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+*The Project Gutenberg Etext New Grub Street, by George Gissing*
+#2 in our series by George Gissing
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+New Grub Street
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+by George Gissing
+
+April, 1999 [Etext #1709]
+
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+The Project Gutenberg Etext of Robin Hood by J. Walker McSpadden
+******This file should be named nwgrb10.txt or nwgrb10.zip******
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+Etext prepared by John Handford
+
+
+
+
+
+NEW GRUB STREET
+by George Gissing
+
+
+
+1891
+
+
+
+
+Part One
+Chapter I. A Man of his Day
+Chapter II. The House of Yule
+Chapter III. Holiday
+Chapter IV. An Author and his Wife
+Chapter V. The Way Hither
+Chapter VI. The Practical Friend
+Chapter VII. Marian's Home
+
+Part Two
+Chapter VIII. To the Winning Side
+Chapter IX. Invita Minerva
+Chapter X. The Friends of the Family
+Chapter XI. Respite
+Chapter XII. Work Without Hope
+Chapter XIII. A Warning
+Chapter XIV. Recruits
+Chapter XV. The Last Resource
+
+Part Three
+Chapter XVI. Rejection
+Chapter XVII. The Parting
+Chapter XVIII. The Old Home
+Chapter XIX. The Past Revived
+Chapter XX. The End of Waiting
+Chapter XXI. Mr Yule leaves Town
+Chapter XXII. The Legatees
+
+Part Four
+Chapter XXIII. A Proposed Investment
+Chapter XXIV. Jasper's Magnanimity
+Chapter XXV . A Fruitless Meeting
+Chapter XXVI. Married Woman's Property
+Chapter XXVII. The Lonely Man
+Chapter XXVIII. Interim
+Chapter XXIX. Catastrophe
+
+Part Five
+Chapter XXX. Waiting on Destiny
+Chapter XXXI. A Rescue and a Summons
+Chapter XXXII. Reardon becomes Practical
+Chapter XXXIII. The Sunny Way
+Chapter XXXIV. A Check
+Chapter XXXV. Fever and Rest
+Chapter XXXVI. Jasper's Delicate Case
+Chapter XXXVII. Rewards
+
+
+
+
+NEW GRUB STREET
+
+
+
+Part I.
+
+
+CHAPTER I. A MAN OF HIS DAY
+
+As the Milvains sat down to breakfast the clock of Wattleborough
+parish church struck eight; it was two miles away, but the
+strokes were borne very distinctly on the west wind this autumn
+morning. Jasper, listening before he cracked an egg, remarked
+with cheerfulness:
+
+'There's a man being hanged in London at this moment.'
+
+'Surely it isn't necessary to let us know that,' said his sister
+Maud, coldly.
+
+'And in such a tone, too!' protested his sister Dora.
+
+'Who is it?' inquired Mrs Milvain, looking at her son with pained
+forehead.
+
+'I don't know. It happened to catch my eye in the paper yesterday
+that someone was to be hanged at Newgate this morning. There's a
+certain satisfaction in reflecting that it is not oneself.'
+
+'That's your selfish way of looking at things,' said Maud.
+
+'Well,' returned Jasper, 'seeing that the fact came into my head,
+what better use could I make of it? I could curse the brutality
+of an age that sanctioned such things; or I could grow doleful
+over the misery of the poor--fellow. But those emotions would be
+as little profitable to others as to myself. It just happened
+that I saw the thing in a light of consolation. Things are bad
+with me, but not so bad as THAT. I might be going out between
+Jack Ketch and the Chaplain to be hanged; instead of that, I am
+eating a really fresh egg, and very excellent buttered toast,
+with coffee as good as can be reasonably expected in this part of
+the world.--(Do try boiling the milk, mother.)--The tone in which
+I spoke was spontaneous; being so, it needs no justification.'
+
+He was a young man of five-and-twenty, well built, though a
+trifle meagre, and of pale complexion. He had hair that was very
+nearly black, and a clean-shaven face, best described, perhaps,
+as of bureaucratic type. The clothes he wore were of expensive
+material, but had seen a good deal of service. His stand-up
+collar curled over at the corners, and his necktie was lilac-
+sprigged.
+
+Of the two sisters, Dora, aged twenty, was the more like him in
+visage, but she spoke with a gentleness which seemed to indicate
+a different character. Maud, who was twenty-two, had bold,
+handsome features, and very beautiful hair of russet tinge; hers
+was not a face that readily smiled. Their mother had the look and
+manners of an invalid, though she sat at table in the ordinary
+way. All were dressed as ladies, though very simply. The room,
+which looked upon a small patch of garden, was furnished with
+old-fashioned comfort, only one or two objects suggesting the
+decorative spirit of 1882.
+
+'A man who comes to be hanged,' pursued Jasper, impartially, 'has
+the satisfaction of knowing that he has brought society to its
+last resource. He is a man of such fatal importance that nothing
+will serve against him but the supreme effort of law. In a way,
+you know, that is success.'
+
+'In a way,' repeated Maud, scornfully.
+
+'Suppose we talk of something else,' suggested Dora, who seemed
+to fear a conflict between her sister and Jasper.
+
+Almost at the same moment a diversion was afforded by the arrival
+of the post. There was a letter for Mrs Milvain, a letter and
+newspaper for her son. Whilst the girls and their mother talked
+of unimportant news communicated by the one correspondent, Jasper
+read the missive addressed to himself.
+
+'This is from Reardon,' he remarked to the younger girl. 'Things
+are going badly with him. He is just the kind of fellow to end by
+poisoning or shooting himself.'
+
+'But why?'
+
+'Can't get anything done; and begins to be sore troubled on his
+wife's account.'
+
+'Is he ill?'
+
+'Overworked, I suppose. But it's just what I foresaw. He isn't
+the kind of man to keep up literary production as a paying
+business. In favourable circumstances he might write a fairly
+good book once every two or three years. The failure of his last
+depressed him, and now he is struggling hopelessly to get another
+done before the winter season. Those people will come to grief.'
+
+'The enjoyment with which he anticipates it!' murmured Maud,
+looking at her mother.
+
+'Not at all,' said Jasper. 'It's true I envied the fellow,
+because he persuaded a handsome girl to believe in him and share
+his risks, but I shall be very sorry if he goes to the--to the
+dogs. He's my one serious friend. But it irritates me to see a
+man making such large demands upon fortune. One must be more
+modest--as I am. Because one book had a sort of success he
+imagined his struggles were over. He got a hundred pounds for "On
+Neutral Ground," and at once counted on a continuance of payments
+in geometrical proportion. I hinted to him that he couldn't keep
+it up, and he smiled with tolerance, no doubt thinking "He judges
+me by himself." But I didn't do anything of the kind.--(Toast,
+please, Dora.)--I'm a stronger man than Reardon; I can keep my
+eyes open, and wait.'
+
+'Is his wife the kind of person to grumble?' asked Mrs Milvain.
+
+'Well, yes, I suspect that she is. The girl wasn't content to go
+into modest rooms--they must furnish a flat. I rather wonder he
+didn't start a carriage for her. Well, his next book brought only
+another hundred, and now, even if he finishes this one, it's very
+doubtful if he'll get as much. "The Optimist" was practically a
+failure.'
+
+'Mr Yule may leave them some money,' said Dora.
+
+'Yes. But he may live another ten years, and he would see them
+both in Marylebone Workhouse before he advanced sixpence, or I'm
+much mistaken in him. Her mother has only just enough to live
+upon; can't possibly help them. Her brother wouldn't give or lend
+twopence halfpenny.'
+
+'Has Mr Reardon no relatives!'
+
+'I never heard him make mention of a single one. No, he has done
+the fatal thing. A man in his position, if he marry at all, must
+take either a work-girl or an heiress, and in many ways the work-
+girl is preferable.'
+
+'How can you say that?' asked Dora. 'You never cease talking
+about the advantages of money.'
+
+'Oh, I don't mean that for ME the work-girl would be preferable;
+by no means; but for a man like Reardon. He is absurd enough to
+be conscientious, likes to be called an "artist," and so on. He
+might possibly earn a hundred and fifty a year if his mind were
+at rest, and that would be enough if he had married a decent
+little dressmaker. He wouldn't desire superfluities, and the
+quality of his work would be its own reward. As it is, he's
+ruined.'
+
+'And I repeat,' said Maud, 'that you enjoy the prospect.'
+
+'Nothing of the kind. If I seem to speak exultantly it's only
+because my intellect enjoys the clear perception of a fact.--A
+little marmalade, Dora; the home-made, please.'
+
+'But this is very sad, Jasper,' said Mrs Milvain, in her half-
+absent way. 'I suppose they can't even go for a holiday?'
+
+'Quite out of the question.'
+
+'Not even if you invited them to come here for a week?'
+
+'Now, mother,' urged Maud, 'THAT'S impossible, you know very
+well.'
+
+'I thought we might make an effort, dear. A holiday might mean
+everything to him.'
+
+'No, no,' fell from Jasper, thoughtfully. 'I don't think you'd
+get along very well with Mrs Reardon; and then, if her uncle is
+coming to Mr Yule's, you know, that would be awkward.'
+
+'I suppose it would; though those people would only stay a day or
+two, Miss Harrow said.'
+
+'Why can't Mr Yule make them friends, those two lots of people?'
+asked Dora. 'You say he's on good terms with both.'
+
+'I suppose he thinks it's no business of his.'
+
+Jasper mused over the letter from his friend.
+
+'Ten years hence,' he said, 'if Reardon is still alive, I shall
+be lending him five-pound notes.'
+
+A smile of irony rose to Maud's lips. Dora laughed.
+
+'To be sure! To be sure!' exclaimed their brother. 'You have no
+faith. But just understand the difference between a man like
+Reardon and a man like me. He is the old type of unpractical
+artist; I am the literary man of 1882. He won't make concessions,
+or rather, he can't make them; he can't supply the market. I--
+well, you may say that at present I do nothing; but that's a
+great mistake, I am learning my business. Literature nowadays is
+a trade. Putting aside men of genius, who may succeed by mere
+cosmic force, your successful man of letters is your skilful
+tradesman. He thinks first and foremost of the markets; when one
+kind of goods begins to go off slackly, he is ready with
+something new and appetising. He knows perfectly all the possible
+sources of income. Whatever he has to sell he'll get payment for
+it from all sorts of various quarters; none of your unpractical
+selling for a lump sum to a middleman who will make six distinct
+profits. Now, look you: if I had been in Reardon's place, I'd
+have made four hundred at least out of "The Optimist"; I should
+have gone shrewdly to work with magazines and newspapers and
+foreign publishers, and--all sorts of people. Reardon can't do
+that kind of thing, he's behind his age; he sells a manuscript as
+if he lived in Sam Johnson's Grub Street. But our Grub Street of
+to-day is quite a different place: it is supplied with
+telegraphic communication, it knows what literary fare is in
+demand in every part of the world, its inhabitants are men of
+business, however seedy.'
+
+'It sounds ignoble,' said Maud.
+
+'I have nothing to do with that, my dear girl. Now, as I tell
+you, I am slowly, but surely, learning the business. My line
+won't be novels; I have failed in that direction, I'm not cut out
+for the work. It's a pity, of course; there's a great deal of
+money in it. But I have plenty of scope. In ten years, I repeat,
+I shall be making my thousand a year.'
+
+'I don't remember that you stated the exact sum before,' Maud
+observed.
+
+'Let it pass. And to those who have shall be given. When I have a
+decent income of my own, I shall marry a woman with an income
+somewhat larger, so that casualties may be provided for.'
+
+Dora exclaimed, laughing:
+
+'It would amuse me very much if the Reardons got a lot of money
+at Mr Yule's death--and that can't be ten years off, I'm sure.'
+
+'I don't see that there's any chance of their getting much,'
+replied Jasper, meditatively. 'Mrs Reardon is only his niece. The
+man's brother and sister will have the first helping, I suppose.
+And then, if it comes to the second generation, the literary Yule
+has a daughter, and by her being invited here I should think
+she's the favourite niece. No, no; depend upon it they won't get
+anything at all.'
+
+Having finished his breakfast, he leaned back and began to unfold
+the London paper that had come by post.
+
+'Had Mr Reardon any hopes of that kind at the time of his
+marriage, do you think?' inquired Mrs Milvain.
+
+'Reardon? Good heavens, no! Would he were capable of such
+forethought!'
+
+In a few minutes Jasper was left alone in the room. When the
+servant came to clear the table he strolled slowly away, humming
+a tune.
+
+The house was pleasantly situated by the roadside in a little
+village named Finden. Opposite stood the church, a plain, low,
+square-towered building. As it was cattle-market to-day in the
+town of Wattleborough, droves of beasts and sheep occasionally
+went by, or the rattle of a grazier's cart sounded for a moment.
+On ordinary days the road saw few vehicles, and pedestrians were
+rare.
+
+Mrs Milvain and her daughters had lived here for the last seven
+years, since the death of the father, who was a veterinary
+surgeon. The widow enjoyed an annuity of two hundred and forty
+pounds, terminable with her life; the children had nothing of
+their own. Maud acted irregularly as a teacher of music; Dora had
+an engagement as visiting governess in a Wattleborough family.
+Twice a year, as a rule, Jasper came down from London to spend a
+fortnight with them; to-day marked the middle of his autumn
+visit, and the strained relations between him and his sisters
+which invariably made the second week rather trying for all in
+the house had already become noticeable.
+
+In the course of the morning Jasper had half an hour's private
+talk with his mother, after which he set off to roam in the
+sunshine. Shortly after he had left the house, Maud, her domestic
+duties dismissed for the time, came into the parlour where Mrs
+Milvain was reclining on the sofa.
+
+'Jasper wants more money,' said the mother, when Maud had sat in
+meditation for a few minutes.
+
+'Of course. I knew that. I hope you told him he couldn't have
+it.'
+
+'I really didn't know what to say,' returned Mrs Milvain, in a
+feeble tone of worry.
+
+'Then you must leave the matter to me, that's all. There's no
+money for him, and there's an end of it.'
+
+Maud set her features in sullen determination. There was a brief
+silence.
+
+'What's he to do, Maud?'
+
+'To do? How do other people do? What do Dora and I do?'
+
+'You don't earn enough for your support, my dear.'
+
+'Oh, well!' broke from the girl. 'Of course, if you grudge us our
+food and lodging --'
+
+'Don't be so quick-tempered. You know very well I am far from
+grudging you anything, dear. But I only meant to say that Jasper
+does earn something, you know.'
+
+'It's a disgraceful thing that he doesn't earn as much as he
+needs. We are sacrificed to him, as we always have been. Why
+should we be pinching and stinting to keep him in idleness?'
+
+'But you really can't call it idleness, Maud. He is studying his
+profession.'
+
+'Pray call it trade; he prefers it. How do I know that he's
+studying anything? What does he mean by "studying"? And to hear
+him speak scornfully of his friend Mr Reardon, who seems to work
+hard all through the year! It's disgusting, mother. At this rate
+he will never earn his own living. Who hasn't seen or heard of
+such men? If we had another hundred a year, I would say nothing.
+But we can't live on what he leaves us, and I'm not going to let
+you try. I shall tell Jasper plainly that he's got to work for
+his own support.'
+
+Another silence, and a longer one. Mrs Milvain furtively wiped a
+tear from her cheek.
+
+'It seems very cruel to refuse,' she said at length, 'when
+another year may give him the opportunity he's waiting for.'
+
+'Opportunity? What does he mean by his opportunity?'
+
+'He says that it always comes, if a man knows how to wait.'
+
+'And the people who support him may starve meanwhile! Now just
+think a bit, mother. Suppose anything were to happen to you, what
+becomes of Dora and me? And what becomes of Jasper, too? It's the
+truest kindness to him to compel him to earn a living. He gets
+more and more incapable of it.'
+
+'You can't say that, Maud. He earns a little more each year. But
+for that, I should have my doubts. He has made thirty pounds
+already this year, and he only made about twenty-five the whole
+of last. We must be fair to him, you know. I can't help feeling
+that he knows what he's about. And if he does succeed, he'll pay
+us all back.'
+
+Maud began to gnaw her fingers, a disagreeable habit she had in
+privacy.
+
+'Then why doesn't he live more economically?'
+
+'I really don't see how he can live on less than a hundred and
+fifty a year. London, you know --'
+
+'The cheapest place in the world.'
+
+'Nonsense, Maud!'
+
+'But I know what I'm saying. I've read quite enough about such
+things. He might live very well indeed on thirty shillings a
+week, even buying his clothes out of it.'
+
+'But he has told us so often that it's no use to him to live like
+that. He is obliged to go to places where he must spend a little,
+or he makes no progress.'
+
+'Well, all I can say is,' exclaimed the girl impatiently, 'it's
+very lucky for him that he's got a mother who willingly
+sacrifices her daughters to him.'
+
+'That's how you always break out. You don't care what unkindness
+you say!'
+
+'It's a simple truth.'
+
+'Dora never speaks like that.'
+
+'Because she's afraid to be honest.'
+
+'No, because she has too much love for her mother. I can't bear
+to talk to you, Maud. The older I get, and the weaker I get, the
+more unfeeling you are to me.'
+
+Scenes of this kind were no uncommon thing. The clash of tempers
+lasted for several minutes, then Maud flung out of the room. An
+hour later, at dinner-time, she was rather more caustic in her
+remarks than usual, but this was the only sign that remained of
+the stormy mood.
+
+Jasper renewed the breakfast-table conversation.
+
+'Look here,' he began, 'why don't you girls write something? I'm
+convinced you could make money if you tried. There's a tremendous
+sale for religious stories; why not patch one together? I am
+quite serious.'
+
+'Why don't you do it yourself,' retorted Maud.
+
+'I can't manage stories, as I have told you; but I think you
+could. In your place, I'd make a speciality of Sunday-school
+prize-books; you know the kind of thing I mean. They sell like
+hot cakes. And there's so deuced little enterprise in the
+business. If you'd give your mind to it, you might make hundreds
+a year.'
+
+'Better say "abandon your mind to it."'
+
+'Why, there you are! You're a sharp enough girl. You can quote as
+well as anyone I know.'
+
+'And please, why am I to take up an inferior kind of work?'
+
+'Inferior? Oh, if you can be a George Eliot, begin at the
+earliest opportunity. I merely suggested what seemed practicable.
+
+But I don't think you have genius, Maud. People have got that
+ancient prejudice so firmly rooted in their heads--that one
+mustn't write save at the dictation of the Holy Spirit. I tell
+you, writing is a business. Get together half-a-dozen fair
+specimens of the Sunday-school prize; study them; discover the
+essential points of such composition; hit upon new attractions;
+then go to work methodically, so many pages a day. There's no
+question of the divine afflatus; that belongs to another sphere
+of life. We talk of literature as a trade, not of Homer, Dante,
+and Shakespeare. If I could only get that into poor Reardon's
+head. He thinks me a gross beast, often enough. What the devil--I
+mean what on earth is there in typography to make everything it
+deals with sacred? I don't advocate the propagation of vicious
+literature; I speak only of good, coarse, marketable stuff for
+the world's vulgar. You just give it a thought, Maud; talk it
+over with Dora.'
+
+He resumed presently:
+
+'I maintain that we people of brains are justified in supplying
+the mob with the food it likes. We are not geniuses, and if we
+sit down in a spirit of long-eared gravity we shall produce only
+commonplace stuff. Let us use our wits to earn money, and make
+the best we can of our lives. If only I had the skill, I would
+produce novels out-trashing the trashiest that ever sold fifty
+thousand copies. But it needs skill, mind you: and to deny it is
+a gross error of the literary pedants. To please the vulgar you
+must, one way or another, incarnate the genius of vulgarity. For
+my own part, I shan't be able to address the bulkiest multitude;
+my talent doesn't lend itself to that form. I shall write for the
+upper middle-class of intellect, the people who like to feel that
+what they are reading has some special cleverness, but who can't
+distinguish between stones and paste. That's why I'm so slow in
+warming to the work. Every month I feel surer of myself, however.
+
+That last thing of mine in The West End distinctly hit the mark;
+it wasn't too flashy, it wasn't too solid. I heard fellows speak
+of it in the train.'
+
+Mrs Milvain kept glancing at Maud, with eyes which desired her
+attention to these utterances. None the less, half an hour after
+dinner, Jasper found himself encountered by his sister in the
+garden, on her face a look which warned him of what was coming.
+
+'I want you to tell me something, Jasper. How much longer shall
+you look to mother for support? I mean it literally; let me have
+an idea of how much longer it will be.'
+
+He looked away and reflected.
+
+'To leave a margin,' was his reply, 'let us say twelve months.'
+
+'Better say your favourite "ten years" at once.'
+
+'No. I speak by the card. In twelve months' time, if not before,
+I shall begin to pay my debts. My dear girl, I have the honour to
+be a tolerably long-headed individual. I know what I'm about.'
+
+'And let us suppose mother were to die within half a year?'
+
+'I should make shift to do very well.'
+
+'You? And please--what of Dora and me?'
+
+'You would write Sunday-school prizes.'
+
+Maud turned away and left him.
+
+He knocked the dust out of the pipe he had been smoking, and
+again set off for a stroll along the lanes. On his countenance
+was just a trace of solicitude, but for the most part he wore a
+thoughtful smile. Now and then he stroked his smoothly-shaven
+jaws with thumb and fingers. Occasionally he became observant of
+wayside details--of the colour of a maple leaf, the shape of a
+tall thistle, the consistency of a fungus. At the few people who
+passed he looked keenly, surveying them from head to foot.
+
+On turning, at the limit of his walk, he found himself almost
+face to face with two persons, who were coming along in silent
+companionship; their appearance interested him. The one was a man
+of fifty, grizzled, hard featured, slightly bowed in the
+shoulders; he wore a grey felt hat with a broad brim and a decent
+suit of broadcloth. With him was a girl of perhaps two-and-
+twenty, in a slate-coloured dress with very little ornament, and
+a yellow straw hat of the shape originally appropriated to males;
+her dark hair was cut short, and lay in innumerable crisp curls.
+Father and daughter, obviously. The girl, to a casual eye, was
+neither pretty nor beautiful, but she had a grave and impressive
+face, with a complexion of ivory tone; her walk was gracefully
+modest, and she seemed to be enjoying the country air.
+
+Jasper mused concerning them. When he had walked a few yards, he
+looked back; at the same moment the unknown man also turned his
+head.
+
+'Where the deuce have I seen them--him and the girl too?' Milvain
+asked himself.
+
+And before he reached home the recollection he sought flashed
+upon his mind.
+
+'The Museum Reading-room, of course!'
+
+
+
+CHAPTER II. THE HOUSE OF YULE
+
+'I think' said Jasper, as he entered the room where his mother
+and Maud were busy with plain needlework, 'I must have met Alfred
+Yule and his daughter.'
+
+'How did you recognise them?' Mrs Milvain inquired.
+
+'I passed an old buffer and a pale-faced girl whom I know by
+sight at the British Museum. It wasn't near Yule's house, but
+they were taking a walk.'
+
+'They may have come already. When Miss Harrow was here last, she
+said "in about a fortnight."'
+
+'No mistaking them for people of these parts, even if I hadn't
+remembered their faces. Both of them are obvious dwellers in the
+valley of the shadow of books.'
+
+'Is Miss Yule such a fright then?' asked Maud.
+
+'A fright! Not at all. A good example of the modern literary
+girl. I suppose you have the oddest old-fashioned ideas of such
+people. No, I rather like the look of her. Simpatica, I should
+think, as that ass Whelpdale would say. A very delicate, pure
+complexion, though morbid; nice eyes; figure not spoilt yet. But
+of course I may be wrong about their identity.'
+
+Later in the afternoon Jasper's conjecture was rendered a
+certainty. Maud had walked to Wattleborough, where she would meet
+Dora on the latter's return from her teaching, and Mrs Milvain
+sat alone, in a mood of depression; there was a ring at the
+door-bell, and the servant admitted Miss Harrow.
+
+This lady acted as housekeeper to Mr John Yule, a wealthy
+resident in this neighbourhood; she was the sister of his
+deceased wife--a thin, soft-speaking, kindly woman of forty-five.
+The greater part of her life she had spent as a governess; her
+position now was more agreeable, and the removal of her anxiety
+about the future had developed qualities of cheerfulness which
+formerly no one would have suspected her to possess. The
+acquaintance between Mrs Milvain and her was only of twelve
+months' standing; prior to that, Mr Yule had inhabited a house at
+the end of Wattleborough remote from Finden.
+
+'Our London visitors came yesterday,' she began by saying.
+
+Mrs Milvain mentioned her son's encounter an hour or two ago.
+
+'No doubt it was they,' said the visitor. 'Mrs Yule hasn't come;
+I hardly expected she would, you know. So very unfortunate when
+there are difficulties of that kind, isn't it?'
+
+She smiled confidentially.
+
+'The poor girl must feel it,' said Mrs Milvain.
+
+'I'm afraid she does. Of course it narrows the circle of her
+friends at home. She's a sweet girl, and I should so like you to
+meet her. Do come and have tea with us to-morrow afternoon, will
+you? Or would it be too much for you just now?'
+
+'Will you let the girls call? And then perhaps Miss Yule will be
+so good as to come and see me?'
+
+'I wonder whether Mr Milvain would like to meet her father? I
+have thought that perhaps it might be some advantage to him.
+Alfred is so closely connected with literary people, you know.'
+
+'I feel sure he would be glad,' replied Mrs Milvain. 'But--what
+of Jasper's friendship with Mrs Edmund Yule and the Reardons?
+Mightn't it be a little awkward?'
+
+'Oh, I don't think so, unless he himself felt it so. There would
+be no need to mention that, I should say. And, really, it would
+be so much better if those estrangements came to an end. John
+makes no scruple of speaking freely about everyone, and I don't
+think Alfred regards Mrs Edmund with any serious unkindness. If
+Mr Milvain would walk over with the young ladies to-morrow, it
+would be very pleasant.'
+
+'Then I think I may promise that he will. I'm sure I don't know
+where he is at this moment. We don't see very much of him, except
+at meals.'
+
+'He won't be with you much longer, I suppose?'
+
+'Perhaps a week.'
+
+Before Miss Harrow's departure Maud and Dora reached home. They
+were curious to see the young lady from the valley of the shadow
+of books, and gladly accepted the invitation offered them.
+
+They set out on the following afternoon in their brother's
+company. It was only a quarter of an hour's walk to Mr Yule's
+habitation, a small house in a large garden. Jasper was coming
+hither for the first time; his sisters now and then visited Miss
+Harrow, but very rarely saw Mr Yule himself who made no secret of
+the fact that he cared little for female society. In
+Wattleborough and the neighbourhood opinions varied greatly as to
+this gentleman's character, but women seldom spoke very
+favourably of him. Miss Harrow was reticent concerning her
+brother-in-law; no one, however, had any reason to believe that
+she found life under his roof disagreeable. That she lived with
+him at all was of course occasionally matter for comment, certain
+Wattleborough ladies having their doubts regarding the position
+of a deceased wife's sister under such circumstances; but no one
+was seriously exercised about the relations between this sober
+lady of forty-five and a man of sixty-three in broken health.
+
+A word of the family history.
+
+John, Alfred, and Edmund Yule were the sons of a Wattleborough
+stationer. Each was well educated, up to the age of seventeen, at
+the town's grammar school. The eldest, who was a hot-headed lad,
+but showed capacities for business, worked at first with his
+father, endeavouring to add a bookselling department to the trade
+in stationery; but the life of home was not much to his taste,
+and at one-and-twenty he obtained a clerk's place in the office
+of a London newspaper. Three years after, his father died, and
+the small patrimony which fell to him he used in making himself
+practically acquainted with the details of paper manufacture, his
+aim being to establish himself in partnership with an
+acquaintance who had started a small paper-mill in Hertfordshire.
+
+His speculation succeeded, and as years went on he became a
+thriving manufacturer. His brother Alfred, in the meantime, had
+drifted from work at a London bookseller's into the modern Grub
+Street, his adventures in which region will concern us hereafter.
+
+Edmund carried on the Wattleborough business, but with small
+success. Between him and his eldest brother existed a good deal
+of affection, and in the end John offered him a share in his
+flourishing paper works; whereupon Edmund married, deeming
+himself well established for life. But John's temper was a
+difficult one; Edmund and he quarrelled, parted; and when the
+younger died, aged about forty, he left but moderate provision
+for his widow and two children.
+
+Only when he had reached middle age did John marry; the
+experiment could not be called successful, and Mrs Yule died
+three years later, childless.
+
+At fifty-four John Yule retired from active business; he came
+back to the scenes of his early life, and began to take an
+important part in the municipal affairs of Wattleborough. He was
+then a remarkably robust man, fond of out-of-door exercise; he
+made it one of his chief efforts to encourage the local Volunteer
+movement, the cricket and football clubs, public sports of every
+kind, showing no sympathy whatever with those persons who wished
+to establish free libraries, lectures, and the like. At his own
+expense he built for the Volunteers a handsome drill-shed; he
+founded a public gymnasium; and finally he allowed it to be
+rumoured that he was going to present the town with a park. But
+by presuming too far upon the bodily vigour which prompted these
+activities, he passed of a sudden into the state of a confirmed
+invalid. On an autumn expedition in the Hebrides he slept one
+night under the open sky, with the result that he had an all but
+fatal attack of rheumatic fever. After that, though the direction
+of his interests was unchanged, he could no longer set the
+example to Wattleborough youth of muscular manliness. The
+infliction did not improve his temper; for the next year or two
+he was constantly at warfare with one or other of his colleagues
+and friends, ill brooking that the familiar control of various
+local interests should fall out of his hands. But before long he
+appeared to resign himself to his fate, and at present
+Wattleborough saw little of him. It seemed likely that he might
+still found the park which was to bear his name; but perhaps it
+would only be done in consequence of directions in his will. It
+was believed that he could not live much longer.
+
+With his kinsfolk he held very little communication. Alfred Yule,
+a battered man of letters, had visited Wattleborough only
+twice(including the present occasion) since John's return hither.
+Mrs Edmund Yule, with her daughter--now Mrs Reardon--had been
+only once, three years ago. These two families, as you have
+heard, were not on terms of amity with each other, owing to
+difficulties between Mrs Alfred and Mrs Edmund; but John seemed
+to regard both impartially. Perhaps the only real warmth of
+feeling he had ever known was bestowed upon Edmund, and Miss
+Harrow had remarked that he spoke with somewhat more interest of
+Edmund's daughter, Amy, than of Alfred's daughter, Marian. But it
+was doubtful whether the sudden disappearance from the earth of
+all his relatives would greatly have troubled him. He lived a
+life of curious self-absorption, reading newspapers (little
+else), and talking with old friends who had stuck to him in spite
+of his irascibility.
+
+Miss Harrow received her visitors in a small and soberly
+furnished drawing-room. She was nervous, probably because of
+Jasper Milvain, whom she had met but once--last spring--and who
+on that occasion had struck her as an alarmingly modern young
+man. In the shadow of a window-curtain sat a slight, simply-
+dressed girl, whose short curly hair and thoughtful countenance
+Jasper again recognised. When it was his turn to be presented to
+Miss Yule, he saw that she doubted for an instant whether or not
+to give her hand; yet she decided to do so, and there was
+something very pleasant to him in its warm softness. She smiled
+with a slight embarrassment, meeting his look only for a second.
+
+'I have seen you several times, Miss Yule,' he said in a friendly
+way, 'though without knowing your name. It was under the great
+dome.'
+
+She laughed, readily understanding his phrase.
+
+'I am there very often,' was her reply.
+
+'What great dome?' asked Miss Harrow, with surprise.
+
+'That of the British Museum Reading-room,' explained Jasper;
+'known to some of us as the valley of the shadow of books. People
+who often work there necessarily get to know each other by sight.
+
+In the same way I knew Miss Yule's father when I happened to pass
+him in the road yesterday.'
+
+The three girls began to converse together, perforce of
+trivialities. Marian Yule spoke in rather slow tones,
+thoughtfully, gently; she had linked her fingers, and laid her
+hands, palms downwards, upon her lap--a nervous action. Her
+accent was pure, unpretentious; and she used none of the
+fashionable turns of speech which would have suggested the habit
+of intercourse with distinctly metropolitan society.
+
+'You must wonder how we exist in this out-of-the-way place,'
+remarked Maud.
+
+'Rather, I envy you,' Marian answered, with a slight emphasis.
+
+The door opened, and Alfred Yule presented himself. He was tall,
+and his head seemed a disproportionate culmination to his meagre
+body, it was so large and massively featured. Intellect and
+uncertainty of temper were equally marked upon his visage; his
+brows were knitted in a permanent expression of severity. He had
+thin, smooth hair, grizzled whiskers, a shaven chin. In the
+multitudinous wrinkles of his face lay a history of laborious and
+stormy life; one readily divined in him a struggling and
+embittered man. Though he looked older than his years, he had by
+no means the appearance of being beyond the ripeness of his
+mental vigour.
+
+'It pleases me to meet you, Mr Milvain,' he said, as he stretched
+out his bony hand. 'Your name reminds me of a paper in The
+Wayside a month or two ago, which you will perhaps allow a
+veteran to say was not ill done.'
+
+'I am grateful to you for noticing it,' replied Jasper.
+
+There was positively a touch of visible warmth upon his cheek.
+The allusion had come so unexpectedly that it caused him keen
+pleasure.
+
+Mr Yule seated himself awkwardly, crossed his legs, and began to
+stroke the back of his left hand, which lay on his knee. He
+seemed to have nothing more to say at present, and allowed Miss
+Harrow and the girls to support conversation. Jasper listened
+with a smile for a minute or two, then he addressed the
+veteran.'Have you seen The Study this week, Mr Yule?'
+
+'Yes.'
+
+'Did you notice that it contains a very favourable review of a
+novel which was tremendously abused in the same columns three
+weeks ago?'
+
+Mr Yule started, but Jasper could perceive at once that his
+emotion was not disagreeable.
+
+'You don't say so.'
+
+'Yes. The novel is Miss Hawk's "On the Boards." How will the
+editor get out of this?'
+
+'H'm! Of course Mr Fadge is not immediately responsible; but
+it'll be unpleasant for him, decidedly unpleasant.' He smiled
+grimly. 'You hear this, Marian?'
+
+'How is it explained, father?'
+
+'May be accident, of course; but--well, there's no knowing. I
+think it very likely this will be the end of Mr Fadge's tenure of
+office. Rackett, the proprietor, only wants a plausible excuse
+for making a change. The paper has been going downhill for the
+last year; I know of two publishing houses who have withdrawn
+their advertising from it, and who never send their books for
+review. Everyone foresaw that kind of thing from the day Mr Fadge
+became editor. The tone of his paragraphs has been detestable.
+Two reviews of the same novel, eh? And diametrically opposed? Ha!
+
+ha!'
+
+Gradually he had passed from quiet appreciation of the joke to
+undisguised mirth and pleasure. His utterance of the name 'Mr
+Fadge' sufficiently intimated that he had some cause of personal
+discontent with the editor of The Study.
+
+'The author,' remarked Milvain, 'ought to make a good thing out
+of this.'
+
+'Will, no doubt. Ought to write at once to the papers, calling
+attention to this sample of critical impartiality. Ha! ha!'
+
+He rose and went to the window, where for several minutes he
+stood gazing at vacancy, the same grim smile still on his face.
+Jasper in the meantime amused the ladies (his sisters had heard
+him on the subject already) with a description of the two
+antagonistic notices. But he did not trust himself to express so
+freely as he had done at home his opinion of reviewing in
+general; it was more than probable that both Yule and his
+daughter did a good deal of such work.
+
+'Suppose we go into the garden,' suggested Miss Harrow,
+presently. 'It seems a shame to sit indoors on such a lovely
+afternoon.'
+
+Hitherto there had been no mention of the master of the house.
+But Mr Yule now remarked to Jasper:
+
+'My brother would be glad if you would come and have a word with
+him. He isn't quite well enough to leave his room to-day.'
+
+So, as the ladies went gardenwards, Jasper followed the man of
+letters upstairs to a room on the first floor. Here, in a deep
+cane chair, which was placed by the open window, sat John Yule.
+He was completely dressed, save that instead of coat he wore a
+dressing-gown. The facial likeness between him and his brother
+was very strong, but John's would universally have been judged
+the finer countenance; illness notwithstanding, he had a
+complexion which contrasted in its pure colour with Alfred's
+parchmenty skin, and there was more finish about his features.
+His abundant hair was reddish, his long moustache and trimmed
+beard a lighter shade of the same hue.
+
+'So you too are in league with the doctors,' was his bluff
+greeting, as he held a hand to the young man and inspected him
+with a look of slighting good-nature.
+
+'Well, that certainly is one way of regarding the literary
+profession,' admitted Jasper, who had heard enough of John's way
+of thinking to understand the remark.
+
+'A young fellow with all the world before him, too. Hang it, Mr
+Milvain, is there no less pernicious work you can turn your hand
+to?'
+
+'I'm afraid not, Mr Yule. After all, you know, you must be held
+in a measure responsible for my depravity.'
+
+'How's that?'
+
+'I understand that you have devoted most of your life to the
+making of paper. If that article were not so cheap and so
+abundant, people wouldn't have so much temptation to scribble.'
+
+Alfred Yule uttered a short laugh.
+
+'I think you are cornered, John.'
+
+'I wish,' answered John, 'that you were both condemned to write
+on such paper as I chiefly made; it was a special kind of whitey-
+brown, used by shopkeepers.'
+
+He chuckled inwardly, and at the same time reached out for a box
+of cigarettes on a table near him. His brother and Jasper each
+took one as he offered them, and began to smoke.
+
+'You would like to see literary production come entirely to an
+end?' said Milvain.
+
+'I should like to see the business of literature abolished.'
+
+'There's a distinction, of course. But, on the whole, I should
+say that even the business serves a good purpose.'
+
+'What purpose?'
+
+'It helps to spread civilisation.'
+
+'Civilisation!' exclaimed John, scornfully. 'What do you mean by
+civilisation? Do you call it civilising men to make them weak,
+flabby creatures, with ruined eyes and dyspeptic stomachs? Who is
+it that reads most of the stuff that's poured out daily by the
+ton from the printing-press? Just the men and women who ought to
+spend their leisure hours in open-air exercise; the people who
+earn their bread by sedentary pursuits, and who need to live as
+soon as they are free from the desk or the counter, not to moon
+over small print. Your Board schools, your popular press, your
+spread of education! Machinery for ruining the country, that's
+what I call it.'
+
+'You have done a good deal, I think, to counteract those
+influences in Wattleborough.'
+
+'I hope so; and if only I had kept the use of my limbs I'd have
+done a good deal more. I have an idea of offering substantial
+prizes to men and women engaged in sedentary work who take an
+oath to abstain from all reading, and keep it for a certain
+number of years. There's a good deal more need for that than for
+abstinence from strong liquor. If I could have had my way I would
+have revived prize-fighting.'
+
+His brother laughed with contemptuous impatience.
+
+'You would doubtless like to see military conscription introduced
+into England?' said Jasper.
+
+'Of course I should! You talk of civilising; there's no such way
+of civilising the masses of the people as by fixed military
+service. Before mental training must come training of the body.
+Go about the Continent, and see the effect of military service on
+loutish peasants and the lowest classes of town population. Do
+you know why it isn't even more successful? Because the damnable
+education movement interferes. If Germany would shut up her
+schools and universities for the next quarter of a century and go
+ahead like blazes with military training there'd be a nation such
+as the world has never seen. After that, they might begin a
+little book-teaching again--say an hour and a half a day for
+everyone above nine years old. Do you suppose, Mr Milvain, that
+society is going to be reformed by you people who write for
+money? Why, you are the very first class that will be swept from
+the face of the earth as soon as the reformation really begins!'
+
+Alfred puffed at his cigarette. His thoughts were occupied with
+Mr Fadge and The Study. He was considering whether he could aid
+in bringing public contempt upon that literary organ and its
+editor. Milvain listened to the elder man's diatribe with much
+amusement.
+
+'You, now,' pursued John, 'what do you write about?'
+
+'Nothing in particular. I make a salable page or two out of
+whatever strikes my fancy.'
+
+'Exactly! You don't even pretend that you've got anything to say.
+You live by inducing people to give themselves mental
+indigestion--and bodily, too, for that matter.'
+
+'Do you know, Mr Yule, that you have suggested a capital idea to
+me? If I were to take up your views, I think it isn't at all
+unlikely that I might make a good thing of writing against
+writing. It should be my literary specialty to rail against
+literature. The reading public should pay me for telling them
+that they oughtn't to read. I must think it over.'
+
+'Carlyle has anticipated you,' threw in Alfred.
+
+'Yes, but in an antiquated way. I would base my polemic on the
+newest philosophy.'
+
+He developed the idea facetiously, whilst John regarded him as he
+might have watched a performing monkey.
+
+'There again! your new philosophy!' exclaimed the invalid. 'Why,
+it isn't even wholesome stuff, the kind of reading that most of
+you force on the public. Now there's the man who has married one
+of my nieces--poor lass! Reardon, his name is. You know him, I
+dare say. Just for curiosity I had a look at one of his books; it
+was called "The Optimist." Of all the morbid trash I ever saw,
+that beat everything. I thought of writing him a letter, advising
+a couple of anti-bilious pills before bedtime for a few weeks.'
+
+Jasper glanced at Alfred Yule, who wore a look of indifference.
+
+'That man deserves penal servitude in my opinion,' pursued John.
+'I'm not sure that it isn't my duty to offer him a couple of
+hundred a year on condition that he writes no more.'
+
+Milvain, with a clear vision of his friend in London, burst into
+laughter. But at that point Alfred rose from his chair.
+
+'Shall we rejoin the ladies?' he said, with a certain pedantry
+
+of phrase and manner which often characterised him.
+
+'Think over your ways whilst you're still young,' said John as he
+shook hands with his visitor.
+
+'Your brother speaks quite seriously, I suppose?' Jasper remarked
+when he was in the garden with Alfred.
+
+'I think so. It's amusing now and then, but gets rather tiresome
+when you hear it often. By-the-bye, you are not personally
+acquainted with Mr Fadge?'
+
+'I didn't even know his name until you mentioned it.'
+
+'The most malicious man in the literary world. There's no
+uncharitableness in feeling a certain pleasure when he gets into
+a scrape. I could tell you incredible stories about him; but that
+kind of thing is probably as little to your taste as it is to
+mine.'
+
+Miss Harrow and her companions, having caught sight of the pair,
+came towards them. Tea was to be brought out into the garden.
+
+'So you can sit with us and smoke, if you like,' said Miss Harrow
+to Alfred. 'You are never quite at your ease, I think, without a
+pipe.'
+
+But the man of letters was too preoccupied for society. In a few
+minutes he begged that the ladies would excuse his withdrawing;
+he had two or three letters to write before post-time, which was
+early at Finden.
+
+Jasper, relieved by the veteran's departure, began at once to
+make himself very agreeable company. When he chose to lay aside
+the topic of his own difficulties and ambitions, he could
+converse with a spontaneous gaiety which readily won the
+good-will of listeners. Naturally he addressed himself very often
+to Marian Yule, whose attention complimented him. She said
+little, and evidently was at no time a free talker, but the smile
+on her face indicated a mood of quiet enjoyment. When her eyes
+wandered, it was to rest on the beauties of the garden, the
+moving patches of golden sunshine, the forms of gleaming cloud.
+Jasper liked to observe her as she turned her head: there seemed
+to him a particular grace in the movement; her head and neck were
+admirably formed, and the short hair drew attention to this.
+
+It was agreed that Miss Harrow and Marian should come on the
+second day after to have tea with the Milvains. And when Jasper
+took leave of Alfred Yule, the latter expressed a wish that they
+might have a walk together one of these mornings.
+
+
+
+CHAPTER III. HOLIDAY
+
+Jasper's favourite walk led him to a spot distant perhaps a mile
+and a half from home. From a tract of common he turned into a
+short lane which crossed the Great Western railway, and thence by
+a stile into certain meadows forming a compact little valley. One
+recommendation of this retreat was that it lay sheltered from all
+winds; to Jasper a wind was objectionable. Along the bottom ran
+a clear, shallow stream, overhung with elder and hawthorn bushes;
+and close by the wooden bridge which spanned it was a great ash
+tree, making shadow for cows and sheep when the sun lay hot upon
+the open field. It was rare for anyone to come along this path,
+save farm labourers morning and evening.
+
+But to-day--the afternoon that followed his visit to John Yule's
+house--he saw from a distance that his lounging-place on the
+wooden bridge was occupied. Someone else had discovered the
+pleasure there was in watching the sun-flecked sparkle of the
+water as it flowed over the clean sand and stones. A girl in a
+yellow-straw hat; yes, and precisely the person he had hoped, at
+the first glance, that it might be. He made no haste as he drew
+nearer on the descending path. At length his footstep was heard;
+Marian Yule turned her head and clearly recognised him.
+
+She assumed an upright position, letting one of her hands rest
+upon the rail. After the exchange of ordinary greetings, Jasper
+leaned back against the same support and showed himself disposed
+for talk.
+
+'When I was here late in the spring,' he said, 'this ash was only
+just budding, though everything else seemed in full leaf.'
+
+'An ash, is it?' murmured Marian. 'I didn't know. I think an oak
+is the only tree I can distinguish. Yet,' she added quickly, 'I
+knew that the ash was late; some lines of Tennyson come to my
+memory.'
+
+'Which are those?'
+
+'Delaying, as the tender ash delays
+
+To clothe herself when all the woods are green,
+
+somewhere in the "Idylls."'
+
+'I don't remember; so I won't pretend to--though I should do so
+as a rule.'
+
+She looked at him oddly, and seemed about to laugh, yet did not.
+
+'You have had little experience of the country?' Jasper
+continued.
+
+'Very little. You, I think, have known it from childhood?'
+
+'In a sort of way. I was born in Wattleborough, and my people
+have always lived here. But I am not very rural in temperament. I
+have really no friends here; either they have lost interest in
+me, or I in them. What do you think of the girls, my sisters?'
+
+The question, though put with perfect simplicity, was
+embarrassing.
+
+'They are tolerably intellectual,' Jasper went on, when he saw
+that it would be difficult for her to answer. 'I want to persuade
+them to try their hands at literary work of some kind or other.
+They give lessons, and both hate it.'
+
+'Would literary work be less--burdensome?' said Marian, without
+looking at him.
+
+'Rather more so, you think?'
+
+She hesitated.
+
+'It depends, of course, on--on several things.'
+
+'To be sure,' Jasper agreed. 'I don't think they have any marked
+faculty for such work; but as they certainly haven't for
+teaching, that doesn't matter. It's a question of learning a
+business. I am going through my apprenticeship, and find it a
+long affair. Money would shorten it, and, unfortunately, I have
+none.'
+
+'Yes,' said Marian, turning her eyes upon the stream, 'money is a
+help in everything.'
+
+'Without it, one spends the best part of one's life in toiling
+for that first foothold which money could at once purchase. To
+have money is becoming of more and more importance in a literary
+career; principally because to have money is to have friends.
+Year by year, such influence grows of more account. A lucky man
+will still occasionally succeed by dint of his own honest
+perseverance, but the chances are dead against anyone who can't
+make private interest with influential people; his work is simply
+overwhelmed by that of the men who have better opportunities.'
+
+'Don't you think that, even to-day, really good work will sooner
+or later be recognised?'
+
+'Later, rather than sooner; and very likely the man can't wait;
+he starves in the meantime. You understand that I am not speaking
+of genius; I mean marketable literary work. The quantity turned
+out is so great that there's no hope for the special attention of
+the public unless one can afford to advertise hugely. Take the
+instance of a successful all-round man of letters; take Ralph
+Warbury, whose name you'll see in the first magazine you happen
+to open. But perhaps he is a friend of yours?'
+
+'Oh no!'
+
+'Well, I wasn't going to abuse him. I was only going to ask:Is
+there any quality which distinguishes his work from that of
+twenty struggling writers one could name? Of course not. He's a
+clever, prolific man; so are they. But he began with money and
+friends; he came from Oxford into the thick of advertised people;
+his name was mentioned in print six times a week before he had
+written a dozen articles. This kind of thing will become the
+rule. Men won't succeed in literature that they may get into
+society, but will get into society that they may succeed in
+literature.'
+
+'Yes, I know it is true,' said Marian, in a low voice.
+
+'There's a friend of mine who writes novels,' Jasper pursued.
+'His books are not works of genius, but they are glaringly
+distinct from the ordinary circulating novel. Well, after one or
+two attempts, he made half a success; that is to say, the
+publishers brought out a second edition of the book in a few
+months. There was his opportunity. But he couldn't use it; he had
+no friends, because he had no money. A book of half that merit,
+if written by a man in the position of Warbury when he started,
+would have established the reputation of a lifetime. His
+influential friends would have referred to it in leaders, in
+magazine articles, in speeches, in sermons. It would have run
+through numerous editions, and the author would have had nothing
+to do but to write another book and demand his price. But the
+novel I'm speaking of was practically forgotten a year after its
+appearance; it was whelmed beneath the flood of next season's
+literature.'
+
+Marian urged a hesitating objection.
+
+'But, under the circumstances, wasn't it in the author's power to
+make friends? Was money really indispensable?'
+
+'Why, yes--because he chose to marry. As a bachelor he might
+possibly have got into the right circles, though his character
+would in any case have made it difficult for him to curry favour.
+
+But as a married man, without means, the situation was hopeless.
+Once married you must live up to the standard of the society you
+frequent; you can't be entertained without entertaining in
+return. Now if his wife had brought him only a couple of thousand
+pounds all might have been well. I should have advised him, in
+sober seriousness, to live for two years at the rate of a
+thousand a year. At the end of that time he would have been
+earning enough to continue at pretty much the same rate of
+expenditure.'
+
+'Perhaps.'
+
+'Well, I ought rather to say that the average man of letters
+would be able to do that. As for Reardon--'
+
+He stopped. The name had escaped him unawares.
+
+'Reardon?' said Marian, looking up. 'You are speaking of him?'
+
+'I have betrayed myself Miss Yule.'
+
+'But what does it matter? You have only spoken in his favour.'
+
+'I feared the name might affect you disagreeably.'
+
+Marian delayed her reply.
+
+'It is true,' she said, 'we are not on friendly terms with my
+cousin's family. I have never met Mr Reardon. But I shouldn't
+like you to think that the mention of his name is disagreeable to
+me.'
+
+'It made me slightly uncomfortable yesterday--the fact that I am
+well acquainted with Mrs Edmund Yule, and that Reardon is my
+friend. Yet I didn't see why that should prevent my making your
+father's acquaintance.'
+
+'Surely not. I shall say nothing about it; I mean, as you uttered
+the name unintentionally.'
+
+There was a pause in the dialogue. They had been speaking almost
+confidentially, and Marian seemed to become suddenly aware of an
+oddness in the situation. She turned towards the uphill path, as
+if thinking of resuming her walk.
+
+'You are tired of standing still,' said Jasper. 'May I walk back
+a part of the way with you?'
+
+'Thank you; I shall be glad.'
+
+They went on for a few minutes in silence.
+
+'Have you published anything with your signature, Miss Yule?'
+Jasper at length inquired.
+
+'Nothing. I only help father a little.'
+
+The silence that again followed was broken this time by Marian.
+
+'When you chanced to mention Mr Reardon's name,' she said, with a
+diffident smile in which lay that suggestion of humour so
+delightful upon a woman's face, 'you were going to say something
+more about him?'
+
+'Only that--' he broke off and laughed. 'Now, how boyish it was,
+wasn't it? I remember doing just the same thing once when I came
+home from school and had an exciting story to tell, with
+preservation of anonymities. Of course I blurted out a name in
+the first minute or two, to my father's great amusement. He told
+me that I hadn't the diplomatic character. I have been trying to
+acquire it ever since.
+
+'But why?'
+
+'It's one of the essentials of success in any kind of public
+life. And I mean to succeed, you know. I feel that I am one of
+the men who do succeed. But I beg your pardon; you asked me a
+question. Really, I was only going to say of Reardon what I had
+said before: that he hasn't the tact requisite for acquiring
+popularity.'
+
+'Then I may hope that it isn't his marriage with my cousin which
+has proved a fatal misfortune?'
+
+'In no case,' replied Milvain, averting his look, 'would he have
+used his advantages.'
+
+'And now? Do you think he has but poor prospects?'
+
+'I wish I could see any chance of his being estimated at his
+right value. It's very hard to say what is before him.'
+
+'I knew my cousin Amy when we were children,' said Marian,
+presently. 'She gave promise of beauty.'
+
+'Yes, she is beautiful.'
+
+'And--the kind of woman to be of help to such a husband?'
+
+'I hardly know how to answer, Miss Yule,' said Jasper, looking
+frankly at her. 'Perhaps I had better say that it's unfortunate
+they are poor.'
+
+Marian cast down her eyes.
+
+'To whom isn't it a misfortune?' pursued her companion. 'Poverty
+is the root of all social ills; its existence accounts even for
+the ills that arise from wealth. The poor man is a man labouring
+in fetters. I declare there is no word in our language which
+sounds so hideous to me as "Poverty."'
+
+Shortly after this they came to the bridge over the railway line.
+Jasper looked at his watch.
+
+'Will you indulge me in a piece of childishness?' he said. 'In
+less than five minutes a London express goes by; I have often
+watched it here, and it amuses me. Would it weary you to wait?'
+
+'I should like to,' she replied with a laugh.
+
+The line ran along a deep cutting, from either side of which grew
+hazel bushes and a few larger trees. Leaning upon the parapet of
+the bridge, Jasper kept his eye in the westward direction, where
+the gleaming rails were visible for more than a mile. Suddenly he
+raised his finger.
+
+'You hear?'
+
+Marian had just caught the far-off sound of the train. She looked
+eagerly, and in a few moments saw it approaching. The front of
+the engine blackened nearer and nearer, coming on with dread
+force and speed. A blinding rush, and there burst against the
+bridge a great volley of sunlit steam. Milvain and his companion
+ran to the opposite parapet, but already the whole train had
+emerged, and in a few seconds it had disappeared round a sharp
+curve. The leafy branches that grew out over the line swayed
+violently backwards and forwards in the perturbed air.
+
+'If I were ten years younger,' said Jasper, laughing, 'I should
+say that was jolly! It enspirits me. It makes me feel eager to go
+back and plunge into the fight again.'
+
+'Upon me it has just the opposite effect,' fell from Marian, in
+very low tones.
+
+'Oh, don't say that! Well, it only means that you haven't had
+enough holiday yet. I have been in the country more than a week;
+a few days more and I must be off. How long do you think of
+staying?'
+
+'Not much more than a week, I think.'
+
+'By-the-bye, you are coming to have tea with us to-morrow,'
+Jasper remarked a propos of nothing. Then he returned to another
+subject that was in his thoughts.
+
+'It was by a train like that that I first went up to London. Not
+really the first time; I mean when I went to live there, seven
+years ago. What spirits I was in! A boy of eighteen going to live
+independently in London; think of it!'
+
+'You went straight from school?'
+
+'I was for two years at Redmayne College after leaving
+Wattleborough Grammar School. Then my father died, and I spent
+nearly half a year at home. I was meant to be a teacher, but the
+prospect of entering a school by no means appealed to me. A
+friend of mine was studying in London for some Civil Service
+exam., so I declared that I would go and do the same thing.'
+
+'Did you succeed?'
+
+'Not I! I never worked properly for that kind of thing. I read
+voraciously, and got to know London. I might have gone to the
+dogs, you know; but by when I had been in London a year a pretty
+clear purpose began to form in me. Strange to think that you were
+growing up there all the time. I may have passed you in the
+street now and then.'
+
+Marian laughed.
+
+'And I did at length see you at the British Museum, you know.'
+
+They turned a corner of the road, and came full upon Marian's
+father, who was walking in this direction with eyes fixed upon
+the ground.
+
+'So here you are!' he exclaimed, looking at the girl, and for the
+moment paying no attention to Jasper. 'I wondered whether I
+should meet you.' Then, more dryly, 'How do you do, Mr Milvain?'
+
+In a tone of easy indifference Jasper explained how he came to be
+accompanying Miss Yule.
+
+'Shall I walk on with you, father?' Marian asked, scrutinising
+his rugged features.
+
+'Just as you please; I don't know that I should have gone much
+further. But we might take another way back.'
+
+Jasper readily adapted himself to the wish he discerned in Mr
+Yule; at once he offered leave-taking in the most natural way.
+Nothing was said on either side about another meeting.
+
+The young man proceeded homewards, but, on arriving, did not at
+once enter the house. Behind the garden was a field used for the
+grazing of horses; he entered it by the unfastened gate, and
+strolled idly hither and thither, now and then standing to
+observe a poor worn-out beast, all skin and bone, which had
+presumably been sent here in the hope that a little more labour
+might still be exacted from it if it were suffered to repose for
+a few weeks. There were sores upon its back and legs; it stood in
+a fixed attitude of despondency, just flicking away troublesome
+flies with its grizzled tail.
+
+It was tea-time when he went in. Maud was not at home, and Mrs
+Milvain, tormented by a familiar headache, kept her room; so
+Jasper and Dora sat down together. Each had an open book on the
+table; throughout the meal they exchanged only a few words.
+
+'Going to play a little?' Jasper suggested when they had gone
+into the sitting-room.
+
+'If you like.'
+
+She sat down at the piano, whilst her brother lay on the sofa,
+his hands clasped beneath his head. Dora did not play badly, but
+an absentmindedness which was commonly observable in her had its
+effect upon the music. She at length broke off idly in the middle
+of a passage, and began to linger on careless chords. Then,
+without turning her head, she asked:
+
+'Were you serious in what you said about writing storybooks?'
+
+'Quite. I see no reason why you shouldn't do something in that
+way. But I tell you what; when I get back, I'll inquire into the
+state of the market. I know a man who was once engaged at Jolly &
+Monk's--the chief publishers of that kind of thing, you know; I
+must look him up--what a mistake it is to neglect any
+acquaintance!--and get some information out of him. But it's
+obvious what an immense field there is for anyone who can just
+hit the taste of the' new generation of Board school children.
+Mustn't be too goody-goody; that kind of thing is falling out of
+date. But you'd have to cultivate a particular kind of vulgarity.
+
+There's an idea, by-the-bye. I'll write a paper on the
+characteristics of that new generation; it may bring me a few
+guineas, and it would be a help to you.'
+
+'But what do you know about the subject?' asked Dora doubtfully.
+
+'What a comical question! It is my business to know something
+about every subject--or to know where to get the knowledge.'
+
+'Well,' said Dora, after a pause, 'there's no doubt Maud and I
+ought to think very seriously about the future. You are aware,
+Jasper, that mother has not been able to save a penny of her
+income.'
+
+'I don't see how she could have done. Of course I know what
+you're thinking; but for me, it would have been possible. I don't
+mind confessing to you that the thought troubles me a little now
+and then; I shouldn't like to see you two going off governessing
+in strangers' houses. All I can say is, that I am very honestly
+working for the end which I am convinced will be most profitable.
+
+I shall not desert you; you needn't fear that. But just put your
+heads together, and cultivate your writing faculty. Suppose you
+could both together earn about a hundred a year in Grub Street,
+it would be better than governessing; wouldn't it?'
+
+'You say you don't know what Miss Yule writes?'
+
+'Well, I know a little more about her than I did yesterday. I've
+had an hour's talk with her this afternoon.'
+
+'Indeed?'
+
+'Met her down in the Leggatt fields. I find she doesn't write
+independently; just helps her father. What the help amounts to I
+can't say. There's something very attractive about her. She
+quoted a line or two of Tennyson; the first time I ever heard a
+woman speak blank verse with any kind of decency.'
+
+'She was walking alone?'
+
+'Yes. On the way back we met old Yule; he seemed rather grumpy, I
+thought. I don't think she's the kind of girl to make a paying
+business of literature. Her qualities are personal. And it's
+pretty clear to me that the valley of the shadow of books by no
+means agrees with her disposition. Possibly old Yule is something
+of a tyrant.'
+
+'He doesn't impress me very favourably. Do you think you will
+keep up their acquaintance in London?'
+
+'Can't say. I wonder what sort of a woman that mother really is?
+Can't be so very gross, I should think.'
+
+'Miss Harrow knows nothing about her, except that she was a quite
+uneducated girl.'
+
+'But, dash it! by this time she must have got decent manners. Of
+course there may be other objections. Mrs Reardon knows nothing
+against her.'
+
+Midway in the following morning, as Jasper sat with a book in the
+garden, he was surprised to see Alfred Yule enter by the gate.
+
+'I thought,' began the visitor, who seemed in high spirits, 'that
+you might like to see something I received this morning.'
+
+He unfolded a London evening paper, and indicated a long letter
+from a casual correspondent. It was written by the authoress of
+'On the Boards,' and drew attention, with much expenditure of
+witticism, to the conflicting notices of that book which had
+appeared in The Study. Jasper read the thing with laughing
+appreciation.
+
+'Just what one expected!'
+
+'And I have private letters on the subject,' added Mr Yule.
+
+'There has been something like a personal conflict between Fadge
+and the man who looks after the minor notices. Fadge,more suo,
+charged the other man with a design to damage him and the paper.
+There's talk of legal proceedings. An immense joke!'
+
+He laughed in his peculiar croaking way.
+
+'Do you feel disposed for a turn along the lanes, Mr Milvain?'
+
+'By all means.--There's my mother at the window; will you come in
+for a moment?'
+
+With a step of quite unusual sprightliness Mr Yule entered the
+house. He could talk of but one subject, and Mrs Milvain had to
+listen to a laboured account of the blunder just committed by The
+Study. It was Alfred's Yule's characteristic that he could do
+nothing lighthandedly. He seemed always to converse with effort;
+he took a seat with stiff ungainliness; he walked with a
+stumbling or sprawling gait.
+
+When he and Jasper set out for their ramble, his loquacity was in
+strong contrast with the taciturn mood he had exhibited yesterday
+and the day before. He fell upon the general aspects of
+contemporary literature.
+
+'. . . The evil of the time is the multiplication of ephemerides.
+Hence a demand for essays, descriptive articles, fragments of
+criticism, out of all proportion to the supply of even tolerable
+work. The men who have an aptitude for turning out this kind of
+thing in vast quantities are enlisted by every new periodical,
+with the result that their productions are ultimately watered
+down into worthlessness. . . . Well now, there's Fadge. Years ago
+some of Fadge's work was not without a certain--a certain
+conditional promise of--of comparative merit; but now his
+writing, in my opinion, is altogether beneath consideration; how
+Rackett could be so benighted as to give him The Study--
+especially after a man like Henry Hawkridge--passes my
+comprehension. Did you read a paper of his, a few months back, in
+The Wayside, a preposterous rehabilitation of Elkanah Settle? Ha!
+
+ha! That's what such men are driven to. Elkanah Settle! And he
+hadn't even a competent acquaintance with his paltry subject.
+Will you credit that he twice or thrice referred to Settle's
+reply to "Absalom and Achitophel" by the title of "Absalom
+Transposed," when every schoolgirl knows that the thing was
+called "Achitophel Transposed"! This was monstrous enough, but
+there was something still more contemptible. He positively, I
+assure you, attributed the play of "Epsom Wells" to Crowne! I
+should have presumed that every student of even the most trivial
+primer of literature was aware that "Epsom Wells" was written by
+Shadwell. . . . Now, if one were to take Shadwell for the subject
+of a paper, one might very well show how unjustly his name has
+fallen into contempt. It has often occurred to me to do this.
+"But Shadwell never deviates into sense." The sneer, in my
+opinion, is entirely unmerited. For my own part, I put Shadwell
+very high among the dramatists of his time, and I think I could
+show that his absolute worth is by no means inconsiderable.
+Shadwell has distinct vigour of dramatic conception; his
+dialogue. . . .'
+
+And as he talked the man kept describing imaginary geometrical
+figures with the end of his walking-stick; he very seldom raised
+his eyes from the ground, and the stoop in his shoulders grew
+more and more pronounced, until at a little distance one might
+have taken him for a hunchback. At one point Jasper made a pause
+to speak of the pleasant wooded prospect that lay before them;
+his companion regarded it absently, and in a moment or two asked:
+
+'Did you ever come across Cottle's poem on the Malvern Hills? No?
+
+It contains a couple of the richest lines ever put into print:
+
+ It needs the evidence of close deduction
+ To know that I shall ever reach the top.
+
+Perfectly serious poetry, mind you!'
+
+He barked in laughter. Impossible to interest him in anything
+apart from literature; yet one saw him to be a man of solid
+understanding, and not without perception of humour. He had read
+vastly; his memory was a literary cyclopaedia. His failings,
+obvious enough, were the results of a strong and somewhat
+pedantic individuality ceaselessly at conflict with unpropitious
+circumstances.
+
+Towards the young man his demeanour varied between a shy
+cordiality and a dignified reserve which was in danger of seeming
+pretentious. On the homeward part of the walk he made a few
+discreet inquiries regarding Milvain's literary achievements and
+prospects, and the frank self-confidence of the replies appeared
+to interest him. But he expressed no desire to number Jasper
+among his acquaintances in town, and of his own professional or
+private concerns he said not a word.
+
+'Whether he could be any use to me or not, I don't exactly know,'
+Jasper remarked to his mother and sisters at dinner. 'I suspect
+it's as much as he can do to keep a footing among the younger
+tradesmen. But I think he might have said he was willing to help
+me if he could.'
+
+'Perhaps,' replied Maud, 'your large way of talking made him
+think any such offer superfluous.'
+
+'You have still to learn,' said Jasper, 'that modesty helps a man
+in no department of modern life. People take you at your own
+valuation. It's the men who declare boldly that they need no help
+to whom practical help comes from all sides. As likely as not
+Yule will mention my name to someone. "A young fellow who seems
+to see his way pretty clear before him." The other man will
+repeat it to somebody else, "A young fellow whose way is clear
+before him," and so I come to the ears of a man who thinks "Just
+the fellow I want; I must look him up and ask him if he'll do
+such-and-such a thing." But I should like to see these Yules at
+home; I must fish for an invitation.'
+
+In the afternoon, Miss Harrow and Marian came at the expected
+hour. Jasper purposely kept out of the way until he was summoned
+to the tea-table.
+
+The Milvain girls were so far from effusive, even towards old
+acquaintances, that even the people who knew them best spoke of
+them as rather cold and perhaps a trifle condescending; there
+were people in Wattleborough who declared their airs of
+superiority ridiculous and insufferable. The truth was that
+nature had endowed them with a larger share of brains than was
+common in their circle, and had added that touch of pride which
+harmonised so ill with the restrictions of poverty. Their life
+had a tone of melancholy, the painful reserve which characterises
+a certain clearly defined class in the present day. Had they been
+born twenty years earlier, the children of that veterinary
+surgeon would have grown up to a very different, and in all
+probability a much happier, existence, for their education would
+have been limited to the strictly needful, and--certainly in the
+case of the girls--nothing would have encouraged them to look
+beyond the simple life possible to a poor man's offspring. But
+whilst Maud and Dora were still with their homely schoolmistress,
+Wattleborough saw fit to establish a Girls' High School, and the
+moderateness of the fees enabled these sisters to receive an
+intellectual training wholly incompatible with the material
+conditions of their life. To the relatively poor (who are so much
+worse off than the poor absolutely) education is in most cases a
+mocking cruelty. The burden of their brother's support made it
+very difficult for Maud and Dora even to dress as became their
+intellectual station; amusements, holidays, the purchase of such
+simple luxuries as were all but indispensable to them, could not
+be thought of. It resulted that they held apart from the society
+which would have welcomed them, for they could not bear to
+receive without offering in turn. The necessity of giving lessons
+galled them; they felt--and with every reason--that it made their
+position ambiguous. So that, though they could not help knowing
+many people, they had no intimates; they encouraged no one to
+visit them, and visited other houses as little as might be.
+
+In Marian Yule they divined a sympathetic nature. She was unlike
+any girl with whom they had hitherto associated, and it was the
+impulse of both to receive her with unusual friendliness. The
+habit of reticence could not be at once overcome, and Marian's
+own timidity was an obstacle in the way of free intercourse, but
+Jasper's conversation at tea helped to smooth the course of
+things.
+
+'I wish you lived anywhere near us,' Dora said to their visitor,
+as the three girls walked in the garden afterwards, and Maud
+echoed the wish.
+
+'It would be very nice,' was Marian's reply. 'I have no friends
+of my own age in London.'
+
+'None?'
+
+'Not one!'
+
+She was about to add something, but in the end kept silence.
+
+'You seem to get along with Miss Yule pretty well, after all,'
+said Jasper, when the family were alone again.
+
+'Did you anticipate anything else?' Maud asked.
+
+'It seemed doubtful, up at Yule's house. Well, get her to come
+here again before I go. But it's a pity she doesn't play the
+piano,' he added, musingly.
+
+For two days nothing was seen of the Yules. Jasper went each
+afternoon to the stream in the valley, but did not again meet
+Marian. In the meanwhile he was growing restless. A fortnight
+always exhausted his capacity for enjoying the companionship of
+his mother and sisters, and this time he seemed anxious to get to
+the end of his holiday. For all that, there was no continuance of
+the domestic bickering which had begun. Whatever the reason, Maud
+behaved with unusual mildness to her brother, and Jasper in turn
+was gently disposed to both the girls.
+
+On the morning of the third day--it was Saturday--he kept silence
+through breakfast, and just as all were about to rise from the
+table, he made a sudden announcement:
+
+'I shall go to London this afternoon.'
+
+'This afternoon?' all exclaimed. 'But Monday is your day.'
+
+'No, I shall go this afternoon, by the 2.45.'
+
+And he left the room. Mrs Milvain and the girls exchanged looks.
+
+'I suppose he thinks the Sunday will be too wearisome,' said the
+mother.
+
+'Perhaps so,' Maud agreed, carelessly.
+
+Half an hour later, just as Dora was ready to leave the house for
+her engagements in Wattleborough, her brother came into the hall
+and took his hat, saying:
+
+'I'll walk a little way with you, if you don't mind.'
+
+When they were in the road, he asked her in an offhand manner:
+
+'Do you think I ought to say good-bye to the Yules? Or won't it
+signify?'
+
+'I should have thought you would wish to.'
+
+'I don't care about it. And, you see, there's been no hint of a
+wish on their part that I should see them in London. No, I'll
+just leave you to say good-bye for me.'
+
+'But they expect to see us to-day or to-morrow. You told them you
+were not going till Monday, and you don't know but Mr Yule might
+mean to say something yet.'
+
+'Well, I had rather he didn't,' replied Jasper, with a laugh.
+
+'Oh, indeed?'
+
+'I don't mind telling you,' he laughed again. 'I'm afraid of that
+girl. No, it won't do! You understand that I'm a practical man,
+and I shall keep clear of dangers. These days of holiday idleness
+put all sorts of nonsense into one's head.'
+
+Dora kept her eyes down, and smiled ambiguously.
+
+'You must act as you think fit,' she remarked at length.
+
+'Exactly. Now I'll turn back. You'll be with us at dinner?'
+
+They parted. But Jasper did not keep to the straight way home.
+First of all, he loitered to watch a reaping-machine at work;
+then he turned into a lane which led up the hill on which was
+John Yule's house. Even if he had purposed making a farewell
+call, it was still far too early; all he wanted to do was to pass
+an hour of the morning, which threatened to lie heavy on his
+hands. So he rambled on, and went past the house, and took the
+field-path which would lead him circuitously home again.
+
+His mother desired to speak to him. She was in the dining-room;
+in the parlour Maud was practising music.
+
+'I think I ought to tell you of something I did yesterday,
+Jasper,' Mrs Milvain began. 'You see, my dear, we have been
+rather straitened lately, and my health, you know, grows so
+uncertain, and, all things considered, I have been feeling very
+anxious about the girls. So I wrote to your uncle William, and
+told him that I must positively have that money. I must think of
+my own children before his.'
+
+The matter referred to was this. The deceased Mr Milvain had a
+brother who was a struggling shopkeeper in a Midland town. Some
+ten years ago, William Milvain, on the point of bankruptcy, had
+borrowed a hundred and seventy pounds from his brother in
+Wattleborough, and this debt was still unpaid; for on the death
+of Jasper's father repayment of the loan was impossible for
+William, and since then it had seemed hopeless that the sum would
+ever be recovered. The poor shopkeeper had a large family, and
+Mrs Milvain, notwithstanding her own position, had never felt
+able to press him; her relative, however, often spoke of the
+business, and declared his intention of paying whenever he could.
+
+'You can't recover by law now, you know,' said Jasper.
+
+'But we have a right to the money, law or no law. He must pay
+it.'
+
+'He will simply refuse--and be justified. Poverty doesn't allow
+of honourable feeling, any more than of compassion. I'm sorry you
+wrote like that. You won't get anything, and you might as well
+have enjoyed the reputation of forbearance.'
+
+Mrs Milvain was not able to appreciate this characteristic
+remark. Anxiety weighed upon her, and she became irritable.
+
+'I am obliged to say, Jasper, that you seem rather thoughtless.
+If it were only myself I would make any sacrifice for you; but
+you must remember--'
+
+'Now listen, mother,' he interrupted, laying a hand on her
+shoulder; 'I have been thinking about all this, and the fact of
+the matter is, I shall do my best to ask you for no more money.
+It may or may not be practicable, but I'll have a try. So don't
+worry. If uncle writes that he can't pay, just explain why you
+wrote, and keep him gently in mind of the thing, that's all. One
+doesn't like to do brutal things if one can avoid them, you
+know.'
+
+The young man went to the parlour and listened to Maud's music
+for awhile. But restlessness again drove him forth. Towards
+eleven o'clock he was again ascending in the direction of John
+Yule's house. Again he had no intention of calling, but when he
+reached the iron gates he lingered.
+
+'I will, by Jove!' he said within himself at last. 'Just to prove
+I have complete command of myself. It's to be a display of
+strength, not weakness.'
+
+At the house door he inquired for Mr Alfred Yule. That gentleman
+had gone in the carriage to Wattleborough, half an hour ago, with
+his brother.
+
+'Miss Yule?'
+
+Yes, she was within. Jasper entered the sitting-room, waited a
+few moments, and Marian appeared. She wore a dress in which
+Milvain had not yet seen her, and it had the effect of making him
+regard her attentively. The smile with which she had come towards
+him passed from her face, which was perchance a little warmer of
+hue than commonly.
+
+'I'm sorry your father is away, Miss Yule,' Jasper began, in an
+animated voice. 'I wanted to say good-bye to him. I return to
+London in a few hours.'
+
+'You are going sooner than you intended?'
+
+'Yes, I feel I mustn't waste any more time. I think the country
+air is doing you good; you certainly look better than when I
+passed you that first day.'
+
+'I feel better, much.'
+
+'My sisters are anxious to see you again. I shouldn't wonder if
+they come up this afternoon.'
+
+Marian had seated herself on the sofa, and her hands were linked
+upon her lap in the same way as when Jasper spoke with her here
+before, the palms downward. The beautiful outline of her bent
+head was relieved against a broad strip of sunlight on the wall
+behind her.
+
+'They deplore,' he continued in a moment, 'that they should come
+to know you only to lose you again so soon.
+
+'I have quite as much reason to be sorry,' she answered, looking
+at him with the slightest possible smile. 'But perhaps they will
+let me write to them, and hear from them now and then.'
+
+'They would think it an honour. Country girls are not often
+invited to correspond with literary ladies in London.'
+
+He said it with as much jocoseness as civility allowed, then at
+once rose.
+
+'Father will be very sorry,' Marian began, with one quick glance
+towards the window and then another towards the door. 'Perhaps he
+might possibly be able to see you before you go?'
+
+Jasper stood in hesitation. There was a look on the girl's face
+which, under other circumstances, would have suggested a ready
+answer.
+
+'I mean,' she added, hastily, 'he might just call, or even see
+you at the station?'
+
+'Oh, I shouldn't like to give Mr Yule any trouble. It's my own
+fault, for deciding to go to-day. I shall leave by the 2.45.'
+
+He offered his hand.
+
+'I shall look for your name in the magazines, Miss Yule.'
+
+'Oh, I don't think you will ever find it there.'
+
+He laughed incredulously, shook hands with her a second time, and
+strode out of the room, head erect--feeling proud of himself.
+
+When Dora came home at dinner-time, he informed her of what he
+had done.
+
+'A very interesting girl,' he added impartially. 'I advise you to
+make a friend of her. Who knows but you may live in London some
+day, and then she might be valuable--morally, I mean. For myself,
+I shall do my best not to see her again for a long time; she's
+dangerous.'
+
+Jasper was unaccompanied when he went to the station. Whilst
+waiting on the platform, he suffered from apprehension lest
+Alfred Yule's seamed visage should present itself; but no
+acquaintance approached him. Safe in the corner of his third-
+class carriage, he smiled at the last glimpse of the familiar
+fields, and began to think of something he had decided to write
+for The West End.
+
+
+CHAPTER IV. AN AUTHOR AND HIS WIFE
+
+Eight flights of stairs, consisting alternately of eight and nine
+steps. Amy had made the calculation, and wondered what was the
+cause of this arrangement. The ascent was trying, but then no one
+could contest the respectability of the abode. In the flat
+immediately beneath resided a successful musician, whose carriage
+and pair came at a regular hour each afternoon to take him and
+his wife for a most respectable drive. In this special building
+no one else seemed at present to keep a carriage, but all the
+tenants were gentlefolk.
+
+And as to living up at the very top, why, there were distinct
+advantages--as so many people of moderate income are nowadays
+hastening to discover. The noise from the street was diminished
+at this height; no possible tramplers could establish themselves
+above your head; the air was bound to be purer than that of
+inferior strata; finally, one had the flat roof whereon to sit or
+expatiate in sunny weather. True that a gentle rain of soot was
+wont to interfere with one's comfort out there in the open, but
+such minutiae are easily forgotten in the fervour of domestic
+description. It was undeniable that on a fine day one enjoyed
+extensive views. The green ridge from Hampstead to Highgate, with
+Primrose Hill and the foliage of Regent's Park in the foreground;
+the suburban spaces of St John's Wood, Maida Vale, Kilburn;
+Westminster Abbey and the Houses of Parliament, lying low by the
+side of the hidden river, and a glassy gleam on far-off hills
+which meant the Crystal Palace; then the clouded majesty of
+eastern London, crowned by St Paul's dome. These things one's
+friends were expected to admire. Sunset often afforded rich
+effects, but they were for solitary musing.
+
+A sitting-room, a bedroom, a kitchen. But the kitchen was called
+dining-room, or even parlour at need; for the cooking-range lent
+itself to concealment behind an ornamental screen, the walls
+displayed pictures and bookcases, and a tiny scullery which lay
+apart sufficed for the coarser domestic operations. This was
+Amy's territory during the hours when her husband was working, or
+endeavouring to work. Of necessity, Edwin Reardon used the front
+room as his study. His writing-table stood against the window;
+each wall had its shelves of serried literature; vases, busts,
+engravings (all of the inexpensive kind) served for ornaments.
+
+A maid-servant, recently emancipated from the Board school, came
+at half-past seven each morning, and remained until two o'clock,
+by which time the Reardons had dined; on special occasions, her
+services were enlisted for later hours. But it was Reardon's
+habit to begin the serious work of the day at about three
+o'clock, and to continue with brief interruptions until ten or
+eleven; in many respects an awkward arrangement, but enforced by
+the man's temperament and his poverty.
+
+One evening he sat at his desk with a slip of manuscript paper
+before him. It was the hour of sunset. His outlook was upon the
+backs of certain large houses skirting Regent's Park, and lights
+had begun to show here and there in the windows:in one room a man
+was discoverable dressing for dinner, he had not thought it
+worth while to lower the blind; in another, some people were
+playing billiards. The higher windows reflected a rich glow from
+the western sky.
+
+For two or three hours Reardon had been seated in much the same
+attitude. Occasionally he dipped his pen into the ink and seemed
+about to write: but each time the effort was abortive. At the
+head of the paper was inscribed 'Chapter III.,' but that was all.
+
+And now the sky was dusking over; darkness would soon fall.
+
+He looked something older than his years, which were two-and-
+thirty; on his face was the pallor of mental suffering. Often he
+fell into a fit of absence, and gazed at vacancy with wide,
+miserable eyes. Returning to consciousness, he fidgeted nervously
+on his chair, dipped his pen for the hundredth time, bent forward
+in feverish determination to work. Useless; he scarcely knew what
+he wished to put into words, and his brain refused to construct
+the simplest sentence.
+
+The colours faded from the sky, and night came quickly. Reardon
+threw his arms upon the desk, let his head fall forward, and
+remained so, as if asleep.
+
+Presently the door opened, and a young, clear voice made inquiry:
+
+'Don't you want the lamp, Edwin?'
+
+The man roused himself, turned his chair a little, and looked
+towards the open door.
+
+'Come here, Amy.'
+
+His wife approached. It was not quite dark in the room, for a
+glimmer came from the opposite houses.
+
+'What's the matter? Can't you do anything?'
+
+'I haven't written a word to-day. At this rate, one goes crazy.
+Come and sit by me a minute, dearest.'
+
+'I'll get the lamp.'
+
+'No; come and talk to me; we can understand each other better.'
+
+'Nonsense; you have such morbid ideas. I can't bear to sit in the
+gloom.'
+
+At once she went away, and quickly reappeared with a
+reading-lamp, which she placed on the square table in the middle
+of the room.
+
+'Draw down the blind, Edwin.'
+
+She was a slender girl, but not very tall; her shoulders seemed
+rather broad in proportion to her waist and the part of her
+figure below it. The hue of her hair was ruddy gold; loosely
+arranged tresses made a superb crown to the beauty of her small,
+refined head. Yet the face was not of distinctly feminine type;
+with short hair and appropriate clothing, she would have passed
+unquestioned as a handsome boy of seventeen, a spirited boy too,
+and one much in the habit of giving orders to inferiors. Her nose
+would have been perfect but for ever so slight a crook which made
+it preferable to view her in full face than in profile; her lips
+curved sharply out, and when she straightened them of a sudden,
+the effect was not reassuring to anyone who had counted upon her
+for facile humour. In harmony with the broad shoulders, she had a
+strong neck; as she bore the lamp into the room a slight turn of
+her head showed splendid muscles from the ear downward. It was a
+magnificently clear-cut bust; one thought, in looking at her, of
+the newly-finished head which some honest sculptor has wrought
+with his own hand from the marble block; there was a suggestion
+of 'planes' and of the chisel. The atmosphere was cold; ruddiness
+would have been quite out of place on her cheeks, and a flush
+must have been the rarest thing there.
+
+Her age was not quite two-and-twenty; she had been wedded nearly
+two years, and had a child ten months old.
+
+As for her dress, it was unpretending in fashion and colour, but
+of admirable fit. Every detail of her appearance denoted
+scrupulous personal refinement. She walked well; you saw that the
+foot, however gently, was firmly planted. When she seated herself
+her posture was instantly graceful, and that of one who is
+indifferent about support for the back.
+
+'What is the matter?' she began. 'Why can't you get on with the
+story?'
+
+It was the tone of friendly remonstrance, not exactly of
+affection, not at all of tender solicitude.
+
+Reardon had risen and wished to approach her, but could not do so
+directly. He moved to another part of the room, then came round
+to the back of her chair, and bent his face upon her shoulder.
+
+'Amy--'
+
+'Well.'
+
+'I think it's all over with me. I don't think I shall write any
+more.'
+
+'Don't be so foolish, dear. What is to prevent your writing?'
+
+'Perhaps I am only out of sorts. But I begin to be horribly
+afraid. My will seems to be fatally weakened. I can't see my way
+to the end of anything; if I get hold of an idea which seems
+good, all the sap has gone out of it before I have got it into
+working shape. In these last few months, I must have begun a
+dozen different books; I have been ashamed to tell you of each
+new beginning. I write twenty pages, perhaps, and then my courage
+fails. I am disgusted with the thing, and can't go on with it--
+can't! My fingers refuse to hold the pen. In mere writing, I have
+done enough to make much more than three volumes; but it's all
+destroyed.'
+
+'Because of your morbid conscientiousness. There was no need to
+destroy what you had written. It was all good enough for the
+market.'
+
+'Don't use that word, Amy. I hate it!'
+
+'You can't afford to hate it,' was her rejoinder, in very
+practical tones. 'However it was before, you must write for the
+market now. You have admitted that yourself.'
+
+He kept silence.
+
+'Where are you?' she went on to ask. 'What have you actually
+done?'
+
+'Two short chapters of a story I can't go on with. The three
+volumes lie before me like an interminable desert. Impossible to
+get through them. The idea is stupidly artificial, and I haven't
+a living character in it.'
+
+'The public don't care whether the characters are living or not.-
+-Don't stand behind me, like that; it's such an awkward way of
+talking. Come and sit down.'
+
+He drew away, and came to a position whence he could see her
+face, but kept at a distance.
+
+'Yes,' he said, in a different way, 'that's the worst of it.'
+
+'What is?'
+
+'That you--well, it's no use.'
+
+'That I--what?'
+
+She did not look at him; her lips, after she had spoken, drew in
+a little.
+
+'That your disposition towards me is being affected by this
+miserable failure. You keep saying to yourself that I am not what
+you thought me. Perhaps you even feel that I have been guilty of
+a sort of deception. I don't blame you; it's natural enough.'
+
+'I'll tell you quite honestly what I do think,' she replied,
+after a short silence. 'You are much weaker than I imagined.
+Difficulties crush you, instead of rousing you to struggle.'
+
+'True. It has always been my fault.'
+
+'But don't you feel it's rather unmanly, this state of things?
+You say you love me, and I try to believe it. But whilst you are
+saying so, you let me get nearer and nearer to miserable, hateful
+poverty. What is to become of me--of us? Shall you sit here day
+after day until our last shilling is spent?'
+
+'No; of course I must do something.'
+
+'When shall you begin in earnest? In a day or two you must pay
+this quarter's rent, and that will leave us just about fifteen
+pounds in the world. Where is the rent at Christmas to come from?
+
+What are we to live upon? There's all sorts of clothing to be
+bought; there'll be all the extra expenses of winter. Surely it's
+bad enough that we have had to stay here all the summer; no
+holiday of any kind. I have done my best not to grumble about it,
+but I begin to think that it would be very much wiser if I did
+grumble.'
+
+She squared her shoulders, and gave her head just a little shake,
+as if a fly had troubled her.
+
+'You bear everything very well and kindly,' said Reardon. 'My
+behaviour is contemptible; I know that. Good heavens! if I only
+had some business to go to, something I could work at in any
+state of mind, and make money out of! Given this chance, I would
+work myself to death rather than you should lack anything you
+desire. But I am at the mercy of my brain; it is dry and
+powerless. How I envy those clerks who go by to their offices in
+the morning! There's the day's work cut out for them; no question
+of mood and feeling; they have just to work at something, and
+when the evening comes, they have earned their wages, they are
+free to rest and enjoy themselves. What an insane thing it is to
+make literature one's only means of support! When the most
+trivial accident may at any time prove fatal to one's power of
+work for weeks or months. No, that is the unpardonable sin! To
+make a trade of an art! I am rightly served for attempting such a
+brutal folly.'
+
+He turned away in a passion of misery.
+
+'How very silly it is to talk like this!' came in Amy's voice,
+clearly critical. 'Art must be practised as a trade, at all
+events in our time. This is the age of trade. Of course if one
+refuses to be of one's time, and yet hasn't the means to live
+independently, what can result but breakdown and wretchedness?
+The fact of the matter is, you could do fairly good work, and
+work which would sell, if only you would bring yourself to look
+at things in a more practical way. It's what Mr Milvain is always
+saying, you know.'
+
+'Milvain's temperament is very different from mine. He is
+naturally light-hearted and hopeful; I am naturally the opposite.
+
+What you and he say is true enough; the misfortune is that I
+can't act upon it. I am no uncompromising artistic pedant; I am
+quite willing to try and do the kind of work that will sell;
+under the circumstances it would be a kind of insanity if I
+refused. But power doesn't answer to the will. My efforts are
+utterly vain; I suppose the prospect of pennilessness is itself a
+hindrance; the fear haunts me. With such terrible real things
+pressing upon me, my imagination can shape nothing substantial.
+When I have laboured out a story, I suddenly see it in a light of
+such contemptible triviality that to work at it is an impossible
+thing.'
+
+'You are ill, that's the fact of the matter. You ought to have
+had a holiday. I think even now you had better go away for a week
+or two. Do, Edwin!'
+
+'Impossible! It would be the merest pretence of holiday. To go
+away and leave you here--no!'
+
+'Shall I ask mother or Jack to lend us some money?'
+
+'That would be intolerable.'
+
+'But this state of things is intolerable!'
+
+Reardon walked the length of the room and back again.
+
+'Your mother has no money to lend, dear, and your brother would
+do it so unwillingly that we can't lay ourselves under such an
+obligation.'
+
+'Yet it will come to that, you know,' remarked Amy, calmly.
+
+'No, it shall not come to that. I must and will get something
+done long before Christmas. If only you--'
+
+He came and took one of her hands.
+
+'If only you will give me more sympathy, dearest. You see, that's
+one side of my weakness. I am utterly dependent upon you. Your
+kindness is the breath of life to me. Don't refuse it!'
+
+'But I have done nothing of the kind.'
+
+'You begin to speak very coldly. And I understand your feeling of
+disappointment. The mere fact of your urging me to do anything
+that will sell is a proof of bitter disappointment. You would
+have looked with scorn at anyone who talked to me like that two
+years ago. You were proud of me because my work wasn't altogether
+common, and because I had never written a line that was meant to
+attract the vulgar. All that's over now. If you knew how dreadful
+it is to see that you have lost your hopes of me!'
+
+'Well, but I haven't--altogether,' Amy replied, meditatively. 'I
+know very well that, if you had a lot of money, you would do
+better things than ever.'
+
+'Thank you a thousand times for saying that, my dearest.'
+
+'But, you see, we haven't money, and there's little chance of our
+getting any. That scrubby old uncle won't leave anything to us; I
+feel too sure of it. I often feel disposed to go and beg him on
+my knees to think of us in his will.' She laughed. 'I suppose
+it's impossible, and would be useless; but I should be capable of
+it if I knew it would bring money.'
+
+Reardon said nothing.
+
+'I didn't think so much of money when we were married,' Amy
+continued. 'I had never seriously felt the want of it, you know.
+I did think--there's no harm in confessing it--that you were sure
+to be rich some day; but I should have married you all the same
+if I had known that you would win only reputation.'
+
+'You are sure of that?'
+
+'Well, I think so. But I know the value of money better now. I
+know it is the most powerful thing in the world. If I had to
+choose between a glorious reputation with poverty and a
+contemptible popularity with wealth, I should choose the latter.'
+
+'No!'
+
+'I should.'
+
+'Perhaps you are right.'
+
+He turned away with a sigh.
+
+'Yes, you are right. What is reputation? If it is deserved, it
+originates with a few score of people among the many millions who
+would never have recognised the merit they at last applaud.
+That's the lot of a great genius. As for a mediocrity like me--
+what ludicrous absurdity to fret myself in the hope that
+half-a-dozen folks will say I am "above the average!" After all,
+is there sillier vanity than this? A year after I have published
+my last book, I shall be practically forgotten; ten years later,
+I shall be as absolutely forgotten as one of those novelists of
+the early part of this century, whose names one doesn't even
+recognise. What fatuous posing!'
+
+Amy looked askance at him, but replied nothing.
+
+'And yet,' he continued, 'of course it isn't only for the sake of
+reputation that one tries to do uncommon work. There's the
+shrinking from conscious insincerity of workmanship--which most
+of the writers nowadays seem never to feel. "It's good enough for
+the market"; that satisfies them. And perhaps they are justified.
+
+I can't pretend that I rule my life by absolute ideals; I admit
+that everything is relative. There is no such thing as goodness
+or badness, in the absolute sense, of course. Perhaps I am
+absurdly inconsistent when--though knowing my work can't be first
+rate--I strive to make it as good as possible. I don't say this
+in irony, Amy; I really mean it. It may very well be that I am
+just as foolish as the people I ridicule for moral and religious
+superstition. This habit of mine is superstitious. How well I can
+imagine the answer of some popular novelist if he heard me speak
+scornfully of his books. "My dear fellow," he might say, "do you
+suppose I am not aware that my books are rubbish? I know it just
+as well as you do. But my vocation is to live comfortably. I have
+a luxurious house, a wife and children who are happy and grateful
+to me for their happiness. If you choose to live in a garret,
+and, what's worse, make your wife and children share it with you,
+that's your concern." The man would be abundantly right.'
+
+'But,' said Amy, 'why should you assume that his books are
+rubbish? Good work succeeds--now and then.'
+
+'I speak of the common kind of success, which is never due to
+literary merit. And if I speak bitterly, well, I am suffering
+from my powerlessness. I am a failure, my poor girl, and it isn't
+easy for me to look with charity on the success of men who
+deserved it far less than I did, when I was still able to work.'
+
+'Of course, Edwin, if you make up your mind that you are a
+failure, you will end by being so. But I'm convinced there's no
+reason that you should fail to make a living with your pen. Now
+let me advise you; put aside all your strict ideas about what is
+worthy and what is unworthy, and just act upon my advice. It's
+impossible for you to write a three-volume novel; very well, then
+do a short story of a kind that's likely to be popular. You know
+Mr Milvain is always saying that the long novel has had its day,
+and that in future people will write shilling books. Why not try?
+
+Give yourself a week to invent a sensational plot, and then a
+fortnight for the writing. Have it ready for the new season at
+the end of October. If you like, don't put your name to it; your
+name certainly would have no weight with this sort of public.
+Just make it a matter of business, as Mr Milvain says, and see if
+you can't earn some money.'
+
+He stood and regarded her. His expression was one of pained
+perplexity.
+
+'You mustn't forget, Amy, that it needs a particular kind of
+faculty to write stories of this sort. The invention of a plot is
+just the thing I find most difficult.'
+
+'But the plot may be as silly as you like, providing it holds the
+attention of vulgar readers. Think of "The Hollow Statue", what
+could be more idiotic? Yet it sells by thousands.'
+
+'I don't think I can bring myself to that,' Reardon said, in a
+low voice.
+
+'Very well, then will you tell me what you propose to do?'
+
+'I might perhaps manage a novel in two volumes, instead of
+three.'
+
+He seated himself at the writing-table, and stared at the blank
+sheets of paper in an anguish of hopelessness.
+
+'It will take you till Christmas,' said Amy, 'and then you will
+get perhaps fifty pounds for it.'
+
+'I must do my best. I'll go out and try to get some ideas. I--'
+
+He broke off and looked steadily at his wife.
+
+'What is it?' she asked.
+
+'Suppose I were to propose to you to leave this flat and take
+cheaper rooms?'
+
+He uttered it in a shamefaced way, his eyes falling. Amy kept
+silence.
+
+'We might sublet it,' he continued, in the same tone, 'for the
+last year of the lease.'
+
+'And where do you propose to live?' Amy inquired, coldly.
+
+'There's no need to be in such a dear neighbourhood. We could go
+to one of the outer districts. One might find three unfurnished
+rooms for about eight-and-sixpence a week--less than half our
+rent here.'
+
+'You must do as seems good to you.'
+
+'For Heaven's sake, Amy, don't speak to me in that way! I can't
+stand that! Surely you can see that I am driven to think of every
+possible resource. To speak like that is to abandon me. Say you
+can't or won't do it, but don't treat me as if you had no share
+in my miseries!'
+
+She was touched for the moment.
+
+'I didn't mean to speak unkindly, dear. But think what it means,
+to give up our home and position. That is open confession of
+failure. It would be horrible.'
+
+'I won't think of it. I have three months before Christmas, and I
+will finish a book!'
+
+'I really can't see why you shouldn't. Just do a certain number
+of pages every day. Good or bad, never mind; let the pages be
+finished. Now you have got two chapters--'
+
+'No; that won't do. I must think of a better subject.'
+
+Amy made a gesture of impatience.
+
+'There you are! What does the subject matter? Get this book
+finished and sold, and then do something better next time.'
+
+'Give me to-night, just to think. Perhaps one of the old stories
+I have thrown aside will come back in a clearer light. I'll go
+out for an hour; you don't mind being left alone?'
+
+'You mustn't think of such trifles as that.'
+
+'But nothing that concerns you in the slightest way is a trifle
+to me--nothing! I can't bear that you should forget that. Have
+patience with me, darling, a little longer.'
+
+He knelt by her, and looked up into her face.
+
+'Say only one or two kind words--like you used to!'
+
+She passed her hand lightly over his hair, and murmured something
+with a faint smile.
+
+Then Reardon took his hat and stick and descended the eight
+flights of stone steps, and walked in the darkness round the
+outer circle of Regent's Park, racking his fagged brain in a
+hopeless search for characters, situations, motives.
+
+
+
+CHAPTER V. THE WAY HITHER
+
+Even in mid-rapture of his marriage month he had foreseen this
+possibility; but fate had hitherto rescued him in sudden ways
+when he was on the brink of self-abandonment, and it was hard to
+imagine that this culmination of triumphant joy could be a
+preface to base miseries.
+
+He was the son of a man who had followed many different pursuits,
+and in none had done much more than earn a livelihood. At the age
+of forty--when Edwin, his only child, was ten years old--Mr
+Reardon established himself in the town of Hereford as a
+photographer, and there he abode until his death, nine years
+after, occasionally risking some speculation not inconsistent
+with the photographic business, but always with the result of
+losing the little capital he ventured. Mrs Reardon died when
+Edwin had reached his fifteenth year. In breeding and education
+she was superior to her husband, to whom, moreover, she had
+brought something between four and five hundred pounds; her
+temper was passionate in both senses of the word, and the
+marriage could hardly be called a happy one, though it was never
+disturbed by serious discord. The photographer was a man of whims
+and idealisms; his wife had a strong vein of worldly ambition.
+They made few friends, and it was Mrs Reardon's frequently
+expressed desire to go and live in London, where fortune, she
+thought, might be kinder to them. Reardon had all but made up his
+mind to try this venture when he suddenly became a widower; after
+that he never summoned energy to embark on new enterprises.
+
+The boy was educated at an excellent local school; at eighteen he
+had a far better acquaintance with the ancient classics than most
+lads who have been expressly prepared for a university, and,
+thanks to an anglicised Swiss who acted as an assistant in Mr
+Reardon's business, he not only read French, but could talk it
+with a certain haphazard fluency. These attainments, however,
+were not of much practical use; the best that could be done for
+Edwin was to place him in the office of an estate agent. His
+health was indifferent, and it seemed likely that open-air
+exercise, of which he would have a good deal under the particular
+circumstances of the case, might counteract the effects of study
+too closely pursued.
+
+At his father's death he came into possession (practically it was
+put at his disposal at once, though he was little more than
+nineteen) of about two hundred pounds--a life-insurance for five
+hundred had been sacrificed to exigencies not very long before.
+He had no difficulty in deciding how to use this money. His
+mother's desire to live in London had in him the force of an
+inherited motive; as soon as possible he released himself from
+his uncongenial occupations, converted into money all the
+possessions of which he had not immediate need, and betook
+himself to the metropolis.
+
+To become a literary man, of course.
+
+His capital lasted him nearly four years, for, notwithstanding
+his age, he lived with painful economy. The strangest life, of
+almost absolute loneliness. From a certain point of Tottenham
+Court Road there is visible a certain garret window in a certain
+street which runs parallel with that thoroughfare; for the
+greater part of these four years the garret in question was
+Reardon's home. He paid only three-and-sixpence a week for the
+privilege of living there; his food cost him about a shilling a
+day; on clothing and other unavoidable expenses he laid out some
+five pounds yearly. Then he bought books--volumes which cost
+anything between twopence and two shillings; further than that he
+durst not go. A strange time, I assure you.
+
+When he had completed his twenty-first year, he desired to
+procure a reader's ticket for the British Museum. Now this was
+not such a simple matter as you may suppose; it was necessary to
+obtain the signature of some respectable householder, and Reardon
+was acquainted with no such person. His landlady was a decent
+woman enough, and a payer of rates and taxes, but it would look
+odd, to say the least of it, to present oneself in Great Russell
+Street armed with this person's recommendation. There was nothing
+for it but to take a bold step, to force himself upon the
+attention of a stranger--the thing from which his pride had
+always shrunk. He wrote to a well-known novelist--a man with
+whose works he had some sympathy. 'I am trying to prepare myself
+for a literary career. I wish to study in the Reading-room of the
+British Museum, but have no acquaintance to whom I can refer in
+the ordinary way. Will you help me--I mean, in this particular
+only?' That was the substance of his letter. For reply came an
+invitation to a house in the West-end. With fear and trembling
+Reardon answered the summons. He was so shabbily attired; he was
+so diffident from the habit of living quite alone; he was
+horribly afraid lest it should be supposed that he looked for
+other assistance than he had requested. Well, the novelist was a
+rotund and jovial man; his dwelling and his person smelt of
+money; he was so happy himself that he could afford to be kind to
+others.
+
+'Have you published anything?' he inquired, for the young man's
+letter had left this uncertain.
+
+'Nothing. I have tried the magazines, but as yet without
+success.'
+
+'But what do you write?'
+
+'Chiefly essays on literary subjects.'
+
+'I can understand that you would find a difficulty in disposing
+of them. That kind of thing is supplied either by men of
+established reputation, or by anonymous writers who have a
+regular engagement on papers and magazines. Give me an example of
+your topics.'
+
+'I have written something lately about Tibullus.'
+
+'Oh, dear! Oh, dear!--Forgive me, Mr Reardon; my feelings were
+too much for me; those names have been my horror ever since I was
+a schoolboy. Far be it from me to discourage you, if your line is
+to be solid literary criticism; I will only mention, as a matter
+of fact, that such work is indifferently paid and in very small
+demand. It hasn't occurred to you to try your hand at fiction?'
+
+In uttering the word he beamed; to him it meant a thousand or so
+a year.
+
+'I am afraid I have no talent for that.'
+
+The novelist could do no more than grant his genial signature for
+the specified purpose, and add good wishes in abundance. Reardon
+went home with his brain in a whirl. He had had his first glimpse
+of what was meant by literary success. That luxurious study, with
+its shelves of handsomely-bound books, its beautiful pictures,
+its warm, fragrant air--great heavens! what might not a man do
+who sat at his ease amid such surroundings!
+
+He began to work at the Reading-room, but at the same time he
+thought often of the novelist's suggestion, and before long had
+written two or three short stories. No editor would accept them;
+but he continued to practise himself in that art, and by degrees
+came to fancy that, after all, perhaps he had some talent for
+fiction. It was significant, however, that no native impulse had
+directed him to novel-writing. His intellectual temper was that
+of the student, the scholar, but strongly blended with a love of
+independence which had always made him think with distaste of a
+teacher's life. The stories he wrote were scraps of immature
+psychology--the last thing a magazine would accept from an
+unknown man.
+
+His money dwindled, and there came a winter during which he
+suffered much from cold and hunger. What a blessed refuge it was,
+there under the great dome, when he must else have sat in his
+windy garret with the mere pretence of a fire! The Reading-room
+was his true home; its warmth enwrapped him kindly; the peculiar
+odour of its atmosphere--at first a cause of headache--grew dear
+and delightful to him. But he could not sit here until his last
+penny should be spent. Something practical must be done, and
+practicality was not his strong point.
+
+Friends in London he had none; but for an occasional conversation
+with his landlady he would scarcely have spoken a dozen words in
+a week. His disposition was the reverse of democratic, and he
+could not make acquaintances below his own intellectual level.
+Solitude fostered a sensitiveness which to begin with was
+extreme; the lack of stated occupation encouraged his natural
+tendency to dream and procrastinate and hope for the improbable.
+He was a recluse in the midst of millions, and viewed with dread
+the necessity of going forth to fight for daily food.
+
+Little by little he had ceased to hold any correspondence with
+his former friends at Hereford. The only person to whom he still
+wrote and from whom he still heard was his mother's father--an
+old man who lived at Derby, retired from the business of a
+draper, and spending his last years pleasantly enough with a
+daughter who had remained single. Edwin had always been a
+favourite with his grandfather, though they had met only once or
+twice during the past eight years. But in writing he did not
+allow it to be understood that he was in actual want, and he felt
+that he must come to dire extremities before he could bring
+himself to beg assistance.
+
+He had begun to answer advertisements, but the state of his
+wardrobe forbade his applying for any but humble positions. Once
+or twice he presented himself personally at offices, but his
+reception was so mortifying that death by hunger seemed
+preferable to a continuance of such experiences. The injury to
+his pride made him savagely arrogant; for days after the last
+rejection he hid himself in his garret, hating the world.
+
+He sold his little collection of books, and of course they
+brought only a trifling sum. That exhausted, he must begin to
+sell his clothes. And then--?
+
+But help was at hand. One day he saw it advertised in a newspaper
+that the secretary of a hospital in the north of London was in
+need of a clerk; application was to be made by letter. He wrote,
+and two days later, to his astonishment, received a reply asking
+him to wait upon the secretary at a certain hour. In a fever of
+agitation he kept the appointment, and found that his business
+was with a young man in the very highest spirits, who walked up
+and down a little office (the hospital was of the 'special'
+order, a house of no great size), and treated the matter in hand
+as an excellent joke.
+
+'I thought, you know, of engaging someone much younger--quite a
+lad, in fact. But look there! Those are the replies to my
+advertisement.'
+
+He pointed to a heap of five or six hundred letters, and laughed
+consumedly.
+
+'Impossible to read them all, you know. It seemed to me that the
+fairest thing would be to shake them together, stick my hand in,
+and take out one by chance. If it didn't seem very promising, I
+would try a second time. But the first letter was yours, and I
+thought the fair thing to do was at all events to see you, you
+know. The fact is, I am only able to offer a pound a week.'
+
+'I shall be very glad indeed to take that,' said Reardon, who was
+bathed in perspiration.
+
+'Then what about references, and so on?' proceeded the young man,
+chuckling and rubbing his hands together.
+
+The applicant was engaged. He had barely strength to walk home;
+the sudden relief from his miseries made him, for the first time,
+sensible of the extreme physical weakness into which he had sunk.
+For the next week he was very ill, but he did not allow this to
+interfere with his new work, which was easily learnt and not
+burdensome.
+
+He held this position for three years, and during that time
+important things happened. When he had recovered from his state
+of semi-starvation, and was living in comfort (a pound a week is
+a very large sum if you have previously had to live on ten
+shillings), Reardon found that the impulse to literary production
+awoke in him more strongly than ever. He generally got home from
+the hospital about six o'clock, and the evening was his own. In
+this leisure time he wrote a novel in two volumes; one publisher
+refused it, but a second offered to bring it out on the terms of
+half profits to the author. The book appeared, and was well
+spoken of in one or two papers; but profits there were none to
+divide. In the third year of his clerkship he wrote a novel in
+three volumes; for this his publishers gave him twenty-five
+pounds, with again a promise of half the profits after deduction
+of the sum advanced. Again there was no pecuniary success. He had
+just got to work upon a third book, when his grandfather at Derby
+died and left him four hundred pounds.
+
+He could not resist the temptation to recover his freedom. Four
+hundred pounds, at the rate of eighty pounds a year, meant five
+years of literary endeavour. In that period he could certainly
+determine whether or not it was his destiny to live by the pen.
+
+In the meantime his relations with the secretary of the hospital,
+Carter by name, had grown very friendly. When Reardon began to
+publish books, the high-spirited Mr Carter looked upon him with
+something of awe; and when the literary man ceased to be a clerk,
+there was nothing to prevent association on equal terms between
+him and his former employer. They continued to see a good deal of
+each other, and Carter made Reardon acquainted with certain of
+his friends, among whom was one John Yule, an easy-going,
+selfish, semi-intellectual young man who had a place in a
+Government office. The time of solitude had gone by for Reardon.
+He began to develop the power that was in him.
+
+Those two books of his were not of a kind to win popularity. They
+dealt with no particular class of society (unless one makes a
+distinct class of people who have brains), and they lacked local
+colour. Their interest was almost purely psychological. It was
+clear that the author had no faculty for constructing a story,
+and that pictures of active life were not to be expected of him;
+he could never appeal to the multitude. But strong
+characterisation was within his scope, and an intellectual
+fervour, appetising to a small section of refined readers, marked
+all his best pages.
+
+He was the kind of man who cannot struggle against adverse
+conditions, but whom prosperity warms to the exercise of his
+powers. Anything like the cares of responsibility would sooner or
+later harass him into unproductiveness. That he should produce
+much was in any case out of the question; possibly a book every
+two or three years might not prove too great a strain upon his
+delicate mental organism, but for him to attempt more than that
+would certainly be fatal to the peculiar merit of his work. Of
+this he was dimly conscious, and, on receiving his legacy, he put
+aside for nearly twelve months the new novel he had begun. To
+give his mind a rest he wrote several essays, much maturer than
+those which had formerly failed to find acceptance, and two of
+these appeared in magazines.
+
+The money thus earned he spent--at a tailor's. His friend Carter
+ventured to suggest this mode of outlay.
+
+His third book sold for fifty pounds. It was a great improvement
+on its predecessors, and the reviews were generally favourable.
+For the story which followed, 'On Neutral Ground,' he received a
+hundred pounds. On the strength of that he spent six months
+travelling in the South of Europe.
+
+He returned to London at mid-June, and on the second day after
+his arrival befell an incident which was to control the rest of
+his life. Busy with the pictures in the Grosvenor Gallery, he
+heard himself addressed in a familiar voice, and on turning he
+was aware of Mr Carter, resplendent in fashionable summer attire,
+and accompanied by a young lady of some charms. Reardon had
+formerly feared encounters of this kind, too conscious of the
+defects of his attire; but at present there was no reason why he
+should shirk social intercourse. He was passably dressed, and the
+half-year of travel had benefited his appearance in no slight
+degree. Carter presented him to the young lady, of whom the
+novelist had already heard as affianced to his friend.
+
+Whilst they stood conversing, there approached two ladies,
+evidently mother and daughter, whose attendant was another of
+Reardon's acquaintances, Mr John Yule. This gentleman stepped
+briskly forward and welcomed the returned wanderer.
+
+'Let me introduce you,' he said, 'to my mother and sister. Your
+fame has made them anxious to know you.'
+
+Reardon found himself in a position of which the novelty was
+embarrassing, but scarcely disagreeable. Here were five people
+grouped around him, all of whom regarded him unaffectedly as a
+man of importance; for though, strictly speaking, he had no
+'fame' at all, these persons had kept up with the progress of his
+small repute, and were all distinctly glad to number among their
+acquaintances an unmistakable author, one, too, who was fresh
+from Italy and Greece. Mrs Yule, a lady rather too pretentious in
+her tone to be attractive to a man of Reardon's refinement,
+hastened to assure him how well his books were known in her
+house, 'though for the run of ordinary novels we don't care
+much.' Miss Yule, not at all pretentious in speech, and seemingly
+reserved of disposition, was good enough to show frank interest
+in the author. As for the poor author himself, well, he merely
+fell in love with Miss Yule at first sight, and there was an end
+of the matter.
+
+A day or two later he made a call at their house, in the region
+of Westbourne Park. It was a small house, and rather showily than
+handsomely furnished; no one after visiting it would be
+astonished to hear that Mrs Edmund Yule had but a small income,
+and that she was often put to desperate expedients to keep up the
+gloss of easy circumstances. In the gauzy and fluffy and varnishy
+little drawing-room Reardon found a youngish gentleman already in
+conversation with the widow and her daughter. This proved to be
+one Mr Jasper Milvain, also a man of letters. Mr Milvain was glad
+to meet Reardon, whose books he had read with decided interest.
+
+'Really,' exclaimed Mrs Yule, 'I don't know how it is that we
+have had to wait so long for the pleasure of knowing you, Mr
+Reardon. If John were not so selfish he would have allowed us a
+share in your acquaintance long ago.'
+
+Ten weeks thereafter, Miss Yule became Mrs Reardon.
+
+It was a time of frantic exultation with the poor fellow. He had
+always regarded the winning of a beautiful and intellectual wife
+as the crown of a successful literary career, but he had not
+dared to hope that such a triumph would be his. Life had been too
+hard with him on the whole. He, who hungered for sympathy, who
+thought of a woman's love as the prize of mortals supremely
+blessed, had spent the fresh years of his youth in monkish
+solitude. Now of a sudden came friends and flattery, ay, and love
+itself. He was rapt to the seventh heaven.
+
+Indeed, it seemed that the girl loved him. She knew that he had
+but a hundred pounds or so left over from that little
+inheritance, that his books sold for a trifle, that he had no
+wealthy relatives from whom he could expect anything; yet she
+hesitated not a moment when he asked her to marry him.
+
+'I have loved you from the first.'
+
+'How is that possible?' he urged. 'What is there lovable in me? I
+am afraid of waking up and finding myself in my old garret, cold
+and hungry.'
+
+'You will be a great man.'
+
+'I implore you not to count on that! In many ways I am wretchedly
+weak. I have no such confidence in myself.'
+
+'Then I will have confidence for both.'
+
+'But can you love me for my own sake--love me as a man?'
+
+'I love you!'
+
+And the words sang about him, filled the air with a mad pulsing
+of intolerable joy, made him desire to fling himself in
+passionate humility at her feet, to weep hot tears, to cry to her
+in insane worship. He thought her beautiful beyond anything his
+heart had imagined; her warm gold hair was the rapture of his
+eyes and of his reverent hand. Though slenderly fashioned, she
+was so gloriously strong. 'Not a day of illness in her life,'
+said Mrs Yule, and one could readily believe it.
+
+She spoke with such a sweet decision. Her 'I love you!' was a
+bond with eternity. In the simplest as in the greatest things she
+saw his wish and acted frankly upon it. No pretty petulance, no
+affectation of silly-sweet languishing, none of the weaknesses of
+woman. And so exquisitely fresh in her twenty years of
+maidenhood, with bright young eyes that seemed to bid defiance to
+all the years to come.
+
+He went about like one dazzled with excessive light. He talked as
+he had never talked before, recklessly, exultantly, insolently--
+in the nobler sense. He made friends on every hand; he welcomed
+all the world to his bosom; he felt the benevolence of a god.
+
+'I love you!' It breathed like music at his ears when he fell
+asleep in weariness of joy; it awakened him on the morrow as with
+a glorious ringing summons to renewed life.
+
+Delay? Why should there be delay? Amy wished nothing but to
+become his wife. Idle to think of his doing any more work until
+he sat down in the home of which she was mistress. His brain
+burned with visions of the books he would henceforth write, but
+his hand was incapable of anything but a love-letter. And what
+letters! Reardon never published anything equal to those. 'I have
+received your poem,' Amy replied to one of them. And she was
+right; not a letter, but a poem he had sent her, with every word
+on fire.
+
+The hours of talk! It enraptured him to find how much she had
+read, and with what clearness of understanding. Latin and Greek,
+no. Ah! but she should learn them both, that there might be
+nothing wanting in the communion between his thought and hers.
+For he loved the old writers with all his heart; they had been
+such strength to him in his days of misery.
+
+They would go together to the charmed lands of the South. No, not
+now for their marriage holiday--Amy said that would be an
+imprudent expense; but as soon as he had got a good price for a
+book. Will not the publishers be kind? If they knew what
+happiness lurked in embryo within their foolish cheque-books!
+
+He woke of a sudden in the early hours of one morning, a week
+before the wedding-day. You know that kind of awaking, so
+complete in an instant, caused by the pressure of some
+troublesome thought upon the dreaming brain. 'Suppose I should
+not succeed henceforth? Suppose I could never get more than this
+poor hundred pounds for one of the long books which cost me so
+much labour? I shall perhaps have children to support; and Amy--
+how would Amy bear poverty?'
