summaryrefslogtreecommitdiff
path: root/old
diff options
context:
space:
mode:
Diffstat (limited to 'old')
-rw-r--r--old/1718-h.htm.2021-01-277557
-rw-r--r--old/1718.txt6775
-rw-r--r--old/1718.zipbin0 -> 137926 bytes
-rw-r--r--old/mnalv10.txt6651
-rw-r--r--old/mnalv10.zipbin0 -> 136056 bytes
5 files changed, 20983 insertions, 0 deletions
diff --git a/old/1718-h.htm.2021-01-27 b/old/1718-h.htm.2021-01-27
new file mode 100644
index 0000000..8f2e2da
--- /dev/null
+++ b/old/1718-h.htm.2021-01-27
@@ -0,0 +1,7557 @@
+<?xml version="1.0" encoding="utf-8"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml">
+ <head>
+ <meta content="pg2html (binary v0.17)" name="linkgenerator" />
+ <title>
+ Manalive, by G. K. Chesterton
+ </title>
+ <style type="text/css" xml:space="preserve">
+ body { margin:5%; background:#faebd0; text-align:justify}
+ P { text-indent: 1em; margin-top: .75em; margin-bottom: .75em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 5%; margin-right: 5%; text-align: justify; font-size: 80%; font-style: italic;}
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ .xx-small {font-size: 60%;}
+ .x-small {font-size: 75%;}
+ .small {font-size: 85%;}
+ .large {font-size: 115%;}
+ .x-large {font-size: 130%;}
+ .indent5 { margin-left: 5%;}
+ .indent10 { margin-left: 10%;}
+ .indent15 { margin-left: 15%;}
+ .indent20 { margin-left: 20%;}
+ .indent25 { margin-left: 25%;}
+ .indent30 { margin-left: 30%;}
+ .indent35 { margin-left: 35%;}
+ .indent40 { margin-left: 40%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ .pagenum {position: absolute; right: 1%; font-size: 0.6em;
+ font-variant: normal; font-style: normal;
+ text-align: right; background-color: #FFFACD;
+ border: 1px solid; padding: 0.3em;text-indent: 0em;}
+ .side { float: left; font-size: 75%; width: 15%; padding-left: 0.8em;
+ border-left: dashed thin; text-align: left;
+ text-indent: 0; font-weight: bold; font-style: italic;
+ font-weight: bold; color: black; background: #eeeeee; border: solid 1px;}
+ .head { float: left; font-size: 90%; width: 98%; padding-left: 0.8em;
+ border-left: dashed thin; text-align: center;
+ text-indent: 0; font-weight: bold; font-style: italic;
+ font-weight: bold; color: black; background: #eeeeee; border: solid 1px;}
+ p.pfirst, p.noindent {text-indent: 0}
+ span.dropcap { float: left; margin: 0 0.1em 0 0; line-height: 0.8 }
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+</style>
+ </head>
+ <body>
+<pre xml:space="preserve">
+The Project Gutenberg EBook of Manalive, by G. K. Chesterton
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Manalive
+
+Author: G. K. Chesterton
+
+Release Date: August 3, 2005 [EBook #1718]
+Last Updated: September 6, 2018
+
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK MANALIVE ***
+
+
+Etext produced by Jim Henry III and edited by Martin Ward
+HTML file produced by David Widger
+
+
+</pre>
+ <div style="height: 8em;">
+ <br /><br /><br /><br /><br /><br /><br /><br />
+ </div>
+ <h1>
+ MANALIVE
+ </h1>
+ <h2>
+ By G. K. Chesterton
+ </h2>
+ <h4>
+ Published by Thomas Nelson and Sons: 1912
+ </h4>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <p>
+ <b>CONTENTS</b>
+ </p>
+ <p class="toc">
+ <a href="#link2H_PART"> <b>Part I</b> &mdash; THE ENIGMAS OF INNOCENT
+ SMITH </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0001"> Chapter I &mdash; How the Great Wind Came to
+ Beacon House </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0002"> Chapter II &mdash; The Luggage of an Optimist
+ </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0003"> Chapter III &mdash; The Banner of Beacon </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0004"> Chapter IV &mdash; The Garden of the God </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0005"> Chapter V &mdash; The Allegorical Practical Joker
+ </a>
+ </p>
+ <p>
+ <br />
+ </p>
+ <p class="toc">
+ <a href="#link2H_PART2"> <b>Part II</b> &mdash; THE EXPLANATIONS OF
+ INNOCENT SMITH </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0006"> Chapter I &mdash; The Eye of Death; or, the
+ Murder Charge </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0007"> Chapter II &mdash; The Two Curates; or, the
+ Burglary Charge </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0008"> Chapter III &mdash; The Round Road; or, the
+ Desertion Charge </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0009"> Chapter IV &mdash; The Wild Weddings; or, the
+ Polygamy Charge </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0010"> Chapter V &mdash; How the Great Wind Went from
+ Beacon House </a>
+ </p>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /><br /><a name="link2H_PART" id="link2H_PART"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ PART I &mdash; THE ENIGMAS OF INNOCENT SMITH
+ </h2>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2HCH0001" id="link2HCH0001"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ Chapter I &mdash; How the Great Wind Came to Beacon House
+ </h2>
+ <p>
+ A wind sprang high in the west, like a wave of unreasonable happiness, and
+ tore eastward across England, trailing with it the frosty scent of forests
+ and the cold intoxication of the sea. In a million holes and corners it
+ refreshed a man like a flagon, and astonished him like a blow. In the
+ inmost chambers of intricate and embowered houses it woke like a domestic
+ explosion, littering the floor with some professor&rsquo;s papers till
+ they seemed as precious as fugitive, or blowing out the candle by which a
+ boy read &ldquo;Treasure Island&rdquo; and wrapping him in roaring dark.
+ But everywhere it bore drama into undramatic lives, and carried the trump
+ of crisis across the world. Many a harassed mother in a mean backyard had
+ looked at five dwarfish shirts on the clothes-line as at some small, sick
+ tragedy; it was as if she had hanged her five children. The wind came, and
+ they were full and kicking as if five fat imps had sprung into them; and
+ far down in her oppressed subconscious she half-remembered those coarse
+ comedies of her fathers when the elves still dwelt in the homes of men.
+ Many an unnoticed girl in a dank walled garden had tossed herself into the
+ hammock with the same intolerant gesture with which she might have tossed
+ herself into the Thames; and that wind rent the waving wall of woods and
+ lifted the hammock like a balloon, and showed her shapes of quaint clouds
+ far beyond, and pictures of bright villages far below, as if she rode
+ heaven in a fairy boat. Many a dusty clerk or cleric, plodding a
+ telescopic road of poplars, thought for the hundredth time that they were
+ like the plumes of a hearse; when this invisible energy caught and swung
+ and clashed them round his head like a wreath or salutation of seraphic
+ wings. There was in it something more inspired and authoritative even than
+ the old wind of the proverb; for this was the good wind that blows nobody
+ harm.
+ </p>
+ <p>
+ The flying blast struck London just where it scales the northern heights,
+ terrace above terrace, as precipitous as Edinburgh. It was round about
+ this place that some poet, probably drunk, looked up astonished at all
+ those streets gone skywards, and (thinking vaguely of glaciers and roped
+ mountaineers) gave it the name of Swiss Cottage, which it has never been
+ able to shake off. At some stage of those heights a terrace of tall gray
+ houses, mostly empty and almost as desolate as the Grampians, curved round
+ at the western end, so that the last building, a boarding establishment
+ called &ldquo;Beacon House,&rdquo; offered abruptly to the sunset its
+ high, narrow and towering termination, like the prow of some deserted
+ ship.
+ </p>
+ <p>
+ The ship, however, was not wholly deserted. The proprietor of the
+ boarding-house, a Mrs. Duke, was one of those helpless persons against
+ whom fate wars in vain; she smiled vaguely both before and after all her
+ calamities; she was too soft to be hurt. But by the aid (or rather under
+ the orders) of a strenuous niece she always kept the remains of a
+ clientele, mostly of young but listless folks. And there were actually
+ five inmates standing disconsolately about the garden when the great gale
+ broke at the base of the terminal tower behind them, as the sea bursts
+ against the base of an outstanding cliff.
+ </p>
+ <p>
+ All day that hill of houses over London had been domed and sealed up with
+ cold cloud. Yet three men and two girls had at last found even the gray
+ and chilly garden more tolerable than the black and cheerless interior.
+ When the wind came it split the sky and shouldered the cloudland left and
+ right, unbarring great clear furnaces of evening gold. The burst of light
+ released and the burst of air blowing seemed to come almost
+ simultaneously; and the wind especially caught everything in a throttling
+ violence. The bright short grass lay all one way like brushed hair. Every
+ shrub in the garden tugged at its roots like a dog at the collar, and
+ strained every leaping leaf after the hunting and exterminating element.
+ Now and again a twig would snap and fly like a bolt from an arbalist. The
+ three men stood stiffly and aslant against the wind, as if leaning against
+ a wall. The two ladies disappeared into the house; rather, to speak truly,
+ they were blown into the house. Their two frocks, blue and white, looked
+ like two big broken flowers, driving and drifting upon the gale. Nor is
+ such a poetic fancy inappropriate, for there was something oddly romantic
+ about this inrush of air and light after a long, leaden and unlifting day.
+ Grass and garden trees seemed glittering with something at once good and
+ unnatural, like a fire from fairyland. It seemed like a strange sunrise at
+ the wrong end of the day.
+ </p>
+ <p>
+ The girl in white dived in quickly enough, for she wore a white hat of the
+ proportions of a parachute, which might have wafted her away into the
+ coloured clouds of evening. She was their one splash of splendour, and
+ irradiated wealth in that impecunious place (staying there temporarily
+ with a friend), an heiress in a small way, by name Rosamund Hunt,
+ brown-eyed, round-faced, but resolute and rather boisterous. On top of her
+ wealth she was good-humoured and rather good-looking; but she had not
+ married, perhaps because there was always a crowd of men around her. She
+ was not fast (though some might have called her vulgar), but she gave
+ irresolute youths an impression of being at once popular and inaccessible.
+ A man felt as if he had fallen in love with Cleopatra, or as if he were
+ asking for a great actress at the stage door. Indeed, some theatrical
+ spangles seemed to cling about Miss Hunt; she played the guitar and the
+ mandoline; she always wanted charades; and with that great rending of the
+ sky by sun and storm, she felt a girlish melodrama swell again within her.
+ To the crashing orchestration of the air the clouds rose like the curtain
+ of some long-expected pantomime.
+ </p>
+ <p>
+ Nor, oddly, was the girl in blue entirely unimpressed by this apocalypse
+ in a private garden; though she was one of most prosaic and practical
+ creatures alive. She was, indeed, no other than the strenuous niece whose
+ strength alone upheld that mansion of decay. But as the gale swung and
+ swelled the blue and white skirts till they took on the monstrous contours
+ of Victorian crinolines, a sunken memory stirred in her that was almost
+ romance&mdash;a memory of a dusty volume of <i>Punch</i> in an aunt&rsquo;s
+ house in infancy: pictures of crinoline hoops and croquet hoops and some
+ pretty story, of which perhaps they were a part. This half-perceptible
+ fragrance in her thoughts faded almost instantly, and Diana Duke entered
+ the house even more promptly than her companion. Tall, slim, aquiline, and
+ dark, she seemed made for such swiftness. In body she was of the breed of
+ those birds and beasts that are at once long and alert, like greyhounds or
+ herons or even like an innocent snake. The whole house revolved on her as
+ on a rod of steel. It would be wrong to say that she commanded; for her
+ own efficiency was so impatient that she obeyed herself before any one
+ else obeyed her. Before electricians could mend a bell or locksmiths open
+ a door, before dentists could pluck a tooth or butlers draw a tight cork,
+ it was done already with the silent violence of her slim hands. She was
+ light; but there was nothing leaping about her lightness. She spurned the
+ ground, and she meant to spurn it. People talk of the pathos and failure
+ of plain women; but it is a more terrible thing that a beautiful woman may
+ succeed in everything but womanhood.
+ </p>
+ <p>
+ &ldquo;It&rsquo;s enough to blow your head off,&rdquo; said the young
+ woman in white, going to the looking-glass.
+ </p>
+ <p>
+ The young woman in blue made no reply, but put away her gardening gloves,
+ and then went to the sideboard and began to spread out an afternoon cloth
+ for tea.
+ </p>
+ <p>
+ &ldquo;Enough to blow your head off, I say,&rdquo; said Miss Rosamund
+ Hunt, with the unruffled cheeriness of one whose songs and speeches had
+ always been safe for an encore.
+ </p>
+ <p>
+ &ldquo;Only your hat, I think,&rdquo; said Diana Duke, &ldquo;but I dare
+ say that is sometimes more important.&rdquo;
+ </p>
+ <p>
+ Rosamund&rsquo;s face showed for an instant the offence of a spoilt child,
+ and then the humour of a very healthy person. She broke into a laugh and
+ said, &ldquo;Well, it would have to be a big wind to blow your head off.&rdquo;
+ </p>
+ <p>
+ There was another silence; and the sunset breaking more and more from the
+ sundering clouds, filled the room with soft fire and painted the dull
+ walls with ruby and gold.
+ </p>
+ <p>
+ &ldquo;Somebody once told me,&rdquo; said Rosamund Hunt, &ldquo;that it&rsquo;s
+ easier to keep one&rsquo;s head when one has lost one&rsquo;s heart.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, don&rsquo;t talk such rubbish,&rdquo; said Diana with savage
+ sharpness.
+ </p>
+ <p>
+ Outside, the garden was clad in a golden splendour; but the wind was still
+ stiffly blowing, and the three men who stood their ground might also have
+ considered the problem of hats and heads. And, indeed, their position,
+ touching hats, was somewhat typical of them. The tallest of the three
+ abode the blast in a high silk hat, which the wind seemed to charge as
+ vainly as that other sullen tower, the house behind him. The second man
+ tried to hold on a stiff straw hat at all angles, and ultimately held it
+ in his hand. The third had no hat, and, by his attitude, seemed never to
+ have had one in his life. Perhaps this wind was a kind of fairy wand to
+ test men and women, for there was much of the three men in this
+ difference.
+ </p>
+ <p>
+ The man in the solid silk hat was the embodiment of silkiness and
+ solidity. He was a big, bland, bored and (as some said) boring man, with
+ flat fair hair and handsome heavy features; a prosperous young doctor by
+ the name of Warner. But if his blondness and blandness seemed at first a
+ little fatuous, it is certain that he was no fool. If Rosamund Hunt was
+ the only person there with much money, he was the only person who had as
+ yet found any kind of fame. His treatise on &ldquo;The Probable Existence
+ of Pain in the Lowest Organisms&rdquo; had been universally hailed by the
+ scientific world as at once solid and daring. In short, he undoubtedly had
+ brains; and perhaps it was not his fault if they were the kind of brains
+ that most men desire to analyze with a poker.
+ </p>
+ <p>
+ The young man who put his hat off and on was a scientific amateur in a
+ small way, and worshipped the great Warner with a solemn freshness. It
+ was, in fact, at his invitation that the distinguished doctor was present;
+ for Warner lived in no such ramshackle lodging-house, but in a
+ professional palace in Harley Street. This young man was really the
+ youngest and best-looking of the three. But he was one of those persons,
+ both male and female, who seem doomed to be good-looking and
+ insignificant. Brown-haired, high-coloured, and shy, he seemed to lose the
+ delicacy of his features in a sort of blur of brown and red as he stood
+ blushing and blinking against the wind. He was one of those obvious
+ unnoticeable people: every one knew that he was Arthur Inglewood,
+ unmarried, moral, decidedly intelligent, living on a little money of his
+ own, and hiding himself in the two hobbies of photography and cycling.
+ Everybody knew him and forgot him; even as he stood there in the glare of
+ golden sunset there was something about him indistinct, like one of his
+ own red-brown amateur photographs.
+ </p>
+ <p>
+ The third man had no hat; he was lean, in light, vaguely sporting clothes,
+ and the large pipe in his mouth made him look all the leaner. He had a
+ long ironical face, blue-black hair, the blue eyes of an Irishman, and the
+ blue chin of an actor. An Irishman he was, an actor he was not, except in
+ the old days of Miss Hunt&rsquo;s charades, being, as a matter of fact, an
+ obscure and flippant journalist named Michael Moon. He had once been
+ hazily supposed to be reading for the Bar; but (as Warner would say with
+ his rather elephantine wit) it was mostly at another kind of bar that his
+ friends found him. Moon, however, did not drink, nor even frequently get
+ drunk; he simply was a gentleman who liked low company. This was partly
+ because company is quieter than society: and if he enjoyed talking to a
+ barmaid (as apparently he did), it was chiefly because the barmaid did the
+ talking. Moreover he would often bring other talent to assist her. He
+ shared that strange trick of all men of his type, intellectual and without
+ ambition&mdash;the trick of going about with his mental inferiors. There
+ was a small resilient Jew named Moses Gould in the same boarding-house, a
+ man whose negro vitality and vulgarity amused Michael so much that he went
+ round with him from bar to bar, like the owner of a performing monkey.
+ </p>
+ <p>
+ The colossal clearance which the wind had made of that cloudy sky grew
+ clearer and clearer; chamber within chamber seemed to open in heaven. One
+ felt one might at last find something lighter than light. In the fullness
+ of this silent effulgence all things collected their colours again: the
+ gray trunks turned silver, and the drab gravel gold. One bird fluttered
+ like a loosened leaf from one tree to another, and his brown feathers were
+ brushed with fire.
+ </p>
+ <p>
+ &ldquo;Inglewood,&rdquo; said Michael Moon, with his blue eye on the bird,
+ &ldquo;have you any friends?&rdquo;
+ </p>
+ <p>
+ Dr. Warner mistook the person addressed, and turning a broad beaming face,
+ said,&mdash;
+ </p>
+ <p>
+ &ldquo;Oh yes, I go out a great deal.&rdquo;
+ </p>
+ <p>
+ Michael Moon gave a tragic grin, and waited for his real informant, who
+ spoke a moment after in a voice curiously cool, fresh and young, as coming
+ out of that brown and even dusty interior.
+ </p>
+ <p>
+ &ldquo;Really,&rdquo; answered Inglewood, &ldquo;I&rsquo;m afraid I&rsquo;ve
+ lost touch with my old friends. The greatest friend I ever had was at
+ school, a fellow named Smith. It&rsquo;s odd you should mention it,
+ because I was thinking of him to-day, though I haven&rsquo;t seen him for
+ seven or eight years. He was on the science side with me at school&mdash;
+ a clever fellow though queer; and he went up to Oxford when I went to
+ Germany. The fact is, it&rsquo;s rather a sad story. I often asked him to
+ come and see me, and when I heard nothing I made inquiries, you know. I
+ was shocked to learn that poor Smith had gone off his head. The accounts
+ were a bit cloudy, of course, some saying that he had recovered again; but
+ they always say that. About a year ago I got a telegram from him myself.
+ The telegram, I&rsquo;m sorry to say, put the matter beyond a doubt.&rdquo;
+ </p>
+ <p>
+ &ldquo;Quite so,&rdquo; assented Dr. Warner stolidly; &ldquo;insanity is
+ generally incurable.&rdquo;
+ </p>
+ <p>
+ &ldquo;So is sanity,&rdquo; said the Irishman, and studied him with a
+ dreary eye.
+ </p>
+ <p>
+ &ldquo;Symptoms?&rdquo; asked the doctor. &ldquo;What was this telegram?&rdquo;
+ </p>
+ <p>
+ &ldquo;It&rsquo;s a shame to joke about such things,&rdquo; said
+ Inglewood, in his honest, embarrassed way; &ldquo;the telegram was Smith&rsquo;s
+ illness, not Smith. The actual words were, `Man found alive with two legs.&rsquo;&rdquo;
+ </p>
+ <p>
+ &ldquo;Alive with two legs,&rdquo; repeated Michael, frowning. &ldquo;Perhaps
+ a version of alive and kicking? I don&rsquo;t know much about people out
+ of their senses; but I suppose they ought to be kicking.&rdquo;
+ </p>
+ <p>
+ &ldquo;And people in their senses?&rdquo; asked Warner, smiling.
+ </p>
+ <p>
+ &ldquo;Oh, they ought to be kicked,&rdquo; said Michael with sudden
+ heartiness.
+ </p>
+ <p>
+ &ldquo;The message is clearly insane,&rdquo; continued the impenetrable
+ Warner. &ldquo;The best test is a reference to the undeveloped normal
+ type. Even a baby does not expect to find a man with three legs.&rdquo;
+ </p>
+ <p>
+ &ldquo;Three legs,&rdquo; said Michael Moon, &ldquo;would be very
+ convenient in this wind.&rdquo;
+ </p>
+ <p>
+ A fresh eruption of the atmosphere had indeed almost thrown them off their
+ balance and broken the blackened trees in the garden. Beyond, all sorts of
+ accidental objects could be seen scouring the wind-scoured sky&mdash;straws,
+ sticks, rags, papers, and, in the distance, a disappearing hat. Its
+ disappearance, however, was not final; after an interval of minutes they
+ saw it again, much larger and closer, like a white panama, towering up
+ into the heavens like a balloon, staggering to and fro for an instant like
+ a stricken kite, and then settling in the centre of their own lawn as
+ falteringly as a fallen leaf.
+ </p>
+ <p>
+ &ldquo;Somebody&rsquo;s lost a good hat,&rdquo; said Dr. Warner shortly.
+ </p>
+ <p>
+ Almost as he spoke, another object came over the garden wall, flying after
+ the fluttering panama. It was a big green umbrella. After that came
+ hurtling a huge yellow Gladstone bag, and after that came a figure like a
+ flying wheel of legs, as in the shield of the Isle of Man.
+ </p>
+ <p>
+ But though for a flash it seemed to have five or six legs, it alighted
+ upon two, like the man in the queer telegram. It took the form of a large
+ light-haired man in gay green holiday clothes. He had bright blonde hair
+ that the wind brushed back like a German&rsquo;s, a flushed eager face
+ like a cherub&rsquo;s, and a prominent pointing nose, a little like a dog&rsquo;s.
+ His head, however, was by no means cherubic in the sense of being without
+ a body. On the contrary, on his vast shoulders and shape generally
+ gigantesque, his head looked oddly and unnaturally small. This gave rise
+ to a scientific theory (which his conduct fully supported) that he was an
+ idiot.
+ </p>
+ <p>
+ Inglewood had a politeness instinctive and yet awkward. His life was full
+ of arrested half gestures of assistance. And even this prodigy of a big
+ man in green, leaping the wall like a bright green grasshopper, did not
+ paralyze that small altruism of his habits in such a matter as a lost hat.
+ He was stepping forward to recover the green gentleman&rsquo;s head-gear,
+ when he was struck rigid with a roar like a bull&rsquo;s.
+ </p>
+ <p>
+ &ldquo;Unsportsmanlike!&rdquo; bellowed the big man. &ldquo;Give it fair
+ play, give it fair play!&rdquo; And he came after his own hat quickly but
+ cautiously, with burning eyes. The hat had seemed at first to droop and
+ dawdle as in ostentatious langour on the sunny lawn; but the wind again
+ freshening and rising, it went dancing down the garden with the devilry of
+ a ~pas de quatre~. The eccentric went bounding after it with kangaroo
+ leaps and bursts of breathless speech, of which it was not always easy to
+ pick up the thread: &ldquo;Fair play, fair play... sport of kings... chase
+ their crowns... quite humane... tramontana... cardinals chase red hats...
+ old English hunting... started a hat in Bramber Combe... hat at bay...
+ mangled hounds... Got him!&rdquo;
+ </p>
+ <p>
+ As the wind rose out of a roar into a shriek, he leapt into the sky on his
+ strong, fantastic legs, snatched at the vanishing hat, missed it, and
+ pitched sprawling face foremost on the grass. The hat rose over him like a
+ bird in triumph. But its triumph was premature; for the lunatic, flung
+ forward on his hands, threw up his boots behind, waved his two legs in the
+ air like symbolic ensigns (so that they actually thought again of the
+ telegram), and actually caught the hat with his feet. A prolonged and
+ piercing yell of wind split the welkin from end to end. The eyes of all
+ the men were blinded by the invisible blast, as by a strange, clear
+ cataract of transparency rushing between them and all objects about them.
+ But as the large man fell back in a sitting posture and solemnly crowned
+ himself with the hat, Michael found, to his incredulous surprise, that he
+ had been holding his breath, like a man watching a duel.
+ </p>
+ <p>
+ While that tall wind was at the top of its sky-scraping energy, another
+ short cry was heard, beginning very querulous, but ending very quick,
+ swallowed in abrupt silence. The shiny black cylinder of Dr. Warner&rsquo;s
+ official hat sailed off his head in the long, smooth parabola of an
+ airship, and in almost cresting a garden tree was caught in the topmost
+ branches. Another hat was gone. Those in that garden felt themselves
+ caught in an unaccustomed eddy of things happening; no one seemed to know
+ what would blow away next. Before they could speculate, the cheering and
+ hallooing hat-hunter was already halfway up the tree, swinging himself
+ from fork to fork with his strong, bent, grasshopper legs, and still
+ giving forth his gasping, mysterious comments.
+ </p>
+ <p>
+ &ldquo;Tree of life... Ygdrasil... climb for centuries perhaps... owls
+ nesting in the hat... remotest generations of owls... still usurpers...
+ gone to heaven... man in the moon wears it... brigand... not yours...
+ belongs to depressed medical man... in garden... give it up... give it up!&rdquo;
+ </p>
+ <p>
+ The tree swung and swept and thrashed to and fro in the thundering wind
+ like a thistle, and flamed in the full sunshine like a bonfire. The green,
+ fantastic human figure, vivid against its autumn red and gold, was already
+ among its highest and craziest branches, which by bare luck did not break
+ with the weight of his big body. He was up there among the last tossing
+ leaves and the first twinkling stars of evening, still talking to himself
+ cheerfully, reasoningly, half apologetically, in little gasps. He might
+ well be out of breath, for his whole preposterous raid had gone with one
+ rush; he had bounded the wall once like a football, swept down the garden
+ like a slide, and shot up the tree like a rocket. The other three men
+ seemed buried under incident piled on incident&mdash; a wild world where
+ one thing began before another thing left off. All three had the first
+ thought. The tree had been there for the five years they had known the
+ boarding-house. Each one of them was active and strong. No one of them had
+ even thought of climbing it. Beyond that, Inglewood felt first the mere
+ fact of colour. The bright brisk leaves, the bleak blue sky, the wild
+ green arms and legs, reminded him irrationally of something glowing in his
+ infancy, something akin to a gaudy man on a golden tree; perhaps it was
+ only painted monkey on a stick. Oddly enough, Michael Moon, though more of
+ a humourist, was touched on a tenderer nerve, half remembered the old,
+ young theatricals with Rosamund, and was amused to find himself almost
+ quoting Shakespeare&mdash;
+ </p>
+<pre xml:space="preserve">
+ &ldquo;For valour. Is not love a Hercules,
+ Still climbing trees in the Hesperides?&rdquo;
+ </pre>
+ <p>
+ Even the immovable man of science had a bright, bewildered sensation that
+ the Time Machine had given a great jerk, and gone forward with rather
+ rattling rapidity.
+ </p>
+ <p>
+ He was not, however, wholly prepared for what happened next. The man in
+ green, riding the frail topmost bough like a witch on a very risky
+ broomstick, reached up and rent the black hat from its airy nest of twigs.
+ It had been broken across a heavy bough in the first burst of its passage,
+ a tangle of branches in torn and scored and scratched it in every
+ direction, a clap of wind and foliage had flattened it like a concertina;
+ nor can it be said that the obliging gentleman with the sharp nose showed
+ any adequate tenderness for its structure when he finally unhooked it from
+ its place. When he had found it, however, his proceedings were by some
+ counted singular. He waved it with a loud whoop of triumph, and then
+ immediately appeared to fall backwards off the tree, to which, however, he
+ remained attached by his long strong legs, like a monkey swung by his
+ tail. Hanging thus head downwards above the unhelmed Warner, he gravely
+ proceeded to drop the battered silk cylinder upon his brows. &ldquo;Every
+ man a king,&rdquo; explained the inverted philosopher, &ldquo;every hat
+ (consequently) a crown. But this is a crown out of heaven.&rdquo;
+ </p>
+ <p>
+ And he again attempted the coronation of Warner, who, however, moved away
+ with great abruptness from the hovering diadem; not seeming, strangely
+ enough, to wish for his former decoration in its present state.
+ </p>
+ <p>
+ &ldquo;Wrong, wrong!&rdquo; cried the obliging person hilariously. &ldquo;Always
+ wear uniform, even if it&rsquo;s shabby uniform! Ritualists may always be
+ untidy. Go to a dance with soot on your shirt-front; but go with a
+ shirt-front. Huntsman wears old coat, but old pink coat. Wear a topper,
+ even if it&rsquo;s got no top. It&rsquo;s the symbol that counts, old
+ cock. Take your hat, because it is your hat after all; its nap rubbed all
+ off by the bark, dears, and its brim not the least bit curled; but for old
+ sakes&rsquo; sake it is still, dears, the nobbiest tile in the world.&rdquo;
+ </p>
+ <p>
+ Speaking thus, with a wild comfortableness, he settled or smashed the
+ shapeless silk hat over the face of the disturbed physician, and fell on
+ his feet among the other men, still talking, beaming and breathless.
+ </p>
+ <p>
+ &ldquo;Why don&rsquo;t they make more games out of wind?&rdquo; he asked
+ in some excitement. &ldquo;Kites are all right, but why should it only be
+ kites? Why, I thought of three other games for a windy day while I was
+ climbing that tree. Here&rsquo;s one of them: you take a lot of pepper&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;I think,&rdquo; interposed Moon, with a sardonic mildness, &ldquo;that
+ your games are already sufficiently interesting. Are you, may I ask, a
+ professional acrobat on a tour, or a travelling advertisement of Sunny
+ Jim? How and why do you display all this energy for clearing walls and
+ climbing trees in our melancholy, but at least rational, suburbs?&rdquo;
+ </p>
+ <p>
+ The stranger, so far as so loud a person was capable of it, appeared to
+ grow confidential.
+ </p>
+ <p>
+ &ldquo;Well, it&rsquo;s a trick of my own,&rdquo; he confessed candidly.
+ &ldquo;I do it by having two legs.&rdquo;
+ </p>
+ <p>
+ Arthur Inglewood, who had sunk into the background of this scene of folly,
+ started and stared at the newcomer with his short-sighted eyes screwed up
+ and his high colour slightly heightened.
+ </p>
+ <p>
+ &ldquo;Why, I believe you&rsquo;re Smith,&rdquo; he cried with his fresh,
+ almost boyish voice; and then after an instant&rsquo;s stare, &ldquo;and
+ yet I&rsquo;m not sure.&rdquo;
+ </p>
+ <p>
+ &ldquo;I have a card, I think,&rdquo; said the unknown, with baffling
+ solemnity&mdash;&ldquo;a card with my real name, my titles, offices, and
+ true purpose on this earth.&rdquo;
+ </p>
+ <p>
+ He drew out slowly from an upper waistcoat pocket a scarlet card-case, and
+ as slowly produced a very large card. Even in the instant of its
+ production, they fancied it was of a queer shape, unlike the cards of
+ ordinary gentlemen. But it was there only for an instant; for as it passed
+ from his fingers to Arthur&rsquo;s, one or another slipped his hold. The
+ strident, tearing gale in that garden carried away the stranger&rsquo;s
+ card to join the wild waste paper of the universe; and that great western
+ wind shook the whole house and passed.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2HCH0002" id="link2HCH0002"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ Chapter II &mdash; The Luggage of an Optimist
+ </h2>
+ <p>
+ We all remember the fairy tales of science in our infancy, which played
+ with the supposition that large animals could jump in the proportion of
+ small ones. If an elephant were as strong as a grasshopper, he could (I
+ suppose) spring clean out of the Zoological Gardens and alight trumpeting
+ upon Primrose Hill. If a whale could leap from the sea like a trout,
+ perhaps men might look up and see one soaring above Yarmouth like the
+ winged island of Laputa. Such natural energy, though sublime, might
+ certainly be inconvenient, and much of this inconvenience attended the
+ gaiety and good intentions of the man in green. He was too large for
+ everything, because he was lively as well as large. By a fortunate
+ physical provision, most very substantial creatures are also reposeful;
+ and middle-class boarding-houses in the lesser parts of London are not
+ built for a man as big as a bull and excitable as a kitten.
+ </p>
+ <p>
+ When Inglewood followed the stranger into the boarding-house, he found him
+ talking earnestly (and in his own opinion privately) to the helpless Mrs.
+ Duke. That fat, faint lady could only goggle up like a dying fish at the
+ enormous new gentleman, who politely offered himself as a lodger, with
+ vast gestures of the wide white hat in one hand, and the yellow Gladstone
+ bag in the other. Fortunately, Mrs. Duke&rsquo;s more efficient niece and
+ partner was there to complete the contract; for, indeed, all the people of
+ the house had somehow collected in the room. This fact, in truth, was
+ typical of the whole episode. The visitor created an atmosphere of comic
+ crisis; and from the time he came into the house to the time he left it,
+ he somehow got the company to gather and even follow (though in derision)
+ as children gather and follow a Punch and Judy. An hour ago, and for four
+ years previously, these people had avoided each other, even when they had
+ really liked each other. They had slid in and out of dismal and deserted
+ rooms in search of particular newspapers or private needlework. Even now
+ they all came casually, as with varying interests; but they all came.
+ There was the embarrassed Inglewood, still a sort of red shadow; there was
+ the unembarrassed Warner, a pallid but solid substance. There was Michael
+ Moon offering like a riddle the contrast of the horsy crudeness of his
+ clothes and the sombre sagacity of his visage. He was now joined by his
+ yet more comic crony, Moses Gould. Swaggering on short legs with a
+ prosperous purple tie, he was the gayest of godless little dogs; but like
+ a dog also in this, that however he danced and wagged with delight, the
+ two dark eyes on each side of his protuberant nose glistened gloomily like
+ black buttons. There was Miss Rosamund Hunt, still with the fine white hat
+ framing her square, good-looking face, and still with her native air of
+ being dressed for some party that never came off. She also, like Mr. Moon,
+ had a new companion, new so far as this narrative goes, but in reality an
+ old friend and a protegee. This was a slight young woman in dark gray, and
+ in no way notable but for a load of dull red hair, of which the shape
+ somehow gave her pale face that triangular, almost peaked, appearance
+ which was given by the lowering headdress and deep rich ruff of the
+ Elizabethan beauties. Her surname seemed to be Gray, and Miss Hunt called
+ her Mary, in that indescribable tone applied to a dependent who has
+ practically become a friend. She wore a small silver cross on her very
+ business-like gray clothes, and was the only member of the party who went
+ to church. Last, but the reverse of least, there was Diana Duke, studying
+ the newcomer with eyes of steel, and listening carefully to every idiotic
+ word he said. As for Mrs. Duke, she smiled up at him, but never dreamed of
+ listening to him. She had never really listened to any one in her life;
+ which, some said, was why she had survived.
+ </p>
+ <p>
+ Nevertheless, Mrs. Duke was pleased with her new guest&rsquo;s
+ concentration of courtesy upon herself; for no one ever spoke seriously to
+ her any more than she listened seriously to any one. And she almost beamed
+ as the stranger, with yet wider and almost whirling gestures of
+ explanation with his huge hat and bag, apologized for having entered by
+ the wall instead of the front door. He was understood to put it down to an
+ unfortunate family tradition of neatness and care of his clothes.
+ </p>
+ <p>
+ &ldquo;My mother was rather strict about it, to tell the truth,&rdquo; he
+ said, lowering his voice, to Mrs. Duke. &ldquo;She never liked me to lose
+ my cap at school. And when a man&rsquo;s been taught to be tidy and neat
+ it sticks to him.&rdquo;
+ </p>
+ <p>
+ Mrs. Duke weakly gasped that she was sure he must have had a good mother;
+ but her niece seemed inclined to probe the matter further.
+ </p>
+ <p>
+ &ldquo;You&rsquo;ve got a funny idea of neatness,&rdquo; she said, &ldquo;if
+ it&rsquo;s jumping garden walls and clambering up garden trees. A man can&rsquo;t
+ very well climb a tree tidily.&rdquo;
+ </p>
+ <p>
+ &ldquo;He can clear a wall neatly,&rdquo; said Michael Moon; &ldquo;I saw
+ him do it.&rdquo;
+ </p>
+ <p>
+ Smith seemed to be regarding the girl with genuine astonishment. &ldquo;My
+ dear young lady,&rdquo; he said, &ldquo;I was tidying the tree. You don&rsquo;t
+ want last year&rsquo;s hats there, do you, any more than last year&rsquo;s
+ leaves? The wind takes off the leaves, but it couldn&rsquo;t manage the
+ hat; that wind, I suppose, has tidied whole forests to-day. Rum idea this
+ is, that tidiness is a timid, quiet sort of thing; why, tidiness is a toil
+ for giants. You can&rsquo;t tidy anything without untidying yourself; just
+ look at my trousers. Don&rsquo;t you know that? Haven&rsquo;t you ever had
+ a spring cleaning?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh yes, sir,&rdquo; said Mrs. Duke, almost eagerly. &ldquo;You will
+ find everything of that sort quite nice.&rdquo; For the first time she had
+ heard two words that she could understand.
+ </p>
+ <p>
+ Miss Diana Duke seemed to be studying the stranger with a sort of spasm of
+ calculation; then her black eyes snapped with decision, and she said that
+ he could have a particular bedroom on the top floor if he liked: and the
+ silent and sensitive Inglewood, who had been on the rack through these
+ cross-purposes, eagerly offered to show him up to the room. Smith went up
+ the stairs four at a time, and when he bumped his head against the
+ ultimate ceiling, Inglewood had an odd sensation that the tall house was
+ much shorter than it used to be.
+ </p>
+ <p>
+ Arthur Inglewood followed his old friend&mdash;or his new friend, for he
+ did not very clearly know which he was. The face looked very like his old
+ schoolfellow&rsquo;s at one second and very unlike at another. And when
+ Inglewood broke through his native politeness so far as to say suddenly,
+ &ldquo;Is your name Smith?&rdquo; he received only the unenlightening
+ reply, &ldquo;Quite right; quite right. Very good. Excellent!&rdquo; Which
+ appeared to Inglewood, on reflection, rather the speech of a new-born babe
+ accepting a name than of a grown-up man admitting one.
+ </p>
+ <p>
+ Despite these doubts about identity, the hapless Inglewood watched the
+ other unpack, and stood about his bedroom in all the impotent attitudes of
+ the male friend. Mr. Smith unpacked with the same kind of whirling
+ accuracy with which he climbed a tree&mdash;throwing things out of his bag
+ as if they were rubbish, yet managing to distribute quite a regular
+ pattern all round him on the floor.
+ </p>
+ <p>
+ As he did so he continued to talk in the same somewhat gasping manner (he
+ had come upstairs four steps at a time, but even without this his style of
+ speech was breathless and fragmentary), and his remarks were still a
+ string of more or less significant but often separate pictures.
+ </p>
+ <p>
+ &ldquo;Like the day of judgement,&rdquo; he said, throwing a bottle so
+ that it somehow settled, rocking on its right end. &ldquo;People say vast
+ universe... infinity and astronomy; not sure... I think things are too
+ close together... packed up; for travelling... stars too close, really...
+ why, the sun&rsquo;s a star, too close to be seen properly; the earth&rsquo;s
+ a star, too close to be seen at all... too many pebbles on the beach;
+ ought all to be put in rings; too many blades of grass to study...
+ feathers on a bird make the brain reel; wait till the big bag is
+ unpacked... may all be put in our right places then.&rdquo;
+ </p>
+ <p>
+ Here he stopped, literally for breath&mdash;throwing a shirt to the other
+ end of the room, and then a bottle of ink so that it fell quite neatly
+ beyond it. Inglewood looked round on this strange, half-symmetrical
+ disorder with an increasing doubt.
+ </p>
+ <p>
+ In fact, the more one explored Mr. Smith&rsquo;s holiday luggage, the less
+ one could make anything of it. One peculiarity of it was that almost
+ everything seemed to be there for the wrong reason; what is secondary with
+ every one else was primary with him. He would wrap up a pot or pan in
+ brown paper; and the unthinking assistant would discover that the pot was
+ valueless or even unnecessary, and that it was the brown paper that was
+ truly precious. He produced two or three boxes of cigars, and explained
+ with plain and perplexing sincerity that he was no smoker, but that
+ cigar-box wood was by far the best for fretwork. He also exhibited about
+ six small bottles of wine, white and red, and Inglewood, happening to note
+ a Volnay which he knew to be excellent, supposed at first that the
+ stranger was an epicure in vintages. He was therefore surprised to find
+ that the next bottle was a vile sham claret from the colonies, which even
+ colonials (to do them justice) do not drink. It was only then that he
+ observed that all six bottles had those bright metallic seals of various
+ tints, and seemed to have been chosen solely because they have the three
+ primary and three secondary colours: red, blue, and yellow; green, violet
+ and orange. There grew upon Inglewood an almost creepy sense of the real
+ childishness of this creature. For Smith was really, so far as human
+ psychology can be, innocent. He had the sensualities of innocence: he
+ loved the stickiness of gum, and he cut white wood greedily as if he were
+ cutting a cake. To this man wine was not a doubtful thing to be defended
+ or denounced; it was a quaintly coloured syrup, such as a child sees in a
+ shop window. He talked dominantly and rushed the social situation; but he
+ was not asserting himself, like a superman in a modern play. He was simply
+ forgetting himself, like a little boy at a party. He had somehow made the
+ giant stride from babyhood to manhood, and missed that crisis in youth
+ when most of us grow old.
+ </p>
+ <p>
+ As he shunted his big bag, Arthur observed the initials I. S. printed on
+ one side of it, and remembered that Smith had been called Innocent Smith
+ at school, though whether as a formal Christian name or a moral
+ description he could not remember. He was just about to venture another
+ question, when there was a knock at the door, and the short figure of Mr.
+ Gould offered itself, with the melancholy Moon, standing like his tall
+ crooked shadow, behind him. They had drifted up the stairs after the other
+ two men with the wandering gregariousness of the male.
+ </p>
+ <p>
+ &ldquo;Hope there&rsquo;s no intrusion,&rdquo; said the beaming Moses with
+ a glow of good nature, but not the airiest tinge of apology.
+ </p>
+ <p>
+ &ldquo;The truth is,&rdquo; said Michael Moon with comparative courtesy,
+ &ldquo;we thought we might see if they had made you comfortable. Miss Duke
+ is rather&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;I know,&rdquo; cried the stranger, looking up radiantly from his
+ bag; &ldquo;magnificent, isn&rsquo;t she? Go close to her&mdash;hear
+ military music going by, like Joan of Arc.&rdquo;
+ </p>
+ <p>
+ Inglewood stared and stared at the speaker like one who has just heard a
+ wild fairy tale, which nevertheless contains one small and forgotten fact.
+ For he remembered how he had himself thought of Jeanne d&rsquo;Arc years
+ ago, when, hardly more than a schoolboy, he had first come to the
+ boarding-house. Long since the pulverizing rationalism of his friend Dr.
+ Warner had crushed such youthful ignorances and disproportionate dreams.
+ Under the Warnerian scepticism and science of hopeless human types,
+ Inglewood had long come to regard himself as a timid, insufficient, and
+ &ldquo;weak&rdquo; type, who would never marry; to regard Diana Duke as a
+ materialistic maidservant; and to regard his first fancy for her as the
+ small, dull farce of a collegian kissing his landlady&rsquo;s daughter.
+ And yet the phrase about military music moved him queerly, as if he had
+ heard those distant drums.
+ </p>
+ <p>
+ &ldquo;She has to keep things pretty tight, as is only natural,&rdquo;
+ said Moon, glancing round the rather dwarfish room, with its wedge of
+ slanted ceiling, like the conical hood of a dwarf.
+ </p>
+ <p>
+ &ldquo;Rather a small box for you, sir,&rdquo; said the waggish Mr. Gould.
+ </p>
+ <p>
+ &ldquo;Splendid room, though,&rdquo; answered Mr. Smith enthusiastically,
+ with his head inside his Gladstone bag. &ldquo;I love these pointed sorts
+ of rooms, like Gothic. By the way,&rdquo; he cried out, pointing in quite
+ a startling way, &ldquo;where does that door lead to?&rdquo;
+ </p>
+ <p>
+ &ldquo;To certain death, I should say,&rdquo; answered Michael Moon,
+ staring up at a dust-stained and disused trapdoor in the sloping roof of
+ the attic. &ldquo;I don&rsquo;t think there&rsquo;s a loft there; and I
+ don&rsquo;t know what else it could lead to.&rdquo; Long before he had
+ finished his sentence the man with the strong green legs had leapt at the
+ door in the ceiling, swung himself somehow on to the ledge beneath it,
+ wrenched it open after a struggle, and clambered through it. For a moment
+ they saw the two symbolic legs standing like a truncated statue; then they
+ vanished. Through the hole thus burst in the roof appeared the empty and
+ lucid sky of evening, with one great many-coloured cloud sailing across it
+ like a whole county upside down.
+ </p>
+ <p>
+ &ldquo;Hullo, you fellows!&rdquo; came the far cry of Innocent Smith,
+ apparently from some remote pinnacle. &ldquo;Come up here; and bring some
+ of my things to eat and drink. It&rsquo;s just the spot for a picnic.&rdquo;
+ </p>
+ <p>
+ With a sudden impulse Michael snatched two of the small bottles of wine,
+ one in each solid fist; and Arthur Inglewood, as if mesmerized, groped for
+ a biscuit tin and a big jar of ginger. The enormous hand of Innocent Smith
+ appearing through the aperture, like a giant&rsquo;s in a fairy tale,
+ received these tributes and bore them off to the eyrie; then they both
+ hoisted themselves out of the window. They were both athletic, and even
+ gymnastic; Inglewood through his concern for hygiene, and Moon through his
+ concern for sport, which was not quite so idle and inactive as that of the
+ average sportsman. Also they both had a light-headed burst of celestial
+ sensation when the door was burst in the roof, as if a door had been burst
+ in the sky, and they could climb out on to the very roof of the universe.
+ They were both men who had long been unconsciously imprisoned in the
+ commonplace, though one took it comically, and the other seriously. They
+ were both men, nevertheless, in whom sentiment had never died. But Mr.
+ Moses Gould had an equal contempt for their suicidal athletics and their
+ subconscious transcendentalism, and he stood and laughed at the thing with
+ the shameless rationality of another race.
+ </p>
+ <p>
+ When the singular Smith, astride of a chimney-pot, learnt that Gould was
+ not following, his infantile officiousness and good nature forced him to
+ dive back into the attic to comfort or persuade; and Inglewood and Moon
+ were left alone on the long gray-green ridge of the slate roof, with their
+ feet against gutters and their backs against chimney-pots, looking
+ agnostically at each other. Their first feeling was that they had come out
+ into eternity, and that eternity was very like topsy-turvydom. One
+ definition occurred to both of them&mdash;that he had come out into the
+ light of that lucid and radiant ignorance in which all beliefs had begun.
+ The sky above them was full of mythology. Heaven seemed deep enough to
+ hold all the gods. The round of the ether turned from green to yellow
+ gradually like a great unripe fruit. All around the sunken sun it was like
+ a lemon; round all the east it was a sort of golden green, more suggestive
+ of a greengage; but the whole had still the emptiness of daylight and none
+ of the secrecy of dusk. Tumbled here and there across this gold and pale
+ green were shards and shattered masses of inky purple cloud, which seemed
+ falling towards the earth in every kind of colossal perspective. One of
+ them really had the character of some many-mitred, many-bearded,
+ many-winged Assyrian image, huge head downwards, hurled out of heaven&mdash;a
+ sort of false Jehovah, who was perhaps Satan. All the other clouds had
+ preposterous pinnacled shapes, as if the god&rsquo;s palaces had been
+ flung after him.
+ </p>
+ <p>
+ And yet, while the empty heaven was full of silent catastrophe, the height
+ of human buildings above which they sat held here and there a tiny trivial
+ noise that was the exact antithesis; and they heard some six streets below
+ a newsboy calling, and a bell bidding to chapel. They could also hear talk
+ out of the garden below; and realized that the irrepressible Smith must
+ have followed Gould downstairs, for his eager and pleading accents could
+ be heard, followed by the half-humourous protests of Miss Duke and the
+ full and very youthful laughter of Rosamund Hunt. The air had that cold
+ kindness that comes after a storm. Michael Moon drank it in with as
+ serious a relish as he had drunk the little bottle of cheap claret, which
+ he had emptied almost at a draught. Inglewood went on eating ginger very
+ slowly and with a solemnity unfathomable as the sky above him. There was
+ still enough stir in the freshness of the atmosphere to make them almost
+ fancy they could smell the garden soil and the last roses of autumn.
+ Suddenly there came from the darkening room a silvery ping and pong which
+ told them that Rosamund had brought out the long-neglected mandoline.
+ After the first few notes there was more of the distant bell-like
+ laughter.
+ </p>
+ <p>
+ &ldquo;Inglewood,&rdquo; said Michael Moon, &ldquo;have you ever heard
+ that I am a blackguard?&rdquo;
+ </p>
+ <p>
+ &ldquo;I haven&rsquo;t heard it, and I don&rsquo;t believe it,&rdquo;
+ answered Inglewood, after an odd pause. &ldquo;But I have heard you were&mdash;what
+ they call rather wild.&rdquo;
+ </p>
+ <p>
+ &ldquo;If you have heard that I am wild, you can contradict the rumour,&rdquo;
+ said Moon, with an extraordinary calm; &ldquo;I am tame. I am quite tame;
+ I am about the tamest beast that crawls. I drink too much of the same kind
+ of whisky at the same time every night. I even drink about the same amount
+ too much. I go to the same number of public-houses. I meet the same damned
+ women with mauve faces. I hear the same number of dirty stories&mdash;
+ generally the same dirty stories. You may assure my friends, Inglewood,
+ that you see before you a person whom civilization has thoroughly tamed.&rdquo;
+ </p>
+ <p>
+ Arthur Inglewood was staring with feelings that made him nearly fall off
+ the roof, for indeed the Irishman&rsquo;s face, always sinister, was now
+ almost demoniacal.
+ </p>
+ <p>
+ &ldquo;Christ confound it!&rdquo; cried out Moon, suddenly clutching the
+ empty claret bottle, &ldquo;this is about the thinnest and filthiest wine
+ I ever uncorked, and it&rsquo;s the only drink I have really enjoyed for
+ nine years. I was never wild until just ten minutes ago.&rdquo; And he
+ sent the bottle whizzing, a wheel of glass, far away beyond the garden
+ into the road, where, in the profound evening silence, they could even
+ hear it break and part upon the stones.
+ </p>
+ <p>
+ &ldquo;Moon,&rdquo; said Arthur Inglewood, rather huskily, &ldquo;you
+ mustn&rsquo;t be so bitter about it. Everyone has to take the world as he
+ finds it; of course one often finds it a bit dull&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;That fellow doesn&rsquo;t,&rdquo; said Michael decisively; &ldquo;I
+ mean that fellow Smith. I have a fancy there&rsquo;s some method in his
+ madness. It looks as if he could turn into a sort of wonderland any minute
+ by taking one step out of the plain road. Who would have thought of that
+ trapdoor? Who would have thought that this cursed colonial claret could
+ taste quite nice among the chimney-pots? Perhaps that is the real key of
+ fairyland. Perhaps Nosey Gould&rsquo;s beastly little Empire Cigarettes
+ ought only to be smoked on stilts, or something of that sort. Perhaps Mrs.
+ Duke&rsquo;s cold leg of mutton would seem quite appetizing at the top of
+ a tree. Perhaps even my damned, dirty, monotonous drizzle of Old Bill
+ Whisky&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Don&rsquo;t be so rough on yourself,&rdquo; said Inglewood, in
+ serious distress. &ldquo;The dullness isn&rsquo;t your fault or the whisky&rsquo;s.
+ Fellows who don&rsquo;t&mdash; fellows like me I mean&mdash;have just the
+ same feeling that it&rsquo;s all rather flat and a failure. But the world&rsquo;s
+ made like that; it&rsquo;s all survival. Some people are made to get on,
+ like Warner; and some people are made to stick quiet, like me. You can&rsquo;t
+ help your temperament. I know you&rsquo;re much cleverer than I am; but
+ you can&rsquo;t help having all the loose ways of a poor literary chap,
+ and I can&rsquo;t help having all the doubts and helplessness of a small
+ scientific chap, any more than a fish can help floating or a fern can help
+ curling up. Humanity, as Warner said so well in that lecture, really
+ consists of quite different tribes of animals all disguised as men.&rdquo;
+ </p>
+ <p>
+ In the dim garden below the buzz of talk was suddenly broken by Miss Hunt&rsquo;s
+ musical instrument banging with the abruptness of artillery into a vulgar
+ but spirited tune.
+ </p>
+ <p>
+ Rosamund&rsquo;s voice came up rich and strong in the words of some
+ fatuous, fashionable coon song:-
+ </p>
+ <p>
+ &ldquo;Darkies sing a song on the old plantation, Sing it as we sang it in
+ days long since gone by.&rdquo;
+ </p>
+ <p>
+ Inglewood&rsquo;s brown eyes softened and saddened still more as he
+ continued his monologue of resignation to such a rollicking and romantic
+ tune. But the blue eyes of Michael Moon brightened and hardened with a
+ light that Inglewood did not understand. Many centuries, and many villages
+ and valleys, would have been happier if Inglewood or Inglewood&rsquo;s
+ countrymen had ever understood that light, or guessed at the first blink
+ that it was the battle star of Ireland.
+ </p>
+ <p>
+ &ldquo;Nothing can ever alter it; it&rsquo;s in the wheels of the
+ universe,&rdquo; went on Inglewood, in a low voice: &ldquo;some men are
+ weak and some strong, and the only thing we can do is to know that we are
+ weak. I have been in love lots of times, but I could not do anything, for
+ I remembered my own fickleness. I have formed opinions, but I haven&rsquo;t
+ the cheek to push them, because I&rsquo;ve so often changed them. That&rsquo;s
+ the upshot, old fellow. We can&rsquo;t trust ourselves&mdash; and we can&rsquo;t
+ help it.&rdquo;
+ </p>
+ <p>
+ Michael had risen to his feet, and stood poised in a perilous position at
+ the end of the roof, like some dark statue hung above its gable. Behind
+ him, huge clouds of an almost impossible purple turned slowly topsy-turvy
+ in the silent anarchy of heaven. Their gyration made the dark figure seem
+ yet dizzier.
+ </p>
+ <p>
+ &ldquo;Let us...&rdquo; he said, and was suddenly silent.
+ </p>
+ <p>
+ &ldquo;Let us what?&rdquo; asked Arthur Inglewood, rising equally quick
+ though somewhat more cautiously, for his friend seemed to find some
+ difficulty in speech.
+ </p>
+ <p>
+ &ldquo;Let us go and do some of these things we can&rsquo;t do,&rdquo;
+ said Michael.
+ </p>
+ <p>
+ At the same moment there burst out of the trapdoor below them the cockatoo
+ hair and flushed face of Innocent Smith, calling to them that they must
+ come down as the &ldquo;concert&rdquo; was in full swing, and Mr. Moses
+ Gould was about to recite &ldquo;Young Lochinvar.&rdquo;
+ </p>
+ <p>
+ As they dropped into Innocent&rsquo;s attic they nearly tumbled over its
+ entertaining impedimenta again. Inglewood, staring at the littered floor,
+ thought instinctively of the littered floor of a nursery. He was therefore
+ the more moved, and even shocked, when his eye fell on a large
+ well-polished American revolver.
+ </p>
+ <p>
+ &ldquo;Hullo!&rdquo; he cried, stepping back from the steely glitter as
+ men step back from a serpent; &ldquo;are you afraid of burglars? or when
+ and why do you deal death out of that machine gun?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, that!&rdquo; said Smith, throwing it a single glance; &ldquo;I
+ deal life out of that,&rdquo; and he went bounding down the stairs.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2HCH0003" id="link2HCH0003"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ Chapter III &mdash; The Banner of Beacon
+ </h2>
+ <p>
+ All next day at Beacon House there was a crazy sense that it was everybody&rsquo;s
+ birthday. It is the fashion to talk of institutions as cold and cramping
+ things. The truth is that when people are in exceptionally high spirits,
+ really wild with freedom and invention, they always must, and they always
+ do, create institutions. When men are weary they fall into anarchy; but
+ while they are gay and vigorous they invariably make rules. This, which is
+ true of all the churches and republics of history, is also true of the
+ most trivial parlour game or the most unsophisticated meadow romp. We are
+ never free until some institution frees us; and liberty cannot exist till
+ it is declared by authority. Even the wild authority of the harlequin
+ Smith was still authority, because it produced everywhere a crop of crazy
+ regulations and conditions. He filled every one with his own half-lunatic
+ life; but it was not expressed in destruction, but rather in a dizzy and
+ toppling construction. Each person with a hobby found it turning into an
+ institution. Rosamund&rsquo;s songs seemed to coalesce into a kind of
+ opera; Michael&rsquo;s jests and paragraphs into a magazine. His pipe and
+ her mandoline seemed between them to make a sort of smoking concert. The
+ bashful and bewildered Arthur Inglewood almost struggled against his own
+ growing importance. He felt as if, in spite of him, his photographs were
+ turning into a picture gallery, and his bicycle into a gymkhana. But no
+ one had any time to criticize these impromptu estates and offices, for
+ they followed each other in wild succession like the topics of a rambling
+ talker.
+ </p>
+ <p>
+ Existence with such a man was an obstacle race made out of pleasant
+ obstacles. Out of any homely and trivial object he could drag reels of
+ exaggeration, like a conjurer. Nothing could be more shy and impersonal
+ than poor Arthur&rsquo;s photography. Yet the preposterous Smith was seen
+ assisting him eagerly through sunny morning hours, and an indefensible
+ sequence described as &ldquo;Moral Photography&rdquo; began to unroll
+ about the boarding-house. It was only a version of the old photographer&rsquo;s
+ joke which produces the same figure twice on one plate, making a man play
+ chess with himself, dine with himself, and so on. But these plates were
+ more hysterical and ambitious&mdash;as, &ldquo;Miss Hunt forgets Herself,&rdquo;
+ showing that lady answering her own too rapturous recognition with a most
+ appalling stare of ignorance; or &ldquo;Mr. Moon questions Himself,&rdquo;
+ in which Mr. Moon appeared as one driven to madness under his own legal
+ cross-examination, which was conducted with a long forefinger and an air
+ of ferocious waggery. One highly successful trilogy&mdash;representing
+ Inglewood recognizing Inglewood, Inglewood prostrating himself before
+ Inglewood, and Inglewood severely beating Inglewood with an umbrella&mdash;
+ Innocent Smith wanted to have enlarged and put up in the hall, like a sort
+ of fresco, with the inscription,&mdash;
+ </p>
+ <p>
+ &ldquo;Self-reverence, self-knowledge, self-control&mdash; These three
+ alone will make a man a prig.&rdquo;
+ </p>
+ <p>
+ &mdash; Tennyson.
+ </p>
+ <p>
+ Nothing, again, could be more prosaic and impenetrable than the domestic
+ energies of Miss Diana Duke. But Innocent had somehow blundered on the
+ discovery that her thrifty dressmaking went with a considerable feminine
+ care for dress&mdash;the one feminine thing that had never failed her
+ solitary self-respect. In consequence Smith pestered her with a theory
+ (which he really seemed to take seriously) that ladies might combine
+ economy with magnificence if they would draw light chalk patterns on a
+ plain dress and then dust them off again. He set up &ldquo;Smith&rsquo;s
+ Lightning Dressmaking Company,&rdquo; with two screens, a cardboard
+ placard, and box of bright soft crayons; and Miss Diana actually threw him
+ an abandoned black overall or working dress on which to exercise the
+ talents of a modiste. He promptly produced for her a garment aflame with
+ red and gold sunflowers; she held it up an instant to her shoulders, and
+ looked like an empress. And Arthur Inglewood, some hours afterwards
+ cleaning his bicycle (with his usual air of being inextricably hidden in
+ it), glanced up; and his hot face grew hotter, for Diana stood laughing
+ for one flash in the doorway, and her dark robe was rich with the green
+ and purple of great decorative peacocks, like a secret garden in the
+ &ldquo;Arabian Nights.&rdquo; A pang too swift to be named pain or
+ pleasure went through his heart like an old-world rapier. He remembered
+ how pretty he thought her years ago, when he was ready to fall in love
+ with anybody; but it was like remembering a worship of some Babylonian
+ princess in some previous existence. At his next glimpse of her (and he
+ caught himself awaiting it) the purple and green chalk was dusted off, and
+ she went by quickly in her working clothes.
+ </p>
+ <p>
+ As for Mrs. Duke, none who knew that matron could conceive her as actively
+ resisting this invasion that had turned her house upside down. But among
+ the most exact observers it was seriously believed that she liked it. For
+ she was one of those women who at bottom regard all men as equally mad,
+ wild animals of some utterly separate species. And it is doubtful if she
+ really saw anything more eccentric or inexplicable in Smith&rsquo;s
+ chimney-pot picnics or crimson sunflowers than she had in the chemicals of
+ Inglewood or the sardonic speeches of Moon. Courtesy, on the other hand,
+ is a thing that anybody can understand, and Smith&rsquo;s manners were as
+ courteous as they were unconventional. She said he was &ldquo;a real
+ gentleman,&rdquo; by which she simply meant a kind-hearted man, which is a
+ very different thing. She would sit at the head of the table with fat,
+ folded hands and a fat, folded smile for hours and hours, while every one
+ else was talking at once. At least, the only other exception was Rosamund&rsquo;s
+ companion, Mary Gray, whose silence was of a much more eager sort. Though
+ she never spoke she always looked as if she might speak any minute.
+ Perhaps this is the very definition of a companion. Innocent Smith seemed
+ to throw himself, as into other adventures, into the adventure of making
+ her talk. He never succeeded, yet he was never snubbed; if he achieved
+ anything, it was only to draw attention to this quiet figure, and to turn
+ her, by ever so little, from a modesty to a mystery. But if she was a
+ riddle, every one recognized that she was a fresh and unspoilt riddle,
+ like the riddle of the sky and the woods in spring. Indeed, though she was
+ rather older than the other two girls, she had an early morning ardour, a
+ fresh earnestness of youth, which Rosamund seemed to have lost in the mere
+ spending of money, and Diana in the mere guarding of it. Smith looked at
+ her again and again. Her eyes and mouth were set in her face the wrong way&mdash;which
+ was really the right way. She had the knack of saying everything with her
+ face: her silence was a sort of steady applause.
+ </p>
+ <p>
+ But among the hilarious experiments of that holiday (which seemed more
+ like a week&rsquo;s holiday than a day&rsquo;s) one experiment towers
+ supreme, not because it was any sillier or more successful than the
+ others, but because out of this particular folly flowed all of the odd
+ events that were to follow. All the other practical jokes exploded of
+ themselves, and left vacancy; all the other fictions returned upon
+ themselves, and were finished like a song. But the string of solid and
+ startling events&mdash; which were to include a hansom cab, a detective, a
+ pistol, and a marriage licence&mdash;were all made primarily possible by
+ the joke about the High Court of Beacon.
+ </p>
+ <p>
+ It had originated, not with Innocent Smith, but with Michael Moon. He was
+ in a strange glow and pressure of spirits, and talked incessantly; yet he
+ had never been more sarcastic, and even inhuman. He used his old useless
+ knowledge as a barrister to talk entertainingly of a tribunal that was a
+ parody on the pompous anomalies of English law. The High Court of Beacon,
+ he declared, was a splendid example of our free and sensible constitution.
+ It had been founded by King John in defiance of the Magna Carta, and now
+ held absolute power over windmills, wine and spirit licences, ladies
+ traveling in Turkey, revision of sentences for dog-stealing and parricide,
+ as well as anything whatever that happened in the town of Market Bosworth.
+ The whole hundred and nine seneschals of the High Court of Beacon met once
+ in every four centuries; but in the intervals (as Mr. Moon explained) the
+ whole powers of the institution were vested in Mrs. Duke. Tossed about
+ among the rest of the company, however, the High Court did not retain its
+ historical and legal seriousness, but was used somewhat unscrupulously in
+ a riot of domestic detail. If somebody spilt the Worcester Sauce on the
+ tablecloth, he was quite sure it was a rite without which the sittings and
+ findings of the Court would be invalid; or if somebody wanted a window to
+ remain shut, he would suddenly remember that none but the third son of the
+ lord of the manor of Penge had the right to open it. They even went to the
+ length of making arrests and conducting criminal inquiries. The proposed
+ trial of Moses Gould for patriotism was rather above the heads of the
+ company, especially of the criminal; but the trial of Inglewood on a
+ charge of photographic libel, and his triumphant acquittal upon a plea of
+ insanity, were admitted to be in the best tradition of the Court.
+ </p>
+ <p>
+ But when Smith was in wild spirits he grew more and more serious, not more
+ and more flippant like Michael Moon. This proposal of a private court of
+ justice, which Moon had thrown off with the detachment of a political
+ humourist, Smith really caught hold of with the eagerness of an abstract
+ philosopher. It was by far the best thing they could do, he declared, to
+ claim sovereign powers even for the individual household.
+ </p>
+ <p>
+ &ldquo;You believe in Home Rule for Ireland; I believe in Home Rule for
+ homes,&rdquo; he cried eagerly to Michael. &ldquo;It would be better if
+ every father COULD kill his son, as with the old Romans; it would be
+ better, because nobody would be killed. Let&rsquo;s issue a Declaration of
+ Independence from Beacon House. We could grow enough greens in that garden
+ to support us, and when the tax-collector comes let&rsquo;s tell him we&rsquo;re
+ self-supporting, and play on him with the hose.... Well, perhaps, as you
+ say, we couldn&rsquo;t very well have a hose, as that comes from the main;
+ but we could sink a well in this chalk, and a lot could be done with
+ water-jugs.... Let this really be Beacon House. Let&rsquo;s light a
+ bonfire of independence on the roof, and see house after house answering
+ it across the valley of the Thames! Let us begin the League of the Free
+ Families! Away with Local Government! A fig for Local Patriotism! Let
+ every house be a sovereign state as this is, and judge its own children by
+ its own law, as we do by the Court of Beacon. Let us cut the painter, and
+ begin to be happy together, as if we were on a desert island.&rdquo;
+ </p>
+ <p>
+ &ldquo;I know that desert island,&rdquo; said Michael Moon; &ldquo;it only
+ exists in the `Swiss Family Robinson.&rsquo; A man feels a strange desire
+ for some sort of vegetable milk, and crash comes down some unexpected
+ cocoa-nut from some undiscovered monkey. A literary man feels inclined to
+ pen a sonnet, and at once an officious porcupine rushes out of a thicket
+ and shoots out one of his quills.&rdquo;
+ </p>
+ <p>
+ &ldquo;Don&rsquo;t you say a word against the `Swiss Family Robinson,&rsquo;&rdquo;
+ cried Innocent with great warmth. &ldquo;It mayn&rsquo;t be exact science,
+ but it&rsquo;s dead accurate philosophy. When you&rsquo;re really
+ shipwrecked, you do really find what you want. When you&rsquo;re really on
+ a desert island, you never find it a desert. If we were really besieged in
+ this garden, we&rsquo;d find a hundred English birds and English berries
+ that we never knew were here. If we were snowed up in this room, we&rsquo;d
+ be the better for reading scores of books in that bookcase that we don&rsquo;t
+ even know are there; we&rsquo;d have talks with each other, good, terrible
+ talks, that we shall go to the grave without guessing; we&rsquo;d find
+ materials for everything&mdash; christening, marriage, or funeral; yes,
+ even for a coronation&mdash; if we didn&rsquo;t decide to be a republic.&rdquo;
+ </p>
+ <p>
+ &ldquo;A coronation on `Swiss Family&rsquo; lines, I suppose,&rdquo; said
+ Michael, laughing. &ldquo;Oh, I know you would find everything in that
+ atmosphere. If we wanted such a simple thing, for instance, as a
+ Coronation Canopy, we should walk down beyond the geraniums and find the
+ Canopy Tree in full bloom. If we wanted such a trifle as a crown of gold,
+ why, we should be digging up dandelions, and we should find a gold mine
+ under the lawn. And when we wanted oil for the ceremony, why I suppose a
+ great storm would wash everything on shore, and we should find there was a
+ Whale on the premises.&rdquo;
+ </p>
+ <p>
+ &ldquo;And so there IS a whale on the premises for all you know,&rdquo;
+ asseverated Smith, striking the table with passion. &ldquo;I bet you&rsquo;ve
+ never examined the premises! I bet you&rsquo;ve never been round at the
+ back as I was this morning&mdash; for I found the very thing you say could
+ only grow on a tree. There&rsquo;s an old sort of square tent up against
+ the dustbin; it&rsquo;s got three holes in the canvas, and a pole&rsquo;s
+ broken, so it&rsquo;s not much good as a tent, but as a Canopy&mdash;&rdquo;
+ And his voice quite failed him to express its shining adequacy; then he
+ went on with controversial eagerness: &ldquo;You see I take every
+ challenge as you make it. I believe every blessed thing you say couldn&rsquo;t
+ be here has been here all the time. You say you want a whale washed up for
+ oil. Why, there&rsquo;s oil in that cruet-stand at your elbow; and I don&rsquo;t
+ believe anybody has touched it or thought of it for years. And as for your
+ gold crown, we&rsquo;re none of us wealthy here, but we could collect
+ enough ten-shilling bits from our own pockets to string round a man&rsquo;s
+ head for half an hour; or one of Miss Hunt&rsquo;s gold bangles is nearly
+ big enough to&mdash;&rdquo;
+ </p>
+ <p>
+ The good-humoured Rosamund was almost choking with laughter. &ldquo;All is
+ not gold that glitters,&rdquo; she said, &ldquo;and besides&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;What a mistake that is!&rdquo; cried Innocent Smith, leaping up in
+ great excitement. &ldquo;All is gold that glitters&mdash; especially now
+ we are a Sovereign State. What&rsquo;s the good of a Sovereign State if
+ you can&rsquo;t define a sovereign? We can make anything a precious metal,
+ as men could in the morning of the world. They didn&rsquo;t choose gold
+ because it was rare; your scientists can tell you twenty sorts of slime
+ much rarer. They chose gold because it was bright&mdash;because it was a
+ hard thing to find, but pretty when you&rsquo;ve found it. You can&rsquo;t
+ fight with golden swords or eat golden biscuits; you can only look at it&mdash;and
+ you can look at it out here.&rdquo;
+ </p>
+ <p>
+ With one of his incalculable motions he sprang back and burst open the
+ doors into the garden. At the same time also, with one of his gestures
+ that never seemed at the instant so unconventional as they were, he
+ stretched out his hand to Mary Gray, and led her out on to the lawn as if
+ for a dance.
+ </p>
+ <p>
+ The French windows, thus flung open, let in an evening even lovelier than
+ that of the day before. The west was swimming with sanguine colours, and a
+ sort of sleepy flame lay along the lawn. The twisted shadows of the one or
+ two garden trees showed upon this sheen, not gray or black, as in common
+ daylight, but like arabesques written in vivid violet ink on some page of
+ Eastern gold. The sunset was one of those festive and yet mysterious
+ conflagrations in which common things by their colours remind us of costly
+ or curious things. The slates upon the sloping roof burned like the plumes
+ of a vast peacock, in every mysterious blend of blue and green. The
+ red-brown bricks of the wall glowed with all the October tints of strong
+ ruby and tawny wines. The sun seemed to set each object alight with a
+ different coloured flame, like a man lighting fireworks; and even Innocent&rsquo;s
+ hair, which was of a rather colourless fairness, seemed to have a flame of
+ pagan gold on it as he strode across the lawn towards the one tall ridge
+ of rockery.
+ </p>
+ <p>
+ &ldquo;What would be the good of gold,&rdquo; he was saying, &ldquo;if it
+ did not glitter? Why should we care for a black sovereign any more than
+ for a black sun at noon? A black button would do just as well. Don&rsquo;t
+ you see that everything in this garden looks like a jewel? And will you
+ kindly tell me what the deuce is the good of a jewel except that it looks
+ like a jewel? Leave off buying and selling, and start looking! Open your
+ eyes, and you&rsquo;ll wake up in the New Jerusalem.
+ </p>
+ <p>
+ &ldquo;All is gold that glitters&mdash; Tree and tower of brass; Rolls the
+ golden evening air Down the golden grass. Kick the cry to Jericho, How
+ yellow mud is sold; All is gold that glitters, For the glitter is the
+ gold.&rdquo;
+ </p>
+ <p>
+ &ldquo;And who wrote that?&rdquo; asked Rosamund, amused.
+ </p>
+ <p>
+ &ldquo;No one will ever write it,&rdquo; answered Smith, and cleared the
+ rockery with a flying leap.
+ </p>
+ <p>
+ &ldquo;Really,&rdquo; said Rosamund to Michael Moon, &ldquo;he ought to be
+ sent to an asylum. Don&rsquo;t you think so?&rdquo;
+ </p>
+ <p>
+ &ldquo;I beg your pardon,&rdquo; inquired Michael, rather sombrely; his
+ long, swarthy head was dark against the sunset, and, either by accident or
+ mood, he had the look of something isolated and even hostile amid the
+ social extravagance of the garden.
+ </p>
+ <p>
+ &ldquo;I only said Mr. Smith ought to go to an asylum,&rdquo; repeated the
+ lady.
+ </p>
+ <p>
+ The lean face seemed to grow longer and longer, for Moon was unmistakably
+ sneering. &ldquo;No,&rdquo; he said; &ldquo;I don&rsquo;t think it&rsquo;s
+ at all necessary.&rdquo;
+ </p>
+ <p>
+ &ldquo;What do you mean?&rdquo; asked Rosamund quickly. &ldquo;Why not?&rdquo;
+ </p>
+ <p>
+ &ldquo;Because he is in one now,&rdquo; answered Michael Moon, in a quiet
+ but ugly voice. &ldquo;Why, didn&rsquo;t you know?&rdquo;
+ </p>
+ <p>
+ &ldquo;What?&rdquo; cried the girl, and there was a break in her voice;
+ for the Irishman&rsquo;s face and voice were really almost creepy. With
+ his dark figure and dark sayings in all that sunshine he looked like the
+ devil in paradise.
+ </p>
+ <p>
+ &ldquo;I&rsquo;m sorry,&rdquo; he continued, with a sort of harsh
+ humility. &ldquo;Of course we don&rsquo;t talk about it much... but I
+ thought we all really knew.&rdquo;
+ </p>
+ <p>
+ &ldquo;Knew what?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; answered Moon, &ldquo;that Beacon House is a certain
+ rather singular sort of house&mdash;a house with the tiles loose, shall we
+ say? Innocent Smith is only the doctor that visits us; hadn&rsquo;t you
+ come when he called before? As most of our maladies are melancholic, of
+ course he has to be extra cheery. Sanity, of course, seems a very
+ bumptious eccentric thing to us. Jumping over a wall, climbing a tree&mdash;that&rsquo;s
+ his bedside manner.&rdquo;
+ </p>
+ <p>
+ &ldquo;You daren&rsquo;t say such a thing!&rdquo; cried Rosamund in a
+ rage. &ldquo;You daren&rsquo;t suggest that I&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Not more than I am,&rdquo; said Michael soothingly; &ldquo;not more
+ than the rest of us. Haven&rsquo;t you ever noticed that Miss Duke never
+ sits still&mdash;a notorious sign? Haven&rsquo;t you ever observed that
+ Inglewood is always washing his hands&mdash; a known mark of mental
+ disease? I, of course, am a dipsomaniac.&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t believe you,&rdquo; broke out his companion, not
+ without agitation. &ldquo;I&rsquo;ve heard you had some bad habits&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;All habits are bad habits,&rdquo; said Michael, with deadly calm.
+ &ldquo;Madness does not come by breaking out, but by giving in; by
+ settling down in some dirty, little, self-repeating circle of ideas; by
+ being tamed. YOU went mad about money, because you&rsquo;re an heiress.&rdquo;
+ </p>
+ <p>
+ &ldquo;It&rsquo;s a lie,&rdquo; cried Rosamund furiously. &ldquo;I never
+ was mean about money.&rdquo;
+ </p>
+ <p>
+ &ldquo;You were worse,&rdquo; said Michael, in a low voice and yet
+ violently. &ldquo;You thought that other people were. You thought every
+ man who came near you must be a fortune-hunter; you would not let yourself
+ go and be sane; and now you&rsquo;re mad and I&rsquo;m mad, and serve us
+ right.&rdquo;
+ </p>
+ <p>
+ &ldquo;You brute!&rdquo; said Rosamund, quite white. &ldquo;And is this
+ true?&rdquo;
+ </p>
+ <p>
+ With the intellectual cruelty of which the Celt is capable when his
+ abysses are in revolt, Michael was silent for some seconds, and then
+ stepped back with an ironical bow. &ldquo;Not literally true, of course,&rdquo;
+ he said; &ldquo;only really true. An allegory, shall we say? a social
+ satire.&rdquo;
+ </p>
+ <p>
+ &ldquo;And I hate and despise your satires,&rdquo; cried Rosamund Hunt,
+ letting loose her whole forcible female personality like a cyclone, and
+ speaking every word to wound. &ldquo;I despise it as I despise your rank
+ tobacco, and your nasty, loungy ways, and your snarling, and your
+ Radicalism, and your old clothes, and your potty little newspaper, and
+ your rotten failure at everything. I don&rsquo;t care whether you call it
+ snobbishness or not, I like life and success, and jolly things to look at,
+ and action. You won&rsquo;t frighten me with Diogenes; I prefer Alexander.&rdquo;
+ </p>
+ <p>
+ &ldquo;Victrix causa deae&mdash;&rdquo; said Michael gloomily; and this
+ angered her more, as, not knowing what it meant, she imagined it to be
+ witty.
+ </p>
+ <p>
+ &ldquo;Oh, I dare say you know Greek,&rdquo; she said, with cheerful
+ inaccuracy; &ldquo;you haven&rsquo;t done much with that either.&rdquo;
+ And she crossed the garden, pursuing the vanished Innocent and Mary.
+ </p>
+ <p>
+ In doing so she passed Inglewood, who was returning to the house slowly,
+ and with a thought-clouded brow. He was one of those men who are quite
+ clever, but quite the reverse of quick. As he came back out of the sunset
+ garden into the twilight parlour, Diana Duke slipped swiftly to her feet
+ and began putting away the tea things. But it was not before Inglewood had
+ seen an instantaneous picture so unique that he might well have
+ snapshotted it with his everlasting camera. For Diana had been sitting in
+ front of her unfinished work with her chin on her hand, looking straight
+ out of the window in pure thoughtless thought.
+ </p>
+ <p>
+ &ldquo;You are busy,&rdquo; said Arthur, oddly embarrassed with what he
+ had seen, and wishing to ignore it.
+ </p>
+ <p>
+ &ldquo;There&rsquo;s no time for dreaming in this world,&rdquo; answered
+ the young lady with her back to him.
+ </p>
+ <p>
+ &ldquo;I have been thinking lately,&rdquo; said Inglewood in a low voice,
+ &ldquo;that there&rsquo;s no time for waking up.&rdquo;
+ </p>
+ <p>
+ She did not reply, and he walked to the window and looked out on the
+ garden.
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t smoke or drink, you know,&rdquo; he said
+ irrelevantly, &ldquo;because I think they&rsquo;re drugs. And yet I fancy
+ all hobbies, like my camera and bicycle, are drugs too. Getting under a
+ black hood, getting into a dark room&mdash;getting into a hole anyhow.
+ Drugging myself with speed, and sunshine, and fatigue, and fresh air.
+ Pedalling the machine so fast that I turn into a machine myself. That&rsquo;s
+ the matter with all of us. We&rsquo;re too busy to wake up.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; said the girl solidly, &ldquo;what is there to wake up
+ to?&rdquo;
+ </p>
+ <p>
+ &ldquo;There must be!&rdquo; cried Inglewood, turning round in a singular
+ excitement&mdash;&ldquo;there must be something to wake up to! All we do
+ is preparations&mdash;your cleanliness, and my healthiness, and Warner&rsquo;s
+ scientific appliances. We&rsquo;re always preparing for something&mdash;something
+ that never comes off. I ventilate the house, and you sweep the house; but
+ what is going to HAPPEN in the house?&rdquo;
+ </p>
+ <p>
+ She was looking at him quietly, but with very bright eyes, and seemed to
+ be searching for some form of words which she could not find.
+ </p>
+ <p>
+ Before she could speak the door burst open, and the boisterous Rosamund
+ Hunt, in her flamboyant white hat, boa, and parasol, stood framed in the
+ doorway. She was in a breathing heat, and on her open face was an
+ expression of the most infantile astonishment.
+ </p>
+ <p>
+ &ldquo;Well, here&rsquo;s a fine game!&rdquo; she said, panting. &ldquo;What
+ am I to do now, I wonder? I&rsquo;ve wired for Dr. Warner; that&rsquo;s
+ all I can think of doing.&rdquo;
+ </p>
+ <p>
+ &ldquo;What is the matter?&rdquo; asked Diana, rather sharply, but moving
+ forward like one used to be called upon for assistance.
+ </p>
+ <p>
+ &ldquo;It&rsquo;s Mary,&rdquo; said the heiress, &ldquo;my companion Mary
+ Gray: that cracked friend of yours called Smith has proposed to her in the
+ garden, after ten hours&rsquo; acquaintance, and he wants to go off with
+ her now for a special licence.&rdquo;
+ </p>
+ <p>
+ Arthur Inglewood walked to the open French windows and looked out on the
+ garden, still golden with evening light. Nothing moved there but a bird or
+ two hopping and twittering; but beyond the hedge and railings, in the road
+ outside the garden gate, a hansom cab was waiting, with the yellow
+ Gladstone bag on top of it.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2HCH0004" id="link2HCH0004"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ Chapter IV &mdash; The Garden of the God
+ </h2>
+ <p>
+ Diana Duke seemed inexplicably irritated at the abrupt entrance and
+ utterance of the other girl.
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; she said shortly, &ldquo;I suppose Miss Gray can
+ decline him if she doesn&rsquo;t want to marry him.&rdquo;
+ </p>
+ <p>
+ &ldquo;But she DOES want to marry him!&rdquo; cried Rosamund in
+ exasperation. &ldquo;She&rsquo;s a wild, wicked fool, and I won&rsquo;t be
+ parted from her.&rdquo;
+ </p>
+ <p>
+ &ldquo;Perhaps,&rdquo; said Diana icily, &ldquo;but I really don&rsquo;t
+ see what we can do.&rdquo;
+ </p>
+ <p>
+ &ldquo;But the man&rsquo;s balmy, Diana,&rdquo; reasoned her friend
+ angrily. &ldquo;I can&rsquo;t let my nice governess marry a man that&rsquo;s
+ balmy! You or somebody MUST stop it!&mdash;Mr. Inglewood, you&rsquo;re a
+ man; go and tell them they simply can&rsquo;t.&rdquo;
+ </p>
+ <p>
+ &ldquo;Unfortunately, it seems to me they simply can,&rdquo; said
+ Inglewood, with a depressed air. &ldquo;I have far less right of
+ intervention than Miss Duke, besides having, of course, far less moral
+ force than she.&rdquo;
+ </p>
+ <p>
+ &ldquo;You haven&rsquo;t either of you got much,&rdquo; cried Rosamund,
+ the last stays of her formidable temper giving way; &ldquo;I think I&rsquo;ll
+ go somewhere else for a little sense and pluck. I think I know some one
+ who will help me more than you do, at any rate... he&rsquo;s a
+ cantankerous beast, but he&rsquo;s a man, and has a mind, and knows it...&rdquo;
+ And she flung out into the garden, with cheeks aflame, and the parasol
+ whirling like a Catherine wheel.
+ </p>
+ <p>
+ She found Michael Moon standing under the garden tree, looking over the
+ hedge; hunched like a bird of prey, with his large pipe hanging down his
+ long blue chin. The very hardness of his expression pleased her, after the
+ nonsense of the new engagement and the shilly-shallying of her other
+ friends.
+ </p>
+ <p>
+ &ldquo;I am sorry I was cross, Mr. Moon,&rdquo; she said frankly. &ldquo;I
+ hated you for being a cynic; but I&rsquo;ve been well punished, for I want
+ a cynic just now. I&rsquo;ve had my fill of sentiment&mdash;I&rsquo;m fed
+ up with it. The world&rsquo;s gone mad, Mr. Moon&mdash;all except the
+ cynics, I think. That maniac Smith wants to marry my old friend Mary, and
+ she&mdash; and she&mdash;doesn&rsquo;t seem to mind.&rdquo;
+ </p>
+ <p>
+ Seeing his attentive face still undisturbedly smoking, she added smartly,
+ &ldquo;I&rsquo;m not joking; that&rsquo;s Mr. Smith&rsquo;s cab outside.
+ He swears he&rsquo;ll take her off now to his aunt&rsquo;s, and go for a
+ special licence. Do give me some practical advice, Mr. Moon.&rdquo;
+ </p>
+ <p>
+ Mr. Moon took his pipe out of his mouth, held it in his hand for an
+ instant reflectively, and then tossed it to the other side of the garden.
+ &ldquo;My practical advice to you is this,&rdquo; he said: &ldquo;Let him
+ go for his special licence, and ask him to get another one for you and me.&rdquo;
+ </p>
+ <p>
+ &ldquo;Is that one of your jokes?&rdquo; asked the young lady. &ldquo;Do
+ say what you really mean.&rdquo;
+ </p>
+ <p>
+ &ldquo;I mean that Innocent Smith is a man of business,&rdquo; said Moon
+ with ponderous precision&mdash;&ldquo;a plain, practical man: a man of
+ affairs; a man of facts and the daylight. He has let down twenty ton of
+ good building bricks suddenly on my head, and I am glad to say they have
+ woken me up. We went to sleep a little while ago on this very lawn, in
+ this very sunlight. We have had a little nap for five years or so, but now
+ we&rsquo;re going to be married, Rosamund, and I can&rsquo;t see why that
+ cab...&rdquo;
+ </p>
+ <p>
+ &ldquo;Really,&rdquo; said Rosamund stoutly, &ldquo;I don&rsquo;t know
+ what you mean.&rdquo;
+ </p>
+ <p>
+ &ldquo;What a lie!&rdquo; cried Michael, advancing on her with brightening
+ eyes. &ldquo;I&rsquo;m all for lies in an ordinary way; but don&rsquo;t
+ you see that to-night they won&rsquo;t do? We&rsquo;ve wandered into a
+ world of facts, old girl. That grass growing, and that sun going down, and
+ that cab at the door, are facts. You used to torment and excuse yourself
+ by saying I was after your money, and didn&rsquo;t really love you. But if
+ I stood here now and told you I didn&rsquo;t love you&mdash;you wouldn&rsquo;t
+ believe me: for truth is in this garden to-night.&rdquo;
+ </p>
+ <p>
+ &ldquo;Really, Mr. Moon...&rdquo; said Rosamund, rather more faintly.
+ </p>
+ <p>
+ He kept two big blue magnetic eyes fixed on her face. &ldquo;Is my name
+ Moon?&rdquo; he asked. &ldquo;Is your name Hunt? On my honour, they sound
+ to me as quaint and as distant as Red Indian names. It&rsquo;s as if your
+ name was `Swim&rsquo; and my name was `Sunrise.&rsquo; But our real names
+ are Husband and Wife, as they were when we fell asleep.&rdquo;
+ </p>
+ <p>
+ &ldquo;It is no good,&rdquo; said Rosamund, with real tears in her eyes;
+ &ldquo;one can never go back.&rdquo;
+ </p>
+ <p>
+ &ldquo;I can go where I damn please,&rdquo; said Michael, &ldquo;and I can
+ carry you on my shoulder.&rdquo;
+ </p>
+ <p>
+ &ldquo;But really, Michael, really, you must stop and think!&rdquo; cried
+ the girl earnestly. &ldquo;You could carry me off my feet, I dare say,
+ soul and body, but it may be bitter bad business for all that. These
+ things done in that romantic rush, like Mr. Smith&rsquo;s, they&mdash;
+ they do attract women, I don&rsquo;t deny it. As you say, we&rsquo;re all
+ telling the truth to-night. They&rsquo;ve attracted poor Mary, for one.
+ They attract me, Michael. But the cold fact remains: imprudent marriages
+ do lead to long unhappiness and disappointment&mdash; you&rsquo;ve got
+ used to your drinks and things&mdash;I shan&rsquo;t be pretty much longer&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Imprudent marriages!&rdquo; roared Michael. &ldquo;And pray where
+ in earth or heaven are there any prudent marriages? Might as well talk
+ about prudent suicides. You and I have dawdled round each other long
+ enough, and are we any safer than Smith and Mary Gray, who met last night?
+ You never know a husband till you marry him. Unhappy! of course you&rsquo;ll
+ be unhappy. Who the devil are you that you shouldn&rsquo;t be unhappy,
+ like the mother that bore you? Disappointed! of course we&rsquo;ll be
+ disappointed. I, for one, don&rsquo;t expect till I die to be so good a
+ man as I am at this minute&mdash; a tower with all the trumpets shouting.&rdquo;
+ </p>
+ <p>
+ &ldquo;You see all this,&rdquo; said Rosamund, with a grand sincerity in
+ her solid face, &ldquo;and do you really want to marry me?&rdquo;
+ </p>
+ <p>
+ &ldquo;My darling, what else is there to do?&rdquo; reasoned the Irishman.
+ &ldquo;What other occupation is there for an active man on this earth,
+ except to marry you? What&rsquo;s the alternative to marriage, barring
+ sleep? It&rsquo;s not liberty, Rosamund. Unless you marry God, as our nuns
+ do in Ireland, you must marry Man&mdash;that is Me. The only third thing
+ is to marry yourself&mdash; yourself, yourself, yourself&mdash;the only
+ companion that is never satisfied&mdash; and never satisfactory.&rdquo;
+ </p>
+ <p>
+ &ldquo;Michael,&rdquo; said Miss Hunt, in a very soft voice, &ldquo;if you
+ won&rsquo;t talk so much, I&rsquo;ll marry you.&rdquo;
+ </p>
+ <p>
+ &ldquo;It&rsquo;s no time for talking,&rdquo; cried Michael Moon; &ldquo;singing
+ is the only thing. Can&rsquo;t you find that mandoline of yours, Rosamund?&rdquo;
+ </p>
+ <p>
+ &ldquo;Go and fetch it for me,&rdquo; said Rosamund, with crisp and sharp
+ authority.
+ </p>
+ <p>
+ The lounging Mr. Moon stood for one split second astonished; then he shot
+ away across the lawn, as if shod with the feathered shoes out of the Greek
+ fairy tale. He cleared three yards and fifteen daisies at a leap, out of
+ mere bodily levity; but when he came within a yard or two of the open
+ parlour windows, his flying feet fell in their old manner like lead; he
+ twisted round and came back slowly, whistling. The events of that
+ enchanted evening were not at an end.
+ </p>
+ <p>
+ Inside the dark sitting-room of which Moon had caught a glimpse a curious
+ thing had happened, almost an instant after the intemperate exit of
+ Rosamund. It was something which, occurring in that obscure parlour,
+ seemed to Arthur Inglewood like heaven and earth turning head over heels,
+ the sea being the ceiling and the stars the floor. No words can express
+ how it astonished him, as it astonishes all simple men when it happens.
+ Yet the stiffest female stoicism seems separated from it only by a sheet
+ of paper or a sheet of steel. It indicates no surrender, far less any
+ sympathy. The most rigid and ruthless woman can begin to cry, just as the
+ most effeminate man can grow a beard. It is a separate sexual power, and
+ proves nothing one way or the other about force of character. But to young
+ men ignorant of women, like Arthur Inglewood, to see Diana Duke crying was
+ like seeing a motor-car shedding tears of petrol.
+ </p>
+ <p>
+ He could never have given (even if his really manly modesty had permitted
+ it) any vaguest vision of what he did when he saw that portent. He acted
+ as men do when a theatre catches fire&mdash;very differently from how they
+ would have conceived themselves as acting, whether for better or worse. He
+ had a faint memory of certain half-stifled explanations, that the heiress
+ was the one really paying guest, and she would go, and the bailiffs (in
+ consequence) would come; but after that he knew nothing of his own conduct
+ except by the protests it evoked.
+ </p>
+ <p>
+ &ldquo;Leave me alone, Mr. Inglewood&mdash;leave me alone; that&rsquo;s
+ not the way to help.&rdquo;
+ </p>
+ <p>
+ &ldquo;But I can help you,&rdquo; said Arthur, with grinding certainty;
+ &ldquo;I can, I can, I can...&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, you said,&rdquo; cried the girl, &ldquo;that you were much
+ weaker than me.&rdquo;
+ </p>
+ <p>
+ &ldquo;So I am weaker than you,&rdquo; said Arthur, in a voice that went
+ vibrating through everything, &ldquo;but not just now.&rdquo;
+ </p>
+ <p>
+ &ldquo;Let go my hands!&rdquo; cried Diana. &ldquo;I won&rsquo;t be
+ bullied.&rdquo;
+ </p>
+ <p>
+ In one element he was much stronger than she&mdash;the matter of humour.
+ This leapt up in him suddenly, and he laughed, saying: &ldquo;Well, you
+ are mean. You know quite well you&rsquo;ll bully me all the rest of my
+ life. You might allow a man the one minute of his life when he&rsquo;s
+ allowed to bully.&rdquo;
+ </p>
+ <p>
+ It was as extraordinary for him to laugh as for her to cry, and for the
+ first time since her childhood Diana was entirely off her guard.
+ </p>
+ <p>
+ &ldquo;Do you mean you want to marry me?&rdquo; she said.
+ </p>
+ <p>
+ &ldquo;Why, there&rsquo;s a cab at the door!&rdquo; cried Inglewood,
+ springing up with an unconscious energy and bursting open the glass doors
+ that led into the garden.
+ </p>
+ <p>
+ As he led her out by the hand they realized somehow for the first time
+ that the house and garden were on a steep height over London. And yet,
+ though they felt the place to be uplifted, they felt it also to be secret:
+ it was like some round walled garden on the top of one of the turrets of
+ heaven.
+ </p>
+ <p>
+ Inglewood looked around dreamily, his brown eyes devouring all sorts of
+ details with a senseless delight. He noticed for the first time that the
+ railings of the gate beyond the garden bushes were moulded like little
+ spearheads and painted blue. He noticed that one of the blue spears was
+ loosened in its place, and hung sideways; and this almost made him laugh.
+ He thought it somehow exquisitely harmless and funny that the railing
+ should be crooked; he thought he should like to know how it happened, who
+ did it, and how the man was getting on.
+ </p>
+ <p>
+ When they were gone a few feet across that fiery grass they realized that
+ they were not alone. Rosamund Hunt and the eccentric Mr. Moon, both of
+ whom they had last seen in the blackest temper of detachment, were
+ standing together on the lawn. They were standing in quite an ordinary
+ manner, and yet they looked somehow like people in a book.
+ </p>
+ <p>
+ &ldquo;Oh,&rdquo; said Diana, &ldquo;what lovely air!&rdquo;
+ </p>
+ <p>
+ &ldquo;I know,&rdquo; called out Rosamund, with a pleasure so positive
+ that it rang out like a complaint. &ldquo;It&rsquo;s just like that
+ horrid, beastly fizzy stuff they gave me that made me feel happy.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, it isn&rsquo;t like anything but itself!&rdquo; answered Diana,
+ breathing deeply. &ldquo;Why, it&rsquo;s all cold, and yet it feels like
+ fire.&rdquo;
+ </p>
+ <p>
+ &ldquo;Balmy is the word we use in Fleet Street,&rdquo; said Mr. Moon.
+ &ldquo;Balmy&mdash;especially on the crumpet.&rdquo; And he fanned himself
+ quite unnecessarily with his straw hat. They were all full of little leaps
+ and pulsations of objectless and airy energy. Diana stirred and stretched
+ her long arms rigidly, as if crucified, in a sort of excruciating
+ restfulness; Michael stood still for long intervals, with gathered
+ muscles, then spun round like a teetotum, and stood still again; Rosamund
+ did not trip, for women never trip, except when they fall on their noses,
+ but she struck the ground with her foot as she moved, as if to some
+ inaudible dance tune; and Inglewood, leaning quite quietly against a tree,
+ had unconsciously clutched a branch and shaken it with a creative
+ violence. Those giant gestures of Man, that made the high statues and the
+ strokes of war, tossed and tormented all their limbs. Silently as they
+ strolled and stood they were bursting like batteries with an animal
+ magnetism.
+ </p>
+ <p>
+ &ldquo;And now,&rdquo; cried Moon quite suddenly, stretching out a hand on
+ each side, &ldquo;let&rsquo;s dance round that bush!&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, what bush do you mean?&rdquo; asked Rosamund, looking round
+ with a sort of radiant rudeness.
+ </p>
+ <p>
+ &ldquo;The bush that isn&rsquo;t there,&rdquo; said Michael&mdash;&ldquo;the
+ Mulberry Bush.&rdquo;
+ </p>
+ <p>
+ They had taken each other&rsquo;s hands, half laughing and quite ritually;
+ and before they could disconnect again Michael spun them all round, like a
+ demon spinning the world for a top. Diana felt, as the circle of the
+ horizon flew instantaneously around her, a far aerial sense of the ring of
+ heights beyond London and corners where she had climbed as a child; she
+ seemed almost to hear the rooks cawing about the old pines on Highgate, or
+ to see the glowworms gathering and kindling in the woods of Box Hill.
+ </p>
+ <p>
+ The circle broke&mdash;as all such perfect circles of levity must break&mdash;
+ and sent its author, Michael, flying, as by centrifugal force, far away
+ against the blue rails of the gate. When reeling there he suddenly raised
+ shout after shout of a new and quite dramatic character.
+ </p>
+ <p>
+ &ldquo;Why, it&rsquo;s Warner!&rdquo; he shouted, waving his arms. &ldquo;It&rsquo;s
+ jolly old Warner&mdash; with a new silk hat and the old silk moustache!&rdquo;
+ </p>
+ <p>
+ &ldquo;Is that Dr. Warner?&rdquo; cried Rosamund, bounding forward in a
+ burst of memory, amusement, and distress. &ldquo;Oh, I&rsquo;m so sorry!
+ Oh, do tell him it&rsquo;s all right!&rdquo;
+ </p>
+ <p>
+ &ldquo;Let&rsquo;s take hands and tell him,&rdquo; said Michael Moon. For
+ indeed, while they were talking, another hansom cab had dashed up behind
+ the one already waiting, and Dr. Herbert Warner, leaving a companion in
+ the cab, had carefully deposited himself on the pavement.
+ </p>
+ <p>
+ Now, when you are an eminent physician and are wired for by an heiress to
+ come to a case of dangerous mania, and when, as you come in through the
+ garden to the house, the heiress and her landlady and two of the gentlemen
+ boarders join hands and dance round you in a ring, calling out, &ldquo;It&rsquo;s
+ all right! it&rsquo;s all right!&rdquo; you are apt to be flustered and
+ even displeased. Dr. Warner was a placid but hardly a placable person. The
+ two things are by no means the same; and even when Moon explained to him
+ that he, Warner, with his high hat and tall, solid figure, was just such a
+ classic figure as OUGHT to be danced round by a ring of laughing maidens
+ on some old golden Greek seashore&mdash; even then he seemed to miss the
+ point of the general rejoicing.
+ </p>
+ <p>
+ &ldquo;Inglewood!&rdquo; cried Dr. Warner, fixing his former disciple with
+ a stare, &ldquo;are you mad?&rdquo;
+ </p>
+ <p>
+ Arthur flushed to the roots of his brown hair, but he answered, easily and
+ quietly enough, &ldquo;Not now. The truth is, Warner, I&rsquo;ve just made
+ a rather important medical discovery&mdash;quite in your line.&rdquo;
+ </p>
+ <p>
+ &ldquo;What do you mean?&rdquo; asked the great doctor stiffly&mdash;&ldquo;what
+ discovery?&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;ve discovered that health really is catching, like disease,&rdquo;
+ answered Arthur.
+ </p>
+ <p>
+ &ldquo;Yes; sanity has broken out, and is spreading,&rdquo; said Michael,
+ performing a ~pas seul~ with a thoughtful expression. &ldquo;Twenty
+ thousand more cases taken to the hospitals; nurses employed night and day.&rdquo;
+ </p>
+ <p>
+ Dr. Warner studied Michael&rsquo;s grave face and lightly moving legs with
+ an unfathomed wonder. &ldquo;And is THIS, may I ask,&rdquo; he said,
+ &ldquo;the sanity that is spreading?&rdquo;
+ </p>
+ <p>
+ &ldquo;You must forgive me, Dr. Warner,&rdquo; cried Rosamund Hunt
+ heartily. &ldquo;I know I&rsquo;ve treated you badly; but indeed it was
+ all a mistake. I was in a frightfully bad temper when I sent for you, but
+ now it all seems like a dream&mdash;and and Mr. Smith is the sweetest,
+ most sensible, most delightful old thing that ever existed, and he may
+ marry any one he likes&mdash;except me.&rdquo;
+ </p>
+ <p>
+ &ldquo;I should suggest Mrs. Duke,&rdquo; said Michael.
+ </p>
+ <p>
+ The gravity of Dr. Warner&rsquo;s face increased. He took a slip of pink
+ paper from his waistcoat pocket, with his pale blue eyes quietly fixed on
+ Rosamund&rsquo;s face all the time. He spoke with a not inexcusable
+ frigidity.
+ </p>
+ <p>
+ &ldquo;Really, Miss Hunt,&rdquo; he said, &ldquo;you are not yet very
+ reassuring. You sent me this wire only half an hour ago: `Come at once, if
+ possible, with another doctor. Man&mdash;Innocent Smith&mdash;gone mad on
+ premises, and doing dreadful things. Do you know anything of him?&rsquo; I
+ went round at once to a distinguished colleague of mine, a doctor who is
+ also a private detective and an authority on criminal lunacy; he has come
+ round with me, and is waiting in the cab. Now you calmly tell me that this
+ criminal madman is a highly sweet and sane old thing, with accompaniments
+ that set me speculating on your own definition of sanity. I hardly
+ comprehend the change.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, how can one explain a change in sun and moon and everybody&rsquo;s
+ soul?&rdquo; cried Rosamund, in despair. &ldquo;Must I confess we had got
+ so morbid as to think him mad merely because he wanted to get married; and
+ that we didn&rsquo;t even know it was only because we wanted to get
+ married ourselves? We&rsquo;ll humiliate ourselves, if you like, doctor;
+ we&rsquo;re happy enough.&rdquo;
+ </p>
+ <p>
+ &ldquo;Where is Mr. Smith?&rdquo; asked Warner of Inglewood very sharply.
+ </p>
+ <p>
+ Arthur started; he had forgotten all about the central figure of their
+ farce, who had not been visible for an hour or more.
+ </p>
+ <p>
+ &ldquo;I&mdash;I think he&rsquo;s on the other side of the house, by the
+ dustbin,&rdquo; he said.
+ </p>
+ <p>
+ &ldquo;He may be on the road to Russia,&rdquo; said Warner, &ldquo;but he
+ must be found.&rdquo; And he strode away and disappeared round a corner of
+ the house by the sunflowers.
+ </p>
+ <p>
+ &ldquo;I hope,&rdquo; said Rosamund, &ldquo;he won&rsquo;t really
+ interfere with Mr. Smith.&rdquo;
+ </p>
+ <p>
+ &ldquo;Interfere with the daisies!&rdquo; said Michael with a snort.
+ &ldquo;A man can&rsquo;t be locked up for falling in love&mdash;at least I
+ hope not.&rdquo;
+ </p>
+ <p>
+ &ldquo;No; I think even a doctor couldn&rsquo;t make a disease out of him.
+ He&rsquo;d throw off the doctor like the disease, don&rsquo;t you know? I
+ believe it&rsquo;s a case of a sort of holy well. I believe Innocent Smith
+ is simply innocent, and that is why he is so extraordinary.&rdquo;
+ </p>
+ <p>
+ It was Rosamund who spoke, restlessly tracing circles in the grass with
+ the point of her white shoe.
+ </p>
+ <p>
+ &ldquo;I think,&rdquo; said Inglewood, &ldquo;that Smith is not
+ extraordinary at all. He&rsquo;s comic just because he&rsquo;s so
+ startlingly commonplace. Don&rsquo;t you know what it is to be all one
+ family circle, with aunts and uncles, when a schoolboy comes home for the
+ holidays? That bag there on the cab is only a schoolboy&rsquo;s hamper.
+ This tree here in the garden is only the sort of tree that any schoolboy
+ would have climbed. Yes, that&rsquo;s the thing that has haunted us all
+ about him, the thing we could never fit a word to. Whether he is my old
+ schoolfellow or no, at least he is all my old schoolfellows. He is the
+ endless bun-eating, ball-throwing animal that we have all been.&rdquo;
+ </p>
+ <p>
+ &ldquo;That is only you absurd boys,&rdquo; said Diana. &ldquo;I don&rsquo;t
+ believe any girl was ever so silly, and I&rsquo;m sure no girl was ever so
+ happy, except&mdash;&rdquo; and she stopped.
+ </p>
+ <p>
+ &ldquo;I will tell you the truth about Innocent Smith,&rdquo; said Michael
+ Moon in a low voice. &ldquo;Dr. Warner has gone to look for him in vain.
+ He is not there. Haven&rsquo;t you noticed that we never saw him since we
+ found ourselves? He was an astral baby born on all four of us; he was only
+ our own youth returned. Long before poor old Warner had clambered out of
+ his cab, the thing we called Smith had dissolved into dew and light on
+ this lawn. Once or twice more, by the mercy of God, we may feel the thing,
+ but the man we shall never see. In a spring garden before breakfast we
+ shall smell the smell called Smith. In the snapping of brisk twigs in tiny
+ fires we shall hear a noise named Smith. Everything insatiable and
+ innocent in the grasses that gobble up the earth like babies at a bun
+ feast, in the white mornings that split the sky as a boy splits up white
+ firwood, we may feel for one instant the presence of an impetuous purity;
+ but his innocence was too close to the unconsciousness of inanimate things
+ not to melt back at a mere touch into the mild hedges and heavens; he&mdash;&rdquo;
+ </p>
+ <p>
+ He was interrupted from behind the house by a bang like that of a bomb.
+ Almost at the same instant the stranger in the cab sprang out of it,
+ leaving it rocking upon the stones of the road. He clutched the blue
+ railings of the garden, and peered eagerly over them in the direction of
+ the noise. He was a small, loose, yet alert man, very thin, with a face
+ that seemed made out of fish bones, and a silk hat quite as rigid and
+ resplendent as Warner&rsquo;s, but thrust back recklessly on the hinder
+ part of his head.
+ </p>
+ <p>
+ &ldquo;Murder!&rdquo; he shrieked, in a high and feminine but very
+ penetrating voice. &ldquo;Stop that murderer there!&rdquo;
+ </p>
+ <p>
+ Even as he shrieked a second shot shook the lower windows of the house,
+ and with the noise of it Dr. Herbert Warner came flying round the corner
+ like a leaping rabbit. Yet before he had reached the group a third
+ discharge had deafened them, and they saw with their own eyes two spots of
+ white sky drilled through the second of the unhappy Herbert&rsquo;s high
+ hats. The next moment the fugitive physician fell over a flowerpot, and
+ came down on all fours, staring like a cow. The hat with the two
+ shot-holes in it rolled upon the gravel path before him, and Innocent
+ Smith came round the corner like a railway train. He was looking twice his
+ proper size&mdash;a giant clad in green, the big revolver still smoking in
+ his hand, his face sanguine and in shadow, his eyes blazing like all
+ stars, and his yellow hair standing out all ways like Struwelpeter&rsquo;s.
+ </p>
+ <p>
+ Though this startling scene hung but an instant in stillness, Inglewood
+ had time to feel once more what he had felt when he saw the other lovers
+ standing on the lawn&mdash;the sensation of a certain cut and coloured
+ clearness that belongs rather to the things of art than to the things of
+ experience. The broken flowerpot with its red-hot geraniums, the green
+ bulk of Smith and the black bulk of Warner, the blue-spiked railings
+ behind, clutched by the stranger&rsquo;s yellow vulture claws and peered
+ over by his long vulture neck, the silk hat on the gravel, and the little
+ cloudlet of smoke floating across the garden as innocently as the puff of
+ a cigarette&mdash; all these seemed unnaturally distinct and definite.
+ They existed, like symbols, in an ecstasy of separation. Indeed, every
+ object grew more and more particular and precious because the whole
+ picture was breaking up. Things look so bright just before they burst.
+ </p>
+ <p>
+ Long before his fancies had begun, let alone ceased, Arthur had stepped
+ across and taken one of Smith&rsquo;s arms. Simultaneously the little
+ stranger had run up the steps and taken the other. Smith went into peals
+ of laughter, and surrendered his pistol with perfect willingness. Moon
+ raised the doctor to his feet, and then went and leaned sullenly on the
+ garden gate. The girls were quiet and vigilant, as good women mostly are
+ in instants of catastrophe, but their faces showed that, somehow or other,
+ a light had been dashed out of the sky. The doctor himself, when he had
+ risen, collected his hat and wits, and dusting himself down with an air of
+ great disgust, turned to them in brief apology. He was very white with his
+ recent panic, but he spoke with perfect self-control.
+ </p>
+ <p>
+ &ldquo;You will excuse us, ladies,&rdquo; he said; &ldquo;my friend and
+ Mr. Inglewood are both scientists in their several ways. I think we had
+ better all take Mr. Smith indoors, and communicate with you later.&rdquo;
+ </p>
+ <p>
+ And under the guard of the three natural philosophers the disarmed Smith
+ was led tactfully into the house, still roaring with laughter.
+ </p>
+ <p>
+ From time to time during the next twenty minutes his distant boom of mirth
+ could again be heard through the half-open window; but there came no echo
+ of the quiet voices of the physicians. The girls walked about the garden
+ together, rubbing up each other&rsquo;s spirits as best they might;
+ Michael Moon still hung heavily against the gate. Somewhere about the
+ expiration of that time Dr. Warner came out of the house with a face less
+ pale but even more stern, and the little man with the fish-bone face
+ advanced gravely in his rear. And if the face of Warner in the sunlight
+ was that of a hanging judge, the face of the little man behind was more
+ like a death&rsquo;s head.
+ </p>
+ <p>
+ &ldquo;Miss Hunt,&rdquo; said Dr. Herbert Warner, &ldquo;I only wish to
+ offer you my warm thanks and admiration. By your prompt courage and wisdom
+ in sending for us by wire this evening, you have enabled us to capture and
+ put out of mischief one of the most cruel and terrible of the enemies of
+ humanity&mdash; a criminal whose plausibility and pitilessness have never
+ been before combined in flesh.&rdquo;
+ </p>
+ <p>
+ Rosamund looked across at him with a white, blank face and blinking eyes.
+ &ldquo;What do you mean?&rdquo; she asked. &ldquo;You can&rsquo;t mean Mr.
+ Smith?&rdquo;
+ </p>
+ <p>
+ &ldquo;He has gone by many other names,&rdquo; said the doctor gravely,
+ &ldquo;and not one he did not leave to be cursed behind him. That man,
+ Miss Hunt, has left a track of blood and tears across the world. Whether
+ he is mad as well as wicked, we are trying, in the interests of science,
+ to discover. In any case, we shall have to take him to a magistrate first,
+ even if only on the road to a lunatic asylum. But the lunatic asylum in
+ which he is confined will have to be sealed with wall within wall, and
+ ringed with guns like a fortress, or he will break out again to bring
+ forth carnage and darkness on the earth.&rdquo;
+ </p>
+ <p>
+ Rosamund looked at the two doctors, her face growing paler and paler. Then
+ her eyes strayed to Michael, who was leaning on the gate; but he continued
+ to lean on it without moving, with his face turned away towards the
+ darkening road.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2HCH0005" id="link2HCH0005"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ Chapter V &mdash; The Allegorical Practical Joker
+ </h2>
+ <p>
+ The criminal specialist who had come with Dr. Warner was a somewhat more
+ urbane and even dapper figure than he had appeared when clutching the
+ railings and craning his neck into the garden. He even looked
+ comparatively young when he took his hat off, having fair hair parted in
+ the middle and carefully curled on each side, and lively movements,
+ especially of the hands. He had a dandified monocle slung round his neck
+ by a broad black ribbon, and a big bow tie, as if a big American moth had
+ alighted on him. His dress and gestures were bright enough for a boy&rsquo;s;
+ it was only when you looked at the fish-bone face that you beheld
+ something acrid and old. His manners were excellent, though hardly
+ English, and he had two half-conscious tricks by which people who only met
+ him once remembered him. One was a trick of closing his eyes when he
+ wished to be particularly polite; the other was one of lifting his joined
+ thumb and forefinger in the air as if holding a pinch of snuff, when he
+ was hesitating or hovering over a word. But those who were longer in his
+ company tended to forget these oddities in the stream of his quaint and
+ solemn conversation and really singular views.
+ </p>
+ <p>
+ &ldquo;Miss Hunt,&rdquo; said Dr. Warner, &ldquo;this is Dr. Cyrus Pym.&rdquo;
+ </p>
+ <p>
+ Dr. Cyrus Pym shut his eyes during the introduction, rather as if he were
+ &ldquo;playing fair&rdquo; in some child&rsquo;s game, and gave a prompt
+ little bow, which somehow suddenly revealed him as a citizen of the United
+ States.
+ </p>
+ <p>
+ &ldquo;Dr. Cyrus Pym,&rdquo; continued Warner (Dr. Pym shut his eyes
+ again), &ldquo;is perhaps the first criminological expert of America. We
+ are very fortunate to be able to consult with him in this extraordinary
+ case&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;I can&rsquo;t make head or tail of anything,&rdquo; said Rosamund.
+ &ldquo;How can poor Mr. Smith be so dreadful as he is by your account?&rdquo;
+ </p>
+ <p>
+ &ldquo;Or by your telegram,&rdquo; said Herbert Warner, smiling.
+ </p>
+ <p>
+ &ldquo;Oh, you don&rsquo;t understand,&rdquo; cried the girl impatiently.
+ &ldquo;Why, he&rsquo;s done us all more good than going to church.&rdquo;
+ </p>
+ <p>
+ &ldquo;I think I can explain to the young lady,&rdquo; said Dr. Cyrus Pym.
+ &ldquo;This criminal or maniac Smith is a very genius of evil, and has a
+ method of his own, a method of the most daring ingenuity. He is popular
+ wherever he goes, for he invades every house as an uproarious child.
+ People are getting suspicious of all the respectable disguises for a
+ scoundrel; so he always uses the disguise of&mdash;what shall I say&mdash;the
+ Bohemian, the blameless Bohemian. He always carries people off their feet.
+ People are used to the mask of conventional good conduct. He goes in for
+ eccentric good-nature. You expect a Don Juan to dress up as a solemn and
+ solid Spanish merchant; but you&rsquo;re not prepared when he dresses up
+ as Don Quixote. You expect a humbug to behave like Sir Charles Grandison;
+ because (with all respect, Miss Hunt, for the deep, tear-moving tenderness
+ of Samuel Richardson) Sir Charles Grandison so often behaved like a
+ humbug. But no real red-blooded citizen is quite ready for a humbug that
+ models himself not on Sir Charles Grandison but on Sir Roger de Coverly.
+ Setting up to be a good man a little cracked is a new criminal incognito,
+ Miss Hunt. It&rsquo;s been a great notion, and uncommonly successful; but
+ its success just makes it mighty cruel. I can forgive Dick Turpin if he
+ impersonates Dr. Busby; I can&rsquo;t forgive him when he impersonates Dr.
+ Johnson. The saint with a tile loose is a bit too sacred, I guess, to be
+ parodied.&rdquo;
+ </p>
+ <p>
+ &ldquo;But how do you know,&rdquo; cried Rosamund desperately, &ldquo;that
+ Mr. Smith is a known criminal?&rdquo;
+ </p>
+ <p>
+ &ldquo;I collated all the documents,&rdquo; said the American, &ldquo;when
+ my friend Warner knocked me up on receipt of your cable. It is my
+ professional affair to know these facts, Miss Hunt; and there&rsquo;s no
+ more doubt about them than about the Bradshaw down at the depot. This man
+ has hitherto escaped the law, through his admirable affectations of
+ infancy or insanity. But I myself, as a specialist, have privately
+ authenticated notes of some eighteen or twenty crimes attempted or
+ achieved in this manner. He comes to houses as he has to this, and gets a
+ grand popularity. He makes things go. They do go; when he&rsquo;s gone the
+ things are gone. Gone, Miss Hunt, gone, a man&rsquo;s life or a man&rsquo;s
+ spoons, or more often a woman. I assure you I have all the memoranda.&rdquo;
+ </p>
+ <p>
+ &ldquo;I have seen them,&rdquo; said Warner solidly, &ldquo;I can assure
+ you that all this is correct.&rdquo;
+ </p>
+ <p>
+ &ldquo;The most unmanly aspect, according to my feelings,&rdquo; went on
+ the American doctor, &ldquo;is this perpetual deception of innocent women
+ by a wild simulation of innocence. From almost every house where this
+ great imaginative devil has been, he has taken some poor girl away with
+ him; some say he&rsquo;s got a hypnotic eye with his other queer features,
+ and that they go like automata. What&rsquo;s become of all those poor
+ girls nobody knows. Murdered, I dare say; for we&rsquo;ve lots of
+ instances, besides this one, of his turning his hand to murder, though
+ none ever brought him under the law. Anyhow, our most modern methods of
+ research can&rsquo;t find any trace of the wretched women. It&rsquo;s when
+ I think of them that I am really moved, Miss Hunt. And I&rsquo;ve really
+ nothing else to say just now except what Dr. Warner has said.&rdquo;
+ </p>
+ <p>
+ &ldquo;Quite so,&rdquo; said Warner, with a smile that seemed moulded in
+ marble&mdash;&ldquo;that we all have to thank you very much for that
+ telegram.&rdquo;
+ </p>
+ <p>
+ The little Yankee scientist had been speaking with such evident sincerity
+ that one forgot the tricks of his voice and manner&mdash; the falling
+ eyelids, the rising intonation, and the poised finger and thumb&mdash;which
+ were at other times a little comic. It was not so much that he was
+ cleverer than Warner; perhaps he was not so clever, though he was more
+ celebrated. But he had what Warner never had, a fresh and unaffected
+ seriousness&mdash; the great American virtue of simplicity. Rosamund
+ knitted her brows and looked gloomily toward the darkening house that
+ contained the dark prodigy.
