged
+      themselves on the side of the party from which there was most to be
+      gained: the victorious faction always had to pay dearly for this somewhat
+      dubious help, and came out impoverished from the struggle. Such an
+      internecine war often caused the downfall of a dynasty&mdash;at times,
+      indeed, that of the entire state.**
+    </p>
+<pre xml:space="preserve">
+     * This fact is apparent from the introduction to the
+     inscription in which Sargon I. is supposed to give an
+     account of his life: &ldquo;My father was unknown, my mother was a
+     princess;&rdquo; and it was, indeed, from his mother that he
+     inherited his rights to the crown of Agade.
+</pre>
+<pre xml:space="preserve">
+     ** The above is perfectly true of the later Assyrian and
+     Chal�an periods: it is scarcely needful to recall to the
+     reader the murders of Sargon II. and Sennacherib, or the
+     revolt of Assurda�npal against his father Shalmaneser III.
+     With regard to the earliest period we have merely
+     indications of what took place; the succession of King
+     Urnina of Lagash appears to have been accompanied by
+     troubles of this kind, and it is certain that his successor
+     Akurgal was not the eldest of his sons, but we do not at
+     present know to what events Akurgal owed his elevation.
+</pre>
+    <p>
+      The palaces of the Chald�an kings, like those of the Egyptians, presented
+      the appearance of an actual citadel: the walls had to be sufficiently
+      thick to withstand an army for an indefinite period, and to protect the
+      garrison from every emergency, except that of treason or famine. One of
+      the statues found at Telloh holds in its lap the plan of one of these
+      residences: the external outline alone is given, but by means of it we can
+      easily picture to ourselves a fortified place, with its towers, its forts,
+      and its gateways placed between two bastions. It represents the ancient
+      palace of Lagash, subsequently enlarged and altered by Oudea or one of the
+      vicegerents who succeeded him, in which many a great lord of the place
+      must have resided down to the time of the Christian era. The site on which
+      it was built in the Girsu quarter of. the city was not entirely unoccupied
+      at the time of its foundation. Urbau had raised a ziggurat on that very
+      spot some centuries previously, and the walls which he had constructed
+      were falling into ruin.
+    </p>
+    <p>
+      <a name="linkCimage-0007" id="linkCimage-0007">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/248.jpg" width="100%"
+       alt="248.jpg the Plan of a Palace Built by Gudea. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from Heuzey-Sarzec. The plan is
+     traced upon the tablet held in the lap of Statue E in the
+     Louvre. Below the plan can be seen the ruler marked with the
+     divisions used by the architect for drawing his designs to
+     the desired scale; the scribe&rsquo;s stylus is represented lying
+     on the left of the plan. [Prof. P�trie has shown that the
+     unit of measurement represented on this ruler is the cubit
+     of the Pyramid-builders of Egypt.&mdash;Te.]
+</pre>
+    <p>
+      Gudea did not destroy the work of his remote predecessor, he merely
+      incorporated it into the substructures of the new building, thus showing
+      an indifference similar to that evinced by the Pharaohs for the monuments
+      of a former dynasty. The palaces, like the temples, never rose directly
+      from the soil, but were invariably built on the top of an artificial mound
+      of crude brick. At Lagash, this solid platform rises to the height of 40
+      feet above the plain, and the only means of access to the top is by a
+      single narrow steep staircase, easily cut off or defended.
+    </p>
+    <p>
+      The palace which surmounts this artificial eminence describes a sort of
+      irregular rectangle, 174 feet long by 69 feet wide, and had, contrary to
+      the custom in Egypt, the four angles orientated to the four cardinal
+      points. The two principal sides are not parallel, but swell out slightly
+      towards the middle, and the flexion of the lines almost follows the
+      contour of one of those little clay cones upon which the kings were wont
+      to inscribe their annals or dedications. This flexure was probably not
+      intentional on the part of the architect, but was owing to the difficulty
+      of keeping a wall of such considerable extent in a straight line from one
+      end to another; and all Eastern nations, whether Chald�ans or Egyptians,
+      troubled themselves but little about correctness of alignment, since
+      defects of this kind were scarcely ever perceptible in the actual edifice,
+      and are only clearly revealed in the plan drawn out to scale with modern
+      precision.*
+    </p>
+<pre xml:space="preserve">
+     * Mons. Heuzey thinks that the outward deflection of the
+     lines is owing &ldquo;merely to a primitive method of obtaining
+     greater solidity of construction, and of giving a better
+     foundation to these long fa�ades, which are placed upon
+     artificial terraces of crude brick always subject to cracks
+     and settlements.&rdquo; I think that the explanation of the facts
+     which I have given in the text is simpler than that
+     ingeniously proposed by Mons. Heuzey: the masons, having
+     begun to build the wall at one end, were unable to carry it
+     on in a straight line until it reached the spot denoted on
+     the architect&rsquo;s plan, and therefore altered the direction of
+     the wall when they detected their error; or, having begun to
+     build the wall from both ends simultaneously, were not
+     successful in making the two lines meet correctly, and they
+     have frankly patched up the junction by a mass of projecting
+     brickwork which conceals their unskilfulness.
+</pre>
+    <p>
+      <a name="linkCimage-0009" id="linkCimage-0009">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/250.jpg" width="100%"
+       alt="250.jpg Plan of the Existing Buildings Of Telloh. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from Heuzey-Sarzec.
+</pre>
+    <p>
+      The fa�ade of the building faces south-east, and is divided into three
+      blocks of unequal size. The centre of the middle block for a length of 18
+      feet projects some 3 feet from the main front, and, by directly facing the
+      spectator, ingeniously masks the obtuse angle formed by the meeting of the
+      two walls. This projection is flanked right and left by rectangular
+      grooves, similar to those which ornament the fa�ades of the fortresses and
+      brick houses of the Ancient Empire in Egypt: the regular alternation of
+      projections and hollows breaks the monotony of the facing by the play of
+      light and shade. Beyond these, again, the wall surface is broken by
+      semicircular pilasters some 17 inches in diameter, without bases,
+      capitals, or even a moulding, but placed side by side like so many
+      tree-trunks or posts forming a palisade.
+    </p>
+    <p>
+      <a name="linkCimage-0010" id="linkCimage-0010">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/251.jpg" width="100%"
+       alt="251.jpg Decoration of Coloured Cones on the Fa�ade at Uruk " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from the sketch by Loftus.
+</pre>
+    <p>
+      Various schemes of decoration succeed each other in progressive sequence,
+      less ornate and at greater distances apart, the further they recede from
+      the central block and the nearer they approach to the extremities of the
+      fa�ade. They stop short at the southern angle, and the two sides of the
+      edifice running from south to west, and again from west to north, are
+      flat, bare surfaces, unbroken by projection or groove to relieve the
+      poverty and monotony of their appearance. The decoration reappears on the
+      north-east front, where the arrangement of the principal fa�ade is partly
+      reproduced. The grooved divisions here start from the angles, and the
+      engaged columns are wanting, or rather they are transferred to the central
+      projection, and from a distance have the effect of a row of gigantic
+      organ-pipes. We may well ask if this squat and heavy mass of building,
+      which must have attracted the eye from all parts of the town, had nothing
+      to relieve the dull and dismal colour of its component bricks.
+    </p>
+    <p>
+      <a name="linkCimage-0011" id="linkCimage-0011">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/252.jpg" width="100%"
+       alt="252.jpg Pilasters of the Facade Of Gudea&rsquo;s Palace " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from Heuzey-Sarzec
+</pre>
+    <p>
+      The idea might not have occurred to us had we not found elsewhere an
+      attempt to lessen the gloomy appearance of the architecture by coloured
+      plastering. At Uruk, the walls of the palace are decorated by means of
+      terra-cotta cones, fixed deep into the solid plaster and painted red,
+      black, or yellow, forming interlaced or diaper patterns of chevrons,
+      spirals, lozenges, and triangles, with a very fair result: this mosaic of
+      coloured plaster covered all the surfaces, both flat and curved, giving to
+      the building a cheerful aspect entirely wanting in that of Lagash.
+    </p>
+    <p>
+      A long narrow trough of yellowish limestone stood in front of the palace,
+      and was raised on two steps: it was carved in relief on the outside with
+      figures of women standing with outstretched hands, passing to each other
+      vases from which gushed forth two streams of water. This trough formed a
+      reservoir, which was filled every morning for the use of the men and
+      beasts, and those whom some business or a command brought to the palace
+      could refresh themselves there while waiting to be received by the master.
+      The gates which gave access to the interior were placed at somewhat
+      irregular intervals: two opened from the principal fa�ade, but on each of
+      the other sides there was only one entrance. They were arched and so low
+      that admittance was not easily gained; they were closed with two-leaved
+      doors of cedar or cypress, provided with bronze hinges, which turned upon
+      two blackish stones firmly set in the masonry on either side, and usually
+      inscribed with the name of the founder or that of the reigning sovereign.
+      Two of the entrances possessed a sort of covered way, in which the
+      soldiers of the external watch could take shelter from the heat of the sun
+      by day, from the cold at night, and from the dews at dawn. On crossing the
+      threshold, a corridor, flanked with two small rooms for porters or
+      warders, led into a courtyard surrounded with buildings of sufficient
+      depth to take up nearly half of the area enclosed within the walls. This
+      court was moreover a semi-public place, to which tradesmen, merchants,
+      suppliants, and functionaries of all ranks had easy access. A suite of
+      three rooms shut off in the north-east angle did duty for a magazine or
+      arsenal. The southern portion of the building was occupied by the State
+      apartments, the largest of which measures only 40 feet in length. In these
+      rooms Gudea and his successors gave audience to their nobles and
+      administered justice. The administrative officers and the staff who had
+      charge of them were probably located in the remaining part of the
+      building. The roof was flat, and ran all round the enclosing wall, forming
+      a terrace, access to it being gained by a staircase built between the
+      principal entrance and the arsenal. At the northern angle rose a ziggurat.
+      Custom demanded that the sovereign should possess a temple within his
+      dwelling, where he could fulfil his religious duties without going into
+      the town and mixing with the crowd. At Lagash the sacred tower was of
+      older date than the palace, and possibly formed part of the ancient
+      building of Urbau. It was originally composed of three stories, but the
+      lower one was altered by Gudea, and disappeared entirely in the thickness
+      of the basal platform. The second story thus became the bottom one; it was
+      enlarged, slightly raised above the neighbouring roofs, and was probably
+      crowned by a sanctuary dedicated to Ningirsu. It was, indeed, a monument
+      of modest proportions, and most of the public temples soared far above it;
+      but, small as it was, the whole town might be seen from the summit, with
+      its separate quarters and its belt of gardens; and beyond, the open
+      country intersected with streams, studded with isolated villages, patches
+      of wood, pools and weedy marshes left by the retiring inundation, and in
+      the far distance the lines of trees and bushes which bordered the banks of
+      the Euphrates and its confluents. Should a troop of enemies venture within
+      the range of sight, or should a suspicious tumult arise within the city,
+      the watchers posted on the highest terrace would immediately give the
+      alarm, and &lsquo;through their warning the king would have time to close his
+      gates, and take measures to resist the invading enemy or crush the revolt
+      of his subjects.
+    </p>
+    <p>
+      <a name="linkCimage-0012" id="linkCimage-0012">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/255.jpg" width="100%"
+       alt="255.jpg Stone Socket of One Of the Doors in The Palace Of Gudea.( Right) " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from Heuzey-Sarzec.
+</pre>
+    <p>
+      The northern apartments of the palace were appropriated to Gudea and his
+      family. They were placed with their back to the entrance court, and were
+      divided into two groups; the sovereign, his male children and their
+      attendants, inhabited the western one, while the women and their slaves
+      were cloistered, so to speak, in the northern set. The royal dwelling had
+      an external exit by means of a passage issuing on the north-west of the
+      enclosure, and it also communicated with the great courtyard by a vaulted
+      corridor which ran along one side of the base of the ziggurat: the doors
+      which, closed these two entrances opened wide enough to admit only one
+      person at a time, and to the right and left were recesses in the wall
+      which enabled the guards to examine all comers unobserved, and stab them
+      promptly if there were anything suspicious in their behaviour. Eight
+      chambers were lighted from the courtyard. In one of them were kept all the
+      provisions for the day, while another served as a kitchen: the head, cook
+      carried on his work at a sort of rectangular dresser of moderate size, on
+      which several fireplaces were marked out by little dividing walls of burnt
+      bricks, to accommodate as many pots or pans of various sizes. A well sunk
+      in the corner right down below the substructure provided the water needed
+      for culinary purposes. The king and his belongings accommodated themselves
+      in the remaining five or six rooms as best they could. A corridor, guarded
+      as carefully as the one previously described, led to his private
+      apartments and to those of his wives: these comprised a yard, some
+      half-dozen cells varying in size, a kitchen, a well, and a door through
+      which the servants could come and go, without passing through the men&rsquo;s
+      quarters. The whole description in no way corresponds with the marvellous
+      ideal of an Oriental palace which we form for ourselves: the apartments
+      are mean and dismal, imperfectly lighted by the door or by some small
+      aperture timidly cut in the ceiling, arranged so as to protect the inmates
+      from the heat and dust, but without a thought given to luxury or display.
+      The walls were entirely void of any cedar woodwork inlaid with gold, or
+      panels of mosaic such as we find in the temples, nor were they hung with
+      dyed or embroidered draperies such as we moderns love to imagine, and
+      which we spread about in profusion, when we attempt to reproduce the
+      interior of an ancient house or palace.*
+    </p>
+<pre xml:space="preserve">
+     * Mons. de Sarzec expressly states that he was unable to
+     find anywhere in the palace of Gudea &ldquo;the slightest trace of
+     any coating on the walls, either of colour or glazed brick.
+     The walls appear to have been left bare, without any
+     decoration except the regular joining of the courses of
+     brickwork.&rdquo; The wood panelling was usually reserved for the
+     temples or sacred edifices: Mons. de Sarzec found the
+     remains of carbonized cedar panels in the ruins of a
+     sanctuary dedicated to Ningirsu. According to Mons. Heuzey,
+     the wall-hangings were probably covered with geometrical
+     designs, similar to those formed by the terra-cotta cones on
+     the walls of the palace at Uruk; the inscriptions, however,
+     which are full of minute details with regard to the
+     construction and ornamentation of the temples and palaces,
+     have hitherto contained nothing which would lead us to infer
+     that hangings were used for mural decoration in Chaldoa or
+     Assyria.
+</pre>
+    <p>
+      The walls had to remain bare for the sake of coolness: at the most they
+      were only covered with a coat of white plaster, on which were painted, in
+      one or two colours, some scene of civil or religious life, or troops of
+      fantastic monsters struggling with one another, or men each with a bird
+      seated on his Wrist. The furniture was not less scanty than the
+      decoration; there were mats on the ground, coffers in which were kept the
+      linen and wearing apparel, low beds inlaid with ivory and metal and
+      provided with coverings and a thin mattress, copper or wooden stands to
+      support lamps or vases, square stools on four legs united by crossbars,
+      armchairs with lions&rsquo; claw feet, resembling the Egyptian armchairs in
+      outline, and making us ask if they were brought into Chaldaea by caravans,
+      or made from models which had come from some other country. A few rare
+      objects of artistic character might be found, which bore witness to a
+      certain taste for elegance and refinement; as, for instance, a kind of
+      circular trough of black stone, probably used to support a vase. Three
+      rows of imbricated scales surrounded the base of this, while seven small
+      sitting figures lean back against the upper part with an air of
+      satisfaction which is most cleverly rendered. The decoration of the larger
+      chambers used for public receptions and official ceremonies, while never
+      assuming the monumental character which we observe in contemporary
+      Egyptian buildings, afforded more scope for richness and variety than was
+      offered by the living-rooms.
+    </p>
+    <p>
+      <a name="linkCimage-0013" id="linkCimage-0013">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/258.jpg" width="100%"
+       alt="258.jpg Stand of Black Stone from the Palace Of Telloh. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from Heuzey-Sarzec.
+</pre>
+    <p>
+      Small tablets of brownish limestone, let into the wall or affixed to its
+      surface by terra-cotta pegs, and decorated with inscriptions, represented
+      in a more or less artless fashion the figure of the sovereign officiating
+      before some divinity, while his children and servants took part in the
+      ceremony by their chanting. Inscribed bricks celebrating the king&rsquo;s
+      exploits were placed here and there in conspicuous places. These were not
+      embedded like the others in two layers of bitumen or lime, but were placed
+      in full view upon bronze statues of divinities or priests, fixed into the
+      ground or into some part of the masonry as magical nails destined to
+      preserve the bricks from destruction, and consequently to keep the memory
+      of the dedicator continually before posterity. Stelaa engraved on both
+      sides recalled the wars of past times, the battle-field, the scenes of
+      horror which took place there, and the return of the victor and his
+      triumph. Sitting or standing figures of diorite, silicious sandstone or
+      hard limestone, bearing inscriptions on their robes or shoulders,
+      perpetuated the features of the founder or of members of his family, and
+      commemorated the pious donations which had obtained for him the favour of
+      the gods: the palace of Lagash contained dozens of such statues, several
+      of which have come down to us almost intact&mdash;one of the ancient
+      Urbau, and nine of Gudea.
+    </p>
+    <p>
+      To judge by the space covered and the arrangement of the rooms, the
+      vicegerents of Lagash and the chiefs of towns of minor importance must, as
+      a rule, have been content with a comparatively small number of servants;
+      their court probably resembled that of the Egyptian barons who lived much
+      about the same period, such as Khn�mhotp� of the nome of the Gazelle, or
+      Thothotp� of Hermopolis. In great cities such as Babylon the palace
+      occupied a much larger area, and the crowd of courtiers was doubtless as
+      great as that which thronged about the Pharaohs. No exact enumeration of
+      them has come down to us, but the titles which we come across show with
+      what minuteness they defined the offices about the person of the
+      sovereign. His costume alone required almost as many persons as there were
+      garments. The men wore the light loin-cloth or short-sleeved tunic which
+      scarcely covered the knees; after the fashion of the Egyptians, they threw
+      over the loin-cloth and the tunic a large &ldquo;abayah,&rdquo; whose shape and
+      material varied with the caprice of fashion. They often chose for this
+      purpose a sort of shawl of a plain material, fringed or ornamented with a
+      flat stripe round the edge; often they seem to have preferred it ribbed,
+      or artificially kilted from top to bottom.*
+    </p>
+<pre xml:space="preserve">
+     * The relatively modern costume was described by Herodotus,
+     i. 114; it was almost identical with the ancient one, as
+     proved by the representations on the cylinders and monuments
+     of Telloh. The short-sleeved tunic is more rarely
+     represented, and the loin-cloth is usually hidden under the
+     abayah in the case of nobles and kings. We see the princes
+     of Lagash wearing the simple loin-cloth, on the monuments of
+     Urnin�, for example. For the Egyptian abayah, and the manner
+     of representing it, cf. vol. i. pp. 69, 71.
+</pre>
+    <p>
+      The favourite material in ancient times, however, seems to have been a
+      hairy, shaggy cloth or woollen stuff, whose close fleecy thread hung
+      sometimes straight, sometimes crimped or waved, in regular rows like
+      flounces one above another. This could be arranged squarely around the
+      neck, like a mantel, but was more often draped crosswise over the left
+      shoulder and brought under the right arm-pit, so as to leave the upper
+      part of the breast and the arm bare on that side. It made a convenient and
+      useful garment&mdash;an excellent protection in summer from the sun, and
+      from the icy north wind in the winter. The feet were shod with sandals, a
+      tight-fitting cap covered the head, and round it was rolled a thick strip
+      of linen, forming a sort of rudimentary turban, which completed the
+      costume.*
+    </p>
+<pre xml:space="preserve">
+     *Cf. the head belonging to one of the statues of Telloh,
+     which is reproduced on p. 112 of this volume. We notice the
+     same head-dress on several intaglios and monuments, and also
+     on the terra-cotta plaque which will be found on p. 330 of
+     this volume, and which represents a herdsman wrestling with
+     a lion. Until we have further evidence, we cannot state, as
+     G. Raw-linson did, that this strip forming a turban was of
+     camel&rsquo;s hair; the date of the introduction of the camel into
+     Chaldoa still remains uncertain.
+</pre>
+    <p>
+      It is questionable whether, as in Egypt, wigs and false beards formed part
+      of the toilette. On some monuments we notice smooth faces and
+      close-cropped heads; on others the men appear with long hair, either
+      falling loose or twisted into a knot on the back of the neck.* While the
+      Egyptians delighted in garments of thin white linen, but slightly plaited
+      or crimped, the dwellers on the banks of the Euphrates preferred thick and
+      heavy stuffs patterned and striped with many colours. The kings wore the
+      same costume as their subjects, but composed of richer and finer
+      materials, dyed red or blue, decorated with floral, animal, or geometrical
+      designs;** a high tower-shaped tiara covered the forehead,*** unless
+      replaced by a diadem of Sin or some of the other gods, which was a conical
+      mitre supporting a double pair of horns, and sometimes surmounted by a
+      sort of diadem of feathers and mysterious figures, embroidered or painted
+      on the cap. Their arms were loaded with massive bracelets and their
+      fingers with rings; they wore necklaces and earrings, and carried each a
+      dagger in the belt.