+
+He knew what poverty means. The chilling of brain and heart, the
+unnerving of the hands, the slow gathering about one of fear and
+shame and impotent wrath, the dread feeling of helplessness, of
+the world's base indifference. Poverty! Poverty!
+
+And for hours he could not sleep. His eyes kept filling with
+tears, the beating of his heart was low; and in his solitude he
+called upon Amy with pitiful entreaty: 'Do not forsake me! I love
+you! I love you!'
+
+But that went by. Six days, five days, four days--will one's
+heart burst with happiness? The flat is taken, is furnished, up
+there towards the sky, eight flights of stone steps.
+
+'You're a confoundedly lucky fellow, Reardon,' remarked Milvain,
+who had already become very intimate with his new friend. 'A good
+fellow, too, and you deserve it.'
+
+'But at first I had a horrible suspicion.'
+
+'I guess what you mean. No; I wasn't even in love with her,
+though I admired her. She would never have cared for me in any
+case; I am not sentimental enough.'
+
+'The deuce!'
+
+'I mean it in an inoffensive sense. She and I are rather too much
+alike, I fancy.'
+
+'How do you mean?' asked Reardon, puzzled, and not very well
+pleased.
+
+'There's a great deal of pure intellect about Miss Yule, you
+know. She was sure to choose a man of the passionate kind.'
+
+'I think you are talking nonsense, my dear fellow.'
+
+'Well, perhaps I am. To tell you the truth, I have by no means
+completed my study of women yet. It is one of the things in which
+I hope to be a specialist some day, though I don't think I shall
+ever make use of it in novels--rather, perhaps, in life.'
+
+Three days--two days--one day.
+
+Now let every joyous sound which the great globe can utter ring
+forth in one burst of harmony! Is it not well done to make the
+village-bells chant merrily when a marriage is over? Here in
+London we can have no such music; but for us, my dear one, all
+the roaring life of the great city is wedding-hymn. Sweet, pure
+face under its bridal-veil! The face which shall, if fate spare
+it, be as dear to me many a long year hence as now at the
+culminating moment of my life!
+
+As he trudged on in the dark, his tortured memory was living
+through that time again. The images forced themselves upon him,
+however much he tried to think of quite other things--of some
+fictitious story on which he might set to work. In the case of
+his earlier books he had waited quietly until some suggestive
+'situation,' some group of congenial characters, came with sudden
+delightfulness before his mind and urged him to write; but
+nothing so spontaneous could now be hoped for. His brain was too
+weary with months of fruitless, harassing endeavour; moreover, he
+was trying to devise a 'plot,' the kind of literary
+Jack-in-the-box which might excite interest in the mass of
+readers, and this was alien to the natural working of his
+imagination. He suffered the torments of nightmare--an oppression
+of the brain and heart which must soon be intolerable.
+
+
+
+CHAPTER VI. THE PRACTICAL FRIEND
+
+When her husband had set forth, Amy seated herself in the study
+and took up a new library volume as if to read. But she had no
+real intention of doing so; it was always disagreeable to her to
+sit in the manner of one totally unoccupied, with hands on lap,
+and even when she consciously gave herself up to musing an open
+book was generally before her. She did not, in truth, read much
+nowadays; since the birth of her child she had seemed to care
+less than before for disinterested study. If a new novel that had
+succeeded came into her hands she perused it in a very practical
+spirit, commenting to Reardon on the features of the work which
+had made it popular; formerly, she would have thought much more
+of its purely literary merits, for which her eye was very keen.
+How often she had given her husband a thrill of exquisite
+pleasure by pointing to some merit or defect of which the common
+reader would be totally insensible! Now she spoke less frequently
+on such subjects. Her interests were becoming more personal; she
+liked to hear details of the success of popular authors--about
+their wives or husbands, as the case might be, their arrangements
+with publishers, their methods of work. The gossip columns of
+literary papers--and of some that were not literary--had an
+attraction for her. She talked of questions such as international
+copyright, was anxious to get an insight into the practical
+conduct of journals and magazines, liked to know who 'read' for
+the publishing-houses. To an impartial observer it might have
+appeared that her intellect was growing more active and mature.
+
+More than half an hour passed. It was not a pleasant train of
+thought that now occupied her. Her lips were drawn together, her
+brows were slightly wrinkled; the self-control which at other
+times was agreeably expressed upon her features had become rather
+too cold and decided. At one moment it seemed to her that she
+heard a sound in the bedroom--the doors were purposely left ajar-
+-and her head turned quickly to listen, the look in her eyes
+instantaneously softening; but all remained quiet. The street
+would have been silent but for a cab that now and then passed--
+the swing of a hansom or the roll of a four-wheeler--and within
+the buildings nothing whatever was audible.
+
+Yes, a footstep, briskly mounting the stone stairs. Not like that
+of the postman. A visitor, perhaps, to the other flat on the
+topmost landing. But the final pause was in this direction, and
+then came a sharp rat-tat at the door. Amy rose immediately and
+went to open.
+
+Jasper Milvain raised his urban silk hat, then held out his hand
+with the greeting of frank friendship. His inquiries were in so
+loud a voice that Amy checked him with a forbidding gesture.
+
+'You'll wake Willie!'
+
+'By Jove! I always forget,' he exclaimed in subdued tones. 'Does
+the infant flourish?'
+
+'Oh, yes!'
+
+'Reardon out? I got back on Saturday evening, but couldn't come
+round before this.' It was Monday. 'How close it is in here! I
+suppose the roof gets so heated during the day. Glorious weather
+in the country! And I've no end of things to tell you. He won't
+be long, I suppose?'
+
+'I think not.'
+
+He left his hat and stick in the passage, came into the study,
+and glanced about as if he expected to see some change since he
+was last here, three weeks ago.
+
+'So you have been enjoying yourself?' said Amy as, after
+listening for a moment at the door, she took a seat.
+
+'Oh, a little freshening of the faculties. But whose acquaintance
+do you think I have made?'
+
+'Down there?'
+
+'Yes. Your uncle Alfred and his daughter were staying at John
+Yule's, and I saw something of them. I was invited to the house.'
+
+'Did you speak of us?'
+
+'To Miss Yule only. I happened to meet her on a walk, and in a
+blundering way I mentioned Reardon's name. But of course it
+didn't matter in the least. She inquired about you with a good
+deal of interest--asked if you were as beautiful as you promised
+to be years ago.'
+
+Amy laughed.
+
+'Doesn't that proceed from your fertile invention, Mr Milvain?'
+
+'Not a bit of it! By-the-bye, what would be your natural question
+concerning her? Do you think she gave promise of good looks?'
+
+'I'm afraid I can't say that she did. She had a good face, but--
+rather plain.'
+
+'I see.' Jasper threw back his head and seemed to contemplate an
+object in memory. 'Well, I shouldn't wonder if most people called
+her a trifle plain even now; and yet--no, that's hardly possible,
+after all. She has no colour. Wears her hair short.'
+
+'Short?'
+
+'Oh, I don't mean the smooth, boyish hair with a parting--not the
+kind of hair that would be lank if it grew long. Curly all over.
+Looks uncommonly well, I assure you. She has a capital head. Odd
+girl; very odd girl! Quiet, thoughtful--not very happy, I'm
+afraid. Seems to think with dread of a return to books.'
+
+'Indeed! But I had understood that she was a reader.'
+
+'Reading enough for six people, probably. Perhaps her health is
+not very robust. Oh, I knew her by sight quite well--had seen her
+at the Reading-room. She's the kind of girl that gets into one's
+head, you know--suggestive; much more in her than comes out until
+one knows her very well.'
+
+'Well, I should hope so,' remarked Amy, with a peculiar smile.
+
+'But that's by no means a matter of course. They didn't invite me
+to come and see them in London.'
+
+'I suppose Marian mentioned your acquaintance with this branch of
+the family?'
+
+'I think not. At all events, she promised me she wouldn't.'
+
+Amy looked at him inquiringly, in a puzzled way.
+
+'She promised you?'
+
+'Voluntarily. We got rather sympathetic. Your uncle--Alfred, I
+mean--is a remarkable man; but I think he regarded me as a youth
+of no particular importance. Well, how do things go?'
+
+Amy shook her head.
+
+'No progress?'
+
+'None whatever. He can't work; I begin to be afraid that he is
+really ill. He must go away before the fine weather is over. Do
+persuade him to-night! I wish you could have had a holiday with
+him.'
+
+'Out of the question now, I'm sorry to say. I must work savagely.
+But can't you all manage a fortnight somewhere--Hastings,
+Eastbourne?'
+
+'It would be simply rash. One goes on saying, "What does a pound
+or two matter?"--but it begins at length to matter a great deal.'
+
+'I know, confound it all! Think how it would amuse some rich
+grocer's son who pitches his half-sovereign to the waiter when he
+has dined himself into good humour! But I tell you what it is:
+you must really try to influence him towards practicality. Don't
+you think--?'
+
+He paused, and Amy sat looking at her hands.
+
+'I have made an attempt,' she said at length, in a distant
+undertone.
+
+'You really have?'
+
+Jasper leaned forward, his clasped hands hanging between his
+knees. He was scrutinising her face, and Amy, conscious of the
+too fixed regard, at length moved her head uneasily.
+
+'It seems very clear to me,' she said, 'that a long book is out
+of the question for him at present. He writes so slowly, and is
+so fastidious. It would be a fatal thing to hurry through
+something weaker even than the last.'
+
+'You think "The Optimist" weak?' Jasper asked, half absently.
+
+'I don't think it worthy of Edwin; I don't see how anyone can.
+
+'I have wondered what your opinion was. Yes, he ought to try a
+new tack, I think.'
+
+Just then there came the sound of a latch-key opening the outer
+door. Jasper lay back in his chair and waited with a smile for
+his expected friend's appearance; Amy made no movement.
+
+'Oh, there you are!' said Reardon, presenting himself with the
+dazzled eyes of one who has been in darkness; he spoke in a voice
+of genial welcome, though it still had the note of depression.
+'When did you get back?'
+
+Milvain began to recount what he had told in the first part of
+his conversation with Amy. As he did so, the latter withdrew, and
+was absent for five minutes; on reappearing she said:
+
+'You'll have some supper with us, Mr Milvain?'
+
+'I think I will, please.'
+
+Shortly after, all repaired to the eating-room, where
+conversation had to be carried on in a low tone because of the
+proximity of the bedchamber in which lay the sleeping child.
+Jasper began to tell of certain things that had happened to him
+since his arrival in town.
+
+'It was a curious coincidence--but, by-the-bye, have you heard of
+what The Study has been doing?'
+
+'I should rather think so,' replied Reardon, his face lighting
+up. 'With no small satisfaction.'
+
+'Delicious, isn't it?' exclaimed his wife. 'I thought it too good
+to be true when Edwin heard of it from Mr Biffen.'
+
+All three laughed in subdued chorus. For the moment, Reardon
+became a new man in his exultation over the contradictory
+reviewers.
+
+'Oh, Biffen told you, did he? Well,' continued Jasper, 'it was an
+odd thing, but when I reached my lodgings on Saturday evening
+there lay a note from Horace Barlow, inviting me to go and see
+him on Sunday afternoon out at Wimbledon, the special reason
+being that the editor of The Study would be there, and Barlow
+thought I might like to meet him. Now this letter gave me a fit
+of laughter; not only because of those precious reviews, but
+because Alfred Yule had been telling me all about this same
+editor, who rejoices in the name of Fadge. Your uncle, Mrs
+Reardon, declares that Fadge is the most malicious man in the
+literary profession; though that's saying such a very great deal
+--well, never mind! Of course I was delighted to go and meet
+Fadge. At Barlow's I found the queerest collection of people,
+most of them women of the inkiest description. The great Fadge
+himself surprised me; I expected to see a gaunt, bilious man, and
+he was the rosiest and dumpiest little dandy you can imagine; a
+fellow of forty-five, I dare say, with thin yellow hair and blue
+eyes and a manner of extreme innocence. Fadge flattered me with
+confidential chat, and I discovered at length why Barlow had
+asked me to meet him; it's Fadge that is going to edit
+Culpepper's new monthly--you've heard about it?--and he had
+actually thought it worth while to enlist me among contributors!
+Now, how's that for a piece of news?'
+
+The speaker looked from Reardon to Amy with a smile of vast
+significance.
+
+'I rejoice to hear it!' said Reardon, fervently.
+
+'You see! you see!' cried Jasper, forgetting all about the infant
+in the next room, 'all things come to the man who knows how to
+wait. But I'm hanged if I expected a thing of this kind to come
+so soon! Why, I'm a man of distinction! My doings have been
+noted; the admirable qualities of my style have drawn attention;
+I'm looked upon as one of the coming men! Thanks, I confess, in
+some measure, to old Barlow; he seems to have amused himself with
+cracking me up to all and sundry. That last thing of mine in The
+West End has done me a vast amount of good, it seems. And Alfred
+Yule himself had noticed that paper in The Wayside. That's how
+things work, you know; reputation comes with a burst, just when
+you're not looking for anything of the kind.'
+
+'What's the new magazine to be called?' asked Amy.
+
+'Why, they propose The Current. Not bad, in a way; though you
+imagine a fellow saying "Have you seen the current Current?" At
+all events, the tone is to be up to date, and the articles are to
+be short; no padding, merum sal from cover to cover. What do you
+think I have undertaken to do, for a start? A paper consisting of
+sketches of typical readers of each of the principal daily and
+weekly papers. A deuced good idea, you know--my own, of course --
+but deucedly hard to carry out. I shall rise to the occasion, see
+if I don't. I'll rival Fadge himself in maliciousness--though I
+must confess I discovered no particular malice in the fellow's
+way of talking. The article shall make a sensation. I'll spend a
+whole month on it, and make it a perfect piece of satire.'
+
+'Now that's the kind of thing that inspires me with awe and
+envy,' said Reardon. 'I could no more write such a paper than an
+article on Fluxions.'
+
+''Tis my vocation, Hal! You might think I hadn't experience
+enough, to begin with. But my intuition is so strong that I can
+make a little experience go an immense way. Most people would
+imagine I had been wasting my time these last few years, just
+sauntering about, reading nothing but periodicals, making
+acquaintance with loafers of every description. The truth is, I
+have been collecting ideas, and ideas that are convertible into
+coin of the realm, my boy; I have the special faculty of an
+extempore writer. Never in my life shall I do anything of solid
+literary value; I shall always despise the people I write for.
+But my path will be that of success. I have always said it, and
+now I'm sure of it.'
+
+'Does Fadge retire from The Study, then?' inquired Reardon, when
+he had received this tirade with a friendly laugh.
+
+'Yes, he does. Was going to, it seems, in any case. Of course I
+heard nothing about the two reviews, and I was almost afraid to
+smile whilst Fadge was talking with me, lest I should betray my
+thought. Did you know anything about the fellow before?'
+
+'Not I. Didn't know who edited The Study.'
+
+'Nor I either. Remarkable what a number of illustrious obscure
+are going about. But I have still something else to tell you. I'm
+going to set my sisters afloat in literature.'
+
+'How!'
+
+'Well, I don't see why they shouldn't try their hands at a little
+writing, instead of giving lessons, which doesn't suit them a
+bit. Last night, when I got back from Wimbledon, I went to look
+up Davies. Perhaps you don't remember my mentioning him; a fellow
+who was at Jolly and Monk's, the publishers, up to a year ago. He
+edits a trade journal now, and I see very little of him. However,
+I found him at home, and had a long practical talk with him. I
+wanted to find out the state of the market as to such wares as
+Jolly and Monk dispose of. He gave me some very useful hints, and
+the result was that I went off this morning and saw Monk himself
+--no Jolly exists at present. "Mr Monk," I began, in my blandest
+tone--you know it--"I am requested to call upon you by a lady who
+thinks of preparing a little volume to be called 'A Child's
+History of the English Parliament.' Her idea is, that"--and so
+on. Well, I got on admirably with Monk, especially when he learnt
+that I was to be connected with Culpepper's new venture; he
+smiled upon the project, and said he should be very glad to see a
+specimen chapter; if that pleased him, we could then discuss
+terms.'
+
+'But has one of your sisters really begun such a book?' inquired
+Amy.
+
+'Neither of them knows anything of the matter, but they are
+certainly capable of doing the kind of thing I have in mind,
+which will consist largely of anecdotes of prominent statesmen. I
+myself shall write the specimen chapter, and send it to the girls
+to show them what I propose. I shouldn't wonder if they make some
+fifty pounds out of it. The few books that will be necessary they
+can either get at a Wattleborough library, or I can send them.'
+
+'Your energy is remarkable, all of a sudden,' said Reardon.
+
+'Yes. The hour has come, I find. "There is a tide"--to quote
+something that has the charm of freshness.'
+
+The supper--which consisted of bread and butter, cheese,
+sardines, cocoa--was now over, and Jasper, still enlarging on his
+recent experiences and future prospects, led the way back to the
+sitting-room. Not very long after this, Amy left the two friends
+to their pipes; she was anxious that her husband should discuss
+his affairs privately with Milvain, and give ear to the practical
+advice which she knew would be tendered him.
+
+'I hear that you are still stuck fast,' began Jasper, when they
+had smoked awhile in silence.
+
+'Yes.'
+
+'Getting rather serious, I should fear, isn't it?'
+
+'Yes,' repeated Reardon, in a low voice.
+
+'Come, come, old man, you can't go on in this way. Would it, or
+wouldn't it, be any use if you took a seaside holiday?'
+
+'Not the least. I am incapable of holiday, if the opportunity
+were offered. Do something I must, or I shall fret myself into
+imbecility.'
+
+'Very well. What is it to be?'
+
+'I shall try to manufacture two volumes. They needn't run to more
+than about two hundred and seventy pages, and those well spaced
+out.'
+
+'This is refreshing. This is practical. But look now: let it be
+something rather sensational. Couldn't we invent a good title--
+something to catch eye and ear? The title would suggest the
+story, you know.'
+
+Reardon laughed contemptuously, but the scorn was directed rather
+against himself than Milvain.
+
+'Let's try,' he muttered.
+
+Both appeared to exercise their minds on the problem for a few
+minutes. Then Jasper slapped his knee.
+
+'How would this do: "The Weird Sisters"? Devilish good, eh?
+Suggests all sorts of things, both to the vulgar and the
+educated. Nothing brutally clap-trap about it, you know.'
+
+'But--what does it suggest to you?'
+
+'Oh, witch-like, mysterious girls or women. Think it over.'
+
+There was another long silence. Reardon's face was that of a man
+in blank misery.
+
+'I have been trying,' he said at length, after an attempt to
+speak which was checked by a huskiness in his throat, 'to explain
+to myself how this state of things has come about. I almost think
+I can do so.'
+
+'How?'
+
+'That half-year abroad, and the extraordinary shock of happiness
+which followed at once upon it, have disturbed the balance of my
+nature. It was adjusted to circumstances of hardship, privation,
+struggle. A temperament like mine can't pass through such a
+violent change of conditions without being greatly affected; I
+have never since been the man I was before I left England. The
+stage I had then reached was the result of a slow and elaborate
+building up; I could look back and see the processes by which I
+had grown from the boy who was a mere bookworm to the man who had
+all but succeeded as a novelist. It was a perfectly natural,
+sober development. But in the last two years and a half I can
+distinguish no order. In living through it, I have imagined from
+time to time that my powers were coming to their ripest; but that
+was mere delusion. Intellectually, I have fallen back. The
+probability is that this wouldn't matter, if only I could live on
+in peace of mind; I should recover my equilibrium, and perhaps
+once more understand myself. But the due course of things is
+troubled by my poverty.'
+
+He spoke in a slow, meditative way, in a monotonous voice, and
+without raising his eyes from the ground.
+
+'I can understand,' put in Jasper, 'that there may be
+philosophical truth in all this. All the same, it's a great pity
+that you should occupy your mind with such thoughts.'
+
+'A pity--no! I must remain a reasoning creature. Disaster may end
+by driving me out of my wits, but till then I won't abandon my
+heritage of thought.'
+
+'Let us have it out, then. You think it was a mistake to spend
+those months abroad?'
+
+'A mistake from the practical point of view. That vast broadening
+of my horizon lost me the command of my literary resources. I
+lived in Italy and Greece as a student, concerned especially with
+the old civilisations; I read little but Greek and Latin. That
+brought me out of the track I had laboriously made for myself I
+often thought with disgust of the kind of work I had been doing;
+my novels seemed vapid stuff so wretchedly and shallowly modern.
+If I had had the means, I should have devoted myself to the life
+of a scholar. That, I quite believe, is my natural life; it's
+only the influence of recent circumstances that has made me a
+writer of novels. A man who can't journalise, yet must earn his
+bread by literature, nowadays inevitably turns to fiction, as the
+Elizabethan men turned to the drama. Well, but I should have got
+back, I think, into the old line of work. It was my marriage that
+completed what the time abroad had begun.'
+
+He looked up suddenly, and added:
+
+'I am speaking as if to myself. You, of course, don't
+misunderstand me, and think I am accusing my wife.'
+
+'No, I don't take you to mean that, by any means.'
+
+'No, no; of course not. All that's wrong is my accursed want of
+money. But that threatens to be such a fearful wrong, that I
+begin to wish I had died before my marriage-day. Then Amy would
+have been saved. The Philistines are right: a man has no business
+to marry unless he has a secured income equal to all natural
+demands. I behaved with the grossest selfishness. I might have
+known that such happiness was never meant for me.'
+
+'Do you mean by all this that you seriously doubt whether you
+will ever be able to write again?'
+
+'In awful seriousness, I doubt it,' replied Reardon, with haggard
+face.
+
+'It strikes me as extraordinary. In your position I should work
+as I never had done before.'
+
+'Because you are the kind of man who is roused by necessity. I am
+overcome by it. My nature is feeble and luxurious. I never in my
+life encountered and overcame a practical difficulty.'
+
+'Yes; when you got the work at the hospital.'
+
+'All I did was to write a letter, and chance made it effective.'
+
+'My view of the case, Reardon, is that you are simply ill.'
+
+'Certainly I am; but the ailment is desperately complicated. Tell
+me: do you think I might possibly get any kind of stated work to
+do? Should I be fit for any place in a newspaper office, for
+instance?'
+
+'I fear not. You are the last man to have anything to do with
+journalism.'
+
+'If I appealed to my publishers, could they help me?'
+
+'I don't see how. They would simply say: Write a book and we'll
+buy it.'
+
+'Yes, there's no help but that.'
+
+'If only you were able to write short stories, Fadge might be
+useful.'
+
+'But what's the use? I suppose I might get ten guineas, at most,
+for such a story. I need a couple of hundred pounds at least.
+Even if I could finish a three-volume book, I doubt if they would
+give me a hundred again, after the failure of "The Optimist"; no,
+they wouldn't.'
+
+'But to sit and look forward in this way is absolutely fatal, my
+dear fellow. Get to work at your two-volume story. Call it "The
+Weird Sisters," or anything better that you can devise; but get
+it done, so many pages a day. If I go ahead as I begin to think I
+shall, I shall soon be able to assure you good notices in a lot
+of papers. Your misfortune has been that you had no influential
+friends. By-the-bye, how has The Study been in the habit of
+treating you?'
+
+'Scrubbily.'
+
+'I'll make an opportunity of talking about your books to Fadge. I
+think Fadge and I shall get on pretty well together. Alfred Yule
+hates the man fiercely, for some reason or other. By the way, I
+may as well tell you that I broke short off with the Yules on
+purpose.'
+
+'Oh?'
+
+'I had begun to think far too much about the girl. Wouldn't do,
+you know. I must marry someone with money, and a good deal of it.
+
+That's a settled point with me.'
+
+'Then you are not at all likely to meet them in London?'
+
+'Not at all. And if I get allied with Fadge, no doubt Yule will
+involve me in his savage feeling. You see how wisely I acted. I
+have a scent for the prudent course.'
+
+They talked for a long time, but again chiefly of Milvain's
+affairs. Reardon, indeed, cared little to say anything more about
+his own. Talk was mere vanity and vexation of spirit, for the
+spring of his volition seemed to be broken, and, whatever resolve
+he might utter, he knew that everything depended on influences he
+could not even foresee.
+
+
+CHAPTER VII. MARIAN'S HOME
+
+Three weeks after her return from the country--which took place a
+week later than that of Jasper Milvain--Marian Yule was working
+one afternoon at her usual place in the Museum Reading-room. It
+was three o'clock, and with the interval of half an hour at
+midday, when she went away for a cup of tea and a sandwich, she
+had been closely occupied since half-past nine. Her task at
+present was to collect materials for a paper on 'French
+Authoresses of the Seventeenth Century,' the kind of thing which
+her father supplied on stipulated terms for anonymous
+publication. Marian was by this time almost able to complete such
+a piece of manufacture herself and her father's share in it was
+limited to a few hints and corrections. The greater part of the
+work by which Yule earned his moderate income was anonymous:
+volumes and articles which bore his signature dealt with much the
+same subjects as his unsigned matter, but the writing was
+laboured with a conscientiousness unusual in men of his position.
+The result, unhappily, was not correspondent with the efforts.
+Alfred Yule had made a recognisable name among the critical
+writers of the day; seeing him in the title-lists of a
+periodical, most people knew what to expect, but not a few
+forbore the cutting open of the pages he occupied. He was
+learned, copious, occasionally mordant in style; but grace had
+been denied to him. He had of late begun to perceive the fact
+that those passages of Marian's writing which were printed just
+as they came from her pen had merit of a kind quite distinct from
+anything of which he himself was capable, and it began to be a
+question with him whether it would not be advantageous to let the
+girl sign these compositions. A matter of business, to be sure--
+at all events in the first instance.
+
+For a long time Marian had scarcely looked up from the desk, but
+at this moment she found it necessary to refer to the invaluable
+Larousse. As so often happened, the particular volume of which
+she had need was not upon the shelf she turned away, and looked
+about her with a gaze of weary disappointment. At a little
+distance were standing two young men, engaged, as their faces
+showed, in facetious colloquy; as soon as she observed them,
+Marian's eyes fell, but the next moment she looked again in that
+direction. Her face had wholly changed; she wore a look of timid
+expectancy.
+
+The men were moving towards her, still talking and laughing. She
+turned to the shelves, and affected to search for a book. The
+voices drew near, and one of them was well known to her; now she
+could hear every word; now the speakers were gone by. Was it
+possible that Mr Milvain had not recognised her? She followed him
+with her eyes, and saw him take a seat not far off he must have
+passed without even being aware of her.
+
+She went back to her place and for some minutes sat trifling with
+a pen. When she made a show of resuming work, it was evident that
+she could no longer apply herself as before. Every now and then
+she glanced at people who were passing; there were intervals when
+she wholly lost herself in reverie. She was tired, and had even a
+slight headache. When the hand of the clock pointed to half-past
+three, she closed the volume from which she had been copying
+extracts, and began to collect her papers.
+
+A voice spoke close behind her.
+
+'Where's your father, Miss Yule?'
+
+The speaker was a man of sixty, short, stout, tonsured by the
+hand of time. He had a broad, flabby face, the colour of an
+ancient turnip, save where one of the cheeks was marked with a
+mulberry stain; his eyes, grey-orbed in a yellow setting, glared
+with good-humoured inquisitiveness, and his mouth was that of the
+confirmed gossip. For eyebrows he had two little patches of
+reddish stubble; for moustache, what looked like a bit of
+discoloured tow, and scraps of similar material hanging beneath
+his creasy chin represented a beard. His garb must have seen a
+great deal of Museum service; it consisted of a jacket, something
+between brown and blue, hanging in capacious shapelessness, a
+waistcoat half open for lack of buttons and with one of the
+pockets coming unsewn, a pair of bronze-hued trousers which had
+all run to knee. Necktie he had none, and his linen made distinct
+appeal to the laundress.
+
+Marian shook hands with him.
+
+'He went away at half-past two,' was her reply to his question.
+
+'How annoying! I wanted particularly to see him. I have been
+running about all day, and couldn't get here before. Something
+important--most important. At all events, I can tell you. But I
+entreat that you won't breathe a word save to your father.'
+
+Mr Quarmby--that was his name--had taken a vacant chair and drawn
+it close to Marian's. He was in a state of joyous excitement, and
+talked in thick, rather pompous tones, with a pant at the end of
+a sentence. To emphasise the extremely confidential nature of his
+remarks, he brought his head almost in contact with the girl's,
+and one of her thin, delicate hands was covered with his red,
+podgy fingers.
+
+'I've had a talk with Nathaniel Walker,' he continued; 'a long
+talk--a talk of vast importance. You know Walker? No, no; how
+should you? He's a man of business; close friend of Rackett's--
+Rackett, you know, the owner of The Study.'
+
+Upon this he made a grave pause, and glared more excitedly than
+ever.
+
+'I have heard of Mr Rackett,' said Marian.
+
+'Of course, of course. And you must also have heard that Fadge
+leaves The Study at the end of this year, eh?'
+
+'Father told me it was probable.'
+
+'Rackett and he have done nothing but quarrel for months; the
+paper is falling off seriously. Well, now, when I came across Nat
+Walker this afternoon, the first thing he said to me was, "You
+know Alfred Yule pretty well, I think?" "Pretty well," I
+answered; "why?" "I'll tell you," he said, "but it's between you
+and me, you understand. Rackett is thinking about him in
+connection with The Study." "I'm delighted to hear it." "To tell
+you the truth," went on Nat, "I shouldn't wonder if Yule gets the
+editorship; but you understand that it would be altogether
+premature to talk about it." Now what do you think of this, eh?'
+
+'It's very good news,' answered Marian.
+
+'I should think so! Ho, ho!'
+
+Mr Quarmby laughed in a peculiar way, which was the result of
+long years of mirth-subdual in the Reading-room.
+
+'But not a breath to anyone but your father. He'll be here to-
+morrow? Break it gently to him, you know; he's an excitable man;
+can't take things quietly, like I do. Ho, ho!'
+
+His suppressed laugh ended in a fit of coughing--the Reading-room
+cough. When he had recovered from it, he pressed Marian's hand
+with paternal fervour, and waddled off to chatter with someone
+else.
+
+Marian replaced several books on the reference-shelves, returned
+others to the central desk, and was just leaving the room, when
+again a voice made demand upon her attention.
+
+'Miss Yule! One moment, if you please!'
+
+It was a tall, meagre, dry-featured man, dressed with the painful
+neatness of self-respecting poverty: the edges of his coat-
+sleeves were carefully darned; his black necktie and a skull-cap
+which covered his baldness were evidently of home manufacture. He
+smiled softly and timidly with blue, rheumy eyes. Two or three
+recent cuts on his chin and neck were the result of conscientious
+shaving with an unsteady hand.
+
+'I have been looking for your father,' he said, as Marian turned.
+'Isn't he here?'
+
+'He has gone, Mr Hinks.'
+
+'Ah, then would you do me the kindness to take a book for him? In
+fact, it's my little "Essay on the Historical Drama," just out.'
+
+He spoke with nervous hesitation, and in a tone which seemed to
+make apology for his existence.
+
+'Oh, father will be very glad to have it.'
+
+'If you will kindly wait one minute, Miss Yule. It's at my place
+over there.'
+
+He went off with long strides, and speedily came back panting, in
+his hand a thin new volume.
+
+'My kind regards to him, Miss Yule. You are quite well, I hope? I
+won't detain you.'
+
+And he backed into a man who was coming inobservantly this way.
+
+Marian went to the ladies' cloak-room, put on her hat and jacket,
+and left the Museum. Some one passed out through the swing-door a
+moment before her, and as soon as she had issued beneath the
+portico, she saw that it was Jasper Milvain; she must have
+followed him through the hall, but her eyes had been cast down.
+The young man was now alone; as he descended the steps he looked
+to left and right, but not behind him. Marian followed at a
+distance of two or three yards. Nearing the gateway, she
+quickened her pace a little, so as to pass out into the street
+almost at the same moment as Milvain. But he did not turn his
+head.
+
+He took to the right. Marian had fallen back again, but she still
+followed at a very little distance. His walk was slow, and she
+might easily have passed him in quite a natural way; in that case
+he could not help seeing her. But there was an uneasy suspicion
+in her mind that he really must have noticed her in the
+Reading-room. This was the first time she had seen him since
+their parting at Finden. Had he any reason for avoiding her? Did
+he take it ill that her father had shown no desire to keep up his
+acquaintance?
+
+She allowed the interval between them to become greater. In a
+minute or two Milvain turned up Charlotte Street, and so she lost
+sight of him.
+
+In Tottenham Court Road she waited for an omnibus that would take
+her to the remoter part of Camden Town; obtaining a corner seat,
+she drew as far back as possible, and paid no attention to her
+fellow-passengers. At a point in Camden Road she at length
+alighted, and after ten minutes' walk reached her destination in
+a quiet by-way called St Paul's Crescent, consisting of small,
+decent houses. That at which she paused had an exterior promising
+comfort within; the windows were clean and neatly curtained, and
+the polishable appurtenances of the door gleamed to perfection.
+She admitted herself with a latch-key, and went straight upstairs
+without encountering anyone.
+
+Descending again in a few moments, she entered the front room on
+the ground-floor. This served both as parlour and dining-room; it
+was comfortably furnished, without much attempt at adornment. On
+the walls were a few autotypes and old engravings. A recess
+between fireplace and window was fitted with shelves, which
+supported hundreds of volumes, the overflow of Yule's library.
+The table was laid for a meal. It best suited the convenience of
+the family to dine at five o'clock; a long evening, so necessary
+to most literary people, was thus assured. Marian, as always when
+she had spent a day at the Museum, was faint with weariness and
+hunger; she cut a small piece of bread from a loaf on the table,
+and sat down in an easy chair.
+
+Presently appeared a short, slight woman of middle age, plainly
+dressed in serviceable grey. Her face could never have been very
+comely, and it expressed but moderate intelligence; its lines,
+however, were those of gentleness and good feeling. She had the
+look of one who is making a painful effort to understand
+something; this was fixed upon her features, and probably
+resulted from the peculiar conditions of her life.
+
+'Rather early, aren't you, Marian?' she said, as she closed the
+door and came forward to take a seat.
+
+'Yes; I have a little headache.'
+
+'Oh, dear! Is that beginning again?'
+
+Mrs Yule's speech was seldom ungrammatical, and her intonation
+was not flagrantly vulgar, but the accent of the London poor,
+which brands as with hereditary baseness, still clung to her
+words, rendering futile such propriety of phrase as she owed to
+years of association with educated people. In the same degree did
+her bearing fall short of that which distinguishes a lady. The
+London work-girl is rarely capable of raising herself or being
+raised, to a place in life above that to which she was born; she
+cannot learn how to stand and sit and move like a woman bred to
+refinement, any more than she can fashion her tongue to graceful
+speech. Mrs Yule's behaviour to Marian was marked with a singular
+diffidence; she looked and spoke affectionately, but not with a
+mother's freedom; one might have taken her for a trusted servant
+waiting upon her mistress. Whenever opportunity offered, she
+watched the girl in a curiously furtive way, that puzzled look on
+her face becoming very noticeable. Her consciousness was never
+able to accept as a familiar and unimportant fact the vast
+difference between herself and her daughter. Marian's superiority
+in native powers, in delicacy of feeling, in the results of
+education, could never be lost sight of. Under ordinary
+circumstances she addressed the girl as if tentatively; however
+sure of anything from her own point of view, she knew that
+Marian, as often as not, had quite a different criterion. She
+understood that the girl frequently expressed an opinion by mere
+reticence, and hence the carefulness with which, when conversing,
+she tried to discover the real effect of her words in Marian's
+features.
+
+'Hungry, too,' she said, seeing the crust Marian was nibbling.
+'You really must have more lunch, dear. It isn't right to go so
+long; you'll make yourself ill.'
+
+'Have you been out?' Marian asked.
+
+'Yes; I went to Holloway.'
+
+Mrs Yule sighed and looked very unhappy. By 'going to Holloway'
+was always meant a visit to her own relatives--a married sister
+with three children, and a brother who inhabited the same house.
+To her husband she scarcely ever ventured to speak of these
+persons; Yule had no intercourse with them. But Marian was always
+willing to listen sympathetically, and her mother often exhibited
+a touching gratitude for this condescension--as she deemed it.
+
+'Are things no better?' the girl inquired.
+
+'Worse, as far as I can see. John has begun his drinking again,
+and him and Tom quarrel every night; there's no peace in the
+'ouse.'
+
+If ever Mrs Yule lapsed into gross errors of pronunciation or
+phrase, it was when she spoke of her kinsfolk. The subject seemed
+to throw her back into a former condition.
+
+'He ought to go and live by himself' said Marian, referring to
+her mother's brother, the thirsty John.
+
+'So he ought, to be sure. I'm always telling them so. But there!
+you don't seem to be able to persuade them, they're that silly
+and obstinate. And Susan, she only gets angry with me, and tells
+me not to talk in a stuck-up way. I'm sure I never say a word
+that could offend her; I'm too careful for that. And there's
+Annie; no doing anything with her! She's about the streets at all
+hours, and what'll be the end of it no one can say. They're
+getting that ragged, all of them. It isn't Susan's fault; indeed
+it isn't. She does all that woman can. But Tom hasn't brought
+home ten shillings the last month, and it seems to me as if he
+was getting careless. I gave her half-a-crown; it was all I could
+do. And the worst of it is, they think I could do so much more if
+I liked. They're always hinting that we are rich people, and it's
+no good my trying to persuade them. They think I'm telling
+falsehoods, and it's very hard to be looked at in that way; it
+is, indeed, Marian.'
+
+'You can't help it, mother. I suppose their suffering makes them
+unkind and unjust.'
+
+'That's just what it does, my dear; you never said anything
+truer. Poverty will make the best people bad, if it gets hard
+enough. Why there's so much of it in the world, I'm sure I can't
+see.'
+
+'I suppose father will be back soon?'
+
+'He said dinner-time.'
+
+'Mr Quarmby has been telling me something which is wonderfully
+good news if it's really true; but I can't help feeling doubtful.
+
+He says that father may perhaps be made editor of The Study at
+the end of this year.'
+
+Mrs Yule, of course, understood, in outline, these affairs of the
+literary world; she thought of them only from the pecuniary point
+of view, but that made no essential distinction between her and
+the mass of literary people.
+
+'My word!' she exclaimed. 'What a thing that would be for us!'
+
+Marian had begun to explain her reluctance to base any hopes on
+Mr Quarmby's prediction, when the sound of a postman's knock at
+the house-door caused her mother to disappear for a moment.
+
+'It's for you,' said Mrs Yule, returning. 'From the country.'
+
+Marian took the letter and examined its address with interest.
+
+'It must be one of the Miss Milvains. Yes; Dora Milvain.'
+
+After Jasper's departure from Finden his sisters had seen Marian
+several times, and the mutual liking between her and them had
+been confirmed by opportunity of conversation. The promise of
+correspondence had hitherto waited for fulfilment. It seemed
+natural to Marian that the younger of the two girls should write;
+Maud was attractive and agreeable, and probably clever, but Dora
+had more spontaneity in friendship.
+
+'It will amuse you to hear,' wrote Dora, 'that the literary
+project our brother mentioned in a letter whilst you were still
+here is really to come to something. He has sent us a specimen
+chapter, written by himself of the "Child's History of
+Parliament," and Maud thinks she could carry it on in that style,
+if there's no hurry. She and I have both set to work on English
+histories, and we shall be authorities before long. Jolly and
+Monk offer thirty pounds for the little book, if it suits them
+when finished, with certain possible profits in the future. Trust
+Jasper for making a bargain! So perhaps our literary career will
+be something more than a joke, after all. I hope it may; anything
+rather than a life of teaching. We shall be so glad to hear from
+you, if you still care to trouble about country girls.'
+
+And so on. Marian read with a pleased smile, then acquainted her
+mother with the contents.
+
+'I am very glad,' said Mrs Yule; 'it's so seldom you get a
+letter.'
+
+'Yes.'
+
+Marian seemed desirous of saying something more, and her mother
+had a thoughtful look, suggestive of sympathetic curiosity.
+
+'Is their brother likely to call here?' Mrs Yule asked, with
+misgiving.
+
+'No one has invited him to,' was the girl's quiet reply.
+
+'He wouldn't come without that?'
+
+'It's not likely that he even knows the address.'
+
+'Your father won't be seeing him, I suppose?'
+
+'By chance, perhaps. I don't know.'
+
+It was very rare indeed for these two to touch upon any subject
+save those of everyday interest. In spite of the affection
+between them, their exchange of confidence did not go very far;
+Mrs Yule, who had never exercised maternal authority since
+Marian's earliest childhood, claimed no maternal privileges, and
+Marian's natural reserve had been strengthened by her mother's
+respectful aloofness. The English fault of domestic reticence
+could scarcely go further than it did in their case; its
+exaggeration is, of course, one of the characteristics of those
+unhappy families severed by differences of education between the
+old and young.
+
+'I think,' said Marian, in a forced tone, 'that father hasn't
+much liking for Mr Milvain.'
+
+She wished to know if her mother had heard any private remarks on
+this subject, but she could not bring herself to ask directly.
+
+'I'm sure I don't know,' replied Mrs Yule, smoothing her dress.
+'He hasn't said anything to me, Marian.'
+
+An awkward silence. The mother had fixed her eyes on the
+mantelpiece, and was thinking hard.
+
+'Otherwise,' said Marian, 'he would have said something, I should
+think, about meeting in London.'
+
+'But is there anything in--this gentleman that he wouldn't like?'
+
+'I don't know of anything.'
+
+Impossible to pursue the dialogue; Marian moved uneasily, then
+rose, said something about putting the letter away, and left the
+room.
+
+Shortly after, Alfred Yule entered the house. It was no uncommon
+thing for him to come home in a mood of silent moroseness, and
+this evening the first glimpse of his face was sufficient
+warning. He entered the dining-room and stood on the hearthrug
+reading an evening paper. His wife made a pretence of
+straightening things upon the table.
+
+'Well?' he exclaimed irritably. 'It's after five; why isn't
+dinner served?'
+
+'It's just coming, Alfred.'
+
+Even the average man of a certain age is an alarming creature
+when dinner delays itself; the literary man in such a moment goes
+beyond all parallel. If there be added the fact that he has just
+returned from a very unsatisfactory interview with a publisher,
+wife and daughter may indeed regard the situation as appalling.
+Marian came in, and at once observed her mother's frightened
+face.
+
+'Father,' she said, hoping to make a diversion, 'Mr Hinks has
+sent you his new book, and wishes--'
+
+'Then take Mr Hinks's new book back to him, and tell him that I
+have quite enough to do without reading tedious trash. He needn't
+expect that I'm going to write a notice of it. The simpleton
+pesters me beyond endurance. I wish to know, if you please,' he
+added with savage calm, 'when dinner will be ready. If there's
+time to write a few letters, just tell me at once, that I mayn't
+waste half an hour.'
+
+Marian resented this unreasonable anger, but she durst not reply.
+
+At that moment the servant appeared with a smoking joint, and Mrs
+Yule followed carrying dishes of vegetables. The man of letters
+seated himself and carved angrily. He began his meal by drinking
+half a glass of ale; then he ate a few mouthfuls in a quick,
+hungry way, his head bent closely over the plate. It happened
+commonly enough that dinner passed without a word of
+conversation, and that seemed likely to be the case this evening.
+
+To his wife Yule seldom addressed anything but a curt inquiry or
+caustic comment; if he spoke humanly at table it was to Marian.
+
+Ten minutes passed; then Marian resolved to try any means of
+clearing the atmosphere.
+
+'Mr Quarmby gave me a message for you,' she said. 'A friend of
+his, Nathaniel Walker, has told him that Mr Rackett will very
+likely offer you the editorship of The Study.'
+
+Yule stopped in the act of mastication. He fixed his eyes
+intently on the sirloin for half a minute; then, by way of the
+beer-jug and the salt-cellar, turned them upon Marian's face.
+
+'Walker told him that? Pooh!'
+
+'It was a great secret. I wasn't to breathe a word to any one but
+you.'
+
+'Walker's a fool and Quarmby's an ass,' remarked her father.
+
+But there was a tremulousness in his bushy eyebrows; his forehead
+half unwreathed itself; he continued to eat more slowly, and as
+if with appreciation of the viands.
+
+'What did he say? Repeat it to me in his words.'
+
+Marian did so, as nearly as possible. He listened with a scoffing
+expression, but still his features relaxed.
+
+'I don't credit Rackett with enough good sense for such a
+proposal,' he said deliberately. 'And I'm not very sure that I
+should accept it if it were made. That fellow Fadge has all but
+ruined the paper. It will amuse me to see how long it takes him
+to make Culpepper's new magazine a distinct failure.'
+
+A silence of five minutes ensued; then Yule said of a sudden.
+
+'Where is Hinks's book?'
+
+Marian reached it from a side table; under this roof, literature
+was regarded almost as a necessary part of table garnishing.
+
+'I thought it would be bigger than this,' Yule muttered, as he
+opened the volume in a way peculiar to bookish men.
+
+A page was turned down, as if to draw attention to some passage.
+Yule put on his eyeglasses, and soon made a discovery which had
+the effect of completing the transformation of his visage. His
+eyes glinted, his chin worked in pleasurable emotion. In a moment
+he handed the book to Marian, indicating the small type of a
+foot-note; it embodied an effusive eulogy--introduced a propos of
+some literary discussion--of 'Mr Alfred Yule's critical acumen,
+scholarly research, lucid style,' and sundry other distinguished
+merits.
+
+'That is kind of him,' said Marian.
+
+'Good old Hinks! I suppose I must try to get him half-a-dozen
+readers.'
+
+'May I see?' asked Mrs Yule, under her breath, bending to Marian.
+
+Her daughter passed on the volume, and Mrs Yule read the footnote
+with that look of slow apprehension which is so pathetic when it
+signifies the heart's good-will thwarted by the mind's defect.
+
+'That'll be good for you, Alfred, won't it?' she said, glancing
+at her husband.
+
+'Certainly,' he replied, with a smile of contemptuous irony. 'If
+Hinks goes on, he'll establish my reputation.'
+
+And he took a draught of ale, like one who is reinvigorated for
+the battle of life. Marian, regarding him askance, mused on what
+seemed to her a strange anomaly in his character; it had often
+surprised her that a man of his temperament and powers should be
+so dependent upon the praise and blame of people whom he justly
+deemed his inferiors.
+
+Yule was glancing over the pages of the work.
+
+'A pity the man can't write English.' What a vocabulary!
+Obstruent--reliable--particularization--fabulosity--different
+to--averse to--did one ever come across such a mixture of antique
+pedantry and modern vulgarism! Surely he has his name from the
+German hinken--eh, Marian?'
+
+With a laugh he tossed the book away again. His mood was wholly
+changed. He gave various evidences of enjoying the meal, and
+began to talk freely with his daughter.
+
+'Finished the authoresses?'
+
+'Not quite.'
+
+'No hurry. When you have time I want you to read Ditchley's new
+book, and jot down a selection of his worst sentences. I'll use
+them for an article on contemporary style; it occurred to me this
+afternoon.'
+
+He smiled grimly. Mrs Yule's face exhibited much contentment,
+which became radiant joy when her husband remarked casually that
+the custard was very well made to-day. Dinner over, he rose
+without ceremony and went off to his study.
+
+The man had suffered much and toiled stupendously. It was not
+inexplicable that dyspepsia, and many another ill that literary
+flesh is heir to, racked him sore.
+
+Go back to the days when he was an assistant at a bookseller's in
+Holborn. Already ambition devoured him, and the genuine love of
+knowledge goaded his brain. He allowed himself but three or four
+hours of sleep; he wrought doggedly at languages, ancient and
+modern; he tried his hand at metrical translations; he planned
+tragedies. Practically he was living in a past age; his literary
+ideals were formed on the study of Boswell.
+
+The head assistant in the shop went away to pursue a business
+which had come into his hands on the death of a relative; it was
+a small publishing concern, housed in an alley off the Strand,
+and Mr Polo (a singular name, to become well known in the course
+of time) had his ideas about its possible extension. Among other
+instances of activity he started a penny weekly paper, called All
+Sorts, and in the pages of this periodical Alfred Yule first
+appeared as an author. Before long he became sub-editor of All
+Sorts, then actual director of the paper. He said good-bye to the
+bookseller, and his literary career fairly began.
+
+Mr Polo used to say that he never knew a man who could work so
+many consecutive hours as Alfred Yule. A faithful account of all
+that the young man learnt and wrote from 1855 to 1860--that is,
+from his twenty-fifth to his thirtieth year--would have the look
+of burlesque exaggeration. He had set it before him to become a
+celebrated man, and he was not unaware that the attainment of
+that end would cost him quite exceptional labour, seeing that
+nature had not favoured him with brilliant parts. No matter; his
+name should be spoken among men unless he killed himself in the
+struggle for success.
+
+In the meantime he married. Living in a garret, and supplying
+himself with the materials of his scanty meals, he was in the
+habit of making purchases at a little chandler's shop, where he
+was waited upon by a young girl of no beauty, but, as it seemed
+to him, of amiable disposition. One holiday he met this girl as
+she was walking with a younger sister in the streets; he made her
+nearer acquaintance, and before long she consented to be his wife
+and share his garret. His brothers, John and Edmund, cried out
+that he had made an unpardonable fool of himself in marrying so
+much beneath him; that he might well have waited until his income
+improved. This was all very well, but they might just as
+reasonably have bidden him reject plain food because a few years
+hence he would be able to purchase luxuries; he could not do
+without nourishment of some sort, and the time had come when he
+could not do without a wife. Many a man with brains but no money
+has been compelled to the same step. Educated girls have a
+pronounced distaste for London garrets; not one in fifty thousand
+would share poverty with the brightest genius ever born. Seeing
+that marriage is so often indispensable to that very success
+which would enable a man of parts to mate equally, there is
+nothing for it but to look below one's own level, and be grateful
+to the untaught woman who has pity on one's loneliness.
+
+Unfortunately, Alfred Yule was not so grateful as he might have
+been. His marriage proved far from unsuccessful; he might have
+found himself united to a vulgar shrew, whereas the girl had the
+great virtues of humility and kindliness. She endeavoured to
+learn of him, but her dulness and his impatience made this
+attempt a failure; her human qualities had to suffice. And they
+did, until Yule began to lift his head above the literary mob.
+Previously, he often lost his temper with her, but never
+expressed or felt repentance of his marriage; now he began to see
+only the disadvantages of his position, and, forgetting the facts
+of the case, to imagine that he might well have waited for a wife
+who could share his intellectual existence. Mrs Yule had to pass
+through a few years of much bitterness. Already a martyr to
+dyspepsia, and often suffering from bilious headaches of extreme
+violence, her husband now and then lost all control of his
+temper, all sense of kind feeling, even of decency, and
+reproached the poor woman with her ignorance, her stupidity, her
+low origin. Naturally enough she defended herself with such
+weapons as a sense of cruel injustice supplied. More than once
+the two all but parted. It did not come to an actual rupture,
+chiefly because Yule could not do without his wife; her tendance
+had become indispensable. And then there was the child to
+consider.
+
+From the first it was Yule's dread lest Marian should be infected
+with her mother's faults of speech and behaviour. He would
+scarcely permit his wife to talk to the child. At the earliest
+possible moment Marian was sent to a day-school, and in her tenth
+year she went as weekly boarder to an establishment at Fulham;
+any sacrifice of money to insure her growing up with the tongue
+and manners of a lady. It can scarcely have been a light trial to
+the mother to know that contact with her was regarded as her
+child's greatest danger; but in her humility and her love for
+Marian she offered no resistance. And so it came to pass that one
+day the little girl, hearing her mother make some flagrant
+grammatical error, turned to the other parent and asked gravely:
+'Why doesn't mother speak as properly as we do?' Well, that is
+one of the results of such marriages, one of the myriad miseries
+that result from poverty.
+
+The end was gained at all hazards. Marian grew up everything that
+her father desired. Not only had she the bearing of refinement,
+but it early became obvious that nature had well endowed her
+with brains. From the nursery her talk was of books, and at the
+age of twelve she was already able to give her father some
+assistance as an amanuensis.
+
+At that time Edmund Yule was still living; he had overcome his
+prejudices, and there was intercourse between his household and
+that of the literary man. Intimacy it could not be called, for
+Mrs Edmund (who was the daughter of a law-stationer) had much
+difficulty in behaving to Mrs Alfred with show of suavity. Still,
+the cousins Amy and Marian from time to time saw each other, and
+were not unsuitable companions. It was the death of Amy's father
+that brought these relations to an end; left to the control of
+her own affairs Mrs Edmund was not long in giving offence to Mrs
+Alfred, and so to Alfred himself. The man of letters might be
+inconsiderate enough in his behaviour to his wife, but as soon as
+anyone else treated her with disrespect that was quite another
+matter. Purely on this account he quarrelled violently with his
+brother's widow, and from that day the two families kept apart.
+
+The chapter of quarrels was one of no small importance in
+Alfred's life; his difficult temper, and an ever-increasing sense
+of neglected merit, frequently put him at war with publishers,
+editors, fellow-authors, and he had an unhappy trick of exciting
+the hostility of men who were most likely to be useful to him.
+With Mr Polo, for instance, who held him in esteem, and whose
+commercial success made him a valuable connection, Alfred
+ultimately broke on a trifling matter of personal dignity. Later
+came the great quarrel with Clement Fadge, an affair of
+considerable advantage in the way of advertisement to both the
+men concerned. It happened in the year 1873. At that time Yule
+was editor of a weekly paper called The Balance, a literary organ
+which aimed high, and failed to hit the circulation essential to
+its existence. Fadge, a younger man, did reviewing for The
+Balance; he was in needy circumstances, and had wrought himself
+into Yule's good opinion by judicious flattery. But with a clear
+eye for the main chance Mr Fadge soon perceived that Yule could
+only be of temporary use to him, and that the editor of a well-
+established weekly which lost no opportunity of throwing scorn
+upon Yule and all his works would be a much more profitable
+conquest. He succeeded in transferring his services to the more
+flourishing paper, and struck out a special line of work by the
+free exercise of a malicious flippancy which was then without
+rival in the periodical press. When he had thoroughly got his
+hand in, it fell to Mr Fadge, in the mere way of business, to
+review a volume of his old editor's, a rather pretentious and
+longwinded but far from worthless essay 'On Imagination as a
+National Characteristic.' The notice was a masterpiece; its
+exquisite virulence set the literary circles chuckling.
+Concerning the authorship there was no mystery, and Alfred Yule
+had the indiscretion to make a violent reply, a savage assault
+upon Fadge, in the columns of The Balance. Fadge desired nothing
+better; the uproar which arose--chaff, fury, grave comments,
+sneering spite--could only result in drawing universal attention
+to his anonymous cleverness, and throwing ridicule upon the
+heavy, conscientious man. Well, you probably remember all about
+it. It ended in the disappearance of Yule's struggling paper, and
+the establishment on a firm basis of Fadge's reputation.
+
+It would be difficult to mention any department of literary
+endeavour in which Yule did not, at one time or another, try his
+fortune. Turn to his name in the Museum Catalogue; the list of
+works appended to it will amuse you. In his thirtieth year he
+published a novel; it failed completely, and the same result
+awaited a similar experiment five years later. He wrote a drama
+of modern life, and for some years strove to get it acted, but in
+vain; finally it appeared 'for the closet'--giving Clement Fadge
+such an opportunity as he seldom enjoyed. The one noteworthy
+thing about these productions, and about others of equally
+mistaken direction, was the sincerity of their workmanship. Had
+Yule been content to manufacture a novel or a play with due
+disregard for literary honour, he might perchance have made a
+mercantile success; but the poor fellow had not pliancy enough
+for this. He took his efforts au grand serieux; thought he was
+producing works of art; pursued his ambition in a spirit of
+fierce conscientiousness. In spite of all, he remained only a
+journeyman. The kind of work he did best was poorly paid, and
+could bring no fame. At the age of fifty he was still living in a
+poor house in an obscure quarter. He earned enough for his actual
+needs, and was under no pressing fear for the morrow, so long as
+his faculties remained unimpaired; but there was no disguising
+from himself that his life had been a failure. And the thought
+tormented him.
+
+Now there had come unexpectedly a gleam of hope. If indeed, the
+man Rackett thought of offering him the editorship of The Study
+he might even yet taste the triumphs for which he had so
+vehemently longed. The Study was a weekly paper of fair repute.
+Fadge had harmed it, no doubt of that, by giving it a tone which
+did not suit the majority of its readers--serious people, who
+thought that the criticism of contemporary writing offered an
+opportunity for something better than a display of malevolent
+wit. But a return to the old earnestness would doubtless set all
+right again. And the joy of sitting in that dictatorial chair!
+The delight of having his own organ once more, of making himself
+a power in the world of letters, of emphasising to a large
+audience his developed methods of criticism!
+
+An embittered man is a man beset by evil temptations. The Study
+contained each week certain columns of flying gossip, and when he
+thought of this, Yule also thought of Clement Fadge, and sundry
+other of his worst enemies. How the gossip column can be used for
+hostile purposes, yet without the least overt offence, he had
+learnt only too well. Sometimes the mere omission of a man's name
+from a list of authors can mortify and injure. In our day the
+manipulation of such paragraphs has become a fine art; but you
+recall numerous illustrations. Alfred knew well enough how
+incessantly the tempter would be at his ear; he said to himself
+that in certain instances yielding would be no dishonour. He
+himself had many a time been mercilessly treated; in the very
+interest of the public it was good that certain men should suffer
+a snubbing, and his fingers itched to have hold of the editorial
+pen. Ha, ha! Like the war-horse he snuffed the battle afar off.
+
+No work this evening, though there were tasks which pressed for
+completion. His study--the only room on the ground level except
+the dining-room--was small, and even a good deal of the floor was
+encumbered with books, but he found space for walking nervously
+hither and thither. He was doing this when, about half-past nine,
+his wife appeared at the door, bringing him a cup of coffee and
+some biscuits, his wonted supper. Marian generally waited upon
+him at this time, and he asked why she had not come.
+
+'She has one of her headaches again, I'm sorry to say,' Mrs Yule
+replied. 'I persuaded her to go to bed early.'
+
+Having placed the tray upon the table--books had to be pushed
+aside--she did not seem disposed to withdraw.
+
+'Are you busy, Alfred?'
+
+'Why?'
+
+'I thought I should like just to speak of something.'
+
+She was using the opportunity of his good humour. Yule spoke to
+her with the usual carelessness, but not forbiddingly.
+
+'What is it? Those Holloway people, I'll warrant.'
+
+'No, no! It's about Marian. She had a letter from one of those
+young ladies this afternoon.'
+
+'What young ladies?' asked Yule, with impatience of this
+circuitous approach.
+
+'The Miss Milvains.'
+
+'Well, there's no harm that I know of. They're decent people.'
+
+'Yes; so you told me. But she began to speak about their brother,
+and--'
+
+'What about him? Do say what you want to say, and have done with
+it!'
+
+'I can't help thinking, Alfred, that she's disappointed you
+didn't ask him to come here.'
+
+Yule stared at her in slight surprise. He was still not angry,
+and seemed quite willing to consider this matter suggested to him
+so timorously.
+
+'Oh, you think so? Well, I don't know. Why should I have asked
+him? It was only because Miss Harrow seemed to wish it that I saw
+him down there. I have no particular interest in him. And as for-
+-'
+
+He broke off and seated himself. Mrs Yule stood at a distance.
+
+'We must remember her age,' she said.
+
+'Why yes, of course.'
+
+He mused, and began to nibble a biscuit.
+
+'And you know, Alfred, she never does meet any young men. I've
+often thought it wasn't right to her.'
+
+'H'm! But this lad Milvain is a very doubtful sort of customer.
+To begin with, he has nothing, and they tell me his mother for
+the most part supports him. I don't quite approve of that. She
+isn't well off, and he ought to have been making a living by now.
+
+He has a kind of cleverness, may do something; but there's no
+being sure of that.'
+
+These thoughts were not coming into his mind for the first time.
+On the occasion when he met Milvain and Marian together in the
+country road he had necessarily reflected upon the possibilities
+of such intercourse, and with the issue that he did not care to
+give any particular encouragement to its continuance. He of
+course heard of Milvain's leave-taking call, and he purposely
+refrained from seeing the young man after that. The matter took
+no very clear shape in his meditations; he saw no likelihood that
+either of the young people would think much of the other after
+their parting, and time enough to trouble one's head with such
+subjects when they could no longer be postponed. It would not
+have been pleasant to him to foresee a life of spinsterhood for
+his daughter; but she was young, and--she was a valuable
+assistant.
+
+How far did that latter consideration weigh with him? He put the
+question pretty distinctly to himself now that his wife had
+broached the matter thus unexpectedly. Was he prepared to behave
+with deliberate selfishness? Never yet had any conflict been
+manifested between his interests and Marian's; practically he was
+in the habit of counting upon her aid for an indefinite period.
+
+If indeed he became editor of The Study, why, in that case her
+assistance would be less needful. And indeed it seemed probable
+that young Milvain had a future before him.
+
+'But, in any case,' he said aloud, partly continuing his
+thoughts, partly replying to a look of disappointment on his
+wife's face, 'how do you know that he has any wish to come and
+see Marian?'
+
+'I don't know anything about it, of course.'
+
+'And you may have made a mistake about her. What made you think
+she--had him in mind?'
+
+'Well, it was her way of speaking, you know. And then, she asked
+if you had got a dislike to him.'
+
+'She did? H'm! Well, I don't think Milvain is any good to Marian.
+He's just the kind of man to make himself agreeable to a girl for
+the fun of the thing.'
+
+Mrs Yule looked alarmed.
+
+'Oh, if you really think that, don't let him come. I wouldn't for
+anything.'
+
+'I don't say it for certain.' He took a sip of his coffee. 'I
+have had no opportunity of observing him with much attention. But
+he's not the kind of man I care for.'
+
+'Then no doubt it's better as it is.'
+
+'Yes. I don't see that anything could be done now. We shall see
+whether he gets on. I advise you not to mention him to her.'
+
+'Oh no, I won't.'
+
+She moved as if to go away, but her heart had been made uneasy by
+that short conversation which followed on Marian's reading the
+letter, and there were still things she wished to put into words.
+
+'If those young ladies go on writing to her, I dare say they'll
+often speak about their brother.'
+
+'Yes, it's rather unfortunate.'
+
+'And you know, Alfred, he may have asked them to do it.'
+
+'I suppose there's one subject on which all women can be subtle,'
+muttered Yule, smiling. The remark was not a kind one, but he did
+not make it worse by his tone.
+
+The listener failed to understand him, and looked with her
+familiar expression of mental effort.
+
+'We can't help that,' he added, with reference to her suggestion.
+'If he has any serious thoughts, well, let him go on and wait for
+opportunities.'
+
+'It's a great pity, isn't it, that she can't see more people--of
+the right kind?'
+
+'No use talking about it. Things are as they are. I can't see
+that her life is unhappy.'
+
+'It isn't very happy.'
+
+'You think not?'
+
+'I'm sure it isn't.'
+
+'If I get The Study things may be different. Though-- But it's no
+use talking about what can't be helped. Now don't you go
+encouraging her to think herself lonely, and so on. It's best for
+her to keep close to work, I'm sure of that.'
+
+'Perhaps it is.'
+
+'I'll think it over.'
+
+Mrs Yule silently left the room, and went back to her sewing.
+
+She had understood that 'Though--' and the 'what can't be
+helped.' Such allusions reminded her of a time unhappier than the
+present, when she had been wont to hear plainer language. She
+knew too well that, had she been a woman of education, her
+daughter would not now be suffering from loneliness.
+
+It was her own choice that she did not go with her husband and
+Marian to John Yule's. She made an excuse that the house could
+not be left to one servant; but in any case she would have
+remained at home, for her presence must needs be an embarrassment
+both to father and daughter. Alfred was always ashamed of her
+before strangers; he could not conceal his feeling, either from
+her or from other people who had reason for observing him. Marian
+was not perhaps ashamed, but such companionship put restraint
+upon her freedom. And would it not always be the same? Supposing
+Mr Milvain were to come to this house, would it not repel him
+when he found what sort of person Marian's mother was?
+
+She shed a few tears over her needlework.
+
+At midnight the study door opened. Yule came to the dining-room
+to see that all was right, and it surprised him to find his wife
+still sitting there.
+
+'Why are you so late?'
+
+'I've forgot the time.'
+
+'Forgotten, forgotten. Don't go back to that kind of language
+again. Come, put the light out.'
+
+
+
+PART TWO
+
+CHAPTER VIII. TO THE WINNING SIDE
+
+Of the acquaintances Yule had retained from his earlier years
+several were in the well-defined category of men with
+unpresentable wives. There was Hinks, for instance, whom, though
+in anger he spoke of him as a bore, Alfred held in some genuine
+regard. Hinks made perhaps a hundred a year out of a kind of
+writing which only certain publishers can get rid of and of this
+income he spent about a third on books. His wife was the daughter
+of a laundress, in whose house he had lodged thirty years ago,
+when new to London but already long-acquainted with hunger; they
+lived in complete harmony, but Mrs Hinks, who was four years the
+elder, still spoke the laundress tongue, unmitigated and
+immitigable. Another pair were Mr and Mrs Gorbutt. In this case
+there were no narrow circumstances to contend with, for the wife,
+originally a nursemaid, not long after her marriage inherited
+house property from a relative. Mr Gorbutt deemed himself a poet;
+since his accession to an income he had published, at his own
+expense, a yearly volume of verses; the only result being to keep
+alive rancour in his wife, who was both parsimonious and vain.
+Making no secret of it, Mrs Gorbutt rued the day on which she had
+wedded a man of letters, when by waiting so short a time she
+would have been enabled to aim at a prosperous tradesman, who
+kept his gig and had everything handsome about him. Mrs Yule
+suspected, not without reason, that this lady had an inclination
+to strong liquors. Thirdly came Mr and Mrs Christopherson, who
+were poor as church mice. Even in a friend's house they wrangled
+incessantly, and made tragi-comical revelations of their home
+life. The husband worked casually at irresponsible journalism,
+but his chosen study was metaphysics; for many years he had had a
+huge and profound book on hand, which he believed would bring him
+fame, though he was not so unsettled in mind as to hope for
+anything else. When an article or two had earned enough money for
+immediate necessities he went off to the British Museum, and then
+the difficulty was to recall him to profitable exertions. Yet
+husband and wife had an affection for each other. Mrs
+Christopherson came from Camberwell, where her father, once upon
+a time, was the smallest of small butchers. Disagreeable stories
+were whispered concerning her earlier life, and probably the
+metaphysician did not care to look back in that direction. They
+had had three children; all were happily buried.
+
+These men were capable of better things than they had done or
+would ever do; in each case their failure to fulfil youthful
+promise was largely explained by the unpresentable wife. They
+should have waited; they might have married a social equal at
+something between fifty and sixty.
+
+Another old friend was Mr Quarmby. Unwedded he, and perpetually
+exultant over men who, as he phrased it, had noosed themselves.
+He made a fair living, but, like Dr Johnson, had no passion for
+clean linen.
+
+Yule was not disdainful of these old companions, and the fact
+that all had a habit of looking up to him increased his pleasure
+in their occasional society. If, as happened once or twice in
+half a year, several of them were gathered together at his house,
+he tasted a sham kind of social and intellectual authority which
+he could not help relishing. On such occasions he threw off his
+habitual gloom and talked vigorously, making natural display of
+his learning and critical ability. The topic, sooner or later,
+was that which is inevitable in such a circle--the demerits, the
+pretentiousness, the personal weaknesses of prominent
+contemporaries in the world of letters. Then did the room ring
+with scornful laughter, with boisterous satire, with shouted
+irony, with fierce invective. After an evening of that kind Yule
+was unwell and miserable for several days.
+
+It was not to be expected that Mr Quarmby, inveterate chatterbox
+of the Reading-room and other resorts, should keep silence
+concerning what he had heard of Mr Rackett's intentions. The
+rumour soon spread that Alfred Yule was to succeed Fadge in the
+direction of The Study, with the necessary consequence that Yule
+found himself an object of affectionate interest to a great many
+people of whom he knew little or nothing. At the same time the
+genuine old friends pressed warmly about him, with
+congratulations, with hints of their sincere readiness to assist
+in filling the columns of the paper. All this was not
+disagreeable, but in the meantime Yule had heard nothing whatever
+from Mr Rackett himself and his doubts did not diminish as week
+after week went by.
+
+The event justified him. At the end of October appeared an
+authoritative announcement that Fadge's successor would be--not
+Alfred Yule, but a gentleman who till of late had been quietly
+working as a sub-editor in the provinces, and who had neither
+friendships nor enmities among the people of the London literary
+press. A young man, comparatively fresh from the university, and
+said to be strong in pure scholarship. The choice, as you are
+aware, proved a good one, and The Study became an organ of more
+repute than ever.
+
+Yule had been secretly conscious that it was not to men such as
+he that positions of this kind are nowadays entrusted. He tried
+to persuade himself that he was not disappointed. But when Mr
+Quarmby approached him with blank face, he spoke certain wrathful
+words which long rankled in that worthy's mind. At home he kept
+sullen silence.
+
+No, not to such men as he--poor, and without social
+recommendations. Besides, he was growing too old. In literature,
+as in most other pursuits, the press of energetic young men was
+making it very hard for a veteran even to hold the little
+grazing-plot he had won by hard fighting. Still, Quarmby's story
+had not been without foundation; it was true that the proprietor
+of The Study had for a moment thought of Alfred Yule, doubtless
+as the natural contrast to Clement Fadge, whom he would have
+liked to mortify if the thing were possible. But counsellors had
+proved to Mr Rackett the disadvantages of such a choice.
+
+Mrs Yule and her daughter foresaw but too well the results of
+this disappointment, notwithstanding that Alfred announced it to
+them with dry indifference. The month that followed was a time of
+misery for all in the house. Day after day Yule sat at his meals
+in sullen muteness; to his wife he scarcely spoke at all, and his
+conversation with Marian did not go beyond necessary questions
+and remarks on topics of business. His face became so strange a
+colour that one would have thought him suffering from an attack
+of jaundice; bilious headaches exasperated his savage mood. Mrs
+Yule knew from long experience how worse than useless it was for
+her to attempt consolation; in silence was her only safety. Nor
+did Marian venture to speak directly of what had happened. But
+one evening, when she had been engaged in the study and was now
+saying 'Good-night,' she laid her cheek against her father's, an
+unwonted caress which had a strange effect upon him. The
+expression of sympathy caused his thoughts to reveal themselves
+as they never yet had done before his daughter.
+
+'It might have been very different with me,' he exclaimed
+abruptly, as if they had already been conversing on the subject.
+'When you think of my failures--and you must often do so now you
+are grown up and understand things--don't forget the obstacles
+that have been in my way. I don't like you to look upon your
+father as a thickhead who couldn't be expected to succeed. Look
+at Fadge. He married a woman of good social position; she brought
+him friends and influence. But for that he would never have been
+editor of The Study, a place for which he wasn't in the least
+fit. But he was able to give dinners; he and his wife went into
+society; everybody knew him and talked of him. How has it been
+with me? I live here like an animal in its hole, and go blinking
+about if by chance I find myself among the people with whom I
+ought naturally to associate. If I had been able to come in
+direct contact with Rackett and other men of that kind, to dine
+with them, and have them to dine with me, to belong to a club,
+and so on, I shouldn't be what I am at my age. My one
+opportunity--when I edited The Balance--wasn't worth much; there
+was no money behind the paper; we couldn't hold out long enough.
+But even then, if I could have assumed my proper social standing,
+if I could have opened my house freely to the right kind of
+people-- How was it possible?'
+
+Marian could not raise her head. She recognised the portion of
+truth in what he said, but it shocked her that he should allow
+himself to speak thus. Her silence seemed to remind him how
+painful it must be to her to hear these accusations of her
+mother, and with a sudden 'Good-night' he dismissed her.
+
+She went up to her room, and wept over the wretchedness of all
+their lives. Her loneliness had seemed harder to bear than ever
+since that last holiday. For a moment, in the lanes about Finden,
+there had come to her a vision of joy such as fate owed her
+youth; but it had faded, and she could no longer hope for its
+return. She was not a woman, but a mere machine for reading and
+writing. Did her father never think of this? He was not the only
+one to suffer from the circumstances in which poverty had
+involved him.
+
+She had no friends to whom she could utter her thoughts. Dora
+Milvain had written a second time, and more recently had come a
+letter from Maud; but in replying to them she could not give a
+true account of herself. Impossible, to them. From what she wrote
+they would imagine her contentedly busy, absorbed in the affairs
+of literature. To no one could she make known the aching sadness
+of her heart, the dreariness of life as it lay before her.
+
+That beginning of half-confidence between her and her mother had
+led to nothing. Mrs Yule found no second opportunity of speaking
+to her husband about Jasper Milvain, and purposely she refrained
+from any further hint or question to Marian. Everything must go
+on as hitherto.
+
+The days darkened. Through November rains and fogs Marian went
+her usual way to the Museum, and toiled there among the other
+toilers. Perhaps once a week she allowed herself to stray about
+the alleys of the Reading-room, scanning furtively those who sat
+at the desks, but the face she might perchance have discovered
+was not there.
+
+One day at the end of the month she sat with books open before
+her, but by no effort could fix her attention upon them. It was
+gloomy, and one could scarcely see to read; a taste of fog grew
+perceptible in the warm, headachy air. Such profound
+discouragement possessed her that she could not even maintain the
+pretence of study; heedless whether anyone observed her, she let
+her hands fall and her head droop. She kept asking herself what
+was the use and purpose of such a life as she was condemned to
+lead. When already there was more good literature in the world
+than any mortal could cope with in his lifetime, here was she
+exhausting herself in the manufacture of printed stuff which no
+one even pretended to be more than a commodity for the day's
+market. What unspeakable folly! To write--was not that the joy
+and the privilege of one who had an urgent message for the world?
+
+Her father, she knew well, had no such message; he had abandoned
+all thought of original production, and only wrote about writing.
+
+She herself would throw away her pen with joy but for the need of
+earning money. And all these people about her, what aim had they
+save to make new books out of those already existing, that yet
+newer books might in turn be made out of theirs? This huge
+library, growing into unwieldiness, threatening to become a
+trackless desert of print--how intolerably it weighed upon the
+spirit!
+
+Oh, to go forth and labour with one's hands, to do any poorest,
+commonest work of which the world had truly need! It was ignoble
+to sit here and support the paltry pretence of intellectual
+dignity. A few days ago her startled eye had caught an
+advertisement in the newspaper, headed 'Literary Machine'; had it
+then been invented at last, some automaton to supply the place of
+such poor creatures as herself to turn out books and articles?
+Alas! the machine was only one for holding volumes conveniently,
+that the work of literary manufacture might be physically
+lightened. But surely before long some Edison would make the true
+automaton; the problem must be comparatively such a simple one.
+Only to throw in a given number of old books, and have them
+reduced, blended, modernised into a single one for to-day's
+consumption.
+
+The fog grew thicker; she looked up at the windows beneath the
+dome and saw that they were a dusky yellow. Then her eye
+discerned an official walking along the upper gallery, and in
+pursuance of her grotesque humour, her mocking misery, she
+likened him to a black, lost soul, doomed to wander in an
+eternity of vain research along endless shelves. Or again, the
+readers who sat here at these radiating lines of desks, what were
+they but hapless flies caught in a huge web, its nucleus the
+great circle of the Catalogue? Darker, darker. From the towering
+wall of volumes seemed to emanate visible motes, intensifying the
+obscurity; in a moment the book-lined circumference of the room
+would be but a featureless prison-limit.
+
+But then flashed forth the sputtering whiteness of the electric
+light, and its ceaseless hum was henceforth a new source of
+headache. It reminded her how little work she had done to-day;
+she must, she must force herself to think of the task in hand. A
+machine has no business to refuse its duty. But the pages were
+blue and green and yellow before her eyes; the uncertainty of the
+light was intolerable. Right or wrong she would go home, and hide
+herself, and let her heart unburden itself of tears.
+
+On her way to return books she encountered Jasper Milvain. Face
+to face; no possibility of his avoiding her.
+
+And indeed he seemed to have no such wish. His countenance
+lighted up with unmistakable pleasure.
+
+'At last we meet, as they say in the melodramas. Oh, do let me
+help you with those volumes, which won't even let you shake
+hands. How do you do? How do you like this weather? And how do
+you like this light?'
+
+'It's very bad.'
+
+'That'll do both for weather and light, but not for yourself. How
+glad I am to see you! Are you just going?'
+
+'Yes.'
+
+'I have scarcely been here half-a-dozen times since I came back
+to London.'
+
+'But you are writing still?'
+
+'Oh yes! But I draw upon my genius, and my stores of observation,
+and the living world.'
+
+Marian received her vouchers for the volumes, and turned to face
+Jasper again. There was a smile on her lips.
+
+'The fog is terrible,' Milvain went on. 'How do you get home?'
+
+'By omnibus from Tottenham Court Road.'
+
+'Then do let me go a part of the way with you. I live in
+Mornington Road--up yonder, you know. I have only just come in to
+waste half an hour, and after all I think I should be better at
+home. Your father is all right, I hope?'
+
+'He is not quite well.'
+
+'I'm sorry to hear that. You are not exactly up to the mark,
+either. What weather! What a place to live in, this London, in
+winter! It would be a little better down at Finden.'
+
+'A good deal better, I should think. If the weather were bad, it
+would be bad in a natural way; but this is artificial misery.'
+
+'I don't let it affect me much,' said Milvain. 'Just of late I
+have been in remarkably good spirits. I'm doing a lot of work. No
+end of work--more than I've ever done.'
+
+'I am very glad.'
+
+'Where are your out-of-door things? I think there's a ladies'
+vestry somewhere, isn't there?'
+
+'Oh yes.'
+
+'Then will you go and get ready? I'll wait for you in the hall.
+But, by-the-bye, I am taking it for granted that you were going
+alone.'
+
+'I was, quite alone.'
+
+The 'quite' seemed excessive; it made Jasper smile.
+
+'And also,' he added, 'that I shall not annoy you by offering my
+company?'
+
+'Why should it annoy me?'
+
+'Good!'
+
+Milvain had only to wait a minute or two. He surveyed Marian from
+head to foot when she appeared--an impertinence as unintentional
+as that occasionally noticeable in his speech--and smiled
+approval. They went out into the fog, which was not one of
+London's densest, but made walking disagreeable enough.
+
+'You have heard from the girls, I think?' Jasper resumed.
+
+'Your sisters? Yes; they have been so kind as to write to me.'
+
+'Told you all about their great work? I hope it'll be finished by
+the end of the year. The bits they have sent me will do very well
+indeed. I knew they had it in them to put sentences together. Now
+I want them to think of patching up something or other for The
+English Girl; you know the paper?'
+
+'I have heard of it.'
+
+'I happen to know Mrs Boston Wright, who edits it. Met her at a
+house the other day, and told her frankly that she would have to
+give my sisters something to do. It's the only way to get on; one
+has to take it for granted that people are willing to help you. I
+have made a host of new acquaintances just lately.'
+
+'I'm glad to hear it,' said Marian.
+
+'Do you know--but how should you? I am going to write for the new
+magazine, The Current.'
+
+'Indeed!'
+
+'Edited by that man Fadge.'
+
+'Yes.'
+
+'Your father has no affection for him, I know.'
+
+'He has no reason to have, Mr Milvain.'
+
+'No, no. Fadge is an offensive fellow, when he likes; and I fancy
+he very often does like. Well, I must make what use of him I can.
+
+You won't think worse of me because I write for him?'
+
+'I know that one can't exercise choice in such things.'
+
+'True. I shouldn't like to think that you regard me as a Fadge-
+like individual, a natural Fadgeite.'
+
+Marian laughed.
+
+'There's no danger of my thinking that.'
+
+But the fog was making their eyes water and getting into their
+throats. By when they reached Tottenham Court Road they were both
+thoroughly uncomfortable. The 'bus had to be waited for, and in
+the meantime they talked scrappily, coughily. In the vehicle
+things were a little better, but here one could not converse with
+freedom.
+
+'What pestilent conditions of life!' exclaimed Jasper, putting
+his face rather near to Marian's. 'I wish to goodness we were
+back in those quiet fields--you remember?--with the September sun
+warm about us. Shall you go to Finden again before long?'
+
+'I really don't know.'
+
+'I'm sorry to say my mother is far from well. In any case I must
+go at Christmas, but I'm afraid it won't be a cheerful visit.'
+
+Arrived in Hampstead Road he offered his hand for good-bye.
+
+'I wanted to talk about all sorts of things. But perhaps I shall
+find you again some day.'
+
+He jumped out, and waved his hat in the lurid fog.
+
+Shortly before the end of December appeared the first number of
+The Current. Yule had once or twice referred to the forthcoming
+magazine with acrid contempt, and of course he did not purchase a
+copy.
+
+'So young Milvain has joined Fadge's hopeful standard,' he
+remarked, a day or two later, at breakfast. 'They say his paper
+is remarkably clever; I could wish it had appeared anywhere else.
+
+Evil communications, &c.'
+
+'But I shouldn't think there's any personal connection,' said
+Marian.
+
+'Very likely not. But Milvain has been invited to contribute, you
+see.
+
+'Do you think he ought to have refused?'
+
+'Oh no. It's nothing to me; nothing whatever.'
+
+Mrs Yule glanced at her daughter, but Marian seemed unconcerned.
+The subject was dismissed. In introducing it Yule had had his
+purpose; there had always been an unnatural avoidance of
+Milvain's name in conversation, and he wished to have an end of
+this. Hitherto he had felt a troublesome uncertainty regarding
+his position in the matter. From what his wife had told him it
+seemed pretty certain that Marian was disappointed by the abrupt
+closing of her brief acquaintance with the young man, and Yule's
+affection for his daughter caused him to feel uneasy in the
+thought that perhaps he had deprived her of a chance of
+happiness. His conscience readily took hold of an excuse for
+justifying the course he had followed. Milvain had gone over to
+the enemy. Whether or not the young man understood how relentless
+the hostility was between Yule and Fadge mattered little; the
+probability was that he knew all about it. In any case intimate
+relations with him could not have survived this alliance with
+Fadge, so that, after all, there had been wisdom in letting the
+acquaintance lapse. To be sure, nothing could have come of it.
+Milvain was the kind of man who weighed opportunities; every step
+he took would be regulated by considerations of advantage; at all
+events that was the impression his character had made upon Yule.
+Any hopes that Marian might have been induced to form would
+assuredly have ended in disappointment. It was kindness to
+interpose before things had gone so far.
+
+Henceforth, if Milvain's name was unavoidable, it should be
+mentioned just like that of any other literary man. It seemed
+very unlikely indeed that Marian would continue to think of him
+with any special and personal interest. The fact of her having
+got into correspondence with his sisters was unfortunate, but
+this kind of thing rarely went on for very long.
+
+Yule spoke of the matter with his wife that evening.
+
+'By-the-bye, has Marian heard from those girls at Finden lately?'
+
+'She had a letter one afternoon last week.'
+
+'Do you see these letters?'
+
+'No; she told me what was in them at first, but now she doesn't.'
+
+'She hasn't spoken to you again of Milvain?'
+
+'Not a word.'
+
+'Well, I understood what I was about,' Yule remarked, with the
+confident air of one who doesn't wish to remember that he had
+ever felt doubtful. 'There was no good in having the fellow here.
+
+He has got in with a set that I don't at all care for. If she
+ever says anything--you understand--you can just let me know.'
+
+Marian had already procured a copy of The Current, and read it
+privately. Of the cleverness of Milvain's contribution there
+could be no two opinions; it drew the attention of the public,
+and all notices of the new magazine made special reference to
+this article. With keen interest Marian sought after comments of
+the press; when it was possible she cut them out and put them
+carefully away.
+
+January passed, and February. She saw nothing of Jasper. A letter
+from Dora in the first week of March made announcement that the
+'Child's History of the English Parliament' would be published
+very shortly; it told her, too, that Mrs Milvain had been very
+ill indeed, but that she seemed to recover a little strength as
+the weather improved. Of Jasper there was no mention.
+
+A week later came the news that Mrs Milvain had suddenly died.
+
+This letter was received at breakfast-time. The envelope was an
+ordinary one, and so little did Marian anticipate the nature of
+its contents that at the first sight of the words she uttered an
+exclamation of pain. Her father, who had turned from the table to
+the fireside with his newspaper, looked round and asked what was
+the matter.
+
+'Mrs Milvain died the day before yesterday.'
+
+'Indeed!'
+
+He averted his face again and seemed disposed to say no more. But
+in a few moments he inquired:
+
+'What are her daughters likely to do?'
+
+'I have no idea.'
+
+'Do you know anything of their circumstances?'
+
+'I believe they will have to depend upon themselves.'
+
+Nothing more was said. Afterwards Mrs Yule made a few sympathetic
+inquiries, but Marian was very brief in her replies.
+
+Ten days after that, on a Sunday afternoon when Marian and her
+mother were alone in the sitting-room, they heard the knock of a
+visitor at the front door. Yule was out, and there was no
+likelihood of the visitor's wishing to see anyone but him. They
+listened; the servant went to the door, and, after a murmur of
+voices, came to speak to her mistress.
+
+'It's a gentleman called Mr Milvain,' the girl reported, in a way
+that proved how seldom callers presented themselves. 'He asked
+for Mr Yule, and when I said he was out, then he asked for Miss
+Yule.' Mother and daughter looked anxiously at each other. Mrs
+Yule was nervous and helpless.
+
+'Show Mr Milvain into the study,' said Marian, with sudden
+decision.
+
+'Are you going to see him there?' asked her mother in a hurried
+whisper.
+
+'I thought you would prefer that to his coming in here.'
+
+'Yes--yes. But suppose father comes back before he's gone?'
+
+'What will it matter? You forget that he asked for father first.'
+
+'Oh yes! Then don't wait.'
+
+Marian, scarcely less agitated than her mother, was just leaving
+the room, when she turned back again.
+
+'If father comes in, you will tell him before he goes into the
+study?'
+
+'Yes, I will.'
+
+The fire in the study was on the point of extinction; this was
+the first thing Marian's eye perceived on entering, and it gave
+her assurance that her father would not be back for some hours.
+Evidently he had intended it to go out; small economies of this
+kind, unintelligible to people who have always lived at ease, had
+been the life-long rule with him. With a sensation of gladness at
+having free time before her, Marian turned to where Milvain was
+standing, in front of one of the bookcases. He wore no symbol of
+mourning, but his countenance was far graver than usual, and
+rather paler. They shook hands in silence.
+
+'I am so grieved--' Marian began with broken voice.
+
+'Thank you. I know the girls have told you all about it. We knew
+for the last month that it must come before long, though there
+was a deceptive improvement just before the end.'
+
+'Please to sit down, Mr Milvain. Father went out not long ago,
+and I don't think he will be back very soon.'
+
+'It was not really Mr Yule I wished to see,' said Jasper,
+frankly. 'If he had been at home I should have spoken with him
+about what I have in mind, but if you will kindly give me a few
+minutes it will be much better.'
+
+Marian glanced at the expiring fire. Her curiosity as to what
+Milvain had to say was mingled with an anxious doubt whether it
+was not too late to put on fresh coals; already the room was
+growing very chill, and this appearance of inhospitality troubled
+her.
+
+'Do you wish to save it?' Jasper asked, understanding her look
+and movement.
+
+'I'm afraid it has got too low.'
+
+'I think not. Life in lodgings has made me skilful at this kind
+of thing; let me try my hand.'
+
+He took the tongs and carefully disposed small pieces of coal
+upon the glow that remained. Marian stood apart with a feeling of
+shame and annoyance. But it is so seldom that situations in life
+arrange themselves with dramatic propriety; and, after all, this
+vulgar necessity made the beginning of the conversation easier.
+
+'That will be all right now,' said Jasper at length, as little
+tongues of flame began to shoot here and there.
+
+Marian said nothing, but seated herself and waited.
+
+'I came up to town yesterday,' Jasper began. 'Of course we have
+had a great deal to do and think about. Miss Harrow has been very
+kind indeed to the girls; so have several of our old friends in
+Wattleborough. It was necessary to decide at once what Maud and
+Dora are going to do, and it is on their account that I have come
+to see you.
+
+The listener kept silence, with a face of sympathetic attention.
+
+'We have made up our minds that they may as well come to London.
+It's a bold step; I'm by no means sure that the result will
+justify it. But I think they are perhaps right in wishing to try
+it.'
+
+'They will go on with literary work?'
+
+'Well, it's our hope that they may be able to. Of course there's
+no chance of their earning enough to live upon for some time. But
+the matter stands like this. They have a trifling sum of money,
+on which, at a pinch, they could live in London for perhaps a
+year and a half. In that time they may find their way to a sort
+of income; at all events, the chances are that a year and a half
+hence I shall be able to help them to keep body and soul
+together.'
+
+The money of which he spoke was the debt owed to their father by
+William Milvain. In consequence of Mrs Milvain's pressing
+application, half of this sum had at length been paid and the
+remainder was promised in a year's time, greatly to Jasper's
+astonishment. In addition, there would be the trifle realised by
+the sale of furniture, though most of this might have to go in
+payment of rent unless the house could be relet immediately.
+
+'They have made a good beginning,' said Marian.
+
+She spoke mechanically, for it was impossible to keep her
+thoughts under control. If Maud and Dora came to live in London
+it might bring about a most important change in her life; she
+could scarcely imagine the happiness of having two such friends
+always near. On the other hand, how would it be regarded by her
+father? She was at a loss amid conflicting emotions.
+
+'It's better than if they had done nothing at all,' Jasper
+replied to her remark. 'And the way they knocked that trifle
+together promises well. They did it very quickly, and in a far
+more workmanlike way than I should have thought possible.'
+
+'No doubt they share your own talent.'
+
+'Perhaps so. Of course I know that I have talent of a kind,
+though I don't rate it very high. We shall have to see whether
+they can do anything more than mere booksellers' work; they are
+both very young, you know. I think they may be able to write
+something that'll do for The English Girl, and no doubt I can hit
+upon a second idea that will appeal to Jolly and Monk. At all
+events, they'll have books within reach, and better opportunities
+every way than at Finden.'
+
+'How do their friends in the country think of it?'
+
+'Very dubiously; but then what else was to be expected? Of
+course, the respectable and intelligible path marked out for both
+of them points to a lifetime of governessing. But the girls have
+no relish for that; they'd rather do almost anything. We talked
+over all the aspects of the situation seriously enough--it is
+desperately serious, no doubt of that. I told them fairly all the
+hardships they would have to face--described the typical London
+lodgings, and so on. Still, there's an adventurous vein in them,
+and they decided for the risk. If it came to the worst I suppose
+they could still find governess work.'
+
+'Let us hope better things.'
+
+'Yes. But now, I should have felt far more reluctant to let them
+come here in this way hadn't it been that they regard you as a
+friend. To-morrow morning you will probably hear from one or both
+of them. Perhaps it would have been better if I had left them to
+tell you all this, but I felt I should like to see you and--put
+it in my own way. I think you'll understand this feeling, Miss
+Yule. I wanted, in fact, to hear from yourself that you would be
+a friend to the poor girls.'
+
+'Oh, you already know that! I shall be so very glad to see them
+often.'
+
+Marian's voice lent itself very naturally and sweetly to the
+expression of warm feeling. Emphasis was not her habit; it only
+needed that she should put off her ordinary reserve, utter
+quietly the emotional thought which so seldom might declare
+itself, and her tones had an exquisite womanliness.
+
+Jasper looked full into her face.
+
+'In that case they won't miss the comfort of home so much. Of
+course they will have to go into very modest lodgings indeed. I
+have already been looking about. I should like to find rooms for
+them somewhere near my own place; it's a decent neighbourhood,
+and the park is at hand, and then they wouldn't be very far from
+you. They thought it might be possible to make a joint
+establishment with me, but I'm afraid that's out of the question.
+
+The lodgings we should want in that case, everything considered,
+would cost more than the sum of our expenses if we live apart.
+Besides, there's no harm in saying that I don't think we should
+get along very well together. We're all of us rather quarrelsome,
+to tell the truth, and we try each other's tempers.'
+
+Marian smiled and looked puzzled.
+
+'Shouldn't you have thought that?'
+
+'I have seen no signs of quarrelsomeness.'
+
+'I'm not sure that the worst fault is on my side. Why should one
+condemn oneself against conscience? Maud is perhaps the hardest
+to get along with. She has a sort of arrogance, an exaggeration
+of something I am quite aware of in myself. You have noticed that
+trait in me?'
+
+'Arrogance--I think not. You have self-confidence.'
+
+'Which goes into extremes now and then. But, putting myself
+aside, I feel pretty sure that the girls won't seem quarrelsome
+to you; they would have to be very fractious indeed before that
+were possible.'
+
+'We shall continue to be friends, I am sure.'
+
+Jasper let his eyes wander about the room.
+
+'This is your father's study?'
+
+'Yes.'
+
+'Perhaps it would have seemed odd to Mr Yule if I had come in and
+begun to talk to him about these purely private affairs. He knows
+me so very slightly. But, in calling here for the first time-- '
+
+An unusual embarrassment checked him.
+
+'I will explain to father your very natural wish to speak of
+these things,' said Marian, with tact.
+
+She thought uneasily of her mother in the next room. To her there
+appeared no reason whatever why Jasper should not be introduced
+to Mrs Yule, yet she could not venture to propose it. Remembering
+her father's last remarks about Milvain in connection with
+Fadge's magazine, she must wait for distinct permission before
+offering the young man encouragement to repeat his visit. Perhaps
+there was complicated trouble in store for her; impossible to say
+how her father's deep-rooted and rankling antipathies might
+affect her intercourse even with the two girls. But she was of
+independent years; she must be allowed the choice of her own
+friends. The pleasure she had in seeing Jasper under this roof,
+in hearing him talk with such intimate friendliness, strengthened
+her to resist timid thoughts.
+
+'When will your sisters arrive?' she asked.
+
+'I think in a very few days. When I have fixed upon lodgings for
+them I must go back to Finden; then they will return with me as
+soon as we can get the house emptied. It's rather miserable
+selling things one has lived among from childhood. A friend in
+Wattleborough will house for us what we really can't bear to part
+with.'
+
+'It must be very sad,' Marian murmured.
+
+'You know,' said the other suddenly, 'that it's my fault the
+girls are left in such a hard position?'
+
+Marian looked at him with startled eyes. His tone was quite
+unfamiliar to her.
+
+'Mother had an annuity,' he continued. 'It ended with her life,
+but if it hadn't been for me she could have saved a good deal out
+of it. Until the last year or two I have earned nothing, and I
+have spent more than was strictly necessary. Well, I didn't live
+like that in mere recklessness; I knew I was preparing myself for
+remunerative work. But it seems too bad now. I'm sorry for it. I
+wish I had found some way of supporting myself. The end of
+mother's life was made far more unhappy than it need have been. I
+should like you to understand all this.'
+
+The listener kept her eyes on the ground.
+
+'Perhaps the girls have hinted it to you?' Jasper added.
+
+'No.'
+
+'Selfishness--that's one of my faults. It isn't a brutal kind of
+selfishness; the thought of it often enough troubles me. If I
+were rich, I should be a generous and good man; I know I should.
+So would many another poor fellow whose worst features come out
+under hardship. This isn't a heroic type; of course not. I am a
+civilised man, that's all.'
+
+Marian could say nothing.
+
+'You wonder why I am so impertinent as to talk about myself like
+this. I have gone through a good deal of mental pain these last
+few weeks, and somehow I can't help showing you something of my
+real thoughts. Just because you are one of the few people I
+regard with sincere respect. I don't know you very well, but
+quite well enough to respect you. My sisters think of you in the
+same way. I shall do many a base thing in life, just to get money
+and reputation; I tell you this that you mayn't be surprised if
+anything of that kind comes to your ears. I can't afford to live
+as I should like to.'
+
+She looked up at him with a smile.
+
+'People who are going to live unworthily don't declare it in this
+way.'
+
+'I oughtn't to; a few minutes ago I had no intention of saying
+such things. It means I am rather overstrung, I suppose; but it's
+all true, unfortunately.'
+
+He rose, and began to run his eye along the shelves nearest to
+him.
+
+'Well, now I will go, Miss Yule.'
+
+Marian stood up as he approached.
+
+'It's all very well,' he said, smiling, 'for me to encourage my
+sisters in the hope that they may earn a living; but suppose I
+can't even do it myself? It's by no means certain that I shall
+make ends meet this year.'
+
+'You have every reason to hope, I think.'
+
+'I like to hear people say that, but it'll mean savage work. When
+we were all at Finden last year, I told the girls that it would
+be another twelve months before I could support myself. Now I am
+forced to do it. And I don't like work; my nature is lazy. I
+shall never write for writing's sake, only to make money. All my
+plans and efforts will have money in view--all. I shan't allow
+anything to come in the way of my material advancement.'
+
+'I wish you every success,' said Marian, without looking at him,
+and without a smile.
+
+'Thank you. But that sounds too much like good-bye. I trust we
+are to be friends, for all that?'
+
+'Indeed, I hope we may be.'
+
+They shook hands, and he went towards the door. But before
+opening it, he asked:
+
+'Did you read that thing of mine in The Current?'
+
+'Yes, I did.'
+
+'It wasn't bad, I think?'
+
+'It seemed to me very clever.'
+
+'Clever--yes, that's the word. It had a success, too. I have as
+good a thing half done for the April number, but I've felt too
+heavy-hearted to go on with it. The girls shall let you know when
+they are in town.'
+
+Marian followed him into the passage, and watched him as he
+opened the front door. When it had closed, she went back into the
+study for a few minutes before rejoining her mother.
+
+
+
+CHAPTER IX. INVITA MINERVA
+
+After all, there came a day when Edwin Reardon found himself
+regularly at work once more, ticking off his stipulated quantum
+of manuscript each four-and-twenty hours. He wrote a very small
+hand; sixty written slips of the kind of paper he habitually used
+would represent--thanks to the astonishing system which prevails
+in such matters: large type, wide spacing, frequency of blank
+pages--a passable three-hundred-page volume. On an average he
+could write four such slips a day; so here we have fifteen days
+for the volume, and forty-five for the completed book.
+
+Forty-five days; an eternity in the looking forward. Yet the
+calculation gave him a faint-hearted encouragement. At that rate
+he might have his book sold by Christmas. It would certainly not
+bring him a hundred pounds; seventy-five perhaps. But even that
+small sum would enable him to pay the quarter's rent, and then
+give him a short time, if only two or three weeks, of mental
+rest. If such rest could not be obtained all was at an end with
+him. He must either find some new means of supporting himself and
+his family, or--have done with life and its responsibilities
+altogether.
+
+The latter alternative was often enough before him. He seldom
+slept for more than two or three consecutive hours in the night,
+and the time of wakefulness was often terrible. The various
+sounds which marked the stages from midnight to dawn had grown
+miserably familiar to him; worst torture to his mind was the
+chiming and striking of clocks. Two of these were in general
+audible, that of Marylebone parish church, and that of the
+adjoining workhouse; the latter always sounded several minutes
+after its ecclesiastical neighbour, and with a difference of note
+which seemed to Reardon very appropriate--a thin, querulous
+voice, reminding one of the community it represented. After lying
+awake for awhile he would hear quarters sounding; if they ceased
+before the fourth he was glad, for he feared to know what time it
+was. If the hour was complete, he waited anxiously for its
+number. Two, three, even four, were grateful; there was still a
+long time before he need rise and face the dreaded task, the
+horrible four blank slips of paper that had to be filled ere he
+might sleep again. But such restfulness was only for a moment; no
+sooner had the workhouse bell become silent than he began to toil
+in his weary imagination, or else, incapable of that, to vision
+fearful hazards of the future. The soft breathing of Amy at his
+side, the contact of her warm limbs, often filled him with
+intolerable dread. Even now he did not believe that Amy loved him
+with the old love, and the suspicion was like a cold weight at
+his heart that to retain even her wifely sympathy, her wedded
+tenderness, he must achieve the impossible.
+
+The impossible; for he could no longer deceive himself with a
+hope of genuine success. If he earned a bare living, that would
+be the utmost. And with bare livelihood Amy would not, could not,
+be content.
+
+If he were to die a natural death it would be well for all. His
+wife and the child would be looked after; they could live with
+Mrs Edmund Yule, and certainly it would not be long before Amy
+married again, this time a man of whose competency to maintain
+her there would be no doubt. His own behaviour had been cowardly
+selfishness. Oh yes, she had loved him, had been eager to believe
+in him. But there was always that voice of warning in his mind;
+he foresaw--he knew--
+
+And if he killed himself? Not here; no lurid horrors for that
+poor girl and her relatives; but somewhere at a distance, under
+circumstances which would render the recovery of his body
+difficult, yet would leave no doubt of his death. Would that,
+again, be cowardly? The opposite, when once it was certain that
+to live meant poverty and wretchedness. Amy's grief, however
+sincere, would be but a short trial compared with what else might
+lie before her. The burden of supporting her and Willie would be
+a very slight one if she went to live in her mother's house. He
+considered the whole matter night after night, until perchance it
+happened that sleep had pity upon him for an hour before the time
+of rising.
+
+Autumn was passing into winter. Dark days, which were always an
+oppression to his mind, began to be frequent, and would soon
+succeed each other remorselessly. Well, if only each of them
+represented four written slips.
+
+Milvain's advice to him had of course proved useless. The
+sensational title suggested nothing, or only ragged shapes of
+incomplete humanity that fluttered mockingly when he strove to
+fix them. But he had decided upon a story of the kind natural to
+him; a 'thin' story, and one which it would be difficult to spin
+into three volumes. His own, at all events. The title was always
+a matter for head-racking when the book was finished; he had
+never yet chosen it before beginning.
+
+For a week he got on at the desired rate; then came once more the
+crisis he had anticipated.
+
+A familiar symptom of the malady which falls upon outwearied
+imagination. There were floating in his mind five or six possible
+subjects for a book, all dating back to the time when he first
+began novel-writing, when ideas came freshly to him. If he
+grasped desperately at one of these, and did his best to develop
+it, for a day or two he could almost content himself; characters,
+situations, lines of motive, were laboriously schemed, and he
+felt ready to begin writing. But scarcely had he done a chapter
+or two when all the structure fell into flatness. He had made a
+mistake. Not this story, but that other one, was what he should
+have taken. The other one in question, left out of mind for a
+time, had come back with a face of new possibility; it invited
+him, tempted him to throw aside what he had already written.
+Good; now he was in more hopeful train. But a few days, and the
+experience repeated itself. No, not this story, but that third
+one, of which he had not thought for a long time. How could he
+have rejected so hopeful a subject?
+
+For months he had been living in this way; endless circling,
+perpetual beginning, followed by frustration. A sign of
+exhaustion, it of course made exhaustion more complete. At times
+he was on the border-land of imbecility; his mind looked into a
+cloudy chaos, a shapeless whirl of nothings. He talked aloud to
+himself, not knowing that he did so. Little phrases which
+indicated dolorously the subject of his preoccupation often
+escaped him in the street: 'What could I make of that, now?'
+'Well, suppose I made him--?' 'But no, that wouldn't do,' and so
+on. It had happened that he caught the eye of some one passing
+fixed in surprise upon him; so young a man to be talking to
+himself in evident distress!
+
+The expected crisis came, even now that he was savagely
+determined to go on at any cost, to write, let the result be what
+it would. His will prevailed. A day or two of anguish such as
+there is no describing to the inexperienced, and again he was
+dismissing slip after slip, a sigh of thankfulness at the
+completion of each one. It was a fraction of the whole, a
+fraction, a fraction.
+
+The ordering of his day was thus. At nine, after breakfast, he
+sat down to his desk, and worked till one. Then came dinner,
+followed by a walk. As a rule he could not allow Amy to walk with
+him, for he had to think over the remainder of the day's toil,
+and companionship would have been fatal. At about half-past three
+he again seated himself; and wrote until half-past six, when he
+had a meal. Then once more to work from half-past seven to ten.
+Numberless were the experiments he had tried for the day's
+division. The slightest interruption of the order for the time
+being put him out of gear; Amy durst not open his door to ask
+however necessary a question.
+
+Sometimes the three hours' labour of a morning resulted in
+half-a-dozen lines, corrected into illegibility. His brain would
+not work; he could not recall the simplest synonyms; intolerable
+faults of composition drove him mad. He would write a sentence
+beginning thus: 'She took a book with a look of--;' or thus: 'A
+revision of this decision would have made him an object of
+derision.' Or, if the period were otherwise inoffensive, it ran
+in a rhythmic gallop which was torment to the ear. All this, in
+spite of the fact that his former books had been noticeably good
+in style. He had an appreciation of shapely prose which made him
+scorn himself for the kind of stuff he was now turning out. 'I
+can't help it; it must go; the time is passing.'
+
+Things were better, as a rule, in the evening. Occasionally he
+wrote a page with fluency which recalled his fortunate years; and
+then his heart gladdened, his hand trembled with joy.
+
+Description of locality, deliberate analysis of character or
+motive, demanded far too great an effort for his present
+condition. He kept as much as possible to dialogue; the space is
+filled so much more quickly, and at a pinch one can make people
+talk about the paltriest incidents of life.
+
+There came an evening when he opened the door and called to Amy.
+
+'What is it?' she answered from the bedroom. 'I'm busy with
+Willie.'
+
+'Come as soon as you are free.'
+
+In ten minutes she appeared. There was apprehension on her face;
+she feared he was going to lament his inability to work. Instead
+of that, he told her joyfully that the first volume was finished.
+
+'Thank goodness!' she exclaimed. 'Are you going to do any more
+to-night?'
+
+'I think not--if you will come and sit with me.'
+
+'Willie doesn't seem very well. He can't get to sleep.'
+
+'You would like to stay with him?'
+
+'A little while. I'll come presently.'
+
+She closed the door. Reardon brought a high-backed chair to the
+fireside, and allowed himself to forget the two volumes that had
+still to be struggled through, in a grateful sense of the portion
+that was achieved. In a few minutes it occurred to him that it
+would be delightful to read a scrap of the 'Odyssey'; he went to
+the shelves on which were his classical books, took the desired
+volume, and opened it where Odysseus speaks to Nausicaa:
+
+'For never yet did I behold one of mortals like to thee, neither
+man nor woman; I am awed as I look upon thee. In Delos once, hard
+by the altar of Apollo, I saw a young palm-tree shooting up with
+even such a grace.'
+
+Yes, yes; THAT was not written at so many pages a day, with a
+workhouse clock clanging its admonition at the poet's ear. How it
+freshened the soul! How the eyes grew dim with a rare joy in the
+sounding of those nobly sweet hexameters!
+
+Amy came into the room again.
+
+'Listen,' said Reardon, looking up at her with a bright smile.
+'Do you remember the first time that I read you this?'
+
+And he turned the speech into free prose. Amy laughed.
+
+'I remember it well enough. We were alone in the drawing-room; I
+had told the others that they must make shift with the dining-
+room for that evening. And you pulled the book out of your pocket
+unexpectedly. I laughed at your habit of always carrying little
+books about.'
+
+The cheerful news had brightened her. If she had been summoned to
+hear lamentations her voice would not have rippled thus
+soothingly. Reardon thought of this, and it made him silent for a
+minute.
+
+'The habit was ominous,' he said, looking at her with an
+uncertain smile. 'A practical literary man doesn't do such
+things.'
+
+'Milvain, for instance. No.'
+
+With curious frequency she mentioned the name of Milvain. Her
+unconsciousness in doing so prevented Reardon from thinking about
+the fact; still, he had noted it.
+
+'Did you understand the phrase slightingly?' he asked.
+
+'Slightingly? Yes, a little, of course. It always has that sense
+on your lips, I think.'
+
+In the light of this answer he mused upon her readily-offered
+instance. True, he had occasionally spoken of Jasper with
+something less than respect, but Amy was not in the habit of
+doing so.
+
+'I hadn't any such meaning just then,' he said. 'I meant quite
+simply that my bookish habits didn't promise much for my success
+as a novelist.'
+
+'I see. But you didn't think of it in that way at the time.'
+
+He sighed.
+
+'No. At least--no.'
+
+'At least what?'
+
+'Well, no; on the whole I had good hope.'
+
+Amy twisted her fingers together impatiently.
+
+'Edwin, let me tell you something. You are getting too fond of
+speaking in a discouraging way. Now, why should you do so? I
+don't like it. It has one disagreeable effect on me, and that is,
+when people ask me about you, how you are getting on, I don't
+quite know how to answer. They can't help seeing that I am
+uneasy. I speak so differently from what I used to.'
+
+'Do you, really?'
+
+'Indeed I can't help it. As I say, it's very much your own
+fault.'
+
+'Well, but granted that I am not of a very sanguine nature, and
+that I easily fall into gloomy ways of talk, what is Amy here
+for?'
+
+'Yes, yes. But--'
+
+'But?'
+
+'I am not here only to try and keep you in good spirits, am I?'
+
+She asked it prettily, with a smile like that of maidenhood.
+
+'Heaven forbid! I oughtn't to have put it in that absolute way. I
+was half joking, you know. But unfortunately it's true that I
+can't be as light-spirited as I could wish. Does that make you
+impatient with me?'
+
+'A little. I can't help the feeling, and I ought to try to
+overcome it. But you must try on your side as well. Why should
+you have said that thing just now?'
+
+'You're quite right. It was needless.'
+
+'A few weeks ago I didn't expect you to be cheerful. Things began
+to look about as bad as they could. But now that you've got a
+volume finished, there's hope once more.'
+
+Hope? Of what quality? Reardon durst not say what rose in his
+thoughts. 'A very small, poor hope. Hope of money enough to
+struggle through another half year, if indeed enough for that.'
+He had learnt that Amy was not to be told the whole truth about
+anything as he himself saw it. It was a pity. To the ideal wife a
+man speaks out all that is in him; she had infinitely rather
+share his full conviction than be treated as one from whom facts
+must be disguised. She says: 'Let us face the worst and talk of
+it together, you and I.' No, Amy was not the ideal wife from that
+point of view. But the moment after this half-reproach had
+traversed his consciousness he condemned himself; and looked with
+the joy of love into her clear eyes.
+
+'Yes, there's hope once more, my dearest. No more gloomy talk to-
+night! I have read you something, now you shall read something to
+me; it is a long time since I delighted myself with listening to
+you. What shall it be?'
+
+'I feel rather too tired to-night.'
+
+'Do you?'
+
+'I have had to look after Willie so much. But read me some more
+Homer; I shall be very glad to listen.'
+
+Reardon reached for the book again, but not readily. His face
+showed disappointment. Their evenings together had never been the
+same since the birth of the child; Willie was always an excuse--
+valid enough --for Amy's feeling tired. The little boy had come
+between him and the mother, as must always be the case in poor
+homes, most of all where the poverty is relative. Reardon could
+not pass the subject without a remark, but he tried to speak
+humorously.
+
+'There ought to be a huge public creche in London. It's monstrous
+that an educated mother should have to be nursemaid.'
+
+'But you know very well I think nothing of that. A creche,
+indeed! No child of mine should go to any such place.'
+
+There it was. She grudged no trouble on behalf of the child. That
+was love; whereas-- But then maternal love was a mere matter of
+course.
+
+'As soon as you get two or three hundred pounds for a book,' she
+added, laughing, 'there'll be no need for me to give so much
+time.'
+
+'Two or three hundred pounds!' He repeated it with a shake of the
+head. 'Ah, if that were possible!'
+
+'But that's really a paltry sum. What would fifty novelists you
+could name say if they were offered three hundred pounds for a
+book? How much do you suppose even Markland got for his last?'
+
+'Didn't sell it at all, ten to one. Gets a royalty.'
+
+'Which will bring him five or six hundred pounds before the book
+ceases to be talked of.'
+
+'Never mind. I'm sick of the word "pounds."'
+
+'So am I.'
+
+She sighed, commenting thus on her acquiescence.
+
+'But look, Amy. If I try to be cheerful in spite of natural
+dumps, wouldn't it be fair for you to put aside thoughts of
+money?'
+
+'Yes. Read some Homer, dear. Let us have Odysseus down in Hades,
+and Ajax stalking past him. Oh, I like that!'
+
+So he read, rather coldly at first, but soon warming. Amy sat
+with folded arms, a smile on her lips, her brows knitted to the
+epic humour. In a few minutes it was as if no difficulties
+threatened their life. Every now and then Reardon looked up from
+his translating with a delighted laugh, in which Amy joined.
+
+When he had returned the book to the shelf he stepped behind his
+wife's chair, leaned upon it, and put his cheek against hers.
+
+'Amy!'
+
+'Yes, dear?'
+
+'Do you still love me a little?'
+
+'Much more than a little.'
+
+'Though I am sunk to writing a wretched pot-boiler?'
+
+'Is it so bad as all that?'
+
+'Confoundedly bad. I shall be ashamed to see it in print; the
+proofs will be a martyrdom.'
+
+'Oh, but why? why?'
+
+'It's the best I can do, dearest. So you don't love me enough to
+hear that calmly.'
+
+'If I didn't love you, I might be calmer about it, Edwin. It's
+dreadful to me to think of what they will say in the reviews.'
+
+'Curse the reviews!'
+
+His mood had changed on the instant. He stood up with darkened
+face, trembling angrily.
+
+'I want you to promise me something, Amy. You won't read a single
+one of the notices unless it is forced upon your attention. Now,
+promise me that. Neglect them absolutely, as I do. They're not
+worth a glance of your eyes. And I shan't be able to bear it if I
+know you read all the contempt that will be poured on me.'
+
+'I'm sure I shall be glad enough to avoid it; but other people,
+our friends, read it. That's the worst.'
+
+'You know that their praise would be valueless, so have strength
+to disregard the blame. Let our friends read and talk as much as
+they like. Can't you console yourself with the thought that I am
+not contemptible, though I may have been forced to do poor work?'
+
+'People don't look at it in that way.'
+
+'But, darling,' he took her hands strongly in his own, 'I want
+you to disregard other people. You and I are surely everything to
+each other? Are you ashamed of me, of me myself?'
+
+'No, not ashamed of you. But I am sensitive to people's talk and
+opinions.'
+
+'But that means they make you feel ashamed of me. What else?'
+
+There was silence.
+
+'Edwin, if you find you are unable to do good work, you mustn't
+do bad. We must think of some other way of making a living.'
+
+'Have you forgotten that you urged me to write a trashy
+sensational story?'
+
+She coloured and looked annoyed.
+
+'You misunderstood me. A sensational story needn't be trash. And
+then, you know, if you had tried something entirely unlike your
+usual work, that would have been excuse enough if people had
+called it a failure.'
+
+'People! People!'
+
+'We can't live in solitude, Edwin, though really we are not far
+from it.' He did not dare to make any reply to this. Amy was so
+exasperatingly womanlike in avoiding the important issue to which
+he tried to confine her; another moment, and his tone would be
+that of irritation. So he turned away and sat down to his desk,
+as if he had some thought of resuming work.
+
+'Will you come and have some supper?' Amy asked, rising.
+
+'I have been forgetting that to-morrow morning's chapter has
+still to be thought out.'
+
+'Edwin, I can't think this book will really be so poor. You
+couldn't possibly give all this toil for no result.'
+
+'No; not if I were in sound health. But I am far from it.'
+
+'Come and have supper with me, dear, and think afterwards.'
+
+He turned and smiled at her.
+
+'I hope I shall never be able to resist an invitation from you,
+sweet.'