+ </p>
+ <p>
+ Broad daylight still endured; but it had already changed from gold to
+ silver, and was changing from silver to gray. The long plumy shadows of
+ the one or two trees in the garden faded more and more upon a dead
+ background of dusk. In the sharpest and deepest shadow, which was the
+ entrance to the house by the big French windows, Rosamund could watch a
+ hurried consultation between Inglewood (who was still left in charge of
+ the mysterious captive) and Diana, who had moved to his assistance from
+ without. After a few minutes and gestures they went inside, shutting the
+ glass doors upon the garden; and the garden seemed to grow grayer still.
+ </p>
+ <p>
+ The American gentleman named Pym seemed to be turning and on the move in
+ the same direction; but before he started he spoke to Rosamund with a
+ flash of that guileless tact which redeemed much of his childish vanity,
+ and with something of that spontaneous poetry which made it difficult,
+ pedantic as he was, to call him a pedant.
+ </p>
+ <p>
+ &ldquo;I&rsquo;m vurry sorry, Miss Hunt,&rdquo; he said; &ldquo;but Dr.
+ Warner and I, as two quali-FIED practitioners, had better take Mr. Smith
+ away in that cab, and the less said about it the better. Don&rsquo;t you
+ agitate yourself, Miss Hunt. You&rsquo;ve just got to think that we&rsquo;re
+ taking away a monstrosity, something that oughtn&rsquo;t to be at all&mdash;something
+ like one of those gods in your Britannic Museum, all wings, and beards,
+ and legs, and eyes, and no shape. That&rsquo;s what Smith is, and you
+ shall soon be quit of him.&rdquo;
+ </p>
+ <p>
+ He had already taken a step towards the house, and Warner was about to
+ follow him, when the glass doors were opened again and Diana Duke came out
+ with more than her usual quickness across the lawn. Her face was aquiver
+ with worry and excitement, and her dark earnest eyes fixed only on the
+ other girl.
+ </p>
+ <p>
+ &ldquo;Rosamund,&rdquo; she cried in despair, &ldquo;what shall I do with
+ her?&rdquo;
+ </p>
+ <p>
+ &ldquo;With her?&rdquo; cried Miss Hunt, with a violent jump. &ldquo;O
+ lord, he isn&rsquo;t a woman too, is he?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, no, no,&rdquo; said Dr. Pym soothingly, as if in common
+ fairness. &ldquo;A woman? no, really, he is not so bad as that.&rdquo;
+ </p>
+ <p>
+ &ldquo;I mean your friend Mary Gray,&rdquo; retorted Diana with equal
+ tartness. &ldquo;What on earth am I to do with her?&rdquo;
+ </p>
+ <p>
+ &ldquo;How can we tell her about Smith, you mean,&rdquo; answered
+ Rosamund, her face at once clouded and softening. &ldquo;Yes, it will be
+ pretty painful.&rdquo;
+ </p>
+ <p>
+ &ldquo;But I HAVE told her,&rdquo; exploded Diana, with more than her
+ congenital exasperation. &ldquo;I have told her, and she doesn&rsquo;t
+ seem to mind. She still says she&rsquo;s going away with Smith in that
+ cab.&rdquo;
+ </p>
+ <p>
+ &ldquo;But it&rsquo;s impossible!&rdquo; ejaculated Rosamund. &ldquo;Why,
+ Mary is really religious. She&mdash;&rdquo;
+ </p>
+ <p>
+ She stopped in time to realize that Mary Gray was comparatively close to
+ her on the lawn. Her quiet companion had come down very quietly into the
+ garden, but dressed very decisively for travel. She had a neat but very
+ ancient blue tam-o&rsquo;-shanter on her head, and was pulling some rather
+ threadbare gray gloves on to her hands. Yet the two tints fitted
+ excellently with her heavy copper-coloured hair; the more excellently for
+ the touch of shabbiness: for a woman&rsquo;s clothes never suit her so
+ well as when they seem to suit her by accident.
+ </p>
+ <p>
+ But in this case the woman had a quality yet more unique and attractive.
+ In such gray hours, when the sun is sunk and the skies are already sad, it
+ will often happen that one reflection at some occasional angle will cause
+ to linger the last of the light. A scrap of window, a scrap of water, a
+ scrap of looking-glass, will be full of the fire that is lost to all the
+ rest of the earth. The quaint, almost triangular face of Mary Gray was
+ like some triangular piece of mirror that could still repeat the splendour
+ of hours before. Mary, though she was always graceful, could never before
+ have properly been called beautiful; and yet her happiness amid all that
+ misery was so beautiful as to make a man catch his breath.
+ </p>
+ <p>
+ &ldquo;O Diana,&rdquo; cried Rosamund in a lower voice and altering her
+ phrase; &ldquo;but how did you tell her?&rdquo;
+ </p>
+ <p>
+ &ldquo;It is quite easy to tell her,&rdquo; answered Diana sombrely;
+ &ldquo;it makes no impression at all.&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;m afraid I&rsquo;ve kept everything waiting,&rdquo; said
+ Mary Gray apologetically, &ldquo;and now we must really say good-bye.
+ Innocent is taking me to his aunt&rsquo;s over at Hampstead, and I&rsquo;m
+ afraid she goes to bed early.&rdquo;
+ </p>
+ <p>
+ Her words were quite casual and practical, but there was a sort of sleepy
+ light in her eyes that was more baffling than darkness; she was like one
+ speaking absently with her eye on some very distant object.
+ </p>
+ <p>
+ &ldquo;Mary, Mary,&rdquo; cried Rosamund, almost breaking down, &ldquo;I&rsquo;m
+ so sorry about it, but the thing can&rsquo;t be at all. We&mdash;we have
+ found out all about Mr. Smith.&rdquo;
+ </p>
+ <p>
+ &ldquo;All?&rdquo; repeated Mary, with a low and curious intonation;
+ &ldquo;why, that must be awfully exciting.&rdquo;
+ </p>
+ <p>
+ There was no noise for an instant and no motion except that the silent
+ Michael Moon, leaning on the gate, lifted his head, as it might be to
+ listen. Then Rosamund remaining speechless, Dr. Pym came to her rescue in
+ a definite way.
+ </p>
+ <p>
+ &ldquo;To begin with,&rdquo; he said, &ldquo;this man Smith is constantly
+ attempting murder. The Warden of Brakespeare College&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;I know,&rdquo; said Mary, with a vague but radiant smile. &ldquo;Innocent
+ told me.&rdquo;
+ </p>
+ <p>
+ &ldquo;I can&rsquo;t say what he told you,&rdquo; replied Pym quickly,
+ &ldquo;but I&rsquo;m very much afraid it wasn&rsquo;t true. The plain
+ truth is that the man&rsquo;s stained with every known human crime. I
+ assure you I have all the documents. I have evidence of his committing
+ burglary, signed by a most eminent English curate. I have&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, but there were two curates,&rdquo; cried Mary, with a certain
+ gentle eagerness; &ldquo;that was what made it so much funnier.&rdquo;
+ </p>
+ <p>
+ The darkened glass doors of the house opened once more, and Inglewood
+ appeared for an instant, making a sort of signal. The American doctor
+ bowed, the English doctor did not, but they both set out stolidly towards
+ the house. No one else moved, not even Michael hanging on the gate; but
+ the back of his head and shoulders had still an indescribable indication
+ that he was listening to every word.
+ </p>
+ <p>
+ &ldquo;But don&rsquo;t you understand, Mary,&rdquo; cried Rosamund in
+ despair; &ldquo;don&rsquo;t you know that awful things have happened even
+ before our very eyes. I should have thought you would have heard the
+ revolver shots upstairs.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I heard the shots,&rdquo; said Mary almost brightly; &ldquo;but
+ I was busy packing just then. And Innocent had told me he was going to
+ shoot at Dr. Warner; so it wasn&rsquo;t worth while to come down.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I don&rsquo;t understand what you mean,&rdquo; cried Rosamund
+ Hunt, stamping, &ldquo;but you must and shall understand what I mean. I
+ don&rsquo;t care how cruelly I put it, if only I can save you. I mean that
+ your Innocent Smith is the most awfully wicked man in the world. He has
+ sent bullets at lots of other men and gone off in cabs with lots of other
+ women. And he seems to have killed the women too, for nobody can find
+ them.&rdquo;
+ </p>
+ <p>
+ &ldquo;He is really rather naughty sometimes,&rdquo; said Mary Gray,
+ laughing softly as she buttoned her old gray gloves.
+ </p>
+ <p>
+ &ldquo;Oh, this is really mesmerism, or something,&rdquo; said Rosamund,
+ and burst into tears.
+ </p>
+ <p>
+ At the same moment the two black-clad doctors appeared out of the house
+ with their great green-clad captive between them. He made no resistance,
+ but was still laughing in a groggy and half-witted style. Arthur Inglewood
+ followed in the rear, a dark and red study in the last shades of distress
+ and shame. In this black, funereal, and painfully realistic style the exit
+ from Beacon House was made by a man whose entrance a day before had been
+ effected by the happy leaping of a wall and the hilarious climbing of a
+ tree. No one moved of the groups in the garden except Mary Gray, who
+ stepped forward quite naturally, calling out, &ldquo;Are you ready,
+ Innocent? Our cab&rsquo;s been waiting such a long time.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ladies and gentlemen,&rdquo; said Dr. Warner firmly, &ldquo;I must
+ insist on asking this lady to stand aside. We shall have trouble enough as
+ it is, with the three of us in a cab.&rdquo;
+ </p>
+ <p>
+ &ldquo;But it IS our cab,&rdquo; persisted Mary. &ldquo;Why, there&rsquo;s
+ Innocent&rsquo;s yellow bag on the top of it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Stand aside,&rdquo; repeated Warner roughly. &ldquo;And you, Mr.
+ Moon, please be so obliging as to move a moment. Come, come! the sooner
+ this ugly business is over the better&mdash;and how can we open the gate
+ if you will keep leaning on it?&rdquo;
+ </p>
+ <p>
+ Michael Moon looked at his long lean forefinger, and seemed to consider
+ and reconsider this argument. &ldquo;Yes,&rdquo; he said at last; &ldquo;but
+ how can I lean on this gate if you keep on opening it?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, get out of the way!&rdquo; cried Warner, almost
+ good-humouredly. &ldquo;You can lean on the gate any time.&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; said Moon reflectively. &ldquo;Seldom the time and the
+ place and the blue gate altogether; and it all depends whether you come of
+ an old country family. My ancestors leaned on gates before any one had
+ discovered how to open them.&rdquo;
+ </p>
+ <p>
+ &ldquo;Michael!&rdquo; cried Arthur Inglewood in a kind of agony, &ldquo;are
+ you going to get out of the way?&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, no; I think not,&rdquo; said Michael, after some meditation,
+ and swung himself slowly round, so that he confronted the company, while
+ still, in a lounging attitude, occupying the path.
+ </p>
+ <p>
+ &ldquo;Hullo!&rdquo; he called out suddenly; &ldquo;what are you doing to
+ Mr. Smith?&rdquo;
+ </p>
+ <p>
+ &ldquo;Taking him away,&rdquo; answered Warner shortly, &ldquo;to be
+ examined.&rdquo;
+ </p>
+ <p>
+ &ldquo;Matriculation?&rdquo; asked Moon brightly.
+ </p>
+ <p>
+ &ldquo;By a magistrate,&rdquo; said the other curtly.
+ </p>
+ <p>
+ &ldquo;And what other magistrate,&rdquo; cried Michael, raising his voice,
+ &ldquo;dares to try what befell on this free soil, save only the ancient
+ and independent Dukes of Beacon? What other court dares to try one of our
+ company, save only the High Court of Beacon? Have you forgotten that only
+ this afternoon we flew the flag of independence and severed ourselves from
+ all the nations of the earth?&rdquo;
+ </p>
+ <p>
+ &ldquo;Michael,&rdquo; cried Rosamund, wringing her hands, &ldquo;how can
+ you stand there talking nonsense? Why, you saw the dreadful thing
+ yourself. You were there when he went mad. It was you that helped the
+ doctor up when he fell over the flower-pot.&rdquo;
+ </p>
+ <p>
+ &ldquo;And the High Court of Beacon,&rdquo; replied Moon with hauteur,
+ &ldquo;has special powers in all cases concerning lunatics, flower-pots,
+ and doctors who fall down in gardens. It&rsquo;s in our very first charter
+ from Edward I: `Si medicus quisquam in horto prostratus&mdash;&lsquo;&rdquo;
+ </p>
+ <p>
+ &ldquo;Out of the way!&rdquo; cried Warner with sudden fury, &ldquo;or we
+ will force you out of it.&rdquo;
+ </p>
+ <p>
+ &ldquo;What!&rdquo; cried Michael Moon, with a cry of hilarious
+ fierceness. &ldquo;Shall I die in defence of this sacred pale? Will you
+ paint these blue railings red with my gore?&rdquo; and he laid hold of one
+ of the blue spikes behind him. As Inglewood had noticed earlier in the
+ evening, the railing was loose and crooked at this place, and the painted
+ iron staff and spearhead came away in Michael&rsquo;s hand as he shook it.
+ </p>
+ <p>
+ &ldquo;See!&rdquo; he cried, brandishing this broken javelin in the air,
+ &ldquo;the very lances round Beacon Tower leap from their places to defend
+ it. Ah, in such a place and hour it is a fine thing to die alone!&rdquo;
+ And in a voice like a drum he rolled the noble lines of Ronsard&mdash;
+ </p>
+ <p>
+ &ldquo;Ou pour l&rsquo;honneur de Dieu, ou pour le droit de mon prince,
+ Navre, poitrine ouverte, au bord de mon province.&rdquo;
+ </p>
+ <p>
+ &ldquo;Sakes alive!&rdquo; said the American gentleman, almost in an awed
+ tone. Then he added, &ldquo;Are there two maniacs here?&rdquo;
+ </p>
+ <p>
+ &ldquo;No; there are five,&rdquo; thundered Moon. &ldquo;Smith and I are
+ the only sane people left.&rdquo;
+ </p>
+ <p>
+ &ldquo;Michael!&rdquo; cried Rosamund; &ldquo;Michael, what does it mean?&rdquo;
+ </p>
+ <p>
+ &ldquo;It means bosh!&rdquo; roared Michael, and slung his painted spear
+ hurtling to the other end of the garden. &ldquo;It means that doctors are
+ bosh, and criminology is bosh, and Americans are bosh&mdash; much more
+ bosh than our Court of Beacon. It means, you fatheads, that Innocent Smith
+ is no more mad or bad than the bird on that tree.&rdquo;
+ </p>
+ <p>
+ &ldquo;But, my dear Moon,&rdquo; began Inglewood in his modest manner,
+ &ldquo;these gentlemen&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;On the word of two doctors,&rdquo; exploded Moon again, without
+ listening to anybody else, &ldquo;shut up in a private hell on the word of
+ two doctors! And such doctors! Oh, my hat! Look at &lsquo;em!&mdash;do
+ just look at &lsquo;em! Would you read a book, or buy a dog, or go to a
+ hotel on the advice of twenty such? My people came from Ireland, and were
+ Catholics. What would you say if I called a man wicked on the word of two
+ priests?&rdquo;
+ </p>
+ <p>
+ &ldquo;But it isn&rsquo;t only their word, Michael,&rdquo; reasoned
+ Rosamund; &ldquo;they&rsquo;ve got evidence too.&rdquo;
+ </p>
+ <p>
+ &ldquo;Have you looked at it?&rdquo; asked Moon.
+ </p>
+ <p>
+ &ldquo;No,&rdquo; said Rosamund, with a sort of faint surprise; &ldquo;these
+ gentlemen are in charge of it.&rdquo;
+ </p>
+ <p>
+ &ldquo;And of everything else, it seems to me,&rdquo; said Michael.
+ &ldquo;Why, you haven&rsquo;t even had the decency to consult Mrs. Duke.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, that&rsquo;s no use,&rdquo; said Diana in an undertone to
+ Rosamund; &ldquo;Auntie can&rsquo;t say `Bo!&rsquo; to a goose.&rdquo;
+ </p>
+ <p>
+ &ldquo;I am glad to hear it,&rdquo; answered Michael, &ldquo;for with such
+ a flock of geese to say it to, the horrid expletive might be constantly on
+ her lips. For my part, I simply refuse to let things be done in this light
+ and airy style. I appeal to Mrs. Duke&mdash;it&rsquo;s her house.&rdquo;
+ </p>
+ <p>
+ &ldquo;Mrs. Duke?&rdquo; repeated Inglewood doubtfully.
+ </p>
+ <p>
+ &ldquo;Yes, Mrs. Duke,&rdquo; said Michael firmly, &ldquo;commonly called
+ the Iron Duke.&rdquo;
+ </p>
+ <p>
+ &ldquo;If you ask Auntie,&rdquo; said Diana quietly, &ldquo;she&rsquo;ll
+ only be for doing nothing at all. Her only idea is to hush things up or to
+ let things slide. That just suits her.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; replied Michael Moon; &ldquo;and, as it happens, it
+ just suits all of us. You are impatient with your elders, Miss Duke; but
+ when you are as old yourself you will know what Napoleon knew&mdash; that
+ half one&rsquo;s letters answer themselves if you can only refrain from
+ the fleshly appetite of answering them.&rdquo;
+ </p>
+ <p>
+ He was still lounging in the same absurd attitude, with his elbow on the
+ grate, but his voice had altered abruptly for the third time; just as it
+ had changed from the mock heroic to the humanly indignant, it now changed
+ to the airy incisiveness of a lawyer giving good legal advice.
+ </p>
+ <p>
+ &ldquo;It isn&rsquo;t only your aunt who wants to keep this quiet if she
+ can,&rdquo; he said; &ldquo;we all want to keep it quiet if we can. Look
+ at the large facts&mdash;the big bones of the case. I believe those
+ scientific gentlemen have made a highly scientific mistake. I believe
+ Smith is as blameless as a buttercup. I admit buttercups don&rsquo;t often
+ let off loaded pistols in private houses; I admit there is something
+ demanding explanation. But I am morally certain there&rsquo;s some
+ blunder, or some joke, or some allegory, or some accident behind all this.
+ Well, suppose I&rsquo;m wrong. We&rsquo;ve disarmed him; we&rsquo;re five
+ men to hold him; he may as well go to a lock-up later on as now. But
+ suppose there&rsquo;s even a chance of my being right. Is it anybody&rsquo;s
+ interest here to wash this linen in public?
+ </p>
+ <p>
+ &ldquo;Come, I&rsquo;ll take each of you in order. Once take Smith outside
+ that gate, and you take him into the front page of the evening papers. I
+ know; I&rsquo;ve written the front page myself. Miss Duke, do you or your
+ aunt want a sort of notice stuck up over your boarding-house&mdash;`Doctors
+ shot here.&rsquo;? No, no&mdash;doctors are rubbish, as I said; but you
+ don&rsquo;t want the rubbish shot here. Arthur, suppose I am right, or
+ suppose I am wrong. Smith has appeared as an old schoolfellow of yours.
+ Mark my words, if he&rsquo;s proved guilty, the Organs of Public Opinion
+ will say you introduced him. If he&rsquo;s proved innocent, they will say
+ you helped to collar him. Rosamund, my dear, suppose I am right or wrong.
+ If he&rsquo;s proved guilty, they&rsquo;ll say you engaged your companion
+ to him. If he&rsquo;s proved innocent, they&rsquo;ll print that telegram.
+ I know the Organs, damn them.&rdquo;
+ </p>
+ <p>
+ He stopped an instant; for this rapid rationalism left him more breathless
+ than had either his theatrical or his real denunciation. But he was
+ plainly in earnest, as well as positive and lucid; as was proved by his
+ proceeding quickly the moment he had found his breath.
+ </p>
+ <p>
+ &ldquo;It is just the same,&rdquo; he cried, &ldquo;with our medical
+ friends. You will say that Dr. Warner has a grievance. I agree. But does
+ he want specially to be snapshotted by all the journalists ~prostratus in
+ horto~? It was no fault of his, but the scene was not very dignified even
+ for him. He must have justice; but does he want to ask for justice, not
+ only on his knees, but on his hands and knees? Does he want to enter the
+ court of justice on all fours? Doctors are not allowed to advertise; and I&rsquo;m
+ sure no doctor wants to advertise himself as looking like that. And even
+ for our American guest the interest is the same. Let us suppose that he
+ has conclusive documents. Let us assume that he has revelations really
+ worth reading. Well, in a legal inquiry (or a medical inquiry, for that
+ matter) ten to one he won&rsquo;t be allowed to read them. He&rsquo;ll be
+ tripped up every two or three minutes with some tangle of old rules. A man
+ can&rsquo;t tell the truth in public nowadays. But he can still tell it in
+ private; he can tell it inside that house.&rdquo;
+ </p>
+ <p>
+ &ldquo;It is quite true,&rdquo; said Dr. Cyrus Pym, who had listened
+ throughout the speech with a seriousness which only an American could have
+ retained through such a scene. &ldquo;It is true that I have been
+ per-ceptibly less hampered in private inquiries.&rdquo;
+ </p>
+ <p>
+ &ldquo;Dr. Pym!&rdquo; cried Warner in a sort of sudden anger. &ldquo;Dr.
+ Pym! you aren&rsquo;t really going to admit&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Smith may be mad,&rdquo; went on the melancholy Moon in a monologue
+ that seemed as heavy as a hatchet, &ldquo;but there was something after
+ all in what he said about Home Rule for every home. Yes, there is
+ something, when all&rsquo;s said and done, in the High Court of Beacon. It
+ is really true that human beings might often get some sort of domestic
+ justice where just now they can only get legal injustice&mdash;oh, I am a
+ lawyer too, and I know that as well. It is true that there&rsquo;s too
+ much official and indirect power. Often and often the thing a whole nation
+ can&rsquo;t settle is just the thing a family could settle. Scores of
+ young criminals have been fined and sent to jail when they ought to have
+ been thrashed and sent to bed. Scores of men, I am sure, have had a
+ lifetime at Hanwell when they only wanted a week at Brighton. There IS
+ something in Smith&rsquo;s notion of domestic self-government; and I
+ propose that we put it into practice. You have the prisoner; you have the
+ documents. Come, we are a company of free, white, Christian people, such
+ as might be besieged in a town or cast up on a desert island. Let us do
+ this thing ourselves. Let us go into that house there and sit down and
+ find out with our own eyes and ears whether this thing is true or not;
+ whether this Smith is a man or a monster. If we can&rsquo;t do a little
+ thing like that, what right have we to put crosses on ballot papers?&rdquo;
+ </p>
+ <p>
+ Inglewood and Pym exchanged a glance; and Warner, who was no fool, saw in
+ that glance that Moon was gaining ground. The motives that led Arthur to
+ think of surrender were indeed very different from those which affected
+ Dr. Cyrus Pym. All Arthur&rsquo;s instincts were on the side of privacy
+ and polite settlement; he was very English and would often endure wrongs
+ rather than right them by scenes and serious rhetoric. To play at once the
+ buffoon and the knight-errant, like his Irish friend, would have been
+ absolute torture to him; but even the semi-official part he had played
+ that afternoon was very painful. He was not likely to be reluctant if any
+ one could convince him that his duty was to let sleeping dogs lie.
+ </p>
+ <p>
+ On the other hand, Cyrus Pym belonged to a country in which things are
+ possible that seem crazy to the English. Regulations and authorities
+ exactly like one of Innocent&rsquo;s pranks or one of Michael&rsquo;s
+ satires really exist, propped by placid policemen and imposed on bustling
+ business men. Pym knew whole States which are vast and yet secret and
+ fanciful; each is as big as a nation yet as private as a lost village, and
+ as unexpected as an apple-pie bed. States where no man may have a
+ cigarette, States where any man may have ten wives, very strict
+ prohibition States, very lax divorce States&mdash;all these large local
+ vagaries had prepared Cyrus Pym&rsquo;s mind for small local vagaries in a
+ smaller country. Infinitely more remote from England than any Russian or
+ Italian, utterly incapable of even conceiving what English conventions
+ are, he could not see the social impossibility of the Court of Beacon. It
+ is firmly believed by those who shared the experiment, that to the very
+ end Pym believed in that phantasmal court and supposed it to be some
+ Britannic institution.
+ </p>
+ <p>
+ Towards the synod thus somewhat at a standstill there approached through
+ the growing haze and gloaming a short dark figure with a walk apparently
+ founded on the imperfect repression of a negro breakdown. Something at
+ once in the familiarity and the incongruity of this being moved Michael to
+ even heartier outbursts of a healthy and humane flippancy.
+ </p>
+ <p>
+ &ldquo;Why, here&rsquo;s little Nosey Gould,&rdquo; he exclaimed. &ldquo;Isn&rsquo;t
+ the mere sight of him enough to banish all your morbid reflections?&rdquo;
+ </p>
+ <p>
+ &ldquo;Really,&rdquo; replied Dr. Warner, &ldquo;I really fail to see how
+ Mr. Gould affects the question; and I once more demand&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Hello! what&rsquo;s the funeral, gents?&rdquo; inquired the
+ newcomer with the air of an uproarious umpire. &ldquo;Doctor demandin&rsquo;
+ something? Always the way at a boarding-house, you know. Always lots of
+ demand. No supply.&rdquo;
+ </p>
+ <p>
+ As delicately and impartially as he could, Michael restated his position,
+ and indicated generally that Smith had been guilty of certain dangerous
+ and dubious acts, and that there had even arisen an allegation that he was
+ insane.
+ </p>
+ <p>
+ &ldquo;Well, of course he is,&rdquo; said Moses Gould equably; &ldquo;it
+ don&rsquo;t need old &lsquo;Olmes to see that. The &lsquo;awk-like face of
+ &lsquo;Olmes,&rdquo; he added with abstract relish, &ldquo;showed a shide
+ of disappointment, the sleuth-like Gould &lsquo;avin&rsquo; got there
+ before &lsquo;im.&rdquo;
+ </p>
+ <p>
+ &ldquo;If he is mad,&rdquo; began Inglewood.
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; said Moses, &ldquo;when a cove gets out on the tile
+ the first night there&rsquo;s generally a tile loose.&rdquo;
+ </p>
+ <p>
+ &ldquo;You never objected before,&rdquo; said Diana Duke rather stiffly,
+ &ldquo;and you&rsquo;re generally pretty free with your complaints.&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t compline of him,&rdquo; said Moses magnanimously,
+ &ldquo;the poor chap&rsquo;s ‘armless enough; you might tie &lsquo;im up
+ in the garden here and &lsquo;e&rsquo;d make noises at the burglars.&rdquo;
+ </p>
+ <p>
+ &ldquo;Moses,&rdquo; said Moon with solemn fervour, &ldquo;you are the
+ incarnation of Common Sense. You think Mr. Innocent is mad. Let me
+ introduce you to the incarnation of Scientific Theory. He also thinks Mr.
+ Innocent is mad.&mdash;Doctor, this is my friend Mr. Gould.&mdash;Moses,
+ this is the celebrated Dr. Pym.&rdquo; The celebrated Dr. Cyrus Pym closed
+ his eyes and bowed. He also murmured his national war-cry in a low voice,
+ which sounded like &ldquo;Pleased to meet you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Now you two people,&rdquo; said Michael cheerfully, &ldquo;who both
+ think our poor friend mad, shall jolly well go into that house over there
+ and prove him mad. What could be more powerful than the combination of
+ Scientific Theory with Common Sense? United you stand; divided you fall. I
+ will not be so uncivil as to suggest that Dr. Pym has no common sense; I
+ confine myself to recording the chronological accident that he has not
+ shown us any so far. I take the freedom of an old friend in staking my
+ shirt that Moses has no scientific theory. Yet against this strong
+ coalition I am ready to appear, armed with nothing but an intuition&mdash;which
+ is American for a guess.&rdquo;
+ </p>
+ <p>
+ &ldquo;Distinguished by Mr. Gould&rsquo;s assistance,&rdquo; said Pym,
+ opening his eyes suddenly. &ldquo;I gather that though he and I are
+ identical in primary di-agnosis there is yet between us something that
+ cannot be called a disagreement, something which we may perhaps call a&mdash;&rdquo;
+ He put the points of thumb and forefinger together, spreading the other
+ fingers exquisitely in the air, and seemed to be waiting for somebody else
+ to tell him what to say.
+ </p>
+ <p>
+ &ldquo;Catchin&rsquo; flies?&rdquo; inquired the affable Moses.
+ </p>
+ <p>
+ &ldquo;A divergence,&rdquo; said Dr. Pym, with a refined sigh of relief;
+ &ldquo;a divergence. Granted that the man in question is deranged, he
+ would not necessarily be all that science requires in a homicidal maniac&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Has it occurred to you,&rdquo; observed Moon, who was leaning on
+ the gate again, and did not turn round, &ldquo;that if he were a homicidal
+ maniac he might have killed us all here while we were talking.&rdquo;
+ </p>
+ <p>
+ Something exploded silently underneath all their minds, like sealed
+ dynamite in some forgotten cellars. They all remembered for the first time
+ for some hour or two that the monster of whom they were talking was
+ standing quietly among them. They had left him in the garden like a garden
+ statue; there might have been a dolphin coiling round his legs, or a
+ fountain pouring out of his mouth, for all the notice they had taken of
+ Innocent Smith. He stood with his crest of blonde, blown hair thrust
+ somewhat forward, his fresh-coloured, rather short-sighted face looking
+ patiently downwards at nothing in particular, his huge shoulders humped,
+ and his hands in his trousers pockets. So far as they could guess he had
+ not moved at all. His green coat might have been cut out of the green turf
+ on which he stood. In his shadow Pym had expounded and Rosamund
+ expostulated, Michael had ranted and Moses had ragged. He had remained
+ like a thing graven; the god of the garden. A sparrow had perched on one
+ of his heavy shoulders; and then, after correcting its costume of
+ feathers, had flown away.
+ </p>
+ <p>
+ &ldquo;Why,&rdquo; cried Michael, with a shout of laughter, &ldquo;the
+ Court of Beacon has opened&mdash;and shut up again too. You all know now I
+ am right. Your buried common sense has told you what my buried common
+ sense has told me. Smith might have fired off a hundred cannons instead of
+ a pistol, and you would still know he was harmless as I know he is
+ harmless. Back we all go to the house and clear a room for discussion. For
+ the High Court of Beacon, which has already arrived at its decision, is
+ just about to begin its inquiry.&rdquo;
+ </p>
+ <p>
+ &ldquo;Just a goin&rsquo; to begin!&rdquo; cried little Mr. Moses in an
+ extraordinary sort of disinterested excitement, like that of an animal
+ during music or a thunderstorm. &ldquo;Follow on to the &lsquo;Igh Court
+ of Eggs and Bacon; ‘ave a kipper from the old firm! &lsquo;Is Lordship
+ complimented Mr. Gould on the &lsquo;igh professional delicacy &lsquo;e
+ had shown, and which was worthy of the best traditions of the Saloon Bar&mdash;
+ and three of Scotch hot, miss! Oh, chase me, girls!&rdquo;
+ </p>
+ <p>
+ The girls betraying no temptation to chase him, he went away in a sort of
+ waddling dance of pure excitement; and had made a circuit of the garden
+ before he reappeared, breathless but still beaming. Moon had known his man
+ when he realized that no people presented to Moses Gould could be quite
+ serious, even if they were quite furious. The glass doors stood open on
+ the side nearest to Mr. Moses Gould; and as the feet of that festive idiot
+ were evidently turned in the same direction, everybody else went that way
+ with the unanimity of some uproarious procession. Only Diana Duke retained
+ enough rigidity to say the thing that had been boiling at her fierce
+ feminine lips for the last few hours. Under the shadow of tragedy she had
+ kept it back as unsympathetic. &ldquo;In that case,&rdquo; she said
+ sharply, &ldquo;these cabs can be sent away.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, Innocent must have his bag, you know,&rdquo; said Mary with a
+ smile. &ldquo;I dare say the cabman would get it down for us.&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;ll get the bag,&rdquo; said Smith, speaking for the first
+ time in hours; his voice sounded remote and rude, like the voice of a
+ statue.
+ </p>
+ <p>
+ Those who had so long danced and disputed round his immobility were left
+ breathless by his precipitance. With a run and spring he was out of the
+ garden into the street; with a spring and one quivering kick he was
+ actually on the roof of the cab. The cabman happened to be standing by the
+ horse&rsquo;s head, having just removed its emptied nose-bag. Smith seemed
+ for an instant to be rolling about on the cab&rsquo;s back in the embraces
+ of his Gladstone bag. The next instant, however, he had rolled, as if by a
+ royal luck, into the high seat behind, and with a shriek of piercing and
+ appalling suddenness had sent the horse flying and scampering down the
+ street.
+ </p>
+ <p>
+ His evanescence was so violent and swift, that this time it was all the
+ other people who were turned into garden statues. Mr. Moses Gould,
+ however, being ill-adapted both physically and morally for the purposes of
+ permanent sculpture, came to life some time before the rest, and, turning
+ to Moon, remarked, like a man starting chattily with a stranger on an
+ omnibus, &ldquo;Tile loose, eh? Cab loose anyhow.&rdquo; There followed a
+ fatal silence; and then Dr. Warner said, with a sneer like a club of
+ stone,&mdash;
+ </p>
+ <p>
+ &ldquo;This is what comes of the Court of Beacon, Mr. Moon. You have let
+ loose a maniac on the whole metropolis.&rdquo;
+ </p>
+ <p>
+ Beacon House stood, as has been said, at the end of a long crescent of
+ continuous houses. The little garden that shut it in ran out into a sharp
+ point like a green cape pushed out into the sea of two streets. Smith and
+ his cab shot up one side of the triangle, and certainly most of those
+ standing inside of it never expected to see him again. At the apex,
+ however, he turned the horse sharply round and drove with equal violence
+ up the other side of the garden, visible to all those in the group. With a
+ common impulse the little crowd ran across the lawn as if to stop him, but
+ they soon had reason to duck and recoil. Even as he vanished up street for
+ the second time, he let the big yellow bag fly from his hand, so that it
+ fell in the centre of the garden, scattering the company like a bomb, and
+ nearly damaging Dr. Warner&rsquo;s hat for the third time. Long before
+ they had collected themselves, the cab had shot away with a shriek that
+ went into a whisper.
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; said Michael Moon, with a queer note in his voice;
+ &ldquo;you may as well all go inside anyhow. We&rsquo;ve got two relics of
+ Mr. Smith at least; his fiancee and his trunk.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why do you want us to go inside?&rdquo; asked Arthur Inglewood, in
+ whose red brow and rough brown hair botheration seemed to have reached its
+ limit.
+ </p>
+ <p>
+ &ldquo;I want the rest to go in,&rdquo; said Michael in a clear voice,
+ &ldquo;because I want the whole of this garden in which to talk to you.&rdquo;
+ </p>
+ <p>
+ There was an atmosphere of irrational doubt; it was really getting colder,
+ and a night wind had begun to wave the one or two trees in the twilight.
+ Dr. Warner, however, spoke in a voice devoid of indecision.
+ </p>
+ <p>
+ &ldquo;I refuse to listen to any such proposal,&rdquo; he said; &ldquo;you
+ have lost this ruffian, and I must find him.&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t ask you to listen to any proposal,&rdquo; answered
+ Moon quietly; &ldquo;I only ask you to listen.&rdquo;
+ </p>
+ <p>
+ He made a silencing movement with his hand, and immediately the whistling
+ noise that had been lost in the dark streets on one side of the house
+ could be heard from quite a new quarter on the other side. Through the
+ night-maze of streets the noise increased with incredible rapidity, and
+ the next moment the flying hoofs and flashing wheels had swept up to the
+ blue-railed gate at which they had originally stood. Mr. Smith got down
+ from his perch with an air of absent-mindedness, and coming back into the
+ garden stood in the same elephantine attitude as before.
+ </p>
+ <p>
+ &ldquo;Get inside! get inside!&rdquo; cried Moon hilariously, with the air
+ of one shooing a company of cats. &ldquo;Come, come, be quick about it!
+ Didn&rsquo;t I tell you I wanted to talk to Inglewood?&rdquo;
+ </p>
+ <p>
+ How they were all really driven into the house again it would have been
+ difficult afterwards to say. They had reached the point of being exhausted
+ with incongruities, as people at a farce are ill with laughing, and the
+ brisk growth of the storm among the trees seemed like a final gesture of
+ things in general. Inglewood lingered behind them, saying with a certain
+ amicable exasperation, &ldquo;I say, do you really want to speak to me?&rdquo;
+ </p>
+ <p>
+ &ldquo;I do,&rdquo; said Michael, &ldquo;very much.&rdquo;
+ </p>
+ <p>
+ Night had come as it generally does, quicker than the twilight had seemed
+ to promise. While the human eye still felt the sky as light gray, a very
+ large and lustrous moon appearing abruptly above a bulk of roofs and
+ trees, proved by contrast that the sky was already a very dark gray
+ indeed. A drift of barren leaves across the lawn, a drift of riven clouds
+ across the sky, seemed to be lifted on the same strong and yet laborious
+ wind.
+ </p>
+ <p>
+ &ldquo;Arthur,&rdquo; said Michael, &ldquo;I began with an intuition; but
+ now I am sure. You and I are going to defend this friend of yours before
+ the blessed Court of Beacon, and to clear him too&mdash;clear him of both
+ crime and lunacy. Just listen to me while I preach to you for a bit.&rdquo;
+ They walked up and down the darkening garden together as Michael Moon went
+ on.
+ </p>
+ <p>
+ &ldquo;Can you,&rdquo; asked Michael, &ldquo;shut your eyes and see some
+ of those queer old hieroglyphics they stuck up on white walls in the old
+ hot countries. How stiff they were in shape and yet how gaudy in colour.
+ Think of some alphabet of arbitrary figures picked out in black and red,
+ or white and green, with some old Semitic crowd of Nosey Gould&rsquo;s
+ ancestors staring at it, and try to think why the people put it up at all.&rdquo;
+ </p>
+ <p>
+ Inglewood&rsquo;s first instinct was to think that his perplexing friend
+ had really gone off his head at last; there seemed so reckless a flight of
+ irrelevancy from the tropic-pictured walls he was asked to imagine to the
+ gray, wind-swept, and somewhat chilly suburban garden in which he was
+ actually kicking his heels. How he could be more happy in one by imagining
+ the other he could not conceive. Both (in themselves) were unpleasant.
+ </p>
+ <p>
+ &ldquo;Why does everybody repeat riddles,&rdquo; went on Moon abruptly,
+ &ldquo;even if they&rsquo;ve forgotten the answers? Riddles are easy to
+ remember because they are hard to guess. So were those stiff old symbols
+ in black, red, or green easy to remember because they had been hard to
+ guess. Their colours were plain. Their shapes were plain. Everything was
+ plain except the meaning.&rdquo;
+ </p>
+ <p>
+ Inglewood was about to open his mouth in an amiable protest, but Moon went
+ on, plunging quicker and quicker up and down the garden and smoking faster
+ and faster. &ldquo;Dances, too,&rdquo; he said; &ldquo;dances were not
+ frivolous. Dances were harder to understand than inscriptions and texts.
+ The old dances were stiff, ceremonial, highly coloured but silent. Have
+ you noticed anything odd about Smith?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, really,&rdquo; cried Inglewood, left behind in a collapse of
+ humour, &ldquo;have I noticed anything else?&rdquo;
+ </p>
+ <p>
+ &ldquo;Have you noticed this about him,&rdquo; asked Moon, with unshaken
+ persistency, &ldquo;that he has done so much and said so little? When
+ first he came he talked, but in a gasping, irregular sort of way, as if he
+ wasn&rsquo;t used to it. All he really did was actions&mdash;painting red
+ flowers on black gowns or throwing yellow bags on to the grass. I tell you
+ that big green figure is figurative&mdash; like any green figure capering
+ on some white Eastern wall.&rdquo;
+ </p>
+ <p>
+ &ldquo;My dear Michael,&rdquo; cried Inglewood, in a rising irritation
+ which increased with the rising wind, &ldquo;you are getting absurdly
+ fanciful.&rdquo;
+ </p>
+ <p>
+ &ldquo;I think of what has just happened,&rdquo; said Michael steadily.
+ &ldquo;The man has not spoken for hours; and yet he has been speaking all
+ the time. He fired three shots from a six-shooter and then gave it up to
+ us, when he might have shot us dead in our boots. How could he express his
+ trust in us better than that? He wanted to be tried by us. How could he
+ have shown it better than by standing quite still and letting us discuss
+ it? He wanted to show that he stood there willingly, and could escape if
+ he liked. How could he have shown it better than by escaping in the cab
+ and coming back again? Innocent Smith is not a madman&mdash;he is a
+ ritualist. He wants to express himself, not with his tongue, but with his
+ arms and legs&mdash; with my body I thee worship, as it says in the
+ marriage service. I begin to understand the old plays and pageants. I see
+ why the mutes at a funeral were mute. I see why the mummers were mum. They
+ MEANT something; and Smith means something too. All other jokes have to be
+ noisy&mdash;like little Nosey Gould&rsquo;s jokes, for instance. The only
+ silent jokes are the practical jokes. Poor Smith, properly considered, is
+ an allegorical practical joker. What he has really done in this house has
+ been as frantic as a war-dance, but as silent as a picture.&rdquo;
+ </p>
+ <p>
+ &ldquo;I suppose you mean,&rdquo; said the other dubiously, &ldquo;that we
+ have got to find out what all these crimes meant, as if they were so many
+ coloured picture-puzzles. But even supposing that they do mean something&mdash;why,
+ Lord bless my soul!&mdash;&rdquo;
+ </p>
+ <p>
+ Taking the turn of the garden quite naturally, he had lifted his eyes to
+ the moon, by this time risen big and luminous, and had seen a huge,
+ half-human figure sitting on the garden wall. It was outlined so sharply
+ against the moon that for the first flash it was hard to be certain even
+ that it was human: the hunched shoulders and outstanding hair had rather
+ the air of a colossal cat. It resembled a cat also in the fact that when
+ first startled it sprang up and ran with easy activity along the top of
+ the wall. As it ran, however, its heavy shoulders and small stooping head
+ rather suggested a baboon. The instant it came within reach of a tree it
+ made an ape-like leap and was lost in the branches. The gale, which by
+ this time was shaking every shrub in the garden, made the identification
+ yet more difficult, since it melted the moving limbs of the fugitive in
+ the multitudinous moving limbs of the tree.
+ </p>
+ <p>
+ &ldquo;Who is there?&rdquo; shouted Arthur. &ldquo;Who are you? Are you
+ Innocent?&rdquo;
+ </p>
+ <p>
+ &ldquo;Not quite,&rdquo; answered an obscure voice among the leaves.
+ &ldquo;I cheated you once about a penknife.&rdquo;
+ </p>
+ <p>
+ The wind in the garden had gathered strength, and was throwing the tree
+ backwards and forwards with the man in the thick of it, just as it had on
+ the gay and golden afternoon when he had first arrived.
+ </p>
+ <p>
+ &ldquo;But are you Smith?&rdquo; asked Inglewood as in an agony.
+ </p>
+ <p>
+ &ldquo;Very nearly,&rdquo; said the voice out of the tossing tree.
+ </p>
+ <p>
+ &ldquo;But you must have some real names,&rdquo; shrieked Inglewood in
+ despair. &ldquo;You must call yourself something.&rdquo;
+ </p>
+ <p>
+ &ldquo;Call myself something,&rdquo; thundered the obscure voice, shaking
+ the tree so that all its ten thousand leaves seemed to be talking at once.
+ &ldquo;I call myself Roland Oliver Isaiah Charlemagne Arthur Hildebrand
+ Homer Danton Michaelangelo Shakespeare Brakespeare&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;But, manalive!&rdquo; began Inglewood in exasperation.
+ </p>
+ <p>
+ &ldquo;That&rsquo;s right! that&rsquo;s right!&rdquo; came with a roar out
+ of the rocking tree; &ldquo;that&rsquo;s my real name.&rdquo; And he broke
+ a branch, and one or two autumn leaves fluttered away across the moon.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_PART2" id="link2H_PART2"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ PART II &mdash; The Explanations of Innocent Smith
+ </h2>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2HCH0006" id="link2HCH0006"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ Chapter I &mdash; The Eye of Death; or, the Murder Charge
+ </h2>
+ <p>
+ The dining-room of the Dukes had been set out for the Court of Beacon with
+ a certain impromptu pomposity that seemed somehow to increase its
+ cosiness. The big room was, as it were, cut up into small rooms, with
+ walls only waist high&mdash;the sort of separation that children make when
+ they are playing at shops. This had been done by Moses Gould and Michael
+ Moon (the two most active members of this remarkable inquiry) with the
+ ordinary furniture of the place. At one end of the long mahogany table was
+ set the one enormous garden chair, which was surmounted by the old torn
+ tent or umbrella which Smith himself had suggested as a coronation canopy.
+ Inside this erection could be perceived the dumpy form of Mrs. Duke, with
+ cushions and a form of countenance that already threatened slumber. At the
+ other end sat the accused Smith, in a kind of dock; for he was carefully
+ fenced in with a quadrilateral of light bedroom chairs, any of which he
+ could have tossed out the window with his big toe. He had been provided
+ with pens and paper, out of the latter of which he made paper boats, paper
+ darts, and paper dolls contentedly throughout the whole proceedings. He
+ never spoke or even looked up, but seemed as unconscious as a child on the
+ floor of an empty nursery.
+ </p>
+ <p>
+ On a row of chairs raised high on the top of a long settee sat the three
+ young ladies with their backs up against the window, and Mary Gray in the
+ middle; it was something between a jury box and the stall of the Queen of
+ Beauty at a tournament. Down the centre of the long table Moon had built a
+ low barrier out of eight bound volumes of &ldquo;Good Words&rdquo; to
+ express the moral wall that divided the conflicting parties. On the right
+ side sat the two advocates of the prosecution, Dr. Pym and Mr. Gould;
+ behind a barricade of books and documents, chiefly (in the case of Dr.
+ Pym) solid volumes of criminology. On the other side, Moon and Inglewood,
+ for the defence, were also fortified with books and papers; but as these
+ included several old yellow volumes by Ouida and Wilkie Collins, the hand
+ of Mr. Moon seemed to have been somewhat careless and comprehensive. As
+ for the victim and prosecutor, Dr. Warner, Moon wanted at first to have
+ him kept entirely behind a high screen in the corner, urging the
+ indelicacy of his appearance in court, but privately assuring him of an
+ unofficial permission to peep over the top now and then. Dr. Warner,
+ however, failed to rise to the chivalry of such a course, and after some
+ little disturbance and discussion he was accommodated with a seat on the
+ right side of the table in a line with his legal advisers.
+ </p>
+ <p>
+ It was before this solidly-established tribunal that Dr. Cyrus Pym, after
+ passing a hand through the honey-coloured hair over each ear, rose to open
+ the case. His statement was clear and even restrained, and such flights of
+ imagery as occurred in it only attracted attention by a certain
+ indescribable abruptness, not uncommon in the flowers of American speech.
+ </p>
+ <p>
+ He planted the points of his ten frail fingers on the mahogany, closed his
+ eyes, and opened his mouth. &ldquo;The time has gone by,&rdquo; he said,
+ &ldquo;when murder could be regarded as a moral and individual act,
+ important perhaps to the murderer, perhaps to the murdered. Science has
+ profoundly...&rdquo; here he paused, poising his compressed finger and
+ thumb in the air as if he were holding an elusive idea very tight by its
+ tail, then he screwed up his eyes and said &ldquo;modified,&rdquo; and let
+ it go&mdash;&ldquo;has profoundly Modified our view of death. In
+ superstitious ages it was regarded as the termination of life,
+ catastrophic, and even tragic, and was often surrounded by solemnity.
+ Brighter days, however, have dawned, and we now see death as universal and
+ inevitable, as part of that great soul-stirring and heart-upholding
+ average which we call for convenience the order of nature. In the same way
+ we have come to consider murder SOCIALLY. Rising above the mere private
+ feelings of a man while being forcibly deprived of life, we are privileged
+ to behold murder as a mighty whole, to see the rich rotation of the
+ cosmos, bringing, as it brings the golden harvests and the golden-bearded
+ harvesters, the return for ever of the slayers and the slain.&rdquo;
+ </p>
+ <p>
+ He looked down, somewhat affected with his own eloquence, coughed
+ slightly, putting up four of his pointed fingers with the excellent
+ manners of Boston, and continued: &ldquo;There is but one result of this
+ happier and humaner outlook which concerns the wretched man before us. It
+ is that thoroughly elucidated by a Milwaukee doctor, our great
+ secret-guessing Sonnenschein, in his great work, `The Destructive Type.&rsquo;
+ We do not denounce Smith as a murderer, but rather as a murderous man. The
+ type is such that its very life&mdash; I might say its very health&mdash;is
+ in killing. Some hold that it is not properly an aberration, but a newer
+ and even a higher creature. My dear old friend Dr. Bulger, who kept
+ ferrets&mdash;&rdquo; (here Moon suddenly ejaculated a loud &ldquo;hurrah!&rdquo;
+ but so instantaneously resumed his tragic expression that Mrs. Duke looked
+ everywhere else for the sound); Dr. Pym continued somewhat sternly&mdash;&ldquo;who,
+ in the interests of knowledge, kept ferrets, felt that the creature&rsquo;s
+ ferocity is not utilitarian, but absolutely an end in itself. However this
+ may be with ferrets, it is certainly so with the prisoner. In his other
+ iniquities you may find the cunning of the maniac; but his acts of blood
+ have almost the simplicity of sanity. But it is the awful sanity of the
+ sun and the elements&mdash;a cruel, an evil sanity. As soon stay the
+ iris-leapt cataracts of our virgin West as stay the natural force that
+ sends him forth to slay. No environment, however scientific, could have
+ softened him. Place that man in the silver-silent purity of the palest
+ cloister, and there will be some deed of violence done with the crozier or
+ the alb. Rear him in a happy nursery, amid our brave-browed Anglo-Saxon
+ infancy, and he will find some way to strangle with the skipping-rope or
+ brain with the brick. Circumstances may be favourable, training may be
+ admirable, hopes may be high, but the huge elemental hunger of Innocent
+ Smith for blood will in its appointed season burst like a well-timed bomb.&rdquo;
+ </p>
+ <p>
+ Arthur Inglewood glanced curiously for an instant at the huge creature at
+ the foot of the table, who was fitting a paper figure with a cocked hat,
+ and then looked back at Dr. Pym, who was concluding in a quieter tone.
+ </p>
+ <p>
+ &ldquo;It only remains for us,&rdquo; he said, &ldquo;to bring forward
+ actual evidence of his previous attempts. By an agreement already made
+ with the Court and the leaders of the defence, we are permitted to put in
+ evidence authentic letters from witnesses to these scenes, which the
+ defence is free to examine. Out of several cases of such outrages we have
+ decided to select one&mdash; the clearest and most scandalous. I will
+ therefore, without further delay, call on my junior, Mr. Gould, to read
+ two letters&mdash;one from the Sub-Warden and the other from the porter of
+ Brakespeare College, in Cambridge University.&rdquo;
+ </p>
+ <p>
+ Gould jumped up with a jerk like a jack-in-the-box, an academic-looking
+ paper in his hand and a fever of importance on his face. He began in a
+ loud, high, cockney voice that was as abrupt as a cock-crow:&mdash;
+ </p>
+ <p>
+ &ldquo;Sir,&mdash;Hi am the Sub-Warden of Brikespeare College, Cambridge&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Lord have mercy on us,&rdquo; muttered Moon, making a backward
+ movement as men do when a gun goes off.
+ </p>
+ <p>
+ &ldquo;Hi am the Sub-Warden of Brikespeare College, Cambridge,&rdquo;
+ proclaimed the uncompromising Moses, &ldquo;and I can endorse the
+ description you gave of the un&rsquo;appy Smith. It was not alone my
+ unfortunate duty to rebuke many of the lesser violences of his
+ undergraduate period, but I was actually a witness to the last iniquity
+ which terminated that period. Hi happened to passing under the house of my
+ friend the Warden of Brikespeare, which is semi-detached from the College
+ and connected with it by two or three very ancient arches or props, like
+ bridges, across a small strip of water connected with the river. To my
+ grive astonishment I be&rsquo;eld my eminent friend suspended in mid-air
+ and clinging to one of these pieces of masonry, his appearance and
+ attitude indicatin&rsquo; that he suffered from the grivest apprehensions.
+ After a short time I heard two very loud shots, and distinctly perceived
+ the unfortunate undergraduate Smith leaning far out of the Warden&rsquo;s
+ window and aiming at the Warden repeatedly with a revolver. Upon seeing
+ me, Smith burst into a loud laugh (in which impertinence was mingled with
+ insanity), and appeared to desist. I sent the college porter for a ladder,
+ and he succeeded in detaching the Warden from his painful position. Smith
+ was sent down. The photograph I enclose is from the group of the
+ University Rifle Club prizemen, and represents him as he was when at the
+ College.&mdash; Hi am, your obedient servant, Amos Boulter.
+ </p>
+ <p>
+ &ldquo;The other letter,&rdquo; continued Gould in a glow of triumph,
+ &ldquo;is from the porter, and won&rsquo;t take long to read.
+ </p>
+ <p>
+ &ldquo;Dear Sir,&mdash;It is quite true that I am the porter of
+ Brikespeare College, and that I &lsquo;elped the Warden down when the
+ young man was shooting at him, as Mr. Boulter has said in his letter. The
+ young man who was shooting at him was Mr. Smith, the same that is in the
+ photograph Mr. Boulter sends.&mdash; Yours respectfully, Samuel Barker.&rdquo;
+ </p>
+ <p>
+ Gould handed the two letters across to Moon, who examined them. But for
+ the vocal divergences in the matter of h&rsquo;s and a&rsquo;s, the
+ Sub-Warden&rsquo;s letter was exactly as Gould had rendered it; and both
+ that and the porter&rsquo;s letter were plainly genuine. Moon handed them
+ to Inglewood, who handed them back in silence to Moses Gould.
+ </p>
+ <p>
+ &ldquo;So far as this first charge of continual attempted murder is
+ concerned,&rdquo; said Dr. Pym, standing up for the last time, &ldquo;that
+ is my case.&rdquo;
+ </p>
+ <p>
+ Michael Moon rose for the defence with an air of depression which gave
+ little hope at the outset to the sympathizers with the prisoner. He did
+ not, he said, propose to follow the doctor into the abstract questions.
+ &ldquo;I do not know enough to be an agnostic,&rdquo; he said, rather
+ wearily, &ldquo;and I can only master the known and admitted elements in
+ such controversies. As for science and religion, the known and admitted
+ facts are plain enough. All that the parsons say is unproved. All that the
+ doctors say is disproved. That&rsquo;s the only difference between science
+ and religion there&rsquo;s ever been, or will be. Yet these new
+ discoveries touch me, somehow,&rdquo; he said, looking down sorrowfully at
+ his boots. &ldquo;They remind me of a dear old great-aunt of mine who used
+ to enjoy them in her youth. It brings tears to my eyes. I can see the old
+ bucket by the garden fence and the line of shimmering poplars behind&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Hi! here, stop the &lsquo;bus a bit,&rdquo; cried Mr. Moses Gould,
+ rising in a sort of perspiration. &ldquo;We want to give the defence a
+ fair run&mdash;like gents, you know; but any gent would draw the line at
+ shimmering poplars.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, hang it all,&rdquo; said Moon, in an injured manner, &ldquo;if
+ Dr. Pym may have an old friend with ferrets, why mayn&rsquo;t I have an
+ old aunt with poplars?&rdquo;
+ </p>
+ <p>
+ &ldquo;I am sure,&rdquo; said Mrs. Duke, bridling, with something almost
+ like a shaky authority, &ldquo;Mr. Moon may have what aunts he likes.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, as to liking her,&rdquo; began Moon, &ldquo;I&mdash;but
+ perhaps, as you say, she is scarcely the core of the question. I repeat
+ that I do not mean to follow the abstract speculations. For, indeed, my
+ answer to Dr. Pym is simple and severely concrete. Dr. Pym has only
+ treated one side of the psychology of murder. If it is true that there is
+ a kind of man who has a natural tendency to murder, is it not equally true&rdquo;&mdash;here
+ he lowered his voice and spoke with a crushing quietude and earnestness&mdash;&ldquo;is
+ it not equally true that there is a kind of man who has a natural tendency
+ to get murdered? Is it not at least a hypothesis holding the field that
+ Dr. Warner is such a man? I do not speak without the book, any more than
+ my learned friend. The whole matter is expounded in Dr. Moonenschein&rsquo;s
+ monumental work, `The Destructible Doctor,&rsquo; with diagrams, showing
+ the various ways in which such a person as Dr. Warner may be resolved into
+ his elements. In the light of these facts&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Hi, stop the &lsquo;bus! stop the &lsquo;bus!&rdquo; cried Moses,
+ jumping up and down and gesticulating in great excitement. &ldquo;My
+ principal&rsquo;s got something to say! My principal wants to do a bit of
+ talkin&rsquo;.&rdquo;
+ </p>
+ <p>
+ Dr. Pym was indeed on his feet, looking pallid and rather vicious. &ldquo;I
+ have strictly CON-fined myself,&rdquo; he said nasally, &ldquo;to books to
+ which immediate reference can be made. I have Sonnenschein&rsquo;s
+ `Destructive Type&rsquo; here on the table, if the defence wish to see it.
+ Where is this wonderful work on Destructability Mr. Moon is talking about?
+ Does it exist? Can he produce it?&rdquo;
+ </p>
+ <p>
+ &ldquo;Produce it!&rdquo; cried the Irishman with a rich scorn. &ldquo;I&rsquo;ll
+ produce it in a week if you&rsquo;ll pay for the ink and paper.&rdquo;
+ </p>
+ <p>
+ &ldquo;Would it have much authority?&rdquo; asked Pym, sitting down.
+ </p>
+ <p>
+ &ldquo;Oh, authority!&rdquo; said Moon lightly; &ldquo;that depends on a
+ fellow&rsquo;s religion.&rdquo;
+ </p>
+ <p>
+ Dr. Pym jumped up again. &ldquo;Our authority is based on masses of
+ accurate detail,&rdquo; he said. &ldquo;It deals with a region in which
+ things can be handled and tested. My opponent will at least admit that
+ death is a fact of experience.&rdquo;
+ </p>
+ <p>
+ &ldquo;Not of mine,&rdquo; said Moon mournfully, shaking his head. &ldquo;I&rsquo;ve
+ never experienced such a thing in all my life.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, really,&rdquo; said Dr. Pym, and sat down sharply amid a
+ crackle of papers.
+ </p>
+ <p>
+ &ldquo;So we see,&rdquo; resumed Moon, in the same melancholy voice,
+ &ldquo;that a man like Dr. Warner is, in the mysterious workings of
+ evolution, doomed to such attacks. My client&rsquo;s onslaught, even if it
+ occurred, was not unique. I have in my hand letters from more than one
+ acquaintance of Dr. Warner whom that remarkable man has affected in the
+ same way. Following the example of my learned friends I will read only two
+ of them. The first is from an honest and laborious matron living off the
+ Harrow Road.
+ </p>
+ <p>
+ &ldquo;Mr. Moon, Sir,&mdash;Yes, I did throw a sorsepan at him. Wot then?
+ It was all I had to throw, all the soft things being porned, and if your
+ Docter Warner doesn&rsquo;t like having sorsepans thrown at him, don&rsquo;t
+ let him wear his hat in a respectable woman&rsquo;s parler, and tell him
+ to leave orf smiling or tell us the joke.&mdash;Yours respectfully, Hannah
+ Miles.
+ </p>
+ <p>
+ &ldquo;The other letter is from a physician of some note in Dublin, with
+ whom Dr. Warner was once engaged in consultation. He writes as follows:&mdash;
+ </p>
+ <p>
+ &ldquo;Dear Sir,&mdash;The incident to which you refer is one which I
+ regret, and which, moreover, I have never been able to explain. My own
+ branch of medicine is not mental; and I should be glad to have the view of
+ a mental specialist on my singular momentary and indeed almost automatic
+ action. To say that I `pulled Dr. Warner&rsquo;s nose,&rsquo; is, however,
+ inaccurate in a respect that strikes me as important. That I punched his
+ nose I must cheerfully admit (I need not say with what regret); but
+ pulling seems to me to imply a precision of objective with which I cannot
+ reproach myself. In comparison with this, the act of punching was an
+ outward, instantaneous, and even natural gesture.&mdash; Believe me, yours
+ faithfully, Burton Lestrange.
+ </p>
+ <p>
+ &ldquo;I have numberless other letters,&rdquo; continued Moon, &ldquo;all
+ bearing witness to this widespread feeling about my eminent friend; and I
+ therefore think that Dr. Pym should have admitted this side of the
+ question in his survey. We are in the presence, as Dr. Pym so truly says,
+ of a natural force. As soon stay the cataract of the London water-works as
+ stay the great tendency of Dr. Warner to be assassinated by somebody.
+ Place that man in a Quakers&rsquo; meeting, among the most peaceful of
+ Christians, and he will immediately be beaten to death with sticks of
+ chocolate. Place him among the angels of the New Jerusalem, and he will be
+ stoned to death with precious stones. Circumstances may be beautiful and
+ wonderful, the average may be heart-upholding, the harvester may be
+ golden-bearded, the doctor may be secret-guessing, the cataract may be
+ iris-leapt, the Anglo-Saxon infant may be brave-browed, but against and
+ above all these prodigies the grand simple tendency of Dr. Warner to get
+ murdered will still pursue its way until it happily and triumphantly
+ succeeds at last.&rdquo;
+ </p>
+ <p>
+ He pronounced this peroration with an appearance of strong emotion. But
+ even stronger emotions were manifesting themselves on the other side of
+ the table. Dr. Warner had leaned his large body quite across the little
+ figure of Moses Gould and was talking in excited whispers to Dr. Pym. That
+ expert nodded a great many times and finally started to his feet with a
+ sincere expression of sternness.
+ </p>
+ <p>
+ &ldquo;Ladies and gentlemen,&rdquo; he cried indignantly, &ldquo;as my
+ colleague has said, we should be delighted to give any latitude to the
+ defence&mdash;if there were a defence. But Mr. Moon seems to think he is
+ there to make jokes&mdash; very good jokes I dare say, but not at all
+ adapted to assist his client. He picks holes in science. He picks holes in
+ my client&rsquo;s social popularity. He picks holes in my literary style,
+ which doesn&rsquo;t seem to suit his high-toned European taste. But how
+ does this picking of holes affect the issue? This Smith has picked two
+ holes in my client&rsquo;s hat, and with an inch better aim would have
+ picked two holes in his head. All the jokes in the world won&rsquo;t
+ unpick those holes or be any use for the defence.&rdquo;
+ </p>
+ <p>
+ Inglewood looked down in some embarrassment, as if shaken by the evident
+ fairness of this, but Moon still gazed at his opponent in a dreamy way.
+ &ldquo;The defence?&rdquo; he said vaguely&mdash;&ldquo;oh, I haven&rsquo;t
+ begun that yet.&rdquo;
+ </p>
+ <p>
+ &ldquo;You certainly have not,&rdquo; said Pym warmly, amid a murmur of
+ applause from his side, which the other side found it impossible to
+ answer. &ldquo;Perhaps, if you have any defence, which has been doubtful
+ from the very beginning&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;While you&rsquo;re standing up,&rdquo; said Moon, in the same
+ almost sleepy style, &ldquo;perhaps I might ask you a question.&rdquo;
+ </p>
+ <p>
+ &ldquo;A question? Certainly,&rdquo; said Pym stiffly. &ldquo;It was
+ distinctly arranged between us that as we could not cross-examine the
+ witnesses, we might vicariously cross-examine each other. We are in a
+ position to invite all such inquiry.&rdquo;
+ </p>
+ <p>
+ &ldquo;I think you said,&rdquo; observed Moon absently, &ldquo;that none
+ of the prisoner&rsquo;s shots really hit the doctor.&rdquo;
+ </p>
+ <p>
+ &ldquo;For the cause of science,&rdquo; cried the complacent Pym, &ldquo;fortunately
+ not.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yet they were fired from a few feet away.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes; about four feet.&rdquo;
+ </p>
+ <p>
+ &ldquo;And no shots hit the Warden, though they were fired quite close to
+ him too?&rdquo; asked Moon.
+ </p>
+ <p>
+ &ldquo;That is so,&rdquo; said the witness gravely.
+ </p>
+ <p>
+ &ldquo;I think,&rdquo; said Moon, suppressing a slight yawn, &ldquo;that
+ your Sub-Warden mentioned that Smith was one of the University&rsquo;s
+ record men for shooting.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, as to that&mdash;&rdquo; began Pym, after an instant of
+ stillness.
+ </p>
+ <p>
+ &ldquo;A second question,&rdquo; continued Moon, comparatively curtly.
+ &ldquo;You said there were other cases of the accused trying to kill
+ people. Why have you not got evidence of them?&rdquo;
+ </p>
+ <p>
+ The American planted the points of his fingers on the table again. &ldquo;In
+ those cases,&rdquo; he said precisely, &ldquo;there was no evidence from
+ outsiders, as in the Cambridge case, but only the evidence of the actual
+ victims.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why didn&rsquo;t you get their evidence?&rdquo;
+ </p>
+ <p>
+ &ldquo;In the case of the actual victims,&rdquo; said Pym, &ldquo;there
+ was some difficulty and reluctance, and&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Do you mean,&rdquo; asked Moon, &ldquo;that none of the actual
+ victims would appear against the prisoner?&rdquo;
+ </p>
+ <p>
+ &ldquo;That would be exaggerative,&rdquo; began the other.
+ </p>
+ <p>
+ &ldquo;A third question,&rdquo; said Moon, so sharply that every one
+ jumped. &ldquo;You&rsquo;ve got the evidence of the Sub-Warden who heard
+ some shots; where&rsquo;s the evidence of the Warden himself who was shot
+ at? The Warden of Brakespeare lives, a prosperous gentleman.&rdquo;
+ </p>
+ <p>
+ &ldquo;We did ask for a statement from him,&rdquo; said Pym a little
+ nervously; &ldquo;but it was so eccentrically expressed that we suppressed
+ it out of deference to an old gentleman whose past services to science
+ have been great.&rdquo;
+ </p>
+ <p>
+ Moon leaned forward. &ldquo;You mean, I suppose,&rdquo; he said, &ldquo;that
+ his statement was favourable to the prisoner.&rdquo;
+ </p>
+ <p>
+ &ldquo;It might be understood so,&rdquo; replied the American doctor;
+ &ldquo;but, really, it was difficult to understand at all. In fact, we
+ sent it back to him.&rdquo;
+ </p>
+ <p>
+ &ldquo;You have no longer, then, any statement signed by the Warden of
+ Brakespeare.&rdquo;
+ </p>
+ <p>
+ &ldquo;No.&rdquo;
+ </p>
+ <p>
+ &ldquo;I only ask,&rdquo; said Michael quietly, &ldquo;because we have. To
+ conclude my case I will ask my junior, Mr. Inglewood, to read a statement
+ of the true story&mdash;a statement attested as true by the signature of
+ the Warden himself.&rdquo;
+ </p>
+ <p>
+ Arthur Inglewood rose with several papers in his hand, and though he
+ looked somewhat refined and self-effacing, as he always did, the
+ spectators were surprised to feel that his presence was, upon the whole,
+ more efficient and sufficing than his leader&rsquo;s. He was, in truth,
+ one of those modest men who cannot speak until they are told to speak; and
+ then can speak well. Moon was entirely the opposite. His own impudences
+ amused him in private, but they slightly embarrassed him in public; he
+ felt a fool while he was speaking, whereas Inglewood felt a fool only
+ because he could not speak. The moment he had anything to say he could
+ speak; and the moment he could speak, speaking seemed quite natural.
+ Nothing in this universe seemed quite natural to Michael Moon.
+ </p>
+ <p>
+ &ldquo;As my colleague has just explained,&rdquo; said Inglewood, &ldquo;there
+ are two enigmas or inconsistencies on which we base the defence. The first
+ is a plain physical fact. By the admission of everybody, by the very
+ evidence adduced by the prosecution, it is clear that the accused was
+ celebrated as a specially good shot. Yet on both the occasions complained
+ of he shot from a distance of four or five feet, and shot at him four or
+ five times, and never hit him once. That is the first startling
+ circumstance on which we base our argument. The second, as my colleague
+ has urged, is the curious fact that we cannot find a single victim of
+ these alleged outrages to speak for himself. Subordinates speak for him.
+ Porters climb up ladders to him. But he himself is silent. Ladies and
+ gentlemen, I propose to explain on the spot both the riddle of the shots
+ and the riddle of the silence. I will first of all read the covering
+ letter in which the true account of the Cambridge incident is contained,
+ and then that document itself. When you have heard both, there will be no
+ doubt about your decision. The covering letter runs as follows:&mdash;
+ </p>
+ <p>
+ &ldquo;Dear Sir,&mdash;The following is a very exact and even vivid
+ account of the incident as it really happened at Brakespeare College. We,
+ the undersigned, do not see any particular reason why we should refer it
+ to any isolated authorship. The truth is, it has been a composite
+ production; and we have even had some difference of opinion about the
+ adjectives. But every word of it is true.&mdash;We are, yours faithfully,
+ </p>
+ <p>
+ &ldquo;Wilfred Emerson Eames, &ldquo;Warden of Brakespeare College,
+ Cambridge.
+ </p>
+ <p>
+ &ldquo;Innocent Smith.
+ </p>
+ <p>
+ &ldquo;The enclosed statement,&rdquo; continued Inglewood, &ldquo;runs as
+ follows:&mdash;
+ </p>
+ <p>
+ &ldquo;A celebrated English university backs so abruptly on the river,
+ that it has, so to speak, to be propped up and patched with all sorts of
+ bridges and semi-detached buildings. The river splits itself into several
+ small streams and canals, so that in one or two corners the place has
+ almost the look of Venice. It was so especially in the case with which we
+ are concerned, in which a few flying buttresses or airy ribs of stone
+ sprang across a strip of water to connect Brakespeare College with the
+ house of the Warden of Brakespeare.
+ </p>
+ <p>
+ &ldquo;The country around these colleges is flat; but it does not seem
+ flat when one is thus in the midst of the colleges. For in these flat fens
+ there are always wandering lakes and lingering rivers of water. And these
+ always change what might have been a scheme of horizontal lines into a
+ scheme of vertical lines. Wherever there is water the height of high
+ buildings is doubled, and a British brick house becomes a Babylonian
+ tower. In that shining unshaken surface the houses hang head downwards
+ exactly to their highest or lowest chimney. The coral-coloured cloud seen
+ in that abyss is as far below the world as its original appears above it.
+ Every scrap of water is not only a window but a skylight. Earth splits
+ under men&rsquo;s feet into precipitous aerial perspectives, into which a
+ bird could as easily wing its way as&mdash;&rdquo;
+ </p>
+ <p>
+ Dr. Cyrus Pym rose in protest. The documents he had put in evidence had
+ been confined to cold affirmation of fact. The defence, in a general way,
+ had an indubitable right to put their case in their own way, but all this
+ landscape gardening seemed to him (Dr. Cyrus Pym) to be not up to the
+ business. &ldquo;Will the leader of the defence tell me,&rdquo; he asked,
+ &ldquo;how it can possibly affect this case, that a cloud was cor&rsquo;l-coloured,
+ or that a bird could have winged itself anywhere?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I don&rsquo;t know,&rdquo; said Michael, lifting himself
+ lazily; &ldquo;you see, you don&rsquo;t know yet what our defence is. Till
+ you know that, don&rsquo;t you see, anything may be relevant. Why,
+ suppose,&rdquo; he said suddenly, as if an idea had struck him, &ldquo;suppose
+ we wanted to prove the old Warden colour-blind. Suppose he was shot by a
+ black man with white hair, when he thought he was being shot by a white
+ man with yellow hair! To ascertain if that cloud was really and truly
+ coral-coloured might be of the most massive importance.&rdquo;
+ </p>
+ <p>
+ He paused with a seriousness which was hardly generally shared, and
+ continued with the same fluency: &ldquo;Or suppose we wanted to maintain
+ that the Warden committed suicide&mdash;that he just got Smith to hold the
+ pistol as Brutus&rsquo;s slave held the sword. Why, it would make all the
+ difference whether the Warden could see himself plain in still water.
+ Still water has made hundreds of suicides: one sees oneself so very&mdash;well,
+ so very plain.&rdquo;
+ </p>
+ <p>
+ &ldquo;Do you, perhaps,&rdquo; inquired Pym with austere irony, &ldquo;maintain
+ that your client was a bird of some sort&mdash;say, a flamingo?&rdquo;
+ </p>
+ <p>
+ &ldquo;In the matter of his being a flamingo,&rdquo; said Moon with sudden
+ severity, &ldquo;my client reserves his defence.&rdquo;
+ </p>
+ <p>
+ No one quite knowing what to make of this, Mr. Moon resumed his seat and
+ Inglewood resumed the reading of his document:&mdash;
+ </p>
+ <p>
+ &ldquo;There is something pleasing to a mystic in such a land of mirrors.
+ For a mystic is one who holds that two worlds are better than one. In the
+ highest sense, indeed, all thought is reflection.
+ </p>
+ <p>
+ &ldquo;This is the real truth, in the saying that second thoughts are
+ best. Animals have no second thoughts; man alone is able to see his own
+ thought double, as a drunkard sees a lamp-post; man alone is able to see
+ his own thought upside down as one sees a house in a puddle. This
+ duplication of mentality, as in a mirror, is (we repeat) the inmost thing
+ of human philosophy. There is a mystical, even a monstrous truth, in the
+ statement that two heads are better than one. But they ought both to grow
+ on the same body.&rdquo;
+ </p>
+ <p>
+ &ldquo;I know it&rsquo;s a little transcendental at first,&rdquo;
+ interposed Inglewood, beaming round with a broad apology, &ldquo;but you
+ see this document was written in collaboration by a don and a&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Drunkard, eh?&rdquo; suggested Moses Gould, beginning to enjoy
+ himself.
+ </p>
+ <p>
+ &ldquo;I rather think,&rdquo; proceeded Inglewood with an unruffled and
+ critical air, &ldquo;that this part was written by the don. I merely warn
+ the Court that the statement, though indubitably accurate, bears here and
+ there the trace of coming from two authors.&rdquo;
+ </p>
+ <p>
+ &ldquo;In that case,&rdquo; said Dr. Pym, leaning back and sniffing,
+ &ldquo;I cannot agree with them that two heads are better than one.&rdquo;
+ </p>
+ <p>
+ &ldquo;The undersigned persons think it needless to touch on a kindred
+ problem so often discussed at committees for University Reform: the
+ question of whether dons see double because they are drunk, or get drunk
+ because they see double. It is enough for them (the undersigned persons)
+ if they are able to pursue their own peculiar and profitable theme&mdash;which
+ is puddles. What (the undersigned persons ask themselves) is a puddle? A
+ puddle repeats infinity, and is full of light; nevertheless, if analyzed
+ objectively, a puddle is a piece of dirty water spread very thin on mud.
+ The two great historic universities of England have all this large and
+ level and reflective brilliance. Nevertheless, or, rather, on the other
+ hand, they are puddles&mdash;puddles, puddles, puddles, puddles. The
+ undersigned persons ask you to excuse an emphasis inseparable from strong
+ conviction.&rdquo;
+ </p>
+ <p>
+ Inglewood ignored a somewhat wild expression on the faces of some present,
+ and continued with eminent cheerfulness:&mdash;
+ </p>
+ <p>
+ &ldquo;Such were the thoughts that failed to cross the mind of the
+ undergraduate Smith as he picked his way among the stripes of canal and
+ the glittering rainy gutters into which the water broke up round the back
+ of Brakespeare College. Had these thoughts crossed his mind he would have
+ been much happier than he was. Unfortunately he did not know that his
+ puzzles were puddles. He did not know that the academic mind reflects
+ infinity and is full of light by the simple process of being shallow and
+ standing still. In his case, therefore, there was something solemn, and
+ even evil about the infinity implied. It was half-way through a starry
+ night of bewildering brilliancy; stars were both above and below. To young
+ Smith&rsquo;s sullen fancy the skies below seemed even hollower than the
+ skies above; he had a horrible idea that if he counted the stars he would
+ find one too many in the pool.
+ </p>
+ <p>
+ &ldquo;In crossing the little paths and bridges he felt like one stepping
+ on the black and slender ribs of some cosmic Eiffel Tower. For to him, and
+ nearly all the educated youth of that epoch, the stars were cruel things.
+ Though they glowed in the great dome every night, they were an enormous
+ and ugly secret; they uncovered the nakedness of nature; they were a
+ glimpse of the iron wheels and pulleys behind the scenes. For the young
+ men of that sad time thought that the god always comes from the machine.
+ They did not know that in reality the machine only comes from the god. In
+ short, they were all pessimists, and starlight was atrocious to them&mdash;
+ atrocious because it was true. All their universe was black with white
+ spots.
+ </p>
+ <p>
+ &ldquo;Smith looked up with relief from the glittering pools below to the
+ glittering skies and the great black bulk of the college. The only light
+ other than stars glowed through one peacock-green curtain in the upper
+ part of the building, marking where Dr. Emerson Eames always worked till
+ morning and received his friends and favourite pupils at any hour of the
+ night. Indeed, it was to his rooms that the melancholy Smith was bound.
+ Smith had been at Dr. Eames&rsquo;s lecture for the first half of the
+ morning, and at pistol practice and fencing in a saloon for the second
+ half. He had been sculling madly for the first half of the afternoon and
+ thinking idly (and still more madly) for the second half. He had gone to a
+ supper where he was uproarious, and on to a debating club where he was
+ perfectly insufferable, and the melancholy Smith was melancholy still.
+ Then, as he was going home to his diggings he remembered the eccentricity
+ of his friend and master, the Warden of Brakespeare, and resolved
+ desperately to turn in to that gentleman&rsquo;s private house.
+ </p>
+ <p>
+ &ldquo;Emerson Eames was an eccentric in many ways, but his throne in
+ philosophy and metaphysics was of international eminence; the university
+ could hardly have afforded to lose him, and, moreover, a don has only to
+ continue any of his bad habits long enough to make them a part of the
+ British Constitution. The bad habits of Emerson Eames were to sit up all
+ night and to be a student of Schopenhauer. Personally, he was a lean,
+ lounging sort of man, with a blond pointed beard, not so very much older
+ than his pupil Smith in the matter of mere years, but older by centuries
+ in the two essential respects of having a European reputation and a bald
+ head.
+ </p>
+ <p>
+ &ldquo;`I came, against the rules, at this unearthly hour,&rsquo; said
+ Smith, who was nothing to the eye except a very big man trying to make
+ himself small, `because I am coming to the conclusion that existence is
+ really too rotten. I know all the arguments of the thinkers that think
+ otherwise&mdash;bishops, and agnostics, and those sort of people. And
+ knowing you were the greatest living authority on the pessimist thinkers&mdash;&rsquo;
+ </p>
+ <p>
+ &ldquo;`All thinkers,&rsquo; said Eames, `are pessimist thinkers.&rsquo;
+ </p>
+ <p>
+ &ldquo;After a patch of pause, not the first&mdash;for this depressing
+ conversation had gone on for some hours with alternations of cynicism and
+ silence&mdash; the Warden continued with his air of weary brilliancy: `It&rsquo;s
+ all a question of wrong calculation. The moth flies into the candle
+ because he doesn&rsquo;t happen to know that the game is not worth the
+ candle. The wasp gets into the jam in hearty and hopeful efforts to get
+ the jam into him. IN the same way the vulgar people want to enjoy life
+ just as they want to enjoy gin&mdash;because they are too stupid to see
+ that they are paying too big a price for it. That they never find
+ happiness&mdash;that they don&rsquo;t even know how to look for it&mdash;is
+ proved by the paralyzing clumsiness and ugliness of everything they do.
+ Their discordant colours are cries of pain. Look at the brick villas
+ beyond the college on this side of the river. There&rsquo;s one with
+ spotted blinds; look at it! just go and look at it!&rsquo;
+ </p>
+ <p>
+ &ldquo;`Of course,&rsquo; he went on dreamily, `one or two men see the
+ sober fact a long way off&mdash;they go mad. Do you notice that maniacs
+ mostly try either to destroy other things, or (if they are thoughtful) to
+ destroy themselves? The madman is the man behind the scenes, like the man
+ that wanders about the coulisse of a theater. He has only opened the wrong
+ door and come into the right place. He sees things at the right angle. But
+ the common world&mdash;&rsquo;
+ </p>
+ <p>
+ &ldquo;`Oh, hang the common world!&rsquo; said the sullen Smith, letting
+ his fist fall on the table in an idle despair.
+ </p>
+ <p>
+ &ldquo;`Let&rsquo;s give it a bad name first,&rsquo; said the Professor
+ calmly, `and then hang it. A puppy with hydrophobia would probably
+ struggle for life while we killed it; but if we were kind we should kill
+ it. So an omniscient god would put us out of our pain. He would strike us
+ dead.&rsquo;
+ </p>
+ <p>
+ &ldquo;`Why doesn&rsquo;t he strike us dead?&rsquo; asked the
+ undergraduate abstractedly, plunging his hands into his pockets.
+ </p>
+ <p>
+ &ldquo;`He is dead himself,&rsquo; said the philosopher; `that is where he
+ is really enviable.&rsquo;
+ </p>
+ <p>
+ &ldquo;`To any one who thinks,&rsquo; proceeded Eames, `the pleasures of
+ life, trivial and soon tasteless, are bribes to bring us into a torture
+ chamber. We all see that for any thinking man mere extinction is the...
+ What are you doing?... Are you mad?... Put that thing down.&rsquo;
+ </p>
+ <p>
+ &ldquo;Dr. Eames had turned his tired but still talkative head over his
+ shoulder, and had found himself looking into a small round black hole,
+ rimmed by a six-sided circlet of steel, with a sort of spike standing up
+ on the top. It fixed him like an iron eye. Through those eternal instants
+ during which the reason is stunned he did not even know what it was. Then
+ he saw behind it the chambered barrel and cocked hammer of a revolver, and
+ behind that the flushed and rather heavy face of Smith, apparently quite
+ unchanged, or even more mild than before.
+ </p>
+ <p>
+ &ldquo;`I&rsquo;ll help you out of your hole, old man,&rsquo; said Smith,
+ with rough tenderness. `I&rsquo;ll put the puppy out of his pain.&rsquo;
+ </p>
+ <p>
+ &ldquo;Emerson Eames retreated towards the window. `Do you mean to kill
+ me?&rsquo; he cried.
+ </p>
+ <p>
+ &ldquo;`It&rsquo;s not a thing I&rsquo;d do for every one,&rsquo; said
+ Smith with emotion; `but you and I seem to have got so intimate to-night,
+ somehow. I know all your troubles now, and the only cure, old chap.&rsquo;
+ </p>
+ <p>
+ &ldquo;`Put that thing down,&rsquo; shouted the Warden.
+ </p>
+ <p>
+ &ldquo;`It&rsquo;ll soon be over, you know,&rsquo; said Smith with the air
+ of a sympathetic dentist. And as the Warden made a run for the window and
+ balcony, his benefactor followed him with a firm step and a compassionate
+ expression.
+ </p>
+ <p>
+ &ldquo;Both men were perhaps surprised to see that the gray and white of
+ early daybreak had already come. One of them, however, had emotions
+ calculated to swallow up surprise. Brakespeare College was one of the few
+ that retained real traces of Gothic ornament, and just beneath Dr. Eames&rsquo;s
+ balcony there ran out what had perhaps been a flying buttress, still
+ shapelessly shaped into gray beasts and devils, but blinded with mosses
+ and washed out with rains. With an ungainly and most courageous leap,
+ Eames sprang out on this antique bridge, as the only possible mode of
+ escape from the maniac. He sat astride of it, still in his academic gown,
+ dangling his long thin legs, and considering further chances of flight.
+ The whitening daylight opened under as well as over him that impression of
+ vertical infinity already remarked about the little lakes round
+ Brakespeare. Looking down and seeing the spires and chimneys pendent in
+ the pools, they felt alone in space. They felt as if they were looking
+ over the edge from the North Pole and seeing the South Pole below.
+ </p>
+ <p>
+ &ldquo;`Hang the world, we said,&rsquo; observed Smith, `and the world is
+ hanged. &ldquo;He has hanged the world upon nothing,&rdquo; says the
+ Bible. Do you like being hanged upon nothing? I&rsquo;m going to be hanged
+ upon something myself. I&rsquo;m going to swing for you... Dear, tender
+ old phrase,&rsquo; he murmured; `never true till this moment. I am going
+ to swing for you. For you, dear friend. For your sake. At your express
+ desire.&rsquo;
+ </p>
+ <p>
+ &ldquo;`Help!&rsquo; cried the Warden of Brakespeare College; `help!&rsquo;
+ </p>
+ <p>
+ &ldquo;`The puppy struggles,&rsquo; said the undergraduate, with an eye of
+ pity, `the poor puppy struggles. How fortunate it is that I am wiser and
+ kinder than he,&rsquo; and he sighted his weapon so as exactly to cover
+ the upper part of Eames&rsquo;s bald head.
+ </p>
+ <p>
+ &ldquo;`Smith,&rsquo; said the philosopher with a sudden change to a sort
+ of ghastly lucidity, `I shall go mad.&rsquo;
+ </p>
+ <p>
+ &ldquo;`And so look at things from the right angle,&rsquo; observed Smith,
+ sighing gently. `Ah, but madness is only a palliative at best, a drug. The
+ only cure is an operation&mdash;an operation that is always successful:
+ death.&rsquo;
+ </p>
+ <p>
+ &ldquo;As he spoke the sun rose. It seemed to put colour into everything,
+ with the rapidity of a lightning artist. A fleet of little clouds sailing
+ across the sky changed from pigeon-gray to pink. All over the little
+ academic town the tops of different buildings took on different tints:
+ here the sun would pick out the green enameled on a pinnacle, there the
+ scarlet tiles of a villa; here the copper ornament on some artistic shop,
+ and there the sea-blue slates of some old and steep church roof. All these
+ coloured crests seemed to have something oddly individual and significant
+ about them, like crests of famous knights pointed out in a pageant or a
+ battlefield: they each arrested the eye, especially the rolling eye of
+ Emerson Eames as he looked round on the morning and accepted it as his
+ last. Through a narrow chink between a black timber tavern and a big gray
+ college he could see a clock with gilt hands which the sunshine set on
+ fire. He stared at it as though hypnotized; and suddenly the clock began
+ to strike, as if in personal reply. As if at a signal, clock after clock
+ took up the cry: all the churches awoke like chickens at cockcrow. The
+ birds were already noisy in the trees behind the college. The sun rose,
+ gathering glory that seemed too full for the deep skies to hold, and the
+ shallow waters beneath them seemed golden and brimming and deep enough for
+ the thirst of the gods. Just round the corner of the College, and visible
+ from his crazy perch, were the brightest specks on that bright landscape,
+ the villa with the spotted blinds which he had made his text that night.
+ He wondered for the first time what people lived in them.
+ </p>
+ <p>
+ &ldquo;Suddenly he called out with mere querulous authority, as he might
+ have called to a student to shut a door.
+ </p>
+ <p>
+ &ldquo;`Let me come off this place,&rsquo; he cried; `I can&rsquo;t bear
+ it.&rsquo;
+ </p>
+ <p>
+ &ldquo;`I rather doubt if it will bear you,&rsquo; said Smith critically;
+ `but before you break your neck, or I blow out your brains, or let you
+ back into this room (on which complex points I am undecided) I want the
+ metaphysical point cleared up. Do I understand that you want to get back
+ to life?&rsquo;
+ </p>
+ <p>
+ &ldquo;`I&rsquo;d give anything to get back,&rsquo; replied the unhappy
+ professor.
+ </p>
+ <p>
+ &ldquo;`Give anything!&rsquo; cried Smith; `then, blast your impudence,
+ give us a song!&rsquo;
+ </p>
+ <p>
+ &ldquo;`What song do you mean?&rsquo; demanded the exasperated Eames;
+ `what song?&rsquo;
+ </p>
+ <p>
+ &ldquo;`A hymn, I think, would be most appropriate,&rsquo; answered the
+ other gravely. `I&rsquo;ll let you off if you&rsquo;ll repeat after me the
+ words&mdash;
+ </p>
+ <p>
+ &ldquo;`I thank the goodness and the grace That on my birth have smiled.
+ And perched me on this curious place, A happy English child.&rsquo;
+ </p>
+ <p>
+ &ldquo;Dr. Emerson Eames having briefly complied, his persecutor abruptly
+ told him to hold his hands up in the air. Vaguely connecting this
+ proceeding with the usual conduct of brigands and bushrangers, Mr. Eames
+ held them up, very stiffly, but without marked surprise. A bird alighting
+ on his stone seat took no more notice of him than of a comic statue.
+ </p>
+ <p>
+ &ldquo;`You are now engaged in public worship,&rsquo; remarked Smith
+ severely, `and before I have done with you, you shall thank God for the
+ very ducks on the pond.&rsquo;
+ </p>
+ <p>
+ &ldquo;The celebrated pessimist half articulately expressed his perfect
+ readiness to thank God for the ducks on the pond.
+ </p>
+ <p>
+ &ldquo;`Not forgetting the drakes,&rsquo; said Smith sternly. (Eames
+ weakly conceded the drakes.) `Not forgetting anything, please. You shall
+ thank heaven for churches and chapels and villas and vulgar people and
+ puddles and pots and pans and sticks and rags and bones and spotted
+ blinds.&rsquo;
+ </p>
+ <p>
+ &ldquo;`All right, all right,&rsquo; repeated the victim in despair;
+ `sticks and rags and bones and blinds.&rsquo;
+ </p>
+ <p>
+ &ldquo;`Spotted blinds, I think we said,&rsquo; remarked Smith with a
+ rogueish ruthlessness, and wagging the pistol-barrel at him like a long
+ metallic finger.
+ </p>
+ <p>
+ &ldquo;`Spotted blinds,&rsquo; said Emerson Eames faintly.
+ </p>
+ <p>
+ &ldquo;`You can&rsquo;t say fairer than that,&rsquo; admitted the younger
+ man, `and now I&rsquo;ll just tell you this to wind up with. If you really
+ were what you profess to be, I don&rsquo;t see that it would matter to
+ snail or seraph if you broke your impious stiff neck and dashed out all
+ your drivelling devil-worshipping brains. But in strict biographical fact
+ you are a very nice fellow, addicted to talking putrid nonsense, and I
+ love you like a brother. I shall therefore fire off all my cartridges
+ round your head so as not to hit you (I am a good shot, you may be glad to
+ hear), and then we will go in and have some breakfast.&rsquo;
+ </p>
+ <p>
+ &ldquo;He then let off two barrels in the air, which the Professor endured
+ with singular firmness, and then said, `But don&rsquo;t fire them all off.&rsquo;
+ </p>
+ <p>
+ &ldquo;`Why not&rsquo; asked the other buoyantly.
+ </p>
+ <p>
+ &ldquo;`Keep them,&rsquo; asked his companion, `for the next man you meet
+ who talks as we were talking.&rsquo;
+ </p>
+ <p>
+ &ldquo;It was at this moment that Smith, looking down, perceived
+ apoplectic terror upon the face of the Sub-Warden, and heard the refined
+ shriek with which he summoned the porter and the ladder.
+ </p>
+ <p>
+ &ldquo;It took Dr. Eames some little time to disentangle himself from the
+ ladder, and some little time longer to disentangle himself from the
+ Sub-Warden. But as soon as he could do so unobtrusively, he rejoined his
+ companion in the late extraordinary scene. He was astonished to find the
+ gigantic Smith heavily shaken, and sitting with his shaggy head on his
+ hands. When addressed, he lifted a very pale face.
+ </p>
+ <p>
+ &ldquo;`Why, what is the matter?&rsquo; asked Eames, whose own nerves had
+ by this time twittered themselves quiet, like the morning birds.
+ </p>
+ <p>
+ &ldquo;`I must ask your indulgence,&rsquo; said Smith, rather brokenly. `I
+ must ask you to realize that I have just had an escape from death.&rsquo;
+ </p>
+ <p>
+ &ldquo;`YOU have had an escape from death?&rsquo; repeated the Professor
+ in not unpardonable irritation. `Well, of all the cheek&mdash;&rsquo;
+ </p>
+ <p>
+ &ldquo;`Oh, don&rsquo;t you understand, don&rsquo;t you understand?&rsquo;
+ cried the pale young man impatiently. `I had to do it, Eames; I had to
+ prove you wrong or die. When a man&rsquo;s young, he nearly always has
+ some one whom he thinks the top-water mark of the mind of man&mdash; some
+ one who knows all about it, if anybody knows.
+ </p>
+ <p>
+ &ldquo;`Well, you were that to me; you spoke with authority, and not as
+ the scribes. Nobody could comfort me if YOU said there was no comfort. If
+ you really thought there was nothing anywhere, it was because you had been
+ there to see. Don&rsquo;t you see that I HAD to prove you didn&rsquo;t
+ really mean it?&mdash; or else drown myself in the canal.&rsquo;
+ </p>
+ <p>
+ &ldquo;`Well,&rsquo; said Eames hesitatingly, `I think perhaps you confuse&mdash;&rsquo;
+ </p>
+ <p>
+ &ldquo;`Oh, don&rsquo;t tell me that!&rsquo; cried Smith with the sudden
+ clairvoyance of mental pain; `don&rsquo;t tell me I confuse enjoyment of
+ existence with the Will to Live! That&rsquo;s German, and German is High
+ Dutch, and High Dutch is Double Dutch. The thing I saw shining in your
+ eyes when you dangled on that bridge was enjoyment of life and not &ldquo;the
+ Will to Live.&rdquo; What you knew when you sat on that damned gargoyle
+ was that the world, when all is said and done, is a wonderful and
+ beautiful place; I know it, because I knew it at the same minute. I saw
+ the gray clouds turn pink, and the little gilt clock in the crack between
+ the houses. It was THOSE things you hated leaving, not Life, whatever that
+ is. Eames, we&rsquo;ve been to the brink of death together; won&rsquo;t
+ you admit I&rsquo;m right?&rsquo;
+ </p>
+ <p>
+ &ldquo;`Yes,&rsquo; said Eames very slowly, `I think you are right. You
+ shall have a First!&rsquo;
+ </p>
+ <p>
+ &ldquo;`Right!&rsquo; cried Smith, springing up reanimated. `I&rsquo;ve
+ passed with honours, and now let me go and see about being sent down.&rsquo;
+ </p>
+ <p>
+ &ldquo;`You needn&rsquo;t be sent down,&rsquo; said Eames with the quiet
+ confidence of twelve years of intrigue. `Everything with us comes from the
+ man on top to the people just round him: I am the man on top, and I shall
+ tell the people round me the truth.&rsquo;
+ </p>
+ <p>
+ &ldquo;The massive Mr. Smith rose and went firmly to the window, but he
+ spoke with equal firmness. `I must be sent down,&rsquo; he said, `and the
+ people must not be told the truth.&rsquo;
+ </p>
+ <p>
+ &ldquo;`And why not&rsquo; asked the other.
+ </p>
+ <p>
+ &ldquo;`Because I mean to follow your advice,&rsquo; answered the massive
+ youth, `I mean to keep the remaining shots for people in the shameful
+ state you and I were in last night&mdash;I wish we could even plead
+ drunkenness. I mean to keep those bullets for pessimists&mdash;pills for
+ pale people. And in this way I want to walk the world like a wonderful
+ surprise&mdash; to float as idly as the thistledown, and come as silently
+ as the sunrise; not to be expected any more than the thunderbolt, not to
+ be recalled any more than the dying breeze. I don&rsquo;t want people to
+ anticipate me as a well-known practical joke. I want both my gifts to come
+ virgin and violent, the death and the life after death. I am going to hold
+ a pistol to the head of the Modern Man. But I shall not use it to kill him&mdash;only
+ to bring him to life. I begin to see a new meaning in being the skeleton
+ at the feast.&rsquo;
+ </p>
+ <p>
+ &ldquo;`You can scarcely be called a skeleton,&rsquo; said Dr. Eames,
+ smiling.
+ </p>
+ <p>
+ &ldquo;`That comes of being so much at the feast,&rsquo; answered the
+ massive youth. `No skeleton can keep his figure if he is always dining
+ out. But that is not quite what I meant: what I mean is that I caught a
+ kind of glimpse of the meaning of death and all that&mdash;the skull and
+ cross-bones, the ~memento mori~. It isn&rsquo;t only meant to remind us of
+ a future life, but to remind us of a present life too. With our weak
+ spirits we should grow old in eternity if we were not kept young by death.
+ Providence has to cut immortality into lengths for us, as nurses cut the
+ bread and butter into fingers.&rsquo;
+ </p>
+ <p>
+ &ldquo;Then he added suddenly in a voice of unnatural actuality, `But I
+ know something now, Eames. I knew it when I saw the clouds turn pink.&rsquo;
+ </p>
+ <p>
+ &ldquo;`What do you mean?&rsquo; asked Eames. `What did you know?&rsquo;
+ </p>
+ <p>
+ &ldquo;`I knew for the first time that murder is really wrong.&rsquo;
+ </p>
+ <p>
+ &ldquo;He gripped Dr. Eames&rsquo;s hand and groped his way somewhat
+ unsteadily to the door. Before he had vanished through it he had added,
+ `It&rsquo;s very dangerous, though, when a man thinks for a split second
+ that he understands death.&rsquo;
+ </p>
+ <p>
+ &ldquo;Dr. Eames remained in repose and rumination some hours after his
+ late assailant had left. Then he rose, took his hat and umbrella, and went
+ for a brisk if rotatory walk. Several times, however, he stood outside the
+ villa with the spotted blinds, studying them intently with his head
+ slightly on one side. Some took him for a lunatic and some for an
+ intending purchaser. He is not yet sure that the two characters would be
+ widely different.
+ </p>
+ <p>
+ &ldquo;The above narrative has been constructed on a principle which is,
+ in the opinion of the undersigned persons, new in the art of letters. Each
+ of the two actors is described as he appeared to the other. But the
+ undersigned persons absolutely guarantee the exactitude of the story; and
+ if their version of the thing be questioned, they, the undersigned
+ persons, would deucedly well like to know who does know about it if they
+ don&rsquo;t.
+ </p>
+ <p>
+ &ldquo;The undersigned persons will now adjourn to `The Spotted Dog&rsquo;
+ for beer. Farewell.
+ </p>
+ <p>
+ &ldquo;(Signed) James Emerson Eames, &ldquo;Warden of Brakespeare College,
+ Cambridge.
+ </p>
+ <p>
+ &ldquo;Innocent Smith.&rdquo;
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2HCH0007" id="link2HCH0007"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ Chapter II &mdash; The Two Curates; or, the Burglary Charge
+ </h2>
+ <p>
+ Arthur Inglewood handed the document he had just read to the leaders of
+ the prosecution, who examined it with their heads together. Both the Jew
+ and the American were of sensitive and excitable stocks, and they revealed
+ by the jumpings and bumpings of the black head and the yellow that nothing
+ could be done in the way of denial of the document. The letter from the
+ Warden was as authentic as the letter from the Sub-Warden, however
+ regrettably different in dignity and social tone.
+ </p>
+ <p>
+ &ldquo;Very few words,&rdquo; said Inglewood, &ldquo;are required to
+ conclude our case in this matter. Surely it is now plain that our client
+ carried his pistol about with the eccentric but innocent purpose of giving
+ a wholesome scare to those whom he regarded as blasphemers. In each case
+ the scare was so wholesome that the victim himself has dated from it as
+ from a new birth. Smith, so far from being a madman, is rather a mad
+ doctor&mdash; he walks the world curing frenzies and not distributing
+ them. That is the answer to the two unanswerable questions which I put to
+ the prosecutors. That is why they dared not produce a line by any one who
+ had actually confronted the pistol. All who had actually confronted the
+ pistol confessed that they had profited by it. That was why Smith, though
+ a good shot, never hit anybody. He never hit anybody because he was a good
+ shot. His mind was as clear of murder as his hands are of blood. This, I
+ say, is the only possible explanation of these facts and of all the other
+ facts. No one can possibly explain the Warden&rsquo;s conduct except by
+ believing the Warden&rsquo;s story. Even Dr. Pym, who is a very factory of
+ ingenious theories, could find no other theory to cover the case.&rdquo;
+ </p>
+ <p>
+ &ldquo;There are promising per-spectives in hypnotism and dual
+ personality,&rdquo; said Dr. Cyrus Pym dreamily; &ldquo;the science of
+ criminology is in its infancy, and&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Infancy!&rdquo; cried Moon, jerking his red pencil in the air with
+ a gesture of enlightenment; &ldquo;why, that explains it!&rdquo;
+ </p>
+ <p>
+ &ldquo;I repeat,&rdquo; proceeded Inglewood, &ldquo;that neither Dr. Pym
+ nor any one else can account on any other theory but ours for the Warden&rsquo;s
+ signature, for the shots missed and the witnesses missing.&rdquo;
+ </p>
+ <p>
+ The little Yankee had slipped to his feet with some return of a
+ cock-fighting coolness. &ldquo;The defence,&rdquo; he said, &ldquo;omits a
+ coldly colossal fact. They say we produce none of the actual victims. Wal,
+ here is one victim&mdash;England&rsquo;s celebrated and stricken Warner. I
+ reckon he is pretty well produced. And they suggest that all the outrages
+ were followed by reconciliation. Wal, there&rsquo;s no flies on England&rsquo;s
+ Warner; and he isn&rsquo;t reconciliated much.&rdquo;
+ </p>
+ <p>
+ &ldquo;My learned friend,&rdquo; said Moon, getting elaborately to his
+ feet, &ldquo;must remember that the science of shooting Dr. Warner is in
+ its infancy. Dr. Warner would strike the idlest eye as one specially
+ difficult to startle into any recognition of the glory of God. We admit
+ that our client, in this one instance, failed, and that the operation was
+ not successful. But I am empowered to offer, on behalf of my client, a
+ proposal for operating on Dr. Warner again, at his earliest convenience,
+ and without further fees.&rdquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;Ang it all, Michael,&rdquo; cried Gould, quite serious for
+ the first time in his life, &ldquo;you might give us a bit of bally sense
+ for a chinge.&rdquo;
+ </p>
+ <p>
+ &ldquo;What was Dr. Warner talking about just before the first shot?&rdquo;
+ asked Moon sharply.
+ </p>
+ <p>
+ &ldquo;The creature,&rdquo; said Dr. Warner superciliously, &ldquo;asked
+ me, with characteristic rationality, whether it was my birthday.&rdquo;
+ </p>
+ <p>
+ &ldquo;And you answered, with characteristic swank,&rdquo; cried Moon,
+ shooting out a long lean finger, as rigid and arresting as the pistol of
+ Smith, &ldquo;that you didn&rsquo;t keep your birthday.&rdquo;
+ </p>
+ <p>
+ &ldquo;Something like that,&rdquo; assented the doctor.
+ </p>
+ <p>
+ &ldquo;Then,&rdquo; continued Moon, &ldquo;he asked you why not, and you
+ said it was because you didn&rsquo;t see that birth was anything to
+ rejoice over. Agreed? Now is there any one who doubts that our tale is
+ true?&rdquo;
+ </p>
+ <p>
+ There was a cold crash of stillness in the room; and Moon said, &ldquo;Pax
+ populi vox Dei; it is the silence of the people that is the voice of God.
+ Or in Dr. Pym&rsquo;s more civilized language, it is up to him to open the
+ next charge. On this we claim an acquittal.&rdquo;
+ </p>
+ <p>
+ It was about an hour later. Dr. Cyrus Pym had remained for an
+ unprecedented time with his eyes closed and his thumb and finger in the
+ air. It almost seemed as if he had been &ldquo;struck so,&rdquo; as the
+ nurses say; and in the deathly silence Michael Moon felt forced to relieve
+ the strain with some remark. For the last half-hour or so the eminent
+ criminologist had been explaining that science took the same view of
+ offences against property as it did of offences against life. &ldquo;Most
+ murder,&rdquo; he had said, &ldquo;is a variation of homicidal mania, and
+ in the same way most theft is a version of kleptomania. I cannot entertain
+ any doubt that my learned friends opposite adequately con-ceive how this
+ must involve a scheme of punishment more tol&rsquo;rant and humane than
+ the cruel methods of ancient codes. They will doubtless exhibit
+ consciousness of a chasm so eminently yawning, so thought-arresting, so&mdash;&rdquo;
+ It was here that he paused and indulged in the delicate gesture to which
+ allusion has been made; and Michael could bear it no longer.
+ </p>
+ <p>
+ &ldquo;Yes, yes,&rdquo; he said impatiently, &ldquo;we admit the chasm.
+ The old cruel codes accuse a man of theft and send him to prison for ten
+ years. The tolerant and humane ticket accuses him of nothing and sends him
+ to prison for ever. We pass the chasm.&rdquo;
+ </p>
+ <p>
+ It was characteristic of the eminent Pym, in one of his trances of verbal
+ fastidiousness, that he went on, unconscious not only of his opponent&rsquo;s
+ interruption, but even of his own pause.
+ </p>
+ <p>
+ &ldquo;So stock-improving,&rdquo; continued Dr. Cyrus Pym, &ldquo;so
+ fraught with real high hopes of the future. Science therefore regards
+ thieves, in the abstract, just as it regards murderers. It regards them
+ not as sinners to be punished for an arbitrary period, but as patients to
+ be detained and cared for,&rdquo; (his first two digits closed again as he
+ hesitated)&mdash;&ldquo;in short, for the required period. But there is
+ something special in the case we investigate here. Kleptomania commonly
+ con-joins itself&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;I beg pardon,&rdquo; said Michael; &ldquo;I did not ask just now
+ because, to tell the truth, I really thought Dr. Pym, though seemingly
+ vertical, was enjoying well-earned slumber, with a pinch in his fingers of
+ scentless and delicate dust. But now that things are moving a little more,
+ there is something I should really like to know. I have hung on Dr. Pym&rsquo;s
+ lips, of course, with an interest that it were weak to call rapture, but I
+ have so far been unable to form any conjecture about what the accused, in
+ the present instance, is supposed to have been and gone and done.&rdquo;
+ </p>
+ <p>
+ &ldquo;If Mr. Moon will have patience,&rdquo; said Pym with dignity,
+ &ldquo;he will find that this was the very point to which my exposition
+ was di-rected. Kleptomania, I say, exhibits itself as a kind of physical
+ attraction to certain defined materials; and it has been held (by no less
+ a man than Harris) that this is the ultimate explanation of the strict
+ specialism and vurry narrow professional outlook of most criminals. One
+ will have an irresistible physical impulsion towards pearl sleeve-links,
+ while he passes over the most elegant and celebrated diamond sleeve-links,
+ placed about in the most conspicuous locations. Another will impede his
+ flight with no less than forty-seven buttoned boots, while elastic-sided
+ boots leave him cold, and even sarcastic. The specialism of the criminal,
+ I repeat, is a mark rather of insanity than of any brightness of business
+ habits; but there is one kind of depredator to whom this principle is at
+ first sight hard to apply. I allude to our fellow-citizen the
+ housebreaker.
+ </p>
+ <p>
+ &ldquo;It has been maintained by some of our boldest young truth-seekers,
+ that the eye of a burglar beyond the back-garden wall could hardly be
+ caught and hypnotized by a fork that is insulated in a locked box under
+ the butler&rsquo;s bed. They have thrown down the gauntlet to American
+ science on this point. They declare that diamond links are not left about
+ in conspicuous locations in the haunts of the lower classes, as they were
+ in the great test experiment of Calypso College. We hope this experiment
+ here will be an answer to that young ringing challenge, and will bring the
+ burglar once more into line and union with his fellow criminals.&rdquo;
+ </p>
+ <p>
+ Moon, whose face had gone through every phase of black bewilderment for
+ five minutes past, suddenly lifted his hand and struck the table in
+ explosive enlightenment.
+ </p>
+ <p>
+ &ldquo;Oh, I see!&rdquo; he cried; &ldquo;you mean that Smith is a
+ burglar.&rdquo;
+ </p>
+ <p>
+ &ldquo;I thought I made it quite ad&rsquo;quately lucid,&rdquo; said Mr.
+ Pym, folding up his eyelids. It was typical of this topsy-turvy private
+ trial that all the eloquent extras, all the rhetoric or digression on
+ either side, was exasperating and unintelligible to the other. Moon could
+ not make head or tail of the solemnity of a new civilization. Pym could
+ not make head or tail of the gaiety of an old one.
+ </p>
+ <p>
+ &ldquo;All the cases in which Smith has figured as an expropriator,&rdquo;
+ continued the American doctor, &ldquo;are cases of burglary. Pursuing the
+ same course as in the previous case, we select the indubitable instance
+ from the rest, and we take the most correct cast-iron evidence. I will now
+ call on my colleague, Mr. Gould, to read a letter we have received from
+ the earnest, unspotted Canon of Durham, Canon Hawkins.&rdquo;
+ </p>
+ <p>
+ Mr. Moses Gould leapt up with his usual alacrity to read the letter from
+ the earnest and unspotted Hawkins. Moses Gould could imitate a farmyard
+ well, Sir Henry Irving not so well, Marie Lloyd to a point of excellence,
+ and the new motor horns in a manner that put him upon the platform of
+ great artists. But his imitation of a Canon of Durham was not convincing;
+ indeed, the sense of the letter was so much obscured by the extraordinary
+ leaps and gasps of his pronunciation that it is perhaps better to print it
+ here as Moon read it when, a little later, it was handed across the table.
+ </p>
+ <p>
+ &ldquo;Dear Sir,&mdash;I can scarcely feel surprise that the incident you
+ mention, private as it was, should have filtered through our omnivorous
+ journals to the mere populace; for the position I have since attained
+ makes me, I conceive, a public character, and this was certainly the most
+ extraordinary incident in a not uneventful and perhaps not an unimportant
+ career. I am by no means without experience in scenes of civil tumult. I
+ have faced many a political crisis in the old Primrose League days at
+ Herne Bay, and, before I broke with the wilder set, have spent many a
+ night at the Christian Social Union. But this other experience was quite
+ inconceivable. I can only describe it as the letting loose of a place
+ which it is not for me, as a clergyman, to mention.
+ </p>
+ <p>
+ &ldquo;It occurred in the days when I was, for a short period, a curate at
+ Hoxton; and the other curate, then my colleague, induced me to attend a
+ meeting which he described, I must say profanely described, as calculated
+ to promote the kingdom of God. I found, on the contrary, that it consisted
+ entirely of men in corduroys and greasy clothes whose manners were coarse
+ and their opinions extreme.
+ </p>
+ <p>
+ &ldquo;Of my colleague in question I wish to speak with the fullest
+ respect and friendliness, and I will therefore say little. No one can be
+ more convinced than I of the evil of politics in the pulpit; and I never
+ offer my congregation any advice about voting except in cases in which I
+ feel strongly that they are likely to make an erroneous selection. But,
+ while I do not mean to touch at all upon political or social problems, I
+ must say that for a clergyman to countenance, even in jest, such
+ discredited nostrums of dissipated demagogues as Socialism or Radicalism
+ partakes of the character of the betrayal of a sacred trust. Far be it
+ from me to say a word against the Reverend Raymond Percy, the colleague in
+ question. He was brilliant, I suppose, and to some apparently fascinating;
+ but a clergyman who talks like a Socialist, wears his hair like a pianist,
+ and behaves like an intoxicated person, will never rise in his profession,
+ or even obtain the admiration of the good and wise. Nor is it for me to
+ utter my personal judgements of the appearance of the people in the hall.
+ Yet a glance round the room, revealing ranks of debased and envious faces&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Adopting,&rdquo; said Moon explosively, for he was getting restive&mdash;&ldquo;adopting
+ the reverend gentleman&rsquo;s favourite figure of logic, may I say that
+ while tortures would not tear from me a whisper about his intellect, he is
+ a blasted old jackass.&rdquo;
+ </p>
+ <p>
+ &ldquo;Really!&rdquo; said Dr. Pym; &ldquo;I protest.&rdquo;
+ </p>
+ <p>
+ &ldquo;You must keep quiet, Michael,&rdquo; said Inglewood; &ldquo;they
+ have a right to read their story.&rdquo;
+ </p>
+ <p>
+ &ldquo;Chair! Chair! Chair!&rdquo; cried Gould, rolling about exuberantly
+ in his own; and Pym glanced for a moment towards the canopy which covered
+ all the authority of the Court of Beacon.
+ </p>
+ <p>
+ &ldquo;Oh, don&rsquo;t wake the old lady,&rdquo; said Moon, lowering his
+ voice in a moody good-humour. &ldquo;I apologize. I won&rsquo;t interrupt
+ again.&rdquo;
+ </p>
+ <p>
+ Before the little eddy of interruption was ended the reading of the
+ clergyman&rsquo;s letter was already continuing.
+ </p>
+ <p>
+ &ldquo;The proceedings opened with a speech from my colleague, of which I
+ will say nothing. It was deplorable. Many of the audience were Irish, and
+ showed the weakness of that impetuous people. When gathered together into
+ gangs and conspiracies they seem to lose altogether that lovable
+ good-nature and readiness to accept anything one tells them which
+ distinguishes them as individuals.&rdquo;
+ </p>
+ <p>
+ With a slight start, Michael rose to his feet, bowed solemnly, and sat
+ down again.
+ </p>
+ <p>
+ &ldquo;These persons, if not silent, were at least applausive during the
+ speech of Mr. Percy. He descended to their level with witticisms about
+ rent and a reserve of labour. Confiscation, expropriation, arbitration,
+ and such words with which I cannot soil my lips, recurred constantly. Some
+ hours afterward the storm broke. I had been addressing the meeting for
+ some time, pointing out the lack of thrift in the working classes, their
+ insufficient attendance at evening service, their neglect of the Harvest
+ Festival, and of many other things that might materially help them to
+ improve their lot. It was, I think, about this time that an extraordinary
+ interruption occurred. An enormous, powerful man, partly concealed with
+ white plaster, arose in the middle of the hall, and offered (in a loud,
+ roaring voice, like a bull&rsquo;s) some observations which seemed to be
+ in a foreign language. Mr. Raymond Percy, my colleague, descended to his
+ level by entering into a duel of repartee, in which he appeared to be the
+ victor. The meeting began to behave more respectfully for a little; yet
+ before I had said twelve sentences more the rush was made for the
+ platform. The enormous plasterer, in particular, plunged towards us,
+ shaking the earth like an elephant; and I really do not know what would
+ have happened if a man equally large, but not quite so ill-dressed, had
+ not jumped up also and held him away. This other big man shouted a sort of
+ speech to the mob as he was shoving them back. I don&rsquo;t know what he
+ said, but, what with shouting and shoving and such horseplay, he got us
+ out at a back door, while the wretched people went roaring down another
+ passage.
+ </p>
+ <p>
+ &ldquo;Then follows the truly extraordinary part of my story. When he had
+ got us outside, in a mean backyard of blistered grass leading into a lane
+ with a very lonely-looking lamp-post, this giant addressed me as follows:
+ `You&rsquo;re well out of that, sir; now you&rsquo;d better come along
+ with me. I want you to help me in an act of social justice, such as we&rsquo;ve
+ all been talking about. Come along!&rsquo; And turning his big back
+ abruptly, he led us down the lean old lane with the one lean old
+ lamp-post, we scarcely knowing what to do but to follow him. He had
+ certainly helped us in a most difficult situation, and, as a gentleman, I
+ could not treat such a benefactor with suspicion without grave grounds.
+ Such also was the view of my Socialistic colleague, who (with all his
+ dreadful talk of arbitration) is a gentleman also. In fact, he comes of
+ the Staffordshire Percys, a branch of the old house and has the black hair
+ and pale, clear-cut face of the whole family. I cannot but refer it to
+ vanity that he should heighten his personal advantages with black velvet
+ or a red cross of considerable ostentation, and certainly&mdash;but I
+ digress.
+ </p>
+ <p>
+ &ldquo;A fog was coming up the street, and that last lost lamp-post faded
+ behind us in a way that certainly depressed the mind. The large man in
+ front of us looked larger and larger in the haze. He did not turn round,
+ but he said with his huge back to us, `All that talking&rsquo;s no good;
+ we want a little practical Socialism.&rsquo;
+ </p>
+ <p>
+ &ldquo;`I quite agree,&rsquo; said Percy; `but I always like to understand
+ things in theory before I put them into practice.&rsquo;
+ </p>
+ <p>
+ &ldquo;`Oh, you just leave that to me,&rsquo; said the practical
+ Socialist, or whatever he was, with the most terrifying vagueness. `I have
+ a way with me. I&rsquo;m a Permeator.&rsquo;
+ </p>
+ <p>
+ &ldquo;I could not imagine what he meant, but my companion laughed, so I
+ was sufficiently reassured to continue the unaccountable journey for the
+ present. It led us through most singular ways; out of the lane, where we
+ were already rather cramped, into a paved passage, at the end of which we
+ passed through a wooden gate left open. We then found ourselves, in the
+ increasing darkness and vapour, crossing what appeared to be a beaten path
+ across a kitchen garden. I called out to the enormous person going on in
+ front, but he answered obscurely that it was a short cut.
+ </p>
+ <p>
+ &ldquo;I was just repeating my very natural doubt to my clerical companion
+ when I was brought up against a short ladder, apparently leading to a
+ higher level of road. My thoughtless colleague ran up it so quickly that I
+ could not do otherwise than follow as best I could. The path on which I
+ then planted my feet was quite unprecedentedly narrow. I had never had to
+ walk along a thoroughfare so exiguous. Along one side of it grew what, in
+ the dark and density of air, I first took to be some short, strong thicket
+ of shrubs. Then I saw that they were not short shrubs; they were the tops
+ of tall trees. I, an English gentleman and clergyman of the Church of
+ England&mdash;I was walking along the top of a garden wall like a tom cat.
+ </p>
+ <p>
+ &ldquo;I am glad to say that I stopped within my first five steps, and let
+ loose my just reprobation, balancing myself as best I could all the time.
+ </p>
+ <p>
+ &ldquo;`It&rsquo;s a right-of-way,&rsquo; declared my indefensible
+ informant. `It&rsquo;s closed to traffic once in a hundred years.&rsquo;
+ </p>
+ <p>
+ &ldquo;`Mr. Percy, Mr. Percy!&rsquo; I called out; `you are not going on
+ with this blackguard?&rsquo;
+ </p>
+ <p>
+ &ldquo;`Why, I think so,&rsquo; answered my unhappy colleague flippantly.