+    </p>
+<pre xml:space="preserve">
+     * Dignitaries went bareheaded and shaved the chin; see, for
+     example, the two bas-reliefs given on pp. 105 and 244 of
+     this volume; cf. the heads reproduced as tailpieces on pp.
+     2, 124. The knot of hair behind on the central figure is
+     easily distinguished in the vignette on p. 266 of this
+     volume.
+
+     ** The details of colour and ornamentation, not furnished by
+     the Chald�an monuments, are given in the wall-painting at
+     Beni-Nasan representing the arrival of Asiatics in Egypt,
+     which belongs to a period contemporary with or slightly
+     anterior to the reign of Gudea. The resemblance of the
+     stuffs in which they are clothed to those of the Chald�an
+     garments, and the identity of the patterns on them with the
+     geometrical decoration of painted cones on the palace at
+     Uruk, have been pointed out with justice by H. G. Tomkins
+
+     *** The high tiara is represented among others on the head
+     of Mardukna-dinakhe, King of Babylon: cf. what is said of
+     the conical mitre, the headdress of Sin, on pp. 14, 169 of
+     this volume.
+</pre>
+    <p>
+      <a name="linkCimage-0014" id="linkCimage-0014">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/262.jpg" width="100%"
+       alt="262.jpg Female Servant Bare to the Waist.(left) " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from the bronze figure in the
+     Louvre, published by Heuzey-Sarzec, <i>D�couvertes en
+     Chald�e</i>, pl. 14.
+</pre>
+    <p>
+      The royal wardrobe, jewels, arms, and insignia formed so many distinct
+      departments, and each was further divided into minor sections for
+      body-linen, washing, or for this or that kind of headdress or sceptre. The
+      dress of the women, which was singularly like that of the men, required no
+      less a staff of attendants. The female servants, as well as the male, went
+      about bare to the waist, at all events while working indoors. When they
+      went out, they wore the same sort of tunic or loin-cloth, but longer and
+      more resembling a petticoat; they had the same &ldquo;abayah&rdquo; drawn round the
+      shoulders or rolled about the body like a cloak, but with the women it
+      nearly touched the ground; sometimes an actual dress seems to have been
+      substituted for the &ldquo;abayah,&rdquo; drawn in to the figure by a belt and cut out
+      of the same hairy material as that of which the mantles were made. The
+      boots were of soft leather, laced, and without heels; the women&rsquo;s
+      ornaments were more numerous than those of the men, and comprised
+      necklaces, bracelets, ankle, finger, and ear rings; their hair was
+      separated into bands and kept in place on the forehead by a fillet,
+      falling in thick plaits or twisted into a coil on the nape of the neck.
+    </p>
+    <p>
+      <a name="linkCimage-0015" id="linkCimage-0015">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/263.jpg" width="100%"
+       alt="263.jpg Costume of a Chald�n Lady (right) " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from the alabaster statuette in the
+     Louvre, published in Heuzey. She holds in her hand the jar
+     full of water, analogous to the streaming vase mentioned
+     above.
+</pre>
+    <p>
+      A great deal of the work was performed by foreign or native slaves,
+      generally under the command of eunuchs, to whom the king and royal princes
+      entrusted most of the superintendence of their domestic arrangements; they
+      guarded and looked after the sleeping apartments, they fanned and kept the
+      flies from their master, and handed him his food and drink. Eunuchs in
+      Egypt were either unknown or but little esteemed: they never seem to have
+      been used, even in times when relations with Asia were of daily
+      occurrence, and when they might have been supplied from the Babylonian
+      slave-markets.
+    </p>
+    <p>
+      All these various officials closely attached to the person of the
+      sovereign&mdash;heads of the wardrobe, chamberlains, cupbearers, bearers
+      of the royal sword or of the flabella, commanders of the eunuchs or of the
+      guards&mdash;had, by the nature of their duties, daily opportunities of
+      gaining a direct influence over their master and his government, and from
+      among them he often chose the generals of his army or the administrators
+      of his domains. Here, again, as far as the few monuments and the obscurity
+      of the texts permit of our judging, we find indications of a civil and
+      military organization analogous to that of Egypt: the divergencies which
+      contemporaries may have been able to detect in the two national systems
+      are effaced by the distance of time, and we are struck merely by the
+      resemblances. As all business transactions were carried on by barter or by
+      the exchange of merchandise for weighed quantities of the precious metals,
+      the taxes were consequently paid in kind: the principal media being corn
+      and other cereals, dates, fruits, stuffs, live animals and slaves, as well
+      as gold, silver, lead, and copper, either in its native state or melted
+      into bars fashioned into implements or ornamented vases. Hence we
+      continually come across fiscal storehouses, both in town and country,
+      which demanded the services of a whole troop of functionaries and workmen:
+      administrators of corn, cattle, precious metals, wine and oil; in fine, as
+      many administrators as there were cultures or industries in the country
+      presided over the gathering of the products into the central depots and
+      regulated their redistribution. A certain portion was reserved for the
+      salaries of the employ�s and the pay of the workmen engaged in executing
+      public works: the surplus accumulated in the treasury and formed a
+      reserve, which was not drawn upon except in cases of extreme necessity.
+      Every palace, in addition to its living-rooms, contained within its walls
+      large store-chambers filled with provisions and weapons, which made it
+      more or less a fortress, furnished with indispensable requisites for
+      sustaining a prolonged siege either against an enemy&rsquo;s troops or the
+      king&rsquo;s own subjects in revolt. The king always kept about him bodies of
+      soldiers who perhaps were foreign mercenaries, like the Mazai� of the
+      armies of the Pharaohs, and who formed his permanent body-guard in times
+      of peace. When a war was imminent, a military levy was made upon his
+      domains, but we are unable to find out whether the recruits thus raised
+      were drawn indiscriminately from the population in general, or merely from
+      a special class, analogous to that of the warriors which we find in Egypt,
+      who were paid in the same way by grants of land. The equipment of these
+      soldiers was of the rudest kind: they had no cuirass, but carried a
+      rectangular shield, and, in the case of those of higher rank at all
+      events, a conical metal helmet, probably of beaten copper, provided with a
+      piece to protect the back of the neck; the heavy infantry were armed with
+      a pike tipped with bronze ox-copper, an axe or sharp adze, a stone-headed
+      mace, and a dagger; the light troops were provided only with the bow and
+      sling. As early as the third millennium b.c., the king went to battle in a
+      chariot drawn by onagers, or perhaps horses; he had his own peculiar
+      weapon, which was a curved b�ton probably terminating in a metal point,
+      and resembling the sceptre of the Pharaohs. Considerable quantities of all
+      these arms were stored in the arsenals, which contained depots for bows,
+      maces, and pikes, and even the stones needed for the slings had their
+      special department for storage. At the beginning of each campaign, a
+      distribution of weapons to the newly levied troops took place; but as soon
+      as the war was at an end, the men brought back their accoutrements, which
+      were stored till they were again required. The valour of the soldiers and
+      their chiefs was then rewarded; the share of the spoil for some consisted
+      of cattle, gold, corn, a female slave, and vessels of value; for others,
+      lands or towns in the conquered country, regulated by the rank of the
+      recipients or the extent of the services they had rendered.
+    </p>
+    <p>
+      <a name="linkCimage-0016" id="linkCimage-0016">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/266.jpg" width="100%"
+       alt="266.jpg a Soldier Bringing Prisoners and Spoil. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from the Chald�an intaglio in the
+     British. Museum.
+</pre>
+    <p>
+      Property thus given was hereditary, and privileges were often added to it
+      which raised the holder to the rank of a petty prince: for instance, no
+      royal official was permitted to impose a tax upon such lands, or take the
+      cattle off them, or levy provisions upon them; no troop of soldiers might
+      enter them, not even for the purpose of arresting a fugitive. Most of the
+      noble families possessed domains of this kind, and constituted in each
+      kingdom a powerful and wealthy feudal aristocracy, whose relations to
+      their sovereign were probably much the same as those which bound the
+      nomarchs to the Pharaoh. The position of these nobles was not more stable
+      than that of the dynasties under which they lived: while some among them
+      gained power by marriages or by continued acquisitions of land, others
+      fell into disgrace and were ruined. As the soil belonged to the gods, it
+      is possible that these nobles were supposed, in theory, &lsquo;to depend upon
+      the gods; but as the kings were the vicegerents of the gods upon earth, it
+      was to the king, as a matter of fact, that they owed their elevation.
+      Every state, therefore, comprised two parts, each subject to a distinct
+      r�gime: one being the personal domain of the suzerain, which he managed
+      himself, and from which he drew the revenues; the other was composed of
+      fiefs, whose lords paid tribute and owed certain obligations to the king,
+      the nature of which we are as yet unable to define.
+    </p>
+    <p>
+      The Chald�an, like the Egyptian scribe, was the pivot on which the
+      machinery of this double royal and seignorial administration turned. He
+      does not appear to have enjoyed as much consideration as his
+      fellow-official in the Nile Valley: the Chald�an princes, nobles, priests,
+      soldiers, and temple or royal officials, did not covet the title of
+      scribe, or pride themselves upon holding that office side by side with
+      their other dignities, as we see was the case with their Egyptian
+      contemporaries. The position of a scribe, nevertheless, was an important
+      one. We continually meet with it in all grades of society&mdash;in the
+      palace, in the temples, in the storehouses, in private dwellings; in fine,
+      the scribe was ubiquitous, at court, in the town, in the country, in the
+      army, managing affairs both small and great, and seeing that they were
+      carried on regularly. His education differed but little from that given to
+      the Egyptian scribe; he learned the routine of administrative or judicial
+      affairs, the formularies for correspondence either with nobles or with
+      ordinary people, the art of writing, of calculating quickly, and of making
+      out bills correctly. We may well ask whether he ever employed papyrus or
+      prepared skins for these purposes. It would, indeed, seem strange that,
+      after centuries of intercourse, no caravan should have brought into
+      Chald�an any of those materials which were in such constant use for
+      literary purposes in Africa;* yet the same clay which furnished the
+      architect with such an abundant building material appears to have been the
+      only medium for transmitting the language which the scribes possessed.
+      They were always provided with slabs of a fine plastic clay, carefully
+      mixed and kept sufficiently moist to take easily the impression of an
+      object, but at the same time sufficiently firm to prevent the marks once
+      made from becoming either blurred or effaced. When a scribe had a text to
+      copy or a document to draw up, he chose out one of his slabs, which he
+      placed flat upon his left palm, and taking in the right hand a triangular
+      stylus of flint, copper, bronze, or bone,** he at once set to work. The
+      instrument, in early times, terminated in a fine point, and the marks made
+      by it when it was gently pressed upon the clay were slender and of uniform
+      thickness; in later times, the extremity of the stylus was cut with a
+      bevel, and the impression then took the shape of a metal nail or a wedge.
+    </p>
+<pre xml:space="preserve">
+     * On the Assyrian monuments we frequently see scribes taking
+     a list of the spoil, or writing letters on tablets and some
+     other soft material, either papyrus or prepared skin. Sayce
+     has given good reasons for believing that the Chald�anns of
+     the early dynasties knew of the papyrus, and either made it
+     themselves, or had it brought from Egypt.
+
+     ** See the triangular stylus of copper or bronze reproduced
+     by the side of the measuring-rule, and the plan on the
+     tablet of Gudea, p. 248 of this volume. The Assyrian Museum
+     in the Louvre possesses several large, flat styli of bone,
+     cut to a point at one end, which appear to have belonged to
+     the Assyrian scribes. Taylor discovered in a tomb at Eridu a
+     flint tool, which may have served for the same purpose as
+     the metal or bone styli.
+</pre>
+    <p>
+      <a name="linkCimage-0017" id="linkCimage-0017">
+      <!-- IMG --></a> <a href="images/268.jpg">ENLARGE TO FULL SIZE</a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/268th.jpg" width="100%"
+       alt="268.jpg Manuscript on Papyrus in Heiroglyphics" />
+    </div>
+    <p>
+      <br />
+    </p>
+    <p>
+      They wrote from left to right along the upper part of the tablet, and
+      covered both sides of it with closely written lines, which sometimes ran
+      over on to the edges. When the writing was finished, the scribe sent his
+      work to the potter, who put it in the kiln and baked it, or the writer may
+      have had a small oven at his own disposition, as a clerk with us would
+      have his table or desk. The shape of these documents varied, and sometimes
+      strikes us as being peculiar: besides the tablets and the bricks, we find
+      small solid cones, or hollow cylinders of considerable size, on which the
+      kings related their exploits or recorded the history of their wars or the
+      dedication of their buildings. This method had a few inconveniences, but
+      many advantages. These clay books were heavy to hold and clumsy to handle,
+      while the characters did not stand out well from the brown, yellow, and
+      whitish background of the material; but, on the other hand, a poem, baked
+      and incorporated into the page itself, ran less danger of destruction than
+      if scribbled in ink on sheets of papyrus. Fire could make no impression on
+      it; it could withstand water for a considerable length of time; even if
+      broken, the pieces were still of use: as long as it was not pulverized,
+      the entire document could be restored, with the exception, perhaps, of a
+      few signs, or &lsquo;some scraps of a sentence. The inscriptions which have been
+      saved from the foundations of the most ancient temples, several of which
+      date back forty or fifty centuries, are for the most part as clear and
+      legible as when they left the hands of the writer who engraved them or of
+      the workmen who baked them. It is owing to the material to which they were
+      committed that we possess the principal works of Chald�an literature which
+      have come down to us&mdash;poems, annals, hymns, magical incantations; how
+      few fragments of these would ever have reached us had their authors
+      confided them to parchment or paper, after the manner of the Egyptian
+      scribes! The greatest danger that they ran was that of being left
+      forgotten in the corner of the chamber in which they had been kept, or
+      buried under the rubbish of a building after a fire or some violent
+      catastrophe; even then the <i>d�bris</i> were the means of preserving
+      them, by falling over them and covering them up. Protected under the
+      ruins, they would lie there for centuries, till the fortunate explorer
+      should bring them to light and deliver them over to the patient study of
+      the learned.
+    </p>
+    <p>
+      The cuneiform character in itself is neither picturesque nor decorative.
+      It does not offer that delightful assemblage of birds and snakes, of men
+      and quadrupeds, of heads and limbs, of tools, weapons, stars, trees, and
+      boats, which succeed each other in perplexing order on the Egyptian
+      monuments, to give permanence to the glory of Pharaoh and the greatness of
+      his gods. Cuneiform writing is essentially composed of thin short lines,
+      placed in juxtaposition or crossing each other in a somewhat clumsy
+      fashion; it has the appearance of numbers of nails scattered about at
+      haphazard, and its angular configuration, and its stiff and spiny
+      appearance, gives the inscriptions a dull and forbidding aspect which no
+      artifice of the engraver can overcome.
+    </p>
+    <p>
+      <a name="linkCimage-0018" id="linkCimage-0018">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/271.jpg" width="100%" alt="271.jpg Page Image " />
+    </div>
+    <p>
+      <a name="linkCimage-0019" id="linkCimage-0019">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/272.jpg" width="100%" alt="272.jpg Page Image " />
+    </div>
+    <p>
+      Yet, in spite of their seemingly arbitrary character, this mass of strokes
+      had its source in actual hieroglyphs. As in the origin of the Egyptian
+      script the earliest writers had begun by drawing on stone or clay the
+      outline of the object of which they desired to convey the idea. But,
+      whereas in Egypt the artistic temperament of the race, and the increasing
+      skill of their sculptors, had by degrees brought the drawing of each sign
+      to such perfection that it became a miniature portrait of the being or
+      object to be reproduced, in Chald�a, on the contrary, the signs became
+      degraded from their original forms on account of the difficulty
+      experienced in copying them with the stylus on the clay tablets: they lost
+      their original vertical position, and were placed horizontally, retaining
+      finally but the very faintest resemblance to the original model. For
+      instance, the Chaldaean conception of the sky was that of a vault divided
+      into eight segments by diameters running from the four cardinal points and
+      from their principal subdivisions [symbol] the external circle was soon
+      omitted, the transverse lines alone remaining [symbol], which again was
+      simplified into a kind of irregular cross [symbol]. The figure of a man
+      standing, indicated by the lines resembling his contour, was placed on its
+      side [symbol] and reduced little by little till it came to be merely a
+      series of ill-balanced lines [symbol] [symbol]. We may still recognize in
+      [symbol] the five fingers and palm of a human hand [symbol]; but who would
+      guess at the first glance that [symbol] stands for the foot which the
+      scribes strove to place beside each character the special hieroglyph from
+      which it had been derived. Several fragments of these still exist, a study
+      of which seems to show that the Assyrian scribes of a more recent period
+      were at times as much puzzled as we are ourselves when they strove to get
+      at the principles of their own script: they had come to look on it as
+      nothing more than a system of arbitrary combinations, whose original form
+      had passed all the more readily into oblivion, because it had been
+      borrowed from a foreign race, who, as far as they were concerned, had
+      ceased to have a separate existence. The script had been invented by the
+      Sumerians in the very earliest times, and even they may have brought it in
+      an elemental condition from their distant fatherland. The first articulate
+      sounds which, being attached to the hieroglyphs, gave to each an
+      unalterable pronunciation, were words in the Sumerian tongue;
+      subsequently, when the natural progress of human thought led thi Chald�ans
+      to replace, as in Egypt, the majority of the signs representing ideas by
+      those representing sounds, the syllabic values which were developed side
+      by side with the ideographic values were purely Sumerian. The group
+      [symbol] throughout all its forms, designates in the first place the sky,
+      then the god of the sky, and finally the concept of divinity in general.
+      In its first two senses it is read ana, but in the last it becomes dingir,
+      dimir; and though it never lost its double force, it was soon separated
+      from the ideas which it evoked, to be used merely to denote the syllable
+      an wherever it occurred, even in cases where it had no connection with the
+      sky or heavenly things. The same process was applied to other signs with
+      similar results: after having merely denoted ideas, they came to stand for
+      the sounds corresponding to them, and then passed on to be mere syllables&mdash;complex
+      syllables in which several consonants may be distinguished, or simple
+      syllables composed of only one consonant and one vowel, or vice versa. The
+      Egyptians had carried this system still further, and in many cases had
+      kept only one part of the syllable, namely, a mute consonant: they
+      detached, for example, the final u from pu and bu, and gave only the
+      values b and p to the human leg J and the mat Q. The peoples of the
+      Euphrates stopped halfway, and admitted actual letters for the vowel
+      sounds a, i, and u only. Their system remained a syllabary interspersed
+      with ideograms, but excluded an alphabet.
+    </p>
+    <p>
+      <a name="linkCimage-0020" id="linkCimage-0020">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/274.jpg" width="100%" alt="274.jpg Page Image " />
+    </div>
+    <p>
+      It was eminently wanting in simplicity, but, taken as a whole, it would
+      not have presented as many difficulties as the script of the Egyptians,
+      had it not been forced, at a very early period, to adapt itself to the
+      exigencies of a language for which it had not been made. When it came to
+      be appropriated by the Semites, the ideographs, which up till then had
+      been read in Sumerian, did not lose the sounds which they possessed in
+      that tongue, but borrowed others from the new language. For example, &ldquo;god&rdquo;
+       was called ilu, and &ldquo;heaven&rdquo; called shami: [symbol], when encountered in
+      inscriptions by the Semites, were read [symbol] when the context showed
+      the sense to be &ldquo;god,&rdquo; and shami when the character evidently meant
+      &ldquo;heaven.&rdquo; They added these two vocables to the preceding ana, an, dingir,
+      dimir; but they did not stop there: they confounded the picture of the
+      star [symbol] with that of the sky, and sometimes attributed to [symbol],
+      the pronunciation kakkabu, and the meaning of star. The same process was
+      applied to all the groups, and the Semitic values being added to the
+      Sumerian, the scribes soon found themselves in possession of a double set
+      of syllables both simple and compound. This multiplicity of sounds, this
+      polyphonous character attached to their signs, became a cause of
+      embarrassment even to them. For instance, [symbol] when found in the body
+      of a word, stood for the syllables hi or hat, mid, mit, til, ziz; as an
+      ideogram it was used for a score of different concepts: that of lord or
+      master, inu, bilu; that of blood, dam�; for a corpse, pagru, shalamtu; for
+      the feeble or oppressed, kahtu, nagpu; as the hollow and the spring,
+      nakbu; for the state of old age, labaru; of dying, m�tu; of killing, m�tu;
+      of opening, p�tu; besides other meanings. Several phonetic complements
+      were added to it; it was preceded by ideograms which determined the sense
+      in which it was to be read, but which, like the Egyptian determinatives,
+      were not pronounced, and in this manner they succeeded in limiting the
+      number of mistakes which it was possible to make. With a final [symbol] it
+      would always mean [symbol] bilu, the master, but with an initial [symbol]
+      (thus [symbol]) it denoted the gods Bel or Ea; with [symbol]. which
+      indicates a man [symbol], it would be the corpse, pagru and shalamtu; with
+      [symbol] prefixed, it meant [symbol]&mdash;mutanu, the plague or death and
+      so on. In spite of these restrictions and explanations, the obscurity of
+      the meaning was so great, that in many cases the scribes ran the risk of
+      being unable to make out certain words and understand certain passages;
+      many of the values occurred but rarely, and remained unknown to those who
+      did not take the trouble to make a careful study of the syllabary and its
+      history. It became necessary to draw up tables for their use, in which all
+      the signs were classified and arranged, with their meanings and phonetic
+      transcriptions. These signs occupied one column, and in three or four
+      corresponding columns would be found, first, the name assigned to it;
+      secondly, the spelling, in syllables, of the phonetic values which the
+      signs expressed, thirdly, the Sumerian and Assyrian words which they
+      served to render, and sometimes glosses which completed the explanation.