+
+The result of all this was, of course, that he sat down in
+anything but the right mood to his work next morning. Amy's
+anticipation of criticism had made it harder than ever for him to
+labour at what he knew to be bad. And, as ill-luck would have it,
+in a day or two he caught his first winter's cold. For several
+years a succession of influenzas, sore-throats, lumbagoes, had
+tormented him from October to May; in planning his present work,
+and telling himself that it must be finished before Christmas, he
+had not lost sight of these possible interruptions. But he said
+to himself: 'Other men have worked hard in seasons of illness; I
+must do the same.' All very well, but Reardon did not belong to
+the heroic class. A feverish cold now put his powers and
+resolution to the test. Through one hideous day he nailed himself
+to the desk--and wrote a quarter of a page. The next day Amy
+would not let him rise from bed; he was wretchedly ill. In the
+night he had talked about his work deliriously, causing her no
+slight alarm.
+
+'If this goes on,' she said to him in the morning, 'you'll have
+brain fever. You must rest for two or three days.'
+
+'Teach me how to. I wish I could.'
+
+Rest had indeed become out of the question. For two days he could
+not write, but the result upon his mind was far worse than if he
+had been at the desk. He looked a haggard creature when he again
+sat down with the accustomed blank slip before him.
+
+The second volume ought to have been much easier work than the
+first; it proved far harder. Messieurs and mesdames the critics
+are wont to point out the weakness of second volumes; they are
+generally right, simply because a story which would have made a
+tolerable book (the common run of stories) refuses to fill three
+books. Reardon's story was in itself weak, and this second volume
+had to consist almost entirely of laborious padding. If he wrote
+three slips a day he did well.
+
+And the money was melting, melting, despite Amy's efforts at
+economy. She spent as little as she could; not a luxury came into
+their home; articles of clothing all but indispensable were left
+unpurchased. But to what purpose was all this? Impossible, now,
+that the book should be finished and sold before the money had
+all run out.
+
+At the end of November, Reardon said to his wife one morning:
+
+'To-morrow I finish the second volume.'
+
+'And in a week,' she replied, 'we shan't have a shilling left.'
+
+He had refrained from making inquiries, and Amy had forborne to
+tell him the state of things, lest it should bring him to a dead
+stop in his writing. But now they must needs discuss their
+position.
+
+'In three weeks I can get to the end,' said Reardon, with
+unnatural calmness. 'Then I will go personally to the publishers,
+and beg them to advance me something on the manuscript before
+they have read it.'
+
+'Couldn't you do that with the first two volumes?'
+
+'No, I can't; indeed I can't. The other thing will be bad enough;
+but to beg on an incomplete book, and such a book--I can't!'
+
+There were drops on his forehead.
+
+'They would help you if they knew,' said Amy in a low voice.
+
+'Perhaps; I can't say. They can't help every poor devil. No; I
+will sell some books. I can pick out fifty or sixty that I shan't
+much miss.'
+
+Amy knew what a wrench this would be. The imminence of distress
+seemed to have softened her.
+
+'Edwin, let me take those two volumes to the publishers, and ask
+--'
+
+'Heavens! no. That's impossible. Ten to one you will be told that
+my work is of such doubtful value that they can't offer even a
+guinea till the whole book has been considered. I can't allow you
+to go, dearest. This morning I'll choose some books that I can
+spare, and after dinner I'll ask a man to come and look at them.
+Don't worry yourself; I can finish in three weeks, I'm sure I
+can. If I can get you three or four pounds you could make it do,
+couldn't you?'
+
+'Yes.'
+
+She averted her face as she spoke.
+
+'You shall have that.' He still spoke very quietly. 'If the books
+won't bring enough, there's my watch--oh, lots of things.'
+
+He turned abruptly away, and Amy went on with her household work.
+
+
+
+CHAPTER X. THE FRIENDS OF THE FAMILY
+
+It was natural that Amy should hint dissatisfaction with the
+loneliness in which her days were mostly spent. She had never
+lived in a large circle of acquaintances; the narrowness of her
+mother's means restricted the family to intercourse with a few
+old friends and such new ones as were content with teacup
+entertainment; but her tastes were social, and the maturing
+process which followed upon her marriage made her more conscious
+of this than she had been before. Already she had allowed her
+husband to understand that one of her strongest motives in
+marrying him was the belief that he would achieve distinction. At
+the time she doubtless thought of his coming fame only--or
+principally--as it concerned their relations to each other; her
+pride in him was to be one phase of her love. Now she was well
+aware that no degree of distinction in her husband would be of
+much value to her unless she had the pleasure of witnessing its
+effect upon others; she must shine with reflected light before an
+admiring assembly.
+
+The more conscious she became of this requirement of her nature,
+the more clearly did she perceive that her hopes had been founded
+on an error. Reardon would never be a great man; he would never
+even occupy a prominent place in the estimation of the public.
+The two things, Amy knew, might be as different as light and
+darkness; but in the grief of her disappointment she would rather
+have had him flare into a worthless popularity than flicker down
+into total extinction, which it almost seemed was to be his fate.
+
+She knew so well how 'people' were talking of him and her. Even
+her unliterary acquaintances understood that Reardon's last novel
+had been anything but successful, and they must of course ask
+each other how the Reardons were going to live if the business of
+novel-writing proved unremunerative. Her pride took offence at
+the mere thought of such conversations. Presently she would
+become an object of pity; there would be talk of 'poor Mrs
+Reardon.' It was intolerable.
+
+So during the last half year she had withheld as much as possible
+from the intercourse which might have been one of her chief
+pleasures. And to disguise the true cause she made pretences
+which were a satire upon her state of mind--alleging that she had
+devoted herself to a serious course of studies, that the care of
+house and child occupied all the time she could spare from her
+intellectual pursuits. The worst of it was, she had little faith
+in the efficacy of these fictions; in uttering them she felt an
+unpleasant warmth upon her cheeks, and it was not difficult to
+detect a look of doubt in the eyes of the listener. She grew
+angry with herself for being dishonest, and with her husband for
+making such dishonesty needful.
+
+The female friend with whom she had most trouble was Mrs Carter.
+You remember that on the occasion of Reardon's first meeting with
+his future wife, at the Grosvenor Gallery, there were present his
+friend Carter and a young lady who was shortly to bear the name
+of that spirited young man. The Carters had now been married
+about a year; they lived in Bayswater, and saw much of a certain
+world which imitates on a lower plane the amusements and
+affectations of society proper. Mr Carter was still secretary to
+the hospital where Reardon had once earned his twenty shillings a
+week, but by voyaging in the seas of charitable enterprise he had
+come upon supplementary sources of income; for instance, he held
+the post of secretary to the Barclay Trust, a charity whose
+moderate funds were largely devoted to the support of gentlemen
+engaged in administering it. This young man, with his air of
+pleasing vivacity, had early ingratiated himself with the kind of
+people who were likely to be of use to him; he had his reward in
+the shape of offices which are only procured through private
+influence. His wife was a good-natured, lively, and rather clever
+girl; she had a genuine regard for Amy, and much respect for
+Reardon. Her ambition was to form a circle of distinctly
+intellectual acquaintances, and she was constantly inviting the
+Reardons to her house; a real live novelist is not easily drawn
+into the world where Mrs Carter had her being, and it annoyed her
+that all attempts to secure Amy and her husband for five-o'clock
+teas and small parties had of late failed.
+
+On the afternoon when Reardon had visited a second-hand
+bookseller with a view of raising money--he was again shut up in
+his study, dolorously at work--Amy was disturbed by the sound of
+a visitor's rat-tat; the little servant went to the door, and
+returned followed by Mrs Carter.
+
+Under the best of circumstances it was awkward to receive any but
+intimate friends during the hours when Reardon sat at his desk.
+The little dining-room (with its screen to conceal the kitchen
+range) offered nothing more than homely comfort; and then the
+servant had to be disposed of by sending her into the bedroom to
+take care of Willie. Privacy, in the strict sense, was
+impossible, for the servant might listen at the door (one room
+led out of the other) to all the conversation that went on; yet
+Amy could not request her visitors to speak in a low tone. For
+the first year these difficulties had not been felt; Reardon made
+a point of leaving the front room at his wife's disposal from
+three to six; it was only when dread of the future began to press
+upon him that he sat in the study all day long. You see how
+complicated were the miseries of the situation; one torment
+involved another, and in every quarter subjects of discontent
+were multiplied.
+
+Mrs Carter would have taken it ill had she known that Amy did not
+regard her as strictly an intimate. They addressed each other by
+their Christian names, and conversed without ceremony; but Amy
+was always dissatisfied when the well-dressed young woman burst
+with laughter and animated talk into this abode of concealed
+poverty. Edith was not the kind of person with whom one can
+quarrel; she had a kind heart, and was never disagreeably
+pretentious. Had circumstances allowed it, Amy would have given
+frank welcome to such friendship; she would have been glad to
+accept as many invitations as Edith chose to offer. But at
+present it did her harm to come in contact with Mrs Carter; it
+made her envious, cold to her husband, resentful against fate.
+
+'Why can't she leave me alone?' was the thought that rose in her
+mind as Edith entered. 'I shall let her see that I don't want her
+here.'
+
+'Your husband at work?' Edith asked, with a glance in the
+direction of the study, as soon as they had exchanged kisses and
+greetings.
+
+'Yes, he is busy.'
+
+'And you are sitting alone, as usual. I feared you might be out;
+an afternoon of sunshine isn't to be neglected at this time of
+year.'
+
+'Is there sunshine?' Amy inquired coldly.
+
+'Why, look! Do you mean to say you haven't noticed it? What a
+comical person you are sometimes! I suppose you have been over
+head and ears in books all day. How is Willie?'
+
+'Very well, thank you.'
+
+'Mayn't I see him?'
+
+'If you like.'
+
+Amy stepped to the bedroom door and bade the servant bring Willie
+for exhibition. Edith, who as yet had no child of her own, always
+showed the most flattering admiration of this infant; it was so
+manifestly sincere that the mother could not but be moved to a
+grateful friendliness whenever she listened to its expression.
+Even this afternoon the usual effect followed when Edith had made
+a pretty and tender fool of herself for several minutes. Amy bade
+the servant make tea.
+
+At this moment the door from the passage opened, and Reardon
+looked in.
+
+'Well, if this isn't marvellous!' cried Edith. 'I should as soon
+have expected the heavens to fall!'
+
+'As what?' asked Reardon, with a pale smile.
+
+'As you to show yourself when I am here.'
+
+'I should like to say that I came on purpose to see you, Mrs
+Carter, but it wouldn't be true. I'm going out for an hour, so
+that you can take possession of the other room if you like, Amy.'
+
+'Going out?' said Amy, with a look of surprise.
+
+'Nothing--nothing. I mustn't stay.'
+
+He just inquired of Mrs Carter how her husband was, and withdrew.
+The door of the flat was heard to close after him.
+
+'Let us go into the study, then,' said Amy, again in rather a
+cold voice.
+
+On Reardon's desk were lying slips of blank paper. Edith,
+approaching on tiptoe with what was partly make believe, partly
+genuine, awe, looked at the literary apparatus, then turned with
+a laugh to her friend.
+
+'How delightful it must be to sit down and write about people one
+has invented! Ever since I have known you and Mr Reardon I have
+been tempted to try if I couldn't write a story.'
+
+'Have you?'
+
+'And I'm sure I don't know how you can resist the temptation. I
+feel sure you could write books almost as clever as your
+husband's.'
+
+'I have no intention of trying.'
+
+'You don't seem very well to-day, Amy.'
+
+'Oh, I think I am as well as usual.'
+
+She guessed that her husband was once more brought to a
+standstill, and this darkened her humour again.
+
+'One of my reasons for corning,' said Edith, 'was to beg and
+entreat and implore you and Mr Reardon to dine with us next
+Wednesday. Now, don't put on such a severe face! Are you engaged
+that evening?'
+
+'Yes; in the ordinary way. Edwin can't possibly leave his work.'
+
+'But for one poor evening! It's such ages since we saw you.'
+
+'I'm very sorry. I don't think we shall ever be able to accept
+invitations in future.'
+
+Amy spoke thus at the prompting of a sudden impulse. A minute
+ago, no such definite declaration was in her mind.
+
+'Never?' exclaimed Edith. 'But why? Whatever do you mean?'
+
+'We find that social engagements consume too much time,' Amy
+replied, her explanation just as much of an impromptu as the
+announcement had been. 'You see, one must either belong to
+society or not. Married people can't accept an occasional
+invitation from friends and never do their social duty in return.
+
+We have decided to withdraw altogether--at all events for the
+present. I shall see no one except my relatives.'
+
+Edith listened with a face of astonishment.
+
+'You won't even see ME?' she exclaimed.
+
+'Indeed, I have no wish to lose your friendship. Yet I am ashamed
+to ask you to come here when I can never return your visits.'
+
+'Oh, please don't put it in that way! But it seems so very
+strange.'
+
+Edith could not help conjecturing the true significance of this
+resolve. But, as is commonly the case with people in easy
+circumstances, she found it hard to believe that her friends were
+so straitened as to have a difficulty in supporting the ordinary
+obligations of a civilised state.
+
+'I know how precious your husband's time is,' she added, as if to
+remove the effect of her last remark. 'Surely, there's no harm in
+my saying --we know each other well enough--you wouldn't think it
+necessary to devote an evening to entertaining us just because
+you had given us the pleasure of your company. I put it very
+stupidly, but I'm sure you understand me, Amy. Don't refuse just
+to come to our house now and then.'
+
+'I'm afraid we shall have to be consistent, Edith.'
+
+'But do you think this is a WISE thing to do?'
+
+'Wise?'
+
+'You know what you once told me, about how necessary it was for a
+novelist to study all sorts of people. How can Mr Reardon do this
+if he shuts himself up in the house? I should have thought he
+would find it necessary to make new acquaintances.'
+
+'As I said,' returned Amy, 'it won't be always like this. For the
+present, Edwin has quite enough "material."'
+
+She spoke distantly; it irritated her to have to invent excuses
+for the sacrifice she had just imposed on herself. Edith sipped
+the tea which had been offered her, and for a minute kept
+silence.
+
+'When will Mr Reardon's next book be published?' she asked at
+length.
+
+'I'm sure I don't know. Not before the spring.'
+
+'I shall look so anxiously for it. Whenever I meet new people I
+always turn the conversation to novels, just for the sake of
+asking them if they know your husband's books.'
+
+She laughed merrily.
+
+'Which is seldom the case, I should think,' said Amy, with a
+smile of indifference.
+
+'Well, my dear, you don't expect ordinary novel-readers to know
+about Mr Reardon. I wish my acquaintances were a better kind of
+people; then, of course, I should hear of his books more often.
+But one has to make the best of such society as offers. If you
+and your husband forsake me, I shall feel it a sad loss; I shall
+indeed.'
+
+Amy gave a quick glance at the speaker's face.
+
+'Oh, we must be friends just the same,' she said, more naturally
+than she had spoken hitherto. 'But don't ask us to come and dine
+just now. All through this winter we shall be very busy, both of
+us. Indeed, we have decided not to accept any invitations at
+all.'
+
+'Then, so long as you let me come here now and then, I must give
+in. I promise not to trouble you with any more complaining. But
+how you can live such a life I don't know. I consider myself more
+of a reader than women generally are, and I should be mortally
+offended if anyone called me frivolous; but I must have a good
+deal of society. Really and truly, I can't live without it.'
+
+'No?' said Amy, with a smile which meant more than Edith could
+interpret. It seemed slightly condescending.
+
+'There's no knowing; perhaps if I had married a literary man---'
+She paused, smiling and musing. 'But then I haven't, you see.'
+She laughed. 'Albert is anything but a bookworm, as you know.'
+
+'You wouldn't wish him to be.'
+
+'Oh no! Not a bookworm. To be sure, we suit each other very well
+indeed. He likes society just as much as I do. It would be the
+death of him if he didn't spend three-quarters of every day with
+lively people.'
+
+'That's rather a large portion. But then you count yourself among
+the lively ones.'
+
+They exchanged looks, and laughed together.
+
+'Of course you think me rather silly to want to talk so much with
+silly people,' Edith went on. 'But then there's generally some
+amusement to be got, you know. I don't take life quite so
+seriously as you do. People are people, after all; it's good fun
+to see how they live and hear how they talk.'
+
+Amy felt that she was playing a sorry part. She thought of sour
+grapes, and of the fox who had lost his tail. Worst of all,
+perhaps Edith suspected the truth. She began to make inquiries
+about common acquaintances, and fell into an easier current of
+gossip.
+
+A quarter of an hour after the visitor's departure Reardon came
+back. Amy had guessed aright; the necessity of selling his books
+weighed upon him so that for the present he could do nothing. The
+evening was spent gloomily, with very little conversation.
+
+Next day came the bookseller to make his inspection. Reardon had
+chosen out and ranged upon a table nearly a hundred volumes. With
+a few exceptions, they had been purchased second-hand. The
+tradesman examined them rapidly.
+
+'What do you ask?' he inquired, putting his head aside.
+
+'I prefer that you should make an offer,' Reardon replied, with
+the helplessness of one who lives remote from traffic.
+
+'I can't say more than two pounds ten.'
+
+'That is at the rate of sixpence a volume---?'
+
+'To me that's about the average value of books like these.'
+
+Perhaps the offer was a fair one; perhaps it was not. Reardon had
+neither time nor spirit to test the possibilities of the market;
+he was ashamed to betray his need by higgling.
+
+'I'll take it,' he said, in a matter-of-fact voice.
+
+A messenger was sent for the books that afternoon. He stowed them
+skilfully in two bags, and carried them downstairs to a cart that
+was waiting.
+
+Reardon looked at the gaps left on his shelves. Many of those
+vanished volumes were dear old friends to him; he could have told
+you where he had picked them up and when; to open them recalled a
+past moment of intellectual growth, a mood of hope or
+despondency, a stage of struggle. In most of them his name was
+written, and there were often pencilled notes in the margin. Of
+course he had chosen from among the most valuable he possessed;
+such a multitude must else have been sold to make this sum of two
+pounds ten. Books are cheap, you know. At need, one can buy a
+Homer for fourpence, a Sophocles for sixpence. It was not rubbish
+that he had accumulated at so small expenditure, but the library
+of a poor student--battered bindings, stained pages, supplanted
+editions. He loved his books, but there was something he loved
+more, and when Amy glanced at him with eyes of sympathy he broke
+into a cheerful laugh.
+
+'I'm only sorry they have gone for so little. Tell me when the
+money is nearly at an end again, and you shall have more. It's
+all right; the novel will be done soon.'
+
+And that night he worked until twelve o'clock, doggedly,
+fiercely.
+
+The next day was Sunday. As a rule he made it a day of rest, and
+almost perforce, for the depressing influence of Sunday in London
+made work too difficult. Then, it was the day on which he either
+went to see his own particular friends or was visited by them.
+
+'Do you expect anyone this evening?' Amy inquired.
+
+'Biffen will look in, I dare say. Perhaps Milvain.'
+
+'I think I shall take Willie to mother's. I shall be back before
+eight.'
+
+'Amy, don't say anything about the books.'
+
+'No, no.'
+
+'I suppose they always ask you when we think of removing over the
+way?'
+
+He pointed in a direction that suggested Marylebone Workhouse.
+Amy tried to laugh, but a woman with a child in her arms has no
+keen relish for such jokes.
+
+'I don't talk to them about our affairs,' she said.
+
+'That's best.'
+
+She left home about three o'clock, the servant going with her to
+carry the child.
+
+At five a familiar knock sounded through the flat; it was a heavy
+rap followed by half-a-dozen light ones, like a reverberating
+echo, the last stroke scarcely audible. Reardon laid down his
+book, but kept his pipe in his mouth, and went to the door. A
+tall, thin man stood there, with a slouch hat and long grey
+overcoat. He shook hands silently, hung his hat in the passage,
+and came forward into the study.
+
+His name was Harold Biffen, and, to judge from his appearance, he
+did not belong to the race of common mortals. His excessive
+meagreness would all but have qualified him to enter an
+exhibition in the capacity of living skeleton, and the garments
+which hung upon this framework would perhaps have sold for
+three-and-sixpence at an old-clothes dealer's. But the man was
+superior to these accidents of flesh and raiment. He had a fine
+face: large, gentle eyes, nose slightly aquiline, small and
+delicate mouth. Thick black hair fell to his coat-collar; he wore
+a heavy moustache and a full beard. In his gait there was a
+singular dignity; only a man of cultivated mind and graceful
+character could move and stand as he did.
+
+His first act on entering the room was to take from his pocket a
+pipe, a pouch, a little tobacco-stopper, and a box of matches,
+all of which he arranged carefully on a corner of the central
+table. Then he drew forward a chair and seated himself.
+
+'Take your top-coat off;' said Reardon.
+
+'Thanks, not this evening.'
+
+'Why the deuce not?'
+
+'Not this evening, thanks.'
+
+The reason, as soon as Reardon sought for it, was obvious. Biffen
+had no ordinary coat beneath the other. To have referred to this
+fact would have been indelicate; the novelist of course
+understood it, and smiled, but with no mirth.
+
+'Let me have your Sophocles,' were the visitor's next words.
+
+Reardon offered him a volume of the Oxford Pocket Classics.
+
+'I prefer the Wunder, please.'
+
+'It's gone, my boy.'
+
+'Gone?'
+
+'Wanted a little cash.'
+
+Biffen uttered a sound in which remonstrance and sympathy were
+blended.
+
+'I'm sorry to hear that; very sorry. Well, this must do. Now, I
+want to know how you scan this chorus in the "Oedipus Rex."'
+
+Reardon took the volume, considered, and began to read aloud with
+metric emphasis.
+
+'Choriambics, eh?' cried the other. 'Possible, of course; but
+treat them as Ionics a minore with an anacrusis, and see if they
+don't go better.'
+
+He involved himself in terms of pedantry, and with such delight
+that his eyes gleamed. Having delivered a technical lecture, he
+began to read in illustration, producing quite a different effect
+from that of the rhythm as given by his friend. And the reading
+was by no means that of a pedant, rather of a poet.
+
+For half an hour the two men talked Greek metres as if they lived
+in a world where the only hunger known could be satisfied by
+grand or sweet cadences.
+
+They had first met in an amusing way. Not long after the
+publication of his book 'On Neutral Ground' Reardon was spending
+a week at Hastings. A rainy day drove him to the circulating
+library, and as he was looking along the shelves for something
+readable a voice near at hand asked the attendant if he had
+anything 'by Edwin Reardon.' The novelist turned in astonishment;
+that any casual mortal should inquire for his books seemed
+incredible. Of course there was nothing by that author in the
+library, and he who had asked the question walked out again. On
+the morrow Reardon encountered this same man at a lonely part of
+the shore; he looked at him, and spoke a word or two of common
+civility; they got into conversation, with the result that Edwin
+told the story of yesterday. The stranger introduced himself as
+Harold Biffen, an author in a small way, and a teacher whenever
+he could get pupils; an abusive review had interested him in
+Reardon's novels, but as yet he knew nothing of them but the
+names.
+
+Their tastes were found to be in many respects sympathetic, and
+after returning to London they saw each other frequently. Biffen
+was always in dire poverty, and lived in the oddest places; he
+had seen harder trials than even Reardon himself. The teaching by
+which he partly lived was of a kind quite unknown to the
+respectable tutorial world. In these days of examinations,
+numbers of men in a poor position--clerks chiefly--conceive a
+hope that by 'passing' this, that, or the other formal test they
+may open for themselves a new career. Not a few such persons
+nourish preposterous ambitions; there are warehouse clerks
+privately preparing (without any means or prospect of them) for a
+call to the Bar, drapers' assistants who 'go in' for the
+preliminary examination of the College of Surgeons, and untaught
+men innumerable who desire to procure enough show of education to
+be eligible for a curacy. Candidates of this stamp frequently
+advertise in the newspapers for cheap tuition, or answer
+advertisements which are intended to appeal to them; they pay
+from sixpence to half-a-crown an hour--rarely as much as the
+latter sum. Occasionally it happened that Harold Biffen had three
+or four such pupils in hand, and extraordinary stories he could
+draw from his large experience in this sphere.
+
+Then as to his authorship.--But shortly after the discussion of
+Greek metres he fell upon the subject of his literary projects,
+and, by no means for the first time, developed the theory on
+which he worked.
+
+'I have thought of a new way of putting it. What I really aim at
+is an absolute realism in the sphere of the ignobly decent. The
+field, as I understand it, is a new one; I don't know any writer
+who has treated ordinary vulgar life with fidelity and
+seriousness. Zola writes deliberate tragedies; his vilest figures
+become heroic from the place they fill in a strongly imagined
+drama. I want to deal with the essentially unheroic, with the
+day-to-day life of that vast majority of people who are at the
+mercy of paltry circumstance. Dickens understood the possibility
+of such work, but his tendency to melodrama on the one hand, and
+his humour on the other, prevented him from thinking of it. An
+instance, now. As I came along by Regent's Park half an hour ago
+a man and a girl were walking close in front of me, love-making;
+I passed them slowly and heard a good deal of their talk--it was
+part of the situation that they should pay no heed to a
+stranger's proximity. Now, such a love-scene as that has
+absolutely never been written down; it was entirely decent, yet
+vulgar to the nth power. Dickens would have made it ludicrous--a
+gross injustice. Other men who deal with low-class life would
+perhaps have preferred idealising it--an absurdity. For my own
+part, I am going to reproduce it verbatim, without one single
+impertinent suggestion of any point of view save that of honest
+reporting. The result will be something unutterably tedious.
+Precisely. That is the stamp of the ignobly decent life. If it
+were anything but tedious it would be untrue. I speak, of course,
+of its effect upon the ordinary reader.'
+
+'I couldn't do it,' said Reardon.
+
+'Certainly you couldn't. You--well, you are a psychological
+realist in the sphere of culture. You are impatient of vulgar
+circumstances.'
+
+'In a great measure because my life has been martyred by them.'
+
+'And for that very same reason I delight in them,' cried Biffen.
+'You are repelled by what has injured you; I am attracted by it.
+This divergence is very interesting; but for that, we should have
+resembled each other so closely. You know that by temper we are
+rabid idealists, both of us.'
+
+'I suppose so.'
+
+'But let me go on. I want, among other things, to insist upon the
+fateful power of trivial incidents. No one has yet dared to do
+this seriously. It has often been done in farce, and that's why
+farcical writing so often makes one melancholy. You know my stock
+instances of the kind of thing I mean. There was poor Allen, who
+lost the most valuable opportunity of his life because he hadn't
+a clean shirt to put on; and Williamson, who would probably have
+married that rich girl but for the grain of dust that got into
+his eye, and made him unable to say or do anything at the
+critical moment.'
+
+Reardon burst into a roar of laughter.
+
+'There you are!' cried Biffen, with friendly annoyance. 'You take
+the conventional view. If you wrote of these things you would
+represent them as laughable.'
+
+'They are laughable,' asserted the other, 'however serious to the
+persons concerned. The mere fact of grave issues in life
+depending on such paltry things is monstrously ludicrous. Life is
+a huge farce, and the advantage of possessing a sense of humour
+is that it enables one to defy fate with mocking laughter.'
+
+'That's all very well, but it isn't an original view. I am not
+lacking in sense of humour, but I prefer to treat these aspects
+of life from an impartial standpoint. The man who laughs takes
+the side of a cruel omnipotence, if one can imagine such a thing.
+
+I want to take no side at all; simply to say, Look, this is the
+kind of thing that happens.'
+
+'I admire your honesty, Biffen,' said Reardon, sighing. 'You will
+never sell work of this kind, yet you have the courage to go on
+with it because you believe in it.'
+
+'I don't know; I may perhaps sell it some day.'
+
+'In the meantime,' said Reardon, laying down his pipe, 'suppose
+we eat a morsel of something. I'm rather hungry.'
+
+In the early days of his marriage Reardon was wont to offer the
+friends who looked in on Sunday evening a substantial supper; by
+degrees the meal had grown simpler, until now, in the depth of
+his poverty, he made no pretence of hospitable entertainment. It
+was only because he knew that Biffen as often as not had nothing
+whatever to eat that he did not hesitate to offer him a slice of
+bread and butter and a cup of tea. They went into the back room,
+and over the Spartan fare continued to discuss aspects of
+fiction.
+
+'I shall never,' said Biffen, 'write anything like a dramatic
+scene. Such things do happen in life, but so very rarely that
+they are nothing to my purpose. Even when they happen,
+by-the-bye, it is in a shape that would be useless to the
+ordinary novelist; he would have to cut away this circumstance,
+and add that. Why? I should like to know. Such conventionalism
+results from stage necessities. Fiction hasn't yet outgrown the
+influence of the stage on which it originated. Whatever a man
+writes FOR EFFECT is wrong and bad.'
+
+'Only in your view. There may surely exist such a thing as the
+ART of fiction.'
+
+'It is worked out. We must have a rest from it. You, now--the
+best things you have done are altogether in conflict with
+novelistic conventionalities. It was because that blackguard
+review of "On Neutral Ground" clumsily hinted this that I first
+thought of you with interest. No, no; let us copy life. When the
+man and woman are to meet for a great scene of passion, let it
+all be frustrated by one or other of them having a bad cold in
+the head, and so on. Let the pretty girl get a disfiguring pimple
+on her nose just before the ball at which she is going to shine.
+Show the numberless repulsive features of common decent life.
+Seriously, coldly; not a hint of facetiousness, or the thing
+becomes different.'
+
+About eight o'clock Reardon heard his wife's knock at the door.
+On opening he saw not only Amy and the servant, the latter
+holding Willie in her arms, but with them Jasper Milvain.
+
+'I have been at Mrs Yule's,' Jasper explained as he came in.
+'Have you anyone here?'
+
+'Biffen.'
+
+'Ah, then we'll discuss realism.'
+
+'That's over for the evening. Greek metres also.'
+
+'Thank Heaven!'
+
+The three men seated themselves with joking and laughter, and the
+smoke of their pipes gathered thickly in the little room. It was
+half an hour before Amy joined them. Tobacco was no disturbance
+to her, and she enjoyed the kind of talk that was held on these
+occasions; but it annoyed her that she could no longer play the
+hostess at a merry supper-table.
+
+'Why ever are you sitting in your overcoat, Mr Biffen?' were her
+first words when she entered.
+
+'Please excuse me, Mrs Reardon. It happens to be more convenient
+this evening.'
+
+She was puzzled, but a glance from her husband warned her not to
+pursue the subject.
+
+Biffen always behaved to Amy with a sincerity of respect which
+had made him a favourite with her. To him, poor fellow, Reardon
+seemed supremely blessed. That a struggling man of letters should
+have been able to marry, and such a wife, was miraculous in
+Biffen's eyes. A woman's love was to him the unattainable ideal;
+already thirty-five years old, he had no prospect of ever being
+rich enough to assure himself a daily dinner; marriage was wildly
+out of the question. Sitting here, he found it very difficult not
+to gaze at Amy with uncivil persistency. Seldom in his life had
+he conversed with educated women, and the sound of this clear
+voice was always more delightful to him than any music.
+
+Amy took a place near to him, and talked in her most charming way
+of such things as she knew interested him. Biffen's deferential
+attitude as he listened and replied was in strong contrast with
+the careless ease which marked Jasper Milvain. The realist would
+never smoke in Amy's presence, but Jasper puffed jovial clouds
+even whilst she was conversing with him.
+
+'Whelpdale came to see me last night,' remarked Milvain,
+presently. 'His novel is refused on all hands. He talks of
+earning a living as a commission agent for some sewing-machine
+people.'
+
+'I can't understand how his book should be positively refused,'
+said Reardon. 'The last wasn't altogether a failure.'
+
+'Very nearly. And this one consists of nothing but a series of
+conversations between two people. It is really a dialogue, not a
+novel at all. He read me some twenty pages, and I no longer
+wondered that he couldn't sell it.'
+
+'Oh, but it has considerable merit,' put in Biffen. 'The talk is
+remarkably true.'
+
+'But what's the good of talk that leads to nothing?' protested
+Jasper.
+
+'It's a bit of real life.'
+
+'Yes, but it has no market value. You may write what you like, so
+long as people are willing to read you. Whelpdale's a clever
+fellow, but he can't hit a practical line.'
+
+'Like some other people I have heard of;' said Reardon, laughing.
+
+'But the odd thing is, that he always strikes one as practical-
+minded. Don't you feel that, Mrs Reardon?'
+
+He and Amy talked for a few minutes, and Reardon, seemingly lost
+in meditation, now and then observed them from the corner of his
+eye.
+
+At eleven o'clock husband and wife were alone again.
+
+'You don't mean to say,' exclaimed Amy, 'that Biffen has sold his
+coat?'
+
+'Or pawned it.'
+
+'But why not the overcoat?'
+
+'Partly, I should think, because it's the warmer of the two;
+partly, perhaps, because the other would fetch more.'
+
+'That poor man will die of starvation, some day, Edwin.'
+
+'I think it not impossible.'
+
+'I hope you gave him something to eat?'
+
+'Oh yes. But I could see he didn't like to take as much as he
+wanted. I don't think of him with so much pity as I used that's a
+result of suffering oneself.'
+
+Amy set her lips and sighed.
+
+
+
+CHAPTER XI. RESPITE
+
+The last volume was written in fourteen days. In this achievement
+Reardon rose almost to heroic pitch, for he had much to contend
+with beyond the mere labour of composition. Scarcely had he begun
+when a sharp attack of lumbago fell upon him; for two or three
+days it was torture to support himself at the desk, and he moved
+about like a cripple. Upon this ensued headaches, sore-throat,
+general enfeeblement. And before the end of the fortnight it was
+necessary to think of raising another small sum of money; he took
+his watch to the pawnbroker's (you can imagine that it would not
+stand as security for much), and sold a few more books. All this
+notwithstanding, here was the novel at length finished. When he
+had written 'The End' he lay back, closed his eyes, and let time
+pass in blankness for a quarter of an hour.
+
+It remained to determine the title. But his brain refused another
+effort; after a few minutes' feeble search he simply took the
+name of the chief female character, Margaret Home. That must do
+for the book. Already, with the penning of the last word, all its
+scenes, personages, dialogues had slipped away into oblivion; he
+knew and cared nothing more about them.
+
+'Amy, you will have to correct the proofs for me. Never as long
+as I live will I look upon a page of this accursed novel. It has
+all but killed me.'
+
+'The point is,' replied Amy, 'that here we have it complete. Pack
+it up and take it to the publishers' to-morrow morning.'
+
+'I will.'
+
+'And--you will ask them to advance you a few pounds?'
+
+'I must.'
+
+But that undertaking was almost as hard to face as a rewriting of
+the last volume would have been. Reardon had such superfluity of
+sensitiveness that, for his own part, he would far rather have
+gone hungry than ask for money not legally his due. To-day there
+was no choice. In the ordinary course of business it would be
+certainly a month before he heard the publishers' terms, and
+perhaps the Christmas season might cause yet more delay. Without
+borrowing, he could not provide for the expenses of more than
+another week or two.
+
+His parcel under his arm, he entered the ground-floor office, and
+desired to see that member of the firm with whom he had
+previously had personal relations. This gentleman was not in
+town; he would be away for a few days. Reardon left the
+manuscript, and came out into the street again.
+
+He crossed, and looked up at the publishers' windows from the
+opposite pavement. 'Do they suspect in what wretched
+circumstances I am? Would it surprise them to know all that
+depends upon that budget of paltry scribbling? I suppose not; it
+must be a daily experience with them. Well, I must write a
+begging letter.'
+
+It was raining and windy. He went slowly homewards, and was on
+the point of entering the public door of the flats when his
+uneasiness became so great that he turned and walked past. If he
+went in, he must at once write his appeal for money, and he felt
+that he could not. The degradation seemed too great.
+
+Was there no way of getting over the next few weeks? Rent, of
+course, would be due at Christmas, but that payment might be
+postponed; it was only a question of buying food and fuel. Amy
+had offered to ask her mother for a few pounds; it would be
+cowardly to put this task upon her now that he had promised to
+meet the difficulty himself. What man in all London could and
+would lend him money? He reviewed the list of his acquaintances,
+but there was only one to whom he could appeal with the slightest
+hope--that was Carter.
+
+Half an hour later he entered that same hospital door through
+which, some years ago, he had passed as a half-starved applicant
+for work. The matron met him.
+
+'Is Mr Carter here?'
+
+'No, sir. But we expect him any minute. Will you wait?'
+
+He entered the familiar office, and sat down. At the table where
+he had been wont to work, a young clerk was writing. If only all
+the events of the last few years could be undone, and he, with no
+soul dependent upon him, be once more earning his pound a week in
+this room! What a happy man he was in those days!
+
+Nearly half an hour passed. It is the common experience of
+beggars to have to wait. Then Carter came in with quick step; he
+wore a heavy ulster of the latest fashion, new gloves, a
+resplendent silk hat; his cheeks were rosy from the east wind.
+
+'Ha, Reardon! How do? how do? Delighted to see you!'
+
+'Are you very busy?'
+
+'Well, no, not particularly. A few cheques to sign, and we're
+just getting out our Christmas appeals. You remember?'
+
+He laughed gaily. There was a remarkable freedom from
+snobbishness in this young man; the fact of Reardon's
+intellectual superiority had long ago counteracted Carter's
+social prejudices.
+
+'I should like to have a word with you.'
+
+'Right you are!'
+
+They went into a small inner room. Reardon's pulse beat at fever-
+rate; his tongue was cleaving to his palate.
+
+'What is it, old man?' asked the secretary, seating himself and
+flinging one of his legs over the other. 'You look rather seedy,
+do you know. Why the deuce don't you and your wife look us up now
+and then?'
+
+'I've had a hard pull to finish my novel.'
+
+'Finished, is it? I'm glad to hear that. When'll it be out? I'll
+send scores of people to Mudie's after it.
+
+'Thanks; but I don't think much of it, to tell you the truth.'
+
+'Oh, we know what that means.'
+
+Reardon was talking like an automaton. It seemed to him that he
+turned screws and pressed levers for the utterance of his next
+words.
+
+'I may as well say at once what I have come for. Could you lend
+me ten pounds for a month--in fact, until I get the money for my
+book?'
+
+The secretary's countenance fell, though not to that expression
+of utter coldness which would have come naturally under the
+circumstances to a great many vivacious men. He seemed genuinely
+embarrassed.
+
+'By Jove! I--confound it! To tell you the truth, I haven't ten
+pounds to lend. Upon my word, I haven't, Reardon! These infernal
+housekeeping expenses! I don't mind telling you, old man, that
+Edith and I have been pushing the pace rather.' He laughed, and
+thrust his hands down into his trousers-pockets. 'We pay such a
+darned rent, you know--hundred and twenty-five. We've only just
+been saying we should have to draw it mild for the rest of the
+winter. But I'm infernally sorry; upon my word I am.'
+
+'And I am sorry to have annoyed you by the unseasonable request.'
+
+'Devilish seasonable, Reardon, I assure you!' cried the
+secretary, and roared at his joke. It put him into a better
+temper than ever, and he said at length: 'I suppose a fiver
+wouldn't be much use?--For a month, you say?--1 might manage a
+fiver, I think.'
+
+'It would be very useful. But on no account if ---'
+
+'No, no; I could manage a fiver, for a month. Shall I give you a
+cheque?'
+
+'I'm ashamed ---'
+
+'Not a bit of it! I'll go and write the cheque.'
+
+Reardon's face was burning. Of the conversation that followed
+when Carter again presented himself he never recalled a word. The
+bit of paper was crushed together in his hand. Out in the street
+again, he all but threw it away, dreaming for the moment that it
+was a 'bus ticket or a patent medicine bill.
+
+He reached home much after the dinner-hour. Amy was surprised at
+his long absence.
+
+'Got anything?' she asked.
+
+'Yes.'
+
+It was half his intention to deceive her, to say that the
+publishers had advanced him five pounds. But that would be his
+first word of untruth to Amy, and why should he be guilty of it?
+He told her all that had happened. The result of this frankness
+was something that he had not anticipated; Amy exhibited profound
+vexation.
+
+'Oh, you SHOULDN'T have done that!' she exclaimed. 'Why didn't
+you come home and tell me? I would have gone to mother at once.'
+
+'But does it matter?'
+
+'Of course it does,' she replied sharply. 'Mr Carter will tell
+his wife, and how pleasant that is?'
+
+'I never thought of that. And perhaps it wouldn't have seemed to
+me so annoying as it does to you.'
+
+'Very likely not.'
+
+She turned abruptly away, and stood at a distance in gloomy
+muteness.
+
+'Well,' she said at length, 'there's no helping it now. Come and
+have your dinner.'
+
+'You have taken away my appetite.'
+
+'Nonsense! I suppose you're dying of hunger.'
+
+They had a very uncomfortable meal, exchanging few words. On
+Amy's face was a look more resembling bad temper than anything
+Reardon had ever seen there. After dinner he went and sat alone
+in the study. Amy did not come near him. He grew stubbornly
+angry; remembering the pain he had gone through, he felt that
+Amy's behaviour to him was cruel. She must come and speak when
+she would.
+
+At six o'clock she showed her face in the doorway and asked if he
+would come to tea.
+
+'Thank you,' he replied, 'I had rather stay here.'
+
+'As you please.'
+
+And he sat alone until about nine. It was only then he
+recollected that he must send a note to the publishers, calling
+their attention to the parcel he had left. He wrote it, and
+closed with a request that they would let him hear as soon as
+they conveniently could. As he was putting on his hat and coat to
+go out and post the letter Amy opened the dining-room door.
+
+'You're going out?'
+
+'Yes.'
+
+'Shall you be long?'
+
+'I think not.'
+
+He was away only a few minutes. On returning he went first of all
+into the study, but the thought of Amy alone in the other room
+would not let him rest. He looked in and saw that she was sitting
+without a fire.
+
+'You can't stay here in the cold, Amy.'
+
+'I'm afraid I must get used to it,' she replied, affecting to be
+closely engaged upon some sewing.
+
+That strength of character which it had always delighted him to
+read in her features was become an ominous hardness. He felt his
+heart sink as he looked at her.
+
+'Is poverty going to have the usual result in our case?' he
+asked, drawing nearer.
+
+'I never pretended that I could be indifferent to it.'
+
+'Still, don't you care to try and resist it?'
+
+She gave no answer. As usual in conversation with an aggrieved
+woman it was necessary to go back from the general to the
+particular.
+
+'I'm afraid,' he said, 'that the Carters already knew pretty well
+how things were going with us.'
+
+'That's a very different thing. But when it comes to asking them
+for money--'
+
+'I'm very sorry. I would rather have done anything if I had known
+how it would annoy you.'
+
+'If we have to wait a month, five pounds will be very little use
+to us.'
+
+She detailed all manner of expenses that had to be met--outlay
+there was no possibility of avoiding so long as their life was
+maintained on its present basis.
+
+'However, you needn't trouble any more about it. I'll see to it.
+Now you are free from your book try to rest.'
+
+'Come and sit by the fire. There's small chance of rest for me if
+we are thinking unkindly of each other.'
+
+A doleful Christmas. Week after week went by and Reardon knew
+that Amy must have exhausted the money he had given her. But she
+made no more demands upon him, and necessaries were paid for in
+the usual way. He suffered from a sense of humiliation; sometimes
+he found it difficult to look in his wife's face.
+
+When the publishers' letter came it contained an offer of
+seventy-five pounds for the copyright of 'Margaret Home,'
+twenty-five more to be paid if the sale in three-volume form
+should reach a certain number of copies.
+
+Here was failure put into unmistakable figures. Reardon said to
+himself that it was all over with his profession of authorship.
+The book could not possibly succeed even to the point of
+completing his hundred pounds; it would meet with universal
+contempt, and indeed deserved nothing better.
+
+'Shall you accept this?' asked Amy, after dreary silence.
+
+'No one else would offer terms as good.'
+
+'Will they pay you at once?'
+
+'I must ask them to.'
+
+Well, it was seventy-five pounds in hand. The cheque came as soon
+as it was requested, and Reardon's face brightened for the
+moment. Blessed money! root of all good, until the world invent
+some saner economy.
+
+'How much do you owe your mother?' he inquired, without looking
+at Amy.
+
+'Six pounds,' she answered coldly.
+
+'And five to Carter; and rent, twelve pounds ten. We shall have a
+matter of fifty pounds to go on with.'
+
+
+
+CHAPTER XII. WORK WITHOUT HOPE
+
+The prudent course was so obvious that he marvelled at Amy's
+failing to suggest it. For people in their circumstances to be
+paying a rent of fifty pounds when a home could be found for half
+the money was recklessness; there would be no difficulty in
+letting the flat for this last year of their lease, and the cost
+of removal would be trifling. The mental relief of such a change
+might enable him to front with courage a problem in any case very
+difficult, and, as things were, desperate. Three months ago, in a
+moment of profoundest misery, he had proposed this step; courage
+failed him to speak of it again, Amy's look and voice were too
+vivid in his memory. Was she not capable of such a sacrifice for
+his sake? Did she prefer to let him bear all the responsibility
+of whatever might result from a futile struggle to keep up
+appearances?
+
+Between him and her there was no longer perfect confidence. Her
+silence meant reproach, and--whatever might have been the case
+before--there was no doubt that she now discussed him with her
+mother, possibly with other people. It was not likely that she
+concealed his own opinion of the book he had just finished; all
+their acquaintances would be prepared to greet its publication
+with private scoffing or with mournful shaking of the head. His
+feeling towards Amy entered upon a new phase. The stability of
+his love was a source of pain; condemning himself, he felt at the
+same time that he was wronged. A coldness which was far from
+representing the truth began to affect his manner and speech, and
+Amy did not seem to notice it, at all events she made no kind of
+protest. They no longer talked of the old subjects, but of those
+mean concerns of material life which formerly they had agreed to
+dismiss as quickly as possible. Their relations to each other--
+not long ago an inexhaustible topic--would not bear spoken
+comment; both were too conscious of the danger-signal when they
+looked that way.
+
+In the time of waiting for the publishers' offer, and now again
+when he was asking himself how he should use the respite granted
+him, Reardon spent his days at the British Museum. He could not
+read to much purpose, but it was better to sit here among
+strangers than seem to be idling under Amy's glance. Sick of
+imaginative writing, he turned to the studies which had always
+been most congenial, and tried to shape out a paper or two like
+those he had formerly disposed of to editors. Among his unused
+material lay a mass of notes he had made in a reading of Diogenes
+Laertius, and it seemed to him now that he might make something
+salable out of these anecdotes of the philosophers. In a happier
+mood he could have written delightfully on such a subject--not
+learnedly, but in the strain of a modern man whose humour and
+sensibility find free play among the classic ghosts; even now he
+was able to recover something of the light touch which had given
+value to his published essays.
+
+Meanwhile the first number of The Current had appeared, and
+Jasper Milvain had made a palpable hit. Amy spoke very often of
+the article called 'Typical Readers,' and her interest in its
+author was freely manifested. Whenever a mention of Jasper came
+under her notice she read it Out to her husband. Reardon smiled
+and appeared glad, but he did not care to discuss Milvain with
+the same frankness as formerly.
+
+One evening at the end of January he told Amy what he had been
+writing at the Museum, and asked her if she would care to hear it
+read.
+
+'I began to wonder what you were doing,' she replied.
+
+'Then why didn't you ask me?'
+
+'I was rather afraid to.'
+
+'Why afraid?'
+
+'It would have seemed like reminding you that--you know what I
+mean.'
+
+'That a month or two more will see us at the same crisis again.
+Still, I had rather you had shown an interest in my doings.'
+
+After a pause Amy asked:
+
+'Do you think you can get a paper of this kind accepted?'
+
+'It isn't impossible. I think it's rather well done. Let me read
+you a page--'
+
+'Where will you send it?' she interrupted.
+
+'To The Wayside.'
+
+'Why not try The Current? Ask Milvain to introduce you to Mr
+Fadge. They pay much better, you know.'
+
+'But this isn't so well suited for Fadge. And I much prefer to be
+independent, as long as it's possible.'
+
+'That's one of your faults, Edwin,' remarked his wife, mildly.
+'It's only the strongest men that can make their way
+independently. You ought to use every means that offers.'
+
+'Seeing that I am so weak?'
+
+'I didn't think it would offend you. I only meant---'
+
+'No, no; you are quite right. Certainly, I am one of the men who
+need all the help they can get. But I assure you, this thing
+won't do for The Current.'
+
+'What a pity you will go hack to those musty old times! Now think
+of that article of Milvain's. If only you could do something of
+that kind! What do people care about Diogenes and his tub and his
+lantern?'
+
+'My dear girl, Diogenes Laertius had neither tub nor lantern,
+that I know of. You are making a mistake; but it doesn't matter.'
+
+'No, I don't think it does.' The caustic note was not very
+pleasant on Amy's lips. 'Whoever he was, the mass of readers will
+be frightened by his name.'
+
+'Well, we have to recognise that the mass of readers will never
+care for anything I do.'
+
+'You will never convince me that you couldn't write in a popular
+way if you tried. I'm sure you are quite as clever as Milvain-- '
+
+Reardon made an impatient gesture.
+
+'Do leave Milvain aside for a little! He and I are as unlike as
+two
+
+men could be. What's the use of constantly comparing us?'
+
+Amy looked at him. He had never spoken to her so brusquely.
+
+'How can you say that I am constantly comparing you?'
+
+'If not in spoken words, then in your thoughts.'
+
+'That's not a very nice thing to say, Edwin.'
+
+'You make it so unmistakable, Amy. What I mean is, that you are
+always regretting the difference between him and me. You lament
+that I can't write in that attractive way. Well, I lament it
+myself--for your sake. I wish I had Milvain's peculiar talent, so
+that I could get reputation and money. But I haven't, and there's
+an end of it. It irritates a man to be perpetually told of his
+disadvantages.'
+
+'I will never mention Milvain's name again,' said Amy coldly.
+
+'Now that's ridiculous, and you know it.'
+
+'I feel the same about your irritation. I can't see that I have
+given any cause for it.'
+
+'Then we'll talk no more of the matter.'
+
+Reardon threw his manuscript aside and opened a book. Amy never
+asked him to resume his intention of reading what he had written.
+
+However, the paper was accepted. It came out in The Wayside for
+March, and Reardon received seven pounds ten for it. By that time
+he had written another thing of the same gossipy kind, suggested
+by Pliny's Letters. The pleasant occupation did him good, but
+there was no possibility of pursuing this course. 'Margaret Home'
+would be published in April; he might get the five-and-twenty
+pounds contingent upon a certain sale, yet that could in no case
+be paid until the middle of the year, and long before then he
+would be penniless. His respite drew to an end.
+
+But now he took counsel of no one; as far as it was possible he
+lived in solitude, never seeing those of his acquaintances who
+were outside the literary world, and seldom even his colleagues.
+Milvain was so busy that he had only been able to look in twice
+or thrice since Christmas, and Reardon nowadays never went to
+Jasper's lodgings.
+
+He had the conviction that all was over with the happiness of his
+married life, though how the events which were to express this
+ruin would shape themselves he could not foresee. Amy was
+revealing that aspect of her character to which he had been
+blind, though a practical man would have perceived it from the
+first; so far from helping him to support poverty, she perhaps
+would even refuse to share it with him. He knew that she was
+slowly drawing apart; already there was a divorce between their
+minds, and he tortured himself in uncertainty as to how far he
+retained her affections. A word of tenderness, a caress, no
+longer met with response from her; her softest mood was that of
+mere comradeship. All the warmth of her nature was expended upon
+the child; Reardon learnt how easy it is for a mother to forget
+that both parents have a share in her offspring.
+
+He was beginning to dislike the child. But for Willie's existence
+Amy would still love him with undivided heart; not, perhaps, so
+passionately as once, but still with lover's love. And Amy
+understoed --or, at all events, remarked--this change in him.
+She was aware that he seldom asked a question about Willie, and
+that he listened with indifference when she spoke of the little
+fellow's progress. In part offended, she was also in part
+pleased.
+
+But for the child, mere poverty, he said to himself, should never
+have sundered them. In the strength of his passion he could have
+overcome all her disappointments; and, indeed, but for that new
+care, he would most likely never have fallen to this extremity of
+helplessness. It is natural in a weak and sensitive man to dream
+of possibilities disturbed by the force of circumstance. For one
+hour which he gave to conflict with his present difficulties,
+Reardon spent many in contemplation of the happiness that might
+have been.
+
+Even yet, it needed but a little money to redeem all. Amy had no
+extravagant aspirations; a home of simple refinement and freedom
+from anxiety would restore her to her nobler self. How could he
+find fault with her? She knew nothing of such sordid life as he
+had gone through, and to lack money for necessities seemed to her
+degrading beyond endurance. Why, even the ordinary artisan's wife
+does not suffer such privations as hers at the end of the past
+year. For lack of that little money his life must be ruined. Of
+late he had often thought about the rich uncle, John Yule, who
+might perhaps leave something to Amy; but the hope was so
+uncertain. And supposing such a thing were to happen; would it be
+perfectly easy to live upon his wife's bounty--perhaps exhausting
+a small capital, so that, some years hence, their position would
+be no better than before? Not long ago, he could have taken
+anything from Amy's hand; would it be so simple since the change
+that had come between them?
+
+Having written his second magazine-article (it was rejected by
+two editors, and he had no choice but to hold it over until
+sufficient time had elapsed to allow of his again trying The
+Wayside), he saw that he must perforce plan another novel. But
+this time he was resolute not to undertake three volumes. The
+advertisements informed him that numbers of authors were
+abandoning that procrustean system; hopeless as he was, he might
+as well try his chance with a book which could be written in a
+few weeks. And why not a glaringly artificial story with a
+sensational title? It could not be worse than what he had last
+written.
+
+So, without a word to Amy, he put aside his purely intellectual
+work and began once more the search for a 'plot.' This was
+towards the end of February. The proofs of 'Margaret Home' were
+coming in day by day; Amy had offered to correct them, but after
+all he preferred to keep his shame to himself as long as
+possible, and with a hurried reading he dismissed sheet after
+sheet. His imagination did not work the more happily for this
+repugnant task; still, he hit at length upon a conception which
+seemed absurd enough for the purpose before him. Whether he could
+persevere with it even to the extent of one volume was very
+doubtful. But it should not be said of him that he abandoned his
+wife and child to penury without one effort of the kind that
+Milvain and Amy herself had recommended.
+
+Writing a page or two of manuscript daily, and with several
+holocausts to retard him, he had done nearly a quarter of the
+story when there came a note from Jasper telling of Mrs Milvain's
+death. He handed it across the breakfast-table to Amy, and
+watched her as she read it.
+
+'I suppose it doesn't alter his position,' Amy remarked, without
+much interest.
+
+'I suppose not appreciably. He told me once his mother had a
+sufficient income; but whatever she leaves will go to his
+sisters, I should think. He has never said much to me.'
+
+Nearly three weeks passed before they heard anything more from
+Jasper himself; then he wrote, again from the country, saying
+that he purposed bringing his sisters to live in London. Another
+week, and one evening he appeared at the door.
+
+A want of heartiness in Reardon's reception of him might have
+been explained as gravity natural under the circumstances. But
+Jasper had before this become conscious that he was not welcomed
+here quite so cheerily as in the old days. He remarked it
+distinctly on that evening when he accompanied Amy home from Mrs
+Yule's; since then he had allowed his pressing occupations to be
+an excuse for the paucity of his visits. It seemed to him
+perfectly intelligible that Reardon, sinking into literary
+insignificance, should grow cool to a man entering upon a
+successful career; the vein of cynicism in Jasper enabled him to
+pardon a weakness of this kind, which in some measure flattered
+him. But he both liked and respected Reardon, and at present he
+was in the mood to give expression to his warmer feelings.
+
+'Your book is announced, I see,' he said with an accent of
+pleasure, as soon as he had seated himself.
+
+'I didn't know it.'
+
+'Yes. "New novel by the author of 'On Neutral Ground.'" Down for
+the sixteenth of April. And I have a proposal to make about it.
+Will you let me ask Fadge to have it noticed in "Books of the
+Month," in the May Current?'
+
+'I strongly advise you to let it take its chance. The book isn't
+worth special notice, and whoever undertook to review it for
+Fadge would either have to lie, or stultify the magazine.'
+
+Jasper turned to Amy.
+
+'Now what is to be done with a man like this? What is one to say
+to him, Mrs Reardon?'
+
+'Edwin dislikes the book,' Amy replied, carelessly.
+
+'That has nothing to do with the matter. We know quite well that
+in anything he writes there'll be something for a well-disposed
+reviewer to make a good deal of. If Fadge will let me, I should
+do the thing myself.'
+
+Neither Reardon nor his wife spoke.
+
+'Of course,' went on Milvain, looking at the former, 'if you had
+rather I left it alone--'
+
+'I had much rather. Please don't say anything about it.'
+
+There was an awkward silence. Amy broke it by saying:
+
+'Are your sisters in town, Mr Milvain?'
+
+'Yes. We came up two days ago. I found lodgings for them not far
+from Mornington Road. Poor girls! they don't quite know where
+they are, yet. Of course they will keep very quiet for a time,
+then I must try to get friends for them. Well, they have one
+already--your cousin, Miss Yule. She has already been to see
+them.'
+
+'I'm very glad of that.'
+
+Amy took an opportunity of studying his face. There was again a
+silence as if of constraint. Reardon, glancing at his wife, said
+with hesitation:
+
+'When they care to see other visitors, I'm sure Amy would be very
+glad--'
+
+'Certainly!' his wife added.
+
+'Thank you very much. Of course I knew I could depend on Mrs
+Reardon to show them kindness in that way. But let me speak
+frankly of something. My sisters have made quite a friend of Miss
+Yule, since she was down there last year. Wouldn't that'--he
+turned to Amy--'cause you a little awkwardness?'
+
+Amy had a difficulty in replying. She kept her eyes on the
+ground.
+
+'You have had no quarrel with your cousin,' remarked Reardon.
+
+'None whatever. It's only my mother and my uncle.'
+
+'I can't imagine Miss Yule having a quarrel with anyone,' said
+Jasper. Then he added quickly: 'Well, things must shape
+themselves naturally. We shall see. For the present they will be
+fully occupied. Of course it's best that they should be. I shall
+see them every day, and Miss Yule will come pretty often, I dare
+say.'
+
+Reardon caught Amy's eye, but at once looked away again.
+
+'My word!' exclaimed Milvain, after a moment's meditation. 'It's
+well this didn't happen a year ago. The girls have no income;
+only a little cash to go on with. We shall have our work set.
+It's a precious lucky thing that I have just got a sort of
+footing.'
+
+Reardon muttered an assent.
+
+'And what are you doing now?' Jasper inquired suddenly.
+
+'Writing a one-volume story.'
+
+'I'm glad to hear that. Any special plan for its publication?'
+
+'No.'
+
+'Then why not offer it to Jedwood? He's publishing a series of
+one-volume novels. You know of Jedwood, don't you? He was
+Culpepper's manager; started business about half a year ago, and
+it looks as if he would do well. He married that woman--what's
+her name?--Who wrote "Mr Henderson's Wives"?'
+
+'Never heard of it.'
+
+'Nonsense!--Miss Wilkes, of course. Well, she married this fellow
+Jedwood, and there was a great row about something or other
+between him and her publishers. Mrs Boston Wright told me all
+about it. An astonishing woman that; a cyclopaedia of the day's
+small talk. I'm quite a favourite with her; she's promised to
+help the girls all she can. Well, but I was talking about
+Jedwood. Why not offer him this book of yours? He's eager to get
+hold of the new writers. Advertises hugely; he has the whole back
+page of The Study about every other week. I suppose Miss Wilkes's
+profits are paying for it. He has just given Markland two hundred
+pounds for a paltry little tale that would scarcely swell out to
+a volume. Markland told me himself. You know that I've scraped an
+acquaintance with him? Oh! I suppose I haven't seen you since
+then. He's a dwarfish fellow with only one eye. Mrs Boston Wright
+cries him up at every opportunity.'
+
+'Who IS Mrs Boston Wright?' asked Reardon, laughing impatiently.
+
+'Edits The English Girl, you know. She's had an extraordinary
+life. Was born in Mauritius--no, Ceylon--I forget; some such
+place. Married a sailor at fifteen. Was shipwrecked somewhere,
+and only restored to life after terrific efforts;--her story
+leaves it all rather vague. Then she turns up as a newspaper
+correspondent at the Cape. Gave up that, and took to some kind of
+farming, I forget where. Married again (first husband lost in
+aforementioned shipwreck), this time a Baptist minister, and
+began to devote herself to soup-kitchens in Liverpool. Husband
+burned to death, somewhere. She's next discovered in the thick of
+literary society in London. A wonderful woman, I assure you. Must
+be nearly fifty, but she looks twenty-five.'
+
+He paused, then added impulsively:
+
+'Let me take you to one of her evenings--nine on Thursday. Do
+persuade him, Mrs Reardon?'
+
+Reardon shook his head.
+
+'No, no. I should be horribly out of my element.'
+
+'I can't see why. You would meet all sorts of well-known people;
+those you ought to have met long ago. Better still, let me ask
+her to send an invitation for both of you. I'm sure you'd like
+her, Mrs Reardon. There's a good deal of humbug about her, it's
+true, but some solid qualities as well. No one has a word to say
+against her. And it's a splendid advertisement to have her for a
+friend. She'll talk about your books and articles till all is
+blue.'
+
+Amy gave a questioning look at her husband. But Reardon moved in
+an uncomfortable way.
+
+'We'll see about it,' he said. 'Some day, perhaps.'
+
+'Let me know whenever you feel disposed. But about Jedwood: I
+happen to know a man who reads for him.'
+
+'Heavens!' cried Reardon. 'Who don't you know?'
+
+'The simplest thing in the world. At present it's a large part of
+my business to make acquaintances. Why, look you; a man who has
+to live by miscellaneous writing couldn't get on without a vast
+variety of acquaintances. One's own brain would soon run dry; a
+clever fellow knows how to use the brains of other people.'
+
+Amy listened with an unconscious smile which expressed keen
+interest.
+
+'Oh,' pursued Jasper, 'when did you see Whelpdale last?'
+
+'Haven't seen him for a long time.'
+
+'You don't know what he's doing? The fellow has set up as a
+"literary adviser." He has an advertisement in The Study every
+week. "To Young Authors and Literary Aspirants"--something of the
+kind. "Advice given on choice of subjects, MSS. read, corrected,
+and recommended to publishers. Moderate terms." A fact! And
+what's more, he made six guineas in the first fortnight; so he
+says, at all events. Now that's one of the finest jokes I ever
+heard. A man who can't get anyone to publish his own books makes
+a living by telling other people how to write!'
+
+'But it's a confounded swindle!'
+
+'Oh, I don't know. He's capable of correcting the grammar of
+"literary aspirants," and as for recommending to publishers--
+well, anyone can recommend, I suppose.'
+
+Reardon's indignation yielded to laughter.
+
+'It's not impossible that he may thrive by this kind of thing.'
+
+'Not at all,' assented Jasper.
+
+Shortly after this he looked at his watch.
+
+'I must be off, my friends. I have something to write before I
+can go to my truckle-bed, and it'll take me three hours at least.
+
+Good-bye, old man. Let me know when your story's finished, and
+we'll talk about it. And think about Mrs Boston Wright; oh, and
+about that review in The Current. I wish you'd let me do it. Talk
+it over with your guide, philosopher, and friend.'
+
+He indicated Amy, who laughed in a forced way.
+
+When he was gone, the two sat without speaking for several
+minutes.
+
+'Do you care to make friends with those girls?' asked Reardon at
+length.
+
+'I suppose in decency I must call upon them?'
+
+'I suppose so.'
+
+'You may find them very agreeable.'
+
+'Oh yes.'
+
+They conversed with their own thoughts for a while. Then Reardon
+burst out laughing.
+
+'Well, there's the successful man, you see. Some day he'll live
+in a mansion, and dictate literary opinions to the universe.'
+
+'How has he offended you?'
+
+'Offended me? Not at all. I am glad of his cheerful prospects.'
+
+'Why should you refuse to go among those people? It might be good
+for you in several ways.'
+
+'If the chance had come when I was publishing my best work, I
+dare say I shouldn't have refused. But I certainly shall not
+present myself as the author of "Margaret Home," and the rubbish
+I'm now writing.'
+
+'Then you must cease to write rubbish.'
+
+'Yes. I must cease to write altogether.'
+
+'And do what?'
+
+'I wish to Heaven I knew!'
+
+
+
+CHAPTER XIII. A WARNING
+
+In the spring list of Mr Jedwood's publications, announcement was
+made of a new work by Alfred Yule. It was called 'English Prose
+in the Nineteenth Century,' and consisted of a number of essays
+(several of which had already seen the light in periodicals)
+strung into continuity. The final chapter dealt with contemporary
+writers, more especially those who served to illustrate the
+author's theme--that journalism is the destruction of prose
+style: on certain popular writers of the day there was an
+outpouring of gall which was not likely to be received as though
+it were sweet ointment. The book met with rather severe treatment
+in critical columns; it could scarcely be ignored (the safest
+mode of attack when one's author has no expectant public), and
+only the most skilful could write of it in a hostile spirit
+without betraying that some of its strokes had told. An evening
+newspaper which piqued itself on independence indulged in
+laughing appreciation of the polemical chapter, and the next day
+printed a scornful letter from a thinly-disguised correspondent
+who assailed both book and reviewer. For the moment people talked
+more of Alfred Yule than they had done since his memorable
+conflict with Clement Fadge.
+
+The publisher had hoped for this. Mr Jedwood was an energetic and
+sanguine man, who had entered upon his business with a
+determination to rival in a year or so the houses which had
+slowly risen into commanding stability. He had no great capital,
+but the stroke of fortune which had wedded him to a popular
+novelist enabled him to count on steady profit from one source,
+and boundless faith in his own judgment urged him to an initial
+outlay which made the prudent shake their heads. He talked much
+of 'the new era,' foresaw revolutions in publishing and
+book-selling, planned every week a score of untried ventures
+which should appeal to the democratic generation just maturing;
+in the meantime, was ready to publish anything which seemed
+likely to get talked about.
+
+The May number of The Current, in its article headed 'Books of
+the Month,' devoted about half a page to 'English Prose in the
+Nineteenth Century.' This notice was a consummate example of the
+flippant style of attack. Flippancy, the most hopeless form of
+intellectual vice, was a characterising note of Mr Fadge's
+periodical; his monthly comments on publications were already
+looked for with eagerness by that growing class of readers who
+care for nothing but what can be made matter of ridicule. The
+hostility of other reviewers was awkward and ineffectual compared
+with this venomous banter, which entertained by showing that in
+the book under notice there was neither entertainment nor any
+other kind of interest. To assail an author without increasing
+the number of his readers is the perfection of journalistic
+skill, and The Current, had it stood alone, would fully have
+achieved this end. As it was, silence might have been better
+tactics. But Mr Fadge knew that his enemy would smart under the
+poisoned pin-points, and that was something gained.
+
+On the day that The Current appeared, its treatment of Alfred
+Yule was discussed in Mr Jedwood's private office. Mr Quarmby,
+who had intimate relations with the publisher, happened to look
+in just as a young man (one of Mr Jedwood's 'readers') was
+expressing a doubt whether Fadge himself was the author of the
+review.
+
+'But there's Fadge's thumb-mark all down the page,' cried Mr
+Quarmby.
+
+'He inspired the thing, of course; but I rather think it was
+written by that fellow Milvain.'
+
+'Think so?' asked the publisher.
+
+'Well, I know with certainty that the notice of Markland's novel
+is his writing, and I have reasons for suspecting that he did
+Yule's book as well.'
+
+'Smart youngster, that,' remarked Mr Jedwood. 'Who is he, by-the-
+bye?'
+
+'Somebody's illegitimate son, I believe,' replied the source of
+trustworthy information, with a laugh. 'Denham says he met him in
+New York a year or two ago, under another name.
+
+'Excuse me,' interposed Mr Quarmby, 'there's some mistake in all
+that.'
+
+He went on to state what he knew, from Yule himself, concerning
+Milvain's history. Though in this instance a corrector, Mr
+Quarmby took an opportunity, a few hours later, of informing Mr
+Hinks that the attack on Yule in The Current was almost certainly
+written by young Milvain, with the result that when the rumour
+reached Yule's ears it was delivered as an undoubted and
+well-known fact.
+
+It was a month prior to this that Milvain made his call upon
+Marian Yule, on the Sunday when her father was absent. When told
+of the visit, Yule assumed a manner of indifference, but his
+daughter understood that he was annoyed. With regard to the
+sisters who would shortly be living in London, he merely said
+that Marian must behave as discretion directed her. If she wished
+to invite the Miss Milvains to St Paul's Crescent, he only begged
+that the times and seasons of the household might not be
+disturbed.
+
+As her habit was, Marian took refuge in silence. Nothing could
+have been more welcome to her than the proximity of Maud and
+Dora, but she foresaw that her own home would not be freely open
+to them; perhaps it might be necessary to behave with simple
+frankness, and let her friends know the embarrassments of the
+situation. But that could not be done in the first instance; the
+unkindness would seem too great. A day after the arrival of the
+girls, she received a note from Dora, and almost at once replied
+to it by calling at her friends' lodgings. A week after that,
+Maud and Dora came to St Paul's Crescent; it was Sunday, and Mr
+Yule purposely kept away from home. They had only been once to
+the house since then, again without meeting Mr Yule. Marian,
+however, visited them at their lodgings frequently; now and then
+she met Jasper there. The latter never spoke of her father, and
+there was no question of inviting him to repeat his call.
+
+In the end, Marian was obliged to speak on the subject with her
+mother. Mrs Yule offered an occasion by asking when the Miss
+Milvains were coming again.
+
+'I don't think I shall ever ask them again,' Marian replied.
+
+Her mother understood, and looked troubled.
+
+'I must tell them how it is, that's all,' the girl went on. 'They
+are sensible; they won't be offended with me.'
+
+'But your father has never had anything to say against them,'
+urged Mrs Yule. 'Not a word to me, Marian. I'd tell you the truth
+if he had.'
+
+'It's too disagreeable, all the same. I can't invite them here
+with pleasure. Father has grown prejudiced against them all, and
+he won't change. No, I shall just tell them.'
+
+'It's very hard for you,' sighed her mother. 'If I thought I
+could do any good by speaking--but I can't, my dear.'
+
+'I know it, mother. Let us go on as we did before.'
+
+The day after this, when Yule came home about the hour of dinner,
+he called Marian's name from within the study. Marian had not
+left the house to-day; her work had been set, in the shape of a
+long task of copying from disorderly manuscript. She left the
+sitting-room in obedience to her father's summons.
+
+'Here's something that will afford you amusement,' he said,
+holding to her the new number of The Current, and indicating the
+notice of his book.
+
+She read a few lines, then threw the thing on to the table.
+
+'That kind of writing sickens me,' she exclaimed, with anger in
+her eyes. 'Only base and heartless people can write in that way.
+You surely won't let it trouble you?'
+
+'Oh, not for a moment,' her father answered, with exaggerated
+show of calm. 'But I am surprised that you don't see the literary
+merit of the work. I thought it would distinctly appeal to you.'
+
+There was a strangeness in his voice, as well as in the words,
+which caused her to look at him inquiringly. She knew him well
+enough to understand that such a notice would irritate him
+profoundly; but why should he go out of his way to show it her,
+and with this peculiar acerbity of manner?
+
+'Why do you say that, father?'
+
+'It doesn't occur to you who may probably have written it?'
+
+She could not miss his meaning; astonishment held her mute for a
+moment, then she said:
+
+'Surely Mr Fadge wrote it himself?'
+
+'I am told not. I am informed on very good authority that one of
+his young gentlemen has the credit of it.'
+
+'You refer, of course, to Mr Milvain,' she replied quietly. 'But
+I think that can't be true.'
+
+He looked keenly at her. He had expected a more decided protest.
+
+'I see no reason for disbelieving it.'
+
+'I see every reason, until I have your evidence.'
+
+This was not at all Marian's natural tone in argument with him.
+She was wont to be submissive.
+
+'I was told,' he continued, hardening face and voice, 'by someone
+who had it from Jedwood.'
+
+Yule was conscious of untruth in this statement, but his mood
+would not allow him to speak ingenuously, and he wished to note
+the effect upon Marian of what he said. There were two beliefs in
+him: on the one hand, he recognised Fadge in every line of the
+writing; on the other, he had a perverse satisfaction in
+convincing himself that it was Milvain who had caught so
+successfully the master's manner. He was not the kind of man who
+can resist an opportunity of justifying, to himself and others, a
+course into which he has been led by mingled feelings, all more
+or less unjustifiable.
+
+'How should Jedwood know?' asked Marian.
+
+Yule shrugged his shoulders.
+
+'As if these things didn't get about among editors and
+publishers!'
+
+'In this case, there's a mistake.'
+
+'And why, pray?' His voice trembled with choler. 'Why need there
+be a mistake?'
+
+'Because Mr Milvain is quite incapable of reviewing your book in
+such a spirit.'
+
+'There is your mistake, my girl. Milvain will do anything that's
+asked of him, provided he's well enough paid.'
+
+Marian reflected. When she raised her eyes again they were
+perfectly calm.
+
+'What has led you to think that?'
+
+'Don't I know the type of man? Noscitur ex sociis--have you Latin
+enough for that?'
+
+'You'll find that you are misinformed,' Marian replied, and
+therewith went from the room.
+
+She could not trust herself to converse longer. A resentment such
+as her father had never yet excited in her--such, indeed, as she
+had seldom, if ever, conceived--threatened to force utterance for
+itself in words which would change the current of her whole life.
+She saw her father in his worst aspect, and her heart was shaken
+by an unnatural revolt from him. Let his assurance of what he
+reported be ever so firm, what right had he to make this use of
+it? His behaviour was spiteful. Suppose he entertained suspicions
+which seemed to make it his duty to warn her against Milvain,
+this was not the way to go about it. A father actuated by simple
+motives of affection would never speak and look thus.
+
+It was the hateful spirit of literary rancour that ruled him; the
+spirit that made people eager to believe all evil, that blinded
+and maddened. Never had she felt so strongly the unworthiness of
+the existence to which she was condemned. That contemptible
+review, and now her father's ignoble passion--such things were
+enough to make all literature appear a morbid excrescence upon
+human life.
+
+Forgetful of the time, she sat in her bedroom until a knock at
+the door, and her mother's voice, admonished her that dinner was
+waiting. An impulse all but caused her to say that she would
+rather not go down for the meal, that she wished to be left
+alone. But this would be weak peevishness. She just looked at the
+glass to see that her face bore no unwonted signs, and descended
+to take her place as usual.
+
+Throughout the dinner there passed no word of conversation. Yule
+was at his blackest; he gobbled a few mouthfuls, then occupied
+himself with the evening paper. On rising, he said to Marian:
+
+'Have you copied the whole of that?'
+
+The tone would have been uncivil if addressed to an impertinent
+servant.
+
+'Not much more than half,' was the cold reply.
+
+'Can you finish it to-night?'
+
+'I'm afraid not. I am going out.'
+
+'Then I must do it myself'
+
+And he went to the study.
+
+Mrs Yule was in an anguish of nervousness.
+
+'What is it, dear?' she asked of Marian, in a pleading whisper.
+'Oh, don't quarrel with your father! Don't!'
+
+'I can't be a slave, mother, and I can't be treated unjustly.'
+
+'What is it? Let me go and speak to him.'
+
+'It's no use. We CAN'T live in terror.'
+
+For Mrs Yule this was unimaginable disaster. She had never dreamt
+that Marian, the still, gentle Marian, could be driven to revolt.
+And it had come with the suddenness of a thunderclap. She wished
+to ask what had taken place between father and daughter in the
+brief interview before dinner; but Marian gave her no chance,
+quitting the room upon those last trembling words.
+
+The girl had resolved to visit her friends, the sisters, and tell
+them that in future they must never come to see her at home. But
+it was no easy thing for her to stifle her conscience, and leave
+her father to toil over that copying which had need of being
+finished. Not her will, but her exasperated feeling, had replied
+to him that she would not do the work; already it astonished her
+that she had really spoken such words. And as the throbbing of
+her pulses subsided, she saw more clearly into the motives of
+this wretched tumult which possessed her. Her mind was harassed
+with a fear lest in defending Milvain she had spoken foolishly.
+Had he not himself said to her that he might be guilty of base
+things, just to make his way? Perhaps it was the intolerable pain
+of imagining that he had already made good his words, which
+robbed her of self-control and made her meet her father's
+rudeness with defiance.
+
+Impossible to carry out her purpose; she could not deliberately
+leave the house and spend some hours away with the thought of
+such wrath and misery left behind her. Gradually she was
+returning to her natural self; fear and penitence were chill at
+her heart.
+
+She went down to the study, tapped, and entered.
+
+'Father, I said something that I did not really mean. Of course I
+shall go on with the copying and finish it as soon as possible.'
+
+'You will do nothing of the kind, my girl.' He was in his usual
+place, already working at Marian's task; he spoke in a low, thick
+voice. 'Spend your evening as you choose, I have no need of you.'
+
+'I behaved very ill-temperedly. Forgive me, father.'
+
+'Have the goodness to go away. You hear me?'
+
+His eyes were inflamed, and his discoloured teeth showed
+themselves savagely. Marian durst not, really durst not approach
+him. She hesitated, but once more a sense of hateful injustice
+moved within her, and she went away as quietly as she had
+entered.
+
+She said to herself that now it was her perfect right to go
+whither she would. But the freedom was only in theory; her
+submissive and timid nature kept her at home--and upstairs in her
+own room; for, if she went to sit with her mother, of necessity
+she must talk about what had happened, and that she felt unable
+to do. Some friend to whom she could unbosom all her sufferings
+would now have been very precious to her, but Maud and Dora were
+her only intimates, and to them she might not make the full
+confession which gives solace.
+
+Mrs Yule did not venture to intrude upon her daughter's privacy.
+That Marian neither went out nor showed herself in the house
+proved her troubled state, but the mother had no confidence in
+her power to comfort. At the usual time she presented herself in
+the study with her husband's coffee; the face which was for an
+instant turned to her did not invite conversation, but distress
+obliged her to speak.
+
+'Why are you cross with Marian, Alfred?'
+
+'You had better ask what she means by her extraordinary
+behaviour.'
+
+A word of harsh rebuff was the most she had expected. Thus
+encouraged, she timidly put another question.
+
+'How has she behaved?'
+
+'I suppose you have ears?'
+
+'But wasn't there something before that? You spoke so angry to
+her.'
+
+'Spoke so angry, did I? She is out, I suppose?'
+
+'No, she hasn't gone out.'
+
+'That'll do. Don't disturb me any longer.'
+
+She did not venture to linger.
+
+The breakfast next morning seemed likely to pass without any
+interchange of words. But when Yule was pushing back his chair,
+Marian--who looked pale and ill--addressed a question to him
+about the work she would ordinarily have pursued to-day at the
+Reading-room. He answered in a matter-of-fact tone, and for a few
+minutes they talked on the subject much as at any other time.
+Half an hour after, Marian set forth for the Museum in the usual
+way. Her father stayed at home.
+
+It was the end of the episode for the present. Marian felt that
+the best thing would be to ignore what had happened, as her
+father evidently purposed doing. She had asked his forgiveness,
+and it was harsh in him to have repelled her; but by now she was
+able once more to take into consideration all his trials and
+toils, his embittered temper and the new wound he had received.
+That he should resume his wonted manner was sufficient evidence
+of regret on his part. Gladly she would have unsaid her resentful
+words; she had been guilty of a childish outburst of temper, and
+perhaps had prepared worse sufferings for the future.
+
+And yet, perhaps it was as well that her father should be warned.
+She was not all submission, he might try her beyond endurance;
+there might come a day when perforce she must stand face to face
+with him, and make it known she had her own claims upon life. It
+was as well he should hold that possibility in view.
+
+This evening no work was expected of her. Not long after dinner
+she prepared for going out; to her mother she mentioned she
+should be back about ten o'clock.
+
+'Give my kind regards to them, dear--if you like to,' said Mrs
+Yule just above her breath.
+
+'Certainly I will.'
+
+
+
+CHAPTER XIV. ECRUITS
+
+Marian walked to the nearest point of Camden Road, and there
+waited for an omnibus, which conveyed her to within easy reach of
+the street where Maud and Dora Milvain had their lodgings. This
+was at the north-east of Regent's Park, and no great distance
+from Mornington Road, where Jasper still dwelt.
+
+On learning that the young ladies were at home and alone, she
+ascended to the second floor and knocked.
+
+'That's right!' exclaimed Dora's pleasant voice, as the door
+opened and the visitor showed herself And then came the friendly
+greeting which warmed Marian's heart, the greeting which until
+lately no house in London could afford her.
+
+The girls looked oddly out of place in this second-floor sitting-
+room, with its vulgar furniture and paltry ornaments. Maud
+especially so, for her fine figure was well displayed by the
+dress of mourning, and her pale, handsome face had as little
+congruence as possible with a background of humble circumstances.
+
+Dora impressed one as a simpler nature, but she too had
+distinctly the note of refinement which was out of harmony with
+these surroundings. They occupied only two rooms, the
+sleeping-chamber being double-bedded; they purchased food for
+themselves and prepared their own meals, excepting dinner. During
+the first week a good many tears were shed by both of them; it
+was not easy to transfer themselves from the comfortable country
+home to this bare corner of lodgers' London. Maud, as appeared at
+the first glance, was less disposed than her sister to make the
+best of things; her countenance wore an expression rather of
+discontent than of sorrow, and she did not talk with the same
+readiness as Dora.
+
+On the round table lay a number of books; when disturbed, the
+sisters had been engaged in studious reading.
+
+'I'm not sure that I do right in coming again so soon,' said
+Marian as she took off her things. 'Your time is precious.'
+
+'So are you,' replied Dora, laughing. 'It's only under protest
+that we work in the evening when we have been hard at it all
+day.'
+
+'We have news for you, too,' said Maud, who sat languidly on an
+uneasy chair.
+
+'Good, I hope?'
+
+'Someone called to see us yesterday. I dare say you can guess who
+it was.'
+
+'Amy, perhaps?'
+
+'Yes.'
+
+'And how did you like her?'
+
+The sisters seemed to have a difficulty in answering. Dora was
+the first to speak.
+
+'We thought she was sadly out of spirits. Indeed she told us that
+she hasn't been very well lately. But I think we shall like her
+if we come to know her better.'
+
+'It was rather awkward, Marian,' the elder sister explained. 'We
+felt obliged to say something about Mr Reardon's books, but we
+haven't read any of them yet, you know, so I just said that I
+hoped soon to read his new novel. "I suppose you have seen
+reviews of it?" she asked at once. Of course I ought to have had
+the courage to say no, but I admitted that I had seen one or two
+-- Jasper showed us them. She looked very much annoyed, and after
+that we didn't find much to talk about.'
+
+'The reviews are very disagreeable,' said Marian with a troubled
+face. 'I have read the book since I saw you the other day, and I
+am afraid it isn't good, but I have seen many worse novels more
+kindly reviewed.'
+
+'Jasper says it's because Mr Reardon has no friends among the
+journalists.'
+
+'Still,' replied Marian, 'I'm afraid they couldn't have given the
+book much praise, if they wrote honestly. Did Amy ask you to go
+and see her?'
+
+'Yes, but she said it was uncertain how long they would be living
+at their present address. And really. we can't feel sure whether
+we should be welcome or not just now.'
+
+Marian listened with bent head. She too had to make known to her
+friends that they were not welcome in her own home; but she knew
+not how to utter words which would sound so unkind.
+
+'Your brother,' she said after a pause, 'will soon find suitable
+friends for you.'
+
+'Before long,' replied Dora, with a look of amusement, 'he's
+going to take us to call on Mrs Boston Wright. I hardly thought
+he was serious at first, but he says he really means it.'
+
+Marian grew more and more silent. At home she had felt that it
+would not be difficult to explain her troubles to these
+sympathetic girls, but now the time had come for speaking, she
+was oppressed by shame and anxiety. True, there was no absolute
+necessity for making the confession this evening, and if she
+chose to resist her father's prejudice, things might even go on
+in a seemingly natural way. But the loneliness of her life had
+developed in her a sensitiveness which could not endure
+situations such as the present; difficulties which are of small
+account to people who take their part in active social life,
+harassed her to the destruction of all peace. Dora was not long
+in noticing the dejected mood which had come upon her friend.
+
+'What's troubling you, Marian?'
+
+'Something I can hardly bear to speak of. Perhaps it will be the
+end of your friendship for me, and I should find it very hard to
+go back to my old solitude.'
+
+The girls gazed at her, in doubt at first whether she spoke
+seriously.
+
+'What can you mean?' Dora exclaimed. 'What crime have you been
+committing?'
+
+Maud, who leaned with her elbows on the table, searched Marian's
+face curiously, but said nothing.
+
+'Has Mr Milvain shown you the new number of The Current?' Marian
+went on to ask.
+
+They replied with a negative, and Maud added:
+
+'He has nothing in it this month, except a review.'
+
+'A review?' repeated Marian in a low voice.
+
+'Yes; of somebody's novel.'
+
+'Markland's,' supplied Dora.
+
+Marian drew a breath, but remained for a moment with her eyes
+cast down.
+
+'Do go on, dear,' urged Dora. 'Whatever are you going to tell
+us?'
+
+'There's a notice of father's book,' continued the other, 'a very
+ill-natured one; it's written by the editor, Mr Fadge. Father and
+he have been very unfriendly for a long time. Perhaps Mr Milvain
+has told you something about it?'
+
+Dora replied that he had.
+
+'I don't know how it is in other professions,' Marian resumed,
+'but I hope there is less envy, hatred and malice than in this of
+ours. The name of literature is often made hateful to me by the
+things I hear and read. My father has never been very fortunate,
+and many things have happened to make him bitter against the men
+who succeed; he has often quarrelled with people who were at
+first his friends, but never so seriously with anyone as with Mr
+Fadge. His feeling of enmity goes so far that it includes even
+those who are in any way associated with Mr Fadge. I am sorry to
+say'--she looked with painful anxiety from one to the other of
+her hearers--'this has turned him against your brother, and-- '
+
+Her voice was checked by agitation.
+
+'We were afraid of this,' said Dora, in a tone of sympathy.
+
+'Jasper feared it might be the case,' added Maud, more coldly,
+though with friendliness.
+
+'Why I speak of it at all,' Marian hastened to say, 'is because I
+am so afraid it should make a difference between yourselves and
+me.'
+
+'Oh! don't think that!' Dora exclaimed.
+
+'I am so ashamed,' Marian went on in an uncertain tone, 'but I
+think it will be better if I don't ask you to come and see me. It
+sounds ridiculous; it is ridiculous and shameful. I couldn't
+complain if you refused to have anything more to do with me.'
+
+'Don't let it trouble you,' urged Maud, with perhaps a trifle
+more of magnanimity in her voice than was needful. We quite
+understand. Indeed, it shan't make any difference to us.'
+
+But Marian had averted her face, and could not meet these
+assurances with any show of pleasure. Now that the step was taken
+she felt that her behaviour had been very weak. Unreasonable
+harshness such as her father's ought to have been met more
+steadily; she had no right to make it an excuse for such
+incivility to her friends. Yet only in some such way as this
+could she make known to Jasper Milvain how her father regarded
+him, which she felt it necessary to do. Now his sisters would
+tell him, and henceforth there would be a clear understanding on
+both sides. That state of things was painful to her, but it was
+better than ambiguous relations.
+
+'Jasper is very sorry about it,' said Dora, glancing rapidly at
+Marian.
+
+'But his connection with Mr Fadge came about in such a natural
+way,' added the eldest sister. 'And it was impossible for him to
+refuse opportunities.'
+
+'Impossible; I know,' Marian replied earnestly. 'Don't think that
+I wish to justify my father. But I can understand him, and it
+must be very difficult for you to do so. You can't know, as I do,
+how intensely he has suffered in these wretched, ignoble
+quarrels. If only you will let me come here still, in the same
+way, and still be as friendly to me. My home has never been a
+place to which I could have invited friends with any comfort,
+even if I had had any to invite. There were always reasons--but I
+can't speak of them.'
+
+'My dear Marian,' appealed Dora, 'don't distress yourself so! Do
+believe that nothing whatever has happened to change our feeling
+to you. Has there, Maud?'
+
+'Nothing whatever. We are not unreasonable girls, Marian.'
+
+'I am more grateful to you than I can say.'
+
+It had seemed as if Marian must give way to the emotions which
+all but choked her voice; she overcame them, however, and
+presently was able to talk in pretty much her usual way, though
+when she smiled it was but faintly. Maud tried to lead her
+thoughts in another direction by speaking of work in which she
+and Dora were engaged. Already the sisters were doing a new piece
+of compilation for Messrs Jolly and Monk; it was more exacting
+than their initial task for the book market, and would take a
+much longer time.
+
+A couple of hours went by, and Marian had just spoken of taking
+her leave, when a man's step was heard rapidly ascending the
+nearest flight of stairs.
+
+'Here's Jasper,' remarked Dora, and in a moment there sounded a
+short, sharp summons at the door.
+
+Jasper it was; he came in with radiant face, his eyes blinking
+before the lamplight.
+
+'Well, girls! Ha! how do you do, Miss Yule? I had just the
+vaguest sort of expectation that you might be here. It seemed a
+likely night; I don't know why. I say, Dora, we really must get
+two or three decent easy-chairs for your room. I've seen some
+outside a second-hand furniture shop in Hampstead Road, about six
+shillings apiece. There's no sitting on chairs such as these.'
+
+That on which he tried to dispose himself, when he had flung
+aside his trappings, creaked and shivered ominously.
+
+'You hear? I shall come plump on to the floor, if I don't mind.
+My word, what a day I have had! I've just been trying what I
+really could do in one day if I worked my hardest. Now just
+listen; it deserves to be chronicled for the encouragement of
+aspiring youth. I got up at 7.30, and whilst I breakfasted I read
+through a volume I had to review. By 10.30 the review was
+written--three-quarters of a column of the Evening Budget.'
+
+'Who is the unfortunate author?' interrupted Maud, caustically.
+
+'Not unfortunate at all. I had to crack him up; otherwise I
+couldn't have done the job so quickly. It's the easiest thing in
+the world to write laudation; only an inexperienced grumbler
+would declare it was easier to find fault. The book was
+Billington's "Vagaries"; pompous idiocy, of course, but he lives
+in a big house and gives dinners. Well, from 10.30 to 11, I
+smoked a cigar and reflected, feeling that the day wasn't badly
+begun. At eleven I was ready to write my Saturday causerie for
+the Will o' the Wisp; it took me till close upon one o'clock,
+which was rather too long. I can't afford more than an hour and a
+half for that job. At one, I rushed out to a dirty little
+eating-house in Hampstead Road. Was back again by a quarter to
+two, having in the meantime sketched a paper for The West End.
+Pipe in mouth, I sat down to leisurely artistic work; by five,
+half the paper was done; the other half remains for to-morrow.
+From five to half-past I read four newspapers and two magazines,
+and from half-past to a quarter to six I jotted down several
+ideas that had come to me whilst reading. At six I was again in
+the dirty eating-house, satisfying a ferocious hunger. Home once
+more at 6.45, and for two hours wrote steadily at a long affair I
+have in hand for The Current. Then I came here, thinking hard all
+the way. What say you to this? Have I earned a night's repose?'
+
+'And what's the value of it all?' asked Maud.
+
+'Probably from ten to twelve guineas, if I calculated.'
+
+'I meant, what was the literary value of it?' said his sister,
+with a smile.
+
+'Equal to that of the contents of a mouldy nut.'
+
+'Pretty much what I thought.'
+
+'Oh, but it answers the purpose,' urged Dora, 'and it does no one
+any harm.'
+
+'Honest journey-work!' cried Jasper. 'There are few men in London
+capable of such a feat. Many a fellow could write more in
+quantity, but they couldn't command my market. It's rubbish, but
+rubbish of a very special kind, of fine quality.'
+
+Marian had not yet spoken, save a word or two in reply to
+Jasper's greeting; now and then she just glanced at him, but for
+the most part her eyes were cast down. Now Jasper addressed her.
+
+'A year ago, Miss Yule, I shouldn't have believed myself capable
+of such activity. In fact I wasn't capable of it then.'
+
+'You think such work won't be too great a strain upon you?' she
+asked.
+
+'Oh, this isn't a specimen day, you know. To-morrow I shall very
+likely do nothing but finish my West End article, in an easy two
+or three hours. There's no knowing; I might perhaps keep up the
+high pressure if I tried. But then I couldn't dispose of all the
+work. Little by little--or perhaps rather quicker than that--I
+shall extend my scope. For instance, I should like to do two or
+three leaders a week for one of the big dailies. I can't attain
+unto that just yet.'
+
+'Not political leaders?'
+
+'By no means. That's not my line. The kind of thing in which one
+makes a column out of what would fill six lines of respectable
+prose. You call a cigar a "convoluted weed," and so on, you know;
+that passes for facetiousness. I've never really tried my hand at
+that style yet; I shouldn't wonder if I managed it brilliantly.
+Some day I'll write a few exercises; just take two lines of some
+good prose writer, and expand them into twenty, in half-a-dozen
+different ways. Excellent mental gymnastics!'
+
+Marian listened to his flow of talk for a few minutes longer,
+then took the opportunity of a brief silence to rise and put on
+her hat. Jasper observed her, but without rising; he looked at
+his sisters in a hesitating way. At length he stood up, and
+declared that he too must be off. This coincidence had happened
+once before when he met Marian here in the evening.
+
+'At all events, you won't do any more work to-night,' said Dora.
+
+'No; I shall read a page of something or other over a glass of
+whisky, and seek the sleep of a man who has done his duty.'
+
+'Why the whisky?' asked Maud.
+
+'Do you grudge me such poor solace?'
+
+'I don't see the need of it.'
+
+'Nonsense, Maud!' exclaimed her sister. 'He needs a little
+stimulant when he works so hard.'
+
+Each of the girls gave Marian's hand a significant pressure as
+she took leave of them, and begged her to come again as soon as
+she had a free evening. There was gratitude in her eyes.
+
+The evening was clear, and not very cold.
+
+'It's rather late for you to go home,' said Jasper, as they left
+the house. 'May I walk part of the way with you?'
+
+Marian replied with a low 'Thank you.'
+
+'I think you get on pretty well with the girls, don't you?'
+
+'I hope they are as glad of my friendship as I am of theirs.'
+
+'Pity to see them in a place like that, isn't it? They ought to
+have a good house, with plenty of servants. It's bad enough for a
+civilised man to have to rough it, but I hate to see women living
+in a sordid way. Don't you think they could both play their part
+in a drawing-room, with a little experience?'
+
+'Surely there's no doubt of it.'
+
+'Maud would look really superb if she were handsomely dressed.
+She hasn't a common face, by any means. And Dora is pretty, I
+think. Well, they shall go and see some people before long. The
+difficulty is, one doesn't like it to be known that they live in
+such a crib; but I daren't advise them to go in for expense. One
+can't be sure that it would repay them, though-- Now, in my own
+case, if I could get hold of a few thousand pounds I should know
+how to use it with the certainty of return; it would save me,
+probably, a clear ten years of life; I mean, I should go at a
+jump to what I shall be ten years hence without the help of
+money. But they have such a miserable little bit of capital, and
+everything is still so uncertain. One daren't speculate under the
+circumstances.'
+
+Marian made no reply.
+
+'You think I talk of nothing but money?' Jasper said suddenly,
+looking down into her face.
+
+'I know too well what it means to be without money.'
+
+'Yes, but--you do just a little despise me?'
+
+'Indeed, I don't, Mr Milvain.'
+
+'If that is sincere, I'm very glad. I take it in a friendly
+sense. I am rather despicable, you know; it's part of my business
+to be so. But a friend needn't regard that. There is the man
+apart from his necessities.'
+
+The silence was then unbroken till they came to the lower end of
+Park Street, the junction of roads which lead to Hampstead, to
+Highgate, and to Holloway.
+
+'Shall you take an omnibus?' Jasper asked.
+
+She hesitated.
+
+'Or will you give me the pleasure of walking on with you? You are
+tired, perhaps?'
+
+'Not the least.'
+
+For the rest of her answer she moved forward, and they crossed
+into the obscurity of Camden Road.
+
+'Shall I be doing wrong, Mr Milvain,' Marian began in a very low
+voice, 'if I ask you about the authorship of something in this
+month's Current?'
+
+'I'm afraid I know what you refer to. There's no reason why I
+shouldn't answer a question of the kind.'
+
+'It was Mr Fadge himself who reviewed my father's book?'
+
+'It was--confound him! I don't know another man who could have
+done the thing so vilely well.'
+
+'I suppose he was only replying to my father's attack upon him
+and his friends.'
+
+'Your father's attack is honest and straightforward and
+justifiable and well put. I read that chapter of his book with
+huge satisfaction. But has anyone suggested that another than
+Fadge was capable of that masterpiece?'
+
+'Yes. I am told that Mr Jedwood, the publisher, has somehow made
+a mistake.'
+
+'Jedwood? And what mistake?'
+
+'Father heard that you were the writer.'
+
+'I?' Jasper stopped short. They were in the rays of a street-
+lamp, and could see each other's faces. 'And he believes that?'
+
+'I'm afraid so.'
+
+'And you believe--believed it?'
+
+'Not for a moment.'
+
+'I shall write a note to Mr Yule.'
+
+Marian was silent a while, then said:
+
+'Wouldn't it be better if you found a way of letting Mr Jedwood
+know the truth?'
+
+'Perhaps you are right.'
+
+Jasper was very grateful for the suggestion. In that moment he
+had reflected how rash it would be to write to Alfred Yule on
+such a subject, with whatever prudence in expressing himself.
+Such a letter, coming under the notice of the great Fadge, might
+do its writer serious harm.
+
+'Yes, you are right,' he repeated. 'I'll stop that rumour at its
+source. I can't guess how it started; for aught I know, some
+enemy hath done this, though I don't quite discern the motive.
+Thank you very much for telling me, and still more for refusing
+to believe that I could treat Mr Yule in that way, even as a
+matter of business. When I said that I was despicable, I didn't
+mean that I could sink quite to such a point as that. If only
+because it was your father--'
+
+He checked himself and they walked on for several yards without
+speaking.
+
+'In that case,' Jasper resumed at length, 'your father doesn't
+think of me in a very friendly way?'
+
+'He scarcely could--'
+
+'No, no. And I quite understand that the mere fact of my working
+for Fadge would prejudice him against me. But that's no reason, I
+hope, why you and I shouldn't be friends?'
+
+'I hope not.'
+
+'I don't know that my friendship is worth much,' Jasper
+continued, talking into the upper air, a habit of his when he
+discussed his own character. 'I shall go on as I have begun, and
+fight for some of the good things of life. But your friendship is
+valuable. If I am sure of it, I shall be at all events within
+sight of the better ideals.'
+
+Marian walked on with her eyes upon the ground. To her surprise
+she discovered presently that they had all but reached St Paul's
+Crescent.
+
+'Thank you for having come so far,' she said, pausing.
+
+'Ah, you are nearly home. Why, it seems only a few minutes since
+we left the girls. Now I'll run back to the whisky of which Maud
+disapproves.'
+
+'May it do you good!' said Marian with a laugh.
+
+A speech of this kind seemed unusual upon her lips. Jasper smiled
+as he held her hand and regarded her.
+
+'Then you can speak in a joking way?'
+
+'Do I seem so very dull?'
+
+'Dull, by no means. But sage and sober and reticent--and exactly
+what I like in my friend, because it contrasts with my own
+habits. All the better that merriment lies below it. Goodnight,
+Miss Yule.'
+
+He strode off and in a minute or two turned his head to look at
+the slight figure passing into darkness.
+
+Marian's hand trembled as she tried to insert her latch-key. When
+she had closed the door very quietly behind her she went to the
+sitting-room; Mrs Yule was just laying aside the sewing on which
+she had occupied herself throughout the lonely evening.
+
+'I'm rather late,' said the girl, in a voice of subdued
+joyousness.
+
+'Yes; I was getting a little uneasy, dear.'
+
+'Oh, there's no danger.'
+
+'You have been enjoying yourself, I can see.'
+
+'I have had a pleasant evening.'
+
+In the retrospect it seemed the pleasantest she had yet spent
+with her friends, though she had set out in such a different
+mood. Her mind was relieved of two anxieties; she felt sure that
+the girls had not taken ill what she told them, and there was no
+longer the least doubt concerning the authorship of that review
+in The Current.
+
+She could confess to herself now that the assurance from Jasper's
+lips was not superfluous. He might have weighed profit against
+other considerations, and have written in that way of her father;
+she had not felt that absolute confidence which defies every
+argument from human frailty. And now she asked herself if faith
+of that unassailable kind is ever possible; is it not only the
+poet's dream, the far ideal?
+
+Marian often went thus far in her speculation. Her candour was
+allied with clear insight into the possibilities of falsehood;
+she was not readily the victim of illusion; thinking much, and
+speaking little, she had not come to her twenty-third year
+without perceiving what a distance lay between a girl's dream of
+life as it might be and life as it is. Had she invariably
+disclosed her thoughts, she would have earned the repute of a
+very sceptical and slightly cynical person.
+
+But with what rapturous tumult of the heart she could abandon
+herself to a belief in human virtues when their suggestion seemed
+to promise her a future of happiness!
+
+Alone in her room she sat down only to think of Jasper Milvain,
+and extract from the memory of his words, his looks, new
+sustenance for her hungry heart. Jasper was the first man who had
+ever evinced a man's interest in her. Until she met him she had
+not known a look of compliment or a word addressed to her
+emotions. He was as far as possible from representing the lover
+of her imagination, but from the day of that long talk in the
+fields near Wattleborough the thought of him had supplanted
+dreams. On that day she said to herself: I could love him if he
+cared to seek my love. Premature, perhaps; why, yes, but one who
+is starving is not wont to feel reluctance at the suggestion of
+food. The first man who had approached her with display of
+feeling and energy and youthful self-confidence; handsome too, it
+seemed to her. Her womanhood went eagerly to meet him.
+
+Since then she had made careful study of his faults. Each
+conversation had revealed to her new weakness and follies. With
+the result that her love had grown to a reality.
+
+He was so human, and a youth of all but monastic seclusion had
+prepared her to love the man who aimed with frank energy at the
+joys of life. A taint of pedantry would have repelled her. She
+did not ask for high intellect or great attainments; but
+vivacity, courage, determination to succeed, were delightful to
+her senses. Her ideal would not have been a literary man at all;
+certainly not a man likely to be prominent in journalism; rather
+a man of action, one who had no restraints of commerce or
+official routine. But in Jasper she saw the qualities that
+attracted her apart from the accidents of his position. Ideal
+personages do not descend to girls who have to labour at the
+British Museum; it seemed a marvel to her, and of good augury,
+that even such a man as Jasper should have crossed her path.
+
+It was as though years had passed since their first meeting. Upon
+her return to London had followed such long periods of
+hopelessness. Yet whenever they encountered each other he had
+look and speech for her with which surely he did not greet every
+woman. From the first his way of regarding her had shown frank
+interest. And at length had come the confession of his 'respect,'
+his desire to be something more to her than a mere acquaintance.
+It was scarcely possible that he should speak as he several times
+had of late if he did not wish to draw her towards him.
+
+That was the hopeful side of her thoughts. It was easy to forget
+for a time those words of his which one might think were spoken
+as distinct warning; but they crept into the memory, unwelcome,
+importunate, as soon as imagination had built its palace of joy.
+Why did he always recur to the subject of money? 'I shall allow
+nothing to come in my way;' he once said that as if meaning,
+'certainly not a love affair with a girl who is penniless.' He
+emphasised the word 'friend,' as if to explain that he offered
+and asked nothing more than friendship.
+
+But it only meant that he would not be in haste to. declare
+himself. Of a certainty there was conflict between his ambition
+and his love, but she recognised her power over him and exulted
+in it. She had observed his hesitancy this evening, before he
+rose to accompany her from the house; her heart laughed within
+her as the desire drew him. And henceforth such meetings would be
+frequent, with each one her influence would increase. How kindly
+fate had dealt with her in bringing Maud and Dora to London!
+
+It was within his reach to marry a woman who would bring him
+wealth. He had that in mind; she understood it too well. But not
+one moment's advantage would she relinquish. He must choose her
+in her poverty, and be content with what his talents could earn
+for him. Her love gave her the right to demand this sacrifice;
+let him ask for her love, and the sacrifice would no longer seem
+one, so passionately would she reward him.
+
+He would ask it. To-night she was full of a rich confidence,
+partly, no doubt, the result of reaction from her miseries. He
+had said at parting that her character was so well suited to his;
+that he liked her. And then he had pressed her hand so warmly.
+Before long he would ask her love.
+
+The unhoped was all but granted her. She could labour on in the
+valley of the shadow of books, for a ray of dazzling sunshine
+might at any moment strike into its musty gloom.
+
+
+
+CHAPTER XV. THE LAST RESOURCE
+
+The past twelve months had added several years to Edwin Reardon's
+seeming age; at thirty-three he would generally have been taken
+for forty. His bearing, his personal habits, were no longer those
+of a young man; he walked with a stoop and pressed noticeably on
+the stick he carried; it was rare for him to show the countenance
+which tells of present cheerfulness or glad onward-looking; there
+was no spring in his step; his voice had fallen to a lower key,
+and often he spoke with that hesitation in choice of words which
+may be noticed in persons whom defeat has made self-distrustful.
+Ceaseless perplexity and dread gave a wandering, sometimes a
+wild, expression to his eyes.
+
+He seldom slept, in the proper sense of the word; as a rule he
+was conscious all through the night of 'a kind of fighting'
+between physical weariness and wakeful toil of the mind. It often
+happened that some wholly imaginary obstacle in the story he was
+writing kept him under a sense of effort throughout the dark
+hours; now and again he woke, reasoned with himself, and
+remembered clearly that the torment was without cause, but the
+short relief thus afforded soon passed in the recollection of
+real distress. In his unsoothing slumber he talked aloud,
+frequently wakening Amy; generally he seemed to be holding a
+dialogue with someone who had imposed an intolerable task upon
+him; he protested passionately, appealed, argued in the strangest
+way about the injustice of what was demanded. Once Amy heard him
+begging for money--positively begging, like some poor wretch in
+the street; it was horrible, and made her shed tears; when he
+asked what he had been saying, she could not bring herself to
+tell him.
+
+When the striking clocks summoned him remorselessly to rise and
+work he often reeled with dizziness. It seemed to him that the
+greatest happiness attainable would be to creep into some dark,
+warm corner, out of the sight and memory of men, and lie there
+torpid, with a blessed half-consciousness that death was slowly
+overcoming him. Of all the sufferings collected into each
+four-and-twenty hours this of rising to a new day was the worst.
+
+The one-volume story which he had calculated would take him four
+or five weeks was with difficulty finished in two months. March
+winds made an invalid of him; at one time he was threatened with
+bronchitis, and for several days had to abandon even the effort
+to work. In previous winters he had been wont to undergo a good
+deal of martyrdom from the London climate, but never in such a
+degree as now; mental illness seemed to have enfeebled his body.
+
+It was strange that he succeeded in doing work of any kind, for
+he had no hope from the result. This one last effort he would
+make, just to complete the undeniableness of his failure, and
+then literature should be thrown behind him; what other pursuit
+was possible to him he knew not, but perhaps he might discover
+some mode of earning a livelihood. Had it been a question of
+gaining a pound a week, as in the old days, he might have hoped
+to obtain some clerkship like that at the hospital, where no
+commercial experience or aptitude was demanded; but in his
+present position such an income would be useless. Could he take
+Amy and the child to live in a garret? On less than a hundred a
+year it was scarcely possible to maintain outward decency.
+Already his own clothing began to declare him poverty-stricken,
+and but for gifts from her mother Amy would have reached the like
+pass. They lived in dread of the pettiest casual expense, for the
+day of pennilessness was again approaching.
+
+Amy was oftener from home than had been her custom.
+
+Occasionally she went away soon after breakfast, and spent the
+whole day at her mother's house. 'It saves food,' she said with a
+bitter laugh, when Reardon once expressed surprise that she
+should be going again so soon.
+
+'And gives you an opportunity of bewailing your hard fate,' he
+returned coldly.
+
+The reproach was ignoble, and he could not be surprised that Amy
+left the house without another word to him. Yet he resented that,
+as he had resented her sorrowful jest. The feeling of unmanliness
+in his own position tortured him into a mood of perversity.
+Through the day he wrote only a few lines, and on Amy's return he
+resolved not to speak to her. There was a sense of repose in this
+change of attitude; he encouraged himself in the view that Amy
+was treating him with cruel neglect. She, surprised that her
+friendly questions elicited no answer, looked into his face and
+saw a sullen anger of which hitherto Reardon had never seemed
+capable. Her indignation took fire, and she left him to himself.
+
+For a day or two he persevered in his muteness, uttering a word
+only when it could not be avoided. Amy was at first so resentful
+that she contemplated leaving him to his ill-temper and dwelling
+at her mother's house until he chose to recall her. But his face
+grew so haggard in fixed misery that compassion at length
+prevailed over her injured pride. Late in the evening she went to
+the study, and found him sitting unoccupied.
+
+'Edwin--'
+
+'What do you want?' he asked indifferently.
+
+'Why are you behaving to me like this?'
+
+'Surely it makes no difference to you how I behave? You can
+easily forget that I exist, and live your own life.'
+
+'What have I done to make this change in you?'
+
+'Is it a change?'
+
+'You know it is.'
+
+'How did I behave before?' he asked, glancing at her.
+
+'Like yourself--kindly and gently.'
+
+'If I always did so, in spite of things that might have
+embittered another man's temper, I think it deserved some return
+of kindness from you.'
+
+'What "things" do you mean?'
+
+'Circumstances for which neither of us is to blame.'
+
+'I am not conscious of having failed in kindness,' said Amy,
+distantly.
+
+'Then that only shows that you have forgotten your old self, and
+utterly changed in your feeling to me. When we first came to live
+here could you have imagined yourself leaving me alone for long,
+miserable days, just because I was suffering under misfortunes?
+You have shown too plainly that you don't care to give me the
+help even of a kind word. You get away from me as often as you
+can, as if to remind me that we have no longer any interests in
+common. Other people are your confidants; you speak of me to them
+as if I were purposely dragging you down into a mean condition.'
+
+'How can you know what I say about you?'
+
+'Isn't it true?' he asked, flashing an angry glance at her.
+
+'It is not true. Of course I have talked to mother about our
+difficulties; how could I help it?'
+
+'And to other people.'
+
+'Not in a way that you could find fault with.'
+
+'In a way that makes me seem contemptible to them. You show them
+that I have made you poor and unhappy, and you are glad to have
+their sympathy.'
+
+'What you mean is, that I oughtn't to see anyone. There's no
+other way of avoiding such a reproach as this. So long as I don't
+laugh and sing before people, and assure them that things
+couldn't be more hopeful, I shall be asking for their sympathy,
+and against you. I can't understand your unreasonableness.'
+
+'I'm afraid there is very little in me that you can understand.
+So long as my prospects seemed bright, you could sympathise
+readily enough; as soon as ever they darkened, something came
+between us. Amy, you haven't done your duty. Your love hasn't
+stood the test as it should have done. You have given me no help;
+besides the burden of cheerless work I have had to bear that of
+your growing coldness. I can't remember one instance when you
+have spoken to me as a wife might--a wife who was something more
+than a man's housekeeper.'
+
+The passion in his voice and the harshness of the accusation made
+her unable to reply.
+
+'You said rightly,' he went on, 'that I have always been kind and
+gentle. I never thought I could speak to you or feel to you in
+any other way. But I have undergone too much, and you have
+deserted me. Surely it was too soon to do that. So long as I
+endeavoured my utmost, and loved you the same as ever, you might
+have remembered all you once said to me. You might have given me
+help, but you haven't cared to.'
+
+The impulses which had part in this outbreak were numerous and
+complex. He felt all that he expressed, but at the same time it
+seemed to him that he had the choice between two ways of uttering
+his emotion--the tenderly appealing and the sternly reproachful:
+he took the latter course because it was less natural to him than
+the former. His desire was to impress Amy with the bitter
+intensity of his sufferings; pathos and loving words seemed to
+have lost their power upon her, but perhaps if he yielded to that
+other form of passion she would be shaken out of her coldness.
+The stress of injured love is always tempted to speech which
+seems its contradiction. Reardon had the strangest mixture of
+pain and pleasure in flinging out these first words of wrath that
+he had ever addressed to Amy; they consoled him under the
+humiliating sense of his weakness, and yet he watched with dread
+his wife's countenance as she listened to him. He hoped to cause
+her pain equal to his own, for then it would be in his power at
+once to throw off this disguise and soothe her with every softest
+word his heart could suggest. That she had really ceased to love
+him he could not, durst not, believe; but his nature demanded
+frequent assurance of affection. Amy had abandoned too soon the
+caresses of their ardent time; she was absorbed in her maternity,
+and thought it enough to be her husband's friend. Ashamed to make
+appeal directly for the tenderness she no longer offered, he
+accused her of utter indifference, of abandoning him and all but
+betraying him, that in self-defence she might show what really
+was in her heart.
+
+But Amy made no movement towards him.
+
+'How can you say that I have deserted you?' she returned, with
+cold indignation. 'When did I refuse to share your poverty? When
+did I grumble at what we have had to go through?'
+
+'Ever since the troubles really began you have let me know what
+your thoughts were, even if you didn't speak them. You have never
+shared my lot willingly. I can't recall one word of encouragement
+from you, but many, many which made the struggle harder for me.'
+
+'Then it would be better for you if I went away altogether, and
+left you free to do the best for yourself. If that is what you
+mean by all this, why not say it plainly? I won't be a burden to
+you. Someone will give me a home.'
+
+'And you would leave me without regret? Your only care would be
+that you were still bound to me?'
+
+'You must think of me what you like. I don't care to defend
+myself.'
+
+'You won't admit, then, that I have anything to complain of? I
+seem to you simply in a bad temper without a cause?'
+
+'To tell you the truth, that's just what I do think. I came here
+to ask what I had done that you were angry with me, and you break
+out furiously with all sorts of vague reproaches. You have much
+to endure, I know that, but it's no reason why you should turn
+against me. I have never neglected my duty. Is the duty all on my
+side? I believe there are very few wives who would be as patient
+as I have been.'
+
+Reardon gazed at her for a moment, then turned away. The distance
+between them was greater than he had thought, and now he repented
+of having given way to an impulse so alien to his true feelings;
+anger only estranged her, whereas by speech of a different kind
+he might have won the caress for which he hungered.
+
+Amy, seeing that he would say nothing more, left him to himself.
+
+It grew late in the night. The fire had gone out, but Reardon
+still sat in the cold room. Thoughts of self-destruction were
+again haunting him, as they had done during the black months of
+last year. If he had lost Amy's love, and all through the mental
+impotence which would make it hard for him even to earn bread,
+why should he still live? Affection for his child had no weight
+with him; it was Amy's child rather than his, and he had more
+fear than pleasure in the prospect of Willie's growing to
+manhood.
+
+He had just heard the workhouse clock strike two, when, without
+the warning of a footstep, the door opened. Amy came in; she wore
+her dressing-gown, and her hair was arranged for the night.
+
+'Why do you stay here?' she asked.
+
+It was not the same voice as before. He saw that her eyes were
+red and swollen.
+
+'Have you been crying, Amy?'
+
+'Never mind. Do you know what time it is?'
+
+He went towards her.
+
+'Why have you been crying?'
+
+'There are many things to cry for.'
+
+'Amy, have you any love for me still, or has poverty robbed me of
+it all?'
+
+'I have never said that I didn't love you. Why do you accuse me
+of such things?'
+
+He took her in his arms and held her passionately and kissed her
+face again and again. Amy's tears broke forth anew.