+ `I think you and I are bigger blackguards than he is, whatever he is.&rsquo;
+ </p>
+ <p>
+ &ldquo;`I am a burglar,&rsquo; explained the big creature quite calmly. `I
+ am a member of the Fabian Society. I take back the wealth stolen by the
+ capitalist, not by sweeping civil war and revolution, but by reform fitted
+ to the special occasion&mdash;here a little and there a little. Do you see
+ that fifth house along the terrace with the flat roof? I&rsquo;m
+ permeating that one to-night.&rsquo;
+ </p>
+ <p>
+ &ldquo;`Whether this is a crime or a joke,&rsquo; I cried, `I desire to be
+ quit of it.&rsquo;
+ </p>
+ <p>
+ &ldquo;`The ladder is just behind you,&rsquo; answered the creature with
+ horrible courtesy; `and, before you go, do let me give you my card.&rsquo;
+ </p>
+ <p>
+ &ldquo;If I had had the presence of mind to show any proper spirit I
+ should have flung it away, though any adequate gesture of the kind would
+ have gravely affected my equilibrium upon the wall. As it was, in the
+ wildness of the moment, I put it in my waistcoat pocket, and, picking my
+ way back by wall and ladder, landed in the respectable streets once more.
+ Not before, however, I had seen with my own eyes the two awful and
+ lamentable facts&mdash; that the burglar was climbing up a slanting roof
+ towards the chimneys, and that Raymond Percy (a priest of God and, what
+ was worse, a gentleman) was crawling up after him. I have never seen
+ either of them since that day.
+ </p>
+ <p>
+ &ldquo;In consequence of this soul-searching experience I severed my
+ connection with the wild set. I am far from saying that every member of
+ the Christian Social Union must necessarily be a burglar. I have no right
+ to bring any such charge. But it gave me a hint of what such courses may
+ lead to in many cases; and I saw them no more.
+ </p>
+ <p>
+ &ldquo;I have only to add that the photograph you enclose, taken by a Mr.
+ Inglewood, is undoubtedly that of the burglar in question. When I got home
+ that night I looked at his card, and he was inscribed there under the name
+ of Innocent Smith.&mdash;Yours faithfully, &ldquo;John Clement Hawkins.&rdquo;
+ </p>
+ <p>
+ Moon merely went through the form of glancing at the paper. He knew that
+ the prosecutors could not have invented so heavy a document; that Moses
+ Gould (for one) could no more write like a canon than he could read like
+ one. After handing it back he rose to open the defence on the burglary
+ charge.
+ </p>
+ <p>
+ &ldquo;We wish,&rdquo; said Michael, &ldquo;to give all reasonable
+ facilities to the prosecution; especially as it will save the time of the
+ whole court. The latter object I shall once again pursue by passing over
+ all those points of theory which are so dear to Dr. Pym. I know how they
+ are made. Perjury is a variety of aphasia, leading a man to say one thing
+ instead of another. Forgery is a kind of writer&rsquo;s cramp, forcing a
+ man to write his uncle&rsquo;s name instead of his own. Piracy on the high
+ seas is probably a form of sea-sickness. But it is unnecessary for us to
+ inquire into the causes of a fact which we deny. Innocent Smith never did
+ commit burglary at all.
+ </p>
+ <p>
+ &ldquo;I should like to claim the power permitted by our previous
+ arrangement, and ask the prosecution two or three questions.&rdquo;
+ </p>
+ <p>
+ Dr. Cyrus Pym closed his eyes to indicate a courteous assent.
+ </p>
+ <p>
+ &ldquo;In the first place,&rdquo; continued Moon, &ldquo;have you the date
+ of Canon Hawkins&rsquo;s last glimpse of Smith and Percy climbing up the
+ walls and roofs?&rdquo;
+ </p>
+ <p>
+ &ldquo;Ho, yus!&rdquo; called out Gould smartly. &ldquo;November thirteen,
+ eighteen ninety-one.&rdquo;
+ </p>
+ <p>
+ &ldquo;Have you,&rdquo; continued Moon, &ldquo;identified the houses in
+ Hoxton up which they climbed?&rdquo;
+ </p>
+ <p>
+ &ldquo;Must have been Ladysmith Terrace out of the highroad,&rdquo;
+ answered Gould with the same clockwork readiness.
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; said Michael, cocking an eyebrow at him, &ldquo;was
+ there any burglary in that terrace that night? Surely you could find that
+ out.&rdquo;
+ </p>
+ <p>
+ &ldquo;There may well have been,&rdquo; said the doctor primly, after a
+ pause, &ldquo;an unsuccessful one that led to no legalities.&rdquo;
+ </p>
+ <p>
+ &ldquo;Another question,&rdquo; proceeded Michael. &ldquo;Canon Hawkins,
+ in his blood-and-thunder boyish way, left off at the exciting moment. Why
+ don&rsquo;t you produce the evidence of the other clergyman, who actually
+ followed the burglar and presumably was present at the crime?&rdquo;
+ </p>
+ <p>
+ Dr. Pym rose and planted the points of his fingers on the table, as he did
+ when he was specially confident of the clearness of his reply.
+ </p>
+ <p>
+ &ldquo;We have entirely failed,&rdquo; he said, &ldquo;to track the other
+ clergyman, who seems to have melted into the ether after Canon Hawkins had
+ seen him as-cending the gutters and the leads. I am fully aware that this
+ may strike many as sing&rsquo;lar; yet, upon reflection, I think it will
+ appear pretty natural to a bright thinker. This Mr. Raymond Percy is
+ admittedly, by the canon&rsquo;s evidence, a minister of eccentric ways.
+ His con-nection with England&rsquo;s proudest and fairest does not
+ seemingly prevent a taste for the society of the real low-down. On the
+ other hand, the prisoner Smith is, by general agreement, a man of irr&rsquo;sistible
+ fascination. I entertain no doubt that Smith led the Revered Percy into
+ the crime and forced him to hide his head in the real crim&rsquo;nal
+ class. That would fully account for his non-appearance, and the failure of
+ all attempts to trace him.&rdquo;
+ </p>
+ <p>
+ &ldquo;It is impossible, then, to trace him?&rdquo; asked Moon.
+ </p>
+ <p>
+ &ldquo;Impossible,&rdquo; repeated the specialist, shutting his eyes.
+ </p>
+ <p>
+ &ldquo;You are sure it&rsquo;s impossible?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh dry up, Michael,&rdquo; cried Gould, irritably. &ldquo;We&rsquo;d
+ &lsquo;ave found ‘im if we could, for you bet &lsquo;e saw the burglary.
+ Don&rsquo;t YOU start looking for &lsquo;im. Look for your own &lsquo;ead
+ in the dustbin. You&rsquo;ll find that&mdash;after a bit,&rdquo; and his
+ voice died away in grumbling.
+ </p>
+ <p>
+ &ldquo;Arthur,&rdquo; directed Michael Moon, sitting down, &ldquo;kindly
+ read Mr. Raymond Percy&rsquo;s letter to the court.&rdquo;
+ </p>
+ <p>
+ &ldquo;Wishing, as Mr. Moon has said, to shorten the proceedings as much
+ as possible,&rdquo; began Inglewood, &ldquo;I will not read the first part
+ of the letter sent to us. It is only fair to the prosecution to admit the
+ account given by the second clergyman fully ratifies, as far as facts are
+ concerned, that given by the first clergyman. We concede, then, the canon&rsquo;s
+ story so far as it goes. This must necessarily be valuable to the
+ prosecutor and also convenient to the court. I begin Mr. Percy&rsquo;s
+ letter, then, at the point when all three men were standing on the garden
+ wall:&mdash;
+ </p>
+ <p>
+ &ldquo;As I watched Hawkins wavering on the wall, I made up my own mind
+ not to waver. A cloud of wrath was on my brain, like the cloud of copper
+ fog on the houses and gardens round. My decision was violent and simple;
+ yet the thoughts that led up to it were so complicated and contradictory
+ that I could not retrace them now. I knew Hawkins was a kind, innocent
+ gentleman; and I would have given ten pounds for the pleasure of kicking
+ him down the road. That God should allow good people to be as bestially
+ stupid as that&mdash; rose against me like a towering blasphemy.
+ </p>
+ <p>
+ &ldquo;At Oxford, I fear, I had the artistic temperament rather badly; and
+ artists love to be limited. I liked the church as a pretty pattern;
+ discipline was mere decoration. I delighted in mere divisions of time; I
+ liked eating fish on Friday. But then I like fish; and the fast was made
+ for men who like meat. Then I came to Hoxton and found men who had fasted
+ for five hundred years; men who had to gnaw fish because they could not
+ get meat&mdash;and fish-bones when they could not get fish. As too many
+ British officers treat the army as a review, so I had treated the Church
+ Militant as if it were the Church Pageant. Hoxton cures that. Then I
+ realized that for eighteen hundred years the Church Militant had not been
+ a pageant, but a riot&mdash;and a suppressed riot. There, still living
+ patiently in Hoxton, were the people to whom the tremendous promises had
+ been made. In the face of that I had to become a revolutionary if I was to
+ continue to be religious. In Hoxton one cannot be a conservative without
+ being also an atheist&mdash; and a pessimist. Nobody but the devil could
+ want to conserve Hoxton.
+ </p>
+ <p>
+ &ldquo;On the top of all this comes Hawkins. If he had cursed all the
+ Hoxton men, excommunicated them, and told them they were going to hell, I
+ should have rather admired him. If he had ordered them all to be burned in
+ the market-place, I should still have had that patience that all good
+ Christians have with the wrongs inflicted on other people. But there is no
+ priestcraft about Hawkins&mdash;nor any other kind of craft. He is as
+ perfectly incapable of being a priest as he is of being a carpenter or a
+ cabman or a gardener or a plasterer. He is a perfect gentleman; that is
+ his complaint. He does not impose his creed, but simply his class. He
+ never said a word of religion in the whole of his damnable address. He
+ simply said all the things his brother, the major, would have said. A
+ voice from heaven assures me that he has a brother, and that this brother
+ is a major.
+ </p>
+ <p>
+ &ldquo;When this helpless aristocrat had praised cleanliness in the body
+ and convention in the soul to people who could hardly keep body and soul
+ together, the stampede against our platform began. I took part in his
+ undeserved rescue, I followed his obscure deliverer, until (as I have
+ said) we stood together on the wall above the dim gardens, already
+ clouding with fog. Then I looked at the curate and at the burglar, and
+ decided, in a spasm of inspiration, that the burglar was the better man of
+ the two. The burglar seemed quite as kind and human as the curate was&mdash;
+ and he was also brave and self-reliant, which the curate was not. I knew
+ there was no virtue in the upper class, for I belong to it myself; I knew
+ there was not so very much in the lower class, for I had lived with it a
+ long time. Many old texts about the despised and persecuted came back to
+ my mind, and I thought that the saints might well be hidden in the
+ criminal class. About the time Hawkins let himself down the ladder I was
+ crawling up a low, sloping, blue-slate roof after the large man, who went
+ leaping in front of me like a gorilla.
+ </p>
+ <p>
+ &ldquo;This upward scramble was short, and we soon found ourselves
+ tramping along a broad road of flat roofs, broader than many big
+ thoroughfares, with chimney-pots here and there that seemed in the haze as
+ bulky as small forts. The asphyxiation of the fog seemed to increase the
+ somewhat swollen and morbid anger under which my brain and body laboured.
+ The sky and all those things that are commonly clear seemed overpowered by
+ sinister spirits. Tall spectres with turbans of vapour seemed to stand
+ higher than the sun or moon, eclipsing both. I thought dimly of
+ illustrations to the `Arabian Nights&rsquo; on brown paper with rich but
+ sombre tints, showing genii gathering round the Seal of Solomon. By the
+ way, what was the Seal of Solomon? Nothing to do with sealing-wax really,
+ I suppose; but my muddled fancy felt the thick clouds as being of that
+ heavy and clinging substance, of strong opaque colour, poured out of
+ boiling pots and stamped into monstrous emblems.
+ </p>
+ <p>
+ &ldquo;The first effect of the tall turbaned vapours was that discoloured
+ look of pea-soup or coffee brown of which Londoners commonly speak. But
+ the scene grew subtler with familiarity. We stood above the average of the
+ housetops and saw something of that thing called smoke, which in great
+ cities creates the strange thing called fog. Beneath us rose a forest of
+ chimney-pots. And there stood in every chimney-pot, as if it were a
+ flower-pot, a brief shrub or a tall tree of coloured vapour. The colours
+ of the smoke were various; for some chimneys were from firesides and some
+ from factories, and some again from mere rubbish heaps. And yet, though
+ the tints were all varied, they all seemed unnatural, like fumes from a
+ witch&rsquo;s pot. It was as if the shameful and ugly shapes growing
+ shapeless in the cauldron sent up each its separate spurt of steam,
+ coloured according to the fish or flesh consumed. Here, aglow from
+ underneath, were dark red clouds, such as might drift from dark jars of
+ sacrificial blood; there the vapour was dark indigo gray, like the long
+ hair of witches steeped in the hell-broth. In another place the smoke was
+ of an awful opaque ivory yellow, such as might be the disembodiment of one
+ of their old, leprous waxen images. But right across it ran a line of
+ bright, sinister, sulphurous green, as clear and crooked as Arabic&mdash;&rdquo;
+ </p>
+ <p>
+ Mr. Moses Gould once more attempted the arrest of the &lsquo;bus. He was
+ understood to suggest that the reader should shorten the proceedings by
+ leaving out all the adjectives. Mrs. Duke, who had woken up, observed that
+ she was sure it was all very nice, and the decision was duly noted down by
+ Moses with a blue, and by Michael with a red pencil. Inglewood then
+ resumed the reading of the document.
+ </p>
+ <p>
+ &ldquo;Then I read the writing of the smoke. Smoke was like the modern
+ city that makes it; it is not always dull or ugly, but it is always wicked
+ and vain.
+ </p>
+ <p>
+ &ldquo;Modern England was like a cloud of smoke; it could carry all
+ colours, but it could leave nothing but a stain. It was our weakness and
+ not our strength that put a rich refuse in the sky. These were the rivers
+ of our vanity pouring into the void. We had taken the sacred circle of the
+ whirlwind, and looked down on it, and seen it as a whirlpool. And then we
+ had used it as a sink. It was a good symbol of the mutiny in my own mind.
+ Only our worst things were going to heaven. Only our criminals could still
+ ascend like angels.
+ </p>
+ <p>
+ &ldquo;As my brain was blinded with such emotions, my guide stopped by one
+ of the big chimney-pots that stood at the regular intervals like
+ lamp-posts along that uplifted and aerial highway. He put his heavy hand
+ upon it, and for the moment I thought he was merely leaning on it, tired
+ with his steep scramble along the terrace. So far as I could guess from
+ the abysses, full of fog on either side, and the veiled lights of red
+ brown and old gold glowing through them now and again, we were on the top
+ of one of those long, consecutive, and genteel rows of houses which are
+ still to be found lifting their heads above poorer districts, the remains
+ of some rage of optimism in earlier speculative builders. Probably enough,
+ they were entirely untenanted, or tenanted only by such small clans of the
+ poor as gather also in the old emptied palaces of Italy. Indeed, some
+ little time later, when the fog had lifted a little, I discovered that we
+ were walking round a semi-circle of crescent which fell away below us into
+ one flat square or wide street below another, like a giant stairway, in a
+ manner not unknown in the eccentric building of London, and looking like
+ the last ledges of the land. But a cloud sealed the giant stairway as yet.
+ </p>
+ <p>
+ &ldquo;My speculations about the sullen skyscape, however, were
+ interrupted by something as unexpected as the moon falling from the sky.
+ Instead of my burglar lifting his hand from the chimney he leaned on, he
+ leaned on it a little more heavily, and the whole chimney-pot turned over
+ like the opening top of an inkstand. I remembered the short ladder leaning
+ against the low wall and felt sure he had arranged his criminal approach
+ long before.
+ </p>
+ <p>
+ &ldquo;The collapse of the big chimney-pot ought to have been the
+ culmination of my chaotic feelings; but, to tell the truth, it produced a
+ sudden sense of comedy and even of comfort. I could not recall what
+ connected this abrupt bit of housebreaking with some quaint but still
+ kindly fancies. Then I remembered the delightful and uproarious scenes of
+ roofs and chimneys in the harlequinades of my childhood, and was darkly
+ and quite irrationally comforted by a sense of unsubstantiality in the
+ scene, as if the houses were of lath and paint and pasteboard, and were
+ only meant to be tumbled in and out of by policemen and pantaloons. The
+ law-breaking of my companion seemed not only seriously excusable, but even
+ comically excusable. Who were all these pompous preposterous people with
+ their footmen and their foot-scrapers, their chimney-pots and their
+ chimney-pot hats, that they should prevent a poor clown from getting
+ sausages if he wanted them? One would suppose that property was a serious
+ thing. I had reached, as it were, a higher level of that mountainous and
+ vapourous visions, the heaven of a higher levity.
+ </p>
+ <p>
+ &ldquo;My guide had jumped down into the dark cavity revealed by the
+ displaced chimney-pot. He must have landed at a level considerably lower,
+ for, tall as he was, nothing but his weirdly tousled head remained
+ visible. Something again far off, and yet familiar, pleased me about this
+ way of invading the houses of men. I thought of little chimney-sweeps, and
+ `The Water Babies;&rsquo; but I decided that it was not that. Then I
+ remembered what it was that made me connect such topsy-turvy trespass with
+ ideas quite opposite to the idea of crime. Christmas Eve, of course, and
+ Santa Claus coming down the chimney.
+ </p>
+ <p>
+ &ldquo;Almost at the same instant the hairy head disappeared into the
+ black hole; but I heard a voice calling to me from below. A second or two
+ afterwards, the hairy head reappeared; it was dark against the more fiery
+ part of the fog, and nothing could be spelt of its expression, but its
+ voice called on me to follow with that enthusiastic impatience proper only
+ among old friends. I jumped into the gulf, and as blindly as Curtius, for
+ I was still thinking of Santa Claus and the traditional virtue of such
+ vertical entrance.
+ </p>
+ <p>
+ &ldquo;In every well-appointed gentleman&rsquo;s house, I reflected, there
+ was the front door for the gentlemen, and the side door for the tradesmen;
+ but there was also the top door for the gods. The chimney is, so to speak,
+ the underground passage between earth and heaven. By this starry tunnel
+ Santa Claus manages&mdash;like the skylark&mdash; to be true to the
+ kindred points of heaven and home. Nay, owing to certain conventions, and
+ a widely distributed lack of courage for climbing, this door was, perhaps,
+ little used. But Santa Claus&rsquo;s door was really the front door: it
+ was the door fronting the universe.
+ </p>
+ <p>
+ &ldquo;I thought this as I groped my way across the black garret, or loft
+ below the roof, and scrambled down the squat ladder that let us down into
+ a yet larger loft below. Yet it was not till I was half-way down the
+ ladder that I suddenly stood still, and thought for an instant of
+ retracing all my steps, as my companion had retraced them from the
+ beginning of the garden wall. The name of Santa Claus had suddenly brought
+ me back to my senses. I remembered why Santa Clause came, and why he was
+ welcome.
+ </p>
+ <p>
+ &ldquo;I was brought up in the propertied classes, and with all their
+ horror of offences against property. I had heard all the regular
+ denunciations of robbery, both right and wrong; I had read the Ten
+ Commandments in church a thousand times. And then and there, at the age of
+ thirty-four, half-way down a ladder in a dark room in the bodily act of
+ burglar, I saw suddenly for the first time that theft, after all, is
+ really wrong.
+ </p>
+ <p>
+ &ldquo;It was too late to turn back, however, and I followed the strangely
+ soft footsteps of my huge companion across the lower and larger loft, till
+ he knelt down on a part of the bare flooring and, after a few fumbling
+ efforts, lifted a sort of trapdoor. This released a light from below, and
+ we found ourselves looking down into a lamp-lit sitting room, of the sort
+ that in large houses often leads out of a bedroom, and is an adjunct to
+ it. Light thus breaking from beneath our feet like a soundless explosion,
+ showed that the trapdoor just lifted was clogged with dust and rust, and
+ had doubtless been long disused until the advent of my enterprising
+ friend. But I did not look at this long, for the sight of the shining room
+ underneath us had an almost unnatural attractiveness. To enter a modern
+ interior at so strange an angle, by so forgotten a door, was an epoch in
+ one&rsquo;s psychology. It was like having found a fourth dimension.
+ </p>
+ <p>
+ &ldquo;My companion dropped from the aperture into the room so suddenly
+ and soundlessly, that I could do nothing but follow him; though, for lack
+ of practice in crime, I was by no means soundless. Before the echo of my
+ boots had died away, the big burglar had gone quickly to the door, half
+ opened it, and stood looking down the staircase and listening. Then,
+ leaving the door still half open, he came back into the middle of the
+ room, and ran his roving blue eye round its furniture and ornament. The
+ room was comfortably lined with books in that rich and human way that
+ makes the walls seem alive; it was a deep and full, but slovenly,
+ bookcase, of the sort that is constantly ransacked for the purposes of
+ reading in bed. One of those stunted German stoves that look like red
+ goblins stood in a corner, and a sideboard of walnut wood with closed
+ doors in its lower part. There were three windows, high but narrow. After
+ another glance round, my housebreaker plucked the walnut doors open and
+ rummaged inside. He found nothing there, apparently, except an extremely
+ handsome cut-glass decanter, containing what looked like port. Somehow the
+ sight of the thief returning with this ridiculous little luxury in his
+ hand woke within me once more all the revelation and revulsion I had felt
+ above.
+ </p>
+ <p>
+ &ldquo;`Don&rsquo;t do it!&rsquo; I cried quite incoherently, `Santa Claus&mdash;&rsquo;
+ </p>
+ <p>
+ &ldquo;`Ah,&rsquo; said the burglar, as he put the decanter on the table
+ and stood looking at me, `you&rsquo;ve thought about that, too.&rsquo;
+ </p>
+ <p>
+ &ldquo;`I can&rsquo;t express a millionth part of what I&rsquo;ve thought
+ of,&rsquo; I cried, `but it&rsquo;s something like this... oh, can&rsquo;t
+ you see it? Why are children not afraid of Santa Claus, though he comes
+ like a thief in the night? He is permitted secrecy, trespass, almost
+ treachery&mdash;because there are more toys where he has been. What should
+ we feel if there were less? Down what chimney from hell would come the
+ goblin that should take away the children&rsquo;s balls and dolls while
+ they slept? Could a Greek tragedy be more gray and cruel than that
+ daybreak and awakening? Dog-stealer, horse-stealer, man-stealer&mdash;can
+ you think of anything so base as a toy-stealer?&rsquo;
+ </p>
+ <p>
+ &ldquo;The burglar, as if absently, took a large revolver from his pocket
+ and laid it on the table beside the decanter, but still kept his blue
+ reflective eyes fixed on my face.
+ </p>
+ <p>
+ &ldquo;`Man!&rsquo; I said, `all stealing is toy-stealing. That&rsquo;s
+ why it&rsquo;s really wrong. The goods of the unhappy children of men
+ should be really respected because of their worthlessness. I know Naboth&rsquo;s
+ vineyard is as painted as Noah&rsquo;s Ark. I know Nathan&rsquo;s ewe-lamb
+ is really a woolly baa-lamb on a wooden stand. That is why I could not
+ take them away. I did not mind so much, as long as I thought of men&rsquo;s
+ things as their valuables; but I dare not put a hand upon their vanities.&rsquo;
+ </p>
+ <p>
+ &ldquo;After a moment I added abruptly, `Only saints and sages ought to be
+ robbed. They may be stripped and pillaged; but not the poor little worldly
+ people of the things that are their poor little pride.&rsquo;
+ </p>
+ <p>
+ &ldquo;He set out two wineglasses from the cupboard, filled them both, and
+ lifted one of them with a salutation towards his lips.
+ </p>
+ <p>
+ &ldquo;`Don&rsquo;t do it!&rsquo; I cried. `It might be the last bottle of
+ some rotten vintage or other. The master of this house may be quite proud
+ of it. Don&rsquo;t you see there&rsquo;s something sacred in the silliness
+ of such things?&rsquo;
+ </p>
+ <p>
+ &ldquo;`It&rsquo;s not the last bottle,&rsquo; answered my criminal
+ calmly; `there&rsquo;s plenty more in the cellar.&rsquo;
+ </p>
+ <p>
+ &ldquo;`You know the house, then?&rsquo; I said.
+ </p>
+ <p>
+ &ldquo;`Too well,&rsquo; he answered, with a sadness so strange as to have
+ something eerie about it. `I am always trying to forget what I know&mdash;
+ and to find what I don&rsquo;t know.&rsquo; He drained his glass.
+ `Besides,&rsquo; he added, `it will do him good.&rsquo;
+ </p>
+ <p>
+ &ldquo;`What will do him good?&rsquo;
+ </p>
+ <p>
+ &ldquo;`The wine I&rsquo;m drinking,&rsquo; said the strange person.
+ </p>
+ <p>
+ &ldquo;`Does he drink too much, then?&rsquo; I inquired.
+ </p>
+ <p>
+ &ldquo;`No,&rsquo; he answered, `not unless I do.&rsquo;
+ </p>
+ <p>
+ &ldquo;`Do you mean,&rsquo; I demanded, `that the owner of this house
+ approves of all you do?&rsquo;
+ </p>
+ <p>
+ &ldquo;`God forbid,&rsquo; he answered; `but he has to do the same.&rsquo;
+ </p>
+ <p>
+ &ldquo;The dead face of the fog looking in at all three windows
+ unreasonable increased a sense of riddle, and even terror, about this
+ tall, narrow house we had entered out of the sky. I had once more the
+ notion about the gigantic genii&mdash; I fancied that enormous Egyptian
+ faces, of the dead reds and yellows of Egypt, were staring in at each
+ window of our little lamp-lit room as at a lighted stage of marionettes.
+ My companion went on playing with the pistol in front of him, and talking
+ with the same rather creepy confidentialness.
+ </p>
+ <p>
+ &ldquo;`I am always trying to find him&mdash;to catch him unawares. I come
+ in through skylights and trapdoors to find him; but whenever I find him&mdash;he
+ is doing what I am doing.&rsquo;
+ </p>
+ <p>
+ &ldquo;I sprang to my feet with a thrill of fear. `There is some one
+ coming,&rsquo; I cried, and my cry had something of a shriek in it. Not
+ from the stairs below, but along the passage from the inner bedchamber
+ (which seemed somehow to make it more alarming), footsteps were coming
+ nearer. I am quite unable to say what mystery, or monster, or double, I
+ expected to see when the door was pushed open from within. I am only quite
+ certain that I did not expect to see what I did see.
+ </p>
+ <p>
+ &ldquo;Framed in the open doorway stood, with an air of great serenity, a
+ rather tall young woman, definitely though indefinably artistic&mdash; her
+ dress the colour of spring and her hair of autumn leaves, with a face
+ which, though still comparatively young, conveyed experience as well as
+ intelligence. All she said was, `I didn&rsquo;t hear you come in.&rsquo;
+ </p>
+ <p>
+ &ldquo;`I came in another way,&rsquo; said the Permeator, somewhat
+ vaguely. `I&rsquo;d left my latchkey at home.&rsquo;
+ </p>
+ <p>
+ &ldquo;I got to my feet in a mixture of politeness and mania. `I&rsquo;m
+ really very sorry,&rsquo; I cried. `I know my position is irregular. Would
+ you be so obliging as to tell me whose house this is?&rsquo;
+ </p>
+ <p>
+ &ldquo;`Mine,&rsquo; said the burglar, `May I present you to my wife?&rsquo;
+ </p>
+ <p>
+ &ldquo;I doubtfully, and somewhat slowly, resumed my seat; and I did not
+ get out of it till nearly morning. Mrs. Smith (such was the prosaic name
+ of this far from prosaic household) lingered a little, talking slightly
+ and pleasantly. She left on my mind the impression of a certain odd
+ mixture of shyness and sharpness; as if she knew the world well, but was
+ still a little harmlessly afraid of it. Perhaps the possession of so jumpy
+ and incalculable a husband had left her a little nervous. Anyhow, when she
+ had retired to the inner chamber once more, that extraordinary man poured
+ forth his apologia and autobiography over the dwindling wine.
+ </p>
+ <p>
+ &ldquo;He had been sent to Cambridge with a view to a mathematical and
+ scientific, rather than a classical or literary, career. A starless
+ nihilism was then the philosophy of the schools; and it bred in him a war
+ between the members and the spirit, but one in which the members were
+ right. While his brain accepted the black creed, his very body rebelled
+ against it. As he put it, his right hand taught him terrible things. As
+ the authorities of Cambridge University put it, unfortunately, it had
+ taken the form of his right hand flourishing a loaded firearm in the very
+ face of a distinguished don, and driving him to climb out of the window
+ and cling to a waterspout. He had done it solely because the poor don had
+ professed in theory a preference for non-existence. For this very
+ unacademic type of argument he had been sent down. Vomiting as he was with
+ revulsion, from the pessimism that had quailed under his pistol, he made
+ himself a kind of fanatic of the joy of life. He cut across all the
+ associations of serious-minded men. He was gay, but by no means careless.
+ His practical jokes were more in earnest than verbal ones. Though not an
+ optimist in the absurd sense of maintaining that life is all beer and
+ skittles, he did really seem to maintain that beer and skittles are the
+ most serious part of it. `What is more immortal,&rsquo; he would cry,
+ `than love and war? Type of all desire and joy&mdash;beer. Type of all
+ battle and conquest&mdash;skittles.&rsquo;
+ </p>
+ <p>
+ &ldquo;There was something in him of what the old world called the
+ solemnity of revels&mdash;when they spoke of `solemnizing&rsquo; a mere
+ masquerade or wedding banquet. Nevertheless he was not a mere pagan any
+ more than he was a mere practical joker. His eccentricities sprang from a
+ static fact of faith, in itself mystical, and even childlike and
+ Christian.
+ </p>
+ <p>
+ &ldquo;`I don&rsquo;t deny,&rsquo; he said, `that there should be priests
+ to remind men that they will one day die. I only say that at certain
+ strange epochs it is necessary to have another kind of priests, called
+ poets, actually to remind men that they are not dead yet. The
+ intellectuals among whom I moved were not even alive enough to fear death.
+ They hadn&rsquo;t enough blood in them to be cowards. Until a pistol
+ barrel was poked under their very noses they never even knew they had been
+ born. For ages looking up an eternal perspective it might be true that
+ life is a learning to die. But for these little white rats it was just as
+ true that death was their only chance of learning to live.&rsquo;
+ </p>
+ <p>
+ &ldquo;His creed of wonder was Christian by this absolute test; that he
+ felt it continually slipping from himself as much as from others. He had
+ the same pistol for himself, as Brutus said of the dagger. He continually
+ ran preposterous risks of high precipice or headlong speed to keep alive
+ the mere conviction that he was alive. He treasured up trivial and yet
+ insane details that had once reminded him of the awful subconscious
+ reality. When the don had hung on the stone gutter, the sight of his long
+ dangling legs, vibrating in the void like wings, somehow awoke the naked
+ satire of the old definition of man as a two-legged animal without
+ feathers. The wretched professor had been brought into peril by his head,
+ which he had so elaborately cultivated, and only saved by his legs, which
+ he had treated with coldness and neglect. Smith could think of no other
+ way of announcing or recording this, except to send a telegram to an old
+ friend (by this time a total stranger) to say that he had just seen a man
+ with two legs; and that the man was alive.
+ </p>
+ <p>
+ &ldquo;The uprush of his released optimism burst into stars like a rocket
+ when he suddenly fell in love. He happened to be shooting a high and very
+ headlong weir in a canoe, by way of proving to himself that he was alive;
+ and he soon found himself involved in some doubt about the continuance of
+ the fact. What was worse, he found he had equally jeopardized a harmless
+ lady alone in a rowing-boat, and one who had provoked death by no
+ professions of philosophic negation. He apologized in wild gasps through
+ all his wild wet labours to bring her to the shore, and when he had done
+ so at last, he seems to have proposed to her on the bank. Anyhow, with the
+ same impetuosity with which he had nearly murdered her, he completely
+ married her; and she was the lady in green to whom I had recently said
+ `good-night.&rsquo;
+ </p>
+ <p>
+ &ldquo;They had settled down in these high narrow houses near Highbury.
+ Perhaps, indeed, that is hardly the word. One could strictly say that
+ Smith was married, that he was very happily married, that he not only did
+ not care for any woman but his wife, but did not seem to care for any
+ place but his home; but perhaps one could hardly say that he had settled
+ down. `I am a very domestic fellow,&rsquo; he explained with gravity, `and
+ have often come in through a broken window rather than be late for tea.&rsquo;
+ </p>
+ <p>
+ &ldquo;He lashed his soul with laughter to prevent it falling asleep. He
+ lost his wife a series of excellent servants by knocking at the door as a
+ total stranger, and asking if Mr. Smith lived there and what kind of a man
+ he was. The London general servant is not used to the master indulging in
+ such transcendental ironies. And it was found impossible to explain to her
+ that he did it in order to feel the same interest in his own affairs that
+ he always felt in other people&rsquo;s.
+ </p>
+ <p>
+ &ldquo;`I know there&rsquo;s a fellow called Smith,&rsquo; he said in his
+ rather weird way, `living in one of the tall houses in this terrace. I
+ know he is really happy, and yet I can never catch him at it.&rsquo;
+ </p>
+ <p>
+ &ldquo;Sometimes he would, of a sudden, treat his wife with a kind of
+ paralyzed politeness, like a young stranger struck with love at first
+ sight. Sometimes he would extend this poetic fear to the very furniture;
+ would seem to apologize to the chair he sat on, and climb the staircase as
+ cautiously as a cragsman, to renew in himself the sense of their skeleton
+ of reality. Every stair is a ladder and every stool a leg, he said. And at
+ other times he would play the stranger exactly in the opposite sense, and
+ would enter by another way, so as to feel like a thief and a robber. He
+ would break and violate his own home, as he had done with me that night.
+ It was near morning before I could tear myself from this queer confidence
+ of the Man Who Would Not Die, and as I shook hands with him on the
+ doorstep the last load of fog was lifting, and rifts of daylight revealed
+ the stairway of irregular street levels that looked like the end of the
+ world.
+ </p>
+ <p>
+ &ldquo;It will be enough for many to say that I had passed a night with a
+ maniac. What other term, it will be said, could be applied to such a
+ being? A man who reminds himself that he is married by pretending not to
+ be married! A man who tries to covet his own goods instead of his neighbor&rsquo;s!
+ On this I have but one word to say, and I feel it of my honour to say it,
+ though no one understands. I believe the maniac was one of those who do
+ not merely come, but are sent; sent like a great gale upon ships by Him
+ who made His angels winds and His messengers a flaming fire. This, at
+ least, I know for certain. Whether such men have laughed or wept, we have
+ laughed at their laughter as much as at their weeping. Whether they cursed
+ or blessed the world, they have never fitted it. It is true that men have
+ shrunk from the sting of a great satirist as if from the sting of an
+ adder. But it is equally true that men flee from the embrace of a great
+ optimist as from the embrace of a bear. Nothing brings down more curses
+ than a real benediction. For the goodness of good things, like the badness
+ of bad things, is a prodigy past speech; it is to be pictured rather than
+ spoken. We shall have gone deeper than the deeps of heaven and grown older
+ than the oldest angels before we feel, even in its first faint vibrations,
+ the everlasting violence of that double passion with which God hates and
+ loves the world.&mdash;I am, yours faithfully, &ldquo;Raymond Percy.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, &lsquo;oly, &lsquo;oly, &lsquo;oly!&rdquo; said Mr. Moses
+ Gould.
+ </p>
+ <p>
+ The instant he had spoken all the rest knew they had been in an almost
+ religious state of submission and assent. Something had bound them
+ together; something in the sacred tradition of the last two words of the
+ letter; something also in the touching and boyish embarrassment with which
+ Inglewood had read them&mdash; for he had all the thin-skinned reverence
+ of the agnostic. Moses Gould was as good a fellow in his way as ever
+ lived; far kinder to his family than more refined men of pleasure, simple
+ and steadfast in his admiration, a thoroughly wholesome animal and a
+ thoroughly genuine character. But wherever there is conflict, crises come
+ in which any soul, personal or racial, unconsciously turns on the world
+ the most hateful of its hundred faces. English reverence, Irish mysticism,
+ American idealism, looked up and saw on the face of Moses a certain smile.
+ It was that smile of the Cynic Triumphant, which has been the tocsin for
+ many a cruel riot in Russian villages or mediaeval towns.
+ </p>
+ <p>
+ &ldquo;Oh, &lsquo;oly, &lsquo;oly, &lsquo;oly!&rdquo; said Moses Gould.
+ </p>
+ <p>
+ Finding that this was not well received, he explained further, exuberance
+ deepening on his dark exuberant features.
+ </p>
+ <p>
+ &ldquo;Always fun to see a bloke swallow a wasp when &lsquo;e&rsquo;s
+ corfin&rsquo; up a fly,&rdquo; he said pleasantly. &ldquo;Don&rsquo;t you
+ see you&rsquo;ve bunged up old Smith anyhow. If this parson&rsquo;s tale&rsquo;s
+ O.K.&mdash;why, Smith is &lsquo;ot. &lsquo;E&rsquo;s pretty &lsquo;ot. We
+ find him elopin&rsquo; with Miss Gray (best respects!) in a cab. Well,
+ what abart this Mrs. Smith the curate talks of, with her blarsted shyness&mdash;transmigogrified
+ into a blighted sharpness? Miss Gray ain&rsquo;t been very sharp, but I
+ reckon she&rsquo;ll be pretty shy.&rdquo;
+ </p>
+ <p>
+ &ldquo;Don&rsquo;t be a brute,&rdquo; growled Michael Moon.
+ </p>
+ <p>
+ None could lift their eyes to look at Mary; but Inglewood sent a glance
+ along the table at Innocent Smith. He was still bowed above his paper
+ toys, and a wrinkle was on his forehead that might have been worry or
+ shame. He carefully plucked out one corner of a complicated paper and
+ tucked it in elsewhere; then the wrinkle vanished and he looked relieved.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2HCH0008" id="link2HCH0008"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ Chapter III &mdash; The Round Road; or, the Desertion Charge
+ </h2>
+ <p>
+ Pym rose with sincere embarrassment; for he was an American, and his
+ respect for ladies was real, and not at all scientific.
+ </p>
+ <p>
+ &ldquo;Ignoring,&rdquo; he said, &ldquo;the delicate and considerable
+ knightly protests that have been called forth by my colleague&rsquo;s
+ native sense of oration, and apologizing to all for whom our wild search
+ for truth seems unsuitable to the grand ruins of a feudal land, I still
+ think my colleague&rsquo;s question by no means devoid of rel&rsquo;vancy.
+ The last charge against the accused was one of burglary; the next charge
+ on the paper is of bigamy and desertion. It does without question appear
+ that the defence, in aspiring to rebut this last charge, have really
+ admitted the next. Either Innocent Smith is still under a charge of
+ attempted burglary, or else that is exploded; but he is pretty well fixed
+ for attempted bigamy. It all depends on what view we take of the alleged
+ letter from Curate Percy. Under these conditions I feel justified in
+ claiming my right to questions. May I ask how the defence got hold of the
+ letter from Curate Percy? Did it come direct from the prisoner?&rdquo;
+ </p>
+ <p>
+ &ldquo;We have had nothing direct from the prisoner,&rdquo; said Moon
+ quietly. &ldquo;The few documents which the defence guarantees came to us
+ from another quarter.&rdquo;
+ </p>
+ <p>
+ &ldquo;From what quarter?&rdquo; asked Dr. Pym.
+ </p>
+ <p>
+ &ldquo;If you insist,&rdquo; answered Moon, &ldquo;we had them from Miss
+ Gray.
+ </p>
+ <p>
+ &ldquo;Dr. Cyrus Pym quite forgot to close his eyes, and, instead, opened
+ them very wide.
+ </p>
+ <p>
+ &ldquo;Do you really mean to say,&rdquo; he said, &ldquo;that Miss Gray
+ was in possession of this document testifying to a previous Mrs. Smith?&rdquo;
+ </p>
+ <p>
+ &ldquo;Quite so,&rdquo; said Inglewood, and sat down.
+ </p>
+ <p>
+ The doctor said something about infatuation in a low and painful voice,
+ and then with visible difficulty continued his opening remarks.
+ </p>
+ <p>
+ &ldquo;Unfortunately the tragic truth revealed by Curate Percy&rsquo;s
+ narrative is only too crushingly confirmed by other and shocking documents
+ in our own possession. Of these the principal and most certain is the
+ testimony of Innocent Smith&rsquo;s gardener, who was present at the most
+ dramatic and eye-opening of his many acts of marital infidelity. Mr.
+ Gould, the gardener, please.&rdquo;
+ </p>
+ <p>
+ Mr. Gould, with his tireless cheerfulness, arose to present the gardener.
+ That functionary explained that he had served Mr. and Mrs. Innocent Smith
+ when they had a little house on the edge of Croydon. From the gardener&rsquo;s
+ tale, with its many small allusions, Inglewood grew certain he had seen
+ the place. It was one of those corners of town or country that one does
+ not forget, for it looked like a frontier. The garden hung very high above
+ the lane, and its end was steep and sharp, like a fortress. Beyond was a
+ roll of real country, with a white path sprawling across it, and the
+ roots, boles, and branches of great gray trees writhing and twisting
+ against the sky. But as if to assert that the lane itself was suburban,
+ were sharply relieved against that gray and tossing upland a lamp-post
+ painted a peculiar yellow-green and a red pillar-box that stood exactly at
+ the corner. Inglewood was sure of the place; he had passed it twenty times
+ in his constitutionals on the bicycle; he had always dimly felt it was a
+ place where something might occur. But it gave him quite a shiver to feel
+ that the face of his frightful friend or enemy Smith might at any time
+ have appeared over the garden bushes above. The gardener&rsquo;s account,
+ unlike the curate&rsquo;s, was quite free from decorative adjectives,
+ however many he may have uttered privately when writing it. He simply said
+ that on a particular morning Mr. Smith came out and began to play about
+ with a rake, as he often did. Sometimes he would tickle the nose of his
+ eldest child (he had two children); sometimes he would hook the rake on to
+ the branch of a tree, and hoist himself up with horrible gymnastic jerks,
+ like those of a giant frog in its final agony. Never, apparently, did he
+ think of putting the rake to any of its proper uses, and the gardener, in
+ consequence, treated his actions with coldness and brevity. But the
+ gardener was certain that on one particular morning in October he (the
+ gardener) had come round the corner of the house carrying the hose, had
+ seen Mr. Smith standing on the lawn in a striped red and white jacket
+ (which might have been his smoking-jacket, but was quite as like a part of
+ his pyjamas), and had heard him then and there call out to his wife, who
+ was looking out of the bedroom window on to the garden, these decisive and
+ very loud expressions&mdash;
+ </p>
+ <p>
+ &ldquo;I won&rsquo;t stay here any longer. I&rsquo;ve got another wife and
+ much better children a long way from here. My other wife&rsquo;s got
+ redder hair than yours, and my other garden&rsquo;s got a much finer
+ situation; and I&rsquo;m going off to them.&rdquo;
+ </p>
+ <p>
+ With these words, apparently, he sent the rake flying far up into the sky,
+ higher than many could have shot an arrow, and caught it again. Then he
+ cleared the hedge at a leap and alighted on his feet down in the lane
+ below, and set off up the road without even a hat. Much of the picture was
+ doubtless supplied by Inglewood&rsquo;s accidental memory of the place. He
+ could see with his mind&rsquo;s eye that big bare-headed figure with the
+ ragged rake swaggering up the crooked woodland road, and leaving lamp-post
+ and pillar-box behind. But the gardener, on his own account, was quite
+ prepared to swear to the public confession of bigamy, to the temporary
+ disappearance of the rake in the sky, and the final disappearance of the
+ man up the road. Moreover, being a local man, he could swear that, beyond
+ some local rumours that Smith had embarked on the south-eastern coast,
+ nothing was known of him again.
+ </p>
+ <p>
+ This impression was somewhat curiously clinched by Michael Moon in the few
+ but clear phrases in which he opened the defence upon the third charge. So
+ far from denying that Smith had fled from Croydon and disappeared on the
+ Continent, he seemed prepared to prove all this on his own account.
+ &ldquo;I hope you are not so insular,&rdquo; he said, &ldquo;that you will
+ not respect the word of a French innkeeper as much as that of an English
+ gardener. By Mr. Inglewood&rsquo;s favour we will hear the French
+ innkeeper.&rdquo;
+ </p>
+ <p>
+ Before the company had decided the delicate point Inglewood was already
+ reading the account in question. It was in French. It seemed to them to
+ run something like this:&mdash;
+ </p>
+ <p>
+ &ldquo;Sir,&mdash;Yes; I am Durobin of Durobin&rsquo;s Cafe on the
+ sea-front at Gras, rather north of Dunquerque. I am willing to write all I
+ know of the stranger out of the sea.
+ </p>
+ <p>
+ &ldquo;I have no sympathy with eccentrics or poets. A man of sense looks
+ for beauty in things deliberately intended to be beautiful, such as a trim
+ flower-bed or an ivory statuette. One does not permit beauty to pervade
+ one&rsquo;s whole life, just as one does not pave all the roads with ivory
+ or cover all the fields with geraniums. My faith, but we should miss the
+ onions!
+ </p>
+ <p>
+ &ldquo;But whether I read things backwards through my memory, or whether
+ there are indeed atmospheres of psychology which the eye of science cannot
+ as yet pierce, it is the humiliating fact that on that particular evening
+ I felt like a poet&mdash;like any little rascal of a poet who drinks
+ absinthe in the mad Montmartre.
+ </p>
+ <p>
+ &ldquo;Positively the sea itself looked like absinthe, green and bitter
+ and poisonous. I had never known it look so unfamiliar before. In the sky
+ was that early and stormy darkness that is so depressing to the mind, and
+ the wind blew shrilly round the little lonely coloured kiosk where they
+ sell the newspapers, and along the sand-hills by the shore. There I saw a
+ fishing-boat with a brown sail standing in silently from the sea. It was
+ already quite close, and out of it clambered a man of monstrous stature,
+ who came wading to shore with the water not up to his knees, though it
+ would have reached the hips of many men. He leaned on a long rake or pole,
+ which looked like a trident, and made him look like a Triton. Wet as he
+ was, and with strips of seaweed clinging to him, he walked across to my
+ cafe, and, sitting down at a table outside, asked for cherry brandy, a
+ liqueur which I keep, but is seldom demanded. Then the monster, with great
+ politeness, invited me to partake of a vermouth before my dinner, and we
+ fell into conversation. He had apparently crossed from Kent by a small
+ boat got at a private bargain because of some odd fancy he had for passing
+ promptly in an easterly direction, and not waiting for any of the official
+ boats. He was, he somewhat vaguely explained, looking for a house. When I
+ naturally asked him where the house was, he answered that he did not know;
+ it was on an island; it was somewhere to the east; or, as he expressed it
+ with a hazy and yet impatient gesture, `over there.&rsquo;
+ </p>
+ <p>
+ &ldquo;I asked him how, if he did not know the place, he would know it
+ when he saw it. Here he suddenly ceased to be hazy, and became alarmingly
+ minute. He gave a description of the house detailed enough for an
+ auctioneer. I have forgotten nearly all the details except the last two,
+ which were that the lamp-post was painted green, and that there was a red
+ pillar-box at the corner.
+ </p>
+ <p>
+ &ldquo;`A red pillar-box!&rsquo; I cried in astonishment. `Why, the place
+ must be in England!&rsquo;
+ </p>
+ <p>
+ &ldquo;`I had forgotten,&rsquo; he said, nodding heavily. `That is the
+ island&rsquo;s name.&rsquo;
+ </p>
+ <p>
+ &ldquo;`But, ~nom du nom~,&rsquo; I cried testily, `you&rsquo;ve just come
+ from England, my boy.&rsquo;
+ </p>
+ <p>
+ &ldquo;`They SAID it was England,&rsquo; said my imbecile,
+ conspiratorially. `They said it was Kent. But Kentish men are such liars
+ one can&rsquo;t believe anything they say.&rsquo;
+ </p>
+ <p>
+ &ldquo;`Monsieur,&rsquo; I said, `you must pardon me. I am elderly, and
+ the ~fumisteries~ of the young men are beyond me. I go by common sense,
+ or, at the largest, by that extension of applied common sense called
+ science.&rsquo;
+ </p>
+ <p>
+ &ldquo;`Science!&rsquo; cried the stranger. `There is only one good thing
+ science ever discovered&mdash;a good thing, good tidings of great joy&mdash;
+ that the world is round.&rsquo;
+ </p>
+ <p>
+ &ldquo;I told him with civility that his words conveyed no impression to
+ my intelligence. `I mean,&rsquo; he said, `that going right round the
+ world is the shortest way to where you are already.&rsquo;
+ </p>
+ <p>
+ &ldquo;`Is it not even shorter,&rsquo; I asked, `to stop where you are?&rsquo;
+ </p>
+ <p>
+ &ldquo;`No, no, no!&rsquo; he cried emphatically. `That way is long and
+ very weary. At the end of the world, at the back of the dawn, I shall find
+ the wife I really married and the house that is really mine. And that
+ house will have a greener lamp-post and a redder pillar-box. Do you,&rsquo;
+ he asked with a sudden intensity, `do you never want to rush out of your
+ house in order to find it?&rsquo;
+ </p>
+ <p>
+ &ldquo;`No, I think not,&rsquo; I replied; `reason tells a man from the
+ first to adapt his desires to the probable supply of life. I remain here,
+ content to fulfil the life of man. All my interests are here, and most of
+ my friends, and&mdash;&rsquo;
+ </p>
+ <p>
+ &ldquo;`And yet,&rsquo; he cried, starting to his almost terrific height,
+ `you made the French Revolution!&rsquo;
+ </p>
+ <p>
+ &ldquo;`Pardon me,&rsquo; I said, `I am not quite so elderly. A relative
+ perhaps.&rsquo;
+ </p>
+ <p>
+ &ldquo;`I mean your sort did!&rsquo; exclaimed this personage. `Yes, your
+ damned smug, settled, sensible sort made the French Revolution. Oh! I know
+ some say it was no good, and you&rsquo;re just back where you were before.
+ Why, blast it all, that&rsquo;s just where we all want to be&mdash;back
+ where we were before! That is revolution&mdash;going right round! Every
+ revolution, like a repentance, is a return.&rsquo;
+ </p>
+ <p>
+ &ldquo;He was so excited that I waited till he had taken his seat again,
+ and then said something indifferent and soothing; but he struck the tiny
+ table with his colossal fist and went on.
+ </p>
+ <p>
+ &ldquo;`I am going to have a revolution, not a French Revolution, but an
+ English Revolution. God has given to each tribe its own type of mutiny.
+ The Frenchmen march against the citadel of the city together; the
+ Englishman marches to the outskirts of the city, and alone. But I am going
+ to turn the world upside down, too. I&rsquo;m going to turn myself upside
+ down. I&rsquo;m going to walk upside down in the cursed upsidedownland of
+ the Antipodes, where trees and men hang head downward in the sky. But my
+ revolution, like yours, like the earth&rsquo;s, will end up in the holy,
+ happy place&mdash; the celestial, incredible place&mdash;the place where
+ we were before.&rsquo;
+ </p>
+ <p>
+ &ldquo;With these remarks, which can scarcely be reconciled with reason,
+ he leapt from the seat and strode away into the twilight, swinging his
+ pole and leaving behind him an excessive payment, which also pointed to
+ some loss of mental balance. This is all I know of the episode of the man
+ landed from the fishing-boat, and I hope it may serve the interests of
+ justice.&mdash; Accept, Sir, the assurances of the very high
+ consideration, with which I have the honour to be your obedient servant,
+ &ldquo;Jules Durobin.&rdquo;
+ </p>
+ <p>
+ &ldquo;The next document in our dossier,&rdquo; continued Inglewood,
+ &ldquo;comes from the town of Crazok, in the central plains of Russia, and
+ runs as follows:&mdash;
+ </p>
+ <p>
+ &ldquo;Sir,&mdash;My name is Paul Nickolaiovitch: I am the stationmaster
+ at the station near Crazok. The great trains go by across the plains
+ taking people to China, but very few people get down at the platform where
+ I have to watch. This makes my life rather lonely, and I am thrown back
+ much upon the books I have. But I cannot discuss these very much with my
+ neighbours, for enlightened ideas have not spread in this part of Russia
+ so much as in other parts. Many of the peasants round here have never
+ heard of Bernard Shaw.
+ </p>
+ <p>
+ &ldquo;I am a Liberal, and do my best to spread Liberal ideas; but since
+ the failure of the revolution this has been even more difficult. The
+ revolutionists committed many acts contrary to the pure principles of
+ humanitarianism, with which indeed, owing to the scarcity of books, they
+ were ill acquainted. I did not approve of these cruel acts, though
+ provoked by the tyranny of the government; but now there is a tendency to
+ reproach all Intelligents with the memory of them. This is very
+ unfortunate for Intelligents.
+ </p>
+ <p>
+ &ldquo;It was when the railway strike was almost over, and a few trains
+ came through at long intervals, that I stood one day watching a train that
+ had come in. Only one person got out of the train, far away up at the
+ other end of it, for it was a very long train. It was evening, with a
+ cold, greenish sky. A little snow had fallen, but not enough to whiten the
+ plain, which stretched away a sort of sad purple in all directions, save
+ where the flat tops of some distant tablelands caught the evening light
+ like lakes. As the solitary man came stamping along on the thin snow by
+ the train he grew larger and larger; I thought I had never seen so large a
+ man. But he looked even taller than he was, I think, because his shoulders
+ were very big and his head comparatively little. From the big shoulders
+ hung a tattered old jacket, striped dull red and dirty white, very thin
+ for the winter, and one hand rested on a huge pole such as peasants rake
+ in weeds with to burn them.
+ </p>
+ <p>
+ &ldquo;Before he had traversed the full length of the train he was
+ entangled in one of those knots of rowdies that were the embers of the
+ extinct revolution, though they mostly disgraced themselves upon the
+ government side. I was just moving to his assistance, when he whirled up
+ his rake and laid out right and left with such energy that he came through
+ them without scathe and strode right up to me, leaving them staggered and
+ really astonished.
+ </p>
+ <p>
+ &ldquo;Yet when he reached me, after so abrupt an assertion of his aim, he
+ could only say rather dubiously in French that he wanted a house.
+ </p>
+ <p>
+ &ldquo;`There are not many houses to be had round here,&rsquo; I answered
+ in the same language, `the district has been very disturbed. A revolution,
+ as you know, has recently been suppressed. Any further building&mdash;&rsquo;
+ </p>
+ <p>
+ &ldquo;`Oh! I don&rsquo;t mean that,&rsquo; he cried; `I mean a real house&mdash;a
+ live house. It really is a live house, for it runs away from me.&rsquo;
+ </p>
+ <p>
+ &ldquo;`I am ashamed to say that something in his phrase or gesture moved
+ me profoundly. We Russians are brought up in an atmosphere of folk-lore,
+ and its unfortunate effects can still be seen in the bright colours of the
+ children&rsquo;s dolls and of the ikons. For an instant the idea of a
+ house running away from a man gave me pleasure, for the enlightenment of
+ man moves slowly.
+ </p>
+ <p>
+ &ldquo;`Have you no other house of your own?&rsquo; I asked.
+ </p>
+ <p>
+ &ldquo;`I have left it,&rsquo; he said very sadly. `It was not the house
+ that grew dull, but I that grew dull in it. My wife was better than all
+ women, and yet I could not feel it.&rsquo;
+ </p>
+ <p>
+ &ldquo;`And so,&rsquo; I said with sympathy, `you walked straight out of
+ the front door, like a masculine Nora.&rsquo;
+ </p>
+ <p>
+ &ldquo;`Nora?&rsquo; he inquired politely, apparently supposing it to be a
+ Russian word.
+ </p>
+ <p>
+ &ldquo;`I mean Nora in &ldquo;The Doll&rsquo;s House,&rdquo;&rsquo; I
+ replied.
+ </p>
+ <p>
+ &ldquo;At this he looked very much astonished, and I knew he was an
+ Englishman; for Englishmen always think that Russians study nothing but
+ `ukases.&rsquo;
+ </p>
+ <p>
+ &ldquo;`"The Doll&rsquo;s House&rdquo;?&rsquo; he cried vehemently; `why,
+ that is just where Ibsen was so wrong! Why, the whole aim of a house is to
+ be a doll&rsquo;s house. Don&rsquo;t you remember, when you were a child,
+ how those little windows WERE windows, while the big windows weren&rsquo;t.
+ A child has a doll&rsquo;s house, and shrieks when a front door opens
+ inwards. A banker has a real house, yet how numerous are the bankers who
+ fail to emit the faintest shriek when their real front doors open inwards.&rsquo;
+ </p>
+ <p>
+ &ldquo;Something from the folk-lore of my infancy still kept me foolishly
+ silent; and before I could speak, the Englishman had leaned over and was
+ saying in a sort of loud whisper, `I have found out how to make a big
+ thing small. I have found out how to turn a house into a doll&rsquo;s
+ house. Get a long way off it: God lets us turn all things into toys by his
+ great gift of distance. Once let me see my old brick house standing up
+ quite little against the horizon, and I shall want to go back to it again.
+ I shall see the funny little toy lamp-post painted green against the gate,
+ and all the dear little people like dolls looking out of the window. For
+ the windows really open in my doll&rsquo;s house.&rsquo;
+ </p>
+ <p>
+ &ldquo;`But why?&rsquo; I asked, `should you wish to return to that
+ particular doll&rsquo;s house? Having taken, like Nora, the bold step
+ against convention, having made yourself in the conventional sense
+ disreputable, having dared to be free, why should you not take advantage
+ of your freedom? As the greatest modern writers have pointed out, what you
+ called your marriage was only your mood. You have a right to leave it all
+ behind, like the clippings of your hair or the parings of your nails.
+ Having once escaped, you have the world before you. Though the words may
+ seem strange to you, you are free in Russia.&rsquo;
+ </p>
+ <p>
+ &ldquo;He sat with his dreamy eyes on the dark circles of the plains,
+ where the only moving thing was the long and labouring trail of smoke out
+ of the railway engine, violet in tint, volcanic in outline, the one hot
+ and heavy cloud of that cold clear evening of pale green.
+ </p>
+ <p>
+ &ldquo;`Yes,&rsquo; he said with a huge sigh, `I am free in Russia. You
+ are right. I could really walk into that town over there and have love all
+ over again, and perhaps marry some beautiful woman and begin again, and
+ nobody could ever find me. Yes, you have certainly convinced me of
+ something.&rsquo;
+ </p>
+ <p>
+ &ldquo;His tone was so queer and mystical that I felt impelled to ask him
+ what he meant, and of what exactly I had convinced him.
+ </p>
+ <p>
+ &ldquo;`You have convinced me,&rsquo; he said with the same dreamy eye,
+ `why it is really wicked and dangerous for a man to run away from his
+ wife.&rsquo;
+ </p>
+ <p>
+ &ldquo;`And why is it dangerous?&rsquo; I inquired.
+ </p>
+ <p>
+ &ldquo;`Why, because nobody can find him,&rsquo; answered this odd person,
+ `and we all want to be found.&rsquo;
+ </p>
+ <p>
+ &ldquo;`The most original modern thinkers,&rsquo; I remarked, `Ibsen,
+ Gorki, Nietzsche, Shaw, would all rather say that what we want most is to
+ be lost: to find ourselves in untrodden paths, and to do unprecedented
+ things: to break with the past and belong to the future.&rsquo;
+ </p>
+ <p>
+ &ldquo;He rose to his whole height somewhat sleepily, and looked round on
+ what was, I confess, a somewhat desolate scene&mdash;the dark purple
+ plains, the neglected railroad, the few ragged knots of malcontents. `I
+ shall not find the house here,&rsquo; he said. `It is still eastward&mdash;
+ further and further eastward.&rsquo;
+ </p>
+ <p>
+ &ldquo;Then he turned upon me with something like fury, and struck the
+ foot of his pole upon the frozen earth.
+ </p>
+ <p>
+ &ldquo;`And if I do go back to my country,&rsquo; he cried, `I may be
+ locked up in a madhouse before I reach my own house. I have been a bit
+ unconventional in my time! Why, Nietzsche stood in a row of ramrods in the
+ silly old Prussian army, and Shaw takes temperance beverages in the
+ suburbs; but the things I do are unprecedented things. This round road I
+ am treading is an untrodden path. I do believe in breaking out; I am a
+ revolutionist. But don&rsquo;t you see that all these real leaps and
+ destructions and escapes are only attempts to get back to Eden&mdash; to
+ something we have had, to something we at least have heard of? Don&rsquo;t
+ you see one only breaks the fence or shoots the moon in order to get HOME?&rsquo;
+ </p>
+ <p>
+ &ldquo;`No,&rsquo; I answered after due reflection, `I don&rsquo;t think I
+ should accept that.&rsquo;
+ </p>
+ <p>
+ &ldquo;`Ah,&rsquo; he said with a sort of a sigh, `then you have explained
+ a second thing to me.&rsquo;
+ </p>
+ <p>
+ &ldquo;`What do you mean?&rsquo; I asked; `what thing?&rsquo;
+ </p>
+ <p>
+ &ldquo;`Why your revolution has failed,&rsquo; he said; and walking across
+ quite suddenly to the train he got into it just as it was steaming away at
+ last. And as I saw the long snaky tail of it disappear along the darkening
+ flats.
+ </p>
+ <p>
+ &ldquo;I saw no more of him. But though his views were adverse to the best
+ advanced thought, he struck me as an interesting person: I should like to
+ find out if he has produced any literary works.&mdash;Yours, etc., &ldquo;Paul
+ Nickolaiovitch.&rdquo;
+ </p>
+ <p>
+ There was something in this odd set of glimpses into foreign lives which
+ kept the absurd tribunal quieter than it had hitherto been, and it was
+ again without interruption that Inglewood opened another paper upon his
+ pile. &ldquo;The Court will be indulgent,&rdquo; he said, &ldquo;if the
+ next note lacks the special ceremonies of our letter-writing. It is
+ ceremonious enough in its own way:&mdash;
+ </p>
+ <p>
+ &ldquo;The Celestial Principles are permanent: Greeting.&mdash;I am
+ Wong-Hi, and I tend the temple of all the ancestors of my family in the
+ forest of Fu. The man that broke through the sky and came to me said that
+ it must be very dull, but I showed him the wrongness of his thought. I am
+ indeed in one place, for my uncle took me to this temple when I was a boy,
+ and in this I shall doubtless die. But if a man remain in one place he
+ shall see that the place changes. The pagoda of my temple stands up
+ silently out of all the trees, like a yellow pagoda above many green
+ pagodas. But the skies are sometimes blue like porcelain, and sometimes
+ green like jade, and sometimes red like garnet. But the night is always
+ ebony and always returns, said the Emperor Ho.
+ </p>
+ <p>
+ &ldquo;The sky-breaker came at evening very suddenly, for I had hardly
+ seen any stirring in the tops of the green trees over which I look as over
+ a sea, when I go to the top of the temple at morning. And yet when he
+ came, it was as if an elephant had strayed from the armies of the great
+ kings of India. For palms snapped, and bamboos broke, and there came forth
+ in the sunshine before the temple one taller than the sons of men.
+ </p>
+ <p>
+ &ldquo;Strips of red and white hung about him like ribbons of a carnival,
+ and he carried a pole with a row of teeth on it like the teeth of a
+ dragon. His face was white and discomposed, after the fashion of the
+ foreigners, so that they look like dead men filled with devils; and he
+ spoke our speech brokenly.
+ </p>
+ <p>
+ &ldquo;He said to me, `This is only a temple; I am trying to find a house.&rsquo;
+ And then he told me with indelicate haste that the lamp outside his house
+ was green, and that there was a red post at the corner of it.
+ </p>
+ <p>
+ &ldquo;`I have not seen your house nor any houses,&rsquo; I answered. `I
+ dwell in this temple and serve the gods.&rsquo;
+ </p>
+ <p>
+ &ldquo;`Do you believe in the gods?&rsquo; he asked with hunger in his
+ eyes, like the hunger of dogs. And this seemed to me a strange question to
+ ask, for what should a man do except what men have done?
+ </p>
+ <p>
+ &ldquo;`My Lord,&rsquo; I said, `it must be good for men to hold up their
+ hands even if the skies are empty. For if there are gods, they will be
+ pleased, and if there are none, then there are none to be displeased.
+ Sometimes the skies are gold and sometimes porphyry and sometimes ebony,
+ but the trees and the temple stand still under it all. So the great
+ Confucius taught us that if we do always the same things with our hands
+ and our feet as do the wise beasts and birds, with our heads we may think
+ many things: yes, my Lord, and doubt many things. So long as men offer
+ rice at the right season, and kindle lanterns at the right hour, it
+ matters little whether there be gods or no. For these things are not to
+ appease gods, but to appease men.&rsquo;
+ </p>
+ <p>
+ &ldquo;He came yet closer to me, so that he seemed enormous; yet his look
+ was very gentle.
+ </p>
+ <p>
+ &ldquo;`Break your temple,&rsquo; he said, `and your gods will be freed.&rsquo;
+ </p>
+ <p>
+ &ldquo;And I, smiling at his simplicity, answered: `And so, if there be no
+ gods, I shall have nothing but a broken temple.&rsquo;
+ </p>
+ <p>
+ &ldquo;And at this, that giant from whom the light of reason was withheld
+ threw out his mighty arms and asked me to forgive him. And when I asked
+ him for what he should be forgiven he answered: `For being right.&rsquo;
+ </p>
+ <p>
+ &ldquo;`Your idols and emperors are so old and wise and satisfying,&rsquo;
+ he cried, `it is a shame that they should be wrong. We are so vulgar and
+ violent, we have done you so many iniquities&mdash; it is a shame we
+ should be right after all.&rsquo;
+ </p>
+ <p>
+ &ldquo;And I, still enduring his harmlessness, asked him why he thought
+ that he and his people were right.
+ </p>
+ <p>
+ &ldquo;And he answered: `We are right because we are bound where men
+ should be bound, and free where men should be free. We are right because
+ we doubt and destroy laws and customs&mdash; but we do not doubt our own
+ right to destroy them. For you live by customs, but we live by creeds.
+ Behold me! In my country I am called Smip. My country is abandoned, my
+ name is defiled, because I pursue around the world what really belongs to
+ me. You are steadfast as the trees because you do not believe. I am as
+ fickle as the tempest because I do believe. I do believe in my own house,
+ which I shall find again. And at the last remaineth the green lantern and
+ the red post.&rsquo;
+ </p>
+ <p>
+ &ldquo;I said to him: `At the last remaineth only wisdom.&rsquo;
+ </p>
+ <p>
+ &ldquo;But even as I said the word he uttered a horrible shout, and
+ rushing forward disappeared among the trees. I have not seen this man
+ again nor any other man. The virtues of the wise are of fine brass.
+ &ldquo;Wong-Hi.&rdquo;
+ </p>
+ <p>
+ &ldquo;The next letter I have to read,&rdquo; proceeded Arthur Inglewood,
+ &ldquo;will probably make clear the nature of our client&rsquo;s curious
+ but innocent experiment. It is dated from a mountain village in
+ California, and runs as follows:&mdash;
+ </p>
+ <p>
+ &ldquo;Sir,&mdash;A person answering to the rather extraordinary
+ description required certainly went, some time ago, over the high pass of
+ the Sierras on which I live and of which I am probably the sole stationary
+ inhabitant. I keep a rudimentary tavern, rather ruder than a hut, on the
+ very top of this specially steep and threatening pass. My name is Louis
+ Hara, and the very name may puzzle you about my nationality. Well, it
+ puzzles me a great deal. When one has been for fifteen years without
+ society it is hard to have patriotism; and where there is not even a
+ hamlet it is difficult to invent a nation. My father was an Irishman of
+ the fiercest and most free-shooting of the old Californian kind. My mother
+ was a Spaniard, proud of descent from the old Spanish families round San
+ Francisco, yet accused for all that of some admixture of Red Indian blood.
+ I was well educated and fond of music and books. But, like many other
+ hybrids, I was too good or too bad for the world; and after attempting
+ many things I was glad enough to get a sufficient though a lonely living
+ in this little cabaret in the mountains. In my solitude I fell into many
+ of the ways of a savage. Like an Eskimo, I was shapeless in winter; like a
+ Red Indian, I wore in hot summers nothing but a pair of leather trousers,
+ with a great straw hat as big as a parasol to defend me from the sun. I
+ had a bowie knife at my belt and a long gun under my arm; and I dare say I
+ produced a pretty wild impression on the few peaceable travellers that
+ could climb up to my place. But I promise you I never looked as mad as
+ that man did. Compared with him I was Fifth Avenue.
+ </p>
+ <p>
+ &ldquo;I dare say that living under the very top of the Sierras has an odd
+ effect on the mind; one tends to think of those lonely rocks not as peaks
+ coming to a point, but rather as pillars holding up heaven itself.
+ Straight cliffs sail up and away beyond the hope of the eagles; cliffs so
+ tall that they seem to attract the stars and collect them as sea-crags
+ collect a mere glitter of phosphorous. These terraces and towers of rock
+ do not, like smaller crests, seem to be the end of the world. Rather they
+ seem to be its awful beginning: its huge foundations. We could almost
+ fancy the mountain branching out above us like a tree of stone, and
+ carrying all those cosmic lights like a candelabrum. For just as the peaks
+ failed us, soaring impossibly far, so the stars crowded us (as it seemed),
+ coming impossibly near. The spheres burst about us more like thunderbolts
+ hurled at the earth than planets circling placidly about it.
+ </p>
+ <p>
+ &ldquo;All this may have driven me mad; I am not sure. I know there is one
+ angle of the road down the pass where the rock leans out a little, and on
+ windy nights I seem to hear it clashing overhead with other rocks&mdash;
+ yes, city against city and citadel against citadel, far up into the night.
+ It was on such an evening that the strange man struggled up the pass.
+ Broadly speaking, only strange men did struggle up the pass. But I had
+ never seen one like this one before.
+ </p>
+ <p>
+ &ldquo;He carried (I cannot conceive why) a long, dilapidated garden rake,
+ all bearded and bedraggled with grasses, so that it looked like the ensign
+ of some old barbarian tribe. His hair, which was as long and rank as the
+ grass, hung down below his huge shoulders; and such clothes as clung about
+ him were rags and tongues of red and yellow, so that he had the air of
+ being dressed like an Indian in feathers or autumn leaves. The rake or
+ pitchfork, or whatever it was, he used sometimes as an alpenstock,
+ sometimes (I was told) as a weapon. I do not know why he should have used
+ it as a weapon, for he had, and afterwards showed me, an excellent
+ six-shooter in his pocket. `But THAT,&rsquo; he said, `I use only for
+ peaceful purposes.&rsquo; I have no notion what he meant.
+ </p>
+ <p>
+ &ldquo;He sat down on the rough bench outside my inn and drank some wine
+ from the vineyards below, sighing with ecstasy over it like one who had
+ travelled long among alien, cruel things and found at last something that
+ he knew. Then he sat staring rather foolishly at the rude lantern of lead
+ and coloured glass that hangs over my door. It is old, but of no value; my
+ grandmother gave it to me long ago: she was devout, and it happens that
+ the glass is painted with a crude picture of Bethlehem and the Wise Men
+ and the Star. He seemed so mesmerized with the transparent glow of Our
+ Lady&rsquo;s blue gown and the big gold star behind, that he led me also
+ to look at the thing, which I had not done for fourteen years.
+ </p>
+ <p>
+ &ldquo;Then he slowly withdrew his eyes from this and looked out eastward
+ where the road fell away below us. The sunset sky was a vault of rich
+ velvet, fading away into mauve and silver round the edges of the dark
+ mountain amphitheatre; and between us and the ravine below rose up out of
+ the deeps and went up into the heights the straight solitary rock we call
+ Green Finger. Of a queer volcanic colour, and wrinkled all over with what
+ looks undecipherable writing, it hung there like a Babylonian pillar or
+ needle.
+ </p>
+ <p>
+ &ldquo;The man silently stretched out his rake in that direction, and
+ before he spoke I knew what he meant. Beyond the great green rock in the
+ purple sky hung a single star.
+ </p>
+ <p>
+ &ldquo;`A star in the east,&rsquo; he said in a strange hoarse voice like
+ one of our ancient eagles&rsquo;. `The wise men followed the star and
+ found the house. But if I followed the star, should I find the house?&rsquo;
+ </p>
+ <p>
+ &ldquo;`It depends perhaps,&rsquo; I said, smiling, `on whether you are a
+ wise man.&rsquo; I refrained from adding that he certainly didn&rsquo;t
+ look it.
+ </p>
+ <p>
+ &ldquo;`You may judge for yourself,&rsquo; he answered. `I am a man who
+ left his own house because he could no longer bear to be away from it.&rsquo;
+ </p>
+ <p>
+ &ldquo;`It certainly sounds paradoxical,&rsquo; I said.
+ </p>
+ <p>
+ &ldquo;`I heard my wife and children talking and saw them moving about the
+ room,&rsquo; he continued, `and all the time I knew they were walking and
+ talking in another house thousands of miles away, under the light of
+ different skies, and beyond the series of the seas. I loved them with a
+ devouring love, because they seemed not only distant but unattainable.
+ Never did human creatures seem so dear and so desirable: but I seemed like
+ a cold ghost; therefore I cast off their dust from my feet for a
+ testimony. Nay, I did more. I spurned the world under my feet so that it
+ swung full circle like a treadmill.&rsquo;
+ </p>
+ <p>
+ &ldquo;`Do you really mean,&rsquo; I cried, `that you have come right
+ round the world? Your speech is English, yet you are coming from the west.&rsquo;
+ </p>
+ <p>
+ &ldquo;`My pilgrimage is not yet accomplished,&rsquo; he replied sadly. `I
+ have become a pilgrim to cure myself of being an exile.&rsquo;
+ </p>
+ <p>
+ &ldquo;Something in the word `pilgrim&rsquo; awoke down in the roots of my
+ ruinous experience memories of what my fathers had felt about the world,
+ and of something from whence I came. I looked again at the little pictured
+ lantern at which I had not looked for fourteen years.
+ </p>
+ <p>
+ &ldquo;`My grandmother,&rsquo; I said in a low tone, `would have said that
+ we were all in exile, and that no earthly house could cure the holy
+ home-sickness that forbids us rest.&rsquo;
+ </p>
+ <p>
+ &ldquo;He was silent a long while, and watched a single eagle drift out
+ beyond the Green Finger into the darkening void.
+ </p>
+ <p>
+ &ldquo;Then he said, `I think your grandmother was right,&rsquo; and stood
+ up leaning on his grassy pole. `I think that must be the reason,&rsquo; he
+ said&mdash;`the secret of this life of man, so ecstatic and so unappeased.
+ But I think there is more to be said. I think God has given us the love of
+ special places, of a hearth and of a native land, for a good reason.&rsquo;
+ </p>
+ <p>
+ &ldquo;`I dare say,&rsquo; I said. `What reason?&rsquo;
+ </p>
+ <p>
+ &ldquo;`Because otherwise,&rsquo; he said, pointing his pole out at the
+ sky and the abyss, `we might worship that.&rsquo;
+ </p>
+ <p>
+ &ldquo;`What do you mean?&rsquo; I demanded.
+ </p>
+ <p>
+ &ldquo;`Eternity,&rsquo; he said in his harsh voice, `the largest of the
+ idols&mdash; the mightiest of the rivals of God.&rsquo;
+ </p>
+ <p>
+ &ldquo;`You mean pantheism and infinity and all that,&rsquo; I suggested.
+ </p>
+ <p>
+ &ldquo;`I mean,&rsquo; he said with increasing vehemence, `that if there
+ be a house for me in heaven it will either have a green lamp-post and a
+ hedge, or something quite as positive and personal as a green lamp-post
+ and a hedge. I mean that God bade me love one spot and serve it, and do
+ all things however wild in praise of it, so that this one spot might be a
+ witness against all the infinities and the sophistries, that Paradise is
+ somewhere and not anywhere, is something and not anything. And I would not
+ be so very much surprised if the house in heaven had a real green
+ lamp-post after all.&rsquo;
+ </p>
+ <p>
+ &ldquo;With which he shouldered his pole and went striding down the
+ perilous paths below, and left me alone with the eagles. But since he went
+ a fever of homelessness will often shake me. I am troubled by rainy
+ meadows and mud cabins that I have never seen; and I wonder whether
+ America will endure.&mdash; Yours faithfully, Louis Hara.&rdquo;
+ </p>
+ <p>
+ After a short silence Inglewood said: &ldquo;And, finally, we desire to
+ put in as evidence the following document:&mdash;
+ </p>
+ <p>
+ &ldquo;This is to say that I am Ruth Davis, and have been housemaid to
+ Mrs. I. Smith at `The Laurels&rsquo; in Croydon for the last six months.
+ When I came the lady was alone, with two children; she was not a widow,
+ but her husband was away. She was left with plenty of money and did not
+ seem disturbed about him, though she often hoped he would be back soon.
+ She said he was rather eccentric and a little change did him good. One
+ evening last week I was bringing the tea-things out on to the lawn when I
+ nearly dropped them. The end of a long rake was suddenly stuck over the
+ hedge, and planted like a jumping-pole; and over the hedge, just like a
+ monkey on a stick, came a huge, horrible man, all hairy and ragged like
+ Robinson Crusoe. I screamed out, but my mistress didn&rsquo;t even get out
+ of her chair, but smiled and said he wanted shaving. Then he sat down
+ quite calmly at the garden table and took a cup of tea, and then I
+ realized that this must be Mr. Smith himself. He has stopped here ever
+ since and does not really give much trouble, though I sometimes fancy he
+ is a little weak in his head. &ldquo;Ruth Davis.
+ </p>
+ <p>
+ &ldquo;P.S.&mdash;I forgot to say that he looked round at the garden and
+ said, very loud and strong: `Oh, what a lovely place you&rsquo;ve got;&rsquo;
+ just as if he&rsquo;d never seen it before.&rdquo;
+ </p>
+ <p>
+ The room had been growing dark and drowsy; the afternoon sun sent one
+ heavy shaft of powdered gold across it, which fell with an intangible
+ solemnity upon the empty seat of Mary Gray, for the younger women had left
+ the court before the more recent of the investigations. Mrs. Duke was
+ still asleep, and Innocent Smith, looking like a large hunchback in the
+ twilight, was bending closer and closer to his paper toys. But the five
+ men really engaged in the controversy, and concerned not to convince the
+ tribunal but to convince each other, still sat round the table like the
+ Committee of Public Safety.
+ </p>
+ <p>
+ Suddenly Moses Gould banged one big scientific book on top of another,
+ cocked his little legs up against the table, tipped his chair backwards so
+ far as to be in direct danger of falling over, emitted a startling and
+ prolonged whistle like a steam engine, and asserted that it was all his
+ eye.
+ </p>
+ <p>
+ When asked by Moon what was all his eye, he banged down behind the books
+ again and answered with considerable excitement, throwing his papers
+ about. &ldquo;All those fairy-tales you&rsquo;ve been reading out,&rdquo;
+ he said. &ldquo;Oh! don&rsquo;t talk to me! I ain&rsquo;t littery and
+ that, but I know fairy-tales when I hear &lsquo;em. I got a bit stumped in
+ some of the philosophical bits and felt inclined to go out for a B. and S.
+ But we&rsquo;re living in West &lsquo;Ampstead and not in &lsquo;Ell; and
+ the long and the short of it is that some things &lsquo;appen and some
+ things don&rsquo;t &lsquo;appen. Those are the things that don&rsquo;t
+ &lsquo;appen.&rdquo;
+ </p>
+ <p>
+ &ldquo;I thought,&rdquo; said Moon gravely, &ldquo;that we quite clearly
+ explained&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh yes, old chap, you quite clearly explained,&rdquo; assented Mr.
+ Gould with extraordinary volubility. &ldquo;You&rsquo;d explain an
+ elephant off the doorstep, you would. I ain&rsquo;t a clever chap like
+ you; but I ain&rsquo;t a born natural, Michael Moon, and when there&rsquo;s
+ an elephant on my doorstep I don&rsquo;t listen to no explanations. `It&rsquo;s
+ got a trunk,&rsquo; I says.&mdash;`My trunk,&rsquo; you says: `I&rsquo;m
+ fond of travellin&rsquo;, and a change does me good.&rsquo;&mdash;`But the
+ blasted thing&rsquo;s got tusks,&rsquo; I says.&mdash;`Don&rsquo;t look a
+ gift &lsquo;orse in the mouth,&rsquo; you says, `but thank the goodness
+ and the graice that on your birth &lsquo;as smiled.&rsquo;&mdash;`But it&rsquo;s
+ nearly as big as the &lsquo;ouse,&rsquo; I says.&mdash;`That&rsquo;s the
+ bloomin&rsquo; perspective,&rsquo; you says, `and the sacred magic of
+ distance.&rsquo;&mdash;`Why, the elephant&rsquo;s trumpetin&rsquo; like
+ the Day of Judgement,&rsquo; I says.&mdash;`That&rsquo;s your own
+ conscience a-talking to you, Moses Gould,&rsquo; you says in a grive and
+ tender voice. Well, I &lsquo;ave got a conscience as much as you. I don&rsquo;t
+ believe most of the things they tell you in church on Sundays; and I don&rsquo;t
+ believe these &lsquo;ere things any more because you goes on about &lsquo;em
+ as if you was in church. I believe an elephant&rsquo;s a great big ugly
+ dingerous beast&mdash; and I believe Smith&rsquo;s another.&rdquo;
+ </p>
+ <p>
+ &ldquo;Do you mean to say,&rdquo; asked Inglewood, &ldquo;that you still
+ doubt the evidence of exculpation we have brought forward?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I do still doubt it,&rdquo; said Gould warmly. &ldquo;It&rsquo;s
+ all a bit too far-fetched, and some of it a bit too far off. ‘Ow can we
+ test all those tales? &lsquo;Ow can we drop in and buy the `Pink &lsquo;Un&rsquo;
+ at the railway station at Kosky Wosky or whatever it was? &lsquo;Ow can we
+ go and do a gargle at the saloon-bar on top of the Sierra Mountains? But
+ anybody can go and see Bunting&rsquo;s boarding-house at Worthing.&rdquo;
+ </p>
+ <p>
+ Moon regarded him with an expression of real or assumed surprise.
+ </p>
+ <p>
+ &ldquo;Any one,&rdquo; continued Gould, &ldquo;can call on Mr. Trip.&rdquo;
+ </p>
+ <p>
+ &ldquo;It is a comforting thought,&rdquo; replied Michael with restraint;
+ &ldquo;but why should any one call on Mr. Trip?&rdquo;
+ </p>
+ <p>
+ &ldquo;For just exactly the sime reason,&rdquo; cried the excited Moses,
+ hammering on the table with both hands, &ldquo;for just exactly the sime
+ reason that he should communicate with Messrs. &lsquo;Anbury and Bootle of
+ Paternoster Row and with Miss Gridley&rsquo;s &lsquo;igh class Academy at
+ &lsquo;Endon, and with old Lady Bullingdon who lives at Penge.&rdquo;
+ </p>
+ <p>
+ &ldquo;Again, to go at once to the moral roots of life,&rdquo; said
+ Michael, &ldquo;why is it among the duties of man to communicate with old
+ Lady Bullingdon who lives at Penge?&rdquo;
+ </p>
+ <p>
+ &ldquo;It ain&rsquo;t one of the duties of man,&rdquo; said Gould, &ldquo;nor
+ one of his pleasures, either, I can tell you. She takes the crumpet, does
+ Lady Bullingdon at Penge. But it&rsquo;s one of the duties of a prosecutor
+ pursuin&rsquo; the innocent, blameless butterfly career of your friend
+ Smith, and it&rsquo;s the sime with all the others I mentioned.&rdquo;
+ </p>
+ <p>
+ &ldquo;But why do you bring in these people here?&rdquo; asked Inglewood.
+ </p>
+ <p>
+ &ldquo;Why! Because we&rsquo;ve got proof enough to sink a steamboat,&rdquo;
+ roared Moses; &ldquo;because I&rsquo;ve got the papers in my very &lsquo;and;
+ because your precious Innocent is a blackguard and &lsquo;ome smasher, and
+ these are the &lsquo;omes he&rsquo;s smashed. I don&rsquo;t set up for a
+ &lsquo;oly man; but I wouldn&rsquo;t &lsquo;ave all those poor girls on my
+ conscience for something. And I think a chap that&rsquo;s capable of
+ deserting and perhaps killing &lsquo;em all is about capable of cracking a
+ crib or shootin&rsquo; an old schoolmaster&mdash;so I don&rsquo;t care
+ much about the other yarns one way or another.&rdquo;
+ </p>
+ <p>
+ &ldquo;I think,&rdquo; said Dr. Cyrus Pym with a refined cough, &ldquo;that
+ we are approaching this matter rather irregularly. This is really the
+ fourth charge on the charge sheet, and perhaps I had better put it before
+ you in an ordered and scientific manner.&rdquo;
+ </p>
+ <p>
+ Nothing but a faint groan from Michael broke the silence of the darkening
+ room.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2HCH0009" id="link2HCH0009"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ Chapter IV &mdash; The Wild Weddings; or, the Polygamy Charge
+ </h2>
+ <p>
+ &ldquo;A modern man,&rdquo; said Dr. Cyrus Pym, &ldquo;must, if he be
+ thoughtful, approach the problem of marriage with some caution. Marriage
+ is a stage&mdash;doubtless a suitable stage&mdash;in the long advance of
+ mankind towards a goal which we cannot as yet conceive; which we are not,
+ perhaps, as yet fitted even to desire. What, gentlemen, is the ethical
+ position of marriage? Have we outlived it?&rdquo;
+ </p>
+ <p>
+ &ldquo;Outlived it?&rdquo; broke out Moon; &ldquo;why, nobody&rsquo;s ever
+ survived it! Look at all the people married since Adam and Eve&mdash;and
+ all as dead as mutton.&rdquo;
+ </p>
+ <p>
+ &ldquo;This is no doubt an inter-pellation joc&rsquo;lar in its character,&rdquo;
+ said Dr. Pym frigidly. &ldquo;I cannot tell what may be Mr. Moon&rsquo;s
+ matured and ethical view of marriage&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;I can tell,&rdquo; said Michael savagely, out of the gloom. &ldquo;Marriage
+ is a duel to the death, which no man of honour should decline.&rdquo;
+ </p>
+ <p>
+ &ldquo;Michael,&rdquo; said Arthur Inglewood in a low voice, &ldquo;you
+ MUST keep quiet.&rdquo;
+ </p>
+ <p>
+ &ldquo;Mr. Moon,&rdquo; said Pym with exquisite good temper, &ldquo;probably
+ regards the institution in a more antiquated manner. Probably he would
+ make it stringent and uniform. He would treat divorce in some great soul
+ of steel&mdash;the divorce of a Julius Caesar or of a Salt Ring Robinson&mdash;
+ exactly as he would treat some no-account tramp or labourer who scoots
+ from his wife. Science has views broader and more humane. Just as murder
+ for the scientist is a thirst for absolute destruction, just as theft for
+ the scientist is a hunger for monotonous acquisition, so polygamy for the
+ scientist is an extreme development of the instinct for variety. A man
+ thus afflicted is incapable of constancy. Doubtless there is a physical
+ cause for this flitting from flower to flower&mdash; as there is,
+ doubtless, for the intermittent groaning which appears to afflict Mr. Moon
+ at the present moment. Our own world-scorning Winterbottom has even dared
+ to say, `For a certain rare and fine physical type polygamy is but the
+ realization of the variety of females, as comradeship is the realization
+ of the variety of males.&rsquo; In any case, the type that tends to
+ variety is recognized by all authoritative inquirers. Such a type, if the
+ widower of a negress, does in many ascertained cases espouse ~en seconde
+ noces~ an albino; such a type, when freed from the gigantic embraces of a
+ female Patagonian, will often evolve from its own imaginative instinct the
+ consoling figure of an Eskimo. To such a type there can be no doubt that
+ the prisoner belongs. If blind doom and unbearable temptation constitute
+ any slight excuse for a man, there is no doubt that he has these excuses.
+ </p>
+ <p>
+ &ldquo;Earlier in the inquiry the defence showed real chivalric ideality
+ in admitting half of our story without further dispute. We should like to
+ acknowledge and imitate so eminently large-hearted a style by conceding
+ also that the story told by Curate Percy about the canoe, the weir, and
+ the young wife seems to be substantially true. Apparently Smith did marry
+ a young woman he had nearly run down in a boat; it only remains to be
+ considered whether it would not have been kinder of him to have murdered
+ her instead of marrying her. In confirmation of this fact I can now
+ con-cede to the defence an unquestionable record of such a marriage.&rdquo;
+ </p>
+ <p>
+ So saying, he handed across to Michael a cutting from the &ldquo;Maidenhead
+ Gazette&rdquo; which distinctly recorded the marriage of the daughter of a
+ &ldquo;coach,&rdquo; a tutor well known in the place, to Mr. Innocent
+ Smith, late of Brakespeare College, Cambridge.
+ </p>
+ <p>
+ When Dr. Pym resumed it was realized that his face had grown at once both
+ tragic and triumphant.
+ </p>
+ <p>
+ &ldquo;I pause upon this pre-liminary fact,&rdquo; he said seriously,
+ &ldquo;because this fact alone would give us the victory, were we aspiring
+ after victory and not after truth. As far as the personal and domestic
+ problem holds us, that problem is solved. Dr. Warner and I entered this
+ house at an instant of highly emotional diff&rsquo;culty. England&rsquo;s
+ Warner has entered many houses to save human kind from sickness; this time
+ he entered to save an innocent lady from a walking pestilence. Smith was
+ just about to carry away a young girl from this house; his cab and bag
+ were at the very door. He had told her she was going to await the marriage
+ license at the house of his aunt. That aunt,&rdquo; continued Cyrus Pym,
+ his face darkening grandly&mdash;&ldquo;that visionary aunt had been the
+ dancing will-o&rsquo;-the-wisp who had led many a high-souled maiden to
+ her doom. Into how many virginal ears has he whispered that holy word?
+ When he said `aunt&rsquo; there glowed about her all the merriment and
+ high morality of the Anglo-Saxon home. Kettles began to hum, pussy cats to
+ purr, in that very wild cab that was being driven to destruction.&rdquo;
+ </p>
+ <p>
+ Inglewood looked up, to find, to his astonishment (as many another denizen
+ of the eastern hemisphere has found), that the American was not only
+ perfectly serious, but was really eloquent and affecting&mdash; when the
+ difference of the hemispheres was adjusted.
+ </p>
+ <p>
+ &ldquo;It is therefore atrociously evident that the man Smith has at least
+ represented himself to one innocent female of this house as an eligible
+ bachelor, being, in fact, a married man. I agree with my colleague, Mr.
+ Gould, that no other crime could approximate to this. As to whether what
+ our ancestors called purity has any ultimate ethical value indeed, science
+ hesitates with a high, proud hesitation. But what hesitation can there be
+ about the baseness of a citizen who ventures, by brutal experiments upon
+ living females, to anticipate the verdict of science on such a point?
+ </p>
+ <p>
+ &ldquo;The woman mentioned by Curate Percy as living with Smith in
+ Highbury may or may not be the same as the lady he married in Maidenhead.
+ If one short sweet spell of constancy and heart repose interrupted the
+ plunging torrent of his profligate life, we will not deprive him of that
+ long past possibility. After that conjectural date, alas, he seems to have
+ plunged deeper and deeper into the shaking quagmires of infidelity and
+ shame.&rdquo;
+ </p>
+ <p>
+ Dr. Pym closed his eyes, but the unfortunate fact that there was no more
+ light left this familiar signal without its full and proper moral effect.
+ After a pause, which almost partook of the character of prayer, he
+ continued.
+ </p>
+ <p>
+ &ldquo;The first instance of the accused&rsquo;s repeated and irregular
+ nuptials,&rdquo; he exclaimed, &ldquo;comes from Lady Bullingdon, who
+ expresses herself with the high haughtiness which must be excused in those
+ who look out upon all mankind from the turrets of a Norman and ancestral
+ keep. The communication she has sent to us runs as follows:&mdash;
+ </p>
+ <p>
+ &ldquo;Lady Bullingdon recalls the painful incident to which reference is
+ made, and has no desire to deal with it in detail. The girl Polly Green
+ was a perfectly adequate dressmaker, and lived in the village for about
+ two years. Her unattached condition was bad for her as well as for the
+ general morality of the village. Lady Bullingdon, therefore, allowed it to
+ be understood that she favoured the marriage of the young woman. The
+ villagers, naturally wishing to oblige Lady Bullingdon, came forward in
+ several cases; and all would have been well had it not been for the
+ deplorable eccentricity or depravity of the girl Green herself. Lady
+ Bullingdon supposes that where there is a village there must be a village
+ idiot, and in her village, it seems, there was one of these wretched
+ creatures. Lady Bullingdon only saw him once, and she is quite aware that
+ it is really difficult to distinguish between actual idiots and the
+ ordinary heavy type of the rural lower classes. She noticed, however, the
+ startling smallness of his head in comparison to the rest of his body;
+ and, indeed, the fact of his having appeared upon election day wearing the
+ rosette of both the two opposing parties appears to Lady Bullingdon to put
+ the matter quite beyond doubt. Lady Bullingdon was astounded to learn that
+ this afflicted being had put himself forward as one of the suitors of the
+ girl in question. Lady Bullingdon&rsquo;s nephew interviewed the wretch
+ upon the point, telling him that he was a `donkey&rsquo; to dream of such
+ a thing, and actually received, along with an imbecile grin, the answer
+ that donkeys generally go after carrots. But Lady Bullingdon was yet
+ further amazed to find the unhappy girl inclined to accept this monstrous
+ proposal, though she was actually asked in marriage by Garth, the
+ undertaker, a man in a far superior position to her own. Lady Bullingdon
+ could not, of course, countenance such an arrangement for a moment, and
+ the two unhappy persons escaped for a clandestine marriage. Lady
+ Bullingdon cannot exactly recall the man&rsquo;s name, but thinks it was
+ Smith. He was always called in the village the Innocent. Later, Lady
+ Bullingdon believes he murdered Green in a mental outbreak.&rdquo;
+ </p>
+ <p>
+ &ldquo;The next communication,&rdquo; proceeded Pym, &ldquo;is more
+ conspicuous for brevity, but I am of the opinion that it will adequately
+ convey the upshot. It is dated from the offices of Messrs. Hanbury and
+ Bootle, publishers, and is as follows:&mdash;
+ </p>
+ <p>
+ &ldquo;Sir,&mdash;Yrs. rcd. and conts. noted. Rumour re typewriter
+ possibly refers to a Miss Blake or similar name, left here nine years ago
+ to marry an organ-grinder. Case was undoubtedly curious, and attracted
+ police attention. Girl worked excellently till about Oct. 1907, when
+ apparently went mad. Record was written at the time, part of which I
+ enclose.&mdash; Yrs., etc., W. Trip.
+ </p>
+ <p>
+ &ldquo;The fuller statement runs as follows:&mdash;
+ </p>
+ <p>
+ &ldquo;On October 12 a letter was sent from this office to Messrs. Bernard
+ and Juke, bookbinders. Opened by Mr. Juke, it was found to contain the
+ following: `Sir, our Mr. Trip will call at 3, as we wish to know whether
+ it is really decided 00000073bb!!!!!xy.&rsquo; To this Mr. Juke, a person
+ of a playful mind, returned the answer: `Sir, I am in a position to give
+ it as my most decided opinion that it is not really decided that
+ 00000073bb!!!!!xy. Yrs., etc., `J. Juke.&rsquo;
+ </p>
+ <p>
+ &ldquo;On receiving this extraordinary reply, our Mr. Trip asked for the
+ original letter sent from him, and found that the typewriter had indeed
+ substituted these demented hieroglyphics for the sentences really dictated
+ to her. Our Mr. Trip interviewed the girl, fearing that she was in an
+ unbalanced state, and was not much reassured when she merely remarked that
+ she always went like that when she heard the barrel organ. Becoming yet
+ more hysterical and extravagant, she made a series of most improbable
+ statements&mdash;as, that she was engaged to the barrel-organ man, that he
+ was in the habit of serenading her on that instrument, that she was in the
+ habit of playing back to him upon the typewriter (in the style of King
+ Richard and Blondel), and that the organ man&rsquo;s musical ear was so
+ exquisite and his adoration of herself so ardent that he could detect the
+ note of the different letters on the machine, and was enraptured by them
+ as by a melody. To all these statements of course our Mr. Trip and the
+ rest of us only paid that sort of assent that is paid to persons who must
+ as quickly as possible be put in the charge of their relations. But on our
+ conducting the lady downstairs, her story received the most startling and
+ even exasperating confirmation; for the organ-grinder, an enormous man
+ with a small head and manifestly a fellow-lunatic, had pushed his barrel
+ organ in at the office doors like a battering-ram, and was boisterously
+ demanding his alleged fiancee. When I myself came on the scene he was
+ flinging his great, ape-like arms about and reciting a poem to her. But we
+ were used to lunatics coming and reciting poems in our office, and we were
+ not quite prepared for what followed. The actual verse he uttered began, I
+ think,
+ </p>
+ <p>
+ `O vivid, inviolate head, Ringed &mdash;&rsquo;
+ </p>
+ <p>
+ but he never got any further. Mr. Trip made a sharp movement towards him,
+ and the next moment the giant picked up the poor lady typewriter like a
+ doll, sat her on top of the organ, ran it with a crash out of the office
+ doors, and raced away down the street like a flying wheelbarrow. I put the
+ police upon the matter; but no trace of the amazing pair could be found. I
+ was sorry myself; for the lady was not only pleasant but unusually
+ cultivated for her position. As I am leaving the service of Messrs.
+ Hanbury and Bootle, I put these things in a record and leave it with them.
+ (Signed) Aubrey Clarke, Publishers&rsquo; Reader.
+ </p>
+ <p>
+ &ldquo;And the last document,&rdquo; said Dr. Pym complacently, &ldquo;is
+ from one of those high-souled women who have in this age introduced your
+ English girlhood to hockey, the higher mathematics, and every form of
+ ideality.
+ </p>
+ <p>
+ &ldquo;Dear Sir (she writes),&mdash;I have no objection to telling you the
+ facts about the absurd incident you mention; though I would ask you to
+ communicate them with some caution, for such things, however entertaining
+ in the abstract, are not always auxiliary to the success of a girls&rsquo;
+ school. The truth is this: I wanted some one to deliver a lecture on a
+ philological or historical question&mdash;a lecture which, while
+ containing solid educational matter, should be a little more popular and
+ entertaining than usual, as it was the last lecture of the term. I
+ remembered that a Mr. Smith of Cambridge had written somewhere or other an
+ amusing essay about his own somewhat ubiquitous name&mdash; an essay which
+ showed considerable knowledge of genealogy and topography. I wrote to him,
+ asking if he would come and give us a bright address upon English
+ surnames; and he did. It was very bright, almost too bright. To put the
+ matter otherwise, by the time that he was halfway through it became
+ apparent to the other mistresses and myself that the man was totally and
+ entirely off his head. He began rationally enough by dealing with the two
+ departments of place names and trade names, and he said (quite rightly, I
+ dare say) that the loss of all significance in names was an instance of
+ the deadening of civilization. But then he went on calmly to maintain that
+ every man who had a place name ought to go to live in that place, and that
+ every man who had a trade name ought instantly to adopt that trade; that
+ people named after colours should always dress in those colours, and that
+ people named after trees or plants (such as Beech or Rose) ought to
+ surround and decorate themselves with these vegetables. In a slight
+ discussion that arose afterwards among the elder girls the difficulties of
+ the proposal were clearly, and even eagerly, pointed out. It was urged,
+ for instance, by Miss Younghusband that it was substantially impossible
+ for her to play the part assigned to her; Miss Mann was in a similar
+ dilemma, from which no modern views on the sexes could apparently
+ extricate her; and some young ladies, whose surnames happened to be Low,
+ Coward, and Craven, were quite enthusiastic against the idea. But all this
+ happened afterwards. What happened at the crucial moment was that the
+ lecturer produced several horseshoes and a large iron hammer from his bag,
+ announced his immediate intention of setting up a smithy in the
+ neighbourhood, and called on every one to rise in the same cause as for a
+ heroic revolution. The other mistresses and I attempted to stop the
+ wretched man, but I must confess that by an accident this very
+ intercession produced the worst explosion of his insanity. He was waving
+ the hammer, and wildly demanding the names of everybody; and it so
+ happened that Miss Brown, one of the younger teachers, was wearing a brown
+ dress&mdash;a reddish-brown dress that went quietly enough with the warmer
+ colour of her hair, as well she knew. She was a nice girl, and nice girls
+ do know about those things. But when our maniac discovered that we really
+ had a Miss Brown who WAS brown, his ~idee fixe~ blew up like a powder
+ magazine, and there, in the presence of all the mistresses and girls, he
+ publicly proposed to the lady in the red-brown dress. You can imagine the
+ effect of such a scene at a girls&rsquo; school. At least, if you fail to
+ imagine it, I certainly fail to describe it.
+ </p>
+ <p>
+ &ldquo;Of course, the anarchy died down in a week or two, and I can think
+ of it now as a joke. There was only one curious detail, which I will tell
+ you, as you say your inquiry is vital; but I should desire you to consider
+ it a little more confidential than the rest. Miss Brown, who was an
+ excellent girl in every way, did quite suddenly and surreptitiously leave
+ us only a day or two afterwards. I should never have thought that her head
+ would be the one to be really turned by so absurd an excitement.&mdash;Believe
+ me, yours faithfully, Ada Gridley.
+ </p>
+ <p>
+ &ldquo;I think,&rdquo; said Pym, with a really convincing simplicity and
+ seriousness, &ldquo;that these letters speak for themselves.&rdquo;
+ </p>
+ <p>
+ Mr. Moon rose for the last time in a darkness that gave no hint of whether
+ his native gravity was mixed with his native irony.
+ </p>
+ <p>
+ &ldquo;Throughout this inquiry,&rdquo; he said, &ldquo;but especially in
+ this its closing phase, the prosecution has perpetually relied upon one
+ argument; I mean the fact that no one knows what has become of all the
+ unhappy women apparently seduced by Smith. There is no sort of proof that
+ they were murdered, but that implication is perpetually made when the
+ question is asked as to how they died. Now I am not interested in how they
+ died, or when they died, or whether they died. But I am interested in
+ another analogous question&mdash;that of how they were born, and when they
+ were born, and whether they were born. Do not misunderstand me. I do not
+ dispute the existence of these women, or the veracity of those who have
+ witnessed to them. I merely remark on the notable fact that only one of
+ these victims, the Maidenhead girl, is described as having any home or
+ parents. All the rest are boarders or birds of passage&mdash;a guest, a
+ solitary dressmaker, a bachelor-girl doing typewriting. Lady Bullingdon,
+ looking from her turrets, which she bought from the Whartons with the old
+ soap-boiler&rsquo;s money when she jumped at marrying an unsuccessful
+ gentleman from Ulster&mdash;Lady Bullingdon, looking out from those
+ turrets, did really see an object which she describes as Green. Mr. Trip,
+ of Hanbury and Bootle, really did have a typewriter betrothed to Smith.
+ Miss Gridley, though idealistic, is absolutely honest. She did house,
+ feed, and teach a young woman whom Smith succeeded in decoying away. We
+ admit that all these women really lived. But we still ask whether they
+ were ever born?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, crikey!&rdquo; said Moses Gould, stifled with amusement.
+ </p>
+ <p>
+ &ldquo;There could hardly,&rdquo; interposed Pym with a quiet smile,
+ &ldquo;be a better instance of the neglect of true scientific process. The
+ scientist, when once convinced of the fact of vitality and consciousness,
+ would infer from these the previous process of generation.&rdquo;
+ </p>
+ <p>
+ &ldquo;If these gals,&rdquo; said Gould impatiently&mdash;&ldquo;if these
+ gals were all alive (all alive O!) I&rsquo;d chance a fiver they were all
+ born.&rdquo;
+ </p>
+ <p>
+ &ldquo;You&rsquo;d lose your fiver,&rdquo; said Michael, speaking gravely
+ out of the gloom. &ldquo;All those admirable ladies were alive. They were
+ more alive for having come into contact with Smith. They were all quite
+ definitely alive, but only one of them was ever born.&rdquo;
+ </p>
+ <p>
+ &ldquo;Are you asking us to believe&mdash;&rdquo; began Dr. Pym.
+ </p>
+ <p>
+ &ldquo;I am asking you a second question,&rdquo; said Moon sternly.
+ &ldquo;Can the court now sitting throw any light on a truly singular
+ circumstance? Dr. Pym, in his interesting lecture on what are called, I
+ believe, the relations of the sexes, said that Smith was the slave of a
+ lust for variety which would lead a man first to a negress and then to an
+ albino, first to a Patagonian giantess and then to a tiny Eskimo. But is
+ there any evidence of such variety here? Is there any trace of a gigantic
+ Patagonian in the story? Was the typewriter an Eskimo? So picturesque a
+ circumstance would not surely have escaped remark. Was Lady Bullingdon&rsquo;s
+ dressmaker a negress? A voice in my bosom answers, `No!&rsquo; Lady
+ Bullingdon, I am sure, would think a negress so conspicuous as to be
+ almost Socialistic, and would feel something a little rakish even about an
+ albino.
+ </p>
+ <p>
+ &ldquo;But was there in Smith&rsquo;s taste any such variety as the
+ learned doctor describes? So far as our slight materials go, the very
+ opposite seems to be the case. We have only one actual description of any
+ of the prisoner&rsquo;s wives&mdash; the short but highly poetic account
+ by the aesthetic curate. `Her dress was the colour of spring, and her hair
+ of autumn leaves.&rsquo; Autumn leaves, of course, are of various colours,
+ some of which would be rather startling in hair (green, for instance); but
+ I think such an expression would be most naturally used of the shades from
+ red-brown to red, especially as ladies with their coppery-coloured hair do
+ frequently wear light artistic greens. Now when we come to the next wife,
+ we find the eccentric lover, when told he is a donkey, answering that
+ donkeys always go after carrots; a remark which Lady Bullingdon evidently
+ regarded as pointless and part of the natural table-talk of a village
+ idiot, but which has an obvious meaning if we suppose that Polly&rsquo;s
+ hair was red. Passing to the next wife, the one he took from the girls&rsquo;
+ school, we find Miss Gridley noticing that the schoolgirl in question wore
+ `a reddish-brown dress, that went quietly enough with the warmer colour of
+ her hair.&rsquo; In other words, the colour of the girl&rsquo;s hair was
+ something redder than red-brown. Lastly, the romantic organ-grinder
+ declaimed in the office some poetry that only got as far as the words,&mdash;
+ </p>
+ <p>
+ `O vivid, inviolate head, Ringed &mdash;&rsquo;
+ </p>
+ <p>
+ But I think that a wide study of the worst modern poets will enable us to
+ guess that `ringed with a glory of red,&rsquo; or `ringed with its
+ passionate red,&rsquo; was the line that rhymed to `head.&rsquo; In this
+ case once more, therefore, there is good reason to suppose that Smith fell
+ in love with a girl with some sort of auburn or darkish-red hair&mdash;rather,&rdquo;
+ he said, looking down at the table, &ldquo;rather like Miss Gray&rsquo;s
+ hair.&rdquo;
+ </p>
+ <p>
+ Cyrus Pym was leaning forward with lowered eyelids, ready with one of his
+ more pedantic interpellations; but Moses Gould suddenly struck his
+ forefinger on his nose, with an expression of extreme astonishment and
+ intelligence in his brilliant eyes.
+ </p>
+ <p>
+ &ldquo;Mr. Moon&rsquo;s contention at present,&rdquo; interposed Pym,
+ &ldquo;is not, even if veracious, inconsistent with the lunatico-criminal
+ view of I. Smith, which we have nailed to the mast. Science has long
+ anticipated such a complication. An incurable attraction to a particular
+ type of physical woman is one of the commonest of criminal per-versities,
+ and when not considered narrowly, but in the light of induction and
+ evolution&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;At this late stage,&rdquo; said Michael Moon very quietly, &ldquo;I
+ may perhaps relieve myself of a simple emotion that has been pressing me
+ throughout the proceedings, by saying that induction and evolution may go
+ and boil themselves. The Missing Link and all that is well enough for
+ kids, but I&rsquo;m talking about things we know here. All we know of the
+ Missing Link is that he is missing&mdash;and he won&rsquo;t be missed
+ either. I know all about his human head and his horrid tail; they belong
+ to a very old game called `Heads I win, tails you lose.&rsquo; If you do
+ find a fellow&rsquo;s bones, it proves he lived a long while ago; if you
+ don&rsquo;t find his bones, it proves how long ago he lived. That is the
+ game you&rsquo;ve been playing with this Smith affair. Because Smith&rsquo;s
+ head is small for his shoulders you call him microcephalous; if it had
+ been large, you&rsquo;d have called it water-on-the-brain. As long as poor
+ old Smith&rsquo;s seraglio seemed pretty various, variety was the sign of
+ madness: now, because it&rsquo;s turning out to be a bit monochrome&mdash;now
+ monotony is the sign of madness. I suffer from all the disadvantages of
+ being a grown-up person, and I&rsquo;m jolly well going to get some of the
+ advantages too; and with all politeness I propose not to be bullied with
+ long words instead of short reasons, or consider your business a
+ triumphant progress merely because you&rsquo;re always finding out that
+ you were wrong. Having relieved myself of these feelings, I have merely to
+ add that I regard Dr. Pym as an ornament to the world far more beautiful
+ than the Parthenon, or the monument on Bunker&rsquo;s Hill, and that I
+ propose to resume and conclude my remarks on the many marriages of Mr.
+ Innocent Smith.
+ </p>
+ <p>
+ &ldquo;Besides this red hair, there is another unifying thread that runs
+ through these scattered incidents. There is something very peculiar and
+ suggestive about the names of these women. Mr. Trip, you will remember,
+ said he thought the typewriter&rsquo;s name was Blake, but could not
+ remember exactly. I suggest that it might have been Black, and in that
+ case we have a curious series: Miss Green in Lady Bullingdon&rsquo;s
+ village; Miss Brown at the Hendon School; Miss Black at the publishers. A
+ chord of colours, as it were, which ends up with Miss Gray at Beacon
+ House, West Hampstead.&rdquo;
+ </p>
+ <p>
+ Amid a dead silence Moon continued his exposition. &ldquo;What is the
+ meaning of this queer coincidence about colours? Personally I cannot doubt
+ for a moment that these names are purely arbitrary names, assumed as part
+ of some general scheme or joke. I think it very probable that they were
+ taken from a series of costumes&mdash; that Polly Green only meant Polly
+ (or Mary) when in green, and that Mary Gray only means Mary (or Polly)
+ when in gray. This would explain&mdash;&rdquo;
+ </p>
+ <p>
+ Cyrus Pym was standing up rigid and almost pallid. &ldquo;Do you actually
+ mean to suggest&mdash;&rdquo; he cried.
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; said Michael; &ldquo;I do mean to suggest that.
+ Innocent Smith has had many wooings, and many weddings for all I know; but
+ he has had only one wife. She was sitting on that chair an hour ago, and
+ is now talking to Miss Duke in the garden.
+ </p>
+ <p>
+ &ldquo;Yes, Innocent Smith has behaved here, as he has on hundreds of
+ other occasions, upon a plain and perfectly blameless principle. It is odd
+ and extravagant in the modern world, but not more than any other principle
+ plainly applied in the modern world would be. His principle can be quite
+ simply stated: he refuses to die while he is still alive. He seeks to
+ remind himself, by every electric shock to the intellect, that he is still
+ a man alive, walking on two legs about the world. For this reason he fires
+ bullets at his best friends; for this reason he arranges ladders and
+ collapsible chimneys to steal his own property; for this reason he goes
+ plodding around a whole planet to get back to his own home; and for this
+ reason he has been in the habit of taking the woman whom he loved with a
+ permanent loyalty, and leaving her about (so to speak) at schools,
+ boarding-houses, and places of business, so that he might recover her
+ again and again with a raid and a romantic elopement. He seriously sought
+ by a perpetual recapture of his bride to keep alive the sense of her
+ perpetual value, and the perils that should be run for her sake.
+ </p>
+ <p>
+ &ldquo;So far his motives are clear enough; but perhaps his convictions
+ are not quite so clear. I think Innocent Smith has an idea at the bottom
+ of all this. I am by no means sure that I believe it myself, but I am
+ quite sure that it is worth a man&rsquo;s uttering and defending.
+ </p>
+ <p>
+ &ldquo;The idea that Smith is attacking is this. Living in an entangled
+ civilization, we have come to think certain things wrong which are not
+ wrong at all. We have come to think outbreak and exuberance, banging and
+ barging, rotting and wrecking, wrong. In themselves they are not merely
+ pardonable; they are unimpeachable. There is nothing wicked about firing a
+ pistol off even at a friend, so long as you do not mean to hit him and
+ know you won&rsquo;t. It is no more wrong than throwing a pebble at the
+ sea&mdash;less, for you do occasionally hit the sea. There is nothing
+ wrong in bashing down a chimney-pot and breaking through a roof, so long
+ as you are not injuring the life or property of other men. It is no more
+ wrong to choose to enter a house from the top than to choose to open a
+ packing-case from the bottom. There is nothing wicked about walking round
+ the world and coming back to your own house; it is no more wicked than
+ walking round the garden and coming back to your own house. And there is
+ nothing wicked about picking up your wife here, there, and everywhere, if,
+ forsaking all others, you keep only to her so long as you both shall live.
+ It is as innocent as playing a game of hide-and-seek in the garden. You
+ associate such acts with blackguardism by a mere snobbish association, as
+ you think there is something vaguely vile about going (or being seen
+ going) into a pawnbroker&rsquo;s or a public-house. You think there is
+ something squalid and commonplace about such a connection. You are
+ mistaken.
+ </p>
+ <p>
+ &ldquo;This man&rsquo;s spiritual power has been precisely this, that he
+ has distinguished between custom and creed. He has broken the conventions,
+ but he has kept the commandments. It is as if a man were found gambling
+ wildly in a gambling hell, and you found that he only played for trouser
+ buttons. It is as if you found a man making a clandestine appointment with
+ a lady at a Covent Garden ball, and then you found it was his grandmother.
+ Everything is ugly and discreditable, except the facts; everything is
+ wrong about him, except that he has done no wrong.
+ </p>
+ <p>
+ &ldquo;It will then be asked, `Why does Innocent Smith continue far into
+ his middle age a farcical existence, that exposes him to so many false
+ charges?&rsquo; To this I merely answer that he does it because he really
+ is happy, because he really is hilarious, because he really is a man and
+ alive. He is so young that climbing garden trees and playing silly
+ practical jokes are still to him what they once were to us all. And if you
+ ask me yet again why he alone among men should be fed with such
+ inexhaustible follies, I have a very simple answer to that, though it is
+ one that will not be approved.
+ </p>
+ <p>
+ &ldquo;There is but one answer, and I am sorry if you don&rsquo;t like it.
+ If Innocent is happy, it is because he IS innocent. If he can defy the
+ conventions, it is just because he can keep the commandments. It is just
+ because he does not want to kill but to excite to life that a pistol is
+ still as exciting to him as it is to a schoolboy. It is just because he
+ does not want to steal, because he does not covet his neighbour&rsquo;s
+ goods, that he has captured the trick (oh, how we all long for it!), the
+ trick of coveting his own goods. It is just because he does not want to
+ commit adultery that he achieves the romance of sex; it is just because he
+ loves one wife that he has a hundred honeymoons. If he had really murdered
+ a man, if he had really deserted a woman, he would not be able to feel
+ that a pistol or a love-letter was like a song&mdash; at least, not a
+ comic song.&rdquo;
+ </p>
+ <p>
+ &ldquo;Do not imagine, please, that any such attitude is easy to me or
+ appeals in any particular way to my sympathies. I am an Irishman, and a
+ certain sorrow is in my bones, bred either of the persecutions of my
+ creed, or of my creed itself. Speaking singly, I feel as if man was tied
+ to tragedy, and there was no way out of the trap of old age and doubt. But
+ if there is a way out, then, by Christ and St. Patrick, this is the way
+ out. If one could keep as happy as a child or a dog, it would be by being
+ as innocent as a child, or as sinless as a dog. Barely and brutally to be
+ good&mdash;that may be the road, and he may have found it. Well, well,
+ well, I see a look of skepticism on the face of my old friend Moses. Mr.
+ Gould does not believe that being perfectly good in all respects would
+ make a man merry.&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; said Gould, with an unusual and convincing gravity;
+ &ldquo;I do not believe that being perfectly good in all respects would
+ make a man merry.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; said Michael quietly, &ldquo;will you tell me one
+ thing? Which of us has ever tried it?&rdquo;
+ </p>
+ <p>
+ A silence ensued, rather like the silence of some long geological epoch
+ which awaits the emergence of some unexpected type; for there rose at last
+ in the stillness a massive figure that the other men had almost completely
+ forgotten.
+ </p>
+ <p>
+ &ldquo;Well, gentlemen,&rdquo; said Dr. Warner cheerfully, &ldquo;I&rsquo;ve
+ been pretty well entertained with all this pointless and incompetent
+ tomfoolery for a couple of days; but it seems to be wearing rather thin,
+ and I&rsquo;m engaged for a city dinner. Among the hundred flowers of
+ futility on both sides I was unable to detect any sort of reason why a
+ lunatic should be allowed to shoot me in the back garden.&rdquo;
+ </p>
+ <p>
+ He had settled his silk hat on his head and gone out sailing placidly to
+ the garden gate, while the almost wailing voice of Pym still followed him:
+ &ldquo;But really the bullet missed you by several feet.&rdquo; And
+ another voice added: &ldquo;The bullet missed him by several years.&rdquo;
+ </p>
+ <p>
+ There was a long and mainly unmeaning silence, and then Moon said
+ suddenly, &ldquo;We have been sitting with a ghost. Dr. Herbert Warner
+ died years ago.&rdquo;
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2HCH0010" id="link2HCH0010"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ Chapter V &mdash; How the Great Wind Went from Beacon House
+ </h2>
+ <p>
+ Mary was walking between Diana and Rosamund slowly up and down the garden;
+ they were silent, and the sun had set. Such spaces of daylight as remained
+ open in the west were of a warm-tinted white, which can be compared to
+ nothing but a cream cheese; and the lines of plumy cloud that ran across
+ them had a soft but vivid violet bloom, like a violet smoke. All the rest
+ of the scene swept and faded away into a dove-like gray, and seemed to
+ melt and mount into Mary&rsquo;s dark-gray figure until she seemed clothed
+ with the garden and the skies. There was something in these last quiet
+ colours that gave her a setting and a supremacy; and the twilight, which
+ concealed Diana&rsquo;s statelier figure and Rosamund&rsquo;s braver
+ array, exhibited and emphasized her, leaving her the lady of the garden,
+ and alone.