+    </p>
+    <div class="fig" style="width:80%;">
+      <img alt="275 (94K)" src="images/275.jpg" width="100%" />
+    </div>
+    <p>
+      <a name="linkCimage-0021" id="linkCimage-0021">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/276.jpg" width="100%" alt="276.jpg Tables " />
+    </div>
+    <p>
+      Even this is far from exhausting the matter. Several of these dictionaries
+      went back to a very early date, and tradition ascribes to Sargon of Agade
+      the merit of having them drawn up or of having collected them in his
+      palace. The number of them naturally increased in the course of centuries;
+      in the later times of the Assyrian empire they were so numerous as to form
+      nearly one-fourth of the works in the library at Nineveh under
+      Assurbanipal. Other tablets contained dictionaries of archaic or obsolete
+      terms, grammatical paradigms, extracts from laws or ancient hymns analyzed
+      sentence by sentence and often word by word, interlinear glosses,
+      collections of Sumerian formulas translated into Semitic speech&mdash;a
+      child&rsquo;s guide, in fact, which the savants of those times consulted with as
+      much advantage as those of our own day have done, and which must have
+      saved them from many a blunder.
+    </p>
+    <p>
+      When once accustomed to the difficulties and intricacies of their calling,
+      the scribes were never at a standstill. The stylus was plied in Chald�a no
+      less assiduously than was the calamus in Egypt, and the indestructible
+      clay, which the Chald�ans were as a rule content to use, proved a better
+      medium in the long run than the more refined material employed by their
+      rivals: the baked or merely dried clay tablets have withstood the assaults
+      of time in surprising quantities, while the majority of papyri have
+      disappeared without leaving a trace behind. If at Babylon we rarely meet
+      with those representations, which we find everywhere in the tombs of
+      Saqqara or G�zeh, of the people themselves and their families, their
+      occupations, amusements, and daily intercourse, we possess, on the other
+      hand, that of which the ruins of Memphis have furnished us but scanty
+      instances up to the present time, namely, judicial documents, regulating
+      the mutual relations of the people and conferring a legal sanction on the
+      various events of their life. Whether it were a question of buying lands
+      or contracting a marriage, of a loan on interest, or the sale of slaves,
+      the scribe was called in with his soft tablets to engross the necessary
+      agreement. In this he would insert as many details as possible&mdash;the
+      day of the month, the year of the reigning sovereign, and at times, to be
+      still more precise, an allusion to some important event which had just
+      taken place, and a memorial of which was inserted in official annals, such
+      as the taking of a town, the defeat of a neighbouring king, the dedication
+      of a temple, the building of a wall or fortress, the opening of a canal,
+      or the ravages of an inundation: the names of the witnesses and
+      magistrates before whom the act was confirmed were also added to those of
+      the contracting parties. The method of sanctioning it was curious. An
+      indentation was made with the finger-nail on one of the sides of the
+      tablet, and this mark, followed or preceded by the mention of a name,
+      &ldquo;Nail of Zabudamik,&rdquo; &ldquo;Nail of Abzii,&rdquo; took the place of our more or less
+      complicated sign-manuals. In later times, only the buyer and witnesses
+      approved by a nail-mark, while the seller appended his seal; an
+      inscription incised above the impress indicating the position of the
+      signatory. Every one of any importance possessed a seal, which he wore
+      attached to his wrist or hung round his neck by a cord; he scarcely ever
+      allowed it to be separated from his person during his lifetime, and after
+      death it was placed with him in the tomb in order to prevent any improper
+      use being made of it. It was usually a cylinder, sometimes a truncated
+      cone with a convex base, either of marble, red or green jasper, agate,
+      cornelian, onyx or rock crystal, but rarely of metal. Engraved upon it in
+      intaglio was an emblem or subject chosen by the owner, such as the single
+      figure of a god or goddess, an act of adoration, a sacrifice, or an
+      episode in the story of Gilgames, followed sometimes by the inscription of
+      a name and title. The cylinder was rolled, or, in the case of the cone,
+      merely pressed on the clay, in the space reserved for it. In several
+      localities the contracting parties had recourse to a very ingenious
+      procedure to prevent the agreements being altered or added to by
+      unscrupulous persons. When the document had been impressed on the tablet,
+      it was enveloped in a second coating of clay, upon which an exact copy of
+      the original was made, the latter thus becoming inaccessible to forgers:
+      if by chance, in course of time, any disagreement should take place, and
+      an alteration of the visible text should be suspected, the outer envelope
+      was broken in the presence of witnesses, and a comparison was made to see
+      if the exterior corresponded exactly with the interior version. Families
+      thus had their private archives, to which additions were rapidly made by
+      every generation; every household thus accumulated not only the evidences
+      of its own history, but to some extent that of other families with whom
+      they had formed alliances, or had business or friendly relations.*
+    </p>
+<pre xml:space="preserve">
+     * The tablets of Tell-Sifr come from one of these family
+     collections. They all, in number about one hundred, rested
+     on three enormous bricks, and they had been covered with a
+     mat of which the half-decayed remains were still visible:
+     three other crude bricks covered the heap. The documents
+     contained in them relate for the most part to the families
+     of Sininana and Amilil�ni, and form part of their archives.
+</pre>
+    <p>
+      <a name="linkCimage-0022" id="linkCimage-0022">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/279.jpg" width="100%"
+       alt="279.jpg the Tablet of Tell-sifr, Broken to Show The Two Texts. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from Loftus.
+</pre>
+    <p>
+      <a name="linkCimage-0023" id="linkCimage-0023">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/280.jpg" width="100%"
+       alt="280.jpg Tablet Bearing the Impress of a Seal " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from a sketch by Layard.
+</pre>
+    <p>
+      The constitution of the family was of a complex character. It would appear
+      that the people of each city were divided into clans, all of whose members
+      claimed to be descended from a common ancestor, who had flourished at a
+      more or less remote period. The members of each clan were by no means all
+      in the same social position, some having gone down in the world, others
+      having raised themselves; and amongst them we find many different callings&mdash;from
+      agricultural labourers to scribes, and from merchants to artisans. No
+      mutual tie existed among the majority of these members except the
+      remembrance of their common origin, perhaps also a common religion, and
+      eventual rights of succession or claims upon what belonged to each one
+      individually. The branches which had become gradually separated from the
+      parent stock, and which, taken all together, formed the clan, possessed
+      each, on the contrary, a very strict organization. It is possible that, at
+      the outset, the woman occupied the more important position, but at an
+      early date the man became the head of the family,* and around him were
+      ranged the wives, children, servants, and slaves, all of whom had their
+      various duties and privileges.
+    </p>
+<pre xml:space="preserve">
+     * The change in the condition of women would be due to the
+     influence of Semitic ideas and customs in Chald�a.
+</pre>
+    <p>
+      He offered the household worship to the gods of his race, in accordance
+      with special rites which had come down to him from his father; he made at
+      the tombs of his ancestors, at such times as were customary, the offerings
+      and prayers which assured their repose in the other world, and his powers
+      were as extensive in civil as in religious matters. He had absolute
+      authority over all the members of his household, and anything undertaken
+      by them without his consent was held invalid in the eyes of the law; his
+      sons could not marry unless he had duly authorized them to do so. For this
+      purpose he appeared before the magistrate with the future couple, and the
+      projected union could not be held as an actual marriage, until he had
+      affixed his seal or made his nail-mark on the contract tablet. It
+      amounted, in fact, to a formal deed of sale, and the parents of the girl
+      parted with her only in exchange for a proportionate gift from the
+      bridegroom. One girl would be valued at a silver shekel by weight, while
+      another was worth a mina, another much less;* the handing over of the
+      price was accompanied with a certain solemnity. When the young man
+      possessed no property as yet of his own, his family advanced him the sum
+      needed for the purchase. On her side, the maiden did not enter upon her
+      new life empty handed; her father, or, in the case of his death, the head
+      of the family at the time being, provided her with a dowry suited to her
+      social position, which was often augmented by considerable presents from
+      her grandmother, aunts, and cousins.**
+    </p>
+<pre xml:space="preserve">
+     * Shamashnazir receives, as the price of his daughter, ten
+     shekels of silver, which appears to have been an average
+     price in the class of life to which he belonged.
+
+     ** The nature of the dowry in ancient times is clear from
+     the Sumero-Assyrian tablets in which the old legal texts are
+     explained, and again from the contents of the contracts of
+     Tell-Sifr, and the documents on stone, such as the Micliaux
+     stone, in which we see women bringing their possessions into
+     the community by marriage, and yet retaining the entire
+     disposition of them.
+</pre>
+    <p>
+      The dowry would consist of a carefully marked out field of corn, a grove
+      of date-palms, a house in the town, a trousseau, furniture, slaves, or
+      ready money; the whole would be committed to clay, of which there would be
+      three copies at least, two being given by the scribe to the contracting
+      parties, while the third would be deposited in the hands of the
+      magistrate. When the bride and bridegroom both belonged to the same class,
+      or were possessed of equal fortunes, the relatives of the woman could
+      exact an oath from the man that he would abstain from taking a second wife
+      during her lifetime; a special article of the marriage agreement permitted
+      the woman to go free should the husband break his faith, and bound him to
+      pay an indemnity as a compensation for the insult he had offered her. This
+      engagement on the part of the man, however, did not affect his relations
+      with his female servants. In Chald�a, as in Egypt, and indeed in the whole
+      of the ancient world, they were always completely at the mercy of their
+      purchaser, and the permission to treat them as he would had become so much
+      of a custom that the begetting of children by their master was desired
+      rather than otherwise: the complaints of the despised slave, who had not
+      been taken into her master&rsquo;s favour, formed one of the themes of popular
+      poetry at a very early period. When the contract tablet was finally
+      sealed, one of the witnesses, who was required to be a free man, joined
+      the hands of the young couple; nothing then remained to be done but to
+      invite the blessing of the gods, and to end the day by a feast, which
+      would unite both families and their guests. The evil spirits, however,
+      always in quest of an easy prey, were liable to find their way into the
+      nuptial chamber, favoured by the confusion inseparable from all household
+      rejoicing: prudence demanded that their attempts should be frustrated, and
+      that the newly married couple should be protected from their attacks. The
+      companions of the bridegroom took possession of him, and, hand to hand and
+      foot to foot, formed as it were a rampart round him with their bodies, and
+      carried him off solemnly to his expectant bride. He then again repeated
+      the words which he had said in the morning: &ldquo;I am the son of a prince,
+      gold and silver shall fill thy bosom; thou, even thou, shalt be my wife, I
+      myself will be thy husband;&rdquo; and he continued: &ldquo;As the fruits borne by an
+      orchard, so great shall be the abundance which I shall pour out upon this
+      woman.&rdquo; * The priest then called down upon him benedictions from on high:
+      &ldquo;Therefore, O ye (gods), all that is bad and that is not good in this man,
+      drive it far from him and give him strength. As for thee, O man, exhibit
+      thy manhood, that this woman may be thy wife; thou, O woman, give that
+      which makes thy womanhood, that this man may be thy husband.&rdquo; On the
+      following morning, a thanksgiving sacrifice celebrated the completion of
+      the marriage, and by purifying the new household drove from it the host of
+      evil spirits.**
+    </p>
+<pre xml:space="preserve">
+     * This part of the ceremony is described on a Sumero-
+     Assyrian tablet, of which two copies exist, discovered and
+     translated by Pinches. The interpretation appears to me to
+     result from the fact that mention is made, at the
+     commencement of the column, of impious beings without gods,
+     who might approach the man; in other places magical
+     exorcisms indicate how much those spirits were dreaded &ldquo;who
+     deprived the bride of the embraces of the man.&rdquo; As Pinches
+     remarks, the formula is also found in the part of the poem
+     of Gilgames, where Ishtar wishes to marry the hero, which
+     shows that the rite and its accompanying words belong to a
+     remote past.
+
+     ** The text that describes these ceremonies was discovered
+     and published by Pinches. As far as I can judge, it
+     contained an exorcism against the &ldquo;knotting of the tag,&rdquo; and
+     the mention of this subject called up that of the marriage
+     rites. The ceremony commanded on the day following the
+     marriage was probably a purification: as late as the time of
+     Herodotus, the union of man and woman rendered both impure,
+     and they had to perform an ablution before recommencing
+     their occupations.
+</pre>
+    <p>
+      The woman, once bound, could only escape from the sovereign power of her
+      husband by death or divorce; but divorce for her was rather a trial to
+      which she submitted than a right of which she could freely make use. Her
+      husband could repudiate her at will without any complicated ceremonies. It
+      was enough for him to say: &ldquo;Thou art not my wife!&rdquo; and to restore to her a
+      sum of money equalling in value the dowry he had received with her;* he
+      then sent her back to her father, with a letter informing him of the
+      dissolution of the conjugal tie.** But if in a moment of weariness or
+      anger she hurled the fatal formula at him: &ldquo;Thou are not my husband!&rdquo; her
+      fate was sealed: she was thrown into the river and drowned.***
+    </p>
+<pre xml:space="preserve">
+     * The sum is fixed at half a mina by the text of the
+     Sumerian laws; but it was sometimes less, e.g. ten shekels,
+     and sometimes more, e.g. a whole mina.
+
+     ** Repudiation of a wife, and the ceremonial connected with
+     it, are summarized, as far as ancient times are concerned,
+     by a passage in the Sumero-Assyrian tablet, published by
+     Rawlinson, and translated by Oppert-Menant. Bertin, on the
+     contrary, takes the same text to be a description of the
+     principal marriage-rites, and from it he draws the
+     conclusion that the possibility of divorce was not admitted
+     in Chald�a between persons of noble family. Meissner very
+     rightly returns to Oppert&rsquo;s interpretation, a few details in
+     which he corrects.
+
+     *** This fact was evident from the text of the so-called
+     <i>Sumerian Laws concerning the Organization of the Family</i>,
+     according to the generally received interpretation:
+     according to that proposed by Oppert-Menant, it was the
+     woman who had the right of causing the husband who had
+     wronged her to be thrown into the river. The publication of
+     the contracts of Iltani and of Bashtum appear to have shown
+     conclusively the correctness of the ordinary translation:
+     uncertainty with regard to one word prevents us from knowing
+     whether the guilty wife were strangled before being thrown
+     into the water, or if she were committed to the river alive.
+</pre>
+    <p>
+      The adulteress was also punished with death, but with death by the sword:
+      and when the use of iron became widespread, the blade was to be of that
+      metal. Another ancient custom only spared the criminal to devote her to a
+      life of infamy: the outraged husband stripped her of her fleecy garments,
+      giving her merely the loin-cloth in its place, which left her half naked,
+      and then turned-her out of the house into the street, where she was at the
+      mercy of the first passer-by. Women of noble or wealthy families found in
+      their fortune a certain protection from the abuse of marital authority.
+      The property which they brought with them by their marriage contract,
+      remained at their own disposal.* They had the entire management of it,
+      they farmed it out, they sold it, they spent the income from it as they
+      liked, without interference from any one: the man enjoyed the comforts
+      which it procured, but he could not touch it, and his hold upon it was so
+      slight that his creditors could not lay their hands on it.
+    </p>
+<pre xml:space="preserve">
+     * In the documents of the New Chald�an Empire we find
+     instances of married women selling their property
+     themselves, and even of their being present, seated, at the
+     conclusion of the sale, or of their ceding to a married
+     daughter some property in their own possession, thus
+     renouncing the power of disposing of it, and keeping merely
+     the income from it; we have also instances of women
+     reclaiming valuables of gold which their husbands had given
+     away without their authorisation, and also obtaining an
+     indemnity for the wrong they had suffered; also of their
+     lending money to the mother-in-law of their brother; in
+     fine, empowered to deal with their own property in every
+     respect like an ordinary proprietor.
+</pre>
+    <p>
+      If by his own act he divorced his wife, he not only lost all benefit from
+      her property, but he was obliged to make her an allowance or to pay her an
+      indemnity;* at his death, the widow succeeded to these, without prejudice
+      to what she was entitled to by her marriage contract or the will of the
+      deceased. The woman with a dowry, therefore, became more or less
+      emancipated by virtue of her money. As her departure deprived the
+      household of as much as, and sometimes more than, she had brought into it,
+      every care was taken that she should have no cause to retire from it, and
+      that no pretext should be given to her parents for her recall to her old
+      home; her wealth thus obtained for her the consideration and fair
+      treatment which the law had, at the outset, denied to her.
+    </p>
+<pre xml:space="preserve">
+     * The restitution of the dowry after divorce is ascertained,
+     as far as later times are concerned, from documents similar
+     to that published by Kohler-Peiser, in which we see the
+     second husband of a divorced wife claiming the dowry from
+     the first husband. The indemnity was fixed beforehand at six
+     silver min�, in the marriage contract published by Oppert.
+</pre>
+    <p>
+      When, however, the wife was poor, she had to bear without complaint the
+      whole burden of her inferior position. Her parents had no other resource
+      than to ask the highest possible price for her, according to the rank in
+      which they lived, or in virtue of the personal qualities she was supposed
+      to possess, and this amount, paid into their hands when they delivered her
+      over to the husband, formed, if not an actual dowry for her, at least a
+      provision for her in case of repudiation or widowhood: she was not,
+      however, any less the slave of her husband&mdash;a privileged slave, it is
+      true, and one whom he could not sell like his other slaves,* but of whom
+      he could easily rid himself when her first youth was passed, or when she
+      ceased to please him.**
+    </p>
+<pre xml:space="preserve">
+     * It appears, however, in certain cases not clearly
+     specified, that the husband could sell his wife, if she were
+     a shrew, as a slave.
+
+     ** This form of marriage, which was of frequent occurrence
+     in ancient times, fell into disuse among the upper classes,
+     at least of Babylonian society. A few examples, however, are
+     found in late times. It continued in use among the lower
+     classes, and Herodotus affirms that in his time marriage
+     markets were held regularly, as in our own time fairs are
+     held for hiring male and female servants.
+</pre>
+    <p>
+      In many cases the fiction of purchase was set aside, and mutual consent
+      took the place of all other formalities, marriage then becoming merely
+      cohabitation, terminating at will. The consent of the father was not
+      required for this irregular union, and many a son contracted a marriage
+      after this fashion, unknown to his relatives, with some young girl either
+      in his own or in an inferior station: but the law refused to allow her any
+      title except that of concubine, and forced her to wear a distinctive mark,
+      perhaps that of servitude, namely, the representation of an olive in some
+      valuable stone or in terra-cotta, bearing her own and her husband&rsquo;s name,
+      with the date of their union, which she kept hung round her neck by a
+      cord. Whether they were legitimate wives or not, the women of the lower
+      and middle classes enjoyed as much independence as did the Egyptian women
+      of a similar rank. As all the household cares fell to their share, it was
+      necessary that they should be free to go about at all hours of the day:
+      and they could be seen in the streets and the markets, with bare feet,
+      their head and face uncovered, wearing their linen loin-cloth or their
+      long draped garments of hairy texture.* Their whole life was expended in a
+      ceaseless toil for their husbands and children: night and morning they
+      went to fetch water from the public well or the river, they bruised the
+      corn, made the bread, spun, wove, and clothed the entire household in
+      spite of the frequent demands of maternity.** The Chald�an women of wealth
+      or noble birth, whose civil status gave them a higher position, did not
+      enjoy so much freedom. They were scarcely affected by the cares of daily
+      life, and if they did any work within their houses, it was more from a
+      natural instinct, a sense of duty, or to relieve the tedium of their
+      existence, than from constraint or necessity; but the exigencies of their
+      rank reduced them to the state of prisoners. All the luxuries and comforts
+      which money could procure were lavished on them, or they obtained them for
+      themselves, but all the while they were obliged to remain shut in the
+      harem within their own houses; when they went out, it was only to visit
+      their female friends or their relatives, to go to some temple or festival,
+      and on such occasions they were surrounded with servants, eunuchs, and
+      pages, whose serried ranks shut out the external world.