+
+'Why should we come to such utter ruin?' she sobbed. 'Oh, try,
+try if you can't save us even yet! You know without my saying it
+that I do love you; it's dreadful to me to think all our happy
+life should be at an end, when we thought of such a future
+together. Is it impossible? Can't you work as you used to and
+succeed as we felt confident you would? Don't despair yet, Edwin;
+do, do try, whilst there is still time!'
+
+'Darling, darling--if only I COULD!'
+
+'I have thought of something, dearest. Do as you proposed last
+year; find a tenant for the flat whilst we still have a little
+money, and then go away into some quiet country place, where you
+can get back your health and live for very little, and write
+another book--a good book, that'll bring you reputation again. I
+and Willie can go and live at mother's for the summer months. Do
+this! It would cost you so little, living alone, wouldn't it?
+You would know that I was well cared for; mother would be willing
+to have me for a few months, and it's easy to explain that your
+health has failed, that you're obliged to go away for a time.'
+
+'But why shouldn't you go with me, if we are to let this place?'
+
+'We shouldn't have enough money. I want to free your mind from
+the burden whilst you are writing. And what is before us if we go
+on in this way? You don't think you will get much for what you're
+writing now, do you?'
+
+Reardon shook his head.
+
+'Then how can we live even till the end of the year? Something
+must be done, you know. If we get into poor lodgings, what hope
+is there that you'll be able to write anything good?'
+
+'But, Amy, I have no faith in my power of--'
+
+'Oh, it would be different! A few days--a week or a fortnight of
+real holiday in this spring weather. Go to some seaside place.
+How is it possible that all your talent should have left you?
+It's only that you have been so anxious and in such poor health.
+You say I don't love you, but I have thought and thought what
+would be best for you to do, how you could save yourself. How can
+you sink down to the position of a poor clerk in some office?
+That CAN'T be your fate, Edwin; it's incredible. Oh, after such
+bright hopes, make one more effort! Have you forgotten that we
+were to go to the South together--you were to take me to Italy
+and Greece? How can that ever be if you fail utterly in
+literature? How can you ever hope to earn more than bare
+sustenance at any other kind of work?'
+
+He all but lost consciousness of her words in gazing at the face
+she held up to his.
+
+'You love me? Say again that you love me!'
+
+'Dear, I love you with all my heart. But I am so afraid of the
+future. I can't bear poverty; I have found that I can't bear it.
+And I dread to think of your becoming only an ordinary man--'
+
+Reardon laughed.
+
+'But I am NOT "only an ordinary man," Amy! If I never write
+another line, that won't undo what I have done. It's little
+enough, to be sure; but you know what I am. Do you only love the
+author in me? Don't you think of me apart from all that I may do
+or not do? If I had to earn my living as a clerk, would that make
+me a clerk in soul?'
+
+'You shall not fall to that! It would be too bitter a shame to
+lose all you have gained in these long years of work. Let me plan
+for you; do as I wish. You are to be what we hoped from the
+first. Take all the summer months. How long will it be before you
+can finish this short book?'
+
+'A week or two.'
+
+'Then finish it, and see what you can get for it. And try at once
+to find a tenant to take this place off our hands; that would be
+twenty-five pounds saved for the rest of the year. You could live
+on so little by yourself, couldn't you?'
+
+'Oh, on ten shillings a week, if need be.'
+
+'But not to starve yourself, you know. Don't you feel that my
+plan is a good one? When I came to you to-night I meant to speak
+of this, but you were so cruel--'
+
+'Forgive me, dearest love! I was half a madman. You have been so
+cold to me for a long time.'
+
+'I have been distracted. It was as if we were drawing nearer and
+nearer to the edge of a cataract.'
+
+'Have you spoken to your mother about this?' he asked uneasily.
+
+'No--not exactly this. But I know she will help us in this way.'
+
+He had seated himself and was holding her in his arms, his face
+laid against hers.
+
+'I shall dread to part from you, Amy. That's such a dangerous
+thing to do. It may mean that we are never to live as husband and
+wife again.'
+
+'But how could it? It's just to prevent that danger. If we go on
+here till we have no money--what's before us then? Wretched
+lodgings at the best. And I am afraid to think of that. I can't
+trust myself if that should come to pass.'
+
+'What do you mean?' he asked anxiously.
+
+'I hate poverty so. It brings out all the worst things in me; you
+know I have told you that before, Edwin?'
+
+'But you would never forget that you are my wife?'
+
+'I hope not. But--I can't think of it; I can't face it! That
+would be the very worst that can befall us, and we are going to
+try our utmost to escape from it. Was there ever a man who did as
+much as you have done in literature and then sank into hopeless
+poverty?'
+
+'Oh, many!'
+
+'But at your age, I mean. Surely not at your age?'
+
+'I'm afraid there have been such poor fellows. Think how often
+one hears of hopeful beginnings, new reputations, and then--you
+hear no more. Of course it generally means that the man has gone
+into a different career; but sometimes, sometimes--'
+
+'What?'
+
+'The abyss.' He pointed downward. 'Penury and despair and a
+miserable death.'
+
+'Oh, but those men haven't a wife and child! They would struggle
+--'
+
+'Darling, they do struggle. But it's as if an ever-increasing
+weight were round their necks; it drags them lower and lower. The
+world has no pity on a man who can't do or produce something it
+thinks worth money. You may be a divine poet, and if some good
+fellow doesn't take pity on you you will starve by the roadside.
+Society is as blind and brutal as fate. I have no right to
+complain of my own ill-fortune; it's my own fault (in a sense)
+that I can't continue as well as I began; if I could write books
+as good as the early ones I should earn money. For all that, it's
+hard that I must be kicked aside as worthless just because I
+don't know a trade.'
+
+'It shan't be! I have only to look into your face to know that
+you will succeed after all. Yours is the kind of face that people
+come to know in portraits.'
+
+He kissed her hair, and her eyes, and her mouth.
+
+'How well I remember your saying that before! Why have you grown
+so good to me all at once, my Amy? Hearing you speak like that I
+feel there's nothing beyond my reach. But I dread to go away from
+you. If I find that it is hopeless; if I am alone somewhere, and
+know that the effort is all in vain--'
+
+'Then?'
+
+'Well, I can leave you free. If I can't support you, it will be
+only just that I should give you back your freedom.'
+
+'I don't understand--'
+
+She raised herself and looked into his eyes.
+
+'We won't talk of that. If you bid me go on with the struggle, I
+shall do so.'
+
+Amy had hidden her face, and lay silently in his arms for a
+minute or two. Then she murmured:
+
+'It is so cold here, and so late. Come!'
+
+'So early. There goes three o'clock.'
+
+The next day they talked much of this new project. As there was
+sunshine Amy accompanied her husband for his walk in the
+afternoon; it was long since they had been out together. An open
+carriage that passed, followed by two young girls on horseback,
+gave a familiar direction to Reardon's thoughts.
+
+'If one were as rich as those people! They pass so close to us;
+they see us, and we see them; but the distance between is
+infinity. They don't belong to the same world as we poor
+wretches. They see everything in a different light; they have
+powers which would seem supernatural if we were suddenly endowed
+with them.'
+
+'Of course,' assented his companion with a sigh.
+
+'Just fancy, if one got up in the morning with the thought that
+no reasonable desire that occurred to one throughout the day need
+remain ungratified! And that it would be the same, any day and
+every day, to the end of one's life! Look at those houses; every
+detail, within and without, luxurious. To have such a home as
+that!'
+
+'And they are empty creatures who live there.'
+
+'They do live, Amy, at all events. Whatever may be their
+faculties, they all have free scope. I have often stood staring
+at houses like these until I couldn't believe that the people
+owning them were mere human beings like myself. The power of
+money is so hard to realise; one who has never had it marvels at
+the completeness with which it transforms every detail of life.
+Compare what we call our home with that of rich people; it moves
+one to scornful laughter. I have no sympathy with the stoical
+point of view; between wealth and poverty is just the difference
+between the whole man and the maimed. If my lower limbs are
+paralysed I may still be able to think, but then there is such a
+thing in life as walking. As a poor devil I may live nobly; but
+one happens to be made with faculties of enjoyment, and those
+have to fall into atrophy. To be sure, most rich people don't
+understand their happiness; if they did, they would move and talk
+like gods--which indeed they are.'
+
+Amy's brow was shadowed. A wise man, in Reardon's position, would
+not have chosen this subject to dilate upon.
+
+'The difference,' he went on, 'between the man with money and the
+man without is simply this: the one thinks, "How shall I use my
+life?" and the other, "How shall I keep myself alive?" A
+physiologist ought to be able to discover some curious
+distinction between the brain of a person who has never given a
+thought to the means of subsistence, and that of one who has
+never known a day free from such cares. There must be some
+special cerebral development representing the mental anguish kept
+up by poverty.'
+
+'I should say,' put in Amy, 'that it affects every function of
+the brain. It isn't a special point of suffering, but a misery
+that colours every thought.'
+
+'True. Can I think of a single subject in all the sphere of my
+experience without the consciousness that I see it through the
+medium of poverty? I have no enjoyment which isn't tainted by
+that thought,. and I can suffer no pain which it doesn't
+increase. The curse of poverty is to the modern world just what
+that of slavery was to the ancient. Rich and destitute stand to
+each other as free man and bond. You remember the line of Homer I
+have often quoted about the demoralising effect of enslavement;
+poverty degrades in the same way.'
+
+'It has had its effect upon me--I know that too well,' said Amy,
+with bitter frankness.
+
+Reardon glanced at her, and wished to make some reply, but he
+could not say what was in his thoughts.
+
+He worked on at his story. Before he had reached the end of it,
+'Margaret Home' was published, and one day arrived a parcel
+containing the six copies to which an author is traditionally
+entitled. Reardon was not so old in authorship that he could open
+the packet without a slight flutter of his pulse. The book was
+tastefully got up; Amy exclaimed with pleasure as she caught
+sight of the cover and lettering:
+
+'It may succeed, Edwin. It doesn't look like a book that fails,
+does it?'
+
+She laughed at her own childishness. But Reardon had opened one
+of the volumes, and was glancing over the beginning of a chapter.
+
+'Good God!' he cried. 'What hellish torment it was to write that
+page! I did it one morning when the fog was so thick that I had
+to light the lamp. It brings cold sweat to my forehead to read
+the words. And to think that people will skim over it without a
+suspicion of what it cost the writer!--What execrable style! A
+potboy could write better narrative.'
+
+'Who are to have copies?'
+
+'No one, if I could help it. But I suppose your mother will
+expect one?'
+
+'And--Milvain?'
+
+'I suppose so,' he replied indifferently. 'But not unless he asks
+for it. Poor old Biffen, of course; though it'll make him despise
+me. Then one for ourselves. That leaves two--to light the fire
+with. We have been rather short of fire-paper since we couldn't
+afford our daily newspaper.'
+
+'Will you let me give one to Mrs Carter?'
+
+'As you please.'
+
+He took one set and added it to the row of his productions which
+stood on a topmost shelf Amy laid her hand upon his shoulder and
+contemplated the effect of this addition.
+
+'The works of Edwin Reardon,' she said, with a smile.
+
+'The work, at all events--rather a different thing,
+unfortunately. Amy, if only I were back at the time when I wrote
+"On Neutral Ground," and yet had you with me! How full my mind
+was in those days! Then I had only to look, and I saw something;
+now I strain my eyes, but can make out nothing more than nebulous
+grotesques. I used to sit down knowing so well what I had to say;
+now I strive to invent, and never come at anything. Suppose you
+pick up a needle with warm, supple fingers; try to do it when
+your hand is stiff and numb with cold; there's the difference
+between my manner of work in those days and what it is now.'
+
+'But you are going to get back your health. You will write better
+than ever.'
+
+'We shall see. Of course there was a great deal of miserable
+struggle even then, but I remember it as insignificant compared
+with the hours of contented work. I seldom did anything in the
+mornings except think and prepare; towards evening I felt myself
+getting ready, and at last I sat down with the first lines
+buzzing in my head. And I used to read a great deal at the same
+time. Whilst I was writing "On Neutral Ground" I went solidly
+through the "Divina Commedia," a canto each day. Very often I
+wrote till after midnight, but occasionally I got my quantum
+finished much earlier, and then I used to treat myself to a
+ramble about the streets. I can recall exactly the places where
+some of my best ideas came to me. You remember the scene in
+Prendergast's lodgings? That flashed on me late one night as I
+was turning out of Leicester Square into the slum that leads to
+Clare Market; ah, how well I remember! And I went home to my
+garret in a state of delightful fever, and scribbled notes
+furiously before going to bed.'
+
+'Don't trouble; it'll all come back to you.'
+
+'But in those days I hadn't to think of money. I could look
+forward and see provision for my needs. I never asked myself what
+I should get for the book; I assure you, that never came into my
+head--never. The work was done for its own sake. No hurry to
+finish it; if I felt that I wasn't up to the mark, I just waited
+till the better mood returned. "On Neutral Ground" took me seven
+months; now I have to write three volumes in nine weeks, with the
+lash stinging on my back if I miss a day.'
+
+He brooded for a little.
+
+'I suppose there must be some rich man somewhere who has read one
+or two of my books with a certain interest. If only I could
+encounter him and tell him plainly what a cursed state I am in,
+perhaps he would help me to some means of earning a couple of
+pounds a week. One has heard of such things.'
+
+'In the old days.'
+
+'Yes. I doubt if it ever happens now. Coleridge wouldn't so
+easily meet with his Gillman nowadays. Well, I am not a
+Coleridge, and I don't ask to be lodged under any man's roof; but
+if I could earn money enough to leave me good long evenings
+unspoilt by fear of the workhouse--'
+
+Amy turned away, and presently went to look after her little boy.
+
+A few days after this they had a visit from Milvain. He came
+about ten o'clock in the evening.
+
+'I'm not going to stay,' he announced. 'But where's my copy of
+"Margaret Home"? I am to have one, I suppose?'
+
+'I have no particular desire that you should read it,' returned
+Reardon.
+
+'But I HAVE read it, my dear fellow. Got it from the library on
+the day of publication; I had a suspicion that you wouldn't send
+me a copy. But I must possess your opera omnia.'
+
+'Here it is. Hide it away somewhere.--You may as well sit down
+for a few minutes.'
+
+'I confess I should like to talk about the book, if you don't
+mind. It isn't so utterly and damnably bad as you make out, you
+know. The misfortune was that you had to make three volumes of
+it. If I had leave to cut it down to one, it would do you credit.
+
+The motive is good enough.'
+
+'Yes. Just good enough to show how badly it's managed.'
+
+Milvain began to expatiate on that well-worn topic, the evils of
+the three-volume system.
+
+'A triple-headed monster, sucking the blood of English novelists.
+One might design an allegorical cartoon for a comic literary
+paper. By-the-bye, why doesn't such a thing exist?--a weekly
+paper treating of things and people literary in a facetious
+spirit. It would be caviare to the general, but might be
+supported, I should think. The editor would probably be
+assassinated, though.'
+
+'For anyone in my position,' said Reardon, 'how is it possible to
+abandon the three volumes? It is a question of payment. An author
+of moderate repute may live on a yearly three-volume novel--I
+mean the man who is obliged to sell his book out and out, and who
+gets from one to two hundred pounds for it. But he would have to
+produce four one-volume novels to obtain the same income; and I
+doubt whether he could get so many published within the twelve
+months. And here comes in the benefit of the libraries; from the
+commercial point of view the libraries are indispensable. Do you
+suppose the public would support the present number of novelists
+if each book had to be purchased? A sudden change to that system
+would throw three-fourths of the novelists out of work.'
+
+'But there's no reason why the libraries shouldn't circulate
+novels in one volume.'
+
+'Profits would be less, I suppose. People would take the minimum
+subscription.'
+
+'Well, to go to the concrete, what about your own one-volume?'
+
+'All but done.'
+
+'And you'll offer it to Jedwood? Go and see him personally. He's
+a very decent fellow, I believe.'
+
+Milvain stayed only half an hour. The days when he was wont to
+sit and talk at large through a whole evening were no more;
+partly because of his diminished leisure, but also for a less
+simple reason--the growth of something like estrangement between
+him and Reardon.
+
+'You didn't mention your plans,' said Amy, when the visitor had
+been gone some time.
+
+'No.'
+
+Reardon was content with the negative, and his wife made no
+further remark.
+
+The result of advertising the flat was that two or three persons
+called to make inspection. One of them, a man of military
+appearance, showed himself anxious to come to terms; he was
+willing to take the tenement from next quarter-day (June), but
+wished, if possible, to enter upon possession sooner than that.
+
+'Nothing could be better,' said Amy in colloquy with her husband.
+'If he will pay for the extra time, we shall be only too glad.'
+
+Reardon mused and looked gloomy. He could not bring himself to
+regard the experiment before him with hopefulness, and his heart
+sank at the thought of parting from Amy.
+
+'You are very anxious to get rid of me,' he answered, trying to
+smile.
+
+'Yes, I am,' she exclaimed; 'but simply for your own good, as you
+know very well.'
+
+'Suppose I can't sell this book?'
+
+'You will have a few pounds. Send your "Pliny" article to The
+Wayside. If you come to an end of all your money, mother shall
+lend you some.'
+
+'I am not very likely to do much work in that case.'
+
+'Oh, but you will sell the book. You'll get twenty pounds for it,
+and that alone would keep you for three months. Think--three
+months of the best part of the year at the seaside! Oh, you will
+do wonders!'
+
+The furniture was to be housed at Mrs Yule's. Neither of them
+durst speak of selling it; that would have sounded too ominous.
+As for the locality of Reardon's retreat, Amy herself had
+suggested Worthing, which she knew from a visit a few years ago;
+the advantages were its proximity to London, and the likelihood
+that very cheap lodgings could be found either in the town or
+near it. One room would suffice for the hapless author, and his
+expenses, beyond a trifling rent, would be confined to mere food.
+
+Oh yes, he might manage on considerably less than a pound a week.
+
+Amy was in much better spirits than for a long time; she appeared
+to have convinced herself that there was no doubt of the issue of
+this perilous scheme; that her husband would write a notable
+book, receive a satisfactory price for it, and so re-establish
+their home. Yet her moods varied greatly. After all, there was
+delay in the letting of the flat, and this caused her annoyance.
+It was whilst the negotiations were still pending that she made
+her call upon Maud and Dora Milvain; Reardon did not know of her
+intention to visit them until it had been carried out. She
+mentioned what she had done in almost a casual manner.
+
+'I had to get it over,' she said, when Reardon exhibited
+surprise, 'and I don't think I made a very favourable
+impression.'
+
+'You told them, I suppose, what we are going to do?'
+
+'No; I didn't say a word of it.'
+
+'But why not? It can't be kept a secret. Milvain will have heard
+of it already, I should think, from your mother.'
+
+'From mother? But it's the rarest thing for him to go there. Do
+you imagine he is a constant visitor? I thought it better to say
+nothing until the thing is actually done. Who knows what may
+happen?'
+
+She was in a strange, nervous state, and Reardon regarded her
+uneasily. He talked very little in these days, and passed hours
+in dark reverie. His book was finished, and he awaited the
+publisher's decision.
+
+
+
+PART THREE
+
+CHAPTER XVI. REJECTION
+
+One of Reardon's minor worries at this time was the fear that by
+chance he might come upon a review of 'Margaret Home.' Since the
+publication of his first book he had avoided as far as possible
+all knowledge of what the critics had to say about him; his
+nervous temperament could not bear the agitation of reading these
+remarks, which, however inept, define an author and his work to
+so many people incapable of judging for themselves. No man or
+woman could tell him anything in the way of praise or blame which
+he did not already know quite well; commendation was pleasant,
+but it so often aimed amiss, and censure was for the most part so
+unintelligent. In the case of this latest novel he dreaded the
+sight of a review as he would have done a gash from a rusty
+knife. The judgments could not but be damnatory, and their
+expression in journalistic phrase would disturb his mind with
+evil rancour. No one would have insight enough to appreciate the
+nature and cause of his book's demerits; every comment would be
+wide of the mark; sneer, ridicule, trite objection, would but
+madden him with a sense of injustice.
+
+His position was illogical--one result of the moral weakness
+which was allied with his aesthetic sensibility. Putting aside
+the worthlessness of current reviewing, the critic of an isolated
+book has of course nothing to do with its author's state of mind
+and body any more than with the condition of his purse. Reardon
+would have granted this, but he could not command his emotions.
+He was in passionate revolt against the base necessities which
+compelled him to put forth work in no way representing his
+healthy powers, his artistic criterion. Not he had written this
+book, but his accursed poverty. To assail him as the author was,
+in his feeling, to be guilty of brutal insult. When by ill-hap a
+notice in one of the daily papers came under his eyes, it made
+his blood boil with a fierceness of hatred only possible to him
+in a profoundly morbid condition; he could not steady his hand
+for half an hour after. Yet this particular critic only said what
+was quite true--that the novel contained not a single striking
+scene and not one living character; Reardon had expressed himself
+about it in almost identical terms. But he saw himself in the
+position of one sickly and all but destitute man against a
+relentless world, and every blow directed against him appeared
+dastardly. He could have cried 'Coward!' to the writer who
+wounded him.
+
+The would-be sensational story which was now in Mr Jedwood's
+hands had perhaps more merit than 'Margaret Home'; its brevity,
+and the fact that nothing more was aimed at than a concatenation
+of brisk events, made it not unreadable. But Reardon thought of
+it with humiliation. If it were published as his next work it
+would afford final proof to such sympathetic readers as he might
+still retain that he had hopelessly written himself out, and was
+now endeavouring to adapt himself to an inferior public. In spite
+of his dire necessities he now and then hoped that Jedwood might
+refuse the thing.
+
+At moments he looked with sanguine eagerness to the three or four
+months he was about to spend in retirement, but such impulses
+were the mere outcome of his nervous disease. He had no faith in
+himself under present conditions; the permanence of his
+sufferings would mean the sure destruction of powers he still
+possessed, though they were not at his command. Yet he believed
+that his mind was made up as to the advisability of trying this
+last resource; he was impatient for the day of departure, and in
+the interval merely killed time as best he might. He could not
+read, and did not attempt to gather ideas for his next book; the
+delusion that his mind was resting made an excuse to him for the
+barrenness of day after day. His 'Pliny' article had been
+despatched to The Wayside, and would possibly be accepted. But he
+did not trouble himself about this or other details; it was as
+though his mind could do nothing more than grasp the bald fact of
+impending destitution; with the steps towards that final stage he
+seemed to have little concern.
+
+One evening he set forth to make a call upon Harold Biffen, whom
+he had not seen since the realist called to acknowledge the
+receipt of a copy of 'Margaret Home' left at his lodgings when he
+was out. Biffen resided in Clipstone Street, a thoroughfare
+discoverable in the dim district which lies between Portland
+Place and Tottenham Court Road. On knocking at the door of the
+lodging-house, Reardon learnt that his friend was at home. He
+ascended to the third storey and tapped at a door which allowed
+rays of lamplight to issue from great gaps above and below. A
+sound of voices came from within, and on entering he perceived
+that Biffen was engaged with a pupil.
+
+'They didn't tell me you had a visitor,' he said. 'I'll call
+again later.'
+
+'No need to go away,' replied Biffen, coming forward to shake
+hands. 'Take a book for a few minutes. Mr Baker won't mind.'
+
+It was a very small room, with a ceiling so low that the tall
+lodger could only just stand upright with safety; perhaps three
+inches intervened between his head and the plaster, which was
+cracked, grimy, cobwebby. A small scrap of weedy carpet lay in
+front of the fireplace; elsewhere the chinky boards were
+unconcealed. The furniture consisted of a round table, which kept
+such imperfect balance on its central support that the lamp
+entrusted to it looked in a dangerous position, of three small
+cane-bottomed chairs, a small wash-hand-stand with sundry rude
+appurtenances, and a chair-bedstead which the tenant opened at
+the hour of repose and spread with certain primitive trappings at
+present kept in a cupboard. There was no bookcase, but a few
+hundred battered volumes were arranged some on the floor and some
+on a rough chest. The weather was too characteristic of an
+English spring to make an empty grate agreeable to the eye, but
+Biffen held it an axiom that fires were unseasonable after the
+first of May.
+
+The individual referred to as Mr Baker, who sat at the table in
+the attitude of a student, was a robust, hard-featured,
+black-haired young man of two-or three-and-twenty; judging from
+his weather-beaten cheeks and huge hands, as well as from the
+garb he wore, one would have presumed that study was not his
+normal occupation. There was something of the riverside about
+him; he might be a dockman, or even a bargeman. He looked
+intelligent, however, and bore himself with much modesty.
+
+'Now do endeavour to write in shorter sentences,' said Biffen,
+who sat down by him and resumed the lesson, Reardon having taken
+up a volume. 'This isn't bad--it isn't bad at all, I assure you;
+but you have put all you had to say into three appalling periods,
+whereas you ought to have made about a dozen.'
+
+'There it is, sir; there it is!' exclaimed the man, smoothing his
+wiry hair. 'I can't break it up. The thoughts come in a lump, if
+I may say so. To break it up--there's the art of compersition.'
+
+Reardon could not refrain from a glance at the speaker, and
+Biffen, whose manner was very grave and kindly, turned to his
+friend with an explanation of the difficulties with which the
+student was struggling.
+
+'Mr Baker is preparing for the examination of the outdoor Customs
+Department. One of the subjects is English composition, and
+really, you know, that isn't quite such a simple matter as some
+people think.'
+
+Baker beamed upon the visitor with a homely, good-natured smile.
+
+'I can make headway with the other things, sir,' he said,
+striking the table lightly with his clenched fist. 'There's
+handwriting, there's orthography, there's arithmetic; I'm not
+afraid of one of 'em, as Mr Biffen 'll tell you, sir. But when it
+comes to compersition, that brings out the sweat on my forehead,
+I do assure you.
+
+'You're not the only man in that case, Mr Baker,' replied
+Reardon.
+
+'It's thought a tough job in general, is it, sir?'
+
+'It is indeed.'
+
+'Two hundred marks for compersition,' continued the man. 'Now how
+many would they have given me for this bit of a try, Mr Biffen?'
+
+'Well, well; I can't exactly say. But you improve; you improve,
+decidedly. Peg away for another week or two.'
+
+'Oh, don't fear me, sir! I'm not easily beaten when I've set my
+mind on a thing, and I'll break up the compersition yet, see if I
+don't!'
+
+Again his fist descended upon the table in a way that reminded
+one of the steam-hammer cracking a nut.
+
+The lesson proceeded for about ten minutes, Reardon, under
+pretence of reading, following it with as much amusement as
+anything could excite in him nowadays. At length Mr Baker stood
+up, collected his papers and books, and seemed about to depart;
+but, after certain uneasy movements and glances, he said to
+Biffen in a subdued voice:
+
+'Perhaps I might speak to you outside the door a minute, sir?'
+
+He and the teacher went out, the door closed, and Reardon heard
+sounds of muffled conversation. In a minute or two a heavy
+footstep descended the stairs, and Biffen re-entered the room.
+
+'Now that's a good, honest fellow,' he said, in an amused tone.
+'It's my pay-night, but he didn't like to fork out money before
+you. A very unusual delicacy in a man of that standing. He pays
+me sixpence for an hour's lesson; that brings me two shillings a
+week. I sometimes feel a little ashamed to take his money, but
+then the fact is he's a good deal better off than I am.'
+
+'Will he get a place in the Customs, do you think?'
+
+'Oh, I've no doubt of it. If it seemed unlikely, I should have
+told him so before this. To be sure, that's a point I have often
+to consider, and once or twice my delicacy has asserted itself at
+the expense of my pocket. There was a poor consumptive lad came
+to me not long ago and wanted Latin lessons; talked about going
+in for the London Matric., on his way to the pulpit. I couldn't
+stand it. After a lesson or two I told him his cough was too bad,
+and he had no right to study until he got into better health;
+that was better, I think, than saying plainly he had no chance on
+earth. But the food I bought with his money was choking me. Oh
+yes, Baker will make his way right enough. A good, modest fellow.
+
+You noticed how respectfully he spoke to me? It doesn't make any
+difference to him that I live in a garret like this; I'm a man of
+education, and he can separate this fact from my surroundings.'
+
+'Biffen, why don't you get some decent position? Surely you
+might.'
+
+'What position? No school would take me; I have neither
+credentials nor conventional clothing. For the same reason I
+couldn't get a private tutorship in a rich family. No, no; it's
+all right. I keep myself alive, and I get on with my work.--
+By-the-bye, I've decided to write a book called "Mr Bailey,
+Grocer."'
+
+'What's the idea?'
+
+'An objectionable word, that. Better say: "What's the reality?"
+Well, Mr Bailey is a grocer in a little street by here. I have
+dealt with him for a long time, and as he's a talkative fellow
+I've come to know a good deal about him and his history. He's
+fond of talking about the struggle he had in his first year of
+business. He had no money of his own, but he married a woman who
+had saved forty-five pounds out of a cat's-meat business. You
+should see that woman! A big, coarse, squinting creature; at the
+time of the marriage she was a widow and forty-two years old. Now
+I'm going to tell the true story of Mr Bailey's marriage and of
+his progress as a grocer. It'll be a great book--a great book!'
+
+He walked up and down the room, fervid with his conception.
+
+'There'll be nothing bestial in it, you know. The decently
+ignoble--as I've so often said. The thing'll take me a year at
+least. I shall do it slowly, lovingly. One volume, of course; the
+length of the ordinary French novel. There's something fine in
+the title, don't you think? "Mr Bailey, Grocer"!'
+
+'I envy you, old fellow,' said Reardon, sighing. 'You have the
+right fire in you; you have zeal and energy. Well, what do you
+think I have decided to do?'
+
+'I should like to hear.'
+
+Reardon gave an account of his project. The other listened
+gravely, seated across a chair with his arms on the back.
+
+'Your wife is in agreement with this?'
+
+'Oh yes.' He could not bring himself to say that Amy had
+suggested it. 'She has great hopes that the change will be just
+what I need.'
+
+'I should say so too--if you were going to rest. But if you have
+to set to work at once it seems to me very doubtful.'
+
+'Never mind. For Heaven's sake don't discourage me! If this fails
+I think--upon my soul, I think I shall kill myself.'
+
+'Pooh!' exclaimed Biffen, gently. 'With a wife like yours?'
+
+'Just because of that.'
+
+'No, no; there'll be some way out of it. By-the-bye, I passed Mrs
+Reardon this morning, but she didn't see me. It was in Tottenham
+Court Road, and Milvain was with her. I felt myself too seedy in
+appearance to stop and speak.'
+
+'In Tottenham Court Road?'
+
+That was not the detail of the story which chiefly held Reardon's
+attention, yet he did not purposely make a misleading remark. His
+mind involuntarily played this trick.
+
+'I only saw them just as they were passing,' pursued Biffen. 'Oh,
+I knew I had something to tell you! Have you heard that Whelpdale
+is going to be married?'
+
+Reardon shook his head in a preoccupied way.
+
+'I had a note from him this morning, telling me. He asked me to
+look him up to-night, and he'd let me know all about it. Let's go
+together, shall we?'
+
+'I don't feel much in the humour for Whelpdale. I'll walk with
+you, and go on home.'
+
+'No, no; come and see him. It'll do you good to talk a little.--
+But I must positively eat a mouthful before we go. I'm afraid you
+won't care to join?'
+
+He opened his cupboard, and brought out a loaf of bread and a
+saucer of dripping, with salt and pepper.
+
+'Better dripping this than I've had for a long time. I get it at
+Mr Bailey's--that isn't his real name, of course. He assures me
+it comes from a large hotel where his wife's sister is a
+kitchen-maid, and that it's perfectly pure; they very often mix
+flour with it, you know, and perhaps more obnoxious things that
+an economical man doesn't care to reflect upon. Now, with a
+little pepper and salt, this bread and dripping is as appetising
+food as I know. I often make a dinner of it.'
+
+'I have done the same myself before now. Do you ever buy pease-
+pudding?'
+
+'I should think so! I get magnificent pennyworths at a shop in
+Cleveland Street, of a very rich quality indeed. Excellent
+faggots they have there, too. I'll give you a supper of them some
+night before you go.'
+
+Biffen rose to enthusiasm in the contemplation of these dainties.
+
+He ate his bread and dripping with knife and fork; this always
+made the fare seem more substantial.
+
+'Is it very cold out?' he asked, rising from the table. 'Need I
+put my overcoat on?'
+
+This overcoat, purchased second-hand three years ago, hung on a
+door-nail. Comparative ease of circumstances had restored to the
+realist his ordinary indoor garment--a morning coat of the cloth
+called diagonal, rather large for him, but in better preservation
+than the other articles of his attire.
+
+Reardon judging the overcoat necessary, his friend carefully
+brushed it and drew it on with a caution which probably had
+reference to starting seams. Then he put into the pocket his
+pipe, his pouch, his tobacco-stopper, and his matches, murmuring
+to himself a Greek iambic line which had come into his head a
+propos of nothing obvious.
+
+'Go out,' he said, 'and then I'll extinguish the lamp. Mind the
+second step down, as usual.'
+
+They issued into Clipstone Street, turned northward, crossed
+Euston Road, and came into Albany Street, where, in a house of
+decent exterior, Mr Whelpdale had his present abode. A girl who
+opened the door requested them to walk up to the topmost storey.
+
+A cheery voice called to them from within the room at which they
+knocked. This lodging spoke more distinctly of civilisation than
+that inhabited by Biffen; it contained the minimum supply of
+furniture needed to give it somewhat the appearance of a study,
+but the articles were in good condition. One end of the room was
+concealed by a chintz curtain; scrutiny would have discovered
+behind the draping the essential equipments of a bedchamber.
+
+Mr Whelpdale sat by the fire, smoking a cigar. He was a plain-
+featured but graceful and refined-looking man of thirty, with
+wavy chestnut hair and a trimmed beard which became him well. At
+present he wore a dressing-gown and was without collar.
+
+'Welcome, gents both!' he cried facetiously. 'Ages since I saw
+you, Reardon. I've been reading your new book. Uncommonly good
+things in it here and there--uncommonly good.'
+
+Whelpdale had the weakness of being unable to tell a disagreeable
+truth, and a tendency to flattery which had always made Reardon
+rather uncomfortable in his society. Though there was no need
+whatever of his mentioning 'Margaret Home,' he preferred to frame
+smooth fictions rather than keep a silence which might be
+construed as unfavourable criticism.
+
+'In the last volume,' he went on, 'I think there are one or two
+things as good as you ever did; I do indeed.'
+
+Reardon made no acknowledgment of these remarks. They irritated
+him, for he knew their insincerity. Biffen, understanding his
+friend's silence, struck in on another subject.
+
+'Who is this lady of whom you write to me?'
+
+'Ah, quite a story! I'm going to be married, Reardon. A serious
+marriage. Light your pipes, and I'll tell you all about it.
+Startled you, I suppose, Biffen? Unlikely news, eh? Some people
+would call it a rash step, I dare say. We shall just take another
+room in this house, that's all. I think I can count upon an
+income of a couple of guineas a week, and I have plans without
+end that are pretty sure to bring in coin.'
+
+Reardon did not care to smoke, but Biffen lit his pipe and waited
+with grave interest for the romantic narrative. Whenever he heard
+of a poor man's persuading a woman to share his poverty he was
+eager of details; perchance he himself might yet have that
+heavenly good fortune.
+
+'Well,' began Whelpdale, crossing his legs and watching a wreath
+he had just puffed from the cigar, 'you know all about my
+literary advisership. The business goes on reasonably well. I'm
+going to extend it in ways I'll explain to you presently. About
+six weeks ago I received a letter from a lady who referred to my
+advertisements, and said she had the manuscript of a novel which
+she would like to offer for my opinion. Two publishers had
+refused it, but one with complimentary phrases, and she hoped it
+mightn't be impossible to put the thing into acceptable shape. Of
+course I wrote optimistically, and the manuscript was sent to me.
+
+Well, it wasn't actually bad--by Jove! you should have seen some
+of the things I have been asked to recommend to publishers! It
+wasn't hopelessly bad by any means, and I gave serious thought to
+it. After exchange of several letters I asked the authoress to
+come and see me, that we might save postage stamps and talk
+things over. She hadn't given me her address: I had to direct to
+a stationer's in Bayswater. She agreed to come, and did come. I
+had formed a sort of idea, but of course I was quite wrong.
+Imagine my excitement when there came in a very beautiful girl, a
+tremendously interesting girl, about one-and-twenty--just the
+kind of girl that most strongly appeals to me; dark, pale, rather
+consumptive-looking, slender--no, there's no describing her;
+there really isn't! You must wait till you see her.'
+
+'I hope the consumption was only a figure of speech,' remarked
+Biffen in his grave way.
+
+'Oh, there's nothing serious the matter, I think. A slight cough,
+poor girl.'
+
+'The deuce!' interjected Reardon.
+
+'Oh, nothing, nothing! It'll be all right. Well, now, of course
+we talked over the story--in good earnest, you know. Little by
+little I induced her to speak of herself--this, after she'd come
+two or three times--and she told me lamentable things. She was
+absolutely alone in London, and hadn't had sufficient food for
+weeks; had sold all she could of her clothing; and so on. Her
+home was in Birmingham; she had been driven away by the brutality
+of a stepmother; a friend lent her a few pounds, and she came to
+London with an unfinished novel. Well, you know, this kind of
+thing would be enough to make me soft-hearted to any girl, let
+alone one who, to begin with, was absolutely my ideal. When she
+began to express a fear that I was giving too much time to her,
+that she wouldn't be able to pay my fees, and so on, I could
+restrain myself no longer. On the spot I asked her to marry me. I
+didn't practise any deception, mind. I told her I was a poor
+devil who had failed as a realistic novelist and was earning
+bread in haphazard ways; and I explained frankly that I thought
+we might carry on various kinds of business together: she might
+go on with her novel-writing, and--so on. But she was frightened;
+I had been too abrupt. That's a fault of mine, you know; but I
+was so confoundedly afraid of losing her. And I told her as much,
+plainly.'
+
+Biffen smiled.
+
+'This would be exciting,' he said, 'if we didn't know the end of
+the story.'
+
+'Yes. Pity I didn't keep it a secret. Well, she wouldn't say yes,
+but I could see that she didn't absolutely say no. "In any case,"
+I said, "you'll let me see you often? Fees be hanged! I'll work
+day and night for you. I'll do my utmost to get your novel
+accepted." And I implored her to let me lend her a little money.
+It was very difficult to persuade her, but at last she accepted a
+few shillings. I could see in her face that she was hungry. Just
+imagine! A beautiful girl absolutely hungry; it drove me frantic!
+
+But that was a great point gained. After that we saw each other
+almost every day, and at last--she consented! Did indeed! I can
+hardly believe it yet. We shall be married in a fortnight's
+time.'
+
+'I congratulate you,' said Reardon.
+
+'So do I,' sighed Biffen.
+
+'The day before yesterday she went to Birmingham to see her
+father and tell him all about the affair. I agreed with her it
+was as well; the old fellow isn't badly off; and he may forgive
+her for running away, though he's under his wife's thumb, it
+appears. I had a note yesterday. She had gone to a friend's house
+for the first day. I hoped to have heard again this morning--must
+to-morrow, in any case. I live, as you may imagine, in wild
+excitement. Of course, if the old man stumps up a wedding
+present, all the better. But I don't care; we'll make a living
+somehow. What do you think I'm writing just now? An author's
+Guide. You know the kind of thing; they sell splendidly. Of
+course I shall make it a good advertisement of my business. Then
+I have a splendid idea. I'm going to advertise: "Novel-writing
+taught in ten lessons!" What do you think of that? No swindle;
+not a bit of it. I am quite capable of giving the ordinary man or
+woman ten very useful lessons. I've been working out the scheme;
+it would amuse you vastly, Reardon. The first lesson deals with
+the question of subjects, local colour--that kind of thing. I
+gravely advise people, if they possibly can, to write of the
+wealthy middle class; that's the popular subject, you know. Lords
+and ladies are all very well, but the real thing to take is a
+story about people who have no titles, but live in good
+Philistine style. I urge study of horsey matters especially;
+that's very important. You must be well up, too, in military
+grades, know about Sandhurst, and so on. Boating is an important
+topic. You see? Oh, I shall make a great thing of this. I shall
+teach my wife carefully, and then let her advertise lessons to
+girls; they'll prefer coming to a woman, you know.'
+
+Biffen leant back and laughed noisily.
+
+'How much shall you charge for the course?' asked Reardon.
+
+'That'll depend. I shan't refuse a guinea or two; but some people
+may be made to pay five, perhaps.'
+
+Someone knocked at the door, and a voice said:
+
+'A letter for you, Mr Whelpdale.'
+
+He started up, and came back into the room with face illuminated.
+
+'Yes, it's from Birmingham; posted this morning. Look what an
+exquisite hand she writes!'
+
+He tore open the envelope. In delicacy Reardon and Biffen averted
+their eyes. There was silence for a minute, then a strange
+ejaculation from Whelpdale caused his friends to look up at him.
+He had gone pale, and was frowning at the sheet of paper which
+trembled in his hand.
+
+'No bad news, I hope?' Biffen ventured to say.
+
+Whelpdale let himself sink into a chair.
+
+'Now if this isn't too bad!' he exclaimed in a thick voice. 'If
+this isn't monstrously unkind! I never heard anything so gross as
+this--never!'
+
+The two waited, trying not to smile.
+
+'She writes--that she has met an old lover--in Birmingham--that
+it was with him she had quarrelled-not with her father at all--
+that she ran away to annoy him and frighten him--that she has
+made it up again, and they're going to be married!'
+
+He let the sheet fall, and looked so utterly woebegone that his
+friends at once exerted themselves to offer such consolation as
+the case admitted of. Reardon thought better of Whelpdale for
+this emotion; he had not believed him capable of it.
+
+'It isn't a case of vulgar cheating!' cried the forsaken one
+presently. 'Don't go away thinking that. She writes in real
+distress and penitence--she does indeed. Oh, the devil! Why did I
+let her go to Birmingham? A fortnight more, and I should have had
+her safe. But it's just like my luck. Do you know that this is
+the third time I've been engaged to be married?--no, by Jove, the
+fourth! And every time the girl has got out of it at the last
+moment. What an unlucky beast I am! A girl who was positively my
+ideal! I haven't even a photograph of her to show you; but you'd
+be astonished at her face. Why, in the devil's name, did I let
+her go to Birmingham?'
+
+The visitors had risen. They felt uncomfortable, for it seemed as
+if Whelpdale might find vent for his distress in tears.
+
+'We had better leave you,' suggested Biffen. 'It's very hard--it
+is indeed.'
+
+'Look here! Read the letter for yourselves! Do!'
+
+They declined, and begged him not to insist.
+
+'But I want you to see what kind of girl she is. It isn't a case
+of farcical deceiving--not a bit of it! She implores me to
+forgive her, and blames herself no end. Just my luck! The third--
+no, the fourth time, by Jove! Never was such an unlucky fellow
+with women. It's because I'm so damnably poor; that's it, of
+course!'
+
+Reardon and his companion succeeded at length in getting away,
+though not till they had heard the virtues and beauty of the
+vanished girl described again and again in much detail. Both were
+in a state of depression as they left the house.
+
+'What think you of this story?' asked Biffen. 'Is this possible
+in a woman of any merit?'
+
+'Anything is possible in a woman,' Reardon replied, harshly.
+
+They walked in silence as far as Portland Road Station. There,
+with an assurance that he would come to a garret-supper before
+leaving London, Reardon parted from his friend and turned
+westward.
+
+As soon as he had entered, Amy's voice called to him:
+
+'Here's a letter from Jedwood, Edwin!'
+
+He stepped into the study.
+
+'It came just after you went out, and it has been all I could do
+to resist the temptation to open it.'
+
+'Why shouldn't you have opened it?' said her husband, carelessly.
+
+He tried to do so himself, but his shaking hand thwarted him at
+first. Succeeding at length, he found a letter in the publisher's
+own writing, and the first word that caught his attention was
+'regret.' With an angry effort to command himself he ran through
+the communication, then held it out to Amy.
+
+She read, and her countenance fell. Mr Jedwood regretted that the
+story offered to him did not seem likely to please that
+particular public to whom his series of one-volume novels made
+appeal. He hoped it would be understood that, in declining, he by
+no means expressed an adverse judgment on the story itself &c.
+
+'It doesn't surprise me,' said Reardon. 'I believe he is quite
+right. The thing is too empty to please the better kind of
+readers, yet not vulgar enough to please the worse.'
+
+'But you'll try someone else?'
+
+'I don't think it's much use.'
+
+They sat opposite each other, and kept silence. Jedwood's letter
+slipped from Amy's lap to the ground.
+
+'So,' said Reardon, presently, 'I don't see how our plan is to be
+carried out.'
+
+'Oh, it must be!'
+
+'But how?'
+
+'You'll get seven or eight pounds from The Wayside. And--hadn't
+we better sell the furniture, instead of--'
+
+His look checked her.
+
+'It seems to me, Amy, that your one desire is to get away from
+me, on whatever terms.'
+
+'Don't begin that over again!' she exclaimed, fretfully. 'If you
+don't believe what I say--'
+
+They were both in a state of intolerable nervous tension. Their
+voices quivered, and their eyes had an unnatural brightness.
+
+'If we sell the furniture,' pursued Reardon, 'that means you'll
+never come back to me. You wish to save yourself and the child
+from the hard life that seems to be before us.'
+
+'Yes, I do; but not by deserting you. I want you to go and work
+for us all, so that we may live more happily before long. Oh, how
+wretched this is!'
+
+She burst into hysterical weeping. But Reardon, instead of
+attempting to soothe her, went into the next room, where he sat
+for a long time in the dark. When he returned Amy was calm again;
+her face expressed a cold misery.
+
+'Where did you go this morning?' he asked, as if wishing to talk
+of common things.
+
+'I told you. I went to buy those things for Willie.'
+
+'Oh yes.'
+
+There was a silence.
+
+'Biffen passed you in Tottenham Court Road,' he added.
+
+'I didn't see him.'
+
+'No; he said you didn't.'
+
+'Perhaps,' said Amy, 'it was just when I was speaking to Mr
+Milvain.'
+
+'You met Milvain?'
+
+'Yes.'
+
+'Why didn't you tell me?'
+
+'I'm sure I don't know. I can't mention every trifle that
+happens.'
+
+'No, of course not.'
+
+Amy closed her eyes, as if in weariness, and for a minute or two
+Reardon observed her countenance.
+
+'So you think we had better sell the furniture.'
+
+'I shall say nothing more about it. You must do as seems best to
+you, Edwin.'
+
+'Are you going to see your mother to-morrow?'
+
+'Yes. I thought you would like to come too.'
+
+'No; there's no good in my going.'
+
+He again rose, and that night they talked no more of their
+difficulties, though on the morrow (Sunday) it would be necessary
+to decide their course in every detail.
+
+
+
+CHAPTER XVII. THE PARTING
+
+Amy did not go to church. Before her marriage she had done so as
+a mere matter of course, accompanying her mother, but Reardon's
+attitude with regard to the popular religion speedily became her
+own; she let the subject lapse from her mind, and cared neither
+to defend nor to attack where dogma was concerned. She had no
+sympathies with mysticism; her nature was strongly practical,
+with something of zeal for intellectual attainment superadded.
+
+This Sunday morning she was very busy with domestic minutiae.
+Reardon noticed what looked like preparations for packing, and
+being as little disposed for conversation as his wife, he went
+out and walked for a couple of hours in the Hampstead region.
+Dinner over, Amy at once made ready for her journey to Westbourne
+Park.
+
+'Then you won't come?' she said to her husband.
+
+'No. I shall see your mother before I go away, but I don't care
+to till you have settled everything.'
+
+It was half a year since he had met Mrs Yule. She never came to
+their dwelling, and Reardon could not bring himself to visit her.
+
+'You had very much rather we didn't sell the furniture?' Amy
+asked.
+
+'Ask your mother's opinion. That shall decide.'
+
+'There'll be the expense of moving it, you know. Unless money
+comes from The Wayside, you'll only have two or three pounds
+left.'
+
+Reardon made no reply. He was overcome by the bitterness of
+shame.
+
+'I shall say, then,' pursued Amy, who spoke with averted face,
+'that I am to go there for good on Tuesday? I mean, of course,
+for the summer months.'
+
+'I suppose so.'
+
+Then he turned suddenly upon her.
+
+'Do you really imagine that at the end of the summer I shall be a
+rich man? What do you mean by talking in this way? If the
+furniture is sold to supply me with a few pounds for the present,
+what prospect is there that I shall be able to buy new?'
+
+'How can we look forward at all?' replied Amy. 'It has come to
+the question of how we are to subsist. I thought you would rather
+get money in this way than borrow of mother--when she has the
+expense of keeping me and Willie.'
+
+'You are right,' muttered Reardon. 'Do as you think best.' Amy
+was in her most practical mood, and would not linger for
+purposeless talk. A few minutes, and Reardon was left alone.
+
+He stood before his bookshelves and began to pick out the volumes
+which he would take away with him. Just a few, the indispensable
+companions of a bookish man who still clings to life--his Homer,
+his Shakespeare--
+
+The rest must be sold. He would get rid of them to-morrow
+morning. All together they might bring him a couple of
+sovereigns.
+
+Then his clothing. Amy had fulfilled all the domestic duties of a
+wife; his wardrobe was in as good a state as circumstances
+allowed. But there was no object in burdening himself with winter
+garments, for, if he lived through the summer at all, he would be
+able to repurchase such few poor things as were needful; at
+present he could only think of how to get together a few coins.
+So he made a heap of such things as might be sold.
+
+The furniture? If it must go, the price could scarcely be more
+than ten or twelve pounds; well, perhaps fifteen. To be sure, in
+this way his summer's living would be abundantly provided for.
+
+He thought of Biffen enviously. Biffen, if need be, could support
+life on three or four shillings a week, happy in the thought that
+no mortal had a claim upon him. If he starved to death--well,
+many another lonely man has come to that end. If he preferred to
+kill himself, who would be distressed? Spoilt child of fortune!
+
+The bells of St Marylebone began to clang for afternoon service.
+In the idleness of dull pain his thoughts followed their summons,
+and he marvelled that there were people who could imagine it a
+duty or find it a solace to go and sit in that twilight church
+and listen to the droning of prayers. He thought of the wretched
+millions of mankind to whom life is so barren that they must
+needs believe in a recompense beyond the grave. For that he
+neither looked nor longed. The bitterness of his lot was that
+this world might be a sufficing paradise to him if only he could
+clutch a poor little share of current coin. He had won the
+world's greatest prize--a woman's love --but could not retain it
+because his pockets were empty.
+
+That he should fail to make a great name, this was grievous
+disappointment to Amy, but this alone would not have estranged
+her. It was the dread and shame of penury that made her heart
+cold to him. And he could not in his conscience scorn her for
+being thus affected by the vulgar circumstances of life; only a
+few supreme natures stand unshaken under such a trial, and though
+his love of Amy was still passionate, he knew that her place was
+among a certain class of women, and not on the isolated pinnacle
+where he had at first visioned her. It was entirely natural that
+she shrank at the test of squalid suffering. A little money, and
+he could have rested secure in her love, for then he would have
+been able to keep ever before her the best qualities of his heart
+and brain. Upon him, too, penury had its debasing effect; as he
+now presented himself he was not a man to be admired or loved. It
+was all simple and intelligible enough--a situation that would be
+misread only by shallow idealism.
+
+Worst of all, she was attracted by Jasper Milvain's energy and
+promise of success. He had no ignoble suspicions of Amy, but it
+was impossible for him not to see that she habitually contrasted
+the young journalist, who laughingly made his way among men, with
+her grave, dispirited husband, who was not even capable of
+holding such position as he had gained. She enjoyed Milvain's
+conversation, it put her into a good humour; she liked him
+personally, and there could be no doubt that she had observed a
+jealous tendency in Reardon's attitude to his former friend--
+always a harmful suggestion to a woman. Formerly she had
+appreciated her husband's superiority; she had smiled at
+Milvain's commoner stamp of mind and character. But tedious
+repetition of failure had outwearied her, and now she saw Milvain
+in the sunshine of progress, dwelt upon the worldly advantages of
+gifts and a temperament such as his. Again, simple and
+intelligible enough.
+
+Living apart from her husband, she could not be expected to
+forswear society, and doubtless she would see Milvain pretty
+often. He called occasionally at Mrs Yule's, and would not do so
+less often when he knew that Amy was to be met there. There would
+be chance encounters like that of yesterday, of which she had
+chosen to keep silence.
+
+A dark fear began to shadow him. In yielding thus passively to
+stress of circumstances, was he not exposing his wife to a danger
+which outweighed all the ills of poverty? As one to whom she was
+inestimably dear, was he right in allowing her to leave him, if
+only for a few months? He knew very well that a man of strong
+character would never have entertained this project. He had got
+into the way of thinking of himself as too weak to struggle
+against the obstacles on which Amy insisted, and of looking for
+safety in retreat; but what was to be the end of this weakness if
+the summer did not at all advance him? He knew better than Amy
+could how unlikely it was that he should recover the energies of
+his mind in so short a time and under such circumstances; only
+the feeble man's temptation to postpone effort had made him
+consent to this step, and now that he was all but beyond turning
+back, the perils of which he had thought too little forced
+themselves upon his mind.
+
+He rose in anguish, and stood looking about him as if aid might
+somewhere be visible.
+
+Presently there was a knock at the front door, and on opening he
+beheld the vivacious Mr Carter. This gentleman had only made two
+or three calls here since Reardon's marriage; his appearance was
+a surprise.
+
+'I hear you are leaving town for a time,' he exclaimed. 'Edith
+told me yesterday, so I thought I'd look you up.'
+
+He was in spring costume, and exhaled fresh odours. The contrast
+between his prosperous animation and Reardon's broken-spirited
+quietness could not have been more striking.
+
+'Going away for your health, they tell me. You've been working
+too hard, you know. You mustn't overdo it. And where do you think
+of going to?'
+
+'It isn't at all certain that I shall go,' Reardon replied. 'I
+thought of a few weeks--somewhere at the seaside.'
+
+'I advise you to go north,' went on Carter cheerily. 'You want a
+tonic, you know. Get up into Scotland and do some boating and
+fishing--that kind of thing. You'd come back a new man. Edith and
+I had a turn up there last year, you know; it did me heaps of
+good.'
+
+'Oh, I don't think I should go so far as that.'
+
+'But that's just what you want--a regular change, something
+bracing. You don't look at all well, that's the fact. A winter in
+London tries any man--it does me, I know. I've been seedy myself
+these last few weeks. Edith wants me to take her over to Paris at
+the end of this month, and I think it isn't a bad idea; but I'm
+so confoundedly busy. In the autumn we shall go to Norway, I
+think; it seems to be the right thing to do nowadays. Why
+shouldn't you have a run over to Norway? They say it can be done
+very cheaply; the steamers take you for next to nothing.'
+
+He talked on with the joyous satisfaction of a man whose income
+is assured, and whose future teems with a succession of lively
+holidays. Reardon could make no answer to such suggestions; he
+sat with a fixed smile on his face.
+
+'Have you heard,' said Carter, presently, 'that we're opening a
+branch of the hospital in the City Road?'
+
+'No; I hadn't heard of it.'
+
+'It'll only be for out-patients. Open three mornings and three
+evenings alternately.'
+
+'Who'll represent you there?''I shall look in now and then, of
+course; there'll be a clerk, like at the old place.'
+
+He talked of the matter in detail--of the doctors who would
+attend, and of certain new arrangements to be tried.
+
+'Have you engaged the clerk?' Reardon asked.
+
+'Not yet. I think I know a man who'll suit me, though.'
+
+'You wouldn't be disposed to give me the chance?'
+
+Reardon spoke huskily, and ended with a broken laugh.
+
+'You're rather above my figure nowadays, old man!' exclaimed
+Carter, joining in what he considered the jest.
+
+'Shall you pay a pound a week?'
+
+'Twenty-five shillings. It'll have to be a man who can be trusted
+to take money from the paying patients.'
+
+'Well, I am serious. Will you give me the place?'
+
+Carter gazed at him, and checked another laugh.
+
+'What the deuce do you mean?'
+
+'The fact is,' Reardon replied, 'I want variety of occupation. I
+can't stick at writing for more than a month or two at a time.
+It's because I have tried to do so that--well, practically, I
+have broken down. If you will give me this clerkship, it will
+relieve me from the necessity of perpetually writing novels; I
+shall be better for it in every way. You know that I'm equal to
+the job; you can trust me; and I dare say I shall be more useful
+than most clerks you could get.'
+
+It was done, most happily done, on the first impulse. A minute
+more of pause, and he could not have faced the humiliation. His
+face burned, his tongue was parched.
+
+'I'm floored!' cried Carter. 'I shouldn't have thought--but of
+course, if you really want it. I can hardly believe yet that
+you're serious, Reardon.'
+
+'Why not? Will you promise me the work?'
+
+'Well, yes.'
+
+'When shall I have to begin?'
+
+'The place'll be opened to-morrow week. But how about your
+holiday?'
+
+'Oh, let that stand over. It'll be holiday enough to occupy
+myself in a new way. An old way, too; I shall enjoy it.'
+
+He laughed merrily, relieved beyond measure at having come to
+what seemed an end of his difficulties. For half an hour they
+continued to talk over the affair.
+
+'Well, it's a comical idea,' said Carter, as he took his leave,
+'but you know your own business best.'
+
+When Amy returned, Reardon allowed her to put the child to bed
+before he sought any conversation. She came at length and sat
+down in the study.
+
+'Mother advises us not to sell the furniture,' were her first
+words.
+
+'I'm glad of that, as I had quite made up my mind not to.' There
+was a change in his way of speaking which she at once noticed.
+
+'Have you thought of something?'
+
+'Yes. Carter has been here, and he happened to mention that
+they're opening an out-patient department of the hospital, in the
+City Road. He'll want someone to help him there. I asked for the
+post, and he promised it me.'
+
+The last words were hurried, though he had resolved to speak with
+deliberation. No more feebleness; he had taken a decision, and
+would act upon it as became a responsible man.
+
+'The post?' said Amy. 'What post?'
+
+'In plain English, the clerkship. It'll be the same work as I
+used to have--registering patients, receiving their "letters,"
+and so on. The pay is to be five-and-twenty shillings a week.'
+
+Amy sat upright and looked steadily at him.
+
+'Is this a joke?'
+
+'Far from it, dear. It's a blessed deliverance.'
+
+'You have asked Mr Carter to take you back as a clerk?'
+
+'I have.'
+
+'And you propose that we shall live on twenty-five shillings a
+week?'
+
+'Oh no! I shall be engaged only three mornings in the week and
+three evenings. In my free time I shall do literary work, and no
+doubt I can earn fifty pounds a year by it--if I have your
+sympathy to help me. To-morrow I shall go and look for rooms some
+distance from here; in Islington, I think. We have been living
+far beyond our means; that must come to an end. We'll have no
+more keeping up of sham appearances. If I can make my way in
+literature, well and good; in that case our position and
+prospects will of course change. But for the present we are poor
+people, and must live in a poor way. If our friends like to come
+and see us, they must put aside all snobbishness, and take us as
+we are. If they prefer not to come, there'll be an excuse in our
+remoteness.'
+
+Amy was stroking the back of her hand. After a long silence, she
+said in a very quiet, but very resolute tone:
+
+'I shall not consent to this.'
+
+'In that case, Amy, I must do without your consent. The rooms
+will be taken, and our furniture transferred to them.'
+
+'To me that will make no difference,' returned his wife, in the
+same voice as before. 'I have decided--as you told me to--to go
+with Willie to mother's next Tuesday. You, of course, must do as
+you please. I should have thought a summer at the seaside would
+have been more helpful to you; but if you prefer to live in
+Islington--'
+
+Reardon approached her, and laid a hand on her shoulder.
+
+'Amy, are you my wife, or not?'
+
+'I am certainly not the wife of a clerk who is paid so much a
+week.'
+
+He had foreseen a struggle, but without certainty of the form
+Amy's opposition would take. For himself he meant to be gently
+resolute, calmly regardless of protest. But in a man to whom such
+self-assertion is a matter of conscious effort, tremor of the
+nerves will always interfere with the line of conduct he has
+conceived in advance. Already Reardon had spoken with far more
+bluntness than he proposed; involuntarily, his voice slipped from
+earnest determination to the note of absolutism, and, as is wont
+to be the case, the sound of these strange tones instigated him
+to further utterances of the same kind. He lost control of
+himself. Amy's last reply went through him like an electric
+shock, and for the moment he was a mere husband defied by his
+wife, the male stung to exertion of his brute force against the
+physically weaker sex.
+
+'However you regard me, you will do what I think fit. I shall not
+argue with you. If I choose to take lodgings in Whitechapel,
+there you will come and live.'
+
+He met Amy's full look, and was conscious of that in it which
+corresponded to his own brutality. She had become suddenly a much
+older woman; her cheeks were tight drawn into thinness, her lips
+were bloodlessly hard, there was an unknown furrow along her
+forehead, and she glared like the animal that defends itself with
+tooth and claw.
+
+'Do as YOU think fit? Indeed!'
+
+Could Amy's voice sound like that? Great Heaven! With just such
+accent he had heard a wrangling woman retort upon her husband at
+the street corner. Is there then no essential difference between
+a woman of this world and one of that? Does the same nature lie
+beneath such unlike surfaces?
+
+He had but to do one thing: to seize her by the arm, drag her up
+from the chair, dash her back again with all his force--there,
+the transformation would be complete, they would stand towards
+each other on the natural footing. With an added curse perhaps--
+Instead of that, he choked, struggled for breath, and shed tears.
+
+Amy turned scornfully away from him. Blows and a curse would have
+overawed her, at all events for the moment; she would have felt:
+'Yes, he is a man, and I have put my destiny into his hands.' His
+tears moved her to a feeling cruelly exultant; they were the sign
+of her superiority. It was she who should have wept, and never in
+her life had she been further from such display of weakness.
+
+This could not be the end, however, and she had no wish to
+terminate the scene. They stood for a minute without regarding
+each other, then Reardon faced to her.
+
+'You refuse to live with me, then?'
+
+'Yes, if this is the kind of life you offer me.'
+
+'You would be more ashamed to share your husband's misfortunes
+than to declare to everyone that you had deserted him?'
+
+'I shall "declare to everyone" the simple truth. You have the
+opportunity of making one more effort to save us from
+degradation. You refuse to take the trouble; you prefer to drag
+me down into a lower rank of life. I can't and won't consent to
+that. The disgrace is yours; it's fortunate for me that I have a
+decent home to go to.'
+
+'Fortunate for you!--you make yourself unutterably contemptible.
+I have done nothing that justifies you in leaving me. It is for
+me to judge what I can do and what I can't. A good woman would
+see no degradation in what I ask of you. But to run away from me
+just because I am poorer than you ever thought I should be--'
+
+He was incoherent. A thousand passionate things that he wished to
+say clashed together in his mind and confused his speech.
+Defeated in the attempt to act like a strong man, he could not
+yet recover standing-ground, knew not how to tone his utterances.
+
+'Yes, of course, that's how you will put it,' said Amy. 'That's
+how you will represent me to your friends. My friends will see it
+in a different light.'
+
+'They will regard you as a martyr?'
+
+'No one shall make a martyr of me, you may be sure. I was
+unfortunate enough to marry a man who had no delicacy, no regard
+for my feelings.--I am not the first woman who has made a mistake
+of this kind.'
+
+'No delicacy? No regard for your feelings?--Have I always utterly
+misunderstood you? Or has poverty changed you to a woman I can't
+recognise?'
+
+He came nearer, and gazed desperately into her face. Not a muscle
+of it showed susceptibility to the old influences.
+
+'Do you know, Amy,' he added in a lower voice, 'that if we part
+now, we part for ever?'
+
+'I'm afraid that is only too likely.'
+
+She moved aside.
+
+'You mean that you wish it. You are weary of me, and care for
+nothing but how to make yourself free.'
+
+'I shall argue no more. I am tired to death of it.'
+
+'Then say nothing, but listen for the last time to my view of the
+position we have come to. When I consented to leave you for a
+time, to go away and try to work in solitude, I was foolish and
+even insincere, both to you and to myself. I knew that I was
+undertaking the impossible. It was just putting off the evil day,
+that was all--putting off the time when I should have to say
+plainly: "I can't live by literature, so I must look out for some
+other employment." I shouldn't have been so weak but that I knew
+how you would regard such a decision as that. I was afraid to
+tell the truth--afraid. Now, when Carter of a sudden put this
+opportunity before me, I saw all the absurdity of the
+arrangements we had made. It didn't take me a moment to make up
+my mind. Anything was to be chosen rather than a parting from you
+on false pretences, a ridiculous affectation of hope where there
+was no hope.'
+
+He paused, and saw that his words had no effect upon her.
+
+'And a grievous share of the fault lies with you, Amy. You
+remember very well when I first saw how dark the future was. I
+was driven even to say that we ought to change our mode of
+living; I asked you if you would be willing to leave this place
+and go into cheaper rooms. And you know what your answer was. Not
+a sign in you that you would stand by me if the worst came. I
+knew then what I had to look forward to, but I durst not believe
+it. I kept saying to myself: "She loves me, and as soon as she
+really understands--" That was all self-deception. If I had been
+a wise man, I should have spoken to you in a way you couldn't
+mistake. I should have told you that we were living recklessly,
+and that I had determined to alter it. I have no delicacy? No
+regard for your feelings? Oh, if I had had less! I doubt whether
+you can even understand some of the considerations that weighed
+with me, and made me cowardly--though I once thought there was no
+refinement of sensibility that you couldn't enter into. Yes, I
+was absurd enough to say to myself: "It will look as if I had
+consciously deceived her; she may suffer from the thought that I
+won her at all hazards, knowing that I should soon expose her to
+poverty and all sorts of humiliation." Impossible to speak of
+that again; I had to struggle desperately on, trying to hope. Oh!
+if you knew--'
+
+His voice gave way for an instant.
+
+'I don't understand how you could be so thoughtless and
+heartless. You knew that I was almost mad with anxiety at times.
+Surely, any woman must have had the impulse to give what help was
+in her power. How could you hesitate? Had you no suspicion of
+what a relief and encouragement it would be to me, if you said:
+"Yes, we must go and live in a simpler way?" If only as a proof
+that you loved me, how I should have welcomed that! You helped me
+in nothing. You threw all the responsibility upon me--always
+bearing in mind, I suppose, that there was a refuge for you. Even
+now, I despise myself for saying such things of you, though I
+know so bitterly that they are true. It takes a long time to see
+you as such a different woman from the one I worshipped. In
+passion, I can fling out violent words, but they don't yet answer
+to my actual feeling. It will be long enough yet before I think
+contemptuously of you. You know that when a light is suddenly
+extinguished, the image of it still shows before your eyes. But
+at last comes the darkness.'
+
+Amy turned towards him once more.
+
+'Instead of saying all this, you might be proving that I am
+wrong. Do so, and I will gladly confess it.'
+
+'That you are wrong? I don't see your meaning.'
+
+'You might prove that you are willing to do your utmost to save
+me from humiliation.'
+
+'Amy, I have done my utmost. I have done more than you can
+imagine.'
+
+'No. You have toiled on in illness and anxiety--I know that. But
+a chance is offered you now of working in a better way. Till that
+is tried, you have no right to give all up and try to drag me
+down with you.'
+
+'I don't know how to answer. I have told you so often-- You can't
+understand me!'
+
+'I can! I can!' Her voice trembled for the first time. 'I know
+that you are so ready to give in to difficulties. Listen to me,
+and do as I bid you.' She spoke in the strangest tone of command.
+
+It was command, not exhortation, but there was no harshness in
+her voice. 'Go at once to Mr Carter. Tell him you have made a
+ludicrous mistake--in a fit of low spirits; anything you like to
+say. Tell him you of course couldn't dream of becoming his clerk.
+To-night; at once! You understand me, Edwin? Go now, this
+moment.'
+
+'Have you determined to see how weak I am? Do you wish to be able
+to despise me more completely still?'
+
+'I am determined to be your friend, and to save you from
+yourself. Go at once! Leave all the rest to me. If I have let
+things take their course till now, it shan't be so in future. The
+responsibility shall be with me. Only do as I tell you'
+
+'You know it's impossible--'
+
+'It is not! I will find money. No one shall be allowed to say
+that we are parting; no one has any such idea yet. You are going
+away for your health, just three summer months. I have been far
+more careful of appearances than you imagine, but you give me
+credit for so little. I will find the money you need, until you
+have written another book. I promise; I undertake it. Then I will
+find another home for us, of the proper kind. You shall have no
+trouble. You shall give yourself entirely to intellectual things.
+
+But Mr Carter must be told at once, before he can spread a
+report. If he has spoken, he must contradict what he has said.'
+
+'But you amaze me, Amy. Do you mean to say that you look upon it
+as a veritable disgrace, my taking this clerkship?'
+
+'I do. I can't help my nature. I am ashamed through and through
+that you should sink to this.'
+
+'But everyone knows that I was a clerk once!'
+
+'Very few people know it. And then that isn't the same thing. It
+doesn't matter what one has been in the past. Especially a
+literary man; everyone expects to hear that he was once poor. But
+to fall from the position you now have, and to take weekly wages
+--you surely can't know how people of my world regard that.'
+
+'Of your world? I had thought your world was the same as mine,
+and knew nothing whatever of these imbecilities.'
+
+'It is getting late. Go and see Mr Carter, and afterwards I will
+talk as much as you like.'
+
+He might perhaps have yielded, but the unemphasised contempt in
+that last sentence was more than he could bear. It demonstrated
+to him more completely than set terms could have done what a
+paltry weakling he would appear in Amy's eyes if he took his hat
+down from the peg and set out to obey her orders.
+
+'You are asking too much,' he said, with unexpected coldness. 'If
+my opinions are so valueless to you that you dismiss them like
+those of a troublesome child, I wonder you think it worth while
+to try and keep up appearances about me. It is very simple: make
+known to everyone that you are in no way connected with the
+disgrace I have brought upon myself. Put an advertisement in the
+newspapers to that effect, if you like--as men do about their
+wives' debts. I have chosen my part. I can't stultify myself to
+please you.'
+
+She knew that this was final. His voice had the true ring of
+shame in revolt.
+
+'Then go your way, and I will go mine!'
+
+Amy left the room.
+
+When Reardon went into the bedchamber an hour later, he unfolded
+a chair-bedstead that stood there, threw some rugs upon it, and
+so lay down to pass the night. He did not close his eyes. Amy
+slept for an hour or two before dawn, and on waking she started
+up and looked anxiously about the room. But neither spoke.
+
+There was a pretence of ordinary breakfast; the little servant
+necessitated that. When she saw her husband preparing to go out,
+Amy asked him to come into the study.
+
+'How long shall you be away?' she asked, curtly.
+
+'It is doubtful. I am going to look for rooms.'
+
+'Then no doubt I shall be gone when you come back. There's no
+object, now, in my staying here till to-morrow.'
+
+'As you please.'
+
+'Do you wish Lizzie still to come?'
+
+'No. Please to pay her wages and dismiss her. Here is some
+money.'
+
+'I think you had better let me see to that.'
+
+He flung the coin on to the table and opened the door. Amy
+stepped quickly forward and closed it again.
+
+'This is our good-bye, is it?' she asked, her eyes on the ground.
+
+'As you wish it--yes.'
+
+'You will remember that I have not wished it.'
+
+'In that case, you have only to go with me to the new home.'
+
+'I can't.'
+
+'Then you have made your choice.'
+
+She did not prevent his opening the door this time, and he passed
+out without looking at her.
+
+His return was at three in the afternoon. Amy and the child were
+gone; the servant was gone. The table in the dining-room was
+spread as if for one person's meal.
+
+He went into the bedroom. Amy's trunks had disappeared. The
+child's cot was covered over. In the study, he saw that the
+sovereign he had thrown on to the table still lay in the same
+place.
+
+As it was a very cold day he lit a fire. Whilst it burnt up he
+sat reading a torn portion of a newspaper, and became quite
+interested in the report of a commercial meeting in the City, a
+thing he would never have glanced at under ordinary
+circumstances. The fragment fell at length from his hands; his
+head drooped; he sank into a troubled sleep.
+
+About six he had tea, then began the packing of the few books
+that were to go with him, and of such other things as could be
+enclosed in box or portmanteau. After a couple of hours of this
+occupation he could no longer resist his weariness, so he went to
+bed. Before falling asleep he heard the two familiar clocks
+strike eight; this evening they were in unusual accord, and the
+querulous notes from the workhouse sounded between the deeper
+ones from St Marylebone. Reardon tried to remember when he had
+last observed this; the matter seemed to have a peculiar interest
+for him, and in dreams he worried himself with a grotesque
+speculation thence derived.
+
+
+
+CHAPTER XVIII. THE OLD HOME
+
+Before her marriage Mrs Edmund Yule was one of seven motherless
+sisters who constituted the family of a dentist slenderly
+provided in the matter of income. The pinching and paring which
+was a chief employment of her energies in those early days had
+disagreeable effects upon a character disposed rather to
+generosity than the reverse; during her husband's lifetime she
+had enjoyed rather too eagerly all the good things which he put
+at her command, sometimes forgetting that a wife has duties as
+well as claims, and in her widowhood she indulged a
+pretentiousness and querulousness which were the natural, but not
+amiable, results of suddenly restricted circumstances.
+
+Like the majority of London people, she occupied a house of which
+the rent absurdly exceeded the due proportion of her income, a
+pleasant foible turned to such good account by London landlords.
+Whereas she might have lived with a good deal of modest comfort,
+her existence was a perpetual effort to conceal the squalid
+background of what was meant for the eyes of her friends and
+neighbours. She kept only two servants, who were so ill paid and
+so relentlessly overworked that it was seldom they remained with
+her for more than three months. In dealings with other people
+whom she perforce employed, she was often guilty of incredible
+meanness; as, for instance, when she obliged her half-starved
+dressmaker to purchase material for her, and then postponed
+payment alike for that and for the work itself to the last
+possible moment. This was not heartlessness in the strict sense
+of the word; the woman not only knew that her behaviour was
+shameful, she was in truth ashamed of it and sorry for her
+victims. But life was a battle. She must either crush or be
+crushed. With sufficient means, she would have defrauded no one,
+and would have behaved generously to many; with barely enough for
+her needs, she set her face and defied her feelings, inasmuch as
+she believed there was no choice.
+
+She would shed tears over a pitiful story of want, and without
+shadow of hypocrisy. It was hard, it was cruel; such things
+oughtn't to be allowed in a world where there were so many rich
+people. The next day she would argue with her charwoman about
+halfpence, and end by paying the poor creature what she knew was
+inadequate and unjust. For the simplest reason: she hadn't more
+to give, without submitting to privations which she considered
+intolerable.
+
+But whilst she could be a positive hyena to strangers, to those
+who were akin to her, and those of whom she was fond, her
+affectionate kindness was remarkable. One observes this
+peculiarity often enough; it reminds one how savage the social
+conflict is, in which those little groups of people stand serried
+against their common enemies; relentless to all others, among
+themselves only the more tender and zealous because of the
+ever-impending danger. No mother was ever more devoted. Her son,
+a gentleman of quite noteworthy selfishness, had board and
+lodging beneath her roof on nominal terms, and under no stress of
+pecuniary trouble had Mrs Yule called upon him to make the
+slightest sacrifice on her behalf. Her daughter she loved with
+profound tenderness, and had no will that was opposed to Amy's.
+And it was characteristic of her that her children were never
+allowed to understand of what baseness she often became guilty in
+the determination to support appearances. John Yule naturally
+suspected what went on behind the scenes; on one occasion--since
+Amy's marriage--he had involuntarily overheard a dialogue between
+his mother and a servant on the point of departing which made
+even him feel ashamed. But from Amy every paltriness and meanness
+had always been concealed with the utmost care; Mrs Yule did not
+scruple to lie heroically when in danger of being detected by her
+daughter.
+
+Yet this energetic lady had no social ambitions that pointed
+above her own stratum. She did not aim at intimacy with her
+superiors; merely at superiority among her intimates. Her circle
+was not large, but in that circle she must be regarded with the
+respect due to a woman of refined tastes and personal
+distinction. Her little dinners might be of rare occurrence, but
+to be invited must be felt a privilege. 'Mrs Edmund Yule' must
+sound well on people's lips; never be the occasion of those
+peculiar smiles which she herself was rather fond of indulging at
+the mention of other people's names.
+
+The question of Amy's marriage had been her constant thought from
+the time when the little girl shot into a woman grown. For Amy no
+common match, no acceptance of a husband merely for money or
+position. Few men who walked the earth were mates for Amy. But
+years went on, and the man of undeniable distinction did not yet
+present himself. Suitors offered, but Amy smiled coldly at their
+addresses, in private not seldom scornfully, and her mother,
+though growing anxious, approved. Then of a sudden appeared Edwin
+Reardon.
+
+A literary man? Well, it was one mode of distinction. Happily, a
+novelist; novelists now and then had considerable social success.
+
+Mr Reardon, it was true, did not impress one as a man likely to
+push forward where the battle called for rude vigour, but Amy
+soon assured herself that he would have a reputation far other
+than that of the average successful storyteller. The best people
+would regard him; he would be welcomed in the penetralia of
+culture; superior persons would say: 'Oh, I don't read novels as
+a rule, but of course Mr Reardon's--' If that really were to be
+the case, all was well; for Mrs Yule could appreciate social and
+intellectual differences.
+
+Alas! alas! What was the end of those shining anticipations?
+
+First of all, Mrs Yule began to make less frequent mention of 'my
+son-in-law, Mr Edwin Reardon.' Next, she never uttered his name
+save when inquiries necessitated it. Then, the most intimate of
+her intimates received little hints which were not quite easy to
+interpret. 'Mr Reardon is growing so very eccentric--has an odd
+distaste for society--occupies himself with all sorts of out-of-
+the-way interests. No, I'm afraid we shan't have another of his
+novels for some time. I think he writes anonymously a good deal.
+And really, such curious eccentricities!' Many were the tears she
+wept after her depressing colloquies with Amy; and, as was to be
+expected, she thought severely of the cause of these sorrows. On
+the last occasion when he came to her house she received him with
+such extreme civility that Reardon thenceforth disliked her,
+whereas before he had only thought her a good-natured and silly
+woman.
+
+Alas for Amy's marriage with a man of distinction! From step to
+step of descent, till here was downright catastrophe. Bitter
+enough in itself, but most lamentable with reference to the
+friends of the family. How was it to be explained, this return of
+Amy to her home for several months, whilst her husband was no
+further away than Worthing? The bald, horrible truth--impossible!
+Yet Mr Milvain knew it, and the Carters must guess it. What
+colour could be thrown upon such vulgar distress?
+
+The worst was not yet. It declared itself this May morning, when,
+quite unexpectedly, a cab drove up to the house, bringing Amy and
+her child, and her trunks, and her band-boxes, and her what-nots.
+
+From the dining-room window Mrs Yule was aware of this arrival,
+and in a few moments she learnt the unspeakable cause.
+
+She burst into tears, genuine as ever woman shed.
+
+'There's no use in that, mother,' said Amy, whose temper was in a
+dangerous state. 'Nothing worse can happen, that's one
+consolation.'
+
+'Oh, it's disgraceful! disgraceful!' sobbed Mrs Yule. 'What we
+are to say I can NOT think.'
+
+'I shall say nothing whatever. People can scarcely have the
+impertinence to ask us questions when we have shown that they are
+unwelcome.'
+
+'But there are some people I can't help giving some explanation
+to. My dear child, he is not in his right mind. I'm convinced of
+it, there! He is not in his right mind.'
+
+'That's nonsense, mother. He is as sane as I am.'
+
+'But you have often said what strange things he says and does;
+you know you have, Amy. That talking in his sleep; I've thought a
+great deal of it since you told me about that. And--and so many
+other things. My love, I shall give it to be understood that he
+has become so very odd in his ways that--'
+
+'I can't have that,' replied Amy with decision. 'Don't you see
+that in that case I should be behaving very badly?'
+
+'I can't see that at all. There are many reasons, as you know
+very well, why one shouldn't live with a husband who is at all
+suspected of mental derangement. You have done your utmost for
+him. And this would be some sort of explanation, you know. I am
+so convinced that there is truth in it, too.'
+
+'Of course I can't prevent you from saying what you like, but I
+think it would be very wrong to start a rumour of this kind.'
+
+There was less resolve in this utterance. Amy mused, and looked
+wretched.
+
+'Come up to the drawing-room, dear,' said her mother, for they
+had held their conversation in the room nearest to the
+house-door. 'What a state your mind must be in! Oh dear! Oh
+dear!'
+
+She was a slender, well-proportioned woman, still pretty in face,
+and dressed in a way that emphasised her abiding charms. Her
+voice had something of plaintiveness, and altogether she was of
+frailer type than her daughter.
+
+'Is my room ready?' Amy inquired on the stairs.
+
+'I'm sorry to say it isn't, dear, as I didn't expect you till
+tomorrow. But it shall be seen to immediately.'
+
+This addition to the household was destined to cause grave
+difficulties with the domestic slaves. But Mrs Yule would prove
+equal to the occasion. On Amy's behalf she would have worked her
+servants till they perished of exhaustion before her eyes.
+
+'Use my room for the present,' she added. 'I think the girl has
+finished up there. But wait here; I'll just go and see to
+things.'
+
+'Things' were not quite satisfactory, as it proved. You should
+have heard the change that came in that sweetly plaintive voice
+when it addressed the luckless housemaid. It was not brutal; not
+at all. But so sharp, hard, unrelenting--the voice of the goddess
+Poverty herself perhaps sounds like that.
+
+Mad? Was he to be spoken of in a low voice, and with finger
+pointing to the forehead? There was something ridiculous, as well
+as repugnant, in such a thought; but it kept possession of Amy's
+mind. She was brooding upon it when her mother came into the
+drawing-room.
+
+'And he positively refused to carry out the former plan?'
+
+'Refused. Said it was useless.'
+
+'How could it be useless? There's something so unaccountable in
+his behaviour.'
+
+'I don't think it unaccountable,' replied Amy. 'It's weak and
+selfish, that's all. He takes the first miserable employment that
+offers rather than face the hard work of writing another book.'
+
+She was quite aware that this did not truly represent her
+husband's position. But an uneasiness of conscience impelled her
+to harsh speech.
+
+'But just fancy!' exclaimed her mother. 'What can he mean by
+asking you to go and live with him on twenty-five shillings a
+week? Upon my word. if his mind isn't disordered he must have
+made a deliberate plan to get rid of you.'
+
+Amy shook her head.
+
+'You mean,' asked Mrs Yule, 'that he really thinks it possible
+for all of you to be supported on those wages?'
+
+The last word was chosen to express the utmost scorn.
+
+'He talked of earning fifty pounds a year by writing.'
+
+'Even then it could only make about a hundred a year. My dear
+child, it's one of two things: either he is out of his mind, or
+he has purposely cast you off.'
+
+Amy laughed, thinking of her husband in the light of the latter
+alternative.
+
+'There's no need to seek so far for explanations,' she said. 'He
+has failed, that's all; just like a man might fail in any other
+business. He can't write like he used to. It may be all the
+result of ill-health; I don't know. His last book, you see, is
+positively refused. He has made up his mind that there's nothing
+but poverty before him, and he can't understand why I should
+object to live like the wife of a working-man.'
+
+'Well, I only know that he has placed you in an exceedingly
+difficult position. If he had gone away to Worthing for the
+summer we might have made it seem natural; people are always
+ready to allow literary men to do rather odd things--up to a
+certain point. We should have behaved as if there were nothing
+that called for explanation. But what are we to do now?'
+
+Like her multitudinous kind, Mrs Yule lived only in the opinions
+of other people. What others would say was her ceaseless
+preoccupation. She had never conceived of life as something
+proper to the individual; independence in the directing of one's
+course seemed to her only possible in the case of very eccentric
+persons, or of such as were altogether out of society. Amy had
+advanced, intellectually, far beyond this standpoint, but lack of
+courage disabled her from acting upon her convictions.
+
+'People must know the truth, I suppose,' she answered
+dispiritedly.
+
+Now, confession of the truth was the last thing that would occur
+to Mrs Yule when social relations were concerned. Her whole
+existence was based on bold denial of actualities. And, as is
+natural in such persons, she had the ostrich instinct strongly
+developed; though very acute in the discovery of her friends'
+shams and lies, she deceived herself ludicrously in the matter of
+concealing her own embarrassments.
+
+'But the fact is, my dear,' she answered, 'we don't know the
+truth ourselves. You had better let yourself be directed by me.
+It will be better, at first, if you see as few people as
+possible. I suppose you must say something or other to two or
+three of your own friends; if you take my advice you'll be rather
+mysterious. Let them think what they like; anything is better
+than to say plainly. "My husband can't support me, and he has
+gone to work as a clerk for weekly wages." Be mysterious,
+darling; depend upon it, that's the safest.'
+
+The conversation was pursued, with brief intervals, all through
+the day. In the afternoon two ladies paid a call, but Amy kept
+out of sight. Between six and seven John Yule returned from his
+gentlemanly occupations. As he was generally in a touchy temper
+before dinner had soothed him, nothing was said to him of the
+latest development of his sister's affairs until late in the
+evening; he was allowed to suppose that Reardon's departure for
+the seaside had taken place a day sooner than had been arranged.
+
+Behind the dining-room was a comfortable little chamber set apart
+as John's sanctum; here he smoked and entertained his male
+friends, and contemplated the portraits of those female ones who
+would not have been altogether at their ease in Mrs Yule's
+drawing-room. Not long after dinner his mother and sister came to
+talk with him in this retreat.
+
+With some nervousness Mrs Yule made known to him what had taken
+place. Amy, the while, stood by the table, and glanced over a
+magazine that she had picked up.
+
+'Well, I see nothing to be surprised at,' was John's first
+remark. 'It was pretty certain he'd come to this. But what I want
+to know is, how long are we to be at the expense of supporting
+Amy and her youngster?'
+
+This was practical, and just what Mrs Yule had expected from her
+son.
+
+'We can't consider such things as that,' she replied. 'You don't
+wish, I suppose, that Amy should go and live in a back street at
+Islington, and be hungry every other day, and soon have no decent
+clothes?'
+
+'I don't think Jack would be greatly distressed,' Amy put in
+quietly.
+
+'This is a woman's way of talking,' replied John. 'I want to know
+what is to be the end of it all? I've no doubt it's uncommonly
+pleasant for Reardon to shift his responsibilities on to our
+shoulders. At this rate I think I shall get married, and live
+beyond my means until I can hold out no longer, and then hand my
+wife over to her relatives, with my compliments. It's about the
+coolest business that ever came under my notice.'
+
+'But what is to be done?' asked Mrs Yule. 'It's no use talking
+sarcastically, John, or making yourself disagreeable.'
+
+'We are not called upon to find a way out of the difficulty. The
+fact of the matter is, Reardon must get a decent berth. Somebody
+or other must pitch him into the kind of place that suits men who
+can do nothing in particular. Carter ought to be able to help, I
+should think.'
+
+'You know very well,' said Amy, 'that places of that kind are not
+to be had for the asking. It may be years before any such
+opportunity offers.'
+
+'Confound the fellow! Why the deuce doesn't he go on with his
+novel-writing? There's plenty of money to be made out of novels.'
+
+'But he can't write, Jack. He has lost his talent.'
+
+'That's all bosh, Amy. If a fellow has once got into the swing of
+it he can keep it up if he likes. He might write his two novels a
+year easily enough, just like twenty other men and women. Look
+here, I could do it myself if I weren't too lazy. And that's
+what's the matter with Reardon. He doesn't care to work.'
+
+'I have thought that myself;' observed Mrs Yule. 'It really is
+too ridiculous to say that he couldn't write some kind of novels
+if he chose. Look at Miss Blunt's last book; why, anybody could
+have written that. I'm sure there isn't a thing in it I couldn't
+have imagined myself.'
+
+'Well, all I want to know is, what's Amy going to do if things
+don't alter?'
+
+'She shall never want a home as long as I have one to share with
+her.'
+
+John's natural procedure, when beset by difficulties, was to find
+fault with everyone all round, himself maintaining a position of
+irresponsibility.
+
+'It's all very well, mother, but when a girl gets married she
+takes her husband, I have always understood, for better or worse,
+just as a man takes his wife. To tell the truth, it seems to me
+Amy has put herself in the wrong. It's deuced unpleasant to go
+and live in back streets, and to go without dinner now and then,
+but girls mustn't marry if they're afraid to face these things.'
+
+'Don't talk so monstrously, John!' exclaimed his mother. 'How
+could Amy possibly foresee such things? The case is quite an
+extraordinary one.'
+
+'Not so uncommon, I assure you. Some one was telling me the other
+day of a married lady--well educated and blameless--who goes to
+work at a shop somewhere or other because her husband can't
+support her.'
+
+'And you wish to see Amy working in a shop?'
+
+'No, I can't say I do. I'm only telling you that her bad luck
+isn't unexampled. It's very fortunate for her that she has
+good-natured relatives.'
+
+Amy had taken a seat apart. She sat with her head leaning on her
+hand.
+
+'Why don't you go and see Reardon?' John asked of his mother.
+
+'What would be the use? Perhaps he would tell me to mind my own
+business.'
+
+'By jingo! precisely what you would be doing. I think you ought
+to see him and give him to understand that he's behaving in a
+confoundedly ungentlemanly way. Evidently he's the kind of fellow
+that wants stirring up. I've half a mind to go and see him
+myself. Where is this slum that he's gone to live in?'
+
+'We don't know his address yet.'
+
+'So long as it's not the kind of place where one would be afraid
+of catching a fever, I think it wouldn't be amiss for me to look
+him up.'
+
+'You'll do no good by that,' said Amy, indifferently.
+
+'Confound it! It's just because nobody does anything that things
+have come to this pass!'
+
+The conversation was, of course, profitless. John could only
+return again and again to his assertion that Reardon must get 'a
+decent berth.' At length Amy left the room in weariness and
+disgust.
+
+'I suppose they have quarrelled terrifically,' said her brother,
+as soon as she was gone.
+
+'I am afraid so.'
+
+'Well, you must do as you please. But it's confounded hard lines
+that you should have to keep her and the kid. You know I can't
+afford to contribute.'
+
+'My dear, I haven't asked you to.'
+
+'No, but you'll have the devil's own job to make ends meet; I
+know that well enough.'
+
+'I shall manage somehow.'
+
+'All right; you're a plucky woman, but it's too bad. Reardon's a
+humbug, that's my opinion. I shall have a talk with Carter about
+him. I suppose he has transferred all their furniture to the
+slum?'
+
+'He can't have removed yet. It was only this morning that he went
+to search for lodgings.'
+
+'Oh, then I tell you what it is: I shall look in there the first
+thing to-morrow morning, and just talk to him in a fatherly way.
+You needn't say anything to Amy. But I see he's just the kind of
+fellow that, if everyone leaves him alone, he'll be content with
+Carter's five-and-twenty shillings for the rest of his life, and
+never trouble his head about how Amy is living.'
+
+To this proposal Mrs Yule readily assented. On going upstairs she
+found that Amy had all but fallen asleep upon a settee in the
+drawing-room.
+
+'You are quite worn out with your troubles,' she said. 'Go to
+bed, and have a good long sleep.'
+
+'Yes, I will.'
+
+The neat, fresh bedchamber seemed to Amy a delightful haven of
+rest. She turned the key in the door with an enjoyment of the
+privacy thus secured such as she had never known in her life; for
+in maidenhood safe solitude was a matter of course to her, and
+since marriage she had not passed a night alone. Willie was fast
+asleep in a little bed shadowed by her own. In an impulse of
+maternal love and gladness she bent over the child and covered
+his face with kisses too gentle to awaken him.
+
+How clean and sweet everything was! It is often said, by people
+who are exquisitely ignorant of the matter, that cleanliness is a
+luxury within reach even of the poorest. Very far from that; only
+with the utmost difficulty, with wearisome exertion, with
+harassing sacrifice, can people who are pinched for money
+preserve a moderate purity in their persons and their
+surroundings. By painful degrees Amy had accustomed herself to
+compromises in this particular which in the early days of her
+married life would have seemed intensely disagreeable, if not
+revolting. A housewife who lives in the country, and has but a
+patch of back garden, or even a good-sized kitchen, can, if she
+thinks fit, take her place at the wash-tub and relieve her mind
+on laundry matters; but to the inhabitant of a miniature flat in
+the heart of London anything of that kind is out of the question.
+
+When Amy began to cut down her laundress's bill, she did it with
+a sense of degradation. One grows accustomed, however, to such
+unpleasant necessities, and already she had learnt what was the
+minimum of expenditure for one who is troubled with a lady's
+instincts.
+
+No, no; cleanliness is a costly thing, and a troublesome thing
+when appliances and means have to be improvised. It was, in part,
+the understanding she had gained of this side of the life of
+poverty that made Amy shrink in dread from the still narrower
+lodgings to which Reardon invited her. She knew how subtly one's
+self-respect can be undermined by sordid conditions. The
+difference between the life of well-to-do educated people and
+that of the uneducated poor is not greater in visible details
+than in the minutiae of privacy, and Amy must have submitted to
+an extraordinary change before it would have been possible for
+her to live at ease in the circumstances which satisfy a decent
+working-class woman. She was prepared for final parting from her
+husband rather than try to effect that change in herself.
+
+She undressed at leisure, and stretched her limbs in the cold,
+soft, fragrant bed. A sigh of profound relief escaped her. How
+good it was to be alone!
+
+And in a quarter of an hour she was sleeping as peacefully as the
+child who shared her room.
+
+At breakfast in the morning she showed a bright, almost a happy
+face. It was long, long since she had enjoyed such a night's
+rest, so undisturbed with unwelcome thoughts on the threshold of
+sleep and on awaking. Her life was perhaps wrecked, but the
+thought of that did not press upon her; for the present she must
+enjoy her freedom. It was like a recovery of girlhood. There are
+few married women who would not, sooner or later, accept with joy
+the offer of some months of a maidenly liberty. Amy would not
+allow herself to think that her wedded life was at an end. With a
+woman's strange faculty of closing her eyes against facts that do
+not immediately concern her, she tasted the relief of the present
+and let the future lie unregarded. Reardon would get out of his
+difficulties sooner or later; somebody or other would help him;
+that was the dim background of her agreeable sensations.
+
+He suffered, no doubt. But then it was just as well that he
+should. Suffering would perhaps impel him to effort. When he
+communicated to her his new address--he could scarcely neglect to
+do that--she would send a not unfriendly letter, and hint to him
+that now was his opportunity for writing a book, as good a book
+as those which formerly issued from his garret-solitude. If he
+found that literature was in truth a thing of the past with him,
+then he must exert himself to obtain a position worthy of an
+educated man. Yes, in this way she would write to him, without a
+word that could hurt or offend.
+
+She ate an excellent breakfast, and made known her enjoyment of
+it.
+
+'I am so glad!' replied her mother. 'You have been getting quite
+thin and pale.'
+
+'Quite consumptive,' remarked John, looking up from his
+newspaper. 'Shall I make arrangements for a daily landau at the
+livery stables round here?'
+
+'You can if you like,' replied his sister; 'it would do both
+mother and me good, and I have no doubt you could afford it quite
+well.'
+
+'Oh, indeed! You're a remarkable young woman, let me tell you.
+By-the-bye, I suppose your husband is breakfasting on bread and
+water?'
+
+'I hope not, and I don't think it very likely.'
+
+'Jack, Jack!' interposed Mrs Yule, softly.
+
+Her son resumed his paper, and at the end of the meal rose with
+an unwonted briskness to make his preparations for departure.
+
+
+
+CHAPTER XIX. THE PAST REVIVED
+
+Nor would it be true to represent Edwin Reardon as rising to the
+new day wholly disconsolate. He too had slept unusually well, and
+with returning consciousness the sense of a burden removed was
+more instant than that of his loss and all the dreary
+circumstances attaching to it. He had no longer to fear the
+effects upon Amy of such a grievous change as from their homelike
+flat to the couple of rooms he had taken in Islington; for the
+moment, this relief helped him to bear the pain of all that had
+happened and the uneasiness which troubled him when he reflected
+that his wife was henceforth a charge to her mother.
+
+Of course for the moment only. He had no sooner begun to move
+about, to prepare his breakfast (amid the relics of last
+evening's meal), to think of all the detestable work he had to do
+before to-morrow night, than his heart sank again. His position
+was well-nigh as dolorous as that of any man who awoke that
+morning to the brutal realities of life. If only for the shame of
+it! How must they be speaking of him, Amy's relatives, and her
+friends? A novelist who couldn't write novels; a husband who
+couldn't support his wife and child; a literate who made eager
+application for illiterate work at paltry wages--how interesting
+it would all sound in humorous gossip! And what hope had he that
+things would ever be better with him?
+
+Had he done well? Had he done wisely? Would it not have been
+better to have made that one last effort? There came before him a
+vision of quiet nooks beneath the Sussex cliffs, of the long
+lines of green breakers bursting into foam; he heard the
+wave-music, and tasted the briny freshness of the sea-breeze.
+Inspiration, after all, would perchance have come to him.
+
+If Amy's love had but been of more enduring quality; if she had
+strengthened him for this last endeavour with the brave
+tenderness of an ideal wife! But he had seen such hateful things
+in her eyes. Her love was dead, and she regarded him as the man
+who had spoilt her hopes of happiness. It was only for her own
+sake that she urged him to strive on; let his be the toil, that
+hers might be the advantage if he succeeded.
+
+'She would be glad if I were dead. She would be glad.'
+
+He had the conviction of it. Oh yes, she would shed tears; they
+come so easily to women. But to have him dead and out of her way;
+to be saved from her anomalous position; to see once more a
+chance in life; she would welcome it.
+
+But there was no time for brooding. To-day he had to sell all the
+things that were superfluous, and to make arrangements for the
+removal of his effects to-morrow. By Wednesday night, in
+accordance with his agreement, the flat must be free for the new
+occupier.
+
+He had taken only two rooms, and fortunately as things were.
+Three would have cost more than he was likely to be able to
+afford for a long time. The rent of the two was to be six-and-
+sixpence; and how, if Amy had consented to come, could he have
+met the expenses of their living out of his weekly twenty-five
+shillings? How could he have pretended to do literary work in
+such cramped quarters, he who had never been able to write a line
+save in strict seclusion? In his despair he had faced the
+impossible. Amy had shown more wisdom, though in a spirit of
+unkindness.
+
+Towards ten o'clock he was leaving the flat to go and find people
+who would purchase his books and old clothing and other
+superfluities; but before he could close the door behind him, an
+approaching step on the stairs caught his attention. He saw the
+shining silk hat of a well-equipped gentleman. It was John Yule.
+
+'Ha! Good-morning!' John exclaimed, looking up. 'A minute or two
+and I should have been too late, I see.'
+
+He spoke in quite a friendly way, and, on reaching the landing,
+shook hands.
+
+'Are you obliged to go at once? Or could I have a word with you?'
+
+'Come in.'
+
+They entered the study, which was in some disorder; Reardon made
+no reference to circumstances, but offered a chair, and seated
+himself.
+
+'Have a cigarette?' said Yule, holding out a box of them.
+
+'No, thank you; I don't smoke so early.'
+
+'Then I'll light one myself; it always makes talk easier to me.
+You're on the point of moving, I suppose?'
+
+'Yes, I am.'
+
+Reardon tried to speak in quite a simple way, with no admission
+of embarrassment. He was not successful, and to his visitor the
+tone seemed rather offensive.
+
+'I suppose you'll let Amy know your new address?'
+
+'Certainly. Why should I conceal it?'
+
+'No, no; I didn't mean to suggest that. But you might be taking
+it for granted that--that the rupture was final, I thought.'
+
+There had never been any intimacy between these two men. Reardon
+regarded his wife's brother as rather snobbish and disagreeably
+selfish; John Yule looked upon the novelist as a prig, and now of
+late as a shuffling, untrustworthy fellow. It appeared to John
+that his brother-in-law was assuming a manner wholly
+unjustifiable, and he had a difficulty in behaving to him with
+courtesy. Reardon, on the other hand, felt injured by the turn
+his visitor's remarks were taking, and began to resent the visit
+altogether.
+
+'I take nothing for granted,' he said coldly. 'But I'm afraid
+nothing is to be gained by a discussion of our difficulties. The
+time for that is over.
+
+'I can't quite see that. It seems to me that the time has just
+come.'
+
+'Please tell me, to begin with, do you come on Amy's behalf?'
+
+'In a way, yes. She hasn't sent me, but my mother and I are so
+astonished at what is happening that it was necessary for one or
+other of us to see you.'
+
+'I think it is all between Amy and myself.'
+
+'Difficulties between husband and wife are generally best left to
+the people themselves, I know. But the fact is, there are
+peculiar circumstances in the present case. It can't be necessary
+for me to explain further.'
+
+Reardon could find no suitable words of reply. He understood what
+Yule referred to, and began to feel the full extent of his
+humiliation.
+
+'You mean, of course--' he began; but his tongue failed him.
+
+'Well, we should really like to know how long it is proposed that
+Amy shall remain with her mother.'
+
+John was perfectly self-possessed; it took much to disturb his
+equanimity. He smoked his cigarette, which was in an amber
+mouthpiece, and seemed to enjoy its flavour. Reardon found
+himself observing the perfection of the young man's boots and
+trousers.
+
+'That depends entirely on my wife herself;' he replied
+mechanically.
+
+'How so?'
+
+'I offer her the best home I can.'
+
+Reardon felt himself a poor, pitiful creature, and hated the
+well-dressed man who made him feel so.
+
+'But really, Reardon,' began the other, uncrossing and recrossing
+his legs, 'do you tell me in seriousness that you expect Amy to
+live in such lodgings as you can afford on a pound a week?'
+
+'I don't. I said that I had offered her the best home I could. I
+know it's impossible, of course.'
+
+Either he must speak thus, or break into senseless wrath. It was
+hard to hold back the angry words that were on his lips, but he
+succeeded, and he was glad he had done so.
+
+'Then it doesn't depend on Amy,' said John.
+
+'I suppose not.'
+
+'You see no reason, then, why she shouldn't live as at present
+for an indefinite time?'
+
+To John, whose perspicacity was not remarkable, Reardon's changed
+tone conveyed simply an impression of bland impudence. He eyed
+his brother-in-law rather haughtily.
+
+'I can only say,' returned the other, who was become wearily
+indifferent, 'that as soon as I can afford a decent home I shall
+give my wife the opportunity of returning to me.'
+
+'But, pray, when is that likely to be?'
+
+John had passed the bounds; his manner was too frankly
+contemptuous.
+
+'I see no right you have to examine me in this fashion,' Reardon
+exclaimed. 'With Mrs Yule I should have done my best to be
+patient if she had asked these questions; but you are not
+justified in putting them, at all events not in this way.'
+
+'I'm very sorry you speak like this, Reardon,' said the other,
+with calm insolence. 'It confirms unpleasant ideas, you know.'
+
+'What do you mean?'
+
+'Why, one can't help thinking that you are rather too much at
+your ease under the circumstances. It isn't exactly an everyday
+thing, you know, for a man's wife to be sent back to her own
+people--'
+
+Reardon could not endure the sound of these words. He interrupted
+hotly.
+
+'I can't discuss it with you. You are utterly unable to
+comprehend me and my position, utterly! It would be useless to
+defend myself. You must take whatever view seems to you the
+natural one.'
+
+John, having finished his cigarette, rose.
+
+'The natural view is an uncommonly disagreeable one,' he said.
+'However, I have no intention of quarrelling with you. I'll only
+just say that, as I take a share in the expenses of my mother's
+house, this question decidedly concerns me; and I'll add that I
+think it ought to concern you a good deal more than it seems to.'
+
+Reardon, ashamed already of his violence, paused upon these
+remarks.
+
+'It shall,' he uttered at length, coldly. 'You have put it
+clearly enough to me, and you shan't have spoken in vain. Is
+there anything else you wish to say?'
+
+'Thank you; I think not.'
+
+They parted with distant civility, and Reardon closed the door
+behind his visitor.
+
+He knew that his character was seen through a distorting medium
+by Amy's relatives, to some extent by Amy herself; but hitherto
+the reflection that this must always be the case when a man of
+his kind is judged by people of the world had strengthened him in
+defiance. An endeavour to explain himself would be maddeningly
+hopeless; even Amy did not understand aright the troubles through
+which his intellectual and moral nature was passing, and to speak
+of such experiences to Mrs Yule or to John would be equivalent to
+addressing them in alien tongues; he and they had no common
+criterion by reference to which he could make himself
+intelligible. The practical tone in which John had explained the
+opposing view of the situation made it impossible for him to
+proceed as he had purposed. Amy would never come to him in his
+poor lodgings; her mother, her brother, all her advisers would
+regard such a thing as out of the question. Very well;
+recognising this, he must also recognise his wife's claim upon
+him for material support. It was not in his power to supply her
+with means sufficient to live upon, but what he could afford she
+should have.
+
+When he went out, it was with a different purpose from that of
+half an hour ago. After a short search in the direction of
+Edgware Road, he found a dealer in second-hand furniture, whom he
+requested to come as soon as possible to the flat on a matter of
+business. An hour later the man kept his appointment. Having
+brought him into the study, Reardon said:
+
+'I wish to sell everything in this flat, with a few exceptions
+that I'll point out to you'.
+
+'Very good, sir,' was the reply. 'Let's have a look through the
+rooms.'
+
+That the price offered would be strictly a minimum Reardon knew
+well enough. The dealer was a rough and rather dirty fellow, with
+the distrustful glance which distinguishes his class. Men of
+Reardon's type, when hapless enough to be forced into vulgar
+commerce, are doubly at a disadvantage; not only their ignorance,
+but their sensitiveness, makes them ready victims of even the
+least subtle man of business. To deal on equal terms with a
+person you must be able to assert with calm confidence that you
+are not to be cheated; Reardon was too well aware that he would
+certainly be cheated, and shrank scornfully from the higgling of
+the market. Moreover, he was in a half-frenzied state of mind,
+and cared for little but to be done with the hateful details of
+this process of ruin.
+
+He pencilled a list of the articles he must retain for his own
+use; it would of course be cheaper to take a bare room than
+furnished lodgings, and every penny he could save was of
+importance to him. The chair-bedstead, with necessary linen and
+blankets, a table, two chairs, a looking-glass--strictly the
+indispensable things; no need to complete the list. Then there
+were a few valuable wedding-presents, which belonged rather to
+Amy than to him; these he would get packed and send to Westbourne
+Park.
+
+The dealer made his calculation, with many side-glances at the
+vendor.
+
+'And what may you ask for the lot?'
+
+'Please to make an offer.'
+
+'Most of the things has had a good deal of wear--'
+
+'I know, I know. Just let me hear what you will give.'
+
+'Well, if you want a valuation, I say eighteen pound ten.'
+
+It was more than Reardon had expected, though much less than a
+man who understood such affairs would have obtained.
+
+'That's the most you can give?'
+
+'Wouldn't pay me to give a sixpence more. You see--'
+
+He began to point out defects, but Reardon cut him short.
+
+'Can you take them away at once?'
+
+'At wunst? Would two o'clock do?'
+
+'Yes, it would.'
+
+'And might you want these other things takin' anywheres?'
+
+'Yes, but not till to-morrow. They have to go to Islington. What
+would you do it for?'
+
+This bargain also was completed, and the dealer went his way.
+Thereupon Reardon set to work to dispose of his books; by
+half-past one he had sold them for a couple of guineas. At two
+came the cart that was to take away the furniture, and at four
+o'clock nothing remained in the flat save what had to be removed
+on the morrow.
+
+The next thing to be done was to go to Islington, forfeit a
+week's rent for the two rooms he had taken, and find a single
+room at the lowest possible cost. On the way, he entered an
+eating-house and satisfied his hunger, for he had had nothing
+since breakfast. It took him a couple of hours to discover the
+ideal garret; it was found at length in a narrow little by-way
+running out of Upper Street. The rent was half-a-crown a week.
+
+At seven o'clock he sat down in what once was called his study,
+and wrote the following letter:
+
+'Enclosed in this envelope you will find twenty pounds. I have
+been reminded that your relatives will be at the expense of your
+support; it seemed best to me to sell the furniture, and now I
+send you all the money I can spare at present. You will receive
+to-morrow a box containing several things I did not feel
+justified in selling. As soon as I begin to have my payment from
+Carter, half of it shall be sent to you every week. My address
+is: 5 Manville Street, Upper Street, Islington.--EDWIN REARDON.'
+
+He enclosed the money, in notes and gold, and addressed the
+envelope to his wife. She must receive it this very night, and he
+knew not how to ensure that save by delivering it himself. So he
+went to Westbourne Park by train, and walked to Mrs Yule's house.
+
+At this hour the family were probably at dinner; yes, the window
+of the dining-room showed lights within, whilst those of the
+drawing-room were in shadow. After a little hesitation he rang
+the servants' bell. When the door opened, he handed his letter to
+the girl, and requested that it might be given to Mrs Reardon as
+soon as possible. With one more hasty glance at the window--Amy
+was perhaps enjoying her unwonted comfort--he walked quickly
+away.
+
+As he re-entered what had been his home, its bareness made his
+heart sink. An hour or two had sufficed for this devastation;
+nothing remained upon the uncarpeted floors but the needments he
+would carry with him into the wilderness, such few evidences of
+civilisation as the poorest cannot well dispense with. Anger,
+revolt, a sense of outraged love--all manner of confused passions
+had sustained him throughout this day of toil; now he had leisure
+to know how faint he was. He threw himself upon his
+chair-bedstead, and lay for more than an hour in torpor of body
+and mind.
+
+But before he could sleep he must eat. Though it was cold, he
+could not exert himself to light a fire; there was some food
+still in the cupboard, and he consumed it in the fashion of a
+tired labourer, with the plate on his lap, using his fingers and
+a knife. What had he to do with delicacies?
+
+He felt utterly alone in the world. Unless it were Biffen, what
+mortal would give him kindly welcome under any roof? These
+stripped rooms were symbolical of his life; losing money, he had
+lost everything. 'Be thankful that you exist, that these morsels
+of food are still granted you. Man has a right to nothing in this
+world that he cannot pay for. Did you imagine that love was an
+exception? Foolish idealist! Love is one of the first things to
+be frightened away by poverty. Go and live upon your
+twelve-and-sixpence a week, and on your memories of the past.'
+
+In this room he had sat with Amy on their return from the wedding
+holiday. 'Shall you always love me as you do now?'--'For ever!
+for ever!'--'Even if I disappointed you? If I failed?'--'How
+could that affect my love?' The voices seemed to be lingering
+still, in a sad, faint echo, so short a time it was since those
+words were uttered.
+
+His own fault. A man has no business to fail; least of all can he
+expect others to have time to look back upon him or pity him if
+he sink under the stress of conflict. Those behind will trample
+over his body; they can't help it; they themselves are borne
+onwards by resistless pressure.
+
+He slept for a few hours, then lay watching the light of dawn as
+it revealed his desolation.
+
+The morning's post brought him a large heavy envelope, the aspect
+of which for a moment puzzled him. But he recognised the
+handwriting, and understood. The editor of The Wayside, in a
+pleasantly-written note, begged to return the paper on Pliny's
+Letters which had recently been submitted to him; he was sorry it
+did not strike him as quite so interesting as the other
+contributions from Reardon's pen.
+
+This was a trifle. For the first time he received a rejected
+piece of writing without distress; he even laughed at the
+artistic completeness of the situation. The money would have been
+welcome, but on that very account he might have known it would
+not come.
+
+The cart that was to transfer his property to the room in
+Islington arrived about mid-day. By that time he had dismissed
+the last details of business in relation to the flat, and was
+free to go back to the obscure world whence he had risen. He felt
+that for two years and a half he had been a pretender. It was not
+natural to him to live in the manner of people who enjoy an
+assured income; he belonged to the class of casual wage-earners.
+Back to obscurity!
+
+Carrying a bag which contained a few things best kept in his own
+care, he went by train to King's Cross, and thence walked up
+Pentonville Hill to Upper Street and his own little by-way.
+Manville Street was not unreasonably squalid; the house in which
+he had found a home was not alarming in its appearance, and the
+woman who kept it had an honest face. Amy would have shrunk in
+apprehension, but to one who had experience of London garrets
+this was a rather favourable specimen of its kind. The door
+closed more satisfactorily than poor Biffen's, for instance, and
+there were not many of those knot-holes in the floor which gave
+admission to piercing little draughts; not a pane of the window
+was cracked, not one. A man might live here comfortably--could
+memory be destroyed.
+
+'There's a letter come for you,' said the landlady as she
+admitted him. 'You'll find it on your mantel.'
+
+He ascended hastily. The letter must be from Amy, as no one else
+knew his address. Yes, and its contents were these:
+
+'As you have really sold the furniture, I shall accept half this
+money that you send. I must buy clothing for myself and Willie.
+But the other ten pounds I shall return to you as soon as
+possible. As for your offer of half what you are to receive from
+Mr Carter, that seems to me ridiculous; in any case, I cannot
+take it. If you seriously abandon all further hope from
+literature, I think it is your duty to make every effort to
+obtain a position suitable to a man of your education.--AMY
+REARDON.'
+
+Doubtless Amy thought it was her duty to write in this way. Not a
+word of sympathy; he must understand that no one was to blame but
+himself; and that her hardships were equal to his own.
+
+In the bag he had brought with him there were writing materials.
+Standing at the mantelpiece, he forthwith penned a reply to this
+letter:
+
+'The money is for your support, as far as it will go. If it comes
+back to me I shall send it again. If you refuse to make use of
+it, you will have the kindness to put it aside and consider it as
+belonging to Willie. The other money of which I spoke will be
+sent to you once a month. As our concerns are no longer between
+us alone, I must protect myself against anyone who would be
+likely to accuse me of not giving you what I could afford. For
+your advice I thank you, but remember that in withdrawing from me
+your affection you have lost all right to offer me counsel.'
+
+He went out and posted this at once.
+
+By three o'clock the furniture of his room was arranged. He had
+not kept a carpet; that was luxury, and beyond his due. His score
+of volumes must rank upon the mantelpiece; his clothing must be
+kept in the trunk. Cups, plates, knives, forks, and spoons would
+lie in the little open cupboard, the lowest section of which was
+for his supply of coals. When everything was in order he drew
+water from a tap on the landing and washed himself; then, with
+his bag, went out to make purchases. A loaf of bread, butter,
+sugar, condensed milk; a remnant of tea he had brought with him.
+On returning, he lit as small a fire as possible, put on his
+kettle, and sat down to meditate.
+
+How familiar it all was to him! And not unpleasant, for it
+brought back the days when he had worked to such good purpose. It
+was like a restoration of youth.
+
+Of Amy he would not think. Knowing his bitter misery, she could
+write to him in cold, hard words, without a touch even of womanly
+feeling. If ever they were to meet again, the advance must be
+from her side. He had no more tenderness for her until she strove
+to revive it.
+
+Next morning he called at the hospital to see Carter. The
+secretary's peculiar look and smile seemed to betray a knowledge
+of what had been going on since Sunday, and his first words
+confirmed this impression of Reardon's.
+
+'You have removed, I hear?'
+
+'Yes; I had better give you my new address.'
+
+Reardon's tone was meant to signify that further remark on the
+subject would be unwelcome. Musingly, Carter made a note of the
+address.
+
+'You still wish to go on with this affair?'
+
+'Certainly.'
+
+'Come and have some lunch with me, then, and afterwards we'll go
+to the City Road and talk things over on the spot.'