+ </p>
+ <p>
+ When they spoke at last it was evident that a conversation long fallen
+ silent was being revived.
+ </p>
+ <p>
+ &ldquo;But where is your husband taking you?&rdquo; asked Diana in her
+ practical voice.
+ </p>
+ <p>
+ &ldquo;To an aunt,&rdquo; said Mary; &ldquo;that&rsquo;s just the joke.
+ There really is an aunt, and we left the children with her when I arranged
+ to be turned out of the other boarding-house down the road. We never take
+ more than a week of this kind of holiday, but sometimes we take two of
+ them together.&rdquo;
+ </p>
+ <p>
+ &ldquo;Does the aunt mind much?&rdquo; asked Rosamund innocently. &ldquo;Of
+ course, I dare say it&rsquo;s very narrow-minded and&mdash;what&rsquo;s
+ that other word?&mdash; you know, what Goliath was&mdash;but I&rsquo;ve
+ known many aunts who would think it&mdash;well, silly.&rdquo;
+ </p>
+ <p>
+ &ldquo;Silly?&rdquo; cried Mary with great heartiness. &ldquo;Oh, my
+ Sunday hat! I should think it was silly! But what do you expect? He really
+ is a good man, and it might have been snakes or something.&rdquo;
+ </p>
+ <p>
+ &ldquo;Snakes?&rdquo; inquired Rosamund, with a slightly puzzled interest.
+ </p>
+ <p>
+ &ldquo;Uncle Harry kept snakes, and said they loved him,&rdquo; replied
+ Mary with perfect simplicity. &ldquo;Auntie let him have them in his
+ pockets, but not in the bedroom.&rdquo;
+ </p>
+ <p>
+ &ldquo;And you&mdash;&rdquo; began Diana, knitting her dark brows a
+ little.
+ </p>
+ <p>
+ &ldquo;Oh, I do as auntie did,&rdquo; said Mary; &ldquo;as long as we&rsquo;re
+ not away from the children more than a fortnight together I play the game.
+ He calls me `Manalive;&rsquo; and you must write it all one word, or he&rsquo;s
+ quite flustered.&rdquo;
+ </p>
+ <p>
+ &ldquo;But if men want things like that,&rdquo; began Diana.
+ </p>
+ <p>
+ &ldquo;Oh, what&rsquo;s the good of talking about men?&rdquo; cried Mary
+ impatiently; &ldquo;why, one might as well be a lady novelist or some
+ horrid thing. There aren&rsquo;t any men. There are no such people. There&rsquo;s
+ a man; and whoever he is he&rsquo;s quite different.&rdquo;
+ </p>
+ <p>
+ &ldquo;So there is no safety,&rdquo; said Diana in a low voice.
+ </p>
+ <p>
+ &ldquo;Oh, I don&rsquo;t know,&rdquo; answered Mary, lightly enough;
+ &ldquo;there&rsquo;s only two things generally true of them. At certain
+ curious times they&rsquo;re just fit to take care of us, and they&rsquo;re
+ never fit to take care of themselves.&rdquo;
+ </p>
+ <p>
+ &ldquo;There is a gale getting up,&rdquo; said Rosamund suddenly. &ldquo;Look
+ at those trees over there, a long way off, and the clouds going quicker.&rdquo;
+ </p>
+ <p>
+ &ldquo;I know what you&rsquo;re thinking about,&rdquo; said Mary; &ldquo;and
+ don&rsquo;t you be silly fools. Don&rsquo;t you listen to the lady
+ novelists. You go down the king&rsquo;s highway; for God&rsquo;s truth, it
+ is God&rsquo;s. Yes, my dear Michael will often be extremely untidy.
+ Arthur Inglewood will be worse&mdash;he&rsquo;ll be untidy. But what else
+ are all the trees and clouds for, you silly kittens?&rdquo;
+ </p>
+ <p>
+ &ldquo;The clouds and trees are all waving about,&rdquo; said Rosamund.
+ &ldquo;There is a storm coming, and it makes me feel quite excited,
+ somehow. Michael is really rather like a storm: he frightens me and makes
+ me happy.&rdquo;
+ </p>
+ <p>
+ &ldquo;Don&rsquo;t you be frightened,&rdquo; said Mary. &ldquo;All over,
+ these men have one advantage; they are the sort that go out.&rdquo;
+ </p>
+ <p>
+ A sudden thrust of wind through the trees drifted the dying leaves along
+ the path, and they could hear the far-off trees roaring faintly.
+ </p>
+ <p>
+ &ldquo;I mean,&rdquo; said Mary, &ldquo;they are the kind that look
+ outwards and get interested in the world. It doesn&rsquo;t matter a bit
+ whether it&rsquo;s arguing, or bicycling, or breaking down the ends of the
+ earth as poor old Innocent does. Stick to the man who looks out of the
+ window and tries to understand the world. Keep clear of the man who looks
+ in at the window and tries to understand you. When poor old Adam had gone
+ out gardening (Arthur will go out gardening), the other sort came along
+ and wormed himself in, nasty old snake.&rdquo;
+ </p>
+ <p>
+ &ldquo;You agree with your aunt,&rdquo; said Rosamund, smiling: &ldquo;no
+ snakes in the bedroom.&rdquo;
+ </p>
+ <p>
+ &ldquo;I didn&rsquo;t agree with my aunt very much,&rdquo; replied Mary
+ simply, &ldquo;but I think she was right to let Uncle Harry collect
+ dragons and griffins, so long as it got him out of the house.&rdquo;
+ </p>
+ <p>
+ Almost at the same moment lights sprang up inside the darkened house,
+ turning the two glass doors into the garden into gates of beaten gold. The
+ golden gates were burst open, and the enormous Smith, who had sat like a
+ clumsy statue for so many hours, came flying and turning cart-wheels down
+ the lawn and shouting, &ldquo;Acquitted! acquitted!&rdquo; Echoing the
+ cry, Michael scampered across the lawn to Rosamund and wildly swung her
+ into a few steps of what was supposed to be a waltz. But the company knew
+ Innocent and Michael by this time, and their extravagances were gaily
+ taken for granted; it was far more extraordinary that Arthur Inglewood
+ walked straight up to Diana and kissed her as if it had been his sister&rsquo;s
+ birthday. Even Dr. Pym, though he refrained from dancing, looked on with
+ real benevolence; for indeed the whole of the absurd revelation had
+ disturbed him less than the others; he half supposed that such
+ irresponsible tribunals and insane discussions were part of the mediaeval
+ mummeries of the Old Land.
+ </p>
+ <p>
+ While the tempest tore the sky as with trumpets, window after window was
+ lighted up in the house within; and before the company, broken with
+ laughter and the buffeting of the wind, had groped their way to the house
+ again, they saw that the great apish figure of Innocent Smith had
+ clambered out of his own attic window, and roaring again and again,
+ &ldquo;Beacon House!&rdquo; whirled round his head a huge log or trunk
+ from the wood fire below, of which the river of crimson flame and purple
+ smoke drove out on the deafening air.
+ </p>
+ <p>
+ He was evident enough to have been seen from three counties; but when the
+ wind died down, and the party, at the top of their evening&rsquo;s
+ merriment, looked again for Mary and for him, they were not to be found.
+ </p>
+ <p>
+ The End
+ </p>
+ <div style="height: 6em;">
+ <br /><br /><br /><br /><br /><br />
+ </div>
+<pre xml:space="preserve">
+
+
+
+
+
+End of the Project Gutenberg EBook of Manalive, by G. K. Chesterton
+
+*** END OF THIS PROJECT GUTENBERG EBOOK MANALIVE ***
+
+***** This file should be named 1718-h.htm or 1718-h.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/1/7/1/1718/
+
+Etext produced by Jim Henry III and edited by Martin Ward
+HTML file produced by David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase &ldquo;Project
+Gutenberg&rdquo;), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. &ldquo;Project Gutenberg&rdquo; is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation (&ldquo;the Foundation&rdquo;
+ or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase &ldquo;Project Gutenberg&rdquo; appears, or with which the phrase &ldquo;Project
+Gutenberg&rdquo; is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase &ldquo;Project Gutenberg&rdquo; associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+&ldquo;Plain Vanilla ASCII&rdquo; or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original &ldquo;Plain Vanilla ASCII&rdquo; or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, &ldquo;Information about donations to
+ the Project Gutenberg Literary Archive Foundation.&rdquo;
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+&ldquo;Defects,&rdquo; such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &ldquo;Right
+of Replacement or Refund&rdquo; described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you &lsquo;AS-IS&rsquo;, WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm&rsquo;s
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation&rsquo;s EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state&rsquo;s laws.
+
+The Foundation&rsquo;s principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation&rsquo;s web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+*** END: FULL LICENSE ***
+
+
+
+
+</pre>
+ </body>
+</html>
diff --git a/old/1718.txt b/old/1718.txt
new file mode 100644
index 0000000..297ce94
--- /dev/null
+++ b/old/1718.txt
@@ -0,0 +1,6775 @@
+The Project Gutenberg EBook of Manalive, by G. K. Chesterton
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Manalive
+
+Author: G. K. Chesterton
+
+Release Date: August 3, 2005 [EBook #1718]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK MANALIVE ***
+
+
+
+
+Electronic edition MANALIV0 published 1993 by Jim Henry III
+Edited by Martin Ward (Martin.Ward@durham.ac.uk)
+
+
+
+
+
+
+
+ Manalive
+
+ by G. K. Chesterton
+
+
+
+
+
+
+
+First published 1912 by Thomas Nelson and Sons
+
+Electronic edition MANALIV0 published 1993 by Jim Henry III
+Edited by Martin Ward (Martin.Ward@durham.ac.uk)
+
+
+PLEASE report any typos you may happen to notice, such as misplaced
+punctuation and the like, to
+
+Martin Ward (Martin.Ward@durham.ac.uk)
+
+and
+
+Jim Henry III 405 Gardner Road Stockbridge, GA 30281-1515
+
+Or send email to JIM HENRY on
+
+Digital Publishing Association BBS (205) 854-1660 Faster-than-Light BBS
+(404) 292-8761
+
+ILink Bookmark conference Annex Library conference
+
+Thank you! I hope you enjoy reading _Manalive_ as much as I have.
+I will soon be releasing _Tales of the Long Bow_, also by G. K. Chesterton.
+
+
+
+
+
+ Table of Contents
+
+
+ Part I: The Enigmas of Innocent Smith
+ I. How the Great Wind Came to Beacon House
+ II. The Luggage of an Optimist
+ III. The Banner of Beacon
+ IV. The Garden of the God
+ V. The Allegorical Practical Joker
+
+
+ Part II: The Explanations of Innocent Smith
+ I. The Eye of Death; or, the Murder Charge
+ II. The Two Curates; or, the Burglary Charge
+ III. The Round Road; or, the Desertion Charge
+ IV. The Wild Weddings; or, the Polygamy Charge
+ V. How the Great Wind went from Beacon House
+
+
+
+ Part I
+
+ The Enigmas of Innocent Smith
+
+
+
+ Chapter I
+
+ How the Great Wind Came
+ to Beacon House
+
+
+A wind sprang high in the west, like a wave of unreasonable happiness,
+and tore eastward across England, trailing with it the frosty scent
+of forests and the cold intoxication of the sea. In a million holes
+and corners it refreshed a man like a flagon, and astonished him
+like a blow. In the inmost chambers of intricate and embowered
+houses it woke like a domestic explosion, littering the floor with
+some professor's papers till they seemed as precious as fugitive,
+or blowing out the candle by which a boy read "Treasure Island"
+and wrapping him in roaring dark. But everywhere it bore drama into
+undramatic lives, and carried the trump of crisis across the world.
+Many a harassed mother in a mean backyard had looked at five
+dwarfish shirts on the clothes-line as at some small, sick tragedy;
+it was as if she had hanged her five children. The wind came, and they
+were full and kicking as if five fat imps had sprung into them; and far
+down in her oppressed subconscious she half-remembered those coarse
+comedies of her fathers when the elves still dwelt in the homes of men.
+Many an unnoticed girl in a dank walled garden had tossed herself
+into the hammock with the same intolerant gesture with which she
+might have tossed herself into the Thames; and that wind rent
+the waving wall of woods and lifted the hammock like a balloon,
+and showed her shapes of quaint clouds far beyond, and pictures
+of bright villages far below, as if she rode heaven in a fairy boat.
+Many a dusty clerk or cleric, plodding a telescopic road of poplars,
+thought for the hundredth time that they were like the plumes
+of a hearse; when this invisible energy caught and swung and clashed
+them round his head like a wreath or salutation of seraphic wings.
+There was in it something more inspired and authoritative even
+than the old wind of the proverb; for this was the good wind
+that blows nobody harm.
+
+The flying blast struck London just where it scales the northern heights,
+terrace above terrace, as precipitous as Edinburgh. It was round
+about this place that some poet, probably drunk, looked up astonished
+at all those streets gone skywards, and (thinking vaguely of glaciers
+and roped mountaineers) gave it the name of Swiss Cottage, which it has
+never been able to shake off. At some stage of those heights a terrace
+of tall gray houses, mostly empty and almost as desolate as the Grampians,
+curved round at the western end, so that the last building, a boarding
+establishment called "Beacon House," offered abruptly to the sunset its high,
+narrow and towering termination, like the prow of some deserted ship.
+
+The ship, however, was not wholly deserted. The proprietor
+of the boarding-house, a Mrs. Duke, was one of those helpless
+persons against whom fate wars in vain; she smiled vaguely both
+before and after all her calamities; she was too soft to be hurt.
+But by the aid (or rather under the orders) of a strenuous niece
+she always kept the remains of a clientele, mostly of young
+but listless folks. And there were actually five inmates
+standing disconsolately about the garden when the great gale
+broke at the base of the terminal tower behind them, as the sea
+bursts against the base of an outstanding cliff.
+
+All day that hill of houses over London had been domed and sealed up with
+cold cloud. Yet three men and two girls had at last found even the gray
+and chilly garden more tolerable than the black and cheerless interior.
+When the wind came it split the sky and shouldered the cloudland left
+and right, unbarring great clear furnaces of evening gold. The burst of light
+released and the burst of air blowing seemed to come almost simultaneously;
+and the wind especially caught everything in a throttling violence.
+The bright short grass lay all one way like brushed hair.
+Every shrub in the garden tugged at its roots like a dog at the collar,
+and strained every leaping leaf after the hunting and exterminating element.
+Now and again a twig would snap and fly like a bolt from an arbalist.
+The three men stood stiffly and aslant against the wind, as if leaning against
+a wall. The two ladies disappeared into the house; rather, to speak truly,
+they were blown into the house. Their two frocks, blue and white,
+looked like two big broken flowers, driving and drifting upon the gale.
+Nor is such a poetic fancy inappropriate, for there was something
+oddly romantic about this inrush of air and light after a long,
+leaden and unlifting day. Grass and garden trees seemed glittering
+with something at once good and unnatural, like a fire from fairyland.
+It seemed like a strange sunrise at the wrong end of the day.
+
+The girl in white dived in quickly enough, for she wore
+a white hat of the proportions of a parachute, which might
+have wafted her away into the coloured clouds of evening.
+She was their one splash of splendour, and irradiated wealth
+in that impecunious place (staying there temporarily with a
+friend), an heiress in a small way, by name Rosamund Hunt,
+brown-eyed, round-faced, but resolute and rather boisterous.
+On top of her wealth she was good-humoured and rather good-looking;
+but she had not married, perhaps because there was always
+a crowd of men around her. She was not fast (though some
+might have called her vulgar), but she gave irresolute youths
+an impression of being at once popular and inaccessible.
+A man felt as if he had fallen in love with Cleopatra,
+or as if he were asking for a great actress at the stage door.
+Indeed, some theatrical spangles seemed to cling about Miss Hunt;
+she played the guitar and the mandoline; she always wanted charades;
+and with that great rending of the sky by sun and storm,
+she felt a girlish melodrama swell again within her.
+To the crashing orchestration of the air the clouds rose
+like the curtain of some long-expected pantomime.
+
+Nor, oddly, was the girl in blue entirely unimpressed by this
+apocalypse in a private garden; though she was one of most prosaic
+and practical creatures alive. She was, indeed, no other than
+the strenuous niece whose strength alone upheld that mansion of decay.
+But as the gale swung and swelled the blue and white skirts till they
+took on the monstrous contours of Victorian crinolines, a sunken memory
+stirred in her that was almost romance--a memory of a dusty volume
+of _Punch_ in an aunt's house in infancy: pictures of crinoline hoops
+and croquet hoops and some pretty story, of which perhaps they were a part.
+This half-perceptible fragrance in her thoughts faded almost instantly,
+and Diana Duke entered the house even more promptly than her companion.
+Tall, slim, aquiline, and dark, she seemed made for such swiftness.
+In body she was of the breed of those birds and beasts that are at once
+long and alert, like greyhounds or herons or even like an innocent snake.
+The whole house revolved on her as on a rod of steel. It would
+be wrong to say that she commanded; for her own efficiency was so
+impatient that she obeyed herself before any one else obeyed her.
+Before electricians could mend a bell or locksmiths open a door,
+before dentists could pluck a tooth or butlers draw a tight cork,
+it was done already with the silent violence of her slim hands.
+She was light; but there was nothing leaping about her lightness.
+She spurned the ground, and she meant to spurn it. People talk
+of the pathos and failure of plain women; but it is a more terrible
+thing that a beautiful woman may succeed in everything but womanhood.
+
+"It's enough to blow your head off," said the young woman in white,
+going to the looking-glass.
+
+The young woman in blue made no reply, but put away her gardening gloves,
+and then went to the sideboard and began to spread out an afternoon
+cloth for tea.
+
+"Enough to blow your head off, I say," said Miss Rosamund Hunt,
+with the unruffled cheeriness of one whose songs and speeches
+had always been safe for an encore.
+
+"Only your hat, I think," said Diana Duke, "but I dare say that is
+sometimes more important."
+
+Rosamund's face showed for an instant the offence of a
+spoilt child, and then the humour of a very healthy person.
+She broke into a laugh and said, "Well, it would have to be a big
+wind to blow your head off."
+
+There was another silence; and the sunset breaking more and more from
+the sundering clouds, filled the room with soft fire and painted the dull
+walls with ruby and gold.
+
+"Somebody once told me," said Rosamund Hunt, "that it's easier
+to keep one's head when one has lost one's heart."
+
+"Oh, don't talk such rubbish," said Diana with savage sharpness.
+
+Outside, the garden was clad in a golden splendour;
+but the wind was still stiffly blowing, and the three men
+who stood their ground might also have considered the problem
+of hats and heads. And, indeed, their position, touching hats,
+was somewhat typical of them. The tallest of the three abode
+the blast in a high silk hat, which the wind seemed to charge
+as vainly as that other sullen tower, the house behind him.
+The second man tried to hold on a stiff straw hat at all angles,
+and ultimately held it in his hand. The third had no hat, and,
+by his attitude, seemed never to have had one in his life.
+Perhaps this wind was a kind of fairy wand to test men and women,
+for there was much of the three men in this difference.
+
+The man in the solid silk hat was the embodiment of silkiness and solidity.
+He was a big, bland, bored and (as some said) boring man, with flat
+fair hair and handsome heavy features; a prosperous young doctor
+by the name of Warner. But if his blondness and blandness seemed
+at first a little fatuous, it is certain that he was no fool.
+If Rosamund Hunt was the only person there with much money,
+he was the only person who had as yet found any kind of fame.
+His treatise on "The Probable Existence of Pain in the Lowest Organisms"
+had been universally hailed by the scientific world as at once solid
+and daring. In short, he undoubtedly had brains; and perhaps it was
+not his fault if they were the kind of brains that most men desire
+to analyze with a poker.
+
+The young man who put his hat off and on was a scientific amateur in a
+small way, and worshipped the great Warner with a solemn freshness.
+It was, in fact, at his invitation that the distinguished doctor
+was present; for Warner lived in no such ramshackle lodging-house,
+but in a professional palace in Harley Street. This young
+man was really the youngest and best-looking of the three.
+But he was one of those persons, both male and female,
+who seem doomed to be good-looking and insignificant.
+Brown-haired, high-coloured, and shy, he seemed to lose
+the delicacy of his features in a sort of blur of brown
+and red as he stood blushing and blinking against the wind.
+He was one of those obvious unnoticeable people:
+every one knew that he was Arthur Inglewood, unmarried, moral,
+decidedly intelligent, living on a little money of his own,
+and hiding himself in the two hobbies of photography and cycling.
+Everybody knew him and forgot him; even as he stood there in the
+glare of golden sunset there was something about him indistinct,
+like one of his own red-brown amateur photographs.
+
+The third man had no hat; he was lean, in light, vaguely
+sporting clothes, and the large pipe in his mouth made him look
+all the leaner. He had a long ironical face, blue-black hair,
+the blue eyes of an Irishman, and the blue chin of an actor.
+An Irishman he was, an actor he was not, except in the old
+days of Miss Hunt's charades, being, as a matter of fact,
+an obscure and flippant journalist named Michael Moon. He had
+once been hazily supposed to be reading for the Bar;
+but (as Warner would say with his rather elephantine wit)
+it was mostly at another kind of bar that his friends found him.
+Moon, however, did not drink, nor even frequently get drunk;
+he simply was a gentleman who liked low company.
+This was partly because company is quieter than society:
+and if he enjoyed talking to a barmaid (as apparently
+he did), it was chiefly because the barmaid did the talking.
+Moreover he would often bring other talent to assist her.
+He shared that strange trick of all men of his type, intellectual and
+without ambition--the trick of going about with his mental inferiors.
+There was a small resilient Jew named Moses Gould in the same
+boarding-house, a man whose negro vitality and vulgarity amused
+Michael so much that he went round with him from bar to bar,
+like the owner of a performing monkey.
+
+The colossal clearance which the wind had made of that cloudy sky grew
+clearer and clearer; chamber within chamber seemed to open in heaven.
+One felt one might at last find something lighter than light.
+In the fullness of this silent effulgence all things collected their
+colours again: the gray trunks turned silver, and the drab gravel gold.
+One bird fluttered like a loosened leaf from one tree to another,
+and his brown feathers were brushed with fire.
+
+"Inglewood," said Michael Moon, with his blue eye on the bird,
+"have you any friends?"
+
+Dr. Warner mistook the person addressed, and turning a broad
+beaming face, said,--
+
+"Oh yes, I go out a great deal."
+
+Michael Moon gave a tragic grin, and waited for his real informant,
+who spoke a moment after in a voice curiously cool, fresh and young,
+as coming out of that brown and even dusty interior.
+
+"Really," answered Inglewood, "I'm afraid I've lost touch with
+my old friends. The greatest friend I ever had was at school,
+a fellow named Smith. It's odd you should mention it, because I
+was thinking of him to-day, though I haven't seen him for seven
+or eight years. He was on the science side with me at school--
+a clever fellow though queer; and he went up to Oxford when I
+went to Germany. The fact is, it's rather a sad story.
+I often asked him to come and see me, and when I heard nothing I
+made inquiries, you know. I was shocked to learn that poor Smith
+had gone off his head. The accounts were a bit cloudy, of course,
+some saying that he had recovered again; but they always say that.
+About a year ago I got a telegram from him myself. The telegram,
+I'm sorry to say, put the matter beyond a doubt."
+
+"Quite so," assented Dr. Warner stolidly; "insanity is generally incurable."
+
+"So is sanity," said the Irishman, and studied him with a dreary eye.
+
+"Symptoms?" asked the doctor. "What was this telegram?"
+
+"It's a shame to joke about such things," said Inglewood, in his honest,
+embarrassed way; "the telegram was Smith's illness, not Smith. The actual
+words were, `Man found alive with two legs.'"
+
+"Alive with two legs," repeated Michael, frowning. "Perhaps a version
+of alive and kicking? I don't know much about people out of their senses;
+but I suppose they ought to be kicking."
+
+"And people in their senses?" asked Warner, smiling.
+
+"Oh, they ought to be kicked," said Michael with sudden heartiness.
+
+"The message is clearly insane," continued the impenetrable Warner.
+"The best test is a reference to the undeveloped normal type.
+Even a baby does not expect to find a man with three legs."
+
+"Three legs," said Michael Moon, "would be very convenient in this wind."
+
+A fresh eruption of the atmosphere had indeed almost thrown them
+off their balance and broken the blackened trees in the garden.
+Beyond, all sorts of accidental objects could be seen scouring
+the wind-scoured sky--straws, sticks, rags, papers, and, in the distance,
+a disappearing hat. Its disappearance, however, was not final;
+after an interval of minutes they saw it again, much larger and closer,
+like a white panama, towering up into the heavens like a balloon,
+staggering to and fro for an instant like a stricken kite,
+and then settling in the centre of their own lawn as falteringly
+as a fallen leaf.
+
+"Somebody's lost a good hat," said Dr. Warner shortly.
+
+Almost as he spoke, another object came over the garden wall,
+flying after the fluttering panama. It was a big green umbrella.
+After that came hurtling a huge yellow Gladstone bag,
+and after that came a figure like a flying wheel of legs,
+as in the shield of the Isle of Man.
+
+But though for a flash it seemed to have five or six legs,
+it alighted upon two, like the man in the queer telegram.
+It took the form of a large light-haired man in gay green holiday clothes.
+He had bright blonde hair that the wind brushed back like a German's,
+a flushed eager face like a cherub's, and a prominent pointing nose,
+a little like a dog's. His head, however, was by no means cherubic
+in the sense of being without a body. On the contrary, on his vast
+shoulders and shape generally gigantesque, his head looked oddly
+and unnaturally small. This gave rise to a scientific theory
+(which his conduct fully supported) that he was an idiot.
+
+Inglewood had a politeness instinctive and yet awkward.
+His life was full of arrested half gestures of assistance.
+And even this prodigy of a big man in green, leaping the wall
+like a bright green grasshopper, did not paralyze that small
+altruism of his habits in such a matter as a lost hat.
+He was stepping forward to recover the green gentleman's
+head-gear, when he was struck rigid with a roar like a bull's.
+
+"Unsportsmanlike!" bellowed the big man. "Give it fair play,
+give it fair play!" And he came after his own hat quickly
+but cautiously, with burning eyes. The hat had seemed at first
+to droop and dawdle as in ostentatious langour on the sunny lawn;
+but the wind again freshening and rising, it went dancing down
+the garden with the devilry of a ~pas de quatre~. The eccentric went
+bounding after it with kangaroo leaps and bursts of breathless speech,
+of which it was not always easy to pick up the thread:
+"Fair play, fair play... sport of kings... chase their crowns...
+quite humane... tramontana... cardinals chase red hats... old
+English hunting... started a hat in Bramber Combe... hat at bay...
+mangled hounds... Got him!"
+
+As the wind rose out of a roar into a shriek, he leapt into the sky
+on his strong, fantastic legs, snatched at the vanishing hat,
+missed it, and pitched sprawling face foremost on the grass.
+The hat rose over him like a bird in triumph. But its triumph
+was premature; for the lunatic, flung forward on his hands,
+threw up his boots behind, waved his two legs in the air
+like symbolic ensigns (so that they actually thought again
+of the telegram), and actually caught the hat with his feet.
+A prolonged and piercing yell of wind split the welkin from end to end.
+The eyes of all the men were blinded by the invisible blast,
+as by a strange, clear cataract of transparency rushing between
+them and all objects about them. But as the large man fell back
+in a sitting posture and solemnly crowned himself with the hat,
+Michael found, to his incredulous surprise, that he had been
+holding his breath, like a man watching a duel.
+
+While that tall wind was at the top of its sky-scraping energy,
+another short cry was heard, beginning very querulous, but ending
+very quick, swallowed in abrupt silence. The shiny black cylinder
+of Dr. Warner's official hat sailed off his head in the long,
+smooth parabola of an airship, and in almost cresting a garden
+tree was caught in the topmost branches. Another hat was gone.
+Those in that garden felt themselves caught in an unaccustomed eddy
+of things happening; no one seemed to know what would blow away next.
+Before they could speculate, the cheering and hallooing hat-hunter
+was already halfway up the tree, swinging himself from fork to fork
+with his strong, bent, grasshopper legs, and still giving forth
+his gasping, mysterious comments.
+
+"Tree of life... Ygdrasil... climb for centuries perhaps... owls nesting
+in the hat... remotest generations of owls... still usurpers... gone
+to heaven... man in the moon wears it... brigand... not yours... belongs
+to depressed medical man... in garden... give it up... give it up!"
+
+The tree swung and swept and thrashed to and fro in the thundering
+wind like a thistle, and flamed in the full sunshine like a bonfire.
+The green, fantastic human figure, vivid against its autumn red and gold,
+was already among its highest and craziest branches, which by bare luck did
+not break with the weight of his big body. He was up there among the last
+tossing leaves and the first twinkling stars of evening, still talking
+to himself cheerfully, reasoningly, half apologetically, in little gasps.
+He might well be out of breath, for his whole preposterous raid had
+gone with one rush; he had bounded the wall once like a football,
+swept down the garden like a slide, and shot up the tree like a rocket.
+The other three men seemed buried under incident piled on incident--
+a wild world where one thing began before another thing left off.
+All three had the first thought. The tree had been there for the five years
+they had known the boarding-house. Each one of them was active and strong.
+No one of them had even thought of climbing it. Beyond that,
+Inglewood felt first the mere fact of colour. The bright brisk leaves,
+the bleak blue sky, the wild green arms and legs, reminded him irrationally
+of something glowing in his infancy, something akin to a gaudy man
+on a golden tree; perhaps it was only painted monkey on a stick.
+Oddly enough, Michael Moon, though more of a humourist, was touched on
+a tenderer nerve, half remembered the old, young theatricals with Rosamund,
+and was amused to find himself almost quoting Shakespeare--
+
+ "For valour. Is not love a Hercules,
+ Still climbing trees in the Hesperides?"
+
+
+Even the immovable man of science had a bright, bewildered sensation
+that the Time Machine had given a great jerk, and gone forward
+with rather rattling rapidity.
+
+He was not, however, wholly prepared for what happened next.
+The man in green, riding the frail topmost bough like a witch on a very risky
+broomstick, reached up and rent the black hat from its airy nest of twigs.
+It had been broken across a heavy bough in the first burst of its passage,
+a tangle of branches in torn and scored and scratched it in every direction,
+a clap of wind and foliage had flattened it like a concertina; nor can it
+be said that the obliging gentleman with the sharp nose showed any adequate
+tenderness for its structure when he finally unhooked it from its place.
+When he had found it, however, his proceedings were by some counted singular.
+He waved it with a loud whoop of triumph, and then immediately appeared
+to fall backwards off the tree, to which, however, he remained
+attached by his long strong legs, like a monkey swung by his tail.
+Hanging thus head downwards above the unhelmed Warner, he gravely proceeded
+to drop the battered silk cylinder upon his brows. "Every man a king,"
+explained the inverted philosopher, "every hat (consequently) a crown.
+But this is a crown out of heaven."
+
+And he again attempted the coronation of Warner, who, however, moved away
+with great abruptness from the hovering diadem; not seeming, strangely enough,
+to wish for his former decoration in its present state.
+
+"Wrong, wrong!" cried the obliging person hilariously.
+"Always wear uniform, even if it's shabby uniform!
+Ritualists may always be untidy. Go to a dance with soot on
+your shirt-front; but go with a shirt-front. Huntsman wears old coat,
+but old pink coat. Wear a topper, even if it's got no top.
+It's the symbol that counts, old cock. Take your hat,
+because it is your hat after all; its nap rubbed all off
+by the bark, dears, and its brim not the least bit curled;
+but for old sakes' sake it is still, dears, the nobbiest tile
+in the world."
+
+Speaking thus, with a wild comfortableness, he settled or smashed
+the shapeless silk hat over the face of the disturbed physician,
+and fell on his feet among the other men, still talking,
+beaming and breathless.
+
+"Why don't they make more games out of wind?" he asked in some excitement.
+"Kites are all right, but why should it only be kites? Why, I thought
+of three other games for a windy day while I was climbing that tree.
+Here's one of them: you take a lot of pepper--"
+
+"I think," interposed Moon, with a sardonic mildness,
+"that your games are already sufficiently interesting.
+Are you, may I ask, a professional acrobat on a tour,
+or a travelling advertisement of Sunny Jim? How and why do you
+display all this energy for clearing walls and climbing trees
+in our melancholy, but at least rational, suburbs?"
+
+The stranger, so far as so loud a person was capable of it,
+appeared to grow confidential.
+
+"Well, it's a trick of my own," he confessed candidly.
+"I do it by having two legs."
+
+Arthur Inglewood, who had sunk into the background of this scene of folly,
+started and stared at the newcomer with his short-sighted eyes screwed up
+and his high colour slightly heightened.
+
+"Why, I believe you're Smith," he cried with his fresh, almost boyish voice;
+and then after an instant's stare, "and yet I'm not sure."
+
+"I have a card, I think," said the unknown, with baffling solemnity--"a card
+with my real name, my titles, offices, and true purpose on this earth."
+
+He drew out slowly from an upper waistcoat pocket a scarlet
+card-case, and as slowly produced a very large card.
+Even in the instant of its production, they fancied it was
+of a queer shape, unlike the cards of ordinary gentlemen.
+But it was there only for an instant; for as it passed from
+his fingers to Arthur's, one or another slipped his hold.
+The strident, tearing gale in that garden carried away
+the stranger's card to join the wild waste paper of the universe;
+and that great western wind shook the whole house and passed.
+
+
+
+
+ Chapter II
+
+ The Luggage of an Optimist
+
+
+We all remember the fairy tales of science in our infancy, which played
+with the supposition that large animals could jump in the proportion
+of small ones. If an elephant were as strong as a grasshopper, he could
+(I suppose) spring clean out of the Zoological Gardens and alight
+trumpeting upon Primrose Hill. If a whale could leap from the sea
+like a trout, perhaps men might look up and see one soaring above
+Yarmouth like the winged island of Laputa. Such natural energy,
+though sublime, might certainly be inconvenient, and much of this
+inconvenience attended the gaiety and good intentions of the man in green.
+He was too large for everything, because he was lively as well as large.
+By a fortunate physical provision, most very substantial creatures
+are also reposeful; and middle-class boarding-houses in the lesser
+parts of London are not built for a man as big as a bull and excitable
+as a kitten.
+
+When Inglewood followed the stranger into the boarding-house,
+he found him talking earnestly (and in his own opinion privately)
+to the helpless Mrs. Duke. That fat, faint lady could only
+goggle up like a dying fish at the enormous new gentleman,
+who politely offered himself as a lodger, with vast gestures
+of the wide white hat in one hand, and the yellow Gladstone bag
+in the other. Fortunately, Mrs. Duke's more efficient niece
+and partner was there to complete the contract; for, indeed,
+all the people of the house had somehow collected in the room.
+This fact, in truth, was typical of the whole episode.
+The visitor created an atmosphere of comic crisis; and from
+the time he came into the house to the time he left it, he somehow
+got the company to gather and even follow (though in derision)
+as children gather and follow a Punch and Judy. An hour ago,
+and for four years previously, these people had avoided
+each other, even when they had really liked each other.
+They had slid in and out of dismal and deserted rooms in search
+of particular newspapers or private needlework. Even now they
+all came casually, as with varying interests; but they all came.
+There was the embarrassed Inglewood, still a sort of red shadow;
+there was the unembarrassed Warner, a pallid but solid substance.
+There was Michael Moon offering like a riddle the contrast
+of the horsy crudeness of his clothes and the sombre sagacity
+of his visage. He was now joined by his yet more comic crony,
+Moses Gould. Swaggering on short legs with a prosperous
+purple tie, he was the gayest of godless little dogs;
+but like a dog also in this, that however he danced and
+wagged with delight, the two dark eyes on each side of his
+protuberant nose glistened gloomily like black buttons.
+There was Miss Rosamund Hunt, still with the fine white hat
+framing her square, good-looking face, and still with her native
+air of being dressed for some party that never came off.
+She also, like Mr. Moon, had a new companion, new so far as this
+narrative goes, but in reality an old friend and a protegee.
+This was a slight young woman in dark gray, and in no way
+notable but for a load of dull red hair, of which the shape
+somehow gave her pale face that triangular, almost peaked,
+appearance which was given by the lowering headdress and deep rich
+ruff of the Elizabethan beauties. Her surname seemed to be Gray,
+and Miss Hunt called her Mary, in that indescribable tone
+applied to a dependent who has practically become a friend.
+She wore a small silver cross on her very business-like
+gray clothes, and was the only member of the party who went
+to church. Last, but the reverse of least, there was Diana Duke,
+studying the newcomer with eyes of steel, and listening
+carefully to every idiotic word he said. As for Mrs. Duke,
+she smiled up at him, but never dreamed of listening to him.
+She had never really listened to any one in her life; which, some said,
+was why she had survived.
+
+Nevertheless, Mrs. Duke was pleased with her new guest's
+concentration of courtesy upon herself; for no one ever spoke
+seriously to her any more than she listened seriously to any one.
+And she almost beamed as the stranger, with yet wider and almost
+whirling gestures of explanation with his huge hat and bag,
+apologized for having entered by the wall instead of the front door.
+He was understood to put it down to an unfortunate family tradition
+of neatness and care of his clothes.
+
+"My mother was rather strict about it, to tell the truth,"
+he said, lowering his voice, to Mrs. Duke. "She never liked
+me to lose my cap at school. And when a man's been taught
+to be tidy and neat it sticks to him."
+
+Mrs. Duke weakly gasped that she was sure he must have had a good mother;
+but her niece seemed inclined to probe the matter further.
+
+"You've got a funny idea of neatness," she said, "if it's
+jumping garden walls and clambering up garden trees.
+A man can't very well climb a tree tidily."
+
+"He can clear a wall neatly," said Michael Moon; "I saw him do it."
+
+Smith seemed to be regarding the girl with genuine astonishment.
+"My dear young lady," he said, "I was tidying the tree. You don't want
+last year's hats there, do you, any more than last year's leaves?
+The wind takes off the leaves, but it couldn't manage the hat; that wind,
+I suppose, has tidied whole forests to-day. Rum idea this is, that tidiness
+is a timid, quiet sort of thing; why, tidiness is a toil for giants.
+You can't tidy anything without untidying yourself; just look at my trousers.
+Don't you know that? Haven't you ever had a spring cleaning?"
+
+"Oh yes, sir," said Mrs. Duke, almost eagerly. "You will find
+everything of that sort quite nice." For the first time she
+had heard two words that she could understand.
+
+Miss Diana Duke seemed to be studying the stranger with a sort of spasm
+of calculation; then her black eyes snapped with decision, and she said
+that he could have a particular bedroom on the top floor if he liked:
+and the silent and sensitive Inglewood, who had been on the rack through
+these cross-purposes, eagerly offered to show him up to the room.
+Smith went up the stairs four at a time, and when he bumped his head
+against the ultimate ceiling, Inglewood had an odd sensation that the tall
+house was much shorter than it used to be.
+
+Arthur Inglewood followed his old friend--or his new friend,
+for he did not very clearly know which he was. The face looked
+very like his old schoolfellow's at one second and very unlike
+at another. And when Inglewood broke through his native
+politeness so far as to say suddenly, "Is your name Smith?"
+he received only the unenlightening reply, "Quite right;
+quite right. Very good. Excellent!" Which appeared to Inglewood,
+on reflection, rather the speech of a new-born babe accepting
+a name than of a grown-up man admitting one.
+
+Despite these doubts about identity, the hapless Inglewood
+watched the other unpack, and stood about his bedroom in all
+the impotent attitudes of the male friend. Mr. Smith unpacked
+with the same kind of whirling accuracy with which he climbed
+a tree--throwing things out of his bag as if they were rubbish,
+yet managing to distribute quite a regular pattern all round
+him on the floor.
+
+As he did so he continued to talk in the same somewhat gasping manner
+(he had come upstairs four steps at a time, but even without this his style
+of speech was breathless and fragmentary), and his remarks were still
+a string of more or less significant but often separate pictures.
+
+"Like the day of judgement," he said, throwing a bottle
+so that it somehow settled, rocking on its right end.
+"People say vast universe... infinity and astronomy;
+not sure... I think things are too close together... packed up;
+for travelling... stars too close, really... why, the sun's
+a star, too close to be seen properly; the earth's a star,
+too close to be seen at all... too many pebbles on the beach;
+ought all to be put in rings; too many blades of grass to study...
+feathers on a bird make the brain reel; wait till the big bag
+is unpacked... may all be put in our right places then."
+
+Here he stopped, literally for breath--throwing a shirt to the other end
+of the room, and then a bottle of ink so that it fell quite neatly beyond it.
+Inglewood looked round on this strange, half-symmetrical disorder with
+an increasing doubt.
+
+In fact, the more one explored Mr. Smith's holiday luggage,
+the less one could make anything of it. One peculiarity of it
+was that almost everything seemed to be there for the wrong reason;
+what is secondary with every one else was primary with him.
+He would wrap up a pot or pan in brown paper; and the unthinking
+assistant would discover that the pot was valueless or even unnecessary,
+and that it was the brown paper that was truly precious.
+He produced two or three boxes of cigars, and explained
+with plain and perplexing sincerity that he was no smoker,
+but that cigar-box wood was by far the best for fretwork.
+He also exhibited about six small bottles of wine, white and red,
+and Inglewood, happening to note a Volnay which he knew to be excellent,
+supposed at first that the stranger was an epicure in vintages.
+He was therefore surprised to find that the next bottle was a vile sham
+claret from the colonies, which even colonials (to do them justice)
+do not drink. It was only then that he observed that all six
+bottles had those bright metallic seals of various tints,
+and seemed to have been chosen solely because they have the three
+primary and three secondary colours: red, blue, and yellow;
+green, violet and orange. There grew upon Inglewood an almost
+creepy sense of the real childishness of this creature.
+For Smith was really, so far as human psychology can be, innocent.
+He had the sensualities of innocence: he loved the stickiness of gum,
+and he cut white wood greedily as if he were cutting a cake.
+To this man wine was not a doubtful thing to be defended or denounced;
+it was a quaintly coloured syrup, such as a child sees in a shop window.
+He talked dominantly and rushed the social situation;
+but he was not asserting himself, like a superman in a modern play.
+He was simply forgetting himself, like a little boy at a party.
+He had somehow made the giant stride from babyhood to manhood,
+and missed that crisis in youth when most of us grow old.
+
+As he shunted his big bag, Arthur observed the initials
+I. S. printed on one side of it, and remembered that Smith had
+been called Innocent Smith at school, though whether as a formal
+Christian name or a moral description he could not remember.
+He was just about to venture another question, when there was a knock
+at the door, and the short figure of Mr. Gould offered itself,
+with the melancholy Moon, standing like his tall crooked shadow,
+behind him. They had drifted up the stairs after the other two
+men with the wandering gregariousness of the male.
+
+"Hope there's no intrusion," said the beaming Moses with a glow
+of good nature, but not the airiest tinge of apology.
+
+"The truth is," said Michael Moon with comparative courtesy,
+"we thought we might see if they had made you comfortable.
+Miss Duke is rather--"
+
+"I know," cried the stranger, looking up radiantly from his bag;
+"magnificent, isn't she? Go close to her--hear military music going by,
+like Joan of Arc."
+
+Inglewood stared and stared at the speaker like one who has
+just heard a wild fairy tale, which nevertheless contains
+one small and forgotten fact. For he remembered how he had
+himself thought of Jeanne d'Arc years ago, when, hardly more
+than a schoolboy, he had first come to the boarding-house. Long
+since the pulverizing rationalism of his friend Dr. Warner had
+crushed such youthful ignorances and disproportionate dreams.
+Under the Warnerian scepticism and science of hopeless
+human types, Inglewood had long come to regard himself as
+a timid, insufficient, and "weak" type, who would never marry;
+to regard Diana Duke as a materialistic maidservant;
+and to regard his first fancy for her as the small,
+dull farce of a collegian kissing his landlady's daughter.
+And yet the phrase about military music moved him queerly,
+as if he had heard those distant drums.
+
+"She has to keep things pretty tight, as is only natural," said Moon,
+glancing round the rather dwarfish room, with its wedge of slanted ceiling,
+like the conical hood of a dwarf.
+
+"Rather a small box for you, sir," said the waggish Mr. Gould.
+
+"Splendid room, though," answered Mr. Smith enthusiastically, with his
+head inside his Gladstone bag. "I love these pointed sorts of rooms,
+like Gothic. By the way," he cried out, pointing in quite a startling way,
+"where does that door lead to?"
+
+"To certain death, I should say," answered Michael Moon, staring up at
+a dust-stained and disused trapdoor in the sloping roof of the attic.
+"I don't think there's a loft there; and I don't know what else it
+could lead to." Long before he had finished his sentence the man
+with the strong green legs had leapt at the door in the ceiling,
+swung himself somehow on to the ledge beneath it, wrenched it open after
+a struggle, and clambered through it. For a moment they saw the two
+symbolic legs standing like a truncated statue; then they vanished.
+Through the hole thus burst in the roof appeared the empty and lucid
+sky of evening, with one great many-coloured cloud sailing across
+it like a whole county upside down.
+
+"Hullo, you fellows!" came the far cry of Innocent Smith,
+apparently from some remote pinnacle. "Come up here;
+and bring some of my things to eat and drink. It's just the spot
+for a picnic."
+
+With a sudden impulse Michael snatched two of the small
+bottles of wine, one in each solid fist; and Arthur Inglewood,
+as if mesmerized, groped for a biscuit tin and a big jar of ginger.
+The enormous hand of Innocent Smith appearing through the aperture,
+like a giant's in a fairy tale, received these tributes and bore them
+off to the eyrie; then they both hoisted themselves out of the window.
+They were both athletic, and even gymnastic; Inglewood through his
+concern for hygiene, and Moon through his concern for sport, which was
+not quite so idle and inactive as that of the average sportsman.
+Also they both had a light-headed burst of celestial sensation when
+the door was burst in the roof, as if a door had been burst in the sky,
+and they could climb out on to the very roof of the universe.
+They were both men who had long been unconsciously imprisoned in
+the commonplace, though one took it comically, and the other seriously.
+They were both men, nevertheless, in whom sentiment had never died.
+But Mr. Moses Gould had an equal contempt for their suicidal athletics
+and their subconscious transcendentalism, and he stood and laughed
+at the thing with the shameless rationality of another race.
+
+When the singular Smith, astride of a chimney-pot, learnt that Gould
+was not following, his infantile officiousness and good nature
+forced him to dive back into the attic to comfort or persuade;
+and Inglewood and Moon were left alone on the long gray-green
+ridge of the slate roof, with their feet against gutters and their
+backs against chimney-pots, looking agnostically at each other.
+Their first feeling was that they had come out into eternity,
+and that eternity was very like topsy-turvydom. One definition
+occurred to both of them--that he had come out into the light
+of that lucid and radiant ignorance in which all beliefs had begun.
+The sky above them was full of mythology. Heaven seemed deep
+enough to hold all the gods. The round of the ether turned
+from green to yellow gradually like a great unripe fruit.
+All around the sunken sun it was like a lemon; round all the east it
+was a sort of golden green, more suggestive of a greengage; but the whole
+had still the emptiness of daylight and none of the secrecy of dusk.
+Tumbled here and there across this gold and pale green were
+shards and shattered masses of inky purple cloud, which seemed
+falling towards the earth in every kind of colossal perspective.
+One of them really had the character of some many-mitred,
+many-bearded, many-winged Assyrian image, huge head downwards,
+hurled out of heaven--a sort of false Jehovah, who was perhaps Satan.
+All the other clouds had preposterous pinnacled shapes, as if the god's
+palaces had been flung after him.
+
+And yet, while the empty heaven was full of silent catastrophe, the height
+of human buildings above which they sat held here and there a tiny trivial
+noise that was the exact antithesis; and they heard some six streets below
+a newsboy calling, and a bell bidding to chapel. They could also hear
+talk out of the garden below; and realized that the irrepressible Smith
+must have followed Gould downstairs, for his eager and pleading accents
+could be heard, followed by the half-humourous protests of Miss Duke
+and the full and very youthful laughter of Rosamund Hunt. The air had
+that cold kindness that comes after a storm. Michael Moon drank it in with
+as serious a relish as he had drunk the little bottle of cheap claret,
+which he had emptied almost at a draught. Inglewood went on eating ginger
+very slowly and with a solemnity unfathomable as the sky above him.
+There was still enough stir in the freshness of the atmosphere to make them
+almost fancy they could smell the garden soil and the last roses of autumn.
+Suddenly there came from the darkening room a silvery ping and pong which
+told them that Rosamund had brought out the long-neglected mandoline.
+After the first few notes there was more of the distant bell-like laughter.
+
+"Inglewood," said Michael Moon, "have you ever heard that I
+am a blackguard?"
+
+"I haven't heard it, and I don't believe it," answered Inglewood,
+after an odd pause. "But I have heard you were--what they
+call rather wild."
+
+"If you have heard that I am wild, you can contradict the rumour,"
+said Moon, with an extraordinary calm; "I am tame.
+I am quite tame; I am about the tamest beast that crawls.
+I drink too much of the same kind of whisky at the same time
+every night. I even drink about the same amount too much.
+I go to the same number of public-houses. I meet the same damned
+women with mauve faces. I hear the same number of dirty stories--
+generally the same dirty stories. You may assure my friends,
+Inglewood, that you see before you a person whom civilization
+has thoroughly tamed."
+
+Arthur Inglewood was staring with feelings that made him nearly
+fall off the roof, for indeed the Irishman's face, always sinister,
+was now almost demoniacal.
+
+"Christ confound it!" cried out Moon, suddenly clutching the empty
+claret bottle, "this is about the thinnest and filthiest wine
+I ever uncorked, and it's the only drink I have really enjoyed
+for nine years. I was never wild until just ten minutes ago."
+And he sent the bottle whizzing, a wheel of glass, far away beyond
+the garden into the road, where, in the profound evening silence,
+they could even hear it break and part upon the stones.
+
+"Moon," said Arthur Inglewood, rather huskily, "you mustn't be
+so bitter about it. Everyone has to take the world as he finds it;
+of course one often finds it a bit dull--"
+
+"That fellow doesn't," said Michael decisively; "I mean that
+fellow Smith. I have a fancy there's some method in his madness.
+It looks as if he could turn into a sort of wonderland any minute by taking
+one step out of the plain road. Who would have thought of that trapdoor?
+Who would have thought that this cursed colonial claret could taste quite
+nice among the chimney-pots? Perhaps that is the real key of fairyland.
+Perhaps Nosey Gould's beastly little Empire Cigarettes ought only to
+be smoked on stilts, or something of that sort. Perhaps Mrs. Duke's
+cold leg of mutton would seem quite appetizing at the top of a tree.
+Perhaps even my damned, dirty, monotonous drizzle of Old Bill Whisky--"
+
+"Don't be so rough on yourself," said Inglewood, in serious distress.
+"The dullness isn't your fault or the whisky's. Fellows who don't--
+fellows like me I mean--have just the same feeling that it's all rather
+flat and a failure. But the world's made like that; it's all survival.
+Some people are made to get on, like Warner; and some people are
+made to stick quiet, like me. You can't help your temperament.
+I know you're much cleverer than I am; but you can't help having
+all the loose ways of a poor literary chap, and I can't help
+having all the doubts and helplessness of a small scientific chap,
+any more than a fish can help floating or a fern can help curling up.
+Humanity, as Warner said so well in that lecture, really consists
+of quite different tribes of animals all disguised as men."
+
+In the dim garden below the buzz of talk was suddenly broken
+by Miss Hunt's musical instrument banging with the abruptness
+of artillery into a vulgar but spirited tune.
+
+Rosamund's voice came up rich and strong in the words of some fatuous,
+fashionable coon song:-
+
+ "Darkies sing a song on the old plantation,
+ Sing it as we sang it in days long since gone by."
+
+
+Inglewood's brown eyes softened and saddened still more as he continued
+his monologue of resignation to such a rollicking and romantic tune.
+But the blue eyes of Michael Moon brightened and hardened with a light
+that Inglewood did not understand. Many centuries, and many villages
+and valleys, would have been happier if Inglewood or Inglewood's countrymen
+had ever understood that light, or guessed at the first blink that it
+was the battle star of Ireland.
+
+"Nothing can ever alter it; it's in the wheels of the universe,"
+went on Inglewood, in a low voice: "some men are weak and some strong,
+and the only thing we can do is to know that we are weak.
+I have been in love lots of times, but I could not do anything,
+for I remembered my own fickleness. I have formed opinions, but I
+haven't the cheek to push them, because I've so often changed them.
+That's the upshot, old fellow. We can't trust ourselves--
+and we can't help it."
+
+Michael had risen to his feet, and stood poised in a perilous position
+at the end of the roof, like some dark statue hung above its gable.
+Behind him, huge clouds of an almost impossible purple turned slowly
+topsy-turvy in the silent anarchy of heaven. Their gyration made
+the dark figure seem yet dizzier.
+
+"Let us..." he said, and was suddenly silent.
+
+"Let us what?" asked Arthur Inglewood, rising equally quick though somewhat
+more cautiously, for his friend seemed to find some difficulty in speech.
+
+"Let us go and do some of these things we can't do," said Michael.
+
+At the same moment there burst out of the trapdoor below them
+the cockatoo hair and flushed face of Innocent Smith, calling to
+them that they must come down as the "concert" was in full swing,
+and Mr. Moses Gould was about to recite "Young Lochinvar."
+
+As they dropped into Innocent's attic they nearly tumbled over its
+entertaining impedimenta again. Inglewood, staring at the littered floor,
+thought instinctively of the littered floor of a nursery.
+He was therefore the more moved, and even shocked, when his eye fell
+on a large well-polished American revolver.
+
+"Hullo!" he cried, stepping back from the steely glitter as men step back
+from a serpent; "are you afraid of burglars? or when and why do you deal
+death out of that machine gun?"
+
+"Oh, that!" said Smith, throwing it a single glance; "I deal life
+out of that," and he went bounding down the stairs.
+
+
+
+
+
+ Chapter III
+
+ The Banner of Beacon
+
+
+All next day at Beacon House there was a crazy sense that it was
+everybody's birthday. It is the fashion to talk of institutions
+as cold and cramping things. The truth is that when people are in
+exceptionally high spirits, really wild with freedom and invention,
+they always must, and they always do, create institutions.
+When men are weary they fall into anarchy; but while they are gay
+and vigorous they invariably make rules. This, which is true of all
+the churches and republics of history, is also true of the most
+trivial parlour game or the most unsophisticated meadow romp.
+We are never free until some institution frees us; and liberty
+cannot exist till it is declared by authority. Even the wild
+authority of the harlequin Smith was still authority, because it
+produced everywhere a crop of crazy regulations and conditions.
+He filled every one with his own half-lunatic life; but it was not
+expressed in destruction, but rather in a dizzy and toppling construction.
+Each person with a hobby found it turning into an institution.
+Rosamund's songs seemed to coalesce into a kind of opera;
+Michael's jests and paragraphs into a magazine. His pipe and her
+mandoline seemed between them to make a sort of smoking concert.
+The bashful and bewildered Arthur Inglewood almost struggled against his
+own growing importance. He felt as if, in spite of him, his photographs
+were turning into a picture gallery, and his bicycle into a gymkhana.
+But no one had any time to criticize these impromptu estates and offices,
+for they followed each other in wild succession like the topics
+of a rambling talker.
+
+Existence with such a man was an obstacle race made out of
+pleasant obstacles. Out of any homely and trivial object he could drag
+reels of exaggeration, like a conjurer. Nothing could be more shy
+and impersonal than poor Arthur's photography. Yet the preposterous
+Smith was seen assisting him eagerly through sunny morning hours,
+and an indefensible sequence described as "Moral Photography"
+began to unroll about the boarding-house. It was only a version of the old
+photographer's joke which produces the same figure twice on one plate,
+making a man play chess with himself, dine with himself, and so on.
+But these plates were more hysterical and ambitious--as, "Miss Hunt
+forgets Herself," showing that lady answering her own too
+rapturous recognition with a most appalling stare of ignorance;
+or "Mr. Moon questions Himself," in which Mr. Moon appeared as one
+driven to madness under his own legal cross-examination, which was
+conducted with a long forefinger and an air of ferocious waggery.
+One highly successful trilogy--representing Inglewood recognizing
+Inglewood, Inglewood prostrating himself before Inglewood,
+and Inglewood severely beating Inglewood with an umbrella--
+Innocent Smith wanted to have enlarged and put up in the hall,
+like a sort of fresco, with the inscription,--
+
+ "Self-reverence, self-knowledge, self-control--
+ These three alone will make a man a prig."
+
+ -- Tennyson.
+
+
+Nothing, again, could be more prosaic and impenetrable than
+the domestic energies of Miss Diana Duke. But Innocent had somehow
+blundered on the discovery that her thrifty dressmaking went
+with a considerable feminine care for dress--the one feminine thing
+that had never failed her solitary self-respect. In consequence Smith
+pestered her with a theory (which he really seemed to take seriously)
+that ladies might combine economy with magnificence if they would draw
+light chalk patterns on a plain dress and then dust them off again.
+He set up "Smith's Lightning Dressmaking Company," with two screens,
+a cardboard placard, and box of bright soft crayons; and Miss Diana
+actually threw him an abandoned black overall or working dress on
+which to exercise the talents of a modiste. He promptly produced
+for her a garment aflame with red and gold sunflowers; she held
+it up an instant to her shoulders, and looked like an empress.
+And Arthur Inglewood, some hours afterwards cleaning his bicycle
+(with his usual air of being inextricably hidden in it), glanced up;
+and his hot face grew hotter, for Diana stood laughing for one
+flash in the doorway, and her dark robe was rich with the green
+and purple of great decorative peacocks, like a secret garden
+in the "Arabian Nights." A pang too swift to be named pain
+or pleasure went through his heart like an old-world rapier.
+He remembered how pretty he thought her years ago, when he was
+ready to fall in love with anybody; but it was like remembering
+a worship of some Babylonian princess in some previous existence.
+At his next glimpse of her (and he caught himself awaiting it)
+the purple and green chalk was dusted off, and she went by quickly
+in her working clothes.
+
+As for Mrs. Duke, none who knew that matron could conceive her as
+actively resisting this invasion that had turned her house upside down.
+But among the most exact observers it was seriously believed that she
+liked it. For she was one of those women who at bottom regard all
+men as equally mad, wild animals of some utterly separate species.
+And it is doubtful if she really saw anything more eccentric or
+inexplicable in Smith's chimney-pot picnics or crimson sunflowers
+than she had in the chemicals of Inglewood or the sardonic speeches
+of Moon. Courtesy, on the other hand, is a thing that anybody
+can understand, and Smith's manners were as courteous as they
+were unconventional. She said he was "a real gentleman," by which she
+simply meant a kind-hearted man, which is a very different thing.
+She would sit at the head of the table with fat, folded hands and a fat,
+folded smile for hours and hours, while every one else was talking at once.
+At least, the only other exception was Rosamund's companion,
+Mary Gray, whose silence was of a much more eager sort. Though she
+never spoke she always looked as if she might speak any minute.
+Perhaps this is the very definition of a companion. Innocent Smith
+seemed to throw himself, as into other adventures, into the adventure
+of making her talk. He never succeeded, yet he was never snubbed;
+if he achieved anything, it was only to draw attention to this quiet figure,
+and to turn her, by ever so little, from a modesty to a mystery.
+But if she was a riddle, every one recognized that she was a fresh
+and unspoilt riddle, like the riddle of the sky and the woods in spring.
+Indeed, though she was rather older than the other two girls,
+she had an early morning ardour, a fresh earnestness of youth,
+which Rosamund seemed to have lost in the mere spending of money,
+and Diana in the mere guarding of it. Smith looked at her again and again.
+Her eyes and mouth were set in her face the wrong way--which was really
+the right way. She had the knack of saying everything with her face:
+her silence was a sort of steady applause.
+
+But among the hilarious experiments of that holiday
+(which seemed more like a week's holiday than a day's)
+one experiment towers supreme, not because it was any sillier
+or more successful than the others, but because out of this
+particular folly flowed all of the odd events that were to follow.
+All the other practical jokes exploded of themselves, and left vacancy;
+all the other fictions returned upon themselves, and were finished
+like a song. But the string of solid and startling events--
+which were to include a hansom cab, a detective, a pistol,
+and a marriage licence--were all made primarily possible
+by the joke about the High Court of Beacon.
+
+It had originated, not with Innocent Smith, but with Michael Moon. He was
+in a strange glow and pressure of spirits, and talked incessantly;
+yet he had never been more sarcastic, and even inhuman.
+He used his old useless knowledge as a barrister to talk
+entertainingly of a tribunal that was a parody on the pompous
+anomalies of English law. The High Court of Beacon, he declared,
+was a splendid example of our free and sensible constitution.
+It had been founded by King John in defiance of the Magna Carta,
+and now held absolute power over windmills, wine and spirit licences,
+ladies traveling in Turkey, revision of sentences for dog-stealing
+and parricide, as well as anything whatever that happened in the town of
+Market Bosworth. The whole hundred and nine seneschals of the High Court
+of Beacon met once in every four centuries; but in the intervals
+(as Mr. Moon explained) the whole powers of the institution were vested
+in Mrs. Duke. Tossed about among the rest of the company, however,
+the High Court did not retain its historical and legal seriousness,
+but was used somewhat unscrupulously in a riot of domestic detail.
+If somebody spilt the Worcester Sauce on the tablecloth, he was quite
+sure it was a rite without which the sittings and findings of the Court
+would be invalid; or if somebody wanted a window to remain shut,
+he would suddenly remember that none but the third son of the lord
+of the manor of Penge had the right to open it. They even went
+to the length of making arrests and conducting criminal inquiries.
+The proposed trial of Moses Gould for patriotism was rather
+above the heads of the company, especially of the criminal;
+but the trial of Inglewood on a charge of photographic libel,
+and his triumphant acquittal upon a plea of insanity, were admitted
+to be in the best tradition of the Court.
+
+But when Smith was in wild spirits he grew more and more serious, not more and
+more flippant like Michael Moon. This proposal of a private court of justice,
+which Moon had thrown off with the detachment of a political humourist,
+Smith really caught hold of with the eagerness of an abstract philosopher.
+It was by far the best thing they could do, he declared, to claim sovereign
+powers even for the individual household.
+
+"You believe in Home Rule for Ireland; I believe in Home Rule
+for homes," he cried eagerly to Michael. "It would be better
+if every father COULD kill his son, as with the old Romans;
+it would be better, because nobody would be killed.
+Let's issue a Declaration of Independence from Beacon House.
+We could grow enough greens in that garden to support us,
+and when the tax-collector comes let's tell him we're self-supporting,
+and play on him with the hose.... Well, perhaps, as you say,
+we couldn't very well have a hose, as that comes from the main;
+but we could sink a well in this chalk, and a lot could be
+done with water-jugs.... Let this really be Beacon House.
+Let's light a bonfire of independence on the roof, and see house
+after house answering it across the valley of the Thames! Let us begin
+the League of the Free Families! Away with Local Government! A fig
+for Local Patriotism! Let every house be a sovereign state as this is,
+and judge its own children by its own law, as we do by the Court
+of Beacon. Let us cut the painter, and begin to be happy together,
+as if we were on a desert island."
+
+"I know that desert island," said Michael Moon; "it only
+exists in the `Swiss Family Robinson.' A man feels a strange
+desire for some sort of vegetable milk, and crash comes down
+some unexpected cocoa-nut from some undiscovered monkey.
+A literary man feels inclined to pen a sonnet, and at once
+an officious porcupine rushes out of a thicket and shoots out
+one of his quills."
+
+"Don't you say a word against the `Swiss Family Robinson,'"
+cried Innocent with great warmth. "It mayn't be
+exact science, but it's dead accurate philosophy.
+When you're really shipwrecked, you do really find what you want.
+When you're really on a desert island, you never find it a desert.
+If we were really besieged in this garden, we'd find a hundred
+English birds and English berries that we never knew were here.
+If we were snowed up in this room, we'd be the better for reading
+scores of books in that bookcase that we don't even know are there;
+we'd have talks with each other, good, terrible talks, that we shall
+go to the grave without guessing; we'd find materials for everything--
+christening, marriage, or funeral; yes, even for a coronation--
+if we didn't decide to be a republic."
+
+"A coronation on `Swiss Family' lines, I suppose," said Michael, laughing.
+"Oh, I know you would find everything in that atmosphere. If we wanted
+such a simple thing, for instance, as a Coronation Canopy, we should
+walk down beyond the geraniums and find the Canopy Tree in full bloom.
+If we wanted such a trifle as a crown of gold, why, we should be
+digging up dandelions, and we should find a gold mine under the lawn.
+And when we wanted oil for the ceremony, why I suppose a great storm
+would wash everything on shore, and we should find there was a Whale
+on the premises."
+
+"And so there IS a whale on the premises for all you know,"
+asseverated Smith, striking the table with passion.
+"I bet you've never examined the premises! I bet you've
+never been round at the back as I was this morning--
+for I found the very thing you say could only grow on a tree.
+There's an old sort of square tent up against the dustbin;
+it's got three holes in the canvas, and a pole's broken,
+so it's not much good as a tent, but as a Canopy--" And his
+voice quite failed him to express its shining adequacy;
+then he went on with controversial eagerness: "You see I
+take every challenge as you make it. I believe every blessed
+thing you say couldn't be here has been here all the time.
+You say you want a whale washed up for oil. Why, there's oil
+in that cruet-stand at your elbow; and I don't believe
+anybody has touched it or thought of it for years.
+And as for your gold crown, we're none of us wealthy here,
+but we could collect enough ten-shilling bits from our own
+pockets to string round a man's head for half an hour;
+or one of Miss Hunt's gold bangles is nearly big enough to--"
+
+The good-humoured Rosamund was almost choking with laughter.
+"All is not gold that glitters," she said, "and besides--"
+
+"What a mistake that is!" cried Innocent Smith,
+leaping up in great excitement. "All is gold that glitters--
+especially now we are a Sovereign State. What's the good
+of a Sovereign State if you can't define a sovereign?
+We can make anything a precious metal, as men could in the morning
+of the world. They didn't choose gold because it was rare;
+your scientists can tell you twenty sorts of slime much rarer.
+They chose gold because it was bright--because it was
+a hard thing to find, but pretty when you've found it.
+You can't fight with golden swords or eat golden biscuits;
+you can only look at it--and you can look at it out here."
+
+With one of his incalculable motions he sprang back and burst open
+the doors into the garden. At the same time also, with one of his
+gestures that never seemed at the instant so unconventional as they were,
+he stretched out his hand to Mary Gray, and led her out on to the lawn
+as if for a dance.
+
+The French windows, thus flung open, let in an evening even lovelier than that
+of the day before. The west was swimming with sanguine colours, and a sort
+of sleepy flame lay along the lawn. The twisted shadows of the one or two
+garden trees showed upon this sheen, not gray or black, as in common daylight,
+but like arabesques written in vivid violet ink on some page of Eastern gold.
+The sunset was one of those festive and yet mysterious conflagrations in
+which common things by their colours remind us of costly or curious things.
+The slates upon the sloping roof burned like the plumes of a vast peacock,
+in every mysterious blend of blue and green. The red-brown bricks of
+the wall glowed with all the October tints of strong ruby and tawny wines.
+The sun seemed to set each object alight with a different coloured flame,
+like a man lighting fireworks; and even Innocent's hair, which was of a rather
+colourless fairness, seemed to have a flame of pagan gold on it as he strode
+across the lawn towards the one tall ridge of rockery.
+
+"What would be the good of gold," he was saying, "if it did not glitter?
+Why should we care for a black sovereign any more than for a
+black sun at noon? A black button would do just as well.
+Don't you see that everything in this garden looks like a jewel?
+And will you kindly tell me what the deuce is the good of a jewel
+except that it looks like a jewel? Leave off buying and selling,
+and start looking! Open your eyes, and you'll wake up in
+the New Jerusalem.
+
+ "All is gold that glitters--
+ Tree and tower of brass;
+ Rolls the golden evening air
+ Down the golden grass.
+ Kick the cry to Jericho,
+ How yellow mud is sold;
+ All is gold that glitters,
+ For the glitter is the gold."
+
+
+"And who wrote that?" asked Rosamund, amused.
+
+"No one will ever write it," answered Smith, and cleared the rockery
+with a flying leap.
+
+"Really," said Rosamund to Michael Moon, "he ought to be sent to an asylum.
+Don't you think so?"
+
+"I beg your pardon," inquired Michael, rather sombrely; his long,
+swarthy head was dark against the sunset, and, either by accident or mood,
+he had the look of something isolated and even hostile amid the social
+extravagance of the garden.
+
+"I only said Mr. Smith ought to go to an asylum," repeated the lady.
+
+The lean face seemed to grow longer and longer, for Moon was
+unmistakably sneering. "No," he said; "I don't think it's
+at all necessary."
+
+"What do you mean?" asked Rosamund quickly. "Why not?"
+
+"Because he is in one now," answered Michael Moon, in a quiet but ugly voice.
+"Why, didn't you know?"
+
+"What?" cried the girl, and there was a break in her voice;
+for the Irishman's face and voice were really almost creepy.
+With his dark figure and dark sayings in all that sunshine
+he looked like the devil in paradise.
+
+"I'm sorry," he continued, with a sort of harsh humility.
+"Of course we don't talk about it much... but I thought we
+all really knew."
+
+"Knew what?"
+
+"Well," answered Moon, "that Beacon House is a certain rather singular
+sort of house--a house with the tiles loose, shall we say? Innocent Smith
+is only the doctor that visits us; hadn't you come when he called before?
+As most of our maladies are melancholic, of course he has to be extra cheery.
+Sanity, of course, seems a very bumptious eccentric thing to us.
+Jumping over a wall, climbing a tree--that's his bedside manner."
+
+"You daren't say such a thing!" cried Rosamund in a rage.
+"You daren't suggest that I--"
+
+"Not more than I am," said Michael soothingly; "not more than the rest of us.
+Haven't you ever noticed that Miss Duke never sits still--a notorious sign?
+Haven't you ever observed that Inglewood is always washing his hands--
+a known mark of mental disease? I, of course, am a dipsomaniac."
+
+"I don't believe you," broke out his companion, not without agitation.
+"I've heard you had some bad habits--"
+
+"All habits are bad habits," said Michael, with deadly calm.
+"Madness does not come by breaking out, but by giving in; by settling down
+in some dirty, little, self-repeating circle of ideas; by being tamed.
+YOU went mad about money, because you're an heiress."
+
+"It's a lie," cried Rosamund furiously. "I never was mean about money."
+
+"You were worse," said Michael, in a low voice and yet violently.
+"You thought that other people were. You thought every man who came near
+you must be a fortune-hunter; you would not let yourself go and be sane;
+and now you're mad and I'm mad, and serve us right."
+
+"You brute!" said Rosamund, quite white. "And is this true?"
+
+With the intellectual cruelty of which the Celt is capable
+when his abysses are in revolt, Michael was silent for
+some seconds, and then stepped back with an ironical bow.
+"Not literally true, of course," he said; "only really true.
+An allegory, shall we say? a social satire."
+
+"And I hate and despise your satires," cried Rosamund Hunt,
+letting loose her whole forcible female personality like a cyclone,
+and speaking every word to wound. "I despise it as I despise
+your rank tobacco, and your nasty, loungy ways, and your snarling,
+and your Radicalism, and your old clothes, and your potty
+little newspaper, and your rotten failure at everything.
+I don't care whether you call it snobbishness or not, I like
+life and success, and jolly things to look at, and action.
+You won't frighten me with Diogenes; I prefer Alexander."
+
+"Victrix causa deae--" said Michael gloomily; and this angered
+her more, as, not knowing what it meant, she imagined it
+to be witty.
+
+"Oh, I dare say you know Greek," she said, with cheerful inaccuracy;
+"you haven't done much with that either." And she crossed the garden,
+pursuing the vanished Innocent and Mary.
+
+In doing so she passed Inglewood, who was returning to the house slowly,
+and with a thought-clouded brow. He was one of those men who are
+quite clever, but quite the reverse of quick. As he came back
+out of the sunset garden into the twilight parlour, Diana Duke
+slipped swiftly to her feet and began putting away the tea things.
+But it was not before Inglewood had seen an instantaneous picture so unique
+that he might well have snapshotted it with his everlasting camera.
+For Diana had been sitting in front of her unfinished work with her chin
+on her hand, looking straight out of the window in pure thoughtless thought.
+
+"You are busy," said Arthur, oddly embarrassed with what he had seen,
+and wishing to ignore it.
+
+"There's no time for dreaming in this world," answered the young lady
+with her back to him.
+
+"I have been thinking lately," said Inglewood in a low voice,
+"that there's no time for waking up."
+
+She did not reply, and he walked to the window and looked out on the garden.
+
+"I don't smoke or drink, you know," he said irrelevantly,
+"because I think they're drugs. And yet I fancy all hobbies,
+like my camera and bicycle, are drugs too. Getting under a
+black hood, getting into a dark room--getting into a hole anyhow.
+Drugging myself with speed, and sunshine, and fatigue, and fresh air.
+Pedalling the machine so fast that I turn into a machine myself.
+That's the matter with all of us. We're too busy to wake up."
+
+"Well," said the girl solidly, "what is there to wake up to?"
+
+"There must be!" cried Inglewood, turning round in a singular
+excitement--"there must be something to wake up to!
+All we do is preparations--your cleanliness, and my healthiness,
+and Warner's scientific appliances. We're always preparing
+for something--something that never comes off. I ventilate
+the house, and you sweep the house; but what is going to HAPPEN
+in the house?"
+
+She was looking at him quietly, but with very bright eyes,
+and seemed to be searching for some form of words which she
+could not find.
+
+Before she could speak the door burst open, and the boisterous Rosamund Hunt,
+in her flamboyant white hat, boa, and parasol, stood framed in the doorway.
+She was in a breathing heat, and on her open face was an expression of
+the most infantile astonishment.
+
+"Well, here's a fine game!" she said, panting. "What am I to do now,
+I wonder? I've wired for Dr. Warner; that's all I can think of doing."
+
+"What is the matter?" asked Diana, rather sharply, but moving
+forward like one used to be called upon for assistance.
+
+"It's Mary," said the heiress, "my companion Mary Gray:
+that cracked friend of yours called Smith has proposed to her
+in the garden, after ten hours' acquaintance, and he wants
+to go off with her now for a special licence."
+
+Arthur Inglewood walked to the open French windows and looked
+out on the garden, still golden with evening light.
+Nothing moved there but a bird or two hopping and twittering;
+but beyond the hedge and railings, in the road outside
+the garden gate, a hansom cab was waiting, with the yellow
+Gladstone bag on top of it.
+
+
+
+
+ Chapter IV
+
+ The Garden of the God
+
+
+Diana Duke seemed inexplicably irritated at the abrupt entrance
+and utterance of the other girl.
+
+"Well," she said shortly, "I suppose Miss Gray can decline him if she
+doesn't want to marry him."
+
+"But she DOES want to marry him!" cried Rosamund in exasperation.
+"She's a wild, wicked fool, and I won't be parted from her."
+
+"Perhaps," said Diana icily, "but I really don't see what we can do."
+
+"But the man's balmy, Diana," reasoned her friend angrily.
+"I can't let my nice governess marry a man that's balmy!
+You or somebody MUST stop it!--Mr. Inglewood, you're a man;
+go and tell them they simply can't."
+
+"Unfortunately, it seems to me they simply can," said Inglewood,
+with a depressed air. "I have far less right of intervention
+than Miss Duke, besides having, of course, far less moral
+force than she."
+
+"You haven't either of you got much," cried Rosamund,
+the last stays of her formidable temper giving way;
+"I think I'll go somewhere else for a little sense and pluck.
+I think I know some one who will help me more than you do,
+at any rate... he's a cantankerous beast, but he's a man,
+and has a mind, and knows it..." And she flung out into the garden,
+with cheeks aflame, and the parasol whirling like a Catherine wheel.
+
+She found Michael Moon standing under the garden tree, looking over
+the hedge; hunched like a bird of prey, with his large pipe hanging down
+his long blue chin. The very hardness of his expression pleased her,
+after the nonsense of the new engagement and the shilly-shallying
+of her other friends.
+
+"I am sorry I was cross, Mr. Moon," she said frankly. "I hated you
+for being a cynic; but I've been well punished, for I want a cynic
+just now. I've had my fill of sentiment--I'm fed up with it.
+The world's gone mad, Mr. Moon--all except the cynics, I think.
+That maniac Smith wants to marry my old friend Mary, and she--
+and she--doesn't seem to mind."
+
+Seeing his attentive face still undisturbedly smoking, she added smartly,
+"I'm not joking; that's Mr. Smith's cab outside. He swears he'll
+take her off now to his aunt's, and go for a special licence.
+Do give me some practical advice, Mr. Moon."
+
+Mr. Moon took his pipe out of his mouth, held it in his hand
+for an instant reflectively, and then tossed it to the other side
+of the garden. "My practical advice to you is this," he said:
+"Let him go for his special licence, and ask him to get another
+one for you and me."
+
+"Is that one of your jokes?" asked the young lady.
+"Do say what you really mean."
+
+"I mean that Innocent Smith is a man of business,"
+said Moon with ponderous precision--"a plain, practical man:
+a man of affairs; a man of facts and the daylight.
+He has let down twenty ton of good building bricks suddenly
+on my head, and I am glad to say they have woken me up.
+We went to sleep a little while ago on this very lawn, in this
+very sunlight. We have had a little nap for five years or so,
+but now we're going to be married, Rosamund, and I can't see
+why that cab..."
+
+"Really," said Rosamund stoutly, "I don't know what you mean."
+
+"What a lie!" cried Michael, advancing on her with brightening eyes.
+"I'm all for lies in an ordinary way; but don't you see that to-night
+they won't do? We've wandered into a world of facts, old girl.
+That grass growing, and that sun going down, and that cab at the door,
+are facts. You used to torment and excuse yourself by saying I
+was after your money, and didn't really love you. But if I stood
+here now and told you I didn't love you--you wouldn't believe me:
+for truth is in this garden to-night."
+
+"Really, Mr. Moon..." said Rosamund, rather more faintly.
+
+He kept two big blue magnetic eyes fixed on her face.
+"Is my name Moon?" he asked. "Is your name Hunt? On my honour,
+they sound to me as quaint and as distant as Red Indian names.
+It's as if your name was `Swim' and my name was `Sunrise.' But our
+real names are Husband and Wife, as they were when we fell asleep."
+
+"It is no good," said Rosamund, with real tears in her eyes;
+"one can never go back."
+
+"I can go where I damn please," said Michael, "and I can carry
+you on my shoulder."
+
+"But really, Michael, really, you must stop and think!"
+cried the girl earnestly. "You could carry me off my feet, I dare say,
+soul and body, but it may be bitter bad business for all that.
+These things done in that romantic rush, like Mr. Smith's, they--
+they do attract women, I don't deny it. As you say, we're all
+telling the truth to-night. They've attracted poor Mary, for one.
+They attract me, Michael. But the cold fact remains:
+imprudent marriages do lead to long unhappiness and disappointment--
+you've got used to your drinks and things--I shan't be
+pretty much longer--"
+
+"Imprudent marriages!" roared Michael. "And pray where in earth
+or heaven are there any prudent marriages? Might as well talk
+about prudent suicides. You and I have dawdled round each other
+long enough, and are we any safer than Smith and Mary Gray,
+who met last night? You never know a husband till you marry him.
+Unhappy! of course you'll be unhappy. Who the devil are you
+that you shouldn't be unhappy, like the mother that bore you?
+Disappointed! of course we'll be disappointed. I, for one,
+don't expect till I die to be so good a man as I am at this minute--
+a tower with all the trumpets shouting."
+
+"You see all this," said Rosamund, with a grand sincerity in her solid face,
+"and do you really want to marry me?"
+
+"My darling, what else is there to do?" reasoned the Irishman. "What other
+occupation is there for an active man on this earth, except to
+marry you? What's the alternative to marriage, barring sleep?
+It's not liberty, Rosamund. Unless you marry God, as our nuns do in Ireland,
+you must marry Man--that is Me. The only third thing is to marry yourself--
+yourself, yourself, yourself--the only companion that is never satisfied--
+and never satisfactory."
+
+"Michael," said Miss Hunt, in a very soft voice, "if you won't talk so much,
+I'll marry you."
+
+"It's no time for talking," cried Michael Moon; "singing is the only thing.
+Can't you find that mandoline of yours, Rosamund?"
+
+"Go and fetch it for me," said Rosamund, with crisp and sharp authority.
+
+The lounging Mr. Moon stood for one split second astonished;
+then he shot away across the lawn, as if shod with the feathered
+shoes out of the Greek fairy tale. He cleared three yards
+and fifteen daisies at a leap, out of mere bodily levity;
+but when he came within a yard or two of the open parlour windows,
+his flying feet fell in their old manner like lead;
+he twisted round and came back slowly, whistling. The events
+of that enchanted evening were not at an end.
+
+Inside the dark sitting-room of which Moon had caught a glimpse a curious
+thing had happened, almost an instant after the intemperate exit
+of Rosamund. It was something which, occurring in that obscure parlour,
+seemed to Arthur Inglewood like heaven and earth turning head over heels,
+the sea being the ceiling and the stars the floor. No words can express
+how it astonished him, as it astonishes all simple men when it happens.
+Yet the stiffest female stoicism seems separated from it only by a sheet of
+paper or a sheet of steel. It indicates no surrender, far less any sympathy.
+The most rigid and ruthless woman can begin to cry, just as the most
+effeminate man can grow a beard. It is a separate sexual power,
+and proves nothing one way or the other about force of character.
+But to young men ignorant of women, like Arthur Inglewood, to see Diana Duke
+crying was like seeing a motor-car shedding tears of petrol.
+
+He could never have given (even if his really manly modesty had permitted it)
+any vaguest vision of what he did when he saw that portent. He acted
+as men do when a theatre catches fire--very differently from how they
+would have conceived themselves as acting, whether for better or worse.
+He had a faint memory of certain half-stifled explanations, that the heiress
+was the one really paying guest, and she would go, and the bailiffs
+(in consequence) would come; but after that he knew nothing of his own
+conduct except by the protests it evoked.
+
+"Leave me alone, Mr. Inglewood--leave me alone; that's not the way to help."
+
+"But I can help you," said Arthur, with grinding certainty;
+"I can, I can, I can..."
+
+"Why, you said," cried the girl, "that you were much weaker than me."
+
+"So I am weaker than you," said Arthur, in a voice that went
+vibrating through everything, "but not just now."
+
+"Let go my hands!" cried Diana. "I won't be bullied."
+
+In one element he was much stronger than she--the matter of humour.
+This leapt up in him suddenly, and he laughed, saying: "Well, you are mean.
+You know quite well you'll bully me all the rest of my life.
+You might allow a man the one minute of his life when he's allowed to bully."
+
+It was as extraordinary for him to laugh as for her to cry,
+and for the first time since her childhood Diana was entirely
+off her guard.
+
+"Do you mean you want to marry me?" she said.
+
+"Why, there's a cab at the door!" cried Inglewood, springing up
+with an unconscious energy and bursting open the glass doors
+that led into the garden.
+
+As he led her out by the hand they realized somehow for the first time
+that the house and garden were on a steep height over London. And yet,
+though they felt the place to be uplifted, they felt it also to be secret:
+it was like some round walled garden on the top of one of the
+turrets of heaven.
+
+Inglewood looked around dreamily, his brown eyes devouring
+all sorts of details with a senseless delight. He noticed for
+the first time that the railings of the gate beyond the garden
+bushes were moulded like little spearheads and painted blue.
+He noticed that one of the blue spears was loosened in its place,
+and hung sideways; and this almost made him laugh. He thought it
+somehow exquisitely harmless and funny that the railing should
+be crooked; he thought he should like to know how it happened,
+who did it, and how the man was getting on.
+
+When they were gone a few feet across that fiery grass they realized
+that they were not alone. Rosamund Hunt and the eccentric Mr. Moon,
+both of whom they had last seen in the blackest temper of detachment,
+were standing together on the lawn. They were standing in quite
+an ordinary manner, and yet they looked somehow like people in a book.
+
+"Oh," said Diana, "what lovely air!"
+
+"I know," called out Rosamund, with a pleasure so positive
+that it rang out like a complaint. "It's just like that horrid,
+beastly fizzy stuff they gave me that made me feel happy."
+
+"Oh, it isn't like anything but itself!" answered Diana, breathing deeply.
+"Why, it's all cold, and yet it feels like fire."
+
+"Balmy is the word we use in Fleet Street,"
+said Mr. Moon. "Balmy--especially on the crumpet."
+And he fanned himself quite unnecessarily with his straw hat.
+They were all full of little leaps and pulsations of objectless
+and airy energy. Diana stirred and stretched her long arms rigidly,
+as if crucified, in a sort of excruciating restfulness;
+Michael stood still for long intervals, with gathered muscles,
+then spun round like a teetotum, and stood still again;
+Rosamund did not trip, for women never trip, except when they
+fall on their noses, but she struck the ground with her foot
+as she moved, as if to some inaudible dance tune; and Inglewood,
+leaning quite quietly against a tree, had unconsciously
+clutched a branch and shaken it with a creative violence.
+Those giant gestures of Man, that made the high statues
+and the strokes of war, tossed and tormented all their limbs.
+Silently as they strolled and stood they were bursting like
+batteries with an animal magnetism.
+
+"And now," cried Moon quite suddenly, stretching out a hand on each side,
+"let's dance round that bush!"
+
+"Why, what bush do you mean?" asked Rosamund, looking round with a sort
+of radiant rudeness.
+
+"The bush that isn't there," said Michael--"the Mulberry Bush."
+
+They had taken each other's hands, half laughing and quite ritually;
+and before they could disconnect again Michael spun them all round,
+like a demon spinning the world for a top. Diana felt, as the circle of
+the horizon flew instantaneously around her, a far aerial sense of the ring
+of heights beyond London and corners where she had climbed as a child;
+she seemed almost to hear the rooks cawing about the old pines on Highgate,
+or to see the glowworms gathering and kindling in the woods of Box Hill.
+
+The circle broke--as all such perfect circles of levity must break--
+and sent its author, Michael, flying, as by centrifugal force, far away
+against the blue rails of the gate. When reeling there he suddenly
+raised shout after shout of a new and quite dramatic character.
+
+"Why, it's Warner!" he shouted, waving his arms. "It's jolly old Warner--
+with a new silk hat and the old silk moustache!"
+
+"Is that Dr. Warner?" cried Rosamund, bounding forward in a
+burst of memory, amusement, and distress. "Oh, I'm so sorry!
+Oh, do tell him it's all right!"
+
+"Let's take hands and tell him," said Michael Moon. For indeed,
+while they were talking, another hansom cab had dashed up behind
+the one already waiting, and Dr. Herbert Warner, leaving a companion
+in the cab, had carefully deposited himself on the pavement.
+
+Now, when you are an eminent physician and are wired for by
+an heiress to come to a case of dangerous mania, and when,
+as you come in through the garden to the house, the heiress
+and her landlady and two of the gentlemen boarders join hands
+and dance round you in a ring, calling out, "It's all right! it's
+all right!" you are apt to be flustered and even displeased.
+Dr. Warner was a placid but hardly a placable person.
+The two things are by no means the same; and even when Moon explained
+to him that he, Warner, with his high hat and tall, solid figure,
+was just such a classic figure as OUGHT to be danced round
+by a ring of laughing maidens on some old golden Greek seashore--
+even then he seemed to miss the point of the general rejoicing.
+
+"Inglewood!" cried Dr. Warner, fixing his former disciple with a stare,
+"are you mad?"
+
+Arthur flushed to the roots of his brown hair, but he answered,
+easily and quietly enough, "Not now. The truth is, Warner, I've just
+made a rather important medical discovery--quite in your line."
+
+"What do you mean?" asked the great doctor stiffly--"what discovery?"
+
+"I've discovered that health really is catching, like disease,"
+answered Arthur.
+
+"Yes; sanity has broken out, and is spreading," said Michael,
+performing a ~pas seul~ with a thoughtful expression.
+"Twenty thousand more cases taken to the hospitals;
+nurses employed night and day."
+
+Dr. Warner studied Michael's grave face and lightly moving
+legs with an unfathomed wonder. "And is THIS, may I ask,"
+he said, "the sanity that is spreading?"
+
+"You must forgive me, Dr. Warner," cried Rosamund Hunt heartily.
+"I know I've treated you badly; but indeed it was all a mistake.
+I was in a frightfully bad temper when I sent for you, but now
+it all seems like a dream--and and Mr. Smith is the sweetest,
+most sensible, most delightful old thing that ever existed,
+and he may marry any one he likes--except me."
+
+"I should suggest Mrs. Duke," said Michael.
+
+The gravity of Dr. Warner's face increased. He took a slip
+of pink paper from his waistcoat pocket, with his pale
+blue eyes quietly fixed on Rosamund's face all the time.
+He spoke with a not inexcusable frigidity.
+
+"Really, Miss Hunt," he said, "you are not yet very reassuring.
+You sent me this wire only half an hour ago: `Come at once,
+if possible, with another doctor. Man--Innocent Smith--gone mad
+on premises, and doing dreadful things. Do you know anything of him?'
+I went round at once to a distinguished colleague of mine, a doctor
+who is also a private detective and an authority on criminal lunacy;
+he has come round with me, and is waiting in the cab. Now you calmly
+tell me that this criminal madman is a highly sweet and sane old thing,
+with accompaniments that set me speculating on your own definition of sanity.
+I hardly comprehend the change."
+
+"Oh, how can one explain a change in sun and moon and everybody's soul?"
+cried Rosamund, in despair. "Must I confess we had got so morbid
+as to think him mad merely because he wanted to get married; and that we
+didn't even know it was only because we wanted to get married ourselves?
+We'll humiliate ourselves, if you like, doctor; we're happy enough."
+
+"Where is Mr. Smith?" asked Warner of Inglewood very sharply.
+
+Arthur started; he had forgotten all about the central figure of their farce,
+who had not been visible for an hour or more.
+
+"I--I think he's on the other side of the house, by the dustbin," he said.
+
+"He may be on the road to Russia," said Warner, "but he must be found."
+And he strode away and disappeared round a corner of the house
+by the sunflowers.
+
+"I hope," said Rosamund, "he won't really interfere with Mr. Smith."
+
+"Interfere with the daisies!" said Michael with a snort.
+"A man can't be locked up for falling in love--at least
+I hope not."
+
+"No; I think even a doctor couldn't make a disease out of him.
+He'd throw off the doctor like the disease, don't you know?
+I believe it's a case of a sort of holy well. I believe Innocent Smith
+is simply innocent, and that is why he is so extraordinary."
+
+It was Rosamund who spoke, restlessly tracing circles in the grass
+with the point of her white shoe.
+
+"I think," said Inglewood, "that Smith is not extraordinary at all.
+He's comic just because he's so startlingly commonplace.
+Don't you know what it is to be all one family circle, with aunts
+and uncles, when a schoolboy comes home for the holidays?
+That bag there on the cab is only a schoolboy's hamper.
+This tree here in the garden is only the sort of tree that any
+schoolboy would have climbed. Yes, that's the thing that has
+haunted us all about him, the thing we could never fit a word to.
+Whether he is my old schoolfellow or no, at least he is all my
+old schoolfellows. He is the endless bun-eating, ball-throwing
+animal that we have all been."
+
+"That is only you absurd boys," said Diana. "I don't believe
+any girl was ever so silly, and I'm sure no girl was ever
+so happy, except--" and she stopped.
+
+"I will tell you the truth about Innocent Smith," said Michael Moon in a
+low voice. "Dr. Warner has gone to look for him in vain. He is not there.
+Haven't you noticed that we never saw him since we found ourselves?
+He was an astral baby born on all four of us; he was only our own
+youth returned. Long before poor old Warner had clambered out of his cab,
+the thing we called Smith had dissolved into dew and light on this lawn.
+Once or twice more, by the mercy of God, we may feel the thing,
+but the man we shall never see. In a spring garden before breakfast
+we shall smell the smell called Smith. In the snapping of brisk twigs
+in tiny fires we shall hear a noise named Smith. Everything insatiable
+and innocent in the grasses that gobble up the earth like babies at a bun feast,
+in the white mornings that split the sky as a boy splits up white firwood,
+we may feel for one instant the presence of an impetuous purity;
+but his innocence was too close to the unconsciousness of inanimate things
+not to melt back at a mere touch into the mild hedges and heavens; he--"
+
+He was interrupted from behind the house by a bang like that of a bomb.
+Almost at the same instant the stranger in the cab sprang out of it,
+leaving it rocking upon the stones of the road. He clutched the blue railings
+of the garden, and peered eagerly over them in the direction of the noise.
+He was a small, loose, yet alert man, very thin, with a face that seemed
+made out of fish bones, and a silk hat quite as rigid and resplendent
+as Warner's, but thrust back recklessly on the hinder part of his head.
+
+"Murder!" he shrieked, in a high and feminine but very penetrating voice.
+"Stop that murderer there!"
+
+Even as he shrieked a second shot shook the lower windows
+of the house, and with the noise of it Dr. Herbert Warner came
+flying round the corner like a leaping rabbit. Yet before
+he had reached the group a third discharge had deafened them,
+and they saw with their own eyes two spots of white sky drilled
+through the second of the unhappy Herbert's high hats.
+The next moment the fugitive physician fell over a flowerpot,
+and came down on all fours, staring like a cow. The hat with
+the two shot-holes in it rolled upon the gravel path before him,
+and Innocent Smith came round the corner like a railway train.
+He was looking twice his proper size--a giant clad in green,
+the big revolver still smoking in his hand, his face sanguine
+and in shadow, his eyes blazing like all stars, and his yellow
+hair standing out all ways like Struwelpeter's.
+
+Though this startling scene hung but an instant in stillness,
+Inglewood had time to feel once more what he had felt when
+he saw the other lovers standing on the lawn--the sensation
+of a certain cut and coloured clearness that belongs rather
+to the things of art than to the things of experience.
+The broken flowerpot with its red-hot geraniums, the green
+bulk of Smith and the black bulk of Warner, the blue-spiked
+railings behind, clutched by the stranger's yellow vulture
+claws and peered over by his long vulture neck, the silk hat
+on the gravel, and the little cloudlet of smoke floating
+across the garden as innocently as the puff of a cigarette--
+all these seemed unnaturally distinct and definite.
+They existed, like symbols, in an ecstasy of separation.
+Indeed, every object grew more and more particular
+and precious because the whole picture was breaking up.
+Things look so bright just before they burst.
+
+Long before his fancies had begun, let alone ceased,
+Arthur had stepped across and taken one of Smith's arms.
+Simultaneously the little stranger had run up the steps and taken
+the other. Smith went into peals of laughter, and surrendered
+his pistol with perfect willingness. Moon raised the doctor
+to his feet, and then went and leaned sullenly on the garden gate.
+The girls were quiet and vigilant, as good women mostly
+are in instants of catastrophe, but their faces showed that,
+somehow or other, a light had been dashed out of the sky.
+The doctor himself, when he had risen, collected his hat and wits,
+and dusting himself down with an air of great disgust, turned to
+them in brief apology. He was very white with his recent panic,
+but he spoke with perfect self-control.
+
+"You will excuse us, ladies," he said; "my friend and
+Mr. Inglewood are both scientists in their several ways.
+I think we had better all take Mr. Smith indoors, and communicate
+with you later."
+
+And under the guard of the three natural philosophers the disarmed Smith
+was led tactfully into the house, still roaring with laughter.
+
+From time to time during the next twenty minutes his distant
+boom of mirth could again be heard through the half-open window;
+but there came no echo of the quiet voices of the physicians.
+The girls walked about the garden together, rubbing up each other's
+spirits as best they might; Michael Moon still hung heavily against
+the gate. Somewhere about the expiration of that time Dr. Warner
+came out of the house with a face less pale but even more stern,
+and the little man with the fish-bone face advanced gravely in his rear.
+And if the face of Warner in the sunlight was that of a hanging judge,
+the face of the little man behind was more like a death's head.
+
+"Miss Hunt," said Dr. Herbert Warner, "I only wish to offer you my warm
+thanks and admiration. By your prompt courage and wisdom in sending
+for us by wire this evening, you have enabled us to capture and put out
+of mischief one of the most cruel and terrible of the enemies of humanity--
+a criminal whose plausibility and pitilessness have never been before
+combined in flesh."
+
+Rosamund looked across at him with a white, blank face and blinking eyes.
+"What do you mean?" she asked. "You can't mean Mr. Smith?"
+
+"He has gone by many other names," said the doctor gravely,
+"and not one he did not leave to be cursed behind him. That man,
+Miss Hunt, has left a track of blood and tears across the world.
+Whether he is mad as well as wicked, we are trying, in the interests
+of science, to discover. In any case, we shall have to take him
+to a magistrate first, even if only on the road to a lunatic asylum.
+But the lunatic asylum in which he is confined will have to be
+sealed with wall within wall, and ringed with guns like a fortress,
+or he will break out again to bring forth carnage and darkness
+on the earth."
+
+Rosamund looked at the two doctors, her face growing paler and paler.
+Then her eyes strayed to Michael, who was leaning on the gate;
+but he continued to lean on it without moving, with his face turned
+away towards the darkening road.
+
+
+
+
+ Chapter V
+
+ The Allegorical Practical Joker
+
+
+The criminal specialist who had come with Dr. Warner was a somewhat
+more urbane and even dapper figure than he had appeared when
+clutching the railings and craning his neck into the garden.
+He even looked comparatively young when he took his hat off,
+having fair hair parted in the middle and carefully curled
+on each side, and lively movements, especially of the hands.
+He had a dandified monocle slung round his neck by a broad black ribbon,
+and a big bow tie, as if a big American moth had alighted on him.
+His dress and gestures were bright enough for a boy's; it was only
+when you looked at the fish-bone face that you beheld something
+acrid and old. His manners were excellent, though hardly English,
+and he had two half-conscious tricks by which people who only met
+him once remembered him. One was a trick of closing his eyes
+when he wished to be particularly polite; the other was one of
+lifting his joined thumb and forefinger in the air as if holding
+a pinch of snuff, when he was hesitating or hovering over a word.
+But those who were longer in his company tended to forget these
+oddities in the stream of his quaint and solemn conversation
+and really singular views.
+
+"Miss Hunt," said Dr. Warner, "this is Dr. Cyrus Pym."
+
+Dr. Cyrus Pym shut his eyes during the introduction, rather as if he were
+"playing fair" in some child's game, and gave a prompt little bow,
+which somehow suddenly revealed him as a citizen of the United States.
+
+"Dr. Cyrus Pym," continued Warner (Dr. Pym shut his eyes again), "is perhaps
+the first criminological expert of America. We are very fortunate to be able
+to consult with him in this extraordinary case--"
+
+"I can't make head or tail of anything," said Rosamund. "How can
+poor Mr. Smith be so dreadful as he is by your account?"
+
+"Or by your telegram," said Herbert Warner, smiling.
+
+"Oh, you don't understand," cried the girl impatiently.
+"Why, he's done us all more good than going to church."
+
+"I think I can explain to the young lady," said Dr. Cyrus Pym. "This criminal
+or maniac Smith is a very genius of evil, and has a method of his own,
+a method of the most daring ingenuity. He is popular wherever he goes,
+for he invades every house as an uproarious child. People are
+getting suspicious of all the respectable disguises for a scoundrel;
+so he always uses the disguise of--what shall I say--the Bohemian,
+the blameless Bohemian. He always carries people off their feet.
+People are used to the mask of conventional good conduct.
+He goes in for eccentric good-nature. You expect a Don Juan to dress
+up as a solemn and solid Spanish merchant; but you're not prepared
+when he dresses up as Don Quixote. You expect a humbug to behave like
+Sir Charles Grandison; because (with all respect, Miss Hunt, for the deep,
+tear-moving tenderness of Samuel Richardson) Sir Charles Grandison
+so often behaved like a humbug. But no real red-blooded citizen is quite
+ready for a humbug that models himself not on Sir Charles Grandison
+but on Sir Roger de Coverly. Setting up to be a good man a little cracked
+is a new criminal incognito, Miss Hunt. It's been a great notion,
+and uncommonly successful; but its success just makes it mighty cruel.
+I can forgive Dick Turpin if he impersonates Dr. Busby; I can't forgive
+him when he impersonates Dr. Johnson. The saint with a tile loose
+is a bit too sacred, I guess, to be parodied."
+
+"But how do you know," cried Rosamund desperately, "that Mr. Smith
+is a known criminal?"
+
+"I collated all the documents," said the American, "when my friend Warner
+knocked me up on receipt of your cable. It is my professional affair
+to know these facts, Miss Hunt; and there's no more doubt about them
+than about the Bradshaw down at the depot. This man has hitherto escaped
+the law, through his admirable affectations of infancy or insanity.
+But I myself, as a specialist, have privately authenticated notes
+of some eighteen or twenty crimes attempted or achieved in this manner.
+He comes to houses as he has to this, and gets a grand popularity.
+He makes things go. They do go; when he's gone the things are gone.
+Gone, Miss Hunt, gone, a man's life or a man's spoons, or more often a woman.
+I assure you I have all the memoranda."
+
+"I have seen them," said Warner solidly, "I can assure you
+that all this is correct."
+
+"The most unmanly aspect, according to my feelings," went on the American
+doctor, "is this perpetual deception of innocent women by a wild simulation
+of innocence. From almost every house where this great imaginative devil
+has been, he has taken some poor girl away with him; some say he's got
+a hypnotic eye with his other queer features, and that they go like automata.
+What's become of all those poor girls nobody knows. Murdered, I dare say;
+for we've lots of instances, besides this one, of his turning his hand
+to murder, though none ever brought him under the law. Anyhow, our most
+modern methods of research can't find any trace of the wretched women.
+It's when I think of them that I am really moved, Miss Hunt. And I've
+really nothing else to say just now except what Dr. Warner has said."
+
+"Quite so," said Warner, with a smile that seemed moulded in marble--"that
+we all have to thank you very much for that telegram."
+
+The little Yankee scientist had been speaking with such evident
+sincerity that one forgot the tricks of his voice and manner--
+the falling eyelids, the rising intonation, and the poised
+finger and thumb--which were at other times a little comic.
+It was not so much that he was cleverer than Warner;
+perhaps he was not so clever, though he was more celebrated.
+But he had what Warner never had, a fresh and unaffected seriousness--
+the great American virtue of simplicity. Rosamund knitted
+her brows and looked gloomily toward the darkening house
+that contained the dark prodigy.
+
+Broad daylight still endured; but it had already changed from gold to silver,
+and was changing from silver to gray. The long plumy shadows of the one or
+two trees in the garden faded more and more upon a dead background of dusk.
+In the sharpest and deepest shadow, which was the entrance to the house
+by the big French windows, Rosamund could watch a hurried consultation
+between Inglewood (who was still left in charge of the mysterious captive)
+and Diana, who had moved to his assistance from without. After a few minutes
+and gestures they went inside, shutting the glass doors upon the garden;
+and the garden seemed to grow grayer still.
+
+The American gentleman named Pym seemed to be turning and on the move
+in the same direction; but before he started he spoke to Rosamund with a
+flash of that guileless tact which redeemed much of his childish vanity,
+and with something of that spontaneous poetry which made it difficult,
+pedantic as he was, to call him a pedant.
+
+"I'm vurry sorry, Miss Hunt," he said; "but Dr. Warner and I,
+as two quali-FIED practitioners, had better take Mr. Smith
+away in that cab, and the less said about it the better.
+Don't you agitate yourself, Miss Hunt. You've just got to think
+that we're taking away a monstrosity, something that oughtn't to be
+at all--something like one of those gods in your Britannic Museum,
+all wings, and beards, and legs, and eyes, and no shape.
+That's what Smith is, and you shall soon be quit of him."
+
+He had already taken a step towards the house, and Warner was about
+to follow him, when the glass doors were opened again and Diana Duke
+came out with more than her usual quickness across the lawn.
+Her face was aquiver with worry and excitement, and her dark earnest
+eyes fixed only on the other girl.
+
+"Rosamund," she cried in despair, "what shall I do with her?"
+
+"With her?" cried Miss Hunt, with a violent jump. "O lord,
+he isn't a woman too, is he?"
+
+"No, no, no," said Dr. Pym soothingly, as if in common fairness.
+"A woman? no, really, he is not so bad as that."
+
+"I mean your friend Mary Gray," retorted Diana with equal tartness.
+"What on earth am I to do with her?"
+
+"How can we tell her about Smith, you mean," answered Rosamund, her face
+at once clouded and softening. "Yes, it will be pretty painful."
+
+"But I HAVE told her," exploded Diana, with more than her
+congenital exasperation. "I have told her, and she doesn't seem to mind.
+She still says she's going away with Smith in that cab."
+
+"But it's impossible!" ejaculated Rosamund. "Why, Mary is
+really religious. She--"
+
+She stopped in time to realize that Mary Gray was comparatively
+close to her on the lawn. Her quiet companion had come down very
+quietly into the garden, but dressed very decisively for travel.
+She had a neat but very ancient blue tam-o'-shanter on her head,
+and was pulling some rather threadbare gray gloves on to her hands.
+Yet the two tints fitted excellently with her heavy copper-coloured hair;
+the more excellently for the touch of shabbiness: for a woman's clothes
+never suit her so well as when they seem to suit her by accident.
+
+But in this case the woman had a quality yet more unique and attractive.
+In such gray hours, when the sun is sunk and the skies are
+already sad, it will often happen that one reflection at some
+occasional angle will cause to linger the last of the light.
+A scrap of window, a scrap of water, a scrap of looking-glass,
+will be full of the fire that is lost to all the rest of the earth.
+The quaint, almost triangular face of Mary Gray was like some
+triangular piece of mirror that could still repeat the splendour
+of hours before. Mary, though she was always graceful,
+could never before have properly been called beautiful; and yet
+her happiness amid all that misery was so beautiful as to make
+a man catch his breath.
+
+"O Diana," cried Rosamund in a lower voice and altering her phrase;
+"but how did you tell her?"
+
+"It is quite easy to tell her," answered Diana sombrely;
+"it makes no impression at all."
+
+"I'm afraid I've kept everything waiting," said Mary Gray apologetically,
+"and now we must really say good-bye. Innocent is taking me to his aunt's
+over at Hampstead, and I'm afraid she goes to bed early."
+
+Her words were quite casual and practical, but there was a sort
+of sleepy light in her eyes that was more baffling than darkness;
+she was like one speaking absently with her eye on some
+very distant object.
+
+"Mary, Mary," cried Rosamund, almost breaking down, "I'm so sorry about it,
+but the thing can't be at all. We--we have found out all about Mr. Smith."
+
+"All?" repeated Mary, with a low and curious intonation;
+"why, that must be awfully exciting."
+
+There was no noise for an instant and no motion except that
+the silent Michael Moon, leaning on the gate, lifted his head,
+as it might be to listen. Then Rosamund remaining speechless,
+Dr. Pym came to her rescue in a definite way.
+
+"To begin with," he said, "this man Smith is constantly attempting murder.
+The Warden of Brakespeare College--"
+
+"I know," said Mary, with a vague but radiant smile.
+"Innocent told me."
+
+"I can't say what he told you," replied Pym quickly, "but I'm very much
+afraid it wasn't true. The plain truth is that the man's stained
+with every known human crime. I assure you I have all the documents.
+I have evidence of his committing burglary, signed by a most eminent
+English curate. I have--"
+
+"Oh, but there were two curates," cried Mary, with a certain gentle eagerness;
+"that was what made it so much funnier."
+
+The darkened glass doors of the house opened once more,
+and Inglewood appeared for an instant, making a sort of signal.
+The American doctor bowed, the English doctor did not,
+but they both set out stolidly towards the house.
+No one else moved, not even Michael hanging on the gate;
+but the back of his head and shoulders had still an indescribable
+indication that he was listening to every word.
+
+"But don't you understand, Mary," cried Rosamund in despair; "don't you
+know that awful things have happened even before our very eyes.
+I should have thought you would have heard the revolver shots upstairs."
+
+"Yes, I heard the shots," said Mary almost brightly; "but I was busy packing
+just then. And Innocent had told me he was going to shoot at Dr. Warner;
+so it wasn't worth while to come down."
+
+"Oh, I don't understand what you mean," cried Rosamund Hunt,
+stamping, "but you must and shall understand what I mean.
+I don't care how cruelly I put it, if only I can save you.
+I mean that your Innocent Smith is the most awfully wicked
+man in the world. He has sent bullets at lots of other men
+and gone off in cabs with lots of other women. And he seems
+to have killed the women too, for nobody can find them."
+
+"He is really rather naughty sometimes," said Mary Gray,
+laughing softly as she buttoned her old gray gloves.
+
+"Oh, this is really mesmerism, or something," said Rosamund,
+and burst into tears.
+
+At the same moment the two black-clad doctors appeared out
+of the house with their great green-clad captive between them.
+He made no resistance, but was still laughing in a groggy
+and half-witted style. Arthur Inglewood followed in the rear,
+a dark and red study in the last shades of distress and shame.
+In this black, funereal, and painfully realistic style the exit
+from Beacon House was made by a man whose entrance a day before
+had been effected by the happy leaping of a wall and the hilarious
+climbing of a tree. No one moved of the groups in the garden
+except Mary Gray, who stepped forward quite naturally,
+calling out, "Are you ready, Innocent? Our cab's been waiting
+such a long time."
+
+"Ladies and gentlemen," said Dr. Warner firmly, "I must insist on asking
+this lady to stand aside. We shall have trouble enough as it is,
+with the three of us in a cab."
+
+"But it IS our cab," persisted Mary. "Why, there's Innocent's yellow
+bag on the top of it."
+
+"Stand aside," repeated Warner roughly. "And you, Mr. Moon,
+please be so obliging as to move a moment. Come, come! the sooner
+this ugly business is over the better--and how can we open the gate
+if you will keep leaning on it?"
+
+Michael Moon looked at his long lean forefinger, and seemed
+to consider and reconsider this argument. "Yes," he said at last;
+"but how can I lean on this gate if you keep on opening it?"
+
+"Oh, get out of the way!" cried Warner, almost good-humouredly.
+"You can lean on the gate any time."
+
+"No," said Moon reflectively. "Seldom the time and the place
+and the blue gate altogether; and it all depends whether you
+come of an old country family. My ancestors leaned on gates
+before any one had discovered how to open them."
+
+"Michael!" cried Arthur Inglewood in a kind of agony, "are you going to get
+out of the way?"
+
+"Why, no; I think not," said Michael, after some meditation,
+and swung himself slowly round, so that he confronted the company,
+while still, in a lounging attitude, occupying the path.
+
+"Hullo!" he called out suddenly; "what are you doing to Mr. Smith?"
+
+"Taking him away," answered Warner shortly, "to be examined."
+
+"Matriculation?" asked Moon brightly.
+
+"By a magistrate," said the other curtly.
+
+"And what other magistrate," cried Michael, raising his voice,
+"dares to try what befell on this free soil, save only the ancient
+and independent Dukes of Beacon? What other court dares to try
+one of our company, save only the High Court of Beacon? Have you
+forgotten that only this afternoon we flew the flag of independence
+and severed ourselves from all the nations of the earth?"
+
+"Michael," cried Rosamund, wringing her hands, "how can you stand
+there talking nonsense? Why, you saw the dreadful thing yourself.
+You were there when he went mad. It was you that helped the doctor
+up when he fell over the flower-pot."
+
+"And the High Court of Beacon," replied Moon with hauteur,
+"has special powers in all cases concerning lunatics,
+flower-pots, and doctors who fall down in gardens.
+It's in our very first charter from Edward I: `Si medicus
+quisquam in horto prostratus--'"
+
+"Out of the way!" cried Warner with sudden fury, "or we will force
+you out of it."
+
+"What!" cried Michael Moon, with a cry of hilarious fierceness.
+"Shall I die in defence of this sacred pale? Will you paint
+these blue railings red with my gore?" and he laid hold of one
+of the blue spikes behind him. As Inglewood had noticed earlier
+in the evening, the railing was loose and crooked at this place,
+and the painted iron staff and spearhead came away in Michael's
+hand as he shook it.
+
+"See!" he cried, brandishing this broken javelin in the air,
+"the very lances round Beacon Tower leap from their places to defend it.
+Ah, in such a place and hour it is a fine thing to die alone!"
+And in a voice like a drum he rolled the noble lines of Ronsard--
+
+"Ou pour l'honneur de Dieu, ou pour le droit de mon prince, Navre,
+poitrine ouverte, au bord de mon province."
+
+
+"Sakes alive!" said the American gentleman, almost in an awed tone.
+Then he added, "Are there two maniacs here?"
+
+"No; there are five," thundered Moon. "Smith and I are the only
+sane people left."
+
+"Michael!" cried Rosamund; "Michael, what does it mean?"
+
+"It means bosh!" roared Michael, and slung his painted spear
+hurtling to the other end of the garden. "It means that doctors
+are bosh, and criminology is bosh, and Americans are bosh--
+much more bosh than our Court of Beacon. It means, you fatheads,
+that Innocent Smith is no more mad or bad than the bird
+on that tree."
+
+"But, my dear Moon," began Inglewood in his modest manner, "these gentlemen--"
+
+"On the word of two doctors," exploded Moon again,
+without listening to anybody else, "shut up in a private hell
+on the word of two doctors! And such doctors! Oh, my hat!
+Look at 'em!--do just look at 'em! Would you read a book,
+or buy a dog, or go to a hotel on the advice of twenty such?
+My people came from Ireland, and were Catholics. What would
+you say if I called a man wicked on the word of two priests?"
+
+"But it isn't only their word, Michael," reasoned Rosamund;
+"they've got evidence too."
+
+"Have you looked at it?" asked Moon.
+
+"No," said Rosamund, with a sort of faint surprise; "these gentlemen
+are in charge of it."
+
+"And of everything else, it seems to me," said Michael. "Why, you
+haven't even had the decency to consult Mrs. Duke."
+
+"Oh, that's no use," said Diana in an undertone to Rosamund; "Auntie can't
+say `Bo!' to a goose."
+
+"I am glad to hear it," answered Michael, "for with such a flock of geese
+to say it to, the horrid expletive might be constantly on her lips.
+For my part, I simply refuse to let things be done in this light
+and airy style. I appeal to Mrs. Duke--it's her house."
+
+"Mrs. Duke?" repeated Inglewood doubtfully.
+
+"Yes, Mrs. Duke," said Michael firmly, "commonly called the Iron Duke."
+
+"If you ask Auntie," said Diana quietly, "she'll only be for doing nothing
+at all. Her only idea is to hush things up or to let things slide.
+That just suits her."
+
+"Yes," replied Michael Moon; "and, as it happens, it just suits
+all of us. You are impatient with your elders, Miss Duke;
+but when you are as old yourself you will know what Napoleon knew--
+that half one's letters answer themselves if you can only refrain
+from the fleshly appetite of answering them."
+
+He was still lounging in the same absurd attitude, with his elbow
+on the grate, but his voice had altered abruptly for the third time;
+just as it had changed from the mock heroic to the humanly indignant,
+it now changed to the airy incisiveness of a lawyer giving
+good legal advice.
+
+"It isn't only your aunt who wants to keep this quiet if
+she can," he said; "we all want to keep it quiet if we can.
+Look at the large facts--the big bones of the case. I believe
+those scientific gentlemen have made a highly scientific mistake.
+I believe Smith is as blameless as a buttercup. I admit
+buttercups don't often let off loaded pistols in private houses;
+I admit there is something demanding explanation.
+But I am morally certain there's some blunder, or some joke,
+or some allegory, or some accident behind all this.
+Well, suppose I'm wrong. We've disarmed him; we're five men
+to hold him; he may as well go to a lock-up later on as now.
+But suppose there's even a chance of my being right.
+Is it anybody's interest here to wash this linen in public?
+
+"Come, I'll take each of you in order. Once take Smith outside that gate,
+and you take him into the front page of the evening papers. I know;
+I've written the front page myself. Miss Duke, do you or your aunt want
+a sort of notice stuck up over your boarding-house--`Doctors shot here.'?
+No, no--doctors are rubbish, as I said; but you don't want the rubbish
+shot here. Arthur, suppose I am right, or suppose I am wrong.
+Smith has appeared as an old schoolfellow of yours. Mark my words,
+if he's proved guilty, the Organs of Public Opinion will say you
+introduced him. If he's proved innocent, they will say you helped
+to collar him. Rosamund, my dear, suppose I am right or wrong.
+If he's proved guilty, they'll say you engaged your companion to him.
+If he's proved innocent, they'll print that telegram.
+I know the Organs, damn them."
+
+He stopped an instant; for this rapid rationalism left him more
+breathless than had either his theatrical or his real denunciation.
+But he was plainly in earnest, as well as positive and lucid;
+as was proved by his proceeding quickly the moment he had
+found his breath.
+
+"It is just the same," he cried, "with our medical friends.
+You will say that Dr. Warner has a grievance. I agree.
+But does he want specially to be snapshotted by all the
+journalists ~prostratus in horto~? It was no fault of his,
+but the scene was not very dignified even for him.
+He must have justice; but does he want to ask for justice,
+not only on his knees, but on his hands and knees?
+Does he want to enter the court of justice on all fours?
+Doctors are not allowed to advertise; and I'm sure no
+doctor wants to advertise himself as looking like that.
+And even for our American guest the interest is the same.
+Let us suppose that he has conclusive documents.
+Let us assume that he has revelations really worth reading.
+Well, in a legal inquiry (or a medical inquiry, for that matter)
+ten to one he won't be allowed to read them. He'll be tripped
+up every two or three minutes with some tangle of old rules.
+A man can't tell the truth in public nowadays. But he can
+still tell it in private; he can tell it inside that house."
+
+"It is quite true," said Dr. Cyrus Pym, who had listened throughout
+the speech with a seriousness which only an American could have retained
+through such a scene. "It is true that I have been per-ceptibly less
+hampered in private inquiries."
+
+"Dr. Pym!" cried Warner in a sort of sudden anger.
+"Dr. Pym! you aren't really going to admit--"
+
+"Smith may be mad," went on the melancholy Moon in a monologue
+that seemed as heavy as a hatchet, "but there was something
+after all in what he said about Home Rule for every home.
+Yes, there is something, when all's said and done, in the High Court
+of Beacon. It is really true that human beings might often get
+some sort of domestic justice where just now they can only get
+legal injustice--oh, I am a lawyer too, and I know that as well.
+It is true that there's too much official and indirect power.
+Often and often the thing a whole nation can't settle is just the thing
+a family could settle. Scores of young criminals have been fined
+and sent to jail when they ought to have been thrashed and sent to bed.
+Scores of men, I am sure, have had a lifetime at Hanwell when they
+only wanted a week at Brighton. There IS something in Smith's
+notion of domestic self-government; and I propose that we put it
+into practice. You have the prisoner; you have the documents.
+Come, we are a company of free, white, Christian people,
+such as might be besieged in a town or cast up on a desert island.