+    </p>
+<pre xml:space="preserve">
+     * For the long garment of the women, see the statue
+     represented on p. 263 of the present work; for the loin-
+     cloth, which left the shoulders and bust exposed, see the
+     bronze figure on p. 262. The latter was no doubt the garment
+     worn at home by respectable women; we see by the punishment
+     inflicted on adulteresses that it was an outdoor garment for
+     courtesans, and also, doubtless, for slaves and women of the
+     lower classes.
+
+     ** Women&rsquo;s occupations are mentioned in several texts and on
+     several ancient monuments. On the seal, an impress of which
+     is given on p. 233 of this volume, we see above, on the
+     left, a woman kneeling and crushing the corn, and before her
+     a row of little disks, representing, no doubt, the loaves
+     prepared for baking. The length of time for suckling a child
+     is fixed at three years by the Sumero-Assyrian tablet
+     relating the history of the foundling; protracted suckling
+     was customary also in Egypt.
+</pre>
+    <p>
+      There was no lack of children in these houses when the man had several
+      mistresses, either simultaneously or successively. Maternity was before
+      all things a woman&rsquo;s first duty: should she delay in bearing children, or
+      should anything happen to them, she was considered as accursed or
+      possessed, and she was banished from the family lest her presence should
+      be a source of danger to it.* In spite of this many households remained
+      childless, either because a clause inserted in the contract prevented the
+      dismissal of the wife if barren, or because the children had died when the
+      father was stricken in years, and there was little hope of further
+      offspring. In such places adoption filled the gaps left by nature, and
+      furnished the family with desired heirs. For this purpose some chance
+      orphan might be brought into the household&mdash;one of those poor little
+      creatures consigned by their mothers to the river, as in the case of
+      Shargani, according to the ancient legend; or who had been exposed at the
+      cross-roads to excite the pity of passers-by,** like the foundling whose
+      story is given us in an old ballad. &ldquo;He who had neither father nor mother,&mdash;he
+      who knew not his father or mother, but whose earliest memory is of a well&mdash;whose
+      entry into the world was in the street,&rdquo; his benefactor &ldquo;snatched him from
+      the jaws of dogs&mdash;and took him from the beaks of ravens.&mdash;He
+      seized the seal before witnesses&mdash;and he marked him on the sole of
+      the foot with the seal of the witness,&mdash;then he entrusted him to a
+      nurse,&mdash;and for three years he provided the nurse with flour, oil,
+      and clothing.&rdquo; When the weaning was accomplished, &ldquo;he appointed him to be
+      his child,&mdash;he brought him up to be his child,&mdash;he inscribed him
+      as his child,&mdash;and he gave him the education of a scribe.&rdquo; The rites
+      of adoption in these cases did not differ from those attendant upon birth.
+      On both occasions the newly born infant was shown to witnesses, and it was
+      marked on the soles of its feet to establish its identity; its
+      registration in the family archives did not take place until these
+      precautions had been observed, and children adopted in this manner were
+      regarded thenceforward in the eyes of the world as the legitimate heirs of
+      the family.
+    </p>
+<pre xml:space="preserve">
+     * Divorce for sterility was customary in very early times.
+     Complete sterility or miscarriage was thought to be
+     occasioned by evil spirits; a woman thus possessed with a
+     devil came to be looked on as a dangerous being whom it was
+     necessary to exorcise.
+</pre>
+<pre xml:space="preserve">
+     ** Many of these children were those of courtesans or women
+     who had been repudiated, as we learn from the Sumero-
+     Assyrian tablet of Rawlinson: &ldquo;She will expose her child
+     alone in the street, where the serpents in the road may bite
+     it, and its father and mother will know it no more.&rdquo;
+ </pre>
+    <p>
+      People desiring to adopt a child usually made inquiries among their
+      acquaintances, or poor friends, or cousins who might consent to give up
+      one of their sons, in the hope of securing a better future for him. When
+      he happened to be a minor, the real father and mother, or, in the case of
+      the death of one, the surviving parent, appeared before the scribe, and
+      relinquished all their rights in favour of the adopting parents; the
+      latter, in accepting this act of renunciation, promised henceforth to
+      treat the child as if he were of their own flesh and blood, and often
+      settled upon him, at the same time, a certain sum chargeable on their own
+      patrimony. When the adopted son was of age, his consent to the agreement
+      was required, in addition to that of his parents. The adoption was
+      sometimes prompted by an interested motive, and not merely by the desire
+      for posterity or its semblance. Labour was expensive, slaves were scarce,
+      and children, by working for their father, took the place of hired
+      servants, and were content, like them, with food and clothing. The
+      adoption of adults was, therefore, most frequent in ancient times. The
+      introduction of a person into a fresh household severed the ties which
+      bound him to the old one; he became a stranger to those who had borne him;
+      he had no filial obligations to discharge to them, nor had he any right to
+      whatever property they might possess, unless, indeed, any unforeseen
+      circumstance prevented the carrying out of the agreement, and legally
+      obliged him to return to the status of his birth. In return, he undertook
+      all the duties and enjoyed the privileges of his new position; he owed to
+      his adopted parents the same amount of work, obedience, and respect that
+      he would have given to his natural parents; he shared in their condition,
+      whether for good or ill, and he inherited their possessions. Provision was
+      made for him in case of his repudiation by those who had adopted him, and
+      they had to make him compensation: he received the portion which would
+      have accrued to him after their death, and he then left them. Families
+      appear to have been fairly united, in spite of the elasticity of the laws
+      which governed them, and of the divers elements of which they were
+      sometimes composed. No doubt polygamy and frequently divorce exercised
+      here as elsewhere a deleterious influence; the harems of Babylon were
+      constantly the scenes of endless intrigues and quarrels among the women
+      and children of varied condition and different parentage who filled them.
+      Among the people of the middle classes, where restricted means necessarily
+      prevented a man having many wives, the course of family life appears to
+      have been as calm and affectionate as in Egypt, under the unquestioned
+      supremacy of the father: and in the event of his early death, the widow,
+      and later the son or son-in-law, took the direction of affairs. Should
+      quarrels arise and reach the point of bringing about a complete rupture
+      between parents and children, the law intervened, not to reconcile them,
+      but to repress any violence of which either side might be guilty towards
+      the other. It was reckoned as a misdemeanour for any father or mother to
+      disown a child, and they were punished by being kept shut up in their own
+      house, as long, doubtless, as they persisted in disowning it; but it was a
+      crime in a son, even if he were an adopted son, to renounce his parents,
+      and he was punished severely. If he had said to his father, &ldquo;Thou art not
+      my father!&rdquo; the latter marked him with a conspicuous sign and sold him in
+      the market. If he had said to his mother, &ldquo;As for thee, thou art not my
+      mother!&rdquo; he was similarly branded, and led through the streets or along
+      the roads, where with hue and cry he was driven from the town and
+      province.*
+    </p>
+<pre xml:space="preserve">
+     * I have adopted the generally received meaning of this
+     document as a whole, but I am obliged to state that Oppert-
+     Menant admit quite a different interpretation. According to
+     them, it would appear to be a sweeping renunciation of
+     children by parents, and of parents by children, at the
+     close of a judicial condemnation. Oppert has upheld this
+     interpretation against Haupt, and still keeps to his
+     opinion. The documents published by Meissner show that the
+     text of the ancient Sumerian laws applied equally to adopted
+     children, but made no distinction between the insult offered
+     to the father and that offered to the mother: the same
+     penalty was applicable in both cases.
+</pre>
+    <p>
+      The slaves were numerous, but distributed in unequal proportion among the
+      various classes of the population: whilst in the palace they might be
+      found literally in crowds, it was rare among the middle classes to meet
+      with any family possessing more than two or three at a time. They were
+      drawn partly from foreign races; prisoners who had been wounded and
+      carried from the field of battle, or fugitives who had fallen into the
+      hands of the victors after a defeat, or Elamites or Gutis who had been
+      surprised in their own villages during some expedition; not to mention
+      people of every category carried off by the Bedouin during their raids in
+      distant parts, such as Syria or Egypt, whom they were continually bringing
+      for sale to Babylon and Uru, and, indeed, to all those cities to which
+      they had easy access. The kings, the vicegerents, the temple
+      administration, and the feudal lords, provided employment for vast numbers
+      in the construction of their buildings or in the cultivation of their
+      domains; the work was hard and the mortality great, but gaps were soon
+      filled up by the influx of fresh gangs. The survivors intermarried, and
+      their children, brought up to speak the Chald�an tongue and conforming to
+      the customs of the country, became assimilated to the ruling race; they
+      formed, beneath the superior native Semite and Sumerian population,an
+      inferior servile class, spread alike throughout the towns and country, who
+      were continually reinforced by individuals of the native race, such as
+      foundlings, women and children sold by husband or father, debtors deprived
+      by creditors of their liberty, and criminals judicially condemned. The law
+      took no individual account of them, but counted them by heads, as so many
+      cattle: they belonged to their respective masters in the same fashion as
+      did the beasts of his flock or the trees of his garden, and their life or
+      death was dependent upon his will, though the exercise of his rights was
+      naturally restrained by interest and custom. He could use them as pledges
+      or for payment of debt, could exchange them or sell them in the market.
+      The price of a slave never rose very high: a woman might be bought for
+      four and a half shekels of silver by weight, and the value of a male adult
+      fluctuated between ten shekels and the third of a mina. The bill of sale
+      was inscribed on clay, and given to the purchaser at the time of payment:
+      the tablets which were the vouchers of the rights of the former proprietor
+      were then broken, and the transfer was completed. The master seldom
+      ill-treated his slaves, except in cases of reiterated disobedience,
+      rebellion, or flight; he could arrest his runaway slaves wherever he could
+      lay his hands on them; he could shackle their ankles, fetter their wrists,
+      and whip them mercilessly. As a rule, he permitted them to marry and bring
+      up a family; he apprenticed their children, and as soon as they knew a
+      trade, he set them up in business in his own name, allowing them a share
+      in the profits. The more intelligent among them were trained to be clerks
+      or stewards; they were taught to read, write, and calculate, the essential
+      accomplishments of a skilful scribe; they were appointed as
+      superintendents over their former comrades, or overseers of the
+      administration of property, and they ended by becoming confidential
+      servants in the household. The savings which they had accumulated in their
+      earlier years furnished them with the means of procuring some few
+      consolations: they could hire themselves out for wages, and could even
+      acquire slaves who would go out to work for them, in the same way as they
+      themselves had been a source of income to their proprietors. If they
+      followed a lucrative profession and were successful in it, their savings
+      sometimes permitted them to buy their own freedom, and, if they were
+      married, to pay the ransom of their wife and children. At times, their
+      master, desirous of rewarding long and faithful service, liberated them of
+      his own accord, without waiting till they had saved up the necessary money
+      or goods for their enfranchisement: in such cases they remained his
+      dependants, and continued in his service as freemen to perform the
+      services they had formerly rendered as slaves. They then enjoyed the same
+      rights and advantages as the old native race; they could leave legacies,
+      inherit property, claim legal rights, and acquire and possess houses and
+      lands. Their sons could make good matches among the daughters of the
+      middle classes, according to their education and fortune; when they were
+      intelligent, active, and industrious, there was nothing to prevent them
+      from rising to the highest offices about the person of the sovereign.
+    </p>
+    <p>
+      <a name="linkCimage-0024" id="linkCimage-0024">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/294.jpg" width="100%"
+       alt="294.jpg an Egyptian Slave Merchant " />
+    </div>
+    <p>
+      If we knew more of the internal history of the great Chald�an cities, we
+      should no doubt come to see what an important part the servile element
+      played in them; and could we trace it back for a few generations, we
+      should probably discover that there were few great families who did not
+      reckon a slave or a freedman among their ancestors. It would be
+      interesting to follow this people, made up of such complex elements, in
+      all their daily work and recreation, as we are able to do in the case of
+      contemporary Egyptians; but the monuments which might furnish us with the
+      necessary materials are scarce, and the positive information to be gleaned
+      from them amounts to but little. We are tolerably safe, however, in
+      supposing the more wealthy cities to have been, as a whole, very similar
+      in appearance to those existing at the present day in the regions which as
+      yet have been scarcely touched by the advent of European civilization.
+      Sinuous, narrow, muddy streets, littered with domestic refuse and organic
+      detritus, in which flocks of ravens and wandering packs of dogs perform
+      with more or less efficiency the duties of sanitary officers; whole
+      quarters of the town composed of huts made of reeds and puddled clay, low
+      houses of crude brick, surmounted perhaps even in those times with the
+      conical domes we find later on the Assyrian bas-reliefs; crowded and noisy
+      bazaars, where each trade is located in its special lanes and blind
+      alleys; silent and desolate spaces occupied by palaces and gardens, in
+      which the private life of the wealthy was concealed from public gaze; and
+      looking down upon this medley of individual dwellings, the palaces and
+      temples with their ziggurats crowned with gilded and painted sanctuaries.
+      In the ruins of Uru, Eridu, and Uruk, the remains of houses belonging
+      doubtless to well-to-do families have been brought to light. They are
+      built of fine bricks, whose courses are cemented together with a thin
+      layer of bitumen, but they they are only lighted internally by small
+      appertures pierced at irregular distances in the upper part of the walls:
+      the low arched doorway, closed by a heavy two-leaved door, leads into a
+      blind passage, which opens as a rule on the courtyard in the centre of the
+      building.
+    </p>
+    <p>
+      <a name="linkCimage-0026" id="linkCimage-0026">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/298a.jpg" width="100%"
+       alt="208a.jpg Chaldean Houses at Uru. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from the sketch by Taylor.
+</pre>
+    <p>
+      <a name="linkCimage-0027" id="linkCimage-0027">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/298b.jpg" width="100%"
+       alt="208b Plans of Houses Excavated at Eridu and Ubu. " />
+    </div>
+<pre xml:space="preserve">
+     These plans were drawn by Faucher-Gudin, from sketches by
+     Taylor. The houses reproduced to the left of the plan were
+     those uncovered in the ruins of Uru; those on the right
+     belong to the ruins of Eridu. On the latter, the niches
+     mentioned in the text will be found indicated.
+</pre>
+    <p>
+      In the interior may still be distinguished the small oblong rooms,
+      sometimes vaulted, sometimes roofed with a flat, ceiling supported by
+      trunks of palm trees;* the walls are often of a considerable thickness, in
+      which are found narrow niches here and there. The majority of the rooms
+      were merely store-chambers, and contained the family provisions and
+      treasures; others served as living-rooms, and were provided with
+      furniture. The latter, in the houses of the richer citizens no less than
+      in those of the people, was of a very simple kind, and was mostly composed
+      of chairs and stools, similar to those in the royal palaces; the bedrooms
+      contained the linen chests and the beds with their thin mattresses,
+      coverings, and cushions, and perhaps wooden head-rests, resembling those
+      found in Africa,** but the Chald�ans slept mostly on mats spread on the
+      ground.
+    </p>
+<pre xml:space="preserve">
+     * Taylor, <i>Notes on the Ruins of Mugeyer</i>, in the <i>Journ. of
+     the Royal As. Soc</i>, vol. xv. p. 266, found the remains of
+     the palm-tree beams which formed the terrace still existing.
+     He thinks (<i>Notes on Tel-el-Lahm</i>, etc., in the <i>Journ, of
+     the Royal As. Soc.</i>, vol. xv. p. 411) with Loftus that some
+     of the chambers were vaulted. Cf. upon the custom of
+     vaulting in Chald�an houses, Piereot-Cupiez, <i>Histoire de
+     l&rsquo;Art</i>, vol. ii. p. 163, et seq.
+
+     ** The dressing of the hair in coils and elaborate
+     erections, as seen in the various figures engraved upon
+     Chald�an intaglios (cf. what is said of the different ways
+     of arranging the hair on p. 262 of this volume), appears to
+     have necessitated the use of these articles of furniture;
+     such complicated erections of hair must have lasted several
+     days at least, and would not have kept in condition so long
+     except for the use of the head-rest.
+</pre>
+    <p>
+      An oven for baking occupied a corner of the courtyard, side by side with
+      the stones for grinding the corn; the ashes on the hearth were always
+      aglow, and if by chance the fire went out, the fire-stick was always at
+      hand to relight it, as in Egypt. The kitchen utensils and household
+      pottery comprised a few large copper pans and earthenware pots rounded at
+      the base, dishes, water and wine jars, and heavy plates of coarse ware;
+      metal had not as yet superseded stone, and in the same house we meet with
+      bronze axes and hammers side by side with the same implements in cut
+      flint, besides knives, scrapers, and mace-heads.*
+    </p>
+<pre xml:space="preserve">
+     * Implements in flint and other kinds of stone have been
+     discovered by Taylor, and are now in the British Museum. The
+     bronze implements come partly from the tombs of Mughe�r, and
+     partly from the ruins explored by Loftus at Tell-Sifr&mdash;that
+     is to say, the ancient cities of Uru and Larsam: the name of
+     Tell-Sifr, the &ldquo;mound of copper,&rdquo; comes from the quantity of
+     objects in copper which have been discovered there.
+</pre>
+    <p>
+      <a name="linkCimage-0028" id="linkCimage-0028">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/300.jpg" width="100%"
+       alt="300.jpg Chald�an Household Utensils in Terra-cotta " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from the sketch by G. Rawlinson, and
+     the heliogravure in Heuzey-Sarzec.
+</pre>
+    <p>
+      At the present day the women of the country of the Euphrates spend a great
+      part of their time on the roofs of their dwellings.* They install
+      themselves there in the morning, till they are driven away by the heat; as
+      soon as the sun gets low in the heavens, they return to their post, and
+      either pass the day on neighbouring roofs whilst they bake, cook, wash and
+      dry the linen; or, if they have slaves to attend to such menial
+      occupations, they sew and embroider in the open air.
+    </p>
+<pre xml:space="preserve">
+     * Olivier, <i>Voyage dans l&rsquo;Empire Othoman,</i> vol. ii. pp. 356,
+     357, 381, 382, 392, 393.
+</pre>
+    <p>
+      They come down into the interior of the house during the hottest hours of
+      the day. In most of the wealthy houses, the coolest room is one below the
+      level of the courtyard, into which but little light can penetrate. It is
+      paved with plaques of polished gypsum, which resembles our finest
+      grey-and-white marble, and the walls are covered with a coat of delicate
+      plastering, smooth to the touch and agreeable to the eye. This is watered
+      several times during the day in hot weather, and the evaporation from it
+      cools the air. The few ruined habitations which have as yet been explored
+      seem to bear witness to a considerable similarity between the requirements
+      and customs of ancient times and those of to-day. Like the modern women of
+      Bagdad and Mosul, the Chald�an women of old preferred an existence in the
+      open air, in spite of its publicity, to a seclusion within stuffy rooms or
+      narrow courts. The heat of the sun, cold, rain, and illness obliged them
+      at times to seek a refuge within four walls, but as soon as they could
+      conveniently escape from them, they climbed up on to their roof to pass
+      the greater part of their time there.
+    </p>
+    <p>
+      Many families of the lower and middle classes owned the houses which they
+      occupied. They constituted a patrimony which the owners made every effort
+      to preserve intact through all reverses of fortune.* The head of the
+      family bequeathed it to his widow or his eldest son, or left it undivided
+      to his heirs, in the assurance, no doubt, that one of them would buy up
+      the rights of the others.
+    </p>
+<pre xml:space="preserve">
+     * A house could be let for various lengths of time&mdash;for
+     three months, for a year, for five years, for an indefinite
+     term, but with a minimum of six months, since the rent is
+     payable at the beginning and in the middle of each year.