+
+The vivacious young man was not quite so genial as of wont, but
+he evidently strove to show that the renewal of their relations
+as employer and clerk would make no difference in the friendly
+intercourse which had since been established; the invitation to
+lunch evidently had this purpose.
+
+'I suppose,' said Carter, when they were seated in a restaurant,
+'you wouldn't object to anything better, if a chance turned up?'
+
+'I should take it, to be sure.'
+
+'But you don't want a job that would occupy all your time? You're
+going on with writing, of course?'
+
+'Not for the present, I think.'
+
+'Then you would like me to keep a look-out? I haven't anything in
+view--nothing whatever. But one hears of things sometimes.'
+
+'I should be obliged to you if you could help me to anything
+satisfactory.'
+
+Having brought himself to this admission, Reardon felt more at
+ease. To what purpose should he keep up transparent pretences? It
+was manifestly his duty to earn as much money as he could, in
+whatever way. Let the man of letters be forgotten; he was seeking
+for remunerative employment, just as if he had never written a
+line.
+
+Amy did not return the ten pounds, and did not write again. So,
+presumably, she would accept the moiety of his earnings; he was
+glad of it. After paying half-a-crown for rent, there would be
+left ten shillings. Something like three pounds that still
+remained to him he would not reckon; this must be for casualties.
+
+Half-a-sovereign was enough for his needs; in the old times he
+had counted it a competency which put his mind quite at rest.
+
+The day came, and he entered upon his duties in City Road. It
+needed but an hour or two, and all the intervening time was
+cancelled; he was back once more in the days of no reputation, a
+harmless clerk, a decent wage-earner.
+
+
+
+CHAPTER XX. THE END OF WAITING
+
+It was more than a fortnight after Reardon's removal to Islington
+when Jasper Milvain heard for the first time of what had
+happened. He was coming down from the office of the
+Will-o'-the-Wisp one afternoon, after a talk with the editor
+concerning a paragraph in his last week's causerie which had been
+complained of as libellous, and which would probably lead to the
+'case' so much desired by everyone connected with the paper, when
+someone descending from a higher storey of the building overtook
+him and laid a hand on his shoulder. He turned and saw Whelpdale.
+
+'What brings you on these premises?' he asked, as they shook
+hands.
+
+'A man I know has just been made sub-editor of Chat, upstairs. He
+has half promised to let me do a column of answers to
+correspondents.'
+
+'Cosmetics? Fashions? Cookery?'
+
+'I'm not so versatile as all that, unfortunately. No, the general
+information column. "Will you be so good as to inform me, through
+the medium of your invaluable paper, what was the exact area
+devastated by the Great Fire of London?"--that kind of thing, you
+know. Hopburn--that's the fellow's name--tells me that his
+predecessor always called the paper Chat-moss, because of the
+frightful difficulty he had in filling it up each week.
+By-the-bye, what a capital column that is of yours in
+Will-o'-the-Wisp. I know nothing like it in English journalism;
+upon my word I don't!'
+
+'Glad you like it. Some people are less fervent in their
+admiration.'
+
+Jasper recounted the affair which had just been under discussion
+in the office.
+
+'It may cost a couple of thousands, but the advertisement is
+worth that, Patwin thinks. Barlow is delighted; he wouldn't mind
+paying double the money to make those people a laughing-stock for
+a week or two.'
+
+They issued into the street, and walked on together; Milvain,
+with his keen eye and critical smile, unmistakably the modern
+young man who cultivates the art of success; his companion of a
+less pronounced type, but distinguished by a certain subtlety of
+countenance, a blending of the sentimental and the shrewd.
+
+'Of course you know all about the Reardons?' said Whelpdale.
+
+'Haven't seen or heard of them lately. What is it?'
+
+'Then you don't know that they have parted?'
+
+'Parted?'
+
+'I only heard about it last night; Biffen told me. Reardon is
+doing clerk's work at a hospital somewhere in the East-end, and
+his wife has gone to live at her mother's house.'
+
+'Ho, ho!' exclaimed Jasper, thoughtfully. 'Then the crash has
+come. Of course I knew it must be impending. I'm sorry for
+Reardon.'
+
+'I'm sorry for his wife.'
+
+'Trust you for thinking of women first, Whelpdale.'
+
+'It's in an honourable way, my dear fellow. I'm a slave to women,
+true, but all in an honourable way. After that last adventure of
+mine most men would be savage and cynical, wouldn't they, now?
+I'm nothing of the kind. I think no worse of women--not a bit. I
+reverence them as much as ever. There must be a good deal of
+magnanimity in me, don't you think?'
+
+Jasper laughed unrestrainedly.
+
+'But it's the simple truth,' pursued the other. 'You should have
+seen the letter I wrote to that girl at Birmingham--all charity
+and forgiveness. I meant it, every word of it. I shouldn't talk
+to everyone like this, you know; but it's as well to show a
+friend one's best qualities now and then.'
+
+'Is Reardon still living at the old place?'
+
+'No, no. They sold up everything and let the flat. He's in
+lodgings somewhere or other. I'm not quite intimate enough with
+him to go and see him under the circumstances. But I'm surprised
+you know nothing about it.'
+
+'I haven't seen much of them this year. Reardon--well, I'm afraid
+he hasn't very much of the virtue you claim for yourself. It
+rather annoys him to see me going ahead.'
+
+'Really? His character never struck me in that way.'
+
+'You haven't come enough in contact with him. At all events, I
+can't explain his change of manner in any other way. But I'm
+sorry for him; I am, indeed. At a hospital? I suppose Carter has
+given him the old job again?'
+
+'Don't know. Biffen doesn't talk very freely about it; there's a
+good deal of delicacy in Biffen, you know. A thoroughly
+good-hearted fellow. And so is Reardon, I believe, though no
+doubt he has his weaknesses.'
+
+'Oh, an excellent fellow! But weakness isn't the word. Why, I
+foresaw all this from the very beginning. The first hour's talk I
+ever had with him was enough to convince me that he'd never hold
+his own. But he really believed that the future was clear before
+him; he imagined he'd go on getting more and more for his books.
+An extraordinary thing that that girl had such faith in him!'
+
+They parted soon after this, and Milvain went homeward, musing
+upon what he had heard. It was his purpose to spend the whole
+evening on some work which pressed for completion, but he found
+an unusual difficulty in settling to it. About eight o'clock he
+gave up the effort, arrayed himself in the costume of black and
+white, and journeyed to Westbourne Park, where his destination
+was the house of Mrs Edmund Yule. Of the servant who opened to
+him he inquired if Mrs Yule was at home, and received an answer
+in the affirmative.
+
+'Any company with her?'
+
+'A lady--Mrs Carter.'
+
+'Then please to give my name, and ask if Mrs Yule can see me.'
+
+He was speedily conducted to the drawing-room, where he found the
+lady of the house, her son, and Mrs Carter. For Mrs Reardon his
+eye sought in vain.
+
+'I'm so glad you have come,' said Mrs Yule, in a confidential
+tone. 'I have been wishing to see you. Of course, you know of our
+sad trouble?'
+
+'I have heard of it only to-day.'
+
+'From Mr Reardon himself?'
+
+'No; I haven't seen him.'
+
+'I do wish you had! We should have been so anxious to know how he
+impressed you.'
+
+'How he impressed me?'
+
+'My mother has got hold of the notion,' put in John Yule, 'that
+he's not exactly compos mentis. I'll admit that he went on in a
+queer sort of way the last time I saw him.'
+
+'And my husband thinks he is rather strange,' remarked Mrs
+Carter.
+
+'He has gone back to the hospital, I understand--'
+
+'To a new branch that has just been opened in the City Road,'
+replied Mrs Yule. 'And he's living in a dreadful place--one of
+the most shocking alleys in the worst part of Islington. I should
+have gone to see him, but I really feel afraid; they give me such
+an account of the place. And everyone agrees that he has such a
+very wild look, and speaks so strangely.'
+
+'Between ourselves,' said John, 'there's no use in exaggerating.
+He's living in a vile hole, that's true, and Carter says he looks
+miserably ill, but of course he may be as sane as we are.
+
+Jasper listened to all this with no small astonishment.
+
+'And Mrs Reardon?' he asked.
+
+'I'm sorry to say she is far from well,' replied Mrs Yule.
+'To-day she has been obliged to keep her room. You can imagine
+what a shock it has been to her. It came with such extraordinary
+suddenness. Without a word of warning, her husband announced that
+he had taken a clerkship and was going to remove immediately to
+the East-end. Fancy! And this when he had already arranged, as
+you know, to go to the South Coast and write his next book under
+the influences of the sea air. He was anything but well; we all
+knew that, and we had all joined in advising him to spend the
+summer at the seaside. It seemed better that he should go alone;
+Mrs Reardon would, of course, have gone down for a few days now
+and then. And at a moment's notice everything is changed, and in
+such a dreadful way! I cannot believe that this is the behaviour
+of a sane man!'
+
+Jasper understood that an explanation of the matter might have
+been given in much more homely terms; it was natural that Mrs
+Yule should leave out of sight the sufficient, but ignoble, cause
+of her son-in-law's behaviour.
+
+'You see in what a painful position we are placed,' continued the
+euphemistic lady. 'It is so terrible even to hint that Mr Reardon
+is not responsible for his actions, yet how are we to explain to
+our friends this extraordinary state of things?'
+
+'My husband is afraid Mr Reardon may fall seriously ill,' said
+Mrs Carter. 'And how dreadful! In such a place as that!'
+
+'It would be so kind of you to go and see him, Mr Milvain,' urged
+Mrs Yule. 'We should be so glad to hear what you think.'
+
+'Certainly, I will go,' replied Jasper. 'Will you give me his
+address?'
+
+He remained for an hour, and before his departure the subject was
+discussed with rather more frankness than at first; even the word
+'money' was once or twice heard.
+
+'Mr Carter has very kindly promised,' said Mrs Yule, 'to do his
+best to hear of some position that would be suitable. It seems a
+most shocking thing that a successful author should abandon his
+career in this deliberate way; who could have imagined anything
+of the kind two years ago? But it is clearly quite impossible for
+him to go on as at present--if there is really no reason for
+believing his mind disordered.'
+
+A cab was summoned for Mrs Carter, and she took her leave,
+suppressing her native cheerfulness to the tone of the occasion.
+A minute or two after, Milvain left the house.
+
+He had walked perhaps twenty yards, almost to the end of the
+silent street in which his friends' house was situated, when a
+man came round the corner and approached him. At once he
+recognised the figure, and in a moment he was face to face with
+Reardon. Both stopped. Jasper held out his hand, but the other
+did not seem to notice it.
+
+'You are coming from Mrs Yule's?' said Reardon, with a strange
+smile.
+
+By the gaslight his face showed pale and sunken, and he met
+Jasper's look with fixedness.
+
+'Yes, I am. The fact is, I went there to hear of your address.
+Why haven't you let me know about all this?'
+
+'You went to the flat?'
+
+'No, I was told about you by Whelpdale.'
+
+Reardon turned in the direction whence he had come, and began to
+walk slowly; Jasper kept beside him.
+
+'I'm afraid there's something amiss between us, Reardon,' said
+the latter, just glancing at his companion.
+
+'There's something amiss between me and everyone,' was the reply,
+in an unnatural voice.
+
+'You look at things too gloomily. Am I detaining you, by-the-bye?
+You were going--'
+
+'Nowhere.'
+
+'Then come to my rooms, and let us see if we can't talk more in
+the old way.'
+
+'Your old way of talk isn't much to my taste, Milvain. It has
+cost me too much.'Jasper gazed at him. Was there some foundation
+for Mrs Yule's seeming extravagance? This reply sounded so
+meaningless, and so unlike Reardon's manner of speech, that the
+younger man experienced a sudden alarm.
+
+'Cost you too much? I don't understand you.'
+
+They had turned into a broader thoroughfare, which, however, was
+little frequented at this hour. Reardon, his hands thrust into
+the pockets of a shabby overcoat and his head bent forward, went
+on at a slow pace, observant of nothing. For a moment or two he
+delayed reply, then said in an unsteady voice:
+
+'Your way of talking has always been to glorify success, to
+insist upon it as the one end a man ought to keep in view. If you
+had talked so to me alone, it wouldn't have mattered. But there
+was generally someone else present. Your words had their effect;
+I can see that now. It's very much owing to you that I am
+deserted, now that there's no hope of my ever succeeding.'
+
+Jasper's first impulse was to meet this accusation with indignant
+denial, but a sense of compassion prevailed. It was so painful to
+see the defeated man wandering at night near the house where his
+wife and child were comfortably sheltered; and the tone in which
+he spoke revealed such profound misery.
+
+'That's a most astonishing thing to say,' Jasper replied. 'Of
+course I know nothing of what has passed between you and your
+wife, but I feel certain that I have no more to do with what has
+happened than any other of your acquaintances.'
+
+'You may feel as certain as you will, but your words and your
+example have influenced my wife against me. You didn't intend
+that; I don't suppose it for a moment. It's my misfortune, that's
+all.'
+
+'That I intended nothing of the kind, you need hardly say, I
+should think. But you are deceiving yourself in the strangest
+way. I'm afraid to speak plainly; I'm afraid of offending you.
+But can you recall something that I said about the time of your
+marriage? You didn't like it then, and certainly it won't be
+pleasant to you to remember it now. If you mean that your wife
+has grown unkind to you because you are unfortunate, there's no
+need to examine into other people's influence for an explanation
+of that.'
+
+Reardon turned his face towards the speaker.
+
+'Then you have always regarded my wife as a woman likely to fail
+me in time of need?'
+
+'I don't care to answer a question put in that way. If we are no
+longer to talk with the old friendliness, it's far better we
+shouldn't discuss things such as this.'
+
+'Well, practically you have answered. Of course I remember those
+words of yours that you refer to. Whether you were right or wrong
+doesn't affect what I say.'
+
+He spoke with a dull doggedness, as though mental fatigue did not
+allow him to say more.
+
+'It's impossible to argue against such a charge,' said Milvain.
+'I am convinced it isn't true, and that's all I can answer. But
+perhaps you think this extraordinary influence of mine is still
+being used against you?'
+
+'I know nothing about it,' Reardon replied, in the same
+unmodulated voice.
+
+'Well, as I have told you, this was my first visit to Mrs Yule's
+since your wife has been there, and I didn't see her; she isn't
+very well, and keeps her room. I'm glad it happened so--that I
+didn't meet her. Henceforth I shall keep away from the family
+altogether, so long, at all events, as your wife remains with
+them. Of course I shan't tell anyone why; that would be
+impossible. But you shan't have to fear that I am decrying you.
+By Jove! an amiable figure you make of me!'
+
+'I have said what I didn't wish to say, and what I oughtn't to
+have said. You must misunderstand me; I can't help it.'
+
+Reardon had been walking for hours, and was, in truth, exhausted.
+
+He became mute. Jasper, whose misrepresentation was wilful,
+though not maliciously so, also fell into silence; he did not
+believe that his conversations with Amy had seriously affected
+the course of events, but he knew that he had often said things
+to her in private which would scarcely have fallen from his lips
+if her husband had been present--little depreciatory phrases,
+wrong rather in tone than in terms, which came of his
+irresistible desire to assume superiority whenever it was
+possible. He, too, was weak, but with quite another kind of
+weakness than Reardon's. His was the weakness of vanity, which
+sometimes leads a man to commit treacheries of which he would
+believe himself incapable. Self-accused, he took refuge in the
+pretence of misconception, which again was a betrayal of
+littleness.
+
+They drew near to Westbourne Park station.
+
+'You are living a long way from here,' Jasper said, coldly. 'Are
+you going by train?'
+
+'No. You said my wife was ill?'
+
+'Oh, not ill. At least, I didn't understand that it was anything
+serious. Why don't you walk back to the house?'
+
+'I must judge of my own affairs.'
+
+'True; I beg your pardon. I take the train here, so I'll say
+good-night.'
+
+They nodded to each other, but did not shake hands.
+
+A day or two later, Milvain wrote to Mrs Yule, and told her that
+he had seen Reardon; he did not describe the circumstances under
+which the interview had taken place, but gave it as his opinion
+that Reardon was in a state of nervous illness, and made by
+suffering quite unlike himself. That he might be on the way to
+positive mental disease seemed likely enough. 'Unhappily, I
+myself can be of no use to him; he has not the same friendly
+feeling for me as he used to have. But it is very certain that
+those of his friends who have the power should exert themselves
+to raise him out of this fearful slough of despond. If he isn't
+effectually helped, there's no saying what may happen. One thing
+is certain, I think: he is past helping himself. Sane literary
+work cannot be expected from him. It seems a monstrous thing that
+so good a fellow, and one with such excellent brains too, should
+perish by the way when influential people would have no
+difficulty in restoring him to health and usefulness.'
+
+All the months of summer went by. Jasper kept his word, and never
+visited Mrs Yule's house; but once in July he met that lady at
+the Carters', and heard then, what he knew from other sources,
+that the position of things was unchanged. In August, Mrs Yule
+spent a fortnight at the seaside, and Amy accompanied her.
+Milvain and his sisters accepted an invitation to visit friends
+at Wattleborough, and were out of town about three weeks, the
+last ten days being passed in the Isle of Wight; it was an
+extravagant holiday, but Dora had been ailing, and her brother
+declared that they would all work better for the change. Alfred
+Yule, with his wife and daughter, rusticated somewhere in Kent.
+Dora and Marian exchanged letters, and here is a passage from one
+written by the former:
+
+'Jasper has shown himself in an unusually amiable light since we
+left town. I looked forward to this holiday with some misgivings,
+as I know by experience that it doesn't do for him and us to be
+too much together; he gets tired of our company, and then his
+selfishness--believe me, he has a good deal of it--comes out in a
+way we don't appreciate. But I have never known him so
+forbearing. To me he is particularly kind, on account of my
+headaches and general shakiness. It isn't impossible that this
+young man, if all goes well with him, may turn out far better
+than Maud and I ever expected. But things will have to go very
+well, if the improvement is to be permanent. I only hope he may
+make a lot of money before long. If this sounds rather gross to
+you, I can only say that Jasper's moral nature will never be safe
+as long as he is exposed to the risks of poverty. There are such
+people, you know. As a poor man, I wouldn't trust him out of my
+sight; with money, he will be a tolerable creature--as men go.'
+
+Dora, no doubt, had her reasons for writing in this strain. She
+would not have made such remarks in conversation with her friend,
+but took the opportunity of being at a distance to communicate
+them in writing.
+
+On their return, the two girls made good progress with the book
+they were manufacturing for Messrs Jolly and Monk, and early in
+October it was finished. Dora was now writing little things for
+The English Girl, and Maud had begun to review an occasional
+novel for an illustrated paper. In spite of their poor lodgings,
+they had been brought into social relations with Mrs Boston
+Wright and a few of her friends; their position was understood,
+and in accepting invitations they had no fear lest unwelcome
+people should pounce down upon them in their shabby little
+sitting-room. The younger sister cared little for society such as
+Jasper procured them; with Marian Yule for a companion she would
+have been quite content to spend her evenings at home. But Maud
+relished the introduction to strangers. She was admired, and knew
+it. Prudence could not restrain her from buying a handsomer dress
+than those she had brought from her country home, and it irked
+her sorely that she might not reconstruct all her equipment to
+rival the appearance of well-to-do girls whom she studied and
+envied. Her disadvantages, for the present, were insuperable. She
+had no one to chaperon her; she could not form intimacies because
+of her poverty. A rare invitation to luncheon, a permission to
+call at the sacred hour of small-talk--this was all she could
+hope for.
+
+'I advise you to possess your soul in patience,' Jasper said to
+her, as they talked one day on the sea-shore. 'You are not to
+blame that you live without conventional protection, but it
+necessitates your being very careful. These people you are
+getting to know are not rigid about social observances, and they
+won't exactly despise you for poverty; all the same, their
+charity mustn't be tested too severely. Be very quiet for the
+present; let it be seen that you understand that your position
+isn't quite regular--I mean, of course, do so in a modest and
+nice way. As soon as ever it's possible, we'll arrange for you to
+live with someone who will preserve appearances. All this is
+contemptible, of course; but we belong to a contemptible society,
+and can't help ourselves. For Heaven's sake, don't spoil your
+chances by rashness; be content to wait a little, till some more
+money comes in.'
+
+Midway in October, about half-past eight one evening, Jasper
+received an unexpected visit from Dora. He was in his
+sitting-room, smoking and reading a novel.
+
+'Anything wrong?' he asked, as his sister entered.
+
+'No; but I'm alone this evening, and I thought I would see if you
+were in.
+
+'Where's Maud, then?'
+
+'She went to see the Lanes this afternoon, and Mrs Lane invited
+her to go to the Gaiety to-night; she said a friend whom she had
+invited couldn't come, and the ticket would be wasted. Maud went
+back to dine with them. She'll come home in a cab.'
+
+'Why is Mrs Lane so affectionate all at once? Take your things
+off; I have nothing to do.'
+
+'Miss Radway was going as well.'
+
+'Who's Miss Radway?'
+
+'Don't you know her? She's staying with the Lanes. Maud says she
+writes for The West End.'
+
+'And will that fellow Lane be with them?'
+
+'I think not.'
+
+Jasper mused, contemplating the bowl of his pipe.
+
+'I suppose she was in rare excitement?'
+
+'Pretty well. She has wanted to go to the Gaiety for a long time.
+There's no harm, is there?'
+
+Dora asked the question with that absent air which girls are wont
+to assume when they touch on doubtful subjects.
+
+'Harm, no. Idiocy and lively music, that's all. It's too late, or
+I'd have taken you, for the joke of the thing. Confound it! she
+ought to have better dresses.'
+
+'Oh, she looked very nice, in that best.'
+
+'Pooh! But I don't care for her to be running about with the
+Lanes. Lane is too big a blackguard; it reflects upon his wife to
+a certain extent.'
+
+They gossiped for half an hour, then a tap at the door
+interrupted them; it was the landlady.
+
+'Mr Whelpdale has called to see you, sir. I mentioned as Miss
+Milvain was here, so he said he wouldn't come up unless you sent
+to ask him.'
+
+Jasper smiled at Dora, and said in a low voice.
+
+'What do you say? Shall he come up? He can behave himself.'
+
+'Just as you please, Jasper.'
+
+'Ask him to come up, Mrs Thompson, please.'
+
+Mr Whelpdale presented himself. He entered with much more
+ceremony than when Milvain was alone; on his visage was a grave
+respectfulness, his step was light, his whole bearing expressed
+diffidence and pleasurable anticipation.
+
+'My younger sister, Whelpdale,' said Jasper, with subdued
+amusement.
+
+The dealer in literary advice made a bow which did him no
+discredit, and began to speak in a low, reverential tone not at
+all disagreeable to the ear. His breeding, in truth, had been
+that of a gentleman, and it was only of late years that he had
+fallen into the hungry region of New Grub Street.
+
+'How's the "Manual" going off?' Milvain inquired.
+
+'Excellently! We have sold nearly six hundred.'
+
+'My sister is one of your readers. I believe she has studied the
+book with much conscientiousness.'
+
+'Really? You have really read it, Miss Milvain?'
+
+Dora assured him that she had, and his delight knew no bounds.
+
+'It isn't all rubbish, by any means,' said Jasper, graciously.
+'In the chapter on writing for magazines, there are one or two
+very good hints. What a pity you can't apply your own advice,
+Whelpdale!'
+
+'Now that's horribly unkind of you!' protested the other. 'You
+might have spared me this evening. But unfortunately it's quite
+true, Miss Milvain. I point the way, but I haven't been able to
+travel it myself. You mustn't think I have never succeeded in
+getting things published; but I can't keep it up as a profession.
+
+Your brother is the successful man. A marvellous facility! I envy
+him. Few men at present writing have such talent.'
+
+'Please don't make him more conceited than he naturally is,'
+interposed Dora.
+
+'What news of Biffen?' asked Jasper, presently.
+
+'He says he shall finish "Mr Bailey, Grocer," in about a month.
+He read me one of the later chapters the other night. It's really
+very fine; most remarkable writing, it seems to me. It will be
+scandalous if he can't get it published; it will, indeed.'
+
+'I do hope he may!' said Dora, laughing. 'I have heard so much of
+"Mr Bailey," that it will be a great disappointment if I am never
+to read it.'
+
+'I'm afraid it would give you very little pleasure,' Whelpdale
+replied, hesitatingly. 'The matter is so very gross.'
+
+'And the hero grocer!' shouted Jasper, mirthfully. 'Oh, but it's
+quite decent; only rather depressing. The decently ignoble--or,
+the ignobly decent? Which is Biffen's formula? I saw him a week
+ago, and he looked hungrier than ever.'
+
+'Ah, but poor Reardon! I passed him at King's Cross not long ago.
+
+He didn't see me--walks with his eyes on the ground always--and I
+hadn't the courage to stop him. He's the ghost of his old self He
+can't live long.'
+
+Dora and her brother exchanged a glance. It was a long time since
+Jasper had spoken to his sisters about the Reardons; nowadays he
+seldom heard either of husband or wife.
+
+The conversation that went on was so agreeable to Whelpdale, that
+he lost consciousness of time. It was past eleven o'clock when
+Jasper felt obliged to remind him.
+
+'Dora, I think I must be taking you home.'
+
+The visitor at once made ready for departure, and his
+leave-taking was as respectful as his entrance had been. Though
+he might not say what he thought, there was very legible upon his
+countenance a hope that he would again be privileged to meet Miss
+Dora Milvain.
+
+'Not a bad fellow, in his way,' said Jasper, when Dora and he
+were alone again.
+
+'Not at all.'
+
+She had heard the story of Whelpdale's hapless wooing half a year
+ago, and her recollection of it explained the smile with which
+she spoke.
+
+'Never get on, I'm afraid,' Jasper pursued. 'He has his allowance
+of twenty pounds a year, and makes perhaps fifty or sixty more.
+If I were in his position, I should go in for some kind of
+regular business; he has people who could help him. Good-natured
+fellow; but what's the use of that if you've no money?'
+
+They set out together, and walked to the girls' lodgings. Dora
+was about to use her latch-key, but Jasper checked her. 'No.
+There's a light in the kitchen still; better knock, as we're so
+late.'
+
+'But why?'
+
+'Never mind; do as I tell you.'
+
+The landlady admitted them, and Jasper spoke a word or two with
+her, explaining that he would wait until his elder sister's
+return; the darkness of the second-floor windows had shown that
+Maud was not yet back.
+
+'What strange fancies you have!' remarked Dora, when they were
+upstairs.
+
+'So have people in general, unfortunately.'
+
+A letter lay on the table. It was addressed to Maud, and Dora
+recognised the handwriting as that of a Wattleborough friend.
+
+'There must be some news here,' she said. 'Mrs Haynes wouldn't
+write unless she had something special to say.
+
+Just upon midnight, a cab drew up before the house. Dora ran down
+to open the door to her sister, who came in with very bright eyes
+and more colour than usual on her cheeks.
+
+'How late for you to be here!' she exclaimed, on entering the
+sitting-room and seeing Jasper.
+
+'I shouldn't have felt comfortable till I knew that you were back
+all right.'
+
+'What fear was there?'
+
+She threw off her wraps, laughing.
+
+'Well, have you enjoyed yourself?'
+
+'Oh yes!' she replied, carelessly. 'This letter for me? What has
+Mrs Haynes got to say, I wonder?'
+
+She opened the envelope, and began to glance hurriedly over the
+sheet of paper. Then her face changed.
+
+'What do you think? Mr Yule is dead!'
+
+Dora uttered an exclamation; Jasper displayed the keenest
+interest.
+
+'He died yesterday--no, it would be the day before yesterday. He
+had a fit of some kind at a public meeting, was taken to the
+hospital because it was nearest, and died in a few hours. So that
+has come, at last! Now what'll be the result of it, I wonder?'
+
+'When shall you be seeing Marian?' asked her brother.
+
+'She might come to-morrow evening.'
+
+'But won't she go to the funeral?' suggested Dora.
+
+'Perhaps; there's no saying. I suppose her father will, at all
+events. The day before yesterday? Then the funeral will be on
+Saturday, I should think.'
+
+'Ought I to write to Marian?' asked Dora.
+
+'No; I wouldn't,' was Jasper's reply. 'Better wait till she lets
+you hear. That's sure to be soon. She may have gone to
+Wattleborough this afternoon, or be going to-morrow morning.'
+
+The letter from Mrs Haynes was passed from hand to hand.
+'Everybody feels sure,' it said, 'that a great deal of his money
+will be left for public purposes. The ground for the park being
+already purchased, he is sure to have made provision for carrying
+out his plans connected with it. But I hope your friends in
+London may benefit.'
+
+It was some time before Jasper could put an end to the
+speculative conversation and betake himself homewards. And even
+on getting back to his lodgings he was little disposed to go to
+bed. This event of John Yule's death had been constantly in his
+mind, but there was always a fear that it might not happen for
+long enough; the sudden announcement excited him almost as much
+as if he were a relative of the deceased.
+
+'Confound his public purposes!' was the thought upon which he at
+length slept.
+
+
+
+CHAPTER XXI. MR YULE LEAVES TOWN
+
+Since the domestic incidents connected with that unpleasant
+review in The Current, the relations between Alfred Yule and his
+daughter had suffered a permanent change, though not in a degree
+noticeable by any one but the two concerned. To all appearances,
+they worked together and conversed very much as they had been
+wont to do; but Marian was made to feel in many subtle ways that
+her father no longer had complete confidence in her, no longer
+took the same pleasure as formerly in the skill and
+conscientiousness of her work, and Yule on his side perceived too
+clearly that the girl was preoccupied with something other than
+her old wish to aid and satisfy him, that she had a new life of
+her own alien to, and in some respects irreconcilable with, the
+existence in which he desired to confirm her. There was no
+renewal of open disagreement, but their conversations frequently
+ended by tacit mutual consent, at a point which threatened
+divergence; and in Yule's case every such warning was a cause of
+intense irritation. He feared to provoke Marian, and this fear
+was again a torture to his pride.
+
+Beyond the fact that his daughter was in constant communication
+with the Miss Milvains, he knew, and could discover, nothing of
+the terms on which she stood with the girls' brother, and this
+ignorance was harder to bear than full assurance of a
+disagreeable fact would have been. That a man like Jasper
+Milvain, whose name was every now and then forced upon his notice
+as a rising periodicalist and a faithful henchman of the
+unspeakable Fadge--that a young fellow of such excellent
+prospects should seriously attach himself to a girl like Marian
+seemed to him highly improbable, save, indeed, for the one
+consideration, that Milvain, who assuredly had a very keen eye to
+chances, might regard the girl as a niece of old John Yule, and
+therefore worth holding in view until it was decided whether or
+not she would benefit by her uncle's decease. Fixed in his
+antipathy to the young man, he would not allow himself to admit
+any but a base motive on Milvain's side, if, indeed, Marian and
+Jasper were more to each other than slight acquaintances; and he
+persuaded himself that anxiety for the girl's welfare was at
+least as strong a motive with him as mere prejudice against the
+ally of Fadge, and, it might be, the reviewer of 'English Prose.'
+Milvain was quite capable of playing fast and loose with a girl,
+and Marian, owing to the peculiar circumstances of her position,
+would easily be misled by the pretence of a clever speculator.
+
+That she had never spoken again about the review in The Current
+might receive several explanations. Perhaps she had not been able
+to convince herself either for or against Milvain's authorship;
+perhaps she had reason to suspect that the young man was the
+author; perhaps she merely shrank from reviving a discussion in
+which she might betray what she desired to keep secret. This last
+was the truth. Finding that her father did not recur to the
+subject, Marian concluded that he had found himself to be
+misinformed. But Yule, though he heard the original rumour denied
+by people whom in other matters he would have trusted, would not
+lay aside the doubt that flattered his prejudices. If Milvain
+were not the writer of the review, he very well might have been;
+and what certainty could be arrived at in matters of literary
+gossip?
+
+There was an element of jealousy in the father's feeling. If he
+did not love Marian with all the warmth of which a parent is
+capable, at least he had more affection for her than for any
+other person, and of this he became strongly aware now that the
+girl seemed to be turning from him. If he lost Marian, he would
+indeed be a lonely man, for he considered his wife of no account.
+
+Intellectually again, he demanded an entire allegiance from his
+daughter; he could not bear to think that her zeal on his behalf
+was diminishing, that perhaps she was beginning to regard his
+work as futile and antiquated in comparison with that of the new
+generation. Yet this must needs be the result of frequent
+intercourse with such a man as Milvain. It seemed to him that he
+remarked it in her speech and manner, and at times he with
+difficulty restrained himself from a reproach or a sarcasm which
+would have led to trouble.
+
+Had he been in the habit of dealing harshly with Marian, as with
+her mother, of course his position would have been simpler. But
+he had always respected her, and he feared to lose that measure
+of respect with which she repaid him. Already he had suffered in
+her esteem, perhaps more than he liked to think, and the
+increasing embitterment of his temper kept him always in danger
+of the conflict he dreaded. Marian was not like her mother; she
+could not submit to tyrannous usage. Warned of that, he did his
+utmost to avoid an outbreak of discord, constantly hoping that he
+might come to understand his daughter's position, and perhaps
+discover that his greatest fear was unfounded.
+
+Twice in the course of the summer he inquired of his wife whether
+she knew anything about the Milvains. But Mrs Yule was not in
+Marian's confidence.
+
+'I only know that she goes to see the young ladies, and that they
+do writing of some kind.'
+
+'She never even mentions their brother to you?'
+
+'Never. I haven't heard his name from her since she told me the
+Miss Milvains weren't coming here again.'
+
+He was not sorry that Marian had taken the decision to keep her
+friends away from St Paul's Crescent, for it saved him a
+recurring annoyance; but, on the other hand, if they had
+continued to come, he would not have been thus completely in the
+dark as to her intercourse with Jasper; scraps of information
+must now and then have been gathered by his wife from the girls'
+talk.
+
+Throughout the month of July he suffered much from his wonted
+bilious attacks, and Mrs Yule had to endure a double share of his
+ill-temper, that which was naturally directed against her, and
+that of which Marian was the cause. In August things were
+slightly better; but with the return to labour came a renewal of
+Yule's sullenness and savageness. Sundry pieces of ill-luck of a
+professional kind--warnings, as he too well understood, that it
+was growing more and more difficult for him to hold his own
+against the new writers--exasperated his quarrel with destiny.
+The gloom of a cold and stormy September was doubly wretched in
+that house on the far borders of Camden Town, but in October the
+sun reappeared and it seemed to mollify the literary man's mood.
+Just when Mrs Yule and Marian began to hope that this long
+distemper must surely come to an end, there befell an incident
+which, at the best of times, would have occasioned misery, and
+which in the present juncture proved disastrous.
+
+It was one morning about eleven. Yule was in his study; Marian
+was at the Museum; Mrs Yule had gone shopping. There came a sharp
+knock at the front door, and the servant, on opening, was
+confronted with a decently-dressed woman, who asked in a
+peremptory voice if Mrs Yule was at home.
+
+'No? Then is Mr Yule?'
+
+'Yes, mum, but I'm afraid he's busy.'
+
+'I don't care, I must see him. Say that Mrs Goby wants to see him
+at once.'
+
+The servant, not without apprehensions, delivered this message at
+the door of the study.
+
+'Mrs Goby? Who is Mrs Goby?' exclaimed the man of letters, irate
+at the disturbance.
+
+There sounded an answer out of the passage, for the visitor had
+followed close.
+
+'I am Mrs Goby, of the 'Olloway Road, wife of Mr C. 0. Goby,
+'aberdasher. I just want to speak to you, Mr Yule, if you please,
+seeing that Mrs Yule isn't in.'
+
+Yule started up in fury, and stared at the woman, to whom the
+servant had reluctantly given place.
+
+'What business can you have with me? If you wish to see Mrs Yule,
+come again when she is at home.'
+
+'No, Mr Yule, I will not come again!' cried the woman, red in the
+face. 'I thought I might have had respectable treatment here, at
+all events; but I see you're pretty much like your relations in
+the way of behaving to people, though you do wear better clothes,
+and--I s'pose--call yourself a gentleman. I won't come again, and
+you shall just hear what I've got to say.
+
+She closed the door violently, and stood in an attitude of robust
+defiance.
+
+'What's all this about?' asked the enraged author, overcoming an
+impulse to take Mrs Goby by the shoulders and throw her out--
+though he might have found some difficulty in achieving this
+feat. 'Who are you? And why do you come here with your brawling?'
+
+'I'm the respectable wife of a respectable man--that's who I am,
+Mr Yule, if you want to know. And I always thought Mrs Yule was
+the same, from the dealings we've had with her at the shop,
+though not knowing any more of her, it's true, except that she
+lived in St Paul's Crezzent. And so she may be respectable,
+though I can't say as her husband behaves himself very much like
+what he pretends to be. But I can't say as much for her relations
+in Perker Street, 'Olloway, which I s'pose they're your relations
+as well, at least by marriage. And if they think they're going to
+insult me, and use their blackguard tongues--'
+
+'What are you talking about?' shouted Yule, who was driven to
+frenzy by the mention of his wife's humble family. 'What have I
+to do with these people?'
+
+'What have you to do with them? I s'pose they're your relations,
+ain't they? And I s'pose the girl Annie Rudd is your niece, ain't
+she? At least, she's your wife's niece, and that comes to the
+same thing, I've always understood, though I dare say a gentleman
+as has so many books about him can correct me if I've made a
+mistake.'
+
+She looked scornfully, though also with some surprise, round the
+volumed walls.
+
+'And what of this girl? Will you have the goodness to say what
+your business is?'
+
+'Yes, I will have the goodness! I s'pose you know very well that
+I took your niece Annie Rudd as a domestic servant'--she repeated
+this precise definition--'as a domestic servant, because Mrs Yule
+'appened to 'arst me if I knew of a place for a girl of that
+kind, as hadn't been out before, but could be trusted to do her
+best to give satisfaction to a good mistress? I s'pose you know
+that?'
+
+'I know nothing of the kind. What have I to do with servants?'
+
+'Well, whether you've much to do with them or little, that's how
+it was. And nicely she's paid me out, has your niece, Miss Rudd.
+Of all the trouble I ever had with a girl! And now when she's run
+away back 'ome, and when I take the trouble to go arfter her, I'm
+to be insulted and abused as never was! Oh, they're a nice
+respectable family, those Rudds! Mrs Rudd--that's Mrs Yule's
+sister--what a nice, polite-spoken lady she is, to be sure? If I
+was to repeat the language--but there, I wouldn't lower myself.
+And I've been a brute of a mistress; I ill-use my servants, and I
+don't give 'em enough to eat, and I pay 'em worse than any woman
+in London! That's what I've learnt about myself by going to
+Perker Street, 'Olloway. And when I come here to ask Mrs Yule
+what she means by recommending such a creature, from such a 'ome,
+I get insulted by her gentleman husband.'
+
+Yule was livid with rage, but the extremity of his scorn withheld
+him from utterance of what he felt.
+
+'As I said, all this has nothing to do with me. I will let Mrs
+Yule know that you have called. I have no more time to spare.'
+
+Mrs Goby repeated at still greater length the details of her
+grievance, but long before she had finished Yule was sitting
+again at his desk in ostentatious disregard o{her. Finally, the
+exasperated woman flung open the door, railed in a loud voice
+along the passage, and left the house with an alarming crash.
+
+It was not long before Mrs Yule returned. Before taking off her
+things, she went down into the kitchen with certain purchases,
+and there she learnt from the servant what had happened during
+her absence. Fear and trembling possessed her--the sick, faint
+dread always excited by her husband's wrath--but she felt obliged
+to go at once to the study. The scene that took place there was
+one of ignoble violence on Yule's part, and, on that of his wife,
+of terrified self-accusation, changing at length to dolorous
+resentment of the harshness with which she was treated. When it
+was over, Yule took his hat and went out.
+
+He did not return for the mid-day meal, and when Marian, late in
+the afternoon, came back from the Museum, he was still absent.
+
+Not finding her mother in the parlour, Marian called at the head
+of the kitchen stairs. The servant answered, saying that Mrs Yule
+was up in her bedroom, and that she didn't seem well. Marian at
+once went up and knocked at the bedroom door. In a moment or two
+her mother came out, showing a face of tearful misery.
+
+'What is it, mother? What's the matter?'
+
+They went into Marian's room, where Mrs Yule gave free utterance
+to her lamentations.
+
+'I can't put up with it, Marian! Your father is too hard with me.
+
+I was wrong, I dare say, and I might have known what would have
+come of it, but he couldn't speak to me worse if I did him all
+the harm I could on purpose. It's all about Annie, because I
+found a place for her at Mrs Goby's in the 'Olloway Road; and now
+Mrs Goby's been here and seen your father, and told him she's
+been insulted by the Rudds, because Annie went off home, and she
+went after her to make inquiries. And your father's in such a
+passion about it as never was. That woman Mrs Goby rushed into
+the study when he was working; it was this morning, when I
+happened to be out. And she throws all the blame on me for
+recommending her such a girl. And I did it for the best, that I
+did! Annie promised me faithfully she'd behave well, and never
+give me trouble, and she seemed thankful to me, because she
+wasn't happy at home. And now to think of her causing all this
+disturbance! I oughtn't to have done such a thing without
+speaking about it to your father; but you know how afraid I am to
+say a word to him about those people. And my sister's told me so
+often I ought to be ashamed of myself never helping her and her
+children; she thinks I could do such a lot if I only liked. And
+now that I did try to do something, see what comes of it!'
+
+Marian listened with a confusion of wretched feelings. But her
+sympathies were strongly with her mother; as well as she could
+understand the broken story, her father seemed to have no just
+cause for his pitiless rage, though such an occasion would be
+likely enough to bring out his worst faults.
+
+'Is he in the study?' she asked.
+
+'No, he went out at twelve o'clock, and he's never been back
+since. I feel as if I must do something; I can't bear with it,
+Marian. He tells me I'm the curse of his life--yes, he said that.
+I oughtn't to tell you, I know I oughtn't; but it's more than I
+can bear. I've always tried to do my best, but it gets harder and
+harder for me. But for me he'd never be in these bad tempers;
+it's because he can't look at me without getting angry. He says
+I've kept him back all through his life; but for me he might have
+been far better off than he is. It may be true; I've often enough
+thought it. But I can't bear to have it told me like that, and to
+see it in his face every time he looks at me. I shall have to do
+something. He'd be glad if only I was out of his way.'
+
+'Father has no right to make you so unhappy,' said Marian. 'I
+can't see that you did anything blameworthy; it seems to me that
+it was your duty to try and help Annie, and if it turned out
+unfortunately, that can't be helped. You oughtn't to think so
+much of what father says in his anger; I believe he hardly knows
+what he does say. Don't take it so much to heart, mother.'
+
+'I've tried my best, Marian,' sobbed the poor woman, who felt
+that even her child's sympathy could not be perfect, owing to the
+distance put between them by Marian's education and refined
+sensibilities. 'I've always thought it wasn't right to talk to
+you about such things, but he's been too hard with me to-day.'
+
+'I think it was better you should tell me. It can't go on like
+this; I feel that just as you do. I must tell father that he is
+making our lives a burden to us.'
+
+'Oh, you mustn't speak to him like that, Marian! I wouldn't for
+anything make unkindness between you and your father; that would
+be the worst thing I'd done yet. I'd rather go away and work for
+my own living than make trouble between you and him.'
+
+'It isn't you who make trouble; it's father. I ought to have
+spoken to him before this; I had no right to stand by and see how
+much you suffered from his ill-temper.'
+
+The longer they talked, the firmer grew Marian's resolve to front
+her father's tyrannous ill-humour, and in one way or another to
+change the intolerable state of things. She had been weak to hold
+her peace so long; at her age it was a simple duty to interfere
+when her mother was treated with such flagrant injustice. Her
+father's behaviour was unworthy of a thinking man, and he must be
+made to feel that.
+
+Yule did not return. Dinner was delayed for half an hour, then
+Marian declared that they would wait no longer. They two made a
+sorry meal, and afterwards went together into the sitting-room.
+At eight o'clock they heard the front door open, and Yule's
+footstep in the passage. Marian rose.
+
+'Don't speak till to-morrow!' whispered her mother, catching at
+the girl's arm. 'Let it be till to-morrow, Marian!'
+
+'I must speak! We can't live in this terror.'
+
+She reached the study just as her father was closing the door
+behind him. Yule, seeing her enter, glared with bloodshot eyes;
+shame and sullen anger were blended on his countenance.
+
+'Will you tell me what is wrong, father?' Marian asked, in a
+voice which betrayed her nervous suffering, yet indicated the
+resolve with which she had come.
+
+'I am not at all disposed to talk of the matter,' he replied,
+with the awkward rotundity of phrase which distinguished him in
+his worst humour. 'For information you had better go to Mrs Goby-
+-or a person of some such name--in Holloway Road. I have nothing
+more to do with it.'
+
+'It was very unfortunate that the woman came and troubled you
+about such things. But I can't see that mother was to blame; I
+don't think you ought to be so angry with her.'
+
+It cost Marian a terrible effort to address her father in these
+terms. When he turned fiercely upon her, she shrank back and felt
+as if strength must fail her even to stand.
+
+'You can't see that she was to blame? Isn't it entirely against
+my wish that she keeps up any intercourse with those low people?
+Am I to be exposed to insulting disturbance in my very study,
+because she chooses to introduce girls of bad character as
+servants to vulgar women?'
+
+'I don't think Annie Rudd can be called a girl of bad character,
+and it was very natural that mother should try to do something
+for her. You have never actually forbidden her to see her
+relatives.'
+
+'A thousand times I have given her to understand that I utterly
+disapproved of such association. She knew perfectly well that
+this girl was as likely as not to discredit her. If she had
+consulted me, I should at once have forbidden anything of the
+kind; she was aware of that. She kept it secret from me, knowing
+that it would excite my displeasure. I will not be drawn into
+such squalid affairs; I won't have my name spoken in such
+connection. Your mother has only herself to blame if I am angry
+with her.'
+
+'Your anger goes beyond all bounds. At the very worst, mother
+behaved imprudently, and with a very good motive. It is cruel
+that you should make her suffer as she is doing.'
+
+Marian was being strengthened to resist. Her blood grew hot; the
+sensation which once before had brought her to the verge of
+conflict with her father possessed her heart and brain.
+
+'You are not a suitable judge of my behaviour,' replied Yule,
+severely.
+
+'I am driven to speak. We can't go on living in this way, father.
+For months our home has been almost ceaselessly wretched, because
+of the ill-temper you are always in. Mother and I must defend
+ourselves; we can't bear it any longer. You must surely feel how
+ridiculous it is to make such a thing as happened this morning
+the excuse for violent anger. How can I help judging your
+behaviour? When mother is brought to the point of saying that she
+would rather leave home and everything than endure her misery any
+longer, I should be wrong if I didn't speak to you. Why are you
+so unkind? What serious cause has mother ever given you?'
+
+'I refuse to argue such questions with you.'
+
+'Then you are very unjust. I am not a child, and there's nothing
+wrong in my asking you why home is made a place of misery,
+instead of being what home ought to be.'
+
+'You prove that you are a child, in asking for explanations which
+ought to be clear enough to you.'
+
+'You mean that mother is to blame for everything?'
+
+'The subject is no fit one to be discussed between a father and
+his daughter. If you cannot see the impropriety of it, be so good
+as to go away and reflect, and leave me to my occupations.'
+
+Marian came to a pause. But she knew that his rebuke was mere
+unworthy evasion; she saw that her father could not meet her
+look, and this perception of shame in him impelled her to finish
+what she had begun.
+
+'I will say nothing of mother, then, but speak only for myself. I
+suffer too much from your unkindness; you ask too much
+endurance.'
+
+'You mean that I exact too much work from you?' asked her father,
+with a look which might have been directed to a recalcitrant
+clerk.
+
+'No. But that you make the conditions of my work too hard. I live
+in constant fear of your anger.'
+
+'Indeed? When did I last ill-use you, or threaten you?'
+
+'I often think that threats, or even ill-usage, would be easier
+to bear than an unchanging gloom which always seems on the point
+of breaking into violence.'
+
+'I am obliged to you for your criticism of my disposition and
+manner, but unhappily I am too old to reform. Life has made me
+what I am, and I should have thought that your knowledge of what
+my life has been would have gone far to excuse a lack of
+cheerfulness in me.'
+
+The irony of this laborious period was full of self-pity. His
+voice quavered at the close, and a tremor was noticeable in his
+stiff frame.
+
+'It isn't lack of cheerfulness that I mean, father. That could
+never have brought me to speak like this.'
+
+'If you wish me to admit that I am bad-tempered, surly,
+irritable--I make no difficulty about that. The charge is true
+enough. I can only ask you again: What are the circumstances that
+have ruined my temper? When you present yourself here with a
+general accusation of my behaviour, I am at a loss to understand
+what you ask of me, what you wish me to say or do. I must beg you
+to speak plainly. Are you suggesting that I should make provision
+for the support of you and your mother away from my intolerable
+proximity? My income is not large, as I think you are aware, but
+of course, if a demand of this kind is seriously made, I must do
+my best to comply with it.'
+
+'It hurts me very much that you can understand me no better than
+this.'
+
+'I am sorry. I think we used to understand each other, but that
+was before you were subjected to the influence of strangers.'
+
+In his perverse frame of mind he was ready to give utterance to
+any thought which confused the point at issue. This last allusion
+was suggested to him by a sudden pang of regret for the pain he
+was causing Marian; he defended himself against self-reproach by
+hinting at the true reason of much of his harshness.
+
+'I am subjected to no influence that is hostile to you,' Marian
+replied.
+
+'You may think that. But in such a matter it is very easy for you
+to deceive yourself.'
+
+'Of course I know what you refer to, and I can assure you that I
+don't deceive myself.'
+
+Yule flashed a searching glance at her.
+
+'Can you deny that you are on terms of friendship with a--a
+person who would at any moment rejoice to injure me?'
+
+'I am friendly with no such person. Will you say whom you are
+thinking of?'
+
+'It would be useless. I have no wish to discuss a subject on
+which we should only disagree unprofitably.'
+
+Marian kept silence for a moment, then said in a low, unsteady
+voice:
+
+'It is perhaps because we never speak of that subject that we are
+so far from understanding each other. If you think that Mr
+Milvain is your enemy, that he would rejoice to injure you, you
+are grievously mistaken.'
+
+'When I see a man in close alliance with my worst enemy, and
+looking to that enemy for favour, I am justified in thinking that
+he would injure me if the right kind of opportunity offered. One
+need not be very deeply read in human nature to have assurance of
+that.'
+
+'But I know Mr Milvain!'
+
+'You know him?'
+
+'Far better than you can, I am sure. You draw conclusions from
+general principles; but I know that they don't apply in this
+case.'
+
+'I have no doubt you sincerely think so. I repeat that nothing
+can be gained by such a discussion as this.'
+
+'One thing I must tell you. There was no truth in your suspicion
+that Mr Milvain wrote that review in The Current. He assured me
+himself that he was not the writer, that he had nothing to do
+with it.'
+
+Yule looked askance at her, and his face displayed solicitude,
+which soon passed, however, into a smile of sarcasm.
+
+'The gentleman's word no doubt has weight with you.'
+
+'Father, what do you mean?' broke from Marian, whose eyes of a
+sudden flashed stormily. 'Would Mr Milvain tell me a lie?'
+
+'I shouldn't like to say that it is impossible,' replied her
+father in the same tone as before.
+
+'But--what right have you to insult him so grossly?'
+
+'I have every right, my dear child, to express an opinion about
+him or any other man, provided I do it honestly. I beg you not to
+strike attitudes and address me in the language of the stage. You
+insist on my speaking plainly, and I have spoken plainly. I
+warned you that we were not likely to agree on this topic.'
+
+'Literary quarrels have made you incapable of judging honestly in
+things such as this. I wish I could have done for ever with the
+hateful profession that so poisons men's minds.'
+
+'Believe me, my girl,' said her father, incisively, 'the simpler
+thing would be to hold aloof from such people as use the
+profession in a spirit of unalloyed selfishness, who seek only
+material advancement, and who, whatever connection they form,
+have nothing but self-interest in view.'
+
+And he glared at her with much meaning. Marian--both had remained
+standing all through the dialogue--cast down her eyes and became
+lost in brooding.
+
+'I speak with profound conviction,' pursued her father, 'and,
+however little you credit me with such a motive, out of desire to
+guard you against the dangers to which your inexperience is
+exposed. It is perhaps as well that you have afforded me this-- '
+
+There sounded at the house-door that duplicated double-knock
+which generally announces the bearer of a telegram. Yule
+interrupted himself, and stood in an attitude of waiting. The
+servant was heard to go along the passage, to open the door, and
+then return towards the study. Yes, it was a telegram. Such
+despatches rarely came to this house; Yule tore the envelope,
+read its contents, and stood with gaze fixed upon the slip of
+paper until the servant inquired if there was any reply for the
+boy to take with him.
+
+'No reply.'
+
+He slowly crumpled the envelope, and stepped aside to throw it
+into the paper-basket. The telegram he laid on his desk. Marian
+stood all the time with bent head; he now looked at her with an
+expression of meditative displeasure.
+
+'I don't know that there's much good in resuming our
+conversation,' he said, in quite a changed tone, as if something
+of more importance had taken possession of his thoughts and had
+made him almost indifferent to the past dispute. 'But of course I
+am quite willing to hear anything you would still like to say.
+
+Marian had lost her vehemence. She was absent and melancholy.
+
+'I can only ask you,' she replied, 'to try and make life less of
+a burden to us.'
+
+'I shall have to leave town to-morrow for a few days; no doubt it
+will be some satisfaction to you to hear that.'
+
+Marian's eyes turned involuntarily towards the telegram.
+
+'As for your occupation in my absence,' he went on, in a hard
+tone which yet had something tremulous, emotional, making it
+quite different from the voice he had hitherto used, 'that will
+be entirely a matter for your own judgment. I have felt for some
+time that you assisted me with less good-will than formerly, and
+now that you have frankly admitted it, I shall of course have
+very little satisfaction in requesting your aid. I must leave it
+to you; consult your own inclination.'
+
+It was resentful, but not savage; between the beginning and the
+end of his speech he softened to a sort of self-satisfied pathos.
+
+'I can't pretend,' replied Marian, 'that I have as much pleasure
+in the work as I should have if your mood were gentler.'
+
+'I am sorry. I might perhaps have made greater efforts to appear
+at ease when I was suffering.'
+
+'Do you mean physical suffering?'
+
+'Physical and mental. But that can't concern you. During my
+absence I will think of your reproof. I know that it is deserved,
+in some degree. If it is possible, you shall have less to
+complain of in future.'
+
+He looked about the room, and at length seated himself; his eyes
+were fixed in a direction away from Marian.
+
+'I suppose you had dinner somewhere?' Marian asked, after
+catching a glimpse of his worn, colourless face.
+
+'Oh, I had a mouthful of something. It doesn't matter.'
+
+It seemed as if he found some special pleasure in assuming this
+tone of martyrdom just now. At the same time he was becoming more
+absorbed in thought.
+
+'Shall I have something brought up for you, father?'
+
+'Something--? Oh no, no; on no account.'
+
+He rose again impatiently, then approached his desk, and laid a
+hand on the telegram. Marian observed this movement, and examined
+his face; it was set in an expression of eagerness.
+
+'You have nothing more to say, then?' He turned sharply upon her.
+
+'I feel that I haven't made you understand me, but I can say
+nothing more.'
+
+'I understand you very well--too well. That you should
+misunderstand and mistrust me, I suppose, is natural. You are
+young, and I am old. You are still full of hope, and I have been
+so often deceived and defeated that I dare not let a ray of hope
+enter my mind. Judge me; judge me as hardly as you like. My life
+has been one long, bitter struggle, and if now--. I say,' he
+began a new sentence, 'that only the hard side of life has been
+shown to me; small wonder if I have become hard myself. Desert
+me; go your own Way, as the young always do. But bear in mind my
+warning. Remember the caution I have given you.'
+
+He spoke in a strangely sudden agitation. The arm with which he
+leaned upon the table trembled violently. After a moment's pause
+he added, in a thick voice:
+
+'Leave me. I will speak to you again in the morning.'
+
+Impressed in a way she did not understand, Marian at once obeyed,
+and rejoined her mother in the parlour. Mrs Yule gazed anxiously
+at her as she entered.
+
+'Don't be afraid,' said Marian, with difficulty bringing herself
+to speak. 'I think it will be better.'
+
+'Was that a telegram that came?' her mother inquired after a
+silence.
+
+'Yes. I don't know where it was from. But father said he would
+have to leave town for a few days.'
+
+They exchanged looks.
+
+'Perhaps your uncle is very ill,' said the mother in a low voice.
+
+'Perhaps so.'
+
+The evening passed drearily. Fatigued with her emotions, Marian
+went early to bed; she even slept later than usual in the
+morning, and on descending she found her father already at the
+breakfast-table. No greeting passed, and there was no
+conversation during the meal. Marian noticed that her mother kept
+glancing at her in a peculiarly grave way; but she felt ill and
+dejected, and could fix her thoughts on no subject. As he left
+the table Yule said to her:
+
+'I want to speak to you for a moment. I shall be in the study.'
+
+She joined him there very soon. He looked coldly at her, and said
+in a distant tone:
+
+'The telegram last night was to tell me that your uncle is dead.'
+
+'Dead!'
+
+'He died of apoplexy, at a meeting in Wattleborough. I shall go
+down this morning, and of course remain till after the funeral. I
+see no necessity for your going, unless, of course, it is your
+desire to do so.'
+
+'No; I should do as you wish.'
+
+'I think you had better not go to the Museum whilst I am away.
+You will occupy yourself as you think fit.'
+
+'I shall go on with the Harrington notes.'
+
+'As you please. I don't know what mourning it would be decent for
+you to wear; you must consult with your mother about that. That
+is all I wished to say.'
+
+His tone was dismissal. Marian had a struggle with herself but
+she could find nothing to reply to his cold phrases. And an hour
+or two afterwards Yule left the house without leave-taking.
+
+Soon after his departure there was a visitor's rat-tat at the
+door; it heralded Mrs Goby. In the interview which then took
+place Marian assisted her mother to bear the vigorous onslaughts
+of the haberdasher's wife. For more than two hours Mrs Goby
+related her grievances, against the fugitive servant, against Mrs
+Yule, against Mr Yule; meeting with no irritating opposition, she
+was able in this space of time to cool down to the temperature of
+normal intercourse, and when she went forth from the house again
+it was in a mood of dignified displeasure which she felt to be
+some recompense for the injuries of yesterday.
+
+A result of this annoyance was to postpone conversation between
+mother and daughter on the subject of John Yule's death until a
+late hour of the afternoon. Marian was at work in the study, or
+endeavouring to work, for her thoughts would not fix themselves
+on the matter in hand for many minutes together, and Mrs Yule
+came in with more than her customary diffidence.
+
+'Have you nearly done for to-day, dear?'
+
+'Enough for the present, I think.'
+
+She laid down her pen, and leant back in the chair.
+
+'Marian, do you think your father will be rich?'
+
+'I have no idea, mother. I suppose we shall know very soon.'
+
+Her tone was dreamy. She seemed to herself to be speaking of
+something which scarcely at all concerned her, of vague
+possibilities which did not affect her habits of thought.
+
+'If that happens,' continued Mrs Yule, in a low tone of distress,
+'I don't know what I shall do.'
+
+Marian looked at her questioningly.
+
+'I can't wish that it mayn't happen,' her mother went on; 'I
+can't, for his sake and for yours; but I don't know what I shall
+do. He'd think me more in his way than ever. He'd wish to have a
+large house, and live in quite a different way; and how could I
+manage then? I couldn't show myself; he'd be too much ashamed of
+me. I shouldn't be in my place; even you'd feel ashamed of me.'
+
+'You mustn't say that, mother. I have never given you cause to
+think that.'
+
+'No, my dear, you haven't; but it would be only natural. I
+couldn't live the kind of life that you're fit for. I shall be
+nothing but a hindrance and a shame to both of you.'
+
+'To me you would never be either hindrance or shame; be quite
+sure of that. And as for father, I am all but certain that, if he
+became rich, he would be a very much kinder man, a better man in
+every way. It is poverty that has made him worse than he
+naturally is; it has that effect on almost everybody. Money does
+harm, too, sometimes; but never, I think, to people who have a
+good heart and a strong mind. Father is naturally a warm-hearted
+man; riches would bring out all the best in him. He would be
+generous again, which he has almost forgotten how to be among all
+his disappointments and battlings. Don't be afraid of that
+change, but hope for it.'
+
+Mrs Yule gave a troublous sigh, and for a few minutes pondered
+anxiously.
+
+'I wasn't thinking so much about myself' she said at length.
+'It's the hindrance I should be to father. Just because of me, he
+mightn't be able to use his money as he'd wish. He'd always be
+feeling that if it wasn't for me things would be so much better
+for him and for you as well.'
+
+'You must remember,' Marian replied, 'that at father's age people
+don't care to make such great changes. His home life, I feel
+sure, wouldn't be so very different from what it is now; he would
+prefer to use his money in starting a paper or magazine. I know
+that would be his first thought. If more acquaintances came to
+his house, what would that matter? It isn't as if he wished for
+fashionable society. They would be literary people, and why ever
+shouldn't you meet with them?'
+
+'I've always been the reason why he couldn't have many friends.'
+
+'That's a great mistake. If father ever said that, in his bad
+temper, he knew it wasn't the truth. The chief reason has always
+been his poverty. It costs money to entertain friends; time as
+well. Don't think in this anxious way, mother. If we are to be
+rich, it will be better for all of us.'
+
+Marian had every reason for seeking to persuade herself that this
+was true. In her own heart there was a fear of how wealth might
+affect her father, but she could not bring herself to face the
+darker prospect. For her so much depended on that hope of a
+revival of generous feeling under sunny influences.
+
+It was only after this conversation that she began to reflect on
+all the possible consequences of her uncle's death. As yet she
+had been too much disturbed to grasp as a reality the event to
+which she had often looked forward, though as to something still
+remote, and of quite uncertain results. Perhaps at this moment,
+though she could not know it, the course of her life had
+undergone the most important change. Perhaps there was no more
+need for her to labour upon this 'article' she was manufacturing.
+
+She did not think it probable that she herself would benefit
+directly by John Yule's will. There was no certainty that even
+her father would, for he and his brother had never been on
+cordial terms. But on the whole it seemed likely that he would
+inherit money enough to free him from the toil of writing for
+periodicals. He himself anticipated that. What else could be the
+meaning of those words in which (and it was before the arrival of
+the news) he had warned her against 'people who made connections
+only with self-interest in view?' This threw a sudden light upon
+her father's attitude towards Jasper Milvain. Evidently he
+thought that Jasper regarded her as a possible heiress, sooner or
+later. That suspicion was rankling in his mind; doubtless it
+intensified the prejudice which originated in literary animosity.
+
+Was there any truth in his suspicion? She did not shrink from
+admitting that there might be. Jasper had from the first been so
+frank with her, had so often repeated that money was at present
+his chief need. If her father inherited substantial property,
+would it induce Jasper to declare himself more than her friend?
+She could view the possibility of that, and yet not for a moment
+be shaken in her love. It was plain that Jasper could not think
+of marrying until his position and prospects were greatly
+improved; practically, his sisters depended upon him. What folly
+it would be to draw back if circumstances led him to avow what
+hitherto he had so slightly disguised! She had the conviction
+that he valued her for her own sake; if the obstacle between them
+could only be removed, what matter how?
+
+Would he be willing to abandon Clement Fadge, and come over to
+her father's side? If Yule were able to found a magazine?
+
+Had she read or heard of a girl who went so far in concessions,
+Marian would have turned away, her delicacy offended. In her own
+case she could indulge to the utmost that practicality which
+colours a woman's thought even in mid passion. The cold
+exhibition of ignoble scheming will repel many a woman who, for
+her own heart's desire, is capable of that same compromise with
+her strict sense of honour.
+
+Marian wrote to Dora Milvain, telling her what had happened. But
+she refrained from visiting her friends.
+
+Each night found her more restless, each morning less able to
+employ herself. She shut herself in the study merely to be alone
+with her thoughts, to be able to walk backwards and forwards, or
+sit for hours in feverish reverie. From her father came no news.
+Her mother was suffering dreadfully from suspense, and often had
+eyes red with weeping. Absorbed in her own hopes and fears,
+whilst every hour harassed her more intolerably, Marian was
+unable to play the part of an encourager; she had never known
+such exclusiveness of self-occupation.
+
+Yule's return was unannounced. Early in the afternoon, when he
+had been absent five days, he entered the house, deposited his
+travelling-bag in the passage, and went upstairs. Marian had come
+out of the study just in time to see him up on the first landing;
+at the same moment Mrs Yule ascended from the kitchen.
+
+'Wasn't that father?'
+
+'Yes, he has gone up.'
+
+'Did he say anything?'
+
+Marian shook her head. They looked at the travelling-bag, then
+went into the parlour and waited in silence for more than a
+quarter of an hour. Yule's foot was heard on the stairs; he came
+down slowly, paused in the passage, entered the parlour with his
+usual grave, cold countenance.
+
+
+
+CHAPTER XXII. THE LEGATEES
+
+Each day Jasper came to inquire of his sisters if they had news
+from Wattleborough or from Marian Yule. He exhibited no
+impatience, spoke of the matter in a disinterested tone; still,
+he came daily.
+
+One afternoon he found Dora working alone. Maud, he was told, had
+gone to lunch at Mrs Lane's.
+
+'So soon again? She's getting very thick with those people. And
+why don't they ask you?'
+
+'Maud has told them that I don't care to go out.'
+
+'It's all very well, but she mustn't neglect her work. Did she
+write anything last night or this morning?'
+
+Dora bit the end of her pen and shook her head.
+
+'Why not?'
+
+'The invitation came about five o'clock, and it seemed to
+unsettle her.'
+
+'Precisely. That's what I'm afraid of. She isn't the kind of girl
+to stick at work if people begin to send her invitations. But I
+tell you what it is, you must talk seriously to her; she has to
+get her living, you know. Mrs Lane and her set are not likely to
+be much use, that's the worst of it; they'll merely waste her
+time, and make her discontented.'
+
+His sister executed an elaborate bit of cross-hatching on some
+waste paper. Her lips were drawn together, and her brows
+wrinkled. At length she broke the silence by saying:
+
+'Marian hasn't been yet.'
+
+Jasper seemed to pay no attention; she looked up at him, and saw
+that he was in thought.
+
+'Did you go to those people last night?' she inquired.
+
+'Yes. By-the-bye, Miss Rupert was there.'
+
+He spoke as if the name would be familiar to his hearer, but Dora
+seemed at a loss.
+
+'Who is Miss Rupert?'
+
+'Didn't I tell you about her? I thought I did. Oh, I met her
+first of all at Barlow's, just after we got back from the
+seaside. Rather an interesting girl. She's a daughter of Manton
+Rupert, the advertising agent. I want to get invited to their
+house; useful people, you know.'
+
+'But is an advertising agent a gentleman?'
+
+Jasper laughed.
+
+'Do you think of him as a bill-poster? At all events he is
+enormously wealthy, and has a magnificent house at Chislehurst.
+The girl goes about with her stepmother. I call her a girl, but
+she must be nearly thirty, and Mrs Rupert looks only two or three
+years older. I had quite a long talk with her--Miss Rupert, I
+mean--last night. She told me she was going to stay next week
+with the Barlows, so I shall have a run out to Wimbledon one
+afternoon.'
+
+Dora looked at him inquiringly.
+
+'Just to see Miss Rupert?' she asked, meeting his eyes.
+
+'To be sure. Why not?'
+
+'Oh!' ejaculated his sister, as if the question did not concern
+her.
+
+'She isn't exactly good-looking,' pursued Jasper, meditatively,
+with a quick glance at the listener, 'but fairly intellectual.
+Plays very well, and has a nice contralto voice; she sang that
+new thing of Tosti's--what do you call it? I thought her rather
+masculine when I first saw her, but the impression wears off when
+one knows her better. She rather takes to me, I fancy.'
+
+'But--' began Dora, after a minute's silence.
+
+'But what?' inquired her brother with an air of interest.
+
+'I don't quite understand you.'
+
+'In general, or with reference to some particular?'
+
+'What right have you to go to places just to see this Miss
+Rupert?'
+
+'What right?' He laughed. 'I am a young man with my way to make.
+I can't afford to lose any opportunity. If Miss Rupert is so good
+as to take an interest in me, I have no objection. She's old
+enough to make friends for herself.'
+
+'Oh, then you consider her simply a friend?'
+
+'I shall see how things go on.'
+
+'But, pray, do you consider yourself perfectly free?' asked Dora,
+with some indignation.
+
+'Why shouldn't I?'
+
+'Then I think you have been behaving very strangely.'
+
+Jasper saw that she was in earnest. He stroked the back of his
+head and smiled at the wall.
+
+'With regard to Marian, you mean?'
+
+'Of course I do.'
+
+'But Marian understands me perfectly. I have never for a moment
+tried to make her think that--well, to put it plainly, that I was
+in love with her. In all our conversations it has been my one
+object to afford her insight into my character, and to explain my
+position. She has no excuse whatever for misinterpreting me. And
+I feel assured that she has done nothing of the kind.'
+
+'Very well, if you feel satisfied with yourself--'
+
+'But come now, Dora; what's all this about? You are Marian's
+friend, and, of course, I don't wish you to say a word about her.
+
+But let me explain myself. I have occasionally walked part of the
+way home with Marian, when she and I have happened to go from
+here at the same time; now there was nothing whatever in our talk
+at such times that anyone mightn't have listened to. We are both
+intellectual people, and we talk in an intellectual way. You seem
+to have rather old-fashioned ideas--provincial ideas. A girl like
+Marian Yule claims the new privileges of woman; she would resent
+it if you supposed that she couldn't be friendly with a man
+without attributing "intentions" to him--to use the old word. We
+don't live in Wattleborough, where liberty is rendered impossible
+by the cackling of gossips.'
+
+'No, but--'
+
+'Well?'
+
+'It seems to me rather strange, that's all. We had better not
+talk about it any more.'
+
+'But I have only just begun to talk about it; I must try to make
+my position intelligible to you. Now, suppose--a quite impossible
+thing--that Marian inherited some twenty or thirty thousand
+pounds; I should forthwith ask her to be my wife.'
+
+'Oh indeed!'
+
+'I see no reason for sarcasm. It would be a most rational
+proceeding. I like her very much; but to marry her (supposing she
+would have me) without money would he a gross absurdity, simply
+spoiling my career, and leading to all sorts of discontents.'
+
+'No one would suggest that you should marry as things are.'
+
+'No; but please to bear in mind that to obtain money somehow or
+other--and I see no other way than by marriage--is necessary to
+me, and that with as little delay as possible. I am not at all
+likely to get a big editorship for some years to come, and I
+don't feel disposed to make myself prematurely old by toiling for
+a few hundreds per annum in the meantime. Now all this I have
+frankly and fully explained to Marian. I dare say she suspects
+what I should do if she came into possession of money; there's no
+harm in that. But she knows perfectly well that, as things are,
+we remain intellectual friends.'
+
+'Then listen to me, Jasper. If we hear that Marian gets nothing
+from her uncle, you had better behave honestly, and let her see
+that you haven't as much interest in her as before.'
+
+'That would be brutality.'
+
+'It would be honest.'
+
+'Well, no, it wouldn't. Strictly speaking, my interest in Marian
+wouldn't suffer at all. I should know that we could be nothing
+but friends, that's all. Hitherto I haven't known what might come
+to pass; I don't know yet. So far from following your advice, I
+shall let Marian understand that, if anything, I am more her
+friend than ever, seeing that henceforth there can be no
+ambiguities.'
+
+'I can only tell you that Maud would agree with me in what I have
+been saying.'
+
+'Then both of you have distorted views.'
+
+'I think not. It's you who are unprincipled.'
+
+'My dear girl, haven't I been showing you that no man could be
+more above-board, more straightforward?'
+
+'You have been talking nonsense, Jasper.'
+
+'Nonsense? Oh, this female lack of logic! Then my argument has
+been utterly thrown away. Now that's one of the things I like in
+Miss Rupert; she can follow an argument and see consequences. And
+for that matter so can Marian. I only wish it were possible to
+refer this question to her.'
+
+There was a tap at the door. Dora called 'Come in!' and Marian
+herself appeared.
+
+'What an odd thing!' exclaimed Jasper, lowering his voice. 'I was
+that moment saying I wished it were possible to refer a question
+to you.'
+
+Dora reddened, and stood in an embarrassed attitude.
+
+'It was the old dispute whether women in general are capable of
+logic. But pardon me, Miss Yule; I forget that you have been
+occupied with sad things since I last saw you.'
+
+Dora led her to a chair, asking if her father had returned.
+
+'Yes, he came back yesterday.'
+
+Jasper and his sister could not think it likely that Marian had
+suffered much from grief at her uncle's death; practically John
+Yule was a stranger to her. Yet her face bore the signs of acute
+mental trouble, and it seemed as if some agitation made it
+difficult for her to speak. The awkward silence that fell upon
+the three was broken by Jasper, who expressed a regret that he
+was obliged to take his leave.
+
+'Maud is becoming a young lady of society,' he said--just for the
+sake of saying something--as he moved towards the door. 'If she
+comes back whilst you are here, Miss Yule, warn her that that is
+the path of destruction for literary people.'
+
+'You should bear that in mind yourself' remarked Dora, with a
+significant look.
+
+'Oh, I am cool-headed enough to make society serve my own ends.'
+
+Marian turned her head with a sudden movement which was checked
+before she had quite looked round to him. The phrase he uttered
+last appeared to have affected her in some way; her eyes fell,
+and an expression of pain was on her brows for a moment.
+
+'I can only stay a few minutes,' she said, bending with a faint
+smile towards Dora, as soon as they were alone. 'I have come on
+my way from the Museum.'
+
+'Where you have tired yourself to death as usual, I can see.'
+
+'No; I have done scarcely anything. I only pretended to read; my
+mind is too much troubled. Have you heard anything about my
+uncle's will?'
+
+'Nothing whatever.'
+
+'I thought it might have been spoken of in Wattleborough, and
+some friend might have written to you. But I suppose there has
+hardly been time for that. I shall surprise you very much. Father
+receives nothing, but I have a legacy of five thousand pounds.'
+
+Dora kept her eyes down.
+
+'Then--what do you think?' continued Marian. 'My cousin Amy has
+ten thousand pounds.'
+
+'Good gracious! What a difference that will make!'
+
+'Yes, indeed. And her brother John has six thousand. But nothing
+to their mother. There are a good many other legacies, but most
+of the property goes to the Wattleborough park--"Yule Park" it
+will be called--and to the volunteers, and things of that kind.
+They say he wasn't as rich as people thought.'
+
+'Do you know what Miss Harrow gets?'
+
+'She has the house for her life, and fifteen hundred pounds.'
+
+'And your father nothing whatever?'
+
+'Nothing. Not a penny. Oh I am so grieved! I think it so unkind,
+so wrong. Amy and her brother to have sixteen thousand pounds and
+father nothing! I can't understand it. There was no unkind
+feeling between him and father. He knew what a hard life father
+has had. Doesn't it seem heartless?'
+
+'What does your father say?'
+
+'I think he feels the unkindness more than he does the
+disappointment; of course he must have expected something. He
+came into the room where mother and I were, and sat down, and
+began to tell us about the will just as if he were speaking to
+strangers about something he had read in the newspaper--that's
+the only way I can describe it. Then he got up and went away into
+the study. I waited a little, and then went to him there; he was
+sitting at work, as if he hadn't been away from home at all. I
+tried to tell him how sorry I was, but I couldn't say anything. I
+began to cry foolishly. He spoke kindly to me, far more kindly
+than he has done for a long time; but he wouldn't talk about the
+will, and I had to go away and leave him. Poor mother! for all
+she was afraid that we were going to be rich, is broken-hearted
+at his disappointment.'
+
+'Your mother was afraid?' said Dora.
+
+'Because she thought herself unfitted for life in a large house,
+and feared we should think her in our way.' She smiled sadly.
+'Poor mother! she is so humble and so good. I do hope that father
+will be kinder to her. But there's no telling yet what the result
+of this may be. I feel guilty when I stand before him.'
+
+'But he must feel glad that you have five thousand pounds.'
+
+Marian delayed her reply for a moment, her eyes down.
+
+'Yes, perhaps he is glad of that.'
+
+'Perhaps!'
+
+'He can't help thinking, Dora, what use he could have made of it.
+
+It has always been his greatest wish to have a literary paper of
+his own--like The Study, you know. He would have used the money
+in that way, I am sure.'
+
+'But, all the same, he ought to feel pleasure in your good
+fortune.'
+
+Marian turned to another subject.
+
+'Think of the Reardons; what a change all at once! What will they
+do, I wonder? Surely they won't continue to live apart?'
+
+'We shall hear from Jasper.'
+
+Whilst they were discussing the affairs of that branch of the
+family, Maud returned. There was ill-humour on her handsome face,
+and she greeted Marian but coldly. Throwing off her hat and
+gloves and mantle she listened to the repeated story of John
+Yule's bequests.
+
+'But why ever has Mrs Reardon so much more than anyone else?' she
+asked.
+
+'We can only suppose it is because she was the favourite child of
+the brother he liked best. Yet at her wedding he gave her
+nothing, and spoke contemptuously of her for marrying a literary
+man.'
+
+'Fortunate for her poor husband that her uncle was able to
+forgive her. I wonder what's the date of the will? Who knows but
+he may have rewarded her for quarrelling with Mr Reardon.'
+
+This excited a laugh.
+
+'I don't know when the will was made,' said Marian. 'And I don't
+know whether uncle had even heard of the Reardons' misfortunes. I
+suppose he must have done. My cousin John was at the funeral, but
+not my aunt. I think it most likely father and John didn't speak
+a word to each other. Fortunately the relatives were lost sight
+of in the great crowd of Wattleborough people; there was an
+enormous procession, of course.'
+
+Maud kept glancing at her sister. The ill-humour had not
+altogether passed from her face, but it was now blended with
+reflectiveness.
+
+A few moments more, and Marian had to hasten home. When she was
+gone the sisters looked at each other.
+
+'Five thousand pounds,' murmured the elder. 'I suppose that is
+considered nothing.'
+
+'I suppose so.--He was here when Marian came, but didn't stay.'
+
+'Then you'll take him the news this evening?'
+
+'Yes,' replied Dora. Then, after musing, 'He seemed annoyed that
+you were at the Lanes' again.'
+
+Maud made a movement of indifference.
+
+'What has been putting you out?'
+
+'Things were rather stupid. Some people who were to have come
+didn't turn up. And--well, it doesn't matter.'
+
+She rose and glanced at herself in the little oblong mirror over
+the mantelpiece.
+
+'Did Jasper ever speak to you of a Miss Rupert?' asked Dora.
+
+'Not that I remember.'
+
+'What do you think? He told me in the calmest way that he didn't
+see why Marian should think of him as anything but the most
+ordinary friend--said he had never given her reason to think
+anything else.'
+
+'Indeed! And Miss Rupert is someone who has the honour of his
+preference?'
+
+'He says she is about thirty, and rather masculine, but a great
+heiress. Jasper is shameful!'
+
+'What do you expect? I consider it is your duty to let Marian
+know everything he says. Otherwise you help to deceive her. He
+has no sense of honour in such things.'
+
+Dora was so impatient to let her brother have the news that she
+left the house as soon as she had had tea on the chance of
+finding Jasper at home. She had not gone a dozen yards before she
+encountered him in person.
+
+'I was afraid Marian might still be with you,' he said, laughing.
+
+'I should have asked the landlady. Well?'
+
+'We can't stand talking here. You had better come in.'
+
+He was in too much excitement to wait.
+
+'Just tell me. What has she?'
+
+Dora walked quickly towards the house, looking annoyed.
+
+'Nothing at all? Then what has her father?'
+
+'He has nothing,' replied his sister, 'and she has five thousand
+pounds.'
+
+Jasper walked on with bent head. He said nothing more until he
+was upstairs in the sitting-room, where Maud greeted him
+carelessly.
+
+'Mrs Reardon anything?'
+
+Dora informed him.
+
+'What?' he cried incredulously. 'Ten thousand? You don't say so!'
+
+He burst into uproarious laughter.
+
+'So Reardon is rescued from the slum and the clerk's desk! Well,
+I'm glad; by Jove, I am. I should have liked it better if Marian
+had had the ten thousand and he the five, but it's an excellent
+joke. Perhaps the next thing will be that he'll refuse to have
+anything to do with his wife's money; that would be just like
+him.' After amusing himself with this subject for a few minutes
+more, he turned to the window and stood there in silence.
+
+'Are you going to have tea with us?' Dora inquired.
+
+He did not seem to hear her. On a repetition of the inquiry, he
+answered absently:
+
+'Yes, I may as well. Then I can go home and get to work.'
+
+During the remainder of his stay he talked very little, and as
+Maud also was in an abstracted mood, tea passed almost in
+silence. On the point of departing he asked:
+
+'When is Marian likely to come here again?'
+
+'I haven't the least idea,' answered Dora.
+
+He nodded, and went his way.
+
+It was necessary for him to work at a magazine article which he
+had begun this morning, and on reaching home he spread out his
+papers in the usual businesslike fashion. The subject out of
+which he was manufacturing 'copy' had its difficulties, and was
+not altogether congenial to him; this morning he had laboured
+with unwonted effort to produce about a page of manuscript, and
+now that he tried to resume the task his thoughts would not
+centre upon it. Jasper was too young to have thoroughly mastered
+the art of somnambulistic composition; to write, he was still
+obliged to give exclusive attention to the matter under
+treatment. Dr Johnson's saying, that a man may write at any time
+if he will set himself doggedly to it, was often upon his lips,
+and had even been of help to him, as no doubt it has to many
+another man obliged to compose amid distracting circumstances;
+but the formula had no efficacy this evening. Twice or thrice he
+rose from his chair, paced the room with a determined brow, and
+sat down again with vigorous clutch of the pen; still he failed
+to excogitate a single sentence that would serve his purpose.
+
+'I must have it out with myself before I can do anything,' was
+his thought as he finally abandoned the endeavour. 'I must make
+up my mind.'
+
+To this end he settled himself in an easy-chair and began to
+smoke cigarettes. Some dozen of these aids to reflection only
+made him so nervous that he could no longer remain alone. He put
+on his hat and overcoat and went out--to find that it was raining
+heavily. He returned for an umbrella, and before long was walking
+aimlessly about the Strand, unable to make up his mind whether to
+turn into a theatre or not. Instead of doing so, he sought a
+certain upper room of a familiar restaurant, where the day's
+papers were to be seen, and perchance an acquaintance might be
+met. Only half-a-dozen men were there, reading and smoking, and
+all were unknown to him. He drank a glass of lager beer, skimmed
+the news of the evening, and again went out into the bad weather.
+
+After all it was better to go home. Everything he encountered had
+an unsettling effect upon him, so that he was further than ever
+from the decision at which he wished to arrive. In Mornington
+Road he came upon Whelpdale, who was walking slowly under an
+umbrella.
+
+'I've just called at your place.'
+
+'All right; come back if you like.'
+
+'But perhaps I shall waste your time?' said Whelpdale, with
+unusual diffidence.
+
+Reassured, he gladly returned to the house. Milvain acquainted
+him with the fact of John Yule's death, and with its result so
+far as it concerned the Reardons. They talked of how the couple
+would probably behave under this decisive change of
+circumstances.
+
+'Biffen professes to know nothing about Mrs Reardon,' said
+Whelpdale. 'I suspect he keeps his knowledge to himself, out of
+regard for Reardon. It wouldn't surprise me if they live apart
+for a long time yet.'
+
+'Not very likely. It was only want of money.'
+
+'They're not at all suited to each other. Mrs Reardon, no doubt,
+repents her marriage bitterly, and I doubt whether Reardon cares
+much for his wife.'
+
+'As there's no way of getting divorced they'll make the best of
+it. Ten thousand pounds produce about four hundred a year; it's
+enough to live on.'
+
+'And be miserable on--if they no longer love each other.'
+
+'You're such a sentimental fellow!' cried Jasper. 'I believe you
+seriously think that love--the sort of frenzy you understand by
+it--ought to endure throughout married life. How has a man come
+to your age with such primitive ideas?'
+
+'Well, I don't know. Perhaps you err a little in the opposite
+direction.'
+
+'I haven't much faith in marrying for love, as you know. What's
+more, I believe it's the very rarest thing for people to be in
+love with each other. Reardon and his wife perhaps were an
+instance; perhaps--I'm not quite sure about her. As a rule,
+marriage is the result of a mild preference, encouraged by
+circumstances, and deliberately heightened into strong sexual
+feeling. You, of all men, know well enough that the same kind of
+feeling could be produced for almost any woman who wasn't
+repulsive.'
+
+'The same kind of feeling; but there's vast difference of
+degree.'
+
+'To be sure. I think it's only a matter of degree. When it rises
+to the point of frenzy people may strictly be said to be in love;
+and, as I tell you, I think that comes to pass very rarely
+indeed. For my own part, I have no experience of it, and think I
+never shall have.'
+
+'I can't say the same.'
+
+They laughed.
+
+'I dare say you have imagined yourself in love--or really been so
+for aught I know--a dozen times. How the deuce you can attach any
+importance to such feeling where marriage is concerned I don't
+understand.'
+
+'Well, now,' said Whelpdale, 'I have never upheld the theory--at
+least not since I was sixteen--that a man can be in love only
+once, or that there is one particular woman if he misses whom he
+can never be happy. There may be thousands of women whom I could
+love with equal sincerity.'
+
+'I object to the word "love" altogether. It has been vulgarised.
+Let us talk about compatibility. Now, I should say that, no
+doubt, and speaking scientifically, there is one particular woman
+supremely fitted to each man. I put aside consideration of
+circumstances; we know that circumstances will disturb any degree
+of abstract fitness. But in the nature of things there must be
+one woman whose nature is specially well adapted to harmonise
+with mine, or with yours. If there were any means of discovering
+this woman in each case, then I have no doubt it would be worth a
+man's utmost effort to do so, and any amount of erotic jubilation
+would be reasonable when the discovery was made. But the thing is
+impossible, and, what's more, we know what ridiculous fallibility
+people display when they imagine they have found the best
+substitute for that indiscoverable. This is what makes me
+impatient with sentimental talk about marriage. An educated man
+mustn't play so into the hands of ironic destiny. Let him think
+he wants to marry a woman; but don't let him exaggerate his
+feelings or idealise their nature.'
+
+'There's a good deal in all that,' admitted Whelpdale, though
+discontentedly.
+
+'There's more than a good deal; there's the last word on the
+subject. The days of romantic love are gone by. The scientific
+spirit has put an end to that kind of self-deception. Romantic
+love was inextricably blended with all sorts of superstitions--
+belief in personal immortality, in superior beings, in--all the
+rest of it. What we think of now is moral and intellectual and
+physical compatibility; I mean, if we are reasonable people.'
+
+'And if we are not so unfortunate as to fall in love with an
+incompatible,' added Whelpdale, laughing.
+
+'Well, that is a form of unreason--a blind desire which science
+could explain in each case. I rejoice that I am not subject to
+that form of epilepsy.'
+
+'You positively never were in love!'
+
+'As you understand it, never. But I have felt a very distinct
+preference.'
+
+'Based on what you think compatibility?'
+
+'Yes. Not strong enough to make me lose sight of prudence and
+advantage. No, not strong enough for that.'
+
+He seemed to be reassuring himself.
+
+'Then of course that can't be called love,' said Whelpdale.
+
+'Perhaps not. But, as I told you, a preference of this kind can
+be heightened into emotion, if one chooses. In the case of which
+I am thinking it easily might be. And I think it very improbable
+indeed that I should repent it if anything led me to indulge such
+an impulse.'
+
+Whelpdale smiled.
+
+'This is very interesting. I hope it may lead to something.'
+
+'I don't think it will. I am far more likely to marry some woman
+for whom I have no preference, but who can serve me materially.'
+
+'I confess that amazes me. I know the value of money as well as
+you do, but I wouldn't marry a rich woman for whom I had no
+preference. By Jove, no!'
+
+'Yes, yes. You are a consistent sentimentalist.'
+
+'Doomed to perpetual disappointment,' said the other, looking
+disconsolately about the room.
+
+'Courage, my boy! I have every hope that I shall see you marry
+and repent.'
+
+'I admit the danger of that. But shall I tell you something I
+have observed? Each woman I fall in love with is of a higher type
+than the one before.'
+
+Jasper roared irreverently, and his companion looked hurt.
+
+'But I am perfectly serious, I assure you. To go back only three
+or four years. There was the daughter of my landlady in Barham
+Street; well, a nice girl enough, but limited, decidedly limited.
+
+Next came that girl at the stationer's--you remember? She was
+distinctly an advance, both in mind and person. Then there was
+Miss Embleton; yes, I think she made again an advance. She had
+been at Bedford College, you know, and was really a girl of
+considerable attainments; morally, admirable. Afterwards--'
+
+He paused.
+
+'The maiden from Birmingham, wasn't it?' said Jasper, again
+exploding.
+
+'Yes, it was. Well, I can't be quite sure. But in many respects
+that girl was my ideal; she really was.'
+
+'As you once or twice told me at the time.'
+
+'I really believe she would rank above Miss Embleton--at all
+events from my point of view. And that's everything, you know.
+It's the effect a woman produces on one that has to be
+considered.'
+
+'The next should be a paragon,' said Jasper.
+
+'The next?'
+
+Whelpdale again looked about the room, but added nothing, and
+fell into a long silence.
+
+When left to himself Jasper walked about a little, then sat down
+at his writing-table, for he felt easier in mind, and fancied
+that he might still do a couple of hours' work before going to
+bed. He did in fact write half-a-dozen lines, but with the effort
+came back his former mood. Very soon the pen dropped, and he was
+once more in the throes of anxious mental debate.
+
+He sat till after midnight, and when he went to his bedroom it
+was with a lingering step, which proved him still a prey to
+indecision.
+
+
+
+PART FOUR
+
+CHAPTER XXIII. A PROPOSED INVESTMENT
+
+Alfred Yule's behaviour under his disappointment seemed to prove
+that even for him the uses of adversity could be sweet. On the
+day after his return home he displayed a most unwonted mildness
+in such remarks as he addressed to his wife, and his bearing
+towards Marian was gravely gentle. At meals he conversed, or
+rather monologised, on literary topics, with occasionally one of
+his grim jokes, pointed for Marian's appreciation. He became
+aware that the girl had been overtaxing her strength of late, and
+suggested a few weeks of recreation among new novels. The
+coldness and gloom which had possessed him when he made a formal
+announcement of the news appeared to have given way before the
+sympathy manifested by his wife and daughter; he was now
+sorrowful, but resigned.
+
+He explained to Marian the exact nature of her legacy. It was to
+be paid out of her uncle's share in a wholesale stationery
+business, with which John Yule had been connected for the last
+twenty years, but from which he had not long ago withdrawn a
+large portion of his invested capital. This house was known as
+'Turberville & Co.,' a name which Marian now heard for the first
+time.
+
+'I knew nothing of his association with them,' said her father.
+'They tell me that seven or eight thousand pounds will be
+realised from that source; it seems a pity that the investment
+was not left to you intact. Whether there will be any delay in
+withdrawing the money I can't say.'
+
+The executors were two old friends of the deceased, one of them a
+former partner in his paper-making concern.
+
+On the evening of the second day, about an hour after dinner was
+over, Mr Hinks called at the house; as usual, he went into the
+study. Before long came a second visitor, Mr Quarmby, who joined
+Yule and Hinks. The three had all sat together for some time,
+when Marian, who happened to be coming down stairs, saw her
+father at the study door.
+
+'Ask your mother to let us have some supper at a quarter to ten,'
+he said urbanely. 'And come in, won't you? We are only
+gossiping.'
+
+It had not often happened that Marian was invited to join parties
+of this kind.
+
+'Do you wish me to come?' she asked.
+
+'Yes, I should like you to, if you have nothing particular to
+do.'
+
+Marian informed Mrs Yule that the visitors would have supper, and
+then went to the study. Mr Quarmby was smoking a pipe; Mr Hinks,
+who on grounds of economy had long since given up tobacco, sat
+with his hands in his trouser pockets, and his long, thin legs
+tucked beneath the chair; both rose and greeted Marian with more
+than ordinary warmth.
+
+'Will you allow me five or six more puffs?' asked Mr Quarmby,
+laying one hand on his ample stomach and elevating his pipe as if
+it were a glass of beaded liquor. 'I shall then have done.'
+
+'As many more as you like,' Marian replied.
+
+The easiest chair was placed for her, Mr Hinks hastening to
+perform this courtesy, and her father apprised her of the topic
+they were discussing.
+
+'What's your view, Marian? Is there anything to be said for the
+establishment of a literary academy in England?'
+
+Mr Quarmby beamed benevolently upon her, and Mr Hinks, his
+scraggy neck at full length, awaited her reply with a look of the
+most respectful attention.
+
+'I really think we have quite enough literary quarrelling as it
+is,' the girl replied, casting down her eyes and smiling.
+
+Mr Quarmby uttered a hollow chuckle, Mr Hinks laughed thinly and
+exclaimed, 'Very good indeed! Very good!' Yule affected to
+applaud with impartial smile.
+
+'It wouldn't harmonise with the Anglo-Saxon spirit,' remarked Mr
+Hinks, with an air of diffident profundity.
+
+Yule held forth on the subject for a few minutes in laboured
+phrases. Presently the conversation turned to periodicals, and
+the three men were unanimous in an opinion that no existing
+monthly or quarterly could be considered as representing the best
+literary opinion.
+
+'We want,' remarked Mr Quarmby, 'we want a monthly review which
+shall deal exclusively with literature. The Fortnightly, the
+Contemporary--they are very well in their way, but then they are
+mere miscellanies. You will find one solid literary article amid
+a confused mass of politics and economics and general clap-trap.'
+
+'Articles on the currency and railway statistics and views of
+evolution,' said Mr Hinks, with a look as if something were
+grating between his teeth.
+
+'The quarterlies?' put in Yule. 'Well, the original idea of the
+quarterlies was that there are not enough important books
+published to occupy solid reviewers more than four times a year.
+That may be true, but then a literary monthly would include much
+more than professed reviews. Hinks's essays on the historical
+drama would have come out in it very well; or your "Spanish
+Poets," Quarmby.'
+
+'I threw out the idea to Jedwood the other day,' said Mr Quarmby,
+'and he seemed to nibble at it.'
+
+'Yes, yes,' came from Yule; 'but Jedwood has so many irons in the
+fire. I doubt if he has the necessary capital at command just
+now. No doubt he's the man, if some capitalist would join him.'
+
+'No enormous capital needed,' opined Mr Quarmby. 'The thing would
+pay its way almost from the first. It would take a place between
+the literary weeklies and the quarterlies. The former are too
+academic, the latter too massive, for multitudes of people who
+yet have strong literary tastes. Foreign publications should be
+liberally dealt with. But, as Hinks says, no meddling with the
+books that are no books--biblia abiblia; nothing about essays on
+bimetallism and treatises for or against vaccination.'
+
+Even here, in the freedom of a friend's study, he laughed his
+Reading-room laugh, folding both hands upon his expansive
+waistcoat.
+
+'Fiction? I presume a serial of the better kind might be
+admitted?' said Yule.
+
+'That would be advisable, no doubt. But strictly of the better
+kind.'
+
+'Oh, strictly of the better kind,' chimed in Mr Hinks.
+
+They pursued the discussion as if they were an editorial
+committee planning a review of which the first number was shortly
+to appear. It occupied them until Mrs Yule announced at the door
+that supper was ready.
+
+During the meal Marian found herself the object of unusual
+attention; her father troubled to inquire if the cut of cold beef
+he sent her was to her taste, and kept an eye on her progress. Mr
+Hinks talked to her in a tone of respectful sympathy, and Mr
+Quarmby was paternally jovial when he addressed her. Mrs Yule
+would have kept silence, in her ordinary way, but this evening
+her husband made several remarks which he had adapted to her
+intellect, and even showed that a reply would be graciously
+received.
+
+Mother and daughter remained together when the men withdrew to
+their tobacco and toddy. Neither made allusion to the wonderful
+change, but they talked more light-heartedly than for a long
+time.
+
+On the morrow Yule began by consulting Marian with regard to the
+disposition of matter in an essay he was writing. What she said
+he weighed carefully, and seemed to think that she had set his
+doubts at rest.
+
+'Poor old Hinks!' he said presently, with a sigh. 'Breaking up,
+isn't he? He positively totters in his walk. I'm afraid he's the
+kind of man to have a paralytic stroke; it wouldn't astonish me
+to hear at any moment that he was lying helpless.'
+
+'What ever would become of him in that case?'
+
+'Goodness knows! One might ask the same of so many of us. What
+would become of me, for instance, if I were incapable of work?'
+
+Marian could make no reply.
+
+'There's something I'll just mention to you,' he went on in a
+lowered tone, 'though I don't wish you to take it too seriously.
+I'm beginning to have a little trouble with my eyes.'
+
+She looked at him, startled.
+
+'With your eyes?'
+
+'Nothing, I hope; but--well, I think I shall see an oculist. One
+doesn't care to face a prospect of failing sight, perhaps of
+cataract, or something of that kind; still, it's better to know
+the facts, I should say.'
+
+'By all means go to an oculist,' said Marian, earnestly.
+
+'Don't disturb yourself about it. It may be nothing at all. But
+in any case I must change my glasses.'
+
+He rustled over some slips of manuscript, whilst Marian regarded
+him anxiously.
+
+'Now, I appeal to you, Marian,' he continued: 'could I possibly
+save money out of an income that has never exceeded two hundred
+and fifty pounds, and often--I mean even in latter years--has
+been much less?'
+
+'I don't see how you could.'
+
+'In one way, of course, I have managed it. My life is insured for
+five hundred pounds. But that is no provision for possible
+disablement. If I could no longer earn money with my pen, what
+would become of me?'
+
+Marian could have made an encouraging reply, but did not venture
+to utter her thoughts.
+
+'Sit down,' said her father. 'You are not to work for a few days,
+and I myself shall be none the worse for a morning's rest. Poor
+old Hinks! I suppose we shall help him among us, somehow.
+Quarmby, of course, is comparatively flourishing. Well, we have
+been companions for a quarter of a century, we three. When I
+first met Quarmby I was a Grub Street gazetteer, and I think he
+was even poorer than I. A life of toil! A life of toil!'
+
+'That it has been, indeed.'
+
+'By-the-bye'--he threw an arm over the back of his chair--'what
+did you think of our imaginary review, the thing we were talking
+about last night?'
+
+'There are so many periodicals,' replied Marian, doubtfully.
+
+ 'So many? My dear child, if we live another ten years we shall
+see the number trebled.'
+
+'Is it desirable?'
+
+'That there should be such growth of periodicals? Well, from one
+point of view, no. No doubt they take up the time which some
+people would give to solid literature. But, on the other hand,
+there's a far greater number of people who would probably not
+read at all, but for the temptations of these short and new
+articles; and they may be induced to pass on to substantial
+works. Of course it all depends on the quality of the periodical
+matter you offer. Now, magazines like'--he named two or three of
+popular stamp--'might very well be dispensed with, unless one
+regards them as an alternative to the talking of scandal or any
+other vicious result of total idleness. But such a monthly as we
+projected would be of distinct literary value. There can be no
+doubt that someone or other will shortly establish it.'
+
+'I am afraid,' said Marian, 'I haven't so much sympathy with
+literary undertakings as you would like me to have.'
+
+Money is a great fortifier of self-respect. Since she had become
+really conscious of her position as the owner of five thousand
+pounds, Marian spoke with a steadier voice, walked with firmer
+step; mentally she felt herself altogether a less dependent
+being. She might have confessed this lukewarmness towards
+literary enterprise in the anger which her father excited eight
+or nine days ago, but at that time she could not have uttered her
+opinion calmly, deliberately, as now. The smile which accompanied
+the words was also new; it signified deliverance from pupilage.
+
+'I have felt that,' returned her father, after a slight pause to
+command his voice, that it might be suave instead of scornful. 'I
+greatly fear that I have made your life something of a martyrdom
+----'
+
+'Don't think I meant that, father. I am speaking only of the
+general question. I can't be quite so zealous as you are, that's
+all. I love books, but I could wish people were content for a
+while with those we already have.'
+
+'My dear Marian, don't suppose that I am out of sympathy with you
+here. Alas! how much of my work has been mere drudgery, mere
+labouring for a livelihood! How gladly I would have spent much
+more of my time among the great authors, with no thought of
+making money of them! If I speak approvingly of a scheme for a
+new periodical, it is greatly because of my necessities.'
+
+He paused and looked at her. Marian returned the look.
+
+'You would of course write for it,' she said.
+
+'Marian, why shouldn't I edit it? Why shouldn't it be your
+property?',
+
+'My property--?'
+
+She checked a laugh. There came into her mind a more disagreeable
+suspicion than she had ever entertained of her father. Was this
+the meaning of his softened behaviour? Was he capable of
+calculated hypocrisy? That did not seem consistent with his
+character, as she knew it.
+
+'Let us talk it over,' said Yule. He was in visible agitation and
+his voice shook. 'The idea may well startle you at first. It will
+seem to you that I propose to make away with your property before
+you have even come into possession of it.' He laughed. 'But, in
+fact, what I have in mind is merely an investment for your
+capital, and that an admirable one. Five thousand pounds at three
+per cent.--one doesn't care to reckon on more--represents a
+hundred and fifty a year. Now, there can be very little doubt
+that, if it were invested in literary property such as I have in
+mind, it would bring you five times that interest, and before
+long perhaps much more. Of course I am now speaking in the
+roughest outline. I should have to get trustworthy advice;
+complete and detailed estimates would be submitted to you. At
+present I merely suggest to you this form of investment.'
+
+He watched her face eagerly, greedily. When Marian's eyes rose to
+his he looked away.
+
+'Then, of course,' she said, 'you don't expect me to give any
+decided answer.'
+
+'Of course not--of course not. I merely put before you the chief
+advantages of such an investment. As I am a selfish old fellow,
+I'll talk about the benefit to myself first of all. I should be
+editor of the new review; I should draw a stipend sufficient to
+all my needs--quite content, at first, to take far less than
+another man would ask, and to progress with the advance of the
+periodical. This position would enable me to have done with mere
+drudgery; I should only write when I felt called to do so--when
+the spirit moved me.' Again he laughed, as though desirous of
+keeping his listener in good humour. 'My eyes would be greatly
+spared henceforth.'
+
+He dwelt on that point, waiting its effect on Marian. As she said
+nothing he proceeded:
+
+'And suppose I really were doomed to lose my sight in the course
+of a few years, am I wrong in thinking that the proprietor of
+this periodical would willingly grant a small annuity to the man
+who had firmly established it?'
+
+'I see the force of all that,' said Marian; 'but it takes for
+granted that the periodical will be successful.'
+
+'It does. In the hands of a publisher like Jedwood--a vigorous
+man of the new school--its success could scarcely be doubtful.'
+
+'Do you think five thousand pounds would be enough to start such
+a review?'
+
+'Well, I can say nothing definite on that point. For one thing,
+the coat must be made according to the cloth; expenditure can be
+largely controlled without endangering success. Then again, I
+think Jedwood would take a share in the venture. These are
+details. At present I only want to familiarise you with the
+thought that an investment of this sort will very probably offer
+itself to you.'
+
+'It would be better if we called it a speculation,' said Marian,
+smiling uneasily.
+
+Her one object at present was to oblige her father to understand
+that the suggestion by no means lured her. She could not tell him
+that what he proposed was out of the question, though as yet that
+was the light in which she saw it. His subtlety of approach had
+made her feel justified in dealing with him in a matter-of-fact
+way. He must see that she was not to be cajoled. Obviously, and
+in the nature of the case, he was urging a proposal in which he
+himself had all faith; but Marian knew his judgment was far from
+infallible. It mitigated her sense of behaving unkindly to
+reflect that in all likelihood this disposal of her money would
+be the worst possible for her own interests, and therefore for
+his. If, indeed, his dark forebodings were warranted, then upon
+her would fall the care of him, and the steadiness with which she
+faced that responsibility came from a hope of which she could not
+speak.
+
+'Name it as you will,' returned her father, hardly suppressing a
+note of irritation. 'True, every commercial enterprise is a
+speculation. But let me ask you one question, and beg you to
+reply frankly. Do you distrust my ability to conduct this
+periodical?'
+
+She did. She knew that he was not in touch with the interests of
+the day, and that all manner of considerations akin to the prime
+end of selling his review would make him an untrustworthy editor.
+
+But how could she tell him this?
+
+'My opinion would be worthless,' she replied.
+
+'If Jedwood were disposed to put confidence in me, you also
+would?'
+
+'There's no need to talk of that now, father. Indeed, I can't say
+anything that would sound like a promise.'
+
+He flashed a glance at her. Then she was more than doubtful?
+
+'But you have no objection, Marian, to talk in a friendly way of
+a project that would mean so much to me?'
+
+'But I am afraid to encourage you,' she replied, frankly. 'It is
+impossible for me to say whether I can do as you wish, or not.'
+
+'Yes, yes; I perfectly understand that. Heaven forbid that I
+should regard you as a child to be led independently of your own
+views and wishes! With so large a sum of money at stake, it would
+be monstrous if I acted rashly, and tried to persuade you to do
+the same. The matter will have to be most gravely considered.'
+
+'Yes.' She spoke mechanically.
+
+'But if only it should come to something! You don't know what it
+would mean to me, Marian.'
+
+'Yes, father; I know very well how you think and feel about it.'
+
+'Do you?' He leaned forward, his features working under stress of
+emotion. 'If I could see myself the editor of an influential
+review, all my bygone toils and sufferings would be as nothing; I
+should rejoice in them as the steps to this triumph. Meminisse
+juvabit! My dear, I am not a man fitted for subordinate places.
+My nature is framed for authority. The failure of all my
+undertakings rankles so in my heart that sometimes I feel capable
+of every brutality, every meanness, every hateful cruelty. To you
+I have behaved shamefully. Don't interrupt me, Marian. I have
+treated you abominably, my child, my dear daughter--and all the
+time with a full sense of what I was doing. That's the punishment
+of faults such as mine. I hate myself for every harsh word and
+angry look I have given you; at the time, I hated myself!'
+
+'Father--'
+
+'No, no; let me speak, Marian. You have forgiven me; I know it.
+You were always ready to forgive, dear. Can I ever forget that
+evening when I spoke like a brute, and you came afterwards and
+addressed me as if the wrong had been on your side? It burns in
+my memory. It wasn't I who spoke; it was the demon of failure, of
+humiliation. My enemies sit in triumph, and scorn at me; the
+thought of it is infuriating. Have I deserved this? Am I the
+inferior of--of those men who have succeeded and now try to
+trample on me? No! I am not! I have a better brain and a better
+heart!'
+
+Listening to this strange outpouring, Marian more than forgave
+the hypocrisy of the last day or two. Nay, could it be called
+hypocrisy? It was only his better self declared at the impulse of
+a passionate hope.
+
+'Why should you think so much of these troubles, father? Is it
+such a great matter that narrow-minded people triumph over you?'
+
+'Narrow-minded?' He clutched at the word. 'You admit they are
+that?'
+
+'I feel very sure that Mr Fadge is.'
+
+'Then you are not on his side against me?'
+
+'How could you suppose such a thing?'
+
+'Well, well; we won't talk of that. Perhaps it isn't a great
+matter. No--from a philosophical point of view, such things are
+unspeakably petty. But I am not much of a philosopher.' He
+laughed, with a break in his voice. 'Defeat in life is defeat,
+after all; and unmerited failure is a bitter curse. You see, I am
+not too old to do something yet. My sight is failing, but I can
+take care of it. If I had my own review, I would write every now
+and then a critical paper in my very best style. You remember
+poor old Hinks's note about me in his book? We laughed at it, but
+he wasn't so far wrong. I have many of those qualities. A man is
+conscious of his own merits as well as of his defects. I have
+done a few admirable things. You remember my paper on Lord
+Herbert of Cherbury? No one ever wrote a more subtle piece of
+criticism; but it was swept aside among the rubbish of the
+magazines. And it's just because of my pungent phrases that I
+have excited so much enmity. Wait! Wait! Let me have my own
+review, and leisure, and satisfaction of mind--heavens! what I
+will write! How I will scarify!'
+
+'That is unworthy of you. How much better to ignore your enemies!
+
+In such a position, I should carefully avoid every word that
+betrayed personal feeling.'
+
+'Well, well; you are of course right, my good girl. And I believe
+I should do injustice to myself if I made you think that those
+ignoble motives are the strongest in me. No; it isn't so. From my
+boyhood I have had a passionate desire of literary fame, deep
+down below all the surface faults of my character. The best of my
+life has gone by, and it drives me to despair when I feel that I
+have not gained the position due to me. There is only one way of
+doing this now, and that is by becoming the editor of an
+important periodical. Only in that way shall I succeed in forcing
+people to pay attention to my claims. Many a man goes to his
+grave unrecognised, just because he has never had a fair
+judgment. Nowadays it is the unscrupulous men of business who
+hold the attention of the public; they blow their trumpets so
+loudly that the voices of honest men have no chance of being
+heard.'
+
+Marian was pained by the humility of his pleading with her--for
+what was all this but an endeavour to move her sympathies?--and
+by the necessity she was under of seeming to turn a deaf ear. She
+believed that there was some truth in his estimate of his own
+powers; though as an editor he would almost certainly fail, as a
+man of letters he had probably done far better work than some who
+had passed him by on their way to popularity. Circumstances might
+enable her to assist him, though not in the way he proposed. The
+worst of it was that she could not let him see what was in her
+mind. He must think that she was simply balancing her own
+satisfaction against his, when in truth she suffered from the
+conviction that to yield would be as unwise in regard to her
+father's future as it would be perilous to her own prospect of
+happiness.
+
+'Shall we leave this to be talked of when the money has been paid
+over to me?' she said, after a silence.
+
+'Yes. Don't suppose I wish to influence you by dwelling on my own
+hardships. That would be contemptible. I have only taken this
+opportunity of making myself better known to you. I don't readily
+talk of myself and in general my real feelings are hidden by the
+faults of my temper. In suggesting how you could do me a great
+service, and at the same time reap advantage for yourself I
+couldn't but remember how little reason you have to think kindly
+of me. But we will postpone further talk. You will think over
+what I have said?'
+
+Marian promised that she would, and was glad to bring the
+conversation to an end.
+
+When Sunday came, Yule inquired of his daughter if she had any
+engagement for the afternoon.
+
+'Yes, I have,' she replied, with an effort to disguise her
+embarrassment.
+
+'I'm sorry. I thought of asking you to come with me to Quarmby's.
+Shall you be away through the evening?'
+
+'Till about nine o'clock, I think.'
+
+'Ah! Never mind, never mind.'
+
+He tried to dismiss the matter as if it were of no moment, but
+Marian saw the shadow that passed over his countenance. This was
+just after breakfast. For the remainder of the morning she did
+not meet him, and at the mid-day dinner he was silent, though he
+brought no book to the table with him, as he was wont to do when
+in his dark moods. Marian talked with her mother, doing her best
+to preserve the appearance of cheerfulness which was natural
+since the change in Yule's demeanour.
+
+She chanced to meet her father in the passage just as she was
+going out. He smiled (it was more like a grin of pain) and
+nodded, but said nothing.
+
+When the front door closed, he went into the parlour. Mrs Yule
+was reading, or, at all events, turning over a volume of an
+illustrated magazine.
+
+'Where do you suppose she has gone?' he asked, in a voice which
+was only distant, not offensive.
+
+'To the Miss Milvains, I believe,' Mrs Yule answered, looking
+aside.
+
+'Did she tell you so?'
+
+'No. We don't talk about it.'
+
+He seated himself on the corner of a chair and bent forward, his
+chin in his hand.
+
+'Has she said anything to you about the review?'
+
+'Not a word.'
+
+She glanced at him timidly, and turned a few pages of her book.
+
+'I wanted her to come to Quarmby's, because there'll be a man
+there who is anxious that Jedwood should start a magazine, and it
+would be useful for her to hear practical opinions. There'd be no
+harm if you just spoke to her about it now and then. Of course if
+she has made up her mind to refuse me it's no use troubling
+myself any more. I should think you might find out what's really
+going on.'
+
+Only dire stress of circumstances could have brought Alfred Yule
+to make distinct appeal for his wife's help. There was no
+underhand plotting between them to influence their daughter; Mrs
+Yule had as much desire for the happiness of her husband as for
+that of Marian, but she felt powerless to effect anything on
+either side.
+
+'If ever she says anything, I'll let you know.'
+
+'But it seems to me that you have a right to question her.'
+
+'I can't do that, Alfred.'
+
+'Unfortunately, there are a good many things you can't do.' With
+that remark, familiar to his wife in substance, though the tone
+of it was less caustic than usual, he rose and sauntered from the
+room. He spent a gloomy hour in the study, then went off to join
+the literary circle at Mr Quarmby's.
+
+
+
+CHAPTER XXIV. JASPER'S MAGNANIMITY
+
+Occasionally Milvain met his sisters as they came out of church
+on Sunday morning, and walked home to have dinner with them. He
+did so to-day, though the sky was cheerless and a strong
+north-west wind made it anything but agreeable to wait about in
+open spaces.
+
+'Are you going to Mrs Wright's this afternoon?' he asked, as they
+went on together.
+
+'I thought of going,' replied Maud. 'Marian will be with Dora.'
+
+'You ought both to go. You mustn't neglect that woman.'
+
+He said nothing more just then, but when presently he was alone
+with Dora in the sitting-room for a few minutes, he turned with a
+peculiar smile and remarked quietly:
+
+'I think you had better go with Maud this afternoon.'
+
+'But I can't. I expect Marian at three.'
+
+'That's just why I want you to go.'
+
+She looked her surprise.
+
+'I want to have a talk with Marian. We'll manage it in this way.
+At a quarter to three you two shall start, and as you go out you
+can tell the landlady that if Miss Yule comes she is to wait for
+you, as you won't be long. She'll come upstairs, and I shall be
+there. You see?'
+
+Dora turned half away, disturbed a little, but not displeased.
+
+'And what about Miss Rupert?' she asked.
+
+'Oh, Miss Rupert may go to Jericho for all I care. I'm in a
+magnanimous mood.'
+
+'Very, I've no doubt.'
+
+'Well, you'll do this? One of the results of poverty, you see;
+one can't even have a private conversation with a friend without
+plotting to get the use of a room. But there shall be an end of
+this state of things.'
+
+He nodded significantly. Thereupon Dora left the room to speak
+with her sister.
+
+The device was put into execution, and Jasper saw his sisters
+depart knowing that they were not likely to return for some three
+hours. He seated himself comfortably by the fire and mused. Five
+minutes had hardly gone by when he looked at his watch, thinking
+Marian must be unpunctual. He was nervous, though he had believed
+himself secure against such weakness. His presence here with the
+purpose he had in his mind seemed to him distinctly a concession
+to impulses he ought to have controlled; but to this resolve he
+had come, and it was now too late to recommence the arguments
+with himself. Too late? Well, not strictly so; he had committed
+himself to nothing; up to the last moment of freedom he could
+always--
+
+That was doubtless Marian's knock at the front door. He jumped
+up, walked the length of the room, sat down on another chair,
+returned to his former seat. Then the door opened and Marian came
+in.