+Let us do this thing ourselves. Let us go into that house there
+and sit down and find out with our own eyes and ears whether this
+thing is true or not; whether this Smith is a man or a monster.
+If we can't do a little thing like that, what right have we to put
+crosses on ballot papers?"
+
+Inglewood and Pym exchanged a glance; and Warner, who was no fool,
+saw in that glance that Moon was gaining ground. The motives that led
+Arthur to think of surrender were indeed very different from those
+which affected Dr. Cyrus Pym. All Arthur's instincts were on the side
+of privacy and polite settlement; he was very English and would often
+endure wrongs rather than right them by scenes and serious rhetoric.
+To play at once the buffoon and the knight-errant, like his Irish friend,
+would have been absolute torture to him; but even the semi-official
+part he had played that afternoon was very painful. He was not likely
+to be reluctant if any one could convince him that his duty was to let
+sleeping dogs lie.
+
+On the other hand, Cyrus Pym belonged to a country in which things are
+possible that seem crazy to the English. Regulations and authorities exactly
+like one of Innocent's pranks or one of Michael's satires really exist,
+propped by placid policemen and imposed on bustling business men.
+Pym knew whole States which are vast and yet secret and fanciful;
+each is as big as a nation yet as private as a lost village, and as
+unexpected as an apple-pie bed. States where no man may have a cigarette,
+States where any man may have ten wives, very strict prohibition States,
+very lax divorce States--all these large local vagaries had prepared
+Cyrus Pym's mind for small local vagaries in a smaller country.
+Infinitely more remote from England than any Russian or Italian,
+utterly incapable of even conceiving what English conventions are,
+he could not see the social impossibility of the Court of Beacon. It is
+firmly believed by those who shared the experiment, that to the very
+end Pym believed in that phantasmal court and supposed it to be
+some Britannic institution.
+
+Towards the synod thus somewhat at a standstill there approached
+through the growing haze and gloaming a short dark figure with a walk
+apparently founded on the imperfect repression of a negro breakdown.
+Something at once in the familiarity and the incongruity of this
+being moved Michael to even heartier outbursts of a healthy
+and humane flippancy.
+
+"Why, here's little Nosey Gould," he exclaimed. "Isn't the mere
+sight of him enough to banish all your morbid reflections?"
+
+"Really," replied Dr. Warner, "I really fail to see how Mr. Gould
+affects the question; and I once more demand--"
+
+"Hello! what's the funeral, gents?" inquired the newcomer with the air
+of an uproarious umpire. "Doctor demandin' something? Always the way
+at a boarding-house, you know. Always lots of demand. No supply."
+
+As delicately and impartially as he could, Michael restated his position,
+and indicated generally that Smith had been guilty of certain dangerous
+and dubious acts, and that there had even arisen an allegation that
+he was insane.
+
+"Well, of course he is," said Moses Gould equably; "it don't
+need old 'Olmes to see that. The 'awk-like face of 'Olmes,"
+he added with abstract relish, "showed a shide of disappointment,
+the sleuth-like Gould 'avin' got there before 'im."
+
+"If he is mad," began Inglewood.
+
+"Well," said Moses, "when a cove gets out on the tile the first night
+there's generally a tile loose."
+
+"You never objected before," said Diana Duke rather stiffly,
+"and you're generally pretty free with your complaints."
+
+"I don't compline of him," said Moses magnanimously, "the poor chap's
+'armless enough; you might tie 'im up in the garden here and 'e'd
+make noises at the burglars."
+
+"Moses," said Moon with solemn fervour, "you are the incarnation
+of Common Sense. You think Mr. Innocent is mad. Let me introduce you
+to the incarnation of Scientific Theory. He also thinks Mr. Innocent
+is mad.--Doctor, this is my friend Mr. Gould.--Moses, this is the celebrated
+Dr. Pym." The celebrated Dr. Cyrus Pym closed his eyes and bowed.
+He also murmured his national war-cry in a low voice, which sounded
+like "Pleased to meet you."
+
+"Now you two people," said Michael cheerfully, "who both think our poor
+friend mad, shall jolly well go into that house over there and prove him mad.
+What could be more powerful than the combination of Scientific Theory
+with Common Sense? United you stand; divided you fall. I will not be
+so uncivil as to suggest that Dr. Pym has no common sense; I confine myself
+to recording the chronological accident that he has not shown us any so far.
+I take the freedom of an old friend in staking my shirt that Moses has no
+scientific theory. Yet against this strong coalition I am ready to appear,
+armed with nothing but an intuition--which is American for a guess."
+
+"Distinguished by Mr. Gould's assistance," said Pym, opening his
+eyes suddenly. "I gather that though he and I are identical
+in primary di-agnosis there is yet between us something that
+cannot be called a disagreement, something which we may perhaps
+call a--" He put the points of thumb and forefinger together,
+spreading the other fingers exquisitely in the air, and seemed
+to be waiting for somebody else to tell him what to say.
+
+"Catchin' flies?" inquired the affable Moses.
+
+"A divergence," said Dr. Pym, with a refined sigh of relief; "a divergence.
+Granted that the man in question is deranged, he would not necessarily
+be all that science requires in a homicidal maniac--"
+
+"Has it occurred to you," observed Moon, who was leaning on the gate again,
+and did not turn round, "that if he were a homicidal maniac he might have
+killed us all here while we were talking."
+
+Something exploded silently underneath all their minds,
+like sealed dynamite in some forgotten cellars. They all
+remembered for the first time for some hour or two that the monster
+of whom they were talking was standing quietly among them.
+They had left him in the garden like a garden statue; there might
+have been a dolphin coiling round his legs, or a fountain pouring out
+of his mouth, for all the notice they had taken of Innocent Smith.
+He stood with his crest of blonde, blown hair thrust somewhat forward,
+his fresh-coloured, rather short-sighted face looking patiently
+downwards at nothing in particular, his huge shoulders humped,
+and his hands in his trousers pockets. So far as they could guess
+he had not moved at all. His green coat might have been cut out
+of the green turf on which he stood. In his shadow Pym had expounded
+and Rosamund expostulated, Michael had ranted and Moses had ragged.
+He had remained like a thing graven; the god of the garden.
+A sparrow had perched on one of his heavy shoulders; and then,
+after correcting its costume of feathers, had flown away.
+
+"Why," cried Michael, with a shout of laughter, "the Court of Beacon
+has opened--and shut up again too. You all know now I am right.
+Your buried common sense has told you what my buried common sense has
+told me. Smith might have fired off a hundred cannons instead of a pistol,
+and you would still know he was harmless as I know he is harmless.
+Back we all go to the house and clear a room for discussion.
+For the High Court of Beacon, which has already arrived at its decision,
+is just about to begin its inquiry."
+
+"Just a goin' to begin!" cried little Mr. Moses in an extraordinary
+sort of disinterested excitement, like that of an animal during music
+or a thunderstorm. "Follow on to the 'Igh Court of Eggs and Bacon;
+'ave a kipper from the old firm! 'Is Lordship complimented
+Mr. Gould on the 'igh professional delicacy 'e had shown,
+and which was worthy of the best traditions of the Saloon Bar--
+and three of Scotch hot, miss! Oh, chase me, girls!"
+
+The girls betraying no temptation to chase him, he went away in a
+sort of waddling dance of pure excitement; and had made a circuit
+of the garden before he reappeared, breathless but still beaming.
+Moon had known his man when he realized that no people presented
+to Moses Gould could be quite serious, even if they were
+quite furious. The glass doors stood open on the side nearest
+to Mr. Moses Gould; and as the feet of that festive idiot were
+evidently turned in the same direction, everybody else went
+that way with the unanimity of some uproarious procession.
+Only Diana Duke retained enough rigidity to say the thing that had
+been boiling at her fierce feminine lips for the last few hours.
+Under the shadow of tragedy she had kept it back as unsympathetic.
+"In that case," she said sharply, "these cabs can be sent away."
+
+"Well, Innocent must have his bag, you know," said Mary with a smile.
+"I dare say the cabman would get it down for us."
+
+"I'll get the bag," said Smith, speaking for the first time in hours;
+his voice sounded remote and rude, like the voice of a statue.
+
+Those who had so long danced and disputed round his immobility
+were left breathless by his precipitance. With a run and spring
+he was out of the garden into the street; with a spring and
+one quivering kick he was actually on the roof of the cab.
+The cabman happened to be standing by the horse's head, having just
+removed its emptied nose-bag. Smith seemed for an instant to be
+rolling about on the cab's back in the embraces of his Gladstone bag.
+The next instant, however, he had rolled, as if by a royal luck,
+into the high seat behind, and with a shriek of piercing and
+appalling suddenness had sent the horse flying and scampering
+down the street.
+
+His evanescence was so violent and swift, that this time it
+was all the other people who were turned into garden statues.
+Mr. Moses Gould, however, being ill-adapted both physically and morally
+for the purposes of permanent sculpture, came to life some time before
+the rest, and, turning to Moon, remarked, like a man starting chattily
+with a stranger on an omnibus, "Tile loose, eh? Cab loose anyhow."
+There followed a fatal silence; and then Dr. Warner said, with a sneer
+like a club of stone,--
+
+"This is what comes of the Court of Beacon, Mr. Moon. You have let
+loose a maniac on the whole metropolis."
+
+Beacon House stood, as has been said, at the end of a long crescent
+of continuous houses. The little garden that shut it in ran out into
+a sharp point like a green cape pushed out into the sea of two streets.
+Smith and his cab shot up one side of the triangle, and certainly
+most of those standing inside of it never expected to see him again.
+At the apex, however, he turned the horse sharply round and drove with equal
+violence up the other side of the garden, visible to all those in the group.
+With a common impulse the little crowd ran across the lawn as if to stop him,
+but they soon had reason to duck and recoil. Even as he vanished up
+street for the second time, he let the big yellow bag fly from his hand,
+so that it fell in the centre of the garden, scattering the company
+like a bomb, and nearly damaging Dr. Warner's hat for the third time.
+Long before they had collected themselves, the cab had shot away with a
+shriek that went into a whisper.
+
+"Well," said Michael Moon, with a queer note in his voice;
+"you may as well all go inside anyhow. We've got two relics
+of Mr. Smith at least; his fiancee and his trunk."
+
+"Why do you want us to go inside?" asked Arthur Inglewood,
+in whose red brow and rough brown hair botheration seemed
+to have reached its limit.
+
+"I want the rest to go in," said Michael in a clear voice,
+"because I want the whole of this garden in which to talk to you."
+
+There was an atmosphere of irrational doubt; it was really getting colder,
+and a night wind had begun to wave the one or two trees in the twilight.
+Dr. Warner, however, spoke in a voice devoid of indecision.
+
+"I refuse to listen to any such proposal," he said; "you have lost
+this ruffian, and I must find him."
+
+"I don't ask you to listen to any proposal," answered Moon quietly;
+"I only ask you to listen."
+
+He made a silencing movement with his hand, and immediately
+the whistling noise that had been lost in the dark streets on one side
+of the house could be heard from quite a new quarter on the other side.
+Through the night-maze of streets the noise increased with incredible
+rapidity, and the next moment the flying hoofs and flashing wheels had
+swept up to the blue-railed gate at which they had originally stood.
+Mr. Smith got down from his perch with an air of absent-mindedness,
+and coming back into the garden stood in the same elephantine
+attitude as before.
+
+"Get inside! get inside!" cried Moon hilariously, with the air
+of one shooing a company of cats. "Come, come, be quick about it!
+Didn't I tell you I wanted to talk to Inglewood?"
+
+How they were all really driven into the house again it would
+have been difficult afterwards to say. They had reached the point
+of being exhausted with incongruities, as people at a farce
+are ill with laughing, and the brisk growth of the storm among
+the trees seemed like a final gesture of things in general.
+Inglewood lingered behind them, saying with a certain amicable
+exasperation, "I say, do you really want to speak to me?"
+
+"I do," said Michael, "very much."
+
+Night had come as it generally does, quicker than the twilight had seemed
+to promise. While the human eye still felt the sky as light gray, a very
+large and lustrous moon appearing abruptly above a bulk of roofs and trees,
+proved by contrast that the sky was already a very dark gray indeed.
+A drift of barren leaves across the lawn, a drift of riven clouds across
+the sky, seemed to be lifted on the same strong and yet laborious wind.
+
+"Arthur," said Michael, "I began with an intuition; but now I am sure.
+You and I are going to defend this friend of yours before the blessed Court
+of Beacon, and to clear him too--clear him of both crime and lunacy.
+Just listen to me while I preach to you for a bit." They walked up
+and down the darkening garden together as Michael Moon went on.
+
+"Can you," asked Michael, "shut your eyes and see some of those queer old
+hieroglyphics they stuck up on white walls in the old hot countries.
+How stiff they were in shape and yet how gaudy in colour.
+Think of some alphabet of arbitrary figures picked out in black and red,
+or white and green, with some old Semitic crowd of Nosey Gould's
+ancestors staring at it, and try to think why the people put it
+up at all."
+
+Inglewood's first instinct was to think that his perplexing friend
+had really gone off his head at last; there seemed so reckless
+a flight of irrelevancy from the tropic-pictured walls he was
+asked to imagine to the gray, wind-swept, and somewhat chilly
+suburban garden in which he was actually kicking his heels.
+How he could be more happy in one by imagining the other he could
+not conceive. Both (in themselves) were unpleasant.
+
+"Why does everybody repeat riddles," went on Moon abruptly,
+"even if they've forgotten the answers? Riddles are easy to remember
+because they are hard to guess. So were those stiff old symbols
+in black, red, or green easy to remember because they had been hard
+to guess. Their colours were plain. Their shapes were plain.
+Everything was plain except the meaning."
+
+Inglewood was about to open his mouth in an amiable protest, but Moon
+went on, plunging quicker and quicker up and down the garden and smoking
+faster and faster. "Dances, too," he said; "dances were not frivolous.
+Dances were harder to understand than inscriptions and texts.
+The old dances were stiff, ceremonial, highly coloured but silent.
+Have you noticed anything odd about Smith?"
+
+"Well, really," cried Inglewood, left behind in a collapse of humour,
+"have I noticed anything else?"
+
+"Have you noticed this about him," asked Moon, with unshaken persistency,
+"that he has done so much and said so little? When first he came he talked,
+but in a gasping, irregular sort of way, as if he wasn't used to it.
+All he really did was actions--painting red flowers on black gowns or throwing
+yellow bags on to the grass. I tell you that big green figure is figurative--
+like any green figure capering on some white Eastern wall."
+
+"My dear Michael," cried Inglewood, in a rising irritation which increased
+with the rising wind, "you are getting absurdly fanciful."
+
+"I think of what has just happened," said Michael steadily.
+"The man has not spoken for hours; and yet he has been speaking
+all the time. He fired three shots from a six-shooter and then
+gave it up to us, when he might have shot us dead in our boots.
+How could he express his trust in us better than that?
+He wanted to be tried by us. How could he have shown it better
+than by standing quite still and letting us discuss it?
+He wanted to show that he stood there willingly,
+and could escape if he liked. How could he have shown it
+better than by escaping in the cab and coming back again?
+Innocent Smith is not a madman--he is a ritualist. He wants to
+express himself, not with his tongue, but with his arms and legs--
+with my body I thee worship, as it says in the marriage service.
+I begin to understand the old plays and pageants. I see why
+the mutes at a funeral were mute. I see why the mummers were mum.
+They MEANT something; and Smith means something too.
+All other jokes have to be noisy--like little Nosey Gould's jokes,
+for instance. The only silent jokes are the practical jokes.
+Poor Smith, properly considered, is an allegorical practical joker.
+What he has really done in this house has been as frantic
+as a war-dance, but as silent as a picture."
+
+"I suppose you mean," said the other dubiously, "that we have got to find out
+what all these crimes meant, as if they were so many coloured picture-puzzles.
+But even supposing that they do mean something--why, Lord bless my soul!--"
+
+Taking the turn of the garden quite naturally, he had lifted
+his eyes to the moon, by this time risen big and luminous,
+and had seen a huge, half-human figure sitting on the garden wall.
+It was outlined so sharply against the moon that for the first flash
+it was hard to be certain even that it was human: the hunched
+shoulders and outstanding hair had rather the air of a colossal cat.
+It resembled a cat also in the fact that when first startled it
+sprang up and ran with easy activity along the top of the wall.
+As it ran, however, its heavy shoulders and small stooping head
+rather suggested a baboon. The instant it came within reach
+of a tree it made an ape-like leap and was lost in the branches.
+The gale, which by this time was shaking every shrub in the garden,
+made the identification yet more difficult, since it melted
+the moving limbs of the fugitive in the multitudinous moving
+limbs of the tree.
+
+"Who is there?" shouted Arthur. "Who are you? Are you Innocent?"
+
+"Not quite," answered an obscure voice among the leaves.
+"I cheated you once about a penknife."
+
+The wind in the garden had gathered strength, and was throwing the tree
+backwards and forwards with the man in the thick of it, just as it
+had on the gay and golden afternoon when he had first arrived.
+
+"But are you Smith?" asked Inglewood as in an agony.
+
+"Very nearly," said the voice out of the tossing tree.
+
+"But you must have some real names," shrieked Inglewood in despair.
+"You must call yourself something."
+
+"Call myself something," thundered the obscure voice, shaking the tree
+so that all its ten thousand leaves seemed to be talking at once.
+"I call myself Roland Oliver Isaiah Charlemagne Arthur Hildebrand
+Homer Danton Michaelangelo Shakespeare Brakespeare--"
+
+"But, manalive!" began Inglewood in exasperation.
+
+"That's right! that's right!" came with a roar out of the rocking tree;
+"that's my real name." And he broke a branch, and one or two autumn
+leaves fluttered away across the moon.
+
+
+
+
+ Part II
+
+ The Explanations of Innocent Smith
+
+
+
+
+ Chapter I
+
+ The Eye of Death;
+ or, the Murder Charge
+
+
+The dining-room of the Dukes had been set out for the Court
+of Beacon with a certain impromptu pomposity that seemed somehow
+to increase its cosiness. The big room was, as it were,
+cut up into small rooms, with walls only waist high--the sort
+of separation that children make when they are playing at shops.
+This had been done by Moses Gould and Michael Moon
+(the two most active members of this remarkable inquiry)
+with the ordinary furniture of the place. At one end of the long
+mahogany table was set the one enormous garden chair, which was
+surmounted by the old torn tent or umbrella which Smith himself
+had suggested as a coronation canopy. Inside this erection
+could be perceived the dumpy form of Mrs. Duke, with cushions
+and a form of countenance that already threatened slumber.
+At the other end sat the accused Smith, in a kind of dock;
+for he was carefully fenced in with a quadrilateral of light
+bedroom chairs, any of which he could have tossed out the window
+with his big toe. He had been provided with pens and paper,
+out of the latter of which he made paper boats, paper darts,
+and paper dolls contentedly throughout the whole proceedings.
+He never spoke or even looked up, but seemed as unconscious
+as a child on the floor of an empty nursery.
+
+On a row of chairs raised high on the top of a long settee sat
+the three young ladies with their backs up against the window,
+and Mary Gray in the middle; it was something between a jury
+box and the stall of the Queen of Beauty at a tournament.
+Down the centre of the long table Moon had built a low barrier
+out of eight bound volumes of "Good Words" to express the moral
+wall that divided the conflicting parties. On the right side
+sat the two advocates of the prosecution, Dr. Pym and Mr. Gould;
+behind a barricade of books and documents, chiefly (in the case
+of Dr. Pym) solid volumes of criminology. On the other side,
+Moon and Inglewood, for the defence, were also fortified
+with books and papers; but as these included several old yellow
+volumes by Ouida and Wilkie Collins, the hand of Mr. Moon
+seemed to have been somewhat careless and comprehensive.
+As for the victim and prosecutor, Dr. Warner, Moon wanted at first
+to have him kept entirely behind a high screen in the corner,
+urging the indelicacy of his appearance in court, but privately
+assuring him of an unofficial permission to peep over the top
+now and then. Dr. Warner, however, failed to rise to the chivalry
+of such a course, and after some little disturbance and discussion
+he was accommodated with a seat on the right side of the table
+in a line with his legal advisers.
+
+It was before this solidly-established tribunal that Dr. Cyrus Pym,
+after passing a hand through the honey-coloured hair over each ear,
+rose to open the case. His statement was clear and even restrained,
+and such flights of imagery as occurred in it only attracted attention
+by a certain indescribable abruptness, not uncommon in the flowers
+of American speech.
+
+He planted the points of his ten frail fingers on the mahogany,
+closed his eyes, and opened his mouth. "The time has gone by,"
+he said, "when murder could be regarded as a moral and individual act,
+important perhaps to the murderer, perhaps to the murdered.
+Science has profoundly..." here he paused, poising his compressed
+finger and thumb in the air as if he were holding an elusive idea
+very tight by its tail, then he screwed up his eyes and said
+"modified," and let it go--"has profoundly Modified our view of death.
+In superstitious ages it was regarded as the termination of life,
+catastrophic, and even tragic, and was often surrounded by solemnity.
+Brighter days, however, have dawned, and we now see death as universal
+and inevitable, as part of that great soul-stirring and heart-upholding
+average which we call for convenience the order of nature.
+In the same way we have come to consider murder SOCIALLY.
+Rising above the mere private feelings of a man while being forcibly
+deprived of life, we are privileged to behold murder as a mighty whole,
+to see the rich rotation of the cosmos, bringing, as it brings
+the golden harvests and the golden-bearded harvesters, the return
+for ever of the slayers and the slain."
+
+He looked down, somewhat affected with his own eloquence, coughed slightly,
+putting up four of his pointed fingers with the excellent manners
+of Boston, and continued: "There is but one result of this happier
+and humaner outlook which concerns the wretched man before us.
+It is that thoroughly elucidated by a Milwaukee doctor,
+our great secret-guessing Sonnenschein, in his great work,
+`The Destructive Type.' We do not denounce Smith as a murderer,
+but rather as a murderous man. The type is such that its very life--
+I might say its very health--is in killing. Some hold that it is
+not properly an aberration, but a newer and even a higher creature.
+My dear old friend Dr. Bulger, who kept ferrets--" (here Moon
+suddenly ejaculated a loud "hurrah!" but so instantaneously
+resumed his tragic expression that Mrs. Duke looked everywhere
+else for the sound); Dr. Pym continued somewhat sternly--"who,
+in the interests of knowledge, kept ferrets, felt that the creature's
+ferocity is not utilitarian, but absolutely an end in itself.
+However this may be with ferrets, it is certainly so with the prisoner.
+In his other iniquities you may find the cunning of the maniac;
+but his acts of blood have almost the simplicity of sanity.
+But it is the awful sanity of the sun and the elements--a cruel,
+an evil sanity. As soon stay the iris-leapt cataracts of our virgin
+West as stay the natural force that sends him forth to slay.
+No environment, however scientific, could have softened him.
+Place that man in the silver-silent purity of the palest cloister,
+and there will be some deed of violence done with the crozier or the alb.
+Rear him in a happy nursery, amid our brave-browed Anglo-Saxon infancy,
+and he will find some way to strangle with the skipping-rope
+or brain with the brick. Circumstances may be favourable,
+training may be admirable, hopes may be high, but the huge elemental
+hunger of Innocent Smith for blood will in its appointed season
+burst like a well-timed bomb."
+
+Arthur Inglewood glanced curiously for an instant at the huge creature
+at the foot of the table, who was fitting a paper figure with a cocked hat,
+and then looked back at Dr. Pym, who was concluding in a quieter tone.
+
+"It only remains for us," he said, "to bring forward actual evidence
+of his previous attempts. By an agreement already made with the Court
+and the leaders of the defence, we are permitted to put in evidence authentic
+letters from witnesses to these scenes, which the defence is free to examine.
+Out of several cases of such outrages we have decided to select one--
+the clearest and most scandalous. I will therefore, without further delay,
+call on my junior, Mr. Gould, to read two letters--one from the Sub-Warden and
+the other from the porter of Brakespeare College, in Cambridge University."
+
+Gould jumped up with a jerk like a jack-in-the-box, an academic-looking
+paper in his hand and a fever of importance on his face.
+He began in a loud, high, cockney voice that was as abrupt
+as a cock-crow:--
+
+
+"Sir,--Hi am the Sub-Warden of Brikespeare College, Cambridge--"
+
+
+"Lord have mercy on us," muttered Moon, making a backward movement as men
+do when a gun goes off.
+
+
+"Hi am the Sub-Warden of Brikespeare College, Cambridge,"
+proclaimed the uncompromising Moses, "and I can endorse the description
+you gave of the un'appy Smith. It was not alone my unfortunate duty
+to rebuke many of the lesser violences of his undergraduate period,
+but I was actually a witness to the last iniquity which terminated
+that period. Hi happened to passing under the house of my friend
+the Warden of Brikespeare, which is semi-detached from the College
+and connected with it by two or three very ancient arches or props,
+like bridges, across a small strip of water connected with the river.
+To my grive astonishment I be'eld my eminent friend suspended in mid-air
+and clinging to one of these pieces of masonry, his appearance and
+attitude indicatin' that he suffered from the grivest apprehensions.
+After a short time I heard two very loud shots, and distinctly perceived
+the unfortunate undergraduate Smith leaning far out of the Warden's
+window and aiming at the Warden repeatedly with a revolver.
+Upon seeing me, Smith burst into a loud laugh (in which
+impertinence was mingled with insanity), and appeared to desist.
+I sent the college porter for a ladder, and he succeeded in detaching
+the Warden from his painful position. Smith was sent down.
+The photograph I enclose is from the group of the University Rifle Club
+prizemen, and represents him as he was when at the College.--
+Hi am, your obedient servant, Amos Boulter.
+
+
+"The other letter," continued Gould in a glow of triumph, "is from the porter,
+and won't take long to read.
+
+
+"Dear Sir,--It is quite true that I am the porter of Brikespeare College,
+and that I 'elped the Warden down when the young man was shooting at him,
+as Mr. Boulter has said in his letter. The young man who was shooting at
+him was Mr. Smith, the same that is in the photograph Mr. Boulter sends.--
+Yours respectfully, Samuel Barker."
+
+
+Gould handed the two letters across to Moon, who examined them.
+But for the vocal divergences in the matter of h's and a's,
+the Sub-Warden's letter was exactly as Gould had rendered it;
+and both that and the porter's letter were plainly genuine.
+Moon handed them to Inglewood, who handed them back in silence
+to Moses Gould.
+
+"So far as this first charge of continual attempted murder is concerned,"
+said Dr. Pym, standing up for the last time, "that is my case."
+
+Michael Moon rose for the defence with an air of depression which gave
+little hope at the outset to the sympathizers with the prisoner.
+He did not, he said, propose to follow the doctor into the
+abstract questions. "I do not know enough to be an agnostic,"
+he said, rather wearily, "and I can only master the known and admitted
+elements in such controversies. As for science and religion,
+the known and admitted facts are plain enough. All that the parsons
+say is unproved. All that the doctors say is disproved.
+That's the only difference between science and religion there's ever been,
+or will be. Yet these new discoveries touch me, somehow," he said,
+looking down sorrowfully at his boots. "They remind me of a dear
+old great-aunt of mine who used to enjoy them in her youth.
+It brings tears to my eyes. I can see the old bucket by the garden
+fence and the line of shimmering poplars behind--"
+
+"Hi! here, stop the 'bus a bit," cried Mr. Moses Gould, rising in a sort
+of perspiration. "We want to give the defence a fair run--like gents,
+you know; but any gent would draw the line at shimmering poplars."
+
+"Well, hang it all," said Moon, in an injured manner, "if Dr. Pym
+may have an old friend with ferrets, why mayn't I have an old
+aunt with poplars?"
+
+"I am sure," said Mrs. Duke, bridling, with something almost
+like a shaky authority, "Mr. Moon may have what aunts he likes."
+
+"Why, as to liking her," began Moon, "I--but perhaps,
+as you say, she is scarcely the core of the question.
+I repeat that I do not mean to follow the abstract speculations.
+For, indeed, my answer to Dr. Pym is simple and severely concrete.
+Dr. Pym has only treated one side of the psychology of murder.
+If it is true that there is a kind of man who has a natural
+tendency to murder, is it not equally true"--here he lowered
+his voice and spoke with a crushing quietude and earnestness--"is
+it not equally true that there is a kind of man who has
+a natural tendency to get murdered? Is it not at least
+a hypothesis holding the field that Dr. Warner is such a man?
+I do not speak without the book, any more than my learned friend.
+The whole matter is expounded in Dr. Moonenschein's monumental work,
+`The Destructible Doctor,' with diagrams, showing the various ways
+in which such a person as Dr. Warner may be resolved into his elements.
+In the light of these facts--"
+
+"Hi, stop the 'bus! stop the 'bus!" cried Moses, jumping up and down and
+gesticulating in great excitement. "My principal's got something to say!
+My principal wants to do a bit of talkin'."
+
+Dr. Pym was indeed on his feet, looking pallid and rather vicious.
+"I have strictly CON-fined myself," he said nasally,
+"to books to which immediate reference can be made.
+I have Sonnenschein's `Destructive Type' here on the table,
+if the defence wish to see it. Where is this wonderful work
+on Destructability Mr. Moon is talking about? Does it exist?
+Can he produce it?"
+
+"Produce it!" cried the Irishman with a rich scorn.
+"I'll produce it in a week if you'll pay for the ink and paper."
+
+"Would it have much authority?" asked Pym, sitting down.
+
+"Oh, authority!" said Moon lightly; "that depends on a fellow's religion."
+
+Dr. Pym jumped up again. "Our authority is based on masses
+of accurate detail," he said. "It deals with a region in which
+things can be handled and tested. My opponent will at least
+admit that death is a fact of experience."
+
+"Not of mine," said Moon mournfully, shaking his head.
+"I've never experienced such a thing in all my life."
+
+"Well, really," said Dr. Pym, and sat down sharply amid a crackle of papers.
+
+"So we see," resumed Moon, in the same melancholy voice, "that a
+man like Dr. Warner is, in the mysterious workings of evolution,
+doomed to such attacks. My client's onslaught, even if it occurred,
+was not unique. I have in my hand letters from more than one acquaintance
+of Dr. Warner whom that remarkable man has affected in the same way.
+Following the example of my learned friends I will read only two of them.
+The first is from an honest and laborious matron living off the Harrow Road.
+
+
+"Mr. Moon, Sir,--Yes, I did throw a sorsepan at him. Wot then?
+It was all I had to throw, all the soft things being porned,
+and if your Docter Warner doesn't like having sorsepans thrown at him,
+don't let him wear his hat in a respectable woman's parler, and tell
+him to leave orf smiling or tell us the joke.--Yours respectfully,
+ Hannah Miles.
+
+
+"The other letter is from a physician of some note in Dublin,
+with whom Dr. Warner was once engaged in consultation.
+He writes as follows:--
+
+
+"Dear Sir,--The incident to which you refer is one which I regret,
+and which, moreover, I have never been able to explain.
+My own branch of medicine is not mental; and I should be glad to have
+the view of a mental specialist on my singular momentary and indeed
+almost automatic action. To say that I `pulled Dr. Warner's nose,'
+is, however, inaccurate in a respect that strikes me as important.
+That I punched his nose I must cheerfully admit (I need not say with
+what regret); but pulling seems to me to imply a precision of objective
+with which I cannot reproach myself. In comparison with this, the act
+of punching was an outward, instantaneous, and even natural gesture.--
+Believe me, yours faithfully, Burton Lestrange.
+
+
+"I have numberless other letters," continued Moon, "all bearing witness
+to this widespread feeling about my eminent friend; and I therefore think
+that Dr. Pym should have admitted this side of the question in his survey.
+We are in the presence, as Dr. Pym so truly says, of a natural force.
+As soon stay the cataract of the London water-works as stay
+the great tendency of Dr. Warner to be assassinated by somebody.
+Place that man in a Quakers' meeting, among the most peaceful of Christians,
+and he will immediately be beaten to death with sticks of chocolate.
+Place him among the angels of the New Jerusalem, and he will be stoned
+to death with precious stones. Circumstances may be beautiful and wonderful,
+the average may be heart-upholding, the harvester may be golden-bearded,
+the doctor may be secret-guessing, the cataract may be iris-leapt,
+the Anglo-Saxon infant may be brave-browed, but against and above
+all these prodigies the grand simple tendency of Dr. Warner to get
+murdered will still pursue its way until it happily and triumphantly
+succeeds at last."
+
+He pronounced this peroration with an appearance of strong emotion.
+But even stronger emotions were manifesting themselves on the other
+side of the table. Dr. Warner had leaned his large body quite across
+the little figure of Moses Gould and was talking in excited whispers
+to Dr. Pym. That expert nodded a great many times and finally started
+to his feet with a sincere expression of sternness.
+
+"Ladies and gentlemen," he cried indignantly, "as my colleague has said,
+we should be delighted to give any latitude to the defence--if there
+were a defence. But Mr. Moon seems to think he is there to make jokes--
+very good jokes I dare say, but not at all adapted to assist his client.
+He picks holes in science. He picks holes in my client's social popularity.
+He picks holes in my literary style, which doesn't seem to suit his high-toned
+European taste. But how does this picking of holes affect the issue?
+This Smith has picked two holes in my client's hat, and with an inch better
+aim would have picked two holes in his head. All the jokes in the world
+won't unpick those holes or be any use for the defence."
+
+Inglewood looked down in some embarrassment, as if shaken by the evident
+fairness of this, but Moon still gazed at his opponent in a dreamy way.
+"The defence?" he said vaguely--"oh, I haven't begun that yet."
+
+"You certainly have not," said Pym warmly, amid a murmur of applause
+from his side, which the other side found it impossible to answer.
+"Perhaps, if you have any defence, which has been doubtful from
+the very beginning--"
+
+"While you're standing up," said Moon, in the same almost sleepy style,
+"perhaps I might ask you a question."
+
+"A question? Certainly," said Pym stiffly. "It was distinctly
+arranged between us that as we could not cross-examine
+the witnesses, we might vicariously cross-examine each other.
+We are in a position to invite all such inquiry."
+
+"I think you said," observed Moon absently, "that none of the prisoner's
+shots really hit the doctor."
+
+"For the cause of science," cried the complacent Pym, "fortunately not."
+
+"Yet they were fired from a few feet away."
+
+"Yes; about four feet."
+
+"And no shots hit the Warden, though they were fired quite close
+to him too?" asked Moon.
+
+"That is so," said the witness gravely.
+
+"I think," said Moon, suppressing a slight yawn, "that your Sub-Warden
+mentioned that Smith was one of the University's record men for shooting."
+
+"Why, as to that--" began Pym, after an instant of stillness.
+
+"A second question," continued Moon, comparatively curtly.
+"You said there were other cases of the accused trying to kill people.
+Why have you not got evidence of them?"
+
+The American planted the points of his fingers on the table again.
+"In those cases," he said precisely, "there was no evidence from outsiders,
+as in the Cambridge case, but only the evidence of the actual victims."
+
+"Why didn't you get their evidence?"
+
+"In the case of the actual victims," said Pym, "there was some difficulty
+and reluctance, and--"
+
+"Do you mean," asked Moon, "that none of the actual victims would
+appear against the prisoner?"
+
+"That would be exaggerative," began the other.
+
+"A third question," said Moon, so sharply that every one jumped.
+"You've got the evidence of the Sub-Warden who heard some shots;
+where's the evidence of the Warden himself who was shot at?
+The Warden of Brakespeare lives, a prosperous gentleman."
+
+"We did ask for a statement from him," said Pym a little nervously;
+"but it was so eccentrically expressed that we suppressed it out
+of deference to an old gentleman whose past services to science
+have been great."
+
+Moon leaned forward. "You mean, I suppose," he said, "that his statement
+was favourable to the prisoner."
+
+"It might be understood so," replied the American doctor;
+"but, really, it was difficult to understand at all.
+In fact, we sent it back to him."
+
+"You have no longer, then, any statement signed by the Warden of Brakespeare."
+
+"No."
+
+"I only ask," said Michael quietly, "because we have.
+To conclude my case I will ask my junior, Mr. Inglewood,
+to read a statement of the true story--a statement attested
+as true by the signature of the Warden himself."
+
+Arthur Inglewood rose with several papers in his hand, and though
+he looked somewhat refined and self-effacing, as he always did,
+the spectators were surprised to feel that his presence was,
+upon the whole, more efficient and sufficing than his leader's. He was,
+in truth, one of those modest men who cannot speak until they are told
+to speak; and then can speak well. Moon was entirely the opposite.
+His own impudences amused him in private, but they slightly
+embarrassed him in public; he felt a fool while he was speaking,
+whereas Inglewood felt a fool only because he could not speak.
+The moment he had anything to say he could speak;
+and the moment he could speak, speaking seemed quite natural.
+Nothing in this universe seemed quite natural to Michael Moon.
+
+"As my colleague has just explained," said Inglewood, "there are
+two enigmas or inconsistencies on which we base the defence.
+The first is a plain physical fact. By the admission of everybody,
+by the very evidence adduced by the prosecution, it is clear
+that the accused was celebrated as a specially good shot.
+Yet on both the occasions complained of he shot from a distance of four
+or five feet, and shot at him four or five times, and never hit him once.
+That is the first startling circumstance on which we base our argument.
+The second, as my colleague has urged, is the curious fact that we cannot
+find a single victim of these alleged outrages to speak for himself.
+Subordinates speak for him. Porters climb up ladders to him.
+But he himself is silent. Ladies and gentlemen, I propose to explain
+on the spot both the riddle of the shots and the riddle of the silence.
+I will first of all read the covering letter in which the true account
+of the Cambridge incident is contained, and then that document itself.
+When you have heard both, there will be no doubt about your decision.
+The covering letter runs as follows:--
+
+
+"Dear Sir,--The following is a very exact and even vivid account of the
+incident as it really happened at Brakespeare College. We, the undersigned,
+do not see any particular reason why we should refer it to any
+isolated authorship. The truth is, it has been a composite production;
+and we have even had some difference of opinion about the adjectives.
+But every word of it is true.--We are, yours faithfully,
+
+ "Wilfred Emerson Eames,
+ "Warden of Brakespeare College, Cambridge.
+
+ "Innocent Smith.
+
+
+"The enclosed statement," continued Inglewood, "runs as follows:--
+
+
+"A celebrated English university backs so abruptly on the river,
+that it has, so to speak, to be propped up and patched
+with all sorts of bridges and semi-detached buildings.
+The river splits itself into several small streams and canals,
+so that in one or two corners the place has almost the look
+of Venice. It was so especially in the case with which we
+are concerned, in which a few flying buttresses or airy ribs of stone
+sprang across a strip of water to connect Brakespeare College
+with the house of the Warden of Brakespeare.
+
+"The country around these colleges is flat; but it does not
+seem flat when one is thus in the midst of the colleges.
+For in these flat fens there are always wandering lakes and lingering
+rivers of water. And these always change what might have been
+a scheme of horizontal lines into a scheme of vertical lines.
+Wherever there is water the height of high buildings is doubled,
+and a British brick house becomes a Babylonian tower.
+In that shining unshaken surface the houses hang head
+downwards exactly to their highest or lowest chimney.
+The coral-coloured cloud seen in that abyss is as far
+below the world as its original appears above it.
+Every scrap of water is not only a window but a skylight.
+Earth splits under men's feet into precipitous aerial perspectives,
+into which a bird could as easily wing its way as--"
+
+Dr. Cyrus Pym rose in protest. The documents he had put
+in evidence had been confined to cold affirmation of fact.
+The defence, in a general way, had an indubitable right to put
+their case in their own way, but all this landscape gardening
+seemed to him (Dr. Cyrus Pym) to be not up to the business.
+"Will the leader of the defence tell me," he asked, "how it can
+possibly affect this case, that a cloud was cor'l-coloured,
+or that a bird could have winged itself anywhere?"
+
+"Oh, I don't know," said Michael, lifting himself lazily;
+"you see, you don't know yet what our defence is.
+Till you know that, don't you see, anything may be relevant.
+Why, suppose," he said suddenly, as if an idea had struck him,
+"suppose we wanted to prove the old Warden colour-blind.
+Suppose he was shot by a black man with white hair, when he
+thought he was being shot by a white man with yellow hair!
+To ascertain if that cloud was really and truly coral-coloured
+might be of the most massive importance."
+
+He paused with a seriousness which was hardly generally shared,
+and continued with the same fluency: "Or suppose we wanted to
+maintain that the Warden committed suicide--that he just got Smith
+to hold the pistol as Brutus's slave held the sword. Why, it would
+make all the difference whether the Warden could see himself plain
+in still water. Still water has made hundreds of suicides:
+one sees oneself so very--well, so very plain."
+
+"Do you, perhaps," inquired Pym with austere irony, "maintain that
+your client was a bird of some sort--say, a flamingo?"
+
+"In the matter of his being a flamingo," said Moon with sudden severity,
+"my client reserves his defence."
+
+No one quite knowing what to make of this, Mr. Moon resumed his seat
+and Inglewood resumed the reading of his document:--
+
+
+"There is something pleasing to a mystic in such a land of mirrors.
+For a mystic is one who holds that two worlds are better than one.
+In the highest sense, indeed, all thought is reflection.
+
+"This is the real truth, in the saying that second thoughts are best.
+Animals have no second thoughts; man alone is able to see his own
+thought double, as a drunkard sees a lamp-post; man alone is able
+to see his own thought upside down as one sees a house in a puddle.
+This duplication of mentality, as in a mirror, is (we repeat)
+the inmost thing of human philosophy. There is a mystical, even a
+monstrous truth, in the statement that two heads are better than one.
+But they ought both to grow on the same body."
+
+
+"I know it's a little transcendental at first," interposed Inglewood,
+beaming round with a broad apology, "but you see this document was written
+in collaboration by a don and a--"
+
+"Drunkard, eh?" suggested Moses Gould, beginning to enjoy himself.
+
+"I rather think," proceeded Inglewood with an unruffled
+and critical air, "that this part was written by the don.
+I merely warn the Court that the statement, though indubitably accurate,
+bears here and there the trace of coming from two authors."
+
+"In that case," said Dr. Pym, leaning back and sniffing,
+"I cannot agree with them that two heads are better than one."
+
+
+"The undersigned persons think it needless to touch on a kindred
+problem so often discussed at committees for University Reform:
+the question of whether dons see double because they are drunk,
+or get drunk because they see double. It is enough for them
+(the undersigned persons) if they are able to pursue their own peculiar
+and profitable theme--which is puddles. What (the undersigned
+persons ask themselves) is a puddle? A puddle repeats infinity,
+and is full of light; nevertheless, if analyzed objectively,
+a puddle is a piece of dirty water spread very thin on mud.
+The two great historic universities of England have all this large
+and level and reflective brilliance. Nevertheless, or, rather, on the
+other hand, they are puddles--puddles, puddles, puddles, puddles.
+The undersigned persons ask you to excuse an emphasis inseparable
+from strong conviction."
+
+
+Inglewood ignored a somewhat wild expression on the faces of some present,
+and continued with eminent cheerfulness:--
+
+
+"Such were the thoughts that failed to cross the mind of
+the undergraduate Smith as he picked his way among the stripes
+of canal and the glittering rainy gutters into which the water
+broke up round the back of Brakespeare College. Had these thoughts
+crossed his mind he would have been much happier than he was.
+Unfortunately he did not know that his puzzles were puddles.
+He did not know that the academic mind reflects infinity and is full
+of light by the simple process of being shallow and standing still.
+In his case, therefore, there was something solemn, and even evil
+about the infinity implied. It was half-way through a starry
+night of bewildering brilliancy; stars were both above and below.
+To young Smith's sullen fancy the skies below seemed even hollower
+than the skies above; he had a horrible idea that if he counted
+the stars he would find one too many in the pool.
+
+"In crossing the little paths and bridges he felt like one stepping
+on the black and slender ribs of some cosmic Eiffel Tower. For to him,
+and nearly all the educated youth of that epoch, the stars were cruel things.
+Though they glowed in the great dome every night, they were an enormous
+and ugly secret; they uncovered the nakedness of nature; they were a glimpse
+of the iron wheels and pulleys behind the scenes. For the young men
+of that sad time thought that the god always comes from the machine.
+They did not know that in reality the machine only comes from the god.
+In short, they were all pessimists, and starlight was atrocious to them--
+atrocious because it was true. All their universe was black with white spots.
+
+"Smith looked up with relief from the glittering pools below
+to the glittering skies and the great black bulk of the college.
+The only light other than stars glowed through one peacock-green
+curtain in the upper part of the building, marking where
+Dr. Emerson Eames always worked till morning and received
+his friends and favourite pupils at any hour of the night.
+Indeed, it was to his rooms that the melancholy Smith was bound.
+Smith had been at Dr. Eames's lecture for the first half of the morning,
+and at pistol practice and fencing in a saloon for the second half.
+He had been sculling madly for the first half of the afternoon
+and thinking idly (and still more madly) for the second half.
+He had gone to a supper where he was uproarious, and on to a debating
+club where he was perfectly insufferable, and the melancholy
+Smith was melancholy still. Then, as he was going home to his
+diggings he remembered the eccentricity of his friend and master,
+the Warden of Brakespeare, and resolved desperately to turn
+in to that gentleman's private house.
+
+"Emerson Eames was an eccentric in many ways, but his throne
+in philosophy and metaphysics was of international eminence;
+the university could hardly have afforded to lose him, and, moreover,
+a don has only to continue any of his bad habits long enough
+to make them a part of the British Constitution. The bad habits
+of Emerson Eames were to sit up all night and to be a student
+of Schopenhauer. Personally, he was a lean, lounging sort of man,
+with a blond pointed beard, not so very much older than his
+pupil Smith in the matter of mere years, but older by centuries
+in the two essential respects of having a European reputation
+and a bald head.
+
+"`I came, against the rules, at this unearthly hour,' said Smith, who was
+nothing to the eye except a very big man trying to make himself small,
+`because I am coming to the conclusion that existence is really too rotten.
+I know all the arguments of the thinkers that think otherwise--bishops,
+and agnostics, and those sort of people. And knowing you were the greatest
+living authority on the pessimist thinkers--'
+
+"`All thinkers,' said Eames, `are pessimist thinkers.'
+
+"After a patch of pause, not the first--for this depressing conversation
+had gone on for some hours with alternations of cynicism and silence--
+the Warden continued with his air of weary brilliancy: `It's all a question
+of wrong calculation. The moth flies into the candle because he doesn't
+happen to know that the game is not worth the candle. The wasp gets
+into the jam in hearty and hopeful efforts to get the jam into him.
+IN the same way the vulgar people want to enjoy life just as they want
+to enjoy gin--because they are too stupid to see that they are paying too big
+a price for it. That they never find happiness--that they don't even know
+how to look for it--is proved by the paralyzing clumsiness and ugliness
+of everything they do. Their discordant colours are cries of pain.
+Look at the brick villas beyond the college on this side of the river.
+There's one with spotted blinds; look at it! just go and look at it!'
+
+"`Of course,' he went on dreamily, `one or two men see the sober
+fact a long way off--they go mad. Do you notice that maniacs mostly
+try either to destroy other things, or (if they are thoughtful)
+to destroy themselves? The madman is the man behind the scenes,
+like the man that wanders about the coulisse of a theater.
+He has only opened the wrong door and come into the right place.
+He sees things at the right angle. But the common world--'
+
+"`Oh, hang the common world!' said the sullen Smith, letting his fist
+fall on the table in an idle despair.
+
+"`Let's give it a bad name first,' said the Professor calmly,
+`and then hang it. A puppy with hydrophobia would probably struggle
+for life while we killed it; but if we were kind we should kill it.
+So an omniscient god would put us out of our pain.
+He would strike us dead.'
+
+"`Why doesn't he strike us dead?' asked the undergraduate abstractedly,
+plunging his hands into his pockets.
+
+"`He is dead himself,' said the philosopher; `that is where
+he is really enviable.'
+
+"`To any one who thinks,' proceeded Eames, `the pleasures of life,
+trivial and soon tasteless, are bribes to bring us into a torture chamber.
+We all see that for any thinking man mere extinction is the... What
+are you doing?... Are you mad?... Put that thing down.'
+
+"Dr. Eames had turned his tired but still talkative head over his shoulder,
+and had found himself looking into a small round black hole, rimmed by a
+six-sided circlet of steel, with a sort of spike standing up on the top.
+It fixed him like an iron eye. Through those eternal instants during
+which the reason is stunned he did not even know what it was.
+Then he saw behind it the chambered barrel and cocked hammer of
+a revolver, and behind that the flushed and rather heavy face of Smith,
+apparently quite unchanged, or even more mild than before.
+
+"`I'll help you out of your hole, old man,' said Smith,
+with rough tenderness. `I'll put the puppy out of his pain.'
+
+"Emerson Eames retreated towards the window. `Do you mean
+to kill me?' he cried.
+
+"`It's not a thing I'd do for every one,' said Smith with emotion;
+`but you and I seem to have got so intimate to-night, somehow.
+I know all your troubles now, and the only cure, old chap.'
+
+"`Put that thing down,' shouted the Warden.
+
+"`It'll soon be over, you know,' said Smith with the air of a
+sympathetic dentist. And as the Warden made a run for the window
+and balcony, his benefactor followed him with a firm step
+and a compassionate expression.
+
+"Both men were perhaps surprised to see that the gray and white
+of early daybreak had already come. One of them, however,
+had emotions calculated to swallow up surprise. Brakespeare College
+was one of the few that retained real traces of Gothic ornament,
+and just beneath Dr. Eames's balcony there ran out what had perhaps
+been a flying buttress, still shapelessly shaped into gray beasts
+and devils, but blinded with mosses and washed out with rains.
+With an ungainly and most courageous leap, Eames sprang out on this
+antique bridge, as the only possible mode of escape from the maniac.
+He sat astride of it, still in his academic gown, dangling his
+long thin legs, and considering further chances of flight.
+The whitening daylight opened under as well as over him that
+impression of vertical infinity already remarked about the little
+lakes round Brakespeare. Looking down and seeing the spires
+and chimneys pendent in the pools, they felt alone in space.
+They felt as if they were looking over the edge from the North Pole
+and seeing the South Pole below.
+
+"`Hang the world, we said,' observed Smith, `and the world is hanged.
+"He has hanged the world upon nothing," says the Bible. Do you like being
+hanged upon nothing? I'm going to be hanged upon something myself.
+I'm going to swing for you... Dear, tender old phrase,' he murmured;
+`never true till this moment. I am going to swing for you.
+For you, dear friend. For your sake. At your express desire.'
+
+"`Help!' cried the Warden of Brakespeare College; `help!'
+
+"`The puppy struggles,' said the undergraduate, with an eye of pity,
+`the poor puppy struggles. How fortunate it is that I am wiser
+and kinder than he,' and he sighted his weapon so as exactly to cover
+the upper part of Eames's bald head.
+
+"`Smith,' said the philosopher with a sudden change to a sort
+of ghastly lucidity, `I shall go mad.'
+
+"`And so look at things from the right angle,' observed Smith,
+sighing gently. `Ah, but madness is only a palliative at best,
+a drug. The only cure is an operation--an operation that is
+always successful: death.'
+
+"As he spoke the sun rose. It seemed to put colour into everything,
+with the rapidity of a lightning artist. A fleet of little
+clouds sailing across the sky changed from pigeon-gray to pink.
+All over the little academic town the tops of different buildings
+took on different tints: here the sun would pick out the green
+enameled on a pinnacle, there the scarlet tiles of a villa;
+here the copper ornament on some artistic shop, and there
+the sea-blue slates of some old and steep church roof.
+All these coloured crests seemed to have something oddly
+individual and significant about them, like crests of famous
+knights pointed out in a pageant or a battlefield: they each
+arrested the eye, especially the rolling eye of Emerson Eames
+as he looked round on the morning and accepted it as his last.
+Through a narrow chink between a black timber tavern and a big
+gray college he could see a clock with gilt hands which the
+sunshine set on fire. He stared at it as though hypnotized;
+and suddenly the clock began to strike, as if in personal reply.
+As if at a signal, clock after clock took up the cry:
+all the churches awoke like chickens at cockcrow.
+The birds were already noisy in the trees behind the college.
+The sun rose, gathering glory that seemed too full for the deep
+skies to hold, and the shallow waters beneath them seemed golden
+and brimming and deep enough for the thirst of the gods.
+Just round the corner of the College, and visible from his crazy perch,
+were the brightest specks on that bright landscape, the villa
+with the spotted blinds which he had made his text that night.
+He wondered for the first time what people lived in them.
+
+"Suddenly he called out with mere querulous authority,
+as he might have called to a student to shut a door.
+
+"`Let me come off this place,' he cried; `I can't bear it.'
+
+"`I rather doubt if it will bear you,' said Smith critically;
+`but before you break your neck, or I blow out your brains,
+or let you back into this room (on which complex points I
+am undecided) I want the metaphysical point cleared up.
+Do I understand that you want to get back to life?'
+
+"`I'd give anything to get back,' replied the unhappy professor.
+
+"`Give anything!' cried Smith; `then, blast your impudence,
+give us a song!'
+
+"`What song do you mean?' demanded the exasperated Eames; `what song?'
+
+"`A hymn, I think, would be most appropriate,' answered the other gravely.
+`I'll let you off if you'll repeat after me the words--
+
+ "`I thank the goodness and the grace
+ That on my birth have smiled.
+ And perched me on this curious place,
+ A happy English child.'
+
+
+"Dr. Emerson Eames having briefly complied, his persecutor abruptly
+told him to hold his hands up in the air. Vaguely connecting this
+proceeding with the usual conduct of brigands and bushrangers,
+Mr. Eames held them up, very stiffly, but without marked surprise.
+A bird alighting on his stone seat took no more notice of him
+than of a comic statue.
+
+"`You are now engaged in public worship,' remarked Smith severely,
+`and before I have done with you, you shall thank God for the very ducks
+on the pond.'
+
+"The celebrated pessimist half articulately expressed his perfect
+readiness to thank God for the ducks on the pond.
+
+"`Not forgetting the drakes,' said Smith sternly.
+(Eames weakly conceded the drakes.) `Not forgetting anything, please.
+You shall thank heaven for churches and chapels and villas
+and vulgar people and puddles and pots and pans and sticks
+and rags and bones and spotted blinds.'
+
+"`All right, all right,' repeated the victim in despair;
+`sticks and rags and bones and blinds.'
+
+"`Spotted blinds, I think we said,' remarked Smith with a
+rogueish ruthlessness, and wagging the pistol-barrel at him
+like a long metallic finger.
+
+"`Spotted blinds,' said Emerson Eames faintly.
+
+"`You can't say fairer than that,' admitted the younger man,
+`and now I'll just tell you this to wind up with.
+If you really were what you profess to be, I don't see that it
+would matter to snail or seraph if you broke your impious stiff
+neck and dashed out all your drivelling devil-worshipping brains.
+But in strict biographical fact you are a very nice fellow,
+addicted to talking putrid nonsense, and I love you like a brother.
+I shall therefore fire off all my cartridges round your head
+so as not to hit you (I am a good shot, you may be glad to hear),
+and then we will go in and have some breakfast.'
+
+"He then let off two barrels in the air, which the Professor
+endured with singular firmness, and then said, `But don't fire
+them all off.'
+
+"`Why not' asked the other buoyantly.
+
+"`Keep them,' asked his companion, `for the next man you meet
+who talks as we were talking.'
+
+"It was at this moment that Smith, looking down, perceived apoplectic
+terror upon the face of the Sub-Warden, and heard the refined shriek
+with which he summoned the porter and the ladder.
+
+"It took Dr. Eames some little time to disentangle himself from
+the ladder, and some little time longer to disentangle himself
+from the Sub-Warden. But as soon as he could do so unobtrusively,
+he rejoined his companion in the late extraordinary scene.
+He was astonished to find the gigantic Smith heavily shaken,
+and sitting with his shaggy head on his hands. When addressed,
+he lifted a very pale face.
+
+"`Why, what is the matter?' asked Eames, whose own nerves had by this
+time twittered themselves quiet, like the morning birds.
+
+"`I must ask your indulgence,' said Smith, rather brokenly.
+`I must ask you to realize that I have just had an escape from death.'
+
+"`YOU have had an escape from death?' repeated the Professor
+in not unpardonable irritation. `Well, of all the cheek--'
+
+"`Oh, don't you understand, don't you understand?' cried the pale
+young man impatiently. `I had to do it, Eames; I had to prove
+you wrong or die. When a man's young, he nearly always has
+some one whom he thinks the top-water mark of the mind of man--
+some one who knows all about it, if anybody knows.
+
+"`Well, you were that to me; you spoke with authority,
+and not as the scribes. Nobody could comfort me if YOU
+said there was no comfort. If you really thought there was
+nothing anywhere, it was because you had been there to see.
+Don't you see that I HAD to prove you didn't really mean it?--
+or else drown myself in the canal.'
+
+"`Well,' said Eames hesitatingly, `I think perhaps you confuse--'
+
+"`Oh, don't tell me that!' cried Smith with the sudden clairvoyance
+of mental pain; `don't tell me I confuse enjoyment of existence
+with the Will to Live! That's German, and German is High Dutch,
+and High Dutch is Double Dutch. The thing I saw shining in your eyes
+when you dangled on that bridge was enjoyment of life and not "the
+Will to Live." What you knew when you sat on that damned gargoyle
+was that the world, when all is said and done, is a wonderful and
+beautiful place; I know it, because I knew it at the same minute.
+I saw the gray clouds turn pink, and the little gilt clock in the crack
+between the houses. It was THOSE things you hated leaving, not Life,
+whatever that is. Eames, we've been to the brink of death together;
+won't you admit I'm right?'
+
+"`Yes,' said Eames very slowly, `I think you are right.
+You shall have a First!'
+
+"`Right!' cried Smith, springing up reanimated. `I've passed
+with honours, and now let me go and see about being sent down.'
+
+"`You needn't be sent down,' said Eames with the quiet confidence
+of twelve years of intrigue. `Everything with us comes from
+the man on top to the people just round him: I am the man on top,
+and I shall tell the people round me the truth.'
+
+"The massive Mr. Smith rose and went firmly to the window,
+but he spoke with equal firmness. `I must be sent down,' he said,
+`and the people must not be told the truth.'
+
+"`And why not' asked the other.
+
+"`Because I mean to follow your advice,' answered the massive youth,
+`I mean to keep the remaining shots for people in the shameful state
+you and I were in last night--I wish we could even plead drunkenness.
+I mean to keep those bullets for pessimists--pills for pale people.
+And in this way I want to walk the world like a wonderful surprise--
+to float as idly as the thistledown, and come as silently as the sunrise;
+not to be expected any more than the thunderbolt, not to be
+recalled any more than the dying breeze. I don't want people to
+anticipate me as a well-known practical joke. I want both my gifts
+to come virgin and violent, the death and the life after death.
+I am going to hold a pistol to the head of the Modern Man. But I
+shall not use it to kill him--only to bring him to life.
+I begin to see a new meaning in being the skeleton at the feast.'
+
+"`You can scarcely be called a skeleton,' said Dr. Eames, smiling.
+
+"`That comes of being so much at the feast,' answered the massive youth.
+`No skeleton can keep his figure if he is always dining out.
+But that is not quite what I meant: what I mean is that I caught
+a kind of glimpse of the meaning of death and all that--the skull
+and cross-bones, the ~memento mori~. It isn't only meant to remind
+us of a future life, but to remind us of a present life too.
+With our weak spirits we should grow old in eternity if we were not kept
+young by death. Providence has to cut immortality into lengths for us,
+as nurses cut the bread and butter into fingers.'
+
+"Then he added suddenly in a voice of unnatural actuality,
+`But I know something now, Eames. I knew it when I saw
+the clouds turn pink.'
+
+"`What do you mean?' asked Eames. `What did you know?'
+
+"`I knew for the first time that murder is really wrong.'
+
+"He gripped Dr. Eames's hand and groped his way somewhat unsteadily
+to the door. Before he had vanished through it he had added,
+`It's very dangerous, though, when a man thinks for a split second
+that he understands death.'
+
+"Dr. Eames remained in repose and rumination some hours after his
+late assailant had left. Then he rose, took his hat and umbrella,
+and went for a brisk if rotatory walk. Several times,
+however, he stood outside the villa with the spotted blinds,
+studying them intently with his head slightly on one side.
+Some took him for a lunatic and some for an intending purchaser.
+He is not yet sure that the two characters would be widely different.
+
+"The above narrative has been constructed on a principle which is,
+in the opinion of the undersigned persons, new in the art of letters.
+Each of the two actors is described as he appeared to the other.
+But the undersigned persons absolutely guarantee the exactitude
+of the story; and if their version of the thing be questioned, they,
+the undersigned persons, would deucedly well like to know who does
+know about it if they don't.
+
+"The undersigned persons will now adjourn to `The Spotted Dog'
+for beer. Farewell.
+
+ "(Signed) James Emerson Eames,
+ "Warden of Brakespeare College, Cambridge.
+
+ "Innocent Smith."
+
+
+
+
+
+ Chapter II
+
+ The Two Curates;
+ or, the Burglary Charge
+
+
+Arthur Inglewood handed the document he had just read to the leaders
+of the prosecution, who examined it with their heads together.
+Both the Jew and the American were of sensitive and excitable stocks,
+and they revealed by the jumpings and bumpings of the black head and the
+yellow that nothing could be done in the way of denial of the document.
+The letter from the Warden was as authentic as the letter from the
+Sub-Warden, however regrettably different in dignity and social tone.
+
+"Very few words," said Inglewood, "are required to conclude
+our case in this matter. Surely it is now plain that our client
+carried his pistol about with the eccentric but innocent
+purpose of giving a wholesome scare to those whom he regarded
+as blasphemers. In each case the scare was so wholesome
+that the victim himself has dated from it as from a new birth.
+Smith, so far from being a madman, is rather a mad doctor--
+he walks the world curing frenzies and not distributing them.
+That is the answer to the two unanswerable questions which I
+put to the prosecutors. That is why they dared not produce
+a line by any one who had actually confronted the pistol.
+All who had actually confronted the pistol confessed that they
+had profited by it. That was why Smith, though a good shot,
+never hit anybody. He never hit anybody because he was a good shot.
+His mind was as clear of murder as his hands are of blood.
+This, I say, is the only possible explanation of these facts
+and of all the other facts. No one can possibly explain
+the Warden's conduct except by believing the Warden's story.
+Even Dr. Pym, who is a very factory of ingenious theories,
+could find no other theory to cover the case."
+
+"There are promising per-spectives in hypnotism and dual personality,"
+said Dr. Cyrus Pym dreamily; "the science of criminology is in
+its infancy, and--"
+
+"Infancy!" cried Moon, jerking his red pencil in the air with a gesture
+of enlightenment; "why, that explains it!"
+
+"I repeat," proceeded Inglewood, "that neither Dr. Pym nor any one else
+can account on any other theory but ours for the Warden's signature,
+for the shots missed and the witnesses missing."
+
+The little Yankee had slipped to his feet with some return
+of a cock-fighting coolness. "The defence," he said,
+"omits a coldly colossal fact. They say we produce none of
+the actual victims. Wal, here is one victim--England's celebrated
+and stricken Warner. I reckon he is pretty well produced.
+And they suggest that all the outrages were followed
+by reconciliation. Wal, there's no flies on England's Warner;
+and he isn't reconciliated much."
+
+"My learned friend," said Moon, getting elaborately to his feet,
+"must remember that the science of shooting Dr. Warner is in its infancy.
+Dr. Warner would strike the idlest eye as one specially difficult to startle
+into any recognition of the glory of God. We admit that our client,
+in this one instance, failed, and that the operation was not successful.
+But I am empowered to offer, on behalf of my client, a proposal
+for operating on Dr. Warner again, at his earliest convenience,
+and without further fees."
+
+"'Ang it all, Michael," cried Gould, quite serious for the first time
+in his life, "you might give us a bit of bally sense for a chinge."
+
+"What was Dr. Warner talking about just before the first shot?"
+asked Moon sharply.
+
+"The creature," said Dr. Warner superciliously, "asked me,
+with characteristic rationality, whether it was my birthday."
+
+"And you answered, with characteristic swank," cried Moon, shooting out
+a long lean finger, as rigid and arresting as the pistol of Smith,
+"that you didn't keep your birthday."
+
+"Something like that," assented the doctor.
+
+"Then," continued Moon, "he asked you why not, and you said it was because you
+didn't see that birth was anything to rejoice over. Agreed? Now is there
+any one who doubts that our tale is true?"
+
+There was a cold crash of stillness in the room; and Moon said, "Pax populi
+vox Dei; it is the silence of the people that is the voice of God. Or in
+Dr. Pym's more civilized language, it is up to him to open the next charge.
+On this we claim an acquittal."
+
+
+It was about an hour later. Dr. Cyrus Pym had remained for an unprecedented
+time with his eyes closed and his thumb and finger in the air.
+It almost seemed as if he had been "struck so," as the nurses say;
+and in the deathly silence Michael Moon felt forced to relieve
+the strain with some remark. For the last half-hour or so the eminent
+criminologist had been explaining that science took the same view
+of offences against property as it did of offences against life.
+"Most murder," he had said, "is a variation of homicidal mania,
+and in the same way most theft is a version of kleptomania.
+I cannot entertain any doubt that my learned friends opposite
+adequately con-ceive how this must involve a scheme of punishment
+more tol'rant and humane than the cruel methods of ancient codes.
+They will doubtless exhibit consciousness of a chasm so eminently yawning,
+so thought-arresting, so--" It was here that he paused and indulged
+in the delicate gesture to which allusion has been made; and Michael
+could bear it no longer.
+
+"Yes, yes," he said impatiently, "we admit the chasm.
+The old cruel codes accuse a man of theft and send him
+to prison for ten years. The tolerant and humane ticket
+accuses him of nothing and sends him to prison for ever.
+We pass the chasm."
+
+It was characteristic of the eminent Pym, in one of his trances
+of verbal fastidiousness, that he went on, unconscious not only
+of his opponent's interruption, but even of his own pause.
+
+"So stock-improving," continued Dr. Cyrus Pym, "so fraught
+with real high hopes of the future. Science therefore
+regards thieves, in the abstract, just as it regards murderers.
+It regards them not as sinners to be punished for an arbitrary period,
+but as patients to be detained and cared for," (his first two digits
+closed again as he hesitated)--"in short, for the required period.
+But there is something special in the case we investigate here.
+Kleptomania commonly con-joins itself--"
+
+"I beg pardon," said Michael; "I did not ask just now because,
+to tell the truth, I really thought Dr. Pym, though seemingly vertical,
+was enjoying well-earned slumber, with a pinch in his fingers
+of scentless and delicate dust. But now that things are moving
+a little more, there is something I should really like to know.
+I have hung on Dr. Pym's lips, of course, with an interest that it
+were weak to call rapture, but I have so far been unable to form
+any conjecture about what the accused, in the present instance,
+is supposed to have been and gone and done."
+
+"If Mr. Moon will have patience," said Pym with dignity, "he will find
+that this was the very point to which my exposition was di-rected.
+Kleptomania, I say, exhibits itself as a kind of physical attraction
+to certain defined materials; and it has been held (by no less a man
+than Harris) that this is the ultimate explanation of the strict
+specialism and vurry narrow professional outlook of most criminals.
+One will have an irresistible physical impulsion towards pearl
+sleeve-links, while he passes over the most elegant and celebrated
+diamond sleeve-links, placed about in the most conspicuous locations.
+Another will impede his flight with no less than forty-seven buttoned boots,
+while elastic-sided boots leave him cold, and even sarcastic.
+The specialism of the criminal, I repeat, is a mark rather of insanity
+than of any brightness of business habits; but there is one kind
+of depredator to whom this principle is at first sight hard to apply.
+I allude to our fellow-citizen the housebreaker.
+
+"It has been maintained by some of our boldest young
+truth-seekers, that the eye of a burglar beyond the back-garden
+wall could hardly be caught and hypnotized by a fork
+that is insulated in a locked box under the butler's bed.
+They have thrown down the gauntlet to American science on this point.
+They declare that diamond links are not left about in conspicuous
+locations in the haunts of the lower classes, as they were
+in the great test experiment of Calypso College. We hope this
+experiment here will be an answer to that young ringing challenge,
+and will bring the burglar once more into line and union
+with his fellow criminals."
+
+Moon, whose face had gone through every phase of black bewilderment
+for five minutes past, suddenly lifted his hand and struck the table
+in explosive enlightenment.
+
+"Oh, I see!" he cried; "you mean that Smith is a burglar."
+
+"I thought I made it quite ad'quately lucid," said Mr. Pym,
+folding up his eyelids. It was typical of this topsy-turvy private
+trial that all the eloquent extras, all the rhetoric or digression
+on either side, was exasperating and unintelligible to the other.
+Moon could not make head or tail of the solemnity of a new civilization.
+Pym could not make head or tail of the gaiety of an old one.
+
+"All the cases in which Smith has figured as an expropriator,"
+continued the American doctor, "are cases of burglary.
+Pursuing the same course as in the previous case, we select
+the indubitable instance from the rest, and we take the most
+correct cast-iron evidence. I will now call on my colleague,
+Mr. Gould, to read a letter we have received from the earnest,
+unspotted Canon of Durham, Canon Hawkins."
+
+Mr. Moses Gould leapt up with his usual alacrity to read the letter from
+the earnest and unspotted Hawkins. Moses Gould could imitate a farmyard well,
+Sir Henry Irving not so well, Marie Lloyd to a point of excellence, and the
+new motor horns in a manner that put him upon the platform of great artists.
+But his imitation of a Canon of Durham was not convincing; indeed, the sense
+of the letter was so much obscured by the extraordinary leaps and gasps of his
+pronunciation that it is perhaps better to print it here as Moon read it when,
+a little later, it was handed across the table.
+
+
+"Dear Sir,--I can scarcely feel surprise that the incident
+you mention, private as it was, should have filtered through
+our omnivorous journals to the mere populace; for the position
+I have since attained makes me, I conceive, a public character,
+and this was certainly the most extraordinary incident
+in a not uneventful and perhaps not an unimportant career.
+I am by no means without experience in scenes of civil tumult.
+I have faced many a political crisis in the old Primrose League
+days at Herne Bay, and, before I broke with the wilder set,
+have spent many a night at the Christian Social Union. But this
+other experience was quite inconceivable. I can only describe
+it as the letting loose of a place which it is not for me,
+as a clergyman, to mention.
+
+"It occurred in the days when I was, for a short period,
+a curate at Hoxton; and the other curate, then my colleague,
+induced me to attend a meeting which he described, I must say
+profanely described, as calculated to promote the kingdom
+of God. I found, on the contrary, that it consisted entirely
+of men in corduroys and greasy clothes whose manners were coarse
+and their opinions extreme.
+
+"Of my colleague in question I wish to speak with the fullest
+respect and friendliness, and I will therefore say little.
+No one can be more convinced than I of the evil of politics
+in the pulpit; and I never offer my congregation any advice
+about voting except in cases in which I feel strongly that they
+are likely to make an erroneous selection. But, while I do
+not mean to touch at all upon political or social problems,
+I must say that for a clergyman to countenance, even in jest,
+such discredited nostrums of dissipated demagogues as Socialism
+or Radicalism partakes of the character of the betrayal
+of a sacred trust. Far be it from me to say a word against
+the Reverend Raymond Percy, the colleague in question.
+He was brilliant, I suppose, and to some apparently fascinating;
+but a clergyman who talks like a Socialist, wears his hair
+like a pianist, and behaves like an intoxicated person,
+will never rise in his profession, or even obtain the admiration
+of the good and wise. Nor is it for me to utter my personal
+judgements of the appearance of the people in the hall.
+Yet a glance round the room, revealing ranks of debased
+and envious faces--"
+
+"Adopting," said Moon explosively, for he was getting restive--"adopting
+the reverend gentleman's favourite figure of logic, may I say that
+while tortures would not tear from me a whisper about his intellect,
+he is a blasted old jackass."
+
+"Really!" said Dr. Pym; "I protest."
+
+"You must keep quiet, Michael," said Inglewood; "they have a right
+to read their story."
+
+"Chair! Chair! Chair!" cried Gould, rolling about exuberantly in his own;
+and Pym glanced for a moment towards the canopy which covered all
+the authority of the Court of Beacon.
+
+"Oh, don't wake the old lady," said Moon, lowering his voice in a moody
+good-humour. "I apologize. I won't interrupt again."
+
+Before the little eddy of interruption was ended the reading
+of the clergyman's letter was already continuing.
+
+"The proceedings opened with a speech from my colleague, of which I
+will say nothing. It was deplorable. Many of the audience
+were Irish, and showed the weakness of that impetuous people.
+When gathered together into gangs and conspiracies they seem
+to lose altogether that lovable good-nature and readiness to accept
+anything one tells them which distinguishes them as individuals."
+
+
+With a slight start, Michael rose to his feet, bowed solemnly,
+and sat down again.
+
+
+"These persons, if not silent, were at least applausive during the speech
+of Mr. Percy. He descended to their level with witticisms about rent
+and a reserve of labour. Confiscation, expropriation, arbitration, and such
+words with which I cannot soil my lips, recurred constantly. Some hours
+afterward the storm broke. I had been addressing the meeting for some time,
+pointing out the lack of thrift in the working classes, their insufficient
+attendance at evening service, their neglect of the Harvest Festival, and of
+many other things that might materially help them to improve their lot.
+It was, I think, about this time that an extraordinary interruption occurred.
+An enormous, powerful man, partly concealed with white plaster,
+arose in the middle of the hall, and offered (in a loud, roaring voice,
+like a bull's) some observations which seemed to be in a foreign language.
+Mr. Raymond Percy, my colleague, descended to his level by entering into
+a duel of repartee, in which he appeared to be the victor. The meeting
+began to behave more respectfully for a little; yet before I had said twelve
+sentences more the rush was made for the platform. The enormous plasterer,
+in particular, plunged towards us, shaking the earth like an elephant;
+and I really do not know what would have happened if a man equally large,
+but not quite so ill-dressed, had not jumped up also and held him away.
+This other big man shouted a sort of speech to the mob as he was shoving
+them back. I don't know what he said, but, what with shouting and shoving
+and such horseplay, he got us out at a back door, while the wretched people
+went roaring down another passage.
+
+"Then follows the truly extraordinary part of my story. When he had got
+us outside, in a mean backyard of blistered grass leading into a lane
+with a very lonely-looking lamp-post, this giant addressed me as follows:
+`You're well out of that, sir; now you'd better come along with me.
+I want you to help me in an act of social justice, such as we've all
+been talking about. Come along!' And turning his big back abruptly,
+he led us down the lean old lane with the one lean old lamp-post,
+we scarcely knowing what to do but to follow him. He had certainly
+helped us in a most difficult situation, and, as a gentleman, I could
+not treat such a benefactor with suspicion without grave grounds.
+Such also was the view of my Socialistic colleague, who (with all
+his dreadful talk of arbitration) is a gentleman also. In fact,
+he comes of the Staffordshire Percys, a branch of the old house
+and has the black hair and pale, clear-cut face of the whole family.
+I cannot but refer it to vanity that he should heighten his personal
+advantages with black velvet or a red cross of considerable ostentation,
+and certainly--but I digress.
+
+"A fog was coming up the street, and that last lost lamp-post
+faded behind us in a way that certainly depressed the mind.
+The large man in front of us looked larger and larger in the haze.
+He did not turn round, but he said with his huge back to us,
+`All that talking's no good; we want a little practical Socialism.'
+
+"`I quite agree,' said Percy; `but I always like to understand things
+in theory before I put them into practice.'
+
+"`Oh, you just leave that to me,' said the practical Socialist,
+or whatever he was, with the most terrifying vagueness.
+`I have a way with me. I'm a Permeator.'
+
+"I could not imagine what he meant, but my companion laughed,
+so I was sufficiently reassured to continue the unaccountable journey
+for the present. It led us through most singular ways; out of the lane,
+where we were already rather cramped, into a paved passage,
+at the end of which we passed through a wooden gate left open.
+We then found ourselves, in the increasing darkness and vapour,
+crossing what appeared to be a beaten path across a kitchen garden.
+I called out to the enormous person going on in front, but he answered
+obscurely that it was a short cut.
+
+"I was just repeating my very natural doubt to my clerical companion
+when I was brought up against a short ladder, apparently leading
+to a higher level of road. My thoughtless colleague ran up it so
+quickly that I could not do otherwise than follow as best I could.
+The path on which I then planted my feet was quite unprecedentedly narrow.
+I had never had to walk along a thoroughfare so exiguous.
+Along one side of it grew what, in the dark and density of air,
+I first took to be some short, strong thicket of shrubs. Then I saw
+that they were not short shrubs; they were the tops of tall trees.
+I, an English gentleman and clergyman of the Church of England--I was
+walking along the top of a garden wall like a tom cat.
+
+"I am glad to say that I stopped within my first five steps,
+and let loose my just reprobation, balancing myself as best I
+could all the time.
+
+"`It's a right-of-way,' declared my indefensible informant.
+`It's closed to traffic once in a hundred years.'
+
+"`Mr. Percy, Mr. Percy!' I called out; `you are not going
+on with this blackguard?'
+
+"`Why, I think so,' answered my unhappy colleague flippantly.
+`I think you and I are bigger blackguards than he is,
+whatever he is.'
+
+"`I am a burglar,' explained the big creature quite calmly.
+`I am a member of the Fabian Society. I take back the wealth stolen
+by the capitalist, not by sweeping civil war and revolution, but by reform
+fitted to the special occasion--here a little and there a little.
+Do you see that fifth house along the terrace with the flat roof?
+I'm permeating that one to-night.'
+
+"`Whether this is a crime or a joke,' I cried, `I desire to be quit of it.'
+
+"`The ladder is just behind you,' answered the creature
+with horrible courtesy; `and, before you go, do let me give
+you my card.'
+
+"If I had had the presence of mind to show any proper spirit I
+should have flung it away, though any adequate gesture of the kind
+would have gravely affected my equilibrium upon the wall.
+As it was, in the wildness of the moment, I put it in my
+waistcoat pocket, and, picking my way back by wall and ladder,
+landed in the respectable streets once more. Not before, however,
+I had seen with my own eyes the two awful and lamentable facts--
+that the burglar was climbing up a slanting roof towards
+the chimneys, and that Raymond Percy (a priest of God and,
+what was worse, a gentleman) was crawling up after him.
+I have never seen either of them since that day.
+
+"In consequence of this soul-searching experience I severed my
+connection with the wild set. I am far from saying that every
+member of the Christian Social Union must necessarily be a burglar.
+I have no right to bring any such charge. But it gave me a hint
+of what such courses may lead to in many cases; and I saw them no more.
+
+"I have only to add that the photograph you enclose, taken by a
+Mr. Inglewood, is undoubtedly that of the burglar in question.
+When I got home that night I looked at his card, and he was inscribed
+there under the name of Innocent Smith.--Yours faithfully,
+ "John Clement Hawkins."
+
+
+Moon merely went through the form of glancing at the paper. He knew that
+the prosecutors could not have invented so heavy a document; that Moses Gould
+(for one) could no more write like a canon than he could read like one.
+After handing it back he rose to open the defence on the burglary charge.
+
+"We wish," said Michael, "to give all reasonable facilities to
+the prosecution; especially as it will save the time of the whole court.
+The latter object I shall once again pursue by passing over all
+those points of theory which are so dear to Dr. Pym. I know how they
+are made. Perjury is a variety of aphasia, leading a man to say
+one thing instead of another. Forgery is a kind of writer's cramp,
+forcing a man to write his uncle's name instead of his own.
+Piracy on the high seas is probably a form of sea-sickness. But it is
+unnecessary for us to inquire into the causes of a fact which we deny.
+Innocent Smith never did commit burglary at all.
+
+"I should like to claim the power permitted by our previous arrangement,
+and ask the prosecution two or three questions."
+
+Dr. Cyrus Pym closed his eyes to indicate a courteous assent.
+
+"In the first place," continued Moon, "have you the date of Canon Hawkins's
+last glimpse of Smith and Percy climbing up the walls and roofs?"
+
+"Ho, yus!" called out Gould smartly. "November thirteen, eighteen ninety-one."
+
+"Have you," continued Moon, "identified the houses in Hoxton up
+which they climbed?"
+
+"Must have been Ladysmith Terrace out of the highroad,"
+answered Gould with the same clockwork readiness.
+
+"Well," said Michael, cocking an eyebrow at him, "was there any burglary
+in that terrace that night? Surely you could find that out."
+
+"There may well have been," said the doctor primly, after a pause,
+"an unsuccessful one that led to no legalities."
+
+"Another question," proceeded Michael. "Canon Hawkins, in his
+blood-and-thunder boyish way, left off at the exciting moment.
+Why don't you produce the evidence of the other clergyman,
+who actually followed the burglar and presumably was present
+at the crime?"
+
+Dr. Pym rose and planted the points of his fingers on the table,
+as he did when he was specially confident of the clearness
+of his reply.
+
+"We have entirely failed," he said, "to track the other clergyman,
+who seems to have melted into the ether after Canon Hawkins had
+seen him as-cending the gutters and the leads. I am fully aware
+that this may strike many as sing'lar; yet, upon reflection,
+I think it will appear pretty natural to a bright thinker.
+This Mr. Raymond Percy is admittedly, by the canon's evidence,
+a minister of eccentric ways. His con-nection with England's proudest
+and fairest does not seemingly prevent a taste for the society
+of the real low-down. On the other hand, the prisoner Smith is,
+by general agreement, a man of irr'sistible fascination.
+I entertain no doubt that Smith led the Revered Percy into the crime
+and forced him to hide his head in the real crim'nal class.
+That would fully account for his non-appearance, and the failure
+of all attempts to trace him."
+
+"It is impossible, then, to trace him?" asked Moon.
+
+"Impossible," repeated the specialist, shutting his eyes.
+
+"You are sure it's impossible?"
+
+"Oh dry up, Michael," cried Gould, irritably. "We'd 'ave found
+'im if we could, for you bet 'e saw the burglary. Don't YOU
+start looking for 'im. Look for your own 'ead in the dustbin.
+You'll find that--after a bit," and his voice died away in grumbling.
+
+"Arthur," directed Michael Moon, sitting down, "kindly read
+Mr. Raymond Percy's letter to the court."
+
+"Wishing, as Mr. Moon has said, to shorten the proceedings as much
+as possible," began Inglewood, "I will not read the first part
+of the letter sent to us. It is only fair to the prosecution
+to admit the account given by the second clergyman fully ratifies,
+as far as facts are concerned, that given by the first clergyman.
+We concede, then, the canon's story so far as it goes.
+This must necessarily be valuable to the prosecutor and also convenient
+to the court. I begin Mr. Percy's letter, then, at the point
+when all three men were standing on the garden wall:--
+
+
+"As I watched Hawkins wavering on the wall, I made up my own mind
+not to waver. A cloud of wrath was on my brain, like the cloud
+of copper fog on the houses and gardens round. My decision was
+violent and simple; yet the thoughts that led up to it were so
+complicated and contradictory that I could not retrace them now.
+I knew Hawkins was a kind, innocent gentleman; and I would have
+given ten pounds for the pleasure of kicking him down the road.
+That God should allow good people to be as bestially stupid as that--
+rose against me like a towering blasphemy.
+
+"At Oxford, I fear, I had the artistic temperament rather badly;
+and artists love to be limited. I liked the church as a pretty pattern;
+discipline was mere decoration. I delighted in mere divisions of time;
+I liked eating fish on Friday. But then I like fish; and the fast
+was made for men who like meat. Then I came to Hoxton and found men
+who had fasted for five hundred years; men who had to gnaw fish because
+they could not get meat--and fish-bones when they could not get fish.
+As too many British officers treat the army as a review, so I had treated
+the Church Militant as if it were the Church Pageant. Hoxton cures that.
+Then I realized that for eighteen hundred years the Church Militant
+had not been a pageant, but a riot--and a suppressed riot.
+There, still living patiently in Hoxton, were the people to whom
+the tremendous promises had been made. In the face of that I had
+to become a revolutionary if I was to continue to be religious.
+In Hoxton one cannot be a conservative without being also an atheist--
+and a pessimist. Nobody but the devil could want to conserve Hoxton.
+
+"On the top of all this comes Hawkins. If he had cursed all the Hoxton men,
+excommunicated them, and told them they were going to hell, I should
+have rather admired him. If he had ordered them all to be burned
+in the market-place, I should still have had that patience that all
+good Christians have with the wrongs inflicted on other people.
+But there is no priestcraft about Hawkins--nor any other kind of craft.
+He is as perfectly incapable of being a priest as he is of being a carpenter
+or a cabman or a gardener or a plasterer. He is a perfect gentleman;
+that is his complaint. He does not impose his creed, but simply his class.
+He never said a word of religion in the whole of his damnable address.
+He simply said all the things his brother, the major, would have said.
+A voice from heaven assures me that he has a brother, and that this
+brother is a major.
+
+"When this helpless aristocrat had praised cleanliness in the body
+and convention in the soul to people who could hardly keep body
+and soul together, the stampede against our platform began.
+I took part in his undeserved rescue, I followed his
+obscure deliverer, until (as I have said) we stood together
+on the wall above the dim gardens, already clouding with fog.
+Then I looked at the curate and at the burglar, and decided, in a spasm
+of inspiration, that the burglar was the better man of the two.
+The burglar seemed quite as kind and human as the curate was--
+and he was also brave and self-reliant, which the curate was not.
+I knew there was no virtue in the upper class, for I belong to
+it myself; I knew there was not so very much in the lower class,
+for I had lived with it a long time. Many old texts about
+the despised and persecuted came back to my mind, and I thought
+that the saints might well be hidden in the criminal class.
+About the time Hawkins let himself down the ladder I was crawling
+up a low, sloping, blue-slate roof after the large man, who went
+leaping in front of me like a gorilla.
+
+"This upward scramble was short, and we soon found
+ourselves tramping along a broad road of flat roofs,
+broader than many big thoroughfares, with chimney-pots here
+and there that seemed in the haze as bulky as small forts.
+The asphyxiation of the fog seemed to increase the somewhat
+swollen and morbid anger under which my brain and body laboured.
+The sky and all those things that are commonly clear seemed
+overpowered by sinister spirits. Tall spectres with turbans of vapour
+seemed to stand higher than the sun or moon, eclipsing both.
+I thought dimly of illustrations to the `Arabian Nights'
+on brown paper with rich but sombre tints, showing genii
+gathering round the Seal of Solomon. By the way, what was
+the Seal of Solomon? Nothing to do with sealing-wax really,
+I suppose; but my muddled fancy felt the thick clouds as being
+of that heavy and clinging substance, of strong opaque colour,
+poured out of boiling pots and stamped into monstrous emblems.
+
+"The first effect of the tall turbaned vapours was that discoloured
+look of pea-soup or coffee brown of which Londoners commonly speak.
+But the scene grew subtler with familiarity. We stood above the average
+of the housetops and saw something of that thing called smoke, which in
+great cities creates the strange thing called fog. Beneath us rose
+a forest of chimney-pots. And there stood in every chimney-pot, as if it
+were a flower-pot, a brief shrub or a tall tree of coloured vapour.
+The colours of the smoke were various; for some chimneys were from
+firesides and some from factories, and some again from mere rubbish heaps.
+And yet, though the tints were all varied, they all seemed unnatural,
+like fumes from a witch's pot. It was as if the shameful and ugly
+shapes growing shapeless in the cauldron sent up each its separate
+spurt of steam, coloured according to the fish or flesh consumed.
+Here, aglow from underneath, were dark red clouds, such as might drift
+from dark jars of sacrificial blood; there the vapour was dark indigo gray,
+like the long hair of witches steeped in the hell-broth. In another
+place the smoke was of an awful opaque ivory yellow, such as might
+be the disembodiment of one of their old, leprous waxen images.
+But right across it ran a line of bright, sinister, sulphurous green,
+as clear and crooked as Arabic--"
+
+Mr. Moses Gould once more attempted the arrest of the 'bus.
+He was understood to suggest that the reader should shorten
+the proceedings by leaving out all the adjectives. Mrs. Duke,
+who had woken up, observed that she was sure it was all very nice,
+and the decision was duly noted down by Moses with a blue,
+and by Michael with a red pencil. Inglewood then resumed
+the reading of the document.
+
+
+"Then I read the writing of the smoke. Smoke was like the modern
+city that makes it; it is not always dull or ugly, but it is always
+wicked and vain.
+
+"Modern England was like a cloud of smoke; it could carry
+all colours, but it could leave nothing but a stain. It was our
+weakness and not our strength that put a rich refuse in the sky.
+These were the rivers of our vanity pouring into the void.
+We had taken the sacred circle of the whirlwind, and looked down on it,
+and seen it as a whirlpool. And then we had used it as a sink.
+It was a good symbol of the mutiny in my own mind.
+Only our worst things were going to heaven. Only our criminals
+could still ascend like angels.
+
+"As my brain was blinded with such emotions, my guide stopped
+by one of the big chimney-pots that stood at the regular intervals
+like lamp-posts along that uplifted and aerial highway.
+He put his heavy hand upon it, and for the moment I thought he was
+merely leaning on it, tired with his steep scramble along the terrace.
+So far as I could guess from the abysses, full of fog on either side,
+and the veiled lights of red brown and old gold glowing through
+them now and again, we were on the top of one of those long,
+consecutive, and genteel rows of houses which are still to be
+found lifting their heads above poorer districts, the remains
+of some rage of optimism in earlier speculative builders.
+Probably enough, they were entirely untenanted, or tenanted
+only by such small clans of the poor as gather also in the old
+emptied palaces of Italy. Indeed, some little time later,
+when the fog had lifted a little, I discovered that we
+were walking round a semi-circle of crescent which fell away
+below us into one flat square or wide street below another,
+like a giant stairway, in a manner not unknown in the eccentric
+building of London, and looking like the last ledges of the land.
+But a cloud sealed the giant stairway as yet.
+
+"My speculations about the sullen skyscape, however, were interrupted
+by something as unexpected as the moon falling from the sky.
+Instead of my burglar lifting his hand from the chimney
+he leaned on, he leaned on it a little more heavily, and the whole
+chimney-pot turned over like the opening top of an inkstand.
+I remembered the short ladder leaning against the low wall and felt
+sure he had arranged his criminal approach long before.
+
+"The collapse of the big chimney-pot ought to have been the culmination
+of my chaotic feelings; but, to tell the truth, it produced a sudden sense
+of comedy and even of comfort. I could not recall what connected this
+abrupt bit of housebreaking with some quaint but still kindly fancies.
+Then I remembered the delightful and uproarious scenes of roofs and chimneys
+in the harlequinades of my childhood, and was darkly and quite irrationally
+comforted by a sense of unsubstantiality in the scene, as if the houses
+were of lath and paint and pasteboard, and were only meant to be tumbled
+in and out of by policemen and pantaloons. The law-breaking of my companion
+seemed not only seriously excusable, but even comically excusable.
+Who were all these pompous preposterous people with their footmen and their
+foot-scrapers, their chimney-pots and their chimney-pot hats, that they
+should prevent a poor clown from getting sausages if he wanted them?
+One would suppose that property was a serious thing. I had reached,
+as it were, a higher level of that mountainous and vapourous visions,
+the heaven of a higher levity.
+
+"My guide had jumped down into the dark cavity revealed by the displaced
+chimney-pot. He must have landed at a level considerably lower, for,
+tall as he was, nothing but his weirdly tousled head remained visible.
+Something again far off, and yet familiar, pleased me about this way
+of invading the houses of men. I thought of little chimney-sweeps,
+and `The Water Babies;' but I decided that it was not that.
+Then I remembered what it was that made me connect such topsy-turvy
+trespass with ideas quite opposite to the idea of crime.
+Christmas Eve, of course, and Santa Claus coming down the chimney.
+
+"Almost at the same instant the hairy head disappeared into the black hole;
+but I heard a voice calling to me from below. A second or two afterwards,
+the hairy head reappeared; it was dark against the more fiery part of the fog,
+and nothing could be spelt of its expression, but its voice called on me
+to follow with that enthusiastic impatience proper only among old friends.
+I jumped into the gulf, and as blindly as Curtius, for I was still thinking
+of Santa Claus and the traditional virtue of such vertical entrance.
+
+"In every well-appointed gentleman's house, I reflected, there was
+the front door for the gentlemen, and the side door for the tradesmen;
+but there was also the top door for the gods. The chimney is,
+so to speak, the underground passage between earth and heaven.
+By this starry tunnel Santa Claus manages--like the skylark--
+to be true to the kindred points of heaven and home.
+Nay, owing to certain conventions, and a widely distributed lack
+of courage for climbing, this door was, perhaps, little used.
+But Santa Claus's door was really the front door:
+it was the door fronting the universe.
+
+"I thought this as I groped my way across the black garret, or loft below
+the roof, and scrambled down the squat ladder that let us down into a yet
+larger loft below. Yet it was not till I was half-way down the ladder that I
+suddenly stood still, and thought for an instant of retracing all my steps,
+as my companion had retraced them from the beginning of the garden wall.
+The name of Santa Claus had suddenly brought me back to my senses.
+I remembered why Santa Clause came, and why he was welcome.
+
+"I was brought up in the propertied classes, and with all
+their horror of offences against property. I had heard all
+the regular denunciations of robbery, both right and wrong;
+I had read the Ten Commandments in church a thousand times.
+And then and there, at the age of thirty-four, half-way
+down a ladder in a dark room in the bodily act of burglar,
+I saw suddenly for the first time that theft, after all,
+is really wrong.
+
+"It was too late to turn back, however, and I followed
+the strangely soft footsteps of my huge companion across
+the lower and larger loft, till he knelt down on a part
+of the bare flooring and, after a few fumbling efforts,
+lifted a sort of trapdoor. This released a light from below,
+and we found ourselves looking down into a lamp-lit sitting room,
+of the sort that in large houses often leads out of a bedroom,
+and is an adjunct to it. Light thus breaking from beneath
+our feet like a soundless explosion, showed that the trapdoor
+just lifted was clogged with dust and rust, and had doubtless
+been long disused until the advent of my enterprising friend.
+But I did not look at this long, for the sight of the shining
+room underneath us had an almost unnatural attractiveness.
+To enter a modern interior at so strange an angle,
+by so forgotten a door, was an epoch in one's psychology.
+It was like having found a fourth dimension.
+
+"My companion dropped from the aperture into the room so suddenly
+and soundlessly, that I could do nothing but follow him;
+though, for lack of practice in crime, I was by no means soundless.
+Before the echo of my boots had died away, the big burglar
+had gone quickly to the door, half opened it, and stood looking
+down the staircase and listening. Then, leaving the door
+still half open, he came back into the middle of the room,
+and ran his roving blue eye round its furniture and ornament.
+The room was comfortably lined with books in that rich and human
+way that makes the walls seem alive; it was a deep and full,
+but slovenly, bookcase, of the sort that is constantly ransacked
+for the purposes of reading in bed. One of those stunted
+German stoves that look like red goblins stood in a corner,
+and a sideboard of walnut wood with closed doors in its lower part.
+There were three windows, high but narrow. After another glance round,
+my housebreaker plucked the walnut doors open and rummaged inside.
+He found nothing there, apparently, except an extremely
+handsome cut-glass decanter, containing what looked like port.
+Somehow the sight of the thief returning with this ridiculous little
+luxury in his hand woke within me once more all the revelation
+and revulsion I had felt above.
+
+"`Don't do it!' I cried quite incoherently, `Santa Claus--'
+
+"`Ah,' said the burglar, as he put the decanter on the table
+and stood looking at me, `you've thought about that, too.'
+
+"`I can't express a millionth part of what I've thought of,' I cried,
+`but it's something like this... oh, can't you see it? Why are children
+not afraid of Santa Claus, though he comes like a thief in the night?
+He is permitted secrecy, trespass, almost treachery--because there are
+more toys where he has been. What should we feel if there were less?
+Down what chimney from hell would come the goblin that should take
+away the children's balls and dolls while they slept? Could a Greek
+tragedy be more gray and cruel than that daybreak and awakening?
+Dog-stealer, horse-stealer, man-stealer--can you think of anything
+so base as a toy-stealer?'
+
+"The burglar, as if absently, took a large revolver from his pocket and laid
+it on the table beside the decanter, but still kept his blue reflective eyes
+fixed on my face.
+
+"`Man!' I said, `all stealing is toy-stealing. That's why
+it's really wrong. The goods of the unhappy children of men
+should be really respected because of their worthlessness.
+I know Naboth's vineyard is as painted as Noah's Ark. I know
+Nathan's ewe-lamb is really a woolly baa-lamb on a wooden stand.
+That is why I could not take them away. I did not mind so much,
+as long as I thought of men's things as their valuables;
+but I dare not put a hand upon their vanities.'
+
+"After a moment I added abruptly, `Only saints and sages ought to be robbed.
+They may be stripped and pillaged; but not the poor little worldly people
+of the things that are their poor little pride.'
+
+"He set out two wineglasses from the cupboard, filled them both,
+and lifted one of them with a salutation towards his lips.
+
+"`Don't do it!' I cried. `It might be the last bottle of some rotten
+vintage or other. The master of this house may be quite proud of it.
+Don't you see there's something sacred in the silliness of such things?'
+
+"`It's not the last bottle,' answered my criminal calmly;
+`there's plenty more in the cellar.'
+
+"`You know the house, then?' I said.
+
+"`Too well,' he answered, with a sadness so strange as to have
+something eerie about it. `I am always trying to forget what I know--
+and to find what I don't know.' He drained his glass.
+`Besides,' he added, `it will do him good.'
+
+"`What will do him good?'
+
+"`The wine I'm drinking,' said the strange person.
+
+"`Does he drink too much, then?' I inquired.
+
+"`No,' he answered, `not unless I do.'
+
+"`Do you mean,' I demanded, `that the owner of this house approves
+of all you do?'
+
+"`God forbid,' he answered; `but he has to do the same.'
+
+"The dead face of the fog looking in at all three windows
+unreasonable increased a sense of riddle, and even terror,
+about this tall, narrow house we had entered out of the sky.
+I had once more the notion about the gigantic genii--
+I fancied that enormous Egyptian faces, of the dead reds
+and yellows of Egypt, were staring in at each window of our
+little lamp-lit room as at a lighted stage of marionettes.
+My companion went on playing with the pistol in front of him,
+and talking with the same rather creepy confidentialness.
+
+"`I am always trying to find him--to catch him unawares.
+I come in through skylights and trapdoors to find him;
+but whenever I find him--he is doing what I am doing.'
+
+"I sprang to my feet with a thrill of fear. `There is some one coming,'
+I cried, and my cry had something of a shriek in it. Not from
+the stairs below, but along the passage from the inner bedchamber
+(which seemed somehow to make it more alarming), footsteps were
+coming nearer. I am quite unable to say what mystery, or monster,
+or double, I expected to see when the door was pushed open from within.
+I am only quite certain that I did not expect to see what I did see.
+
+"Framed in the open doorway stood, with an air of great serenity,
+a rather tall young woman, definitely though indefinably artistic--
+her dress the colour of spring and her hair of autumn leaves,
+with a face which, though still comparatively young,
+conveyed experience as well as intelligence. All she said was,
+`I didn't hear you come in.'
+
+"`I came in another way,' said the Permeator, somewhat vaguely.
+`I'd left my latchkey at home.'
+
+"I got to my feet in a mixture of politeness and mania.
+`I'm really very sorry,' I cried. `I know my position is irregular.
+Would you be so obliging as to tell me whose house this is?'
+
+"`Mine,' said the burglar, `May I present you to my wife?'
+
+"I doubtfully, and somewhat slowly, resumed my seat;
+and I did not get out of it till nearly morning. Mrs. Smith
+(such was the prosaic name of this far from prosaic household)
+lingered a little, talking slightly and pleasantly.
+She left on my mind the impression of a certain odd mixture
+of shyness and sharpness; as if she knew the world well,
+but was still a little harmlessly afraid of it.
+Perhaps the possession of so jumpy and incalculable a husband
+had left her a little nervous. Anyhow, when she had retired
+to the inner chamber once more, that extraordinary man poured
+forth his apologia and autobiography over the dwindling wine.
+
+"He had been sent to Cambridge with a view to a mathematical
+and scientific, rather than a classical or literary, career.
+A starless nihilism was then the philosophy of the schools;
+and it bred in him a war between the members and the spirit,
+but one in which the members were right. While his brain
+accepted the black creed, his very body rebelled against it.
+As he put it, his right hand taught him terrible things.
+As the authorities of Cambridge University put it, unfortunately,
+it had taken the form of his right hand flourishing a loaded
+firearm in the very face of a distinguished don, and driving
+him to climb out of the window and cling to a waterspout.
+He had done it solely because the poor don had professed
+in theory a preference for non-existence. For this
+very unacademic type of argument he had been sent down.
+Vomiting as he was with revulsion, from the pessimism that had
+quailed under his pistol, he made himself a kind of fanatic
+of the joy of life. He cut across all the associations
+of serious-minded men. He was gay, but by no means careless.
+His practical jokes were more in earnest than verbal ones.
+Though not an optimist in the absurd sense of maintaining that
+life is all beer and skittles, he did really seem to maintain
+that beer and skittles are the most serious part of it.
+`What is more immortal,' he would cry, `than love and war?
+Type of all desire and joy--beer. Type of all battle
+and conquest--skittles.'
+
+"There was something in him of what the old world called
+the solemnity of revels--when they spoke of `solemnizing'
+a mere masquerade or wedding banquet. Nevertheless he was not
+a mere pagan any more than he was a mere practical joker.
+His eccentricities sprang from a static fact of faith,
+in itself mystical, and even childlike and Christian.
+
+"`I don't deny,' he said, `that there should be priests to remind
+men that they will one day die. I only say that at certain
+strange epochs it is necessary to have another kind of priests,
+called poets, actually to remind men that they are not dead yet.
+The intellectuals among whom I moved were not even alive enough
+to fear death. They hadn't enough blood in them to be cowards.
+Until a pistol barrel was poked under their very noses they never
+even knew they had been born. For ages looking up an eternal
+perspective it might be true that life is a learning to die.
+But for these little white rats it was just as true that death
+was their only chance of learning to live.'
+
+"His creed of wonder was Christian by this absolute test; that he felt
+it continually slipping from himself as much as from others.
+He had the same pistol for himself, as Brutus said of the dagger.
+He continually ran preposterous risks of high precipice or headlong
+speed to keep alive the mere conviction that he was alive.
+He treasured up trivial and yet insane details that had once
+reminded him of the awful subconscious reality. When the don
+had hung on the stone gutter, the sight of his long dangling legs,
+vibrating in the void like wings, somehow awoke the naked satire
+of the old definition of man as a two-legged animal without feathers.
+The wretched professor had been brought into peril by his head,
+which he had so elaborately cultivated, and only saved
+by his legs, which he had treated with coldness and neglect.
+Smith could think of no other way of announcing or recording this,
+except to send a telegram to an old friend (by this time a
+total stranger) to say that he had just seen a man with two legs;
+and that the man was alive.
+
+"The uprush of his released optimism burst into stars like a rocket
+when he suddenly fell in love. He happened to be shooting a high
+and very headlong weir in a canoe, by way of proving to himself
+that he was alive; and he soon found himself involved in some doubt
+about the continuance of the fact. What was worse, he found he had
+equally jeopardized a harmless lady alone in a rowing-boat, and one
+who had provoked death by no professions of philosophic negation.
+He apologized in wild gasps through all his wild wet labours to bring
+her to the shore, and when he had done so at last, he seems to have
+proposed to her on the bank. Anyhow, with the same impetuosity
+with which he had nearly murdered her, he completely married her;
+and she was the lady in green to whom I had recently said `good-night.'
+
+"They had settled down in these high narrow houses
+near Highbury. Perhaps, indeed, that is hardly the word.
+One could strictly say that Smith was married, that he was very
+happily married, that he not only did not care for any woman
+but his wife, but did not seem to care for any place but his home;
+but perhaps one could hardly say that he had settled down.
+`I am a very domestic fellow,' he explained with gravity,
+`and have often come in through a broken window rather than be
+late for tea.'
+
+"He lashed his soul with laughter to prevent it falling asleep.
+He lost his wife a series of excellent servants by knocking at
+the door as a total stranger, and asking if Mr. Smith lived there
+and what kind of a man he was. The London general servant is not
+used to the master indulging in such transcendental ironies.
+And it was found impossible to explain to her that he did it in order
+to feel the same interest in his own affairs that he always felt
+in other people's.
+
+"`I know there's a fellow called Smith,' he said in his rather
+weird way, `living in one of the tall houses in this terrace.
+I know he is really happy, and yet I can never catch him at it.'
+
+"Sometimes he would, of a sudden, treat his wife with a kind of paralyzed
+politeness, like a young stranger struck with love at first sight.
+Sometimes he would extend this poetic fear to the very furniture;
+would seem to apologize to the chair he sat on, and climb the staircase
+as cautiously as a cragsman, to renew in himself the sense of their skeleton
+of reality. Every stair is a ladder and every stool a leg, he said.
+And at other times he would play the stranger exactly in the opposite sense,
+and would enter by another way, so as to feel like a thief and a robber.
+He would break and violate his own home, as he had done with me that night.
+It was near morning before I could tear myself from this queer confidence
+of the Man Who Would Not Die, and as I shook hands with him on the doorstep
+the last load of fog was lifting, and rifts of daylight revealed the stairway
+of irregular street levels that looked like the end of the world.
+
+"It will be enough for many to say that I had passed a night with a maniac.
+What other term, it will be said, could be applied to such a being?
+A man who reminds himself that he is married by pretending not to be married!
+A man who tries to covet his own goods instead of his neighbor's! On
+this I have but one word to say, and I feel it of my honour to say it,
+though no one understands. I believe the maniac was one of those who
+do not merely come, but are sent; sent like a great gale upon ships
+by Him who made His angels winds and His messengers a flaming fire.
+This, at least, I know for certain. Whether such men have laughed
+or wept, we have laughed at their laughter as much as at their weeping.
+Whether they cursed or blessed the world, they have never fitted it.
+It is true that men have shrunk from the sting of a great satirist
+as if from the sting of an adder. But it is equally true that men flee
+from the embrace of a great optimist as from the embrace of a bear.
+Nothing brings down more curses than a real benediction.
+For the goodness of good things, like the badness of bad things,
+is a prodigy past speech; it is to be pictured rather than spoken.
+We shall have gone deeper than the deeps of heaven and grown older than
+the oldest angels before we feel, even in its first faint vibrations,
+the everlasting violence of that double passion with which God hates
+and loves the world.--I am, yours faithfully,
+ "Raymond Percy."
+
+
+"Oh, 'oly, 'oly, 'oly!" said Mr. Moses Gould.
+
+The instant he had spoken all the rest knew they had been
+in an almost religious state of submission and assent.
+Something had bound them together; something in the sacred tradition
+of the last two words of the letter; something also in the touching
+and boyish embarrassment with which Inglewood had read them--
+for he had all the thin-skinned reverence of the agnostic.
+Moses Gould was as good a fellow in his way as ever lived;
+far kinder to his family than more refined men of pleasure,
+simple and steadfast in his admiration, a thoroughly wholesome
+animal and a thoroughly genuine character. But wherever there
+is conflict, crises come in which any soul, personal or racial,
+unconsciously turns on the world the most hateful of its hundred faces.
+English reverence, Irish mysticism, American idealism,
+looked up and saw on the face of Moses a certain smile.
+It was that smile of the Cynic Triumphant, which has been the tocsin
+for many a cruel riot in Russian villages or mediaeval towns.
+
+"Oh, 'oly, 'oly, 'oly!" said Moses Gould.
+
+Finding that this was not well received, he explained further,
+exuberance deepening on his dark exuberant features.
+
+"Always fun to see a bloke swallow a wasp when 'e's corfin' up a fly,"
+he said pleasantly. "Don't you see you've bunged up old Smith anyhow.
+If this parson's tale's O.K.--why, Smith is 'ot. 'E's pretty 'ot.
+We find him elopin' with Miss Gray (best respects!) in a cab.
+Well, what abart this Mrs. Smith the curate talks of, with her
+blarsted shyness--transmigogrified into a blighted sharpness?
+Miss Gray ain't been very sharp, but I reckon she'll be pretty shy."
+
+"Don't be a brute," growled Michael Moon.
+
+None could lift their eyes to look at Mary; but Inglewood sent a glance
+along the table at Innocent Smith. He was still bowed above his paper toys,
+and a wrinkle was on his forehead that might have been worry or shame.
+He carefully plucked out one corner of a complicated paper and tucked it
+in elsewhere; then the wrinkle vanished and he looked relieved.
+
+
+
+
+
+ Chapter III
+
+ The Round Road;
+ or, the Desertion Charge
+
+
+Pym rose with sincere embarrassment; for he was an American,
+and his respect for ladies was real, and not at all scientific.
+
+"Ignoring," he said, "the delicate and considerable knightly protests
+that have been called forth by my colleague's native sense of oration,
+and apologizing to all for whom our wild search for truth seems unsuitable
+to the grand ruins of a feudal land, I still think my colleague's question
+by no means devoid of rel'vancy. The last charge against the accused was
+one of burglary; the next charge on the paper is of bigamy and desertion.
+It does without question appear that the defence, in aspiring to rebut
+this last charge, have really admitted the next. Either Innocent Smith
+is still under a charge of attempted burglary, or else that is exploded;
+but he is pretty well fixed for attempted bigamy. It all depends on
+what view we take of the alleged letter from Curate Percy. Under these
+conditions I feel justified in claiming my right to questions.
+May I ask how the defence got hold of the letter from Curate Percy? Did it
+come direct from the prisoner?"
+
+"We have had nothing direct from the prisoner," said Moon quietly.
+"The few documents which the defence guarantees came to us
+from another quarter."
+
+"From what quarter?" asked Dr. Pym.
+
+"If you insist," answered Moon, "we had them from Miss Gray.
+
+"Dr. Cyrus Pym quite forgot to close his eyes, and, instead,
+opened them very wide.
+
+"Do you really mean to say," he said, "that Miss Gray was in possession
+of this document testifying to a previous Mrs. Smith?"
+
+"Quite so," said Inglewood, and sat down.
+
+The doctor said something about infatuation in a low and painful voice,
+and then with visible difficulty continued his opening remarks.
+
+"Unfortunately the tragic truth revealed by Curate Percy's narrative
+is only too crushingly confirmed by other and shocking documents
+in our own possession. Of these the principal and most certain is
+the testimony of Innocent Smith's gardener, who was present at the most
+dramatic and eye-opening of his many acts of marital infidelity.
+Mr. Gould, the gardener, please."
+
+Mr. Gould, with his tireless cheerfulness, arose to present the gardener.
+That functionary explained that he had served Mr. and Mrs. Innocent Smith
+when they had a little house on the edge of Croydon.
+From the gardener's tale, with its many small allusions, Inglewood grew
+certain he had seen the place. It was one of those corners of town
+or country that one does not forget, for it looked like a frontier.
+The garden hung very high above the lane, and its end was steep
+and sharp, like a fortress. Beyond was a roll of real country,
+with a white path sprawling across it, and the roots, boles, and branches
+of great gray trees writhing and twisting against the sky.
+But as if to assert that the lane itself was suburban,
+were sharply relieved against that gray and tossing upland
+a lamp-post painted a peculiar yellow-green and a red pillar-box
+that stood exactly at the corner. Inglewood was sure of the place;
+he had passed it twenty times in his constitutionals on the bicycle;
+he had always dimly felt it was a place where something might occur.
+But it gave him quite a shiver to feel that the face of his
+frightful friend or enemy Smith might at any time have appeared
+over the garden bushes above. The gardener's account,
+unlike the curate's, was quite free from decorative adjectives,
+however many he may have uttered privately when writing it.
+He simply said that on a particular morning Mr. Smith came out
+and began to play about with a rake, as he often did. Sometimes he
+would tickle the nose of his eldest child (he had two children);
+sometimes he would hook the rake on to the branch of a tree,
+and hoist himself up with horrible gymnastic jerks, like those of
+a giant frog in its final agony. Never, apparently, did he think
+of putting the rake to any of its proper uses, and the gardener,
+in consequence, treated his actions with coldness and brevity.
+But the gardener was certain that on one particular morning in October he
+(the gardener) had come round the corner of the house carrying
+the hose, had seen Mr. Smith standing on the lawn in a striped
+red and white jacket (which might have been his smoking-jacket,
+but was quite as like a part of his pyjamas), and had heard him then
+and there call out to his wife, who was looking out of the bedroom
+window on to the garden, these decisive and very loud expressions--
+
+"I won't stay here any longer. I've got another wife and much
+better children a long way from here. My other wife's got redder
+hair than yours, and my other garden's got a much finer situation;
+and I'm going off to them."
+
+With these words, apparently, he sent the rake flying far up into the sky,
+higher than many could have shot an arrow, and caught it again.
+Then he cleared the hedge at a leap and alighted on his feet down
+in the lane below, and set off up the road without even a hat.
+Much of the picture was doubtless supplied by Inglewood's accidental
+memory of the place. He could see with his mind's eye that big
+bare-headed figure with the ragged rake swaggering up the crooked
+woodland road, and leaving lamp-post and pillar-box behind.
+But the gardener, on his own account, was quite prepared to swear
+to the public confession of bigamy, to the temporary disappearance
+of the rake in the sky, and the final disappearance of the man up
+the road. Moreover, being a local man, he could swear that, beyond some
+local rumours that Smith had embarked on the south-eastern coast,
+nothing was known of him again.
+
+This impression was somewhat curiously clinched by Michael Moon in the few
+but clear phrases in which he opened the defence upon the third charge.
+So far from denying that Smith had fled from Croydon and disappeared on
+the Continent, he seemed prepared to prove all this on his own account.
+"I hope you are not so insular," he said, "that you will not respect
+the word of a French innkeeper as much as that of an English gardener.
+By Mr. Inglewood's favour we will hear the French innkeeper."
+
+Before the company had decided the delicate point Inglewood was already
+reading the account in question. It was in French. It seemed to them
+to run something like this:--
+
+
+"Sir,--Yes; I am Durobin of Durobin's Cafe on the sea-front at Gras,
+rather north of Dunquerque. I am willing to write all I know
+of the stranger out of the sea.
+
+"I have no sympathy with eccentrics or poets. A man of sense
+looks for beauty in things deliberately intended to be beautiful,
+such as a trim flower-bed or an ivory statuette. One does not permit
+beauty to pervade one's whole life, just as one does not pave
+all the roads with ivory or cover all the fields with geraniums.
+My faith, but we should miss the onions!
+
+"But whether I read things backwards through my memory, or whether there
+are indeed atmospheres of psychology which the eye of science cannot
+as yet pierce, it is the humiliating fact that on that particular evening
+I felt like a poet--like any little rascal of a poet who drinks absinthe
+in the mad Montmartre.
+
+"Positively the sea itself looked like absinthe, green and bitter
+and poisonous. I had never known it look so unfamiliar before.
+In the sky was that early and stormy darkness that is so depressing to
+the mind, and the wind blew shrilly round the little lonely coloured kiosk
+where they sell the newspapers, and along the sand-hills by the shore.
+There I saw a fishing-boat with a brown sail standing in silently from
+the sea. It was already quite close, and out of it clambered a man
+of monstrous stature, who came wading to shore with the water not up
+to his knees, though it would have reached the hips of many men.
+He leaned on a long rake or pole, which looked like a trident, and made him
+look like a Triton. Wet as he was, and with strips of seaweed clinging
+to him, he walked across to my cafe, and, sitting down at a table outside,
+asked for cherry brandy, a liqueur which I keep, but is seldom demanded.
+Then the monster, with great politeness, invited me to partake
+of a vermouth before my dinner, and we fell into conversation.
+He had apparently crossed from Kent by a small boat got at a private
+bargain because of some odd fancy he had for passing promptly in an
+easterly direction, and not waiting for any of the official boats.
+He was, he somewhat vaguely explained, looking for a house. When I
+naturally asked him where the house was, he answered that he did not know;
+it was on an island; it was somewhere to the east; or, as he expressed
+it with a hazy and yet impatient gesture, `over there.'
+
+"I asked him how, if he did not know the place, he would know it when he
+saw it. Here he suddenly ceased to be hazy, and became alarmingly minute.
+He gave a description of the house detailed enough for an auctioneer.
+I have forgotten nearly all the details except the last two, which were
+that the lamp-post was painted green, and that there was a red pillar-box
+at the corner.
+
+"`A red pillar-box!' I cried in astonishment. `Why, the place must
+be in England!'
+
+"`I had forgotten,' he said, nodding heavily. `That is the island's name.'
+
+"`But, ~nom du nom~,' I cried testily, `you've just come
+from England, my boy.'
+
+"`They SAID it was England,' said my imbecile, conspiratorially.
+`They said it was Kent. But Kentish men are such liars one can't
+believe anything they say.'
+
+"`Monsieur,' I said, `you must pardon me. I am elderly,
+and the ~fumisteries~ of the young men are beyond me.
+I go by common sense, or, at the largest, by that extension
+of applied common sense called science.'
+
+"`Science!' cried the stranger. `There is only one good thing
+science ever discovered--a good thing, good tidings of great joy--
+that the world is round.'
+
+"I told him with civility that his words conveyed no impression
+to my intelligence. `I mean,' he said, `that going right round
+the world is the shortest way to where you are already.'
+
+"`Is it not even shorter,' I asked, `to stop where you are?'
+
+"`No, no, no!' he cried emphatically. `That way is long and very weary.
+At the end of the world, at the back of the dawn, I shall find
+the wife I really married and the house that is really mine.
+And that house will have a greener lamp-post and a redder pillar-box.
+Do you,' he asked with a sudden intensity, `do you never want to rush
+out of your house in order to find it?'
+
+"`No, I think not,' I replied; `reason tells a man from
+the first to adapt his desires to the probable supply of life.
+I remain here, content to fulfil the life of man.
+All my interests are here, and most of my friends, and--'
+
+"`And yet,' he cried, starting to his almost terrific height,
+`you made the French Revolution!'
+
+"`Pardon me,' I said, `I am not quite so elderly.
+A relative perhaps.'
+
+"`I mean your sort did!' exclaimed this personage.
+`Yes, your damned smug, settled, sensible sort made
+the French Revolution. Oh! I know some say it was no good,
+and you're just back where you were before. Why, blast it all,
+that's just where we all want to be--back where we were before!
+That is revolution--going right round! Every revolution,
+like a repentance, is a return.'
+
+"He was so excited that I waited till he had taken his seat again,
+and then said something indifferent and soothing; but he struck
+the tiny table with his colossal fist and went on.
+
+"`I am going to have a revolution, not a French Revolution, but an
+English Revolution. God has given to each tribe its own type of mutiny.
+The Frenchmen march against the citadel of the city together; the Englishman
+marches to the outskirts of the city, and alone. But I am going to turn
+the world upside down, too. I'm going to turn myself upside down.