+</pre>
+    <p>
+      The remainder of his goods, farms, gardens, corn-lands, slaves, furniture,
+      and jewels, were divided among the brothers or natural descendants, &ldquo;from
+      the mouth to the gold;&rdquo; that is to say, from the moment of announcing the
+      beginning of the business, to that when each one received his share. In
+      order to invest this act with greater solemnity, it took place usually in
+      the presence of a priest. Those interested repaired to the temple, &ldquo;to the
+      gate of the god;&rdquo; they placed the whole of the inheritance in the hands of
+      the chosen arbitrator, and demanded of him to divide it justly; or the
+      eldest brother perhaps anticipated the apportionment, and the priest had
+      merely to sanction the result, or settle the differences which might arise
+      among the lawful recipients in the course of the operation. When this was
+      accomplished, the legatees had to declare themselves satisfied; and when
+      no further claims arose, they had to sign an engagement before the
+      priestly arbitrator that they would henceforth refrain from all
+      quarrelling on the subject, and that they would never make a complaint one
+      against the other. By dint of these continual redistributions from one
+      generation to another, the largest fortunes soon became dispersed: the
+      individual shares became smaller and smaller, and scarcely sufficed to
+      keep a family, so that the slightest reverse obliged the possessor to have
+      recourse to usurers. The Chald�ans, like the Egyptians, were unacquainted
+      with the use of money, but from the earliest times the employment of
+      precious metals for purposes of exchange was practised among them to an
+      enormous extent. Though copper and gold were both used, silver was the
+      principal medium in these transactions, and formed the standard value of
+      all purchaseable objects. It was never cut into flat rings or twists of
+      wire, as was the case with the Egyptian &ldquo;tabnu;&rdquo; it was melted into small
+      unstamped ingots, which were passed from hand to hand by weight, being
+      tested in the scales at each transaction. &ldquo;To weigh&rdquo; was in the ordinary
+      language the equivalent for &ldquo;payment in metal,&rdquo; whereas &ldquo;to measure&rdquo;
+       denoted that the payment was in grain. The ingots for exchange were,
+      therefore, designated by the name of the weights to which they
+      corresponded. The lowest unit was a shekel, weighing on an average nearly
+      half an ounce, sixty shekels making a mina, and sixty minas a talent. It
+      is a question whether the Chald�anns possessed in early times, as did the
+      Assyrians of a later period, two kinds of shekels and minas, one heavy and
+      the other light. Whether the loan were in metal, grain, or any other
+      substance, the interest was very high.* A very ancient law fixed it in
+      certain cases at twelve drachmas per mina, per annum&mdash;that is to say,
+      at twenty per cent.&mdash;and more recent texts show us that, when raised
+      to twenty-five per cent., it did not appear to them abnormal.
+    </p>
+<pre xml:space="preserve">
+     * We find several different examples, during the Second
+     Chald�ann Empire, of an exchange of corn for provisions and
+     liquids, or of beams for dates. As a fact, exchange has
+     never completely died out in these regions, and at the
+     present day, in Chald�a, as in Egypt, corn is used in many
+     cases either to pay Government taxes or to discharge
+     commercial debts.
+</pre>
+    <p>
+      The commerce of the chief cities was almost entirely concentrated in the
+      temples. The large quantities of metals and cereals constantly brought to
+      the god, either as part of the fixed temple revenue, or as daily
+      offerings, accumulated so rapidly, that they would have overflowed the
+      storehouses, had not a means been devised of utilizing them quickly: the
+      priests treated them as articles of commerce and made a profit out of
+      them.* Every bargain necessitated the calling in of a public scribe. The
+      bill, drawn up before witnesses on a clay tablet, enumerated the sums paid
+      out, the names of the parties, the rate per cent., the date of repayment,
+      and sometimes a penal clause in the event of fraud or insolvency; the
+      tablet remained in the possession of the creditor until the debt had been
+      completely discharged. The borrower often gave as a pledge either slaves,
+      a field, or a house, or certain of his friends would pledge on his behalf
+      their own personal fortune; at times he would pay by the labour of his own
+      hands the interest which he would otherwise have been unable to meet, and
+      the stipulation was previously made in the contract of the number of days
+      of corv�e which he should periodically fulfil for his creditor. If, in
+      spite of all this, the debtor was unable to procure the necessary funds to
+      meet his engagements, the principal became augmented by a fixed sum&mdash;for
+      instance, one-third&mdash;and continued to increase at this rate until the
+      total value of the amount reached that of the security:** the slave, the
+      field, or the house then ceased to belong to their former, master, subject
+      to a right of redemption, of which he was rarely able to avail himself for
+      lack of means.***
+    </p>
+<pre xml:space="preserve">
+     * It was to the god himself&mdash;Shamash, for example&mdash;that the
+     loan was supposed to be made, and it is to him that the
+     contracts stipulate that the capital and interest shall be
+     paid. It is curious to lind among the most successful money-
+     lenders several princesses consecrated to the sun-god.
+
+     ** It is easy to foresee, from the contracts of the New
+     Assyrian or Babylonian Empire, how in this manner the
+     original sum lent became doubled and trebled; generally the
+     interest accumulated till it was quadrupled, after which, no
+     doubt, the security was taken by the creditor. They probably
+     calculated that the capital and compound interest was by
+     then equal in value to the person or object given as a
+     security.
+
+     *** The creditors protected themselves against this right of
+     redemption by a maledictory formula inserted at the end of
+     the contracts against those who should avail themselves of
+     it; it is generally inscribed on the boundary stones of the
+     First Chald�an Empire.
+</pre>
+    <p>
+      The small tradesman or free workman, who by some accident had become
+      involved in debt, seldom escaped this progressive impoverishment except by
+      strenuous efforts and incessant labour. Foreign commerce, it is true,
+      entailed considerable risk, but the chances of acquiring wealth were so
+      great that many individuals launched upon it in preference to more sure
+      but less lucrative undertakings. They would set off alone or in companies
+      for Elam or the northern regions, for Syria, or even for so distant a
+      country as Egypt, and they would bring back in their caravans all that was
+      accounted precious in those lands. Overland routes were not free from
+      dangers; not only were nomad tribes and professional bandits constantly
+      hovering round the traveller, and obliging him to exercise ceaseless
+      vigilance, but the inhabitants of the villages through which he passed,
+      the local lords and the kings of the countries which he traversed, had no
+      scruple in levying blackmail upon him in obliging him to pay dearly for
+      right of way through their marches or territory.** There were less risks
+      in choosing a sea route: the Euphrates on one side, the Tigris, the Ula�,
+      and the Uknu on the other, ran through a country peopled with a rich
+      industrial population, among whom Chald�an merchandise was easily and
+      profitably sold or exchanged for commodities which would command a good
+      price at the end of the voyage. The vessels generally were keleks or
+      &ldquo;kufas,&rdquo; but the latter were of immense size.
+    </p>
+<pre xml:space="preserve">
+     * We have no information from Babylonian sources relating to
+     the state of the roads, and the dangers which merchants
+     encountered in foreign lands; the Egyptian documents partly
+     supply what is here lacking. The &ldquo;instructions&rdquo; contained in
+     the <i>Sallier Papyrus,</i> No. ii., show what were the miseries
+     of the traveller, and the <i>Adventures of Sinuh�t</i> allude to
+     the insecurity of the roads in Syria, by the very care with
+     which the hero relates all the precautions which he took for
+     his protection. These two documents are of the XIIth or
+     XIIIth dynasty&mdash;that is to say, contemporaneous with the
+     kings, of Uru and with Gudea.
+</pre>
+    <p>
+      Several individuals, as a rule, would club together to hire one of these
+      boats and freight it with a suitable cargo.* The body of the boat was very
+      light, being made of osier or willow covered with skins sewn together; a
+      layer of straw was spread on the bottom, on which were piled the bales or
+      chests, which were again protected by a rough thatch of straw. The crew
+      was composed of two oarsmen at least, and sometimes a few donkeys: the
+      merchants then pursued their way up stream till they had disposed of their
+      cargo, and taken in a sufficient freight for their return voyage. The
+      dangers, though apparently not so great as those by the land route, were
+      not the less real. The boat was liable to sink or run aground near the
+      bank, the dwellers in the neighbourhood of the river might intercept it
+      and pillage its contents, a war might break out between two contiguous
+      kingdoms and suspend all commerce: the merchants&rsquo; career continually
+      vacillated between servitude, death, and fortune.
+    </p>
+<pre xml:space="preserve">
+     * The payment demanded was something considerable: the only
+     contract which I know of existing for such a transaction is
+     of the time of Darius I., and exacts a silver shekel per day
+     for the hire of boat and crew.
+</pre>
+    <p>
+      Business carried on at home in the towns was seldom the means of enriching
+      a man, and sometimes scarcely afforded him a means of livelihood. Rent was
+      high for those who had not a house of their own; the least they could
+      expect to pay was half a silver shekel per annum, but the average price
+      was a whole shekel. On taking possession they paid a deposit which
+      sometimes amounted to one-third of the whole sum, the remainder being due
+      at the end of the year. The leases lasted, as a rule, merely a
+      twelvemonth, though sometimes they were extended for terms of greater
+      length, such as two, three, or even eight years. The cost of repairs and
+      of keeping the house in good condition fell usually upon the lessee, who
+      was also allowed to build upon the land he had leased, in which case it
+      was declared free of all charges for a period of about ten years, but the
+      house, and, as a rule, all he had built, then reverted to the landlord.
+      Most possessors of shops made their own goods for sale, assisted by slaves
+      or free apprentices. Every workman taught his own trade to his children,
+      and these in their turn would instruct theirs; families which had an
+      hereditary profession, or from generation to generation had gathered bands
+      of workmen about them, formed themselves into various guilds, or, to use
+      the customary term, into tribes, governed by chiefs and following
+      specified customs. A workman belonged to the tribe of the weavers, or of
+      the blacksmiths, or of the corn-merchants, and the description of an
+      individual would not have been considered as sufficiently exact, if the
+      designation of his tribe were not inserted after his name in addition to
+      his paternal affiliation. The organization was like that of Egypt, but
+      more fully developed. The various trades, moreover, were almost the same
+      among the two peoples, the exceptions being such as are readily accounted
+      for by the differences in the nature of the soil and physical constitution
+      of the respective countries. We do not meet on the banks of the Euphrates
+      with those corporations of stone-cutters and marble workers which were so
+      numerous in the valley of the Nile. The vast Chald�an plain, in the
+      absence of mountains or accessible quarries, would have furnished no
+      occupation for them: the Chald�ans had to go a long way in quest of the
+      small quantities of limestone, alabaster, or diorite which they required,
+      and which they reserved only for details of architectural decoration for
+      which a small number of artisans and sculptors were amply sufficient. The
+      manufacture of bricks, on the other hand, made great progress; the crude
+      bricks were larger than those of Egypt, and they were more enduring,
+      composed of finer clay and better executed; the manufacture of burnt brick
+      too was carried to a degree of perfection to which Memphis or Thebes never
+      attained. An ancient legend ascribes the invention of the bricks, and
+      consequently the construction of the earliest cities, jointly to Sin, the
+      eldest son of Bel, and Ninib his brother: this event was said to have
+      taken place in May-June, and from that time forward the third month of the
+      year, over which the twins presided, was called, Murga in Sumerian, Simanu
+      in the Semitic speech, the month of brick. This was the season which was
+      especially devoted to the processes of their manufacture: the flood in the
+      rivers, which was very great in the preceding months, then began to
+      subside, and the clay which was deposited by the waters during the weeks
+      of overflow, washed and refined as it was, lent itself readily to the
+      operation. The sun, moreover, gave forth sufficient heat to dry the clay
+      blocks in a uniform and gradual manner: later, in July and August, they
+      would crack under the ardour of his rays, and become converted externally
+      into a friable mass, while their interior would remain too moist to allow
+      them to be prudently used in carefully built structures. The work of
+      brick-making was inaugurated with festivals and sacrifices to Sin,
+      Merodach, Nebo, and all the deities who were concerned in the art of
+      building: further religious ceremonies were observed at intervals during
+      the month to sanctify the progress of the work. The manufacture did not
+      cease on the last day of the month, but was continued with more or less
+      activity, according to the heat of the sun, and the importance of the
+      orders received, until the return of the inundation: but the bricks
+      intended for public buildings, temples, or palaces, could not be made
+      outside a prescribed limit of time. The shades of colour produced
+      naturally in the process of burning&mdash;red or yellow, grey or brown&mdash;were
+      not pleasant to the eye, and they were accustomed, therefore, to coat the
+      bricks with an attractive enamel which preserved them from the
+      disintegrating effects of sun and rain. The paste was laid on the edges or
+      sides while the brick was in a crude state, and was incorporated with it
+      by vitrification in the heat of the kiln. The process was known from an
+      early date in Egypt, but was rarely employed there in the decoration of
+      buildings, while in Chald�a the use of such enamelled plaques was common.
+      The substructures of palaces and the exterior walls of temples were left
+      unadorned, but the shrines which crowned the &ldquo;ziggurat,&rdquo; the
+      reception-halls, and the headings of doors were covered with these
+      many-coloured tiles. Fragments of them are found to-day in the ruins of
+      the cities, and the analysis of these pieces shows the marvellous skill of
+      the ancient workers in enamel; the shades of colour are pure and pleasant
+      to the eye, while the material is so evenly put on and so solid, that
+      neither centuries of burial in a sodden soil, nor the wear and tear of
+      transport, nor the exposure to the damp of our museums, have succeeded in
+      diminishing their brilliance and freshness.
+    </p>
+    <p>
+      To get a clear idea of the industrial operations of the country, it would
+      be necessary to see the various corporations at their work, as we are able
+      to do, in the case of Egypt in the scenes of the mastabas of Saqq�ra, or
+      of the rock-chambers of Beni-Hasan. The manufacture of stone implements
+      gave considerable employment, and the equipment of the dead in the tombs
+      of Uru would have been a matter of small moment, if we were to exclude its
+      flint implements, its knives, cleavers, scrapers, adzes, axes, and
+      hammers. The cutting of these objects is bold, and the final touches show
+      skill, but we rarely meet with that purity of contour and intensity of
+      polish which distinguish similar objects among Western peoples. A few
+      examples, it is true, are of fairly artistic shape, and bear engraved
+      inscriptions: one of these, a flint hammer of beautiful form, belonged to
+      a god, probably Eamman, and seems to have come from a temple in which one
+      of its owners had deposited it.
+    </p>
+    <p>
+      <a name="linkCimage-0029" id="linkCimage-0029">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/311a.jpg" width="100%"
+       alt="311a.jpg Chald�an Stone Implements. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from the sketches published by
+     Taylor and by &lsquo;G. Rawlinson. On the left a scraper and two
+     knives one above the other, an axe in the middle, on the
+     right an axe and a hammer. All these objects were found in
+     Taylor&rsquo;s excavations, and are now in the British Museum.
+</pre>
+    <p>
+      It is an exception, and a remarkable exception. Stone was the material of
+      the implements of the poor&mdash;implements which were coarse in shape,
+      and cost little: if much care were given to their execution, they would
+      come to be so costly that no one would buy them, or, if sold for a
+      moderate sum, the seller would obtain no profit from the transaction.
+      Beyond a certain price, it was more advantageous to purchase metal
+      implements, of copper in the early ages, afterwards of bronze, and lastly
+      of iron. Among the metal-founders and smiths all kinds of examples of
+      these were to be found&mdash;axes of an elegant and graceful design,
+      hammers and knives, as well as culinary and domestic utensils, cups,
+      cauldrons, dishes, mountings of doors and coffers, statuettes of men,
+      bulls, monsters, and gods&mdash;which could be turned to weapons of all
+      descriptions&mdash;arrow and lance heads, swords, daggers, and rounded
+      helmets with neck-piece or visor.
+    </p>
+    <p>
+      <a name="linkCimage-0030" id="linkCimage-0030">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/311b.jpg" width="100%"
+       alt="311b.jpg Chald�an Stone Hammer Bearing an Inscription. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from the illustration published by
+     Fr. Lenormant.
+</pre>
+    <p>
+      <a name="linkCimage-0031" id="linkCimage-0031">
+      <!-- IMG --></a>
+    </p>
+    <div class="figright" style="width:40%;">
+      <img width="100%" src="images/312.jpg"
+       alt="312.jpg Chald�n Implements of Bronze " />
+<pre xml:space="preserve">
+Drawn by Faucher-Gudin, from
+Rawlinson&rsquo;s<i>Five Great Monarchies</i>.
+On the right two axes, in the
+middle a hammer, on the left a knife,
+and below the head of a lance.
+</pre>
+    </div>
+    <p>
+      Some of the metal objects manufactured by the Chaldaeans attained large
+      dimensions; for instance, the &ldquo;brazen seas&rdquo; which were set up before each
+      sanctuary, either for the purpose of receiving the libations, or for the
+      prescribed rites of purification. As is often the case among
+      half-civilized peoples, the goldsmiths worked in the precious metals with
+      much facility and skill. We have not, succeeded up to the present in
+      finding any of those golden images which the kings were accustomed to
+      dedicate in the temples out of their own possessions, or the spoil
+      obtained from the enemy; but a silver vase dedicated to Ningirsu by
+      Entena, vicegerent of Lagash, gives us some idea of this department of the
+      temple furniture. It stands upright on a small square bronze pedestal with
+      four feet. A piously expressed inscription runs round the neck, and the
+      bowl of the vase is divided horizontally into two divisions, framed above
+      and below by twisted cord-work. Four two-headed eagles, with outspread
+      wings and tail, occupy the lower division; they are in the act of seizing
+      with their claws two animals, placed back to back, represented in the act
+      of walking: the intervals between the eagles are filled up alternatively
+      by two lions, two wild goats, and two stags. Above, and close to the rise
+      of the neck, are disposed seven heifers lying down and all looking in the
+      same direction: they are all engraved upon the flat metal, and are without
+      relief or incrustation. The whole composition is harmoniously put
+      together, the posture of the animals and their general form are well
+      conceived and boldly rendered, but the details of the mane of the lions
+      and the feathers of the eagles are reproduced with a realism and attention
+      to minutio which belong to the infancy of art. This single example of
+      ancient goldsmiths&rsquo;work would be sufficient to prove that the early
+      Chald�ns were not a whit behind the Egyptians in this handicraft, even if
+      we had not the golden ornaments, the bracelets, ear and finger rings to
+      judge from, with which the tombs have furnished us in considerable
+      numbers.
+    </p>
+    <p>
+      <a name="linkCimage-0032" id="linkCimage-0032">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/313.jpg" width="100%"
+       alt="313.jpg Vase of Silver. And Bull Of Copper. " />
+    </div>
+    <p>
+      Alongside the goldsmiths there must have been a whole army of lapidaries
+      and gem-cutters occupied in the engraving of cylinders. Numerous and
+      delicate operations were required to metamorphose a scrap of crude rock,
+      marble, granite, agate, onyx, green and red jasper, crystal or
+      lapis-lazuli, into one of those marvellous seals which are now found by
+      the hundred scattered throughout the museums of Europe. They had to be
+      rounded, reduced to the proper proportions, and polished, before the
+      subject or legend could be engraved upon them with the burin. To drill a
+      hole through them required great dexterity, and some of the lapidaries,
+      from a dread of breaking the cylinder, either did not pierce it at all, or
+      merely bored a shallow hole into each extremity to allow it to roll freely
+      in its metallic mounting. The tools used in engraving were similar to
+      those employed at the present day, but of a rougher kind. The burin, which
+      was often nothing more than a flint point, marked out the area of the
+      design, and sketched out the figures; the saw was largely employed to cut
+      away the depressions when these required no detailed handling; and lastly,
+      the drill, either worked with the hand or in a kind of lathe, was made to
+      indicate the joints and muscles of the individual by a series of round
+      holes. The object thus summarily dealt with might be regarded as
+      sufficiently worked for ordinary clients; but those who were willing to
+      pay for them could obtain cylinders from which every mark of the tool had
+      been adroitly removed, and where the beauty of the workmanship vied with
+      the costliness of the material.
+    </p>
+    <p>
+      <a name="linkCimage-0033" id="linkCimage-0033">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/315.jpg" width="100%"
+       alt="315.jpg Chald�an Cylinder Exhibiting Traces of The Different Tools Used by the Engraver " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from a heliogravure in M�nant&rsquo;s
+     <i>Catalogue de la collection de M. de Clercq</i>
+</pre>
+    <p>
+      The seal of Shargani, King of Agad�, that of Bingani-shar-ali, and many
+      others which have been picked up by chance in the excavations, are true
+      bas-reliefs, reduced and condensed, so to speak, to the space of something
+      like a square inch of surface, but conceived with an artistic ingenuity
+      and executed with a boldness which modern engravers have rarely equalled
+      and never surpassed. There are traces on them, it is true, of some of the
+      defects which disfigured the latter work of the Assyrians&mdash;heaviness
+      of form, exaggerated prominence of muscles and hardness of outline&mdash;but
+      there are also all the qualities which distinguish an original and
+      forcible art.
+    </p>
+    <p>
+      The countries of the Euphrates were renowned in classic times for the
+      beauty of the embroidered and painted stuffs which they manufactured.*
+      Nothing has come down to us of these Babylonian tissues of which the Greek
+      and Latin writers extolled the magnificence, but we may form some idea,
+      from the statues and the figures engraved on cylinders, of what the
+      weavers and embroiderers of this ancient time were capable. The loom which
+      they made use of differed but slightly from the horizontal loom commonly
+      employed in the Nile Valley, and everything tends to show that their plain
+      linen cloths were of the kind represented in the swathings and fragments
+      of clothing still to be found in the sepulchral chambers of Memphis and
+      Thebes. The manufacture of fleecy woollen garments so much affected by men
+      and women alike indicates a great dexterity. When once the threads of the
+      woof had been stretched, those of the warp were attached to them by knots
+      in as many parallel lines&mdash;at regular intervals&mdash;as there were
+      rows of fringe to be displayed on the surface of the cloth, the loops thus
+      formed being allowed to hang down in their respective places: sometimes
+      these loops were retained just as they stood, sometimes they were cut and
+      the ends frayed out so as to give the appearance of a shaggy texture.