+
+She was not surprised; the landlady had mentioned to her that Mr
+Milvain was upstairs, waiting the return of his sisters.
+
+'I am to make 'Dora's excuses,' Jasper said. 'She begged you
+would forgive her--that you would wait.'
+
+'Oh yes.'
+
+'And you were to be sure to take off your hat,' he added in a
+laughing tone; 'and to let me put your umbrella in the corner--
+like that.'
+
+He had always admired the shape of Marian's head, and the beauty
+of her short, soft, curly hair. As he watched her uncovering it,
+he was pleased with the grace of her arms and the pliancy of her
+slight figure.
+
+'Which is usually your chair?'
+
+'I'm sure I don't know.'
+
+'When one goes to see a friend frequently, one gets into regular
+habits in these matters. In Biffen's garret I used to have the
+most uncomfortable chair it was ever my lot to sit upon; still, I
+came to feel an affection for it. At Reardon's I always had what
+was supposed to be the most luxurious seat, but it was too small
+for me, and I eyed it resentfully on sitting down and rising.'
+
+'Have you any news about the Reardons?'
+
+'Yes. I am told that Reardon has had the offer of a secretaryship
+to a boys' home, or something of the kind, at Croydon. But I
+suppose there'll be no need for him to think of that now.'
+
+'Surely not!'
+
+'Oh there's no saying.'
+
+'Why should he do work of that kind now?'
+
+'Perhaps his wife will tell him that she wants her money all for
+herself.'
+
+Marian laughed. It was very rarely that Jasper had heard her
+laugh at all, and never so spontaneously as this. He liked the
+music.
+
+'You haven't a very good opinion of Mrs Reardon,' she said.
+
+'She is a difficult person to judge. I never disliked her, by any
+means; but she was decidedly out of place as the wife of a
+struggling author. Perhaps I have been a little prejudiced
+against her since Reardon quarrelled with me on her account.'
+
+Marian was astonished at this unlooked-for explanation of the
+rupture between Milvain and his friend. That they had not seen
+each other for some months she knew from Jasper himself but no
+definite cause had been assigned.
+
+'I may as well let you know all about it,' Milvain continued,
+seeing that he had disconcerted the girl, as he meant to. 'I met
+Reardon not long after they had parted, and he charged me with
+being in great part the cause of his troubles.'
+
+The listener did not raise her eyes.
+
+'You would never imagine what my fault was. Reardon declared that
+the tone of my conversation had been morally injurious to his
+wife. He said I was always glorifying worldly success, and that
+this had made her discontented with her lot. Sounds rather
+ludicrous, don't you think?'
+
+'It was very strange.'
+
+'Reardon was in desperate earnest, poor fellow. And, to tell you
+the truth, I fear there may have been something in his complaint.
+
+I told him at once that I should henceforth keep away from Mrs
+Edmund Yule's; and so I have done, with the result, of course,
+that they suppose I condemn Mrs Reardon's behaviour. The affair
+was a nuisance, but I had no choice, I think.'
+
+'You say that perhaps your talk really was harmful to her.'
+
+'It may have been, though such a danger never occurred to me.'
+
+'Then Amy must be very weak-minded.'
+
+'To be influenced by such a paltry fellow?'
+
+'To be influenced by anyone in such a way.'
+
+'You think the worse of me for this story?' Jasper asked.
+
+'I don't quite understand it. How did you talk to her?'
+
+'As I talk to everyone. You have heard me say the same things
+many a time. I simply declare my opinion that the end of literary
+work-- unless one is a man of genius--is to secure comfort and
+repute. This doesn't seem to me very scandalous. But Mrs Reardon
+was perhaps too urgent in repeating such views to her husband.
+She saw that in my case they were likely to have solid results,
+and it was a misery to her that Reardon couldn't or wouldn't work
+in the same practical way.
+
+'It was very unfortunate.'
+
+'And you are inclined to blame me?'
+
+'No; because I am so sure that you only spoke in the way natural
+to you, without a thought of such consequences.'
+
+Jasper smiled.
+
+'That's precisely the truth. Nearly all men who have their way to
+make think as I do, but most feel obliged to adopt a false tone,
+to talk about literary conscientiousness, and so on. I simply say
+what I think, with no pretences. I should like to be
+conscientious, but it's a luxury I can't afford. I've told you
+all this often enough, you know.'
+
+'Yes.'
+
+'But it hasn't been morally injurious to you,' he said with a
+laugh.
+
+'Not at all. Still I don't like it.'
+
+Jasper was startled. He gazed at her. Ought he, then, to have
+dealt with her less frankly? Had he been mistaken in thinking
+that the unusual openness of his talk was attractive to her? She
+spoke with quite unaccustomed decision; indeed, he had noticed
+from her entrance that there was something unfamiliar in her way
+of conversing. She was so much more self-possessed than of wont,
+and did not seem to treat him with the same deference, the same
+subdual of her own personality.
+
+'You don't like it?' he repeated calmly. 'It has become rather
+tiresome to you?'
+
+'I feel sorry that you should always represent yourself in an
+unfavourable light.'
+
+He was an acute man, but the self-confidence with which he had
+entered upon this dialogue, his conviction that he had but to
+speak when he wished to receive assurance of Marian's devotion,
+prevented him from understanding the tone of independence she had
+suddenly adopted. With more modesty he would have felt more
+subtly at this juncture, would have divined that the girl had an
+exquisite pleasure in drawing back now that she saw him
+approaching her with unmistakable purpose, that she wished to be
+wooed in less off-hand fashion before confessing what was in her
+heart. For the moment he was disconcerted. Those last words of
+hers had a slight tone of superiority, the last thing he would
+have expected upon her lips.
+
+'Yet I surely haven't always appeared so--to you?' he said.
+
+'No, not always.'
+
+'But you are in doubt concerning the real man?'
+
+'I'm not sure that I understand you. You say that you do really
+think as you speak.'
+
+'So I do. I think that there is no choice for a man who can't
+bear poverty. I have never said, though, that I had pleasure in
+mean necessities; I accept them because I can't help it.'
+
+It was a delight to Marian to observe the anxiety with which he
+turned to self-defence. Never in her life had she felt this joy
+of holding a position of command. It was nothing to her that
+Jasper valued her more because of her money; impossible for it to
+be otherwise. Satisfied that he did value her, to begin with, for
+her own sake, she was very willing to accept money as her ally in
+the winning of his love. He scarcely loved her yet, as she
+understood the feeling, but she perceived her power over him, and
+passion taught her how to exert it.
+
+'But you resign yourself very cheerfully to the necessity,' she
+said, looking at him with merely intellectual eyes.
+
+'You had rather I lamented my fate in not being able to devote
+myself to nobly unremunerative work?'
+
+There was a note of irony here. It caused her a tremor, but she
+held her position.
+
+'That you never do so would make one think--but I won't speak
+unkindly.'
+
+'That I neither care for good work nor am capable of it,' Jasper
+finished her sentence. 'I shouldn't have thought it would make
+you think so.'
+
+Instead of replying she turned her look towards the door. There
+was a footstep on the stairs, but it passed.
+
+'I thought it might be Dora,' she said.
+
+'She won't be here for another couple of hours at least,' replied
+Jasper with a slight smile.
+
+'But you said--?'
+
+'I sent her to Mrs Boston Wright's that I might have an
+opportunity of talking to you. Will you forgive the stratagem?'
+
+Marian resumed her former attitude, the faintest smile hovering
+about her lips.
+
+'I'm glad there's plenty of time,' he continued. 'I begin to
+suspect that you have been misunderstanding me of late. I must
+set that right.'
+
+'I don't think I have misunderstood you.'
+
+'That may mean something very disagreeable. I know that some
+people whom I esteem have a very poor opinion of me, but I can't
+allow you to be one of them. What do I seem to you? What is the
+result on your mind of all our conversations?'
+
+'I have already told you.'
+
+'Not seriously. Do you believe I am capable of generous feeling?'
+
+'To say no, would be to put you in the lowest class of men, and
+that a very small one.''Good! Then I am not among the basest. But
+that doesn't give me very distinguished claims upon your
+consideration. Whatever I am, I am high in some of my ambitions.'
+
+'Which of them?'
+
+'For instance, I have been daring enough to hope that you might
+love me.'
+
+Marian delayed for a moment, then said quietly:
+
+'Why do you call that daring?'
+
+'Because I have enough of old-fashioned thought to believe that a
+woman who is worthy of a man's love is higher than he, and
+condescends in giving herself to him.'
+
+His voice was not convincing; the phrase did not sound natural on
+his lips. It was not thus that she had hoped to hear him speak.
+Whilst he expressed himself thus conventionally he did not love
+her as she desired to be loved.
+
+'I don't hold that view,' she said.
+
+'It doesn't surprise me. You are very reserved on all subjects,
+and we have never spoken of this, but of course I know that your
+thought is never commonplace. Hold what view you like of woman's
+position, that doesn't affect mine.'
+
+'Is yours commonplace, then?'
+
+'Desperately. Love is a very old and common thing, and I believe
+I love you in the old and common way. I think you beautiful, you
+seem to me womanly in the best sense, full of charm and
+sweetness. I know myself a coarse being in comparison. All this
+has been felt and said in the same way by men infinite in
+variety. Must I find some new expression before you can believe
+me?'
+
+Marian kept silence.
+
+'I know what you are thinking,' he said. 'The thought is as
+inevitable as my consciousness of it.'
+
+For an instant she looked at him.
+
+'Yes, you look the thought. Why have I not spoken to you in this
+way before? Why have I waited until you are obliged to suspect my
+sincerity?'
+
+'My thought is not so easily read, then,' said Marian.
+
+'To be sure it hasn't a gross form, but I know you wish--whatever
+your real feeling towards me--that I had spoken a fortnight ago.
+You would wish that of any man in my position, merely because it
+is painful to you to see a possible insincerity. Well, I am not
+insincere. I have thought of you as of no other woman for some
+time. But--yes, you shall have the plain, coarse truth, which is
+good in its way, no doubt. I was afraid to say that I loved you.
+You don't flinch; so far, so good. Now what harm is there in this
+confession? In the common course of things I shouldn't be in a
+position to marry for perhaps three or four years, and even then
+marriage would mean difficulties, restraints, obstacles. I have
+always dreaded the thought of marriage with a poor income. You
+remember?
+
+Love in a hut, with water and a crust, Is--Love forgive us!--
+cinders, ashes, dust.
+
+You know that is true.'
+
+'Not always, I dare say.'
+
+'But for the vast majority of mortals. There's the instance of
+the Reardons. They were in love with each other, if ever two
+people were; but poverty ruined everything. I am not in the
+confidence of either of them, but I feel sure each has wished the
+other dead. What else was to be expected? Should I have dared to
+take a wife in my present circumstances--a wife as poor as
+myself?'
+
+'You will be in a much better position before long,' said Marian.
+'If you loved me, why should you have been afraid to ask me to
+have confidence in your future?'
+
+'It's all so uncertain. It may be another ten years before I can
+count on an income of five or six hundred pounds--if I have to
+struggle on in the common way.'
+
+'But tell me, what is your aim in life? What do you understand by
+success?'
+
+'Yes, I will tell you. My aim is to have easy command of all the
+pleasures desired by a cultivated man. I want to live among
+beautiful things, and never to be troubled by a thought of vulgar
+difficulties. I want to travel and enrich my mind in foreign
+countries. I want to associate on equal terms with refined and
+interesting people. I want to be known, to be familiarly referred
+to, to feel when I enter a room that people regard me with some
+curiosity.'
+
+He looked steadily at her with bright eyes.
+
+'And that's all?' asked Marian.
+
+'That is very much. Perhaps you don't know how I suffer in
+feeling myself at a disadvantage. My instincts are strongly
+social, yet I can't be at my ease in society, simply because I
+can't do justice to myself. Want of money makes me the inferior
+of the people I talk with, though I might be superior to them in
+most things. I am ignorant in many ways, and merely because I am
+poor. Imagine my never having been out of England! It shames me
+when people talk familiarly of the Continent. So with regard to
+all manner of amusements and pursuits at home. Impossible for me
+to appear among my acquaintances at the theatre, at concerts. I
+am perpetually at a disadvantage; I haven't fair play. Suppose me
+possessed of money enough to live a full and active life for the
+next five years; why, at the end of that time my position would
+be secure. To him that hath shall be given--you know how
+universally true that is.'
+
+'And yet,' came in a low voice from Marian, 'you say that you
+love me.'
+
+'You mean that I speak as if no such thing as love existed. But
+you asked me what I understood by success. I am speaking of
+worldly things. Now suppose I had said to you:
+
+My one aim and desire in life is to win your love. Could you have
+believed me? Such phrases are always untrue; I don't know how it
+can give anyone pleasure to hear them. But if I say to you: All
+the satisfactions I have described would be immensely heightened
+if they were shared with a woman who loved me--there is the
+simple truth.'
+
+Marian's heart sank. She did not want truth such as this; she
+would have preferred that he should utter the poor, common
+falsehoods. Hungry for passionate love, she heard with a sense of
+desolation all this calm reasoning. That Jasper was of cold
+temperament she had often feared; yet there was always the
+consoling thought that she did not see with perfect clearness
+into his nature. Now and then had come a flash, a hint of
+possibilities. She had looked forward with trembling eagerness to
+some sudden revelation; but it seemed as if he knew no word of
+the language which would have called such joyous response from
+her expectant soul.
+
+'We have talked for a long time,' she said, turning her head as
+if his last words were of no significance. 'As Dora is not
+coming, I think I will go now.'
+
+She rose, and went towards the chair on which lay her out-of-door
+things. At once Jasper stepped to her side.
+
+'You will go without giving me any answer?'
+
+'Answer? To what?'
+
+'Will you be my wife?'
+
+'It is too soon to ask me that.'
+
+'Too soon? Haven't you known for months that I thought of you
+with far more than friendliness?'
+
+'How was it possible I should know that? You have explained to me
+why you would not let your real feelings be understood.'
+
+The reproach was merited, and not easy to be outfaced. He turned
+away for an instant, then with a sudden movement caught both her
+hands.
+
+'Whatever I have done or said or thought in the past, that is of
+no account now. I love you, Marian. I want you to be my wife. I
+have never seen any other girl who impressed me as you did from
+the first. If I had been weak enough to try to win anyone but
+you, I should have known that I had turned aside from the path of
+my true happiness. Let us forget for a moment all our
+circumstances. I hold your hands, and look into your face, and
+say that I love you. Whatever answer you give, I love you!'
+
+Till now her heart had only fluttered a little; it was a great
+part of her distress that the love she had so long nurtured
+seemed shrinking together into some far corner of her being
+whilst she listened to the discourses which prefaced Jasper's
+declaration. She was nervous, painfully self-conscious, touched
+with maidenly shame, but could not abandon herself to that
+delicious emotion which ought to have been the fulfilment of all
+her secret imaginings. Now at length there began a throbbing in
+her bosom. Keeping her face averted, her eyes cast down, she
+waited for a repetition of the note that was in that last 'I love
+you.' She felt a change in the hands that held hers--a warmth, a
+moist softness; it caused a shock through her veins.
+
+He was trying to draw her nearer, but she kept at full arm's
+length and looked irresponsive.
+
+'Marian?'
+
+She wished to answer, but a spirit of perversity held her tongue.
+
+'Marian, don't you love me? Or have I offended you by my way of
+speaking?'
+
+Persisting, she at length withdrew her hands. Jasper's face
+expressed something like dismay.
+
+'You have not offended me,' she said. 'But I am not sure that you
+don't deceive yourself in thinking, for the moment, that I am
+necessary to your happiness.'
+
+The emotional current which had passed from her flesh to his
+whilst their hands were linked, made him incapable of standing
+aloof from her. He saw that her face and neck were warmer hued,
+and her beauty became more desirable to him than ever yet.
+
+'You are more to me than anything else in the compass of life!'
+he exclaimed, again pressing forward. 'I think of nothing but
+you--you yourself--my beautiful, gentle, thoughtful Marian!'
+
+His arm captured her, and she did not resist. A sob, then a
+strange little laugh, betrayed the passion that was at length
+unfolded in her.
+
+'You do love me, Marian?'
+
+'I love you.'
+
+And there followed the antiphony of ardour that finds its first
+utterance--a subdued music, often interrupted, ever returning
+upon the same rich note.
+
+Marian closed her eyes and abandoned herself to the luxury of the
+dream. It was her first complete escape from the world of
+intellectual routine, her first taste of life. All the pedantry
+of her daily toil slipped away like a cumbrous garment; she was
+clad only in her womanhood. Once or twice a shudder of strange
+self-consciousness went through her, and she felt guilty,
+immodest; but upon that sensation followed a surge of passionate
+joy, obliterating memory and forethought.
+
+'How shall I see you?' Jasper asked at length. 'Where can we
+meet?'
+
+It was a difficulty. The season no longer allowed lingerings
+under the open sky, but Marian could not go to his lodgings, and
+it seemed impossible for him to visit her at her home.
+
+'Will your father persist in unfriendliness to me?'
+
+She was only just beginning to reflect on all that was involved
+in this new relation.
+
+'I have no hope that he will change,' she said sadly.
+
+'He will refuse to countenance your marriage?'
+
+'I shall disappoint him and grieve him bitterly. He has asked me
+to use my money in starting a new review.'
+
+'Which he is to edit?'
+
+'Yes. Do you think there would be any hope of its success?'
+
+Jasper shook his head.
+
+'Your father is not the man for that, Marian. I don't say it
+disrespectfully; I mean that he doesn't seem to me to have that
+kind of aptitude. It would be a disastrous speculation.'
+
+'I felt that. Of course I can't think of it now.'
+
+She smiled, raising her face to his.
+
+'Don't trouble,' said Jasper. 'Wait a little, till I have made
+myself independent of Fadge and a few other men, and your father
+shall see how heartily I wish to be of use to him. He will miss
+your help, I'm afraid?'
+
+'Yes. I shall feel it a cruelty when I have to leave him. He has
+only just told me that his sight is beginning to fail. Oh, why
+didn't his brother leave him a little money? It was such
+unkindness! Surely he had a much better right than Amy, or than
+myself either. But literature has been a curse to father all his
+life. My uncle hated it, and I suppose that was why he left
+father nothing.'
+
+'But how am I to see you often? That's the first question. I know
+what I shall do. I must take new lodgings, for the girls and
+myself, all in the same house. We must have two sitting-rooms;
+then you will come to my room without any difficulty. These
+astonishing proprieties are so easily satisfied after all.'
+
+'You will really do that?'
+
+'Yes. I shall go and look for rooms to-morrow. Then when you come
+you can always ask for Maud or Dora, you know. They will be very
+glad of a change to more respectable quarters.'
+
+'I won't stay to see them now, Jasper,' said Marian, her thoughts
+turning to the girls.
+
+'Very well. You are safe for another hour, but to make certain
+you shall go at a quarter to five. Your mother won't be against
+us?'
+
+'Poor mother--no. But she won't dare to justify me before
+father.'
+
+'I feel as if I should play a mean part in leaving it to you to
+tell your father. Marian, I will brave it out and go and see
+him.'
+
+'Oh, it would be better not to.'
+
+'Then I will write to him--such a letter as he can't possibly
+take in ill part.'
+
+Marian pondered this proposal.
+
+'You shall do that, Jasper, if you are willing. But not yet;
+presently.'
+
+'You don't wish him to know at once?'
+
+'We had better wait a little. You know,' she added laughing,
+'that my legacy is only in name mine as yet. The will hasn't been
+proved. And then the money will have to be realised.'
+
+She informed him of the details; Jasper listened with his eyes on
+the ground.
+
+They were now sitting on chairs drawn close to each other. It was
+with a sense of relief that Jasper had passed from dithyrambs to
+conversation on practical points; Marian's excited sensitiveness
+could not but observe this, and she kept watching the motions of
+his countenance. At length he even let go her hand.
+
+'You would prefer,' he said reflectively, 'that nothing should be
+said to your father until that business is finished?'
+
+'If you consent to it.'
+
+'Oh, I have no doubt it's as well.'
+
+Her little phrase of self-subjection, and its tremulous tone,
+called for another answer than this. Jasper fell again into
+thought, and clearly it was thought of practical things.
+
+'I think I must go now, Jasper,' she said.
+
+'Must you? Well, if you had rather.'
+
+He rose, though she was still seated. Marian moved a few steps
+away, but turned and approached him again.
+
+'Do you really love me?' she asked, taking one of his hands and
+folding it between her own.
+
+'I do indeed love you, Marian. Are you still doubtful?'
+
+'You're not sorry that I must go?'
+
+'But I am, dearest. I wish we could sit here undisturbed all
+through the evening.'
+
+Her touch had the same effect as before. His blood warmed again,
+and he pressed her to his side, stroking her hair and kissing her
+forehead.
+
+'Are you sorry I wear my hair short?' she asked, longing for more
+praise than he had bestowed on her.
+
+'Sorry? It is perfect. Everything else seems vulgar compared with
+this way of yours. How strange you would look with plaits and
+that kind of thing!'
+
+'I am so glad it pleases you.'
+
+'There is nothing in you that doesn't please me, my thoughtful
+girl.'
+
+'You called me that before. Do I seem so very thoughtful?'
+
+'So grave, and sweetly reserved, and with eyes so full of
+meaning.'
+
+She quivered with delight, her face hidden against his breast.
+
+'I seem to be new-born, Jasper. Everything in the world is new to
+me, and I am strange to myself. I have never known an hour of
+happiness till now, and I can't believe yet that it has come to
+me.'
+
+She at length attired herself, and they left the house together,
+of course not unobserved by the landlady. Jasper walked about
+half the way to St Paul's Crescent. It was arranged that he
+should address a letter for her to the care of his sisters; but
+in a day or two the change of lodgings would be effected.
+
+When they had parted, Marian looked back. But Jasper was walking
+quickly away, his head bent, in profound meditation.
+
+
+
+CHAPTER XXV. A FRUITLESS MEETING
+
+Refuge from despair is often found in the passion of self-pity
+and that spirit of obstinate resistance which it engenders. In
+certain natures the extreme of self-pity is intolerable, and
+leads to self-destruction; but there are less fortunate beings
+whom the vehemence of their revolt against fate strengthens to
+endure in suffering. These latter are rather imaginative than
+passionate; the stages of their woe impress them as the acts of a
+drama, which they cannot bring themselves to cut short, so
+various are the possibilities of its dark motive. The
+intellectual man who kills himself is most often brought to that
+decision by conviction of his insignificance; self-pity merges in
+self-scorn, and the humiliated soul is intolerant of existence.
+He who survives under like conditions does so because misery
+magnifies him in his own estimate.
+
+It was by force of commiserating his own lot that Edwin Reardon
+continued to live through the first month after his parting from
+Amy. Once or twice a week, sometimes early in the evening,
+sometimes at midnight or later, he haunted the street at
+Westbourne Park where his wife was dwelling, and on each occasion
+he returned to his garret with a fortified sense of the injustice
+to which he was submitted, of revolt against the circumstances
+which had driven him into outer darkness, of bitterness against
+his wife for saving her own comfort rather than share his
+downfall. At times he was not far from that state of sheer
+distraction which Mrs Edmund Yule preferred to suppose that he
+had reached. An extraordinary arrogance now and then possessed
+him; he stood amid his poor surroundings with the sensations of
+an outraged exile, and laughed aloud in furious contempt of all
+who censured or pitied him.
+
+On hearing from Jasper Milvain that Amy had fallen ill, or at all
+events was suffering in health from what she had gone through, he
+felt a momentary pang which all but determined him to hasten to
+her side. The reaction was a feeling of distinct pleasure that
+she had her share of pain, and even a hope that her illness might
+become grave; he pictured himself summoned to her sick chamber,
+imagined her begging his forgiveness. But it was not merely, nor
+in great part, a malicious satisfaction; he succeeded in
+believing that Amy suffered because she still had a remnant of
+love for him. As the days went by and he heard nothing,
+disappointment and resentment occupied him. At length he ceased
+to haunt the neighbourhood. His desires grew sullen; he became
+fixed in the resolve to hold entirely apart and doggedly await
+the issue.
+
+At the end of each month he sent half the money he had received
+from Carter, simply enclosing postal orders in an envelope
+addressed to his wife. The first two remittances were in no way
+acknowledged; the third brought a short note from Amy:
+
+'As you continue to send these sums of money, I had perhaps
+better let you know that I cannot use them for any purposes of my
+own. Perhaps a sense of duty leads you to make this sacrifice,
+but I am afraid it is more likely that you wish to remind me
+every month that you are undergoing privations, and to pain me in
+this way. What you have sent I have deposited in the Post Office
+Savings' Bank in Willie's name, and I shall continue to do so.--
+A.R.'
+
+For a day or two Reardon persevered in an intention of not
+replying, but the desire to utter his turbid feelings became in
+the end too strong. He wrote:
+
+'I regard it as quite natural that you should put the worst
+interpretation on whatever I do. As for my privations, I think
+very little of them; they are a trifle in comparison with the
+thought that I am forsaken just because my pocket is empty. And I
+am far indeed from thinking that you can be pained by whatever I
+may undergo; that would suppose some generosity in your nature.'
+
+This was no sooner posted than he would gladly have recalled it.
+He knew that it was undignified, that it contained as many
+falsehoods as lines, and he was ashamed of himself for having
+written so. But he could not pen a letter of retractation, and
+there remained with him a new cause of exasperated wretchedness.
+
+Excepting the people with whom he came in contact at the
+hospital, he had no society but that of Biffen. The realist
+visited him once a week, and this friendship grew closer than it
+had been in the time of Reardon's prosperity. Biffen was a man of
+so much natural delicacy, that there was a pleasure in imparting
+to him the details of private sorrow; though profoundly
+sympathetic, he did his best to oppose Reardon's harsher
+judgments of Amy, and herein he gave his friend a satisfaction
+which might not be avowed.
+
+'I really do not see,' he exclaimed, as they sat in the garret
+one night of midsummer, 'how your wife could have acted
+otherwise. Of course I am quite unable to judge the attitude of
+her mind, but I think, I can't help thinking, from what I knew of
+her, that there has been strictly a misunderstanding between you.
+
+It was a hard and miserable thing that she should have to leave
+you for a time, and you couldn't face the necessity in a just
+spirit. Don't you think there's some truth in this way of looking
+at it?'
+
+'As a woman, it was her part to soften the hateful necessity; she
+made it worse.'
+
+'I'm not sure that you don't demand too much of her. Unhappily, I
+know little or nothing of delicately-bred women, but I have a
+suspicion that one oughtn't to expect heroism in them, any more
+than in the women of the lower classes. I think of women as
+creatures to be protected. Is a man justified in asking them to
+be stronger than himself?'
+
+'Of course,' replied Reardon, 'there's no use in demanding more
+than a character is capable of. But I believed her of finer
+stuff. My bitterness comes of the disappointment.'
+
+'I suppose there were faults of temper on both sides, and you saw
+at last only each other's weaknesses.'
+
+'I saw the truth, which had always been disguised from me.'
+Biffen persisted in looking doubtful, and in secret Reardon
+thanked him for it.
+
+As the realist progressed with his novel, 'Mr Bailey, Grocer,' he
+read the chapters to Reardon, not only for his own satisfaction,
+but in great part because he hoped that this example of
+productivity might in the end encourage the listener to resume
+his own literary tasks. Reardon found much to criticise in his
+friend's work; it was noteworthy that he objected and condemned
+with much less hesitation than in his better days, for sensitive
+reticence is one of the virtues wont to be assailed by suffering,
+at all events in the weaker natures. Biffen purposely urged these
+discussions as far as possible, and doubtless they benefited
+Reardon for the time; but the defeated novelist could not be
+induced to undertake another practical illustration of his own
+views. Occasionally he had an impulse to plan a story, but an
+hour's turning it over in his mind sufficed to disgust him. His
+ideas seemed barren, vapid; it would have been impossible for him
+to write half a dozen pages, and the mere thought of a whole book
+overcame him with the dread of insurmountable difficulties,
+immeasurable toil.
+
+In time, however, he was able to read. He had a pleasure in
+contemplating the little collection of sterling books that alone
+remained to him from his library; the sight of many volumes would
+have been a weariness, but these few--when he was again able to
+think of books at all--were as friendly countenances. He could
+not read continuously, but sometimes he opened his Shakespeare,
+for instance, and dreamed over a page or two. From such glimpses
+there remained in his head a line or a short passage, which he
+kept repeating to himself wherever he went; generally some
+example of sweet or sonorous metre which had a soothing effect
+upon him.
+
+With odd result on one occasion. He was walking in one of the
+back streets of Islington, and stopped idly to gaze into the
+window of some small shop. Standing thus, he forgot himself and
+presently recited aloud:
+
+'Caesar, 'tis his schoolmaster: An argument that he is pluck'd,
+when hither He sends so poor a pinion of his wing, Which had
+superfluous kings for messengers Not many moons gone by.'
+
+The last two lines he uttered a second time, enjoying their
+magnificent sound, and then was brought back to consciousness by
+the loud mocking laugh of two men standing close by, who
+evidently looked upon him as a strayed lunatic.
+
+He kept one suit of clothes for his hours of attendance at the
+hospital; it was still decent, and with much care would remain so
+for a long time. That which he wore at home and in his street
+wanderings declared poverty at every point; it had been discarded
+before he left the old abode. In his present state of mind he
+cared nothing how disreputable he looked to passers-by. These
+seedy habiliments were the token of his degradation, and at times
+he regarded them (happening to see himself in a shop mirror) with
+pleasurable contempt. The same spirit often led him for a meal to
+the poorest of eating-houses, places where he rubbed elbows with
+ragged creatures who had somehow obtained the price of a cup of
+coffee and a slice of bread and butter. He liked to contrast
+himself with these comrades in misfortune. 'This is the rate at
+which the world esteems me; I am worth no better provision than
+this.' Or else, instead of emphasising the contrast, he defiantly
+took a place among the miserables of the nether world, and nursed
+hatred of all who were well-to-do.
+
+One of these he desired to regard with gratitude, but found it
+difficult to support that feeling. Carter, the vivacious, though
+at first perfectly unembarrassed in his relations with the City
+Road clerk, gradually exhibited a change of demeanour. Reardon
+occasionally found the young man's eye fixed upon him with a
+singular expression, and the secretary's talk, though still as a
+rule genial, was wont to suffer curious interruptions, during
+which he seemed to be musing on something Reardon had said, or on
+some point of his behaviour. The explanation of this was that
+Carter had begun to think there might be a foundation for Mrs
+Yule's hypothesis--that the novelist was not altogether in his
+sound senses. At first he scouted the idea, but as time went on
+it seemed to him that Reardon's countenance certainly had a gaunt
+wildness which suggested disagreeable things. Especially did he
+remark this after his return from an August holiday in Norway. On
+coming for the first time to the City Road branch he sat down and
+began to favour Reardon with a lively description of how he had
+enjoyed himself abroad; it never occurred to him that such talk
+was not likely to inspirit the man who had passed his August
+between the garret and the hospital, but he observed before long
+that his listener was glancing hither and thither in rather a
+strange way.
+
+'You haven't been ill since I saw you?' he inquired.
+
+'Oh no!'
+
+'But you look as if you might have been. I say, we must manage
+for you to have a fortnight off, you know, this month.'
+
+'I have no wish for it,' said Reardon. 'I'll imagine I have been
+to Norway. It has done me good to hear of your holiday.'
+
+'I'm glad of that; but it isn't quite the same thing, you know,
+as having a run somewhere yourself.'
+
+'Oh, much better! To enjoy myself may be mere selfishness, but to
+enjoy another's enjoyment is the purest satisfaction, good for
+body and soul. I am cultivating altruism.'
+
+'What's that?'
+
+'A highly rarefied form of happiness. The curious thing about it
+is that it won't grow unless you have just twice as much faith in
+it as is required for assent to the Athanasian Creed.'
+
+'Oh!'
+
+Carter went away more than puzzled. He told his wife that evening
+that Reardon had been talking to him in the most extraordinary
+fashion--no understanding a word he said.
+
+All this time he was on the look-out for employment that would be
+more suitable to his unfortunate clerk. Whether slightly demented
+or not, Reardon gave no sign of inability to discharge his
+duties; he was conscientious as ever, and might, unless he
+changed greatly, be relied upon in positions of more
+responsibility than his present one. And at length, early in
+October, there came to the secretary's knowledge an opportunity
+with which he lost no time in acquainting Reardon. The latter
+repaired that evening to Clipstone Street, and climbed to
+Biffen's chamber. He entered with a cheerful look, and exclaimed:
+
+'I have just invented a riddle; see if you can guess it. Why is a
+London lodging-house like the human body?'
+
+Biffen looked with some concern at his friend, so unwonted was a
+sally of this kind.
+
+'Why is a London lodging-house--? Haven't the least idea.'
+
+'Because the brains are always at the top. Not bad, I think, eh?'
+
+'Well, no; it'll pass. Distinctly professional though. The
+general public would fail to see the point, I'm afraid. But what
+has come to you?'
+
+'Good tidings. Carter has offered me a place which will be a
+decided improvement. A house found--or rooms, at all events--and
+salary a hundred and fifty a year.
+
+'By Plutus! That's good hearing. Some duties attached, I
+suppose?'
+
+'I'm afraid that was inevitable, as things go. It's the
+secretaryship of a home for destitute boys at Croydon. The post
+is far from a sinecure, Carter assures me. There's a great deal
+of purely secretarial work, and there's a great deal of practical
+work, some of it rather rough, I fancy. It seems doubtful whether
+I am exactly the man. The present holder is a burly fellow over
+six feet high, delighting in gymnastics, and rather fond of a
+fight now and then when opportunity offers. But he is departing
+at Christmas--going somewhere as a missionary; and I can have the
+place if I choose.'
+
+'As I suppose you do?'
+
+'Yes. I shall try it, decidedly.'
+
+Biffen waited a little, then asked:
+
+'I suppose your wife will go with you?'
+
+'There's no saying.'
+
+Reardon tried to answer indifferently, but it could be seen that
+he was agitated between hopes and fears.
+
+'You'll ask her, at all events?'
+
+'Oh yes,' was the half-absent reply.
+
+'But surely there can be no doubt that she'll come. A hundred and
+fifty a year, without rent to pay. Why, that's affluence!'
+
+'The rooms I might occupy are in the home itself. Amy won't take
+very readily to a dwelling of that kind. And Croydon isn't the
+most inviting locality.'
+
+'Close to delightful country.'
+
+'Yes, yes; but Amy doesn't care about that.'
+
+'You misjudge her, Reardon. You are too harsh. I implore you not
+to lose the chance of setting all right again! If only you could
+be put into my position for a moment, and then be offered the
+companionship of such a wife as yours!'
+
+Reardon listened with a face of lowering excitement.
+
+'I should be perfectly within my rights,' he said sternly, 'if I
+merely told her when I have taken the position, and let her ask
+me to take her back--if she wishes.'
+
+'You have changed a great deal this last year,' replied Biffen,
+shaking his head, 'a great deal. I hope to see you your old self
+again before long. I should have declared it impossible for you
+to become so rugged. Go and see your wife, there's a good
+fellow.'
+
+'No; I shall write to her.'
+
+'Go and see her, I beg you! No good ever came of letter-writing
+between two people who have misunderstood each other. Go to
+Westbourne Park to-morrow. And be reasonable; be more than
+reasonable. The happiness of your life depends on what you do
+now. Be content to forget whatever wrong has been done you. To
+think that a man should need persuading to win back such a wife!'
+
+In truth, there needed little persuasion. Perverseness, one of
+the forms or issues of self-pity, made him strive against his
+desire, and caused him to adopt a tone of acerbity in excess of
+what he felt; but already he had made up his mind to see Amy.
+Even if this excuse had not presented itself he must very soon
+have yielded to the longing for a sight of his wife's face which
+day by day increased among all the conflicting passions of which
+he was the victim. A month or two ago, when the summer sunshine
+made his confinement to the streets a daily torture, he convinced
+himself that there remained in him no trace of his love for Amy;
+there were moments when he thought of her with repugnance, as a
+cold, selfish woman, who had feigned affection when it seemed her
+interest to do so, but brutally declared her true self when there
+was no longer anything to be hoped from him. That was the self-
+deception of misery. Love, even passion, was still alive in the
+depths of his being; the animation with which he sped to his
+friend as soon as a new hope had risen was the best proof of his
+feeling.
+
+He went home and wrote to Amy.
+
+'I have a reason for wishing to see you. Will you have the
+kindness to appoint an hour on Sunday morning when I can speak
+with you in private? It must be understood that I shall see no
+one else.'
+
+She would receive this by the first post to-morrow, Saturday, and
+doubtless would let him hear in reply some time in the afternoon.
+Impatience allowed him little sleep, and the next day was a long
+weariness of waiting. The evening he would have to spend at the
+hospital; if there came no reply before the time of his leaving
+home, he knew not how he should compel himself to the ordinary
+routine of work. Yet the hour came, and he had heard nothing. He
+was tempted to go at once to Westbourne Park, but reason
+prevailed with him. When he again entered the house, having
+walked at his utmost speed from the City Road, the letter lay
+waiting for him; it had been pushed beneath his door, and when he
+struck a match he found that one of his feet was upon the white
+envelope.
+
+Amy wrote that she would be at home at eleven to-morrow morning.
+Not another word.
+
+In all probability she knew of the offer that had been made to
+him; Mrs Carter would have told her. Was it of good or of ill
+omen that she wrote only these half-dozen words? Half through the
+night he plagued himself with suppositions, now thinking that her
+brevity promised a welcome, now that she wished to warn him
+against expecting anything but a cold, offended demeanour. At
+seven he was dressed; two hours and a half had to be killed
+before he could start on his walk westward. He would have
+wandered about the streets, but it rained.
+
+He had made himself as decent as possible in appearance, but he
+must necessarily seem an odd Sunday visitor at a house such as
+Mrs Yule's. His soft felt hat, never brushed for months, was a
+greyish green, and stained round the band with perspiration. His
+necktie was discoloured and worn. Coat and waistcoat might pass
+muster, but of the trousers the less said the better. One of his
+boots was patched, and both were all but heelless.
+
+Very well; let her see him thus. Let her understand what it meant
+to live on twelve and sixpence a week.
+
+Though it was cold and wet he could not put on his overcoat.
+Three years ago it had been a fairly good ulster; at present, the
+edges of the sleeves were frayed, two buttons were missing, and
+the original hue of the cloth was indeterminable.
+
+At half-past nine he set out and struggled with his shabby
+umbrella against wind and rain. Down Pentonville Hill, up Euston
+Road, all along Marylebone Road, then north-westwards towards the
+point of his destination. It was a good six miles from the one
+house to the other, but he arrived before the appointed time, and
+had to stray about until the cessation of bell-clanging and the
+striking of clocks told him it was eleven. Then he presented
+himself at the familiar door.
+
+On his asking for Mrs Reardon, he was at once admitted and led up
+to the drawing-room; the servant did not ask his name.
+
+Then he waited for a minute or two, feeling himself a squalid
+wretch amid the dainty furniture. The door opened. Amy, in a
+simple but very becoming dress, approached to within a yard of
+him; after the first glance she had averted her eyes, and she did
+not offer to shake hands. He saw that his muddy and shapeless
+boots drew her attention.
+
+'Do you know why I have come?' he asked.
+
+He meant the tone to be conciliatory, but he could not command
+his voice, and it sounded rough, hostile.
+
+'I think so,' Amy answered, seating herself gracefully. She would
+have spoken with less dignity but for that accent of his.
+
+'The Carters have told you?'
+
+'Yes; I have heard about it.'
+
+There was no promise in her manner. She kept her face turned
+away, and Reardon saw its beautiful profile, hard and cold as
+though in marble.
+
+'It doesn't interest you at all?'
+
+'I am glad to hear that a better prospect offers for you.'
+
+He did not sit down, and was holding his rusty hat behind his
+back.
+
+'You speak as if it in no way concerned yourself. Is that what
+you wish me to understand?'
+
+'Won't it be better if you tell me why you have come here? As you
+are resolved to find offence in whatever I say, I prefer to keep
+silence. Please to let me know why you have asked to see me.'
+
+Reardon turned abruptly as if to leave her, but checked himself
+at a little distance.
+
+Both had come to this meeting prepared for a renewal of amity,
+but in these first few moments each was so disagreeably impressed
+by the look and language of the other that a revulsion of feeling
+undid all the more hopeful effects of their long severance. On
+entering, Amy had meant to offer her hand, but the unexpected
+meanness of Reardon's aspect shocked and restrained her. All but
+every woman would have experienced that shrinking from the livery
+of poverty. Amy had but to reflect, and she understood that her
+husband could in no wise help this shabbiness; when he parted
+from her his wardrobe was already in a long-suffering condition,
+and how was he to have purchased new garments since then? None
+the less such attire degraded him in her eyes; it symbolised the
+melancholy decline which he had suffered intellectually. On
+Reardon his wife's elegance had the same repellent effect, though
+this would not have been the case but for the expression of her
+countenance. Had it been possible for them to remain together
+during the first five minutes without exchange of words,
+sympathies might have prevailed on both sides; the first speech
+uttered would most likely have harmonised with their gentler
+thoughts. But the mischief was done so speedily.
+
+A man must indeed be graciously endowed if his personal
+appearance can defy the disadvantage of cheap modern clothing
+worn into shapelessness. Reardon had no such remarkable physique,
+and it was not wonderful that his wife felt ashamed of him.
+Strictly ashamed; he seemed to her a social inferior; the
+impression was so strong that it resisted all memory of his
+spiritual qualities. She might have anticipated this state of
+things, and have armed herself to encounter it, but somehow she
+had not done so. For more than five months she had been living
+among people who dressed well; the contrast was too suddenly
+forced upon her. She was especially susceptible in such matters,
+and had become none the less so under the demoralising influence
+of her misfortunes. True, she soon began to feel ashamed of her
+shame, but that could not annihilate the natural feeling and its
+results.
+
+'I don't love him. I can't love him.' Thus she spoke to herself,
+with immutable decision. She had been doubtful till now, but all
+doubt was at an end. Had Reardon been practical man enough to
+procure by hook or by crook a decent suit of clothes for this
+interview, that ridiculous trifle might have made all the
+difference in what was to result.
+
+He turned again, and spoke with the harshness of a man who feels
+that he is despised, and is determined to show an equal contempt.
+
+'I came to ask you what you propose to do in case I go to
+Croydon.'
+
+'I have no proposal to make whatever.'
+
+'That means, then, that you are content to go on living here?'
+
+'If I have no choice, I must make myself content.'
+
+'But you have a choice.'
+
+'None has yet been offered me.'
+
+'Then I offer it now,' said Reardon, speaking less aggressively.
+'I shall have a dwelling rent free, and a hundred and fifty
+pounds a year--perhaps it would be more in keeping with my
+station if I say that I shall have something less than three
+pounds a week. You can either accept from me half this money, as
+up to now, or come and take your place again as my wife. Please
+to decide what you will do.'
+
+'I will let you know by letter in a few days.'
+
+It seemed impossible to her to say she would return, yet a
+refusal to do so involved nothing less than separation for the
+rest of their lives. Postponement of decision was her only
+resource.
+
+'I must know at once,' said Reardon.
+
+'I can't answer at once.'
+
+'If you don't, I shall understand you to mean that you refuse to
+come to me. You know the circumstances; there is no reason why
+you should consult with anyone else. You can answer me
+immediately if you will.'
+
+'I don't wish to answer you immediately,' Amy replied, paling
+slightly.
+
+'Then that decides it. When I leave you we are strangers to each
+other.'
+
+Amy made a rapid study of his countenance. She had never
+entertained for a moment the supposition that his wits were
+unsettled, but none the less the constant recurrence of that idea
+in her mother's talk had subtly influenced her against her
+husband. It had confirmed her in thinking that his behaviour was
+inexcusable. And now it seemed to her that anyone might be
+justified in holding him demented, so reckless was his utterance.
+
+It was difficult to know him as the man who had loved her so
+devotedly, who was incapable of an unkind word or look.
+
+'If that is what you prefer,' she said, 'there must be a formal
+separation. I can't trust my future to your caprice.'
+
+'You mean it must be put into the hands of a lawyer?'
+
+'Yes, I do.'
+
+'That will be the best, no doubt.'
+
+'Very well; I will speak with my friends about it.'
+
+'Your friends!' he exclaimed bitterly. 'But for those friends of
+yours, this would never have happened. I wish you had been alone
+in the world and penniless.'
+
+'A kind wish, all things considered.'
+
+'Yes, it is a kind wish. Then your marriage with me would have
+been binding; you would have known that my lot was yours, and the
+knowledge would have helped your weakness. I begin to see how
+much right there is on the side of those people who would keep
+women in subjection. You have been allowed to act with
+independence, and the result is that you have ruined my life and
+debased your own. If I had been strong enough to treat you as a
+child, and bid you follow me wherever my own fortunes led, it
+would have been as much better for you as for me. I was weak, and
+I suffer as all weak people do.'
+
+'You think it was my duty to share such a home as you have at
+present?'
+
+'You know it was. And if the choice had lain between that and
+earning your own livelihood you would have thought that even such
+a poor home might be made tolerable. There were possibilities in
+you of better things than will ever come out now.'
+
+There followed a silence. Amy sat with her eyes gloomily fixed on
+the carpet; Reardon looked about the room, but saw nothing. He
+had thrown his hat into a chair, and his fingers worked nervously
+together behind his back.
+
+'Will you tell me,' he said at length, 'how your position is
+regarded by these friends of yours? I don't mean your mother and
+brother, but the people who come to this house.'
+
+'I have not asked such people for their opinion.'
+
+'Still, I suppose some sort of explanation has been necessary in
+your intercourse with them. How have you represented your
+relations with me?'
+
+'I can't see that that concerns you.'
+
+'In a manner it does. Certainly it matters very little to me how
+I am thought of by people of this kind, but one doesn't like to
+be reviled without cause. Have you allowed it to be supposed that
+I have made life with me intolerable for you?'
+
+'No, I have not. You insult me by asking the question, but as you
+don't seem to understand feelings of that kind I may as well
+answer you simply.'
+
+'Then have you told them the truth? That I became so poor you
+couldn't live with me?'
+
+'I have never said that in so many words, but no doubt it is
+understood. It must be known also that you refused to take the
+step which might have helped you out of your difficulties.'
+
+'What step?'
+
+She reminded him of his intention to spend half a year in working
+at the seaside.
+
+'I had utterly forgotten it,' he returned with a mocking laugh.
+'That shows how ridiculous such a thing would have been.'
+
+'You are doing no literary work at all?' Amy asked.
+
+'Do you imagine that I have the peace of mind necessary for
+anything of that sort?'
+
+This was in a changed voice. It reminded her so strongly of her
+husband before his disasters that she could not frame a reply.
+
+'Do you think I am able to occupy myself with the affairs of
+imaginary people?'
+
+'I didn't necessarily mean fiction.'
+
+'That I can forget myself, then, in the study of literature?--I
+wonder whether you really think of me like that. How, in Heaven's
+name, do you suppose I spend my leisure time?'
+
+She made no answer.
+
+'Do you think I take this calamity as light-heartedly as you do,
+Amy?'
+
+'I am far from taking it light-heartedly.'
+
+'Yet you are in good health. I see no sign that you have
+suffered.'
+
+She kept silence. Her suffering had been slight enough, and
+chiefly due to considerations of social propriety; but she would
+not avow this, and did not like to make admission of it to
+herself. Before her friends she frequently affected to conceal a
+profound sorrow; but so long as her child was left to her she was
+in no danger of falling a victim to sentimental troubles.
+
+'And certainly I can't believe it,' he continued, 'now you
+declare your wish to be formally separated from me.'
+
+'I have declared no such wish.'
+
+'Indeed you have. If you can hesitate a moment about returning to
+me when difficulties are at an end, that tells me you would
+prefer final separation.'
+
+'I hesitate for this reason,' Amy said after reflecting. 'You are
+so very greatly changed from what you used to be, that I think it
+doubtful if I could live with you.'
+
+'Changed?--Yes, that is true, I am afraid. But how do you think
+this change will affect my behaviour to you?'
+
+'Remember how you have been speaking to me.'
+
+'And you think I should treat you brutally if you came into my
+power?'
+
+'Not brutally, in the ordinary sense of the word. But with faults
+of temper which I couldn't bear. I have my own faults. I can't
+behave as meekly as some women can.'
+
+It was a small concession, but Reardon made much of it.
+
+'Did my faults of temper give you any trouble during the first
+year of our married life?' he asked gently.
+
+'No,' she admitted.
+
+'They began to afflict you when I was so hard driven by
+difficulties that I needed all your sympathy, all your
+forbearance. Did I receive much of either from you, Amy?'
+
+'I think you did--until you demanded impossible things of me.'
+
+'It was always in your power to rule me. What pained me worst,
+and hardened me against you, was that I saw you didn't care to
+exert your influence. There was never a time when I could have
+resisted a word of yours spoken out of your love for me. But even
+then, I am afraid, you no longer loved me, and now--'
+
+He broke off, and stood watching her face.
+
+'Have you any love for me left?' burst from his lips, as if the
+words all but choked him in the utterance.
+
+Amy tried to shape some evasive answer, but could say nothing.
+
+'Is there ever so small a hope that I might win some love from
+you again?'
+
+'If you wish me to come and live with you when you go to Croydon
+I will do so.'
+
+'But that is not answering me, Amy.'
+
+'It's all I can say.'
+
+'Then you mean that you would sacrifice yourself out of--what?
+Out of pity for me, let us say.'
+
+'Do you wish to see Willie?' asked Amy, instead of replying.
+
+'No. It is you I have come to see. The child is nothing to me,
+compared with you. It is you, who loved me, who became my wife--
+you only I care about. Tell me you will try to be as you used to
+be. Give me only that hope, Amy; I will ask nothing except that,
+now.'
+
+'I can't say anything except that I will come to Croydon if you
+wish it.'
+
+'And reproach me always because you have to live in such a place,
+away from your friends, without a hope of the social success
+which was your dearest ambition?'
+
+Her practical denial that she loved him wrung this taunt from his
+anguished heart. He repented the words as soon as they were
+spoken.
+
+'What is the good?' exclaimed Amy in irritation, rising and
+moving away from him. 'How can I pretend that I look forward to
+such a life with any hope?'
+
+He stood in mute misery, inwardly cursing himself and his fate.
+
+'I have said I will come,' she continued, her voice shaken with
+nervous tension. 'Ask me or not, as you please, when you are
+ready to go there. I can't talk about it.'
+
+'I shall not ask you,' he replied. 'I will have no woman slave
+dragging out a weary life with me. Either you are my willing
+wife, or you are nothing to me.'
+
+'I am married to you, and that can't be undone. I repeat that I
+shan't refuse to obey you. I shall say no more.'
+
+She moved to a distance, and there seated herself, half turned
+from him.
+
+'I shall never ask you to come,' said Reardon, breaking a short
+silence. 'If our married life is ever to begin again it must be
+of your seeking. Come to me of your own will, and I shall never
+reject you. But I will die in utter loneliness rather than ask
+you again.'
+
+He lingered a few moments, watching her; she did not move. Then
+he took his hat, went in silence from the room, and left the
+house.
+
+It rained harder than before. As no trains were running at this
+hour, he walked in the direction where he would be likely to meet
+with an omnibus. But it was a long time before one passed which
+was any use to him. When he reached home he was in cheerless
+plight enough; to make things pleasanter, one of his boots had
+let in water abundantly.
+
+'The first sore throat of the season, no doubt,' he muttered to
+himself.
+
+Nor was he disappointed. By Tuesday the cold had firm grip of
+him. A day or two of influenza or sore throat always made him so
+weak that with difficulty he supported the least physical
+exertion; but at present he must go to his work at the hospital.
+Why stay at home? To what purpose spare himself? It was not as if
+life had any promise for him. He was a machine for earning so
+much money a week, and would at least give faithful work for his
+wages until the day of final breakdown.
+
+But, midway in the week, Carter discovered how ill his clerk was.
+
+'You ought to be in bed, my dear fellow, with gruel and mustard
+plasters and all the rest of it. Go home and take care of
+yourself--I insist upon it.'
+
+Before leaving the office, Reardon wrote a few lines to Biffen,
+whom he had visited on the Monday. 'Come and see me if you can. I
+am down with a bad cold, and have to keep in for the rest of the
+week. All the same, I feel far more cheerful. Bring a new chapter
+of your exhilarating romance.'
+
+
+
+CHAPTER XXVI. MARRIED WOMAN'S PROPERTY
+
+On her return from church that Sunday Mrs Edmund Yule was anxious
+to learn the result of the meeting between Amy and her husband.
+She hoped fervently that Amy's anomalous position would come to
+an end now that Reardon had the offer of something better than a
+mere clerkship. John Yule never ceased to grumble at his sister's
+permanence in the house, especially since he had learnt that the
+money sent by Reardon each month was not made use of; why it
+should not be applied for household expenses passed his
+understanding.
+
+'It seems to me,' he remarked several times, 'that the fellow
+only does his bare duty in sending it. What is it to anyone else
+whether he lives on twelve shillings a week or twelve pence? It
+is his business to support his wife; if he can't do that, to
+contribute as much to her support as possible. Amy's scruples are
+all very fine, if she could afford them; it's very nice to pay
+for your delicacies of feeling out of other people's pockets.'
+
+'There'll have to be a formal separation,' was the startling
+announcement with which Amy answered her mother's inquiry as to
+what had passed.
+
+'A separation? But, my dear--!'
+
+Mrs Yule could not express her disappointment and dismay.
+
+'We couldn't live together; it's no use trying.'
+
+'But at your age, Amy! How can you think of anything so shocking?
+And then, you know it will be impossible for him to make you a
+sufficient allowance.'
+
+'I shall have to live as well as I can on the seventy-five pounds
+a year. If you can't afford to let me stay with you for that, I
+must go into cheap lodgings in the country, like poor Mrs Butcher
+did.'
+
+This was wild talking for Amy. The interview had upset her, and
+for the rest of the day she kept apart in her own room. On the
+morrow Mrs Yule succeeded in eliciting a clear account of the
+conversation which had ended so hopelessly.
+
+'I would rather spend the rest of my days in the workhouse than
+beg him to take me back,' was Amy's final comment, uttered with
+the earnestness which her mother understood but too well.
+
+'But you are willing to go back, dear?'
+
+'I told him so.'
+
+'Then you must leave this to me. The Carters will let us know how
+things go on, and when it seems to be time I must see Edwin
+myself.'
+
+'I can't allow that. Anything you could say on your own account
+would be useless, and there is nothing to say from me.'
+
+Mrs Yule kept her own counsel. She had a full month before her
+during which to consider the situation, but it was clear to her
+that these young people must be brought together again. Her
+estimate of Reardon's mental condition had undergone a sudden
+change from the moment when she heard that a respectable post was
+within his reach; she decided that he was 'strange,' but then all
+men of literary talent had marked singularities, and doubtless
+she had been too hasty in interpreting the peculiar features
+natural to a character such as his.
+
+A few days later arrived the news of their relative's death at
+Wattleborough.
+
+This threw Mrs Yule into a commotion. At first she decided to
+accompany her son and be present at the funeral; after changing
+her mind twenty times, she determined not to go. John must send
+or bring back the news as soon as possible. That it would be of a
+nature sensibly to affect her own position, if not that of her
+children, she had little doubt; her husband had been the
+favourite brother of the deceased, and on that account there was
+no saying how handsome a legacy she might receive. She dreamt of
+houses in South Kensington, of social ambitions gratified even
+thus late.
+
+On the morning after the funeral came a postcard announcing
+John's return by a certain train, but no scrap of news was added.
+
+'Just like that irritating boy! We must go to the station to meet
+him. You'll come, won't you, Amy?'
+
+Amy readily consented, for she too had hopes, though
+circumstances blurred them. Mother and daughter were walking
+about the platform half an hour before the train was due; their
+agitation would have been manifest to anyone observing them. When
+at length the train rolled in and John was discovered, they
+pressed eagerly upon him.
+
+'Don't you excite yourself,' he said gruffly to his mother.
+'There's no reason whatever.'
+
+Mrs Yule glanced in dismay at Amy. They followed John to a cab,
+and took places with him.
+
+'Now don't be provoking, Jack. Just tell us at once.'
+
+'By all means. You haven't a penny.'
+
+'I haven't? You are joking, ridiculous boy!'
+
+'Never felt less disposed to, I assure you.'
+
+After staring out of the window for a minute or two, he at length
+informed Amy of the extent to which she profited by her uncle's
+decease, then made known what was bequeathed to himself. His
+temper grew worse every moment, and he replied savagely to each
+successive question concerning the other items of the will.
+
+'What have you to grumble about?' asked Amy, whose face was
+exultant notwithstanding the drawbacks attaching to her good
+fortune. 'If Uncle Alfred receives nothing at all, and mother has
+nothing, you ought to think yourself very lucky.'
+
+'It's very easy for you to say that, with your ten thousand.'
+
+'But is it her own?' asked Mrs Yule. 'Is it for her separate
+use?'
+
+'Of course it is. She gets the benefit of last year's Married
+Woman's Property Act. The will was executed in January this year,
+and I dare say the old curmudgeon destroyed a former one.
+
+'What a splendid Act of Parliament that is!' cried Amy. 'The only
+one worth anything that I ever heard of.'
+
+'But my dear--' began her mother, in a tone of protest. However,
+she reserved her comment for a more fitting time and place, and
+merely said: 'I wonder whether he had heard what has been going
+on?'
+
+'Do you think he would have altered his will if he had?' asked
+Amy with a smile of security.
+
+'Why the deuce he should have left you so much in any case is
+more than I can understand,' growled her brother. 'What's the use
+to me of a paltry thousand or two? It isn't enough to invest;
+isn't enough to do anything with.'
+
+'You may depend upon it your cousin Marian thinks her five
+thousand good for something,' said Mrs Yule. 'Who was at the
+funeral? Don't be so surly, Jack; tell us all about it. I'm sure
+if anyone has cause to be ill-tempered it's poor me.'
+
+Thus they talked, amid the rattle of the cab-wheels. By when they
+reached home silence had fallen upon them, and each one was
+sufficiently occupied with private thoughts.
+
+Mrs Yule's servants had a terrible time of it for the next few
+days. Too affectionate to turn her ill-temper against John and
+Amy, she relieved herself by severity to the domestic slaves, as
+an English matron is of course justified in doing. Her daughter's
+position caused her even more concern than before; she constantly
+lamented to herself: 'Oh, why didn't he die before she was
+married!'--in which case Amy would never have dreamt of wedding a
+penniless author. Amy declined to discuss the new aspect of
+things until twenty-four hours after John's return; then she
+said:
+
+'I shall do nothing whatever until the money is paid to me. And
+what I shall do then I don't know.'
+
+'You are sure to hear from Edwin,' opined Mrs Yule.
+
+'I think not. He isn't the kind of man to behave in that way.'
+
+'Then I suppose you are bound to take the first step?'
+
+'That I shall never do.'
+
+She said so, but the sudden happiness of finding herself wealthy
+was not without its softening effect on Amy's feelings. Generous
+impulses alternated with moods of discontent. The thought of her
+husband in his squalid lodgings tempted her to forget injuries
+and disillusions, and to play the part of a generous wife. It
+would be possible now for them to go abroad and spend a year or
+two in healthful travel; the result in Reardon's case might be
+wonderful. He might recover all the energy of his imagination,
+and resume his literary career from the point he had reached at
+the time of his marriage.
+
+On the other hand, was it not more likely that he would lapse
+into a life of scholarly self-indulgence, such as he had often
+told her was his ideal? In that event, what tedium and regret lay
+before her! Ten thousand pounds sounded well, but what did it
+represent in reality? A poor four hundred a year, perhaps; mere
+decency of obscure existence, unless her husband could glorify it
+by winning fame. If he did nothing, she would be the wife of a
+man who had failed in literature. She would not be able to take a
+place in society. Life would be supported without struggle;
+nothing more to be hoped.
+
+This view of the future possessed her strongly when, on the
+second day, she went to communicate her news to Mrs Carter. This
+amiable lady had now become what she always desired to be, Amy's
+intimate friend; they saw each other very frequently, and
+conversed of most things with much frankness. It was between
+eleven and twelve in the morning when Amy paid her visit, and she
+found Mrs Carter on the point of going out.
+
+'I was coming to see you,' cried Edith. 'Why haven't you let me
+know of what has happened?'
+
+'You have heard, I suppose?'
+
+'Albert heard from your brother.'
+
+'I supposed he would. And I haven't felt in the mood for talking
+about it, even with you.'
+
+They went into Mrs Carter's boudoir, a tiny room full of such
+pretty things as can be purchased nowadays by anyone who has a
+few shillings to spare, and tolerable taste either of their own
+or at second-hand. Had she been left to her instincts, Edith
+would have surrounded herself with objects representing a much
+earlier stage of artistic development; but she was quick to
+imitate what fashion declared becoming. Her husband regarded her
+as a remarkable authority in all matters of personal or domestic
+ornamentation.
+
+'And what are you going to do?' she inquired, examining Amy from
+head to foot, as if she thought that the inheritance of so
+substantial a sum must have produced visible changes in her
+friend.
+
+'I am going to do nothing.'
+
+'But surely you're not in low spirits?'
+
+'What have I to rejoice about?'
+
+They talked for a while before Amy brought herself to utter what
+she was thinking.
+
+'Isn't it a most ridiculous thing that married people who both
+wish to separate can't do so and be quite free again?'
+
+'I suppose it would lead to all sorts of troubles--don't you
+think?'
+
+'So people say about every new step in civilisation. What would
+have been thought twenty years ago of a proposal to make all
+married women independent of their husbands in money matters? All
+sorts of absurd dangers were foreseen, no doubt. And it's the
+same now about divorce. In America people can get divorced if
+they don't suit each other--at all events in some of the States--
+and does any harm come of it? Just the opposite I should think.'
+
+Edith mused. Such speculations were daring, but she had grown
+accustomed to think of Amy as an 'advanced' woman, and liked to
+imitate her in this respect.
+
+'It does seem reasonable,' she murmured.
+
+'The law ought to encourage such separations, instead of
+forbidding them,' Amy pursued. 'If a husband and wife find that
+they have made a mistake, what useless cruelty it is to condemn
+them to suffer the consequences for the whole of their lives!'
+
+'I suppose it's to make people careful,' said Edith, with a
+laugh.
+
+'If so, we know that it has always failed, and always will fail;
+so the sooner such a profitless law is altered the better. Isn't
+there some society for getting that kind of reform? I would
+subscribe fifty pounds a year to help it. Wouldn't you?'
+
+'Yes, if I had it to spare,' replied the other.
+
+Then they both laughed, but Edith the more naturally.
+
+'Not on my own account, you know,' she added.
+
+'It's because women who are happily married can't and won't
+understand the position of those who are not that there's so much
+difficulty in reforming marriage laws.'
+
+'But I understand you, Amy, and I grieve about you. What you are
+to do I can't think.'
+
+'Oh, it's easy to see what I shall do. Of course I have no choice
+really. And I ought to have a choice; that's the hardship and the
+wrong of it. Perhaps if I had, I should find a sort of pleasure
+in sacrificing myself.'
+
+There were some new novels on the table; Amy took up a volume
+presently, and glanced over a page or two.
+
+'I don't know how you can go on reading that sort of stuff, book
+after book,' she exclaimed.
+
+'Oh, but people say this last novel of Markland's is one of his
+best.'
+
+'Best or worst, novels are all the same. Nothing but love, love,
+love; what silly nonsense it is! Why don't people write about the
+really important things of life? Some of the French novelists do;
+several of Balzac's, for instance. I have just been reading his
+"Cousin Pons," a terrible book, but I enjoyed it ever so much
+because it was nothing like a love story. What rubbish is printed
+about love!'
+
+'I get rather tired of it sometimes,' admitted Edith with
+amusement.
+
+'I should hope you do, indeed. What downright lies are accepted
+as indisputable! That about love being a woman's whole life; who
+believes it really? Love is the most insignificant thing in most
+women's lives. It occupies a few months, possibly a year or two,
+and even then I doubt if it is often the first consideration.'
+
+Edith held her head aside, and pondered smilingly.
+
+'I'm sure there's a great opportunity for some clever novelist
+who will never write about love at all.'
+
+'But then it does come into life.'
+
+'Yes, for a month or two, as I say. Think of the biographies of
+men and women; how many pages are devoted to their love affairs?
+Compare those books with novels which profess to be biographies,
+and you see how false such pictures are. Think of the very words
+"novel," "romance"--what do they mean but exaggeration of one bit
+of life?'
+
+'That may be true. But why do people find the subject so
+interesting?'
+
+'Because there is so little love in real life. That's the truth
+of it. Why do poor people care only for stories about the rich?
+The same principle.'
+
+'How clever you are, Amy!'
+
+'Am I? It's very nice to be told so. Perhaps I have some
+cleverness of a kind; but what use is it to me? My life is being
+wasted. I ought to have a place in the society of clever people.
+I was never meant to live quietly in the background. Oh, if I
+hadn't been in such a hurry, and so inexperienced!'
+
+'Oh, I wanted to ask you,' said Edith, soon after this. 'Do you
+wish Albert to say anything about you--at the hospital?'
+
+'There's no reason why he shouldn't.'
+
+'You won't even write to say--?'
+
+'I shall do nothing.'
+
+Since the parting from her husband, there had proceeded in Amy a
+noticeable maturing of intellect. Probably the one thing was a
+consequence of the other. During that last year in the flat her
+mind was held captive by material cares, and this arrest of her
+natural development doubtless had much to do with the appearance
+of acerbity in a character which had displayed so much sweetness,
+so much womanly grace. Moreover, it was arrest at a critical
+point. When she fell in love with Edwin Reardon her mind had
+still to undergo the culture of circumstances; though a woman in
+years she had seen nothing of life but a few phases of artificial
+society, and her education had not progressed beyond the final
+schoolgirl stage. Submitting herself to Reardon's influence, she
+passed through what was a highly useful training of the
+intellect; but with the result that she became clearly conscious
+of the divergence between herself and her husband. In
+endeavouring to imbue her with his own literary tastes, Reardon
+instructed Amy as to the natural tendencies of her mind, which
+till then she had not clearly understood. When she ceased to read
+with the eyes of passion, most of the things which were Reardon's
+supreme interests lost their value for her. A sound intelligence
+enabled her to think and feel in many directions, but the special
+line of her growth lay apart from that in which the novelist and
+classical scholar had directed her.
+
+When she found herself alone and independent, her mind acted like
+a spring when pressure is removed. After a few weeks of
+desoeuvrement she obeyed the impulse to occupy herself with a
+kind of reading alien to Reardon's sympathies. The solid
+periodicals attracted her, and especially those articles which
+dealt with themes of social science. Anything that savoured of
+newness and boldness in philosophic thought had a charm for her
+palate. She read a good deal of that kind of literature which may
+be defined as specialism popularised; writing which addresses
+itself to educated, but not strictly studious, persons, and which
+forms the reservoir of conversation for society above the sphere
+of turf and west-endism. Thus, for instance, though she could not
+undertake the volumes of Herbert Spencer, she was intelligently
+acquainted with the tenor of their contents; and though she had
+never opened one of Darwin's books, her knowledge of his main
+theories and illustrations was respectable. She was becoming a
+typical woman of the new time, the woman who has developed
+concurrently with journalistic enterprise.
+
+Not many days after that conversation with Edith Carter, she had
+occasion to visit Mudie's, for the new number of some periodical
+which contained an appetising title. As it was a sunny and warm
+day she walked to New Oxford Street from the nearest Metropolitan
+station. Whilst waiting at the library counter, she heard a
+familiar voice in her proximity; it was that of Jasper Milvain,
+who stood talking with a middle-aged lady. As Amy turned to look
+at him his eye met hers; clearly he had been aware of her. The
+review she desired was handed to her; she moved aside, and turned
+over the pages. Then Milvain walked up.
+
+He was armed cap-a-pie in the fashions of suave society; no
+Bohemianism of garb or person, for Jasper knew he could not
+afford that kind of economy. On her part, Amy was much better
+dressed than usual, a costume suited to her position of bereaved
+heiress.
+
+'What a time since we met!' said Jasper, taking her delicately
+gloved hand and looking into her face with his most effective
+smile.
+
+'And why?' asked Amy.
+
+'Indeed, I hardly know. I hope Mrs Yule is well?'
+
+'Quite, thank you.'
+
+It seemed as if he would draw back to let her pass, and so make
+an end of the colloquy. But Amy, though she moved forward, added
+a remark:
+
+'I don't see your name in any of this month's magazines.'
+
+'I have nothing signed this month. A short review in The Current,
+that's all.'
+
+'But I suppose you write as much as ever?'
+
+'Yes; but chiefly in weekly papers just now. You don't see the
+Will-o'-the-Wisp?'
+
+'Oh yes. And I think I can generally recognise your hand.'
+
+They issued from the library.
+
+'Which way are you going?' Jasper inquired, with something more
+of the old freedom.
+
+'I walked from Gower Street station, and I think, as it's so
+fine, I shall walk back again.'
+
+He accompanied her. They turned up Museum Street, and Amy, after
+a short silence, made inquiry concerning his sisters.
+
+'I am sorry I saw them only once, but no doubt you thought it
+better to let the acquaintance end there.'
+
+'I really didn't think of it in that way at all,' Jasper
+replied.'We naturally understood it so, when you even ceased to
+call, yourself.'
+
+'But don't you feel that there would have been a good deal of
+awkwardness in my coming to Mrs Yule's?'
+
+'Seeing that you looked at things from my husband's point of
+view?'
+
+'Oh, that's a mistake! I have only seen your husband once since
+he went to Islington.'
+
+Amy gave him a look of surprise.
+
+'You are not on friendly terms with him?'
+
+'Well, we have drifted apart. For some reason he seemed to think
+that my companionship was not very profitable. So it was better,
+on the whole, that I should see neither you nor him.'
+
+Amy was wondering whether he had heard of her legacy. He might
+have been informed by a Wattleborough correspondent, even if no
+one in London had told him.
+
+'Do your sisters keep up their friendship with my cousin Marian?'
+she asked, quitting the previous difficult topic.
+
+'Oh yes!' He smiled. 'They see a great deal of each other.'
+
+'Then of course you have heard of my uncle's death?'
+
+'Yes. I hope all your difficulties are now at an end.'
+
+Amy delayed a moment, then said: 'I hope so,' without any
+emphasis.
+
+'Do you think of spending this winter abroad?'
+
+It was the nearest he could come to a question concerning the
+future of Amy and her husband.
+
+'Everything is still quite uncertain. But tell me something about
+our old acquaintances. How does Mr Biffen get on?'
+
+'I scarcely ever see him, but I think he pegs away at an
+interminable novel, which no one will publish when it's done.
+Whelpdale I meet occasionally.'
+
+He talked of the latter's projects and achievements in a lively
+strain.
+
+'Your own prospects continue to brighten, no doubt,' said Amy.
+
+'I really think they do. Things go fairly well. And I have lately
+received a promise of very valuable help.'
+
+'From whom?'
+
+'A relative of yours.'
+
+Amy turned to interrogate him with a look.
+
+'A relative? You mean--?'
+
+'Yes; Marian.'
+
+They were passing Bedford Square. Amy glanced at the trees, now
+almost bare of foliage; then her eyes met Jasper's, and she
+smiled significantly.
+
+'I should have thought your aim would have been far more
+ambitious,' she said, with distinct utterance.
+
+'Marian and I have been engaged for some time--practically.'
+
+'Indeed? I remember now how you once spoke of her. And you will
+be married soon?'
+
+'Probably before the end of the year. I see that you are
+criticising my motives. I am quite prepared for that in everyone
+who knows me and the circumstances. But you must remember that I
+couldn't foresee anything of this kind. It enables us to marry
+sooner, that's all.'
+
+'I am sure your motives are unassailable,' replied Amy, still
+with a smile. 'I imagined that you wouldn't marry for years, and
+then some distinguished person. This throws new light upon your
+character.'
+
+'You thought me so desperately scheming and cold-blooded?'
+
+'Oh dear no! But--well, to be sure, I can't say that I know
+Marian. I haven't seen her for years and years. She may be
+admirably suited to you.'
+
+'Depend upon it, I think so.'
+
+'She's likely to shine in society? She is a brilliant girl, full
+of tact and insight?'
+
+'Scarcely all that, perhaps.'
+
+He looked dubiously at his companion.
+
+'Then you have abandoned your old ambitions?' Amy pursued.
+
+'Not a bit of it. I am on the way to achieve them.'
+
+'And Marian is the ideal wife to assist you?'
+
+'From one point of view, yes. Pray, why all this ironic
+questioning?'
+
+'Not ironic at all.'
+
+'It sounded very much like it, and I know from of old that you
+have a tendency that way.'
+
+'The news surprised me a little, I confess. But I see that I am
+in danger of offending you.'
+
+'Let us wait another five years, and then I will ask your opinion
+as to the success of my marriage. I don't take a step of this
+kind without maturely considering it. Have I made many blunders
+as yet?'
+
+'As yet, not that I know of.'
+
+'Do I impress you as one likely to commit follies?'
+
+'I had rather wait a little before answering that.'
+
+'That is to say, you prefer to prophesy after the event. Very
+well, we shall see.'
+
+In the length of Gower Street they talked of several other things
+less personal. By degrees the tone of their conversation had
+become what it was used to be, now and then almost confidential.
+
+'You are still at the same lodgings?' asked Amy, as they drew
+near to the railway station.
+
+'I moved yesterday, so that the girls and I could be under the
+same roof--until the next change.'
+
+'You will let us know when that takes place?'
+
+He promised, and with exchange of smiles which were something
+like a challenge they took leave of each other.
+
+
+
+CHAPTER XXVII. THE LONELY MAN
+
+A touch of congestion in the right lung was a warning to Reardon
+that his half-year of insufficient food and general waste of
+strength would make the coming winter a hard time for him, worse
+probably than the last. Biffen, responding in person to the
+summons, found him in bed, waited upon by a gaunt, dry,
+sententious woman of sixty--not the landlady, but a lodger who
+was glad to earn one meal a day by any means that offered.
+
+'It wouldn't be very nice to die here, would it?' said the
+sufferer, with a laugh which was cut short by a cough. 'One would
+like a comfortable room, at least. Why, I don't know. I dreamt
+last night that I was in a ship that had struck something and was
+going down; and it wasn't the thought of death that most
+disturbed me, but a horror of being plunged in the icy water. In
+fact, I have had just the same feeling on shipboard. I remember
+waking up midway between Corfu and Brindisi, on that shaky tub of
+a Greek boat; we were rolling a good deal, and I heard a sort of
+alarmed rush and shouting up on deck. It was so warm and
+comfortable in the berth, and I thought with intolerable horror
+of the possibility of sousing into the black depths.'
+
+'Don't talk, my boy,' advised Biffen. 'Let me read you the new
+chapter of "Mr Bailey." It may induce a refreshing slumber.'
+
+Reardon was away from his duties for a week; he returned to them
+with a feeling of extreme shakiness, an indisposition to exert
+himself, and a complete disregard of the course that events were
+taking. It was fortunate that he had kept aside that small store
+of money designed for emergencies; he was able to draw on it now
+to pay his doctor, and provide himself with better nourishment
+than usual. He purchased new boots, too, and some articles of
+warm clothing of which he stood in need--an alarming outlay.
+
+A change had come over him; he was no longer rendered miserable
+by thoughts of Amy--seldom, indeed, turned his mind to her at
+all. His secretaryship at Croydon was a haven within view; the
+income of seventy-five pounds (the other half to go to his wife)
+would support him luxuriously, and for anything beyond that he
+seemed to care little. Next Sunday he was to go over to Croydon
+and see the institution.
+
+One evening of calm weather he made his way to Clipstone Street
+and greeted his friend with more show of light-heartedness than
+he had been capable of for at least two years.
+
+'I have been as nearly as possible a happy man all to-day,' he
+said, when his pipe was well lit. 'Partly the sunshine, I
+suppose. There's no saying if the mood will last, but if it does
+all is well with me. I regret nothing and wish for nothing.'
+
+'A morbid state of mind,' was Biffen's opinion.
+
+'No doubt of that, but I am content to be indebted to morbidness.
+One must have a rest from misery somehow. Another kind of man
+would have taken to drinking; that has tempted me now and then, I
+assure you. But I couldn't afford it. Did you ever feel tempted
+to drink merely for the sake of forgetting trouble?'
+
+'Often enough. I have done it. I have deliberately spent a
+certain proportion of the money that ought to have gone for food
+in the cheapest kind of strong liquor.'
+
+'Ha! that's interesting. But it never got the force of a habit
+you had to break?'
+
+'No. Partly, I dare say, because I had the warning of poor Sykes
+before my eyes.'
+
+'You never see that poor fellow?'
+
+'Never. He must be dead, I think. He would die either in the
+hospital or the workhouse.'
+
+'Well,' said Reardon, musing cheerfully, 'I shall never become a
+drunkard; I haven't that diathesis, to use your expression.
+Doesn't it strike you that you and I are very respectable
+persons? We really have no vices. Put us on a social pedestal,
+and we should be shining lights of morality. I sometimes wonder
+at our inoffensiveness. Why don't we run amuck against law and
+order? Why, at the least, don't we become savage revolutionists,
+and harangue in Regent's Park of a Sunday?'
+
+'Because we are passive beings, and were meant to enjoy life very
+quietly. As we can't enjoy, we just suffer quietly, that's all.
+By-the-bye, I want to talk about a difficulty in one of the
+Fragments of Euripides. Did you ever go through the Fragments?'
+
+This made a diversion for half an hour. Then Reardon returned to
+his former line of thought.
+
+'As I was entering patients yesterday, there came up to the table
+a tall, good-looking, very quiet girl, poorly dressed, but as
+neat as could be. She gave me her name, then I asked
+"Occupation?" She said at once, "I'm unfortunate, sir." I
+couldn't help looking up at her in surprise; I had taken it for
+granted she was a dressmaker or something of the kind. And, do
+you know, I never felt so strong an impulse to shake hands, to
+show sympathy, and even respect, in some way. I should have liked
+to say, "Why, I am unfortunate, too!" such a good, patient face
+she had.'
+
+'I distrust such appearances,' said Biffen in his quality of
+realist.
+
+'Well, so do I, as a rule. But in this case they were convincing.
+And there was no need whatever for her to make such a
+declaration; she might just as well have said anything else; it's
+the merest form. I shall always hear her voice saying, "I'm
+unfortunate, sir." She made me feel what a mistake it was for me
+to marry such a girl as Amy. I ought to have looked about for
+some simple, kind-hearted work-girl; that was the kind of wife
+indicated for me by circumstances. If I had earned a hundred a
+year she would have thought we were well-to-do. I should have
+been an authority to her on everything under the sun--and above
+it. No ambition would have unsettled her. We should have lived in
+a couple of poor rooms somewhere, and--we should have loved each
+other.'
+
+'What a shameless idealist you are!' said Biffen, shaking his
+head. 'Let me sketch the true issue of such a marriage. To begin
+with, the girl would have married you in firm persuasion that you
+were a "gentleman" in temporary difficulties, and that before
+long you would have plenty of money to dispose of. Disappointed
+in this hope, she would have grown sharp-tempered, querulous,
+selfish. All your endeavours to make her understand you would
+only have resulted in widening the impassable gulf. She would
+have misconstrued your every sentence, found food for suspicion
+in every harmless joke, tormented you with the vulgarest forms of
+jealousy. The effect upon your nature would have been degrading.
+In the end, you must have abandoned every effort to raise her to
+your own level, and either have sunk to hers or made a rupture.
+Who doesn't know the story of such attempts? I myself ten years
+ago, was on the point of committing such a folly, but, Heaven be
+praised! an accident saved me.'
+
+'You never told me that story.'
+
+'And don't care to now. I prefer to forget it.'
+
+'Well, you can judge for yourself but not for me. Of course I
+might have chosen the wrong girl, but I am supposing that I had
+been fortunate. In any case there would have been a much better
+chance than in the marriage that I made.'
+
+'Your marriage was sensible enough, and a few years hence you
+will be a happy man again.'
+
+'You seriously think Amy will come back to me?'
+
+'Of course I do.'
+
+'Upon my word, I don't know that I desire it.'
+
+'Because you are in a strangely unhealthy state.'
+
+'I rather think I regard the matter more sanely than ever yet. I
+am quite free from sexual bias. I can see that Amy was not my fit
+intellectual companion, and all emotion at the thought of her has
+gone from me. The word "love" is a weariness to me. If only our
+idiotic laws permitted us to break the legal bond, how glad both
+of us would be!'
+
+'You are depressed and anaemic. Get yourself in flesh, and view
+things like a man of this world.'
+
+'But don't you think it the best thing that can happen to a man
+if he outgrows passion?'
+
+'In certain circumstances, no doubt.'
+
+'In all and any. The best moments of life are those when we
+contemplate beauty in the purely artistic spirit--objectively. I
+have had such moments in Greece and Italy; times when I was a
+free spirit, utterly remote from the temptations and harassings
+of sexual emotion. What we call love is mere turmoil. Who
+wouldn't release himself from it for ever, if the possibility
+offered?'
+
+'Oh, there's a good deal to be said for that, of course.'
+
+Reardon's face was illumined with the glow of an exquisite
+memory.
+
+'Haven't I told you,' he said, 'of that marvellous sunset at
+Athens? I was on the Pnyx; had been rambling about there the
+whole afternoon. For I dare say a couple of hours I had noticed a
+growing rift of light in the clouds to the west; it looked as if
+the dull day might have a rich ending. That rift grew broader and
+brighter--the only bit of light in the sky. On Parnes there were
+white strips of ragged mist, hanging very low; the same on
+Hymettus, and even the peak of Lycabettus was just hidden. Of a
+sudden, the sun's rays broke out. They showed themselves first in
+a strangely beautiful way, striking from behind the seaward hills
+through the pass that leads to Eleusis, and so gleaming on the
+nearer slopes of Aigaleos, making the clefts black and the
+rounded parts of the mountain wonderfully brilliant with golden
+colour. All the rest of the landscape, remember, was untouched
+with a ray of light. This lasted only a minute or two, then the
+sun itself sank into the open patch of sky and shot glory in
+every direction; broadening beams smote upwards over the dark
+clouds, and made them a lurid yellow. To the left of the sun, the
+gulf of Aegina was all golden mist, the islands floating in it
+vaguely. To the right, over black Salamis, lay delicate strips of
+pale blue--indescribably pale and delicate.'
+
+'You remember it very clearly.'
+
+'As if I saw it now! But wait. I turned eastward, and there to my
+astonishment was a magnificent rainbow, a perfect semicircle,
+stretching from the foot of Parnes to that of Hymettus, framing
+Athens and its hills, which grew brighter and brighter--the
+brightness for which there is no name among colours. Hymettus was
+of a soft misty warmth, a something tending to purple, its ridges
+marked by exquisitely soft and indefinite shadows, the rainbow
+coming right down in front. The Acropolis simply glowed and
+blazed. As the sun descended all these colours grew richer and
+warmer; for a moment the landscape was nearly crimson. Then
+suddenly the sun passed into the lower stratum of cloud, and the
+splendour died almost at once, except that there remained the
+northern half of the rainbow, which had become double. In the
+west, the clouds were still glorious for a time; there were two
+shaped like great expanded wings, edged with refulgence.'
+
+'Stop!' cried Biffen, 'or I shall clutch you by the throat. I
+warned you before that I can't stand those reminiscences.'
+
+'Live in hope. Scrape together twenty pounds, and go there, if
+you die of hunger afterwards.'
+
+'I shall never have twenty shillings,' was the despondent answer.
+
+'I feel sure you will sell "Mr Bailey."'
+
+'It's kind of you to encourage me; but if "Mr Bailey" is ever
+sold I don't mind undertaking to eat my duplicate of the proofs.'
+
+'But now, you remember what led me to that. What does a man care
+for any woman on earth when he is absorbed in contemplation of
+that kind?'
+
+'But it is only one of life's satisfactions.'
+
+'I am only maintaining that it is the best, and infinitely
+preferable to sexual emotion. It leaves, no doubt, no bitterness
+of any kind. Poverty can't rob me of those memories. I have lived
+in an ideal world that was not deceitful, a world which seems to
+me, when I recall it, beyond the human sphere, bathed in diviner
+light.'
+
+It was four or five days after this that Reardon, on going to his
+work in City Road, found a note from Carter. It requested him to
+call at the main hospital at half-past eleven the next morning.
+He supposed the appointment had something to do with his business
+at Croydon, whither he had been in the mean time. Some
+unfavourable news, perhaps; any misfortune was likely.
+
+He answered the summons punctually, and on entering the general
+office was requested by the clerk to wait in Mr Carter's private
+room; the secretary had not yet arrived. His waiting lasted some
+ten minutes, then the door opened and admitted, not Carter, but
+Mrs Edmund Yule.
+
+Reardon stood up in perturbation. He was anything but prepared,
+or disposed, for an interview with this lady. She came towards
+him with hand extended and a countenance of suave friendliness.
+
+'I doubted whether you would see me if I let you know,' she said.
+'Forgive me this little bit of scheming, will you? I have
+something so very important to speak to you about.'
+
+He said nothing, but kept a demeanour of courtesy.
+
+'I think you haven't heard from Amy?' Mrs Yule asked.
+
+'Not since I saw her.'
+
+'And you don't know what has come to pass?'
+
+'I have heard of nothing.'
+
+'I am come to see you quite on my own responsibility, quite. I
+took Mr Carter into my confidence, but begged him not to let Mrs
+Carter know, lest she should tell Amy; I think he will keep his
+promise. It seemed to me that it was really my duty to do
+whatever I could in these sad, sad circumstances.'
+
+Reardon listened respectfully, but without sign of feeling.
+
+'I had better tell you at once that Amy's uncle at Wattleborough
+is dead, and that in his will he has bequeathed her ten thousand
+pounds.'
+
+Mrs Yule watched the effect of this. For a moment none was
+visible, but she saw at length that Reardon's lips trembled and
+his eyebrows twitched.
+
+'I am glad to hear of her good fortune,' he said distantly and in
+even tones.
+
+'You will feel, I am sure,' continued his mother-in-law, 'that
+this must put an end to your most unhappy differences.'
+
+'How can it have that result?'
+
+'It puts you both in a very different position, does it not? But
+for your distressing circumstances, I am sure there would never
+have been such unpleasantness--never. Neither you nor Amy is the
+kind of person to take a pleasure in disagreement. Let me beg you
+to go and see her again. Everything is so different now. Amy has
+not the faintest idea that I have come to see you, and she
+mustn't on any account be told, for her worst fault is that
+sensitive pride of hers. And I'm sure you won't be offended,
+Edwin, if I say that you have very much the same failing. Between
+two such sensitive people differences might last a lifetime,
+unless one could be persuaded to take the first step. Do be
+generous! A woman is privileged to be a little obstinate, it is
+always said. Overlook the fault, and persuade her to let bygones
+be bygones.'
+
+There was an involuntary affectedness in Mrs Yule's speech which
+repelled Reardon. He could not even put faith in her assurance
+that Amy knew nothing of this intercession. In any case it was
+extremely distasteful to him to discuss such matters with Mrs
+Yule.
+
+'Under no circumstances could I do more than I already have
+done,' he replied. 'And after what you have told me, it is
+impossible for me to go and see her unless she expressly invites
+me.'
+
+'Oh, if only you would overcome this sensitiveness!'
+
+'It is not in my power to do so. My poverty, as you justly say,
+was the cause of our parting; but if Amy is no longer poor, that
+is very far from a reason why I should go to her as a suppliant
+for forgiveness.'
+
+'But do consider the facts of the case, independently of feeling.
+
+I really think I don't go too far in saying that at least some--
+some provocation was given by you first of all. I am so very,
+very far from wishing to say anything disagreeable--I am sure you
+feel that--but wasn't there some little ground for complaint on
+Amy's part? Wasn't there, now?'
+
+Reardon was tortured with nervousness. He wished to be alone, to
+think over what had happened, and Mrs Yule's urgent voice rasped
+upon his ears. Its very smoothness made it worse.
+
+'There may have been ground for grief and concern,' he answered,
+'but for complaint, no, I think not.'
+
+'But I understand'--the voice sounded rather irritable now--'that
+you positively reproached and upbraided her because she was
+reluctant to go and live in some very shocking place.'
+
+'I may have lost my temper after Amy had shown-- But I can't
+review our troubles in this way.'
+
+'Am I to plead in vain?'
+
+'I regret very much that I can't possibly do as you wish. It is
+all between Amy and myself. Interference by other people cannot
+do any good.'
+
+'I am sorry you should use such a word as "interference,"'
+replied Mrs Yule, bridling a little. 'Very sorry, indeed. I
+confess it didn't occur to me that my good-will to you could be
+seen in that light.'
+
+'Believe me that I didn't use the word offensively.'
+
+'Then you refuse to take any step towards a restoration of good
+feeling?'
+
+'I am obliged to, and Amy would understand perfectly why I say
+so.'
+
+His earnestness was so unmistakable that Mrs Yule had no choice
+but to rise and bring the interview to an end. She commanded
+herself sufficiently to offer a regretful hand.
+
+'I can only say that my daughter is very, very unfortunate.'
+
+Reardon lingered a little after her departure, then left the
+hospital and walked at a rapid pace in no particular direction.
+
+Ah! if this had happened in the first year of his marriage, what
+more blessed man than he would have walked the earth! But it came
+after irreparable harm. No amount of wealth could undo the ruin
+caused by poverty.
+
+It was natural for him, as soon as he could think with
+deliberation, to turn towards his only friend. But on calling at
+the house in Clipstone Street he found the garret empty, and no
+one could tell him when its occupant was likely to be back. He
+left a note, and made his way back to Islington. The evening had
+to be spent at the hospital, but on his return Biffen sat waiting
+for him.
+
+'You called about twelve, didn't you?' the visitor inquired.
+
+'Half-past.'
+
+'I was at the police-court. Odd thing--but it always happens so--
+that I should have spoken of Sykes the other night. Last night I
+came upon a crowd in Oxford Street, and the nucleus of it was no
+other than Sykes himself very drunk and disorderly, in the grip
+of two policemen. Nothing could be done for him; I was useless as
+bail; he e'en had to sleep in the cell. But I went this morning
+to see what would become of him. Such a spectacle when they
+brought him forward! It was only five shillings fine, and to my
+astonishment he produced the money. I joined him outside--it
+required a little courage--and had a long talk with him. He's
+writing a London Letter for some provincial daily, and the first
+payment had thrown him off his balance.'
+
+Reardon laughed gaily, and made inquiries about the eccentric
+gentleman. Only when the subject was exhausted did he speak of
+his own concerns, relating quietly what he had learnt from Mrs
+Yule. Biffen's eyes widened.
+
+'So,' Reardon cried with exultation, 'there is the last burden
+off my mind! Henceforth I haven't a care! The only thing that
+still troubled me was my inability to give Amy enough to live
+upon. Now she is provided for in secula seculorum. Isn't this
+grand news?'
+
+'Decidedly. But if she is provided for, so are you.'
+
+'Biffen, you know me better. Could I accept a farthing of her
+money? This has made our coming together again for ever
+impossible, unless--unless dead things can come to life. I know
+the value of money, but I can't take it from Amy.'
+
+The other kept silence.
+
+'No! But now everything is well. She has her child, and can
+devote herself to bringing the boy up. And I--but I shall be rich
+on my own account. A hundred and fifty a year; it would be a
+farce to offer Amy her share of it. By all the gods of Olympus,
+we will go to Greece together, you and I!'
+
+'Pooh!'
+
+'I swear it! Let me save for a couple of years, and then get a
+good month's holiday, or more if possible, and, as Pallas Athene
+liveth! we shall find ourselves at Marseilles, going aboard some
+boat of the Messageries. I can't believe yet that this is true.
+Come, we will have a supper to-night. Come out into Upper Street,
+and let us eat, drink, and be merry!'
+
+'You are beside yourself. But never mind; let us rejoice by all
+means. There's every reason.'
+
+'That poor girl! Now, at last, she'll be at ease.'
+
+'Who?'
+
+'Amy, of course! I'm delighted on her account. Ah! but if it had
+come a long time ago, in the happy days! Then she, too, would
+have gone to Greece, wouldn't she? Everything in life comes too
+soon or too late. What it would have meant for her and for me!
+She would never have hated me then, never. Biffen, am I base or
+contemptible? She thinks so. That's how poverty has served me. If
+you had seen her, how she looked at me, when we met the other
+day, you would understand well enough why I couldn't live with
+her now, not if she entreated me to. That would make me base if
+you like. Gods! how ashamed I should be if I yielded to such a
+temptation! And once--'
+
+He had worked himself to such intensity of feeling that at length
+his voice choked and tears burst from his eyes.
+
+'Come out, and let us have a walk,' said Biffen.
+
+On leaving the house they found themselves in a thick fog,
+through which trickled drops of warm rain. Nevertheless, they
+pursued their purpose, and presently were seated in one of the
+boxes of a small coffee-shop. Their only companion in the place
+was a cab-driver, who had just finished a meal, and was now
+nodding into slumber over his plate and cup. Reardon ordered
+fried ham and eggs, the luxury of the poor, and when the
+attendant woman was gone away to execute the order, he burst into
+excited laughter.
+
+'Here we sit, two literary men! How should we be regarded by-- '
+
+He named two or three of the successful novelists of the day.
+
+'With what magnificent scorn they would turn from us and our
+squalid feast! They have never known struggle; not they. They are
+public-school men, University men, club men, society men. An
+income of less than three or four hundred a year is inconceivable
+to them; that seems the minimum for an educated man's support. It
+would be small-minded to think of them with rancour, but, by
+Apollo! I know that we should change places with them if the work
+we have done were justly weighed against theirs.'
+
+'What does it matter? We are different types of intellectual
+workers. I think of them savagely now and then, but only when
+hunger gets a trifle too keen. Their work answers a demand; ours-
+-or mine at all events--doesn't. They are in touch with the
+reading multitude; they have the sentiments of the respectable;
+they write for their class. Well, you had your circle of readers,
+and, if things hadn't gone against you, by this time you
+certainly could have counted on your three or four hundred a
+year.'
+
+'It's unlikely that I should ever have got more than two hundred
+pounds for a book; and, to have kept at my best, I must have been
+content to publish once every two or three years. The position
+was untenable with no private income. And I must needs marry a
+wife of dainty instincts! What astounding impudence! No wonder
+Fate pitched me aside into the gutter.'
+
+They ate their ham and eggs, and exhilarated themselves with a
+cup of chicory--called coffee. Then Biffen drew from the pocket
+of his venerable overcoat the volume of Euripides he had brought,
+and their talk turned once more to the land of the sun. Only when
+the coffee-shop was closed did they go forth again into the foggy
+street, and at the top of Pentonville Hill they stood for ten
+minutes debating a metrical effect in one of the Fragments.
+
+Day after day Reardon went about with a fever upon him. By
+evening his pulse was always rapid, and no extremity of weariness
+brought him a refreshing sleep. In conversation he seemed either
+depressed or excited, more often the latter. Save when attending
+to his duties at the hospital, he made no pretence of employing
+himself; if at home, he sat for hours without opening a book, and
+his walks, excepting when they led him to Clipstone Street, were
+aimless.
+
+The hours of postal delivery found him waiting in an anguish of
+suspense. At eight o'clock each morning he stood by his window,
+listening for the postman's knock in the street. As it approached
+he went out to the head of the stairs, and if the knock sounded
+at the door of his house, he leaned over the banisters, trembling
+in expectation. But the letter was never for him. When his
+agitation had subsided he felt glad of the disappointment, and
+laughed and sang.
+
+One day Carter appeared at the City Road establishment, and made
+an opportunity of speaking to his clerk in private.
+
+'I suppose,' he said with a smile, 'they'll have to look out for
+someone else at Croydon?'
+
+'By no means! The thing is settled. I go at Christmas.'
+
+'You really mean that?'
+
+'Undoubtedly.'
+
+Seeing that Reardon was not disposed even to allude to private
+circumstances, the secretary said no more, and went away
+convinced that misfortunes had turned the poor fellow's brain.
+
+Wandering in the city, about this time, Reardon encountered his
+friend the realist.
+
+'Would you like to meet Sykes?' asked Biffen. 'I am just going to
+see him.'
+
+'Where does he live?'
+
+'In some indiscoverable hole. To save fuel, he spends his
+mornings at some reading-rooms; the admission is only a penny,
+and there he can see all the papers and do his writing and enjoy
+a grateful temperature.'
+
+They repaired to the haunt in question. A flight of stairs
+brought them to a small room in which were exposed the daily
+newspapers; another ascent, and they were in a room devoted to
+magazines, chess, and refreshments; yet another, and they reached
+the department of weekly publications; lastly, at the top of the
+house, they found a lavatory, and a chamber for the use of those
+who desired to write. The walls of this last retreat were of blue
+plaster and sloped inwards from the floor; along them stood
+school desks with benches, and in one place was suspended a
+ragged and dirty card announcing that paper and envelopes could
+be purchased downstairs. An enormous basket full of waste-paper,
+and a small stove, occupied two corners; ink blotches, satirical
+designs, and much scribbling in pen and pencil served for mural
+adornment. From the adjacent lavatory came sounds of splashing
+and spluttering, and the busy street far below sent up its
+confused noises.
+
+Two persons only sat at the desks. One was a hunger-bitten, out-
+of-work clerk, evidently engaged in replying to advertisements;
+in front of him lay two or three finished letters, and on the
+ground at his feet were several crumpled sheets of note-paper,
+representing abortive essays in composition. The other man, also
+occupied with the pen, looked about forty years old, and was clad
+in a very rusty suit of tweeds; on the bench beside him lay a
+grey overcoat and a silk hat which had for some time been
+moulting. His face declared the habit to which he was a victim,
+but it had nothing repulsive in its lineaments and expression; on
+the contrary, it was pleasing, amiable, and rather quaint. At
+this moment no one would have doubted his sobriety. With
+coat-sleeve turned back, so as to give free play to his right
+hand and wrist, revealing meanwhile a flannel shirt of singular
+colour, and with his collar unbuttoned (he wore no tie) to leave
+his throat at ease as he bent myopically over the paper, he was
+writing at express speed, evidently in the full rush of the
+ardour of composition. The veins of his forehead were dilated,
+and his chin pushed forward in a way that made one think of a
+racing horse.
+
+'Are you too busy to talk?' asked Biffen, going to his side.
+
+'I am! Upon my soul I am!' exclaimed the other looking up in
+alarm. 'For the love of Heaven don't put me out! A quarter of an
+hour!'
+
+'All right. I'll come up again.'
+
+The friends went downstairs and turned over the papers.
+
+'Now let's try him again,' said Biffen, when considerably more
+than the requested time had elapsed. They went up, and found Mr
+Sykes in an attitude of melancholy meditation. He had turned back
+his coat sleeve, had buttoned his collar, and was eyeing the
+slips of completed manuscript. Biffen presented his companion,
+and Mr Sykes greeted the novelist with much geniality.
+
+'What do you think this is?' he exclaimed, pointing to his work.
+'The first instalment of my autobiography for the "Shropshire
+Weekly Herald." Anonymous, of course, but strictly veracious,
+with the omission of sundry little personal failings which are
+nothing to the point. I call it "Through the Wilds of Literary
+London." An old friend of mine edits the "Herald," and I'm
+indebted to him for the suggestion.'
+
+His voice was a trifle husky, but he spoke like a man of
+education.
+
+'Most people will take it for fiction. I wish I had inventive
+power enough to write fiction anything like it. I have published
+novels, Mr Reardon, but my experience in that branch of
+literature was peculiar --as I may say it has been in most others
+to which I have applied myself. My first stories were written for
+"The Young Lady's Favourite," and most remarkable productions
+they were, I promise you. That was fifteen years ago, in the days
+of my versatility. I could throw off my supplemental novelette of
+fifteen thousand words without turning a hair, and immediately
+after it fall to, fresh as a daisy, on the "Illustrated History
+of the United States," which I was then doing for Edward Coghlan.
+But presently I thought myself too good for the "Favourite"; in
+an evil day I began to write three-volume novels, aiming at
+reputation. It wouldn't do. I persevered for five years, and made
+about five failures. Then I went back to Bowring. "Take me on
+again, old man, will you?" Bowring was a man of few words; he
+said, "Blaze away, my boy." And I tried to. But it was no use; I
+had got out of the style; my writing was too literary by a long
+chalk. For a whole year I deliberately strove to write badly, but
+Bowring was so pained with the feebleness of my efforts that at
+last he sternly bade me avoid his sight. "What the devil," he
+roared one day, "do you mean by sending me stories about men and
+women? You ought to know better than that, a fellow of your
+experience!" So I had to give it up, and there was an end of my
+career as a writer of fiction.'
+
+He shook his head sadly.
+
+'Biffen,' he continued, 'when I first made his acquaintance, had
+an idea of writing for the working classes; and what do you think
+he was going to offer them? Stories about the working classes!
+Nay, never hang your head for it, old boy; it was excusable in
+the days of your youth. Why, Mr Reardon, as no doubt you know
+well enough, nothing can induce working men or women to read
+stories that treat of their own world. They are the most consumed
+idealists in creation, especially the women. Again and again
+work-girls have said to me: "Oh, I don't like that book; it's
+nothing but real life."'
+
+'It's the fault of women in general,' remarked Reardon.
+
+'So it is, but it comes out with delicious naivete in the working
+classes. Now, educated people like to read of scenes that are
+familiar to them, though I grant you that the picture must be
+idealised if you're to appeal to more than one in a thousand. The
+working classes detest anything that tries to represent their
+daily life. It isn't because that life is too painful; no, no;
+it's downright snobbishness. Dickens goes down only with the best
+of them, and then solely because of his strength in farce and his
+melodrama.'
+
+Presently the three went out together, and had dinner at an a la
+mode beef shop. Mr Sykes ate little, but took copious libations
+of porter at twopence a pint. When the meal was over he grew
+taciturn.
+
+'Can you walk westwards?' Biffen asked.
+
+'I'm afraid not, afraid not. In fact I have an appointment at
+two--at Aldgate station.'
+
+They parted from him.
+
+'Now he'll go and soak till he's unconscious,' said Biffen. 'Poor
+fellow! Pity he ever earns anything at all. The workhouse would
+be better, I should think.'
+
+'No, no! Let a man drink himself to death rather. I have a horror
+of the workhouse. Remember the clock at Marylebone I used to tell
+you about.'
+
+'Unphilosophic. I don't think I should be unhappy in the
+workhouse. I should have a certain satisfaction in the thought
+that I had forced society to support me. And then the absolute
+freedom from care! Why, it's very much the same as being a man of
+independent fortune.'
+
+It was about a week after this, midway in November, that there at
+length came to Manville Street a letter addressed in Amy's hand.
+It arrived at three one afternoon; Reardon heard the postman, but
+he had ceased to rush out on every such occasion, and to-day he
+was feeling ill. Lying upon the bed, he had just raised his head
+wearily when he became aware that someone was mounting to his
+room. He sprang up, his face and neck flushing.
+
+This time Amy began 'Dear Edwin'; the sight of those words made
+his brain swim.
+
+'You must, of course, have heard [she wrote] that my uncle John
+has left me ten thousand pounds. It has not yet come into my
+possession, and I had decided that I would not write to you till
+that happened, but perhaps you may altogether misunderstand my
+silence.
+
+'If this money had come to me when you were struggling so hard to
+earn a living for us, we should never have spoken the words and
+thought the thoughts which now make it so difficult for me to
+write to you. What I wish to say is that, although the property
+is legally my own, I quite recognise that you have a right to
+share in it. Since we have lived apart you have sent me far more
+than you could really afford, believing it your duty to do so;
+now that things are so different I wish you, as well as myself,
+to benefit by the change.
+
+'I said at our last meeting that I should be quite prepared to
+return to you if you took that position at Croydon. There is now
+no need for you to pursue a kind of work for which you are quite
+unfitted, and I repeat that I am willing to live with you as
+before. If you will tell me where you would like to make a new
+home I shall gladly agree. I do not think you would care to leave
+London permanently, and certainly I should not.
+
+'Please to let me hear from you as soon as possible. In writing
+like this I feel that I have done what you expressed a wish that
+I should do. I have asked you to put an end to our separation,
+and I trust that I have not asked in vain.
+
+'Yours always,
+
+'AMY REARDON.'
+
+The letter fell from his hand. It was such a letter as he might
+have expected, but the beginning misled him, and as his agitation
+throbbed itself away he suffered an encroachment of despair which
+made him for a time unable to move or even think.
+
+His reply, written by the dreary twilight which represented
+sunset, ran thus.
+
+'Dear Amy,--I thank you for your letter, and I appreciate your
+motive in writing it. But if you feel that you have "done what I
+expressed a wish that you should do," you must have strangely
+misunderstood me.
+
+'The only one thing that I wished was, that by some miracle your
+love for me might be revived. Can I persuade myself that this is
+the letter of a wife who desires to return to me because in her
+heart she loves me? If that is the truth you have been most
+unfortunate in trying to express yourself.
+
+'You have written because it seemed your duty to do so. But,
+indeed, a sense of duty such as this is a mistaken one. You have
+no love for me, and where there is no love there is no mutual
+obligation in marriage. Perhaps you think that regard for social
+conventions will necessitate your living with me again. But have
+more courage; refuse to act falsehoods; tell society it is base
+and brutal, and that you prefer to live an honest life.
+
+'I cannot share your wealth, dear. But as you have no longer need
+of my help--as we are now quite independent of each other--I
+shall cease to send the money which hitherto I have considered
+yours. In this way I shall have enough, and more than enough, for
+my necessities, so that you will never have to trouble yourself
+with the thought that I am suffering privations. At Christmas I
+go to Croydon, and I will then write to you again.
+
+'For we may at all events be friendly. My mind is relieved from
+ceaseless anxiety on your account. I know now that you are safe
+from that accursed poverty which is to blame for all our
+sufferings. You I do not blame, though I have sometimes done so.
+My own experience teaches me how kindness can be embittered by
+misfortune. Some great and noble sorrow may have the effect of
+drawing hearts together, but to struggle against destitution, to
+be crushed by care about shillings and sixpences--that must
+always degrade.
+
+'No other reply than this is possible, so I beg you not to write
+in this way again. Let me know if you go to live elsewhere. I
+hope Willie is well, and that his growth is still a delight and
+happiness to you.
+
+'EDWIN REARDON.'
+
+That one word 'dear,' occurring in the middle of the letter, gave
+him pause as he read the lines over. Should he not obliterate it,
+and even in such a way that Amy might see what he had done? His
+pen was dipped in the ink for that purpose, but after all he held
+his hand. Amy was still dear to him, say what he might, and if
+she noted the word--if she pondered over it--
+
+A street gas lamp prevented the room from becoming absolutely
+dark. When he had closed the envelope he lay down on his bed
+again, and watched the flickering yellowness upon the ceiling. He
+ought to have some tea before going to the hospital, but he cared
+so little for it that the trouble of boiling water was too great.
+
+The flickering light grew fainter; he understood at length that
+this was caused by fog that had begun to descend. The fog was his
+enemy; it would be wise to purchase a respirator if this hideous
+weather continued, for sometimes his throat burned, and there was
+a rasping in his chest which gave disagreeable admonition.
+
+He fell asleep for half an hour, and on awaking he was feverish,
+as usual at this time of day. Well, it was time to go to his
+work. Ugh! That first mouthful of fog!
+
+
+
+CHAPTER XXVIII. INTERIM
+
+The rooms which Milvain had taken for himself and his sisters
+were modest, but more expensive than their old quarters. As the
+change was on his account he held himself responsible for the
+extra outlay. But for his immediate prospects this step would
+have been unwarrantable, as his earnings were only just
+sufficient for his needs on the previous footing. He had resolved
+that his marriage must take place before Christmas; till that
+event he would draw when necessary upon the girls' little store,
+and then repay them out of Marian's dowry.
+
+'And what are we to do when you are married?' asked Dora.
+
+The question was put on the first evening of their being all
+under the same roof. The trio had had supper in the girls'
+sitting-room, and it was a moment for frank conversation. Dora
+rejoiced in the coming marriage; her brother had behaved
+honourably, and Marian, she trusted, would be very happy,
+notwithstanding disagreement with her father, which seemed
+inevitable. Maud was by no means so well pleased, though she
+endeavoured to wear smiles. It looked to her as if Jasper had
+been guilty of a kind of weakness not to be expected in him.
+Marian, as an individual, could not be considered an appropriate
+wife for such a man with such a future; and as for her five
+thousand pounds, that was ridiculous. Had it been ten-- something
+can be made of ten thousand; but a paltry five! Maud's ideas on
+such subjects had notably expanded of late, and one of the
+results was that she did not live so harmoniously with her sister
+as for the first few months of their London career.
+
+'I have been thinking a good deal about that,' replied Jasper to
+the younger girl's question. He stood with his back to the fire
+and smoked a cigarette. 'I thought at first of taking a flat; but
+then a flat of the kind I should want would be twice the rent of
+a large house. If we have a house with plenty of room in it you
+might come and live with us after a time. At first I must find
+you decent lodgings in our neighbourhood.'
+
+'You show a good deal of generosity, Jasper,' said Maud, 'but
+pray remember that Marian isn't bringing you five thousand a
+year.'
+
+'I regret to say that she isn't. What she brings me is five
+hundred a year for ten years--that's how I look at it. My own
+income will make it something between six or seven hundred at
+first, and before long probably more like a thousand. I am quite
+cool and collected. I understand exactly where I am, and where I
+am likely to be ten years hence. Marian's money is to be spent in
+obtaining a position for myself. At present I am spoken of as a
+"smart young fellow," and that kind of thing; but no one would
+offer me an editorship, or any other serious help. Wait till I
+show that I have helped myself and hands will be stretched to me
+from every side. 'Tis the way of the world. I shall belong to a
+club; I shall give nice, quiet little dinners to selected people;
+I shall let it be understood by all and sundry that I have a
+social position. Thenceforth I am quite a different man, a man to
+be taken into account. And what will you bet me that I don't
+stand in the foremost rank of literary reputabilities ten years
+hence?'
+
+'I doubt whether six or seven hundred a year will be enough for
+this.'
+
+'If not, I am prepared to spend a thousand. Bless my soul! As if
+two or three years wouldn't suffice to draw out the mean
+qualities in the kind of people I am thinking of! I say ten, to
+leave myself a great margin.'
+
+'Marian approves this?'
+
+'I haven't distinctly spoken of it. But she approves whatever I
+think good.'
+
+The girls laughed at his way of pronouncing this.
+
+'And let us just suppose that you are so unfortunate as to fail?'
+
+'There's no supposing it, unless, of course, I lose my health. I
+am not presuming on any wonderful development of powers. Such as
+I am now, I need only to be put on the little pedestal of a
+decent independence and plenty of people will point fingers of
+admiration at me. You don't fully appreciate this. Mind, it
+wouldn't do if I had no qualities. I have the qualities; they
+only need bringing into prominence. If I am an unknown man, and
+publish a wonderful book, it will make its way very slowly, or
+not at all. If I, become a known man, publish that very same
+book, its praise will echo over both hemispheres. I should be
+within the truth if I had said "a vastly inferior book," But I am
+in a bland mood at present. Suppose poor Reardon's novels had
+been published in the full light of reputation instead of in the
+struggling dawn which was never to become day, wouldn't they have
+been magnified by every critic? You have to become famous before
+you can secure the attention which would give fame.'
+
+He delivered this apophthegm with emphasis, and repeated it in
+another form.
+
+'You have to obtain reputation before you can get a fair hearing
+for that which would justify your repute. It's the old story of
+the French publisher who said to Dumas: "Make a name, and I'll
+publish anything you write." "But how the diable," cries the
+author, "am I to make a name if I can't get published?" If a man
+can't hit upon any other way of attracting attention, let him
+dance on his head in the middle of the street; after that he may
+hope to get consideration for his volume of poems. I am speaking
+of men who wish to win reputation before they are toothless. Of
+course if your work is strong, and you can afford to wait, the
+probability is that half a dozen people will at last begin to
+shout that you have been monstrously neglected, as you have. But
+that happens when you are hoary and sapless, and when nothing
+under the sun delights you.'
+
+He lit a new cigarette.
+
+'Now I, my dear girls, am not a man who can afford to wait. First
+of all, my qualities are not of the kind which demand the
+recognition of posterity. My writing is for to-day, most
+distinctly hodiernal. It has no value save in reference to
+to-day. The question is: How can I get the eyes of men fixed upon
+me? The answer: By pretending I am quite independent of their
+gaze. I shall succeed, without any kind of doubt; and then I'll
+have a medal struck to celebrate the day of my marriage.'
+
+But Jasper was not quite so well assured of the prudence of what
+he was about to do as he wished his sisters to believe. The
+impulse to which he had finally yielded still kept its force;
+indeed, was stronger than ever since the intimacy of lovers'
+dialogue had revealed to him more of Marian's heart and mind.
+Undeniably he was in love. Not passionately, not with the
+consuming desire which makes every motive seem paltry compared
+with its own satisfaction; but still quite sufficiently in love
+to have a great difficulty in pursuing his daily tasks. This did
+not still the voice which bade him remember all the opportunities
+and hopes he was throwing aside. Since the plighting of troth
+with Marian he had been over to Wimbledon, to the house of his
+friend and patron Mr Horace Barlow, and there he had again met
+with Miss Rupert. This lady had no power whatever over his
+emotions, but he felt assured that she regarded him with strong
+interest. When he imagined the possibility of contracting a
+marriage with Miss Rupert, who would make him at once a man of
+solid means, his head drooped, and he wondered at his
+precipitation. It had to be confessed that he was the victim of a
+vulgar weakness. He had declared himself not of the first order
+of progressive men.
+
+The conversation with Amy Reardon did not tend to put his mind at
+rest. Amy was astonished at so indiscreet a step in a man of his
+calibre. Ah! if only Amy herself were free, with her ten thousand
+pounds to dispose of! She, he felt sure, did not view him with
+indifference. Was there not a touch of pique in the elaborate
+irony with which she had spoken of his choice?--But it was idle
+to look in that direction.
+
+He was anxious on his sisters' account. They were clever girls,
+and with energy might before long earn a bare subsistence; but it
+began to be doubtful whether they would persevere in literary
+work. Maud, it was clear, had conceived hopes of quite another
+kind. Her intimacy with Mrs Lane was effecting a change in her
+habits, her dress, even her modes of speech. A few days after
+their establishment in the new lodgings, Jasper spoke seriously
+on this subject with the younger girl.
+
+'I wonder whether you could satisfy my curiosity in a certain
+matter,' he said. 'Do you, by chance, know how much Maud gave for
+that new jacket in which I saw her yesterday?'
+
+Dora was reluctant to answer.
+
+'I don't think it was very much.'
+
+'That is to say, it didn't cost twenty guineas. Well, I hope not.
+
+I notice, too, that she has been purchasing a new hat.'
+
+'Oh, that was very inexpensive. She trimmed it herself.'
+
+'Did she? Is there any particular, any quite special, reason for
+this expenditure?'
+
+'I really can't say, Jasper.'
+
+'That's ambiguous, you know. Perhaps it means you won't allow
+yourself to say?'
+
+'No, Maud doesn't tell me about things of that kind.'
+
+He took opportunities of investigating the matter, with the
+result that some ten days after he sought private colloquy with
+Maud herself. She had asked his opinion of a little paper she was
+going to send to a ladies' illustrated weekly, and he summoned
+her to his own room.
+
+'I think this will do pretty well,' he said. 'There's rather too
+much thought in it, perhaps. Suppose you knock out one or two of
+the less obvious reflections, and substitute a wholesome
+commonplace? You'll have a better chance, I assure you.'