+I'm going to walk upside down in the cursed upsidedownland of the Antipodes,
+where trees and men hang head downward in the sky. But my revolution,
+like yours, like the earth's, will end up in the holy, happy place--
+the celestial, incredible place--the place where we were before.'
+
+"With these remarks, which can scarcely be reconciled with reason,
+he leapt from the seat and strode away into the twilight,
+swinging his pole and leaving behind him an excessive payment,
+which also pointed to some loss of mental balance.
+This is all I know of the episode of the man landed from the
+fishing-boat, and I hope it may serve the interests of justice.--
+Accept, Sir, the assurances of the very high consideration,
+with which I have the honour to be your obedient servant,
+ "Jules Durobin."
+
+
+"The next document in our dossier," continued Inglewood,
+"comes from the town of Crazok, in the central plains of Russia,
+and runs as follows:--
+
+
+"Sir,--My name is Paul Nickolaiovitch: I am the stationmaster
+at the station near Crazok. The great trains go by across
+the plains taking people to China, but very few people get
+down at the platform where I have to watch. This makes my life
+rather lonely, and I am thrown back much upon the books I have.
+But I cannot discuss these very much with my neighbours,
+for enlightened ideas have not spread in this part of Russia
+so much as in other parts. Many of the peasants round here
+have never heard of Bernard Shaw.
+
+"I am a Liberal, and do my best to spread Liberal ideas; but since
+the failure of the revolution this has been even more difficult.
+The revolutionists committed many acts contrary to the pure principles
+of humanitarianism, with which indeed, owing to the scarcity of books,
+they were ill acquainted. I did not approve of these cruel acts,
+though provoked by the tyranny of the government; but now there
+is a tendency to reproach all Intelligents with the memory of them.
+This is very unfortunate for Intelligents.
+
+"It was when the railway strike was almost over, and a few trains
+came through at long intervals, that I stood one day watching
+a train that had come in. Only one person got out of the train,
+far away up at the other end of it, for it was a very long train.
+It was evening, with a cold, greenish sky. A little snow had fallen,
+but not enough to whiten the plain, which stretched away a sort
+of sad purple in all directions, save where the flat tops
+of some distant tablelands caught the evening light like lakes.
+As the solitary man came stamping along on the thin snow by the train
+he grew larger and larger; I thought I had never seen so large a man.
+But he looked even taller than he was, I think, because his
+shoulders were very big and his head comparatively little.
+From the big shoulders hung a tattered old jacket, striped dull
+red and dirty white, very thin for the winter, and one hand rested
+on a huge pole such as peasants rake in weeds with to burn them.
+
+"Before he had traversed the full length of the train he was entangled in one
+of those knots of rowdies that were the embers of the extinct revolution,
+though they mostly disgraced themselves upon the government side.
+I was just moving to his assistance, when he whirled up his rake and laid
+out right and left with such energy that he came through them without scathe
+and strode right up to me, leaving them staggered and really astonished.
+
+"Yet when he reached me, after so abrupt an assertion of his aim,
+he could only say rather dubiously in French that he wanted a house.
+
+"`There are not many houses to be had round here,' I answered
+in the same language, `the district has been very disturbed.
+A revolution, as you know, has recently been suppressed.
+Any further building--'
+
+"`Oh! I don't mean that,' he cried; `I mean a real house--a live house.
+It really is a live house, for it runs away from me.'
+
+"`I am ashamed to say that something in his phrase or gesture
+moved me profoundly. We Russians are brought up in an atmosphere
+of folk-lore, and its unfortunate effects can still be seen
+in the bright colours of the children's dolls and of the ikons.
+For an instant the idea of a house running away from a man gave
+me pleasure, for the enlightenment of man moves slowly.
+
+"`Have you no other house of your own?' I asked.
+
+"`I have left it,' he said very sadly. `It was not the house that grew dull,
+but I that grew dull in it. My wife was better than all women, and yet I
+could not feel it.'
+
+"`And so,' I said with sympathy, `you walked straight out of the front door,
+like a masculine Nora.'
+
+"`Nora?' he inquired politely, apparently supposing it to be a Russian word.
+
+"`I mean Nora in "The Doll's House,"' I replied.
+
+"At this he looked very much astonished, and I knew he was an Englishman;
+for Englishmen always think that Russians study nothing but `ukases.'
+
+"`"The Doll's House"?' he cried vehemently; `why, that is just where Ibsen
+was so wrong! Why, the whole aim of a house is to be a doll's house.
+Don't you remember, when you were a child, how those little windows
+WERE windows, while the big windows weren't. A child has a doll's house,
+and shrieks when a front door opens inwards. A banker has a real house,
+yet how numerous are the bankers who fail to emit the faintest shriek
+when their real front doors open inwards.'
+
+"Something from the folk-lore of my infancy still kept me foolishly silent;
+and before I could speak, the Englishman had leaned over and was saying
+in a sort of loud whisper, `I have found out how to make a big thing small.
+I have found out how to turn a house into a doll's house. Get a long
+way off it: God lets us turn all things into toys by his great gift
+of distance. Once let me see my old brick house standing up quite
+little against the horizon, and I shall want to go back to it again.
+I shall see the funny little toy lamp-post painted green against the gate,
+and all the dear little people like dolls looking out of the window.
+For the windows really open in my doll's house.'
+
+"`But why?' I asked, `should you wish to return to that particular
+doll's house? Having taken, like Nora, the bold step against convention,
+having made yourself in the conventional sense disreputable, having dared
+to be free, why should you not take advantage of your freedom?
+As the greatest modern writers have pointed out, what you called your
+marriage was only your mood. You have a right to leave it all behind,
+like the clippings of your hair or the parings of your nails.
+Having once escaped, you have the world before you. Though the words
+may seem strange to you, you are free in Russia.'
+
+"He sat with his dreamy eyes on the dark circles of the plains,
+where the only moving thing was the long and labouring trail of smoke
+out of the railway engine, violet in tint, volcanic in outline,
+the one hot and heavy cloud of that cold clear evening of pale green.
+
+"`Yes,' he said with a huge sigh, `I am free in Russia. You are right.
+I could really walk into that town over there and have love all over again,
+and perhaps marry some beautiful woman and begin again, and nobody could
+ever find me. Yes, you have certainly convinced me of something.'
+
+"His tone was so queer and mystical that I felt impelled to ask
+him what he meant, and of what exactly I had convinced him.
+
+"`You have convinced me,' he said with the same dreamy eye,
+`why it is really wicked and dangerous for a man to run away
+from his wife.'
+
+"`And why is it dangerous?' I inquired.
+
+"`Why, because nobody can find him,' answered this odd person,
+`and we all want to be found.'
+
+"`The most original modern thinkers,' I remarked,
+`Ibsen, Gorki, Nietzsche, Shaw, would all rather say that what we
+want most is to be lost: to find ourselves in untrodden paths,
+and to do unprecedented things: to break with the past and belong
+to the future.'
+
+"He rose to his whole height somewhat sleepily, and looked round on
+what was, I confess, a somewhat desolate scene--the dark purple plains,
+the neglected railroad, the few ragged knots of malcontents.
+`I shall not find the house here,' he said. `It is still eastward--
+further and further eastward.'
+
+"Then he turned upon me with something like fury, and struck the foot
+of his pole upon the frozen earth.
+
+"`And if I do go back to my country,' he cried, `I may be locked up in a
+madhouse before I reach my own house. I have been a bit unconventional
+in my time! Why, Nietzsche stood in a row of ramrods in the silly old
+Prussian army, and Shaw takes temperance beverages in the suburbs;
+but the things I do are unprecedented things. This round road I
+am treading is an untrodden path. I do believe in breaking out;
+I am a revolutionist. But don't you see that all these real leaps
+and destructions and escapes are only attempts to get back to Eden--
+to something we have had, to something we at least have heard of?
+Don't you see one only breaks the fence or shoots the moon in order
+to get HOME?'
+
+"`No,' I answered after due reflection, `I don't think I should accept that.'
+
+"`Ah,' he said with a sort of a sigh, `then you have explained a second
+thing to me.'
+
+"`What do you mean?' I asked; `what thing?'
+
+"`Why your revolution has failed,' he said; and walking across quite
+suddenly to the train he got into it just as it was steaming away at last.
+And as I saw the long snaky tail of it disappear along the darkening flats.
+
+"I saw no more of him. But though his views were adverse to the best
+advanced thought, he struck me as an interesting person: I should
+like to find out if he has produced any literary works.--Yours, etc.,
+ "Paul Nickolaiovitch."
+
+
+There was something in this odd set of glimpses into foreign lives which kept
+the absurd tribunal quieter than it had hitherto been, and it was again
+without interruption that Inglewood opened another paper upon his pile.
+"The Court will be indulgent," he said, "if the next note lacks the special
+ceremonies of our letter-writing. It is ceremonious enough in its own way:--
+
+
+"The Celestial Principles are permanent: Greeting.--I am Wong-Hi,
+and I tend the temple of all the ancestors of my family in the forest
+of Fu. The man that broke through the sky and came to me said that it
+must be very dull, but I showed him the wrongness of his thought.
+I am indeed in one place, for my uncle took me to this
+temple when I was a boy, and in this I shall doubtless die.
+But if a man remain in one place he shall see that the place changes.
+The pagoda of my temple stands up silently out of all the trees,
+like a yellow pagoda above many green pagodas. But the skies
+are sometimes blue like porcelain, and sometimes green like jade,
+and sometimes red like garnet. But the night is always ebony
+and always returns, said the Emperor Ho.
+
+"The sky-breaker came at evening very suddenly, for I had hardly
+seen any stirring in the tops of the green trees over which I look
+as over a sea, when I go to the top of the temple at morning.
+And yet when he came, it was as if an elephant had strayed
+from the armies of the great kings of India. For palms snapped,
+and bamboos broke, and there came forth in the sunshine before
+the temple one taller than the sons of men.
+
+"Strips of red and white hung about him like ribbons of a carnival,
+and he carried a pole with a row of teeth on it like the teeth of a dragon.
+His face was white and discomposed, after the fashion of the foreigners,
+so that they look like dead men filled with devils; and he spoke
+our speech brokenly.
+
+"He said to me, `This is only a temple; I am trying to find a house.'
+And then he told me with indelicate haste that the lamp outside his house
+was green, and that there was a red post at the corner of it.
+
+"`I have not seen your house nor any houses,' I answered.
+`I dwell in this temple and serve the gods.'
+
+"`Do you believe in the gods?' he asked with hunger in his eyes,
+like the hunger of dogs. And this seemed to me a strange question
+to ask, for what should a man do except what men have done?
+
+"`My Lord,' I said, `it must be good for men to hold up their hands even
+if the skies are empty. For if there are gods, they will be pleased,
+and if there are none, then there are none to be displeased.
+Sometimes the skies are gold and sometimes porphyry and sometimes
+ebony, but the trees and the temple stand still under it all.
+So the great Confucius taught us that if we do always the same things
+with our hands and our feet as do the wise beasts and birds, with our
+heads we may think many things: yes, my Lord, and doubt many things.
+So long as men offer rice at the right season, and kindle lanterns
+at the right hour, it matters little whether there be gods or no.
+For these things are not to appease gods, but to appease men.'
+
+"He came yet closer to me, so that he seemed enormous;
+yet his look was very gentle.
+
+"`Break your temple,' he said, `and your gods will be freed.'
+
+"And I, smiling at his simplicity, answered: `And so, if there be no gods,
+I shall have nothing but a broken temple.'
+
+"And at this, that giant from whom the light of reason was
+withheld threw out his mighty arms and asked me to forgive him.
+And when I asked him for what he should be forgiven he answered:
+`For being right.'
+
+"`Your idols and emperors are so old and wise and satisfying,'
+he cried, `it is a shame that they should be wrong.
+We are so vulgar and violent, we have done you so many iniquities--
+it is a shame we should be right after all.'
+
+"And I, still enduring his harmlessness, asked him why he thought
+that he and his people were right.
+
+"And he answered: `We are right because we are bound where
+men should be bound, and free where men should be free.
+We are right because we doubt and destroy laws and customs--
+but we do not doubt our own right to destroy them. For you live
+by customs, but we live by creeds. Behold me! In my country I
+am called Smip. My country is abandoned, my name is defiled,
+because I pursue around the world what really belongs to me.
+You are steadfast as the trees because you do not believe.
+I am as fickle as the tempest because I do believe.
+I do believe in my own house, which I shall find again.
+And at the last remaineth the green lantern and the red post.'
+
+"I said to him: `At the last remaineth only wisdom.'
+
+"But even as I said the word he uttered a horrible shout,
+and rushing forward disappeared among the trees.
+I have not seen this man again nor any other man.
+The virtues of the wise are of fine brass.
+ "Wong-Hi."
+
+
+"The next letter I have to read," proceeded Arthur Inglewood, "will probably
+make clear the nature of our client's curious but innocent experiment.
+It is dated from a mountain village in California, and runs as follows:--
+
+
+"Sir,--A person answering to the rather extraordinary
+description required certainly went, some time ago,
+over the high pass of the Sierras on which I live and
+of which I am probably the sole stationary inhabitant.
+I keep a rudimentary tavern, rather ruder than a hut,
+on the very top of this specially steep and threatening pass.
+My name is Louis Hara, and the very name may puzzle you
+about my nationality. Well, it puzzles me a great deal.
+When one has been for fifteen years without society it is hard
+to have patriotism; and where there is not even a hamlet it
+is difficult to invent a nation. My father was an Irishman of
+the fiercest and most free-shooting of the old Californian kind.
+My mother was a Spaniard, proud of descent from the old
+Spanish families round San Francisco, yet accused for all that
+of some admixture of Red Indian blood. I was well educated
+and fond of music and books. But, like many other hybrids,
+I was too good or too bad for the world; and after attempting
+many things I was glad enough to get a sufficient though
+a lonely living in this little cabaret in the mountains.
+In my solitude I fell into many of the ways of a savage.
+Like an Eskimo, I was shapeless in winter; like a Red Indian, I wore
+in hot summers nothing but a pair of leather trousers, with a
+great straw hat as big as a parasol to defend me from the sun.
+I had a bowie knife at my belt and a long gun under my arm;
+and I dare say I produced a pretty wild impression on the few
+peaceable travellers that could climb up to my place.
+But I promise you I never looked as mad as that man did.
+Compared with him I was Fifth Avenue.
+
+"I dare say that living under the very top of the Sierras has an odd
+effect on the mind; one tends to think of those lonely rocks not as peaks
+coming to a point, but rather as pillars holding up heaven itself.
+Straight cliffs sail up and away beyond the hope of the eagles;
+cliffs so tall that they seem to attract the stars and collect them as
+sea-crags collect a mere glitter of phosphorous. These terraces and towers
+of rock do not, like smaller crests, seem to be the end of the world.
+Rather they seem to be its awful beginning: its huge foundations.
+We could almost fancy the mountain branching out above us like a tree
+of stone, and carrying all those cosmic lights like a candelabrum.
+For just as the peaks failed us, soaring impossibly far,
+so the stars crowded us (as it seemed), coming impossibly near.
+The spheres burst about us more like thunderbolts hurled at the earth
+than planets circling placidly about it.
+
+"All this may have driven me mad; I am not sure. I know there is one
+angle of the road down the pass where the rock leans out a little,
+and on windy nights I seem to hear it clashing overhead with other rocks--
+yes, city against city and citadel against citadel, far up into the night.
+It was on such an evening that the strange man struggled up the pass.
+Broadly speaking, only strange men did struggle up the pass.
+But I had never seen one like this one before.
+
+"He carried (I cannot conceive why) a long, dilapidated
+garden rake, all bearded and bedraggled with grasses,
+so that it looked like the ensign of some old barbarian tribe.
+His hair, which was as long and rank as the grass, hung down
+below his huge shoulders; and such clothes as clung about him
+were rags and tongues of red and yellow, so that he had the air
+of being dressed like an Indian in feathers or autumn leaves.
+The rake or pitchfork, or whatever it was, he used sometimes
+as an alpenstock, sometimes (I was told) as a weapon.
+I do not know why he should have used it as a weapon, for he had,
+and afterwards showed me, an excellent six-shooter in his pocket.
+`But THAT,' he said, `I use only for peaceful purposes.'
+I have no notion what he meant.
+
+"He sat down on the rough bench outside my inn and drank some wine
+from the vineyards below, sighing with ecstasy over it like one
+who had travelled long among alien, cruel things and found at last
+something that he knew. Then he sat staring rather foolishly at
+the rude lantern of lead and coloured glass that hangs over my door.
+It is old, but of no value; my grandmother gave it to me long ago:
+she was devout, and it happens that the glass is painted with a crude
+picture of Bethlehem and the Wise Men and the Star. He seemed
+so mesmerized with the transparent glow of Our Lady's blue gown and
+the big gold star behind, that he led me also to look at the thing,
+which I had not done for fourteen years.
+
+"Then he slowly withdrew his eyes from this and looked out eastward
+where the road fell away below us. The sunset sky was a vault
+of rich velvet, fading away into mauve and silver round the edges
+of the dark mountain amphitheatre; and between us and the ravine below
+rose up out of the deeps and went up into the heights the straight
+solitary rock we call Green Finger. Of a queer volcanic colour,
+and wrinkled all over with what looks undecipherable writing,
+it hung there like a Babylonian pillar or needle.
+
+"The man silently stretched out his rake in that direction,
+and before he spoke I knew what he meant. Beyond the great green
+rock in the purple sky hung a single star.
+
+"`A star in the east,' he said in a strange hoarse voice like one of our
+ancient eagles'. `The wise men followed the star and found the house.
+But if I followed the star, should I find the house?'
+
+"`It depends perhaps,' I said, smiling, `on whether you are a wise man.'
+I refrained from adding that he certainly didn't look it.
+
+"`You may judge for yourself,' he answered. `I am a man who left his own
+house because he could no longer bear to be away from it.'
+
+"`It certainly sounds paradoxical,' I said.
+
+"`I heard my wife and children talking and saw them moving
+about the room,' he continued, `and all the time I knew
+they were walking and talking in another house thousands
+of miles away, under the light of different skies, and beyond
+the series of the seas. I loved them with a devouring love,
+because they seemed not only distant but unattainable.
+Never did human creatures seem so dear and so desirable:
+but I seemed like a cold ghost; therefore I cast off
+their dust from my feet for a testimony. Nay, I did more.
+I spurned the world under my feet so that it swung full circle
+like a treadmill.'
+
+"`Do you really mean,' I cried, `that you have come right round the world?
+Your speech is English, yet you are coming from the west.'
+
+"`My pilgrimage is not yet accomplished,' he replied sadly.
+`I have become a pilgrim to cure myself of being an exile.'
+
+"Something in the word `pilgrim' awoke down in the roots
+of my ruinous experience memories of what my fathers had
+felt about the world, and of something from whence I came.
+I looked again at the little pictured lantern at which I had
+not looked for fourteen years.
+
+"`My grandmother,' I said in a low tone, `would have said that we
+were all in exile, and that no earthly house could cure the holy
+home-sickness that forbids us rest.'
+
+"He was silent a long while, and watched a single eagle drift
+out beyond the Green Finger into the darkening void.
+
+"Then he said, `I think your grandmother was right,' and stood up
+leaning on his grassy pole. `I think that must be the reason,'
+he said--`the secret of this life of man, so ecstatic and so unappeased.
+But I think there is more to be said. I think God has given us
+the love of special places, of a hearth and of a native land,
+for a good reason.'
+
+"`I dare say,' I said. `What reason?'
+
+"`Because otherwise,' he said, pointing his pole out at the sky and the abyss,
+`we might worship that.'
+
+"`What do you mean?' I demanded.
+
+"`Eternity,' he said in his harsh voice, `the largest of the idols--
+the mightiest of the rivals of God.'
+
+"`You mean pantheism and infinity and all that,' I suggested.
+
+"`I mean,' he said with increasing vehemence, `that if there be a house
+for me in heaven it will either have a green lamp-post and a hedge,
+or something quite as positive and personal as a green lamp-post
+and a hedge. I mean that God bade me love one spot and serve it,
+and do all things however wild in praise of it, so that this one spot
+might be a witness against all the infinities and the sophistries,
+that Paradise is somewhere and not anywhere, is something and not anything.
+And I would not be so very much surprised if the house in heaven had
+a real green lamp-post after all.'
+
+"With which he shouldered his pole and went striding down
+the perilous paths below, and left me alone with the eagles.
+But since he went a fever of homelessness will often shake me.
+I am troubled by rainy meadows and mud cabins that I have
+never seen; and I wonder whether America will endure.--
+Yours faithfully, Louis Hara."
+
+
+After a short silence Inglewood said: "And, finally, we desire
+to put in as evidence the following document:--
+
+
+"This is to say that I am Ruth Davis, and have been housemaid to
+Mrs. I. Smith at `The Laurels' in Croydon for the last six months.
+When I came the lady was alone, with two children; she was not a widow,
+but her husband was away. She was left with plenty of money and did not
+seem disturbed about him, though she often hoped he would be back soon.
+She said he was rather eccentric and a little change did him good.
+One evening last week I was bringing the tea-things out on to the lawn
+when I nearly dropped them. The end of a long rake was suddenly stuck
+over the hedge, and planted like a jumping-pole; and over the hedge,
+just like a monkey on a stick, came a huge, horrible man, all hairy
+and ragged like Robinson Crusoe. I screamed out, but my mistress didn't
+even get out of her chair, but smiled and said he wanted shaving.
+Then he sat down quite calmly at the garden table and took a cup
+of tea, and then I realized that this must be Mr. Smith himself.
+He has stopped here ever since and does not really give much trouble,
+though I sometimes fancy he is a little weak in his head.
+ "Ruth Davis.
+
+"P.S.--I forgot to say that he looked round at the garden and said,
+very loud and strong: `Oh, what a lovely place you've got;'
+just as if he'd never seen it before."
+
+
+The room had been growing dark and drowsy; the afternoon sun sent one
+heavy shaft of powdered gold across it, which fell with an intangible
+solemnity upon the empty seat of Mary Gray, for the younger women
+had left the court before the more recent of the investigations.
+Mrs. Duke was still asleep, and Innocent Smith, looking like a large
+hunchback in the twilight, was bending closer and closer to his paper toys.
+But the five men really engaged in the controversy, and concerned not
+to convince the tribunal but to convince each other, still sat round
+the table like the Committee of Public Safety.
+
+Suddenly Moses Gould banged one big scientific book on top of another,
+cocked his little legs up against the table, tipped his chair
+backwards so far as to be in direct danger of falling over,
+emitted a startling and prolonged whistle like a steam engine,
+and asserted that it was all his eye.
+
+When asked by Moon what was all his eye, he banged down behind
+the books again and answered with considerable excitement,
+throwing his papers about. "All those fairy-tales you've
+been reading out," he said. "Oh! don't talk to me!
+I ain't littery and that, but I know fairy-tales when I hear 'em.
+I got a bit stumped in some of the philosophical bits
+and felt inclined to go out for a B. and S. But we're living
+in West 'Ampstead and not in 'Ell; and the long and the short
+of it is that some things 'appen and some things don't 'appen.
+Those are the things that don't 'appen."
+
+"I thought," said Moon gravely, "that we quite clearly explained--"
+
+"Oh yes, old chap, you quite clearly explained," assented Mr. Gould
+with extraordinary volubility. "You'd explain an elephant
+off the doorstep, you would. I ain't a clever chap like you;
+but I ain't a born natural, Michael Moon, and when there's
+an elephant on my doorstep I don't listen to no explanations.
+`It's got a trunk,' I says.--`My trunk,' you says:
+`I'm fond of travellin', and a change does me good.'--`But
+the blasted thing's got tusks,' I says.--`Don't look a gift 'orse
+in the mouth,' you says, `but thank the goodness and the graice
+that on your birth 'as smiled.'--`But it's nearly as big as
+the 'ouse,' I says.--`That's the bloomin' perspective,' you says,
+`and the sacred magic of distance.'--`Why, the elephant's trumpetin'
+like the Day of Judgement,' I says.--`That's your own conscience
+a-talking to you, Moses Gould,' you says in a grive and
+tender voice. Well, I 'ave got a conscience as much as you.
+I don't believe most of the things they tell you in church
+on Sundays; and I don't believe these 'ere things any more
+because you goes on about 'em as if you was in church.
+I believe an elephant's a great big ugly dingerous beast--
+and I believe Smith's another."
+
+"Do you mean to say," asked Inglewood, "that you still doubt the evidence
+of exculpation we have brought forward?"
+
+"Yes, I do still doubt it," said Gould warmly. "It's all
+a bit too far-fetched, and some of it a bit too far off.
+'Ow can we test all those tales? 'Ow can we drop in and buy
+the `Pink 'Un' at the railway station at Kosky Wosky or whatever
+it was? 'Ow can we go and do a gargle at the saloon-bar on top
+of the Sierra Mountains? But anybody can go and see Bunting's
+boarding-house at Worthing."
+
+Moon regarded him with an expression of real or assumed surprise.
+
+"Any one," continued Gould, "can call on Mr. Trip."
+
+"It is a comforting thought," replied Michael with restraint;
+"but why should any one call on Mr. Trip?"
+
+"For just exactly the sime reason," cried the excited Moses,
+hammering on the table with both hands, "for just exactly the sime
+reason that he should communicate with Messrs. 'Anbury and Bootle
+of Paternoster Row and with Miss Gridley's 'igh class Academy
+at 'Endon, and with old Lady Bullingdon who lives at Penge."
+
+"Again, to go at once to the moral roots of life," said Michael,
+"why is it among the duties of man to communicate with old
+Lady Bullingdon who lives at Penge?"
+
+"It ain't one of the duties of man," said Gould, "nor one of his pleasures,
+either, I can tell you. She takes the crumpet, does Lady Bullingdon
+at Penge. But it's one of the duties of a prosecutor pursuin'
+the innocent, blameless butterfly career of your friend Smith,
+and it's the sime with all the others I mentioned."
+
+"But why do you bring in these people here?" asked Inglewood.
+
+"Why! Because we've got proof enough to sink a steamboat,"
+roared Moses; "because I've got the papers in my very 'and;
+because your precious Innocent is a blackguard and 'ome smasher,
+and these are the 'omes he's smashed. I don't set up for a 'oly man;
+but I wouldn't 'ave all those poor girls on my conscience for something.
+And I think a chap that's capable of deserting and perhaps
+killing 'em all is about capable of cracking a crib or shootin'
+an old schoolmaster--so I don't care much about the other yarns
+one way or another."
+
+"I think," said Dr. Cyrus Pym with a refined cough,
+"that we are approaching this matter rather irregularly.
+This is really the fourth charge on the charge sheet,
+and perhaps I had better put it before you in an ordered
+and scientific manner."
+
+Nothing but a faint groan from Michael broke the silence
+of the darkening room.
+
+
+
+
+ Chapter IV
+
+ The Wild Weddings;
+ or, the Polygamy Charge
+
+
+"A modern man," said Dr. Cyrus Pym, "must, if he be thoughtful,
+approach the problem of marriage with some caution.
+Marriage is a stage--doubtless a suitable stage--in the long
+advance of mankind towards a goal which we cannot as yet conceive;
+which we are not, perhaps, as yet fitted even to desire.
+What, gentlemen, is the ethical position of marriage?
+Have we outlived it?"
+
+"Outlived it?" broke out Moon; "why, nobody's ever survived it!
+Look at all the people married since Adam and Eve--and all
+as dead as mutton."
+
+"This is no doubt an inter-pellation joc'lar in its character,"
+said Dr. Pym frigidly. "I cannot tell what may be Mr. Moon's
+matured and ethical view of marriage--"
+
+"I can tell," said Michael savagely, out of the gloom. "Marriage is a duel
+to the death, which no man of honour should decline."
+
+"Michael," said Arthur Inglewood in a low voice, "you MUST keep quiet."
+
+"Mr. Moon," said Pym with exquisite good temper, "probably regards
+the institution in a more antiquated manner. Probably he would make
+it stringent and uniform. He would treat divorce in some great soul
+of steel--the divorce of a Julius Caesar or of a Salt Ring Robinson--
+exactly as he would treat some no-account tramp or labourer who
+scoots from his wife. Science has views broader and more humane.
+Just as murder for the scientist is a thirst for absolute destruction,
+just as theft for the scientist is a hunger for monotonous acquisition,
+so polygamy for the scientist is an extreme development of the instinct
+for variety. A man thus afflicted is incapable of constancy.
+Doubtless there is a physical cause for this flitting from flower to flower--
+as there is, doubtless, for the intermittent groaning which appears
+to afflict Mr. Moon at the present moment. Our own world-scorning
+Winterbottom has even dared to say, `For a certain rare and fine
+physical type polygamy is but the realization of the variety of females,
+as comradeship is the realization of the variety of males.'
+In any case, the type that tends to variety is recognized by all
+authoritative inquirers. Such a type, if the widower of a negress,
+does in many ascertained cases espouse ~en seconde noces~ an albino;
+such a type, when freed from the gigantic embraces of a female Patagonian,
+will often evolve from its own imaginative instinct the consoling figure of
+an Eskimo. To such a type there can be no doubt that the prisoner belongs.
+If blind doom and unbearable temptation constitute any slight excuse
+for a man, there is no doubt that he has these excuses.
+
+"Earlier in the inquiry the defence showed real chivalric
+ideality in admitting half of our story without further dispute.
+We should like to acknowledge and imitate so eminently large-hearted
+a style by conceding also that the story told by Curate Percy about
+the canoe, the weir, and the young wife seems to be substantially true.
+Apparently Smith did marry a young woman he had nearly run down in a boat;
+it only remains to be considered whether it would not have been
+kinder of him to have murdered her instead of marrying her.
+In confirmation of this fact I can now con-cede to the defence
+an unquestionable record of such a marriage."
+
+So saying, he handed across to Michael a cutting from the
+"Maidenhead Gazette" which distinctly recorded the marriage
+of the daughter of a "coach," a tutor well known in the place,
+to Mr. Innocent Smith, late of Brakespeare College, Cambridge.
+
+When Dr. Pym resumed it was realized that his face had grown
+at once both tragic and triumphant.
+
+"I pause upon this pre-liminary fact," he said seriously,
+"because this fact alone would give us the victory,
+were we aspiring after victory and not after truth.
+As far as the personal and domestic problem holds us,
+that problem is solved. Dr. Warner and I entered this house at
+an instant of highly emotional diff'culty. England's Warner has
+entered many houses to save human kind from sickness; this time
+he entered to save an innocent lady from a walking pestilence.
+Smith was just about to carry away a young girl from this house;
+his cab and bag were at the very door. He had told her she was
+going to await the marriage license at the house of his aunt.
+That aunt," continued Cyrus Pym, his face darkening grandly--"that
+visionary aunt had been the dancing will-o'-the-wisp
+who had led many a high-souled maiden to her doom.
+Into how many virginal ears has he whispered that holy word?
+When he said `aunt' there glowed about her all the merriment
+and high morality of the Anglo-Saxon home. Kettles began to hum,
+pussy cats to purr, in that very wild cab that was being
+driven to destruction."
+
+Inglewood looked up, to find, to his astonishment (as many another
+denizen of the eastern hemisphere has found), that the American was
+not only perfectly serious, but was really eloquent and affecting--
+when the difference of the hemispheres was adjusted.
+
+"It is therefore atrociously evident that the man Smith has at
+least represented himself to one innocent female of this house
+as an eligible bachelor, being, in fact, a married man. I agree with
+my colleague, Mr. Gould, that no other crime could approximate to this.
+As to whether what our ancestors called purity has any ultimate ethical
+value indeed, science hesitates with a high, proud hesitation.
+But what hesitation can there be about the baseness of a citizen
+who ventures, by brutal experiments upon living females, to anticipate
+the verdict of science on such a point?
+
+"The woman mentioned by Curate Percy as living with Smith
+in Highbury may or may not be the same as the lady he married
+in Maidenhead. If one short sweet spell of constancy and heart
+repose interrupted the plunging torrent of his profligate life,
+we will not deprive him of that long past possibility.
+After that conjectural date, alas, he seems to have plunged deeper
+and deeper into the shaking quagmires of infidelity and shame."
+
+Dr. Pym closed his eyes, but the unfortunate fact that there was no more
+light left this familiar signal without its full and proper moral effect.
+After a pause, which almost partook of the character of prayer, he continued.
+
+"The first instance of the accused's repeated and irregular nuptials,"
+he exclaimed, "comes from Lady Bullingdon, who expresses herself
+with the high haughtiness which must be excused in those who look
+out upon all mankind from the turrets of a Norman and ancestral keep.
+The communication she has sent to us runs as follows:--
+
+
+"Lady Bullingdon recalls the painful incident to which reference
+is made, and has no desire to deal with it in detail.
+The girl Polly Green was a perfectly adequate dressmaker,
+and lived in the village for about two years. Her unattached
+condition was bad for her as well as for the general morality
+of the village. Lady Bullingdon, therefore, allowed it to be
+understood that she favoured the marriage of the young woman.
+The villagers, naturally wishing to oblige Lady Bullingdon,
+came forward in several cases; and all would have been well had it
+not been for the deplorable eccentricity or depravity of the girl
+Green herself. Lady Bullingdon supposes that where there is
+a village there must be a village idiot, and in her village,
+it seems, there was one of these wretched creatures.
+Lady Bullingdon only saw him once, and she is quite aware
+that it is really difficult to distinguish between actual
+idiots and the ordinary heavy type of the rural lower classes.
+She noticed, however, the startling smallness of his head
+in comparison to the rest of his body; and, indeed, the fact
+of his having appeared upon election day wearing the rosette
+of both the two opposing parties appears to Lady Bullingdon
+to put the matter quite beyond doubt. Lady Bullingdon was
+astounded to learn that this afflicted being had put himself
+forward as one of the suitors of the girl in question.
+Lady Bullingdon's nephew interviewed the wretch upon the point,
+telling him that he was a `donkey' to dream of such a thing,
+and actually received, along with an imbecile grin,
+the answer that donkeys generally go after carrots.
+But Lady Bullingdon was yet further amazed to find the unhappy
+girl inclined to accept this monstrous proposal, though she
+was actually asked in marriage by Garth, the undertaker, a man
+in a far superior position to her own. Lady Bullingdon could not,
+of course, countenance such an arrangement for a moment,
+and the two unhappy persons escaped for a clandestine marriage.
+Lady Bullingdon cannot exactly recall the man's name,
+but thinks it was Smith. He was always called in the village
+the Innocent. Later, Lady Bullingdon believes he murdered
+Green in a mental outbreak."
+
+
+"The next communication," proceeded Pym, "is more conspicuous for brevity,
+but I am of the opinion that it will adequately convey the upshot.
+It is dated from the offices of Messrs. Hanbury and Bootle, publishers,
+and is as follows:--
+
+
+"Sir,--Yrs. rcd. and conts. noted. Rumour re typewriter possibly refers
+to a Miss Blake or similar name, left here nine years ago to marry an
+organ-grinder. Case was undoubtedly curious, and attracted police attention.
+Girl worked excellently till about Oct. 1907, when apparently went mad.
+Record was written at the time, part of which I enclose.--
+Yrs., etc., W. Trip.
+
+
+"The fuller statement runs as follows:--
+
+
+"On October 12 a letter was sent from this office to Messrs.
+Bernard and Juke, bookbinders. Opened by Mr. Juke, it was found
+to contain the following: `Sir, our Mr. Trip will call at 3,
+as we wish to know whether it is really decided 00000073bb!!!!!xy.'
+To this Mr. Juke, a person of a playful mind, returned the answer:
+`Sir, I am in a position to give it as my most decided opinion
+that it is not really decided that 00000073bb!!!!!xy. Yrs., etc.,
+ `J. Juke.'
+
+
+"On receiving this extraordinary reply, our Mr. Trip asked for the original
+letter sent from him, and found that the typewriter had indeed substituted
+these demented hieroglyphics for the sentences really dictated to her.
+Our Mr. Trip interviewed the girl, fearing that she was in an
+unbalanced state, and was not much reassured when she merely remarked
+that she always went like that when she heard the barrel organ.
+Becoming yet more hysterical and extravagant, she made a series of most
+improbable statements--as, that she was engaged to the barrel-organ man,
+that he was in the habit of serenading her on that instrument,
+that she was in the habit of playing back to him upon the typewriter
+(in the style of King Richard and Blondel), and that the organ man's
+musical ear was so exquisite and his adoration of herself so ardent
+that he could detect the note of the different letters on the machine,
+and was enraptured by them as by a melody. To all these statements
+of course our Mr. Trip and the rest of us only paid that sort of assent
+that is paid to persons who must as quickly as possible be put in the
+charge of their relations. But on our conducting the lady downstairs,
+her story received the most startling and even exasperating confirmation;
+for the organ-grinder, an enormous man with a small head and manifestly
+a fellow-lunatic, had pushed his barrel organ in at the office doors
+like a battering-ram, and was boisterously demanding his alleged fiancee.
+When I myself came on the scene he was flinging his great, ape-like arms about
+and reciting a poem to her. But we were used to lunatics coming and reciting
+poems in our office, and we were not quite prepared for what followed.
+The actual verse he uttered began, I think,
+
+ `O vivid, inviolate head,
+ Ringed --'
+
+but he never got any further. Mr. Trip made a sharp
+movement towards him, and the next moment the giant picked
+up the poor lady typewriter like a doll, sat her on top
+of the organ, ran it with a crash out of the office doors,
+and raced away down the street like a flying wheelbarrow.
+I put the police upon the matter; but no trace of the amazing
+pair could be found. I was sorry myself; for the lady was
+not only pleasant but unusually cultivated for her position.
+As I am leaving the service of Messrs. Hanbury and Bootle, I put
+these things in a record and leave it with them.
+ (Signed) Aubrey Clarke,
+ Publishers' Reader.
+
+
+"And the last document," said Dr. Pym complacently, "is from
+one of those high-souled women who have in this age introduced
+your English girlhood to hockey, the higher mathematics,
+and every form of ideality.
+
+
+"Dear Sir (she writes),--I have no objection to telling you
+the facts about the absurd incident you mention; though I would
+ask you to communicate them with some caution, for such things,
+however entertaining in the abstract, are not always auxiliary
+to the success of a girls' school. The truth is this:
+I wanted some one to deliver a lecture on a philological
+or historical question--a lecture which, while containing
+solid educational matter, should be a little more popular and
+entertaining than usual, as it was the last lecture of the term.
+I remembered that a Mr. Smith of Cambridge had written somewhere
+or other an amusing essay about his own somewhat ubiquitous name--
+an essay which showed considerable knowledge of genealogy
+and topography. I wrote to him, asking if he would come and
+give us a bright address upon English surnames; and he did.
+It was very bright, almost too bright. To put the matter otherwise,
+by the time that he was halfway through it became apparent
+to the other mistresses and myself that the man was totally
+and entirely off his head. He began rationally enough by dealing
+with the two departments of place names and trade names, and he said
+(quite rightly, I dare say) that the loss of all significance
+in names was an instance of the deadening of civilization.
+But then he went on calmly to maintain that every man who had
+a place name ought to go to live in that place, and that every
+man who had a trade name ought instantly to adopt that trade;
+that people named after colours should always dress in those colours,
+and that people named after trees or plants (such as Beech or Rose)
+ought to surround and decorate themselves with these vegetables.
+In a slight discussion that arose afterwards among the elder girls
+the difficulties of the proposal were clearly, and even eagerly,
+pointed out. It was urged, for instance, by Miss Younghusband
+that it was substantially impossible for her to play the part
+assigned to her; Miss Mann was in a similar dilemma, from which
+no modern views on the sexes could apparently extricate her;
+and some young ladies, whose surnames happened to be Low, Coward,
+and Craven, were quite enthusiastic against the idea.
+But all this happened afterwards. What happened at the crucial
+moment was that the lecturer produced several horseshoes and a
+large iron hammer from his bag, announced his immediate intention
+of setting up a smithy in the neighbourhood, and called on every
+one to rise in the same cause as for a heroic revolution.
+The other mistresses and I attempted to stop the wretched man,
+but I must confess that by an accident this very intercession
+produced the worst explosion of his insanity. He was waving
+the hammer, and wildly demanding the names of everybody;
+and it so happened that Miss Brown, one of the younger teachers,
+was wearing a brown dress--a reddish-brown dress that went quietly
+enough with the warmer colour of her hair, as well she knew.
+She was a nice girl, and nice girls do know about those things.
+But when our maniac discovered that we really had a Miss Brown
+who WAS brown, his ~idee fixe~ blew up like a powder magazine,
+and there, in the presence of all the mistresses and girls,
+he publicly proposed to the lady in the red-brown dress.
+You can imagine the effect of such a scene at a girls' school.
+At least, if you fail to imagine it, I certainly fail
+to describe it.
+
+"Of course, the anarchy died down in a week or two, and I can
+think of it now as a joke. There was only one curious detail,
+which I will tell you, as you say your inquiry is vital; but I should
+desire you to consider it a little more confidential than the rest.
+Miss Brown, who was an excellent girl in every way, did quite
+suddenly and surreptitiously leave us only a day or two afterwards.
+I should never have thought that her head would be the one
+to be really turned by so absurd an excitement.--Believe me,
+yours faithfully, Ada Gridley.
+
+
+"I think," said Pym, with a really convincing simplicity and seriousness,
+"that these letters speak for themselves."
+
+Mr. Moon rose for the last time in a darkness that gave no hint
+of whether his native gravity was mixed with his native irony.
+
+"Throughout this inquiry," he said, "but especially in this its
+closing phase, the prosecution has perpetually relied upon one argument;
+I mean the fact that no one knows what has become of all the unhappy
+women apparently seduced by Smith. There is no sort of proof
+that they were murdered, but that implication is perpetually made
+when the question is asked as to how they died. Now I am not
+interested in how they died, or when they died, or whether they died.
+But I am interested in another analogous question--that of how they
+were born, and when they were born, and whether they were born.
+Do not misunderstand me. I do not dispute the existence of
+these women, or the veracity of those who have witnessed to them.
+I merely remark on the notable fact that only one of these victims,
+the Maidenhead girl, is described as having any home or parents.
+All the rest are boarders or birds of passage--a guest, a solitary
+dressmaker, a bachelor-girl doing typewriting. Lady Bullingdon,
+looking from her turrets, which she bought from the Whartons with
+the old soap-boiler's money when she jumped at marrying an unsuccessful
+gentleman from Ulster--Lady Bullingdon, looking out from those turrets,
+did really see an object which she describes as Green. Mr. Trip,
+of Hanbury and Bootle, really did have a typewriter betrothed
+to Smith. Miss Gridley, though idealistic, is absolutely honest.
+She did house, feed, and teach a young woman whom Smith succeeded
+in decoying away. We admit that all these women really lived.
+But we still ask whether they were ever born?"
+
+"Oh, crikey!" said Moses Gould, stifled with amusement.
+
+"There could hardly," interposed Pym with a quiet smile,
+"be a better instance of the neglect of true scientific process.
+The scientist, when once convinced of the fact of vitality
+and consciousness, would infer from these the previous
+process of generation."
+
+"If these gals," said Gould impatiently--"if these gals were all alive
+(all alive O!) I'd chance a fiver they were all born."
+
+"You'd lose your fiver," said Michael, speaking gravely out of the gloom.
+"All those admirable ladies were alive. They were more alive for having
+come into contact with Smith. They were all quite definitely alive,
+but only one of them was ever born."
+
+"Are you asking us to believe--" began Dr. Pym.
+
+"I am asking you a second question," said Moon sternly. "Can the court
+now sitting throw any light on a truly singular circumstance?
+Dr. Pym, in his interesting lecture on what are called, I believe,
+the relations of the sexes, said that Smith was the slave
+of a lust for variety which would lead a man first to a negress
+and then to an albino, first to a Patagonian giantess and then
+to a tiny Eskimo. But is there any evidence of such variety here?
+Is there any trace of a gigantic Patagonian in the story?
+Was the typewriter an Eskimo? So picturesque a circumstance would not
+surely have escaped remark. Was Lady Bullingdon's dressmaker a negress?
+A voice in my bosom answers, `No!' Lady Bullingdon, I am sure,
+would think a negress so conspicuous as to be almost Socialistic,
+and would feel something a little rakish even about an albino.
+
+"But was there in Smith's taste any such variety as the learned
+doctor describes? So far as our slight materials go,
+the very opposite seems to be the case. We have only
+one actual description of any of the prisoner's wives--
+the short but highly poetic account by the aesthetic curate.
+`Her dress was the colour of spring, and her hair of autumn leaves.'
+Autumn leaves, of course, are of various colours, some of
+which would be rather startling in hair (green, for instance);
+but I think such an expression would be most naturally used of
+the shades from red-brown to red, especially as ladies with their
+coppery-coloured hair do frequently wear light artistic greens.
+Now when we come to the next wife, we find the eccentric lover,
+when told he is a donkey, answering that donkeys always go
+after carrots; a remark which Lady Bullingdon evidently
+regarded as pointless and part of the natural table-talk of a
+village idiot, but which has an obvious meaning if we suppose
+that Polly's hair was red. Passing to the next wife, the one
+he took from the girls' school, we find Miss Gridley noticing
+that the schoolgirl in question wore `a reddish-brown dress,
+that went quietly enough with the warmer colour of her hair.'
+In other words, the colour of the girl's hair was something redder
+than red-brown. Lastly, the romantic organ-grinder declaimed
+in the office some poetry that only got as far as the words,--
+
+ `O vivid, inviolate head,
+ Ringed --'
+
+But I think that a wide study of the worst modern poets
+will enable us to guess that `ringed with a glory of red,'
+or `ringed with its passionate red,' was the line that rhymed
+to `head.' In this case once more, therefore, there is good
+reason to suppose that Smith fell in love with a girl with
+some sort of auburn or darkish-red hair--rather," he said,
+looking down at the table, "rather like Miss Gray's hair."
+
+Cyrus Pym was leaning forward with lowered eyelids,
+ready with one of his more pedantic interpellations;
+but Moses Gould suddenly struck his forefinger on his nose,
+with an expression of extreme astonishment and intelligence
+in his brilliant eyes.
+
+"Mr. Moon's contention at present," interposed Pym, "is not,
+even if veracious, inconsistent with the lunatico-criminal view
+of I. Smith, which we have nailed to the mast. Science has
+long anticipated such a complication. An incurable attraction
+to a particular type of physical woman is one of the commonest
+of criminal per-versities, and when not considered narrowly,
+but in the light of induction and evolution--"
+
+"At this late stage," said Michael Moon very quietly, "I may perhaps
+relieve myself of a simple emotion that has been pressing me
+throughout the proceedings, by saying that induction and evolution
+may go and boil themselves. The Missing Link and all that is
+well enough for kids, but I'm talking about things we know here.
+All we know of the Missing Link is that he is missing--and he won't
+be missed either. I know all about his human head and his horrid tail;
+they belong to a very old game called `Heads I win, tails you lose.'
+If you do find a fellow's bones, it proves he lived a long while ago;
+if you don't find his bones, it proves how long ago he lived.
+That is the game you've been playing with this Smith affair.
+Because Smith's head is small for his shoulders you call
+him microcephalous; if it had been large, you'd have called it
+water-on-the-brain. As long as poor old Smith's seraglio seemed
+pretty various, variety was the sign of madness: now, because it's
+turning out to be a bit monochrome--now monotony is the sign of madness.
+I suffer from all the disadvantages of being a grown-up person,
+and I'm jolly well going to get some of the advantages too;
+and with all politeness I propose not to be bullied with long words
+instead of short reasons, or consider your business a triumphant
+progress merely because you're always finding out that you were wrong.
+Having relieved myself of these feelings, I have merely to add
+that I regard Dr. Pym as an ornament to the world far more beautiful
+than the Parthenon, or the monument on Bunker's Hill, and that I
+propose to resume and conclude my remarks on the many marriages
+of Mr. Innocent Smith.
+
+"Besides this red hair, there is another unifying thread that
+runs through these scattered incidents. There is something
+very peculiar and suggestive about the names of these women.
+Mr. Trip, you will remember, said he thought the typewriter's
+name was Blake, but could not remember exactly.
+I suggest that it might have been Black, and in that case we
+have a curious series: Miss Green in Lady Bullingdon's village;
+Miss Brown at the Hendon School; Miss Black at the publishers.
+A chord of colours, as it were, which ends up with Miss Gray
+at Beacon House, West Hampstead."
+
+Amid a dead silence Moon continued his exposition.
+"What is the meaning of this queer coincidence about colours?
+Personally I cannot doubt for a moment that these names are purely
+arbitrary names, assumed as part of some general scheme or joke.
+I think it very probable that they were taken from a series of costumes--
+that Polly Green only meant Polly (or Mary) when in green,
+and that Mary Gray only means Mary (or Polly) when in gray.
+This would explain--"
+
+Cyrus Pym was standing up rigid and almost pallid.
+"Do you actually mean to suggest--" he cried.
+
+"Yes," said Michael; "I do mean to suggest that. Innocent Smith has had
+many wooings, and many weddings for all I know; but he has had only one wife.
+She was sitting on that chair an hour ago, and is now talking to Miss Duke
+in the garden.
+
+"Yes, Innocent Smith has behaved here, as he has on hundreds of
+other occasions, upon a plain and perfectly blameless principle.
+It is odd and extravagant in the modern world, but not more than any other
+principle plainly applied in the modern world would be. His principle
+can be quite simply stated: he refuses to die while he is still alive.
+He seeks to remind himself, by every electric shock to the intellect,
+that he is still a man alive, walking on two legs about the world.
+For this reason he fires bullets at his best friends; for this reason
+he arranges ladders and collapsible chimneys to steal his own property;
+for this reason he goes plodding around a whole planet to get back to his
+own home; and for this reason he has been in the habit of taking the woman
+whom he loved with a permanent loyalty, and leaving her about (so to speak)
+at schools, boarding-houses, and places of business, so that he might
+recover her again and again with a raid and a romantic elopement.
+He seriously sought by a perpetual recapture of his bride to keep alive
+the sense of her perpetual value, and the perils that should be run
+for her sake.
+
+"So far his motives are clear enough; but perhaps his convictions are
+not quite so clear. I think Innocent Smith has an idea at the bottom
+of all this. I am by no means sure that I believe it myself, but I am
+quite sure that it is worth a man's uttering and defending.
+
+"The idea that Smith is attacking is this. Living in an entangled
+civilization, we have come to think certain things wrong which are
+not wrong at all. We have come to think outbreak and exuberance,
+banging and barging, rotting and wrecking, wrong. In themselves they
+are not merely pardonable; they are unimpeachable. There is nothing
+wicked about firing a pistol off even at a friend, so long as you do not
+mean to hit him and know you won't. It is no more wrong than throwing
+a pebble at the sea--less, for you do occasionally hit the sea.
+There is nothing wrong in bashing down a chimney-pot and breaking
+through a roof, so long as you are not injuring the life or property
+of other men. It is no more wrong to choose to enter a house from
+the top than to choose to open a packing-case from the bottom.
+There is nothing wicked about walking round the world and coming back
+to your own house; it is no more wicked than walking round the garden
+and coming back to your own house. And there is nothing wicked
+about picking up your wife here, there, and everywhere, if, forsaking
+all others, you keep only to her so long as you both shall live.
+It is as innocent as playing a game of hide-and-seek in the garden.
+You associate such acts with blackguardism by a mere snobbish association,
+as you think there is something vaguely vile about going (or being
+seen going) into a pawnbroker's or a public-house. You think there
+is something squalid and commonplace about such a connection.
+You are mistaken.
+
+"This man's spiritual power has been precisely this,
+that he has distinguished between custom and creed.
+He has broken the conventions, but he has kept the commandments.
+It is as if a man were found gambling wildly in a gambling hell,
+and you found that he only played for trouser buttons.
+It is as if you found a man making a clandestine appointment
+with a lady at a Covent Garden ball, and then you found it
+was his grandmother. Everything is ugly and discreditable,
+except the facts; everything is wrong about him, except that
+he has done no wrong.
+
+"It will then be asked, `Why does Innocent Smith continue far into
+his middle age a farcical existence, that exposes him to so many
+false charges?' To this I merely answer that he does it because he really
+is happy, because he really is hilarious, because he really is a man
+and alive. He is so young that climbing garden trees and playing
+silly practical jokes are still to him what they once were to us all.
+And if you ask me yet again why he alone among men should be fed
+with such inexhaustible follies, I have a very simple answer to that,
+though it is one that will not be approved.
+
+"There is but one answer, and I am sorry if you don't like it.
+If Innocent is happy, it is because he IS innocent. If he can defy
+the conventions, it is just because he can keep the commandments.
+It is just because he does not want to kill but to excite to life
+that a pistol is still as exciting to him as it is to a schoolboy.
+It is just because he does not want to steal, because he does not covet
+his neighbour's goods, that he has captured the trick (oh, how we all
+long for it!), the trick of coveting his own goods. It is just because
+he does not want to commit adultery that he achieves the romance of sex;
+it is just because he loves one wife that he has a hundred honeymoons.
+If he had really murdered a man, if he had really deserted a woman,
+he would not be able to feel that a pistol or a love-letter was like a song--
+at least, not a comic song."
+
+"Do not imagine, please, that any such attitude is easy
+to me or appeals in any particular way to my sympathies.
+I am an Irishman, and a certain sorrow is in my bones, bred either
+of the persecutions of my creed, or of my creed itself.
+Speaking singly, I feel as if man was tied to tragedy,
+and there was no way out of the trap of old age and doubt.
+But if there is a way out, then, by Christ and St. Patrick,
+this is the way out. If one could keep as happy as a child or a dog,
+it would be by being as innocent as a child, or as sinless as a dog.
+Barely and brutally to be good--that may be the road, and he may have
+found it. Well, well, well, I see a look of skepticism on the face
+of my old friend Moses. Mr. Gould does not believe that being
+perfectly good in all respects would make a man merry."
+
+"No," said Gould, with an unusual and convincing gravity;
+"I do not believe that being perfectly good in all respects
+would make a man merry."
+
+"Well," said Michael quietly, "will you tell me one thing?
+Which of us has ever tried it?"
+
+A silence ensued, rather like the silence of some long geological
+epoch which awaits the emergence of some unexpected type;
+for there rose at last in the stillness a massive figure
+that the other men had almost completely forgotten.
+
+"Well, gentlemen," said Dr. Warner cheerfully, "I've been pretty
+well entertained with all this pointless and incompetent tomfoolery
+for a couple of days; but it seems to be wearing rather thin,
+and I'm engaged for a city dinner. Among the hundred flowers
+of futility on both sides I was unable to detect any sort of reason
+why a lunatic should be allowed to shoot me in the back garden."
+
+He had settled his silk hat on his head and gone out sailing placidly to
+the garden gate, while the almost wailing voice of Pym still followed him:
+"But really the bullet missed you by several feet." And another voice added:
+"The bullet missed him by several years."
+
+There was a long and mainly unmeaning silence, and then
+Moon said suddenly, "We have been sitting with a ghost.
+Dr. Herbert Warner died years ago."
+
+
+
+
+
+ Chapter V
+
+ How the Great Wind Went
+ from Beacon House
+
+
+Mary was walking between Diana and Rosamund slowly up and down the garden;
+they were silent, and the sun had set. Such spaces of daylight as remained
+open in the west were of a warm-tinted white, which can be compared
+to nothing but a cream cheese; and the lines of plumy cloud that ran
+across them had a soft but vivid violet bloom, like a violet smoke.
+All the rest of the scene swept and faded away into a dove-like gray,
+and seemed to melt and mount into Mary's dark-gray figure until she seemed
+clothed with the garden and the skies. There was something in these last
+quiet colours that gave her a setting and a supremacy; and the twilight,
+which concealed Diana's statelier figure and Rosamund's braver array,
+exhibited and emphasized her, leaving her the lady of the garden, and alone.
+
+When they spoke at last it was evident that a conversation long
+fallen silent was being revived.
+
+"But where is your husband taking you?" asked Diana in her practical voice.
+
+"To an aunt," said Mary; "that's just the joke. There really
+is an aunt, and we left the children with her when I arranged
+to be turned out of the other boarding-house down the road.
+We never take more than a week of this kind of holiday,
+but sometimes we take two of them together."
+
+"Does the aunt mind much?" asked Rosamund innocently. "Of course,
+I dare say it's very narrow-minded and--what's that other word?--
+you know, what Goliath was--but I've known many aunts who would
+think it--well, silly."
+
+"Silly?" cried Mary with great heartiness. "Oh, my Sunday hat!
+I should think it was silly! But what do you expect?
+He really is a good man, and it might have been snakes or something."
+
+"Snakes?" inquired Rosamund, with a slightly puzzled interest.
+
+"Uncle Harry kept snakes, and said they loved him," replied Mary
+with perfect simplicity. "Auntie let him have them in his pockets,
+but not in the bedroom."
+
+"And you--" began Diana, knitting her dark brows a little.
+
+"Oh, I do as auntie did," said Mary; "as long as we're not away
+from the children more than a fortnight together I play the game.
+He calls me `Manalive;' and you must write it all one word,
+or he's quite flustered."
+
+"But if men want things like that," began Diana.
+
+"Oh, what's the good of talking about men?" cried Mary impatiently;
+"why, one might as well be a lady novelist or some horrid thing.
+There aren't any men. There are no such people. There's a man;
+and whoever he is he's quite different."
+
+"So there is no safety," said Diana in a low voice.
+
+"Oh, I don't know," answered Mary, lightly enough;
+"there's only two things generally true of them.
+At certain curious times they're just fit to take care of us,
+and they're never fit to take care of themselves."
+
+"There is a gale getting up," said Rosamund suddenly.
+"Look at those trees over there, a long way off, and the
+clouds going quicker."
+
+"I know what you're thinking about," said Mary; "and don't
+you be silly fools. Don't you listen to the lady novelists.
+You go down the king's highway; for God's truth, it is God's. Yes,
+my dear Michael will often be extremely untidy. Arthur Inglewood
+will be worse--he'll be untidy. But what else are all the trees
+and clouds for, you silly kittens?"
+
+"The clouds and trees are all waving about," said Rosamund. "There is
+a storm coming, and it makes me feel quite excited, somehow. Michael is
+really rather like a storm: he frightens me and makes me happy."
+
+"Don't you be frightened," said Mary. "All over, these men
+have one advantage; they are the sort that go out."
+
+A sudden thrust of wind through the trees drifted the dying leaves along
+the path, and they could hear the far-off trees roaring faintly.
+
+"I mean," said Mary, "they are the kind that look outwards and get interested
+in the world. It doesn't matter a bit whether it's arguing, or bicycling,
+or breaking down the ends of the earth as poor old Innocent does. Stick to
+the man who looks out of the window and tries to understand the world.
+Keep clear of the man who looks in at the window and tries to understand you.
+When poor old Adam had gone out gardening (Arthur will go out gardening),
+the other sort came along and wormed himself in, nasty old snake."
+
+"You agree with your aunt," said Rosamund, smiling: "no snakes
+in the bedroom."
+
+"I didn't agree with my aunt very much," replied Mary simply,
+"but I think she was right to let Uncle Harry collect dragons
+and griffins, so long as it got him out of the house."
+
+Almost at the same moment lights sprang up inside the darkened house,
+turning the two glass doors into the garden into gates of beaten gold.
+The golden gates were burst open, and the enormous Smith, who had
+sat like a clumsy statue for so many hours, came flying and turning
+cart-wheels down the lawn and shouting, "Acquitted! acquitted!"
+Echoing the cry, Michael scampered across the lawn to Rosamund and
+wildly swung her into a few steps of what was supposed to be a waltz.
+But the company knew Innocent and Michael by this time,
+and their extravagances were gaily taken for granted; it was far
+more extraordinary that Arthur Inglewood walked straight up to Diana
+and kissed her as if it had been his sister's birthday. Even Dr. Pym,
+though he refrained from dancing, looked on with real benevolence;
+for indeed the whole of the absurd revelation had disturbed him
+less than the others; he half supposed that such irresponsible
+tribunals and insane discussions were part of the mediaeval mummeries
+of the Old Land.
+
+While the tempest tore the sky as with trumpets, window after window was
+lighted up in the house within; and before the company, broken with laughter
+and the buffeting of the wind, had groped their way to the house again,
+they saw that the great apish figure of Innocent Smith had clambered
+out of his own attic window, and roaring again and again, "Beacon House!"
+whirled round his head a huge log or trunk from the wood fire below,
+of which the river of crimson flame and purple smoke drove out on
+the deafening air.
+
+He was evident enough to have been seen from three counties;
+but when the wind died down, and the party, at the top of
+their evening's merriment, looked again for Mary and for him,
+they were not to be found.
+
+
+
+ The End
+
+
+
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Manalive, by G. K. Chesterton
+
+*** END OF THIS PROJECT GUTENBERG EBOOK MANALIVE ***
+
+***** This file should be named 1718.txt or 1718.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/1/7/1/1718/
+
+Electronic edition MANALIV0 published 1993 by Jim Henry III
+Edited by Martin Ward (Martin.Ward@durham.ac.uk)
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+*** END: FULL LICENSE ***
+
diff --git a/old/1718.zip b/old/1718.zip
new file mode 100644
index 0000000..4a6db7b
--- /dev/null
+++ b/old/1718.zip
Binary files differ
diff --git a/old/mnalv10.txt b/old/mnalv10.txt
new file mode 100644
index 0000000..69bc7fe
--- /dev/null
+++ b/old/mnalv10.txt
@@ -0,0 +1,6651 @@
+**The Project Gutenberg Etext of Manalive, by G. K. Chesterton**
+#10 in our series by G. K. Chesterton
+
+
+Copyright laws are changing all over the world, be sure to check
+the copyright laws for your country before posting these files!!
+
+Please take a look at the important information in this header.
+We encourage you to keep this file on your own disk, keeping an
+electronic path open for the next readers. Do not remove this.
+
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**Etexts Readable By Both Humans and By Computers, Since 1971**
+
+*These Etexts Prepared By Hundreds of Volunteers and Donations*
+
+Information on contacting Project Gutenberg to get Etexts, and
+further information is included below. We need your donations.
+
+
+Manalive
+
+by G. K. Chesterton
+
+April, 1999 [Etext #1718]
+
+
+**The Project Gutenberg Etext of Manalive, by G. K. Chesterton**
+******This file should be named mnalv10.txt or mnalv10.zip******
+
+Corrected EDITIONS of our etexts get a new NUMBER, mnalv11.txt
+VERSIONS based on separate sources get new LETTER, mnalv10a.txt
+
+
+Project Gutenberg Etexts are usually created from multiple editions,
+all of which are in the Public Domain in the United States, unless a
+copyright notice is included. Therefore, we usually do NOT keep any
+of these books in compliance with any particular paper edition.
+
+
+We are now trying to release all our books one month in advance
+of the official release dates, leaving time for better editing.
+
+Please note: neither this list nor its contents are final till
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg Etexts is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so. To be sure you have an
+up to date first edition [xxxxx10x.xxx] please check file sizes
+in the first week of the next month. Since our ftp program has
+a bug in it that scrambles the date [tried to fix and failed] a
+look at the file size will have to do, but we will try to see a
+new copy has at least one byte more or less.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+time it takes us, a rather conservative estimate, is fifty hours
+to get any etext selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. This
+projected audience is one hundred million readers. If our value
+per text is nominally estimated at one dollar then we produce $2
+million dollars per hour this year as we release thirty-six text
+files per month, or 432 more Etexts in 1999 for a total of 2000+
+If these reach just 10% of the computerized population, then the
+total should reach over 200 billion Etexts given away this year.
+
+The Goal of Project Gutenberg is to Give Away One Trillion Etext
+Files by December 31, 2001. [10,000 x 100,000,000 = 1 Trillion]
+This is ten thousand titles each to one hundred million readers,
+which is only ~5% of the present number of computer users.
+
+At our revised rates of production, we will reach only one-third
+of that goal by the end of 2001, or about 3,333 Etexts unless we
+manage to get some real funding; currently our funding is mostly
+from Michael Hart's salary at Carnegie-Mellon University, and an
+assortment of sporadic gifts; this salary is only good for a few
+more years, so we are looking for something to replace it, as we
+don't want Project Gutenberg to be so dependent on one person.
+
+We need your donations more than ever!
+
+
+All donations should be made to "Project Gutenberg/CMU": and are
+tax deductible to the extent allowable by law. (CMU = Carnegie-
+Mellon University).
+
+For these and other matters, please mail to:
+
+Project Gutenberg
+P. O. Box 2782
+Champaign, IL 61825
+
+When all other email fails. . .try our Executive Director:
+Michael S. Hart <hart@pobox.com>
+hart@pobox.com forwards to hart@prairienet.org and archive.org
+if your mail bounces from archive.org, I will still see it, if
+it bounces from prairienet.org, better resend later on. . . .
+
+We would prefer to send you this information by email.
+
+******
+
+To access Project Gutenberg etexts, use any Web browser
+to view http://promo.net/pg. This site lists Etexts by
+author and by title, and includes information about how
+to get involved with Project Gutenberg. You could also
+download our past Newsletters, or subscribe here. This
+is one of our major sites, please email hart@pobox.com,
+for a more complete list of our various sites.
+
+To go directly to the etext collections, use FTP or any
+Web browser to visit a Project Gutenberg mirror (mirror
+sites are available on 7 continents; mirrors are listed
+at http://promo.net/pg).
+
+Mac users, do NOT point and click, typing works better.
+
+Example FTP session:
+
+ftp sunsite.unc.edu
+login: anonymous
+password: your@login
+cd pub/docs/books/gutenberg
+cd etext90 through etext99
+dir [to see files]
+get or mget [to get files. . .set bin for zip files]
+GET GUTINDEX.?? [to get a year's listing of books, e.g., GUTINDEX.99]
+GET GUTINDEX.ALL [to get a listing of ALL books]
+
+***
+
+**Information prepared by the Project Gutenberg legal advisor**
+
+(Three Pages)
+
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this etext, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you can distribute copies of this etext if you want to.
+
+*BEFORE!* YOU USE OR READ THIS ETEXT
+By using or reading any part of this PROJECT GUTENBERG-tm
+etext, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this etext by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this etext on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM ETEXTS
+This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG-
+tm etexts, is a "public domain" work distributed by Professor
+Michael S. Hart through the Project Gutenberg Association at
+Carnegie-Mellon University (the "Project"). Among other
+things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this etext
+under the Project's "PROJECT GUTENBERG" trademark.
+
+To create these etexts, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's etexts and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other etext medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] the Project (and any other party you may receive this
+etext from as a PROJECT GUTENBERG-tm etext) disclaims all
+liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this etext within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold the Project, its directors,
+officers, members and agents harmless from all liability, cost
+and expense, including legal fees, that arise directly or
+indirectly from any of the following that you do or cause:
+[1] distribution of this etext, [2] alteration, modification,
+or addition to the etext, or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this etext electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ etext or this "small print!" statement. You may however,
+ if you wish, distribute this etext in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word pro-
+ cessing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The etext, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The etext may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the etext (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ etext in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the etext refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Project of 20% of the
+ net profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Association/Carnegie-Mellon
+ University" within the 60 days following each
+ date you prepare (or were legally required to prepare)
+ your annual (or equivalent periodic) tax return.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+The Project gratefully accepts contributions in money, time,
+scanning machines, OCR software, public domain etexts, royalty
+free copyright licenses, and every other sort of contribution
+you can think of. Money should be paid to "Project Gutenberg
+Association / Carnegie-Mellon University".
+
+*END*THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*
+
+
+
+
+
+Manalive
+
+by G. K. Chesterton
+
+
+
+
+First published 1912 by Thomas Nelson and Sons
+
+Electronic edition MANALIV0 published 1993 by Jim Henry III
+Edited by Martin Ward (Martin.Ward@durham.ac.uk)
+
+
+PLEASE report any typos you may happen to notice, such as misplaced
+punctuation and the like, to
+
+Martin Ward (Martin.Ward@durham.ac.uk)
+
+and
+
+Jim Henry III 405 Gardner Road Stockbridge, GA 30281-1515
+
+Or send email to JIM HENRY on
+
+Digital Publishing Association BBS (205) 854-1660 Faster-than-Light BBS
+(404) 292-8761
+
+ILink Bookmark conference Annex Library conference
+
+Thank you! I hope you enjoy reading _Manalive_ as much as I have.
+I will soon be releasing _Tales of the Long Bow_, also by G. K. Chesterton.
+
+
+
+
+
+ Table of Contents
+
+
+ Part I: The Enigmas of Innocent Smith
+ I. How the Great Wind Came to Beacon House
+ II. The Luggage of an Optimist
+ III. The Banner of Beacon
+ IV. The Garden of the God
+ V. The Allegorical Practical Joker
+
+
+ Part II: The Explanations of Innocent Smith
+ I. The Eye of Death; or, the Murder Charge
+ II. The Two Curates; or, the Burglary Charge
+ III. The Round Road; or, the Desertion Charge
+ IV. The Wild Weddings; or, the Polygamy Charge
+ V. How the Great Wind went from Beacon House
+
+
+
+ Part I
+
+ The Enigmas of Innocent Smith
+
+
+
+ Chapter I
+
+ How the Great Wind Came
+ to Beacon House
+
+
+A wind sprang high in the west, like a wave of unreasonable happiness,
+and tore eastward across England, trailing with it the frosty
+scent of forests and the cold intoxication of the sea.
+It a million holes and corners it refreshed a man like a flagon,
+and astonished him like a blow. In the inmost chambers of
+intricate and embowered houses it woke like a domestic explosion,
+littering the floor with some professor's papers till they seemed
+as precious as fugitive, or blowing out the candle by which a
+boy read "Treasure Island" and wrapping him in roaring dark.
+But everywhere it bore drama into undramatic lives,
+and carried the trump of crisis across the world.
+Many a harassed mother in a mean backyard had looked at
+a five dwarfish shirts on the clothes-line as at some small,
+sick tragedy; it was as if she had hanged her five children.
+The wind came, and they were full and kicking as if five fat
+imps had sprung into them; and far down in her oppressed
+subconscious she half-remembered those coarse comedies of her
+fathers when the elves still dwelt in the homes of men.
+Many an unnoticed girl in a dank walled garden had tossed
+herself into the hammock with the same intolerant gesture
+with which she might have tossed herself into the Thames;
+and that wind rent the waving wall of woods and lifted
+the hammock like a balloon, and showed her shapes of quaint
+clouds far beyond, and pictures of bright villages far below,
+as if she rode heaven in a fairy boat. Many a dusty clerk
+or cleric, plodding a telescopic road of poplars, thought for
+the hundredth time that they were like the plumes of a hearse;
+when this invisible energy caught and swung and clashed them
+round his head like a wreath or salutation of seraphic wings.
+There was in it something more inspired and authoritative even
+than the old wind of the proverb; for this was the good wind
+that blows nobody harm.
+
+The flying blast struck London just where it scales the northern heights,
+terrace above terrace, as precipitous as Edinburgh. It was round
+about this place that some poet, probably drunk, looked up astonished
+at all those streets gone skywards, and (thinking vaguely of glaciers
+and roped mountaineers) gave it the name of Swiss Cottage, which it has
+never been able to shake off. At some stage of those heights a terrace
+of tall gray houses, mostly empty and almost as desolate as the Grampians,
+curved round at the western end, so that the last building, a boarding
+establishment called "Beacon House," offered abruptly to the sunset its high,
+narrow and towering termination, like the prow of some deserted ship.
+
+The ship, however, was not wholly deserted. The proprietor
+of the boarding-house, a Mrs. Duke, was one of those helpless
+persons against whom fate wars in vain; she smiled vaguely both
+before and after all her calamities; she was too soft to be hurt.
+But by the aid (or rather under the orders) of a strenuous niece
+she always kept the remains of a clientele, mostly of young
+but listless folks. And there were actually five inmates
+standing disconsolately about the garden when the great gale
+broke at the base of the terminal tower behind them, as the sea
+bursts against the base of an outstanding cliff.
+
+All day that hill of houses over London had been domed and sealed up with
+cold cloud. Yet three men and two girls had at last found even the gray
+and chilly garden more tolerable than the black and cheerless interior.
+When the wind came it split the sky and shouldered the cloudland left
+and right, unbarring great clear furnaces of evening gold. The burst of light
+released and the burst of air blowing seemed to come almost simultaneously;
+and the wind especially caught everything in a throttling violence.
+The bright short grass lay all one way like brushed hair.
+Every shrub in the garden tugged at its roots like a dog at the collar,
+and strained every leaping leaf after the hunting and exterminating element.
+Now and again a twig would snap and fly like a bolt from an arbalist.
+The three man stood stiffly and aslant against the wind, as if leaning against
+a wall. The two ladies disappeared into the house; rather, to speak truly,
+they were blown into the house. Their two frocks, blue and white,
+looked like two big broken flowers, driving and drifting upon the gale.
+Nor is such a poetic fancy inappropriate, for there was something
+oddly romantic about this inrush of air and light after a long,
+leaden and unlifting day. Grass and garden trees seemed glittering
+with something at once good and unnatural, like a fire from fairyland.
+It seemed like a strange sunrise at the wrong end of the day.
+
+The girl in white dived in quickly enough, for she wore
+a white hat of the proportions of a parachute, which might
+have wafted her away into the coloured clouds of evening.
+She was their one splash of splendour, and irradiated wealth
+in that impecunious place (staying there temporarily with a
+friend), an heiress in a small way, by name Rosamund Hunt,
+brown-eyed, round-faced, but resolute and rather boisterous.
+On top of her wealth she was good-humoured and rather good-looking;
+but she had not married, perhaps because there was always
+a crowd of men around her. She was not fast (though some
+might have called her vulgar), but she gave irresolute youths
+an impression of being at once popular and inaccessible.
+A man felt as if he had fallen in love with Cleopatra,
+or as if he were asking for a great actress at the stage door.
+Indeed, some theatrical spangles seemed to cling about Miss Hunt;
+she played the guitar and the mandoline; she always wanted charades;
+and with that great rending of the sky by sun and storm,
+she felt a girlish melodrama swell again within her.
+To the crashing orchestration of the air the clouds rose
+like the curtain of some long-expected pantomime.
+
+Nor, oddly, was the girl in blue entirely unimpressed by this
+apocalypse in a private garden; though she was one of most prosaic
+and practical creatures alive. She was, indeed, no other than
+the strenuous niece whose strength alone upheld that mansion of decay.
+But as the gale swung and swelled the blue and white skirts till they
+took on the monstrous contours of Victorian crinolines, a sunken memory
+stirred in her that was almost romance--a memory of a dusty volume
+in _Punch_ in an aunt's house in infancy: pictures of crinoline hoops
+and croquet hoops and some pretty story, of which perhaps they were a part.
+This half-perceptible fragrance in her thoughts faded almost instantly,
+and Diana Duke entered the house even more promptly than her companion.
+Tall, slim, aquiline, and dark, she seemed made for such swiftness.
+In body she was of the breed of those birds and beasts that are at once
+long and alert, like greyhounds or herons or even like an innocent snake.
+The whole house revolved on her as on a rod of steel. It would
+be wrong to say that she commanded; for her own efficiency was so
+impatient that she obeyed herself before any one else obeyed her.
+Before electricians could mend a bell or locksmiths open a door,
+before dentists could pluck a tooth or butlers draw a tight cork,
+it was done already with the silent violence of her slim hands.
+She was light; but there was nothing leaping about her lightness.
+She spurned the ground, and she meant to spurn it. People talk
+of the pathos and failure of plain women; but it is a more terrible
+thing that a beautiful woman may succeed in everything but womanhood.
+
+"It's enough to blow your head off," said the young woman in white,
+going to the looking-glass.
+
+The young woman in blue made no reply, but put away her gardening gloves,
+and then went to the sideboard and began to spread out an afternoon
+cloth for tea.
+
+"Enough to blow your head off, I say," said Miss Rosamund Hunt,
+with the unruffled cheeriness of one whose songs and speeches
+had always been safe for an encore.
+
+"Only your hat, I think," said Diana Duke, "but I dare say that it
+sometimes more important."
+
+Rosamund's face showed for an instant the offence of a
+spoilt child, and then the humour of a very healthy person.
+She broke into a laugh and said, "Well, it would have to be a big
+wind to blow your head off."
+
+There was another silence; and the sunset breaking more and more from
+the sundering clouds, filled the room with soft fire and painted the dull
+walls with ruby and gold.
+
+"Somebody once told me," said Rosamund Hunt, "that it's easier
+to keep one's head when one has lost one's heart."
+
+"Oh, don't talk such rubbish," said Diana with savage sharpness.
+
+Outside, the garden was clad in a golden splendour;
+but the wind was still stiffly blowing, and the three men
+who stood their ground might also have considered the problem
+of hats and heads. And, indeed, their position, touching hats,
+was somewhat typical of them. The tallest of the three abode
+the blast in a high silk hat, which the wind seemed to charge
+as vainly as that other sullen tower, the house behind him.
+The second man tried to hold on a stiff straw hat at all angles,
+and ultimately held it in his hand. The third had no hat, and,
+by his attitude, seemed never to have had one in his life.
+Perhaps this wind was a kind of fairy wand to test men and women,
+for there was much of the three men in this difference.
+
+The man in the solid silk hat was the embodiment of silkiness and solidity.
+He was a big, bland, bored and (as some said) boring man, with flat
+fair hair and handsome heavy features; a prosperous young doctor
+by the name of Warner. But if his blondness and blandness seemed
+at first a little fatuous, it is certain that he was no fool.
+If Rosamund Hunt was the only person there with much money,
+he was the only person who had as yet found any kind of fame.
+His treatise on "The Probable Existence of Pain in the Lowest Organisms"
+had been universally hailed by the scientific world as at once solid
+and daring. In short, he undoubtedly had brains; and perhaps it was
+not his fault if they were the kind of brains that most men desire
+to analyze with a poker.
+
+The young man who put his hat off and on was a scientific amateur in a
+small way, and worshipped the great Warner with a solemn freshness.
+It was, in fact, at his invitation that the distinguished doctor
+was present; for Warner lived in no such ramshackle lodging-house,
+but in a professional palace in Harley Street. This young
+man was really the youngest and best-looking of the three.
+But he was one of those persons, both male and female,
+who seem doomed to be good-looking and insignificant.
+Brown-haired, high-coloured, and shy, he seemed to lose
+the delicacy of his features in a sort of blur of brown
+and red as he stood blushing and blinking against the wind.
+He was one of those obvious unnoticeable people:
+every one knew that he was Arthur Inglewood, unmarried, moral,
+decidedly intelligent, living on a little money of his own,
+and hiding himself in the two hobbies of photography and cycling.
+Everybody knew him and forgot him; even as he stood there in the
+glare of golden sunset there was something about him indistinct,
+like one of his own red-brown amateur photographs.
+
+The third man had no hat; he was lean, in light, vaguely
+sporting clothes, and the large pipe in his mouth made him look
+all the leaner. He had a long ironical face, blue-black hair,
+the blue eyes of an Irishman, and the blue chin of an actor.
+An Irishman he was, an actor he was not, except in the old
+days of Miss Hunt's charades, being, as a matter of fact,
+an obscure and flippant journalist named Michael Moon. He had
+once been hazily supposed to be reading for the Bar;
+but (as Warner would say with his rather elephantine wit)
+it was mostly at another kind of bar that his friends found him.
+Moon, however, did not drink, nor even frequently get drunk;
+he simply was a gentleman who liked low company.
+This was partly because company is quieter than society:
+and if he enjoyed talking to a barmaid (as apparently
+he did), it was chiefly because the barmaid did the talking.
+Moreover he would often bring other talent to assist her.
+He shared that strange trick of all men of his type, intellectual and
+without ambition--the trick of going about with his mental inferiors.
+There was a small resilient Jew named Moses Gould in the same
+boarding-house, a man whose negro vitality and vulgarity amused
+Michael so much that he went round with him from bar to bar,
+like the owner of a performing monkey.
+
+The colossal clearance which the wind had made of that cloudy sky grew
+clearer and clearer; chamber within chamber seemed to open in heaven.
+One felt one might at last find something lighter than light.
+In the fullness of this silent effulgence all things collected their
+colours again: the gray trunks turned silver, and the drab gravel gold.
+One bird fluttered like a loosened leaf from one tree to another,
+and his brown feathers were brushed with fire.
+
+"Inglewood," said Michael Moon, with his blue eye on the bird,
+"have you any friends?"
+
+Dr. Warner mistook the person addressed, and turning a broad
+beaming face, said,--
+
+"Oh yes, I go out a great deal."
+
+Michael Moon gave a tragic grin, and waited for his real informant,
+who spoke a moment after in a voice curiously cool, fresh and young,
+as coming out of that brown and even dusty interior.
+
+"Really," answered Inglewood, "I'm afraid I've lost touch with
+my old friends. The greatest friend I ever had was at school,
+a fellow named Smith. It's odd you should mention it, because I
+was thinking of him to-day, though I haven't seen him for seven
+or eight years. He was on the science side with me at school--
+a clever fellow though queer; and he went up to Oxford when I
+went to Germany. The fact is, it's rather a sad story.
+I often asked him to come and see me, and when I heard nothing I
+made inquiries, you know. I was shocked to learn that poor Smith
+had gone off his head. The accounts were a bit cloudy, of course,
+some saying that he had recovered again; but they always say that.
+About a year ago I got a telegram from him myself. The telegram,
+I'm sorry to say, put the matter beyond a doubt."
+
+"Quite so," assented Dr. Warner stolidly; "insanity is generally incurable."
+
+"So is sanity," said the Irishman, and studied him with a dreary eye.
+
+"Symptoms?" asked the doctor. "What was this telegram?"
+
+"It's a shame to joke about such things," said Inglewood, in his honest,
+embarrassed way; "the telegram was Smith's illness, not Smith. The actual
+words were, `Man found alive with two legs.'"
+
+"Alive with two legs," repeated Michael, frowning. "Perhaps a version
+of alive and kicking? I don't know much about people out of their senses;
+but I suppose they ought to be kicking."
+
+"And people in their senses?" asked Warner, smiling.
+
+"Oh, they ought to be kicked," said Michael with sudden heartiness.
+
+"The message is clearly insane," continued the impenetrable Warner.
+"The best test is a reference to the undeveloped normal type.
+Even a baby does not expect to find a man with three legs."
+
+"Three legs," said Michael Moon, "would be very convenient in this wind."
+
+A fresh eruption of the atmosphere had indeed almost thrown them
+off their balance and broken the blackened trees in the garden.
+Beyond, all sorts of accidental objects could be seen scouring
+the wind-scoured sky--straws, sticks, rags, papers, and, in the distance,
+a disappearing hat. Its disappearance, however, was not final;
+after an interval of minutes they saw it again, much larger and closer,
+like a white panama, towering up into the heavens like a balloon,
+staggering to and fro for an instant like a stricken kite,
+and then settling in the centre of their own lawn as falteringly
+as a fallen leaf.
+
+"Somebody's lost a good hat," said Dr. Warner shortly.
+
+Almost as he spoke, another object came over the garden wall,
+flying after the fluttering panama. It was a big green umbrella.
+After that came hurtling a huge yellow Gladstone bag,
+and after that came a figure like a flying wheel of legs,
+as in the shield of the Isle of Man.
+
+But though for a flash it seemed to have five or six legs,
+it alighted upon two, like the man in the queer telegram.
+It took the form of a large light-haired man in gay green holiday clothes.
+He had bright blonde hair that the wind brushed back like a German's,
+a flushed eager face like a cherub's, and a prominent pointing nose,
+a little like a dog's. His head, however, was by no means cherubic
+in the sense of being without a body. On the contrary, on his vast
+shoulders and shape generally gigantesque, his head looked oddly
+and unnaturally small. This have rise to a scientific theory
+(which his conduct fully supported) that he was an idiot.
+
+Inglewood had a politeness instinctive and yet awkward.
+His life was full of arrested half gestures of assistance.
+And even this prodigy of a big man in green, leaping the wall
+like a bright green grasshopper, did not paralyze that small
+altruism of his habits in such a matter as a lost hat.
+He was stepping forward to recover the green gentleman's
+head-gear, when he was struck rigid with a roar like a bull's.
+
+"Unsportsmanlike!" bellowed the big man. "Give it fair play,
+give it fair play!" And he came after his own hat quickly
+but cautiously, with burning eyes. The hat had seemed at first
+to droop and dawdle as in ostentatious langour on the sunny lawn;
+but the wind again freshening and rising, it went dancing down
+the garden with the devilry of a ~pas de quatre~. The eccentric went
+bounding after it with kangaroo leaps and bursts of breathless speech,
+of which it was not always easy to pick up the thread:
+"Fair play, fair play... sport of kings... chase their crowns...
+quite humane... tramontana... cardinals chase red hats... old
+English hunting... started a hat in Bramber Combe... hat at bay...
+mangled hounds... Got him!"
+
+As the winds rose out of a roar into a shriek, he leapt into the sky
+on his strong, fantastic legs, snatched at the vanishing hat,
+missed it, and pitched sprawling face foremost on the grass.
+The hat rose over him like a bird in triumph. But its triumph
+was premature; for the lunatic, flung forward on his hands,
+threw up his boots behind, waved his two legs in the air
+like symbolic ensigns (so that they actually thought again
+of the telegram), and actually caught the hat with his feet.
+A prolonged and piercing yell of wind split the welkin from end to end.
+The eyes of all the men were blinded by the invisible blast,
+as by a strange, clear cataract of transparency rushing between
+them and all objects about them. But as the large man fell back
+in a sitting posture and solemnly crowned himself with the hat,
+Michael found, to his incredulous surprise, that he had been
+holding his breath, like a man watching a duel.
+
+While that tall wind was at the top of its sky-scraping energy,
+another short cry was heard, beginning very querulous, but ending
+very quick, swallowed in abrupt silence. The shiny black cylinder
+of Dr. Warner's official hat sailed off his head in the long,
+smooth parabola of an airship, and in almost cresting a garden
+tree was caught in the topmost branches. Another hat was gone.
+Those in that garden felt themselves caught in an unaccustomed eddy
+of things happening; no one seemed to know what would blow away next.
+Before they could speculate, the cheering and hallooing hat-hunter
+was already halfway up the tree, swinging himself from fork to fork
+with his strong, bent, grasshopper legs, and still giving forth
+his gasping, mysterious comments.
+
+"Tree of life... Ygdrasil... climb for centuries perhaps... owls nesting
+in the hat... remotest generations of owls... still usurpers... gone
+to heaven... man in the moon wears it... brigand... not yours... belongs
+to depressed medical man... in garden... give it up... give it up!"
+
+The tree swung and swept and thrashed to and fro in the thundering
+wind like a thistle, and flamed in the full sunshine like a bonfire.
+The green, fantastic human figure, vivid against its autumn red and gold,
+was already among its highest and craziest branches, which by bare luck did
+not break with the weight of his big body. He was up there among the last
+tossing leaves and the first twinkling stars of evening, still talking
+to himself cheerfully, reasoningly, half apologetically, in little gasps.
+He might well be out of breath, for his whole preposterous raid had
+gone with one rush; he had bounded the wall once like a football,
+swept down the garden like a slide, and shot up the tree like a rocket.
+The other three men seemed buried under incident piled on incident--
+a wild world where one thing began before another thing left off.
+All three had the first thought. The tree had been there for the five years
+they had known the boarding-house. Each one of them was active and strong.
+No one of them had even thought of climbing it. Beyond that,
+Inglewood felt first the mere fact of colour. The bright brisk leaves,
+the bleak blue sky, the wild green arms and legs, reminded him irrationally
+of something glowing in his infancy, something akin to a gaudy man
+on a golden tree; perhaps it was only painted monkey on a stick.
+Oddly enough, Michael Moon, though more of a humourist, was touched on
+a tenderer nerve, half remembered the old, young theatricals with Rosamund,
+and was amused to find himself almost quoting Shakespeare--
+
+ "For valour. Is not love a Hercules,
+ Still climbing trees in the Hesperides?"
+
+
+Even the immovable man of science had a bright, bewildered sensation
+that the Time Machine had given a great jerk, and gone forward
+with rather rattling rapidity.
+
+He was not, however, wholly prepared for what happened next.
+The man in green, riding the frail topmost bough like a witch on a very risky
+broomstick, reached up and rent the black hat from its airy nest of twigs.
+It had been broken across a heavy bough in the first burst of its passage,
+a tangle of branches in torn and scored and scratched it in every direction,
+a clap of wind and foliage had flattened it like a concertina; nor can it
+be said that the obliging gentleman with the sharp nose showed any adequate
+tenderness for its structure when he finally unhooked it from its place.
+When he had found it, however, his proceedings were by some counted singular.
+He waved it with a loud whoop of triumph, and then immediately appeared
+to fall backwards off the tree, to which, however, he remained
+attached by his long strong legs, like a monkey swung by his tail.
+Hanging thus head downwards above the unhelmed Warner, he gravely proceeded
+to drop the battered silk cylinder upon his brows. "Every man a king,"
+explained the inverted philosopher, "every hat (consequently) a crown.
+But this is a crown out of heaven."
+
+And he again attempted the coronation of Warner, who, however, moved away
+with great abruptness from the hovering diadem; not seeming, strangely enough,
+to wish for his former decoration in its present state.
+
+"Wrong, wrong!" cried the obliging person hilariously.
+"Always wear uniform, even if it's shabby uniform!
+Ritualists may always be untidy. Go to a dance with soot on
+your shirt-front; but go with a shirt-front. Huntsman wears old coat,
+but old pink coat. Wear a topper, even if it's got no top.
+It's the symbol that counts, old cock. Take your hat,
+because it is your hat after all; its nap rubbed all off
+by the bark, dears, and its brim not the least bit curled;
+but for old sakes' sake it is still, dears, the nobbiest tile
+in the world."
+
+Speaking thus, with a wild comfortableness, he settled or smashed
+the shapeless silk hat over the face of the disturbed physician,
+and fell on his feet among the other men, still talking,
+beaming and breathless.
+
+"Why don't they make more games out of wind?" he asked in some excitement.
+"Kites are all right, but why should it only be kites? Why, I thought
+of three other games for a windy day while I was climbing that tree.
+Here's one of them: you take a lot of pepper--"
+
+"I think," interposed Moon, with a sardonic mildness,
+"that your games are already sufficiently interesting.
+Are you, may I ask, a professional acrobat on a tour,
+or a travelling advertisement of Sunny Jim? How and why do you
+display all this energy for clearing walls and climbing trees
+in our melancholy, but at least rational, suburbs?"
+
+The stranger, so far as so loud a person was capable of it,
+appeared to grow confidential.
+
+"Well, it's a trick of my own," he confessed candidly.
+"I do it by having two legs."
+
+Arthur Inglewood, who had sunk into the background of this scene of folly,
+started and stared at the newcomer with his short-sighted eyes screwed up
+and his high colour slightly heightened.
+
+"Why, I believe you're Smith," he cried with his fresh, almost boyish voice;
+and then after an instant's stare, "and yet I'm not sure."
+
+"I have a card, I think," said the unknown, with baffling solemnity--"a card
+with my real name, my titles, offices, and true purpose on this earth."
+
+He drew out slowly from an upper waistcoat pocket a scarlet
+card-case, and as slowly produced a very large card.
+Even in the instant of its production, they fancied it was
+of a queer shape, unlike the cards of ordinary gentlemen.
+But it was there only for an instant; for as it passed from
+his fingers to Arthur's, one or another slipped his hold.
+The strident, tearing gale in that garden carried away
+the stranger's card to join the wild waste paper of the universe;
+and that great western wind shook the whole house and passed.
+
+
+
+
+ Chapter II
+
+ The Luggage of an Optimist
+
+
+We all remember the fairy tales of science in our infancy, which played
+with the supposition that large animals could jump in the proportion
+of small ones. If an elephant were as strong as a grasshopper, he could
+(I suppose) spring clean out of the Zoological Gardens and alight
+trumpeting upon Primrose Hill. If a whale could leap from the sea
+like a trout, perhaps men might look up and see one soaring above
+Yarmouth like the winged island of Laputa. Such natural energy,
+though sublime, might certainly be inconvenient, and much of this
+inconvenience attended the gaiety and good intentions of the man in green.
+He was too large for everything, because he was lively as well as large.
+By a fortunate physical provision, most very substantial creatures
+are also reposeful; and middle-class boarding-houses in the lesser
+parts of London are not built for a man as big as a bull and excitable
+as a kitten.
+
+When Inglewood followed the stranger into the boarding-house,
+he found him talking earnestly (and in his own opinion privately)
+to the helpless Mrs. Duke. That fat, faint lady could only
+goggle up like a dying fish at the enormous new gentleman,
+who politely offered himself as a lodger, with vast gestures
+of the wide white hat in one hand, and the yellow Gladstone bag
+in the other. Fortunately, Mrs. Duke's more efficient niece
+and partner was there to complete the contract; for, indeed,
+all the people of the house had somehow collected in the room.
+This fact, in truth, was typical of the whole episode.
+The visitor created an atmosphere of comic crisis; and from
+the time he came into the house to the time he left it, he somehow
+got the company to gather and even follow (though in derision)
+as children gather and follow a Punch and Judy. An hour ago,
+and for four years previously, these people had avoided
+each other, even when they had really liked each other.
+They had slid in and out of dismal and deserted rooms in search
+of particular newspapers or private needlework. Even now they
+all came casually, as with varying interests; but they all came.
+There was the embarrassed Inglewood, still a sort of red shadow;
+there was the unembarrassed Warner, a pallid but solid substance.
+There was Michael Moon offering like a riddle the contrast
+of the horsy crudeness of his clothes and the sombre sagacity
+of his visage. He was now joined by his yet more comic crony,
+Moses Gould. Swaggering on short legs with a prosperous
+purple tie, he was the gayest of godless little dogs;
+but like a dog also in this, that however he danced and
+wagged with delight, the two dark eyes on each side of his
+protuberant nose glistened gloomily like black buttons.
+There was Miss Rosamund Hunt, still with the find white hat
+framing her square, good-looking face, and still with her native
+air of being dressed for some party that never came off.
+She also, like Mr. Moon, had a new companion, new so far as this
+narrative goes, but in reality an old friend and a protegee.
+This was a slight young woman in dark gray, and in no way
+notable but for a load of dull red hair, of which the shape
+somehow gave her pale face that triangular, almost peaked,
+appearance which was given by the lowering headdress and deep rich
+ruff of the Elizabethan beauties. Her surname seemed to be Gray,
+and Miss Hunt called her Mary, in that indescribable tone
+applied to a dependent who has practically become a friend.
+She wore a small silver cross on her very business-like
+gray clothes, and was the only member of the party who went
+to church. Last, but the reverse of least, there as Diana Duke,
+studying the newcomer with eyes of steel, and listening
+carefully to every idiotic word he said. As for Mrs. Duke,
+she smiled up at him, but never dreamed of listening to him.
+She had never really listened to any one in her life; which, some said,
+was why she had survived.
+
+Nevertheless, Mrs. Duke was pleased with her new guest's
+concentration of courtesy upon herself; for no one ever spoke
+seriously to her any more than she listened seriously to any one.
+And she almost beamed as the stranger, with yet wider and almost
+whirling gestures of explanation with his huge hat and bag,
+apologized for having entered by the wall instead of the front door.
+He was understood to put it down to an unfortunate family tradition
+of neatness and care of his clothes.
+
+"My mother was rather strict about it, to tell the truth,"
+he said, lowering his voice, to Mrs. Duke. "She never liked
+me to lose my cap at school. And when a man's been taught
+to be tidy and neat it sticks to him."
+
+Mrs. Duke weakly gasped that she was sure he must have had a good mother;
+but her niece seemed inclined to probe the matter further.
+
+"You've got a funny idea of neatness," she said, "if it's
+jumping garden walls and clambering up garden trees.
+A man can't very well climb a tree tidily."
+
+"He can clear a wall neatly," said Michael Moon; "I saw him do it."
+
+Smith seemed to be regarding the girl with genuine astonishment.
+"My dear young lady," he said, "I was tidying the tree. You don't want
+last year's hats there, do you, any more than last year's leaves?
+The wind takes off the leaves, but it couldn't manage the hat; that wind,
+I suppose, has tidied whole forests to-day. Rum idea this is, that tidiness
+is a timid, quiet sort of thing; why, tidiness is a toil for giants.
+You can't tidy anything without untidying yourself; just look at my trousers.
+Don't you know that? Haven't you ever had a spring cleaning?"
+
+"Oh yes, sir," said Mrs. Duke, almost eagerly. "You will find
+everything of that sort quite nice." For the first time she
+had heard two words that she could understand.
+
+Miss Diana Duke seemed to be studying the stranger with a sort of spasm
+of calculation; then her black eyes snapped with decision, and she said
+that he could have a particular bedroom on the top floor if he liked:
+and the silent and sensitive Inglewood, who had been on the rack through
+these cross-purposes, eagerly offered to show him up to the room.
+Smith went up the stairs four at a time, and when he bumped his head
+against the ultimate ceiling, Inglewood had an odd sensation that the tall
+house was much shorter than it used to be.
+
+Arthur Inglewood followed his old friend--or his new friend,
+for he did not very clearly know which he was. The face looked
+very like his old schoolfellow's at one second and very unlike
+at another. And when Inglewood broke through his native
+politeness so far as to say suddenly, "Is your name Smith?"
+he received only the unenlightening reply, "Quite right;
+quite right. Very good. Excellent!" Which appeared to Inglewood,
+on reflection, rather the speech of a new-born babe accepting
+a name than of a grown-up man admitting one.
+
+Despite these doubts about identity, the hapless Inglewood
+watched the other unpack, and stood about his bedroom in all
+the impotent attitudes of the male friend. Mr. Smith unpacked
+with the same kind of whirling accuracy with which he climbed
+a tree--throwing things out of his bag as if they were rubbish,
+yet managing to distribute quite a regular pattern all round
+him on the floor.
+
+As he did so he continued to talk in the same somewhat gasping manner
+(he had come upstairs four steps at a time, but even without this his style
+of speech was breathless and fragmentary), and his remarks were still
+a string of more or less significant but often separate pictures.
+
+"Like the day of judgement," he said, throwing a bottle
+so that it somehow settled, rocking on its right end.
+"People say vast universe... infinity and astronomy;
+not sure... I think things are too close together... packed up;
+for travelling... stars too close, really... why, the sun's
+a star, too close to be seen properly; the earth's a star,
+too close to be seen at all... too many pebbles on the beach;
+ought all to be put in rings; too many blades of grass to study...
+feathers on a bird make the brain reel; wait till the big bag
+is unpacked... may all be put in our right places then."
+
+Here he stopped, literally for breath--throwing a shirt to the other end
+of the room, and then a bottle of ink so that it fell quite neatly beyond it.
+Inglewood looked round on this strange, half-symmetrical disorder with
+an increasing doubt.
+
+In fact, the more one explored Mr. Smith's holiday luggage,
+the less one could make anything of it. One peculiarity of it
+was that almost everything seemed to be there for the wrong reason;
+what is secondary with every one else was primary with him.
+He would wrap up a pot or pan in brown paper; and the unthinking
+assistant would discover that the pot was valueless or even unnecessary,
+and that it was the brown paper that was truly precious.
+He produced two or three boxes of cigars, and explained
+with plain and perplexing sincerity that he was no smoker,
+but that cigar-box wood was by far the best for fretwork.
+He also exhibited about six small bottles of wine, white and red,
+and Inglewood, happening to note a Volnay which he knew to be excellent,
+supposed at first that the stranger was an epicure in vintages.
+He was therefore surprised to find that the next bottle was a vile sham
+claret from the colonies, which even colonials (to do them justice)
+do not drink. It was only then that he observed that all six
+bottles had those bright metallic seals of various tints,
+and seemed to have been chosen solely because they have the three
+primary and three secondary colours: red, blue, and yellow;
+green, violet and orange. There grew upon Inglewood an almost
+creepy sense of the real childishness of this creature.
+For Smith was really, so far as human psychology can be, innocent.
+He had the sensualities of innocence: he loved the stickiness of gum,
+and he cut white wood greedily as if he were cutting a cake.
+To this man wine was not a doubtful thing to be defended or denounced;
+it was a quaintly coloured syrup, such as a child sees in a shop window.
+He talked dominantly and rushed the social situation;
+but he was not asserting himself, like a superman in a modern play.
+He was simply forgetting himself, like a little boy at a party.
+He had somehow made the giant stride from babyhood to manhood,
+and missed that crisis in youth when most of us grow old.
+
+As he shunted his big bag, Arthur observed the initials
+I. S. printed on one side of it, and remembered that Smith had
+been called Innocent Smith at school, though whether as a formal
+Christian name or a moral description he could not remember.
+He was just about to venture another question, when there was a knock
+at the door, and the short figure of Mr. Gould offered itself,
+with the melancholy Moon, standing like his tall crooked shadow,
+behind him. They had drifted up the stairs after the other two
+men with the wandering gregariousness of the male.
+
+"Hope there's no intrusion," said the beaming Moses with a glow
+of good nature, but not the airiest tinge of apology.
+
+"The truth is," said Michael Moon with comparative courtesy,
+"we thought we might see if they had made you comfortable.
+Miss Duke is rather--"
+
+"I know," cried the stranger, looking up radiantly from his bag;
+"magnificent, isn't she? Go close to her--hear military music going by,
+like Joan of Arc."
+
+Inglewood stared and stared at the speaker like one who has
+just heard a wild fairy tale, which nevertheless contains
+one small and forgotten fact. For he remembered how he had
+himself thought of Jeanne d'Arc years ago, when, hardly more
+than a schoolboy, he had first come to the boarding-house. Long
+since the pulverizing rationalism of his friend Dr. Warner had
+crushed such youthful ignorances and disproportionate dreams.
+Under the Warnerian scepticism and science of hopeless
+human types, Inglewood had long come to regard himself as
+a timid, insufficient, and "weak" type, who would never marry;
+to regard Diana Duke as a materialistic maidservant;
+and to regard his first fancy for her as the small,
+dull farce of a collegian kissing his landlady's daughter.
+And yet the phrase about military music moved him queerly,
+as if he had heard those distant drums.
+
+"She has to keep things pretty tight, as is only natural," said Moon,
+glancing round the rather dwarfish room, with its wedge of slanted ceiling,
+like the conical hood of a dwarf.
+
+"Rather a small box for you, sir," said the waggish Mr. Gould.
+
+"Splendid room, though," answered Mr. Smith enthusiastically, with his
+head inside his Gladstone bag. "I love these pointed sorts of rooms,
+like Gothic. By the way," he cried out, pointing in quite a startling way,
+"where does that door lead to?"
+
+"To certain death, I should say," answered Michael Moon, staring up at
+a dust-stained and disused trapdoor in the sloping roof of the attic.
+"I don't think there's a loft there; and I don't know what else it could
+lead to." Long before he had finished his sentence the man at the door
+in the ceiling, swung himself somehow on to the ledge beneath it,
+wrenched it open after a struggle, and clambered through it.
+For a moment they saw the two symbolic legs standing like a truncated statue;
+then they vanished. Through the hole thus burst in the roof appeared
+the empty and lucid sky of evening, with one great many-coloured cloud
+sailing across it like a whole county upside down.
+
+"Hullo, you fellows!" came the far cry of Innocent Smith,
+apparently from some remote pinnacle. "Come up here;
+and bring some of my things to eat and drink. It's just the spot
+for a picnic."
+
+With a sudden impulse Michael snatched two of the small
+bottles of wine, one in each solid fist; and Arthur Inglewood,
+as if mesmerized, groped for a biscuit tin and a big jar of ginger.
+The enormous hand of Innocent Smith appearing through the aperture,
+like a giant's in a fairy tale, received these tributes and bore them
+off to the eyrie; then they both hoisted themselves out of the window.
+They were both athletic, and even gymnastic; Inglewood through his
+concern for hygiene, and Moon through his concern for sport, which was
+not quite so idle and inactive as that of the average sportsman.
+Also they both had a light-headed burst of celestial sensation when
+the door was burst in the roof, as if a door had been burst in the sky,
+and they could climb out on to the very roof of the universe.
+They were both men who had long been unconsciously imprisoned in
+the commonplace, though one took it comically, and the other seriously.
+They were both men, nevertheless, in whom sentiment had never died.
+But Mr. Moses Gould had an equal contempt for their suicidal athletics
+and their subconscious transcendentalism, and he stood and laughed
+at the thing with the shameless rationality of another race.
+
+When the singular Smith, astride of a chimney-pot, learnt that Gould
+was not following, his infantile officiousness and good nature
+forced him to dive back into the attic to comfort or persuade;
+and Inglewood and Moon were left alone on the long gray-green
+ridge of the slate roof, with their feet against gutters and their
+backs against chimney-pots, looking agnostically at each other.
+Their first feeling was that they had come out into eternity,
+and that eternity was very like topsy-turvydom. One definition
+occurred to both of them--that he had come out into the light
+of that lucid and radiant ignorance in which all beliefs had begun.
+The sky above them was full of mythology. Heaven seemed deep
+enough to hold all the gods. The round of the ether turned
+from green to yellow gradually like a great unripe fruit.
+All around the sunken sun it was like a lemon; round all the east
+it was a sort of golden green, more suggestive of a greengage;
+but the whole had still he emptiness of daylight and none of the secrecy
+of dusk. Tumbled here and there across this gold and pale green
+were shards and shattered masses of inky purple cloud, which seemed
+falling towards the earth in every kind of colossal perspective.
+One of them really had the character of some many-mitred, many-bearded,
+many-winged Assyrian image, huge head downwards, hurled out of heaven--
+a sort of false Jehovah, who was perhaps Satan. All the other clouds
+had preposterous pinnacled shapes, as if the god's palaces had been
+flung after him.
+
+And yet, while the empty heaven was full of silent catastrophe, the height
+of human buildings above which they sat held here and there a tiny trivial
+noise that was the exact antithesis; and they heard some six streets below
+a newsboy calling, and a bell bidding to chapel. They could also hear
+talk out of the garden below; and realized that the irrepressible Smith
+must have followed Gould downstairs, for his eager and pleading accents
+could be heard, followed by the half-humourous protests of Miss Duke
+and the full and very youthful laughter of Rosamund Hunt. The air had
+that cold kindness that comes after a storm. Michael Moon drank it in with
+as serious a relish as he had drunk the little bottle of cheap claret,
+which he had emptied almost at a draught. Inglewood went on eating ginger
+very slowly and with a solemnity unfathomable as the sky above him.
+There was still enough stir in the freshness of the atmosphere to make them
+almost fancy they could smell the garden soil and the last roses of autumn.
+Suddenly there came from the darkening room a silvery ping and pong which
+told them that Rosamund had brought out the long-neglected mandoline.
+After the first few notes there was more of the distant bell-like laughter.
+
+"Inglewood," said Michael Moon, "have you ever heard that I
+am a blackguard?"
+
+"I haven't heard it, and I don't believe it," answered Inglewood,
+after an odd pause. "But I have heard you were--what they
+call rather wild."
+
+"If you have heard that I am wild, you can contradict the rumour,"
+said Moon, with an extraordinary calm; "I am tame.
+I am quite tame; I am about the tamest beast that crawls.
+I drink too much of the same kind of whisky at the same time
+every night. I even drink about the same amount too much.
+I go to the same number of public-houses. I meet the same damned
+women with mauve faces. I hear the same number of dirty stories--
+generally the same dirty stories. You may assure my friends,
+Inglewood, that you see before you a person whom civilization
+has thoroughly tamed."
+
+Arthur Inglewood was staring with feelings that made him nearly
+fall off the roof, for indeed the Irishman's face, always sinister,
+was now almost demoniacal.
+
+"Christ confound it!" cried out Moon, suddenly clutching the empty
+claret bottle, "this is about the thinnest and filthiest wine
+I ever uncorked, and it's the only drink I have really enjoyed
+for nine years. I was never wild until just ten minutes ago."
+And he sent the bottle whizzing, a wheel of glass, far away beyond
+the garden into the road, where, in the profound evening silence,
+they could even hear it break and part upon the stones.
+
+"Moon," said Arthur Inglewood, rather huskily, "you mustn't be
+so bitter about it. Everyone has to take the world as he finds it;
+of course one often finds it a bit dull--"
+
+"That fellow doesn't," said Michael decisively; "I mean that
+fellow Smith. I have a fancy there's some method in his madness.
+It looks as if he could turn into a sort of wonderland any minute by taking
+one step out of the plain road. Who would have thought of that trapdoor?
+Who would have thought that this cursed colonial claret could taste quite
+nice among the chimney-pots? Perhaps that is the real key of fairyland.
+Perhaps Nosey Gould's beastly little Empire Cigarettes ought only to
+be smoked on stilts, or something of that sort. Perhaps Mrs. Duke's
+cold leg of mutton would seem quite appetizing at the top of a tree.
+Perhaps even my damned, dirty, monotonous drizzle of Old Bill Whisky--"
+
+"Don't be so rough on yourself," said Inglewood, in serious distress.
+"The dullness isn't your fault or the whisky's. Fellows who don't--
+fellows like me I mean--have just the same feeling that it's all rather
+flat and a failure. But the world's made like that; it's all survival.
+Some people are made to get on, like Warner; and some people are
+made to stick quiet, like me. You can't help your temperament.
+I know you're much cleverer than I am; but you can't help having
+all the loose ways of a poor literary chap, and I can't help
+having all the doubts and helplessness of a small scientific chap,
+any more than a fish can help floating or a fern can help curling up.
+Humanity, as Warner said so well in that lecture, really consists
+of quite different tribes of animals all disguised as men."
+
+In the dim garden below the buzz of talk was suddenly broken
+by Miss Hunt's musical instrument banging with the abruptness
+of artillery into a vulgar but spirited tune.
+
+Rosamund's voice came up rich and strong in the words of some fatuous,
+fashionable coon song--
+
+ "Darkies sing a song on the old plantation,
+ Sing it as we sang it in days long since gone by."
+
+
+Inglewood's brown eyes softened and saddened still more as he continued
+his monologue of resignation to such a rollicking and romantic tune.
+But the blue eyes of Michael Moon brightened and hardened with a light
+that Inglewood did not understand. Many centuries, and many villages
+and valleys, would have been happier if Inglewood or Inglewood's countrymen
+had ever understood that light, or guessed at the first blink that it
+was the battle star of Ireland.
+
+"Nothing can ever alter it; it's in the wheels of the universe,"
+went on Inglewood, in a low voice: "some men are weak and some strong,
+and the only thing we can do is to know that we are weak.
+I have been in love lots of times, but I could not do anything,
+for I remembered my own fickleness. I have formed opinions, but I
+haven't the cheek to push them, because I've so often changed them.
+That's the upshot, old fellow. We can't trust ourselves--
+and we can't help it."
+
+Michael had risen to his feet, and stood poised in a perilous position
+at the end of the roof, like some dark statue hung above its gable.
+Behind him, huge clouds of an almost impossible purple turned slowly
+topsy-turvy in the silent anarchy of heaven. Their gyration made
+the dark figure seem yet dizzier.
+
+"Let us..." he said, and was suddenly silent.
+
+"Let us what?" asked Arthur Inglewood, rising equally quick though somewhat
+more cautiously, for his friend seemed to find some difficulty in speech.
+
+"Let us go and do some of these things we can't do," said Michael.
+
+At the same moment there burst out of the trapdoor below them
+the cockatoo hair and flushed face of Innocent Smith, calling to
+them that they must come down as the "concert" was in full swing,
+and Mr. Moses Gould was about to recite "Young Lochinvar."
+
+As they dropped into Innocent's attic they nearly tumbled over its
+entertaining impedimenta again. Inglewood, staring at the littered floor,
+thought instinctively of the littered floor of a nursery.
+He was therefore the more moved, and even shocked, when his eye fell
+on a large well-polished American revolver.
+
+"Hullo!" he cried, stepping back from the steely glitter as men step back
+from a serpent; "are you afraid of burglars? or when and why do you deal
+death out of that machine gun?"
+
+"Oh, that!" said Smith, throwing it a single glance; "I deal life
+out of that," and he went bounding down the stairs.
+
+
+
+
+
+ Chapter III
+
+ The Banner of Beacon
+
+
+All next day at Beacon House there was a crazy sense that it was
+everybody's birthday. It is the fashion to talk of institutions
+as cold and cramping things. The truth is that when people are in
+exceptionally high spirits, really wild with freedom and invention,
+they always must, and they always do, create institutions.
+When men are weary they fall into anarchy; but while they are gay
+and vigorous they invariably make rules. This, which is true of all
+the churches and republics of history, is also true of the most
+trivial parlour game or the most unsophisticated meadow romp.
+We are never free until some institution frees us; and liberty
+cannot exist till it is declared by authority. Even the wild
+authority of the harlequin Smith was still authority, because it
+produced everywhere a crop of crazy regulations and conditions.
+He filled every one with his own half-lunatic life; but it was not
+expressed in destruction, but rather in a dizzy and toppling construction.
+Each person with a hobby found it turning into an institution.
+Rosamund's songs seemed to coalesce into a kind of opera;
+Michael's jests and paragraphs into a magazine. His pipe and her
+mandoline seemed between them to make a sort of smoking concert.
+The bashful and bewildered Arthur Inglewood almost struggled against his
+own growing importance. He felt as if, in spite of him, his photographs
+were turning into a picture gallery, and his bicycle into a gymkhana.
+But no one had any time to criticize these impromptu estates and offices,
+for they followed each other in wild succession like the topics
+of a rambling talker.
+
+Existence with such a man was an obstacle race made out of
+pleasant obstacles. Out of any homely and trivial object he could
+drag reels of exaggeration, like a conjurer. Nothing could
+be more shy and impersonal than poor Arthur's photography.
+Yet the preposterous Smith was seen assisting him eagerly through
+sunny morning hours, and an indefensible sequence described
+as "Moral Photography" began to unroll about the boarding-house.
+It was only a version of the old photographer's joke which
+produces the same figure twice on one plate, making a man
+play chess with himself, dine with himself, and so on.
+But these plates were more hysterical and ambitious--as, "Miss Hunt
+forgets Herself," showing that lady answering her own too
+rapturous recognition with a most appalling stare of ignorance;
+or "Mr. Moon questions Himself," in which Mr. Moon appeared as one
+driven to madness under his own legal cross-examination, which was
+conducted with a long forefinger and an air of ferocious waggery.
+One highly successful trilogy--representing Inglewood recognizing
+Inglewood, Inglewood prostrating himself before Inglewood,
+and Inglewood severely beating Inglewood with a stick--
+Innocent Smith wanted to have enlarged and put up in the hall,
+like a sort of fresco, with the inscription,--
+
+ "Self-reverence, self-knowledge, self-control--
+ These three alone will make a man a prig."
+
+ -- Tennyson.
+
+
+Nothing, again, could be more prosaic and impenetrable than
+the domestic energies of Miss Diana Duke. But Innocent had somehow
+blundered on the discovery that her thrifty dressmaking went
+with a considerable feminine care for dress--the one feminine thing
+that had never failed her solitary self-respect. In consequence Smith
+pestered her with a theory (which he really seemed to take seriously)
+that ladies might combine economy with magnificence if they would
+draw light chalk patterns on a plain dress and then dust them
+off again. He set up "Smith's Lightning Dressmaking Company,"
+with two screens, a cardboard placard, and box of bright soft crayons;
+and Miss Diana actually threw him an abandoned black overall
+or working dress on which to exercise the talents of a modiste.
+He promptly produced for her a garment aflame with red and gold sunflowers;
+she held it up an instant to her shoulders, and looked like an empress.
+And Arthur Inglewood, some hours afterwards cleaning his bicycle
+(with his usual air of being inextricably hidden in it), glanced up;
+and his hot face grew hotter, for Diana stood laughing for one
+flash in the doorway, and her dark robe was rich with the green
+and purple of great decorative peacocks, like a secret garden
+in the "Arabian Nights." A pang too swift to be named pain
+or pleasure went through his heart like an old-world rapier.
+He remembered how pretty he thought her years ago, when he was
+ready to fall in love with anybody; but it was like remembering
+a worship of some Babylonian princess in some previous existence.
+At his next glimpse of her (and he caught himself awaiting it)
+the purple and green chalk was dusted off, and she went by quickly
+in her working clothes.
+
+As for Mrs. Duke, none who knew that matron could conceive her as
+actively resisting this invasion that had turned her house upside down.
+But among the most exact observers it was seriously believed that she
+liked it. For she was one of those women who at bottom regard all
+men as equally mad, wild animals of some utterly separate species.
+And it is doubtful if she really saw anything more eccentric or
+inexplicable in Smith's chimney-pot picnics or crimson sunflowers
+than she had in the chemicals of Inglewood or the sardonic speeches
+of Moon. Courtesy, on the other hand, is a thing that anybody
+can understand, and Smith's manners were as courteous as they
+were unconventional. She said he was "a real gentleman," by which she
+simply meant a kind-hearted man, which is a very different thing.
+She would sit at the head of the table with fat, folded hands and a fat,
+folded smile for hours and hours, while every one else was talking at once.
+At least, the only other exception was Rosamund's companion,
+Mary Gray, whose silence was of a much more eager sort. Though she
+never spoke she always looked as if she might speak any minute.
+Perhaps this is the very definition of a companion. Innocent Smith
+seemed to throw himself, as into other adventures, into the adventure
+of making her talk. He never succeeded, yet he was never snubbed;
+if he achieved anything, it was only to draw attention to this quiet figure,
+and to turn her, by ever so little, from a modesty to a mystery.
+But if she was a riddle, every one recognized that she was a fresh
+and unspoilt riddle, like the riddle of the sky and the woods in spring.
+Indeed, though she was rather older than the other two girls,
+she had an early morning ardour, a fresh earnestness of youth,
+which Rosamund seemed to have lost in the mere spending of money,
+and Diana in the mere guarding of it. Smith looked at her again and again.
+Her eyes and mouth were set in her face the wrong way--which was really
+the right way. She had the knack of saying everything with her face:
+her silence was a sort of steady applause.
+
+But among the hilarious experiments of that holiday
+(which seemed more like a week's holiday than a day's)
+one experiment towers supreme, not because it was any sillier
+or more successful than the others, but because out of this
+particular folly flowed all of the odd events that were to follow.
+All the other practical jokes exploded of themselves, and left vacancy;
+all the other fictions returned upon themselves, and were finished
+like a song. But the string of solid and startling events--
+which were to include a hansom cab, a detective, a pistol,
+and a marriage licence--were all made primarily possible
+by the joke about the High Court of Beacon.
+
+It had originated, not with Innocent Smith, but with Michael Moon. He was
+in a strange glow and pressure of spirits, and talked incessantly;
+yet he had never been more sarcastic, and even inhuman.
+He used his old useless knowledge as a barrister to talk
+entertainingly of a tribunal that was a parody on the pompous
+anomalies of English law. The High Court of Beacon, he declared,
+was a splendid example of our free and sensible constitution.