+    </p>
+<pre xml:space="preserve">
+     * Most modern writers understand by tapestry what the
+     ancients were accustomed to call needle embroidery or
+     painting on stuffs: I can find no indication on the most
+     ancient monuments of Chald�an or Egypt of the manufacturing
+     of real tapestry.
+</pre>
+    <p>
+      <a name="linkCimage-0034" id="linkCimage-0034">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/318.jpg" width="100%" alt="318.jpg Egyptian Manuscript " />
+    </div>
+<pre xml:space="preserve">
+     Part of an Egyptian Manuscript found in the Swathing of a
+     Mummy
+</pre>
+    <p>
+      <a name="linkCimage-0035" id="linkCimage-0035">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/318-text.jpg" width="100%"
+       alt="318-text.jpg Egyptian Manuscript " />
+    </div>
+    <p>
+      Most of these stuffs preserved their original white or creamy colour&mdash;especially
+      those woven at home by the women for the requirements of their own toilet,
+      and for the ordinary uses of the household. The Chald�ans, however, like
+      many other Asiatic peoples, had a strong preference for lively colours,
+      and the outdoor garments and gala attire of the rich were distinguished by
+      a profusion of blue patterns on a red ground, or red upon blue, arranged
+      in stripes, zigzags, checks, and dots or circles. There must, therefore,
+      have been as much occupation for dyers as there was for weavers; and it is
+      possible that the two operations were carried out by the same hands. We
+      know nothing of the bakers, butchers, carriers, masons, and other artisans
+      who supplied the necessities of the cities: they were doubtless able to
+      make two ends meet and nothing more, and if we should succeed some day in
+      obtaining information about them, we shall probably find that their
+      condition was as miserable as that of their Egyptian contemporaries. The
+      course of their lives was monotonous enough, except when it was broken at
+      prescribed intervals by the ordinary festivals in honour of the gods of
+      the city, or by the casual suspensions of work occasioned by the
+      triumphant return of the king from some warlike expedition, or by his
+      inauguration of a new temple.
+    </p>
+    <p>
+      The gaiety of the people on such occasions was the more exuberant in
+      proportion to the undisturbed monotony or misery of the days which
+      preceded them. As soon, for instance, as Gudea had brought to completion
+      Ininnu, the house of his patron Ningirsu, &ldquo;he felt relieved from the
+      strain and washed his hands. For seven days, no grain was bruised in the
+      quern, the maid was the equal of her mistress, the servant walked in the
+      same rank as his master, the strong and the weak rested side by side in
+      the city.&rdquo; The world seemed topsy-turvy as during the Roman Saturnalia;
+      the classes mingled together, and the inferiors were probably accustomed
+      to abuse the unusual licence which they momentarily enjoyed: when the
+      festival was over, social distinctions reasserted themselves, and each one
+      fell back into his accustomed position. Life was not so pleasant in
+      Chald�a as in Egypt. The innumerable promissory notes, the receipted
+      accounts, the contracts of sale and purchase&mdash;these cunningly drawn
+      up deeds which have been deciphered by the hundred&mdash;reveal to us a
+      people greedy of gain, exacting, litigious, of artisans in Egypt. This is
+      taken from a source belonging to the XIIth or possibly the XIIIth dynasty.
+      We may assume, from the fact that the two civilizations were about on the
+      same level, that the information supplied in this respect by the Egyptian
+      monuments is generally applicable to the condition of Chald�an workmen of
+      the same period.
+    </p>
+    <p>
+      (Unreadable) and almost exclusively absorbed by material concerns. The
+      climate, too, variable and oppressive in summer and winter alike, imposed
+      upon the Chald�an painful exactions, and obliged him to work with an
+      energy of which the majority of Egyptians would not have felt themselves
+      capable. The Chald�an, suffering greater and more prolonged hardships,
+      earned more doubtless, but was not on this account the happier. However
+      lucrative his calling might be, it was not sufficiently so to supply him
+      always with domestic necessities, and both tradespeople and operatives
+      were obliged to run into debt to supplement their straitened means. When
+      they had once fallen into the hands of the usurer, the exorbitant interest
+      which they had to pay kept them a long time in his power. If when the bill
+      fell due there was nothing to meet it, it had to be renewed under still
+      more disastrous conditions; as the pledge given was usually the homestead,
+      or the slave who assisted in the trade, or the garden which supplied food
+      for the family, the mortgagor was reduced to the extreme of misery if he
+      could not satisfy his creditors, This plague of usury was not, moreover,
+      confined to the towns; it raged with equal violence in the country, and
+      the farmers also became its victims.
+    </p>
+    <p>
+      If, theoretically, the earth belonged to the gods, and under them to the
+      kings, the latter had made, and continued daily to make, such large
+      concessions of it to their vassals, that the greater part of their domains
+      were always in the hands of the nobles or private individuals. These could
+      dispose of their landed property at pleasure, farm it out, sell it or
+      distribute it among their heirs and friends.
+    </p>
+    <p>
+      They paid on account of it a tax which varied at different epochs, but
+      which was always burthensome; but when they had once satisfied this
+      exaction, and paid the dues which the temples might claim on behalf of the
+      gods, neither the State nor any individual had the right to interfere in
+      their administration of it, or put any restrictions upon them. Some
+      proprietors cultivated their lands themselves&mdash;the poor by their own
+      labour, the rich by the aid of some trustworthy slave whom they interested
+      in the success of his farming by assigning him a certain percentage on the
+      net return. Sometimes the lands were leased out in whole or in part to
+      free peasants who relieved the proprietors of all the worry and risks of
+      managing it themselves. A survey of the area of each state had been made
+      at an early age, and the lots into which it had been divided were
+      registered on clay tablets containing the name of the proprietor as well
+      as those of his neighbours, together with such indications of the features
+      of the land, dykes, canals, rivers, and buildings as would serve to define
+      its boundaries: rough plans accompanied the description, and in the most
+      complicated instances interpreted it to the eye. This survey was
+      frequently repeated, and enabled the sovereign to arrange his scheme of
+      taxation on a solid basis, and to calculate the product of it without
+      material error. Gardens and groves of date-palms, together with large
+      regions devoted to rough attempts at vegetable culture, were often to be
+      met with, especially in the neighbourhood of towns; these paid their
+      contributions to the State, as well as the owners&rsquo;rent, in kind&mdash;in
+      fruit, vegetables, and fresh or dried dates. The best soil was reserved,
+      for the growth of wheat and other cereals, and its extent was measured in
+      terms of corn; corn was also the standard in which the revenue was
+      reckoned both in public and private contracts. Such and such a field
+      required about fifty litres of seed to the arura. Another needed sixty-two
+      or seventy-five according to the fertility of the land and its locality.
+      Landed property was placed under the guardianship of the gods, and its
+      transfer or cession was accompanied by formalities of a half-religious,
+      half-magical character: the party giving delivery of it called down upon
+      the head of any one who would dare in the future to dispute the validity
+      of the deed, imprecations of which the text was inserted on a portion of
+      the surface of an egg-shaped nodule of flint, basalt, or other hard stone.
+      These little monuments display on their cone-shaped end a series of
+      figures, sometimes arranged in two parallel divisions, sometimes scattered
+      over the surface, which represent the deities invoked to watch over the
+      sanctity of the contract. It was a kind of representation in miniature of
+      the aspect which the heavens presented to the Chald�ans. The disks of the
+      sun and moon, together with Venus-Ashtar, are the prominent elements in
+      the scene: the zodiacal figures, or the symbols employed to represent
+      them, are arranged in an apparent orbit around these&mdash;such as the
+      Scorpion, the Bird, the Dog, the Thunderbolt of Ramman, the mace, the
+      horned monsters, half hidden by the temples they guard, and the enormous
+      Dragon who embraces in his folds half the entire firmament. &ldquo;If ever, in
+      the course of days, any one of the brothers, children, family, men or
+      women, slaves or servants of the house, or any governor or functionary
+      whatsoever, arises and intends to steal this field, and remove this
+      landmark, either to make a gift of it to a god, or to assign it to a
+      competitor, or to appropriate it to himself; if he modifies the area of
+      it, the limits and the landmark; if he divides it into portions, and if he
+      says: &lsquo;The field has no owner, since there has been no donation of it; &lsquo;&mdash;if,
+      from dread of the terrible imprecations which protect this stele and this
+      field, he sends a fool, a deaf or blind person, a wicked wretch, an idiot,
+      a stranger, or an ignorant one, and should cause this stele to be taken
+      away,* and should throw it into the water, cover it with dust, mutilate it
+      by scratching it with a stone, burn it in the fire and destroy it, or
+      write anything else upon it, or carry,it away to a place where it will be
+      no longer seen,&mdash;this man, may Anu, Bel, Ea, the exalted lady, the
+      great gods, cast upon him looks of wrath, may they destroy his strength,
+      may they exterminate his race.&rdquo; All the immortals are associated in this
+      excommunication, and each one promises in his turn the aid of his power.
+    </p>
+<pre xml:space="preserve">
+     * All the people enumerated in this passage might, in
+     ignorance of what they were doing, be induced to tear up the
+     stone, and unconsciously commit a sacrilege from which every
+     Chald�an in his senses would have shrunk back. The formula
+     provides for such cases, and it secures that the curse shall
+     fall not only on the irresponsible instruments, but reach
+     the instigator of the crime, even when he had taken no
+     actual part in the deed.
+</pre>
+    <p>
+      <a name="linkCimage-0036" id="linkCimage-0036">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/322.jpg" width="100%"
+       alt="322.jpg the Michaux Stone (left) " />
+    </div>
+    <p>
+      <a name="linkCimage-0037" id="linkCimage-0037">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/323.jpg" width="100%"
+       alt="323.jpg the Other Side of The Michaux Stone (right) " />
+    </div>
+    <p>
+      Merodach, by whose spells the sick are re stored, will inflict upon the
+      guilty one a dropsy which no incantation can cure. Shamas, the supreme
+      judge, will send forth against him one of his inexorable judgments. Sin,
+      the inhabitant of the brilliant heavens, will cover him with leprosy as
+      with a garment. Adar, the warrior, will break his weapons; and Zamama, the
+      king of strifes, will not stand by him on the field of battle. Eamman will
+      let loose his tempest upon his fields, and will overwhelm them. The whole
+      band of the invisibles hold themselves ready to defend the rights of the
+      proprietor against all attacks. In no part of the ancient world was the
+      sacred character of property so forcibly laid down, or the possession of
+      the soil more firmly secured by religion.
+    </p>
+    <p>
+      In instruments of agriculture and modes of cultivation Chald�a was no
+      better off than Egypt. The rapidity with which the river rose in the
+      spring, and its variable subsidence from year to year, furnished little
+      inducement to the Chald�ans to entrust to it the work of watering their
+      lands; on the contrary, they were compelled to protect themselves from it,
+      and to keep at a distance the volume of waters it brought down. Each
+      property, whether of square, triangular, or any other shape, was
+      surrounded with a continuous earth-built barrier which bounded it on every
+      side, and served at the same time as a rampart against the inundation.
+    </p>
+    <p>
+      <a name="linkCimage-0038" id="linkCimage-0038">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/324.jpg" width="100%"
+       alt="324.jpg Two Rows of Shadufs on the Bank Of a River. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from an Assyrian bas-relief from
+     Koyunjik.
+</pre>
+    <p>
+      Rows of shadufs installed along the banks of the canals or streams
+      provided for the irrigation of the lands.* The fields were laid out like a
+      chess-board, and the squares, separated from each other by earthen ridges,
+      formed as it were so many basins: when the elevation of the ground
+      arrested the flow of the waters, these were collected into reservoirs,
+      whence by the use of other shadufs they were raised to a higher level.
+    </p>
+<pre xml:space="preserve">
+     * In Mesopotamia and Chald�a there may still be seen
+     &ldquo;everywhere ruins of ancient canals; and there are also to
+     be met with, in many places, ridges of earth, which stretch
+     for considerable distances in a straight line, and surround
+     lands perfectly level.&rdquo; (Olivier).
+</pre>
+    <p>
+      The plough was nothing more than an obliquely placed mattock, whose handle
+      was lengthened in order to harness oxen to it. Whilst the ploughman
+      pressed heavily on the handle, two attendants kept incessantly goading the
+      beasts, or urging them forward with voice and whip, and a third scattered
+      the seed in the furrow. A considerable capital was needed to ensure
+      success in agricultural undertakings: contracts were made for three years,
+      and stipulated that payments should be made partly in metal and partly in
+      the products of the soil.
+    </p>
+    <p>
+      <a name="linkCimage-0039" id="linkCimage-0039">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/325.jpg" width="100%"
+       alt="325.jpg Chald�an Farming Operations. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from a Chald�an intaglio reproduced
+     in Layard. The original is in the cabinet of medals in the
+     Biblioth�que Nationale.
+</pre>
+    <p>
+      The farmer paid a small sum when entering into possession, and the
+      remainder of the debt was gradually liquidated at the end of each twelve
+      months, the payment being in silver one year, and in corn the two
+      following. The rent varied according to the quality of the soil and the
+      facilities which it afforded for cultivation: a field, for instance, of
+      three bushels was made to pay nine hundred measures, while another of ten
+      bushels had only eighteen hundred to pay. In many instances the peasant
+      preferred to take the proprietor into partnership, the latter in such case
+      providing all the expenses of cultivation, on the understanding that he
+      should receive two-thirds of the gross product. The tenant was obliged to
+      administer the estate as a careful householder during the term of his
+      lease: he was to maintain the buildings and implements in good repair, to
+      see that the hedges were kept up, to keep the shadufs in working order,
+      and to secure the good condition of the watercourses. He had rarely enough
+      slaves to manage the business with profit: those he had purchased were
+      sufficient, with the aid of his wives and children, to carry on ordinary
+      operations, but when any pressure arose, especially at harvest-time, he
+      had to seek elsewhere the additional labourers he required. The temples
+      were the chief sources for the supply of these. The majority of the
+      supplementary labourers were free men, who were hired out by their family,
+      or engaged themselves for a fixed term, during which they were subject to
+      a sort of slavery, the conditions of which were determined by law. The
+      workman renounced his liberty for fifteen days, or a month, or for a whole
+      year; he disposed, so to speak, of a portion of his life to the
+      provisional master of his choice, and if he did not enter upon his work at
+      the day agreed upon, or if he showed himself inactive in the duties
+      assigned to him, he was liable to severe punishment. He received in
+      exchange for his labour his food, lodging, and clothing; and if an
+      accident should occur to him during the term of his service, the law
+      granted him an indemnity in proportion to the injury he had sustained.
+    </p>
+    <p>
+      <a name="linkCimage-0040" id="linkCimage-0040">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/327.jpg" width="100%" alt="327.jpg the Farm Oxen " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from a green marble cylinder in the
+     Louvre.
+</pre>
+    <p>
+      His average wage was from four to six shekels of silver per annum. He was
+      also entitled by custom to another shekel in the form of a retaining fee,
+      and he could claim his pay, which was given to him mostly in corn, in
+      monthly instalments, if his agreement were for a considerable time, and
+      daily if it were for a short period.
+    </p>
+    <p>
+      The mercenary never fell into the condition of the ordinary serf: he
+      retained his rights as a man, and possessed in the person of the patron
+      for whom he laboured, or whom he himself had selected, a defender of his
+      interests. When he came to the end of his engagement, he returned to his
+      family, and resumed his ordinary occupation until the next occasion. Many
+      of the farmers in a small way earned thus, in a few weeks, sufficient
+      means to supplement their own modest personal income. Others sought out
+      more permanent occupations, and hired themselves out as regular
+      farm-servants.
+    </p>
+    <p>
+      The lands which neither the rise of the river nor the irrigation system
+      could reach so as to render fit for agriculture, were reserved for the
+      pasture of the flocks in the springtime, when they were covered with rich
+      grass. The presence of lions in the neighbourhood, however, obliged the
+      husbandmen to take precautions for the safety of their flocks. They
+      constructed provisional enclosures into which the animals were driven
+      every evening, when the pastures were too far off to allow of the flocks
+      being brought back to the sheepfold. The chase was a favourite pastime
+      among them, and few days passed without the hunter&rsquo;s bringing back with
+      him a young gazelle caught in a trap, or a hare killed by an arrow. These
+      formed substantial additions to the larder, for the Chald�ans do not seem
+      to have kept about them, as the Egyptians did, such tamed animals as
+      cranes or herons, gazelles or deer: they contented themselves with the
+      useful species, oxen, asses, sheep, and goats. Some of the ancient
+      monuments, cylinders, and clay tablets reproduce in a rough manner scenes
+      from pastoral life. The door of the fold opens, and we see a flock of
+      goats sallying forth to the cracking of the herdsman&rsquo;s whip: when they
+      reach the pasture they scatter over the meadows, and while the shepherd
+      keeps his eye upon them, he plays upon his reed to the delight of his dog.
+      In the mean time the farm-people are engaged in the careful preparation of
+      the evening meal: two individuals on opposite sides of the hearth watch
+      the pot boiling between them, while a baker makes his dough into round
+      cakes.
+    </p>
+    <p>
+      <a name="linkCimage-0041" id="linkCimage-0041">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/329a.jpg" width="100%" alt="329a.jpg Cooking: a Quarrel. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from one of the terra-cotta plaques
+     discovered by Loftus.
+</pre>
+    <p>
+      Sometimes a quarrel breaks out among the comrades, and leads to a stand-up
+      fight with the fists; or a lion, perhaps, in quest of a meal, surprises
+      and kills one of the bulls: the shepherd runs up, his axe in his hand, to
+      contend bravely with the marauder for the possession of his beast. The
+      shepherd was accustomed to provide himself with assistance in the shape of
+      enormous dogs, who had no more hesitation in attacking beasts of prey than
+      they had in pursuing game. In these combats the natural courage of the
+      shepherd was stimulated by interest: for he was personally responsible for
+      the safety of his flock, and if a lion should find an entrance into one of
+      the enclosures.
+    </p>
+    <p>
+      <a name="linkCimage-0042" id="linkCimage-0042">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/329b.jpg" width="100%"
+       alt="329b.jpg Scenes of Pastoral Life in Chald�a. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from a Chald�an intaglio from
+     Layard. Another cylinder of the same kind is reproduced at
+     p. 233 of the present work; it represents Etana arising to
+     heaven by the aid of his friend the eagle, while the
+     pastoral scene below resembles in nearly all particulars
+     that given above.
+</pre>
+    <p>
+      <a name="linkCimage-0043" id="linkCimage-0043">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/330.jpg" width="100%" alt="330.jpg Fight With a Lion " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from one of the terra-cotta tablets
+     discovered by Loftus.
+</pre>
+    <p>
+      Fishing was not so much a pastime as a source of livelihood; for fish
+      occupied a high place in the bill of fare of the common folk. Caught by
+      the line, net, or trap, it was dried,in the sun, smoked, or salted. The
+      chase was essentially the pastime of the great noble&mdash;the pursuit of
+      the lion and the bear in the wooded covers or the marshy thickets of the
+      river-bank; the pursuit of the gazelle, the ostrich, and bustard on the
+      elevated plains or rocky tablelands of the desert. The onager of
+      Mesopotamia is a very beautiful animal, with its grey glossy coat, and its
+      lively and rapid action.
+    </p>
+    <p>
+      <a name="linkCimage-0044" id="linkCimage-0044">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/331.jpg" width="100%" alt="331.jpg the Dog in Tub Leash " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from a terra-cotta tablet discovered
+     by Sir H. Rawlinson in the ruins of Babylon, and now in the
+     British Museum
+</pre>
+    <p>
+      <a name="linkCimage-0045" id="linkCimage-0045">
+      <!-- IMG --></a>
+    </p>
+    <div class="figright" style="width:30%;">
+      <img width="100%" src="images/332.jpg"
+       alt="332.jpg Chald�an Carrying a Fish. (left) " />
+<pre xml:space="preserve">
+Drawn by Faucher-Gudin,
+from one of the terra-cotta
+tablets discovered by Loftus.
+</pre>
+    </div>
+    <p>
+      If it is disturbed, it gives forth a cry, kicks up its heels, and dashes
+      off: when at a safe distance, it stops, turns round, and faces its
+      pursuer: as soon as he approaches, it starts off again, stops, and takes
+      to its heels again, continuing this procedure as long as it is followed.