+
+'But I shall make it worthless.'
+
+'No; you'll probably make it worth a guinea or so. You must
+remember that the people who read women's papers are irritated,
+simply irritated, by anything that isn't glaringly obvious. They
+hate an unusual thought. The art of writing for such papers--
+indeed, for the public in general--is to express vulgar thought
+and feeling in a way that flatters the vulgar thinkers and
+feelers. Just abandon your mind to it, and then let me see it
+again.'
+
+Maud took up the manuscript and glanced over it with a
+contemptuous smile. Having observed her for a moment, Jasper
+threw himself back in the chair and said, as if casually:
+
+'I am told that Mr Dolomore is becoming a great friend of yours.'
+
+The girl's face changed. She drew herself up, and looked away
+towards the window.
+
+'I don't know that he is a "great" friend.'
+
+'Still, he pays enough attention to you to excite remark.'
+
+'Whose remark?'
+
+'That of several people who go to Mrs Lane's.'
+
+'I don't know any reason for it,' said Maud coldly.
+
+'Look here, Maud, you don't mind if I give you a friendly
+warning?'
+
+She kept silence, with a look of superiority to all monition.
+
+'Dolomore,' pursued her brother, 'is all very well in his way,
+but that way isn't yours. I believe he has a good deal of money,
+but he has neither brains nor principle. There's no harm in your
+observing the nature and habits of such individuals, but don't
+allow yourself to forget that they are altogether beneath you.'
+
+'There's no need whatever for you to teach me self-respect,'
+replied the girl.
+
+'I'm quite sure of that; but you are inexperienced. On the whole,
+I do rather wish that you would go less frequently to Mrs Lane's.
+
+It was rather an unfortunate choice of yours. Very much better if
+you could have got on a good footing with the Barnabys. If you
+are generally looked upon as belonging to the Lanes' set it will
+make it difficult for you to get in with the better people.'
+
+Maud was not to be drawn into argument, and Jasper could only
+hope that his words would have some weight with her. The Mr
+Dolomore in question was a young man of rather offensive type--
+athletic, dandiacal, and half-educated. It astonished Jasper that
+his sister could tolerate such an empty creature for a moment;
+who has not felt the like surprise with regard to women's
+inclinations? He talked with Dora about it, but she was not in
+her sister's confidence.
+
+'I think you ought to have some influence with her,' Jasper said.
+
+'Maud won't allow anyone to interfere in--her private
+affairs.''It would be unfortunate if she made me quarrel with
+her.'
+
+'Oh, surely there isn't any danger of that?'
+
+'I don't know, she mustn't be obstinate.'
+
+Jasper himself saw a good deal of miscellaneous society at this
+time. He could not work so persistently as usual, and with wise
+tactics he used the seasons of enforced leisure to extend his
+acquaintance. Marian and he were together twice a week, in the
+evening.
+
+Of his old Bohemian associates he kept up intimate relations with
+one only, and that was Whelpdale. This was in a measure
+obligatory, for Whelpdale frequently came to see him, and it
+would have been difficult to repel a man who was always making
+known how highly he esteemed the privilege of Milvain's
+friendship, and whose company on the whole was agreeable enough.
+At the present juncture Whelpdale's cheery flattery was a
+distinct assistance; it helped to support Jasper in his
+self-confidence, and to keep the brightest complexion on the
+prospect to which he had committed himself.
+
+'Whelpdale is anxious to make Marian's acquaintance,' Jasper said
+to his sisters one day. 'Shall we have him here tomorrow
+evening?'
+
+'Just as you like,' Maud replied.
+
+'You won't object, Dora?'
+
+'Oh no! I rather like Mr Whelpdale.'
+
+'If I were to repeat that to him he'd go wild with delight. But
+don't be afraid; I shan't. I'll ask him to come for an hour, and
+trust to his discretion not to bore us by staying too long.'
+
+A note was posted to Whelpdale; he was invited to present himself
+at eight o'clock, by which time Marian would have arrived.
+Jasper's room was to be the scene of the assembly, and punctual
+to the minute the literary adviser appeared. He was dressed with
+all the finish his wardrobe allowed, and his face beamed with
+gratification; it was rapture to him to enter the presence of
+these three girls, one of whom he had, more suo, held in romantic
+remembrance since his one meeting with her at Jasper's old
+lodgings. His eyes melted with tenderness as he approached Dora
+and saw her smile of gracious recognition. By Maud he was
+profoundly impressed. Marian inspired him with no awe, but he
+fully appreciated the charm of her features and her modest
+gravity. After all, it was to Dora that his eyes turned again
+most naturally. He thought her exquisite, and, rather than be
+long without a glimpse of her, he contented himself with fixing
+his eyes on the hem of her dress and the boot-toe that
+occasionally peeped from beneath it.
+
+As was to be expected in such a circle, conversation soon turned
+to the subject of literary struggles.
+
+'I always feel it rather humiliating,' said Jasper, 'that I have
+gone through no very serious hardships. It must be so gratifying
+to say to young fellows who are just beginning:
+
+"Ah, I remember when I was within an ace of starving to death,"
+and then come out with Grub Street reminiscences of the most
+appalling kind. Unfortunately, I have always had enough to eat.'
+
+'I haven't,' exclaimed Whelpdale. 'I have lived for five days on
+a few cents' worth of pea-nuts in the States.'
+
+'What are pea-nuts, Mr Whelpdale?' asked Dora.
+
+Delighted with the question, Whelpdale described that undesirable
+species of food.
+
+'It was in Troy,' he went on, 'Troy, N.Y. To think that a man
+should live on pea-nuts in a town called Troy!'
+
+'Tell us those adventures,' cried Jasper. 'It's a long time since
+I heard them, and the girls will enjoy it vastly.'
+
+Dora looked at him with such good-humoured interest that the
+traveller needed no further persuasion.
+
+'It came to pass in those days,' he began, 'that I inherited from
+my godfather a small, a very small, sum of money. I was making
+strenuous efforts to write for magazines, with absolutely no
+encouragement. As everybody was talking just then of the
+Centennial Exhibition at Philadelphia, I conceived the brilliant
+idea of crossing the Atlantic, in the hope that I might find
+valuable literary material at the Exhibition--or Exposition, as
+they called it--and elsewhere. I won't trouble you with an
+account of how I lived whilst I still had money; sufficient that
+no one would accept the articles I sent to England, and that at
+last I got into perilous straits. I went to New York, and thought
+of returning home, but the spirit of adventure was strong in me.
+"I'll go West," I said to myself. "There I am bound to find
+material." And go I did, taking an emigrant ticket to Chicago. It
+was December, and I should like you to imagine what a journey of
+a thousand miles by an emigrant train meant at that season. The
+cars were deadly cold, and what with that and the hardness of the
+seats I found it impossible to sleep; it reminded me of tortures
+I had read about; I thought my brain would have burst with the
+need of sleeping. At Cleveland, in Ohio, we had to wait several
+hours in the night; I left the station and wandered about till I
+found myself on the edge of a great cliff that looked over Lake
+Erie. A magnificent picture! Brilliant moonlight, and all the
+lake away to the horizon frozen and covered with snow. The clocks
+struck two as I stood there.'
+
+He was interrupted by the entrance of a servant who brought
+coffee.
+
+'Nothing could be more welcome,' cried Dora. 'Mr Whelpdale makes
+one feel quite chilly.'
+
+There was laughter and chatting whilst Maud poured out the
+beverage. Then Whelpdale pursued his narrative.
+
+'I reached Chicago with not quite five dollars in my pockets,
+and, with a courage which I now marvel at, I paid immediately
+four dollars and a half for a week's board and lodging. "Well," I
+said to myself, "for a week I am safe. If I earn nothing in that
+time, at least I shall owe nothing when I have to turn out into
+the streets." It was a rather dirty little boarding-house, in
+Wabash Avenue, and occupied, as I soon found, almost entirely by
+actors. There was no fireplace in my bedroom, and if there had
+been I couldn't have afforded a fire. But that mattered little;
+what I had to do was to set forth and discover some way of making
+money. Don't suppose that I was in a desperate state of mind; how
+it was, I don't quite know, but I felt decidedly cheerful. It was
+pleasant to be in this new region of the earth, and I went about
+the town like a tourist who has abundant resources.'
+
+He sipped his coffee.
+
+'I saw nothing for it but to apply at the office of some
+newspaper, and as I happened to light upon the biggest of them
+first of all, I put on a bold face, marched in, asked if I could
+see the editor. There was no difficulty whatever about this; I
+was told to ascend by means of the "elevator" to an upper storey,
+and there I walked into a comfortable little room where a
+youngish man sat smoking a cigar at a table covered with print
+and manuscript. I introduced myself, stated my business. "Can you
+give me work of any kind on your paper?" "Well, what experience
+have you had?" "None whatever." The editor smiled. "I'm very much
+afraid you would be no use to us. But what do you think you could
+do?" Well now, there was but one thing that by any possibility I
+could do. I asked him: "Do you publish any fiction--short
+stories?" "Yes, we're always glad of a short story, if it's
+good." This was a big daily paper; they have weekly supplements
+of all conceivable kinds of matter. "Well," I said, "if I write a
+story of English life, will you consider it?" "With pleasure." I
+left him, and went out as if my existence were henceforth
+provided for.'
+
+He laughed heartily, and was joined by his hearers.
+
+'It was a great thing to be permitted to write a story, but then-
+-what story? I went down to the shore of Lake Michigan; walked
+there for half an hour in an icy wind. Then I looked for a
+stationer's shop, and laid out a few of my remaining cents in the
+purchase of pen, ink, and paper--my stock of all these things was
+at an end when I left New York. Then back to the boarding-house.
+Impossible to write in my bedroom, the temperature was below
+zero; there was no choice but to sit down in the common room, a
+place like the smoke-room of a poor commercial hotel in England.
+A dozen men were gathered about the fire, smoking, talking,
+quarrelling. Favourable conditions, you see, for literary effort.
+But the story had to be written, and write it I did, sitting
+there at the end of a deal table; I finished it in less than a
+couple of days, a good long story, enough to fill three columns
+of the huge paper. I stand amazed at my power of concentration as
+often as I think of it!'
+
+'And was it accepted?' asked Dora.
+
+'You shall hear. I took my manuscript to the editor, and he told
+me to come and see him again next morning. I didn't forget the
+appointment. As I entered he smiled in a very promising way, and
+said, "I think your story will do. I'll put it into the Saturday
+supplement. Call on Saturday morning and I'll remunerate you."
+How well I remember that word "remunerate"! I have had an
+affection for the word ever since. And remunerate me he did;
+scribbled something on a scrap of paper, which I presented to the
+cashier. The sum was eighteen dollars. Behold me saved!'
+
+He sipped his coffee again.
+
+'I have never come across an English editor who treated me with
+anything like that consideration and general kindliness. How the
+man had time, in his position, to see me so often, and do things
+in such a human way, I can't understand. Imagine anyone trying
+the same at the office of a London newspaper! To begin with, one
+couldn't see the editor at all. I shall always think with
+profound gratitude of that man with the peaked brown beard and
+pleasant smile.'
+
+'But did the pea-nuts come after that!' inquired Dora.
+
+'Alas! they did. For some months I supported myself in Chicago,
+writing for that same paper, and for others. But at length the
+flow of my inspiration was checked; I had written myself out. And
+I began to grow home-sick, wanted to get back to England. The
+result was that I found myself one day in New York again, but
+without money enough to pay for a passage home. I tried to write
+one more story. But it happened, as I was looking over newspapers
+in a reading-room, that I saw one of my Chicago tales copied into
+a paper published at Troy. Now Troy was not very far off; and it
+occurred to me that, if I went there, the editor of this paper
+might be disposed to employ me, seeing he had a taste for my
+fiction. And I went, up the Hudson by steamboat. On landing at
+Troy I was as badly off as when I reached Chicago; I had less
+than a dollar. And the worst of it was I had come on a vain
+errand; the editor treated me with scant courtesy, and no work
+was to be got. I took a little room, paying for it day by day,
+and in the meantime I fed on those loathsome pea-nuts, buying a
+handful in the street now and then. And I assure you I looked
+starvation in the face.'
+
+'What sort of a town is Troy?' asked Marian, speaking for the
+first time.
+
+'Don't ask me. They make straw hats there principally, and they
+sell pea-nuts. More I remember not.'
+
+'But you didn't starve to death,' said Maud.
+
+'No, I just didn't. I went one afternoon into a lawyer's office,
+thinking I might get some copying work, and there I found an odd-
+looking old man, sitting with an open Bible on his knees. He
+explained to me that he wasn't the lawyer; that the lawyer was
+away on business, and that he was just guarding the office. Well,
+could he help me? He meditated, and a thought occurred to him.
+"Go," he said, "to such-and-such a boarding-house, and ask for Mr
+Freeman Sterling. He is just starting on a business tour, and
+wants a young man to accompany him." I didn't dream of asking
+what the business was, but sped, as fast as my trembling limbs
+would carry me, to the address he had mentioned. I asked for Mr
+Freeman Sterling, and found him. He was a photographer, and his
+business at present was to go about getting orders for the
+reproducing of old portraits. A good-natured young fellow. He
+said he liked the look of me, and on the spot engaged me to
+assist him in a house-to-house visitation. He would pay for my
+board and lodging, and give me a commission on all the orders I
+obtained. Forthwith I sat down to a "square meal," and ate--my
+conscience, how I ate!'
+
+'You were not eminently successful in that pursuit, I think?'
+said Jasper.
+
+'I don't think I got half-a-dozen orders. Yet that good Samaritan
+supported me for five or six weeks, whilst we travelled from Troy
+to Boston. It couldn't go on; I was ashamed of myself; at last I
+told him that we must part. Upon my word, I believe he would have
+paid my expenses for another month; why, I can't understand. But
+he had a vast respect for me because I had written in newspapers,
+and I do seriously think that he didn't like to tell me I was a
+useless fellow. We parted on the very best of terms in Boston.'
+
+'And you again had recourse to pea-nuts?' asked Dora.
+
+'Well, no. In the meantime I had written to someone in England,
+begging the loan of just enough money to enable me to get home.
+The money came a day after I had seen Sterling off by train.'
+
+An hour and a half quickly passed, and Jasper, who wished to have
+a few minutes of Marian's company before it was time for her to
+go, cast a significant glance at his sisters. Dora said
+innocently:
+
+'You wished me to tell you when it was half-past nine, Marian.'
+
+And Marian rose. This was a signal Whelpdale could not disregard.
+Immediately he made ready for his own departure, and in less than
+five minutes was gone, his face at the last moment expressing
+blended delight and pain.
+
+'Too good of you to have asked me to come,' he said with
+gratitude to Jasper, who went to the door with him. 'You are a
+happy man, by Jove! A happy man!'
+
+When Jasper returned to the room his sisters had vanished. Marian
+stood by the fire. He drew near to her, took her hands, and
+repeated laughingly Whelpdale's last words.
+
+'Is it true?' she asked.
+
+'Tolerably true, I think.'
+
+'Then I am as happy as you are.'
+
+He released her hands, and moved a little apart.
+
+'Marian, I have been thinking about that letter to your father. I
+had better get it written, don't you think?'
+
+She gazed at him with troubled eyes.
+
+'Perhaps you had. Though we said it might be delayed until--'
+
+'Yes, I know. But I suspect you had rather I didn't wait any
+longer. Isn't that the truth?'
+
+'Partly. Do just as you wish, Jasper.'
+
+'I'll go and see him, if you like.'
+
+'I am so afraid-- No, writing will be better.'
+
+'Very well. Then he shall have the letter to-morrow afternoon.'
+
+'Don't let it come before the last post. I had so much rather
+not. Manage it, if you can.'
+
+'Very well. Now go and say good-night to the girls. It's a vile
+night, and you must get home as soon as possible.'
+
+She turned away, but again came towards him, murmuring:
+
+'Just a word or two more.'
+
+'About the letter?'
+
+'No. You haven't said--'
+
+He laughed.
+
+'And you couldn't go away contentedly unless I repeated for the
+hundredth time that I love you?'
+
+Marian searched his countenance.
+
+'Do you think it foolish? I live only on those words.'
+
+'Well, they are better than pea-nuts.'
+
+'Oh don't! I can't bear to--'
+
+Jasper was unable to understand that such a jest sounded to her
+like profanity. She hid her face against him, and whispered the
+words that would have enraptured her had they but come from his
+lips. The young man found it pleasant enough to be worshipped,
+but he could not reply as she desired. A few phrases of
+tenderness, and his love-vocabulary was exhausted; he even grew
+weary when something more--the indefinite something--was vaguely
+required of him.
+
+'You are a dear, good, tender-hearted girl,' he said, stroking
+her short, soft hair, which was exquisite to the hand. 'Now go
+and get ready.'
+
+She left him, but stood for a few moments on the landing before
+going to the girls' room.
+
+
+
+CHAPTER XXIX. CATASTROPHE
+
+Marian had finished the rough draft of a paper on James
+Harrington, author of 'Oceana.' Her father went through it by the
+midnight lamp, and the next morning made his comments. A black
+sky and sooty rain strengthened his inclination to sit by the
+study fire and talk at large in a tone of flattering benignity.
+
+'Those paragraphs on the Rota Club strike me as singularly
+happy,' he
+
+said, tapping the manuscript with the mouthpiece of his pipe.
+'Perhaps you might say a word or two more about Cyriac Skinner;
+one mustn't be too allusive with general readers, their ignorance
+is incredible. But there is so little to add to this paper--so
+little to alter--that I couldn't feel justified in sending it as
+my own work. I think it is altogether too good to appear
+anonymously. You must sign it, Marian, and have the credit that
+is due to you.'
+
+'Oh, do you think it's worth while?' answered the girl, who was
+far from easy under this praise. Of late there had been too much
+of it; it made her regard her father with suspicions which
+increased her sense of trouble in keeping a momentous secret from
+him.
+
+'Yes, yes; you had better sign it. I'll undertake there's no
+other girl of your age who could turn out such a piece of work. I
+think we may fairly say that your apprenticeship is at an end.
+Before long,' he smiled anxiously, 'I may be counting upon you as
+a valued contributor. And that reminds me; would you be disposed
+to call with me on the Jedwoods at their house next Sunday?'
+
+Marian understood the intention that lay beneath this proposal.
+She saw that her father would not allow himself to seem
+discouraged by the silence she maintained on the great subject
+which awaited her decision. He was endeavouring gradually to
+involve her in his ambitions, to carry her forward by insensible
+steps. It pained her to observe the suppressed eagerness with
+which he looked for her reply.
+
+'I will go if you wish, father, but I had rather not.'
+
+'I feel sure you would like Mrs Jedwood. One has no great opinion
+of her novels, but she is a woman of some intellect. Let me book
+you for next Sunday; surely I have a claim to your companionship
+now and then.'
+
+Marian kept silence. Yule puffed at his pipe, then said with a
+speculative air:
+
+'I suppose it has never even occurred to you to try your hand at
+fiction?'
+
+'I haven't the least inclination that way.'
+
+'You would probably do something rather good if you tried. But I
+don't urge it. My own efforts in that line were a mistake, I'm
+disposed to think. Not that the things were worse than multitudes
+of books which nowadays go down with the many-headed. But I never
+quite knew what I wished to be at in fiction. I wasn't content to
+write a mere narrative of the exciting kind, yet I couldn't hit
+upon subjects of intellectual cast that altogether satisfied me.
+Well, well; I have tried my hand at most kinds of literature.
+Assuredly I merit the title of man of letters.'
+
+'You certainly do.'
+
+'By-the-by, what should you think of that title for a review--
+Letters? It has never been used, so far as I know. I like the
+word "letters." How much better "a man of letters" than "a
+literary man"! And apropos of that, when was the word
+"literature" first used in our modern sense to signify a body of
+writing? In Johnson's day it was pretty much the equivalent of
+our "culture." You remember his saying, "It is surprising how
+little literature people have." His dictionary, I believe,
+defines the word as "learning, skill in letters"--nothing else.'
+
+It was characteristic of Yule to dwell with gusto on little
+points such as this; he prosed for a quarter of an hour, with a
+pause every now and then whilst he kept his pipe alight.
+
+'I think Letters wouldn't be amiss,' he said at length, returning
+to the suggestion which he wished to keep before Marian's mind.
+'It would clearly indicate our scope. No articles on bimetallism,
+as Quarmby said--wasn't it Quarmby?'
+
+He laughed idly.
+
+'Yes, I must ask Jedwood how he likes the name.'
+
+Though Marian feared the result, she was glad when Jasper made up
+his mind to write to her father. Since it was determined that her
+money could not be devoted to establishing a review, the truth
+ought to be confessed before Yule had gone too far in nursing his
+dangerous hope. Without the support of her love and all the
+prospects connected with it, she would hardly have been capable
+of giving a distinct refusal when her reply could no longer be
+postponed; to hold the money merely for her own benefit would
+have seemed to her too selfish, however slight her faith in the
+project on which her father built so exultantly. When it was
+declared that she had accepted an offer of marriage, a sacrifice
+of that kind could no longer be expected of her. Opposition must
+direct itself against the choice she had made. It would be stern,
+perhaps relentless; but she felt able to face any extremity of
+wrath. Her nerves quivered, but in her heart was an exhaustless
+source of courage.
+
+That a change had somehow come about in the girl Yule was aware.
+He observed her with the closest study day after day. Her health
+seemed to have improved; after a long spell of work she had not
+the air of despondent weariness which had sometimes irritated
+him, sometimes made him uneasy. She was more womanly in her
+bearing and speech, and exercised an independence, appropriate
+indeed to her years, but such as had not formerly declared itself
+The question with her father was whether these things resulted
+simply from her consciousness of possessing what to her seemed
+wealth, or something else had happened of the nature that he
+dreaded. An alarming symptom was the increased attention she paid
+to her personal appearance; its indications were not at all
+prominent, but Yule, on the watch for such things, did not
+overlook them. True, this also might mean nothing but a sense of
+relief from narrow means; a girl would naturally adorn herself a
+little under the circumstances.
+
+His doubts came to an end two days after that proposal of a title
+for the new review. As he sat in his study the servant brought
+him a letter delivered by the last evening post. The handwriting
+was unknown to him; the contents were these:
+
+'DEAR MR YULE,--It is my desire to write to you with perfect
+frankness and as simply as I can on a subject which has the
+deepest interest for me, and which I trust you will consider in
+that spirit of kindness with which you received me when we first
+met at Finden.
+
+'On the occasion of that meeting I had the happiness of being
+presented to Miss Yule. She was not totally a stranger to me; at
+that time I used to work pretty regularly in the Museum Reading-
+room, and there I had seen Miss Yule, had ventured to observe her
+at moments with a young man's attention, and had felt my interest
+aroused, though I did not know her name. To find her at Finden
+seemed to me a very unusual and delightful piece of good fortune.
+
+When I came back from my holiday I was conscious of a new purpose
+in life, a new desire and a new motive to help me on in my chosen
+career.
+
+'My mother's death led to my sisters' coming to live in London.
+Already there had been friendly correspondence between Miss Yule
+and the two girls, and now that the opportunity offered they
+began to see each other frequently. As I was often at my sisters'
+lodgings it came about that I met Miss Yule there from time to
+time. In this way was confirmed my attachment to your daughter.
+The better I knew her, the more worthy I found her of reverence
+and love.
+
+'Would it not have been natural for me to seek a renewal of the
+acquaintance with yourself which had been begun in the country?
+Gladly I should have done so. Before my sisters' coming to London
+I did call one day at your house with the desire of seeing you,
+but unfortunately you were not at home. Very soon after that I
+learnt to my extreme regret that my connection with The Current
+and its editor would make any repetition of my visit very
+distasteful to you. I was conscious of nothing in my literary
+life that could justly offend you--and at this day I can say the
+same--but I shrank from the appearance of importunity, and for
+some months I was deeply distressed by the fear that what I most
+desired in life had become unattainable. My means were very
+slight; I had no choice but to take such work as offered, and
+mere chance had put me into a position which threatened ruin to
+the hope that you would some day regard me as a not unworthy
+suitor for your daughter's hand.
+
+'Circumstances have led me to a step which at that time seemed
+impossible. Having discovered that Miss Yule returned the feeling
+I entertained for her, I have asked her to be my wife, and she
+has consented. It is now my hope that you will permit me to call
+upon you. Miss Yule is aware that I am writing this letter; will
+you not let her plead for me, seeing that only by an unhappy
+chance have I been kept aloof from you? Marian and I are equally
+desirous that you should approve our union; without that
+approval, indeed, something will be lacking to the happiness for
+which we hope.
+
+'Believe me to be sincerely yours,
+
+'JASPER MILVAIN.'
+
+Half an hour after reading this Yule was roused from a fit of the
+gloomiest brooding by Marian's entrance. She came towards him
+timidly, with pale countenance. He had glanced round to see who
+it was, but at once turned his head again.
+
+'Will you forgive me for keeping this secret from you, father?'
+
+'Forgive you?' he replied in a hard, deliberate voice. 'I assure
+you it is a matter of perfect indifference to me. You are long
+since of age, and I have no power whatever to prevent your
+falling a victim to any schemer who takes your fancy. It would be
+folly in me to discuss the question. I recognise your right to
+have as many secrets as may seem good to you. To talk of
+forgiveness is the merest affectation.'
+
+'No, I spoke sincerely. If it had seemed possible I should gladly
+have let you know about this from the first. That would have been
+natural and right. But you know what prevented me.'
+
+'I do. I will try to hope that even a sense of shame had
+something to do with it.'
+
+'That had nothing to do with it,' said Marian, coldly. 'I have
+never had reason to feel ashamed.'
+
+'Be it so. I trust you may never have reason to feel repentance.
+May I ask when you propose to be married?'
+
+'I don't know when it will take place.'
+
+'As soon, I suppose, as your uncle's executors have discharged a
+piece of business which is distinctly germane to the matter?'
+
+'Perhaps.'
+
+'Does your mother know?'
+
+'I have just told her.'
+
+'Very well, then it seems to me that there's nothing more to be
+said.'
+
+'Do you refuse to see Mr Milvain?'
+
+'Most decidedly I do. You will have the goodness to inform him
+that that is my reply to his letter.'
+
+'I don't think that is the behaviour of a gentleman,' said
+Marian, her eyes beginning to gleam with resentment.
+
+'I am obliged to you for your instruction.'
+
+'Will you tell me, father, in plain words, why you dislike Mr
+Milvain?'
+
+'I am not inclined to repeat what I have already fruitlessly told
+you. For the sake of a clear understanding, however, I will let
+you know the practical result of my dislike. From the day of your
+marriage with that man you are nothing to me. I shall distinctly
+forbid you to enter my house. You make your choice, and go your
+own way. I shall hope never to see your face again.'
+
+Their eyes met, and the look of each seemed to fascinate the
+other.
+
+'If you have made up your mind to that,' said Marian in a shaking
+voice, 'I can remain here no longer. Such words are senselessly
+cruel. To-morrow I shall leave the house.'
+
+'I repeat that you are of age, and perfectly independent. It can
+be nothing to me how soon you go. You have given proof that I am
+of less than no account to you, and doubtless the sooner we cease
+to afflict each other the better.'
+
+It seemed as if the effect of these conflicts with her father
+were to develop in Marian a vehemence of temper which at length
+matched that of which Yule was the victim. Her face, outlined to
+express a gentle gravity, was now haughtily passionate; nostrils
+and lips thrilled with wrath, and her eyes were magnificent in
+their dark fieriness.
+
+'You shall not need to tell me that again,' she answered, and
+immediately left him.
+
+She went into the sitting-room, where Mrs Yule was awaiting the
+result of the interview.
+
+'Mother,' she said, with stern gentleness, 'this house can no
+longer be a home for me. I shall go away to-morrow, and live in
+lodgings until the time of my marriage.'
+
+Mrs Yule uttered a cry of pain, and started up.
+
+'Oh, don't do that, Marian! What has he said to you? Come and
+talk to me, darling--tell me what he's said--don't look like
+that!'
+
+She clung to the girl despairingly, terrified by a transformation
+she would have thought impossible.
+
+'He says that if I marry Mr Milvain he hopes never to see my face
+again. I can't stay here. You shall come and see me, and we will
+be the same to each other as always. But father has treated me
+too unjustly. I can't live near him after this.'
+
+'He doesn't mean it,' sobbed her mother. 'He says what he's sorry
+for as soon as the words are spoken. He loves you too much, my
+darling, to drive you away like that. It's his disappointment,
+Marian; that's all it is. He counted on it so much. I've heard
+him talk of it in his sleep; he made so sure that he was going to
+have that new magazine, and the disappointment makes him that he
+doesn't know what he's saying. Only wait and see; he'll tell you
+he didn't mean it, I know he will. Only leave him alone till he's
+had time to get over it. Do forgive him this once.'
+
+'It's like a madman to talk in that way,' said the girl,
+releasing herself. 'Whatever his disappointment, I can't endure
+it. I have worked hard for him, very hard, ever since I was old
+enough, and he owes me some kindness, some respect. It would be
+different if he had the least reason for his hatred of Jasper. It
+is nothing but insensate prejudice, the result of his quarrels
+with other people. What right has he to insult me by representing
+my future husband as a scheming hypocrite?'
+
+'My love, he has had so much to bear--it's made him so quick-
+tempered.'
+
+'Then I am quick-tempered too, and the sooner we are apart the
+better, as he said himself'
+
+'Oh, but you have always been such a patient girl.'
+
+'My patience is at an end when I am treated as if I had neither
+rights nor feelings. However wrong the choice I had made, this
+was not the way to behave to me. His disappointment? Is there a
+natural law, then, that a daughter must be sacrificed to her
+father? My husband will have as much need of that money as my
+father has, and he will be able to make far better use of it. It
+was wrong even to ask me to give my money away like that. I have
+a right to happiness, as well as other women.'
+
+She was shaken with hysterical passion, the natural consequence
+of this outbreak in a nature such as hers. Her mother, in the
+meantime, grew stronger by force of profound love that at length
+had found its opportunity of expression. Presently she persuaded
+Marian to come upstairs with her, and before long the
+overburdened breast was relieved by a flow of tears. But Marian's
+purpose remained unshaken.
+
+'It is impossible for us to see each other day after day,' she
+said when calmer. 'He can't control his anger against me, and I
+suffer too much when I am made to feel like this. I shall take a
+lodging not far off where you can see me often.'
+
+'But you have no money, Marian,' replied Mrs Yule, miserably.
+
+'No money? As if I couldn't borrow a few pounds until all my own
+comes to me! Dora Milvain can lend me all I shall want; it won't
+make the least difference to her. I must have my money very soon
+now.'
+
+At about half-past eleven Mrs Yule went downstairs, and entered
+the study.
+
+'If you are coming to speak about Marian,' said her husband,
+turning upon her with savage eyes, 'you can save your breath. I
+won't hear her name mentioned.'
+
+She faltered, but overcame her weakness.
+
+'You are driving her away from us, Alfred. It isn't right! Oh, it
+isn't right!'
+
+'If she didn't go I should, so understand that! And if I go, you
+have seen the last of me. Make your choice, make your choice!'
+
+He had yielded himself to that perverse frenzy which impels a man
+to acts and utterances most wildly at conflict with reason. His
+sense of the monstrous irrationality to which he was committed
+completed what was begun in him by the bitterness of a great
+frustration.
+
+'If I wasn't a poor, helpless woman,' replied his wife, sinking
+upon a chair and crying without raising her hands to her face,
+'I'd go and live with her till she was married, and then make a
+home for myself. But I haven't a penny, and I'm too old to earn
+my own living; I should only be a burden to her.'
+
+'That shall be no hindrance,' cried Yule. 'Go, by all means; you
+shall have a sufficient allowance as long as I can continue to
+work, and when I'm past that, your lot will be no harder than
+mine. Your daughter had the chance of making provision for my old
+age, at no expense to herself. But that was asking too much of
+her. Go, by all means, and leave me to make what I can of the
+rest of my life; perhaps I may save a few years still from the
+curse brought upon me by my own folly.'
+
+It was idle to address him. Mrs Yule went into the sitting-room,
+and there sat weeping for an hour. Then she extinguished the
+lights, and crept upstairs in silence.
+
+Yule passed the night in the study. Towards morning he slept for
+an hour or two, just long enough to let the fire go out and to
+get thoroughly chilled. When he opened his eyes a muddy twilight
+had begun to show at the window; the sounds of a clapping door
+within the house, which had probably awakened him, made him aware
+that the servant was already up.
+
+He drew up the blind. There seemed to be a frost, for the
+moisture of last night had all disappeared, and the yard upon
+which the window looked was unusually clean. With a glance at the
+black grate he extinguished his lamp, and went out into the
+passage. A few minutes' groping for his overcoat and hat, and he
+left the house.
+
+His purpose was to warm himself with a vigorous walk, and at the
+same time to shake off if possible, the nightmare of his rage and
+hopelessness. He had no distinct feeling with regard to his
+behaviour of the past evening; he neither justified nor condemned
+himself; he did not ask himself whether Marian would to-day leave
+her home, or if her mother would take him at his word and also
+depart. These seemed to be details which his brain was too weary
+to consider. But he wished to be away from the wretchedness of
+his house, and to let things go as they would whilst he was
+absent. As he closed the front door he felt as if he were
+escaping from an atmosphere that threatened to stifle him.
+
+His steps directing themselves more by habit than with any
+deliberate choice, he walked towards Camden Road. When he had
+reached Camden Town railway-station he was attracted by a coffee-
+stall; a draught of the steaming liquid, no matter its quality,
+would help his blood to circulate. He laid down his penny, and
+first warmed his hands by holding them round the cup. Whilst
+standing thus he noticed that the objects at which he looked had
+a blurred appearance; his eyesight seemed to have become worse
+this morning. Only a result of his insufficient sleep perhaps. He
+took up a scrap of newspaper that lay on the stall; he could read
+it, but one of his eyes was certainly weaker than the other;
+trying to see with that one alone, he found that everything
+became misty.
+
+He laughed, as if the threat of new calamity were an amusement in
+his present state of mind. And at the same moment his look
+encountered that of a man who had drawn near to him, a shabbily-
+dressed man of middle age, whose face did not correspond with his
+attire.
+
+'Will you give me a cup of coffee?' asked the stranger, in a low
+voice and with shamefaced manner. 'It would be a great kindness.'
+
+The accent was that of good breeding. Yule hesitated in surprise
+for a moment, then said:
+
+'Have one by all means. Would you care for anything to eat?'
+
+'I am much obliged to you. I think I should be none the worse for
+one of those solid slices of bread and butter.'
+
+The stall-keeper was just extinguishing his lights; the frosty
+sky showed a pale gleam of sunrise.
+
+'Hard times, I'm afraid,' remarked Yule, as his beneficiary began
+to eat the luncheon with much appearance of grateful appetite.
+
+'Very hard times.' He had a small, thin, colourless countenance,
+with large, pathetic eyes; a slight moustache and curly beard.
+His clothes were such as would be worn by some very poor clerk.
+'I came here an hour ago,' he continued, 'with the hope of
+meeting an acquaintance who generally goes from this station at a
+certain time. I have missed him, and in doing so I missed what I
+had thought my one chance of a breakfast. When one has neither
+dined nor supped on the previous day, breakfast becomes a meal of
+some importance.'
+
+'True. Take another slice.'
+
+'I am greatly obliged to you.'
+
+'Not at all. I have known hard times myself, and am likely to
+know worse.'
+
+'I trust not. This is the first time that I have positively
+begged. I should have been too much ashamed to beg of the kind of
+men who are usually at these places; they certainly have no money
+to spare. I was thinking of making an appeal at a baker's shop,
+but it is very likely I should have been handed over to a
+policeman. Indeed I don't know what I should have done; the last
+point of endurance was almost reached. I have no clothes but
+these I wear, and they are few enough for the season. Still, I
+suppose the waistcoat must have gone.'
+
+He did not talk like a beggar who is trying to excite compassion,
+but with a sort of detached curiosity concerning the difficulties
+of his position.
+
+'You can find nothing to do?' said the man of letters.
+
+'Positively nothing. By profession I am a surgeon, but it's a
+long time since I practised. Fifteen years ago I was comfortably
+established at Wakefield; I was married and had one child. But my
+capital ran out, and my practice, never anything to boast of,
+fell to nothing. I succeeded in getting a place as an assistant
+to a man at Chester. We sold up, and started on the journey.'
+
+He paused, looking at Yule in a strange way.
+
+'What happened then?'
+
+'You probably don't remember a railway accident that took place
+near Crewe in that year--it was 1869? I and my wife and child
+were alone in a carriage that was splintered. One moment I was
+talking with them, in fairly good spirits, and my wife was
+laughing at something I had said; the next, there were two
+crushed, bleeding bodies at my feet. I had a broken arm, that was
+all. Well, they were killed on the instant; they didn't suffer.
+That has been my one consolation.'
+
+Yule kept the silence of sympathy.
+
+'I was in a lunatic asylum for more than a year after that,'
+continued the man. 'Unhappily, I didn't lose my senses at the
+moment; it took two or three weeks to bring me to that pass. But
+I recovered, and there has been no return of the disease. Don't
+suppose that I am still of unsound mind. There can be little
+doubt that poverty will bring me to that again in the end; but as
+yet I am perfectly sane. I have supported myself in various ways.
+
+No, I don't drink; I see the question in your face. But I am
+physically weak, and, to quote Mrs Gummidge, "things go contrairy
+with me." There's no use lamenting; this breakfast has helped me
+on, and I feel in much better spirits.'
+
+'Your surgical knowledge is no use to you?'
+
+The other shook his head and sighed.
+
+'Did you ever give any special attention to diseases of the
+eyes?'
+
+'Special, no. But of course I had some acquaintance with the
+subject.'
+
+'Could you tell by examination whether a man was threatened with
+cataract, or anything of that kind?'
+
+'I think I could.'
+
+'I am speaking of myself.'
+
+The stranger made a close scrutiny of Yule's face, and asked
+certain questions with reference to his visual sensations.
+
+'I hardly like to propose it,' he said at length, 'but if you
+were willing to accompany me to a very poor room that I have not
+far from here, I could make the examination formally.'
+
+'I will go with you.'
+
+They turned away from the stall, and the ex-surgeon led into a
+by-street. Yule wondered at himself for caring to seek such a
+singular consultation, but he had a pressing desire to hear some
+opinion as to the state of his eyes. Whatever the stranger might
+tell him, he would afterwards have recourse to a man of
+recognised standing; but just now companionship of any kind was
+welcome, and the poor hungry fellow, with his dolorous life-
+story, had made appeal to his sympathies. To give money under
+guise of a fee would be better than merely offering alms.
+
+'This is the house,' said his guide, pausing at a dirty door. 'It
+isn't inviting, but the people are honest, so far as I know. My
+room is at the top.'
+
+'Lead on,' answered Yule.
+
+In the room they entered was nothing noticeable; it was only the
+poorest possible kind of bed-chamber, or all but the poorest
+possible. Daylight had now succeeded to dawn, yet the first thing
+the stranger did was to strike a match and light a candle.
+
+'Will you kindly place yourself with your back to the window?' he
+said. 'I am going to apply what is called the catoptric test. You
+have probably heard of it?'
+
+'My ignorance of scientific matters is fathomless.'
+
+The other smiled, and at once offered a simple explanation of the
+term. By the appearance of the candle as it reflected itself in
+the patient's eye it was possible, he said, to decide whether
+cataract had taken hold upon the organ.
+
+For a minute or two he conducted his experiment carefully, and
+Yule was at no loss to read the result upon his face.
+
+'How long have you suspected that something was wrong?' the
+surgeon asked, as he put down the candle.
+
+'For several months.'
+
+'You haven't consulted anyone?'
+
+'No one. I have kept putting it off. Just tell me what you have
+discovered.'
+
+'The back of the right lens is affected beyond a doubt.'
+
+'That means, I take it, that before very long I shall be
+practically blind?'
+
+'I don't like to speak with an air of authority. After all, I am
+only a surgeon who has bungled himself into pauperdom. You must
+see a competent man; that much I can tell you in all earnestness.
+
+Do you use your eyes much?'
+
+'Fourteen hours a day, that's all.'
+
+'H'm! You are a literary man, I think?'
+
+'I am. My name is Alfred Yule.'
+
+He had some faint hope that the name might be recognised; that
+would have gone far, for the moment, to counteract his trouble.
+But not even this poor satisfaction was to be granted him; to his
+hearer the name evidently conveyed nothing.
+
+'See a competent man, Mr Yule. Science has advanced rapidly since
+the days when I was a student; I am only able to assure you of
+the existence of disease.'
+
+They talked for half an hour, until both were shaking with cold.
+Then Yule thrust his hand into his pocket.
+
+'You will of course allow me to offer such return as I am able,'
+he said. 'The information isn't pleasant, but I am glad to have
+it.'
+
+He laid five shillings on the chest of drawers--there was no
+table. The stranger expressed his gratitude.
+
+'My name is Duke,' he said, 'and I was christened Victor--
+possibly because I was doomed to defeat in life. I wish you could
+have associated the memory of me with happier circumstances.'
+
+They shook hands, and Yule quitted the house.
+
+He came out again by Camden Town station. The coffee-stall had
+disappeared; the traffic of the great highway was growing
+uproarious. Among all the strugglers for existence who rushed
+this way and that, Alfred Yule felt himself a man chosen for
+fate's heaviest infliction. He never questioned the accuracy of
+the stranger's judgment, and he hoped for no mitigation of the
+doom it threatened. His life was over--and wasted.
+
+He might as well go home, and take his place meekly by the
+fireside. He was beaten. Soon to be a useless old man, a burden
+and annoyance to whosoever had pity on him.
+
+It was a curious effect of the imagination that since coming into
+the open air again his eyesight seemed to be far worse than
+before. He irritated his nerves of vision by incessant tests,
+closing first one eye then the other, comparing his view of
+nearer objects with the appearance of others more remote,
+fancying an occasional pain--which could have had no connection
+with his disease. The literary projects which had stirred so
+actively in his mind twelve hours ago were become an
+insubstantial memory; to the one crushing blow had succeeded a
+second, which was fatal. He could hardly recall what special
+piece of work he had been engaged upon last night. His thoughts
+were such as if actual blindness had really fallen upon him.
+
+At half-past eight he entered the house. Mrs Yule was standing at
+the foot of the stairs; she looked at him, then turned away
+towards the kitchen. He went upstairs. On coming down again he
+found breakfast ready as usual, and seated himself at the table.
+Two letters waited for him there; he opened them.
+
+When Mrs Yule came into the room a few moments later she was
+astonished by a burst of loud, mocking laughter from her husband,
+excited, as it appeared, by something he was reading.
+
+'Is Marian up?' he asked, turning to her.
+
+'Yes.'
+
+'She is not coming to breakfast?'
+
+'No.'
+
+'Then just take that letter to her, and ask her to read it.'
+
+Mrs Yule ascended to her daughter's bedroom. She knocked, was
+bidden enter, and found Marian packing clothes in a trunk. The
+girl looked as if she had been up all night; her eyes bore the
+traces of much weeping.
+
+'He has come back, dear,' said Mrs Yule, in the low voice of
+apprehension, 'and he says you are to read this letter.'
+
+Marian took the sheet, unfolded it, and read. As soon as she had
+reached the end she looked wildly at her mother, seemed to
+endeavour vainly to speak, then fell to the floor in
+unconsciousness. The mother was only just able to break the
+violence of her fall. Having snatched a pillow and placed it
+beneath Marian's head, she rushed to the door and called loudly
+for her husband, who in a moment appeared.
+
+'What is it?' she cried to him. 'Look, she has fallen down in a
+faint. Why are you treating her like this?'
+
+'Attend to her,' Yule replied roughly. 'I suppose you know better
+than I do what to do when a person faints.'
+
+The swoon lasted for several minutes.
+
+'What's in the letter?' asked Mrs Yule whilst chafing the
+lifeless hands.
+
+'Her money's lost. The people who were to pay it have just
+failed.'
+
+'She won't get anything?'
+
+'Most likely nothing at all.'
+
+The letter was a private communication from one of John Yule's
+executors. It seemed likely that the demand upon Turberville &
+Co. for an account of the deceased partner's share in their
+business had helped to bring about a crisis in affairs that were
+already unstable. Something might be recovered in the legal
+proceedings that would result, but there were circumstances which
+made the outlook very doubtful.
+
+As Marian came to herself her father left the room. An hour
+afterwards Mrs Yule summoned him again to the girl's chamber; he
+went, and found Marian lying on the bed, looking like one who had
+been long ill.
+
+'I wish to ask you a few questions,' she said, without raising
+herself. 'Must my legacy necessarily be paid out of that
+investment?'
+
+'It must. Those are the terms of the will.'
+
+'If nothing can be recovered from those people, I have no
+remedy?'
+
+'None whatever that I can see.'
+
+'But when a firm is bankrupt they generally pay some portion of
+their debts?'
+
+'Sometimes. I know nothing of the case.'
+
+'This of course happens to me,' Marian said, with intense
+bitterness. 'None of the other legatees will suffer, I suppose?'
+
+'Someone must, but to a very small extent.'
+
+'Of course. When shall I have direct information?'
+
+'You can write to Mr Holden; you have his address.'
+
+'Thank you. That's all.'
+
+He was dismissed, and went quietly away.
+
+
+
+PART FIVE
+
+CHAPTER XXX. WAITING ON DESTINY
+
+Throughout the day Marian kept her room. Her intention to leave
+the house was, of course, abandoned; she was the prisoner of
+fate. Mrs Yule would have tended her with unremitting devotion,
+but the girl desired to be alone. At times she lay in silent
+anguish; frequently her tears broke forth, and she sobbed until
+weariness overcame her. In the afternoon she wrote a letter to Mr
+Holden, begging that she might be kept constantly acquainted with
+the progress of things.
+
+At five her mother brought tea.
+
+'Wouldn't it be better if you went to bed now, Marian?' she
+suggested.
+
+'To bed? But I am going out in an hour or two.'
+
+'Oh, you can't, dear! It's so bitterly cold. It wouldn't be good
+for you.'
+
+'I have to go out, mother, so we won't speak of it.'
+
+It was not safe to reply. Mrs Yule sat down, and watched the girl
+raise the cup to her mouth with trembling hand.
+
+'This won't make any difference to you--in the end, my darling,'
+the mother ventured to say at length, alluding for the first time
+to the effect of the catastrophe on Marian's immediate prospects.
+
+'Of course not,' was the reply, in a tone of self-persuasion.
+
+'Mr Milvain is sure to have plenty of money before long.'
+
+'Yes.'
+
+'You feel much better now, don't you?'
+
+'Much. I am quite well again.'
+
+At seven, Marian went out. Finding herself weaker than she had
+thought, she stopped an empty cab that presently passed her, and
+so drove to the Milvains' lodgings. In her agitation she inquired
+for Mr Milvain, instead of for Dora, as was her habit; it
+mattered very little, for the landlady and her servants were of
+course under no misconception regarding this young lady's visits.
+
+Jasper was at home, and working. He had but to look at Marian to
+see that something wretched had been going on at her home;
+naturally he supposed it the result of his letter to Mr Yule.
+
+'Your father has been behaving brutally,' he said, holding her
+hands and gazing anxiously at her.
+
+'There is something far worse than that, Jasper.'
+
+'Worse?'
+
+She threw off her outdoor things, then took the fatal letter from
+her pocket and handed it to him. Jasper gave a whistle of
+consternation, and looked vacantly from the paper to Marian's
+countenance.
+
+'How the deuce comes this about?' he exclaimed. 'Why, wasn't your
+uncle aware of the state of things?'
+
+'Perhaps he was. He may have known that the legacy was a mere
+form.'
+
+'You are the only one affected?'
+
+'So father says. It's sure to be the case.'
+
+'This has upset you horribly, I can see. Sit down, Marian. When
+did the letter come?'
+
+'This morning.'
+
+'And you have been fretting over it all day. But come, we must
+keep up our courage; you may get something substantial out of the
+scoundrels still.'
+
+Even whilst he spoke his eyes wandered absently. On the last word
+his voice failed, and he fell into abstraction. Marian's look was
+fixed upon him, and he became conscious of it. He tried to smile.
+
+'What were you writing?' she asked, making involuntary diversion
+from the calamitous theme.
+
+'Rubbish for the Will-o'-the-Wisp. Listen to this paragraph about
+English concert audiences.'
+
+It was as necessary to him as to her to have a respite before the
+graver discussion began. He seized gladly the opportunity she
+offered, and read several pages of manuscript, slipping from one
+topic to another. To hear him one would have supposed that he was
+in his ordinary mood; he laughed at his own jokes and points.
+
+'They'll have to pay me more,' was the remark with which he
+closed. 'I only wanted to make myself indispensable to them, and
+at the end of this year I shall feel pretty sure of that. They'll
+have to give me two guineas a column; by Jove! they will.'
+
+'And you may hope for much more than that, mayn't you, before
+long?'
+
+'Oh, I shall transfer myself to a better paper presently. It
+seems to me I must be stirring to some purpose.'
+
+He gave her a significant look.
+
+'What shall we do, Jasper?'
+
+'Work and wait, I suppose.'
+
+'There's something I must tell you. Father said I had better sign
+that Harrington article myself. If I do that, I shall have a
+right to the money, I think. It will at least be eight guineas.
+And why shouldn't I go on writing for myself--for us? You can
+help me to think of subjects.'
+
+'First of all, what about my letter to your father? We are
+forgetting all about it.'
+
+'He refused to answer.'
+
+Marian avoided closer description of what had happened. It was
+partly that she felt ashamed of her father's unreasoning wrath,
+and feared lest Jasper's pride might receive an injury from which
+she in turn would suffer; partly that she was unwilling to pain
+her lover by making display of all she had undergone.
+
+'Oh, he refused to reply! Surely that is extreme behaviour.'
+
+What she dreaded seemed to be coming to pass. Jasper stood rather
+stiffly, and threw his head back.
+
+'You know the reason, dear. That prejudice has entered into his
+very life. It is not you he dislikes; that is impossible. He
+thinks of you only as he would of anyone connected with Mr
+Fadge.'
+
+'Well, well; it isn't a matter of much moment. But what I have in
+mind is this. Will it be possible for you, whilst living at home,
+to take a position of independence, and say that you are going to
+work for your own profit?'
+
+'At least I might claim half the money I can earn. And I was
+thinking more of--'
+
+'Of what?'
+
+'When I am your wife, I may be able to help. I could earn thirty
+or forty pounds a year, I think. That would pay the rent of a
+small house.'
+
+She spoke with shaken voice, her eyes fixed upon his face.
+
+'But, my dear Marian, we surely oughtn't to think of marrying so
+long as expenses are so nicely fitted as all that?'
+
+'No. I only meant--'
+
+She faltered, and her tongue became silent as her heart sank.
+
+'It simply means,' pursued Jasper, seating himself and crossing
+his legs, 'that I must move heaven and earth to improve my
+position. You know that my faith in myself is not small; there's
+no knowing what I might do if I used every effort. But, upon my
+word, I don't see much hope of our being able to marry for a year
+or two under the most favourable circumstances.'
+
+'No; I quite understand that.'
+
+'Can you promise to keep a little love for me all that time?' he
+asked with a constrained smile.
+
+'You know me too well to fear.'
+
+'I thought you seemed a little doubtful.'
+
+His tone was not altogether that which makes banter pleasant
+between lovers. Marian looked at him fearfully. Was it possible
+for him in truth so to misunderstand her? He had never satisfied
+her heart's desire of infinite love; she never spoke with him but
+she was oppressed with the suspicion that his love was not as
+great as hers, and, worse still, that he did not wholly
+comprehend the self-surrender which she strove to make plain in
+every word.
+
+'You don't say that seriously, Jasper?'
+
+'But answer seriously.'
+
+'How can you doubt that I would wait faithfully for you for years
+if it were necessary?'
+
+'It mustn't be years, that's very certain. I think it
+preposterous for a man to hold a woman bound in that hopeless
+way.'
+
+'But what question is there of holding me bound? Is love
+dependent on fixed engagements? Do you feel that, if we agreed to
+part, your love would be at once a thing of the past?'
+
+'Why no, of course not.'
+
+'Oh, but how coldly you speak, Jasper!'
+
+She could not breathe a word which might be interpreted as fear
+lest the change of her circumstances should make a change in his
+feeling. Yet that was in her mind. The existence of such a fear
+meant, of course, that she did not entirely trust him, and viewed
+his character as something less than noble. Very seldom indeed is
+a woman free from such doubts, however absolute her love; and
+perhaps it is just as rare for a man to credit in his heart all
+the praises he speaks of his beloved. Passion is compatible with
+a great many of these imperfections of intellectual esteem. To
+see more clearly into Jasper's personality was, for Marian, to
+suffer the more intolerable dread lest she should lose him.
+
+She went to his side. Her heart ached because, in her great
+misery, he had not fondled her, and intoxicated her senses with
+loving words.
+
+'How can I make you feel how much I love you?' she murmured.
+
+'You mustn't be so literal, dearest. Women are so desperately
+matter-of-fact; it comes out even in their love-talk.'
+
+Marian was not without perception of the irony of such an opinion
+on Jasper's lips.
+
+'I am content for you to think so,' she said. 'There is only one
+fact in my life of any importance, and I can never lose sight of
+it.'
+
+'Well now, we are quite sure of each other. Tell me plainly, do
+you think me capable of forsaking you because you have perhaps
+lost your money?'
+
+The question made her wince. If delicacy had held her tongue, it
+had no control of HIS.
+
+'How can I answer that better,' she said, 'than by saying I love
+you?'
+
+It was no answer, and Jasper, though obtuse compared with her,
+understood that it was none. But the emotion which had prompted
+his words was genuine enough. Her touch, the perfume of her
+passion, had their exalting effect upon him. He felt in all
+sincerity that to forsake her would be a baseness, revenged by
+the loss of such a wife.
+
+'There's an uphill fight before me, that's all,' he said,
+'instead of the pretty smooth course I have been looking forward
+to. But I don't fear it, Marian. I'm not the fellow to be beaten.
+
+You shall be my wife, and you shall have as many luxuries as if
+you had brought me a fortune.'
+
+'Luxuries! Oh, how childish you seem to think me!'
+
+'Not a bit of it. Luxuries are a most important part of life. I
+had rather not live at all than never possess them. Let me give
+you a useful hint; if ever I seem to you to flag, just remind me
+of the difference between these lodgings and a richly furnished
+house. Just hint to me that So-and-so, the journalist, goes about
+in his carriage, and can give his wife a box at the theatre. Just
+ask me, casually, how I should like to run over to the Riviera
+when London fogs are thickest. You understand? That's the way to
+keep me at it like a steam-engine.'
+
+'You are right. All those things enable one to live a better and
+fuller life. Oh, how cruel that I--that we are robbed in this
+way! You can have no idea how terrible a blow it was to me when I
+read that letter this morning.'
+
+She was on the point of confessing that she had swooned, but
+something restrained her.
+
+'Your father can hardly be sorry,' said Jasper.
+
+'I think he speaks more harshly than he feels. The worst was,
+that until he got your letter he had kept hoping that I would let
+him have the money for a new review.'
+
+'Well, for the present I prefer to believe that the money isn't
+all lost. If the blackguards pay ten shillings in the pound you
+will get two thousand five hundred out of them, and that's
+something. But how do you stand? Will your position be that of an
+ordinary creditor?'
+
+'I am so ignorant. I know nothing of such things.'
+
+'But of course your interests will be properly looked after. Put
+yourself in communication with this Mr Holden. I'll have a look
+into the law on the subject. Let us hope as long as we can. By
+Jove! There's no other way of facing it.'
+
+'No, indeed.'
+
+'Mrs Reardon and the rest of them are safe enough, I suppose?'
+
+'Oh, no doubt.'
+
+'Confound them!--It grows upon one. One doesn't take in the whole
+of such a misfortune at once. We must hold on to the last rag of
+hope, and in the meantime I'll half work myself to death. Are
+you going to see the girls?'
+
+'Not to-night. You must tell them.'
+
+'Dora will cry her eyes out. Upon my word, Maud'll have to draw
+in her horns. I must frighten her into economy and hard work.'
+
+He again lost himself in anxious reverie.
+
+'Marian, couldn't you try your hand at fiction?'
+
+She started, remembering that her father had put the same
+question so recently.
+
+'I'm afraid I could do nothing worth doing.'
+
+'That isn't exactly the question. Could you do anything that
+would sell? With very moderate success in fiction you might make
+three times as much as you ever will by magazine pot-boilers. A
+girl like you. Oh, you might manage, I should think.'
+
+'A girl like me?'
+
+'Well, I mean that love-scenes, and that kind of thing, would be
+very much in your line.'Marian was not given to blushing; very
+few girls are, even on strong provocation. For the first time
+Jasper saw her cheeks colour deeply, and it was with anything but
+pleasure. His words were coarsely inconsiderate, and wounded her.
+
+'I think that is not my work,' she said coldly, looking away.
+
+'But surely there's no harm in my saying--' he paused in
+astonishment. 'I meant nothing that could offend you.'
+
+'I know you didn't, Jasper. But you make me think that--'
+
+'Don't be so literal again, my dear girl. Come here and forgive
+me.'
+
+She did not approach, but only because the painful thought he had
+excited kept her to that spot.
+
+'Come, Marian! Then I must come to you.'
+
+He did so and held her in his arms.
+
+'Try your hand at a novel, dear, if you can possibly make time.
+Put me in it, if you like, and make me an insensible masculine.
+The experiment is worth a try I'm certain. At all events do a few
+chapters, and let me see them. A chapter needn't take you more
+than a couple of hours I should think.'
+
+Marian refrained from giving any promise. She seemed irresponsive
+to his caresses. That thought which at times gives trouble to all
+women of strong emotions was working in her: had she been too
+demonstrative, and made her love too cheap? Now that Jasper's
+love might be endangered, it behoved her to use any arts which
+nature prompted. And so, for once, he was not wholly satisfied
+with her, and at their parting he wondered what subtle change had
+affected her manner to him.
+
+'Why didn't Marian come to speak a word?' said Dora, when her
+brother entered the girls' sitting-room about ten o'clock.
+
+'You knew she was with me, then?'
+
+'We heard her voice as she was going away.'
+
+'She brought me some enspiriting news, and thought it better I
+should have the reporting of it to you.'
+
+With brevity he made known what had befallen.
+
+'Cheerful, isn't it? The kind of thing that strengthens one's
+trust in Providence.'
+
+The girls were appalled. Maud, who was reading by the fireside,
+let her book fall to her lap, and knit her brows darkly.
+
+'Then your marriage must be put off, of course?' said Dora.
+
+'Well, I shouldn't be surprised if that were found necessary,'
+replied her brother caustically. He was able now to give vent to
+the feeling which in Marian's presence was suppressed, partly out
+of consideration for her, and partly owing to her influence.
+
+'And shall we have to go back to our old lodgings again?'
+inquired Maud.
+
+Jasper gave no answer, but kicked a footstool savagely out of his
+way and paced the room.
+
+'Oh, do you think we need?' said Dora, with unusual protest
+against economy.
+
+'Remember that it's a matter for your own consideration,' Jasper
+replied at length. 'You are living on your own resources, you
+know.'
+
+Maud glanced at her sister, but Dora was preoccupied.
+
+'Why do you prefer to stay here?' Jasper asked abruptly of the
+younger girl.
+
+'It is so very much nicer,' she replied with some embarrassment.
+
+He bit the ends of his moustache, and his eyes glared at the
+impalpable thwarting force that to imagination seemed to fill the
+air about him.
+
+'A lesson against being over-hasty,' he muttered, again kicking
+the footstool.
+
+'Did you make that considerate remark to Marian?' asked Maud.
+
+'There would have been no harm if I had done. She knows that I
+shouldn't have been such an ass as to talk of marriage without
+the prospect of something to live upon.'
+
+'I suppose she's wretched?' said Dora.
+
+'What else can you expect?'
+
+'And did you propose to release her from the burden of her
+engagement?' Maud inquired.
+
+'It's a confounded pity that you're not rich, Maud,' replied her
+brother with an involuntary laugh. 'You would have a brilliant
+reputation for wit.'
+
+He walked about and ejaculated splenetic phrases on the subject
+of his ill-luck.
+
+'We are here, and here we must stay,' was the final expression of
+his mood. 'I have only one superstition that I know of and that
+forbids me to take a step backward. If I went into poorer
+lodgings again I should feel it was inviting defeat. I shall stay
+as long as the position is tenable. Let us get on to Christmas,
+and then see how things look. Heavens! Suppose we had married,
+and after that lost the money!'
+
+'You would have been no worse off than plenty of literary men,'
+said Dora.
+
+'Perhaps not. But as I have made up my mind to be considerably
+better off than most literary men that reflection wouldn't
+console me much. Things are in statu quo, that's all. I have to
+rely upon my own efforts. What's the time? Half-past ten; I can
+get two hours' work before going to bed.'
+
+And nodding a good-night he left them.
+
+When Marian entered the house and went upstairs, she was followed
+by her mother. On Mrs Yule's countenance there was a new
+distress, she had been crying recently.
+
+'Have you seen him?' the mother asked.
+
+'Yes. We have talked about it.'
+
+'What does he wish you to do, dear?'
+
+'There's nothing to be done except wait.'
+
+'Father has been telling me something, Marian,' said Mrs Yule
+after a long silence. 'He says he is going to be blind. There's
+something the matter with his eyes, and he went to see someone
+about it this afternoon. He'll get worse and worse, until there
+has been an operation; and perhaps he'll never be able to use his
+eyes properly again.'
+
+The girl listened in an attitude of despair.
+
+'He has seen an oculist?--a really good doctor?'
+
+'He says he went to one of the best.'
+
+'And how did he speak to you?'
+
+'He doesn't seem to care much what happens. He talked of going to
+the workhouse, and things like that. But it couldn't ever come to
+that, could it, Marian? Wouldn't somebody help him?'
+
+'There's not much help to be expected in this world,' answered
+the girl.
+
+Physical weariness brought her a few hours of oblivion as soon as
+she had lain down, but her sleep came to an end in the early
+morning, when the pressure of evil dreams forced her back to
+consciousness of real sorrows and cares. A fog-veiled sky added
+its weight to crush her spirit; at the hour when she usually rose
+it was still all but as dark as midnight. Her mother's voice at
+the door begged her to lie and rest until it grew lighter, and
+she willingly complied, feeling indeed scarcely capable of
+leaving her bed.
+
+The thick black fog penetrated every corner of the house. It
+could be smelt and tasted. Such an atmosphere produces low-
+spirited languor even in the vigorous and hopeful; to those
+wasted by suffering it is the very reek of the bottomless pit,
+poisoning the soul. Her face colourless as the pillow, Marian lay
+neither sleeping nor awake, in blank extremity of woe; tears now
+and then ran down her cheeks, and at times her body was shaken
+with a throe such as might result from anguish of the torture
+chamber.
+
+Midway in the morning, when it was still necessary to use
+artificial light, she went down to the sitting-room. The course
+of household life had been thrown into confusion by the disasters
+of the last day or two; Mrs Yule, who occupied herself almost
+exclusively with questions of economy, cleanliness, and routine,
+had not the heart to pursue her round of duties, and this
+morning, though under normal circumstances she would have been
+busy in 'turning out' the dining-room, she moved aimlessly and
+despondently about the house, giving the servant contradictory
+orders and then blaming herself for her absent-mindedness. In the
+troubles of her husband and her daughter she had scarcely greater
+share--so far as active participation went--than if she had been
+only a faithful old housekeeper; she could only grieve and lament
+that such discord had come between the two whom she loved, and
+that in herself was no power even to solace their distresses.
+Marian found her standing in the passage, with a duster in one
+hand and a hearth-brush in the other.
+
+'Your father has asked to see you when you come down,' Mrs Yule
+whispered.
+
+'I'll go to him.'
+
+Marian entered the study. Her father was not in his place at the
+writing-table, nor yet seated in the chair which he used when he
+had leisure to draw up to the fireside; he sat in front of one of
+the bookcases, bent forward as if seeking a volume, but his chin
+was propped upon his hand, and he had maintained this position
+for a long time. He did not immediately move. When he raised his
+head Marian saw that he looked older, and she noticed--or fancied
+she did--that there was some unfamiliar peculiarity about his
+eyes.
+
+'I am obliged to you for coming,' he began with distant
+formality. 'Since I saw you last I have learnt something which
+makes a change in my position and prospects, and it is necessary
+to speak on the subject. I won't detain you more than a few
+minutes.'
+
+He coughed, and seemed to consider his next words.
+
+'Perhaps I needn't repeat what I have told your mother. You have
+learnt it from her, I dare say.'
+
+'Yes, with much grief.'
+
+'Thank you, but we will leave aside that aspect of the matter.
+For a few more months I may be able to pursue my ordinary work,
+but before long I shall certainly be disabled from earning my
+livelihood by literature. Whether this will in any way affect
+your own position I don't know. Will you have the goodness to
+tell me whether you still purpose leaving this house?'
+
+'I have no means of doing so.'
+
+'Is there any likelihood of your marriage taking place, let us
+say, within four months?'
+
+'Only if the executors recover my money, or a large portion of
+it.'
+
+'I understand. My reason for asking is this. My lease of this
+house terminates at the end of next March, and I shall certainly
+not be justified in renewing it. If you are able to provide for
+yourself in any way it will be sufficient for me to rent two
+rooms after that. This disease which affects my eyes may be only
+temporary; in due time an operation may render it possible for me
+to work again. In hope of that I shall probably have to borrow a
+sum of money on the security of my life insurance, though in the
+first instance I shall make the most of what I can get for the
+furniture of the house and a large part of my library; your
+mother and I could live at very slight expense in lodgings. If
+the disease prove irremediable, I must prepare myself for the
+worst. What I wish to say is, that it will be better if from
+to-day you consider yourself as working for your own subsistence.
+So long as I remain here this house is of course your home; there
+can be no question between us of trivial expenses. But it is
+right that you should understand what my prospects are. I shall
+soon have no home to offer you; you must look to your own efforts
+for support.'
+
+'I am prepared to do that, father.'
+
+'I think you will have no great difficulty in earning enough for
+yourself. I have done my best to train you in writing for the
+periodicals, and your natural abilities are considerable. If you
+marry, I wish you a happy life. The end of mine, of many long
+years of unremitting toil, is failure and destitution.'
+
+Marian sobbed.
+
+'That's all I had to say,' concluded her father, his voice
+tremulous with self-compassion. 'I will only beg that there may
+be no further profitless discussion between us. This room is open
+to you, as always, and I see no reason why we should not converse
+on subjects disconnected with our personal differences.'
+
+'Is there no remedy for cataract in its early stages?' asked
+Marian.
+
+'None. You can read up the subject for yourself at the British
+Museum. I prefer not to speak of it.'
+
+'Will you let me be what help to you I can?'
+
+'For the present the best you can do is to establish a connection
+for yourself with editors. Your name will be an assistance to
+you. My advice is, that you send your "Harrington" article
+forthwith to Trenchard, writing him a note. If you desire my help
+in the suggestion of new subjects, I will do my best to be of
+use.'
+
+Marian withdrew. She went to the sitting-room, where an ochreous
+daylight was beginning to diffuse itself and to render the lamp
+superfluous. With the dissipation of the fog rain had set in; its
+splashing upon the muddy pavement was audible.
+
+Mrs Yule, still with a duster in her hand, sat on the sofa.
+Marian took a place beside her. They talked in low, broken tones,
+and wept together over their miseries.
+
+
+
+CHAPTER XXXI. A RESCUE AND A SUMMONS
+
+The chances are that you have neither understanding nor sympathy
+for men such as Edwin Reardon and Harold Biffen. They merely
+provoke you. They seem to you inert, flabby, weakly envious,
+foolishly obstinate, impiously mutinous, and many other things.
+You are made angrily contemptuous by their failure to get on; why
+don't they bestir themselves, push and bustle, welcome kicks so
+long as halfpence follow, make place in the world's eye--in
+short, take a leaf from the book of Mr Jasper Milvain?
+
+But try to imagine a personality wholly unfitted for the rough
+and tumble of the world's labour-market. From the familiar point
+of view these men were worthless; view them in possible relation
+to a humane order of Society, and they are admirable citizens.
+Nothing is easier than to condemn a type of character which is
+unequal to the coarse demands of life as it suits the average
+man. These two were richly endowed with the kindly and the
+imaginative virtues; if fate threw them amid incongruous
+circumstances, is their endowment of less value? You scorn their
+passivity; but it was their nature and their merit to be passive.
+
+Gifted with independent means, each of them would have taken
+quite a different aspect in your eyes. The sum of their faults
+was their inability to earn money; but, indeed, that inability
+does not call for unmingled disdain.
+
+It was very weak of Harold Biffen to come so near perishing of
+hunger as he did in the days when he was completing his novel.
+But he would have vastly preferred to eat and be satisfied had
+any method of obtaining food presented itself to him. He did not
+starve for the pleasure of the thing, I assure you. Pupils were
+difficult to get just now, and writing that he had sent to
+magazines had returned upon his hands. He pawned such of his
+possessions as he could spare, and he reduced his meals to the
+minimum. Nor was he uncheerful in his cold garret and with his
+empty stomach, for 'Mr Bailey, Grocer,' drew steadily to an end.
+
+He worked very slowly. The book would make perhaps two volumes of
+ordinary novel size, but he had laboured over it for many months,
+patiently, affectionately, scrupulously. Each sentence was as
+good as he could make it, harmonious to the ear, with words of
+precious meaning skilfully set. Before sitting down to a chapter
+he planned it minutely in his mind; then he wrote a rough draft
+of it; then he elaborated the thing phrase by phrase. He had no
+thought of whether such toil would be recompensed in coin of the
+realm; nay, it was his conviction that, if with difficulty
+published, it could scarcely bring him money. The work must be
+significant, that was all he cared for. And he had no society of
+admiring friends to encourage him. Reardon understood the merit
+of the workmanship, but frankly owned that the book was repulsive
+to him. To the public it would be worse than repulsive--tedious,
+utterly uninteresting. No matter; it drew to its end.
+
+The day of its completion was made memorable by an event
+decidedly more exciting, even to the author.
+
+At eight o'clock in the evening there remained half a page to be
+written. Biffen had already worked about nine hours, and on
+breaking off to appease his hunger he doubted whether to finish
+to-night or to postpone the last lines till tomorrow. The
+discovery that only a small crust of bread lay in the cupboard
+decided him to write no more; he would have to go out to purchase
+a loaf and that was disturbance.
+
+But stay; had he enough money? He searched his pockets. Two pence
+and two farthings; no more.
+
+You are probably not aware that at bakers' shops in the poor
+quarters the price of the half-quartern loaf varies sometimes
+from week to week. At present, as Biffen knew, it was twopence
+three-farthings, a common figure. But Harold did not possess
+three farthings, only two. Reflecting, he remembered to have
+passed yesterday a shop where the bread was marked twopence
+halfpenny; it was a shop in a very obscure little street off
+Hampstead Road, some distance from Clipstone Street. Thither he
+must repair. He had only his hat and a muffler to put on, for
+again he was wearing his overcoat in default of the under one,
+and his ragged umbrella to take from the corner; so he went
+forth.
+
+To his delight the twopence halfpenny announcement was still in
+the baker's window. He obtained a loaf wrapped it in the piece of
+paper he had brought--small bakers decline to supply paper for
+this purpose--and strode joyously homeward again.
+
+Having eaten, he looked longingly at his manuscript. But half a
+page more. Should he not finish it to-night? The temptation was
+irresistible. He sat down, wrought with unusual speed, and at
+half-past ten wrote with magnificent flourish 'The End.'
+
+His fire was out and he had neither coals nor wood. But his feet
+were frozen into lifelessness. Impossible to go to bed like this;
+he must take another turn in the streets. It would suit his
+humour to ramble a while. Had it not been so late he would have
+gone to see Reardon, who expected the communication of this
+glorious news.
+
+So again he locked his door. Half-way downstairs he stumbled over
+something or somebody in the dark.
+
+'Who is that?' he cried.
+
+The answer was a loud snore. Biffen went to the bottom of the
+house and called to the landlady.
+
+'Mrs Willoughby! Who is asleep on the stairs?'
+
+'Why, I 'spect it's Mr Briggs,' replied the woman, indulgently.
+'Don't you mind him, Mr Biffen. There's no 'arm: he's only had a
+little too much. I'll go up an' make him go to bed as soon as
+I've got my 'ands clean.'
+
+'The necessity for waiting till then isn't obvious,' remarked the
+realist with a chuckle, and went his way.
+
+He walked at a sharp pace for more than an hour, and about
+midnight drew near to his own quarter again. He had just turned
+up by the Middlesex Hospital, and was at no great distance from
+Clipstone Street, when a yell and scamper caught his attention; a
+group of loafing blackguards on the opposite side of the way had
+suddenly broken up, and as they rushed off he heard the word
+'Fire!' This was too common an occurrence to disturb his
+equanimity; he wondered absently in which street the fire might
+be, but trudged on without a thought of making investigation.
+Repeated yells and rushes, however, assailed his apathy. Two
+women came tearing by him, and he shouted to them: 'Where is it?'
+
+'In Clipstone Street, they say,' one screamed back.
+
+He could no longer be unconcerned. If in his own street the
+conflagration might be in the very house he inhabited, and in
+that case-- He set off at a run. Ahead of him was a thickening
+throng, its position indicating the entrance to Clipstone Street.
+Soon he found his progress retarded; he had to dodge this way and
+that, to force progress, to guard himself against overthrows by
+the torrent of ruffiandom which always breaks forth at the cry of
+fire. He could now smell the smoke, and all at once a black
+volume of it, bursting from upper windows, alarmed his sight. At
+once he was aware that, if not his own dwelling, it must be one
+of those on either side that was in flames. As yet no engine had
+arrived, and straggling policemen were only just beginning to
+make their way to the scene of uproar. By dint of violent effort
+Biffen moved forward yard by yard. A tongue of flame which
+suddenly illumined the fronts of the houses put an end to his
+doubt.
+
+'Let me get past!' he shouted to the gaping and swaying mass of
+people in front of him. 'I live there! I must go upstairs to save
+something!'
+
+His educated accent moved attention. Repeating the demand again
+and again he succeeded in getting forward, and at length was near
+enough to see that people were dragging articles of furniture out
+on to the pavement.
+
+'That you, Mr Biffen?' cried someone to him.
+
+He recognised the face of a fellow-lodger.
+
+'Is it possible to get up to my room?' broke frantically from his
+lips.
+
+'You'll never get up there. It's that-- Briggs'--the epithet was
+alliterative--''as upset his lamp, and I 'ope he'll--well get
+roasted to death.'
+
+Biffen leaped on to the threshold, and crashed against Mrs
+Willoughby, the landlady, who was carrying a huge bundle of
+household linen.
+
+'I told you to look after that drunken brute;' he said to her.
+'Can I get upstairs?'
+
+'What do I care whether you can or not!' the woman shrieked. 'My
+God! And all them new chairs as I bought--!'
+
+He heard no more, but bounded over a confusion of obstacles, and
+in a moment was on the landing of the first storey. Here he
+encountered a man who had not lost his head, a stalwart mechanic
+engaged in slipping clothes on to two little children.
+
+'If somebody don't drag that fellow Briggs down he'll be dead,'
+observed the man. 'He's layin' outside his door. I pulled him
+out, but I can't do no more for him.'
+
+Smoke grew thick on the staircase. Burning was as yet confined to
+that front room on the second floor tenanted by Briggs the
+disastrous, but in all likelihood the ceiling was ablaze, and if
+so it would be all but impossible for Biffen to gain his own
+chamber, which was at the back on the floor above. No one was
+making an attempt to extinguish the fire; personal safety and the
+rescue of their possessions alone occupied the thoughts of such
+people as were still in the house. Desperate with the dread of
+losing his manuscript, his toil, his one hope, the realist
+scarcely stayed to listen to a warning that the fumes were
+impassable; with head bent he rushed up to the next landing.
+There lay Briggs, perchance already stifled, and through the open
+door Biffen had a horrible vision of furnace fury. To go yet
+higher would have been madness but for one encouragement: he knew
+that on his own storey was a ladder giving access to a trap-door,
+by which he might issue on to the roof, whence escape to the
+adjacent houses would be practicable. Again a leap forward!
+
+In fact, not two minutes elapsed from his commencing the ascent
+of the stairs to the moment when, all but fainting, he thrust the
+key into his door and fell forward into purer air. Fell, for he
+was on his knees, and had begun to suffer from a sense of failing
+power, a sick whirling of the brain, a terror of hideous death.
+His manuscript was on the table, where he had left it after
+regarding and handling it with joyful self-congratulation; though
+it was pitch dark in the room, he could at once lay his hand on
+the heap of paper. Now he had it; now it was jammed tight under
+his left arm; now he was out again on the landing, in smoke more
+deadly than ever.
+
+He said to himself: 'If I cannot instantly break out by the trap-
+door it's all over with me.' That the exit would open to a
+vigorous thrust he knew, having amused himself not long ago by
+going on to the roof. He touched the ladder, sprang upwards, and
+felt the trap above him. But he could not push it back. 'I'm a
+dead man,' flashed across his mind, 'and all for the sake of "Mr
+Bailey, Grocer."' A frenzied effort, the last of which his
+muscles were capable, and the door yielded. His head was now
+through the aperture, and though the smoke swept up about him,
+that gasp of cold air gave him strength to throw himself on the
+flat portion of the roof that he had reached.
+
+So for a minute or two he lay. Then he was able to stand, to
+survey his position, and to walk along by the parapet. He looked
+down upon the surging and shouting crowd in Clipstone Street, but
+could see it only at intervals, owing to the smoke that rolled
+from the front windows below him.
+
+What he had now to do he understood perfectly. This roof was
+divided from those on either hand by a stack of chimneys; to get
+round the end of these stacks was impossible, or at all events
+too dangerous a feat unless it were the last resource, but by
+climbing to the apex of the slates he would be able to reach the
+chimney-pots, to drag himself up to them, and somehow to tumble
+over on to the safer side. To this undertaking he forthwith
+addressed himself. Without difficulty he reached the ridge;
+standing on it he found that only by stretching his arm to the
+utmost could he grip the top of a chimney-pot. Had he the
+strength necessary to raise himself by such a hold? And suppose
+the pot broke?
+
+His life was still in danger; the increasing volumes of smoke
+warned him that in a few minutes the uppermost storey might be in
+flames. He took off his overcoat to allow himself more freedom of
+action; the manuscript, now an encumbrance, must precede him over
+the chimney-stack, and there was only one way of effecting that.
+With care he stowed the papers into the pockets of the coat; then
+he rolled the garment together, tied it up in its own sleeves,
+took a deliberate aim--and the bundle was for the present in
+safety.
+
+Now for the gymnastic endeavour. Standing on tiptoe, he clutched
+the rim of the chimney-pot, and strove to raise himself. The hold
+was firm enough, but his arms were far too puny to perform such
+work, even when death would be the penalty of failure. Too long
+he had lived on insufficient food and sat over the debilitating
+desk. He swung this way and that, trying to throw one of his
+knees as high as the top of the brickwork, but there was no
+chance of his succeeding. Dropping on to the slates, he sat there
+in perturbation.
+
+He must cry for help. In front it was scarcely possible to stand
+by the parapet, owing to the black clouds of smoke, now mingled
+with sparks; perchance he might attract the notice of some person
+either in the yards behind or at the back windows of other
+houses. The night was so obscure that he could not hope to be
+seen; voice alone must be depended upon, and there was no
+certainty that it would be heard far enough. Though he stood in
+his shirt-sleeves in a bitter wind no sense of cold affected him;
+his face was beaded with perspiration drawn forth by his futile
+struggle to climb. He let himself slide down the rear slope, and,
+holding by the end of the chimney brickwork, looked into the
+yards. At the same instant a face appeared to him--that of a man
+who was trying to obtain a glimpse of this roof from that of the
+next house by thrusting out his head beyond the block of
+chimneys.
+
+'Hollo!' cried the stranger. 'What are you doing there?'
+
+'Trying to escape, of course. Help me to get on to your roof.'
+
+'By God! I expected to see the fire coming through already. Are
+you the-- as upset his lamp an' fired the bloomin' 'ouse?'
+
+'Not I! He's lying drunk on the stairs; dead by this time.'
+
+'By God! I wouldn't have helped you if you'd been him. How are
+you coming round? Blest if I see! You'll break your bloomin' neck
+if you try this corner. You'll have to come over the chimneys;
+wait till I get a ladder.'
+
+'And a rope,' shouted Biffen.
+
+The man disappeared for five minutes. To Biffen it seemed half an
+hour; he felt, or imagined he felt, the slates getting hot
+beneath him, and the smoke was again catching his breath. But at
+length there was a shout from the top of the chimney-stack. The
+rescuer had seated himself on one of the pots, and was about to
+lower on Biffen's side a ladder which had enabled him to ascend
+from the other. Biffen planted the lowest rung very carefully on
+the ridge of the roof, climbed as lightly as possible, got a
+footing between two pots; the ladder was then pulled over, and
+both men descended in safety.
+
+'Have you seen a coat lying about here?' was Biffen's first
+question. 'I threw mine over.'
+
+'What did you do that for?'
+
+'There are some valuable papers in the pockets.'
+
+They searched in vain; on neither side of the roof was the coat
+discoverable.
+
+'You must have pitched it into the street,' said the man.
+
+This was a terrible blow; Biffen forgot his rescue from
+destruction in lament for the loss of his manuscript. He would
+have pursued the fruitless search, but his companion, who feared
+that the fire might spread to adjoining houses, insisted on his
+passing through the trap-door and descending the stairs.'If the
+coat fell into the street,' Biffen said, when they were down on
+the ground floor, 'of course it's lost; it would be stolen at
+once. But may not it have fallen into your back yard?'
+
+He was standing in the midst of a cluster of alarmed people, who
+stared at him in astonishment, for the reek through which he had
+fought his way had given him the aspect of a sweep. His
+suggestion prompted someone to run into the yard, with the result
+that a muddy bundle was brought in and exhibited to him.
+
+'Is this your coat, Mister?'
+
+'Heaven be thanked! That's it! There are valuable papers in the
+pockets.'
+
+He unrolled the garment, felt to make sure that 'Mr Bailey' was
+safe, and finally put it on.
+
+'Will anyone here let me sit down in a room and give me a drink
+of water?' he asked, feeling now as if he must drop with
+exhaustion.
+
+The man who had rescued him performed this further kindness, and
+for half an hour, whilst tumult indescribable raged about him,
+Biffen sat recovering his strength. By that time the firemen were
+hard at work, but one floor of the burning house had already
+fallen through, and it was probable that nothing but the shell
+would be saved. After giving a full account of himself to the
+people among whom he had come, Harold declared his intention of
+departing; his need of repose was imperative, and he could not
+hope for it in this proximity to the fire. As he had no money,
+his only course was to inquire for a room at some house in the
+immediate neighbourhood, where the people would receive him in a
+charitable spirit.
+
+With the aid of the police he passed to where the crowd was
+thinner, and came out into Cleveland Street. Here most of the
+house-doors were open, and he made several applications for
+hospitality, but either his story was doubted or his grimy
+appearance predisposed people against him. At length, when again
+his strength was all but at an end, he made appeal to a
+policeman.
+
+'Surely you can tell,' he protested, after explaining his
+position, 'that I don't want to cheat anybody. I shall have money
+to-morrow. If no one will take me in you must haul me on some
+charge to the police-station; I shall have to lie down on the
+pavement in a minute.'
+
+The officer recognised a man who was standing half-dressed on a
+threshold close by; he stepped up to him and made representations
+which were successful. In a few minutes Biffen took possession of
+an underground room furnished as a bedchamber, which he agreed to
+rent for a week. His landlord was not ungracious, and went so far
+as to supply him with warm water, that he might in a measure
+cleanse himself. This operation rapidly performed, the hapless
+author flung himself into bed, and before long was fast asleep.
+
+When he went upstairs about nine o'clock in the morning he
+discovered that his host kept an oil-shop.
+
+'Lost everything, have you?' asked the man sympathetically.
+
+'Everything, except the clothes I wear and some papers that I
+managed to save. All my books burnt!'
+
+Biffen shook his head dolorously.
+
+'Your account-books!' cried the dealer in oil. 'Dear, dear!--and
+what might your business be?'
+
+The author corrected this misapprehension. In the end he was
+invited to break his fast, which he did right willingly. Then,
+with assurances that he would return before nightfall, he left
+the house. His steps were naturally first directed to Clipstone
+Street; the familiar abode was a gruesome ruin, still smoking.
+Neighbours informed him that Mr Briggs's body had been brought
+forth in a horrible condition; but this was the only loss of life
+that had happened.
+
+Thence he struck eastward, and at eleven came to Manville Street,
+Islington. He found Reardon by the fireside, looking very ill,
+and speaking with hoarseness.
+
+'Another cold?'
+
+'It looks like it. I wish you would take the trouble to go and
+buy me some vermin-killer. That would suit my case.'
+
+'Then what would suit mine? Behold me, undeniably a philosopher;
+in the literal sense of the words omnia mea mecum porto.'
+
+He recounted his adventures, and with such humorous vivacity that
+when he ceased the two laughed together as if nothing more
+amusing had ever been heard.
+
+'Ah, but my books, my books!' exclaimed Biffen, with a genuine
+groan. 'And all my notes! At one fell swoop! If I didn't laugh,
+old friend, I should sit down and cry; indeed I should. All my
+classics, with years of scribbling in the margins! How am I to
+buy them again?'
+
+'You rescued "Mr Bailey." He must repay you.'
+
+Biffen had already laid the manuscript on the table; it was dirty
+and crumpled, but not to such an extent as to render copying
+necessary. Lovingly he smoothed the pages and set them in order,
+then he wrapped the whole in a piece of brown paper which Reardon
+supplied, and wrote upon it the address of a firm of publishers.
+
+'Have you note-paper? I'll write to them; impossible to call in
+my present guise.'
+
+Indeed his attire was more like that of a bankrupt costermonger
+than of a man of letters. Collar he had none, for the griminess
+of that he wore last night had necessitated its being thrown
+aside; round his throat was a dirty handkerchief. His coat had
+been brushed, but its recent experiences had brought it one stage
+nearer to that dissolution which must very soon be its fate. His
+grey trousers were now black, and his boots looked as if they had
+not been cleaned for weeks.
+
+'Shall I say anything about the character of the book?' he asked,
+seating himself with pen and paper. 'Shall I hint that it deals
+with the ignobly decent?'
+
+'Better let them form their own judgment,' replied Reardon, in
+his hoarse voice.
+
+'Then I'll just say that I submit to them a novel of modern life,
+the scope of which is in some degree indicated by its title. Pity
+they can't know how nearly it became a holocaust, and that I
+risked my life to save it. If they're good enough to accept it
+I'll tell them the story. And now, Reardon, I'm ashamed of
+myself, but can you without inconvenience lend me ten shillings?'
+
+'Easily.'
+
+'I must write to two pupils, to inform them of my change of
+address--from garret to cellar. And I must ask help from my
+prosperous brother. He gives it me unreluctantly, I know, but I
+am always loth to apply to him. May I use your paper for these
+purposes?'
+
+The brother of whom he spoke was employed in a house of business
+at Liverpool; the two had not met for years, but they
+corresponded, and were on terms such as Harold indicated. When he
+had finished his letters, and had received the half-sovereign
+from Reardon, he went his way to deposit the brown-paper parcel
+at the publishers'. The clerk who received it from his hands
+probably thought that the author might have chosen a more
+respectable messenger.
+
+Two days later, early in the evening, the friends were again
+enjoying each other's company in Reardon's room. Both were
+invalids, for Biffen had of course caught a cold from his
+exposure in shirt-sleeves on the roof, and he was suffering from
+the shock to his nerves; but the thought that his novel was safe
+in the hands of publishers gave him energy to resist these
+influences. The absence of the pipe, for neither had any palate
+for tobacco at present, was the only external peculiarity of this
+meeting. There seemed no reason why they should not meet
+frequently before the parting which would come at Christmas; but
+Reardon was in a mood of profound sadness, and several times
+spoke as if already he were bidding his friend farewell.
+
+'I find it difficult to think,' he said, 'that you will always
+struggle on in such an existence as this. To every man of mettle
+there does come an opportunity, and it surely is time for yours
+to present itself. I have a superstitious faith in "Mr Bailey."
+If he leads you to triumph, don't altogether forget me.'
+
+'Don't talk nonsense.'
+
+'What ages it seems since that day when I saw you in the library
+at Hastings, and heard you ask in vain for my book! And how
+grateful I was to you! I wonder whether any mortal ever asks for
+my books nowadays? Some day, when I am well established at
+Croydon, you shall go to Mudie's, and make inquiry if my novels
+ever by any chance leave the shelves, and then you shall give me
+a true and faithful report of the answer you get. "He is quite
+forgotten," the attendant will say; be sure of it.'
+
+'I think not.'
+
+'To have had even a small reputation, and to have outlived it, is
+a sort of anticipation of death. The man Edwin Reardon, whose
+name was sometimes spoken in a tone of interest, is really and
+actually dead. And what remains of me is resigned to that. I have
+an odd fancy that it will make death itself easier; it is as if
+only half of me had now to die.'
+
+Biffen tried to give a lighter turn to the gloomy subject.
+
+'Thinking of my fiery adventure,' he said, in his tone of dry
+deliberation, 'I find it vastly amusing to picture you as a
+witness at the inquest if I had been choked and consumed. No
+doubt it would have been made known that I rushed upstairs to
+save some particular piece of property--several people heard me
+say so--and you alone would be able to conjecture what this was.
+Imagine the gaping wonderment of the coroner's jury! The Daily
+Telegraph would have made a leader out of me. "This poor man was
+so strangely deluded as to the value of a novel in manuscript,
+which it appears he had just completed, that he positively
+sacrificed his life in the endeavour to rescue it from the
+flames." And the Saturday would have had a column of sneering
+jocosity on the irrepressibly sanguine temperament of authors. At
+all events, I should have had my day of fame.'
+
+'But what an ignoble death it would have been!' he pursued.
+'Perishing in the garret of a lodging-house which caught fire by
+the overturning of a drunkard's lamp! One would like to end
+otherwise.'
+
+'Where would you wish to die?' asked Reardon, musingly.
+
+'At home,' replied the other, with pathetic emphasis. 'I have
+never had a home since I was a boy, and am never likely to have
+one. But to die at home is an unreasoning hope I still cherish.'
+
+'If you had never come to London, what would you have now been?'
+
+'Almost certainly a schoolmaster in some small town. And one
+might be worse off than that, you know.'
+
+'Yes, one might live peaceably enough in such a position. And I--
+I should be in an estate-agent's office, earning a sufficient
+salary, and most likely married to some unambitious country girl.
+
+I should have lived an intelligible life, instead of only trying
+to live, aiming at modes of life beyond my reach. My mistake was
+that of numberless men nowadays. Because I was conscious of
+brains, I thought that the only place for me was London. It's
+easy enough to understand this common delusion. We form our ideas
+of London from old literature; we think of London as if it were
+still the one centre of intellectual life; we think and talk like
+Chatterton. But the truth is that intellectual men in our day do
+their best to keep away from London--when once they know the
+place. There are libraries everywhere; papers and magazines reach
+the north of Scotland as soon as they reach Brompton; it's only
+on rare occasions, for special kinds of work, that one is bound
+to live in London. And as for recreation, why, now that no
+English theatre exists, what is there in London that you can't
+enjoy in almost any part of England? At all events, a yearly
+visit of a week would be quite sufficient for all the special
+features of the town. London is only a huge shop, with an hotel
+on the upper storeys. To be sure, if you make it your artistic
+subject, that's a different thing. But neither you nor I would do
+that by deliberate choice.'
+
+'I think not.'
+
+'It's a huge misfortune, this will-o'-the-wisp attraction
+exercised by London on young men of brains. They come here to be
+degraded, or to perish, when their true sphere is a life of
+peaceful remoteness. The type of man capable of success in London
+is more or less callous and cynical. If I had the training of
+boys, I would teach them to think of London as the last place
+where life can be lived worthily.'
+
+'And the place where you are most likely to die in squalid
+wretchedness.'
+
+'The one happy result of my experiences,' said Reardon, is that
+they have cured me of ambition. What a miserable fellow I should
+be if I were still possessed with the desire to make a name! I
+can't even recall very clearly that state of mind. My strongest
+desire now is for peaceful obscurity. I am tired out; I want to
+rest for the remainder of my life.'
+
+'You won't have much rest at Croydon.'
+
+'Oh, it isn't impossible. My time will be wholly occupied in a
+round of all but mechanical duties, and I think that will be the
+best medicine for my mind. I shall read very little, and that
+only in the classics. I don't say that I shall always be content
+in such a position; in a few years perhaps something pleasanter
+will offer. But in the meantime it will do very well. Then there
+is our expedition to Greece to look forward to. I am quite in
+earnest about that. The year after next, if we are both alive,
+assuredly we go.'
+
+'The year after next.' Biffen smiled dubiously.
+
+'I have demonstrated to you mathematically that it is possible.'
+
+'You have; but so are a great many other things that one does not
+dare to hope for.'
+
+Someone knocked at the door, opened it, and said:
+
+'Here's a telegram for you, Mr Reardon.'
+
+The friends looked at each other, as if some fear had entered the
+minds of both. Reardon opened the despatch. It was from his wife,
+and ran thus:
+
+'Willie is ill of diphtheria. Please come to us at once. I am
+staying with Mrs Carter, at her mother's, at Brighton.'
+
+The full address was given.
+
+'You hadn't heard of her going there?' said Biffen, when he had
+read the lines.
+
+'No. I haven't seen Carter for several days, or perhaps he would
+have told me. Brighton, at this time of year? But I believe
+there's a fashionable "season" about now, isn't there? I suppose
+that would account for it.'
+
+He spoke in a slighting tone, but showed increasing agitation.
+
+'Of course you will go?'
+
+'I must. Though I'm in no condition for making a journey.'
+
+His friend examined him anxiously.
+
+'Are you feverish at all this evening?'
+
+Reardon held out a hand that the other might feel his pulse. The
+beat was rapid to begin with, and had been heightened since the
+arrival of the telegram.
+
+'But go I must. The poor little fellow has no great place in my
+heart, but, when Amy sends for me, I must go. Perhaps things are
+at the worst.'
+
+'When is there a train? Have you a time table?'
+
+Biffen was despatched to the nearest shop to purchase one, and in
+the meanwhile Reardon packed a few necessaries in a small
+travelling-bag, ancient and worn, but the object of his affection
+because it had accompanied him on his wanderings in the South.
+When Harold returned, his appearance excited Reardon's
+astonishment--he was white from head to foot.
+
+'Snow?'
+
+'It must have been falling heavily for an hour or more.'
+
+'Can't be helped; I must go.'
+
+The nearest station for departure was London Bridge, and the next
+train left at 7.20. By Reardon's watch it was now about five
+minutes to seven.
+
+'I don't know whether it's possible,' he said, in confused hurry,
+'but I must try. There isn't another train till ten past nine.
+Come with me to the station, Biffen.'
+
+Both were ready. They rushed from the house, and sped through the
+soft, steady fall of snowflakes into Upper Street. Here they were
+several minutes before they found a disengaged cab. Questioning
+the driver, they learnt what they would have known very well
+already but for their excitement: impossible to get to London
+Bridge Station in a quarter of an hour.
+
+'Better to go on, all the same,' was Reardon's opinion. 'If the
+snow gets deep I shall perhaps not be able to have a cab at all.
+But you had better not come; I forgot that you are as much out of
+sorts as I am.'
+
+'How can you wait a couple of hours alone? In with you!'
+
+'Diphtheria is pretty sure to be fatal to a child of that age,
+isn't it?' Reardon asked when they were speeding along City Road.
+
+'I'm afraid there's much danger.'
+
+'Why did she send?'
+
+'What an absurd question! You seem to have got into a thoroughly
+morbid state of mind about her. Do be human, and put away your
+obstinate folly.'
+
+'In my position you would have acted precisely as I have done. I
+have had no choice.'
+
+'I might; but we have both of us too little practicality. The art
+of living is the art of compromise. We have no right to foster
+sensibilities, and conduct ourselves as if the world allowed of
+ideal relations; it leads to misery for others as well as
+ourselves. Genial coarseness is what it behoves men like you and
+me to cultivate. Your reply to your wife's last letter was
+preposterous. You ought to have gone to her of your own accord as
+soon as ever you heard she was rich; she would have thanked you
+for such common-sense disregard of delicacies. Let there be an
+end of this nonsense, I implore you!'
+
+Reardon stared through the glass at the snow that fell thicker
+and thicker.
+
+'What are we--you and I?' pursued the other. 'We have no belief
+in immortality; we are convinced that this life is all; we know
+that human happiness is the origin and end of all moral
+considerations. What right have we to make ourselves and others
+miserable for the sake of an obstinate idealism? It is our duty
+to make the best of circumstances. Why will you go cutting your
+loaf with a razor when you have a serviceable bread-knife?'
+
+Still Reardon did not speak. The cab rolled on almost silently.
+
+'You love your wife, and this summons she sends is proof that her
+thought turns to you as soon as she is in distress.'
+
+'Perhaps she only thought it her duty to let the child's father
+know--'
+
+'Perhaps--perhaps--perhaps!' cried Biffen, contemptuously. 'There
+goes the razor again! Take the plain, human construction of what
+happens. Ask yourself what the vulgar man would do, and do
+likewise; that's the only safe rule for you.'
+
+They were both hoarse with too much talking, and for the last
+half of the drive neither spoke.
+
+At the railway-station they ate and drank together, but with poor
+pretence of appetite. As long as possible they kept within the
+warmed rooms. Reardon was pale, and had anxious, restless eyes;
+he could not remain seated, though when he had walked about for a
+few minutes the trembling of his limbs obliged him to sink down.
+It was an unutterable relief to both when the moment of the
+train's starting approached.
+
+They clasped hands warmly, and exchanged a few last requests and
+promises.
+
+'Forgive my plain speech, old fellow,' said Biffen. 'Go and be
+happy!'
+
+Then he stood alone on the platform, watching the red light on
+the last carriage as the train whirled away into darkness and
+storm.
+
+
+
+CHAPTER XXXII. REARDON BECOMES PRACTICAL
+
+Reardon had never been to Brighton, and of his own accord never
+would have gone; he was prejudiced against the place because its
+name has become suggestive of fashionable imbecility and the
+snobbishness which tries to model itself thereon; he knew that
+the town was a mere portion of London transferred to the
+sea-shore, and as he loved the strand and the breakers for their
+own sake, to think of them in such connection could be nothing
+but a trial of his temper. Something of this species of
+irritation affected him in the first part of his journey, and
+disturbed the mood of kindliness with which he was approaching
+Amy; but towards the end he forgot this in a growing desire to be
+beside his wife in her trouble. His impatience made the hour and
+a half seem interminable.
+
+The fever which was upon him had increased. He coughed
+frequently; his breathing was difficult; though constantly
+moving, he felt as if, in the absence of excitement, his one wish
+would have been to lie down and abandon himself to lethargy. Two
+men who sat with him in the third-class carriage had spread a rug
+over their knees and amused themselves with playing cards for
+trifling sums of money; the sight of their foolish faces, the
+sound of their laughs, the talk they interchanged, exasperated
+him to the last point of endurance; but for all that he could not
+draw his attention from them. He seemed condemned by some
+spiritual tormentor to take an interest in their endless games,
+and to observe their visages until he knew every line with a
+hateful intimacy. One of the men had a moustache of unusual form;
+the ends curved upward with peculiar suddenness, and Reardon was
+constrained to speculate as to the mode of training by which this
+singularity had been produced. He could have shed tears of
+nervous distraction in his inability to turn his thoughts upon
+other things.
+
+On alighting at his journey's end he was seized with a fit of
+shivering, an intense and sudden chill which made his teeth
+chatter. In an endeavour to overcome this he began to run towards
+the row of cabs, but his legs refused such exercise, and coughing
+compelled him to pause for breath. Still shaking, he threw
+himself into a vehicle and was driven to the address Amy had
+mentioned. The snow on the ground lay thick, but no more was
+falling.
+
+Heedless of the direction which the cab took, he suffered his
+physical and mental unrest for another quarter of an hour, then a
+stoppage told him that the house was reached. On his way he had
+heard a clock strike eleven.
+
+The door opened almost as soon as he had rung the bell. He
+mentioned his name, and the maid-servant conducted him to a
+drawing-room on the ground-floor. The house was quite a small
+one, but seemed to be well furnished. One lamp burned on the
+table, and the fire had sunk to a red glow. Saying that she would
+inform Mrs Reardon at once, the servant left him alone.
+
+He placed his bag on the floor, took off his muffler, threw back
+his overcoat, and sat waiting. The overcoat was new, but the
+garments beneath it were his poorest, those he wore when sitting
+in his garret, for he had neither had time to change them, nor
+thought of doing so.
+
+He heard no approaching footstep but Amy came into the room in a
+way which showed that she had hastened downstairs. She looked at
+him, then drew near with both hands extended, and laid them on
+his shoulders, and kissed him. Reardon shook so violently that it
+was all he could do to remain standing; he seized one of her
+hands, and pressed it against his lips.
+
+'How hot your breath is!' she said. 'And how you tremble! Are you
+ill?'
+
+'A bad cold, that's all,' he answered thickly, and coughed. 'How
+is Willie?'
+
+'In great danger. The doctor is coming again to-night; we thought
+that was his ring.'
+
+'You didn't expect me to-night?'
+
+'I couldn't feel sure whether you would come.'
+
+'Why did you send for me, Amy? Because Willie was in danger, and
+you felt I ought to know about it?'
+
+'Yes--and because I--'
+
+She burst into tears. The display of emotion came very suddenly;
+her words had been spoken in a firm voice, and only the pained
+knitting of her brows had told what she was suffering.
+
+'If Willie dies, what shall I do? Oh, what shall I do?' broke
+forth between her sobs.
+
+Reardon took her in his arms, and laid his hand upon her head in
+the old loving way.
+
+'Do you wish me to go up and see him, Amy?'
+
+'Of course. But first, let me tell you why we are here. Edith--
+Mrs Carter--was coming to spend a week with her mother, and she
+pressed me to join her. I didn't really wish to; I was unhappy,
+and felt how impossible it was to go on always living away from
+you. Oh, that I had never come! Then Willie would have been as
+well as ever.'
+
+'Tell me when and how it began.'
+
+She explained briefly, then went on to tell of other
+circumstances.
+
+'I have a nurse with me in the room. It's my own bedroom, and
+this house is so small it will be impossible to give you a bed
+here, Edwin. But there's an hotel only a few yards away.'
+
+'Yes, yes; don't trouble about that.'
+
+'But you look so ill--you are shaking so. Is it a cold you have
+had long?'
+
+'Oh, my old habit; you remember. One cold after another, all
+through the accursed winter. What does that matter when you speak
+kindly to me once more? I had rather die now at your feet and see
+the old gentleness when you look at me, than live on estranged
+from you. No, don't kiss me, I believe these vile sore-throats
+are contagious.'
+
+'But your lips are so hot and parched! And to think of your
+coming this journey, on such a night!'
+
+'Good old Biffen came to the station with me. He was angry
+because I had kept away from you so long. Have you given me your
+heart again, Amy?'
+
+'Oh, it has all been a wretched mistake! But we were so poor. Now
+all that is over; if only Willie can be saved to me! I am so
+anxious for the doctor's coming; the poor little child can hardly
+draw a breath. How cruel it is that such suffering should come
+upon a little creature who has never done or thought ill!'
+
+'You are not the first, dearest, who has revolted against
+nature's cruelty.'
+
+'Let us go up at once, Edwin. Leave your coat and things here.
+Mrs Winter--Edith's mother--is a very old lady; she has gone to
+bed. And I dare say you wouldn't care to see Mrs Carter to-
+night?'
+
+'No, no! only you and Willie.'
+
+'When the doctor comes hadn't you better ask his advice for
+yourself?'
+
+'We shall see. Don't trouble about me.'
+
+They went softly up to the first floor, and entered a bedroom.
+Fortunately the light here was very dim, or the nurse who sat by
+the child's bed must have wondered at the eccentricity with which
+her patient's father attired himself. Bending over the little
+sufferer, Reardon felt for the first time since Willie's birth a
+strong fatherly emotion; tears rushed to his eyes, and he almost
+crushed Amy's hand as he held it during the spasm of his intense
+feeling.
+
+He sat here for a long time without speaking. The warmth of the
+chamber had the reverse of an assuaging effect upon his difficult
+breathing and his frequent short cough--it seemed to oppress and
+confuse his brain. He began to feel a pain in his right side, and
+could not sit upright on the chair.
+
+Amy kept regarding him, without his being aware of it.
+
+'Does your head ache?' she whispered.
+
+He nodded, but did not speak.
+
+'Oh, why doesn't the doctor come? I must send in a few minutes.'
+
+But as soon as she had spoken a bell rang in the lower part of
+the house. Amy had no doubt that it announced the promised visit.
+
+She left the room, and in a minute or two returned with the
+medical man. When the examination of the child was over, Reardon
+requested a few words with the doctor in the room downstairs.
+
+'I'll come back to you,' he whispered to Amy.
+
+The two descended together, and entered the drawing-room.
+
+'Is there any hope for the little fellow?' Reardon asked.
+
+Yes, there was hope; a favourable turn might be expected.
+
+'Now I wish to trouble you for a moment on my own account. I
+shouldn't be surprised if you tell me that I have congestion of
+the lungs.'
+
+The doctor, a suave man of fifty, had been inspecting his
+interlocutor with curiosity. He now asked the necessary
+questions, and made an examination.
+
+'Have you had any lung trouble before this?' he inquired gravely.
+
+'Slight congestion of the right lung not many weeks ago.'
+
+'I must order you to bed immediately. Why have you allowed your
+symptoms to go so far without--'
+
+'I have just come down from London,' interrupted Reardon.
+
+'Tut, tut, tut! To bed this moment, my dear sir! There is
+inflammation, and--'
+
+'I can't have a bed in this house; there is no spare room. I must
+go to the nearest hotel.'
+
+'Positively? Then let me take you. My carriage is at the door.'
+
+'One thing--I beg you won't tell my wife that this is serious.
+Wait till she is out of her anxiety about the child.'
+
+'You will need the services of a nurse. A most unfortunate thing
+that you are obliged to go to the hotel.'
+
+'It can't be helped. If a nurse is necessary, I must engage one.'
+
+He had the strange sensation of knowing that whatever was needful
+could be paid for; it relieved his mind immensely. To the rich,
+illness has none of the worst horrors only understood by the
+poor.
+
+'Don't speak a word more than you can help,' said the doctor as
+he watched Reardon withdraw.
+
+Amy stood on the lower stairs, and came down as soon as her
+husband showed himself.
+
+'The doctor is good enough to take me in his carriage,' he
+whispered. 'It is better that I should go to bed, and get a good
+night's rest. I wish I could have sat with you, Amy.'
+
+'Is it anything? You look worse than when you came, Edwin.'
+
+'A feverish cold. Don't give it a thought, dearest. Go to Willie.
+Good-night!'
+
+She threw her arms about him.
+
+'I shall come to see you if you are not able to be here by nine
+in the morning,' she said, and added the name of the hotel to
+which he was to go.
+
+At this establishment the doctor was well known. By midnight
+Reardon lay in a comfortable room, a huge cataplasm fixed upon
+him, and other needful arrangements made. A waiter had undertaken
+to visit him at intervals through the night, and the man of
+medicine promised to return as soon as possible after daybreak.
+
+What sound was that, soft and continuous, remote, now clearer,
+now confusedly murmuring? He must have slept, but now he lay in
+sudden perfect consciousness, and that music fell upon his ears.
+Ah! of course it was the rising tide; he was near the divine sea.
+
+The night-light enabled him to discern the principal objects in
+the room, and he let his eyes stray idly hither and thither. But
+this moment of peacefulness was brought to an end by a fit of
+coughing, and he became troubled, profoundly troubled, in mind.
+Was his illness really dangerous? He tried to draw a deep breath,
+but could not. He found that he could only lie on his right side
+with any ease. And with the effort of turning he exhausted
+himself; in the course of an hour or two all his strength had
+left him. Vague fears flitted harassingly through his thoughts.
+If he had inflammation of the lungs--that was a disease of which
+one might die, and speedily. Death? No, no, no; impossible at
+such a time as this, when Amy, his own dear wife, had come back
+to him, and had brought him that which would insure their
+happiness through all the years of a long life.
+
+He was still quite a young man; there must be great reserves of
+strength in him. And he had the will to live, the prevailing
+will, the passionate all-conquering desire of happiness.
+
+How he had alarmed himself! Why, now he was calmer again, and
+again could listen to the music of the breakers. Not all the
+folly and baseness that paraded along this strip of the shore
+could change the sea's eternal melody. In a day or two he would
+walk on the sands with Amy, somewhere quite out of sight of the
+repulsive town. But Willie was ill; he had forgotten that. Poor
+little boy! In future the child should be more to him; though
+never what the mother was, his own love, won again and for ever.
+
+Again an interval of unconsciousness, brought to an end by that
+aching in his side. He breathed very quickly; could not help
+doing so. He had never felt so ill as this, never. Was it not
+near morning?
+
+Then he dreamt. He was at Patras, was stepping into a boat to be
+rowed out to the steamer which would bear him away from Greece. A
+magnificent night, though at the end of December; a sky of deep
+blue, thick set with stars. No sound but the steady splash of the
+oars, or perhaps a voice from one of the many vessels that lay
+anchored in the harbour, each showing its lantern-gleams. The
+water was as deep a blue as the sky, and sparkled with reflected
+radiance.
+
+And now he stood on deck in the light of early morning. Southward
+lay the Ionian Islands; he looked for Ithaca, and grieved that it
+had been passed in the hours of darkness. But the nearest point
+of the main shore was a rocky promontory; it reminded him that in
+these waters was fought the battle of Actium.
+
+The glory vanished. He lay once more a sick man in a hired
+chamber, longing for the dull English dawn.
+
+At eight o'clock came the doctor. He would allow only a word or
+two to be uttered, and his visit was brief. Reardon was chiefly
+anxious to have news of the child, but for this he would have to
+wait.
+
+At ten Amy entered the bedroom. Reardon could not raise himself,
+but he stretched out his hand and took hers, and gazed eagerly at
+her. She must have been weeping, he felt sure of that, and there
+was an expression on her face such as he had never seen there.
+
+'How is Willie?'
+
+'Better, dear; much better.'
+
+He still searched her face.
+
+'Ought you to leave him?'
+
+'Hush! You mustn't speak.'
+
+Tears broke from her eyes, and Reardon had the conviction that
+the child was dead.
+
+'The truth, Amy!'
+
+She threw herself on her knees by the bedside, and pressed her
+wet cheek against his hand.
+
+'I am come to nurse you, dear husband,' she said a moment after,
+standing up again and kissing his forehead. 'I have only you
+now.'
+
+His heart sank, and for a moment so great a terror was upon him
+that he closed his eyes and seemed to pass into utter darkness.
+But those last words of hers repeated themselves in his mind, and
+at length they brought a deep solace. Poor little Willie had been
+the cause of the first coldness between him and Amy; her love for
+him had given place to a mother's love for the child. Now it
+would be as in the first days of their marriage; they would again
+be all in all to each other.
+
+'You oughtn't to have come, feeling so ill,' she said to him.
+'You should have let me know, dear.'
+
+He smiled and kissed her hand.
+
+'And you kept the truth from me last night, in kindness.'
+
+She checked herself, knowing that agitation must be harmful to
+him. She had hoped to conceal the child's death, but the effort
+was too much for her overstrung nerves. And indeed it was only
+possible for her to remain an hour or two by this sick-bed, for
+she was exhausted by her night of watching, and the sudden agony
+with which it had concluded. Shortly after Amy's departure, a
+professional nurse came to attend upon what the doctor had
+privately characterised as a very grave case.
+
+By the evening its gravity was in no respect diminished. The
+sufferer had ceased to cough and to make restless movements, and
+had become lethargic; later, he spoke deliriously, or rather
+muttered, for his words were seldom intelligible. Amy had
+returned to the room at four o'clock, and remained till far into
+the night; she was physically exhausted, and could do little but
+sit in a chair by the bedside and shed silent tears, or gaze at
+vacancy in the woe of her sudden desolation. Telegrams had been
+exchanged with her mother, who was to arrive in Brighton
+to-morrow morning; the child's funeral would probably be on the
+third day from this.
+
+When she rose to go away for the night, leaving the nurse in
+attendance, Reardon seemed to lie in a state of unconsciousness,
+but just as she was turning from the bed, he opened his eyes and
+pronounced her name.
+
+'I am here, Edwin,' she answered, bending over him.
+
+'Will you let Biffen know?' he said in low but very clear tones.
+
+'That you are ill dear? I will write at once, or telegraph, if
+you like. What is his address?'
+
+He had closed his eyes again, and there came no reply. Amy
+repeated her question twice; she was turning from him in
+hopelessness when his voice became audible.
+
+'I can't remember his new address. I know it, but I can't
+remember.'
+
+She had to leave him thus.
+
+The next day his breathing was so harassed that he had to be
+raised against pillows. But throughout the hours of daylight his
+mind was clear, and from time to time he whispered words of
+tenderness in reply to Amy's look. He never willingly
+relinquished her hand, and repeatedly he pressed it against his
+cheek or lips. Vainly he still endeavoured to recall his friend's
+address.
+
+'Couldn't Mr Carter discover it for you?' Amy asked.
+
+'Perhaps. You might try.'
+
+She would have suggested applying to Jasper Milvain, but that
+name must not be mentioned. Whelpdale, also, would perchance know
+where Biffen lived, but Whelpdale's address he had also
+forgotten.
+
+At night there were long periods of delirium; not mere confused
+muttering, but continuous talk which the listeners could follow
+perfectly.
+
+For the most part the sufferer's mind was occupied with revival
+of the distress he had undergone whilst making those last efforts
+to write something worthy of himself. Amy's heart was wrung as
+she heard him living through that time of supreme misery--misery
+which she might have done so much to alleviate, had not selfish
+fears and irritated pride caused her to draw further and further
+from him. Hers was the kind of penitence which is forced by sheer
+stress of circumstances on a nature which resents any form of
+humiliation; she could not abandon herself to unreserved grief
+for what she had done or omitted, and the sense of this defect
+made a great part of her affliction. When her husband lay in mute
+lethargy, she thought only of her dead child, and mourned the
+loss; but his delirious utterances constrained her to break from
+that bittersweet preoccupation, to confuse her mourning with
+self-reproach and with fears.
+
+Though unconsciously, he was addressing her: 'I can do no more,
+Amy. My brain seems to be worn out; I can't compose, I can't even
+think. Look! I have been sitting here for hours, and I have done
+only that little bit, half a dozen lines. Such poor stuff too! I
+should burn it, only I can't afford. I must do my regular
+quantity every day, no matter what it is.'
+
+The nurse, who was present when he talked in this way, looked to
+Amy for an explanation.
+
+'My husband is an author,' Amy answered. 'Not long ago he was
+obliged to write when he was ill and ought to have been resting.'
+
+'I always thought it must be hard work writing books,' said the
+nurse with a shake of her head.
+
+'You don't understand me,' the voice pursued, dreadful as a voice
+always is when speaking independently of the will. 'You think I
+am only a poor creature, because I can do nothing better than
+this. If only I had money enough to rest for a year or two, you
+should see. Just because I have no money I must sink to this
+degradation. And I am losing you as well; you don't love me!'