+It had been founded by King John in defiance of the Magna Carta,
+and now held absolute power over windmills, wine and spirit licences,
+ladies traveling in Turkey, revision of sentences for dog-stealing
+and parricide, as well as anything whatever that happened in the town of
+Market Bosworth. The whole hundred and nine seneschals of the High Court
+of Beacon met once in every four centuries; but in the intervals
+(as Mr. Moon explained) the whole powers of the institution were vested
+in Mrs. Duke. Tossed about among the rest of the company, however,
+the High Court did not retain its historical and legal seriousness,
+but was used somewhat unscrupulously in a riot of domestic detail.
+If somebody spilt the Worcester Sauce on the tablecloth, he was quite
+sure it was a rite without which the sittings and findings of the Court
+would be invalid; or if somebody wanted a window to remain shut,
+he would suddenly remember that none but the third son of the lord
+of the manor of Penge had the right to open it. They even went
+to the length of making arrests and conducting criminal inquiries.
+The proposed trial of Moses Gould for patriotism was rather
+above the heads of the company, especially of the criminal;
+but the trial of Inglewood on a charge of photographic libel,
+and his triumphant acquittal upon a plea of insanity, were admitted
+to be in the best tradition of the Court.
+
+But when Smith was in wild spirits he grew more and more serious, not more and
+more flippant like Michael Moon. This proposal of a private court of justice,
+which Moon had thrown off with the detachment of a political humourist,
+Smith really caught hold of with the eagerness of an abstract philosopher.
+It was by far the best thing they could do, he declared, to claim sovereign
+powers even for the individual household.
+
+"You believe in Home Rule for Ireland; I believe in Home Rule for homes,"
+he cried eagerly to Michael. "It would be better if every father
+COULD kill his son, as with the old Romans; it would be better,
+because nobody would be killed. Let's issue a Declaration
+of Independence from Beacon House. We could grow enough greens
+in that garden to support us, and when the tax-collector comes let's
+tell him we're self-supporting, and play on him with the hose.
+...Well, perhaps, as you say, we couldn't very well have a hose,
+as that comes from the main; but we could sink a well in this chalk,
+and a lot could be done with water-jugs... Let this really be
+Beacon House. Let's light a bonfire of independence on the roof,
+and see house after house answering it across the valley of
+the Thames! Let us begin the League of the Free Families! Away with
+Local Government! A fig for Local Patriotism! Let every house
+be a sovereign state as this is, and judge its own children by its
+own law, as we do by the Court of Beacon. Let us cut the painter,
+and begin to be happy together, as if we were on a desert island."
+
+"I know that desert island," said Michael Moon; "it only
+exists in the `Swiss Family Robinson.' A man feels a strange
+desire for some sort of vegetable milk, and crash comes down
+some unexpected cocoa-nut from some undiscovered monkey.
+A literary man feels inclined to pen a sonnet, and at once
+an officious porcupine rushes out of a thicket and shoots out
+one of his quills."
+
+"Don't you say a word against the `Swiss Family Robinson,'"
+cried Innocent with great warmth. "It mayn't be
+exact science, but it's dead accurate philosophy.
+When you're really shipwrecked, you do really find what you want.
+When you're really on a desert island, you never find it a desert.
+If we were really besieged in this garden, we'd find a hundred
+English birds and English berries that we never knew were here.
+If we were snowed up in this room, we'd be the better for reading
+scores of books in that bookcase that we don't even know are there;
+we'd have talks with each other, good, terrible talks, that we shall
+go to the grave without guessing; we'd find materials for everything--
+christening, marriage, or funeral; yes, even for a coronation--
+if we didn't decide to be a republic."
+
+"A coronation on `Swiss Family' lines, I suppose," said Michael, laughing.
+"Oh, I know you would find everything in that atmosphere. If we wanted
+such a simple thing, for instance, as a Coronation Canopy, we should
+walk down beyond the geraniums and find the Canopy Tree in full bloom.
+If we wanted such a trifle as a crown of gold, why, we should be
+digging up dandelions, and we should find a gold mine under the lawn.
+And when we wanted oil for the ceremony, why I suppose a great storm
+would wash everything on shore, and we should find there was a Whale
+on the premises."
+
+"And so there IS a whale on the premises for all you know,"
+asseverated Smith, striking the table with passion.
+"I bet you've never examined the premises! I bet you've
+never been round at the back as I was this morning--
+for I found the very thing you say could only grow on a tree.
+There's an old sort of square tent up against the dustbin;
+it's got three holes in the canvas, and a pole's broken,
+so it's not much good as a tent, but as a Canopy--" And his
+voice quite failed him to express its shining adequacy;
+then he went on with controversial eagerness: "You see I
+take every challenge as you make it. I believe every blessed
+thing you say couldn't be here has been here all the time.
+You say you want a whale washed up for oil. Why, there's oil
+in that cruet-stand at your elbow; and I don't believe
+anybody has touched it or thought of it for years.
+And as for your gold crown, we're none of us wealthy here,
+but we could collect enough ten-shilling bits from our own
+pockets to string round a man's head for half an hour;
+or one of Miss Hunt's gold bangles is nearly big enough to--"
+
+The good-humoured Rosamund was almost choking with laughter.
+"All is not gold that glitters," she said, "and besides--"
+
+"What a mistake that is!" cried Innocent Smith,
+leaping up in great excitement. "All is gold that glitters--
+especially now we are a Sovereign State. What's the good
+of a Sovereign State if you can't define a sovereign?
+We can make anything a precious metal, as men could in the morning
+of the world. They didn't choose gold because it was rare;
+your scientists can tell you twenty sorts of slime much rarer.
+They chose gold because it was bright--because it was
+a hard thing to find, but pretty when you've found it.
+You can't fight with golden swords or eat golden biscuits;
+you can only look at it--an you can look at it out here."
+
+With one of his incalculable motions he sprang back and burst open
+the doors into the garden. At the same time also, with one of his
+gestures that never seemed at the instant so unconventional as they were,
+he stretched out his hand to Mary Gray, and led her out on to the lawn
+as if for a dance.
+
+The French windows, thus flung open, let in an evening even lovelier than that
+of the day before. The west was swimming with sanguine colours, and a sort
+of sleepy flame lay along the lawn. The twisted shadows of the one or two
+garden trees showed upon this sheen, not gray or black, as in common daylight,
+but like arabesques written in vivid violet ink on some page of Eastern gold.
+The sunset was one of those festive and yet mysterious conflagrations in
+which common things by their colours remind us of costly or curious things.
+The slates upon the sloping roof burned like the plumes of a vast peacock,
+in every mysterious blend of blue and green. The red-brown bricks of
+the wall glowed with all the October tints of strong ruby and tawny wines.
+The sun seemed to set each object alight with a different coloured flame,
+like a man lighting fireworks; and even Innocent's hair, which was of a rather
+colourless fairness, seemed to have a flame of pagan gold on it as he strode
+across the lawn towards the one tall ridge of rockery.
+
+"What would be the good of gold," he was saying, "if it did not glitter?
+Why should we care for a black sovereign any more than for a
+black sun at noon? A black button would do just as well.
+Don't you see that everything in this garden looks like a jewel?
+And will you kindly tell me what the deuce is the good of a jewel
+except that it looks like a jewel? Leave off buying and selling,
+and start looking! Open your eyes, and you'll wake up in
+the New Jerusalem.
+
+ "All is gold that glitters--
+ Tree and tower of brass;
+ Rolls the golden evening air
+ Down the golden grass.
+ Kick the cry to Jericho,
+ How yellow mud is sold,
+ All is gold that glitters,
+ For the glitter is the gold."
+
+
+"And who wrote that?" asked Rosamund, amused.
+
+"No one will ever write it," answered Smith, and cleared the rockery
+with a flying leap.
+
+"Really," said Rosamund to Michael Moon, "he ought to be sent to an asylum.
+Don't you think so?"
+
+"I beg your pardon," inquired Michael, rather sombrely; his long,
+swarthy head was dark against the sunset, and, either by accident or mood,
+he had the look of something isolated and even hostile amid the social
+extravagance of the garden.
+
+"I only said Mr. Smith ought to go to an asylum," repeated the lady.
+
+The lean face seemed to grow longer and longer, for Moon was
+unmistakably sneering. "No," he said; "I don't think it's
+at all necessary."
+
+"What do you mean?" asked Rosamund quickly. "Why not?"
+
+"Because he is in one now," answered Michael Moon, in a quiet but ugly voice.
+"Why, didn't you know?"
+
+"What?" cried the girl, and there was a break in her voice;
+for the Irishman's face and voice were really almost creepy.
+With his dark figure and dark sayings in all that sunshine
+he looked like the devil in paradise.
+
+"I'm sorry," he continued, with a sort of harsh humility.
+"Of course we don't talk about it much... but I thought we
+all really knew."
+
+"Knew what?"
+
+"Well," answered Moon, "that Beacon House is a certain rather singular
+sort of house--a house with the tiles loose, shall we say? Innocent Smith
+is only the doctor that visits us; hadn't you come when he called before?
+As most of our maladies are melancholic, of course he has to be extra cheery.
+Sanity, of course, seems a very bumptious eccentric thing to us.
+Jumping over a wall, climbing a tree--that's his bedside manner."
+
+"You daren't say such a thing!" cried Rosamund in a rage.
+"You daren't suggest that I--"
+
+"Not more than I am," said Michael soothingly; "not more than the rest of us.
+Haven't you ever noticed that Miss Duke never sits still--a notorious sign?
+Haven't you ever observed that Inglewood is always washing his hands--
+a known mark of mental disease? I, of course, am a dipsomaniac."
+
+"I don't believe you," broke out his companion, not without agitation.
+"I've heard you had some bad habits--"
+
+"All habits are bad habits," said Michael, with deadly calm.
+"Madness does not come by breaking out, but by giving in; by settling down
+in some dirty, little, self-repeating circle of ideas; by being tamed.
+YOU went mad about money, because you're an heiress."
+
+"It's a lie," cried Rosamund furiously. "I never was mean about money."
+
+"You were worse," said Michael, in a low voice and yet violently.
+"You thought that other people were. You thought every man who came near
+you must be a fortune-hunter; you would not let yourself go and be sane;
+and now you're mad and I'm mad, and serve us right."
+
+"You brute!" said Rosamund, quite white. "And is this true?"
+
+With the intellectual cruelty of which the Celt is capable
+when his abysses are in revolt, Michael was silent for
+some seconds, and then stepped back with an ironical bow.
+"Not literally true, of course," he said; "only really true.
+An allegory, shall we say? a social satire."
+
+"And I hate and despise your satires," cried Rosamund Hunt,
+letting loose her whole forcible female personality like a cyclone,
+and speaking every word to wound. "I despise it as I despise
+your rank tobacco, and your nasty, loungy ways, and your snarling,
+and your Radicalism, and your old clothes, and your potty
+little newspaper, and your rotten failure at everything.
+I don't care whether you call it snobbishness or not, I like
+life and success, and jolly things to look at, and action.
+You won't frighten me with Diogenes; I prefer Alexander."
+
+"Victrix causa deae--" said Michael gloomily; and this angered
+her more, as, not knowing what it meant, she imagined it
+to be witty.
+
+"Oh, I dare say you know Greek," she said, with cheerful inaccuracy;
+"you haven't done much with that either." And she crossed the garden,
+pursuing the vanished Innocent and Mary.
+
+In doing so she passed Inglewood, who was returning to the house slowly,
+and with a thought-clouded brow. He was one of those men who are
+quite clever, but quite the reverse of quick. As he came back
+out of the sunset garden into the twilight parlour, Diana Duke
+slipped swiftly to her feet and began putting away the tea things.
+But it was not before Inglewood had seen an instantaneous picture so unique
+that he might well have snapshotted it with his everlasting camera.
+For Diana had been sitting in front of her unfinished work with her chin
+on her hand, looking straight out of the window in pure thoughtless thought.
+
+"You are busy," said Arthur, oddly embarrassed with what he had seen,
+and wishing to ignore it.
+
+"There's no time for dreaming in this world," answered the young lady
+with her back to him.
+
+"I have been thinking lately," said Inglewood in a low voice,
+"that there's no time for waking up."
+
+She did not reply, and he walked to the window and looked out on the garden.
+
+"I don't smoke or drink, you know," he said irrelevantly,
+"because I think they're drugs. And yet I fancy all hobbies,
+like my camera and bicycle, are drugs too. Getting under a
+black hood, getting into a dark room--getting into a hole anyhow.
+Drugging myself with speed, and sunshine, and fatigue, and fresh air.
+Pedalling the machine so fast that I turn into a machine myself.
+That's the matter with all of us. We're too busy to wake up."
+
+"Well," said the girl solidly, "what is there to wake up to?"
+
+"There must be!" cried Inglewood, turning round in a singular
+excitement--"there must be something to wake up to!
+All we do is preparations--your cleanliness, and my healthiness,
+and Warner's scientific appliances. We're always preparing
+for something--something that never comes off. I ventilate
+the house, and you sweep the house; but what is going to HAPPEN
+in the house?"
+
+She was looking at him quietly, but with very bright eyes,
+and seemed to be searching for some form of words which she
+could not find.
+
+Before she could speak the door burst open, and the boisterous Rosamund Hunt,
+in her flamboyant white hat, boa, and parasol, stood framed in the doorway.
+She was in a breathing heat, and on her open face was an expression of
+the most infantile astonishment.
+
+"Well, here's a fine game!" she said, panting. "What am I to do now,
+I wonder? I've wired for Dr. Warner; that's all I can think of doing."
+
+"What is the matter?" asked Diana, rather sharply, but moving
+forward like one used to be called upon for assistance.
+
+"It's Mary," said the heiress, "my companion Mary Gray:
+that cracked friend of yours called Smith has proposed to her
+in the garden, after ten hours' acquaintance, and he wants
+to go off with her now for a special licence."
+
+Arthur Inglewood walked to the open French windows and looked
+out on the garden, still golden with evening light.
+Nothing moved there but a bird or two hopping and twittering;
+but beyond the hedge and railings, in the road outside
+the garden gate, a hansom cab was waiting, with the yellow
+Gladstone bag on top of it.
+
+
+
+
+ Chapter IV
+
+ The Garden of the God
+
+
+Diana Duke seemed inexplicably irritated at the abrupt entrance
+and utterance of the other girl.
+
+"Well," she said shortly, "I suppose Miss Gray can decline him if she
+doesn't want to marry him."
+
+"But she DOES want to marry him!" cried Rosamund in exasperation.
+"She's a wild, wicked fool, and I won't be parted from her."
+
+"Perhaps," said Diana icily, "but I really don't see what we can do."
+
+"But the man's balmy, Diana," reasoned her friend angrily.
+"I can't let my nice governess marry a man that's balmy!
+You or somebody MUST stop it!--Mr. Inglewood, you're a man;
+go and tell them they simply can't."
+
+"Unfortunately, it seems to me they simply can," said Inglewood,
+with a depressed air. "I have far less right of intervention
+than Miss Duke, besides having, of course, far less moral
+force than she."
+
+"You haven't either of you got much," cried Rosamund,
+the last stays of her formidable temper giving way;
+"I think I'll go somewhere else for a little sense and pluck.
+I think I know some one who will help me more than you do,
+at any rate... he's a cantankerous beast, but he's a man,
+and has a mind, and knows it..." And she flung out into the garden,
+with cheeks aflame, and the parasol whirling like a Catherine wheel.
+
+She found Michael Moon standing under the garden tree, looking over
+the hedge; hunched like a bird of prey, with his large pipe hanging down
+his long blue chin. The very hardness of his expression pleased her,
+after the nonsense of the new engagement and the shilly-shallying
+of her other friends.
+
+"I am sorry I was cross, Mr. Moon," she said frankly. "I hated you
+for being a cynic; but I've been well punished, for I want a cynic
+just now. I've had my fill of sentiment--I'm fed up with it.
+The world's gone mad, Mr. Moon--all except the cynics, I think.
+That maniac Smith wants to marry my old friend Mary, and she--
+and she--doesn't seem to mind."
+
+Seeing his attentive face still undisturbedly smoking, she added smartly,
+"I'm not joking; that's Mr. Smith's cab outside. He swears he'll
+take her off now to his aunt's, and go for a special licence.
+Do give me some practical advice, Mr. Moon."
+
+Mr. Moon took his pipe out of his mouth, held it in his hand
+for an instant reflectively, and then tossed it to the other side
+of the garden. "My practical advice to you is this," he said:
+"Let him go for his special licence, and ask him to get another
+one for you and me."
+
+"Is that one of your jokes?" asked the young lady.
+"Do say what you really mean."
+
+"I mean that Innocent Smith is a man of business,"
+said Moon with ponderous precision--"a plain, practical man:
+a man of affairs; a man of facts and the daylight.
+He has let down twenty ton of good building bricks suddenly
+on my head, and I am glad to say they have woken me up.
+We went to sleep a little while ago on this very lawn, in this
+very sunlight. We have had a little nap for five years or so,
+but now we're going to be married, Rosamund, and I can't see
+why that cab..."
+
+"Really," said Rosamund stoutly, "I don't know what you mean."
+
+"What a lie! cried Michael, advancing on her with brightening eyes.
+"I'm all for lies in an ordinary way; but don't you see that to-night
+they won't do? We've wandered into a world of facts, old girl.
+That grass growing, and that sun going down, and that cab at the door,
+are facts. You used to torment and excuse yourself by saying I
+was after your money, and didn't really love you. But if I stood
+here now and told you I didn't love you--you wouldn't believe me:
+for truth is in this garden to-night."
+
+"Really, Mr. Moon..." said Rosamund, rather more faintly.
+
+He kept two big blue magnetic eyes fixed on her face.
+"Is my name Moon?" he asked. "Is your name Hunt? On my honour,
+they sound to me as quaint and as distant as Red Indian names.
+It's as if your name was `Swim' and my name was `Sunrise.' But our
+real names are Husband and Wife, as they were when we fell asleep."
+
+"It is no good," said Rosamund, with real tears in her eyes;
+"one can never go back."
+
+"I can go where I damn please," said Michael, "and I can carry
+you on my shoulder."
+
+"But really, Michael, really, you must stop and think!"
+cried the girl earnestly. "You could carry me off my feet, I dare say,
+soul and body, but it may be bitter bad business for all that.
+These things done in that romantic rush, like Mr. Smith's, they--
+they do attract women, I don't deny it. As you say, we're all
+telling the truth to-night. They've attracted poor Mary, for one.
+They attract me, Michael. But the cold fact remains:
+imprudent marriages do lead to long unhappiness and disappointment--
+you've got used to your drinks and things--I shan't be
+pretty much longer--"
+
+"Imprudent marriages!" roared Michael. "And pray where in earth
+or heaven are there any prudent marriages? Might as well talk
+about prudent suicides. You and I have dawdled round each other
+long enough, and are we any safer than Smith and Mary Gray,
+who met last night? You never know a husband till you marry him.
+Unhappy! of course you'll be unhappy. Who the devil are you
+that you shouldn't be unhappy, like the mother that bore you?
+Disappointed! of course we'll be disappointed. I, for one,
+don't expect till I die to be so good a man as I am at this minute--
+a tower with all the trumpets shouting."
+
+"You see all this," said Rosamund, with a grand sincerity in her solid face,
+"and do you really want to marry me?"
+
+"My darling, what else is there to do?" reasoned the Irishman. "What other
+occupation is there for an active man on this earth, except to
+marry you? What's the alternative to marriage, barring sleep?
+It's not liberty, Rosamund. Unless you marry God, as our nuns do in Ireland,
+you must marry Man--that is Me. The only third thing is to marry yourself--
+yourself, yourself, yourself--the only companion that is never satisfied--
+and never satisfactory."
+
+"Michael," said Miss Hunt, in a very soft voice, "if you won't talk so much,
+I'll marry you."
+
+"It's no time for talking," cried Michael Moon; singing is the only thing.
+Can't you find that mandoline of yours, Rosamund?"
+
+"Go and fetch it for me," said Rosamund, with crisp and sharp authority.
+
+The lounging Mr. Moon stood for one split second astonished;
+then he shot away across the lawn, as if shod with the feathered
+shoes out of the Greek fairy tale. He cleared three yards
+and fifteen daisies at a leap, out of mere bodily levity;
+but when he came within a yard or two of the open parlour windows,
+his flying feet fell in their old manner like lead;
+he twisted round and came back slowly, whistling. The events
+of that enchanted evening were not at an end.
+
+Inside the dark sitting-room of which Moon had caught a glimpse a curious
+thing had happened, almost an instant after the intemperate exit
+of Rosamund. It was something which, occurring in that obscure parlour,
+seemed to Arthur Inglewood like heaven and earth turning head over heels,
+the sea being the ceiling and the stars the floor. No words can express
+how it astonished him, as it astonishes all simple men when it happens.
+Yet the stiffest female stoicism seems separated from it only by a sheet of
+paper or a sheet of steel. It indicates no surrender, far less any sympathy.
+The most rigid and ruthless woman can begin to cry, just as the most
+effeminate man can grow a beard. It is a separate sexual power,
+and proves nothing one way or the other about force of character.
+But to young men ignorant of women, like Arthur Inglewood, to see Diana Duke
+crying was like seeing a motor-car shedding tears of petrol.
+
+He could never have given (even if his really manly modesty had permitted it)
+any vaguest vision of what he did when he saw that portent. He acted
+as men do when a theatre catches fire--very differently from how they
+would have conceived themselves as acting, whether for better or worse.
+He had a faint memory of certain half-stifled explanations, that the heiress
+was the one really paying guest, and she would go, and the bailiffs
+(in consequence) would come; but after that he knew nothing of his own
+conduct except by the protests it evoked.
+
+"Leave me alone, Mr. Inglewood--leave me alone; that's not the way to help."
+
+"But I can help you," said Arthur, with grinding certainty;
+"I can, I can, I can..."
+
+"Why, you said," cried the girl, "that you were much weaker than me."
+
+"So I am weaker than you," said Arthur, in a voice that went
+vibrating through everything, "but not just now."
+
+"Let go my hands!" cried Diana. "I won't be bullied."
+
+In one element he was much stronger than she--the matter of humour.
+This leapt up in him suddenly, and he laughed, saying: "Well, you are mean.
+You know quite well you'll bully me all the rest of my life.
+You might allow a man the one minute of his life when he's allowed to bully."
+
+It was as extraordinary for him to laugh as for her to cry,
+and for the first time since her childhood Diana was entirely
+off her guard.
+
+"Do you mean you want to marry me?" she said.
+
+"Why, there's a cab at the door!" cried Inglewood, springing up
+with an unconscious energy and bursting open the glass doors
+that led into the garden.
+
+As he led her out by the hand they realized somehow for the first time
+that the house and garden were on a steep height over London. And yet,
+though they felt the place to be uplifted, they felt it also to be secret:
+it was like some round walled garden on the top of one of the
+turrets of heaven.
+
+Inglewood looked around dreamily, his brown eyes devouring
+all sorts of details with a senseless delight. He noticed for
+the first time that the railings of the gate beyond the garden
+bushes were moulded like little spearheads and painted blue.
+He noticed that one of the blue spears was loosened in its place,
+and hung sideways; and this almost made him laugh. He thought it
+somehow exquisitely harmless and funny that the railing should
+be crooked; he thought he should like to know how it happened,
+who did it, and how the man was getting on.
+
+When they were gone a few feet across that fiery grass realized
+that they were not alone. Rosamund Hunt and the eccentric
+Mr. Moon, both of whom they had last seen in the blackest
+temper of detachment, were standing together on the lawn.
+They were standing in quite an ordinary manner, and yet they
+looked somehow like people in a book.
+
+"Oh," said Diana, "what lovely air!"
+
+"I know," called out Rosamund, with a pleasure so positive
+that it rang out like a complaint. "It's just like that horrid,
+beastly fizzy stuff they gave me that made me feel happy."
+
+"Oh, it isn't like anything but itself!" answered Diana, breathing deeply.
+"Why, it's all cold, and yet it feels like fire."
+
+"Balmy is the word we use in Fleet Street,"
+said Mr. Moon. "Balmy--especially on the crumpet."
+And he fanned himself quite unnecessarily with his straw hat.
+They were all full of little leaps and pulsations of objectless
+and airy energy. Diana stirred and stretched her long arms rigidly,
+as if crucified, in a sort of excruciating restfulness;
+Michael stood still for long intervals, with gathered muscles,
+then spun round like a teetotum, and stood still again;
+Rosamund did not trip, for women never trip, except when they
+fall on their noses, but she struck the ground with her foot
+as she moved, as if to some inaudible dance tune; and Inglewood,
+leaning quite quietly against a tree, had unconsciously
+clutched a branch and shaken it with a creative violence.
+Those giant gestures of Man, that made the high statues
+and the strokes of war, tossed and tormented all their limbs.
+Silently as they strolled and stood they were bursting like
+batteries with an animal magnetism.
+
+"And now," cried Moon quite suddenly, stretching out a hand on each side,
+"let's dance round that bush!"
+
+"Why, what bush do you mean?" asked Rosamund, looking round with a sort
+of radiant rudeness.
+
+"The bush that isn't there," said Michael--"the Mulberry Bush."
+
+They had taken each other's hands, half laughing and quite ritually;
+and before they could disconnect again Michael spun them all round,
+like a demon spinning the world for a top. Diana felt, as the circle of
+the horizon flew instantaneously around her, a far aerial sense of the ring
+of heights beyond London and corners where she had climbed as a child;
+she seemed almost to hear the rooks cawing about the old pines on Highgate,
+or to see the glowworms gathering and kindling in the woods of Box Hill.
+
+The circle broke--as all such perfect circles of levity must break--
+and sent its author, Michael, flying, as by centrifugal force, far away
+against the blue rails of the gate. When reeling there he suddenly
+raised shout after shout of a new and quite dramatic character.
+
+"Why, it's Warner!" he shouted, waving his arms. "It's jolly old Warner--
+with a new silk hat and the old silk moustache!"
+
+"Is that Dr. Warner?" cried Rosamund, bounding forward in a
+burst of memory, amusement, and distress. "Oh, I'm so sorry!
+Oh, do tell him it's all right!"
+
+"Let's take hands and tell him," said Michael Moon. For indeed,
+while they were talking, another hansom cab had dashed up behind
+the one already waiting, and Dr. Herbert Warner, leaving a companion
+in the cab, had carefully deposited himself on the pavement.
+
+Now, when you are an eminent physician and are wired for by
+an heiress to come to a case of dangerous mania, and when,
+as you come in through the garden to the house, the heiress
+and her landlady and two of the gentlemen boarders join hands
+and dance round you in a ring, calling out, "It's all right! it's
+all right!" you are apt to be flustered and even displeased.
+Dr. Warner was a placid but hardly a placable person.
+The two things are by no means the same; and even when Moon explained
+to him that he, Warner, with his high hat and tall, solid figure,
+was just such a classic figure as OUGHT to be danced round
+by a ring of laughing maidens on some old golden Greek seashore--
+even then he seemed to miss the point of the general rejoicing.
+
+"Inglewood!" cried Dr. Warner, fixing his former disciple with a stare,
+"are you mad?"
+
+Arthur flushed to the roots of his brown hair, but he answered,
+easily and quietly enough, "Not now. The truth is, Warner, I've just
+made a rather important medical discovery--quite in your line."
+
+"What do you mean?" asked the great doctor stiffly--"what discovery?"
+
+"I've discovered that health really is catching, like disease,"
+answered Arthur.
+
+"Yes; sanity has broken out, and is spreading," said Michael,
+performing a ~pas seul~ with a thoughtful expression.
+"Twenty thousand more cases taken to the hospitals;
+nurses employed night and day."
+
+Dr. Warner studied Michael's grave face and lightly moving
+legs with an unfathomed wonder. "And is THIS, may I ask,"
+he said, "the sanity that is spreading?"
+
+"You must forgive me, Dr. Warner," cried Rosamund Hunt heartily.
+"I know I've treated you badly; but indeed it was all a mistake.
+I was in a frightfully bad temper when I sent for you, but now
+it all seems like a dream--and and Mr. Smith is the sweetest,
+most sensible, most delightful old thing that ever existed,
+and he may marry any one he likes--except me."
+
+"I should suggest Mrs. Duke," said Michael.
+
+The gravity of Dr. Warner's face increased. He took a slip
+of pink paper from his waistcoat pocket, with his pale
+blue eyes quietly fixed on Rosamund's face all the time.
+He spoke with a not inexcusable frigidity.
+
+"Really, Miss Hunt," he said, "you are not yet very reassuring.
+You sent me this wire only half an hour ago: `Come at once,
+if possible, with another doctor. Man--Innocent Smith--gone mad
+on premises, and doing dreadful things. Do you know anything of him?'
+I went round at once to a distinguished colleague of mine, a doctor
+who is also a private detective and an authority on criminal lunacy;
+he has come round with me, and is waiting in the cab. Now you calmly
+tell me that this criminal madman is a highly sweet and sane old thing,
+with accompaniments that set me speculating on your own definition of sanity.
+I hardly comprehend the change."
+
+"Oh, how can one explain a change in sun and moon and everybody's soul?"
+cried Rosamund, in despair. "Must I confess we had got so morbid
+as to think him mad merely because he wanted to get married; and that we
+didn't even know it was only because we wanted to get married ourselves?
+We'll humiliate ourselves, if you like, doctor; we're happy enough."
+
+"Where is Mr. Smith?" asked Warner of Inglewood very sharply.
+
+Arthur started; he had forgotten all about the central figure of their farce,
+who had not been visible for an hour or more.
+
+"I--I think he's on the other side of the house, by the dustbin," he said.
+
+"He may be on the road to Russia," said Warner, "but he must be found."
+And he strode away and disappeared round a corner of the house
+by the sunflowers.
+
+"I hope," said Rosamund, "he won't really interfere with Mr. Smith."
+
+"Interfere with the daisies!" said Michael with a snort.
+"A man can't be locked up for falling in love--at least
+I hope not."
+
+"No; I think even a doctor couldn't make a disease out of him.
+He'd throw off the doctor like the disease, don't you know?
+I believe it's a case of a sort of holy well. I believe Innocent Smith
+is simply innocent, and that is why he is so extraordinary."
+
+It was Rosamund who spoke, restlessly tracing circles in the grass
+with the point of her white shoe.
+
+"I think," said Inglewood, "that Smith is not extraordinary at all.
+He's comic just because he's so startlingly commonplace.
+Don't you know what it is to be all one family circle, with aunts
+and uncles, when a schoolboy comes home for the holidays?
+That bag there on the cab is only a schoolboy's hamper.
+This tree here in the garden is only the sort of tree that any
+schoolboy would have climbed. Yes, that's the thing that has
+haunted us all about him, the thing we could never fit a word to.
+Whether he is my old schoolfellow or no, at least he is all my
+old schoolfellows. He is the endless bun-eating, ball-throwing
+animal that we have all been."
+
+"That is only you absurd boys," said Diana. "I don't believe
+any girl was ever so silly, and I'm sure no girl was ever
+so happy, except--" and she stopped.
+
+"I will tell you the truth about Innocent Smith," said Michael Moon in a
+low voice. "Dr. Warner has gone to look for him in vain. He is not there.
+Haven't you noticed that we never saw him since we found ourselves?
+He was an astral baby born on all four of us; he was only our own
+youth returned. Long before poor old Warner had clambered out of his cab,
+the thing we called Smith had dissolved into dew and light on this lawn.
+Once or twice more, by the mercy of God, we may feel the thing,
+but the man we shall never see. In a spring garden before breakfast
+we shall smell the smell called Smith. In the snapping of brisk twigs
+in tiny fires we shall hear a noise named Smith. Everything insatiable
+and innocent in the grasses that gobble up the earth like at a bun feast,
+in the white mornings that split the sky as a boy splits up white firwood,
+we may feel for one instant the presence of an impetuous purity;
+but his innocence was too close to the unconsciousness of inanimate things
+not to melt back at a mere touch into the mild hedges and heavens; he--"
+
+He was interrupted from behind the house by a bang like that of a bomb.
+Almost at the same instant the stranger in the cab sprang out of it,
+leaving it rocking upon the stones of the road. He clutched the blue railings
+of the garden, and peered eagerly over them in the direction of the noise.
+He was a small, loose, yet alert man, very thin, with a face that seemed
+made out of fish bones, and a silk hat quite as rigid and resplendent
+as Warner's, but thrust back recklessly on the hinder part of his head.
+
+"Murder!" he shrieked, in a high and feminine but very penetrating voice.
+"Stop that murderer there!"
+
+Even as he shrieked a second shot shook the lower windows
+of the house, and with the noise of it Dr. Herbert Warner came
+flying round the corner like a leaping rabbit. Yet before
+he had reached the group a third discharge had deafened them,
+and they saw with their own eyes two spots of white sky drilled
+through the second of the unhappy Herbert's high hats.
+The next moment the fugitive physician fell over a flowerpot,
+and came down on all floors, staring like a cow. The hat with
+the two shot-holes in it rolled upon the gravel path before him,
+and Innocent Smith came round the corner like a railway train.
+He was looking twice his proper size--a giant clad in green,
+the big revolver still smoking in his hand, his face sanguine
+and in shadow, his eyes blazing like all stars, and his yellow
+hair standing out all ways like Struwelpeter's.
+
+Though this startling scene hung but an instant in stillness,
+Inglewood had time to feel once more what he had felt when
+he saw the other lovers standing on the lawn--the sensation
+of a certain cut and coloured clearness that belongs rather
+to the things of art than to the things of experience.
+The broken flowerpot with its red-hot geraniums, the green
+bulk of Smith and the black bulk of Warner, the blue-spiked
+railings behind, clutched by the stranger's yellow vulture
+claws and peered over by his long vulture neck, the silk hat
+on the gravel, and the little cloudlet of smoke floating
+across the garden as innocently as the puff of a cigarette--
+all these seemed unnaturally distinct and definite.
+They existed, like symbols, in an ecstasy of separation.
+Indeed, every object grew more and more particular
+and precious because the whole picture was breaking up.
+Things look so bright just before they burst.
+
+Long before his fancies had begun, let alone ceased,
+Arthur had stepped across and taken one of Smith's arms.
+Simultaneously the little stranger had run up the steps and taken
+the other. Smith went into peals of laughter, and surrendered
+his pistol with perfect willingness. Moon raised the doctor
+to his feet, and then went and leaned sullenly on the garden gate.
+The girls were quiet and vigilant, as good women mostly
+are in instants of catastrophe, but their faces showed that,
+somehow or other, a light had been dashed out of the sky.
+The doctor himself, when he had risen, collected his hat and wits,
+and dusting himself down with an air of great disgust, turned to
+them in brief apology. He was very white with his recent panic,
+but he spoke with perfect self-control.
+
+"You will excuse us, ladies," he said; "my friend and
+Mr. Inglewood are both scientists in their several ways.
+I think we had better all take Mr. Smith indoors, and communicate
+with you later."
+
+And under the guard of the three natural philosophers the disarmed Smith
+was led tactfully into the house, still roaring with laughter.
+
+From time to time during the next twenty minutes his distant
+boom of mirth could again be heard through the half-open window;
+but there came no echo of the quiet voices of the physicians.
+The girls walked about the garden together, rubbing up each other's
+spirits as best they might; Michael Moon still hung heavily against
+the gate. Somewhere about the expiration of that time Dr. Warner
+came out of the house with a face less pale but even more stern,
+and the little man with the fish-bone face advanced gravely in his rear.
+And if the face of Warner in the sunlight was that of a hanging judge,
+the face of the little man behind was more like a death's head.
+
+"Miss Hunt," said Dr. Herbert Warner, "I only wish to offer you my warm
+thanks and admiration. By your prompt courage and wisdom in sending
+for us by wire this evening, you have enabled us to capture and put out
+of mischief one of the most cruel and terrible of the enemies of humanity--
+a criminal whose plausibility and pitilessness have never been before
+combined in flesh."
+
+Rosamund looked across at him with a white, blank face and blinking eyes.
+"What do you mean?" she asked. "You can't mean Mr. Smith?"
+
+"He has gone by many other names," said the doctor gravely,
+"and not one he did not leave to be cursed behind him. That man,
+Miss Hunt, has left a track of blood and tears across the world.
+Whether he is mad as well as wicked, we are trying, in the interests
+of science, to discover. In any case, we shall have to take him
+to a magistrate first, even if only on the road to a lunatic asylum.
+But the lunatic asylum in which he is confined will have to be
+sealed with wall within wall, and ringed with guns like a fortress,
+or he will break out again to bring forth carnage and darkness
+on the earth."
+
+Rosamund looked at the two doctors, her face growing paler and paler.
+Then her eyes strayed to Michael, who was leaning on the gate;
+but he continued to lean on it without moving, with his face turned
+away towards the darkening road.
+
+
+
+
+ Chapter V
+
+ The Allegorical Practical Joker
+
+
+The criminal specialist who had come with Dr. Warner was a somewhat more
+urbane and even dapper figure than he had appeared when clutching the railings
+and craning his neck into the garden. He even looked comparatively young
+when he took his hat off, having fair hair parted in the middle and carefully
+curled on each side, and lively movements, especially of the hands.
+He had a dandified monocle slung round his neck by a broad black ribbon,
+and a big bow tie, as if a big American moth had alighted on him.
+His dress and gestures were bright enough for a boy's; it was only when you
+looked at the fish-bone face that you beheld something acrid and old.
+His manners were excellent, though hardly English, and he had two
+half-conscious tricks by which people who only met him once remembered him.
+One was a trick of closing his eyes when he wished to be particularly polite;
+the other was one of lifting his joined thumb and forefinger in the air as if
+holding a pinch of snuff, when he was hesitating or hovering over a word.
+But hose who were longer in his company tended to forget these oddities
+in the stream of his quaint and solemn conversation and really singular views.
+
+"Miss Hunt," said Dr. Warner, "this is Dr. Cyrus Pym."
+
+Dr. Cyrus Pym shut his eyes during the introduction, rather as if he were
+"playing fair" in some child's game, and gave a prompt little bow,
+which somehow suddenly revealed him as a citizen of the United States.
+
+"Dr. Cyrus Pym," continued Warner (Dr. Pym shut his eyes again), "is perhaps
+the first criminological expert of America. We are very fortunate to be able
+to consult with him in this extraordinary case--"
+
+"I can't make head or tail of anything," said Rosamund. "How can
+poor Mr. Smith be so dreadful as he is by your account?"
+
+"Or by your telegram," said Herbert Warner, smiling.
+
+"Oh, you don't understand," cried the girl impatiently.
+"Why, he's done us all more good than going to church."
+
+"I think I can explain to the young lady," said Dr. Cyrus Pym. "This criminal
+or maniac Smith is a very genius of evil, and has a method of his own,
+a method of the most daring ingenuity. He is popular wherever he goes,
+for he invades every house as an uproarious child. People are
+getting suspicious of all the respectable disguises for a scoundrel;
+so he always uses the disguise of--what shall I say--the Bohemian,
+the blameless Bohemian. He always carries people off their feet.
+People are used to the mask of conventional good conduct.
+He goes in for eccentric good-nature. You expect a Don Juan to dress
+up as a solemn and solid Spanish merchant; but you're not prepared
+when he dresses up as Don Quixote. You expect a humbug to behave like
+Sir Charles Grandison; because (with all respect, Miss Hunt, for the deep,
+tear-moving tenderness of Samuel Richardson) Sir Charles Grandison
+so often behaved like a humbug. But no real red-blooded citizen is quite
+ready for a humbug that models himself not on Sir Charles Grandison
+but on Sir Roger de Coverly. Setting up to be a good man a little cracked
+is a new criminal incognito, Miss Hunt. It's been a great notion,
+and uncommonly successful; but its success just makes it mighty cruel.
+I can forgive Dick Turpin if he impersonates Dr. Busby; I can't forgive
+him when he impersonates Dr. Johnson. The saint with a tile loose
+is a bit too sacred, I guess, to be parodied."
+
+"But how do you know," cried Rosamund desperately, "that Mr. Smith
+is a known criminal?"
+
+"I collated all the documents," said the American, "when my friend Warner
+knocked me up on receipt of your cable. It is my professional affair
+to know these facts, Miss Hunt; and there's no more doubt about them
+than about the Bradshaw down at the depot. This man has hitherto escaped
+the law, through his admirable affectations of infancy or insanity.
+But I myself, as a specialist, have privately authenticated notes
+of some eighteen or twenty crimes attempted or achieved in this manner.
+He comes to houses as he has to this, and gets a grand popularity.
+He makes things go. They do go; when he's gone the things are gone.
+Gone, Miss Hunt, gone, a man's life or a man's spoons, or more often a woman.
+I assure you I have all the memoranda."
+
+"I have seen them," said Warner solidly, "I can assure you
+that all this is correct."
+
+"The most unmanly aspect, according to my feelings," went on the American
+doctor, "is this perpetual deception of innocent women by a wild simulation
+of innocence. From almost every house where this great imaginative devil
+has been, he has taken some poor girl away with him; some say he's got
+a hypnotic eye with his other queer features, and that they go like automata.
+What's become of all those poor girls nobody knows. Murdered, I dare say;
+for we've lots of instances, besides this one, of his turning his hand
+to murder, though none ever brought him under the law. Anyhow, our most
+modern methods of research can't find any trace of the wretched women.
+It's when I think of them that I am really moved, Miss Hunt. And I've
+really nothing else to say just now except what Dr. Warner has said."
+
+"Quite so," said Warner, with a smile that seemed moulded in marble--"that
+we all have to thank you very much for that telegram."
+
+The little Yankee scientist had been speaking with such evident
+sincerity that one forgot the tricks of his voice and manner--
+the falling eyelids, the rising intonation, and the poised
+finger and thumb--which were at other times a little comic.
+It was not so much that he was cleverer than Warner;
+perhaps he was not so clever, though he was more celebrated.
+But he had what Warner never had, a fresh and unaffected seriousness--
+the great American virtue of simplicity. Rosamund knitted
+her brows and looked gloomily toward the darkening house
+that contained the dark prodigy.
+
+Broad daylight still endured; but it had already changed from gold to silver,
+and was changing from silver to gray. The long plumy shadows of the one or
+two trees in the garden faded more and more upon a dead background of dusk.
+In the sharpest and deepest shadow, which was the entrance to the house
+by the big French windows, Rosamund could watch a hurried consultation
+between Inglewood (who was still left in charge of the mysterious captive)
+and Diana, who had moved to his assistance from without. After a few minutes
+and gestures they went inside, shutting the glass doors upon the garden;
+and the garden seemed to grow grayer still.
+
+The American gentleman named Pym seemed to be turning and on the move
+in the same direction; but before he started he spoke to Rosamund with a
+flash of that guileless tact which redeemed much of his childish vanity,
+and with something of that spontaneous poetry which made it difficult,
+pedantic as he was, to call him a pedant.
+
+"I'm vurry sorry, Miss Hunt," he said; "but Dr. Warner and I,
+as two quali-FIED practitioners, had better take Mr. Smith
+away in that cab, and the less said about it the better.
+Don't you agitate yourself, Miss Hunt. You've just got to think
+that we're taking away a monstrosity, something that oughtn't to be
+at all--something like one of those gods in your Britannic Museum,
+all wings, and beards, and legs, and eyes, and no shape.
+That's what Smith is, and you shall soon be quit of him."
+
+He had already taken a step towards the house, and Warner was about
+to follow him, when the glass doors were opened again and Diana Duke
+came out with more than her usual quickness across the lawn.
+Her face was aquiver with worry and excitement, and her dark earnest
+eyes fixed only on the other girl.
+
+"Rosamund," she cried in despair, "what shall I do with her?"
+
+"With her?" cried Miss Hunt, with a violent jump. "O lord,
+he isn't a woman too, is he?"
+
+"No, no, no," said Dr. Pym soothingly, as if in common fairness.
+"A woman? no, really, he is not so bad as that."
+
+"I mean your friend Mary Gray," retorted Diana with equal tartness.
+"What on earth am I to do with her?"
+
+"How can we tell her about Smith, you mean," answered Rosamund, her face
+at once clouded and softening. "Yes, it will be pretty painful."
+
+"But I HAVE told her," exploded Diana, with more than her
+congenital exasperation. "I have told her, and she doesn't seem to mind.
+She still says she's going away with Smith in that cab."
+
+"But it's impossible!" ejaculated Rosamund. "Why, Mary is
+really religious. She--"
+
+She stopped in time to realize that Mary Gray was comparatively
+close to her on the lawn. Her quiet companion had come down very
+quietly into the garden, but dressed very decisively for travel.
+She had a neat but very ancient blue tam-o'-shanter on her head,
+and was pulling some rather threadbare gray gloves on to her hands.
+Yet the two tints fitted excellently with her heavy copper-coloured hair;
+the more excellently for the touch of shabbiness: for a woman's clothes
+never suit her so well as when they seem to suit her by accident.
+
+But in this case the woman had a quality yet more unique and attractive.
+In such gray hours, when the sun is sunk and the skies are
+already sad, it will often happen that one reflection at some
+occasional angle will cause to linger the last of the light.
+A scrap of window, a scrap of water, a scrap of looking-glass,
+will be full of the fire that is lost to all the rest of the earth.
+The quaint, almost triangular face of Mary Gray was like some
+triangular piece of mirror that could still repeat the splendour
+of hours before. Mary, though she was always graceful,
+could never before have properly been called beautiful; and yet
+her happiness amid all that misery was so beautiful as to make
+a man catch his breath.
+
+"O Diana," cried Rosamund in a lower voice and altering her phrase;
+"but how did you tell her?"
+
+"It is quite easy to tell her," answered Diana sombrely;
+"it makes no impression at all."
+
+"I'm afraid I've kept everything waiting," said Mary Gray apologetically,
+"and now we must really say good-bye. Innocent is taking me to his aunt's
+over at Hampstead, and I'm afraid she goes to bed early."
+
+Her words were quite casual and practical, but there was a sort
+of sleepy light in her eyes that was more baffling than darkness;
+she was like one speaking absently with her eye on some
+very distant object.
+
+"Mary, Mary," cried Rosamund, almost breaking down, "I'm so sorry about it,
+but the thing can't be at all. We--we have found out all about Mr. Smith."
+
+"All?" repeated Mary, with a low and curious intonation;
+"why, that must be awfully exciting."
+
+There was no noise for an instant and no motion except that
+the silent Michael Moon, leaning on the gate, lifted his head,
+as it might be to listen. Then Rosamund remaining speechless,
+Dr. Pym came to her rescue in a definite way.
+
+"To begin with," he said, "this man Smith is constantly attempting murder.
+The Warden of Brakespeare College--"
+
+"I know," said Mary, with a vague but radiant smile.
+"Innocent told me."
+
+"I can't say what he told you," replied Pym quickly, "but I'm very much
+afraid it wasn't true. The plain truth is that the man's stained
+with every known human crime. I assure you I have all the documents.
+I have evidence of his committing burglary, signed by a most eminent
+English curate. I have--"
+
+"Oh, but there were two curates," cried Mary, with a certain gentle eagerness;
+"that was what made it so much funnier."
+
+The darkened glass doors of the house opened once more,
+and Inglewood appeared for an instant, making a sort of signal.
+The American doctor bowed, the English doctor did not,
+but they both set out stolidly towards the house.
+No one else moved, not even Michael hanging on the gate;
+but the back of his head and shoulders had still an indescribable
+indication that he was listening to every word.
+
+"But don't you understand, Mary," cried Rosamund in despair; "don't you
+know that awful things have happened even before our very eyes.
+I should have thought you would have heard the revolver shots upstairs."
+
+"Yes, I heard the shots," said Mary almost brightly; "but I was busy packing
+just then. And Innocent had told me he was going to shoot at Dr. Warner;
+so it wasn't worth while to come down."
+
+"Oh, I don't understand what you mean," cried Rosamund Hunt,
+stamping, "but you must and shall understand what I mean.
+I don't care how cruelly I put it, if only I can save you.
+I mean that your Innocent Smith is the most awfully wicked
+man in the world. He has sent bullets at lots of other men
+and gone off in cabs with lots of other women. And he seems
+to have killed the women too, for nobody can find them."
+
+"He is really rather naughty sometimes," said Mary Gray,
+laughing softly as she buttoned her old gray gloves.
+
+"Oh, this is really mesmerism, or something," said Rosamund,
+and burst into tears.
+
+At the same moment the two black-clad doctors appeared out
+of the house with their great green-clad captive between them.
+He made no resistance, but was still laughing in a groggy
+and half-witted style. Arthur Inglewood followed in the rear,
+a dark and red study in the last shades of distress and shame.
+In this black, funereal, and painfully realistic style the exit
+from Beacon House was made by a man whose entrance a day before
+had been effected by the happy leaping of a wall and the hilarious
+climbing of a tree. No one moved of the groups in the garden
+except Mary Gray, who stepped forward quite naturally,
+calling out, "Are you ready, Innocent? Our cab's been waiting
+such a long time."
+
+"Ladies and gentlemen," said Dr. Warner firmly, "I must insist on asking
+this lady to stand aside. We shall have trouble enough as it is,
+with the three of us in a cab."
+
+"But it IS our cab," persisted Mary. "Why, there's Innocent's yellow
+bag on the top of it."
+
+"Stand aside," repeated Warner roughly. "And you, Mr. Moon,
+please be so obliging as to move a moment. Come, come! the sooner
+this ugly business is over the better--and how can we open the gate
+if you will keep leaning on it?"
+
+Michael Moon looked at his long lean forefinger, and seemed
+to consider and reconsider this argument. "Yes, he said at last;
+"but how can I lean on this gate if you keep on opening it?"
+
+"Oh, get out of the way!" cried Warner, almost good-humouredly.
+"You can lean on the gate any time."
+
+"No," said Moon reflectively. "Seldom the time and the place
+and the blue gate altogether; and it all depends whether you
+come of an old country family. My ancestors leaned on gates
+before any one had discovered how to open them."
+
+"Michael!" cried Arthur Inglewood in a kind of agony, "are you going to get
+out of the way?"
+
+"Why, no; I think not," said Michael, after some meditation,
+and swung himself slowly round, so that he confronted the company,
+while still, in a lounging attitude, occupying the path.
+
+"Hullo!" he called out suddenly; "what are you doing to Mr. Smith?"
+
+"Taking him away," answered Warner shortly, "to be examined."
+
+"Matriculation?" asked Moon brightly.
+
+"By a magistrate," said the other curtly.
+
+"And what other magistrate," cried Michael, raising his voice,
+"dares to try what befell on this free soil, save only the ancient
+and independent Dukes of Beacon? What other court dares to try
+one of our company, save only the High Court of Beacon? Have you
+forgotten that only this afternoon we flew the flag of independence
+and severed ourselves from all the nations of the earth?"
+
+"Michael," cried Rosamund, wringing her hands, "how can you stand
+there talking nonsense? Why, you saw the dreadful thing yourself.
+You were there when he went mad. It was you that helped the doctor
+up when he fell over the flower-pot."
+
+"And the High Court of Beacon," replied Moon with hauteur,
+"has special powers in all cases concerning lunatics,
+flower-pots, and doctors who fall down in gardens.
+It's in our very first charter from Edward I: `Si medicus
+quisquam in horto prostratus--'"
+
+"Out of the way!" cried Warner with sudden fury, "or we will force
+you out of it."
+
+"What!" cried Michael Moon, with a cry of hilarious fierceness.
+"Shall I die in defence of this sacred pale? Will you paint
+these blue railings red with my gore?" and he laid hold of one
+of the blue spikes behind him. As Inglewood had noticed earlier
+in the evening, the railing was loose and crooked at this place,
+and the painted iron staff and spearhead came away in Michael's
+hand as he shook it.
+
+"See!" he cried, brandishing this broken javelin in the air,
+"the very lances round Beacon Tower leap from their places to defend it.
+Ah, in such a place and hour it is a fine thing to die alone!"
+And in a voice like a drum he rolled the noble lines of Ronsard--
+
+"Ou pour l'honneur de Dieu, ou pour le droit de mon prince, Navre,
+poitrine ouverte, au bord de mon province."
+
+
+"Sakes alive!" said the American gentleman, almost in an awed tone.
+Then he added, "Are there two maniacs here?"
+
+"No; there are five," thundered Moon. "Smith and I are the only
+sane people left."
+
+"Michael!" cried Rosamund; "Michael, what does it mean?"
+
+"It means bosh!" roared Michael, and slung his painted spear
+hurtling to the other end of the garden. "It means that doctors
+are bosh, and criminology is bosh, and Americans are bosh--
+much more bosh than our Court of Beacon. It means, you fatheads,
+that Innocent Smith is no more mad or bad than the bird
+on that tree."
+
+"But, my dear Moon," began Inglewood in his modest manner, "these gentlemen--"
+
+"On the word of two doctors," exploded Moon again,
+without listening to anybody else, "shut up in a private hell
+on the word of two doctors! And such doctors! Oh, my hat!
+Look at 'em!--do just look at 'em! Would you read a book,
+or buy a dog, or go to a hotel on the advice of twenty such?
+My people came from Ireland, and were Catholics. What would
+you say if I called a man wicked on the word of two priests?"
+
+"But it isn't only their word, Michael," reasoned Rosamund;
+"they've got evidence too."
+
+"Have you looked at it?" asked Moon.
+
+"No," said Rosamund, with a sort of faint surprise; "these gentlemen
+are in charge of it."
+
+"And of everything else, it seems to me," said Michael. "Why, you
+haven't even had the decency to consult Mrs. Duke."
+
+"Oh, that's no use," said Diana in an undertone to Rosamund; "Auntie can't
+say `Bo!' to a goose."
+
+"I am glad to hear it," answered Michael, "for with such a flock of geese
+to say it to, the horrid expletive might be constantly on her lips.
+For my part, I simply refuse to let things be done in this light
+and airy style. I appeal to Mrs. Duke--it's her house."
+
+"Mrs. Duke?" repeated Inglewood doubtfully.
+
+"Yes, Mrs. Duke," said Michael firmly, "commonly called the Iron Duke."
+
+"If you ask Auntie," said Diana quietly, "she'll only be for doing nothing
+at all. Her only idea is to hush things up or to let things slide.
+That just suits her."
+
+"Yes," replied Michael Moon; "and, as it happens, it just suits
+all of us. You are impatient with your elders, Miss Duke;
+but when you are as old yourself you will know what Napoleon knew--
+that half one's letters answer themselves if you can only refrain
+from the fleshly appetite of answering them."
+
+He was still lounging in the same absurd attitude, with his elbow
+on the grate, but his voice had altered abruptly for the third time;
+just as it had changed from the mock heroic to the humanly indignant,
+it now changed to the airy incisiveness of a lawyer giving
+good legal advice.
+
+"It isn't only your aunt who wants to keep this quiet if
+she can," he said; "we all want to keep it quiet if we can.
+Look at the large facts--the big bones of the case. I believe
+those scientific gentlemen have made a highly scientific mistake.
+I believe Smith is as blameless as a buttercup. I admit
+buttercups don't often let off loaded pistols in private houses;
+I admit there is something demanding explanation.
+But I am morally certain there's some blunder, or some joke,
+or some allegory, or some accident behind all this.
+Well, suppose I'm wrong. We've disarmed him; we're five men
+to hold him; he may as well go to a lock-up later on as now.
+But suppose there's even a chance of my being right.
+Is it anybody's interest here to wash this linen in public?
+
+"Come, I'll take each of you in order. Once take Smith outside that gate,
+and you take him into the front page of the evening papers. I know;
+I've written the front page myself. Miss Duke, do you or your aunt want
+a sort of notice stuck up over your boarding-house--`Doctors shot here.'
+No, no--doctors are rubbish, as I said; but you don't want the rubbish
+shot here. Arthur, suppose I am right, or suppose I am wrong.
+Smith has appeared as an old schoolfellow of yours. Mark my words,
+if he's proved guilty, the Organs of Public Opinion will say you
+introduced him. If he's proved innocent, they will say you helped
+to collar him. Rosamund, my dear, suppose I am right or wrong.
+If he's proved guilty, they'll say you engaged your companion to him.
+If he's proved innocent, they'll print that telegram.
+I know the Organs, damn them."
+
+He stopped an instant; for this rapid rationalism left him more
+breathless than had either his theatrical or his real denunciation.
+But he was plainly in earnest, as well as positive and lucid;
+as was proved by his proceeding quickly the moment he had
+found his breath.
+
+"It is just the same," he cried, "with our medical friends.
+You will say that Dr. Warner has a grievance. I agree.
+But does he want specially to be snapshotted by all the
+journalists ~prostratus in horto~? It was no fault of his,
+but the scene was not very dignified even for him.
+He must have justice; but does he want to ask for justice,
+not only on his knees, but on his hands and knees?
+Does he want to enter the court of justice on all fours?
+Doctors are not allowed to advertise; and I'm sure no
+doctor wants to advertise himself as looking like that.
+And even for our American guest the interest is the same.
+Let us suppose that he has conclusive documents.
+Let us assume that he has revelations really worth reading.
+Well, in a legal inquiry (or a medical inquiry, for that matter)
+ten to one he won't be allowed to read them. He'll be tripped
+up every two or three minutes with some tangle of old rules.
+A man can't tell the truth in public nowadays. But he can
+still tell it in private; he can tell it inside that house."
+
+"It is quite true," said Dr. Cyrus Pym, who had listened throughout
+the speech with a seriousness which only an American could have retained
+through such a scene. "It is true that I have been per-ceptibly less
+hampered in private inquiries."
+
+"Dr. Pym!" cried Warner in a sort of sudden anger.
+"Dr. Pym! you aren't really going to admit--"
+
+"Smith may be mad," went on the melancholy Moon in a monologue
+that seemed as heavy as a hatchet, "but there was something
+after all in what he said about Home Rule for every home.
+Yes, there is something, when all's said and done, in the High Court
+of Beacon. It is really true that human beings might often get
+some sort of domestic justice where just now they can only get
+legal injustice--oh, I am a lawyer too, and I know that as well.
+It is true that there's too much official and indirect power.
+Often and often the thing a whole nation can't settle is just the thing
+a family could settle. Scores of young criminals have been fined
+and sent to jail when they ought to have been thrashed and sent to bed.
+Scores of men, I am sure, have had a lifetime at Hanwell when they
+only wanted a week at Brighton. There IS something in Smith's
+notion of domestic self-government; and I propose that we put it
+into practice. You have the prisoner; you have the documents.
+Come, we are a company of free, white, Christian people,
+such as might be besieged in a town or cast up on a desert island.
+Let us do this thing ourselves. Let us go into that house there
+and sit down and find out with our own eyes and ears whether this
+thing is true or not; whether this Smith is a man or a monster.
+If we can't do a little thing like that, what right have we to put
+crosses on ballot papers?"
+
+Inglewood and Pym exchanged a glance; and Warner, who was no fool,
+saw in that glance that Moon was gaining ground. The motives that led
+Arthur to think of surrender were indeed very different from those
+which affected Dr. Cyrus Pym. All Arthur's instincts were on the side
+of privacy and polite settlement; he was very English and would often
+endure wrongs rather than right them by scenes and serious rhetoric.
+To play at once the buffoon and the knight-errant, like his Irish friend,
+would have been absolute torture to him; but even the semi-official
+part he had played that afternoon was very painful. He was not likely
+to be reluctant if any one could convince him that his duty was to let
+sleeping dogs lie.
+
+On the other hand, Cyrus Pym belonged to a country in which things are
+possible that seem crazy to the English. Regulations and authorities exactly
+like one of Innocent's pranks or one of Michael's satires really exist,
+propped by placid policemen and imposed on bustling business men.
+Pym knew whole States which are vast and yet secret and fanciful;
+each is as big as a nation yet as private as a lost village, and as
+unexpected as an apple-pie bed. States where no man may have a cigarette,
+States where any man may have ten wives, very strict prohibition States,
+very lax divorce States--all these large local vagaries had prepared
+Cyrus Pym's mind for small local vagaries in a smaller country.
+Infinitely more remote from England than any Russian or Italian,
+utterly incapable of even conceiving what English conventions are,
+he could not see the social impossibility of the Court of Beacon. It is
+firmly believed by those who shared the experiment, that to the very
+end Pym believed in that phantasmal court and supposed it to be
+some Britannic institution.
+
+Towards the synod thus somewhat at a standstill there approached
+through the growing haze and gloaming a short dark figure with a walk
+apparently founded on the imperfect repression of a negro breakdown.
+Something at once in the familiarity and the incongruity of this
+being moved Michael to even heartier outbursts of a healthy
+and humane flippancy.
+
+"Why, here's little Nosey Gould," he exclaimed. "Isn't the mere
+sight of him enough to banish all your morbid reflections?"
+
+"Really," replied Dr. Warner," I really fail to see how Mr. Gould
+affects the question; and I once more demand--"
+
+"Hello! what's the funeral, gents?" inquired the newcomer with the air
+of an uproarious umpire. "Doctor demandin' something? Always the way
+at a boarding-house, you know. Always lots of demand. No supply."
+
+As delicately and impartially as he could, Michael restated his position,
+and indicated generally that Smith had been guilty of certain dangerous
+and dubious acts, and that there had even arisen an allegation that
+he was insane.
+
+"Well, of course he is," said Moses Gould equably; "it don't
+need old 'Olmes to see that. The 'awk-like face of 'Olmes,"
+he added with abstract relish, "showed a shide of disappointment,
+the sleuth-like Gould 'avin' got there before 'im."
+
+"If he is mad," began Inglewood.
+
+"Well," said Moses, "when a cove gets out on the tile the first night
+there's generally a tile loose."
+
+"You never objected before," said Diana Duke rather stiffly,
+"and you're generally pretty free with your complaints."
+
+"I don't compline of him," said Moses magnanimously, "the poor chap's
+'armless enough; you might tie 'im up in the garden her and 'e'd make
+noises at the burglars."
+
+"Moses," said Moon with solemn fervour, "you are the incarnation
+of Common Sense. You think Mr. Innocent is mad. Let me introduce you
+to the incarnation of Scientific Theory. He also thinks Mr. Innocent
+is mad.--Doctor, this is my friend Mr. Gould.--Moses, this is the celebrated
+Dr. Pym." The celebrated Dr. Cyrus Pym closed his eyes and bowed.
+He also murmured his national war-cry in a low voice, which sounded
+like "Pleased to meet you."
+
+"Now you two people," said Michael cheerfully, "who both think our poor
+friend mad, shall jolly well go into that house over there and prove him mad.
+What could be more powerful than the combination of Scientific Theory
+with Common Sense? United you stand; divided you fall. I will not be
+so uncivil as to suggest that Dr. Pym has no common sense; I confine myself
+to recording the chronological accident that he has not shown us any so far.
+I take the freedom of an old friend in staking my shirt that Moses has no
+scientific theory. Yet against this strong coalition I am ready to appear,
+armed with nothing but an intuition--which is American for a guess."
+
+"Distinguished by Mr. Gould's assistance," said Pym, opening his
+eyes suddenly. "I gather that though he and I are identical
+in primary di-agnosis there is yet between us something that
+cannot be called a disagreement, something which we may perhaps
+call a--" He put the points of thumb and forefinger together,
+spreading the other fingers exquisitely in the air, and seemed
+to be waiting for somebody else to tell him what to say.
+
+"Catchin' flies?" inquired the affable Moses.
+
+"A divergence," said Dr. Pym, with a refined sigh of relief; "a divergence.
+Granted that the man in question is deranged, he would not necessarily
+be all that science requires in a homicidal maniac--"
+
+"Has it occurred to you," observed Moon, who was leaning on the gate again,
+and did not turn round, "that if he were a homicidal maniac he might have
+killed us all here while we were talking."
+
+Something exploded silently in all their minds, like sealed
+dynamite in some forgotten cellars. They all remembered
+for the first time for some hour or two that the monster
+of whom they were talking was standing quietly among them.
+They had left him in the garden like a garden statue; there might
+have been a dolphin coiling round his legs, or a fountain
+pouring out of his mouth, for all the notice they had taken
+of Innocent Smith. He stood with his crest of blonde, blown hair
+thrust somewhat forward, his fresh-coloured, rather short-sighted
+face looking patiently downwards at nothing in particular,
+his huge shoulders humped, and his hands in his trousers pockets.
+So far as they could guess he had not moved at all.
+His green coat might have been cut out of the green turf
+on which he stood. In his shadow Pym had expounded and
+Rosamund expostulated, Michael had ranted and Moses had ragged.
+He had remained like a thing graven; the god of the garden.
+A sparrow had perched on one of his heavy shoulders; and then,
+after correcting its costume of feathers, had flown away.
+
+"Why," cried Michael, with a shout of laughter, "the Court of Beacon
+has opened--and shut up again too. You all know now I am right.
+Your buried common sense has told you what my buried common sense has
+told me. Smith might have fired off a hundred cannons instead of a pistol,
+and you would still know he was harmless as I know he is harmless.
+Back we all go to the house and clear a room for discussion.
+For the High Court of Beacon, which has already arrived at its decision,
+is just about to begin its inquiry."
+
+"Just a goin' to begin!" cried little Mr. Moses in an extraordinary
+sort of disinterested excitement, like that of an animal during music
+or a thunderstorm. "Follow on to the 'Igh Court of Eggs and Bacon;
+'ave a kipper from the old firm! 'Is Lordship complimented
+Mr. Gould on the 'igh professional delicacy 'e had shown,
+and which was worthy of the best traditions of the Saloon Bar--
+and three of Scotch hot, miss! Oh, chase me, girls!"
+
+The girls betraying no temptation to chase him, he went away in a
+sort of waddling dance of pure excitement; and has made a circuit
+of the garden before he reappeared, breathless but still beaming.
+Moon had known his man when he realized that no people presented
+to Moses Gould could be quite serious, even if they were
+quite furious. The glass doors stood open on the side nearest
+to Mr. Moses Gould; and as the feet of that festive idiot were
+evidently turned in the same direction, everybody else went
+that way with the unanimity of some uproarious procession.
+Only Diana Duke retained enough rigidity to say the thing that had
+been boiling at her fierce feminine lips for the last few hours.
+Under the shadow of tragedy she had kept it back as unsympathetic.
+"In that case," she said sharply, "these cabs can be sent away."
+
+"Well, Innocent must have his bag, you know," said Mary with a smile.
+"I dare say the cabman would get it down for us."
+
+"I'll get the bag," said Smith, speaking for the first time in hours;
+his voice sounded remote and rude, like the voice of a statue.
+
+Those who had so long danced and disputed round his immobility
+were left breathless by his precipitance. With a run and spring
+he was out of the garden into the street; with a spring and
+one quivering kick he was actually on the roof of the cab.
+The cabman happened to be standing by the horse's head, having just
+removed its emptied nose-bag. Smith seemed for an instant to be
+rolling about on the cab's back in the embraces of his Gladstone bag.
+The next instant, however, he had rolled, as if by a royal luck,
+into the high seat behind, and with a shriek of piercing and
+appalling suddenness had sent the horse flying and scampering
+down the street.
+
+His evanescence was so violent and swift, that this time it
+was all the other people who were turned into garden statues.
+Mr. Moses Gould, however, being ill-adapted both physically and morally
+for the purposes of permanent sculpture, came to life some time before
+the rest, and, turning to Moon, remarked, like a man starting chattily
+with a stranger on an omnibus, "Tile loose, eh? Cab loose anyhow."
+There followed a fatal silence; and then Dr. Warner said, with a sneer
+like a club of stone,--
+
+"This is what comes of the Court of Beacon, Mr. Moon. You have let
+loose a maniac on the whole metropolis."
+
+Beacon House stood, as has been said, at the end of a long crescent
+of continuous houses. The little garden that shut it in ran out into
+a sharp point like a green cape pushed out into the sea of two streets.
+Smith and his cab shot up one side of the triangle, and certainly
+most of those standing inside of it never expected to see him again.
+At the apex, however, he turned the horse sharply round and drove with equal
+violence up the other side of the garden, visible to all those in the group.
+With a common impulse the little crowd ran across the lawn as if to stop him,
+but they soon had reason to duck and recoil. Even as he vanished up
+street for the second time, he let the big yellow bag fly from his hand,
+so that it fell in the centre of the garden, scattering the company
+like a bomb, and nearly damaging Dr. Warner's hat for the third time.
+Long before they had collected themselves, the cab had shot away with a
+shriek that went into a whisper.
+
+"Well," said Michael Moon, with a queer note in his voice;
+"you may as well all go inside anyhow. We've got two relics
+of Mr. Smith at least; his fiancee and his trunk."
+
+"Why do you want us to go inside?" asked Arthur Inglewood,
+in whose red brow and rough brown hair botheration seemed
+to have reached its limit.
+
+"I want the rest to go in," said Michael in a clear voice,
+"because I want the whole of this garden in which to talk to you."
+
+There was an atmosphere of irrational doubt; it was really getting colder,
+and a night wind had begun to wave the one or two trees in the twilight.
+Dr. Warner, however, spoke in a voice devoid of indecision.
+
+"I refuse to listen to any such proposal," he said; "you have lost
+this ruffian, and I must find him."
+
+"I don't ask you to listen to any proposal," answered Moon quietly;
+"I only ask you to listen."
+
+He made a silencing movement with his hand, and immediately
+the whistling noise that had been lost in the dark streets on one side
+of the house could be heard from quite a new quarter on the other side.
+Through the night-maze of streets the noise increased with incredible
+rapidity, and the next moment the flying hoofs and flashing wheels had
+swept up to the blue-railed gate at which they had originally stood.
+Mr. Smith got down from his perch with an air of absent-mindedness,
+and coming back into the garden stood in the same elephantine
+attitude as before.
+
+"Get inside! get inside!" cried Moon hilariously, with the air
+of one shooing a company of cats. "Come, come, be quick about it!
+Didn't I tell you I wanted to talk to Inglewood?"
+
+How they were all really driven into the house again it would
+have been difficult afterwards to say. They had reached the point
+of being exhausted with incongruities, as people at a farce
+are ill with laughing, and the brisk growth of the storm among
+the trees seemed like a final gesture of things in general.
+Inglewood lingered behind them, saying with a certain amicable
+exasperation, "I say, do you really want to speak to me?"
+
+"I do," said Michael, "very much."
+
+Nigh had come as it generally does, quicker than the twilight had seemed
+to promise. While the human eye still felt the sky as light gray, a very
+large and lustrous moon appearing abruptly above a bulk of roofs and trees,
+proved by contrast that the sky was already a very dark gray indeed.
+A drift of barren leaves across the lawn, a drift of riven clouds across
+the sky, seemed to be lifted on the same strong and yet laborious wind.
+
+"Arthur," said Michael, "I began with an intuition; but now I am sure.
+You and I are going to defend this friend of yours before the blessed Court
+of Beacon, and to clear him too--clear him of both crime and lunacy.
+Just listen to me while I preach to you for a bit." They walked up
+and down the darkening garden together as Michael Moon went on.
+
+"Can you," asked Michael, "shut your eyes and see some of those queer old
+hieroglyphics they stuck up on white walls in the old hot countries.
+How stiff they were in shape and yet how gaudy in colour.
+Think of some alphabet of arbitrary figures picked out in black and red,
+or white and green, with some old Semitic crowd of Nosey Gould's
+ancestors staring at it, and try to think why the people put it
+up at all."
+
+Inglewood's first instinct was to think that his perplexing friend
+had really gone off his head at last; there seemed so reckless
+a flight of irrelevancy from the tropic-pictured walls he was
+asked to imagine to the gray, wind-swept, and somewhat chilly
+suburban garden in which he was actually kicking his heels.
+How he could be more happy in one by imagining the other he could
+not conceive. Both (in themselves) were unpleasant.
+
+"Why does everybody repeat riddles," went on Moon abruptly,
+"even if they've forgotten the answers? Riddles are easy to remember
+because they are hard to guess. So were those stiff old symbols
+in black, red, or green easy to remember because they had been hard
+to guess. Their colours were plain. Their shapes were plain.
+Everything was plain except the meaning."
+
+Inglewood was about to open his mouth in an amiable protest, but Moon
+went on, plunging quicker and quicker up and down the garden and smoking
+faster and faster. "Dances, too," he said; "dances were not frivolous.
+Dances were harder to understand than inscriptions and texts.
+The old dances were stiff, ceremonial, highly coloured but silent.
+Have you noticed anything odd about Smith?"
+
+"Well, really," cried Inglewood, left behind in a collapse of humour,
+"have I noticed anything else?"
+
+"Have you noticed this about him," asked Moon, with unshaken persistency,
+"that he has done so much and said so little? When first he came he talked,
+but in a gasping, irregular sort of way, as if he wasn't used to it.
+All he really did was actions--painting red flowers on black gowns or throwing
+yellow bags on to the grass. I tell you that big green figure is figurative--
+like any green figure capering on some white Eastern wall."
+
+"My dear Michael," cried Inglewood, in a rising irritation which increased
+with the rising wind, "you are getting absurdly fanciful."
+
+"I think of what has just happened," said Michael steadily.
+"The man has not spoken for hours; and yet he has been speaking
+all the time. He fired three shots from a six-shooter and then
+gave it up to us, when he might have shot us dead in our boots.
+How could he express his trust in us better than that?
+He wanted to be tried by us. How could he have shown it better
+than by standing quite still and letting us discuss it?
+He wanted to show that he stood there willingly,
+and could escape if he liked. How could he have shown it
+better than by escaping in the cab and coming back again?
+Innocent Smith is not a madman--he is a ritualist. He wants to
+express himself, not with his tongue, but with his arms and legs--
+with my body I thee worship, as it says in the marriage service.
+I begin to understand the old plays and pageants. I see why
+the mutes at a funeral were mute. I see why the mummers were mum.
+They MEANT something; and Smith means something too.
+All other jokes have to be noisy--like little Nosey Gould's jokes,
+for instance. The only silent jokes are the practical jokes.
+Poor Smith, properly considered, is an allegorical practical joker.
+What he has really done in this house has been as frantic
+as a war-dance, but as silent as a picture."
+
+"I suppose you mean," said the other dubiously, "that we have got to find out
+what all these crimes meant, as if they were so many coloured picture-puzzles.
+But even supposing that they do mean something--why, Lord bless my soul!--"
+
+Taking the turn of the garden quite naturally, he had lifted
+his eyes to the moon, by this time risen big and luminous,
+and had seen a huge, half-human figure sitting on the garden wall.
+It was outlined so sharply against the moon that for the first flash
+it was hard to be certain even that it was human: the hunched
+shoulders and outstanding hair had rather the air of a colossal cat.
+It resembled a cat also in the fact that when first startled it
+sprang up and ran with easy activity along the top of the wall.
+As it ran, however, its heavy shoulders and small stooping head
+rather suggested a baboon. The instant it came within reach
+of a tree it made an ape-like leap and was lost in the branches.
+The gale, which by this time was shaking every shrub in the garden,
+made the identification yet more difficult, since it melted
+the moving limbs of the fugitive in the multitudinous moving
+limbs of the tree.
+
+"Who is there?" shouted Arthur. "Who are you? Are you Innocent?"
+
+"Not quite," answered an obscure voice among the leaves.
+"I cheated you once about a penknife."
+
+The wind in the garden had gathered strength, and was throwing the tree
+backwards and forwards with the man in the thick of it, just as it
+had on the gay and golden afternoon when he had first arrived.
+
+"But are you Smith?" asked Inglewood as in an agony.
+
+"Very nearly," said the voice out of the tossing tree.
+
+"But you must have some real names," shrieked Inglewood in despair.
+"You must call yourself something."
+
+"Call myself something," thundered the obscure voice, shaking the tree
+so that all its ten thousand leaves seemed to be talking at once.
+"I call myself Roland Oliver Isaiah Charlemagne Arthur Hildebrand
+Homer Danton Michaelangelo Shakespeare Brakespeare--"
+
+"But, manalive!" began Inglewood in exasperation.
+
+"That's right! that's right!" came with a roar out of the rocking tree;
+"that's my real name." And he broke a branch, and one or two autumn
+leaves fluttered away across the moon.
+
+
+
+
+ Part II
+
+ The Explanations of Innocent Smith
+
+
+
+
+ Chapter I
+
+ The Eye of Death;
+ or, the Murder Charge
+
+
+The dining-room of the Dukes had been set out for the Court
+of Beacon with a certain impromptu pomposity that seemed somehow
+to increase its cosiness. The big room was, as it were,
+cut up into small rooms, with walls only waist high--the sort
+of separation that children make when they are playing at shops.
+This had been done by Moses Gould and Michael Moon
+(the two most active members of this remarkable inquiry)
+with the ordinary furniture of the place. At one end of the long
+mahogany table was set the one enormous garden chair, which was
+surmounted by the old torn tent or umbrella which Smith himself
+had suggested as a coronation canopy. Inside this erection
+could be perceived the dumpy form of Mrs. Duke, with cushions
+and a form of countenance that already threatened slumber.
+At the other end sat the accused Smith, in a kind of dock;
+for he was carefully fenced in with a quadrilateral of light
+bedroom chairs, any of which he could have tossed out the window
+with his big toe. He had been provided with pens and paper,
+out of the latter of which he made paper boats, paper darts,
+and paper dolls contentedly throughout the whole proceedings.
+He never spoke or even looked up, but seemed as unconscious
+as a child on the floor of an empty nursery.
+
+On a row of chairs raised high on the top of a long settee sat
+the three young ladies with their backs up against the window,
+and Mary Gray in the middle; it was something between a jury
+box and the stall of the Queen of Beauty at a tournament.
+Down the centre of the long table Moon had built a low barrier
+out of eight bound volumes of "Good Words" to express the moral
+wall that divided the conflicting parties. On the right side
+sat the two advocates of the prosecution, Dr. Pym and Mr. Gould;
+behind a barricade of books and documents, chiefly (in the case
+of Dr. Pym) solid volumes of criminology. On the other side,
+Moon and Inglewood, for the defence, were also fortified
+with books and papers; but as these included several old yellow
+volumes by Ouida and Wilkie Collins, the hand of Mr. Moon
+seemed to have been somewhat careless and comprehensive.
+As for the victim and prosecutor, Dr. Warner, Moon wanted at first
+to have him kept entirely behind a high screen in the court,
+urging the indelicacy of his appearance in court, but privately
+assuring him of an unofficial permission to peep over the top
+now and then. Dr. Warner, however, failed to rise to the chivalry
+of such a course, and after some little disturbance and discussion
+he was accommodated with a seat on the right side of the table
+in a line with his legal advisers.
+
+It was before this solidly-established tribunal that Dr. Cyrus Pym,
+after passing a hand through the honey-coloured hair over each ear,
+rose to open the case. His statement was clear and even restrained,
+and such flights of imagery as occurred in it only attracted attention
+by a certain indescribable abruptness, not uncommon in the flowers
+of American speech.
+
+He planted the points of his ten frail fingers on the mahogany,
+closed his eyes, and opened his mouth. "The time has gone by,"
+he said, "when murder could be regarded as a moral and individual act,
+important perhaps to the murderer, perhaps to the murdered.
+Science has profoundly..." here he paused, poising his compressed
+finger and thumb in the air as if he were holding an elusive idea
+very tight by its tail, then he screwed up his eyes and said
+"modified," and let it go--"has profoundly Modified our view of death.
+In superstitious ages it was regarded as the termination of life,
+catastrophic, and even tragic, and was often surrounded by solemnity.
+Brighter days, however, have dawned, and we now see death as universal
+and inevitable, as part of that great soul-stirring and heart-upholding
+average which we call for convenience the order of nature.
+In the same way we have come to consider murder socially.
+Rising above the mere private feelings of a man while being forcibly
+deprived of life, we are privileged to behold murder as a mighty whole,
+to see the rich rotation of the cosmos, bringing, as it brings
+the golden harvests and the golden-bearded harvesters, the return
+for ever of the slayers and the slain."
+
+He looked down, somewhat affected with his own eloquence, coughed slightly,
+putting up four of his pointed fingers with the excellent manners
+of Boston, and continued: "There is but one result of this happier
+and humaner outlook which concerns the wretched man before us.
+It is that thoroughly elucidated by a Milwaukee doctor,
+our great secret-guessing Sonnenschein, in his great work,
+`The Destructive Type.' We do not denounce Smith as a murderer,
+but rather as a murderous man. The type is such that its very life--
+I might say its very health--is in killing. Some hold that it is
+not properly an aberration, but a newer and even a higher creature.
+My dear old friend Dr. Bulger, who kept ferrets--" (here Moon
+suddenly ejaculated a loud "hurrah!" but so instantaneously
+resumed his tragic expression that Mrs. Duke looked everywhere
+else for the sound); Dr. Pym continued somewhat sternly--"who,
+in the interests of knowledge, kept ferrets, felt that the creature's
+ferocity is not utilitarian, but absolutely an end in itself.
+However this may be with ferrets, it is certainly so with the prisoner.
+In his other iniquities you may find the cunning of the maniac;
+but his acts of blood have almost the simplicity of sanity.
+But it is the awful sanity of the sun and the elements--a cruel,
+an evil sanity. As soon stay the iris-leapt cataracts of our virgin
+West as stay the natural force that sends him forth to slay.
+No environment, however scientific, could have softened him.
+Place that man in the silver-silent purity of the palest cloister,
+and there will be some deed of violence done with the crozier or the alb.
+Rear him in a happy nursery, amid our brave-browed Anglo-Saxon infancy,
+and he will find some way to strangle with the skipping-rope
+or brain with the brick. Circumstances may be favourable,
+training may be admirable, hopes may be high, but the huge elemental
+hunger of Innocent Smith for blood will in its appointed season
+burst like a well-timed bomb."
+
+Arthur Inglewood glanced curiously for an instant at the huge creature
+at the foot of the table, who was fitting a paper figure with a cocked hat,
+and then looked back at Dr. Pym, who was concluding in a quieter tone.
+
+"It only remains for us," he said, "to bring forward actual evidence
+of his previous attempts. By an agreement already made with the Court
+and the leaders of the defence, we are permitted to put in evidence authentic
+letters from witnesses to these scenes, which the defence is free to examine.
+Out of several cases of such outrages we have decided to select one--
+the clearest and most scandalous. I will therefore, without further delay,
+call on my junior, Mr. Gould, to read two letters--one from the Sub-Warden and
+the other from the porter of Brakespeare College, in Cambridge University."
+
+Gould jumped up with a jerk like a jack-in-the-box, an academic-looking
+paper in his hand and a fever of importance on his face.
+He began in a loud, high, cockney voice that was as abrupt
+as a cock-crow:--
+
+
+"Sir,--Hi am the Sub-Warden of Brikespeare College, Cambridge--"
+
+
+"Lord have mercy on us," muttered Moon, making a backward movement as men
+do when a gun goes off.
+
+
+"Sir,--Hi am the Sub-Warden of Brikespeare College, Cambridge,"
+proclaimed the uncompromising Moses, "and I can endorse the description
+you gave of the un'appy Smith. It was not alone my unfortunate duty
+to rebuke many of the lesser violences of his undergraduate period,
+but I was actually a witness to the last iniquity which terminated
+that period. Hi happened to passing under the house of my friend
+the Warden of Brikespeare, which is semi-detached from the College
+and connected with it by two or three very ancient arches or props,
+like bridges, across a small strip of water connected with the river.
+To my grave astonishment I be'eld my eminent friend suspended in mid-air
+and clinging to one of these pieces of masonry, his appearance and
+attitude indicatin' that he suffered from the grivest apprehensions.
+After a short time I heard two very loud shots, and distinctly perceived
+the unfortunate undergraduate Smith leaning far out of the Warden's
+window and aiming at the Warden repeatedly with a revolver.
+Upon seeing me, Smith burst into a loud laugh (in which
+impertinence was mingled with insanity), and appeared to desist.
+I sent the college porter for a ladder, and he succeeded in detaching
+the Warden from his painful position. Smith was sent down.
+The photograph I enclose is from the group of the University Rifle Club
+prizemen, and represents him as he was when at the College.--Hi am,
+your obedient servant, Amos Boulter."
+
+
+"The other letter," continued Gould in a glow of triumph, "is from the porter,
+and won't take long to read.
+
+
+"Dear Sir,--It is quite true that I am the porter of Brikespeare College,
+and that I 'elped the Warden down when the young man was shooting at him,
+as Mr. Boulter has said in his letter. The young man who was shooting at
+him was Mr. Smith, the same that is in the photograph Mr. Boulter sends.--
+Yours respectfully, Samuel Barker."
+
+
+Gould handed the two letters across to Moon, who examined them.
+But for the vocal divergences in the matter of h's and a's,
+the Sub-Warden's letter was exactly as Gould had rendered it;
+and both that and the porter's letter were plainly genuine.
+Moon handed them to Inglewood, who handed them back in silence
+to Moses Gould.
+
+"So far as this first charge of continual attempted murder is concerned,"
+said Dr. Pym, standing up for the last time, "that is my case."
+
+Michael Moon rose for the defence with an air of depression which gave
+little hope at the outset to the sympathizers with the prisoner.
+He did not, he said, propose to follow the doctor into doctor
+into the abstract questions. "I do not know enough to be
+an agnostic," he said, rather wearily, "and I can only master
+the known and admitted elements in such controversies.
+As for science and religion, the known and admitted facts
+are plain enough. All that the parsons say is unproved.
+All that the doctors say is disproved. That's the only difference
+between science and religion there's ever been, or will be.
+Yet these new discoveries touch me, somehow," he said,
+looking down sorrowfully at his boots. "They remind me of a dear
+old great-aunt of mine who used to enjoy them in her youth.
+It brings tears to my eyes. I can see the old bucket by the garden
+fence and the line of shimmering poplars behind--"
+
+"Hi! here, stop the 'bus a bit," cried Mr. Moses Gould, rising in a sort
+of perspiration. "We want to give the defence a fair run--like gents,
+you know; but any gent would draw the line at shimmering poplars."
+
+"Well, hang it all," said Moon, in an injured manner, "if Dr. Pym
+may have an old friend with ferrets, why mayn't I have an old
+aunt with poplars?"
+
+"I am sure," said Mrs. Duke, bridling, with something almost
+like a shaky authority, "Mr. Moon may have what aunts he likes."
+
+"Why, as to liking her," began Moon, "I--but perhaps,
+as you say, she is scarcely the core of the question.
+I repeat that I do not mean to follow the abstract speculation.
+For, indeed, my answer to Dr. Pym is simple and severely concrete.
+Dr. Pym has only treated one side of the psychology of murder.
+If it is true that there is a kind of man who has a natural
+tendency to murder, is it not equally true"--here he lowered
+his voice and spoke with a crushing quietude and earnestness--"is
+it not equally true that there is a kind of man who has
+a natural tendency to get murdered? Is it not at least
+a hypothesis holding the field that Dr. Warner is such a man?
+I do not speak without the book, any more than my learned friend.
+The whole matter is expounded in Dr. Moonenschein's monumental work,
+`The Destructible Doctor,' with diagrams, showing the various ways
+in which such a person as Dr. Warner may be resolved into his elements.
+In the light of these facts--"
+
+"Hi, stop the 'bus! stop the 'bus!" cried Moses, jumping up and down and
+gesticulating in great excitement. "My principal's got something to say!
+My principal wants to do a bit of talkin'."
+
+Dr. Pym was indeed on his feet, looking pallid and rather vicious.
+"I have strictly CON-fined myself," he said nasally,
+"to books to which immediate reference can be made.
+I have Sonnenschein's `Destructive Type' here on the table,
+if the defence wish to see it. Where is this wonderful work
+on Destructability Mr. Moon is talking about? Does it exist?
+Can he produce it?"
+
+"Produce it!" cried the Irishman with a rich scorn.
+"I'll produce it in a week if you'll pay for the ink and paper."
+
+"Would it have much authority?" asked Pym, sitting down.
+
+"Oh, authority!" said Moon lightly; "that depends on a fellow's religion."
+
+Dr. Pym jumped up again. "Our authority is based on masses
+of accurate detail," he said. "It deals with a region in which
+things can be handled and tested. My opponent will at least
+admit that death is a fact of experience."
+
+"Not of mine," said Moon mournfully, shaking his head.
+"I've never experienced such a thing in all my life."
+
+"Well, really," said Dr. Pym, and sat down sharply amid a crackle of papers.
+
+"So we see," resumed Moon, in the same melancholy voice, "that a
+man like Dr. Warner is, in the mysterious workings of evolution,
+doomed to such attacks. My client's onslaught, even if it occurred,
+was not unique. I have in my hand letters from more than one acquaintance
+of Dr. Warner whom that remarkable man has affected in the same way.
+Following the example of my learned friends I will read only two of them.
+The first is from an honest and laborious matron living off the Harrow Road.
+
+
+"Mr. Moon, Sir,--Yes, I did throw a sorsepan at him. Wot then?
+It was all I had to throw, all the soft things being porned,
+and if your Docter Warner doesn't like having sorsepans thrown at him,
+don't let him wear his hat in a respectable woman's parler, and tell
+him to leave orf smiling or tell us the joke.--Yours respectfully,
+ Hannah Miles.
+
+
+"The other letter is from a physician of some note in Dublin,
+with whom Dr. Warner was once engaged in consultation.
+He writes as follows:--
+
+
+"Dear Sir,--The incident to which you refer is one which I regret,
+and which, moreover, I have never been able to explain.
+My own branch of medicine is not mental; and I should be glad to have
+the view of a mental specialist on my singular momentary and indeed
+almost automatic action. To say that I `pulled Dr. Warner's nose,'
+is, however, inaccurate in a respect that strikes me as important.
+That I punched his nose I must cheerfully admit (I need not say with
+what regret); but pulling seems to me to imply a precision of objective
+with which I cannot reproach myself. In comparison with this, the act
+of punching was an outward, instantaneous, and even natural gesture.--
+Believe me, yours faithfully, Burton Lestrange.
+
+
+"I have numberless other letters," continued Moon, "all bearing witness
+to this widespread feeling about my eminent friend; and I therefore think
+that Dr. Pym should have admitted this side of the question in his survey.
+We are in the presence, as Dr. Pym so truly says, of a natural force.
+As soon stay the cataract of the London water-works as stay
+the great tendency of Dr. Warner to be assassinated by somebody.
+Place that man in a Quakers' meeting, among the most peaceful of Christians,
+and he will immediately be beaten to death with sticks of chocolate.
+Place him among the angels of the New Jerusalem, and he will be stoned
+to death with precious stones. Circumstances may be beautiful and wonderful,
+the average may be heart-upholding, the harvester may be golden-bearded,
+the doctor may be secret-guessing, the cataract may be iris-leapt,
+the Anglo-Saxon infant may be brave-browed, but against and above
+all these prodigies the grand simple tendency of Dr. Warner to get
+murdered will still pursue its way until it happily and triumphantly
+succeeds at last."
+
+He pronounced this peroration with an appearance of strong emotion.
+But even stronger emotions were manifesting themselves on the other
+side of the table. Dr. Warner had leaned his large body quite across
+the little figure of Moses Gould and was talking in excited whispers
+to Dr. Pym. That expert nodded a great many times and finally started
+to his feet with a sincere expression of sternness.
+
+"Ladies and gentlemen," he cried indignantly, "as my colleague has said,
+we should be delighted to give any latitude to the defence--if there
+were a defence. But Mr. Moon seems to think he is there to make jokes--
+very good jokes I dare say, but not at all adapted to assist his client.
+He picks holes in science. He picks holes in my client's social popularity.
+He picks holes in my literary style, which doesn't seem to suit his high-toned
+European taste. But how does this picking of holes affect the issue?
+This Smith has picked two holes in my client's hat, and with an inch better
+aim would have picked two holes in his head. All the jokes in the world
+won't unpick those holes or be any use for the defence."
+
+Inglewood looked down in some embarrassment, as if shaken by the evident
+fairness of this, but Moon still gazed at his opponent in a dreamy way.
+"The defence?" he said vaguely--"oh, I haven't begun that yet."
+
+"You certainly have not," said Pym warmly, amid a murmur of applause
+from his side, which the other side found it impossible to answer.
+"Perhaps, if you have any defence, which has been doubtful from
+the very beginning--"
+
+"While you're standing up," said Moon, in the same almost sleepy style,
+"perhaps I might ask you a question."
+
+"A question? Certainly," said Pym stiffly. "It was distinctly
+arranged between us that as we could not cross-examine
+the witnesses, we might vicariously cross-examine each other.
+We are in a position to invite all such inquiry."
+
+"I think you said," observed Moon absently, "that none of the prisoner's
+shots really hit the doctor."
+
+"For the cause of science," cried the complacent Pym, "fortunately not."
+
+"Yet they were fired from a few feet away."
+
+"Yes; about four feet."
+
+"And no shots hit the Warden, though they were fired quite close
+to him too?" asked Moon.
+
+"That is so," said the witness gravely.
+
+"I think," said Moon, suppressing a slight yawn, "that your Sub-Warden
+mentioned that Smith was one of the University's record men for shooting."
+
+"Why, as to that--" began Pym, after an instant of stillness.
+
+"A second question," continued Moon, comparatively curtly.
+"You said there were other cases of the accused trying to kill people.
+Why have you not got evidence of them?"
+
+The American planted the points of his fingers on the table again.
+"In those cases," he said precisely, "there was no evidence from outsiders,
+as in the Cambridge case, but only the evidence of the actual victims."
+
+"Why didn't you get their evidence?"
+
+"In the case of the actual victims," said Pym, "there was some difficulty
+and reluctance, and--"
+
+"Do you mean," asked Moon, "that none of the actual victims would
+appear against the prisoner?"
+
+"That would be exaggerative," began the other.
+
+"A third question," said Moon, so sharply that every one jumped.
+"You've got the evidence of the Sub-Warden who heard some shots;
+where's the evidence of the Warden himself who was shot at?
+The Warden of Brakespeare lives, a prosperous gentleman."
+
+"We did ask for a statement from him," said Pym a little nervously;
+"but it was so eccentrically expressed that we suppressed it out
+of deference to an old gentleman whose past services to science
+have been great."
+
+Moon leaned forward. "You mean, I suppose," he said, "that his statement
+was favourable to the prisoner."
+
+"It might be understood so," replied the American doctor;
+"but, really, it was difficult to understand at all.
+In fact, we sent it back to him."
+
+"You have no longer, then, any statement signed by the Warden of Brakespeare."
+
+"No."
+
+"I only ask," said Michael quietly, "because we have.
+To conclude my case I will ask my junior, Mr. Inglewood,
+to read a statement of the true story--a statement attested
+as true by the signature of the Warden himself."
+
+Arthur Inglewood rose with several papers in his hand, and though
+he looked somewhat refined and self-effacing, as he always did,
+the spectators were surprised to feel that his presence was,
+upon the whole, more efficient and sufficing than his leader's. He was,
+in truth, one of those modest men who cannot speak until they are told
+to speak; and then can speak well. Moon was entirely the opposite.
+His own impudences amused him in private, but they slightly
+embarrassed him in public; he felt a fool while he was speaking,
+whereas Inglewood felt a fool only because he could not speak.
+The moment he had anything to say he could speak;
+and the moment he could speak, speaking seemed quite natural.
+Nothing in this universe seemed quite natural to Michael Moon.
+
+"As my colleague has just explained," said Inglewood, "there are
+two enigmas or inconsistencies on which we base the defence.
+The first is a plain physical fact. By the admission of everybody,
+by the very evidence adduced by the prosecution, it is clear
+that the accused was celebrated as a specially good shot.
+Yet on both the occasions complained of he shot from a distance of four
+or five feet, and shot at him four or five times, and never hit him once.
+That is the first startling circumstance on which we base our argument.
+The second, as my colleague has urged, is the curious fact that we cannot
+find a single victim of these alleged outrages to speak for himself.
+Subordinates speak for him. Porters climb up ladders to him.
+But he himself is silent. Ladies and gentlemen, I propose to explain
+on the spot both the riddle of the shots and the riddle of the silence.
+I will first of all read the covering letter in which the true account
+of the Cambridge incident is contained, and then that document itself.
+When you have heard both, there will be no doubt about your decision.
+The covering letter runs as follows:--
+
+
+"Dear Sir,--The following is a very exact and even vivid account of the
+incident as it really happened at Brakespeare College. We, the undersigned,
+do not see any particular reason why we should refer it to any
+isolated authorship. The truth is, it has been a composite production;
+and we have even had some difference of opinion about the adjectives.
+But every word of it is true.--We are, yours faithfully,
+
+ "Wilfred Emerson Eames,
+ "Warden of Brakespeare College, Cambridge.
+
+ "Innocent Smith.
+
+
+"The enclosed statement," continued Inglewood, "runs as follows:--
+
+
+"A celebrated English university backs so abruptly on the river,
+that it has, so to speak, to be propped up and patched
+with all sorts of bridges and semi-detached buildings.
+The river splits itself into several small streams and canals,
+so that in one or two corners the place has almost the look
+of Venice. It was so especially in the case with which we
+are concerned, in which a few flying buttresses or airy ribs of stone
+sprang across a strip of water to connect Brakespeare College
+with the house of the Warden of Brakespeare.
+
+"The country around these colleges is flat; but it does not
+seem flat when one is thus in the midst of the colleges.
+For in these flat fens there are always wandering lakes and lingering
+rivers of water. And these always change what might have been
+a scheme of horizontal lines into a scheme of vertical lines.
+Wherever there is water the height of high buildings is doubled,
+and a British brick house becomes a Babylonian tower.
+In that shining unshaken surface the houses hang head
+downwards exactly to their highest or lowest chimney.
+The coral-coloured cloud seen in that abyss is as far
+below the world as its original appears above it.
+Every scrap of water is not only a window but a skylight.
+Earth splits under men's feet into precipitous aerial perspectives,
+into which a bird could as easily wing its way as--"
+
+Dr. Cyrus Pym rose in protest. The documents he had put
+in evidence had been confined to cold affirmation of fact.
+The defence, in a general way, had an indubitable right to put
+their case in their own way, but all this landscape gardening
+seemed to him (Dr. Cyrus Pym) to be not up to the business.
+"Will the leader of the defence tell me," he asked, "how it can
+possibly affect this case, that a cloud was cor'l-coloured,
+or that a bird could have winged itself anywhere?"
+
+"Oh, I don't know," said Michael, lifting himself lazily;
+"you see, you don't know yet what our defence is.
+Till you know that, don't you see, anything may be relevant.
+Why, suppose," he said suddenly, as if an idea had struck him,
+"suppose we wanted to prove the old Warden colour-blind.
+Suppose he was shot by a black man with white hair, when he
+thought he was being shot by a white man with yellow hair!
+To ascertain if that cloud was really and truly coral-coloured
+might be of the most massive importance."
+
+He paused with a seriousness which was hardly generally shared,
+and continued with the same fluence: "Or suppose we wanted to
+maintain that the Warden committed suicide--that he just got Smith
+to hold the pistol as Brutus's slave held the sword. Why, it would
+make all the difference whether the Warden could see himself plain
+in still water. Still water has made hundreds of suicides:
+one sees oneself so very--well, so very plain."
+
+"Do you, perhaps," inquired Pym with austere irony, "maintain that your client
+was a bird of some sort--say, a flamingo?"
+
+"In the matter of his being a flamingo," said Moon with sudden severity,
+"my client reserves his defence."
+
+No one quite knowing what to make of this, Mr. Moon resumed his seat
+and Inglewood resumed the reading of his document:--
+
+
+"There is something pleasing to a mystic in such a land of mirrors.
+For a mystic is one who holds that two worlds are better than one.
+In the highest sense, indeed, all thought is reflection.
+
+"This is the real truth, in the saying that second thoughts are best.
+Animals have no second thoughts; man alone is able to see his own
+thought double, as a drunkard sees a lamp-post; man alone is able
+to see his own thought upside down as one sees a house in a puddle.
+This duplication of mentality, as in a mirror, is (we repeat)
+the inmost thing of human philosophy. There is a mystical, even a
+monstrous truth, in the statement that two heads are better than one.
+But they ought both to grow on the same body.'"
+
+
+"I know it's a little transcendental at first," interposed Inglewood,
+beaming round with a broad apology, "but you see this document was written
+in collaboration by a don and a--"
+
+"Drunkard, eh?" suggested Moses Gould, beginning to enjoy himself.
+
+"I rather think," proceeded Inglewood with an unruffled
+and critical air, "that this part was written by the don.
+I merely warn the Court that the statement, though indubitably accurate,
+bears here and there the trace of coming from two authors."
+
+"In that case," said Dr. Pym, leaning back and sniffing,
+"I cannot agree with them that two heads are better than one."
+
+
+"The undersigned persons think it needless to touch on a kindred
+problem so often discussed at committees for University Reform:
+the question of whether dons see double because they are drunk,
+or get drunk because they see double. It is enough for them
+(the undersigned persons) if they are able to pursue their own peculiar
+and profitable theme--which is puddles. What (the undersigned
+persons ask themselves) is a puddle? A puddle repeats infinity,
+and is full of light; nevertheless, if analyzed objectively,
+a puddle is a piece of dirty water spread very thin on mud.
+The two great historic universities of England have all this large
+and level and reflective brilliance. Nevertheless, or, rather, on the
+other hand, they are puddles--puddles, puddles, puddles, puddles.
+The undersigned persons ask you to excuse an emphasis inseparable
+from strong conviction."
+
+
+Inglewood ignored a somewhat wild expression on the faces of some present,
+and continued with eminent cheerfulness:--
+
+
+"Such were the thoughts that failed to cross the mind of
+the undergraduate Smith as he picked his way among the stripes
+of canal and the glittering rainy gutters into which the water
+broke up round the back of Brakespeare College. Had these thoughts
+crossed his mind he would have been much happier than he was.
+Unfortunately he did not know that his puzzles were puddles.
+He did not know that the academic mind reflects infinity and is full
+of light by the simple process of being shallow and standing still.
+In his case, therefore, there was something solemn, and even evil
+about the infinity implied. It was half-way through a starry
+night of bewildering brilliancy; stars were both above and below.
+To young Smith's sullen fancy the skies below seemed even hollower
+than the skies above; he had a horrible idea that if he counted
+the stars he would find one too many in the pool.
+
+"In crossing the little paths and bridges he felt like one stepping
+on the black and slender ribs of some cosmic Eiffel Tower. For to him,
+and nearly all the educated youth of that epoch, the stars were cruel things.
+Though they glowed in the great dome every night, they were an enormous
+and ugly secret; they uncovered the nakedness of nature; they were a glimpse
+of the iron wheels and pulleys behind the scenes. For the young men
+of that sad time thought that the god always comes from the machine.
+They did not know that in reality the machine only comes from the god.
+IN short, they were all pessimists, and starlight was atrocious to them--
+atrocious because it was true. All their universe was black with white spots.
+
+"Smith looked up with relief from the glittering pools below
+to the glittering skies and the great black bulk of the college.
+The only light other than stars glowed through one peacock-green
+curtain in the upper part of the building, marking where
+Dr. Emerson Eames always worked till morning and received
+his friends and favourite pupils at any hour of the night.
+Indeed, it was to his rooms that the melancholy Smith was bound.
+Smith had been at Dr. Eames's lecture for the first half of the morning,
+and at pistol practice and fencing in a saloon for the second half.
+He had been sculling madly for the first half of the afternoon
+and thinking idly (and still more madly) for the second half.
+He had gone to a supper where he was uproarious, and on to a debating
+club where he was perfectly insufferable, and the melancholy
+Smith was melancholy still. Then, as he was going home to his
+diggings he remembered the eccentricity of his friend and master,
+the Warden of Brakespeare, and resolved desperately to turn
+in to that gentleman's private house.
+
+"Emerson Eames was an eccentric in many ways, but his throne
+in philosophy and metaphysics was of international eminence;
+the university could hardly have afforded to lose him, and, moreover,
+a don has only to continue any of his bad habits long enough
+to make them a part of the British Constitution. The bad habits
+of Emerson Eames were to sit up all night and to be a student
+of Schopenhauer. Personally, he was a lean, lounging sort of man,
+with a blond pointed beard, not so very much older than his
+pupil Smith in the matter of mere years, but older by centuries
+in the two essential respects of having a European reputation
+and a bald head.
+
+"`I came, against the rules, at this unearthly hour,' said Smith, who was
+nothing to the eye except a very big man trying to make himself small,
+`because I am coming to the conclusion that existence is really too rotten.
+I know all the arguments of the thinkers that think otherwise--bishops,
+and agnostics, and those sort of people. And knowing you were the greatest
+living authority on the pessimist thinkers--'
+
+"`All thinkers,' said Eames, `are pessimist thinkers.'
+
+"After a patch of pause, not the first--for this depressing conversation
+had gone on for some hours with alternations of cynicism and silence--
+the Warden continued with his air of weary brilliancy: `It's all a question
+of wrong calculation. The most flies into the candle because he doesn't
+happen to know that the game is not worth the candle. The wasp gets
+into the jam in hearty and hopeful efforts to get the jam into him.
+IN the same way the vulgar people want to enjoy life just as they want
+to enjoy gin--because they are too stupid to see that they are paying too big
+a price for it. That they never find happiness--that they don't even know
+how to look for it--is proved by the paralyzing clumsiness and ugliness
+of everything they do. Their discordant colours are cries of pain.
+Look at the brick villas beyond the college on this side of the river.
+There's one with spotted blinds; look at it! just go and look at it!'
+
+"`Of course,' he went on dreamily, `one or two men see the sober
+fact a long way off--they go mad. Do you notice that maniacs mostly
+try either to destroy other things, or (if they are thoughtful)
+to destroy themselves? The madman is the man behind the scenes,
+like the man that wanders about the coulisse of a theater.
+He has only opened the wrong door and come into the right place.
+He sees things at the right angle. But the common world--'
+
+"`Oh, hang the common world!' said the sullen Smith, letting his fist
+fall on the table in an idle despair.
+
+"`Let's give it a bad name first,' said the Professor calmly,
+`and then hang it. A puppy with hydrophobia would probably struggle
+for life while we killed it; but if we were kind we should kill it.
+So an omniscient god would put us out of our pain.
+He would strike us dead.'
+
+"`Why doesn't he strike us dead?' asked the undergraduate abstractedly,
+plunging his hands into his pockets.
+
+"`He is dead himself,' said the philosopher; `that is where
+he is really enviable.'
+
+"`To any one who thinks,' proceeded Eames, `the pleasures of life,
+trivial and soon tasteless, and bribes to bring us into a torture chamber.
+We all see that for any thinking man mere extinction is the... What
+are you doing?... Are you mad?... Put that thing down.'
+
+"Dr. Eames had turned his tired but still talkative head over his shoulder,
+and had found himself looking into a small round black hole, rimmed by a
+six-sided circlet of steel, with a sort of spike standing up on the top.
+It fixed him like an iron eye. Through those eternal instants during
+which the reason is stunned he did not even know what it was.
+Then he saw behind it the chambered barrel and cocked hammer of
+a revolver, and behind that the flushed and rather heavy face of Smith,
+apparently quite unchanged, or even more mild than before.
+
+"`I'll help you out of your hole, old man,' said Smith,
+with rough tenderness. `I'll put the puppy out of his pain.'
+
+"Emerson Eames retreated towards the window. `Do you mean
+to kill me?' he cried.
+
+"`It's not a thing I'd do for every one,' said Smith with emotion;
+`but you and I seem to have got so intimate to-night, somehow.
+I know all your troubles now, and the only cure, old chap.'
+
+"`Put that thing down,' shouted the Warden.
+
+"`It'll soon be over, you know,' said Smith with the air of a
+sympathetic dentist. And as the Warden made a run for the window
+and balcony, his benefactor followed him with a firm step
+and a compassionate expression.
+
+"Both men were perhaps surprised to see that the gray and white
+of early daybreak had already come. One of them, however,
+had emotions calculated to swallow up surprise. Brakespeare College
+was one of the few that retained real traces of Gothic ornament,
+and just beneath Dr. Eames's balcony there ran out what had perhaps
+been a flying buttress, still shapelessly shaped into gray beasts
+and devils, but blinded with mosses and washed out with rains.
+With an ungainly and most courageous leap, Eames sprang out on this
+antique bridge, as the only possible mode of escape from the maniac.
+He sat astride of it, still in his academic gown, dangling his
+long thin legs, and considering further chances of flight.
+The whitening daylight opened under as well as over him that
+impression of vertical infinity already remarked about the little
+lakes round Brakespeare. Looking down and seeing the spires
+and chimneys pendent in the pools, they felt alone in space.
+They felt as if they were looking over the edge from the North Pole
+and seeing the South Pole below.
+
+"`Hang the world, we said,' observed Smith, `and the world is hanged.
+"He has hanged the world upon nothing," says the Bible. Do you like being
+hanged upon nothing? I'm going to be hanged upon something myself.
+I'm going to swing for you... Dear, tender old phrase,' he murmured;
+`never true till this moment. I am going to swing for you.
+For you, dear friend. For your sake. At your express desire.'
+
+"`Help!' cried the Warden of Brakespeare College; `help!'
+
+"`The puppy struggles,' said the undergraduate, with an eye of pity,
+`the poor puppy struggles. How fortunate it is that I am wiser
+and kinder than he,' and he sighted his weapon so as exactly to cover
+the upper part of Eames's bald head.
+
+"`Smith,' said the philosopher with a sudden change to a sort
+of ghastly lucidity, `I shall go mad.'
+
+"`And so look at things from the right angle,' observed Smith,
+sighing gently. `Ah, but madness is only a palliative at best,
+a drug. The only cure is an operation--an operation that is
+always successful: death.'
+
+"As he spoke the sun rose. It seemed to put colour into everything,
+with the rapidity of a lightning artist. A fleet of little
+clouds sailing across the sky changed from pigeon-gray to pink.
+All over the little academic town the tops of different buildings
+took on different tints: here the sun would pick out the green
+enameled on a pinnacle, there the scarlet tiles of a villa;
+here the copper ornament on some artistic shop, and there
+the sea-blue slates of some old and steep church roof.
+All these coloured crests seemed to have something oddly
+individual and significant about them, like crests of famous
+knights pointed out in a pageant or a battlefield: they each
+arrested the eye, especially the rolling eye of Emerson Eames
+as he looked round on the morning and accepted it as his last.
+Through a narrow chink between a black timber tavern and a big
+gray college he could see a clock with gilt hands which the
+sunshine set on fire. He stared at it as though hypnotized;
+and suddenly the clock began to strike, as if in personal reply.
+As if at a signal, clock after clock took up the cry:
+all the churches awoke like chickens at cockcrow.
+The birds were already noisy in the trees behind the college.
+The sun rose, gathering glory that seemed too full for the deep
+skies to hold, and the shallow waters beneath them seemed golden
+and brimming and deep enough for the thirst of the gods.
+Just round the corner of the College, and visible from his crazy perch,
+were the brightest specks on that bright landscape, the villa
+with the spotted blinds which he had made his text that night.
+He wondered for the first time what people lived in them.
+
+"Suddenly he called out with mere querulous authority,
+as he might have called to a student to shut a door.
+
+"`Let me come off this place,' he cried; `I can't bear it.'
+
+"`I rather doubt if it will bear you,' said Smith critically;
+`but before you break your neck, or I blow out your brains,
+or let you back into this room (on which complex points I
+am undecided) I want the metaphysical point cleared up.
+Do I understand that you want to get back to life?'
+
+"`I'd give anything to get back,' replied the unhappy professor.
+
+"`Give anything!' cried Smith; `then, blast your impudence,
+give us a song!'
+
+"`What song do you mean?' demanded the exasperated Eames; `what song?'
+
+"`A hymn, I think, would be most appropriate,' answered the other gravely.
+`I'll let you off if you'll repeat after me the words--
+
+ "`I thank the goodness and the grace
+ That on my birth have smiled.
+ And perched me on this curious place,
+ A happy English child.'
+
+
+"Dr. Emerson Eames having briefly complied, his persecutor abruptly
+told him to hold his hands up in the air. Vaguely connecting this
+proceeding with the usual conduct of brigands and bushrangers,
+Mr. Eames held them up, very stiffly, but without marked surprise.
+A bird alighting on his stone seat took no more notice of him
+than of a comic statue.
+
+"`You are now engaged in public worship,' remarked Smith severely,
+`and before I have done with you, you shall thank God for the very ducks
+on the pond.'
+
+"`The celebrated pessimist half articulately expressed his perfect
+readiness to thank God for the ducks on the pond.
+
+"`Not forgetting the drakes,' said Smith sternly.
+(Eames weakly conceded the drakes.) `Not forgetting anything, please.
+You shall thank heaven for churches and chapels and villas
+and vulgar people and puddles and pots and pans and sticks
+and rags and bones and spotted blinds.'
+
+"`All right, all right,' repeated the victim in despair;
+`sticks and rags and bones and blinds.'
+
+"`Spotted blinds, I think we said,' remarked Smith with a
+rogueish ruthlessness, and wagging the pistol-barrel at him
+like a long metallic finger.
+
+"`Spotted blinds,' said Emerson Eames faintly.
+
+"`You can't say fairer than that,' admitted the younger man,
+`and now I'll just tell you this to wind up with.
+If you really were what you profess to be, I don't see that it
+would matter to snail or seraph if you broke your impious stiff
+neck and dashed out all your drivelling devil-worshipping brains.
+But in strict biographical fact you are a very nice fellow,
+addicted to talking putrid nonsense, and I love you like a brother.
+I shall therefore fire off all my cartridges round your head
+so as not to hit you (I am a good shot, you may be glad to hear),
+and then we will go in and have some breakfast.'
+
+"He then let off two barrels in the air, which the Professor
+endured with singular firmness, and then said, `But don't fire
+them all off.'
+
+"`Why not' asked the other buoyantly.
+
+"`Keep them,' asked his companion, `for the next man you meet
+who talks as we were talking.'
+
+"It was at this moment that Smith, looking down, perceived apoplectic
+terror upon the face of the Sub-Warden, and heard the refined shriek
+with which he summoned the porter and the ladder.
+
+"It took Dr. Eames some little time to disentangle himself from
+the ladder,and some little time longer to disentangle himself
+from the Sub-Warden. But as soon as he could do so unobtrusively,
+he rejoined his companion in the late extraordinary scene.
+He was astonished to find the gigantic Smith heavily shaken,
+and sitting with his shaggy head on his hands. When addressed,
+he lifted a very pale face.
+
+"`Why, what is the matter?' asked Eames, whose own nerves had by this
+time twittered themselves quiet, like the morning birds.
+
+"`I must ask your indulgence,' said Smith, rather brokenly.
+`I must ask you to realize that I have just had an escape from death.'
+
+"`YOU have had an escape from death?' repeated the Professor
+in not unpardonable irritation. `Well, of all the cheek--'
+
+"`Oh, don't you understand, don't you understand?' cried the pale young
+man impatiently. `I had to do it, Eames,; I had to prove you wrong or die.
+When a man's young, he nearly always has some one whom he thinks the top-water
+mark of the mind of man--some one who knows all about it, if anybody knows.
+
+"`Well, you were that to me; you spoke with authority,
+and not as the scribes. Nobody could comfort me if YOU
+said there was no comfort. If you really thought there was
+nothing anywhere, it was because you had been there to see.
+Don't you see that I HAD to prove you didn't really mean it?--
+or else drown myself in the canal.'
+
+"`Well,' said Eames hesitatingly, `I think perhaps you confuse--'
+
+"`Oh, don't tell me that!' cried Smith with the sudden clairvoyance
+of mental pain; `don't tell me I confuse enjoyment of existence
+with the Will to Live! That's German, and German is High Dutch,
+and High Dutch is Double Dutch. The thing I saw shining in your
+eyes when you dangled on that bridge was enjoyment of life "the
+Will to Live." What you knew when you sat on that damned gargoyle
+was that the world, when all is said and done, is a wonderful and
+beautiful place; I know it, because I knew it at the same minute.
+I saw the gray clouds turn pink, and the little gilt clock in the crack
+between the houses. It was THOSE things you hated leaving, not Life,
+whatever that is. Eames, we've been to the brink of death together;
+won't you admit I'm right?'
+
+"`Yes, said Eames very slowly, `I think you are right.
+You shall have a First!'
+
+"`Right!' cried Smith, springing up reanimated. `I've passed with honours,
+and now let me go and see about being sent down.'
+
+"`You needn't be sent down,' said Eames with the quiet
+confidence of twelve years of intrigue. `Everything with us
+comes from the man on top to the people just round him:
+I am the man on top, and I shall tell the people round
+me the truth.'
+
+"`The massive Mr. Smith rose and went firmly to the window,
+but he spoke with equal firmness. `I must be sent down,'
+he said, `and the people must not be told the truth.'
+
+"`And why not' asked the other.
+
+"`Because I mean to follow your advice,' answered the massive youth,
+`I mean to keep the remaining shots for people in the shameful state
+you and I were in last night--I wish we could even plead drunkenness.
+I mean to keep those bullets for pessimists--pills for pale people.
+And in this way I want to walk the world like a wonderful surprise--
+to float as idly as the thistledown, and come as silently as the sunrise;
+not to be expected any more than the thunderbolt, not to be
+recalled any more than the dying breeze. I don't want people to
+anticipate me as a well-known practical joke. I want both my gifts
+to come virgin and violent, the death and the life after death.
+I am going to hold a pistol to the head of the Modern Man. But I
+shall not use it to kill him--only to bring him to life.
+I begin to see a new meaning in being the skeleton at the feast.'
+
+"`You could scarcely be called a skeleton,' said Dr. Eames, smiling.
+
+"`That comes of being so much at the feast,' answered the massive youth.
+`No skeleton can keep his figure if he is always dining out.
+But that is not quite what I meant: what I mean is that I caught
+a kind of glimpse of the meaning of death and all that--the skull
+and cross-bones, the ~memento mori~. It isn't only meant to remind
+us of a future life, but to remind us of a present life too.
+With our weak spirits we should grow old in eternity if we were not kept
+young by death. Providence has to cut immortality into lengths for us,
+as nurses cut the bread and butter into fingers.'
+
+"Then he added suddenly in a voice of unnatural actuality,
+`But I know something now, Eames. I knew it when I saw
+the clouds turn pink.'
+
+"`What do you mean?' asked Eames. `What did you know?'
+
+"`I knew for the first time that murder is really wrong.'
+
+"He gripped Dr. Eames's hand and groped his way somewhat unsteadily
+to the door. Before he had vanished through it he had added,
+`It's very dangerous, though, when a man thinks for a split second
+that he understands death.'
+
+"Dr. Eames remained in repose and rumination some hours after his
+late assailant had left. Then he rose, took his hat and umbrella,
+and went for a brisk if rotatory walk. Several times,
+however, he stood outside the villa with the spotted blinds,
+studying them intently with his head slightly on one side.
+Some took him for a lunatic and some for an intending purchaser.
+He is not yet sure that the two characters would be widely different.
+
+"The above narrative has been constructed on a principle which is,
+in the opinion of the undersigned persons, new in the art of letters.
+Each of the two actors is described as he appeared to the other.
+But the undersigned persons absolutely guarantee the exactitude
+of the story; and if their version of the thing be questioned, they,
+the undersigned persons, would deucedly well like to know who does
+know about it if they don't.
+
+"The undersigned persons will now adjourn to `The Spotted Dog'
+for beer. Farewell.