+      The Chald�ans found it difficult to catch by the aid of dogs, but they
+      could bring it down by arrows, or perhaps catch it alive by stratagem. A
+      running noose was thrown round its neck, and two men held the ends of the
+      ropes. The animal struggled, made a rush, and attempted to bite, but its
+      efforts tended only to tighten the noose still more firmly, and it at
+      length gave in, half strangled; after alternating struggles and
+      suffocating paroxysms, it became somewhat calmer, and allowed itself to be
+      led. It was finally tamed, if not to the extent of becoming useful in
+      agriculture, at least for the purposes of war: before the horse was known
+      in Chald�a, it was used to draw the chariot. The original habitat of the
+      horse was the great table-lands of Central Asia: it is doubtful whether it
+      was brought suddenly into the region of the Tigrus and Euphrates by some
+      barbaric invasion, or whether it was passed on from tribe to tribe, and
+      thus gradually reached that country. It soon became acclimatized, and its
+      cross-breeding with the ass led for centuries to the production of
+      magnificent mules. The horse was known to the kings of Lagash, who used it
+      in harness. The sovereigns of neighbouring cities were also acquainted
+      with it, but it seems to have been employed solely by the upper classes of
+      society, and never to have been generally used in the war-chariot or as a
+      charger in cavalry operations.
+    </p>
+    <p>
+      The Chald�ans carried agriculture to a high degree of perfection, and
+      succeeded in obtaining from the soil everything it could be made to yield.
+    </p>
+    <p>
+      <a name="linkCimage-0046" id="linkCimage-0046">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/333.jpg" width="100%"
+       alt="333.jpg the Onager Taken With The Lasso. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from the Assyrian bas-relief of
+     Nimrud. See p. 35 of the present work for an illustration of
+     onagers pierced by arrows in the chase.
+</pre>
+    <p>
+      Their methods, transmitted in the first place to the Greeks, and
+      afterwards to the Arabs, were perpetuated long after their civilization
+      had disappeared, and were even practised by the people of Iraq under the
+      Abbasside Caliphs. Agricultural treatises on clay, which contained an
+      account of these matters, were deposited in one or other of the sacred
+      libraries in which the priests of each city were long accustomed to
+      collect together documents from every source on which they could lay their
+      hands. There were to be found in each of these collections a certain
+      number of works which were unique, either because the authors were natives
+      of the city, or because all copies of them had been destroyed in the
+      course of centuries&mdash;the Epic of Grilgames, for instance, at Uruk; a
+      history of the Creation, and of the battles of the gods with the monsters
+      at Kutha: all of them had their special collections of hymns or psalms,
+      religious and magical formulas, their lists of words and grammatical
+      phraseology, their glossaries and syllabaries, which enabled them to
+      understand and translate texts drawn up in Sumerian, or to decipher those
+      whose writing presented more than ordinary difficulty. In these libraries
+      there was, we find, as in the inscriptions of Egypt, a complete
+      literature, of which only some shattered fragments have come down to us.
+      The little we are able to examine has produced upon our modern
+      investigators a complex impression, in which astonishment rather than
+      admiration contends with a sense of tedious-ness. There may be recognized
+      here and there, among the wearisome successions of phrases, with their
+      rugged proper names, episodes which seem something like a Chaldaean
+      &ldquo;Genesis&rdquo; or &ldquo;Veda;&rdquo; now and then a bold flight of fancy, a sudden
+      exaltation of thought, or a felicitous expression, arrests the attention
+      and holds it captive for a time. In the narrative of the adventures of
+      Grilgames, for instance, there is a certain nobility of character, and the
+      sequence of events, in their natural and marvellous development, are
+      handled with gravity and freedom: if we sometimes encounter episodes which
+      provoke a smile or excite our repugnance, we must take into account the
+      rudeness of the age with which they deal, and remember that the men and
+      gods of the later Homeric epic are not a whit behind the heroes of
+      Babylonian story in coarseness. The recognition of divine omnipotence, and
+      the keenly felt afflictions of the soul, awakened in the Chald�an psalmist
+      feelings of adoration and penitence which still find, in spite of the
+      differences of religion, an echo in our own hearts; and the unknown
+      scribe, who related the story of the descent of Ishtar to the infernal
+      regions, was able to express with a certain gloomy energy the miseries of
+      the &ldquo;Land without return. &ldquo;These instances are to be regarded, however, as
+      exceptional: the bulk of Chald�an literature seems nothing more than a
+      heap of pretentious trash, in which even the best-equipped reader can see
+      no meaning, or, if he can, it is of such a character as to seem unworthy
+      of record. His judgment is natural in the circumstances, for the ancient
+      East is not, like Greece and Italy, the dead of yesterday whose soul still
+      hovers around us, and whose legacies constitute more than the half of our
+      patrimony: on the contrary, it was buried soul and body, gods and cities,
+      men and circumstances, ages ago, and even its heirs, in the lapse of
+      years, have become extinct. In proportion as we are able to bring its
+      civilization to light, we become more and more conscious that we have
+      little or nothing in common with it. Its laws and customs, its methods of
+      action and its modes of thought, are so far apart from those of the
+      present day, that they seem to us to belong to a humanity utterly
+      different from our own. The names of its deities do not appeal to our
+      imagination like those of the Olympian cycle, and no traditional respect
+      serves to do away with the sense of uncouthness which we experience from
+      the jingle of syllables which enter into them. Its artists did not regard
+      the world from the same point of view as we do, and its writers, drawing
+      their inspiration from an entirely different source, made use of obsolete
+      methods to express their feelings and co-ordinate their ideas. It thus
+      happens that while we understand to a shade the classical language of the
+      Greeks and Romans, and can read their works almost without effort, the
+      great primitive literatures of the world, the Egyptian and Chald�an, have
+      nothing to offer us for the most part but a sequence of problems to solve
+      or of enigmas to unriddle with patience. How many phrases, how many words
+      at which we stumble, require a painstaking analysis before we can make
+      ourselves master of their meaning! And even when we have determined to our
+      satisfaction their literal signification, what a number of excursions we
+      must make in the domain of religious, ethical, and political history
+      before we can compel them to render up to us their full import, or make
+      them as intelligible to others as they are to ourselves! When so many
+      commentaries are required to interpret the thought of an individual or a
+      people, some difficulty must be experienced in estimating the value of the
+      expression which they have given to it. Elements of beauty were certainly,
+      and perhaps are still, within it; but in proportion as we clear away the
+      rubbish which encumbers it, the mass of glossaries necessary to interpret
+      it fall in and bury it so as to stifle it afresh.
+    </p>
+    <p>
+      While the obstacles to our appreciation of Chald�ann literature are of
+      such a serious character, we are much more at home in our efforts to
+      estimate the extent and depth of their scientific knowledge. They were as
+      well versed as the Egyptians, but not more, in arithmetic and geometry in
+      as far as these had an application to the affairs of everyday life: the
+      difference between the two peoples consisted chiefly in their respective
+      numerical systems&mdash;the Egyptians employing almost exclusively the
+      decimal system of notation, while the Chald�ans combined its use with the
+      duodecimal.
+    </p>
+    <p>
+      <a name="linkCimage-0047" id="linkCimage-0047">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/337.jpg" width="100%" alt="337.jpg Page Image " />
+    </div>
+    <p>
+      To express the units, they made use of so many vertical &ldquo;nails&rdquo; placed one
+      after, or above, each other, thus [symbols] etc.; tens were represented by
+      bent brackets [symbols], up to 60; beyond this figure they had the choice
+      of two methods of notation: they could express the further tens by the
+      continuous additions of brackets thus, [symbols] or they could represent
+      50 by a vertical &ldquo;nail,&rdquo; and add for every additional ten a bracket to the
+      right of it, thus: [symbols]. The notation of a hundred was represented by
+      the vertical &ldquo;nail&rdquo; with a horizontal stroke to the right thus [symbols],
+      and the number of hundreds by the symbols placed before this sign, thus
+      [symbols], etc.: a thousand was written [symbols] i.e. ten times one
+      hundred, and the series of thousands by the combination of different
+      notations which served to express units, tens, and hundreds. They
+      subdivided the unit, moreover, into sixty equal parts, and each of these
+      parts into sixty further equal subdivisions, and this system of fractions
+      was used in all kinds of quantitive measurements. The fathom, the foot and
+      its square, talents and bushels, the complete system of Chald�an weights
+      and measures, were based on the intimate alliance and parallel use of the
+      decimal and duodecimal systems of notation. The sixtieth was more
+      frequently employed than the hundredth when large quantities were in
+      question: it was called a &ldquo;soss,&rdquo; and ten sosses were equal to a &ldquo;ner,&rdquo;
+       while sixty ners were equivalent to a &ldquo;sar;&rdquo; the series, sosses, ners, and
+      sars, being employed in all estimations of values. Years and measures of
+      length were reckoned in sosses, while talents and bushels were measured in
+      sosses and sars. The fact that these subdivisions were all divisible by 10
+      or 12, rendered calculations by means of them easy to the merchant and
+      workmen as well as to the mathematical expert. The glimpses that we have
+      been able to obtain up to the present of Chaldaean scientific methods
+      indicate that they were on a low level, but they were sufficiently
+      advanced to furnish practical rules for application in everyday affairs:
+      helps to memory of different kinds, lists of figures with their names
+      phonetically rendered in Sumerian and Semitic speech, tables of squares
+      and cubes, and rudimentary formulas and figures for land-surveying,
+      furnished sufficient instructions to enable any one to make complicated
+      calculations in a ready manner, and to work out in figures, with tolerable
+      accuracy, the superficial area of irregularly shaped plots of land. The
+      Chaldaeans could draw out, with a fair amount of exactness, plans of
+      properties or of towns, and their ambition impelled them even to attempt
+      to make maps of the world. The latter were, it is true, but rough
+      sketches, in which mythological beliefs vitiated the information which
+      merchants and soldiers had collected in their journeys. The earth was
+      represented as a disk surrounded by the ocean stream: Chald�a took up the
+      greater part of it, and foreign countries did not appear in it at all, or
+      held a position out in the cold at its extremities. Actual knowledge was
+      woven in an extraordinary manner with mystic considerations, in which the
+      virtues of numbers, their connections with the gods, and the application
+      of geometrical diagrams to the prediction of the future, played an
+      important part. We know what a brilliant fortune these speculations
+      attained in after-years, and the firm hold they obtained for centuries
+      over Western nations, as formerly over the Bast. It was not in arithmetic
+      and geometry alone, moreover, that the Chaldaeans were led away by such
+      deceits: each branch of science in its turn was vitiated by them, and,
+      indeed, it could hardly be otherwise when we come to consider the Chald�an
+      outlook upon the universe. Its operations, in their eyes, were not carried
+      on under impersonal and unswerving laws, but by voluntary and rational
+      agents, swayed by an inexorable fate against which they dared not rebel,
+      but still free enough and powerful enough to avert by magic the decrees of
+      destiny, or at least to retard their execution. From this conception of
+      things each subordinate science was obliged to make its investigations in
+      two perfectly distinct regions: it had at first to determine the material
+      facts within its competence&mdash;such as the position of the stars, for
+      instance, or the symptoms of a malady; it had then to discover the beings
+      which revealed themselves through these material manifestations, their
+      names and their characteristics. When once it had obtained this
+      information, and could lay its hands upon them, it could compel them to
+      work on its behalf: science was thus nothing else than the application of
+      magic to a particular class of phenomena.
+    </p>
+    <p>
+      The number of astronomical facts with which the Chald�ans had made
+      themselves acquainted was considerable.
+    </p>
+    <p>
+      <a name="linkCimage-0048" id="linkCimage-0048">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/340.jpg" width="100%"
+       alt="340.jpg Chald�an Map of the World. " />
+    </div>
+<pre xml:space="preserve">
+     Drawn by Faucher-Gudin, from a sketch by Peiser.
+</pre>
+    <p>
+      It was a question in ancient times whether they or the Egyptians had been
+      the first to carry their investigations into the infinite depths of
+      celestial space: when it came to be a question as to which of the two
+      peoples had made the greater progress in this branch of knowledge, all
+      hesitation vanished, and the pre-eminence was accorded by the ancients to
+      the priests of Babylon rather than to those of Heliopolis and Memphis.*
+    </p>
+    <p>
+      * Clement of Alexandria, Lucien, Diogenes Laertius, Macrobius, attribute
+      the origin of astronomy to the Egyptians, and Diodorus Sioulus asserts
+      that they were the teachers of the Babylonians; Josephus maintains, on the
+      contrary, that the Egyptians were the pupils of the Chald�ans.
+    </p>
+    <p>
+      The Chaldaeans had conducted astronomical observations from remote
+      antiquity.* Callisthenes collected and sent to his uncle Aristotle a
+      number of these observations, of which the oldest had been made nineteen
+      hundred and three years before his time&mdash;that is, about the middle of
+      the twenty-third century before our era: he could have transcribed many of
+      a still earlier date if the archives of Babylon had been fully accessible
+      to him.
+    </p>
+<pre xml:space="preserve">
+     * Epigenes asserts that their observations extended back to
+     720,000 years before the time of Alexander, while Berossus
+     and Critodemus limit their antiquity to 490,000 years, which
+     was further reduced to 473,000 years by Diodorus, to 470,000
+     by Cicero, and to 270,000 by Hipparchus.
+</pre>
+    <p>
+      The Chald�an priests had been accustomed from an early date to record on
+      their clay tablets the aspect of the heavens and the changes which took
+      place in them night after night, the appearance of the constellations,
+      their comparative brilliancy, the precise moments of their rising and
+      setting and culmination, together with the more or less rapid movements of
+      the planets, and their motions towards or from one another. To their
+      unaided eyes, sharpened by practice and favoured by the transparency of
+      the air, many stars were visible, as to the Egyptians, which we can
+      perceive only by the aid of the telescope. These thousands of brilliant
+      bodies, scattered apparently at random over the face of the sky, moved,
+      however, with perfect regularity, and the period between their departure
+      from and their return to the same point in the heavens was determined at
+      an early date: their position could be predicted at any hour, their course
+      in the firmament being traced so accurately that its various stages were
+      marked out and indicated beforehand. The moon, they discovered, had to
+      complete two hundred and twenty-three revolutions of twenty-nine days and
+      a half each, before it returned to the point from which it had set out.
+      This period of its career being accomplished, it began a second of equal
+      length, then a third, and so on, in an infinite series, during which it
+      traversed the same celestial houses and repeated in them the same acts of
+      its life: all the eclipses which it had undergone in one period would
+      again afflict it in another, and would be manifest in the same places of
+      the earth in the same order of time.* Whether they ascribed these eclipses
+      to some mechanical cause, or regarded them as so many unfortunate attacks
+      made upon Sin by the seven, they recognized their periodical character,
+      and they were acquainted with the system of the two hundred and
+      twenty-three lunations by which their occurrence and duration could be
+      predicted. Further observations encouraged the astronomers to endeavour to
+      do for the sun what they had so successfully accomplished in regard to the
+      moon.
+    </p>
+<pre xml:space="preserve">
+     * This period of two hundred and twenty-three lunations is
+     that described by Ptolemy in the fourth book of his
+     &ldquo;Astronomy,&rdquo; in which he deals with the average motion of
+     the moon. The Chald�ans seem not to have been able to make a
+     skilful use of it, for their books indicate the occurrence
+     of lunar eclipses outside the predicted periods.
+</pre>
+    <p>
+      <a name="linkCimage-0049" id="linkCimage-0049"></a> <a
+      href="images/341.jpg"></a>
+    </p>
+    <div class="fig" style="width:100%;">
+      <img alt="341th (67K)" src="images/341th.jpg" width="100%" />
+    </div>
+    <p>
+      <br />
+    </p>
+    <p>
+      No long experience was needed to discover the fact that the majority of
+      solar eclipses were followed some fourteen days and a half after by an
+      eclipse of the moon; but they were unable to take sufficient advantage of
+      this experience to predict with certainty the instant of a future eclipse
+      of the sun, although they had been so struck with the connection of the
+      two phenomena as to believe that they were in a position to announce it
+      approximately.* They were frequently deceived in their predictions, and
+      more than one eclipse which they had promised did not take place at the
+      time expected:** but their successful prognostications were sufficiently
+      frequent to console them for their failures, and to maintain the respect
+      of the people and the rulers for their knowledge. Their years were vague
+      years of three hundred and sixty days. The twelve equal months of which
+      they were composed bore names which were borrowed, on the one hand, from
+      events in civil life, such as &ldquo;Simanu,&rdquo; from the making of brick, and
+      &ldquo;Addaru,&rdquo; from the sowing of seed, and, on the other, from mythological
+      occurrences whose origin is still obscure, such as &ldquo;Nisanu,&rdquo; from the
+      altar of Ea, and &ldquo;Elul,&rdquo; from a message of Ishtar. The adjustment of this
+      year to astronomical demands was roughly carried out by the addition of a
+      month every six years, which was called a second Adar, Blul, or Nisan,
+      according to the place in which it was intercalated.
+    </p>
+<pre xml:space="preserve">
+     * Tannery is of opinion that the Chald�ans must have
+     predicted eclipses of the sun by means of the period of two
+     hundred and twenty-three lunations, and shows by what a
+     simple means they could have arrived at it.
+
+     ** An astronomer mentions, in the time of Assurbanipal, that
+     on the 28th, 29th, and 30th of the month he prepared for the
+     observation of an eclipse; but the sun continued brilliant,
+     and the eclipse did not take place.
+</pre>
+    <p>
+      The neglect of the hours and minutes in their calculation of the length of
+      the year became with them, as with the Egyptians, a source of serious
+      embarrassment, and we are still ignorant as to the means employed to meet
+      the difficulty. The months had relations to the signs of the zodiac, and
+      the days composing them were made up of twelve double hours each. The
+      Chald�ns had invented two instruments, both of them of a simple character,
+      to measure time&mdash;the clepsydra and the solar clock, the latter of
+      which in later times became the source of the Greek &ldquo;polos.&rdquo; The sun-dial
+      served to determine a number of simple facts which were indispensable in
+      astronomical calculations, such as the four cardinal points, the meridian
+      of the place, the solstitial and equinoctial epochs, and the elevation of
+      the pole at the position of observation. The construction of the sundial
+      and clepsydra, if not of the polos also, is doubtless to be referred back
+      to a very ancient date, but none of the texts already brought to light
+      makes mention of the employment of these instruments.*
+    </p>
+<pre xml:space="preserve">
+     * Herodotus (ii. 109) formally attributes the invention of
+     the sun-dial and polos to the Babylonians. The &ldquo;polos&rdquo; was a
+     solar clock. It consisted of a concave hemisphere with a
+     style rising from its centre: the shadow of the style
+     described every day an arc of a circle parallel to the
+     equator, and the daily parallels were divided into twelve or
+     twenty-four equal parts. Smith discovered, in the palace of
+     Sennacherib at Koyunjik, a portion of an astrolabe, which is
+     now in the British Museum.
+</pre>
+    <p>
+      All these discoveries, which constitute in our eyes the scientific
+      patrimony of the Chald�ans, were regarded by themselves as the least
+      important results of their investigations. Did they not know, thanks to
+      these investigations, that the stars shone for other purposes than to
+      lighten up the nights&mdash;to rule, in fact, the destinies of men and
+      kings, and, in ruling that of kings, to determine the fortune of empires?
+      Their earliest astronomers, by their assiduous contemplation of the
+      nightly heavens, had come to the conclusion that the vicissitudes of the
+      heavenly bodies were in fixed relations with mundane phenomena and events.