+
+He began to moan in anguish.
+
+But a happy change presently came over his dreaming. He fell into
+animated description of his experiences in Greece and Italy, and
+after talking for a long time, he turned his head and said in a
+perfectly natural tone:
+
+'Amy, do you know that Biffen and I are going to Greece?'
+
+She believed he spoke consciously, and replied:
+
+'You must take me with you, Edwin.'
+
+He paid no attention to this remark, but went on with the same
+deceptive accent.
+
+'He deserves a holiday after nearly getting burnt to death to
+save his novel. Imagine the old fellow plunging headlong into the
+flames to rescue his manuscript! Don't say that authors can't be
+heroic!'
+
+And he laughed gaily.
+
+Another morning broke. It was possible, said the doctors (a
+second had been summoned), that a crisis which drew near might
+bring the favourable turn; but Amy formed her own opinion from
+the way in which the nurse expressed herself. She felt sure that
+the gravest fears were entertained. Before noon Reardon awoke
+from what had seemed natural sleep--save for the rapid breathing-
+-and of a sudden recollected the number of the house in Cleveland
+Street at which Biffen was now living. He uttered it without
+explanation. Amy at once conjectured his meaning, and as soon as
+her surmise was confirmed she despatched a telegram to her
+husband's friend.
+
+That evening, as Amy was on the point of returning to the sick-
+room after having dined at her friend's house, it was announced
+that a gentleman named Biffen wished to see her. She found him in
+the dining-room, and, even amid her distress, it was a
+satisfaction to her that he presented a far more conventional
+appearance than in the old days. All the garments he wore, even
+his hat, gloves, and boots, were new; a surprising state of
+things, explained by the fact of his commercial brother having
+sent him a present of ten pounds, a practical expression of
+sympathy with him in his recent calamity. Biffen could not speak;
+he looked with alarm at Amy's pallid face. In a few words she
+told him of Reardon's condition.
+
+'I feared this,' he replied under his breath. 'He was ill when I
+saw him off at London Bridge. But Willie is better, I trust?'
+
+Amy tried to answer, but tears filled her eyes and her head
+drooped. Harold was overcome with a sense of fatality; grief and
+dread held him motionless.
+
+They conversed brokenly for a few minutes, then left the house,
+Biffen carrying the hand-bag with which he had travelled hither.
+When they reached the hotel he waited apart until it was
+ascertained whether he could enter the sick-room. Amy rejoined
+him and said with a faint smile:
+
+'He is conscious, and was very glad to hear that you had come.
+But don't let him try to speak much.'
+
+The change that had come over his friend's countenance was to
+Harold, of course, far more gravely impressive than to those who
+had watched at the bedside. In the drawn features, large sunken
+eyes, thin and discoloured lips, it seemed to him that he read
+too surely the presage of doom. After holding the shrunken hand
+for a moment he was convulsed with an agonising sob, and had to
+turn away.
+
+Amy saw that her husband wished to speak to her; she bent over
+him.
+
+'Ask him to stay, dear. Give him a room in the hotel.'
+
+'I will.'
+
+Biffen sat down by the bedside, and remained for half an hour.
+His friend inquired whether he had yet heard about the novel; the
+answer was a shake of the head. When he rose, Reardon signed to
+him to bend down, and whispered:
+
+'It doesn't matter what happens; she is mine again.'
+
+The next day was very cold, but a blue sky gleamed over land and
+sea. The drives and promenades were thronged with people in
+exuberant health and spirits. Biffen regarded this spectacle with
+resentful scorn; at another time it would have moved him merely
+to mirth, but not even the sound of the breakers when he had
+wandered as far as possible from human contact could help him to
+think with resignation of the injustice which triumphs so
+flagrantly in the destinies of men. Towards Amy he had no shadow
+of unkindness; the sight of her in tears had impressed him as
+profoundly, in another way, as that of his friend's wasted
+features. She and Reardon were again one, and his love for them
+both was stronger than any emotion of tenderness he had ever
+known.
+
+In the afternoon he again sat by the bedside. Every symptom of
+the sufferer's condition pointed to an approaching end: a face
+that had grown cadaverous, livid lips, breath drawn in hurrying
+gasps. Harold despaired of another look of recognition. But as he
+sat with his forehead resting on his hand Amy touched him;
+Reardon had turned his face in their direction, and with a
+conscious gaze.
+
+'I shall never go with you to Greece,' he said distinctly.
+
+There was silence again. Biffen did not move his eyes from the
+deathly mask; in a minute or two he saw a smile soften its
+lineaments, and Reardon again spoke:
+
+'How often you and I have quoted it!--"We are such stuff as
+dreams are made on, and our--"'
+
+The remaining words were indistinguishable, and, as if the effort
+of utterance had exhausted him, his eyes closed, and he sank into
+lethargy.
+
+When he came down from his bedroom on the following morning,
+Biffen was informed that his friend had died between two and
+three o'clock. At the same time he received a note in which Amy
+requested him to come and see her late in the afternoon. He spent
+the day in a long walk along the eastward cliffs; again the sun
+shone brilliantly, and the sea was flecked with foam upon its
+changing green and azure. It seemed to him that he had never
+before known solitude, even through all the years of his lonely
+and sad existence.
+
+At sunset he obeyed Amy's summons. He found her calm, but with
+the signs of long weeping.
+
+'At the last moment,' she said, 'he was able to speak to me, and
+you were mentioned. He wished you to have all that he has left in
+his room at Islington. When I come back to London, will you take
+me there and let me see the room just as when he lived in it? Let
+the people in the house know what has happened, and that I am
+responsible for whatever will be owing.'
+
+Her resolve to behave composedly gave way as soon as Harold's
+broken voice had replied. Hysterical sobbing made further speech
+from her impossible, and Biffen, after holding her hand
+reverently for a moment, left her alone.
+
+
+
+CHAPTER XXXIII. THE SUNNY WAY
+
+On an evening of early summer, six months after the death of
+Edwin Reardon, Jasper of the facile pen was bending over his
+desk, writing rapidly by the warm western light which told that
+sunset was near. Not far from him sat his younger sister; she was
+reading, and the book in her hand bore the title, 'Mr Bailey,
+Grocer.'
+
+'How will this do?' Jasper exclaimed, suddenly throwing down his
+pen.
+
+And he read aloud a critical notice of the book with which Dora
+was occupied; a notice of the frankly eulogistic species,
+beginning with: 'It is seldom nowadays that the luckless reviewer
+of novels can draw the attention of the public to a new work
+which is at once powerful and original;' and ending: 'The word is
+a bold one, but we do not hesitate to pronounce this book a
+masterpiece.'
+
+'Is that for The Current?' asked Dora, when he had finished.
+
+'No, for The West End. Fadge won't allow anyone but himself to be
+lauded in that style. I may as well do the notice for The Current
+now, as I've got my hand in.'
+
+He turned to his desk again, and before daylight failed him had
+produced a piece of more cautious writing, very favourable on the
+whole, but with reserves and slight censures. This also he read
+to Dora.
+
+'You wouldn't suspect they were written by the same man, eh?'
+
+'No. You have changed the style very skilfully.'
+
+'I doubt if they'll be much use. Most people will fling the book
+down with yawns before they're half through the first volume. If
+I knew a doctor who had many cases of insomnia in hand, I would
+recommend "Mr Bailey" to him as a specific.'
+
+'Oh, but it is really clever, Jasper!'
+
+'Not a doubt of it. I half believe what I have written. And if
+only we could get it mentioned in a leader or two, and so on, old
+Biffen's fame would be established with the better sort of
+readers. But he won't sell three hundred copies. I wonder whether
+Robertson would let me do a notice for his paper?'
+
+'Biffen ought to be grateful to you, if he knew,' said Dora,
+laughing.
+
+'Yet, now, there are people who would cry out that this kind of
+thing is disgraceful. It's nothing of the kind. Speaking
+seriously, we know that a really good book will more likely than
+not receive fair treatment from two or three reviewers; yes, but
+also more likely than not it will be swamped in the flood of
+literature that pours forth week after week, and won't have
+attention fixed long enough upon it to establish its repute. The
+struggle for existence among books is nowadays as severe as among
+men. If a writer has friends connected with the press,. it is the
+plain duty of those friends to do their utmost to help him. What
+matter if they exaggerate, or even lie? The simple, sober truth
+has no chance whatever of being listened to, and it's only by
+volume of shouting that the ear of the public is held. What use
+is it to Biffen if his work struggles to slow recognition ten
+years hence? Besides, as I say, the growing flood of literature
+swamps everything but works of primary genius. If a clever and
+conscientious book does not spring to success at once, there's
+precious small chance that it will survive. Suppose it were
+possible for me to write a round dozen reviews of this book, in
+as many different papers, I would do it with satisfaction. Depend
+upon it, this kind of thing will be done on that scale before
+long. And it's quite natural. A man's friends must be helped, by
+whatever means, quocunque modo, as Biffen himself would say.'
+
+'I dare say he doesn't even think of you as a friend now.'
+
+'Very likely not. It's ages since I saw him. But there's much
+magnanimity in my character, as I have often told you. It
+delights me to be generous, whenever I can afford it.'
+
+Dusk was gathering about them. As they sat talking, there came a
+tap at the door, and the summons to enter was obeyed by Mr
+Whelpdale.
+
+'I was passing,' he said in his respectful voice, 'and couldn't
+resist the temptation.'
+
+Jasper struck a match and lit the lamp. In this clearer light
+Whelpdale was exhibited as a young man of greatly improved
+exterior; he wore a cream-coloured waistcoat, a necktie of subtle
+hue, and delicate gloves; prosperity breathed from his whole
+person. It was, in fact, only a moderate prosperity to which he
+had as yet attained, but the future beckoned to him flatteringly.
+
+Early in this year, his enterprise as 'literary adviser' had
+brought him in contact with a man of some pecuniary resources,
+who proposed to establish an agency for the convenience of
+authors who were not skilled in disposing of their productions to
+the best advantage. Under the name of Fleet & Co., this business
+was shortly set on foot, and Whelpdale's services were retained
+on satisfactory terms. The birth of the syndicate system had
+given new scope to literary agencies, and Mr Fleet was a man of
+keen eye for commercial opportunities.
+
+'Well, have you read Biffen's book?' asked Jasper.
+
+'Wonderful, isn't it! A work of genius, I am convinced. Ha! you
+have it there, Miss Dora. But I'm afraid it is hardly for you.'
+
+'And why not, Mr Whelpdale?'
+
+'You should only read of beautiful things, of happy lives. This
+book must depress you.'
+
+'But why will you imagine me such a feeble-minded person?' asked
+Dora. 'You have so often spoken like this. I have really no
+ambition to be a doll of such superfine wax.'
+
+The habitual flatterer looked deeply concerned.
+
+'Pray forgive me!' he murmured humbly, leaning forwards towards
+the girl with eyes which deprecated her displeasure. 'I am very
+far indeed from attributing weakness to you. It was only the
+natural, unreflecting impulse; one finds it so difficult to
+associate you, even as merely a reader, with such squalid scenes.
+
+The ignobly decent, as poor Biffen calls it, is so very far from
+that sphere in which you are naturally at home.'
+
+There was some slight affectation in his language, but the tone
+attested sincere feeling. Jasper was watching him with half an
+eye, and glancing occasionally at Dora.
+
+'No doubt,' said the latter, 'it's my story in The English Girl
+that inclines you to think me a goody-goody sort of young woman.'
+
+'So far from that, Miss Dora, I was only waiting for an
+opportunity to tell you how exceedingly delighted I have been
+with the last two weeks' instalments. In all seriousness, I
+consider that story of yours the best thing of the kind that ever
+came under my notice. You seem to me to have discovered a new
+genre; such writing as this has surely never been offered to
+girls, and all the readers of the paper must be immensely
+grateful to you. I run eagerly to buy the paper each week; I
+assure you I do. The stationer thinks I purchase it for a sister,
+I suppose. But each section of the story seems to be better than
+the last. Mark the prophecy which I now make: when this tale is
+published in a volume its success will be great. You will be
+recognised, Miss Dora, as the new writer for modern English
+girls.'
+
+The subject of this panegyric coloured a little and laughed.
+Unmistakably she was pleased.
+
+'Look here, Whelpdale,' said Jasper, 'I can't have this; Dora's
+conceit, please to remember, is, to begin with, only a little
+less than my own, and you will make her unendurable. Her tale is
+well enough in its way, but then its way is a very humble one.'
+
+'I deny it!' cried the other, excitedly. 'How can it be called a
+humble line of work to provide reading, which is at once
+intellectual and moving and exquisitely pure, for the most
+important part of the population--the educated and refined young
+people who are just passing from girlhood to womanhood?'
+
+'The most important fiddlestick!'
+
+'You are grossly irreverent, my dear Milvain. I cannot appeal to
+your sister, for she's too modest to rate her own sex at its true
+value, but the vast majority of thoughtful men would support me.
+You yourself do, though you affect this profane way of speaking.
+And we know,' he looked at Dora, 'that he wouldn't talk like this
+if Miss Yule were present.'
+
+Jasper changed the topic of conversation, and presently Whelpdale
+was able to talk with more calmness. The young man, since his
+association with Fleet & Co., had become fertile in suggestions
+of literary enterprise, and at present he was occupied with a
+project of special hopefulness.
+
+'I want to find a capitalist,' he said, 'who will get possession
+of that paper Chat, and transform it according to an idea I have
+in my head. The thing is doing very indifferently, but I am
+convinced it might be made splendid property, with a few changes
+in the way of conducting it.'
+
+'The paper is rubbish,' remarked Jasper, 'and the kind of
+rubbish--oddly enough--which doesn't attract people.'
+
+'Precisely, but the rubbish is capable of being made a very
+valuable article, if it were only handled properly. I have talked
+to the people about it again and again, but I can't get them to
+believe what I say. Now just listen to my notion. In the first
+place, I should slightly alter the name; only slightly, but that
+little alteration would in itself have an enormous effect.
+Instead of Chat I should call it Chit-Chat!'
+
+Jasper exploded with mirth.
+
+'That's brilliant!' he cried. 'A stroke of genius!'
+
+'Are you serious? Or are you making fun of me? I believe it is a
+stroke of genius. Chat doesn't attract anyone, but Chit-Chat
+would sell like hot cakes, as they say in America. I know I am
+right; laugh as you will.'
+
+'On the same principle,' cried Jasper, 'if The Tatler were
+changed to Tittle-Tattle, its circulation would be trebled.'
+
+Whelpdale smote his knee in delight.
+
+'An admirable idea! Many a true word uttered in joke, and this is
+an instance! Tittle-Tattle--a magnificent title; the very thing
+to catch the multitude.'
+
+Dora was joining in the merriment, and for a minute or two
+nothing but bursts of laughter could be heard.
+
+'Now do let me go on,' implored the man of projects, when the
+noise subsided. 'That's only one change, though a most important
+one. What I next propose is this:--I know you will laugh again,
+but I will demonstrate to you that I am right. No article in the
+paper is to measure more than two inches in length, and every
+inch must be broken into at least two paragraphs.'
+
+'Superb!'
+
+'But you are joking, Mr Whelpdale!' exclaimed Dora.
+
+'No, I am perfectly serious. Let me explain my principle. I would
+have the paper address itself to the quarter-educated; that is to
+say, the great new generation that is being turned out by the
+Board schools, the young men and women who can just read, but are
+incapable of sustained attention. People of this kind want
+something to occupy them in trains and on 'buses and trams. As a
+rule they care for no newspapers except the Sunday ones; what
+they want is the lightest and frothiest of chit-chatty
+information--bits of stories, bits of description, bits of
+scandal, bits of jokes, bits of statistics, bits of foolery. Am I
+not right? Everything must be very short, two inches at the
+utmost; their attention can't sustain itself beyond two inches.
+Even chat is too solid for them: they want chit-chat.'
+
+Jasper had begun to listen seriously.
+
+'There's something in this, Whelpdale,' he remarked.
+
+'Ha! I have caught you?' cried the other delightedly. 'Of course
+there's something in it?'
+
+'But--' began Dora, and checked herself.
+
+'You were going to say--' Whelpdale bent towards her with
+deference.
+
+'Surely these poor, silly people oughtn't to be encouraged in
+their weakness.'
+
+Whelpdale's countenance fell. He looked ashamed of himself. But
+Jasper came speedily to the rescue.
+
+'That's twaddle, Dora. Fools will be fools to the world's end.
+Answer a fool according to his folly; supply a simpleton with the
+reading he craves, if it will put money in your pocket. You have
+discouraged poor Whelpdale in one of the most notable projects of
+modern times.'
+
+'I shall think no more of it,' said Whelpdale, gravely. 'You are
+right, Miss Dora.'
+
+Again Jasper burst into merriment. His sister reddened, and
+looked uncomfortable. She began to speak timidly:
+
+'You said this was for reading in trains and 'buses?'
+
+Whelpdale caught at hope.
+
+'Yes. And really, you know, it may be better at such times to
+read chit-chat than to be altogether vacant, or to talk
+unprofitably. I am not sure; I bow to your opinion unreservedly.'
+
+'So long as they only read the paper at such times,' said Dora,
+still hesitating. 'One knows by experience that one really can't
+fix one's attention in travelling; even an article in a newspaper
+is often too long.'
+
+'Exactly! And if you find it so, what must be the case with the
+mass of untaught people, the quarter-educated? It might encourage
+in some of them a taste for reading--don't you think?'
+
+'It might,' assented Dora, musingly. 'And in that case you would
+be doing good!'
+
+'Distinct good!'
+
+They smiled joyfully at each other. Then Whelpdale turned to
+Jasper:
+
+'You are convinced that there is something in this?'
+
+'Seriously, I think there is. It would all depend on the skill of
+the fellows who put the thing together every week. There ought
+always to be one strongly sensational item--we won't call it
+article. For instance, you might display on a placard: "What the
+Queen eats!" or "How Gladstone's collars are made!"--things of
+that kind.'
+
+'To be sure, to be sure. And then, you know,' added Whelpdale,
+glancing anxiously at Dora, 'when people had been attracted by
+these devices, they would find a few things that were really
+profitable. We would give nicely written little accounts of
+exemplary careers, of heroic deeds, and so on. Of course nothing
+whatever that could be really demoralising--cela va sans dire.
+Well, what I was going to say was this: would you come with me to
+the office of Chat, and have a talk with my friend Lake, the sub-
+editor? I know your time is very valuable, but then you're often
+running into the Will-o'-the-Wisp, and Chat is just upstairs, you
+know.'
+
+'What use should I be?'
+
+'Oh, all the use in the world. Lake would pay most respectful
+attention to your opinion, though he thinks so little of mine.
+You are a man of note, I am nobody. I feel convinced that you
+could persuade the Chat people to adopt my idea, and they might
+be willing to give me a contingent share of contingent profits,
+if I had really shown them the way to a good thing.'
+
+Jasper promised to think the matter over. Whilst their talk still
+ran on this subject, a packet that had come by post was brought
+into the room. Opening it, Milvain exclaimed:
+
+'Ha! this is lucky. There's something here that may interest you,
+Whelpdale.'
+
+'Proofs?'
+
+'Yes. A paper I have written for The Wayside.' He looked at Dora,
+who smiled. 'How do you like the title?--"The Novels of Edwin
+Reardon!"'
+
+'You don't say so!' cried the other. 'What a good-hearted fellow
+you are, Milvain! Now that's really a kind thing to have done. By
+Jove! I must shake hands with you; I must indeed! Poor Reardon!
+Poor old fellow!'
+
+His eyes gleamed with moisture. Dora, observing this, looked at
+him so gently and sweetly that it was perhaps well he did not
+meet her eyes; the experience would have been altogether too much
+for him.
+
+'It has been written for three months,' said Jasper, 'but we have
+held it over for a practical reason. When I was engaged upon it,
+I went to see Mortimer, and asked him if there was any chance of
+a new edition of Reardon's books. He had no idea the poor fellow
+was dead, and the news seemed really to affect him. He promised
+to consider whether it would be worth while trying a new issue,
+and before long I heard from him that he would bring out the two
+best books with a decent cover and so on, provided I could get my
+article on Reardon into one of the monthlies. This was soon
+settled. The editor of The Wayside answered at once, when I wrote
+to him, that he should be very glad to print what I proposed, as
+he had a real respect for Reardon. Next month the books will be
+out--"Neutral Ground," and "Hubert Reed." Mortimer said he was
+sure these were the only ones that would pay for themselves. But
+we shall see. He may alter his opinion when my article has been
+read.'
+
+'Read it to us now, Jasper, will you?' asked Dora.
+
+The request was supported by Whelpdale, and Jasper needed no
+pressing. He seated himself so that the lamplight fell upon the
+pages, and read the article through. It was an excellent piece of
+writing (see The Wayside, June 1884), and in places touched with
+true emotion. Any intelligent reader would divine that the author
+had been personally acquainted with the man of whom he wrote,
+though the fact was nowhere stated. The praise was not
+exaggerated, yet all the best points of Reardon's work were
+admirably brought out. One who knew Jasper might reasonably have
+doubted, before reading this, whether he was capable of so
+worthily appreciating the nobler man.
+
+'I never understood Reardon so well before,' declared Whelpdale,
+at the close. 'This is a good thing well done. It's something to
+be proud of, Miss Dora.'
+
+'Yes, I feel that it is,' she replied.
+
+'Mrs Reardon ought to be very grateful to you, Milvain. By-the-
+by, do you ever see her?'
+
+'I have met her only once since his death--by chance.'
+
+'Of course she will marry again. I wonder who'll be the fortunate
+man?'
+
+'Fortunate, do you think?' asked Dora quietly, without looking at
+him.
+
+'Oh, I spoke rather cynically, I'm afraid,' Whelpdale hastened to
+reply. 'I was thinking of her money. Indeed, I knew Mrs Reardon
+only very slightly.'
+
+'I don't think you need regret it,' Dora remarked.
+
+'Oh, well, come, come!' put in her brother. 'We know very well
+that there was little enough blame on her side.'
+
+'There was great blame!' Dora exclaimed. 'She behaved shamefully!
+
+I wouldn't speak to her; I wouldn't sit down in her company!'
+
+'Bosh! What do you know about it? Wait till you are married to a
+man like Reardon, and reduced to utter penury.'
+
+'Whoever my husband was, I would stand by him, if I starved to
+death.'
+
+'If he ill-used you?'
+
+'I am not talking of such cases. Mrs Reardon had never anything
+of the kind to fear. It was impossible for a man such as her
+husband to behave harshly. Her conduct was cowardly, faithless,
+unwomanly!'
+
+'Trust one woman for thinking the worst of another,' observed
+Jasper with something like a sneer.
+
+Dora gave him a look of strong disapproval; one might have
+suspected that brother and sister had before this fallen into
+disagreement on the delicate topic. Whelpdale felt obliged to
+interpose, and had of course no choice but to support the girl.
+
+'I can only say,' he remarked with a smile, 'that Miss Dora takes
+a very noble point of view. One feels that a wife ought to be
+staunch. But it's so very unsafe to discuss matters in which one
+cannot know all the facts.'
+
+'We know quite enough of the facts,' said Dora, with delightful
+pertinacity.
+
+'Indeed, perhaps we do,' assented her slave. Then, turning to her
+brother, 'Well, once more I congratulate you. I shall talk of
+your article incessantly, as soon as it appears. And I shall
+pester every one of my acquaintances to buy Reardon's books--
+though it's no use to him, poor fellow. Still, he would have died
+more contentedly if he could have foreseen this. By-the-by,
+Biffen will be profoundly grateful to you, I'm sure.'
+
+'I'm doing what I can for him, too. Run your eye over these
+slips.'
+
+Whelpdale exhausted himself in terms of satisfaction.
+
+'You deserve to get on, my dear fellow. In a few years you will
+be the Aristarchus of our literary world.'
+
+When the visitor rose to depart, Jasper said he would walk a
+short distance with him. As soon as they had left the house, the
+future Aristarchus made a confidential communication.
+
+'It may interest you to know that my sister Maud is shortly to be
+married.'
+
+'Indeed! May I ask to whom?'
+
+'A man you don't know. His name is Dolomore--a fellow in
+society.'
+
+'Rich, then, I hope?'
+
+'Tolerably well-to-do. I dare say he has three or four thousand a
+year!'
+
+'Gracious heavens! Why, that's magnificent.'
+
+But Whelpdale did not look quite so much satisfaction as his
+words expressed.
+
+'Is it to be soon?' he inquired.
+
+'At the end of the season. Make no difference to Dora and me, of
+course.'
+
+'Oh? Really? No difference at all? You will let me come and see
+you--both--just in the old way, Milvain?'
+
+'Why the deuce shouldn't you?'
+
+'To be sure, to be sure. By Jove! I really don't know how I
+should get on if I couldn't look in of an evening now and then. I
+have got so much into the habit of it. And--I'm a lonely beggar,
+you know. I don't go into society, and really--'
+
+He broke off, and Jasper began to speak of other things.
+
+When Milvain re-entered the house, Dora had gone to her own
+sitting-room. It was not quite ten o'clock. Taking one set of the
+proofs of his 'Reardon' article, he put it into a large envelope;
+then he wrote a short letter, which began 'Dear Mrs Reardon,' and
+ended 'Very sincerely yours,' the communication itself being as
+follows:
+
+'I venture to send you the proofs of a paper which is to appear
+in next month's Wayside, in the hope that it may seem to you not
+badly done, and that the reading of it may give you pleasure. If
+anything occurs to you which you would like me to add, or if you
+desire any omission, will you do me the kindness to let me know
+of it as soon as possible, and your suggestion shall at once be
+adopted. I am informed that the new edition of "On Neutral
+Ground" and "Hubert Reed" will be ready next month. Need I say
+how glad I am that my friend's work is not to be forgotten?'
+
+This note he also put into the envelope, which he made ready for
+posting. Then he sat for a long time in profound thought.
+
+Shortly after eleven his door opened, and Maud came in. She had
+been dining at Mrs Lane's. Her attire was still simple, but of
+quality which would have signified recklessness, but for the
+outlook whereof Jasper spoke to Whelpdale. The girl looked very
+beautiful. There was a flush of health and happiness on her
+cheek, and when she spoke it was in a voice that rang quite
+differently from her tones of a year ago; the pride which was
+natural to her had now a firm support; she moved and uttered
+herself in queenly fashion.
+
+'Has anyone been?' she asked.
+
+'Whelpdale.'
+
+'Oh! I wanted to ask you, Jasper: do you think it wise to let him
+come quite so often?'
+
+'There's a difficulty, you see. I can hardly tell him to sheer
+off. And he's really a decent fellow.'
+
+'That may be. But--I think it's rather unwise. Things are
+changed. In a few months, Dora will be a good deal at my house,
+and will see all sorts of people.'
+
+'Yes; but what if they are the kind of people she doesn't care
+anything about? You must remember, old girl, that her tastes are
+quite different from yours. I say nothing, but--perhaps it's as
+well they should be.'
+
+'You say nothing, but you add an insult,' returned Maud, with a
+smile of superb disregard. 'We won't reopen the question.'
+
+'Oh dear no! And, by-the-by, I have a letter from Dolomore. It
+came just after you left.'
+
+'Well?'
+
+'He is quite willing to settle upon you a third of his income
+from the collieries; he tells me it will represent between seven
+and eight hundred a year. I think it rather little, you know; but
+I congratulate myself on having got this out of him.'
+
+'Don't speak in that unpleasant way! It was only your abruptness
+that made any kind of difficulty.'
+
+'I have my own opinion on that point, and I shall beg leave to
+keep it. Probably he will think me still more abrupt when I
+request, as I am now going to do, an interview with his
+solicitors.'
+
+'Is that allowable?' asked Maud, anxiously. 'Can you do that with
+any decency?'
+
+'If not, then I must do it with indecency. You will have the
+goodness to remember that if I don't look after your interests,
+no one else will. It's perhaps fortunate for you that I have a
+good deal of the man of business about me. Dolomore thought I was
+a dreamy, literary fellow. I don't say that he isn't entirely
+honest, but he shows something of a disposition to play the
+autocrat, and I by no means intend to let him. If you had a
+father, Dolomore would have to submit his affairs to examination.
+
+I stand to you in loco parentis, and I shall bate no jot of my
+rights.'
+
+'But you can't say that his behaviour hasn't been perfectly
+straightforward.'
+
+'I don't wish to. I think, on the whole, he has behaved more
+honourably than was to be expected of a man of his kind. But he
+must treat me with respect. My position in the world is greatly
+superior to his. And, by the gods! I will be treated
+respectfully! It wouldn't be amiss, Maud, if you just gave him a
+hint to that effect.'
+
+'All I have to say is, Jasper, don't do me an irreparable injury.
+You might, without meaning it.'
+
+'No fear whatever of it. I can behave as a gentleman, and I only
+expect Dolomore to do the same.'
+
+Their conversation lasted for a long time, and when he was again
+left alone Jasper again fell into a mood of thoughtfulness.
+
+By a late post on the following day he received this letter:
+
+'DEAR MR MILVAIN,--I have received the proofs, and have just read
+them; I hasten to thank you with all my heart. No suggestion of
+mine could possibly improve this article; it seems to me perfect
+in taste, in style, in matter. No one but you could have written
+this, for no one else understood Edwin so well, or had given such
+thought to his work. If he could but have known that such justice
+would be done to his memory! But he died believing that already
+he was utterly forgotten, that his books would never again be
+publicly spoken of. This was a cruel fate. I have shed tears over
+what you have written, but they were not only tears of
+bitterness; it cannot but be a consolation to me to think that,
+when the magazine appears, so many people will talk of Edwin and
+his books. I am deeply grateful to Mr Mortimer for having
+undertaken to republish those two novels; if you have an
+opportunity, will you do me the great kindness to thank him on my
+behalf? At the same time, I must remember that it was you who
+first spoke to him on this subject. You say that it gladdens you
+to think Edwin will not be forgotten, and I am very sure that the
+friendly office you have so admirably performed will in itself
+reward you more than any poor expression of gratitude from me. I
+write hurriedly, anxious to let you hear as soon as possible.
+
+'Believe me, dear Mr Milvain,
+
+'Yours sincerely,
+
+'AMY REARDON.'
+
+
+
+CHAPTER XXXIV. A CHECK
+
+Marian was at work as usual in the Reading-room. She did her
+best, during the hours spent here, to convert herself into the
+literary machine which it was her hope would some day be invented
+for construction in a less sensitive material than human tissue.
+Her eyes seldom strayed beyond the limits of the desk; and if she
+had occasion to rise and go to the reference shelves, she looked
+at no one on the way. Yet she herself was occasionally an object
+of interested regard. Several readers were acquainted with the
+chief facts of her position; they knew that her father was now
+incapable of work, and was waiting till his diseased eyes should
+be ready for the operator; it was surmised, moreover, that a good
+deal depended upon the girl's literary exertions. Mr Quarmby and
+his gossips naturally took the darkest view of things; they were
+convinced that Alfred Yule could never recover his sight, and
+they had a dolorous satisfaction in relating the story of
+Marian's legacy. Of her relations with Jasper Milvain none of
+these persons had heard; Yule had never spoken of that matter to
+any one of his friends.
+
+Jasper had to look in this morning for a hurried consultation of
+certain encyclopaedic volumes, and it chanced that Marian was
+standing before the shelves to which his business led him. He saw
+her from a little distance, and paused; it seemed as if he would
+turn back; for a moment he wore a look of doubt and worry. But
+after all he proceeded. At the sound of his 'Good-morning,'
+Marian started--she was standing with an open book in hand--and
+looked up with a gleam of joy on her face.
+
+'I wanted to see you to-day,' she said, subduing her voice to the
+tone of ordinary conversation. 'I should have come this evening.'
+
+'You wouldn't have found me at home. From five to seven I shall
+be frantically busy, and then I have to rush off to dine with
+some people.'
+
+'I couldn't see you before five?'
+
+'Is it something important?'
+
+'Yes, it is.'
+
+'I tell you what. If you could meet me at Gloucester Gate at
+four, then I shall be glad of half an hour in the park. But I
+mustn't talk now; I'm driven to my wits' end. Gloucester Gate, at
+four sharp. I don't think it'll rain.'
+
+He dragged out a tome of the 'Britannica.' Marian nodded, and
+returned to her seat.
+
+At the appointed hour she was waiting near the entrance of
+Regent's Park which Jasper had mentioned. Not long ago there had
+fallen a light shower, but the sky was clear again. At five
+minutes past four she still waited, and had begun to fear that
+the passing rain might have led Jasper to think she would not
+come. Another five minutes, and from a hansom that rattled hither
+at full speed, the familiar figure alighted.
+
+'Do forgive me!' he exclaimed. 'I couldn't possibly get here
+before. Let us go to the right.'
+
+They betook themselves to that tree-shadowed strip of the park
+which skirts the canal.
+
+'I'm so afraid that you haven't really time,' said Marian, who
+was chilled and confused by this show of hurry. She regretted
+having made the appointment; it would have been much better to
+postpone what she had to say until Jasper was at leisure. Yet
+nowadays the hours of leisure seemed to come so rarely.
+
+'If I get home at five, it'll be all right,' he replied. 'What
+have you to tell me, Marian?'
+
+'We have heard about the money, at last.'
+
+'Oh?' He avoided looking at her. 'And what's the upshot?'
+
+'I shall have nearly fifteen hundred pounds.'
+
+'So much as that? Well, that's better than nothing, isn't it?'
+
+'Very much better.'
+
+They walked on in silence. Marian stole a glance at her
+companion.
+
+'I should have thought it a great deal,' she said presently,
+'before I had begun to think of thousands.'
+
+'Fifteen hundred. Well, it means fifty pounds a year, I suppose.'
+
+He chewed the end of his moustache.
+
+'Let us sit down on this bench. Fifteen hundred--h'm! And nothing
+more is to be hoped for?'
+
+'Nothing. I should have thought men would wish to pay their
+debts, even after they had been bankrupt; but they tell us we
+can't expect anything more from these people.'
+
+'You are thinking of Walter Scott, and that kind of thing'--
+Jasper laughed. 'Oh, that's quite unbusinesslike; it would be
+setting a pernicious example nowadays. Well, and what's to be
+done?'
+
+Marian had no answer for such a question. The tone of it was a
+new stab to her heart, which had suffered so many during the past
+half-year.
+
+'Now, I'll ask you frankly,' Jasper went on, 'and I know you will
+reply in the same spirit: would it be wise for us to marry on
+this money?'
+
+'On this money?'
+
+She looked into his face with painful earnestness.
+
+'You mean,' he said, 'that it can't be spared for that purpose?'
+
+What she really meant was uncertain even to herself. She had
+wished to hear how Jasper would receive the news, and thereby to
+direct her own course. Had he welcomed it as offering a
+possibility of their marriage, that would have gladdened her,
+though it would then have been necessary to show him all the
+difficulties by which she was beset; for some time they had not
+spoken of her father's position, and Jasper seemed willing to
+forget all about that complication of their troubles. But
+marriage did not occur to him, and he was evidently quite
+prepared to hear that she could no longer regard this money as
+her own to be freely disposed of. This was on one side a relief
+but on the other it confirmed her fears. She would rather have
+heard him plead with her to neglect her parents for the sake of
+being his wife. Love excuses everything, and his selfishness
+would have been easily lost sight of in the assurance that he
+still desired her.
+
+'You say,' she replied, with bent head, 'that it would bring us
+fifty pounds a year. If another fifty were added to that, my
+father and mother would be supported in case the worst comes. I
+might earn fifty pounds.'
+
+'You wish me to understand, Marian, that I mustn't expect that
+you will bring me anything when we are married.'
+
+His tone was that of acquiescence; not by any means of
+displeasure. He spoke as if desirous of saying for her something
+she found a difficulty in saying for herself.
+
+'Jasper, it is so hard for me! So hard for me! How could I help
+remembering what you told me when I promised to be your wife?'
+
+'I spoke the truth rather brutally,' he replied, in a kind voice.
+'Let all that be unsaid, forgotten. We are in quite a different
+position now. Be open with me, Marian; surely you can trust my
+common sense and good feeling. Put aside all thought of things I
+have said, and don't be restrained by any fear lest you should
+seem to me unwomanly--you can't be that. What is your own wish?
+What do you really wish to do, now that there is no uncertainty
+calling for postponements?'
+
+Marian raised her eyes, and was about to speak as she regarded
+him; but with the first accent her look fell.
+
+'I wish to be your wife.'
+
+He waited, thinking and struggling with himself.
+
+'Yet you feel that it would be heartless to take and use this
+money for our own purposes?'
+
+'What is to become of my parents, Jasper?'
+
+'But then you admit that the fifteen hundred pounds won't support
+them. You talk of earning fifty pounds a year for them.'
+
+'Need I cease to write, dear, if we were married? Wouldn't you
+let me help them?'
+
+'But, my dear girl, you are taking for granted that we shall have
+enough for ourselves.'
+
+'I didn't mean at once,' she explained hurriedly. 'In a short
+time--in a year. You are getting on so well. You will soon have a
+sufficient income, I am sure.'
+
+Jasper rose.
+
+'Let us walk as far as the next seat. Don't speak. I have
+something to think about.'
+
+Moving on beside him, she slipped her hand softly within his arm;
+but Jasper did not put the arm into position to support hers, and
+her hand fell again, dropped suddenly. They reached another
+bench, and again became seated.
+
+'It comes to this, Marian,' he said, with portentous gravity.
+'Support you, I could--I have little doubt of that. Maud is
+provided for, and Dora can make a living for herself. I could
+support you and leave you free to give your parents whatever you
+can earn by your own work. But--'
+
+He paused significantly. It was his wish that Marian should
+supply the consequence, but she did not speak.
+
+'Very well,' he exclaimed. 'Then when are we to be married?'
+
+The tone of resignation was too marked. Jasper was not good as a
+comedian; he lacked subtlety.
+
+'We must wait,' fell from Marian's lips, in the whisper of
+despair.
+
+'Wait? But how long?' he inquired, dispassionately.
+
+'Do you wish to be freed from your engagement, Jasper?'
+
+He was not strong enough to reply with a plain 'Yes,' and so have
+done with his perplexities. He feared the girl's face, and he
+feared his own subsequent emotions.
+
+'Don't talk in that way, Marian. The question is simply this: Are
+we to wait a year, or are we to wait five years? In a year's
+time, I shall probably be able to have a small house somewhere
+out in the suburbs. If we are married then, I shall be happy
+enough with so good a wife, but my career will take a different
+shape. I shall just throw overboard certain of my ambitions, and
+work steadily on at earning a livelihood. If we wait five years,
+I may perhaps have obtained an editorship, and in that case I
+should of course have all sorts of better things to offer you.'
+
+'But, dear, why shouldn't you get an editorship all the same if
+you are married?'
+
+'I have explained to you several times that success of that kind
+is not compatible with a small house in the suburbs and all the
+ties of a narrow income. As a bachelor, I can go about freely,
+make acquaintances, dine at people's houses, perhaps entertain a
+useful friend now and then--and so on. It is not merit that
+succeeds in my line; it is merit plus opportunity. Marrying now,
+I cut myself off from opportunity, that's all.'
+
+She kept silence.
+
+'Decide my fate for me, Marian,' he pursued, magnanimously. 'Let
+us make up our minds and do what we decide to do. Indeed, it
+doesn't concern me so much as yourself. Are you content to lead a
+simple, unambitious life? Or should you prefer your husband to be
+a man of some distinction?'
+
+'I know so well what your own wish is. But to wait for years--you
+will cease to love me, and will only think of me as a hindrance
+in your way.'
+
+'Well now, when I said five years, of course I took a round
+number. Three--two might make all the difference to me.'
+
+'Let it be just as you wish. I can bear anything rather than lose
+your love.'
+
+'You feel, then, that it will decidedly be wise not to marry
+whilst we are still so poor?'
+
+'Yes; whatever you are convinced of is right.'
+
+He again rose, and looked at his watch.
+
+'Jasper, you don't think that I have behaved selfishly in wishing
+to let my father have the money?'
+
+'I should have been greatly surprised if you hadn't wished it. I
+certainly can't imagine you saying: "Oh, let them do as best they
+can!" That would have been selfish with a vengeance.'
+
+'Now you are speaking kindly! Must you go, Jasper?'
+
+'I must indeed. Two hours' work I am bound to get before seven
+o'clock.'
+
+'And I have been making it harder for you, by disturbing your
+mind.'
+
+'No, no; it's all right now. I shall go at it with all the more
+energy, now we have come to a decision.'
+
+'Dora has asked me to go to Kew on Sunday. Shall you be able to
+come, dear?'
+
+'By Jove, no! I have three engagements on Sunday afternoon. I'll
+try and keep the Sunday after; I will indeed.'
+
+'What are the engagements?' she asked timidly.
+
+As they walked back towards Gloucester Gate, he answered her
+question, showing how unpardonable it would be to neglect the
+people concerned. Then they parted, Jasper going off at a smart
+pace homewards.
+
+Marian turned down Park Street, and proceeded for some distance
+along Camden Road. The house in which she and her parents now
+lived was not quite so far away as St Paul's Crescent; they
+rented four rooms, one of which had to serve both as Alfred
+Yule's sitting-room and for the gatherings of the family at
+meals. Mrs Yule generally sat in the kitchen, and Marian used her
+bedroom as a study. About half the collection of books had been
+sold; those that remained were still a respectable library,
+almost covering the walls of the room where their disconsolate
+possessor passed his mournful days.
+
+He could read for a few hours a day, but only large type, and
+fear of consequences kept him well within the limit of such
+indulgence laid down by his advisers. Though he inwardly spoke as
+if his case were hopeless, Yule was very far from having resigned
+himself to this conviction; indeed, the prospect of spending his
+latter years in darkness and idleness was too dreadful to him to
+be accepted so long as a glimmer of hope remained. He saw no
+reason why the customary operation should not restore him to his
+old pursuits, and he would have borne it ill if his wife or
+daughter had ever ceased to oppose the despair which it pleased
+him to affect.
+
+On the whole, he was noticeably patient. At the time of their
+removal to these lodgings, seeing that Marian prepared herself to
+share the change as a matter of course, he let her do as she
+would without comment; nor had he since spoken to her on the
+subject which had proved so dangerous. Confidence between them
+there was none; Yule addressed his daughter in a grave, cold,
+civil tone, and Marian replied gently, but without tenderness.
+For Mrs Yule the disaster to the family was distinctly a gain;
+she could not but mourn her husband's affliction, yet he no
+longer visited her with the fury or contemptuous impatience of
+former days. Doubtless the fact of needing so much tendance had
+its softening influence on the man; he could not turn brutally
+upon his wife when every hour of the day afforded him some proof
+of her absolute devotion. Of course his open-air exercise was
+still unhindered, and in this season of the returning sun he
+walked a great deal, decidedly to the advantage of his general
+health--which again must have been a source of benefit to his
+temper. Of evenings, Marian sometimes read to him. He never
+requested this, but he did not reject the kindness.
+
+This afternoon Marian found her father examining a volume of
+prints which had been lent him by Mr Quarmby. The table was laid
+for dinner (owing to Marian's frequent absence at the Museum, no
+change had been made in the order of meals), and Yule sat by the
+window, his book propped on a second chair. A whiteness in his
+eyes showed how the disease was progressing, but his face had a
+more wholesome colour than a year ago.
+
+'Mr Hinks and Mr Gorbutt inquired very kindly after you to-day,'
+said the girl, as she seated herself.
+
+'Oh, is Hinks out again?'
+
+'Yes, but he looks very ill.'
+
+They conversed of such matters until Mrs Yule--now her own
+servant--brought in the dinner. After the meal, Marian was in her
+bedroom for about an hour; then she went to her father, who sat
+in idleness, smoking.
+
+'What is your mother doing?' he asked, as she entered.
+
+'Some needlework.'
+
+'I had perhaps better say'--he spoke rather stiffly, and with
+averted face--'that I make no exclusive claim to the use of this
+room. As I can no longer pretend to study, it would be idle to
+keep up the show of privacy that mustn't be disturbed. Perhaps
+you will mention to your mother that she is quite at liberty to
+sit here whenever she chooses.'
+
+It was characteristic of him that he should wish to deliver this
+permission by proxy. But Marian understood how much was implied
+in such an announcement.
+
+'I will tell mother,' she said. 'But at this moment I wished to
+speak to you privately. How would you advise me to invest my
+money?'
+
+Yule looked surprised, and answered with cold dignity.
+
+'It is strange that you should put such a question to me. I
+should have supposed your interests were in the hands of--of some
+competent person.'
+
+'This will be my private affair, father. I wish to get as high a
+rate of interest as I safely can.'
+
+'I really must decline to advise, or interfere in any way. But,
+as you have introduced this subject, I may as well put a question
+which is connected with it. Could you give me any idea as to how
+long you are likely to remain with us?'
+
+'At least a year,' was the answer, 'and very likely much longer.'
+
+'Am I to understand, then, that your marriage is indefinitely
+postponed?'
+
+'Yes, father.'
+
+'And will you tell me why?'
+
+'I can only say that it has seemed better--to both of us.'
+
+Yule detected the sorrowful emotion she was endeavouring to
+suppress. His conception of Milvain's character made it easy for
+him to form a just surmise as to the reasons for this
+postponement; he was gratified to think that Marian might learn
+how rightly he had judged her wooer, and an involuntary pity for
+the girl did not prevent his hoping that the detestable alliance
+was doomed. With difficulty he refrained from smiling.
+
+'I will make no comment on that,' he remarked, with a certain
+emphasis. 'But do you imply that this investment of which you
+speak is to be solely for your own advantage?'
+
+'For mine, and for yours and mother's.'
+
+There was a silence of a minute or two. As yet it had not been
+necessary to take any steps for raising money, but a few months
+more would see the family without resources, save those provided
+by Marian, who, without discussion, had been simply setting aside
+what she received for her work.
+
+'You must be well aware,' said Yule at length, 'that I cannot
+consent to benefit by any such offer. When it is necessary, I
+shall borrow on the security of--'
+
+'Why should you do that, father?' Marian interrupted. 'My money
+is yours. If you refuse it as a gift, then why may not I lend to
+you as well as a stranger? Repay me when your eyes are restored.
+For the present, all our anxieties are at an end. We can live
+very well until you are able to write again.'
+
+For his sake she put it in his way. Supposing him never able to
+earn anything, then indeed would come a time of hardship; but she
+could not contemplate that. The worst would only befall them in
+case she was forsaken by Jasper, and if that happened all else
+would be of little account.
+
+'This has come upon me as a surprise,' said Yule, in his most
+reserved tone. 'I can give no definite reply; I must think of
+it.'
+
+'Should you like me to ask mother to bring her sewing here now?'
+asked Marian, rising.
+
+'Yes, you may do so.'
+
+In this way the awkwardness of the situation was overcome, and
+when Marian next had occasion to speak of money matters no
+serious objection was offered to her proposal.
+
+Dora Milvain of course learnt what had come to pass; to
+anticipate criticism, her brother imparted to her the decision at
+which Marian and he had arrived. She reflected with an air of
+discontent.
+
+'So you are quite satisfied,' was her question at length, 'that
+Marian should toil to support her parents as well as herself?'
+
+'Can I help it?'
+
+'I shall think very ill of you if you don't marry her in a year
+at latest.'
+
+'I tell you, Marian has made a deliberate choice. She understands
+me perfectly, and is quite satisfied with my projects. You will
+have the kindness, Dora, not to disturb her faith in me.'
+
+'I agree to that; and in return I shall let you know when she
+begins to suffer from hunger. It won't be very long till then,
+you may be sure. How do you suppose three people are going to
+live on a hundred a year? And it's very doubtful indeed whether
+Marian can earn as much as fifty pounds. Never mind; I shall let
+you know when she is beginning to starve, and doubtless that will
+amuse you.'
+
+At the end of July Maud was married. Between Mr Dolomore and
+Jasper existed no superfluous kindness, each resenting the
+other's self-sufficiency; but Jasper, when once satisfied of his
+proposed brother-in-law's straightforwardness, was careful not to
+give offence to a man who might some day serve him. Provided this
+marriage resulted in moderate happiness to Maud, it was
+undoubtedly a magnificent stroke of luck. Mrs Lane, the lady who
+has so often been casually mentioned, took upon herself those
+offices in connection with the ceremony which the bride's mother
+is wont to perform; at her house was held the wedding-breakfast,
+and such other absurdities of usage as recommend themselves to
+Society. Dora of course played the part of a bridesmaid, and
+Jasper went through his duties with the suave seriousness of a
+man who has convinced himself that he cannot afford to despise
+anything that the world sanctions.
+
+About the same time occurred another event which was to have more
+importance for this aspiring little family than could as yet be
+foreseen. Whelpdale's noteworthy idea triumphed; the weekly paper
+called Chat was thoroughly transformed, and appeared as Chit-
+Chat. From the first number, the success of the enterprise was
+beyond doubt; in a month's time all England was ringing with the
+fame of this noble new development of journalism; the proprietor
+saw his way to a solid fortune, and other men who had money to
+embark began to scheme imitative publications. It was clear that
+the quarter-educated would soon be abundantly provided with
+literature to their taste.
+
+Whelpdale's exultation was unbounded, but in the fifth week of
+the life of Chit-Chat something happened which threatened to
+overturn his sober reason. Jasper was walking along the Strand
+one afternoon, when he saw his ingenious friend approaching him
+in a manner scarcely to be accounted for, unless Whelpdale's
+abstemiousness had for once given way before convivial
+invitation. The young man's hat was on the back of his head, and
+his coat flew wildly as he rushed forwards with perspiring face
+and glaring eyes. He would have passed without observing Jasper,
+had not the latter called to him; then he turned round, laughed
+insanely, grasped his acquaintance by the wrists, and drew him
+aside into a court.
+
+'What do you think?' he panted. 'What do you think has happened?'
+
+'Not what one would suppose, I hope. You seem to have gone mad.'
+
+'I've got Lake's place on Chit-Chat!' cried the other hoarsely.
+'Two hundred and fifty a year! Lake and the editor quarrelled--
+pummelled each other--neither know nor care what it was about.
+My fortune's made!'
+
+'You're a modest man,' remarked Jasper, smiling.
+
+'Certainly I am. I have always admitted it. But remember that
+there's my connection with Fleet as well; no need to give that
+up. Presently I shall be making a clear six hundred, my dear sir!
+
+A clear six hundred, if a penny!'
+
+'Satisfactory, so far.'
+
+'But you must remember that I'm not a big gun, like you! Why, my
+dear Milvain, a year ago I should have thought an income of two
+hundred a glorious competence. I don't aim at such things as are
+fit for you. You won't be content till you have thousands; of
+course I know that. But I'm a humble fellow. Yet no; by Jingo,
+I'm not! In one way I'm not--I must confess it.'
+
+'In what instance are you arrogant?'
+
+'I can't tell you--not yet; this is neither time nor place. I
+say, when will you dine with me? I shall give a dinner to half a
+dozen of my acquaintances somewhere or other. Poor old Biffen
+must come. When can you dine?'
+
+'Give me a week's notice, and I'll fit it in.'
+
+That dinner came duly off. On the day that followed, Jasper and
+Dora left town for their holiday; they went to the Channel
+Islands, and spent more than half of the three weeks they had
+allowed themselves in Sark. Passing over from Guernsey to that
+island, they were amused to see a copy of Chit-Chat in the hands
+of an obese and well-dressed man.
+
+'Is he one of the quarter-educated?' asked Dora, laughing.
+
+'Not in Whelpdale's sense of the word. But, strictly speaking, no
+doubt he is. The quarter-educated constitute a very large class
+indeed; how large, the huge success of that paper is
+demonstrating. I'll write to Whelpdale, and let him know that his
+benefaction has extended even to Sark.'
+
+This letter was written, and in a few days there came a reply.
+
+'Why, the fellow has written to you as well!' exclaimed Jasper,
+taking up a second letter; both were on the table of their
+sitting-room when they came to their lodgings for lunch. 'That's
+his hand.'
+
+'It looks like it.'
+
+Dora hummed an air as she regarded the envelope, then she took it
+away with her to her room upstairs.
+
+'What had he to say?' Jasper inquired, when she came down again
+and seated herself at the table.
+
+'Oh, a friendly letter. What does he say to you?'
+
+Dora had never looked so animated and fresh of colour since
+leaving London; her brother remarked this, and was glad to think
+that the air of the Channel should be doing her so much good. He
+read Whelpdale's letter aloud; it was facetious, but oddly
+respectful.
+
+'The reverence that fellow has for me is astonishing,' he
+observed with a laugh. 'The queer thing is, it increases the
+better he knows me.'
+
+Dora laughed for five minutes.
+
+'Oh, what a splendid epigram!' she exclaimed. 'It is indeed a
+queer thing, Jasper! Did you mean that to be a good joke, or was
+it better still by coming out unintentionally?'
+
+'You are in remarkable spirits, old girl. By-the-by, would you
+mind letting me see that letter of yours?'
+
+He held out his hand.
+
+'I left it upstairs,' Dora replied carelessly.
+
+'Rather presumptuous in him, it seems to me.'
+
+'Oh, he writes quite as respectfully to me as he does to you,'
+she returned, with a peculiar smile.
+
+'But what business has he to write at all? It's confounded
+impertinence, now I come to think of it. I shall give him a hint
+to remember his position.'
+
+Dora could not be quite sure whether he spoke seriously or not.
+As both of them had begun to eat with an excellent appetite, a
+few moments were allowed to pass before the girl again spoke.
+
+'His position is as good as ours,' she said at length.
+
+'As good as ours? The "sub." of a paltry rag like Chit-Chat, and
+assistant to a literary agency!'
+
+'He makes considerably more money than we do.'
+
+'Money! What's money?'
+
+Dora was again mirthful.
+
+'Oh, of course money is nothing! We write for honour and glory.
+Don't forget to insist on that when you reprove Mr Whelpdale; no
+doubt it will impress him.'
+
+Late in the evening of that day, when the brother and sister had
+strolled by moonlight up to the windmill which occupies the
+highest point of Sark, and as they stood looking upon the pale
+expanse of sea, dotted with the gleam of light-houses near and
+far, Dora broke the silence to say quietly:
+
+'I may as well tell you that Mr Whelpdale wants to know if I will
+marry him.'
+
+'The deuce he does!' cried Jasper, with a start. 'If I didn't
+half suspect something of that kind! What astounding impudence!'
+
+'You seriously think so?'
+
+'Well, don't you? You hardly know him, to begin with. And then--
+oh, confound it!'
+
+'Very well, I'll tell him that his impudence astonishes me.'
+
+'You will?'
+
+'Certainly. Of course in civil terms. But don't let this make any
+difference between you and him. Just pretend to know nothing
+about it; no harm is done.'
+
+'You are speaking in earnest?'
+
+'Quite. He has written in a very proper way, and there's no
+reason whatever to disturb our friendliness with him. I have a
+right to give directions in a matter like this, and you'll please
+to obey them.'
+
+Before going to bed Dora wrote a letter to Mr Whelpdale, not,
+indeed, accepting his offer forthwith, but conveying to him with
+much gracefulness an unmistakable encouragement to persevere.
+This was posted on the morrow, and its writer continued to
+benefit most remarkably by the sun and breezes and
+rock-scrambling of Sark.
+
+Soon after their return to London, Dora had the satisfaction of
+paying the first visit to her sister at the Dolomores' house in
+Ovington Square. Maud was established in the midst of luxuries,
+and talked with laughing scorn of the days when she inhabited
+Grub Street; her literary tastes were henceforth to serve as
+merely a note of distinction, an added grace which made evident
+her superiority to the well-attired and smooth-tongued people
+among whom she was content to shine. On the one hand, she had
+contact with the world of fashionable literature, on the other
+with that of fashionable ignorance. Mrs Lane's house was a
+meeting-point of the two spheres.
+
+'I shan't be there very often,' remarked Jasper, as Dora and he
+discussed their sister's magnificence. 'That's all very well in
+its way, but I aim at something higher.'
+
+'So do I,' Dora replied.
+
+'I'm very glad to hear that. I confess it seemed to me that you
+were rather too cordial with Whelpdale yesterday.'
+
+'One must behave civilly. Mr Whelpdale quite understands me.'
+
+'You are sure of that? He didn't seem quite so gloomy as he ought
+to have been.'
+
+'The success of Chit-Chat keeps him in good spirits.'
+
+It was perhaps a week after this that Mrs Dolomore came quite
+unexpectedly to the house by Regent's Park, as early as eleven
+o'clock in the morning. She had a long talk in private with Dora.
+Jasper was not at home; when he returned towards evening, Dora
+came to his room with a countenance which disconcerted him.
+
+'Is it true,' she asked abruptly, standing before him with her
+hands strained together, 'that you have been representing
+yourself as no longer engaged to Marian?'
+
+'Who has told you so?'
+
+'That doesn't matter. I have heard it, and I want to know from
+you that it is false.'
+
+Jasper thrust his hands into his pockets and walked apart.
+
+'I can take no notice,' he said with indifference, 'of anonymous
+gossip.'
+
+'Well, then, I will tell you how I have heard. Maud came this
+morning, and told me that Mrs Betterton had been asking her about
+it. Mrs Betterton had heard from Mrs Lane.'
+
+'From Mrs Lane? And from whom did she hear, pray?'
+
+'That I don't know. Is it true or not?'
+
+'I have never told anyone that my engagement was at an end,'
+replied Jasper, deliberately.
+
+The girl met his eyes.
+
+'Then I was right,' she said. 'Of course I told Maud that it was
+impossible to believe this for a moment. But how has it come to
+be said?'
+
+'You might as well ask me how any lie gets into circulation among
+people of that sort. I have told you the truth, and there's an
+end of it.'
+
+Dora lingered for a while, but left the room without saying
+anything more.
+
+She sat up late, mostly engaged in thinking, though at times an
+open book was in her hand. It was nearly half-past twelve when a
+very light rap at the door caused her to start. She called, and
+Jasper came in.
+
+'Why are you still up?' he asked, avoiding her look as he moved
+forward and took a leaning attitude behind an easy-chair.
+
+'Oh, I don't know. Do you want anything?'
+
+There was a pause; then Jasper said in an unsteady voice:
+
+'I am not given to lying, Dora, and I feel confoundedly
+uncomfortable about what I said to you early this evening. I
+didn't lie in the ordinary sense; it's true enough that I have
+never told anyone that my engagement was at an end. But I have
+acted as if it were, and it's better I should tell you.'
+
+His sister gazed at him with indignation.
+
+'You have acted as if you were free?'
+
+'Yes. I have proposed to Miss Rupert. How Mrs Lane and that lot
+have come to know anything about this I don't understand. I am
+not aware of any connecting link between them and the Ruperts, or
+the Barlows either. Perhaps there are none; most likely the
+rumour has no foundation in their knowledge. Still, it is better
+that I should have told you. Miss Rupert has never heard that I
+was engaged, nor have her friends the Barlows--at least I don't
+see how they could have done. She may have told Mrs Barlow of my
+proposal--probably would; and this may somehow have got round to
+those other people. But Maud didn't make any mention of Miss
+Rupert, did she?'
+
+Dora replied with a cold negative.
+
+'Well, there's the state of things. It isn't pleasant, but that's
+what I have done.'
+
+'Do you mean that Miss Rupert has accepted you?'
+
+'No. I wrote to her. She answered that she was going to Germany
+for a few weeks, and that I should have her reply whilst she was
+away. I am waiting.'
+
+'But what name is to be given to behaviour such as this?'
+
+'Listen: didn't you know perfectly well that this must be the end
+of it?'
+
+'Do you suppose I thought you utterly shameless and cruel beyond
+words?'
+
+'I suppose I am both. It was a moment of desperate temptation,
+though. I had dined at the Ruperts'--you remember--and it seemed
+to me there was no mistaking the girl's manner.'
+
+'Don't call her a girl!' broke in Dora, scornfully. 'You say she
+is several years older than yourself.'
+
+'Well, at all events, she's intellectual, and very rich. I
+yielded to the temptation.'
+
+'And deserted Marian just when she has most need of help and
+consolation? It's frightful!'
+
+Jasper moved to another chair and sat down. He was much
+perturbed.
+
+'Look here, Dora, I regret it; I do, indeed. And, what's more, if
+that woman refuses me--as it's more than likely she will--I will
+go to Marian and ask her to marry me at once. I promise that.'
+
+His sister made a movement of contemptuous impatience.
+
+'And if the woman doesn't refuse you?'
+
+'Then I can't help it. But there's one thing more I will say.
+Whether I marry Marian or Miss Rupert, I sacrifice my strongest
+feelings--in the one case to a sense of duty, in the other to
+worldly advantage. I was an idiot to write that letter, for I
+knew at the time that there was a woman who is far more to me
+than Miss Rupert and all her money--a woman I might, perhaps,
+marry. Don't ask any questions; I shall not answer them. As I
+have said so much, I wished you to understand my position fully.
+You know the promise I have made. Don't say anything to Marian;
+if I am left free I shall marry her as soon as possible.'
+
+And so he left the room.
+
+For a fortnight and more he remained in uncertainty. His life was
+very uncomfortable, for Dora would only speak to him when
+necessity compelled her; and there were two meetings with Marian,
+at which he had to act his part as well as he could. At length
+came the expected letter. Very nicely expressed, very friendly,
+very complimentary, but--a refusal.
+
+He handed it to Dora across the breakfast-table, saying with a
+pinched smile:
+
+'Now you can look cheerful again. I am doomed.'
+
+
+
+CHAPTER XXXV. FEVER AND REST
+
+Milvain's skilful efforts notwithstanding, 'Mr Bailey, Grocer,'
+had no success. By two publishers the book had been declined; the
+firm which brought it out offered the author half profits and
+fifteen pounds on account, greatly to Harold Biffen's
+satisfaction. But reviewers in general were either angry or
+coldly contemptuous. 'Let Mr Biffen bear in mind,' said one of
+these sages, 'that a novelist's first duty is to tell a story.'
+'Mr Biffen,' wrote another, 'seems not to understand that a work
+of art must before everything else afford amusement.' 'A
+pretentious book of the genre ennuyant,' was the brief comment of
+a Society journal. A weekly of high standing began its short
+notice in a rage: 'Here is another of those intolerable
+productions for which we are indebted to the spirit of grovelling
+realism. This author, let it be said, is never offensive, but
+then one must go on to describe his work by a succession of
+negatives; it is never interesting, never profitable, never--'
+and the rest. The eulogy in The West End had a few timid echoes.
+That in The Current would have secured more imitators, but
+unfortunately it appeared when most of the reviewing had already
+been done. And, as Jasper truly said, only a concurrence of
+powerful testimonials could have compelled any number of people
+to affect an interest in this book. 'The first duty of a novelist
+is to tell a story:' the perpetual repetition of this phrase is a
+warning to all men who propose drawing from the life. Biffen only
+offered a slice of biography, and it was found to lack flavour.
+
+He wrote to Mrs Reardon: 'I cannot thank you enough for this very
+kind letter about my book; I value it more than I should the
+praises of all the reviewers in existence. You have understood my
+aim. Few people will do that, and very few indeed could express
+it with such clear conciseness.'
+
+If Amy had but contented herself with a civil acknowledgment of
+the volumes he sent her! She thought it a kindness to write to
+him so appreciatively, to exaggerate her approval. The poor
+fellow was so lonely. Yes, but his loneliness only became
+intolerable when a beautiful woman had smiled upon him, and so
+forced him to dream perpetually of that supreme joy of life which
+to him was forbidden.
+
+It was a fatal day, that on which Amy put herself under his
+guidance to visit Reardon's poor room at Islington. In the old
+times, Harold had been wont to regard his friend's wife as the
+perfect woman; seldom in his life had he enjoyed female society,
+and when he first met Amy it was years since he had spoken with
+any woman above the rank of a lodging-house keeper or a
+needle-plier. Her beauty seemed to him of a very high order, and
+her mental endowments filled him with an exquisite delight, not
+to be appreciated by men who have never been in his position.
+When the rupture came between Amy and her husband, Harold could
+not believe that she was in any way to blame; held to Reardon by
+strong friendship, he yet accused him of injustice to Amy. And
+what he saw of her at Brighton confirmed him in this judgment.
+When he accompanied her to Manville Street, he allowed her, of
+course, to remain alone in the room where Reardon had lived; but
+Amy presently summoned him, and asked him questions. Every tear
+she shed watered a growth of passionate tenderness in the
+solitary man's heart. Parting from her at length, he went to hide
+his face in darkness and think of her--think of her.
+
+A fatal day. There was an end of all his peace, all his capacity
+for labour, his patient endurance of penury. Once, when he was
+about three-and-twenty, he had been in love with a girl of gentle
+nature and fair intelligence; on account of his poverty, he could
+not even hope that his love might be returned, and he went away
+to bear the misery as best he might. Since then the life he had
+led precluded the forming of such attachments; it would never
+have been possible for him to support a wife of however humble
+origin. At intervals he felt the full weight of his loneliness,
+but there were happily long periods during which his Greek
+studies and his efforts in realistic fiction made him indifferent
+to the curse laid upon him. But after that hour of intimate
+speech with Amy, he never again knew rest of mind or heart.
+
+Accepting what Reardon had bequeathed to him, he removed the
+books and furniture to a room in that part of the town which he
+had found most convenient for his singular tutorial pursuits. The
+winter did not pass without days of all but starvation, but in
+March he received his fifteen pounds for 'Mr Bailey,' and this
+was a fortune, putting him beyond the reach of hunger for full
+six months. Not long after that he yielded to a temptation that
+haunted him day and night, and went to call upon Amy, who was
+still living with her mother at Westbourne Park. When he entered
+the drawing-room Amy was sitting there alone; she rose with an
+exclamation of frank pleasure.
+
+'I have often thought of you lately, Mr Biffen. How kind to come
+and see me!'
+
+He could scarcely speak; her beauty, as she stood before him in
+the graceful black dress, was anguish to his excited nerves, and
+her voice was so cruel in its conventional warmth. When he looked
+at her eyes, he remembered how their brightness had been dimmed
+with tears, and the sorrow he had shared with her seemed to make
+him more than an ordinary friend. When he told her of his success
+with the publishers, she was delighted.
+
+'Oh, when is it to come out? I shall watch the advertisements so
+anxiously.'
+
+'Will you allow me to send you a copy, Mrs Reardon?'
+
+'Can you really spare one?'
+
+Of the half-dozen he would receive, he scarcely knew how to
+dispose of three. And Amy expressed her gratitude in the most
+charming way. She had gained much in point of manner during the
+past twelve months; her ten thousand pounds inspired her with the
+confidence necessary to a perfect demeanour. That slight hardness
+which was wont to be perceptible in her tone had altogether
+passed away; she seemed to be cultivating flexibility of voice.
+
+Mrs Yule came in, and was all graciousness. Then two callers
+presented themselves. Biffen's pleasure was at an end as soon as
+he had to adapt himself to polite dialogue; he escaped as
+speedily as possible.
+
+He was not the kind of man that deceives himself as to his own
+aspect in the eyes of others. Be as kind as she might, Amy could
+not set him strutting Malvolio-wise; she viewed him as a poor
+devil who often had to pawn his coat--a man of parts who would
+never get on in the world--a friend to be thought of kindly
+because her dead husband had valued him. Nothing more than that;
+he understood perfectly the limits of her feeling. But this could
+not put restraint upon the emotion with which he received any
+most trifling utterance of kindness from her. He did not think of
+what was, but of what, under changed circumstances, might be. To
+encourage such fantasy was the idlest self-torment, but he had
+gone too far in this form of indulgence. He became the slave of
+his inflamed imagination.
+
+In that letter with which he replied to her praises of his book,
+perchance he had allowed himself to speak too much as he thought.
+
+He wrote in reckless delight, and did not wait for the prudence
+of a later hour. When it was past recall, he would gladly have
+softened many of the expressions the letter contained. 'I value
+it more than the praises of all the reviewers in existence'--
+would Amy be offended at that? 'Yours in gratitude and
+reverence,' he had signed himself--the kind of phrase that comes
+naturally to a passionate man, when he would fain say more than
+he dares. To what purpose this half-revelation? Unless, indeed,
+he wished to learn once and for ever, by the gentlest of
+repulses, that his homage was only welcome so long as it kept
+well within conventional terms.
+
+He passed a month of distracted idleness, until there came a day
+when the need to see Amy was so imperative that it mastered every
+consideration. He donned his best clothes, and about four o'clock
+presented himself at Mrs Yule's house. By ill luck there happened
+to be at least half a dozen callers in the drawing-room; the
+strappado would have been preferable, in his eyes, to such an
+ordeal as this. Moreover, he was convinced that both Amy and her
+mother received him with far less cordiality than on the last
+occasion. He had expected it, but he bit his lips till the blood
+came. What business had he among people of this kind? No doubt
+the visitors wondered at his comparative shabbiness, and asked
+themselves how he ventured to make a call without the regulation
+chimney-pot hat. It was a wretched and foolish mistake.
+
+Ten minutes saw him in the street again, vowing that he would
+never approach Amy more. Not that he found fault with her; the
+blame was entirely his own.
+
+He lived on the third floor of a house in Goodge Street, above a
+baker's shop. The bequest of Reardon's furniture was a great
+advantage to him, as he had only to pay rent for a bare room; the
+books, too, came as a godsend, since the destruction of his own.
+He had now only one pupil, and was not exerting himself to find
+others; his old energy had forsaken him.
+
+For the failure of his book he cared nothing. It was no more than
+he anticipated. The work was done--the best he was capable of--
+and this satisfied him.
+
+It was doubtful whether he loved Amy, in the true sense of
+exclusive desire. She represented for him all that is lovely in
+womanhood; to his starved soul and senses she was woman, the
+complement of his frustrate being. Circumstance had made her the
+means of exciting in him that natural force which had hitherto
+either been dormant or had yielded to the resolute will.
+
+Companionless, inert, he suffered the tortures which are so
+ludicrous and contemptible to the happily married. Life was
+barren to him, and would soon grow hateful; only in sleep could
+he cast off the unchanging thoughts and desires which made all
+else meaningless. And rightly meaningless: he revolted against
+the unnatural constraints forbidding him to complete his manhood.
+
+By what fatality was he alone of men withheld from the winning of
+a woman's love?
+
+He could not bear to walk the streets where the faces of
+beautiful women would encounter him. When he must needs leave the
+house, he went about in the poor, narrow ways, where only
+spectacles of coarseness, and want, and toil would be presented
+to him. Yet even here he was too often reminded that the
+poverty-stricken of the class to which poverty is natural were
+not condemned to endure in solitude. Only he who belonged to no
+class, who was rejected alike by his fellows in privation and by
+his equals in intellect, must die without having known the touch
+of a loving woman's hand.
+
+The summer went by, and he was unconscious of its warmth and
+light. How his days passed he could not have said.
+
+One evening in early autumn, as he stood before the book-stall at
+the end of Goodge Street, a familiar voice accosted him. It was
+Whelpdale's. A month or two ago he had stubbornly refused an
+invitation to dine with Whelpdale and other acquaintances--you
+remember what the occasion was--and since then the prosperous
+young man had not crossed his path.
+
+'I've something to tell you,' said the assailer, taking hold of
+his arm. 'I'm in a tremendous state of mind, and want someone to
+share my delight. You can walk a short way, I hope? Not too busy
+with some new book?'
+
+Biffen gave no answer, but went whither he was led.
+
+'You are writing a new book, I suppose? Don't be discouraged, old
+fellow. "Mr Bailey" will have his day yet; I know men who
+consider it an undoubted work of genius. What's the next to deal
+with?'
+
+'I haven't decided yet,' replied Harold, merely to avoid
+argument. He spoke so seldom that the sound of his own voice was
+strange to him.
+
+'Thinking over it, I suppose, in your usual solid way. Don't be
+hurried. But I must tell you of this affair of mine. You know
+Dora Milvain? I have asked her to marry me, and, by the Powers!
+she has given me an encouraging answer. Not an actual yes, but
+encouraging! She's away in the Channel Islands, and I wrote--'
+
+He talked on for a quarter of an hour. Then, with a sudden
+movement, the listener freed himself.
+
+'I can't go any farther,' he said hoarsely. 'Good-bye!'
+
+Whelpdale was disconcerted.
+
+'I have been boring you. That's a confounded fault of mine; I
+know it.'
+
+Biffen had waved his hand, and was gone.
+
+A week or two more would see him at the end of his money. He had
+no lessons now, and could not write; from his novel nothing was
+to be expected. He might apply again to his brother, but such
+dependence was unjust and unworthy. And why should he struggle to
+preserve a life which had no prospect but of misery?
+
+It was in the hours following his encounter with Whelpdale that
+he first knew the actual desire of death, the simple longing for
+extinction. One must go far in suffering before the innate will-
+to-live is thus truly overcome; weariness of bodily anguish may
+induce this perversion of the instincts; less often, that despair
+of suppressed emotion which had fallen upon Harold. Through the
+night he kept his thoughts fixed on death in its aspect of
+repose, of eternal oblivion. And herein he had found solace.
+
+The next night it was the same. Moving about among common needs
+and occupations, he knew not a moment's cessation of heart-ache,
+but when he lay down in the darkness a hopeful summons whispered
+to him. Night, which had been the worst season of his pain, had
+now grown friendly; it came as an anticipation of the sleep that
+is everlasting.
+
+A few more days, and he was possessed by a calm of spirit such as
+he had never known. His resolve was taken, not in a moment of
+supreme conflict, but as the result of a subtle process by which
+his imagination had become in love with death. Turning from
+contemplation of life's one rapture, he looked with the same
+intensity of desire to a state that had neither fear nor hope.
+
+One afternoon he went to the Museum Reading-room, and was busy
+for a few minutes in consultation of a volume which he took from
+the shelves of medical literature. On his way homeward he entered
+two or three chemists' shops. Something of which he had need
+could be procured only in very small quantities; but repetition
+of his demand in different places supplied him sufficiently. When
+he reached his room, he emptied the contents of sundry little
+bottles into one larger, and put this in his pocket. Then he
+wrote rather a long letter, addressed to his brother at
+Liverpool.
+
+It had been a beautiful day, and there wanted still a couple of
+hours before the warm, golden sunlight would disappear. Harold
+stood and looked round his room. As always, it presented a neat,
+orderly aspect, but his eye caught sight of a volume which stood
+upside down, and this fault--particularly hateful to a bookish
+man--he rectified. He put his blotting-pad square on the table,
+closed the lid of the inkstand, arranged his pens. Then he took
+his hat and stick, locked the door behind him, and went
+downstairs. At the foot he spoke to his landlady, and told her
+that he should not return that night. As soon as possible after
+leaving the house he posted his letter.
+
+His direction was westward; walking at a steady, purposeful pace,
+with cheery countenance and eyes that gave sign of pleasure as
+often as they turned to the sun-smitten clouds, he struck across
+Kensington Gardens, and then on towards Fulham, where he crossed
+the Thames to Putney. The sun was just setting; he paused a few
+moments on the bridge, watching the river with a quiet smile, and
+enjoying the splendour of the sky. Up Putney Hill he walked
+slowly; when he reached the top it was growing dark, but an
+unwonted effect in the atmosphere caused him to turn and look to
+the east. An exclamation escaped his lips, for there before him
+was the new-risen moon, a perfect globe, vast and red. He gazed
+at it for a long time.
+
+When the daylight had entirely passed, he went forward on to the
+heath, and rambled, as if idly, to a secluded part, where trees
+and bushes made a deep shadow under the full moon. It was still
+quite warm, and scarcely a breath of air moved among the
+reddening leaves.
+
+Sure at length that he was remote from all observation, he
+pressed into a little copse, and there reclined on the grass,
+leaning against the stem of a tree. The moon was now hidden from
+him, but by looking upward he could see its light upon a long,
+faint cloud, and the blue of the placid sky. His mood was one of
+ineffable peace. Only thoughts of beautiful things came into his
+mind; he had reverted to an earlier period of life, when as yet
+no mission of literary realism had been imposed upon him, and
+when his passions were still soothed by natural hope. The memory
+of his friend Reardon was strongly present with him, but of Amy
+he thought only as of that star which had just come into his
+vision above the edge of dark foliage--beautiful, but infinitely
+remote.
+
+Recalling Reardon's voice, it brought to him those last words
+whispered by his dying companion. He remembered them now:
+
+We are such stuff
+As dreams are made on, and our little life
+Is rounded with a sleep.
+
+
+
+CHAPTER XXXVI. JASPER'S DELICATE CASE
+
+Only when he received Miss Rupert's amiably-worded refusal to
+become his wife was Jasper aware how firmly he had counted on her
+accepting him. He told Dora with sincerity that his proposal was
+a piece of foolishness; so far from having any regard for Miss
+Rupert, he felt towards her with something of antipathy, and at
+the same time he was conscious of ardent emotions, if not love,
+for another woman who would be no bad match even from the
+commercial point of view. Yet so strong was the effect upon him
+of contemplating a large fortune, that, in despite of reason and
+desire, he lived in eager expectation of the word which should
+make him rich. And for several hours after his disappointment he
+could not overcome the impression of calamity.
+
+A part of that impression was due to the engagement which he must
+now fulfil. He had pledged his word to ask Marian to marry him
+without further delay. To shuffle out of this duty would make him
+too ignoble even in his own eyes. Its discharge meant, as he had
+expressed it, that he was 'doomed'; he would deliberately be
+committing the very error always so flagrant to him in the case
+of other men who had crippled themselves by early marriage with a
+penniless woman. But events had enmeshed him; circumstances had
+proved fatal. Because, in his salad days, he dallied with a girl
+who had indeed many charms, step by step he had come to the
+necessity of sacrificing his prospects to that raw attachment.
+And, to make it more irritating, this happened just when the way
+began to be much clearer before him.
+
+Unable to think of work, he left the house and wandered gloomily
+about Regent's Park. For the first time in his recollection the
+confidence which was wont to inspirit him gave way to an attack
+of sullen discontent. He felt himself ill-used by destiny, and
+therefore by Marian, who was fate's instrument. It was not in his
+nature that this mood should last long, but it revealed to him
+those darker possibilities which his egoism would develop if it
+came seriously into conflict with overmastering misfortune. A
+hope, a craven hope, insinuated itself into the cracks of his
+infirm resolve. He would not examine it, but conscious of its
+existence he was able to go home in somewhat better spirits.
+
+He wrote to Marian. If possible she was to meet him at half-past
+nine next morning at Gloucester Gate. He had reasons for wishing
+this interview to take place on neutral ground.
+
+Early in the afternoon, when he was trying to do some work, there
+arrived a letter which he opened with impatient hand; the writing
+was Mrs Reardon's, and he could not guess what she had to
+communicate.
+
+'DEAR MR MILVAIN,--I am distressed beyond measure to read in this
+
+morning's newspaper that poor Mr Biffen has put an end to his
+life. Doubtless you can obtain more details than are given in
+this bare report of the discovery of his body. Will you let me
+hear, or come and see me?'
+
+He read and was astonished. Absorbed in his own affairs, he had
+not opened the newspaper to-day; it lay folded on a chair.
+Hastily he ran his eye over the columns, and found at length a
+short paragraph which stated that the body of a man who had
+evidently committed suicide by taking poison had been found on
+Putney Heath; that papers in his pockets identified him as one
+Harold Biffen, lately resident in Goodge Street, Tottenham Court
+Road; and that an inquest would be held, &c. He went to Dora's
+room, and told her of the event, but without mentioning the
+letter which had brought it under his notice.
+
+'I suppose there was no alternative between that and starvation.
+I scarcely thought of Biffen as likely to kill himself. If
+Reardon had done it, I shouldn't have felt the least surprise.'
+
+'Mr Whelpdale will be bringing us information, no doubt,' said
+Dora, who, as she spoke, thought more of that gentleman's visit
+than of the event that was to occasion it.
+
+'Really, one can't grieve. There seemed no possibility of his
+ever earning enough to live decently upon. But why the deuce did
+he go all the way out there? Consideration for the people in
+whose house he lived, I dare say; Biffen had a good deal of
+native delicacy.'
+
+Dora felt a secret wish that someone else possessed more of that
+desirable quality.
+
+Leaving her, Jasper made a rapid, though careful, toilet, and was
+presently on his way to Westbourne Park. It was his hope that he
+should reach Mrs Yule's house before any ordinary afternoon
+caller could arrive; and so he did. He had not been here since
+that evening when he encountered Reardon on the road and heard
+his reproaches. To his great satisfaction, Amy was alone in the
+drawing-room; he held her hand a trifle longer than was
+necessary, and returned more earnestly the look of interest with
+which she regarded him.
+
+'I was ignorant of this affair when your letter came,' he began,
+'and I set out immediately to see you.'
+
+'I hoped you would bring me some news. What can have driven the
+poor man to such extremity?'
+
+'Poverty, I can only suppose. But I will see Whelpdale. I hadn't
+come across Biffen for a long time.'
+
+'Was he still so very poor?' asked Amy, compassionately.
+
+'I'm afraid so. His book failed utterly.'
+
+'Oh, if I had imagined him still in such distress, surely I might
+have done something to help him!'--So often the regretful remark
+of one's friends, when one has been permitted to perish.
+
+With Amy's sorrow was mingled a suggestion of tenderness which
+came of her knowledge that the dead man had worshipped her.
+Perchance his death was in part attributable to that hopeless
+love.
+
+'He sent me a copy of his novel,' she said, 'and I saw him once
+or twice after that. But he was much better dressed than in
+former days, and I thought--'
+
+Having this subject to converse upon put the two more quickly at
+ease than could otherwise have been the case. Jasper was closely
+observant of the young widow; her finished graces made a strong
+appeal to his admiration, and even in some degree awed him. He
+saw that her beauty had matured, and it was more distinctly than
+ever of the type to which he paid reverence. Amy might take a
+foremost place among brilliant women. At a dinner-table, in grand
+toilet, she would be superb; at polite receptions people would
+whisper: 'Who is that?'
+
+Biffen fell out of the dialogue.
+
+'It grieved me very much,' said Amy, 'to hear of the misfortune
+that befell my cousin.'
+
+'The legacy affair? Why, yes, it was a pity. Especially now that
+her father is threatened with blindness.'
+
+'Is it so serious? I heard indirectly that he had something the
+matter with his eyes, but I didn't know--'
+
+'They may be able to operate before long, and perhaps it will be
+successful. But in the meantime Marian has to do his work.'
+
+'This explains the--the delay?' fell from Amy's lips, as she
+smiled.
+
+Jasper moved uncomfortably. It was a voluntary gesture.
+
+'The whole situation explains it,' he replied, with some show of
+impulsiveness. 'I am very much afraid Marian is tied during her
+father's life.'
+
+'Indeed? But there is her mother.'
+
+'No companion for her father, as I think you know. Even if Mr
+Yule recovers his sight, it is not at all likely that he will be
+able to work as before. Our difficulties are so grave that--'
+
+He paused, and let his hand fail despondently.
+
+'I hope it isn't affecting your work--your progress?'
+
+'To some extent, necessarily. I have a good deal of will, you
+remember, and what I have set my mind upon, no doubt, I shall
+some day achieve. But--one makes mistakes.'
+
+There was silence.
+
+'The last three years,' he continued, 'have made no slight
+difference in my position. Recall where I stood when you first
+knew me. I have done something since then, I think, and by my own
+steady effort.'
+
+'Indeed, you have.'
+
+'Just now I am in need of a little encouragement. You don't
+notice any falling off in my work recently?'
+
+'No, indeed.'
+
+'Do you see my things in The Current and so on, generally?'
+
+'I don't think I miss many of your articles. Sometimes I believe
+I have detected you when there was no signature.'
+
+'And Dora has been doing well. Her story in that girls' paper has
+attracted attention. It's a great deal to have my mind at rest
+about both the girls. But I can't pretend to be in very good
+spirits.' He rose. 'Well, I must try to find out something more
+about poor Biffen.'
+
+'Oh, you are not going yet, Mr Milvain?'
+
+'Not, assuredly, because I wish to. But I have work to do.' He
+stepped aside, but came back as if on an impulse. 'May I ask you
+for your advice in a very delicate matter?'
+
+Amy was a little disturbed, but she collected herself and smiled
+in a way that reminded Jasper of his walk with her along Gower
+Street.
+
+'Let me hear what it is.'
+
+He sat down again, and bent forward.
+
+'If Marian insists that it is her duty to remain with her father,
+am I justified or not in freely consenting to that?'
+
+'I scarcely understand. Has Marian expressed a wish to devote
+herself in that way?'
+
+'Not distinctly. But I suspect that her conscience points to it.
+I am in serious doubt. On the one hand,' he explained in a tone
+of candour, 'who will not blame me if our engagement terminates
+in circumstances such as these? On the other--you are aware, by-
+the-by, that her father objects in the strongest way to this
+marriage?'
+
+'No, I didn't know that.'
+
+'He will neither see me nor hear of me. Merely because of my
+connection with Fadge. Think of that poor girl thus situated. And
+I could so easily put her at rest by renouncing all claim upon
+her.'
+
+'I surmise that--that you yourself would also be put at rest by
+such a decision?'
+
+'Don't look at me with that ironical smile,' he pleaded. 'What
+you have said is true. And really, why should I not be glad of
+it? I couldn't go about declaring that I was heartbroken, in any
+event; I must be content for people to judge me according to
+their disposition, and judgments are pretty sure to be
+unfavourable. What can I do? In either case I must to a certain
+extent be in the wrong. To tell the truth, I was wrong from the
+first.'
+
+There was a slight movement about Amy's lips as these words were
+uttered: she kept her eyes down, and waited before replying.
+
+'The case is too delicate, I fear, for my advice.'
+
+'Yes, I feel it; and perhaps I oughtn't to have spoken of it at
+all. Well, I'll go back to my scribbling. I am so very glad to
+have seen you again.'
+
+'It was good of you to take the trouble to come--whilst you have
+so much on your mind.'
+
+Again Jasper held the white, soft hand for a superfluous moment.
+
+The next morning it was he who had to wait at the rendezvous; he
+was pacing the pathway at least ten minutes before the appointed
+time. When Marian joined him, she was panting from a hurried
+walk, and this affected Jasper disagreeably; he thought of Amy
+Reardon's air of repose, and how impossible it would be for that
+refined person to fall into such disorder. He observed, too, with
+more disgust than usual, the signs in Marian's attire of
+encroaching poverty--her unsatisfactory gloves, her mantle out of
+fashion. Yet for such feelings he reproached himself, and the
+reproach made him angry.
+
+They walked together in the same direction as when they met here
+before. Marian could not mistake the air of restless trouble on
+her companion's smooth countenance. She had divined that there
+was some grave reason for this summons, and the panting with
+which she had approached was half caused by the anxious beats of
+her heart. Jasper's long silence again was ominous. He began
+abruptly:
+
+'You've heard that Harold Biffen has committed suicide?'
+
+'No!' she replied, looking shocked.
+
+'Poisoned himself. You'll find something about it in today's
+Telegraph.'
+
+He gave her such details as he had obtained, then added:
+
+'There are two of my companions fallen in the battle. I ought to
+think myself a lucky fellow, Marian. What?'
+
+'You are better fitted to fight your way, Jasper.'
+
+'More of a brute, you mean.'
+
+'You know very well I don't. You have more energy and more
+intellect.'
+
+'Well, it remains to be seen how I shall come out when I am
+weighted with graver cares than I have yet known.'
+
+She looked at him inquiringly, but said nothing.
+
+'I have made up my mind about our affairs,' he went on presently.
+'Marian, if ever we are to be married, it must be now.'
+
+The words were so unexpected that they brought a flush to her
+cheeks and neck.
+
+'Now?'
+
+'Yes. Will you marry me, and let us take our chance?'
+
+Her heart throbbed violently.
+
+'You don't mean at once, Jasper? You would wait until I know what
+father's fate is to be?'
+
+'Well, now, there's the point. You feel yourself indispensable to
+your father at present?'
+
+'Not indispensable, but--wouldn't it seem very unkind? I should
+be so afraid of the effect upon his health, Jasper. So much
+depends, we are told, upon his general state of mind and body. It
+would be dreadful if I were the cause of--'
+
+She paused, and looked up at him touchingly.
+
+'I understand that. But let us face our position. Suppose the
+operation is successful; your father will certainly not be able
+to use his eyes much for a long time, if ever; and perhaps he
+would miss you as much then as now. Suppose he does not regain
+his sight; could you then leave him?'
+
+'Dear, I can't feel it would be my duty to renounce you because
+my father had become blind. And if he can see pretty well, I
+don't think I need remain with him.'
+
+'Has one thing occurred to you? Will he consent to receive an
+allowance from a person whose name is Mrs Milvain?'
+
+'I can't be sure,' she replied, much troubled.
+
+'And if he obstinately refuses--what then? What is before him?'
+
+Marian's head sank, and she stood still.
+
+'Why have you changed your mind so, Jasper?' she inquired at
+length.
+
+'Because I have decided that the indefinitely long engagement
+would be unjust to you--and to myself. Such engagements are
+always dangerous; sometimes they deprave the character of the man
+or woman.'
+
+She listened anxiously and reflected.
+
+'Everything,' he went on, 'would be simple enough but for your
+domestic difficulties. As I have said, there is the very serious
+doubt whether your father would accept money from you when you
+are my wife. Then again, shall we be able to afford such an
+allowance?'
+
+'I thought you felt sure of that?'
+
+'I'm not very sure of anything, to tell the truth. I am harassed.
+
+I can't get on with my work.'
+
+'I am very, very sorry.'
+
+'It isn't your fault, Marian, and-- Well, then, there's only one
+thing to do. Let us wait, at all events, till your father has
+undergone the operation. Whichever the result, you say your own
+position will be the same.'
+
+'Except, Jasper, that if father is helpless, I must find means of
+assuring his support.'
+
+'In other words, if you can't do that as my wife, you must remain
+Marian Yule.'
+
+After a silence, Marian regarded him steadily.
+
+'You see only the difficulties in our way,' she said, in a colder
+voice. 'They are many, I know. Do you think them insurmountable?'
+
+'Upon my word, they almost seem so,' Jasper exclaimed,
+distractedly.
+
+'They were not so great when we spoke of marriage a few years
+hence.'
+
+'A few years!' he echoed, in a cheerless voice. 'That is just
+what I have decided is impossible. Marian, you shall have the
+plain truth. I can trust your faith, but I can't trust my own. I
+will marry you now, but--years hence--how can I tell what may
+happen? I don't trust myself.'
+
+'You say you "will" marry me now; that sounds as if you had made
+up your mind to a sacrifice.'
+
+'I didn't mean that. To face difficulties, yes.'
+
+Whilst they spoke, the sky had grown dark with a heavy cloud, and
+now spots of rain began to fall. Jasper looked about him in
+annoyance as he felt the moisture, but Marian did not seem aware
+of it.
+
+'But shall you face them willingly?'
+
+'I am not a man to repine and grumble. Put up your umbrella,
+Marian.'
+
+'What do I care for a drop of rain,' she exclaimed with
+passionate sadness, 'when all my life is at stake! How am I to
+understand you? Every word you speak seems intended to dishearten
+me. Do you no longer love me? Why need you conceal it, if that is
+the truth? Is that what you mean by saying you distrust yourself?
+
+If you do so, there must be reason for it in the present. Could I
+distrust myself? Can I force myself in any manner to believe that
+I shall ever cease to love you?'
+
+Jasper opened his umbrella.
+
+'We must see each other again, Marian. We can't stand and talk in
+the rain--confound it! Cursed climate, where you can never be
+sure of a clear sky for five minutes!'
+
+'I can't go till you have spoken more plainly, Jasper! How am I
+to live an hour in such uncertainty as this? Do you love me or
+not? Do you wish me to be your wife, or are you sacrificing
+yourself?'
+
+'I do wish it!' Her emotion had an effect upon him, and his voice
+trembled. 'But I can't answer for myself--no, not for a year.
+And how are we to marry now, in face of all these--'
+
+'What can I do? What can I do?' she sobbed. 'Oh, if I were but
+heartless to everyone but to you! If I could give you my money,
+and leave my father and mother to their fate! Perhaps some could
+do that. There is no natural law that a child should surrender
+everything for her parents. You know so much more of the world
+than I do; can't you advise me? Is there no way of providing for
+my father?'
+
+'Good God! This is frightful, Marian. I can't stand it. Live as
+you are doing. Let us wait and see.'
+
+'At the cost of losing you?'
+
+'I will be faithful to you!'
+
+'And your voice says you promise it out of pity.'
+
+He had made a pretence of holding his umbrella over her, but
+Marian turned away and walked to a little distance, and stood
+beneath the shelter of a great tree, her face averted from him.
+Moving to follow, he saw that her frame was shaken by soundless
+sobbing. When his footsteps came close to her, she again looked
+at him.
+
+'I know now,' she said, 'how foolish it is when they talk of love
+being unselfish. In what can there be more selfishness? I feel as
+if I could hold you to your promise at any cost, though you have
+made me understand that you regard our engagement as your great
+misfortune. I have felt it for weeks--oh, for months! But I
+couldn't say a word that would seem to invite such misery as
+this. You don't love me, Jasper, and that's an end of everything.
+
+I should be shamed if I married you.'
+
+'Whether I love you or not, I feel as if no sacrifice would be
+too great that would bring you the happiness you deserve.'
+
+'Deserve!' she repeated bitterly. 'Why do I deserve it? Because I
+long for it with all my heart and soul? There's no such thing as
+deserving. Happiness or misery come to us by fate.'
+
+'Is it in my power to make you happy?'
+
+'No; because it isn't in your power to call dead love to life
+again. I think perhaps you never loved me. Jasper, I could give
+my right hand if you had said you loved me before--I can't put it
+into words; it sounds too base, and I don't wish to imply that
+you behaved basely. But if you had said you loved me before that,
+I should have it always to remember.'
+
+'You will do me no wrong if you charge me with baseness,' he
+replied gloomily. 'If I believe anything, I believe that I did
+love you. But I knew myself and I should never have betrayed what
+I felt, if for once in my life I could have been honourable.'
+
+The rain pattered on the leaves and the grass, and still the sky
+darkened.
+
+'This is wretchedness to both of us,' Jasper added. 'Let us part
+now, Marian. Let me see you again.'
+
+'I can't see you again. What can you say to me more than you have
+said now? I should feel like a beggar coming to you. I must try
+and keep some little self-respect, if I am to live at all.'
+
+'Then let me help you to think of me with indifference. Remember
+me as a man who disregarded priceless love such as yours to go
+and make himself a proud position among fools and knaves--indeed
+that's what it comes to. It is you who reject me, and rightly.
+One who is so much at the mercy of a vulgar ambition as I am, is
+no fit husband for you. Soon enough you would thoroughly despise
+me, and though I should know it was merited, my perverse pride
+would revolt against it. Many a time I have tried to regard life
+practically as I am able to do theoretically, but it always ends
+in hypocrisy. It is men of my kind who succeed; the
+conscientious, and those who really have a high ideal, either
+perish or struggle on in neglect.'
+
+Marian had overcome her excess of emotion.
+
+'There is no need to disparage yourself' she said. 'What can be
+simpler than the truth? You loved me, or thought you did, and now
+you love me no longer. It is a thing that happens every day,
+either in man or woman, and all that honour demands is the
+courage to confess the truth. Why didn't you tell me as soon as
+you knew that I was burdensome to you?'
+
+'Marian, will you do this?--will you let our engagement last for
+another six months, but without our meeting during that time?'
+
+'But to what purpose?'
+
+'Then we would see each other again, and both would be able to
+speak calmly, and we should both know with certainty what course
+we ought to pursue.'
+
+'That seems to me childish. It is easy for you to contemplate
+months of postponement. There must be an end now; I can bear it
+no longer.'
+
+The rain fell unceasingly, and with it began to mingle an
+autumnal mist. Jasper delayed a moment, then asked calmly:
+
+'Are you going to the Museum?'
+
+'Yes.'
+
+'Go home again for this morning, Marian. You can't work--'
+
+'I must; and I have no time to lose. Good-bye!'
+
+She gave him her hand. They looked at each other for an instant,
+then Marian left the shelter of the tree, opened her umbrella,
+and walked quickly away. Jasper did not watch her; he had the
+face of a man who is suffering a severe humiliation.
+
+A few hours later he told Dora what had come to pass, and without
+extenuation of his own conduct. His sister said very little, for
+she recognised genuine suffering in his tones and aspect. But
+when it was over, she sat down and wrote to Marian.
+
+'I feel far more disposed to congratulate you than to regret what
+has happened. Now that there is no necessity for silence, I will
+tell you something which will help you to see Jasper in his true
+light. A few weeks ago he actually proposed to a woman for whom
+he does not pretend to have the slightest affection, but who is
+very rich, and who seemed likely to be foolish enough to marry
+him. Yesterday morning he received her final answer--a refusal.
+I am not sure that I was right in keeping this a secret from you,
+but I might have done harm by interfering. You will understand
+(though surely you need no fresh proof) how utterly unworthy he
+is of you. You cannot, I am sure you cannot, regard it as a
+misfortune that all is over between you. Dearest Marian, do not
+cease to think of me as your friend because my brother has
+disgraced himself. If you can't see me, at least let us write to
+each other. You are the only friend I have of my own sex, and I
+could not bear to lose you.'
+
+And much more of the same tenor.
+
+Several days passed before there came a reply. It was written
+with undisturbed kindness of feeling, but in few words.
+
+'For the present we cannot see each other, but I am very far from
+wishing that our friendship should come to an end. I must only
+ask that you will write to me without the least reference to
+these troubles; tell me always about yourself, and be sure that
+you cannot tell me too much. I hope you may soon be able to send
+me the news which was foreshadowed in our last talk--though
+"foreshadowed" is a wrong word to use of coming happiness, isn't
+it? That paper I sent to Mr Trenchard is accepted, and I shall be
+glad to have your criticism when it comes out; don't spare my
+style, which needs a great deal of chastening. I have been
+thinking: couldn't you use your holiday in Sark for a story? To
+judge from your letters, you could make an excellent background
+of word-painting.'
+
+Dora sighed, and shook her little head, and thought of her
+brother with unspeakable disdain.
+
+
+
+CHAPTER XXXVII. REWARDS
+
+When the fitting moment arrived, Alfred Yule underwent an
+operation for cataract, and it was believed at first that the
+result would be favourable. This hope had but short duration;
+though the utmost prudence was exercised, evil symptoms declared
+themselves, and in a few months' time all prospect of restoring
+his vision was at an end. Anxiety, and then the fatal assurance,
+undermined his health; with blindness, there fell upon him the
+debility of premature old age.
+
+The position of the family was desperate. Marian had suffered
+much all the winter from attacks of nervous disorder, and by no
+effort of will could she produce enough literary work to
+supplement adequately the income derived from her fifteen hundred
+pounds. In the summer of 1885 things were at the worst; Marian
+saw no alternative but to draw upon her capital, and so relieve
+the present at the expense of the future. She had a mournful
+warning before her eyes in the case of poor Hinks and his wife,
+who were now kept from the workhouse only by charity. But at this
+juncture the rescuer appeared. Mr Quarmby and certain of his
+friends were already making a subscription for the Yules'
+benefit, when one of their number--Mr Jedwood, the publisher--
+came forward with a proposal which relieved the minds of all
+concerned. Mr Jedwood had a brother who was the director of a
+public library in a provincial town, and by this means he was
+enabled to offer Marian Yule a place as assistant in that
+institution; she would receive seventy-five pounds a year, and
+thus, adding her own income, would be able to put her parents
+beyond the reach of want. The family at once removed from London,
+and the name of Yule was no longer met with in periodical
+literature.
+
+By an interesting coincidence, it was on the day of this
+departure that there appeared a number of The West End in which
+the place of honour, that of the week's Celebrity, was occupied
+by Clement Fadge. A coloured portrait of this illustrious man
+challenged the admiration of all who had literary tastes, and two
+columns of panegyric recorded his career for the encouragement of
+aspiring youth. This article, of course unsigned, came from the
+pen of Jasper Milvain.
+
+It was only by indirect channels that Jasper learnt how Marian
+and her parents had been provided for. Dora's correspondence with
+her friend soon languished; in the nature of things this could
+not but happen; and about the time when Alfred Yule became
+totally blind the girls ceased to hear anything of each other. An
+event which came to pass in the spring sorely tempted Dora to
+write, but out of good feeling she refrained.
+
+For it was then that she at length decided to change her name for
+that of Whelpdale. Jasper could not quite reconcile himself to
+this condescension; in various discourses he pointed out to his
+sister how much higher she might look if she would only have a
+little patience.
+
+'Whelpdale will never be a man of any note. A good fellow, I
+admit, but borne in all senses. Let me impress upon you, my dear
+girl, that I have a future before me, and that there is no
+reason--with your charm of person and mind--why you should not
+marry brilliantly. Whelpdale can give you a decent home, I admit,
+but as regards society he will be a drag upon you.'
+
+'It happens, Jasper, that I have promised to marry him,' replied
+Dora, in a significant tone.
+
+'Well, I regret it, but--you are of course your own mistress. I
+shall make no unpleasantness. I don't dislike Whelpdale, and I
+shall remain on friendly terms with him.'
+
+'That is very kind of you,' said his sister suavely.
+
+Whelpdale was frantic with exultation. When the day of the
+wedding had been settled, he rushed into Jasper's study and
+fairly shed tears before he could command his voice.
+
+'There is no mortal on the surface of the globe one-tenth so
+happy as I am!' he gasped. 'I can't believe it! Why in the name
+of sense and justice have I been suffered to attain this
+blessedness? Think of the days when I all but starved in my
+Albany Street garret, scarcely better off than poor, dear old
+Biffen! Why should I have come to this, and Biffen have poisoned
+himself in despair? He was a thousand times a better and cleverer
+fellow than I. And poor old Reardon, dead in misery! Could I for
+a moment compare with him?'
+
+'My dear fellow,' said Jasper, calmly, 'compose yourself and be
+logical. In the first place, success has nothing whatever to do
+with moral deserts; and then, both Reardon and Biffen were
+hopelessly unpractical. In such an admirable social order as
+ours, they were bound to go to the dogs. Let us be sorry for
+them, but let us recognise causas rerum, as Biffen would have
+said. You have exercised ingenuity and perseverance; you have
+your reward.'
+
+'And when I think that I might have married fatally on thirteen
+or fourteen different occasions. By-the-by, I implore you never
+to tell Dora those stories about me. I should lose all her
+respect. Do you remember the girl from Birmingham?' He laughed
+wildly. 'Heaven be praised that she threw me over! Eternal
+gratitude to all and sundry of the girls who have plunged me into
+wretchedness!'
+
+'I admit that you have run the gauntlet, and that you have had
+marvellous escapes. But be good enough to leave me alone for the
+present. I must finish this review by midday.'
+
+'Only one word. I don't know how to thank Dora, how to express my
+infinite sense of her goodness. Will you try to do so for me? You
+can speak to her with calmness. Will you tell her what I have
+said to you?'
+
+'Oh, certainly.--I should recommend a cooling draught of some
+kind. Look in at a chemist's as you walk on.'
+
+The heavens did not fall before the marriage-day, and the wedded
+pair betook themselves for a few weeks to the Continent. They had
+been back again and established in their house at Earl's Court
+for a month, when one morning about twelve o'clock Jasper dropped
+in, as though casually. Dora was writing; she had no thought of
+entirely abandoning literature, and had in hand at present a very
+pretty tale which would probably appear in The English Girl. Her
+boudoir, in which she sat, could not well have been daintier and
+more appropriate to the charming characteristics of its mistress.
+
+Mrs Whelpdale affected no literary slovenliness; she was dressed
+in light colours, and looked so lovely that even Jasper paused on
+the threshold with a smile of admiration.
+
+'Upon my word,' he exclaimed, 'I am proud of my sisters! What did
+you think of Maud last night? Wasn't she superb?'
+
+'She certainly did look very well. But I doubt if she's very
+happy.'
+
+'That is her own look out; I told her plainly enough my opinion
+of Dolomore. But she was in such a tremendous hurry.'
+
+'You are detestable, Jasper! Is it inconceivable to you that a
+man or woman should be disinterested when they marry?'
+
+'By no means.'
+
+'Maud didn't marry for money any more than I did.'
+
+'You remember the Northern Farmer: "Doan't thou marry for money,
+but go where money is." An admirable piece of advice. Well, Maud
+made a mistake, let us say. Dolomore is a clown, and now she
+knows it. Why, if she had waited, she might have married one of
+the leading men of the day. She is fit to be a duchess, as far as
+appearance goes; but I was never snobbish. I care very little
+about titles; what I look to is intellectual distinction.'
+
+'Combined with financial success.'
+
+'Why, that is what distinction means.' He looked round the room
+with a smile. 'You are not uncomfortable here, old girl. I wish
+mother could have lived till now.'
+
+'I wish it very, very often,' Dora replied in a moved voice.
+
+'We haven't done badly, drawbacks considered. Now, you may speak
+of money as scornfully as you like; but suppose you had married a
+man who could only keep you in lodgings! How would life look to
+you?'
+
+'Who ever disputed the value of money? But there are things one
+mustn't sacrifice to gain it.'
+
+'I suppose so. Well, I have some news for you, Dora. I am
+thinking of following your example.'
+
+Dora's face changed to grave anticipation.
+
+'And who is it?'
+
+'Amy Reardon.'
+
+His sister turned away, with a look of intense annoyance.
+
+'You see, I am disinterested myself,' he went on. 'I might find a
+wife who had wealth and social standing. But I choose Amy
+deliberately.'
+
+'An abominable choice!'
+
+'No; an excellent choice. I have never yet met a woman so well
+fitted to aid me in my career. She has a trifling sum of money,
+which will be useful for the next year or two--'
+
+'What has she done with the rest of it, then?'
+
+'Oh, the ten thousand is intact, but it can't be seriously spoken
+of. It will keep up appearances till I get my editorship and so
+on. We shall be married early in August, I think. I want to ask
+you if you will go and see her.'
+
+'On no account! I couldn't be civil to her.'
+
+Jasper's brows blackened.
+
+'This is idiotic prejudice, Dora. I think I have some claim upon
+you; I have shown some kindness--'
+
+'You have, and I am not ungrateful. But I dislike Mrs Reardon,
+and I couldn't bring myself to be friendly with her.'
+
+'You don't know her.'
+
+'Too well. You yourself have taught me to know her. Don't compel
+me to say what I think of her.'
+
+'She is beautiful, and high-minded, and warm-hearted. I don't
+know a womanly quality that she doesn't possess. You will offend
+me most seriously if you speak a word against her.'
+
+'Then I will be silent. But you must never ask me to meet her.'
+
+'Never?'
+
+'Never!'
+
+'Then we shall quarrel. I haven't deserved this, Dora. If you
+refuse to meet my wife on terms of decent friendliness, there's
+no more intercourse between your house and mine. You have to
+choose. Persist in this fatuous obstinacy, and I have done with
+you!'
+
+'So be it!'
+
+'That is your final answer?'
+
+Dora, who was now as angry as he, gave a short affirmative, and
+Jasper at once left her.
+
+But it was very unlikely that things should rest at this pass.
+The brother and sister were bound by a strong mutual affection,
+and Whelpdale was not long in effecting a compromise.
+
+'My dear wife,' he exclaimed, in despair at the threatened
+calamity, 'you are right, a thousand times, but it's impossible
+for you to be on ill terms with Jasper. There's no need for you
+to see much of Mrs Reardon--'
+
+'I hate her! She killed her husband; I am sure of it.'
+
+'My darling!'
+
+'I mean by her base conduct. She is a cold, cruel, unprincipled
+creature! Jasper makes himself more than ever contemptible by
+marrying her.'
+
+All the same, in less than three weeks Mrs Whelpdale had called
+upon Amy, and the call was returned. The two women were perfectly
+conscious of reciprocal dislike, but they smothered the feeling
+beneath conventional suavities. Jasper was not backward in making
+known his gratitude for Dora's concession, and indeed it became
+clear to all his intimates that this marriage would be by no
+means one of mere interest; the man was in love at last, if he
+had never been before.
+
+Let lapse the ensuing twelve months, and come to an evening at
+the end of July, 1886. Mr and Mrs Milvain are entertaining a
+small and select party of friends at dinner. Their house in
+Bayswater is neither large nor internally magnificent, but it
+will do very well for the temporary sojourn of a young man of
+letters who has much greater things in confident expectation, who
+is a good deal talked of, who can gather clever and worthy people
+at his table, and whose matchless wife would attract men of taste
+to a very much poorer abode.
+
+Jasper had changed considerably in appearance since that last
+holiday that he spent in his mother's house at Finden. At present
+he would have been taken for five-and-thirty, though only in his
+twenty-ninth year; his hair was noticeably thinning; his
+moustache had grown heavier; a wrinkle or two showed beneath his
+eyes; his voice was softer, yet firmer. It goes without saying
+that his evening uniform lacked no point of perfection, and
+somehow it suggested a more elaborate care than that of other men
+in the room. He laughed frequently, and with a throwing back of
+the head which seemed to express a spirit of triumph.
+
+Amy looked her years to the full, but her type of beauty, as you
+know, was independent of youthfulness. That suspicion of
+masculinity observable in her when she became Reardon's wife
+impressed one now only as the consummate grace of a
+perfectly-built woman. You saw that at forty, at fifty, she would
+be one of the stateliest of dames. When she bent her head towards
+the person with whom she spoke, it was an act of queenly favour.
+Her words were uttered with just enough deliberation to give them
+the value of an opinion; she smiled with a delicious shade of
+irony; her glance intimated that nothing could be too subtle for
+her understanding.
+
+The guests numbered six, and no one of them was insignificant.
+Two of the men were about Jasper's age, and they had already made
+their mark in literature; the third was a novelist of circulating
+fame, spirally crescent. The three of the stronger sex were
+excellent modern types, with sweet lips attuned to epigram, and
+good broad brows.
+
+The novelist at one point put an interesting question to Amy.
+
+'Is it true that Fadge is leaving The Current?'
+
+'It is rumoured, I believe.'
+
+'Going to one of the quarterlies, they say,' remarked a lady. 'He
+is getting terribly autocratic. Have you heard the delightful
+story of his telling Mr Rowland to persevere, as his last work
+was one of considerable promise?'
+
+Mr Rowland was a man who had made a merited reputation when Fadge
+was still on the lower rungs of journalism. Amy smiled and told
+another anecdote of the great editor. Whilst speaking, she caught
+her husband's eye, and perhaps this was the reason why her story,
+at the close, seemed rather amiably pointless--not a common fault
+when she narrated.
+
+When the ladies had withdrawn, one of the younger men, in a
+conversation about a certain magazine, remarked:
+
+'Thomas always maintains that it was killed by that solemn old
+stager, Alfred Yule. By the way, he is dead himself, I hear.'
+
+Jasper bent forward.
+
+'Alfred Yule is dead?'
+
+'So Jedwood told me this morning. He died in the country
+somewhere, blind and fallen on evil days, poor old fellow.'
+
+All the guests were ignorant of any tie of kindred between their
+host and the man spoken of.
+
+'I believe,' said the novelist, 'that he had a clever daughter
+who used to do all the work he signed. That used to be a current
+bit of scandal in Fadge's circle.'
+
+'Oh, there was much exaggeration in that,' remarked Jasper,
+blandly. 'His daughter assisted him, doubtless, but in quite a
+legitimate way. One used to see her at the Museum.'
+
+The subject was dropped.
+
+An hour and a half later, when the last stranger had taken his
+leave, Jasper examined two or three letters which had arrived
+since dinner-time and were lying on the hall table. With one of
+them open in his hand, he suddenly sprang up the stairs and
+leaped, rather than stepped, into the drawing-room. Amy was
+reading an evening paper.
+
+'Look at this!' he cried, holding the letter to her.
+
+It was a communication from the publishers who owned The Current;
+they stated that the editorship of that review would shortly be
+resigned by Mr Fadge, and they inquired whether Milvain would
+feel disposed to assume the vacant chair.
+
+Amy sprang up and threw her arms about her husband's neck,
+uttering a cry of delight.
+
+'So soon! Oh, this is great! this is glorious!'
+
+'Do you think this would have been offered to me but for the
+spacious life we have led of late? Never! Was I right in my
+calculations, Amy?'
+
+'Did I ever doubt it?'
+
+He returned her embrace ardently, and gazed into her eyes with
+profound tenderness.
+
+'Doesn't the future brighten?'
+
+'It has been very bright to me, Jasper, since I became your
+wife.'
+
+'And I owe my fortune to you, dear girl. Now the way is smooth!'
+
+They placed themselves on a settee, Jasper with an arm about his
+wife's waist, as if they were newly plighted lovers. When they
+had talked for a long time, Milvain said in a changed tone:
+
+'I am told that your uncle is dead.'
+
+He mentioned how the news had reached him.
+
+'I must make inquiries to-morrow. I suppose there will be a
+notice in The Study and some of the other papers. I hope somebody
+will make it an opportunity to have a hit at that ruffian Fadge.
+By-the-by, it doesn't much matter now how you speak of Fadge; but
+I was a trifle anxious when I heard your story at dinner.'
+
+'Oh, you can afford to be more independent.--What are you
+thinking about?'
+
+'Nothing.'
+
+'Why do you look sad?--Yes, I know, I know. I'll try to forgive
+you.'
+
+'I can't help thinking at times of the poor girl, Amy. Life will
+be easier for her now, with only her mother to support. Someone
+spoke of her this evening, and repeated Fadge's lie that she used
+to do all her father's writing.'
+
+'She was capable of doing it. I must seem to you rather a poor-
+brained woman in comparison. Isn't it true?'
+
+'My dearest, you are a perfect woman, and poor Marian was only a
+clever school-girl. Do you know, I never could help imagining
+that she had ink-stains on her fingers. Heaven forbid that I
+should say it unkindly! It was touching to me at the time, for I
+knew how fearfully hard she worked.'
+
+'She nearly ruined your life; remember that.'
+
+Jasper was silent.
+
+'You will never confess it, and that is a fault in you.'
+
+'She loved me, Amy.'
+
+'Perhaps! as a school-girl loves. But you never loved her.'
+
+'No.'
+
+Amy examined his face as he spoke.
+
+'Her image is very faint before me,' Jasper pursued, 'and soon I
+shall scarcely be able to recall it. Yes, you are right; she
+nearly ruined me. And in more senses than one. Poverty and
+struggle, under such circumstances, would have made me a
+detestable creature. As it is, I am not such a bad fellow, Amy.'
+
+She laughed, and caressed his cheek.
+
+'No, I am far from a bad fellow. I feel kindly to everyone who
+deserves it. I like to be generous, in word and deed. Trust me,
+there's many a man who would like to be generous, but is made
+despicably mean by necessity. What a true sentence that is of
+Landor's: "It has been repeated often enough that vice leads to
+misery; will no man declare that misery leads to vice?" I have
+much of the weakness that might become viciousness, but I am now
+far from the possibility of being vicious. Of course there are
+men, like Fadge, who seem only to grow meaner the more prosperous
+they are; but these are exceptions. Happiness is the nurse of virtue.'
+
+'And independence the root of happiness.'
+
+'True. "The glorious privilege of being independent"--yes, Burns
+understood the matter. Go to the piano, dear, and play me
+something. If I don't mind, I shall fall into Whelpdale's vein,
+and talk about my "blessedness". Ha! isn't the world a glorious place?'
+
+'For rich people.'
+
+'Yes, for rich people. How I pity the poor devils!--Play
+anything. Better still if you will sing, my nightingale!'
+
+So Amy first played and then sang, and Jasper lay back in dreamy bliss.
+
+
+
+
+
+End of The Project Gutenberg Etext New Grub Street, by George Gissing
+