+
+ "(Signed) James Emerson Eames,
+ "Warden of Brakespeare College, Cambridge.
+
+ "Innocent Smith."
+
+
+
+
+
+ Chapter II
+
+ The Two Curates;
+ or, the Burglary Charge
+
+
+Arthur Inglewood handed the document he had just read to the leaders
+of the prosecution, who examined it with their heads together.
+Both the Jew and the American were of sensitive and excitable stocks,
+and they revealed by the jumpings and bumpings of the black head and the
+yellow that nothing could be done in the way of denial of the document.
+The letter from the Warden was as authentic as the letter from the
+Sub-Warden, however regrettably different in dignity and social tone.
+
+"Very few words," said Inglewood, "are required to conclude
+our case in this matter. Surely it is now plain that our client
+carried his pistol about with the eccentric but innocent
+purpose of giving a wholesome scare to those whom he regarded
+as blasphemers. In each case the scare was so wholesome
+that the victim himself has dated from it as from a new birth.
+Smith, so far from being a madman, is rather a mad doctor--
+he walks the world curing frenzies and not distributing them.
+That is the answer to the two unanswerable questions which I
+put to the prosecutors. That is why they dared not produce
+a line by any one who had actually confronted the pistol.
+All who had actually confronted the pistol confessed that they
+had profited by it. That was why Smith, though a good shot,
+never hit anybody. He never hit anybody because he was a good shot.
+His mind was as clear of murder as his hands are of blood.
+This, I say, is the only possible explanation of these facts
+and of all the other facts. No one can possibly explain
+the Warden's conduct except by believing the Warden's story.
+Even Dr. Pym, who is a very factory of ingenious theories,
+could find no other theory to cover the case."
+
+"There are promising per-spectives in hypnotism and dual personality,"
+said Dr. Cyrus Pym dreamily; "the science of criminology is in
+its infancy, and--"
+
+"Infancy!" cried Moon, jerking his red pencil in the air with a gesture
+of enlightenment; "why, that explains it!"
+
+"I repeat," proceeded Inglewood, "that neither Dr. Pym nor any one else
+can account on any other theory but ours for the Warden's signature,
+for the shots missed and the witnesses missing."
+
+The little Yankee had slipped to his feet with some return
+of a cock-fighting coolness. "The defence," he said,
+"omits a coldly colossal fact. They say we produce none of
+the actual victims. Wal, here is one victim--England's celebrated
+and stricken Warner. I reckon he is pretty well produced.
+And they suggest that all the outrages were followed
+by reconciliation. Wal, there's no flies on England's Warner;
+and he isn't reconciliated much."
+
+"My learned friend," said Moon, getting elaborately to his feet,
+"must remember that the science of shooting Dr. Warner is in its infancy.
+Dr. Warner would strike the idlest eye as one specially difficult to startle
+into any recognition of the glory of God. We admit that our client,
+in this one instance, failed, and that the operation was not successful.
+But I am empowered to offer, on behalf of my client, a proposal
+for operating on Dr. Warner again, at his earliest convenience,
+and without further fees."
+
+"'Ang it all, Michael," cried Gould, quite serious for the first time
+in his life, "you might give us a bit of bally sense for a chinge."
+
+"What was Dr. Warner talking about just before the first shot?"
+asked Moon sharply.
+
+"The creature," said Dr. Warner superciliously, "asked me,
+with characteristic rationality, whether it was my birthday."
+
+"And you answered, with characteristic swank," cried Moon, shooting out
+a long lean finger, as rigid and arresting as the pistol of Smith,
+"that you didn't keep your birthday."
+
+"Something like that," assented the doctor.
+
+"Then," continued Moon, "he asked you why not, and you said it was because you
+didn't see that birth was anything to rejoice over. Agreed? Now is there
+any one who doubts that our tale is true?"
+
+There was a cold crash of stillness in the room; and Moon said, "Pax populi
+vox Dei; it is the silence of the people that is the voice of God. Or in
+Dr. Pym's more civilized language, it is up to him to open the next charge.
+On this we claim an acquittal."
+
+
+It was about an hour later. Dr. Cyrus Pym had remained for an unprecedented
+time with his eyes closed and his thumb and finger in the air.
+It almost seemed as if he had been "struck so," as the nurses say;
+and in the deathly silence Michael Moon felt forced to relieve
+the strain with some remark. For the last half-hour or so the eminent
+criminologist had been explaining that science took the same view
+of offences against property as id did of offences against life.
+"Most murder," he had said, "is a variation of homicidal mania,
+and in the same way most theft is a version of kleptomania.
+I cannot entertain any doubt that my learned friends opposite
+adequately con-ceive how this must involve a scheme of punishment
+more tol'rant and humane than the cruel methods of ancient codes.
+They will doubtless exhibit consciousness of a chasm so eminently yawning,
+so thought-arresting, so--" It was here that he paused and indulged
+in the delicate gesture to which allusion has been made; and Michael
+could bear it no longer.
+
+"Yes, yes," he said impatiently, "we admit the chasm.
+The old cruel codes accuse a man of theft and send him
+to prison for ten years. The tolerant and humane ticket
+accuses him of nothing and sends him to prison for ever.
+We pass the chasm."
+
+It was characteristic of the eminent Pym, in one of his trances
+of verbal fastidiousness, that he went on, unconscious not only
+of his opponent's interruption, but even of his own pause.
+
+"So stock-improving," continued Dr. Cyrus Pym, "so fraught
+with real high hopes of the future. Science therefore
+regards thieves, in the abstract, just as it regards murderers.
+It regards them not as sinners to be punished for an arbitrary period,
+but as patients to be detained and cared for," (his first two digits
+closed again as he hesitated)--"in short, for the required period.
+But there is something special in the case we investigate here.
+Kleptomania commonly con-joins itself--"
+
+"I beg pardon," said Michael; "I did not ask just now because,
+to tell the truth, I really though Dr. Pym, though seemingly vertical,
+was enjoying well-earned slumber, with a pinch in his fingers
+of scentless and delicate dust. But now that things are moving
+a little more, there is something I should really like to know.
+I have hung on Dr. Pym's lips, of course, with an interest that it
+were weak to call rapture, but I have so far been unable to form
+any conjecture about what the accused, in the present instance,
+is supposed to have been and gone and done."
+
+"If Mr. Moon will have patience," said Pym with dignity, "he will find
+that this was the very point to which my exposition was di-rected.
+Kleptomania, I say, exhibits itself as a kind of physical attraction
+to certain defined materials; and it has been held (by no less a man
+than Harris) that this is the ultimate explanation of the strict
+specialism and vurry narrow professional outlook of most criminals.
+One will have an irresistible physical impulsion towards pearl
+sleeve-links, while he passes over the most elegant and celebrated
+diamond sleeve-links, placed about in the most conspicuous locations.
+Another will impede his flight with no less than forty-seven buttoned boots,
+while elastic-sided boots leave him cold, and even sarcastic.
+The specialism of the criminal, I repeat, is a mark rather of insanity
+than of any brightness of business habits; but there is one kind
+of depredator to whom this principle is at first sight hard to apply.
+I allude to our fellow-citizen the housebreaker.
+
+"It has been maintained by some of our boldest young
+truth-seekers, that the eye of a burglar beyond the back-garden
+wall could hardly be caught and hypnotized by a fork
+that is insulated in a locked box under the butler's bed.
+They have thrown down the gauntlet to American science on this point.
+They declare that diamond links are not left about in conspicuous
+locations in the haunts of the lower classes, as they were
+in the great test experiment of Calypso College. We hope this
+experiment here will be an answer to that young ringing challenge,
+and will bring the burglar once more into line and union
+with his fellow criminals."
+
+Moon, whose face had gone through every phase of black bewilderment
+for five minutes past, suddenly lifted his hand and struck the table
+in explosive enlightenment.
+
+"Oh, I see!" he cried; "you mean that Smith is a burglar."
+
+"I thought I made it quite ad'quately lucid," said Mr. Pym,
+folding up his eyelids. It was typical of this topsy-turvy private
+trial that all the eloquent extras, all the rhetoric or digression
+on either side, was exasperating and unintelligible to the other.
+Moon could not make head or tail of the solemnity of a new civilization.
+Pym could not make head or tail of the gaiety of an old one.
+
+"All the cases in which Smith has figured as an expropriator,"
+continued the American doctor, "are cases of burglary.
+Pursuing the same course as in the previous case, we select
+the indubitable instance from the rest, and we take the most
+correct cast-iron evidence. I will now call on my colleague,
+Mr. Gould, to read a letter we have received from the earnest,
+unspotted Canon of Durham, Canon Hawkins."
+
+Mr. Moses Gould leapt up with his usual alacrity to read the letter from
+the earnest and unspotted Hawkins. Moses Gould could imitate a farmyard well,
+Sir Henry Irving not so well, Marie Lloyd to a point of excellence, and the
+new motor horns in a manner that put him upon the platform of great artists.
+But his imitation of a Canon of Durham was not convincing; indeed, the sense
+of the letter was so much obscured by the extraordinary leaps and gasps of his
+pronunciation that it is perhaps better to print it here as Moon read it when,
+a little later, it was handed across the table.
+
+
+"Dear Sir,--I can scarcely feel surprise that the incident
+you mention, private as it was, should have filtered through
+our omnivorous journals to the mere populace; for the position
+I have since attained makes me, I conceive, a public character,
+and this was certainly the most extraordinary incident
+in a not uneventful and perhaps not an unimportant career.
+I am by no means without experience in scenes of civil tumult.
+I have faced many a political crisis in the old Primrose League
+days at Herne Bay, and, before I broke with the wilder set,
+have spent many a night at the Christian Social Union. But this
+other experience was quite inconceivable. I can only describe
+it as the letting loose of a place which it is not for me,
+as a clergyman, to mention.
+
+"It occurred in the days when I was, for a short period,
+a curate at Hoxton; and the other curate, then my colleague,
+induced me to attend a meeting which he described, I must say
+profanely described, as calculated to promote the kingdom
+of God. I found, on the contrary, that it consisted entirely
+of men in corduroys and greasy clothes whose manners were coarse
+and their opinions extreme.
+
+"Of my colleague in question I wish to speak with the fullest
+respect and friendliness, and I will therefore say little.
+No one can be more convinced than I of the evil of politic
+in the pulpit; and I never offer my congregation any advice
+about voting except in cases in which I feel strongly that they
+are likely to make an erroneous selection. But, while I do
+not mean to touch at all upon political or social problems,
+I must say that for a clergyman to countenance, even in jest,
+such discredited nostrums of dissipated demagogues as Socialism
+or Radicalism partakes of the character of the betrayal
+of a sacred trust. Far be it from me to say a word against
+the Reverend Raymond Percy, the colleague in question.
+He was brilliant, I suppose, and to some apparently fascinating;
+but a clergyman who talks like a Socialist, wears his hair
+like a pianist, and behaves like an intoxicated person,
+will never rise in his profession, or even obtain the admiration
+of the good and wise. Nor is it for me to utter my personal
+judgements of the appearance of the people in the hall.
+Yet a glance round the room, revealing ranks of debased
+and envious faces--"
+
+"Adopting," said Moon explosively, for he was getting restive--"adopting
+the reverend gentleman's favourite figure of logic, may I say that
+while tortures would not tear from me a whisper about his intellect,
+he is a blasted old jackass."
+
+"Really!" said Dr. Pym; "I protest."
+
+"You must keep quiet, Michael," said Inglewood; "they have a right
+to read their story."
+
+"Chair! Chair! Chair!" cried Gould, rolling about exuberantly in his own;
+and Pym glanced for a moment towards the canopy which covered all
+the authority of the Court of Beacon.
+
+"Oh, don't wake the old lady," said Moon, lowering his voice in a moody
+good-humour. "I apologize. I won't interrupt again."
+
+Before the little eddy of interruption was ended the reading
+of the clergyman's letter was already continuing.
+
+"The proceedings opened with a speech from my colleague, of which I
+will say nothing. It was deplorable. Many of the audience
+were Irish, and showed the weakness of that impetuous people.
+When gathered together into gangs and conspiracies they seem
+to lose altogether that lovable good-nature and readiness to accept
+anything one tells them which distinguishes them as individuals."
+
+
+With a slight start, Michael rose to his feet, bowed solemnly,
+and sat down again.
+
+
+"These persons, if not silent, were at least applausive during the speech
+of Mr. Percy. He descended to their level with witticisms about rent
+and a reserve of labour. Confiscation, expropriation, arbitration, and such
+words with which I cannot soil my lips, recurred constantly. Some hours
+afterward the storm broke. I had been addressing the meeting for some time,
+pointing out the lack of thrift in the working classes, their insufficient
+attendance at evening service, their neglect of the Harvest Festival, and of
+many other things that might materially help them to improve their lot.
+It was, I think, about this time that an extraordinary interruption occurred.
+An enormous, powerful man, partly concealed with white plaster,
+arose in the middle of the hall, and offered (in a loud, roaring voice,
+like a bull's) some observations which seemed to be in a foreign language.
+Mr. Raymond Percy, my colleague, descended to his level by entering into
+a duel of repartee, in which he appeared to be the victor. The meeting
+began to behave more respectfully for a little; yet before I had said twelve
+sentences more the rush was made for the platform. The enormous plasterer,
+in particular, plunged towards us, shaking the earth like an elephant;
+and I really do not know what would have happened if a man equally large,
+but not quite so ill-dressed, had not jumped up also and held him away.
+This other big man shouted a sort of speech to the mob as he was shoving
+them back. I don't know what he said, but, what with shouting and shoving
+and such horseplay, he got us out at a back door, while the wretched people
+went roaring down another passage.
+
+"Then follows the truly extraordinary part of my story. When he had got
+us outside, in a mean backyard of blistered grass leading into a lane
+with a very lonely-looking lamp-post, this giant addressed me as follows:
+`You are well out of that, sir; now you'd better come along with me.
+I want you to help me in an act of social justice, such as we've all
+been talking about. Come along!' And turning his big back abruptly,
+he led us down the lean old lane with the one lean old lamp-post,
+we scarcely knowing what to do but to follow him. He had certainly
+helped us in a most difficult situation, and, as a gentleman, I could
+not treat such a benefactor with suspicion without grave grounds.
+Such also was the view of my Socialistic colleague, who (with all
+his dreadful talk of arbitration) is a gentleman also. In fact,
+he comes of the Staffordshire Percies, a branch of the old house,
+and has the black hair and pale, clear-cut face of the whole family.
+I cannot but refer it to vanity that he should heighten his personal
+advantages with black velvet or a red cross of considerable ostentation,
+and certainly--but I digress.
+
+"A fog was coming up the street, and that last lost lamp-post
+faded behind us in a way that certainly depressed the mind.
+The large man in front of us looked larger and larger in the haze.
+He did not turn round, but he said with his huge back to us,
+`All that talking's no good; we want a little practical Socialism.'
+
+"`I quite agree,' said Percy; `but I always like to understand things
+in theory before I put them into practice.'
+
+"`Oh, you just leave that to me,' said the practical Socialist,
+or whatever he was, with the most terrifying vagueness.
+`I have a way with me. I'm a Permeator.'
+
+"`I could not imagine what he meant, but my companion laughed,
+so I was sufficiently reassured to continue the unaccountable journey
+for the present. It led us through most singular ways; out of the lane,
+where we were already rather cramped, into a paved passage,
+at the end of which we passed through a wooden gate left open.
+We then found ourselves, in the increasing darkness and vapour,
+crossing what appeared to be a beaten path across a kitchen garden.
+I called out to the enormous person going on in front, but he answered
+obscurely that it was a short cut.
+
+"I was just repeating my very natural doubt to my clerical companion
+when I was brought up against a short ladder, apparently leading
+to a higher level of road. My thoughtless companion ran up it so
+quickly that I could not do otherwise than follow as best I could.
+The path on which I then planted my feet was quite unprecedentedly narrow.
+I had never had to walk along a thoroughfare so exiguous.
+Along one side of it grew what, in the dark and density of air,
+I first took to be some short, strong thicket of shrubs. Then I saw
+that they were not short shrubs; they were the tops of tall trees.
+I, an English gentleman and clergyman of the Church of England--I was
+walking along the top of a garden wall like a tom cat.
+
+"I am glad to say that I stopped within my first five steps,
+and let loose my just reprobation, balancing myself as best I
+could all the time.
+
+"`It's a right-of-way,"' declared my indefensible informant.
+`It's closed to traffic once in a hundred years.'
+
+"`Mr. Percy, Mr. Percy!' I called out; `you are not going
+on with this blackguard?'
+
+"`Why, I think so,' answered my unhappy colleague flippantly.
+`I think you and I are bigger blackguards than he is,
+whatever he is.'
+
+"`I am a burglar,' explained the big creature quite calmly.
+`I am a member of the Fabian Society. I take back the wealth stolen
+by the capitalist, not by sweeping civil war and revolution, but by reform
+fitted to the special occasion--here a little and there a little.
+Do you see that fifth house along the terrace with the flat roof?
+I'm permeating that one to-night.'
+
+"`Whether this is a crime or a joke,' I cried, `I desire to be quit of it.'
+
+"`The ladder is just behind you,' answered the creature
+with horrible courtesy; `and, before you go, do let me give
+you my card.'
+
+"If I had had the presence of mind to show any proper spirit I
+should have flung it away, though any adequate gesture of the kind
+would have gravely affected my equilibrium upon the wall.
+As it was, in the wildness of the moment, I put it in my
+waistcoat pocket, and, picking my way back by wall and ladder,
+landed in the respectable streets once more. Not before, however,
+I had seen with my own eyes the two awful and lamentable facts--
+that the burglar was climbing up a slanting roof towards
+the chimneys, and that Raymond Percy (a priest of God and,
+what was worse, a gentleman) was crawling up after him.
+I have never seen either of them since that day.
+
+"In consequence of this soul-searching experience I severed
+my connection with the wild set. I am far from saying that
+every member of the Christian Social Union must necessarily
+be a burglar. I have no right to bring any such charge.
+But it gave me a hint of what courses may lead to in many cases;
+and I saw them no more.
+
+"I have only to add that the photograph you enclose, taken by a
+Mr. Inglewood, is undoubtedly that of the burglar in question.
+When I got home that night I looked at his card, and he was inscribed
+there under the name of Innocent Smith.--Yours faithfully,
+ "John Clement Hawkins."
+
+
+Moon merely went through the form of glancing at the paper. He knew that
+the prosecutors could not have invented so heavy a document; that Moses Gould
+(for one) could no more write like a canon than he could read like one.
+After handing it back he rose to open the defence on the burglary charge.
+
+"We wish," said Michael, "to give all reasonable facilities to
+the prosecution; especially as it will save the time of the whole court.
+The latter object I shall once again pursue by passing over all
+those points of theory which are so dear to Dr. Pym. I know how they
+are made. Perjury is a variety of aphasia, leading a man to say
+one thing instead of another. Forgery is a kind of writer's cramp,
+forcing a man to write his uncle's name instead of his own.
+Piracy on the high seas is probably a form of sea-sickness. But it is
+unnecessary for us to inquire into the causes of a fact which we deny.
+Innocent Smith never did commit burglary at all.
+
+"I should like to claim the power permitted by our previous arrangement,
+and ask the prosecution two or three questions."
+
+Dr. Cyrus Pym closed his eyes to indicate a courteous assent.
+
+"In the first place," continued Moon, "have you the date of Canon Hawkins's
+last glimpse of Smith and Percy climbing up the walls and roofs?"
+
+"Ho, yus!" called out Gould smartly. "November thirteen, eighteen ninety-one."
+
+"Have you," continued Moon, "identified the houses in Hoxton up
+which they climbed?"
+
+"Must have been Ladysmith Terrace out of the highroad,"
+answered Gould with the same clockwork readiness.
+
+"Well," said Michael, cocking an eyebrow at him, "was there any burglary
+in that terrace that night? Surely you could find that out."
+
+"There may well have been," said the doctor primly, after a pause,
+"an unsuccessful one that led to no legalities."
+
+"Another question," proceeded Michael. "Canon Hawkins, in his
+blood-and-thunder boyish way, left off at the exciting moment.
+Why don't you produce the evidence of the other clergyman,
+who actually followed the burglar and presumably was present
+at the crime?"
+
+Dr. Pym rose and planted the points of his fingers on the table,
+as he did when he was specially confident of the clearness
+of his reply.
+
+"We have entirely failed," he said, "to track the other clergyman,
+who seems to have melted into the ether after Canon Hawkins had
+seen him as-cending the gutters and the leads. I am fully aware
+that this may strike many as sing'lar; yet, upon reflection,
+I think it will appear pretty natural to a bright thinker.
+This Mr. Raymond Percy is admittedly, by the canon's evidence,
+a minister of eccentric ways. His con-nection with England's proudest
+and fairest does not seemingly prevent a taste for the society
+of the real low-down. On the other hand, the prisoner Smith is,
+by general agreement, a man of irr'sistible fascination.
+I entertain no doubt that Smith led the Revered Percy into the crime
+and forced him to hide his head in the real crim'nal class.
+That would fully account for his non-appearance, and the failure
+of all attempts to trace him."
+
+"It is impossible, then, to trace him?" asked Moon.
+
+"Impossible," repeated the specialist, shutting his eyes.
+
+"You are sure it's impossible?"
+
+"Oh dry up, Michael," cried Gould, irritably. "We'd 'have
+found 'im if we could, for you bet 'e saw the burglary.
+Look for your own 'ead in the dustbin. You'll find that--
+after a bit," and his voice died away in grumbling.
+
+"Arthur," directed Michael Moon, sitting down, "kindly read
+Mr. Raymond Percy's letter to the court."
+
+"Wishing, as Mr. Moon has said, to shorten the proceedings as much
+as possible," began Inglewood, "I will not read the first part
+of the letter sent to us. It is only fair to the prosecution
+to admit the account given by the second clergyman fully ratifies,
+as far as the facts are concerned, that given by the first clergyman.
+We concede, then, the canon's story so far as it goes. This must
+necessarily be valuable to the prosecutor and also convenient to the court.
+I begin Mr. Percy's letter, then, at the point when all three men
+were standing on the garden wall:--
+
+
+"As I watched Hawkins wavering on the wall, I made up my own mind
+not to waver. A cloud of wrath was on my brain, like the cloud
+of copper fog on the houses and gardens round. My decision was
+violent and simple; yet the thoughts that led up to it were so
+complicated and contradictory that I could not retrace them now.
+I knew Hawkins was a kind, innocent gentleman; and I would have
+given ten pounds for the pleasure of kicking him down the road.
+That God should allow good people to be as bestially stupid as that--
+rose against me like a towering blasphemy.
+
+"At Oxford, I fear, I had the artistic temperament rather badly;
+and artists love to be limited. I liked the church as a pretty pattern;
+discipline was mere decoration. I delighted in mere divisions of time;
+I liked eating fish on Friday. But then I like fish; and the fast
+was made for men who like meat. Then I came to Hoxton and found men
+who had fasted for five hundred years; men who had to gnaw fish because
+they could not get meat--and fish-bones when they could not get fish.
+As too many British officers treat the army as a review, so I had treated
+the Church Militant as if it were the Church Pageant. Hoxton cures that.
+Then I realized that for eighteen hundred years the Church Militant
+had not been a pageant, but a riot--and a suppressed riot.
+There, still living patiently in Hoxton, were the people to whom
+the tremendous promises had been made. In the face of that I had
+to become a revolutionary if I was to continue to be religious.
+In Hoxton one cannot be a conservative without being also an atheist--
+and a pessimist. Nobody but the devil could want to conserve Hoxton.
+
+"On the top of all this comes Hawkins. If he had cursed all the Hoxton men,
+excommunicated them, and told them they were going to hell, I should
+have rather admired him. If he had ordered them all to be burned
+in the market-place, I should still have had that patience that all
+good Christians have with the wrongs inflicted on other people.
+But there is no priestcraft about Hawkins--nor any other kind of craft.
+He is as perfectly incapable of being a priest as he is of being a carpenter
+or a cabman or a gardener or a plasterer. He is a perfect gentleman;
+that is his complaint. He does not impose his creed, but simply his class.
+He never said a word of religion in the whole of his damnable address.
+He simply said all the things his brother, the major, would have said.
+A voice from heaven assures me that he has a brother, and that this
+brother is a major.
+
+"When this helpless aristocrat had praised cleanliness in the body
+and convention in the soul to people who could hardly keep body
+and soul together, the stampede against our platform began.
+I took part in his undeserved rescue, I followed his
+obscure deliverer, until (as I have said) we stood together
+on the wall above the dim gardens, already clouding with fog.
+Then I looked at the curate and at the burglar, and decided, in a spasm
+of inspiration, that the burglar was the better man of the two.
+The burglar seemed quite as kind and human as the curate was--
+and he was also brave and self-reliant, which the curate was not.
+I knew there was no virtue in the upper class, for I belong to
+it myself; I knew there was not so very much in the lower class,
+for I had lived with it a long time. Many old texts about
+the despised and persecuted came back to my mind, and I thought
+that the saints might well be hidden in the criminal class.
+About the time Hawkins let himself down the ladder I was crawling
+up a low, sloping, blue-slate roof after the large man, who went
+leaping in front of me like a gorilla.
+
+"This upward scramble was short, and we soon found
+ourselves tramping along a broad road of flat roofs,
+broader than many big thoroughfares, with chimney-pots here
+and there that seemed in the haze as bulky as small forts.
+The asphyxiation of the fog seemed to increase the somewhat
+swollen and morbid anger under which my brain and body laboured.
+The sky and all those things that are commonly clear seemed
+overpowered by sinister spirits. Tall spectres with turbans of vapour
+seemed to stand higher than the sun or moon, eclipsing both.
+I thought dimly of illustrations to the `Arabian Nights'
+on brown paper with rich but sombre tints, showing genii
+gathering round the Seal of Solomon. By the way, what was
+the Seal of Solomon? Nothing to do with sealing-wax really,
+I suppose; but my muddled fancy felt the thick clouds as being
+of that heavy and clinging substance, of strong opaque colour,
+poured out of boiling pots and stamped into monstrous emblems.
+
+"The first effect of the tall turbaned vapours was that discoloured
+look of pea-soup or coffee brown of which Londoners commonly speak.
+But the scene grew subtler with familiarity. We stood above the average
+of the housetops and saw something of that thing called smoke, which in
+great cities creates the strange thing called fog. Beneath us rose
+a forest of chimney-pots. And there stood in every chimney-pot, as if it
+were a flower-pot, a brief shrub or a tall tree of coloured vapour.
+The colours of the smoke were various; for some chimneys were from
+firesides and some from factories, and some again from mere rubbish heaps.
+And yet, though the tints were all varied, they all seemed unnatural,
+like fumes from a witch's pot. It was as if the shameful and ugly
+shapes growing shapeless in the cauldron sent up each its separate
+spurt of steam, coloured according to the fish or flesh consumed.
+Here, aglow from underneath, were dark red clouds, such as might drift
+from dark jars of sacrificial blood; there the vapour was dark indigo gray,
+like the long hair of witches steeped in the hell-broth. In another
+place the smoke was of an awful opaque ivory yellow, such as might
+be the disembodiment of one of their old, leprous waxen images.
+But right across it ran a line of bright, sinister, sulphurous green,
+as clear and crooked as Arabic--"
+
+Mr. Moses Gould once more attempted the arrest of the 'bus.
+He was understood to suggest that the reader should shorten
+the proceedings by leaving out all the adjectives. Mrs. Duke,
+who had woken up, observed that she was sure it was all very nice,
+and the decision was duly noted down by Moses with a blue,
+and by Michael with a red, pencil. Inglewood then resumed
+the reading of the document.
+
+
+"Then I read the writing of the smoke. Smoke was like the modern
+city that makes it; it is not always dull or ugly, but it is always
+wicked and vain.
+
+"Modern England was like a cloud of smoke; it could carry
+all colours, but it could leave nothing but a stain. It was our
+weakness and not our strength that put a rich refuse in the sky.
+These were the rivers of our vanity pouring into the void.
+We had taken the sacred circle of the whirlwind, and looked down on it,
+and seen it as a whirlpool. And then we had used it as a sink.
+It was a good symbol of the mutiny in my own mind.
+Only our worst things were going to heaven. Only our criminals
+could still ascend like angels.
+
+"As my brain was blinded with such emotions, my guide stopped
+by one of the big chimney-pots that stood at the regular intervals
+like lamp-posts along that uplifted and aerial highway.
+He put his heavy hand upon it, and for the moment I thought he was
+merely leaning on it, tired with his steep scramble along the terrace.
+So far as I could guess from the abysses, full of fog on either side,
+and the veiled lights of red brown and old gold glowing through
+them now and again, we were on the top of one of those long,
+consecutive, and genteel rows of houses which are still to be
+found lifting their heads above poorer districts, the remains
+of some rage of optimism in earlier speculative builders.
+Probably enough, they were entirely untenanted, or tenanted
+only by such small clans of the poor as gather also in the old
+emptied palaces of Italy. Indeed, some little time later,
+when the fog had lifted a little, I discovered that we
+were walking round a semi-circle of crescent which fell away
+below us into one flat square or wide street below another,
+like a giant stairway, in a manner not unknown in the eccentric
+building of London, and looking like the last ledges of the land.
+But a cloud sealed the giant stairway as yet.
+
+"My speculation about the sullen skyscape, however, were interrupted
+by something as unexpected as the moon falling from the sky.
+Instead of my burglar lifting his hand from the chimney
+he leaned on, he leaned on it a little more heavily, and the whole
+chimney-pot turned over like the opening top of an inkstand.
+I remembered the short ladder leaning against the low wall and felt
+sure he had arranged his criminal approach long before.
+
+"The collapse of the big chimney-pot ought to have been the culmination
+of my chaotic feelings; but, to tell the truth, it produced a sudden sense
+of comedy and even of comfort. I could not recall what connected this
+abrupt bit of housebreaking with some quaint but still kindly fancies.
+Then I remembered the delightful and uproarious scenes of roofs and chimneys
+in the harlequinades of my childhood, and was darkly and quite irrationally
+comforted by a sense of unsubstantiality in the scene, as if the houses
+were of lath and paint and pasteboard, and were only meant to be tumbled
+in and out of by policemen and pantaloons. The law-breaking of my companion
+seemed not only seriously excusable, but even comically excusable.
+Who were all these pompous preposterous people with their footmen and their
+foot-scrapers, their chimney-pots and their chimney-pot hats, that they
+should prevent a poor clown from getting sausages if he wanted them?
+One would suppose that property was a serious thing. I had reached,
+as it were, a higher level of that mountainous and vapourous visions,
+the heaven of a higher levity.
+
+"My guide had jumped down into the dark cavity revealed by the displaced
+chimney-pot. He must have landed at a level considerably lower, for,
+tall as he was, nothing but his weirdly tousled head remained visible.
+Something again far off, and yet familiar, pleased me about this way
+of invading the houses of men. I thought of little chimney-sweeps,
+and `The Water Babies;' but I decided that it was not that.
+Then I remembered what it was that made me connect such topsy-turvy
+trespass with ideas quite opposite to the idea of crime.
+Christmas Eve, of course, and Santa Claus coming down the chimney.
+
+"Almost at the same instant the hairy head disappeared into the black hole;
+but I heard a voice calling to me from below. A second or two afterwards,
+the hairy head reappeared; it was dark against the more fiery part of the fog,
+and nothing could be spelt of its expression, but its voice called on me
+to follow with that enthusiastic impatience proper only among old friends.
+I jumped into the gulf, and as blindly as Curtius, for I was still thinking
+of Santa Claus and the traditional virtue of such vertical entrance.
+
+"In every well-appointed gentleman's house, I reflected, there was
+the front door for the gentlemen, and the side door for the tradesmen;
+but there was also the top door for the gods. The chimney is,
+so to speak, the underground passage between earth and heaven.
+By this starry tunnel Santa Claus manages--like the skylark--
+to be true to the kindred points of heaven and home.
+Nay, owing to certain conventions, and a widely distributed lack
+of courage for climbing, this door was, perhaps, little used.
+But Santa Claus's door was really the front door:
+it was the door fronting the universe.
+
+"I thought this as I groped my way across the black garret, or loft below
+the roof, and scrambled down the squat ladder that let us down into a yet
+larger loft below. Yet it was not till I was half-way down the ladder that I
+suddenly stood still, and thought for an instant of retracing all my steps,
+as my companion had retraced them from the beginning of the garden wall.
+The name of Santa Claus had suddenly brought me back to my senses.
+I remembered why Santa Clause came, and why he was welcome.
+
+"I was brought up in the propertied classes, and with all
+their horror of offences against property. I had heard all
+the regular denunciations of robbery, both right and wrong;
+I had read the Ten Commandments in church a thousand times.
+And then and there, at the age of thirty-four, half-way
+down a ladder in a dark room in the bodily act of burglar,
+I saw suddenly for the first time that theft, after all,
+is really wrong.
+
+"It was too late to turn back, however, and I followed
+the strangely soft footsteps of my huge companion across
+the lower and larger loft, till he knelt down on a part
+of the bare flooring and, after a few fumbling efforts,
+lifted a sort of trapdoor. This released a light from below,
+and we found ourselves looking down into a lamp-lit sitting room,
+of the sort that in large houses often leads out of a bedroom,
+and is an adjunct to it. Light thus breaking from beneath
+our feet like a soundless explosion, showed that the trapdoor
+just lifted was clogged with dust and rust, and had doubtless
+been long disused until the advent of my enterprising friend.
+But I did not look at this long, for the sight of the shining
+room underneath us had an almost unnatural attractiveness.
+To enter a modern interior at so strange an angle,
+by so forgotten a door, was an epoch in one's psychology.
+It was like having found a fourth dimension.
+
+"My companion dropped from the aperture into the room so suddenly
+and soundlessly, that I could do nothing but follow him;
+though, for lack of practice in crime, I was by no means soundless.
+Before the echo of my boots had died away, the big burglar
+had gone quickly to the door, half opened it, and stood looking
+down the staircase and listening. Then, leaving the door
+still half open, he came back into the middle of the room,
+and ran his roving blue eye round its furniture and ornament.
+The room was comfortably lined with books in that rich and human
+way that makes the walls seem alive; it was a deep and full,
+but slovenly, bookcase, of the sort that is constantly ransacked
+for the purposes of reading in bed. One of those stunted
+German stoves that look like red goblins stood in a corner,
+and a sideboard of walnut wood with closed doors in its lower part.
+There were three windows, high but narrow. After another glance round,
+my housebreaker plucked the walnut doors open and rummaged inside.
+He found nothing there, apparently, except an extremely
+handsome cut-glass decanter, containing what looked like port.
+Somehow the sight of the thief returning with this ridiculous little
+luxury in his hand woke within me once more all the revelation
+and revulsion I had felt above.
+
+"`Don't do it!' I cried quite incoherently, `Santa Claus--'
+
+"`Ah,' said the burglar, as he put the decanter on the table
+and stood looking at me, `you've thought about that, too.'
+
+"`I can't express a millionth part of what I've thought of,' I cried,
+`but it's something like this... oh, can't you see it? Why are children
+not afraid of Santa Claus, though he comes like a thief in the night?
+He is permitted secrecy, trespass, almost treachery--because there are
+more toys where he has been. What should we feel if there were less?
+Down what chimney from hell would come the goblin that should take
+away the children's balls and dolls while they slept? Could a Greek
+tragedy be more gray and cruel than that daybreak and awakening?
+Dog-stealer, horse-stealer, man-stealer--can you think of anything
+so base as a toy-stealer?'
+
+"The burglar, as if absently, took a large revolver from his pocket and laid
+it on the table beside the decanter, but still kept his blue reflective eyes
+fixed on my face.
+
+"`Man!' I said, `all stealing is toy-stealing. That's why
+it's really wrong. The goods of the unhappy children of men
+should be really respected because of their worthlessness.
+I know Naboth's vineyard is as painted as Noah's Ark. I know
+Nathan's ewe-lamb is really a woolly baa-lamb on a wooden stand.
+That is why I could not take them away. I did not mind so much,
+as long as I thought of men's things as their valuables;
+but I dare not put a hand upon their vanities.'
+
+"After a moment I added abruptly, `Only saints and sages ought to be robbed.
+They may be stripped and pillaged; but not the poor little worldly people
+of the things that are their poor little pride.'
+
+"He set out two wineglasses from the cupboard, filled them both,
+and lifted one of them with a salutation towards his lips.
+
+"`Don't do it!' I cried. `It might be the last bottle of some rotten
+vintage or other. The master of this house may be quite proud of it.
+Don't you see there's something sacred in the silliness of such things?'
+
+"`It's not the last bottle,' answered my criminal calmly;
+`there's plenty more in the cellar.'
+
+"`You know the house, then?' I said.
+
+"`Too well,' he answered, with a sadness so strange as to have
+something eerie about it. `I am always trying to forget what I know--
+and to find what I don't know.' He drained his glass.
+`Besides,' he added, `it will do him good.'
+
+"`What will do him good?'
+
+"`The wine I'm drinking,' said the strange person.
+
+"`Does he drink too much, then?' I inquired.
+
+"`No,' he answered, `not unless I do.'
+
+"`Do you mean,' I demanded, `that the owner of this house approves
+of all you do?'
+
+"`God forbid,' he answered; `but he has to do the same.'
+
+"The dead face of the fog looking in at all three windows
+unreasonable increased a sense of riddle, and even terror,
+about this tall, narrow house we had entered out of the sky.
+I had once more the notion about the gigantic genii--
+I fancied that enormous Egyptian faces, of the dead reds
+and yellows of Egypt, were staring in at each window of our
+little lamp-lit room as at a lighted stage of marionettes.
+My companion went on playing with the pistol in front of him,
+and talking with the same rather creepy confidentialness.
+
+"`I am always trying to find him--to catch him unawares.
+I come in through skylights and trapdoors to find him;
+but whenever I find him--he is doing what I am doing.'
+
+"I sprang to my feet with a thrill of fear. `There is some one coming,'
+I cried, and my cry had something of a shriek in it. "Not from
+the stairs below, but along the passage from the inner bedchamber
+(which seemed somehow to make it more alarming), footsteps were
+coming nearer. I am quite unable to say what mystery, or monster,
+or double, I expected to see when the door was pushed open from within.
+I am only quite certain that I did not expect to see what I did see.
+
+"Framed in the open doorway stood, with an air of great serenity,
+a rather tall young woman, definitely though indefinably artistic--
+her dress the colour of spring and her hair of autumn leaves,
+with a face which, though still comparatively young,
+conveyed experience as well as intelligence. All she said was,
+`I didn't hear you come in.'
+
+"`I came in another way,' said the Permeator, somewhat vaguely.
+`I'd left my latchkey at home.'
+
+"I got to my feet in a mixture of politeness and mania.
+`I'm really very sorry,' I cried. `I know my position is irregular.
+Would you be so obliging as to tell me whose house this is.?'
+
+"`Mine,' said the burglar, `May I present you to my wife?'
+
+"I doubtfully, and somewhat slowly, resumed my seat;
+and I did not get out of it till nearly morning. Mrs. Smith
+(such was the prosaic name of this far from prosaic household)
+lingered a little, talking slightly and pleasantly.
+She left on my mind the impression of a certain odd mixture
+of shyness and sharpness; as if she knew the world well,
+but was still a little harmlessly afraid of it.
+Perhaps the possession of so jumpy and incalculable a husband
+had left her a little nervous. Anyhow, when she had retired
+to the inner chamber once more, that extraordinary man poured
+forth his apologia and autobiography over the dwindling wine.
+
+"He had been sent to Cambridge with a view to a mathematical
+and scientific, rather than a classical or literary, career.
+A starless nihilism was then the philosophy of the schools;
+and it bred in him a war between the members and the spirit,
+but one in which the members were right. While his brain
+accepted the black creed, his very body rebelled against it.
+As he put it, his right hand taught him terrible things.
+As the authorities of Cambridge University put it, unfortunately,
+it had taken the form of his right hand flourishing a loaded
+firearm in the very face of a distinguished don, and driving
+him to climb out of the window and cling to a waterspout.
+He had done it solely because the poor don had professed
+in theory a preference for non-existence. For this
+very unacademic type of argument he had been sent down.
+Vomiting as he was with revulsion, from the pessimism that had
+quailed under his pistol, he made himself a kind of fanatic
+of the joy of life. He cut across all the associations
+of serious-minded men. He was gay, but by no means careless.
+His practical jokes were more in earnest than verbal ones.
+Though not an optimist in the absurd sense of maintaining that
+life is all beer and skittles, he did really seem to maintain
+that beer and skittles are the most serious part of it.
+`What is more immortal,' he would cry, `than love and war?
+Type of all desire and joy--beer. Type of all battle
+and conquest--skittles.'
+
+"There was something in him of what the old world called
+the solemnity of revels--when they spoke of `solemnizing'
+a mere masquerade or wedding banquet. Nevertheless he was not
+a mere pagan any more than he was a mere practical joker.
+His eccentricities sprang from a static fact of faith,
+in itself mystical, and even childlike and Christian.
+
+"`I don't deny,' he said, `that there should be priests to remind
+men that they will one day die. I only say that at certain
+strange epochs it is necessary to have another kind of priests,
+called poets, actually to remind men that they are not dead yet.
+The intellectuals among whom I moved were not even alive enough
+to fear death. They hadn't enough blood in them to be cowards.
+Until a pistol barrel was poked under their very noses they never
+even knew they had been born. For ages looking up an eternal
+perspective it might be true that life is a learning to die.
+But for these little white rats it was just as true that death
+was their only chance of learning to live.'
+
+"His creed of wonder was Christian by this absolute test; that he felt
+it continually slipping from himself as much as from others.
+He had the same pistol for himself, as Brutus said of the dagger.
+He continually ran preposterous risks of high precipice or headlong
+speed to keep alive the mere conviction that he was alive.
+He treasured up trivial and yet insane details that had once
+reminded him of the awful subconscious reality. When the don
+had hung on the stone gutter, the sight of his long dangling legs,
+vibrating in the void like wings, somehow awoke the naked satire
+of the old definition of man as a two-legged animal without feathers.
+The wretched professor had been brought into peril by his head,
+which he had so elaborately cultivated, and only saved
+by his legs, which he had treated with coldness and neglect.
+Smith could think of no other way of announcing or recording this,
+except to send a telegram to an old friend (by this time a
+total stranger) to say that he had just seen a man with two legs;
+and that the man was alive.
+
+"The uprush of his released optimism burst into stars like a rocket
+when he suddenly fell in love. He happened to be shooting a high
+and very headlong weir in a canoe, by way of proving to himself
+that he was alive; and he soon found himself involved in some doubt
+about the continuance of the fact. What was worse, he found he had
+equally jeopardized a harmless lady alone in a rowing-boat, and one
+who had provoked death by no professions of philosophic negation.
+He apologized in wild gasps through all his wild wet labours to bring
+her to the shore, and when he had done so at last, he seems to have
+proposed to her on the bank. Anyhow, with the same impetuosity
+with which he had nearly murdered her, he completely married her;
+and she was the lady in green to whom I had recently and `good-night.'
+
+"They had settled down in these high narrow houses
+near Highbury. Perhaps, indeed, that is hardly the word.
+One could strictly say that Smith was married, that he was very
+happily married, that he not only did not care for any woman
+but his wife, but did not seem to care for any place but his home;
+but perhaps one could hardly say that he had settled down.
+`I am a very domestic fellow,' he explained with gravity,
+`and have often come in through a broken window rather than be
+late for tea.'
+
+"He lashed his soul with laughter to prevent it falling asleep.
+He lost his wife a series of excellent servants by knocking at
+the door as a total stranger, and asking if Mr. Smith lived there
+and what kind of a man he was. The London general servant is not
+used to the master indulging in such transcendental ironies.
+And it was found impossible to explain to her that he did it in order
+to feel the same interest in his own affairs that he always felt
+in other people's.
+
+"`I know there's a fellow called Smith,' he said in his rather
+weird way, `living in one of the tall houses in this terrace.
+I know he is really happy, and yet I can never catch him at it.'
+
+"Sometimes he would, of a sudden, treat his wife with a kind of paralyzed
+politeness, like a young stranger struck with love at first sight.
+Sometimes he would extend this poetic fear to the very furniture;
+would seem to apologize to the chair he sat on, and climb the staircase
+as cautiously as a cragsman, to renew in himself the sense of their skeleton
+of reality. Every stair is a ladder and every stool a leg, he said.
+And at other times he would play the stranger exactly in the opposite sense,
+and would enter by another way, so as to feel like a thief and a robber.
+He would break and violate his own home, as he had done with me that night.
+It was near morning before I could tear myself from this queer confidence
+of the Man Who Would Not Die, and as I shook hands with him on the doorstep
+the last load of fog was lifting, and rifts of daylight revealed the stairway
+of irregular street levels that looked like the end of the world.
+
+"It will be enough for many to say that I had passed a night with a maniac.
+What other term, it will be said, could be applied to such a being?
+A man who reminds himself that he is married by pretending not to be married!
+A man who tries to covet his own goods instead of his neighbor's! On
+this I have but one word to say, and I feel it of my honour to say it,
+though no one understands. I believe the maniac was one of those who
+do not merely come, but are sent; sent like a great gale upon ships
+by Him who made His angels winds and His messengers a flaming fire.
+This, at least, I know for certain. Whether such men have laughed
+or wept, we have laughed at their laughter as much as at their weeping.
+Whether they cursed or blessed the world, they have never fitted it.
+It is true that men have shrunk from the sting of a great satirist
+as if from the sting of an adder. But it is equally true that men flee
+from the embrace of a great optimist as from the embrace of a bear.
+Nothing brings down more curses than a real benediction.
+For the goodness of good things, like the badness of bad things,
+is a prodigy past speech; it is to be pictured rather than spoken.
+We shall have gone deeper than the deeps of heaven and grown older than
+the oldest angels before we feel, even in its first faint vibrations,
+the everlasting violence of that double passion with which God hates
+and loves the world.--I am, yours faithfully,
+ "Raymond Percy."
+
+
+"Oh, 'oly, 'oly, 'oly!" said Mr. Moses Gould.
+
+The instant he had spoken all the rest knew they had been
+in an almost religious state of submission and assent.
+Something had bound them together; something in the sacred tradition
+of the last two words of the letter; something also in the touching
+and boyish embarrassment with which Inglewood had read them--
+for he had all the thin-skinned reverence of the agnostic.
+Moses Gould was as good a fellow in his way as ever lived;
+far kinder to his family than more refined men of pleasure,
+simple and steadfast in his admiration, a thoroughly wholesome
+animal and a thoroughly genuine character. But wherever there
+is conflict, crises come in which any soul, personal or racial,
+unconsciously turns on the world the most hateful of its hundred faces.
+English reverence, Irish mysticism, American idealism,
+looked up and saw on the face of Moses a certain smile.
+It was that smile of the Cynic Triumphant, which has been the tocsin
+for many a cruel riot in Russian villages or mediaeval towns.
+
+"Oh, 'oly, 'oly, 'oly!" said Moses Gould.
+
+Finding that this was not well received, he explained further,
+exuberance deepening on his dark exuberant features.
+
+"Always fun to see a bloke swallow a wasp when 'e's corfin' up a fly,"
+he said pleasantly. "Don't you see you've bunged up old Smith anyhow.
+If this parson's tale's O.K.--why, Smith is 'ot. 'E's pretty 'ot.
+We find him elopin' with Miss Gray (best respects!) in a cab.
+Well, what abart this Mrs. Smith the curate talks of, with her
+blarsted shyness--transmigogrified into a blighted sharpness?
+Miss Gray ain't been very sharp, but I reckon she'll be pretty shy."
+
+"Don't be a brute," growled Michael Moon.
+
+None could lift their eyes to look at Mary; but Inglewood sent a glance
+along the table at Innocent Smith. He was still bowed above his paper toys,
+and a wrinkle was on his forehead that might have been worry or shame.
+He carefully plucked out one corner of a complicated paper and tucked it
+in elsewhere; then the wrinkle vanished and he looked relieved.
+
+
+
+
+
+ Chapter III
+
+ The Round Road;
+ or, the Desertion Charge
+
+
+Pym rose with sincere embarrassment; for he was an American,
+and his respect for ladies was real, and not at all scientific.
+
+"Ignoring," he said, "the delicate and considerable knightly protests
+that have been called forth by my colleague's native sense of oration,
+and apologizing to all for whom our wild search for truth seems unsuitable
+to the grand ruins of a feudal land, I still think my colleague's question
+by no means devoid of rel'vancy. The last charge against the accused was
+one of burglary; the next charge on the paper is of bigamy and desertion.
+It does without question appear that the defence, in aspiring to rebut
+this last charge, have really admitted the next. Either Innocent Smith
+is still under a charge of attempted burglary, or else that is exploded;
+but he is pretty well fixed for attempted bigamy. It all depends on
+what view we take of the alleged letter from Curate Percy. Under these
+conditions I feel justified in claiming my right to questions.
+May I ask how the defence got hold of the letter from Curate Percy? Did it
+come direct from the prisoner?"
+
+"We have had nothing direct from the prisoner," said Moon quietly.
+"The few documents which the defence guarantees came to us
+from another quarter."
+
+"From what quarter?" asked Dr. Pym.
+
+"If you insist," answered Moon, "we had them from Miss Gray.
+
+"Dr. Cyrus Pym quite forgot to close his eyes, and, instead,
+opened them very wide.
+
+"Do you really mean to say," he said, "that Miss Gray was in possession
+of this document testifying to a previous Mrs. Smith?"
+
+"Quite so," said Inglewood, and sat down.
+
+The doctor said something about infatuation in a low and painful voice,
+and then with visible difficulty continued his opening remarks.
+
+"Unfortunately the tragic truth revealed by Curate Percy's narrative
+is only too crushingly confirmed by other and shocking documents
+in our own possession. Of these the principal and most certain is
+the testimony of Innocent Smith's gardener, who was present at the most
+dramatic and eye-opening of his many acts of marital infidelity.
+Mr. Gould, the gardener, please."
+
+Mr. Gould, with his tireless cheerfulness, arose to present the gardener.
+That functionary explained that he had served Mr. and Mrs. Innocent Smith when
+they had a little house on the edge of Croydon. From the gardener's tale,
+with its many small allusions, Inglewood grew certain he had seen the place.
+It was one of those corners of town or country that one does not forget,
+for it looked like a frontier. The garden hung very high above
+the lane, and its end was steep and sharp, like a fortress.
+Beyond was a roll of real country, with a white path sprawling across it,
+and the roots, boles, and branches of great gray trees writhing and twisting
+against the sky. But as if to assert that the lane itself was suburban,
+were sharply relieved against that gray and tossing upland a lamp-post
+that stood exactly at the corner. Inglewood was sure of the place;
+he had passed it twenty times in his constitutionals on the bicycle;
+he had always dimly felt it was a place where something might occur.
+But it gave him quite a shiver to feel that the face of his frightful friend
+or enemy Smith might at any time have appeared over the garden bushes above.
+The gardener's account, unlike like the curate's, was quite free
+from decorative adjectives, however many he may have uttered privately
+when writing it. He simply said that on a particular morning Mr. Smith
+came out and began to play about with a rake, as he often did.
+Sometimes he would tickle the nose of his eldest child (he had two children);
+sometimes he would hook the rake on to the branch of a tree,
+and hoist himself up with horrible gymnastic jerks, like those of
+a giant frog in its final agony. Never, apparently, did he think
+of putting the rake to any of its proper uses, and the gardener,
+in consequence, treated his actions with coldness and brevity.
+But the gardener was certain that on one particular morning in October he
+(the gardener) had come round the corner of the house carrying the hose,
+had seen Mr. Smith standing on the lawn in a striped red and white jacket
+(which might have been his smoking-jacket, but was quite as like a part
+of his pyjamas), and had heard him then and there call out to his wife,
+who was looking out of the bedroom window on to the garden, these decisive
+and very loud expressions--
+
+"I won't stay here any longer. I've got another wife and much
+better children a long way from here. My other wife's got redder
+hair than yours, and my other garden's got a much finer situation;
+and I'm going off to them."
+
+With these words, apparently, he sent the rake flying far up into the sky,
+higher than many could have shot an arrow, and caught it again.
+Then he cleared the hedge at a leap and alighted on his feet down
+in the lane below, and set off up the road without even a hat.
+Much of the picture was doubtless supplied by Inglewood's accidental
+memory of the place. He could see with his mind's eye that big
+bare-headed figure with the ragged rake swaggering up the crooked
+woodland road, and leaving lamp-post and pillar-box behind.
+But the gardener, on his own account, was quite prepared to swear
+to the public confession of bigamy, to the temporary disappearance
+of the rake in the sky, and the final disappearance of the man up
+the road. Moreover, being a local man, he could swear that, beyond some
+local rumours that Smith had embarked on the south-eastern coast,
+nothing was known of him again.
+
+This impression was somewhat curiously clinched by Michael Moon in the few
+but clear phrases in which he opened the defence upon the third charge.
+So far from denying that Smith had fled from Croydon and disappeared on
+the Continent, he seemed prepared to prove all this on his own account.
+"I hope you are not so insular," he said, "that you will not respect
+the word of a French innkeeper as much as that of an English gardener.
+By Mr. Inglewood's favour we will hear the French innkeeper."
+
+Before the company had decided the delicate point Inglewood was already
+reading the account in question. It was in French. It seemed to them
+to run something like this:--
+
+
+"Sir,--Yes; I am Durobin of Durobin's Cafe on the sea-front at Gras,
+rather north of Dunquerque. I am willing to write all I know
+of the stranger out of the sea.
+
+"I have no sympathy with eccentrics or poets. A man of sense
+looks for beauty in things deliberately intended to be beautiful,
+such as a trim flower-bed or an ivory statuette. One does not permit
+beauty to pervade one's whole life, just as one does not pave
+all the roads with ivory or cover all the fields with geraniums.
+My faith, but we should miss the onions!
+
+"But whether I read things backwards through my memory, or whether there
+are indeed atmospheres of psychology which the eye of science cannot
+as yet pierce, it is the humiliating fact that on that particular evening
+I felt like a poet--like any little rascal of a poet who drinks absinthe
+in the mad Montmartre.
+
+"Positively the sea itself looked like absinthe, green and bitter
+and poisonous. I had never known it look so unfamiliar before.
+In the sky was that early and stormy darkness that is so depressing to
+the mind, and the wind blew shrilly round the little lonely coloured kiosk
+where they sell the newspapers, and along the sand-hills by the shore.
+There I saw a fishing-boat with a brown sail standing in silently from
+the sea. It was already quite close, and out of it clambered a man
+of monstrous stature, who came wading to shore with the water not up
+to his knees, though it would have reached the hips of many men.
+He leaned on a long rake or pole, which looked like a trident, and made him
+look like a Triton. Wet as he was, and with strips of seaweed clinging
+to him, he walked across to my cafe, and, sitting down at a table outside,
+asked for cherry brandy, a liqueur which I keep, but is seldom demanded.
+Then the monster, with great politeness, invited me to partake
+of a vermouth before my dinner, and we fell into conversation.
+He had apparently crossed from Kent by a small boat got at a private
+bargain because of some odd fancy he had for passing promptly in an
+easterly direction, and not waiting for any of the official boats.
+He was, he somewhat vaguely explained, looking for a house. When I
+naturally asked him where the house was, he answered that he did not know;
+it was on an island; it was somewhere to the east; or, as he expressed
+it with a hazy and yet impatient gesture, `over there.'
+
+"I asked him how, if he did not know the place, he would know it when he
+saw it. Here he suddenly ceased to be hazy, and became alarmingly minute.
+He gave a description of the house detailed enough for an auctioneer.
+I have forgotten nearly all the details except the last two, which were
+that the lamp-post was painted green, and that there was a red pillar-box
+at the corner.
+
+"`A red pillar-box!' I cried in astonishment. `Why, the place must
+be in England!'
+
+"`I had forgotten,' he said, nodding heavily. `That is the island's name.'
+
+"`But, ~nom du nom~,' I cried testily, `you've just come
+from England, my boy.'
+
+"`They SAID it was England,' said my imbecile, conspiratorially.
+`They said it was Kent. But Kentish men are such liars one can't
+believe anything they say.'
+
+"`Monsieur,' I said, `you must pardon me. I am elderly,
+and the ~fumisteries~ of the young men are beyond me.
+I go by common sense, or, at the largest, by that extension
+of applied common sense called science.'
+
+"`Science!' cried the stranger. `There is only one good things
+science ever discovered--a good thing, good tidings of great joy--
+that the world is round.'
+
+"I told him with civility that his words conveyed no impression
+to my intelligence. `I mean,' he said, `that going right round
+the world is the shortest way to where you are already.'
+
+"`Is it not even shorter,' I asked, `to stop where you are?'
+
+"`No, no, no!' he cried emphatically. `That way is long and very weary.
+At the end of the world, at the back of the dawn, I shall find
+the wife I really married and the house that is really mine.
+And that house will have a greener lamp-post and a redder pillar-box.
+Do you,' he asked with a sudden intensity, `do you never want to rush
+out of your house in order to find it?'
+
+"`No, I think not,' I replied; `reason tells a man from
+the first to adapt his desires to the probable supply of life.
+I remain here, content to fulfil the life of man.
+All my interests are here, and most of my friends, and--'
+
+"`And yet,' he cried, starting to his almost terrific height,
+`you made the French Revolution!'
+
+"`Pardon me," I said, `I am not quite so elderly.
+A relative perhaps.'
+
+"`I mean your sort did!' exclaimed this personage.
+`Yes, your damned smug, settled, sensible sort made
+the French Revolution. Oh! I know some say it was no good,
+and you're just back where you were before. Why, blast it all,
+that's just where we all want to be--back where we were before!
+That is revolution--going right round! Every revolution,
+like a repentance, is a return.'
+
+"He was so excited that I waited till he had taken his seat again,
+and then said something indifferent and soothing; but he struck
+the tiny table with his colossal fist and went on.
+
+"`I am going to have a revolution, not a French Revolution, but an
+English Revolution. God has given to each tribe its own type of mutiny.
+The Frenchmen march against the citadel of the city together; the Englishman
+marches to the outskirts of the town, and alone. But I am going to turn
+the world upside down, too. I'm going to turn myself upside down.
+I'm going to walk upside down in the cursed upsidedownland of the Antipodes,
+where trees and men hang head downward in the sky. But my revolution,
+like yours, like the earth's, will end up in the holy, happy place--
+the celestial, incredible place--the place where we were before.'
+
+"With these remarks, which can scarcely be reconciled with reason,
+he leapt from the seat and strode away into the twilight,
+swinging his pole and leaving behind him an excessive payment,
+which also pointed to some loss of mental balance.
+This is all I know of the episode of the man landed from the
+fishing-boat, and I hope it may serve the interests of justice.--
+Accept, Sir, the assurances of the very high consideration,
+with which I have the honour to be your obedient servant,
+ "Jules Durobin."
+
+
+"The next document in our dossier," continued Inglewood,
+"comes from the town of Crazok, in the central plains of Russia,
+and runs as follows:--
+
+
+"Sir,--My name is Paul Nickolaiovitch: I am the stationmaster
+at the station near Crazok. The great trains go by across
+the plains taking people to China, but very few people get
+down at the platform where I have to watch. This makes my life
+rather lonely, and I am thrown back much upon the books I have.
+But I cannot discuss these very much with my neighbours,
+for enlightened ideas have not spread in this part of Russia
+so much as in other parts. Many of the peasants round here
+have never heard of Bernard Shaw.
+
+"I am a Liberal, and do my best to spread Liberal ideas; but since
+the failure of the revolution this has been even more difficult.
+The revolutionists committed many acts contrary to the pure principles
+of humanitarianism, with which indeed, owing to the scarcity of books,
+they were ill acquainted. I did not approve of these cruel acts,
+though provoked by the tyranny of the government; but now there
+is a tendency to reproach all Intelligents with the memory of them.
+This is very unfortunate for Intelligents.
+
+"It was when the railway strike was almost over, and a few trains
+came through at long intervals, that I stood one day watching
+a train that had come in. Only one person got out of the train,
+far away up at the other end of it, for it was a very long train.
+It was evening, with a cold, greenish sky. A little snow had fallen,
+but not enough to whiten the plain, which stretched away a sort
+of sad purple in all directions, save where the flat tops
+of some distant tablelands caught the evening light like lakes.
+As the solitary man came stamping along on the thin snow by the train
+he grew larger and larger; I thought I had never seen so large a man.
+But he looked even taller than he was, I think, because his
+shoulders were very big and his head comparatively little.
+From the big shoulders hung a tattered old jacket, striped dull
+red and dirty white, very thin for the winter, and one hand rested
+on a huge pole such as peasants rake in weeds with to burn them.
+
+"Before he had traversed the full length of the train he was entangled in one
+of those knots of rowdies that were the embers of the extinct revolution,
+though they mostly disgraced themselves upon the government side.
+I was just moving to his assistance, when he whirled up his rake and laid
+out right and left with such energy that he came through them without scathe
+and strode right up to me, leaving them staggered and really astonished.
+
+"Yet when he reached me, after so abrupt an assertion of his aim,
+he could only say rather dubiously in French that he wanted a house.
+
+"`There are not many houses to be had round here,' I answered
+in the same language, `the district has been very disturbed.
+A revolution, as you know, has recently been suppressed.
+Any further building--'
+
+"`Oh! I don't mean that,' he cried; `I mean a real house--a live house.
+It really is a live house, for it runs away from me.'
+
+"`I am ashamed to say that something in his phrase or gesture
+moved me profoundly. We Russians are brought up in an atmosphere
+of folk-lore, and its unfortunate effects can still be seen
+in the bright colours of the children's dolls and of the ikons.
+For an instant the idea of a house running away from a man gave
+me pleasure, for the enlightenment of man moves slowly.
+
+"`Have you no other house of your own?' I asked.
+
+"`I have left it,' he said very sadly. `It was not the house that grew dull,
+but I that grew dull in it. My wife was better than all women, and yet I
+could not feel it.'
+
+"`And so,' I said with sympathy, `you walked straight out of the front door,
+like a masculine Nora.'
+
+"`Nora?' he inquired politely, apparently supposing it to be a Russian word.
+
+"`I mean Nora in "The Doll's House,"' I replied.
+
+"At this he looked very much astonished, and I knew he was an Englishman;
+for Englishmen always think that Russians study nothing but `ukases.'
+
+"`"The Doll's House"?' he cried vehemently; `why, that is just where Ibsen
+was so wrong! Why, the whole aim of a house is to be a doll's house.
+Don't you remember, when you were a child, how those little windows
+WERE windows, while the big windows weren't. A child has a doll's house,
+and shrieks when a front door opens inwards. A banker has a real house,
+yet how numerous are the bankers who fail to emit the faintest shriek
+when their real front doors open inwards.'
+
+"Something from the folk-lore of my infancy still kept me foolishly silent;
+and before I could speak, the Englishman had leaned over and was saying
+in a sort of loud whisper, `I have found out how to make a big thing small.
+I have found out how to turn a house into a doll's house. Get a long
+way off it: God lets us turn all things into toys by his great gift
+of distance. Once let me see my old brick house standing up quite
+little against the horizon, and I shall want to go back to it again.
+I shall see the funny little toy lamp-post painted green against the gate,
+and all the dear little people like dolls looking out of the window.
+For the windows really open in my doll's house.'
+
+"`But why?' I asked, `should you wish to return to that particular
+doll's house? Having taken, like Nora, the bold step against convention,
+having made yourself in the conventional sense disreputable, having dared
+to be free, why should you not take advantage of your freedom?
+As the greatest modern writers have pointed out, what you called your
+marriage was only your mood. You have a right to leave it all behind,
+like the clippings of your hair or the parings of your nails.
+Having once escaped, you have the world before you. Though the words
+may seem strange to you, you are free in Russia.'
+
+"He sat with his dreamy eyes on the dark circles of the plains,
+where the only moving thing was the long and labouring trail of smoke
+out of the railway engine, violet in tint, volcanic in outline,
+the one hot and heavy cloud of that cold clear evening of pale green.
+
+"`Yes,' he said with a huge sigh, `I am free in Russia. You are right.
+I could really walk into that town over there and have love all over again,
+and perhaps marry some beautiful woman and begin again, and nobody could
+ever find me. Yes, you have certainly convinced me of something.'
+
+"His tone was so queer and mystical that I felt impelled to ask
+him what he meant, and of what exactly I had convinced him.
+
+"`You have convinced me,' he said with the same dreamy eye,
+`why it is really wicked and dangerous for a man to run away
+from his wife.'
+
+"`And why is it dangerous?' I inquired.
+
+"`Why, because nobody can find him,' answered this odd person,
+`and we all want to be found.'
+
+"`The most original modern thinkers,' I remarked,
+`Ibsen, Gorki, Nietzsche, Shaw, would all rather say that what we
+want most is to be lost: to find ourselves in untrodden paths,
+and to do unprecedented things: to break with the past and belong
+to the future.'
+
+"He rose to his whole height somewhat sleepily, and looked round on
+what was, I confess, a somewhat desolate scene--the dark purple plains,
+the neglected railroad, the few ragged knots of malcontents.
+`I shall not find the house here,' he said. `It is still eastward--
+further and further eastward.'
+
+"Then he turned upon me with something like fury, and struck the foot
+of his pole upon the frozen earth.
+
+"`And if I do go back to my country,' he cried, `I may be locked up in a
+madhouse before I reach my own house. I have been a bit unconventional
+in my time! Why, Nietzsche stood in a row of ramrods in the silly old
+Prussian army, and Shaw takes temperance beverages in the suburbs;
+but the things I do are unprecedented things. This round road I
+am treading is an untrodden path. I do believe in breaking out;
+I am a revolutionist. But don't you see that all these real leaps
+and destructions and escapes are only attempts to get back to Eden--
+to something we have had, to something we at least have heard of?
+Don't you see one only breaks the fence or shoots the moon in order
+to get HOME?'
+
+"`No,' I answered after due reflection, `I don't think I should accept that.'
+
+"`Ah,' he said with a sort of a sigh, `then you have explained a second
+thing to me.'
+
+"`What do you mean?' I asked; `what thing?'
+
+"`Why your revolution has failed,' he said; and walking across quite
+suddenly to the train he got into it just as it was steaming away at last.
+And as I saw the long snaky tail of it disappear along the darkening flats.
+
+"I saw no more of him. But though his views were adverse to the best
+advanced thought, he struck me as an interesting person: I should
+like to find out if he has produced any literary works.--Yours, etc.,
+ "Paul Nickolaiovitch."
+
+
+There was something in this odd set of glimpses into foreign lives which kept
+the absurd tribunal quieter than it had hitherto been, and it was again
+without interruption that Inglewood opened another paper upon his pile.
+"The Court will be indulgent," he said, "if the next note lacks the special
+ceremonies of our letter-writing. It is ceremonious enough in its own way:--
+
+
+"The Celestial Principles are permanent: Greeting.--I am Wong-Hi,
+and I tend the temple of all the ancestors of my family in the forest
+of Fu. The man that broke through the sky and came to me said that it
+must be very dull, but I showed him the wrongness of his thought.
+I am indeed in one place, for my uncle took me to this
+temple when I was a boy, and in this I shall doubtless die.
+But if a man remain in one place he shall see that the place changes.
+The pagoda of my temple stands up silently out of all the trees,
+like a yellow pagoda above many green pagodas. But the skies
+are sometimes blue like porcelain, and sometimes green like jade,
+and sometimes red like garnet. But the night is always ebony
+and always returns, said the Emperor Ho.
+
+"The sky-breaker came at evening very suddenly, for I had hardly
+seen any stirring in the tops of the green trees over which I look
+as over a sea, when I go to the top of the temple at morning.
+And yet when he came, it was as if an elephant had strayed
+from the armies of the great kings of India. For palms snapped,
+and bamboos broke, and there came forth in the sunshine before
+the temple one taller than the sons of men.
+
+"Strips of red and white hung about him like ribbons of a carnival,
+and he carried a pole with a row of teeth on it like the teeth of a dragon.
+His face was white and discomposed, after the fashion of the foreigners,
+so that they look like dead men filled with devils; and he spoke
+our speech brokenly.
+
+"He said to me, `This is only a temple; I am trying to find a house.'
+And then he told me with indelicate haste that the lamp outside his house
+was green, and that there was a red post at the corner of it.
+
+"`I have not seen your house nor any houses,' I answered.
+`I dwell in this temple and serve the gods.'
+
+"`Do you believe in the gods?' he asked with hunger in his eyes,
+like the hunger of dogs. And this seemed to me a strange question
+to ask, for what should a man do except what men have done?
+
+"`My Lord,' I said, `it must be good for men to hold up their hands even
+if the skies are empty. For if there are gods, they will be pleased,
+and if there are none, then there are none to be displeased.
+Sometimes the skies are gold and sometimes porphyry and sometimes
+ebony, but the trees and the temple stand still under it all.
+So the great Confucius taught us that if we do always the same things
+with our hands and our feet as do the wise beasts and birds, with our
+heads we may think many things: yes, my Lord, and doubt many things.
+So long as men offer rice at the right season, and kindle lanterns
+at the right hour, it matters little whether there be gods or no.
+For these things are not to appease gods, but to appease men.'
+
+"He came yet closer to me, so that he seemed enormous;
+yet his look was very gentle.
+
+"`Break your temple,' he said, `and your gods will be freed.'
+
+"And I, smiling at his simplicity, answered: `And so, if there be no gods,
+I shall have nothing but a broken temple.'
+
+"And at this, that giant from whom the light of reason was
+withheld threw out his mighty arms and asked me to forgive him.
+And when I asked him for what he should be forgiven he answered:
+`For being right.'
+
+"`Your idols and emperors are so old and wise and satisfying,'
+he cried, `it is a shame that they should be wrong.
+We are so vulgar and violent, we have done you so many iniquities--
+it is a shame we should be right after all.'
+
+"And I, still enduring his harmlessness, asked him why he thought
+that he and his people were right.
+
+"And he answered: `We are right because we are bound where
+men should be bound, and free where men should be free.
+We are right because we doubt and destroy laws and customs--
+but we do not doubt our own right to destroy them. For you live
+by customs, but we live by creeds. Behold me! In my country I
+am called Smip. My country is abandoned, my name is defiled,
+because I pursue around the world what really belongs to me.
+You are steadfast as the trees because you do not believe.
+I am as fickle as the tempest because I do believe.
+I do believe in my own house, which I shall find again.
+And at the last remaineth the green lantern and the red post.'
+
+"I said to him: `At the last remaineth only wisdom.'
+
+"But even as I said the word he uttered a horrible shout,
+and rushing forward disappeared among the trees.
+I have not seen this man again nor any other man.
+The virtues of the wise are of fine brass.
+ "Wong-Hi."
+
+
+"The next letter I have to read," proceeded Arthur Inglewood, "will probably
+make clear the nature of our client's curious but innocent experiment.
+It is dated from a mountain village in California, and runs as follows:--
+
+
+"Sir,--A person answering to the rather extraordinary
+description required certainly went, some time ago,
+over the high pass of the Sierras on which I live and
+of which I am probably the sole stationary inhabitant.
+I keep a rudimentary tavern, rather ruder than a hut,
+on the very top of this specially steep and threatening pass.
+My name is Louis Hara, and the very name may puzzle you
+about my nationality. Well, it puzzles me a great deal.
+When one has been for fifteen years without society it is hard
+to have patriotism; and where there is not even a hamlet it
+is difficult to invent a nation. My father was an Irishman of
+the fiercest and most free-shooting of the old Californian kind.
+My mother was a Spaniard, proud of descent from the old
+Spanish families round San Francisco, yet accused for all that
+of some admixture of Red Indian blood. I was well educated
+and fond of music and books. But, like many other hybrids,
+I was too good or too bad for the world; and after attempting
+many things I was glad enough to get a sufficient though
+a lonely living in this little cabaret in the mountains.
+In my solitude I fell into many of the ways of a savage.
+Like an Eskimo, I was shapeless in winter; like a Red Indian, I wore
+in hot summers nothing but a pair of leather trousers, with a
+great straw hat as big as a parasol to defend me from the sun.
+I had a bowie knife at my belt and a long gun under my arm;
+and I dare say I produced a pretty wild impression on the few
+peaceable travellers that could climb up to my place.
+But I promise you I never looked as mad as that man did.
+Compared with him I was Fifth Avenue.
+
+"I dare say that living under the very top of the Sierras has an odd
+effect on the mind; one tends to think of those lonely rocks not as peaks
+coming to a point, but rather as pillars holding up heaven itself.
+Straight cliffs sail up and away beyond the hope of the eagles;
+cliffs so tall that they seem to attract the stars and collect them as
+sea-crags collect a mere glitter of phosphorous. These terraces and towers
+of rock do not, like smaller crests, seem to be the end of the world.
+Rather they seem to be its awful beginning: its huge foundations.
+We could almost fancy the mountain branching out above us like a tree
+of stone, and carrying all those cosmic lights like a candelabrum.
+For just as the peaks failed us, soaring impossibly far,
+so the stars crowded us (as it seemed), coming impossibly near.
+The spheres burst about us more like thunderbolts hurled at the earth
+than planets circling placidly about it.
+
+"All this may have driven me mad: I am not sure. I know there is one
+angle of the road down the pass where the rock leans out a little,
+and on window nights I seem to hear it clashing overhead with other rocks--
+yes, city against city and citadel against citadel, far up into the night.
+It was on such an evening that the strange man struggled up the pass.
+Broadly speaking, only strange men did struggle up the pass.
+But I had never seen one like this one before.
+
+"He carried (I cannot conceive why) a long, dilapidated
+garden rake, all bearded and bedraggled with grasses,
+so that it looked like the ensign of some old barbarian tribe.
+His hair, which was as long and rank as the grass, hung down
+below his huge shoulders; and such clothes as clung about him
+were rags and tongues of red and yellow, so that he had the air
+of being dressed like an Indian in feathers or autumn leaves.
+The rake or pitchfork, or whatever it was, he used sometimes
+as an alpenstock, sometimes (I was told) as a weapon.
+I do not know why he should have used it as a weapon, for he had,
+and afterwards showed me, an excellent six-shooter in his pocket.
+`But THAT,' he said, `I use only for peaceful purposes.'
+I have no notion what he meant.
+
+"He sat down on the rough bench outside my inn and drank some wine
+from the vineyards below, sighing with ecstasy over it like one
+who had travelled long among alien, cruel things and found at last
+something that he knew. Then he sat staring rather foolishly at
+the rude lantern of lead and coloured glass that hangs over my door.
+It is old, but of no value; my grandmother gave it to me long ago:
+she was devout, and it happens that the glass is painted with a crude
+picture of Bethlehem and the Wise Men and the Star. He seemed
+so mesmerized with the transparent glow of Our Lady's blue gown and
+the big gold star behind, that he led me also to look at the thing,
+which I had not done for fourteen years.
+
+"Then he slowly withdrew his eyes from this and looked out eastward
+where the road fell away below us. The sunset sky was a vault
+of rich velvet, fading away into mauve and silver round the edges
+of the dark mountain ampitheatre; and between us and the ravine below
+rose up out of the deeps and went up into the heights the straight
+solitary rock we call Green Finger. Of a queer volcanic colour,
+and wrinkled all over with what looks undecipherable writing,
+it hung there like a Babylonian pillar or needle.
+
+"The man silently stretched out his rake in that direction,
+and before he spoke I knew what he meant. Beyond the great green
+rock in the purple sky hung a single star.
+
+"`A star in the east,' he said in a strange hoarse voice like one of our
+ancient eagles'. `The wise men followed the star and found the house.
+But if I followed the star, should I find the house?'
+
+"`It depends perhaps,' I said, smiling, `on whether you are a wise man.'
+I refrained from adding that he certainly didn't look it.
+
+"`You may judge for yourself,' he answered. `I am a man who left his own
+house because he could no longer bear to be away from it.'
+
+"`It certainly sounds paradoxical,' I said.
+
+"`I heard my wife and children talking and saw them moving
+about the room,' he continued, `and all the time I knew
+they were walking and talking in another house thousands
+of miles away, under the light of different skies, and beyond
+the series of the seas. I loved them with a devouring love,
+because they seemed not only distant but unattainable.
+Never did human creatures seem so dear and so desirable:
+but I seemed like a cold ghost; therefore I cast off
+their dust from my feet for a testimony. Nay, I did more.
+I spurned the world under my feet so that it swung full circle
+like a treadmill.'
+
+"`Do you really mean,' I cried, `that you have come right round the world?
+Your speech is English, yet you are coming from the west.'
+
+"`My pilgrimage is not yet accomplished,' he replied sadly.
+`I have become a pilgrim to cure myself of being an exile.'
+
+"Something in the word `pilgrim' awoke down in the roots
+of my ruinous experience memories of what my fathers had
+felt about the world, and of something from whence I came.
+I looked again at the little pictured lantern at which I had
+not looked for fourteen years.
+
+"`My grandmother,' I said in a low tone, `would have said that we
+were all in exile, and that no earthly house could cure the holy
+home-sickness that forbids us rest.'
+
+"He was silent a long while, and watched a single eagle drift
+out beyond the Green Finger into the darkening void.
+
+"Then he said, `I think your grandmother was right,' and stood up
+leaning on his grassy pole. `I think that must be the reason,'
+he said--`the secret of this life of man, so ecstatic and so unappeased.
+But I think there is more to be said. I think God has given us
+the love of special places, of a hearth and of a native land,
+for a good reason.'
+
+"`I dare say,' I said. `What reason?'
+
+"`Because otherwise,' he said, pointing his pole out at the sky and the abyss,
+`we might worship that.'
+
+"`What do you mean?' I demanded.
+
+"`Eternity,' he said in his harsh voice, `the largest of the idols--
+the mightiest of the rivals of God.'
+
+"`You mean pantheism and infinity and all that,' I suggested.
+
+"`I mean,' he said with increasing vehemence, `that if there be a house
+for me in heaven it will either have a green lamp-post and a hedge,
+or something quite as positive and personal as a green lamp-post
+and a hedge. I mean that God bade me love one spot and serve it,
+and do all things however wild in praise of it, so that this one spot
+might be a witness against all the infinities and the sophistries,
+that Paradise is somewhere and not anywhere, is something and not anything.
+And I would not be so very much surprised if the house in heaven had
+a real green lamp-post after all.'
+
+"With which he shouldered his pole and went striding down
+the perilous paths below, and left me alone with the eagles.
+But since he went a fever of homelessness will often shake me.
+I am troubled by rainy meadows and mud cabins that I have
+never seen; and I wonder whether America will endure.--
+Yours faithfully, Louis Hara."
+
+
+After a short silence Inglewood said: "And, finally, we desire
+to put in as evidence the following document:--
+
+
+"This is to say that I am Ruth Davis, and have been housemaid to
+Mrs. I. Smith at `The Laurels' in Croydon for the last six months.
+When I came the lady was alone, with two children; she was not a widow,
+but her husband was away. She was left with plenty of money and did not
+seem disturbed about him, though she often hoped he would be back soon.
+She said he was rather eccentric and a little change did him good.
+One evening last week I was bringing the tea-things out on to the lawn
+when I nearly dropped them. The end of a long rake was suddenly stuck
+over the hedge, and planted like a jumping-pole; and over the hedge,
+just like a monkey on a stick, came a huge, horrible man, all hairy
+and ragged like Robinson Crusoe. I screamed out, but my mistress didn't
+even get out of her chair, but smiled and said he wanted shaving.
+Then he sat down quite calmly at the garden table and took a cup
+of tea, and then I realized that this must be Mr. Smith himself.
+He has stopped here ever since and does not really give much trouble,
+though I sometimes fancy he is a little weak in his head.
+ "Ruth Davis.
+
+"P.S.--I forgot to say that he looked round at the garden and said,
+very loud and strong: `Oh, what a lovely place you've got;'
+just as if he'd never seen it before."
+
+
+The room had been growing dark and drowsy; the afternoon sun sent one
+heavy shaft of powdered gold across it, which fell with an intangible
+solemnity upon the empty seat of Mary Gray, for the younger women
+had left the court before the more recent of the investigations.
+Mrs. Duke was still asleep, and Innocent Smith, looking like a large
+hunchback in the twilight, was bending closer and closer to his paper toys.
+But the five men really engaged in the controversy, and concerned not
+to convince the tribunal but to convince each other, still sat round
+the table like the Committee of Public Safety.
+
+Suddenly Moses Gould banged one big scientific book on top of another,
+cocked his little legs up against the table, tipped his chair
+backwards so far as to be in direct danger of falling over,
+emitted a startling and prolonged whistle like a steam engine,
+and asserted that it was all his eye.
+
+When asked by Moon what was all his eye, he banged down behind
+the books again and answered with considerable excitement,
+throwing his papers about. "All those fairy-tales you've
+been reading out," he said. "Oh! don't talk to me!
+I ain't littery and that, but I know fairy-tales when I hear 'em.
+I got a bit stumped in some of the philosophical bits
+and felt inclined to go out for a B. and S. But we're living
+in West 'Ampstead and not in 'Ell; and the long and the short
+of it is that some things 'appen and some things don't 'appen.
+Those are the things that don't 'appen."
+
+"I thought," said Moon gravely, "that we quite clearly explained--"
+
+"Oh yes, old chap, you quite clearly explained," assented Mr. Gould
+with extraordinary volubility. "You'd explain an elephant
+off the doorstep, you would. I ain't a clever chap like you;
+but I ain't a born natural, Michael Moon, and when there's
+an elephant on my doorstep I don't listen to no explanations.
+`It's got a trunk,' I says.--`My trunk,' you says:
+`I'm fond of travellin', and a change does me good.'--`But
+the blasted thing's got tusks,' I says.--`Don't look a gift 'orse
+in the mouth,' you says, `but thank the goodness and the graice
+that on your birth 'as smiled.'--`But it's nearly as big as
+the 'ouse,' I says.--`That's the bloomin' perspective,' you says,
+`and the sacred magic of distance.'--`Why, the elephant's trumpetin'
+like the Day of Judgement,' I says.--`That's your own conscience
+a-talking to you, Moses Gould,' you says in a grive and
+tender voice. Well, I 'ave got a conscience as much as you.
+I don't believe most of the things they tell you in church
+on Sundays; and I don't believe these 'ere things any more
+because you goes on about 'em as if you was in church.
+I believe an elephant's a great big ugly dingerous beast--
+and I believe Smith's another."
+
+"Do you mean to say," asked Inglewood, "that you still doubt the evidence
+of exculpation we have brought forward?"
+
+"Yes, I do still doubt it," said Gould warmly. "It's all
+a bit too far-fetched, and some of it a bit too far off.
+'Ow can we test all those tales? 'Ow can we drop in and buy
+the `Pink 'Un' at the railway station at Kosky Wosky or whatever
+it was? 'Ow can we go and do a gargle at the saloon-bar on top
+of the Sierra Mountains? But anybody can go and see Bunting's
+boarding-house at Worthing."
+
+Moon regarded him with an expression of real or assumed surprise.
+
+"Any one," continued Gould, "can call on Mr. Trip."
+
+"It is a comforting thought," replied Michael with restraint;
+"but why should any one call on Mr. Trip?"
+
+"For just exactly the sime reason," cried the excited Moses,
+hammering on the table with both hands, "for just exactly the sime
+reason that he should communicate with Messrs. 'Anbury and Bootle
+of Paternoster Row and with Miss Gridley's 'igh class Academy
+at 'Endon, and with old Lady Bullingdon who lives at Penge."
+
+"Again, to go at once to the moral roots of life," said Michael,
+"why is it among the duties of man to communicate with old
+Lady Bullingdon who lives at Penge?"
+
+"It ain't one of the duties of man," said Gould, "nor one of his pleasures,
+either, I can tell you. She takes the crumpet, does Lady Bullingdon
+at Penge. But it's one of the duties of a prosecutor pursuin'
+the innocent, blameless butterfly career of your friend Smith,
+and it's the sime with all the others I mentioned."
+
+"But why do you bring in these people here?" asked Inglewood.
+
+"Why! Because we've got proof enough to sink a steamboat,"
+roared Moses; "because I've got the papers in my very 'and;
+because your precious Innocent is a blackguard and 'ome smasher,
+and these are the 'omes he's smashed. I don't set up for a 'oly man;
+but I wouldn't 'ave all those poor girls on my conscience for something.
+And I think a chap that's capable of deserting and perhaps
+killing 'em all is about capable of cracking a crib or shootin'
+an old schoolmaster--so I don't care much about the other yarns
+one way or another."
+
+"I think," said Dr. Cyrus Pym with a refined cough,
+"that we are approaching this matter rather irregularly.
+This is really the fourth charge on the charge sheet,
+and perhaps I had better put it before you in an ordered
+and scientific manner."
+
+Nothing but a faint groan from Michael broke the silence
+of the darkening room.
+
+
+
+
+ Chapter IV
+
+ The Wild Weddings;
+ or, the Polygamy Charge
+
+
+"A modern man," said Dr. Cyrus Pym, "must, if he be thoughtful,
+approach the problem of marriage with some caution.
+Marriage is a stage--doubtless a suitable stage--in the long
+advance of mankind towards a goal which we cannot as yet conceive;
+which we are not, perhaps, as yet fitted even to desire.
+What, gentlemen, is the ethical position of marriage?
+Have we outlived it?"
+
+"Outlived it?" broke out Moon; "why, nobody's ever survived it!
+Look at all the people married since Adam and Eve--and all
+as dead as mutton."
+
+"This is no doubt an inter-pellation joc'lar in its character,"
+said Dr. Pym frigidly. "I cannot tell what may be Mr. Moon's
+matured and ethical view of marriage--"
+
+"I can tell," said Michael savagely, out of the gloom. "Marriage is a duel
+to the death, which no man of honour should decline."
+
+"Michael," said Arthur Inglewood in a low voice, "you MUST keep quiet."
+
+"Mr. Moon," said Pym with exquisite good temper, "probably regards
+the institution in a more antiquated manner. Probably he would make
+it stringent and uniform. He would treat divorce in some great soul
+of steel--the divorce of a Julius Caesar or of a Salt Ring Robinson--
+exactly as he would treat some no-account tramp or labourer who
+scoots from his wife. Science has views broader and more humane.
+Just as murder for the scientist is a thirst for absolute destruction,
+just as theft for the scientist is a hunger for monotonous acquisition,
+so polygamy for the scientist is an extreme development of the instinct
+for variety. A man thus afflicted is incapable of constancy.
+Doubtless there is a physical cause for this flitting from flower to flower--
+as there is, doubtless, for the intermittent groaning which appears
+to afflict Mr. Moon at the present moment. Our own world-scorning
+Winterbottom has even dared to say, `For a certain rare and fine
+physical type polygamy is but the realization of the variety of females,
+as comradeship is the realization of the variety of males.'
+In any case, the type that tends to variety is recognized by all
+authoritative inquirers. Such a type, if the widower of a negress,
+does in many ascertained cases espouse ~en seconde noces~ an albino;
+such a type, when freed from the gigantic embraces of a female Patagonian,
+will often evolve from its own imaginative instinct the consoling figure of
+an Eskimo. To such a type there can be no doubt that the prisoner belongs.
+If blind doom and unbearable temptation constitute any slight excuse
+for a man, there is no doubt that he has these excuses.
+
+"Earlier in the inquiry the defence showed real chivalric
+ideality in admitting half of our story without further dispute.
+We should like to acknowledge and imitate so eminently large-hearted
+a style by conceding also that the story told by Curate Percy about
+the canoe, the weir, and the young wife seems to be substantially true.
+Apparently Smith did marry a young woman he had nearly run down in a boat;
+it only remains to be considered whether it would not have been
+kinder of him to have murdered her instead of marrying her.
+In confirmation of this fact I can now con-cede to the defence
+an unquestionable record of such a marriage."
+
+So saying, he handed across to Michael a cutting from the
+"Maidenhead Gazette" which distinctly recorded the marriage
+of the daughter of a "coach," a tutor well known in the place,
+to Mr. Innocent Smith, late of Brakespeare College, Cambridge.
+
+When Dr. Pym resumed it was realized that his face had grown
+at once both tragic and triumphant.
+
+"I pause upon this pre-liminary fact," he said seriously,
+"because this fact alone would give us the victory,
+were we aspiring after victory and not after truth.
+As far as the personal and domestic problem holds us,
+that problem is solved. Dr. Warner and I entered this house at
+an instant of highly emotional diff'culty. England's Warner has
+entered many houses to save human kind from sickness; this time
+he entered to save an innocent lady from a walking pestilence.
+Smith was just about to carry away a young girl from this house;
+his cab and bag were at the very door. He had told her she was
+going to await the marriage license at the house of his aunt.
+That aunt," continued Cyrus Pym, his face darkening grandly--"that
+visionary aunt had been the dancing will-o'-the-wisp
+who had led many a high-souled maiden to her doom.
+Into how many virginal ears has he whispered that holy word?
+When he said `aunt' there glowed about her all the merriment
+and high morality of the Anglo-Saxon home. Kettles began to hum,
+pussy cats to purr, in that very wild cab that was being
+driven to destruction."
+
+Inglewood looked up, to find, to his astonishment (as many another
+denizen of the eastern hemisphere has found), that the American was
+not only perfectly serious, but was really eloquent and affecting--
+when the difference of the hemispheres was adjusted.
+
+"It is therefore atrociously evident that the man Smith has at
+least represented himself to one innocent female of this house
+as an eligible bachelor, being, in fact, a married man. I agree with
+my colleague, Mr. Gould, that no other crime could approximate to this.
+As to whether what our ancestors called purity has any ultimate ethical
+value indeed, science hesitates with a high, proud hesitation.
+But what hesitation can there be about the baseness of a citizen
+who ventures, by brutal experiments upon living females, to anticipate
+the verdict of science on such a point?
+
+"The woman mentioned by Curate Percy as living with Smith
+in Highbury may or may not be the same as the lady he married
+in Maidenhead. If one short sweet spell of constancy and heart
+repose interrupted the plunging torrent of his profligate life,
+we will not deprive him of that long past possibility.
+After that conjectural date, alas, he seems to have plunged deeper
+and deeper into the shaking quagmires of infidelity and shame."
+
+Dr. Pym closed his eyes, but the unfortunate fact that there was no more
+light left this familiar signal without its full and proper moral effect.
+After a pause, which almost partook of the character of prayer, he continued.
+
+"The first instance of the accused's repeated and irregular nuptials,"
+he exclaimed, "comes from Lady Bullingdon, who expresses herself
+with the high haughtiness which must be excused in those who look
+out upon all mankind from the turrets of a Norman and ancestral keep.
+The communication she has sent to us runs as follows:--
+
+
+"Lady Bullingdon recalls the painful incident to which reference
+is made, and has no desire to deal with it in detail.
+The girl Polly Green was a perfectly adequate dressmaker,
+and lived in the village for about two years. Her unattached
+condition was bad for her as well as for the general morality
+of the village. Lady Bullingdon, therefore, allowed it to be
+understood that she favoured the marriage of the young woman.
+The villagers, naturally wishing to oblige Lady Bullingdon,
+came forward in several cases; and all would have been well had it
+not been for the deplorable eccentricity or depravity of the girl
+Green herself. Lady Bullingdon supposes that where there is
+a village there must be a village idiot, and in her village,
+it seems, there was one of these wretched creatures.
+Lady Bullingdon only saw him once, and she is quite aware
+that it is really difficult to distinguish between actual
+idiots and the ordinary heavy type of the rural lower classes.
+She noticed, however, the startling smallness of his head
+in comparison to the rest of his body; and, indeed, the fact
+of his having appeared upon election day wearing the rosette
+of both the two opposing parties appears to Lady Bullingdon
+to put the matter quite beyond doubt. Lady Bullingdon was
+astounded to learn that this afflicted being had put himself
+forward as one of the suitors of the girl in question.
+Lady Bullingdon's nephew interviewed the wretch upon the point,
+telling him that he was a `donkey' to dream of such a thing,
+and actually received, along with an imbecile grin,
+the answer that donkeys generally go after carrots.
+But Lady Bullingdon was yet further amazed to find the unhappy
+girl inclined to accept this monstrous proposal, though she
+was actually asked in marriage by Garth, the undertaker, a man
+in a far superior position to her own. Lady Bullingdon could not,
+of course, countenance such an arrangement for a moment,
+and the two unhappy persons escaped for a clandestine marriage.
+Lady Bullingdon cannot exactly recall the man's name,
+but thinks it was Smith. He was always called in the village
+the Innocent. Later, Lady Bullingdon believes he murdered
+Green in a mental outbreak."
+
+
+"The next communication," proceeded Pym, "is more conspicuous for brevity,
+but I am of the opinion that it will adequately convey the upshot.
+It is dated from the offices of Messrs. Hanbury and Bootle, publishers,
+and is as follows:--
+
+
+"Sir,--Yrs. rcd. and conts. noted. Rumour re typewriter possibly refers
+to a Miss Blake or similar name, left here nine years ago to marry an
+organ-grinder. Case was undoubtedly curious, and attracted police attention.
+Girl worked excellently till about Oct. 1907, when apparently went mad.
+Record was written at the time, part of which I enclose.--
+Yrs., etc., W. Trip."
+
+
+"The fuller statement runs as follows:--
+
+
+"On October 12 a letter was sent from this office to Messrs.
+Bernard and Juke, bookbinders. Opened by Mr. Juke, it was found
+to contain the following: `Sir, our Mr. Trip will call at 3,
+as we wish to know whether it is really decided 00000073bb!!!!!xy.'
+To this Mr. Juke, a person of a playful mind, returned the answer:
+`Sir, I am in a position to give it as my most decided opinion
+that it is not really decided that 00000073bb!!!!!xy.' Yrs., etc.,
+ `J. Juke.'
+
+
+"On receiving this extraordinary reply, our Mr. Trip asked for the original
+letter sent from him, and found that the typewriter had indeed substituted
+these demented hieroglyphics for the sentences really dictated to her.
+Our Mr. Trip interviewed the girl, fearing that she was in an
+unbalanced state, and was not much reassured when she merely remarked
+that she always went like that when she heard the barrel organ.
+Becoming yet more hysterical and extravagant, she made a series of most
+improbable statements--as, that she was engaged to the barrel-organ man,
+that he was in the habit of serenading her on that instrument,
+that she was in the habit of playing back to him upon the typewriter
+(in the style of King Richard and Blondel), and that the organ man's
+musical ear was so exquisite and his adoration of herself so ardent
+that he could detect the note of the different letters on the machine,
+and was enraptured by them as by a melody. To all these statements
+of course our Mr. Trip and the rest of us only paid that sort of assent
+that is paid to persons who must as quickly as possible be put in the
+charge of their relations. But on our conducting the lady downstairs,
+her story received the most startling and even exasperating confirmation;
+for the organ-grinder, an enormous man with a small head and manifestly
+a fellow-lunatic, had pushed his barrel organ in at the office doors
+like a battering-ram, and was boisterously demanding his alleged fiancee.
+When I myself came on the scene he was flinging his great, ape-like arms about
+and reciting a poem to her. But we were used to lunatics coming and reciting
+poems in our office, and we were not quite prepared for what followed.
+The actual verse he uttered began, I think,
+
+ `O vivid, inviolate head,
+ Ringed --'
+
+but he never got any further. Mr. Trip made a sharp
+movement towards him, and the next moment the giant picked
+up the poor lady typewriter like a doll, sat her on top
+of the organ, ran it with a crash out of the office doors,
+and raced away down the street like a flying wheelbarrow.
+I put the police upon the matter; but no trace of the amazing
+pair could be found. I was sorry myself; for the lady was
+not only pleasant but unusually cultivated for her position.
+As I am leaving the service of Messrs. Hanbury and Bootle, I put
+these things in a record and leave it with them.
+ "(Signed) Aubrey Clarke,
+ Publishers' reader."
+
+
+"And the last document," said Dr. Pym complacently, "is from
+one of those high-souled women who have in this age introduced
+your English girlhood to hockey, the higher mathematics,
+and every form of ideality.
+
+
+"Dear Sir (she writes),--I have no objection to telling you
+the facts about the absurd incident you mention; though I would
+ask you to communicate them with some caution, for such things,
+however entertaining in the abstract, are not always auxiliary
+to the success of a girls' school. The truth is this:
+I wanted some one to deliver a lecture on a philological
+or historical question--a lecture which, while containing
+solid educational matter, should be a little more popular and
+entertaining than usual, as it was the last lecture of the term.
+I remembered that a Mr. Smith of Cambridge had written somewhere
+or other an amusing essay about his own somewhat ubiquitous name--
+an essay which showed considerable knowledge of genealogy
+and topography. I wrote to him, asking if he would come and
+give us a bright address upon English surnames; and he did.
+It was very bright, almost too bright. To put the matter otherwise,
+by the time that he was halfway through it became apparent
+to the other mistresses and myself that the man was totally
+and entirely off his head. He began rationally enough by dealing
+with the two departments of place names and trade names, and he said
+(quite rightly, I dare say) that the loss of all significance
+in names was an instance of the deadening of civilization.
+But then he went on calmly to maintain that every man who had
+a place name ought to go to live in that place, and that every
+man who had a trade name ought instantly to adopt that trade;
+that people named after colours should always dress in those colours,
+and that people named after trees or plants (such as Beech or Rose)
+ought to surround and decorate themselves with these vegetables.
+In a slight discussion that arose afterwards among the elder girls
+the difficulties of the proposal were clearly, and even eagerly,
+pointed out. It was urged, for instance, by Miss Younghusband
+that it was substantially impossible for her to play the part
+assigned to her; Miss Mann was in a similar dilemma, from which
+no modern views on the sexes could apparently extricate her;
+and some young ladies, whose surnames happened to be Low, Coward,
+and Craven, were quite enthusiastic against the idea.
+But all this happened afterwards. What happened at the crucial
+moment was that the lecturer produced several horseshoes and a
+large iron hammer from his bag, announced his immediate intention
+of setting up a smithy in the neighbourhood, and called on every
+one to rise in the same cause as for a heroic revolution.
+The other mistresses and I attempted to stop the wretched man,
+but I must confess that by an accident this very intercession
+produced the worst explosion of his insanity. He was waving
+the hammer, and wildly demanding the names of everybody;
+and it so happened that Miss Brown, one of the younger teachers,
+was wearing a brown dress--a reddish-brown dress that went quietly
+enough with the warmer colour of her hair, as well she knew.
+She was a nice girl, and nice girls do know about those things.
+But when our maniac discovered that we really had a Miss Brown
+who WAS brown, his ~idee fixe~ blew up like a powder magazine,
+and there, in the presence of all the mistresses and girls,
+he publicly proposed to the lady in the red-brown dress.
+You can imagine the effect of such a scene at a girls' school.
+At least, if you fail to imagine it, I certainly fail
+to describe it.
+
+"Of course, the anarchy died down in a week or two, and I can
+think of it now as a joke. There was only one curious detail,
+which I will tell you, as you say your inquiry is vital; but I should
+desire you to consider it a little more confidential than the rest.
+Miss Brown, who was an excellent girl in every way, did quite
+suddenly and surreptitiously leave us only a day or two afterwards.
+I should never have thought that her head would be the one
+to be really turned by so absurd an excitement.--Believe me,
+yours faithfully, Ada Gridley.
+
+
+"I think," said Pym, with a really convincing simplicity and seriousness,
+"that these letters speak for themselves."
+
+Mr. Moon rose for the last time in a darkness that gave no hint
+of whether his native gravity was mixed with his native irony.
+
+"Throughout this inquiry," he said, "but especially in this its
+closing phase, the prosecution has perpetually relied upon one argument;
+I mean the fact that no one knows what has become of all the unhappy
+women apparently seduced by Smith. There is no sort of proof
+that they were murdered, but that implication is perpetually made
+when the question is asked as to how they died. Now I am not
+interested in how they died, or when they died, or whether they died.
+But I am interested in another analogous question--that of how they
+were born, and when they were born, and whether they were born.
+Do not misunderstand me. I do not dispute the existence of
+these women, or the veracity of those who have witnessed to them.
+I merely remark on the notable fact that only one of these victims,
+the Maidenhead girl, is described as having any home or parents.
+All the rest are boarders or birds of passage--a guest, a solitary
+dressmaker, a bachelor-girl doing typewriting. Lady Bullingdon,
+looking from her turrets, which she bought from the Whartons with
+the old soap-boiler's money when she jumped at marrying an unsuccessful
+gentleman from Ulster--Lady Bullingdon, looking out from those turrets,
+did really see an object which she describes as Green. Mr. Trip,
+of Hanbury and Bootle, really did have a typewriter betrothed
+to Smith. Miss Gridley, though idealistic, is absolutely honest.
+She did house, feed, and teach a young woman whom Smith succeeded
+in decoying away. We admit that all these women really lived.
+But we still ask whether they were ever born?"
+
+"Oh, crikey!" said Moses Gould, stifled with amusement.
+
+"There could hardly," interposed Pym with a quiet smile,
+"be a better instance of the neglect of true scientific process.
+The scientist, when once convinced of the fact of vitality
+and consciousness, would infer from these the previous
+process of generation."
+
+"If these gals," said Gould impatiently--"if these gals were all alive
+(all alive O!) I'd chance a fiver they were all born."
+
+"You'd lose your fiver," said Michael, speaking gravely out of the gloom.
+"All those admirable ladies were alive. They were more alive for having
+come into contact with Smith. They were all quite definitely alive,
+but only one of them was ever born."
+
+"Are you asking us to believe--" began Dr. Pym.
+
+"I am asking you a second question," said Moon sternly. "Can the court
+now sitting throw any light on a truly singular circumstance?
+Dr. Pym, in his interesting lecture on what are called, I believe,
+the relations of the sexes, said that Smith was the slave
+of a lust for variety which would lead a man first to a negress
+and then to an albino, first to a Patagonian giantess and then
+to a tiny Eskimo. But is there any evidence of such variety here?
+Is there any trace of a gigantic Patagonian in the story?
+Was the typewriter an Eskimo? So picturesque a circumstance would not
+surely have escaped remark. Was Lady Bullingdon's dressmaker a negress?
+A voice in my bosom answers, `No!' Lady Bullingdon, I am sure,
+would think a negress so conspicuous as to be almost Socialistic,
+and would feel something a little rakish even about an albino.
+
+"But was there in Smith's taste any such variety as the learned
+doctor describes? So far as our slight materials go,
+the very opposite seems to be the case. We have only
+one actual description of any of the prisoner's wives--
+the short but highly poetic account by the aesthetic curate.
+`Her dress was the colour of spring, and her hair of autumn leaves.'
+Autumn leaves, of course, are of various colours, some of
+which would be rather startling in hair (green, for instance);
+but I think such an expression would be most naturally used of
+the shades from red-brown to red, especially as ladies with their
+coppery-coloured hair do frequently wear light artistic greens.
+Now when we come to the next wife, we find the eccentric lover,
+when told he is a donkey, answering that donkeys always go
+after carrots; a remark which Lady Bullingdon evidently
+regarded as pointless and part of the natural table-talk of a
+village idiot, but which has an obvious meaning if we suppose
+that Polly's hair was red. Passing to the next wife, the one
+he took from the girls' school, we find Miss Gridley noticing
+that the schoolgirl in question wore `a reddish-brown dress,
+that went quietly enough with the warmer colour of her hair.'
+In other words, the colour of the girl's hair was something redder
+than red-brown. Lastly, the romantic organ-grinder declaimed
+in the office some poetry that only got as far as the words,--
+
+ `O vivid, inviolate head,
+ Ringed --'
+
+But I think that a wide study of the worst modern poets
+will enable us to guess that `ringed with a glory of red,'
+or `ringed with its passionate red,' was the line that rhymed
+to `head.' In this case once more, therefore, there is good
+reason to suppose that Smith fell in love with a girl with
+some sort of auburn or darkish-red hair--rather," he said,
+looking down at the table, "rather like Miss Gray's hair."
+
+Cyrus Pym was leaning forward with lowered eyelids,
+ready with one of his more pedantic interpellations;
+but Moses Gould suddenly struck his forefinger on his nose,
+with an expression of extreme astonishment and intelligence
+in his brilliant eyes.
+
+"Mr. Moon's contention at present," interposed Pym, "is not,
+even if veracious, inconsistent with the lunatico-criminal view
+of I. Smith, which we have nailed to the mast. Science has
+long anticipated such a complication. An incurable attraction
+to a particular type of physical woman is one of the commonest
+of criminal per-versities, and when not considered narrowly,
+but in the light of induction and evolution--"
+
+"At this late stage," said Michael Moon very quietly, "I may perhaps
+relieve myself of a simple emotion that has been pressing me
+throughout the proceedings, by saying that induction and evolution
+may go and boil themselves. The Missing Link and all that is
+well enough for kids, but I'm talking about things we know here.
+All we know of the Missing Link is that he is missing--and he won't
+be missed either. I know all about his human head and his horrid tail;
+they belong to a very old game called `Heads I win, tails you lose.'
+If you do find a fellow's bones, it proves he lived a long while ago;
+if you don't find his bones, it proves how long ago he lived.
+That is the game you've been playing with this Smith affair.
+Because Smith's head is small for his shoulders you call
+him microcephalous; if it had been large, you'd have called it
+water-on-the-brain. As long as poor old Smith's seraglio seemed
+pretty various, variety was the sign of madness: now, because it's
+turning out to be a bit monochrome--now monotony is the sign of madness.
+I suffer from all the disadvantages of being a grown-up person,
+and I'm jolly well going to get some of the advantages too;
+and with all politeness I propose not to be bullied with long words
+instead of short reasons, or consider your business a triumphant
+progress merely because you're always finding out that you were wrong.
+Having relieved myself of these feelings, I have merely to add
+that I regard Dr. Pym as an ornament to the world far more beautiful
+than the Parthenon, or the monument on Bunker's Hill, and that I
+propose to resume and conclude my remarks on the many marriages
+of Mr. Innocent Smith.
+
+"Besides this red hair, thee is another unifying thread that
+runs through these scattered incidents. There is something
+very peculiar and suggestive about the names of these women.
+Mr. Trip, you will remember, said he thought the typewriter's
+name was Blake, but could not remember exactly.
+I suggest that it might have been Black, and in that case we
+have a curious series: Miss Green in Lady Bullingdon's village;
+Miss Brown at the Hendon School; Miss Black at the publishers.
+A chord of colours, as it were, which ends up with Miss Gray
+at Beacon House, West Hampstead."
+
+Amid a dead silence Moon continued his exposition.
+"What is the meaning of this queer coincidence about colours?
+Personally I cannot doubt for a moment that these names are purely
+arbitrary names, assumed as part of some general scheme or joke.
+I think it very probably that they were taken from a series of costumes--
+that Polly Green only meant Polly (or Mary) when in green,
+and that Mary Gray only means Mary (or Polly) when in gray.
+This would explain--"
+
+Cyrus Pym was standing up rigid and almost pallid.
+"Do you actually mean to suggest--" he cried.
+
+"Yes," said Michael; "I do mean to suggest that. Innocent Smith has had
+many wooings, and many weddings for all I know; but he has had only one wife.
+She was sitting on that chair an hour ago, and is now talking to Miss Duke
+in the garden.
+
+"Yes, Innocent Smith has behaved here, as he has on hundreds of
+other occasions, upon a plain and perfectly blameless principle.
+It is odd and extravagant in the modern world, but not more than any other
+principle plainly applied in the modern world would be. His principle
+can be quite simply stated: he refuses to die while he is still alive.
+He seeks to remind himself, by every electric shock to the intellect,
+that he is still a man alive, walking on two legs about the world.
+For this reason he fires bullets at his best friends; for this reason
+he arranges ladders and collapsible chimneys to steal his own property;
+for this reason he goes plodding around a whole planet to get back to his
+own home; and for this reason he has been in the habit of taking the woman
+whom he loved with a permanent loyalty, and leaving her about (so to speak)
+at schools, boarding-houses, and places of business, so that he might
+recover her again and again with a raid and a romantic elopement.
+He seriously sought by a perpetual recapture of his bride to keep alive
+the sense of her perpetual value, and the perils that should be run
+for her sake.
+
+"So far his motives are clear enough; but perhaps his convictions are
+not quite so clear. I think Innocent Smith has an idea at the bottom
+of all this. I am by no means sure that I believe it myself, but I am
+quite sure that it is worth a man's uttering and defending.
+
+"The idea that Smith is attacking is this. Living in an entangled
+civilization, he have come to think certain things wrong which are
+not wrong at all. We have come to think outbreak and exuberance,
+banging and barging, rotting and wrecking, wrong. In themselves they
+are not merely pardonable; they are unimpeachable. There is nothing
+wicked about firing a pistol off even at a friend, so long as you do not
+mean to hit him and know you won't. It is no more wrong than throwing
+a pebble at the sea--less, for you do occasionally hit the sea.
+There is nothing wrong in bashing down a chimney-pot and breaking
+through a roof, so long as you are not injuring the life or property
+of other men. It is no more wrong to choose to enter a house from
+the top than to choose to open a packing-case from the bottom.
+There is nothing wicked about walking round the world and coming back
+to your own house; it is no more wicked than walking round the garden
+and coming back to your own house. And there is nothing wicked
+about picking up your wife here, there, and everywhere, if, forsaking
+all others, you keep only to her so long as you both shall live.
+It is as innocent as playing a game of hide-and-seek in the garden.
+You associate such acts with blackguardism by a mere snobbish association,
+as you think there is something vaguely vile about going (or being
+seen going) into a pawnbroker's or a public-house. You think there
+is something squalid and commonplace about such a connection.
+You are mistaken.
+
+"This man's spiritual power has been precisely this,
+that he has distinguished between custom and creed.
+He has broken the conventions, but he has kept the commandments.
+It is as if a man were found gambling wildly in a gambling hell,
+and you found that he only played for trouser buttons.
+It is as if you found a man making a clandestine appointment
+with a lady at a Covent Garden ball, and then you found it
+was his grandmother. Everything is ugly and discreditable,
+except the facts; everything is wrong about him, except that
+he has done no wrong.
+
+"It will then be asked, `Why does Innocent Smith continued far into his
+middle age a farcical existence, that exposes him to so many false charges?'
+To this I merely answer that he does it because he really is happy,
+because he really is hilarious, because he really is a man and alive.
+He is so young that climbing garden trees and playing silly
+practical jokes are still to him what they once were to us all.
+And if you ask me yet again why he alone among men should be fed
+with such inexhaustible follies, I have a very simple answer to that,
+though it is one that will not be approved.
+
+"There is but one answer, and I am sorry if you don't like it.
+If Innocent is happy, it is because he IS innocent. If he can defy
+the conventions, it is just because he can keep the commandments.
+It is just because he does not want to kill but to excite to life
+that a pistol is still as exciting to him as it is to a schoolboy.
+It is just because he does not want to steal, because he does not covet
+his neighbour's goods, that he has captured the trick (oh, how we all
+long for it!), the trick of coveting his own goods. It is just because
+he does not want to commit adultery that he achieves the romance of sex;
+it is just because he loves one wife that he has a hundred honeymoons.
+If he had really murdered a man, if he had really deserted a woman,
+he would not be able to feel that a pistol or a love-letter was like a song--
+at least, not a comic song."
+
+"Do not imagine, please, that any such attitude is easy
+to me or appeals in any particular way to my sympathies.
+I am an Irishman, and a certain sorrow is in my bones, bred either
+of the persecutions of my creed, or of my creed itself.
+Speaking singly, I feel as if a man was tied to tragedy,
+and there was no way out of the trap of old age and doubt.
+But if there is a way out, then, by Christ and St. Patrick,
+this is the way out. If one could keep as happy as a child or a dog,
+it would be by being as innocent as a child, or as sinless as a dog.
+Barely and brutally to be good--that may be the road,
+and he may have found it. Well, well, well, I see a look
+of skepticism on the face of my old friend Moses. Mr. Gould
+does not believe that being perfectly good in all respects
+would make a man merry."
+
+"No," said Gould, with an unusual and convincing gravity;
+"I do not believe that being perfectly good in all respects
+would make a man merry."
+
+"Well," said Michael quietly, "will you tell me one thing?
+Which of us has ever tried it?"
+
+A silence ensued, rather like the silence of some long geological
+epoch which awaits the emergence of some unexpected type;
+for there rose at last in the stillness a massive figure
+that the other men had almost completely forgotten.
+
+"Well, gentlemen," said Dr. Warner cheerfully, "I've been pretty
+well entertained with all this pointless and incompetent tomfoolery
+for a couple of days; but it seems to be wearing rather thin,
+and I'm engaged for a city dinner. Among the hundred flowers
+of futility on both sides I was unable to detect any sort of reason
+why a lunatic should be allowed to shoot me in the back garden."
+
+He had settled his silk hat on his head and gone out sailing placidly to
+the garden gate, while the almost wailing voice of Pym still followed him:
+"But really the bullet missed you by several feet." And another voice added:
+"The bullet missed him by several years."
+
+There was a long and mainly unmeaning silence, and then
+Moon said suddenly, "We have been sitting with a ghost.
+Dr. Herbert Warner died years ago."
+
+
+
+
+
+ Chapter V
+
+ How the Great Wind Went
+ from Beacon House
+
+
+Mary was walking between Diana and Rosamund slowly up and down the garden;
+they were silent, and the sun had set. Such spaces of daylight as remained
+open in the west were of a warm-tinted white, which can be compared
+to nothing but a cream cheese; and the lines of plumy cloud that ran
+across them had a soft but vivid violet bloom, like a violet smoke.
+All the rest of the scene swept and faded away into a dove-like gray,
+and seemed to melt and mount into Mary's dark-gray figure until she seemed
+clothed with the garden and the skies. There was something in these last
+quiet colours that gave her a setting and a supremacy; and the twilight,
+which concealed Diana's statelier figure and Rosamund's braver array,
+exhibited and emphasized her, leaving her the lady of the garden, and alone.
+
+When they spoke at last it was evident that a conversation long
+fallen silent was being revived.
+
+"But where is your husband taking you?" asked Diana in her practical voice.
+
+"To an aunt," said Mary; "that's just the joke. There really
+is an aunt, and we left the children with her when I arranged
+to be turned out of the other boarding-house down the road.
+We never take more than a week of this kind of holiday,
+but sometimes we take two of them together."
+
+"Does the aunt mind much?" asked Rosamund innocently. "Of course,
+I dare say it's very narrow-minded and--what's that other word?--
+you know, what Goliath was--but I've known many aunts who would
+think it--well, silly."
+
+"Silly?" cried Mary with great heartiness. "Oh, my Sunday hat!
+I should think it was silly! But what do you expect?
+He really is a good man, and it might have been snakes or something."
+
+"Snakes?" inquired Rosamund, with a slightly puzzled interest.
+
+"Uncle Harry kept snakes, and said they loved him," replied Mary
+with perfect simplicity. "Auntie let him have them in his pockets,
+but not in the bedroom."
+
+"And you--" began Diana, knitting her dark brows a little.
+
+"Oh, I do as auntie did," said Mary; "as long as we're not away
+from the children more than a fortnight together I play the game.
+He calls me `Manalive;' and you must write it all one word,
+or he's quite flustered."
+
+"But if men want things like that," began Diana.
+
+"Oh, what's the good of talking about men?" cried Mary impatiently;
+"why, one might as well be a lady novelist or some horrid thing.
+There aren't any men. There are no such people. There's a man;
+and whoever he is he's quite different."
+
+"So there is no safety," said Diana in a low voice.
+
+"Oh, I don't know," answered Mary, lightly enough;
+"there's only two things generally true of them.
+At certain curious times they're just fit to take care of us,
+and they're never fit to take care of themselves."
+
+"There is a gale getting up," said Rosamund suddenly.
+"Look at those trees over there, a long way off, and the
+clouds going quicker."
+
+"I know what you're thinking about," said Mary; "and don't
+you be silly fools. Don't you listen to the lady novelists.
+You go down the king's highway; for God's truth, it is
+God's. Yes, my dear Michael will often be extremely untidy.
+Arthur Inglewood will be worse--he'll be untidy. But what else
+are all the trees and clouds for, you silly kittens?"
+
+"The clouds and trees are all waving about," said Rosamund. "There is
+a storm coming, and it makes me feel quite excited, somehow. Michael is
+really rather like a storm: he frightens me and makes me happy."
+
+"Don't you be frightened," said Mary. "All over, these men
+have one advantage; they are the sort that go out."
+
+A sudden thrust of wind through the trees drifted the dying leaves along
+the path, and they could hear the far-off trees roaring faintly.
+
+"I mean," said Mary, "they are the kind that look outwards and get interested
+in the world. It doesn't matter a bit whether it's arguing, or bicycling,
+or breaking down the ends of the earth as poor old Innocent does. Stick to
+the man who looks out of the window and tries to understand the world.
+Keep clear of the man who looks in at the window and tries to understand you.
+When poor old Adam had gone out gardening (Arthur will go out gardening),
+the other sort came along and wormed himself in, nasty old snake."
+
+"You agree with your aunt," said Rosamund, smiling: "no snakes
+in the bedroom."
+
+"I didn't agree with my aunt very much," replied Mary simply,
+"but I think she was right to let Uncle Harry collect dragons
+and griffins, so long as it got him out of the house."
+
+Almost at the same moment lights sprang up inside the darkened house,
+turning the two glass doors into the garden into gates of beaten gold.
+The golden gates were burst open, and the enormous Smith, who had
+sat like a clumsy statue for so many hours, came flying and turning
+cart-wheels down the lawn and shouting, "Acquitted! acquitted!"
+Echoing the cry, Michael scampered across the lawn to Rosamund and
+wildly swung her into a few steps of what was supposed to be a waltz.
+But the company knew Innocent and Michael by this time,
+and their extravagances were gaily taken for granted; it was far
+more extraordinary that Arthur Inglewood walked straight up to Diana
+and kissed her as if it had been his sister's birthday. Even Dr. Pym,
+though he refrained from dancing, looked on with real benevolence;
+for indeed the whole of the absurd revelation had disturbed him
+less than the others; he half supposed that such irresponsible
+tribunals and insane discussions were part of the mediaeval mummeries
+of the Old Land.
+
+While the tempest tore the sky as with trumpets, window after window was
+lighted up in the house within; and before the company, broken with laughter
+and the buffeting of the wind, had groped their way to the house again,
+they saw that the great apish figure of Innocent Smith had clambered
+out of his own attic window, and roaring again and again, "Beacon House!"
+whirled round his head a huge log or trunk from the wood fire below,
+of which the river of crimson flame and purple smoke drove out on
+the deafening air.
+
+He was evident enough to have been seen from three counties;
+but when the wind died down, and the party, at the top of
+their evening's merriment, looked again for Mary and for him,
+they were not to be found.
+
+
+
+
+End of The Project Gutenberg Etext of Manalive, by G. K. Chesterton
+
diff --git a/old/mnalv10.zip b/old/mnalv10.zip
new file mode 100644
index 0000000..0175f08
--- /dev/null
+++ b/old/mnalv10.zip
Binary files differ