+      If Mercury, for instance, displayed an unusual brilliancy at his rising,
+      and his disk appeared as a two-edged sword, riches and abundance, due to
+      the position of the luminous halo which surrounded him, would be scattered
+      over Chald�a, while discords would cease therein, and justice would
+      triumph over iniquity. The first observer who was struck by this
+      coincidence noted it down; his successors confirmed his observations, and
+      at length deduced, in the process of the years, from their accumulated
+      knowledge, a general law. Henceforward, each time that Mercury assumed the
+      same aspect it was of favourable augury, and kings and their subjects
+      became the recipients of his bounty. As long as he maintained this
+      appearance no foreign ruler could install himself in Chald�a, tyranny
+      would be divided against itself, equity would prevail, and a strong
+      monarch bear sway; while the landholders and the king would be confirmed
+      in their privileges, and obedience, together with tranquillity, would rule
+      everywhere in the land. The number of these observations increased to such
+      a degree that it was found necessary to classify them methodically to
+      avoid confusion. Tables of them were drawn up, in which the reader could
+      see at one and the same moment the aspect of the heavens on such and such
+      a night and hour, and the corresponding events either then happening, or
+      about to happen, in Chald�an, Syria, or some foreign land. If, for
+      instance, the moon displayed the same appearance on the 1st and 27th of
+      the month, Elam was threatened; but &ldquo;if the sun, at his setting, appears
+      double his usual size, with three groups of bluish rays, the King of
+      Chald�a is ruined.&rdquo; To the indications of the heavenly bodies, the
+      Chald�ans added the portents which could be deduced from atmospheric
+      phenomena: if it thundered on the 27th of Tammuz, the wheat-harvest would
+      be excellent and the produce of the ears magnificent; but if this, should
+      occur six days later, that is, on the 2nd of Abu, floods and rains were to
+      be apprehended in a short time, together with the death of the king and
+      the division of his empire. It was not for nothing that the sun and moon
+      surrounded themselves in the evening with blood-red vapours or veiled
+      themselves in dark clouds; that they grew suddenly pale or red after
+      having been intensely bright; that unexpected fires blazed out on the
+      confines of the air, and that on certain nights the stars seemed to have
+      become detached from the firmament and to be falling upon the earth. These
+      prodigies were so many warnings granted by the gods to the people and
+      their kings before great crises in human affairs: the astronomer
+      investigated and interpreted them, and his predictions had a greater
+      influence than we are prepared to believe upon the fortunes of individuals
+      and even of states. The rulers consulted and imposed upon the astronomers
+      the duty of selecting the most favourable moment for the execution of the
+      projects they had in view. From an early date each temple contained a
+      library of astrological writings, where the people might find, drawn up as
+      in a. code, the signs which bore upon their destinies. One of these
+      libraries, consisting of not less than seventy clay tablets, is considered
+      to have been first drawn up in the reign of Sargon of Agad�, but to have
+      been so modified and enriched with new examples from time to time that the
+      original is well-nigh lost. This was the classical work on the subject in
+      the VIIth century before our era, and the astronomers-royal, to whom
+      applications were accustomed to be made to explain a natural phenomenon or
+      a prodigy, drew their answers ready-made from it. Astronomy, as thus
+      understood, was not merely the queen of sciences, it was the mistress of
+      the world: taught secretly in the temples, its adepts&mdash;at least,
+      those who had passed through the regular curriculum of study which it
+      required&mdash;became almost a distinct class in society. The occupation
+      was a lucrative one, and its accomplished professors had numerous rivals
+      whose educational antecedents were unknown, but who excited the envy of
+      the experts in their trading upon the credulity of the people. These
+      quacks went about the country drawing up horoscopes, and arranging schemes
+      of birthday prognostications, of which the majority were without any
+      authentic warranty. The law sometimes took note of the fact that they were
+      competing with the official experts, and interfered with their business:
+      but if they happened to be exiled from one city, they found some
+      neighbouring one ready to receive them.
+    </p>
+    <p>
+      Chald�a abounded with soothsayers and necromancers no less than with
+      astrologers; she possessed no real school of medicine, such as we find in
+      Egypt, in which were taught rational methods of diagnosing maladies and of
+      curing them by the use of simples. The Chaldaeans were content to confide
+      the care of their bodies to sorcerers and exorcists, who were experts in
+      the art of casting out demons and spirits, whose presence in a living
+      being brought about those disorders to which humanity is prone. The facial
+      expression of the patient during the crisis, the words which escaped from
+      him in delirium, were, for these clever individuals, so many signs
+      revealing the nature and sometimes the name of the enemy to be combated&mdash;the
+      Fever-god, the Plague-god, the Headache-god. Consultations and medical
+      treatment were, therefore, religious offices, in which were involved
+      purifications, offerings, and a whole ritual of mysterious words and
+      gestures. The magician lighted a fire of herbs and sweet-smelling plants
+      in front of his patient, and the clear flame arising from this put the
+      spectres to flight and dispelled the malign influences, a prayer
+      describing the enchantments and their effects being afterwards recited.
+      &ldquo;The baleful imprecation like a demon has fallen upon a man;&mdash;wail
+      and pain have fallen upon him,&mdash;direful wail has fallen upon him,&mdash;the
+      baleful imprecation, the spell, the pains in the head!&mdash;This man, the
+      baleful imprecation slaughters him like a sheep,&mdash;for his god has
+      quitted his body&mdash;his goddess has withdrawn herself in displeasure
+      from him,&mdash;a wail of pain has spread itself as a garment upon him and
+      has overtaken him!&rdquo; The harm done by the magician, though terrible, could
+      be repaired by the gods, and Merodach was moved to compassion betimes.
+      Merodach cast his eyes on the patient, Merodach entered into the house of
+      his father Ea, saying: &ldquo;My father, the baleful curse has fallen like a
+      demon upon the man!&rdquo; Twice he thus speaks, and then adds: &ldquo;What this man
+      ought to do, I know not; how shall he be healed?&rdquo; Ea replies to his son
+      Merodach: &ldquo;My son, what is there that I could add to thy knowledge?&mdash;Merodach,
+      what is there that I could add to thy knowledge?&mdash;That which I know,
+      thou knowest it:&mdash;go then, my son, Merodach,&mdash;lead him to the
+      house of purification of the god who prepares remedies,&mdash;and break
+      the spell that is upon him, draw away the charm which is upon him,&mdash;the
+      ill which afflicts his body,&mdash;which he suffers by reason of the curse
+      of his father,&mdash;or the curse of his mother,&mdash;or the curse of his
+      eldest brother,&mdash;or by the curse of a murderess who is unknown to the
+      man.&mdash;The curse, may it be taken from him by the charm of Ea,&mdash;like
+      a clove of garlic which is stripped skin by skin,&mdash;like a cluster of
+      dates may it be cut off,&mdash;like a bunch of flowers may it be uprooted!
+      The spell, may heaven avert it,&mdash;may the earth avert it!&rdquo; The god
+      himself deigned to point out the remedy: the sick man was to take a clove
+      of garlic, some dates, and a stalk bearing flowers, and was to throw them
+      into the fire, bit by bit, repeating appropriate prayers at each stage of
+      the operation. &ldquo;In like manner as this garlic is peeled and thrown into
+      the fire,&mdash;and the burning flame consumes it,&mdash;as it will never
+      be planted in the vegetable garden, it will never draw moisture from the
+      pond or from the ditch,&mdash;its root will never again spread in the
+      earth,&mdash;its stalk will not pierce the ground and behold the sun,&mdash;it
+      will not serve as food for the gods or the king,&mdash;so may it remove
+      the baleful curse, so may it loose the bond&mdash;of sickness, of sin, of
+      shortcomings, of perversity, of crime!&mdash;The sickness which is in my
+      body, in my flesh, in my muscles,&mdash;like this garlic may it be
+      stripped off,&mdash;and may the burning flame consume it in this day;&mdash;may
+      the spell of the sorcerer be cast out, that I may behold the light!&rdquo; The
+      ceremony could be prolonged at will: the sick person pulled to pieces the
+      cluster of dates, the bunch of flowers, a fleece of wool, some goats&rsquo;
+      hair, a skein of dyed thread, and a bean, which were all in turn consumed
+      in the fire. At each stage of the operation he repeated the formula,
+      introducing into it one or two expressions characterizing the nature of
+      the particular offering; as, for instance, &ldquo;the dates will no more hang
+      from their stalks, the leaves of the branch will never again be united to
+      the tree, the wool and the hair will never again lie on the back of the
+      animal on which they grew, and will never be used for weaving garments.&rdquo;
+       The use of magical words was often accompanied by remedies, which were for
+      the most part both grotesque and disgusting in their composition: they
+      comprised bitter or stinking wood-shavings, raw meat, snake&rsquo;s flesh, wine
+      and oil, the whole reduced to a pulp, or made into a sort of pill and
+      swallowed on the chance of its bringing relief. The Egyptian physicians
+      employed similar compounds, to which they attributed wonderful effects,
+      but they made use of them in exceptional circumstances only. The medical
+      authorities in Chald�a recommended them before all others, and their very
+      strangeness reassured the patient as to their efficacy: they filled the
+      possessing spirits with disgust, and became a means of relief owing to the
+      invincible horror with which they inspired the persecuting demons. The
+      Chald�ans were not, however, ignorant of the natural virtues of herbs, and
+      at times made use of them; but they were not held in very high esteem, and
+      the physicians preferred the prescriptions which pandered to the popular
+      craving for the supernatural. Amulets further confirmed the effect
+      produced by the recipes, and prevented the enemy, once cast out, from
+      re-entering the body; these amulets were made of knots of cord, pierced
+      shells, bronze or terra-cotta statuettes, and plaques fastened to the arms
+      or worn round the neck. On each of the latter kind were roughly drawn the
+      most terrible images that they could conceive, a shortened incantation was
+      scrawled on its surface, or it was covered with extraordinary characters,
+      which when the spirits perceived they at once took flight, and the
+      possessor of the talisman escaped the threatened illness.
+    </p>
+    <p>
+      However laughable, and at the same time deplorable, this hopeless medley
+      of exact knowledge and gross superstition may appear to us at the present
+      day, it was the means of bringing a prosperity to the cities of Chald�a
+      which no amount of actual science would ever have produced. The
+      neighbouring barbaric peoples were imbued with the same ideas as the
+      Chald�ns regarding the constitution of the world and the nature of the
+      laws which governed it. They lived likewise in perpetual fear of those
+      invisible beings whose changeable and arbitrary will actuated all visible
+      phenomena; they attributed all the reverses and misfortunes which overtook
+      them to the direct action of these malevolent beings; they believed firmly
+      in the influence of stars on the course of events; they were constantly on
+      the look out for prodigies, and were greatly alarmed by them, since they
+      had no certain knowledge of the number and nature of their enemies, and
+      the means they had invented for protecting themselves from them or of
+      overcoming them too often proved inefficient. In the eyes of these
+      barbarians, the Chaldeans seemed to be possessed of the very powers which
+      they themselves lacked. The magicians of Chald�a had forced the demons to
+      obey them and to unmask themselves before them; they read with ease in the
+      heavens the present and future of men and nations; they interpreted the
+      will of the immortals in its smallest manifestations, and with them this
+      faculty was not a limited and ephemeral power, quickly exhausted by use:
+      the rites and formulas known to them enabled them to exercise it freely at
+      all times, in all places, alike upon the most exalted of the gods and the
+      most dreaded of mortals, without its ever becoming weakened.
+    </p>
+    <p>
+      <a name="linkCimage-0050" id="linkCimage-0050">
+      <!-- IMG --></a>
+    </p>
+    <div class="figleft" style="width:50%;">
+      <img width="100%" src="images/352.jpg" alt="352.jpg a Chald�an Amulet. " />
+<pre xml:space="preserve">
+Drawn by Faucher-Gudin, from
+a sketch by Loftus. The original
+is in the British Museum.
+</pre>
+    </div>
+    <p>
+      A race so endowed with wisdom was, indeed, destined to triumph over its
+      neighbours, and the latter would have no chance of resisting such a nation
+      unless they borrowed from it its manners, customs, industry, writing, and
+      all the arts and sciences which had brought about their superiority.
+      Chald�ann civilization spread into Elam and took possession of the
+      inhabitants of the shores of the Persian Gulf, and then, since its course
+      was impeded on the south by the sea, on the west by the desert, and on the
+      east by the mountains, it turned in the direction of the great northern
+      plains and proceeded up the two rivers, beside whose lower waters it had
+      been cradled. It was at this very time that the Pharaohs of the XIIIth
+      dynasty had just completed the conquest of Nubia. Greater Egypt, made what
+      she was by the efforts of twenty generations, had become an African power.
+      The sea formed her northern boundary, the desert and the mountains
+      enclosed her on all sides, and the Nile appeared the only natural outlet
+      into a new world: she followed it indefatigably from one cataract to
+      another, colonizing as she passed all the lands fertilized by its waters.
+      Every step which she made in this direction increased the distance between
+      her capitals and the Mediterranean, and brought her armies further south.
+      Asia would have practically ceased to exist, as far as Egypt was
+      concerned, had not the repeated incursions of the Bedouin obliged her to
+      make advances from time to time in that direction; still she crossed the
+      frontier as seldom as possible, and recalled her troops as soon as they
+      had reduced the marauders to order: Ethiopia alone attracted her, and it
+      was there that she firmly established her empire. The two great civilized
+      peoples of the ancient world, therefore, had each their field of action
+      clearly marked out, and neither of them had ever ventured into that of the
+      other. There had been no lack of intercourse between them, and the
+      encounter of their armies, if it ever really had taken place, had been
+      accidental, had merely produced passing results, and up till then had
+      terminated without bringing to either side a decisive advantage.
+    </p>
+    <p>
+      <a name="linkCimage-0051" id="linkCimage-0051">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/354.jpg" width="100%"
+       alt="354.jpg Magic Nail of Terra Cotta " />
+    </div>
+    <p>
+      <a name="linkCimage-0052" id="linkCimage-0052">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/355.jpg" width="100%"
+       alt="355.jpg Egyptian Cornice Bearing the Cartouches of Ramses I. " />
+    </div>
+    <p>
+      <a name="linkC2H_APPE" id="linkC2H_APPE">
+      <!--  H2 anchor --> </a>
+    </p>
+    <div style="height: 4em;">
+      <br /><br /><br /><br />
+    </div>
+    <h2>
+      APPENDIX<br /> <br /> THE PHARAOHS OF THE ANCIENT AND MIDDLE EMPIRES
+    </h2>
+    <h3>
+      (Dynasties I.-XIV.)
+    </h3>
+    <p>
+      The lists of the Pharaohs of the Memphite period appear to have been drawn
+      up in much the same order as we now possess them, as early as the XIIth
+      dynasty: it is certain that the sequence was definitely fixed about the
+      time of the XXth dynasty, since it was under this that the Canon of Turin
+      was copied. The lists which have come down to us appear to follow two
+      traditions, which differ completely in certain cases: one has been
+      preserved for us by the abbreviators of Manetho, while the other was the
+      authority followed by the compilers of the tables of Abydos and Saqq�ra,
+      as well as by the author of the Turin Papyrus.
+    </p>
+    <p>
+      There appear to have been in the first five dynasties a certain number of
+      kings whose exact order and filiation were supposed to be well known to
+      the compilers; but, at the same time, there were others whose names were
+      found on the monuments, but whose position with regard to their
+      predecessors was indicated neither by historical documents nor by popular
+      romance. We find, therefore, in these two traditional lists a series of
+      sovereigns always occupying the same position, and others hovering around
+      them, who have no decided place. The hieroglyphic lists and the Royal
+      Canon appear to have been chiefly concerned with the former; but the
+      authorities followed by Manetho have studiously collected the names of the
+      latter, and have intercalated them in different places, sometimes in the
+      middle, but mostly at the end of the dynasty, where they form a kind of <i>caput
+      mortuum</i>. The most striking example of this arrangement is afforded us
+      in the IVth dynasty. The contemporary monuments show that its kings formed
+      a compact group, to which are appended the first three sovereigns of the
+      Vth dynasty, always in the same order: Menka�r� succeeded Kh�fr�,
+      Shopsiskaf followed Menka�r�, Usirkaf followed Shopsiskaf, and so on to
+      the end. The lists of Manetho suppress Shopsiskaf, and substitute four
+      other individuals in his place, namely, Kat�ises, Bikheris, Seberkheres,
+      Thamphthis, whose reigns must have occupied more than half a century;
+      these four were doubtless aspirants to the throne, or local kings
+      belonging to the time between the IVth and Vth dynasties, whom Manetho&rsquo;s
+      authorities inserted between the compact groups made up of Kheops and his
+      sons on the one hand, and of Usirkaf and his two real of supposed brothers
+      on the other, omitting Shopsiskaf, and having no idea that Usirkaf was his
+      immediate successor, with or without rivals to the throne.
+    </p>
+    <p>
+      In a course of lectures given at the <i>Coll�ge de France</i> (1893-95), I
+      have examined at length the questions raised by a study of the various
+      lists, and I may be able, perhaps, some day to publish the result of my
+      researches: for the present I must confine myself merely to what is
+      necessary to the elucidation of the present work, namely, the Manethonian
+      tradition on the one hand, and the tradition of the monumental tables on
+      the other. The text which I propose to follow for the latter, during the
+      first five dynasties, is that of the second table of Abydos; the names
+      placed between brackets [ ] are taken either from the table of Saqq�ra or
+      from the Royal Canon of Turin. The numbers of the years, months, and days
+      are those furnished by the last-mentioned document.
+    </p>
+    <p>
+      <a name="linkCimage-0053" id="linkCimage-0053">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/357.jpg" width="100%"
+       alt="357.jpg Lists of the Pharaohs Of The Ancient Empire " />
+    </div>
+    <p>
+      <a name="linkCimage-0054" id="linkCimage-0054">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/358.jpg" width="100%"
+       alt="358.jpg Lists on the Monuments " />
+    </div>
+    <p>
+      From the VIth to the XIIth dynasty, the lists of Manetho are at fault:
+      they give the origin and duration of the dynasties, without furnishing us
+      with the names of the kings.
+    </p>
+    <p>
+      <a name="linkCimage-0055" id="linkCimage-0055">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/359.jpg" width="100%"
+       alt="359.jpg Lists on the Monuments " />
+    </div>
+    <p>
+      This blank is partially filled by the table of Abydos, by the fragments of
+      the Turin Papyrus, and by information supplied by the monuments. No such
+      definitely established sequence appears to have existed for this period,
+      as for the preceding ones. The Heracleopolitan dynasties figure, perhaps,
+      in the Canon of Turin only; as for the later Memphite dynasties, the table
+      of Abydos gives one series of Pharaohs, while the Canon adopts a different
+      one. After the close of the VIth dynasty, and before the accession of the
+      IXth, there was, doubtless, a period when several branches of the royal
+      family claimed the supremacy and ruled in different parts of Egypt: this
+      is what we know to have taken place later between the XXIInd and the
+      XXIVth dynasties. The tradition of Abydos had, perhaps, adopted one of
+      these contemporaneous dynasties, while the Turin Papyrus had chosen
+      another: Manetho, on the other hand, had selected from among them, as
+      representatives of the legitimate succession, the line reigning at Memphis
+      which immediately followed the sovereigns of the VIth dynasty. The
+      following table gives both the series known, as far as it is possible for
+      the present to re-establish the order:&mdash;
+    </p>
+    <p>
+      <a name="linkCimage-0056" id="linkCimage-0056">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/360.jpg" width="100%"
+       alt="360.jpg Lists on the Monuments " />
+    </div>
+    <p>
+      The XIth (Theban) dynasty contains but a small number of kings according
+      to the official lists. The tables on the monuments recognize only two,
+      Nibkhr�ur� and S�nkhkar�, but the Turin Canon admits at least half a
+      dozen. These differences probably arose from the fact that, the second
+      Heracleopolitan dynasty having reigned at the same time as the earlier
+      Theban princes, the tables on the monuments, while rejecting the
+      Heracleopolitans, recognized as legitimate Pharaohs only those of the
+      Theban kings who had ruled over the whole of Egypt, namely, the first and
+      last of the series; the Canon, on the contrary, replaced the later
+      Heracleopolitans by those among the contemporary Thebans who had assumed
+      the royal titles. Whatever may have been the cause of these combinations,
+      we find the lists again harmonizing with the accession of the XIIth
+      (Theban) dynasty.
+    </p>
+    <p>
+      For the succeeding dynasties we possess merely the names enumerated on the
+      fragments of the Turin Papyrus, several of which, however, are also found
+      either in the royal chamber at Karnak, or on contemporary monuments. The
+      order of the names is not always certain: it is, perhaps, best to
+      transcribe the sequence as we are able to gather it from the fragments of
+      the Royal Papyrus, without attempting to distinguish between those which
+      belong to the XIIIth and those which must be. relegated to the following
+      dynasties.
+    </p>
+    <p>
+      <a name="linkCimage-0057" id="linkCimage-0057">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/361.jpg" width="100%"
+       alt="361.jpg Lists on the Monuments " />
+    </div>
+    <p>
+      About fifty names still remain, but so mutilated and scattered over such
+      small fragments of papyrus, that their order is most uncertain. We possess
+      monuments of about one-fifth of these kings, and the lengths of their
+      reigns, as far as we know them, all appear to have been short: we have no
+      reason to doubt that they did really govern, and we can only hope that in
+      time the progress of excavation will yield us records of them one after
+      another. They bring us down to the period of the invasion of the
+      Shepherds, and it is possible that some among them may be found to be
+      contemporaries of the XVth and XVIth dynasties.
+    </p>
+    <p>
+      <a name="linkCimage-0058" id="linkCimage-0058">
+      <!-- IMG --></a>
+    </p>
+    <div class="fig" style="width:80%;">
+      <img src="images/362.jpg" width="100%" alt="362.jpg Tailpiece " />
+    </div>
+    <p>
+      <br /> <br />
+    </p>
+    <div class="fig" style="width:80%;">
+      <img alt="cover2 (229K)" src="images/cover2.jpg" width="100%" />
+    </div>
+    <p>
+      <br /> <br /> <br /> <br />
+    </p>
+<pre xml:space="preserve">
+
+
+
+
+
+End of the Project Gutenberg EBook of History Of Egypt, Chald�a, Syria,
+Babylonia, and Assyria, Volume 3 (of 12), by G. Maspero
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+  </body>
+</html>
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